(3086,1192,10,4,1302941532,'a:30:{s:9:\"weblog_id\";s:2:\"10\";s:8:\"entry_id\";s:0:\"\";s:6:\"sticky\";s:0:\"\";s:14:\"allow_comments\";s:1:\"n\";s:16:\"allow_trackbacks\";s:1:\"n\";s:10:\"entry_date\";s:19:\"2011-04-15 10:07 PM\";s:15:\"expiration_date\";s:0:\"\";s:23:\"comment_expiration_date\";s:0:\"\";s:9:\"author_id\";s:1:\"4\";s:6:\"status\";s:4:\"open\";s:14:\"trackback_urls\";s:0:\"\";s:18:\"versioning_enabled\";s:1:\"y\";s:5:\"title\";s:61:\"SIBA/SICAP TO OFFER TRAINING ON THE NEW CRANE SIGNAL STANDARD\";s:9:\"url_title\";s:61:\"siba_sicap_to_offer_training_on_the_new_crane_signal_standard\";s:6:\"submit\";s:6:\"Submit\";s:11:\"field_id_58\";s:61:\"SIBA/SICAP TO OFFER TRAINING ON THE NEW CRANE SIGNAL STANDARD\";s:11:\"field_ft_58\";s:4:\"none\";s:11:\"field_id_62\";s:470:\"The Southern Illinois Builders Association, in conjunction with the Southern Illinois Construction Advancement Program, will offer training on the new crane signal standards which went into effect on November 8, 2010. Within the new crane standard OSHA addresses specific qualification requirements for the signal person. Participants must pass both the written and practical exam with an 80% or better to receive signal person ID card and a certification of completion.\";s:11:\"field_ft_62\";s:4:\"none\";s:11:\"field_id_59\";s:0:\"\";s:11:\"field_ft_59\";s:4:\"none\";s:11:\"field_id_63\";s:79:\"Southern Illinois Builders Assn. - 1468 Green Mount Road - O\\\'Fallon, IL  62269\";s:11:\"field_ft_63\";s:4:\"none\";s:11:\"field_id_57\";s:19:\"2011-04-29  7:30 AM\";s:15:\"field_offset_57\";s:1:\"y\";s:11:\"field_id_56\";s:0:\"\";s:15:\"field_offset_56\";s:1:\"y\";s:11:\"field_id_55\";s:18:\"7:30 am to 4:00 pm\";s:11:\"field_ft_55\";s:4:\"none\";s:11:\"field_id_60\";s:43280:\"<p><!--[if gte mso 9]><xml> <w:WordDocument> <w:View>Normal</w:View> <w:Zoom>0</w:Zoom> <w:TrackMoves /> <w:TrackFormatting /> <w:PunctuationKerning /> <w:ValidateAgainstSchemas /> <w:SaveIfXMLInvalid>false</w:SaveIfXMLInvalid> <w:IgnoreMixedContent>false</w:IgnoreMixedContent> 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Name=\\\"Light Grid Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"63\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Shading 1 Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"64\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Shading 2 Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"65\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium List 1 Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"66\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium List 2 Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"67\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 1 Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"68\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 2 Accent 2\\\" /> <w:LsdException 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UnhideWhenUsed=\\\"false\\\" Name=\\\"Light List Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"62\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light Grid Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"63\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Shading 1 Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"64\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Shading 2 Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"65\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium List 1 Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"66\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium List 2 Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"67\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 1 Accent 3\\\" /> 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List 2 Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"67\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 1 Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"68\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 2 Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"69\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 3 Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"70\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Dark List Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"71\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful Shading Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"72\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful List Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" 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5.4pt;\n	mso-para-margin-top:0in;\n	mso-para-margin-right:0in;\n	mso-para-margin-bottom:10.0pt;\n	mso-para-margin-left:0in;\n	line-height:115%;\n	mso-pagination:widow-orphan;\n	font-size:11.0pt;\n	font-family:\\\"Calibri\\\",\\\"sans-serif\\\";\n	mso-ascii-font-family:Calibri;\n	mso-ascii-theme-font:minor-latin;\n	mso-fareast-font-family:\\\"Times New Roman\\\";\n	mso-fareast-theme-font:minor-fareast;\n	mso-hansi-font-family:Calibri;\n	mso-hansi-theme-font:minor-latin;\n	mso-bidi-font-family:\\\"Times New Roman\\\";\n	mso-bidi-theme-font:minor-bidi;}\n</style>\n<![endif]--></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\">SIBA/SICAP\nTO OFFER TRAINING ON THE NEW CRANE SIGNAL STANDARD</span></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\">This\ntraining will be held on the following dates and locations: Friday, April 29\nfrom 7:30 a.m. to 4 p.m. at the SIBA Office, O&rsquo;Fallon. </span></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\">The\nSouthern Illinois Builders Association, in conjunction with the Southern\nIllinois Construction Advancement Program, will offer training on the new crane\nsignal standards which went into effect on November 8, 2010. Within the new\ncrane standard OSHA addresses specific <span style=\\\"text-decoration: underline;\\\">qualification requirements for the\nsignal person</span>. Participants must pass both the written and practical exam\nwith an 80% or better to receive signal person ID card and a certification of\ncompletion.</span></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\"></span></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\">Signal\nPerson Safety Training will include hazards addressed but not limited to: basic\nunderstanding of equipment operation and limitations, crane dynamics and boom\ndeflection; definitions applicable to signaling; power line safety when\nsignaling; problems when signaling; when a signal person is required; who can\ngive signals; types of signals; transmission of signals; signal person\nqualifications; written test; and practical test.</span></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\"></span></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\">Rigging\nHazard Awareness Training is structured to identify the hazards associated with\nrigging in the construction industry. Attendees will be informed about OSHA and\nASME standards, how to identify and mitigate rigging hazards, crane hand\nsignals, and inspection of slings and hardware. Inspection and use will\ninclude: terms &amp; definitions; sling &amp; rigging selection; rigging\nremoval criteria; center of gravity; rigging capacities; and sling angles &amp;\ntensions.</span></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\"></span></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\">Who\nShould Attend: construction personnel required, or who could reasonably be\nexpected to signal an operator. Project managers, superintendents, foreman and\nsafety managers that are responsible for crane activities on construction sites\nshould also attend. Participants will receive: reference guide; signal person\npicture ID (expires in 4 years); CSC Rigging Hazard Awareness Completion Card;\nand CSC Completion Certificates for both classes.</span></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\"></span></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\">The\ncost to attend this class is $100 per person (cash or check) or $108 per person\n(credit card) for SIBA Members and SICAP Contributors and $250 per person (cash\nor check) or $270 per person (credit card) for non</span><span style=\\\"font-size: 11pt;\\\">â€</span><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\">SIBA Members and non</span><span style=\\\"font-size: 11pt;\\\">â€</span><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\">SICAP Contributors.\nThere is a limited number of individuals that can attend each class each day.\nIf you register for one of the classes and do not attend, you will be billed.\nParticipants must attend the class on the date and location they select. </span></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\"></span></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\">For\nmore information:<span>&nbsp; </span>C</span>ontact Carol\nat the SIBA Office 618-624-9055.</p>\n<p class=\\\"MsoNormal\\\">&nbsp;</p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\">Southern\nIllinois Builders Assn.<br /> 1468 Green Mount Rd., PO Box 1390<br /> O\\\'Fallon, IL &nbsp;62269</span></p>\";}'),(3087,1191,10,4,1302941680,'a:31:{s:9:\"weblog_id\";s:2:\"10\";s:8:\"entry_id\";s:4:\"1191\";s:6:\"sticky\";s:1:\"n\";s:14:\"allow_comments\";s:1:\"n\";s:16:\"allow_trackbacks\";s:1:\"n\";s:10:\"entry_date\";s:19:\"2011-04-13 04:46 PM\";s:15:\"expiration_date\";s:0:\"\";s:23:\"comment_expiration_date\";s:0:\"\";s:9:\"author_id\";s:1:\"4\";s:10:\"new_weblog\";s:2:\"10\";s:6:\"status\";s:4:\"open\";s:14:\"trackback_urls\";s:0:\"\";s:18:\"versioning_enabled\";s:1:\"y\";s:5:\"title\";s:46:\"Design Questions? Biomimicry May Have Answers.\";s:9:\"url_title\";s:44:\"design_questions_biomimicry_may_have_answers\";s:6:\"submit\";s:6:\"Update\";s:11:\"field_id_58\";s:46:\"Design Questions? Biomimicry May Have Answers.\";s:11:\"field_ft_58\";s:4:\"none\";s:11:\"field_id_62\";s:321:\"Biomimicry is the new discipline of studying nature\\\'s solutions to design dilemmas.  \\\"Innovation inspired by nature\\\" is the foundation of this developing science.   The core of biomimicry is that nature has already solved many of the world\\\'s building challenges -- witnessed by what has survived from ages long gone.\n\";s:11:\"field_ft_62\";s:4:\"none\";s:11:\"field_id_59\";s:0:\"\";s:11:\"field_ft_59\";s:4:\"none\";s:11:\"field_id_63\";s:44:\"Ridgway Center at 4344 Shaw Blvd. SLMO 63110\";s:11:\"field_ft_63\";s:4:\"none\";s:11:\"field_id_57\";s:19:\"2011-05-10 05:30 PM\";s:15:\"field_offset_57\";s:1:\"y\";s:11:\"field_id_56\";s:0:\"\";s:15:\"field_offset_56\";s:1:\"y\";s:11:\"field_id_55\";s:22:\"5:30 p.m. to 7:30 p.m.\";s:11:\"field_ft_55\";s:4:\"none\";s:11:\"field_id_60\";s:41529:\"<p><!--[if gte mso 9]><xml> <w:WordDocument> <w:View>Normal</w:View> <w:Zoom>0</w:Zoom> <w:TrackMoves /> <w:TrackFormatting /> <w:PunctuationKerning /> <w:ValidateAgainstSchemas /> <w:SaveIfXMLInvalid>false</w:SaveIfXMLInvalid> <w:IgnoreMixedContent>false</w:IgnoreMixedContent> <w:AlwaysShowPlaceholderText>false</w:AlwaysShowPlaceholderText> <w:DoNotPromoteQF /> 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SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful Grid Accent 1\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"60\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light Shading Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"61\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light List Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"62\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light Grid Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"63\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Shading 1 Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"64\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Shading 2 Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"65\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium List 1 Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"66\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium List 2 Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"67\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 1 Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"68\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 2 Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"69\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 3 Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"70\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Dark List Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"71\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful Shading Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"72\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful List Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"73\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful Grid Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"60\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light Shading Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"61\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light List Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"62\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light Grid Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"63\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Shading 1 Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"64\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Shading 2 Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"65\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium List 1 Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"66\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium List 2 Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"67\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 1 Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"68\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 2 Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"69\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 3 Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"70\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Dark List Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"71\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful Shading Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"72\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful List Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"73\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful Grid Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"60\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light Shading Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"61\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light List Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"62\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light Grid Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"63\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Shading 1 Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"64\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Shading 2 Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"65\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium List 1 Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"66\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium List 2 Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"67\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 1 Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"68\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 2 Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"69\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 3 Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"70\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Dark List Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"71\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful Shading Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"72\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful List Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"73\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful Grid Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"60\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light Shading Accent 5\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"61\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light List Accent 5\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"62\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light Grid Accent 5\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"63\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Shading 1 Accent 5\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"64\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Shading 2 Accent 5\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"65\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium List 1 Accent 5\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"66\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium List 2 Accent 5\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"67\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 1 Accent 5\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"68\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 2 Accent 5\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"69\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 3 Accent 5\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"70\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Dark List Accent 5\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"71\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful Shading Accent 5\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"72\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful List Accent 5\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"73\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful Grid Accent 5\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"60\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light Shading Accent 6\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"61\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light List Accent 6\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"62\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light Grid Accent 6\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"63\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Shading 1 Accent 6\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"64\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Shading 2 Accent 6\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"65\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium List 1 Accent 6\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"66\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium List 2 Accent 6\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"67\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 1 Accent 6\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"68\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 2 Accent 6\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"69\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 3 Accent 6\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"70\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Dark List Accent 6\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"71\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful Shading Accent 6\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"72\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful List Accent 6\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"73\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful Grid Accent 6\\\" /> <w:LsdException Locked=\\\"false\\\" 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UnhideWhenUsed=\\\"false\\\" Name=\\\"Light Grid\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"63\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Shading 1\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"64\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Shading 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"65\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium List 1\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"66\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium List 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"67\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 1\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"68\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"69\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"70\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Dark List\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"71\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful Shading\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"72\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful List\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"73\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful Grid\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"60\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light Shading Accent 1\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"61\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light List Accent 1\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"62\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light Grid Accent 1\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"63\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Shading 1 Accent 1\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"64\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Shading 2 Accent 1\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"65\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium List 1 Accent 1\\\" /> <w:LsdException Locked=\\\"false\\\" UnhideWhenUsed=\\\"false\\\" Name=\\\"Revision\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"34\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" QFormat=\\\"true\\\" Name=\\\"List Paragraph\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"29\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" QFormat=\\\"true\\\" Name=\\\"Quote\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"30\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" QFormat=\\\"true\\\" Name=\\\"Intense Quote\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"66\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium List 2 Accent 1\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"67\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 1 Accent 1\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"68\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 2 Accent 1\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"69\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 3 Accent 1\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"70\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Dark List Accent 1\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"71\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful Shading Accent 1\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"72\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful List Accent 1\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"73\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful Grid Accent 1\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"60\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light Shading Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"61\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light List Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"62\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light Grid Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"63\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Shading 1 Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"64\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Shading 2 Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"65\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium List 1 Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"66\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium List 2 Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"67\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 1 Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"68\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 2 Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"69\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 3 Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"70\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Dark List Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"71\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful Shading Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"72\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful List Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"73\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful Grid Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"60\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light Shading Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"61\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light List Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"62\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light Grid Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"63\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Shading 1 Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"64\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Shading 2 Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"65\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium List 1 Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"66\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium List 2 Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"67\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 1 Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"68\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 2 Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"69\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 3 Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"70\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Dark List Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"71\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful Shading Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"72\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful List Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"73\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful Grid Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"60\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light Shading Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"61\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light List Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"62\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light Grid Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"63\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Shading 1 Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"64\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Shading 2 Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"65\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium List 1 Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"66\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium List 2 Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"67\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 1 Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"68\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 2 Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"69\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 3 Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"70\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Dark List Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"71\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful Shading Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"72\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful List Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"73\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful Grid Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" 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UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium List 2 Accent 5\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"67\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 1 Accent 5\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"68\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 2 Accent 5\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"69\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 3 Accent 5\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"70\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Dark List Accent 5\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"71\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful Shading Accent 5\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"72\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful List Accent 5\\\" /> 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Shading Accent 6\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"72\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful List Accent 6\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"73\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful Grid Accent 6\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"19\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" QFormat=\\\"true\\\" Name=\\\"Subtle Emphasis\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"21\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" QFormat=\\\"true\\\" Name=\\\"Intense Emphasis\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"31\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" QFormat=\\\"true\\\" Name=\\\"Subtle Reference\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"32\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" QFormat=\\\"true\\\" Name=\\\"Intense Reference\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"33\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" QFormat=\\\"true\\\" Name=\\\"Book Title\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"37\\\" Name=\\\"Bibliography\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"39\\\" QFormat=\\\"true\\\" Name=\\\"TOC Heading\\\" /> </w:LatentStyles> </xml><![endif]--><!--[if gte mso 10]>\n<style>\n /* Style Definitions */\n table.MsoNormalTable\n	{mso-style-name:\\\"Table Normal\\\";\n	mso-tstyle-rowband-size:0;\n	mso-tstyle-colband-size:0;\n	mso-style-noshow:yes;\n	mso-style-priority:99;\n	mso-style-qformat:yes;\n	mso-style-parent:\\\"\\\";\n	mso-padding-alt:0in 5.4pt 0in 5.4pt;\n	mso-para-margin-top:0in;\n	mso-para-margin-right:0in;\n	mso-para-margin-bottom:10.0pt;\n	mso-para-margin-left:0in;\n	line-height:115%;\n	mso-pagination:widow-orphan;\n	font-size:11.0pt;\n	font-family:\\\"Calibri\\\",\\\"sans-serif\\\";\n	mso-ascii-font-family:Calibri;\n	mso-ascii-theme-font:minor-latin;\n	mso-fareast-font-family:\\\"Times New Roman\\\";\n	mso-fareast-theme-font:minor-fareast;\n	mso-hansi-font-family:Calibri;\n	mso-hansi-theme-font:minor-latin;\n	mso-bidi-font-family:\\\"Times New Roman\\\";\n	mso-bidi-theme-font:minor-bidi;}\n</style>\n<![endif]--></p>\n<p class=\\\"MsoNormal\\\"><strong><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\">Design\nQuestions?<span>&nbsp; </span>Biomimicry May Have Answers.</span></strong></p>\n<p class=\\\"MsoNormal\\\"><em><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\">&nbsp;<span></span>Biomimicry is the new discipline of studying\nnaturer\\\'s solutions to design dilemmas.</span></em></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\">\\\"Innovation\ninspired by nature\\\" is the foundation of this developing science.<span>&nbsp;&nbsp; </span>The core of biomimicry is that nature has\nalready solved many of the world\\\'s building challenges -- witnessed by what has\nsurvived from ages long gone.</span></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\"></span></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\">Humans&rsquo;\nbuilt environment fits in the world&rsquo;s natural habitat only when humans are\nrespectful of what nature has produced.<span>&nbsp;&nbsp;&nbsp;&nbsp; </span>Studying how a leaf &ldquo;works&rdquo; and then using that knowledge to create\nbetter solar panels is one example. Understanding how bright flowers attract\npollinating bees is another example of biomimicry.<span>&nbsp; </span></span></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\"></span></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\">On\nMay 10, current studies in biomimicry will come alive!<span>&nbsp;&nbsp; </span>From 5:30 PM to 7:30 PM, the local chapter\nof the US Green Building Council is sponsoring an awe-inspiring, illustrated\npresentation by the Biomimicry Guild&rsquo;s Senior Biologist Taryn Mead.<span>&nbsp; </span>Building on samples in the built environment,\nMead will document some time-tested adaptations of the genius all around\nus.<span>&nbsp; </span>Thus, when uncovering answers to new\nquestions, we can help create a vision for earth&rsquo;s sustainable future.</span></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\"></span></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\">This\nfree event at the Missouri Botanical Garden Schoenberg Theatre is open to the\npublic.<span>&nbsp; </span>The Theatre is in the Garden&rsquo;s\nmain entrance Ridgway Center at 4344 Shaw Blvd. in zip code 63110.<span>&nbsp; </span></span></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\"></span></p>\n<p><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\">Register on-line at USGBC-MOGATEWAY.org<span>&nbsp; </span>or by calling 314-577-0225.</span></p>\";}'),(3088,1191,10,4,1302941793,'a:31:{s:9:\"weblog_id\";s:2:\"10\";s:8:\"entry_id\";s:4:\"1191\";s:6:\"sticky\";s:1:\"n\";s:14:\"allow_comments\";s:1:\"n\";s:16:\"allow_trackbacks\";s:1:\"n\";s:10:\"entry_date\";s:19:\"2011-04-13 04:46 PM\";s:15:\"expiration_date\";s:0:\"\";s:23:\"comment_expiration_date\";s:0:\"\";s:9:\"author_id\";s:1:\"4\";s:10:\"new_weblog\";s:2:\"10\";s:6:\"status\";s:4:\"open\";s:14:\"trackback_urls\";s:0:\"\";s:18:\"versioning_enabled\";s:1:\"y\";s:5:\"title\";s:46:\"Design Questions? Biomimicry May Have Answers.