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What changes would you suggest?'),(818,0,'questions_1_text','What are the benefits of doing so, pedagogically and intellectually?'),(819,0,'questions_2_text','What about the digital form – as opposed to working with the materials in analogue form, for example – works well for you, and what does not? How does this site’s digital form contribute to the archive’s strengths and weaknesses?'),(820,0,'questions_2_text','What has been your best experience or greatest success?'),(821,0,'questions_3_text','What are some of the challenges you have encountered?'),(822,0,'questions_3_text','What other issues or questions relating to The Walt Whitman Archive most intrigue you?'),(823,0,'questions_4_text','How do you integrate archival work, logistically and practically, into your curriculum?'),(824,0,'respondent_name','Timothy B. Powell'),(825,0,'respondents','0'),(826,0,'respondents','5'),(827,0,'respondents_0_bio','Kevin Gotkin graduated summa cum laude and Phi Beta Kappa from New York University\'s Department of Media, Culture &amp; Communication in 2011. He is now a Ph.D. student at the Annenberg School for Communication at University of Pennsylvania. His research investigates the history of hacking, technical expertise, and disability.\n\n<a href=\"http://kevingotkin.com\">kevingotkin.com</a>'),(828,0,'respondents_0_bio','Kevin Gotkin graduated summa cum laude and Phi Beta Kappa from New York University\'s Department of Media, Culture &amp; Communication in 2011. He is now a Ph.D. student at the Annenberg School for Communication at University of Pennsylvania. His research investigates the history of hacking, technical expertise, and disability.\r\n\r\n<a href=\"http://kevingotkin.com\">kevingotkin.com</a>'),(829,0,'respondents_0_bio','Mark Greene has directed the American Heritage Center, University of Wyoming, since 2002. The AHC is the University’s manuscripts repository (75,000 c. ft.), rare books library (55,000 titles), and university archives, serving 6,000+ researchers from the US and a dozen nations annually. He has been an archivist and curator at Carleton College, the Minnesota Historical Society, and the Henry Ford Museum. He has published 24 articles in the U.S., Canada, and Europe. He teaches appraisal workshops for the Society of American Archivists (SAA). He served as the SAA president (2007-08), on its governing council, and chaired its manuscripts repositories section, congressional papers roundtable, and committee on education and professional development. In 2002 he was elected an SAA Fellow.'),(830,0,'respondents_0_name','Kevin Gotkin'),(831,0,'respondents_0_name','Mark A. Greene'),(832,0,'respondents_0_pic',''),(833,0,'respondents_0_pic','1465'),(834,0,'respondents_0_respondent_bio','Kevin Gotkin graduated summa cum laude and Phi Beta Kappa from New York University\'s Department of Media, Culture &amp; Communication in 2011. He is now a Ph.D. student at the Annenberg School for Communication at University of Pennsylvania. His research investigates the history of hacking, technical expertise, and disability.\n\n<a href=\"http://kevingotkin.com\">kevingotkin.com</a>'),(835,0,'respondents_0_respondent_bio','Kevin Gotkin graduated summa cum laude and Phi Beta Kappa from New York University\'s Department of Media, Culture &amp; Communication in 2011. He is now a Ph.D. student at the Annenberg School for Communication at University of Pennsylvania. His research investigates the history of hacking, technical expertise, and disability.\r\n\r\n<a href=\"http://kevingotkin.com\">kevingotkin.com</a>'),(836,0,'respondents_0_respondent_bio','Mark Greene has directed the American Heritage Center, University of Wyoming, since 2002. The AHC is the University’s manuscripts repository (75,000 c. ft.), rare books library (55,000 titles), and university archives, serving 6,000+ researchers from the US and a dozen nations annually. He has been an archivist and curator at Carleton College, the Minnesota Historical Society, and the Henry Ford Museum. He has published 24 articles in the U.S., Canada, and Europe. He teaches appraisal workshops for the Society of American Archivists (SAA). He served as the SAA president (2007-08), on its governing council, and chaired its manuscripts repositories section, congressional papers roundtable, and committee on education and professional development. In 2002 he was elected an SAA Fellow.'),(837,0,'respondents_0_respondent_name','Kevin Gotkin'),(838,0,'respondents_0_respondent_name','Mark A. Greene'),(839,0,'respondents_0_respondent_pic',''),(840,0,'respondents_0_respondent_pic','1465'),(841,0,'respondents_0_respondent_title','Director, American Heritage Center — University of Wyoming,  Past President — Society of American Archivists'),(842,0,'respondents_0_respondent_title','Recent undergraduate -- NYU <br /> Phd Student, Annenberg School for Communication -- University of Pennsylvania'),(843,0,'respondents_0_responses_title',''),(844,0,'respondents_0_responses_title','Undergraduates in the Archives: The Pleasures <span style=\"text-decoration: line-through;\">and Perils</span> of Old and New Media Research'),(845,0,'respondents_0_title','Director, American Heritage Center — University of Wyoming<br>Past President — Society of American Archivists'),(846,0,'respondents_0_title','Recent undergraduate -- NYU <br /> Phd Student, Annenberg School for Communication -- University of Pennsylvania'),(847,0,'respondents_1_bio','Benjamin Hebblethwaite, who was born in Johannesburg, South Africa, is an Assistant Professor in the Department of Languages, Literatures and Cultures at the University of Florida. He is the coeditor (with Jacques Pierre) of Arthur Rimbaud’s prose poem <em>Une saison en enfer / Yon sezon matchyavèl</em> (2010). He has published articles in the <em>Journal of Pidgin and Creole Languages</em>, <em>Bilingualism: Language and Cognition</em>, <em>Cahiers de linguistique</em>, <em>Revue roumaine de linguistique</em>, and the <em>Journal of Universal Language</em>.\r\n\r\n<a href=\"http://ufdc.ufl.edu/vodou\">The Vodou Archive</a>'),(848,0,'respondents_1_bio','Evan McGonagill graduated from Bryn Mawr College in 2010 with a BA in English, where she developed her interests in queer studies, poetry, and British Victorian literature. Her senior thesis addressed the failure of George Eliot’s novel Romola (1862-3), anchoring a discussion of the relationship between textual form and content with a critical examination of historical context. She is currently employed by the Open Society Foundations in New York City, where she is participating in the development of collaborative content-management software for NGOs. Evan plans to pursue a graduate degree in English.'),(849,0,'respondents_1_name','Benjamin Hebblethwaite'),(850,0,'respondents_1_name','Evan McGonagill'),(851,0,'respondents_1_pic',''),(852,0,'respondents_1_pic','1462'),(853,0,'respondents_1_respondent_bio',''),(854,0,'respondents_1_respondent_bio','Benjamin Hebblethwaite, who was born in Johannesburg, South Africa, is an Assistant Professor in the Department of Languages, Literatures and Cultures at the University of Florida. He is the coeditor (with Jacques Pierre) of Arthur Rimbaud’s prose poem <em>Une saison en enfer / Yon sezon matchyavèl</em> (2010). He has published articles in the <em>Journal of Pidgin and Creole Languages</em>, <em>Bilingualism: Language and Cognition</em>, <em>Cahiers de linguistique</em>, <em>Revue roumaine de linguistique</em>, and the <em>Journal of Universal Language</em>.\n\n<a href=\"http://ufdc.ufl.edu/vodou\">The Vodou Archive</a>'),(855,0,'respondents_1_respondent_bio','Benjamin Hebblethwaite, who was born in Johannesburg, South Africa, is an Assistant Professor in the Department of Languages, Literatures and Cultures at the University of Florida. He is the coeditor (with Jacques Pierre) of Arthur Rimbaud’s prose poem <em>Une saison en enfer / Yon sezon matchyavèl</em> (2010). He has published articles in the <em>Journal of Pidgin and Creole Languages</em>, <em>Bilingualism: Language and Cognition</em>, <em>Cahiers de linguistique</em>, <em>Revue roumaine de linguistique</em>, and the <em>Journal of Universal Language</em>.