<table border="0" cellpadding="2" cellspacing="7" style="vertical-align:top"><tr><td width="80" align="center" valign="top"><font></font></td><td valign="top" class="j"><font><br /><div style="padding-top:0.8em"><img alt="" height="1" width="1" /></div><div class="lh"><a href="http://www.baristanet.com/2011/02/two-theatrical-treasures-from-the-early-sixties/"><b>Two Theatrical Treasures From The Early Sixties</b></a><br /><font size="-1"><b><font color="#6f6f6f">Baristanet</font></b></font><br /><font size="-1">While this re-imagining of Gardner&#039;s work gives it an added potency for today&#039;s audiences, Michael Mastro&#039;s revival of Frank D. Gilroy&#039;s autobiographical 1964 ?<b>kitchen sink</b>? drama (complete with <b>kitchen sink</b>), ?The Subject Was Roses,? at George Street <b>...</b></font><br /><font size="-1"></font><br /><font size="-1"><a class="p" href="http://www.baristanet.com/2011/02/two-theatrical-treasures-from-the-early-sixties/"><b>and more&nbsp;&raquo;</b></a></font></div></font></td></tr></table>