<table border="0" cellpadding="2" cellspacing="7" style="vertical-align:top"><tr><td width="80" align="center" valign="top"><font><a href="http://www.telegraph.co.uk/culture/theatre/dance/8160861/Birmingham-Royal-Ballet-Birmingham-Hippodrome-review.html"><img src="http://nt3.ggpht.com/news/tbn/b_4IlAx27R-GgM/6.jpg" alt="" border="1" width="80" height="80" /><br /><font size="-2">Telegraph.co.uk</font></a></font></td><td valign="top" class="j"><font><br /><div style="padding-top:0.8em"><img alt="" height="1" width="1" /></div><div class="lh"><a href="http://www.telegraph.co.uk/culture/theatre/dance/8160861/Birmingham-Royal-Ballet-Birmingham-Hippodrome-review.html"><b>Birmingham Royal Ballet, Birmingham Hippodrome, review</b></a><br /><font size="-1"><b><font color="#6f6f6f">Telegraph.co.uk</font></b></font><br /><font size="-1">After that terrific opening, he transforms the potently grim <b>kitchen</b> into a dream-like, star-speckled fantasia-cum-nightmare ? the carriage is like spun <b>...</b></font><br /><font size="-1"></font><br /><font size="-1"><a class="p" href="http://www.telegraph.co.uk/culture/theatre/dance/8160861/Birmingham-Royal-Ballet-Birmingham-Hippodrome-review.html"><b>and more&nbsp;&raquo;</b></a></font></div></font></td></tr></table>