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INSERT INTO `wp_comments` VALUES (82,122,'Claire Warwick','c.warwick@ucl.ac.uk','','87.112.185.169','2011-03-10 08:12:07','2011-03-10 08:12:07','Well yes but crowd sourcing does not have to mean low quality content. Our experience with Bentham suggests that users produce very high quality transcription. It also goes through an editorial process before posting, so it\'s not unmoderated. Perhaps I should have stressed that there needs to be a balance between user input and expert comment or editing to ensure that the content is of good quality.',0,'1','Mozilla/5.0 (Windows; U; Windows NT 6.1; en-GB; rv:1.9.2.6) Gecko/20100625 Firefox/3.6.6','',61,5,'pTcmftAsvmtocpwtpciuiaotmfImbtiddopeinaedpHifcfWactskcsTssumbbubpsaTBaUastpimuasnmimhdtoaaipathhitpnwewucawds'),(78,88,'Mark A. Greene','MGreene@uwyo.edu','','129.72.134.94','2011-03-09 00:23:27','2011-03-09 00:23:27','My concern is solely with the legal parameters of copyright, not with the ethical/moral requirements for accurate source citation, and I apologize for any confusion I\'ve created on that point.  Let me be as clear as possible that researchers have a strict obligation to provide citations to the <em>Archive</em> copy of published or unpublished work, whether in or out of copyright.  Such a citation should, indeed, include not only the \"place\" where the copy was accessed (i.e., the <em>Archive</em>), but also, when applicable, the repository where the physical original resides.  This is little different than the expectations for citing microfilmed copies, though many of today\'s researchers would be too young to have learned those expectations.',0,'1','Mozilla/4.0 (compatible; MSIE 8.0; Windows NT 5.1; Trident/4.0; GTB6.6; .NET CLR 2.0.50727; InfoPath.2; .NET CLR 3.0.04506.648; .NET CLR 3.5.21022; .NET CLR 3.0.4506.2152; .NET CLR 3.5.30729; .NET CLR 1.1.4322)','',0,4,'pTwIhniteAanuttsOpismatiiaocsahmgqrncfiSaectfmbWwbscneppouawbpdOocecaldW'),(104,88,'Kenneth M. Price','kprice@unlnotes.unl.edu','','129.93.54.25','2011-03-16 19:43:11','2011-03-16 19:43:11',' \n \nThe editors of the <em>Whitman Archive</em> would love to hear you elaborate on the point you are making here.  When we call up site statistics during our annual planning meeting, people are often intrigued by the distribution of users and by spikes in interest at various times.  No one has suggested that we make these site statistics public and perhaps doing so might be regarded as a kind of vanity.  Nonetheless, I can also see why it might be useful for people wanting to study the impact of electronic editions. One of the issues I\'d like to get clarification on is the implication that we have an obligation to provide this information. If so, where does that obligation come from? Do digital projects have an obligation that print publishers do not?  For example, if Yale University Press publishes a book in my field, they don\'t ordinarily let me know if they have readers in Singapore or if they sell 8, 80, or 80,000 copies.',0,'1','Mozilla/5.0 (Macintosh; U; Intel Mac OS X 10_5_8; en-us) AppleWebKit/533.17.8 (KHTML, like Gecko) Version/5.0.1 Safari/533.17.8','',0,7,'pTaoicmufetiosudTdnrrsawipadhisahmgqrncfitdvewcIatilsawcttcoedgspTtaewmasrb'),(106,122,'Kenneth M. Price','kprice@unlnotes.unl.edu','','129.93.54.25','2011-03-16 20:41:09','2011-03-16 20:41:09','In another response to Ed Whitley, I explained that the Disciples section, as now developed, can be understood from a traditional author-centered viewpoint as featuring what we might call the collaborative Whitman, an aspect of his work all but completely ignored in the New York University Press multi-volume print edition of his works.  If we later extend the Disciples section to other people who had a close relationship with Whitman but didn\'t co-author with him in any sense (Anne Gilchrist to take one example), then we will face questions regarding who to include and why.  If the section expands a great deal, does the religious or semi-religious implication of the term still work as well?\n \nAn equally important issue has been raised about the internal integration of the site.  More can be done as the site develops more fully and we have time to implement what we have envisaged.  The Traubel volumes, for example, could be linked to various Whitman texts mentioned in them.  The correspondence often mentions journalistic pieces, and we can link to them once we have edited them.  The list goes on.....\n \nClaire Warwick suggests that the site be flattened to some degree so that users can get to the content they want with less clicking.  We understand this point.  We have improved this aspect of the site somewhat over the years.  One potential cost of flattening might be to lessen the clarity of the site\'s organization, an aspect of the <em>Whitman Archive</em> that everyone seems to like.',0,'1','Mozilla/5.0 (Macintosh; U; Intel Mac OS X 10_5_8; en-us) AppleWebKit/533.17.8 (KHTML, like Gecko) Version/5.0.1 Safari/533.17.8','',0,7,'pIigdtiswotWaImsafrmcsdScnqdwarscaiFeiDsutafaipWlastmurmlltaupshcwqrncfiTwiaapsilnrabm'),(105,140,'Kenneth M. Price','kprice@unlnotes.unl.edu','','129.93.54.25','2011-03-16 20:13:46','2011-03-16 20:13:46',' \n \nIt has been illuminating to read this post (and ones by Claire Warwick and Evan McGonagill) underscoring the value of metacommentary in the <em>Whitman Archive</em>. Ed Whitley clearly wants us to devote more time to creating such metacommentary.  What we have to balance is the need to make headway on our attempt to edit Whitman\'s writings and to fulfill the promises made in grant applications against the development of the metacommentary.\n \nAt times, I have thought that we could host a blog dedicated to the process of creating the<em> Archive.</em> It could deal with the issues of encoding choices, as Ed W. mentions, but it could also deal with a host of other matters: workflow decisions, grant writing, negotiations with university administrators, questions of long term preservation, technical standards and platforms, and so on.  I think such a blog could be immensely valuable.  The only reason I haven\'t pushed for its creation is that we are scrambling to keep up with current obligations, and it is hard to imagine how to fit this undertaking into the schedule, too.  Nonetheless, given the amount of interest in this topic across several posts, I am sure we will think hard about this matter in coming years and perhaps we\'ll somehow find a way to discuss more fully and open up more completely the process of creating the <em>Archive. </em>',0,'1','Mozilla/5.0 (Macintosh; U; Intel Mac OS X 10_5_8; en-us) AppleWebKit/533.17.8 (KHTML, like Gecko) Version/5.0.1 Safari/533.17.8','',0,7,NULL),(144,132,'Claire Warwick','c.warwick@ucl.ac.uk','','87.113.75.197','2011-04-21 17:19:20','2011-04-21 17:19:20','Yes, this is a fascinating idea, and very eloquently expressed. Do you have any ideas about what such a thing much look like? In early full text resources search result hits were used to expand paragraphs and provide higlighting on words. Could that work again?',0,'1','Mozilla/5.0 (Windows NT 6.1; rv:2.0) Gecko/20100101 Firefox/4.0','',0,0,'pTaotwhtitfsIomrieeAmputtacbatrtfaoutaaualsgoomgfstiarthdrrsic'),(145,109,'Claire Warwick','c.warwick@ucl.ac.uk','','87.113.75.197','2011-04-21 17:23:54','2011-04-21 17:23:54','The idea of finding out what he read has of course been employed on a large scale by the Reading Experience Database. I wonder if some kind of collaboration with this project might be fruitful in future. However, your plans for enlisting users in your reserach sound fascinating, and will probably meet with significant enthusiasm, if our experience on Transcribe Bentham is at all typical.',0,'1','Mozilla/5.0 (Windows NT 6.1; rv:2.0) Gecko/20100101 Firefox/4.0','',0,0,'pWaacitaoWfaffeAiheciwuIwwlthekoAafstdsaUTAeuawabcawctocmEwiuwoddtwwhWsrtdrhidkptbcchupSrbiiigiaftsaneUmpaskhcASHGd'),(102,107,'Kenneth M. Price','kprice@unlnotes.unl.edu','','129.93.54.25','2011-03-16 18:58:42','2011-03-16 18:58:42','It is true that the Disciples section could become quite large!  Our criterion for the initial selection of disciples was that all of the first four arguably co-authored with Whitman in one way or another.  So in that way, at least in our initial conception, the Disciples section keeps a link to the author-centered way of conceiving of how to organize information. However, the <em>Whitman Archive</em> explicitly tries NOT to be unduly limited by author-based conceptions of what is relevant, so we include reviews and criticism that no one would claim should go in a traditional \"collected works of [name your favorite author].\"\n \nYou ask a really interesting question about the boundaries of the <em>Archive</em>.  In a sense: are there any? and if so how do you establish them?  The question reminds me of a great remark Henry James made in <em>Roderick Hudson</em>: \"Really, universally, relations stop nowhere, and the exquisite problem of the artist is eternally but to draw, by a geometry of his own, the circle within which thy shall happily <em>appear</em> to do so.\"  Ultimately, no doubt, everything in the world is related to everything else, if we had only the wit or knowledge to understand all the connections.  Weather patterns in Patagonia probably were somehow connected to how Whitman wrote his poetry.  But some things are more clearly and closely connected than others.  So in constructing something like the <em>Whitman Archive</em>, with limited time, money, and staff, it makes sense to work on the most important things first, to establish the most important connections, to fill the known scholarly gaps, and to respond to what we know (not enough) about the interests of our various audiences.',0,'1','Mozilla/5.0 (Macintosh; U; Intel Mac OS X 10_5_8; en-us) AppleWebKit/533.17.8 (KHTML, like Gecko) Version/5.0.1 Safari/533.17.8','',0,7,'psWatsotaHwyuortsiyow'),(103,88,'Kenneth M. Price','kprice@unlnotes.unl.edu','','129.93.54.25','2011-03-16 19:31:48','2011-03-16 19:31:48',' \n \nActually the editors of the <em>Whitman Archive </em>don\'t see the copyright issues in the way you have said we do.  Our first frequently asked question in the \"About the <em>Archive</em>\" section is:\n \n<em>&gt;Can I have permission to quote a Whitman poem found on your site?</em>\n&gt;Whitman\'s writings are out of copyright. So, yes, you can quote his words without seeking permission from anyone.\n&gt;Editorial introductions, annotations, the biography, and the criticism found on this site are under copyright. You can certainly quote from these items within the \"fair use\" limits of copyright law. If you wish to make more extensive use of these materials, contact the directors, Ed Folsom &lt;<a href=\"mailto:Ed-Folsom@uiowa.edu\" rel=\"nofollow\">Ed-Folsom@uiowa.edu</a>&gt; or Ken Price &lt;<a href=\"mailto:kprice@unlnotes.unl.edu\" rel=\"nofollow\">kprice@unlnotes.unl.edu</a>&gt;.\nWe are not experts in copyright law, and it is possible that we have articulated our position inadequately elsewhere on the site, in particular in the \"Conditions of Use\" section.  Specific pointers for better language would be welcome.  With regard to images (of, say, poetry manuscripts), we have had to adhere to the wishes of the repositories owning the originals.  Some of them have been quite insistent that in giving us the right to publish an image they are not giving us the right to pass a high resolution image on to other people.\nWith regard to the transcription of Whitman\'s words: we make no claim to copyright on the HTML rendering of Whitman\'s words as displayed on the site.  Underlying the HTML, as you know, is XML, and that XML is a combination of transcription and interpretive markup. We do regard the XML markup as our intellectual labor and claim ownership of it.  Even as we claim the rights to that markup, we distribute it via a Creative Commons license and invite scholars and other interested users to download the markup and change it or improve upon it as they see fit.  They are only required to note the original source of their work.',0,'1','Mozilla/5.0 (Macintosh; U; Intel Mac OS X 10_5_8; en-us) AppleWebKit/533.17.8 (KHTML, like Gecko) Version/5.0.1 Safari/533.17.8','',0,7,'pTwIhniteAanuttsOpismatiiaocsahmgqrncfiSaectfmbWwbscneppouawbpdOocecaldW'),(86,127,'Claire Warwick','c.warwick@ucl.ac.uk','','87.112.185.169','2011-03-10 08:18:19','2011-03-10 08:18:19','yes please',0,'1','Mozilla/5.0 (Windows; U; Windows NT 6.1; en-GB; rv:1.9.2.6) Gecko/20100625 Firefox/3.6.6','',0,5,'pWkttdmpmnpfearctbwstlawrsacaarotuVehamusrrtdfrmdksepshcwpiencfitErshstrsuwvwagaptwntstfuorDhmbucaovtohdsDCssGBi'),(85,127,'Claire Warwick','c.warwick@ucl.ac.uk','','87.112.185.169','2011-03-10 08:17:58','2011-03-10 08:17:58','no I meant lustration, as in a process of making open and public',0,'1','Mozilla/5.0 (Windows; U; Windows NT 6.1; en-GB; rv:1.9.2.6) Gecko/20100625 Firefox/3.6.6','',0,5,'pEiwattiarfotucaedseIaatvospiiorcmawtdmsbbtahcmWslwedpOatajkdeemAadhaamutioiwwisvfmthTldppiataioaosunqhbtpFfbspralmpsutolgIshamfSobdputledawram'),(83,125,'Claire Warwick','c.warwick@ucl.ac.uk','','87.112.185.169','2011-03-10 08:15:25','2011-03-10 08:15:25','yes, but I don\'t think I can edit now. Could this be corrected please?',0,'1','Mozilla/5.0 (Windows; U; Windows NT 6.1; en-GB; rv:1.9.2.6) Gecko/20100625 Firefox/3.6.6','',0,5,'pIidfmtatfqbmsmtInanaidfAahrtlshvluomoepbmowWwkarpohshstrewdtndnawrpaiimebicbdeWswafgpcpspitauctptat'),(84,127,'Claire Warwick','c.warwick@ucl.ac.uk','','87.112.185.169','2011-03-10 08:17:05','2011-03-10 08:17:05','yes, it should',0,'1','Mozilla/5.0 (Windows; U; Windows NT 6.1; en-GB; rv:1.9.2.6) Gecko/20100625 Firefox/3.6.6','',0,5,'pTWappiatoaspeeLGawmmncIciaycebceetdsewuaetbpspbctmwomjawvagpuStipsfoIwatdnlmisbbwwcahb'),(38,130,'Edward Whitley','edw204@Lehigh.EDU','','128.180.73.220','2011-03-04 15:24:39','2011-03-04 15:24:39','I like the example you give of browsing for items you \"already knew exited in the archive.\" Would it be worth doing a similar exercise to browse for items you <em>don\'t</em> know about? I\'d be interested to hear about the experience of a student who dove into the archive and explored around without necessarily knowing where he or she was going. What would that user experience look like?',0,'1','Mozilla/5.0 (Windows; U; Windows NT 6.1; en-US) AppleWebKit/534.13 (KHTML, like Gecko) Chrome/9.0.597.107 Safari/534.13','',0,6,'psWatsoaHwyuortsiyow'),(39,132,'Edward Whitley','edw204@Lehigh.EDU','','128.180.73.220','2011-03-04 15:29:18','2011-03-04 15:29:18','I\'m intrigued by your comment that \"it can be important to view thematic cross sections rather than vertical stacks of data.\" Could you elaborate on what you mean by \"thematic cross sections\"? Do you have an idea of what this would look like so that you could help the rest of us visualize what these thematic search results would be? Is there another website out there--either academic or non-academic--that provides these thematic search results? Citing that could provide an interesting point of reference.',0,'1','Mozilla/5.0 (Windows; U; Windows NT 6.1; en-US) AppleWebKit/534.13 (KHTML, like Gecko) Chrome/9.0.597.107 Safari/534.13','',0,6,'psWaiwdywiwlcs'),(40,132,'Edward Whitley','edw204@Lehigh.EDU','','128.180.73.220','2011-03-04 15:31:19','2011-03-04 15:31:19','You make a good point that using folksonomy or crowd sourcing to tag the Whitman Archive might not be the best idea--given that the Archive is trying (and succeeding!) to preserve its image as a critical scholarly edition--but that curating a set of tags internally would be very helpful.',0,'1','Mozilla/5.0 (Windows; U; Windows NT 6.1; en-US) AppleWebKit/534.13 (KHTML, like Gecko) Chrome/9.0.597.107 Safari/534.13','',0,6,'pWIftbnostbwdwtiwedntidTopbwstwivlmrfapffaanatpcfsetsaqDmduperbdaaipssaceAncacbrrIaaiabaucspiFhswafcivtcsrtvsuf'),(41,132,'Edward Whitley','edw204@Lehigh.EDU','','128.180.73.220','2011-03-04 15:33:44','2011-03-04 15:33:44','You make an interesting point about the aesthetic and the functionality of scrolling. Frames have fallen out of favor as navigation tools--unless we want to party like it\'s 1996!--but you do raise a good point about the potential of getting lost in a long, scrolling page.',0,'1','Mozilla/5.0 (Windows; U; Windows NT 6.1; en-US) AppleWebKit/534.13 (KHTML, like Gecko) Chrome/9.0.597.107 Safari/534.13','',0,6,'pWIftbnostbwdwtiwedntidTopbwstwivlmrfapffaanatpcfsetsaqDmduperbdaaipssaceAncacbrrIaaiabaucspiFhswafcivtcsrtvsuf'),(42,132,'Edward Whitley','edw204@Lehigh.EDU','','128.180.73.220','2011-03-04 15:34:35','2011-03-04 15:34:35','You make an interesting point about the aesthetic and the functionality of scrolling. Frames have fallen out of favor as navigation tools–unless we want to party like it’s 1996!–but you do raise a good point about the potential of getting lost in a long, scrolling page',0,'1','Mozilla/5.0 (Windows; U; Windows NT 6.1; en-US) AppleWebKit/534.13 (KHTML, like Gecko) Chrome/9.0.597.107 Safari/534.13','',0,6,'pTaotwhtitfsIomrieeAmputtacbatrtfaoutaaualsgoomgfstiarthdrrsic'),(43,134,'Edward Whitley','edw204@Lehigh.EDU','','128.180.73.220','2011-03-04 15:41:23','2011-03-04 15:41:23','I like your provocative comment that the Archive doesn\'t currently allow you \"to stir up new configurations of information.\" Could you provide an example of what you imagine these \"new configurations\" would look like? What would a non-linear scholarly archive look like? What kinds of results would searching non-linearly give you?',0,'1','Mozilla/5.0 (Windows; U; Windows NT 6.1; en-US; rv:1.9.2.13) Gecko/20101203 Firefox/3.6.13','',0,6,'psWatdfaotwwmiafewwyawdnHtsscasw'),(44,134,'Edward Whitley','edw204@Lehigh.EDU','','128.180.73.220','2011-03-04 15:42:53','2011-03-04 15:42:53','I really like the suggestion of browsing by year. It would be fascinating to see what Whitman was producing chronologically. Great idea!',0,'1','Mozilla/5.0 (Windows; U; Windows NT 6.1; en-US; rv:1.9.2.13) Gecko/20101203 Firefox/3.6.13','',0,6,'pAythfalbptsagmpiaeqdttciqWlaWstfavaosifieAbpeocd'),(45,136,'Edward Whitley','edw204@Lehigh.EDU','','128.180.73.220','2011-03-04 15:55:59','2011-03-04 15:55:59','Intriguing and potentially problematic comment here: \". . . what sorts of orderings of information, or narratives . . .\" What leads you to the conclusion that \"ordering of information\" and \"narrative\" are synonyms? Certainly there are ways to order information that <em>don\'t</em> produce narratives, right?',0,'1','Mozilla/5.0 (Windows; U; Windows NT 6.1; en-US; rv:1.9.2.13) Gecko/20101203 Firefox/3.6.13','',0,6,'pTdpamtdoWosadiidmtefifAsmaounisowwbanaiguiHswabltpIittinckTwftgtcmirwapFgwsoionrcrdsifsanc'),(46,136,'Edward Whitley','edw204@Lehigh.EDU','','128.180.73.220','2011-03-04 15:58:42','2011-03-04 15:58:42','Oh, it seems like you\'re riffing off of Folsom\'s distinction between database and narrative. Perhaps be more self-reflexive that this is where you\'re coming from rather than just dropping, off-hand, that \"ordering of information\" and \"narrative\" are synonymous.',0,'1','Mozilla/5.0 (Windows; U; Windows NT 6.1; en-US; rv:1.9.2.13) Gecko/20101203 Firefox/3.6.13','',0,6,'pAtsnoattpieWWAceEFdhatsdIKPaIhihwwcmiknwtfcBdqenmtfdwLrsoeapcnhiOiifpsahempiencfiTmirpfuStamueiBlhnmmvptsbsgibmewehohctcvlwBfsw'),(47,136,'Edward Whitley','edw204@Lehigh.EDU','','128.180.73.220','2011-03-04 15:59:40','2011-03-04 15:59:40','I really like how you\'re using \"micro-narratives\" as a term for explaining the structure of the Archive. This term has a lot of potential.',0,'1','Mozilla/5.0 (Windows; U; Windows NT 6.1; en-US; rv:1.9.2.13) Gecko/20101203 Firefox/3.6.13','',0,6,'pAftmntdacadncptWscttiaodescbwadmiwitfTdotrbwoalwsscsFeEFonpibwwHcqdelrtalofeeLGrrshempiencfissgewrnmincrbiD'),(48,136,'Edward Whitley','edw204@Lehigh.EDU','','128.180.73.220','2011-03-04 16:02:04','2011-03-04 16:02:04','This is a really smart paragraph. I like the four categories you come up with to describe potential responses to the Archive, and I also like your comment that, as useful as these discrete categories may be, they are necessarily fluid as well.',0,'1','Mozilla/5.0 (Windows; U; Windows NT 6.1; en-US; rv:1.9.2.13) Gecko/20101203 Firefox/3.6.13','',0,6,'pTeWWAiatticuaartpscaneoaiawIiftlawfcmtwiipdcrstpdihibtlbtasraonpfrftmfmbtdhsu'),(49,136,'Edward Whitley','edw204@Lehigh.EDU','','128.180.73.220','2011-03-04 16:03:06','2011-03-04 16:03:06','Good use of Amanda French here to up the ante of your argument.',0,'1','Mozilla/5.0 (Windows; U; Windows NT 6.1; en-US; rv:1.9.2.13) Gecko/20101203 Firefox/3.6.13','',0,6,'pTrpwastiisaatbfitcoWadtusrwtIrbahowsahhascmArudhsRHksAFafraimdshempiencfiSstswfdrmltmetRtcibomaiwnroaipfdladTtmameHbrpmiappttbcawnp'),(50,136,'Edward Whitley','edw204@Lehigh.EDU','','128.180.73.220','2011-03-04 16:04:39','2011-03-04 16:04:39','Very provocative: \"If each database frames its contents in an array of narrative claims,  then each one is specific, disputable, and limited. Rather than markers  of failure, however, we might use these idiosyncracies to reawaken us to  the particular experience that that tool offers.\" Perhaps too dense, though. There are a lot of great phrases here that it might be worth unpacking a little more, starting with the intriguing claim that a database \"frames its contents in an array of narrative claims.\"',0,'1','Mozilla/5.0 (Windows; U; Windows NT 6.1; en-US; rv:1.9.2.13) Gecko/20101203 Firefox/3.6.13','',0,6,'pIedficiaaonctoisdalRtmfhwmutitrutpettoWcfamaiepiitdrIcapwagualtrceriomishempiencfiHofbaiefhvsubrl'),(51,136,'Edward Whitley','edw204@Lehigh.EDU','','128.180.73.220','2011-03-04 16:07:53','2011-03-04 16:07:53','Not to be completely self-serving here, but I have an essay titled \"Visualizing the Archive\" in Earhart and Jewell\'s <em>The American Literature Scholar in the Digital Age</em> in which I propose \"spatial reading\" as a method for reading Whitman both from a distance and up close. You don\'t <em>have</em> to footnote my article, but . . . ;-)',0,'1','Mozilla/5.0 (Windows; U; Windows NT 6.1; en-US; rv:1.9.2.13) Gecko/20101203 Firefox/3.6.13','',0,6,'pTmosiactedmabdhtuwnbdadDtWsdewmefimeWAmbuaodrpiiicppHcchiiswmwweHnmnbtnaufsnbpdmmvshempiencfiEFdppaaempppoptaeapppe'),(52,83,'Edward Whitley','edw204@Lehigh.EDU','','128.180.73.220','2011-03-04 16:10:30','2011-03-04 16:10:30','Cohen\'s recent essay in Earhart and Jewell, <em>The American Literature Scholar in the Digital Age</em> extends the arguments he makes in \"Transgenic Deformation.\" It\'s worth looking at, if for nothing else than to include as a footnote.',0,'1','Mozilla/5.0 (Windows; U; Windows NT 6.1; en-US; rv:1.9.2.13) Gecko/20101203 Firefox/3.6.13','',0,6,NULL),(53,104,'Edward Whitley','edw204@Lehigh.EDU','','128.180.73.220','2011-03-04 16:26:34','2011-03-04 16:26:34','This is a really smart essay that raises some fascinating points. What I find most intriguing is the way that you present pragmatic questions--such as, how does one fund these projects?--as being intimately connected to more philosophical questions, such as, whose material deserves to be archived and why?\nYour comments in this essay about how we determine who we do (and don\'t archive) made me think back to one of your earlier responses to the roundtable questions where you suggest that the Whitman Archive be more transparent (and provide more current data) about how many people are actually using the site. How might this data about who is using these sites help to address the question you raise about \"whether one historical figure is more \'deserving\' of such a site than another\"? I don\'t want to suggest that archivists base their decisions on site traffic alone (which would, in effect, turn digital archives into a twisted version of scholarly \"American Idol\"); rather, I think what I\'m saying is that this data needs to be on the table as these decisions are made and these issues are debated.',0,'1','Mozilla/5.0 (Windows; U; Windows NT 6.1; en-US; rv:1.9.2.13) Gecko/20101203 Firefox/3.6.13','',0,6,NULL),(54,90,'Edward Whitley','edw204@Lehigh.EDU','','128.180.73.220','2011-03-04 16:29:47','2011-03-04 16:29:47','I don\'t have any suggestions to make, but I\'m really drawn to your comment that \"there is direct evidence that some users prefer \'more\' over \'better\' at a ratio of about two-to-one.\" Wow. There\'s a two-to-one preference for more information rather than better information. That\'s a stunning figure.',0,'1','Mozilla/5.0 (Windows; U; Windows NT 6.1; en-US; rv:1.9.2.13) Gecko/20101203 Firefox/3.6.13','',0,6,'pFadnIhbaiiptitqoamauaetnqWbaaesplmmhcheijotfpmoaaawicdamdfoshmgqrncfiIscdtidetpmobratoFrrcwsnawhtpriaeaBbadath'),(55,88,'Edward Whitley','edw204@Lehigh.EDU','','128.180.73.220','2011-03-04 16:34:03','2011-03-04 16:34:03','I want to make sure I understand where this concern over site use data is coming from. Is your point that \"expensive\" sites like The Whitman Archive--expensive to its creators, not its users--need to justify their cost by foregrounding how much use they are getting. In your footnote, you quote Dooley and Luce, \"Does the level of onsite use of special collections justify the  resources being expended? What are the most appropriate measures by  which to evaluate use?” which leads me to believe that this, indeed, is your point. It\'s not entirely clear to me, though, that this is your point from the text of paragraph 3 itself.',0,'1','Mozilla/5.0 (Windows; U; Windows NT 6.1; en-US; rv:1.9.2.13) Gecko/20101203 Firefox/3.6.13','',0,6,'pTaoicmufetiosudTdnrrsawipadhisahmgqrncfitdvewcIatilsawcttcoedgspTtaewmasrb'),(56,88,'Edward Whitley','edw204@Lehigh.EDU','','128.180.73.220','2011-03-04 16:41:05','2011-03-04 16:41:05','I\'d like you to expand on this point a little more. Is the point you\'re making that sites like The Whitman Archive have no claim to copyright? That they shouldn\'t expect users to properly credit the Archive when they use it to cite a bit of Whitman\'s poetry that they found there? I\'d like to see a distinction between (or a clarification of) the <em>legal</em> claim that a site like The Whitman Archive has to copyright its intellectual labor and the <em>ethical</em> claim that the Archive has to ask users to be honest in their scholarship, for example, that when they\'re citing a passage from the 1855 <em>Leaves of Grass</em> it\'s because they read the Folsom and Price electronic edition rather than the actual edition in a library\'s special collections. Does that make sense? I\'ve always read the \"Conditions of Use\" page on The Whitman Archive as a request for ethical citation practices rather than as a legal claim to copyright, but that\'s probably because I\'m not well versed in copyright law. Either way, I think there\'s a distinction to be drawn between the legalities of using the material on the Archive and the ethics of it.',0,'1','Mozilla/5.0 (Windows; U; Windows NT 6.1; en-US; rv:1.9.2.13) Gecko/20101203 Firefox/3.6.13','',0,6,'pTwIhniteAanuttsOpismatiiaocsahmgqrncfiSaectfmbWwbscneppouawbpdOocecaldW'),(57,117,'Edward Whitley','edw204@Lehigh.EDU','','128.180.73.220','2011-03-04 17:03:10','2011-03-04 17:03:10','The footnotes you provide about site design and user experience are <em>really</em> helpful.',0,'1','Mozilla/5.0 (Windows; U; Windows NT 6.1; en-US; rv:1.9.2.13) Gecko/20101203 Firefox/3.6.13','',0,6,'pTWaiaeoepitcdsrIlscaetunIoauwsshrsfwivcaTmsbbmpptdbfatnpeabgducarbcfuSwmdawpfsshcwqrncfihpedurtsutivsclfsicc'),(58,117,'Edward Whitley','edw204@Lehigh.EDU','','128.180.73.220','2011-03-04 17:06:03','2011-03-04 17:06:03','Good point about the necessary interrelation between digital and physical archives: the goal of the digital archive isn\'t to supplant the physical one, but to work alongside it.',0,'1','Mozilla/5.0 (Windows; U; Windows NT 6.1; en-US; rv:1.9.2.13) Gecko/20101203 Firefox/3.6.13','',0,6,'pTiaacuotpoAscwtsptwidapeWkfehmradgwsoInwkmahdtbomAriewahpsdgahmmawfbrTmacmitbtvawertdtuapeco'),(59,122,'Edward Whitley','edw204@Lehigh.EDU','','128.180.73.220','2011-03-04 17:13:14','2011-03-04 17:13:14','You raise a good point about how the design of the site speaks to what I perceive to be a philosophical dilemma over what to do with the Disciples section of the site. The Archive directors wisely note that Whitman\'s relationship with his disciples (as well as his detractors, influences, etc.) provides an important context for understanding his poetry. Nevertheless, the Disciples section is underdeveloped and, as you note, disconnected from the poetry itself. The trouble with site design here speaks to an uncertainty over what, exactly, to do with Whitman\'s disciples: do they really belong on the site? and if <em>they</em> do, who else belongs on the site as well? and if we\'re including other folks along with Whitman, does that dilute the site\'s focus on Whitman? and would that necessarily be a bad thing to show that Whitman\'s life and career was inextricably connected to a network of other people?',0,'1','Mozilla/5.0 (Windows; U; Windows NT 6.1; en-US; rv:1.9.2.13) Gecko/20101203 Firefox/3.6.13','',0,6,'pIigdtiswotWaImsafrmcsdScnqdwarscaiFeiDsutafaipWlastmurmlltaupshcwqrncfiTwiaapsilnrabm'),(60,122,'Edward Whitley','edw204@Lehigh.EDU','','128.180.73.220','2011-03-04 17:14:32','2011-03-04 17:14:32','I couldn\'t agree more. I make some similar comments in one of my short essays as well.',0,'1','Mozilla/5.0 (Windows; U; Windows NT 6.1; en-US; rv:1.9.2.13) Gecko/20101203 Firefox/3.6.13','',0,6,'pTatpwsbrecHIwaltposwnebawmmctoaaothybeitpiueiAsaApaflcidshaompiWmagip'),(61,122,'Edward Whitley','edw204@Lehigh.EDU','','128.180.73.220','2011-03-04 17:17:05','2011-03-04 17:17:05','Crowd sourcing is where I get a bit more uncomfortable, though. Maybe it\'s just the old-fogey in me, but my inclination is for the Archive to find a way to involve users more without necessarily going to a crowd sourcing model. It seems like there should be a compromise position between crowd sourcing on the one hand, and merely having users email the site editors with suggestions on the other.',0,'1','Mozilla/5.0 (Windows; U; Windows NT 6.1; en-US; rv:1.9.2.13) Gecko/20101203 Firefox/3.6.13','',0,6,'pTcmftAsvmtocpwtpciuiaotmfImbtiddopeinaedpHifcfWactskcsTssumbbubpsaTBaUastpimuasnmimhdtoaaipathhitpnwewucawds'),(62,125,'Edward Whitley','edw204@Lehigh.EDU','','128.180.73.220','2011-03-04 17:18:45','2011-03-04 17:18:45','I think this is a typo: \"most to the scholarly material that I need.\" Shouldn\'t it be \"most OF the scholarly material\"?',0,'1','Mozilla/5.0 (Windows; U; Windows NT 6.1; en-US; rv:1.9.2.13) Gecko/20101203 Firefox/3.6.13','',0,6,'pIidfmtatfqbmsmtInanaidfAahrtlshvluomoepbmowWwkarpohshstrewdtndnawrpaiimebicbdeWswafgpcpspitauctptat'),(64,127,'Edward Whitley','edw204@Lehigh.EDU','','128.180.73.220','2011-03-04 18:33:09','2011-03-04 18:33:09','<!--[if gte mso 9]&gt;     &lt;![endif]--><!--[if gte mso 9]&gt;  Normal 0     false false false  EN-US X-NONE X-NONE                           &lt;![endif]--><!--[if gte mso 9]&gt;                                                                                                                                            &lt;![endif]--><!--[if gte mso 10]&gt;-->\n\n /* Style Definitions */\n table.MsoNormalTable\n	{mso-style-name:\"Table Normal\";\n	mso-tstyle-rowband-size:0;\n	mso-tstyle-colband-size:0;\n	mso-style-noshow:yes;\n	mso-style-priority:99;\n	mso-style-qformat:yes;\n	mso-style-parent:\"\";\n	mso-padding-alt:0in 5.4pt 0in 5.4pt;\n	mso-para-margin-top:0in;\n	mso-para-margin-right:0in;\n	mso-para-margin-bottom:10.0pt;\n	mso-para-margin-left:0in;\n	line-height:115%;\n	mso-pagination:widow-orphan;\n	font-size:11.0pt;\n	font-family:\"Calibri\",\"sans-serif\";\n	mso-ascii-font-family:Calibri;\n	mso-ascii-theme-font:minor-latin;\n	mso-fareast-font-family:\"Times New Roman\";\n	mso-fareast-theme-font:minor-fareast;\n	mso-hansi-font-family:Calibri;\n	mso-hansi-theme-font:minor-latin;\n	mso-bidi-font-family:\"Times New Roman\";\n	mso-bidi-theme-font:minor-bidi;}\n\n\nOn the question of what to call The Whitman Archive, see Kenneth M. Price, “Edition, Project, Database, Archive, Thematic Research Collection: What\'s in a Name?” (http://www.whitmanarchive.org/about/articles/anc.00346.html)',0,'1','Mozilla/5.0 (Windows; U; Windows NT 6.1; en-US; rv:1.9.2.13) Gecko/20101203 Firefox/3.6.13','',0,6,'pItcninaugTWpscctctcaapbltRAoVoSiccvdtmHMhdadeshcwpiencfiWIdmitcaciawieisfwsgcTmwhisdrupoicrtsbssBradnuvcnwbarsCwcwpfcsawor'),(65,127,'Edward Whitley','edw204@Lehigh.EDU','','128.180.73.220','2011-03-04 18:35:23','2011-03-04 18:35:23','Typo: \"So this is this . . .\" Should this read, \"So WHAT is this . . .\"?',0,'1','Mozilla/5.0 (Windows; U; Windows NT 6.1; en-US; rv:1.9.2.13) Gecko/20101203 Firefox/3.6.13','',0,6,'pTWappiatoaspeeLGawmmncIciaycebceetdsewuaetbpspbctmwomjawvagpuStipsfoIwatdnlmisbbwwcahb'),(66,127,'Edward Whitley','edw204@Lehigh.EDU','','128.180.73.220','2011-03-04 18:37:37','2011-03-04 18:37:37','Typo: \". . . . such as Whitman achieve a lustration of the decision making process. . . .\" Should \"a lustration\" be \"an illustration\"?',0,'1','Mozilla/5.0 (Windows; U; Windows NT 6.1; en-US; rv:1.9.2.13) Gecko/20101203 Firefox/3.6.13','',0,6,'pEiwattiarfotucaedseIaatvospiiorcmawtdmsbbtahcmWslwedpOatajkdeemAadhaamutioiwwisvfmthTldppiataioaosunqhbtpFfbspralmpsutolgIshamfSobdputledawram'),(67,127,'Edward Whitley','edw204@Lehigh.EDU','','128.180.73.220','2011-03-04 18:47:58','2011-03-04 18:47:58','Typo: \"Digital Humanities has have moved on . . \" Omit HAVE',0,'1','Mozilla/5.0 (Windows; U; Windows NT 6.1; en-US; rv:1.9.2.13) Gecko/20101203 Firefox/3.6.13','',0,6,'pWkttdmpmnpfearctbwstlawrsacaarotuVehamusrrtdfrmdksepshcwpiencfitErshstrsuwvwagaptwntstfuorDhmbucaovtohdsDCssGBi'),(68,127,'Edward Whitley','edw204@Lehigh.EDU','','128.180.73.220','2011-03-04 18:52:02','2011-03-04 18:52:02','I really like the closing comments here: crowd sourcing is an important methodology that we should not overlook, but the jury is still out as to whether or not it will actually work for the kinds of projects that we are creating. Looking forward to the findings of the INKE project!',0,'1','Mozilla/5.0 (Windows; U; Windows NT 6.1; en-US; rv:1.9.2.13) Gecko/20101203 Firefox/3.6.13','',0,6,'pIcbstttmwbdtiiWatuwblobWanppfswpsrbfwrtdoeheomtltuPtwucyrfIpwwcsHamgsifswafakcsciisaUeiteasswutse'),(69,107,'Edward Whitley','edw204@Lehigh.EDU','','128.180.73.220','2011-03-04 19:02:22','2011-03-04 19:02:22','Provocative comment: \"We take an expansive view of what is relevant \'Whitman\' material.\" Is there a defined threshold point at which the Archive <em>wouldn\'t</em> include something Whitman-related other than the time, energy, and resources required to include it? I\'m thinking of the Disciples section in particular. If this were a comprehensive listing of Whitman\'s disciples, it would be HUGE! Is there a criteria for deciding (1) who counts as a disciple and (2) how much information about that disciple should be included? The Disciples section is a particularly interesting section of the Archive for me, because it potentially challenges the notion of The Author as a limiting strategy for what to include on the Archive: if we acknowledge that Whitman and his disciples had a reciprocal relationship on one another, where do we stop in our collection of resources that define that relationship? I\'m just thinking out loud here. I don\'t have any suggestions or criticisms other than to say that the Disciples section is a really tantalizing space for testing the boundaries of the \"expansive view of what is relevant \'Whitman\' material.\"',0,'1','Mozilla/5.0 (Windows; U; Windows NT 6.1; en-US; rv:1.9.2.13) Gecko/20101203 Firefox/3.6.13','',0,6,'psWatsotaHwyuortsiyow'),(70,109,'Edward Whitley','edw204@Lehigh.EDU','','128.180.73.220','2011-03-04 19:05:28','2011-03-04 19:05:28','This is absolutely the right question to be posing: \" As a scholarly site, we must strike the right balance between openness  and scholarly rigor, and a fundamental question for us is how to  encourage participation while insuring that quality control checks  remain in place.\" The Whitman Archive is poised to set up a great model for a Web 2.0 application that is neither crowd sourcing nor a comments section but that takes advantage of the power of both.',0,'1','Mozilla/5.0 (Windows; U; Windows NT 6.1; en-US; rv:1.9.2.13) Gecko/20101203 Firefox/3.6.13','',0,6,'pWaacitaoWfaffeAiheciwuIwwlthekoAafstdsaUTAeuawabcawctocmEwiuwoddtwwhWsrtdrhidkptbcchupSrbiiigiaftsaneUmpaskhcASHGd'),(71,111,'Edward Whitley','edw204@Lehigh.EDU','','128.180.73.220','2011-03-04 19:08:19','2011-03-04 19:08:19','You\'re describing something akin to \"feature creep\" here (http://en.wikipedia.org/wiki/Feature_creep). Or maybe \"content creep\" would be a more appropriate term . . .',0,'1','Mozilla/5.0 (Windows; U; Windows NT 6.1; en-US; rv:1.9.2.13) Gecko/20101203 Firefox/3.6.13','',0,6,'pDtigsuhirauurIooochbhtmspfcatmuftrqPadbtsmmipitdcirbspoheAffodoqsIhgsmWagTmwescbkissisi'),(72,114,'Edward Whitley','edw204@Lehigh.EDU','','128.180.73.220','2011-03-04 19:24:10','2011-03-04 19:24:10','I love these insights about Whitman\'s scribal documents. One of the things I\'ve enjoyed so much about listening to you and Ed Folsom talk and write about your work on the Whitman Archive is that you\'ve discovered so many interesting things in the process of trying to collect material for the site. I\'m thinking of Folsom\'s census of the 1855 <em>Leaves of Grass</em> in particular and your comments about \"Debris\" at the sesquicentennial symposium at TCNJ. For all the talk of digital humanities scholarship creating new knowledge through the development and use of digital tools, you and Folsom have made so many discoveries through the simple act of trying to collect, catalog, and describe everything for the Archive. My sense is that this collecting, cataloging, and describing is a fundamental aspect of digital archiving, even if it doesn\'t <em>feel</em> as digital as, say, a visualization tool. Remediation from print/manuscript to digital involves describing objects in ways we haven\'t had to describe them before, and your efforts to describe these objects (again, I\'m thinking specifically of \"Debris\" here) have produced fascinating insights.',0,'1','Mozilla/5.0 (Windows; U; Windows NT 6.1; en-US; rv:1.9.2.13) Gecko/20101203 Firefox/3.6.13','',0,6,NULL),(77,130,'Edward Whitley','edw204@Lehigh.EDU','','128.180.73.220','2011-03-08 21:03:48','2011-03-08 21:03:48','I like the example you give of browsing for items you “already knew exited in the archive.” Would it be worth doing a similar exercise to browse for items you <em>don’t</em> know about? I’d be interested to hear about the experience of a student who dove into the archive and explored around without necessarily knowing where he or she was going. What would that user experience look like?',0,'1','Mozilla/5.0 (Windows; U; Windows NT 6.1; en-US) AppleWebKit/534.13 (KHTML, like Gecko) Chrome/9.0.597.107 Safari/534.13','',0,6,'pTteWWAswdfraaloeismapssoowmeswlkaaahwAsaicialdTiwumesuOhlhnmIfctbioctaaeiwbmitakeaIcwaltlnb'),(146,140,'Claire Warwick','c.warwick@ucl.ac.uk','','87.113.75.197','2011-04-21 17:29:31','2011-04-21 17:29:31','I\ndo take the point about the trade off between doing the work and documenting it. But, as I said, we have found that a lot of users do value this. The blog approach sounds like a good one. It allows people to comment on their work as they do it with minimal fuss, and can easily be linked to the main project web page. We used this approach on the VERA (Virtual Environments for Research in Archaeology) project and it seemed to work very well.\nThis is also important for the sustainability of the resource of course. We hope this archive will be available long after you are no longer working on it, and indeed being used as an example of good practice. Thus, for those scholars who want to learn from you and for digital curators who want to preserve your work, it\'s vital to be able to understand your rationale for technical decision making.',0,'1','Mozilla/5.0 (Windows NT 6.1; rv:2.0) Gecko/20100101 Firefox/4.0','',0,0,NULL),(108,132,'Kenneth M. Price','kprice@unlnotes.unl.edu','','129.93.148.41','2011-03-16 21:12:57','2011-03-16 21:12:57','I agree completely about the inadequacy of the search.  In fact, it is discussed in the last paragraph of my response to the final question. That being said, I am more optimistic than ever before that we will see significant progress soon on the search front.  We are currently experimenting with eXist, and the preliminary results are promising.\n \nWe have long imagined that our laborious mark-up of texts would result in users being able to find and collocate texts from everywhere on the <em>Archive</em> according to complex sets of criteria.  But we\'re a long way from realizing the full grandeur of our dreams.',0,'1','Mozilla/5.0 (Macintosh; U; Intel Mac OS X 10_5_8; en-us) AppleWebKit/533.17.8 (KHTML, like Gecko) Version/5.0.1 Safari/533.17.8','',0,7,NULL),(109,122,'Kenneth M. Price','kprice@unlnotes.unl.edu','','129.93.148.41','2011-03-16 21:34:22','2011-03-16 21:34:22',' \n \nAlthough there is no evidence of it yet on the site, we have been discussing user-generated content, with an appropriate level of editorial vetting, for a few years now.  We have been slow to move down this avenue not because of any philosophical antagonism or because of technical hurdles but merely because we have been busy meeting grant deadlines.\n \nIt seems likely that our first experiment with user-generated content may involve a database devoted to Whitman\'s reading.  There are book-length studies of Mark Twain and Emily Dickinson\'s reading.  What we imagine is the creation of a simple web form with boxes users could fill in.  They would supply information about what Whitman read, when he read it (if known), the evidence establishing that he read it, and so on.  I imagine that we would set this up so that information wouldn\'t immediately go \"live\" but would be first checked and then ordinarily approved.  Similar databases could potentially be developed to advance knowledge of poems speaking back to Whitman, television programs invoking him, advertisements using his image or words, and so on.  If we pursued the Bentham model, we could perhaps accomplish tasks we couldn\'t imagine completing with our current staff.  Still, setting up the framework to do crowdsourcing properly itself takes time.',0,'1','Mozilla/5.0 (Macintosh; U; Intel Mac OS X 10_5_8; en-us) AppleWebKit/533.17.8 (KHTML, like Gecko) Version/5.0.1 Safari/533.17.8','',0,7,'pTcmftAsvmtocpwtpciuiaotmfImbtiddopeinaedpHifcfWactskcsTssumbbubpsaTBaUastpimuasnmimhdtoaaipathhitpnwewucawds'),(110,127,'Kenneth M. Price','kprice@unlnotes.unl.edu','','129.93.148.41','2011-03-16 21:49:36','2011-03-16 21:49:36','\n \nThe question of what \"counts\" in the academic world is of course crucial.  For years, in a print environment, scholarly editors have felt unappreciated and inadequately rewarded.  Some have dismissed their work as \"pre-critical.\"  The implication has been that the work is not very difficult intellectually.  Accuracy in transcription and stick-to-itiveness should be enough.  For people doing editorial work in an electronic environment, the risk has been in confronting a double prejudice: a misunderstanding of the real complexity of editorial questions and a dismissal of all things electronic as ephemeral.\n \nOur naming of our work thus far perhaps has not done us any favors.  We naturally have turned to the last medium to find metaphors for the work being done in a new medium.  I\'ve discussed the problems with all the terms currently in use in a piece published in DHQ but also available on the Archive: \"<a href=\"http://www.whitmanarchive.org/about/articles/anc.00346.html\" rel=\"nofollow\">Edition, Project, Database, Archive, Thematic Research Collection: What\'s in a Name?</a><strong>\"</strong>\n',0,'1','Mozilla/5.0 (Macintosh; U; Intel Mac OS X 10_5_8; en-us) AppleWebKit/533.17.8 (KHTML, like Gecko) Version/5.0.1 Safari/533.17.8','',0,7,NULL),(111,88,'Mark A. Greene','MGreene@uwyo.edu','','129.72.134.94','2011-03-17 20:04:13','2011-03-17 20:04:13','I’m not sure where to start here.  In part the “obligation” comes from “the editors” own expressed concerns about the sustainability of the site.  If sustainability is a valid concern, then both costs and benefits must be considered.  While the editors of this and other sites might wish to do such considering in private, it seems to me that when a project is sustained by large amounts of public funds—grants and other—there is an obligation to be accountable to the public as well.  As to whether digital projects have an obligation that print publishers don’t, I would suggest that it is in part the unwillingness or inability to confront such questions has more than a little to do with the demise of so many academic presses in the last 20 years—they were economically unsustainable.  Yale’s press is private, and has little obligation to be accountable publicly; I feel differently about U Kansas Press and other publicly funded publishers—if they are selling only 8 copies of some of their books they’re making poor choices in the allocation of public funds.  Yes, I do believe there is an increasing moral obligation to be transparent about the deployment of such funds.  But no, I don’t fully walk the walk either.  My own repository does publish a budget every year, but we do not yet publish our site statistics, partly because the stats produced by our university’s preferred program are not very useful and we have not yet deployed a different program.  We do, however, publish many of our other “production” and “use” statistics—how many collections and cubic feet we process, how many researchers we serve, etc.  Website use is merely one more metric.',0,'1','Mozilla/4.0 (compatible; MSIE 8.0; Windows NT 5.1; Trident/4.0; GTB6.6; .NET CLR 2.0.50727; InfoPath.2; .NET CLR 3.0.04506.648; .NET CLR 3.5.21022; .NET CLR 3.0.4506.2152; .NET CLR 3.5.30729; .NET CLR 1.1.4322)','',104,4,'pTaoicmufetiosudTdnrrsawipadhisahmgqrncfitdvewcIatilsawcttcoedgspTtaewmasrb'),(112,88,'Mark A. Greene','MGreene@uwyo.edu','','129.72.134.94','2011-03-17 20:04:51','2011-03-17 20:04:51','Whether expensive or inexpensive I do believe that repositories, analog or digital, must begin to address cost/benefit questions and make some form of such information transparent to their constituents.  That is, to respond more directly to Ed\'s comment, I do believe archives must begin to \"foreground\" their use and their costs.  ',0,'1','Mozilla/4.0 (compatible; MSIE 8.0; Windows NT 5.1; Trident/4.0; GTB6.6; .NET CLR 2.0.50727; InfoPath.2; .NET CLR 3.0.04506.648; .NET CLR 3.5.21022; .NET CLR 3.0.4506.2152; .NET CLR 3.5.30729; .NET CLR 1.1.4322)','',55,4,'pTaoicmufetiosudTdnrrsawipadhisahmgqrncfitdvewcIatilsawcttcoedgspTtaewmasrb'),(113,88,'Mark A. Greene','MGreene@uwyo.edu','','129.72.134.94','2011-03-17 20:05:40','2011-03-17 20:05:40','Ken, I must apologize for having overlooked the FAQ and stand corrected on that most important point.  Your generosity in placing the XML under a Creative Commons license is something other sites should be encouraged to emulate. --Mark ',0,'1','Mozilla/4.0 (compatible; MSIE 8.0; Windows NT 5.1; Trident/4.0; GTB6.6; .NET CLR 2.0.50727; InfoPath.2; .NET CLR 3.0.04506.648; .NET CLR 3.5.21022; .NET CLR 3.0.4506.2152; .NET CLR 3.5.30729; .NET CLR 1.1.4322)','',103,4,'pTwIhniteAanuttsOpismatiiaocsahmgqrncfiSaectfmbWwbscneppouawbpdOocecaldW'),(114,140,'Mark A. Greene','MGreene@uwyo.edu','','129.72.134.94','2011-03-18 17:16:26','2011-03-18 17:16:26','Notwithstanding my sympathy for transparency, I would reinforce Ken\'s caveat that the more effort put into explaining how the text is marked up, the less time there is to actually mark up text.  My own 2 cents is that the largest audience probably is intererested in seeing more product available through the <em>Archive</em> and that explications of how that product was created might wait until further along in the process.',0,'1','Mozilla/4.0 (compatible; MSIE 8.0; Windows NT 5.1; Trident/4.0; GTB6.6; .NET CLR 2.0.50727; InfoPath.2; .NET CLR 3.0.04506.648; .NET CLR 3.5.21022; .NET CLR 3.0.4506.2152; .NET CLR 3.5.30729; .NET CLR 1.1.4322)','',0,4,NULL),(115,142,'Mark A. Greene','MGreene@uwyo.edu','','129.72.134.94','2011-03-18 17:30:57','2011-03-18 17:30:57','“All users are potential co-editors.” “All animals are equal, but some animals are more equal than others.” There is no question about Web 2.0s capacity for enabling users to comment, suggest, even improve the content of sites like the Archive.  But as archivists have already begun to find out, while using Web 2.0 venues to welcome user input about everything from the accuracy and completeness of online finding aids to the identification of digital photographs, it can be time consuming to separate the gold from the dreck.  \r\nAnd it is one thing to ask the site editors to spend the time accomplishing such separation, harvesting the gold and ignoring the tailings; it is another to assume that users can make similarly accurate judgments about the comments from other users that they encounter on such a site.  The <em>Archive</em>, following the lead of some archival sites, can post a disclaimer that comments from outside the site are not endorsed by the site editors, but while this keeps the site largely above the fray it does nothing to assist users in interpreting the growing number of outside comments attached to the site. \r\nNone of which is to say the editors shouldn’t pursue Ed’s advice, but if they do it should be done with as much consideration as possible for the pros and cons.',0,'1','Mozilla/4.0 (compatible; MSIE 8.0; Windows NT 5.1; Trident/4.0; GTB6.6; .NET CLR 2.0.50727; InfoPath.2; .NET CLR 3.0.04506.648; .NET CLR 3.5.21022; .NET CLR 3.0.4506.2152; .NET CLR 3.5.30729; .NET CLR 1.1.4322)','',0,4,NULL),(116,144,'Mark A. Greene','MGreene@uwyo.edu','','129.72.134.94','2011-03-18 17:49:15','2011-03-18 17:49:15','The sometimes so-called information professions of libraries and archives have engaged in a great deal of this work already, although it has not been particularly in favor in the US for the better part of 30 years (the professional literature still holds the record of the earlier work, of course).  In addition to taxonomy, the impact of \"technology\" (such as letter-press books and filing cabinets) on the way content was created and organized, there is also the entire field of diplomatics, which examines the structural semiotics of individual documents, such as letters, in terms of how the form shapes the function and content.  In my field diplomatics enjoyed a very brief resurgence in the 1990s in examining the structure of electronic communications, though for the most part it had long been relegated to the realm of studying ancient manuscripts. ',0,'1','Mozilla/4.0 (compatible; MSIE 8.0; Windows NT 5.1; Trident/4.0; GTB6.6; .NET CLR 2.0.50727; InfoPath.2; .NET CLR 3.0.04506.648; .NET CLR 3.5.21022; .NET CLR 3.0.4506.2152; .NET CLR 3.5.30729; .NET CLR 1.1.4322)','',0,4,'pMhabtuacodaitwcctabupcnaiitesdmwSlactaplrecwauWhaodvtafndffNCsPSfomBHsWnatltmmstcTwnorairwlsiabiaddchssmpfcalCwbdbhavtmsngsascsosbietTbhpsbwydrASpuiNew'),(117,111,'Mark A. Greene','MGreene@uwyo.edu','','129.72.134.94','2011-03-18 20:36:07','2011-03-18 20:36:07','<em>Despite the integrated guide’s utility, however, it remains an under-utilized resource. Indeed, one of our challenges has been how to make sure people find the content and tools most useful for their research questions. Perhaps a downside of bringing together so much material in one place is that doing so can inadvertently re-bury material....</em>\r\n \r\nThese are insightful comments, yet another indication of the extent to which the <em>Archive</em> editors do a praiseworthy job of self-assessment as the project moves forward.  I would be interested to have Ken expand on what steps have been taken to date “to make sure people find the content and tools” of the <em>Archive</em>.  There are traditional methods, such as submitting news notes or even paid advertisements to relevant academic newsletters and journals; tried-and-true digital steps, such as posting announcements to discussion lists whenever the <em>Archive</em> reaches another milestone; and there are the still somewhat novel Web 2.0 avenues, such as creating a Facebook page, creating a blog, and regular Tweets.  \r\n \r\nHow many of these paths, and how often, it makes sense for the <em>Archive</em> to move forward on, is difficult to assess, because time and resources expended in publicizing the project are time and resources not available for developing the site.  Assessment is difficult, too, because of the opacity of the cost/benefit equation—30,000 unique visitors is a lot, but is it anywhere near as many as “should” be visiting, and what do we base “should” on?  A comparison to similar sites?  Research (I’m not sure any exists) on the existing “cost per visit” for websites?  And do some visitors matter more than others?  If so, how do you identify them and weight them?\r\n \r\nSuch questions bring me back to my fourth essay. “My plea is that we do start asking, that we do start expecting to define quantitative and qualitative measure of the costs and benefits of such projects and, by extension, of our bricks and mortar archival endeavors as well.”  I believe the <em>Whitman Archive</em> is the most likely project to pursue some of these difficult answers, because it has already demonstrated its willingness to ask the accompanying questions.\r\n \r\nOne brief note about <em>a downside of bringing together so much material in one place is that doing so can inadvertently re-bury material</em>—it is an eerie echo of debates within my profession about whether the digital age eliminated the necessity of appraisal/selection.  There were many who argued that with digital material, infinite quantities could be searched infinitely quickly and with (eventually) infinite precision.  Therefore, we should just “keep it all.”  It has not turned out that way, of course, as almost any Google search might make evident; but the concern that even an ultra-focused Archive such as this one can effectively “bury” its growing contents should further weaken remaining claims keyword searches can find anything.\r\n\r\n\r\n',0,'1','Mozilla/4.0 (compatible; MSIE 8.0; Windows NT 5.1; Trident/4.0; GTB6.6; .NET CLR 2.0.50727; InfoPath.2; .NET CLR 3.0.04506.648; .NET CLR 3.5.21022; .NET CLR 3.0.4506.2152; .NET CLR 3.5.30729; .NET CLR 1.1.4322)','',0,4,'pDtigsuhirauurIooochbhtmspfcatmuftrqPadbtsmmipitdcirbspoheAffodoqsIhgsmWagTmwescbkissisi'),(118,114,'Mark A. Greene','MGreene@uwyo.edu','','129.72.134.94','2011-03-19 00:19:27','2011-03-19 00:19:27','<em>What seems clear is that the Whitman Archive is one of a group of projects that are demonstrating how the print-based monumental scholarly edition can be reimagined and advanced in the form of an electronic archive.</em>\r\n \r\nIt is similarly true, I would posit, that the <em>Whitman Archive</em> is at the forefront of projects that are demonstrating how <em>bricks and mortar archives</em> can be reimagined and perhaps advanced in the form of a digital archive.  It is precisely this difference of perspectives that drew me to participating in <em>Archive:  A Digital Journal</em> in the first place.  Historians, literary scholars, digital humanists, electronic archive editors (who are one or more of the preceding, as well)<em> and</em> archivists viewing the same program or project through our distinct lenses, but then being encouraged to talk amongst ourselves.  It is a long overdue idea, one whose long-term significance will probably not appear immediately, but Lauren Coats and the others responsible for <em>Archive: A Digital Journal</em> should be congratulated on having given such conversations a beginning.\r\n \r\nJust how major online “archives” of digital facsimiles built around a single author or event will lead to reconfiguring and reimagining bricks and mortar archives is, I regret to say, beyond my ken at the moment—or perhaps more realistically beyond my ability to give serious and sustained thought to the matter.  But I can limn one possibility, providing, perhaps, sufficient impetus for others to take up study of this matter.  For example, in a 2002 interview Ken Price noted that “Most libraries and other institutions have been supportive and at times quite enthusiastic about our undertaking…. A couple of well-funded private libraries are resistant to having parts of their collections displayed on the web. They are working on a more proprietary and protective model.”<a href=\"#_ftn1\" rel=\"nofollow\">[1]</a>\r\n \r\nIndeed, Ken here identifies a significant gulf in the archival world, between those archivists and their repositories who are committed to expanding access to and use of their holdings to the widest possible audience on the one hand and those archivists and repositories who hew to an early 20th century notion of the “moral defence” (it comes from a British writer) of archives encompassing a rigorous gatekeeper role for our profession.  It is the same tradition whence derives vestigial but still enforced policies that only “qualified scholars” be permitted to have access to a particular repository.  Where it intersects the digital 21st century universe, this defensive tradition is adamant about not “losing control” of facsimiles of material in its holdings, regardless of whether the copyright in that material expired decades ago.  \r\n \r\nThe practical grounding of such defensiveness is the concern that repositories would otherwise see their on-site visitation gradually drop to zero, since researchers had access to good-quality copies of the material that once made the repository indispensible.  