\r\n\r\n<a href=\"http://ufdc.ufl.edu/vodou\">The Vodou Archive</a>'),(856,0,'respondents_1_respondent_bio','Evan McGonagill graduated from Bryn Mawr College in 2010 with a BA in English, where she developed her interests in queer studies, poetry, and British Victorian literature. Her senior thesis addressed the failure of George Eliot’s novel Romola (1862-3), anchoring a discussion of the relationship between textual form and content with a critical examination of historical context. She is currently employed by the Open Society Foundations in New York City, where she is participating in the development of collaborative content-management software for NGOs. Evan plans to pursue a graduate degree in English.'),(857,0,'respondents_1_respondent_name',''),(858,0,'respondents_1_respondent_name','Benjamin Hebblethwaite'),(859,0,'respondents_1_respondent_name','Evan McGonagill'),(860,0,'respondents_1_respondent_pic',''),(861,0,'respondents_1_respondent_pic','1462'),(862,0,'respondents_1_respondent_title',''),(863,0,'respondents_1_respondent_title',' BA in English — Bryn Mawr College'),(864,0,'respondents_1_respondent_title','Assistant Professor, Department of Languages, Literature & Culture -- University of Florida <br />PI, The Vodou Archive'),(865,0,'respondents_1_responses_title',''),(866,0,'respondents_1_responses_title','Vodou Songs in Haitian Creole and English and the Journey to <em>The Vodou Archive</em>'),(867,0,'respondents_1_title','Assistant Professor, Department of Languages, Literature & Culture -- University of Florida <br />PI, The Vodou Archive'),(868,0,'respondents_1_title','Recent Undergraduate, BA in English — Bryn Mawr College'),(869,0,'respondents_2_bio','Kenneth Price is the Hillegass University Professor of Nineteenth-Century Literature and co-director of the Center for Digital Research in the Humanities at the University of Nebraska–Lincoln. His recent books include Re-Scripting Walt Whitman: An Introduction to His Life and Work, co-authored with Ed Folsom (Blackwell, 2005) and To Walt Whitman, America (University of North Carolina Press, 2004). Since 1995, Price has co-edited The Walt Whitman Archive. In 2005, the Archive received a “We the People” challenge grant from NEH to build a permanent endowment to support ongoing work. Price also co-directs a second digital project, Civil War Washington. In 2008, he received a Digital Innovation Award from ACLS.'),(870,0,'respondents_2_bio','[ need bio for TIMOTHY POWELL]\r\n\r\n<a href=\"http://gibagadinamaagoom.info/\">Gibagadinamaagoom: An Ojibwe Digital Archive</a>'),(871,0,'respondents_2_name','Kenneth M. Price'),(872,0,'respondents_2_name','Timothy B. Powell'),(873,0,'respondents_2_pic',''),(874,0,'respondents_2_pic','1464'),(875,0,'respondents_2_respondent_bio',''),(876,0,'respondents_2_respondent_bio','Dr. Timothy Powell is a faculty member in the Religious Studies Department at the University of Pennsylvania. He has directed three NEH grants in partnership with Ojibwe tribal and community colleges in northern Minnesota. The current NEH grant (2010-2011), through Leech Lake Tribal College, is working to build a digital archive supported by the Penn’s School of Arts and Sciences IT department. When completed, Gibagadinamaagoom (\"To Bring to Life, to Sanction, to Give Permission\"), will include more than 100 videos of Ojibwe elders. Dr. Powell also serves as Director of Native American Projects at the American Philosophical Society, where he directs an Mellon Foundation grant to digitize the entire Native American audio recordings collection, which totals more than 3000 hours. The Ojibwe, Tuscarora, Penobscot and Eastern Band of the Cherokee Indians are partnering with the APS on a project called \"digital knowledge sharing.\"\n\n<a href=\"http://gibagadinamaagoom.info/\" target=\"_blank\">Gibagadinamaagoom : An Ojibwe Digital Archive</a>'),(877,0,'respondents_2_respondent_bio','Dr. Timothy Powell is a faculty member in the Religious Studies Department at the University of Pennsylvania. He has directed three NEH grants in partnership with Ojibwe tribal and community colleges in northern Minnesota. The current NEH grant (2010-2011), through Leech Lake Tribal College, is working to build a digital archive supported by the Penn’s School of Arts and Sciences IT department. When completed, Gibagadinamaagoom (\"To Bring to Life, to Sanction, to Give Permission\"), will include more than 100 videos of Ojibwe elders. Dr. Powell also serves as Director of Native American Projects at the American Philosophical Society, where he directs an Mellon Foundation grant to digitize the entire Native American audio recordings collection, which totals more than 3000 hours. The Ojibwe, Tuscarora, Penobscot and Eastern Band of the Cherokee Indians are partnering with the APS on a project called \"digital knowledge sharing.\"\r\n\r\n<a href=\"http://gibagadinamaagoom.info/\" target=\"_blank\">Gibagadinamaagoom : An Ojibwe Digital Archive</a>'),(878,0,'respondents_2_respondent_bio','Kenneth Price is the Hillegass University Professor of Nineteenth-Century Literature and co-director of the Center for Digital Research in the Humanities at the University of Nebraska–Lincoln. His recent books include Re-Scripting Walt Whitman: An Introduction to His Life and Work, co-authored with Ed Folsom (Blackwell, 2005) and To Walt Whitman, America (University of North Carolina Press, 2004). Since 1995, Price has co-edited The Walt Whitman Archive. In 2005, the Archive received a “We the People” challenge grant from NEH to build a permanent endowment to support ongoing work. Price also co-directs a second digital project, Civil War Washington. In 2008, he received a Digital Innovation Award from ACLS.'),(879,0,'respondents_2_respondent_bio','[ need bio for TIMOTHY POWELL]\r\n\r\n<a href=\"http://gibagadinamaagoom.info/\">Gibagadinamaagoom: An Ojibwe Digital Archive</a>'),(880,0,'respondents_2_respondent_name',''),(881,0,'respondents_2_respondent_name','Kenneth M. Price'),(882,0,'respondents_2_respondent_name','Timothy B. Powell'),(883,0,'respondents_2_respondent_pic',''),(884,0,'respondents_2_respondent_pic','1464'),(885,0,'respondents_2_respondent_title',''),(886,0,'respondents_2_respondent_title','Director of Special Native American Projects -- American Philosophical Society <br />Senior Research Scientist -- Penn Museum of Archaeology and Anthropology; Curator, Gibagadinamaagoom: An Ojibwe Digital Archive'),(887,0,'respondents_2_respondent_title','The Walt Whitman Archive project co-director & Hillegass University Professor of American literature — University of Nebraska-Lincoln.'),(888,0,'respondents_2_responses_title',''),(889,0,'respondents_2_responses_title','Connecting Native American Elders to Undergraduates: The Ojibwe Digital Archive Project '),(890,0,'respondents_2_title','Director of Special Native American Projects -- American Philosophical Society <br />Senior Research Scientist -- Penn Museum of Archaeology and Anthropology; Curator, Gibagadinamaagoom: An Ojibwe Digital Archive'),(891,0,'respondents_2_title','The Walt Whitman Archive Project Co-Director<br>Hillegass University Professor of American literature — University of Nebraska-Lincoln'),(892,0,'respondents_3_bio',''),(893,0,'respondents_3_bio','Suzy Tabara is Head of Special Collections and University Archivist at Olin Library, Wesleyan University.\r\n\r\n<a href=\"http://www.wesleyan.edu/library/schome/index.html\">Wesleyan University: Special Collections &amp; Archive</a>'),(894,0,'respondents_3_name','Claire Warwick'),(895,0,'respondents_3_name','Suzy Taraba'),(896,0,'respondents_3_pic',''),(897,0,'respondents_3_pic','1461'),(898,0,'respondents_3_respondent_bio',''),(899,0,'respondents_3_respondent_bio','Suzy Tabara is Head of Special Collections and University Archivist at Olin Library, Wesleyan University.