(3407,1,'2016-06-26 08:24:00','2016-06-26 08:24:00','Reena Saini Kallat (b. 1973, Delhi, India) graduated from Sir J.J. School of Art, Mumbai in 1996 with a B.F.A. in painting. Her practice spanning drawing, photography, sculpture and video  engages diverse materials, imbued with conceptual underpinnings. She is interested in the role that memory plays, in not only what we choose to remember but also how we think of the past. Using the motif of the rubberstamp both as object and imprint, signifying the bureaucratic apparatus, Kallat has worked with officially recorded or registered names of people, objects, and monuments that are lost or have disappeared without a trace, only to get listed as anonymous and forgotten statistics. In her works made with electrical cables, wires usually serving as conduits of contact that transmit ideas and information, become painstakingly woven entanglements that morph into barbed wires like barriers. Her ongoing series using salt as a medium explores the tenuous yet intrinsic relationship between the body and the oceans, highlighting the fragility and unpredictability of existence.\r\n\r\nShe has widely exhibited across the world in venues such as Mori Art Museum, Tokyo; Kennedy Centre, Washington; Vancouver Art Gallery; Saatchi Gallery, London; SESC Pompeia and SESC Belenzino in Sao Paulo; Goteborgs Konsthall, Sweden; Helsinki City Art Museum, Finland; National Taiwan Museum of Fine Arts; Tel Aviv Museum of Art, Israel; National Museum of Contemporary Art, Seoul; Henie Onstad Kunstsenter, Oslo; Casa Asia, Madrid and Barcelona; ZKM Karlsruhe in Germany; Campbelltown Arts Centre, Sydney; Hangar Bicocca, Milan; Museum of Contemporary Art, Shanghai; IVAM Museum, Spain; Busan MOMA; Kulturhuset, Stockholm; Kunsthaus Langenthal, Switzerland; Chicago Cultural Centre amongst many others. She lives and works in Mumbai.\r\n\r\nHer works are part of several public and private collections including the National Taiwan Museum of Fine Arts, Taiwan; Vancouver Art Gallery, Canada; Initial Access (Frank Cohen Collection), UK; Fondazione Golinelli, Italy; Bhaudaji Lad Museum, Mumbai; National Gallery of Modern Art, New Delhi; Devi Art Foundation, New Delhi; Saatchi Gallery, London; Tiroche DeLeon Collection, Israel; Ermenegildo Zegna Group, Italy; JSW Foundation, Mumbai and Burger Collection, Hongkong amongst others. \r\n<table>\r\n<tbody>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">SOLO EXHIBITIONS</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>Porous Passages, Nature Morte, New Delhi </td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/Reena-Kallat-hyphenated-lives-2015-forthcoming-show/\" target=\"_blank\">Hyphenated Lives, Chemould Prescott Road, Mumbai<span style=\"color: red;\"> &gt;&gt; </span><a>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td><a class=\"linkbio\" href=\"https://www.vanartgallery.bc.ca/the_exhibitions/exhibit_sainikallat.html\" target=\"_blank\">Offsite, Public Art Project, Vancouver Art Gallery</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td>Anatomy of forking paths, Art Houz, during Art Chennai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td><a class=\"linkbio\" href=\"http://www.zegnart.com/diary/public\" target=\"_blank\">ZegnArt Public project with Dr. Bhaudaji Lad Museum, Mumbai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://www.kennedy-center.org/events/?event=ZLINB\" target=\"_blank\">Falling Fables, Maximum India at the Kennedy Centre, Washington </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://www.naturemorte.com/exhibitions/press_release/delhi/past/364\" target=\"_blank\">Labyrinth of Absences, Nature Morte, New Delhi</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.primomarellagallery.com/it/catalogue/scheda.asp?id=568&amp;view=past\" target=\"_blank\">Drift, Primo Marella Gallery, Milan</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://gallerychemould.com/exhibitions/reena-show-2008/\" target=\"_blank\"> Silt of Seasons, Chemould   Prescott Road, Mumbai <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/reena-kallat-exhibition-2008/\" target=\"_blank\">Subject to Change without Notice, Walsh Gallery, Chicago</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Rainbow Of Refuse, Bodhi Art Gallery, Mumbai and Singapore</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Black Flute (And Other Stories), Nature Morte, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2004/reena_saini_kallat_note.html\" target=\"_blank\">Black Flute, Gallery Chemould, Mumbai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>The Battlefield Is The Mind, Sakshi Gallery, Bangalore</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Seven Faces of Dust, Chicago Radio, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2000</td>\r\n<td>Skin, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1998</td>\r\n<td>Orchard of Home-grown Secrets, Gallery Chemould and Pundole  Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><span style=\"color: #888888;\"><strong>SELECTED GROUP EXHIBITIONS</strong></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2016</td>\r\n<td>Make a Change, Curated by Torun Ekstrand, Cultural Ronneby, Sweden</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2016</td>\r\n<td>Tabiyat: Medicine and Healing in India, Curated by Ratan Vaswani, CSMVS (Chhatrapati Shivaji Maharaj Vastu Sangrahalaya), Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2016</td>\r\n<td>The Eye and The Mind: New Interventions in Indian Art, NGMA- Jaipur House, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>The Eye and The Mind: New Interventions in Indian Art, Minsheng Art Museum, Beijing</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>Aperture, Indian Summer Festival, Old Canadian Pacific Railway Station, Vancouver</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>The Eye and The Mind: New Interventions in Indian Art, China Art Museum, Shanghai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/A-Summer-Mix-Artists-from-Chemould-Prescott-2015/\" target=\"_blank\">A Summer Mix, Chemould Prescott Road, Mumbai<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>One and one make eleven (Contemporary Art From India), Kunsthaus Langenthal, Switzerland</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>The Eye and The Mind: New Interventions in Indian Art, Guangdong Museum of Art, Guangzhou, China</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>[en]counters 2015, Spaces in Transition, CST Terminus, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>Kalaghoda Art Festival, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td>Off the wall, Sir. J.J. School of Art, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td>India: Maximum City, St. Moritz Art Masters, Switzerland</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td>Encounters:- Is There Love in This Air?, Cattle depot, C &amp; G ArtPartment, Hong Kong</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/aesthetic-bind-cabinet-closet-wunderkammer/\" target=\"_blank\">Aesthetic Bind: Floating World, Chemould Prescott Road, Mumbai<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td><a class=\"linkbio\" href=\"http://www.sahmatnews.blogspot.in/2014/02/forms-of-activism-24th-feb-to-1st-march.html\" target=\"_blank\">Forms of Activism, exhibition marking 25 years of SAHMAT at the Lalit Kala Akademi galleries, Rabindra bhavan, New Delhi <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td><a class=\"linkbio\" href=\"http://www.artoxygen.org/wp-content/uploads/2014/140218_Program_isthereloveinthisair2014.pdf\" target=\"_blank\">Encounters 2014 - Is there love in the air?, Public project with Art Oxygen in Mumbai<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td><a class=\"linkbio\" href=\"http://eslitegallery.tumblr.com/post/65981256422/reena-saini-kallat\" target=\"_blank\">No-Mad-Ness in No-Man\'s Land, Eslite Gallery, Taipei <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td><a class=\"linkbio\" href=\"http://www.artoxygen.org/?p=1858\" target=\"_blank\">Haein Art Project, Haeinsa Temple, Korea <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td><a class=\"linkbio\" href=\"http://www.collabo-x.com/cheongju-international-craft-biennale-2013-청주첨단문화산업단지/\" target=\"_blank\"> \"Something Old and Something New\", Cheongju International Craft Biennale, Korea<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td><a class=\"linkbio\" href=\"http://mohileparikhcenter.org/site/?q=node/647\" target=\"_blank\">Partner a Master Exhibition, Artist/Mentor Programme, Premchand Roychand Gallery, Chhatrapati Shivaji Maharaj Vastu Sangrahalaya (CSMVS), Mumbai <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td><a class=\"linkbio\" href=\"http://www.paletteartgallery.com/exhibition/past/works/details/5120\" target=\"_blank\">Spell of Spill: Utopia of Ecology, Palette Art Gallery, Delhi <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td><a class=\"linkbio\" href=\"http://www.satellite.org.au/docs/encounters-powerPLAY_press_release.pdf \" target=\"_blank\">EN(counters): POWERplay, along Mumbai’s waterfronts, gardens and historic sites<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td>JJ’s 90s - The Time of Change, Sir J.J. School of Art, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>India Today, ARKEN Museum of Modern Art, Copenhagen, Denmark</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>The Indian Parallax or the Doubling of Happiness, Birla Academy of Art and Culture, Kolkata</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>WONDERS – Masterpieces from Private Collections, Denmark</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td><a class=\"linkbio\" href=\"http://www.bb.com.br/docs/pub/inst/dwn/CatalogoIndia.pdf\" target=\"_blank\">India side by side, Centro Cultural Banco do Brasil, Brasilia <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td><a class=\"linkbio\" href=\"http://www.eigen-art.com/lab/index.php?article_id=804&amp;clang=1\" target=\"_blank\">Group show, Eigen + Art Lab, Berlin<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>India Side by Side,SESC Belenzino, Sao Paulo, Brazil</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td><a class=\"linkbio\" href=\"http://www.punkto.no/voices-from-pandemonium.5006429-249860.html\" target=\"_blank\">Stemmer fra Pandemonium, Punkt-Galleri F 15, Moss, Norway <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>To Let the World In: Narrative and Beyond in Contemporary Indian Art, Lalit Kala Regional Centre, Chennai, India</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>The Contemporary Sultanate, the Sunrydge, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>Kalaghoda Art Festival, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td><a class=\"linkbio\" href=\"http://www.theskodaprize.com/2012/longlist.php?id=1#.ULxBLWDrbJw\" target=\"_blank\">The Skoda Prize Exhibition, Lalit Kala Academy, New Delhi<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>India Side by Side, Centro Cultural Banco do Brasil, Rio De Janeiro</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Giant Elephant : Contemporary Art from India, H Cube Gallery, Seoul</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Roundabout, Tel Aviv Museum of Art, Israel<span style=\"color: red;\"> </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://www.konsthallen.goteborg.se/prod/kultur/konsthallen/dalis2.nsf/535e371e7fd657aec1256a5c0045675f/22123a2342203237c125794a003704ed!OpenDocument\" target=\"_blank\">Goteborg International Biennale for Contemporary Art, curated by Sarat Maharaj, Göteborgs Konsthall and Bohuslans Konsthall, Uddevalla, Sweden <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Right to Dissent, Clark House, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>RED, Palette Art Gallery, Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Of Gods and Goddesses, Cinema, Cricket - The New cultural Icons of India, Jehangir Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://www.hel.fi/hki/taimu/en/art+museum+tennis+palace/past+exhibitions/2011/concurrent+india\" target=\"_blank\">Samtidigt, Helsinki City Art Museum, Finland<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Iconoclasts and Iconodules, curated by Ombretta Argo, Religare Art Gallery, New  Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://vancouverbiennale.com/sculptures_page.php?sculptureID=36\" target=\"_blank\">The Vancouver International Sculpture Biennale, Surrey Art Gallery, Canada<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>The Intuitive: Logic Revisted, from the Osians Collection at The World Economic Forum, Davos, Switzerland</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/current/La_Route_De_La_Soie.htm\" target=\"_blank\">La Route de la Soie / The Silk Road, Lille 3000, France </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://kulturhuset.stockholm.se/\" target=\"_blank\">Samtidigt, Kulterhuset, Stockholm</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.campbelltown.nsw.gov.au/Exhibitions\" target=\"_blank\">The River Project, Campbelltown Art Centre, Sydney</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.tamuseum.com/about-the-exhibition/roundabout-face-to-face\" target=\"_blank\">Roundabout, City Gallery Wellington, New Zealand</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/water-ways/\" target=\"_blank\">Waterways, Walsh Gallery, Chicago</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.richmondartgallery.org/in-transition.php\" target=\"_blank\">In Transition: New Art from India, Richmond Art Gallery Vancouver Biennale, Vancouver</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www2.webster.edu/news/releases/bringmealion_0910113.shtml\" target=\"_blank\">Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster University, curated by Jeffrey Hughes and Dana Turkovic, Cecile R. Hunt  Gallery, St. Louis, Missouri</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/www/pastExhibitions\" target=\"_blank\">Never Run Away, 2 person exhibition curated by Shaheen Merali, Stux Gallery, New York</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/artists/reena_kallat.htm?section_name=new_india\" target=\"_blank\">The Empire Strikes Back, Saatchi Gallery, London</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://art-for-the-world.blogspot.com/2010/01/some-installation-views-of-urban.html\" target=\"_blank\">Urban Manners 2, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao Paulo, Brazil</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.asianartbiennial.org/2009/en/index_en.html\" target=\"_blank\">View Points and Viewing points - 2009 Asian Art Biennale, National Taiwan Museum of Fine Arts </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Spectrum: Indian Art at Abu   Dhabi, United   Arab Emirates</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Milan Galleria, curated by Georgio Verzotti, Triennale Museum, Milan</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.initialaccess.co.uk/exh/73/11/passage-to-india-part-ii/reena-saini-kallat\" target=\"_blank\">Passage to India Part II show at Initial Access, Frank Cohen Collection, Wolverhampton, UK</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Ventosul Biennale, Curitiba, Brazil</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/english/contents/india/index.html\" target=\"_blank\"> Chalo! India: A New Era of Indian Art, National  Museum of Contemporary Art, Korea and Essl Museum, Vienna</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mocashanghai.org/index.php?_function=exhibition&amp;_subFunction=pastExhibition&amp;exhibition_id=40&amp;_view=detail\" target=\"_blank\">INDIA XIANZAI: Contemporary Indian Art, Museum of Contemporary Art, Shanghai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/42/622\" target=\"_blank\">Low Blow: And Other Species of Confusion, Stux gallery, New York</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.casaasia.eu/actividad/detalle?id=13195\" target=\"_blank\"><em> </em>Indian Narratives in the 21<sup>st</sup> Century: Between Memory and History,Casa  Asia, Madrid and Barcelona, Spain<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/body-chatter-an-exhibition-of-contemporary-indian-art-2008/\" target=\"_blank\">Body Chatter, Walsh Gallery, Chicago</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/contents/press/india_20081121_e.pdf\" target=\"_blank\">Chalo! India: A New Era of Indian Art, Mori Art   Museum, Japan</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM Museum, Valencia, Spain</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>3<sup>rd</sup> Nanjing Triennale, curators: Fumihiko Sumitomo, Jaeyoung Kang,  China</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>TEAF (Taehwagang Eco Art Festival) - Dream River, Korea</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Everywhere is War (And Rumours of it), Bodhi Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/33\" target=\"_blank\">Fire Walkers, Stefan Stux gallery, New York</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.galeriems.com/publications_2008.html\" target=\"_blank\">Three Points of view, Galerie Mirchandani + Steinrucke, Mumbai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Excavation: Memory / Myth / Membrane, Museum Gallery, Mumbai</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>International Incheon Women Artists’ Biennale, Korea</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Soft Power: Asian Attitude, Shanghai Zendai Museum of Modern Art, Shanghai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td><a class=\"linkbio\" href=\"http://www.kunstaspekte.de/index.php?tid=39629&amp;action=termin\" target=\"_blank\">Urban Manners, curated by Adelina Von Furstenberg, at Hangar Bicocca, Milan </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td><a class=\"linkbio\" href=\"\"http://www.artsblog.it/post/933/larte-contemporanea-indiana-a-milano\" target=\"_blank\">INDIA NOW: Contemporary Indian Art, Between Continuity and transformation, curated by Daniela Palozzoli at Spazio Oberdan, \r\nMilan<span style=\"color: red;\"> &gt;&gt; </span></a></td></tr>\r\n<td valign=\"top\">2007</td>\r\n<td>New Narratives: Contemporary Art From India, curated by Betty Seid, Chicago Cultural Centre, Chicago</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Thermocline Of Art- New Asian Waves, curated by Wonil Rhee and Peter Weibel at ZKM in Karlsruhe, Germany</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Modern Indian Works On Paper, Arthur Ross Gallery, Philadelphia and the Georgia Museum of Art, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Lille 3000 (Maximum City-Mumbai), Lille,  France</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Hungry God- Indian Contemporary Art, curated by Yun Chaegab and June Gwak, Arario Gallery, Beijing and Busan MoMA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>India Express – Art and Popular Culture, Art Museum Tennispalace, curators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City  Art Museum, Finland</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Mom and Pop Art, Walsh Gallery, Chicago</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Span, Sakshi Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Indian Paintings of the New Millenium, curated by Helen Asquine Fazio at Thomas J. Walsh Art Gallery at Fairfield  University, USA</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td><em> </em>Contemporary Art from India, Thomas   Erben Gallery, New York</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td>Zoom! Art in Contemporary India. Curators: Nancy Adajania and Luis Serpa, The Culturgest Museum, Lisbon, Portugal</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Crossing generations: diVERGE, Gallery Chemould’s 40th anniversary, Curators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of Modern Art, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td><em> </em>Hard Copy, two-person show with Jitish Kallat, Gallery 88, Calcutta</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Tiranga, curator: Peter Nagy, India Habitat Centre, New Delhi</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td><em> </em>Elephant Walks, Youth Arts Project in collaboration with Jitish Kallat as part of Indians + Cowboys exhibition, Curators: Aaron Seetu and Ruth Watson Gallery 4A, Sydney</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>The Tree From The Seed, Contemporary Art from India, curator: Gavin Jantjes Henie Onstad Kunstsenter (Oslo), Norway</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td><em>Crosscurrents</em>, organized by Artworks for the fiftieth anniversary celebrations of Jehangir Art  Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td><em>Reclaim Our Freedom</em>, organized by Open Circle, Pundole Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Crossing Borders, Gallery Windkracht 13, Den Helder, Holland</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>Big River 2, CCA7 Gallery, Port Of Spain, Trinidad</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>AOM- Art on the move, organized by Sahmat, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1999</td>\r\n<td><em> </em>Edge of the Century, curated by Amit Mukhopadhyay, Academy  of Fine Arts and Literature, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1998</td>\r\n<td><em> </em>Essays in Time, Kinetic Sculptures, Nehru Centre, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1997</td>\r\n<td><em> </em>India in Harmony 1947-1997, Nehru Centre, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1997</td>\r\n<td><em> </em>A Page From My Diary, Sans Tache Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1997</td>\r\n<td><em> </em>Fresh Work, Birla Academy of Art and Culture, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1996</td>\r\n<td><em> </em>Monsoon Show, Jehangir Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1995</td>\r\n<td><em> </em>Varsha ’95, Y. B. Chavan Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">SELECTED WORKSHOPS AND RESIDENCIES</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td>Visas to Happiness - 3, workshop with children at the 2014 Dhaka Art Summit, Bangladesh</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td><a class=\"linkbio\" href=\"http://art1stindia.wordpress.com/2012/09/09/reena-kallat-visa-to-happiness/#comments\" target=\"_blank\">Partner a Master Workshop Artist/Mentor Programme, organized by Art 1st Foundation in collaboration with Mohile Parikh Centre, Mumbai <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>Visas to Happiness, workshop with children as part of the exhibition \'To Let the World In\', Chennai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Iaspis Residency, Gothenburg, Sweden.</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Vanishing Point, children’s project at the Celebrate Bandra Festival, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Collaborative workshop as part of the exhibition Aftershock, Sainsbury Centre for Visual Arts, University of East Anglia, Norwich,  UK</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Collaborated on a Billboard project with Jitish Kallat, Kala Ghoda Art District, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Elephant Walks, Youth Arts Project at the Casula Power House Arts Centre, Liverpool, Australia</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Khoj 2002 International Artists Workshop, Mysore, India</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Identity and Landscape, residency in the Laurentian mountains of Quebec at the Boreal Art/Nature Centre, Canada</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>Big River 2, International Artists Workshop organized by CCA7 and the Triangle Arts Trust at Grand Riviere, Trinidad, West Indies</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td><span style=\"color: #888888;\"><strong>TALKS/PRESENTATIONS</strong></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>Walkthrough \'Hyphenated Lives\', Reena Kallat and Nancy Adajania at Chemould Prescott Road, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>Artists talk at Vancouver Art Gallery, Canada</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>Mumbai Local: Ideas and the Artist in collaboration with Junoon, Mcubed library, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>Artists talk at CSMVS (former Prince of Wales Museum), Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>Artists panel at Asian Contemporary Art Week (ACAW), FIELD MEETING Take 2: An afterthought in Venice</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>Artists Talk at \'What About Art?\', Arts management agency, in collaboration with ArtOxyen, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td>Artists talk at Asia Society, during the Asian Contemporary Art Week in New York</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td>Moving Millimeter: Talk by Reena Kallat for Mumbai Local, Bhaudaji Lad Museum, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td>\'Meet the Artist\' session for the students from South Asia Inter School Association (SAISA), Art Festival hosted by the American School of Bombay</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td>\'Who is the Audience?\' IAF 2013  I  Conversations, panel discussion with Kamini Sawhney, Matthieu Foss moderated by Ranjit Hoskote, Nehru Centre, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td>\'Rendezvous with the Artist\' series by Asia Society at the artists studio in Mumbai, sponsored by Christies.</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>Artists Talk at the World Economic Forum, Tianjin</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>\'Why I am not a woman artist\' panel discussion with Anju Dodiya, moderated by Nancy Adajania at the Jehangir Nicholson Art Foundation, Prince of Wales Museum, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Artists Talk at GIBCA Speak Easy (GSE), Goteborg</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Informal talk at HDK – The School of Design and Crafts, Goteborg</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Artists Talk at the Iaspis Residency Studio, Stockholm</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td>Short presentation as part of The River Project at The Campbelltown Arts Centre, Sydney</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Artists Talk at the Krishnakriti Festival 2011, Kalakriti Gallery, Hyderabad</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td>Panel discussion moderated by Maria Lantz, with participating artists during the exhibition Samtidigt at Kulturhuset, Stockholm</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Panel discussion with artist Gulam Sheikh, co-chair: Sabine B. Vogel, art critic at the Sammlung Essl Museum, Vienna</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Slide presentation followed by a panel discussion with Nalini Malani and Jayshree Chakravarty, moderated by Nancy Adajania at Jnanapravaha, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Slide presentation at the School of the Art Institute of Chicago</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Panel discussion with Nalini Malani, Sheba Chhachhi, moderated by Betty Seid at the Chicago Cultural Centre</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Lecture at the University Boccini, Milan</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Slide presentation at the Lamar Dodd School of Art, University of Georgia, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Artists Talk at the Griffith Auditorium, Georgia Museum of Art, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Slide presentation at Oslo National Academy of the Arts, Norway</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2000</td>\r\n<td>Slide presentation at Mohile Parikh Centre for the Visual Arts, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">AWARDS</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2016</td>\r\n<td>Zee: Indian Women Awards in Arts & Culture category, Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>ZegnArt Public Award in collaboration with Dr. Bhaudaji Lad Museum, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>YFLO ZOYA Young Women Achievers Awards 2010-11, Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Harmony Award, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1996</td>\r\n<td>Bombay Art Society Merit Certificate, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1996</td>\r\n<td>Second Prize Government Award, Sir J. J. School of Art, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1995</td>\r\n<td>Gladstone Solomon Award, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1991-1996</td>\r\n<td>Merit Scholarship, Sir J. J. School of Art, Mumbai</td>\r\n</tr>\r\n</tbody>\r\n</table>','Biography','','inherit','open','open','','105-revision-172','','','2016-06-26 08:24:00','2016-06-26 08:24:00','',105,'http://www.reenakallat.com/3407/uncat/105-revision-172',0,'revision','',0),(3408,1,'2016-07-25 06:58:27','2016-07-25 06:58:27','Reena Saini Kallat (b. 1973, Delhi, India) graduated from Sir J.J. School of Art, Mumbai in 1996 with a B.F.A. in painting. Her practice spanning drawing, photography, sculpture and video  engages diverse materials, imbued with conceptual underpinnings. She is interested in the role that memory plays, in not only what we choose to remember but also how we think of the past. Using the motif of the rubberstamp both as object and imprint, signifying the bureaucratic apparatus, Kallat has worked with officially recorded or registered names of people, objects, and monuments that are lost or have disappeared without a trace, only to get listed as anonymous and forgotten statistics. In her works made with electrical cables, wires usually serving as conduits of contact that transmit ideas and information, become painstakingly woven entanglements that morph into barbed wires like barriers. Her ongoing series using salt as a medium explores the tenuous yet intrinsic relationship between the body and the oceans, highlighting the fragility and unpredictability of existence.\r\n\r\nShe has widely exhibited across the world in venues such as Mori Art Museum, Tokyo; Kennedy Centre, Washington; Vancouver Art Gallery; Saatchi Gallery, London; SESC Pompeia and SESC Belenzino in Sao Paulo; Goteborgs Konsthall, Sweden; Helsinki City Art Museum, Finland; National Taiwan Museum of Fine Arts; Tel Aviv Museum of Art, Israel; National Museum of Contemporary Art, Seoul; Henie Onstad Kunstsenter, Oslo; Casa Asia, Madrid and Barcelona; ZKM Karlsruhe in Germany; Campbelltown Arts Centre, Sydney; Hangar Bicocca, Milan; Museum of Contemporary Art, Shanghai; IVAM Museum, Spain; Busan MOMA; Kulturhuset, Stockholm; Kunsthaus Langenthal, Switzerland; Chicago Cultural Centre amongst many others. She lives and works in Mumbai.\r\n\r\nHer works are part of several public and private collections including the National Taiwan Museum of Fine Arts, Taiwan; Vancouver Art Gallery, Canada; Initial Access (Frank Cohen Collection), UK; Fondazione Golinelli, Italy; Bhaudaji Lad Museum, Mumbai; National Gallery of Modern Art, New Delhi; Devi Art Foundation, New Delhi; Saatchi Gallery, London; Tiroche DeLeon Collection, Israel; Ermenegildo Zegna Group, Italy; JSW Foundation, Mumbai and Burger Collection, Hongkong amongst others. \r\n<table>\r\n<tbody>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">SOLO EXHIBITIONS</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>Porous Passages, Nature Morte, New Delhi </td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/Reena-Kallat-hyphenated-lives-2015-forthcoming-show/\" target=\"_blank\">Hyphenated Lives, Chemould Prescott Road, Mumbai<span style=\"color: red;\"> &gt;&gt; </span><a>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td><a class=\"linkbio\" href=\"https://www.vanartgallery.bc.ca/the_exhibitions/exhibit_sainikallat.html\" target=\"_blank\">Offsite, Public Art Project, Vancouver Art Gallery</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td>Anatomy of forking paths, Art Houz, during Art Chennai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td><a class=\"linkbio\" href=\"http://www.zegnart.com/diary/public\" target=\"_blank\">ZegnArt Public project with Dr. Bhaudaji Lad Museum, Mumbai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://www.kennedy-center.org/events/?event=ZLINB\" target=\"_blank\">Falling Fables, Maximum India at the Kennedy Centre, Washington </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://www.naturemorte.com/exhibitions/press_release/delhi/past/364\" target=\"_blank\">Labyrinth of Absences, Nature Morte, New Delhi</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.primomarellagallery.com/it/catalogue/scheda.asp?id=568&amp;view=past\" target=\"_blank\">Drift, Primo Marella Gallery, Milan</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://gallerychemould.com/exhibitions/reena-show-2008/\" target=\"_blank\"> Silt of Seasons, Chemould   Prescott Road, Mumbai <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/reena-kallat-exhibition-2008/\" target=\"_blank\">Subject to Change without Notice, Walsh Gallery, Chicago</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Rainbow Of Refuse, Bodhi Art Gallery, Mumbai and Singapore</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Black Flute (And Other Stories), Nature Morte, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2004/reena_saini_kallat_note.html\" target=\"_blank\">Black Flute, Gallery Chemould, Mumbai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>The Battlefield Is The Mind, Sakshi Gallery, Bangalore</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Seven Faces of Dust, Chicago Radio, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2000</td>\r\n<td>Skin, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1998</td>\r\n<td>Orchard of Home-grown Secrets, Gallery Chemould and Pundole  Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><span style=\"color: #888888;\"><strong>SELECTED GROUP EXHIBITIONS</strong></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2016</td>\r\n<td>Make a Change, Curated by Torun Ekstrand, Cultural Ronneby, Sweden</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2016</td>\r\n<td>Tabiyat: Medicine and Healing in India, Curated by Ratan Vaswani, CSMVS (Chhatrapati Shivaji Maharaj Vastu Sangrahalaya), Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2016</td>\r\n<td>The Eye and The Mind: New Interventions in Indian Art, NGMA- Jaipur House, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>The Eye and The Mind: New Interventions in Indian Art, Minsheng Art Museum, Beijing</td>\r\n</tr>\r\n\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>Aperture, Indian Summer Festival, Old Canadian Pacific Railway Station, Vancouver</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>The Eye and The Mind: New Interventions in Indian Art, China Art Museum, Shanghai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/A-Summer-Mix-Artists-from-Chemould-Prescott-2015/\" target=\"_blank\">A Summer Mix, Chemould Prescott Road, Mumbai<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>One and one make eleven (Contemporary Art From India), Kunsthaus Langenthal, Switzerland</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>The Eye and The Mind: New Interventions in Indian Art, Guangdong Museum of Art, Guangzhou, China</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>[en]counters 2015, Spaces in Transition, CST Terminus, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>Kalaghoda Art Festival, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td>Off the wall, Sir. J.J. School of Art, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td>India: Maximum City, St. Moritz Art Masters, Switzerland</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td>Encounters:- Is There Love in This Air?, Cattle depot, C &amp; G ArtPartment, Hong Kong</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/aesthetic-bind-cabinet-closet-wunderkammer/\" target=\"_blank\">Aesthetic Bind: Floating World, Chemould Prescott Road, Mumbai<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td><a class=\"linkbio\" href=\"http://www.sahmatnews.blogspot.in/2014/02/forms-of-activism-24th-feb-to-1st-march.html\" target=\"_blank\">Forms of Activism, exhibition marking 25 years of SAHMAT at the Lalit Kala Akademi galleries, Rabindra bhavan, New Delhi <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td><a class=\"linkbio\" href=\"http://www.artoxygen.org/wp-content/uploads/2014/140218_Program_isthereloveinthisair2014.pdf\" target=\"_blank\">Encounters 2014 - Is there love in the air?, Public project with Art Oxygen in Mumbai<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td><a class=\"linkbio\" href=\"http://eslitegallery.tumblr.com/post/65981256422/reena-saini-kallat\" target=\"_blank\">No-Mad-Ness in No-Man\'s Land, Eslite Gallery, Taipei <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td><a class=\"linkbio\" href=\"http://www.artoxygen.org/?p=1858\" target=\"_blank\">Haein Art Project, Haeinsa Temple, Korea <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td><a class=\"linkbio\" href=\"http://www.collabo-x.com/cheongju-international-craft-biennale-2013-청주첨단문화산업단지/\" target=\"_blank\"> \"Something Old and Something New\", Cheongju International Craft Biennale, Korea<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td><a class=\"linkbio\" href=\"http://mohileparikhcenter.org/site/?q=node/647\" target=\"_blank\">Partner a Master Exhibition, Artist/Mentor Programme, Premchand Roychand Gallery, Chhatrapati Shivaji Maharaj Vastu Sangrahalaya (CSMVS), Mumbai <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td><a class=\"linkbio\" href=\"http://www.paletteartgallery.com/exhibition/past/works/details/5120\" target=\"_blank\">Spell of Spill: Utopia of Ecology, Palette Art Gallery, Delhi <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td><a class=\"linkbio\" href=\"http://www.satellite.org.au/docs/encounters-powerPLAY_press_release.pdf \" target=\"_blank\">EN(counters): POWERplay, along Mumbai’s waterfronts, gardens and historic sites<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td>JJ’s 90s - The Time of Change, Sir J.J. School of Art, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>India Today, ARKEN Museum of Modern Art, Copenhagen, Denmark</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>The Indian Parallax or the Doubling of Happiness, Birla Academy of Art and Culture, Kolkata</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>WONDERS – Masterpieces from Private Collections, Denmark</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td><a class=\"linkbio\" href=\"http://www.bb.com.br/docs/pub/inst/dwn/CatalogoIndia.pdf\" target=\"_blank\">India side by side, Centro Cultural Banco do Brasil, Brasilia <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td><a class=\"linkbio\" href=\"http://www.eigen-art.com/lab/index.php?article_id=804&amp;clang=1\" target=\"_blank\">Group show, Eigen + Art Lab, Berlin<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>India Side by Side,SESC Belenzino, Sao Paulo, Brazil</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td><a class=\"linkbio\" href=\"http://www.punkto.no/voices-from-pandemonium.5006429-249860.html\" target=\"_blank\">Stemmer fra Pandemonium, Punkt-Galleri F 15, Moss, Norway <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>To Let the World In: Narrative and Beyond in Contemporary Indian Art, Lalit Kala Regional Centre, Chennai, India</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>The Contemporary Sultanate, the Sunrydge, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>Kalaghoda Art Festival, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td><a class=\"linkbio\" href=\"http://www.theskodaprize.com/2012/longlist.php?id=1#.ULxBLWDrbJw\" target=\"_blank\">The Skoda Prize Exhibition, Lalit Kala Academy, New Delhi<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>India Side by Side, Centro Cultural Banco do Brasil, Rio De Janeiro</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Giant Elephant : Contemporary Art from India, H Cube Gallery, Seoul</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Roundabout, Tel Aviv Museum of Art, Israel<span style=\"color: red;\"> </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://www.konsthallen.goteborg.se/prod/kultur/konsthallen/dalis2.nsf/535e371e7fd657aec1256a5c0045675f/22123a2342203237c125794a003704ed!OpenDocument\" target=\"_blank\">Goteborg International Biennale for Contemporary Art, curated by Sarat Maharaj, Göteborgs Konsthall and Bohuslans Konsthall, Uddevalla, Sweden <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Right to Dissent, Clark House, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>RED, Palette Art Gallery, Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Of Gods and Goddesses, Cinema, Cricket - The New cultural Icons of India, Jehangir Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://www.hel.fi/hki/taimu/en/art+museum+tennis+palace/past+exhibitions/2011/concurrent+india\" target=\"_blank\">Samtidigt, Helsinki City Art Museum, Finland<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Iconoclasts and Iconodules, curated by Ombretta Argo, Religare Art Gallery, New  Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://vancouverbiennale.com/sculptures_page.php?sculptureID=36\" target=\"_blank\">The Vancouver International Sculpture Biennale, Surrey Art Gallery, Canada<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>The Intuitive: Logic Revisted, from the Osians Collection at The World Economic Forum, Davos, Switzerland</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/current/La_Route_De_La_Soie.htm\" target=\"_blank\">La Route de la Soie / The Silk Road, Lille 3000, France </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://kulturhuset.stockholm.se/\" target=\"_blank\">Samtidigt, Kulterhuset, Stockholm</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.campbelltown.nsw.gov.au/Exhibitions\" target=\"_blank\">The River Project, Campbelltown Art Centre, Sydney</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.tamuseum.com/about-the-exhibition/roundabout-face-to-face\" target=\"_blank\">Roundabout, City Gallery Wellington, New Zealand</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/water-ways/\" target=\"_blank\">Waterways, Walsh Gallery, Chicago</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.richmondartgallery.org/in-transition.php\" target=\"_blank\">In Transition: New Art from India, Richmond Art Gallery Vancouver Biennale, Vancouver</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www2.webster.edu/news/releases/bringmealion_0910113.shtml\" target=\"_blank\">Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster University, curated by Jeffrey Hughes and Dana Turkovic, Cecile R. Hunt  Gallery, St. Louis, Missouri</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/www/pastExhibitions\" target=\"_blank\">Never Run Away, 2 person exhibition curated by Shaheen Merali, Stux Gallery, New York</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/artists/reena_kallat.htm?section_name=new_india\" target=\"_blank\">The Empire Strikes Back, Saatchi Gallery, London</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://art-for-the-world.blogspot.com/2010/01/some-installation-views-of-urban.html\" target=\"_blank\">Urban Manners 2, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao Paulo, Brazil</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.asianartbiennial.org/2009/en/index_en.html\" target=\"_blank\">View Points and Viewing points - 2009 Asian Art Biennale, National Taiwan Museum of Fine Arts </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Spectrum: Indian Art at Abu   Dhabi, United   Arab Emirates</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Milan Galleria, curated by Georgio Verzotti, Triennale Museum, Milan</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.initialaccess.co.uk/exh/73/11/passage-to-india-part-ii/reena-saini-kallat\" target=\"_blank\">Passage to India Part II show at Initial Access, Frank Cohen Collection, Wolverhampton, UK</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Ventosul Biennale, Curitiba, Brazil</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/english/contents/india/index.html\" target=\"_blank\"> Chalo! India: A New Era of Indian Art, National  Museum of Contemporary Art, Korea and Essl Museum, Vienna</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mocashanghai.org/index.php?