(2014,1,'2010-09-14 18:54:06','2010-09-14 18:54:06','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Walls-of-the-womb.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Walls-of-the-womb.jpg\" alt=\"Walls-of-the-womb\" title=\"Walls-of-the-womb\" width=\"703\" class=\"alignnone size-full wp-image-375\" /></a><span style=\"font-size:11px;\"><i>installation view,</i> Hangar Bicocca, Milan</span></td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Walls of the womb\r\n</span>2007\r\n<br>Tied-and-dyed silk, brass, bonded marble, handwritten recipe books\r\n594 x 114 cm each\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/walls_of_womb_work.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/walls_of_womb_work3.jpg\" alt=\"Making of walls of womb-1\" title=\"Making-1\" width=\"703\"  class=\"alignnone size-large wp-image-857\" /></a>\r\n</td>\r\n<td width=\"400\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThis series, unlike most of my other works, is autobiographical in nature and has perhaps taken me the longest period of time to articulate into communicable form.\r\n\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\nThis series, unlike most of my other works, is autobiographical in nature and has perhaps taken me the longest period of time to articulate into communicable form.\r\nMy relationship with my mother, who I lost when I was 8 years of age, has been built around the objects she left behind; those sewn by her, stuffed toys she made me, photo-albums, her personal books, stories narrated to me by other family members, besides my own faint recollections. I’ve spent a good part of my childhood going through my mother’s personal belongings such as her sarees, cosmetics, bags, sometimes bringing them out of closed cupboards to look at, while at other times trying them on myself.  \r\n\r\nI arrived at this work through the frequent contact with my mother’s sarees that have remained stacked inside a cupboard for over 27 years.\r\n\r\nThe work comprises of 12 sarees dyed in shades of red, such that through the process of tie and dye, the un-dyed dotted areas remain white, where the untreated virgin fabric forms a text in Braille. The text laid on these sarees seen in reverse print, are translations of recipes from my mothers hand written recipe books.   \r\n\r\nThe associations with motherhood are carried through the symbolic usage of the saree and the recipes from my mother’s books extend it further by evoking notions of nurturing and nourishing. With my recent role as a mother I find myself having come full circle, inadvertently re-establishing contact with a past I’d tried hard to put behind me.\r\n\r\nThe sarees, while beautiful, remain illegible. The dotted patterns forming the script in braille disallow easy access to the content of the text, much like the relationship with my mother that is built on fragments of inscrutable memory.\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody><tr><td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/walls_of_womb_work.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/walls_of_womb_work5.jpg\" alt=\"Making of walls of womb-1\" title=\"Making-1\" width=\"703\"  class=\"alignnone size-large wp-image-857\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\"><tbody>\r\n<tr><td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/walls_of_womb_work.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/walls_of_womb_work4.jpg\" alt=\"Making of walls of womb-1\" title=\"Making-1\" width=\"703\"  class=\"alignnone size-large wp-image-857\" /></a><span style=\"font-size:11px;\"><i>detail,</i> vitrine containing artist’s mother’s handwritten recipe book</span></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Walls-of-the-womb-detail.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Walls-of-the-womb-detail-703x1024.jpg\" alt=\"Walls-of-the-womb-detail\" title=\"Walls-of-the-womb-detail\" width=\"703\" height=\"1024\" class=\"alignnone size-large wp-image-374\" /></a><span style=\"font-size:11px;\"><i>detail</i></span></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/walls_of_womb_work.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/walls_of_womb_work.jpg\" alt=\"Making of walls of womb-1\" title=\"Making-1\" width=\"703\" height=\"1600\" class=\"alignnone size-large wp-image-857\" /></a><span style=\"font-size:11px;\"><i>process shots</i></span></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table><ins datetime=\"2010-06-16T18:26:32+00:00\">','','','inherit','open','open','','373-revision-30','','','2010-09-14 18:54:06','2010-09-14 18:54:06','',373,'http://www.biggventures.com/demo/artists/2014/uncat/373-revision-30',0,'revision','',0),(2017,1,'2010-09-16 11:17:48','2010-09-16 11:17:48','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Walls-of-the-womb.jpg\" alt=\"Walls-of-the-womb\" title=\"Walls-of-the-womb\" width=\"600\" class=\"alignnone size-full wp-image-375\" /></a><span style=\"font-size:11px;\"><i>installation view,</i> Hangar Bicocca, Milan</span></td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Walls of the womb\r\n</span>2007\r\n<br>Tied-and-dyed silk, brass, bonded marble, handwritten recipe books\r\n594 x 114 cm each\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/walls_of_womb_work3.jpg\" alt=\"Making of walls of womb-1\" title=\"Making-1\" width=\"600\"  class=\"alignnone size-large wp-image-857\" /></a>\r\n</td>\r\n<td width=\"400\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThis series, unlike most of my other works, is autobiographical in nature and has perhaps taken me the longest period of time to articulate into communicable form.\r\n\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\nThis series, unlike most of my other works, is autobiographical in nature and has perhaps taken me the longest period of time to articulate into communicable form.\r\nMy relationship with my mother, who I lost when I was 8 years of age, has been built around the objects she left behind; those sewn by her, stuffed toys she made me, photo-albums, her personal books, stories narrated to me by other family members, besides my own faint recollections. I’ve spent a good part of my childhood going through my mother’s personal belongings such as her sarees, cosmetics, bags, sometimes bringing them out of closed cupboards to look at, while at other times trying them on myself.  \r\n\r\nI arrived at this work through the frequent contact with my mother’s sarees that have remained stacked inside a cupboard for over 27 years.\r\n\r\nThe work comprises of 12 sarees dyed in shades of red, such that through the process of tie and dye, the un-dyed dotted areas remain white, where the untreated virgin fabric forms a text in Braille. The text laid on these sarees seen in reverse print, are translations of recipes from my mothers hand written recipe books.   \r\n\r\nThe associations with motherhood are carried through the symbolic usage of the saree and the recipes from my mother’s books extend it further by evoking notions of nurturing and nourishing. With my recent role as a mother I find myself having come full circle, inadvertently re-establishing contact with a past I’d tried hard to put behind me.\r\n\r\nThe sarees, while beautiful, remain illegible. The dotted patterns forming the script in braille disallow easy access to the content of the text, much like the relationship with my mother that is built on fragments of inscrutable memory.\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody><tr><td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/walls_of_womb_work5.jpg\" alt=\"Making of walls of womb-1\" title=\"Making-1\" width=\"600\"  class=\"alignnone size-large wp-image-857\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\"><tbody>\r\n<tr><td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/walls_of_womb_work4.jpg\" alt=\"Making of walls of womb-1\" title=\"Making-1\" width=\"600\"  class=\"alignnone size-large wp-image-857\" /></a><span style=\"font-size:11px;\"><i>detail,</i> vitrine containing artist’s mother’s handwritten recipe book</span></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Walls-of-the-womb-detail-70.jpg\" alt=\"Walls-of-the-womb-detail\" title=\"Walls-of-the-womb-detail\" width=\"600\"  class=\"alignnone size-large wp-image-374\" /></a><span style=\"font-size:11px;\"><i>detail</i></span></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/walls_of_womb_work.jpg\" alt=\"Making of walls of womb-1\" title=\"Making-1\" width=\"600\"  class=\"alignnone size-large wp-image-857\" /></a><span style=\"font-size:11px;\"><i>process shots</i></span></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table><ins datetime=\"2010-06-16T18:26:32+00:00\">','','','inherit','open','open','','373-revision-33','','','2010-09-16 11:17:48','2010-09-16 11:17:48','',373,'http://www.biggventures.com/demo/artists/2017/uncat/373-revision-33',0,'revision','',0),(2018,1,'2010-09-16 11:18:21','2010-09-16 11:18:21','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Walls-of-the-womb.jpg\" alt=\"Walls-of-the-womb\" title=\"Walls-of-the-womb\" width=\"600\" class=\"alignnone size-full wp-image-375\" /></a><span style=\"font-size:11px;\"><i>installation view,</i> Hangar Bicocca, Milan</span></td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Walls of the womb\r\n</span>2007\r\n<br>Tied-and-dyed silk, brass, bonded marble, handwritten recipe books\r\n594 x 114 cm each\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/walls_of_womb_work3.jpg\" alt=\"Making of walls of womb-1\" title=\"Making-1\" width=\"600\"  class=\"alignnone size-large wp-image-857\" /></a>\r\n</td>\r\n<td width=\"400\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThis series, unlike most of my other works, is autobiographical in nature and has perhaps taken me the longest period of time to articulate into communicable form.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\nThis series, unlike most of my other works, is autobiographical in nature and has perhaps taken me the longest period of time to articulate into communicable form.\r\nMy relationship with my mother, who I lost when I was 8 years of age, has been built around the objects she left behind; those sewn by her, stuffed toys she made me, photo-albums, her personal books, stories narrated to me by other family members, besides my own faint recollections. I’ve spent a good part of my childhood going through my mother’s personal belongings such as her sarees, cosmetics, bags, sometimes bringing them out of closed cupboards to look at, while at other times trying them on myself.  \r\n\r\nI arrived at this work through the frequent contact with my mother’s sarees that have remained stacked inside a cupboard for over 27 years.\r\n\r\nThe work comprises of 12 sarees dyed in shades of red, such that through the process of tie and dye, the un-dyed dotted areas remain white, where the untreated virgin fabric forms a text in Braille. The text laid on these sarees seen in reverse print, are translations of recipes from my mothers hand written recipe books.   \r\n\r\nThe associations with motherhood are carried through the symbolic usage of the saree and the recipes from my mother’s books extend it further by evoking notions of nurturing and nourishing. With my recent role as a mother I find myself having come full circle, inadvertently re-establishing contact with a past I’d tried hard to put behind me.\r\n\r\nThe sarees, while beautiful, remain illegible. The dotted patterns forming the script in braille disallow easy access to the content of the text, much like the relationship with my mother that is built on fragments of inscrutable memory.\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody><tr><td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/walls_of_womb_work5.jpg\" alt=\"Making of walls of womb-1\" title=\"Making-1\" width=\"600\"  class=\"alignnone size-large wp-image-857\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\"><tbody>\r\n<tr><td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/walls_of_womb_work4.jpg\" alt=\"Making of walls of womb-1\" title=\"Making-1\" width=\"600\"  class=\"alignnone size-large wp-image-857\" /></a><span style=\"font-size:11px;\"><i>detail,</i> vitrine containing artist’s mother’s handwritten recipe book</span></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Walls-of-the-womb-detail-70.jpg\" alt=\"Walls-of-the-womb-detail\" title=\"Walls-of-the-womb-detail\" width=\"600\"  class=\"alignnone size-large wp-image-374\" /></a><span style=\"font-size:11px;\"><i>detail</i></span></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/walls_of_womb_work.jpg\" alt=\"Making of walls of womb-1\" title=\"Making-1\" width=\"600\"  class=\"alignnone size-large wp-image-857\" /></a><span style=\"font-size:11px;\"><i>process shots</i></span></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table><ins datetime=\"2010-06-16T18:26:32+00:00\">','','','inherit','open','open','','373-revision-34','','','2010-09-16 11:18:21','2010-09-16 11:18:21','',373,'http://www.biggventures.com/demo/artists/2018/uncat/373-revision-34',0,'revision','',0),(2019,1,'2010-09-14 18:02:32','2010-09-14 18:02:32','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img class=\"alignnone size-full wp-image-612\" title=\"Synonym\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/lead-synonym-07-09.jpg\" alt=\"Synonym\" width=\"600\"  /></a><span style=\"font-size:11px;\"><i>installation view,</i>Chemould Prescott Road, Mumbai</span></td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Synonym\r\n</span>2007-2009\r\n78 x 57.5 x 12 in. I 198 x 146 x 30 cm\r\nacrylic paint, rubberstamps, plexiglas\r\n</td></tr><tr><td>&nbsp;</td></tr></tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-616\" title=\"Synonym\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/synonym-1.jpg\" alt=\"Synonym\" width=\"600\" /></a></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/synonym-2.jpg\"><img class=\"alignnone size-full wp-image-618\" title=\"Synonym\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/synonym-2.jpg\" alt=\"Synonym\"  width=\"600\" /></a></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/synonym-3.jpg\"><img class=\"alignnone size-full wp-image-617\" title=\"Synonym\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/synonym-3.jpg\" alt=\"Seven Faces of Dust\" width=\"600\" /></a><span style=\"font-size:11px;\"><i>installation view,</i>National Taiwan Museum, Taiwan</span></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/synonym-4-4a.jpg\" alt=\"Synonym\" title=\"Synonym\" width=\"600\"  class=\"alignnone size-full wp-image-621\" /></a></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/synonym-5.jpg\" alt=\"Synonym\" title=\"Synonym\" width=\"600\" class=\"alignnone size-full wp-image-623\" /></a><span style=\"font-size:11px;\"><i>detail</i></span></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','438-revision-10','','','2010-09-14 18:02:32','2010-09-14 18:02:32','',438,'http://www.biggventures.com/demo/artists/2019/uncat/438-revision-10',0,'revision','',0),(2021,1,'2010-09-16 11:23:34','2010-09-16 11:23:34','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img class=\"alignnone size-full wp-image-612\" title=\"Synonym\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/lead-synonym-07-09.jpg\" alt=\"Synonym\" width=\"600\"  /></a><span style=\"font-size:11px;\"><i>installation view,</i>Chemould Prescott Road, Mumbai</span></td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Synonym\r\n</span>2007-2009\r\n78 x 57.5 x 12 in. I 198 x 146 x 30 cm\r\nacrylic paint, rubberstamps, plexiglas\r\n</td></tr><tr><td>&nbsp;</td></tr></tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-616\" title=\"Synonym\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/synonym-1.jpg\" alt=\"Synonym\" width=\"600\" /></a></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/synonym-2.jpg\"><img class=\"alignnone size-full wp-image-618\" title=\"Synonym\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/synonym-2.jpg\" alt=\"Synonym\"  width=\"600\" /></a></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/synonym-3.jpg\"><img class=\"alignnone size-full wp-image-617\" title=\"Synonym\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/synonym-3.jpg\" alt=\"Seven Faces of Dust\" width=\"600\" /></a><span style=\"font-size:11px;\"><i>installation view,</i>National Taiwan Museum, Taiwan</span></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/synonym-4-4a.jpg\" alt=\"Synonym\" title=\"Synonym\" width=\"600\"  class=\"alignnone size-full wp-image-621\" /></a></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/synonym-5.jpg\" alt=\"Synonym\" title=\"Synonym\" width=\"600\" class=\"alignnone size-full wp-image-623\" /></a><span style=\"font-size:11px;\"><i>detail</i></span></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','438-revision-12','','','2010-09-16 11:23:34','2010-09-16 11:23:34','',438,'http://www.biggventures.com/demo/artists/2021/uncat/438-revision-12',0,'revision','',0),(2020,1,'2010-09-16 11:22:51','2010-09-16 11:22:51','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img class=\"alignnone size-full wp-image-612\" title=\"Synonym\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/lead-synonym-07-09.jpg\" alt=\"Synonym\" width=\"600\"  /></a><span style=\"font-size:11px;\"><i>installation view,</i>Chemould Prescott Road, Mumbai</span></td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Synonym\r\n</span>2007-2009\r\n78 x 57.5 x 12 in. I 198 x 146 x 30 cm\r\nacrylic paint, rubberstamps, plexiglas\r\n</td></tr><tr><td>&nbsp;</td></tr></tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-616\" title=\"Synonym\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/synonym-1.jpg\" alt=\"Synonym\" width=\"600\" /></a></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/synonym-2.jpg\"><img class=\"alignnone size-full wp-image-618\" title=\"Synonym\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/synonym-2.jpg\" alt=\"Synonym\"  width=\"600\" /></a></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/synonym-3.jpg\"><img class=\"alignnone size-full wp-image-617\" title=\"Synonym\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/synonym-3.jpg\" alt=\"Seven Faces of Dust\" width=\"600\" /></a><span style=\"font-size:11px;\"><i>installation view,</i>National Taiwan Museum, Taiwan</span></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/synonym-4-4a.jpg\" alt=\"Synonym\" title=\"Synonym\" width=\"600\"  class=\"alignnone size-full wp-image-621\" /></a><span style=\"font-size:11px;><i>back view</i></span></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/synonym-5.jpg\" alt=\"Synonym\" title=\"Synonym\" width=\"600\" class=\"alignnone size-full wp-image-623\" /></a><span style=\"font-size:11px;\"><i>detail</i></span></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','438-revision-11','','','2010-09-16 11:22:51','2010-09-16 11:22:51','',438,'http://www.biggventures.com/demo/artists/2020/uncat/438-revision-11',0,'revision','',0),(2022,1,'2010-09-13 10:56:07','2010-09-13 10:56:07','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Closet_Quarries.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Closet_Quarries-1024x547.jpg\" alt=\"\" title=\"Closet_Quarries\" width=\"600\" class=\"alignnone size-large wp-image-712\" /></a><span style=\"font-size:11px;\"><i>installation view, Chemould Prescott Road, Mumbai</i></span>\r\n</td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Closet Quarries</span>2008 \r\nacrylic paint, rubberstamps, plexiglas\r\n68 x 68 in. I 173 x 173 cm\r\n74 x 38 in. I 188 x 97 cm\r\n</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Closet-Quarries_1.