\";s:9:\"url_title\";s:44:\"design_questions_biomimicry_may_have_answers\";s:6:\"submit\";s:6:\"Update\";s:11:\"field_id_58\";s:46:\"Design Questions? Biomimicry May Have Answers.\";s:11:\"field_ft_58\";s:4:\"none\";s:11:\"field_id_62\";s:321:\"Biomimicry is the new discipline of studying nature\\\'s solutions to design dilemmas.  \\\"Innovation inspired by nature\\\" is the foundation of this developing science.   The core of biomimicry is that nature has already solved many of the world\\\'s building challenges -- witnessed by what has survived from ages long gone.\n\";s:11:\"field_ft_62\";s:4:\"none\";s:11:\"field_id_59\";s:0:\"\";s:11:\"field_ft_59\";s:4:\"none\";s:11:\"field_id_63\";s:44:\"Ridgway Center at 4344 Shaw Blvd. SLMO 63110\";s:11:\"field_ft_63\";s:4:\"none\";s:11:\"field_id_57\";s:19:\"2011-05-10 05:30 PM\";s:15:\"field_offset_57\";s:1:\"y\";s:11:\"field_id_56\";s:0:\"\";s:15:\"field_offset_56\";s:1:\"y\";s:11:\"field_id_55\";s:22:\"5:30 p.m. to 7:30 p.m.\";s:11:\"field_ft_55\";s:4:\"none\";s:11:\"field_id_60\";s:41469:\"<p><!--[if gte mso 9]><xml> <w:WordDocument> <w:View>Normal</w:View> <w:Zoom>0</w:Zoom> <w:TrackMoves /> <w:TrackFormatting /> <w:PunctuationKerning /> <w:ValidateAgainstSchemas /> <w:SaveIfXMLInvalid>false</w:SaveIfXMLInvalid> <w:IgnoreMixedContent>false</w:IgnoreMixedContent> <w:AlwaysShowPlaceholderText>false</w:AlwaysShowPlaceholderText> <w:DoNotPromoteQF /> 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Priority=\\\"71\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful Shading Accent 1\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"72\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful List Accent 1\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"73\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful Grid Accent 1\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"60\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light Shading Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"61\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light List Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"62\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light Grid Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"63\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Shading 1 Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"64\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Shading 2 Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"65\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium List 1 Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"66\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium List 2 Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"67\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 1 Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"68\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 2 Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"69\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 3 Accent 2\\\" /> <w:LsdException 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UnhideWhenUsed=\\\"false\\\" Name=\\\"Light Grid Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"63\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Shading 1 Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"64\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Shading 2 Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"65\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium List 1 Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"66\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium List 2 Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"67\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 1 Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"68\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 2 Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"69\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 3 Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"70\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Dark List Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"71\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful Shading Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"72\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful List Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"73\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful Grid Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"60\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light Shading Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"61\\\" 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studying\nnaturer\\\'s solutions to design dilemmas.</span></em></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\">\\\"Innovation\ninspired by nature\\\" is the foundation of this developing science.<span> </span>The core of biomimicry is that nature has\nalready solved many of the world\\\'s building challenges -- witnessed by what has\nsurvived from ages long gone.</span></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\"></span></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\">Humans&rsquo;\nbuilt environment fits in the world&rsquo;s natural habitat only when humans are\nrespectful of what nature has produced.<span> </span>Studying how a leaf &ldquo;works&rdquo; and then using that knowledge to create\nbetter solar panels is one example. Understanding how bright flowers attract\npollinating bees is another example of biomimicry.<span>&nbsp; </span></span></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\"></span></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\">On\nMay 10, current studies in biomimicry will come alive!<span> </span>From 5:30 PM to 7:30 PM, the local chapter\nof the US Green Building Council is sponsoring an awe-inspiring, illustrated\npresentation by the Biomimicry Guild&rsquo;s Senior Biologist Taryn Mead.<span>&nbsp; </span>Building on samples in the built environment,\nMead will document some time-tested adaptations of the genius all around\nus.<span> </span>Thus, when uncovering answers to new\nquestions, we can help create a vision for earth&rsquo;s sustainable future.</span></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\"></span></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\">This\nfree event at the Missouri Botanical Garden Schoenberg Theatre is open to the\npublic.<span> </span>The Theatre is in the Garden&rsquo;s\nmain entrance Ridgway Center at 4344 Shaw Blvd. in zip code 63110.<span>&nbsp; </span></span></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\"></span></p>\n<p><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\">Register on-line at USGBC-MOGATEWAY.org<span>&nbsp; </span>or by calling 314-577-0225.</span></p>\";}'),(3089,1191,10,4,1302941830,'a:31:{s:9:\"weblog_id\";s:2:\"10\";s:8:\"entry_id\";s:4:\"1191\";s:6:\"sticky\";s:1:\"n\";s:14:\"allow_comments\";s:1:\"n\";s:16:\"allow_trackbacks\";s:1:\"n\";s:10:\"entry_date\";s:19:\"2011-04-13 04:46 PM\";s:15:\"expiration_date\";s:0:\"\";s:23:\"comment_expiration_date\";s:0:\"\";s:9:\"author_id\";s:1:\"4\";s:10:\"new_weblog\";s:2:\"10\";s:6:\"status\";s:4:\"open\";s:14:\"trackback_urls\";s:0:\"\";s:18:\"versioning_enabled\";s:1:\"y\";s:5:\"title\";s:46:\"Design Questions? Biomimicry May Have Answers.\";s:9:\"url_title\";s:44:\"design_questions_biomimicry_may_have_answers\";s:6:\"submit\";s:6:\"Update\";s:11:\"field_id_58\";s:46:\"Design Questions? Biomimicry May Have Answers.\";s:11:\"field_ft_58\";s:4:\"none\";s:11:\"field_id_62\";s:321:\"Biomimicry is the new discipline of studying nature\\\'s solutions to design dilemmas.  \\\"Innovation inspired by nature\\\" is the foundation of this developing science.   The core of biomimicry is that nature has already solved many of the world\\\'s building challenges -- witnessed by what has survived from ages long gone.\n\";s:11:\"field_ft_62\";s:4:\"none\";s:11:\"field_id_59\";s:0:\"\";s:11:\"field_ft_59\";s:4:\"none\";s:11:\"field_id_63\";s:44:\"Ridgway Center at 4344 Shaw Blvd. SLMO 63110\";s:11:\"field_ft_63\";s:4:\"none\";s:11:\"field_id_57\";s:19:\"2011-05-10 05:30 PM\";s:15:\"field_offset_57\";s:1:\"y\";s:11:\"field_id_56\";s:0:\"\";s:15:\"field_offset_56\";s:1:\"y\";s:11:\"field_id_55\";s:22:\"5:30 p.m. to 7:30 p.m.\";s:11:\"field_ft_55\";s:4:\"none\";s:11:\"field_id_60\";s:41463:\"<p><!--[if gte mso 9]><xml> <w:WordDocument> <w:View>Normal</w:View> <w:Zoom>0</w:Zoom> <w:TrackMoves /> <w:TrackFormatting /> <w:PunctuationKerning /> <w:ValidateAgainstSchemas /> <w:SaveIfXMLInvalid>false</w:SaveIfXMLInvalid> <w:IgnoreMixedContent>false</w:IgnoreMixedContent> <w:AlwaysShowPlaceholderText>false</w:AlwaysShowPlaceholderText> <w:DoNotPromoteQF /> 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<w:LsdException Locked=\\\"false\\\" Priority=\\\"67\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 1 Accent 1\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"68\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 2 Accent 1\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"69\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 3 Accent 1\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"70\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Dark List Accent 1\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"71\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful Shading Accent 1\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"72\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful List Accent 1\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"73\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful Grid Accent 1\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"60\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light Shading Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"61\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light List Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"62\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light Grid Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"63\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Shading 1 Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"64\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Shading 2 Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"65\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium List 1 Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"66\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium List 2 Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"67\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 1 Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"68\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 2 Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"69\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 3 Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"70\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Dark List Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"71\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful Shading Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"72\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful List Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"73\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful Grid Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"60\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light Shading Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"61\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light List Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"62\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light Grid Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"63\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Shading 1 Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"64\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Shading 2 Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"65\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium List 1 Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"66\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium List 2 Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"67\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 1 Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"68\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 2 Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"69\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 3 Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"70\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Dark List Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"71\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful Shading Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"72\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful List Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"73\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful Grid Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"60\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light Shading Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"61\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light List Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"62\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light Grid Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"63\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Shading 1 Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"64\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Shading 2 Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"65\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium List 1 Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"66\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium List 2 Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"67\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 1 Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"68\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 2 Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"69\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 3 Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"70\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Dark List Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"71\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful Shading Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"72\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful List Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"73\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful Grid Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"60\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light Shading Accent 5\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"61\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light List Accent 5\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"62\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light Grid Accent 5\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"63\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Shading 1 Accent 5\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"64\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Shading 2 Accent 5\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"65\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium List 1 Accent 5\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"66\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium List 2 Accent 5\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"67\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 1 Accent 5\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"68\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 2 Accent 5\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"69\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 3 Accent 5\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"70\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Dark List Accent 5\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"71\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful Shading Accent 5\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"72\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful List Accent 5\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"73\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful Grid Accent 5\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"60\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light Shading Accent 6\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"61\\\" 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QFormat=\\\"true\\\" Name=\\\"Strong\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"20\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" QFormat=\\\"true\\\" Name=\\\"Emphasis\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"59\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Table Grid\\\" /> <w:LsdException Locked=\\\"false\\\" UnhideWhenUsed=\\\"false\\\" Name=\\\"Placeholder Text\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"1\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" QFormat=\\\"true\\\" Name=\\\"No Spacing\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"60\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light Shading\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"61\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light List\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"62\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light Grid\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"63\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Shading 1\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"64\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Shading 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"65\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium List 1\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"66\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium List 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"67\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 1\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"68\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"69\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"70\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Dark List\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"71\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful Shading\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"72\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful List\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"73\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful Grid\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"60\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light Shading Accent 1\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"61\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light List Accent 1\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"62\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light Grid Accent 1\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"63\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Shading 1 Accent 1\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"64\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Shading 2 Accent 1\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"65\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium List 1 Accent 1\\\" /> <w:LsdException Locked=\\\"false\\\" UnhideWhenUsed=\\\"false\\\" Name=\\\"Revision\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"34\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" QFormat=\\\"true\\\" Name=\\\"List Paragraph\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"29\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" QFormat=\\\"true\\\" Name=\\\"Quote\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"30\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" QFormat=\\\"true\\\" Name=\\\"Intense Quote\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"66\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium List 2 Accent 1\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"67\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 1 Accent 1\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"68\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 2 Accent 1\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"69\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 3 Accent 1\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"70\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Dark List Accent 1\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"71\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful Shading Accent 1\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"72\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful List Accent 1\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"73\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful Grid Accent 1\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"60\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light Shading Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"61\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light List Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"62\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light Grid Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"63\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Shading 1 Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"64\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Shading 2 Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"65\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium List 1 Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"66\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium List 2 Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"67\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 1 Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"68\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 2 Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"69\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 3 Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"70\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Dark List Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"71\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful Shading Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"72\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful List Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"73\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful Grid Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"60\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light Shading Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"61\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light List Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"62\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light Grid Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"63\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Shading 1 Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"64\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Shading 2 Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"65\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium List 1 Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"66\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium List 2 Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"67\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 1 Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"68\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 2 Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"69\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 3 Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"70\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Dark List Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"71\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful Shading Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"72\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful List Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"73\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful Grid Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"60\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light Shading Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"61\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light List Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"62\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light Grid Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"63\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Shading 1 Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"64\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Shading 2 Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"65\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium List 1 Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"66\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium List 2 Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"67\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 1 Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"68\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 2 Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"69\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 3 Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"70\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Dark List Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"71\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful Shading Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"72\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful List Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"73\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful Grid Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"60\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light Shading Accent 5\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"61\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light List Accent 5\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"62\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light Grid Accent 5\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"63\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Shading 1 Accent 5\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"64\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Shading 2 Accent 5\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"65\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium List 1 Accent 5\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"66\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium List 2 Accent 5\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"67\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 1 Accent 5\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"68\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 2 Accent 5\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"69\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 3 Accent 5\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"70\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Dark List Accent 5\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"71\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful Shading Accent 5\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"72\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful List Accent 5\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"73\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful Grid Accent 5\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"60\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light Shading Accent 6\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"61\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light List Accent 6\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"62\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light Grid Accent 6\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"63\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Shading 1 Accent 6\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"64\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Shading 2 Accent 6\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"65\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium List 1 Accent 6\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"66\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium List 2 Accent 6\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"67\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 1 Accent 6\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"68\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 2 Accent 6\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"69\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 3 Accent 6\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"70\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Dark List Accent 6\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"71\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful Shading Accent 6\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"72\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful List Accent 6\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"73\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful Grid Accent 6\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"19\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" QFormat=\\\"true\\\" Name=\\\"Subtle Emphasis\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"21\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" QFormat=\\\"true\\\" Name=\\\"Intense Emphasis\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"31\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" QFormat=\\\"true\\\" Name=\\\"Subtle Reference\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"32\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" QFormat=\\\"true\\\" Name=\\\"Intense Reference\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"33\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" QFormat=\\\"true\\\" Name=\\\"Book Title\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"37\\\" Name=\\\"Bibliography\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"39\\\" QFormat=\\\"true\\\" Name=\\\"TOC Heading\\\" /> </w:LatentStyles> </xml><![endif]--><!--[if gte mso 10]>\n<style>\n /* Style Definitions */\n table.MsoNormalTable\n	{mso-style-name:\\\"Table Normal\\\";\n	mso-tstyle-rowband-size:0;\n	mso-tstyle-colband-size:0;\n	mso-style-noshow:yes;\n	mso-style-priority:99;\n	mso-style-qformat:yes;\n	mso-style-parent:\\\"\\\";\n	mso-padding-alt:0in 5.4pt 0in 5.4pt;\n	mso-para-margin-top:0in;\n	mso-para-margin-right:0in;\n	mso-para-margin-bottom:10.0pt;\n	mso-para-margin-left:0in;\n	line-height:115%;\n	mso-pagination:widow-orphan;\n	font-size:11.0pt;\n	font-family:\\\"Calibri\\\",\\\"sans-serif\\\";\n	mso-ascii-font-family:Calibri;\n	mso-ascii-theme-font:minor-latin;\n	mso-fareast-font-family:\\\"Times New Roman\\\";\n	mso-fareast-theme-font:minor-fareast;\n	mso-hansi-font-family:Calibri;\n	mso-hansi-theme-font:minor-latin;\n	mso-bidi-font-family:\\\"Times New Roman\\\";\n	mso-bidi-theme-font:minor-bidi;}\n</style>\n<![endif]--></p>\n<p class=\\\"MsoNormal\\\"><strong><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\">Design\nQuestions?<span>&nbsp; </span>Biomimicry May Have Answers.</span></strong></p>\n<p class=\\\"MsoNormal\\\"><em><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\"><span></span>Biomimicry is the new discipline of studying\nnaturer\\\'s solutions to design dilemmas.</span></em></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\">\\\"Innovation\ninspired by nature\\\" is the foundation of this developing science.<span> </span>The core of biomimicry is that nature has\nalready solved many of the world\\\'s building challenges -- witnessed by what has\nsurvived from ages long gone.</span></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\"></span></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\">Humans&rsquo;\nbuilt environment fits in the world&rsquo;s natural habitat only when humans are\nrespectful of what nature has produced.<span> </span>Studying how a leaf &ldquo;works&rdquo; and then using that knowledge to create\nbetter solar panels is one example. Understanding how bright flowers attract\npollinating bees is another example of biomimicry.<span>&nbsp; </span></span></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\"></span></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\">On\nMay 10, current studies in biomimicry will come alive!<span> </span>From 5:30 PM to 7:30 PM, the local chapter\nof the US Green Building Council is sponsoring an awe-inspiring, illustrated\npresentation by the Biomimicry Guild&rsquo;s Senior Biologist Taryn Mead.<span>&nbsp; </span>Building on samples in the built environment,\nMead will document some time-tested adaptations of the genius all around\nus.<span> </span>Thus, when uncovering answers to new\nquestions, we can help create a vision for earth&rsquo;s sustainable future.</span></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\"></span></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\">This\nfree event at the Missouri Botanical Garden Schoenberg Theatre is open to the\npublic.<span> </span>The Theatre is in the Garden&rsquo;s\nmain entrance Ridgway Center at 4344 Shaw Blvd. in zip code 63110.<span>&nbsp; </span></span></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\"></span></p>\n<p><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\">Register on-line at USGBC-MOGATEWAY.org<span>&nbsp; </span>or by calling 314-577-0225.</span></p>\";}');