To date statistics suggest just the opposite has been occurring, that the more material is digitized the more on-site statistics increase:  because even when an entire collection is digitized and placed on the web, interested researchers still have (or, likely, have for the first time) reason to visit the repository to take advantage of all the corollary collections that have yet to be scanned.  The “protective” archives are apt to find themselves and their small portions of otherwise digitized collections increasingly ignored by users both on and off line.\r\n \r\nThere are, actually, several factors joining to force “proprietary” repositories to re-examine their philosophy and model,<a href=\"#_ftn2\" rel=\"nofollow\">[2]</a> but the existence of projects such as the <em>Whitman Archive</em> is part of that confluence.  And there are other issues that the <em>Archive</em> will force bricks and mortar repositories to re-examine.  One is the tradition of digitizing “gems” and patron requests versus a growing minority of repositories who are turning to digitizing only entire folders and sometimes full series or even entire collections; the <em>Whitman Archive</em> and others like it suggest powerfully that there is a large “market” for organic collections.  Less clear is the impact of digital archives on internal allocation of repository resources—what is more important now, digitizing entire collections or acquiring new ones, creating curriculum units to help students interpret sources, or improving capabilities to serve on-site patrons?  \r\n \r\nIf we pay close attention to one another—that is, the on-line archives and the earth-bound repositories—we have some interesting discussions ahead of us.  <em>Archive:  A Digital Journal</em> will give us a venue for those discussions.  I look forward to seeing the journal and the conversations evolve.\r\n \r\n\r\n\r\n\r\n\r\n\r\n<a href=\"#_ftnref1\" rel=\"nofollow\">[1]</a> See “<a href=\"http://www.whitmanarchive.org/about/history.html\" rel=\"nofollow\">History of the Project</a>,” <em>The Walt Whitman Archive</em>, part of the project’s substantial “About the <em>Archive</em>” section.\r\n \r\n\r\n\r\n<a href=\"#_ftnref2\" rel=\"nofollow\">[2]</a> See, for example, Mark A. Greene, “Existential Archives: Looking To the Value Propositions of Archives and Special Collections,” paper presented to the joint meeting of the Association of Research Libraries and the Coalition for Networked Information, “An Age of Discovery: Distinctive Collections in the Digital Age, October 2009,” available online at <a href=\"http://www.arl.org/bm~doc/mm09greeneremarks.pdf\" rel=\"nofollow\">http://www.arl.org/bm~doc/mm09greeneremarks.pdf</a>. \r\n \r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n',0,'1','Mozilla/4.0 (compatible; MSIE 8.0; Windows NT 5.1; Trident/4.0; GTB6.6; .NET CLR 2.0.50727; InfoPath.2; .NET CLR 3.0.04506.648; .NET CLR 3.5.21022; .NET CLR 3.0.4506.2152; .NET CLR 3.5.30729; .NET CLR 1.1.4322)','',0,4,'pDwteWWAhatfwrtsfalaosbiTcscoiflfttfaoeakcsUdmmoalsrimswheisotbvdcdwliebuohrsfydcsicrruvaertmapfsnsftdigheWscogpdhpbmeraaea'),(141,90,'Kenneth M. Price','kprice@unlnotes.unl.edu','','129.93.149.23','2011-04-07 19:24:22','2011-04-07 19:24:22','This paragraph raises many complicated issues, including whether our primary concern should be what most users want (still not known, of course) or our sense of what care is warranted by the material itself.\n \nDifferent users interest in the material is going to affect whether they prefer quantity over quality.\n \nAt the Whitman Archive, we also worry that if we privileged speed of production and quantity of output over the quality of the work, that we could be charged with using public money to produce slipshod work.  The dangers then would be that someone else would need to come along and seek additional public money to redo the work to create reliable texts.  Or, the work would not be redone at all and people would be uncertain whether they could trust anything on the site.',0,'1','Mozilla/5.0 (Macintosh; U; Intel Mac OS X 10_5_8; en-us) AppleWebKit/533.17.8 (KHTML, like Gecko) Version/5.0.1 Safari/533.17.8','',0,7,'pFadnIhbaiiptitqoamauaetnqWbaaesplmmhcheijotfpmoaaawicdamdfoshmgqrncfiIscdtidetpmobratoFrrcwsnawhtpriaeaBbadath'),(121,122,'Mark A. Greene','MGreene@uwyo.edu','','129.72.134.94','2011-03-20 21:00:31','2011-03-20 21:00:31','I\'d just like to echo Ken that \"setting up the framework to do crowdsourcing properly itself takes time.\"  At my institution we have been discussing the use of crowdsourcing to create transcripts of oral histories conducted in the 50s and 60s, but everyone is already overworked and unable to set up the templates, figure out to whom we should issue a call, and then review and edit the products.  Digital sites have the tendency, I think, to make it too easy to envision how much more/else could be done, without accounting for how many more resources might be required to do it.  Without additional resources, crowdsourcing for the <em>Whitman Archive</em> might not be possible without ending work on some other facet of the project.',0,'1','Mozilla/4.0 (compatible; MSIE 8.0; Windows NT 5.1; Trident/4.0; GTB6.6; .NET CLR 2.0.50727; InfoPath.2; .NET CLR 3.0.04506.648; .NET CLR 3.5.21022; .NET CLR 3.0.4506.2152; .NET CLR 3.5.30729; .NET CLR 1.1.4322)','',0,4,'pTcmftAsvmtocpwtpciuiaotmfImbtiddopeinaedpHifcfWactskcsTssumbbubpsaTBaUastpimuasnmimhdtoaaipathhitpnwewucawds'),(140,90,'Kenneth M. Price','kprice@unlnotes.unl.edu','','129.93.149.23','2011-04-07 19:12:52','2011-04-07 19:12:52','The Whitman Archive strives to get high resolution tiff images from repositories, though we typically present jpeg derivates on the site.  When transcribing tricky manuscripts, the higher quality images are useful to our staff for enlargement. We also use the tiffs for creating much higher quality than usual jpeg images used with our zoomify feature on selected poetry manuscripts. In some cases, we have not been able to obtain sufficiently high quality images to make the zoomify feature worthwhile.\n \nThroughout the site we have gone ahead and posted lower quality images when that is all we can get--perhaps because the only surviving copy of a newspaper is in microfilm form or because a repository is for whatever reason unwilling to provide a high quality image.',0,'1','Mozilla/5.0 (Macintosh; U; Intel Mac OS X 10_5_8; en-us) AppleWebKit/533.17.8 (KHTML, like Gecko) Version/5.0.1 Safari/533.17.8','',0,7,'pTocodehsebaspmfatuataccaWmtlpditnsdbsrdpiirpasqsshmgqrncfiTinilascfhNtircoqpsocspwiaporqwhpglwwbslrtaaoatSofgguihbeeWAabntuvmpcc'),(123,127,'Mark A. Greene','MGreene@uwyo.edu','','129.72.134.94','2011-03-21 21:28:58','2011-03-21 21:28:58','Though Claire is careful to write, “<em>I do not mean to imply that creating and curating an archive in the analogue world is not an intellectual exercise,”</em> she certainly seems to suggest that the broad academic community does not view archival work as intellectual.  Otherwise it would not be possible for her to ask, as she does, <em>“does the name ‘archive’ under value the complex nature of what is being achieved in digital resources such as this?”</em>—and suggest that the answer is “yes.”<em> </em>She goes on to note that archival work “<em>is not in itself something for which scholars gain credit.”</em>  Why do they not gain credit?  I would suggest that it is exactly because of the perspective that archivists are not engaged in an intellectual exercise.  And why this perception?  \r\n \r\nWe can see a partial explanation further along in Claire’s essay:\r\n \r\n<em>The argument against granting digital resources scholarly status equivalent to a journal article, monograph or critical edition must surely be that such resources are performing a service, akin to that provided by an archive or library in the analogue world: that of bringing together useful materials for other scholars to use….</em>\r\n \r\n<em>… why is it then that creating a critical edition, whether print or digital form is considered to be a scholarly activity worthy of credit in its own right?</em>\r\n \r\n<em>It may be because in the print world editors are called upon to make selections and decisions about the best possible copy text, and which textual variants to include….</em>\r\n \r\nThis conviction that archivists uncritically gather primary sources “for other scholars to use” is reinforced in Ken Price’s 2009 essay from the Whitman Archive site, \"Edition, Project, Database, Archive, Thematic Research Collection: What\'s in a Name?” <a href=\"#_ftn1\" rel=\"nofollow\">[1]</a>  In it, Ken defines “the archival approach” as one that seeks “inclusiveness”—that is, gathering as comprehensive a set of Whitman material as possible.  The “editing” approach, by contrast, he explains as one that “winnows,” annotates, and provides a certain “care of treatment” for the material gathered.  \r\n \r\nAs an archivist myself I have an obvious stake in how my profession is perceived by others; as an archivist in a university setting I have a particular concern about how we are perceived by faculty and academic administrators.  I’m less concerned about earning labels like “intellectual” and “scholarly” than I am about being able to convey a more accurate understanding of the theory and practice of creating and administering (or curating) archives.<a href=\"#_ftn2\" rel=\"nofollow\">[2]</a> To concentrate on the portions of my profession that seem most germane to the current discussion, please permit me to focus on archivists gathering and cataloging sources, activities which are, to use Claire’s terms, service (or resource) for others but not perceived as scholarly endeavors in their own right.\r\n \r\nAs it happens, archivists themselves viewed their profession and its activities entirely as service for others until approximately the Second World War. <a href=\"#_ftn3\" rel=\"nofollow\">[3]</a>  The most famous and influential exposition of this position was given by a government records archivist in England, Hilary Jenkinson.<a href=\"#_ftn4\" rel=\"nofollow\">[4]</a>  His “moral defence” of archives, to over-simplify it, was the idea that archivists were responsible for acquiring an essentially pre-defined set of records, describing them with utmost objectivity, and doing or saying nothing that might prejudice a researcher’s interpretation of those records.<a href=\"#_ftn5\" rel=\"nofollow\">[5]</a>    \r\n \r\nWriting after WWII, an employee of the US National Archives, Theodore Schellenberg, turned Jenkinson’s conception of the profession on its head, and his books continue to dominate archival theory and practice in this country.<a href=\"#_ftn6\" rel=\"nofollow\">[6]</a>  Arguably the most important change Schellenberg brought to archives is also arguably the most likely reason for someone to consider archival work “intellectual.”  Rather than being “collectors,” Schellenberg’s archivists became “selectors,” making rational, informed, but ultimately subjective decisions about what primary source materials were going to be acquired and preserved by a repository and which were not.<a href=\"#_ftn7\" rel=\"nofollow\">[7]</a>  Taking it as a now ineluctable fact that archivists dramatically define the sources available for scholarly research, I suppose we must all at least hope that there is a great deal of intellectual activity taking place in my profession.\r\n \r\nThis archival selection occurs both passively and actively, I should explain.  Passively, archivists make decisions concerning whether collections offered to their repositories are accepted or declined—and, if accepted, which portions are retained or discarded.<a href=\"#_ftn8\" rel=\"nofollow\">[8]</a>  Actively, archivists define collecting policies and then search for the creators of records (individuals, families, organizations, businesses, governmental units) most likely to fulfill the goals of those policies.  We solicit donations (or, if we’re institutional archivists, we ask units to transfer inactive records to our unit), sometimes over the course of a half century,<a href=\"#_ftn9\" rel=\"nofollow\">[9]</a> sometimes directly shaping the very records a prospective donor creates or keeps based on what we’ve told him we want.\r\n \r\nThough selection may be our most intellectually demanding activity, much else that archivists do requires the type of learning and engagement <em>“for which scholars gain credit.”<a href=\"#_ftn10\" rel=\"nofollow\"><strong>[10]</strong></a></em>  If, “<em>As all digital humanists are aware, the act of marking up text is in itself one of scholarly interpretation,</em>” so too I must venture, is the act of arranging collections of what can be completely disorganized masses of dozens of boxes of records into coherent aggregations of folders and series that are intellectually described and physically organized to make them accessible for researchers to use.  Further, archival finding aids, in which collections of as much as several thousand boxes are summarized, analyzed, and given context through often detailed biographical sketches or organizational histories, reasonably mirror the “scholarly introductions, annotations, and textual histories” that Ken indicates give intellectual heft to the <em>Whitman Archive</em> and others like it.\r\n \r\nI strongly believe that if the actual work of archivists and special collections curators were better understood, that it would be impossible to<em> </em>ask,<em> “does the name ‘archive’ under value the complex nature of what is being achieved in digital resources such as this?”</em>  On the contrary, I think the <em>Whitman Archive</em> site’s editors were even more accurate than they may have known in choosing the name, and that the name becomes more accurate still as the editors wrangle with issues such as which and how many “disciples” to include and which to exclude. Selection, analysis, structure, contextualization—all these are as fundamental to archival work as they are to the impressive Whitman digital “archive”.\r\n \r\n\r\n\r\n\r\n\r\n\r\n<a href=\"#_ftnref1\" rel=\"nofollow\">[1]</a> Kenneth M. Price, <a href=\"http://www.whitmanarchive.org/about/articles/anc.00346.html\" rel=\"nofollow\">\"Edition, Project, Database, Archive, Thematic Research Collection: What\'s in a Name?</a>” <em>The Walt Whitman Archive</em>, (2009)\r\n \r\n\r\n\r\n<a href=\"#_ftnref2\" rel=\"nofollow\">[2]</a> At least as the profession has been conceived and practiced in the United States for the past 60 years or so.\r\n \r\n\r\n\r\n<a href=\"#_ftnref3\" rel=\"nofollow\">[3]</a> There is a vocal minority of archival professionals writing in English who continue to advocate this older vision of their work.  See, for example, Luciana Duranti, \"The Concept of Appraisal and Archival Theory,\" <em>American Archivist</em> 57 (Spring 1994), 328-44 and in response Frank Boles and Mark A. Greene, \"<em>Et tu</em> Schellenberg? Thoughts on the Dagger of American Appraisal Theory,\" <em>American Archivist</em> 59/3 (Summer 1996), pp. 298?310.\r\n \r\n\r\n\r\n<a href=\"#_ftnref4\" rel=\"nofollow\">[4]</a> Hilary Jenkinson, <em>A Manual of Archive Administration Including the Problems of War Archives and Archive Making</em> (Oxford: 1922).\r\n \r\n\r\n\r\n<a href=\"#_ftnref5\" rel=\"nofollow\">[5]</a> It may be of passing interest to note that Jenkinson did not envision archivists as serving primarily scholars; indeed, he saw such service as, in the words of one of his later intellectual disciples, “so much velvet.”  For Jenkinson, the most important use to which archival records could be put was use by their creating agencies (and collections of personal papers, among other materials considered archival today, he viewed as the province of librarians or historians).\r\n \r\n\r\n\r\n<a href=\"#_ftnref6\" rel=\"nofollow\">[6]</a> Among his several publications, the most appropriate to introduce his thinking is probably Theodore R. Schellenberg, <em>Modern Archives:  Principles and Techniques</em> (Chicago, 1956).\r\n \r\n\r\n\r\n<a href=\"#_ftnref7\" rel=\"nofollow\">[7]</a> This selection was made most often accompanied by the presumption that rejected material would wind up in Trotsky’s dustbin of history.\r\n \r\n\r\n\r\n<a href=\"#_ftnref8\" rel=\"nofollow\">[8]</a>Or possibly returned to the donor, depending upon the terms of the deed of gift.\r\n \r\n\r\n\r\n<a href=\"#_ftnref9\" rel=\"nofollow\">[9]</a> This may seem like hyperbole, but at the Minnesota Historical Society, where I was Curator of Manuscripts Acquisitions, I concluded a donation that had been initiated more than 50 years previously by my predecessors.\r\n \r\n\r\n\r\n<a href=\"#_ftnref10\" rel=\"nofollow\">[10]</a> This may be why in the US at least, archivists are often given faculty rank when working at colleges and universities (as are their librarian brethren).\r\n \r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n',0,'1','Mozilla/4.0 (compatible; MSIE 8.0; Windows NT 5.1; Trident/4.0; GTB6.6; .NET CLR 2.0.50727; InfoPath.2; .NET CLR 3.0.04506.648; .NET CLR 3.5.21022; .NET CLR 3.0.4506.2152; .NET CLR 3.5.30729; .NET CLR 1.1.4322)','',0,4,NULL),(147,88,'Claire Warwick','c.warwick@ucl.ac.uk','','87.113.75.197','2011-04-21 17:34:53','2011-04-21 17:34:53','I wouldn\'t say that stats have to be public in the sense of available via the website, but I would say that you should keep stats for traffic for a couple of years if possible. We found when we were doing research on use of DH resources for the LAIRAH project that it could be very hard to get access to log data. So we recommended that projects should keep raw logs if possible, or if not traffic reports, so that if they are requested by researchers they may be studied. I think that this answers the question of being accountable for public funding, without placing too huge a burden on projects themselves.',0,'1','Mozilla/5.0 (Windows NT 6.1; rv:2.0) Gecko/20100101 Firefox/4.0','',0,0,'pTaoicmufetiosudTdnrrsawipadhisahmgqrncfitdvewcIatilsawcttcoedgspTtaewmasrb'),(143,132,'Claire Warwick','c.warwick@ucl.ac.uk','','87.113.75.197','2011-04-21 17:16:32','2011-04-21 17:16:32','It\'s always possible to handle user generated content as they do in the museum world, and allow people to tag things but display them in a section of the site, or in such a way, using fonts or colours that indicates that these are not editorial. Users seem, in our experience, to find this perfectly comprehensible.',0,'1','Mozilla/5.0 (Windows NT 6.1; rv:2.0) Gecko/20100101 Firefox/4.0','',0,0,'pWIftbnostbwdwtiwedntidTopbwstwivlmrfapffaanatpcfsetsaqDmduperbdaaipssaceAncacbrrIaaiabaucspiFhswafcivtcsrtvsuf'),(131,138,'Evan McGonagill','evan.mcgonagill@gmail.com','','24.45.15.154','2011-04-03 00:59:27','2011-04-03 00:59:27','The idea of the database as storyteller is very interesting to me, particularly how it plays into the scholarly tension that has arisen over the field of digital humanities. Part of the momentum behind digital scholarship comes from the perceived inculcation of quantitative rigor into humanities work; in other words, the reinterpretation of \"stories\" into \"data.\" And yet, as you observe here, researchers who use the Archive as a source are tapping into something more than just data; the way they access the information often presents a story in its own right.',0,'1','Mozilla/5.0 (Macintosh; U; Intel Mac OS X 10_5_8; en-us) AppleWebKit/533.19.4 (KHTML, like Gecko) Version/5.0.3 Safari/533.19.4','',0,0,'pIvarlttWAimtjarormscmfrwnttosaslawrsiiorHaeeWWCmvccwhfHTwnyaowwefyaEPGegbepcGfWbsdhfrofwcEFfcstpivtSphosehegltr'),(132,144,'Evan McGonagill','evan.mcgonagill@gmail.com','','24.45.15.154','2011-04-03 01:11:11','2011-04-03 01:11:11','\"listeners will be pleasantly surprised to discover songs that they never knew they already liked.\"\n \nThis point is worth thinking about: the irony is that by matching songs based on such \"genes,\" Pandora allows people to make serendipitous discoveries that are primarily based on similarity. The site encourages exploration within a certain range, but maybe it also creates an environment that discourages new musical discoveries outside of the listener\'s comfort zone. Does this make the listener\'s world smaller, instead of larger? This dual restriction and facilitation of exploration enables the user to tightly control what kinds of \"surprises\" he/she encounters. Is that discovery at all? I think this kind of tension exists in archives and databases as well. Part of the challenge of designing such a resource seems to be asking oneself how to best manage information in a way that negotiates between chaos and rigid order.',0,'1','Mozilla/5.0 (Macintosh; U; Intel Mac OS X 10_5_8; en-us) AppleWebKit/533.19.4 (KHTML, like Gecko) Version/5.0.3 Safari/533.19.4','',0,0,'pAmtcaefotrodaiwsiisdtysjPRiImswgccorsfiuTcbowMGPwhcmatdsTicemharioalsvaabdassTabocsatiuowmmkwmsnfASPUGWRSshewqncfir'),(133,104,'Evan McGonagill','evan.mcgonagill@gmail.com','','24.45.15.154','2011-04-03 01:26:12','2011-04-03 01:26:12','I definitely agree with you (and Edward) that these issues need to be directly addressed by scholars. An essential part of justifying the costs of digital tools and resources will probably be how they fit into a greater scheme or strategy for serving researchers and the public, which will require us to ask difficult questions. Should we determine what gets archived based on scarcity of existing archives (filling a gap), availability of material for archiving (opportunity), or demand from researchers? Should we bias resource expenditure towards more \"popular\" topics, leaving others underdeveloped? The role of funding is important from another angle as wel: if a topic is more likely to attract financially well-backed researchers and sponsors, it is probably more likely to be worked on than one that has a dubious audience or one with less financial clout. What role should we let money play in these decisions?',0,'1','Mozilla/5.0 (Macintosh; U; Intel Mac OS X 10_5_8; en-us) AppleWebKit/533.19.4 (KHTML, like Gecko) Version/5.0.3 Safari/533.19.4','',0,0,NULL),(142,107,'Claire Warwick','c.warwick@ucl.ac.uk','','87.113.75.197','2011-04-21 17:10:45','2011-04-21 17:10:45','Yes, this is now a relatively well known problem that I\'ve discussed myself. It\'s exceedingly frustrating, since no scholar would ever dream of citing let\'s say an original manuscript, if they had only read the printed facsimile edition. Yet for whatever reason these kind of consideration does not apply in the digital world. I think it\'s up to us to train our students to take this seriously.',0,'1','Mozilla/5.0 (Windows NT 6.1; rv:2.0) Gecko/20100101 Firefox/4.0','',0,0,'pTeWAhbftcbcotlbiauArsbLSaJSitmpmAlwsiotcpssahkmpqrncfiTicpnciofdhgdTeripmeapwsiamwZomsImosIhctwSBEFccLGSEUNPwacrt'),(135,127,'Evan McGonagill','evan.mcgonagill@gmail.com','','208.105.94.161','2011-04-03 22:41:26','2011-04-03 22:41:26','<!--StartFragment-->\nOn how we differentiate the scholarly usefulness of archives, versus editions, etc.: I like your point that digital humanists are advancing scholarship by illuminating their decisions and decision-making processes. I think that in doing so they are also pushing the definition of intellectual work, by asserting that those choices of presentation are active and interpretive—you cover this pretty well in your essay. My friend Jen has been doing some interesting work lately in which she interrogates the fact that scholars place a higher value on original written work than anything else, followed perhaps by curation and the compilation of edited volumes, with the act of reading ranking lowest of all. This implies that there are fewer intellectual claims being made in projects that do not culminate in the publication of the scholar’s original material. Jen wants to destabilize this hierarchy by theorizing reading as a productive act, especially with the aid of digital media in which the reader can leave footprints such as comments (like this one!), bringing the writer, editor, and reader more on par. I like your point that we need to consider the level of active scholarship that goes into curation, and I think that you and Jen are part of the same conversation. If you’re interested, you can check out her work on this idea at her blog (<a href=\"http://www.hastac.org/blogs/jenrajchel/reader-20-why-it-isnt-virginia-woolfs-judith-shakespeare\" rel=\"nofollow\">http://www.hastac.org/blogs/jenrajchel/reader-20-why-it-isnt-virginia-woolfs-judith-shakespeare</a>) or in the introduction to her digital thesis, here (http://mooreandpoetry.blogs.brynmawr.edu/2010/06/21/introduction/)\n<!--EndFragment-->',0,'1','Mozilla/5.0 (Macintosh; U; Intel Mac OS X 10_5_8; en-us) AppleWebKit/533.19.4 (KHTML, like Gecko) Version/5.0.3 Safari/533.19.4','',0,0,'pEiwattiarfotucaedseIaatvospiiorcmawtdmsbbtahcmWslwedpOatajkdeemAadhaamutioiwwisvfmthTldppiataioaosunqhbtpFfbspralmpsutolgIshamfSobdputledawram'),(136,127,'Evan McGonagill','evan.mcgonagill@gmail.com','','208.105.94.161','2011-04-03 22:46:00','2011-04-03 22:46:00','<!--StartFragment-->\n“We can appreciate the new potential inherent in digital production for the scholars who produce such resources, but further work remains to be done on exactly how such editions or archives may transform the lives of their users.”\nI once spoke to a philosophy professor who dismissed the value of digital contributions to academia by claiming that he had not seen any visible improvement in the overall quality of philosophy scholarship since digital modes had become prevalent. This raises the difficult question of how to measure impact: do you base it on huge generalizations about the quality of an entire discipline changing over time, which would be contentious and doubtlessly impossible to effectively measure? Do you turn from the excessively broad to the small scale, and focus on experiences of individual users? I’m interested to see how digital humanists approach this question.\n<!--EndFragment-->',0,'1','Mozilla/5.0 (Macintosh; U; Intel Mac OS X 10_5_8; en-us) AppleWebKit/533.19.4 (KHTML, like Gecko) Version/5.0.3 Safari/533.19.4','',0,0,'pIcbstttmwbdtiiWatuwblobWanppfswpsrbfwrtdoeheomtltuPtwucyrfIpwwcsHamgsifswafakcsciisaUeiteasswutse'),(137,114,'Evan McGonagill','evan.mcgonagill@gmail.com','','208.105.94.161','2011-04-03 23:07:59','2011-04-03 23:07:59','<!--StartFragment-->\n \nIt seems like one of the biggest challenge in designing a database is wrestling with how to handle the narrowness of metadata: in databases, everything must be categorized to a certain extent: what about the items that are not easily assigned? Does it short-change them to categorize them as one thing or another for the sake of consistency within the system? Is it a disservice to both the document and the user to choose clarity over any intriguingly ambiguous qualities that the document might possess? Is it a failure of the database when the material resists its categorization strategy, or can we look at it differently?\n<!--EndFragment-->',0,'1','Mozilla/5.0 (Macintosh; U; Intel Mac OS X 10_5_8; en-us) AppleWebKit/533.19.4 (KHTML, like Gecko) Version/5.0.3 Safari/533.19.4','',0,0,'pTsmsttanWmthawitAGsoBtahcwkPiwcahwcDVAaawhwwmkmohllwwottorppIdadnbiimpsdiosahkmppiencfihfilsdwofopoAscuwbb'),(138,107,'Evan McGonagill','evan.mcgonagill@gmail.com','','208.105.94.161','2011-04-03 23:13:50','2011-04-03 23:13:50','\"such manuscripts can now be virtually reunited\"--interesting, considering that the web is often interpreted as a site for fragmentation, duplication, dispersion, and the corruption of originals. It\'s cool that, as you show here, the Archive is actually a way to \"reunite\" a physically dispersed whole original.',0,'1','Mozilla/5.0 (Macintosh; U; Intel Mac OS X 10_5_8; en-us) AppleWebKit/533.19.4 (KHTML, like Gecko) Version/5.0.3 Safari/533.19.4','',0,0,'pAapcdIctowntbiEFacwELcmitcTsileumtrcmpoasAttemsmolsagksslamnptitcapcawWAmnpFetuwactdhpamvimdnppvbpwwabubaWHmadanohrawIscoshbsipdshbgdSbvr'),(139,109,'Evan McGonagill','evan.mcgonagill@gmail.com','','208.105.94.161','2011-04-03 23:19:38','2011-04-03 23:19:38','<!--StartFragment-->\nI love the idea of users being able to create their own collections. I think that would really catch on, especially as people come to expect the cloud model of storage more and more: everyone wants a personal repository stored outside of their hard drive. The web is moving in the direction of curation by users, rather than site designers, as evidenced by the emergence of various bookmarking tools, feeds, and even Google docs. This function would also shift the Archive from a repository, a place to go get data before bringing it back to the worktable, to a workbench: a place where people could both gather and work with the information they find; more a site for active exploration. I like it.\n<!--EndFragment-->',0,'1','Mozilla/5.0 (Macintosh; U; Intel Mac OS X 10_5_8; en-us) AppleWebKit/533.19.4 (KHTML, like Gecko) Version/5.0.3 Safari/533.19.4','',0,0,'pWaacitaoWfaffeAiheciwuIwwlthekoAafstdsaUTAeuawabcawctocmEwiuwoddtwwhWsrtdrhidkptbcchupSrbiiigiaftsaneUmpaskhcASHGd'),(148,122,'Claire Warwick','c.warwick@ucl.ac.uk','','87.113.75.197','2011-04-21 17:44:45','2011-04-21 17:44:45','That\'s very true. Also once you start working with a user community you have to think about how to resource this interaction. Users need support and like to interact with resource creators, but that comes at a price in terms of person time. It really depends on the philosophy of the project and its priorities. We could have transcribed more material by Bentham if we hadn\'t crowd sourced, but we thought it was important to engage the community outside academia with our work. Public engagement is key to all our work at UCL, thanks partly to Bentham\'s own philosophy, and I am a passionate believer in it, whether digital or physical. But that doesn\'t have to be the case everywhere of course.',0,'1','Mozilla/5.0 (Windows NT 6.1; rv:2.0) Gecko/20100101 Firefox/4.0','',0,0,'pTcmftAsvmtocpwtpciuiaotmfImbtiddopeinaedpHifcfWactskcsTssumbbubpsaTBaUastpimuasnmimhdtoaaipathhitpnwewucawds'),(149,90,'Claire Warwick','c.warwick@ucl.ac.uk','','87.113.75.197','2011-04-21 17:54:06','2011-04-21 17:54:06','Erm well, if you don\'t know what users want, why not ask, or collaborate with people who will do so on your behalf? (then again I would say that, since it\'s what I do) Seriously though Mark is right, all my experience suggests that most people tend to want more not better. But then there is of course a conflict in terms of preservation quality and that of markup and editorial standards. Most users also want to know that resources will still be there in a few years when they come back for them as well, which of course relies on high quality data and metadata standards in digitisation. Scholars and archivists tend to want one thing and users the other. There is, however, a difference between raw digital content and edited resources such as this. Users want lots of raw content, but scholarly users expert in a particular area do appreciate the importance of properly edited materials. So here again there is a conflict, potentially between your expert users and those who are making less complex use of the materials. The only way to make informed decisions about how to handle this is of course a user study!',0,'1','Mozilla/5.0 (Windows NT 6.1; rv:2.0) Gecko/20100101 Firefox/4.0','',0,0,'pFadnIhbaiiptitqoamauaetnqWbaaesplmmhcheijotfpmoaaawicdamdfoshmgqrncfiIscdtidetpmobratoFrrcwsnawhtpriaeaBbadath'),(150,111,'Claire Warwick','c.warwick@ucl.ac.uk','','87.113.75.197','2011-04-21 18:00:38','2011-04-21 18:00:38','It really is fascinating to read what Ken has to say about his own work. It is indeed admirably open of you to do this, and must act against the immediate impulse to defend your creation from even the most minor criticism. I think that it will be very valuable for other creators of DH resources both now and in future to be able to read this, and wish more people would write such reflections on their work.',0,'1','Mozilla/5.0 (Windows NT 6.1; rv:2.0) Gecko/20100101 Firefox/4.0','',0,0,'psWatdfaotwwmiafewwyawdnHtsscasw'),(151,111,'Claire Warwick','c.warwick@ucl.ac.uk','','87.113.75.197','2011-04-21 18:03:21','2011-04-21 18:03:21','Indeed. The point about design conventions in print as opposed to digital form is one that is discussed very thoughfully by Christian Vandendorpe in Du Papyrus a l\'Hypertexte of course.',0,'1','Mozilla/5.0 (Windows NT 6.1; rv:2.0) Gecko/20100101 Firefox/4.0','',0,0,'pBasmcivwTfoasdnmivteCWtdFmpparssacaadtcPcrondideocbdcsrytncnap'),(152,127,'Claire Warwick','c.warwick@ucl.ac.uk','','87.113.75.197','2011-04-21 18:17:25','2011-04-21 18:17:25','Both of these responses are very helpful and illuminating. As an undergraduate trained in a university where editing was very much considered subordinate to intepretation it was not until I encountered digital resources that I became aware of many of such issues.\nMark I really do not mean to denigrate archivists. I am now the acting Head of Department (Chair) of the only UK Department of Information Studies (iSchool) to have an archives programme so if I were I would be undermining my own institution. What I was trying to say is that, whether it\'s right or wrong, this is the perception in the scholarly profession, and that perception drives questions of reward, tenure, promotion etc. Digital resource creation is also similarly undervalued in many such processes. So what I am trying to interrogate is why such assumptions are made, and very much not lining myself up with those who make them.\nHaving said that I think the discussion of the scholarly process involed in creating an archive is fascinating and extremely valuable to those of us not expert in the area.',0,'1','Mozilla/5.0 (Windows NT 6.1; rv:2.0) Gecko/20100101 Firefox/4.0','',0,0,NULL),(153,127,'Claire Warwick','c.warwick@ucl.ac.uk','','87.113.75.197','2011-04-21 18:19:28','2011-04-21 18:19:28','Thanks for the pointer. I\'ll certainly check out her work. It sounds fascinating.',0,'1','Mozilla/5.0 (Windows NT 6.1; rv:2.0) Gecko/20100101 Firefox/4.0','',0,0,'pEiwattiarfotucaedseIaatvospiiorcmawtdmsbbtahcmWslwedpOatajkdeemAadhaamutioiwwisvfmthTldppiataioaosunqhbtpFfbspralmpsutolgIshamfSobdputledawram'),(154,127,'Claire Warwick','c.warwick@ucl.ac.uk','','87.113.75.197','2011-04-21 18:24:32','2011-04-21 18:24:32','Fascinating that you should raise this. Impact is an issue that we are grappling with accross the whole of UK academia, since it will be measured in the REF to which I refer above. Simon Tanner has, however, done some really interesting work on this issue the report of which may be found here http://www.jisc.ac.uk/media/documents/programmes/digitisation/12pagefinaldocumentbenefitssynthesis.pdf',0,'1','Mozilla/5.0 (Windows NT 6.1; rv:2.0) Gecko/20100101 Firefox/4.0','',0,0,'pIcbstttmwbdtiiWatuwblobWanppfswpsrbfwrtdoeheomtltuPtwucyrfIpwwcsHamgsifswafakcsciisaUeiteasswutse'),(155,104,'Claire Warwick','c.warwick@ucl.ac.uk','','87.113.75.197','2011-04-22 13:41:46','2011-04-22 13:41:46','Indeed, an issue that we raised in the LAIRAH report was related to Evan\'s comment here. How do we decide what gets funded: things that have broad or deep usage? Thus do we allow an informal canon to develop and fund things that have a lot of usage, say on Shakespeare, WWI, Civil Rights etc because these are the subjects that lots of people are interested in and study at school and university? Or do we fund a resource that might have many fewer users who are expert, and who depend on this for their research, and may indeed make deeper and more complex use of it? Perhaps the Whitman Archive is the ideal mid point: it presents resources that are usable by a broad community, but are also important for expert scholarship. I think in future we need to think a great deal more about these issues. Indeed as a result of our work people applying for money from funding bodies for the humanities and cultural heritage are now increasingly asked to discuss possible types and levels of use in their case for support. But I still don\'t think we have solved the broad vs deep issue.',0,'1','Mozilla/5.0 (Windows NT 6.1; rv:2.0) Gecko/20100101 Firefox/4.0','',0,0,NULL),(156,144,'Claire Warwick','c.warwick@ucl.ac.uk','','87.113.75.197','2011-04-22 13:47:13','2011-04-22 13:47:13','Also I think that the study of categorisation is very much part of DH, and a demanding and exciting one at that. My colleagues at UCLDIS who study classification theory in the context of Libraries would certainly agree. It\'s ironic that they are suddenly very much in demand in this digital age: what used to be considered dry and old fashioned is suddenly cool. What could be more cutting edge than ontologies, linked data and semantic tagging after all, and what underlies all this is an understanding of the theory of categorisation that you discuss here.',0,'1','Mozilla/5.0 (Windows NT 6.1; rv:2.0) Gecko/20100101 Firefox/4.0','',0,0,'pAmtcaefotrodaiwsiisdtysjPRiImswgccorsfiuTcbowMGPwhcmatdsTicemharioalsvaabdassTabocsatiuowmmkwmsnfASPUGWRSshewqncfir'),(157,136,'Claire Warwick','c.warwick@ucl.ac.uk','','87.113.75.197','2011-04-22 14:03:36','2011-04-22 14:03:36','Absolutely, as with markup, tools are never neutral because they shape and determine how you can use information. Books do that too of course, but they are information technologies as well. How often do we find ourselves wishing we could key word search a printed book or flip through a digital resource after all?',0,'1','Mozilla/5.0 (Windows NT 6.1; rv:2.0) Gecko/20100101 Firefox/4.0','',0,5,'pTdpamtdoWosadiidmtefifAsmaounisowwbanaiguiHswabltpIittinckTwftgtcmirwapFgwsoionrcrdsifsanc'),(158,136,'Claire Warwick','c.warwick@ucl.ac.uk','','87.113.75.197','2011-04-22 14:11:06','2011-04-22 14:11:06','I take your point, but this isn\'t limited to Whitman. What about Emily Dickinson for example, or of course Joyce? Even the writer on whom I worked in a former life, Richard Crashaw, is better done digitally in many senses because there is no truly authoritative copy text. All his English poems were printed after his exile from England or his death, and there are various different revised versions of the poems in subsequent editions. We know he didn\'t see any of these through the press and we cannot really be certain he even edited the later ones. So what would be more appropriate than a digital edition where all versions are given equal status? Sadly there isn\'t one: he wasn\'t considered important enough for me to get the funding to produce such a digital resource when I tried many years ago (back to that question that Mark raises above, of what gets funded and why...)',0,'1','Mozilla/5.0 (Windows NT 6.1; rv:2.0) Gecko/20100101 Firefox/4.0','',0,5,'pIaptWswpioimAcoitvaadiftpbddfiewpetrsafocfeacrbmieLGTdnpoeoaottaabewrtpdwodludvsmhwbbrmabrffdaciraPshempiencfihamrtmfttsadftlfar'),(159,136,'Claire Warwick','c.warwick@ucl.ac.uk','','87.113.75.197','2011-04-22 14:14:23','2011-04-22 14:14:23','Sorry I have to disagree here. In no way should a digital resource ever force a user to adjust his or her response. It should always be flexible enough to respond to what a user would naturally want to do. If not, my research suggests that most users will simply resent the demands placed on them and swifty abandon the resource. I do agree with Amanda\'s view though: I have never seen the point of distant reading myself.',0,'1','Mozilla/5.0 (Windows NT 6.1; rv:2.0) Gecko/20100101 Firefox/4.0','',0,5,'pTrpwastiisaatbfitcoWadtusrwtIrbahowsahhascmArudhsRHksAFafraimdshempiencfiSstswfdrmltmetRtcibomaiwnroaipfdladTtmameHbrpmiappttbcawnp'),(160,136,'Evan McGonagill','evan.mcgonagill@gmail.com','','74.88.116.124','2011-04-24 18:20:32','2011-04-24 18:20:32','<!--StartFragment-->\nThis is in response to the above comment and Edward\'s comment on the previous paragraph:\nThank you for pushing on this idea—I recognize that it was never fully developed in the essay, and it may be helpful if I take the opportunity to work on it a little bit more here. I didn’t mean to state that narrative and orderings of information are synonymous. (In the sentence that you point to I probably should have used the word “and” instead of “or.”) Rather, I was pursuing the thought that an ordering of information might be conceived as the embryo of narrative, with potential for development, and that the point at which one becomes the other can be a fuzzy boundary. The OED defines a narrative as “an account of a series of events, facts, etc., given in order and with the establishing of connections between them.” I suppose an “ordering of information,” of the type one would pull from a database, is a set of facts that have some order but often lack explicit linear connections. I would argue, however, that the way a user grabs information through a database moves towards the formation of connections: because she must access her data via defined avenues (think specific search terms, menus, etc.,) rather than dipping into a raw pool of unsorted data, any information that she views contains threads of connection pre-formed by metadata. I would not argue that this constitutes a fully formed narrative, but I would like to trouble the notion that database and narrative are fundamentally opposed.\n<!--EndFragment-->',0,'1','Mozilla/5.0 (Macintosh; U; Intel Mac OS X 10_5_8; en-us) AppleWebKit/533.19.4 (KHTML, like Gecko) Version/5.0.3 Safari/533.19.4','',0,0,'pAtsnoattpieWWAceEFdhatsdIKPaIhihwwcmiknwtfcBdqenmtfdwLrsoeapcnhiOiifpsahempiencfiTmirpfuStamueiBlhnmmvptsbsgibmewehohctcvlwBfsw'),(161,136,'Evan McGonagill','evan.mcgonagill@gmail.com','','74.88.116.124','2011-04-24 18:27:59','2011-04-24 18:27:59','I absolutely agree that it is not limited to Whitman! A friend of mine recently did an extensive project on the poetry of Marianne Moore (which I linked to on a comment somewhere else on this roundtable) in which she explored the digital facets of that author\'s work. I tend to see examples of digical poetry more frequently than prose. I am fascinated with the practice of retroactively mapping digital structures onto old work.',0,'1','Mozilla/5.0 (Macintosh; U; Intel Mac OS X 10_5_8; en-us) AppleWebKit/533.19.4 (KHTML, like Gecko) Version/5.0.3 Safari/533.19.4','',158,0,'pIaptWswpioimAcoitvaadiftpbddfiewpetrsafocfeacrbmieLGTdnpoeoaottaabewrtpdwodludvsmhwbbrmabrffdaciraPshempiencfihamrtmfttsadftlfar'),(164,90,'Mark A. Greene','MGreene@uwyo.edu','','129.72.134.94','2011-04-27 21:32:31','2011-04-27 21:32:31','I just want to suggest that it\'s not as clear cut as scholars prefering detail and other users prefering breadth.  When we asked 600 users from verious H-Net and other lists whether they prefered fewer but more detailed finding aids or a greater number of less detailed finding aids, those prefering the latter were 2 to 1 over the former.  The respondent pool had its largest single group, approximately 1/3 of the total, identify as college or university faculty members. The second highest group was \"other,\" unfortunately; the third highest group was graduate students (about a quarter of respondents).  We haven\'t yet done the necessary regressions to be certain that faculty favor breadth over depth in this instance, but given their preponderance in the pool it would be very surprising if such were not the case.',0,'1','Mozilla/4.0 (compatible; MSIE 8.0; Windows NT 5.1; Trident/4.0; GTB6.6; .NET CLR 2.0.50727; InfoPath.2; .NET CLR 3.0.04506.648; .NET CLR 3.5.21022; .NET CLR 3.0.4506.2152; .NET CLR 3.5.30729; .NET CLR 1.1.4322)','',0,4,'pFadnIhbaiiptitqoamauaetnqWbaaesplmmhcheijotfpmoaaawicdamdfoshmgqrncfiIscdtidetpmobratoFrrcwsnawhtpriaeaBbadath'),(3405,27,'lululemon outlet','iplknz@gmail.com','http://www.ykhoa.net/yhoccotruyen/','110.85.73.9','2013-07-08 17:59:41','2013-07-08 17:59:41','Maroquinerie Longchamp En Ligne | sac longchamp pas cher, … Publié dans Sac Longchamp Classique Moyen | Marqué avec longchamp retail stores u.s.a, magasin longchamp montpellier, maroquinerie longchamp en ligne | …  <a href=\"http://www.ykhoa.net/yhoccotruyen/\" title=\"lululemon outlet\" rel=\"nofollow\">lululemon outlet</a>',0,'spam','Mozilla/4.0 (compatible; MSIE 6.0; Windows NT 5.1; SV1; Mozilla/4.0 (compatible; MSIE 6.0; Windows NT 5.1; SV1) ; .NET CLR 2.0.50727 ; .NET CLR 4.0.30319)','',0,0,NULL),(3390,27,'Knitteendeato','grewyuzhouyu@hotmail.com','http://www.seikomise.com/','199.15.234.80','2013-07-04 01:56:10','2013-07-04 01:56:10','?? <a href=\"http://www.seikomise.com/\" / rel=\"nofollow\">???? ?????</a>  http://www.seikomise.com/ ???? ????? ?????(SEIKO)???????????????????????????????????????????????????? <a href=\"http://www.seikoyasui.com/\" / rel=\"nofollow\">???? ???</a>  http://www.seikoyasui.com/ ???? ??? ?????????????????????????????????????????????? <a href=\"http://y.ahoo.it/o8/aU\" rel=\"nofollow\">???? ?????</a>  http://y.ahoo.it/o8/aU ???? ???? ???????????????5??????????????????????????????????????????????????????????????????? <a href=\"http://y.ahoo.it/GBjfH\" rel=\"nofollow\">????????</a>  http://y.ahoo.it/GBjfH ????5 ??????????????????????? 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Accessories Accessory Lenses XS-O-FRAME?????????????? catapult??????? PRO-FRAME???????? A-FRAME???????? WISDOM CROWBAR(?????) MONSTER DOG?????????? O-MATTER ELEVATE??????? SPLICE(?????) HALF JACKET(????????? STOCKHOLM(???????) PIT BULL??????? SCALPEL CANOPY(?????) M FRAME???????? FAST JACKET(?????????) FLAK JACKET(?????????) FUEL CELL RADAR(????) X-METAL JAWBONE(??????) AIRBRAKE(??????) SPLIT JACKET(??????????) STRAGHT JACKET???????????? RADARLOCK(???????) JULIET???????? X SQUARED???????????? </a> ?????????3??????????!\r\n    ?????????????????????????????0??????????? ??? ????? <a href=\"http://www.oakleysunny.com/c-121.html\" rel=\"nofollow\">?oakley????????? ?oakley??????????? ?oakley???????? ?oakley?????????? ?oakley??? ?oakley???????? ?oakley?????? ?oakley?????????? ?oakley???????? ?oakley??????? ?oakley????????? ?oakley???????? ?oakley???????? ?oakley????????? ?oakley??????? ?oakley??????? ?oakley??????????? ?oakley??????? ?oakley??????? ?oakley?????? ?oakley?????? ?oakley?????? ?oakley?????? ?oakley??????? ?oakley??????? ?oakley???????????? ?oakley?????? ?oakley????? ?oakley??????????? ?oakley??????? ?oakley???????? ?oakley???????? ?oakley????? ?oakley?????????? ?oakley???????? ?oakley?????  ?oakley??????????</a>\r\n    ???H9.5W19.5D2.5cm??? <a href=\"http://y.ahoo.it/TBfuH\" rel=\"nofollow\">???????? ?????????? ??????? ????????? ?? ??????? ????? ????????? ??????? ?????? ???????? ??????? ??????? ???????? ?????? ?????? ?????????? ?????? ?????? ????? ????? ????? ????? ?????? ?????? ??????????? ????? ???? ?????????? ?????? ??????? ??????? ???? ????????? ??????? ????  ??????</a> ?????????????.',0,'spam','Mozilla/5.0 (Windows NT 6.1; rv:15.0) Gecko/20100101 Firefox/15.0.1','',0,0,NULL),(3400,27,'Burberry Outlet','dcthoezipjm@gmail.com','http://duidrysuitdirect.com/inc/burberryoutlet.htm','61.154.35.244','2013-07-08 01:17:47','2013-07-08 01:17:47','Do you want entry to lots of enlightening for a variety of topics? Would you always like to produce helpful knowledge to other individuals and also make money?',0,'spam','Mozilla/4.0 (compatible; MSIE 6.0; Windows NT 5.1; SV1)','',0,0,NULL),(3399,27,'alittyactibra','dizediekdax@hotmail.com','http://www.lifeservsrilanka.com/akb/mcmlover.html','36.250.177.133','2013-07-07 22:00:28','2013-07-07 22:00:28','?????<a href=\"http://www.lifeservsrilanka.com/akb/coachnomachi.html\" rel=\"nofollow\">??? ??</a> ??? <a href=\"http://www.lifeservsrilanka.com/akb/coachseiru.html\" rel=\"nofollow\">???????</a> ?????? <a href=\"http://www.lifeservsrilanka.com/akb/mcmlover.html\" rel=\"nofollow\">MCM ??</a> ????????????????????????????? <a href=\"http://www.lifeservsrilanka.com/akb/miumiufate.html\" rel=\"nofollow\">miumiu ??????</a> ???????????????? http://www.lifeservsrilanka.com/akb/miumiufate.html ?????????????????????????????\r\n???? <a href=\"http://www.lifeservsrilanka.com/akb/watchhoshii.html\" rel=\"nofollow\">????? ???</a> (??)????(??)???????????????<a href=\"http://www.lifeservsrilanka.com/akb/watch-select.html\" rel=\"nofollow\">??? ?????</a> ????? <a href=\"http://www.lifeservsrilanka.com/akb/miumiukaitai.html\" rel=\"nofollow\">?????? ??</a> ?????????????????????????????10,000????????????? http://www.lifeservsrilanka.com/akb/watchhoshii.html ?????????????????(???)???20?? <a href=\"http://www.lifeservsrilanka.com/akb/watchhoshii.html\" rel=\"nofollow\">????????????</a> ?????',0,'spam','Mozilla/5.0 (Windows NT 6.1; WOW64) AppleWebKit/537.11 (KHTML, like Gecko) Chrome/23.0.1271.91 Safari/537.11','',0,0,NULL),(3398,27,'jordan shoes sale','ylxstwkn@gmail.com','http://jordanshoessaleonline-us.webs.com/','59.60.124.120','2013-07-07 06:44:36','2013-07-07 06:44:36','Greetings, I viewed your essence as whatever 7 day period. Your current most important generating self-control in actual fact hilarious, secure that out there!\r\njordan shoes sale http://jordanshoessaleonline-us.webs.com/',0,'spam','Mozilla/4.0 (compatible; MSIE 6.0; Windows NT 5.1; SV1; Mozilla/4.0 (compatible; MSIE 6.0; Windows NT 5.1; SV1) )','',0,0,NULL),(3406,27,'Acegibbip','alloriafeanny@hotmail.com','http://www.lifeservsrilanka.com/ocean/gucciburoku.html','199.15.234.218','2013-07-08 20:04:29','2013-07-08 20:04:29','prada ??=http://www.lifeservsrilanka.com/ocean/pradanosora.php\r\n<a href=\"http://www.lifeservsrilanka.com/ocean/oakleymax.php\" rel=\"nofollow\">????? ??????</a>\r\n??? ???=http://www.lifeservsrilanka.com/ocean/gucci-select.html\r\nCOACH ??? 2013=http://www.lifeservsrilanka.com/ocean/coachsale.php\r\n<a href=\"http://www.lifeservsrilanka.com/ocean/gucciburoku.html\" rel=\"nofollow\">??? ??????</a>\r\n??? ?????=http://www.lifeservsrilanka.com/ocean/guccisea.html\r\n??? ?? ?? 2013=http://www.lifeservsrilanka.com/ocean/pradayume.php\r\n???? ???=http://www.lifeservsrilanka.com/ocean/watchinclub.php\r\n<a href=\"http://www.lifeservsrilanka.com/ocean/oakleyjapan.php\" rel=\"nofollow\">????? ???</a>\r\n???? ??=http://www.lifeservsrilanka.com/ocean/watchgroup.php\r\n????????????????????No.1?@????????47???2013?2???????3???9????????????????????????????????????????????????????@??????(2?????05?)??????????????????????????????\r\n<a href=\"http://www.lifeservsrilanka.com/ocean/pradanoseikai.php\" rel=\"nofollow\">??? ???</a>\r\n<a href=\"http://www.lifeservsrilanka.com/ocean/coachsale.php\" rel=\"nofollow\">coach ??????</a>\r\n<a href=\"http://www.lifeservsrilanka.com/ocean/pradanosora.php\" rel=\"nofollow\">??? ??????</a>\r\n<a href=\"http://www.lifeservsrilanka.com/ocean/guccikudasaii.html\" rel=\"nofollow\">??? ??</a>\r\n<a href=\"http://www.lifeservsrilanka.com/ocean/watchgroup.php\" rel=\"nofollow\">?????? ??</a>\r\n????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????\r\n<a href=\"http://www.lifeservsrilanka.com/ocean/gucci-select.html\" rel=\"nofollow\">??? ??</a>\r\ngucci ??????=http://www.lifeservsrilanka.com/ocean/gucciburoku.html\r\n<a href=\"http://www.lifeservsrilanka.com/ocean/guccisea.html\" rel=\"nofollow\">??? ???</a>\r\n<a href=\"http://www.lifeservsrilanka.com/ocean/pradayume.php\" rel=\"nofollow\">??? ?? ?? 2013</a>\r\n?????=http://www.lifeservsrilanka.com/ocean/oakleysale.php\r\n<a href=\"http://www.lifeservsrilanka.com/ocean/watchinclub.php\" rel=\"nofollow\">???? ???</a>\r\n??? ?? ??????=http://www.lifeservsrilanka.com/ocean/watchtojp.php\r\n????? ???=http://www.lifeservsrilanka.com/ocean/oakleyjapan.php\r\n<a href=\"http://www.lifeservsrilanka.com/ocean/oakleysale.php\" rel=\"nofollow\">????? ??</a>\r\nPRADA ??=http://www.lifeservsrilanka.com/ocean/pradanoseikai.php\r\n????? ???=http://www.lifeservsrilanka.com/ocean/oakleymax.php\r\n<a href=\"http://www.lifeservsrilanka.com/ocean/watchtojp.php\" rel=\"nofollow\">??????? ???</a>\r\n??? ??=http://www.lifeservsrilanka.com/ocean/guccikudasaii.html\r\n<a href=\"http://www.lifeservsrilanka.com/ocean/coachinhouse.php\" rel=\"nofollow\">??? ???</a>\r\n???=http://www.lifeservsrilanka.com/ocean/coachinhouse.php',0,'spam','Mozilla/5.0 (Windows NT 6.1; WOW64) AppleWebKit/537.1 (KHTML, like Gecko) Chrome/21.0.1180.89 Safari/537.1','',0,0,NULL),(3424,27,'thitoHeri','east2013579@mail.ru','http://www.paulsmithgem.com/','88.190.61.95','2013-07-11 13:09:19','2013-07-11 13:09:19','???????????BOX?????????????????????????????????????????????????????????\r\n    ?????????? ??????????????????????a:hover img opacity:0.6; filter: alpha(opacity=60); msfilter: \"alpha( opacity=60 )\"; background: fff????X1?!\r\n    ???  ???????????????????? c-184.html]????  Mcm ??????????????????????????????????75?130cm .\r\n    ??????X1???????????????????????????????????W33cmH24cmD10.5cm ?????.',0,'spam','Opera/9.80 (Windows NT 6.1; WOW64; U; MRA 8.0 (build 5880); ru) Presto/2.10.289 Version/12.02','',0,0,NULL),(3364,27,'Trowafkak','dwaefvdvcx@hotmail.com','http://www.pradahanabi.com/','142.0.130.123','2013-06-27 17:17:54','2013-06-27 17:17:54','?Oakley Airwave??Oakley<a href=\"http://www.pradahanabi.com/\" / rel=\"nofollow\">??? ???</a>??????????Oakley Airwave?<a href=\"http://y.ahoo.it/CgzzC\" rel=\"nofollow\">??? ??????</a>?????????????????????????????<a href=\"http://www.pradahanabi.com/\" / rel=\"nofollow\">??? ??</a>?????????????????????http://goo.gl/PuLzV ??? ?? 2013??????\r\n\r\n?????<a href=\"http://y.ahoo.it/C6wGk\" rel=\"nofollow\">??? ??</a>?????????HUD?????????????????????<a href=\"http://goo.gl/nXqJJ\" rel=\"nofollow\">??? ???</a>?????HUD??????????<a href=\"http://goo.gl/PuLzV\" rel=\"nofollow\">??? ??</a>?????????????GPS?????????http://y.ahoo.it/C6wGk ??? ?????????\r\n\r\n??????????????<a href=\"http://y.ahoo.it/C6wGk\" rel=\"nofollow\">prada ??</a>?Buddy Tracking??????????<a href=\"http://y.ahoo.it/CgzzC\" rel=\"nofollow\">??? ??????</a>?????????????????????????????<a href=\"http://y.ahoo.it/CgzzC\" rel=\"nofollow\">??? ???</a>???????Apple Storehttp://y.ahoo.it/CgzzC prada ??',0,'spam','Mozilla/5.0 (Windows NT 6.1) AppleWebKit/537.11 (KHTML, like Gecko) Chrome/23.0.1271.64 Safari/537.11','',0,0,NULL),(3363,27,'EstitsSuind','gorumzhenxu@hotmail.com','http://www.seikomise.com/','199.15.234.80','2013-06-27 16:42:09','2013-06-27 16:42:09','???????? <a href=\"http://www.seikoyasui.com/\" / rel=\"nofollow\">SEIKO ??</a> ????????????????????????????????? http://www.seikoyasui.com/ SEIKO ??? ??? <a href=\"http://y.ahoo.it/GBjfH\" rel=\"nofollow\">????5</a> ????????????????? http://y.ahoo.it/GBjfH SEIKO ?? ??????????????????????????????????????????????????????????????????????????????????????????????????? <a href=\"http://goo.gl/Pnazu\" rel=\"nofollow\">????5</a> ????????????????????????????????????2013?4?12????50??????????????????????????????????????????7??????????????????????????????????????????????????????????????????????????????????????????????????????????????????????? http://goo.gl/Pnazu SEIKO ??? ????????600?????????????????????????????????? ????????????????????????????????????????????????????????\r\n\r\n?????????????????? <a href=\"http://goo.gl/llyJH\" rel=\"nofollow\">???? ???</a> ??? http://goo.gl/llyJH ???? ???? ??4?30????????????????????? ??????????????? ??????????400???? <a href=\"http://y.ahoo.it/o8/aU\" rel=\"nofollow\">???? ?????</a> ???????4?29???? http://y.ahoo.it/o8/aU ???? ??? ???????????????????????????? <a href=\"http://www.seikomise.com/\" / rel=\"nofollow\">???? ???</a> ?????????????8??????1???????????????1???????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????? http://www.seikomise.com/ ????5 ??????????????????????????????????????????????????????????????????????????????????\r\n\r\n1966?? <a href=\"http://y.ahoo.it/KKESz\" rel=\"nofollow\">???? ????</a> ?????????????????????1975??? <a href=\"http://y.ahoo.it/KKESz\" rel=\"nofollow\">SEIKO ????</a> ???“?????????”??????????????????????“? http://y.ahoo.it/KKESz ???? ?? ??????????”?????????????????????? <a href=\"http://goo.gl/dnXj1\" rel=\"nofollow\">SEIKO ????</a> ?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????2013????????????????????????????????????? <a href=\"http://goo.gl/dnXj1\" rel=\"nofollow\">???? ??</a> ????????????????????????????????????????????????????????????????? http://goo.gl/dnXj1 ???? ?? ?????????????????????????',0,'spam','Opera/9.80 (Windows NT 6.1; Win64; x64; Edition Yx) Presto/2.12.388 Version/12.10','',0,0,NULL),(3362,27,'maillot de foot','vsondxtmxuk@gmail.com','http://maillotdefoot.1x.fr/','14.121.29.100','2013-06-27 08:12:14','2013-06-27 08:12:14','Internet is written with the capital letter in a sentence, by the way. 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COACH ???????? ??? ???? 0163 ????!\r\n    ???????????????????????? ? <a href=\"http://goo.gl/VbXjO\" rel=\"nofollow\">SEIKO ???</a> http://www.seikoinclub.com/ ???? ???? ???????? ?\r\n    ??????? ?????BAG???????????????? <a href=\"http://goo.gl/vB5gE\" rel=\"nofollow\">???? ????</a> http://goo.gl/vB5gE ???? ????? ????????????????????????????????????????.\r\n    ????????????????COACH??????????????????COACH????????????1 <a href=\"http://y.ahoo.it/spXJd\" rel=\"nofollow\">???? ???</a> http://goo.gl/gdWYW ???? ???? ?10.5cm???????????????????????????.',0,'spam','Mozilla/5.0 (Windows NT 6.1; rv:12.0) Gecko/20100101 Firefox/12.0','',0,0,NULL),(3369,27,'RemnFreeddy','east2013509@mail.ru','http://www.seikoday.com/','88.190.47.232','2013-06-28 10:47:56','2013-06-28 10:47:56','?????????\r\n\r\n    ???????????COACH?iPAD???????27cm?27cm?6cm??????? <a href=\"http://y.ahoo.it/mzDNB\" rel=\"nofollow\">ALBA ASTRON BRIGHTZ(????) CRITERIA DOLCE&amp;EXCELINE J.SPRINGS LUKIA(???) MECHANICAL(?????) MICHEL KLEN Premier (????) PRESAGE PROSPEX (???????) ROOX (????) SEIKO???  Premier (????)</a> ?????????????