The highlight, however, was “Oasis,” which featured a cool lead-in of dueling guitars between Scott Tournet and Benny Yurco. Potter, who could have used the time to take a break to conserve her energy, instead moved behind the amp stack to dance like no one was watching.

She returned to add her Hammond B3 organ to the increasing guitar din, as the group slipped into its jam-band roots for an Allman Brothers-style finale that featured a scorching solo from Tournet.

Skipping only a single beat at the end of the song, drummer Matt Burr kicked into the intro of “Stop the Bus,” which could have very easily veered into a cover of Led Zeppelin’s “Dazed and Confused.” But “Bus” was better because Potter threw her Flying V into the mix with Tournet and Yurco for another glimpse of guitar heaven.

Rounding out the trilogy was a blues-soaked version of “2:22” where Potter channeled her inner Janis Joplin while the guitarists continued their dual attack on the senses and the sweat-soaked hair on the back of people’s neck

via <a href="http://news.cincinnati.com/article/20110730/ENT03/110730006/Review-Grace-Potter-Nocturnals-turn-up-heat?odyssey=mod|newswell|text|Entertainment|s">Cincinnati.com</a>