INSERT INTO `exp_entry_versioning` VALUES (3090,1193,10,4,1302992064,'a:30:{s:9:\"weblog_id\";s:2:\"10\";s:8:\"entry_id\";s:0:\"\";s:6:\"sticky\";s:0:\"\";s:14:\"allow_comments\";s:1:\"n\";s:16:\"allow_trackbacks\";s:1:\"n\";s:10:\"entry_date\";s:19:\"2011-04-16 12:11 PM\";s:15:\"expiration_date\";s:0:\"\";s:23:\"comment_expiration_date\";s:0:\"\";s:9:\"author_id\";s:1:\"4\";s:6:\"status\";s:4:\"open\";s:14:\"trackback_urls\";s:0:\"\";s:18:\"versioning_enabled\";s:1:\"y\";s:5:\"title\";s:61:\"Kwame Foundation will host its Eighth Annual Golf Tournament \";s:9:\"url_title\";s:60:\"kwame_foundation_will_host_its_eighth_annual_golf_tournament\";s:6:\"submit\";s:6:\"Submit\";s:11:\"field_id_58\";s:48:\" Eighth Annual Kwame Foundation Golf Tournament \";s:11:\"field_ft_58\";s:4:\"none\";s:11:\"field_id_62\";s:307:\"Kwame Foundation will host its Eighth Annual Golf Tournament on Thursday, August 25, 2011 at the Norman K. Probstein golf course at Forest Park in St. Louis. The foundation endows approximately $150,000 a year in scholarships and grants at universities that improve educational opportunities for minorities.\";s:11:\"field_ft_62\";s:4:\"none\";s:11:\"field_id_59\";s:0:\"\";s:11:\"field_ft_59\";s:4:\"none\";s:11:\"field_id_63\";s:59:\"Norman K. Probstein golf course at Forest Park in St. Louis\";s:11:\"field_ft_63\";s:4:\"none\";s:11:\"field_id_57\";s:20:\"2011-08-25  11:30 AM\";s:15:\"field_offset_57\";s:1:\"y\";s:11:\"field_id_56\";s:0:\"\";s:15:\"field_offset_56\";s:1:\"y\";s:11:\"field_id_55\";s:23:\"11:30 a.m. to 8:00 p.m.\";s:11:\"field_ft_55\";s:4:\"none\";s:11:\"field_id_60\";s:40499:\"<p><!--[if gte mso 9]><xml> <w:WordDocument> <w:View>Normal</w:View> <w:Zoom>0</w:Zoom> <w:TrackMoves /> <w:TrackFormatting /> <w:PunctuationKerning /> <w:ValidateAgainstSchemas /> <w:SaveIfXMLInvalid>false</w:SaveIfXMLInvalid> <w:IgnoreMixedContent>false</w:IgnoreMixedContent> <w:AlwaysShowPlaceholderText>false</w:AlwaysShowPlaceholderText> <w:DoNotPromoteQF /> <w:LidThemeOther>EN-US</w:LidThemeOther> <w:LidThemeAsian>X-NONE</w:LidThemeAsian> <w:LidThemeComplexScript>X-NONE</w:LidThemeComplexScript> <w:Compatibility> <w:BreakWrappedTables /> <w:SnapToGridInCell /> <w:WrapTextWithPunct /> <w:UseAsianBreakRules /> <w:DontGrowAutofit /> 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Name=\\\"Light Grid\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"63\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Shading 1\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"64\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Shading 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"65\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium List 1\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"66\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium List 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"67\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 1\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"68\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"69\\\" SemiHidden=\\\"false\\\"\n   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Locked=\\\"false\\\" Priority=\\\"30\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" QFormat=\\\"true\\\" Name=\\\"Intense Quote\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"66\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium List 2 Accent 1\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"67\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 1 Accent 1\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"68\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 2 Accent 1\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"69\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 3 Accent 1\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"70\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Dark List Accent 1\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"71\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful Shading Accent 1\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"72\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful List Accent 1\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"73\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful Grid Accent 1\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"60\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light Shading Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"61\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light List Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"62\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light Grid Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"63\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Shading 1 Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"64\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Shading 2 Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"65\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium List 1 Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"66\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium List 2 Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"67\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 1 Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"68\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 2 Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"69\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 3 Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"70\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Dark List Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"71\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful Shading Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"72\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful List Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"73\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful Grid Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"60\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light Shading Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"61\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light List Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"62\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light Grid Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"63\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Shading 1 Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"64\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Shading 2 Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"65\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium List 1 Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"66\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium List 2 Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"67\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 1 Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"68\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 2 Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"69\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 3 Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"70\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Dark List Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"71\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful Shading Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"72\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful List Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"73\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful Grid Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"60\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light Shading Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"61\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light List Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"62\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light Grid Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"63\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Shading 1 Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"64\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Shading 2 Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"65\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium List 1 Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"66\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium List 2 Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"67\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 1 Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" 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Roman\\\";\n	mso-fareast-theme-font:minor-fareast;\n	mso-hansi-font-family:Calibri;\n	mso-hansi-theme-font:minor-latin;\n	mso-bidi-font-family:\\\"Times New Roman\\\";\n	mso-bidi-theme-font:minor-bidi;}\n</style>\n<![endif]--></p>\n<p class=\\\"Standard\\\"><strong><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\">Kwame\nFoundation</span></strong><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\"> will host its Eighth Annual Golf Tournament on Thursday, August 25, 2011 at the\nNorman K. Probstein golf course at Forest Park in St. Louis. The foundation\nendows approximately $150,000 a year in scholarships and grants at universities\nthat improve educational opportunities for minorities.</span></p>\n<p class=\\\"Standard\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\"></span></p>\n<p class=\\\"Standard\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\">Registration\nand lunch begins at 11:30 a.m. with the shotgun start of the four-person scramble\nat 1:00 p.m. The cocktail reception and happy hour will begin at 5:00 p.m. and\nthe awards ceremony and auction will begin at 6:30 p.m.</span><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\"></span></p>\n<p class=\\\"Standard\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\">Sponsorships\nopportunities from $150 to $10,000 are available, with recognition at the\nevent, on the website and in the program. Individual entry for the tournament,\nlunch and events is $375 and non-golfer participation is $75. </span></p>\n<p class=\\\"Standard\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\">For more\ninformation, visit <a href=\\\"http://ethreemail.com/e3ds/mail_link.php?u=http%3A%2F%2Fwww.kwamefoundation.org&amp;i=2&amp;d=61299620-W96X-4XUX-YY62-179922905128&amp;e=peter@stlouiscnr.com\\\"><span style=\\\"color: windowtext; text-decoration: none;\\\">www.kwamefoundation.org</span></a> or call 314.862.5344.</span></p>\";}'),(3091,1194,10,4,1303154562,'a:30:{s:9:\"weblog_id\";s:2:\"10\";s:8:\"entry_id\";s:0:\"\";s:6:\"sticky\";s:0:\"\";s:14:\"allow_comments\";s:1:\"n\";s:16:\"allow_trackbacks\";s:1:\"n\";s:10:\"entry_date\";s:19:\"2011-04-18 09:19 AM\";s:15:\"expiration_date\";s:0:\"\";s:23:\"comment_expiration_date\";s:0:\"\";s:9:\"author_id\";s:1:\"4\";s:6:\"status\";s:4:\"open\";s:14:\"trackback_urls\";s:0:\"\";s:18:\"versioning_enabled\";s:1:\"y\";s:5:\"title\";s:37:\"21st Annual IEC Wire-off & Trade Show\";s:9:\"url_title\";s:35:\"21st_annual_iec_wire_off_trade_show\";s:6:\"submit\";s:6:\"Submit\";s:11:\"field_id_58\";s:37:\"21st Annual IEC Wire-off & Trade Show\";s:11:\"field_ft_58\";s:4:\"none\";s:11:\"field_id_62\";s:400:\"Join members and guests at the 21st Annual IEC Wire-off & Trade Show.  Electrical Manufacturers, Distributors and companies with a desire to service the electrical industry will be presenting tabletop displays with demonstrations and their latest products and services!   Trade Show is no charge however a ticket is required for admission.  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QFormat=\\\"true\\\" Name=\\\"Subtle Emphasis\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"21\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" QFormat=\\\"true\\\" Name=\\\"Intense Emphasis\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"31\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" QFormat=\\\"true\\\" Name=\\\"Subtle Reference\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"32\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" QFormat=\\\"true\\\" Name=\\\"Intense Reference\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"33\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" QFormat=\\\"true\\\" Name=\\\"Book Title\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"37\\\" Name=\\\"Bibliography\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"39\\\" QFormat=\\\"true\\\" Name=\\\"TOC Heading\\\" /> </w:LatentStyles> </xml><![endif]--><!--[if gte mso 10]>\n<style>\n /* Style Definitions */\n table.MsoNormalTable\n	{mso-style-name:\\\"Table Normal\\\";\n	mso-tstyle-rowband-size:0;\n	mso-tstyle-colband-size:0;\n	mso-style-noshow:yes;\n	mso-style-priority:99;\n	mso-style-qformat:yes;\n	mso-style-parent:\\\"\\\";\n	mso-padding-alt:0in 5.4pt 0in 5.4pt;\n	mso-para-margin-top:0in;\n	mso-para-margin-right:0in;\n	mso-para-margin-bottom:10.0pt;\n	mso-para-margin-left:0in;\n	line-height:115%;\n	mso-pagination:widow-orphan;\n	font-size:11.0pt;\n	font-family:\\\"Calibri\\\",\\\"sans-serif\\\";\n	mso-ascii-font-family:Calibri;\n	mso-ascii-theme-font:minor-latin;\n	mso-fareast-font-family:\\\"Times New Roman\\\";\n	mso-fareast-theme-font:minor-fareast;\n	mso-hansi-font-family:Calibri;\n	mso-hansi-theme-font:minor-latin;\n	mso-bidi-font-family:\\\"Times New Roman\\\";\n	mso-bidi-theme-font:minor-bidi;}\n</style>\n<![endif]--></p>\n<p class=\\\"MsoNormal\\\">Join members and guests at the 21st Annual IEC Wire-off &amp;\nTrade Show</p>\n<p class=\\\"MsoNormal\\\">&nbsp;</p>\n<p class=\\\"MsoNormal\\\">Thursday, May 19, 2011 - Doors open at 4:00 pm</p>\n<p class=\\\"MsoNormal\\\">Everyone welcome!</p>\n<p class=\\\"MsoNormal\\\">Two Hearts Banquet Center</p>\n<p class=\\\"MsoNormal\\\">4532 South Lindbergh Blvd.</p>\n<p class=\\\"MsoNormal\\\">St. Louis, MO 63127</p>\n<p class=\\\"MsoNormal\\\">&nbsp;</p>\n<p class=\\\"MsoNormal\\\">Electrical Manufacturers, Distributors and companies with a\ndesire to service the electrical industry will be presenting tabletop displays\nwith demonstrations and their latest products and services! <span>&nbsp;&nbsp;</span>Trade Show is no charge however a ticket is\nrequired for admission.<span>&nbsp; </span>All ticketed\nguests will be in a drawing for an Apple iPad.</p>\n<p class=\\\"MsoNormal\\\">For information on reserving a trade table, contact Tina at\nthe IEC - 314-739-4650</p>\n<p class=\\\"MsoNormal\\\">&nbsp;</p>\n<p class=\\\"MsoNormal\\\">Please email tina@iecstl.com or call 314-739-4650 for\ntickets</p>\";}'),(3092,1195,2,4,1303249539,'a:28:{s:9:\"weblog_id\";s:1:\"2\";s:8:\"entry_id\";s:0:\"\";s:6:\"sticky\";s:0:\"\";s:14:\"allow_comments\";s:1:\"n\";s:16:\"allow_trackbacks\";s:1:\"n\";s:10:\"entry_date\";s:19:\"2011-04-19 11:39 AM\";s:15:\"expiration_date\";s:0:\"\";s:23:\"comment_expiration_date\";s:0:\"\";s:8:\"category\";a:1:{i:0;s:2:\"15\";}s:9:\"author_id\";s:1:\"4\";s:6:\"status\";s:4:\"open\";s:14:\"trackback_urls\";s:0:\"\";s:18:\"versioning_enabled\";s:1:\"y\";s:5:\"title\";s:22:\"A Roomful of Elephants\";s:9:\"url_title\";s:22:\"a_roomful_of_elephants\";s:6:\"submit\";s:6:\"Submit\";s:10:\"field_id_5\";s:22:\"A Roomful of Elephants\";s:10:\"field_ft_5\";s:4:\"none\";s:10:\"field_id_9\";s:1420:\" In the last couple of weeks our industry has seen examples of the good, the bad, and the ugly.\n\n1.) Good: The St. Louis Council of Construction Consumers held a workshop on \\\"Partnering: Best Practice from the Construction Industry Institute and Practical Industry Applications.\\\" It included successful partnering applications here, a partnering expert from Norway communicating by Skype regarding his experience in the North Sea oil industry, and a consultant to DuPont telling of how owners and contractors from around the globe have collaborated for over 20 years.\n\n2.) Bad: A union bannered the jobsites of a billion dollar contractor over a couple hundred thousand dollars worth of fringes. The contractor responded by firing all the subcontractors who employed members of that union.\n\n3.) Ugly: A minority inclusion activist fired off an email that urged a boycott of a GC in colorful terms, the most printable of which is \\\"Uncle Tom.\\\"\nDuring that same two-week period I was involved in a series of meetings with a number of industry leaders to discuss the concept for a St. Louis Construction Leadership Forum - an idea I proposed late last year after almost a year of legwork. While there has been broad support for the idea, there has also been the concern that this concept would duplicate the efforts of some our industry\\\'s existing efforts, such as PRIDE\\\'s in the labor area, or SLCCC\\\'s in education. \";s:10:\"field_ft_9\";s:4:\"none\";s:11:\"field_id_13\";s:0:\"\";s:10:\"field_id_7\";s:28:\"elephants, leadership, forum\";s:10:\"field_ft_7\";s:4:\"none\";s:10:\"field_id_8\";s:7229:\"<p>&nbsp;In the last couple of weeks our industry has seen examples of the good, the bad, and the ugly.</p>\n<p><img alt=\\\"Elephants\\\" class=\\\"image-right\\\" height=\\\"266\\\" src=\\\"/images/uploads/elephants3.jpg\\\" style=\\\"float: right;\\\" width=\\\"266\\\" />1.)	Good: The St. Louis Council of Construction Consumers held a workshop on \\\"Partnering: Best Practice from the Construction Industry Institute and Practical Industry Applications.\\\"  It included successful partnering applications here, a partnering expert from Norway communicating by Skype regarding his experience in the North Sea oil industry, and a consultant to DuPont telling of how owners and contractors from around the globe have collaborated for over 20 years.</p>\n<p>2.)	Bad: A union bannered the jobsites of a billion dollar contractor over a couple hundred thousand dollars worth of fringes. The contractor responded by firing all the subcontractors who employed members of that union.</p>\n<p>3.)	Ugly: A minority inclusion activist fired off an email that urged a boycott of a GC in colorful terms, the most printable of which is \\\"Uncle Tom.\\\"  <br />During that same two-week period I was involved in a series of meetings with a number of industry leaders to discuss the concept for a St. Louis Construction Leadership Forum - an idea I proposed late last year after almost a year of legwork.  While there has been broad support for the idea, there has also been the concern that this concept would duplicate the efforts of some our industry\\\'s existing efforts, such as PRIDE\\\'s in the labor area, or SLCCC\\\'s in education.</p>\n<p>One of the leaders that I met with recently suggested that I needed to revisit the column that I wrote proposing the forum: ( <a href=\\\"http://www.stlouiscnr.com/columns/article/we_need_a_construction_leadership_forum/ ). \\\">http://www.stlouiscnr.com/columns/article/we_need_a_construction_leadership_forum/ ). </a></p>\n<p>I thought about what the purposes of the forum would be, and I realized that I could boil it down to a single phrase: \\\"To point out the elephants in the room.\\\" <br />Here is what I would see as being the deliverables of the forum:</p>\n<p><strong>Labor </strong><br /><span style=\\\"text-decoration: underline;\\\">Deliverable</span>: A candid assessment of the competitive effect  of  labor issues that can be used in resolving conflicts and/or moving contractors and owners in a direction that will allow St. Louis to develop more work. <br />&bull;	Mirror: Cut through the politics and rhetoric and compare St. Louis with other union areas and merit shop areas of similar size and composition. Qualify this assessment by including all of the various impacts - job creation, economic, political, etc. - in making these comparisons. <br />&bull;	Data Collection: Assemble and compare information from industry analysts, unions, associations, and real estate analysts regarding labor issues and labor costs, locally, regionally, and nationally. This data collection could involve the university construction programs in conducting primary research on construction users, contractors, and owners.<br />&bull;	Taking the Broad View: Develop a far-reaching, no-holds-barred consensus, on the order of the Construction Users Round Table\\\'s groundbreaking 1983 industry report \\\"More Construction for the Money.\\\"</p>\n<p><strong>Project Award Environment</strong><br /><span style=\\\"text-decoration: underline;\\\">Deliverable</span>: A clear picture of the current bid environment, a prediction of the short- and long-term effects of current practices and a yardstick for owners to use in determining their procurement practices. <br />&bull;	Mirror: Look at the project procurement methods in St. Louis now and prior to the recession. Compare to other areas of the country. Compare to other models for procurement.<br />&bull;	Data Collection: Gather primary research on bid margins, number of bidders on lists, numbers of change orders. Build a model of how construction is being bought - select lists, large lists, open bid, reverse blind auction. Collect information on contractor failures and changes in market focus due to recession. Engage large buyers of construction who are using strategic sourcing models for information about how they arrived at their current systems and how those systems are evolving.  <br />&bull;	Taking the Broad View: Combining research on IPD, LEAN construction, case studies, etc. with the primary research and present the case for the \\\"best\\\" ways to procure construction in this market.</p>\n<p><strong>Political Divisions</strong><br /><span style=\\\"text-decoration: underline;\\\">Deliverable:</span> A balanced look at what non-intersecting and overlapping governmental agencies add to the cost of construction here. A look at how the government picture affects what gets built here. Suggestions for streamlining the interface of the construction process with government. <br />&bull;	Mirror: Look at other metro areas of similar size and composition - both with similar political infrastructures and streamlined structures. <br />&bull;	Data Collection: Gather primary research on costs to construction and development in terms of fees, delays, and conflicts. Gather primary and secondary research on how the political environment affects what gets built here. <br />&bull;	Taking the Broad View: Develop some short- and long-term suggestions that improve the interaction between contractors, developers, owners and governmental agencies. Produce tools that might be used in communicating to the general public the cost in terms of business development and job loss of the current political environment.</p>\n<p><strong>Inclusion</strong><br /><span style=\\\"text-decoration: underline;\\\">Deliverable:</span> A realistic statement of what is possible now, what could be possible, and what it will take to get there . <br />&bull;	Mirror: Compare this metro area with other metro areas of similar size and composition in terms of what has been accomplished in terms of construction inclusion. Talk with national buyers of construction about how much the diversity issue affects the decision to build here. <br />&bull;	Data Collection: Use the AGC diversity study as a jumping-off place. Conduct primary research with owners about what their commitment to diversity is. Conduct research with contractors about the state of their diversity efforts. Collect secondary data about the impact of an area\\\'s diversity on facility location decisions. <br />&bull;	Taking the Broad View: Strip diversity of the \\\"it\\\'s the right thing,\\\" or \\\"it\\\'s a farce\\\" rhetoric and present some steps that might improve the situation short- and long-term.</p>\n<p>Individuals who I consider to be true leaders representing St. Louis owner, contractor, labor, design, supply, and higher education organizations have expressed strong interest in this concept. This Leadership Forum is not about forming an organization, or an association, or holding one more meeting for already-busy people. It\\\'s about holding up a mirror that let\\\'s each of us see ourselves clearly.  And if we look in that mirror impartially, over our shoulder we\\\'ll also see all the elephants in the room.</p>\n<p>&nbsp;</p>\";s:11:\"field_id_42\";s:30:\"/images/uploads/elephants3.jpg\";s:11:\"field_id_43\";s:0:\"\";s:11:\"field_ft_43\";s:4:\"none\";s:10:\"category_0\";s:2:\"15\";}'),(3093,1195,2,4,1303249629,'a:29:{s:9:\"weblog_id\";s:1:\"2\";s:8:\"entry_id\";s:4:\"1195\";s:6:\"sticky\";s:1:\"n\";s:14:\"allow_comments\";s:1:\"n\";s:16:\"allow_trackbacks\";s:1:\"n\";s:10:\"entry_date\";s:19:\"2011-04-19 11:39 AM\";s:15:\"expiration_date\";s:0:\"\";s:23:\"comment_expiration_date\";s:0:\"\";s:8:\"category\";a:1:{i:0;s:2:\"15\";}s:9:\"author_id\";s:1:\"4\";s:10:\"new_weblog\";s:1:\"2\";s:6:\"status\";s:4:\"open\";s:14:\"trackback_urls\";s:0:\"\";s:18:\"versioning_enabled\";s:1:\"y\";s:5:\"title\";s:22:\"A Roomful of Elephants\";s:9:\"url_title\";s:22:\"a_roomful_of_elephants\";s:6:\"submit\";s:6:\"Update\";s:10:\"field_id_5\";s:22:\"A Roomful of Elephants\";s:10:\"field_ft_5\";s:4:\"none\";s:10:\"field_id_9\";s:834:\" In the last couple of weeks our industry has seen examples of the good, the bad, and the ugly.\n\n1.) Good: The St. Louis Council of Construction Consumers held a workshop on \\\"Partnering: Best Practice from the Construction Industry Institute and Practical Industry Applications.\\\" \n\n2.) Bad: A union bannered the jobsites of a billion dollar contractor over a couple hundred thousand dollars worth of fringes. The contractor responded by firing all the subcontractors who employed members of that union.\n\n3.) Ugly: A minority inclusion activist fired off an email that urged a boycott of a GC in colorful terms, the most printable of which is \\\"Uncle Tom.\\\"\nDuring that same two-week period I was involved in a series of meetings with a number of industry leaders to discuss the concept for a St. Louis Construction Leadership Forum.\";s:10:\"field_ft_9\";s:4:\"none\";s:11:\"field_id_13\";s:0:\"\";s:10:\"field_id_7\";s:28:\"elephants, leadership, forum\";s:10:\"field_ft_7\";s:4:\"none\";s:10:\"field_id_8\";s:7204:\"<p>&nbsp;In the last couple of weeks our industry has seen examples of the good, the bad, and the ugly.</p>\n<p><img alt=\\\"Elephants\\\" class=\\\"image-right\\\" height=\\\"266\\\" src=\\\"/images/uploads/elephants3.jpg\\\" style=\\\"float: right;\\\" width=\\\"266\\\" />1.)	Good: The St. Louis Council of Construction Consumers held a workshop on \\\"Partnering: Best Practice from the Construction Industry Institute and Practical Industry Applications.\\\"  It included successful partnering applications here, a partnering expert from Norway communicating by Skype regarding his experience in the North Sea oil industry, and a consultant to DuPont telling of how owners and contractors from around the globe have collaborated for over 20 years.</p>\n<p>2.)	Bad: A union bannered the jobsites of a billion dollar contractor over a couple hundred thousand dollars worth of fringes. The contractor responded by firing all the subcontractors who employed members of that union.</p>\n<p>3.)	Ugly: A minority inclusion activist fired off an email that urged a boycott of a GC in colorful terms, the most printable of which is \\\"Uncle Tom.\\\"  <br />During that same two-week period I was involved in a series of meetings with a number of industry leaders to discuss the concept for a St. Louis Construction Leadership Forum - an idea I proposed late last year after almost a year of legwork.  While there has been broad support for the idea, there has also been the concern that this concept would duplicate the efforts of some our industry\\\'s existing efforts, such as PRIDE\\\'s in the labor area, or SLCCC\\\'s in education.</p>\n<p>One of the leaders that I met with recently suggested that I needed to revisit the column that I wrote proposing the forum: ( <a href=\\\"/columns/article/we_need_a_construction_leadership_forum/ ). \\\">http://www.stlouiscnr.com/columns/article/we_need_a_construction_leadership_forum/ ). </a></p>\n<p>I thought about what the purposes of the forum would be, and I realized that I could boil it down to a single phrase: \\\"To point out the elephants in the room.\\\" <br />Here is what I would see as being the deliverables of the forum:</p>\n<p><strong>Labor </strong><br /><span style=\\\"text-decoration: underline;\\\">Deliverable</span>: A candid assessment of the competitive effect  of  labor issues that can be used in resolving conflicts and/or moving contractors and owners in a direction that will allow St. Louis to develop more work. <br />&bull;	Mirror: Cut through the politics and rhetoric and compare St. Louis with other union areas and merit shop areas of similar size and composition. Qualify this assessment by including all of the various impacts - job creation, economic, political, etc. - in making these comparisons. <br />&bull;	Data Collection: Assemble and compare information from industry analysts, unions, associations, and real estate analysts regarding labor issues and labor costs, locally, regionally, and nationally. This data collection could involve the university construction programs in conducting primary research on construction users, contractors, and owners.<br />&bull;	Taking the Broad View: Develop a far-reaching, no-holds-barred consensus, on the order of the Construction Users Round Table\\\'s groundbreaking 1983 industry report \\\"More Construction for the Money.\\\"</p>\n<p><strong>Project Award Environment</strong><br /><span style=\\\"text-decoration: underline;\\\">Deliverable</span>: A clear picture of the current bid environment, a prediction of the short- and long-term effects of current practices and a yardstick for owners to use in determining their procurement practices. <br />&bull;	Mirror: Look at the project procurement methods in St. Louis now and prior to the recession. Compare to other areas of the country. Compare to other models for procurement.<br />&bull;	Data Collection: Gather primary research on bid margins, number of bidders on lists, numbers of change orders. Build a model of how construction is being bought - select lists, large lists, open bid, reverse blind auction. Collect information on contractor failures and changes in market focus due to recession. Engage large buyers of construction who are using strategic sourcing models for information about how they arrived at their current systems and how those systems are evolving.  <br />&bull;	Taking the Broad View: Combining research on IPD, LEAN construction, case studies, etc. with the primary research and present the case for the \\\"best\\\" ways to procure construction in this market.</p>\n<p><strong>Political Divisions</strong><br /><span style=\\\"text-decoration: underline;\\\">Deliverable:</span> A balanced look at what non-intersecting and overlapping governmental agencies add to the cost of construction here. A look at how the government picture affects what gets built here. Suggestions for streamlining the interface of the construction process with government. <br />&bull;	Mirror: Look at other metro areas of similar size and composition - both with similar political infrastructures and streamlined structures. <br />&bull;	Data Collection: Gather primary research on costs to construction and development in terms of fees, delays, and conflicts. Gather primary and secondary research on how the political environment affects what gets built here. <br />&bull;	Taking the Broad View: Develop some short- and long-term suggestions that improve the interaction between contractors, developers, owners and governmental agencies. Produce tools that might be used in communicating to the general public the cost in terms of business development and job loss of the current political environment.</p>\n<p><strong>Inclusion</strong><br /><span style=\\\"text-decoration: underline;\\\">Deliverable:</span> A realistic statement of what is possible now, what could be possible, and what it will take to get there . <br />&bull;	Mirror: Compare this metro area with other metro areas of similar size and composition in terms of what has been accomplished in terms of construction inclusion. Talk with national buyers of construction about how much the diversity issue affects the decision to build here. <br />&bull;	Data Collection: Use the AGC diversity study as a jumping-off place. Conduct primary research with owners about what their commitment to diversity is. Conduct research with contractors about the state of their diversity efforts. Collect secondary data about the impact of an area\\\'s diversity on facility location decisions. <br />&bull;	Taking the Broad View: Strip diversity of the \\\"it\\\'s the right thing,\\\" or \\\"it\\\'s a farce\\\" rhetoric and present some steps that might improve the situation short- and long-term.</p>\n<p>Individuals who I consider to be true leaders representing St. Louis owner, contractor, labor, design, supply, and higher education organizations have expressed strong interest in this concept. This Leadership Forum is not about forming an organization, or an association, or holding one more meeting for already-busy people. It\\\'s about holding up a mirror that let\\\'s each of us see ourselves clearly.  And if we look in that mirror impartially, over our shoulder we\\\'ll also see all the elephants in the room.</p>\n<p>&nbsp;</p>\";s:11:\"field_id_42\";s:30:\"/images/uploads/elephants3.jpg\";s:11:\"field_id_43\";s:0:\"\";s:11:\"field_ft_43\";s:4:\"none\";s:10:\"category_0\";s:2:\"15\";}'),(3094,1195,2,4,1303249703,'a:29:{s:9:\"weblog_id\";s:1:\"2\";s:8:\"entry_id\";s:4:\"1195\";s:6:\"sticky\";s:1:\"n\";s:14:\"allow_comments\";s:1:\"n\";s:16:\"allow_trackbacks\";s:1:\"n\";s:10:\"entry_date\";s:19:\"2011-04-19 11:39 AM\";s:15:\"expiration_date\";s:0:\"\";s:23:\"comment_expiration_date\";s:0:\"\";s:8:\"category\";a:1:{i:0;s:2:\"15\";}s:9:\"author_id\";s:1:\"4\";s:10:\"new_weblog\";s:1:\"2\";s:6:\"status\";s:4:\"open\";s:14:\"trackback_urls\";s:0:\"\";s:18:\"versioning_enabled\";s:1:\"y\";s:5:\"title\";s:22:\"A Roomful of Elephants\";s:9:\"url_title\";s:22:\"a_roomful_of_elephants\";s:6:\"submit\";s:6:\"Update\";s:10:\"field_id_5\";s:22:\"A Roomful of Elephants\";s:10:\"field_ft_5\";s:4:\"none\";s:10:\"field_id_9\";s:859:\"by Tom Finan, Publisher\n \nIn the last couple of weeks our industry has seen examples of the good, the bad, and the ugly.\n\n1.) Good: The St. Louis Council of Construction Consumers held a workshop on \\\"Partnering: Best Practice from the Construction Industry Institute and Practical Industry Applications.\\\" \n\n2.) Bad: A union bannered the jobsites of a billion dollar contractor over a couple hundred thousand dollars worth of fringes. The contractor responded by firing all the subcontractors who employed members of that union.