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Maune, 53, a third-generation member of the St. Louis construction industry, died suddenly May 26.<br /><br />Maune was executive vice president, sales and marketing, for Mays Maune &amp; Associates, an architectural products sales organization.&nbsp; The firm was successor to the company founded in 1936 by Grant Maune&rsquo;s grandfather Len A. Maune, and later run by his father Robert Maune and by Grant Maune. <br /><img class=\"image-left\" height=\"228\" src=\"/images/uploads/grant-maune.jpg\" style=\"float: left;\" width=\"200\" /><br />Mays-Maune &amp; Associates, Inc. was formed by the combing the product portfolios of Len A. Maune Co.and another long-time architectural products firm.&nbsp; Mays-Maune &amp; Associates serves architects, building owners and general contractors in Missouri, Illinois, Kentucky and Kansas. 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On June 9 the Finishing Trades Institute (FTI) of the International Union of Painters and Allied Trades (IUPAT) is hosting the launch of a program designed to teach traditional craft painters new and innovative techniques and materials in decorative finishes.<br />&nbsp;<br />St. Louisan Richard Swaringen, formerly an instructor with Painters District Council #2 and now with Koch Brothers Painting, helped Chicago IUPAT District Council #14 Instructor Mike Krawiec plan a curriculum to teach Decorative Finishes to painters nationwide through the FTI, said Tim Klotz, apprenticeship coordinator for District Council #2. &ldquo;St. Louis has always won top places in decorative finishing contests in the union,&rdquo; Klotz said. &ldquo;For the last five years, apprentices from St. Louis and Chicago have demonstrated decorative finishes at the IUPAT both at PACE, the annual painting industry trade show,&rdquo; he said. &ldquo;Swaringen and Krawiec talked a lot about creating a national training program and Krawiec ran with the ball,&rdquo; he added. <br /><br /><img class=\"image-left\" height=\"303\" src=\"/images/uploads/faux-finisher.jpg\" style=\"float: left;\" width=\"266\" />Dan Penski, director of the FTI, said, &ldquo;The IUPAT is the clear leader in putting skilled commercial and industrial painters on jobs throughout the United States and Canada. 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The session will be attended by over a dozen IUPAT trainers from throughout the United States and Canada, who will receive instruction on how to teach the Decorative Finishing craft to their local members in a course curriculum jointly designed by the FTI, the IUPAT District Council 14 Apprenticeship Program, Faux Design Studio and Faux Effects International.<br />&nbsp;<br />&ldquo;FTI trains the trainers of our union and this is the first step in teaching the Decorative Finishing craft at our training centers throughout the U.S. and Canada ,&rdquo; said Penski. &ldquo;We expect to offer this course several times a year in the near future and we fully expect a great deal of interest from more and more of our local affiliates and contractors to attend this course.&rdquo; <br /><br />&ldquo;Decorative Finishing is the art of transforming a space from a single to a multi-dimensional space providing unparalleled depth and drama,&rdquo; said Sheri Zeman, owner of Faux Design Studio in Addison, IL.&nbsp; Zeman has been a part of training IUPAT crafts men and women in the Chicago area for over five years now and is one of the primary decorative painting industry partners with the IUPAT. &ldquo;Innovations in the industry give the painter unlimited boundaries to produce effects not possible in the past,&rdquo; she said.<br /><br />&ldquo;This endeavor between my company, the IUPAT and Faux Effects International, Inc. has the potential to drastically change the look of the home and commercial painting industry,&rdquo; said Zeman.&nbsp;&nbsp; &ldquo;Through this training, we are breaking preconceived notions of Decorative Finishing and creating finishes that serve as stunning backdrops to luxurious furniture and d&eacute;cor.&nbsp;&nbsp; I know first hand that the demand for decorative finishing is high in the market and that one of the main things holding contractors back from doing more of it is a limited qualified workforce. 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Louis Plays Key Role in New National Decorative Painting Training  \";s:10:\"field_ft_5\";s:4:\"none\";s:10:\"field_id_7\";s:41:\"faux, decorative painting, IUPAT, Chicago\";s:10:\"field_ft_7\";s:4:\"none\";s:10:\"field_id_8\";s:4329:\"<p>St. Louis\' generations-old national and international reputation as a hub for training in decorative painting has resulted in St. Louis union trainers playing a key role in a nationwide training effort.</p>\n<p>The Midwest, particularly St. Louis and Chicago, are helping to spread the craft of decorative painting nationwide. On June 9 the Finishing Trades Institute (FTI) of the International Union of Painters and Allied Trades (IUPAT) is hosting the launch of a program designed to teach traditional craft painters new and innovative techniques and materials in decorative finishes.<br />&nbsp;<br />St. Louisan Richard Swaringen, formerly an instructor with Painters District Council #2 and now with Koch Brothers Painting, helped Chicago IUPAT District Council #14 Instructor Mike Krawiec plan a curriculum to teach Decorative Finishes to painters nationwide through the FTI, said Tim Klotz, apprenticeship coordinator for District Council #2. &ldquo;St. Louis has always won top places in decorative finishing contests in the union,&rdquo; Klotz said. &ldquo;For the last five years, apprentices from St. Louis and Chicago have demonstrated decorative finishes at the IUPAT both at PACE, the annual painting industry trade show,&rdquo; he said. &ldquo;Swaringen and Krawiec talked a lot about creating a national training program and Krawiec ran with the ball,&rdquo; he added. <br /><br /><img class=\"image-left\" height=\"303\" src=\"/images/uploads/faux-finisher.jpg\" style=\"float: left;\" width=\"266\" />Dan Penski, director of the FTI, said, &ldquo;The IUPAT is the clear leader in putting skilled commercial and industrial painters on jobs throughout the United States and Canada. 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The session will be attended by over a dozen IUPAT trainers from throughout the United States and Canada, who will receive instruction on how to teach the Decorative Finishing craft to their local members in a course curriculum jointly designed by the FTI, the IUPAT District Council 14 Apprenticeship Program, Faux Design Studio and Faux Effects International.<br />&nbsp;<br />&ldquo;FTI trains the trainers of our union and this is the first step in teaching the Decorative Finishing craft at our training centers throughout the U.S. and Canada ,&rdquo; said Penski. &ldquo;We expect to offer this course several times a year in the near future and we fully expect a great deal of interest from more and more of our local affiliates and contractors to attend this course.&rdquo; <br /><br />&ldquo;Decorative Finishing is the art of transforming a space from a single to a multi-dimensional space providing unparalleled depth and drama,&rdquo; said Sheri Zeman, owner of Faux Design Studio in Addison, IL.&nbsp; Zeman has been a part of training IUPAT crafts men and women in the Chicago area for over five years now and is one of the primary decorative painting industry partners with the IUPAT. &ldquo;Innovations in the industry give the painter unlimited boundaries to produce effects not possible in the past,&rdquo; she said.<br /><br />&ldquo;This endeavor between my company, the IUPAT and Faux Effects International, Inc. has the potential to drastically change the look of the home and commercial painting industry,&rdquo; said Zeman.&nbsp;&nbsp; &ldquo;Through this training, we are breaking preconceived notions of Decorative Finishing and creating finishes that serve as stunning backdrops to luxurious furniture and d&eacute;cor.