_function=exhibition&amp;_subFunction=pastExhibition&amp;exhibition_id=40&amp;_view=detail\" target=\"_blank\">INDIA XIANZAI: Contemporary Indian Art, Museum of Contemporary Art, Shanghai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/42/622\" target=\"_blank\">Low Blow: And Other Species of Confusion, Stux gallery, New York</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.casaasia.eu/actividad/detalle?id=13195\" target=\"_blank\"><em> </em>Indian Narratives in the 21<sup>st</sup> Century: Between Memory and History,Casa  Asia, Madrid and Barcelona, Spain<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/body-chatter-an-exhibition-of-contemporary-indian-art-2008/\" target=\"_blank\">Body Chatter, Walsh Gallery, Chicago</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/contents/press/india_20081121_e.pdf\" target=\"_blank\">Chalo! India: A New Era of Indian Art, Mori Art   Museum, Japan</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM Museum, Valencia, Spain</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>3<sup>rd</sup> Nanjing Triennale, curators: Fumihiko Sumitomo, Jaeyoung Kang,  China</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>TEAF (Taehwagang Eco Art Festival) - Dream River, Korea</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Everywhere is War (And Rumours of it), Bodhi Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/33\" target=\"_blank\">Fire Walkers, Stefan Stux gallery, New York</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.galeriems.com/publications_2008.html\" target=\"_blank\">Three Points of view, Galerie Mirchandani + Steinrucke, Mumbai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Excavation: Memory / Myth / Membrane, Museum Gallery, Mumbai</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>International Incheon Women Artists’ Biennale, Korea</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Soft Power: Asian Attitude, Shanghai Zendai Museum of Modern Art, Shanghai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td><a class=\"linkbio\" href=\"http://www.kunstaspekte.de/index.php?tid=39629&amp;action=termin\" target=\"_blank\">Urban Manners, curated by Adelina Von Furstenberg, at Hangar Bicocca, Milan </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td><a class=\"linkbio\" href=\"\"http://www.artsblog.it/post/933/larte-contemporanea-indiana-a-milano\" target=\"_blank\">INDIA NOW: Contemporary Indian Art, Between Continuity and transformation, curated by Daniela Palozzoli at Spazio Oberdan, \r\nMilan<span style=\"color: red;\"> &gt;&gt; </span></a></td></tr>\r\n<td valign=\"top\">2007</td>\r\n<td>New Narratives: Contemporary Art From India, curated by Betty Seid, Chicago Cultural Centre, Chicago</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Thermocline Of Art- New Asian Waves, curated by Wonil Rhee and Peter Weibel at ZKM in Karlsruhe, Germany</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Modern Indian Works On Paper, Arthur Ross Gallery, Philadelphia and the Georgia Museum of Art, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Lille 3000 (Maximum City-Mumbai), Lille,  France</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Hungry God- Indian Contemporary Art, curated by Yun Chaegab and June Gwak, Arario Gallery, Beijing and Busan MoMA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>India Express – Art and Popular Culture, Art Museum Tennispalace, curators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City  Art Museum, Finland</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Mom and Pop Art, Walsh Gallery, Chicago</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Span, Sakshi Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Indian Paintings of the New Millenium, curated by Helen Asquine Fazio at Thomas J. Walsh Art Gallery at Fairfield  University, USA</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td><em> </em>Contemporary Art from India, Thomas   Erben Gallery, New York</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td>Zoom! Art in Contemporary India. Curators: Nancy Adajania and Luis Serpa, The Culturgest Museum, Lisbon, Portugal</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Crossing generations: diVERGE, Gallery Chemould’s 40th anniversary, Curators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of Modern Art, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td><em> </em>Hard Copy, two-person show with Jitish Kallat, Gallery 88, Calcutta</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Tiranga, curator: Peter Nagy, India Habitat Centre, New Delhi</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td><em> </em>Elephant Walks, Youth Arts Project in collaboration with Jitish Kallat as part of Indians + Cowboys exhibition, Curators: Aaron Seetu and Ruth Watson Gallery 4A, Sydney</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>The Tree From The Seed, Contemporary Art from India, curator: Gavin Jantjes Henie Onstad Kunstsenter (Oslo), Norway</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td><em>Crosscurrents</em>, organized by Artworks for the fiftieth anniversary celebrations of Jehangir Art  Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td><em>Reclaim Our Freedom</em>, organized by Open Circle, Pundole Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Crossing Borders, Gallery Windkracht 13, Den Helder, Holland</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>Big River 2, CCA7 Gallery, Port Of Spain, Trinidad</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>AOM- Art on the move, organized by Sahmat, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1999</td>\r\n<td><em> </em>Edge of the Century, curated by Amit Mukhopadhyay, Academy  of Fine Arts and Literature, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1998</td>\r\n<td><em> </em>Essays in Time, Kinetic Sculptures, Nehru Centre, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1997</td>\r\n<td><em> </em>India in Harmony 1947-1997, Nehru Centre, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1997</td>\r\n<td><em> </em>A Page From My Diary, Sans Tache Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1997</td>\r\n<td><em> </em>Fresh Work, Birla Academy of Art and Culture, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1996</td>\r\n<td><em> </em>Monsoon Show, Jehangir Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1995</td>\r\n<td><em> </em>Varsha ’95, Y. B. Chavan Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">SELECTED WORKSHOPS AND RESIDENCIES</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td>Visas to Happiness - 3, workshop with children at the 2014 Dhaka Art Summit, Bangladesh</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td><a class=\"linkbio\" href=\"http://art1stindia.wordpress.com/2012/09/09/reena-kallat-visa-to-happiness/#comments\" target=\"_blank\">Partner a Master Workshop Artist/Mentor Programme, organized by Art 1st Foundation in collaboration with Mohile Parikh Centre, Mumbai <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>Visas to Happiness, workshop with children as part of the exhibition \'To Let the World In\', Chennai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Iaspis Residency, Gothenburg, Sweden.</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Vanishing Point, children’s project at the Celebrate Bandra Festival, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Collaborative workshop as part of the exhibition Aftershock, Sainsbury Centre for Visual Arts, University of East Anglia, Norwich,  UK</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Collaborated on a Billboard project with Jitish Kallat, Kala Ghoda Art District, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Elephant Walks, Youth Arts Project at the Casula Power House Arts Centre, Liverpool, Australia</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Khoj 2002 International Artists Workshop, Mysore, India</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Identity and Landscape, residency in the Laurentian mountains of Quebec at the Boreal Art/Nature Centre, Canada</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>Big River 2, International Artists Workshop organized by CCA7 and the Triangle Arts Trust at Grand Riviere, Trinidad, West Indies</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td><span style=\"color: #888888;\"><strong>TALKS/PRESENTATIONS</strong></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>Walkthrough \'Hyphenated Lives\', Reena Kallat and Nancy Adajania at Chemould Prescott Road, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>Artists talk at Vancouver Art Gallery, Canada</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>Mumbai Local: Ideas and the Artist in collaboration with Junoon, Mcubed library, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>Artists talk at CSMVS (former Prince of Wales Museum), Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>Artists panel at Asian Contemporary Art Week (ACAW), FIELD MEETING Take 2: An afterthought in Venice</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>Artists Talk at \'What About Art?\', Arts management agency, in collaboration with ArtOxyen, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td>Artists talk at Asia Society, during the Asian Contemporary Art Week in New York</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td>Moving Millimeter: Talk by Reena Kallat for Mumbai Local, Bhaudaji Lad Museum, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td>\'Meet the Artist\' session for the students from South Asia Inter School Association (SAISA), Art Festival hosted by the American School of Bombay</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td>\'Who is the Audience?\' IAF 2013  I  Conversations, panel discussion with Kamini Sawhney, Matthieu Foss moderated by Ranjit Hoskote, Nehru Centre, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td>\'Rendezvous with the Artist\' series by Asia Society at the artists studio in Mumbai, sponsored by Christies.</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>Artists Talk at the World Economic Forum, Tianjin</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>\'Why I am not a woman artist\' panel discussion with Anju Dodiya, moderated by Nancy Adajania at the Jehangir Nicholson Art Foundation, Prince of Wales Museum, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Artists Talk at GIBCA Speak Easy (GSE), Goteborg</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Informal talk at HDK – The School of Design and Crafts, Goteborg</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Artists Talk at the Iaspis Residency Studio, Stockholm</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td>Short presentation as part of The River Project at The Campbelltown Arts Centre, Sydney</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Artists Talk at the Krishnakriti Festival 2011, Kalakriti Gallery, Hyderabad</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td>Panel discussion moderated by Maria Lantz, with participating artists during the exhibition Samtidigt at Kulturhuset, Stockholm</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Panel discussion with artist Gulam Sheikh, co-chair: Sabine B. Vogel, art critic at the Sammlung Essl Museum, Vienna</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Slide presentation followed by a panel discussion with Nalini Malani and Jayshree Chakravarty, moderated by Nancy Adajania at Jnanapravaha, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Slide presentation at the School of the Art Institute of Chicago</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Panel discussion with Nalini Malani, Sheba Chhachhi, moderated by Betty Seid at the Chicago Cultural Centre</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Lecture at the University Boccini, Milan</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Slide presentation at the Lamar Dodd School of Art, University of Georgia, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Artists Talk at the Griffith Auditorium, Georgia Museum of Art, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Slide presentation at Oslo National Academy of the Arts, Norway</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2000</td>\r\n<td>Slide presentation at Mohile Parikh Centre for the Visual Arts, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">AWARDS</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2016</td>\r\n<td>Zee: Indian Women Awards in Arts & Culture category, Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>ZegnArt Public Award in collaboration with Dr. Bhaudaji Lad Museum, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>YFLO ZOYA Young Women Achievers Awards 2010-11, Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Harmony Award, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1996</td>\r\n<td>Bombay Art Society Merit Certificate, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1996</td>\r\n<td>Second Prize Government Award, Sir J. J. School of Art, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1995</td>\r\n<td>Gladstone Solomon Award, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1991-1996</td>\r\n<td>Merit Scholarship, Sir J. J. School of Art, Mumbai</td>\r\n</tr>\r\n</tbody>\r\n</table>','Biography','','inherit','open','open','','105-revision-173','','','2016-07-25 06:58:27','2016-07-25 06:58:27','',105,'http://www.reenakallat.com/3408/uncat/105-revision-173',0,'revision','',0),(3409,1,'2016-07-25 06:58:47','2016-07-25 06:58:47','Reena Saini Kallat (b. 1973, Delhi, India) graduated from Sir J.J. School of Art, Mumbai in 1996 with a B.F.A. in painting. Her practice spanning drawing, photography, sculpture and video  engages diverse materials, imbued with conceptual underpinnings. She is interested in the role that memory plays, in not only what we choose to remember but also how we think of the past. Using the motif of the rubberstamp both as object and imprint, signifying the bureaucratic apparatus, Kallat has worked with officially recorded or registered names of people, objects, and monuments that are lost or have disappeared without a trace, only to get listed as anonymous and forgotten statistics. In her works made with electrical cables, wires usually serving as conduits of contact that transmit ideas and information, become painstakingly woven entanglements that morph into barbed wires like barriers. Her ongoing series using salt as a medium explores the tenuous yet intrinsic relationship between the body and the oceans, highlighting the fragility and unpredictability of existence.\r\n\r\nShe has widely exhibited across the world in venues such as Mori Art Museum, Tokyo; Kennedy Centre, Washington; Vancouver Art Gallery; Saatchi Gallery, London; SESC Pompeia and SESC Belenzino in Sao Paulo; Goteborgs Konsthall, Sweden; Helsinki City Art Museum, Finland; National Taiwan Museum of Fine Arts; Tel Aviv Museum of Art, Israel; National Museum of Contemporary Art, Seoul; Henie Onstad Kunstsenter, Oslo; Casa Asia, Madrid and Barcelona; ZKM Karlsruhe in Germany; Campbelltown Arts Centre, Sydney; Hangar Bicocca, Milan; Museum of Contemporary Art, Shanghai; IVAM Museum, Spain; Busan MOMA; Kulturhuset, Stockholm; Kunsthaus Langenthal, Switzerland; Chicago Cultural Centre amongst many others. She lives and works in Mumbai.\r\n\r\nHer works are part of several public and private collections including the National Taiwan Museum of Fine Arts, Taiwan; Vancouver Art Gallery, Canada; Initial Access (Frank Cohen Collection), UK; Fondazione Golinelli, Italy; Bhaudaji Lad Museum, Mumbai; National Gallery of Modern Art, New Delhi; Devi Art Foundation, New Delhi; Saatchi Gallery, London; Tiroche DeLeon Collection, Israel; Ermenegildo Zegna Group, Italy; JSW Foundation, Mumbai and Burger Collection, Hongkong amongst others. \r\n<table>\r\n<tbody>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">SOLO EXHIBITIONS</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>Porous Passages, Nature Morte, New Delhi </td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/Reena-Kallat-hyphenated-lives-2015-forthcoming-show/\" target=\"_blank\">Hyphenated Lives, Chemould Prescott Road, Mumbai<span style=\"color: red;\"> &gt;&gt; </span><a>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td><a class=\"linkbio\" href=\"https://www.vanartgallery.bc.ca/the_exhibitions/exhibit_sainikallat.html\" target=\"_blank\">Offsite, Public Art Project, Vancouver Art Gallery</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td>Anatomy of forking paths, Art Houz, during Art Chennai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td><a class=\"linkbio\" href=\"http://www.zegnart.com/diary/public\" target=\"_blank\">ZegnArt Public project with Dr. Bhaudaji Lad Museum, Mumbai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://www.kennedy-center.org/events/?event=ZLINB\" target=\"_blank\">Falling Fables, Maximum India at the Kennedy Centre, Washington </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://www.naturemorte.com/exhibitions/press_release/delhi/past/364\" target=\"_blank\">Labyrinth of Absences, Nature Morte, New Delhi</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.primomarellagallery.com/it/catalogue/scheda.asp?id=568&amp;view=past\" target=\"_blank\">Drift, Primo Marella Gallery, Milan</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://gallerychemould.com/exhibitions/reena-show-2008/\" target=\"_blank\"> Silt of Seasons, Chemould   Prescott Road, Mumbai <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/reena-kallat-exhibition-2008/\" target=\"_blank\">Subject to Change without Notice, Walsh Gallery, Chicago</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Rainbow Of Refuse, Bodhi Art Gallery, Mumbai and Singapore</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Black Flute (And Other Stories), Nature Morte, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2004/reena_saini_kallat_note.html\" target=\"_blank\">Black Flute, Gallery Chemould, Mumbai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>The Battlefield Is The Mind, Sakshi Gallery, Bangalore</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Seven Faces of Dust, Chicago Radio, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2000</td>\r\n<td>Skin, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1998</td>\r\n<td>Orchard of Home-grown Secrets, Gallery Chemould and Pundole  Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><span style=\"color: #888888;\"><strong>SELECTED GROUP EXHIBITIONS</strong></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2016</td>\r\n<td>Make a Change, Curated by Torun Ekstrand, Cultural Ronneby, Sweden</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2016</td>\r\n<td>Tabiyat: Medicine and Healing in India, Curated by Ratan Vaswani, CSMVS (Chhatrapati Shivaji Maharaj Vastu Sangrahalaya), Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2016</td>\r\n<td>The Eye and The Mind: New Interventions in Indian Art, NGMA- Jaipur House, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>The Eye and The Mind: New Interventions in Indian Art, Minsheng Art Museum, Beijing</td>\r\n</tr>\r\n\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>Aperture, Indian Summer Festival, Old Canadian Pacific Railway Station, Vancouver</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>The Eye and The Mind: New Interventions in Indian Art, China Art Museum, Shanghai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/A-Summer-Mix-Artists-from-Chemould-Prescott-2015/\" target=\"_blank\">A Summer Mix, Chemould Prescott Road, Mumbai<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>One and one make eleven (Contemporary Art From India), Kunsthaus Langenthal, Switzerland</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>The Eye and The Mind: New Interventions in Indian Art, Guangdong Museum of Art, Guangzhou, China</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>[en]counters 2015, Spaces in Transition, CST Terminus, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>Kalaghoda Art Festival, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td>Off the wall, Sir. J.J. School of Art, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td>India: Maximum City, St. Moritz Art Masters, Switzerland</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td>Encounters:- Is There Love in This Air?, Cattle depot, C &amp; G ArtPartment, Hong Kong</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/aesthetic-bind-cabinet-closet-wunderkammer/\" target=\"_blank\">Aesthetic Bind: Floating World, Chemould Prescott Road, Mumbai<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td><a class=\"linkbio\" href=\"http://www.sahmatnews.blogspot.in/2014/02/forms-of-activism-24th-feb-to-1st-march.html\" target=\"_blank\">Forms of Activism, exhibition marking 25 years of SAHMAT at the Lalit Kala Akademi galleries, Rabindra bhavan, New Delhi <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td><a class=\"linkbio\" href=\"http://www.artoxygen.org/wp-content/uploads/2014/140218_Program_isthereloveinthisair2014.pdf\" target=\"_blank\">Encounters 2014 - Is there love in the air?, Public project with Art Oxygen in Mumbai<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td><a class=\"linkbio\" href=\"http://eslitegallery.tumblr.com/post/65981256422/reena-saini-kallat\" target=\"_blank\">No-Mad-Ness in No-Man\'s Land, Eslite Gallery, Taipei <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td><a class=\"linkbio\" href=\"http://www.artoxygen.org/?p=1858\" target=\"_blank\">Haein Art Project, Haeinsa Temple, Korea <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td><a class=\"linkbio\" href=\"http://www.collabo-x.com/cheongju-international-craft-biennale-2013-청주첨단문화산업단지/\" target=\"_blank\"> \"Something Old and Something New\", Cheongju International Craft Biennale, Korea<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td><a class=\"linkbio\" href=\"http://mohileparikhcenter.org/site/?q=node/647\" target=\"_blank\">Partner a Master Exhibition, Artist/Mentor Programme, Premchand Roychand Gallery, Chhatrapati Shivaji Maharaj Vastu Sangrahalaya (CSMVS), Mumbai <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td><a class=\"linkbio\" href=\"http://www.paletteartgallery.com/exhibition/past/works/details/5120\" target=\"_blank\">Spell of Spill: Utopia of Ecology, Palette Art Gallery, Delhi <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td><a class=\"linkbio\" href=\"http://www.satellite.org.au/docs/encounters-powerPLAY_press_release.pdf \" target=\"_blank\">EN(counters): POWERplay, along Mumbai’s waterfronts, gardens and historic sites<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td>JJ’s 90s - The Time of Change, Sir J.J. School of Art, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>India Today, ARKEN Museum of Modern Art, Copenhagen, Denmark</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>The Indian Parallax or the Doubling of Happiness, Birla Academy of Art and Culture, Kolkata</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>WONDERS – Masterpieces from Private Collections, Denmark</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td><a class=\"linkbio\" href=\"http://www.bb.com.br/docs/pub/inst/dwn/CatalogoIndia.pdf\" target=\"_blank\">India side by side, Centro Cultural Banco do Brasil, Brasilia <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td><a class=\"linkbio\" href=\"http://www.eigen-art.com/lab/index.php?article_id=804&amp;clang=1\" target=\"_blank\">Group show, Eigen + Art Lab, Berlin<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>India Side by Side,SESC Belenzino, Sao Paulo, Brazil</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td><a class=\"linkbio\" href=\"http://www.punkto.no/voices-from-pandemonium.5006429-249860.html\" target=\"_blank\">Stemmer fra Pandemonium, Punkt-Galleri F 15, Moss, Norway <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>To Let the World In: Narrative and Beyond in Contemporary Indian Art, Lalit Kala Regional Centre, Chennai, India</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>The Contemporary Sultanate, the Sunrydge, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>Kalaghoda Art Festival, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td><a class=\"linkbio\" href=\"http://www.theskodaprize.com/2012/longlist.php?id=1#.ULxBLWDrbJw\" target=\"_blank\">The Skoda Prize Exhibition, Lalit Kala Academy, New Delhi<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>India Side by Side, Centro Cultural Banco do Brasil, Rio De Janeiro</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Giant Elephant : Contemporary Art from India, H Cube Gallery, Seoul</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Roundabout, Tel Aviv Museum of Art, Israel<span style=\"color: red;\"> </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://www.konsthallen.goteborg.se/prod/kultur/konsthallen/dalis2.nsf/535e371e7fd657aec1256a5c0045675f/22123a2342203237c125794a003704ed!OpenDocument\" target=\"_blank\">Goteborg International Biennale for Contemporary Art, curated by Sarat Maharaj, Göteborgs Konsthall and Bohuslans Konsthall, Uddevalla, Sweden <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Right to Dissent, Clark House, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>RED, Palette Art Gallery, Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Of Gods and Goddesses, Cinema, Cricket - The New cultural Icons of India, Jehangir Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://www.hel.fi/hki/taimu/en/art+museum+tennis+palace/past+exhibitions/2011/concurrent+india\" target=\"_blank\">Samtidigt, Helsinki City Art Museum, Finland<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Iconoclasts and Iconodules, curated by Ombretta Argo, Religare Art Gallery, New  Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://vancouverbiennale.com/sculptures_page.php?sculptureID=36\" target=\"_blank\">The Vancouver International Sculpture Biennale, Surrey Art Gallery, Canada<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>The Intuitive: Logic Revisted, from the Osians Collection at The World Economic Forum, Davos, Switzerland</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/current/La_Route_De_La_Soie.htm\" target=\"_blank\">La Route de la Soie / The Silk Road, Lille 3000, France </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://kulturhuset.stockholm.se/\" target=\"_blank\">Samtidigt, Kulterhuset, Stockholm</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.campbelltown.nsw.gov.au/Exhibitions\" target=\"_blank\">The River Project, Campbelltown Art Centre, Sydney</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.tamuseum.com/about-the-exhibition/roundabout-face-to-face\" target=\"_blank\">Roundabout, City Gallery Wellington, New Zealand</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/water-ways/\" target=\"_blank\">Waterways, Walsh Gallery, Chicago</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.richmondartgallery.org/in-transition.php\" target=\"_blank\">In Transition: New Art from India, Richmond Art Gallery Vancouver Biennale, Vancouver</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www2.webster.edu/news/releases/bringmealion_0910113.shtml\" target=\"_blank\">Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster University, curated by Jeffrey Hughes and Dana Turkovic, Cecile R. Hunt  Gallery, St. Louis, Missouri</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/www/pastExhibitions\" target=\"_blank\">Never Run Away, 2 person exhibition curated by Shaheen Merali, Stux Gallery, New York</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/artists/reena_kallat.htm?section_name=new_india\" target=\"_blank\">The Empire Strikes Back, Saatchi Gallery, London</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://art-for-the-world.blogspot.com/2010/01/some-installation-views-of-urban.html\" target=\"_blank\">Urban Manners 2, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao Paulo, Brazil</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.asianartbiennial.org/2009/en/index_en.html\" target=\"_blank\">View Points and Viewing points - 2009 Asian Art Biennale, National Taiwan Museum of Fine Arts </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Spectrum: Indian Art at Abu   Dhabi, United   Arab Emirates</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Milan Galleria, curated by Georgio Verzotti, Triennale Museum, Milan</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.initialaccess.co.uk/exh/73/11/passage-to-india-part-ii/reena-saini-kallat\" target=\"_blank\">Passage to India Part II show at Initial Access, Frank Cohen Collection, Wolverhampton, UK</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Ventosul Biennale, Curitiba, Brazil</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/english/contents/india/index.html\" target=\"_blank\"> Chalo! India: A New Era of Indian Art, National  Museum of Contemporary Art, Korea and Essl Museum, Vienna</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mocashanghai.org/index.php?_function=exhibition&amp;_subFunction=pastExhibition&amp;exhibition_id=40&amp;_view=detail\" target=\"_blank\">INDIA XIANZAI: Contemporary Indian Art, Museum of Contemporary Art, Shanghai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/42/622\" target=\"_blank\">Low Blow: And Other Species of Confusion, Stux gallery, New York</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.casaasia.eu/actividad/detalle?id=13195\" target=\"_blank\"><em> </em>Indian Narratives in the 21<sup>st</sup> Century: Between Memory and History,Casa  Asia, Madrid and Barcelona, Spain<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/body-chatter-an-exhibition-of-contemporary-indian-art-2008/\" target=\"_blank\">Body Chatter, Walsh Gallery, Chicago</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/contents/press/india_20081121_e.pdf\" target=\"_blank\">Chalo! India: A New Era of Indian Art, Mori Art   Museum, Japan</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM Museum, Valencia, Spain</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>3<sup>rd</sup> Nanjing Triennale, curators: Fumihiko Sumitomo, Jaeyoung Kang,  China</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>TEAF (Taehwagang Eco Art Festival) - Dream River, Korea</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Everywhere is War (And Rumours of it), Bodhi Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/33\" target=\"_blank\">Fire Walkers, Stefan Stux gallery, New York</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.galeriems.com/publications_2008.html\" target=\"_blank\">Three Points of view, Galerie Mirchandani + Steinrucke, Mumbai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Excavation: Memory / Myth / Membrane, Museum Gallery, Mumbai</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>International Incheon Women Artists’ Biennale, Korea</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Soft Power: Asian Attitude, Shanghai Zendai Museum of Modern Art, Shanghai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td><a class=\"linkbio\" href=\"http://www.kunstaspekte.de/index.php?tid=39629&amp;action=termin\" target=\"_blank\">Urban Manners, curated by Adelina Von Furstenberg, at Hangar Bicocca, Milan </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td><a class=\"linkbio\" href=\"\"http://www.artsblog.it/post/933/larte-contemporanea-indiana-a-milano\" target=\"_blank\">INDIA NOW: Contemporary Indian Art, Between Continuity and transformation, curated by Daniela Palozzoli at Spazio Oberdan, \r\nMilan<span style=\"color: red;\"> &gt;&gt; </span></a></td></tr>\r\n<td valign=\"top\">2007</td>\r\n<td>New Narratives: Contemporary Art From India, curated by Betty Seid, Chicago Cultural Centre, Chicago</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Thermocline Of Art- New Asian Waves, curated by Wonil Rhee and Peter Weibel at ZKM in Karlsruhe, Germany</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Modern Indian Works On Paper, Arthur Ross Gallery, Philadelphia and the Georgia Museum of Art, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Lille 3000 (Maximum City-Mumbai), Lille,  France</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Hungry God- Indian Contemporary Art, curated by Yun Chaegab and June Gwak, Arario Gallery, Beijing and Busan MoMA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>India Express – Art and Popular Culture, Art Museum Tennispalace, curators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City  Art Museum, Finland</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Mom and Pop Art, Walsh Gallery, Chicago</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Span, Sakshi Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Indian Paintings of the New Millenium, curated by Helen Asquine Fazio at Thomas J. Walsh Art Gallery at Fairfield  University, USA</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td><em> </em>Contemporary Art from India, Thomas   Erben Gallery, New York</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td>Zoom! Art in Contemporary India. Curators: Nancy Adajania and Luis Serpa, The Culturgest Museum, Lisbon, Portugal</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Crossing generations: diVERGE, Gallery Chemould’s 40th anniversary, Curators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of Modern Art, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td><em> </em>Hard Copy, two-person show with Jitish Kallat, Gallery 88, Calcutta</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Tiranga, curator: Peter Nagy, India Habitat Centre, New Delhi</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td><em> </em>Elephant Walks, Youth Arts Project in collaboration with Jitish Kallat as part of Indians + Cowboys exhibition, Curators: Aaron Seetu and Ruth Watson Gallery 4A, Sydney</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>The Tree From The Seed, Contemporary Art from India, curator: Gavin Jantjes Henie Onstad Kunstsenter (Oslo), Norway</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td><em>Crosscurrents</em>, organized by Artworks for the fiftieth anniversary celebrations of Jehangir Art  Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td><em>Reclaim Our Freedom</em>, organized by Open Circle, Pundole Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Crossing Borders, Gallery Windkracht 13, Den Helder, Holland</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>Big River 2, CCA7 Gallery, Port Of Spain, Trinidad</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>AOM- Art on the move, organized by Sahmat, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1999</td>\r\n<td><em> </em>Edge of the Century, curated by Amit Mukhopadhyay, Academy  of Fine Arts and Literature, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1998</td>\r\n<td><em> </em>Essays in Time, Kinetic Sculptures, Nehru Centre, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1997</td>\r\n<td><em> </em>India in Harmony 1947-1997, Nehru Centre, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1997</td>\r\n<td><em> </em>A Page From My Diary, Sans Tache Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1997</td>\r\n<td><em> </em>Fresh Work, Birla Academy of Art and Culture, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1996</td>\r\n<td><em> </em>Monsoon Show, Jehangir Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1995</td>\r\n<td><em> </em>Varsha ’95, Y. B. Chavan Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">SELECTED WORKSHOPS AND RESIDENCIES</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td>Visas to Happiness - 3, workshop with children at the 2014 Dhaka Art Summit, Bangladesh</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td><a class=\"linkbio\" href=\"http://art1stindia.wordpress.com/2012/09/09/reena-kallat-visa-to-happiness/#comments\" target=\"_blank\">Partner a Master Workshop Artist/Mentor Programme, organized by Art 1st Foundation in collaboration with Mohile Parikh Centre, Mumbai <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>Visas to Happiness, workshop with children as part of the exhibition \'To Let the World In\', Chennai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Iaspis Residency, Gothenburg, Sweden.</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Vanishing Point, children’s project at the Celebrate Bandra Festival, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Collaborative workshop as part of the exhibition Aftershock, Sainsbury Centre for Visual Arts, University of East Anglia, Norwich,  UK</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Collaborated on a Billboard project with Jitish Kallat, Kala Ghoda Art District, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Elephant Walks, Youth Arts Project at the Casula Power House Arts Centre, Liverpool, Australia</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Khoj 2002 International Artists Workshop, Mysore, India</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Identity and Landscape, residency in the Laurentian mountains of Quebec at the Boreal Art/Nature Centre, Canada</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>Big River 2, International Artists Workshop organized by CCA7 and the Triangle Arts Trust at Grand Riviere, Trinidad, West Indies</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td><span style=\"color: #888888;\"><strong>TALKS/PRESENTATIONS</strong></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>Walkthrough \'Hyphenated Lives\', Reena Kallat and Nancy Adajania at Chemould Prescott Road, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>Artists talk at Vancouver Art Gallery, Canada</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>Mumbai Local: Ideas and the Artist in collaboration with Junoon, Mcubed library, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>Artists talk at CSMVS (former Prince of Wales Museum), Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>Artists panel at Asian Contemporary Art Week (ACAW), FIELD MEETING Take 2: An afterthought in Venice</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>Artists Talk at \'What About Art?\', Arts management agency, in collaboration with ArtOxyen, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td>Artists talk at Asia Society, during the Asian Contemporary Art Week in New York</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td>Moving Millimeter: Talk by Reena Kallat for Mumbai Local, Bhaudaji Lad Museum, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td>\'Meet the Artist\' session for the students from South Asia Inter School Association (SAISA), Art Festival hosted by the American School of Bombay</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td>\'Who is the Audience?\' IAF 2013  I  Conversations, panel discussion with Kamini Sawhney, Matthieu Foss moderated by Ranjit Hoskote, Nehru Centre, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td>\'Rendezvous with the Artist\' series by Asia Society at the artists studio in Mumbai, sponsored by Christies.</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>Artists Talk at the World Economic Forum, Tianjin</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>\'Why I am not a woman artist\' panel discussion with Anju Dodiya, moderated by Nancy Adajania at the Jehangir Nicholson Art Foundation, Prince of Wales Museum, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Artists Talk at GIBCA Speak Easy (GSE), Goteborg</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Informal talk at HDK – The School of Design and Crafts, Goteborg</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Artists Talk at the Iaspis Residency Studio, Stockholm</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td>Short presentation as part of The River Project at The Campbelltown Arts Centre, Sydney</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Artists Talk at the Krishnakriti Festival 2011, Kalakriti Gallery, Hyderabad</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td>Panel discussion moderated by Maria Lantz, with participating artists during the exhibition Samtidigt at Kulturhuset, Stockholm</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Panel discussion with artist Gulam Sheikh, co-chair: Sabine B. Vogel, art critic at the Sammlung Essl Museum, Vienna</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Slide presentation followed by a panel discussion with Nalini Malani and Jayshree Chakravarty, moderated by Nancy Adajania at Jnanapravaha, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Slide presentation at the School of the Art Institute of Chicago</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Panel discussion with Nalini Malani, Sheba Chhachhi, moderated by Betty Seid at the Chicago Cultural Centre</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Lecture at the University Boccini, Milan</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Slide presentation at the Lamar Dodd School of Art, University of Georgia, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Artists Talk at the Griffith Auditorium, Georgia Museum of Art, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Slide presentation at Oslo National Academy of the Arts, Norway</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2000</td>\r\n<td>Slide presentation at Mohile Parikh Centre for the Visual Arts, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">AWARDS</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2016</td>\r\n<td>Zee: Indian Women Awards in Arts & Culture category, Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>ZegnArt Public Award in collaboration with Dr. Bhaudaji Lad Museum, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>YFLO ZOYA Young Women Achievers Awards 2010-11, Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Harmony Award, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1996</td>\r\n<td>Bombay Art Society Merit Certificate, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1996</td>\r\n<td>Second Prize Government Award, Sir J. J. School of Art, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1995</td>\r\n<td>Gladstone Solomon Award, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1991-1996</td>\r\n<td>Merit Scholarship, Sir J. J. School of Art, Mumbai</td>\r\n</tr>\r\n</tbody>\r\n</table>','Biography','','inherit','open','open','','105-revision-174','','','2016-07-25 06:58:47','2016-07-25 06:58:47','',105,'http://www.reenakallat.com/3409/uncat/105-revision-174',0,'revision','',0),(3411,1,'2016-07-25 07:21:55','2016-07-25 07:21:55','<table border=\"0\" cellspacing=\"5\" cellpadding=\"0\" width=\"100%\" align=\"centre\">\r\n    <tbody>\r\n    <tr>\r\n            <td style=\"padding-top: 12px;\" width=\"21%\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Offsite_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td style=\"margin-left: 5px;\">\r\n                                <span class=\"pubstrong\">Offsite: Reena Saini Kallat, </span> 2005<span>\r\n                                    Vancouver Art Gallery\r\n									Text: Diana Freundl\r\n									Copyright@ 2015 Vancouver\r\n									Art Gallery\r\n									ISBN: 978-1- 927656-23- 5\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                      \r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" width=\"21%\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/ZegnArtPublic_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td style=\"margin-left: 5px;\">\r\n                                <span class=\"pubstrong\">ZegnArt Public, India, </span> 2014<span>\r\n                                    Text: Nancy Adajania, Cecilia\r\n									Canziani, Mustansir Dalvi, Reena Kallat, Tasneem Mehta,\r\n									Simone Menegoi, Girish Shahane and Andrea Zegna\r\n									Publisher: Mousse Publishing\r\n									ISBN: 9788867491391\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        \r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" width=\"21%\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td style=\"margin-left: 5px;\">\r\n                                <span class=\"pubstrong\">Reena Saini Kallat, </span> 2009<span>\r\n                                    Text: Nancy Adajania and Murtaza Vali\r\n                                    Publisher: Primo Marella Gallery, Walsh Gallery and Chemould Prescott Road\r\n                                    ISBN: 978-81-908879-1-5\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/reena-kallat\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Rainbow of Refuse, </span>2006<span>\r\n                                    Text: Nancy Adajania\r\n                                    Publisher: Bodhi Art Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/rainbow-of-refuse\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Black Flute (and other stories), </span>2005\r\n                                <span class=\"pubstrong\">Black Flute,</span> 2004<span>\r\n                                    Text: Nancy Adajania\r\n                                    Publisher: Gallery Chemould and Nature Morte Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/black-flute\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">The Battlefield is the Mind, </span>2002<span>\r\n                                    Text: Nancy Adajania\r\n                                    Publisher: Sakshi Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/battlefield-of-mind\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table cellspacing=\"0\" cellpadding=\"0\" width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Skin, </span>2000<span>\r\n                                    Interview with Jitish Kallat\r\n                                    Publisher: Gallery Chemould and Vis-à-vis Art Inc. Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr></tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Orchard of home-grown secrets, </span>1998<span>\r\n                                    Text: Ranjit Hoskote\r\n                                    Publisher: Gallery Chemould and Pundole Art Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/orchard-pub\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td colspan=\"2\"></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n            <td>\r\n                <!-- Start of Other Publications -->\r\n\r\n                 <span class=\"pubstrong\">ZegnArt Public, India, 2014</span><span>\r\n                    Text: Nancy Adajania, Cecilia Canziani, Mustansir Dalvi, Reena Kallat, \r\nTasneem Mehta, Simone Menegoi, Girish Shahane, Andrea Zegna\r\n\r\n					Publisher: Mousse Publishing \r\n					ISBN: 9788867491391\r\n\r\n				 <span class=\"pubstrong\">Passages: Indian Art Today, 2015</span><span>\r\n                    Text: Gerard A. Goodrow, Julia Ritterskamp\r\n					Publisher: DAAB Media\r\n					ISBN-10: 3942597705\r\n					ISBN-13: 978-3942597705\r\n\r\n\r\n                <span class=\"pubstrong\">Nature Morte, 2013</span><span>\r\n                    Text: Michael Petry\r\n                    Publisher: Thames & Hudson\r\n                    ISBN: 9780500239063\r\n\r\n\r\n\r\n            <span class=\"pubstrong\">Haein Art Project, 2013</span><span>\r\n                Text:  Kim Jiyon, Leandre D’souza and Claudio Maffioletti\r\n                Publisher: Ven.Sun-Hae (Abbot of Haeinsa Temple)\r\n                ISBN: 979 1195142309 90620\r\n\r\n\r\n                <span class=\"pubstrong\">NO-MAD-NESS IN NO MAN’S LAND, 2013</span><span>\r\n                    Text:  interview by Ombretta Agro Andruff and Leeza Ahmady with Casey Amy Fan\r\n                    Publisher: The Eslite Corp.