\n\n3.) Ugly: A minority inclusion activist fired off an email that urged a boycott of a GC in colorful terms, the most printable of which is \\\"Uncle Tom.\\\"\nDuring that same two-week period I was involved in a series of meetings with a number of industry leaders to discuss the concept for a St. Louis Construction Leadership Forum.\";s:10:\"field_ft_9\";s:4:\"none\";s:11:\"field_id_13\";s:0:\"\";s:10:\"field_id_7\";s:28:\"elephants, leadership, forum\";s:10:\"field_ft_7\";s:4:\"none\";s:10:\"field_id_8\";s:7204:\"<p>&nbsp;In the last couple of weeks our industry has seen examples of the good, the bad, and the ugly.</p>\n<p><img alt=\\\"Elephants\\\" class=\\\"image-right\\\" height=\\\"266\\\" src=\\\"/images/uploads/elephants3.jpg\\\" style=\\\"float: right;\\\" width=\\\"266\\\" />1.)	Good: The St. Louis Council of Construction Consumers held a workshop on \\\"Partnering: Best Practice from the Construction Industry Institute and Practical Industry Applications.\\\"  It included successful partnering applications here, a partnering expert from Norway communicating by Skype regarding his experience in the North Sea oil industry, and a consultant to DuPont telling of how owners and contractors from around the globe have collaborated for over 20 years.</p>\n<p>2.)	Bad: A union bannered the jobsites of a billion dollar contractor over a couple hundred thousand dollars worth of fringes. The contractor responded by firing all the subcontractors who employed members of that union.</p>\n<p>3.)	Ugly: A minority inclusion activist fired off an email that urged a boycott of a GC in colorful terms, the most printable of which is \\\"Uncle Tom.\\\"  <br />During that same two-week period I was involved in a series of meetings with a number of industry leaders to discuss the concept for a St. Louis Construction Leadership Forum - an idea I proposed late last year after almost a year of legwork.  While there has been broad support for the idea, there has also been the concern that this concept would duplicate the efforts of some our industry\\\'s existing efforts, such as PRIDE\\\'s in the labor area, or SLCCC\\\'s in education.</p>\n<p>One of the leaders that I met with recently suggested that I needed to revisit the column that I wrote proposing the forum: ( <a href=\\\"/columns/article/we_need_a_construction_leadership_forum/ ). \\\">http://www.stlouiscnr.com/columns/article/we_need_a_construction_leadership_forum/ ). </a></p>\n<p>I thought about what the purposes of the forum would be, and I realized that I could boil it down to a single phrase: \\\"To point out the elephants in the room.\\\" <br />Here is what I would see as being the deliverables of the forum:</p>\n<p><strong>Labor </strong><br /><span style=\\\"text-decoration: underline;\\\">Deliverable</span>: A candid assessment of the competitive effect  of  labor issues that can be used in resolving conflicts and/or moving contractors and owners in a direction that will allow St. Louis to develop more work. <br />&bull;	Mirror: Cut through the politics and rhetoric and compare St. Louis with other union areas and merit shop areas of similar size and composition. Qualify this assessment by including all of the various impacts - job creation, economic, political, etc. - in making these comparisons. <br />&bull;	Data Collection: Assemble and compare information from industry analysts, unions, associations, and real estate analysts regarding labor issues and labor costs, locally, regionally, and nationally. This data collection could involve the university construction programs in conducting primary research on construction users, contractors, and owners.<br />&bull;	Taking the Broad View: Develop a far-reaching, no-holds-barred consensus, on the order of the Construction Users Round Table\\\'s groundbreaking 1983 industry report \\\"More Construction for the Money.\\\"</p>\n<p><strong>Project Award Environment</strong><br /><span style=\\\"text-decoration: underline;\\\">Deliverable</span>: A clear picture of the current bid environment, a prediction of the short- and long-term effects of current practices and a yardstick for owners to use in determining their procurement practices. <br />&bull;	Mirror: Look at the project procurement methods in St. Louis now and prior to the recession. Compare to other areas of the country. Compare to other models for procurement.<br />&bull;	Data Collection: Gather primary research on bid margins, number of bidders on lists, numbers of change orders. Build a model of how construction is being bought - select lists, large lists, open bid, reverse blind auction. Collect information on contractor failures and changes in market focus due to recession. Engage large buyers of construction who are using strategic sourcing models for information about how they arrived at their current systems and how those systems are evolving.  <br />&bull;	Taking the Broad View: Combining research on IPD, LEAN construction, case studies, etc. with the primary research and present the case for the \\\"best\\\" ways to procure construction in this market.</p>\n<p><strong>Political Divisions</strong><br /><span style=\\\"text-decoration: underline;\\\">Deliverable:</span> A balanced look at what non-intersecting and overlapping governmental agencies add to the cost of construction here. A look at how the government picture affects what gets built here. Suggestions for streamlining the interface of the construction process with government. <br />&bull;	Mirror: Look at other metro areas of similar size and composition - both with similar political infrastructures and streamlined structures. <br />&bull;	Data Collection: Gather primary research on costs to construction and development in terms of fees, delays, and conflicts. Gather primary and secondary research on how the political environment affects what gets built here. <br />&bull;	Taking the Broad View: Develop some short- and long-term suggestions that improve the interaction between contractors, developers, owners and governmental agencies. Produce tools that might be used in communicating to the general public the cost in terms of business development and job loss of the current political environment.</p>\n<p><strong>Inclusion</strong><br /><span style=\\\"text-decoration: underline;\\\">Deliverable:</span> A realistic statement of what is possible now, what could be possible, and what it will take to get there . <br />&bull;	Mirror: Compare this metro area with other metro areas of similar size and composition in terms of what has been accomplished in terms of construction inclusion. Talk with national buyers of construction about how much the diversity issue affects the decision to build here. <br />&bull;	Data Collection: Use the AGC diversity study as a jumping-off place. Conduct primary research with owners about what their commitment to diversity is. Conduct research with contractors about the state of their diversity efforts. Collect secondary data about the impact of an area\\\'s diversity on facility location decisions. <br />&bull;	Taking the Broad View: Strip diversity of the \\\"it\\\'s the right thing,\\\" or \\\"it\\\'s a farce\\\" rhetoric and present some steps that might improve the situation short- and long-term.</p>\n<p>Individuals who I consider to be true leaders representing St. Louis owner, contractor, labor, design, supply, and higher education organizations have expressed strong interest in this concept. This Leadership Forum is not about forming an organization, or an association, or holding one more meeting for already-busy people. It\\\'s about holding up a mirror that let\\\'s each of us see ourselves clearly.  And if we look in that mirror impartially, over our shoulder we\\\'ll also see all the elephants in the room.</p>\n<p>&nbsp;</p>\";s:11:\"field_id_42\";s:30:\"/images/uploads/elephants3.jpg\";s:11:\"field_id_43\";s:0:\"\";s:11:\"field_ft_43\";s:4:\"none\";s:10:\"category_0\";s:2:\"15\";}'),(3095,1195,2,4,1303249721,'a:29:{s:9:\"weblog_id\";s:1:\"2\";s:8:\"entry_id\";s:4:\"1195\";s:6:\"sticky\";s:1:\"n\";s:14:\"allow_comments\";s:1:\"n\";s:16:\"allow_trackbacks\";s:1:\"n\";s:10:\"entry_date\";s:19:\"2011-04-19 11:39 AM\";s:15:\"expiration_date\";s:0:\"\";s:23:\"comment_expiration_date\";s:0:\"\";s:8:\"category\";a:1:{i:0;s:2:\"15\";}s:9:\"author_id\";s:1:\"4\";s:10:\"new_weblog\";s:1:\"2\";s:6:\"status\";s:4:\"open\";s:14:\"trackback_urls\";s:0:\"\";s:18:\"versioning_enabled\";s:1:\"y\";s:5:\"title\";s:22:\"A Roomful of Elephants\";s:9:\"url_title\";s:22:\"a_roomful_of_elephants\";s:6:\"submit\";s:6:\"Update\";s:10:\"field_id_5\";s:22:\"A Roomful of Elephants\";s:10:\"field_ft_5\";s:4:\"none\";s:10:\"field_id_9\";s:859:\"by Tom Finan, Publisher\n \nIn the last couple of weeks our industry has seen examples of the good, the bad, and the ugly.\n\n1.) Good: The St. Louis Council of Construction Consumers held a workshop on \\\"Partnering: Best Practice from the Construction Industry Institute and Practical Industry Applications.\\\" \n\n2.) Bad: A union bannered the jobsites of a billion dollar contractor over a couple hundred thousand dollars worth of fringes. The contractor responded by firing all the subcontractors who employed members of that union.\n\n3.) Ugly: A minority inclusion activist fired off an email that urged a boycott of a GC in colorful terms, the most printable of which is \\\"Uncle Tom.\\\"\nDuring that same two-week period I was involved in a series of meetings with a number of industry leaders to discuss the concept for a St. Louis Construction Leadership Forum.\";s:10:\"field_ft_9\";s:4:\"none\";s:11:\"field_id_13\";s:1:\"4\";s:10:\"field_id_7\";s:28:\"elephants, leadership, forum\";s:10:\"field_ft_7\";s:4:\"none\";s:10:\"field_id_8\";s:7204:\"<p>&nbsp;In the last couple of weeks our industry has seen examples of the good, the bad, and the ugly.</p>\n<p><img alt=\\\"Elephants\\\" class=\\\"image-right\\\" height=\\\"266\\\" src=\\\"/images/uploads/elephants3.jpg\\\" style=\\\"float: right;\\\" width=\\\"266\\\" />1.)	Good: The St. Louis Council of Construction Consumers held a workshop on \\\"Partnering: Best Practice from the Construction Industry Institute and Practical Industry Applications.\\\"  It included successful partnering applications here, a partnering expert from Norway communicating by Skype regarding his experience in the North Sea oil industry, and a consultant to DuPont telling of how owners and contractors from around the globe have collaborated for over 20 years.</p>\n<p>2.)	Bad: A union bannered the jobsites of a billion dollar contractor over a couple hundred thousand dollars worth of fringes. The contractor responded by firing all the subcontractors who employed members of that union.</p>\n<p>3.)	Ugly: A minority inclusion activist fired off an email that urged a boycott of a GC in colorful terms, the most printable of which is \\\"Uncle Tom.\\\"  <br />During that same two-week period I was involved in a series of meetings with a number of industry leaders to discuss the concept for a St. Louis Construction Leadership Forum - an idea I proposed late last year after almost a year of legwork.  While there has been broad support for the idea, there has also been the concern that this concept would duplicate the efforts of some our industry\\\'s existing efforts, such as PRIDE\\\'s in the labor area, or SLCCC\\\'s in education.</p>\n<p>One of the leaders that I met with recently suggested that I needed to revisit the column that I wrote proposing the forum: ( <a href=\\\"/columns/article/we_need_a_construction_leadership_forum/ ). \\\">http://www.stlouiscnr.com/columns/article/we_need_a_construction_leadership_forum/ ). </a></p>\n<p>I thought about what the purposes of the forum would be, and I realized that I could boil it down to a single phrase: \\\"To point out the elephants in the room.\\\" <br />Here is what I would see as being the deliverables of the forum:</p>\n<p><strong>Labor </strong><br /><span style=\\\"text-decoration: underline;\\\">Deliverable</span>: A candid assessment of the competitive effect  of  labor issues that can be used in resolving conflicts and/or moving contractors and owners in a direction that will allow St. Louis to develop more work. <br />&bull;	Mirror: Cut through the politics and rhetoric and compare St. Louis with other union areas and merit shop areas of similar size and composition. Qualify this assessment by including all of the various impacts - job creation, economic, political, etc. - in making these comparisons. <br />&bull;	Data Collection: Assemble and compare information from industry analysts, unions, associations, and real estate analysts regarding labor issues and labor costs, locally, regionally, and nationally. This data collection could involve the university construction programs in conducting primary research on construction users, contractors, and owners.<br />&bull;	Taking the Broad View: Develop a far-reaching, no-holds-barred consensus, on the order of the Construction Users Round Table\\\'s groundbreaking 1983 industry report \\\"More Construction for the Money.\\\"</p>\n<p><strong>Project Award Environment</strong><br /><span style=\\\"text-decoration: underline;\\\">Deliverable</span>: A clear picture of the current bid environment, a prediction of the short- and long-term effects of current practices and a yardstick for owners to use in determining their procurement practices. <br />&bull;	Mirror: Look at the project procurement methods in St. Louis now and prior to the recession. Compare to other areas of the country. Compare to other models for procurement.<br />&bull;	Data Collection: Gather primary research on bid margins, number of bidders on lists, numbers of change orders. Build a model of how construction is being bought - select lists, large lists, open bid, reverse blind auction. Collect information on contractor failures and changes in market focus due to recession. Engage large buyers of construction who are using strategic sourcing models for information about how they arrived at their current systems and how those systems are evolving.  <br />&bull;	Taking the Broad View: Combining research on IPD, LEAN construction, case studies, etc. with the primary research and present the case for the \\\"best\\\" ways to procure construction in this market.</p>\n<p><strong>Political Divisions</strong><br /><span style=\\\"text-decoration: underline;\\\">Deliverable:</span> A balanced look at what non-intersecting and overlapping governmental agencies add to the cost of construction here. A look at how the government picture affects what gets built here. Suggestions for streamlining the interface of the construction process with government. <br />&bull;	Mirror: Look at other metro areas of similar size and composition - both with similar political infrastructures and streamlined structures. <br />&bull;	Data Collection: Gather primary research on costs to construction and development in terms of fees, delays, and conflicts. Gather primary and secondary research on how the political environment affects what gets built here. <br />&bull;	Taking the Broad View: Develop some short- and long-term suggestions that improve the interaction between contractors, developers, owners and governmental agencies. Produce tools that might be used in communicating to the general public the cost in terms of business development and job loss of the current political environment.</p>\n<p><strong>Inclusion</strong><br /><span style=\\\"text-decoration: underline;\\\">Deliverable:</span> A realistic statement of what is possible now, what could be possible, and what it will take to get there . <br />&bull;	Mirror: Compare this metro area with other metro areas of similar size and composition in terms of what has been accomplished in terms of construction inclusion. Talk with national buyers of construction about how much the diversity issue affects the decision to build here. <br />&bull;	Data Collection: Use the AGC diversity study as a jumping-off place. Conduct primary research with owners about what their commitment to diversity is. Conduct research with contractors about the state of their diversity efforts. Collect secondary data about the impact of an area\\\'s diversity on facility location decisions. <br />&bull;	Taking the Broad View: Strip diversity of the \\\"it\\\'s the right thing,\\\" or \\\"it\\\'s a farce\\\" rhetoric and present some steps that might improve the situation short- and long-term.</p>\n<p>Individuals who I consider to be true leaders representing St. Louis owner, contractor, labor, design, supply, and higher education organizations have expressed strong interest in this concept. This Leadership Forum is not about forming an organization, or an association, or holding one more meeting for already-busy people. It\\\'s about holding up a mirror that let\\\'s each of us see ourselves clearly.  And if we look in that mirror impartially, over our shoulder we\\\'ll also see all the elephants in the room.</p>\n<p>&nbsp;</p>\";s:11:\"field_id_42\";s:30:\"/images/uploads/elephants3.jpg\";s:11:\"field_id_43\";s:0:\"\";s:11:\"field_ft_43\";s:4:\"none\";s:10:\"category_0\";s:2:\"15\";}'),(3096,1195,2,4,1303250039,'a:29:{s:9:\"weblog_id\";s:1:\"2\";s:8:\"entry_id\";s:4:\"1195\";s:6:\"sticky\";s:1:\"n\";s:14:\"allow_comments\";s:1:\"n\";s:16:\"allow_trackbacks\";s:1:\"n\";s:10:\"entry_date\";s:19:\"2011-04-19 11:39 AM\";s:15:\"expiration_date\";s:0:\"\";s:23:\"comment_expiration_date\";s:0:\"\";s:8:\"category\";a:1:{i:0;s:2:\"15\";}s:9:\"author_id\";s:1:\"4\";s:10:\"new_weblog\";s:1:\"2\";s:6:\"status\";s:4:\"open\";s:14:\"trackback_urls\";s:0:\"\";s:18:\"versioning_enabled\";s:1:\"y\";s:5:\"title\";s:22:\"A Roomful of Elephants\";s:9:\"url_title\";s:22:\"a_roomful_of_elephants\";s:6:\"submit\";s:6:\"Update\";s:10:\"field_id_5\";s:22:\"A Roomful of Elephants\";s:10:\"field_ft_5\";s:4:\"none\";s:10:\"field_id_9\";s:751:\"In the last couple of weeks our industry has seen examples of the good, the bad, and the ugly. 1.) Good: The St. Louis Council of Construction Consumers held a workshop on \\\"Partnering: Best Practice.\\\" 2.) Bad: A union bannered the jobsites of a billion dollar contractor over a couple hundred thousand dollars worth of fringes. The contractor responded by firing all the subcontractors who employed members of that union 3.) Ugly: A minority inclusion activist fired off an email that urged a boycott of a GC in colorful terms, the most printable of which is \\\"Uncle Tom.\\\" During that same two-week period I was involved in a series of meetings with a number of industry leaders to discuss the concept for a St. Louis Construction Leadership Forum.\";s:10:\"field_ft_9\";s:4:\"none\";s:11:\"field_id_13\";s:1:\"4\";s:10:\"field_id_7\";s:28:\"elephants, leadership, forum\";s:10:\"field_ft_7\";s:4:\"none\";s:10:\"field_id_8\";s:7204:\"<p>&nbsp;In the last couple of weeks our industry has seen examples of the good, the bad, and the ugly.</p>\n<p><img alt=\\\"Elephants\\\" class=\\\"image-right\\\" height=\\\"266\\\" src=\\\"/images/uploads/elephants3.jpg\\\" style=\\\"float: right;\\\" width=\\\"266\\\" />1.)	Good: The St. Louis Council of Construction Consumers held a workshop on \\\"Partnering: Best Practice from the Construction Industry Institute and Practical Industry Applications.\\\"  It included successful partnering applications here, a partnering expert from Norway communicating by Skype regarding his experience in the North Sea oil industry, and a consultant to DuPont telling of how owners and contractors from around the globe have collaborated for over 20 years.</p>\n<p>2.)	Bad: A union bannered the jobsites of a billion dollar contractor over a couple hundred thousand dollars worth of fringes. The contractor responded by firing all the subcontractors who employed members of that union.</p>\n<p>3.)	Ugly: A minority inclusion activist fired off an email that urged a boycott of a GC in colorful terms, the most printable of which is \\\"Uncle Tom.\\\"  <br />During that same two-week period I was involved in a series of meetings with a number of industry leaders to discuss the concept for a St. Louis Construction Leadership Forum - an idea I proposed late last year after almost a year of legwork.  While there has been broad support for the idea, there has also been the concern that this concept would duplicate the efforts of some our industry\\\'s existing efforts, such as PRIDE\\\'s in the labor area, or SLCCC\\\'s in education.</p>\n<p>One of the leaders that I met with recently suggested that I needed to revisit the column that I wrote proposing the forum: ( <a href=\\\"/columns/article/we_need_a_construction_leadership_forum/ ). \\\">http://www.stlouiscnr.com/columns/article/we_need_a_construction_leadership_forum/ ). </a></p>\n<p>I thought about what the purposes of the forum would be, and I realized that I could boil it down to a single phrase: \\\"To point out the elephants in the room.\\\" <br />Here is what I would see as being the deliverables of the forum:</p>\n<p><strong>Labor </strong><br /><span style=\\\"text-decoration: underline;\\\">Deliverable</span>: A candid assessment of the competitive effect  of  labor issues that can be used in resolving conflicts and/or moving contractors and owners in a direction that will allow St. Louis to develop more work. <br />&bull;	Mirror: Cut through the politics and rhetoric and compare St. Louis with other union areas and merit shop areas of similar size and composition. Qualify this assessment by including all of the various impacts - job creation, economic, political, etc. - in making these comparisons. <br />&bull;	Data Collection: Assemble and compare information from industry analysts, unions, associations, and real estate analysts regarding labor issues and labor costs, locally, regionally, and nationally. This data collection could involve the university construction programs in conducting primary research on construction users, contractors, and owners.<br />&bull;	Taking the Broad View: Develop a far-reaching, no-holds-barred consensus, on the order of the Construction Users Round Table\\\'s groundbreaking 1983 industry report \\\"More Construction for the Money.\\\"</p>\n<p><strong>Project Award Environment</strong><br /><span style=\\\"text-decoration: underline;\\\">Deliverable</span>: A clear picture of the current bid environment, a prediction of the short- and long-term effects of current practices and a yardstick for owners to use in determining their procurement practices. <br />&bull;	Mirror: Look at the project procurement methods in St. Louis now and prior to the recession. Compare to other areas of the country. Compare to other models for procurement.<br />&bull;	Data Collection: Gather primary research on bid margins, number of bidders on lists, numbers of change orders. Build a model of how construction is being bought - select lists, large lists, open bid, reverse blind auction. Collect information on contractor failures and changes in market focus due to recession. Engage large buyers of construction who are using strategic sourcing models for information about how they arrived at their current systems and how those systems are evolving.  <br />&bull;	Taking the Broad View: Combining research on IPD, LEAN construction, case studies, etc. with the primary research and present the case for the \\\"best\\\" ways to procure construction in this market.</p>\n<p><strong>Political Divisions</strong><br /><span style=\\\"text-decoration: underline;\\\">Deliverable:</span> A balanced look at what non-intersecting and overlapping governmental agencies add to the cost of construction here. A look at how the government picture affects what gets built here. Suggestions for streamlining the interface of the construction process with government. <br />&bull;	Mirror: Look at other metro areas of similar size and composition - both with similar political infrastructures and streamlined structures. <br />&bull;	Data Collection: Gather primary research on costs to construction and development in terms of fees, delays, and conflicts. Gather primary and secondary research on how the political environment affects what gets built here. <br />&bull;	Taking the Broad View: Develop some short- and long-term suggestions that improve the interaction between contractors, developers, owners and governmental agencies. Produce tools that might be used in communicating to the general public the cost in terms of business development and job loss of the current political environment.</p>\n<p><strong>Inclusion</strong><br /><span style=\\\"text-decoration: underline;\\\">Deliverable:</span> A realistic statement of what is possible now, what could be possible, and what it will take to get there . <br />&bull;	Mirror: Compare this metro area with other metro areas of similar size and composition in terms of what has been accomplished in terms of construction inclusion. Talk with national buyers of construction about how much the diversity issue affects the decision to build here. <br />&bull;	Data Collection: Use the AGC diversity study as a jumping-off place. Conduct primary research with owners about what their commitment to diversity is. Conduct research with contractors about the state of their diversity efforts. Collect secondary data about the impact of an area\\\'s diversity on facility location decisions. <br />&bull;	Taking the Broad View: Strip diversity of the \\\"it\\\'s the right thing,\\\" or \\\"it\\\'s a farce\\\" rhetoric and present some steps that might improve the situation short- and long-term.</p>\n<p>Individuals who I consider to be true leaders representing St. Louis owner, contractor, labor, design, supply, and higher education organizations have expressed strong interest in this concept. This Leadership Forum is not about forming an organization, or an association, or holding one more meeting for already-busy people. It\\\'s about holding up a mirror that let\\\'s each of us see ourselves clearly.  And if we look in that mirror impartially, over our shoulder we\\\'ll also see all the elephants in the room.</p>\n<p>&nbsp;</p>\";s:11:\"field_id_42\";s:29:\"/images/uploads/elephants.png\";s:11:\"field_id_43\";s:0:\"\";s:11:\"field_ft_43\";s:4:\"none\";s:10:\"category_0\";s:2:\"15\";}'),(3097,1195,2,4,1303250186,'a:29:{s:9:\"weblog_id\";s:1:\"2\";s:8:\"entry_id\";s:4:\"1195\";s:6:\"sticky\";s:1:\"n\";s:14:\"allow_comments\";s:1:\"n\";s:16:\"allow_trackbacks\";s:1:\"n\";s:10:\"entry_date\";s:19:\"2011-04-19 11:39 AM\";s:15:\"expiration_date\";s:0:\"\";s:23:\"comment_expiration_date\";s:0:\"\";s:8:\"category\";a:1:{i:0;s:2:\"15\";}s:9:\"author_id\";s:1:\"4\";s:10:\"new_weblog\";s:1:\"2\";s:6:\"status\";s:4:\"open\";s:14:\"trackback_urls\";s:0:\"\";s:18:\"versioning_enabled\";s:1:\"y\";s:5:\"title\";s:22:\"A Roomful of Elephants\";s:9:\"url_title\";s:22:\"a_roomful_of_elephants\";s:6:\"submit\";s:6:\"Update\";s:10:\"field_id_5\";s:22:\"A Roomful of Elephants\";s:10:\"field_ft_5\";s:4:\"none\";s:10:\"field_id_9\";s:751:\"In the last couple of weeks our industry has seen examples of the good, the bad, and the ugly. 1.) Good: The St. Louis Council of Construction Consumers held a workshop on \\\"Partnering: Best Practice.\\\" 2.) Bad: A union bannered the jobsites of a billion dollar contractor over a couple hundred thousand dollars worth of fringes. The contractor responded by firing all the subcontractors who employed members of that union 3.) Ugly: A minority inclusion activist fired off an email that urged a boycott of a GC in colorful terms, the most printable of which is \\\"Uncle Tom.\\\" During that same two-week period I was involved in a series of meetings with a number of industry leaders to discuss the concept for a St. Louis Construction Leadership Forum.\";s:10:\"field_ft_9\";s:4:\"none\";s:11:\"field_id_13\";s:1:\"4\";s:10:\"field_id_7\";s:28:\"elephants, leadership, forum\";s:10:\"field_ft_7\";s:4:\"none\";s:10:\"field_id_8\";s:7230:\"<p>&nbsp;In the last couple of weeks our industry has seen examples of the good, the bad, and the ugly.</p>\n<p><img alt=\\\"Elephants\\\" class=\\\"image-right\\\" height=\\\"266\\\" src=\\\"/images/uploads/elephants3.jpg\\\" style=\\\"float: right;\\\" width=\\\"266\\\" />1.)	Good: The St. Louis Council of Construction Consumers held a workshop on \\\"Partnering: Best Practice from the Construction Industry Institute and Practical Industry Applications.\\\"  It included successful partnering applications here, a partnering expert from Norway communicating by Skype regarding his experience in the North Sea oil industry, and a consultant to DuPont telling of how owners and contractors from around the globe have collaborated for over 20 years.</p>\n<p>2.)	Bad: A union bannered the jobsites of a billion dollar contractor over a couple hundred thousand dollars worth of fringes. The contractor responded by firing all the subcontractors who employed members of that union.</p>\n<p>3.)	Ugly: A minority inclusion activist fired off an email that urged a boycott of a GC in colorful terms, the most printable of which is \\\"Uncle Tom.\\\"  <br />During that same two-week period I was involved in a series of meetings with a number of industry leaders to discuss the concept for a St. Louis Construction Leadership Forum - an idea I proposed late last year after almost a year of legwork.  While there has been broad support for the idea, there has also been the concern that this concept would duplicate the efforts of some our industry\\\'s existing efforts, such as PRIDE\\\'s in the labor area, or SLCCC\\\'s in education.</p>\n<p>One of the leaders that I met with recently suggested that I needed to revisit the column that I wrote proposing the forum: ( <a href=\\\"/columns/article/we_need_a_construction_leadership_forum/ ). \\\">http://www.stlouiscnr.com/columns/article/we_need_a_construction_leadership_forum/ ). </a></p>\n<p>I thought about what the purposes of the forum would be, and I realized that I could boil it down to a single phrase: <strong><em>\\\"To point out the elephants in the room.\\\"</em></strong> <br />Here is what I would see as being the deliverables of the forum:</p>\n<p><strong>Labor </strong><br /><span style=\\\"text-decoration: underline;\\\">Deliverable</span>: A candid assessment of the competitive effect  of  labor issues that can be used in resolving conflicts and/or moving contractors and owners in a direction that will allow St. Louis to develop more work. <br />&bull;	Mirror: Cut through the politics and rhetoric and compare St. Louis with other union areas and merit shop areas of similar size and composition. Qualify this assessment by including all of the various impacts - job creation, economic, political, etc. - in making these comparisons. <br />&bull;	Data Collection: Assemble and compare information from industry analysts, unions, associations, and real estate analysts regarding labor issues and labor costs, locally, regionally, and nationally. This data collection could involve the university construction programs in conducting primary research on construction users, contractors, and owners.<br />&bull;	Taking the Broad View: Develop a far-reaching, no-holds-barred consensus, on the order of the Construction Users Round Table\\\'s groundbreaking 1983 industry report \\\"More Construction for the Money.\\\"</p>\n<p><strong>Project Award Environment</strong><br /><span style=\\\"text-decoration: underline;\\\">Deliverable</span>: A clear picture of the current bid environment, a prediction of the short- and long-term effects of current practices and a yardstick for owners to use in determining their procurement practices. <br />&bull;	Mirror: Look at the project procurement methods in St. Louis now and prior to the recession. Compare to other areas of the country. Compare to other models for procurement.<br />&bull;	Data Collection: Gather primary research on bid margins, number of bidders on lists, numbers of change orders. Build a model of how construction is being bought - select lists, large lists, open bid, reverse blind auction. Collect information on contractor failures and changes in market focus due to recession. Engage large buyers of construction who are using strategic sourcing models for information about how they arrived at their current systems and how those systems are evolving.  <br />&bull;	Taking the Broad View: Combining research on IPD, LEAN construction, case studies, etc. with the primary research and present the case for the \\\"best\\\" ways to procure construction in this market.</p>\n<p><strong>Political Divisions</strong><br /><span style=\\\"text-decoration: underline;\\\">Deliverable:</span> A balanced look at what non-intersecting and overlapping governmental agencies add to the cost of construction here. A look at how the government picture affects what gets built here. Suggestions for streamlining the interface of the construction process with government. <br />&bull;	Mirror: Look at other metro areas of similar size and composition - both with similar political infrastructures and streamlined structures. <br />&bull;	Data Collection: Gather primary research on costs to construction and development in terms of fees, delays, and conflicts. Gather primary and secondary research on how the political environment affects what gets built here. <br />&bull;	Taking the Broad View: Develop some short- and long-term suggestions that improve the interaction between contractors, developers, owners and governmental agencies. Produce tools that might be used in communicating to the general public the cost in terms of business development and job loss of the current political environment.</p>\n<p><strong>Inclusion</strong><br /><span style=\\\"text-decoration: underline;\\\">Deliverable:</span> A realistic statement of what is possible now, what could be possible, and what it will take to get there . <br />&bull;	Mirror: Compare this metro area with other metro areas of similar size and composition in terms of what has been accomplished in terms of construction inclusion. Talk with national buyers of construction about how much the diversity issue affects the decision to build here. <br />&bull;	Data Collection: Use the AGC diversity study as a jumping-off place. Conduct primary research with owners about what their commitment to diversity is. Conduct research with contractors about the state of their diversity efforts. Collect secondary data about the impact of an area\\\'s diversity on facility location decisions. <br />&bull;	Taking the Broad View: Strip diversity of the \\\"it\\\'s the right thing,\\\" or \\\"it\\\'s a farce\\\" rhetoric and present some steps that might improve the situation short- and long-term.