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Closet-Quarries_1.jpg\" alt=\"Closet Quarries\" title=\"Closet Quarries_1\" width=\"600\" class=\"alignnone size-full wp-image-720\" /></a>\r\n</td>\r\n<td width=\"400\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThis series of paintings using rubberstamps, were made from references of the great inlay patterns on the walls of the Taj Mahal and other Mughal architectural monuments found in India. The rubberstamps carry names and symbols found engraved on the red sandstones laid along the back wall of the Taj Mahal and on the pathways leading to the Taj; similar carved names of the craftsmen are also seen in case of other Mughal monuments.\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\"  href=\"#\" style=\"color:#888888;\">more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\nThis series of paintings using rubberstamps, were made from references of the great inlay patterns on the walls of the Taj Mahal and other Mughal architectural monuments found in India. The rubberstamps carry names and symbols found engraved on the red sandstones laid along the back wall of the Taj Mahal and on the pathways leading to the Taj; similar carved names of the craftsmen are also seen in case of other Mughal monuments. These names, retrieved from the archives of the Archeological Survey of India, intercept the austere inlay patterns through text and symbols evoking notions of labour, memory and the submerged, factual and fictional, histories and myths that surround monument-making.\r\n As an artist what continues to interest me is the idea of representation which is fundamental to painting and the possibilities it carries for the generation of meaning through a calibrated interplay of image and form.\r\nIn ‘Closet Quarries’ I choose to work with the captivating inlays of the Taj and overlay it with a history invisible to the naked eye.\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div>\r\n</td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Closet-Quarries_3.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Closet-Quarries_3.jpg\" alt=\"\" title=\"Closet Quarries_3\" width=\"600\"  class=\"alignnone size-full wp-image-715\" /></a>\r\n</td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Closet-Quarries_5.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Closet-Quarries_5.jpg\" alt=\"Closet Quarries_5\" title=\"Closet Quarries_5\" width=\"600\" class=\"alignnone size-full wp-image-718\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n','','','inherit','open','open','','211-revision-41','','','2010-09-13 10:56:07','2010-09-13 10:56:07','',211,'http://www.biggventures.com/demo/artists/2022/uncat/211-revision-41',0,'revision','',0),(2023,1,'2010-09-16 11:30:11','2010-09-16 11:30:11','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Closet_Quarries.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Closet_Quarries-1024x547.jpg\" alt=\"\" title=\"Closet_Quarries\" width=\"600\" class=\"alignnone size-large wp-image-712\" /></a><span style=\"font-size:11px;\"><i>installation view, Chemould Prescott Road, Mumbai</i></span>\r\n</td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Closet Quarries\r\n</span>2008 \r\nacrylic paint, rubberstamps, plexiglas\r\n68 x 68 in. I 173 x 173 cm\r\n74 x 38 in. I 188 x 97 cm\r\n</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Closet-Quarries_1.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Closet-Quarries_1.jpg\" alt=\"Closet Quarries\" title=\"Closet Quarries_1\" width=\"600\" class=\"alignnone size-full wp-image-720\" /></a>\r\n</td>\r\n<td width=\"400\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThis series of paintings using rubberstamps, were made from references of the great inlay patterns on the walls of the Taj Mahal and other Mughal architectural monuments found in India. The rubberstamps carry names and symbols found engraved on the red sandstones laid along the back wall of the Taj Mahal and on the pathways leading to the Taj; similar carved names of the craftsmen are also seen in case of other Mughal monuments.\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\"  href=\"#\" style=\"color:#888888;\">...more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\nThis series of paintings using rubberstamps, were made from references of the great inlay patterns on the walls of the Taj Mahal and other Mughal architectural monuments found in India. The rubberstamps carry names and symbols found engraved on the red sandstones laid along the back wall of the Taj Mahal and on the pathways leading to the Taj; similar carved names of the craftsmen are also seen in case of other Mughal monuments. These names, retrieved from the archives of the Archeological Survey of India, intercept the austere inlay patterns through text and symbols evoking notions of labour, memory and the submerged, factual and fictional, histories and myths that surround monument-making.\r\n As an artist what continues to interest me is the idea of representation which is fundamental to painting and the possibilities it carries for the generation of meaning through a calibrated interplay of image and form.\r\nIn ‘Closet Quarries’ I choose to work with the captivating inlays of the Taj and overlay it with a history invisible to the naked eye.\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div>\r\n</td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Closet-Quarries_3.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Closet-Quarries_3.jpg\" alt=\"\" title=\"Closet Quarries_3\" width=\"600\"  class=\"alignnone size-full wp-image-715\" /></a>\r\n</td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Closet-Quarries_5.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Closet-Quarries_5.jpg\" alt=\"Closet Quarries_5\" title=\"Closet Quarries_5\" width=\"600\" class=\"alignnone size-full wp-image-718\" /></a><span style=\"font-size:11px;><i>detail</i></span></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n','','','inherit','open','open','','211-revision-42','','','2010-09-16 11:30:11','2010-09-16 11:30:11','',211,'http://www.biggventures.com/demo/artists/2023/uncat/211-revision-42',0,'revision','',0),(2024,1,'2010-09-16 11:31:06','2010-09-16 11:31:06','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Closet_Quarries.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Closet_Quarries-1024x547.jpg\" alt=\"\" title=\"Closet_Quarries\" width=\"600\" class=\"alignnone size-large wp-image-712\" /></a><span style=\"font-size:11px;\"><i>installation view, Chemould Prescott Road, Mumbai</i></span>\r\n</td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Closet Quarries\r\n</span>2008 \r\nacrylic paint, rubberstamps, plexiglas\r\n68 x 68 in. I 173 x 173 cm\r\n74 x 38 in. I 188 x 97 cm\r\n</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Closet-Quarries_1.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Closet-Quarries_1.jpg\" alt=\"Closet Quarries\" title=\"Closet Quarries_1\" width=\"600\" class=\"alignnone size-full wp-image-720\" /></a>\r\n</td>\r\n<td width=\"400\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThis series of paintings using rubberstamps, were made from references of the great inlay patterns on the walls of the Taj Mahal and other Mughal architectural monuments found in India. The rubberstamps carry names and symbols found engraved on the red sandstones laid along the back wall of the Taj Mahal and on the pathways leading to the Taj; similar carved names of the craftsmen are also seen in case of other Mughal monuments.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\"  href=\"#\" style=\"color:#888888;\">...more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\nThis series of paintings using rubberstamps, were made from references of the great inlay patterns on the walls of the Taj Mahal and other Mughal architectural monuments found in India. The rubberstamps carry names and symbols found engraved on the red sandstones laid along the back wall of the Taj Mahal and on the pathways leading to the Taj; similar carved names of the craftsmen are also seen in case of other Mughal monuments. These names, retrieved from the archives of the Archeological Survey of India, intercept the austere inlay patterns through text and symbols evoking notions of labour, memory and the submerged, factual and fictional, histories and myths that surround monument-making.\r\n As an artist what continues to interest me is the idea of representation which is fundamental to painting and the possibilities it carries for the generation of meaning through a calibrated interplay of image and form.\r\nIn ‘Closet Quarries’ I choose to work with the captivating inlays of the Taj and overlay it with a history invisible to the naked eye.\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div>\r\n</td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Closet-Quarries_3.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Closet-Quarries_3.jpg\" alt=\"\" title=\"Closet Quarries_3\" width=\"600\"  class=\"alignnone size-full wp-image-715\" /></a>\r\n</td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Closet-Quarries_5.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Closet-Quarries_5.jpg\" alt=\"Closet Quarries_5\" title=\"Closet Quarries_5\" width=\"600\" class=\"alignnone size-full wp-image-718\" /></a><span style=\"font-size:11px;\"><i>detail</i></span></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n','','','inherit','open','open','','211-revision-43','','','2010-09-16 11:31:06','2010-09-16 11:31:06','',211,'http://www.biggventures.com/demo/artists/2024/uncat/211-revision-43',0,'revision','',0),(2027,1,'2010-08-19 21:01:28','2010-08-19 21:01:28','<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-2-1024x7341.jpg\" alt=\"Silt-of-Seasons-2\" title=\"Silt-of-Seasons-2-1024x734\" width=\"600\" class=\"alignnone size-full wp-image-873\" /></a></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Silt of Seasons-2</span>\r\n2008\r\ndigital print on flex\r\n84 x 48 in. I 213 x 122 cm each (set of 10 prints)\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-2_detail-1024x768.jpg\" alt=\"Silt of Seasons-2_detail\" title=\"Silt of Seasons-2_detail\" width=\"600\"  class=\"alignnone size-large wp-image-358\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-2-detail-768x1024.jpg\" alt=\"\" title=\"Silt of Seasons-2-detail\" width=\"600\"  class=\"alignnone size-large wp-image-359\" /></a>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','356-revision-14','','','2010-08-19 21:01:28','2010-08-19 21:01:28','',356,'http://www.biggventures.com/demo/artists/2027/uncat/356-revision-14',0,'revision','',0),(2028,1,'2010-09-16 11:48:56','2010-09-16 11:48:56','<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-2-1024x7341.jpg\" alt=\"Silt-of-Seasons-2\" title=\"Silt-of-Seasons-2-1024x734\" width=\"600\" class=\"alignnone size-full wp-image-873\" /></a><span style=\"font-size:11px;\"><i>installation view,</i> , Taehwa-river Eco Art Festival, Korea</span></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Silt of Seasons-2</span>\r\n2008\r\ndigital print on flex\r\n84 x 48 in. I 213 x 122 cm each (set of 10 prints)\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-2_detail-1024x768.jpg\" alt=\"Silt of Seasons-2_detail\" title=\"Silt of Seasons-2_detail\" width=\"600\"  class=\"alignnone size-large wp-image-358\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-2-detail-768x1024.jpg\" alt=\"\" title=\"Silt of Seasons-2-detail\" width=\"603\"  class=\"alignnone size-large wp-image-359\" /></a><span style=\"font-size:11px;\"><i>detail</i></span></td>\r\n</tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','356-revision-15','','','2010-09-16 11:48:56','2010-09-16 11:48:56','',356,'http://www.biggventures.com/demo/artists/2028/uncat/356-revision-15',0,'revision','',0),(2029,1,'2010-08-19 20:43:54','2010-08-19 20:43:54','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-1024x682.jpg\" alt=\"Silt of Seasons-1\" title=\"Silt of Seasons-1\" width=\"600\" class=\"alignnone size-large wp-image-420\" /></a>\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Silt of Seasons-1</span>2008 \r\nsingle channel video projection on sand\r\nduration 59 min 30 s, dimension variable\r\nedition: 5+AP\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-detail-1024x682.jpg\" alt=\"Silt of Seasons-1-details\" title=\"Silt of Seasons-1-details\" width=\"600\" class=\"alignnone size-large wp-image-425\" /></a></td>\r\n<td width=\"300\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThe work titled “Silt of Seasons” is a video projection on sand, shaped in the form of the disputed territory that lies between India and Pakistan, also called P.O.K. (Pakistan Occupied Kashmir).<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888\">more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\nThe work titled “Silt of Seasons” is a video projection on sand, shaped in the form of the disputed territory that lies between India and Pakistan, also called P.O.K. (Pakistan Occupied Kashmir). The map of this conflicted terrain recurs in several of my works as a symbol of human inanity.\r\nNames of those from across the world who’ve signed the peace petition in 2004, addressed to General Pervez Musharraf and to the Indian Prime Minister Dr. Manmohan Singh appear spelt out in letters formed with sand. Each name is made visible only momentarily and seems to slowly get blown away or effaced, much like the repeated attempts at peace that often get sabotaged by extremist forces or political opportunism. And yet each erased name is replaced by another one, transporting the optimism in the piece through the renewed hope and commitment towards peace in the region. <a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888\">...hide</a>\r\n</div></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table><table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody><tr><td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1_detail-1024x682.jpg\" alt=\"Silt of Seasons-1_detail\" title=\"Silt of Seasons-1_detail\" width=\"600\" class=\"alignnone size-large wp-image-423\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr><td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-details-1024x682.jpg\" alt=\"Silt of Seasons-1-detail\" title=\"Silt of Seasons-1-detail\" width=\"600\" class=\"alignnone size-large wp-image-424\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr><td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/slit-of-season-image-5.jpg\" alt=\"Silt of Seasons-1-detail\" title=\"Silt of Seasons-1-detail\" width=\"600\" class=\"alignnone size-large wp-image-424\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr><td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/slit-of-season-image-6.jpg\" alt=\"Silt of Seasons-1-detail\" title=\"Silt of Seasons-1-detail\" width=\"600\" class=\"alignnone size-large wp-image-424\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','419-revision-12','','','2010-08-19 20:43:54','2010-08-19 20:43:54','',419,'http://www.biggventures.com/demo/artists/2029/uncat/419-revision-12',0,'revision','',0),(2030,1,'2010-09-13 13:17:21','2010-09-13 13:17:21','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Crease-Crevice-Contour.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Crease-Crevice-Contour-1024x605.jpg\" alt=\"Crease- Crevice- Contour\" title=\"Crease- Crevice- Contour\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></a>\r\n</td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Crease Crevice Contour\r\n</span>2008\r\nPigment Print on Hahnemuhle Museum Etching Archival Paper\r\n40 inches x 50 inches each (Set of 10 prints)\r\nEdition 10 + AP</td></tr></tr><tr><td>&nbsp;</td></tr></tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Crease-Crevice-Contour-detail.jpg\" alt=\"Crease- Crevice- Contour-detail\" title=\"Crease- Crevice- Contour-detail\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n<td width=\"400\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\n‘Crease/ Crevice/ Contour’, a collection of 10 photographs, traces the changing L.O.C. (Line Of Control) between India and Pakistan, from October 1947 to December 1948. It refers to the first of the four wars fought among the two newly independent nations over the region of Kashmir.\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\n‘Crease/ Crevice/ Contour’, a collection of 10 photographs, traces the changing L.O.C. (Line Of Control) between India and Pakistan, from October 1947 to December 1948. It refers to the first of the four wars fought among the two newly independent nations over the region of Kashmir. The result of the war, still affects the geo-politics of both the countries to this day, leaving behind a deep sense of mistrust and many psychological scars.\r\nThe photo-piece comprises names of those who’ve signed the peace petition between India and Pakistan. Within my work the L.O.C. appears recurrently not just as a political demarcation but metaphorically as a sociological barrier amongst the people on both sides.  \r\nThe work maps the movement of the LOC, showcasing 10 stages of the war through a diagrammatic sketch of the shifting border, finally leading up to the historical ceasefire. The photonever graphs are close details of the back of a body stamped with names using rubber-stamps; the collective cluster of names forming the shifting territory between the two countries, appears like a residual scar of the ending dispute.\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Crease-Crevice-Contour-3.jpg\" alt=\"Crease- Crevice- Contour-detail\" title=\"Crease- Crevice- Contour-detail\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n','','','inherit','open','open','','348-revision-36','','','2010-09-13 13:17:21','2010-09-13 13:17:21','',348,'http://www.biggventures.com/demo/artists/2030/uncat/348-revision-36',0,'revision','',0),(2031,1,'2010-09-16 11:18:55','2010-09-16 11:18:55','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Walls-of-the-womb.jpg\" alt=\"Walls-of-the-womb\" title=\"Walls-of-the-womb\" width=\"600\" class=\"alignnone size-full wp-image-375\" /></a><span style=\"font-size:11px;\"><i>installation view,</i> Hangar Bicocca, Milan</span></td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Walls of the womb\r\n</span>2007\r\n<br>Tied-and-dyed silk, brass, bonded marble, handwritten recipe books\r\n594 x 114 cm each\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/walls_of_womb_work3.jpg\" alt=\"Making of walls of womb-1\" title=\"Making-1\" width=\"600\"  class=\"alignnone size-large wp-image-857\" /></a>\r\n</td>\r\n<td width=\"400\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThis series, unlike most of my other works, is autobiographical in nature and has perhaps taken me the longest period of time to articulate into communicable form.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\nThis series, unlike most of my other works, is autobiographical in nature and has perhaps taken me the longest period of time to articulate into communicable form.\r\nMy relationship with my mother, who I lost when I was 8 years of age, has been built around the objects she left behind; those sewn by her, stuffed toys she made me, photo-albums, her personal books, stories narrated to me by other family members, besides my own faint recollections. I’ve spent a good part of my childhood going through my mother’s personal belongings such as her sarees, cosmetics, bags, sometimes bringing them out of closed cupboards to look at, while at other times trying them on myself.  \r\n\r\nI arrived at this work through the frequent contact with my mother’s sarees that have remained stacked inside a cupboard for over 27 years.\r\n\r\nThe work comprises of 12 sarees dyed in shades of red, such that through the process of tie and dye, the un-dyed dotted areas remain white, where the untreated virgin fabric forms a text in Braille. The text laid on these sarees seen in reverse print, are translations of recipes from my mothers hand written recipe books.   \r\n\r\nThe associations with motherhood are carried through the symbolic usage of the saree and the recipes from my mother’s books extend it further by evoking notions of nurturing and nourishing. With my recent role as a mother I find myself having come full circle, inadvertently re-establishing contact with a past I’d tried hard to put behind me.