\r\n                    ISBN: 978-986-89759-7-2\r\n\r\n                    <span class=\"pubstrong\">India Side by Side, 2012</span><span>\r\n                        Text: Cibele Aldrovandi, Deepak Ananth, Flavia Galli Tatsch, Kapila Vatsyayan, Laura Cury, Rahaab Allana, Tereza de Arruda\r\n                        Publisher: The Brazilian Ministry of Culture and Banco do Brasil\r\n                        ISBN: 978-85-64170-01-8\r\n\r\n                        <span class=\"pubstrong\">India : Art Now, 2012 </span><span>\r\n                            Text: Stine Hoholt, Ranjit Hoskote, Zehra Jumabhoy\r\n                            Publisher: Hatje Cantz\r\n                        </span>ISBN: 978-3-7757-3411-0\r\n\r\n                        <span class=\"pubstrong\">Undervaeker – Wonders, </span>2012<span>\r\n                            Texts by Gitte Orskou, Af Theis Vallo Madsen, Jeanett Stampe\r\n                            Publisher: KUNSTEN - Museum of Modern Art Aalborg\r\n                        </span>ISBN: 978-87-88307-72-6\r\n\r\n                        <span class=\"pubstrong\">n.paradoxa: international feminist art journal, volume 30, </span>2012<span>\r\n                            Text: interview with Veeranganakumari Solanki\r\n                            Publisher: KT press\r\n                        </span>ISBN: 1461- 0434\r\n\r\n                        <span class=\"pubstrong\">The Skoda Prize Twenty, </span>2011-2012<span>\r\n                            Text: Zeenat Nagree\r\n                            Publisher: Popular Prakashan\r\n                        </span>ISBN: 978-81-7991-681-0\r\n\r\n                        <span class=\"pubstrong\">Pandemonium: Art in a time of creativity fever, </span>2011<span>\r\n                            Text: interview with Stina Edblom\r\n                            Publisher: Göteborg International Biennial for Contemporary Art\r\n                        </span>ISBN: 978-91-633-9363-1\r\n                        <span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/pandemonium\">read interview</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span>\r\n\r\n                        <span class=\"pubstrong\">The Indian Renaissance, </span>2011<span>\r\n                            Text: Antonio Stellatelli, Romano Ravasio and Marina Pizziolo\r\n\r\n                            <span class=\"pubstrong\">Vancouver Biennale, </span>2009-2011<span>\r\n                                Text: Vancouver International Sculpture Biennale\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Maximum India, </span>2011<span>\r\n                                Publisher: The John F. Kennedy Center for the Performing Arts, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Never Run Away, </span>2010<span>\r\n                                Text: Shaheen Merali\r\n                                Publisher: Stux Gallery</span>\r\n                                <span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/never-run-away\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span>\r\n                                \r\n                                <span class=\"pubstrong\">Urban Manners 2, </span>2010<span>\r\n                                Text: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\n                                Publisher: SESC Pompeia, Sao Paulo\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Empire Strikes Back, </span>2010<span>\r\n                                Text: Zehra Jumabhoy\r\n                                Publisher: Saatchi Gallery\r\n                                ISBN: 9780224089494\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The River Project, </span>2010<span>\r\n                                Publisher: Campbelltown Arts Centre\r\n                                ISBN: 9781875199761\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Asian Art Now, </span>2010<span>\r\n                                Text: Melissa Chiu and Benjamin Genocchio\r\n                                Publisher: Monacelli Press\r\n                                ISBN: 978-1-58093-298-1 (1-58093-298-3)\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Roundabout, </span>2010<span>\r\n                                Publisher: Art Asia Pacific Publishing\r\n                                ISBN: 978-0984562510\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Khoj Book, </span>2010<span>\r\n                                Interview with Shilpa Gupta\r\n                                Publisher: HarperCollins\r\n                                ISBN: 9788172236878\r\n                            </span><span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/khoj-book\">read interview</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span>\r\n\r\n                            <span class=\"pubstrong\">5 Bienal Ventosul, </span>2009<span>\r\n                                Publisher: Instituto Paranaense de Arte\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Viewpoints &amp; Viewings Points- Asian Art Biennale, </span>2009<span>\r\n                                Text: Chao-yi-Tsai\r\n                                Publisher: National Taiwan Museum of fine Arts\r\n                                ISBN: 978-986-02-0269-4\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Xianzai: Contemporary Indian Art, </span>2009<span>\r\n                                Text: Jitish Kallat, Diana Freundl, Alexander Keefe\r\n                                Publisher: Museum of Contemporary Art\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2009<span>\r\n                                Text: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki,\r\n                                Miho Tagomori\r\n                                Publisher: Prestel, National Museum of Contemporary Art and Essl Museum\r\n                                ISBN: 978-3-7913-4304-4\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2008<span>\r\n                                Text: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman\r\n                                Gopinath, Jayaram, Deepak Ananth\r\n                                Publisher: Mori Art Museum\r\n                                ISBN: 978-4-902819-21-2\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Moderna, </span>2008<span>\r\n                                Text: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur,\r\n                                R. Siva Kumar, K.G. Subramanyan\r\n                                Publisher: IVAM (Institute Valencia D’Art Modern)\r\n                                ISBN: 978-84-482-5104-8\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Everywhere is War (and rumours of it),</span>2008<span>\r\n                                Text: Kai Hafez, Martin Hager, Nicholas Mirzoeff, Daniel Miller,\r\n                                Bregje van Eekelen\r\n                                Publisher: Bodhi Art Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Three Points of Views, </span>2008<span>\r\n                                Text: Grant Watson\r\n                                Publisher: Galerie Mirchandani + Steinruecke\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">New Narratives: Contemporary Art from India, </span>2008<span>\r\n                                Text: Betty Seid with contributions by Johan Pijnappel\r\n                                Publisher: Mapin Publication in association with Chicago Cultural Center\r\n                                ISBN: 978-1-890206-08-6\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Made by Indians, </span>2007<span>\r\n                                Text: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\n                                Publisher: Galerie Enrico Navarra\r\n                                ISBN: 2-911596-37-4\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Thermocline of Art: New Asian Waves, </span>2007<span>\r\n                                Text:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong\r\n                                Publisher: Hatje Cantz Vertag\r\n                                ISBN: 978-3-7757-2073-1\r\n                                EAN: 9782911596377\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Indian Colour, </span>2007<span>\r\n                                Text: Peter Nagy\r\n                                Publisher: Dal- seung Hwang, Keumsan Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Arte Oggi, </span>2007<span>\r\n                                Text:  Daniela Palazzoli\r\n                                Publisher: Spazio Oberdan\r\n                                ISBN: 978-88-202-1867-6\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Urban Manners, </span>2007<span>\r\n                                Text: Adelina Von Furstenberg and Nancy Adajania\r\n                                Publisher: Hangar Bicocca\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">International Incheon Women Artists’ Biennale,</span>\r\n                            <span class=\"pubstrong\">Knocking on the Door, </span>2007<span>\r\n                                Text: Sung Hee Kim, John C. Welchman\r\n                                Publisher: Incheon Culture and Art Centre\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Soft Power: Asian Attitude, </span>2007<span>\r\n                                Text: Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\n                                Publisher: Shanghai Zendai Mumsem of Modern Art\r\n                                ISBN: 978-7-5356-2790-2\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Express- Art and Popular Culture, </span>2006<span>\r\n                                Text: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze\r\n                                Publisher: Helsinki City Art Museum\r\n                                ISBN: 951-8965-61-7\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Bombay L’album Maximum City, </span>2006<span>\r\n                                Text: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\n                                Publisher: Terrail, Lille 3000\r\n                                ISBN: 2-87939-325-6\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Indian Paintings of the New Millennium, </span>2005<span>\r\n                                Text: Helen Asquine  Fazio, Gayatri Sinha\r\n                                Publisher: Quick Arts Center, Fairfield University\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">A Guide to 101 Modern &amp; Contemporary Indian Artists, </span>2005<span>\r\n                                Text: Amrita Jhaveri\r\n                                Publisher: India Book House\r\n                                ISBN: 81-7508-423-5\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Zoom! Art in Contemporary India, </span>2004<span>\r\n                                Texts: Luis Serpa and Nancy Adajania\r\n                                Publisher: The Culturgest Museum\r\n                                ISBN: 972-769-033-5\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Interlude in Sri Lanka, </span>2004<span>\r\n                                Text: Ranjit Hoskote and Nancy Adajania\r\n                                Publisher: The Guild Art Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Generation I, </span>2004<span>\r\n                                Text: Zehra Jumabhoy\r\n                                Publisher: Saffronart &amp; The Guild Art Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Tiranga Rights and Reponsibilities, </span>2003<span>\r\n                                Text: Peter Nagy\r\n                                Publisher: Jindal Foundation &amp; Creative Arts\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Hard Copy, </span>2003<span>\r\n                                Text: Peter Nagy\r\n                                Publisher: Galerie 88\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Crossing Generations: diVERGE, </span>2003<span>\r\n                                Text: Geeta Kapoor and Chaitanya Sambrani\r\n                                Publisher: Gallery Chemould\r\n                            </span>\r\n<p style=\"padding-top:13px;\">\r\n<!--\r\n                            <span class=\"pubstrong\" style=\"color: #000000;font-size:20px;line-height:35px;color:#505050;\">PRESS</span>\r\n                            </p>\r\n                                                          <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artforum.com/words/id=56896\" target=\"_blank\">\r\n                                                         Porous Passages Reflects on Differing Worldviews</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               ArtForum, Himali Singh Soin, 21st December 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artdaily.com/index.asp?int_sec=11&int_new=81426#.VnpzN_l96Um\" target=\"_blank\">\r\n                                                         Chemould Prescott Road opens exhibition of the work of Reena Saini Kallat</a> </span> <font color=\"red\">  >> </font> <span>\r\n                              Artdaily, 23rd December 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.livemint.com/Leisure/lPXmu4hGHMMbAKK9IJmXGJ/Beyond-the-barbed-wire.html\" target=\"_blank\">\r\n                                                         Beyond the barbed wire	</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Chanpreet Khurana, Live Mint, 16th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.livemint.com/Leisure/LGZI9VzNg3218XGafyrFBO/Genetic-engineering.html\" target=\"_blank\">\r\n                                                         Genetic engineering</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Rosalyn D’Mello, Live Mint, 19th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.openthemagazine.com/article/art-culture/layer-upon-layer\" target=\"_blank\">\r\n                                                         Layer upon Layer</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Payal Khandelwal, Open Magazine pg 54 - 57, 28th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.vogue.in/content/can-art-bind-together-warring-nations/\" target=\"_blank\">\r\n                                                         Can art bind together warring nations?</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Rosalyn DMello, Vogue, 23rd September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://indianexpress.com/article/lifestyle/dividing-lines-3/\" target=\"_blank\">\r\n                                                         Dividing Lines</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Pooja Pillai, The Indian Express, 21st September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindustantimes.com/art-and-culture/reena-saini-kallat-explores-geopolitical-relations-in-wires/story-bAlx8ynmqUgWHxlb2DONuN.html;jsessionid=A5137ED4B0981ED14C62E175FE95D985\" target=\"_blank\">\r\n                                                         Reena Saini Kallat explores geopolitical relations in wires</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Arundhati Chatterjee, Hindustan Times, 21st September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.dnaindia.com/lifestyle/interview-a-divided-existence-reena-saini-talks-about-her-exhibition-hyphenated-lives-2126700\" target=\"_blank\">\r\n                                                         A divided existence</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Ornella D’Souza, DNA, 20th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.mumbaimirror.com/others/leisure/Mirror-fixes-it-Finding-poetry-in-politics/articleshow/49031262.cms\" target=\"_blank\">\r\n                                                         Finding Poetry in Politics</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Reema Gehi, Mumbai Mirror, 20th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://theculturetrip.com/asia/india/articles/contemporary-artists-series-a-conversation-with-reena-saini-kallat/\" target=\"_blank\">\r\n                                                         Contemporary Artists Series: A Conversation with Reena Saini Kallat</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Farah Siddiqui, The CultureTrip, 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://insideburgercollection.org/wp-content/uploads/2015/07/94_BurgerCollection-08_p87-92.pdf\" target=\"_blank\">\r\n                                                        REREADING REENA KALLAT -  Inside Burger collection</a></span> <font color=\"red\">  >> </font> <span>\r\n									Quddus Mirza, Art Asia Pacific Magazine,  July/Aug 2015 </span>\r\n                              \r\n                                  <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.domusweb.it/en/news/2015/06/15/offsite_reena_saini_kallat.html\" target=\"_blank\">Woven Chronicle, Domus</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               posted on 15th June 2015                            </span>\r\n\r\n                               <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.huffingtonpost.ca/jugni-style/reena-saini-kallat-vancouver_b_7725930.html\" target=\"_blank\">Reena Saini Kallat\'s Public Art Installation Explores Migration, Longing In Vancouver</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Nimritta Parmar,  Huffpost  British Columbia Canada,  posted on 13th July 2015                            </span>\r\n\r\n                               <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.vancouverobserver.com/culture/art/mumbai-artist-maps-out-web-wire-vag-offsite\" target=\"_blank\">Mumbai artist maps out web of wire at VAG Offsite</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Sponsored content, Vancouver Observer, posted on 8th June 2015                            </span>\r\n\r\n                               <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://indianexpress.com/article/lifestyle/current-connections/\" target=\"_blank\">Current Connections</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Vandana Kalra, The Indian Express, 12th May 2015 </span>\r\n                               \r\n                            <span class=\"pubstrong\">Working Lives, AD Perspective,</span> <span>\r\n                              Sanhita Chowdhury, Architectural Digest pg-76, January-February 2015                      </span>\r\n\r\n                              <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://theculturetrip.com/asia/india/articles/the-top-10-female-contemporary-artists-from-india/\" target=\"_blank\">The Top 10 Female Contemporary Artists from India</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               C. A. Xuan Mai Ardia, The Culture Trip, 2014                            </span>\r\n\r\n                              <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.mid-day.com/articles/memories-at-work/15747192\" target=\"_blank\">Memories at work</a> </span> <font color=\"red\">  >> </font> <span>\r\n                              Kanika Sharma, Mid-day, 8th November 2014                           </span>\r\n                              \r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artasiapacific.com/Magazine/WebExclusives/FloatingWorldAestheticBind\" target=\"_blank\">Aesthetic Bind Floating World</a> </span> <font color=\"red\">  >> </font> <span>\r\n                              Gitanjali Dang, ArtAsiaPacific, April 2014                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.timeoutmumbai.net/art/features/suspense\" target=\"_blank\">In Suspense </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Phalguni Desai , Timeout Mumbai,  March  2014\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artdaily.com/news/68958/Chemould-Prescott-Road-celebrates-fifty-years-of-contemporary-art-with-Aesthetic-Bind--Floating-World#.Uz5us_mSxVk\" target=\"_blank\">Chemould Prescott Road celebrates fifty years of contemporary art with Aesthetic Bind: Floating World </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Geeta Kapur, Art Daily, 24th March 2014\r\n                            </span>\r\n                                                        <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.wallpaper.com/art/zegnart-enlists-reena-kallat-to-create-a-site-specific-artwork-in-mumbai/6292\" target=\"_blank\">ZegnArt enlists Reena Kallat to create a site-specific artwork in Mumbai,</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                JJ Martin, Wallpaper, 18th January 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.timeoutmumbai.net/art/features/web-design\" target=\"_blank\">Web design</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Karanjeet Kaur,Timeout Magazine, pg 26-28, 15th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artribune.com/2013/03/una-ragnatela-fra-italia-e-india-inaugurata-a-mumbai-lopera-di-reena-kallat-per-il-progetto-zegnart-public-qui-ci-sono-immagini-video-e-intervista-allartista/\" target=\"_blank\">Arte pubblica a Mumbai. Intervista con Anna Zegna</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Daniele Perra, Art Tribune, 1st March 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://in.blouinartinfo.com/news/story/885613/reena-kallat-on-her-mammoth-1-ton-rubber-stamp-cobweb-at-the\" target=\"_blank\">Reena Kallat On Her Mammoth, 1-ton Rubber-Stamp Cobweb at the Bhau Daji Lad Museum, Mumbai</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Rosalyn D\'Mello, Blouinart, April 1, 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.thehindu.com/features/magazine/putting-her-stamp-on-it/article4484175.ece\" target=\"_blank\">Putting her stamp on it</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Ramya Sarma, The Hindu, 9th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.business-standard.com/article/beyond-business/stamp-over-mumbai-113030800509_1.html\" target=\"_blank\">Stamp over Mumbai</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Kishore Singh, Business Standard, New Delhi  8th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.dnaindia.com/lifestyle/report_weaving-a-tangled-web_1806665\" target=\"_blank\">Weaving a tangled web</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Deepanjana Pal, DNA, 3rd March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.dnaindia.com/lifestyle/report_web-of-history_1810815\" target=\"_blank\">Web of history </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Sanaya Chavda, DNA, 13th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindustantimes.com/Entertainment/Art/Web-of-history-Reena-Kallat-s-installation/Article1-1027359.aspx\" target=\"_blank\">Web of history </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Shweta Mehta, Hindustan Times, 16th March 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://blog.saffronart.com/2013/03/14/reena-kallats-untitled-cobwebscrossings/\" target=\"_blank\">Public Art installation by Reena Kallat at the Dr. Bhau Daji Lad Museum in Mumbai </a> </span> <font color=\"red\">  >> </font><span>\r\n                                Manjari Sihare, Saffron blog,Posted on 14th March  2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Weaving into  networks, Buliding Cobwebs: Musings over Reena Saini Kallat’s recent work </span> <span>\r\n                                Parni Ray, Take on Art/Eleven, pg 98, Volume lll\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Stamping ground </span><span>\r\n                                Deepanjana Pal, Wallpaper magazine, pg 193 – 194, May 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Editorial</span><span>\r\n                                Kaiwan Mehta, Domus, pg 5 – 10, April 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Web Design</span> <span>\r\n                                Chumki Bharadwaj, India Today, pg 45 – 46, April 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Art Outside  </span> <span>\r\n                                Pavitra Mohan, Architectural Digest, pg 98, March-April 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://inditerrain.indiaartndesign.com/2013/03/of-cobwebs-crossings.html\" target=\"_blank\">Of Cobwebs & Crossings </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Jigna Padhiar, India Art & Design, 1st March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://prestige-singapore.com.sg/2013/04/arts-raj\" target=\"_blank\">Art\'s the Raj</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Dylan Boey, Prestige Singapore, 3rd April 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\">Adrift in unknown waters: Reena Saini Kallat and the Art of letting go</span><span>\r\n                                Parni Ray,  Artfair Magazine, Issue-3, pg 48 – 51, 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://shobanarayan.com/2012/02/04/about-jitish-kallat-and-reena-saini-kallat/\" target=\"_blank\">Walking the Art talk with the Kallats</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Shobha Narayan, Live Mint, February 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.tribuneindia.com/2012/20120219/spectrum/main2.htm\" target=\"_blank\">Spectrum New Visual Idiom</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                The Tribune, February 19, 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artnewsnviews.com/view-article.php?article=g-teborg-international-biennial&iid=25&articleid=678\" target=\"_blank\">Goteborg International Biennial</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Art Etc, Vol.4, No. 2, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Helsinki taidemuseo.fi-Journal, </span> January 2011<span>\r\n                            </span>\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://indiatoday.intoday.in/site/story/brush-with-reality/1/134582.html\">Brush With Reality </a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Sumaiya Khan, India Today Woman, pg. 20-21, April 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">System overload </span><span>\r\n                                Shweta Upadhyay, Timeout Delhi, March 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artslant.com/ind/articles/show/22573\" target=\"_blank\">Picking up the past</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Parni Ray, www.artslant.com, 4th April 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://iipdigital.usembassy.gov/st/english/article/2011/03/20110307133535drawoh0.7282221.html#axzz34yECziHk\">Art at “maximum INDIA” Festival Evokes Cultural Memory and Loss</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Howard Cincotta, www.america.gov, March 7, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.signonsandiego.com/news/2011/mar/02/kennedy-center-opens-3-week-india-arts-festival/\">Kennedy Center opens 3-week India arts festival</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Brett Zongker, www.signonsnadiego.com, 2nd March 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Eye and the Mind: New Interventions in Contemporary Indian Art </span><span>\r\n                                Rajeev Lochan, India Perspectives, Vol. 24, No. 6, 2010\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artradarjournal.com/2010/04/20/indian-contemporary-artist-reena-kallat-art-radar-exclusive-interview/\">Interview, Art Radar Asia </a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span><span>\r\n                                April 20, 2010\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Archives of the Heart</span><span>\r\n                                Nancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\n                                Front Cover, pgs 42-45, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Globale Kunst Mit Wurzelduft</span><span>\r\n                                Von Almuth Speigler, Die Presse, Feuilleton, 2nd September 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Landscapes of Loss</span><span>\r\n                                Beth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Reincarnating History</span><span>\r\n                                The Big Picture, Architect and Interiors, July 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Stamp Collection</span><span>\r\n                                Georgina Maddox, The Sunday Express, 17th May 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Evolving Beyond Borders</span><span>\r\n                                Reshma S. Kulkarni, Bombay Times, Times of India, 15th January, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Loss and Found</span><span>\r\n                                Marina Correa, DNA, Mumbai, 22nd January 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Focus India</span><span>\r\n                                Megha Ralapati, Flash Art, pg 114, January-February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Come Together Right Now</span><span>\r\n                                Reema Gehi, HT Café, 15th February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Such a Long Journey</span><span>\r\n                                Aparna S Sharma, Elle Magazine, pgs 115-117, February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">More than a Woman</span><span>\r\n                                Georgina Maddox, The Indian Express, Mumbai Newsline, 4th February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Artist of the Fortnight</span><span>\r\n                                Maria Louis, Outlook Profit, pg 79, 18th April 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Deja View</span><span>\r\n                                Tara Khilachand, Live Mint, 20th December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Terror Struck</span><span>\r\n                                Maria Louis, Outlook Profit, 26th December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Name Calling</span><span>\r\n                                Deepanjana Pal, Timeout Mumbai, December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Corruptions of Power</span>\r\n                            <span>Shiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99, 2007</span>\r\n\r\n                            <span class=\"pubstrong\">Over the Rainbow</span><span>\r\n                                Maria Louis, Interview, Verve Magazine, pg 78, November 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindu.com/mag/2006/10/29/stories/2006102900070200.htm\">In a State of Perennial Siege</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span><span>\r\n                                Nancy Adajania, The Hindu, Hyderabad, 29th October 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Her Crowning Achievement</span><span>\r\n                                Clara Chow, The Straits Times, 18th November 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Political Chaos</span><span>\r\n                                Deepali Nandwani, Beautiful people, pg 143, November-December 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Weapons of Mass Construction</span><span>\r\n                                Rituparna Som, DNA after Hrs, Mumbai, 9th October, 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Guns and Roses</span><span>\r\n                                Rachna Nakra, The Indian Express, Mumbai Newsline, 18th September 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Under Attack</span><span>\r\n                                Gitanjali Dang, HT Mumbai, 22nd September 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Time Traveller</span><span>\r\n                                Georgina Maddox, The Indian Express, Mumbai Newsline, 27th June 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Flower and the Sword</span><span>\r\n                                Girish Shahane, The Art News magazine of India, pg 93, volume X issue I, 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India’s Top 100 Achievers</span><span>\r\n                                Society Magazine, pg 137, December 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Caught Between Demons<span style=\"font-weight: normal; color: red;\"></span></span><span>\r\n                                Nancy Adajania, The Hindu, 19th December 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">En Reise Til India</span><span>\r\n                                Harald Flor, Dagbladet, Kultur, 2nd February 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Signs of Resistance</span><span>\r\n                                Nancy Adajania, The Hindu, 5th January 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Of the Goddess and Demon in the Mind</span><span>\r\n                                Debbie Rodgers, Sunday edition Vijay Times, Bangalore, 5th January 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Empathic Anger</span><span>\r\n                                Marta Jakimowicz, Deccan Herald, 23rd December 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Mysore Ek Khoj</span>\r\n                            Cross Fertilization of Culture, Interview in Star of Mysore, 27th October 2002\r\n\r\n                            <span class=\"pubstrong\">Linking Islands</span><span>\r\n                                Menaka Jayasankar, Indian Express, Mumbai Newsline, 15th February 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Creating to Destroy</span><span>\r\n                                Jasmine Shah Varma, The List, Mid Day, 22nd February 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Different Strokes</span><span>\r\n                                Georgina L Maddox, The Indian Express, Mumbai Newsline, 24th July 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a target=\"_blank\" href=\"http://www.reenakallat.com/wp-content/uploads/2011/09/Faith%20and%20Hunger.pdf\" style=\"color: rgb(135, 135, 135);\">Of Faith and Hunger</a><font style=\"font-weight:normal;\" color=\"red\">  >> </font></span>\r\n                        <span>Abhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89, December 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">The Murmur of Skin</span><span>\r\n                            Nupur Mahajan, Bombay Times, Times of India, 12th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Not just Skin Deep</span><span>\r\n                            Jasmine Shah Varma, The List, Mid-day, 4th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Inside Out</span><span>\r\n                            Menaka Jayasankar, Indian Express, Mumbai Newsline, 11th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Scintillating Skin</span><span>\r\n                            Vaibhav Purandare, The Asian Age, 14th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">An Artist’s World: Roti, Makaan &amp; Abstract Art</span><span>\r\n                            Poonam Goel, HT City, 23rd December 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Within you, Without you</span><span>\r\n                            Anu Kumar, Indian Express, Express Newsline, 2nd September 1998\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Farming Intrigue</span><span>\r\n                            Jerry Pinto, The Times of India, Bombay Times, 3rd September 1998\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Interactive Medium</span><span>\r\n                            Karen Pereira, Indian Architect &amp; Builder, pgs 102-104, October 1998\r\n                        </span>\r\n                        -->\r\n</td>\r\n        </tr>\r\n    </tbody>\r\n</table>','Publications','','inherit','open','open','','87-revision-237','','','2016-07-25 07:21:55','2016-07-25 07:21:55','',87,'http://www.reenakallat.com/3411/uncat/87-revision-237',0,'revision','',0),(3410,1,'2016-07-25 00:57:42','2016-07-25 00:57:42','<table border=\"0\" cellspacing=\"5\" cellpadding=\"0\" width=\"100%\" align=\"centre\">\r\n    <tbody>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" width=\"21%\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td style=\"margin-left: 5px;\">\r\n                                <span class=\"pubstrong\">Reena Saini Kallat, </span> 2009<span>\r\n                                    Text: Nancy Adajania and Murtaza Vali\r\n                                    Publisher: Primo Marella Gallery, Walsh Gallery and Chemould Prescott Road\r\n                                    ISBN: 978-81-908879-1-5\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/reena-kallat\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Rainbow of Refuse, </span>2006<span>\r\n                                    Text: Nancy Adajania\r\n                                    Publisher: Bodhi Art Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/rainbow-of-refuse\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Black Flute (and other stories), </span>2005\r\n                                <span class=\"pubstrong\">Black Flute,</span> 2004<span>\r\n                                    Text: Nancy Adajania\r\n                                    Publisher: Gallery Chemould and Nature Morte Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/black-flute\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">The Battlefield is the Mind, </span>2002<span>\r\n                                    Text: Nancy Adajania\r\n                                    Publisher: Sakshi Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/battlefield-of-mind\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table cellspacing=\"0\" cellpadding=\"0\" width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Skin, </span>2000<span>\r\n                                    Interview with Jitish Kallat\r\n                                    Publisher: Gallery Chemould and Vis-à-vis Art Inc. Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr></tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Orchard of home-grown secrets, </span>1998<span>\r\n                                    Text: Ranjit Hoskote\r\n                                    Publisher: Gallery Chemould and Pundole Art Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/orchard-pub\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td colspan=\"2\"></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n            <td>\r\n                <!-- Start of Other Publications -->\r\n\r\n                 <span class=\"pubstrong\">ZegnArt Public, India, 2014</span><span>\r\n                    Text: Nancy Adajania, Cecilia Canziani, Mustansir Dalvi, Reena Kallat, \r\nTasneem Mehta, Simone Menegoi, Girish Shahane, Andrea Zegna\r\n\r\n					Publisher: Mousse Publishing \r\n					ISBN: 9788867491391\r\n\r\n				 <span class=\"pubstrong\">Passages: Indian Art Today, 2015</span><span>\r\n                    Text: Gerard A. Goodrow, Julia Ritterskamp\r\n					Publisher: DAAB Media\r\n					ISBN-10: 3942597705\r\n					ISBN-13: 978-3942597705\r\n\r\n\r\n                <span class=\"pubstrong\">Nature Morte, 2013</span><span>\r\n                    Text: Michael Petry\r\n                    Publisher: Thames & Hudson\r\n                    ISBN: 9780500239063\r\n\r\n\r\n\r\n            <span class=\"pubstrong\">Haein Art Project, 2013</span><span>\r\n                Text:  Kim Jiyon, Leandre D’souza and Claudio Maffioletti\r\n                Publisher: Ven.Sun-Hae (Abbot of Haeinsa Temple)\r\n                ISBN: 979 1195142309 90620\r\n\r\n\r\n                <span class=\"pubstrong\">NO-MAD-NESS IN NO MAN’S LAND, 2013</span><span>\r\n                    Text:  interview by Ombretta Agro Andruff and Leeza Ahmady with Casey Amy Fan\r\n                    Publisher: The Eslite Corp.\r\n                    ISBN: 978-986-89759-7-2\r\n\r\n                    <span class=\"pubstrong\">India Side by Side, 2012</span><span>\r\n                        Text: Cibele Aldrovandi, Deepak Ananth, Flavia Galli Tatsch, Kapila Vatsyayan, Laura Cury, Rahaab Allana, Tereza de Arruda\r\n                        Publisher: The Brazilian Ministry of Culture and Banco do Brasil\r\n                        ISBN: 978-85-64170-01-8\r\n\r\n                        <span class=\"pubstrong\">India : Art Now, 2012 </span><span>\r\n                            Text: Stine Hoholt, Ranjit Hoskote, Zehra Jumabhoy\r\n                            Publisher: Hatje Cantz\r\n                        </span>ISBN: 978-3-7757-3411-0\r\n\r\n                        <span class=\"pubstrong\">Undervaeker – Wonders, </span>2012<span>\r\n                            Texts by Gitte Orskou, Af Theis Vallo Madsen, Jeanett Stampe\r\n                            Publisher: KUNSTEN - Museum of Modern Art Aalborg\r\n                        </span>ISBN: 978-87-88307-72-6\r\n\r\n                        <span class=\"pubstrong\">n.paradoxa: international feminist art journal, volume 30, </span>2012<span>\r\n                            Text: interview with Veeranganakumari Solanki\r\n                            Publisher: KT press\r\n                        </span>ISBN: 1461- 0434\r\n\r\n                        <span class=\"pubstrong\">The Skoda Prize Twenty, </span>2011-2012<span>\r\n                            Text: Zeenat Nagree\r\n                            Publisher: Popular Prakashan\r\n                        </span>ISBN: 978-81-7991-681-0\r\n\r\n                        <span class=\"pubstrong\">Pandemonium: Art in a time of creativity fever, </span>2011<span>\r\n                            Text: interview with Stina Edblom\r\n                            Publisher: Göteborg International Biennial for Contemporary Art\r\n                        </span>ISBN: 978-91-633-9363-1\r\n                        <span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/pandemonium\">read interview</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span>\r\n\r\n                        <span class=\"pubstrong\">The Indian Renaissance, </span>2011<span>\r\n                            Text: Antonio Stellatelli, Romano Ravasio and Marina Pizziolo\r\n\r\n                            <span class=\"pubstrong\">Vancouver Biennale, </span>2009-2011<span>\r\n                                Text: Vancouver International Sculpture Biennale\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Maximum India, </span>2011<span>\r\n                                Publisher: The John F. Kennedy Center for the Performing Arts, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Never Run Away, </span>2010<span>\r\n                                Text: Shaheen Merali\r\n                                Publisher: Stux Gallery</span>\r\n                                <span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/never-run-away\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span>\r\n                                \r\n                                <span class=\"pubstrong\">Urban Manners 2, </span>2010<span>\r\n                                Text: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\n                                Publisher: SESC Pompeia, Sao Paulo\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Empire Strikes Back, </span>2010<span>\r\n                                Text: Zehra Jumabhoy\r\n                                Publisher: Saatchi Gallery\r\n                                ISBN: 9780224089494\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The River Project, </span>2010<span>\r\n                                Publisher: Campbelltown Arts Centre\r\n                                ISBN: 9781875199761\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Asian Art Now, </span>2010<span>\r\n                                Text: Melissa Chiu and Benjamin Genocchio\r\n                                Publisher: Monacelli Press\r\n                                ISBN: 978-1-58093-298-1 (1-58093-298-3)\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Roundabout, </span>2010<span>\r\n                                Publisher: Art Asia Pacific Publishing\r\n                                ISBN: 978-0984562510\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Khoj Book, </span>2010<span>\r\n                                Interview with Shilpa Gupta\r\n                                Publisher: HarperCollins\r\n                                ISBN: 9788172236878\r\n                            </span><span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/khoj-book\">read interview</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span>\r\n\r\n                            <span class=\"pubstrong\">5 Bienal Ventosul, </span>2009<span>\r\n                                Publisher: Instituto Paranaense de Arte\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Viewpoints &amp; Viewings Points- Asian Art Biennale, </span>2009<span>\r\n                                Text: Chao-yi-Tsai\r\n                                Publisher: National Taiwan Museum of fine Arts\r\n                                ISBN: 978-986-02-0269-4\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Xianzai: Contemporary Indian Art, </span>2009<span>\r\n                                Text: Jitish Kallat, Diana Freundl, Alexander Keefe\r\n                                Publisher: Museum of Contemporary Art\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2009<span>\r\n                                Text: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki,\r\n                                Miho Tagomori\r\n                                Publisher: Prestel, National Museum of Contemporary Art and Essl Museum\r\n                                ISBN: 978-3-7913-4304-4\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2008<span>\r\n                                Text: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman\r\n                                Gopinath, Jayaram, Deepak Ananth\r\n                                Publisher: Mori Art Museum\r\n                                ISBN: 978-4-902819-21-2\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Moderna, </span>2008<span>\r\n                                Text: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur,\r\n                                R. Siva Kumar, K.G. Subramanyan\r\n                                Publisher: IVAM (Institute Valencia D’Art Modern)\r\n                                ISBN: 978-84-482-5104-8\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Everywhere is War (and rumours of it),</span>2008<span>\r\n                                Text: Kai Hafez, Martin Hager, Nicholas Mirzoeff, Daniel Miller,\r\n                                Bregje van Eekelen\r\n                                Publisher: Bodhi Art Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Three Points of Views, </span>2008<span>\r\n                                Text: Grant Watson\r\n                                Publisher: Galerie Mirchandani + Steinruecke\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">New Narratives: Contemporary Art from India, </span>2008<span>\r\n                                Text: Betty Seid with contributions by Johan Pijnappel\r\n                                Publisher: Mapin Publication in association with Chicago Cultural Center\r\n                                ISBN: 978-1-890206-08-6\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Made by Indians, </span>2007<span>\r\n                                Text: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\n                                Publisher: Galerie Enrico Navarra\r\n                                ISBN: 2-911596-37-4\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Thermocline of Art: New Asian Waves, </span>2007<span>\r\n                                Text:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong\r\n                                Publisher: Hatje Cantz Vertag\r\n                                ISBN: 978-3-7757-2073-1\r\n                                EAN: 9782911596377\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Indian Colour, </span>2007<span>\r\n                                Text: Peter Nagy\r\n                                Publisher: Dal- seung Hwang, Keumsan Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Arte Oggi, </span>2007<span>\r\n                                Text:  Daniela Palazzoli\r\n                                Publisher: Spazio Oberdan\r\n                                ISBN: 978-88-202-1867-6\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Urban Manners, </span>2007<span>\r\n                                Text: Adelina Von Furstenberg and Nancy Adajania\r\n                                Publisher: Hangar Bicocca\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">International Incheon Women Artists’ Biennale,</span>\r\n                            <span class=\"pubstrong\">Knocking on the Door, </span>2007<span>\r\n                                Text: Sung Hee Kim, John C. Welchman\r\n                                Publisher: Incheon Culture and Art Centre\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Soft Power: Asian Attitude, </span>2007<span>\r\n                                Text: Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\n                                Publisher: Shanghai Zendai Mumsem of Modern Art\r\n                                ISBN: 978-7-5356-2790-2\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Express- Art and Popular Culture, </span>2006<span>\r\n                                Text: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze\r\n                                Publisher: Helsinki City Art Museum\r\n                                ISBN: 951-8965-61-7\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Bombay L’album Maximum City, </span>2006<span>\r\n                                Text: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\n                                Publisher: Terrail, Lille 3000\r\n                                ISBN: 2-87939-325-6\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Indian Paintings of the New Millennium, </span>2005<span>\r\n                                Text: Helen Asquine  Fazio, Gayatri Sinha\r\n                                Publisher: Quick Arts Center, Fairfield University\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">A Guide to 101 Modern &amp; Contemporary Indian Artists, </span>2005<span>\r\n                                Text: Amrita Jhaveri\r\n                                Publisher: India Book House\r\n                                ISBN: 81-7508-423-5\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Zoom! Art in Contemporary India, </span>2004<span>\r\n                                Texts: Luis Serpa and Nancy Adajania\r\n                                Publisher: The Culturgest Museum\r\n                                ISBN: 972-769-033-5\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Interlude in Sri Lanka, </span>2004<span>\r\n                                Text: Ranjit Hoskote and Nancy Adajania\r\n                                Publisher: The Guild Art Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Generation I, </span>2004<span>\r\n                                Text: Zehra Jumabhoy\r\n                                Publisher: Saffronart &amp; The Guild Art Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Tiranga Rights and Reponsibilities, </span>2003<span>\r\n                                Text: Peter Nagy\r\n                                Publisher: Jindal Foundation &amp; Creative Arts\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Hard Copy, </span>2003<span>\r\n                                Text: Peter Nagy\r\n                                Publisher: Galerie 88\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Crossing Generations: diVERGE, </span>2003<span>\r\n                                Text: Geeta Kapoor and Chaitanya Sambrani\r\n                                Publisher: Gallery Chemould\r\n                            </span>\r\n<p style=\"padding-top:13px;\">\r\n<!