</p>\n<p>Individuals who I consider to be true leaders representing St. Louis owner, contractor, labor, design, supply, and higher education organizations have expressed strong interest in this concept. This Leadership Forum is not about forming an organization, or an association, or holding one more meeting for already-busy people. It\\\'s about holding up a mirror that let\\\'s each of us see ourselves clearly.  And if we look in that mirror impartially, over our shoulder we\\\'ll also see all the elephants in the room.</p>\n<p>&nbsp;</p>\";s:11:\"field_id_42\";s:29:\"/images/uploads/elephants.png\";s:11:\"field_id_43\";s:0:\"\";s:11:\"field_ft_43\";s:4:\"none\";s:10:\"category_0\";s:2:\"15\";}'),(3098,1196,4,4,1303251226,'a:25:{s:9:\"weblog_id\";s:1:\"4\";s:8:\"entry_id\";s:0:\"\";s:6:\"sticky\";s:0:\"\";s:14:\"allow_comments\";s:1:\"n\";s:16:\"allow_trackbacks\";s:1:\"n\";s:10:\"entry_date\";s:19:\"2011-04-19 12:09 PM\";s:15:\"expiration_date\";s:0:\"\";s:23:\"comment_expiration_date\";s:0:\"\";s:8:\"category\";a:1:{i:0;s:1:\"4\";}s:9:\"author_id\";s:1:\"4\";s:6:\"status\";s:4:\"open\";s:14:\"trackback_urls\";s:0:\"\";s:18:\"versioning_enabled\";s:1:\"y\";s:5:\"title\";s:38:\"CREW Dissects Project Delivery Methods\";s:9:\"url_title\";s:38:\"crew_dissects_project_delivery_methods\";s:6:\"submit\";s:6:\"Submit\";s:11:\"field_id_26\";s:38:\"CREW Dissects Project Delivery Methods\";s:11:\"field_ft_26\";s:4:\"none\";s:11:\"field_id_31\";s:0:\"\";s:11:\"field_id_44\";s:142:\"Bob Sine pulled no punches when he spoke to real estate professionals last week at a meeting of CREW (Commercial Real Estate Women) St. Louis.\";s:11:\"field_ft_44\";s:4:\"none\";s:11:\"field_id_28\";s:10:\"CREW, Sine\";s:11:\"field_ft_28\";s:4:\"none\";s:11:\"field_id_29\";s:3662:\"<p>Bob Sine pulled no punches when he spoke to real estate professionals last week at a meeting of CREW (Commercial Real Estate Women) St. Louis.</p>\n<p>\\\"The owner gets the best value from design-bid-build,\\\" he said, and people who say that the traditional way of delivery construction has put the industry into crisis don\\\'t know what they are talking about. \\\"Integrated forms of project delivery don\\\'t serve the owner,\\\" he added.</p>\n<p>Sine, vice-president project management at CresaPartners, spoke as part of a panel on project delivery methods along with Marvin Johnson, senior project manger, BJC Healthcare; Sue Pruchnicki, principal, Bond Wolfe Architects; and Scott Wittkop, central division president, McCarthy Building Companies. CresaPartners is a corporate real estate firms that represents tenants exclusively.</p>\n<p>The other panelists said little, if anything, that would be controversial to construction professionals. They all indicated that the best project delivery method for any project depends on the size and complexity of the project.</p>\n<p>Johnson said that 60 percent of BJC\\\'s projects cost less than $200,000, and \\\"design-bid-build is appropriate for them.\\\"</p>\n<p>On larger projects, design/build may be appropriate, \\\"but the more sophisticated the owner is, the better,\\\" he said.</p>\n<p>And on very large major hospital projects, such as the six-story West Pavilion tower at Missouri Baptist Medical Center, the health care company is using integrated project delivery, said Johnson.</p>\n<p>Wittkop said that the more technically complex a project is, the more value there is in involving contractors early. He cautioned, however, that with design/build, the owner has to more clearly define expectations up front, \\\"or the design/build team will give you the minimum of what they think you need.\\\"</p>\n<p>If collaboration is important, than design-bid-build is not the best way to go, he added.</p>\n<p>\\\"Random matching doesn\\\'t work,\\\" Wittkop said. \\\"You can\\\'t contract for collaboration,\\\" he said. The key to successful collaboration is the selection of the team members.</p>\n<p>Wittkop said that four years ago, integrated project delivery was part of every project that McCarthy was invited to bid on. Since the recession it has been all hard bid (design-bid-build), but integrated project delivery is starting to come back,\\\" he said, noting that two weeks ago in Denver McCarthy executed its first integrated project delivery agreement.</p>\n<p>Sine said he had no experience with integrated project delivery, but he was down on design/build.</p>\n<p>\\\"A little bit of design and a lot of build,\\\" he called it.</p>\n<p>\\\"It is better to have independent professional design up to a point, and then delegate the design of how to install things to the contractor,\\\" Sine said.</p>\n<p>That is really what is happening, Pruchnicki said. So many systems that are used in modern buildings vary from manufacturer to manufacturer that architects can\\\'t design in detail how they will go into the building and relate to other components, she said. How elevators go into a building are differ depending on the elevator company. Each variable refrigerant volume chiller maker has a different arrangement of piping. Modern walls now consist of many thin materials from different manufacturers.</p>\n<p>\\\"We can\\\'t include all versions on documents, so we write criteria and the contractor has to figure it out,\\\" she said.</p>\n<p>\\\"There are very few projects now where the architect finishes the design, but an ad in the paper, and then talks to contractors. It really isn\\\'t happening,\\\" Pruchnicki said.</p>\n<p>&nbsp;</p>\";s:10:\"category_0\";s:1:\"4\";}'),(3099,1197,4,4,1303252412,'a:26:{s:9:\"weblog_id\";s:1:\"4\";s:8:\"entry_id\";s:0:\"\";s:6:\"sticky\";s:0:\"\";s:14:\"allow_comments\";s:1:\"n\";s:16:\"allow_trackbacks\";s:1:\"n\";s:10:\"entry_date\";s:19:\"2011-04-19 12:20 PM\";s:15:\"expiration_date\";s:0:\"\";s:23:\"comment_expiration_date\";s:0:\"\";s:8:\"category\";a:2:{i:0;s:1:\"4\";i:1;s:1:\"5\";}s:9:\"author_id\";s:1:\"4\";s:6:\"status\";s:4:\"open\";s:14:\"trackback_urls\";s:0:\"\";s:18:\"versioning_enabled\";s:1:\"y\";s:5:\"title\";s:46:\"Third USGBC \\\"Growing Green\\\" Awards Presented\";s:9:\"url_title\";s:42:\"third_usgbc_growing_green_awards_presented\";s:6:\"submit\";s:6:\"Submit\";s:11:\"field_id_26\";s:46:\"Third USGBC \\\"Growing Green\\\" Awards Presented\";s:11:\"field_ft_26\";s:4:\"none\";s:11:\"field_id_31\";s:0:\"\";s:11:\"field_id_44\";s:300:\"On March 30 the Missouri Gateway Chapter of the U.S. Green Building Council held their third annual Growing Green Awards banquet at NEO on Locust to announce and celebrate the 2011 winners. These outstanding individuals and organizations advocate and are active in transforming the built environment.\";s:11:\"field_ft_44\";s:4:\"none\";s:11:\"field_id_28\";s:20:\"USGBC, Growing Green\";s:11:\"field_ft_28\";s:4:\"none\";s:11:\"field_id_29\";s:3002:\"<p>&nbsp;</p>\n<p>On March 30 the Missouri Gateway Chapter of the U.S. Green Building Council held their third annual Growing Green Awards banquet at NEO on Locust to announce and celebrate the 2011 winners. These outstanding individuals and organizations advocate and are active in transforming the built environment. They share a passion for making our region more sustainable - one building at a time. This year the categories included Innovator, Residential, Government, Educator, Non-Profit, and Corporate.</p>\n<p>The Innovator award went to HOK, who collaborated with energy and lighting consultant Weidt Group to better understand the market opportunities and barriers related to designing a reasonably priced zero emissions office building prototype. They are helping to fill the crucial need to prove that green is good for business - especially in this age of greenwashing.</p>\n<p>Trumpet Builders won the Residential award. Their company only constructs homes that are at least Energy Star certifiable. Trumpet Builders not only builds green homes - they also advocate for a green transformation of the built environment by working in the community. They lead green/design charrettes that emphasis well-integrated design and construction processes, energy efficiency and sustainable practices.</p>\n<p>The Government award went to the City of St. Louis for their leadership by example on sustainability practices involving government buildings, citywide initiatives, and transportation infrastructure. The City is promoting alternative modes of transportation and is reducing Greenhouse Gas emissions and energy consumption.</p>\n<p>The St. Louis Community College received the Education award. The College has developed green building education programs for its 130,000+ students, which makes it a regional leader in preparing students for success in the field. As one judge said, \\\"Their commitment to green permeates their buildings, their facilities management and their curriculum\\\".</p>\n<p>The Non-Profit award went to Focus St. Louis, who created a roadmap to help local governments in our region improve the St. Louis community and environment. The roadmap brings together sustainable best practices, resources, recommendations and case studies in a user-friendly format that helps local government navigate a path towards environmental sustainability and a more attractive community.</p>\n<p>The St. Louis Regional Chamber and Growth Association received the Corporate Award. The St. Louis RCGA\\\'s leadership of the 2010 St. Louis Green Business Challenge provided strategic, efficient motivating mechanisms - including customized coaching- for 58 local corporations, companies, colleges, and non-profits to substantively integrate sustainable thinking and practices into daily operations.</p>\n<p>To view more information on the Growing Green winners, <a href=\\\"https://origin.library.constantcontact.com/doc207/1103447193720/doc/5Xfp9ppYJDdz4079.pdf\\\">click here</a>.</p>\n<p>&nbsp;</p>\";s:10:\"category_0\";s:1:\"4\";s:10:\"category_1\";s:1:\"5\";}'),(3100,1198,4,4,1303252702,'a:25:{s:9:\"weblog_id\";s:1:\"4\";s:8:\"entry_id\";s:0:\"\";s:6:\"sticky\";s:0:\"\";s:14:\"allow_comments\";s:1:\"n\";s:16:\"allow_trackbacks\";s:1:\"n\";s:10:\"entry_date\";s:19:\"2011-04-19 12:35 PM\";s:15:\"expiration_date\";s:0:\"\";s:23:\"comment_expiration_date\";s:0:\"\";s:8:\"category\";a:1:{i:0;s:1:\"4\";}s:9:\"author_id\";s:1:\"4\";s:6:\"status\";s:4:\"open\";s:14:\"trackback_urls\";s:0:\"\";s:18:\"versioning_enabled\";s:1:\"y\";s:5:\"title\";s:43:\"Gundaker Commercial Announces Transactions \";s:9:\"url_title\";s:42:\"gundaker_commercial_announces_transactions\";s:6:\"submit\";s:6:\"Submit\";s:11:\"field_id_26\";s:43:\"Gundaker Commercial Announces Transactions \";s:11:\"field_ft_26\";s:4:\"none\";s:11:\"field_id_31\";s:0:\"\";s:11:\"field_id_44\";s:102:\"Gundaker Commercial Group, Inc., a real estate services firm, today announced two recent transactions:\";s:11:\"field_ft_44\";s:4:\"none\";s:11:\"field_id_28\";s:22:\"Gundaker, transactions\";s:11:\"field_ft_28\";s:4:\"none\";s:11:\"field_id_29\";s:918:\"<p>Gundaker Commercial Group, Inc., a real estate services firm, today announced two recent transactions:</p>\n<p><strong>Leases</strong><br />TRANE U.S. Inc. leased a 9,200-square foot industrial space for 61 months at 1605 Eastport Tech Center Drive in Collinsville, Illinois from MDC Eastport, LLC. David H. Gitt of Gundaker Commercial Group, Inc. and Tamara Haney of Grubb &amp; Ellis Co.\\\'s Corporate Service Group represented the tenant in this transaction. Ben Haas and Mark McNulty of CB Richard Ellis represented the landlord.</p>\n<p><strong>Sales</strong><br />David French c/o Mediquip Parts Plus purchased a 34,526-square foot industrial building at 4639 Waldo Industrial Drive in High Ridge, Missouri from L M &amp; N Building LLC. Paul Nagel and Rudy Stinnett of Gundaker Commercial Group, Inc. represented the seller in this transaction. Kevin McKeon of NAI DESCO represented the buyer.</p>\n<p>&nbsp;</p>\";s:10:\"category_0\";s:1:\"4\";}'),(3114,1199,4,4,1303261984,'a:26:{s:9:\"weblog_id\";s:1:\"4\";s:8:\"entry_id\";s:4:\"1199\";s:6:\"sticky\";s:1:\"n\";s:14:\"allow_comments\";s:1:\"n\";s:16:\"allow_trackbacks\";s:1:\"n\";s:10:\"entry_date\";s:19:\"2011-04-19 12:43 PM\";s:15:\"expiration_date\";s:0:\"\";s:23:\"comment_expiration_date\";s:0:\"\";s:8:\"category\";a:1:{i:0;s:1:\"4\";}s:9:\"author_id\";s:1:\"4\";s:10:\"new_weblog\";s:1:\"4\";s:6:\"status\";s:4:\"open\";s:14:\"trackback_urls\";s:0:\"\";s:18:\"versioning_enabled\";s:1:\"y\";s:5:\"title\";s:34:\"Film Explores \\\"Pruitt-Igoe Myth\\\"\";s:9:\"url_title\";s:30:\"film_explores_pruitt_igoe_myth\";s:6:\"submit\";s:6:\"Update\";s:11:\"field_id_26\";s:35:\"Film Explores \\\"Pruitt-Igoe Myth\\\" \";s:11:\"field_ft_26\";s:4:\"none\";s:11:\"field_id_31\";s:0:\"\";s:11:\"field_id_44\";s:400:\"The Pruitt-Igoe public housing complex has become a widespread symbol of failure amongst architects, politicians and policy makers. This blanket condemnation masks the true complexities of public housing in America, according to a recently released documentary film, \\\"The Pruitt-Igoe Myth\\\". The film premiered in Columbia, MO in March and was shown at at the Missouri Historical Society on April 9.\";s:11:\"field_ft_44\";s:4:\"none\";s:11:\"field_id_28\";s:17:\"Pruitt-Igoe, film\";s:11:\"field_ft_28\";s:4:\"none\";s:11:\"field_id_29\";s:12921:\"<p>&nbsp;The Pruitt-Igoe public housing complex has become a widespread symbol of failure amongst architects, politicians and policy makers. This blanket condemnation masks the true complexities of public housing in America, according to a recently released documentary film, \\\"The Pruitt-Igoe Myth\\\". The film premiered in Columbia, MO in March and was shown at at the Missouri Historical Society on April 9.</p>\n<p><a href=\\\"http://vimeo.com/18356414\\\"><img alt=\\\"Pruitt-Igoe\\\" class=\\\"image-right\\\" height=\\\"237\\\" src=\\\"/images/uploads/THUMBNAIL_IconicImplosion_Pruitt-IgoeMyth_Credit-StatHistSocOfMO.jpg\\\" style=\\\"float: right;\\\" width=\\\"300\\\" /></a>\\\"The Pruitt-Igoe Myth: An Urban History\\\", a new feature-length documentary was directed by Chad&nbsp; Freidrichs, of Columbia, MO, who co-produced the film with Jaime&nbsp; Freidrichs, also of Columbia, and Paul Fehler and Brian Woodman of St. Louis. All are graduates of the University of Missouri-Columbia].</p>\n<h4>Click image to view movie trailer</h4>\n<p>The Pruitt-Igoe Myth explores the short life of the Pruitt-Igoe housing development, which was&nbsp; opened in 1954 to meet the public housing needs of an overcrowded city.  Two decades later,&nbsp; with its highly-publicized demolition, Pruitt-Igoe became a potent national symbol of failure, a failure that has been used to critique Modernist architecture, attack public assistance programs, and stigmatize public housing residents.</p>\n<p>The Pruitt-Igoe Myth attempts to reassess the complex history of Pruitt-Igoe within the larger post-War context of segregation, poverty, and urban population decline.  It gives special&nbsp; emphasis to the stories of the residents who managed to adapt to, and survive, the downward spiral of vacancy, vandalism and crime that made Pruitt-Igoe infamous.  By examining the interests involved in Pruitt-Igoe\\\'s creation and re-evaluating the rumors and the stigma <br />associated with it, the film reveals a much more nuanced vision of Pruitt-Igoe that implodes the well-worn stereotypes and myths.</p>\n<p>While the reasons for this are complex, a few widely publicized projects have created a lasting impression in the minds of many Americans.  One such project is the Pruitt-Igoe public housing development in St. Louis.  A famous image, circulated worldwide, of the implosion of one Pruitt-Igoe\\\'s buildings has come to symbolize to many the failure of government-sponsored housing and, more broadly, government-sponsored anything.</p>\n<p>Completed in 1954, the thirty-three eleven story buildings of Pruitt-Igoe were billed as the solution to the overcrowding and deterioration that was plaguing the inner city of St. Louis.  Twenty years later, the buildings were leveled, declared unfit for habitation.</p>\n<p>What happened in Pruitt-Igoe has fueled a mythology repeated in discussions of many urban high-rise projects.  Violence, crime and drugs, so the story goes, plagued the housing project from nearly the beginning as it became a \\\"dumping ground\\\' for the poorest city residents.  According to one standard account, it was quickly torn up by its rural residents who could not adapt to high-rise city life.</p>\n<p>A brief online image search of \\\"Pruitt-Igoe\\\" reveals this legacy.  A building imploded.  Vandalized hallways.  Acres of broken windows.  These images of destruction are periodically interrupted by images of a different kind: hopeful images of a massive newly-built housing complex in the mid-fifties, the scale and grandeur of the buildings reflecting the optimistic spirit out of which Pruitt-Igoe came.</p>\n<p>The quick, unexamined transition from hope to disillusionment is the standard structure of the Pruitt-Igoe narrative.  But there is another Pruitt-Igoe story, another approach, one simultaneously larger and smaller in focus.</p>\n<p>It is a story of a city and its residents.  The city is St. Louis, a city in many ways at the forefront of postwar urban decline.  In the years of Pruitt-Igoe, St. Louis\\\' decline rivaled the fall of Rome in its abruptness and impact on the city, losing half its population and enormous prestige in a generation. An analysis of Pruitt-Igoe has to begin in this milieu, and yet it so rarely does.</p>\n<p>A proper analysis of Pruitt-Igoe would take into account the ways in which public housing was used as a tool of racial segregation or as a justification for the clearance of poor and working-class neighborhoods.  This analysis would look at the dominant culture of the time, which stressed uniformity and \\\"hygiene\\\" in the domestic sphere, political life, and neighborhood composition.  And the priorities of the legislation that created large-scale public housing would come up for analysis as well.</p>\n<p>The individual stories of the residents\\\' struggles and successes have almost universally been ignored; the texture of life in the projects too often reduced to melodrama.   The Pruitt-Igoe documentary has, at its heart, the experiences of its residents, adding a human face to a subject that has become so depersonalized.</p>\n<p>The Pruitt-Igoe documentary tells of a declining city, a suburbanizing nation, a changing urban economy, a hope for the future and residents who fought back in their own ways, refusing to be passive victims of these larger forces aligned against them.</p>\n<p>The documentary has two convergent goals.  One is to inform and enhance the ongoing debate over public housing and government welfare programs.  The film will use Pruitt-Igoe story as a lens through which a larger story about affordable housing and the changing American city can be viewed.  It will untangle the various arguments about what went wrong in Pruitt-Igoe and dispel the conclusions based on simplification and stereotype that turned Pruitt-Igoe into a symbol of failure.  Second, the film will illustrate how conclusions are dangerously and erroneously drawn when powerful interests control debate.</p>\n<p>History is a contested space.  It becomes used politically and culturally.  Arguments become flattened, rather than expanded; available evidence discarded, rather than sought.  Pruitt-Igoe has become a victim of this tendency, a victim of an implosion image which says, \\\"we tried that, and here\\\'s what happened,\\\" the booming reports of dynamite endlessly repeated in an echo chamber of failure.</p>\n<p>This is why Pruitt-Igoe matters - why we are making this documentary.  So much of our collective understanding of cities and government and inequality are tied up in those thirty-three high-rise buildings, informed by the demolition image. Too much of the context has been overlooked, or willfully ignored, in discussions of public housing, public welfare and the state of the American city.</p>\n<p>It\\\'s time to get the facts straight and present a proper story for Pruitt-Igoe that will implode the myths and the stigma.  Pruitt-Igoe needs to be remembered and understood - in a different way than it has been - because the city will change again.</p>\n<p>To this day, most of the 55-acres of the Pruitt-Igoe site are vacant, overgrown with trees and bushes, a constant visual reminder in the north side of St. Louis of this infamous \\\"failure.\\\"  It has been easy - too easy - for academics, politicians and interest groups to write off Pruitt-Igoe to bad policy, bad architecture or bad people.  But those are not the whole story, or even the primary factors in what led to Pruitt-Igoe\\\'s demise.  This is why a Pruitt-Igoe documentary is needed now. This documentary\\\'s ultimate goal is to show a wide audience that there is no easy explanation for the problems of Pruitt-Igoe and other urban public housing developments.</p>\n<p>The city will change again, and affordable housing will continue to be an issue.  When that happens, the complex lessons of Pruitt-Igoe must be remembered by society and by the architects, developers and public officials we will task with solving future housing issues.</p>\n<p>&nbsp;</p>\n<p>But public housing got a bad name.  Large public housing projects became, to many observers, synonymous with the perceived failure of the era of progressive federal policy launched with the New Deal.</p>\n<p>&nbsp;</p>\n<p>In 1972, the televised implosion of one of the 33 11-story buildings that comprised the Pruitt-Igoe public housing development created a lasting symbol of failure in the collective American memory.  The word \\\"failure\\\" is used over and over in connection with the Wendell O. Pruitt and William L. Igoe Homes, the infamous public housing project that was leveled in 1974 after just 18 years of existence.   More than 25 years later, Pruitt-Igoe continues to appear in discussions of urban planning, public policy, federal welfare funding and architectural design.  It is employed to say that government doesn\\\'t work, as an argument for personal responsibility or the benefits of the private market.  The interests that use Pruitt-Igoe in this manner are grossly oversimplifying the issues surrounding its demise and ignoring many key factors.</p>\n<p>The film will examine key issues in the Pruitt-Igoe story, including its modernist inception and design, federal legislation, economic conditions of St. Louis and other industrial cities, and the post-war American housing boom.  Most importantly, the film will allow the former residents to tell their Pruitt-Igoe experiences, dispelling myths about the inhabitants of urban public housing that persist even today.</p>\n<p>Pruitt-Igoe was one of many urban high-rise public housing projects created through funds made available by the 1949 Housing Act.  Its story is representative of many of these developments\\\' fates.  Though the 1949 Housing Act had little concern for public housing, these \\\"failures\\\" have been pointed to continually in the past three decades by those opposed to federal welfare programs and bottom-up economic development.</p>\n<p>Pruitt-Igoe was designed in 1951 by architect Minoru Yamasaki.  Inflated constructions bids combined with the perceived necessity of building high-rises to achieve requisite density levels on valuable inner-city land ultimately led to the spaced superblocks of Pruitt-Igoe\\\'s 33 11-story buildings.  Pruitt-Igoe\\\'s failure, and the extent to which it was caused by its high-rise design, continues to be a significant debate in architecture today.  Many still point to implosion of Pruitt-Igoe\\\'s first building in 1972 as the end of modern architectural movement.</p>\n<p>Pruitt-Igoe was also used by city planners to reinforce racial segregation.  In the original plans, the Pruitt homes would be for minority residents, with the Igoe homes reserved for the white population.  When the Brown v. Board decision struck down segregation in 1954, just as Pruitt and Igoe were opening, both projects had to integrate.  Whites fled the city, making the occupants of the projects\\\' combined 2,870 units 90% African-American.</p>\n<p>The largest factor in the demise of Pruitt-Igoe was the legislation itself, but not in the way people usually talk about the legislation as a failure.  While the Housing Act of 1949 is often cited as initiating the federal public housing program, this was not its primary goal. Following World War II, giant rings of poverty and inner-city decay surrounded the central business districts of most major Eastern and Midwestern cities.   Leaders believed that clearing the slums and redeveloping the urban core would stimulate the floundering construction industry and the overall economy. In terms of priorities of the 1949 Housing Act, public housing was a distant third, lagging behind slum clearance and construction stimulation.  This was reflected in the allocation of federal money:  there were funds for clearance and development, but maintenance costs were to be paid by rental income, which was capped intentionally low so as not to interfere with the private real estate market.</p>\n<p>Capped rents meant there was never enough money for maintenance, leading building conditions, and occupancy rates, to plummet.  Vacant buildings became havens for criminal activity, causing even more families to flee and rental income to drop even further.  It was a vicious cycle, with residents and administrators finding only sporadic success in combating.  A 1969 resident-led rent strike led to some improvements, but by then the heroin trade had moved in, and there was no turning back.</p>\n<p>Just three years later, an earth-shattering explosion shook the grounds as the first federal housing project to be officially abandoned lost one of its buildings to a stack of dynamite.  By 1974, all residents had been relocated and the remaining buildings were leveled.  Receiving worldwide media attention, the destruction of Pruitt-Igoe served to reinforce the prevailing conception of the failure of public housing and, by extension, the whole American social welfare program.</p>\n<p>&nbsp;</p>\";s:10:\"category_0\";s:1:\"4\";}'),(3115,1196,4,4,1303262208,'a:26:{s:9:\"weblog_id\";s:1:\"4\";s:8:\"entry_id\";s:4:\"1196\";s:6:\"sticky\";s:1:\"n\";s:14:\"allow_comments\";s:1:\"n\";s:16:\"allow_trackbacks\";s:1:\"n\";s:10:\"entry_date\";s:19:\"2011-04-19 12:09 PM\";s:15:\"expiration_date\";s:0:\"\";s:23:\"comment_expiration_date\";s:0:\"\";s:8:\"category\";a:1:{i:0;s:1:\"4\";}s:9:\"author_id\";s:1:\"4\";s:10:\"new_weblog\";s:1:\"4\";s:6:\"status\";s:4:\"open\";s:14:\"trackback_urls\";s:0:\"\";s:18:\"versioning_enabled\";s:1:\"y\";s:5:\"title\";s:38:\"CREW Dissects Project Delivery Methods\";s:9:\"url_title\";s:38:\"crew_dissects_project_delivery_methods\";s:6:\"submit\";s:6:\"Update\";s:11:\"field_id_26\";s:38:\"CREW Dissects Project Delivery Methods\";s:11:\"field_ft_26\";s:4:\"none\";s:11:\"field_id_31\";s:0:\"\";s:11:\"field_id_44\";s:142:\"Bob Sine pulled no punches when he spoke to real estate professionals last week at a meeting of CREW (Commercial Real Estate Women) St. Louis.\";s:11:\"field_ft_44\";s:4:\"none\";s:11:\"field_id_28\";s:10:\"CREW, Sine\";s:11:\"field_ft_28\";s:4:\"none\";s:11:\"field_id_29\";s:3663:\"<p>Bob Sine pulled no punches when he spoke to real estate professionals last week at a meeting of CREW (Commercial Real Estate Women) St. Louis.</p>\n<p>\\\"The owner gets the best value from design-bid-build,\\\" he said, and people who say that the traditional way of delivery construction has put the industry into crisis don\\\'t know what they are talking about. \\\"Integrated forms of project delivery don\\\'t serve the owner,\\\" he added.</p>\n<p>Sine, vice-president project management at CresaPartners, spoke as part of a panel on project delivery methods along with Marvin Johnson, senior project manger, BJC Healthcare; Sue Pruchnicki, principal, Bond Wolfe Architects; and Scott Wittkop, central division president, McCarthy Building Companies. CresaPartners is a corporate real estate firms that represents tenants exclusively.</p>\n<p>The other panelists said little, if anything, that would be controversial to construction professionals. They all indicated that the best project delivery method for any project depends on the size and complexity of the project.</p>\n<p>Johnson said that 60 percent of BJC\\\'s projects cost less than $200,000, and \\\"design-bid-build is appropriate for them.\\\"</p>\n<p>On larger projects, design/build may be appropriate, \\\"but the more sophisticated the owner is, the better,\\\" he said.</p>\n<p>And on very large major hospital projects, such as the six-story West Pavilion tower at Missouri Baptist Medical Center, the health care company is using integrated project delivery, said Johnson.</p>\n<p>Wittkop said that the more technically complex a project is, the more value there is in involving contractors early. He cautioned, however, that with design/build, the owner has to more clearly define expectations up front, \\\"or the design/build team will give you the minimum of what they think you need.\\\"</p>\n<p>If collaboration is important, than design-bid-build is not the best way to go, he added.</p>\n<p>\\\"Random matching doesn\\\'t work,\\\" Wittkop said. \\\"You can\\\'t contract for collaboration,\\\" he said. The key to successful collaboration is the selection of the team members.</p>\n<p>Wittkop said that four years ago, integrated project delivery was part of every project that McCarthy was invited to bid on. Since the recession it has been all hard bid (design-bid-build), but integrated project delivery is starting to come back,\\\" he said, noting that two weeks ago in Denver McCarthy executed its first integrated project delivery agreement.</p>\n<p>Sine said he had no experience with integrated project delivery, but he was down on design/build.</p>\n<p>\\\"A little bit of design and a lot of build,\\\" he called it.</p>\n<p>\\\"It is better to have independent professional design up to a point, and then delegate the design of how to install things to the contractor,\\\" Sine said.</p>\n<p>That is really what is happening, Pruchnicki said. So many systems that are used in modern buildings vary from manufacturer to manufacturer that architects can\\\'t design in detail how they will go into the building and relate to other components, she said. How elevators go into a building are differ depending on the elevator company. Each variable refrigerant volume chiller maker has a different arrangement of piping. Modern walls now consist of many thin materials from different manufacturers.</p>\n<p>\\\"We can\\\'t include all versions on documents, so we write criteria and the contractor has to figure it out,\\\" she said.</p>\n<p>\\\"There are very few projects now where the architect finishes the design, puts an ad in the paper, and then talks to contractors. It really isn\\\'t happening,\\\" Pruchnicki said.</p>\n<p>&nbsp;</p>\";s:10:\"category_0\";s:1:\"4\";}'),(3116,1199,4,4,1303262256,'a:26:{s:9:\"weblog_id\";s:1:\"4\";s:8:\"entry_id\";s:4:\"1199\";s:6:\"sticky\";s:1:\"n\";s:14:\"allow_comments\";s:1:\"n\";s:16:\"allow_trackbacks\";s:1:\"n\";s:10:\"entry_date\";s:19:\"2011-04-19 12:43 PM\";s:15:\"expiration_date\";s:0:\"\";s:23:\"comment_expiration_date\";s:0:\"\";s:8:\"category\";a:1:{i:0;s:1:\"4\";}s:9:\"author_id\";s:1:\"4\";s:10:\"new_weblog\";s:1:\"4\";s:6:\"status\";s:4:\"open\";s:14:\"trackback_urls\";s:0:\"\";s:18:\"versioning_enabled\";s:1:\"y\";s:5:\"title\";s:34:\"Film Explores \\\"Pruitt-Igoe Myth\\\"\";s:9:\"url_title\";s:30:\"film_explores_pruitt_igoe_myth\";s:6:\"submit\";s:6:\"Update\";s:11:\"field_id_26\";s:35:\"Film Explores \\\"Pruitt-Igoe Myth\\\" \";s:11:\"field_ft_26\";s:4:\"none\";s:11:\"field_id_31\";s:0:\"\";s:11:\"field_id_44\";s:400:\"The Pruitt-Igoe public housing complex has become a widespread symbol of failure amongst architects, politicians and policy makers. This blanket condemnation masks the true complexities of public housing in America, according to a recently released documentary film, \\\"The Pruitt-Igoe Myth\\\". The film premiered in Columbia, MO in March and was shown at at the Missouri Historical Society on April 9.\";s:11:\"field_ft_44\";s:4:\"none\";s:11:\"field_id_28\";s:17:\"Pruitt-Igoe, film\";s:11:\"field_ft_28\";s:4:\"none\";s:11:\"field_id_29\";s:12915:\"<p>&nbsp;The Pruitt-Igoe public housing complex has become a widespread symbol of failure amongst architects, politicians and policy makers. This blanket condemnation masks the true complexities of public housing in America, according to a recently released documentary film, \\\"The Pruitt-Igoe Myth\\\". The film premiered in Columbia, MO in March and was shown at at the Missouri Historical Society on April 9.</p>\n<p><a href=\\\"http://vimeo.com/18356414\\\"><img alt=\\\"Pruitt-Igoe\\\" class=\\\"image-right\\\" height=\\\"237\\\" src=\\\"/images/uploads/THUMBNAIL_IconicImplosion_Pruitt-IgoeMyth_Credit-StatHistSocOfMO.jpg\\\" style=\\\"float: right;\\\" width=\\\"300\\\" /></a>\\\"The Pruitt-Igoe Myth: An Urban History\\\", a new feature-length documentary was directed by Chad&nbsp; Freidrichs, of Columbia, MO, who co-produced the film with Jaime&nbsp; Freidrichs, also of Columbia, and Paul Fehler and Brian Woodman of St. Louis. All are graduates of the University of Missouri-Columbia].</p>\n<h4>Click image to view movie trailer</h4>\n<p>The Pruitt-Igoe Myth explores the short life of the Pruitt-Igoe housing development, which was&nbsp; opened in 1954 to meet the public housing needs of an overcrowded city.  Two decades later,&nbsp; with its highly-publicized demolition, Pruitt-Igoe became a potent national symbol of failure, a failure that has been used to critique Modernist architecture, attack public assistance programs, and stigmatize public housing residents.</p>\n<p>The Pruitt-Igoe Myth attempts to reassess the complex history of Pruitt-Igoe within the larger post-War context of segregation, poverty, and urban population decline.  