\n\n<a href=\"http://www.wesleyan.edu/library/schome/index.html\">Wesleyan University: Special Collections &amp; Archive</a>'),(900,0,'respondents_3_respondent_bio','Suzy Tabara is Head of Special Collections and University Archivist at Olin Library, Wesleyan University.\r\n\r\n<a href=\"http://www.wesleyan.edu/library/schome/index.html\">Wesleyan University: Special Collections &amp; Archive</a>'),(901,0,'respondents_3_respondent_name',''),(902,0,'respondents_3_respondent_name','Claire Warwick'),(903,0,'respondents_3_respondent_name','Suzy Taraba'),(904,0,'respondents_3_respondent_pic',''),(905,0,'respondents_3_respondent_pic','1461'),(906,0,'respondents_3_respondent_title',''),(907,0,'respondents_3_respondent_title','Head of Special Collections and University Archivist -- Wesleyan University'),(908,0,'respondents_3_respondent_title','Reader in Digital Humanities, Department of Information Studies and Director, Centre for Digital Humanities — University College London'),(909,0,'respondents_3_responses_title',''),(910,0,'respondents_3_responses_title','Teaching Class Sessions in University Archives and Special Collections'),(911,0,'respondents_3_title','Head of Special Collections and University Archivist -- Wesleyan University'),(912,0,'respondents_3_title','Reader in Digital Humanities, Department of Information Studies<br>Director, Centre for Digital Humanities — University College London'),(913,0,'respondents_4_bio','Edward Whitley has published essays on Walt Whitman and American poetry in such journals as ELH, Nineteenth-Century Literature, and The Walt Whitman Quarterly Review. His book, American Bards: Walt Whitman and Other Unlikely Candidates for National Poet, was published by the University of North Carolina Press in 2010. He is the co-director, with Robert Weidman, of The Vault at Pfaff’s, an online archive of the art and literature produced by the literary bohemians of antebellum New York, and the co-PI, with Andrew Jewell, on “The Crowded Page”, an NEH-funded digital project that uses Semantic Web technologies to study the workings of literary communities.'),(914,0,'respondents_4_bio','Sarah Werner is the Undergraduate Program Director at the Folger Shakespeare Library and an Associate Editor of <em>Shakespeare Quarterly</em>. She is also Editor and a regular contributor to the Library\'s blog, <em>The Collation</em>.\r\n\r\n<a href=\"http://sarahwerner.net/blog\">Wynken de Worde</a>'),(915,0,'respondents_4_name','Edward Whitley'),(916,0,'respondents_4_name','Sarah Werner'),(917,0,'respondents_4_pic',''),(918,0,'respondents_4_pic','1463'),(919,0,'respondents_4_respondent_bio',''),(920,0,'respondents_4_respondent_bio','Edward Whitley has published essays on Walt Whitman and American poetry in such journals as ELH, Nineteenth-Century Literature, and The Walt Whitman Quarterly Review. His book, American Bards: Walt Whitman and Other Unlikely Candidates for National Poet, was published by the University of North Carolina Press in 2010. He is the co-director, with Robert Weidman, of The Vault at Pfaff’s, an online archive of the art and literature produced by the literary bohemians of antebellum New York, and the co-PI, with Andrew Jewell, on “The Crowded Page”, an NEH-funded digital project that uses Semantic Web technologies to study the workings of literary communities.'),(921,0,'respondents_4_respondent_bio','Sarah Werner is the Undergraduate Program Director at the Folger Shakespeare Library and an Associate Editor of <em>Shakespeare Quarterly</em>. She is also Editor and a regular contributor to the Library\'s blog, <em>The Collation</em>.\n\n<a href=\"http://sarahwerner.net/blog\">Wynken de Worde</a>'),(922,0,'respondents_4_respondent_bio','Sarah Werner is the Undergraduate Program Director at the Folger Shakespeare Library and an Associate Editor of <em>Shakespeare Quarterly</em>. She is also Editor and a regular contributor to the Library\'s blog, <em>The Collation</em>.\r\n\r\n<a href=\"http://sarahwerner.net/blog\">Wynken de Worde</a>'),(923,0,'respondents_4_respondent_name',''),(924,0,'respondents_4_respondent_name','Edward Whitley'),(925,0,'respondents_4_respondent_name','Sarah Werner'),(926,0,'respondents_4_respondent_pic',''),(927,0,'respondents_4_respondent_pic','1463'),(928,0,'respondents_4_respondent_title',''),(929,0,'respondents_4_respondent_title','Associate Professor of English and Director of American Studies — Lehigh University'),(930,0,'respondents_4_respondent_title','Undergraduate Program Director -- Folger Library'),(931,0,'respondents_4_responses_title',''),(932,0,'respondents_4_responses_title','Undergraduate Research at the Folger '),(933,0,'respondents_4_title','Associate Professor of English and Director of American Studies — Lehigh University'),(934,0,'respondents_4_title','Undergraduate Program Director -- Folger Library'),(935,0,'rule','a:4:{s:5:\"param\";s:13:\"page_template\";s:8:\"operator\";s:2:\"==\";s:5:\"value\";s:7:\"default\";s:8:\"order_no\";s:1:\"1\";}'),(936,0,'rule','a:4:{s:5:\"param\";s:13:\"post_category\";s:8:\"operator\";s:2:\"==\";s:5:\"value\";s:2:\"16\";s:8:\"order_no\";s:1:\"1\";}'),(937,0,'rule','a:4:{s:5:\"param\";s:4:\"page\";s:8:\"operator\";s:2:\"==\";s:5:\"value\";s:2:\"16\";s:8:\"order_no\";s:1:\"0\";}'),(938,0,'rule','a:4:{s:5:\"param\";s:4:\"page\";s:8:\"operator\";s:2:\"==\";s:5:\"value\";s:2:\"18\";s:8:\"order_no\";s:1:\"1\";}'),(939,0,'rule','a:4:{s:5:\"param\";s:4:\"page\";s:8:\"operator\";s:2:\"==\";s:5:\"value\";s:4:\"2529\";s:8:\"order_no\";s:1:\"1\";}'),(940,0,'rule','a:4:{s:5:\"param\";s:8:\"taxonomy\";s:8:\"operator\";s:2:\"!=\";s:5:\"value\";s:2:\"72\";s:8:\"order_no\";s:1:\"0\";}'),(941,0,'rule','a:4:{s:5:\"param\";s:8:\"taxonomy\";s:8:\"operator\";s:2:\"==\";s:5:\"value\";s:2:\"14\";s:8:\"order_no\";s:1:\"0\";}'),(942,0,'rule','a:4:{s:5:\"param\";s:8:\"taxonomy\";s:8:\"operator\";s:2:\"==\";s:5:\"value\";s:2:\"62\";s:8:\"order_no\";s:1:\"0\";}'),(943,0,'rule','a:4:{s:5:\"param\";s:8:\"taxonomy\";s:8:\"operator\";s:2:\"==\";s:5:\"value\";s:2:\"62\";s:8:\"order_no\";s:1:\"1\";}'),(944,0,'rule','a:4:{s:5:\"param\";s:8:\"taxonomy\";s:8:\"operator\";s:2:\"==\";s:5:\"value\";s:2:\"66\";s:8:\"order_no\";s:1:\"0\";}'),(945,0,'rule','a:4:{s:5:\"param\";s:8:\"taxonomy\";s:8:\"operator\";s:2:\"==\";s:5:\"value\";s:2:\"72\";s:8:\"order_no\";s:1:\"0\";}'),(946,0,'rule','a:4:{s:5:\"param\";s:8:\"taxonomy\";s:8:\"operator\";s:2:\"==\";s:5:\"value\";s:2:\"77\";s:8:\"order_no\";s:1:\"0\";}'),(947,0,'rule','a:4:{s:5:\"param\";s:8:\"taxonomy\";s:8:\"operator\";s:2:\"==\";s:5:\"value\";s:3:\"105\";s:8:\"order_no\";s:1:\"0\";}'),(948,0,'rule','a:4:{s:5:\"param\";s:8:\"taxonomy\";s:8:\"operator\";s:2:\"==\";s:5:\"value\";s:3:\"106\";s:8:\"order_no\";s:1:\"0\";}'),(949,0,'rule','a:4:{s:5:\"param\";s:9:\"post_type\";s:8:\"operator\";s:2:\"==\";s:5:\"value\";s:4:\"page\";s:8:\"order_no\";s:1:\"0\";}'),(950,0,'rule','a:4:{s:5:\"param\";s:9:\"post_type\";s:8:\"operator\";s:2:\"==\";s:5:\"value\";s:4:\"post\";s:8:\"order_no\";s:1:\"0\";}'),(951,0,'rule','a:4:{s:5:\"param\";s:9:\"post_type\";s:8:\"operator\";s:2:\"==\";s:5:\"value\";s:4:\"post\";s:8:\"order_no\";s:1:\"1\";}'),(952,0,'show_on_page','a:6:{i:0;s:11:\"the_content\";i:1;s:13:\"custom_fields\";i:2;s:10:\"discussion\";i:3;s:8:\"comments\";i:4;s:4:\"slug\";i:5;s:6:\"author\";}'),(953,0,'sidebar','0'),(954,0,'sidebar','2'),(955,0,'sidebar','3'),(956,0,'sidebar','5'),(957,0,'sidebar_0_label',''),(958,0,'sidebar_0_label','Student Commentary'),(959,0,'sidebar_0_post_number','1040'),(960,0,'sidebar_0_post_number','1051'),(961,0,'sidebar_0_post_number','1059'),(962,0,'sidebar_0_post_number','1113'),(963,0,'sidebar_0_post_number','1128'),(964,0,'sidebar_0_post_number','967'),(965,0,'sidebar_1_label',''),(966,0,'sidebar_1_label','Project Leader