--\r\n                            <span class=\"pubstrong\" style=\"color: #000000;font-size:20px;line-height:35px;color:#505050;\">PRESS</span>\r\n                            </p>\r\n                                                          <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artforum.com/words/id=56896\" target=\"_blank\">\r\n                                                         Porous Passages Reflects on Differing Worldviews</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               ArtForum, Himali Singh Soin, 21st December 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artdaily.com/index.asp?int_sec=11&int_new=81426#.VnpzN_l96Um\" target=\"_blank\">\r\n                                                         Chemould Prescott Road opens exhibition of the work of Reena Saini Kallat</a> </span> <font color=\"red\">  >> </font> <span>\r\n                              Artdaily, 23rd December 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.livemint.com/Leisure/lPXmu4hGHMMbAKK9IJmXGJ/Beyond-the-barbed-wire.html\" target=\"_blank\">\r\n                                                         Beyond the barbed wire	</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Chanpreet Khurana, Live Mint, 16th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.livemint.com/Leisure/LGZI9VzNg3218XGafyrFBO/Genetic-engineering.html\" target=\"_blank\">\r\n                                                         Genetic engineering</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Rosalyn D’Mello, Live Mint, 19th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.openthemagazine.com/article/art-culture/layer-upon-layer\" target=\"_blank\">\r\n                                                         Layer upon Layer</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Payal Khandelwal, Open Magazine pg 54 - 57, 28th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.vogue.in/content/can-art-bind-together-warring-nations/\" target=\"_blank\">\r\n                                                         Can art bind together warring nations?</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Rosalyn DMello, Vogue, 23rd September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://indianexpress.com/article/lifestyle/dividing-lines-3/\" target=\"_blank\">\r\n                                                         Dividing Lines</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Pooja Pillai, The Indian Express, 21st September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindustantimes.com/art-and-culture/reena-saini-kallat-explores-geopolitical-relations-in-wires/story-bAlx8ynmqUgWHxlb2DONuN.html;jsessionid=A5137ED4B0981ED14C62E175FE95D985\" target=\"_blank\">\r\n                                                         Reena Saini Kallat explores geopolitical relations in wires</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Arundhati Chatterjee, Hindustan Times, 21st September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.dnaindia.com/lifestyle/interview-a-divided-existence-reena-saini-talks-about-her-exhibition-hyphenated-lives-2126700\" target=\"_blank\">\r\n                                                         A divided existence</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Ornella D’Souza, DNA, 20th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.mumbaimirror.com/others/leisure/Mirror-fixes-it-Finding-poetry-in-politics/articleshow/49031262.cms\" target=\"_blank\">\r\n                                                         Finding Poetry in Politics</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Reema Gehi, Mumbai Mirror, 20th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://theculturetrip.com/asia/india/articles/contemporary-artists-series-a-conversation-with-reena-saini-kallat/\" target=\"_blank\">\r\n                                                         Contemporary Artists Series: A Conversation with Reena Saini Kallat</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Farah Siddiqui, The CultureTrip, 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://insideburgercollection.org/wp-content/uploads/2015/07/94_BurgerCollection-08_p87-92.pdf\" target=\"_blank\">\r\n                                                        REREADING REENA KALLAT -  Inside Burger collection</a></span> <font color=\"red\">  >> </font> <span>\r\n									Quddus Mirza, Art Asia Pacific Magazine,  July/Aug 2015 </span>\r\n                              \r\n                                  <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.domusweb.it/en/news/2015/06/15/offsite_reena_saini_kallat.html\" target=\"_blank\">Woven Chronicle, Domus</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               posted on 15th June 2015                            </span>\r\n\r\n                               <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.huffingtonpost.ca/jugni-style/reena-saini-kallat-vancouver_b_7725930.html\" target=\"_blank\">Reena Saini Kallat\'s Public Art Installation Explores Migration, Longing In Vancouver</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Nimritta Parmar,  Huffpost  British Columbia Canada,  posted on 13th July 2015                            </span>\r\n\r\n                               <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.vancouverobserver.com/culture/art/mumbai-artist-maps-out-web-wire-vag-offsite\" target=\"_blank\">Mumbai artist maps out web of wire at VAG Offsite</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Sponsored content, Vancouver Observer, posted on 8th June 2015                            </span>\r\n\r\n                               <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://indianexpress.com/article/lifestyle/current-connections/\" target=\"_blank\">Current Connections</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Vandana Kalra, The Indian Express, 12th May 2015 </span>\r\n                               \r\n                            <span class=\"pubstrong\">Working Lives, AD Perspective,</span> <span>\r\n                              Sanhita Chowdhury, Architectural Digest pg-76, January-February 2015                      </span>\r\n\r\n                              <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://theculturetrip.com/asia/india/articles/the-top-10-female-contemporary-artists-from-india/\" target=\"_blank\">The Top 10 Female Contemporary Artists from India</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               C. A. Xuan Mai Ardia, The Culture Trip, 2014                            </span>\r\n\r\n                              <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.mid-day.com/articles/memories-at-work/15747192\" target=\"_blank\">Memories at work</a> </span> <font color=\"red\">  >> </font> <span>\r\n                              Kanika Sharma, Mid-day, 8th November 2014                           </span>\r\n                              \r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artasiapacific.com/Magazine/WebExclusives/FloatingWorldAestheticBind\" target=\"_blank\">Aesthetic Bind Floating World</a> </span> <font color=\"red\">  >> </font> <span>\r\n                              Gitanjali Dang, ArtAsiaPacific, April 2014                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.timeoutmumbai.net/art/features/suspense\" target=\"_blank\">In Suspense </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Phalguni Desai , Timeout Mumbai,  March  2014\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artdaily.com/news/68958/Chemould-Prescott-Road-celebrates-fifty-years-of-contemporary-art-with-Aesthetic-Bind--Floating-World#.Uz5us_mSxVk\" target=\"_blank\">Chemould Prescott Road celebrates fifty years of contemporary art with Aesthetic Bind: Floating World </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Geeta Kapur, Art Daily, 24th March 2014\r\n                            </span>\r\n                                                        <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.wallpaper.com/art/zegnart-enlists-reena-kallat-to-create-a-site-specific-artwork-in-mumbai/6292\" target=\"_blank\">ZegnArt enlists Reena Kallat to create a site-specific artwork in Mumbai,</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                JJ Martin, Wallpaper, 18th January 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.timeoutmumbai.net/art/features/web-design\" target=\"_blank\">Web design</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Karanjeet Kaur,Timeout Magazine, pg 26-28, 15th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artribune.com/2013/03/una-ragnatela-fra-italia-e-india-inaugurata-a-mumbai-lopera-di-reena-kallat-per-il-progetto-zegnart-public-qui-ci-sono-immagini-video-e-intervista-allartista/\" target=\"_blank\">Arte pubblica a Mumbai. Intervista con Anna Zegna</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Daniele Perra, Art Tribune, 1st March 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://in.blouinartinfo.com/news/story/885613/reena-kallat-on-her-mammoth-1-ton-rubber-stamp-cobweb-at-the\" target=\"_blank\">Reena Kallat On Her Mammoth, 1-ton Rubber-Stamp Cobweb at the Bhau Daji Lad Museum, Mumbai</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Rosalyn D\'Mello, Blouinart, April 1, 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.thehindu.com/features/magazine/putting-her-stamp-on-it/article4484175.ece\" target=\"_blank\">Putting her stamp on it</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Ramya Sarma, The Hindu, 9th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.business-standard.com/article/beyond-business/stamp-over-mumbai-113030800509_1.html\" target=\"_blank\">Stamp over Mumbai</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Kishore Singh, Business Standard, New Delhi  8th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.dnaindia.com/lifestyle/report_weaving-a-tangled-web_1806665\" target=\"_blank\">Weaving a tangled web</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Deepanjana Pal, DNA, 3rd March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.dnaindia.com/lifestyle/report_web-of-history_1810815\" target=\"_blank\">Web of history </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Sanaya Chavda, DNA, 13th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindustantimes.com/Entertainment/Art/Web-of-history-Reena-Kallat-s-installation/Article1-1027359.aspx\" target=\"_blank\">Web of history </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Shweta Mehta, Hindustan Times, 16th March 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://blog.saffronart.com/2013/03/14/reena-kallats-untitled-cobwebscrossings/\" target=\"_blank\">Public Art installation by Reena Kallat at the Dr. Bhau Daji Lad Museum in Mumbai </a> </span> <font color=\"red\">  >> </font><span>\r\n                                Manjari Sihare, Saffron blog,Posted on 14th March  2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Weaving into  networks, Buliding Cobwebs: Musings over Reena Saini Kallat’s recent work </span> <span>\r\n                                Parni Ray, Take on Art/Eleven, pg 98, Volume lll\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Stamping ground </span><span>\r\n                                Deepanjana Pal, Wallpaper magazine, pg 193 – 194, May 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Editorial</span><span>\r\n                                Kaiwan Mehta, Domus, pg 5 – 10, April 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Web Design</span> <span>\r\n                                Chumki Bharadwaj, India Today, pg 45 – 46, April 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Art Outside  </span> <span>\r\n                                Pavitra Mohan, Architectural Digest, pg 98, March-April 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://inditerrain.indiaartndesign.com/2013/03/of-cobwebs-crossings.html\" target=\"_blank\">Of Cobwebs & Crossings </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Jigna Padhiar, India Art & Design, 1st March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://prestige-singapore.com.sg/2013/04/arts-raj\" target=\"_blank\">Art\'s the Raj</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Dylan Boey, Prestige Singapore, 3rd April 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\">Adrift in unknown waters: Reena Saini Kallat and the Art of letting go</span><span>\r\n                                Parni Ray,  Artfair Magazine, Issue-3, pg 48 – 51, 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://shobanarayan.com/2012/02/04/about-jitish-kallat-and-reena-saini-kallat/\" target=\"_blank\">Walking the Art talk with the Kallats</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Shobha Narayan, Live Mint, February 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.tribuneindia.com/2012/20120219/spectrum/main2.htm\" target=\"_blank\">Spectrum New Visual Idiom</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                The Tribune, February 19, 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artnewsnviews.com/view-article.php?article=g-teborg-international-biennial&iid=25&articleid=678\" target=\"_blank\">Goteborg International Biennial</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Art Etc, Vol.4, No. 2, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Helsinki taidemuseo.fi-Journal, </span> January 2011<span>\r\n                            </span>\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://indiatoday.intoday.in/site/story/brush-with-reality/1/134582.html\">Brush With Reality </a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Sumaiya Khan, India Today Woman, pg. 20-21, April 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">System overload </span><span>\r\n                                Shweta Upadhyay, Timeout Delhi, March 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artslant.com/ind/articles/show/22573\" target=\"_blank\">Picking up the past</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Parni Ray, www.artslant.com, 4th April 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://iipdigital.usembassy.gov/st/english/article/2011/03/20110307133535drawoh0.7282221.html#axzz34yECziHk\">Art at “maximum INDIA” Festival Evokes Cultural Memory and Loss</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Howard Cincotta, www.america.gov, March 7, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.signonsandiego.com/news/2011/mar/02/kennedy-center-opens-3-week-india-arts-festival/\">Kennedy Center opens 3-week India arts festival</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Brett Zongker, www.signonsnadiego.com, 2nd March 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Eye and the Mind: New Interventions in Contemporary Indian Art </span><span>\r\n                                Rajeev Lochan, India Perspectives, Vol. 24, No. 6, 2010\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artradarjournal.com/2010/04/20/indian-contemporary-artist-reena-kallat-art-radar-exclusive-interview/\">Interview, Art Radar Asia </a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span><span>\r\n                                April 20, 2010\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Archives of the Heart</span><span>\r\n                                Nancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\n                                Front Cover, pgs 42-45, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Globale Kunst Mit Wurzelduft</span><span>\r\n                                Von Almuth Speigler, Die Presse, Feuilleton, 2nd September 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Landscapes of Loss</span><span>\r\n                                Beth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Reincarnating History</span><span>\r\n                                The Big Picture, Architect and Interiors, July 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Stamp Collection</span><span>\r\n                                Georgina Maddox, The Sunday Express, 17th May 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Evolving Beyond Borders</span><span>\r\n                                Reshma S. Kulkarni, Bombay Times, Times of India, 15th January, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Loss and Found</span><span>\r\n                                Marina Correa, DNA, Mumbai, 22nd January 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Focus India</span><span>\r\n                                Megha Ralapati, Flash Art, pg 114, January-February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Come Together Right Now</span><span>\r\n                                Reema Gehi, HT Café, 15th February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Such a Long Journey</span><span>\r\n                                Aparna S Sharma, Elle Magazine, pgs 115-117, February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">More than a Woman</span><span>\r\n                                Georgina Maddox, The Indian Express, Mumbai Newsline, 4th February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Artist of the Fortnight</span><span>\r\n                                Maria Louis, Outlook Profit, pg 79, 18th April 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Deja View</span><span>\r\n                                Tara Khilachand, Live Mint, 20th December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Terror Struck</span><span>\r\n                                Maria Louis, Outlook Profit, 26th December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Name Calling</span><span>\r\n                                Deepanjana Pal, Timeout Mumbai, December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Corruptions of Power</span>\r\n                            <span>Shiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99, 2007</span>\r\n\r\n                            <span class=\"pubstrong\">Over the Rainbow</span><span>\r\n                                Maria Louis, Interview, Verve Magazine, pg 78, November 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindu.com/mag/2006/10/29/stories/2006102900070200.htm\">In a State of Perennial Siege</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span><span>\r\n                                Nancy Adajania, The Hindu, Hyderabad, 29th October 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Her Crowning Achievement</span><span>\r\n                                Clara Chow, The Straits Times, 18th November 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Political Chaos</span><span>\r\n                                Deepali Nandwani, Beautiful people, pg 143, November-December 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Weapons of Mass Construction</span><span>\r\n                                Rituparna Som, DNA after Hrs, Mumbai, 9th October, 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Guns and Roses</span><span>\r\n                                Rachna Nakra, The Indian Express, Mumbai Newsline, 18th September 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Under Attack</span><span>\r\n                                Gitanjali Dang, HT Mumbai, 22nd September 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Time Traveller</span><span>\r\n                                Georgina Maddox, The Indian Express, Mumbai Newsline, 27th June 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Flower and the Sword</span><span>\r\n                                Girish Shahane, The Art News magazine of India, pg 93, volume X issue I, 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India’s Top 100 Achievers</span><span>\r\n                                Society Magazine, pg 137, December 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Caught Between Demons<span style=\"font-weight: normal; color: red;\"></span></span><span>\r\n                                Nancy Adajania, The Hindu, 19th December 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">En Reise Til India</span><span>\r\n                                Harald Flor, Dagbladet, Kultur, 2nd February 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Signs of Resistance</span><span>\r\n                                Nancy Adajania, The Hindu, 5th January 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Of the Goddess and Demon in the Mind</span><span>\r\n                                Debbie Rodgers, Sunday edition Vijay Times, Bangalore, 5th January 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Empathic Anger</span><span>\r\n                                Marta Jakimowicz, Deccan Herald, 23rd December 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Mysore Ek Khoj</span>\r\n                            Cross Fertilization of Culture, Interview in Star of Mysore, 27th October 2002\r\n\r\n                            <span class=\"pubstrong\">Linking Islands</span><span>\r\n                                Menaka Jayasankar, Indian Express, Mumbai Newsline, 15th February 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Creating to Destroy</span><span>\r\n                                Jasmine Shah Varma, The List, Mid Day, 22nd February 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Different Strokes</span><span>\r\n                                Georgina L Maddox, The Indian Express, Mumbai Newsline, 24th July 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a target=\"_blank\" href=\"http://www.reenakallat.com/wp-content/uploads/2011/09/Faith%20and%20Hunger.pdf\" style=\"color: rgb(135, 135, 135);\">Of Faith and Hunger</a><font style=\"font-weight:normal;\" color=\"red\">  >> </font></span>\r\n                        <span>Abhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89, December 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">The Murmur of Skin</span><span>\r\n                            Nupur Mahajan, Bombay Times, Times of India, 12th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Not just Skin Deep</span><span>\r\n                            Jasmine Shah Varma, The List, Mid-day, 4th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Inside Out</span><span>\r\n                            Menaka Jayasankar, Indian Express, Mumbai Newsline, 11th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Scintillating Skin</span><span>\r\n                            Vaibhav Purandare, The Asian Age, 14th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">An Artist’s World: Roti, Makaan &amp; Abstract Art</span><span>\r\n                            Poonam Goel, HT City, 23rd December 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Within you, Without you</span><span>\r\n                            Anu Kumar, Indian Express, Express Newsline, 2nd September 1998\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Farming Intrigue</span><span>\r\n                            Jerry Pinto, The Times of India, Bombay Times, 3rd September 1998\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Interactive Medium</span><span>\r\n                            Karen Pereira, Indian Architect &amp; Builder, pgs 102-104, October 1998\r\n                        </span>\r\n                        -->\r\n</td>\r\n        </tr>\r\n    </tbody>\r\n</table>','Publications','','inherit','open','open','','87-revision-236','','','2016-07-25 00:57:42','2016-07-25 00:57:42','',87,'http://www.reenakallat.com/3410/uncat/87-revision-236',0,'revision','',0);
INSERT INTO `wp_posts` VALUES (3412,1,'2016-07-25 08:09:00','2016-07-25 08:09:00','	<table border=\"0\" cellspacing=\"5\" cellpadding=\"0\" width=\"100%\" align=\"centre\">\r\n    <tbody>\r\n    <tr>\r\n            <td style=\"padding-top: 12px;\" width=\"21%\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Offsite_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td style=\"margin-left: 5px;\">\r\n                                <span class=\"pubstrong\">Offsite: Reena Saini Kallat, </span> 2005<span>\r\n                                    Vancouver Art Gallery\r\n									Text: Diana Freundl\r\n									Copyright@ 2015 Vancouver\r\n									Art Gallery\r\n									ISBN: 978-1- 927656-23- 5\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                      \r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" width=\"21%\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/ZegnArtPublic_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td style=\"margin-left: 5px;\">\r\n                                <span class=\"pubstrong\">ZegnArt Public, India, </span> 2014<span>\r\n                                    Text: Nancy Adajania, Cecilia\r\n									Canziani, Mustansir Dalvi, Reena Kallat, Tasneem Mehta,\r\n									Simone Menegoi, Girish Shahane and Andrea Zegna\r\n									Publisher: Mousse Publishing\r\n									ISBN: 9788867491391\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        \r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" width=\"21%\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td style=\"margin-left: 5px;\">\r\n                                <span class=\"pubstrong\">Reena Saini Kallat, </span> 2009<span>\r\n                                    Text: Nancy Adajania and Murtaza Vali\r\n                                    Publisher: Primo Marella Gallery, Walsh Gallery and Chemould Prescott Road\r\n                                    ISBN: 978-81-908879-1-5\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/reena-kallat\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Rainbow of Refuse, </span>2006<span>\r\n                                    Text: Nancy Adajania\r\n                                    Publisher: Bodhi Art Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/rainbow-of-refuse\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Black Flute (and other stories), </span>2005\r\n                                <span class=\"pubstrong\">Black Flute,</span> 2004<span>\r\n                                    Text: Nancy Adajania\r\n                                    Publisher: Gallery Chemould and Nature Morte Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/black-flute\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">The Battlefield is the Mind, </span>2002<span>\r\n                                    Text: Nancy Adajania\r\n                                    Publisher: Sakshi Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/battlefield-of-mind\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table cellspacing=\"0\" cellpadding=\"0\" width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Skin, </span>2000<span>\r\n                                    Interview with Jitish Kallat\r\n                                    Publisher: Gallery Chemould and Vis-à-vis Art Inc. Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr></tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Orchard of home-grown secrets, </span>1998<span>\r\n                                    Text: Ranjit Hoskote\r\n                                    Publisher: Gallery Chemould and Pundole Art Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/orchard-pub\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td colspan=\"2\"></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n            <td>\r\n                <!-- Start of Other Publications -->\r\n\r\n\r\n				 <span class=\"pubstrong\">Passages: Indian Art Today, 2015</span><span>\r\n                    Text: Gerard A. Goodrow, Julia Ritterskamp\r\n					Publisher: DAAB Media\r\n					ISBN-10: 3942597705\r\n					ISBN-13: 978-3942597705\r\n\r\n\r\n                <span class=\"pubstrong\">Nature Morte, 2013</span><span>\r\n                    Text: Michael Petry\r\n                    Publisher: Thames & Hudson\r\n                    ISBN: 9780500239063\r\n\r\n\r\n\r\n            <span class=\"pubstrong\">Haein Art Project, 2013</span><span>\r\n                Text:  Kim Jiyon, Leandre D’souza and Claudio Maffioletti\r\n                Publisher: Ven.Sun-Hae (Abbot of Haeinsa Temple)\r\n                ISBN: 979 1195142309 90620\r\n\r\n\r\n                <span class=\"pubstrong\">NO-MAD-NESS IN NO MAN’S LAND, 2013</span><span>\r\n                    Text:  interview by Ombretta Agro Andruff and Leeza Ahmady with Casey Amy Fan\r\n                    Publisher: The Eslite Corp.\r\n                    ISBN: 978-986-89759-7-2\r\n\r\n                    <span class=\"pubstrong\">India Side by Side, 2012</span><span>\r\n                        Text: Cibele Aldrovandi, Deepak Ananth, Flavia Galli Tatsch, Kapila Vatsyayan, Laura Cury, Rahaab Allana, Tereza de Arruda\r\n                        Publisher: The Brazilian Ministry of Culture and Banco do Brasil\r\n                        ISBN: 978-85-64170-01-8\r\n\r\n                        <span class=\"pubstrong\">India : Art Now, 2012 </span><span>\r\n                            Text: Stine Hoholt, Ranjit Hoskote, Zehra Jumabhoy\r\n                            Publisher: Hatje Cantz\r\n                        </span>ISBN: 978-3-7757-3411-0\r\n\r\n                        <span class=\"pubstrong\">Undervaeker – Wonders, </span>2012<span>\r\n                            Texts by Gitte Orskou, Af Theis Vallo Madsen, Jeanett Stampe\r\n                            Publisher: KUNSTEN - Museum of Modern Art Aalborg\r\n                        </span>ISBN: 978-87-88307-72-6\r\n\r\n                        <span class=\"pubstrong\">n.paradoxa: international feminist art journal, volume 30, </span>2012<span>\r\n                            Text: interview with Veeranganakumari Solanki\r\n                            Publisher: KT press\r\n                        </span>ISBN: 1461- 0434\r\n\r\n                        <span class=\"pubstrong\">The Skoda Prize Twenty, </span>2011-2012<span>\r\n                            Text: Zeenat Nagree\r\n                            Publisher: Popular Prakashan\r\n                        </span>ISBN: 978-81-7991-681-0\r\n\r\n                        <span class=\"pubstrong\">Pandemonium: Art in a time of creativity fever, </span>2011<span>\r\n                            Text: interview with Stina Edblom\r\n                            Publisher: Göteborg International Biennial for Contemporary Art\r\n                        </span>ISBN: 978-91-633-9363-1\r\n                        <span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/pandemonium\">read interview</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span>\r\n\r\n                        <span class=\"pubstrong\">The Indian Renaissance, </span>2011<span>\r\n                            Text: Antonio Stellatelli, Romano Ravasio and Marina Pizziolo\r\n\r\n                            <span class=\"pubstrong\">Vancouver Biennale, </span>2009-2011<span>\r\n                                Text: Vancouver International Sculpture Biennale\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Maximum India, </span>2011<span>\r\n                                Publisher: The John F. Kennedy Center for the Performing Arts, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Never Run Away, </span>2010<span>\r\n                                Text: Shaheen Merali\r\n                                Publisher: Stux Gallery</span>\r\n                                <span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/never-run-away\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span>\r\n                                \r\n                                <span class=\"pubstrong\">Urban Manners 2, </span>2010<span>\r\n                                Text: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\n                                Publisher: SESC Pompeia, Sao Paulo\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Empire Strikes Back, </span>2010<span>\r\n                                Text: Zehra Jumabhoy\r\n                                Publisher: Saatchi Gallery\r\n                                ISBN: 9780224089494\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The River Project, </span>2010<span>\r\n                                Publisher: Campbelltown Arts Centre\r\n                                ISBN: 9781875199761\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Asian Art Now, </span>2010<span>\r\n                                Text: Melissa Chiu and Benjamin Genocchio\r\n                                Publisher: Monacelli Press\r\n                                ISBN: 978-1-58093-298-1 (1-58093-298-3)\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Roundabout, </span>2010<span>\r\n                                Publisher: Art Asia Pacific Publishing\r\n                                ISBN: 978-0984562510\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Khoj Book, </span>2010<span>\r\n                                Interview with Shilpa Gupta\r\n                                Publisher: HarperCollins\r\n                                ISBN: 9788172236878\r\n                            </span><span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/khoj-book\">read interview</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span>\r\n\r\n                            <span class=\"pubstrong\">5 Bienal Ventosul, </span>2009<span>\r\n                                Publisher: Instituto Paranaense de Arte\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Viewpoints &amp; Viewings Points- Asian Art Biennale, </span>2009<span>\r\n                                Text: Chao-yi-Tsai\r\n                                Publisher: National Taiwan Museum of fine Arts\r\n                                ISBN: 978-986-02-0269-4\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Xianzai: Contemporary Indian Art, </span>2009<span>\r\n                                Text: Jitish Kallat, Diana Freundl, Alexander Keefe\r\n                                Publisher: Museum of Contemporary Art\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2009<span>\r\n                                Text: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki,\r\n                                Miho Tagomori\r\n                                Publisher: Prestel, National Museum of Contemporary Art and Essl Museum\r\n                                ISBN: 978-3-7913-4304-4\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2008<span>\r\n                                Text: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman\r\n                                Gopinath, Jayaram, Deepak Ananth\r\n                                Publisher: Mori Art Museum\r\n                                ISBN: 978-4-902819-21-2\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Moderna, </span>2008<span>\r\n                                Text: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur,\r\n                                R. Siva Kumar, K.G. Subramanyan\r\n                                Publisher: IVAM (Institute Valencia D’Art Modern)\r\n                                ISBN: 978-84-482-5104-8\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Everywhere is War (and rumours of it),</span>2008<span>\r\n                                Text: Kai Hafez, Martin Hager, Nicholas Mirzoeff, Daniel Miller,\r\n                                Bregje van Eekelen\r\n                                Publisher: Bodhi Art Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Three Points of Views, </span>2008<span>\r\n                                Text: Grant Watson\r\n                                Publisher: Galerie Mirchandani + Steinruecke\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">New Narratives: Contemporary Art from India, </span>2008<span>\r\n                                Text: Betty Seid with contributions by Johan Pijnappel\r\n                                Publisher: Mapin Publication in association with Chicago Cultural Center\r\n                                ISBN: 978-1-890206-08-6\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Made by Indians, </span>2007<span>\r\n                                Text: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\n                                Publisher: Galerie Enrico Navarra\r\n                                ISBN: 2-911596-37-4\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Thermocline of Art: New Asian Waves, </span>2007<span>\r\n                                Text:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong\r\n                                Publisher: Hatje Cantz Vertag\r\n                                ISBN: 978-3-7757-2073-1\r\n                                EAN: 9782911596377\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Indian Colour, </span>2007<span>\r\n                                Text: Peter Nagy\r\n                                Publisher: Dal- seung Hwang, Keumsan Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Arte Oggi, </span>2007<span>\r\n                                Text:  Daniela Palazzoli\r\n                                Publisher: Spazio Oberdan\r\n                                ISBN: 978-88-202-1867-6\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Urban Manners, </span>2007<span>\r\n                                Text: Adelina Von Furstenberg and Nancy Adajania\r\n                                Publisher: Hangar Bicocca\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">International Incheon Women Artists’ Biennale,</span>\r\n                            <span class=\"pubstrong\">Knocking on the Door, </span>2007<span>\r\n                                Text: Sung Hee Kim, John C. Welchman\r\n                                Publisher: Incheon Culture and Art Centre\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Soft Power: Asian Attitude, </span>2007<span>\r\n                                Text: Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\n                                Publisher: Shanghai Zendai Mumsem of Modern Art\r\n                                ISBN: 978-7-5356-2790-2\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Express- Art and Popular Culture, </span>2006<span>\r\n                                Text: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze\r\n                                Publisher: Helsinki City Art Museum\r\n                                ISBN: 951-8965-61-7\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Bombay L’album Maximum City, </span>2006<span>\r\n                                Text: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\n                                Publisher: Terrail, Lille 3000\r\n                                ISBN: 2-87939-325-6\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Indian Paintings of the New Millennium, </span>2005<span>\r\n                                Text: Helen Asquine  Fazio, Gayatri Sinha\r\n                                Publisher: Quick Arts Center, Fairfield University\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">A Guide to 101 Modern &amp; Contemporary Indian Artists, </span>2005<span>\r\n                                Text: Amrita Jhaveri\r\n                                Publisher: India Book House\r\n                                ISBN: 81-7508-423-5\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Zoom! Art in Contemporary India, </span>2004<span>\r\n                                Texts: Luis Serpa and Nancy Adajania\r\n                                Publisher: The Culturgest Museum\r\n                                ISBN: 972-769-033-5\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Interlude in Sri Lanka, </span>2004<span>\r\n                                Text: Ranjit Hoskote and Nancy Adajania\r\n                                Publisher: The Guild Art Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Generation I, </span>2004<span>\r\n                                Text: Zehra Jumabhoy\r\n                                Publisher: Saffronart &amp; The Guild Art Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Tiranga Rights and Reponsibilities, </span>2003<span>\r\n                                Text: Peter Nagy\r\n                                Publisher: Jindal Foundation &amp; Creative Arts\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Hard Copy, </span>2003<span>\r\n                                Text: Peter Nagy\r\n                                Publisher: Galerie 88\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Crossing Generations: diVERGE, </span>2003<span>\r\n                                Text: Geeta Kapoor and Chaitanya Sambrani\r\n                                Publisher: Gallery Chemould\r\n                            </span>\r\n<p style=\"padding-top:13px;\">\r\n<!--\r\n                            <span class=\"pubstrong\" style=\"color: #000000;font-size:20px;line-height:35px;color:#505050;\">PRESS</span>\r\n                            </p>\r\n                                                          <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artforum.com/words/id=56896\" target=\"_blank\">\r\n                                                         Porous Passages Reflects on Differing Worldviews</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               ArtForum, Himali Singh Soin, 21st December 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artdaily.com/index.asp?int_sec=11&int_new=81426#.VnpzN_l96Um\" target=\"_blank\">\r\n                                                         Chemould Prescott Road opens exhibition of the work of Reena Saini Kallat</a> </span> <font color=\"red\">  >> </font> <span>\r\n                              Artdaily, 23rd December 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.livemint.com/Leisure/lPXmu4hGHMMbAKK9IJmXGJ/Beyond-the-barbed-wire.html\" target=\"_blank\">\r\n                                                         Beyond the barbed wire	</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Chanpreet Khurana, Live Mint, 16th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.livemint.com/Leisure/LGZI9VzNg3218XGafyrFBO/Genetic-engineering.html\" target=\"_blank\">\r\n                                                         Genetic engineering</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Rosalyn D’Mello, Live Mint, 19th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.openthemagazine.com/article/art-culture/layer-upon-layer\" target=\"_blank\">\r\n                                                         Layer upon Layer</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Payal Khandelwal, Open Magazine pg 54 - 57, 28th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.vogue.in/content/can-art-bind-together-warring-nations/\" target=\"_blank\">\r\n                                                         Can art bind together warring nations?