\r\n    ??yahoo??????????????????????????????????4.5????????????????????????????????? <a href=\"http://y.ahoo.it/uf9OO\" rel=\"nofollow\">ALBA asics WIRED PROSPEX LUKIA WIRED f MICHEL KLEIN MECHANICAL SPIRIT INTERNATIONALL COLLECTION TISSE CRITERIA PULSAR Premier PRESAGE DOLCE&amp;EXCELINE DOLCE&amp;EXCELIN ignition BRIGHTZ LUKIA QUALiTE ASTRON  MICHEL KLEIN</a> ???COACH ???????????????\r\n    ?????1500??????????????????? <a href=\"http://www.seikoinclub.com/p-7828.html\" rel=\"nofollow\">???? SEIKO ????5 ???? 5 SPORTS ???? ???? ??? SKZ209J1 ??? skz209j1-d9261] ????? ??? ??????????????? ?????? ?????? ????? ?????SEIKO?(???) ??? ???? ???? ???? ?????? ??????? ????? ??? ?????? ????? ??????? ????? ??????? ????? </a> ??????? ??? !\r\n    ?W12?16cmH37cmD4.5cm ?????????????????????????????????????????? <a href=\"http://y.ahoo.it/Ax5Vu\" rel=\"nofollow\">ALBA asics WIRED PROSPEX LUKIA WIRED f MICHEL KLEIN MECHANICAL SPIRIT INTERNATIONALL COLLECTION TISSE CRITERIA PULSAR Premier PRESAGE DOLCE&amp;EXCELINE DOLCE&amp;EXCELIN ignition BRIGHTZ LUKIA QUALiTE ASTRON  ALBA</a> ??!\r\n    ?????????????????????????????????????????????/?????????????/???????/????/????? ???????? <a href=\"http://y.ahoo.it/zfBIi\" rel=\"nofollow\">J.SPRINGS SEIKO5 ???SEIKO ???SEIKO ????? SEIKO5 ????? SEIKO5SPORTS ???ALBA ROAD SUPERIOR DIVER CRITERIA COUTURA PRESAGE Sportura Premier ARCTURA VELATURA  ???SEIKO ?????</a> ???????!',0,'spam','Mozilla/5.0 (Windows NT 6.0; WOW64) AppleWebKit/537.11 (KHTML, like Gecko) Chrome/23.0.1271.64 Safari/537.11','',0,0,NULL),(3370,27,'Meeboatiajose','east2013525@mail.ru','http://www.lovermcm.com/','88.190.61.96','2013-06-28 18:22:06','2013-06-28 18:22:06','??????????\r\n\r\n    ?????????????????COACH?????????? ??? ????? <a href=\"http://y.ahoo.it/MS53a\" rel=\"nofollow\">???? ACCESSORIES ??? ???????? ??? ???????? ??? ?????????? ??? ????? ??????? PET PROJECT ?????? ?????? ??????? ???????  ????? </a> ??????????????????????????\r\n    <a href=\"http://goo.gl/bAh3I\" rel=\"nofollow\">??????2013aw season OFF sale!!30%!!???????? ???/??????/???????? MWT2AAF32YH 28] mcm??????? mcm???????? mcm?? mcm?????? ??? mcm??? mcm???? mcm??? </a> ?????????????????????????????????????????????????????????????????????????????????????????????????? 28cm\r\n    ?????(?????)???????????????????????????????????????? <a href=\"http://goo.gl/IOt8J\" rel=\"nofollow\">??????????????????????2012AW???2012AW????MCM???????? COLOR VINTAGE VISETOS 3??? ????MYL2AVC03CO 99] ?? ?????? ??????? ???????? ??? ?????? ?? ????? ?? ??? ?????? ????? ???? ?????? ??? ????? ??? ??? </a>  ??????????????????????????????????\r\n    ???????????????1 ?? <a href=\"http://y.ahoo.it/2P62D\" rel=\"nofollow\">??????2012AW???????!!2012AW????MCM???????? COLOR VINTAGE VISETOS ????? ????MYL2AVC01IG 60]  ??????? ???????? ??? ?????? ?? ????? ?? ??? ?????? ????? ?????? ?? ???? ?????? ??? ????? ??? ??? </a> ?????????\r\n     ???????????????? <a href=\"http://goo.gl/19uLk\" rel=\"nofollow\">?????? M CM???? ???????????MCM ????????????STUDS MEDIUM BACKPACK MWK 1SVE01 RE001 ???/???MWK 1SVE01 RE001 00] ?? ???????? ??????? ??????? ?????? ???? ??? ???? </a> ??????1 COACH?????????????????????????????????????????????????? ????? ?????????24?????????????????????',0,'spam','Mozilla/5.0 (Windows NT 5.1; rv:15.0) Gecko/20100101 Firefox/15.0','',0,0,NULL),(3371,27,'Elurentee','tehgjhncbg@hotmail.com','http://goo.gl/PuLzV','198.2.207.109','2013-06-28 19:42:09','2013-06-28 19:42:09','??????Oakley<a href=\"http://y.ahoo.it/C6wGk\" rel=\"nofollow\">??? ?? 2013</a>?????????????<a href=\"http://y.ahoo.it/C6wGk\" rel=\"nofollow\">??? ???</a>??????????????????????????????<a href=\"http://goo.gl/PuLzV\" rel=\"nofollow\">??? ???</a>?????HUD?????????????http://www.pradamatsuri.com/ ??? ????????\r\n\r\n1.5??<a href=\"http://y.ahoo.it/C6wGk\" rel=\"nofollow\">??? ??????</a>????????????????????????????????<a href=\"http://goo.gl/nXqJJ\" rel=\"nofollow\">??? ??</a>????HUD????????????<a href=\"http://www.pradamatsuri.com/\" / rel=\"nofollow\">??? ??</a>?????????????GPS?????????http://goo.gl/nXqJJ ??? ???????\r\n\r\n???????????????<a href=\"http://www.pradahanabi.com/\" / rel=\"nofollow\">??? ??????</a>??????????????<a href=\"http://y.ahoo.it/CgzzC\" rel=\"nofollow\">??? ??????</a>???????????????????????????????<a href=\"http://y.ahoo.it/CgzzC\" rel=\"nofollow\">??? ?? 2013</a>?????????10?31?http://www.pradahanabi.com/ ??? ??',0,'spam','Mozilla/5.0 (Windows; U; Windows NT 5.1; ru; rv:1.9.0.19) Gecko/2010031422 Firefox/3.0.19 YB/3.5.1 (.NET CLR 3.5.30729)','',0,0,NULL),(3373,27,'Cowlunoniacaw','hfghgfhfshghf@hotmail.com','http://www.raybankoi.com/','142.0.130.124','2013-06-29 12:47:29','2013-06-29 12:47:29','<a href=\"http://goo.gl/fgnvJ\" rel=\"nofollow\">rayban ?????</a>?????????????????????????<a href=\"http://www.raybanseason.com/\" / rel=\"nofollow\">???? ???????</a>??????RFC2409???IPsec????????<a href=\"http://goo.gl/fgnvJ\" rel=\"nofollow\">???? ?????</a>KINK?SKIP????????????????????????http://www.raybanforever.com/ ???? ????????DiffieHellman??<a href=\"http://y.ahoo.it/+p+8M\" rel=\"nofollow\">???? ??</a>??????????????ISAKMP<a href=\"http://www.raybanforever.com/\" / rel=\"nofollow\">???? ??</a>???????????ISAKMP?????????<a href=\"http://www.raybankoi.com/\" / rel=\"nofollow\">???? ???</a>\r\n????????????<a href=\"http://www.raybanforever.com/\" / rel=\"nofollow\">???? ????? ??</a>????“?”goo??????????<a href=\"http://y.ahoo.it/+p+8M\" rel=\"nofollow\">???? ???????</a>????????????<a href=\"http://www.raybanseason.com/\" / rel=\"nofollow\">???? ???????</a>???????????????goo???????????????<a href=\"http://www.raybanforever.com/\" / rel=\"nofollow\">rayban ?????</a>????????VR28???????????????????http://www.raybanforever.com/ ???? ???????????<a href=\"http://y.ahoo.it/+p+8M\" rel=\"nofollow\">???? ???????</a>????????????????190 KB<a href=\"http://goo.gl/fgnvJ\" rel=\"nofollow\">???? ???</a>',0,'spam','Mozilla/5.0 (Windows NT 6.1; WOW64; rv:17.0) Gecko/17.0 Firefox/17.0','',0,0,NULL),(3374,27,'Cusiavasp','east2013534@mail.ru','http://www.kochiday.com/','88.190.47.232','2013-06-29 15:00:58','2013-06-29 15:00:58','???????????\r\n\r\n    ??????????????????????????????? <a href=\"http://y.ahoo.it/aCKeX\" rel=\"nofollow\">??? ??????? ??? ???????? ??? ??? ??? ?????? ??? ?????? ??? ??????? ??? ??????? ??? ?????? ??? ????? ??? ????? ??? ??? ??? ?? ??? ??&amp;???  ??? ??????</a> ??????????????????????????????????.\r\n    <a href=\"http://www.daisukicoach.com/p-5482.html\" rel=\"nofollow\">??????? ???????? COACH ?? ??????????????????????????????????????????????46664 SVA8B(?????????×????) 63] ??? 2WAY ??? ??? ?????? ??? ?????? ??? ???????? ??? ??? ??? ?????? ??? ??? ??? ??? ?????? ??? ??? ??? ??? ???? ??? ??? ?? ??? ???????? ??? ??? ??? ?????? ??? ??????? </a> ?????????????????????????B???????????????????????????????.\r\n    <a href=\"http://y.ahoo.it//RGET\" rel=\"nofollow\"> 2WAY??? ?????? ????? ???????? ?????? ??? ???? ??? ??? ?? ??? ?????? ?????? ???? ??   ???</a> ???????? ??????????!\r\n    <a href=\"http://www.lovercoachjp.com/c-127.html\" rel=\"nofollow\">COACH ?????? COACH ???????? COACH ??????? COACH ???????? COACH ??? COACH ??? COACH ??????? COACH ??? COACH ???????? COACH ?????? COACH ?????? COACH ?????? COACH ?????? COACH ?????  COACH ??????</a> ??????????????????Atsuko????????????????????????????????\r\n    ??yahoo?????????????????????? <a href=\"http://www.kochiday.com/p-5832.html\" rel=\"nofollow\"> #12467;??]COACH 2WAY???????? #12509;?? ???? ??? ?????] 15351 SV/UW ?????? 5351] 82] COACH ?????? COACH ??????? COACH ????? COACH ??????? COACH ???????? COACH ??? ???? COACH ???2WAY COACH ??? COACH ?? COACH ??? COACH ???? </a> ?23cm??!',0,'spam','Mozilla/5.0 (Windows NT 6.1; WOW64; rv:15.0) Gecko/20100101 Firefox/15.0','',0,0,NULL),(3375,27,'smollawette','fdhszzh@mail.ru','http://goo.gl/VfNYR','175.44.59.9','2013-06-29 17:28:17','2013-06-29 17:28:17','http://www.watchsmartjp.com ?? ??? ???????? <a href=\"http://goo.gl/hguVG\" rel=\"nofollow\">???? ??</a> ????????? <a href=\"http://www.watchsummer.com/\" / rel=\"nofollow\">????? ??</a> ??:??????HIJINX??? <a href=\"http://www.watchsummer.com/\" / rel=\"nofollow\">??? ??</a> ???????????????????????????????????????????????????????\r\n<a href=\"http://goo.gl/VfNYR\" rel=\"nofollow\">????? ??</a> ????????????? <a href=\"http://goo.gl/xzfoL\" rel=\"nofollow\">????? ??</a> ?????? http://y.ahoo.it/t45cf ?????? ?? ????? <a href=\"http://y.ahoo.it/CCcV/\" / rel=\"nofollow\">????? ??</a> ????????????????????????????????',0,'spam','Mozilla/5.0 (Windows NT 5.1; rv:17.0) Gecko/17.0 Firefox/17.0','',0,0,NULL),(3376,27,'Sweeddita','east2013545@mail.ru','http://www.paulsmithday.com/','88.190.61.96','2013-06-29 17:48:27','2013-06-29 17:48:27','??????????\r\n\r\n    ??????????????(??????) ??????????????????? <a href=\"http://goo.gl/OT6Sd\" rel=\"nofollow\">?????? ?? ?????? IPhone??? ?????? ??? ?????? ??? ?????? ??? ?????? ?? ?????? ????? ?????? ????? ?????? Ipad??? ?????? ???? ?????? 2013??? ?????? ?????????? ?????? ??? ?????? ??? ????????????? ?????? ?????? ?????? ????????? ?????? ????  ?????? ????</a> ????????????????????????????????.\r\n    <a href=\"http://goo.gl/Ie0un\" rel=\"nofollow\">?paullSmith? ??? ?paullSmith? ??? ?paullSmith? ?? ?paullSmith? ????? ?paullSmith? ????? ?paullSmith? Ipad??? ?paullSmith? ???? ?paullSmith? 2013??? ?paullSmith? ?? ?paullSmith? ?????????? ?paullSmith? ??? ?paullSmith? ??? ?paullSmith???????? ?paullSmith? ?????? ?paullSmith? ????????? ?paullSmith? ???? ?paullSmith? IPhone??? ?paullSmith? ???  ?paullSmith? ???</a> ??????????????????????????????????????????????\r\n    ??????????????????????? ??????????????????????????????? <a href=\"http://www.paulsmithgem.com/p-5568.html\" rel=\"nofollow\">??????? ?????? ?? ?????????????psu427-10????? ????Paul Smith?????????????? ??????? ??? 49] paullSmith/ ? ????? paullSmith/ ? ??????? paullSmith/ ? ????? paullSmith/ ? ???????????? paullSmith/ ? ????????????? paullSmith/ ????? paullSmith/ ??? paullSmith/ ??? paullSmith/ ?????? paullSmith/ ?? paullSmith/ ?????? </a>  ???????????????????????.\r\n    ?????????????????????????? <a href=\"http://goo.gl/bBDGl\" rel=\"nofollow\">? ????? ? ??????? ? ????? ? ???????????? ? ????????????? ????? ??? ??? ?????? ?? ??????  ? ???????</a> ????????????????????????????????????????\r\n    <a href=\"http://goo.gl/jIitN\" rel=\"nofollow\">?????????????????????Paul Smith???? ??? ??? ??? 2WAY?????? ???? AFXA 2968 L440 1?selectshop????? ?????????? 179] ?? ??? ???? ?? ????? ????? </a> ?????????1 ????5 ????????????????????????????????????????????????????????????',0,'spam','Mozilla/5.0 (Windows NT 5.1; rv:13.0) Gecko/20100101 Firefox/13.0.1','',0,0,NULL),(3377,27,'maillot de foot 2013','yxdtyvxvw@gmail.com','http://maillotdefoot2013.1to1elite.com/','14.147.205.32','2013-06-29 19:37:45','2013-06-29 19:37:45','tools.php?event=profile&amp;pname=',0,'spam','Mozilla/4.0 (compatible; MSIE 6.0; Windows NT 5.1)','',0,0,NULL),(3378,27,'UsadsvewCes','east2013547@mail.ru','http://www.paulsmithinclub.com/','88.190.61.100','2013-06-29 23:26:04','2013-06-29 23:26:04','?????????????\r\n\r\n    <a href=\"http://goo.gl/hGZdz\" rel=\"nofollow\">?????? ??????</a> http://www.muchpaulsmith.com/ ?????? ??? ?? ???????????????? ??????????????????????? ?????????????????!\r\n    23???????????????????? <a href=\"http://www.paulsmithday.com/\" / rel=\"nofollow\">?????? ??</a> http://y.ahoo.it/FBIU+ ?????? ?? 23???????????????????????????????????!\r\n     ??????????????????????????????? <a href=\"http://www.paulsmithgem.com/\" / rel=\"nofollow\">?????? ???</a> http://goo.gl/G2x9S ?????? ??? ????????????????!\r\n    ?????????X1???????????????????????? <a href=\"http://goo.gl/oSmyj\" rel=\"nofollow\">?????? ??</a> http://goo.gl/oSmyj ?????? ?? ?? 23????????????????????????????????????????????\r\n    <a href=\"http://y.ahoo.it/D92eN\" rel=\"nofollow\">?????? ??</a> http://goo.gl/qrwUh ?????? ?? ??26cm?27cm?6cm ????????????????????????????32cm?30cm?11cm ?????????',0,'spam','Mozilla/5.0 (Windows NT 5.1) AppleWebKit/537.4 (KHTML, like Gecko) Chrome/22.0.1229.79 Safari/537.4','',0,0,NULL),(3379,27,'curdYTogcurgy','erhhjygdyhtr@hotmail.com','http://y.ahoo.it/+p+8M','198.2.207.98','2013-06-30 00:03:04','2013-06-30 00:03:04','???“Frogskins”http://www.raybanseason.com/ ???? ??????????<a href=\"http://www.raybankoi.com/\" / rel=\"nofollow\">???? ???????</a>???????????????????????????????<a href=\"http://www.raybanseason.com/\" / rel=\"nofollow\">???? ???????</a>??????2007???22??????????????<a href=\"http://y.ahoo.it/+p+8M\" rel=\"nofollow\">??? ????</a>OAKLEY?????????Frogskins??????<a href=\"http://y.ahoo.it/+p+8M\" rel=\"nofollow\">???? ?????</a>??????????????????????<a href=\"http://y.ahoo.it/+p+8M\" rel=\"nofollow\">???? ????????</a>2007???22???????http://www.raybankoi.com/ ???? ??\r\n????????????<a href=\"http://y.ahoo.it/+p+8M\" rel=\"nofollow\">???? ???????</a>???????goo???????????<a href=\"http://y.ahoo.it/+p+8M\" rel=\"nofollow\">???? ??</a>?????????????<a href=\"http://www.raybanforever.com/\" / rel=\"nofollow\">???? ????? ??</a>????????????????????????????????<a href=\"http://www.raybanseason.com/\" / rel=\"nofollow\">???? ??</a>????????VR28???????????????????http://www.raybanforever.com/ ???? ????? ??????<a href=\"http://goo.gl/fgnvJ\" rel=\"nofollow\">???? ????????</a>?????????????????????<a href=\"http://y.ahoo.it/+p+8M\" rel=\"nofollow\">rayban ?????</a>',0,'spam','Mozilla/5.0 (Windows; U; Windows NT 5.1; ru; rv:1.9.0.19) Gecko/2010031422 Firefox/3.0.19 YB/3.5.1 (.NET CLR 3.5.30729)','',0,0,NULL),(3380,27,'MotteeseBus','grhrthtfsgfd@hotmail.com','http://www.miumiusaitou.com/','142.0.130.124','2013-06-30 05:05:01','2013-06-30 05:05:01','Metal \r\nhttp://y.ahoo.it/swhpB ???? ???????????????????????????????<a href=\"http://goo.gl/ecEiS\" rel=\"nofollow\">miumiu ??????</a>????????????Romeo??????????????????????????<a href=\"http://y.ahoo.it/bN0Eo\" rel=\"nofollow\">miumiu ?????</a>???Xmetal??????',0,'spam','Mozilla/5.0 (Windows; U; Windows NT 5.1; en-US) AppleWebKit/534.16 (KHTML, like Gecko) Chrome/10.0.648.204 Safari/534.16','',0,0,NULL),(3381,27,'Appeaksinsize','east2013550@mail.ru','http://www.miumiuseikai.com/','88.190.61.95','2013-06-30 11:33:59','2013-06-30 11:33:59','??????? ??\r\n\r\n    ?????????1 ????????1,??????????????? <a href=\"http://www.justmiumiu.com/\" / rel=\"nofollow\">MIUMIU ??????</a> http://www.justmiumiu.com/ MIUMIU ??? ???????????????????????????????!\r\n    ???/COACH ?? <a href=\"http://goo.gl/i6Wdk\" rel=\"nofollow\">MIUMIU ??</a> http://www.lovermiumiu.com/ MIUMIU ?? ???????????????????????????????????????????????????1 ????????1 ??????1 ?? ????????????1 ????????1 ??????????.\r\n    <a href=\"http://goo.gl/tnymy\" rel=\"nofollow\">MIUMIU ??? ??????</a> http://www.miumiudream.com/ MIUMIU ??? ?????? ?????????????????????????????????????????????????????????????????\r\n    ???????????????M??????????????????????????? <a href=\"http://goo.gl/18Fzn\" rel=\"nofollow\">?????? ??</a> http://goo.gl/18Fzn MIUMIU ?????? Tan!\r\n    ?? <a href=\"http://goo.gl/FgJ54\" rel=\"nofollow\">MIUMIU ?? ??</a> http://goo.gl/FgJ54 MIUMIU ??? ?????????????F?????????????!',0,'spam','Mozilla/5.0 (Windows NT 6.1; rv:10.0) Gecko/20100101 Firefox/10.0','',0,0,NULL),(3382,27,'thitansatteni','east2013551@mail.ru','http://www.justmiumiu.com/','88.190.61.96','2013-06-30 13:36:35','2013-06-30 13:36:35','????????????\r\n\r\n    ?????????1 ????????1,???????????????????????????! <a href=\"http://y.ahoo.it/xSMN4\" rel=\"nofollow\">?????? miumiu ??????RR1765 ??? ?????????NAPPA DECORO FI??? ???)NERO(????)?? ?smtb-TD??yokohama??YDKG-td? 765-nap-nero-155-????] ?MIUMIU? ?? ?MIUMIU? ???? ?MIUMIU? ??????? ?MIUMIU? ???????? ?MIUMIU? ?????? ?MIUMIU? 2???? ?MIUMIU? ?????? ?MIUMIU? ??? </a>\r\n    ????????????????/?????????? STRAW VINTAGE CROSS ?????????????????????????????????????? <a href=\"http://www.lovermiumiu.com/c-145.html\" rel=\"nofollow\">?? ???? ??????? ???????? ?????? 2???? ?????? ???  2????</a> (??? COACH) ? ??? ??,!\r\n    DETAIL2011????? <a href=\"http://www.miumiudream.com/p-5496.html\" rel=\"nofollow\">???????MIUMIU ?? ????????? MIUMIU ??? ????????? ???????????? ???? PETROLIO 5M0506 ST.COCCOauktn_fs?RCP? item306] ?? ?????? ???????? ?????? ????? ??? ?????? ??? ??? ?????? </a> ??.\r\n    ?45cm ?????????????????????? <a href=\"http://www.miumiuseikai.com/p-5703.html\" rel=\"nofollow\">?????????????? VERNICE??????????????????? 5M0506-VERNICE-NERO-G-O??????? 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Want more.',0,'spam','Mozilla/4.0 (compatible; MSIE 6.0; Windows NT 5.1)','',0,0,NULL),(3387,27,'fluiltNot','gfhggrdgfgdf@hotmail.com','http://www.miumiusaitou.com/','175.44.56.117','2013-07-02 13:09:07','2013-07-02 13:09:07','???\r\nhttp://goo.gl/ecEiS miumiu ??????????????????????XMatal??????<a href=\"http://www.miumiugate.com/\" / rel=\"nofollow\">miumiu ??????</a>????????????????????????????????????????<a href=\"http://y.ahoo.it/swhpB\" rel=\"nofollow\">miumiu</a>???Xmetal???????',0,'spam','Opera/9.80 (Windows NT 5.1; U; ru) Presto/2.10.289 Version/12.02','',0,0,NULL),(3395,27,'lululemon sale','yexdvndu@gmail.com','http://www.althikr.edu.sa/sitemap.html','110.85.73.9','2013-07-06 21:37:36','2013-07-06 21:37:36','Pants Womens Find Great Deals on Women\'s Pants. Satisfaction Guaranteed. Shop Now!  <a href=\"http://www.althikr.edu.sa/sitemap.html\" title=\"lululemon sale\" rel=\"nofollow\">lululemon sale</a>',0,'spam','Mozilla/4.0 (compatible; MSIE 6.0; Windows NT 5.1; SV1; Mozilla/4.0 (compatible; MSIE 6.0; Windows NT 5.1; SV1) ; .NET CLR 2.0.50727 ; .NET CLR 4.0.30319)','',0,0,NULL),(3396,27,'Horamareasoxkvb','horamareas@gmail.com','http://pspiledwlar.com','46.119.125.80','2013-07-06 22:29:47','2013-07-06 22:29:47','thyhodesoth <a href=\"http://vikaswieier.com\" rel=\"nofollow\">xaikalitag</a> Ceswainna http://usillumaror.com - iziananatt omibiognoca http://gussannghor.com Toonrypaypona',0,'spam','Opera/9.80 (Windows NT 5.1; Edition Yx) Presto/2.12.388 Version/12.10','',0,0,NULL),(3407,27,'seilmZeme','diowidwisbubs@hotmail.com','http://www.watch.kitakai.com/','91.207.5.46','2013-07-08 20:34:48','2013-07-08 20:34:48','Looking for the World War II, like a fabric general shortage, Prada discovered designer handbags built with 100 % organic cotton cloth as an imitation leather <a href=\"http://www.mcm.kitakai.com/\" / rel=\"nofollow\">MCM ??</a> that is genuinely famed previously.A final Nine years to your establishment acquired difficult to and then components coach ?????? http://www.coach.kitakai.com/ began to alternate from adverse with regard to more dangerous. Playing with <a href=\"http://www.miumiu.kitakai.com/\" / rel=\"nofollow\">miumiu ??????</a> 1993, Ben Chevy was in fact picked up as well as the had been usually the one location Prada straight to the best quality.\r\n<a href=\"http://www.gucci.kitakai.com/\" / rel=\"nofollow\">??? ??</a> Prada was created appearing in England as part of 1881. My husband increased in the Florence and commenced the size of his smaller businesses of producing artificial leather merchandise <a href=\"http://www.coach.kitakai.com/\" / rel=\"nofollow\">??? ??????</a> within just 1906. He / she traveled to finally Dutch and as well as The uk and commenced work a trustworthy dishwashing machine, a functional store assistant, a lift maid of honor, miumiu ?????? http://www.miumiu.kitakai.com/ a suitable bellhop while a helper!',0,'spam','Mozilla/5.0 (Windows NT 6.1) AppleWebKit/537.4 (KHTML, like Gecko) Chrome/22.0.1229.94 Safari/537.4','',0,0,NULL),(3410,27,'Optoxomadap','obsewsmub@hotmail.com','http://www.lifeservsrilanka.com/item/forevercoach.html','142.4.126.18','2013-07-09 18:48:24','2013-07-09 18:48:24','<a href=\"http://www.lifeservsrilanka.com/item/seikodaisuki.html\" rel=\"nofollow\">SEIKO ????</a>\r\n??? ???=http://www.lifeservsrilanka.com/item/forevercoach.html\r\n???? ????=http://www.lifeservsrilanka.com/item/seikodaisuki.html\r\n<a href=\"http://www.lifeservsrilanka.com/item/bestcoachforyou.html\" rel=\"nofollow\">??? ??</a>\r\n????5=http://www.lifeservsrilanka.com/item/sukiseiko.html\r\n?????????=http://www.lifeservsrilanka.com/item/coachalways.html\r\n<a href=\"http://www.lifeservsrilanka.com/item/coachalways.html\" rel=\"nofollow\">??? ???</a>\r\n??? ???=http://www.lifeservsrilanka.com/item/bestcoachforyou.html\r\n????????????=http://www.lifeservsrilanka.com/item/selectwatch.html\r\n<a href=\"http://www.lifeservsrilanka.com/item/yourseikowatch.html\" rel=\"nofollow\">SEIKO ???</a>\r\nSEIKO ???=http://www.lifeservsrilanka.com/item/yourseikowatch.html\r\n<a href=\"http://www.lifeservsrilanka.com/item/selectwatch.html\" rel=\"nofollow\">????????????</a>\r\n<a href=\"http://www.lifeservsrilanka.com/item/watchcounty.html\" rel=\"nofollow\">????????????</a>\r\n<a href=\"http://www.lifeservsrilanka.com/item/watchjpclub.html\" rel=\"nofollow\">?????</a>\r\n??? ??=http://www.lifeservsrilanka.com/item/watchcounty.html\r\n??? ???=http://www.lifeservsrilanka.com/item/watchjpclub.html\r\nConsider also that newbie customers could possibly be posting their calls for content on multiple freelance web pages. Look at the account for clues that it isn\'t really a CC exclusive ask. This is tricky, but you get a sense of CCspecific requests versus more generic requests. If it sounds being a canned request that\'s probably put here, there, and everywhere, then CC has an opportunity to shine! We don\'t have to trade ourselves just write this article. It\'s risky because we are competing with other web pages, but if the topic appeals to your account, you think it can sell to other people later, then this is the best chance to help CC land a brand new customer. It may take a person like this 5, 10, or 20 requests to see the value of CC\'s design over bid sites.\r\n<a href=\"http://www.lifeservsrilanka.com/item/coacheternal.html\" rel=\"nofollow\">??? ??</a>\r\nUnsure about the feasibility or perhaps logistics, but might be handy information. If you read the particular descriptions, you\'ll get a sense of whether the client is serious or definitely not. Look at the Lasik request as compared to the SEO request. Both have 0s therefore to their purchase rating. I\'d write for the particular Lasik customer without concern but I\'d be a reduced amount of incliend to write to the SEO customer just based in route they worded their requests. Also, the date gives anyone a clue too. The Lasik request is completely new. Now, if it were some weeks old and continue to showed a zero, I\'d figure the customer\'s not serious, but since it\'s a weekend and the request is just each day or two old, then I\'d give him the advantage of the doubt (providing needless to say that I was interested in writing about that unique topic). That said, SEO articles are quite popular, so if I have been so inclined, I\'d write one and submit it towards the SEO guy. I wouldn\'t be confident within this guy buying it but We\'d be confident in other client buying it based on the popularity of the subject. So really, if this guy offers made 100 requests not bought a single write-up, my overall decision could be based on the topic\'s larger appeal.\r\n<a href=\"http://www.lifeservsrilanka.com/item/forevercoach.html\" rel=\"nofollow\">??? ??</a>\r\n??? ??????=http://www.lifeservsrilanka.com/item/coacheternal.html\r\n<a href=\"http://www.lifeservsrilanka.com/item/sukiseiko.html\" rel=\"nofollow\">SEIKO ???</a>',0,'spam','Mozilla/5.0 (Windows; U; Windows NT 6.1; en-US) AppleWebKit/533.4 (KHTML, like Gecko) Iron/5.0.381.0 Chrome/5.0.381 Safari/533.4','',0,0,NULL),(3412,27,'ray ban wayfarer','xafphwshl@gmail.com','http://raybanwayfarer.a.nf/','14.150.73.115','2013-07-10 05:57:50','2013-07-10 05:57:50','profile.php?id=',0,'spam','Mozilla/4.0 (compatible; MSIE 6.0; Windows NT 5.1; SV1; Mozilla/4.0 (compatible; MSIE 6.0; Windows NT 5.1; SV1) ; .NET CLR 2.0.50727 ; .NET CLR 4.0.30319)','',0,0,NULL),(3413,27,'Pelldarseva','east2013587@mail.ru','http://ya.japanbuy.jp/SKB/miumiubbagu.html','88.190.47.233','2013-07-10 07:34:22','2013-07-10 07:34:22','??????????????????? COACH ??? ????? 2011?????? ?????? ????????!\r\n    ???????? ???????????????????????????????????????????????????\r\n<a href=\"http://ya.japanbuy.jp/SKB/coachcorcor.html\" rel=\"nofollow\">??? ???</a>\r\n<a href=\"http://ya.japanbuy.jp/SKB/coachhot.html\" rel=\"nofollow\">coach ??????</a>\r\n<a href=\"http://ya.japanbuy.jp/SKB/miumiuyes.html\" rel=\"nofollow\">?????? ??</a>\r\n<a href=\"http://ya.japanbuy.jp/SKB/gagainfo.html\" rel=\"nofollow\">????? ??????</a>\r\n<a href=\"http://ya.japanbuy.jp/SKB/gagalover.html\" rel=\"nofollow\">????? ??</a>\r\n<a href=\"http://ya.japanbuy.jp/SKB/miumiufar.html\" rel=\"nofollow\">?????? ??</a>\r\n<a href=\"http://ya.japanbuy.jp/SKB/katespadenatu.html\" rel=\"nofollow\">??????? ???</a>\r\n<a href=\"http://ya.japanbuy.jp/SKB/gagasales.html\" rel=\"nofollow\">????? ???</a>\r\n<a href=\"http://ya.japanbuy.jp/SKB/miumiurain.html\" rel=\"nofollow\">?????? ??</a>\r\n<a href=\"http://ya.japanbuy.jp/SKB/coachtoto.html\" rel=\"nofollow\">??? ??????</a>\r\n    ????????????????????????????? ????????/???????????? !\r\n    ?????????????????????coach ????????????????????????????.\r\n   http://ya.japanbuy.jp/SKB/katespaderoom.html  ??????? ??? \r\n   http://ya.japanbuy.jp/SKB/coachwowo.html  ??? ?????? \r\n   http://ya.japanbuy.jp/SKB/coachlike.html  ??? ??  \r\n   http://ya.japanbuy.jp/SKB/katespadeday.html  ??????? ??? \r\n   http://ya.japanbuy.jp/SKB/gagasales.html  ????? ??? \r\n   http://ya.japanbuy.jp/SKB/coachmay.html  ??? ?????? \r\n   http://ya.japanbuy.jp/SKB/coachtoto.html  ??? ??? \r\n   http://ya.japanbuy.jp/SKB/coacheiei.html  ??? ?? \r\n   http://ya.japanbuy.jp/SKB/coachnew.html  ??? ?? \r\n   http://ya.japanbuy.jp/SKB/coachmay.html  coach ???',0,'spam','Opera/9.80 (Windows NT 6.1; WOW64; Edition Yx) Presto/2.12.388 Version/12.10','',0,0,NULL),(3414,27,'Staptully','east2013586@mail.ru','http://www.katespadestar.com/','88.190.47.222','2013-07-10 08:01:48','2013-07-10 08:01:48','??????1/ ???? ????????????????????????.\r\n    ??????W28cmH16cmD6cm ??????45cm ???????110cm ??  <a href=\"http://www.katespadestar.com/c-120.html\" rel=\"nofollow\">??????? ?????? ??</a> ??????????????????!\r\n    ???toryburch ??? ????!\r\n    ?????????????????????????????????????????????? ???.',0,'spam','Mozilla/5.0 (Windows NT 6.1; WOW64) AppleWebKit/537.4 (KHTML, like Gecko) Chrome/22.0.1229.94 Safari/537.4','',0,0,NULL),(3415,27,'authehartCift','east2013612@mail.ru','http://ya.japanbuy.jp/SKB/miumiuking.html','88.190.61.98','2013-07-10 09:03:33','2013-07-10 09:03:33','????????? ?????????????????????????????39cm?30cm?12cm ?????????51.5cm !\r\n     ??????5250???????? (2012 2013 ???? ?? ?? ?? ??? ??? ??? ??? ????? ?? ?? ?? ??????????????????????????.\r\n<a href=\"http://ya.japanbuy.jp/SKB/gagaget.html\" rel=\"nofollow\">????? ?? ????</a>\r\n<a href=\"http://ya.japanbuy.jp/SKB/miumiueiei.html\" rel=\"nofollow\">MIUMIU ???</a>\r\n<a href=\"http://ya.japanbuy.jp/SKB/miumiucici.html\" rel=\"nofollow\">?????? ??</a>\r\n<a href=\"http://ya.japanbuy.jp/SKB/gagaclub.html\" rel=\"nofollow\">????? ?? ??</a>\r\n<a href=\"http://ya.japanbuy.jp/SKB/coachline.html\" rel=\"nofollow\">??? ??????</a>\r\n<a href=\"http://ya.japanbuy.jp/SKB/katespadenatu.html\" rel=\"nofollow\">??????? ??</a>\r\n<a href=\"http://ya.japanbuy.jp/SKB/gagaland.html\" rel=\"nofollow\">????? ??</a>\r\n<a href=\"http://ya.japanbuy.jp/SKB/gagatoyou.html\" rel=\"nofollow\">????? ??????</a>\r\n<a href=\"http://ya.japanbuy.jp/SKB/miumiubag.html\" rel=\"nofollow\">?????? ???</a>\r\n<a href=\"http://ya.japanbuy.jp/SKB/gagawatch.html\" rel=\"nofollow\">????? ???</a>\r\n    ??? ??? ??? ?????? ???????! ????????????????????????? ???????????????????2WAY????????????????????????????????????????????????????????\"COACH(???)\"??????.\r\n    ???COACH?????? ?????? COACH??? ????? ????? ??? 20343 ??2013 ???? ???????????????????????????????????????????????????????????????????????????????????????????????\r\n   http://ya.japanbuy.jp/SKB/miumiuking.html  ?????? ??? \r\n   http://ya.japanbuy.jp/SKB/coachline.html  ??? ?? \r\n   http://ya.japanbuy.jp/SKB/gagasuki.html  ????? ??? \r\n   http://ya.japanbuy.jp/SKB/gagaland.html  ????? ?? \r\n   http://ya.japanbuy.jp/SKB/katespadesekai.html  ??????? ???? \r\n   http://ya.japanbuy.jp/SKB/miumiumine.html  ?????? ?? \r\n   http://ya.japanbuy.jp/SKB/gagagem.html  ????? ??? \r\n   http://ya.japanbuy.jp/SKB/katespadebuy.html  ??????? ??? \r\n   http://ya.japanbuy.jp/SKB/gagalover.html  Gaga Milano Watch \r\n   http://ya.japanbuy.jp/SKB/coachcorcor.html  ??? ????????',0,'spam','Mozilla/5.0 (Windows NT 5.1; rv:16.0) Gecko/20121026 Firefox/16.0 SeaMonkey/2.13.2','',0,0,NULL),(3416,27,'Worcearcamy','east2013590@mail.ru','http://www.katespadetoyou.com/','88.190.47.232','2013-07-10 11:40:40','2013-07-10 11:40:40','??????? ??????????????!\r\n    ????????????????????????????? <a href=\"http://www.katespadetoyou.com/\" / rel=\"nofollow\">??????? ??????</a> http://www.katespadetoyou.com/ ??????? ??\r\n ??? COACH ?? ???? ??????? ???? ????? ??? LEGACY WEEKEND NYLON ZIPPY WALLET 49546svbk!\r\n    ???toryburch ?? ????.\r\n    ??????????????/?????? ?????????????',0,'spam','Mozilla/5.0 (Windows NT 5.1; rv:14.0) Gecko/20100101 Firefox/14.0.1','',0,0,NULL),(3417,27,'haurafeathe','east2013594@mail.ru','http://ya.japanbuy.jp/SKB/gagalover.html','88.190.47.232','2013-07-10 15:21:34','2013-07-10 15:21:34','????????? ????????COACH ???.\r\n    ??????1 ???????????????????????????????????????????????????????????\r\n<a href=\"http://ya.japanbuy.jp/SKB/coachtortor.html\" rel=\"nofollow\">??? ??</a>\r\n<a href=\"http://ya.japanbuy.jp/SKB/katespadeday.html\" rel=\"nofollow\">??????? ??</a>\r\n<a href=\"http://ya.japanbuy.jp/SKB/miumiulook.html\" rel=\"nofollow\">?????? 2013</a>\r\n<a href=\"http://ya.japanbuy.jp/SKB/katespadeinclub.html\" rel=\"nofollow\">??????? ??</a>\r\n<a href=\"http://ya.japanbuy.jp/SKB/miumiuwuwu.html\" rel=\"nofollow\">?????? ?????</a>\r\n<a href=\"http://ya.japanbuy.jp/SKB/coachwowo.html\" rel=\"nofollow\">??? ??</a>\r\n<a href=\"http://ya.japanbuy.jp/SKB/coachart.html\" rel=\"nofollow\">??? ???</a>\r\n<a href=\"http://ya.japanbuy.jp/SKB/gagayume.html\" rel=\"nofollow\">????? ??</a>\r\n<a href=\"http://ya.japanbuy.jp/SKB/coachmay.html\" rel=\"nofollow\">??? ???</a>\r\n<a href=\"http://ya.japanbuy.jp/SKB/miumiuright.html\" rel=\"nofollow\">?????? ???</a>\r\n    ???????????????????????????????????????????????????????/???????????/??????????/?????? ????????????1?!\r\n    ??20cm?10cm?3cm ?????????????????????????????????????5???????????.\r\n   http://ya.japanbuy.jp/SKB/gagaget.html  ????? ?? \r\n   http://ya.japanbuy.jp/SKB/coachwowo.html  coach ?????? \r\n   http://ya.japanbuy.jp/SKB/coachline.html  ??? 2013 \r\n   http://ya.japanbuy.jp/SKB/coachart.html  ??? ?????? \r\n   http://ya.japanbuy.jp/SKB/miumiubag.html  ?????? ?? \r\n   http://ya.japanbuy.jp/SKB/gagalover.html  ????? ?? \r\n   http://ya.japanbuy.jp/SKB/gagaget.html  ????? ?? ???? \r\n   http://ya.japanbuy.jp/SKB/gagalover.html  ????? ?? \r\n   http://ya.japanbuy.jp/SKB/katespadelove.html  ??????? ?? \r\n   http://ya.japanbuy.jp/SKB/coacheiei.html  ??? ??',0,'spam','Mozilla/5.0 (Windows; U; Windows NT 6.1; en-US) AppleWebKit/534.10 (KHTML, like Gecko) Chrome/8.0.552.224 Safari/534.10','',0,0,NULL),(3418,27,'Optoxomadap','obsewsmub@hotmail.com','http://www.oncomingimages.com/list/cheapjimmychoo.html','142.4.126.18','2013-07-10 16:39:56','2013-07-10 16:39:56','???=http://www.oncomingimages.com/list/coachcollection.php\r\ndo what we carry out because we decided it the right move to make, McDonald said. or not that portrays a great image is secondary. We bought the commercial transport because we know they wonderfully built, they trucks the drivers like and you\'ll find great commitments from Paccar and Peterbilt about the warranty and service. How that reflects available on the market it helps a small bit, but that wasn our rationale for performing it. whether it could backfire and indicate to shippers which the company is doing as well well, McDonald laughed and quipped: anybody says we making excess amount, I can shoot that will down! second round of payment truck orders is planned for later this year, if the economy holds up plus the trucks perform as likely, McDonald said.\r\n<a href=\"http://www.oncomingimages.com/list/marcbags.php\" rel=\"nofollow\">?????????????? ??</a>\r\n?????????????? ???=http://www.oncomingimages.com/list/marcbags.php\r\n<a href=\"http://www.oncomingimages.com/list/marccity.php\" rel=\"nofollow\">?????????????? ??????</a>\r\n?????? ??????=http://www.oncomingimages.com/list/jimmychooseiru.php\r\nThe 386s, with 450hp Paccar MX motor and automated transmissions undoubtedly are a heavierspec than others inside fleet and will get to dedicated drivers handling heavier loads.\r\n??????=http://www.oncomingimages.com/list/jimmychoolovely.html\r\nPost A CommentDisclaimerNote: By submitting your responses you acknowledge that Truck News has the ideal to reproduce, broadcast and publicize individuals comments or any part thereof in any style whatsoever. Please note that from the volume of emails most people receive, not all comments will be published and those that are published will never be edited. However, all will be thoroughly read, considered and appreciated.\r\n<a href=\"http://www.oncomingimages.com/list/guccicategory.html\" rel=\"nofollow\">??? ??????</a>\r\n<a href=\"http://www.oncomingimages.com/list/jimmychoosale.html\" rel=\"nofollow\">?????? ??????</a>\r\n?????? ?=http://www.oncomingimages.com/list/jimmychoolist.php\r\n<a href=\"http://www.oncomingimages.com/list/jimmychoolist.php\" rel=\"nofollow\">?????? ???</a>\r\n<a href=\"http://www.oncomingimages.com/list/guccikudasaii.html\" rel=\"nofollow\">????????????</a>\r\n?????????????? ??=http://www.oncomingimages.com/list/marccity.php\r\n<a href=\"http://www.oncomingimages.com/list/coachcollection.php\" rel=\"nofollow\">???</a>\r\ngucci ?????=http://www.oncomingimages.com/list/guccikudasaii.html\r\n??? ?????=http://www.oncomingimages.com/list/guccicategory.html\r\n<a href=\"http://www.oncomingimages.com/list/jimmychoolovely.html\" rel=\"nofollow\">?????? ????</a>\r\n<a href=\"http://www.oncomingimages.com/list/cheapjimmychoo.html\" rel=\"nofollow\">?????? ????</a>\r\nhad plenty of trouble with the first emissions engines, that was the primary problem we were having, McDonald said. were a lot with breakdowns, a lot of issues and plenty of stuff that seemingly couldn become resolved. We did a large amount of investigation and it seemed that because they moved from the (EPA07) that will (EPA2010), there was a significant improvement within the entire process. The truth is, it was industrywide. We had all the OEMs come in and we said: are not and never strive to be in the truck repair business, we are in the freight delivery business. We want to provide as troublefree something to our customers as possible. I want a truck the place that the driver gets here the next day, does what required, turns the key and does the job until the job is conducted. dealer Peterbilt Ontario Truck Centres, by far the greatest package together, McDonald said.\r\ntarget is around key years, then it decision time period, McDonald said of the particular projected lifecycle.\r\nan LTL carrier, it seems like overkill. But we move lots of freight to Western The us on an intermodal basis and some of those loads can be 60, 000 lbs, so we figured most of us go heavy, McDonald explained. assignment of trucks is predicated, for the most part, on the lanes individuals run. If you run any lane where you getting your hands on loads of canned goods for shipment to Traditional western Canada via rail, you going to have got a heavier truck. The assignment of the trucks was according to requirement and nothing in addition. plans to keep your trucks for seven years where time they have with regards to 500, 000600, 000 kilometres on them then determine whether to industry them in or continue running them, based on the condition they in. It has spec features such as automatic shutdown to reduce idling and maintain your hours on the engine as low as possible.\r\nJIMMY CHOO ??=http://www.oncomingimages.com/list/cheapjimmychoo.html\r\n<a href=\"http://www.oncomingimages.com/list/jimmychooseiru.php\" rel=\"nofollow\">?????? ???</a>\r\nMcDonald said drivers are looking forward to the acquisition and individuals who been assigned among the list of new trucks big laughs on their faces. he said the purchase was made for practical reasons, in an effort to be able to drive down repair in addition to maintenance costs, and not to venture any particular image to drivers or customers.\r\n?????? ????=http://www.oncomingimages.com/list/jimmychoosale.html',0,'spam','Opera/9.80 (Windows NT 6.1; WOW64; U; ru) Presto/2.10.289 Version/12.00','',0,0,NULL),(3419,27,'Acegibbip','alloriafeanny@hotmail.com','http://www.oncomingimages.com/town/oakleyshop.html','199.15.234.218','2013-07-10 18:04:30','2013-07-10 18:04:30','Here\'s the Wiki excerpt with regard to Stirling\'s series, let me know you may notice the similarities: \"Emberverse, or Change World, ] is a compilation of postapocalyptic alternate history books written by S. M. Stirling. The novels depict this events following \"The Change\", which caused electricity, guns, explosives, internal combustion engines, and steam power to halt working. \".\r\nSigh. I like Abrams work in most cases and if I observed TV (I do not, but if its a fantastic series I\'ll rent it/stream the item later) and I recognize that there are only so many threads of original ideas that may be mined. I\'m fine with that in the process. I enjoy when a brand new take is done on an old idea. BUT, I must draw the line if the derivative does not give proper credit for any original idea.\r\n<a href=\"http://www.oncomingimages.com/town/oakleyshop.html\" rel=\"nofollow\">????? ????</a>\r\n??? ??????=http://www.oncomingimages.com/town/coachyume.html\r\nAside from the characters on NBC fresh series Revolution, because they will posess zero electricity to watch TELEVISION SET after an apocalyptic accident leaves America unplugged by all devices and units. That right, there no cars, no cell phones, no Internet, no that sounds like how to attract pretty relaxing. But we sure being stripped of technology will present some serious consequences with the show characters, who will be performed by costars like Billy Burke (Twilight), Giancarlo Esposito (Splitting Bad) and Andrea Roth (Ringer). Abrams (Lost) plus Eric Kripke (Great) will produce this project.\r\n?????? ?? ???=http://www.oncomingimages.com/town/watchjps.html\r\n??? ??=http://www.oncomingimages.com/town/jpwatchyume.html\r\n<a href=\"http://www.oncomingimages.com/town/coachshop.html\" rel=\"nofollow\">COACH ?????</a>\r\n????? ??????=http://www.oncomingimages.com/town/oakleystore.html\r\n????? ???????=http://www.oncomingimages.com/town/oakleyshop.html\r\n<a href=\"http://www.oncomingimages.com/town/pradajp.html\" rel=\"nofollow\">??? ??????</a>\r\n<a href=\"http://www.oncomingimages.com/town/watchstore.html\" rel=\"nofollow\">??????????</a>\r\n??? ????=http://www.oncomingimages.com/town/pradabags.html\r\n<a href=\"http://www.oncomingimages.com/town/coachyume.html\" rel=\"nofollow\">??? ??????</a>\r\n<a href=\"http://www.oncomingimages.com/town/pradabags.html\" rel=\"nofollow\">??? ??? ??</a>\r\n?????? ???=http://www.oncomingimages.com/town/watchjapan.html\r\ngucci ??=http://www.oncomingimages.com/town/watchstore.html\r\n<a href=\"http://www.oncomingimages.com/town/oakleystore.html\" rel=\"nofollow\">????? ????</a>\r\n<a href=\"http://www.oncomingimages.com/town/jpwatchyume.html\" rel=\"nofollow\">??? ??</a>\r\n??? ???=http://www.oncomingimages.com/town/pradajp.html\r\n<a href=\"http://www.oncomingimages.com/town/watchjapan.html\" rel=\"nofollow\">?????? ???</a>\r\nCOACH ??????=http://www.oncomingimages.com/town/coachshop.html\r\n<a href=\"http://www.oncomingimages.com/town/watchjps.html\" rel=\"nofollow\">??????? ??</a>',0,'spam','Mozilla/5.0 (Windows NT 6.1; WOW64; rv:9.0.1) Gecko/20100101 Firefox/9.0.1','',0,0,NULL),(3420,27,'UTEXTRUSA','east2013617@mail.ru','http://ya.japanbuy.jp/SKB/katespadeday.html','88.190.61.96','2013-07-10 18:07:44','2013-07-10 18:07:44','?????????????????????????????????????????!\r\n    ???????????/??????? ??????????????????????????!\r\n<a href=\"http://ya.japanbuy.jp/SKB/miumiubbagu.html\" rel=\"nofollow\">?????? ?? ?? 2013</a>\r\n<a href=\"http://ya.japanbuy.jp/SKB/katespadeya.html\" rel=\"nofollow\">??????? ???</a>\r\n<a href=\"http://ya.japanbuy.jp/SKB/miumiusee.html\" rel=\"nofollow\">?????? ???</a>\r\n<a href=\"http://ya.japanbuy.jp/SKB/coachline.html\" rel=\"nofollow\">??? ???</a>\r\n<a href=\"http://ya.japanbuy.jp/SKB/katespadelove.html\" rel=\"nofollow\">??????? ??</a>\r\n<a href=\"http://ya.japanbuy.jp/SKB/katespadebuy.html\" rel=\"nofollow\">??????? ??</a>\r\n<a href=\"http://ya.japanbuy.jp/SKB/gagagem.html\" rel=\"nofollow\">????? ???</a>\r\n<a href=\"http://ya.japanbuy.jp/SKB/coachcome.html\" rel=\"nofollow\">??? ???</a>\r\n<a href=\"http://ya.japanbuy.jp/SKB/gagainfo.html\" rel=\"nofollow\">????? ??</a>\r\n<a href=\"http://ya.japanbuy.jp/SKB/katespadelove.html\" rel=\"nofollow\">??????? ??</a>\r\n    ????????:24cm ?:25cm ?:?8cm ??????????????????????????!\r\n    ?cm ???????????????????????????????????????????????????????????????.\r\n   http://ya.japanbuy.jp/SKB/coachline.html  ??? ?????? \r\n   http://ya.japanbuy.jp/SKB/coachtoto.html  ??? ?? \r\n   http://ya.japanbuy.jp/SKB/miumiumaybe.html  ?????? ?? \r\n   http://ya.japanbuy.jp/SKB/gagagem.html  ????? ?? ??? \r\n   http://ya.japanbuy.jp/SKB/gagalife.html  ????? ?? \r\n   http://ya.japanbuy.jp/SKB/miumiueiei.html  ?????? ?? \r\n   http://ya.japanbuy.jp/SKB/coachyou.html  ??? ?? \r\n   http://ya.japanbuy.jp/SKB/miumiumine.html  ?????? ?? \r\n   http://ya.japanbuy.jp/SKB/miumiulook.html  ??????? ??? \r\n   http://ya.japanbuy.jp/SKB/gagagem.html  ????? ??',0,'spam','Mozilla/5.0 (Windows NT 5.1) AppleWebKit/536.11 (KHTML, like Gecko) Chrome/20.0.1132.57 Safari/536.11','',0,0,NULL),(3425,27,'Hevefernerorn','east2013605@mail.ru','http://ya.japanbuy.jp/SKB/miumiulook.html','88.190.47.232','2013-07-11 13:13:35','2013-07-11 13:13:35','????????:24cm ?:25cm ?:?8cm ?????????????MADE IN CHINA ????????????????!\r\n    ???COACH?????? ?????? COACH??? ????? ????? ??? 20343 ??2013 ???? ????????????????????????????????????????????????????????????????????????????.\r\n<a href=\"http://ya.japanbuy.jp/SKB/guccicici.html\" rel=\"nofollow\">??? ??</a>\r\n<a href=\"http://ya.japanbuy.jp/SKB/gagalife.html\" rel=\"nofollow\">????? Watch Bel</a>\r\n<a href=\"http://ya.japanbuy.jp/SKB/miumiubag.html\" rel=\"nofollow\">?????? ??????</a>\r\n<a href=\"http://ya.japanbuy.jp/SKB/katespadeya.html\" rel=\"nofollow\">??????? ???</a>\r\n<a href=\"http://ya.japanbuy.jp/SKB/guccisad.html\" rel=\"nofollow\">Gucci ???</a>\r\n<a href=\"http://ya.japanbuy.jp/SKB/coachlike.html\" rel=\"nofollow\">??? ??</a>\r\n<a href=\"http://ya.japanbuy.jp/SKB/miumiuwuwu.html\" rel=\"nofollow\">MIUMIU ??</a>\r\n<a href=\"http://ya.japanbuy.jp/SKB/guccisunday.html\" rel=\"nofollow\">Gucci ???</a>\r\n<a href=\"http://ya.japanbuy.jp/SKB/gagaday.html\" rel=\"nofollow\">????? ??????</a>\r\n<a href=\"http://ya.japanbuy.jp/SKB/guccidudu.html\" rel=\"nofollow\">??? GUCCI ??</a>\r\n    ????SKHPH ????????????????????.\r\n    ????????1???? ??? COACH 19999 SVASQ ????????????? ??????????? ???????????/?????? ????????/???? COACH??? ??? ??? COACH??? COACH ??????????????????????????.\r\n   http://ya.japanbuy.jp/SKB/coachyou.html  ??? ?????? \r\n   http://ya.japanbuy.jp/SKB/coachroro.html  coach ?????? \r\n   http://ya.japanbuy.jp/SKB/katespadefantasy.html  ??????? ???????? \r\n   http://ya.japanbuy.jp/SKB/gagacity.html  ????? ?? \r\n   http://ya.japanbuy.jp/SKB/gagafantasy.html  ????? ?? \r\n   http://ya.japanbuy.jp/SKB/miumiubag.html  ?????? miumiu MIUMIU ????? \r\n   http://ya.japanbuy.jp/SKB/katespadeya.html  ??????? ?? \r\n   http://ya.japanbuy.jp/SKB/coachcome.html  ??? ??? \r\n   http://ya.japanbuy.jp/SKB/miumiuraku.html  ?????? ?? ?? 2013 \r\n   http://ya.japanbuy.jp/SKB/katespadefantasy.html  ??????? ???',0,'spam','Mozilla/5.0 (Windows NT 5.1; rv:7.0.1) Gecko/20100101 Firefox/7.0.1','',0,0,NULL),(3426,27,'apedyMaypeVop','east2013606@mail.ru','http://ya.japanbuy.jp/SKB/miumiurain.html','88.190.47.233','2013-07-11 14:18:43','2013-07-11 14:18:43','??????????????????? ?? F23241 SV/BK ??? ???? SV/BK ?? ??? ?? ????\r\n    ?????????????????? ????? COACH ???? ??? ??? COACH ?????? ???? ?????????????????????????????????????????????????????????\r\n<a href=\"http://ya.japanbuy.jp/SKB/gagaland.html\" rel=\"nofollow\">????? ??</a>\r\n<a href=\"http://ya.japanbuy.jp/SKB/miumiubbagu.html\" rel=\"nofollow\">MIUMIU ???</a>\r\n<a href=\"http://ya.japanbuy.jp/SKB/guccitata.html\" rel=\"nofollow\">??? ??</a>\r\n<a href=\"http://ya.japanbuy.jp/SKB/guccisunday.html\" rel=\"nofollow\">??? ??</a>\r\n<a href=\"http://ya.japanbuy.jp/SKB/gagalover.html\" rel=\"nofollow\">????? ??</a>\r\n<a href=\"http://ya.japanbuy.jp/SKB/gucciqiqi.html\" rel=\"nofollow\">GUCCI ???</a>\r\n<a href=\"http://ya.japanbuy.jp/SKB/gucciheart.html\" rel=\"nofollow\">??? ???</a>\r\n<a href=\"http://ya.japanbuy.jp/SKB/coachcorcor.html\" rel=\"nofollow\">???????</a>\r\n<a href=\"http://ya.japanbuy.jp/SKB/miumiuhere.html\" rel=\"nofollow\">?????? ??</a>\r\n<a href=\"http://ya.japanbuy.jp/SKB/coachrorro.html\" rel=\"nofollow\">??? ???</a>\r\n    ?????????????????????COACH??????????????????????????????????????????????1???.\r\n    ????????2??????????????????1???\r\n   http://ya.japanbuy.jp/SKB/gagagem.html  ????? ??? \r\n   http://ya.japanbuy.jp/SKB/coachmay.html  ??? ??? \r\n   http://ya.japanbuy.jp/SKB/katespadegem.html  ??????? ???? \r\n   http://ya.japanbuy.jp/SKB/gagawatch.html  ????? ?? \r\n   http://ya.japanbuy.jp/SKB/coachlike.html  ??? ?????? \r\n   http://ya.japanbuy.jp/SKB/katespadeinfo.html  ??????? ??? \r\n   http://ya.japanbuy.jp/SKB/miumiuwuwu.html  MIUMIU ??? \r\n   http://ya.japanbuy.jp/SKB/katespadeinclub.html  ????????? \r\n   http://ya.japanbuy.jp/SKB/guccibaby.html  Gucci ??? \r\n   http://ya.japanbuy.jp/SKB/coacheiei.html  ??? ??',0,'spam','Mozilla/5.0 (Windows NT 6.1) AppleWebKit/537.4 (KHTML, like Gecko) Chrome/22.0.1229.79 Safari/537.4 u01-09','',0,0,NULL),(3427,27,'proorceillito','east2013597@mail.ru','http://www.gagayume.com/','88.190.47.234','2013-07-11 15:04:33','2013-07-11 15:04:33','????????????????????tory burch ?????\r\n    ????????????????????????????????????????????????????X1? <a href=\"http://www.gagayume.com/c-133.html\" rel=\"nofollow\">????? ?????</a> ???(COACH)?? ?????? ??? B4/MC???!\r\n     ????????????????????????????COACH??? COACH??????????2way??? ??????????? ?????????????????????????????????????????????????????????.\r\n    ??????????????????????19.5cm/??????????????????????????.',0,'spam','Mozilla/4.0 (compatible; MSIE 6.0; Windows NT 5.2; SV1; .NET CLR 1.1.4322)','',0,0,NULL),(3428,27,'Incinnida','east2013619@mail.ru','http://ya.japanbuy.jp/SKB/miumiusee.html','88.190.61.98','2013-07-11 18:20:11','2013-07-11 18:20:11','????????????????????????????????????????????????????????????1 !\r\n    ?????????????????????????????????????????????????????????????????????????????????????!\r\n<a href=\"http://ya.japanbuy.jp/SKB/gagabuy.html\" rel=\"nofollow\">????? ??</a>\r\n<a href=\"http://ya.japanbuy.jp/SKB/miumiueiei.html\" rel=\"nofollow\">MIUMIU ??????</a>\r\n<a href=\"http://ya.japanbuy.jp/SKB/katespadestar.html\" rel=\"nofollow\">??????? ??????</a>\r\n<a href=\"http://ya.japanbuy.jp/SKB/guccitata.html\" rel=\"nofollow\">??? GUCCI ??</a>\r\n<a href=\"http://ya.japanbuy.jp/SKB/miumiumaybe.html\" rel=\"nofollow\">?????? ??</a>\r\n<a href=\"http://ya.japanbuy.jp/SKB/guccihanbai.html\" rel=\"nofollow\">??? GUCCI ??</a>\r\n<a href=\"http://ya.japanbuy.jp/SKB/katespadetoyou.html\" rel=\"nofollow\">kate spade ???</a>\r\n<a href=\"http://ya.japanbuy.jp/SKB/gagaya.html\" rel=\"nofollow\">????? ?? ??? ??</a>\r\n<a href=\"http://ya.japanbuy.jp/SKB/guccisad.html\" rel=\"nofollow\">Gucci ?</a>\r\n<a href=\"http://ya.japanbuy.jp/SKB/katespadebuy.html\" rel=\"nofollow\">??????? ??</a>\r\n    ???????:??????????????? ??:?????????1 ????????1 ??:????????1 ???? ??????????UV??????????2WAY???????? ??????????? ????????? ??????? ???? F23241_SV/BK(????) ???? 1941????????\r\n    ??????1 ??????????????????????????????????????????????????????????????????????????????????????????\r\n   http://ya.japanbuy.jp/SKB/miumiuyes.html  ?????? ??? \r\n   http://ya.japanbuy.jp/SKB/gagainfo.html  ????? ??? \r\n   http://ya.japanbuy.jp/SKB/miumiumaybe.html  ?????? ?? \r\n   http://ya.japanbuy.jp/SKB/katespadeya.html  ??????? ??? \r\n   http://ya.japanbuy.jp/SKB/guccitata.html  ??? GUCCI ??? \r\n   http://ya.japanbuy.jp/SKB/miumiumaybe.html  ?????? ?? \r\n   http://ya.japanbuy.jp/SKB/gagasunny.html  ????? ?? \r\n   http://ya.japanbuy.jp/SKB/miumiuyes.html  ?????? ?? \r\n   http://ya.japanbuy.jp/SKB/gagatoyou.html  ????? ?? \r\n   http://ya.japanbuy.jp/SKB/guccikiki.html  ??? ??',0,'spam','Opera/9.80 (Windows NT 6.1; MRA 6.0 (build 6001)) Presto/2.12.388 Version/12.10','',0,0,NULL);

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src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/zKxJ_j3TXNw\" height=\"1\" width=\"1\"/>\";}s:3:\"wfw\";a:1:{s:10:\"commentrss\";s:46:\"http://archivesblogs.com/archives/3833803/feed\";}s:5:\"slash\";a:1:{s:8:\"comments\";s:1:\"0\";}s:10:\"feedburner\";a:1:{s:8:\"origlink\";s:69:\"http://archivists.cocolog-nifty.com/archivists/2011/05/post-9f22.html\";}s:7:\"summary\";s:119:\"???????????????2?????????? ?????????????...\";s:12:\"atom_content\";s:2344:\"<div>\n<p>???????????????2??????????<br />\n?????????????????<br />\n???????<br />\n&#8212;&#8212;&#8212;-<br />\n?????????????<br />\n??????????<br />\n??????????????????????????<br />\n?????????????????????????<br />\n????????????????????<br />\n&#8212;&#8212;&#8212;-<br />\n??????????<br />\n&#8212;&#8212;&#8212;-<br />\n??????????<br />\n??????????????????????????<br />\n?????????????????????????<br />\n????????????????????<br />\n&#8212;&#8212;&#8212;-<br />\n?????????????????????<br />\n???????<br />\n&#8212;&#8212;&#8212;-<br 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rumours\";s:4:\"link\";s:60:\"http://feedproxy.google.com/~r/ArchivesBlogs/~3/WuNqpi_Wm2k/\";s:8:\"comments\";s:77:\"http://feedproxy.google.com/~r/AustralianWarMemorial/~3/JHkuysTuGAs/#comments\";s:7:\"pubdate\";s:31:\"Sun, 01 May 2011 23:00:49 +0000\";s:2:\"dc\";a:1:{s:7:\"creator\";s:23:\"Australian War Memorial\";}s:8:\"category\";s:7:\"English\";s:4:\"guid\";s:34:\"http://www.awm.gov.au/blog/?p=8300\";s:11:\"description\";s:255:\"Bryant’s Diary:  Friday 2nd May 1941 Artillery could be heard all day as the battle continues.  It appears as if the [G]ermans have captured 14 outer perimeter posts, but have not penetrated beyond them.  Some big German planes came extremely low ...\";s:7:\"content\";a:1:{s:7:\"encoded\";s:1309:\"<p>Bryant’s Diary:  Friday 2nd May 1941 Artillery could be heard all day as the battle continues.  It appears as if the [G]ermans have captured 14 outer perimeter posts, but have not penetrated beyond them.  Some big German planes came extremely low today 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src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/WuNqpi_Wm2k\" height=\"1\" width=\"1\"/>\";}s:3:\"wfw\";a:1:{s:10:\"commentrss\";s:89:\"http://www.awm.gov.au/blog/2011/05/02/tobruk-diaries-questions-furphies-and-rumours/feed/\";}s:5:\"slash\";a:1:{s:8:\"comments\";s:1:\"0\";}s:10:\"feedburner\";a:1:{s:8:\"origlink\";s:68:\"http://feedproxy.google.com/~r/AustralianWarMemorial/~3/JHkuysTuGAs/\";}s:7:\"summary\";s:255:\"Bryant’s Diary:  Friday 2nd May 1941 Artillery could be heard all day as the battle continues.  It appears as if the [G]ermans have captured 14 outer perimeter posts, but have not penetrated beyond them.  Some big German planes came extremely low ...\";s:12:\"atom_content\";s:1309:\"<p>Bryant’s Diary:  Friday 2nd May 1941 Artillery could be heard all day as the battle continues.  It appears as if the [G]ermans have captured 14 outer perimeter posts, but have not penetrated beyond them.  Some big German planes came extremely low today bombing and machine gunning, but three and possibly four were brought down by [...]\n<div class=\"feedflare\">\n<a href=\"http://feeds.feedburner.com/~ff/AustralianWarMemorial?a=JHkuysTuGAs:kz3YBUyZSeQ:yIl2AUoC8zA\"><img src=\"http://feeds.feedburner.com/~ff/AustralianWarMemorial?d=yIl2AUoC8zA\" border=\"0\"/></a> <a href=\"http://feeds.feedburner.com/~ff/AustralianWarMemorial?a=JHkuysTuGAs:kz3YBUyZSeQ:qj6IDK7rITs\"><img src=\"http://feeds.feedburner.com/~ff/AustralianWarMemorial?d=qj6IDK7rITs\" border=\"0\"/></a> <a href=\"http://feeds.feedburner.com/~ff/AustralianWarMemorial?a=JHkuysTuGAs:kz3YBUyZSeQ:F7zBnMyn0Lo\"><img src=\"http://feeds.feedburner.com/~ff/AustralianWarMemorial?i=JHkuysTuGAs:kz3YBUyZSeQ:F7zBnMyn0Lo\" border=\"0\"/></a> <a href=\"http://feeds.feedburner.com/~ff/AustralianWarMemorial?a=JHkuysTuGAs:kz3YBUyZSeQ:V_sGLiPBpWU\"><img src=\"http://feeds.feedburner.com/~ff/AustralianWarMemorial?i=JHkuysTuGAs:kz3YBUyZSeQ:V_sGLiPBpWU\" border=\"0\"/></a>\n</div>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/WuNqpi_Wm2k\" height=\"1\" width=\"1\"/>\";}i:2;a:13:{s:5:\"title\";s:55:\"Happy May Day and Congrats to Kay Ryan, Pulitzer Winner\";s:4:\"link\";s:103:\"http://feedproxy.google.com/~r/ArchivesBlogs/~3/RHb_xU0s-9o/happy-may-day-and-congrats-to-kay-ryan.html\";s:8:\"comments\";s:89:\"http://sfhcbasc.blogspot.com/2011/05/happy-may-day-and-congrats-to-kay-ryan.html#comments\";s:7:\"pubdate\";s:31:\"Sun, 01 May 2011 22:03:00 +0000\";s:2:\"dc\";a:1:{s:7:\"creator\";s:24:\"What\'s on the 6th floor?\";}s:8:\"category\";s:7:\"English\";s:11:\"description\";s:255:\"Celebrate May Day and Kay Ryan’s Pulitzer by reading her prize-winning book The Best of It: New and Selected Poems, Grove Press, 2010.&#160; &#160;The award honors her “distinguished volume of original verse” and a career which has spanned 45 yea...\";s:7:\"content\";a:1:{s:7:\"encoded\";s:3120:\"<div class=\"separator\" style=\"clear: both; text-align: left;\"><img border=\"0\" height=\"320\" src=\"http://4.bp.blogspot.com/-9BP-Faj2LVs/Tb3WZ7e0HLI/AAAAAAAAAxw/0a3QxI8Xun8/s320/best+of+it.jpeg\" width=\"213\" /><img border=\"0\" height=\"232\" src=\"http://2.bp.blogspot.com/-xK-cNqMgrrY/Tb3WhdEAFFI/AAAAAAAAAx0/LssbImytUmk/s320/believe+it+or+not.jpg\" width=\"320\" /></div>\n<div class=\"MsoNormal\"><span style=\"font-size: 10pt; line-height: 115%;\">Celebrate May Day and Kay Ryan’s Pulitzer by reading her prize-winning book <i><a href=\"http://sflib1.sfpl.org/record=b2313071~S1\">The Best of It</a>: New and Selected Poems</i>, Grove Press, 2010.&nbsp; &nbsp;The award honors her “distinguished volume of original verse” and a career which has spanned 45 years.&nbsp;&nbsp; </span></div>\n<div class=\"MsoNormal\"><span style=\"font-size: 10pt; line-height: 115%;\">While you are waiting for a library copy to arrive, visit Book Arts and Special Collections on the 6th floor to see another of her books and one of our treasures:&nbsp;<a href=\"http://www.junglegardenpress.com/books/believe_it_or_not.html\"> Jungle Garden Press</a>’s edition of Ryan’s <a href=\"http://sflib1.sfpl.org/record=b1801898~S1\"><i>Believe it or Not</i></a> with drawings by Carl Dern.&nbsp; The library has no. 48, signed by Kay Ryan, Carl Dern, and Marie Dern.&nbsp;&nbsp; Ryan is a great fan of <a href=\"http://sanfrancisco.ripleys.com/\">Ripley’s Believe It or Not</a> (believe it or not!) and these entertaining poems are a response to the oddities found there.<br /></span></div>\n<div class=\"MsoNormal\"><span style=\"font-size: 10pt; line-height: 115%;\">You may enjoy reading more of her work at the <a href=\"http://www.poetryfoundation.org/bio/kay-ryan\">Poetry Foundation </a>or the <a href=\"http://www.poets.org/poet.php/prmPID/352\">Academy of American Poets</a> websites.</span><br /><span style=\"font-size: 10pt; line-height: 115%;\">&nbsp; </span></div>\n<div class=\"MsoNormal\"><span style=\"font-size: 10pt; line-height: 115%;\">Recent pieces in the <a href=\"https://www.baycitizen.org/literature/story/kay-ryan-3/\">Bay Citizen</a> and the <a href=\"http://topics.nytimes.com/top/reference/timestopics/people/r/kay_ryan/index.html\">New York Times</a> as well as&nbsp; <a href=\"http://blogs.kqed.org/newsfix/2011/04/18/marin-poet-kay-ryan-wins-pulitzer-listen-to-2008-interview/\">KQED&#8217;s interview</a> with Ryan are also recommended.</span></p>\n<p><span style=\"font-size: 10pt; line-height: 115%;\"></span></div>\n<p><span style=\"font-size: 10pt; line-height: 115%;\">Finally, as poetry is best heard, treat yourself to a brief poetry break and listen to Ryan reading <a href=\"http://www.archive.org/details/audio_poetry_113_2006\"><i>Least Action</i></a> and <a href=\"http://www.archive.org/details/audio_poetry_111_2006\">Cap</a> at the Internet Archive.</span>\n<div class=\"blogger-post-footer\"><img width=\'1\' height=\'1\' src=\'https://blogger.googleusercontent.com/tracker/8451810030409489252-8751957775018590306?l=sfhcbasc.blogspot.com\' alt=\'\' /></div>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/RHb_xU0s-9o\" height=\"1\" width=\"1\"/>\";}s:3:\"wfw\";a:1:{s:10:\"commentrss\";s:71:\"http://sfhcbasc.blogspot.com/feeds/8751957775018590306/comments/default\";}s:5:\"slash\";a:1:{s:8:\"comments\";s:1:\"0\";}s:10:\"feedburner\";a:1:{s:8:\"origlink\";s:80:\"http://sfhcbasc.blogspot.com/2011/05/happy-may-day-and-congrats-to-kay-ryan.html\";}s:7:\"summary\";s:255:\"Celebrate May Day and Kay Ryan’s Pulitzer by reading her prize-winning book The Best of It: New and Selected Poems, Grove Press, 2010.&#160; &#160;The award honors her “distinguished volume of original verse” and a career which has spanned 45 yea...\";s:12:\"atom_content\";s:3120:\"<div class=\"separator\" style=\"clear: both; text-align: left;\"><img border=\"0\" height=\"320\" 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href=\"http://www.junglegardenpress.com/books/believe_it_or_not.html\"> Jungle Garden Press</a>’s edition of Ryan’s <a href=\"http://sflib1.sfpl.org/record=b1801898~S1\"><i>Believe it or Not</i></a> with drawings by Carl Dern.