Commentary'),(967,0,'sidebar_1_post_number','1027'),(968,0,'sidebar_1_post_number','1053'),(969,0,'sidebar_1_post_number','1062'),(970,0,'sidebar_1_post_number','1110'),(971,0,'sidebar_1_post_number','1152'),(972,0,'sidebar_1_post_number','976'),(973,0,'sidebar_2_label',''),(974,0,'sidebar_2_label','More Info'),(975,0,'sidebar_2_post_number','1020'),(976,0,'sidebar_2_post_number','1049'),(977,0,'sidebar_2_post_number','1116'),(978,0,'sidebar_2_post_number','1126'),(979,0,'sidebar_2_post_number','985'),(980,0,'sidebar_3_label',''),(981,0,'sidebar_3_post_number','1132'),(982,0,'sidebar_4_label',''),(983,0,'sidebar_4_post_number','1123'),(984,0,'sub_header','Analysis and Discussion in the Round'),(985,0,'subtitle',''),(986,0,'subtitle','A Nation Mourns'),(987,0,'subtitle','Dakota Devos\' tour following the Antiphonary for Abbess of Sainte-Marie of Beaupré, ink on parchment (Flemish, 1290). '),(988,0,'subtitle','Disciplinarity and Disorder'),(989,0,'subtitle','Elizabeth Dowdle\'s tour following Capitoline Amazon, marble (Roman copy after Kresilas, Greek, active ca. 450 BC - 420 BC).'),(990,0,'subtitle','Joan Tkacs\' tour following an ivory Casket with Scenes of Romances, ivory and bone with modern iron mounts (French, 1330-1350).'),(991,0,'subtitle','Leave a Message'),(992,0,'subtitle','Lehigh, Coeducation, and Its Impact'),(993,0,'subtitle','Teaching & Learning'),(994,0,'subtitle','The Archeology of Archival Practice:'),(995,0,'subtitle','Tracking the Journey of the first American edition of Jane Austen’s Emma'),(996,0,'summary_body',''),(997,0,'summary_body','This community space features a blog with reports from the field, from comments on archival finds to reviews of conferences or new resources to suggestions for best practices.'),(998,0,'summary_body','“So, how do we bring students to our table?” That was the question a special collections librarian asked in 1999. &lt;sup&gt;&lt;a id=\"ref1\" href=\"#fn1\"&gt;[1]&lt;/a&gt;&lt;/sup&gt; Now, in 2012, the question is no longer how: “Teaching with primary source materials is unquestionably ‘hot’ in higher education [as] authentic rare books, manuscripts, or archival documents\" appear in many undergraduate classrooms. &lt;sup&gt;&lt;a id=\"ref2\" href=\"#fn2\"&gt;[2]&lt;/a&gt;&lt;/sup&gt;\r\n\r\nThe table is full; the effort to bring undergraduates into special collections and archives has been enormously successful. What matters now is how to turn these encounters to account. What happens in the archival laboratory, a place where students are actively involved in research, stewardship, publication, and exhibits? How do librarians, curators, archivists, instructors, and technology specialists collaborate to get such projects off the ground? How do we make use of these encounters to develop research and interpretive skills, showcase students’ findings, and learn from their discoveries? What do students report that they have gained through their archival experiences?\r\n\r\nIn this issue of “Archives, Remixed,” we present six case studies illustrating inventive solutions to these dilemmas of success. The parameters and formats of these projects demonstrate the diversity of ways to teach with primary source materials: not all of the projects take place in a classroom context (although some do); not all the student work is authored singly (although some is). Some projects involve one institution, while others involve partnerships with local organizations or other universities or colleges; some projects are more analog, others more digital; and some end when the student’s work is complete, while others continue. The projects all have historical claims, but the array of objects under consideration—architectural drawings, photographs, ancient statuary, newspaper clippings, rare books, personal mementos—speaks to many disciplines. The academic institutions where these projects originate, from a community college to liberal arts colleges to a research university, vary as much as the projects themselves.\r\n\r\nEach case study focuses the work students produce in these archival encounters. On each case-study page, you will find a sample of student work accompanied by a project description; commentary on the project by the student(s); commentary from the teachers, librarians, and/or technologists who structured the projects and guided students through them; as well as links to related or additional resources.\r\n\r\nWe invite you to explore, to comment, and to use these case studies as fodder for your own research and teaching projects.\r\n&lt;div class=\"footnote\"&gt;&lt;sup id=\"fn1\"&gt;[1]&lt;/sup&gt;Allen, Susan M. “Rare Books and the College Library: Current Practices in Marrying Undergraduates to Special Collections.” Rare Books &amp;amp; Manuscripts Librarianship 13.2 (Spring 1999): 110-19.&lt;/div&gt;\r\n&lt;div class=\"footnote\"&gt;&lt;sup id=\"fn1\"&gt;[2]&lt;/sup&gt; Bahde, Anne. “Taking the Show on the Road: Special Collections Instruction in the Campus Classroom.” RBM: A Journal of Rare Books, Manuscripts, &amp;amp; Cultural Heritage 12.2 (Fall 2011): 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rel=\"license\" href=\"http://creativecommons.org/licenses/by-nc-sa/3.0/deed.en_US\"><img alt=\"Creative Commons License\" style=\"border-width:0\" src=\"http://i.creativecommons.org/l/by-nc-sa/3.0/80x15.png\" /></a><br />This work is licensed under a <a rel=\"license\" href=\"http://creativecommons.org/licenses/by-nc-sa/3.0/deed.en_US\">Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License</a>.'),(2865,1500,'no_sidebar','0'),(2866,1500,'questions','5'),(2867,1500,'questions_0_text','How have you worked with undergraduates in archives and/or special collections?'),(2868,1500,'questions_1_text','What are the benefits of doing so, pedagogically and intellectually?'),(2869,1500,'questions_2_text','What has been your best experience or greatest success?'),(2870,1500,'questions_3_text','What are some of the challenges you have encountered?'),(2871,1500,'questions_4_text','How do you integrate archival work, logistically and practically, into your curriculum?'),(2872,1500,'respondents','5'),(6691,3498,'case_studies','0'),(6648,3497,'case_studies','0'),(6649,3497,'commentpress','0'),(6650,3497,'custom_css',''),(6651,3497,'custom_links',''),(6652,3497,'custom_script',''),(6653,3497,'no_sidebar','0'),(2874,1500,'respondents_0_respondent_bio','Kevin Gotkin graduated summa cum laude and Phi Beta Kappa from New York University\'s Department of Media, Culture &amp; Communication in 2011. He is now a Ph.D. student at the Annenberg School for Communication at University of Pennsylvania. His research investigates the history of hacking, technical expertise, and disability.\r\n\r\n<a href=\"http://kevingotkin.com\">kevingotkin.com</a>'),(2875,1500,'respondents_0_respondent_name','Kevin Gotkin'),(2876,1500,'respondents_0_respondent_pic',''),(2877,1500,'respondents_0_respondent_title','Recent undergraduate, NYU <br /> Phd Student, Annenberg School for Communication, University of Pennsylvania'),(2878,1500,'respondents_0_responses_title','Undergraduates in the Archives: The Pleasures <span style=\"text-decoration: line-through;\">and Perils</span> of Old and New Media Research'),(2879,1500,'respondents_1_respondent_bio','Benjamin Hebblethwaite, who was born in Johannesburg, South Africa, is an Assistant Professor in the Department of Languages, Literatures and Cultures at the University of Florida. He is the coeditor (with Jacques Pierre) of Arthur Rimbaud’s prose poem <em>Une saison en enfer / Yon sezon matchyavèl</em> (2010). He has published articles in the <em>Journal of Pidgin and Creole Languages</em>, <em>Bilingualism: Language and Cognition</em>, <em>Cahiers de linguistique</em>, <em>Revue roumaine de linguistique</em>, and the <em>Journal of Universal Language</em>.