</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Rosalyn DMello, Vogue, 23rd September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://indianexpress.com/article/lifestyle/dividing-lines-3/\" target=\"_blank\">\r\n                                                         Dividing Lines</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Pooja Pillai, The Indian Express, 21st September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindustantimes.com/art-and-culture/reena-saini-kallat-explores-geopolitical-relations-in-wires/story-bAlx8ynmqUgWHxlb2DONuN.html;jsessionid=A5137ED4B0981ED14C62E175FE95D985\" target=\"_blank\">\r\n                                                         Reena Saini Kallat explores geopolitical relations in wires</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Arundhati Chatterjee, Hindustan Times, 21st September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.dnaindia.com/lifestyle/interview-a-divided-existence-reena-saini-talks-about-her-exhibition-hyphenated-lives-2126700\" target=\"_blank\">\r\n                                                         A divided existence</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Ornella D’Souza, DNA, 20th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.mumbaimirror.com/others/leisure/Mirror-fixes-it-Finding-poetry-in-politics/articleshow/49031262.cms\" target=\"_blank\">\r\n                                                         Finding Poetry in Politics</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Reema Gehi, Mumbai Mirror, 20th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://theculturetrip.com/asia/india/articles/contemporary-artists-series-a-conversation-with-reena-saini-kallat/\" target=\"_blank\">\r\n                                                         Contemporary Artists Series: A Conversation with Reena Saini Kallat</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Farah Siddiqui, The CultureTrip, 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://insideburgercollection.org/wp-content/uploads/2015/07/94_BurgerCollection-08_p87-92.pdf\" target=\"_blank\">\r\n                                                        REREADING REENA KALLAT -  Inside Burger collection</a></span> <font color=\"red\">  >> </font> <span>\r\n									Quddus Mirza, Art Asia Pacific Magazine,  July/Aug 2015 </span>\r\n                              \r\n                                  <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.domusweb.it/en/news/2015/06/15/offsite_reena_saini_kallat.html\" target=\"_blank\">Woven Chronicle, Domus</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               posted on 15th June 2015                            </span>\r\n\r\n                               <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.huffingtonpost.ca/jugni-style/reena-saini-kallat-vancouver_b_7725930.html\" target=\"_blank\">Reena Saini Kallat\'s Public Art Installation Explores Migration, Longing In Vancouver</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Nimritta Parmar,  Huffpost  British Columbia Canada,  posted on 13th July 2015                            </span>\r\n\r\n                               <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.vancouverobserver.com/culture/art/mumbai-artist-maps-out-web-wire-vag-offsite\" target=\"_blank\">Mumbai artist maps out web of wire at VAG Offsite</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Sponsored content, Vancouver Observer, posted on 8th June 2015                            </span>\r\n\r\n                               <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://indianexpress.com/article/lifestyle/current-connections/\" target=\"_blank\">Current Connections</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Vandana Kalra, The Indian Express, 12th May 2015 </span>\r\n                               \r\n                            <span class=\"pubstrong\">Working Lives, AD Perspective,</span> <span>\r\n                              Sanhita Chowdhury, Architectural Digest pg-76, January-February 2015                      </span>\r\n\r\n                              <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://theculturetrip.com/asia/india/articles/the-top-10-female-contemporary-artists-from-india/\" target=\"_blank\">The Top 10 Female Contemporary Artists from India</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               C. A. Xuan Mai Ardia, The Culture Trip, 2014                            </span>\r\n\r\n                              <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.mid-day.com/articles/memories-at-work/15747192\" target=\"_blank\">Memories at work</a> </span> <font color=\"red\">  >> </font> <span>\r\n                              Kanika Sharma, Mid-day, 8th November 2014                           </span>\r\n                              \r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artasiapacific.com/Magazine/WebExclusives/FloatingWorldAestheticBind\" target=\"_blank\">Aesthetic Bind Floating World</a> </span> <font color=\"red\">  >> </font> <span>\r\n                              Gitanjali Dang, ArtAsiaPacific, April 2014                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.timeoutmumbai.net/art/features/suspense\" target=\"_blank\">In Suspense </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Phalguni Desai , Timeout Mumbai,  March  2014\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artdaily.com/news/68958/Chemould-Prescott-Road-celebrates-fifty-years-of-contemporary-art-with-Aesthetic-Bind--Floating-World#.Uz5us_mSxVk\" target=\"_blank\">Chemould Prescott Road celebrates fifty years of contemporary art with Aesthetic Bind: Floating World </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Geeta Kapur, Art Daily, 24th March 2014\r\n                            </span>\r\n                                                        <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.wallpaper.com/art/zegnart-enlists-reena-kallat-to-create-a-site-specific-artwork-in-mumbai/6292\" target=\"_blank\">ZegnArt enlists Reena Kallat to create a site-specific artwork in Mumbai,</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                JJ Martin, Wallpaper, 18th January 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.timeoutmumbai.net/art/features/web-design\" target=\"_blank\">Web design</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Karanjeet Kaur,Timeout Magazine, pg 26-28, 15th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artribune.com/2013/03/una-ragnatela-fra-italia-e-india-inaugurata-a-mumbai-lopera-di-reena-kallat-per-il-progetto-zegnart-public-qui-ci-sono-immagini-video-e-intervista-allartista/\" target=\"_blank\">Arte pubblica a Mumbai. Intervista con Anna Zegna</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Daniele Perra, Art Tribune, 1st March 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://in.blouinartinfo.com/news/story/885613/reena-kallat-on-her-mammoth-1-ton-rubber-stamp-cobweb-at-the\" target=\"_blank\">Reena Kallat On Her Mammoth, 1-ton Rubber-Stamp Cobweb at the Bhau Daji Lad Museum, Mumbai</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Rosalyn D\'Mello, Blouinart, April 1, 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.thehindu.com/features/magazine/putting-her-stamp-on-it/article4484175.ece\" target=\"_blank\">Putting her stamp on it</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Ramya Sarma, The Hindu, 9th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.business-standard.com/article/beyond-business/stamp-over-mumbai-113030800509_1.html\" target=\"_blank\">Stamp over Mumbai</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Kishore Singh, Business Standard, New Delhi  8th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.dnaindia.com/lifestyle/report_weaving-a-tangled-web_1806665\" target=\"_blank\">Weaving a tangled web</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Deepanjana Pal, DNA, 3rd March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.dnaindia.com/lifestyle/report_web-of-history_1810815\" target=\"_blank\">Web of history </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Sanaya Chavda, DNA, 13th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindustantimes.com/Entertainment/Art/Web-of-history-Reena-Kallat-s-installation/Article1-1027359.aspx\" target=\"_blank\">Web of history </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Shweta Mehta, Hindustan Times, 16th March 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://blog.saffronart.com/2013/03/14/reena-kallats-untitled-cobwebscrossings/\" target=\"_blank\">Public Art installation by Reena Kallat at the Dr. Bhau Daji Lad Museum in Mumbai </a> </span> <font color=\"red\">  >> </font><span>\r\n                                Manjari Sihare, Saffron blog,Posted on 14th March  2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Weaving into  networks, Buliding Cobwebs: Musings over Reena Saini Kallat’s recent work </span> <span>\r\n                                Parni Ray, Take on Art/Eleven, pg 98, Volume lll\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Stamping ground </span><span>\r\n                                Deepanjana Pal, Wallpaper magazine, pg 193 – 194, May 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Editorial</span><span>\r\n                                Kaiwan Mehta, Domus, pg 5 – 10, April 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Web Design</span> <span>\r\n                                Chumki Bharadwaj, India Today, pg 45 – 46, April 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Art Outside  </span> <span>\r\n                                Pavitra Mohan, Architectural Digest, pg 98, March-April 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://inditerrain.indiaartndesign.com/2013/03/of-cobwebs-crossings.html\" target=\"_blank\">Of Cobwebs & Crossings </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Jigna Padhiar, India Art & Design, 1st March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://prestige-singapore.com.sg/2013/04/arts-raj\" target=\"_blank\">Art\'s the Raj</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Dylan Boey, Prestige Singapore, 3rd April 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\">Adrift in unknown waters: Reena Saini Kallat and the Art of letting go</span><span>\r\n                                Parni Ray,  Artfair Magazine, Issue-3, pg 48 – 51, 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://shobanarayan.com/2012/02/04/about-jitish-kallat-and-reena-saini-kallat/\" target=\"_blank\">Walking the Art talk with the Kallats</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Shobha Narayan, Live Mint, February 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.tribuneindia.com/2012/20120219/spectrum/main2.htm\" target=\"_blank\">Spectrum New Visual Idiom</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                The Tribune, February 19, 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artnewsnviews.com/view-article.php?article=g-teborg-international-biennial&iid=25&articleid=678\" target=\"_blank\">Goteborg International Biennial</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Art Etc, Vol.4, No. 2, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Helsinki taidemuseo.fi-Journal, </span> January 2011<span>\r\n                            </span>\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://indiatoday.intoday.in/site/story/brush-with-reality/1/134582.html\">Brush With Reality </a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Sumaiya Khan, India Today Woman, pg. 20-21, April 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">System overload </span><span>\r\n                                Shweta Upadhyay, Timeout Delhi, March 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artslant.com/ind/articles/show/22573\" target=\"_blank\">Picking up the past</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Parni Ray, www.artslant.com, 4th April 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://iipdigital.usembassy.gov/st/english/article/2011/03/20110307133535drawoh0.7282221.html#axzz34yECziHk\">Art at “maximum INDIA” Festival Evokes Cultural Memory and Loss</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Howard Cincotta, www.america.gov, March 7, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.signonsandiego.com/news/2011/mar/02/kennedy-center-opens-3-week-india-arts-festival/\">Kennedy Center opens 3-week India arts festival</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Brett Zongker, www.signonsnadiego.com, 2nd March 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Eye and the Mind: New Interventions in Contemporary Indian Art </span><span>\r\n                                Rajeev Lochan, India Perspectives, Vol. 24, No. 6, 2010\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artradarjournal.com/2010/04/20/indian-contemporary-artist-reena-kallat-art-radar-exclusive-interview/\">Interview, Art Radar Asia </a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span><span>\r\n                                April 20, 2010\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Archives of the Heart</span><span>\r\n                                Nancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\n                                Front Cover, pgs 42-45, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Globale Kunst Mit Wurzelduft</span><span>\r\n                                Von Almuth Speigler, Die Presse, Feuilleton, 2nd September 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Landscapes of Loss</span><span>\r\n                                Beth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Reincarnating History</span><span>\r\n                                The Big Picture, Architect and Interiors, July 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Stamp Collection</span><span>\r\n                                Georgina Maddox, The Sunday Express, 17th May 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Evolving Beyond Borders</span><span>\r\n                                Reshma S. Kulkarni, Bombay Times, Times of India, 15th January, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Loss and Found</span><span>\r\n                                Marina Correa, DNA, Mumbai, 22nd January 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Focus India</span><span>\r\n                                Megha Ralapati, Flash Art, pg 114, January-February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Come Together Right Now</span><span>\r\n                                Reema Gehi, HT Café, 15th February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Such a Long Journey</span><span>\r\n                                Aparna S Sharma, Elle Magazine, pgs 115-117, February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">More than a Woman</span><span>\r\n                                Georgina Maddox, The Indian Express, Mumbai Newsline, 4th February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Artist of the Fortnight</span><span>\r\n                                Maria Louis, Outlook Profit, pg 79, 18th April 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Deja View</span><span>\r\n                                Tara Khilachand, Live Mint, 20th December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Terror Struck</span><span>\r\n                                Maria Louis, Outlook Profit, 26th December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Name Calling</span><span>\r\n                                Deepanjana Pal, Timeout Mumbai, December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Corruptions of Power</span>\r\n                            <span>Shiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99, 2007</span>\r\n\r\n                            <span class=\"pubstrong\">Over the Rainbow</span><span>\r\n                                Maria Louis, Interview, Verve Magazine, pg 78, November 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindu.com/mag/2006/10/29/stories/2006102900070200.htm\">In a State of Perennial Siege</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span><span>\r\n                                Nancy Adajania, The Hindu, Hyderabad, 29th October 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Her Crowning Achievement</span><span>\r\n                                Clara Chow, The Straits Times, 18th November 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Political Chaos</span><span>\r\n                                Deepali Nandwani, Beautiful people, pg 143, November-December 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Weapons of Mass Construction</span><span>\r\n                                Rituparna Som, DNA after Hrs, Mumbai, 9th October, 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Guns and Roses</span><span>\r\n                                Rachna Nakra, The Indian Express, Mumbai Newsline, 18th September 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Under Attack</span><span>\r\n                                Gitanjali Dang, HT Mumbai, 22nd September 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Time Traveller</span><span>\r\n                                Georgina Maddox, The Indian Express, Mumbai Newsline, 27th June 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Flower and the Sword</span><span>\r\n                                Girish Shahane, The Art News magazine of India, pg 93, volume X issue I, 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India’s Top 100 Achievers</span><span>\r\n                                Society Magazine, pg 137, December 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Caught Between Demons<span style=\"font-weight: normal; color: red;\"></span></span><span>\r\n                                Nancy Adajania, The Hindu, 19th December 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">En Reise Til India</span><span>\r\n                                Harald Flor, Dagbladet, Kultur, 2nd February 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Signs of Resistance</span><span>\r\n                                Nancy Adajania, The Hindu, 5th January 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Of the Goddess and Demon in the Mind</span><span>\r\n                                Debbie Rodgers, Sunday edition Vijay Times, Bangalore, 5th January 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Empathic Anger</span><span>\r\n                                Marta Jakimowicz, Deccan Herald, 23rd December 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Mysore Ek Khoj</span>\r\n                            Cross Fertilization of Culture, Interview in Star of Mysore, 27th October 2002\r\n\r\n                            <span class=\"pubstrong\">Linking Islands</span><span>\r\n                                Menaka Jayasankar, Indian Express, Mumbai Newsline, 15th February 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Creating to Destroy</span><span>\r\n                                Jasmine Shah Varma, The List, Mid Day, 22nd February 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Different Strokes</span><span>\r\n                                Georgina L Maddox, The Indian Express, Mumbai Newsline, 24th July 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a target=\"_blank\" href=\"http://www.reenakallat.com/wp-content/uploads/2011/09/Faith%20and%20Hunger.pdf\" style=\"color: rgb(135, 135, 135);\">Of Faith and Hunger</a><font style=\"font-weight:normal;\" color=\"red\">  >> </font></span>\r\n                        <span>Abhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89, December 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">The Murmur of Skin</span><span>\r\n                            Nupur Mahajan, Bombay Times, Times of India, 12th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Not just Skin Deep</span><span>\r\n                            Jasmine Shah Varma, The List, Mid-day, 4th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Inside Out</span><span>\r\n                            Menaka Jayasankar, Indian Express, Mumbai Newsline, 11th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Scintillating Skin</span><span>\r\n                            Vaibhav Purandare, The Asian Age, 14th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">An Artist’s World: Roti, Makaan &amp; Abstract Art</span><span>\r\n                            Poonam Goel, HT City, 23rd December 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Within you, Without you</span><span>\r\n                            Anu Kumar, Indian Express, Express Newsline, 2nd September 1998\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Farming Intrigue</span><span>\r\n                            Jerry Pinto, The Times of India, Bombay Times, 3rd September 1998\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Interactive Medium</span><span>\r\n                            Karen Pereira, Indian Architect &amp; Builder, pgs 102-104, October 1998\r\n                        </span>\r\n                        -->\r\n</td>\r\n        </tr>\r\n    </tbody>\r\n</table>','Publications','','inherit','open','open','','87-revision-238','','','2016-07-25 08:09:00','2016-07-25 08:09:00','',87,'http://www.reenakallat.com/3412/uncat/87-revision-238',0,'revision','',0),(3413,1,'2016-07-25 01:11:28','2016-07-25 01:11:28','<table border=\"0\" cellspacing=\"5\" cellpadding=\"0\" width=\"100%\" align=\"centre\">\r\n    <tbody>\r\n                  <span class=\"pubstrong\" style=\"color: #000000;font-size:20px;line-height:35px;color:#505050;\">PRESS</span>\r\n                            </p>\r\n                                                          <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artforum.com/words/id=56896\" target=\"_blank\">\r\n                                                         Porous Passages Reflects on Differing Worldviews</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               ArtForum, Himali Singh Soin, 21st December 2015</span>\r\n                                <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.notey.com/@hyperallergic_unofficial/external/7377537/identities-nations-and-histories-painfully-stitched-together.html\" target=\"_blank\">\r\n                                                         Identities, Nations, and Histories Painfully Stitched Together </a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Hyperallergic, Meenakshi Thirukode, January 8, 2016</span>\r\n                               \r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artdaily.com/index.asp?int_sec=11&int_new=81426#.VnpzN_l96Um\" target=\"_blank\">\r\n                                                         Chemould Prescott Road opens exhibition of the work of Reena Saini Kallat</a> </span> <font color=\"red\">  >> </font> <span>\r\n                              Artdaily, 23rd December 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.livemint.com/Leisure/lPXmu4hGHMMbAKK9IJmXGJ/Beyond-the-barbed-wire.html\" target=\"_blank\">\r\n                                                         Beyond the barbed wire	</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Chanpreet Khurana, Live Mint, 16th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.livemint.com/Leisure/LGZI9VzNg3218XGafyrFBO/Genetic-engineering.html\" target=\"_blank\">\r\n                                                         Genetic engineering</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Rosalyn D’Mello, Live Mint, 19th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.openthemagazine.com/article/art-culture/layer-upon-layer\" target=\"_blank\">\r\n                                                         Layer upon Layer</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Payal Khandelwal, Open Magazine pg 54 - 57, 28th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.vogue.in/content/can-art-bind-together-warring-nations/\" target=\"_blank\">\r\n                                                         Can art bind together warring nations?</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Rosalyn DMello, Vogue, 23rd September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://indianexpress.com/article/lifestyle/dividing-lines-3/\" target=\"_blank\">\r\n                                                         Dividing Lines</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Pooja Pillai, The Indian Express, 21st September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindustantimes.com/art-and-culture/reena-saini-kallat-explores-geopolitical-relations-in-wires/story-bAlx8ynmqUgWHxlb2DONuN.html;jsessionid=A5137ED4B0981ED14C62E175FE95D985\" target=\"_blank\">\r\n                                                         Reena Saini Kallat explores geopolitical relations in wires</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Arundhati Chatterjee, Hindustan Times, 21st September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.dnaindia.com/lifestyle/interview-a-divided-existence-reena-saini-talks-about-her-exhibition-hyphenated-lives-2126700\" target=\"_blank\">\r\n                                                         A divided existence</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Ornella D’Souza, DNA, 20th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.mumbaimirror.com/others/leisure/Mirror-fixes-it-Finding-poetry-in-politics/articleshow/49031262.cms\" target=\"_blank\">\r\n                                                         Finding Poetry in Politics</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Reema Gehi, Mumbai Mirror, 20th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://theculturetrip.com/asia/india/articles/contemporary-artists-series-a-conversation-with-reena-saini-kallat/\" target=\"_blank\">\r\n                                                         Contemporary Artists Series: A Conversation with Reena Saini Kallat</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Farah Siddiqui, The CultureTrip, 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://insideburgercollection.org/wp-content/uploads/2015/07/94_BurgerCollection-08_p87-92.pdf\" target=\"_blank\">\r\n                                                        REREADING REENA KALLAT -  Inside Burger collection</a></span> <font color=\"red\">  >> </font> <span>\r\n									Quddus Mirza, Art Asia Pacific Magazine,  July/Aug 2015 </span>\r\n                              \r\n                                  <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.domusweb.it/en/news/2015/06/15/offsite_reena_saini_kallat.html\" target=\"_blank\">Woven Chronicle, Domus</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               posted on 15th June 2015                            </span>\r\n\r\n                               <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.huffingtonpost.ca/jugni-style/reena-saini-kallat-vancouver_b_7725930.html\" target=\"_blank\">Reena Saini Kallat\'s Public Art Installation Explores Migration, Longing In Vancouver</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Nimritta Parmar,  Huffpost  British Columbia Canada,  posted on 13th July 2015                            </span>\r\n\r\n                               <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.vancouverobserver.com/culture/art/mumbai-artist-maps-out-web-wire-vag-offsite\" target=\"_blank\">Mumbai artist maps out web of wire at VAG Offsite</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Sponsored content, Vancouver Observer, posted on 8th June 2015                            </span>\r\n\r\n                               <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://indianexpress.com/article/lifestyle/current-connections/\" target=\"_blank\">Current Connections</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Vandana Kalra, The Indian Express, 12th May 2015 </span>\r\n                               \r\n                            <span class=\"pubstrong\">Working Lives, AD Perspective,</span> <span>\r\n                              Sanhita Chowdhury, Architectural Digest pg-76, January-February 2015                      </span>\r\n\r\n                              <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://theculturetrip.com/asia/india/articles/the-top-10-female-contemporary-artists-from-india/\" target=\"_blank\">The Top 10 Female Contemporary Artists from India</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               C. A. Xuan Mai Ardia, The Culture Trip, 2014                            </span>\r\n\r\n                              <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.mid-day.com/articles/memories-at-work/15747192\" target=\"_blank\">Memories at work</a> </span> <font color=\"red\">  >> </font> <span>\r\n                              Kanika Sharma, Mid-day, 8th November 2014                           </span>\r\n                              \r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artasiapacific.com/Magazine/WebExclusives/FloatingWorldAestheticBind\" target=\"_blank\">Aesthetic Bind Floating World</a> </span> <font color=\"red\">  >> </font> <span>\r\n                              Gitanjali Dang, ArtAsiaPacific, April 2014                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.timeoutmumbai.net/art/features/suspense\" target=\"_blank\">In Suspense </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Phalguni Desai , Timeout Mumbai,  March  2014\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artdaily.com/news/68958/Chemould-Prescott-Road-celebrates-fifty-years-of-contemporary-art-with-Aesthetic-Bind--Floating-World#.Uz5us_mSxVk\" target=\"_blank\">Chemould Prescott Road celebrates fifty years of contemporary art with Aesthetic Bind: Floating World </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Geeta Kapur, Art Daily, 24th March 2014\r\n                            </span>\r\n                                                        <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.wallpaper.com/art/zegnart-enlists-reena-kallat-to-create-a-site-specific-artwork-in-mumbai/6292\" target=\"_blank\">ZegnArt enlists Reena Kallat to create a site-specific artwork in Mumbai,</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                JJ Martin, Wallpaper, 18th January 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.timeoutmumbai.net/art/features/web-design\" target=\"_blank\">Web design</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Karanjeet Kaur,Timeout Magazine, pg 26-28, 15th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artribune.com/2013/03/una-ragnatela-fra-italia-e-india-inaugurata-a-mumbai-lopera-di-reena-kallat-per-il-progetto-zegnart-public-qui-ci-sono-immagini-video-e-intervista-allartista/\" target=\"_blank\">Arte pubblica a Mumbai. Intervista con Anna Zegna</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Daniele Perra, Art Tribune, 1st March 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://in.blouinartinfo.com/news/story/885613/reena-kallat-on-her-mammoth-1-ton-rubber-stamp-cobweb-at-the\" target=\"_blank\">Reena Kallat On Her Mammoth, 1-ton Rubber-Stamp Cobweb at the Bhau Daji Lad Museum, Mumbai</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Rosalyn D\'Mello, Blouinart, April 1, 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.thehindu.com/features/magazine/putting-her-stamp-on-it/article4484175.ece\" target=\"_blank\">Putting her stamp on it</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Ramya Sarma, The Hindu, 9th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.business-standard.com/article/beyond-business/stamp-over-mumbai-113030800509_1.html\" target=\"_blank\">Stamp over Mumbai</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Kishore Singh, Business Standard, New Delhi  8th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.dnaindia.com/lifestyle/report_weaving-a-tangled-web_1806665\" target=\"_blank\">Weaving a tangled web</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Deepanjana Pal, DNA, 3rd March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.dnaindia.com/lifestyle/report_web-of-history_1810815\" target=\"_blank\">Web of history </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Sanaya Chavda, DNA, 13th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindustantimes.com/Entertainment/Art/Web-of-history-Reena-Kallat-s-installation/Article1-1027359.aspx\" target=\"_blank\">Web of history </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Shweta Mehta, Hindustan Times, 16th March 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://blog.saffronart.com/2013/03/14/reena-kallats-untitled-cobwebscrossings/\" target=\"_blank\">Public Art installation by Reena Kallat at the Dr. Bhau Daji Lad Museum in Mumbai </a> </span> <font color=\"red\">  >> </font><span>\r\n                                Manjari Sihare, Saffron blog,Posted on 14th March  2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Weaving into  networks, Buliding Cobwebs: Musings over Reena Saini Kallat’s recent work </span> <span>\r\n                                Parni Ray, Take on Art/Eleven, pg 98, Volume lll\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Stamping ground </span><span>\r\n                                Deepanjana Pal, Wallpaper magazine, pg 193 – 194, May 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Editorial</span><span>\r\n                                Kaiwan Mehta, Domus, pg 5 – 10, April 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Web Design</span> <span>\r\n                                Chumki Bharadwaj, India Today, pg 45 – 46, April 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Art Outside  </span> <span>\r\n                                Pavitra Mohan, Architectural Digest, pg 98, March-April 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://inditerrain.indiaartndesign.com/2013/03/of-cobwebs-crossings.html\" target=\"_blank\">Of Cobwebs & Crossings </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Jigna Padhiar, India Art & Design, 1st March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://prestige-singapore.com.sg/2013/04/arts-raj\" target=\"_blank\">Art\'s the Raj</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Dylan Boey, Prestige Singapore, 3rd April 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\">Adrift in unknown waters: Reena Saini Kallat and the Art of letting go</span><span>\r\n                                Parni Ray,  Artfair Magazine, Issue-3, pg 48 – 51, 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://shobanarayan.com/2012/02/04/about-jitish-kallat-and-reena-saini-kallat/\" target=\"_blank\">Walking the Art talk with the Kallats</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Shobha Narayan, Live Mint, February 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.tribuneindia.com/2012/20120219/spectrum/main2.htm\" target=\"_blank\">Spectrum New Visual Idiom</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                The Tribune, February 19, 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artnewsnviews.com/view-article.php?article=g-teborg-international-biennial&iid=25&articleid=678\" target=\"_blank\">Goteborg International Biennial</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Art Etc, Vol.4, No. 2, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Helsinki taidemuseo.fi-Journal, </span> January 2011<span>\r\n                            </span>\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://indiatoday.intoday.in/site/story/brush-with-reality/1/134582.html\">Brush With Reality </a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Sumaiya Khan, India Today Woman, pg. 20-21, April 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">System overload </span><span>\r\n                                Shweta Upadhyay, Timeout Delhi, March 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artslant.com/ind/articles/show/22573\" target=\"_blank\">Picking up the past</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Parni Ray, www.artslant.com, 4th April 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://iipdigital.usembassy.gov/st/english/article/2011/03/20110307133535drawoh0.7282221.html#axzz34yECziHk\">Art at “maximum INDIA” Festival Evokes Cultural Memory and Loss</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Howard Cincotta, www.america.gov, March 7, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.signonsandiego.com/news/2011/mar/02/kennedy-center-opens-3-week-india-arts-festival/\">Kennedy Center opens 3-week India arts festival</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Brett Zongker, www.signonsnadiego.com, 2nd March 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Eye and the Mind: New Interventions in Contemporary Indian Art </span><span>\r\n                                Rajeev Lochan, India Perspectives, Vol. 24, No. 6, 2010\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artradarjournal.com/2010/04/20/indian-contemporary-artist-reena-kallat-art-radar-exclusive-interview/\">Interview, Art Radar Asia </a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span><span>\r\n                                April 20, 2010\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Archives of the Heart</span><span>\r\n                                Nancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\n                                Front Cover, pgs 42-45, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Globale Kunst Mit Wurzelduft</span><span>\r\n                                Von Almuth Speigler, Die Presse, Feuilleton, 2nd September 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Landscapes of Loss</span><span>\r\n                                Beth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Reincarnating History</span><span>\r\n                                The Big Picture, Architect and Interiors, July 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Stamp Collection</span><span>\r\n                                Georgina Maddox, The Sunday Express, 17th May 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Evolving Beyond Borders</span><span>\r\n                                Reshma S. Kulkarni, Bombay Times, Times of India, 15th January, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Loss and Found</span><span>\r\n                                Marina Correa, DNA, Mumbai, 22nd January 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Focus India</span><span>\r\n                                Megha Ralapati, Flash Art, pg 114, January-February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Come Together Right Now</span><span>\r\n                                Reema Gehi, HT Café, 15th February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Such a Long Journey</span><span>\r\n                                Aparna S Sharma, Elle Magazine, pgs 115-117, February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">More than a Woman</span><span>\r\n                                Georgina Maddox, The Indian Express, Mumbai Newsline, 4th February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Artist of the Fortnight</span><span>\r\n                                Maria Louis, Outlook Profit, pg 79, 18th April 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Deja View</span><span>\r\n                                Tara Khilachand, Live Mint, 20th December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Terror Struck</span><span>\r\n                                Maria Louis, Outlook Profit, 26th December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Name Calling</span><span>\r\n                                Deepanjana Pal, Timeout Mumbai, December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Corruptions of Power</span>\r\n                            <span>Shiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99, 2007</span>\r\n\r\n                            <span class=\"pubstrong\">Over the Rainbow</span><span>\r\n                                Maria Louis, Interview, Verve Magazine, pg 78, November 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindu.com/mag/2006/10/29/stories/2006102900070200.htm\">In a State of Perennial Siege</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span><span>\r\n                                Nancy Adajania, The Hindu, Hyderabad, 29th October 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Her Crowning Achievement</span><span>\r\n                                Clara Chow, The Straits Times, 18th November 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Political Chaos</span><span>\r\n                                Deepali Nandwani, Beautiful people, pg 143, November-December 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Weapons of Mass Construction</span><span>\r\n                                Rituparna Som, DNA after Hrs, Mumbai, 9th October, 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Guns and Roses</span><span>\r\n                                Rachna Nakra, The Indian Express, Mumbai Newsline, 18th September 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Under Attack</span><span>\r\n                                Gitanjali Dang, HT Mumbai, 22nd September 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Time Traveller</span><span>\r\n                                Georgina Maddox, The Indian Express, Mumbai Newsline, 27th June 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Flower and the Sword</span><span>\r\n                                Girish Shahane, The Art News magazine of India, pg 93, volume X issue I, 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India’s Top 100 Achievers</span><span>\r\n                                Society Magazine, pg 137, December 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Caught Between Demons<span style=\"font-weight: normal; color: red;\"></span></span><span>\r\n                                Nancy Adajania, The Hindu, 19th December 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">En Reise Til India</span><span>\r\n                                Harald Flor, Dagbladet, Kultur, 2nd February 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Signs of Resistance</span><span>\r\n                                Nancy Adajania, The Hindu, 5th January 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Of the Goddess and Demon in the Mind</span><span>\r\n                                Debbie Rodgers, Sunday edition Vijay Times, Bangalore, 5th January 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Empathic Anger</span><span>\r\n                                Marta Jakimowicz, Deccan Herald, 23rd December 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Mysore Ek Khoj</span>\r\n                            Cross Fertilization of Culture, Interview in Star of Mysore, 27th October 2002\r\n\r\n                            <span class=\"pubstrong\">Linking Islands</span><span>\r\n                                Menaka Jayasankar, Indian Express, Mumbai Newsline, 15th February 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Creating to Destroy</span><span>\r\n                                Jasmine Shah Varma, The List, Mid Day, 22nd February 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Different Strokes</span><span>\r\n                                Georgina L Maddox, The Indian Express, Mumbai Newsline, 24th July 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a target=\"_blank\" href=\"http://www.reenakallat.com/wp-content/uploads/2011/09/Faith%20and%20Hunger.pdf\" style=\"color: rgb(135, 135, 135);\">Of Faith and Hunger</a><font style=\"font-weight:normal;\" color=\"red\">  >> </font></span>\r\n                        <span>Abhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89, December 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">The Murmur of Skin</span><span>\r\n                            Nupur Mahajan, Bombay Times, Times of India, 12th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Not just Skin Deep</span><span>\r\n                            Jasmine Shah Varma, The List, Mid-day, 4th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Inside Out</span><span>\r\n                            Menaka Jayasankar, Indian Express, Mumbai Newsline, 11th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Scintillating Skin</span><span>\r\n                            Vaibhav Purandare, The Asian Age, 14th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">An Artist’s World: Roti, Makaan &amp; Abstract Art</span><span>\r\n                            Poonam Goel, HT City, 23rd December 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Within you, Without you</span><span>\r\n                            Anu Kumar, Indian Express, Express Newsline, 2nd September 1998\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Farming Intrigue</span><span>\r\n                            Jerry Pinto, The Times of India, Bombay Times, 3rd September 1998\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Interactive Medium</span><span>\r\n                            Karen Pereira, Indian Architect &amp; Builder, pgs 102-104, October 1998\r\n                        </span>\r\n\r\n    </tbody>\r\n</table>','Press','','inherit','open','open','','3384-revision-13','','','2016-07-25 01:11:28','2016-07-25 01:11:28','',3384,'http://www.reenakallat.com/3413/uncat/3384-revision-13',0,'revision','',0),(3416,1,'2016-08-13 01:19:56','2016-08-13 01:19:56','<table border=\"0\" cellspacing=\"5\" cellpadding=\"0\" width=\"100%\" align=\"centre\">\r\n    <tbody>\r\n                  <strong><span style=\"color: #888888;\">PRESS</span></strong>        \r\n                                <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.notey.com/@hyperallergic_unofficial/external/7377537/identities-nations-and-histories-painfully-stitched-together.html\" target=\"_blank\">\r\n                                                         Identities, Nations, and Histories Painfully Stitched Together </a> </span> <font color=\"red\">  >> </font> <span>                      Hyperallergic, Meenakshi Thirukode, January 8, 2016</span>                        \r\n                                                  <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artforum.com/words/id=56896\" target=\"_blank\">\r\n                                                         Porous Passages Reflects on Differing Worldviews</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               ArtForum, Himali Singh Soin, 21st December 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artdaily.com/index.asp?int_sec=11&int_new=81426#.VnpzN_l96Um\" target=\"_blank\">\r\n                                                         Chemould Prescott Road opens exhibition of the work of Reena Saini Kallat</a> </span> <font color=\"red\">  >> </font> <span>\r\n                              Artdaily, 23rd December 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.livemint.com/Leisure/lPXmu4hGHMMbAKK9IJmXGJ/Beyond-the-barbed-wire.html\" target=\"_blank\">\r\n                                                         Beyond the barbed wire	</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Chanpreet Khurana, Live Mint, 16th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.livemint.com/Leisure/LGZI9VzNg3218XGafyrFBO/Genetic-engineering.html\" target=\"_blank\">\r\n                                                         Genetic engineering</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Rosalyn D’Mello, Live Mint, 19th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.openthemagazine.com/article/art-culture/layer-upon-layer\" target=\"_blank\">\r\n                                                         Layer upon Layer</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Payal Khandelwal, Open Magazine pg 54 - 57, 28th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.vogue.in/content/can-art-bind-together-warring-nations/\" target=\"_blank\">\r\n                                                         Can art bind together warring nations?