&nbsp;&nbsp; I know first hand that the demand for decorative finishing is high in the market and that one of the main things holding contractors back from doing more of it is a limited qualified workforce. 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Rosemann &amp; Associates was the architect of record and the designer for the site plan, apartments, and clubhouse. Stock &amp; Associates was the civil Engineer, KPFF was structural engineer, and William Tao &amp; Associates provided mechanical, electrical and plumbing engineering services.</p>\n<p><br /><img alt=\"Alton Pointe Apartments\" class=\"image-left\" height=\"257\" src=\"/images/uploads/Alton-Pointe-2.jpg\" style=\"float: left;\" width=\"317\" />&ldquo;Alton Pointe replaces a blighted apartment complex that for years was the center of gang-related activities and drug deals,&rdquo; says Project Architect Andrew Koenig, AIA. &ldquo;The fact unit applications were pouring in during the first week on the market is proof this is a long awaited and needed project for the community.&rdquo;<br />&nbsp;<br />Resembling large homes, each building consists of three units, two apartments and one townhome, creating a unique neighborhood. 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Puts I-44 Back on Fast Track\";s:10:\"field_ft_5\";s:4:\"none\";s:10:\"field_id_7\";s:20:\"I-44, MODOT, lanes, \";s:10:\"field_ft_7\";s:4:\"none\";s:10:\"field_id_8\";s:2060:\"<p>The Missouri Department of Transportation (MODOT) completed emergency pavement\nrepair work on June 6 on I-44 from I-270 to I-55.</p>\n<p style=\"margin-bottom: 0pt;\">&nbsp;Working with contractors Micro-Surfacing, Inc., and Gaines Construction, Inc., MODOT&nbsp; addressed pavement delamination related to the creation of additional lanes that were put in place to relieve traffic displaced by the I-64 reconstruction.</p>\n<p>&nbsp;<span style=\"font-family: Verdana,Arial,Helvetica,sans-serif;\">Crews\nwill return at a future date to be determined for miscellaneous clean\nup and touch up work on restriping, with minor impacts to traffic.</span></p>\n<p class=\"style1\"><span style=\"font-family: Verdana,Arial,Helvetica,sans-serif;\"> </span></p>\n<p class=\"style1\"><img alt=\"I-44 Repaving\" class=\"table-left\" height=\"303\" src=\"/images/uploads/I-44.jpg\" style=\"float: left;\" width=\"266\" />Sections\nof the interstate were experiencing raveling where striping was removed\nto add an additional lane. The asphalt patch that was applied to the\nrumble strips and median lanes were peeling off the pavement.</p>\n<p class=\"style4\" style=\"margin-bottom: 0pt;\">From I-270 to Murdoch, was done by Micro-Surfacing, Inc. to repair the pavement raveling. The repair is a two-foot-wide asphalt sealing along the areas of I-44 where striping\nwas removed.&nbsp; The work was done Monday thru Friday from 8:30\na.m. to 3 p.m.</p>\n<p class=\"style4\" style=\"margin-bottom: 0pt;\">&nbsp;</p>\n<p class=\"style4\" style=\"margin-bottom: 0pt;\">East from Murdoch to I-55 the work was done by Gaines Construction. The&nbsp; pavement repair included\nthe removal of seven-foot sections of peeling asphalt, primarily in the\nmedian lanes and the shoulder lanes. The work was done by Gaines Construction at night,\nMonday thru Friday from 7 p.m. to 4 a.m..</p>\n<p style=\"margin-bottom: 0pt;\"><span style=\"text-decoration: underline;\"><strong></strong></span>The entire section of I-44 from\nI-270 to I-55 will be re-surfaced in 2010. The lanes will be returned\nto four lanes each way with shoulders.</p>\";s:10:\"field_ft_8\";s:4:\"none\";s:10:\"field_id_9\";s:156:\"The Missouri Department of Transportation (MODOT) completed emergency pavement repair work on June 6 on Interstate 44 from Interstate 270 to Interstate 55. \";s:10:\"field_ft_9\";s:4:\"none\";s:11:\"field_id_10\";s:0:\"\";s:11:\"field_ft_10\";s:4:\"none\";s:11:\"field_id_11\";s:0:\"\";s:11:\"field_ft_11\";s:4:\"none\";s:11:\"field_id_12\";s:0:\"\";s:11:\"field_ft_12\";s:4:\"none\";s:11:\"field_id_13\";s:3:\"110\";s:11:\"field_ft_13\";s:4:\"none\";s:11:\"field_id_20\";s:0:\"\";s:11:\"field_ft_20\";s:0:\"\";s:11:\"field_id_22\";s:0:\"\";s:11:\"field_ft_22\";s:0:\"\";s:11:\"field_id_23\";s:0:\"\";s:11:\"field_ft_23\";s:0:\"\";s:11:\"field_id_25\";s:0:\"\";s:11:\"field_ft_25\";s:0:\"\";s:11:\"field_id_26\";s:0:\"\";s:11:\"field_ft_26\";s:0:\"\";s:11:\"field_id_28\";s:0:\"\";s:11:\"field_ft_28\";s:0:\"\";s:11:\"field_id_29\";s:0:\"\";s:11:\"field_ft_29\";s:0:\"\";s:11:\"field_id_31\";s:0:\"\";s:11:\"field_ft_31\";s:0:\"\";s:11:\"field_id_32\";s:0:\"\";s:11:\"field_ft_32\";s:0:\"\";s:11:\"field_id_34\";s:0:\"\";s:11:\"field_ft_34\";s:0:\"\";s:11:\"field_id_35\";s:0:\"\";s:11:\"field_ft_35\";s:0:\"\";s:11:\"field_id_36\";s:0:\"\";s:11:\"field_ft_36\";s:4:\"none\";s:11:\"field_id_37\";s:0:\"\";s:11:\"field_ft_37\";s:0:\"\";s:11:\"field_id_41\";s:0:\"\";s:11:\"field_ft_41\";s:4:\"none\";s:11:\"field_id_42\";s:24:\"/images/uploads/I-44.jpg\";s:11:\"field_ft_42\";s:4:\"none\";s:11:\"field_id_43\";s:0:\"\";s:11:\"field_ft_43\";s:4:\"none\";s:11:\"field_id_44\";s:0:\"\";s:11:\"field_ft_44\";s:4:\"none\";s:11:\"field_id_45\";s:0:\"\";s:11:\"field_ft_45\";s:4:\"none\";s:11:\"field_id_46\";s:0:\"\";s:11:\"field_ft_46\";s:4:\"none\";s:11:\"field_id_55\";s:0:\"\";s:11:\"field_ft_55\";s:0:\"\";s:11:\"field_id_56\";s:1:\"0\";s:11:\"field_ft_56\";s:4:\"none\";s:11:\"field_dt_56\";s:0:\"\";s:11:\"field_id_57\";s:1:\"0\";s:11:\"field_ft_57\";s:4:\"none\";s:11:\"field_dt_57\";s:0:\"\";s:11:\"field_id_58\";s:0:\"\";s:11:\"field_ft_58\";s:0:\"\";s:11:\"field_id_59\";s:0:\"\";s:11:\"field_ft_59\";s:0:\"\";s:11:\"field_id_60\";s:0:\"\";s:11:\"field_ft_60\";s:0:\"\";s:11:\"field_id_62\";s:0:\"\";s:11:\"field_ft_62\";s:0:\"\";s:11:\"field_id_63\";s:0:\"\";s:11:\"field_ft_63\";s:4:\"none\";s:11:\"field_id_64\";s:0:\"\";s:11:\"field_ft_64\";s:4:\"none\";s:11:\"field_id_66\";s:0:\"\";s:11:\"field_ft_66\";s:4:\"none\";s:11:\"field_id_67\";s:0:\"\";s:11:\"field_ft_67\";s:4:\"none\";}}s:3:\"row\";a:154:{s:8:\"entry_id\";s:3:\"121\";s:9:\"weblog_id\";s:1:\"2\";s:14:\"forum_topic_id\";s:1:\"0\";s:9:\"author_id\";s:1:\"2\";s:10:\"ip_address\";s:13:\"64.241.37.140\";s:5:\"title\";s:22:\"I44 Back on Fast 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Puts I-44 Back on Fast Track\";s:10:\"field_ft_5\";s:4:\"none\";s:10:\"field_id_7\";s:20:\"I-44, MODOT, lanes, \";s:10:\"field_ft_7\";s:4:\"none\";s:10:\"field_id_8\";s:2060:\"<p>The Missouri Department of Transportation (MODOT) completed emergency pavement\nrepair work on June 6 on I-44 from I-270 to I-55.</p>\n<p style=\"margin-bottom: 0pt;\">&nbsp;Working with contractors Micro-Surfacing, Inc., and Gaines Construction, Inc., MODOT&nbsp; addressed pavement delamination related to the creation of additional lanes that were put in place to relieve traffic displaced by the I-64 reconstruction.</p>\n<p>&nbsp;<span style=\"font-family: Verdana,Arial,Helvetica,sans-serif;\">Crews\nwill return at a future date to be determined for miscellaneous clean\nup and touch up work on restriping, with minor impacts to traffic.</span></p>\n<p class=\"style1\"><span style=\"font-family: Verdana,Arial,Helvetica,sans-serif;\"> </span></p>\n<p class=\"style1\"><img alt=\"I-44 Repaving\" class=\"table-left\" height=\"303\" src=\"/images/uploads/I-44.jpg\" style=\"float: left;\" width=\"266\" />Sections\nof the interstate were experiencing raveling where striping was removed\nto add an additional lane. The asphalt patch that was applied to the\nrumble strips and median lanes were peeling off the pavement.</p>\n<p class=\"style4\" style=\"margin-bottom: 0pt;\">From I-270 to Murdoch, was done by Micro-Surfacing, Inc. to repair the pavement raveling. The repair is a two-foot-wide asphalt sealing along the areas of I-44 where striping\nwas removed.&nbsp; The work was done Monday thru Friday from 8:30\na.m. to 3 p.m.