\r\n\r\n<a href=\"http://ufdc.ufl.edu/vodou\">The Vodou Archive</a>'),(2880,1500,'respondents_1_respondent_name','Benjamin Hebblethwaite'),(2881,1500,'respondents_1_respondent_pic',''),(2882,1500,'respondents_1_respondent_title','Assistant Professor, Department of Languages, Literature & Culture, University of Florida <br />PI, The Vodou Archive'),(2883,1500,'respondents_1_responses_title','Vodou Songs in Haitian Creole and English and the Journey to <em>The Vodou Archive</em>'),(2884,1500,'respondents_2_respondent_bio','Dr. Timothy Powell is a faculty member in the Religious Studies Department at the University of Pennsylvania. He has directed three NEH grants in partnership with Ojibwe tribal and community colleges in northern Minnesota. The current NEH grant (2010-2011), through Leech Lake Tribal College, is working to build a digital archive supported by the Penn’s School of Arts and Sciences IT department. When completed, Gibagadinamaagoom (\"To Bring to Life, to Sanction, to Give Permission\"), will include more than 100 videos of Ojibwe elders. Dr. Powell also serves as Director of Native American Projects at the American Philosophical Society, where he directs an Mellon Foundation grant to digitize the entire Native American audio recordings collection, which totals more than 3000 hours. 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Powell'),(2886,1500,'respondents_2_respondent_pic',''),(2887,1500,'respondents_2_respondent_title','Director, Native American Projects, American Philosophical Society <br /> Senior Lecturer, Department of Religious Studies, University of Pennsylvania; Editor, Gibagadinamaagoom: An Ojibwe Digital Archive'),(2888,1500,'respondents_2_responses_title','Connecting Native American Elders to Undergraduates: The Ojibwe Digital Archive Project '),(2889,1500,'respondents_3_respondent_bio','Suzy Tabara is Head of Special Collections and University Archivist at Olin Library, Wesleyan University.\r\n\r\n<a href=\"http://www.wesleyan.edu/library/schome/index.html\">Wesleyan University: Special Collections &amp; Archive</a>'),(2890,1500,'respondents_3_respondent_name','Suzy Taraba'),(2891,1500,'respondents_3_respondent_pic',''),(2892,1500,'respondents_3_respondent_title','Head of Special Collections and University Archivist, Wesleyan University'),(2893,1500,'respondents_3_responses_title','Teaching Class Sessions in University Archives and Special Collections'),(2894,1500,'respondents_4_respondent_bio','Sarah Werner is the Undergraduate Program Director at the Folger Shakespeare Library and an Associate Editor of <em>Shakespeare Quarterly</em>. She is also Editor and a regular contributor to the Library\'s blog, <em>The Collation</em>.\r\n\r\n<a href=\"http://sarahwerner.net/blog\">Wynken de Worde</a>'),(2895,1500,'respondents_4_respondent_name','Sarah Werner'),(2896,1500,'respondents_4_respondent_pic',''),(2897,1500,'respondents_4_respondent_title','Undergraduate Program Director, Folger Shakespeare Library'),(2898,1500,'respondents_4_responses_title','Undergraduate Research at the Folger '),(2899,1500,'subtitle','Teaching & 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Project Case Studies'),(3603,1711,'summary_body','“So, how do we bring students to our table?” That was the question a special collections librarian asked in 1999. &lt;sup&gt;&lt;a id=\"ref1\" href=\"#fn1\"&gt;[1]&lt;/a&gt;&lt;/sup&gt; Now, in 2012, the question is no longer how: “Teaching with primary source materials is unquestionably ‘hot’ in higher education [as] authentic rare books, manuscripts, or archival documents\" appear in many undergraduate classrooms. &lt;sup&gt;&lt;a id=\"ref2\" href=\"#fn2\"&gt;[2]&lt;/a&gt;&lt;/sup&gt;\r\n\r\nThe table is full; the effort to bring undergraduates into special collections and archives has been enormously successful. What matters now is how to turn these encounters to account. What happens in the archival laboratory, a place where students are actively involved in research, stewardship, publication, and exhibits? How do librarians, curators, archivists, instructors, and technology specialists collaborate to get such projects off the ground? How do we make use of these encounters to develop research and interpretive skills, showcase students’ findings, and learn from their discoveries? What do students report that they have gained through their archival experiences?\r\n\r\nIn this issue of “Archives, Remixed,” we present six case studies illustrating inventive solutions to these dilemmas of success. The parameters and formats of these projects demonstrate the diversity of ways to teach with primary source materials: not all of the projects take place in a classroom context (although some do); not all the student work is authored singly (although some is). Some projects involve one institution, while others involve partnerships with local organizations or other universities or colleges; some projects are more analog, others more digital; and some end when the student’s work is complete, while others continue. The projects all have historical claims, but the array of objects under consideration—architectural drawings, photographs, ancient statuary, newspaper clippings, rare books, personal mementos—speaks to many disciplines. The academic institutions where these projects originate, from a community college to liberal arts colleges to a research university, vary as much as the projects themselves.\r\n\r\nEach case study focuses the work students produce in these archival encounters. On each case-study page, you will find a sample of student work accompanied by a project description; commentary on the project by the student(s); commentary from the teachers, librarians, and/or technologists who structured the projects and guided students through them; as well as links to related or additional resources.\r\n\r\nWe invite you to explore, to comment, and to use these case studies as fodder for your own research and teaching projects.\r\n&lt;div class=\"footnote\"&gt;&lt;sup id=\"fn1\"&gt;[1]&lt;/sup&gt;Allen, Susan M. “Rare Books and the College Library: Current Practices in Marrying Undergraduates to Special Collections.” Rare Books &amp;amp; Manuscripts Librarianship 13.2 (Spring 1999): 110-19.&lt;/div&gt;\r\n&lt;div class=\"footnote\"&gt;&lt;sup id=\"fn1\"&gt;[2]&lt;/sup&gt; Bahde, Anne. “Taking the Show on the Road: Special Collections Instruction in the Campus Classroom.” RBM: A Journal of Rare Books, Manuscripts, &amp;amp; Cultural Heritage 12.2 (Fall 2011): 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How would you use or refer to this site in your own work?'),(4311,336,'questions_1_text','What are its weaknesses? What do you wish it would let you do? What changes would you suggest?'),(4312,336,'questions_2_text','What about the digital form – as opposed to working with the materials in analogue form, for example – works well for you, and what does not? How does this site’s digital form contribute to the archive’s strengths and weaknesses?'),(4313,336,'questions_3_text','What other issues or questions relating to The Walt Whitman Archive most intrigue you?'),(4314,336,'respondents','5'),(4315,336,'respondents_0_respondent_bio','Mark Greene has directed the American Heritage Center, University of Wyoming, since 2002. The AHC is the University’s manuscripts repository (75,000 c. ft.), rare books library (55,000 titles), and university archives, serving 6,000+ researchers from the US and a dozen nations annually. He has been an archivist and curator at Carleton College, the Minnesota Historical Society, and the Henry Ford Museum. He has published 24 articles in the U.S., Canada, and Europe. He teaches appraisal workshops for the Society of American Archivists (SAA). He served as the SAA president (2007-08), on its governing council, and chaired its manuscripts repositories section, congressional papers roundtable, and committee on education and professional development. In 2002 he was elected an SAA Fellow.'),(4316,336,'respondents_0_respondent_name','Mark A. Greene'),(4317,336,'respondents_0_respondent_pic','1465'),(4318,336,'respondents_0_respondent_title','Director, American