\r\n\r\nThe sarees, while beautiful, remain illegible. The dotted patterns forming the script in braille disallow easy access to the content of the text, much like the relationship with my mother that is built on fragments of inscrutable memory.\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody><tr><td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/walls_of_womb_work5.jpg\" alt=\"Making of walls of womb-1\" title=\"Making-1\" width=\"600\"  class=\"alignnone size-large wp-image-857\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\"><tbody>\r\n<tr><td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/walls_of_womb_work4.jpg\" alt=\"Making of walls of womb-1\" title=\"Making-1\" width=\"600\"  class=\"alignnone size-large wp-image-857\" /></a><span style=\"font-size:11px;\"><i>detail,</i> vitrine containing artist’s mother’s handwritten recipe book</span></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Walls-of-the-womb-detail-70.jpg\" alt=\"Walls-of-the-womb-detail\" title=\"Walls-of-the-womb-detail\" width=\"600\"  class=\"alignnone size-large wp-image-374\" /></a><span style=\"font-size:11px;\"><i>detail</i></span></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/walls_of_womb_work.jpg\" alt=\"Making of walls of womb-1\" title=\"Making-1\" width=\"600\"  class=\"alignnone size-large wp-image-857\" /></a><span style=\"font-size:11px;\"><i>process shots</i></span></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table><ins datetime=\"2010-06-16T18:26:32+00:00\">','','','inherit','open','open','','373-revision-35','','','2010-09-16 11:18:55','2010-09-16 11:18:55','',373,'http://www.biggventures.com/demo/artists/2031/uncat/373-revision-35',0,'revision','',0),(2032,1,'2010-09-16 12:09:43','2010-09-16 12:09:43','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Walls-of-the-womb.jpg\" alt=\"Walls-of-the-womb\" title=\"Walls-of-the-womb\" width=\"600\" class=\"alignnone size-full wp-image-375\" /></a><span style=\"font-size:11px;\"><i>installation view,</i> Hangar Bicocca, Milan</span></td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Walls of the womb\r\n</span>2007\r\nTied-and-dyed silk, brass, bonded marble, handwritten recipe books\r\n594 x 114 cm each\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/walls_of_womb_work3.jpg\" alt=\"Making of walls of womb-1\" title=\"Making-1\" width=\"600\"  class=\"alignnone size-large wp-image-857\" /></a>\r\n</td>\r\n<td width=\"400\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThis series, unlike most of my other works, is autobiographical in nature and has perhaps taken me the longest period of time to articulate into communicable form.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\nThis series, unlike most of my other works, is autobiographical in nature and has perhaps taken me the longest period of time to articulate into communicable form.\r\nMy relationship with my mother, who I lost when I was 8 years of age, has been built around the objects she left behind; those sewn by her, stuffed toys she made me, photo-albums, her personal books, stories narrated to me by other family members, besides my own faint recollections. I’ve spent a good part of my childhood going through my mother’s personal belongings such as her sarees, cosmetics, bags, sometimes bringing them out of closed cupboards to look at, while at other times trying them on myself.  \r\n\r\nI arrived at this work through the frequent contact with my mother’s sarees that have remained stacked inside a cupboard for over 27 years.\r\n\r\nThe work comprises of 12 sarees dyed in shades of red, such that through the process of tie and dye, the un-dyed dotted areas remain white, where the untreated virgin fabric forms a text in Braille. The text laid on these sarees seen in reverse print, are translations of recipes from my mothers hand written recipe books.   \r\n\r\nThe associations with motherhood are carried through the symbolic usage of the saree and the recipes from my mother’s books extend it further by evoking notions of nurturing and nourishing. With my recent role as a mother I find myself having come full circle, inadvertently re-establishing contact with a past I’d tried hard to put behind me.\r\n\r\nThe sarees, while beautiful, remain illegible. The dotted patterns forming the script in braille disallow easy access to the content of the text, much like the relationship with my mother that is built on fragments of inscrutable memory.\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody><tr><td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/walls_of_womb_work5.jpg\" alt=\"Making of walls of womb-1\" title=\"Making-1\" width=\"600\"  class=\"alignnone size-large wp-image-857\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\"><tbody>\r\n<tr><td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/walls_of_womb_work4.jpg\" alt=\"Making of walls of womb-1\" title=\"Making-1\" width=\"600\"  class=\"alignnone size-large wp-image-857\" /></a><span style=\"font-size:11px;\"><i>detail,</i> vitrine containing artist’s mother’s handwritten recipe book</span></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Walls-of-the-womb-detail-70.jpg\" alt=\"Walls-of-the-womb-detail\" title=\"Walls-of-the-womb-detail\" width=\"600\"  class=\"alignnone size-large wp-image-374\" /></a><span style=\"font-size:11px;\"><i>detail</i></span></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/walls_of_womb_work.jpg\" alt=\"Making of walls of womb-1\" title=\"Making-1\" width=\"600\"  class=\"alignnone size-large wp-image-857\" /></a><span style=\"font-size:11px;\"><i>process shots</i></span></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table><ins datetime=\"2010-06-16T18:26:32+00:00\">','','','inherit','open','open','','373-revision-36','','','2010-09-16 12:09:43','2010-09-16 12:09:43','',373,'http://www.biggventures.com/demo/artists/2032/uncat/373-revision-36',0,'revision','',0),(2033,1,'2010-09-14 19:02:43','2010-09-14 19:02:43','<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/White-Yarn.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/White-Yarn-1024x657.jpg\" alt=\"White Yarn-detail\" title=\"White Yarn-detail\" width=\"600\" class=\"alignnone size-large wp-image-340\" /></a>\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">White Yarn\r\n</span>2008\r\nWhite yarn Desc here\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/White-Yarn-detail.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/White-Yarn-detail-1024x759.jpg\" alt=\"White Yarn-detail\" title=\"White Yarn-detail\" width=\"600\" class=\"alignnone size-large wp-image-342\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/White-Yarn_detail.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/White-Yarn_detail-1024x682.jpg\" alt=\"White Yarn_detail\" title=\"White Yarn_detail\" width=\"600\" height=\"500\" class=\"alignnone size-large wp-image-341\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/White-Yarn_detail.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/white-yarn-last_image.jpg\" alt=\"White Yarn_detail\" title=\"White Yarn_detail\" width=\"600\" height=\"500\" class=\"alignnone size-large wp-image-341\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','339-revision-14','','','2010-09-14 19:02:43','2010-09-14 19:02:43','',339,'http://www.biggventures.com/demo/artists/2033/uncat/339-revision-14',0,'revision','',0),(2034,1,'2010-08-20 07:35:47','2010-08-20 07:35:47','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style>h3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody><tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Penumbra.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Penumbra.jpg\" alt=\"Penumbra\" title=\"Penumbra\" width=\"600\" height=\"400\" class=\"alignnone size-full wp-image-381\" /></a>\r\n</td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Penumbra\r\n</span>2006\r\nstainless steel, acrylic sheet, paint, rubber stamps \r\n60 x 74 x 42 in. I 152 x 188 x 107 cm\r\nedition of 3+AP\r\n</td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/penumbra1.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/penumbra1.jpg\" alt=\"penumbra\" title=\"penumbra1\" width=\"600\" class=\"alignnone size-full wp-image-1006\" /></a>\r\n</td>\r\n<td width=\"400\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block;\">\r\nThe sculptural work titled ‘Penumbra’ takes the form of a cradle. Unlike the  cradle, which is meant to support and comfort, this stainless steel sculpture is cold and unsettling. It rocks the disputed territorial form of (P.O.K) Pakistan Occupied Kashmir, which remains the nucleus of the conflict between India and Pakistan for several decades.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;width=\"400\" \">\r\nThe sculptural work titled ‘Penumbra’ takes the form of a cradle. Unlike the  cradle, which is meant to support and comfort, this stainless steel sculpture is cold and unsettling. It rocks the disputed territorial form of (P.O.K) Pakistan Occupied Kashmir, which remains the nucleus of the conflict between India and Pakistan for several decades. \r\nThe cradle lies in a state of limbo, much like the fate of it’s people, held in suspense. It is formed by rubberstamps carrying names of freedom fighters, both Hindus and Muslims who collectively fought to free the land that later got divided into India and Pakistan. This piece of land rests like a wound of that separation, rocked back and forth by political agendas and myopic policies.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div>\r\n</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/penumbra2.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/penumbra2.jpg\" alt=\"penumbra\" title=\"penumbra2\" width=\"600\" class=\"alignnone size-full wp-image-1007\" /></a>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','380-revision-20','','','2010-08-20 07:35:47','2010-08-20 07:35:47','',380,'http://www.biggventures.com/demo/artists/2034/uncat/380-revision-20',0,'revision','',0),(2036,1,'2010-08-19 18:59:44','2010-08-19 18:59:44','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-gallery.jpg\" alt=\"Subject-to-Change-Without-Notice\" title=\"Subject-to-Change-Without-Notice\" width=\"600\" class=\"alignnone size-large wp-image-368\" /></a>\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Colour Curtain (between shores and the seas)</span>\r\n2009 \r\nacrylic paint, rubberstamps, metal \r\nsize variable  \r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-2.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n<td width=\"300\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThe sculptural barricades formed with rubberstamps carry names of people who’ve been denied visas to various countries on the basis of class, culture, nationality, religion, politics etc. The works in the show collectively approach issues of global mobility, privilege and perceptions. On the one hand International travel is linked with aspirations, expectations, while on the other these are often bound with a wide set of restrictions and controls. <a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\nThe sculptural barricades formed with rubberstamps carry names of people who’ve been denied visas to various countries on the basis of class, culture, nationality, religion, politics etc. The works in the show collectively approach issues of global mobility, privilege and perceptions. On the one hand International travel is linked with aspirations, expectations, while on the other these are often bound with a wide set of restrictions and controls. \r\nEven as cultures blend with a greater movement of people and information than any moment in human history, borders have become more controlled and monitored than ever before. In the ‘Colour Curtains’ each rubberstamp is clad in patterns with colours derived from various national flags, each carrying a name of a person who’s been denied a visa. What appear like barriers or festoons of refusal can also evoke garlands that are often used to welcome guests on arrival.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table><table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody><tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-3.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-4.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td></tr></tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-5.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','1232-revision-11','','','2010-08-19 18:59:44','2010-08-19 18:59:44','',1232,'http://www.biggventures.com/demo/artists/2036/uncat/1232-revision-11',0,'revision','',0),(2037,1,'2010-09-16 12:17:58','2010-09-16 12:17:58','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-gallery.jpg\" alt=\"Subject-to-Change-Without-Notice\" title=\"Subject-to-Change-Without-Notice\" width=\"600\" class=\"alignnone size-large wp-image-368\" /></a><span style=\"font-size:11px;\"><i>installation view,</i> , stux Gallery, New York</span></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Colour Curtain (between shores and the seas)</span>\r\n2009 \r\nacrylic paint, rubberstamps, metal \r\nsize variable  \r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-2.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n<td width=\"300\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThe sculptural barricades formed with rubberstamps carry names of people who’ve been denied visas to various countries on the basis of class, culture, nationality, religion, politics etc. The works in the show collectively approach issues of global mobility, privilege and perceptions. On the one hand International travel is linked with aspirations, expectations, while on the other these are often bound with a wide set of restrictions and controls. <a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\nThe sculptural barricades formed with rubberstamps carry names of people who’ve been denied visas to various countries on the basis of class, culture, nationality, religion, politics etc. The works in the show collectively approach issues of global mobility, privilege and perceptions. On the one hand International travel is linked with aspirations, expectations, while on the other these are often bound with a wide set of restrictions and controls. \r\nEven as cultures blend with a greater movement of people and information than any moment in human history, borders have become more controlled and monitored than ever before. In the ‘Colour Curtains’ each rubberstamp is clad in patterns with colours derived from various national flags, each carrying a name of a person who’s been denied a visa. What appear like barriers or festoons of refusal can also evoke garlands that are often used to welcome guests on arrival.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table><table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody><tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-3.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-4.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td></tr></tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-5.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','1232-revision-12','','','2010-09-16 12:17:58','2010-09-16 12:17:58','',1232,'http://www.biggventures.com/demo/artists/2037/uncat/1232-revision-12',0,'revision','',0),(2038,1,'2010-09-14 18:35:05','2010-09-14 18:35:05','<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-gallery.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-gallery.jpg\" alt=\"Subject-to-Change-Without-Notice\" title=\"Subject-to-Change-Without-Notice\" width=\"600\" height=\"400\" class=\"alignnone size-large wp-image-368\" /></a><span style=\"font-size:11px;\"><i>installation view,</i> Stux Gallery, New York</span></td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Synonym\r\n</span>2009</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-1.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-3-4.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-3-detail.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a><span style=\"font-size:11px;\"><i>detail</i></span></td>\r\n\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n','','','inherit','open','open','','1238-revision-5','','','2010-09-14 18:35:05','2010-09-14 18:35:05','',1238,'http://www.biggventures.com/demo/artists/2038/uncat/1238-revision-5',0,'revision','',0),(2040,1,'2010-09-16 12:21:51','2010-09-16 12:21:51','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/2degree-lead.jpg\" alt=\"2 Degree\" title=\"2 Degree\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></a><span style=\"font-size:11px;\"><i>installation view,</i> , Campbelltown Art Center, Sydney </span></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">2 Degrees\r\n</span>2010\r\nred earthenware, henna, audio speakers\r\ndimensions variable\r\n</td></tr></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/2degree-2.jpg\" alt=\"2 Degree\" title=\"2 Degree\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td><td width=\"400\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nNot much in terms of effective policy came out of the 2009 climate conference in Copenhagen, or COP15. One figure, though, came to the forefront of most greenhouse-gas reduction conversations at COP15, and that is two degrees. Two degrees, most reputable scientists agree, is the maximum rise in temperature that we can allow, after which the climate change associated with global warming becomes potentially catastrophic. Another, equally integral relationship is also measured in degrees, where social theorists estimate that every person on the planet is six degrees or six relational steps away from every other person. But for those who share a common civilization history, could the degrees of separation be as narrow or as wide as the river that flows between them?<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">more</a>\r\n</div><div id=\"uniquename\"  style=\"display:none;\">\r\nNot much in terms of effective policy came out of the 2009 climate conference in Copenhagen, or COP15. One figure, though, came to the forefront of most greenhouse-gas reduction conversations at COP15, and that is two degrees. Two degrees, most reputable scientists agree, is the maximum rise in temperature that we can allow, after which the climate change associated with global warming becomes potentially catastrophic. Another, equally integral relationship is also measured in degrees, where social theorists estimate that every person on the planet is six degrees or six relational steps away from every other person. But for those who share a common civilization history, could the degrees of separation be as narrow or as wide as the river that flows between them?\r\nRivers have always played an important role in human history. They have been the cradle of great civilizations, the link between cultures, the boundaries of empires, the best means of transportation for trade and, at times, a barrier to invaders. And so it has been with the Indus. It is a river that gave its name to a sub-continent. Since the founding of India and Pakistan as separate states in 1947, the dispute over who should control Kashmir has been amongst the world\'s most enduring and violent conflicts. One of the many reasons behind the dispute over Kashmir is water. Kashmir is the origin point for many rivers and tributaries of the Indus River basin feeding Pakistan and India. The water dispute can be traced to the time when the British Indian Empire was partitioned. The split gave India control of the part of Kashmir that is the source of six rivers that irrigate crops in Pakistan\'s agricultural heartland of Punjab province and elsewhere. Under the 1960\'s International water sharing treaty, Pakistan has the use of the three western rivers - the Indus, Jhelum and Chenab - and India, the three eastern ones - the Sutlej, Beas and Ravi. \r\nThe Indus River Basin spanning 1,800 miles, the river and its tributaries together make up one of the largest irrigation canals in the world. The basin provides water to millions of people in northwestern India and Pakistan. Dams and canals built in order to provide hydropower and irrigation have dried up stretches of the Indus River. Water projects have further caused the displacement of people and have contributed to the destruction of the ecosystem in the Indus plain.  \r\nEven as I make my piece titled ‘2 Degrees’ with all these varied thoughts in my mind and place it  within the context of this first Asian Pacific Biennale of River System titled “The Rising…”, due to the heavy intensity monsoon, the river Indus has overflowed into its floodplain in Punjab and Sindh provinces as authorities evacuate thousands of residents in Sukkur and other cities. Due to the population growth, the people are today living in the alluvial flood plains which used to be left for the river to meander about. Today the river is angry, changing its course and as it flows down, it engulfs many of the populated areas.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/2degree-4-6.jpg\" alt=\"2 Degree\" title=\"2 Degree\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/2degree-5.jpg\" alt=\"2 Degree\" title=\"2 Degree\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/2degree-7-8.jpg\" alt=\"2 Degree\" title=\"2 Degree\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','1949-revision-5','','','2010-09-16 12:21:51','2010-09-16 12:21:51','',1949,'http://www.biggventures.com/demo/artists/2040/uncat/1949-revision-5',0,'revision','',0),(2041,1,'2010-09-16 10:41:57','2010-09-16 10:41:57','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style>\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Kiosk.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Kiosk-1024x768.jpg\" alt=\"Kiosk\" title=\"Kiosk\" width=\"600\" class=\"alignnone size-large wp-image-537\" /></a>\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Kiosk</span>\r\n2003\r\nrubberstamps, pigment, metal, paper\r\n72 x 42 x 30 in. I 183 x 107 x 76 cm</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Kiosk.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Kiosk-1024x768.jpg\" alt=\"Kiosk\" title=\"Kiosk\" width=\"600\" class=\"alignnone size-large wp-image-535\" /></a><span style=\"font-size=11px;\"><i>detail</i></span></td>\r\n<td width=\"300\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block;width:\'300px;\'\">\r\nKIOSK is an attempt to disperse and rearrange the three colours of the national flag into a jumbled mosaic, such that when seen collectively the colours interlace and lose their distinct character. The hundreds of rubber stamps that form the work carry names of people from various religious and regional communities residing in India.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;width:\'300px;\'\">\r\nKIOSK is an attempt to disperse and rearrange the three colours of the national flag into a jumbled mosaic, such that when seen collectively the colours interlace and lose their distinct character. The hundreds of rubber stamps that form the work carry names of people from various religious and regional communities residing in India. With KIOSK, I’m trying to metaphorically stamp out the specific associations of the two dominant colours (saffron, symbolising Hindus and green for Muslims); and with the random criss-crossing of names, scripts and colours evoke notions of compassion and peaceful co-existence of all communities.\r\nA mock document accompanies this work on a 20 rupee stamp paper like a land agreement containing details such as the location of the nation nation on the globe along its demarcated latitude and longitude. It is a contractual Memorandum of Understanding (MOU) between the Republic and the Citizens of India re-instating the constitution of India that talks of values such as equality and justice with all the 1500-2000 names stamped in it.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div>\r\n</td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/First-page-of-MOU.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/First-page-of-MOU-765x1024.jpg\" alt=\"First page of MOU\" title=\"First page of MOU\" width=\"600\" class=\"alignnone size-large wp-image-542\" /></a>\r\n</td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','534-revision-15','','','2010-09-16 10:41:57','2010-09-16 10:41:57','',534,'http://www.biggventures.com/demo/artists/2041/uncat/534-revision-15',0,'revision','',0),(2042,1,'2010-09-16 12:14:35','2010-09-16 12:14:35','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style>h3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody><tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Penumbra.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Penumbra.jpg\" alt=\"Penumbra\" title=\"Penumbra\" width=\"600\" height=\"400\" class=\"alignnone size-full wp-image-381\" /></a>\r\n</td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Penumbra\r\n</span>2006\r\nstainless steel, acrylic sheet, paint, rubber stamps \r\n60 x 74 x 42 in. I 152 x 188 x 107 cm\r\nedition of 3+AP\r\n</td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/penumbra1.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/penumbra1.jpg\" alt=\"penumbra\" title=\"penumbra1\" width=\"600\" class=\"alignnone size-full wp-image-1006\" /></a>\r\n</td>\r\n<td width=\"400\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block;\">\r\nThe sculptural work titled ‘Penumbra’ takes the form of a cradle. Unlike the  cradle, which is meant to support and comfort, this stainless steel sculpture is cold and unsettling. It rocks the disputed territorial form of (P.O.K) Pakistan Occupied Kashmir, which remains the nucleus of the conflict between India and Pakistan for several decades.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;width=\"400\" \">\r\nThe sculptural work titled ‘Penumbra’ takes the form of a cradle. Unlike the  cradle, which is meant to support and comfort, this stainless steel sculpture is cold and unsettling. It rocks the disputed territorial form of (P.O.K) Pakistan Occupied Kashmir, which remains the nucleus of the conflict between India and Pakistan for several decades. \r\nThe cradle lies in a state of limbo, much like the fate of it’s people, held in suspense. It is formed by rubberstamps carrying names of freedom fighters, both Hindus and Muslims who collectively fought to free the land that later got divided into India and Pakistan. This piece of land rests like a wound of that separation, rocked back and forth by political agendas and myopic policies.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div>\r\n</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/penumbra2.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/penumbra2.jpg\" alt=\"penumbra\" title=\"penumbra2\" width=\"600\" class=\"alignnone size-full wp-image-1007\" /></a>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','380-revision-21','','','2010-09-16 12:14:35','2010-09-16 12:14:35','',380,'http://www.biggventures.com/demo/artists/2042/uncat/380-revision-21',0,'revision','',0),(2043,1,'2010-09-16 12:34:27','2010-09-16 12:34:27','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style>h3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody><tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Penumbra.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Penumbra.jpg\" alt=\"Penumbra\" title=\"Penumbra\" width=\"600\" height=\"400\" class=\"alignnone size-full wp-image-381\" /></a>\r\n</td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Penumbra\r\n</span>2006\r\nstainless steel, acrylic sheet, paint, rubber stamps \r\n60 x 74 x 42 in. I 152 x 188 x 107 cm\r\nedition of 3+AP\r\n</td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/penumbra1.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/penumbra1.jpg\" alt=\"penumbra\" title=\"penumbra1\" width=\"600\" class=\"alignnone size-full wp-image-1006\" /></a>\r\n</td>\r\n<td width=\"400\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block;\">\r\nThe sculptural work titled ‘Penumbra’ takes the form of a cradle. Unlike the  cradle, which is meant to support and comfort, this stainless steel sculpture is cold and unsettling. It rocks the disputed territorial form of (P.O.K) Pakistan Occupied Kashmir, which remains the nucleus of the conflict between India and Pakistan for several decades.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;width=\"400\" \">\r\nThe sculptural work titled ‘Penumbra’ takes the form of a cradle. Unlike the  cradle, which is meant to support and comfort, this stainless steel sculpture is cold and unsettling. It rocks the disputed territorial form of (P.O.K) Pakistan Occupied Kashmir, which remains the nucleus of the conflict between India and Pakistan for several decades. \r\nThe cradle lies in a state of limbo, much like the fate of it’s people, held in suspense. It is formed by rubberstamps carrying names of freedom fighters, both Hindus and Muslims who collectively fought to free the land that later got divided into India and Pakistan. This piece of land rests like a wound of that separation, rocked back and forth by political agendas and myopic policies.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div>\r\n</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/penumbra2.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/penumbra2.jpg\" alt=\"penumbra\" title=\"penumbra2\" width=\"600\" class=\"alignnone size-full wp-image-1007\" /></a><span style=\"font-size:11px;\"><i>detail</i></span>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','380-revision-22','','','2010-09-16 12:34:27','2010-09-16 12:34:27','',380,'http://www.biggventures.com/demo/artists/2043/uncat/380-revision-22',0,'revision','',0),(2044,1,'2010-09-16 10:58:44','2010-09-16 10:58:44','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;2\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/BirthMark-tattoos-1024x768.jpg\" alt=\"BirthMark and tattoos\" title=\"BirthMark tattoos\" width=\"600\" class=\"alignnone size-large wp-image-557\" /></a><span style=\"font-size:11px;\"><i>installation view,</i> , Nature Morte, New Delhi</span>\r\n</td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">BirthMark & tattoos\r\n</span>2004\r\ndigital prints on photographic paper\r\n11 x 15 in. I 28 x 38 cm each (64 prints)\r\nedition 5+AP</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"500\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/BirthMark-tattoos11.jpg\" alt=\"BirthMark tattoos1\" title=\"BirthMark tattoos1\" width=\"600\" class=\"alignnone size-large wp-image-559\" /></a>\r\n</td>\r\n<td width=\"500\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThe work comprises of 64 prints of close-up shots of different body parts carrying multiple names stamped on them. The pictures attempt to trace the scars/marks on the body that can be said to be both inherited as well as adopted. <a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...more</a>\r\n</div><div id=\"uniquename\"  style=\"display:none;\">\r\nThe work comprises of 64 prints of close-up shots of different body parts carrying multiple names stamped on them. The pictures attempt to trace the scars/marks on the body that can be said to be both inherited as well as adopted.The body here is treated as a document on which the identity of the individual is stamped; the complex web forming an interlaced mosaic evoking our cramped social networks where bodies co-exist and collide. The nature of that collision is determined by the identities of the colliding bodies. This photo-piece touches upon some of these ideas but formally speaking it will rely on the intricate interplay of the stamped text, the skin tones and colours to create a visually sensual land(body)scape.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div>\r\n</td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/BirthMark-tattoos1-1024x768.jpg\" alt=\"BirthMark tattoos2\" title=\"BirthMark tattoos2\" width=\"600\" class=\"alignnone size-large wp-image-560\" /></a>\r\n</td>\r\n</tr>\r\n <tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/BirthMark-tattoos2-1024x768.jpg\" alt=\"BirthMark tattoos2\" title=\"BirthMark tattoos2\" width=\"600\" class=\"alignnone size-large wp-image-560\" /></a>\r\n</td>\r\n</tr>\r\n <tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/BirthMark-tattoos3-1024x768.jpg\" alt=\"BirthMark tattoos3\" title=\"BirthMark tattoos3\" width=\"600\" class=\"alignnone size-large wp-image-561\" /></a>\r\n</td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/BirthMark-tattoos4-1024x768.jpg\" alt=\"BirthMark tattoos4\" title=\"BirthMark tattoos4\" width=\"600\" class=\"alignnone size-large wp-image-562\" /></a>\r\n</td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','555-revision-15','','','2010-09-16 10:58:44','2010-09-16 10:58:44','',555,'http://www.biggventures.com/demo/artists/2044/uncat/555-revision-15',0,'revision','',0),(2045,1,'2010-09-16 11:11:41','2010-09-16 11:11:41','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Memoria-Corona-Gallery-view.jpg\" alt=\"Memoria Corona\" title=\"Memoria Corona\" width=\"600\"  class=\"alignnone size-large wp-image-876\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Memoria Corona</span>2006\r\nivory duco paint on FRP\r\n47 x 38 in. I 119 x 97 cm (diameter)\r\nedition of 3+AP\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\"><tbody><tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-510\" title=\"Memoria Corona_detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Memoria-Corona-1.jpg\" alt=\"Memoria Corona\" width=\"600\" /></a></td>\r\n<td width=\"400\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThe crown, usually belonging to the royalty is reflective of power and seen as a mark of honour. The sculpture ‘Memoria Corona’ is modeled on the crown of Queen Elizabeth II of England, on which rests the precious Kohinoor diamond, that India lost to the Empire.\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\nThe crown, usually belonging to the royalty is reflective of power and seen as a mark of honour. The sculpture ‘Memoria Corona’ is modeled on the crown of Queen Elizabeth II of England, on which rests the precious Kohinoor diamond, that India lost to the Empire. The surface of this all white sculpture is completely covered with names of freedom fighters almost like a `memorial` to those who fought the Indian freedom stuggle. I wanted the crown to bear the weight of the other precious treasures, the human lives that were lost to the British Empire.\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img class=\"alignnone size-large wp-image-513\" title=\"Memoria Corona-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Memoria-Corona-2.jpg\" alt=\"Memoria Corona\" width=\"600\"  /></a></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','507-revision-12','','','2010-09-16 11:11:41','2010-09-16 11:11:41','',507,'http://www.biggventures.com/demo/artists/2045/uncat/507-revision-12',0,'revision','',0),(2046,1,'2010-09-16 12:37:06','2010-09-16 12:37:06','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Memoria-Corona-Gallery-view.jpg\" alt=\"Memoria Corona\" title=\"Memoria Corona\" width=\"600\"  class=\"alignnone size-large wp-image-876\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Memoria Corona\r\n</span>2006\r\nivory duco paint on FRP\r\n47 x 38 in. I 119 x 97 cm (diameter)\r\nedition of 3+AP\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\"><tbody><tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-510\" title=\"Memoria Corona_detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Memoria-Corona-1.jpg\" alt=\"Memoria Corona\" width=\"600\" /></a></td>\r\n<td width=\"400\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThe crown, usually belonging to the royalty is reflective of power and seen as a mark of honour. The sculpture ‘Memoria Corona’ is modeled on the crown of Queen Elizabeth II of England, on which rests the precious Kohinoor diamond, that India lost to the Empire.\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\nThe crown, usually belonging to the royalty is reflective of power and seen as a mark of honour. The sculpture ‘Memoria Corona’ is modeled on the crown of Queen Elizabeth II of England, on which rests the precious Kohinoor diamond, that India lost to the Empire. The surface of this all white sculpture is completely covered with names of freedom fighters almost like a `memorial` to those who fought the Indian freedom stuggle. I wanted the crown to bear the weight of the other precious treasures, the human lives that were lost to the British Empire.\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img class=\"alignnone size-large wp-image-513\" title=\"Memoria Corona-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Memoria-Corona-2.jpg\" alt=\"Memoria Corona\" width=\"600\"  /></a></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','507-revision-13','','','2010-09-16 12:37:06','2010-09-16 12:37:06','',507,'http://www.biggventures.com/demo/artists/2046/uncat/507-revision-13',0,'revision','',0),(2047,1,'2010-09-16 10:33:20','2010-09-16 10:33:20','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-gallery.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-gallery.jpg\" alt=\"Subject-to-Change-Without-Notice\" title=\"Subject-to-Change-Without-Notice\" width=\"600\" height=\"400\" class=\"alignnone size-large wp-image-368\" /></a>\r\n</td>\r\n<td nowrap width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">ELEPHANT WALKS</span>\r\n2003\r\nCollaborative workshop by Jitish Kallat and Reena Saini Kallat at the \r\nCasula Powerhouse Arts Centre, Liverpool\r\nExhibition: Gallery 4A Sydney, \r\nAustralia</td></tr></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-1.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-1.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n<td width=\"400\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nYouth Arts Project at the Casula Powerhouse Arts Centre, Liverpool, was an extension of the exhibition Indians + Cowboys.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\nYouth Arts Project at the Casula Powerhouse Arts Centre, Liverpool, was an extension of the exhibition Indians + Cowboys.\r\nIndians + Cowboys, curated by Ruth Watson and Aaron Seeto questioned accepted ideas of cultural diversity and difference. It was conceived to illustrate the absurdity of simplifying identities into stereotypes by categorizing them on the basis of notions of cultural purity.\r\nThe Casula Powerhouse Centre is located in Liverpool, a neighbourhood where people from 150 different ethnic identities reside. For the workshop we had children from places like Iraq, Kurdistan, China, Vietnam, India etc. The potential disconnections that occur between idealized ways of seeing and describing and the ways in which individuals imagine and observe their worlds is what the work engages with. \r\nWe started by narrating an ancient Sufi story to the children called the ‘City of Ghor’, \r\nwhich is part of the childhood imagination of Indian children around the world. The story recounts a city of blind people and their encounters with an elephant. Through the process of describing, these blind people illustrate diverging and individual experiences of a single encounter. However since they had felt only a part of the elephant they arrived at an incomplete understanding with opposing conclusions on what the elephant was like.\r\nCiting examples from world politics we spoke about how wars are held because of the rigidity with which we hold on to our own perspective and are often unsympathetic towards the perspectives of others. For the workshop we handed out pieces of board in undefined/amoeboid forms to the children and asked them to render their notions of the world. While each one made their interpretation out of their own world view, the narrative of the story was used to direct them to the fact that no single notion of the world is complete and it is necessary to follow various interpretations to understand anything fully.