</p>\n<p class=\"style4\" style=\"margin-bottom: 0pt;\">&nbsp;</p>\n<p class=\"style4\" style=\"margin-bottom: 0pt;\">East from Murdoch to I-55 the work was done by Gaines Construction. The&nbsp; pavement repair included\nthe removal of seven-foot sections of peeling asphalt, primarily in the\nmedian lanes and the shoulder lanes. The work was done by Gaines Construction at night,\nMonday thru Friday from 7 p.m. to 4 a.m..</p>\n<p style=\"margin-bottom: 0pt;\"><span style=\"text-decoration: underline;\"><strong></strong></span>The entire section of I-44 from\nI-270 to I-55 will be re-surfaced in 2010. The lanes will be returned\nto four lanes each way with shoulders.</p>\";s:10:\"field_ft_8\";s:4:\"none\";s:10:\"field_id_9\";s:156:\"The Missouri Department of Transportation (MODOT) completed emergency pavement repair work on June 6 on Interstate 44 from Interstate 270 to Interstate 55. 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In the written\nexplanations accompanying their proposed rule, the acquisition councils\nsaid they would consider compliance with the MOU &ldquo;a performance\nrequirement under the terms of the Federal contract or subcontract.&rdquo;</p>\n<p>ASA\nis seeking members&rsquo; input about the proposed rule&rsquo;s impact on them. ASA\nhas posted a link to the proposed rule on the ASA Web site at\nwww.asaonline.com. Some state governments also see E-Verify as part of\nthe answer to the federal government\'s flawed immigration policies. In\nMissouri, a new law requires all employers receiving money from the\nstate or tax credits in excess of $5,000 to use E-Verify. 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The prosposed rule was reported in <em>ASA Today</em>, the online newsletter of the\nAmerican Subcontractors Association (ASA).</p>\n<p>ASA\nreported that the proposal to amend the Federal Acquisition Regulation\nwould insert a clause in prime contracts for federal construction\nrequiring contractors to:</p>\n<ul>\n<li>Enroll in E-Verify within 30 calendar days of contract award.</li>\n<li>Use E-Verify to verify the employment eligibility of all employees assigned to the contract within 30 days of contract award.<br /> Verify the employment eligibility of new employees assigned to the contract within three days.<br /> </li>\n<li>Flow down the same requirements to all subcontracts on the project that exceed $3,000.<br /> </li>\n</ul>\n<p>Currently voluntary, E-Verify is an Internet-based system for\nsubmitting employees&rsquo; names, dates of birth, and Social Security\nnumbers to check against federal databases for work authorization\npurposes. 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In the written\nexplanations accompanying their proposed rule, the acquisition councils\nsaid they would consider compliance with the MOU &ldquo;a performance\nrequirement under the terms of the Federal contract or subcontract.&rdquo;</p>\n<p>ASA\nis seeking members&rsquo; input about the proposed rule&rsquo;s impact on them. ASA\nhas posted a link to the proposed rule on the ASA Web site at\nwww.asaonline.com. Some state governments also see E-Verify as part of\nthe answer to the federal government\'s flawed immigration policies. In\nMissouri, a new law requires all employers receiving money from the\nstate or tax credits in excess of $5,000 to use E-Verify. A new law in\nSouth Carolina also requires any company doing business with the state\nto use the system.</p>\n<p>The Associated General Contractors of America (AGC) said earlier\nthis week that it questioned the use of E-Verify as an immigration\nstatus remedy. \"While AGC supports the full enforcement of our\nimmigration laws,\nAGC remains committed to their comprehensive reform, and the\nassociation questions whether this piecemeal measure will hasten or\ndelay the day when we will see that kind of reform,\" Stephen E.\nSandherr, chief executive officer of AGC of America said. \"Ironically,\nwe also find ourselves questioning\nwhether the executive order is itself in violation of our current\nlaws,\" he added.</p>\n<p>The new requirement will take effect only after the relevant federal\nagencies revise the regulations that govern federal contracts. AGC&nbsp; said it will\ncarefully examine the new executive order and the proposed revisions of\nthe regulations to determine if the changes would cause problems for\nthe contractors responsible for constructing and maintaining the\nfederal infrastructure. AGC also will investigate whether or not the\nchanges conflict with the current immigrations laws, and if so, may\ncontemplate even stronger action.</p>\n<p>Immediately, AGC said it will also begin seeking further guidance on\na host of questions that the executive order raises, including:</p>\n<ul>\n<li>\"Who is a \"contractor\" for the purposes of the executive\norder? Does it include a subcontractor? Does it include a material\nsupplier? Does it include a vendor of commercial items?\"</li>\n<li>\"What\n&ndash; if any &ndash; are the procedures and deadlines for employers and/or\nemployees to correct the many mistakes that even the E&ndash;Verify system\nwill inevitably make?\"</li>\n<li>\"How should employers deal with\nindividuals who can satisfy the pre&ndash;existing rules and standards &ndash;\nwhich Congress has written into the Immigration and Nationality Act &ndash;\nbut not the E&ndash;Verify system that the President has mandated entirely on\nhis own? How do employers avoid getting caught in the middle?\"</li>\n<li>\"What\nare the penalties for non&ndash;compliance? 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That is the indication of an Internet credit survey recently completed by St. Louis Construction News &amp; Real Estate (CNR), the \"Voice for the St. Louis Construction Industry\" since 1969. <br />&nbsp;<br /><img alt=\"Credit Crunch\" class=\"image-left\" height=\"303\" src=\"/images/uploads/credit-crunch.jpg\" style=\"float: left;\" width=\"266\" />Eighty-five percent of those responding to the survey said that credit for development and construction has become less available in recent months. 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The primary difference between today\'s linoleum and the product that readers of a certain age may remember, Gooch said, is the addition of UV coating, which seals the surface and improves durability and sheen. <br /><br />At St. Louis\' Subsurface Constructors, Inc. exhibit the sustainable product was \"vibrostone columns\".&nbsp; Subsurface has built a solid foundation (sorry about that) for a national business in the sustainable construction industry by combining a drilled, compacted piling system which reuses the onsite material and additions such as recycled railroad ballast. This system displaces minimal dirt on the site itself and piles on the points when an owner is seeking LEED certification. <br /><br />Dropping in at the many presentations by national and local speakers and talking with exhibitors and sponsors produced a reporter\'s notebook full of information:<br /><br /><strong>Rep. Russ Carnahan</strong> opened the conference and announced that he and another<br />representative had just formed the High Performance Buildings Caucus in the<br />U.S. House of Representatives to advance legislation for&nbsp; high performing<br />(\"green\") buildings.<br /><strong><br /></strong><strong>Ray Anderson</strong>, founder of Interface Flor, said his company has reduced<br />greenhouse gas emissions by 82 percent since 1996, reduced water use by 75<br /><img alt=\"Subsurface Constructors exhibit\" class=\"image-left\" height=\"225\" src=\"/images/uploads/subsurface.jpg\" style=\"float: left;\" title=\"Subsurface Constructors exhibit\" width=\"260\" />percent, and reduced fossil fuel use by 62 percent while doubling its sales<br />and profits. \"If Interface, a petro intensive manufacturer can do it, anyone<br />in construction can do it,\" he said.