It gives special&nbsp; emphasis to the stories of the residents who managed to adapt to, and survive, the downward spiral of vacancy, vandalism and crime that made Pruitt-Igoe infamous.  By examining the interests involved in Pruitt-Igoe\\\'s creation and re-evaluating the rumors and the stigma associated with it, the film reveals a much more nuanced vision of Pruitt-Igoe that implodes the well-worn stereotypes and myths.</p>\n<p>While the reasons for this are complex, a few widely publicized projects have created a lasting impression in the minds of many Americans.  One such project is the Pruitt-Igoe public housing development in St. Louis.  A famous image, circulated worldwide, of the implosion of one Pruitt-Igoe\\\'s buildings has come to symbolize to many the failure of government-sponsored housing and, more broadly, government-sponsored anything.</p>\n<p>Completed in 1954, the thirty-three eleven story buildings of Pruitt-Igoe were billed as the solution to the overcrowding and deterioration that was plaguing the inner city of St. Louis.  Twenty years later, the buildings were leveled, declared unfit for habitation.</p>\n<p>What happened in Pruitt-Igoe has fueled a mythology repeated in discussions of many urban high-rise projects.  Violence, crime and drugs, so the story goes, plagued the housing project from nearly the beginning as it became a \\\"dumping ground\\\' for the poorest city residents.  According to one standard account, it was quickly torn up by its rural residents who could not adapt to high-rise city life.</p>\n<p>A brief online image search of \\\"Pruitt-Igoe\\\" reveals this legacy.  A building imploded.  Vandalized hallways.  Acres of broken windows.  These images of destruction are periodically interrupted by images of a different kind: hopeful images of a massive newly-built housing complex in the mid-fifties, the scale and grandeur of the buildings reflecting the optimistic spirit out of which Pruitt-Igoe came.</p>\n<p>The quick, unexamined transition from hope to disillusionment is the standard structure of the Pruitt-Igoe narrative.  But there is another Pruitt-Igoe story, another approach, one simultaneously larger and smaller in focus.</p>\n<p>It is a story of a city and its residents.  The city is St. Louis, a city in many ways at the forefront of postwar urban decline.  In the years of Pruitt-Igoe, St. Louis\\\' decline rivaled the fall of Rome in its abruptness and impact on the city, losing half its population and enormous prestige in a generation. An analysis of Pruitt-Igoe has to begin in this milieu, and yet it so rarely does.</p>\n<p>A proper analysis of Pruitt-Igoe would take into account the ways in which public housing was used as a tool of racial segregation or as a justification for the clearance of poor and working-class neighborhoods.  This analysis would look at the dominant culture of the time, which stressed uniformity and \\\"hygiene\\\" in the domestic sphere, political life, and neighborhood composition.  And the priorities of the legislation that created large-scale public housing would come up for analysis as well.</p>\n<p>The individual stories of the residents\\\' struggles and successes have almost universally been ignored; the texture of life in the projects too often reduced to melodrama.   The Pruitt-Igoe documentary has, at its heart, the experiences of its residents, adding a human face to a subject that has become so depersonalized.</p>\n<p>The Pruitt-Igoe documentary tells of a declining city, a suburbanizing nation, a changing urban economy, a hope for the future and residents who fought back in their own ways, refusing to be passive victims of these larger forces aligned against them.</p>\n<p>The documentary has two convergent goals.  One is to inform and enhance the ongoing debate over public housing and government welfare programs.  The film will use Pruitt-Igoe story as a lens through which a larger story about affordable housing and the changing American city can be viewed.  It will untangle the various arguments about what went wrong in Pruitt-Igoe and dispel the conclusions based on simplification and stereotype that turned Pruitt-Igoe into a symbol of failure.  Second, the film will illustrate how conclusions are dangerously and erroneously drawn when powerful interests control debate.</p>\n<p>History is a contested space.  It becomes used politically and culturally.  Arguments become flattened, rather than expanded; available evidence discarded, rather than sought.  Pruitt-Igoe has become a victim of this tendency, a victim of an implosion image which says, \\\"we tried that, and here\\\'s what happened,\\\" the booming reports of dynamite endlessly repeated in an echo chamber of failure.</p>\n<p>This is why Pruitt-Igoe matters - why we are making this documentary.  So much of our collective understanding of cities and government and inequality are tied up in those thirty-three high-rise buildings, informed by the demolition image. Too much of the context has been overlooked, or willfully ignored, in discussions of public housing, public welfare and the state of the American city.</p>\n<p>It\\\'s time to get the facts straight and present a proper story for Pruitt-Igoe that will implode the myths and the stigma.  Pruitt-Igoe needs to be remembered and understood - in a different way than it has been - because the city will change again.</p>\n<p>To this day, most of the 55-acres of the Pruitt-Igoe site are vacant, overgrown with trees and bushes, a constant visual reminder in the north side of St. Louis of this infamous \\\"failure.\\\"  It has been easy - too easy - for academics, politicians and interest groups to write off Pruitt-Igoe to bad policy, bad architecture or bad people.  But those are not the whole story, or even the primary factors in what led to Pruitt-Igoe\\\'s demise.  This is why a Pruitt-Igoe documentary is needed now. This documentary\\\'s ultimate goal is to show a wide audience that there is no easy explanation for the problems of Pruitt-Igoe and other urban public housing developments.</p>\n<p>The city will change again, and affordable housing will continue to be an issue.  When that happens, the complex lessons of Pruitt-Igoe must be remembered by society and by the architects, developers and public officials we will task with solving future housing issues.</p>\n<p>&nbsp;</p>\n<p>But public housing got a bad name.  Large public housing projects became, to many observers, synonymous with the perceived failure of the era of progressive federal policy launched with the New Deal.</p>\n<p>&nbsp;</p>\n<p>In 1972, the televised implosion of one of the 33 11-story buildings that comprised the Pruitt-Igoe public housing development created a lasting symbol of failure in the collective American memory.  The word \\\"failure\\\" is used over and over in connection with the Wendell O. Pruitt and William L. Igoe Homes, the infamous public housing project that was leveled in 1974 after just 18 years of existence.   More than 25 years later, Pruitt-Igoe continues to appear in discussions of urban planning, public policy, federal welfare funding and architectural design.  It is employed to say that government doesn\\\'t work, as an argument for personal responsibility or the benefits of the private market.  The interests that use Pruitt-Igoe in this manner are grossly oversimplifying the issues surrounding its demise and ignoring many key factors.</p>\n<p>The film will examine key issues in the Pruitt-Igoe story, including its modernist inception and design, federal legislation, economic conditions of St. Louis and other industrial cities, and the post-war American housing boom.  Most importantly, the film will allow the former residents to tell their Pruitt-Igoe experiences, dispelling myths about the inhabitants of urban public housing that persist even today.</p>\n<p>Pruitt-Igoe was one of many urban high-rise public housing projects created through funds made available by the 1949 Housing Act.  Its story is representative of many of these developments\\\' fates.  Though the 1949 Housing Act had little concern for public housing, these \\\"failures\\\" have been pointed to continually in the past three decades by those opposed to federal welfare programs and bottom-up economic development.</p>\n<p>Pruitt-Igoe was designed in 1951 by architect Minoru Yamasaki.  Inflated constructions bids combined with the perceived necessity of building high-rises to achieve requisite density levels on valuable inner-city land ultimately led to the spaced superblocks of Pruitt-Igoe\\\'s 33 11-story buildings.  Pruitt-Igoe\\\'s failure, and the extent to which it was caused by its high-rise design, continues to be a significant debate in architecture today.  Many still point to implosion of Pruitt-Igoe\\\'s first building in 1972 as the end of modern architectural movement.</p>\n<p>Pruitt-Igoe was also used by city planners to reinforce racial segregation.  In the original plans, the Pruitt homes would be for minority residents, with the Igoe homes reserved for the white population.  When the Brown v. Board decision struck down segregation in 1954, just as Pruitt and Igoe were opening, both projects had to integrate.  Whites fled the city, making the occupants of the projects\\\' combined 2,870 units 90% African-American.</p>\n<p>The largest factor in the demise of Pruitt-Igoe was the legislation itself, but not in the way people usually talk about the legislation as a failure.  While the Housing Act of 1949 is often cited as initiating the federal public housing program, this was not its primary goal. Following World War II, giant rings of poverty and inner-city decay surrounded the central business districts of most major Eastern and Midwestern cities.   Leaders believed that clearing the slums and redeveloping the urban core would stimulate the floundering construction industry and the overall economy. In terms of priorities of the 1949 Housing Act, public housing was a distant third, lagging behind slum clearance and construction stimulation.  This was reflected in the allocation of federal money:  there were funds for clearance and development, but maintenance costs were to be paid by rental income, which was capped intentionally low so as not to interfere with the private real estate market.</p>\n<p>Capped rents meant there was never enough money for maintenance, leading building conditions, and occupancy rates, to plummet.  Vacant buildings became havens for criminal activity, causing even more families to flee and rental income to drop even further.  It was a vicious cycle, with residents and administrators finding only sporadic success in combating.  A 1969 resident-led rent strike led to some improvements, but by then the heroin trade had moved in, and there was no turning back.</p>\n<p>Just three years later, an earth-shattering explosion shook the grounds as the first federal housing project to be officially abandoned lost one of its buildings to a stack of dynamite.  By 1974, all residents had been relocated and the remaining buildings were leveled.  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QFormat=\\\"true\\\" Name=\\\"Subtle Emphasis\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"21\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" QFormat=\\\"true\\\" Name=\\\"Intense Emphasis\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"31\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" QFormat=\\\"true\\\" Name=\\\"Subtle Reference\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"32\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" QFormat=\\\"true\\\" Name=\\\"Intense Reference\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"33\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" QFormat=\\\"true\\\" Name=\\\"Book Title\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"37\\\" Name=\\\"Bibliography\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"39\\\" QFormat=\\\"true\\\" Name=\\\"TOC Heading\\\" /> </w:LatentStyles> </xml><![endif]--><!--[if gte mso 10]>\n<style>\n /* Style Definitions */\n table.MsoNormalTable\n	{mso-style-name:\\\"Table Normal\\\";\n	mso-tstyle-rowband-size:0;\n	mso-tstyle-colband-size:0;\n	mso-style-noshow:yes;\n	mso-style-priority:99;\n	mso-style-qformat:yes;\n	mso-style-parent:\\\"\\\";\n	mso-padding-alt:0in 5.4pt 0in 5.4pt;\n	mso-para-margin-top:0in;\n	mso-para-margin-right:0in;\n	mso-para-margin-bottom:10.0pt;\n	mso-para-margin-left:0in;\n	line-height:115%;\n	mso-pagination:widow-orphan;\n	font-size:11.0pt;\n	font-family:\\\"Calibri\\\",\\\"sans-serif\\\";\n	mso-ascii-font-family:Calibri;\n	mso-ascii-theme-font:minor-latin;\n	mso-hansi-font-family:Calibri;\n	mso-hansi-theme-font:minor-latin;\n	mso-bidi-language:EN-US;}\n</style>\n<![endif]--></p>\n<p class=\\\"MsoNormal\\\"><strong>Seal the Deal Seminar</strong></p>\n<p class=\\\"MsoNormal\\\"><span></span></p>\n<p class=\\\"MsoNormal\\\">Make plans to join us for our next Seal the Deal Seminar on\nTuesday, May 24 from 8:00 to 11:00 a.m. at the Mason Contractors\nAssociation.<span>&nbsp; </span>Cost to attend is $40 for\nASA members; $50 for non-members.<span>&nbsp; </span>Registration is due before May 17.</p>\n<p class=\\\"MsoNormal\\\"><span></span></p>\n<p class=\\\"MsoNormal\\\">Presenter:<span>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span>Tom\nWoodcock, Seal the Deal</p>\n<p class=\\\"MsoNormal\\\"><span></span><strong>SALES NUTS &amp; BOLTS:</strong></p>\n<p class=\\\"MsoNormal\\\">This topic is the essence of selling in the construction\nindustry.<span>&nbsp; </span>Learn line-by-line methodology\nthat brings sales success.<span>&nbsp; </span>Develop the\ndiscipline to consistently gain work without the traditional roller coaster\nride from project to project.<span>&nbsp; </span>Learn:</p>\n<ul>\n<li><span style=\\\"font-family: Symbol;\\\"><span>&middot;<span style=\\\"font: 7pt &quot;Times New Roman&quot;;\\\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span></span></span>How to find the business</li>\n<li><span style=\\\"font-family: Symbol;\\\"><span>&middot;<span style=\\\"font: 7pt &quot;Times New Roman&quot;;\\\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span></span></span>How to see enough clients</li>\n<li><span style=\\\"font-family: Symbol;\\\"><span>&middot;<span style=\\\"font: 7pt &quot;Times New Roman&quot;;\\\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span></span></span>How to catch their attention</li>\n<li><span style=\\\"font-family: Symbol;\\\"><span>&middot;<span style=\\\"font: 7pt &quot;Times New Roman&quot;;\\\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span></span></span>How to eliminate competitors</li>\n<li><span style=\\\"font-family: Symbol;\\\"><span>&middot;<span style=\\\"font: 7pt &quot;Times New Roman&quot;;\\\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span></span></span>How to generate repeat business</li>\n</ul>\n<p class=\\\"MsoNormal\\\"><span></span><strong>WHY YOU DON&rsquo;T WIN ENOUGH WORK:</strong></p>\n<p class=\\\"MsoNormal\\\">Contractors are frustrated when they think they have a good\nshot at a project and miss.<span>&nbsp; </span>Why does\nthis happen and how do you raise your close rate?<span>&nbsp; </span>What are those doing right that consistently\nwin work?<span>&nbsp; </span>How do you get to that\nplace?<span>&nbsp; </span>Learn:</p>\n<ul>\n<li><span style=\\\"font-family: Symbol;\\\"><span>&middot;<span style=\\\"font: 7pt &quot;Times New Roman&quot;;\\\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span></span></span>Errors that stop you at the starting line</li>\n<li><span style=\\\"font-family: Symbol;\\\"><span>&middot;<span style=\\\"font: 7pt &quot;Times New Roman&quot;;\\\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span></span></span>Common customer lies</li>\n<li><span style=\\\"font-family: Symbol;\\\"><span>&middot;<span style=\\\"font: 7pt &quot;Times New Roman&quot;;\\\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span></span></span>Often-used customer smoke screens</li>\n<li><span style=\\\"font-family: Symbol;\\\"><span>&middot;<span style=\\\"font: 7pt &quot;Times New Roman&quot;;\\\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </span></span></span>The real position of the customer at the\nbeginning of the transaction</li>\n</ul>\n<p class=\\\"MsoNormal\\\"><span>&nbsp;</span></p>\n<p class=\\\"MsoNormal\\\">Reba A. Gillick</p>\n<p class=\\\"MsoNormal\\\">Executive Director</p>\n<p class=\\\"MsoNormal\\\">American Subcontractors Association-Midwest Council</p>\n<p class=\\\"MsoNormal\\\">P.O. Box 270</p>\n<p class=\\\"MsoNormal\\\">Union, MO 63084</p>\n<p class=\\\"MsoNormal\\\">(314) 214-1664</p>\n<p class=\\\"MsoNormal\\\">Fax (314) 214-1665</p>\";}'),(3104,1199,4,4,1303257090,'a:26:{s:9:\"weblog_id\";s:1:\"4\";s:8:\"entry_id\";s:4:\"1199\";s:6:\"sticky\";s:1:\"n\";s:14:\"allow_comments\";s:1:\"n\";s:16:\"allow_trackbacks\";s:1:\"n\";s:10:\"entry_date\";s:19:\"2011-04-19 12:43 PM\";s:15:\"expiration_date\";s:0:\"\";s:23:\"comment_expiration_date\";s:0:\"\";s:8:\"category\";a:1:{i:0;s:1:\"4\";}s:9:\"author_id\";s:1:\"4\";s:10:\"new_weblog\";s:1:\"4\";s:6:\"status\";s:4:\"open\";s:14:\"trackback_urls\";s:0:\"\";s:18:\"versioning_enabled\";s:1:\"y\";s:5:\"title\";s:34:\"Film Explores \\\"Pruitt-Igoe Myth\\\"\";s:9:\"url_title\";s:30:\"film_explores_pruitt_igoe_myth\";s:6:\"submit\";s:6:\"Update\";s:11:\"field_id_26\";s:35:\"Film Explores \\\"Pruitt-Igoe Myth\\\" \";s:11:\"field_ft_26\";s:4:\"none\";s:11:\"field_id_31\";s:0:\"\";s:11:\"field_id_44\";s:400:\"The Pruitt-Igoe public housing complex has become a widespread symbol of failure amongst architects, politicians and policy makers. This blanket condemnation masks the true complexities of public housing in America, according to a recently released documentary film, \\\"The Pruitt-Igoe Myth\\\". The film premiered in Columbia, MO in March and was shown at at the Missouri Historical Society on April 9.\";s:11:\"field_ft_44\";s:4:\"none\";s:11:\"field_id_28\";s:17:\"Pruitt-Igoe, film\";s:11:\"field_ft_28\";s:4:\"none\";s:11:\"field_id_29\";s:12978:\"<p>&nbsp;</p>\n<p><a href=\\\"http://vimeo.com/18356414\\\"><img alt=\\\"Pruitt Igoe\\\" class=\\\"image-right\\\" height=\\\"237\\\" src=\\\"/images/uploads/THUMBNAIL_IconicImplosion_Pruitt-IgoeMyth_Credit-StatHistSocOfMO.jpg\\\" style=\\\"float: right;\\\" width=\\\"300\\\" /></a>The Pruitt-Igoe public housing complex has become a widespread symbol of failure amongst architects, politicians and policy makers. This blanket condemnation masks the true complexities of public housing in America, according to a recently released documentary film, \\\"The Pruitt-Igoe Myth\\\". The film premiered in Columbia, MO in March and was shown at at the Missouri Historical Society on April 9.</p>\n<h4>Click image to view movie trailer<br /></h4>\n<p>\\\"The Pruitt-Igoe Myth: An Urban History\\\", a new feature-length documentary was directed by Chad&nbsp; Freidrichs, of Columbia, MO, who co-produced the film with Jaime&nbsp; Freidrichs, also of Columbia, and Paul Fehler and Brian Woodman of St. Louis. All are graduates of the University of Missouri-Columbia].<br /><br />The Pruitt-Igoe Myth explores the short life of the Pruitt-Igoe housing development, which was&nbsp; opened in 1954 to meet the public housing needs of an overcrowded city.  Two decades later,&nbsp; with its highly-publicized demolition, Pruitt-Igoe became a potent national symbol of failure, a failure that has been used to critique Modernist architecture, attack public assistance programs, and stigmatize public housing residents. <br /> <br />The Pruitt-Igoe Myth attempts to reassess the complex history of Pruitt-Igoe within the larger post-War context of segregation, poverty, and urban population decline.  It gives special&nbsp; emphasis to the stories of the residents who managed to adapt to, and survive, the downward spiral of vacancy, vandalism and crime that made Pruitt-Igoe infamous.  By examining the interests involved in Pruitt-Igoe\\\'s creation and re-evaluating the rumors and the stigma <br />associated with it, the film reveals a much more nuanced vision of Pruitt-Igoe that implodes the well-worn stereotypes and myths.</p>\n<p>While the reasons for this are complex, a few widely publicized projects have created a lasting impression in the minds of many Americans.  One such project is the Pruitt-Igoe public housing development in St. Louis.  A famous image, circulated worldwide, of the implosion of one Pruitt-Igoe\\\'s buildings has come to symbolize to many the failure of government-sponsored housing and, more broadly, government-sponsored anything.</p>\n<p>Completed in 1954, the thirty-three eleven story buildings of Pruitt-Igoe were billed as the solution to the overcrowding and deterioration that was plaguing the inner city of St. Louis.  Twenty years later, the buildings were leveled, declared unfit for habitation.</p>\n<p>What happened in Pruitt-Igoe has fueled a mythology repeated in discussions of many urban high-rise projects.  Violence, crime and drugs, so the story goes, plagued the housing project from nearly the beginning as it became a \\\"dumping ground\\\' for the poorest city residents.  According to one standard account, it was quickly torn up by its rural residents who could not adapt to high-rise city life.</p>\n<p>A brief online image search of \\\"Pruitt-Igoe\\\" reveals this legacy.  A building imploded.  Vandalized hallways.  Acres of broken windows.  These images of destruction are periodically interrupted by images of a different kind: hopeful images of a massive newly-built housing complex in the mid-fifties, the scale and grandeur of the buildings reflecting the optimistic spirit out of which Pruitt-Igoe came.</p>\n<p>The quick, unexamined transition from hope to disillusionment is the standard structure of the Pruitt-Igoe narrative.  But there is another Pruitt-Igoe story, another approach, one simultaneously larger and smaller in focus.</p>\n<p>It is a story of a city and its residents.  The city is St. Louis, a city in many ways at the forefront of postwar urban decline.  In the years of Pruitt-Igoe, St. Louis\\\' decline rivaled the fall of Rome in its abruptness and impact on the city, losing half its population and enormous prestige in a generation. An analysis of Pruitt-Igoe has to begin in this milieu, and yet it so rarely does.</p>\n<p>A proper analysis of Pruitt-Igoe would take into account the ways in which public housing was used as a tool of racial segregation or as a justification for the clearance of poor and working-class neighborhoods.  This analysis would look at the dominant culture of the time, which stressed uniformity and \\\"hygiene\\\" in the domestic sphere, political life, and neighborhood composition.  And the priorities of the legislation that created large-scale public housing would come up for analysis as well.</p>\n<p>The individual stories of the residents\\\' struggles and successes have almost universally been ignored; the texture of life in the projects too often reduced to melodrama.   The Pruitt-Igoe documentary has, at its heart, the experiences of its residents, adding a human face to a subject that has become so depersonalized.</p>\n<p>The Pruitt-Igoe documentary tells of a declining city, a suburbanizing nation, a changing urban economy, a hope for the future and residents who fought back in their own ways, refusing to be passive victims of these larger forces aligned against them.</p>\n<p>The documentary has two convergent goals.  One is to inform and enhance the ongoing debate over public housing and government welfare programs.  The film will use Pruitt-Igoe story as a lens through which a larger story about affordable housing and the changing American city can be viewed.  It will untangle the various arguments about what went wrong in Pruitt-Igoe and dispel the conclusions based on simplification and stereotype that turned Pruitt-Igoe into a symbol of failure.  Second, the film will illustrate how conclusions are dangerously and erroneously drawn when powerful interests control debate.</p>\n<p>History is a contested space.  It becomes used politically and culturally.  Arguments become flattened, rather than expanded; available evidence discarded, rather than sought.  Pruitt-Igoe has become a victim of this tendency, a victim of an implosion image which says, \\\"we tried that, and here\\\'s what happened,\\\" the booming reports of dynamite endlessly repeated in an echo chamber of failure.</p>\n<p>This is why Pruitt-Igoe matters - why we are making this documentary.  So much of our collective understanding of cities and government and inequality are tied up in those thirty-three high-rise buildings, informed by the demolition image. Too much of the context has been overlooked, or willfully ignored, in discussions of public housing, public welfare and the state of the American city.</p>\n<p>It\\\'s time to get the facts straight and present a proper story for Pruitt-Igoe that will implode the myths and the stigma.  Pruitt-Igoe needs to be remembered and understood - in a different way than it has been - because the city will change again.</p>\n<p>To this day, most of the 55-acres of the Pruitt-Igoe site are vacant, overgrown with trees and bushes, a constant visual reminder in the north side of St. Louis of this infamous \\\"failure.\\\"  It has been easy - too easy - for academics, politicians and interest groups to write off Pruitt-Igoe to bad policy, bad architecture or bad people.  But those are not the whole story, or even the primary factors in what led to Pruitt-Igoe\\\'s demise.  This is why a Pruitt-Igoe documentary is needed now. This documentary\\\'s ultimate goal is to show a wide audience that there is no easy explanation for the problems of Pruitt-Igoe and other urban public housing developments.</p>\n<p>The city will change again, and affordable housing will continue to be an issue.  When that happens, the complex lessons of Pruitt-Igoe must be remembered by society and by the architects, developers and public officials we will task with solving future housing issues.</p>\n<p>But what sticks is the label failure</p>\n<p>But public housing got a bad name.  Large public housing projects became, to many observers, synonymous with the perceived failure of the era of progressive federal policy launched with the New Deal.</p>\n<p>The irony</p>\n<p>In 1972, the televised implosion of one of the 33 11-story buildings that comprised the Pruitt-Igoe public housing development created a lasting symbol of failure in the collective American memory.  The word \\\"failure\\\" is used over and over in connection with the Wendell O. Pruitt and William L. Igoe Homes, the infamous public housing project that was leveled in 1974 after just 18 years of existence.   More than 25 years later, Pruitt-Igoe continues to appear in discussions of urban planning, public policy, federal welfare funding and architectural design.  It is employed to say that government doesn\\\'t work, as an argument for personal responsibility or the benefits of the private market.  The interests that use Pruitt-Igoe in this manner are grossly oversimplifying the issues surrounding its demise and ignoring many key factors.</p>\n<p>The film will examine key issues in the Pruitt-Igoe story, including its modernist inception and design, federal legislation, economic conditions of St. Louis and other industrial cities, and the post-war American housing boom.  Most importantly, the film will allow the former residents to tell their Pruitt-Igoe experiences, dispelling myths about the inhabitants of urban public housing that persist even today.</p>\n<p>Pruitt-Igoe was one of many urban high-rise public housing projects created through funds made available by the 1949 Housing Act.  Its story is representative of many of these developments\\\' fates.  Though the 1949 Housing Act had little concern for public housing, these \\\"failures\\\" have been pointed to continually in the past three decades by those opposed to federal welfare programs and bottom-up economic development.</p>\n<p>Pruitt-Igoe was designed in 1951 by architect Minoru Yamasaki.  Inflated constructions bids combined with the perceived necessity of building high-rises to achieve requisite density levels on valuable inner-city land ultimately led to the spaced superblocks of Pruitt-Igoe\\\'s 33 11-story buildings.  Pruitt-Igoe\\\'s failure, and the extent to which it was caused by its high-rise design, continues to be a significant debate in architecture today.  Many still point to implosion of Pruitt-Igoe\\\'s first building in 1972 as the end of modern architectural movement.</p>\n<p>Pruitt-Igoe was also used by city planners to reinforce racial segregation.  In the original plans, the Pruitt homes would be for minority residents, with the Igoe homes reserved for the white population.  When the Brown v. Board decision struck down segregation in 1954, just as Pruitt and Igoe were opening, both projects had to integrate.  Whites fled the city, making the occupants of the projects\\\' combined 2,870 units 90% African-American.</p>\n<p>The largest factor in the demise of Pruitt-Igoe was the legislation itself, but not in the way people usually talk about the legislation as a failure.  While the Housing Act of 1949 is often cited as initiating the federal public housing program, this was not its primary goal. Following World War II, giant rings of poverty and inner-city decay surrounded the central business districts of most major Eastern and Midwestern cities.   Leaders believed that clearing the slums and redeveloping the urban core would stimulate the floundering construction industry and the overall economy. In terms of priorities of the 1949 Housing Act, public housing was a distant third, lagging behind slum clearance and construction stimulation.  This was reflected in the allocation of federal money:  there were funds for clearance and development, but maintenance costs were to be paid by rental income, which was capped intentionally low so as not to interfere with the private real estate market.</p>\n<p>Capped rents meant there was never enough money for maintenance, leading building conditions, and occupancy rates, to plummet.  Vacant buildings became havens for criminal activity, causing even more families to flee and rental income to drop even further.  It was a vicious cycle, with residents and administrators finding only sporadic success in combating.  A 1969 resident-led rent strike led to some improvements, but by then the heroin trade had moved in, and there was no turning back.</p>\n<p>Just three years later, an earth-shattering explosion shook the grounds as the first federal housing project to be officially abandoned lost one of its buildings to a stack of dynamite.  By 1974, all residents had been relocated and the remaining buildings were leveled.  Receiving worldwide media attention, the destruction of Pruitt-Igoe served to reinforce the prevailing conception of the failure of public housing and, by extension, the whole American social welfare program.</p>\n<p>&nbsp;</p>\";s:10:\"category_0\";s:1:\"4\";}'),(3105,1199,4,4,1303257132,'a:26:{s:9:\"weblog_id\";s:1:\"4\";s:8:\"entry_id\";s:4:\"1199\";s:6:\"sticky\";s:1:\"n\";s:14:\"allow_comments\";s:1:\"n\";s:16:\"allow_trackbacks\";s:1:\"n\";s:10:\"entry_date\";s:19:\"2011-04-19 12:43 PM\";s:15:\"expiration_date\";s:0:\"\";s:23:\"comment_expiration_date\";s:0:\"\";s:8:\"category\";a:1:{i:0;s:1:\"4\";}s:9:\"author_id\";s:1:\"4\";s:10:\"new_weblog\";s:1:\"4\";s:6:\"status\";s:4:\"open\";s:14:\"trackback_urls\";s:0:\"\";s:18:\"versioning_enabled\";s:1:\"y\";s:5:\"title\";s:34:\"Film Explores \\\"Pruitt-Igoe Myth\\\"\";s:9:\"url_title\";s:30:\"film_explores_pruitt_igoe_myth\";s:6:\"submit\";s:6:\"Update\";s:11:\"field_id_26\";s:35:\"Film Explores \\\"Pruitt-Igoe Myth\\\" \";s:11:\"field_ft_26\";s:4:\"none\";s:11:\"field_id_31\";s:0:\"\";s:11:\"field_id_44\";s:400:\"The Pruitt-Igoe public housing complex has become a widespread symbol of failure amongst architects, politicians and policy makers. This blanket condemnation masks the true complexities of public housing in America, according to a recently released documentary film, \\\"The Pruitt-Igoe Myth\\\". The film premiered in Columbia, MO in March and was shown at at the Missouri Historical Society on April 9.\";s:11:\"field_ft_44\";s:4:\"none\";s:11:\"field_id_28\";s:17:\"Pruitt-Igoe, film\";s:11:\"field_ft_28\";s:4:\"none\";s:11:\"field_id_29\";s:12733:\"<p>&nbsp;The Pruitt-Igoe public housing complex has become a widespread symbol of failure amongst architects, politicians and policy makers. This blanket condemnation masks the true complexities of public housing in America, according to a recently released documentary film, \\\"The Pruitt-Igoe Myth\\\". The film premiered in Columbia, MO in March and was shown at at the Missouri Historical Society on April 9.</p>\n<h4>Click image to view movie trailer<br /></h4>\n<p>\\\"The Pruitt-Igoe Myth: An Urban History\\\", a new feature-length documentary was directed by Chad&nbsp; Freidrichs, of Columbia, MO, who co-produced the film with Jaime&nbsp; Freidrichs, also of Columbia, and Paul Fehler and Brian Woodman of St. Louis. All are graduates of the University of Missouri-Columbia].<br /><br />The Pruitt-Igoe Myth explores the short life of the Pruitt-Igoe housing development, which was&nbsp; opened in 1954 to meet the public housing needs of an overcrowded city.  Two decades later,&nbsp; with its highly-publicized demolition, Pruitt-Igoe became a potent national symbol of failure, a failure that has been used to critique Modernist architecture, attack public assistance programs, and stigmatize public housing residents. <br /> <br />The Pruitt-Igoe Myth attempts to reassess the complex history of Pruitt-Igoe within the larger post-War context of segregation, poverty, and urban population decline.  It gives special&nbsp; emphasis to the stories of the residents who managed to adapt to, and survive, the downward spiral of vacancy, vandalism and crime that made Pruitt-Igoe infamous.  By examining the interests involved in Pruitt-Igoe\\\'s creation and re-evaluating the rumors and the stigma <br />associated with it, the film reveals a much more nuanced vision of Pruitt-Igoe that implodes the well-worn stereotypes and myths.