</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Rosalyn DMello, Vogue, 23rd September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://indianexpress.com/article/lifestyle/dividing-lines-3/\" target=\"_blank\">\r\n                                                         Dividing Lines</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Pooja Pillai, The Indian Express, 21st September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindustantimes.com/art-and-culture/reena-saini-kallat-explores-geopolitical-relations-in-wires/story-bAlx8ynmqUgWHxlb2DONuN.html;jsessionid=A5137ED4B0981ED14C62E175FE95D985\" target=\"_blank\">\r\n                                                         Reena Saini Kallat explores geopolitical relations in wires</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Arundhati Chatterjee, Hindustan Times, 21st September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.dnaindia.com/lifestyle/interview-a-divided-existence-reena-saini-talks-about-her-exhibition-hyphenated-lives-2126700\" target=\"_blank\">\r\n                                                         A divided existence</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Ornella D’Souza, DNA, 20th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.mumbaimirror.com/others/leisure/Mirror-fixes-it-Finding-poetry-in-politics/articleshow/49031262.cms\" target=\"_blank\">\r\n                                                         Finding Poetry in Politics</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Reema Gehi, Mumbai Mirror, 20th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://theculturetrip.com/asia/india/articles/contemporary-artists-series-a-conversation-with-reena-saini-kallat/\" target=\"_blank\">\r\n                                                         Contemporary Artists Series: A Conversation with Reena Saini Kallat</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Farah Siddiqui, The CultureTrip, 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://insideburgercollection.org/wp-content/uploads/2015/07/94_BurgerCollection-08_p87-92.pdf\" target=\"_blank\">\r\n                                                        REREADING REENA KALLAT -  Inside Burger collection</a></span> <font color=\"red\">  >> </font> <span>\r\n									Quddus Mirza, Art Asia Pacific Magazine,  July/Aug 2015 </span>\r\n                              \r\n                                  <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.domusweb.it/en/news/2015/06/15/offsite_reena_saini_kallat.html\" target=\"_blank\">Woven Chronicle, Domus</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               posted on 15th June 2015                            </span>\r\n\r\n                               <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.huffingtonpost.ca/jugni-style/reena-saini-kallat-vancouver_b_7725930.html\" target=\"_blank\">Reena Saini Kallat\'s Public Art Installation Explores Migration, Longing In Vancouver</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Nimritta Parmar,  Huffpost  British Columbia Canada,  posted on 13th July 2015                            </span>\r\n\r\n                               <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.vancouverobserver.com/culture/art/mumbai-artist-maps-out-web-wire-vag-offsite\" target=\"_blank\">Mumbai artist maps out web of wire at VAG Offsite</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Sponsored content, Vancouver Observer, posted on 8th June 2015                            </span>\r\n\r\n                               <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://indianexpress.com/article/lifestyle/current-connections/\" target=\"_blank\">Current Connections</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Vandana Kalra, The Indian Express, 12th May 2015 </span>\r\n                               \r\n                            <span class=\"pubstrong\">Working Lives, AD Perspective,</span> <span>\r\n                              Sanhita Chowdhury, Architectural Digest pg-76, January-February 2015                      </span>\r\n\r\n                              <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://theculturetrip.com/asia/india/articles/the-top-10-female-contemporary-artists-from-india/\" target=\"_blank\">The Top 10 Female Contemporary Artists from India</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               C. A. Xuan Mai Ardia, The Culture Trip, 2014                            </span>\r\n\r\n                              <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.mid-day.com/articles/memories-at-work/15747192\" target=\"_blank\">Memories at work</a> </span> <font color=\"red\">  >> </font> <span>\r\n                              Kanika Sharma, Mid-day, 8th November 2014                           </span>\r\n                              \r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artasiapacific.com/Magazine/WebExclusives/FloatingWorldAestheticBind\" target=\"_blank\">Aesthetic Bind Floating World</a> </span> <font color=\"red\">  >> </font> <span>\r\n                              Gitanjali Dang, ArtAsiaPacific, April 2014                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.timeoutmumbai.net/art/features/suspense\" target=\"_blank\">In Suspense </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Phalguni Desai , Timeout Mumbai,  March  2014\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artdaily.com/news/68958/Chemould-Prescott-Road-celebrates-fifty-years-of-contemporary-art-with-Aesthetic-Bind--Floating-World#.Uz5us_mSxVk\" target=\"_blank\">Chemould Prescott Road celebrates fifty years of contemporary art with Aesthetic Bind: Floating World </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Geeta Kapur, Art Daily, 24th March 2014\r\n                            </span>\r\n                                                        <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.wallpaper.com/art/zegnart-enlists-reena-kallat-to-create-a-site-specific-artwork-in-mumbai/6292\" target=\"_blank\">ZegnArt enlists Reena Kallat to create a site-specific artwork in Mumbai,</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                JJ Martin, Wallpaper, 18th January 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.timeoutmumbai.net/art/features/web-design\" target=\"_blank\">Web design</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Karanjeet Kaur,Timeout Magazine, pg 26-28, 15th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artribune.com/2013/03/una-ragnatela-fra-italia-e-india-inaugurata-a-mumbai-lopera-di-reena-kallat-per-il-progetto-zegnart-public-qui-ci-sono-immagini-video-e-intervista-allartista/\" target=\"_blank\">Arte pubblica a Mumbai. Intervista con Anna Zegna</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Daniele Perra, Art Tribune, 1st March 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://in.blouinartinfo.com/news/story/885613/reena-kallat-on-her-mammoth-1-ton-rubber-stamp-cobweb-at-the\" target=\"_blank\">Reena Kallat On Her Mammoth, 1-ton Rubber-Stamp Cobweb at the Bhau Daji Lad Museum, Mumbai</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Rosalyn D\'Mello, Blouinart, April 1, 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.thehindu.com/features/magazine/putting-her-stamp-on-it/article4484175.ece\" target=\"_blank\">Putting her stamp on it</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Ramya Sarma, The Hindu, 9th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.business-standard.com/article/beyond-business/stamp-over-mumbai-113030800509_1.html\" target=\"_blank\">Stamp over Mumbai</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Kishore Singh, Business Standard, New Delhi  8th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.dnaindia.com/lifestyle/report_weaving-a-tangled-web_1806665\" target=\"_blank\">Weaving a tangled web</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Deepanjana Pal, DNA, 3rd March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.dnaindia.com/lifestyle/report_web-of-history_1810815\" target=\"_blank\">Web of history </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Sanaya Chavda, DNA, 13th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindustantimes.com/Entertainment/Art/Web-of-history-Reena-Kallat-s-installation/Article1-1027359.aspx\" target=\"_blank\">Web of history </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Shweta Mehta, Hindustan Times, 16th March 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://blog.saffronart.com/2013/03/14/reena-kallats-untitled-cobwebscrossings/\" target=\"_blank\">Public Art installation by Reena Kallat at the Dr. Bhau Daji Lad Museum in Mumbai </a> </span> <font color=\"red\">  >> </font><span>\r\n                                Manjari Sihare, Saffron blog,Posted on 14th March  2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Weaving into  networks, Buliding Cobwebs: Musings over Reena Saini Kallat’s recent work </span> <span>\r\n                                Parni Ray, Take on Art/Eleven, pg 98, Volume lll\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Stamping ground </span><span>\r\n                                Deepanjana Pal, Wallpaper magazine, pg 193 – 194, May 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Editorial</span><span>\r\n                                Kaiwan Mehta, Domus, pg 5 – 10, April 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Web Design</span> <span>\r\n                                Chumki Bharadwaj, India Today, pg 45 – 46, April 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Art Outside  </span> <span>\r\n                                Pavitra Mohan, Architectural Digest, pg 98, March-April 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://inditerrain.indiaartndesign.com/2013/03/of-cobwebs-crossings.html\" target=\"_blank\">Of Cobwebs & Crossings </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Jigna Padhiar, India Art & Design, 1st March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://prestige-singapore.com.sg/2013/04/arts-raj\" target=\"_blank\">Art\'s the Raj</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Dylan Boey, Prestige Singapore, 3rd April 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\">Adrift in unknown waters: Reena Saini Kallat and the Art of letting go</span><span>\r\n                                Parni Ray,  Artfair Magazine, Issue-3, pg 48 – 51, 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://shobanarayan.com/2012/02/04/about-jitish-kallat-and-reena-saini-kallat/\" target=\"_blank\">Walking the Art talk with the Kallats</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Shobha Narayan, Live Mint, February 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.tribuneindia.com/2012/20120219/spectrum/main2.htm\" target=\"_blank\">Spectrum New Visual Idiom</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                The Tribune, February 19, 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artnewsnviews.com/view-article.php?article=g-teborg-international-biennial&iid=25&articleid=678\" target=\"_blank\">Goteborg International Biennial</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Art Etc, Vol.4, No. 2, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Helsinki taidemuseo.fi-Journal, </span> January 2011<span>\r\n                            </span>\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://indiatoday.intoday.in/site/story/brush-with-reality/1/134582.html\">Brush With Reality </a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Sumaiya Khan, India Today Woman, pg. 20-21, April 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">System overload </span><span>\r\n                                Shweta Upadhyay, Timeout Delhi, March 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artslant.com/ind/articles/show/22573\" target=\"_blank\">Picking up the past</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Parni Ray, www.artslant.com, 4th April 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://iipdigital.usembassy.gov/st/english/article/2011/03/20110307133535drawoh0.7282221.html#axzz34yECziHk\">Art at “maximum INDIA” Festival Evokes Cultural Memory and Loss</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Howard Cincotta, www.america.gov, March 7, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.signonsandiego.com/news/2011/mar/02/kennedy-center-opens-3-week-india-arts-festival/\">Kennedy Center opens 3-week India arts festival</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Brett Zongker, www.signonsnadiego.com, 2nd March 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Eye and the Mind: New Interventions in Contemporary Indian Art </span><span>\r\n                                Rajeev Lochan, India Perspectives, Vol. 24, No. 6, 2010\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artradarjournal.com/2010/04/20/indian-contemporary-artist-reena-kallat-art-radar-exclusive-interview/\">Interview, Art Radar Asia </a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span><span>\r\n                                April 20, 2010\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Archives of the Heart</span><span>\r\n                                Nancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\n                                Front Cover, pgs 42-45, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Globale Kunst Mit Wurzelduft</span><span>\r\n                                Von Almuth Speigler, Die Presse, Feuilleton, 2nd September 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Landscapes of Loss</span><span>\r\n                                Beth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Reincarnating History</span><span>\r\n                                The Big Picture, Architect and Interiors, July 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Stamp Collection</span><span>\r\n                                Georgina Maddox, The Sunday Express, 17th May 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Evolving Beyond Borders</span><span>\r\n                                Reshma S. Kulkarni, Bombay Times, Times of India, 15th January, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Loss and Found</span><span>\r\n                                Marina Correa, DNA, Mumbai, 22nd January 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Focus India</span><span>\r\n                                Megha Ralapati, Flash Art, pg 114, January-February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Come Together Right Now</span><span>\r\n                                Reema Gehi, HT Café, 15th February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Such a Long Journey</span><span>\r\n                                Aparna S Sharma, Elle Magazine, pgs 115-117, February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">More than a Woman</span><span>\r\n                                Georgina Maddox, The Indian Express, Mumbai Newsline, 4th February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Artist of the Fortnight</span><span>\r\n                                Maria Louis, Outlook Profit, pg 79, 18th April 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Deja View</span><span>\r\n                                Tara Khilachand, Live Mint, 20th December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Terror Struck</span><span>\r\n                                Maria Louis, Outlook Profit, 26th December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Name Calling</span><span>\r\n                                Deepanjana Pal, Timeout Mumbai, December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Corruptions of Power</span>\r\n                            <span>Shiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99, 2007</span>\r\n\r\n                            <span class=\"pubstrong\">Over the Rainbow</span><span>\r\n                                Maria Louis, Interview, Verve Magazine, pg 78, November 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindu.com/mag/2006/10/29/stories/2006102900070200.htm\">In a State of Perennial Siege</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span><span>\r\n                                Nancy Adajania, The Hindu, Hyderabad, 29th October 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Her Crowning Achievement</span><span>\r\n                                Clara Chow, The Straits Times, 18th November 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Political Chaos</span><span>\r\n                                Deepali Nandwani, Beautiful people, pg 143, November-December 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Weapons of Mass Construction</span><span>\r\n                                Rituparna Som, DNA after Hrs, Mumbai, 9th October, 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Guns and Roses</span><span>\r\n                                Rachna Nakra, The Indian Express, Mumbai Newsline, 18th September 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Under Attack</span><span>\r\n                                Gitanjali Dang, HT Mumbai, 22nd September 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Time Traveller</span><span>\r\n                                Georgina Maddox, The Indian Express, Mumbai Newsline, 27th June 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Flower and the Sword</span><span>\r\n                                Girish Shahane, The Art News magazine of India, pg 93, volume X issue I, 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India’s Top 100 Achievers</span><span>\r\n                                Society Magazine, pg 137, December 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Caught Between Demons<span style=\"font-weight: normal; color: red;\"></span></span><span>\r\n                                Nancy Adajania, The Hindu, 19th December 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">En Reise Til India</span><span>\r\n                                Harald Flor, Dagbladet, Kultur, 2nd February 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Signs of Resistance</span><span>\r\n                                Nancy Adajania, The Hindu, 5th January 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Of the Goddess and Demon in the Mind</span><span>\r\n                                Debbie Rodgers, Sunday edition Vijay Times, Bangalore, 5th January 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Empathic Anger</span><span>\r\n                                Marta Jakimowicz, Deccan Herald, 23rd December 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Mysore Ek Khoj</span>\r\n                            Cross Fertilization of Culture, Interview in Star of Mysore, 27th October 2002\r\n\r\n                            <span class=\"pubstrong\">Linking Islands</span><span>\r\n                                Menaka Jayasankar, Indian Express, Mumbai Newsline, 15th February 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Creating to Destroy</span><span>\r\n                                Jasmine Shah Varma, The List, Mid Day, 22nd February 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Different Strokes</span><span>\r\n                                Georgina L Maddox, The Indian Express, Mumbai Newsline, 24th July 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a target=\"_blank\" href=\"http://www.reenakallat.com/wp-content/uploads/2011/09/Faith%20and%20Hunger.pdf\" style=\"color: rgb(135, 135, 135);\">Of Faith and Hunger</a><font style=\"font-weight:normal;\" color=\"red\">  >> </font></span>\r\n                        <span>Abhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89, December 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">The Murmur of Skin</span><span>\r\n                            Nupur Mahajan, Bombay Times, Times of India, 12th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Not just Skin Deep</span><span>\r\n                            Jasmine Shah Varma, The List, Mid-day, 4th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Inside Out</span><span>\r\n                            Menaka Jayasankar, Indian Express, Mumbai Newsline, 11th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Scintillating Skin</span><span>\r\n                            Vaibhav Purandare, The Asian Age, 14th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">An Artist’s World: Roti, Makaan &amp; Abstract Art</span><span>\r\n                            Poonam Goel, HT City, 23rd December 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Within you, Without you</span><span>\r\n                            Anu Kumar, Indian Express, Express Newsline, 2nd September 1998\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Farming Intrigue</span><span>\r\n                            Jerry Pinto, The Times of India, Bombay Times, 3rd September 1998\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Interactive Medium</span><span>\r\n                            Karen Pereira, Indian Architect &amp; Builder, pgs 102-104, October 1998\r\n                        </span>\r\n\r\n    </tbody>\r\n</table>','Press','','inherit','open','open','','3384-revision-16','','','2016-08-13 01:19:56','2016-08-13 01:19:56','',3384,'http://www.reenakallat.com/3416/uncat/3384-revision-16',0,'revision','',0),(3417,1,'2016-07-25 06:45:52','2016-07-25 06:45:52','<link rel=\"canonical\" href=\"http://www.reenakallat.com\" />\r\n<script type=\"text/javascript\" src=\"http://www.reenakallat.com/wp-includes/js/jquery/jquery-1.2.6.min.js\"></script>\r\n<script type=\"text/javascript\">\r\n    function slideSwitch() {\r\n        var $active = $(\'#slideshow DIV.active\');\r\n        if ($active.length == 0) $active = $(\'#slideshow DIV:last\');\r\n        // use this to pull the divs in the order they appear in the markup\r\n        var $next = $active.next().length ? $active.next()\r\n            : $(\'#slideshow DIV:first\');\r\n        // uncomment below to pull the divs randomly\r\n        // var $sibs  = 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z-index: 10;\r\n                opacity: 1.0;\r\n            }\r\n\r\n            #slideshow DIV.last-active {\r\n                z-index: 9;\r\n            }\r\n\r\n            #slideshow DIV IMG {\r\n                height: 450px;\r\n                display: block;\r\n                border: 0;\r\n                margin-bottom: 10px;\r\n            }\r\n</style>\r\n</head>\r\n<body style=\"font-family: Arial, Sans-serif, sans;\">\r\n    <div style=\"float:right;width:221px;padding-top:7px;\">\r\n        <strong><span class=\"pubstrong\">Current and upcoming shows</span></span></strong><span style=\"font-size: small;\"></span>\r\n        <br>\r\n        <br>\r\n\r\n        <em>IAF (India Art Fair)</em>, represented by Nature Morte gallery\r\n        30th January - 2nd February 2014, Delhi\r\n        <br>\r\n        <br>\r\n        <em>IAF (India Art Fair)</em>, Project presented by Art Oxygen and Palette Art gallery\r\n        30th January - 2nd February 2014, Delhi\r\n        <br>\r\n        <br>\r\n        <em>Visas to happiness - 3 (kids project)</em>\r\n        9th February 2014, Dhaka Art Summit, Bangladesh Shilpakala Academy\r\n        <br>\r\n        <br>\r\n        <em>Anatomy of forking paths (solo exhibition)</em>\r\n        12th February - 26th February at Art Houz, during Art Chennai 2014\r\n        <br>\r\n        <br>\r\n        <em>Encounters 2014 - Is there love in the air? </em>\r\n        7th February - 3rd March, Public project with Art Oxygen in Mumbai\r\n        <br>\r\n        <br>\r\n        <em>Aesthetic Bind: Floating World</em>\r\n        15th March - 12th April 2014, Chemould Prescott Road, Mumbai\r\n\r\n\r\n\r\n\r\n    </div>\r\n    <div id=\"slideshow\" style=\"float:left;\">\r\n\r\n        <div class=\"active\">\r\n            <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new1.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-894\" /></a>\r\n            <!-- Caption for image 1-->\r\n        </div>\r\n        <div>\r\n            <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new2.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-896\" /></a>\r\n            <!--This will work with any markup-->\r\n        </div>\r\n        <div>\r\n            <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new3.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-897\" /></a>\r\n            <!--Swap this out for anything, links, paragraphs, whatever-->\r\n        </div>\r\n        <div>\r\n            <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new4.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-898\" /></a>\r\n            <!--Just make sure to set a background color if you use text-->\r\n        </div>\r\n\r\n        <div>\r\n            <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new5.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-899\" /></a>\r\n            <!--Just make sure to set a background color if you use text-->\r\n        </div>\r\n\r\n        <div>\r\n            <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new6.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-899\" /></a>\r\n            <!--Just make sure to set a background color if you use text-->\r\n        </div>\r\n        <div>\r\n            <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new7.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-898\" /></a>\r\n            <!--Just make sure to set a background color if you use text-->\r\n        </div>\r\n        <div>\r\n            <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new8.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-899\" /></a>\r\n            <!--Just make sure to set a background color if you use text-->\r\n        </div>\r\n\r\n\r\n    </div>\r\n','home page old - 20th may 2014','','inherit','open','open','','3071-revision-3','','','2016-07-25 06:45:52','2016-07-25 06:45:52','',3071,'http://www.reenakallat.com/3417/uncat/3071-revision-3',0,'revision','',0),(3419,1,'2017-01-09 10:38:11','2017-01-09 10:38:11','<link rel=\"canonical\" href=\"http://www.reenakallat.com\" />\r\n<script type=\"text/javascript\" src=\"http://www.reenakallat.com/wp-includes/js/jquery/jquery-1.2.6.min.js\"></script>\r\n<script type=\"text/javascript\">\r\nfunction slideSwitch() {\r\n    var $active = $(\'#slideshow DIV.active\');\r\n    if ( $active.length == 0 ) $active = $(\'#slideshow DIV:last\');\r\n    // use this to pull the divs in the order they appear in the markup\r\n    var $next =  $active.next().length ? $active.next()\r\n        : $(\'#slideshow DIV:first\');\r\n    // uncomment below to pull the divs randomly\r\n    // var $sibs  = $active.siblings();\r\n    // var rndNum = Math.floor(Math.random() * $sibs.length );\r\n    // var $next  = $( $sibs[ rndNum ] );\r\n    $active.addClass(\'last-active\');\r\n    $next.css({opacity: 0.0})\r\n        .addClass(\'active\')\r\n        .animate({opacity: 1.0}, 1000, function() {\r\n            $active.removeClass(\'active last-active\');\r\n        });\r\n}\r\n$(function() {\r\n    setInterval( \"slideSwitch()\", 3000);\r\n});\r\n</script>\r\n<style type=\"text/css\">\r\n#slideshow {\r\n    position:relative;\r\n    height:500px;\r\n    width:660px;\r\n    margin: 0 auto;\r\n}\r\n#slideshow DIV {\r\n    position:absolute;\r\n    top:0;\r\n    left:300;\r\n    z-index:8;\r\n    opacity:0.0;\r\n    height: 500px;\r\n    background-color: #FFF;\r\n}\r\n#slideshow DIV.active {\r\n    z-index:10;\r\n    opacity:1.0;\r\n}\r\n#slideshow DIV.last-active {\r\n    z-index:9;\r\n}\r\n#slideshow DIV IMG {\r\n    height: 450px;\r\n    display: block;\r\n    border: 0;\r\n    margin-bottom: 10px;\r\n}\r\n</style>\r\n</head>\r\n<body style=\"font-family: Arial, Sans-serif, sans;\">\r\n<div style=\"float:right;width:221px;padding-top:7px;\">\r\n <strong><span class=\"pubstrong\">Current and upcoming shows</span></span></strong><span style=\"font-size: small;\"></span>\r\n        <br>\r\n        <br>\r\n\r\n        <em>Make a Change and Crossroads No 2. </em>,\r\n        curated by Torun Ekstrand\r\n		25th March – 28th May 2017\r\n		Norrtalje Museum + Konsthall, Sweden\r\n        <br>\r\n        <br>\r\n        <em>Solo exhibition at the Manchester Art Museum</em>\r\n		Opening 6th October 2017\r\n		Manchester, UK\r\n       <!-- <em>Insecurities: tracing Displacement and Shelter</em>\r\n        organized by Sean Anderson and Ariele Dionne-Krosnick\r\n		1st October 2016 -  22nd January 2017\r\n		The Museum of Modern Art (MOMA), New York\r\n        <br>\r\n        <br>\r\n        <em>Conceiving Space</em>\r\n		Colombo Art Biennial, curated by Alnoor Mitha\r\n		25th November - 22nd December 2016\r\n		Colombo, Sri Lanka\r\n-->\r\n\r\n</div>\r\n<div id=\"slideshow\" style=\"float:left;\"  >\r\n  \r\n    \r\n    <div class=\"active\">\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new1.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-894\" /></a>\r\n       <!-- Caption for image 1-->\r\n    </div>\r\n    <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new2.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-896\" /></a>\r\n        <!--This will work with any markup-->\r\n    </div>\r\n    <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new3.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-897\" /></a>\r\n        <!--Swap this out for anything, links, paragraphs, whatever-->\r\n    </div>\r\n    <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new4.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-898\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div>\r\n \r\n    <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new5.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-899\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div>\r\n\r\n     <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new6.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-899\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div\r\n <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new7.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-898\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div> \r\n    <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new8.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-899\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div>     \r\n    \r\n         <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new9.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-899\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div>\r\n <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new10.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-898\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div> \r\n    <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new11.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-899\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div>\r\n   <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new12.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-899\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div>\r\n</div>','Home','','inherit','open','open','','93-revision-78','','','2017-01-09 10:38:11','2017-01-09 10:38:11','',93,'http://www.reenakallat.com/3419/uncat/93-revision-78',0,'revision','',0),(3418,1,'2016-07-25 06:54:01','2016-07-25 06:54:01','<link rel=\"canonical\" href=\"http://www.reenakallat.com\" />\r\n<script type=\"text/javascript\" src=\"http://www.reenakallat.com/wp-includes/js/jquery/jquery-1.2.6.min.js\"></script>\r\n<script type=\"text/javascript\">\r\nfunction slideSwitch() {\r\n    var $active = $(\'#slideshow DIV.active\');\r\n    if ( $active.length == 0 ) $active = $(\'#slideshow DIV:last\');\r\n    // use this to pull the divs in the order they appear in the markup\r\n    var $next =  $active.next().length ? $active.next()\r\n        : $(\'#slideshow DIV:first\');\r\n    // uncomment below to pull the divs randomly\r\n    // var $sibs  = $active.siblings();\r\n    // var rndNum = Math.floor(Math.random() * $sibs.length );\r\n    // var $next  = $( $sibs[ rndNum ] );\r\n    $active.addClass(\'last-active\');\r\n    $next.css({opacity: 0.0})\r\n        .addClass(\'active\')\r\n        .animate({opacity: 1.0}, 1000, function() {\r\n            $active.removeClass(\'active last-active\');\r\n        });\r\n}\r\n$(function() {\r\n    setInterval( \"slideSwitch()\", 3000);\r\n});\r\n</script>\r\n<style type=\"text/css\">\r\n#slideshow {\r\n    position:relative;\r\n    height:500px;\r\n    width:660px;\r\n    margin: 0 auto;\r\n}\r\n#slideshow DIV {\r\n    position:absolute;\r\n    top:0;\r\n    left:300;\r\n    z-index:8;\r\n    opacity:0.0;\r\n    height: 500px;\r\n    background-color: #FFF;\r\n}\r\n#slideshow DIV.active {\r\n    z-index:10;\r\n    opacity:1.0;\r\n}\r\n#slideshow DIV.last-active {\r\n    z-index:9;\r\n}\r\n#slideshow DIV IMG {\r\n    height: 450px;\r\n    display: block;\r\n    border: 0;\r\n    margin-bottom: 10px;\r\n}\r\n</style>\r\n</head>\r\n<body style=\"font-family: Arial, Sans-serif, sans;\">\r\n<div style=\"float:right;width:221px;padding-top:7px;\">\r\n <strong><span class=\"pubstrong\">Current and upcoming shows</span></span></strong><span style=\"font-size: small;\"></span>\r\n        <br>\r\n        <br>\r\n\r\n        <em>Hybridizing Earth</em>,Discussing Multitude\r\n		10th Busan Biennale, curated by Cheagab Yun\r\n		6th September - 30th November 2016\r\n		Kiswire Suyeong factory, Busan, South Korea\r\n        <br>\r\n        <br>\r\n        <em>Insecurities: tracing Displacement and Shelter</em>\r\n        organized by Sean Anderson and Ariele Dionne-Krosnick\r\n		1st October 2016 -  22nd January 2017\r\n		The Museum of Modern Art (MOMA), New York\r\n        <br>\r\n        <br>\r\n        <em>Conceiving Space</em>\r\n		Colombo Art Biennial, curated by Alnoor Mitha\r\n		25th November - 22nd December 2016\r\n		Colombo, Sri Lanka\r\n\r\n\r\n</div>\r\n<div id=\"slideshow\" style=\"float:left;\"  >\r\n  \r\n    \r\n    <div class=\"active\">\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new1.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-894\" /></a>\r\n       <!-- Caption for image 1-->\r\n    </div>\r\n    <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new2.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-896\" /></a>\r\n        <!--This will work with any markup-->\r\n    </div>\r\n    <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new3.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-897\" /></a>\r\n        <!--Swap this out for anything, links, paragraphs, whatever-->\r\n    </div>\r\n    <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new4.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-898\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div>\r\n \r\n    <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new5.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-899\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div>\r\n\r\n     <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new6.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-899\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div\r\n <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new7.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-898\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div> \r\n    <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new8.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-899\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div>     \r\n    \r\n         <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new9.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-899\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div>\r\n <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new10.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-898\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div> \r\n    <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new11.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-899\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div>\r\n   <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new12.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-899\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div>\r\n</div>','Home','','inherit','open','open','','93-revision-77','','','2016-07-25 06:54:01','2016-07-25 06:54:01','',93,'http://www.reenakallat.com/3418/uncat/93-revision-77',0,'revision','',0),(3420,1,'2017-01-09 10:35:09','2017-01-09 10:35:09','<link rel=\"canonical\" href=\"http://www.reenakallat.com\" />\r\n<script type=\"text/javascript\" src=\"http://www.reenakallat.com/wp-includes/js/jquery/jquery-1.2.6.min.js\"></script>\r\n<script type=\"text/javascript\">\r\nfunction slideSwitch() {\r\n    var $active = $(\'#slideshow DIV.active\');\r\n    if ( $active.length == 0 ) $active = $(\'#slideshow DIV:last\');\r\n    // use this to pull the divs in the order they appear in the markup\r\n    var $next =  $active.next().length ? $active.next()\r\n        : $(\'#slideshow DIV:first\');\r\n    // uncomment below to pull the divs randomly\r\n    // var $sibs  = $active.siblings();\r\n    // var rndNum = Math.floor(Math.random() * $sibs.length );\r\n    // var $next  = $( $sibs[ rndNum ] );\r\n    $active.addClass(\'last-active\');\r\n    $next.css({opacity: 0.0})\r\n        .addClass(\'active\')\r\n        .animate({opacity: 1.0}, 1000, function() {\r\n            $active.removeClass(\'active last-active\');\r\n        });\r\n}\r\n$(function() {\r\n    setInterval( \"slideSwitch()\", 3000);\r\n});\r\n</script>\r\n<style type=\"text/css\">\r\n#slideshow {\r\n    position:relative;\r\n    height:500px;\r\n    width:660px;\r\n    margin: 0 auto;\r\n}\r\n#slideshow DIV {\r\n    position:absolute;\r\n    top:0;\r\n    left:300;\r\n    z-index:8;\r\n    opacity:0.0;\r\n    height: 500px;\r\n    background-color: #FFF;\r\n}\r\n#slideshow DIV.active {\r\n    z-index:10;\r\n    opacity:1.0;\r\n}\r\n#slideshow DIV.last-active {\r\n    z-index:9;\r\n}\r\n#slideshow DIV IMG {\r\n    height: 450px;\r\n    display: block;\r\n    border: 0;\r\n    margin-bottom: 10px;\r\n}\r\n</style>\r\n</head>\r\n<body style=\"font-family: Arial, Sans-serif, sans;\">\r\n<div style=\"float:right;width:221px;padding-top:7px;\">\r\n <strong><span class=\"pubstrong\">Current and upcoming shows</span></span></strong><span style=\"font-size: small;\"></span>\r\n        <br>\r\n        <br>\r\n\r\n        <em>Hybridizing Earth</em>,Discussing Multitude\r\n		10th Busan Biennale, curated by Cheagab Yun\r\n		6th September - 30th November 2016\r\n		Kiswire Suyeong factory, Busan, South Korea\r\n        <br>\r\n        <br>\r\n        <em>Insecurities: tracing Displacement and Shelter</em>\r\n        organized by Sean Anderson and Ariele Dionne-Krosnick\r\n		1st October 2016 -  22nd January 2017\r\n		The Museum of Modern Art (MOMA), New York\r\n        <br>\r\n        <br>\r\n        <em>Conceiving Space</em>\r\n		Colombo Art Biennial, curated by Alnoor Mitha\r\n		25th November - 22nd December 2016\r\n		Colombo, Sri Lanka\r\n\r\n\r\n</div>\r\n<div id=\"slideshow\" style=\"float:left;\"  >\r\n  \r\n    \r\n    <div class=\"active\">\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new1.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-894\" /></a>\r\n       <!-- Caption for image 1-->\r\n    </div>\r\n    <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new2.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-896\" /></a>\r\n        <!--This will work with any markup-->\r\n    </div>\r\n    <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new3.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-897\" /></a>\r\n        <!--Swap this out for anything, links, paragraphs, whatever-->\r\n    </div>\r\n    <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new4.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-898\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div>\r\n \r\n    <div>\r\n        <a href=\"#\"><img 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src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new8.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-899\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div>     \r\n    \r\n         <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new9.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-899\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div>\r\n <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new10.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-898\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div> \r\n    <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new11.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-899\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div>\r\n   <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new12.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-899\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div>\r\n</div>','home page old - 9th may 2017','','inherit','open','open','','3071-revision-4','','','2017-01-09 10:35:09','2017-01-09 10:35:09','',3071,'http://www.reenakallat.com/3420/uncat/3071-revision-4',0,'revision','',0),(3421,1,'2017-01-09 10:38:44','2017-01-09 10:38:44','<link rel=\"canonical\" href=\"http://www.reenakallat.com\" />\r\n<script type=\"text/javascript\" src=\"http://www.reenakallat.com/wp-includes/js/jquery/jquery-1.2.6.min.js\"></script>\r\n<script type=\"text/javascript\">\r\nfunction slideSwitch() {\r\n    var $active = $(\'#slideshow DIV.active\');\r\n    if ( $active.length == 0 ) $active = $(\'#slideshow DIV:last\');\r\n    // use this to pull the divs in the order they appear in the markup\r\n    var $next =  $active.next().length ? $active.next()\r\n        : $(\'#slideshow DIV:first\');\r\n    // uncomment below to pull the divs randomly\r\n    // var $sibs  = $active.siblings();\r\n    // var rndNum = Math.floor(Math.random() * $sibs.length );\r\n    // var $next  = $( $sibs[ rndNum ] );\r\n    $active.addClass(\'last-active\');\r\n    $next.css({opacity: 0.0})\r\n        .addClass(\'active\')\r\n        .animate({opacity: 1.0}, 1000, function() {\r\n            $active.removeClass(\'active last-active\');\r\n        });\r\n}\r\n$(function() {\r\n    setInterval( \"slideSwitch()\", 3000);\r\n});\r\n</script>\r\n<style type=\"text/css\">\r\n#slideshow {\r\n    position:relative;\r\n    height:500px;\r\n    width:660px;\r\n    margin: 0 auto;\r\n}\r\n#slideshow DIV {\r\n    position:absolute;\r\n    top:0;\r\n    left:300;\r\n    z-index:8;\r\n    opacity:0.0;\r\n    height: 500px;\r\n    background-color: #FFF;\r\n}\r\n#slideshow DIV.active {\r\n    z-index:10;\r\n    opacity:1.0;\r\n}\r\n#slideshow DIV.last-active {\r\n    z-index:9;\r\n}\r\n#slideshow DIV IMG {\r\n    height: 450px;\r\n    display: block;\r\n    border: 0;\r\n    margin-bottom: 10px;\r\n}\r\n</style>\r\n</head>\r\n<body style=\"font-family: Arial, Sans-serif, sans;\">\r\n<div style=\"float:right;width:221px;padding-top:7px;\">\r\n <strong><span class=\"pubstrong\">Current and upcoming shows</span></span></strong><span style=\"font-size: small;\"></span>\r\n        <br>\r\n        <br>\r\n\r\n        <em>Make a Change and Crossroads No 2. </em>,\r\n        curated by Torun Ekstrand\r\n		25th March – 28th May 2017\r\n		Norrtalje Museum + Konsthall, Sweden\r\n        <br>\r\n        <br>\r\n        <em>Solo exhibition at the Manchester Art Museum</em>\r\n		Opening 6th October 2017\r\n		Manchester, UK\r\n</div>\r\n<div id=\"slideshow\" style=\"float:left;\"  >\r\n  \r\n    \r\n    <div class=\"active\">\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new1.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-894\" /></a>\r\n       <!-- Caption for image 1-->\r\n    </div>\r\n    <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new2.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-896\" /></a>\r\n        <!--This will work with any markup-->\r\n    </div>\r\n    <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new3.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-897\" /></a>\r\n        <!--Swap this out for anything, links, paragraphs, whatever-->\r\n    </div>\r\n    <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new4.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-898\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div>\r\n \r\n    <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new5.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-899\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div>\r\n\r\n     <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new6.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-899\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div\r\n <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new7.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-898\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div> \r\n    <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new8.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-899\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div>     \r\n    \r\n         <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new9.