&nbsp; The library has no. 48, signed by Kay Ryan, Carl Dern, and Marie Dern.&nbsp;&nbsp; Ryan is a great fan of <a href=\"http://sanfrancisco.ripleys.com/\">Ripley’s Believe It or Not</a> (believe it or not!) and these entertaining poems are a response to the oddities found there.<br /></span></div>\n<div class=\"MsoNormal\"><span style=\"font-size: 10pt; line-height: 115%;\">You may enjoy reading more of her work at the <a href=\"http://www.poetryfoundation.org/bio/kay-ryan\">Poetry Foundation </a>or the <a href=\"http://www.poets.org/poet.php/prmPID/352\">Academy of American Poets</a> websites.</span><br /><span style=\"font-size: 10pt; line-height: 115%;\">&nbsp; </span></div>\n<div class=\"MsoNormal\"><span style=\"font-size: 10pt; line-height: 115%;\">Recent pieces in the <a href=\"https://www.baycitizen.org/literature/story/kay-ryan-3/\">Bay Citizen</a> and the <a href=\"http://topics.nytimes.com/top/reference/timestopics/people/r/kay_ryan/index.html\">New York Times</a> as well as&nbsp; <a href=\"http://blogs.kqed.org/newsfix/2011/04/18/marin-poet-kay-ryan-wins-pulitzer-listen-to-2008-interview/\">KQED&#8217;s interview</a> with Ryan are also recommended.</span></p>\n<p><span style=\"font-size: 10pt; line-height: 115%;\"></span></div>\n<p><span style=\"font-size: 10pt; line-height: 115%;\">Finally, as poetry is best heard, treat yourself to a brief poetry break and listen to Ryan reading <a href=\"http://www.archive.org/details/audio_poetry_113_2006\"><i>Least Action</i></a> and <a href=\"http://www.archive.org/details/audio_poetry_111_2006\">Cap</a> at the Internet Archive.</span>\n<div class=\"blogger-post-footer\"><img width=\'1\' height=\'1\' src=\'https://blogger.googleusercontent.com/tracker/8451810030409489252-8751957775018590306?l=sfhcbasc.blogspot.com\' alt=\'\' /></div>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/RHb_xU0s-9o\" height=\"1\" width=\"1\"/>\";}i:3;a:13:{s:5:\"title\";s:40:\"Einblicke in das Salzburger Landesarchiv\";s:4:\"link\";s:60:\"http://feedproxy.google.com/~r/ArchivesBlogs/~3/Rt5CNnPPDTw/\";s:8:\"comments\";s:51:\"http://archiv.twoday.net/stories/16594595/#comments\";s:7:\"pubdate\";s:31:\"Sun, 01 May 2011 17:15:00 +0000\";s:2:\"dc\";a:1:{s:7:\"creator\";s:10:\"Archivalia\";}s:8:\"category\";s:7:\"Deutsch\";s:11:\"description\";s:158:\" \n\n\"Das Landesarchiv und das Archiv der Erzdiözese tauschen ihre Kataloge, um Recherchen zu vereinfachen.\"\n\n\nQuelle: Salzburger Nachrichten, Videoportal\n\n(W)\";s:7:\"content\";a:1:{s:7:\"encoded\";s:1913:\"<p><object><param name=\"width\" value=\"450\" ></param><param name=\"height\" value=\"307\" ></param><param name=\"align\" value=\"middle\" ></param><param name=\"id\" value=\"E32481B12BD5C2BBB7D928EBB1DA02EF\" ></param><param name=\"name\" value=\"E32481B12BD5C2BBB7D928EBB1DA02EF\" ></param><param name=\"type\" value=\"application/x-shockwave-flash\" ></param><param name=\"codebase\" value=\"http://fpdownload.macromedia.com/get/flashplayer/current/swflash.cab\" ></param><param name=\"classid\" value=\"clsid:d27cdb6e-ae6d-11cf-96b8-444553540000\" ></param><param name=\"movie\" value=\"http://static01.videostream4u.com/player/eventsite15_450x307.swf\" ></param><param name=\"FlashVars\" value=\"adpage=sn.videostream4u.com/28/34&#038;vicid=E32481B12BD5C2BBB7D928EBB1DA02EF&#038;visid=&#038;adprovider=adverserve\" ></param><param name=\"quality\" value=\"high\" ></param><param name=\"bgcolor\" value=\"#000000\" ></param><param name=\"wmode\" value=\"window\" ></param><param name=\"allowScriptAccess\" value=\"always\" ></param><param name=\"allowFullScreen\" value=\"true\" ><embed src=\"http://static01.videostream4u.com/player/eventsite15_450x307.swf\" width=\"450\" height=\"307\" FlashVars=\"adpage=sn.videostream4u.com/28/34&#038;vicid=E32481B12BD5C2BBB7D928EBB1DA02EF&#038;visid=&#038;adprovider=adverserve\" align=\"middle\" quality=\"high\" bgcolor=\"#000000\" wmode=\"window\" name=\"E32481B12BD5C2BBB7D928EBB1DA02EF\" allowScriptAccess=\"always\" allowFullScreen=\"true\" pluginspage=\"http://www.adobe.com/go/getflashplayer\" type=\"application/x-shockwave-flash\"></embed></param></object></p>\n<p><i>&#8220;Das Landesarchiv und das Archiv der Erzdiözese tauschen ihre Kataloge, um Recherchen zu vereinfachen.&#8221;</i></p>\n<p>\nQuelle: <a href=\"http://sn.video.salzburg.com/portal/28/1291/Einblicke-in-das-Landesarchiv-337793\">Salzburger Nachrichten, Videoportal</a></p>\n<p>(W)</p>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/Rt5CNnPPDTw\" height=\"1\" width=\"1\"/>\";}s:3:\"wfw\";a:1:{s:10:\"commentrss\";s:46:\"http://archivesblogs.com/archives/3825010/feed\";}s:5:\"slash\";a:1:{s:8:\"comments\";s:1:\"0\";}s:10:\"feedburner\";a:1:{s:8:\"origlink\";s:42:\"http://archiv.twoday.net/stories/16594595/\";}s:7:\"summary\";s:158:\" \n\n\"Das Landesarchiv und das Archiv der Erzdiözese tauschen ihre Kataloge, um Recherchen zu vereinfachen.\"\n\n\nQuelle: Salzburger Nachrichten, Videoportal\n\n(W)\";s:12:\"atom_content\";s:1913:\"<p><object><param name=\"width\" value=\"450\" ></param><param name=\"height\" value=\"307\" ></param><param name=\"align\" value=\"middle\" ></param><param name=\"id\" value=\"E32481B12BD5C2BBB7D928EBB1DA02EF\" ></param><param name=\"name\" value=\"E32481B12BD5C2BBB7D928EBB1DA02EF\" ></param><param name=\"type\" value=\"application/x-shockwave-flash\" ></param><param name=\"codebase\" value=\"http://fpdownload.macromedia.com/get/flashplayer/current/swflash.cab\" ></param><param name=\"classid\" value=\"clsid:d27cdb6e-ae6d-11cf-96b8-444553540000\" ></param><param name=\"movie\" value=\"http://static01.videostream4u.com/player/eventsite15_450x307.swf\" ></param><param name=\"FlashVars\" value=\"adpage=sn.videostream4u.com/28/34&#038;vicid=E32481B12BD5C2BBB7D928EBB1DA02EF&#038;visid=&#038;adprovider=adverserve\" ></param><param name=\"quality\" value=\"high\" ></param><param name=\"bgcolor\" value=\"#000000\" ></param><param name=\"wmode\" value=\"window\" ></param><param name=\"allowScriptAccess\" value=\"always\" ></param><param name=\"allowFullScreen\" value=\"true\" ><embed src=\"http://static01.videostream4u.com/player/eventsite15_450x307.swf\" width=\"450\" height=\"307\" FlashVars=\"adpage=sn.videostream4u.com/28/34&#038;vicid=E32481B12BD5C2BBB7D928EBB1DA02EF&#038;visid=&#038;adprovider=adverserve\" align=\"middle\" quality=\"high\" bgcolor=\"#000000\" wmode=\"window\" name=\"E32481B12BD5C2BBB7D928EBB1DA02EF\" allowScriptAccess=\"always\" allowFullScreen=\"true\" pluginspage=\"http://www.adobe.com/go/getflashplayer\" type=\"application/x-shockwave-flash\"></embed></param></object></p>\n<p><i>&#8220;Das Landesarchiv und das Archiv der Erzdiözese tauschen ihre Kataloge, um Recherchen zu vereinfachen.&#8221;</i></p>\n<p>\nQuelle: <a href=\"http://sn.video.salzburg.com/portal/28/1291/Einblicke-in-das-Landesarchiv-337793\">Salzburger Nachrichten, Videoportal</a></p>\n<p>(W)</p>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/Rt5CNnPPDTw\" height=\"1\" width=\"1\"/>\";}i:4;a:13:{s:5:\"title\";s:56:\"Urkunden im Würzburger Stadtarchiv werden digitalisiert\";s:4:\"link\";s:60:\"http://feedproxy.google.com/~r/ArchivesBlogs/~3/tm2sCsjdKlM/\";s:8:\"comments\";s:51:\"http://archiv.twoday.net/stories/16594591/#comments\";s:7:\"pubdate\";s:31:\"Sun, 01 May 2011 17:08:00 +0000\";s:2:\"dc\";a:1:{s:7:\"creator\";s:10:\"Archivalia\";}s:8:\"category\";s:7:\"Deutsch\";s:11:\"description\";s:255:\"\n\n\"Urkunden aus dem Mittelalter mit alten kaiserlichen Siegeln. Solche Schätze lagern noch heute im Würzburger Stadtarchiv. Interessierte, die sich diese ansehen wollten, mussten dafür in die Neubaustraße gehen. Doch bald sollen sie für jedermann ...\";s:7:\"content\";a:1:{s:7:\"encoded\";s:3269:\"<p><embed src=\'http://www.tvtouring.de/swf/flvplayer/player-licensed-viral.swf\' height=\'178\' width=\'288\' allowscriptaccess=\'always\' allowfullscreen=\'true\' flashvars=\"&#038;bandwidth=5000&#038;dock=false&#038;file=http%3A%2F%2Fmedia14.kanal8.de%2FMediaFrontend%2F14%2F2011_04_27_BER_stadtarchiv_NEU.mpg.flv&#038;image=http%3A%2F%2Fwww.tvtouring.de%2FLayout%2F14%2Fflv_bg.jpg&#038;level=0&#038;logo=http%3A%2F%2Fwww.tvtouring.de%2FLayout%2F14%2Fflv_logo.png&#038;plugins=viral-2d\"></p>\n<p><i>&#8220;Urkunden aus dem Mittelalter mit alten kaiserlichen Siegeln. Solche Schätze lagern noch heute im Würzburger Stadtarchiv. Interessierte, die sich diese ansehen wollten, mussten dafür in die Neubaustraße gehen. Doch bald sollen sie für jedermann zugänglich sein, und das von zu Hause aus.</p>\n<p>Wenn Renate Schindler den unteren Trakt des Stadtarchivs betritt, ist sie umgeben von Jahrhunderte alten Zeugnissen aus Würzburgs Geschichte. In den Magazinen finden sich neben diversen Stadt- und Ratsprotokollen auch zahlreiche Urkunden. Alleine hier lagern rund 4.500 Exemplare. Sie gehen bis ins Mittelalter und die frühe Neuzeit zurück.  <br />\nDen größten Bestand bilden dabei die städtischen Urkunden, die älteste im Original ist aus dem Jahr 1277. Bis zum Jahr 1500 sind es ungefähr 500 Urkunden, die bei der Stadt überliefert sind. Sie werden seit dem Mittelalter aufbewahrt. <br />\nWer sie ansehen möchte, kann das tun, aber nur im Stadtarchiv. Ausleihen und mit nach Hause nehmen ist nicht erlaubt. Viel zu wertvoll sind die alten Dokumente, die meist aus Pergamentpapier gefertigt und erstaunlich gut erhalten sind. So wie beispielsweise diese Urkunde aus dem Jahr 1487. In dieser spricht Kaiser Friedrich III. die Stadt Würzburg von aller Acht frei, die ihr aus ungeklärter Ursache vom Hofgericht Rottweil auferlegt wurde. Sie wird wieder in das Reich aufgenommen. Blickpunkt ist das kaiserliche Siegel. Dank des Projekts ?Virtuelles Deutsches Urkundennetzwerk? sind die Werke bald in digitalisierter Form jedem zugänglich. </p>\n<p>Die Kosten der Digitalisierung wurden von der Deutschen Forschungsgesellschaft DFG übernommen ? ein Glücksfall für das Stadtarchiv Würzburg.  Über 1100 Urkunden konnten so bearbeitet werden ? ohne einen finanziellen Aufwand. Bereits im Oktober vergangenen Jahres fiel der Startschuss für das Projekt.   <br />\nDie Urkunden wurden aus Würzburg ins das Staatsarchiv nach München verbracht. Dort wurden sie eingescannt, was insgesamt drei Wochen dauerte. Mittlerweile sind die Urkunden wieder im Haus, und auch die digitalisierten Exemplare liegen dem Stadtarchiv vor. <br />\nDie müssen jetzt noch bearbeitet werden: die Regesten, das sind die Inhaltsangaben der Urkunden, müssen noch in die richtige Form gebracht werden. </p>\n<p>Unter der Internetadresse www.monasterium.net kann sich dann jeder ab dem Sommer 2012 von zu Hause aus am PC die historischen Würzburger Dokumente anschauen. Und somit einen Einblick bekommen in längst vergangene Zeiten.   &#8220;</i><br />\nQuelle: <a href=\"http://www.tvtouring.de/default.aspx?ID=1565&#038;showNews=959369\">TV touring.de, 27.04.2011</a></p>\n<p>(W)</embed></p>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/tm2sCsjdKlM\" height=\"1\" width=\"1\"/>\";}s:3:\"wfw\";a:1:{s:10:\"commentrss\";s:46:\"http://archivesblogs.com/archives/3825011/feed\";}s:5:\"slash\";a:1:{s:8:\"comments\";s:1:\"0\";}s:10:\"feedburner\";a:1:{s:8:\"origlink\";s:42:\"http://archiv.twoday.net/stories/16594591/\";}s:7:\"summary\";s:255:\"\n\n\"Urkunden aus dem Mittelalter mit alten kaiserlichen Siegeln. Solche Schätze lagern noch heute im Würzburger Stadtarchiv. Interessierte, die sich diese ansehen wollten, mussten dafür in die Neubaustraße gehen. Doch bald sollen sie für jedermann ...\";s:12:\"atom_content\";s:3269:\"<p><embed src=\'http://www.tvtouring.de/swf/flvplayer/player-licensed-viral.swf\' height=\'178\' width=\'288\' allowscriptaccess=\'always\' allowfullscreen=\'true\' flashvars=\"&#038;bandwidth=5000&#038;dock=false&#038;file=http%3A%2F%2Fmedia14.kanal8.de%2FMediaFrontend%2F14%2F2011_04_27_BER_stadtarchiv_NEU.mpg.flv&#038;image=http%3A%2F%2Fwww.tvtouring.de%2FLayout%2F14%2Fflv_bg.jpg&#038;level=0&#038;logo=http%3A%2F%2Fwww.tvtouring.de%2FLayout%2F14%2Fflv_logo.png&#038;plugins=viral-2d\"></p>\n<p><i>&#8220;Urkunden aus dem Mittelalter mit alten kaiserlichen Siegeln. Solche Schätze lagern noch heute im Würzburger Stadtarchiv. Interessierte, die sich diese ansehen wollten, mussten dafür in die Neubaustraße gehen. Doch bald sollen sie für jedermann zugänglich sein, und das von zu Hause aus.</p>\n<p>Wenn Renate Schindler den unteren Trakt des Stadtarchivs betritt, ist sie umgeben von Jahrhunderte alten Zeugnissen aus Würzburgs Geschichte. In den Magazinen finden sich neben diversen Stadt- und Ratsprotokollen auch zahlreiche Urkunden. Alleine hier lagern rund 4.500 Exemplare. Sie gehen bis ins Mittelalter und die frühe Neuzeit zurück.  <br />\nDen größten Bestand bilden dabei die städtischen Urkunden, die älteste im Original ist aus dem Jahr 1277. Bis zum Jahr 1500 sind es ungefähr 500 Urkunden, die bei der Stadt überliefert sind. Sie werden seit dem Mittelalter aufbewahrt. <br />\nWer sie ansehen möchte, kann das tun, aber nur im Stadtarchiv. Ausleihen und mit nach Hause nehmen ist nicht erlaubt. Viel zu wertvoll sind die alten Dokumente, die meist aus Pergamentpapier gefertigt und erstaunlich gut erhalten sind. So wie beispielsweise diese Urkunde aus dem Jahr 1487. In dieser spricht Kaiser Friedrich III. die Stadt Würzburg von aller Acht frei, die ihr aus ungeklärter Ursache vom Hofgericht Rottweil auferlegt wurde. Sie wird wieder in das Reich aufgenommen. Blickpunkt ist das kaiserliche Siegel. Dank des Projekts ?Virtuelles Deutsches Urkundennetzwerk? sind die Werke bald in digitalisierter Form jedem zugänglich. </p>\n<p>Die Kosten der Digitalisierung wurden von der Deutschen Forschungsgesellschaft DFG übernommen ? ein Glücksfall für das Stadtarchiv Würzburg.  Über 1100 Urkunden konnten so bearbeitet werden ? ohne einen finanziellen Aufwand. Bereits im Oktober vergangenen Jahres fiel der Startschuss für das Projekt.   <br />\nDie Urkunden wurden aus Würzburg ins das Staatsarchiv nach München verbracht. Dort wurden sie eingescannt, was insgesamt drei Wochen dauerte. Mittlerweile sind die Urkunden wieder im Haus, und auch die digitalisierten Exemplare liegen dem Stadtarchiv vor. <br />\nDie müssen jetzt noch bearbeitet werden: die Regesten, das sind die Inhaltsangaben der Urkunden, müssen noch in die richtige Form gebracht werden. </p>\n<p>Unter der Internetadresse www.monasterium.net kann sich dann jeder ab dem Sommer 2012 von zu Hause aus am PC die historischen Würzburger Dokumente anschauen. Und somit einen Einblick bekommen in längst vergangene Zeiten.   &#8220;</i><br />\nQuelle: <a href=\"http://www.tvtouring.de/default.aspx?ID=1565&#038;showNews=959369\">TV touring.de, 27.04.2011</a></p>\n<p>(W)</embed></p>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/tm2sCsjdKlM\" height=\"1\" width=\"1\"/>\";}i:5;a:13:{s:5:\"title\";s:42:\"Imperial War Museum Film and Video Archive\";s:4:\"link\";s:60:\"http://feedproxy.google.com/~r/ArchivesBlogs/~3/TaRqeAZVr00/\";s:8:\"comments\";s:51:\"http://archiv.twoday.net/stories/16594581/#comments\";s:7:\"pubdate\";s:31:\"Sun, 01 May 2011 16:53:00 +0000\";s:2:\"dc\";a:1:{s:7:\"creator\";s:10:\"Archivalia\";}s:8:\"category\";s:7:\"Deutsch\";s:11:\"description\";s:255:\"Imperial War Museum from Herbert History on Vimeo.\n\n\"Imperial War Museum Film and Video Archive holds some 20,000 hours of film and videotape and is responsible for its long-term preservation. The collection ranges from the earliest days of cinema up t...\";s:7:\"content\";a:1:{s:7:\"encoded\";s:1328:\"<p><object width=\"500\" height=\"369\"><param name=\"allowfullscreen\" value=\"true\" ></param><param name=\"allowscriptaccess\" value=\"always\" ></param><param name=\"movie\" value=\"http://vimeo.com/moogaloop.swf?clip_id=22996717&#038;server=vimeo.com&#038;show_title=0&#038;show_byline=0&#038;show_portrait=0&#038;color=00adef&#038;fullscreen=1&#038;autoplay=0&#038;loop=0\" ><embed src=\"http://vimeo.com/moogaloop.swf?clip_id=22996717&#038;server=vimeo.com&#038;show_title=0&#038;show_byline=0&#038;show_portrait=0&#038;color=00adef&#038;fullscreen=1&#038;autoplay=0&#038;loop=0\" type=\"application/x-shockwave-flash\" allowfullscreen=\"true\" allowscriptaccess=\"always\" width=\"500\" height=\"369\"></embed></param></object>\n<p><a href=\"http://vimeo.com/22996717\">Imperial War Museum</a> from <a href=\"http://vimeo.com/user3800189\">Herbert History</a> on <a href=\"http://vimeo.com\">Vimeo</a>.</p>\n<p><i>&#8220;Imperial War Museum Film and Video Archive holds some 20,000 hours of film and videotape and is responsible for its long-term preservation. The collection ranges from the earliest days of cinema up to the present, and offers detailed coverage of the military, political and social history of the twentieth century.&#8221; </i></p>\n<p>(W)</p>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/TaRqeAZVr00\" height=\"1\" width=\"1\"/>\";}s:3:\"wfw\";a:1:{s:10:\"commentrss\";s:46:\"http://archivesblogs.com/archives/3821329/feed\";}s:5:\"slash\";a:1:{s:8:\"comments\";s:1:\"0\";}s:10:\"feedburner\";a:1:{s:8:\"origlink\";s:42:\"http://archiv.twoday.net/stories/16594581/\";}s:7:\"summary\";s:255:\"Imperial War Museum from Herbert History on Vimeo.\n\n\"Imperial War Museum Film and Video Archive holds some 20,000 hours of film and videotape and is responsible for its long-term preservation. The collection ranges from the earliest days of cinema up t...\";s:12:\"atom_content\";s:1328:\"<p><object width=\"500\" height=\"369\"><param name=\"allowfullscreen\" value=\"true\" ></param><param name=\"allowscriptaccess\" value=\"always\" ></param><param name=\"movie\" value=\"http://vimeo.com/moogaloop.swf?clip_id=22996717&#038;server=vimeo.com&#038;show_title=0&#038;show_byline=0&#038;show_portrait=0&#038;color=00adef&#038;fullscreen=1&#038;autoplay=0&#038;loop=0\" ><embed src=\"http://vimeo.com/moogaloop.swf?clip_id=22996717&#038;server=vimeo.com&#038;show_title=0&#038;show_byline=0&#038;show_portrait=0&#038;color=00adef&#038;fullscreen=1&#038;autoplay=0&#038;loop=0\" type=\"application/x-shockwave-flash\" allowfullscreen=\"true\" allowscriptaccess=\"always\" width=\"500\" height=\"369\"></embed></param></object>\n<p><a href=\"http://vimeo.com/22996717\">Imperial War Museum</a> from <a href=\"http://vimeo.com/user3800189\">Herbert History</a> on <a href=\"http://vimeo.com\">Vimeo</a>.</p>\n<p><i>&#8220;Imperial War Museum Film and Video Archive holds some 20,000 hours of film and videotape and is responsible for its long-term preservation. The collection ranges from the earliest days of cinema up to the present, and offers detailed coverage of the military, political and social history of the twentieth century.&#8221; </i></p>\n<p>(W)</p>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/TaRqeAZVr00\" height=\"1\" width=\"1\"/>\";}i:6;a:13:{s:5:\"title\";s:57:\"Bilderrätsel: Welche Ecke des Kreisarchivs ist das denn?\";s:4:\"link\";s:60:\"http://feedproxy.google.com/~r/ArchivesBlogs/~3/4jDGp_aFids/\";s:8:\"comments\";s:51:\"http://archiv.twoday.net/stories/16594515/#comments\";s:7:\"pubdate\";s:31:\"Sun, 01 May 2011 15:58:00 +0000\";s:2:\"dc\";a:1:{s:7:\"creator\";s:10:\"Archivalia\";}s:8:\"category\";s:7:\"Deutsch\";s:11:\"description\";s:151:\"\n\nDer oder dem Gewinnden winkt ein Kaffee in Siegens bestem Cafe - nach einer exklusiven Führung durch Südwestfalens größter Gleitregalanlage.\n\n(E)\";s:7:\"content\";a:1:{s:7:\"encoded\";s:531:\"<p><a href=\"http://www.flickr.com/photos/58898431@N04/5675770649/\" title=\"058 von Wolf Archivar bei Flickr\"><img src=\"http://farm6.static.flickr.com/5029/5675770649_9c40646ef6.jpg\" width=\"500\" height=\"394\" alt=\"058\" /></a></p>\n<p>Der oder dem Gewinnden winkt ein Kaffee in Siegens bestem <a href=\"http://www.dasnaschwerk.de/\">Cafe</a> &#8211; nach einer exklusiven Führung durch Südwestfalens größter Gleitregalanlage.</p>\n<p>(E)</p>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/4jDGp_aFids\" height=\"1\" width=\"1\"/>\";}s:3:\"wfw\";a:1:{s:10:\"commentrss\";s:46:\"http://archivesblogs.com/archives/3821330/feed\";}s:5:\"slash\";a:1:{s:8:\"comments\";s:1:\"0\";}s:10:\"feedburner\";a:1:{s:8:\"origlink\";s:42:\"http://archiv.twoday.net/stories/16594515/\";}s:7:\"summary\";s:151:\"\n\nDer oder dem Gewinnden winkt ein Kaffee in Siegens bestem Cafe - nach einer exklusiven Führung durch Südwestfalens größter Gleitregalanlage.\n\n(E)\";s:12:\"atom_content\";s:531:\"<p><a href=\"http://www.flickr.com/photos/58898431@N04/5675770649/\" title=\"058 von Wolf Archivar bei Flickr\"><img src=\"http://farm6.static.flickr.com/5029/5675770649_9c40646ef6.jpg\" width=\"500\" height=\"394\" alt=\"058\" /></a></p>\n<p>Der oder dem Gewinnden winkt ein Kaffee in Siegens bestem <a href=\"http://www.dasnaschwerk.de/\">Cafe</a> &#8211; nach einer exklusiven Führung durch Südwestfalens größter Gleitregalanlage.</p>\n<p>(E)</p>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/4jDGp_aFids\" height=\"1\" width=\"1\"/>\";}i:7;a:13:{s:5:\"title\";s:83:\"NUEVO SISTEMA REMUNERACIÓN EMPLEADAS Y EMPLEADOS ADMINISTRACIÓN PÚBLICA NACIONAL\";s:4:\"link\";s:103:\"http://feedproxy.google.com/~r/ArchivesBlogs/~3/sPbJ50RiVEs/nuevo-sistema-remuneracion-empleadas-y.html\";s:8:\"comments\";s:92:\"http://archivologo.blogspot.com/2011/05/nuevo-sistema-remuneracion-empleadas-y.html#comments\";s:7:\"pubdate\";s:31:\"Sun, 01 May 2011 13:43:00 +0000\";s:2:\"dc\";a:1:{s:7:\"creator\";s:11:\"Archivologo\";}s:8:\"category\";s:8:\"Español\";s:11:\"description\";s:255:\"NUEVO SISTEMA REMUNERACIÓN EMPLEADAS Y EMPLEADOS ADMINISTRACIÓN PÚBLICA NACIONALDecreto N° 8.168, &#160;25 de abril de 2011Hugo Chávez FríasPresidente de la RepúblicaCon el supremo compromiso y voluntad de lograr la mayor eficacia política y ca...\";s:7:\"content\";a:1:{s:7:\"encoded\";s:17806:\"<div dir=\"ltr\" style=\"text-align: left;\" trbidi=\"on\"><span class=\"Apple-style-span\" style=\"font-family: verdana, tahoma; font-size: 14px;\"></span><br />\n<address><strong><span style=\"color: blue;\">NUEVO SISTEMA REMUNERACIÓN EMPLEADAS Y EMPLEADOS ADMINISTRACIÓN PÚBLICA NACIONAL</span></strong></address>\n<address><strong><span style=\"color: blue;\">Decreto N° 8.168, &nbsp;25 de abril de 2011</span></strong></address>\n<address><strong><span style=\"color: blue;\">Hugo Chávez Frías</span></strong></address>\n<address><strong><span style=\"color: blue;\">Presidente de la República</span></strong></address>\n<p>Con el supremo compromiso y voluntad de lograr la mayor eficacia política y calidad revolucionaria en la construcción del Socialismo, la refundación de la nación venezolana, basado en principios humanistas, sustentado en condiciones morales y ética que persiguen el progreso de la patria y del colectivo, por mandato del pueblo y en ejercicio de la atribución que le confiere el numeral 11 del artículo 236 de la Constitución de la República Bolivariana de Venezuela y de conformidad con lo dispuesto en el artículo 55 de la Ley del Estatuto de la Función Pública y 180 del Reglamento General de la Ley de Carrera Administrativa, en Consejo de Ministros,</p>\n<p>Considerando<br />Que la dignificación de los trabajadores es un aspecto esencial de la democratización que busca la nueva institucionalidad del Estado, y que los servidores públicos, como los hombres y mujeres que ponen la administración al servicio del pueblo, son una parte importante y particular del mundo del trabajo necesaria para cubrir la deuda social en la República Bolivariana de Venezuela y cumplir con el propósito igualitario de nuestra Constitución,</p>\n<p>Considerando<br />Que para el Ejecutivo Nacional, es un objetivo la mejora progresiva de las remuneraciones de las funcionarias y funcionarios públicos de carrera, a fin de garantizar la igualdad de oportunidades y capacidades que permita desarrollar una vida digna y cubrir para sí y su familia las necesidades básicas materiales, sociales e intelectuales de los servidores públicos,</p>\n<p>Decreta<br />Sistema de remuneración de las empleadas y empleados de la Administración Pública Nacional<br />Artículo 1°.&nbsp;El presente Decreto tiene por objeto regular y establecer la Escala General de Sueldos para funcionarias y funcionarios de carrera de la Administración Pública Nacional.<br />Artículo 2°.&nbsp;Se aprueba la escala de sueldos para cargos de las funcionarias y funcionarios públicos de carrera. Aplicable al Sistema de Clasificación de Cargos que rige la carrera funcionarial de la Administración Pública Nacional, en las siguientes fases:</p>\n<p>Fase 1<br />A partir del 1ro de mayo de 2011</p>\n<p>Niveles<br />Bachilleres<br />\n<table border=\"1\" cellpadding=\"0\" cellspacing=\"0\" style=\"width: 454px;\">\n<tbody>\n<tr>\n<td></td>\n<td width=\"64\">\n<div align=\"center\">I</div>\n</td>\n<td width=\"57\">\n<div align=\"center\">II</div>\n</td>\n<td width=\"57\">\n<div align=\"center\">III</div>\n</td>\n<td width=\"56\">\n<div align=\"center\">IV</div>\n</td>\n<td width=\"58\">\n<div align=\"center\">V</div>\n</td>\n<td width=\"70\">\n<div align=\"center\">VI</div>\n</td>\n<td width=\"53\">\n<div align=\"center\">VII</div>\n</td>\n</tr>\n<tr>\n<td>\n<div align=\"center\">B1</div>\n</td>\n<td width=\"64\">\n<div align=\"center\">1.407,47*</div>\n</td>\n<td width=\"57\">\n<div align=\"center\">1.548,22</div>\n</td>\n<td width=\"57\">\n<div align=\"center\">1.759,34</div>\n</td>\n<td width=\"56\">\n<div align=\"center\">2.111,21</div>\n</td>\n<td width=\"58\">\n<div align=\"center\">2.463,07</div>\n</td>\n<td width=\"70\">\n<div align=\"center\">2.674,19</div>\n</td>\n<td width=\"53\">\n<div align=\"center\">2.814,94</div>\n</td>\n</tr>\n<tr>\n<td>\n<div align=\"center\">B2</div>\n</td>\n<td width=\"64\">\n<div align=\"center\">1.713,45</div>\n</td>\n<td width=\"57\">\n<div align=\"center\">1.884,80</div>\n</td>\n<td width=\"57\">\n<div align=\"center\">2.141,81</div>\n</td>\n<td width=\"56\">\n<div align=\"center\">2.570,18</div>\n</td>\n<td width=\"58\">\n<div align=\"center\">2.998,54</div>\n</td>\n<td width=\"70\">\n<div align=\"center\">3.255,56</div>\n</td>\n<td width=\"53\">\n<div align=\"center\">3.426,90</div>\n</td>\n</tr>\n<tr>\n<td>\n<div align=\"center\">B3</div>\n</td>\n<td width=\"64\">\n<div align=\"center\">1.919,80</div>\n</td>\n<td width=\"57\">\n<div align=\"center\">2.111,78</div>\n</td>\n<td width=\"57\">\n<div align=\"center\">2.399,75</div>\n</td>\n<td width=\"56\">\n<div align=\"center\">2.879,70</div>\n</td>\n<td width=\"58\">\n<div align=\"center\">3.359,65</div>\n</td>\n<td width=\"70\">\n<div align=\"center\">3.647,62</div>\n</td>\n<td width=\"53\">\n<div align=\"center\">3.839,60</div>\n</td>\n</tr>\n</tbody>\n</table>\n<p>* A partir del 1° de septiembre, el nivel B1-I quedará en Bs. 1.548,22 homologado al salario mínimo nacional<br />Técnico Superior<br />\n<table border=\"1\" cellpadding=\"0\" cellspacing=\"0\" style=\"width: 455px;\">\n<tbody>\n<tr>\n<td width=\"39\"></td>\n<td width=\"66\">I</td>\n<td width=\"57\">II</td>\n<td width=\"57\">III</td>\n<td width=\"57\">IV</td>\n<td width=\"57\">V</td>\n<td width=\"66\">VI</td>\n<td width=\"57\">VII</td>\n</tr>\n<tr>\n<td width=\"39\">T1</td>\n<td width=\"66\">2.021,30</td>\n<td width=\"57\">2.223,43</td>\n<td width=\"57\">2.526,63</td>\n<td width=\"57\">3.031,95</td>\n<td width=\"57\">3.537,28</td>\n<td width=\"66\">3.840,47</td>\n<td width=\"57\">4.042,60</td>\n</tr>\n<tr>\n<td width=\"39\">T2</td>\n<td width=\"66\">2.088,00</td>\n<td width=\"57\">2.296,80</td>\n<td width=\"57\">2.610,00</td>\n<td width=\"57\">3.132,00</td>\n<td width=\"57\">3.654,00</td>\n<td width=\"66\">3.967,20</td>\n<td width=\"57\">4.176,00</td>\n</tr>\n</tbody>\n</table>\n<p>Profesional Universitario<br />\n<table border=\"1\" cellpadding=\"0\" cellspacing=\"0\" style=\"width: 457px;\">\n<tbody>\n<tr>\n<td width=\"39\"></td>\n<td width=\"66\">I</td>\n<td width=\"57\">II</td>\n<td width=\"57\">III</td>\n<td width=\"57\">IV</td>\n<td width=\"57\">V</td>\n<td width=\"64\">VI</td>\n<td width=\"59\">VII</td>\n</tr>\n<tr>\n<td width=\"39\">P1</td>\n<td width=\"66\">2.150,35</td>\n<td width=\"57\">2.365,39</td>\n<td width=\"57\">2.887,94</td>\n<td width=\"57\">3.225,53</td>\n<td width=\"57\">3.763,11</td>\n<td width=\"64\">4.085,67</td>\n<td width=\"59\">4.300,70</td>\n</tr>\n<tr>\n<td width=\"39\">P2</td>\n<td width=\"66\">2.270,70</td>\n<td width=\"57\">2.497,77</td>\n<td width=\"57\">2.838,38</td>\n<td width=\"57\">3.406,05</td>\n<td width=\"57\">3.973,73</td>\n<td width=\"64\">4.314,33</td>\n<td width=\"59\">4.541,40</td>\n</tr>\n<tr>\n<td width=\"39\">P3</td>\n<td width=\"66\">2.311,30</td>\n<td width=\"57\">2.542,43</td>\n<td width=\"57\">2.889,13</td>\n<td width=\"57\">3.466,95</td>\n<td width=\"57\">4.044,78</td>\n<td width=\"64\">4.391,47</td>\n<td width=\"59\">4.622,60</td>\n</tr>\n</tbody>\n</table>\n<p>Artículo 3:&nbsp;La aplicación de la escala establecida en el presente Decreto, da derecho a la asignación de sueldo inicial o básico de cada grado. Cuando el sueldo total del funcionario constituido por el sueldo inicial o básico aquí establecido más las compensaciones percibidas al 30 de abril de 2011, resultan superior a dicho sueldo, se mantendrá su remuneración total dentro del rango contemplado entre los mínimos y máximos correspondientes al grupo.<br />El último nivel de cada grupo en la escala de sueldos objeto del presente Decreto, es el máximo del sueldo que puede ser percibido en el grupo o clase de cargos correspondientes.</p>\n<p>Artículo 4:&nbsp;Queda entendido que en el sueldo básico establecido en el presente Decreto, se encuentran incluidos los ajustes realizados al salario mínimo nacional obligatorio.</p>\n<p>Artículo 5:&nbsp;Los órganos y entes de la Administración Pública Nacional sujetos a este Decreto no podrán otorgar ingresos de carácter salarial distintos a los previstos en la escala establecida en el artículo 2°.</p>\n<p>Artículo 6:&nbsp;Se excluyen de la aplicación del presente Decreto las funcionarias y funcionarios, empleadas y empleados al servicios de entes u órganos de la Administración Pública con sistemas de remuneraciones especiales o diferentes, de conformidad con las exclusiones establecidas en la ley.</p>\n<p>Artículo 7:&nbsp;Las escalas de sueldos establecidas en el artículo 2° del presente Decreto, son aplicables a título de referencia a los trabajadores que prestan sus servicios a las gobernaciones y alcaldías y sus entes adscritos. En todo caso, la Dirección de Recursos Humanos de éstas, podrá realizar el respectivo estudio de clasificación y definición de las tareas, perfiles y competencias de los cargos requeridos para el cumplimiento de los objetivos y metas institucionales de conformidad con las directrices establecidas en este Decreto y en concordancia con las directrices del órgano de planificación de cada estado o municipio.</p>\n<p>Artículo 8:&nbsp;El presente Decreto no es aplicable a las personas contratadas en la Administración Pública Nacional que realicen tareas de consultoría, asesoría o actividades especiales de difícil reclutamiento.</p>\n<p>Artículo 9:&nbsp;Las dudas que se susciten con motivo de la aplicación de este Decreto, serán resueltas por el Ministerio del Poder Popular de Planificación y Finanzas.</p>\n<p>Artículo 10:&nbsp;Este Decreto entrará en vigencia a partir del 1° de mayo de 2011.</p>\n<p>Artículo 11:&nbsp;El Vicepresidente Ejecutivo y los Ministros quedan encargados de la ejecución del presente Decreto.</p>\n<p>Dado en Caracas, a los veinticinco días del mes de abril de dos mil once. Años 201° de la Independencia, y 151° de la Federación y 12° de la Revolución Bolivariana.</p>\n<p>Ejecútese<br />(L.S.)<br />Hugo Chávez Frías<br />También se incrementó el tabulador salarial para las obreras y los obreros al servicio de la Administración Pública<br />25 de abril de 2011<br />Decreto N° 8.169<br />Hugo Chávez Frías<br />Presidente de la República<br />Con el supremo compromiso y voluntad de lograr la mayor eficacia política y calidad revolucionaria en la construcción del Socialismo, la refundación de la nación venezolana, basado en principios humanistas, sustentado en condiciones morales y éticas que persiguen el progreso de la patria y del colectivo, por mandato del pueblo y en ejercicio de la atribución que le confiere el numeral 11 del artículo 236 de la Constitución de la República Bolivariana de Venezuela y de conformidad con lo dispuesto en el artículo 55 de la Ley de Estatuto de la Función Pública y 180 del Reglamento General de la Ley de Carrera Administrativa, en Consejo de Ministros,<br />Considerando<br />Que la dignificación de los trabajadores es un aspecto esencial de la democratización que busca la nueva institucionalidad del Estado, y que los servidores públicos, como los hombres y mujeres que ponen la administración al servicio del pueblo, son una parte importante y particular del mundo del trabajo necesaria para cubrir la deuda social en la República Bolivariana de Venezuela y cumplir con el propósito igualitario de nuestra Constitución,<br />Considerando<br />Que para el Gobierno Bolivariano, las reivindicaciones salariales de las obreras y obreros de la Administración Pública representan un objetivo estratégico revolucionario, a los fines de otorgar la mayor suma de felicidad a nuestro pueblo,<br />Decreta<br />El siguiente,<br />Sistema de remuneraciones de las Obreras y Obreros de la Administración Pública Nacional<br />Artículo 1: El presente Decreto tiene por objeto regular y establecer el Tabulador General de Salarios para las Obreras y Obreros al servicio de la Administración Pública Nacional.</p>\n<p>Artículo 2: Se aprueba el tabulador salarial para las obreras y obreros al servicio de la Administración Pública Nacional, como sigue:<br />\n<table border=\"1\" cellpadding=\"0\" cellspacing=\"0\" style=\"width: 398px;\">\n<tbody>\n<tr>\n<td width=\"398\">\n<div align=\"center\">No Calificado</div>\n</td>\n</tr>\n</tbody>\n</table>\n<div align=\"center\"></div>\n<table border=\"1\" cellpadding=\"0\" cellspacing=\"0\">\n<tbody>\n<tr>\n<td width=\"86\">\n<div align=\"center\">Grado</div>\n</td>\n<td width=\"142\">\n<div align=\"center\">Mínimo</div>\n</td>\n<td width=\"170\">\n<div align=\"center\">Máximo</div>\n</td>\n</tr>\n<tr>\n<td width=\"86\">\n<div align=\"center\">1</div>\n</td>\n<td width=\"142\">\n<div align=\"center\">1.407,00</div>\n</td>\n<td width=\"170\">\n<div align=\"center\">2.110,50</div>\n</td>\n</tr>\n<tr>\n<td width=\"86\">\n<div align=\"center\">2</div>\n</td>\n<td width=\"142\">\n<div align=\"center\">1.611,00</div>\n</td>\n<td width=\"170\">\n<div align=\"center\">2.416,50</div>\n</td>\n</tr>\n<tr>\n<td width=\"86\">\n<div align=\"center\">3</div>\n</td>\n<td width=\"142\">\n<div align=\"center\">1.674,00</div>\n</td>\n<td width=\"170\">\n<div align=\"center\">2.511,00</div>\n</td>\n</tr>\n<tr>\n<td width=\"86\">\n<div align=\"center\">4</div>\n</td>\n<td width=\"142\">\n<div align=\"center\">1.738,00</div>\n</td>\n<td width=\"170\">\n<div align=\"center\">2.607,00</div>\n</td>\n</tr>\n</tbody>\n</table>\n<p>\n<table border=\"1\" cellpadding=\"0\" cellspacing=\"0\">\n<tbody>\n<tr>\n<td width=\"398\">\n<div align=\"center\">Calificado</div>\n</td>\n</tr>\n</tbody>\n</table>\n<div align=\"center\"></div>\n<table border=\"1\" cellpadding=\"0\" cellspacing=\"0\">\n<tbody>\n<tr>\n<td width=\"86\">\n<div align=\"center\">Grado</div>\n</td>\n<td width=\"142\">\n<div align=\"center\">Mínimo</div>\n</td>\n<td width=\"170\">\n<div align=\"center\">Máximo</div>\n</td>\n</tr>\n<tr>\n<td width=\"86\">\n<div align=\"center\">5</div>\n</td>\n<td width=\"142\">\n<div align=\"center\">1.801,00</div>\n</td>\n<td width=\"170\">\n<div align=\"center\">2.701,50</div>\n</td>\n</tr>\n<tr>\n<td width=\"86\">\n<div align=\"center\">6</div>\n</td>\n<td width=\"142\">\n<div align=\"center\">1.864,00</div>\n</td>\n<td width=\"170\">\n<div align=\"center\">2.796,00</div>\n</td>\n</tr>\n<tr>\n<td width=\"86\">\n<div align=\"center\">7</div>\n</td>\n<td width=\"142\">\n<div align=\"center\">1.928,00</div>\n</td>\n<td width=\"170\">\n<div align=\"center\">2.892,00</div>\n</td>\n</tr>\n<tr>\n<td width=\"86\">\n<div align=\"center\">8</div>\n</td>\n<td width=\"142\">\n<div align=\"center\">1.991,00</div>\n</td>\n<td width=\"170\">\n<div align=\"center\">2.986,50</div>\n</td>\n</tr>\n</tbody>\n</table>\n<div align=\"center\"></div>\n<table border=\"1\" cellpadding=\"0\" cellspacing=\"0\">\n<tbody>\n<tr>\n<td width=\"398\">\n<div align=\"center\">Supervisor</div>\n</td>\n</tr>\n</tbody>\n</table>\n<p>\n<table border=\"1\" cellpadding=\"0\" cellspacing=\"0\">\n<tbody>\n<tr>\n<td width=\"86\">\n<div align=\"center\">Grado</div>\n</td>\n<td width=\"142\">\n<div align=\"center\">Mínimo</div>\n</td>\n<td width=\"170\">\n<div align=\"center\">Máximo</div>\n</td>\n</tr>\n<tr>\n<td width=\"86\">\n<div align=\"center\">9</div>\n</td>\n<td width=\"142\">\n<div align=\"center\">2.054,00</div>\n</td>\n<td width=\"170\">\n<div align=\"center\">3.081,00</div>\n</td>\n</tr>\n<tr>\n<td width=\"86\">\n<div align=\"center\">10</div>\n</td>\n<td width=\"142\">\n<div align=\"center\">2.118,00</div>\n</td>\n<td width=\"170\">\n<div align=\"center\">3.177,00</div>\n</td>\n</tr>\n</tbody>\n</table>\n<p>Artículo 3:&nbsp;La aplicación del tabulador salarial establecido en el artículo 2° del presente Decreto, da derecho a la asignación de salario inicial o básico de cada grado. Cuando el salario total de la obrera y obrero constituido por el salario inicial o básico aquí establecido al 30 de abril de 2011, resulta superior a dicho salario, se mantendrá su remuneración total dentro del grado contemplado entre los mínimos y máximos correspondientes al grado.<br />En el nivel máximo del tabulador salario por cada grado, objeto del presente Decreto, es el máximo del salario que puede ser percibido en el grado correspondiente.</p>\n<p>Artículo 4: Los órganos y entes de la Administración Pública Nacional sujetos a este Decreto no podrán otorgar ingresos de carácter salarial distintos a los previstos en el tabulador establecido en el artículo 2.</p>\n<p>Artículo 5: Se excluyen de la aplicación del presente Decreto las obreras y obreros al servicio de los entes u órganos de la Administración Pública con sistemas de remuneraciones especiales o diferentes, de conformidad con las exclusiones establecidas en la ley.</p>\n<p>Artículo 6: El tabulador salarial establecido en el artículo 5 del presente Decreto, es aplicable a título de referencia a los trabajadores que prestan sus servicios a las gobernaciones y alcaldías y sus entes adscritos. En todo caso, la Dirección de Recursos Humanos de éstas, podrá realizar el respectivo estudios de clasificación y definición de las tareas, perfiles y competencias de los cargos requeridos para el cumplimiento de los objetivos y metas institucionales de conformidad con las directrices establecidas en este Decreto y en concordancia con las directrices del órgano de planificación de cada estado o municipio.</p>\n<p>Artículo 7: El presente Decreto no es aplicable a las personas contratadas en la Administración Pública Nacional que realicen tareas de consultoría, asesoría o actividades especializadas de difícil reclutamiento.</p>\n<p>Artículo 8: Las dudas que se susciten con motivo de la aplicación de este Decreto, serán resueltas por el Ministerio del Poder Popular para el Trabajo y Seguridad Social y el Ministerio del Poder Popular de Planificación y Finanzas.</p>\n<p>Artículo 9: Este Decreto entrará en vigencia a partir del 1° de mayo de 2011.</p>\n<p>Artículo 10: El vicepresidente Ejecutivo y los Ministros quedan encargados de la ejecución del presente Decreto.</p>\n<p>Dado en Caracas, a los veinticinco días del mes de abril de dos mil once, años 201° de la Independencia, y 151° de la Federación y 12° de la Revolución Bolivariana.</p>\n<p>Ejecútese,<br />(L.S.)<br />Hugo Chávez Frías</p>\n<p><br style=\"clear: both;\" />\n<div style=\"margin-top: 10px;\"></div>\n</div>\n<div class=\"blogger-post-footer\"><img width=\'1\' height=\'1\' src=\'https://blogger.googleusercontent.com/tracker/142879207358732045-2312079599144945206?l=archivologo.blogspot.com\' alt=\'\' /></div>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/sPbJ50RiVEs\" height=\"1\" width=\"1\"/>\";}s:3:\"wfw\";a:1:{s:10:\"commentrss\";s:74:\"http://archivologo.blogspot.com/feeds/2312079599144945206/comments/default\";}s:5:\"slash\";a:1:{s:8:\"comments\";s:1:\"0\";}s:10:\"feedburner\";a:1:{s:8:\"origlink\";s:83:\"http://archivologo.blogspot.com/2011/05/nuevo-sistema-remuneracion-empleadas-y.html\";}s:7:\"summary\";s:255:\"NUEVO SISTEMA REMUNERACIÓN EMPLEADAS Y EMPLEADOS ADMINISTRACIÓN PÚBLICA NACIONALDecreto N° 8.168, &#160;25 de abril de 2011Hugo Chávez FríasPresidente de la RepúblicaCon el supremo compromiso y voluntad de lograr la mayor eficacia política y ca...\";s:12:\"atom_content\";s:17806:\"<div dir=\"ltr\" style=\"text-align: left;\" trbidi=\"on\"><span class=\"Apple-style-span\" style=\"font-family: verdana, tahoma; font-size: 14px;\"></span><br />\n<address><strong><span style=\"color: blue;\">NUEVO SISTEMA REMUNERACIÓN EMPLEADAS Y EMPLEADOS ADMINISTRACIÓN PÚBLICA NACIONAL</span></strong></address>\n<address><strong><span style=\"color: blue;\">Decreto N° 8.168, &nbsp;25 de abril de 2011</span></strong></address>\n<address><strong><span style=\"color: blue;\">Hugo Chávez Frías</span></strong></address>\n<address><strong><span style=\"color: blue;\">Presidente de la República</span></strong></address>\n<p>Con el supremo compromiso y voluntad de lograr la mayor eficacia política y calidad revolucionaria en la construcción del Socialismo, la refundación de la nación venezolana, basado en principios humanistas, sustentado en condiciones morales y ética que persiguen el progreso de la patria y del colectivo, por mandato del pueblo y en ejercicio de la atribución que le confiere el numeral 11 del artículo 236 de la Constitución de la República Bolivariana de Venezuela y de conformidad con lo dispuesto en el artículo 55 de la Ley del Estatuto de la Función Pública y 180 del Reglamento General de la Ley de Carrera Administrativa, en Consejo de Ministros,</p>\n<p>Considerando<br />Que la dignificación de los trabajadores es un aspecto esencial de la democratización que busca la nueva institucionalidad del Estado, y que los servidores públicos, como los hombres y mujeres que ponen la administración al servicio del pueblo, son una parte importante y particular del mundo del trabajo necesaria para cubrir la deuda social en la República Bolivariana de Venezuela y cumplir con el propósito igualitario de nuestra Constitución,</p>\n<p>Considerando<br />Que para el Ejecutivo Nacional, es un objetivo la mejora progresiva de las remuneraciones de las funcionarias y funcionarios públicos de carrera, a fin de garantizar la igualdad de oportunidades y capacidades que permita desarrollar una vida digna y cubrir para sí y su familia las necesidades básicas materiales, sociales e intelectuales de los servidores públicos,</p>\n<p>Decreta<br />Sistema de remuneración de las empleadas y empleados de la Administración Pública Nacional<br />Artículo 1°.&nbsp;El presente Decreto tiene por objeto regular y establecer la Escala General de Sueldos para funcionarias y funcionarios de carrera de la Administración Pública Nacional.<br />Artículo 2°.&nbsp;Se aprueba la escala de sueldos para cargos de las funcionarias y funcionarios públicos de carrera. Aplicable al Sistema de Clasificación de Cargos que rige la carrera funcionarial de la Administración Pública Nacional, en las siguientes fases:</p>\n<p>Fase 1<br />A partir del 1ro de mayo de 2011</p>\n<p>Niveles<br />Bachilleres<br />\n<table border=\"1\" cellpadding=\"0\" cellspacing=\"0\" style=\"width: 454px;\">\n<tbody>\n<tr>\n<td></td>\n<td width=\"64\">\n<div align=\"center\">I</div>\n</td>\n<td width=\"57\">\n<div align=\"center\">II</div>\n</td>\n<td width=\"57\">\n<div align=\"center\">III</div>\n</td>\n<td width=\"56\">\n<div align=\"center\">IV</div>\n</td>\n<td width=\"58\">\n<div align=\"center\">V</div>\n</td>\n<td width=\"70\">\n<div align=\"center\">VI</div>\n</td>\n<td width=\"53\">\n<div align=\"center\">VII</div>\n</td>\n</tr>\n<tr>\n<td>\n<div align=\"center\">B1</div>\n</td>\n<td width=\"64\">\n<div align=\"center\">1.407,47*</div>\n</td>\n<td width=\"57\">\n<div align=\"center\">1.548,22</div>\n</td>\n<td width=\"57\">\n<div align=\"center\">1.759,34</div>\n</td>\n<td width=\"56\">\n<div align=\"center\">2.111,21</div>\n</td>\n<td width=\"58\">\n<div align=\"center\">2.463,07</div>\n</td>\n<td width=\"70\">\n<div align=\"center\">2.674,19</div>\n</td>\n<td width=\"53\">\n<div align=\"center\">2.814,94</div>\n</td>\n</tr>\n<tr>\n<td>\n<div align=\"center\">B2</div>\n</td>\n<td width=\"64\">\n<div align=\"center\">1.713,45</div>\n</td>\n<td width=\"57\">\n<div align=\"center\">1.884,80</div>\n</td>\n<td width=\"57\">\n<div align=\"center\">2.141,81</div>\n</td>\n<td width=\"56\">\n<div align=\"center\">2.570,18</div>\n</td>\n<td width=\"58\">\n<div align=\"center\">2.998,54</div>\n</td>\n<td width=\"70\">\n<div align=\"center\">3.255,56</div>\n</td>\n<td width=\"53\">\n<div align=\"center\">3.426,90</div>\n</td>\n</tr>\n<tr>\n<td>\n<div align=\"center\">B3</div>\n</td>\n<td width=\"64\">\n<div align=\"center\">1.919,80</div>\n</td>\n<td width=\"57\">\n<div align=\"center\">2.111,78</div>\n</td>\n<td width=\"57\">\n<div align=\"center\">2.399,75</div>\n</td>\n<td width=\"56\">\n<div align=\"center\">2.879,70</div>\n</td>\n<td width=\"58\">\n<div align=\"center\">3.359,65</div>\n</td>\n<td width=\"70\">\n<div align=\"center\">3.647,62</div>\n</td>\n<td width=\"53\">\n<div align=\"center\">3.839,60</div>\n</td>\n</tr>\n</tbody>\n</table>\n<p>* A partir del 1° de septiembre, el nivel B1-I quedará en Bs. 1.548,22 homologado al salario mínimo nacional<br />Técnico Superior<br />\n<table border=\"1\" cellpadding=\"0\" cellspacing=\"0\" style=\"width: 455px;\">\n<tbody>\n<tr>\n<td width=\"39\"></td>\n<td width=\"66\">I</td>\n<td width=\"57\">II</td>\n<td width=\"57\">III</td>\n<td width=\"57\">IV</td>\n<td width=\"57\">V</td>\n<td width=\"66\">VI</td>\n<td width=\"57\">VII</td>\n</tr>\n<tr>\n<td width=\"39\">T1</td>\n<td width=\"66\">2.021,30</td>\n<td width=\"57\">2.223,43</td>\n<td width=\"57\">2.526,63</td>\n<td width=\"57\">3.031,95</td>\n<td width=\"57\">3.537,28</td>\n<td width=\"66\">3.840,47</td>\n<td width=\"57\">4.042,60</td>\n</tr>\n<tr>\n<td width=\"39\">T2</td>\n<td width=\"66\">2.088,00</td>\n<td width=\"57\">2.296,80</td>\n<td width=\"57\">2.610,00</td>\n<td width=\"57\">3.132,00</td>\n<td width=\"57\">3.654,00</td>\n<td width=\"66\">3.967,20</td>\n<td width=\"57\">4.176,00</td>\n</tr>\n</tbody>\n</table>\n<p>Profesional Universitario<br />\n<table border=\"1\" cellpadding=\"0\" cellspacing=\"0\" style=\"width: 457px;\">\n<tbody>\n<tr>\n<td width=\"39\"></td>\n<td width=\"66\">I</td>\n<td width=\"57\">II</td>\n<td width=\"57\">III</td>\n<td width=\"57\">IV</td>\n<td width=\"57\">V</td>\n<td width=\"64\">VI</td>\n<td width=\"59\">VII</td>\n</tr>\n<tr>\n<td width=\"39\">P1</td>\n<td width=\"66\">2.150,35</td>\n<td width=\"57\">2.365,39</td>\n<td width=\"57\">2.887,94</td>\n<td width=\"57\">3.225,53</td>\n<td width=\"57\">3.763,11</td>\n<td width=\"64\">4.085,67</td>\n<td width=\"59\">4.300,70</td>\n</tr>\n<tr>\n<td width=\"39\">P2</td>\n<td width=\"66\">2.270,70</td>\n<td width=\"57\">2.497,77</td>\n<td width=\"57\">2.838,38</td>\n<td width=\"57\">3.406,05</td>\n<td width=\"57\">3.973,73</td>\n<td width=\"64\">4.314,33</td>\n<td width=\"59\">4.541,40</td>\n</tr>\n<tr>\n<td width=\"39\">P3</td>\n<td width=\"66\">2.311,30</td>\n<td width=\"57\">2.542,43</td>\n<td width=\"57\">2.889,13</td>\n<td width=\"57\">3.466,95</td>\n<td width=\"57\">4.044,78</td>\n<td width=\"64\">4.391,47</td>\n<td width=\"59\">4.622,60</td>\n</tr>\n</tbody>\n</table>\n<p>Artículo 3:&nbsp;La aplicación de la escala establecida en el presente Decreto, da derecho a la asignación de sueldo inicial o básico de cada grado. Cuando el sueldo total del funcionario constituido por el sueldo inicial o básico aquí establecido más las compensaciones percibidas al 30 de abril de 2011, resultan superior a dicho sueldo, se mantendrá su remuneración total dentro del rango contemplado entre los mínimos y máximos correspondientes al grupo.<br />El último nivel de cada grupo en la escala de sueldos objeto del presente Decreto, es el máximo del sueldo que puede ser percibido en el grupo o clase de cargos correspondientes.</p>\n<p>Artículo 4:&nbsp;Queda entendido que en el sueldo básico establecido en el presente Decreto, se encuentran incluidos los ajustes realizados al salario mínimo nacional obligatorio.</p>\n<p>Artículo 5:&nbsp;Los órganos y entes de la Administración Pública Nacional sujetos a este Decreto no podrán otorgar ingresos de carácter salarial distintos a los previstos en la escala establecida en el artículo 2°.</p>\n<p>Artículo 6:&nbsp;Se excluyen de la aplicación del presente Decreto las funcionarias y funcionarios, empleadas y empleados al servicios de entes u órganos de la Administración Pública con sistemas de remuneraciones especiales o diferentes, de conformidad con las exclusiones establecidas en la ley.</p>\n<p>Artículo 7:&nbsp;Las escalas de sueldos establecidas en el artículo 2° del presente Decreto, son aplicables a título de referencia a los trabajadores que prestan sus servicios a las gobernaciones y alcaldías y sus entes adscritos. En todo caso, la Dirección de Recursos Humanos de éstas, podrá realizar el respectivo estudio de clasificación y definición de las tareas, perfiles y competencias de los cargos requeridos para el cumplimiento de los objetivos y metas institucionales de conformidad con las directrices establecidas en este Decreto y en concordancia con las directrices del órgano de planificación de cada estado o municipio.</p>\n<p>Artículo 8:&nbsp;El presente Decreto no es aplicable a las personas contratadas en la Administración Pública Nacional que realicen tareas de consultoría, asesoría o actividades especiales de difícil reclutamiento.</p>\n<p>Artículo 9:&nbsp;Las dudas que se susciten con motivo de la aplicación de este Decreto, serán resueltas por el Ministerio del Poder Popular de Planificación y Finanzas.</p>\n<p>Artículo 10:&nbsp;Este Decreto entrará en vigencia a partir del 1° de mayo de 2011.</p>\n<p>Artículo 11:&nbsp;El Vicepresidente Ejecutivo y los Ministros quedan encargados de la ejecución del presente Decreto.</p>\n<p>Dado en Caracas, a los veinticinco días del mes de abril de dos mil once. Años 201° de la Independencia, y 151° de la Federación y 12° de la Revolución Bolivariana.</p>\n<p>Ejecútese<br />(L.S.)<br />Hugo Chávez Frías<br />También se incrementó el tabulador salarial para las obreras y los obreros al servicio de la Administración Pública<br />25 de abril de 2011<br />Decreto N° 8.169<br />Hugo Chávez Frías<br />Presidente de la República<br />Con el supremo compromiso y voluntad de lograr la mayor eficacia política y calidad revolucionaria en la construcción del Socialismo, la refundación de la nación venezolana, basado en principios humanistas, sustentado en condiciones morales y éticas que persiguen el progreso de la patria y del colectivo, por mandato del pueblo y en ejercicio de la atribución que le confiere el numeral 11 del artículo 236 de la Constitución de la República Bolivariana de Venezuela y de conformidad con lo dispuesto en el artículo 55 de la Ley de Estatuto de la Función Pública y 180 del Reglamento General de la Ley de Carrera Administrativa, en Consejo de Ministros,<br />Considerando<br />Que la dignificación de los trabajadores es un aspecto esencial de la democratización que busca la nueva institucionalidad del Estado, y que los servidores públicos, como los hombres y mujeres que ponen la administración al servicio del pueblo, son una parte importante y particular del mundo del trabajo necesaria para cubrir la deuda social en la República Bolivariana de Venezuela y cumplir con el propósito igualitario de nuestra Constitución,<br />Considerando<br />Que para el Gobierno Bolivariano, las reivindicaciones salariales de las obreras y obreros de la Administración Pública representan un objetivo estratégico revolucionario, a los fines de otorgar la mayor suma de felicidad a nuestro pueblo,<br />Decreta<br />El siguiente,<br />Sistema de remuneraciones de las Obreras y Obreros de la Administración Pública Nacional<br />Artículo 1: El presente Decreto tiene por objeto regular y establecer el Tabulador General de Salarios para las Obreras y Obreros al servicio de la Administración Pública Nacional.</p>\n<p>Artículo 2: Se aprueba el tabulador salarial para las obreras y obreros al servicio de la Administración Pública Nacional, como sigue:<br />\n<table border=\"1\" cellpadding=\"0\" cellspacing=\"0\" style=\"width: 398px;\">\n<tbody>\n<tr>\n<td width=\"398\">\n<div align=\"center\">No Calificado</div>\n</td>\n</tr>\n</tbody>\n</table>\n<div align=\"center\"></div>\n<table border=\"1\" cellpadding=\"0\" cellspacing=\"0\">\n<tbody>\n<tr>\n<td width=\"86\">\n<div align=\"center\">Grado</div>\n</td>\n<td width=\"142\">\n<div align=\"center\">Mínimo</div>\n</td>\n<td width=\"170\">\n<div align=\"center\">Máximo</div>\n</td>\n</tr>\n<tr>\n<td width=\"86\">\n<div align=\"center\">1</div>\n</td>\n<td width=\"142\">\n<div align=\"center\">1.407,00</div>\n</td>\n<td width=\"170\">\n<div align=\"center\">2.110,50</div>\n</td>\n</tr>\n<tr>\n<td width=\"86\">\n<div align=\"center\">2</div>\n</td>\n<td width=\"142\">\n<div align=\"center\">1.611,00</div>\n</td>\n<td width=\"170\">\n<div align=\"center\">2.416,50</div>\n</td>\n</tr>\n<tr>\n<td width=\"86\">\n<div align=\"center\">3</div>\n</td>\n<td width=\"142\">\n<div align=\"center\">1.674,00</div>\n</td>\n<td width=\"170\">\n<div align=\"center\">2.511,00</div>\n</td>\n</tr>\n<tr>\n<td width=\"86\">\n<div align=\"center\">4</div>\n</td>\n<td width=\"142\">\n<div align=\"center\">1.738,00</div>\n</td>\n<td width=\"170\">\n<div align=\"center\">2.607,00</div>\n</td>\n</tr>\n</tbody>\n</table>\n<p>\n<table border=\"1\" cellpadding=\"0\" cellspacing=\"0\">\n<tbody>\n<tr>\n<td width=\"398\">\n<div align=\"center\">Calificado</div>\n</td>\n</tr>\n</tbody>\n</table>\n<div align=\"center\"></div>\n<table border=\"1\" cellpadding=\"0\" cellspacing=\"0\">\n<tbody>\n<tr>\n<td width=\"86\">\n<div align=\"center\">Grado</div>\n</td>\n<td width=\"142\">\n<div align=\"center\">Mínimo</div>\n</td>\n<td width=\"170\">\n<div align=\"center\">Máximo</div>\n</td>\n</tr>\n<tr>\n<td width=\"86\">\n<div align=\"center\">5</div>\n</td>\n<td width=\"142\">\n<div align=\"center\">1.801,00</div>\n</td>\n<td width=\"170\">\n<div align=\"center\">2.701,50</div>\n</td>\n</tr>\n<tr>\n<td width=\"86\">\n<div align=\"center\">6</div>\n</td>\n<td width=\"142\">\n<div align=\"center\">1.864,00</div>\n</td>\n<td width=\"170\">\n<div align=\"center\">2.796,00</div>\n</td>\n</tr>\n<tr>\n<td width=\"86\">\n<div align=\"center\">7</div>\n</td>\n<td width=\"142\">\n<div align=\"center\">1.928,00</div>\n</td>\n<td width=\"170\">\n<div align=\"center\">2.892,00</div>\n</td>\n</tr>\n<tr>\n<td width=\"86\">\n<div align=\"center\">8</div>\n</td>\n<td width=\"142\">\n<div align=\"center\">1.991,00</div>\n</td>\n<td width=\"170\">\n<div align=\"center\">2.986,50</div>\n</td>\n</tr>\n</tbody>\n</table>\n<div align=\"center\"></div>\n<table border=\"1\" cellpadding=\"0\" cellspacing=\"0\">\n<tbody>\n<tr>\n<td width=\"398\">\n<div align=\"center\">Supervisor</div>\n</td>\n</tr>\n</tbody>\n</table>\n<p>\n<table border=\"1\" cellpadding=\"0\" cellspacing=\"0\">\n<tbody>\n<tr>\n<td width=\"86\">\n<div align=\"center\">Grado</div>\n</td>\n<td width=\"142\">\n<div align=\"center\">Mínimo</div>\n</td>\n<td width=\"170\">\n<div align=\"center\">Máximo</div>\n</td>\n</tr>\n<tr>\n<td width=\"86\">\n<div align=\"center\">9</div>\n</td>\n<td width=\"142\">\n<div align=\"center\">2.054,00</div>\n</td>\n<td width=\"170\">\n<div align=\"center\">3.081,00</div>\n</td>\n</tr>\n<tr>\n<td width=\"86\">\n<div align=\"center\">10</div>\n</td>\n<td width=\"142\">\n<div align=\"center\">2.118,00</div>\n</td>\n<td width=\"170\">\n<div align=\"center\">3.177,00</div>\n</td>\n</tr>\n</tbody>\n</table>\n<p>Artículo 3:&nbsp;La aplicación del tabulador salarial establecido en el artículo 2° del presente Decreto, da derecho a la asignación de salario inicial o básico de cada grado. Cuando el salario total de la obrera y obrero constituido por el salario inicial o básico aquí establecido al 30 de abril de 2011, resulta superior a dicho salario, se mantendrá su remuneración total dentro del grado contemplado entre los mínimos y máximos correspondientes al grado.<br />En el nivel máximo del tabulador salario por cada grado, objeto del presente Decreto, es el máximo del salario que puede ser percibido en el grado correspondiente.</p>\n<p>Artículo 4: Los órganos y entes de la Administración Pública Nacional sujetos a este Decreto no podrán otorgar ingresos de carácter salarial distintos a los previstos en el tabulador establecido en el artículo 2.</p>\n<p>Artículo 5: Se excluyen de la aplicación del presente Decreto las obreras y obreros al servicio de los entes u órganos de la Administración Pública con sistemas de remuneraciones especiales o diferentes, de conformidad con las exclusiones establecidas en la ley.</p>\n<p>Artículo 6: El tabulador salarial establecido en el artículo 5 del presente Decreto, es aplicable a título de referencia a los trabajadores que prestan sus servicios a las gobernaciones y alcaldías y sus entes adscritos. En todo caso, la Dirección de Recursos Humanos de éstas, podrá realizar el respectivo estudios de clasificación y definición de las tareas, perfiles y competencias de los cargos requeridos para el cumplimiento de los objetivos y metas institucionales de conformidad con las directrices establecidas en este Decreto y en concordancia con las directrices del órgano de planificación de cada estado o municipio.