<br /><br /><strong>Ecos Materials</strong>, based in Rock Hill, MO, is sells an interior/exterior<br />sheathing board made from rice hulls and wheat husks that is being used in<br />multi-family housing in Louisville, KY.<br /><br /><strong>Over 110 employees at McCarthy</strong> have completed the qualifications for their LEED professional certification in the last two years.<br /><strong><br /></strong><strong></strong></p>\n<p><img alt=\"Greening the Heartland seminar session\" class=\"image-left\" height=\"184\" src=\"/images/uploads/greening-seminar.jpg\" style=\"float: left;\" title=\"Greening the Heartland seminar session\" width=\"260\" /><strong>The facilities managers for the state of Missouri</strong> are using software to<br />better maintain buildings and slash heating, cooling, and lighting bills.<br /><br /><strong>Pay as you go:</strong> Leith Sharp, sustainability director for Harvard University,<br />explained that the university\'s sustainability office is funded out of the<br />savings that its projects realize for the university. Turns out that is not<br />unique. Cleveland\'s sustainability office is funded the same way - from<br />savings it can find in city operations. Ditto Grand Rapids.<br /><br /><strong>As general manager of CI Select Flooring, Linda Goldstein</strong> has been in the<br />forefront of carpet recycling and green flooring in St. Louis. As mayor of<br />Clayton, she finds herself in the forefront of greening municipal government<br />in eastern Missouri. Clayton now lists LEED certification as a public<br />benefit that can help a develop get a special public use development (PUD)<br />zoning classification. The city is now considering regulation to allow<br />windmills atop highrise roofs.<br /><br /><strong>Chris Klehm</strong>, president of E2, said plumbing codes are all so antiquated they<br />encourage waste and poor performance and block efficiency and<br />sustainability.<br /><br /><strong>Pheadra Svec</strong>, a consultant to KC government, said \"We kept hearing&nbsp; stories that<br />building codes prohibited green practices, so we took at look at the code<br />paragraph by paragraph and we found that there was no code nor ordinance<br />that prohibited anything in LEED. Permit applications for green projects<br />were getting rejected, but the barrier was not the code.\"<br /><br /><strong>Solutia</strong> is marketing sunglasses for your windows.<br /><br />More information on attending the conference can be found at www.greentheheartland.com</p>\";s:10:\"field_ft_8\";s:4:\"none\";s:10:\"field_id_9\";s:224:\"Who knew? 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Announces Keystone Finalists \";s:10:\"field_ft_5\";s:4:\"none\";s:10:\"field_id_7\";s:21:\"AGC, Keystone, awards\";s:10:\"field_ft_7\";s:4:\"none\";s:10:\"field_id_8\";s:7580:\"<p>The Associated General Contractors of St. Louis (AGC) has announced the&nbsp; 29 finalists for the 2008 Construction Keystone Awards. 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The 2008 Keystone Awards mark only the second year in the awards\' eleven-year history that the work of a promising new contractor will be recognized with the Emerging Contractor award. Emerging contractors can only be considered an emerging contractor for three years, thus limiting the projects available for submission.</p>\n<p>The 2008 Keystone Awards ceremony is scheduled for Monday, Nov. 3, at the Millenium Hotel.<br />\"Every year it is inspiring to see how these local companies take advances in technology and building procedures and use them to construct such fabulous examples of industry excellence,\" said Leonard Toenjes, AGC president. <br />The judges of the 2008 Keystone Awards include the following: Ed Alizadeh, ACEC-MO chapter officer; Dan Esarey, IFMA-St. Louis chapter officer and retired from the St. Louis Art Museum; James Freeman, ASA Midwest chapter officer; Steve Gantner, CSI chapter officer; Dr. Eric Showalter, UMR; Kevin Stover, Mo. DED and Sara Tetley, AIA-St. Louis chapter officer.<br /><br /><strong>2008 KEYSTONE AWARD FINALISTS</strong><br /><strong><br />General Contractor or Construction Manager, Building Construction Project Under $5 Million</strong><br /><br />1.) Contractor: Helmkamp Construction Company:&nbsp; Project: G. Building Patio ADA Improvements, Owner: Monsanto Company<br /><br />2.) Contractor:The Lawrence Group Projects, LLC; Project: Kirberg Companies Headquarters Complex; Owner: DCE Properties LLC<br />&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp; <br />3.) Contractor: Paric Corporation; Project: Hilton St. Louis at the Ballpark; Owner: Lodging HospitalityManagement<br /><br /><br /><strong>General Contractor or Construction Manager, Building Construction Project $5-$20 Million</strong><br /><br />1.) Contractor: HBD Contracting, Inc; Project:.Franklin School Apartments; Owner:Franklin Partners, L.P.<br /><br />2. Contractor:Paric Corporation; Project: Tudor Building; Owner:Tudor Development, LP/Tudor Retail Partners, LLC&nbsp;&nbsp;&nbsp; <br /><br />3. Owner:Volk Construction Company; Project:Washington University New Data Center for Genome Sequencing Center; Owner: Washington University School of&nbsp; Medicine&nbsp;&nbsp;&nbsp; <br /><br /><br /><strong>General Contractor or Construction Manager, Building Construction Project $20 Million Or More</strong><br /><br />1.) Contractor: Alberici Constructors, Inc.; Project SSM Cardinal Glennon Children\'s Medical Center Surgery Expansion; Owner SSM Health Care&nbsp;&nbsp;&nbsp; <br /><br />2.) Contractor: Alberici Constructors, Inc.; Project:St. Louis Children\'s Hospital East Expansion, Owner: BJC Healthcare&nbsp;&nbsp;&nbsp; <br /><br />3.) Contractor: McCarthy Building Companies; Project: Lumiere Place; Owner: Pinnacle Entertainment<br /><br /><strong>General Contractor or Construction Manager, Industrial/Infrastructure Construction Under $15 Million</strong><br />&nbsp;<br />1.) Contractor: Helmkamp Construction Company; Project:Char Ash System for Sioux Char Ash Upgrade project; Owner: Ameren&nbsp;&nbsp;&nbsp; <br /><br />2.) Contractor: Kozeny-Wagner, Inc.; Project: Dougherty Ferry Bridge Over I-270: Owner:MoDOT&nbsp;&nbsp;&nbsp; <br /><br />3.) Contractor: Volk Construction Company; Project Washington University School of Medicine Replacement of Two Boilers; Owner: Washington University School of Medicine&nbsp;&nbsp;&nbsp; <br /><br /><strong>General Contractor or Construction Manager, Industrial/Infrastructure Construction $15 Million Or More</strong><br /><br />1. Contractor: McCarthy Building Companies; Project Holcim Silos; Owner: Holcim (US) Inc.&nbsp;&nbsp;&nbsp; <br /><br />2.) Contractor: Tarlton Corporation; Project: Chesterfield Village Site, Utility Master Plan (CVSUMP); Owner: Pfizer Inc.</p>\n<p>&nbsp;&nbsp;&nbsp; <strong><br />Interior Build Out</strong><br /><br />1.) Contractor Helmkamp Construction Company; Project,&nbsp; AB Law, William H. Webster Faculty Commons; Owner: Washington University in St. Louis<br />&nbsp;&nbsp;&nbsp; <br /><br />2.) Contractor: Interface Construction&nbsp; Corporation; Project: St. Mary\'s Health Center&nbsp;&nbsp;&nbsp; Fourth Floor Renovation; Owner: SSM Health Care <br />&nbsp;&nbsp;&nbsp; <br />3.) Contractor: The Lawrence Group Projects, LLC; Project: Lawrence Group Offices; Owner: Security Building Partners LLC<br /><br /><br /><strong>Specialty Contractor, Building Construction Project Under $2 Million</strong><br /><br />1.) Contractor: ACME Constructors &amp; Erectors; Project: Anheuser-Busch Law Building Renovation; Owner: Washington University in St. Louis<br /><br />2.) Contractor:Drilling Service Company&nbsp;&nbsp;&nbsp; ; Project: Roberts Tower Drilled Shaft Construction; Owner: SMR Tower Investments, LLC<br /><br />3.) Contractor: Murphy Co., Mechanical Contractors &amp; Engineers; Project: Harrah\'s \"Eat-Up\" Buffet; Owner:Harrah\'s Casino <br /><br /><br /><strong>Specialty Contractor, Building Construction Project $2 Million Or More</strong><br /><br />1.) Contractor: Murphy Co., Mechanical Contractors &amp; Engineers; Project: F Building West Office Renovation; Owner: Monsanto Company<br /><br /><br />2.) Contractor: PayneCrest Electric, Inc;.