</p>\n<p>While the reasons for this are complex, a few widely publicized projects have created a lasting impression in the minds of many Americans.  One such project is the Pruitt-Igoe public housing development in St. Louis.  A famous image, circulated worldwide, of the implosion of one Pruitt-Igoe\\\'s buildings has come to symbolize to many the failure of government-sponsored housing and, more broadly, government-sponsored anything.</p>\n<p>Completed in 1954, the thirty-three eleven story buildings of Pruitt-Igoe were billed as the solution to the overcrowding and deterioration that was plaguing the inner city of St. Louis.  Twenty years later, the buildings were leveled, declared unfit for habitation.</p>\n<p>What happened in Pruitt-Igoe has fueled a mythology repeated in discussions of many urban high-rise projects.  Violence, crime and drugs, so the story goes, plagued the housing project from nearly the beginning as it became a \\\"dumping ground\\\' for the poorest city residents.  According to one standard account, it was quickly torn up by its rural residents who could not adapt to high-rise city life.</p>\n<p>A brief online image search of \\\"Pruitt-Igoe\\\" reveals this legacy.  A building imploded.  Vandalized hallways.  Acres of broken windows.  These images of destruction are periodically interrupted by images of a different kind: hopeful images of a massive newly-built housing complex in the mid-fifties, the scale and grandeur of the buildings reflecting the optimistic spirit out of which Pruitt-Igoe came.</p>\n<p>The quick, unexamined transition from hope to disillusionment is the standard structure of the Pruitt-Igoe narrative.  But there is another Pruitt-Igoe story, another approach, one simultaneously larger and smaller in focus.</p>\n<p>It is a story of a city and its residents.  The city is St. Louis, a city in many ways at the forefront of postwar urban decline.  In the years of Pruitt-Igoe, St. Louis\\\' decline rivaled the fall of Rome in its abruptness and impact on the city, losing half its population and enormous prestige in a generation. An analysis of Pruitt-Igoe has to begin in this milieu, and yet it so rarely does.</p>\n<p>A proper analysis of Pruitt-Igoe would take into account the ways in which public housing was used as a tool of racial segregation or as a justification for the clearance of poor and working-class neighborhoods.  This analysis would look at the dominant culture of the time, which stressed uniformity and \\\"hygiene\\\" in the domestic sphere, political life, and neighborhood composition.  And the priorities of the legislation that created large-scale public housing would come up for analysis as well.</p>\n<p>The individual stories of the residents\\\' struggles and successes have almost universally been ignored; the texture of life in the projects too often reduced to melodrama.   The Pruitt-Igoe documentary has, at its heart, the experiences of its residents, adding a human face to a subject that has become so depersonalized.</p>\n<p>The Pruitt-Igoe documentary tells of a declining city, a suburbanizing nation, a changing urban economy, a hope for the future and residents who fought back in their own ways, refusing to be passive victims of these larger forces aligned against them.</p>\n<p>The documentary has two convergent goals.  One is to inform and enhance the ongoing debate over public housing and government welfare programs.  The film will use Pruitt-Igoe story as a lens through which a larger story about affordable housing and the changing American city can be viewed.  It will untangle the various arguments about what went wrong in Pruitt-Igoe and dispel the conclusions based on simplification and stereotype that turned Pruitt-Igoe into a symbol of failure.  Second, the film will illustrate how conclusions are dangerously and erroneously drawn when powerful interests control debate.</p>\n<p>History is a contested space.  It becomes used politically and culturally.  Arguments become flattened, rather than expanded; available evidence discarded, rather than sought.  Pruitt-Igoe has become a victim of this tendency, a victim of an implosion image which says, \\\"we tried that, and here\\\'s what happened,\\\" the booming reports of dynamite endlessly repeated in an echo chamber of failure.</p>\n<p>This is why Pruitt-Igoe matters - why we are making this documentary.  So much of our collective understanding of cities and government and inequality are tied up in those thirty-three high-rise buildings, informed by the demolition image. Too much of the context has been overlooked, or willfully ignored, in discussions of public housing, public welfare and the state of the American city.</p>\n<p>It\\\'s time to get the facts straight and present a proper story for Pruitt-Igoe that will implode the myths and the stigma.  Pruitt-Igoe needs to be remembered and understood - in a different way than it has been - because the city will change again.</p>\n<p>To this day, most of the 55-acres of the Pruitt-Igoe site are vacant, overgrown with trees and bushes, a constant visual reminder in the north side of St. Louis of this infamous \\\"failure.\\\"  It has been easy - too easy - for academics, politicians and interest groups to write off Pruitt-Igoe to bad policy, bad architecture or bad people.  But those are not the whole story, or even the primary factors in what led to Pruitt-Igoe\\\'s demise.  This is why a Pruitt-Igoe documentary is needed now. This documentary\\\'s ultimate goal is to show a wide audience that there is no easy explanation for the problems of Pruitt-Igoe and other urban public housing developments.</p>\n<p>The city will change again, and affordable housing will continue to be an issue.  When that happens, the complex lessons of Pruitt-Igoe must be remembered by society and by the architects, developers and public officials we will task with solving future housing issues.</p>\n<p>But what sticks is the label failure</p>\n<p>But public housing got a bad name.  Large public housing projects became, to many observers, synonymous with the perceived failure of the era of progressive federal policy launched with the New Deal.</p>\n<p>The irony</p>\n<p>In 1972, the televised implosion of one of the 33 11-story buildings that comprised the Pruitt-Igoe public housing development created a lasting symbol of failure in the collective American memory.  The word \\\"failure\\\" is used over and over in connection with the Wendell O. Pruitt and William L. Igoe Homes, the infamous public housing project that was leveled in 1974 after just 18 years of existence.   More than 25 years later, Pruitt-Igoe continues to appear in discussions of urban planning, public policy, federal welfare funding and architectural design.  It is employed to say that government doesn\\\'t work, as an argument for personal responsibility or the benefits of the private market.  The interests that use Pruitt-Igoe in this manner are grossly oversimplifying the issues surrounding its demise and ignoring many key factors.</p>\n<p>The film will examine key issues in the Pruitt-Igoe story, including its modernist inception and design, federal legislation, economic conditions of St. Louis and other industrial cities, and the post-war American housing boom.  Most importantly, the film will allow the former residents to tell their Pruitt-Igoe experiences, dispelling myths about the inhabitants of urban public housing that persist even today.</p>\n<p>Pruitt-Igoe was one of many urban high-rise public housing projects created through funds made available by the 1949 Housing Act.  Its story is representative of many of these developments\\\' fates.  Though the 1949 Housing Act had little concern for public housing, these \\\"failures\\\" have been pointed to continually in the past three decades by those opposed to federal welfare programs and bottom-up economic development.</p>\n<p>Pruitt-Igoe was designed in 1951 by architect Minoru Yamasaki.  Inflated constructions bids combined with the perceived necessity of building high-rises to achieve requisite density levels on valuable inner-city land ultimately led to the spaced superblocks of Pruitt-Igoe\\\'s 33 11-story buildings.  Pruitt-Igoe\\\'s failure, and the extent to which it was caused by its high-rise design, continues to be a significant debate in architecture today.  Many still point to implosion of Pruitt-Igoe\\\'s first building in 1972 as the end of modern architectural movement.</p>\n<p>Pruitt-Igoe was also used by city planners to reinforce racial segregation.  In the original plans, the Pruitt homes would be for minority residents, with the Igoe homes reserved for the white population.  When the Brown v. Board decision struck down segregation in 1954, just as Pruitt and Igoe were opening, both projects had to integrate.  Whites fled the city, making the occupants of the projects\\\' combined 2,870 units 90% African-American.</p>\n<p>The largest factor in the demise of Pruitt-Igoe was the legislation itself, but not in the way people usually talk about the legislation as a failure.  While the Housing Act of 1949 is often cited as initiating the federal public housing program, this was not its primary goal. Following World War II, giant rings of poverty and inner-city decay surrounded the central business districts of most major Eastern and Midwestern cities.   Leaders believed that clearing the slums and redeveloping the urban core would stimulate the floundering construction industry and the overall economy. In terms of priorities of the 1949 Housing Act, public housing was a distant third, lagging behind slum clearance and construction stimulation.  This was reflected in the allocation of federal money:  there were funds for clearance and development, but maintenance costs were to be paid by rental income, which was capped intentionally low so as not to interfere with the private real estate market.</p>\n<p>Capped rents meant there was never enough money for maintenance, leading building conditions, and occupancy rates, to plummet.  Vacant buildings became havens for criminal activity, causing even more families to flee and rental income to drop even further.  It was a vicious cycle, with residents and administrators finding only sporadic success in combating.  A 1969 resident-led rent strike led to some improvements, but by then the heroin trade had moved in, and there was no turning back.</p>\n<p>Just three years later, an earth-shattering explosion shook the grounds as the first federal housing project to be officially abandoned lost one of its buildings to a stack of dynamite.  By 1974, all residents had been relocated and the remaining buildings were leveled.  Receiving worldwide media attention, the destruction of Pruitt-Igoe served to reinforce the prevailing conception of the failure of public housing and, by extension, the whole American social welfare program.</p>\n<p>&nbsp;</p>\";s:10:\"category_0\";s:1:\"4\";}'),(3106,1199,4,4,1303257235,'a:26:{s:9:\"weblog_id\";s:1:\"4\";s:8:\"entry_id\";s:4:\"1199\";s:6:\"sticky\";s:1:\"n\";s:14:\"allow_comments\";s:1:\"n\";s:16:\"allow_trackbacks\";s:1:\"n\";s:10:\"entry_date\";s:19:\"2011-04-19 12:43 PM\";s:15:\"expiration_date\";s:0:\"\";s:23:\"comment_expiration_date\";s:0:\"\";s:8:\"category\";a:1:{i:0;s:1:\"4\";}s:9:\"author_id\";s:1:\"4\";s:10:\"new_weblog\";s:1:\"4\";s:6:\"status\";s:4:\"open\";s:14:\"trackback_urls\";s:0:\"\";s:18:\"versioning_enabled\";s:1:\"y\";s:5:\"title\";s:34:\"Film Explores \\\"Pruitt-Igoe Myth\\\"\";s:9:\"url_title\";s:30:\"film_explores_pruitt_igoe_myth\";s:6:\"submit\";s:6:\"Update\";s:11:\"field_id_26\";s:35:\"Film Explores \\\"Pruitt-Igoe Myth\\\" \";s:11:\"field_ft_26\";s:4:\"none\";s:11:\"field_id_31\";s:0:\"\";s:11:\"field_id_44\";s:400:\"The Pruitt-Igoe public housing complex has become a widespread symbol of failure amongst architects, politicians and policy makers. This blanket condemnation masks the true complexities of public housing in America, according to a recently released documentary film, \\\"The Pruitt-Igoe Myth\\\". The film premiered in Columbia, MO in March and was shown at at the Missouri Historical Society on April 9.\";s:11:\"field_ft_44\";s:4:\"none\";s:11:\"field_id_28\";s:17:\"Pruitt-Igoe, film\";s:11:\"field_ft_28\";s:4:\"none\";s:11:\"field_id_29\";s:12928:\"<p>&nbsp;The Pruitt-Igoe public housing complex has become a widespread symbol of failure amongst architects, politicians and policy makers. This blanket condemnation masks the true complexities of public housing in America, according to a recently released documentary film, \\\"The Pruitt-Igoe Myth\\\". The film premiered in Columbia, MO in March and was shown at at the Missouri Historical Society on April 9.</p>\n<h4>Click image to view movie trailer<br /></h4>\n<p><img alt=\\\"Pruitt-Igoe\\\" class=\\\"image-right\\\" height=\\\"237\\\" src=\\\"/images/uploads/THUMBNAIL_IconicImplosion_Pruitt-IgoeMyth_Credit-StatHistSocOfMO.jpg\\\" style=\\\"float: right;\\\" width=\\\"300\\\" />\\\"The Pruitt-Igoe Myth: An Urban History\\\", a new feature-length documentary was directed by Chad&nbsp; Freidrichs, of Columbia, MO, who co-produced the film with Jaime&nbsp; Freidrichs, also of Columbia, and Paul Fehler and Brian Woodman of St. Louis. All are graduates of the University of Missouri-Columbia].<br /><br />The Pruitt-Igoe Myth explores the short life of the Pruitt-Igoe housing development, which was&nbsp; opened in 1954 to meet the public housing needs of an overcrowded city.  Two decades later,&nbsp; with its highly-publicized demolition, Pruitt-Igoe became a potent national symbol of failure, a failure that has been used to critique Modernist architecture, attack public assistance programs, and stigmatize public housing residents. <br /> <br />The Pruitt-Igoe Myth attempts to reassess the complex history of Pruitt-Igoe within the larger post-War context of segregation, poverty, and urban population decline.  It gives special&nbsp; emphasis to the stories of the residents who managed to adapt to, and survive, the downward spiral of vacancy, vandalism and crime that made Pruitt-Igoe infamous.  By examining the interests involved in Pruitt-Igoe\\\'s creation and re-evaluating the rumors and the stigma <br />associated with it, the film reveals a much more nuanced vision of Pruitt-Igoe that implodes the well-worn stereotypes and myths.</p>\n<p>While the reasons for this are complex, a few widely publicized projects have created a lasting impression in the minds of many Americans.  One such project is the Pruitt-Igoe public housing development in St. Louis.  A famous image, circulated worldwide, of the implosion of one Pruitt-Igoe\\\'s buildings has come to symbolize to many the failure of government-sponsored housing and, more broadly, government-sponsored anything.</p>\n<p>Completed in 1954, the thirty-three eleven story buildings of Pruitt-Igoe were billed as the solution to the overcrowding and deterioration that was plaguing the inner city of St. Louis.  Twenty years later, the buildings were leveled, declared unfit for habitation.</p>\n<p>What happened in Pruitt-Igoe has fueled a mythology repeated in discussions of many urban high-rise projects.  Violence, crime and drugs, so the story goes, plagued the housing project from nearly the beginning as it became a \\\"dumping ground\\\' for the poorest city residents.  According to one standard account, it was quickly torn up by its rural residents who could not adapt to high-rise city life.</p>\n<p>A brief online image search of \\\"Pruitt-Igoe\\\" reveals this legacy.  A building imploded.  Vandalized hallways.  Acres of broken windows.  These images of destruction are periodically interrupted by images of a different kind: hopeful images of a massive newly-built housing complex in the mid-fifties, the scale and grandeur of the buildings reflecting the optimistic spirit out of which Pruitt-Igoe came.</p>\n<p>The quick, unexamined transition from hope to disillusionment is the standard structure of the Pruitt-Igoe narrative.  But there is another Pruitt-Igoe story, another approach, one simultaneously larger and smaller in focus.</p>\n<p>It is a story of a city and its residents.  The city is St. Louis, a city in many ways at the forefront of postwar urban decline.  In the years of Pruitt-Igoe, St. Louis\\\' decline rivaled the fall of Rome in its abruptness and impact on the city, losing half its population and enormous prestige in a generation. An analysis of Pruitt-Igoe has to begin in this milieu, and yet it so rarely does.</p>\n<p>A proper analysis of Pruitt-Igoe would take into account the ways in which public housing was used as a tool of racial segregation or as a justification for the clearance of poor and working-class neighborhoods.  This analysis would look at the dominant culture of the time, which stressed uniformity and \\\"hygiene\\\" in the domestic sphere, political life, and neighborhood composition.  And the priorities of the legislation that created large-scale public housing would come up for analysis as well.</p>\n<p>The individual stories of the residents\\\' struggles and successes have almost universally been ignored; the texture of life in the projects too often reduced to melodrama.   The Pruitt-Igoe documentary has, at its heart, the experiences of its residents, adding a human face to a subject that has become so depersonalized.</p>\n<p>The Pruitt-Igoe documentary tells of a declining city, a suburbanizing nation, a changing urban economy, a hope for the future and residents who fought back in their own ways, refusing to be passive victims of these larger forces aligned against them.</p>\n<p>The documentary has two convergent goals.  One is to inform and enhance the ongoing debate over public housing and government welfare programs.  The film will use Pruitt-Igoe story as a lens through which a larger story about affordable housing and the changing American city can be viewed.  It will untangle the various arguments about what went wrong in Pruitt-Igoe and dispel the conclusions based on simplification and stereotype that turned Pruitt-Igoe into a symbol of failure.  Second, the film will illustrate how conclusions are dangerously and erroneously drawn when powerful interests control debate.</p>\n<p>History is a contested space.  It becomes used politically and culturally.  Arguments become flattened, rather than expanded; available evidence discarded, rather than sought.  Pruitt-Igoe has become a victim of this tendency, a victim of an implosion image which says, \\\"we tried that, and here\\\'s what happened,\\\" the booming reports of dynamite endlessly repeated in an echo chamber of failure.</p>\n<p>This is why Pruitt-Igoe matters - why we are making this documentary.  So much of our collective understanding of cities and government and inequality are tied up in those thirty-three high-rise buildings, informed by the demolition image. Too much of the context has been overlooked, or willfully ignored, in discussions of public housing, public welfare and the state of the American city.</p>\n<p>It\\\'s time to get the facts straight and present a proper story for Pruitt-Igoe that will implode the myths and the stigma.  Pruitt-Igoe needs to be remembered and understood - in a different way than it has been - because the city will change again.</p>\n<p>To this day, most of the 55-acres of the Pruitt-Igoe site are vacant, overgrown with trees and bushes, a constant visual reminder in the north side of St. Louis of this infamous \\\"failure.\\\"  It has been easy - too easy - for academics, politicians and interest groups to write off Pruitt-Igoe to bad policy, bad architecture or bad people.  But those are not the whole story, or even the primary factors in what led to Pruitt-Igoe\\\'s demise.  This is why a Pruitt-Igoe documentary is needed now. This documentary\\\'s ultimate goal is to show a wide audience that there is no easy explanation for the problems of Pruitt-Igoe and other urban public housing developments.</p>\n<p>The city will change again, and affordable housing will continue to be an issue.  When that happens, the complex lessons of Pruitt-Igoe must be remembered by society and by the architects, developers and public officials we will task with solving future housing issues.</p>\n<p>But what sticks is the label failure</p>\n<p>But public housing got a bad name.  Large public housing projects became, to many observers, synonymous with the perceived failure of the era of progressive federal policy launched with the New Deal.</p>\n<p>The irony</p>\n<p>In 1972, the televised implosion of one of the 33 11-story buildings that comprised the Pruitt-Igoe public housing development created a lasting symbol of failure in the collective American memory.  The word \\\"failure\\\" is used over and over in connection with the Wendell O. Pruitt and William L. Igoe Homes, the infamous public housing project that was leveled in 1974 after just 18 years of existence.   More than 25 years later, Pruitt-Igoe continues to appear in discussions of urban planning, public policy, federal welfare funding and architectural design.  It is employed to say that government doesn\\\'t work, as an argument for personal responsibility or the benefits of the private market.  The interests that use Pruitt-Igoe in this manner are grossly oversimplifying the issues surrounding its demise and ignoring many key factors.</p>\n<p>The film will examine key issues in the Pruitt-Igoe story, including its modernist inception and design, federal legislation, economic conditions of St. Louis and other industrial cities, and the post-war American housing boom.  Most importantly, the film will allow the former residents to tell their Pruitt-Igoe experiences, dispelling myths about the inhabitants of urban public housing that persist even today.</p>\n<p>Pruitt-Igoe was one of many urban high-rise public housing projects created through funds made available by the 1949 Housing Act.  Its story is representative of many of these developments\\\' fates.  Though the 1949 Housing Act had little concern for public housing, these \\\"failures\\\" have been pointed to continually in the past three decades by those opposed to federal welfare programs and bottom-up economic development.</p>\n<p>Pruitt-Igoe was designed in 1951 by architect Minoru Yamasaki.  Inflated constructions bids combined with the perceived necessity of building high-rises to achieve requisite density levels on valuable inner-city land ultimately led to the spaced superblocks of Pruitt-Igoe\\\'s 33 11-story buildings.  Pruitt-Igoe\\\'s failure, and the extent to which it was caused by its high-rise design, continues to be a significant debate in architecture today.  Many still point to implosion of Pruitt-Igoe\\\'s first building in 1972 as the end of modern architectural movement.</p>\n<p>Pruitt-Igoe was also used by city planners to reinforce racial segregation.  In the original plans, the Pruitt homes would be for minority residents, with the Igoe homes reserved for the white population.  When the Brown v. Board decision struck down segregation in 1954, just as Pruitt and Igoe were opening, both projects had to integrate.  Whites fled the city, making the occupants of the projects\\\' combined 2,870 units 90% African-American.</p>\n<p>The largest factor in the demise of Pruitt-Igoe was the legislation itself, but not in the way people usually talk about the legislation as a failure.  While the Housing Act of 1949 is often cited as initiating the federal public housing program, this was not its primary goal. Following World War II, giant rings of poverty and inner-city decay surrounded the central business districts of most major Eastern and Midwestern cities.   Leaders believed that clearing the slums and redeveloping the urban core would stimulate the floundering construction industry and the overall economy. In terms of priorities of the 1949 Housing Act, public housing was a distant third, lagging behind slum clearance and construction stimulation.  This was reflected in the allocation of federal money:  there were funds for clearance and development, but maintenance costs were to be paid by rental income, which was capped intentionally low so as not to interfere with the private real estate market.</p>\n<p>Capped rents meant there was never enough money for maintenance, leading building conditions, and occupancy rates, to plummet.  Vacant buildings became havens for criminal activity, causing even more families to flee and rental income to drop even further.  It was a vicious cycle, with residents and administrators finding only sporadic success in combating.  A 1969 resident-led rent strike led to some improvements, but by then the heroin trade had moved in, and there was no turning back.</p>\n<p>Just three years later, an earth-shattering explosion shook the grounds as the first federal housing project to be officially abandoned lost one of its buildings to a stack of dynamite.  By 1974, all residents had been relocated and the remaining buildings were leveled.  Receiving worldwide media attention, the destruction of Pruitt-Igoe served to reinforce the prevailing conception of the failure of public housing and, by extension, the whole American social welfare program.</p>\n<p>&nbsp;</p>\";s:10:\"category_0\";s:1:\"4\";}'),(3107,1199,4,4,1303257423,'a:26:{s:9:\"weblog_id\";s:1:\"4\";s:8:\"entry_id\";s:4:\"1199\";s:6:\"sticky\";s:1:\"n\";s:14:\"allow_comments\";s:1:\"n\";s:16:\"allow_trackbacks\";s:1:\"n\";s:10:\"entry_date\";s:19:\"2011-04-19 12:43 PM\";s:15:\"expiration_date\";s:0:\"\";s:23:\"comment_expiration_date\";s:0:\"\";s:8:\"category\";a:1:{i:0;s:1:\"4\";}s:9:\"author_id\";s:1:\"4\";s:10:\"new_weblog\";s:1:\"4\";s:6:\"status\";s:4:\"open\";s:14:\"trackback_urls\";s:0:\"\";s:18:\"versioning_enabled\";s:1:\"y\";s:5:\"title\";s:34:\"Film Explores \\\"Pruitt-Igoe Myth\\\"\";s:9:\"url_title\";s:30:\"film_explores_pruitt_igoe_myth\";s:6:\"submit\";s:6:\"Update\";s:11:\"field_id_26\";s:35:\"Film Explores \\\"Pruitt-Igoe Myth\\\" \";s:11:\"field_ft_26\";s:4:\"none\";s:11:\"field_id_31\";s:0:\"\";s:11:\"field_id_44\";s:400:\"The Pruitt-Igoe public housing complex has become a widespread symbol of failure amongst architects, politicians and policy makers. This blanket condemnation masks the true complexities of public housing in America, according to a recently released documentary film, \\\"The Pruitt-Igoe Myth\\\". The film premiered in Columbia, MO in March and was shown at at the Missouri Historical Society on April 9.\";s:11:\"field_ft_44\";s:4:\"none\";s:11:\"field_id_28\";s:17:\"Pruitt-Igoe, film\";s:11:\"field_ft_28\";s:4:\"none\";s:11:\"field_id_29\";s:12895:\"<p>&nbsp;The Pruitt-Igoe public housing complex has become a widespread symbol of failure amongst architects, politicians and policy makers. This blanket condemnation masks the true complexities of public housing in America, according to a recently released documentary film, \\\"The Pruitt-Igoe Myth\\\". The film premiered in Columbia, MO in March and was shown at at the Missouri Historical Society on April 9.</p>\n<h4>Click image to view movie trailer<br /></h4>\n<p><img alt=\\\"Pruitt-Igoe\\\" class=\\\"image-right\\\" height=\\\"237\\\" src=\\\"/images/uploads/THUMBNAIL_IconicImplosion_Pruitt-IgoeMyth_Credit-StatHistSocOfMO.jpg\\\" style=\\\"float: right;\\\" width=\\\"300\\\" />\\\"The Pruitt-Igoe Myth: An Urban History\\\", a new feature-length documentary was directed by Chad&nbsp; Freidrichs, of Columbia, MO, who co-produced the film with Jaime&nbsp; Freidrichs, also of Columbia, and Paul Fehler and Brian Woodman of St. Louis. All are graduates of the University of Missouri-Columbia].<br /><br />The Pruitt-Igoe Myth explores the short life of the Pruitt-Igoe housing development, which was&nbsp; opened in 1954 to meet the public housing needs of an overcrowded city.  Two decades later,&nbsp; with its highly-publicized demolition, Pruitt-Igoe became a potent national symbol of failure, a failure that has been used to critique Modernist architecture, attack public assistance programs, and stigmatize public housing residents. <br /> <br />The Pruitt-Igoe Myth attempts to reassess the complex history of Pruitt-Igoe within the larger post-War context of segregation, poverty, and urban population decline.  It gives special&nbsp; emphasis to the stories of the residents who managed to adapt to, and survive, the downward spiral of vacancy, vandalism and crime that made Pruitt-Igoe infamous.  By examining the interests involved in Pruitt-Igoe\\\'s creation and re-evaluating the rumors and the stigma <br />associated with it, the film reveals a much more nuanced vision of Pruitt-Igoe that implodes the well-worn stereotypes and myths.</p>\n<p>While the reasons for this are complex, a few widely publicized projects have created a lasting impression in the minds of many Americans.  One such project is the Pruitt-Igoe public housing development in St. Louis.  A famous image, circulated worldwide, of the implosion of one Pruitt-Igoe\\\'s buildings has come to symbolize to many the failure of government-sponsored housing and, more broadly, government-sponsored anything.</p>\n<p>Completed in 1954, the thirty-three eleven story buildings of Pruitt-Igoe were billed as the solution to the overcrowding and deterioration that was plaguing the inner city of St. Louis.  Twenty years later, the buildings were leveled, declared unfit for habitation.</p>\n<p>What happened in Pruitt-Igoe has fueled a mythology repeated in discussions of many urban high-rise projects.  Violence, crime and drugs, so the story goes, plagued the housing project from nearly the beginning as it became a \\\"dumping ground\\\' for the poorest city residents.  According to one standard account, it was quickly torn up by its rural residents who could not adapt to high-rise city life.</p>\n<p>A brief online image search of \\\"Pruitt-Igoe\\\" reveals this legacy.  A building imploded.  Vandalized hallways.  Acres of broken windows.  These images of destruction are periodically interrupted by images of a different kind: hopeful images of a massive newly-built housing complex in the mid-fifties, the scale and grandeur of the buildings reflecting the optimistic spirit out of which Pruitt-Igoe came.</p>\n<p>The quick, unexamined transition from hope to disillusionment is the standard structure of the Pruitt-Igoe narrative.  But there is another Pruitt-Igoe story, another approach, one simultaneously larger and smaller in focus.</p>\n<p>It is a story of a city and its residents.  The city is St. Louis, a city in many ways at the forefront of postwar urban decline.  In the years of Pruitt-Igoe, St. Louis\\\' decline rivaled the fall of Rome in its abruptness and impact on the city, losing half its population and enormous prestige in a generation. An analysis of Pruitt-Igoe has to begin in this milieu, and yet it so rarely does.</p>\n<p>A proper analysis of Pruitt-Igoe would take into account the ways in which public housing was used as a tool of racial segregation or as a justification for the clearance of poor and working-class neighborhoods.  This analysis would look at the dominant culture of the time, which stressed uniformity and \\\"hygiene\\\" in the domestic sphere, political life, and neighborhood composition.  And the priorities of the legislation that created large-scale public housing would come up for analysis as well.</p>\n<p>The individual stories of the residents\\\' struggles and successes have almost universally been ignored; the texture of life in the projects too often reduced to melodrama.   The Pruitt-Igoe documentary has, at its heart, the experiences of its residents, adding a human face to a subject that has become so depersonalized.</p>\n<p>The Pruitt-Igoe documentary tells of a declining city, a suburbanizing nation, a changing urban economy, a hope for the future and residents who fought back in their own ways, refusing to be passive victims of these larger forces aligned against them.</p>\n<p>The documentary has two convergent goals.  One is to inform and enhance the ongoing debate over public housing and government welfare programs.  The film will use Pruitt-Igoe story as a lens through which a larger story about affordable housing and the changing American city can be viewed.  It will untangle the various arguments about what went wrong in Pruitt-Igoe and dispel the conclusions based on simplification and stereotype that turned Pruitt-Igoe into a symbol of failure.  Second, the film will illustrate how conclusions are dangerously and erroneously drawn when powerful interests control debate.</p>\n<p>History is a contested space.  It becomes used politically and culturally.  Arguments become flattened, rather than expanded; available evidence discarded, rather than sought.  Pruitt-Igoe has become a victim of this tendency, a victim of an implosion image which says, \\\"we tried that, and here\\\'s what happened,\\\" the booming reports of dynamite endlessly repeated in an echo chamber of failure.</p>\n<p>This is why Pruitt-Igoe matters - why we are making this documentary.  So much of our collective understanding of cities and government and inequality are tied up in those thirty-three high-rise buildings, informed by the demolition image. Too much of the context has been overlooked, or willfully ignored, in discussions of public housing, public welfare and the state of the American city.</p>\n<p>It\\\'s time to get the facts straight and present a proper story for Pruitt-Igoe that will implode the myths and the stigma.  Pruitt-Igoe needs to be remembered and understood - in a different way than it has been - because the city will change again.</p>\n<p>To this day, most of the 55-acres of the Pruitt-Igoe site are vacant, overgrown with trees and bushes, a constant visual reminder in the north side of St. Louis of this infamous \\\"failure.\\\"  It has been easy - too easy - for academics, politicians and interest groups to write off Pruitt-Igoe to bad policy, bad architecture or bad people.  But those are not the whole story, or even the primary factors in what led to Pruitt-Igoe\\\'s demise.  This is why a Pruitt-Igoe documentary is needed now. This documentary\\\'s ultimate goal is to show a wide audience that there is no easy explanation for the problems of Pruitt-Igoe and other urban public housing developments.</p>\n<p>The city will change again, and affordable housing will continue to be an issue.  