</p>\n<p>Artículo 7: El presente Decreto no es aplicable a las personas contratadas en la Administración Pública Nacional que realicen tareas de consultoría, asesoría o actividades especializadas de difícil reclutamiento.</p>\n<p>Artículo 8: Las dudas que se susciten con motivo de la aplicación de este Decreto, serán resueltas por el Ministerio del Poder Popular para el Trabajo y Seguridad Social y el Ministerio del Poder Popular de Planificación y Finanzas.</p>\n<p>Artículo 9: Este Decreto entrará en vigencia a partir del 1° de mayo de 2011.</p>\n<p>Artículo 10: El vicepresidente Ejecutivo y los Ministros quedan encargados de la ejecución del presente Decreto.</p>\n<p>Dado en Caracas, a los veinticinco días del mes de abril de dos mil once, años 201° de la Independencia, y 151° de la Federación y 12° de la Revolución Bolivariana.</p>\n<p>Ejecútese,<br />(L.S.)<br />Hugo Chávez Frías</p>\n<p><br style=\"clear: both;\" />\n<div style=\"margin-top: 10px;\"></div>\n</div>\n<div class=\"blogger-post-footer\"><img width=\'1\' height=\'1\' src=\'https://blogger.googleusercontent.com/tracker/142879207358732045-2312079599144945206?l=archivologo.blogspot.com\' alt=\'\' /></div>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/sPbJ50RiVEs\" height=\"1\" width=\"1\"/>\";}i:8;a:13:{s:5:\"title\";s:72:\"Endlich: Chronik der Eidgenossenschaft von Johannes Stumpf (1548) online\";s:4:\"link\";s:60:\"http://feedproxy.google.com/~r/ArchivesBlogs/~3/fDo3Px0bcEU/\";s:8:\"comments\";s:51:\"http://archiv.twoday.net/stories/16593839/#comments\";s:7:\"pubdate\";s:31:\"Sun, 01 May 2011 13:40:00 +0000\";s:2:\"dc\";a:1:{s:7:\"creator\";s:10:\"Archivalia\";}s:8:\"category\";s:7:\"Deutsch\";s:11:\"description\";s:255:\"http://www.e-rara.ch/id/1525949\n\nIm September 2010 fragte ich wegen der Digitalisierung des wichtigen Werks an, eine Zusage durch die ZB Zürich erfolgte am 3. Februar 2011. Nun hat es zwar länger gedauert, als damals anvisiert (Ende März), aber das ...\";s:7:\"content\";a:1:{s:7:\"encoded\";s:515:\"<p><a href=\"http://www.e-rara.ch/id/1525949\">http://www.e-rara.ch/id/1525949</a></p>\n<p>Im September 2010 fragte ich wegen der Digitalisierung des wichtigen Werks an, eine Zusage durch die ZB Zürich erfolgte am 3. Februar 2011. Nun hat es zwar länger gedauert, als damals anvisiert (Ende März), aber das Warten hat sich gelohnt. </p>\n<p>(RSS)</p>\n<p><img src=\"http://www.e-rara.ch/download/webcache/304/1525956\" /></p>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/fDo3Px0bcEU\" height=\"1\" width=\"1\"/>\";}s:3:\"wfw\";a:1:{s:10:\"commentrss\";s:46:\"http://archivesblogs.com/archives/3817096/feed\";}s:5:\"slash\";a:1:{s:8:\"comments\";s:1:\"0\";}s:10:\"feedburner\";a:1:{s:8:\"origlink\";s:42:\"http://archiv.twoday.net/stories/16593839/\";}s:7:\"summary\";s:255:\"http://www.e-rara.ch/id/1525949\n\nIm September 2010 fragte ich wegen der Digitalisierung des wichtigen Werks an, eine Zusage durch die ZB Zürich erfolgte am 3. Februar 2011. Nun hat es zwar länger gedauert, als damals anvisiert (Ende März), aber das ...\";s:12:\"atom_content\";s:515:\"<p><a href=\"http://www.e-rara.ch/id/1525949\">http://www.e-rara.ch/id/1525949</a></p>\n<p>Im September 2010 fragte ich wegen der Digitalisierung des wichtigen Werks an, eine Zusage durch die ZB Zürich erfolgte am 3. Februar 2011. Nun hat es zwar länger gedauert, als damals anvisiert (Ende März), aber das Warten hat sich gelohnt. </p>\n<p>(RSS)</p>\n<p><img src=\"http://www.e-rara.ch/download/webcache/304/1525956\" /></p>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/fDo3Px0bcEU\" height=\"1\" width=\"1\"/>\";}i:9;a:13:{s:5:\"title\";s:49:\"Wiener Büchereien wollen 800.000 Titel wegwerfen\";s:4:\"link\";s:60:\"http://feedproxy.google.com/~r/ArchivesBlogs/~3/nyzQuLARHv0/\";s:8:\"comments\";s:51:\"http://archiv.twoday.net/stories/16593825/#comments\";s:7:\"pubdate\";s:31:\"Sun, 01 May 2011 13:30:00 +0000\";s:2:\"dc\";a:1:{s:7:\"creator\";s:10:\"Archivalia\";}s:8:\"category\";s:7:\"Deutsch\";s:11:\"description\";s:255:\"http://www.univie.ac.at/voeb/blog/?p=13496\n\nAngesichts der Autorenproteste ist es Zeit darüber nachzudenken, ob die traditionelle Ansicht, dass öffentliche Büchereien aktuelle Inhalte vorhalten und keine Archivfunktion haben, noch zeitgemäß ist.\n\n...\";s:7:\"content\";a:1:{s:7:\"encoded\";s:427:\"<p><a href=\"http://www.univie.ac.at/voeb/blog/?p=13496\">http://www.univie.ac.at/voeb/blog/?p=13496</a></p>\n<p>Angesichts der Autorenproteste ist es Zeit darüber nachzudenken, ob die traditionelle Ansicht, dass öffentliche Büchereien aktuelle Inhalte vorhalten und keine Archivfunktion haben, noch zeitgemäß ist.</p>\n<p>(RSS)</p>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/nyzQuLARHv0\" height=\"1\" width=\"1\"/>\";}s:3:\"wfw\";a:1:{s:10:\"commentrss\";s:46:\"http://archivesblogs.com/archives/3817097/feed\";}s:5:\"slash\";a:1:{s:8:\"comments\";s:1:\"0\";}s:10:\"feedburner\";a:1:{s:8:\"origlink\";s:42:\"http://archiv.twoday.net/stories/16593825/\";}s:7:\"summary\";s:255:\"http://www.univie.ac.at/voeb/blog/?p=13496\n\nAngesichts der Autorenproteste ist es Zeit darüber nachzudenken, ob die traditionelle Ansicht, dass öffentliche Büchereien aktuelle Inhalte vorhalten und keine Archivfunktion haben, noch zeitgemäß ist.\n\n...\";s:12:\"atom_content\";s:427:\"<p><a href=\"http://www.univie.ac.at/voeb/blog/?p=13496\">http://www.univie.ac.at/voeb/blog/?p=13496</a></p>\n<p>Angesichts der Autorenproteste ist es Zeit darüber nachzudenken, ob die traditionelle Ansicht, dass öffentliche Büchereien aktuelle Inhalte vorhalten und keine Archivfunktion haben, noch zeitgemäß ist.</p>\n<p>(RSS)</p>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/nyzQuLARHv0\" height=\"1\" width=\"1\"/>\";}i:10;a:13:{s:5:\"title\";s:21:\"¿Cocinas o archivas?\";s:4:\"link\";s:83:\"http://feedproxy.google.com/~r/ArchivesBlogs/~3/4vzzyYm7SiA/cocinas-o-archivas.html\";s:8:\"comments\";s:73:\"http://archivistica.blogspot.com/2011/05/cocinas-o-archivas.html#comments\";s:7:\"pubdate\";s:31:\"Sun, 01 May 2011 13:09:00 +0000\";s:2:\"dc\";a:1:{s:7:\"creator\";s:12:\"archivistica\";}s:8:\"category\";s:8:\"Español\";s:11:\"description\";s:255:\"En Cali (Colombia) existe un serio problema en materia de administración de justicia por falta de recursos.&#160;Los juzgados se atiborran en apartamentos de uso familiar, incautados al narcotráfico.En 2008 un coche bomba hizo explosión al lado del ...\";s:7:\"content\";a:1:{s:7:\"encoded\";s:2143:\"<div class=\"separator\" style=\"clear: both; text-align: center;\"><a href=\"http://3.bp.blogspot.com/-3XyFEuC0qMc/Tb1bWzF7EkI/AAAAAAAAOYw/4vYMiU-Y6HI/s1600/1.jpg\" imageanchor=\"1\" style=\"clear: left; cssfloat: left; float: left; margin-bottom: 1em; margin-right: 1em;\"><img border=\"0\" height=\"249\" j8=\"true\" src=\"http://3.bp.blogspot.com/-3XyFEuC0qMc/Tb1bWzF7EkI/AAAAAAAAOYw/4vYMiU-Y6HI/s320/1.jpg\" width=\"320\" /></a></div>\n<div style=\"text-align: justify;\">En Cali (Colombia) existe un serio problema en materia de administración de justicia por falta de recursos.&nbsp;Los juzgados se atiborran en apartamentos de uso familiar, incautados al narcotráfico.</div>\n<div style=\"text-align: justify;\">En 2008 un coche bomba hizo explosión al lado del Palacio de Justicia de Cali y lo destruyó parcialmente. Se suponía que arreglar el edificio no tardaría más de 8 meses.</div>\n<div style=\"text-align: justify;\">Se espera que a finales de 2012 el edificio ya se haya remodelado&#8230; </div>\n<div style=\"text-align: justify;\">&nbsp; </div>\n<div style=\"text-align: justify;\">&#8220;Estamos repartidos en 12 edificios y mucha audiencia se pierde porque la gente no alcanza a desplazarse a tiempo; tenemos baños que funcionan como archivos y funcionarios que despachan desde la lavandería porque más del 50 por ciento de las edificaciones que nos asignaron eran apartamentos&#8221;,&nbsp;<a href=\"http://www.eltiempo.com/colombia/cali/jueces-calenos-presionan-por-reconstruccion-del-palacio-de-justicia_9121276-4\">afirma</a> el presidente del Tribunal Superior de Cali,&nbsp;que pide&nbsp;a los congresistas vallecaucanos que coloquen la terminación del Palacio de Justicia como prioridad en su agenda. </div>\n<div style=\"text-align: justify;\"><a href=\"http://www.elpais.com.co/elpais/judicial/paseo-judicial-agota-jueces-y-fiscales-cali\">Más información</a></div>\n<div class=\"blogger-post-footer\"><img width=\'1\' height=\'1\' src=\'https://blogger.googleusercontent.com/tracker/6024386-2199061353720625630?l=archivistica.blogspot.com\' alt=\'\' /></div>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/4vzzyYm7SiA\" height=\"1\" width=\"1\"/>\";}s:3:\"wfw\";a:1:{s:10:\"commentrss\";s:75:\"http://archivistica.blogspot.com/feeds/2199061353720625630/comments/default\";}s:5:\"slash\";a:1:{s:8:\"comments\";s:1:\"0\";}s:10:\"feedburner\";a:1:{s:8:\"origlink\";s:64:\"http://archivistica.blogspot.com/2011/05/cocinas-o-archivas.html\";}s:7:\"summary\";s:255:\"En Cali (Colombia) existe un serio problema en materia de administración de justicia por falta de recursos.&#160;Los juzgados se atiborran en apartamentos de uso familiar, incautados al narcotráfico.En 2008 un coche bomba hizo explosión al lado del ...\";s:12:\"atom_content\";s:2143:\"<div class=\"separator\" style=\"clear: both; text-align: center;\"><a href=\"http://3.bp.blogspot.com/-3XyFEuC0qMc/Tb1bWzF7EkI/AAAAAAAAOYw/4vYMiU-Y6HI/s1600/1.jpg\" imageanchor=\"1\" style=\"clear: left; cssfloat: left; float: left; margin-bottom: 1em; margin-right: 1em;\"><img border=\"0\" height=\"249\" j8=\"true\" src=\"http://3.bp.blogspot.com/-3XyFEuC0qMc/Tb1bWzF7EkI/AAAAAAAAOYw/4vYMiU-Y6HI/s320/1.jpg\" width=\"320\" /></a></div>\n<div style=\"text-align: justify;\">En Cali (Colombia) existe un serio problema en materia de administración de justicia por falta de recursos.&nbsp;Los juzgados se atiborran en apartamentos de uso familiar, incautados al narcotráfico.</div>\n<div style=\"text-align: justify;\">En 2008 un coche bomba hizo explosión al lado del Palacio de Justicia de Cali y lo destruyó parcialmente. Se suponía que arreglar el edificio no tardaría más de 8 meses.</div>\n<div style=\"text-align: justify;\">Se espera que a finales de 2012 el edificio ya se haya remodelado&#8230; </div>\n<div style=\"text-align: justify;\">&nbsp; </div>\n<div style=\"text-align: justify;\">&#8220;Estamos repartidos en 12 edificios y mucha audiencia se pierde porque la gente no alcanza a desplazarse a tiempo; tenemos baños que funcionan como archivos y funcionarios que despachan desde la lavandería porque más del 50 por ciento de las edificaciones que nos asignaron eran apartamentos&#8221;,&nbsp;<a href=\"http://www.eltiempo.com/colombia/cali/jueces-calenos-presionan-por-reconstruccion-del-palacio-de-justicia_9121276-4\">afirma</a> el presidente del Tribunal Superior de Cali,&nbsp;que pide&nbsp;a los congresistas vallecaucanos que coloquen la terminación del Palacio de Justicia como prioridad en su agenda. </div>\n<div style=\"text-align: justify;\"><a href=\"http://www.elpais.com.co/elpais/judicial/paseo-judicial-agota-jueces-y-fiscales-cali\">Más información</a></div>\n<div class=\"blogger-post-footer\"><img width=\'1\' height=\'1\' src=\'https://blogger.googleusercontent.com/tracker/6024386-2199061353720625630?l=archivistica.blogspot.com\' alt=\'\' /></div>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/4vzzyYm7SiA\" height=\"1\" width=\"1\"/>\";}i:11;a:13:{s:5:\"title\";s:29:\"A Call to Action on MayDay…\";s:4:\"link\";s:89:\"http://feedproxy.google.com/~r/ArchivesBlogs/~3/2zpE2pi5nkU/call-to-action-on-mayday.html\";s:8:\"comments\";s:101:\"http://feedproxy.google.com/~r/PosterityProject/~3/03T7BI8hZv8/call-to-action-on-mayday.html#comments\";s:7:\"pubdate\";s:31:\"Sun, 01 May 2011 13:00:00 +0000\";s:2:\"dc\";a:1:{s:7:\"creator\";s:21:\"The Posterity Project\";}s:8:\"category\";s:7:\"English\";s:11:\"description\";s:255:\"May 1st is recognized by the archival community as \"MayDay,\" a grassroots effort whose goal is to save our archives. This is a day to update or create a disaster prevention and recovery plan, to refresh ourselves on the procedures, and to ensure that i...\";s:7:\"content\";a:1:{s:7:\"encoded\";s:6192:\"</p>\n<div class=\"separator\" style=\"clear: both; text-align: center;\"><a href=\"http://3.bp.blogspot.com/-A55Z8LVvRaM/TbsJigg8UyI/AAAAAAAAAjw/f4VoZHpHxcA/s1600/maydaylogo.JPG\" imageanchor=\"1\" style=\"clear: right; float: right; margin-bottom: 1em; margin-left: 1em;\"><img border=\"0\" height=\"255\" src=\"http://3.bp.blogspot.com/-A55Z8LVvRaM/TbsJigg8UyI/AAAAAAAAAjw/f4VoZHpHxcA/s320/maydaylogo.JPG\" width=\"320\" /></a></div>\n<p>May 1st is recognized by the archival community as &#8220;<a href=\"http://www2.archivists.org/initiatives/mayday-saving-our-archives\">MayDay</a>,&#8221; a grassroots effort whose goal is to save our archives. This is a day to update or create a disaster prevention and recovery plan, to refresh ourselves on the procedures, and to ensure that if and when a disaster occurs, we can be ready to act appropriately and effectively to preserve and protect our records.</p>\n<p>Within the state of Tennessee, the <a href=\"http://www.tn.gov/tsla/\">Tennessee State Library and Archives</a> and <a href=\"http://www.tnmuseum.org/\">Tennessee State Museum</a> have done a good job of posting needed preservation information on their websites: <a href=\"http://tn.gov/tsla/preservation/index.htm\">http://tn.gov/tsla/preservation/index.htm</a> and <a href=\"http://www.tnmuseum.org/custpage.cfm/frm/39793/sec_id/63992\">http://www.tnmuseum.org/custpage.cfm/frm/39793/sec_id/63992</a>.</p>\n<p>In addition, the <a href=\"http://tennesseearchivists.org/\">Society of Tennessee Archivists</a> has also put together a list of Top Ten Websites to help in this effort [<i>Special note of thanks to Carol Roberts for compiling and sharing this list.</i>]&#8230;</p>\n<p><u><b>1. Council of State Archivists maintains many great resources</b></u><br />\nThey are hosting the Intergovernmental Preparedness for Essential Records (IPER) program. Remember the easiest fillable plan is COSA’s: Pocket Response Plan (PReP)™.</p>\n<ul>\n<li><a href=\"http://www.statearchivists.org/index.htm\">http://www.statearchivists.org/index.htm</a></li>\n<li><a href=\"http://www.statearchivists.org/prepare/framework/prep.htm\">http://www.statearchivists.org/prepare/framework/prep.htm</a></li>\n</ul>\n<p><u><b>2. Heritage Preservation </b></u><br />\nHeritage Preservation maintains the Emergency Response and Salvage Wheel; excellent resources to keep at hand.  They also help host May Day.</p>\n<ul>\n<li><a href=\"http://www.heritagepreservation.org/PROGRAMS/TASKFER.HTM\">http://www.heritagepreservation.org/PROGRAMS/TASKFER.HTM</a></li>\n<li><a href=\"http://www.heritagepreservation.org/PROGRAMS/TFresources.html\">http://www.heritagepreservation.org/PROGRAMS/TFresources.html</a></li>\n</ul>\n<p><u><b>3. Society of American Archivists </b></u><br />\nSociety of American Archivists has complete resource list for Emergency Preparedness.   They are also co-hosts of May Day program.</p>\n<ul>\n<li><a href=\"http://www2.archivists.org/\">http://www2.archivists.org/</a></li>\n</ul>\n<p><u><b>4. Northeast Document Conservation Center</b></u>   <br />\nHosts “Dplan.org” the best template for full comprehensive disaster plan. They also have some of the best technical leaflets for further education on disaster planning. </p>\n<ul>\n<li><a href=\"http://www.nedcc.org/home.php\">http://www.nedcc.org/home.php</a></li>\n<li><a href=\"http://www.dplan.org/\">http://www.dplan.org/</a></li>\n<li><a href=\"http://www.nedcc.org/disaster/costep.php\">http://www.nedcc.org/disaster/costep.php</a></li>\n</ul>\n<p><u><b>5. Library of Congress</b></u></p>\n<ul>\n<li><a href=\"http://www.loc.gov/preservation/emergprep/\">http://www.loc.gov/preservation/emergprep/</a></li>\n</ul>\n<p><u><b>6. LYRASIS</b></u> <br />\nLYRASIS library consortium carries many helpful lists and links.</p>\n<ul>\n<li><a href=\"http://www.lyrasis.org/Products-and-Services/Digital-and-Preservation-Services/Disaster-Resources.aspx\">http://www.lyrasis.org/Products-and-Services/Digital-and-Preservation-Services/Disaster-Resources.aspx</a></li>\n</ul>\n<p><u><b>7. Image Permanence Institute </b></u><br />\nImage Permanence Institute focus is on photographs.</p>\n<ul>\n<li><a href=\"https://www.imagepermanenceinstitute.org/webfm_send/314\">https://www.imagepermanenceinstitute.org/webfm_send/314</a></li>\n</ul>\n<p><u><b>8. National Archives </b></u><br />\nNational Archives now maintains a full text on Disaster Preparedness and response.</p>\n<ul>\n<li><a href=\"http://www.archives.gov/preservation/records-emergency/\">http://www.archives.gov/preservation/records-emergency/</a></li>\n</ul>\n<p><u><b>9. National Park Service Conservation Leaflets</b></u> (Conserv-o-gram)</p>\n<ul>\n<li><a href=\"http://www.nps.gov/museum/publications/conserveogram/cons_toc.html\">http://www.nps.gov/museum/publications/conserveogram/cons_toc.html</a></li>\n<li><a href=\"http://www.nps.gov/museum/publications/conserveogram/21-04.pdf\">http://www.nps.gov/museum/publications/conserveogram/21-04.pdf</a></li>\n</ul>\n<p><u><b>10. American Institute of Conservation</b></u></p>\n<ul>\n<li><a href=\"http://www.conservation-us.org/index.cfm?fuseaction=Page.viewPage&amp;pageId=597\">http://www.conservation-us.org/index.cfm?fuseaction=Page.viewPage&amp;pageId=597</a></li>\n</ul>\n<p>\nYou can read much more information about &#8220;MayDay&#8221; on the Society of American Archivists&#8217; website at <a href=\"http://www2.archivists.org/initiatives/mayday-saving-our-archives\">http://www2.archivists.org/initiatives/mayday-saving-our-archives</a>. With the 2010 Flood in Nashville fresh in our memories, and the recent devastation caused by tornadoes throughout the Southeast, &#8220;MayDay&#8221; could not have come at a more appropriate time. If you are concerned about these issues, I encourage you to visit the links provided here, and take action to protect your archives and personal collections.<br />\n<b></b>\n<div class=\"blogger-post-footer\"><img width=\'1\' height=\'1\' src=\'https://blogger.googleusercontent.com/tracker/1466670745609632409-3166410325742221900?l=posterityproject.blogspot.com\' alt=\'\' /></div>\n<p><img src=\"http://feeds.feedburner.com/~r/PosterityProject/~4/03T7BI8hZv8\" height=\"1\" width=\"1\"/></p>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/2zpE2pi5nkU\" height=\"1\" width=\"1\"/>\";}s:3:\"wfw\";a:1:{s:10:\"commentrss\";s:79:\"http://posterityproject.blogspot.com/feeds/3166410325742221900/comments/default\";}s:5:\"slash\";a:1:{s:8:\"comments\";s:1:\"0\";}s:10:\"feedburner\";a:1:{s:8:\"origlink\";s:92:\"http://feedproxy.google.com/~r/PosterityProject/~3/03T7BI8hZv8/call-to-action-on-mayday.html\";}s:7:\"summary\";s:255:\"May 1st is recognized by the archival community as \"MayDay,\" a grassroots effort whose goal is to save our archives. This is a day to update or create a disaster prevention and recovery plan, to refresh ourselves on the procedures, and to ensure that i...\";s:12:\"atom_content\";s:6192:\"</p>\n<div class=\"separator\" style=\"clear: both; text-align: center;\"><a href=\"http://3.bp.blogspot.com/-A55Z8LVvRaM/TbsJigg8UyI/AAAAAAAAAjw/f4VoZHpHxcA/s1600/maydaylogo.JPG\" imageanchor=\"1\" style=\"clear: right; float: right; margin-bottom: 1em; margin-left: 1em;\"><img border=\"0\" height=\"255\" src=\"http://3.bp.blogspot.com/-A55Z8LVvRaM/TbsJigg8UyI/AAAAAAAAAjw/f4VoZHpHxcA/s320/maydaylogo.JPG\" width=\"320\" /></a></div>\n<p>May 1st is recognized by the archival community as &#8220;<a href=\"http://www2.archivists.org/initiatives/mayday-saving-our-archives\">MayDay</a>,&#8221; a grassroots effort whose goal is to save our archives. This is a day to update or create a disaster prevention and recovery plan, to refresh ourselves on the procedures, and to ensure that if and when a disaster occurs, we can be ready to act appropriately and effectively to preserve and protect our records.</p>\n<p>Within the state of Tennessee, the <a href=\"http://www.tn.gov/tsla/\">Tennessee State Library and Archives</a> and <a href=\"http://www.tnmuseum.org/\">Tennessee State Museum</a> have done a good job of posting needed preservation information on their websites: <a href=\"http://tn.gov/tsla/preservation/index.htm\">http://tn.gov/tsla/preservation/index.htm</a> and <a href=\"http://www.tnmuseum.org/custpage.cfm/frm/39793/sec_id/63992\">http://www.tnmuseum.org/custpage.cfm/frm/39793/sec_id/63992</a>.</p>\n<p>In addition, the <a href=\"http://tennesseearchivists.org/\">Society of Tennessee Archivists</a> has also put together a list of Top Ten Websites to help in this effort [<i>Special note of thanks to Carol Roberts for compiling and sharing this list.</i>]&#8230;</p>\n<p><u><b>1. Council of State Archivists maintains many great resources</b></u><br />\nThey are hosting the Intergovernmental Preparedness for Essential Records (IPER) program. Remember the easiest fillable plan is COSA’s: Pocket Response Plan (PReP)™.</p>\n<ul>\n<li><a href=\"http://www.statearchivists.org/index.htm\">http://www.statearchivists.org/index.htm</a></li>\n<li><a href=\"http://www.statearchivists.org/prepare/framework/prep.htm\">http://www.statearchivists.org/prepare/framework/prep.htm</a></li>\n</ul>\n<p><u><b>2. Heritage Preservation </b></u><br />\nHeritage Preservation maintains the Emergency Response and Salvage Wheel; excellent resources to keep at hand.  They also help host May Day.</p>\n<ul>\n<li><a href=\"http://www.heritagepreservation.org/PROGRAMS/TASKFER.HTM\">http://www.heritagepreservation.org/PROGRAMS/TASKFER.HTM</a></li>\n<li><a href=\"http://www.heritagepreservation.org/PROGRAMS/TFresources.html\">http://www.heritagepreservation.org/PROGRAMS/TFresources.html</a></li>\n</ul>\n<p><u><b>3. Society of American Archivists </b></u><br />\nSociety of American Archivists has complete resource list for Emergency Preparedness.   They are also co-hosts of May Day program.</p>\n<ul>\n<li><a href=\"http://www2.archivists.org/\">http://www2.archivists.org/</a></li>\n</ul>\n<p><u><b>4. Northeast Document Conservation Center</b></u>   <br />\nHosts “Dplan.org” the best template for full comprehensive disaster plan. They also have some of the best technical leaflets for further education on disaster planning. </p>\n<ul>\n<li><a href=\"http://www.nedcc.org/home.php\">http://www.nedcc.org/home.php</a></li>\n<li><a href=\"http://www.dplan.org/\">http://www.dplan.org/</a></li>\n<li><a href=\"http://www.nedcc.org/disaster/costep.php\">http://www.nedcc.org/disaster/costep.php</a></li>\n</ul>\n<p><u><b>5. Library of Congress</b></u></p>\n<ul>\n<li><a href=\"http://www.loc.gov/preservation/emergprep/\">http://www.loc.gov/preservation/emergprep/</a></li>\n</ul>\n<p><u><b>6. LYRASIS</b></u> <br />\nLYRASIS library consortium carries many helpful lists and links.</p>\n<ul>\n<li><a href=\"http://www.lyrasis.org/Products-and-Services/Digital-and-Preservation-Services/Disaster-Resources.aspx\">http://www.lyrasis.org/Products-and-Services/Digital-and-Preservation-Services/Disaster-Resources.aspx</a></li>\n</ul>\n<p><u><b>7. Image Permanence Institute </b></u><br />\nImage Permanence Institute focus is on photographs.</p>\n<ul>\n<li><a href=\"https://www.imagepermanenceinstitute.org/webfm_send/314\">https://www.imagepermanenceinstitute.org/webfm_send/314</a></li>\n</ul>\n<p><u><b>8. National Archives </b></u><br />\nNational Archives now maintains a full text on Disaster Preparedness and response.</p>\n<ul>\n<li><a href=\"http://www.archives.gov/preservation/records-emergency/\">http://www.archives.gov/preservation/records-emergency/</a></li>\n</ul>\n<p><u><b>9. National Park Service Conservation Leaflets</b></u> (Conserv-o-gram)</p>\n<ul>\n<li><a href=\"http://www.nps.gov/museum/publications/conserveogram/cons_toc.html\">http://www.nps.gov/museum/publications/conserveogram/cons_toc.html</a></li>\n<li><a href=\"http://www.nps.gov/museum/publications/conserveogram/21-04.pdf\">http://www.nps.gov/museum/publications/conserveogram/21-04.pdf</a></li>\n</ul>\n<p><u><b>10. American Institute of Conservation</b></u></p>\n<ul>\n<li><a href=\"http://www.conservation-us.org/index.cfm?fuseaction=Page.viewPage&amp;pageId=597\">http://www.conservation-us.org/index.cfm?fuseaction=Page.viewPage&amp;pageId=597</a></li>\n</ul>\n<p>\nYou can read much more information about &#8220;MayDay&#8221; on the Society of American Archivists&#8217; website at <a href=\"http://www2.archivists.org/initiatives/mayday-saving-our-archives\">http://www2.archivists.org/initiatives/mayday-saving-our-archives</a>. With the 2010 Flood in Nashville fresh in our memories, and the recent devastation caused by tornadoes throughout the Southeast, &#8220;MayDay&#8221; could not have come at a more appropriate time. If you are concerned about these issues, I encourage you to visit the links provided here, and take action to protect your archives and personal collections.<br />\n<b></b>\n<div class=\"blogger-post-footer\"><img width=\'1\' height=\'1\' src=\'https://blogger.googleusercontent.com/tracker/1466670745609632409-3166410325742221900?l=posterityproject.blogspot.com\' alt=\'\' /></div>\n<p><img src=\"http://feeds.feedburner.com/~r/PosterityProject/~4/03T7BI8hZv8\" height=\"1\" width=\"1\"/></p>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/2zpE2pi5nkU\" height=\"1\" width=\"1\"/>\";}i:12;a:13:{s:5:\"title\";s:69:\"Information – Wissenschaft & Praxis weiter im Postkutschenzeitalter\";s:4:\"link\";s:60:\"http://feedproxy.google.com/~r/ArchivesBlogs/~3/6IJDz3zYijI/\";s:8:\"comments\";s:51:\"http://archiv.twoday.net/stories/16593757/#comments\";s:7:\"pubdate\";s:31:\"Sun, 01 May 2011 12:49:00 +0000\";s:2:\"dc\";a:1:{s:7:\"creator\";s:10:\"Archivalia\";}s:8:\"category\";s:7:\"Deutsch\";s:11:\"description\";s:255:\"http://infobib.de/blog/2011/04/29/chefredakteurin-gesucht-fur-information-wissenschaft-praxis/\n\n\"Closed Access in den Bibliotheks- und Informationswissenschaften ist mir bis heute ein Rätsel\" \n\nZur Open-Access-Heuchelei siehe den dort verlinkten Beitr...\";s:7:\"content\";a:1:{s:7:\"encoded\";s:982:\"<p><a href=\"http://infobib.de/blog/2011/04/29/chefredakteurin-gesucht-fur-information-wissenschaft-praxis/\">http://infobib.de/blog/2011/04/29/chefredakteurin-gesucht-fur-information-wissenschaft-praxis/</a></p>\n<p>&#8220;Closed Access in den Bibliotheks- und Informationswissenschaften ist mir bis heute ein Rätsel&#8221; </p>\n<p>Zur Open-Access-Heuchelei siehe den dort verlinkten Beitrag von Monika Bargmann 2008 sowie z.B.</p>\n<p><a href=\"http://archiv.twoday.net/stories/6400333/\">http://archiv.twoday.net/stories/6400333/</a></p>\n<p>Mein Beitrag vom 12. August 2006 <a href=\"http://archiv.twoday.net/stories/2518568/\">http://archiv.twoday.net/stories/2518568/</a> hat Bargmann offenbar inspiriert, wurde von ihr aber nicht zitiert. Obwohl ich das Thema prominent aufgebracht habe, unterschlägt man meinen Beitrag nach Möglichkeit und zitiert stattdessen Bargmann.</p>\n<p>(RSS)</p>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/6IJDz3zYijI\" height=\"1\" width=\"1\"/>\";}s:3:\"wfw\";a:1:{s:10:\"commentrss\";s:46:\"http://archivesblogs.com/archives/3814849/feed\";}s:5:\"slash\";a:1:{s:8:\"comments\";s:1:\"0\";}s:10:\"feedburner\";a:1:{s:8:\"origlink\";s:42:\"http://archiv.twoday.net/stories/16593757/\";}s:7:\"summary\";s:255:\"http://infobib.de/blog/2011/04/29/chefredakteurin-gesucht-fur-information-wissenschaft-praxis/\n\n\"Closed Access in den Bibliotheks- und Informationswissenschaften ist mir bis heute ein Rätsel\" \n\nZur Open-Access-Heuchelei siehe den dort verlinkten Beitr...\";s:12:\"atom_content\";s:982:\"<p><a href=\"http://infobib.de/blog/2011/04/29/chefredakteurin-gesucht-fur-information-wissenschaft-praxis/\">http://infobib.de/blog/2011/04/29/chefredakteurin-gesucht-fur-information-wissenschaft-praxis/</a></p>\n<p>&#8220;Closed Access in den Bibliotheks- und Informationswissenschaften ist mir bis heute ein Rätsel&#8221; </p>\n<p>Zur Open-Access-Heuchelei siehe den dort verlinkten Beitrag von Monika Bargmann 2008 sowie z.B.</p>\n<p><a href=\"http://archiv.twoday.net/stories/6400333/\">http://archiv.twoday.net/stories/6400333/</a></p>\n<p>Mein Beitrag vom 12. August 2006 <a href=\"http://archiv.twoday.net/stories/2518568/\">http://archiv.twoday.net/stories/2518568/</a> hat Bargmann offenbar inspiriert, wurde von ihr aber nicht zitiert. Obwohl ich das Thema prominent aufgebracht habe, unterschlägt man meinen Beitrag nach Möglichkeit und zitiert stattdessen Bargmann.</p>\n<p>(RSS)</p>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/6IJDz3zYijI\" height=\"1\" width=\"1\"/>\";}i:13;a:13:{s:5:\"title\";s:46:\"Abzocken mit GEZ-finanzierten Programminhalten\";s:4:\"link\";s:60:\"http://feedproxy.google.com/~r/ArchivesBlogs/~3/_x8zy8pL2cQ/\";s:8:\"comments\";s:51:\"http://archiv.twoday.net/stories/16593710/#comments\";s:7:\"pubdate\";s:31:\"Sun, 01 May 2011 12:17:00 +0000\";s:2:\"dc\";a:1:{s:7:\"creator\";s:10:\"Archivalia\";}s:8:\"category\";s:7:\"Deutsch\";s:11:\"description\";s:255:\"ARD und ZDF planen unter dem Arbeitstitel \"Germany\'s Gold\" eine kommerzielle Online-Videothek, die im kommenden Jahr starten soll. Dies berichtet die Financial Times Deutschland (FTD) unter Berufung auf den ZDF-Intendanten Markus Schächter. Entstehen ...\";s:7:\"content\";a:1:{s:7:\"encoded\";s:1219:\"<p><i>ARD und ZDF planen unter dem Arbeitstitel &#8220;Germany&#8217;s Gold&#8221; eine kommerzielle Online-Videothek, die im kommenden Jahr starten soll. Dies berichtet die Financial Times Deutschland (FTD) unter Berufung auf den ZDF-Intendanten Markus Schächter. Entstehen soll ein zentrales deutsches Programmarchiv im Netz, über das laut Schächter Nutzer gegen Gebühr oder werbefinanziert &#8220;Qualitätsinhalte aus 60 Jahren deutscher Fernsehgeschichte&#8221; abrufen können sollen. &#8220;Es geht um die Perspektive, großes Geld im Video-on-Demand-Bereich zu verdienen&#8221;, wird der ZDF-Intendat von der FTD zitiert.</i></p>\n<p><a href=\"http://www.heise.de/newsticker/meldung/ARD-und-ZDF-planen-kommerzielle-Online-Videothek-1234761.html\">http://www.heise.de/newsticker/meldung/ARD-und-ZDF-planen-kommerzielle-Online-Videothek-1234761.html</a></p>\n<p>Aus meiner Sicht ist klar: Was die öffentlichrechtlichen Rundfunkanstalten mit Gebührengeldern schaffen, gehört der Öffentlichkeit und muss Open Access zur Verfügung stehen. In diese Richtung gehen auch viele Kommentare im Heise-Forum.</p>\n<p>(RSS)</p>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/_x8zy8pL2cQ\" height=\"1\" width=\"1\"/>\";}s:3:\"wfw\";a:1:{s:10:\"commentrss\";s:46:\"http://archivesblogs.com/archives/3814850/feed\";}s:5:\"slash\";a:1:{s:8:\"comments\";s:1:\"0\";}s:10:\"feedburner\";a:1:{s:8:\"origlink\";s:42:\"http://archiv.twoday.net/stories/16593710/\";}s:7:\"summary\";s:255:\"ARD und ZDF planen unter dem Arbeitstitel \"Germany\'s Gold\" eine kommerzielle Online-Videothek, die im kommenden Jahr starten soll. Dies berichtet die Financial Times Deutschland (FTD) unter Berufung auf den ZDF-Intendanten Markus Schächter. Entstehen ...\";s:12:\"atom_content\";s:1219:\"<p><i>ARD und ZDF planen unter dem Arbeitstitel &#8220;Germany&#8217;s Gold&#8221; eine kommerzielle Online-Videothek, die im kommenden Jahr starten soll. Dies berichtet die Financial Times Deutschland (FTD) unter Berufung auf den ZDF-Intendanten Markus Schächter. Entstehen soll ein zentrales deutsches Programmarchiv im Netz, über das laut Schächter Nutzer gegen Gebühr oder werbefinanziert &#8220;Qualitätsinhalte aus 60 Jahren deutscher Fernsehgeschichte&#8221; abrufen können sollen. &#8220;Es geht um die Perspektive, großes Geld im Video-on-Demand-Bereich zu verdienen&#8221;, wird der ZDF-Intendat von der FTD zitiert.</i></p>\n<p><a href=\"http://www.heise.de/newsticker/meldung/ARD-und-ZDF-planen-kommerzielle-Online-Videothek-1234761.html\">http://www.heise.de/newsticker/meldung/ARD-und-ZDF-planen-kommerzielle-Online-Videothek-1234761.html</a></p>\n<p>Aus meiner Sicht ist klar: Was die öffentlichrechtlichen Rundfunkanstalten mit Gebührengeldern schaffen, gehört der Öffentlichkeit und muss Open Access zur Verfügung stehen. In diese Richtung gehen auch viele Kommentare im Heise-Forum.</p>\n<p>(RSS)</p>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/_x8zy8pL2cQ\" height=\"1\" width=\"1\"/>\";}i:14;a:13:{s:5:\"title\";s:29:\"LA PRIMAVERA DE 2011 ARCHIVOS\";s:4:\"link\";s:100:\"http://feedproxy.google.com/~r/ArchivesBlogs/~3/kidtiWZ-zWY/03043-la-primavera-de-2011-archivos.html\";s:8:\"comments\";s:93:\"http://archivologo.blogcindario.com/2011/05/03043-la-primavera-de-2011-archivos.html#comments\";s:7:\"pubdate\";s:31:\"Sun, 01 May 2011 12:16:54 +0000\";s:2:\"dc\";a:1:{s:7:\"creator\";s:11:\"Archivologo\";}s:8:\"category\";s:8:\"Español\";s:11:\"description\";s:255:\"LA PRIMAVERA DE\n2011 ARCHIVOS \nConferencia - Desde el 09/05/2011 al 23/05/2011 \nUbicación: Padua\nOrganizado por la Universidad de Padua con la\ncolaboración de anorquia y ANAI\nSITE: http://www.anorc.it\nPara el 2011 hay tres clases, libre, abierto a...\";s:7:\"content\";a:1:{s:7:\"encoded\";s:2655:\"<address><strong><span style=\"color: #0000ff;\">LA PRIMAVERA DE<br />\n2011 ARCHIVOS<em> </em></span></strong></address>\n<address><strong><span style=\"color: #0000ff;\"><em>Conferencia</em> - Desde el 09/05/2011 al 23/05/2011 </span></strong><br /><strong><span style=\"color: #0000ff;\"><br />\nUbicación: Padua</span></strong></address>\n<address><strong><span style=\"color: #0000ff;\">Organizado por la Universidad de Padua con la<br />\ncolaboración de anorquia y ANAI</span></strong></address>\n<address><strong><span style=\"color: #0000ff;\">SITE: </span><a href=\"http://www.anorc.it/\"><span style=\"color: #0000ff;\">http://www.anorc.it</span></a></strong></address>\n<p>Para el 2011 hay tres clases, libre, abierto a todas las partes<br />\ninteresadas. </p>\n<p>Para obtener el<br />\nmaterial didáctico es necesario registrarse.</p>\n<p>El material didáctico<br />\nserá proporcionado a los miembros y todos los otros hasta el agotamiento.</p>\n<p><strong>09 de mayo 2011</strong></p>\n<p>hora 15:00-17:30<br />\n<strong>Linda Giuva<br />\n</strong>MoReq 1, 2 y MoReq MoReq 2010: escenarios de gestión de documentos<br />\nPresentado por: <strong>Mónica Martignon (anorquia socio)</p>\n<p>16 de mayo 2011<br />\n</strong>hora 15:00-17:30<br />\n<strong>Mariella Guercio (Honorario anorquia miembros)<br />\n</strong>Decreto Presidencial 445/2000: orígenes, el presupuesto de la<br />\nhistoria, y los escenarios de futuro de la gestión de documentos<br />\nPresentado por: <strong>Francesco Piovan</p>\n<p>23 de mayo 2011<br />\n</strong>hora 15:00-17:30<br />\n<strong>Julia Barrera<br />\n</strong>El derecho de acceso es bueno para los archivos?<br />\nReflexiones sobre algunas experiencias internacionales<br />\nPresentado por: <strong>Franco Cardin (anorquia socio)</strong></p>\n<p><strong>DOCUMENTOS</strong><br />\n<a href=\"http://www.anorc.it/documenti/Primavera%20-%20Depliant%202011.pdf\" >Carpeta</a> </p>\n<p>Le iscrizioni<br />\nsono gratuite</p>\n<p>e si ricevono<br />\nesclusivamente via web.</p>\n<p>È previsto l’attestato<br />\ndi frequenza</p>\n<p>per chi avrà frequentato tutte e tre le lezioni</p>\n<p><em>in collaborazione con</em></p>\n<p><em>Associazione nazionale archivistica italiana -<br />\nsez. Veneto</em></p>\n<p><em>Associazione nazionale operatori della<br />\nconservazione digitale</em></p>\n<p><a href=\"http://www.unipd.it/archivio/eventi/primavera\">www.unipd.it/archivio/eventi/primavera</a></p>\n<p>Per<br />\ninformazioni:</p>\n<p>Archivio<br />\nGenerale di Ateneo</p>\n<p>049/8273525 -<br />\n049/8273521</p>\n<p><em>archivio@unipd.it</em></p>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/kidtiWZ-zWY\" height=\"1\" width=\"1\"/>\";}s:3:\"wfw\";a:1:{s:10:\"commentrss\";s:46:\"http://archivesblogs.com/archives/3822414/feed\";}s:5:\"slash\";a:1:{s:8:\"comments\";s:1:\"0\";}s:10:\"feedburner\";a:1:{s:8:\"origlink\";s:84:\"http://archivologo.blogcindario.com/2011/05/03043-la-primavera-de-2011-archivos.html\";}s:7:\"summary\";s:255:\"LA PRIMAVERA DE\n2011 ARCHIVOS \nConferencia - Desde el 09/05/2011 al 23/05/2011 \nUbicación: Padua\nOrganizado por la Universidad de Padua con la\ncolaboración de anorquia y ANAI\nSITE: http://www.anorc.it\nPara el 2011 hay tres clases, libre, abierto a...\";s:12:\"atom_content\";s:2655:\"<address><strong><span style=\"color: #0000ff;\">LA PRIMAVERA DE<br />\n2011 ARCHIVOS<em> </em></span></strong></address>\n<address><strong><span style=\"color: #0000ff;\"><em>Conferencia</em> - Desde el 09/05/2011 al 23/05/2011 </span></strong><br /><strong><span style=\"color: #0000ff;\"><br />\nUbicación: Padua</span></strong></address>\n<address><strong><span style=\"color: #0000ff;\">Organizado por la Universidad de Padua con la<br />\ncolaboración de anorquia y ANAI</span></strong></address>\n<address><strong><span style=\"color: #0000ff;\">SITE: </span><a href=\"http://www.anorc.it/\"><span style=\"color: #0000ff;\">http://www.anorc.it</span></a></strong></address>\n<p>Para el 2011 hay tres clases, libre, abierto a todas las partes<br />\ninteresadas. </p>\n<p>Para obtener el<br />\nmaterial didáctico es necesario registrarse.</p>\n<p>El material didáctico<br />\nserá proporcionado a los miembros y todos los otros hasta el agotamiento.</p>\n<p><strong>09 de mayo 2011</strong></p>\n<p>hora 15:00-17:30<br />\n<strong>Linda Giuva<br />\n</strong>MoReq 1, 2 y MoReq MoReq 2010: escenarios de gestión de documentos<br />\nPresentado por: <strong>Mónica Martignon (anorquia socio)</p>\n<p>16 de mayo 2011<br />\n</strong>hora 15:00-17:30<br />\n<strong>Mariella Guercio (Honorario anorquia miembros)<br />\n</strong>Decreto Presidencial 445/2000: orígenes, el presupuesto de la<br />\nhistoria, y los escenarios de futuro de la gestión de documentos<br />\nPresentado por: <strong>Francesco Piovan</p>\n<p>23 de mayo 2011<br />\n</strong>hora 15:00-17:30<br />\n<strong>Julia Barrera<br />\n</strong>El derecho de acceso es bueno para los archivos?<br />\nReflexiones sobre algunas experiencias internacionales<br />\nPresentado por: <strong>Franco Cardin (anorquia socio)</strong></p>\n<p><strong>DOCUMENTOS</strong><br />\n<a href=\"http://www.anorc.it/documenti/Primavera%20-%20Depliant%202011.pdf\" >Carpeta</a> </p>\n<p>Le iscrizioni<br />\nsono gratuite</p>\n<p>e si ricevono<br />\nesclusivamente via web.</p>\n<p>È previsto l’attestato<br />\ndi frequenza</p>\n<p>per chi avrà frequentato tutte e tre le lezioni</p>\n<p><em>in collaborazione con</em></p>\n<p><em>Associazione nazionale archivistica italiana -<br />\nsez. Veneto</em></p>\n<p><em>Associazione nazionale operatori della<br />\nconservazione digitale</em></p>\n<p><a href=\"http://www.unipd.it/archivio/eventi/primavera\">www.unipd.it/archivio/eventi/primavera</a></p>\n<p>Per<br />\ninformazioni:</p>\n<p>Archivio<br />\nGenerale di Ateneo</p>\n<p>049/8273525 -<br />\n049/8273521</p>\n<p><em>archivio@unipd.it</em></p>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/kidtiWZ-zWY\" height=\"1\" width=\"1\"/>\";}i:15;a:13:{s:5:\"title\";s:26:\"Open Data Blog Österreich\";s:4:\"link\";s:60:\"http://feedproxy.google.com/~r/ArchivesBlogs/~3/nnrj5_8uQl4/\";s:8:\"comments\";s:51:\"http://archiv.twoday.net/stories/16593707/#comments\";s:7:\"pubdate\";s:31:\"Sun, 01 May 2011 12:13:00 +0000\";s:2:\"dc\";a:1:{s:7:\"creator\";s:10:\"Archivalia\";}s:8:\"category\";s:7:\"Deutsch\";s:11:\"description\";s:200:\"http://futurezone.at/thema/499-open-data-blog.php\n\nAktuelle Entwicklungen, Beobachtungen und Analysen rund um offene Daten von der futurezone-Redaktion und dem Open Knowledge Forum Österreich.\n\n(RSS)\";s:7:\"content\";a:1:{s:7:\"encoded\";s:377:\"<p><a href=\"http://futurezone.at/thema/499-open-data-blog.php\">http://futurezone.at/thema/499-open-data-blog.php</a></p>\n<p>Aktuelle Entwicklungen, Beobachtungen und Analysen rund um offene Daten von der futurezone-Redaktion und dem Open Knowledge Forum Österreich.</p>\n<p>(RSS)</p>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/nnrj5_8uQl4\" height=\"1\" width=\"1\"/>\";}s:3:\"wfw\";a:1:{s:10:\"commentrss\";s:46:\"http://archivesblogs.com/archives/3814851/feed\";}s:5:\"slash\";a:1:{s:8:\"comments\";s:1:\"0\";}s:10:\"feedburner\";a:1:{s:8:\"origlink\";s:42:\"http://archiv.twoday.net/stories/16593707/\";}s:7:\"summary\";s:200:\"http://futurezone.at/thema/499-open-data-blog.php\n\nAktuelle Entwicklungen, Beobachtungen und Analysen rund um offene Daten von der futurezone-Redaktion und dem Open Knowledge Forum Österreich.\n\n(RSS)\";s:12:\"atom_content\";s:377:\"<p><a href=\"http://futurezone.at/thema/499-open-data-blog.php\">http://futurezone.at/thema/499-open-data-blog.php</a></p>\n<p>Aktuelle Entwicklungen, Beobachtungen und Analysen rund um offene Daten von der futurezone-Redaktion und dem Open Knowledge Forum Österreich.</p>\n<p>(RSS)</p>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/nnrj5_8uQl4\" height=\"1\" width=\"1\"/>\";}i:16;a:13:{s:5:\"title\";s:61:\"DigitPA: CAMBIOS EN PROCESOS DE ACREDITACIÓN Y CONSERVACIÓN\";s:4:\"link\";s:129:\"http://feedproxy.google.com/~r/ArchivesBlogs/~3/fTftWQlwqt0/03042-digitpa-cambios-en-procesos-de-acreditacion-y-conservacion.html\";s:8:\"comments\";s:122:\"http://archivologo.blogcindario.com/2011/05/03042-digitpa-cambios-en-procesos-de-acreditacion-y-conservacion.html#comments\";s:7:\"pubdate\";s:31:\"Sun, 01 May 2011 11:57:33 +0000\";s:2:\"dc\";a:1:{s:7:\"creator\";s:11:\"Archivologo\";}s:8:\"category\";s:8:\"Español\";s:11:\"description\";s:255:\"L\'accreditamento dei processi\ndi conservazione presso DigitPA\nSITE:\nhttp://www.anorc.it\nFECHA:\n05/04/2011\nIl D.lgs. 235/2010 ha introdotto alcune interessanti modifiche in tema di\ncertificazione dei processi di conservazione digitale.\nOltre a ribadire ...\";s:7:\"content\";a:1:{s:7:\"encoded\";s:4071:\"<address><strong><span style=\"color: #0000ff;\">L&#8217;accreditamento dei processi<br />\ndi conservazione presso DigitPA</span></strong></address>\n<address><strong><span style=\"color: #0000ff;\">SITE:<br />\n</span><a href=\"http://www.anorc.it/\"><span style=\"color: #0000ff;\">http://www.anorc.it</span></a></strong></address>\n<address><strong><span style=\"color: #0000ff;\">FECHA:<br />\n05/04/2011</span></strong></address>\n<p>Il D.lgs. 235/2010 ha introdotto alcune interessanti modifiche in tema di<br />\ncertificazione dei processi di conservazione digitale.</p>\n<p>Oltre a ribadire la possibilità che il processo di conservazione sia<br />\naffidato in <em>outsourcing</em>, riconosce anche la possibilità che<br />\nsoggetti terzi certifichino la conformità di tale processo a quanto stabilito<br />\ndall&#8217;art. 43 del CAD (Riproduzione e conservazione dei documenti) e dalle<br />\nregole tecniche stabilite ai sensi dell&#8217;art.71 del codice medesimo.</p>\n<p>Le novità più interessanti sono, però, quelle introdotte dal successivo<br />\nart. 44-<em>bis. </em>Secondo quanto stabilito da tale norma, <strong>i<br />\nsoggetti pubblici e privati che svolgono attività di conservazione dei<br />\ndocumenti e di certificazione dei relativi processi, possono accreditarsi<br />\npresso il DigitPa per conseguire il riconoscimento del possesso dei requisiti<br />\ndi livello più elevato in termini di qualità e sicurezza.</strong></p>\n<p><strong>I certificatori e i conservatori che intenderanno conseguire tale<br />\nriconoscimento dovranno, quindi, presentare domanda di accreditamento presso<br />\nDigitPA</strong> secondo le regole, ove compatibili, previste dall&#8217;art. 26,27,29 e 31<br />\ndel CAD.</p>\n<p>A seguito dell&#8217;accoglimento della domanda, il DigitPA disporrà l&#8217;iscrizione<br />\ndel richiedente in un apposito elenco pubblico, tenuto dal DigitPA stesso e<br />\nconsultabile anche in via telematica, ai fini dell&#8217;applicazione della<br />\ndisciplina in questione.</p>\n<p>Il Conservatore/Certificatore accreditato potrà così qualificarsi come tale<br />\nnei rapporti commerciali e con le pubbliche amministrazioni.</p>\n<p><span style=\"color: #0000ff;\"><strong>EN ESPAÑOL</strong></span></p>\n<p><span style=\"color: #0000ff;\"><strong>El proceso de acreditación de<br />\nla conservación en DigitPA</strong></span></p>\n<p>El Decreto<br />\nLegislativo Nº. 235/2010 introdujo algunos cambios interesantes en los procesos de<br />\ncertificación de la preservación digital.</p>\n<p>Reiteró<br />\nla posibilidad de que el proceso de preservación se de en la <em>externalización</em> , sino que también reconoce la posibilidad de que terceros que<br />\nacredite la idoneidad de este proceso en términos de art. 43 del CAD (Escuchar y mantenimiento de registros) y las normas<br />\ntécnicas establecidas en el artículo 0.71 de dicho Código.</p>\n<p>Las<br />\ninnovaciones más interesantes son, sin embargo, las introducidas por el art. 44 - <em>bis.</em> En virtud de esta regla, <strong>y entidades privadas públicos<br />\nque trabajan en el mantenimiento de registros y certificación de sus procesos,<br />\npueden inscribirse en la DigitPa para lograr el reconocimiento de las<br />\nexigencias de un nivel más alto en términos de calidad y seguridad.</strong></p>\n<p><strong>Los Certificadores<br />\ny los conservadores que quieran obtener tal reconocimiento por lo tanto deben<br />\nsolicitar la acreditación DigitPA</strong>de acuerdo a las normas, caso de ser<br />\ncompatibles, siempre por el art. 26,27,29 y 31 de la DAC.</p>\n<p>Como<br />\nresultado de la aplicación, el registro de la demandante tendrá DigitPA en una<br />\nlista especial pública gestionada por el mismo DigitPA y también disponible en<br />\nformato electrónico, a los efectos de la disciplina.</p>\n<p>El<br />\nSecretario / certificador así puede calificar como tal en las relaciones<br />\ncomerciales con el gobierno.</p>\n<p> </p>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/fTftWQlwqt0\" height=\"1\" width=\"1\"/>\";}s:3:\"wfw\";a:1:{s:10:\"commentrss\";s:46:\"http://archivesblogs.com/archives/3822415/feed\";}s:5:\"slash\";a:1:{s:8:\"comments\";s:1:\"0\";}s:10:\"feedburner\";a:1:{s:8:\"origlink\";s:113:\"http://archivologo.blogcindario.com/2011/05/03042-digitpa-cambios-en-procesos-de-acreditacion-y-conservacion.html\";}s:7:\"summary\";s:255:\"L\'accreditamento dei processi\ndi conservazione presso DigitPA\nSITE:\nhttp://www.anorc.it\nFECHA:\n05/04/2011\nIl D.lgs. 235/2010 ha introdotto alcune interessanti modifiche in tema di\ncertificazione dei processi di conservazione digitale.\nOltre a ribadire ...\";s:12:\"atom_content\";s:4071:\"<address><strong><span style=\"color: #0000ff;\">L&#8217;accreditamento dei processi<br />\ndi conservazione presso DigitPA</span></strong></address>\n<address><strong><span style=\"color: #0000ff;\">SITE:<br />\n</span><a href=\"http://www.anorc.it/\"><span style=\"color: #0000ff;\">http://www.anorc.it</span></a></strong></address>\n<address><strong><span style=\"color: #0000ff;\">FECHA:<br />\n05/04/2011</span></strong></address>\n<p>Il D.lgs. 235/2010 ha introdotto alcune interessanti modifiche in tema di<br />\ncertificazione dei processi di conservazione digitale.</p>\n<p>Oltre a ribadire la possibilità che il processo di conservazione sia<br />\naffidato in <em>outsourcing</em>, riconosce anche la possibilità che<br />\nsoggetti terzi certifichino la conformità di tale processo a quanto stabilito<br />\ndall&#8217;art. 43 del CAD (Riproduzione e conservazione dei documenti) e dalle<br />\nregole tecniche stabilite ai sensi dell&#8217;art.71 del codice medesimo.</p>\n<p>Le novità più interessanti sono, però, quelle introdotte dal successivo<br />\nart. 44-<em>bis. </em>Secondo quanto stabilito da tale norma, <strong>i<br />\nsoggetti pubblici e privati che svolgono attività di conservazione dei<br />\ndocumenti e di certificazione dei relativi processi, possono accreditarsi<br />\npresso il DigitPa per conseguire il riconoscimento del possesso dei requisiti<br />\ndi livello più elevato in termini di qualità e sicurezza.</strong></p>\n<p><strong>I certificatori e i conservatori che intenderanno conseguire tale<br />\nriconoscimento dovranno, quindi, presentare domanda di accreditamento presso<br />\nDigitPA</strong> secondo le regole, ove compatibili, previste dall&#8217;art. 26,27,29 e 31<br />\ndel CAD.</p>\n<p>A seguito dell&#8217;accoglimento della domanda, il DigitPA disporrà l&#8217;iscrizione<br />\ndel richiedente in un apposito elenco pubblico, tenuto dal DigitPA stesso e<br />\nconsultabile anche in via telematica, ai fini dell&#8217;applicazione della<br />\ndisciplina in questione.</p>\n<p>Il Conservatore/Certificatore accreditato potrà così qualificarsi come tale<br />\nnei rapporti commerciali e con le pubbliche amministrazioni.</p>\n<p><span style=\"color: #0000ff;\"><strong>EN ESPAÑOL</strong></span></p>\n<p><span style=\"color: #0000ff;\"><strong>El proceso de acreditación de<br />\nla conservación en DigitPA</strong></span></p>\n<p>El Decreto<br />\nLegislativo Nº. 235/2010 introdujo algunos cambios interesantes en los procesos de<br />\ncertificación de la preservación digital.</p>\n<p>Reiteró<br />\nla posibilidad de que el proceso de preservación se de en la <em>externalización</em> , sino que también reconoce la posibilidad de que terceros que<br />\nacredite la idoneidad de este proceso en términos de art. 43 del CAD (Escuchar y mantenimiento de registros) y las normas<br />\ntécnicas establecidas en el artículo 0.71 de dicho Código.</p>\n<p>Las<br />\ninnovaciones más interesantes son, sin embargo, las introducidas por el art. 44 - <em>bis.</em> En virtud de esta regla, <strong>y entidades privadas públicos<br />\nque trabajan en el mantenimiento de registros y certificación de sus procesos,<br />\npueden inscribirse en la DigitPa para lograr el reconocimiento de las<br />\nexigencias de un nivel más alto en términos de calidad y seguridad.</strong></p>\n<p><strong>Los Certificadores<br />\ny los conservadores que quieran obtener tal reconocimiento por lo tanto deben<br />\nsolicitar la acreditación DigitPA</strong>de acuerdo a las normas, caso de ser<br />\ncompatibles, siempre por el art. 26,27,29 y 31 de la DAC.</p>\n<p>Como<br />\nresultado de la aplicación, el registro de la demandante tendrá DigitPA en una<br />\nlista especial pública gestionada por el mismo DigitPA y también disponible en<br />\nformato electrónico, a los efectos de la disciplina.</p>\n<p>El<br />\nSecretario / certificador así puede calificar como tal en las relaciones<br />\ncomerciales con el gobierno.</p>\n<p> </p>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/fTftWQlwqt0\" height=\"1\" width=\"1\"/>\";}i:17;a:13:{s:5:\"title\";s:51:\"Forschungsportal forum oö geschichte neu gestaltet\";s:4:\"link\";s:60:\"http://feedproxy.google.com/~r/ArchivesBlogs/~3/1kGX-S8UJOw/\";s:8:\"comments\";s:51:\"http://archiv.twoday.net/stories/16593686/#comments\";s:7:\"pubdate\";s:31:\"Sun, 01 May 2011 11:56:00 +0000\";s:2:\"dc\";a:1:{s:7:\"creator\";s:10:\"Archivalia\";}s:8:\"category\";s:7:\"Deutsch\";s:11:\"description\";s:70:\"http://www.ooegeschichte.at/\n\nSieht optisch etwas schicker aus. \n\n(ML)\";s:7:\"content\";a:1:{s:7:\"encoded\";s:226:\"<p><a href=\"http://www.ooegeschichte.at/\">http://www.ooegeschichte.at/</a></p>\n<p>Sieht optisch etwas schicker aus. </p>\n<p>(ML)</p>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/1kGX-S8UJOw\" height=\"1\" width=\"1\"/>\";}s:3:\"wfw\";a:1:{s:10:\"commentrss\";s:46:\"http://archivesblogs.com/archives/3814853/feed\";}s:5:\"slash\";a:1:{s:8:\"comments\";s:1:\"0\";}s:10:\"feedburner\";a:1:{s:8:\"origlink\";s:42:\"http://archiv.twoday.net/stories/16593686/\";}s:7:\"summary\";s:70:\"http://www.ooegeschichte.at/\n\nSieht optisch etwas schicker aus. \n\n(ML)\";s:12:\"atom_content\";s:226:\"<p><a href=\"http://www.ooegeschichte.at/\">http://www.ooegeschichte.at/</a></p>\n<p>Sieht optisch etwas schicker aus. </p>\n<p>(ML)</p>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/1kGX-S8UJOw\" height=\"1\" width=\"1\"/>\";}i:18;a:13:{s:5:\"title\";s:51:\"Forschungsportal forum oö geschichte neu gestaltet\";s:4:\"link\";s:60:\"http://feedproxy.google.com/~r/ArchivesBlogs/~3/1kGX-S8UJOw/\";s:8:\"comments\";s:51:\"http://archiv.twoday.net/stories/16593686/#comments\";s:7:\"pubdate\";s:31:\"Sun, 01 May 2011 11:56:00 +0000\";s:2:\"dc\";a:1:{s:7:\"creator\";s:10:\"Archivalia\";}s:8:\"category\";s:7:\"Deutsch\";s:11:\"description\";s:70:\"http://www.ooegeschichte.at/\n\nSieht optisch etwas schicker aus. \n\n(ML)\";s:7:\"content\";a:1:{s:7:\"encoded\";s:226:\"<p><a href=\"http://www.ooegeschichte.at/\">http://www.ooegeschichte.at/</a></p>\n<p>Sieht optisch etwas schicker aus. </p>\n<p>(ML)</p>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/1kGX-S8UJOw\" height=\"1\" width=\"1\"/>\";}s:3:\"wfw\";a:1:{s:10:\"commentrss\";s:46:\"http://archivesblogs.com/archives/3814852/feed\";}s:5:\"slash\";a:1:{s:8:\"comments\";s:1:\"0\";}s:10:\"feedburner\";a:1:{s:8:\"origlink\";s:42:\"http://archiv.twoday.net/stories/16593686/\";}s:7:\"summary\";s:70:\"http://www.ooegeschichte.at/\n\nSieht optisch etwas schicker aus. \n\n(ML)\";s:12:\"atom_content\";s:226:\"<p><a href=\"http://www.ooegeschichte.at/\">http://www.ooegeschichte.at/</a></p>\n<p>Sieht optisch etwas schicker aus. </p>\n<p>(ML)</p>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/1kGX-S8UJOw\" height=\"1\" width=\"1\"/>\";}i:19;a:13:{s:5:\"title\";s:59:\"La máquina de escribir, un dinosaurio en plena era digital\";s:4:\"link\";s:104:\"http://feedproxy.google.com/~r/ArchivesBlogs/~3/kzzYYW5I5jI/la-maquina-de-escribir-un-dinosaurio-en.html\";s:8:\"comments\";s:94:\"http://archivistica.blogspot.com/2011/05/la-maquina-de-escribir-un-dinosaurio-en.html#comments\";s:7:\"pubdate\";s:31:\"Sun, 01 May 2011 11:28:00 +0000\";s:2:\"dc\";a:1:{s:7:\"creator\";s:12:\"archivistica\";}s:8:\"category\";s:8:\"Español\";s:11:\"description\";s:255:\"Esta semana se conocía que ha cerrado una de las últimas fábricas del mundo que seguía comercializando máquinas de escribir. Estaba en la India.&#160; \"Detuvimos la producción en el 2009, y sin duda puedo decir que fuimos la última compañía de...\";s:7:\"content\";a:1:{s:7:\"encoded\";s:2044:\"<div style=\"text-align: justify;\">\n<div class=\"separator\" style=\"clear: both; text-align: center;\"><a href=\"http://2.bp.blogspot.com/-iB7ESXC2mpI/Tb1DO0bLdHI/AAAAAAAAOYo/BipImZW8l0c/s1600/11.bmp\" imageanchor=\"1\" style=\"clear: left; cssfloat: left; float: left; margin-bottom: 1em; margin-right: 1em;\"><img border=\"0\" height=\"150\" j8=\"true\" src=\"http://2.bp.blogspot.com/-iB7ESXC2mpI/Tb1DO0bLdHI/AAAAAAAAOYo/BipImZW8l0c/s200/11.bmp\" width=\"200\" /></a></div>\n<p>Esta semana se conocía que ha cerrado una de las últimas fábricas del mundo que seguía comercializando máquinas de escribir. Estaba en la India.&nbsp; </p></div>\n<div style=\"text-align: justify;\">&#8220;Detuvimos la producción en el 2009, y sin duda puedo decir que fuimos la última compañía del mundo que fabricó máquinas de escribir &#8211;declaró el director general de&nbsp;la multinacional india Godrej and Boyce&#8211;. Nos quedan 500 máquinas, 500 Godrej Prima, el último modelo que fabricamos&#8221;.<br />Godrej and Boyce seguía produciendo las Godrej Prima porque enIndia y otros países (Filipinas, Sri Lanka, Angola, Mozambique) la gente las seguía comprando, pero su uso no es una extravagancia ligada exclusivamente a lo cultural, lo económico o lo geográfico: en julio del 2009, la prensa neoyorquina consignaba con estupor la noticia de que el departamento de policía había destinado un millón de dólares de su presupuesto a la compra de máquinas de escribir.</div>\n<div style=\"text-align: justify;\"><a href=\"http://www.diariocordoba.com/noticias/noticia.asp?pkid=635155\">Más información</a></div>\n<div style=\"text-align: justify;\"></div>\n<p><iframe allowfullscreen=\"\" frameborder=\"0\" height=\"190\" src=\"http://www.youtube.com/embed/SlNXEt1eHc0\" width=\"280\"></iframe>\n<div class=\"blogger-post-footer\"><img width=\'1\' height=\'1\' src=\'https://blogger.googleusercontent.com/tracker/6024386-2247606941226535508?l=archivistica.blogspot.com\' alt=\'\' /></div>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/kzzYYW5I5jI\" height=\"1\" width=\"1\"/>\";}s:3:\"wfw\";a:1:{s:10:\"commentrss\";s:75:\"http://archivistica.blogspot.com/feeds/2247606941226535508/comments/default\";}s:5:\"slash\";a:1:{s:8:\"comments\";s:1:\"0\";}s:10:\"feedburner\";a:1:{s:8:\"origlink\";s:85:\"http://archivistica.blogspot.com/2011/05/la-maquina-de-escribir-un-dinosaurio-en.html\";}s:7:\"summary\";s:255:\"Esta semana se conocía que ha cerrado una de las últimas fábricas del mundo que seguía comercializando máquinas de escribir. Estaba en la India.&#160; \"Detuvimos la producción en el 2009, y sin duda puedo decir que fuimos la última compañía de...\";s:12:\"atom_content\";s:2044:\"<div style=\"text-align: justify;\">\n<div class=\"separator\" style=\"clear: both; text-align: center;\"><a href=\"http://2.bp.blogspot.com/-iB7ESXC2mpI/Tb1DO0bLdHI/AAAAAAAAOYo/BipImZW8l0c/s1600/11.bmp\" imageanchor=\"1\" style=\"clear: left; cssfloat: left; float: left; margin-bottom: 1em; margin-right: 1em;\"><img border=\"0\" height=\"150\" j8=\"true\" src=\"http://2.bp.blogspot.com/-iB7ESXC2mpI/Tb1DO0bLdHI/AAAAAAAAOYo/BipImZW8l0c/s200/11.bmp\" width=\"200\" /></a></div>\n<p>Esta semana se conocía que ha cerrado una de las últimas fábricas del mundo que seguía comercializando máquinas de escribir. Estaba en la India.&nbsp; </p></div>\n<div style=\"text-align: justify;\">&#8220;Detuvimos la producción en el 2009, y sin duda puedo decir que fuimos la última compañía del mundo que fabricó máquinas de escribir &#8211;declaró el director general de&nbsp;la multinacional india Godrej and Boyce&#8211;. Nos quedan 500 máquinas, 500 Godrej Prima, el último modelo que fabricamos&#8221;.