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-899\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div>\r\n <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new10.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-898\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div> \r\n    <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new11.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-899\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div>\r\n   <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new12.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-899\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div>\r\n</div>','Home','','inherit','open','open','','93-revision-79','','','2017-01-09 10:38:44','2017-01-09 10:38:44','',93,'http://www.reenakallat.com/3421/uncat/93-revision-79',0,'revision','',0),(3423,1,'2017-01-09 10:45:03','0000-00-00 00:00:00','Reena Saini Kallat (b. 1973, Delhi, India) graduated from Sir J.J. School of Art, Mumbai in 1996 with a B.F.A. in painting. Her practice spanning drawing, photography, sculpture and video  engages diverse materials, imbued with conceptual underpinnings. She is interested in the role that memory plays, in not only what we choose to remember but also how we think of the past. Using the motif of the rubberstamp both as object and imprint, signifying the bureaucratic apparatus, Kallat has worked with officially recorded or registered names of people, objects, and monuments that are lost or have disappeared without a trace, only to get listed as anonymous and forgotten statistics. In her works made with electrical cables, wires usually serving as conduits of contact that transmit ideas and information, become painstakingly woven entanglements that morph into barbed wires like barriers. Her ongoing series using salt as a medium explores the tenuous yet intrinsic relationship between the body and the oceans, highlighting the fragility and unpredictability of existence.\r\n\r\nShe has widely exhibited across the world in venues such as Mori Art Museum, Tokyo; Kennedy Centre, Washington; Vancouver Art Gallery; Saatchi Gallery, London; SESC Pompeia and SESC Belenzino in Sao Paulo; Goteborgs Konsthall, Sweden; Helsinki City Art Museum, Finland; National Taiwan Museum of Fine Arts; Tel Aviv Museum of Art, Israel; National Museum of Contemporary Art, Seoul; Henie Onstad Kunstsenter, Oslo; Casa Asia, Madrid and Barcelona; ZKM Karlsruhe in Germany; Campbelltown Arts Centre, Sydney; Hangar Bicocca, Milan; Museum of Contemporary Art, Shanghai; IVAM Museum, Spain; Busan MOMA; Kulturhuset, Stockholm; Kunsthaus Langenthal, Switzerland; Chicago Cultural Centre amongst many others. She lives and works in Mumbai.\r\n\r\nHer works are part of several public and private collections including the National Taiwan Museum of Fine Arts, Taiwan; Vancouver Art Gallery, Canada; Initial Access (Frank Cohen Collection), UK; Fondazione Golinelli, Italy; Bhaudaji Lad Museum, Mumbai; National Gallery of Modern Art, New Delhi; Devi Art Foundation, New Delhi; Saatchi Gallery, London; Tiroche DeLeon Collection, Israel; Ermenegildo Zegna Group, Italy; JSW Foundation, Mumbai and Burger Collection, Hongkong amongst others. \r\n<table>\r\n<tbody>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">SOLO EXHIBITIONS</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>Porous Passages, Nature Morte, New Delhi </td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/Reena-Kallat-hyphenated-lives-2015-forthcoming-show/\" target=\"_blank\">Hyphenated Lives, Chemould Prescott Road, Mumbai<span style=\"color: red;\"> &gt;&gt; </span><a>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td><a class=\"linkbio\" href=\"https://www.vanartgallery.bc.ca/the_exhibitions/exhibit_sainikallat.html\" target=\"_blank\">Offsite, Public Art Project, Vancouver Art Gallery</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td>Anatomy of forking paths, Art Houz, during Art Chennai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td><a class=\"linkbio\" href=\"http://www.zegnart.com/diary/public\" target=\"_blank\">ZegnArt Public project with Dr. Bhaudaji Lad Museum, Mumbai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://www.kennedy-center.org/events/?event=ZLINB\" target=\"_blank\">Falling Fables, Maximum India at the Kennedy Centre, Washington </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://www.naturemorte.com/exhibitions/press_release/delhi/past/364\" target=\"_blank\">Labyrinth of Absences, Nature Morte, New Delhi</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.primomarellagallery.com/it/catalogue/scheda.asp?id=568&amp;view=past\" target=\"_blank\">Drift, Primo Marella Gallery, Milan</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://gallerychemould.com/exhibitions/reena-show-2008/\" target=\"_blank\"> Silt of Seasons, Chemould   Prescott Road, Mumbai <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/reena-kallat-exhibition-2008/\" target=\"_blank\">Subject to Change without Notice, Walsh Gallery, Chicago</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Rainbow Of Refuse, Bodhi Art Gallery, Mumbai and Singapore</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Black Flute (And Other Stories), Nature Morte, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2004/reena_saini_kallat_note.html\" target=\"_blank\">Black Flute, Gallery Chemould, Mumbai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>The Battlefield Is The Mind, Sakshi Gallery, Bangalore</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Seven Faces of Dust, Chicago Radio, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2000</td>\r\n<td>Skin, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1998</td>\r\n<td>Orchard of Home-grown Secrets, Gallery Chemould and Pundole  Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><span style=\"color: #888888;\"><strong>SELECTED GROUP EXHIBITIONS</strong></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2016</td>\r\n<td>Make a Change, Curated by Torun Ekstrand, Cultural Ronneby, Sweden</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2016</td>\r\n<td>Tabiyat: Medicine and Healing in India, Curated by Ratan Vaswani, CSMVS (Chhatrapati Shivaji Maharaj Vastu Sangrahalaya), Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2016</td>\r\n<td>The Eye and The Mind: New Interventions in Indian Art, NGMA- Jaipur House, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>The Eye and The Mind: New Interventions in Indian Art, Minsheng Art Museum, Beijing</td>\r\n</tr>\r\n\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>Aperture, Indian Summer Festival, Old Canadian Pacific Railway Station, Vancouver</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>The Eye and The Mind: New Interventions in Indian Art, China Art Museum, Shanghai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/A-Summer-Mix-Artists-from-Chemould-Prescott-2015/\" target=\"_blank\">A Summer Mix, Chemould Prescott Road, Mumbai<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>One and one make eleven (Contemporary Art From India), Kunsthaus Langenthal, Switzerland</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>The Eye and The Mind: New Interventions in Indian Art, Guangdong Museum of Art, Guangzhou, China</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>[en]counters 2015, Spaces in Transition, CST Terminus, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>Kalaghoda Art Festival, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td>Off the wall, Sir. J.J. School of Art, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td>India: Maximum City, St. Moritz Art Masters, Switzerland</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td>Encounters:- Is There Love in This Air?, Cattle depot, C &amp; G ArtPartment, Hong Kong</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/aesthetic-bind-cabinet-closet-wunderkammer/\" target=\"_blank\">Aesthetic Bind: Floating World, Chemould Prescott Road, Mumbai<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td><a class=\"linkbio\" href=\"http://www.sahmatnews.blogspot.in/2014/02/forms-of-activism-24th-feb-to-1st-march.html\" target=\"_blank\">Forms of Activism, exhibition marking 25 years of SAHMAT at the Lalit Kala Akademi galleries, Rabindra bhavan, New Delhi <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td><a class=\"linkbio\" href=\"http://www.artoxygen.org/wp-content/uploads/2014/140218_Program_isthereloveinthisair2014.pdf\" target=\"_blank\">Encounters 2014 - Is there love in the air?, Public project with Art Oxygen in Mumbai<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td><a class=\"linkbio\" href=\"http://eslitegallery.tumblr.com/post/65981256422/reena-saini-kallat\" target=\"_blank\">No-Mad-Ness in No-Man\'s Land, Eslite Gallery, Taipei <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td><a class=\"linkbio\" href=\"http://www.artoxygen.org/?p=1858\" target=\"_blank\">Haein Art Project, Haeinsa Temple, Korea <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td><a class=\"linkbio\" href=\"http://www.collabo-x.com/cheongju-international-craft-biennale-2013-청주첨단문화산업단지/\" target=\"_blank\"> \"Something Old and Something New\", Cheongju International Craft Biennale, Korea<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td><a class=\"linkbio\" href=\"http://mohileparikhcenter.org/site/?q=node/647\" target=\"_blank\">Partner a Master Exhibition, Artist/Mentor Programme, Premchand Roychand Gallery, Chhatrapati Shivaji Maharaj Vastu Sangrahalaya (CSMVS), Mumbai <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td><a class=\"linkbio\" href=\"http://www.paletteartgallery.com/exhibition/past/works/details/5120\" target=\"_blank\">Spell of Spill: Utopia of Ecology, Palette Art Gallery, Delhi <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td><a class=\"linkbio\" href=\"http://www.satellite.org.au/docs/encounters-powerPLAY_press_release.pdf \" target=\"_blank\">EN(counters): POWERplay, along Mumbai’s waterfronts, gardens and historic sites<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td>JJ’s 90s - The Time of Change, Sir J.J. School of Art, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>India Today, ARKEN Museum of Modern Art, Copenhagen, Denmark</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>The Indian Parallax or the Doubling of Happiness, Birla Academy of Art and Culture, Kolkata</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>WONDERS – Masterpieces from Private Collections, Denmark</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td><a class=\"linkbio\" href=\"http://www.bb.com.br/docs/pub/inst/dwn/CatalogoIndia.pdf\" target=\"_blank\">India side by side, Centro Cultural Banco do Brasil, Brasilia <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td><a class=\"linkbio\" href=\"http://www.eigen-art.com/lab/index.php?article_id=804&amp;clang=1\" target=\"_blank\">Group show, Eigen + Art Lab, Berlin<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>India Side by Side,SESC Belenzino, Sao Paulo, Brazil</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td><a class=\"linkbio\" href=\"http://www.punkto.no/voices-from-pandemonium.5006429-249860.html\" target=\"_blank\">Stemmer fra Pandemonium, Punkt-Galleri F 15, Moss, Norway <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>To Let the World In: Narrative and Beyond in Contemporary Indian Art, Lalit Kala Regional Centre, Chennai, India</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>The Contemporary Sultanate, the Sunrydge, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>Kalaghoda Art Festival, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td><a class=\"linkbio\" href=\"http://www.theskodaprize.com/2012/longlist.php?id=1#.ULxBLWDrbJw\" target=\"_blank\">The Skoda Prize Exhibition, Lalit Kala Academy, New Delhi<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>India Side by Side, Centro Cultural Banco do Brasil, Rio De Janeiro</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Giant Elephant : Contemporary Art from India, H Cube Gallery, Seoul</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Roundabout, Tel Aviv Museum of Art, Israel<span style=\"color: red;\"> </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://www.konsthallen.goteborg.se/prod/kultur/konsthallen/dalis2.nsf/535e371e7fd657aec1256a5c0045675f/22123a2342203237c125794a003704ed!OpenDocument\" target=\"_blank\">Goteborg International Biennale for Contemporary Art, curated by Sarat Maharaj, Göteborgs Konsthall and Bohuslans Konsthall, Uddevalla, Sweden <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Right to Dissent, Clark House, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>RED, Palette Art Gallery, Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Of Gods and Goddesses, Cinema, Cricket - The New cultural Icons of India, Jehangir Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://www.hel.fi/hki/taimu/en/art+museum+tennis+palace/past+exhibitions/2011/concurrent+india\" target=\"_blank\">Samtidigt, Helsinki City Art Museum, Finland<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Iconoclasts and Iconodules, curated by Ombretta Argo, Religare Art Gallery, New  Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://vancouverbiennale.com/sculptures_page.php?sculptureID=36\" target=\"_blank\">The Vancouver International Sculpture Biennale, Surrey Art Gallery, Canada<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>The Intuitive: Logic Revisted, from the Osians Collection at The World Economic Forum, Davos, Switzerland</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/current/La_Route_De_La_Soie.htm\" target=\"_blank\">La Route de la Soie / The Silk Road, Lille 3000, France </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://kulturhuset.stockholm.se/\" target=\"_blank\">Samtidigt, Kulterhuset, Stockholm</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.campbelltown.nsw.gov.au/Exhibitions\" target=\"_blank\">The River Project, Campbelltown Art Centre, Sydney</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.tamuseum.com/about-the-exhibition/roundabout-face-to-face\" target=\"_blank\">Roundabout, City Gallery Wellington, New Zealand</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/water-ways/\" target=\"_blank\">Waterways, Walsh Gallery, Chicago</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.richmondartgallery.org/in-transition.php\" target=\"_blank\">In Transition: New Art from India, Richmond Art Gallery Vancouver Biennale, Vancouver</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www2.webster.edu/news/releases/bringmealion_0910113.shtml\" target=\"_blank\">Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster University, curated by Jeffrey Hughes and Dana Turkovic, Cecile R. Hunt  Gallery, St. Louis, Missouri</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/www/pastExhibitions\" target=\"_blank\">Never Run Away, 2 person exhibition curated by Shaheen Merali, Stux Gallery, New York</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/artists/reena_kallat.htm?section_name=new_india\" target=\"_blank\">The Empire Strikes Back, Saatchi Gallery, London</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://art-for-the-world.blogspot.com/2010/01/some-installation-views-of-urban.html\" target=\"_blank\">Urban Manners 2, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao Paulo, Brazil</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.asianartbiennial.org/2009/en/index_en.html\" target=\"_blank\">View Points and Viewing points - 2009 Asian Art Biennale, National Taiwan Museum of Fine Arts </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Spectrum: Indian Art at Abu   Dhabi, United   Arab Emirates</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Milan Galleria, curated by Georgio Verzotti, Triennale Museum, Milan</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.initialaccess.co.uk/exh/73/11/passage-to-india-part-ii/reena-saini-kallat\" target=\"_blank\">Passage to India Part II show at Initial Access, Frank Cohen Collection, Wolverhampton, UK</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Ventosul Biennale, Curitiba, Brazil</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/english/contents/india/index.html\" target=\"_blank\"> Chalo! India: A New Era of Indian Art, National  Museum of Contemporary Art, Korea and Essl Museum, Vienna</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mocashanghai.org/index.php?_function=exhibition&amp;_subFunction=pastExhibition&amp;exhibition_id=40&amp;_view=detail\" target=\"_blank\">INDIA XIANZAI: Contemporary Indian Art, Museum of Contemporary Art, Shanghai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/42/622\" target=\"_blank\">Low Blow: And Other Species of Confusion, Stux gallery, New York</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.casaasia.eu/actividad/detalle?id=13195\" target=\"_blank\"><em> </em>Indian Narratives in the 21<sup>st</sup> Century: Between Memory and History,Casa  Asia, Madrid and Barcelona, Spain<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/body-chatter-an-exhibition-of-contemporary-indian-art-2008/\" target=\"_blank\">Body Chatter, Walsh Gallery, Chicago</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/contents/press/india_20081121_e.pdf\" target=\"_blank\">Chalo! India: A New Era of Indian Art, Mori Art   Museum, Japan</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM Museum, Valencia, Spain</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>3<sup>rd</sup> Nanjing Triennale, curators: Fumihiko Sumitomo, Jaeyoung Kang,  China</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>TEAF (Taehwagang Eco Art Festival) - Dream River, Korea</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Everywhere is War (And Rumours of it), Bodhi Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/33\" target=\"_blank\">Fire Walkers, Stefan Stux gallery, New York</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.galeriems.com/publications_2008.html\" target=\"_blank\">Three Points of view, Galerie Mirchandani + Steinrucke, Mumbai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Excavation: Memory / Myth / Membrane, Museum Gallery, Mumbai</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>International Incheon Women Artists’ Biennale, Korea</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Soft Power: Asian Attitude, Shanghai Zendai Museum of Modern Art, Shanghai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td><a class=\"linkbio\" href=\"http://www.kunstaspekte.de/index.php?tid=39629&amp;action=termin\" target=\"_blank\">Urban Manners, curated by Adelina Von Furstenberg, at Hangar Bicocca, Milan </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td><a class=\"linkbio\" href=\"\"http://www.artsblog.it/post/933/larte-contemporanea-indiana-a-milano\" target=\"_blank\">INDIA NOW: Contemporary Indian Art, Between Continuity and transformation, curated by Daniela Palozzoli at Spazio Oberdan, \r\nMilan<span style=\"color: red;\"> &gt;&gt; </span></a></td></tr>\r\n<td valign=\"top\">2007</td>\r\n<td>New Narratives: Contemporary Art From India, curated by Betty Seid, Chicago Cultural Centre, Chicago</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Thermocline Of Art- New Asian Waves, curated by Wonil Rhee and Peter Weibel at ZKM in Karlsruhe, Germany</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Modern Indian Works On Paper, Arthur Ross Gallery, Philadelphia and the Georgia Museum of Art, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Lille 3000 (Maximum City-Mumbai), Lille,  France</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Hungry God- Indian Contemporary Art, curated by Yun Chaegab and June Gwak, Arario Gallery, Beijing and Busan MoMA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>India Express – Art and Popular Culture, Art Museum Tennispalace, curators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City  Art Museum, Finland</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Mom and Pop Art, Walsh Gallery, Chicago</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Span, Sakshi Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Indian Paintings of the New Millenium, curated by Helen Asquine Fazio at Thomas J. Walsh Art Gallery at Fairfield  University, USA</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td><em> </em>Contemporary Art from India, Thomas   Erben Gallery, New York</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td>Zoom! Art in Contemporary India. Curators: Nancy Adajania and Luis Serpa, The Culturgest Museum, Lisbon, Portugal</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Crossing generations: diVERGE, Gallery Chemould’s 40th anniversary, Curators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of Modern Art, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td><em> </em>Hard Copy, two-person show with Jitish Kallat, Gallery 88, Calcutta</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Tiranga, curator: Peter Nagy, India Habitat Centre, New Delhi</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td><em> </em>Elephant Walks, Youth Arts Project in collaboration with Jitish Kallat as part of Indians + Cowboys exhibition, Curators: Aaron Seetu and Ruth Watson Gallery 4A, Sydney</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>The Tree From The Seed, Contemporary Art from India, curator: Gavin Jantjes Henie Onstad Kunstsenter (Oslo), Norway</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td><em>Crosscurrents</em>, organized by Artworks for the fiftieth anniversary celebrations of Jehangir Art  Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td><em>Reclaim Our Freedom</em>, organized by Open Circle, Pundole Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Crossing Borders, Gallery Windkracht 13, Den Helder, Holland</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>Big River 2, CCA7 Gallery, Port Of Spain, Trinidad</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>AOM- Art on the move, organized by Sahmat, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1999</td>\r\n<td><em> </em>Edge of the Century, curated by Amit Mukhopadhyay, Academy  of Fine Arts and Literature, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1998</td>\r\n<td><em> </em>Essays in Time, Kinetic Sculptures, Nehru Centre, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1997</td>\r\n<td><em> </em>India in Harmony 1947-1997, Nehru Centre, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1997</td>\r\n<td><em> </em>A Page From My Diary, Sans Tache Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1997</td>\r\n<td><em> </em>Fresh Work, Birla Academy of Art and Culture, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1996</td>\r\n<td><em> </em>Monsoon Show, Jehangir Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1995</td>\r\n<td><em> </em>Varsha ’95, Y. B. Chavan Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">SELECTED WORKSHOPS AND RESIDENCIES</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td>Visas to Happiness - 3, workshop with children at the 2014 Dhaka Art Summit, Bangladesh</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td><a class=\"linkbio\" href=\"http://art1stindia.wordpress.com/2012/09/09/reena-kallat-visa-to-happiness/#comments\" target=\"_blank\">Partner a Master Workshop Artist/Mentor Programme, organized by Art 1st Foundation in collaboration with Mohile Parikh Centre, Mumbai <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>Visas to Happiness, workshop with children as part of the exhibition \'To Let the World In\', Chennai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Iaspis Residency, Gothenburg, Sweden.</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Vanishing Point, children’s project at the Celebrate Bandra Festival, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Collaborative workshop as part of the exhibition Aftershock, Sainsbury Centre for Visual Arts, University of East Anglia, Norwich,  UK</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Collaborated on a Billboard project with Jitish Kallat, Kala Ghoda Art District, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Elephant Walks, Youth Arts Project at the Casula Power House Arts Centre, Liverpool, Australia</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Khoj 2002 International Artists Workshop, Mysore, India</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Identity and Landscape, residency in the Laurentian mountains of Quebec at the Boreal Art/Nature Centre, Canada</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>Big River 2, International Artists Workshop organized by CCA7 and the Triangle Arts Trust at Grand Riviere, Trinidad, West Indies</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td><span style=\"color: #888888;\"><strong>TALKS/PRESENTATIONS</strong></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>Walkthrough \'Hyphenated Lives\', Reena Kallat and Nancy Adajania at Chemould Prescott Road, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>Artists talk at Vancouver Art Gallery, Canada</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>Mumbai Local: Ideas and the Artist in collaboration with Junoon, Mcubed library, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>Artists talk at CSMVS (former Prince of Wales Museum), Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>Artists panel at Asian Contemporary Art Week (ACAW), FIELD MEETING Take 2: An afterthought in Venice</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>Artists Talk at \'What About Art?\', Arts management agency, in collaboration with ArtOxyen, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td>Artists talk at Asia Society, during the Asian Contemporary Art Week in New York</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td>Moving Millimeter: Talk by Reena Kallat for Mumbai Local, Bhaudaji Lad Museum, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td>\'Meet the Artist\' session for the students from South Asia Inter School Association (SAISA), Art Festival hosted by the American School of Bombay</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td>\'Who is the Audience?\' IAF 2013  I  Conversations, panel discussion with Kamini Sawhney, Matthieu Foss moderated by Ranjit Hoskote, Nehru Centre, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td>\'Rendezvous with the Artist\' series by Asia Society at the artists studio in Mumbai, sponsored by Christies.</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>Artists Talk at the World Economic Forum, Tianjin</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>\'Why I am not a woman artist\' panel discussion with Anju Dodiya, moderated by Nancy Adajania at the Jehangir Nicholson Art Foundation, Prince of Wales Museum, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Artists Talk at GIBCA Speak Easy (GSE), Goteborg</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Informal talk at HDK – The School of Design and Crafts, Goteborg</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Artists Talk at the Iaspis Residency Studio, Stockholm</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td>Short presentation as part of The River Project at The Campbelltown Arts Centre, Sydney</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Artists Talk at the Krishnakriti Festival 2011, Kalakriti Gallery, Hyderabad</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td>Panel discussion moderated by Maria Lantz, with participating artists during the exhibition Samtidigt at Kulturhuset, Stockholm</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Panel discussion with artist Gulam Sheikh, co-chair: Sabine B. Vogel, art critic at the Sammlung Essl Museum, Vienna</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Slide presentation followed by a panel discussion with Nalini Malani and Jayshree Chakravarty, moderated by Nancy Adajania at Jnanapravaha, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Slide presentation at the School of the Art Institute of Chicago</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Panel discussion with Nalini Malani, Sheba Chhachhi, moderated by Betty Seid at the Chicago Cultural Centre</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Lecture at the University Boccini, Milan</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Slide presentation at the Lamar Dodd School of Art, University of Georgia, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Artists Talk at the Griffith Auditorium, Georgia Museum of Art, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Slide presentation at Oslo National Academy of the Arts, Norway</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2000</td>\r\n<td>Slide presentation at Mohile Parikh Centre for the Visual Arts, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">AWARDS</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2016</td>\r\n<td>Zee: Indian Women Awards in Arts & Culture category, Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>ZegnArt Public Award in collaboration with Dr. Bhaudaji Lad Museum, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>YFLO ZOYA Young Women Achievers Awards 2010-11, Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Harmony Award, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1996</td>\r\n<td>Bombay Art Society Merit Certificate, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1996</td>\r\n<td>Second Prize Government Award, Sir J. J. School of Art, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1995</td>\r\n<td>Gladstone Solomon Award, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1991-1996</td>\r\n<td>Merit Scholarship, Sir J. J. School of Art, Mumbai</td>\r\n</tr>\r\n</tbody>\r\n</table>','biography backup - 9th jan 2017','','draft','open','open','','','','','2017-01-09 10:45:03','2017-01-09 10:45:03','',0,'http://www.reenakallat.com/?page_id=3423',0,'page','',0),(3424,1,'2017-01-09 10:44:54','2017-01-09 10:44:54','','biography backup - 9th jan 2017','','inherit','open','open','','3423-revision','','','2017-01-09 10:44:54','2017-01-09 10:44:54','',3423,'http://www.reenakallat.com/3424/uncat/3423-revision',0,'revision','',0),(3422,1,'2017-01-09 10:39:59','2017-01-09 10:39:59','<link rel=\"canonical\" href=\"http://www.reenakallat.com\" />\r\n<script type=\"text/javascript\" src=\"http://www.reenakallat.com/wp-includes/js/jquery/jquery-1.2.6.min.js\"></script>\r\n<script type=\"text/javascript\">\r\nfunction slideSwitch() {\r\n    var $active = $(\'#slideshow DIV.active\');\r\n    if ( $active.length == 0 ) $active = $(\'#slideshow DIV:last\');\r\n    // use this to pull the divs in the order they appear in the markup\r\n    var $next =  $active.next().length ? $active.next()\r\n        : $(\'#slideshow DIV:first\');\r\n    // uncomment below to pull the divs randomly\r\n    // var $sibs  = $active.siblings();\r\n    // var rndNum = Math.floor(Math.random() * $sibs.length );\r\n    // var $next  = $( $sibs[ rndNum ] );\r\n    $active.addClass(\'last-active\');\r\n    $next.css({opacity: 0.0})\r\n        .addClass(\'active\')\r\n        .animate({opacity: 1.0}, 1000, function() {\r\n            $active.removeClass(\'active last-active\');\r\n        });\r\n}\r\n$(function() {\r\n    setInterval( \"slideSwitch()\", 3000);\r\n});\r\n</script>\r\n<style type=\"text/css\">\r\n#slideshow {\r\n    position:relative;\r\n    height:500px;\r\n    width:660px;\r\n    margin: 0 auto;\r\n}\r\n#slideshow DIV {\r\n    position:absolute;\r\n    top:0;\r\n    left:300;\r\n    z-index:8;\r\n    opacity:0.0;\r\n    height: 500px;\r\n    background-color: #FFF;\r\n}\r\n#slideshow DIV.active {\r\n    z-index:10;\r\n    opacity:1.0;\r\n}\r\n#slideshow DIV.last-active {\r\n    z-index:9;\r\n}\r\n#slideshow DIV IMG {\r\n    height: 450px;\r\n    display: block;\r\n    border: 0;\r\n    margin-bottom: 10px;\r\n}\r\n</style>\r\n</head>\r\n<body style=\"font-family: Arial, Sans-serif, sans;\">\r\n<div style=\"float:right;width:221px;padding-top:7px;\">\r\n <strong><span class=\"pubstrong\">Current and upcoming shows</span></span></strong><span style=\"font-size: small;\"></span>\r\n        <br>\r\n        <br>\r\n\r\n        <em>Hybridizing Earth</em>,Discussing Multitude\r\n		10th Busan Biennale, curated by Cheagab Yun\r\n		6th September - 30th November 2016\r\n		Kiswire Suyeong factory, Busan, South Korea\r\n        <br>\r\n        <br>\r\n        <em>Insecurities: tracing Displacement and Shelter</em>\r\n        organized by Sean Anderson and Ariele Dionne-Krosnick\r\n		1st October 2016 -  22nd January 2017\r\n		The Museum of Modern Art (MOMA), New York\r\n        <br>\r\n        <br>\r\n        <em>Conceiving Space</em>\r\n		Colombo Art Biennial, curated by Alnoor Mitha\r\n		25th November - 22nd December 2016\r\n		Colombo, Sri Lanka\r\n\r\n\r\n</div>\r\n<div id=\"slideshow\" style=\"float:left;\"  >\r\n  \r\n    \r\n    <div class=\"active\">\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new1.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-894\" /></a>\r\n       <!-- Caption for image 1-->\r\n    </div>\r\n    <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new2.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-896\" /></a>\r\n        <!--This will work with any markup-->\r\n    </div>\r\n    <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new3.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-897\" /></a>\r\n        <!--Swap this out for anything, links, paragraphs, whatever-->\r\n    </div>\r\n    <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new4.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-898\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div>\r\n \r\n    <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new5.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-899\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div>\r\n\r\n     <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new6.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-899\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div\r\n <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new7.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-898\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div> \r\n    <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new8.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-899\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div>     \r\n    \r\n         <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new9.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-899\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div>\r\n <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new10.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-898\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div> \r\n    <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new11.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-899\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div>\r\n   <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new12.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-899\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div>\r\n</div>','Home','','inherit','open','open','','93-revision-80','','','2017-01-09 10:39:59','2017-01-09 10:39:59','',93,'http://www.reenakallat.com/3422/uncat/93-revision-80',0,'revision','',0),(3425,1,'2017-01-09 10:44:59','2017-01-09 10:44:59','Reena Saini Kallat (b. 1973, Delhi, India) graduated from Sir J.J. School of Art, Mumbai in 1996 with a B.F.A. in painting. Her practice spanning drawing, photography, sculpture and video  engages diverse materials, imbued with conceptual underpinnings. She is interested in the role that memory plays, in not only what we choose to remember but also how we think of the past. Using the motif of the rubberstamp both as object and imprint, signifying the bureaucratic apparatus, Kallat has worked with officially recorded or registered names of people, objects, and monuments that are lost or have disappeared without a trace, only to get listed as anonymous and forgotten statistics. In her works made with electrical cables, wires usually serving as conduits of contact that transmit ideas and information, become painstakingly woven entanglements that morph into barbed wires like barriers. Her ongoing series using salt as a medium explores the tenuous yet intrinsic relationship between the body and the oceans, highlighting the fragility and unpredictability of existence.\r\n\r\nShe has widely exhibited across the world in venues such as Mori Art Museum, Tokyo; Kennedy Centre, Washington; Vancouver Art Gallery; Saatchi Gallery, London; SESC Pompeia and SESC Belenzino in Sao Paulo; Goteborgs Konsthall, Sweden; Helsinki City Art Museum, Finland; National Taiwan Museum of Fine Arts; Tel Aviv Museum of Art, Israel; National Museum of Contemporary Art, Seoul; Henie Onstad Kunstsenter, Oslo; Casa Asia, Madrid and Barcelona; ZKM Karlsruhe in Germany; Campbelltown Arts Centre, Sydney; Hangar Bicocca, Milan; Museum of Contemporary Art, Shanghai; IVAM Museum, Spain; Busan MOMA; Kulturhuset, Stockholm; Kunsthaus Langenthal, Switzerland; Chicago Cultural Centre amongst many others. She lives and works in Mumbai.\r\n\r\nHer works are part of several public and private collections including the National Taiwan Museum of Fine Arts, Taiwan; Vancouver Art Gallery, Canada; Initial Access (Frank Cohen Collection), UK; Fondazione Golinelli, Italy; Bhaudaji Lad Museum, Mumbai; National Gallery of Modern Art, New Delhi; Devi Art Foundation, New Delhi; Saatchi Gallery, London; Tiroche DeLeon Collection, Israel; Ermenegildo Zegna Group, Italy; JSW Foundation, Mumbai and Burger Collection, Hongkong amongst others. \r\n<table>\r\n<tbody>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">SOLO EXHIBITIONS</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>Porous Passages, Nature Morte, New Delhi </td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/Reena-Kallat-hyphenated-lives-2015-forthcoming-show/\" target=\"_blank\">Hyphenated Lives, Chemould Prescott Road, Mumbai<span style=\"color: red;\"> &gt;&gt; </span><a>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td><a class=\"linkbio\" href=\"https://www.vanartgallery.bc.ca/the_exhibitions/exhibit_sainikallat.html\" target=\"_blank\">Offsite, Public Art Project, Vancouver Art Gallery</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td>Anatomy of forking paths, Art Houz, during Art Chennai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td><a class=\"linkbio\" href=\"http://www.zegnart.com/diary/public\" target=\"_blank\">ZegnArt Public project with Dr. Bhaudaji Lad Museum, Mumbai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://www.kennedy-center.org/events/?event=ZLINB\" target=\"_blank\">Falling Fables, Maximum India at the Kennedy Centre, Washington </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://www.naturemorte.com/exhibitions/press_release/delhi/past/364\" target=\"_blank\">Labyrinth of Absences, Nature Morte, New Delhi</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.primomarellagallery.com/it/catalogue/scheda.asp?id=568&amp;view=past\" target=\"_blank\">Drift, Primo Marella Gallery, Milan</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://gallerychemould.com/exhibitions/reena-show-2008/\" target=\"_blank\"> Silt of Seasons, Chemould   Prescott Road, Mumbai <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/reena-kallat-exhibition-2008/\" target=\"_blank\">Subject to Change without Notice, Walsh Gallery, Chicago</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Rainbow Of Refuse, Bodhi Art Gallery, Mumbai and Singapore</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Black Flute (And Other Stories), Nature Morte, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2004/reena_saini_kallat_note.html\" target=\"_blank\">Black Flute, Gallery Chemould, Mumbai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>The Battlefield Is The Mind, Sakshi Gallery, Bangalore</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Seven Faces of Dust, Chicago Radio, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2000</td>\r\n<td>Skin, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1998</td>\r\n<td>Orchard of Home-grown Secrets, Gallery Chemould and Pundole  Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><span style=\"color: #888888;\"><strong>SELECTED GROUP EXHIBITIONS</strong></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2016</td>\r\n<td>Make a Change, Curated by Torun Ekstrand, Cultural Ronneby, Sweden</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2016</td>\r\n<td>Tabiyat: Medicine and Healing in India, Curated by Ratan Vaswani, CSMVS (Chhatrapati Shivaji Maharaj Vastu Sangrahalaya), Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2016</td>\r\n<td>The Eye and The Mind: New Interventions in Indian Art, NGMA- Jaipur House, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>The Eye and The Mind: New Interventions in Indian Art, Minsheng Art Museum, Beijing</td>\r\n</tr>\r\n\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>Aperture, Indian Summer Festival, Old Canadian Pacific Railway Station, Vancouver</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>The Eye and The Mind: New Interventions in Indian Art, China Art Museum, Shanghai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/A-Summer-Mix-Artists-from-Chemould-Prescott-2015/\" target=\"_blank\">A Summer Mix, Chemould Prescott Road, Mumbai<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>One and one make eleven (Contemporary Art From India), Kunsthaus Langenthal, Switzerland</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>The Eye and The Mind: New Interventions in Indian Art, Guangdong Museum of Art, Guangzhou, China</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>[en]counters 2015, Spaces in Transition, CST Terminus, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>Kalaghoda Art Festival, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td>Off the wall, Sir. J.J. School of Art, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td>India: Maximum City, St. Moritz Art Masters, Switzerland</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td>Encounters:- Is There Love in This Air?, Cattle depot, C &amp; G ArtPartment, Hong Kong</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/aesthetic-bind-cabinet-closet-wunderkammer/\" target=\"_blank\">Aesthetic Bind: Floating World, Chemould Prescott Road, Mumbai<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td><a class=\"linkbio\" href=\"http://www.sahmatnews.blogspot.in/2014/02/forms-of-activism-24th-feb-to-1st-march.html\" target=\"_blank\">Forms of Activism, exhibition marking 25 years of SAHMAT at the Lalit Kala Akademi galleries, Rabindra bhavan, New Delhi <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td><a class=\"linkbio\" href=\"http://www.artoxygen.org/wp-content/uploads/2014/140218_Program_isthereloveinthisair2014.pdf\" target=\"_blank\">Encounters 2014 - Is there love in the air?, Public project with Art Oxygen in Mumbai<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td><a class=\"linkbio\" href=\"http://eslitegallery.tumblr.com/post/65981256422/reena-saini-kallat\" target=\"_blank\">No-Mad-Ness in No-Man\'s Land, Eslite Gallery, Taipei <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td><a class=\"linkbio\" href=\"http://www.artoxygen.org/?p=1858\" target=\"_blank\">Haein Art Project, Haeinsa Temple, Korea <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td><a class=\"linkbio\" href=\"http://www.collabo-x.com/cheongju-international-craft-biennale-2013-청주첨단문화산업단지/\" target=\"_blank\"> \"Something Old and Something New\", Cheongju International Craft Biennale, Korea<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td><a class=\"linkbio\" href=\"http://mohileparikhcenter.org/site/?q=node/647\" target=\"_blank\">Partner a Master Exhibition, Artist/Mentor Programme, Premchand Roychand Gallery, Chhatrapati Shivaji Maharaj Vastu Sangrahalaya (CSMVS), Mumbai <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td><a class=\"linkbio\" href=\"http://www.paletteartgallery.com/exhibition/past/works/details/5120\" target=\"_blank\">Spell of Spill: Utopia of Ecology, Palette Art Gallery, Delhi <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td><a class=\"linkbio\" href=\"http://www.satellite.org.au/docs/encounters-powerPLAY_press_release.pdf \" target=\"_blank\">EN(counters): POWERplay, along Mumbai’s waterfronts, gardens and historic sites<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td>JJ’s 90s - The Time of Change, Sir J.J. School of Art, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>India Today, ARKEN Museum of Modern Art, Copenhagen, Denmark</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>The Indian Parallax or the Doubling of Happiness, Birla Academy of Art and Culture, Kolkata</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>WONDERS – Masterpieces from Private Collections, Denmark</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td><a class=\"linkbio\" href=\"http://www.bb.com.br/docs/pub/inst/dwn/CatalogoIndia.pdf\" target=\"_blank\">India side by side, Centro Cultural Banco do Brasil, Brasilia <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td><a class=\"linkbio\" href=\"http://www.eigen-art.com/lab/index.php?article_id=804&amp;clang=1\" target=\"_blank\">Group show, Eigen + Art Lab, Berlin<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>India Side by Side,SESC Belenzino, Sao Paulo, Brazil</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td><a class=\"linkbio\" href=\"http://www.punkto.no/voices-from-pandemonium.5006429-249860.html\" target=\"_blank\">Stemmer fra Pandemonium, Punkt-Galleri F 15, Moss, Norway <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>To Let the World In: Narrative and Beyond in Contemporary Indian Art, Lalit Kala Regional Centre, Chennai, India</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>The Contemporary Sultanate, the Sunrydge, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>Kalaghoda Art Festival, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td><a class=\"linkbio\" href=\"http://www.theskodaprize.com/2012/longlist.php?id=1#.ULxBLWDrbJw\" target=\"_blank\">The Skoda Prize Exhibition, Lalit Kala Academy, New Delhi<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>India Side by Side, Centro Cultural Banco do Brasil, Rio De Janeiro</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Giant Elephant : Contemporary Art from India, H Cube Gallery, Seoul</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Roundabout, Tel Aviv Museum of Art, Israel<span style=\"color: red;\"> </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://www.konsthallen.goteborg.se/prod/kultur/konsthallen/dalis2.nsf/535e371e7fd657aec1256a5c0045675f/22123a2342203237c125794a003704ed!OpenDocument\" target=\"_blank\">Goteborg International Biennale for Contemporary Art, curated by Sarat Maharaj, Göteborgs Konsthall and Bohuslans Konsthall, Uddevalla, Sweden <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Right to Dissent, Clark House, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>RED, Palette Art Gallery, Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Of Gods and Goddesses, Cinema, Cricket - The New cultural Icons of India, Jehangir Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://www.hel.fi/hki/taimu/en/art+museum+tennis+palace/past+exhibitions/2011/concurrent+india\" target=\"_blank\">Samtidigt, Helsinki City Art Museum, Finland<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Iconoclasts and Iconodules, curated by Ombretta Argo, Religare Art Gallery, New  Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://vancouverbiennale.com/sculptures_page.php?sculptureID=36\" target=\"_blank\">The Vancouver International Sculpture Biennale, Surrey Art Gallery, Canada<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>The Intuitive: Logic Revisted, from the Osians Collection at The World Economic Forum, Davos, Switzerland</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/current/La_Route_De_La_Soie.htm\" target=\"_blank\">La Route de la Soie / The Silk Road, Lille 3000, France </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://kulturhuset.stockholm.se/\" target=\"_blank\">Samtidigt, Kulterhuset, Stockholm</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.campbelltown.nsw.gov.au/Exhibitions\" target=\"_blank\">The River Project, Campbelltown Art Centre, Sydney</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.tamuseum.com/about-the-exhibition/roundabout-face-to-face\" target=\"_blank\">Roundabout, City Gallery Wellington, New Zealand</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/water-ways/\" target=\"_blank\">Waterways, Walsh Gallery, Chicago</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.richmondartgallery.org/in-transition.php\" target=\"_blank\">In Transition: New Art from India, Richmond Art Gallery Vancouver Biennale, Vancouver</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www2.webster.edu/news/releases/bringmealion_0910113.shtml\" target=\"_blank\">Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster University, curated by Jeffrey Hughes and Dana Turkovic, Cecile R. Hunt  Gallery, St. Louis, Missouri</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/www/pastExhibitions\" target=\"_blank\">Never Run Away, 2 person exhibition curated by Shaheen Merali, Stux Gallery, New York</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/artists/reena_kallat.htm?section_name=new_india\" target=\"_blank\">The Empire Strikes Back, Saatchi Gallery, London</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://art-for-the-world.blogspot.com/2010/01/some-installation-views-of-urban.html\" target=\"_blank\">Urban Manners 2, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao Paulo, Brazil</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.asianartbiennial.org/2009/en/index_en.html\" target=\"_blank\">View Points and Viewing points - 2009 Asian Art Biennale, National Taiwan Museum of Fine Arts </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Spectrum: Indian Art at Abu   Dhabi, United   Arab Emirates</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Milan Galleria, curated by Georgio Verzotti, Triennale Museum, Milan</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.initialaccess.co.uk/exh/73/11/passage-to-india-part-ii/reena-saini-kallat\" target=\"_blank\">Passage to India Part II show at Initial Access, Frank Cohen Collection, Wolverhampton, UK</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Ventosul Biennale, Curitiba, Brazil</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/english/contents/india/index.html\" target=\"_blank\"> Chalo! India: A New Era of Indian Art, National  Museum of Contemporary Art, Korea and Essl Museum, Vienna</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mocashanghai.org/index.php?