Heritage Center — University of Wyoming,  Past President — Society of American Archivists'),(4319,336,'respondents_0_responses_title',''),(4320,336,'respondents_1_respondent_bio','Evan McGonagill graduated from Bryn Mawr College in 2010 with a BA in English, where she developed her interests in queer studies, poetry, and British Victorian literature. Her senior thesis addressed the failure of George Eliot’s novel Romola (1862-3), anchoring a discussion of the relationship between textual form and content with a critical examination of historical context. She is currently employed by the Open Society Foundations in New York City, where she is participating in the development of collaborative content-management software for NGOs. Evan plans to pursue a graduate degree in English.'),(4321,336,'respondents_1_respondent_name','Evan McGonagill'),(4322,336,'respondents_1_respondent_pic','1462'),(4323,336,'respondents_1_respondent_title',' BA in English — Bryn Mawr College'),(4324,336,'respondents_1_responses_title',''),(4325,336,'respondents_2_respondent_bio','Kenneth Price is the Hillegass University Professor of Nineteenth-Century Literature and co-director of the Center for Digital Research in the Humanities at the University of Nebraska–Lincoln. His recent books include Re-Scripting Walt Whitman: An Introduction to His Life and Work, co-authored with Ed Folsom (Blackwell, 2005) and To Walt Whitman, America (University of North Carolina Press, 2004). Since 1995, Price has co-edited The Walt Whitman Archive. In 2005, the Archive received a “We the People” challenge grant from NEH to build a permanent endowment to support ongoing work. Price also co-directs a second digital project, Civil War Washington. In 2008, he received a Digital Innovation Award from ACLS.'),(4326,336,'respondents_2_respondent_name','Kenneth M. Price'),(4327,336,'respondents_2_respondent_pic','1464'),(4328,336,'respondents_2_respondent_title','The Walt Whitman Archive project co-director & Hillegass University Professor of American literature — University of Nebraska-Lincoln.'),(4329,336,'respondents_2_responses_title',''),(4330,336,'respondents_3_respondent_bio',''),(4331,336,'respondents_3_respondent_name','Claire Warwick'),(4332,336,'respondents_3_respondent_pic','1461'),(4333,336,'respondents_3_respondent_title','Reader in Digital Humanities, Department of Information Studies and Director, Centre for Digital Humanities — University College London'),(4334,336,'respondents_3_responses_title',''),(4335,336,'respondents_4_respondent_bio','Edward Whitley has published essays on Walt Whitman and American poetry in such journals as ELH, Nineteenth-Century Literature, and The Walt Whitman Quarterly Review. His book, American Bards: Walt Whitman and Other Unlikely Candidates for National Poet, was published by the University of North Carolina Press in 2010. He is the co-director, with Robert Weidman, of The Vault at Pfaff’s, an online archive of the art and literature produced by the literary bohemians of antebellum New York, and the co-PI, with Andrew Jewell, on “The Crowded Page”, an NEH-funded digital project that uses Semantic Web technologies to study the workings of literary communities.'),(4336,336,'respondents_4_respondent_name','Edward Whitley'),(4337,336,'respondents_4_respondent_pic','1463'),(4338,336,'respondents_4_respondent_title','Associate Professor of English and Director of American Studies — Lehigh University'),(4339,336,'respondents_4_responses_title',''),(4340,336,'subtitle',''),(4341,3370,'case_studies','0'),(4342,3370,'cc_license','<a rel=\"license\" href=\"http://creativecommons.org/licenses/by-nc-sa/3.0/deed.en_US\"><img alt=\"Creative Commons License\" style=\"border-width:0\" src=\"http://i.creativecommons.org/l/by-nc-sa/3.0/80x15.png\" /></a>This work is licensed under a <a rel=\"license\" href=\"http://creativecommons.org/licenses/by-nc-sa/3.0/deed.en_US\">Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License</a>.'),(4343,3370,'commentpress','1'),(4344,3370,'custom_css',''),(4345,3370,'custom_links',''),(4346,3370,'custom_script',''),(4347,3370,'main_post','1500'),(4348,3370,'no_sidebar','0'),(4349,3370,'question_number','5'),(4350,3370,'respondent','Timothy B. 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Price'),(5594,3436,'subtitle',''),(5595,111,'cc_license','<a rel=\"license\" href=\"http://creativecommons.org/licenses/by-nc/3.0/deed.en_US\"><img alt=\"Creative Commons License\" style=\"border-width:0\" src=\"http://i.creativecommons.org/l/by-nc/3.0/80x15.png\" /></a>This work is licensed under a <a rel=\"license\" href=\"http://creativecommons.org/licenses/by-nc/3.0/deed.en_US\">Creative Commons Attribution-NonCommercial 3.0 Unported License</a>.'),(5596,111,'_cc_license','field_5087534fa838d'),(5599,111,'_wp_old_slug','kenneth-m-price-response-3'),(5600,3437,'Question Number','2'),(5601,3437,'Question','What are its weaknesses?  What do you wish it would let you do?  What changes would you suggest?'),(5602,3437,'Topic','The Walt Whitman Archive'),(5603,3437,'case_studies','0'),(5604,3437,'commentpress','0'),(5605,3437,'custom_css',''),(5606,3437,'custom_links',''),(5607,3437,'custom_script',''),(5608,3437,'main_post','336'),(5609,3437,'no_sidebar','0'),(5610,3437,'question_number','2'),(5611,3437,'respondent','Kenneth M. Price'),(5612,3437,'subtitle',''),(5613,109,'cc_license','<a rel=\"license\" href=\"http://creativecommons.org/licenses/by-nc/3.0/deed.en_US\"><img alt=\"Creative Commons License\" style=\"border-width:0\" src=\"http://i.creativecommons.org/l/by-nc/3.0/80x15.png\" /></a>This work is licensed under a <a rel=\"license\" href=\"http://creativecommons.org/licenses/by-nc/3.0/deed.en_US\">Creative Commons Attribution-NonCommercial 3.0 Unported License</a>.'),(5614,109,'_cc_license','field_5087534fa838d'),(5617,109,'_wp_old_slug','kenneth-m-price-response-2'),(5618,107,'_edit_lock','1351538799:19'),(5619,3438,'Question Number','1'),(5620,3438,'Question','What are the strengths of this archive? How would you use or refer to this site in your own work?'),(5621,3438,'Topic','The Walt Whitman Archive'),(5622,3438,'case_studies','0'),(5623,3438,'commentpress','0'),(5624,3438,'custom_css',''),(5625,3438,'custom_links',''),(5626,3438,'custom_script',''),(5627,3438,'main_post','336'),(5628,3438,'no_sidebar','0'),(5629,3438,'question_number','1'),(5630,3438,'respondent','Kenneth M. Price'),(5631,3438,'subtitle',''),(5632,107,'cc_license','<a rel=\"license\" href=\"http://creativecommons.org/licenses/by-nc/3.0/deed.en_US\"><img alt=\"Creative Commons License\" style=\"border-width:0\" src=\"http://i.creativecommons.org/l/by-nc/3.0/80x15.png\" /></a>This work is licensed under a <a rel=\"license\" href=\"http://creativecommons.org/licenses/by-nc/3.0/deed.en_US\">Creative Commons Attribution-NonCommercial 3.0 Unported License</a>.'),(5633,107,'_cc_license','field_5087534fa838d'),(5636,107,'_wp_old_slug','kenneth-m-price-response-1'),(5637,107,'_oembed_e7f742482222a39226d3644a5050b192','{{unknown}}'),(5638,83,'_edit_lock','1352594068:10'),(5639,88,'_edit_lock','1352595501:10'),(5640,90,'_edit_lock','1369108905:24'),(5641,104,'_edit_lock','1351538849:19'),(5642,3439,'Question Number','4'),(5643,3439,'Question','What other issues or questions relating to The Walt Whitman Archive most intrigue you?'),(5644,3439,'Topic','The Walt Whitman Archive'),(5645,3439,'case_studies','0'),(5646,3439,'commentpress','1'),(5647,3439,'custom_css',''),(5648,3439,'custom_links',''),(5649,3439,'custom_script',''),(5650,3439,'main_post','336'),(5651,3439,'no_sidebar','0'),(5652,3439,'question_number','4'),(5653,3439,'respondent','Mark A. Greene'),(5654,3439,'subtitle',''),(5655,104,'cc_license','<a rel=\"license\" href=\"http://creativecommons.org/licenses/by-nc/3.0/deed.en_US\"><img alt=\"Creative Commons License\" style=\"border-width:0\" src=\"http://i.creativecommons.org/l/by-nc/3.0/80x15.png\" /></a>This work is