&nbsp;&nbsp;&nbsp; Project: Lumiere Place Casino; Pinnacle Entertainment and Hotel&nbsp;&nbsp;&nbsp; <br /><br />3.) Contractor: Subsurface Constructors, Inc.; Project: Pinnacle Casino Foundations and Earth Retention Systems; Owner: Pinnacle Entertainment<br />&nbsp;&nbsp;&nbsp; <br /><strong>Specialty Contractor Industrial/Infrastructure Construction</strong><br /><br />1.) Contractor: ACME Constructors &amp; Erectors; Project: Lange-Stegmann/Agrotain International, LLC Production and Distribution Facility; Owner:Lange-Stegmann/Agrotain<br />International, LLC<br />&nbsp;&nbsp;&nbsp; <br />2.) Contractor: PayneCrest Electric, Inc.; Project: Chrysler S - RT Body Shop; Owner: DaimlerChrysler<br /><br />3.) Contractor: PayneCrest Electric, Inc.: Project: CVSUMP Generator and and Power Distribution; Owner:Pfizer Global Research and Development<br /><strong><br />Emerging Contractor</strong><br /><br />1.) Contractor: Ability Building and Restoration, LLC; Project: Lumiere Place Casino&nbsp;&nbsp;&nbsp; ; Owner: Pinnacle Entertainment<br /><br />2.) Contractor: Boyer Fire Protection; Project: Confluence Academy; Owner:Edison Schools<br /><br />3.) 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The 2008 Keystone Awards mark only the second year in the awards\' eleven-year history that the work of a promising new contractor will be recognized with the Emerging Contractor award. Emerging contractors can only be considered an emerging contractor for three years, thus limiting the projects available for submission.</p>\n<p>The 2008 Keystone Awards ceremony is scheduled for Monday, Nov. 3, at the Millenium Hotel.<br />\"Every year it is inspiring to see how these local companies take advances in technology and building procedures and use them to construct such fabulous examples of industry excellence,\" said Leonard Toenjes, AGC president. <br />The judges of the 2008 Keystone Awards include the following: Ed Alizadeh, ACEC-MO chapter officer; Dan Esarey, IFMA-St. Louis chapter officer and retired from the St. Louis Art Museum; James Freeman, ASA Midwest chapter officer; Steve Gantner, CSI chapter officer; Dr. Eric Showalter, UMR; Kevin Stover, Mo. DED and Sara Tetley, AIA-St. Louis chapter officer.<br /><br /><strong>2008 KEYSTONE AWARD FINALISTS</strong><br /><strong><br />General Contractor or Construction Manager, Building Construction Project Under $5 Million</strong><br /><br />1.) Contractor: Helmkamp Construction Company:&nbsp; Project: G. Building Patio ADA Improvements, Owner: Monsanto Company<br /><br />2.) Contractor:The Lawrence Group Projects, LLC; Project: Kirberg Companies Headquarters Complex; Owner: DCE Properties LLC<br />&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp; <br />3.) Contractor: Paric Corporation; Project: Hilton St. Louis at the Ballpark; Owner: Lodging HospitalityManagement<br /><br /><br /><strong>General Contractor or Construction Manager, Building Construction Project $5-$20 Million</strong><br /><br />1.) Contractor: HBD Contracting, Inc; Project:.Franklin School Apartments; Owner:Franklin Partners, L.P.<br /><br />2. Contractor:Paric Corporation; Project: Tudor Building; Owner:Tudor Development, LP/Tudor Retail Partners, LLC&nbsp;&nbsp;&nbsp; <br /><br />3. Owner:Volk Construction Company; Project:Washington University New Data Center for Genome Sequencing Center; Owner: Washington University School of&nbsp; Medicine&nbsp;&nbsp;&nbsp; <br /><br /><br /><strong>General Contractor or Construction Manager, Building Construction Project $20 Million Or More</strong><br /><br />1.) Contractor: Alberici Constructors, Inc.; Project SSM Cardinal Glennon Children\'s Medical Center Surgery Expansion; Owner SSM Health Care&nbsp;&nbsp;&nbsp; <br /><br />2.) Contractor: Alberici Constructors, Inc.; Project:St. Louis Children\'s Hospital East Expansion, Owner: BJC Healthcare&nbsp;&nbsp;&nbsp; <br /><br />3.) Contractor: McCarthy Building Companies; Project: Lumiere Place; Owner: Pinnacle Entertainment<br /><br /><strong>General Contractor or Construction Manager, Industrial/Infrastructure Construction Under $15 Million</strong><br />&nbsp;<br />1.) Contractor: Helmkamp Construction Company; Project:Char Ash System for Sioux Char Ash Upgrade project; Owner: Ameren&nbsp;&nbsp;&nbsp; <br /><br />2.) Contractor: Kozeny-Wagner, Inc.; Project: Dougherty Ferry Bridge Over I-270: Owner:MoDOT&nbsp;&nbsp;&nbsp; <br /><br />3.) Contractor: Volk Construction Company; Project Washington University School of Medicine Replacement of Two Boilers; Owner: Washington University School of Medicine&nbsp;&nbsp;&nbsp; <br /><br /><strong>General Contractor or Construction Manager, Industrial/Infrastructure Construction $15 Million Or More</strong><br /><br />1. Contractor: McCarthy Building Companies; Project Holcim Silos; Owner: Holcim (US) Inc.&nbsp;&nbsp;&nbsp; <br /><br />2.) Contractor: Tarlton Corporation; Project: Chesterfield Village Site, Utility Master Plan (CVSUMP); Owner: Pfizer Inc.</p>\n<p>&nbsp;&nbsp;&nbsp; <strong><br />Interior Build Out</strong><br /><br />1.) Contractor Helmkamp Construction Company; Project,&nbsp; AB Law, William H. Webster Faculty Commons; Owner: Washington University in St. Louis<br />&nbsp;&nbsp;&nbsp; <br /><br />2.) Contractor: Interface Construction&nbsp; Corporation; Project: St. Mary\'s Health Center&nbsp;&nbsp;&nbsp; Fourth Floor Renovation; Owner: SSM Health Care <br />&nbsp;&nbsp;&nbsp; <br />3.) Contractor: The Lawrence Group Projects, LLC; Project: Lawrence Group Offices; Owner: Security Building Partners LLC<br /><br /><br /><strong>Specialty Contractor, Building Construction Project Under $2 Million</strong><br /><br />1.) Contractor: ACME Constructors &amp; Erectors; Project: Anheuser-Busch Law Building Renovation; Owner: Washington University in St. Louis<br /><br />2.) Contractor:Drilling Service Company&nbsp;&nbsp;&nbsp; ; Project: Roberts Tower Drilled Shaft Construction; Owner: SMR Tower Investments, LLC<br /><br />3.) Contractor: Murphy Co., Mechanical Contractors &amp; Engineers; Project: Harrah\'s \"Eat-Up\" Buffet; Owner:Harrah\'s Casino <br /><br /><br /><strong>Specialty Contractor, Building Construction Project $2 Million Or More</strong><br /><br />1.) Contractor: Murphy Co., Mechanical Contractors &amp; Engineers; Project: F Building West Office Renovation; Owner: Monsanto Company<br /><br /><br />2.) Contractor: PayneCrest Electric, Inc;.&nbsp;&nbsp;&nbsp; Project: Lumiere Place Casino; Pinnacle Entertainment and Hotel&nbsp;&nbsp;&nbsp; <br /><br />3.) Contractor: Subsurface Constructors, Inc.; Project: Pinnacle Casino Foundations and Earth Retention Systems; Owner: Pinnacle Entertainment<br />&nbsp;&nbsp;&nbsp; <br /><strong>Specialty Contractor Industrial/Infrastructure Construction</strong><br /><br />1.) 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Art\";s:10:\"field_ft_5\";s:4:\"none\";s:10:\"field_id_7\";s:12:\"Citygarden, \";s:10:\"field_ft_7\";s:4:\"none\";s:10:\"field_id_8\";s:11968:\"<p>From an urban planning standpoint, public art is not always just art. Sometimes it is a catalyst for development.</p>\n<p>Two major installations of sculpture in metropolitan St. Louis in 2009 garnered widespread attention, and both sparked hopes<br />of new economic development. In downtown St. Louis, the hope centers around Citygarden, a unique urban sculpture garden that<br />features 24 large sculptures by internationally renowned artists in a two-block park that includes as fountains, gardens, lighting, a videowall, and a cafe.</p>\n<p>The attraction in Chesterfield is The Awakening, a mammoth ensemble sculpture of cast aluminum that depicts a<br />giant emerging from the ground. It consistsof five separate pieces: an outstretched arm, a<br />hand, a leg, a foot and a head, with a gnarled beard. It is 70 feet in length and 17 feet high atits tallest point. The total assemblage weighs about 8,000 pounds. The sculpture by Seward Johnson duplicates one he created in 1980 that is at National Harbor in Prince George&rsquo;s County, MD.