\r\nThese later came together to form a large elephant, which was made in 5 parts and suspended in such a way that the complete form of the elephant only becomes apparent through all the contributions of the participants and only from certain vantages in the gallery.\r\nBy bringing together thoughts of children and placing them in the context of other thoughts by another set of children, the attempt was to try and create new worlds with new interpretations that are infused with a sense of individuality as well as completeness.  \r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\"><tbody>\r\n<tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-2.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-2.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr></tbody>\r\n</table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-3.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-3.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-4.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-4.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-5.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-5.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-6.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-6.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-7.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-7.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-8.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-8.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-9.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-9.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table>','','','inherit','open','open','','1224-revision-12','','','2010-09-16 10:33:20','2010-09-16 10:33:20','',1224,'http://www.biggventures.com/demo/artists/2047/uncat/1224-revision-12',0,'revision','',0),(2048,1,'2010-09-16 12:38:11','2010-09-16 12:38:11','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-gallery.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-gallery.jpg\" alt=\"Subject-to-Change-Without-Notice\" title=\"Subject-to-Change-Without-Notice\" width=\"600\" height=\"400\" class=\"alignnone size-large wp-image-368\" /></a>\r\n</td>\r\n<td nowrap width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">ELEPHANT WALKS</span>\r\n2003\r\nCollaborative workshop by Jitish Kallat and Reena Saini Kallat at the \r\nCasula Powerhouse Arts Centre, Liverpool\r\nExhibition: Gallery 4A Sydney, Australia</td></tr></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-1.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-1.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n<td width=\"400\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nYouth Arts Project at the Casula Powerhouse Arts Centre, Liverpool, was an extension of the exhibition Indians + Cowboys.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\nYouth Arts Project at the Casula Powerhouse Arts Centre, Liverpool, was an extension of the exhibition Indians + Cowboys.\r\nIndians + Cowboys, curated by Ruth Watson and Aaron Seeto questioned accepted ideas of cultural diversity and difference. It was conceived to illustrate the absurdity of simplifying identities into stereotypes by categorizing them on the basis of notions of cultural purity.\r\nThe Casula Powerhouse Centre is located in Liverpool, a neighbourhood where people from 150 different ethnic identities reside. For the workshop we had children from places like Iraq, Kurdistan, China, Vietnam, India etc. The potential disconnections that occur between idealized ways of seeing and describing and the ways in which individuals imagine and observe their worlds is what the work engages with. \r\nWe started by narrating an ancient Sufi story to the children called the ‘City of Ghor’, \r\nwhich is part of the childhood imagination of Indian children around the world. The story recounts a city of blind people and their encounters with an elephant. Through the process of describing, these blind people illustrate diverging and individual experiences of a single encounter. However since they had felt only a part of the elephant they arrived at an incomplete understanding with opposing conclusions on what the elephant was like.\r\nCiting examples from world politics we spoke about how wars are held because of the rigidity with which we hold on to our own perspective and are often unsympathetic towards the perspectives of others. For the workshop we handed out pieces of board in undefined/amoeboid forms to the children and asked them to render their notions of the world. While each one made their interpretation out of their own world view, the narrative of the story was used to direct them to the fact that no single notion of the world is complete and it is necessary to follow various interpretations to understand anything fully.\r\nThese later came together to form a large elephant, which was made in 5 parts and suspended in such a way that the complete form of the elephant only becomes apparent through all the contributions of the participants and only from certain vantages in the gallery.\r\nBy bringing together thoughts of children and placing them in the context of other thoughts by another set of children, the attempt was to try and create new worlds with new interpretations that are infused with a sense of individuality as well as completeness.  \r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\"><tbody>\r\n<tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-2.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-2.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr></tbody>\r\n</table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-3.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-3.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-4.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-4.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-5.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-5.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-6.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-6.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-7.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-7.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-8.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-8.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-9.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-9.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table>','t','','inherit','open','open','','1224-revision-13','','','2010-09-16 12:38:11','2010-09-16 12:38:11','',1224,'http://www.biggventures.com/demo/artists/2048/uncat/1224-revision-13',0,'revision','',0),(2049,1,'2010-09-16 12:38:55','2010-09-16 12:38:55','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-gallery.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-gallery.jpg\" alt=\"Subject-to-Change-Without-Notice\" title=\"Subject-to-Change-Without-Notice\" width=\"600\" height=\"400\" class=\"alignnone size-large wp-image-368\" /></a>\r\n</td>\r\n<td nowrap width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">ELEPHANT WALKS</span>\r\n2003\r\nCollaborative workshop by Jitish Kallat and Reena Saini Kallat at the \r\nCasula Powerhouse Arts Centre, Liverpool\r\nExhibition: Gallery 4A Sydney, Australia</td></tr></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-1.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-1.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n<td width=\"400\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nYouth Arts Project at the Casula Powerhouse Arts Centre, Liverpool, was an extension of the exhibition Indians + Cowboys.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\nYouth Arts Project at the Casula Powerhouse Arts Centre, Liverpool, was an extension of the exhibition Indians + Cowboys.\r\nIndians + Cowboys, curated by Ruth Watson and Aaron Seeto questioned accepted ideas of cultural diversity and difference. It was conceived to illustrate the absurdity of simplifying identities into stereotypes by categorizing them on the basis of notions of cultural purity.\r\nThe Casula Powerhouse Centre is located in Liverpool, a neighbourhood where people from 150 different ethnic identities reside. For the workshop we had children from places like Iraq, Kurdistan, China, Vietnam, India etc. The potential disconnections that occur between idealized ways of seeing and describing and the ways in which individuals imagine and observe their worlds is what the work engages with. \r\nWe started by narrating an ancient Sufi story to the children called the ‘City of Ghor’, \r\nwhich is part of the childhood imagination of Indian children around the world. The story recounts a city of blind people and their encounters with an elephant. Through the process of describing, these blind people illustrate diverging and individual experiences of a single encounter. However since they had felt only a part of the elephant they arrived at an incomplete understanding with opposing conclusions on what the elephant was like.\r\nCiting examples from world politics we spoke about how wars are held because of the rigidity with which we hold on to our own perspective and are often unsympathetic towards the perspectives of others. For the workshop we handed out pieces of board in undefined/amoeboid forms to the children and asked them to render their notions of the world. While each one made their interpretation out of their own world view, the narrative of the story was used to direct them to the fact that no single notion of the world is complete and it is necessary to follow various interpretations to understand anything fully.\r\nThese later came together to form a large elephant, which was made in 5 parts and suspended in such a way that the complete form of the elephant only becomes apparent through all the contributions of the participants and only from certain vantages in the gallery.\r\nBy bringing together thoughts of children and placing them in the context of other thoughts by another set of children, the attempt was to try and create new worlds with new interpretations that are infused with a sense of individuality as well as completeness.  \r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\"><tbody>\r\n<tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-2.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-2.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr></tbody>\r\n</table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-3.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-3.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-4.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-4.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-5.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-5.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-6.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-6.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-7.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-7.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-8.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-8.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-9.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-9.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table>','t','','inherit','open','open','','1224-revision-14','','','2010-09-16 12:38:55','2010-09-16 12:38:55','',1224,'http://www.biggventures.com/demo/artists/2049/uncat/1224-revision-14',0,'revision','',0),(2052,1,'2010-08-16 09:13:04','2010-08-16 09:13:04','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style>\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}</style><table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\"><tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Memoria-Mausolea.jpg\" alt=\"\" title=\"Memoria Mausolea\" width=\"600\" /></a></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Memoria Mausolea\r\n</span>2007 \r\nIvory duco paint on FRP\r\n34” (ht.) x 45” (l.) x 21” (b.)\r\nedition of 3 + AP\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Memoria-Mausolea-detail-698x1024.jpg\" alt=\"\" title=\"Memoria Mausolea-detail\" width=\"600\" /></a>\r\n</td>\r\n<td width=\"400\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\" >\r\nMemoria Mausolea is modeled on “The Gateway of India”, a monument constructed in a grand Indo-Sarasenic architectural style, to commemorate the visit of King George V and Queen Mary to Bombay.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none; width=\"400\"\">\r\nMemoria Mausolea is modeled on “The Gateway of India”, a monument constructed in a grand Indo-Sarasenic architectural style, to commemorate the visit of King George V and Queen Mary to Bombay. Although it was built as a gateway ‘to’ India, incidentally the last convoy of British Troops, The Somerset Light Infantry ‘exited’ the country from under this monument. For this ironic and inverse use of the Gateway, I think of it as an interesting symbol onto which one can inscribe episodes of our peculiar relationship to our colonial history.\r\nThe decolonisation spree through the renaming of cities and other locations to regional or Indian names from their anglicised British one’s, is an interesting example of this strained relationship. By enveloping this monument with perished colonial names of streets in Mumbai, I hope to playfully layer it with the memory of the departure of the British Empire.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n','','','inherit','open','open','','265-revision-36','','','2010-08-16 09:13:04','2010-08-16 09:13:04','',265,'http://www.biggventures.com/demo/artists/2052/uncat/265-revision-36',0,'revision','',0),(2053,1,'2010-09-16 11:24:54','2010-09-16 11:24:54','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img class=\"alignnone size-full wp-image-612\" title=\"Synonym\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/lead-synonym-07-09.jpg\" alt=\"Synonym\" width=\"600\"  /></a><span style=\"font-size:11px;\"><i>installation view,</i>Chemould Prescott Road, Mumbai</span></td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Synonym\r\n</span>2007-2009\r\n78 x 57.5 x 12 in. I 198 x 146 x 30 cm\r\nacrylic paint, rubberstamps, plexiglas\r\n</td></tr><tr><td>&nbsp;</td></tr></tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-616\" title=\"Synonym\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/synonym-1.jpg\" alt=\"Synonym\" width=\"600\" /></a></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/synonym-2.jpg\"><img class=\"alignnone size-full wp-image-618\" title=\"Synonym\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/synonym-2.jpg\" alt=\"Synonym\"  width=\"600\" /></a></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/synonym-3.jpg\"><img class=\"alignnone size-full wp-image-617\" title=\"Synonym\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/synonym-3.jpg\" alt=\"Seven Faces of Dust\" width=\"600\" /></a><span style=\"font-size:11px;\"><i>installation view,</i>National Taiwan Museum, Taiwan</span></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/synonym-4-4a.jpg\" alt=\"Synonym\" title=\"Synonym\" width=\"600\"  class=\"alignnone size-full wp-image-621\" /></a><span style=\"font-size:11px;\"><i>back view</i></span></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/synonym-5.jpg\" alt=\"Synonym\" title=\"Synonym\" width=\"600\" class=\"alignnone size-full wp-image-623\" /></a><span style=\"font-size:11px;\"><i>detail</i></span></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','438-revision-13','','','2010-09-16 11:24:54','2010-09-16 11:24:54','',438,'http://www.biggventures.com/demo/artists/2053/uncat/438-revision-13',0,'revision','',0),(2054,1,'2010-09-16 12:54:33','2010-09-16 12:54:33','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img class=\"alignnone size-full wp-image-612\" title=\"Synonym\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/lead-synonym-07-09.jpg\" alt=\"Synonym\" width=\"600\"  /></a><span style=\"font-size:11px;\"><i>installation view,</i>Chemould Prescott Road, Mumbai</span></td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Synonym\r\n</span>2007-2009\r\n78 x 57.5 x 12 in. I 198 x 146 x 30 cm\r\nacrylic paint, rubberstamps, plexiglas\r\n</td></tr><tr><td>&nbsp;</td></tr></tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-616\" title=\"Synonym\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/synonym-1.jpg\" alt=\"Synonym\" width=\"600\" /></a></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/synonym-2.jpg\"><img class=\"alignnone size-full wp-image-618\" title=\"Synonym\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/synonym-2.jpg\" alt=\"Synonym\"  width=\"600\" /></a></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/synonym-3.jpg\"><img class=\"alignnone size-full wp-image-617\" title=\"Synonym\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/synonym-3.jpg\" alt=\"Seven Faces of Dust\" width=\"600\" /></a><span style=\"font-size:11px;\"><i>installation view,</i>National Taiwan Museum, Taiwan</span></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/synonym-4-4a.jpg\" alt=\"Synonym\" title=\"Synonym\" width=\"600\"  class=\"alignnone size-full wp-image-621\" /></a></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n<tr><td><table width=100%>\r\n<tr>\r\n<td width=52%>\r\n</td>\r\n<td><span style=\"font-size: 11px;\"><i>back view</i></span></td></tr></table></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/synonym-5.jpg\" alt=\"Synonym\" title=\"Synonym\" width=\"600\" class=\"alignnone size-full wp-image-623\" /></a><span style=\"font-size:11px;\"><i>detail</i></span></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','438-revision-14','','','2010-09-16 12:54:33','2010-09-16 12:54:33','',438,'http://www.biggventures.com/demo/artists/2054/uncat/438-revision-14',0,'revision','',0),(2055,1,'2010-09-16 12:55:35','2010-09-16 12:55:35','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img class=\"alignnone size-full wp-image-612\" title=\"Synonym\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/lead-synonym-07-09.jpg\" alt=\"Synonym\" width=\"600\"  /></a><span style=\"font-size:11px;\"><i>installation view,</i>Chemould Prescott Road, Mumbai</span></td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Synonym\r\n</span>2007-2009\r\n78 x 57.5 x 12 in. I 198 x 146 x 30 cm\r\nacrylic paint, rubberstamps, plexiglas\r\n</td></tr><tr><td>&nbsp;</td></tr></tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-616\" title=\"Synonym\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/synonym-1.jpg\" alt=\"Synonym\" width=\"600\" /></a></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/synonym-2.jpg\"><img class=\"alignnone size-full wp-image-618\" title=\"Synonym\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/synonym-2.jpg\" alt=\"Synonym\"  width=\"600\" /></a></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/synonym-3.jpg\"><img class=\"alignnone size-full wp-image-617\" title=\"Synonym\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/synonym-3.jpg\" alt=\"Seven Faces of Dust\" width=\"600\" /></a><span style=\"font-size:11px;\"><i>installation view,</i>National Taiwan Museum, Taiwan</span></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/synonym-4-4a.jpg\" alt=\"Synonym\" title=\"Synonym\" width=\"600\"  class=\"alignnone size-full wp-image-621\" /></a></td>\r\n</tr><tr><td><table width=100%>\r\n<tr>\r\n<td width=52%>\r\n</td>\r\n<td><span style=\"font-size: 11px;\"><i>back view</i></span></td></tr></table></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/synonym-5.jpg\" alt=\"Synonym\" title=\"Synonym\" width=\"600\" class=\"alignnone size-full wp-image-623\" /></a><span style=\"font-size:11px;\"><i>detail</i></span></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','438-revision-15','','','2010-09-16 12:55:35','2010-09-16 12:55:35','',438,'http://www.biggventures.com/demo/artists/2055/uncat/438-revision-15',0,'revision','',0),(2056,1,'2010-09-16 