licensed under a <a rel=\"license\" href=\"http://creativecommons.org/licenses/by-nc/3.0/deed.en_US\">Creative Commons Attribution-NonCommercial 3.0 Unported License</a>.'),(5656,104,'_cc_license','field_5087534fa838d'),(5659,104,'_wp_old_slug','mark-a-greene-response-4'),(5660,3440,'Question Number','3'),(5661,3440,'Question','What about the digital form – as opposed to working with the materials in analog form, for example  – works well for you, and what does not? How does the site\'s digital form contribute to the archive\'s strengths and weaknesses?'),(5662,3440,'Topic','The Walt Whitman Archive'),(5663,3440,'case_studies','0'),(5664,3440,'commentpress','1'),(5665,3440,'custom_css',''),(5666,3440,'custom_links',''),(5667,3440,'custom_script',''),(5668,3440,'main_post','336'),(5669,3440,'no_sidebar','0'),(5670,3440,'question_number','3'),(5671,3440,'respondent','Mark A. Greene'),(5672,3440,'subtitle',''),(5673,90,'cc_license','<a rel=\"license\" href=\"http://creativecommons.org/licenses/by-nc/3.0/deed.en_US\"><img alt=\"Creative Commons License\" style=\"border-width:0\" src=\"http://i.creativecommons.org/l/by-nc/3.0/80x15.png\" /></a>This work is licensed under a <a rel=\"license\" href=\"http://creativecommons.org/licenses/by-nc/3.0/deed.en_US\">Creative Commons Attribution-NonCommercial 3.0 Unported License</a>.'),(5674,90,'_cc_license','field_5087534fa838d'),(5677,90,'_wp_old_slug','mark-a-greene-response-3'),(5678,3441,'Question Number','2'),(5679,3441,'Question','What are its weaknesses?  What do you wish it would let you do?  What changes would you suggest?'),(5680,3441,'Topic','The Walt Whitman Archive'),(5681,3441,'case_studies','0'),(5682,3441,'commentpress','1'),(5683,3441,'custom_css',''),(5684,3441,'custom_links',''),(5685,3441,'custom_script',''),(5686,3441,'main_post','336'),(5687,3441,'no_sidebar','0'),(5688,3441,'question_number','2'),(5689,3441,'respondent','Mark A. Greene'),(5690,3441,'subtitle',''),(5691,88,'cc_license','<a rel=\"license\" href=\"http://creativecommons.org/licenses/by-nc/3.0/deed.en_US\"><img alt=\"Creative Commons License\" style=\"border-width:0\" src=\"http://i.creativecommons.org/l/by-nc/3.0/80x15.png\" /></a>This work is licensed under a <a rel=\"license\" href=\"http://creativecommons.org/licenses/by-nc/3.0/deed.en_US\">Creative Commons Attribution-NonCommercial 3.0 Unported License</a>.'),(5692,88,'_cc_license','field_5087534fa838d'),(5695,88,'_wp_old_slug','mark-a-greene-response-2'),(5696,3442,'Question Number','1'),(5697,3442,'Question','What are the strengths of this archive?  How would you use or refer to this site in your own work?'),(5698,3442,'Topic','The Walt Whitman Archive'),(5699,3442,'case_studies','0'),(5700,3442,'commentpress','0'),(5701,3442,'custom_css',''),(5702,3442,'custom_links',''),(5703,3442,'custom_script',''),(5704,3442,'main_post','336'),(5705,3442,'no_sidebar','0'),(5706,3442,'question_number','1'),(5707,3442,'respondent','Mark A. Greene'),(5708,3442,'subtitle',''),(5709,83,'cc_license','<a rel=\"license\" href=\"http://creativecommons.org/licenses/by-nc/3.0/deed.en_US\"><img alt=\"Creative Commons License\" style=\"border-width:0\" src=\"http://i.creativecommons.org/l/by-nc/3.0/80x15.png\" /></a>This work is licensed under a <a rel=\"license\" href=\"http://creativecommons.org/licenses/by-nc/3.0/deed.en_US\">Creative Commons Attribution-NonCommercial 3.0 Unported License</a>.'),(5710,83,'_cc_license','field_5087534fa838d'),(5713,83,'_wp_old_slug','mark-a-greene-response-1'),(5721,1711,'_edit_lock','1354166116:2'),(5722,3445,'additional_links','0'),(5723,3445,'case_studies','6'),(5724,3445,'case_studies_0_post_number','1047'),(5725,3445,'case_studies_1_post_number','1057'),(5726,3445,'case_studies_2_post_number','1018'),(5727,3445,'case_studies_3_post_number','1108'),(5728,3445,'case_studies_4_post_number','1121'),(5729,3445,'case_studies_5_post_number','946'),(5730,3445,'commentpress','0'),(5731,3445,'content_area','0'),(5732,3445,'custom_css',''),(5733,3445,'custom_links',''),(5734,3445,'custom_script',''),(5735,3445,'institution',''),(5736,3445,'no_sidebar','0'),(5737,3445,'sidebar','0'),(5738,3445,'subtitle',''),(5739,3445,'summary_body','“So, how do we bring students to our table?” That was the question a special collections librarian asked in 1999. &lt;sup&gt;&lt;a id=\"ref1\" href=\"#fn1\"&gt;[1]&lt;/a&gt;&lt;/sup&gt; Now, in 2012, the question is no longer how: “Teaching with primary source materials is unquestionably ‘hot’ in higher education [as] authentic rare books, manuscripts, or archival documents\" appear in many undergraduate classrooms. &lt;sup&gt;&lt;a id=\"ref2\" href=\"#fn2\"&gt;[2]&lt;/a&gt;&lt;/sup&gt;\r\n\r\nThe table is full; the effort to bring undergraduates into special collections and archives has been enormously successful. What matters now is how to turn these encounters to account. What happens in the archival laboratory, a place where students are actively involved in research, stewardship, publication, and exhibits? How do librarians, curators, archivists, instructors, and technology specialists collaborate to get such projects off the ground? How do we make use of these encounters to develop research and interpretive skills, showcase students’ findings, and learn from their discoveries? What do students report that they have gained through their archival experiences?\r\n\r\nIn this issue of “Archives, Remixed,” we present six case studies illustrating inventive solutions to these dilemmas of success. The parameters and formats of these projects demonstrate the diversity of ways to teach with primary source materials: not all of the projects take place in a classroom context (although some do); not all the student work is authored singly (although some is). Some projects involve one institution, while others involve partnerships with local organizations or other universities or colleges; some projects are more analog, others more digital; and some end when the student’s work is complete, while others continue. The projects all have historical claims, but the array of objects under consideration—architectural drawings, photographs, ancient statuary, newspaper clippings, rare books, personal mementos—speaks to many disciplines. The academic institutions where these projects originate, from a community college to liberal arts colleges to a research university, vary as much as the projects themselves.\r\n\r\nEach case study focuses the work students produce in these archival encounters. On each case-study page, you will find a sample of student work accompanied by a project description; commentary on the project by the student(s); commentary from the teachers, librarians, and/or technologists who structured the projects and guided students through them; as well as links to related or additional resources.\r\n\r\nWe invite you to explore, to comment, and to use these case studies as fodder for your own research and teaching projects.\r\n&lt;div class=\"footnote\"&gt;&lt;sup id=\"fn1\"&gt;[1]&lt;/sup&gt;Allen, Susan M. “Rare Books and the College Library: Current Practices in Marrying Undergraduates to Special Collections.” Rare Books &amp;amp; Manuscripts Librarianship 13.2 (Spring 1999): 110-19.&lt;/div&gt;\r\n&lt;div class=\"footnote\"&gt;&lt;sup id=\"fn1\"&gt;[2]&lt;/sup&gt; Bahde, Anne. “Taking the Show on the Road: Special Collections Instruction in the Campus Classroom.” RBM: A Journal of Rare Books, Manuscripts, &amp;amp; Cultural Heritage 12.2 (Fall 2011): 75.