</p>\n<p><img alt=\"City Garden\" class=\"image-left\" height=\"300\" src=\"/images/uploads/City-Garden.jpg\" style=\"float: left;\" width=\"400\" />&ldquo;I truly think Citygarden is one of the best things to happen in downtown in many decades,&rdquo; said Barbara Geisman, deputy<br />mayor for development in the City of St. Louis. &ldquo;We believe it will be a significant catalyst for development.&rdquo;</p>\n<p>Stacey Morse, executive director of Chesterfield Arts, is just as enthusiastic about The Awakening. &ldquo;It will be a pivotal piece in<br />the future growth of the downtown area... It attracts people to the area and will continue to be a point of attraction as new buildings<br />are built,&rdquo; she said.</p>\n<p>Sachs Properties, the developer ofChesterfield Village, helped start Chesterfield Arts 14 years ago and has since donated 10<br />sculptures to the organization to place in the community, including The Awakening. &ldquo;Mr. Sachs thought art was a critically important<br />part of the overall master plan to attract office and retail tenants and residential development<br />to the community,&rdquo; said Kathy Higgins, president of Sachs Properties. Higgins described The Awakening as &ldquo;the most important component&rdquo; in downtown, most of which has yet to be built. The monumental sculpture was placed next to Central Park, which contains additional sculptures, and next to the first office building</p>\n<p>in downtown, Central Park Square. &ldquo;We had two major tenants locate in Central Park Square specifically because they wanted to<br />be near those amenities so they could offer their employees something more than just office space,&rdquo; Higgins said. Those two tenants<br />are AEP River Operations and Abengoa. Art is very important to the latter company, Higgins said, it has even established an art foundation in Spain.</p>\n<p>The Awakening is more than an amenity, it is also a marketing advantage, said Morse. &ldquo;It has brought attention to that building and to</p>\n<p>those businesses,&rdquo; she said. &ldquo;It is becoming an icon and place marker for them.&rdquo;</p>\n<p>More generally, public art &ldquo;really sets Chesterfield apart from other office developments,&rdquo; Higgins added. St. Louis city officials hope public art likewise will boost their downtown. &ldquo;With one stroke, Citygarden has made downtown far more attractive as a place to do business and as a place to live too,&rdquo; said Mayor Francis Slay. Although it hasn&rsquo;t generated any inquiries yet, &ldquo;I believe that as the economy recovers, locations that abut [Citygarden] will see a lot more interest from prospective tenants and development sites will see more interest from developers,&rdquo; Geisman said.</p>\n<p>Civic leaders in both cities also expect their projects to draw tourists. Large public art projects &ndash; Citygarden cost nearly $35 million to build &ndash; can be tricky to construct with challenges and surprises outside of the normal scope of building experience. It is a testament to one company&rsquo;singenuity that both Chesterfield and St. Louis ended up entrusting their projects to the same general contractor: BSI Constructors, Inc.</p>\n<p><strong>Citygarden</strong></p>\n<ul>\n<li>The major features of Citygarden are:</li>\n<li>Twenty-four pieces of large-scale modern and contemporary sculpture by nationally and internationally renowned artists.</li>\n<li>Three fountains and pools.</li>\n<li>A 180-foot rectangular basin with a sixfoot waterfall at its mid-point between Eighth and Ninth streets near Chestnut.<br /></li>\n<li>A state-of-the-art spray plaza - with 102 computer-controlled spray jets and custom lighting - between Ninth and 10th streets near Market.<br /></li>\n<li>A 34-foot-diameter tilted granite disc partly covered by a scrim of water near the corner of 8th and Market.<br /></li>\n<li>Twenty kinds of trees, including shade and flowering species, as well as shrubs, exotic plants and lush flowers.<br /></li>\n<li>A stunning eight-foot-tall limestone wall running along the entire length of the garden\'s north side in the shape of an arc.<br /></li>\n<li>A meandering 18-inch-tall polishedgranite-capped wall along the garden\'s southern border.</li>\n<li>A double-row of gingko trees along both blocks on the Market Street side.</li>\n<li>A state-of-the-art LED video wall displaying video art and movies.<br /></li>\n<li>A cafe, the Terrace View, with indoor and outdoor seating along Chestnut Street, overlooking the garden.<br /></li>\n</ul>\n<p>\"What you can\'t see is that there are over 13 miles of underground piping on a two city block site, including water, sewer, irrigation,<br />and electrical conduit,\" said Joseph Kaiser, executive vice president of BSI Constructorsand the company\'s project executive on<br />Citygarden. \"It is a very complex location. So many of the features that make Citygarden special&mdash;its unique lighting and water features and special irrigation and drainage for trees &mdash; are mostly underground,\" he explained.</p>\n<p>Before those features could go into the ground, BSI had to remove 400 tandem truckloads of underground debris from the<br />site. \"In fact, we spent the first two months of the project remediating the soil,\" Kaiser said. Then, the necessities of installing large<br />trees and sculptures caused BSI to adopt an unusual sequence of work: putting the normal finishing touches - sculptures and<br />trees - in first instead of last. The trees, for example, were up to 18-inches in diameter and weighed, including the root ball, up to40 tons when they arrived for planting. The holes dug to accommodate them were up to 12-feet in diameter and five feet deep, with<br />special drainage installed to keep the trees vital. A 200-ton crane was needed to lift the trees off the delivery truck and set them in<br />the ground. That\'s heavier than any vehicle one would want to drive on the planned granite and concrete walkways, so that meant<br />that the trees had to be planted early in the construction process instead of at the end, and the rest of the work would just have to go on around them.</p>\n<p>Even though the park was not completed until June 2009, the trees were planted in November 2008, the sculptures were set in<br />December 2008, and then the concrete was poured and the granite was installed. \"That\'snot the way you would normally do it, but that is what was required to get the right cranes close enough to where we needed them to<br />plant trees and set sculptures,\" Kaiser said.</p>\n<p>Kaiser praised the architect\'s design, but described it as incredibly intricate. \"What thatmeant for us was that we were lining up the<br />joints of horizontal pavers with the vertical joints of the stone walls long before they were in place,\" he said. \"And within that,\" he<br />added, \"we had to accurately position light fixtures in concrete sub slabs so that when the granite pavers were installed the light fixtures would be in the centers of pavers. We had to have very precise layouts and we updated them on a daily basis.\" BSI used a total station instrument to establish all the base lines and then used laser instruments to precisely layout every line.</p>\n<p>On top of intricacy and precision, there was the issue of time. \"We had a very tight schedule, because the owner made a<br />commitment to have the garden open before the All-Star game [July 14, 2009],\" Kaiser said. Ground breaking occurred at a rain-soaked ceremony in April 2008. The rain turned out to be a suitable omen as unusually heavy rains continued throughout the summer on the way to making 2008 the wettest year on record in St. Louis. When cold weather approached, \"we built tents over the fountain areas so that we could continue to work through the winter,\" Kaiser said. So, despite the weather, BSI completed the job ahead of schedule.