11:46:03','2010-09-16 11:46:03','<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr>\r\n<td align=\"left\" width=\"200\" valign=\"top\"><a href=\"#\"><img width=\"600\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/colostrum2-1.jpg\" alt=\"Colostrum2\" title=\"Colostrum2\" class=\"alignnone size-large wp-image-993\"></a></td></tr><tr><td><table width=100%\' ><tbody><tr><td width=\'36%\'><span style=\"color: rgb(136, 136, 136);\">Colostrum (The Crown)</span><br>bonded marble<br>\r\n17 x 23 in. I 43 x 58 cm (diameter)<br>edition 3+AP </td><td valign=top><span style=\"font-size:11px\"><i>detail</i></span></td></tr></tbody></table></td></tr>\r\n</tr></tbody>\r\n</table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\"><tbody>\r\n<tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/P1-753x1024.jpg\" alt=\"P1\" title=\"P1\" width=\"600\"  class=\"alignnone size-full wp-image-878\" /></a><span style=\"color: #888888;\">Untitled (Bodice)</span><br>gold embroidery on fabric<br>\r\n63 x 38 in. I 160 x 97 cm</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/P2-1024x682.jpg\" alt=\"P2\" title=\"P2\" width=\"600\" class=\"alignnone size-large wp-image-492\" /></a><span style=\"font-size:11px\"><i>detail</i></span>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Z2-1024x771.jpg\" alt=\"Z2\" title=\"Z2\" width=\"600\" class=\"alignnone size-large wp-image-527\" /></a><span style=\"color: #888888;\">Colostrum (The Lost Shoe)</span><br>bonded marble, gold embroidery on fabric<br>\r\n34 x 47 x 15 in. I 86 x 119 x 38 cm<br>edition 3+AP</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colostrum7-682x1024.jpg\" alt=\"Colostrum7\" title=\"Colostrum7\" width=\"600\"  class=\"alignnone size-large wp-image-998\" /></a><span><i>detail</i></span></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n','','','inherit','open','open','','525-revision-30','','','2010-09-16 11:46:03','2010-09-16 11:46:03','',525,'http://www.biggventures.com/demo/artists/2056/uncat/525-revision-30',0,'revision','',0),(2057,1,'2010-09-16 13:04:51','2010-09-16 13:04:51','<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/colostrum1.jpg\" alt=\"Colostrum7\" title=\"Colostrum7\" width=\"600\"  class=\"alignnone size-large wp-image-998\" /></a></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n</td></tr>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td align=\"left\" width=\"200\" valign=\"top\"><a href=\"#\"><img width=\"600\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/colostrum2-1.jpg\" alt=\"Colostrum2\" title=\"Colostrum2\" class=\"alignnone size-large wp-image-993\"></a></td></tr><tr><td><table width=100%\' ><tbody><tr><td width=\'36%\'><span style=\"color: rgb(136, 136, 136);\">Colostrum (The Crown)</span><br>bonded marble<br>\r\n17 x 23 in. I 43 x 58 cm (diameter)<br>edition 3+AP </td><td valign=top><span style=\"font-size:11px\"><i>detail</i></span></td></tr></tbody></table>\r\n</table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\"><tbody>\r\n<tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/P1-753x1024.jpg\" alt=\"P1\" title=\"P1\" width=\"600\"  class=\"alignnone size-full wp-image-878\" /></a><span style=\"color: #888888;\">Untitled (Bodice)</span><br>gold embroidery on fabric<br>\r\n63 x 38 in. I 160 x 97 cm</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/P2-1024x682.jpg\" alt=\"P2\" title=\"P2\" width=\"600\" class=\"alignnone size-large wp-image-492\" /></a><span style=\"font-size:11px\"><i>detail</i></span>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Z2-1024x771.jpg\" alt=\"Z2\" title=\"Z2\" width=\"600\" class=\"alignnone size-large wp-image-527\" /></a><span style=\"color: #888888;\">Colostrum (The Lost Shoe)</span><br>bonded marble, gold embroidery on fabric<br>\r\n34 x 47 x 15 in. I 86 x 119 x 38 cm<br>edition 3+AP</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colostrum7-682x1024.jpg\" alt=\"Colostrum7\" title=\"Colostrum7\" width=\"600\"  class=\"alignnone size-large wp-image-998\" /></a><span><i>detail</i></span></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n','','','inherit','open','open','','525-revision-31','','','2010-09-16 13:04:51','2010-09-16 13:04:51','',525,'http://www.biggventures.com/demo/artists/2057/uncat/525-revision-31',0,'revision','',0),(2058,1,'2010-09-16 13:07:21','2010-09-16 13:07:21','<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/colostrum1.jpg\" alt=\"Colostrum7\" title=\"Colostrum7\" width=\"600\"  class=\"alignnone size-large wp-image-998\" /></a></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n</td></tr>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td align=\"left\" width=\"200\" valign=\"top\"><a href=\"#\"><img width=\"600\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/colostrum2-1.jpg\" alt=\"Colostrum2\" title=\"Colostrum2\" class=\"alignnone size-large wp-image-993\"></a></td></tr><tr><td><table width=100%\' ><tbody><tr><td width=\'36%\'><span style=\"color: rgb(136, 136, 136);\">Colostrum (The Crown)</span><br>bonded marble<br>\r\n17 x 23 in. I 43 x 58 cm (diameter)<br>edition 3+AP </td><td valign=top><span style=\"font-size:11px\"><i>detail</i></span></td>\r\n</tr><tr><td>&nbsp;</td></tr></tbody></table>\r\n</table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\"><tbody>\r\n<tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/P1-753x1024.jpg\" alt=\"P1\" title=\"P1\" width=\"600\"  class=\"alignnone size-full wp-image-878\" /></a><span style=\"color: #888888;\">Untitled (Bodice)</span><br>gold embroidery on fabric<br>\r\n63 x 38 in. I 160 x 97 cm</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/P2-1024x682.jpg\" alt=\"P2\" title=\"P2\" width=\"600\" class=\"alignnone size-large wp-image-492\" /></a><span style=\"font-size:11px\"><i>detail</i></span>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Z2-1024x771.jpg\" alt=\"Z2\" title=\"Z2\" width=\"600\" class=\"alignnone size-large wp-image-527\" /></a><span style=\"color: #888888;\">Colostrum (The Lost Shoe)</span><br>bonded marble, gold embroidery on fabric<br>\r\n34 x 47 x 15 in. I 86 x 119 x 38 cm<br>edition 3+AP</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colostrum7-682x1024.jpg\" alt=\"Colostrum7\" title=\"Colostrum7\" width=\"600\"  class=\"alignnone size-large wp-image-998\" /></a><span><i>detail</i></span></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n','','','inherit','open','open','','525-revision-32','','','2010-09-16 13:07:21','2010-09-16 13:07:21','',525,'http://www.biggventures.com/demo/artists/2058/uncat/525-revision-32',0,'revision','',0),(2059,1,'2010-09-16 13:08:50','2010-09-16 13:08:50','<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/colostrum1.jpg\" alt=\"Colostrum7\" title=\"Colostrum7\" width=\"600\"  class=\"alignnone size-large wp-image-998\" /></a><span style=\"font-size:11px;\"><i>installation view,</i> , Chemould Prescott Road, Mumbai</span></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n</td></tr>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td align=\"left\" width=\"200\" valign=\"top\"><a href=\"#\"><img width=\"600\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/colostrum2-1.jpg\" alt=\"Colostrum2\" title=\"Colostrum2\" class=\"alignnone size-large wp-image-993\"></a></td></tr><tr><td><table width=100%\' ><tbody><tr><td width=\'36%\'><span style=\"color: rgb(136, 136, 136);\">Colostrum (The Crown)</span><br>bonded marble<br>\r\n17 x 23 in. I 43 x 58 cm (diameter)<br>edition 3+AP </td><td valign=top><span style=\"font-size:11px\"><i>detail</i></span></td>\r\n</tr><tr><td>&nbsp;</td></tr></tbody></table>\r\n</table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\"><tbody>\r\n<tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/P1-753x1024.jpg\" alt=\"P1\" title=\"P1\" width=\"600\"  class=\"alignnone size-full wp-image-878\" /></a><span style=\"color: #888888;\">Untitled (Bodice)</span><br>gold embroidery on fabric<br>\r\n63 x 38 in. I 160 x 97 cm</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/P2-1024x682.jpg\" alt=\"P2\" title=\"P2\" width=\"600\" class=\"alignnone size-large wp-image-492\" /></a><span style=\"font-size:11px\"><i>detail</i></span>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Z2-1024x771.jpg\" alt=\"Z2\" title=\"Z2\" width=\"600\" class=\"alignnone size-large wp-image-527\" /></a><span style=\"color: #888888;\">Colostrum (The Lost Shoe)</span><br>bonded marble, gold embroidery on fabric<br>\r\n34 x 47 x 15 in. I 86 x 119 x 38 cm<br>edition 3+AP</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colostrum7-682x1024.jpg\" alt=\"Colostrum7\" title=\"Colostrum7\" width=\"600\"  class=\"alignnone size-large wp-image-998\" /></a><span style=\"font-size:11px\"><i>detail</i></span></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n','','','inherit','open','open','','525-revision-33','','','2010-09-16 13:08:50','2010-09-16 13:08:50','',525,'http://www.biggventures.com/demo/artists/2059/uncat/525-revision-33',0,'revision','',0),(2060,1,'2010-09-16 13:09:29','2010-09-16 13:09:29','<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/colostrum1.jpg\" alt=\"Colostrum7\" title=\"Colostrum7\" width=\"600\"  class=\"alignnone size-large wp-image-998\" /></a><span style=\"font-size:11px;\"><i>installation view,</i> , Chemould Prescott Road, Mumbai</span></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n</td></tr>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td align=\"left\" width=\"200\" valign=\"top\"><a href=\"#\"><img width=\"600\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/colostrum2-1.jpg\" alt=\"Colostrum2\" title=\"Colostrum2\" class=\"alignnone size-large wp-image-993\"></a></td></tr><tr><td><table width=100%\' ><tbody><tr><td width=\'36%\'><span style=\"color: rgb(136, 136, 136);\">Colostrum (The Crown)</span><br>bonded marble<br>\r\n17 x 23 in. I 43 x 58 cm (diameter)<br>edition 3+AP </td><td valign=top><span style=\"font-size:11px\"><i>detail</i></span></td>\r\n</tr><tr><td>&nbsp;</td></tr></tbody></table>\r\n</table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\"><tbody>\r\n<tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/P1-753x1024.jpg\" alt=\"P1\" title=\"P1\" width=\"600\"  class=\"alignnone size-full wp-image-878\" /></a><span style=\"color: #888888;\">Untitled (Bodice)</span><br>gold embroidery on fabric<br>\r\n63 x 38 in. I 160 x 97 cm</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/P2-1024x682.jpg\" alt=\"P2\" title=\"P2\" width=\"600\" class=\"alignnone size-large wp-image-492\" /></a><span style=\"font-size:11px\"><i>detail</i></span>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Z2-1024x771.jpg\" alt=\"Z2\" title=\"Z2\" width=\"600\" class=\"alignnone size-large wp-image-527\" /></a><span style=\"color: #888888;\">Colostrum (The Lost Shoe)</span><br>bonded marble, gold embroidery on fabric<br>\r\n34 x 47 x 15 in. I 86 x 119 x 38 cm<br>edition 3+AP</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colostrum7-682x1024.jpg\" alt=\"Colostrum7\" title=\"Colostrum7\" width=\"600\"  class=\"alignnone size-large wp-image-998\" /></a><span style=\"font-size:11px;\"><i>detail</i></span></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n','','','inherit','open','open','','525-revision-34','','','2010-09-16 13:09:29','2010-09-16 13:09:29','',525,'http://www.biggventures.com/demo/artists/2060/uncat/525-revision-34',0,'revision','',0),(2061,1,'2010-09-16 13:10:12','2010-09-16 13:10:12','<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/colostrum1.jpg\" alt=\"Colostrum7\" title=\"Colostrum7\" width=\"600\"  class=\"alignnone size-large wp-image-998\" /></a><span style=\"font-size:11px;\"><i>installation view,</i> , Chemould Prescott Road, Mumbai</span></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n</td></tr>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td align=\"left\" width=\"200\" valign=\"top\"><a href=\"#\"><img width=\"600\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/colostrum2-1.jpg\" alt=\"Colostrum2\" title=\"Colostrum2\" class=\"alignnone size-large wp-image-993\"></a></td></tr><tr><td><table width=100%\' ><tbody><tr><td width=\'36%\'><span style=\"color: rgb(136, 136, 136);\">Colostrum (The Crown)</span><br>bonded marble<br>\r\n17 x 23 in. I 43 x 58 cm (diameter)<br>edition 3+AP </td><td valign=top><span style=\"font-size:11px\"><i>detail</i></span></td>\r\n</tr><tr><td>&nbsp;</td></tr></tbody></table>\r\n</table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\"><tbody>\r\n<tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/P1-753x1024.jpg\" alt=\"P1\" title=\"P1\" width=\"600\"  class=\"alignnone size-full wp-image-878\" /></a><span style=\"color: #888888;\">Untitled (Bodice)</span><br>gold embroidery on fabric<br>\r\n63 x 38 in. I 160 x 97 cm</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/P2-1024x682.jpg\" alt=\"P2\" title=\"P2\" width=\"600\" class=\"alignnone size-large wp-image-492\" /></a><span style=\"font-size:11px\"><i>detail</i></span>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Z2-1024x771.jpg\" alt=\"Z2\" title=\"Z2\" width=\"600\" class=\"alignnone size-large wp-image-527\" /></a><span style=\"color: #888888;\">Colostrum (The Lost Shoe)</span><br>bonded marble, gold embroidery on fabric<br>\r\n34 x 47 x 15 in. I 86 x 119 x 38 cm<br>edition 3+AP</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colostrum7-682x1024.jpg\" alt=\"Colostrum7\" title=\"Colostrum7\" width=\"600\"  class=\"alignnone size-large wp-image-998\" /></a><span style=\"font-size:11px;\"><i>detail</i></span></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n','','','inherit','open','open','','525-revision-35','','','2010-09-16 13:10:12','2010-09-16 13:10:12','',525,'http://www.biggventures.com/demo/artists/2061/uncat/525-revision-35',0,'revision','',0),(2062,1,'2010-09-16 13:16:51','2010-09-16 13:16:51','<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/colostrum1.jpg\" alt=\"Colostrum7\" title=\"Colostrum7\" width=\"600\"  class=\"alignnone size-large wp-image-998\" /></a><span style=\"font-size:11px;\"><i>installation view,</i> , Chemould Prescott Road, Mumbai</span></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n</td></tr>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td align=\"left\" width=\"200\" valign=\"top\"><a href=\"#\"><img width=\"600\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/colostrum2-1.jpg\" alt=\"Colostrum2\" title=\"Colostrum2\" class=\"alignnone size-large wp-image-993\"></a></td></tr><tr><td><table width=100% cellpadding=0 cellspacing=0><tbody><tr><td width=\'36%\'><span style=\"color: rgb(136, 136, 136);\">Colostrum (The Crown)</span><br>bonded marble<br>\r\n17 x 23 in. I 43 x 58 cm (diameter)<br>edition 3+AP </td><td valign=top><span style=\"font-size:11px\"><i>detail</i></span></td>\r\n</tr><tr><td>&nbsp;</td></tr></tbody></table>\r\n</table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\"><tbody>\r\n<tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/P1-753x1024.jpg\" alt=\"P1\" title=\"P1\" width=\"600\"  class=\"alignnone size-full wp-image-878\" /></a><span style=\"color: #888888;\">Untitled (Bodice)</span><br>gold embroidery on fabric<br>\r\n63 x 38 in. I 160 x 97 cm</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/P2-1024x682.jpg\" alt=\"P2\" title=\"P2\" width=\"600\" class=\"alignnone size-large wp-image-492\" /></a><span style=\"font-size:11px\"><i>detail</i></span>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Z2-1024x771.jpg\" alt=\"Z2\" title=\"Z2\" width=\"600\" class=\"alignnone size-large wp-image-527\" /></a><span style=\"color: #888888;\">Colostrum (The Lost Shoe)</span><br>bonded marble, gold embroidery on fabric<br>\r\n34 x 47 x 15 in. I 86 x 119 x 38 cm<br>edition 3+AP</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colostrum7-682x1024.jpg\" alt=\"Colostrum7\" title=\"Colostrum7\" width=\"600\"  class=\"alignnone size-large wp-image-998\" /></a><span style=\"font-size:11px;\"><i>detail</i></span></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n','','','inherit','open','open','','525-revision-36','','','2010-09-16 13:16:51','2010-09-16 13:16:51','',525,'http://www.biggventures.com/demo/artists/2062/uncat/525-revision-36',0,'revision','',0),(2063,1,'2010-09-16 12:56:59','2010-09-16 12:56:59','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img class=\"alignnone size-full wp-image-612\" title=\"Synonym\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/lead-synonym-07-09.jpg\" alt=\"Synonym\" width=\"600\"  /></a><span style=\"font-size:11px;\"><i>installation view,</i>Chemould Prescott Road, Mumbai</span></td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Synonym\r\n</span>2007-2009\r\n78 x 57.5 x 12 in. I 198 x 146 x 30 cm\r\nacrylic paint, rubberstamps, plexiglas\r\n</td></tr><tr><td>&nbsp;</td></tr></tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-616\" title=\"Synonym\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/synonym-1.jpg\" alt=\"Synonym\" width=\"600\" /></a></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/synonym-2.jpg\"><img class=\"alignnone size-full wp-image-618\" title=\"Synonym\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/synonym-2.jpg\" alt=\"Synonym\"  width=\"600\" /></a></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/synonym-3.jpg\"><img class=\"alignnone size-full wp-image-617\" title=\"Synonym\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/synonym-3.jpg\" alt=\"Seven Faces of Dust\" width=\"600\" /></a><span style=\"font-size:11px;\"><i>installation view,</i>National Taiwan Museum, Taiwan</span></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/synonym-4-4a.jpg\" alt=\"Synonym\" title=\"Synonym\" width=\"600\"  class=\"alignnone size-full wp-image-621\" /></a></td>\r\n</tr><tr><td><table width=100% cellspacing=\"0\" cellpadding=\"0\">\r\n<tr>\r\n<td width=52%>\r\n</td>\r\n<td><span style=\"font-size: 11px;\"><i>back view</i></span></td></tr></table></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/synonym-5.jpg\" alt=\"Synonym\" title=\"Synonym\" width=\"600\" class=\"alignnone size-full wp-image-623\" /></a><span style=\"font-size:11px;\"><i>detail</i></span></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','438-revision-16','','','2010-09-16 12:56:59','2010-09-16 12:56:59','',438,'http://www.biggventures.com/demo/artists/2063/uncat/438-revision-16',0,'revision','',0),(2064,1,'2010-09-16 11:49:20','2010-09-16 11:49:20','<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-2-1024x7341.jpg\" alt=\"Silt-of-Seasons-2\" title=\"Silt-of-Seasons-2-1024x734\" width=\"600\" class=\"alignnone size-full wp-image-873\" /></a><span style=\"font-size:11px;\"><i>installation view,</i> , Taehwa-river Eco Art Festival, Korea</span></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Silt of Seasons-2</span>\r\n2008\r\ndigital print on flex\r\n84 x 48 in. I 213 x 122 cm each (set of 10 prints)\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-2_detail-1024x768.jpg\" alt=\"Silt of Seasons-2_detail\" title=\"Silt of Seasons-2_detail\" width=\"600\"  class=\"alignnone size-large wp-image-358\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-2-detail-768x1024.jpg\" alt=\"\" title=\"Silt of Seasons-2-detail\" width=\"603\"  class=\"alignnone size-large wp-image-359\" /></a><span style=\"font-size:11px;\"><i>detail</i></span></td>\r\n</tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','356-revision-16','','','2010-09-16 11:49:20','2010-09-16 11:49:20','',356,'http://www.biggventures.com/demo/artists/2064/uncat/356-revision-16',0,'revision','',0),(2065,1,'2010-09-16 13:29:35','2010-09-16 13:29:35','<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-2-1024x7341.jpg\" alt=\"Silt-of-Seasons-2\" title=\"Silt-of-Seasons-2-1024x734\" width=\"600\" class=\"alignnone size-full wp-image-873\" /></a><span style=\"font-size:11px;\"><i>installation view,</i> , Taehwa-river Eco Art Festival, Korea</span></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Silt of Seasons-2</span>\r\n2008\r\ndigital print on flex\r\n84 x 48 in. I 213 x 122 cm each (set of 10 prints)\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-2_detail-1024x768.jpg\" alt=\"Silt of Seasons-2_detail\" title=\"Silt of Seasons-2_detail\" width=\"600\"  class=\"alignnone size-large wp-image-358\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-2-detail-768x1024.jpg\" alt=\"\" title=\"Silt of Seasons-2-detail\" width=\"603\"  class=\"alignnone size-large wp-image-359\" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<tr>\r\n<td>\r\n<table cellspacing=\"0\" cellpadding=\"0\" width=\"100%\">\r\n<tbody><tr>\r\n<td width=\"52%\">\r\n</td>\r\n<td><span style=\"font-size: 11px;\"><i>detail</i></span></td>\r\n</tr>\r\n</tbody></table>\r\n</td>\r\n</tr>','','','inherit','open','open','','356-revision-17','','','2010-09-16 13:29:35','2010-09-16 13:29:35','',356,'http://www.biggventures.com/demo/artists/2065/uncat/356-revision-17',0,'revision','',0),(2066,1,'2010-09-16 12:08:45','2010-09-16 12:08:45','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Crease-Crevice-Contour.