When that happens, the complex lessons of Pruitt-Igoe must be remembered by society and by the architects, developers and public officials we will task with solving future housing issues.</p>\n<p>&nbsp;</p>\n<p>But public housing got a bad name.  Large public housing projects became, to many observers, synonymous with the perceived failure of the era of progressive federal policy launched with the New Deal.</p>\n<p>&nbsp;</p>\n<p>In 1972, the televised implosion of one of the 33 11-story buildings that comprised the Pruitt-Igoe public housing development created a lasting symbol of failure in the collective American memory.  The word \\\"failure\\\" is used over and over in connection with the Wendell O. Pruitt and William L. Igoe Homes, the infamous public housing project that was leveled in 1974 after just 18 years of existence.   More than 25 years later, Pruitt-Igoe continues to appear in discussions of urban planning, public policy, federal welfare funding and architectural design.  It is employed to say that government doesn\\\'t work, as an argument for personal responsibility or the benefits of the private market.  The interests that use Pruitt-Igoe in this manner are grossly oversimplifying the issues surrounding its demise and ignoring many key factors.</p>\n<p>The film will examine key issues in the Pruitt-Igoe story, including its modernist inception and design, federal legislation, economic conditions of St. Louis and other industrial cities, and the post-war American housing boom.  Most importantly, the film will allow the former residents to tell their Pruitt-Igoe experiences, dispelling myths about the inhabitants of urban public housing that persist even today.</p>\n<p>Pruitt-Igoe was one of many urban high-rise public housing projects created through funds made available by the 1949 Housing Act.  Its story is representative of many of these developments\\\' fates.  Though the 1949 Housing Act had little concern for public housing, these \\\"failures\\\" have been pointed to continually in the past three decades by those opposed to federal welfare programs and bottom-up economic development.</p>\n<p>Pruitt-Igoe was designed in 1951 by architect Minoru Yamasaki.  Inflated constructions bids combined with the perceived necessity of building high-rises to achieve requisite density levels on valuable inner-city land ultimately led to the spaced superblocks of Pruitt-Igoe\\\'s 33 11-story buildings.  Pruitt-Igoe\\\'s failure, and the extent to which it was caused by its high-rise design, continues to be a significant debate in architecture today.  Many still point to implosion of Pruitt-Igoe\\\'s first building in 1972 as the end of modern architectural movement.</p>\n<p>Pruitt-Igoe was also used by city planners to reinforce racial segregation.  In the original plans, the Pruitt homes would be for minority residents, with the Igoe homes reserved for the white population.  When the Brown v. Board decision struck down segregation in 1954, just as Pruitt and Igoe were opening, both projects had to integrate.  Whites fled the city, making the occupants of the projects\\\' combined 2,870 units 90% African-American.</p>\n<p>The largest factor in the demise of Pruitt-Igoe was the legislation itself, but not in the way people usually talk about the legislation as a failure.  While the Housing Act of 1949 is often cited as initiating the federal public housing program, this was not its primary goal. Following World War II, giant rings of poverty and inner-city decay surrounded the central business districts of most major Eastern and Midwestern cities.   Leaders believed that clearing the slums and redeveloping the urban core would stimulate the floundering construction industry and the overall economy. In terms of priorities of the 1949 Housing Act, public housing was a distant third, lagging behind slum clearance and construction stimulation.  This was reflected in the allocation of federal money:  there were funds for clearance and development, but maintenance costs were to be paid by rental income, which was capped intentionally low so as not to interfere with the private real estate market.</p>\n<p>Capped rents meant there was never enough money for maintenance, leading building conditions, and occupancy rates, to plummet.  Vacant buildings became havens for criminal activity, causing even more families to flee and rental income to drop even further.  It was a vicious cycle, with residents and administrators finding only sporadic success in combating.  A 1969 resident-led rent strike led to some improvements, but by then the heroin trade had moved in, and there was no turning back.</p>\n<p>Just three years later, an earth-shattering explosion shook the grounds as the first federal housing project to be officially abandoned lost one of its buildings to a stack of dynamite.  By 1974, all residents had been relocated and the remaining buildings were leveled.  Receiving worldwide media attention, the destruction of Pruitt-Igoe served to reinforce the prevailing conception of the failure of public housing and, by extension, the whole American social welfare program.</p>\n<p>&nbsp;</p>\";s:10:\"category_0\";s:1:\"4\";}'),(3108,1200,10,4,1303260400,'a:30:{s:9:\"weblog_id\";s:2:\"10\";s:8:\"entry_id\";s:0:\"\";s:6:\"sticky\";s:0:\"\";s:14:\"allow_comments\";s:1:\"n\";s:16:\"allow_trackbacks\";s:1:\"n\";s:10:\"entry_date\";s:19:\"2011-04-19 02:44 PM\";s:15:\"expiration_date\";s:0:\"\";s:23:\"comment_expiration_date\";s:0:\"\";s:9:\"author_id\";s:1:\"4\";s:6:\"status\";s:4:\"open\";s:14:\"trackback_urls\";s:0:\"\";s:18:\"versioning_enabled\";s:1:\"y\";s:5:\"title\";s:37:\"AGC Spring Sporting Clays Tournament \";s:9:\"url_title\";s:36:\"agc_spring_sporting_clays_tournament\";s:6:\"submit\";s:6:\"Submit\";s:11:\"field_id_58\";s:37:\"AGC Spring Sporting Clays Tournament \";s:11:\"field_ft_58\";s:4:\"none\";s:11:\"field_id_62\";s:316:\"The Spring Sporting Clays Tournament is next week! This is a great opportunity to enjoy a day outside with your peers, clients and friends. The extended forecast calls for sunny weather and 80 degree temperatures! Click here to download a registration form. Sign up as soon as possible - the tournament is next week!\";s:11:\"field_ft_62\";s:4:\"none\";s:11:\"field_id_59\";s:0:\"\";s:11:\"field_ft_59\";s:4:\"none\";s:11:\"field_id_63\";s:90:\"St. Louis Skeet and Trap Club - 18554 Franklin Road - Pacific, MO 63069 - www.skeetrap.com\";s:11:\"field_ft_63\";s:4:\"none\";s:11:\"field_id_57\";s:19:\"2011-04-29  8:00 AM\";s:15:\"field_offset_57\";s:1:\"y\";s:11:\"field_id_56\";s:0:\"\";s:15:\"field_offset_56\";s:1:\"y\";s:11:\"field_id_55\";s:18:\"8:00 am to 5:00 pm\";s:11:\"field_ft_55\";s:4:\"none\";s:11:\"field_id_60\";s:24279:\"<p><!--[if gte mso 9]><xml> <w:WordDocument> <w:View>Normal</w:View> <w:Zoom>0</w:Zoom> <w:TrackMoves /> <w:TrackFormatting /> <w:PunctuationKerning /> <w:ValidateAgainstSchemas /> <w:SaveIfXMLInvalid>false</w:SaveIfXMLInvalid> <w:IgnoreMixedContent>false</w:IgnoreMixedContent> <w:AlwaysShowPlaceholderText>false</w:AlwaysShowPlaceholderText> <w:DoNotPromoteQF /> <w:LidThemeOther>EN-US</w:LidThemeOther> 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<w:LsdException Locked=\\\"false\\\" Priority=\\\"72\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful List\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"73\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful Grid\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"60\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light Shading Accent 1\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"61\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light List Accent 1\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"62\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light Grid Accent 1\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"63\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Shading 1 Accent 1\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"64\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Shading 2 Accent 1\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"65\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium List 1 Accent 1\\\" /> <w:LsdException Locked=\\\"false\\\" UnhideWhenUsed=\\\"false\\\" Name=\\\"Revision\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"34\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" QFormat=\\\"true\\\" Name=\\\"List Paragraph\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"29\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" QFormat=\\\"true\\\" Name=\\\"Quote\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"30\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" QFormat=\\\"true\\\" Name=\\\"Intense Quote\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"66\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium List 2 Accent 1\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"67\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 1 Accent 1\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"68\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 2 Accent 1\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"69\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 3 Accent 1\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"70\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Dark List Accent 1\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"71\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful Shading Accent 1\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"72\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful List Accent 1\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"73\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful Grid Accent 1\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"60\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light Shading Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"61\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light List Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"62\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light Grid Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"63\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Shading 1 Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"64\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Shading 2 Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"65\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium List 1 Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"66\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium List 2 Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"67\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 1 Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"68\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 2 Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"69\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 3 Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"70\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Dark List Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"71\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful Shading Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"72\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful List Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"73\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful Grid Accent 2\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"60\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light Shading Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"61\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light List Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"62\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light Grid Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"63\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Shading 1 Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"64\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Shading 2 Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"65\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium List 1 Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"66\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium List 2 Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"67\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 1 Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"68\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 2 Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"69\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 3 Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"70\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Dark List Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"71\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful Shading Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"72\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful List Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"73\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful Grid Accent 3\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"60\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light Shading Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"61\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light List Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"62\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light Grid Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"63\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Shading 1 Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"64\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Shading 2 Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"65\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium List 1 Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"66\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium List 2 Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"67\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 1 Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"68\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 2 Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"69\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 3 Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"70\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Dark List Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"71\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful Shading Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"72\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful List Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"73\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful Grid Accent 4\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"60\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light Shading Accent 5\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"61\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light List Accent 5\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"62\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light Grid Accent 5\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"63\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Shading 1 Accent 5\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"64\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Shading 2 Accent 5\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"65\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium List 1 Accent 5\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"66\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium List 2 Accent 5\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"67\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 1 Accent 5\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"68\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 2 Accent 5\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"69\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 3 Accent 5\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"70\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Dark List Accent 5\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"71\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful Shading Accent 5\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"72\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful List Accent 5\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"73\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful Grid Accent 5\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"60\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light Shading Accent 6\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"61\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light List Accent 6\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"62\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light Grid Accent 6\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"63\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Shading 1 Accent 6\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"64\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Shading 2 Accent 6\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"65\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium List 1 Accent 6\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"66\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium List 2 Accent 6\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"67\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 1 Accent 6\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"68\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 2 Accent 6\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"69\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 3 Accent 6\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"70\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Dark List Accent 6\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"71\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful Shading Accent 6\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"72\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful List Accent 6\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"73\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful Grid Accent 6\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"19\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" QFormat=\\\"true\\\" Name=\\\"Subtle Emphasis\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"21\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" QFormat=\\\"true\\\" Name=\\\"Intense Emphasis\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"31\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" QFormat=\\\"true\\\" Name=\\\"Subtle Reference\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"32\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" QFormat=\\\"true\\\" Name=\\\"Intense Reference\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"33\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" QFormat=\\\"true\\\" Name=\\\"Book Title\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"37\\\" Name=\\\"Bibliography\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"39\\\" QFormat=\\\"true\\\" Name=\\\"TOC Heading\\\" /> </w:LatentStyles> </xml><![endif]--><!--[if gte mso 10]>\n<style>\n /* Style Definitions */\n table.MsoNormalTable\n	{mso-style-name:\\\"Table Normal\\\";\n	mso-tstyle-rowband-size:0;\n	mso-tstyle-colband-size:0;\n	mso-style-noshow:yes;\n	mso-style-priority:99;\n	mso-style-qformat:yes;\n	mso-style-parent:\\\"\\\";\n	mso-padding-alt:0in 5.4pt 0in 5.4pt;\n	mso-para-margin-top:0in;\n	mso-para-margin-right:0in;\n	mso-para-margin-bottom:10.0pt;\n	mso-para-margin-left:0in;\n	line-height:115%;\n	mso-pagination:widow-orphan;\n	font-size:11.0pt;\n	font-family:\\\"Calibri\\\",\\\"sans-serif\\\";\n	mso-ascii-font-family:Calibri;\n	mso-ascii-theme-font:minor-latin;\n	mso-fareast-font-family:\\\"Times New Roman\\\";\n	mso-fareast-theme-font:minor-fareast;\n	mso-hansi-font-family:Calibri;\n	mso-hansi-theme-font:minor-latin;\n	mso-bidi-font-family:\\\"Times New Roman\\\";\n	mso-bidi-theme-font:minor-bidi;}\n</style>\n<![endif]--></p>\n<p class=\\\"MsoNormal\\\"><strong><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\">Spring Sporting Clays\nTournament</span></strong></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\"></span></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\">The\nSpring Sporting Clays Tournament is next week! This is a great opportunity to\nenjoy a day outside with your peers, clients and friends. The extended forecast\ncalls for sunny weather and 80 degree temperatures! Click here to download a\nregistration form. Sign up as soon as possible - the tournament is next week!</span></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\"></span></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\">Friday,\nApril 29, 2011</span></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\">St.\nLouis Skeet and Trap Club</span></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\">18554\nFranklin Road</span></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\">Pacific,\nMO 63069</span></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\">www.skeetrap.com</span></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\"></span></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\">The\n2011 Spring Sporting Clays Tournament is a fun event for shooting enthusiasts.\nIndividual shooters will compete for a \\\"top gun\\\" prize as well as a\n\\\"B\\\" and \\\"C\\\" flight winner. A team competition (four\nshooters per team) will also take place, awarding a prize to the top team.\nShooters can choose to shoot in either a morning or an afternoon session. All\nproceeds will benefit the AGC of St. Louis Political Action Committee.</span></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\"></span></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\">8:00am:\nRegistration Begins</span></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\">9:00am\n- 12:30am: Practice Rounds (Multiple rounds may be purchased at $15 per round;\nammunition provided.)</span></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\">10:00am:\nMorning Session Begins</span></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\">11:30am\n- 12:30pm: Lunch</span></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\">1:00pm:\nAfternoon Session Begins</span></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\">4:00pm\n- 5:00 pm: Trophy Presentation (Attendance and raffle prizes will also be given\naway at this time.)</span></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\">&nbsp;</span></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\">$130\nper person plus $25 for each team. Fee includes golf cart, ammunition, lunch,\nsoda and snacks, plus beer after the tournament.</span></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\">The\nAGC provides 12 guage shotgun shells to all participants. If you would like a\n20 guage shell, please notify us in advance.</span></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\"></span></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\">Sponsorships\n- REDUCED COST!</span></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\">Tournament\nSponsor: $175</span></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\">Lunch\nSponsor: $100</span></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\">Attendance\nPrize Sponsor: $75</span></p>\n<p class=\\\"MsoNormal\\\">&nbsp;</p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\">&nbsp;For\nmore information: Contact Stephanie Mitchell at smitchell@agcstl.org or (314)\n480-3178.</span></p>\";}'),(3109,1200,10,4,1303260496,'a:31:{s:9:\"weblog_id\";s:2:\"10\";s:8:\"entry_id\";s:4:\"1200\";s:6:\"sticky\";s:1:\"n\";s:14:\"allow_comments\";s:1:\"n\";s:16:\"allow_trackbacks\";s:1:\"n\";s:10:\"entry_date\";s:19:\"2011-04-19 02:44 PM\";s:15:\"expiration_date\";s:0:\"\";s:23:\"comment_expiration_date\";s:0:\"\";s:9:\"author_id\";s:1:\"4\";s:10:\"new_weblog\";s:2:\"10\";s:6:\"status\";s:4:\"open\";s:14:\"trackback_urls\";s:0:\"\";s:18:\"versioning_enabled\";s:1:\"y\";s:5:\"title\";s:36:\"AGC Spring Sporting Clays Tournament\";s:9:\"url_title\";s:36:\"agc_spring_sporting_clays_tournament\";s:6:\"submit\";s:6:\"Update\";s:11:\"field_id_58\";s:37:\"AGC Spring Sporting Clays Tournament \";s:11:\"field_ft_58\";s:4:\"none\";s:11:\"field_id_62\";s:272:\"The Spring Sporting Clays Tournament is next week! This is a great opportunity to enjoy a day outside with your peers, clients and friends. The extended forecast calls for sunny weather and 80 degree temperatures! Sign up as soon as possible - the tournament is next week!\";s:11:\"field_ft_62\";s:4:\"none\";s:11:\"field_id_59\";s:0:\"\";s:11:\"field_ft_59\";s:4:\"none\";s:11:\"field_id_63\";s:90:\"St. Louis Skeet and Trap Club - 18554 Franklin Road - Pacific, MO 63069 - www.skeetrap.com\";s:11:\"field_ft_63\";s:4:\"none\";s:11:\"field_id_57\";s:19:\"2011-04-29 08:00 AM\";s:15:\"field_offset_57\";s:1:\"y\";s:11:\"field_id_56\";s:0:\"\";s:15:\"field_offset_56\";s:1:\"y\";s:11:\"field_id_55\";s:18:\"8:00 am to 5:00 pm\";s:11:\"field_ft_55\";s:4:\"none\";s:11:\"field_id_60\";s:24235:\"<p><!--[if gte mso 9]><xml> <w:WordDocument> <w:View>Normal</w:View> <w:Zoom>0</w:Zoom> <w:TrackMoves /> <w:TrackFormatting /> <w:PunctuationKerning /> <w:ValidateAgainstSchemas /> <w:SaveIfXMLInvalid>false</w:SaveIfXMLInvalid> <w:IgnoreMixedContent>false</w:IgnoreMixedContent> <w:AlwaysShowPlaceholderText>false</w:AlwaysShowPlaceholderText> <w:DoNotPromoteQF /> <w:LidThemeOther>EN-US</w:LidThemeOther> 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Locked=\\\"false\\\" Priority=\\\"63\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Shading 1 Accent 5\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"64\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Shading 2 Accent 5\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"65\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium List 1 Accent 5\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"66\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium List 2 Accent 5\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"67\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 1 Accent 5\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"68\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 2 Accent 5\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"69\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 3 Accent 5\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"70\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Dark List Accent 5\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"71\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful Shading Accent 5\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"72\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful List Accent 5\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"73\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful Grid Accent 5\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"60\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light Shading Accent 6\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"61\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light List Accent 6\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"62\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Light Grid Accent 6\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"63\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Shading 1 Accent 6\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"64\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Shading 2 Accent 6\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"65\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium List 1 Accent 6\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"66\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium List 2 Accent 6\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"67\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 1 Accent 6\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"68\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 2 Accent 6\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"69\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Medium Grid 3 Accent 6\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"70\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Dark List Accent 6\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"71\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful Shading Accent 6\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"72\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful List Accent 6\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"73\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" Name=\\\"Colorful Grid Accent 6\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"19\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" QFormat=\\\"true\\\" Name=\\\"Subtle Emphasis\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"21\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" QFormat=\\\"true\\\" Name=\\\"Intense Emphasis\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"31\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" QFormat=\\\"true\\\" Name=\\\"Subtle Reference\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"32\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" QFormat=\\\"true\\\" Name=\\\"Intense Reference\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"33\\\" SemiHidden=\\\"false\\\"\n   UnhideWhenUsed=\\\"false\\\" QFormat=\\\"true\\\" Name=\\\"Book Title\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"37\\\" Name=\\\"Bibliography\\\" /> <w:LsdException Locked=\\\"false\\\" Priority=\\\"39\\\" QFormat=\\\"true\\\" Name=\\\"TOC Heading\\\" /> </w:LatentStyles> </xml><![endif]--><!--[if gte mso 10]>\n<style>\n /* Style Definitions */\n table.MsoNormalTable\n	{mso-style-name:\\\"Table Normal\\\";\n	mso-tstyle-rowband-size:0;\n	mso-tstyle-colband-size:0;\n	mso-style-noshow:yes;\n	mso-style-priority:99;\n	mso-style-qformat:yes;\n	mso-style-parent:\\\"\\\";\n	mso-padding-alt:0in 5.4pt 0in 5.4pt;\n	mso-para-margin-top:0in;\n	mso-para-margin-right:0in;\n	mso-para-margin-bottom:10.0pt;\n	mso-para-margin-left:0in;\n	line-height:115%;\n	mso-pagination:widow-orphan;\n	font-size:11.0pt;\n	font-family:\\\"Calibri\\\",\\\"sans-serif\\\";\n	mso-ascii-font-family:Calibri;\n	mso-ascii-theme-font:minor-latin;\n	mso-fareast-font-family:\\\"Times New Roman\\\";\n	mso-fareast-theme-font:minor-fareast;\n	mso-hansi-font-family:Calibri;\n	mso-hansi-theme-font:minor-latin;\n	mso-bidi-font-family:\\\"Times New Roman\\\";\n	mso-bidi-theme-font:minor-bidi;}\n</style>\n<![endif]--></p>\n<p class=\\\"MsoNormal\\\"><strong><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\">Spring Sporting Clays\nTournament</span></strong></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\"></span></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\">The\nSpring Sporting Clays Tournament is next week! This is a great opportunity to\nenjoy a day outside with your peers, clients and friends. The extended forecast\ncalls for sunny weather and 80 degree temperatures! Sign up as soon as possible - the tournament is next week!</span></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\"></span></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\">Friday,\nApril 29, 2011</span></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\">St.\nLouis Skeet and Trap Club</span></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\">18554\nFranklin Road</span></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\">Pacific,\nMO 63069</span></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\">www.skeetrap.com</span></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\"></span></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\">The\n2011 Spring Sporting Clays Tournament is a fun event for shooting enthusiasts.\nIndividual shooters will compete for a \\\"top gun\\\" prize as well as a\n\\\"B\\\" and \\\"C\\\" flight winner. A team competition (four\nshooters per team) will also take place, awarding a prize to the top team.\nShooters can choose to shoot in either a morning or an afternoon session. All\nproceeds will benefit the AGC of St. Louis Political Action Committee.</span></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\"></span></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\">8:00am:\nRegistration Begins</span></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\">9:00am\n- 12:30am: Practice Rounds (Multiple rounds may be purchased at $15 per round;\nammunition provided.)</span></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\">10:00am:\nMorning Session Begins</span></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\">11:30am\n- 12:30pm: Lunch</span></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\">1:00pm:\nAfternoon Session Begins</span></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\">4:00pm\n- 5:00 pm: Trophy Presentation (Attendance and raffle prizes will also be given\naway at this time.)</span></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\">&nbsp;</span></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\">$130\nper person plus $25 for each team. Fee includes golf cart, ammunition, lunch,\nsoda and snacks, plus beer after the tournament.</span></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\">The\nAGC provides 12 guage shotgun shells to all participants. If you would like a\n20 guage shell, please notify us in advance.</span></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\"></span></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\">Sponsorships\n- REDUCED COST!</span></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\">Tournament\nSponsor: $175</span></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\">Lunch\nSponsor: $100</span></p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\">Attendance\nPrize Sponsor: $75</span></p>\n<p class=\\\"MsoNormal\\\">&nbsp;</p>\n<p class=\\\"MsoNormal\\\"><span style=\\\"font-size: 11pt; font-family: &quot;Arial&quot;,&quot;sans-serif&quot;;\\\">&nbsp;For\nmore information: Contact Stephanie Mitchell at smitchell@agcstl.org or (314)\n480-3178.</span></p>\";}'),