</p>\n<p>HydroDramatics designed the hydraulic, mechanical, and electrical systems that bringthe fountains to life. \"We sought the best<br />ways to use water to provide two contrasting types of ambiance: a cooling, active, splashing &lsquo;playground\' on the one hand and a serene, reflective oasis in the midst of a busy city on the other,\" said Kerry Friedman, vice presidentand general manager of Hydro Dramatics. The first of the Citygarden water features, which is located at a main entry point, is a pool that is 34 feet in diameter; the pool encircles a massive sculpture resting atop a granite disk. A scrim of water sheets gently from the base<br />of the sculpture across the disk, providing a serene and cooling setting.</p>\n<p>The second is a split-level basin, 180 feet long, 20 feet wide and 16 inches deep. The upper basin, which includes a pool and<br />sculpture, is connected to the lower basin by a dramatic six-foot waterfall that adds to the ambiance with both sight and sound, muffling street traffic.</p>\n<p>The third is one of the largest interactive \"play fountains\" in the United States. It offers 102 vertical water jets pulsing in ever-changing patterns along a 120-foot by 36-foot plaza paved with slip-resistant bluestone. An on-site computer designed, remotely monitored and maintained by Hydro Dramatics, controls the jets, which shoot as high as six feet and are lit in a rainbow of hues each night. In contrast to the active fun offered by the spurting jets, a serene pool cut out of the spray plaza contains<br />a small, contemplative sculpture.</p>\n<p>Water in the spray plaza flows into an underground reservoir where it is filtered and cleaned with computer-controlled equipment<br />that minimizes the use of chemicals. The lighting uses energy-saving LED technology<br />and water is re-circulated as much as possible.</p>\n<p>\"It was a challenge, but we are proud to have been part of it,\" Friedman said. The biggest part of the challenge was scheduling around the trees and getting everything done in only 13 months. \"Over 200 trees had to be put in and everything worked around the tree<br />schedule,\" Friedman said. \"A lot of equipment had to be buried in the ground before the trees came,\" he added.</p>\n<p>Kaiser Electric was responsible for installing power for the three water features, the light fixtures (which included nearly 400 in-ground<br />lights: 175 for sculpture lighting, 170 in-wall and step lights, and 40 bollards) and the lighting controls. The job required more than<br />five miles of underground conduit and nearly 1,000 light fixtures along the garden\'s paths and walls illuminating the trees, sculptures and fountains.</p>\n<p>Kaiser Electric Project Manager Roger Messmer said the tight schedule, the lack of a staging area, and the weather were the<br />biggest challenges, but Kaiser Electric still delivered the job within the allocated budget and schedule. The result is something that everyone agrees is really special. \"It was a great project,\" he said.</p>\";s:10:\"field_ft_8\";s:4:\"none\";s:10:\"field_id_9\";s:113:\"From an urban planning standpoint, public art is not always just art. 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Art\";s:10:\"field_ft_5\";s:4:\"none\";s:10:\"field_id_7\";s:12:\"Citygarden, \";s:10:\"field_ft_7\";s:4:\"none\";s:10:\"field_id_8\";s:11968:\"<p>From an urban planning standpoint, public art is not always just art. Sometimes it is a catalyst for development.</p>\n<p>Two major installations of sculpture in metropolitan St. Louis in 2009 garnered widespread attention, and both sparked hopes<br />of new economic development. In downtown St. Louis, the hope centers around Citygarden, a unique urban sculpture garden that<br />features 24 large sculptures by internationally renowned artists in a two-block park that includes as fountains, gardens, lighting, a videowall, and a cafe.</p>\n<p>The attraction in Chesterfield is The Awakening, a mammoth ensemble sculpture of cast aluminum that depicts a<br />giant emerging from the ground. It consistsof five separate pieces: an outstretched arm, a<br />hand, a leg, a foot and a head, with a gnarled beard. It is 70 feet in length and 17 feet high atits tallest point. The total assemblage weighs about 8,000 pounds. The sculpture by Seward Johnson duplicates one he created in 1980 that is at National Harbor in Prince George&rsquo;s County, MD.</p>\n<p><img alt=\"City Garden\" class=\"image-left\" height=\"300\" src=\"/images/uploads/City-Garden.jpg\" style=\"float: left;\" width=\"400\" />&ldquo;I truly think Citygarden is one of the best things to happen in downtown in many decades,&rdquo; said Barbara Geisman, deputy<br />mayor for development in the City of St. Louis. &ldquo;We believe it will be a significant catalyst for development.&rdquo;</p>\n<p>Stacey Morse, executive director of Chesterfield Arts, is just as enthusiastic about The Awakening. &ldquo;It will be a pivotal piece in<br />the future growth of the downtown area... It attracts people to the area and will continue to be a point of attraction as new buildings<br />are built,&rdquo; she said.</p>\n<p>Sachs Properties, the developer ofChesterfield Village, helped start Chesterfield Arts 14 years ago and has since donated 10<br />sculptures to the organization to place in the community, including The Awakening. &ldquo;Mr. Sachs thought art was a critically important<br />part of the overall master plan to attract office and retail tenants and residential development<br />to the community,&rdquo; said Kathy Higgins, president of Sachs Properties. Higgins described The Awakening as &ldquo;the most important component&rdquo; in downtown, most of which has yet to be built. The monumental sculpture was placed next to Central Park, which contains additional sculptures, and next to the first office building</p>\n<p>in downtown, Central Park Square. &ldquo;We had two major tenants locate in Central Park Square specifically because they wanted to<br />be near those amenities so they could offer their employees something more than just office space,&rdquo; Higgins said. Those two tenants<br />are AEP River Operations and Abengoa. Art is very important to the latter company, Higgins said, it has even established an art foundation in Spain.</p>\n<p>The Awakening is more than an amenity, it is also a marketing advantage, said Morse. &ldquo;It has brought attention to that building and to</p>\n<p>those businesses,&rdquo; she said. &ldquo;It is becoming an icon and place marker for them.&rdquo;</p>\n<p>More generally, public art &ldquo;really sets Chesterfield apart from other office developments,&rdquo; Higgins added. St. Louis city officials hope public art likewise will boost their downtown. &ldquo;With one stroke, Citygarden has made downtown far more attractive as a place to do business and as a place to live too,&rdquo; said Mayor Francis Slay. Although it hasn&rsquo;t generated any inquiries yet, &ldquo;I believe that as the economy recovers, locations that abut [Citygarden] will see a lot more interest from prospective tenants and development sites will see more interest from developers,&rdquo; Geisman said.</p>\n<p>Civic leaders in both cities also expect their projects to draw tourists. Large public art projects &ndash; Citygarden cost nearly $35 million to build &ndash; can be tricky to construct with challenges and surprises outside of the normal scope of building experience. It is a testament to one company&rsquo;singenuity that both Chesterfield and St. Louis ended up entrusting their projects to the same general contractor: BSI Constructors, Inc.</p>\n<p><strong>Citygarden</strong></p>\n<ul>\n<li>The major features of Citygarden are:</li>\n<li>Twenty-four pieces of large-scale modern and contemporary sculpture by nationally and internationally renowned artists.