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Crease-Crevice-Contour-1024x605.jpg\" alt=\"Crease- Crevice- Contour\" title=\"Crease- Crevice- Contour\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></a>\r\n</td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Crease Crevice Contour\r\n</span>2008\r\npigment print on Hahnemuhle Museum etching \r\narchival paper\r\n40 x 50 in. I 101 x 127 cm each (set of 10 prints)\r\nedition 10+AP\r\nEdition 10 + AP</td></tr></tr><tr><td>&nbsp;</td></tr></tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Crease-Crevice-Contour-detail.jpg\" alt=\"Crease- Crevice- Contour-detail\" title=\"Crease- Crevice- Contour-detail\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n<td width=\"400\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\n‘Crease/ Crevice/ Contour’, a collection of 10 photographs, traces the changing L.O.C. (Line Of Control) between India and Pakistan, from October 1947 to December 1948. It refers to the first of the four wars fought among the two newly independent nations over the region of Kashmir.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\n‘Crease/ Crevice/ Contour’, a collection of 10 photographs, traces the changing L.O.C. (Line Of Control) between India and Pakistan, from October 1947 to December 1948. It refers to the first of the four wars fought among the two newly independent nations over the region of Kashmir. The result of the war, still affects the geo-politics of both the countries to this day, leaving behind a deep sense of mistrust and many psychological scars.\r\nThe photo-piece comprises names of those who’ve signed the peace petition between India and Pakistan. Within my work the L.O.C. appears recurrently not just as a political demarcation but metaphorically as a sociological barrier amongst the people on both sides.  \r\nThe work maps the movement of the LOC, showcasing 10 stages of the war through a diagrammatic sketch of the shifting border, finally leading up to the historical ceasefire. The photonever graphs are close details of the back of a body stamped with names using rubber-stamps; the collective cluster of names forming the shifting territory between the two countries, appears like a residual scar of the ending dispute.\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Crease-Crevice-Contour-3.jpg\" alt=\"Crease- Crevice- Contour-detail\" title=\"Crease- Crevice- Contour-detail\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a><span style=\"font-size:11px;\"><i>internet reference material</i></span></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n','','','inherit','open','open','','348-revision-37','','','2010-09-16 12:08:45','2010-09-16 12:08:45','',348,'http://www.biggventures.com/demo/artists/2066/uncat/348-revision-37',0,'revision','',0),(2067,1,'2010-09-16 12:19:47','2010-09-16 12:19:47','<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-gallery.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-gallery.jpg\" alt=\"Subject-to-Change-Without-Notice\" title=\"Subject-to-Change-Without-Notice\" width=\"600\" height=\"400\" class=\"alignnone size-large wp-image-368\" /></a><span style=\"font-size:11px;\"><i>installation view,</i> Stux Gallery, New York</span></td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Synonym\r\n</span>2009\r\nAcrylic paint, rubberstamps, plexiglass\r\n60 x 45 in. I 152 x 114 cm\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-1.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-3-4.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-3-detail.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a><span style=\"font-size:11px;\"><i>detail</i></span></td>\r\n\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n','','','inherit','open','open','','1238-revision-6','','','2010-09-16 12:19:47','2010-09-16 12:19:47','',1238,'http://www.biggventures.com/demo/artists/2067/uncat/1238-revision-6',0,'revision','',0),(2070,1,'2010-09-20 06:28:45','2010-09-20 06:28:45','<p><strong><span style=\"color: rgb(136, 136, 136);\">NEVER RUN AWAY</span></strong></p>\r\n<p><strong>Shaheen Merali</strong></p>\r\n<p>“Who knows what you said…?</p>\r\n<p>Who knows what I heard?</p>\r\n<p>Some thing stirred in my heart.”1</p>\r\n<p>………is an excerpt from the lyrics of a song featured in the seminal film, Pyaasa, written by the legendary actor and film director Guru Dutt. In these few words, a brief exchange occurs that encapsulates the premise of this exhibition &ndash; the desire to know and be touched by what is known and felt by someone else.</p>\r\n<p>The two artists in this exhibition, Reena Kallat and Sara Rahbar, live on different continents, Asia and North America, or sometimes on the same one, namely Asia (India and Iran), from where their observations about the nature of power as it effects belonging informs their individual practices.</p>\r\n<p>Their work speaks about concerns and caution, in a time when power re-infects those already weakened by how it has been nurtured in a post-global society, of absolutes that have made our world spiral into an existential meltdown with the gradual erosion of rights and mobility; &ndash; a set of conditions that is leading to an increment in the condition of subalternity. 2 This subaltern status that results from the rise of neo-liberalist cosmopolitanism and a hegemonic globalization, has disturbed fragile states and complicates economic relationships along gender, tribal, ethnic and racial lines.</p>\r\n<p><em>“If Winter comes, can Spring be far away?”</em> 3</p>\r\n<p>A feeling of intensity, with grimacing smiles, unites the look of the three portraits that are present in the exhibition. Fused with an uncontrollable shyness, these faces speak of subjugating accounts which have drained the meaning from their lives &ndash; a significance that alludes logic but produces a tragic effect for those who have succumbed to its finality. These three portraits speak of a terminus, of lives which seem to be tainted by a bitter sadness in a quivering space of the unaccepted……in a form of statelessness, a curbed life or a trampled future.</p>\r\n<p>The work that Kallat has been producing can be seen as part of a growing realization in the picturing of the victims of post-global reality. The recent and sudden drop in status of many people from certain regions of India, Pakistan and Bangladesh, who were dependent on patterns of mass migration for their economic survival, has come to provide a vivid portrayal of the victims of the contemporary haste to build and the shadows remaining in the reversal of this trend. Like a rudderless raft by the wayside of international abandon, these courageous souls, who had trawled their way through multitudes of notary agents and officialdom to win over the processes of bureaucracy, are now abandoned in a no-mans land. Here, between economies and between national recessions, they exist virtually, on paper and by symbolic agreements that no longer can be afforded.</p>\r\n<p>Kallat employs rubberstamps in her sculptural works that talk of the selected method given to this signifier of notional belonging, of an identifiable winner in the contest in life’s lottery for official approval. Here these faceless pedestrians remain indebted to these much-valued stamps, an act that seals their fate and proffers a certain clemency, an escape from hunger and unemployment, one more hurdle overcome in a life which constructs always one more hurdle. These sculptures, <em>Synonyms </em>and <em>Colour Curtain (between shores and the seas)</em> are partly summations of their partaking in the arduous process of bureaucracy and of access or denial beyond the border. Often these stamps are themselves the very force that restricts access.</p>\r\n<p>Her portrayal of the barriers and of cross-border travelers is an ode to the scatterlogical effects of labor in the way globalisation has effectively used Asia and Asians. If there was a primal axis of globalisation, it was in the way that people became an asset, moved around or kept in place by these acts of decree. Driven by their need to survive beyond the daily rations of imploded Asian densities and realities, the fantasy of globalisation provided the impulse, the strength and, in some cases, the eventual possibility to forsake the meager economic standards of their homeland. The possibilities of a grander vision of hub capitals and shopping cities, emerging out of deserts and global nightmares, created an insatiable, tameless ambition amongst the subalterns, responding to the swift and loud calling for their bodies.</p>\r\n<p>It was in this uncontrollable moment of labor as goods, trickling slowly but surely from Asia, and especially South East Asia, to quivering impetuous states by the Arabian Seas that a dark turn in the world’s economic fortunes started to make itself felt.</p>\r\n<p>Central to the sculptural works, particularly the large-scale portraits, Synonyms, assembled from the type of rubber stamps commonly used in offices is a jigsaw of the rejected or disappeared, magically re-appearing like a forlorn apparition. Their benign gaze is made manifest in an aura of a contemporary recording that charts the demise of the right to entry or existence.  Never before has the sense of the globally contrite been so finely explored.</p>\r\n<p>A fierce desperation, of loss and the lost is further developed in the accompanying works on paper, <em>Your Mileage May Vary</em>; here aspirations and expectations, displacement and un-belonging are found within a maze of restrictions and controls. It is a truism that all opposites attract and repel, like black and white and these spills and the topographically drawn co-exist on one plane. In this way <em>Colour Curtain (between shores and the seas) </em>is physically formed by linking differing information within one site; that of a set of rubberstamps carrying the names of individuals who have been denied visas to various countries on the basis of their class, culture, nation, religion, politics or other such notions of personal identity in combination with colors derived from various national flags.</p>\r\n<p><em>Your Mileage May Vary</em> takes a similar re-routing of details of individuals’ names and combines them with maps and mazes to suggest lost journeys and unending departures or arrivals. Kallat states “Even as cultures blend with a greater movement of people and information than any moment in human history, borders have become more controlled and monitored than ever before”.4 The contemporary border has ceased to be mere crossings but more a space in which the contraband and the pirated in terms of goods, people and modern slavery is enforced and exchanged. Your Mileage May Vary starts to suggest such a sinister domain, a new place full of sorcerers and gangsters and pirates who make things disappear and where children, women, drugs, organs and arms remain un-rendered, undocumented. This maze of officialdom creates a seemingly haunted place, redolent with both mystery and misery. These occluded spaces remain indicative of a crisis in constant appropriation and the mist of realities that paralyses normality. Borders are no longer guarded domains but contested environments and we have to ask what is their purpose and whom do they really serve? They are, after all, grounds in which to plunder, rape and dehumanize our already demoralized world, in this existential crisis. Kallat asks here not who we are but what we have become.</p>\r\n<p><strong>The sartorial rage</strong><strong> </strong></p>\r\n<p>Sara Rahbar’s Those expectations for sunshine is a series of tightly arranged material, which is highly suggestive in its mixed provenance, making the audience react instantly to its redolent references of today’s regrets and future’s fears.</p>\r\n<p>The title, <em>Those expectations for sunshine, </em>already proposes such a prospect but it is in the correlation and co-relatedness of the prints and their signifiers that one starts to unravel the meaning of what is implied. An old Afghan coat reveals its inner lining to be sewn from an American flag and a set of the Islamic Republic of Iran’s flag droops in a post-coital fashion from a set of old wooden pulleys. This set of flags and garments are foundational sources, which have, over a period of time, come to represent specific and contrary historical accounts. In viewing them together, a unique set of values springs forth in an assembly of suspiring images. Symbolically, the American flag has now come to represent a spectrum of beliefs, of divergent statuses; some see it a symbol of evil and others see it as a force of civility, whilst the flag of Iran has recently been more internationally recognized for its emerging discourse around its own second revolution. Within these two diametrically spirited symbols, the Afghan coat, once a symbol of the relaxed urbanity of the sixties, starts to veer away from its popular but faded hippiedom and begins to mourn the sustained campaign of war and its driving force, opium.  Rahbar delineates the space for consideration by stimulating us, nudging us to think in terms of combinative suggestions- specifically as to what do these three countries mean to us now?</p>\r\n<p>Rahbar is an adept inventor, often astutely combining factors so as to give unusual capital to an image, a brief of complicit arrangements, wherein chaste meanings are combined and a sort of visual combustion, that often challenges assumptions, allows a discursive release. Those expectations for sunshine speaks to its audience through the use of everyday objects and, in drawing them into close proximity, the lack of rationale in the overriding globally recognized geographies of values is exposed.</p>\r\n<p>She offers an exploration of the dilemma about where freedom is now represented in the world and which places do we consider to form our diametric opposite  &ndash; the axis of our evils. We are left to see and feel the taste of our politics and our hypocrisy in an arrangement of stains and symbols.</p>\r\n<p>The photographic series<em>, Love arrived and how red</em>, focuses on an unfulfilled, maybe even failed, human condition of stricken love which she astutely weaves to create a metaphoric reading of the deplorable state of both the nation-state and society.  She employs her band of symbols including the flag, the uniform and the proxy dressing of formalizing liaisons- a wedding dress. A complicated set of Hogarthian images emerges, filled with pain and details of distance, of one season and another treason, of traps and of shame as the series evolves into a culmination of probable death, suicide or matricide &ndash; an immense underworld of distorted emotions and a calculated soaring of the out of control.</p>\r\n<p><em>Love arrived and how red</em> interrogates the common institutionalized methods of organizing life and ambition within a heterosexual (therefore normative) praxis, resulting in a lethal set of symbolic and emotional encounters. The premise explodes in the midst of the very act of coming together, of an imagined set of possibilities which combust to proclaim the impossibility of happiness or of bilateral belonging. The images suggest that all enstrangements and differences slowly crumble under their own imperfections and predict their own eventual undoing, revealing only opposites that fight and flee.</p>\r\n<p>The failure that these images argue is inherent in all socially approved relationships and the weakness apparent in all political acts including diplomacy, is here made evident. The male and female couple, dressed as bride and groom in a set of tribal and nationalistic outfits, make explicit the ‘war’ of the last thirty years of the two countries represented, delineating a contrary Iran, its face turned deliberately away from the USA.</p>\r\n<p>Rahbar is passionate in her choice of textures and fabrics, as is evident in her lengthy conversations with thirty odd assemblages known as the Flag series. The authority gained, both from the process of making and from drawing from research to understand the meanings and qualities of a constructed world of textiles and embroideries, finds itself in her photographic series Love arrived and how red and, in a more subdued manner, in the recent <em>You have come late, and I have lost my chastity.</em><strong> </strong></p>\r\n<p>Nuances, pertaining to gender, power and animalism, are subtly used to allow a fine-tuning between the protagonists, leaving a sour taste around notions of nationalisms, imbued and directed within and without the frame. Both series of works are not meant to be discrete discussions on gender relationships but rather to use symbolism and a sense of movement that collapses the space in between to reveal a caustic narrative.</p>\r\n<p>The dramatic lighting, the costumes and the theatricality, including the army paraphernalia and the flags in Love arrived and how red, the gangsters’ suit and the dark tights in You have come late, and I have lost my chastity have obvious connotations for any spectator, tracing and binding our sense of a vocabulary drawn from the anthropological to the cinematic. Both series remain unapologetic in using the ambition and structure drawn from the cinematic and this usage allows the work to construct many paradoxical relationships of a complexity that depends on our relation to the history of this genre.</p>\r\n<p><em>You have come late, and I have lost my chastity</em> plays on our recognition of these images, from some sort of image bank that is derivative of dance forms and soap operas, where women are forced into submission by force and the act of aggression is based on notions of sexuality.  The notion of honor killings, domestic violence and crimes of passion come to mind, but the slow releasing violence in Lynchian slow motion provides a vantage position from which to understand the place of violence in our world. As Hannah Arendt explains “The more dubious and uncertain an instrument violence has become in international relations, the more it has gained in reputation and appeal in domestic affairs, specifically in the matter of revolution.”5</p>\r\n<p><em>Lets prepare today so that tomorrow we don’t stare at the cries of darkness.</em></p>\r\n<p>Many are those who have recently been talking about patterns that have developed in the first part of this new millennium, particularly from the seminal events of its first decade, which now affect all of us so sharply. The notion of suicide, in terms of frequency and those who use it is as a weapon, seems to be one of the most excessive, costly and maybe, even unsustainable traits of the new millennium. Travel, borders and security are all recognizable issues of concern that protrude into every second of our postmodern realities.</p>\r\n<p>No longer can we be certain of any route or place beyond the fact that the whole world and all its peoples are now burdened and on the verge of serious crisis, anytime and anywhere.  