&lt;/div&gt;'),(5740,3445,'summary_heading','What\'s This?'),(5741,1711,'cc_license','<a rel=\"license\" href=\"http://creativecommons.org/licenses/by-nc/3.0/deed.en_US\"><img alt=\"Creative Commons License\" style=\"border-width:0\" src=\"http://i.creativecommons.org/l/by-nc/3.0/80x15.png\" /></a>This work is licensed under a <a rel=\"license\" href=\"http://creativecommons.org/licenses/by-nc/3.0/deed.en_US\">Creative Commons Attribution-NonCommercial 3.0 Unported License</a>.'),(5742,1711,'_cc_license','field_5087534fa838d'),(5745,18,'_edit_lock','1354156686:2'),(5746,16,'_edit_lock','1353212417:2'),(5747,3446,'cc_license','<a rel=\"license\" href=\"http://creativecommons.org/licenses/by-nc/3.0/deed.en_US\"><img alt=\"Creative Commons License\" style=\"border-width:0\" src=\"http://i.creativecommons.org/l/by-nc/3.0/80x15.png\" /></a>This work is licensed under a <a rel=\"license\" href=\"http://creativecommons.org/licenses/by-nc/3.0/deed.en_US\">Creative Commons Attribution-NonCommercial 3.0 Unported License</a>.'),(5748,3446,'commentpress','1'),(5749,3446,'custom_links',''),(5750,3446,'custom_script',''),(5751,3446,'main_post','1500'),(5752,3446,'no_sidebar','0'),(5753,3446,'question_number','1'),(5754,3446,'respondent','Kevin Gotkin'),(5755,3446,'subtitle',''),(5756,3446,'custom_css',''),(5759,1583,'_edit_lock','1354150636:10'),(5760,1580,'_edit_lock','1367288422:24'),(5761,3447,'case_studies','0'),(5762,3447,'cc_license','<a rel=\"license\" href=\"http://creativecommons.org/licenses/by-nc-sa/3.0/deed.en_US\"><img alt=\"Creative Commons License\" style=\"border-width:0\" src=\"http://i.creativecommons.org/l/by-nc-sa/3.0/80x15.png\" /></a>This work is licensed under a <a rel=\"license\" href=\"http://creativecommons.org/licenses/by-nc-sa/3.0/deed.en_US\">Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License</a>.'),(5763,3447,'commentpress','1'),(5764,3447,'custom_css',''),(5765,3447,'custom_links',''),(5766,3447,'custom_script',''),(5767,3447,'main_post','1500'),(5768,3447,'no_sidebar','0'),(5769,3447,'question_number','5'),(5770,3447,'respondent','Timothy B. Powell'),(5771,3447,'subtitle',''),(5774,3448,'case_studies','0'),(5775,3448,'cc_license','<a rel=\"license\" href=\"http://creativecommons.org/licenses/by-nc-sa/3.0/deed.en_US\"><img alt=\"Creative Commons License\" style=\"border-width:0\" src=\"http://i.creativecommons.org/l/by-nc-sa/3.0/80x15.png\" /></a><br />This work is licensed under a <a rel=\"license\" href=\"http://creativecommons.org/licenses/by-nc-sa/3.0/deed.en_US\">Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License</a>.'),(5776,3448,'cc_license','<a rel=\"license\" href=\"http://creativecommons.org/licenses/by-nc-sa/3.0/deed.en_US\"><img alt=\"Creative Commons License\" style=\"border-width:0\" src=\"http://i.creativecommons.org/l/by-nc-sa/3.0/80x15.png\" /></a>This work is licensed under a <a rel=\"license\" href=\"http://creativecommons.org/licenses/by-nc-sa/3.0/deed.en_US\">Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License</a>.'),(5777,3448,'commentpress','0'),(5778,3448,'custom_css',''),(5779,3448,'custom_links',''),(5780,3448,'custom_script',''),(5781,3448,'main_post','1500'),(5782,3448,'no_sidebar','0'),(5783,3448,'question_number','4'),(5784,3448,'respondent','Timothy B. Powell'),(5785,3448,'subtitle',''),(5788,3449,'cc_license','<a rel=\"license\" href=\"http://creativecommons.org/licenses/by-nc-sa/3.0/deed.en_US\"><img alt=\"Creative Commons License\" style=\"border-width:0\" src=\"http://i.creativecommons.org/l/by-nc-sa/3.0/80x15.png\" /></a><br />This work is licensed under a <a rel=\"license\" href=\"http://creativecommons.org/licenses/by-nc-sa/3.0/deed.en_US\">Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License</a>.'),(5789,3449,'commentpress','1'),(5790,3449,'custom_links',''),(5791,3449,'custom_script',''),(5792,3449,'main_post','1500'),(5793,3449,'no_sidebar','0'),(5794,3449,'question_number','1'),(5795,3449,'respondent','Kevin Gotkin'),(5796,3449,'subtitle',''),(5797,3449,'custom_css',''),(5800,3450,'case_studies','0'),(5801,3450,'commentpress','1'),(5802,3450,'custom_css',''),(5803,3450,'custom_links',''),(5804,3450,'custom_script',''),(5805,3450,'main_post','1500'),(5806,3450,'no_sidebar','0'),(5807,3450,'question_number','2'),(5808,3450,'respondent','Kevin Gotkin'),(5809,3450,'subtitle',''),(5810,3450,'cc_license','<a rel=\"license\" href=\"http://creativecommons.org/licenses/by-nc/3.0/deed.en_US\"><img alt=\"Creative Commons License\" style=\"border-width:0\" src=\"http://i.creativecommons.org/l/by-nc/3.0/80x15.png\" /></a>This work is licensed under a <a rel=\"license\" href=\"http://creativecommons.org/licenses/by-nc/3.0/deed.en_US\">Creative Commons Attribution-NonCommercial 3.0 Unported License</a>.'),(5813,3451,'case_studies','0'),(5814,3451,'commentpress','0'),(5815,3451,'custom_css',''),(5816,3451,'custom_links',''),(5817,3451,'custom_script',''),(5818,3451,'main_post','1500'),(5819,3451,'no_sidebar','0'),(5820,3451,'question_number','3'),(5821,3451,'respondent','Kevin Gotkin'),(5822,3451,'subtitle',''),(5823,3451,'cc_license','<a rel=\"license\" href=\"http://creativecommons.org/licenses/by-nc/3.0/deed.en_US\"><img alt=\"Creative Commons License\" style=\"border-width:0\" src=\"http://i.creativecommons.org/l/by-nc/3.0/80x15.png\" /></a>This work is licensed under a <a rel=\"license\" href=\"http://creativecommons.org/licenses/by-nc/3.0/deed.en_US\">Creative Commons Attribution-NonCommercial 3.0 Unported License</a>.'),(5826,3452,'case_studies','0'),(5827,3452,'commentpress','1'),(5828,3452,'custom_css',''),(5829,3452,'custom_links',''),(5830,3452,'custom_script',''),(5831,3452,'main_post','1500'),(5832,3452,'no_sidebar','0'),(5833,3452,'question_number','4'),(5834,3452,'respondent','Kevin Gotkin'),(5835,3452,'subtitle',''),(5836,3452,'cc_license','<a rel=\"license\" href=\"http://creativecommons.org/licenses/by-nc/3.0/deed.en_US\"><img alt=\"Creative Commons License\" style=\"border-width:0\" src=\"http://i.creativecommons.org/l/by-nc/3.0/80x15.png\" /></a>This work is licensed under a <a rel=\"license\" href=\"http://creativecommons.org/licenses/by-nc/3.0/deed.en_US\">Creative Commons Attribution-NonCommercial 3.0 Unported License</a>.'),(5839,3453,'case_studies','0'),(5840,3453,'commentpress','0'),(5841,3453,'custom_css',''),(5842,3453,'custom_links',''),(5843,3453,'custom_script',''),(5844,3453,'main_post','1500'),(5845,3453,'no_sidebar','0'),(5846,3453,'question_number','5'),(5847,3453,'respondent','Kevin Gotkin'),(5848,3453,'subtitle',''),(5849,3453,'cc_license','<a rel=\"license\" href=\"http://creativecommons.org/licenses/by-nc/3.0/deed.en_US\"><img alt=\"Creative Commons License\" style=\"border-width:0\" src=\"http://i.creativecommons.org/l/by-nc/3.0/80x15.png\" /></a>This work is licensed under a <a rel=\"license\" href=\"http://creativecommons.org/licenses/by-nc/3.0/deed.en_US\">Creative Commons Attribution-NonCommercial 3.0 Unported License</a>.'),(5852,3454,'case_studies','0'),(5853,3454,'commentpress','0'),(5854,3454,'custom_css',''),(5855,3454,'custom_links',''),(5856,3454,'custom_script',''),(5857,3454,'main_post','1500'),(5858,3454,'no_sidebar','0'),(5859,3454,'question_number','5'),(5860,3454,'respondent','Benjamin Hebblethwaite'),(5861,3454,'subtitle',''),(5862,3454,'cc_license','<a rel=\"license\" href=\"http://creativecommons.org/licenses/by-nc/3.0/deed.en_US\"><img alt=\"Creative Commons License\" style=\"border-width:0\" src=\"http://i.creativecommons.org/l/by-nc/3.0/80x15.png\" /></a>This work is licensed under a <a rel=\"license\" href=\"http://creativecommons.org/licenses/by-nc/3.0/deed.en_US\">Creative Commons Attribution-NonCommercial 3.0 Unported License</a>.'),(5865,3455,'case_studies','0'),(5866,3455,'commentpress','0'),(5867,3455,'custom_css',''),(5868,3455,'custom_links',''),(5869,3455,'custom_script',''),(5870,3455,'main_post','1500'),(5871,3455,'no_sidebar','0'),(5872,3455,'question_number','4'),(5873,3455,'respondent','Benjamin Hebblethwaite'),(5874,3455,'subtitle',''),(5875,3455,'cc_license','<a rel=\"license\" href=\"http://creativecommons.org/licenses/by-nc/3.0/deed.en_US\"><img alt=\"Creative Commons License\" style=\"border-width:0\" src=\"http://i.creativecommons.org/l/by-nc/3.0/80x15.png\" /></a>This work is licensed under a <a rel=\"license\" href=\"http://creativecommons.org/licenses/by-nc/3.0/deed.en_US\">Creative Commons Attribution-NonCommercial 3.0 Unported License</a>.'),