<br />Godrej and Boyce seguía produciendo las Godrej Prima porque enIndia y otros países (Filipinas, Sri Lanka, Angola, Mozambique) la gente las seguía comprando, pero su uso no es una extravagancia ligada exclusivamente a lo cultural, lo económico o lo geográfico: en julio del 2009, la prensa neoyorquina consignaba con estupor la noticia de que el departamento de policía había destinado un millón de dólares de su presupuesto a la compra de máquinas de escribir.</div>\n<div style=\"text-align: justify;\"><a href=\"http://www.diariocordoba.com/noticias/noticia.asp?pkid=635155\">Más información</a></div>\n<div style=\"text-align: justify;\"></div>\n<p><iframe allowfullscreen=\"\" frameborder=\"0\" height=\"190\" src=\"http://www.youtube.com/embed/SlNXEt1eHc0\" width=\"280\"></iframe>\n<div class=\"blogger-post-footer\"><img width=\'1\' height=\'1\' src=\'https://blogger.googleusercontent.com/tracker/6024386-2247606941226535508?l=archivistica.blogspot.com\' alt=\'\' /></div>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/kzzYYW5I5jI\" height=\"1\" width=\"1\"/>\";}i:20;a:14:{s:5:\"title\";s:32:\"si totusi cu arhiva se scot bani\";s:4:\"link\";s:60:\"http://feedproxy.google.com/~r/ArchivesBlogs/~3/nU0-8M5Ud-w/\";s:8:\"comments\";s:94:\"http://bogdanpopovici2008.wordpress.com/2011/05/01/si-totusi-cu-arhiva-se-scot-bani1/#comments\";s:7:\"pubdate\";s:31:\"Sun, 01 May 2011 11:27:28 +0000\";s:2:\"dc\";a:1:{s:7:\"creator\";s:22:\"Bogdan\'s Archival Blog\";}s:8:\"category\";s:8:\"Român?\";s:4:\"guid\";s:47:\"http://bogdanpopovici2008.wordpress.com/?p=1516\";s:11:\"description\";s:80:\"Oglindire din Catavencu! Filed under: ARHIVE DIGITALE (e-records and e-archives)\";s:7:\"content\";a:1:{s:7:\"encoded\";s:383:\"<p>Oglindire din Catavencu! Filed under: ARHIVE DIGITALE (e-records and e-archives)<img alt=\"\" border=\"0\" src=\"http://stats.wordpress.com/b.gif?host=bogdanpopovici2008.wordpress.com&amp;blog=5227908&amp;post=1516&amp;subd=bogdanpopovici2008&amp;ref=&amp;feed=1\" width=\"1\" height=\"1\" /></p>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/nU0-8M5Ud-w\" height=\"1\" width=\"1\"/>\";}s:3:\"wfw\";a:1:{s:10:\"commentrss\";s:90:\"http://bogdanpopovici2008.wordpress.com/2011/05/01/si-totusi-cu-arhiva-se-scot-bani1/feed/\";}s:5:\"slash\";a:1:{s:8:\"comments\";s:1:\"0\";}s:10:\"feedburner\";a:1:{s:8:\"origlink\";s:85:\"http://bogdanpopovici2008.wordpress.com/2011/05/01/si-totusi-cu-arhiva-se-scot-bani1/\";}s:7:\"summary\";s:80:\"Oglindire din Catavencu! Filed under: ARHIVE DIGITALE (e-records and e-archives)\";s:12:\"atom_content\";s:383:\"<p>Oglindire din Catavencu! Filed under: ARHIVE DIGITALE (e-records and e-archives)<img alt=\"\" border=\"0\" src=\"http://stats.wordpress.com/b.gif?host=bogdanpopovici2008.wordpress.com&amp;blog=5227908&amp;post=1516&amp;subd=bogdanpopovici2008&amp;ref=&amp;feed=1\" width=\"1\" height=\"1\" /></p>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/nU0-8M5Ud-w\" height=\"1\" width=\"1\"/>\";}i:21;a:13:{s:5:\"title\";s:76:\"Piden 5 años de prisión a un funcionario por falsedad en documento oficial\";s:4:\"link\";s:103:\"http://feedproxy.google.com/~r/ArchivesBlogs/~3/9DvWclXOYj4/piden-5-anos-de-prision-un-funcionario.html\";s:8:\"comments\";s:93:\"http://archivistica.blogspot.com/2011/05/piden-5-anos-de-prision-un-funcionario.html#comments\";s:7:\"pubdate\";s:31:\"Sun, 01 May 2011 10:59:00 +0000\";s:2:\"dc\";a:1:{s:7:\"creator\";s:12:\"archivistica\";}s:8:\"category\";s:8:\"Español\";s:11:\"description\";s:255:\"El Ministerio Fiscal pide una pena de cinco años y seis meses de prisión para un funcionario del Ayuntamiento de Logroño como presunto autor de un delito continuado de falsedad en documento oficial al variar los datos de cuatro coches para pagar men...\";s:7:\"content\";a:1:{s:7:\"encoded\";s:1163:\"<div class=\"separator\" style=\"clear: both; text-align: center;\"><a href=\"http://1.bp.blogspot.com/-7N7IsA2j_Ng/Tb086kDCo_I/AAAAAAAAOYk/6Qe_-qF-L30/s1600/1.jpg\" imageanchor=\"1\" style=\"clear: left; cssfloat: left; float: left; margin-bottom: 1em; margin-right: 1em;\"><img border=\"0\" height=\"134\" j8=\"true\" src=\"http://1.bp.blogspot.com/-7N7IsA2j_Ng/Tb086kDCo_I/AAAAAAAAOYk/6Qe_-qF-L30/s200/1.jpg\" width=\"200\" /></a></div>\n<div style=\"text-align: justify;\">El Ministerio Fiscal pide una pena de cinco años y seis meses de prisión para un funcionario del Ayuntamiento de Logroño como presunto autor de un delito continuado de falsedad en documento oficial al variar los datos de cuatro coches para pagar menos en el impuesto de circulación de vehículos.</div>\n<div style=\"text-align: justify;\"><a href=\"http://www.abc.es/agencias/noticia.asp?noticia=800652\">Más información</a></div>\n<div class=\"blogger-post-footer\"><img width=\'1\' height=\'1\' src=\'https://blogger.googleusercontent.com/tracker/6024386-7758216301594815627?l=archivistica.blogspot.com\' alt=\'\' /></div>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/9DvWclXOYj4\" height=\"1\" width=\"1\"/>\";}s:3:\"wfw\";a:1:{s:10:\"commentrss\";s:75:\"http://archivistica.blogspot.com/feeds/7758216301594815627/comments/default\";}s:5:\"slash\";a:1:{s:8:\"comments\";s:1:\"0\";}s:10:\"feedburner\";a:1:{s:8:\"origlink\";s:84:\"http://archivistica.blogspot.com/2011/05/piden-5-anos-de-prision-un-funcionario.html\";}s:7:\"summary\";s:255:\"El Ministerio Fiscal pide una pena de cinco años y seis meses de prisión para un funcionario del Ayuntamiento de Logroño como presunto autor de un delito continuado de falsedad en documento oficial al variar los datos de cuatro coches para pagar men...\";s:12:\"atom_content\";s:1163:\"<div class=\"separator\" style=\"clear: both; text-align: center;\"><a href=\"http://1.bp.blogspot.com/-7N7IsA2j_Ng/Tb086kDCo_I/AAAAAAAAOYk/6Qe_-qF-L30/s1600/1.jpg\" imageanchor=\"1\" style=\"clear: left; cssfloat: left; float: left; margin-bottom: 1em; margin-right: 1em;\"><img border=\"0\" height=\"134\" j8=\"true\" src=\"http://1.bp.blogspot.com/-7N7IsA2j_Ng/Tb086kDCo_I/AAAAAAAAOYk/6Qe_-qF-L30/s200/1.jpg\" width=\"200\" /></a></div>\n<div style=\"text-align: justify;\">El Ministerio Fiscal pide una pena de cinco años y seis meses de prisión para un funcionario del Ayuntamiento de Logroño como presunto autor de un delito continuado de falsedad en documento oficial al variar los datos de cuatro coches para pagar menos en el impuesto de circulación de vehículos.</div>\n<div style=\"text-align: justify;\"><a href=\"http://www.abc.es/agencias/noticia.asp?noticia=800652\">Más información</a></div>\n<div class=\"blogger-post-footer\"><img width=\'1\' height=\'1\' src=\'https://blogger.googleusercontent.com/tracker/6024386-7758216301594815627?l=archivistica.blogspot.com\' alt=\'\' /></div>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/9DvWclXOYj4\" height=\"1\" width=\"1\"/>\";}i:22;a:13:{s:5:\"title\";s:32:\"DATOS ESPECTACULARES DE FACEBOOK\";s:4:\"link\";s:103:\"http://feedproxy.google.com/~r/ArchivesBlogs/~3/bUPRjsEsC5M/03041-datos-espectaculares-de-facebook.html\";s:8:\"comments\";s:96:\"http://archivologo.blogcindario.com/2011/05/03041-datos-espectaculares-de-facebook.html#comments\";s:7:\"pubdate\";s:31:\"Sun, 01 May 2011 10:33:04 +0000\";s:2:\"dc\";a:1:{s:7:\"creator\";s:11:\"Archivologo\";}s:8:\"category\";s:8:\"Español\";s:11:\"description\";s:255:\"50 datos de Facebook que deberías saber\nSITE: http://www.contexto.com.ar\nFECHA: 01/05/2011\nLa gente gasta alrededor de 700 mil millones\nde minutos por mes en esta red social, entre otras cosas\n-1 de 13 personas en el mundo está en Facebook.\n-Los usua...\";s:7:\"content\";a:1:{s:7:\"encoded\";s:5734:\"<p>50 datos de Facebook que deberías saber</p>\n<p>SITE: <a href=\"http://www.contexto.com.ar/\">http://www.contexto.com.ar</a></p>\n<p>FECHA: 01/05/2011</p>\n<h3><em>La gente gasta alrededor de 700 mil millones<br />\nde minutos por mes en esta red social, entre otras cosas</em></h3>\n<p>-1 de 13 personas en el mundo está en Facebook.</p>\n<p>-Los usuarios de más<br />\nde 35 años, representan más del 30% del total de usuarios de la red.</p>\n<p>-71.2% de todos los<br />\nusuarios de internet de EUA, están en Facebook.</p>\n<p>-En 20 minutos, son<br />\ncompartidos 1 millón de enlaces.</p>\n<p>-En 20 minutos, 1<br />\nmillón 484 mil invitaciones a eventos son publicadas.</p>\n<p>-En 20 minutos, 1<br />\nmillón 323 mil fotos son etiquetadas.</p>\n<p>-En 20 minutos, se<br />\nrealizan 1 millón 851 mil actualizaciones de estados.</p>\n<p>-En 20 minutos, 1<br />\nmillón 972 mil solicitudes de amigo son aceptadas.</p>\n<p>-En 20 minutos, 2<br />\nmillones 716 mil fotos son subidas.</p>\n<p>-En 20 minutos, 2 millones 716 mil mensajes son enviados.</p>\n<p> </p>\n<p>-En 20 minutos, 10.2<br />\nmillones de comentarios son escritos y enviados.</p>\n<p>-En 20 minutos, 1<br />\nmillón 587 mil wall post son escritos.</p>\n<p>-750 millones de fotos<br />\nfueron subidas a Facebook, durante la celebración de Año Nuevo.</p>\n<p>-48% de los jóvenes<br />\nestadounidenses, dijo que se enteró de noticias a través de Facebook.</p>\n<p>-48% de los usuarios<br />\nentre 18 y 34 años, entran a Facebook justamente cuando se despiertan.</p>\n<p>-50% de los usuarios<br />\nactivos de Facebook, inician sesión en un día cualquiera.</p>\n<p>-El usuario promedio<br />\ntiene 130 amigos.</p>\n<p>-La gente gasta<br />\nalrededor de 700 mil millones de minutos por mes en Facebook.</p>\n<p>-Existen alrededor de<br />\n900 millones de objetos con los que la gente interactúa (páginas, grupos,<br />\neventos y páginas de comunidad.)</p>\n<p>-El usuario promedio<br />\nestá conectado a 80 páginas de comunidad, grupos y eventos.</p>\n<p>-El usuario promedio<br />\ncrea 90 piezas de contenido cada mes.</p>\n<p>-Más de 30 mil<br />\nmillones de piezas de contenido (enlaces, nuevas historias, blog posts, notas,<br />\nálbum de fotografías) son compartidas cada mes.</p>\n<p>-Facebook está<br />\ndisponible en más de 70 idiomas diferentes.</p>\n<p>-Alrededor del 70% de<br />\nlos usuarios de Facebook, se encuentran fuera de los EUA.</p>\n<p>-Más de 300 mil<br />\nusuarios ayudaron a traducir Facebook, a través de la aplicación hecha para<br />\nello.</p>\n<p>-Entrepreneurs y<br />\ndesarrolladores de más de 190 países, construyen aplicaciones utilizando la<br />\nplataforma de Facebook.</p>\n<p>-La gente en Facebook<br />\ninstalan 20 millones de aplicaciones cada día.</p>\n<p>-Cada mes, más de 250<br />\nmillones de personas participan en Facebook desde sitios web externos.</p>\n<p>-Desde que los “Social<br />\nPlugins” fueron lanzados en Abril del 2010, un promedio de 10 mil nuevos sitios<br />\nweb al día, los han integrado con Facebook.</p>\n<p>-Más de 2.5 millones<br />\nde sitios web han integrado Facebook, incluyendo más de 80 sitios que forman<br />\nparte del Top 100 de EUA realizado por comScore, y más de la mitad del top<br />\nglobal hecho por la misma empresa.</p>\n<p>-Actualmente existen<br />\nmás de 250 millones de usuarios activos, accesando a Facebook a través de sus<br />\ndispositivos móviles.</p>\n<p>-La gente que usa<br />\nFacebook desde sus dispositivos móviles, es dos veces más activa que los<br />\nusuarios que no usan la versión móvil.</p>\n<p>-Existen más de 200<br />\noperadores móviles en 60 países, trabajando para implementar y promocionar<br />\nproductos móviles de Facebook.</p>\n<p>-El homepage original<br />\nde Facebook, contenía la cara de Al Pacino.</p>\n<p>-Una de las primeras<br />\nfunciones de Facebook fue el de compartir archivos.</p>\n<p>-El primer “trabajo de<br />\nlas redes”, así como las redes de enseñanza originales incluía a Apple y<br />\nMicrosoft.</p>\n<p>-El significado del<br />\ntérmino “poke” (Toque) nunca ha sido definido por Facebook.</p>\n<p>-Existe una app para<br />\nver que hay en el menú del “Facebook cafe”.</p>\n<p>-Mark Zuckerberg (CEO<br />\nde Facebook) se llama a sí mismo “Graduado de Harvard”, cuando la realidad es<br />\nque nunca se graduó.</p>\n<p>-Los australianos<br />\ngastan más tiempo por mes en Facebook, que cualquier otro país. Alrededor de 7<br />\nhoras en promedio son las que invierten.</p>\n<p>-Una sudadera de los<br />\nempleados de Facebook se vendió por 4 mil dólares en eBay.</p>\n<p>-Facebook fue<br />\ninicialmente financiado por Peter Thiel, co-fundador de PayPal; con $500,000<br />\ndólares.</p>\n<p>-Es el segundo sitio<br />\ncon mayor tráfico detrás de Google (por el momento).</p>\n<p>-Facebook está<br />\nactualmente valuado en aproximadamente 80 mil millones de dólares.</p>\n<p>-Facebook hace dinero<br />\na través de la publicidad y productos virtuales.</p>\n<p>-Facebook casi fue<br />\ncerrado por una demanda de ConnectU, que alegó que Zuckerberg robó la idea y tecnología<br />\nde Facebook (la cuestión se resolvió fuera de los tribunales).</p>\n<p>-EUA tiene el mayor<br />\nnúmero de usuarios en Facebook (155 millones de personas), que representan el<br />\n23.6% del total de los usuarios en Facebook.</p>\n<p>-Hay más de 16<br />\nmillones de Fan Pages en Facebook.</p>\n<p>-Texas Hold’em Poker<br />\nes la página más poular con 41 millones de fans.</p>\n<p>-Existen más de 650<br />\nmillones de usuarios activos.</p>\n<p><span style=\"color: #004c99; font-family: Arial, sans-serif;\"><br /></span></p>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/bUPRjsEsC5M\" height=\"1\" width=\"1\"/>\";}s:3:\"wfw\";a:1:{s:10:\"commentrss\";s:46:\"http://archivesblogs.com/archives/3818906/feed\";}s:5:\"slash\";a:1:{s:8:\"comments\";s:1:\"0\";}s:10:\"feedburner\";a:1:{s:8:\"origlink\";s:87:\"http://archivologo.blogcindario.com/2011/05/03041-datos-espectaculares-de-facebook.html\";}s:7:\"summary\";s:255:\"50 datos de Facebook que deberías saber\nSITE: http://www.contexto.com.ar\nFECHA: 01/05/2011\nLa gente gasta alrededor de 700 mil millones\nde minutos por mes en esta red social, entre otras cosas\n-1 de 13 personas en el mundo está en Facebook.\n-Los usua...\";s:12:\"atom_content\";s:5734:\"<p>50 datos de Facebook que deberías saber</p>\n<p>SITE: <a href=\"http://www.contexto.com.ar/\">http://www.contexto.com.ar</a></p>\n<p>FECHA: 01/05/2011</p>\n<h3><em>La gente gasta alrededor de 700 mil millones<br />\nde minutos por mes en esta red social, entre otras cosas</em></h3>\n<p>-1 de 13 personas en el mundo está en Facebook.</p>\n<p>-Los usuarios de más<br />\nde 35 años, representan más del 30% del total de usuarios de la red.</p>\n<p>-71.2% de todos los<br />\nusuarios de internet de EUA, están en Facebook.</p>\n<p>-En 20 minutos, son<br />\ncompartidos 1 millón de enlaces.</p>\n<p>-En 20 minutos, 1<br />\nmillón 484 mil invitaciones a eventos son publicadas.</p>\n<p>-En 20 minutos, 1<br />\nmillón 323 mil fotos son etiquetadas.</p>\n<p>-En 20 minutos, se<br />\nrealizan 1 millón 851 mil actualizaciones de estados.</p>\n<p>-En 20 minutos, 1<br />\nmillón 972 mil solicitudes de amigo son aceptadas.</p>\n<p>-En 20 minutos, 2<br />\nmillones 716 mil fotos son subidas.</p>\n<p>-En 20 minutos, 2 millones 716 mil mensajes son enviados.</p>\n<p> </p>\n<p>-En 20 minutos, 10.2<br />\nmillones de comentarios son escritos y enviados.</p>\n<p>-En 20 minutos, 1<br />\nmillón 587 mil wall post son escritos.</p>\n<p>-750 millones de fotos<br />\nfueron subidas a Facebook, durante la celebración de Año Nuevo.</p>\n<p>-48% de los jóvenes<br />\nestadounidenses, dijo que se enteró de noticias a través de Facebook.</p>\n<p>-48% de los usuarios<br />\nentre 18 y 34 años, entran a Facebook justamente cuando se despiertan.</p>\n<p>-50% de los usuarios<br />\nactivos de Facebook, inician sesión en un día cualquiera.</p>\n<p>-El usuario promedio<br />\ntiene 130 amigos.</p>\n<p>-La gente gasta<br />\nalrededor de 700 mil millones de minutos por mes en Facebook.</p>\n<p>-Existen alrededor de<br />\n900 millones de objetos con los que la gente interactúa (páginas, grupos,<br />\neventos y páginas de comunidad.)</p>\n<p>-El usuario promedio<br />\nestá conectado a 80 páginas de comunidad, grupos y eventos.</p>\n<p>-El usuario promedio<br />\ncrea 90 piezas de contenido cada mes.</p>\n<p>-Más de 30 mil<br />\nmillones de piezas de contenido (enlaces, nuevas historias, blog posts, notas,<br />\nálbum de fotografías) son compartidas cada mes.</p>\n<p>-Facebook está<br />\ndisponible en más de 70 idiomas diferentes.</p>\n<p>-Alrededor del 70% de<br />\nlos usuarios de Facebook, se encuentran fuera de los EUA.</p>\n<p>-Más de 300 mil<br />\nusuarios ayudaron a traducir Facebook, a través de la aplicación hecha para<br />\nello.</p>\n<p>-Entrepreneurs y<br />\ndesarrolladores de más de 190 países, construyen aplicaciones utilizando la<br />\nplataforma de Facebook.</p>\n<p>-La gente en Facebook<br />\ninstalan 20 millones de aplicaciones cada día.</p>\n<p>-Cada mes, más de 250<br />\nmillones de personas participan en Facebook desde sitios web externos.</p>\n<p>-Desde que los “Social<br />\nPlugins” fueron lanzados en Abril del 2010, un promedio de 10 mil nuevos sitios<br />\nweb al día, los han integrado con Facebook.</p>\n<p>-Más de 2.5 millones<br />\nde sitios web han integrado Facebook, incluyendo más de 80 sitios que forman<br />\nparte del Top 100 de EUA realizado por comScore, y más de la mitad del top<br />\nglobal hecho por la misma empresa.</p>\n<p>-Actualmente existen<br />\nmás de 250 millones de usuarios activos, accesando a Facebook a través de sus<br />\ndispositivos móviles.</p>\n<p>-La gente que usa<br />\nFacebook desde sus dispositivos móviles, es dos veces más activa que los<br />\nusuarios que no usan la versión móvil.</p>\n<p>-Existen más de 200<br />\noperadores móviles en 60 países, trabajando para implementar y promocionar<br />\nproductos móviles de Facebook.</p>\n<p>-El homepage original<br />\nde Facebook, contenía la cara de Al Pacino.</p>\n<p>-Una de las primeras<br />\nfunciones de Facebook fue el de compartir archivos.</p>\n<p>-El primer “trabajo de<br />\nlas redes”, así como las redes de enseñanza originales incluía a Apple y<br />\nMicrosoft.</p>\n<p>-El significado del<br />\ntérmino “poke” (Toque) nunca ha sido definido por Facebook.</p>\n<p>-Existe una app para<br />\nver que hay en el menú del “Facebook cafe”.</p>\n<p>-Mark Zuckerberg (CEO<br />\nde Facebook) se llama a sí mismo “Graduado de Harvard”, cuando la realidad es<br />\nque nunca se graduó.</p>\n<p>-Los australianos<br />\ngastan más tiempo por mes en Facebook, que cualquier otro país. Alrededor de 7<br />\nhoras en promedio son las que invierten.</p>\n<p>-Una sudadera de los<br />\nempleados de Facebook se vendió por 4 mil dólares en eBay.</p>\n<p>-Facebook fue<br />\ninicialmente financiado por Peter Thiel, co-fundador de PayPal; con $500,000<br />\ndólares.</p>\n<p>-Es el segundo sitio<br />\ncon mayor tráfico detrás de Google (por el momento).</p>\n<p>-Facebook está<br />\nactualmente valuado en aproximadamente 80 mil millones de dólares.</p>\n<p>-Facebook hace dinero<br />\na través de la publicidad y productos virtuales.</p>\n<p>-Facebook casi fue<br />\ncerrado por una demanda de ConnectU, que alegó que Zuckerberg robó la idea y tecnología<br />\nde Facebook (la cuestión se resolvió fuera de los tribunales).</p>\n<p>-EUA tiene el mayor<br />\nnúmero de usuarios en Facebook (155 millones de personas), que representan el<br />\n23.6% del total de los usuarios en Facebook.</p>\n<p>-Hay más de 16<br />\nmillones de Fan Pages en Facebook.</p>\n<p>-Texas Hold’em Poker<br />\nes la página más poular con 41 millones de fans.</p>\n<p>-Existen más de 650<br />\nmillones de usuarios activos.</p>\n<p><span style=\"color: #004c99; font-family: Arial, sans-serif;\"><br /></span></p>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/bUPRjsEsC5M\" height=\"1\" width=\"1\"/>\";}i:23;a:13:{s:5:\"title\";s:39:\"Brabantse scans online bij Familysearch\";s:4:\"link\";s:94:\"http://feedproxy.google.com/~r/ArchivesBlogs/~3/x2dAt8UbgFg/scans-online-bij-familysearch.html\";s:8:\"comments\";s:95:\"http://regionaalarchieftilburg.blogspot.com/2011/05/scans-online-bij-familysearch.html#comments\";s:7:\"pubdate\";s:31:\"Sun, 01 May 2011 10:08:00 +0000\";s:2:\"dc\";a:1:{s:7:\"creator\";s:32:\"Weblog Regionaal Archief Tilburg\";}s:8:\"category\";s:10:\"Nederlands\";s:11:\"description\";s:255:\"Via een tweet van het BHIC&#160;kwam ik terecht op een pagina van de genealogische website Familysearch waar een opsomming staat van alle gemeenten in Brabant waarvan zij de burgerlijke stand digitaal beschikbaar hebben. De scans van de akten wel te ve...\";s:7:\"content\";a:1:{s:7:\"encoded\";s:6131:\"<div class=\"separator\" style=\"clear: both; text-align: center;\"><a href=\"http://4.bp.blogspot.com/-zqtpHgE8EP8/Tb0wwI1ZnZI/AAAAAAAAFdY/qaObusZEPF0/s1600/Logo-FamilySearch.gif\" imageanchor=\"1\" style=\"clear: left; float: left; margin-bottom: 1em; margin-right: 1em;\"><img border=\"0\" height=\"119\" src=\"http://4.bp.blogspot.com/-zqtpHgE8EP8/Tb0wwI1ZnZI/AAAAAAAAFdY/qaObusZEPF0/s320/Logo-FamilySearch.gif\" width=\"320\" /></a></div>\n<p><span class=\"Apple-style-span\" style=\"font-family: Arial, Helvetica, sans-serif;\">Via een tweet van het <a href=\"http://twitter.com/#!/bhicarchief\">BHIC</a>&nbsp;kwam ik terecht op een pagina van de genealogische website<a href=\"https://www.familysearch.org/\"> Familysearch</a> waar een opsomming staat van alle gemeenten in Brabant waarvan zij de burgerlijke stand digitaal beschikbaar hebben. De scans van de akten wel te verstaan.</p>\n<p>Op zich is dat niet vermeldenswaard, die akten staan ook onze website, gratis én in full color, maar bij Familysearch hebben ze meer digitaal beschikbaar dan Regionaal Archief Tilburg.</p>\n<p>Zo staan daar de huwelijksaangiften 1838-1882, de huwelijksafkondigingen 1811-1882 en de huwelijksbijlagen 1811-1922 online. Familysearch, onderdeel van&nbsp;<span class=\"Apple-style-span\" style=\"line-height: 18px;\">&nbsp;<a href=\"http://www.mormon.org/\" style=\"border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-style: inherit; font-weight: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; vertical-align: baseline;\" >The Church of Jesus Christ of Latter-day Saints</a>&nbsp;(ook bekend als <a href=\"http://nl.wikipedia.org/wiki/Kerk_van_Jezus_Christus_van_de_Heiligen_der_Laatste_Dagen\">de Mormonen</a>)</span>, heeft deze scans gemaakt vanaf de rolfilms die ze al in de jaren 50, 60 en 70 van de 20ste eeuw hebben gemaakt van de toen beschikbare burgerlijke stand registers. De digitale beelden zijn daarom in zwart-wit, maar dat doet aan de informatiewaarde niets af.</p>\n<p>Deze scans vormen een prachtige aanvulling op wat de bezoeker al op onze website kan vinden. Gebruiken dus!</p>\n<p>De link naar het overzicht van de <a href=\"http://www.genver.nl/fs/nb/0855.htm\">gemeenten in Noord-Brabant</a>.</p>\n<p>Voor de (voormalige) gemeenten in ons werkgebied:</span><br /><span class=\"Apple-style-span\" style=\"font-family: Arial, Helvetica, sans-serif;\"><a href=\"http://www.genver.nl/fs/nb/0741.htm\">Alphen en Riel</a></span><br /><span class=\"Apple-style-span\" style=\"font-family: Arial, Helvetica, sans-serif;\"><a href=\"http://www.genver.nl/fs/nb/0744.htm\">Baarle-Nassau</a></span><br /><span class=\"Apple-style-span\" style=\"font-family: Arial, Helvetica, sans-serif;\"><a href=\"http://www.genver.nl/fs/nb/0751s.htm\">Berkel-Enschot (en Heukelom)</a></span><br /><span class=\"Apple-style-span\" style=\"font-family: Arial, Helvetica, sans-serif;\"><a href=\"http://www.genver.nl/fs/nb/0760.htm\">Chaam</a></span><br /><span class=\"Apple-style-span\" style=\"font-family: Arial, Helvetica, sans-serif;\"><a href=\"http://www.genver.nl/fs/nb/0763.htm\">Diessen</a></span><br /><span class=\"Apple-style-span\" style=\"font-family: Arial, Helvetica, sans-serif;\"><a href=\"http://www.genver.nl/fs/nb/0766.htm\">Dongen</a></span><br /><span class=\"Apple-style-span\" style=\"font-family: Arial, Helvetica, sans-serif;\"><a href=\"http://www.genver.nl/fs/nb/0779.htm\">Geertruidenberg</a></span><br /><span class=\"Apple-style-span\" style=\"font-family: Arial, Helvetica, sans-serif;\"><a href=\"http://www.genver.nl/fs/nb/0784.htm\">Gilze en Rijen</a></span><br /><span class=\"Apple-style-span\" style=\"font-family: Arial, Helvetica, sans-serif;\"><a href=\"http://www.genver.nl/fs/nb/0785.htm\">Goirle</a></span><br /><span class=\"Apple-style-span\" style=\"font-family: Arial, Helvetica, sans-serif;\"><a href=\"http://www.genver.nl/fs/nb/0787.htm\">&#8216;s Gravenmoer</a></span><br /><span class=\"Apple-style-span\" style=\"font-family: Arial, Helvetica, sans-serif;\"><a href=\"http://www.genver.nl/fs/nb/0798.htm\">Hilvarenbeek</a></span><br /><span class=\"Apple-style-span\" style=\"font-family: Arial, Helvetica, sans-serif;\"><a href=\"http://www.genver.nl/fs/nb/0802.htm\">Hooge en Lage Zwaluwe</a></span><br /><span class=\"Apple-style-span\" style=\"font-family: Arial, Helvetica, sans-serif;\"><a href=\"http://www.genver.nl/fs/nb/0809.htm\">Loon op Zand</a></span><br /><span class=\"Apple-style-span\" style=\"font-family: Arial, Helvetica, sans-serif;\"><a href=\"http://www.genver.nl/fs/nb/0812.htm\">Made en Drimmelen</a></span><br /><span class=\"Apple-style-span\" style=\"font-family: Arial, Helvetica, sans-serif;\"><a href=\"http://www.genver.nl/fs/nb/0816.htm\">Moergestel</a></span><br /><span class=\"Apple-style-span\" style=\"font-family: Arial, Helvetica, sans-serif;\"><a href=\"http://www.genver.nl/fs/nb/0824.htm\">Oisterwijk</a></span><br /><span class=\"Apple-style-span\" style=\"font-family: Arial, Helvetica, sans-serif;\"><a href=\"http://www.genver.nl/fs/nb/0826.htm\">Oosterhout</a></span><br /><span class=\"Apple-style-span\" style=\"font-family: Arial, Helvetica, sans-serif;\"><a href=\"http://www.genver.nl/fs/nb/0834.htm\">Raamsdonk</a></span><br /><span class=\"Apple-style-span\" style=\"font-family: Arial, Helvetica, sans-serif;\"><a href=\"http://www.genver.nl/fs/nb/0853.htm\">Terheijden</a></span><br /><span class=\"Apple-style-span\" style=\"font-family: Arial, Helvetica, sans-serif;\"><a href=\"http://www.genver.nl/fs/nb/0855.htm\">Tilburg</a></span><br /><span class=\"Apple-style-span\" style=\"font-family: Arial, Helvetica, sans-serif;\"><a href=\"http://www.genver.nl/fs/nb/0857.htm\">Udenhout</a></span>\n<div class=\"blogger-post-footer\"><img width=\'1\' height=\'1\' src=\'https://blogger.googleusercontent.com/tracker/187122267347467229-5391609688309369514?l=regionaalarchieftilburg.blogspot.com\' alt=\'\' /></div>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/x2dAt8UbgFg\" height=\"1\" width=\"1\"/>\";}s:3:\"wfw\";a:1:{s:10:\"commentrss\";s:86:\"http://regionaalarchieftilburg.blogspot.com/feeds/5391609688309369514/comments/default\";}s:5:\"slash\";a:1:{s:8:\"comments\";s:1:\"0\";}s:10:\"feedburner\";a:1:{s:8:\"origlink\";s:86:\"http://regionaalarchieftilburg.blogspot.com/2011/05/scans-online-bij-familysearch.html\";}s:7:\"summary\";s:255:\"Via een tweet van het BHIC&#160;kwam ik terecht op een pagina van de genealogische website Familysearch waar een opsomming staat van alle gemeenten in Brabant waarvan zij de burgerlijke stand digitaal beschikbaar hebben. De scans van de akten wel te ve...\";s:12:\"atom_content\";s:6131:\"<div class=\"separator\" style=\"clear: both; text-align: center;\"><a href=\"http://4.bp.blogspot.com/-zqtpHgE8EP8/Tb0wwI1ZnZI/AAAAAAAAFdY/qaObusZEPF0/s1600/Logo-FamilySearch.gif\" imageanchor=\"1\" style=\"clear: left; float: left; margin-bottom: 1em; margin-right: 1em;\"><img border=\"0\" height=\"119\" src=\"http://4.bp.blogspot.com/-zqtpHgE8EP8/Tb0wwI1ZnZI/AAAAAAAAFdY/qaObusZEPF0/s320/Logo-FamilySearch.gif\" width=\"320\" /></a></div>\n<p><span class=\"Apple-style-span\" style=\"font-family: Arial, Helvetica, sans-serif;\">Via een tweet van het <a href=\"http://twitter.com/#!/bhicarchief\">BHIC</a>&nbsp;kwam ik terecht op een pagina van de genealogische website<a href=\"https://www.familysearch.org/\"> Familysearch</a> waar een opsomming staat van alle gemeenten in Brabant waarvan zij de burgerlijke stand digitaal beschikbaar hebben. De scans van de akten wel te verstaan.</p>\n<p>Op zich is dat niet vermeldenswaard, die akten staan ook onze website, gratis én in full color, maar bij Familysearch hebben ze meer digitaal beschikbaar dan Regionaal Archief Tilburg.</p>\n<p>Zo staan daar de huwelijksaangiften 1838-1882, de huwelijksafkondigingen 1811-1882 en de huwelijksbijlagen 1811-1922 online. Familysearch, onderdeel van&nbsp;<span class=\"Apple-style-span\" style=\"line-height: 18px;\">&nbsp;<a href=\"http://www.mormon.org/\" style=\"border-bottom-width: 0px; border-color: initial; border-left-width: 0px; border-right-width: 0px; border-style: initial; border-top-width: 0px; font-style: inherit; font-weight: inherit; margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px; outline-color: initial; outline-style: initial; outline-width: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px; text-decoration: none; vertical-align: baseline;\" >The Church of Jesus Christ of Latter-day Saints</a>&nbsp;(ook bekend als <a href=\"http://nl.wikipedia.org/wiki/Kerk_van_Jezus_Christus_van_de_Heiligen_der_Laatste_Dagen\">de Mormonen</a>)</span>, heeft deze scans gemaakt vanaf de rolfilms die ze al in de jaren 50, 60 en 70 van de 20ste eeuw hebben gemaakt van de toen beschikbare burgerlijke stand registers. De digitale beelden zijn daarom in zwart-wit, maar dat doet aan de informatiewaarde niets af.</p>\n<p>Deze scans vormen een prachtige aanvulling op wat de bezoeker al op onze website kan vinden. Gebruiken dus!</p>\n<p>De link naar het overzicht van de <a href=\"http://www.genver.nl/fs/nb/0855.htm\">gemeenten in Noord-Brabant</a>.</p>\n<p>Voor de (voormalige) gemeenten in ons werkgebied:</span><br /><span class=\"Apple-style-span\" style=\"font-family: Arial, Helvetica, sans-serif;\"><a href=\"http://www.genver.nl/fs/nb/0741.htm\">Alphen en Riel</a></span><br /><span class=\"Apple-style-span\" style=\"font-family: Arial, Helvetica, sans-serif;\"><a href=\"http://www.genver.nl/fs/nb/0744.htm\">Baarle-Nassau</a></span><br /><span class=\"Apple-style-span\" style=\"font-family: Arial, Helvetica, sans-serif;\"><a href=\"http://www.genver.nl/fs/nb/0751s.htm\">Berkel-Enschot (en Heukelom)</a></span><br /><span class=\"Apple-style-span\" style=\"font-family: Arial, Helvetica, sans-serif;\"><a href=\"http://www.genver.nl/fs/nb/0760.htm\">Chaam</a></span><br /><span class=\"Apple-style-span\" style=\"font-family: Arial, Helvetica, sans-serif;\"><a 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href=\"http://www.genver.nl/fs/nb/0826.htm\">Oosterhout</a></span><br /><span class=\"Apple-style-span\" style=\"font-family: Arial, Helvetica, sans-serif;\"><a href=\"http://www.genver.nl/fs/nb/0834.htm\">Raamsdonk</a></span><br /><span class=\"Apple-style-span\" style=\"font-family: Arial, Helvetica, sans-serif;\"><a href=\"http://www.genver.nl/fs/nb/0853.htm\">Terheijden</a></span><br /><span class=\"Apple-style-span\" style=\"font-family: Arial, Helvetica, sans-serif;\"><a href=\"http://www.genver.nl/fs/nb/0855.htm\">Tilburg</a></span><br /><span class=\"Apple-style-span\" style=\"font-family: Arial, Helvetica, sans-serif;\"><a href=\"http://www.genver.nl/fs/nb/0857.htm\">Udenhout</a></span>\n<div class=\"blogger-post-footer\"><img width=\'1\' height=\'1\' src=\'https://blogger.googleusercontent.com/tracker/187122267347467229-5391609688309369514?l=regionaalarchieftilburg.blogspot.com\' alt=\'\' /></div>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/x2dAt8UbgFg\" height=\"1\" width=\"1\"/>\";}i:24;a:13:{s:5:\"title\";s:83:\"NUEVO SISTEMA REMUNERACIÓN EMPLEADAS Y EMPLEADOS ADMINISTRACIÓN PÚBLICA NACIONAL\";s:4:\"link\";s:151:\"http://feedproxy.google.com/~r/ArchivesBlogs/~3/MX1JYVDEvKE/03040-nuevo-sistema-remuneracion-empleadas-y-empleados-administracion-publica-nacional.html\";s:8:\"comments\";s:144:\"http://archivologo.blogcindario.com/2011/05/03040-nuevo-sistema-remuneracion-empleadas-y-empleados-administracion-publica-nacional.html#comments\";s:7:\"pubdate\";s:31:\"Sun, 01 May 2011 09:38:20 +0000\";s:2:\"dc\";a:1:{s:7:\"creator\";s:11:\"Archivologo\";}s:8:\"category\";s:8:\"Español\";s:11:\"description\";s:255:\"NUEVO SISTEMA REMUNERACIÓN EMPLEADAS Y EMPLEADOS ADMINISTRACIÓN PÚBLICA\nNACIONAL\nDecreto N° 8.168,  25 de abril de 2011\nHugo Chávez Frías\nPresidente de la\nRepública\nCon el supremo compromiso y voluntad de lograr la mayor eficacia política y\nca...\";s:7:\"content\";a:1:{s:7:\"encoded\";s:18324:\"<address><strong><span style=\"color: #0000ff;\">NUEVO SISTEMA REMUNERACIÓN EMPLEADAS Y EMPLEADOS ADMINISTRACIÓN PÚBLICA<br />\nNACIONAL</span></strong></address>\n<address><strong><span style=\"color: #0000ff;\">Decreto N° 8.168,  25 de abril de 2011</span></strong></address>\n<address><strong><span style=\"color: #0000ff;\">Hugo Chávez Frías</span></strong></address>\n<address><strong><span style=\"color: #0000ff;\">Presidente de la<br />\nRepública</span></strong></address>\n<p>Con el supremo compromiso y voluntad de lograr la mayor eficacia política y<br />\ncalidad revolucionaria en la construcción del Socialismo, la refundación de la<br />\nnación venezolana, basado en principios humanistas, sustentado en condiciones<br />\nmorales y ética que persiguen el progreso de la patria y del colectivo, por<br />\nmandato del pueblo y en ejercicio de la atribución que le confiere el numeral<br />\n11 del artículo 236 de la Constitución de la República Bolivariana de Venezuela<br />\ny de conformidad con lo dispuesto en el artículo 55 de la Ley del Estatuto de<br />\nla Función Pública y 180 del Reglamento General de la Ley de Carrera<br />\nAdministrativa, en Consejo de Ministros, </p>\n<p>Considerando <br />\nQue la dignificación de los trabajadores es un aspecto esencial de la<br />\ndemocratización que busca la nueva institucionalidad del Estado, y que los<br />\nservidores públicos, como los hombres y mujeres que ponen la administración al<br />\nservicio del pueblo, son una parte importante y particular del mundo del<br />\ntrabajo necesaria para cubrir la deuda social en la República Bolivariana de<br />\nVenezuela y cumplir con el propósito igualitario de nuestra Constitución, </p>\n<p>Considerando <br />\nQue para el Ejecutivo Nacional, es un objetivo la mejora progresiva de las<br />\nremuneraciones de las funcionarias y funcionarios públicos de carrera, a fin de<br />\ngarantizar la igualdad de oportunidades y capacidades que permita desarrollar<br />\nuna vida digna y cubrir para sí y su familia las necesidades básicas<br />\nmateriales, sociales e intelectuales de los servidores públicos, </p>\n<p>Decreta <br />\nSistema de remuneración de las<br />\nempleadas y empleados de la Administración Pública Nacional</p>\n<p>Artículo 1°. El<br />\npresente Decreto tiene por objeto regular y establecer la Escala General de<br />\nSueldos para funcionarias y funcionarios de carrera de la Administración<br />\nPública Nacional.</p>\n<p>Artículo 2°. Se aprueba<br />\nla escala de sueldos para cargos de las funcionarias y funcionarios públicos de<br />\ncarrera. Aplicable al Sistema de Clasificación de Cargos que rige la carrera<br />\nfuncionarial de la Administración Pública Nacional, en las siguientes fases:</p>\n<p>\nFase 1 <br />\nA partir del 1ro de mayo de 2011 </p>\n<p>Niveles <br />\nBachilleres </p>\n<table border=\"1\" cellpadding=\"0\" cellspacing=\"0\" width=\"454\">\n<tbody>\n<tr>\n<td></td>\n<td width=\"64\">\n<p align=\"center\">I</p>\n</td>\n<td width=\"57\">\n<p align=\"center\">II</p>\n</td>\n<td width=\"57\">\n<p align=\"center\">III</p>\n</td>\n<td width=\"56\">\n<p align=\"center\">IV</p>\n</td>\n<td width=\"58\">\n<p align=\"center\">V</p>\n</td>\n<td width=\"70\">\n<p align=\"center\">VI</p>\n</td>\n<td width=\"53\">\n<p align=\"center\">VII</p>\n</td>\n</tr>\n<tr>\n<td>\n<p align=\"center\">B1</p>\n</td>\n<td width=\"64\">\n<p align=\"center\">1.407,47*</p>\n</td>\n<td width=\"57\">\n<p align=\"center\">1.548,22</p>\n</td>\n<td width=\"57\">\n<p align=\"center\">1.759,34</p>\n</td>\n<td width=\"56\">\n<p align=\"center\">2.111,21</p>\n</td>\n<td width=\"58\">\n<p align=\"center\">2.463,07</p>\n</td>\n<td width=\"70\">\n<p align=\"center\">2.674,19</p>\n</td>\n<td width=\"53\">\n<p align=\"center\">2.814,94</p>\n</td>\n</tr>\n<tr>\n<td>\n<p align=\"center\">B2</p>\n</td>\n<td width=\"64\">\n<p align=\"center\">1.713,45</p>\n</td>\n<td width=\"57\">\n<p align=\"center\">1.884,80</p>\n</td>\n<td width=\"57\">\n<p align=\"center\">2.141,81</p>\n</td>\n<td width=\"56\">\n<p align=\"center\">2.570,18</p>\n</td>\n<td width=\"58\">\n<p align=\"center\">2.998,54</p>\n</td>\n<td width=\"70\">\n<p align=\"center\">3.255,56</p>\n</td>\n<td width=\"53\">\n<p align=\"center\">3.426,90</p>\n</td>\n</tr>\n<tr>\n<td>\n<p align=\"center\">B3</p>\n</td>\n<td width=\"64\">\n<p align=\"center\">1.919,80</p>\n</td>\n<td width=\"57\">\n<p align=\"center\">2.111,78</p>\n</td>\n<td width=\"57\">\n<p align=\"center\">2.399,75</p>\n</td>\n<td width=\"56\">\n<p align=\"center\">2.879,70</p>\n</td>\n<td width=\"58\">\n<p align=\"center\">3.359,65</p>\n</td>\n<td width=\"70\">\n<p align=\"center\">3.647,62</p>\n</td>\n<td width=\"53\">\n<p align=\"center\">3.839,60</p>\n</td>\n</tr>\n</tbody>\n</table>\n<p> </p>\n<p>* A partir del 1°<br />\nde septiembre, el nivel B1-I quedará en Bs. 1.548,22 homologado al salario<br />\nmínimo nacional</p>\n<p>Técnico Superior </p>\n<table border=\"1\" cellpadding=\"0\" cellspacing=\"0\" width=\"455\">\n<tbody>\n<tr>\n<td width=\"39\"></td>\n<td width=\"66\">\n<p>I</p>\n</td>\n<td width=\"57\">\n<p>II</p>\n</td>\n<td width=\"57\">\n<p>III</p>\n</td>\n<td width=\"57\">\n<p>IV</p>\n</td>\n<td width=\"57\">\n<p>V</p>\n</td>\n<td width=\"66\">\n<p>VI</p>\n</td>\n<td width=\"57\">\n<p>VII</p>\n</td>\n</tr>\n<tr>\n<td width=\"39\">\n<p>T1</p>\n</td>\n<td width=\"66\">\n<p>2.021,30</p>\n</td>\n<td width=\"57\">\n<p>2.223,43</p>\n</td>\n<td width=\"57\">\n<p>2.526,63</p>\n</td>\n<td width=\"57\">\n<p>3.031,95</p>\n</td>\n<td width=\"57\">\n<p>3.537,28</p>\n</td>\n<td width=\"66\">\n<p>3.840,47</p>\n</td>\n<td width=\"57\">\n<p>4.042,60</p>\n</td>\n</tr>\n<tr>\n<td width=\"39\">\n<p>T2</p>\n</td>\n<td width=\"66\">\n<p>2.088,00</p>\n</td>\n<td width=\"57\">\n<p>2.296,80</p>\n</td>\n<td width=\"57\">\n<p>2.610,00</p>\n</td>\n<td width=\"57\">\n<p>3.132,00</p>\n</td>\n<td width=\"57\">\n<p>3.654,00</p>\n</td>\n<td width=\"66\">\n<p>3.967,20</p>\n</td>\n<td width=\"57\">\n<p>4.176,00</p>\n</td>\n</tr>\n</tbody>\n</table>\n<p>\nProfesional Universitario </p>\n<table border=\"1\" cellpadding=\"0\" cellspacing=\"0\" width=\"457\">\n<tbody>\n<tr>\n<td width=\"39\"></td>\n<td width=\"66\">\n<p>I</p>\n</td>\n<td width=\"57\">\n<p>II</p>\n</td>\n<td width=\"57\">\n<p>III</p>\n</td>\n<td width=\"57\">\n<p>IV</p>\n</td>\n<td width=\"57\">\n<p>V</p>\n</td>\n<td width=\"64\">\n<p>VI</p>\n</td>\n<td width=\"59\">\n<p>VII</p>\n</td>\n</tr>\n<tr>\n<td width=\"39\">\n<p>P1</p>\n</td>\n<td width=\"66\">\n<p>2.150,35</p>\n</td>\n<td width=\"57\">\n<p>2.365,39</p>\n</td>\n<td width=\"57\">\n<p>2.887,94</p>\n</td>\n<td width=\"57\">\n<p>3.225,53</p>\n</td>\n<td width=\"57\">\n<p>3.763,11</p>\n</td>\n<td width=\"64\">\n<p>4.085,67</p>\n</td>\n<td width=\"59\">\n<p>4.300,70</p>\n</td>\n</tr>\n<tr>\n<td width=\"39\">\n<p>P2</p>\n</td>\n<td width=\"66\">\n<p>2.270,70</p>\n</td>\n<td width=\"57\">\n<p>2.497,77</p>\n</td>\n<td width=\"57\">\n<p>2.838,38</p>\n</td>\n<td width=\"57\">\n<p>3.406,05</p>\n</td>\n<td width=\"57\">\n<p>3.973,73</p>\n</td>\n<td width=\"64\">\n<p>4.314,33</p>\n</td>\n<td width=\"59\">\n<p>4.541,40</p>\n</td>\n</tr>\n<tr>\n<td width=\"39\">\n<p>P3</p>\n</td>\n<td width=\"66\">\n<p>2.311,30</p>\n</td>\n<td width=\"57\">\n<p>2.542,43</p>\n</td>\n<td width=\"57\">\n<p>2.889,13</p>\n</td>\n<td width=\"57\">\n<p>3.466,95</p>\n</td>\n<td width=\"57\">\n<p>4.044,78</p>\n</td>\n<td width=\"64\">\n<p>4.391,47</p>\n</td>\n<td width=\"59\">\n<p>4.622,60</p>\n</td>\n</tr>\n</tbody>\n</table>\n<p>Artículo 3: La<br />\naplicación de la escala establecida en el presente Decreto, da derecho a la<br />\nasignación de sueldo inicial o básico de cada grado. Cuando el sueldo total del<br />\nfuncionario constituido por el sueldo inicial o básico aquí establecido más las<br />\ncompensaciones percibidas al 30 de abril de 2011, resultan superior a dicho<br />\nsueldo, se mantendrá su remuneración total dentro del rango contemplado entre<br />\nlos mínimos y máximos correspondientes al grupo. </p>\n<p>El último nivel de cada grupo en la escala de sueldos objeto del presente<br />\nDecreto, es el máximo del sueldo que puede ser percibido en el grupo o clase de<br />\ncargos correspondientes. </p>\n<p>Artículo 4: Queda entendido<br />\nque en el sueldo básico establecido en el presente Decreto, se encuentran<br />\nincluidos los ajustes realizados al salario mínimo nacional obligatorio. </p>\n<p>Artículo 5: Los órganos y<br />\nentes de la Administración Pública Nacional sujetos a este Decreto no podrán<br />\notorgar ingresos de carácter salarial distintos a los previstos en la escala<br />\nestablecida en el artículo 2°. </p>\n<p>Artículo 6: Se excluyen de<br />\nla aplicación del presente Decreto las funcionarias y funcionarios, empleadas y<br />\nempleados al servicios de entes u órganos de la Administración Pública con<br />\nsistemas de remuneraciones especiales o diferentes, de conformidad con las<br />\nexclusiones establecidas en la ley. </p>\n<p>Artículo 7: Las escalas de<br />\nsueldos establecidas en el artículo 2° del presente Decreto, son aplicables a<br />\ntítulo de referencia a los trabajadores que prestan sus servicios a las<br />\ngobernaciones y alcaldías y sus entes adscritos. En todo caso, la Dirección de<br />\nRecursos Humanos de éstas, podrá realizar el respectivo estudio de<br />\nclasificación y definición de las tareas, perfiles y competencias de los cargos<br />\nrequeridos para el cumplimiento de los objetivos y metas institucionales de<br />\nconformidad con las directrices establecidas en este Decreto y en concordancia<br />\ncon las directrices del órgano de planificación de cada estado o municipio. </p>\n<p>Artículo 8: El presente<br />\nDecreto no es aplicable a las personas contratadas en la Administración Pública<br />\nNacional que realicen tareas de consultoría, asesoría o actividades especiales<br />\nde difícil reclutamiento. </p>\n<p>Artículo 9: Las dudas que<br />\nse susciten con motivo de la aplicación de este Decreto, serán resueltas por el<br />\nMinisterio del Poder Popular de Planificación y Finanzas. </p>\n<p>Artículo 10: Este Decreto<br />\nentrará en vigencia a partir del 1° de mayo de 2011. </p>\n<p>Artículo 11: El<br />\nVicepresidente Ejecutivo y los Ministros quedan encargados de la ejecución del<br />\npresente Decreto. </p>\n<p>Dado en Caracas, a los veinticinco días del mes de abril de dos mil once. Años<br />\n201° de la Independencia, y 151° de la Federación y 12° de la Revolución<br />\nBolivariana. </p>\n<p>Ejecútese <br />\n(L.S.)</p>\n<p>Hugo Chávez Frías</p>\n<p>También se incrementó el tabulador salarial para las obreras y los<br />\nobreros al servicio de la Administración Pública</p>\n<p>25 de abril de 2011</p>\n<p>Decreto N° 8.169</p>\n<p>Hugo Chávez Frías <br />\nPresidente de la República</p>\n<p>Con el supremo compromiso y voluntad de lograr la mayor eficacia política<br />\ny calidad revolucionaria en la construcción del Socialismo, la refundación de<br />\nla nación venezolana, basado en principios humanistas, sustentado en<br />\ncondiciones morales y éticas que persiguen el progreso de la patria y del<br />\ncolectivo, por mandato del pueblo y en ejercicio de la atribución que le<br />\nconfiere el numeral 11 del artículo 236 de la Constitución de la República<br />\nBolivariana de Venezuela y de conformidad con lo dispuesto en el artículo 55 de<br />\nla Ley de Estatuto de la Función Pública y 180 del Reglamento General de la Ley<br />\nde Carrera Administrativa, en Consejo de Ministros,</p>\n<p>Considerando </p>\n<p>Que la dignificación de los trabajadores es un aspecto esencial de la<br />\ndemocratización que busca la nueva institucionalidad del Estado, y que los<br />\nservidores públicos, como los hombres y mujeres que ponen la administración al<br />\nservicio del pueblo, son una parte importante y particular del mundo del<br />\ntrabajo necesaria para cubrir la deuda social en la República Bolivariana de<br />\nVenezuela y cumplir con el propósito igualitario de nuestra Constitución,</p>\n<p>Considerando </p>\n<p>Que para el Gobierno Bolivariano, las reivindicaciones salariales de las<br />\nobreras y obreros de la Administración Pública representan un objetivo estratégico<br />\nrevolucionario, a los fines de otorgar la mayor suma de felicidad a nuestro<br />\npueblo,</p>\n<p>Decreta</p>\n<p>El siguiente,</p>\n<p>Sistema de remuneraciones de las Obreras y Obreros de la Administración<br />\nPública Nacional</p>\n<p>Artículo 1: El presente Decreto tiene por objeto regular y establecer el<br />\nTabulador General de Salarios para las Obreras y Obreros al servicio de la<br />\nAdministración Pública Nacional. </p>\n<p>Artículo 2: Se aprueba el tabulador salarial para las obreras y obreros<br />\nal servicio de la Administración Pública Nacional, como sigue:</p>\n<table border=\"1\" cellpadding=\"0\" cellspacing=\"0\" width=\"398\">\n<tbody>\n<tr>\n<td width=\"398\">\n<p align=\"center\">No<br />\n  Calificado</p>\n</td>\n</tr>\n</tbody>\n</table>\n<p align=\"center\"> </p>\n<table border=\"1\" cellpadding=\"0\" cellspacing=\"0\">\n<tbody>\n<tr>\n<td width=\"86\">\n<p align=\"center\">Grado</p>\n</td>\n<td width=\"142\">\n<p align=\"center\">Mínimo</p>\n</td>\n<td width=\"170\">\n<p align=\"center\">Máximo</p>\n</td>\n</tr>\n<tr>\n<td width=\"86\">\n<p align=\"center\">1</p>\n</td>\n<td width=\"142\">\n<p align=\"center\">1.407,00</p>\n</td>\n<td width=\"170\">\n<p align=\"center\">2.110,50</p>\n</td>\n</tr>\n<tr>\n<td width=\"86\">\n<p align=\"center\">2</p>\n</td>\n<td width=\"142\">\n<p align=\"center\">1.611,00</p>\n</td>\n<td width=\"170\">\n<p align=\"center\">2.416,50</p>\n</td>\n</tr>\n<tr>\n<td width=\"86\">\n<p align=\"center\">3</p>\n</td>\n<td width=\"142\">\n<p align=\"center\">1.674,00</p>\n</td>\n<td width=\"170\">\n<p align=\"center\">2.511,00</p>\n</td>\n</tr>\n<tr>\n<td width=\"86\">\n<p align=\"center\">4</p>\n</td>\n<td width=\"142\">\n<p align=\"center\">1.738,00</p>\n</td>\n<td width=\"170\">\n<p align=\"center\">2.607,00</p>\n</td>\n</tr>\n</tbody>\n</table>\n<p> </p>\n<table border=\"1\" cellpadding=\"0\" cellspacing=\"0\">\n<tbody>\n<tr>\n<td width=\"398\">\n<p align=\"center\">Calificado</p>\n</td>\n</tr>\n</tbody>\n</table>\n<p align=\"center\"> </p>\n<table border=\"1\" cellpadding=\"0\" cellspacing=\"0\">\n<tbody>\n<tr>\n<td width=\"86\">\n<p align=\"center\">Grado</p>\n</td>\n<td width=\"142\">\n<p align=\"center\">Mínimo</p>\n</td>\n<td width=\"170\">\n<p align=\"center\">Máximo</p>\n</td>\n</tr>\n<tr>\n<td width=\"86\">\n<p align=\"center\">5</p>\n</td>\n<td width=\"142\">\n<p align=\"center\">1.801,00</p>\n</td>\n<td width=\"170\">\n<p align=\"center\">2.701,50</p>\n</td>\n</tr>\n<tr>\n<td width=\"86\">\n<p align=\"center\">6</p>\n</td>\n<td width=\"142\">\n<p align=\"center\">1.864,00</p>\n</td>\n<td width=\"170\">\n<p align=\"center\">2.796,00</p>\n</td>\n</tr>\n<tr>\n<td width=\"86\">\n<p align=\"center\">7</p>\n</td>\n<td width=\"142\">\n<p align=\"center\">1.928,00</p>\n</td>\n<td width=\"170\">\n<p align=\"center\">2.892,00</p>\n</td>\n</tr>\n<tr>\n<td width=\"86\">\n<p align=\"center\">8</p>\n</td>\n<td width=\"142\">\n<p align=\"center\">1.991,00</p>\n</td>\n<td width=\"170\">\n<p align=\"center\">2.986,50</p>\n</td>\n</tr>\n</tbody>\n</table>\n<p align=\"center\"> </p>\n<table border=\"1\" cellpadding=\"0\" cellspacing=\"0\">\n<tbody>\n<tr>\n<td width=\"398\">\n<p align=\"center\">Supervisor</p>\n</td>\n</tr>\n</tbody>\n</table>\n<p> </p>\n<table border=\"1\" cellpadding=\"0\" cellspacing=\"0\">\n<tbody>\n<tr>\n<td width=\"86\">\n<p align=\"center\">Grado</p>\n</td>\n<td width=\"142\">\n<p align=\"center\">Mínimo</p>\n</td>\n<td width=\"170\">\n<p align=\"center\">Máximo</p>\n</td>\n</tr>\n<tr>\n<td width=\"86\">\n<p align=\"center\">9</p>\n</td>\n<td width=\"142\">\n<p align=\"center\">2.054,00</p>\n</td>\n<td width=\"170\">\n<p align=\"center\">3.081,00</p>\n</td>\n</tr>\n<tr>\n<td width=\"86\">\n<p align=\"center\">10</p>\n</td>\n<td width=\"142\">\n<p align=\"center\">2.118,00</p>\n</td>\n<td width=\"170\">\n<p align=\"center\">3.177,00</p>\n</td>\n</tr>\n</tbody>\n</table>\n<p>Artículo 3: La aplicación del tabulador salarial establecido en el<br />\nartículo 2° del presente Decreto, da derecho a la asignación de salario inicial<br />\no básico de cada grado. Cuando el salario total de la obrera y obrero<br />\nconstituido por el salario inicial o básico aquí establecido al 30 de abril de<br />\n2011, resulta superior a dicho salario, se mantendrá su remuneración total<br />\ndentro del grado contemplado entre los mínimos y máximos correspondientes al<br />\ngrado. </p>\n<p>En el nivel máximo del tabulador salario por cada grado, objeto del presente<br />\nDecreto, es el máximo del salario que puede ser percibido en el grado<br />\ncorrespondiente. </p>\n<p>Artículo 4: Los órganos y entes de la Administración Pública Nacional sujetos a<br />\neste Decreto no podrán otorgar ingresos de carácter salarial distintos a los previstos<br />\nen el tabulador establecido en el artículo 2. </p>\n<p>Artículo 5: Se excluyen de la aplicación del presente Decreto las obreras y<br />\nobreros al servicio de los entes u órganos de la Administración Pública con<br />\nsistemas de remuneraciones especiales o diferentes, de conformidad con las<br />\nexclusiones establecidas en la ley. </p>\n<p>Artículo 6: El tabulador salarial establecido en el artículo 5 del presente<br />\nDecreto, es aplicable a título de referencia a los trabajadores que prestan sus<br />\nservicios a las gobernaciones y alcaldías y sus entes adscritos. En todo caso,<br />\nla Dirección de Recursos Humanos de éstas, podrá realizar el respectivo<br />\nestudios de clasificación y definición de las tareas, perfiles y competencias<br />\nde los cargos requeridos para el cumplimiento de los objetivos y metas<br />\ninstitucionales de conformidad con las directrices establecidas en este Decreto<br />\ny en concordancia con las directrices del órgano de planificación de cada<br />\nestado o municipio. </p>\n<p>Artículo 7: El presente Decreto no es aplicable a las personas contratadas en<br />\nla Administración Pública Nacional que realicen tareas de consultoría, asesoría<br />\no actividades especializadas de difícil reclutamiento. </p>\n<p>Artículo 8: Las dudas que se susciten con motivo de la aplicación de este<br />\nDecreto, serán resueltas por el Ministerio del Poder Popular para el Trabajo y<br />\nSeguridad Social y el Ministerio del Poder Popular de Planificación y Finanzas. </p>\n<p>Artículo 9: Este Decreto entrará en vigencia a partir del 1° de mayo de 2011. </p>\n<p>Artículo 10: El vicepresidente Ejecutivo y los Ministros quedan encargados de<br />\nla ejecución del presente Decreto. </p>\n<p>Dado en Caracas, a los veinticinco días del mes de abril de dos mil once, años<br />\n201° de la Independencia, y 151° de la Federación y 12° de la Revolución<br />\nBolivariana. </p>\n<p>Ejecútese, <br />\n(L.S.)</p>\n<p>Hugo Chávez Frías</p>\n<p> </p>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/MX1JYVDEvKE\" height=\"1\" width=\"1\"/>\";}s:3:\"wfw\";a:1:{s:10:\"commentrss\";s:46:\"http://archivesblogs.com/archives/3818907/feed\";}s:5:\"slash\";a:1:{s:8:\"comments\";s:1:\"0\";}s:10:\"feedburner\";a:1:{s:8:\"origlink\";s:135:\"http://archivologo.blogcindario.com/2011/05/03040-nuevo-sistema-remuneracion-empleadas-y-empleados-administracion-publica-nacional.html\";}s:7:\"summary\";s:255:\"NUEVO SISTEMA REMUNERACIÓN EMPLEADAS Y EMPLEADOS ADMINISTRACIÓN PÚBLICA\nNACIONAL\nDecreto N° 8.168,  25 de abril de 2011\nHugo Chávez Frías\nPresidente de la\nRepública\nCon el supremo compromiso y voluntad de lograr la mayor eficacia política y\nca...\";s:12:\"atom_content\";s:18324:\"<address><strong><span style=\"color: #0000ff;\">NUEVO SISTEMA REMUNERACIÓN EMPLEADAS Y EMPLEADOS ADMINISTRACIÓN PÚBLICA<br />\nNACIONAL</span></strong></address>\n<address><strong><span style=\"color: #0000ff;\">Decreto N° 8.168,  25 de abril de 2011</span></strong></address>\n<address><strong><span style=\"color: #0000ff;\">Hugo Chávez Frías</span></strong></address>\n<address><strong><span style=\"color: #0000ff;\">Presidente de la<br />\nRepública</span></strong></address>\n<p>Con el supremo compromiso y voluntad de lograr la mayor eficacia política y<br />\ncalidad revolucionaria en la construcción del Socialismo, la refundación de la<br />\nnación venezolana, basado en principios humanistas, sustentado en condiciones<br />\nmorales y ética que persiguen el progreso de la patria y del colectivo, por<br />\nmandato del pueblo y en ejercicio de la atribución que le confiere el numeral<br />\n11 del artículo 236 de la Constitución de la República Bolivariana de Venezuela<br />\ny de conformidad con lo dispuesto en el artículo 55 de la Ley del Estatuto de<br />\nla Función Pública y 180 del Reglamento General de la Ley de Carrera<br />\nAdministrativa, en Consejo de Ministros, </p>\n<p>Considerando <br />\nQue la dignificación de los trabajadores es un aspecto esencial de la<br />\ndemocratización que busca la nueva institucionalidad del Estado, y que los<br />\nservidores públicos, como los hombres y mujeres que ponen la administración al<br />\nservicio del pueblo, son una parte importante y particular del mundo del<br />\ntrabajo necesaria para cubrir la deuda social en la República Bolivariana de<br />\nVenezuela y cumplir con el propósito igualitario de nuestra Constitución, </p>\n<p>Considerando <br />\nQue para el Ejecutivo Nacional, es un objetivo la mejora progresiva de las<br />\nremuneraciones de las funcionarias y funcionarios públicos de carrera, a fin de<br />\ngarantizar la igualdad de oportunidades y capacidades que permita desarrollar<br />\nuna vida digna y cubrir para sí y su familia las necesidades básicas<br />\nmateriales, sociales e intelectuales de los servidores públicos, </p>\n<p>Decreta <br />\nSistema de remuneración de las<br />\nempleadas y empleados de la Administración Pública Nacional</p>\n<p>Artículo 1°. El<br />\npresente Decreto tiene por objeto regular y establecer la Escala General de<br />\nSueldos para funcionarias y funcionarios de carrera de la Administración<br />\nPública Nacional.