</li>\n<li>Three fountains and pools.</li>\n<li>A 180-foot rectangular basin with a sixfoot waterfall at its mid-point between Eighth and Ninth streets near Chestnut.<br /></li>\n<li>A state-of-the-art spray plaza - with 102 computer-controlled spray jets and custom lighting - between Ninth and 10th streets near Market.<br /></li>\n<li>A 34-foot-diameter tilted granite disc partly covered by a scrim of water near the corner of 8th and Market.<br /></li>\n<li>Twenty kinds of trees, including shade and flowering species, as well as shrubs, exotic plants and lush flowers.<br /></li>\n<li>A stunning eight-foot-tall limestone wall running along the entire length of the garden\'s north side in the shape of an arc.<br /></li>\n<li>A meandering 18-inch-tall polishedgranite-capped wall along the garden\'s southern border.</li>\n<li>A double-row of gingko trees along both blocks on the Market Street side.</li>\n<li>A state-of-the-art LED video wall displaying video art and movies.<br /></li>\n<li>A cafe, the Terrace View, with indoor and outdoor seating along Chestnut Street, overlooking the garden.<br /></li>\n</ul>\n<p>\"What you can\'t see is that there are over 13 miles of underground piping on a two city block site, including water, sewer, irrigation,<br />and electrical conduit,\" said Joseph Kaiser, executive vice president of BSI Constructorsand the company\'s project executive on<br />Citygarden. \"It is a very complex location. So many of the features that make Citygarden special&mdash;its unique lighting and water features and special irrigation and drainage for trees &mdash; are mostly underground,\" he explained.</p>\n<p>Before those features could go into the ground, BSI had to remove 400 tandem truckloads of underground debris from the<br />site. \"In fact, we spent the first two months of the project remediating the soil,\" Kaiser said. Then, the necessities of installing large<br />trees and sculptures caused BSI to adopt an unusual sequence of work: putting the normal finishing touches - sculptures and<br />trees - in first instead of last. The trees, for example, were up to 18-inches in diameter and weighed, including the root ball, up to40 tons when they arrived for planting. The holes dug to accommodate them were up to 12-feet in diameter and five feet deep, with<br />special drainage installed to keep the trees vital. A 200-ton crane was needed to lift the trees off the delivery truck and set them in<br />the ground. That\'s heavier than any vehicle one would want to drive on the planned granite and concrete walkways, so that meant<br />that the trees had to be planted early in the construction process instead of at the end, and the rest of the work would just have to go on around them.</p>\n<p>Even though the park was not completed until June 2009, the trees were planted in November 2008, the sculptures were set in<br />December 2008, and then the concrete was poured and the granite was installed. \"That\'snot the way you would normally do it, but that is what was required to get the right cranes close enough to where we needed them to<br />plant trees and set sculptures,\" Kaiser said.</p>\n<p>Kaiser praised the architect\'s design, but described it as incredibly intricate. \"What thatmeant for us was that we were lining up the<br />joints of horizontal pavers with the vertical joints of the stone walls long before they were in place,\" he said. \"And within that,\" he<br />added, \"we had to accurately position light fixtures in concrete sub slabs so that when the granite pavers were installed the light fixtures would be in the centers of pavers. We had to have very precise layouts and we updated them on a daily basis.\" BSI used a total station instrument to establish all the base lines and then used laser instruments to precisely layout every line.</p>\n<p>On top of intricacy and precision, there was the issue of time. \"We had a very tight schedule, because the owner made a<br />commitment to have the garden open before the All-Star game [July 14, 2009],\" Kaiser said. Ground breaking occurred at a rain-soaked ceremony in April 2008. The rain turned out to be a suitable omen as unusually heavy rains continued throughout the summer on the way to making 2008 the wettest year on record in St. Louis. When cold weather approached, \"we built tents over the fountain areas so that we could continue to work through the winter,\" Kaiser said. So, despite the weather, BSI completed the job ahead of schedule.</p>\n<p>HydroDramatics designed the hydraulic, mechanical, and electrical systems that bringthe fountains to life. \"We sought the best<br />ways to use water to provide two contrasting types of ambiance: a cooling, active, splashing &lsquo;playground\' on the one hand and a serene, reflective oasis in the midst of a busy city on the other,\" said Kerry Friedman, vice presidentand general manager of Hydro Dramatics. The first of the Citygarden water features, which is located at a main entry point, is a pool that is 34 feet in diameter; the pool encircles a massive sculpture resting atop a granite disk. A scrim of water sheets gently from the base<br />of the sculpture across the disk, providing a serene and cooling setting.</p>\n<p>The second is a split-level basin, 180 feet long, 20 feet wide and 16 inches deep. The upper basin, which includes a pool and<br />sculpture, is connected to the lower basin by a dramatic six-foot waterfall that adds to the ambiance with both sight and sound, muffling street traffic.</p>\n<p>The third is one of the largest interactive \"play fountains\" in the United States. It offers 102 vertical water jets pulsing in ever-changing patterns along a 120-foot by 36-foot plaza paved with slip-resistant bluestone. An on-site computer designed, remotely monitored and maintained by Hydro Dramatics, controls the jets, which shoot as high as six feet and are lit in a rainbow of hues each night. In contrast to the active fun offered by the spurting jets, a serene pool cut out of the spray plaza contains<br />a small, contemplative sculpture.</p>\n<p>Water in the spray plaza flows into an underground reservoir where it is filtered and cleaned with computer-controlled equipment<br />that minimizes the use of chemicals. The lighting uses energy-saving LED technology<br />and water is re-circulated as much as possible.</p>\n<p>\"It was a challenge, but we are proud to have been part of it,\" Friedman said. The biggest part of the challenge was scheduling around the trees and getting everything done in only 13 months. \"Over 200 trees had to be put in and everything worked around the tree<br />schedule,\" Friedman said. \"A lot of equipment had to be buried in the ground before the trees came,\" he added.</p>\n<p>Kaiser Electric was responsible for installing power for the three water features, the light fixtures (which included nearly 400 in-ground<br />lights: 175 for sculpture lighting, 170 in-wall and step lights, and 40 bollards) and the lighting controls. The job required more than<br />five miles of underground conduit and nearly 1,000 light fixtures along the garden\'s paths and walls illuminating the trees, sculptures and fountains.</p>\n<p>Kaiser Electric Project Manager Roger Messmer said the tight schedule, the lack of a staging area, and the weather were the<br />biggest challenges, but Kaiser Electric still delivered the job within the allocated budget and schedule. The result is something that everyone agrees is really special. \"It was a great project,\" he said.</p>\";s:10:\"field_ft_8\";s:4:\"none\";s:10:\"field_id_9\";s:113:\"From an urban planning standpoint, public art is not always just art. 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If no articles are tagged with this category then the most recent article will appear here.\";i:5;s:1:\"4\";i:6;s:16:\"homepage_primary\";}i:1;a:7:{i:0;s:2:\"81\";i:1;s:1:\"0\";i:2;s:16:\"January 13, 2010\";i:3;s:0:\"\";i:4;s:0:\"\";i:5;s:1:\"5\";i:6;s:15:\"january_13_2010\";}}}'),