_function=exhibition&amp;_subFunction=pastExhibition&amp;exhibition_id=40&amp;_view=detail\" target=\"_blank\">INDIA XIANZAI: Contemporary Indian Art, Museum of Contemporary Art, Shanghai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/42/622\" target=\"_blank\">Low Blow: And Other Species of Confusion, Stux gallery, New York</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.casaasia.eu/actividad/detalle?id=13195\" target=\"_blank\"><em> </em>Indian Narratives in the 21<sup>st</sup> Century: Between Memory and History,Casa  Asia, Madrid and Barcelona, Spain<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/body-chatter-an-exhibition-of-contemporary-indian-art-2008/\" target=\"_blank\">Body Chatter, Walsh Gallery, Chicago</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/contents/press/india_20081121_e.pdf\" target=\"_blank\">Chalo! India: A New Era of Indian Art, Mori Art   Museum, Japan</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM Museum, Valencia, Spain</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>3<sup>rd</sup> Nanjing Triennale, curators: Fumihiko Sumitomo, Jaeyoung Kang,  China</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>TEAF (Taehwagang Eco Art Festival) - Dream River, Korea</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Everywhere is War (And Rumours of it), Bodhi Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/33\" target=\"_blank\">Fire Walkers, Stefan Stux gallery, New York</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.galeriems.com/publications_2008.html\" target=\"_blank\">Three Points of view, Galerie Mirchandani + Steinrucke, Mumbai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Excavation: Memory / Myth / Membrane, Museum Gallery, Mumbai</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>International Incheon Women Artists’ Biennale, Korea</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Soft Power: Asian Attitude, Shanghai Zendai Museum of Modern Art, Shanghai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td><a class=\"linkbio\" href=\"http://www.kunstaspekte.de/index.php?tid=39629&amp;action=termin\" target=\"_blank\">Urban Manners, curated by Adelina Von Furstenberg, at Hangar Bicocca, Milan </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td><a class=\"linkbio\" href=\"\"http://www.artsblog.it/post/933/larte-contemporanea-indiana-a-milano\" target=\"_blank\">INDIA NOW: Contemporary Indian Art, Between Continuity and transformation, curated by Daniela Palozzoli at Spazio Oberdan, \r\nMilan<span style=\"color: red;\"> &gt;&gt; </span></a></td></tr>\r\n<td valign=\"top\">2007</td>\r\n<td>New Narratives: Contemporary Art From India, curated by Betty Seid, Chicago Cultural Centre, Chicago</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Thermocline Of Art- New Asian Waves, curated by Wonil Rhee and Peter Weibel at ZKM in Karlsruhe, Germany</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Modern Indian Works On Paper, Arthur Ross Gallery, Philadelphia and the Georgia Museum of Art, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Lille 3000 (Maximum City-Mumbai), Lille,  France</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Hungry God- Indian Contemporary Art, curated by Yun Chaegab and June Gwak, Arario Gallery, Beijing and Busan MoMA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>India Express – Art and Popular Culture, Art Museum Tennispalace, curators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City  Art Museum, Finland</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Mom and Pop Art, Walsh Gallery, Chicago</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Span, Sakshi Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Indian Paintings of the New Millenium, curated by Helen Asquine Fazio at Thomas J. Walsh Art Gallery at Fairfield  University, USA</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td><em> </em>Contemporary Art from India, Thomas   Erben Gallery, New York</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td>Zoom! Art in Contemporary India. Curators: Nancy Adajania and Luis Serpa, The Culturgest Museum, Lisbon, Portugal</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Crossing generations: diVERGE, Gallery Chemould’s 40th anniversary, Curators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of Modern Art, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td><em> </em>Hard Copy, two-person show with Jitish Kallat, Gallery 88, Calcutta</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Tiranga, curator: Peter Nagy, India Habitat Centre, New Delhi</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td><em> </em>Elephant Walks, Youth Arts Project in collaboration with Jitish Kallat as part of Indians + Cowboys exhibition, Curators: Aaron Seetu and Ruth Watson Gallery 4A, Sydney</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>The Tree From The Seed, Contemporary Art from India, curator: Gavin Jantjes Henie Onstad Kunstsenter (Oslo), Norway</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td><em>Crosscurrents</em>, organized by Artworks for the fiftieth anniversary celebrations of Jehangir Art  Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td><em>Reclaim Our Freedom</em>, organized by Open Circle, Pundole Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Crossing Borders, Gallery Windkracht 13, Den Helder, Holland</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>Big River 2, CCA7 Gallery, Port Of Spain, Trinidad</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>AOM- Art on the move, organized by Sahmat, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1999</td>\r\n<td><em> </em>Edge of the Century, curated by Amit Mukhopadhyay, Academy  of Fine Arts and Literature, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1998</td>\r\n<td><em> </em>Essays in Time, Kinetic Sculptures, Nehru Centre, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1997</td>\r\n<td><em> </em>India in Harmony 1947-1997, Nehru Centre, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1997</td>\r\n<td><em> </em>A Page From My Diary, Sans Tache Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1997</td>\r\n<td><em> </em>Fresh Work, Birla Academy of Art and Culture, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1996</td>\r\n<td><em> </em>Monsoon Show, Jehangir Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1995</td>\r\n<td><em> </em>Varsha ’95, Y. B. Chavan Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">SELECTED WORKSHOPS AND RESIDENCIES</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td>Visas to Happiness - 3, workshop with children at the 2014 Dhaka Art Summit, Bangladesh</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td><a class=\"linkbio\" href=\"http://art1stindia.wordpress.com/2012/09/09/reena-kallat-visa-to-happiness/#comments\" target=\"_blank\">Partner a Master Workshop Artist/Mentor Programme, organized by Art 1st Foundation in collaboration with Mohile Parikh Centre, Mumbai <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>Visas to Happiness, workshop with children as part of the exhibition \'To Let the World In\', Chennai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Iaspis Residency, Gothenburg, Sweden.</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Vanishing Point, children’s project at the Celebrate Bandra Festival, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Collaborative workshop as part of the exhibition Aftershock, Sainsbury Centre for Visual Arts, University of East Anglia, Norwich,  UK</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Collaborated on a Billboard project with Jitish Kallat, Kala Ghoda Art District, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Elephant Walks, Youth Arts Project at the Casula Power House Arts Centre, Liverpool, Australia</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Khoj 2002 International Artists Workshop, Mysore, India</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Identity and Landscape, residency in the Laurentian mountains of Quebec at the Boreal Art/Nature Centre, Canada</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>Big River 2, International Artists Workshop organized by CCA7 and the Triangle Arts Trust at Grand Riviere, Trinidad, West Indies</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td><span style=\"color: #888888;\"><strong>TALKS/PRESENTATIONS</strong></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>Walkthrough \'Hyphenated Lives\', Reena Kallat and Nancy Adajania at Chemould Prescott Road, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>Artists talk at Vancouver Art Gallery, Canada</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>Mumbai Local: Ideas and the Artist in collaboration with Junoon, Mcubed library, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>Artists talk at CSMVS (former Prince of Wales Museum), Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>Artists panel at Asian Contemporary Art Week (ACAW), FIELD MEETING Take 2: An afterthought in Venice</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>Artists Talk at \'What About Art?\', Arts management agency, in collaboration with ArtOxyen, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td>Artists talk at Asia Society, during the Asian Contemporary Art Week in New York</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td>Moving Millimeter: Talk by Reena Kallat for Mumbai Local, Bhaudaji Lad Museum, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td>\'Meet the Artist\' session for the students from South Asia Inter School Association (SAISA), Art Festival hosted by the American School of Bombay</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td>\'Who is the Audience?\' IAF 2013  I  Conversations, panel discussion with Kamini Sawhney, Matthieu Foss moderated by Ranjit Hoskote, Nehru Centre, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td>\'Rendezvous with the Artist\' series by Asia Society at the artists studio in Mumbai, sponsored by Christies.</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>Artists Talk at the World Economic Forum, Tianjin</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>\'Why I am not a woman artist\' panel discussion with Anju Dodiya, moderated by Nancy Adajania at the Jehangir Nicholson Art Foundation, Prince of Wales Museum, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Artists Talk at GIBCA Speak Easy (GSE), Goteborg</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Informal talk at HDK – The School of Design and Crafts, Goteborg</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Artists Talk at the Iaspis Residency Studio, Stockholm</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td>Short presentation as part of The River Project at The Campbelltown Arts Centre, Sydney</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Artists Talk at the Krishnakriti Festival 2011, Kalakriti Gallery, Hyderabad</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td>Panel discussion moderated by Maria Lantz, with participating artists during the exhibition Samtidigt at Kulturhuset, Stockholm</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Panel discussion with artist Gulam Sheikh, co-chair: Sabine B. Vogel, art critic at the Sammlung Essl Museum, Vienna</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Slide presentation followed by a panel discussion with Nalini Malani and Jayshree Chakravarty, moderated by Nancy Adajania at Jnanapravaha, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Slide presentation at the School of the Art Institute of Chicago</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Panel discussion with Nalini Malani, Sheba Chhachhi, moderated by Betty Seid at the Chicago Cultural Centre</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Lecture at the University Boccini, Milan</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Slide presentation at the Lamar Dodd School of Art, University of Georgia, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Artists Talk at the Griffith Auditorium, Georgia Museum of Art, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Slide presentation at Oslo National Academy of the Arts, Norway</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2000</td>\r\n<td>Slide presentation at Mohile Parikh Centre for the Visual Arts, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">AWARDS</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2016</td>\r\n<td>Zee: Indian Women Awards in Arts & Culture category, Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>ZegnArt Public Award in collaboration with Dr. Bhaudaji Lad Museum, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>YFLO ZOYA Young Women Achievers Awards 2010-11, Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Harmony Award, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1996</td>\r\n<td>Bombay Art Society Merit Certificate, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1996</td>\r\n<td>Second Prize Government Award, Sir J. J. School of Art, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1995</td>\r\n<td>Gladstone Solomon Award, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1991-1996</td>\r\n<td>Merit Scholarship, Sir J. J. School of Art, Mumbai</td>\r\n</tr>\r\n</tbody>\r\n</table>','biography backup - 9th jan 2017','','inherit','open','open','','3423-revision-2','','','2017-01-09 10:44:59','2017-01-09 10:44:59','',3423,'http://www.reenakallat.com/3425/uncat/3423-revision-2',0,'revision','',0),(3426,1,'2016-07-25 06:59:01','2016-07-25 06:59:01','Reena Saini Kallat (b. 1973, Delhi, India) graduated from Sir J.J. School of Art, Mumbai in 1996 with a B.F.A. in painting. Her practice spanning drawing, photography, sculpture and video  engages diverse materials, imbued with conceptual underpinnings. She is interested in the role that memory plays, in not only what we choose to remember but also how we think of the past. Using the motif of the rubberstamp both as object and imprint, signifying the bureaucratic apparatus, Kallat has worked with officially recorded or registered names of people, objects, and monuments that are lost or have disappeared without a trace, only to get listed as anonymous and forgotten statistics. In her works made with electrical cables, wires usually serving as conduits of contact that transmit ideas and information, become painstakingly woven entanglements that morph into barbed wires like barriers. Her ongoing series using salt as a medium explores the tenuous yet intrinsic relationship between the body and the oceans, highlighting the fragility and unpredictability of existence.\r\n\r\nShe has widely exhibited across the world in venues such as Mori Art Museum, Tokyo; Kennedy Centre, Washington; Vancouver Art Gallery; Saatchi Gallery, London; SESC Pompeia and SESC Belenzino in Sao Paulo; Goteborgs Konsthall, Sweden; Helsinki City Art Museum, Finland; National Taiwan Museum of Fine Arts; Tel Aviv Museum of Art, Israel; National Museum of Contemporary Art, Seoul; Henie Onstad Kunstsenter, Oslo; Casa Asia, Madrid and Barcelona; ZKM Karlsruhe in Germany; Campbelltown Arts Centre, Sydney; Hangar Bicocca, Milan; Museum of Contemporary Art, Shanghai; IVAM Museum, Spain; Busan MOMA; Kulturhuset, Stockholm; Kunsthaus Langenthal, Switzerland; Chicago Cultural Centre amongst many others. She lives and works in Mumbai.\r\n\r\nHer works are part of several public and private collections including the National Taiwan Museum of Fine Arts, Taiwan; Vancouver Art Gallery, Canada; Initial Access (Frank Cohen Collection), UK; Fondazione Golinelli, Italy; Bhaudaji Lad Museum, Mumbai; National Gallery of Modern Art, New Delhi; Devi Art Foundation, New Delhi; Saatchi Gallery, London; Tiroche DeLeon Collection, Israel; Ermenegildo Zegna Group, Italy; JSW Foundation, Mumbai and Burger Collection, Hongkong amongst others. \r\n<table>\r\n<tbody>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">SOLO EXHIBITIONS</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>Porous Passages, Nature Morte, New Delhi </td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/Reena-Kallat-hyphenated-lives-2015-forthcoming-show/\" target=\"_blank\">Hyphenated Lives, Chemould Prescott Road, Mumbai<span style=\"color: red;\"> &gt;&gt; </span><a>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td><a class=\"linkbio\" href=\"https://www.vanartgallery.bc.ca/the_exhibitions/exhibit_sainikallat.html\" target=\"_blank\">Offsite, Public Art Project, Vancouver Art Gallery</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td>Anatomy of forking paths, Art Houz, during Art Chennai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td><a class=\"linkbio\" href=\"http://www.zegnart.com/diary/public\" target=\"_blank\">ZegnArt Public project with Dr. Bhaudaji Lad Museum, Mumbai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://www.kennedy-center.org/events/?event=ZLINB\" target=\"_blank\">Falling Fables, Maximum India at the Kennedy Centre, Washington </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://www.naturemorte.com/exhibitions/press_release/delhi/past/364\" target=\"_blank\">Labyrinth of Absences, Nature Morte, New Delhi</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.primomarellagallery.com/it/catalogue/scheda.asp?id=568&amp;view=past\" target=\"_blank\">Drift, Primo Marella Gallery, Milan</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://gallerychemould.com/exhibitions/reena-show-2008/\" target=\"_blank\"> Silt of Seasons, Chemould   Prescott Road, Mumbai <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/reena-kallat-exhibition-2008/\" target=\"_blank\">Subject to Change without Notice, Walsh Gallery, Chicago</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Rainbow Of Refuse, Bodhi Art Gallery, Mumbai and Singapore</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Black Flute (And Other Stories), Nature Morte, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2004/reena_saini_kallat_note.html\" target=\"_blank\">Black Flute, Gallery Chemould, Mumbai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>The Battlefield Is The Mind, Sakshi Gallery, Bangalore</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Seven Faces of Dust, Chicago Radio, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2000</td>\r\n<td>Skin, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1998</td>\r\n<td>Orchard of Home-grown Secrets, Gallery Chemould and Pundole  Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><span style=\"color: #888888;\"><strong>SELECTED GROUP EXHIBITIONS</strong></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2016</td>\r\n<td>Make a Change, Curated by Torun Ekstrand, Cultural Ronneby, Sweden</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2016</td>\r\n<td>Tabiyat: Medicine and Healing in India, Curated by Ratan Vaswani, CSMVS (Chhatrapati Shivaji Maharaj Vastu Sangrahalaya), Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2016</td>\r\n<td>The Eye and The Mind: New Interventions in Indian Art, NGMA- Jaipur House, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>The Eye and The Mind: New Interventions in Indian Art, Minsheng Art Museum, Beijing</td>\r\n</tr>\r\n\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>Aperture, Indian Summer Festival, Old Canadian Pacific Railway Station, Vancouver</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>The Eye and The Mind: New Interventions in Indian Art, China Art Museum, Shanghai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/A-Summer-Mix-Artists-from-Chemould-Prescott-2015/\" target=\"_blank\">A Summer Mix, Chemould Prescott Road, Mumbai<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>One and one make eleven (Contemporary Art From India), Kunsthaus Langenthal, Switzerland</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>The Eye and The Mind: New Interventions in Indian Art, Guangdong Museum of Art, Guangzhou, China</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>[en]counters 2015, Spaces in Transition, CST Terminus, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>Kalaghoda Art Festival, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td>Off the wall, Sir. J.J. School of Art, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td>India: Maximum City, St. Moritz Art Masters, Switzerland</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td>Encounters:- Is There Love in This Air?, Cattle depot, C &amp; G ArtPartment, Hong Kong</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/aesthetic-bind-cabinet-closet-wunderkammer/\" target=\"_blank\">Aesthetic Bind: Floating World, Chemould Prescott Road, Mumbai<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td><a class=\"linkbio\" href=\"http://www.sahmatnews.blogspot.in/2014/02/forms-of-activism-24th-feb-to-1st-march.html\" target=\"_blank\">Forms of Activism, exhibition marking 25 years of SAHMAT at the Lalit Kala Akademi galleries, Rabindra bhavan, New Delhi <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td><a class=\"linkbio\" href=\"http://www.artoxygen.org/wp-content/uploads/2014/140218_Program_isthereloveinthisair2014.pdf\" target=\"_blank\">Encounters 2014 - Is there love in the air?, Public project with Art Oxygen in Mumbai<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td><a class=\"linkbio\" href=\"http://eslitegallery.tumblr.com/post/65981256422/reena-saini-kallat\" target=\"_blank\">No-Mad-Ness in No-Man\'s Land, Eslite Gallery, Taipei <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td><a class=\"linkbio\" href=\"http://www.artoxygen.org/?p=1858\" target=\"_blank\">Haein Art Project, Haeinsa Temple, Korea <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td><a class=\"linkbio\" href=\"http://www.collabo-x.com/cheongju-international-craft-biennale-2013-청주첨단문화산업단지/\" target=\"_blank\"> \"Something Old and Something New\", Cheongju International Craft Biennale, Korea<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td><a class=\"linkbio\" href=\"http://mohileparikhcenter.org/site/?q=node/647\" target=\"_blank\">Partner a Master Exhibition, Artist/Mentor Programme, Premchand Roychand Gallery, Chhatrapati Shivaji Maharaj Vastu Sangrahalaya (CSMVS), Mumbai <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td><a class=\"linkbio\" href=\"http://www.paletteartgallery.com/exhibition/past/works/details/5120\" target=\"_blank\">Spell of Spill: Utopia of Ecology, Palette Art Gallery, Delhi <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td><a class=\"linkbio\" href=\"http://www.satellite.org.au/docs/encounters-powerPLAY_press_release.pdf \" target=\"_blank\">EN(counters): POWERplay, along Mumbai’s waterfronts, gardens and historic sites<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td>JJ’s 90s - The Time of Change, Sir J.J. School of Art, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>India Today, ARKEN Museum of Modern Art, Copenhagen, Denmark</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>The Indian Parallax or the Doubling of Happiness, Birla Academy of Art and Culture, Kolkata</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>WONDERS – Masterpieces from Private Collections, Denmark</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td><a class=\"linkbio\" href=\"http://www.bb.com.br/docs/pub/inst/dwn/CatalogoIndia.pdf\" target=\"_blank\">India side by side, Centro Cultural Banco do Brasil, Brasilia <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td><a class=\"linkbio\" href=\"http://www.eigen-art.com/lab/index.php?article_id=804&amp;clang=1\" target=\"_blank\">Group show, Eigen + Art Lab, Berlin<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>India Side by Side,SESC Belenzino, Sao Paulo, Brazil</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td><a class=\"linkbio\" href=\"http://www.punkto.no/voices-from-pandemonium.5006429-249860.html\" target=\"_blank\">Stemmer fra Pandemonium, Punkt-Galleri F 15, Moss, Norway <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>To Let the World In: Narrative and Beyond in Contemporary Indian Art, Lalit Kala Regional Centre, Chennai, India</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>The Contemporary Sultanate, the Sunrydge, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>Kalaghoda Art Festival, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td><a class=\"linkbio\" href=\"http://www.theskodaprize.com/2012/longlist.php?id=1#.ULxBLWDrbJw\" target=\"_blank\">The Skoda Prize Exhibition, Lalit Kala Academy, New Delhi<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>India Side by Side, Centro Cultural Banco do Brasil, Rio De Janeiro</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Giant Elephant : Contemporary Art from India, H Cube Gallery, Seoul</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Roundabout, Tel Aviv Museum of Art, Israel<span style=\"color: red;\"> </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://www.konsthallen.goteborg.se/prod/kultur/konsthallen/dalis2.nsf/535e371e7fd657aec1256a5c0045675f/22123a2342203237c125794a003704ed!OpenDocument\" target=\"_blank\">Goteborg International Biennale for Contemporary Art, curated by Sarat Maharaj, Göteborgs Konsthall and Bohuslans Konsthall, Uddevalla, Sweden <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Right to Dissent, Clark House, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>RED, Palette Art Gallery, Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Of Gods and Goddesses, Cinema, Cricket - The New cultural Icons of India, Jehangir Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://www.hel.fi/hki/taimu/en/art+museum+tennis+palace/past+exhibitions/2011/concurrent+india\" target=\"_blank\">Samtidigt, Helsinki City Art Museum, Finland<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Iconoclasts and Iconodules, curated by Ombretta Argo, Religare Art Gallery, New  Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://vancouverbiennale.com/sculptures_page.php?sculptureID=36\" target=\"_blank\">The Vancouver International Sculpture Biennale, Surrey Art Gallery, Canada<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>The Intuitive: Logic Revisted, from the Osians Collection at The World Economic Forum, Davos, Switzerland</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/current/La_Route_De_La_Soie.htm\" target=\"_blank\">La Route de la Soie / The Silk Road, Lille 3000, France </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://kulturhuset.stockholm.se/\" target=\"_blank\">Samtidigt, Kulterhuset, Stockholm</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.campbelltown.nsw.gov.au/Exhibitions\" target=\"_blank\">The River Project, Campbelltown Art Centre, Sydney</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.tamuseum.com/about-the-exhibition/roundabout-face-to-face\" target=\"_blank\">Roundabout, City Gallery Wellington, New Zealand</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/water-ways/\" target=\"_blank\">Waterways, Walsh Gallery, Chicago</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.richmondartgallery.org/in-transition.php\" target=\"_blank\">In Transition: New Art from India, Richmond Art Gallery Vancouver Biennale, Vancouver</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www2.webster.edu/news/releases/bringmealion_0910113.shtml\" target=\"_blank\">Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster University, curated by Jeffrey Hughes and Dana Turkovic, Cecile R. Hunt  Gallery, St. Louis, Missouri</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/www/pastExhibitions\" target=\"_blank\">Never Run Away, 2 person exhibition curated by Shaheen Merali, Stux Gallery, New York</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/artists/reena_kallat.htm?section_name=new_india\" target=\"_blank\">The Empire Strikes Back, Saatchi Gallery, London</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://art-for-the-world.blogspot.com/2010/01/some-installation-views-of-urban.html\" target=\"_blank\">Urban Manners 2, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao Paulo, Brazil</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.asianartbiennial.org/2009/en/index_en.html\" target=\"_blank\">View Points and Viewing points - 2009 Asian Art Biennale, National Taiwan Museum of Fine Arts </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Spectrum: Indian Art at Abu   Dhabi, United   Arab Emirates</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Milan Galleria, curated by Georgio Verzotti, Triennale Museum, Milan</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.initialaccess.co.uk/exh/73/11/passage-to-india-part-ii/reena-saini-kallat\" target=\"_blank\">Passage to India Part II show at Initial Access, Frank Cohen Collection, Wolverhampton, UK</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Ventosul Biennale, Curitiba, Brazil</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/english/contents/india/index.html\" target=\"_blank\"> Chalo! India: A New Era of Indian Art, National  Museum of Contemporary Art, Korea and Essl Museum, Vienna</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mocashanghai.org/index.php?_function=exhibition&amp;_subFunction=pastExhibition&amp;exhibition_id=40&amp;_view=detail\" target=\"_blank\">INDIA XIANZAI: Contemporary Indian Art, Museum of Contemporary Art, Shanghai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/42/622\" target=\"_blank\">Low Blow: And Other Species of Confusion, Stux gallery, New York</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.casaasia.eu/actividad/detalle?id=13195\" target=\"_blank\"><em> </em>Indian Narratives in the 21<sup>st</sup> Century: Between Memory and History,Casa  Asia, Madrid and Barcelona, Spain<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/body-chatter-an-exhibition-of-contemporary-indian-art-2008/\" target=\"_blank\">Body Chatter, Walsh Gallery, Chicago</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/contents/press/india_20081121_e.pdf\" target=\"_blank\">Chalo! India: A New Era of Indian Art, Mori Art   Museum, Japan</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM Museum, Valencia, Spain</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>3<sup>rd</sup> Nanjing Triennale, curators: Fumihiko Sumitomo, Jaeyoung Kang,  China</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>TEAF (Taehwagang Eco Art Festival) - Dream River, Korea</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Everywhere is War (And Rumours of it), Bodhi Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/33\" target=\"_blank\">Fire Walkers, Stefan Stux gallery, New York</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.galeriems.com/publications_2008.html\" target=\"_blank\">Three Points of view, Galerie Mirchandani + Steinrucke, Mumbai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Excavation: Memory / Myth / Membrane, Museum Gallery, Mumbai</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>International Incheon Women Artists’ Biennale, Korea</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Soft Power: Asian Attitude, Shanghai Zendai Museum of Modern Art, Shanghai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td><a class=\"linkbio\" href=\"http://www.kunstaspekte.de/index.php?tid=39629&amp;action=termin\" target=\"_blank\">Urban Manners, curated by Adelina Von Furstenberg, at Hangar Bicocca, Milan </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td><a class=\"linkbio\" href=\"\"http://www.artsblog.it/post/933/larte-contemporanea-indiana-a-milano\" target=\"_blank\">INDIA NOW: Contemporary Indian Art, Between Continuity and transformation, curated by Daniela Palozzoli at Spazio Oberdan, \r\nMilan<span style=\"color: red;\"> &gt;&gt; </span></a></td></tr>\r\n<td valign=\"top\">2007</td>\r\n<td>New Narratives: Contemporary Art From India, curated by Betty Seid, Chicago Cultural Centre, Chicago</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Thermocline Of Art- New Asian Waves, curated by Wonil Rhee and Peter Weibel at ZKM in Karlsruhe, Germany</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Modern Indian Works On Paper, Arthur Ross Gallery, Philadelphia and the Georgia Museum of Art, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Lille 3000 (Maximum City-Mumbai), Lille,  France</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Hungry God- Indian Contemporary Art, curated by Yun Chaegab and June Gwak, Arario Gallery, Beijing and Busan MoMA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>India Express – Art and Popular Culture, Art Museum Tennispalace, curators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City  Art Museum, Finland</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Mom and Pop Art, Walsh Gallery, Chicago</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Span, Sakshi Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Indian Paintings of the New Millenium, curated by Helen Asquine Fazio at Thomas J. Walsh Art Gallery at Fairfield  University, USA</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td><em> </em>Contemporary Art from India, Thomas   Erben Gallery, New York</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td>Zoom! Art in Contemporary India. Curators: Nancy Adajania and Luis Serpa, The Culturgest Museum, Lisbon, Portugal</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Crossing generations: diVERGE, Gallery Chemould’s 40th anniversary, Curators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of Modern Art, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td><em> </em>Hard Copy, two-person show with Jitish Kallat, Gallery 88, Calcutta</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Tiranga, curator: Peter Nagy, India Habitat Centre, New Delhi</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td><em> </em>Elephant Walks, Youth Arts Project in collaboration with Jitish Kallat as part of Indians + Cowboys exhibition, Curators: Aaron Seetu and Ruth Watson Gallery 4A, Sydney</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>The Tree From The Seed, Contemporary Art from India, curator: Gavin Jantjes Henie Onstad Kunstsenter (Oslo), Norway</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td><em>Crosscurrents</em>, organized by Artworks for the fiftieth anniversary celebrations of Jehangir Art  Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td><em>Reclaim Our Freedom</em>, organized by Open Circle, Pundole Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Crossing Borders, Gallery Windkracht 13, Den Helder, Holland</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>Big River 2, CCA7 Gallery, Port Of Spain, Trinidad</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>AOM- Art on the move, organized by Sahmat, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1999</td>\r\n<td><em> </em>Edge of the Century, curated by Amit Mukhopadhyay, Academy  of Fine Arts and Literature, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1998</td>\r\n<td><em> </em>Essays in Time, Kinetic Sculptures, Nehru Centre, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1997</td>\r\n<td><em> </em>India in Harmony 1947-1997, Nehru Centre, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1997</td>\r\n<td><em> </em>A Page From My Diary, Sans Tache Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1997</td>\r\n<td><em> </em>Fresh Work, Birla Academy of Art and Culture, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1996</td>\r\n<td><em> </em>Monsoon Show, Jehangir Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1995</td>\r\n<td><em> </em>Varsha ’95, Y. B. Chavan Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">SELECTED WORKSHOPS AND RESIDENCIES</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td>Visas to Happiness - 3, workshop with children at the 2014 Dhaka Art Summit, Bangladesh</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td><a class=\"linkbio\" href=\"http://art1stindia.wordpress.com/2012/09/09/reena-kallat-visa-to-happiness/#comments\" target=\"_blank\">Partner a Master Workshop Artist/Mentor Programme, organized by Art 1st Foundation in collaboration with Mohile Parikh Centre, Mumbai <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>Visas to Happiness, workshop with children as part of the exhibition \'To Let the World In\', Chennai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Iaspis Residency, Gothenburg, Sweden.</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Vanishing Point, children’s project at the Celebrate Bandra Festival, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Collaborative workshop as part of the exhibition Aftershock, Sainsbury Centre for Visual Arts, University of East Anglia, Norwich,  UK</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Collaborated on a Billboard project with Jitish Kallat, Kala Ghoda Art District, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Elephant Walks, Youth Arts Project at the Casula Power House Arts Centre, Liverpool, Australia</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Khoj 2002 International Artists Workshop, Mysore, India</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Identity and Landscape, residency in the Laurentian mountains of Quebec at the Boreal Art/Nature Centre, Canada</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>Big River 2, International Artists Workshop organized by CCA7 and the Triangle Arts Trust at Grand Riviere, Trinidad, West Indies</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td><span style=\"color: #888888;\"><strong>TALKS/PRESENTATIONS</strong></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>Walkthrough \'Hyphenated Lives\', Reena Kallat and Nancy Adajania at Chemould Prescott Road, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>Artists talk at Vancouver Art Gallery, Canada</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>Mumbai Local: Ideas and the Artist in collaboration with Junoon, Mcubed library, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>Artists talk at CSMVS (former Prince of Wales Museum), Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>Artists panel at Asian Contemporary Art Week (ACAW), FIELD MEETING Take 2: An afterthought in Venice</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>Artists Talk at \'What About Art?\', Arts management agency, in collaboration with ArtOxyen, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td>Artists talk at Asia Society, during the Asian Contemporary Art Week in New York</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td>Moving Millimeter: Talk by Reena Kallat for Mumbai Local, Bhaudaji Lad Museum, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td>\'Meet the Artist\' session for the students from South Asia Inter School Association (SAISA), Art Festival hosted by the American School of Bombay</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td>\'Who is the Audience?\' IAF 2013  I  Conversations, panel discussion with Kamini Sawhney, Matthieu Foss moderated by Ranjit Hoskote, Nehru Centre, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td>\'Rendezvous with the Artist\' series by Asia Society at the artists studio in Mumbai, sponsored by Christies.</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>Artists Talk at the World Economic Forum, Tianjin</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>\'Why I am not a woman artist\' panel discussion with Anju Dodiya, moderated by Nancy Adajania at the Jehangir Nicholson Art Foundation, Prince of Wales Museum, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Artists Talk at GIBCA Speak Easy (GSE), Goteborg</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Informal talk at HDK – The School of Design and Crafts, Goteborg</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Artists Talk at the Iaspis Residency Studio, Stockholm</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td>Short presentation as part of The River Project at The Campbelltown Arts Centre, Sydney</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Artists Talk at the Krishnakriti Festival 2011, Kalakriti Gallery, Hyderabad</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td>Panel discussion moderated by Maria Lantz, with participating artists during the exhibition Samtidigt at Kulturhuset, Stockholm</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Panel discussion with artist Gulam Sheikh, co-chair: Sabine B. Vogel, art critic at the Sammlung Essl Museum, Vienna</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Slide presentation followed by a panel discussion with Nalini Malani and Jayshree Chakravarty, moderated by Nancy Adajania at Jnanapravaha, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Slide presentation at the School of the Art Institute of Chicago</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Panel discussion with Nalini Malani, Sheba Chhachhi, moderated by Betty Seid at the Chicago Cultural Centre</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Lecture at the University Boccini, Milan</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Slide presentation at the Lamar Dodd School of Art, University of Georgia, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Artists Talk at the Griffith Auditorium, Georgia Museum of Art, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Slide presentation at Oslo National Academy of the Arts, Norway</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2000</td>\r\n<td>Slide presentation at Mohile Parikh Centre for the Visual Arts, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">AWARDS</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2016</td>\r\n<td>Zee: Indian Women Awards in Arts & Culture category, Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>ZegnArt Public Award in collaboration with Dr. Bhaudaji Lad Museum, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>YFLO ZOYA Young Women Achievers Awards 2010-11, Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Harmony Award, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1996</td>\r\n<td>Bombay Art Society Merit Certificate, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1996</td>\r\n<td>Second Prize Government Award, Sir J. J. School of Art, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1995</td>\r\n<td>Gladstone Solomon Award, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1991-1996</td>\r\n<td>Merit Scholarship, Sir J. J. School of Art, Mumbai</td>\r\n</tr>\r\n</tbody>\r\n</table>','Biography','','inherit','open','open','','105-revision-175','','','2016-07-25 06:59:01','2016-07-25 06:59:01','',105,'http://www.reenakallat.com/3426/uncat/105-revision-175',0,'revision','',0),