</p>\n<p>Artículo 2°. Se aprueba<br />\nla escala de sueldos para cargos de las funcionarias y funcionarios públicos de<br />\ncarrera. Aplicable al Sistema de Clasificación de Cargos que rige la carrera<br />\nfuncionarial de la Administración Pública Nacional, en las siguientes fases:</p>\n<p>\nFase 1 <br />\nA partir del 1ro de mayo de 2011 </p>\n<p>Niveles <br />\nBachilleres </p>\n<table border=\"1\" cellpadding=\"0\" cellspacing=\"0\" width=\"454\">\n<tbody>\n<tr>\n<td></td>\n<td width=\"64\">\n<p align=\"center\">I</p>\n</td>\n<td width=\"57\">\n<p align=\"center\">II</p>\n</td>\n<td width=\"57\">\n<p align=\"center\">III</p>\n</td>\n<td width=\"56\">\n<p align=\"center\">IV</p>\n</td>\n<td width=\"58\">\n<p align=\"center\">V</p>\n</td>\n<td width=\"70\">\n<p align=\"center\">VI</p>\n</td>\n<td width=\"53\">\n<p align=\"center\">VII</p>\n</td>\n</tr>\n<tr>\n<td>\n<p align=\"center\">B1</p>\n</td>\n<td width=\"64\">\n<p align=\"center\">1.407,47*</p>\n</td>\n<td width=\"57\">\n<p align=\"center\">1.548,22</p>\n</td>\n<td width=\"57\">\n<p align=\"center\">1.759,34</p>\n</td>\n<td width=\"56\">\n<p align=\"center\">2.111,21</p>\n</td>\n<td width=\"58\">\n<p align=\"center\">2.463,07</p>\n</td>\n<td width=\"70\">\n<p align=\"center\">2.674,19</p>\n</td>\n<td width=\"53\">\n<p align=\"center\">2.814,94</p>\n</td>\n</tr>\n<tr>\n<td>\n<p align=\"center\">B2</p>\n</td>\n<td width=\"64\">\n<p align=\"center\">1.713,45</p>\n</td>\n<td width=\"57\">\n<p align=\"center\">1.884,80</p>\n</td>\n<td width=\"57\">\n<p align=\"center\">2.141,81</p>\n</td>\n<td width=\"56\">\n<p align=\"center\">2.570,18</p>\n</td>\n<td width=\"58\">\n<p align=\"center\">2.998,54</p>\n</td>\n<td width=\"70\">\n<p align=\"center\">3.255,56</p>\n</td>\n<td width=\"53\">\n<p align=\"center\">3.426,90</p>\n</td>\n</tr>\n<tr>\n<td>\n<p align=\"center\">B3</p>\n</td>\n<td width=\"64\">\n<p align=\"center\">1.919,80</p>\n</td>\n<td width=\"57\">\n<p align=\"center\">2.111,78</p>\n</td>\n<td width=\"57\">\n<p align=\"center\">2.399,75</p>\n</td>\n<td width=\"56\">\n<p align=\"center\">2.879,70</p>\n</td>\n<td width=\"58\">\n<p align=\"center\">3.359,65</p>\n</td>\n<td width=\"70\">\n<p align=\"center\">3.647,62</p>\n</td>\n<td width=\"53\">\n<p align=\"center\">3.839,60</p>\n</td>\n</tr>\n</tbody>\n</table>\n<p> </p>\n<p>* A partir del 1°<br />\nde septiembre, el nivel B1-I quedará en Bs. 1.548,22 homologado al salario<br />\nmínimo nacional</p>\n<p>Técnico Superior </p>\n<table border=\"1\" cellpadding=\"0\" cellspacing=\"0\" width=\"455\">\n<tbody>\n<tr>\n<td width=\"39\"></td>\n<td width=\"66\">\n<p>I</p>\n</td>\n<td width=\"57\">\n<p>II</p>\n</td>\n<td width=\"57\">\n<p>III</p>\n</td>\n<td width=\"57\">\n<p>IV</p>\n</td>\n<td width=\"57\">\n<p>V</p>\n</td>\n<td width=\"66\">\n<p>VI</p>\n</td>\n<td width=\"57\">\n<p>VII</p>\n</td>\n</tr>\n<tr>\n<td width=\"39\">\n<p>T1</p>\n</td>\n<td width=\"66\">\n<p>2.021,30</p>\n</td>\n<td width=\"57\">\n<p>2.223,43</p>\n</td>\n<td width=\"57\">\n<p>2.526,63</p>\n</td>\n<td width=\"57\">\n<p>3.031,95</p>\n</td>\n<td width=\"57\">\n<p>3.537,28</p>\n</td>\n<td width=\"66\">\n<p>3.840,47</p>\n</td>\n<td width=\"57\">\n<p>4.042,60</p>\n</td>\n</tr>\n<tr>\n<td width=\"39\">\n<p>T2</p>\n</td>\n<td width=\"66\">\n<p>2.088,00</p>\n</td>\n<td width=\"57\">\n<p>2.296,80</p>\n</td>\n<td width=\"57\">\n<p>2.610,00</p>\n</td>\n<td width=\"57\">\n<p>3.132,00</p>\n</td>\n<td width=\"57\">\n<p>3.654,00</p>\n</td>\n<td width=\"66\">\n<p>3.967,20</p>\n</td>\n<td width=\"57\">\n<p>4.176,00</p>\n</td>\n</tr>\n</tbody>\n</table>\n<p>\nProfesional Universitario </p>\n<table border=\"1\" cellpadding=\"0\" cellspacing=\"0\" width=\"457\">\n<tbody>\n<tr>\n<td width=\"39\"></td>\n<td width=\"66\">\n<p>I</p>\n</td>\n<td width=\"57\">\n<p>II</p>\n</td>\n<td width=\"57\">\n<p>III</p>\n</td>\n<td width=\"57\">\n<p>IV</p>\n</td>\n<td width=\"57\">\n<p>V</p>\n</td>\n<td width=\"64\">\n<p>VI</p>\n</td>\n<td width=\"59\">\n<p>VII</p>\n</td>\n</tr>\n<tr>\n<td width=\"39\">\n<p>P1</p>\n</td>\n<td width=\"66\">\n<p>2.150,35</p>\n</td>\n<td width=\"57\">\n<p>2.365,39</p>\n</td>\n<td width=\"57\">\n<p>2.887,94</p>\n</td>\n<td width=\"57\">\n<p>3.225,53</p>\n</td>\n<td width=\"57\">\n<p>3.763,11</p>\n</td>\n<td width=\"64\">\n<p>4.085,67</p>\n</td>\n<td width=\"59\">\n<p>4.300,70</p>\n</td>\n</tr>\n<tr>\n<td width=\"39\">\n<p>P2</p>\n</td>\n<td width=\"66\">\n<p>2.270,70</p>\n</td>\n<td width=\"57\">\n<p>2.497,77</p>\n</td>\n<td width=\"57\">\n<p>2.838,38</p>\n</td>\n<td width=\"57\">\n<p>3.406,05</p>\n</td>\n<td width=\"57\">\n<p>3.973,73</p>\n</td>\n<td width=\"64\">\n<p>4.314,33</p>\n</td>\n<td width=\"59\">\n<p>4.541,40</p>\n</td>\n</tr>\n<tr>\n<td width=\"39\">\n<p>P3</p>\n</td>\n<td width=\"66\">\n<p>2.311,30</p>\n</td>\n<td width=\"57\">\n<p>2.542,43</p>\n</td>\n<td width=\"57\">\n<p>2.889,13</p>\n</td>\n<td width=\"57\">\n<p>3.466,95</p>\n</td>\n<td width=\"57\">\n<p>4.044,78</p>\n</td>\n<td width=\"64\">\n<p>4.391,47</p>\n</td>\n<td width=\"59\">\n<p>4.622,60</p>\n</td>\n</tr>\n</tbody>\n</table>\n<p>Artículo 3: La<br />\naplicación de la escala establecida en el presente Decreto, da derecho a la<br />\nasignación de sueldo inicial o básico de cada grado. Cuando el sueldo total del<br />\nfuncionario constituido por el sueldo inicial o básico aquí establecido más las<br />\ncompensaciones percibidas al 30 de abril de 2011, resultan superior a dicho<br />\nsueldo, se mantendrá su remuneración total dentro del rango contemplado entre<br />\nlos mínimos y máximos correspondientes al grupo. </p>\n<p>El último nivel de cada grupo en la escala de sueldos objeto del presente<br />\nDecreto, es el máximo del sueldo que puede ser percibido en el grupo o clase de<br />\ncargos correspondientes. </p>\n<p>Artículo 4: Queda entendido<br />\nque en el sueldo básico establecido en el presente Decreto, se encuentran<br />\nincluidos los ajustes realizados al salario mínimo nacional obligatorio. </p>\n<p>Artículo 5: Los órganos y<br />\nentes de la Administración Pública Nacional sujetos a este Decreto no podrán<br />\notorgar ingresos de carácter salarial distintos a los previstos en la escala<br />\nestablecida en el artículo 2°. </p>\n<p>Artículo 6: Se excluyen de<br />\nla aplicación del presente Decreto las funcionarias y funcionarios, empleadas y<br />\nempleados al servicios de entes u órganos de la Administración Pública con<br />\nsistemas de remuneraciones especiales o diferentes, de conformidad con las<br />\nexclusiones establecidas en la ley. </p>\n<p>Artículo 7: Las escalas de<br />\nsueldos establecidas en el artículo 2° del presente Decreto, son aplicables a<br />\ntítulo de referencia a los trabajadores que prestan sus servicios a las<br />\ngobernaciones y alcaldías y sus entes adscritos. En todo caso, la Dirección de<br />\nRecursos Humanos de éstas, podrá realizar el respectivo estudio de<br />\nclasificación y definición de las tareas, perfiles y competencias de los cargos<br />\nrequeridos para el cumplimiento de los objetivos y metas institucionales de<br />\nconformidad con las directrices establecidas en este Decreto y en concordancia<br />\ncon las directrices del órgano de planificación de cada estado o municipio. </p>\n<p>Artículo 8: El presente<br />\nDecreto no es aplicable a las personas contratadas en la Administración Pública<br />\nNacional que realicen tareas de consultoría, asesoría o actividades especiales<br />\nde difícil reclutamiento. </p>\n<p>Artículo 9: Las dudas que<br />\nse susciten con motivo de la aplicación de este Decreto, serán resueltas por el<br />\nMinisterio del Poder Popular de Planificación y Finanzas. </p>\n<p>Artículo 10: Este Decreto<br />\nentrará en vigencia a partir del 1° de mayo de 2011. </p>\n<p>Artículo 11: El<br />\nVicepresidente Ejecutivo y los Ministros quedan encargados de la ejecución del<br />\npresente Decreto. </p>\n<p>Dado en Caracas, a los veinticinco días del mes de abril de dos mil once. Años<br />\n201° de la Independencia, y 151° de la Federación y 12° de la Revolución<br />\nBolivariana. </p>\n<p>Ejecútese <br />\n(L.S.)</p>\n<p>Hugo Chávez Frías</p>\n<p>También se incrementó el tabulador salarial para las obreras y los<br />\nobreros al servicio de la Administración Pública</p>\n<p>25 de abril de 2011</p>\n<p>Decreto N° 8.169</p>\n<p>Hugo Chávez Frías <br />\nPresidente de la República</p>\n<p>Con el supremo compromiso y voluntad de lograr la mayor eficacia política<br />\ny calidad revolucionaria en la construcción del Socialismo, la refundación de<br />\nla nación venezolana, basado en principios humanistas, sustentado en<br />\ncondiciones morales y éticas que persiguen el progreso de la patria y del<br />\ncolectivo, por mandato del pueblo y en ejercicio de la atribución que le<br />\nconfiere el numeral 11 del artículo 236 de la Constitución de la República<br />\nBolivariana de Venezuela y de conformidad con lo dispuesto en el artículo 55 de<br />\nla Ley de Estatuto de la Función Pública y 180 del Reglamento General de la Ley<br />\nde Carrera Administrativa, en Consejo de Ministros,</p>\n<p>Considerando </p>\n<p>Que la dignificación de los trabajadores es un aspecto esencial de la<br />\ndemocratización que busca la nueva institucionalidad del Estado, y que los<br />\nservidores públicos, como los hombres y mujeres que ponen la administración al<br />\nservicio del pueblo, son una parte importante y particular del mundo del<br />\ntrabajo necesaria para cubrir la deuda social en la República Bolivariana de<br />\nVenezuela y cumplir con el propósito igualitario de nuestra Constitución,</p>\n<p>Considerando </p>\n<p>Que para el Gobierno Bolivariano, las reivindicaciones salariales de las<br />\nobreras y obreros de la Administración Pública representan un objetivo estratégico<br />\nrevolucionario, a los fines de otorgar la mayor suma de felicidad a nuestro<br />\npueblo,</p>\n<p>Decreta</p>\n<p>El siguiente,</p>\n<p>Sistema de remuneraciones de las Obreras y Obreros de la Administración<br />\nPública Nacional</p>\n<p>Artículo 1: El presente Decreto tiene por objeto regular y establecer el<br />\nTabulador General de Salarios para las Obreras y Obreros al servicio de la<br />\nAdministración Pública Nacional. </p>\n<p>Artículo 2: Se aprueba el tabulador salarial para las obreras y obreros<br />\nal servicio de la Administración Pública Nacional, como sigue:</p>\n<table border=\"1\" cellpadding=\"0\" cellspacing=\"0\" width=\"398\">\n<tbody>\n<tr>\n<td width=\"398\">\n<p align=\"center\">No<br />\n  Calificado</p>\n</td>\n</tr>\n</tbody>\n</table>\n<p align=\"center\"> </p>\n<table border=\"1\" cellpadding=\"0\" cellspacing=\"0\">\n<tbody>\n<tr>\n<td width=\"86\">\n<p align=\"center\">Grado</p>\n</td>\n<td width=\"142\">\n<p align=\"center\">Mínimo</p>\n</td>\n<td width=\"170\">\n<p align=\"center\">Máximo</p>\n</td>\n</tr>\n<tr>\n<td width=\"86\">\n<p align=\"center\">1</p>\n</td>\n<td width=\"142\">\n<p align=\"center\">1.407,00</p>\n</td>\n<td width=\"170\">\n<p align=\"center\">2.110,50</p>\n</td>\n</tr>\n<tr>\n<td width=\"86\">\n<p align=\"center\">2</p>\n</td>\n<td width=\"142\">\n<p align=\"center\">1.611,00</p>\n</td>\n<td width=\"170\">\n<p align=\"center\">2.416,50</p>\n</td>\n</tr>\n<tr>\n<td width=\"86\">\n<p align=\"center\">3</p>\n</td>\n<td width=\"142\">\n<p align=\"center\">1.674,00</p>\n</td>\n<td width=\"170\">\n<p align=\"center\">2.511,00</p>\n</td>\n</tr>\n<tr>\n<td width=\"86\">\n<p align=\"center\">4</p>\n</td>\n<td width=\"142\">\n<p align=\"center\">1.738,00</p>\n</td>\n<td width=\"170\">\n<p align=\"center\">2.607,00</p>\n</td>\n</tr>\n</tbody>\n</table>\n<p> </p>\n<table border=\"1\" cellpadding=\"0\" cellspacing=\"0\">\n<tbody>\n<tr>\n<td width=\"398\">\n<p align=\"center\">Calificado</p>\n</td>\n</tr>\n</tbody>\n</table>\n<p align=\"center\"> </p>\n<table border=\"1\" cellpadding=\"0\" cellspacing=\"0\">\n<tbody>\n<tr>\n<td width=\"86\">\n<p align=\"center\">Grado</p>\n</td>\n<td width=\"142\">\n<p align=\"center\">Mínimo</p>\n</td>\n<td width=\"170\">\n<p align=\"center\">Máximo</p>\n</td>\n</tr>\n<tr>\n<td width=\"86\">\n<p align=\"center\">5</p>\n</td>\n<td width=\"142\">\n<p align=\"center\">1.801,00</p>\n</td>\n<td width=\"170\">\n<p align=\"center\">2.701,50</p>\n</td>\n</tr>\n<tr>\n<td width=\"86\">\n<p align=\"center\">6</p>\n</td>\n<td width=\"142\">\n<p align=\"center\">1.864,00</p>\n</td>\n<td width=\"170\">\n<p align=\"center\">2.796,00</p>\n</td>\n</tr>\n<tr>\n<td width=\"86\">\n<p align=\"center\">7</p>\n</td>\n<td width=\"142\">\n<p align=\"center\">1.928,00</p>\n</td>\n<td width=\"170\">\n<p align=\"center\">2.892,00</p>\n</td>\n</tr>\n<tr>\n<td width=\"86\">\n<p align=\"center\">8</p>\n</td>\n<td width=\"142\">\n<p align=\"center\">1.991,00</p>\n</td>\n<td width=\"170\">\n<p align=\"center\">2.986,50</p>\n</td>\n</tr>\n</tbody>\n</table>\n<p align=\"center\"> </p>\n<table border=\"1\" cellpadding=\"0\" cellspacing=\"0\">\n<tbody>\n<tr>\n<td width=\"398\">\n<p align=\"center\">Supervisor</p>\n</td>\n</tr>\n</tbody>\n</table>\n<p> </p>\n<table border=\"1\" cellpadding=\"0\" cellspacing=\"0\">\n<tbody>\n<tr>\n<td width=\"86\">\n<p align=\"center\">Grado</p>\n</td>\n<td width=\"142\">\n<p align=\"center\">Mínimo</p>\n</td>\n<td width=\"170\">\n<p align=\"center\">Máximo</p>\n</td>\n</tr>\n<tr>\n<td width=\"86\">\n<p align=\"center\">9</p>\n</td>\n<td width=\"142\">\n<p align=\"center\">2.054,00</p>\n</td>\n<td width=\"170\">\n<p align=\"center\">3.081,00</p>\n</td>\n</tr>\n<tr>\n<td width=\"86\">\n<p align=\"center\">10</p>\n</td>\n<td width=\"142\">\n<p align=\"center\">2.118,00</p>\n</td>\n<td width=\"170\">\n<p align=\"center\">3.177,00</p>\n</td>\n</tr>\n</tbody>\n</table>\n<p>Artículo 3: La aplicación del tabulador salarial establecido en el<br />\nartículo 2° del presente Decreto, da derecho a la asignación de salario inicial<br />\no básico de cada grado. Cuando el salario total de la obrera y obrero<br />\nconstituido por el salario inicial o básico aquí establecido al 30 de abril de<br />\n2011, resulta superior a dicho salario, se mantendrá su remuneración total<br />\ndentro del grado contemplado entre los mínimos y máximos correspondientes al<br />\ngrado. </p>\n<p>En el nivel máximo del tabulador salario por cada grado, objeto del presente<br />\nDecreto, es el máximo del salario que puede ser percibido en el grado<br />\ncorrespondiente. </p>\n<p>Artículo 4: Los órganos y entes de la Administración Pública Nacional sujetos a<br />\neste Decreto no podrán otorgar ingresos de carácter salarial distintos a los previstos<br />\nen el tabulador establecido en el artículo 2. </p>\n<p>Artículo 5: Se excluyen de la aplicación del presente Decreto las obreras y<br />\nobreros al servicio de los entes u órganos de la Administración Pública con<br />\nsistemas de remuneraciones especiales o diferentes, de conformidad con las<br />\nexclusiones establecidas en la ley. </p>\n<p>Artículo 6: El tabulador salarial establecido en el artículo 5 del presente<br />\nDecreto, es aplicable a título de referencia a los trabajadores que prestan sus<br />\nservicios a las gobernaciones y alcaldías y sus entes adscritos. En todo caso,<br />\nla Dirección de Recursos Humanos de éstas, podrá realizar el respectivo<br />\nestudios de clasificación y definición de las tareas, perfiles y competencias<br />\nde los cargos requeridos para el cumplimiento de los objetivos y metas<br />\ninstitucionales de conformidad con las directrices establecidas en este Decreto<br />\ny en concordancia con las directrices del órgano de planificación de cada<br />\nestado o municipio. </p>\n<p>Artículo 7: El presente Decreto no es aplicable a las personas contratadas en<br />\nla Administración Pública Nacional que realicen tareas de consultoría, asesoría<br />\no actividades especializadas de difícil reclutamiento. </p>\n<p>Artículo 8: Las dudas que se susciten con motivo de la aplicación de este<br />\nDecreto, serán resueltas por el Ministerio del Poder Popular para el Trabajo y<br />\nSeguridad Social y el Ministerio del Poder Popular de Planificación y Finanzas. </p>\n<p>Artículo 9: Este Decreto entrará en vigencia a partir del 1° de mayo de 2011. </p>\n<p>Artículo 10: El vicepresidente Ejecutivo y los Ministros quedan encargados de<br />\nla ejecución del presente Decreto. </p>\n<p>Dado en Caracas, a los veinticinco días del mes de abril de dos mil once, años<br />\n201° de la Independencia, y 151° de la Federación y 12° de la Revolución<br />\nBolivariana. </p>\n<p>Ejecútese, <br />\n(L.S.)</p>\n<p>Hugo Chávez Frías</p>\n<p> </p>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/MX1JYVDEvKE\" height=\"1\" width=\"1\"/>\";}i:25;a:14:{s:5:\"title\";s:36:\"Babe Sowers was a brick-layin’ man\";s:4:\"link\";s:60:\"http://feedproxy.google.com/~r/ArchivesBlogs/~3/W7EnTcd-y10/\";s:8:\"comments\";s:97:\"http://www.lib.unc.edu/blogs/ncm/index.php/2011/05/01/babe-sowers-was-a-brick-layin-man/#comments\";s:7:\"pubdate\";s:31:\"Sun, 01 May 2011 09:36:32 +0000\";s:2:\"dc\";a:1:{s:7:\"creator\";s:25:\"North Carolina Miscellany\";}s:8:\"category\";s:7:\"English\";s:4:\"guid\";s:40:\"http://www.lib.unc.edu/blogs/ncm/?p=8795\";s:11:\"description\";s:365:\"&#8220;[John D. Rockefeller Jr.] did not feel satisfied with the quality of red bricks being made for the reconstructions and restorations [at Colonial Williamsburg] until his staff found, by serendipity, Babe Sowers, a black man who still molded bricks by hand on a farm near Winston-Salem, North Carolina, just as his great-great-grandfather and everyone in [...]\";s:7:\"content\";a:1:{s:7:\"encoded\";s:903:\"<p>&#8220;[John D. Rockefeller Jr.] did not feel satisfied with the quality of red bricks being made for the reconstructions and restorations [at Colonial Williamsburg] until his staff found, by serendipity, Babe Sowers, a black man who still molded bricks by hand on a farm near Winston-Salem, North Carolina, just as his great-great-grandfather and everyone in between had done.</p>\n<p>&#8220;Babe Sowers became a hero to the Rockefeller purists. He could mold 12 bricks a minute, or 4,000 per day. John Henry, move over and make way for Babe Sowers, a man whose legendary efforts were witnessed and documented.&#8221;</p>\n<p><strong>&#8211; From &#8220;Mystic Chords of Memory: </strong><strong>The Transformation of Tradition in American Culture&#8221; by Michael Kammen (1991)</strong></p>\n<p>&#8211;</p>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/W7EnTcd-y10\" height=\"1\" width=\"1\"/>\";}s:3:\"wfw\";a:1:{s:10:\"commentrss\";s:93:\"http://www.lib.unc.edu/blogs/ncm/index.php/2011/05/01/babe-sowers-was-a-brick-layin-man/feed/\";}s:5:\"slash\";a:1:{s:8:\"comments\";s:1:\"0\";}s:10:\"feedburner\";a:1:{s:8:\"origlink\";s:88:\"http://www.lib.unc.edu/blogs/ncm/index.php/2011/05/01/babe-sowers-was-a-brick-layin-man/\";}s:7:\"summary\";s:365:\"&#8220;[John D. Rockefeller Jr.] did not feel satisfied with the quality of red bricks being made for the reconstructions and restorations [at Colonial Williamsburg] until his staff found, by serendipity, Babe Sowers, a black man who still molded bricks by hand on a farm near Winston-Salem, North Carolina, just as his great-great-grandfather and everyone in [...]\";s:12:\"atom_content\";s:903:\"<p>&#8220;[John D. Rockefeller Jr.] did not feel satisfied with the quality of red bricks being made for the reconstructions and restorations [at Colonial Williamsburg] until his staff found, by serendipity, Babe Sowers, a black man who still molded bricks by hand on a farm near Winston-Salem, North Carolina, just as his great-great-grandfather and everyone in between had done.</p>\n<p>&#8220;Babe Sowers became a hero to the Rockefeller purists. He could mold 12 bricks a minute, or 4,000 per day. John Henry, move over and make way for Babe Sowers, a man whose legendary efforts were witnessed and documented.&#8221;</p>\n<p><strong>&#8211; From &#8220;Mystic Chords of Memory: </strong><strong>The Transformation of Tradition in American Culture&#8221; by Michael Kammen (1991)</strong></p>\n<p>&#8211;</p>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/W7EnTcd-y10\" height=\"1\" width=\"1\"/>\";}i:26;a:13:{s:5:\"title\";s:22:\"Ghost in the archives?\";s:4:\"link\";s:60:\"http://feedproxy.google.com/~r/ArchivesBlogs/~3/lGcoVKt7S_o/\";s:8:\"comments\";s:51:\"http://archiv.twoday.net/stories/16593259/#comments\";s:7:\"pubdate\";s:31:\"Sun, 01 May 2011 07:29:00 +0000\";s:2:\"dc\";a:1:{s:7:\"creator\";s:10:\"Archivalia\";}s:8:\"category\";s:7:\"Deutsch\";s:11:\"description\";s:255:\"\n\nEs ist ja angenehm, dass zentrale Magazin meines Archivs in der Nähe der eigenen Wohnung zu haben. Aber diese Nähe verleitet zu Arbeiten an ungewöhnlichen Zeiten. Im tageslichtlosen Magazinraum verliert man schon  einmal die Zeit aus den Augen und...\";s:7:\"content\";a:1:{s:7:\"encoded\";s:1225:\"<p><object width=\"500\" height=\"405\"><param name=\"movie\" value=\"http://www.youtube.com/v/Hz5ennHVWeA?fs=1&#038;hl=de_DE&#038;rel=0\"></param><param name=\"allowFullScreen\" value=\"true\"></param><param name=\"allowscriptaccess\" value=\"always\"></param><embed src=\"http://www.youtube.com/v/Hz5ennHVWeA?fs=1&#038;hl=de_DE&#038;rel=0\" type=\"application/x-shockwave-flash\" width=\"500\" height=\"405\" allowscriptaccess=\"always\" allowfullscreen=\"true\"></embed></object></p>\n<p>Es ist ja angenehm, dass zentrale Magazin meines Archivs in der Nähe der eigenen Wohnung zu haben. Aber diese Nähe verleitet zu Arbeiten an ungewöhnlichen Zeiten. Im tageslichtlosen Magazinraum verliert man schon  einmal die Zeit aus den Augen und bleibt viel zu lange. Ungewöhnliche Geräusche wechseln sich mit lautloser Stille ab. Gestern abend gegen Mitternacht hatte ich glücklicherweise meine Kamera mit, um dieses Video aufnehmen.<br />\nNatürlich bin ich in den dunklen Magazinraum gerannt, um nachzusehen. Nichts, eingeschlossen hatte ich jedenfalls nichts und niemanden.<br />\nLiebe Lesenden, sind Euch ähnliche Erscheinungen widerfahren?</p>\n<p>(E)</p>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/lGcoVKt7S_o\" height=\"1\" width=\"1\"/>\";}s:3:\"wfw\";a:1:{s:10:\"commentrss\";s:46:\"http://archivesblogs.com/archives/3807705/feed\";}s:5:\"slash\";a:1:{s:8:\"comments\";s:1:\"0\";}s:10:\"feedburner\";a:1:{s:8:\"origlink\";s:42:\"http://archiv.twoday.net/stories/16593259/\";}s:7:\"summary\";s:255:\"\n\nEs ist ja angenehm, dass zentrale Magazin meines Archivs in der Nähe der eigenen Wohnung zu haben. Aber diese Nähe verleitet zu Arbeiten an ungewöhnlichen Zeiten. Im tageslichtlosen Magazinraum verliert man schon  einmal die Zeit aus den Augen und...\";s:12:\"atom_content\";s:1225:\"<p><object width=\"500\" height=\"405\"><param name=\"movie\" value=\"http://www.youtube.com/v/Hz5ennHVWeA?fs=1&#038;hl=de_DE&#038;rel=0\"></param><param name=\"allowFullScreen\" value=\"true\"></param><param name=\"allowscriptaccess\" value=\"always\"></param><embed src=\"http://www.youtube.com/v/Hz5ennHVWeA?fs=1&#038;hl=de_DE&#038;rel=0\" type=\"application/x-shockwave-flash\" width=\"500\" height=\"405\" allowscriptaccess=\"always\" allowfullscreen=\"true\"></embed></object></p>\n<p>Es ist ja angenehm, dass zentrale Magazin meines Archivs in der Nähe der eigenen Wohnung zu haben. Aber diese Nähe verleitet zu Arbeiten an ungewöhnlichen Zeiten. Im tageslichtlosen Magazinraum verliert man schon  einmal die Zeit aus den Augen und bleibt viel zu lange. Ungewöhnliche Geräusche wechseln sich mit lautloser Stille ab. Gestern abend gegen Mitternacht hatte ich glücklicherweise meine Kamera mit, um dieses Video aufnehmen.<br />\nNatürlich bin ich in den dunklen Magazinraum gerannt, um nachzusehen. Nichts, eingeschlossen hatte ich jedenfalls nichts und niemanden.<br />\nLiebe Lesenden, sind Euch ähnliche Erscheinungen widerfahren?</p>\n<p>(E)</p>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/lGcoVKt7S_o\" height=\"1\" width=\"1\"/>\";}i:27;a:13:{s:5:\"title\";s:41:\"Diaries as film source in Meek’s Cutoff\";s:4:\"link\";s:103:\"http://feedproxy.google.com/~r/ArchivesBlogs/~3/BdmpMzVeIfk/diaries-as-film-source-in-meeks-cutoff.html\";s:8:\"comments\";s:99:\"http://archivesandauteurs.blogspot.com/2011/05/diaries-as-film-source-in-meeks-cutoff.html#comments\";s:7:\"pubdate\";s:31:\"Sun, 01 May 2011 07:03:00 +0000\";s:2:\"dc\";a:1:{s:7:\"creator\";s:20:\"Archives and Auteurs\";}s:8:\"category\";s:7:\"English\";s:11:\"description\";s:255:\"Last night I finally got to see Meek\'s Cutoff.&#160; I was determined to get to see it at the cinema as the descriptions of the scenery and shots in the reviews I\'d read sounded stunning and I wasn\'t disappointed.&#160; Every single shot looked perfect...\";s:7:\"content\";a:1:{s:7:\"encoded\";s:6401:\"<p>Last night I finally got to see <i>Meek&#8217;s Cutoff.&nbsp; </i>I was determined to get to see it at the cinema as the descriptions of the scenery and shots in the reviews I&#8217;d read sounded stunning and I wasn&#8217;t disappointed.&nbsp; Every single shot looked perfectly placed and I kept thinking of paintings as I was watching it &#8211; for example the mustard and blue of Millie&#8217;s clothes really brought to mind Vermeer&#8217;s &#8216;Girl with a Pearl Earring&#8217;.&nbsp; The lighting was wonderful as well, the colours were muted in most of the film which emphasised the barren and dry landscape they inhabited.&nbsp;</p>\n<p>Even before reading reviews I knew I wanted to see this film, firstly because it is directed by Kelly Reichardt, the director of <i>Old Joy </i>and <i>Wendy and Lucy</i>, both of which I really enjoyed, although some of the scenes in <i>Old Joy </i>did<i> </i>make quite uncomfortable viewing.&nbsp; On a side note there&#8217;s a really good video essay on the scenery in <i>Old Joy</i> over at <a href=\"http://www.fandor.com/blog/?p=3695\">Fandor</a>.&nbsp; Also the presence of Michelle Williams is always going to interest me as she picks some very quirky and interesting films, and she is just so super stylish too! However<i> </i>what&nbsp;I wanted to focus on here was an aspect that really intrigued me &#8211; the influence of diaries written by pioneer women on the director and, Jon Raymond, the scriptwriter.&nbsp; Here&#8217;s an example (from <a href=\"http://www.sodapictures.com/meekscutoff/kelly.html\">SodaPictures</a>):</p>\n<p>&#8220;<i>When researching <span class=\"artist\">MEEK&#8217;S CUTOFF</span> we were reading a lot of diaries from the period. Of course, the women were the diary keepers and the diaries offer such a specific take on the history. It&#8217;s a very different tone and point of view than what we see in the Hollywood Western&#8230; The other thing you get from the diaries is the loneliness women felt. I remember one woman writing that she was keeping a diary in case her husband should ever want to know her. On the one hand you&#8217;re never really alone and have no privacy on the trail and yet you’re incredibly isolated, too. The exceptions seemed to be the friendships the women formed with each other.</i><br /><i>You also get the sense that the diaries are the only thing besides the weather that mark the passing of time. The journey seems trance-like with each long day bleeding into the next. These are some of the things we tried to get across. The stillness, the silence and the super unforgiving and dynamic landscape.</i>&#8220;<span class=\"author\">- Kelly Reichardt</span></p>\n<p><span class=\"author\">From reading other reviews and interviews I realise that the diaries were inspiration rather than literal source material for the story and it just really interested me to see the amount of research that was put into the film.&nbsp; I spent so long cataloguing Lindsay Anderson&#8217;s diaries for whom they seemed to serve myriad purposes &#8211; discussing the progress on whatever film or play he was working on, working out ideas, venting steam at people who annoyed him, noting his always continuing battle with his waistline, what he bought at the supermarket that day, but also, sadly, they also seemed to serve as his closest confidant and friend.&nbsp; In addition to sometimes feeling like an intruder reading such personal thoughts his diaries also made me quite sad at times, to think that they were the best (or only) place he felt he could confide.&nbsp; Kelly&#8217;s memory from one of the diaries she read, that &#8216;one woman was keeping a diary in case her husband should ever want to know her&#8217; echoes this use of the diary as a remedy or tonic for loneliness.&nbsp; It also brings up the issue of whether or not people write their diaries with the hope that others might read them.&nbsp;&nbsp;</span><br /><span class=\"author\"><br /></span><br /><span class=\"author\">Which leads me on to a few really interesting diary related projects I&#8217;ve been reading about recently.&nbsp; I heard about <a href=\"http://www.herfiveyeardiary.com/\">Her Five Year Diary</a> thanks to <a href=\"http://blog.caseybrowndesigns.com/page/3/\">Casey&#8217;s Elegant Musings</a></span><br /><span class=\"author\">and I&#8217;ve been enjoying reading it since.&nbsp; Sara, the creator of the blog, found the diary at an estate sale and was intrigued.&nbsp;&nbsp; The diary is from 1961 &#8211; 1965 and from reading the entries she knows the diary writer was a female teacher in a deaf school in the Seattle area.&nbsp; She wrote an entry every day for 5 years so Sara is now posting each day&#8217;s diary online.&nbsp; I love the idea of this and I think all the mundane everyday things are as interesting as special events.&nbsp;&nbsp;</span><br /><span class=\"author\"><br /></span><br /><span class=\"author\">The other diary related project is a current project running at West Yorkshire Archives Service&#8217;s where they are using Local History Month to highlight all the diaries in their Archive.&nbsp; On their blog they discuss the huge variety of types of diaries they hold, from the everyday lives of people in the area, for example a farming diary from Bottom Boat Farm, to the diaries of soldiers posted abroad, to diaries from peoples holiday travels.&nbsp; You&#8217;ll be able to see the exhibition at all the Archive centres in West Yorkshire but for those who can&#8217;t make it then you can read about it on their blog, <a href=\"http://wyascatablogue.wordpress.com/2011/05/01/diaries/\">Catablogue</a>.</span><br /><span class=\"author\"><br /></span><br /><span class=\"author\">I don&#8217;t keep a diary myself, though I do enjoy reading other peoples, when I&#8217;m cataloguing them, or reading about other people&#8217;s projects with diaries, and also in published form.&nbsp; Does this mean I&#8217;m nosy &#8211; I prefer to think it just means I&#8217;ve picked the right profession where I can get paid to indulge my interests on other people&#8217;s news!</span>\n<div class=\"blogger-post-footer\"><img width=\'1\' height=\'1\' src=\'https://blogger.googleusercontent.com/tracker/8812363851884454379-6921654409324911447?l=archivesandauteurs.blogspot.com\' alt=\'\' /></div>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/BdmpMzVeIfk\" height=\"1\" width=\"1\"/>\";}s:3:\"wfw\";a:1:{s:10:\"commentrss\";s:81:\"http://archivesandauteurs.blogspot.com/feeds/6921654409324911447/comments/default\";}s:5:\"slash\";a:1:{s:8:\"comments\";s:1:\"0\";}s:10:\"feedburner\";a:1:{s:8:\"origlink\";s:90:\"http://archivesandauteurs.blogspot.com/2011/05/diaries-as-film-source-in-meeks-cutoff.html\";}s:7:\"summary\";s:255:\"Last night I finally got to see Meek\'s Cutoff.&#160; I was determined to get to see it at the cinema as the descriptions of the scenery and shots in the reviews I\'d read sounded stunning and I wasn\'t disappointed.&#160; Every single shot looked perfect...\";s:12:\"atom_content\";s:6401:\"<p>Last night I finally got to see <i>Meek&#8217;s Cutoff.&nbsp; </i>I was determined to get to see it at the cinema as the descriptions of the scenery and shots in the reviews I&#8217;d read sounded stunning and I wasn&#8217;t disappointed.&nbsp; Every single shot looked perfectly placed and I kept thinking of paintings as I was watching it &#8211; for example the mustard and blue of Millie&#8217;s clothes really brought to mind Vermeer&#8217;s &#8216;Girl with a Pearl Earring&#8217;.&nbsp; The lighting was wonderful as well, the colours were muted in most of the film which emphasised the barren and dry landscape they inhabited.&nbsp;</p>\n<p>Even before reading reviews I knew I wanted to see this film, firstly because it is directed by Kelly Reichardt, the director of <i>Old Joy </i>and <i>Wendy and Lucy</i>, both of which I really enjoyed, although some of the scenes in <i>Old Joy </i>did<i> </i>make quite uncomfortable viewing.&nbsp; On a side note there&#8217;s a really good video essay on the scenery in <i>Old Joy</i> over at <a href=\"http://www.fandor.com/blog/?p=3695\">Fandor</a>.&nbsp; Also the presence of Michelle Williams is always going to interest me as she picks some very quirky and interesting films, and she is just so super stylish too! However<i> </i>what&nbsp;I wanted to focus on here was an aspect that really intrigued me &#8211; the influence of diaries written by pioneer women on the director and, Jon Raymond, the scriptwriter.&nbsp; Here&#8217;s an example (from <a href=\"http://www.sodapictures.com/meekscutoff/kelly.html\">SodaPictures</a>):</p>\n<p>&#8220;<i>When researching <span class=\"artist\">MEEK&#8217;S CUTOFF</span> we were reading a lot of diaries from the period. Of course, the women were the diary keepers and the diaries offer such a specific take on the history. It&#8217;s a very different tone and point of view than what we see in the Hollywood Western&#8230; The other thing you get from the diaries is the loneliness women felt. I remember one woman writing that she was keeping a diary in case her husband should ever want to know her. On the one hand you&#8217;re never really alone and have no privacy on the trail and yet you’re incredibly isolated, too. The exceptions seemed to be the friendships the women formed with each other.</i><br /><i>You also get the sense that the diaries are the only thing besides the weather that mark the passing of time. The journey seems trance-like with each long day bleeding into the next. These are some of the things we tried to get across. The stillness, the silence and the super unforgiving and dynamic landscape.</i>&#8220;<span class=\"author\">- Kelly Reichardt</span></p>\n<p><span class=\"author\">From reading other reviews and interviews I realise that the diaries were inspiration rather than literal source material for the story and it just really interested me to see the amount of research that was put into the film.&nbsp; I spent so long cataloguing Lindsay Anderson&#8217;s diaries for whom they seemed to serve myriad purposes &#8211; discussing the progress on whatever film or play he was working on, working out ideas, venting steam at people who annoyed him, noting his always continuing battle with his waistline, what he bought at the supermarket that day, but also, sadly, they also seemed to serve as his closest confidant and friend.&nbsp; In addition to sometimes feeling like an intruder reading such personal thoughts his diaries also made me quite sad at times, to think that they were the best (or only) place he felt he could confide.&nbsp; Kelly&#8217;s memory from one of the diaries she read, that &#8216;one woman was keeping a diary in case her husband should ever want to know her&#8217; echoes this use of the diary as a remedy or tonic for loneliness.&nbsp; It also brings up the issue of whether or not people write their diaries with the hope that others might read them.&nbsp;&nbsp;</span><br /><span class=\"author\"><br /></span><br /><span class=\"author\">Which leads me on to a few really interesting diary related projects I&#8217;ve been reading about recently.&nbsp; I heard about <a href=\"http://www.herfiveyeardiary.com/\">Her Five Year Diary</a> thanks to <a href=\"http://blog.caseybrowndesigns.com/page/3/\">Casey&#8217;s Elegant Musings</a></span><br /><span class=\"author\">and I&#8217;ve been enjoying reading it since.&nbsp; Sara, the creator of the blog, found the diary at an estate sale and was intrigued.&nbsp;&nbsp; The diary is from 1961 &#8211; 1965 and from reading the entries she knows the diary writer was a female teacher in a deaf school in the Seattle area.&nbsp; She wrote an entry every day for 5 years so Sara is now posting each day&#8217;s diary online.&nbsp; I love the idea of this and I think all the mundane everyday things are as interesting as special events.&nbsp;&nbsp;</span><br /><span class=\"author\"><br /></span><br /><span class=\"author\">The other diary related project is a current project running at West Yorkshire Archives Service&#8217;s where they are using Local History Month to highlight all the diaries in their Archive.&nbsp; On their blog they discuss the huge variety of types of diaries they hold, from the everyday lives of people in the area, for example a farming diary from Bottom Boat Farm, to the diaries of soldiers posted abroad, to diaries from peoples holiday travels.&nbsp; You&#8217;ll be able to see the exhibition at all the Archive centres in West Yorkshire but for those who can&#8217;t make it then you can read about it on their blog, <a href=\"http://wyascatablogue.wordpress.com/2011/05/01/diaries/\">Catablogue</a>.</span><br /><span class=\"author\"><br /></span><br /><span class=\"author\">I don&#8217;t keep a diary myself, though I do enjoy reading other peoples, when I&#8217;m cataloguing them, or reading about other people&#8217;s projects with diaries, and also in published form.&nbsp; Does this mean I&#8217;m nosy &#8211; I prefer to think it just means I&#8217;ve picked the right profession where I can get paid to indulge my interests on other people&#8217;s news!</span>\n<div class=\"blogger-post-footer\"><img width=\'1\' height=\'1\' src=\'https://blogger.googleusercontent.com/tracker/8812363851884454379-6921654409324911447?l=archivesandauteurs.blogspot.com\' alt=\'\' /></div>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/BdmpMzVeIfk\" height=\"1\" width=\"1\"/>\";}i:28;a:13:{s:5:\"title\";s:34:\"Old West Cowboy Saloon Drink Token\";s:4:\"link\";s:90:\"http://feedproxy.google.com/~r/ArchivesBlogs/~3/pUtHDm-SEzI/cowboy-saloon-token-texas.html\";s:8:\"comments\";s:84:\"http://ephemera.typepad.com/ephemera/2011/05/cowboy-saloon-token-texas.html#comments\";s:7:\"pubdate\";s:31:\"Sun, 01 May 2011 05:18:00 +0000\";s:2:\"dc\";a:1:{s:7:\"creator\";s:8:\"ephemera\";}s:8:\"category\";s:7:\"English\";s:11:\"description\";s:211:\"This rare, old Cowboy Saloon Token is up for bid on eBay. The seller says, \"The first thing, I know nothing about tokens. This was my father\'s token he gave it to me before he passed away. I seen one...\n\n\n     \n\";s:7:\"content\";a:1:{s:7:\"encoded\";s:1893:\"<p>This rare, old Cowboy Saloon Token is up for bid on eBay. The seller says, &#8220;The first thing, I know nothing about tokens. This was my father&#8217;s token he gave it to me before he passed away. I seen one&#8230;</p>\n<p><a href=\"http://feedads.g.doubleclick.net/~a/_fl94eI-yaa1e18JKyoiQc0nuGw/0/da\"><img src=\"http://feedads.g.doubleclick.net/~a/_fl94eI-yaa1e18JKyoiQc0nuGw/0/di\" border=\"0\" ismap=\"true\"/></a><br />\n<a href=\"http://feedads.g.doubleclick.net/~a/_fl94eI-yaa1e18JKyoiQc0nuGw/1/da\"><img src=\"http://feedads.g.doubleclick.net/~a/_fl94eI-yaa1e18JKyoiQc0nuGw/1/di\" border=\"0\" ismap=\"true\"/></a></p>\n<div class=\"feedflare\">\n<a href=\"http://feeds.feedburner.com/~ff/typepad/sUGg?a=pUtHDm-SEzI:y-70NY_GeC4:yIl2AUoC8zA\"><img src=\"http://feeds.feedburner.com/~ff/typepad/sUGg?d=yIl2AUoC8zA\" border=\"0\"/></a> <a href=\"http://feeds.feedburner.com/~ff/typepad/sUGg?a=pUtHDm-SEzI:y-70NY_GeC4:F7zBnMyn0Lo\"><img src=\"http://feeds.feedburner.com/~ff/typepad/sUGg?i=pUtHDm-SEzI:y-70NY_GeC4:F7zBnMyn0Lo\" border=\"0\"/></a> <a href=\"http://feeds.feedburner.com/~ff/typepad/sUGg?a=pUtHDm-SEzI:y-70NY_GeC4:V_sGLiPBpWU\"><img src=\"http://feeds.feedburner.com/~ff/typepad/sUGg?i=pUtHDm-SEzI:y-70NY_GeC4:V_sGLiPBpWU\" border=\"0\"/></a> <a href=\"http://feeds.feedburner.com/~ff/typepad/sUGg?a=pUtHDm-SEzI:y-70NY_GeC4:gIN9vFwOqvQ\"><img src=\"http://feeds.feedburner.com/~ff/typepad/sUGg?i=pUtHDm-SEzI:y-70NY_GeC4:gIN9vFwOqvQ\" border=\"0\"/></a> <a href=\"http://feeds.feedburner.com/~ff/typepad/sUGg?a=pUtHDm-SEzI:y-70NY_GeC4:OxbUilB9EOc\"><img src=\"http://feeds.feedburner.com/~ff/typepad/sUGg?d=OxbUilB9EOc\" border=\"0\"/></a> <a href=\"http://feeds.feedburner.com/~ff/typepad/sUGg?a=pUtHDm-SEzI:y-70NY_GeC4:qj6IDK7rITs\"><img src=\"http://feeds.feedburner.com/~ff/typepad/sUGg?d=qj6IDK7rITs\" border=\"0\"/></a>\n</div>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/pUtHDm-SEzI\" height=\"1\" width=\"1\"/>\";}s:3:\"wfw\";a:1:{s:10:\"commentrss\";s:46:\"http://archivesblogs.com/archives/3803665/feed\";}s:5:\"slash\";a:1:{s:8:\"comments\";s:1:\"0\";}s:10:\"feedburner\";a:1:{s:8:\"origlink\";s:75:\"http://ephemera.typepad.com/ephemera/2011/05/cowboy-saloon-token-texas.html\";}s:7:\"summary\";s:211:\"This rare, old Cowboy Saloon Token is up for bid on eBay. The seller says, \"The first thing, I know nothing about tokens. This was my father\'s token he gave it to me before he passed away. I seen one...\n\n\n     \n\";s:12:\"atom_content\";s:1893:\"<p>This rare, old Cowboy Saloon Token is up for bid on eBay. The seller says, &#8220;The first thing, I know nothing about tokens. This was my father&#8217;s token he gave it to me before he passed away. I seen one&#8230;</p>\n<p><a href=\"http://feedads.g.doubleclick.net/~a/_fl94eI-yaa1e18JKyoiQc0nuGw/0/da\"><img src=\"http://feedads.g.doubleclick.net/~a/_fl94eI-yaa1e18JKyoiQc0nuGw/0/di\" border=\"0\" ismap=\"true\"/></a><br />\n<a href=\"http://feedads.g.doubleclick.net/~a/_fl94eI-yaa1e18JKyoiQc0nuGw/1/da\"><img src=\"http://feedads.g.doubleclick.net/~a/_fl94eI-yaa1e18JKyoiQc0nuGw/1/di\" border=\"0\" ismap=\"true\"/></a></p>\n<div class=\"feedflare\">\n<a href=\"http://feeds.feedburner.com/~ff/typepad/sUGg?a=pUtHDm-SEzI:y-70NY_GeC4:yIl2AUoC8zA\"><img src=\"http://feeds.feedburner.com/~ff/typepad/sUGg?d=yIl2AUoC8zA\" border=\"0\"/></a> <a href=\"http://feeds.feedburner.com/~ff/typepad/sUGg?a=pUtHDm-SEzI:y-70NY_GeC4:F7zBnMyn0Lo\"><img src=\"http://feeds.feedburner.com/~ff/typepad/sUGg?i=pUtHDm-SEzI:y-70NY_GeC4:F7zBnMyn0Lo\" border=\"0\"/></a> <a href=\"http://feeds.feedburner.com/~ff/typepad/sUGg?a=pUtHDm-SEzI:y-70NY_GeC4:V_sGLiPBpWU\"><img src=\"http://feeds.feedburner.com/~ff/typepad/sUGg?i=pUtHDm-SEzI:y-70NY_GeC4:V_sGLiPBpWU\" border=\"0\"/></a> <a href=\"http://feeds.feedburner.com/~ff/typepad/sUGg?a=pUtHDm-SEzI:y-70NY_GeC4:gIN9vFwOqvQ\"><img src=\"http://feeds.feedburner.com/~ff/typepad/sUGg?i=pUtHDm-SEzI:y-70NY_GeC4:gIN9vFwOqvQ\" border=\"0\"/></a> <a href=\"http://feeds.feedburner.com/~ff/typepad/sUGg?a=pUtHDm-SEzI:y-70NY_GeC4:OxbUilB9EOc\"><img src=\"http://feeds.feedburner.com/~ff/typepad/sUGg?d=OxbUilB9EOc\" border=\"0\"/></a> <a href=\"http://feeds.feedburner.com/~ff/typepad/sUGg?a=pUtHDm-SEzI:y-70NY_GeC4:qj6IDK7rITs\"><img src=\"http://feeds.feedburner.com/~ff/typepad/sUGg?d=qj6IDK7rITs\" border=\"0\"/></a>\n</div>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/pUtHDm-SEzI\" height=\"1\" width=\"1\"/>\";}i:29;a:13:{s:5:\"title\";s:24:\"Letter of the Day: May 1\";s:4:\"link\";s:84:\"http://feedproxy.google.com/~r/ArchivesBlogs/~3/cwKIeMSvC5M/letter-of-day-may-1.html\";s:8:\"comments\";s:77:\"http://bottledmonsters.blogspot.com/2011/05/letter-of-day-may-1.html#comments\";s:7:\"pubdate\";s:31:\"Sun, 01 May 2011 05:00:00 +0000\";s:2:\"dc\";a:1:{s:7:\"creator\";s:33:\"A Repository for Bottled Monsters\";}s:8:\"category\";s:7:\"English\";s:11:\"description\";s:255:\"Curatorial Records: Numbered Correspondence 03853Subject: Emergency purchasesWar Department,Surgeon General\'s Office,U.S. Army Medical Museum and Library,Corner of 7th and B Streets S.W.Washington, May 1, 1899.To the Surgeon General,U.S. Army.General:I...\";s:7:\"content\";a:1:{s:7:\"encoded\";s:1148:\"<p>Curatorial Records: Numbered Correspondence 03853</p>\n<p>Subject: Emergency purchases</p>\n<p>War Department,<br />Surgeon General&#8217;s Office,<br />U.S. Army Medical Museum and Library,<br />Corner of 7th and B Streets S.W.</p>\n<p>Washington, May 1, 1899.</p>\n<p>To the Surgeon General,<br />U.S. Army.</p>\n<p>General:</p>\n<p>I have the honor to request authority to purchase for use at the Army Medical Museum laboratory:</p>\n<p>Vegetables&#8230;.$12.00<br />Meat&#8230;&#8230;1.20<br />Milk&#8230;&#8230;28<br />Salt&#8230;&#8230;15<br />Oats&#8230;&#8230;85<br />Bran&#8230;&#8230;60<br />Corn&#8230;&#8230;35<br />Blood&#8230;..75</p>\n<p>to be paid for from the Museum Appropriation as emergency purchases.</p>\n<p>Very respectfully,<br />Dallas Bache<br />Col. &#038; Asst. Surgeon General, U.S.A.<br />In charge of Museum &#038; Library Division\n<div class=\"blogger-post-footer\"><img width=\'1\' height=\'1\' src=\'https://blogger.googleusercontent.com/tracker/4665944598420661749-5743836451937429851?l=bottledmonsters.blogspot.com\' alt=\'\' /></div>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/cwKIeMSvC5M\" height=\"1\" width=\"1\"/>\";}s:3:\"wfw\";a:1:{s:10:\"commentrss\";s:78:\"http://bottledmonsters.blogspot.com/feeds/5743836451937429851/comments/default\";}s:5:\"slash\";a:1:{s:8:\"comments\";s:1:\"0\";}s:10:\"feedburner\";a:1:{s:8:\"origlink\";s:68:\"http://bottledmonsters.blogspot.com/2011/05/letter-of-day-may-1.html\";}s:7:\"summary\";s:255:\"Curatorial Records: Numbered Correspondence 03853Subject: Emergency purchasesWar Department,Surgeon General\'s Office,U.S. Army Medical Museum and Library,Corner of 7th and B Streets S.W.Washington, May 1, 1899.To the Surgeon General,U.S. Army.General:I...\";s:12:\"atom_content\";s:1148:\"<p>Curatorial Records: Numbered Correspondence 03853</p>\n<p>Subject: Emergency purchases</p>\n<p>War Department,<br />Surgeon General&#8217;s Office,<br />U.S. Army Medical Museum and Library,<br />Corner of 7th and B Streets S.W.</p>\n<p>Washington, May 1, 1899.</p>\n<p>To the Surgeon General,<br />U.S. Army.</p>\n<p>General:</p>\n<p>I have the honor to request authority to purchase for use at the Army Medical Museum laboratory:</p>\n<p>Vegetables&#8230;.$12.00<br />Meat&#8230;&#8230;1.20<br />Milk&#8230;&#8230;28<br />Salt&#8230;&#8230;15<br />Oats&#8230;&#8230;85<br />Bran&#8230;&#8230;60<br />Corn&#8230;&#8230;35<br />Blood&#8230;..75</p>\n<p>to be paid for from the Museum Appropriation as emergency purchases.</p>\n<p>Very respectfully,<br />Dallas Bache<br />Col. &#038; Asst. Surgeon General, U.S.A.<br />In charge of Museum &#038; Library Division\n<div class=\"blogger-post-footer\"><img width=\'1\' height=\'1\' src=\'https://blogger.googleusercontent.com/tracker/4665944598420661749-5743836451937429851?l=bottledmonsters.blogspot.com\' alt=\'\' /></div>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/cwKIeMSvC5M\" height=\"1\" width=\"1\"/>\";}i:30;a:13:{s:5:\"title\";s:19:\"Einen schönen Mai!\";s:4:\"link\";s:60:\"http://feedproxy.google.com/~r/ArchivesBlogs/~3/tDPIKAlO3CY/\";s:8:\"comments\";s:51:\"http://archiv.twoday.net/stories/16586571/#comments\";s:7:\"pubdate\";s:31:\"Sat, 30 Apr 2011 22:47:00 +0000\";s:2:\"dc\";a:1:{s:7:\"creator\";s:10:\"Archivalia\";}s:8:\"category\";s:7:\"Deutsch\";s:11:\"description\";s:255:\"Aus Bayern stammt die wenig beachtete Wolfenbütteler Handschrift 172 Blankenburg, der das Bild entstammt. Sie ist leider nur ins 15. Jahrhundert und überliefert einen geistlichen Mai und einen geistlichen Herbst. Komplett einsehbar bei der HAB Wolfen...\";s:7:\"content\";a:1:{s:7:\"encoded\";s:1015:\"<p>Aus Bayern stammt die wenig beachtete Wolfenbütteler Handschrift 172 Blankenburg, der das Bild entstammt. Sie ist leider nur ins 15. Jahrhundert und überliefert einen geistlichen Mai und einen geistlichen Herbst. Komplett einsehbar bei der HAB Wolfenbüttel:</p>\n<p><a href=\"http://diglib.hab.de/mss/172-blank/start.htm\">http://diglib.hab.de/mss/172-blank/start.htm</a></p>\n<p>Wen wunderts, dass der Handschriftencensus das Digitalisat übersah?</p>\n<p><a href=\"http://www.handschriftencensus.de/19176\">http://www.handschriftencensus.de/19176</a> </p>\n<p>Handschriftenkatalog:</p>\n<p><a href=\"http://www.manuscripta-mediaevalia.de/hs/katalogseiten/HSK0079_b171_JPG.htm\">http://www.manuscripta-mediaevalia.de/hs/katalogseiten/HSK0079_b171_JPG.htm</a></p>\n<p>(E)</p>\n<p><img src=\"http://upload.wikimedia.org/wikipedia/commons/thumb/9/9d/Wolfenbuettel_geistlicher_mai.jpg/489px-Wolfenbuettel_geistlicher_mai.jpg\" /></p>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/tDPIKAlO3CY\" height=\"1\" width=\"1\"/>\";}s:3:\"wfw\";a:1:{s:10:\"commentrss\";s:46:\"http://archivesblogs.com/archives/3791904/feed\";}s:5:\"slash\";a:1:{s:8:\"comments\";s:1:\"0\";}s:10:\"feedburner\";a:1:{s:8:\"origlink\";s:42:\"http://archiv.twoday.net/stories/16586571/\";}s:7:\"summary\";s:255:\"Aus Bayern stammt die wenig beachtete Wolfenbütteler Handschrift 172 Blankenburg, der das Bild entstammt. Sie ist leider nur ins 15. Jahrhundert und überliefert einen geistlichen Mai und einen geistlichen Herbst. Komplett einsehbar bei der HAB Wolfen...\";s:12:\"atom_content\";s:1015:\"<p>Aus Bayern stammt die wenig beachtete Wolfenbütteler Handschrift 172 Blankenburg, der das Bild entstammt. Sie ist leider nur ins 15. Jahrhundert und überliefert einen geistlichen Mai und einen geistlichen Herbst. Komplett einsehbar bei der HAB Wolfenbüttel:</p>\n<p><a href=\"http://diglib.hab.de/mss/172-blank/start.htm\">http://diglib.hab.de/mss/172-blank/start.htm</a></p>\n<p>Wen wunderts, dass der Handschriftencensus das Digitalisat übersah?</p>\n<p><a href=\"http://www.handschriftencensus.de/19176\">http://www.handschriftencensus.de/19176</a> </p>\n<p>Handschriftenkatalog:</p>\n<p><a href=\"http://www.manuscripta-mediaevalia.de/hs/katalogseiten/HSK0079_b171_JPG.htm\">http://www.manuscripta-mediaevalia.de/hs/katalogseiten/HSK0079_b171_JPG.htm</a></p>\n<p>(E)</p>\n<p><img src=\"http://upload.wikimedia.org/wikipedia/commons/thumb/9/9d/Wolfenbuettel_geistlicher_mai.jpg/489px-Wolfenbuettel_geistlicher_mai.jpg\" /></p>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/tDPIKAlO3CY\" height=\"1\" width=\"1\"/>\";}i:31;a:13:{s:5:\"title\";s:44:\"Succesvol inzetten van sociale media: 3 tips\";s:4:\"link\";s:103:\"http://feedproxy.google.com/~r/ArchivesBlogs/~3/UMsWoO0_d3Y/succesvol-inzetten-van-sociale-media-3.html\";s:8:\"comments\";s:117:\"http://feedproxy.google.com/~r/digitalearchivaris/~3/00T3xGELCno/succesvol-inzetten-van-sociale-media-3.html#comments\";s:7:\"pubdate\";s:31:\"Sat, 30 Apr 2011 21:50:00 +0000\";s:2:\"dc\";a:1:{s:7:\"creator\";s:46:\"De Digitale Archivaris / The Digital Archivist\";}s:8:\"category\";s:10:\"Nederlands\";s:11:\"description\";s:255:\"Gisteren beloofd, vandaag online gezet: mijn drie tips die ik aan het Drents Archief gaf op basis van hun plannen en naar aanleiding van hun vragen aan mij. Maar de tips zijn voor iedereen bruikbaar die aan de slag wil met sociale media binnen zijn/haa...\";s:7:\"content\";a:1:{s:7:\"encoded\";s:6664:\"<div class=\"separator\" style=\"clear: both; text-align: center;\"><a href=\"http://www.aceros-de-hispania.com/image/cristobal-colon-sword/cristobal-columbus-swords.gif\" imageanchor=\"1\" style=\"margin-left: 1em; margin-right: 1em;\"><img border=\"0\" height=\"242\" src=\"http://www.aceros-de-hispania.com/image/cristobal-colon-sword/cristobal-columbus-swords.gif\" width=\"400\" /></a></div>\n<p><a href=\"http://www.digitalearchivaris.nl/2011/04/sociale-media-en-het-drents-archief.html\">Gisteren beloofd</a>, vandaag online gezet: mijn drie tips die ik aan het Drents Archief gaf op basis van hun plannen en naar aanleiding van hun vragen aan mij. Maar de tips zijn voor iedereen bruikbaar die aan de slag wil met sociale media binnen zijn/haar organisatie. In ieder geval heb ik er zelf veel plezier van, en mijn collega&#8217;s ook:</p>\n<p><b>1. Mensen</b><br />\nOm te beginnen: alles mooi en aardig, maar uiteindelijk gaat het om mensen. Mensen voor wie je het doet, en natuurlijk mensen die het moeten doen. Die laatste mensen moeten niet alleen leren hoe ze een blogpost schrijven of hoe ze een fotootje op Flickr zetten, ze moeten vooral wennen aan hun nieuwe rol. Je rol van autoriteit op een forum is immers anders dan je gewend bent van je inlichtingenmap, je actief bewegen in een sociaal netwerk is iets nieuws ten overstaan van het wachten op een vraag aan een balie, het voortdurend monitoren van allerlei berichtenstromen en -flarden vergt een andere manier van werken, misschien moet je eens iets buiten kantoortijden doen, waarschijnlijk wordt het sociale aspect van een reactie regelmatig belangrijker dan de inhoudelijke kant ervan, toegeven soms dat een klant het gewoon beter weet moet een tweede natuur worden, en zo meer en zo voort.</p>\n<p>Andere competenties dus, maar vooral een andere houding. Dat veranderingsproces is vooral een sociaal proces, een cultuuromslag en mentaliteitsverandering. En dat soort processen houdt weinig rekening met de geplande doorlooptijden van jouw strategisch plan, de <i>targets</i> die via sociale media gehaald moeten worden of de uren die je maximaal bedacht had in te zetten. Sociale processen hebben een eigen dynamiek. Aandacht dus eerst voor de eigen collega&#8217;s/medewerkers, aandacht voor de mensen.</p>\n<p><b>2. Focus</b><br />\nKeuzes zijn geen noodzakelijk kwaad, ze zijn gewoon noodzakelijk.&nbsp;Je kunt via één weblog nu eenmaal niet al je doelgroepen bedienen. En je kunt niet voor iedere doelgroep een aparte weblog bijhouden. Of een kanaal op YouTube, of tweets de wereld inslingeren. Of wat dan ook. Je kunt zelfs niet al die tools voor één doelgroep gebruiken, want je kunt simpelweg niet alles doen. Zeker niet voor iedereen. Keuzes maken dus. Focus krijgen en houden. Dat voorkomt dat je geen enkele doelgroep echt aan je bindt, omdat je je op geen enkele doelgroep echt richt of geen enkele doelgroep echt de noodzakelijke aandacht kunt geven.</p>\n<p>Wat is je missie? Wat is je doelgroep? Wat is je strategie? Welke sociale media passen daarbij en welke toepassingsmogelijkheden daarvan? Kies die uit, richt je daarop, geef ze al je beschikbare aandacht en vergeet voorlopig de rest. Focus dus.</p>\n<p><b>3. Ruimte</b><br />\nGeef bewegingsvrijheid, ruimte, aan je medewerkers en aan hun ideeën. Niemand wil zich al vanaf de lancering van een nieuw project beperkt voelen in het proberen daarvan een succes te maken. Zeker op het gebied van sociale media kun je vantevoren vanalles onderzoeken, maar uiteindelijk zul je toch gewoon ergens mee moeten beginnen.&nbsp;Pas dan leer je sociale media kennen.&nbsp;Pas dan krijg je echt inzicht in wat er aan tijd in gaat zitten, wat en hoe er te meten valt en wat voor soort resultaten je precies mag verwachten. Tot die tijd mag simpelweg het gevoel dat iets gewoon een goed idee is ruim voldoende zijn voor het opstarten van een kleine&nbsp;<i>pilot</i>.</p>\n<p>Geef dit soort&nbsp;<i>startups</i>&nbsp;de ruimte die ze verdienen en loop niet al vanaf de start bij mensen in hun nek te hijgen met je resultaatgerichtheid. Houd even je mond over targets en richtlijnen, maar toon in plaats daarvan je support en oprechte belangstelling. Evalueer na een tijdje hoe het project loopt, stuur eventueel bij tot het wat beter binnen de lijntjes van je missie kleurt en bekijk of het misschien wat grootser kan worden voortgezet. Wat heeft het gekost? Wat heeft het opgeleverd? Evalueer dat ook weer na een tijd en uiteindelijk zal een project kunnen uitgroeien tot onderdeel van het reguliere werkproces. Of natuurlijk worden stopgezet.</p>\n<p>Maar geef mensen allereerst je vertrouwen en weet dat ze hun verantwoordelijkheden zullen nemen. Je zult zien dat het zich dubbel en dik terugbetaald, tot ver over de grenzen van dat ene project heen. Of dat project nu wel of niet een succes wordt. Succes gegarandeerd dus.</p>\n<p><b>Tot slot</b><br />\nSoms heb ik het gevoel met deze tips open deuren in te trappen. Maar vrijwel overal waar ik kom blijkt (helaas) het tegendeel.</p>\n<p>Hopelijk heb je voordeel van deze blogpost.\n<div class=\"blogger-post-footer\"><img width=\'1\' height=\'1\' src=\'https://blogger.googleusercontent.com/tracker/5413423101829981995-8633726615671653880?l=www.digitalearchivaris.nl\' alt=\'\' /></div>\n<div class=\"feedflare\">\n<a href=\"http://feeds.feedburner.com/~ff/digitalearchivaris?a=00T3xGELCno:ZCA1XWZYzcw:yIl2AUoC8zA\"><img src=\"http://feeds.feedburner.com/~ff/digitalearchivaris?d=yIl2AUoC8zA\" border=\"0\"/></a> <a href=\"http://feeds.feedburner.com/~ff/digitalearchivaris?a=00T3xGELCno:ZCA1XWZYzcw:4cEx4HpKnUU\"><img src=\"http://feeds.feedburner.com/~ff/digitalearchivaris?i=00T3xGELCno:ZCA1XWZYzcw:4cEx4HpKnUU\" border=\"0\"/></a> <a href=\"http://feeds.feedburner.com/~ff/digitalearchivaris?a=00T3xGELCno:ZCA1XWZYzcw:I9og5sOYxJI\"><img src=\"http://feeds.feedburner.com/~ff/digitalearchivaris?d=I9og5sOYxJI\" border=\"0\"/></a> <a href=\"http://feeds.feedburner.com/~ff/digitalearchivaris?a=00T3xGELCno:ZCA1XWZYzcw:F7zBnMyn0Lo\"><img src=\"http://feeds.feedburner.com/~ff/digitalearchivaris?i=00T3xGELCno:ZCA1XWZYzcw:F7zBnMyn0Lo\" border=\"0\"/></a> <a href=\"http://feeds.feedburner.com/~ff/digitalearchivaris?a=00T3xGELCno:ZCA1XWZYzcw:qj6IDK7rITs\"><img src=\"http://feeds.feedburner.com/~ff/digitalearchivaris?d=qj6IDK7rITs\" border=\"0\"/></a> <a href=\"http://feeds.feedburner.com/~ff/digitalearchivaris?a=00T3xGELCno:ZCA1XWZYzcw:63t7Ie-LG7Y\"><img src=\"http://feeds.feedburner.com/~ff/digitalearchivaris?d=63t7Ie-LG7Y\" border=\"0\"/></a>\n</div>\n<p><img src=\"http://feeds.feedburner.com/~r/digitalearchivaris/~4/00T3xGELCno\" height=\"1\" width=\"1\"/></p>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/UMsWoO0_d3Y\" height=\"1\" width=\"1\"/>\";}s:3:\"wfw\";a:1:{s:10:\"commentrss\";s:75:\"http://www.digitalearchivaris.nl/feeds/8633726615671653880/comments/default\";}s:5:\"slash\";a:1:{s:8:\"comments\";s:1:\"0\";}s:10:\"feedburner\";a:1:{s:8:\"origlink\";s:108:\"http://feedproxy.google.com/~r/digitalearchivaris/~3/00T3xGELCno/succesvol-inzetten-van-sociale-media-3.html\";}s:7:\"summary\";s:255:\"Gisteren beloofd, vandaag online gezet: mijn drie tips die ik aan het Drents Archief gaf op basis van hun plannen en naar aanleiding van hun vragen aan mij. Maar de tips zijn voor iedereen bruikbaar die aan de slag wil met sociale media binnen zijn/haa...\";s:12:\"atom_content\";s:6664:\"<div class=\"separator\" style=\"clear: both; text-align: center;\"><a href=\"http://www.aceros-de-hispania.com/image/cristobal-colon-sword/cristobal-columbus-swords.gif\" imageanchor=\"1\" style=\"margin-left: 1em; margin-right: 1em;\"><img border=\"0\" height=\"242\" src=\"http://www.aceros-de-hispania.com/image/cristobal-colon-sword/cristobal-columbus-swords.gif\" width=\"400\" /></a></div>\n<p><a href=\"http://www.digitalearchivaris.nl/2011/04/sociale-media-en-het-drents-archief.html\">Gisteren beloofd</a>, vandaag online gezet: mijn drie tips die ik aan het Drents Archief gaf op basis van hun plannen en naar aanleiding van hun vragen aan mij. Maar de tips zijn voor iedereen bruikbaar die aan de slag wil met sociale media binnen zijn/haar organisatie. In ieder geval heb ik er zelf veel plezier van, en mijn collega&#8217;s ook:</p>\n<p><b>1. Mensen</b><br />\nOm te beginnen: alles mooi en aardig, maar uiteindelijk gaat het om mensen. Mensen voor wie je het doet, en natuurlijk mensen die het moeten doen. Die laatste mensen moeten niet alleen leren hoe ze een blogpost schrijven of hoe ze een fotootje op Flickr zetten, ze moeten vooral wennen aan hun nieuwe rol. Je rol van autoriteit op een forum is immers anders dan je gewend bent van je inlichtingenmap, je actief bewegen in een sociaal netwerk is iets nieuws ten overstaan van het wachten op een vraag aan een balie, het voortdurend monitoren van allerlei berichtenstromen en -flarden vergt een andere manier van werken, misschien moet je eens iets buiten kantoortijden doen, waarschijnlijk wordt het sociale aspect van een reactie regelmatig belangrijker dan de inhoudelijke kant ervan, toegeven soms dat een klant het gewoon beter weet moet een tweede natuur worden, en zo meer en zo voort.</p>\n<p>Andere competenties dus, maar vooral een andere houding. Dat veranderingsproces is vooral een sociaal proces, een cultuuromslag en mentaliteitsverandering. En dat soort processen houdt weinig rekening met de geplande doorlooptijden van jouw strategisch plan, de <i>targets</i> die via sociale media gehaald moeten worden of de uren die je maximaal bedacht had in te zetten. Sociale processen hebben een eigen dynamiek. Aandacht dus eerst voor de eigen collega&#8217;s/medewerkers, aandacht voor de mensen.</p>\n<p><b>2. Focus</b><br />\nKeuzes zijn geen noodzakelijk kwaad, ze zijn gewoon noodzakelijk.&nbsp;Je kunt via één weblog nu eenmaal niet al je doelgroepen bedienen. En je kunt niet voor iedere doelgroep een aparte weblog bijhouden. Of een kanaal op YouTube, of tweets de wereld inslingeren. Of wat dan ook. Je kunt zelfs niet al die tools voor één doelgroep gebruiken, want je kunt simpelweg niet alles doen. Zeker niet voor iedereen. Keuzes maken dus. Focus krijgen en houden. Dat voorkomt dat je geen enkele doelgroep echt aan je bindt, omdat je je op geen enkele doelgroep echt richt of geen enkele doelgroep echt de noodzakelijke aandacht kunt geven.</p>\n<p>Wat is je missie? Wat is je doelgroep? Wat is je strategie? Welke sociale media passen daarbij en welke toepassingsmogelijkheden daarvan? Kies die uit, richt je daarop, geef ze al je beschikbare aandacht en vergeet voorlopig de rest. Focus dus.</p>\n<p><b>3. Ruimte</b><br />\nGeef bewegingsvrijheid, ruimte, aan je medewerkers en aan hun ideeën. Niemand wil zich al vanaf de lancering van een nieuw project beperkt voelen in het proberen daarvan een succes te maken. Zeker op het gebied van sociale media kun je vantevoren vanalles onderzoeken, maar uiteindelijk zul je toch gewoon ergens mee moeten beginnen.&nbsp;Pas dan leer je sociale media kennen.&nbsp;Pas dan krijg je echt inzicht in wat er aan tijd in gaat zitten, wat en hoe er te meten valt en wat voor soort resultaten je precies mag verwachten. Tot die tijd mag simpelweg het gevoel dat iets gewoon een goed idee is ruim voldoende zijn voor het opstarten van een kleine&nbsp;<i>pilot</i>.</p>\n<p>Geef dit soort&nbsp;<i>startups</i>&nbsp;de ruimte die ze verdienen en loop niet al vanaf de start bij mensen in hun nek te hijgen met je resultaatgerichtheid. Houd even je mond over targets en richtlijnen, maar toon in plaats daarvan je support en oprechte belangstelling. Evalueer na een tijdje hoe het project loopt, stuur eventueel bij tot het wat beter binnen de lijntjes van je missie kleurt en bekijk of het misschien wat grootser kan worden voortgezet. Wat heeft het gekost? Wat heeft het opgeleverd? Evalueer dat ook weer na een tijd en uiteindelijk zal een project kunnen uitgroeien tot onderdeel van het reguliere werkproces. Of natuurlijk worden stopgezet.</p>\n<p>Maar geef mensen allereerst je vertrouwen en weet dat ze hun verantwoordelijkheden zullen nemen. Je zult zien dat het zich dubbel en dik terugbetaald, tot ver over de grenzen van dat ene project heen. Of dat project nu wel of niet een succes wordt. Succes gegarandeerd dus.</p>\n<p><b>Tot slot</b><br />\nSoms heb ik het gevoel met deze tips open deuren in te trappen. Maar vrijwel overal waar ik kom blijkt (helaas) het tegendeel.</p>\n<p>Hopelijk heb je voordeel van deze blogpost.\n<div class=\"blogger-post-footer\"><img width=\'1\' height=\'1\' src=\'https://blogger.googleusercontent.com/tracker/5413423101829981995-8633726615671653880?l=www.digitalearchivaris.nl\' alt=\'\' /></div>\n<div class=\"feedflare\">\n<a href=\"http://feeds.feedburner.com/~ff/digitalearchivaris?a=00T3xGELCno:ZCA1XWZYzcw:yIl2AUoC8zA\"><img src=\"http://feeds.feedburner.com/~ff/digitalearchivaris?d=yIl2AUoC8zA\" border=\"0\"/></a> <a href=\"http://feeds.feedburner.com/~ff/digitalearchivaris?a=00T3xGELCno:ZCA1XWZYzcw:4cEx4HpKnUU\"><img src=\"http://feeds.feedburner.com/~ff/digitalearchivaris?i=00T3xGELCno:ZCA1XWZYzcw:4cEx4HpKnUU\" border=\"0\"/></a> <a href=\"http://feeds.feedburner.com/~ff/digitalearchivaris?a=00T3xGELCno:ZCA1XWZYzcw:I9og5sOYxJI\"><img src=\"http://feeds.feedburner.com/~ff/digitalearchivaris?d=I9og5sOYxJI\" border=\"0\"/></a> <a href=\"http://feeds.feedburner.com/~ff/digitalearchivaris?a=00T3xGELCno:ZCA1XWZYzcw:F7zBnMyn0Lo\"><img src=\"http://feeds.feedburner.com/~ff/digitalearchivaris?i=00T3xGELCno:ZCA1XWZYzcw:F7zBnMyn0Lo\" border=\"0\"/></a> <a href=\"http://feeds.feedburner.com/~ff/digitalearchivaris?a=00T3xGELCno:ZCA1XWZYzcw:qj6IDK7rITs\"><img src=\"http://feeds.feedburner.com/~ff/digitalearchivaris?d=qj6IDK7rITs\" border=\"0\"/></a> <a href=\"http://feeds.feedburner.com/~ff/digitalearchivaris?a=00T3xGELCno:ZCA1XWZYzcw:63t7Ie-LG7Y\"><img src=\"http://feeds.feedburner.com/~ff/digitalearchivaris?d=63t7Ie-LG7Y\" border=\"0\"/></a>\n</div>\n<p><img src=\"http://feeds.feedburner.com/~r/digitalearchivaris/~4/00T3xGELCno\" height=\"1\" width=\"1\"/></p>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/UMsWoO0_d3Y\" height=\"1\" width=\"1\"/>\";}i:32;a:13:{s:5:\"title\";s:72:\"Video: Google’s Secret Class System (and it does mention digitization)\";s:4:\"link\";s:102:\"http://feedproxy.google.com/~r/ArchivesBlogs/~3/xNS4m0uFLLs/video-googles-secret-class-system-and.html\";s:8:\"comments\";s:95:\"http://hurstassociates.blogspot.com/2011/04/video-googles-secret-class-system-and.html#comments\";s:7:\"pubdate\";s:31:\"Sat, 30 Apr 2011 19:40:00 +0000\";s:2:\"dc\";a:1:{s:7:\"creator\";s:16:\"Digitization 101\";}s:8:\"category\";s:7:\"English\";s:11:\"description\";s:255:\"Gizmodo has an article and link to video (below).&#160; The article states:Google [employees] work under a caste system: employees wear different  colored badges to indicate their status. That\'s not new or surprising,  and doesn\'t really mean much, oth...\";s:7:\"content\";a:1:{s:7:\"encoded\";s:2375:\"<p>Gizmodo has an <a href=\"http://gizmodo.com/#!5797022\">article </a>and link to video (below).&nbsp; The article states:<br />\n<blockquote>Google [employees] work under a caste system: employees wear different  colored badges to indicate their status. That&#8217;s not new or surprising,  and doesn&#8217;t really <i>mean</i> much, other than that you can spot a  Google intern (literally) a half a mile away. They&#8217;re the ones in green.  White badges are full-timers, and red badges—numbering in the  thousands—are contractors&#8230;there are the yellow badges. A class of employee that exists largely  apart from the rest of the Google hive, sequestered to building 3.1459~,  denied the benefits that nearly everyone else shares in. </p></blockquote>\n<p>As it turns out, those with yellow badges are reportedly scanning materials for Google Book Search.</p>\n<p>The video is <a href=\"http://www.andrewnormanwilson.com/portfolios/70411-workers-leaving-the-googleplex\">Andrew Norman Wilson</a> discussing how he stumbled upon this information.&nbsp; In the video, Wilson&#8217;s delivery is purposefully flat, perhaps to take the emotion out of the piece and leave you focused on the words and images (both on the screen and those being created in your mind).&nbsp; It is both a news story and an <a href=\"http://blogs.saic.edu/sugs/exhibitions/workers-leaving-the-googleplex-andrew-norman-wilson/\">art piece</a>.&nbsp;</p>\n<p>If you decide to watch the video, be sure to read the Gizmodo article too for a slightly different perspective.</p>\n<p>BTW Andrew Wilson is a 2006 graduate of Syracuse University&#8217;s Newhouse School of Communications, which makes me even more interested in the video and story. (Go <b><span style=\"color: orange;\">Orange</span></b>!)\n<div class=\"blogger-post-footer\">\n<p><i>This <span xmlns:dc=\"http://purl.org/dc/elements/1.1/\" href=\"http://purl.org/dc/dcmitype/Text\" rel=\"dc:type\">work</span> is licensed under a <a rel=\"license\" href=\"http://creativecommons.org/licenses/by-nc-sa/3.0/us/\">Creative Commons Attribution-Noncommercial-Share Alike 3.0 United States License</a>.</i></p>\n<p><img width=\'1\' height=\'1\' src=\'https://blogger.googleusercontent.com/tracker/8137713-2029529146568744572?l=hurstassociates.blogspot.com\' alt=\'\' /></div>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/xNS4m0uFLLs\" height=\"1\" width=\"1\"/>\";}s:3:\"wfw\";a:1:{s:10:\"commentrss\";s:78:\"http://hurstassociates.blogspot.com/feeds/2029529146568744572/comments/default\";}s:5:\"slash\";a:1:{s:8:\"comments\";s:1:\"0\";}s:10:\"feedburner\";a:1:{s:8:\"origlink\";s:86:\"http://hurstassociates.blogspot.com/2011/04/video-googles-secret-class-system-and.html\";}s:7:\"summary\";s:255:\"Gizmodo has an article and link to video (below).&#160; The article states:Google [employees] work under a caste system: employees wear different  colored badges to indicate their status. That\'s not new or surprising,  and doesn\'t really mean much, oth...\";s:12:\"atom_content\";s:2375:\"<p>Gizmodo has an <a href=\"http://gizmodo.com/#!5797022\">article </a>and link to video (below).&nbsp; The article states:<br />\n<blockquote>Google [employees] work under a caste system: employees wear different  colored badges to indicate their status. That&#8217;s not new or surprising,  and doesn&#8217;t really <i>mean</i> much, other than that you can spot a  Google intern (literally) a half a mile away. They&#8217;re the ones in green.  White badges are full-timers, and red badges—numbering in the  thousands—are contractors&#8230;there are the yellow badges. A class of employee that exists largely  apart from the rest of the Google hive, sequestered to building 3.1459~,  denied the benefits that nearly everyone else shares in. </p></blockquote>\n<p>As it turns out, those with yellow badges are reportedly scanning materials for Google Book Search.</p>\n<p>The video is <a href=\"http://www.andrewnormanwilson.com/portfolios/70411-workers-leaving-the-googleplex\">Andrew Norman Wilson</a> discussing how he stumbled upon this information.&nbsp; In the video, Wilson&#8217;s delivery is purposefully flat, perhaps to take the emotion out of the piece and leave you focused on the words and images (both on the screen and those being created in your mind).&nbsp; It is both a news story and an <a href=\"http://blogs.saic.edu/sugs/exhibitions/workers-leaving-the-googleplex-andrew-norman-wilson/\">art piece</a>.&nbsp;</p>\n<p>If you decide to watch the video, be sure to read the Gizmodo article too for a slightly different perspective.</p>\n<p>BTW Andrew Wilson is a 2006 graduate of Syracuse University&#8217;s Newhouse School of Communications, which makes me even more interested in the video and story. (Go <b><span style=\"color: orange;\">Orange</span></b>!)\n<div class=\"blogger-post-footer\">\n<p><i>This <span xmlns:dc=\"http://purl.org/dc/elements/1.1/\" href=\"http://purl.org/dc/dcmitype/Text\" rel=\"dc:type\">work</span> is licensed under a <a rel=\"license\" href=\"http://creativecommons.org/licenses/by-nc-sa/3.0/us/\">Creative Commons Attribution-Noncommercial-Share Alike 3.0 United States License</a>.</i></p>\n<p><img width=\'1\' height=\'1\' src=\'https://blogger.googleusercontent.com/tracker/8137713-2029529146568744572?l=hurstassociates.blogspot.com\' alt=\'\' /></div>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/xNS4m0uFLLs\" height=\"1\" width=\"1\"/>\";}i:33;a:13:{s:5:\"title\";s:34:\"Wieder mal schaumburger Verwirrung\";s:4:\"link\";s:60:\"http://feedproxy.google.com/~r/ArchivesBlogs/~3/n71ygY6yIXA/\";s:8:\"comments\";s:51:\"http://archiv.twoday.net/stories/16592105/#comments\";s:7:\"pubdate\";s:31:\"Sat, 30 Apr 2011 15:57:00 +0000\";s:2:\"dc\";a:1:{s:7:\"creator\";s:10:\"Archivalia\";}s:8:\"category\";s:7:\"Deutsch\";s:11:\"description\";s:255:\"Selten gibt es Klarheit bei diesen Schaumburgern, auch hier nicht.\n\nSind das Kopien und die Chinesen werden geprellt ?\n\nhttp://goo.gl/8QFCQ\n\noder sucht lostart Kopien ?\n\nhttp://www.lostart.de/Webs/DE/Start/Index.html\n(Suchmaske Ziesenis und Wilhelm ein...\";s:7:\"content\";a:1:{s:7:\"encoded\";s:1190:\"<p>Selten gibt es Klarheit bei diesen Schaumburgern, auch hier nicht.</p>\n<p>Sind das Kopien und die Chinesen werden geprellt ?</p>\n<p><a href=\"http://goo.gl/8QFCQ\">http://goo.gl/8QFCQ</a></p>\n<p>oder sucht lostart Kopien ?</p>\n<p><a href=\"http://www.lostart.de/Webs/DE/Start/Index.html\">http://www.lostart.de/Webs/DE/Start/Index.html</a><br />\n(Suchmaske Ziesenis und Wilhelm eingeben)</p>\n<p>oder malte Ziesenis mehrere Originale ?</p>\n<p>und welche Exemplare hingen oder hängen in Schloss Bückebrg und</p>\n<p>welche auf dem Wilhelmstein ?</p>\n<p>siehe auch:</p>\n<p><a href=\"http://archiv.twoday.net/stories/6261199/\">http://archiv.twoday.net/stories/6261199/</a></p>\n<p>Oder möchte hier jemand die Gemälde &#8220;aus der Dunkelkammer ans Licht zerren, also aus dem Zylinder zaubern&#8221; ?</p>\n<p>Mysterien aus dem Reich der Transparenz.</p>\n<p>Vielleicht gibt es eine Erklärung.</p>\n<p>auch Seite 143 hier:</p>\n<p><a href=\"http://edocs.fu-berlin.de/docs/receive/FUDOCS_document_000000000100\">http://edocs.fu-berlin.de/docs/receive/FUDOCS_document_000000000100</a></p>\n<p>Vierprinzen</p>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/n71ygY6yIXA\" height=\"1\" width=\"1\"/>\";}s:3:\"wfw\";a:1:{s:10:\"commentrss\";s:46:\"http://archivesblogs.com/archives/3781585/feed\";}s:5:\"slash\";a:1:{s:8:\"comments\";s:1:\"0\";}s:10:\"feedburner\";a:1:{s:8:\"origlink\";s:42:\"http://archiv.twoday.net/stories/16592105/\";}s:7:\"summary\";s:255:\"Selten gibt es Klarheit bei diesen Schaumburgern, auch hier nicht.\n\nSind das Kopien und die Chinesen werden geprellt ?\n\nhttp://goo.gl/8QFCQ\n\noder sucht lostart Kopien ?\n\nhttp://www.lostart.de/Webs/DE/Start/Index.html\n(Suchmaske Ziesenis und Wilhelm ein...\";s:12:\"atom_content\";s:1190:\"<p>Selten gibt es Klarheit bei diesen Schaumburgern, auch hier nicht.</p>\n<p>Sind das Kopien und die Chinesen werden geprellt ?</p>\n<p><a href=\"http://goo.gl/8QFCQ\">http://goo.gl/8QFCQ</a></p>\n<p>oder sucht lostart Kopien ?</p>\n<p><a href=\"http://www.lostart.de/Webs/DE/Start/Index.html\">http://www.lostart.de/Webs/DE/Start/Index.html</a><br />\n(Suchmaske Ziesenis und Wilhelm eingeben)</p>\n<p>oder malte Ziesenis mehrere Originale ?</p>\n<p>und welche Exemplare hingen oder hängen in Schloss Bückebrg und</p>\n<p>welche auf dem Wilhelmstein ?</p>\n<p>siehe auch:</p>\n<p><a href=\"http://archiv.twoday.net/stories/6261199/\">http://archiv.twoday.net/stories/6261199/</a></p>\n<p>Oder möchte hier jemand die Gemälde &#8220;aus der Dunkelkammer ans Licht zerren, also aus dem Zylinder zaubern&#8221; ?</p>\n<p>Mysterien aus dem Reich der Transparenz.</p>\n<p>Vielleicht gibt es eine Erklärung.</p>\n<p>auch Seite 143 hier:</p>\n<p><a href=\"http://edocs.fu-berlin.de/docs/receive/FUDOCS_document_000000000100\">http://edocs.fu-berlin.de/docs/receive/FUDOCS_document_000000000100</a></p>\n<p>Vierprinzen</p>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/n71ygY6yIXA\" height=\"1\" width=\"1\"/>\";}i:34;a:13:{s:5:\"title\";s:71:\"[??][???] ?????????????????\";s:4:\"link\";s:68:\"http://feedproxy.google.com/~r/ArchivesBlogs/~3/z2dTxRu51Fs/20110501\";s:8:\"comments\";s:54:\"http://d.hatena.ne.jp/searchivist/20110501#p1#comments\";s:7:\"pubdate\";s:31:\"Sat, 30 Apr 2011 15:00:00 +0000\";s:2:\"dc\";a:1:{s:7:\"creator\";s:17:\"Daily Searchivist\";}s:8:\"category\";s:19:\"Nihongo (???)\";s:11:\"description\";s:251:\"\n		\n			???????????????2??????????\n			?????????????????\n			???????\n			\n			?????????????\n			??????????\n			?\";s:7:\"content\";a:1:{s:7:\"encoded\";s:2133:\"<div class=\"section\">\n<p>???????????????2??????????</p>\n<p>?????????????????</p>\n<p>???????</p>\n<blockquote>\n<p>?????????????</p>\n<p>??????????</p>\n<p>??????????????????????????</p>\n<p>?????????????????????????</p>\n<p>????????????????????</p>\n</blockquote>\n<p>??????????</p>\n<blockquote>\n<p>??????????</p>\n<p>??????????????????????????</p>\n<p>?????????????????????????</p>\n<p>????????????????????</p>\n</blockquote>\n<p>?????????????????????</p>\n<p>???????</p>\n<blockquote>\n<p>(1) ????????????</p>\n<p>(2) ?????????????????????????????????</p>\n<p>(3) ??????????????????????????????????????????????????????????</p>\n</blockquote>\n<p>??????????</p>\n<blockquote>\n<p>(1) ????????????</p>\n<p>(2) ?????????????????????????????????</p>\n<p>(3) ????????????????????????????????????????????</p>\n</blockquote>\n<p>????????????????????????</p>\n<p>?????????????????????????????</p>\n<p><a href=\"http://www.pref.osaka.jp/johokokai/archives/index.html\">http://www.pref.osaka.jp/johokokai/archives/index.html</a></p>\n</p></div>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/z2dTxRu51Fs\" height=\"1\" width=\"1\"/>\";}s:3:\"wfw\";a:1:{s:10:\"commentrss\";s:46:\"http://archivesblogs.com/archives/3814018/feed\";}s:5:\"slash\";a:1:{s:8:\"comments\";s:1:\"0\";}s:10:\"feedburner\";a:1:{s:8:\"origlink\";s:45:\"http://d.hatena.ne.jp/searchivist/20110501#p1\";}s:7:\"summary\";s:251:\"\n		\n			???????????????2??????????\n			?????????????????\n			???????\n			\n			?????????????\n			??????????\n			?\";s:12:\"atom_content\";s:2133:\"<div class=\"section\">\n<p>???????????????2??????????</p>\n<p>?????????????????</p>\n<p>???????</p>\n<blockquote>\n<p>?????????????</p>\n<p>??????????</p>\n<p>??????????????????????????</p>\n<p>?????????????????????????</p>\n<p>????????????????????</p>\n</blockquote>\n<p>??????????</p>\n<blockquote>\n<p>??????????</p>\n<p>??????????????????????????</p>\n<p>?????????????????????????</p>\n<p>????????????????????</p>\n</blockquote>\n<p>?????????????????????</p>\n<p>???????</p>\n<blockquote>\n<p>(1) ????????????</p>\n<p>(2) ?????????????????????????????????</p>\n<p>(3) ??????????????????????????????????????????????????????????</p>\n</blockquote>\n<p>??????????</p>\n<blockquote>\n<p>(1) ????????????</p>\n<p>(2) ?????????????????????????????????</p>\n<p>(3) ????????????????????????????????????????????</p>\n</blockquote>\n<p>????????????????????????</p>\n<p>?????????????????????????????</p>\n<p><a href=\"http://www.pref.osaka.jp/johokokai/archives/index.html\">http://www.pref.osaka.jp/johokokai/archives/index.html</a></p>\n</p></div>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/z2dTxRu51Fs\" height=\"1\" width=\"1\"/>\";}i:35;a:13:{s:5:\"title\";s:26:\"De eerste platina bruiloft\";s:4:\"link\";s:91:\"http://feedproxy.google.com/~r/ArchivesBlogs/~3/cbo5fntH2mg/de-eerste-platina-bruiloft.html\";s:8:\"comments\";s:92:\"http://regionaalarchieftilburg.blogspot.com/2011/04/de-eerste-platina-bruiloft.html#comments\";s:7:\"pubdate\";s:31:\"Sat, 30 Apr 2011 15:00:00 +0000\";s:2:\"dc\";a:1:{s:7:\"creator\";s:32:\"Weblog Regionaal Archief Tilburg\";}s:8:\"category\";s:10:\"Nederlands\";s:11:\"description\";s:255:\"Er zullen niet veel echtparen zijn die, in de 19e eeuw getrouwd, hun platina bruiloft hebben gevierd. Voor zover bekend gaat het in het werkgebied van RAT slechts om één echtpaar: Josephus Heeffer, geboren Hilvarenbeek 26 september 1858, trouwt aldaa...\";s:7:\"content\";a:1:{s:7:\"encoded\";s:2369:\"<p>Er zullen niet veel echtparen zijn die, in de 19e eeuw getrouwd, hun platina bruiloft hebben gevierd. Voor zover bekend gaat het in het werkgebied van RAT slechts om één echtpaar: Josephus Heeffer, geboren Hilvarenbeek 26 september 1858, trouwt aldaar 5 juli 1886 Cornelia van Kleijnenbreugel, geboren Hilvarenbeek 29 september 1861:</p>\n<p><a href=\"http://2.bp.blogspot.com/-urMmiFV2_Us/TbEzsdiVvNI/AAAAAAAAAOU/ocFer6iA_Zo/s1600/heef1.jpg\"><img style=\"TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 195px; DISPLAY: block; HEIGHT: 320px; CURSOR: hand\" id=\"BLOGGER_PHOTO_ID_5598312650734157010\" border=\"0\" alt=\"\" src=\"http://2.bp.blogspot.com/-urMmiFV2_Us/TbEzsdiVvNI/AAAAAAAAAOU/ocFer6iA_Zo/s320/heef1.jpg\" /></a></p>\n<p><a href=\"http://1.bp.blogspot.com/-H-uh9idVhpE/TbEzmvkfvrI/AAAAAAAAAOM/ocdayFBebvw/s1600/heef2.jpg\"><img style=\"TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 196px; DISPLAY: block; HEIGHT: 320px; CURSOR: hand\" id=\"BLOGGER_PHOTO_ID_5598312552495824562\" border=\"0\" alt=\"\" src=\"http://1.bp.blogspot.com/-H-uh9idVhpE/TbEzmvkfvrI/AAAAAAAAAOM/ocdayFBebvw/s320/heef2.jpg\" /></a><br />De echtelieden zijn 71 jaar getrouwd geweest: Cornelia van Kleijnenbreugel overleed op 18 mei 1958 te Hilvarenbeek en Josephus Heeffer overleed aldaar op 12 februari 1959 (oud 100 jaar).</p>\n<p>Ook in de 21e eeuw zijn echtparen, die 70 jaar of langer gehuwd zijn geweest, in het werkgebied van RAT, zeldzaam.</p>\n<p>Johannes Bakkers, geboren Oudenbosch 7 mei 1910, trouwt te Zevenbergen op 26 augustus 1932 met Martina Fens, geboren Zevenbergen 23 mei 1911. Toen zij op 26 augustus 2002 hun 70-jarig bruiloftsfeest vierden, woonden zij te Gilze en Rijen. Johannes Bakkers overleed te Gilze en Rijen op 4 januari 2003, Martina Fens overleed aldaar op 8 november 2004.</p>\n<p>Het langstgehuwde echtpaar zal zijn: Theodorus Dominicus Boone, geboren Graauw 28 mei 1913, trouwt Ossenisse 13 augustus 1935 de 17-jarige in Ossenisse geboren Anna Apolonia Dobbelaar. Dit echtpaar vierde op 13 augustus 2010 zijn 75-jarige bruiloft en was toen woonachtig in Oosterhout.\n<div class=\"blogger-post-footer\"><img width=\'1\' height=\'1\' src=\'https://blogger.googleusercontent.com/tracker/187122267347467229-9098413608426394715?l=regionaalarchieftilburg.blogspot.com\' alt=\'\' /></div>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/cbo5fntH2mg\" height=\"1\" width=\"1\"/>\";}s:3:\"wfw\";a:1:{s:10:\"commentrss\";s:86:\"http://regionaalarchieftilburg.blogspot.com/feeds/9098413608426394715/comments/default\";}s:5:\"slash\";a:1:{s:8:\"comments\";s:1:\"0\";}s:10:\"feedburner\";a:1:{s:8:\"origlink\";s:83:\"http://regionaalarchieftilburg.blogspot.com/2011/04/de-eerste-platina-bruiloft.html\";}s:7:\"summary\";s:255:\"Er zullen niet veel echtparen zijn die, in de 19e eeuw getrouwd, hun platina bruiloft hebben gevierd. Voor zover bekend gaat het in het werkgebied van RAT slechts om één echtpaar: Josephus Heeffer, geboren Hilvarenbeek 26 september 1858, trouwt aldaa...\";s:12:\"atom_content\";s:2369:\"<p>Er zullen niet veel echtparen zijn die, in de 19e eeuw getrouwd, hun platina bruiloft hebben gevierd. Voor zover bekend gaat het in het werkgebied van RAT slechts om één echtpaar: Josephus Heeffer, geboren Hilvarenbeek 26 september 1858, trouwt aldaar 5 juli 1886 Cornelia van Kleijnenbreugel, geboren Hilvarenbeek 29 september 1861:</p>\n<p><a href=\"http://2.bp.blogspot.com/-urMmiFV2_Us/TbEzsdiVvNI/AAAAAAAAAOU/ocFer6iA_Zo/s1600/heef1.jpg\"><img style=\"TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 195px; DISPLAY: block; HEIGHT: 320px; CURSOR: hand\" id=\"BLOGGER_PHOTO_ID_5598312650734157010\" border=\"0\" alt=\"\" src=\"http://2.bp.blogspot.com/-urMmiFV2_Us/TbEzsdiVvNI/AAAAAAAAAOU/ocFer6iA_Zo/s320/heef1.jpg\" /></a></p>\n<p><a href=\"http://1.bp.blogspot.com/-H-uh9idVhpE/TbEzmvkfvrI/AAAAAAAAAOM/ocdayFBebvw/s1600/heef2.jpg\"><img style=\"TEXT-ALIGN: center; MARGIN: 0px auto 10px; WIDTH: 196px; DISPLAY: block; HEIGHT: 320px; CURSOR: hand\" id=\"BLOGGER_PHOTO_ID_5598312552495824562\" border=\"0\" alt=\"\" src=\"http://1.bp.blogspot.com/-H-uh9idVhpE/TbEzmvkfvrI/AAAAAAAAAOM/ocdayFBebvw/s320/heef2.jpg\" /></a><br />De echtelieden zijn 71 jaar getrouwd geweest: Cornelia van Kleijnenbreugel overleed op 18 mei 1958 te Hilvarenbeek en Josephus Heeffer overleed aldaar op 12 februari 1959 (oud 100 jaar).</p>\n<p>Ook in de 21e eeuw zijn echtparen, die 70 jaar of langer gehuwd zijn geweest, in het werkgebied van RAT, zeldzaam.</p>\n<p>Johannes Bakkers, geboren Oudenbosch 7 mei 1910, trouwt te Zevenbergen op 26 augustus 1932 met Martina Fens, geboren Zevenbergen 23 mei 1911. Toen zij op 26 augustus 2002 hun 70-jarig bruiloftsfeest vierden, woonden zij te Gilze en Rijen. Johannes Bakkers overleed te Gilze en Rijen op 4 januari 2003, Martina Fens overleed aldaar op 8 november 2004.</p>\n<p>Het langstgehuwde echtpaar zal zijn: Theodorus Dominicus Boone, geboren Graauw 28 mei 1913, trouwt Ossenisse 13 augustus 1935 de 17-jarige in Ossenisse geboren Anna Apolonia Dobbelaar. Dit echtpaar vierde op 13 augustus 2010 zijn 75-jarige bruiloft en was toen woonachtig in Oosterhout.\n<div class=\"blogger-post-footer\"><img width=\'1\' height=\'1\' src=\'https://blogger.googleusercontent.com/tracker/187122267347467229-9098413608426394715?l=regionaalarchieftilburg.blogspot.com\' alt=\'\' /></div>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/cbo5fntH2mg\" height=\"1\" width=\"1\"/>\";}i:36;a:13:{s:5:\"title\";s:45:\"Android-App für Regalordnung in Bibliotheken\";s:4:\"link\";s:60:\"http://feedproxy.google.com/~r/ArchivesBlogs/~3/POGYKzkMC-M/\";s:8:\"comments\";s:51:\"http://archiv.twoday.net/stories/16592072/#comments\";s:7:\"pubdate\";s:31:\"Sat, 30 Apr 2011 14:54:00 +0000\";s:2:\"dc\";a:1:{s:7:\"creator\";s:10:\"Archivalia\";}s:8:\"category\";s:7:\"Deutsch\";s:11:\"description\";s:113:\"Golem berichtet über ein Augmented-Reality-Programm, das falsch einsortierte Bücher im Regal markiert.\n\n\n\n(RSS)\";s:7:\"content\";a:1:{s:7:\"encoded\";s:268:\"<p><a href=\"http://www.golem.de/1104/82994.html\">Golem berichtet</a> über ein Augmented-Reality-Programm, das falsch einsortierte Bücher im Regal markiert.</p>\n<p>(RSS)</p>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/POGYKzkMC-M\" height=\"1\" width=\"1\"/>\";}s:3:\"wfw\";a:1:{s:10:\"commentrss\";s:46:\"http://archivesblogs.com/archives/3779772/feed\";}s:5:\"slash\";a:1:{s:8:\"comments\";s:1:\"0\";}s:10:\"feedburner\";a:1:{s:8:\"origlink\";s:42:\"http://archiv.twoday.net/stories/16592072/\";}s:7:\"summary\";s:113:\"Golem berichtet über ein Augmented-Reality-Programm, das falsch einsortierte Bücher im Regal markiert.\n\n\n\n(RSS)\";s:12:\"atom_content\";s:268:\"<p><a href=\"http://www.golem.de/1104/82994.html\">Golem berichtet</a> über ein Augmented-Reality-Programm, das falsch einsortierte Bücher im Regal markiert.</p>\n<p>(RSS)</p>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/POGYKzkMC-M\" height=\"1\" width=\"1\"/>\";}i:37;a:13:{s:5:\"title\";s:58:\"El reglamento de fútbol más antiguo del mundo, a subasta\";s:4:\"link\";s:104:\"http://feedproxy.google.com/~r/ArchivesBlogs/~3/iHWTr2DCpIc/el-reglamento-de-futbol-mas-antiguo-del.html\";s:8:\"comments\";s:94:\"http://archivistica.blogspot.com/2011/04/el-reglamento-de-futbol-mas-antiguo-del.html#comments\";s:7:\"pubdate\";s:31:\"Sat, 30 Apr 2011 13:41:00 +0000\";s:2:\"dc\";a:1:{s:7:\"creator\";s:12:\"archivistica\";}s:8:\"category\";s:8:\"Español\";s:11:\"description\";s:255:\"Las primeras reglas del fútbol, escritas en 1858 en un folleto y propiedad del club inglés Sheffield FC, serán subastadas el próximo mes de julio en Londres. Los primeros preceptos que dieron lugar al deporte más popular del planeta forman parte d...\";s:7:\"content\";a:1:{s:7:\"encoded\";s:2347:\"<div class=\"separator\" style=\"clear: both; text-align: center;\"><a href=\"http://4.bp.blogspot.com/-BhJ9H2478DQ/TbwRQtgI1WI/AAAAAAAAOYg/DHPdyc-UpYs/s1600/66666.bmp\" imageanchor=\"1\" style=\"clear: left; cssfloat: left; float: left; margin-bottom: 1em; margin-right: 1em;\"><img border=\"0\" height=\"234\" j8=\"true\" src=\"http://4.bp.blogspot.com/-BhJ9H2478DQ/TbwRQtgI1WI/AAAAAAAAOYg/DHPdyc-UpYs/s320/66666.bmp\" width=\"320\" /></a></div>\n<div style=\"text-align: justify;\">Las primeras reglas del fútbol, escritas en 1858 en un folleto y propiedad del club inglés Sheffield FC, serán subastadas el próximo mes de julio en Londres. Los primeros preceptos que dieron lugar al deporte más popular del planeta forman parte del archivo histórico del Sheffield FC, el club de fútbol más antiguo del mundo, fundado un año antes de que se escribieran esas reglas y que hoy es un equipo de aficionados.</div>\n<div style=\"text-align: justify;\"></div>\n<div style=\"text-align: justify;\">La casa de subastas Sotheby&#8217;s informó de que espera recaudar 1,2 millones de libras, lo que supondrá una importante inyección económica para el Sheffield FC.</div>\n<div style=\"text-align: justify;\">El archivo futbolístico ha despertado gran interés y por esta razón Sotheby&#8217;s quiere exhibirlo antes de su puesta a la venta en sus sedes de París, Nueva York y Doha.</div>\n<div style=\"text-align: justify;\"></div>\n<div style=\"text-align: justify;\">En el folleto se incluyen algunas de las reglas que perduran en el fútbol de hoy, 153 años después, como el tiro libre indirecto, el lanzamiento de córner y el uso del larguero para las porterías.</div>\n<div style=\"text-align: justify;\"></div>\n<div style=\"text-align: justify;\">Otras reglas parecen permisivas pensando en el fútbol de hoy: &#8220;empujar con las manos está permitido, pero causar cortes y zancadillear no es permisible bajo ninguna circunstancia&#8221;.</div>\n<div style=\"text-align: justify;\"><a href=\"http://www.marca.com/2011/04/30/futbol/futbol_internacional/1304158837.html\">Más información</a></div>\n<div class=\"blogger-post-footer\"><img width=\'1\' height=\'1\' src=\'https://blogger.googleusercontent.com/tracker/6024386-6288003361333574706?l=archivistica.blogspot.com\' alt=\'\' /></div>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/iHWTr2DCpIc\" height=\"1\" width=\"1\"/>\";}s:3:\"wfw\";a:1:{s:10:\"commentrss\";s:75:\"http://archivistica.blogspot.com/feeds/6288003361333574706/comments/default\";}s:5:\"slash\";a:1:{s:8:\"comments\";s:1:\"0\";}s:10:\"feedburner\";a:1:{s:8:\"origlink\";s:85:\"http://archivistica.blogspot.com/2011/04/el-reglamento-de-futbol-mas-antiguo-del.html\";}s:7:\"summary\";s:255:\"Las primeras reglas del fútbol, escritas en 1858 en un folleto y propiedad del club inglés Sheffield FC, serán subastadas el próximo mes de julio en Londres. Los primeros preceptos que dieron lugar al deporte más popular del planeta forman parte d...\";s:12:\"atom_content\";s:2347:\"<div class=\"separator\" style=\"clear: both; text-align: center;\"><a href=\"http://4.bp.blogspot.com/-BhJ9H2478DQ/TbwRQtgI1WI/AAAAAAAAOYg/DHPdyc-UpYs/s1600/66666.bmp\" imageanchor=\"1\" style=\"clear: left; cssfloat: left; float: left; margin-bottom: 1em; margin-right: 1em;\"><img border=\"0\" height=\"234\" j8=\"true\" src=\"http://4.bp.blogspot.com/-BhJ9H2478DQ/TbwRQtgI1WI/AAAAAAAAOYg/DHPdyc-UpYs/s320/66666.bmp\" width=\"320\" /></a></div>\n<div style=\"text-align: justify;\">Las primeras reglas del fútbol, escritas en 1858 en un folleto y propiedad del club inglés Sheffield FC, serán subastadas el próximo mes de julio en Londres. Los primeros preceptos que dieron lugar al deporte más popular del planeta forman parte del archivo histórico del Sheffield FC, el club de fútbol más antiguo del mundo, fundado un año antes de que se escribieran esas reglas y que hoy es un equipo de aficionados.</div>\n<div style=\"text-align: justify;\"></div>\n<div style=\"text-align: justify;\">La casa de subastas Sotheby&#8217;s informó de que espera recaudar 1,2 millones de libras, lo que supondrá una importante inyección económica para el Sheffield FC.</div>\n<div style=\"text-align: justify;\">El archivo futbolístico ha despertado gran interés y por esta razón Sotheby&#8217;s quiere exhibirlo antes de su puesta a la venta en sus sedes de París, Nueva York y Doha.</div>\n<div style=\"text-align: justify;\"></div>\n<div style=\"text-align: justify;\">En el folleto se incluyen algunas de las reglas que perduran en el fútbol de hoy, 153 años después, como el tiro libre indirecto, el lanzamiento de córner y el uso del larguero para las porterías.</div>\n<div style=\"text-align: justify;\"></div>\n<div style=\"text-align: justify;\">Otras reglas parecen permisivas pensando en el fútbol de hoy: &#8220;empujar con las manos está permitido, pero causar cortes y zancadillear no es permisible bajo ninguna circunstancia&#8221;.</div>\n<div style=\"text-align: justify;\"><a href=\"http://www.marca.com/2011/04/30/futbol/futbol_internacional/1304158837.html\">Más información</a></div>\n<div class=\"blogger-post-footer\"><img width=\'1\' height=\'1\' src=\'https://blogger.googleusercontent.com/tracker/6024386-6288003361333574706?l=archivistica.blogspot.com\' alt=\'\' /></div>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/iHWTr2DCpIc\" height=\"1\" width=\"1\"/>\";}i:38;a:13:{s:5:\"title\";s:78:\"Parte de la historia de la Marina Española se guarda en la tierra del Quijote\";s:4:\"link\";s:98:\"http://feedproxy.google.com/~r/ArchivesBlogs/~3/lDY0DWHzlmM/parte-de-la-historia-de-la-marina.html\";s:8:\"comments\";s:88:\"http://archivistica.blogspot.com/2011/04/parte-de-la-historia-de-la-marina.html#comments\";s:7:\"pubdate\";s:31:\"Sat, 30 Apr 2011 13:34:00 +0000\";s:2:\"dc\";a:1:{s:7:\"creator\";s:12:\"archivistica\";}s:8:\"category\";s:8:\"Español\";s:11:\"description\";s:255:\"Una buena parte de la historia de la Marina Española, que va desde el último tercio del siglo XVIII hasta casi mediados del siglo XX, se guarda y custodia en la tierra del Quijote, en plena llanura manchega, donde se encuentra el archivo general de l...\";s:7:\"content\";a:1:{s:7:\"encoded\";s:2175:\"<div class=\"separator\" style=\"clear: both; text-align: center;\"><a href=\"http://2.bp.blogspot.com/-EFAXmtLif6Y/TbwPYC6QY9I/AAAAAAAAOYY/CVnmtwOzusk/s1600/1.jpg\" imageanchor=\"1\" style=\"clear: left; cssfloat: left; float: left; margin-bottom: 1em; margin-right: 1em;\"><img border=\"0\" height=\"200\" j8=\"true\" src=\"http://2.bp.blogspot.com/-EFAXmtLif6Y/TbwPYC6QY9I/AAAAAAAAOYY/CVnmtwOzusk/s200/1.jpg\" width=\"155\" /></a></div>\n<div style=\"text-align: justify;\">Una buena parte de la historia de la Marina Española, que va desde el último tercio del siglo XVIII hasta casi mediados del siglo XX, se guarda y custodia en la tierra del Quijote, en plena llanura manchega, donde se encuentra el <a href=\"http://www.portalcultura.mde.es/cultural/archivos/castillaLaMancha/archivo_1095.html\">archivo general de la Marina &#8220;Álvaro de Bazán</a>&#8220;.</div>\n<div style=\"text-align: justify;\">La decisión de ubicar este archivo en el palacio del Marqués de Santa Cruz, en la localidad ciudadrealeña del Viso del Marqués, tenía como objetivo perpetuar la historia de Álvaro de Bazán, uno de los marinos más importantes del país y el único que siempre se mantuvo invicto.</div>\n<div style=\"text-align: justify;\">Los legajos y expedientes que se encuentran en las estanterías de este archivo atesoran documentos de gran &#8220;calado histórico&#8221;, puesto que las amplias competencias que tenía la Marina española la convertían en garante de información muy importante para la vida política y económica del país. Durante esta época histórica, la Armada tuvo competencias en temas relacionados con&nbsp;la pesca, las costas o el ordenamiento de los puertos, aparte de sus competencias propiamente militares.</div>\n<div style=\"text-align: justify;\"><a href=\"http://www.que.es/salud-belleza/estilo/201104301400-parte-historia-marina-espanola-guarda-efe.html\">Más información</a></div>\n<div class=\"blogger-post-footer\"><img width=\'1\' height=\'1\' src=\'https://blogger.googleusercontent.com/tracker/6024386-1145257928893444786?l=archivistica.blogspot.com\' alt=\'\' /></div>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/lDY0DWHzlmM\" height=\"1\" width=\"1\"/>\";}s:3:\"wfw\";a:1:{s:10:\"commentrss\";s:75:\"http://archivistica.blogspot.com/feeds/1145257928893444786/comments/default\";}s:5:\"slash\";a:1:{s:8:\"comments\";s:1:\"0\";}s:10:\"feedburner\";a:1:{s:8:\"origlink\";s:79:\"http://archivistica.blogspot.com/2011/04/parte-de-la-historia-de-la-marina.html\";}s:7:\"summary\";s:255:\"Una buena parte de la historia de la Marina Española, que va desde el último tercio del siglo XVIII hasta casi mediados del siglo XX, se guarda y custodia en la tierra del Quijote, en plena llanura manchega, donde se encuentra el archivo general de l...\";s:12:\"atom_content\";s:2175:\"<div class=\"separator\" style=\"clear: both; text-align: center;\"><a href=\"http://2.bp.blogspot.com/-EFAXmtLif6Y/TbwPYC6QY9I/AAAAAAAAOYY/CVnmtwOzusk/s1600/1.jpg\" imageanchor=\"1\" style=\"clear: left; cssfloat: left; float: left; margin-bottom: 1em; margin-right: 1em;\"><img border=\"0\" height=\"200\" j8=\"true\" src=\"http://2.bp.blogspot.com/-EFAXmtLif6Y/TbwPYC6QY9I/AAAAAAAAOYY/CVnmtwOzusk/s200/1.jpg\" width=\"155\" /></a></div>\n<div style=\"text-align: justify;\">Una buena parte de la historia de la Marina Española, que va desde el último tercio del siglo XVIII hasta casi mediados del siglo XX, se guarda y custodia en la tierra del Quijote, en plena llanura manchega, donde se encuentra el <a href=\"http://www.portalcultura.mde.es/cultural/archivos/castillaLaMancha/archivo_1095.html\">archivo general de la Marina &#8220;Álvaro de Bazán</a>&#8220;.</div>\n<div style=\"text-align: justify;\">La decisión de ubicar este archivo en el palacio del Marqués de Santa Cruz, en la localidad ciudadrealeña del Viso del Marqués, tenía como objetivo perpetuar la historia de Álvaro de Bazán, uno de los marinos más importantes del país y el único que siempre se mantuvo invicto.</div>\n<div style=\"text-align: justify;\">Los legajos y expedientes que se encuentran en las estanterías de este archivo atesoran documentos de gran &#8220;calado histórico&#8221;, puesto que las amplias competencias que tenía la Marina española la convertían en garante de información muy importante para la vida política y económica del país. Durante esta época histórica, la Armada tuvo competencias en temas relacionados con&nbsp;la pesca, las costas o el ordenamiento de los puertos, aparte de sus competencias propiamente militares.</div>\n<div style=\"text-align: justify;\"><a href=\"http://www.que.es/salud-belleza/estilo/201104301400-parte-historia-marina-espanola-guarda-efe.html\">Más información</a></div>\n<div class=\"blogger-post-footer\"><img width=\'1\' height=\'1\' src=\'https://blogger.googleusercontent.com/tracker/6024386-1145257928893444786?l=archivistica.blogspot.com\' alt=\'\' /></div>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/lDY0DWHzlmM\" height=\"1\" width=\"1\"/>\";}i:39;a:13:{s:5:\"title\";s:60:\"Google incorpora un buscador de patentes entre sus servicios\";s:4:\"link\";s:96:\"http://feedproxy.google.com/~r/ArchivesBlogs/~3/W-yDdLg8-g0/google-incorpora-un-buscador-de.html\";s:8:\"comments\";s:86:\"http://archivistica.blogspot.com/2011/04/google-incorpora-un-buscador-de.html#comments\";s:7:\"pubdate\";s:31:\"Sat, 30 Apr 2011 13:13:00 +0000\";s:2:\"dc\";a:1:{s:7:\"creator\";s:12:\"archivistica\";}s:8:\"category\";s:8:\"Español\";s:11:\"description\";s:255:\"Google ha presentado una novedad en su buscador con la que los usuarios podrán seleccionar documentos de patentes al realizar una búsqueda.El servicio, por el momento, se limita a mostrar los resultados de patentes registradas en Estados Unidos. La c...\";s:7:\"content\";a:1:{s:7:\"encoded\";s:1687:\"<div class=\"separator\" style=\"clear: both; text-align: center;\"><a href=\"http://2.bp.blogspot.com/-W4asU70iK1Y/TbwKs74ywgI/AAAAAAAAOYU/BngrdOJc22U/s1600/Sin+t%25C3%25ADtulo-1.jpg\" imageanchor=\"1\" style=\"clear: left; cssfloat: left; float: left; margin-bottom: 1em; margin-right: 1em;\"><img border=\"0\" height=\"74\" j8=\"true\" src=\"http://2.bp.blogspot.com/-W4asU70iK1Y/TbwKs74ywgI/AAAAAAAAOYU/BngrdOJc22U/s200/Sin+t%25C3%25ADtulo-1.jpg\" width=\"200\" /></a></div>\n<div style=\"text-align: justify;\">Google ha presentado una novedad en su buscador con la que los usuarios podrán seleccionar documentos de patentes al realizar una búsqueda.</div>\n<div style=\"text-align: justify;\">El servicio, por el momento, se limita a mostrar los resultados de patentes registradas en Estados Unidos. La compañía podría aumentar el alcance del servicio introduciendo los contenidos de otras oficinas de patentes fuera de territorio estadounidense. </div>\n<div style=\"text-align: justify;\">La nueva posibilidad estará disponible en la <a href=\"http://www.google.com/search?hl=en&amp;tbm=pts&amp;q=car&amp;aq=f&amp;aqi=&amp;aql=&amp;oq=\">barra de menú lateral del navegador</a>, al estilo de las opciones de noticias o imágenes. </div>\n<div style=\"text-align: justify;\"><a href=\"http://www.europapress.es/portaltic/internet/noticia-google-incorpora-buscador-patentes-servicios-20110429175057.html\">Más información</a></div>\n<div class=\"blogger-post-footer\"><img width=\'1\' height=\'1\' src=\'https://blogger.googleusercontent.com/tracker/6024386-6891984743975097427?l=archivistica.blogspot.com\' alt=\'\' /></div>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/W-yDdLg8-g0\" height=\"1\" width=\"1\"/>\";}s:3:\"wfw\";a:1:{s:10:\"commentrss\";s:75:\"http://archivistica.blogspot.com/feeds/6891984743975097427/comments/default\";}s:5:\"slash\";a:1:{s:8:\"comments\";s:1:\"0\";}s:10:\"feedburner\";a:1:{s:8:\"origlink\";s:77:\"http://archivistica.blogspot.com/2011/04/google-incorpora-un-buscador-de.html\";}s:7:\"summary\";s:255:\"Google ha presentado una novedad en su buscador con la que los usuarios podrán seleccionar documentos de patentes al realizar una búsqueda.El servicio, por el momento, se limita a mostrar los resultados de patentes registradas en Estados Unidos. La c...\";s:12:\"atom_content\";s:1687:\"<div class=\"separator\" style=\"clear: both; text-align: center;\"><a href=\"http://2.bp.blogspot.com/-W4asU70iK1Y/TbwKs74ywgI/AAAAAAAAOYU/BngrdOJc22U/s1600/Sin+t%25C3%25ADtulo-1.jpg\" imageanchor=\"1\" style=\"clear: left; cssfloat: left; float: left; margin-bottom: 1em; margin-right: 1em;\"><img border=\"0\" height=\"74\" j8=\"true\" src=\"http://2.bp.blogspot.com/-W4asU70iK1Y/TbwKs74ywgI/AAAAAAAAOYU/BngrdOJc22U/s200/Sin+t%25C3%25ADtulo-1.jpg\" width=\"200\" /></a></div>\n<div style=\"text-align: justify;\">Google ha presentado una novedad en su buscador con la que los usuarios podrán seleccionar documentos de patentes al realizar una búsqueda.</div>\n<div style=\"text-align: justify;\">El servicio, por el momento, se limita a mostrar los resultados de patentes registradas en Estados Unidos. La compañía podría aumentar el alcance del servicio introduciendo los contenidos de otras oficinas de patentes fuera de territorio estadounidense. </div>\n<div style=\"text-align: justify;\">La nueva posibilidad estará disponible en la <a href=\"http://www.google.com/search?hl=en&amp;tbm=pts&amp;q=car&amp;aq=f&amp;aqi=&amp;aql=&amp;oq=\">barra de menú lateral del navegador</a>, al estilo de las opciones de noticias o imágenes. </div>\n<div style=\"text-align: justify;\"><a href=\"http://www.europapress.es/portaltic/internet/noticia-google-incorpora-buscador-patentes-servicios-20110429175057.html\">Más información</a></div>\n<div class=\"blogger-post-footer\"><img width=\'1\' height=\'1\' src=\'https://blogger.googleusercontent.com/tracker/6024386-6891984743975097427?l=archivistica.blogspot.com\' alt=\'\' /></div>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/W-yDdLg8-g0\" height=\"1\" width=\"1\"/>\";}i:40;a:13:{s:5:\"title\";s:56:\"Metro Archives’ \"First Tuesday\" features John Baker…\";s:4:\"link\";s:102:\"http://feedproxy.google.com/~r/ArchivesBlogs/~3/Fis3wOOeq6E/metro-archives-first-tuesday-features.html\";s:8:\"comments\";s:114:\"http://feedproxy.google.com/~r/PosterityProject/~3/D62n8XH-4XQ/metro-archives-first-tuesday-features.html#comments\";s:7:\"pubdate\";s:31:\"Sat, 30 Apr 2011 13:00:00 +0000\";s:2:\"dc\";a:1:{s:7:\"creator\";s:21:\"The Posterity Project\";}s:8:\"category\";s:7:\"English\";s:11:\"description\";s:255:\"News from The Friends of the Metro Archives...\n\nThe Friends of the Metro Archives will host the “First Tuesday at the Archives” program series in May with John Baker, author of “The Washingtons of Wessyngton Plantation.”\n\nThe presentation by Mr...\";s:7:\"content\";a:1:{s:7:\"encoded\";s:2661:\"</p>\n<p>News from The Friends of the Metro Archives&#8230;</p>\n<blockquote><div class=\"separator\" style=\"clear: both; text-align: center;\"><a href=\"http://www.wessyngton.com/\" imageanchor=\"1\" style=\"clear: right; float: right; margin-bottom: 1em; margin-left: 1em;\"><img border=\"0\" height=\"225\" src=\"http://2.bp.blogspot.com/-NM4mdYPWm0c/TbsH9nGclKI/AAAAAAAAAjs/a6GVUpSG9c0/s320/wessyngtonflyer.jpg\" width=\"320\" /></a></div>\n<p>The Friends of the Metro Archives will host the “First Tuesday at the Archives” program series in May with John Baker, author of “The Washingtons of Wessyngton Plantation.”</p>\n<p>The presentation by Mr. Baker will be in the Conference Room of the Archives on Tuesday, May 3rd,  from 2:30-3:30. </p>\n<p>The Metro Nashville Archives is located at 3801 Green Hills Village Drive, Nashville, TN 37215. Contact the Archives at 862-5880 for more information. The event is free and open to the public.</p>\n<p>A descendant of Wessyngton slaves, John F. Baker Jr., has written the most accessible and exciting work of African American history since Roots.</p>\n<p>When Baker was in the seventh grade, he saw a photograph of four former slaves in his social studies textbook.  When he learned that two of them were his grandmother’s grandparents, Emanuel and Henny Washington, he began the lifelong research project that would become The Washingtons of Wessyngton Plantation.</p>\n<p>This fruit of more than thirty years of archival and field research and DNA testing spans 250 years.  Mr. Baker has not only written his own family’s story but also includes the history of hundreds of slaves and their descendants, now numbering in the thousands throughout the United States.  More than 100 rare photographs and portraits of African Americans who were slaves on the plantation bring this compelling American history to life.</p></blockquote>\n<p><b>RELATED LINKS:</b></p>\n<ul>\n<li><a href=\"http://freepages.history.rootsweb.ancestry.com/~nashvillearchives/index.html\">Friends of the Metro Archives</a></li>\n<li><a href=\"http://www.nashville.gov/metro_archives/\">Metropolitan Government Archives of Nashville &amp; Davidson County</a></li>\n<li><a href=\"http://www.wessyngton.com/\">The Washingtons of Wessyngton  Plantation</a></li>\n</ul>\n<div class=\"blogger-post-footer\"><img width=\'1\' height=\'1\' src=\'https://blogger.googleusercontent.com/tracker/1466670745609632409-2649574540199578429?l=posterityproject.blogspot.com\' alt=\'\' /></div>\n<p><img src=\"http://feeds.feedburner.com/~r/PosterityProject/~4/D62n8XH-4XQ\" height=\"1\" width=\"1\"/></p>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/Fis3wOOeq6E\" height=\"1\" width=\"1\"/>\";}s:3:\"wfw\";a:1:{s:10:\"commentrss\";s:79:\"http://posterityproject.blogspot.com/feeds/2649574540199578429/comments/default\";}s:5:\"slash\";a:1:{s:8:\"comments\";s:1:\"0\";}s:10:\"feedburner\";a:1:{s:8:\"origlink\";s:105:\"http://feedproxy.google.com/~r/PosterityProject/~3/D62n8XH-4XQ/metro-archives-first-tuesday-features.html\";}s:7:\"summary\";s:255:\"News from The Friends of the Metro Archives...\n\nThe Friends of the Metro Archives will host the “First Tuesday at the Archives” program series in May with John Baker, author of “The Washingtons of Wessyngton Plantation.”\n\nThe presentation by Mr...\";s:12:\"atom_content\";s:2661:\"</p>\n<p>News from The Friends of the Metro Archives&#8230;</p>\n<blockquote><div class=\"separator\" style=\"clear: both; text-align: center;\"><a href=\"http://www.wessyngton.com/\" imageanchor=\"1\" style=\"clear: right; float: right; margin-bottom: 1em; margin-left: 1em;\"><img border=\"0\" height=\"225\" src=\"http://2.bp.blogspot.com/-NM4mdYPWm0c/TbsH9nGclKI/AAAAAAAAAjs/a6GVUpSG9c0/s320/wessyngtonflyer.jpg\" width=\"320\" /></a></div>\n<p>The Friends of the Metro Archives will host the “First Tuesday at the Archives” program series in May with John Baker, author of “The Washingtons of Wessyngton Plantation.”</p>\n<p>The presentation by Mr. Baker will be in the Conference Room of the Archives on Tuesday, May 3rd,  from 2:30-3:30. </p>\n<p>The Metro Nashville Archives is located at 3801 Green Hills Village Drive, Nashville, TN 37215. Contact the Archives at 862-5880 for more information. The event is free and open to the public.</p>\n<p>A descendant of Wessyngton slaves, John F. Baker Jr., has written the most accessible and exciting work of African American history since Roots.</p>\n<p>When Baker was in the seventh grade, he saw a photograph of four former slaves in his social studies textbook.  When he learned that two of them were his grandmother’s grandparents, Emanuel and Henny Washington, he began the lifelong research project that would become The Washingtons of Wessyngton Plantation.</p>\n<p>This fruit of more than thirty years of archival and field research and DNA testing spans 250 years.  Mr. Baker has not only written his own family’s story but also includes the history of hundreds of slaves and their descendants, now numbering in the thousands throughout the United States.  More than 100 rare photographs and portraits of African Americans who were slaves on the plantation bring this compelling American history to life.</p></blockquote>\n<p><b>RELATED LINKS:</b></p>\n<ul>\n<li><a href=\"http://freepages.history.rootsweb.ancestry.com/~nashvillearchives/index.html\">Friends of the Metro Archives</a></li>\n<li><a href=\"http://www.nashville.gov/metro_archives/\">Metropolitan Government Archives of Nashville &amp; Davidson County</a></li>\n<li><a href=\"http://www.wessyngton.com/\">The Washingtons of Wessyngton  Plantation</a></li>\n</ul>\n<div class=\"blogger-post-footer\"><img width=\'1\' height=\'1\' src=\'https://blogger.googleusercontent.com/tracker/1466670745609632409-2649574540199578429?l=posterityproject.blogspot.com\' alt=\'\' /></div>\n<p><img src=\"http://feeds.feedburner.com/~r/PosterityProject/~4/D62n8XH-4XQ\" height=\"1\" width=\"1\"/></p>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/Fis3wOOeq6E\" height=\"1\" width=\"1\"/>\";}i:41;a:13:{s:5:\"title\";s:20:\"Introducción a CMIS\";s:4:\"link\";s:82:\"http://feedproxy.google.com/~r/ArchivesBlogs/~3/1dRGmhSZIjw/introduccion-cmis.html\";s:8:\"comments\";s:72:\"http://archivistica.blogspot.com/2011/04/introduccion-cmis.html#comments\";s:7:\"pubdate\";s:31:\"Sat, 30 Apr 2011 12:43:00 +0000\";s:2:\"dc\";a:1:{s:7:\"creator\";s:12:\"archivistica\";}s:8:\"category\";s:8:\"Español\";s:11:\"description\";s:255:\"Toni de la Fuente, de Alfresco, explica en este webinar el estándar CMIS.CMIS (Content Management Interoperability Services) permite que las aplicaciones interactúen con diferentes repositorios para la gestión de contenidos empresariales ECM de dife...\";s:7:\"content\";a:1:{s:7:\"encoded\";s:1502:\"<div class=\"separator\" style=\"clear: both; text-align: center;\"><a href=\"http://3.bp.blogspot.com/-EOenwVNayqc/TbwCvyR3zfI/AAAAAAAAOYQ/m_7BiLK43oM/s1600/11.bmp\" imageanchor=\"1\" style=\"clear: left; cssfloat: left; float: left; margin-bottom: 1em; margin-right: 1em;\"><img border=\"0\" height=\"54\" j8=\"true\" src=\"http://3.bp.blogspot.com/-EOenwVNayqc/TbwCvyR3zfI/AAAAAAAAOYQ/m_7BiLK43oM/s200/11.bmp\" width=\"200\" /></a></div>\n<div style=\"text-align: justify;\">Toni de la Fuente, de Alfresco, explica en este webinar el estándar CMIS.</div>\n<div style=\"text-align: justify;\"><a href=\"http://www.oasis-open.org/committees/tc_home.php?wg_abbrev=cmis\">CMIS</a> (Content Management Interoperability Services) permite que las aplicaciones interactúen con diferentes repositorios para la gestión de contenidos empresariales ECM de diferentes proveedores. CMIS utiliza web services e interfaces diseñados para funcionar con repositorios ya vigentes, permitiendo a los clientes configurar y aprovechar aplicaciones con múltiples repositorios, disociando servicios web y contenidos del repositorio.</div>\n<p><iframe frameborder=\"0\" height=\"150\" src=\"http://player.vimeo.com/video/23012832?byline=0&amp;portrait=0\" width=\"200\"></iframe>\n<div class=\"blogger-post-footer\"><img width=\'1\' height=\'1\' src=\'https://blogger.googleusercontent.com/tracker/6024386-7076166641888655048?l=archivistica.blogspot.com\' alt=\'\' /></div>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/1dRGmhSZIjw\" height=\"1\" width=\"1\"/>\";}s:3:\"wfw\";a:1:{s:10:\"commentrss\";s:75:\"http://archivistica.blogspot.com/feeds/7076166641888655048/comments/default\";}s:5:\"slash\";a:1:{s:8:\"comments\";s:1:\"0\";}s:10:\"feedburner\";a:1:{s:8:\"origlink\";s:63:\"http://archivistica.blogspot.com/2011/04/introduccion-cmis.html\";}s:7:\"summary\";s:255:\"Toni de la Fuente, de Alfresco, explica en este webinar el estándar CMIS.CMIS (Content Management Interoperability Services) permite que las aplicaciones interactúen con diferentes repositorios para la gestión de contenidos empresariales ECM de dife...\";s:12:\"atom_content\";s:1502:\"<div class=\"separator\" style=\"clear: both; text-align: center;\"><a href=\"http://3.bp.blogspot.com/-EOenwVNayqc/TbwCvyR3zfI/AAAAAAAAOYQ/m_7BiLK43oM/s1600/11.bmp\" imageanchor=\"1\" style=\"clear: left; cssfloat: left; float: left; margin-bottom: 1em; margin-right: 1em;\"><img border=\"0\" height=\"54\" j8=\"true\" src=\"http://3.bp.blogspot.com/-EOenwVNayqc/TbwCvyR3zfI/AAAAAAAAOYQ/m_7BiLK43oM/s200/11.bmp\" width=\"200\" /></a></div>\n<div style=\"text-align: justify;\">Toni de la Fuente, de Alfresco, explica en este webinar el estándar CMIS.</div>\n<div style=\"text-align: justify;\"><a href=\"http://www.oasis-open.org/committees/tc_home.php?wg_abbrev=cmis\">CMIS</a> (Content Management Interoperability Services) permite que las aplicaciones interactúen con diferentes repositorios para la gestión de contenidos empresariales ECM de diferentes proveedores. CMIS utiliza web services e interfaces diseñados para funcionar con repositorios ya vigentes, permitiendo a los clientes configurar y aprovechar aplicaciones con múltiples repositorios, disociando servicios web y contenidos del repositorio.</div>\n<p><iframe frameborder=\"0\" height=\"150\" src=\"http://player.vimeo.com/video/23012832?byline=0&amp;portrait=0\" width=\"200\"></iframe>\n<div class=\"blogger-post-footer\"><img width=\'1\' height=\'1\' src=\'https://blogger.googleusercontent.com/tracker/6024386-7076166641888655048?l=archivistica.blogspot.com\' alt=\'\' /></div>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/1dRGmhSZIjw\" height=\"1\" width=\"1\"/>\";}i:42;a:14:{s:5:\"title\";s:42:\"Horse thieves weren’t easily discouraged\";s:4:\"link\";s:60:\"http://feedproxy.google.com/~r/ArchivesBlogs/~3/KaW2-2BVRtY/\";s:8:\"comments\";s:103:\"http://www.lib.unc.edu/blogs/ncm/index.php/2011/04/30/horse-thieves-werent-easily-discouraged/#comments\";s:7:\"pubdate\";s:31:\"Sat, 30 Apr 2011 09:43:39 +0000\";s:2:\"dc\";a:1:{s:7:\"creator\";s:25:\"North Carolina Miscellany\";}s:8:\"category\";s:7:\"English\";s:4:\"guid\";s:40:\"http://www.lib.unc.edu/blogs/ncm/?p=8118\";s:11:\"description\";s:320:\"&#8220;The colonists&#8217; bete noir was the horse thief. A North Carolina act of 1786 provided that &#8216;for the first offense the culprit should stand in the pillory for one hour, be publicly whipped with 39 lashes, nailed to the pillory by the ears, which were afterwards to be cut off, and be branded on the [...]\";s:7:\"content\";a:1:{s:7:\"encoded\";s:994:\"<p>&#8220;The colonists&#8217; <em>bete noir</em> was the horse thief. A North Carolina act of 1786 provided that &#8216;for the first offense the culprit should stand in the pillory for one hour, be publicly whipped with 39 lashes, nailed to the pillory by the ears, which were afterwards to be cut off, and be branded on the right cheek with the letter &#8220;H&#8221; and on the left cheek with the letter &#8220;T.&#8221; &#8216;</p>\n<p>&#8220;Such penalties proved to be insufficient, and four years later the penalty was changed to death without benefit of clergy.&#8221;</p>\n<p><strong>&#8211; From &#8220;The Fruited Plain: The Story of American Agriculture&#8221; by Walter Ebeling (1979)</strong></p>\n<p><strong>Coincidentally, maybe flogging is <a href=\"http://chronicle.com/article/In-Defense-of-Flogging/127208/\">making a comeback</a>.<br />\n</strong></p>\n<p><strong><br />\n</strong></p>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/KaW2-2BVRtY\" height=\"1\" width=\"1\"/>\";}s:3:\"wfw\";a:1:{s:10:\"commentrss\";s:99:\"http://www.lib.unc.edu/blogs/ncm/index.php/2011/04/30/horse-thieves-werent-easily-discouraged/feed/\";}s:5:\"slash\";a:1:{s:8:\"comments\";s:1:\"0\";}s:10:\"feedburner\";a:1:{s:8:\"origlink\";s:94:\"http://www.lib.unc.edu/blogs/ncm/index.php/2011/04/30/horse-thieves-werent-easily-discouraged/\";}s:7:\"summary\";s:320:\"&#8220;The colonists&#8217; bete noir was the horse thief. A North Carolina act of 1786 provided that &#8216;for the first offense the culprit should stand in the pillory for one hour, be publicly whipped with 39 lashes, nailed to the pillory by the ears, which were afterwards to be cut off, and be branded on the [...]\";s:12:\"atom_content\";s:994:\"<p>&#8220;The colonists&#8217; <em>bete noir</em> was the horse thief. A North Carolina act of 1786 provided that &#8216;for the first offense the culprit should stand in the pillory for one hour, be publicly whipped with 39 lashes, nailed to the pillory by the ears, which were afterwards to be cut off, and be branded on the right cheek with the letter &#8220;H&#8221; and on the left cheek with the letter &#8220;T.&#8221; &#8216;</p>\n<p>&#8220;Such penalties proved to be insufficient, and four years later the penalty was changed to death without benefit of clergy.&#8221;</p>\n<p><strong>&#8211; From &#8220;The Fruited Plain: The Story of American Agriculture&#8221; by Walter Ebeling (1979)</strong></p>\n<p><strong>Coincidentally, maybe flogging is <a href=\"http://chronicle.com/article/In-Defense-of-Flogging/127208/\">making a comeback</a>.<br />\n</strong></p>\n<p><strong><br />\n</strong></p>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/KaW2-2BVRtY\" height=\"1\" width=\"1\"/>\";}i:43;a:13:{s:5:\"title\";s:53:\"Vorsicht bei Topaz GmbH (es schreibt Natalie Lösche)\";s:4:\"link\";s:60:\"http://feedproxy.google.com/~r/ArchivesBlogs/~3/hOKKMuTCf-A/\";s:8:\"comments\";s:51:\"http://archiv.twoday.net/stories/16591852/#comments\";s:7:\"pubdate\";s:31:\"Sat, 30 Apr 2011 09:01:00 +0000\";s:2:\"dc\";a:1:{s:7:\"creator\";s:10:\"Archivalia\";}s:8:\"category\";s:7:\"Deutsch\";s:11:\"description\";s:255:\"Emails mit Jobangeboten mehren sich. Es wird ein Grundgehalt angeboten plus Provision. Verlangt wird ein emailanschluss.\n\nDie genaue Vorgehensweise wird hier dargestellt (etwa Mitte der Seite):\n\nhttps://scamfraudalert.wordpress.com/2011/04/08/\n\nDie Opf...\";s:7:\"content\";a:1:{s:7:\"encoded\";s:491:\"<p>Emails mit Jobangeboten mehren sich. Es wird ein Grundgehalt angeboten plus Provision. Verlangt wird ein emailanschluss.</p>\n<p>Die genaue Vorgehensweise wird hier dargestellt (etwa Mitte der Seite):</p>\n<p><a href=\"https://scamfraudalert.wordpress.com/2011/04/08/\">https://scamfraudalert.wordpress.com/2011/04/08/</a></p>\n<p>Die Opfer werden zur Geldwäsche missbraucht.</p>\n<p>Vierprinzen</p>\n<img src=\"http://feeds.feedburner.com/~r/ArchivesBlogs/~4/hOKKMuTCf-A\" height=\"1\" width=\"1\"/>\";}s:3:\"wfw\";a:1:{s:10:\"commentrss\";s:46:\"http://archivesblogs.com/archives/3770893/feed\";}s:5:\"slash\";a:1:{s:8:\"comments\";s:1:\"0\";}s:10:\"feedburner\";a:1:{s:8:\"origlink\";s:42:\"http://archiv.twoday.net/stories/16591852/\";}s:7:\"summary\";s:255:\"Emails mit Jobangeboten mehren sic