The constancy of threat and the doom and gloom in situ, has affected many artists’ practices and, like many others in the creative fields, they are trying to come to terms with this situation from within their own particular language, history and abilities to contextualize these hyperbolic times.</p>\r\n<p>Their concern and the potency of the current state of exception, of a global apartheid and of internal strife, marks a defining shift from the discourses of wholehearted globalization, where subject or subjectivity were located by cross borders’ references. Never Run Away discusses an account of the ebbing dynamics of unrealized citizenship, not the recent here or there, but a constant without everywhere.</p>\r\n<p><em>Never run away</em> is a curatorial premise based on those who no longer can run away.  It brings together an understanding of the place of not belonging, an exposed fracas, a non-consensual image of cruelty which binds and confers “an anotherness” within, that is starting to be examined forcefully by artists and writers who share a historical and cultural similarity.</p>\r\n<p>In a world of multiple themes and anthologies, the chaos that these terms of loss, disappearance and holding back create, provides an omnivorous, sociological and artistic push for any enquiry. It is through its indexical qualities that it provides an enriched metaphoric ground for further private contestations.</p>\r\n<p>Particularly in this remarkable passage of history, of the credit crunch and hibernating institutions, of unilateral ‘just wars’ and some of the most uncertain global conditions, it is important to take stock of this “worlding” and this exhibition, <em>Never run away</em>, alongside other emerging forums that represent the post-market dialogue, provides an invaluable space in which to study the predicament of culture at a time of deflation and when the ebb is the condition acting as a stimulation in comprehending culture. As Simone de Beauvoir explains “I tore myself away from the safe comfort of certainties through my love for truth &mdash; and truth rewarded me.”6</p>\r\n<p>1.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Pyaasa, lyrics from Jaane Kya Tune Kahi, Directed by Guru Dutt, 1957.</p>\r\n<p>2.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; “A person rendered without agency by his or her social status”. Robert Young J. C., Postcolonialism: A Very Short Introduction. (New York: Oxford University Press), 2003.</p>\r\n<p>3.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; P.B.Shelley ‘Ode to the West Wind’ English Poems. Ed. Edward Chauncey Baldwin. New York: American Book Company, 1908.</p>\r\n<p>4.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Reena Kallat, unpublished e-mail Dec 2009.</p>\r\n<p>5.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Hannah Arendt, <em>On Revolution</em>, New   York: Viking, 1963.</p>\r\n<p>Simone de Beauvoir <em>All Said and Done</em> p. 16, 1972.</p>\r\n','','','inherit','open','open','','1513-revision-8','','','2010-09-20 06:28:45','2010-09-20 06:28:45','',1513,'http://www.biggventures.com/demo/artists/2070/uncat/1513-revision-8',0,'revision','',0),(2068,1,'2010-07-10 11:01:52','2010-07-10 11:01:52','<strong><span style=\"color: #888888;\">NEVER RUN AWAY</span></strong>\r\n<b>Shaheen Merali</b>\r\n\r\n“Who knows what you said…?\r\n\r\nWho knows what I heard?\r\n\r\nSome thing stirred in my heart.”1\r\n\r\n………is an excerpt from the lyrics of a song featured in the seminal film, Pyaasa, written by the legendary actor and film director Guru Dutt. In these few words, a brief exchange occurs that encapsulates the premise of this exhibition - the desire to know and be touched by what is known and felt by someone else.\r\n\r\nThe two artists in this exhibition, Reena Kallat and Sara Rahbar, live on different continents, Asia and North America, or sometimes on the same one, namely Asia (India and Iran), from where their observations about the nature of power as it effects belonging informs their individual practices.\r\n\r\nTheir work speaks about concerns and caution, in a time when power re-infects those already weakened by how it has been nurtured in a post-global society, of absolutes that have made our world spiral into an existential meltdown with the gradual erosion of rights and mobility; - a set of conditions that is leading to an increment in the condition of subalternity. 2 This subaltern status that results from the rise of neo-liberalist cosmopolitanism and a hegemonic globalisation, has disturbed fragile states and complicates economic relationships along gender, tribal, ethnic and racial lines.\r\n\r\n<em>“If Winter comes, can Spring be far away?”</em> 3\r\n\r\nA feeling of intensity, with grimacing smiles, unites the look of the three portraits that are present in the exhibition. Fused with an uncontrollable shyness, these faces speak of subjugating accounts which have drained the meaning from their lives - a significance that alludes logic but produces a tragic effect for those who have succumbed to its finality. These three known and felt by someone else.\r\n\r\nThe two artists in this exhibition, Reena Kallat and Sara Rahbar, live on different continents, Asia and North America, or sometimes on the same one, namely Asia (India and Iran), from where their observations about the nature of power as it effects belonging informs their individual practices.\r\n\r\nTheir work speaks about concerns and caution, in a time when power re-infects those already weakened by how it has been nurtured in a post-global society, of absolutes that have made our world spiral into an existential meltdown with the gradual erosion of rights and mobility; - a set of conditions that is leading to an increment in the condition of subalternity. 2 This subaltern status that results from the rise of neo-liberalist cosmopolitanism and a hegemonic globalisation, has disturbed fragile states and complicates economic relationships along gender, tribal, ethnic and racial lines.\r\n\r\n<em>“If Winter comes, can Spring be far away?”</em> 3\r\n\r\nA feeling of intensity, with grimacing smiles, unites the look of the three portraits that are present in the exhibition. Fused with an uncontrollable shyness, these faces speak of subjugating accounts which have drained the meaning from their lives - a significance that alludes logic but produces a tragic effect for those who have succumbed to its finality. These three portraits speak of a terminus, of lives which seem to be tainted by a bitter sadness in a quivering space of the unaccepted……in a form of statelessness, a curbed life or a trampled future.\r\n\r\nThe work that Kallat has been producing can be seen as part of a growing realization in the picturing of the victims of post-global reality. The recent and sudden drop in status of many people from certain regions of India, Pakistan and Bangladesh, who were dependent on patterns of mass migration for their economic survival, has come to provide a vivid portrayal of the victims of the contemporary haste to build and the shadows remaining in the reversal of this trend. Like a rudderless raft by the wayside of international abandon, these courageous souls, who had trawled their way through multitudes of notary agents and officialdom to win over the processes of bureaucracy, are now abandoned in a no-mans land. Here, between economies and between national recessions, they exist virtually, on paper and by symbolic agreements that no longer can be afforded.\r\n\r\nKallat employs rubberstamps in her sculptural works that talk of the selected method given to this signifier of notional belonging, of an identifiable winner in the contest in life’s lottery for official approval. Here these faceless pedestrians remain indebted to these much-valued stamps, an act that seals their fate and proffers a certain clemency, an escape from hunger and unemployment, one more hurdle overcome in a life which constructs always one more hurdle. These sculptures, <em>Synonyms </em>and <em>Colour Curtain (between shores and the seas)</em> are partly summations of their partaking in the arduous process of bureaucracy and of access or denial beyond the border. Often these stamps are themselves the very force that restricts access.\r\n\r\nHer portrayal of the barriers and of cross-border travelers is an ode to the scatterlogical effects of labor in the way globalisation has effectively used Asia and Asians. If there was a primal axis of globalisation, it was in the way that people became an asset, moved around or kept in place by these acts of decree. Driven by their need to survive beyond the daily rations of imploded Asian densities and realities, the fantasy of globalisation provided the impulse, the strength and, in some cases, the eventual possibility to forsake the meager economic standards of their homeland. The possibilities of a grander vision of hub capitals and shopping cities, emerging out of deserts and global nightmares, created an insatiable, tameless ambition amongst the subalterns, responding to the swift and loud calling for their bodies.\r\n\r\nIt was in this uncontrollable moment of labor as goods, trickling slowly but surely from Asia, and especially South East Asia, to quivering impetuous states by the Arabian Seas that a dark turn in the world’s economic fortunes started to make itself felt.\r\n\r\nCentral to the sculptural works, particularly the large-scale portraits, <em>Synonyms</em>, assembled from the type of rubber stamps commonly used in offices is a jigsaw of the rejected or disappeared, magically re-appearing like a forlorn apparition. Their benign gaze is made manifest in an aura of a contemporary recording that charts the demise of the right to entry or existence.  Never before has the sense of the globally contrite been so finely explored.\r\n\r\nA fierce desperation, of loss and the lost is further developed in the accompanying works on paper, <em>Your Mileage May Vary</em>; here aspirations and expectations, displacement and un-belonging are found within a maze of restrictions and controls. It is a truism that all opposites attract and repel, like black and white and these spills and the topographically drawn co-exist on one plane. In this way <em>Colour Curtain (between shores and the seas) </em>is physically formed by linking differing information within one site; that of a set of rubberstamps carrying the names of individuals who have been denied visas to various countries on the basis of their class, culture, nation, religion, politics or other such notions of personal identity in combination with colors derived from various national flags.\r\n\r\n<em>Your Mileage May Vary</em> takes a similar re-routing of details of individuals’ names and combines them with maps and mazes to suggest lost journeys and unending departures or arrivals. Kallat states “Even as cultures blend with a greater movement of people and information than any moment in human history, borders have become more controlled and monitored than ever before”.4 The contemporary border has ceased to be mere crossings but more a space in which the contraband and the pirated in terms of goods, people and modern slavery is enforced and exchanged. <em>Your Mileage May Vary</em> starts to suggest such a sinister domain, a new place full of sorcerers and gangsters and pirates who make things disappear and where children, women, drugs, organs and arms remain un-rendered, undocumented. This maze of officialdom creates a seemingly haunted place, redolent with both mystery and misery. These occluded spaces remain indicative of a crisis in constant appropriation and the mist of realities that paralyses normality. Borders are no longer guarded domains but contested environments and we have to ask what is their purpose and whom do they really serve? They are, after all, grounds in which to plunder, rape and dehumanize our already demoralized world, in this existential crisis. Kallat asks here not who we are but what we have become.\r\n\r\n<strong>The sartorial rage</strong><strong> </strong>\r\n\r\nSara Rahbar’s <em>Those expectations for sunshine</em> is a series of tightly arranged material, which is highly suggestive in its mixed provenance, making the audience react instantly to its redolent references of today’s regrets and future’s fears.\r\n\r\nThe title, <em>Those expectations for sunshine, </em>already proposes such a prospect but it is in the correlation and co-relatedness of the prints and their signifiers that one starts to unravel the meaning of what is implied. An old Afghan coat reveals its inner lining to be sewn from an American flag and a set of the Islamic Republic of Iran’s flag droops in a post-coital fashion from a set of old wooden pulleys. This set of flags and garments are foundational sources, which have, over a period of time, come to represent specific and contrary historical accounts. In viewing them together, a unique set of values springs forth in an assembly of suspiring images. Symbolically, the American flag has now come to represent a spectrum of beliefs, of divergent statuses; some see it a symbol of evil and others see it as a force of civility, whilst the flag of Iran has recently been more internationally recognized for its emerging discourse around its own second revolution. Within these two diametrically spirited symbols, the Afghan coat, once a symbol of the relaxed urbanity of the sixties, starts to veer away from its popular but faded hippiedom and begins to mourn the sustained campaign of war and its driving force, opium.  Rahbar delineates the space for consideration by stimulating us, nudging us to think in terms of combinative suggestions- specifically as to what do these three countries mean to us now?\r\n\r\nRahbar is an adept inventor, often astutely combining factors so as to give unusual capital to an image, a brief of complicit arrangements, wherein chaste meanings are combined and a sort of visual combustion, that often challenges assumptions, allows a discursive release. <em>Those expectations for sunshine</em> speaks to its audience through the use of everyday objects and, in drawing them into close proximity, the lack of rationale in the overriding globally recognised geographies of values is exposed.\r\n\r\nShe offers an exploration of the dilemma about where freedom is now represented in the world and which places do we consider to form our diametric opposite  - the axis of our evils. We are left to see and feel the taste of our politics and our hypocrisy in an arrangement of stains and symbols.\r\n\r\nThe photographic series<em>, Love arrived and how red</em>, focuses on an unfulfilled, maybe even failed, human condition of stricken love which she astutely weaves to create a metaphoric reading of the deplorable state of both the nation-state and society.  She employs her band of symbols including the flag, the uniform and the proxy dressing of formalizing liaisons- a wedding dress. A complicated set of Hogarthian images emerges, filled with pain and details of distance, of one season and another treason, of traps and of shame as the series evolves into a culmination of probable death, suicide or matricide - an immense underworld of distorted emotions and a calculated soaring of the out of control.\r\n\r\n<em>Love arrived and how red</em> interrogates the common institutionalized methods of organizing life and ambition within a heterosexual (therefore normative) praxis, resulting in a lethal set of symbolic and emotional encounters. The premise explodes in the midst of the very act of coming together, of an imagined set of possibilities which combust to proclaim the impossibility of happiness or of bilateral belonging. The images suggest that all enstrangements and differences slowly crumble under their own imperfections and predict their own eventual undoing, revealing only opposites that fight and flee.\r\n\r\nThe failure that these images argue is inherent in all socially approved relationships and the weakness apparent in all political acts including diplomacy, is here made evident. The male and female couple, dressed as bride and groom in a set of tribal and nationalistic outfits, make explicit the ‘war’ of the last thirty years of the two countries represented, delineating a contrary Iran, its face turned deliberately away from the USA.\r\n\r\nRahbar is passionate in her choice of textures and fabrics, as is evident in her lengthy conversations with thirty odd assemblages known as the <em>Flag</em> series. The authority gained, both from the process of making and from drawing from research to understand the meanings and qualities of a constructed world of textiles and embroideries, finds itself in her photographic series <em>Love arrived and how red </em>and, in a more subdued manner, in the recent <em>You have come late, and I have lost my chastity.</em><strong> </strong>\r\n\r\nNuances, pertaining to gender, power and animalism, are subtly used to allow a fine-tuning between the protagonists, leaving a sour taste around notions of nationalisms, imbued and directed within and without the frame. Both series of works are not meant to be discrete discussions on gender relationships but rather to use symbolism and a sense of movement that collapses the space in between to reveal a caustic narrative.\r\n\r\nThe dramatic lighting, the costumes and the theatricality, including the army paraphernalia and the flags in <em>Love arrived and how red</em>, the gangsters’ suit and the dark tights in <em>You have come late, and I have lost my chastity</em> have obvious connotations for any spectator, tracing and binding our sense of a vocabulary drawn from the anthropological to the cinematic. Both series remain unapologetic in using the ambition and structure drawn from the cinematic and this usage allows the work to construct many paradoxical relationships of a complexity that depends on our relation to the history of this genre.\r\n\r\n<em>You have come late, and I have lost my chastity</em> plays on our recognition of these images, from some sort of image bank that is derivative of dance forms and soap operas, where women are forced into submission by force and the act of aggression is based on notions of sexuality.  The notion of honor killings, domestic violence and crimes of passion come to mind, but the slow releasing violence in Lynchian slow motion provides a vantage position from which to understand the place of violence in our world. As Hannah Arendt explains “<a href=\"http://en.thinkexist.com/quotation/the_more_dubious_and_uncertain_an_instrument/328139.html\" target=\"_blank\">The more dubious and uncertain an instrument violence has become in international relations, the more it has gained in reputation and appeal in domestic affairs, specifically in the matter of revolution.</a>”5\r\n\r\n<em>Lets prepare today so that tomorrow we don’t stare at the cries of darkness.</em>\r\n\r\nMany are those who have recently been talking about patterns that have developed in the first part of this new millennium, particularly from the seminal events of its first decade, which now affect all of us so sharply. The notion of suicide, in terms of frequency and those who use it is as a weapon, seems to be one of the most excessive, costly and maybe, even unsustainable traits of the new millennium. Travel, borders and security are all recognizable issues of concern that protrude into every second of our postmodern realities.\r\n\r\nNo longer can we be certain of any route or place beyond the fact that the whole world and all its peoples are now burdened and on the verge of serious crisis, anytime and anywhere.  The constancy of threat and the doom and gloom in situ, has affected many artists’ practices and, like many others in the creative fields, they are trying to come to terms with this situation from within their own particular language, history and abilities to contextualize these hyperbolic times.\r\n\r\nTheir concern and the potency of the current state of exception, of a global apartheid and of internal strife, marks a defining shift from the discourses of wholehearted globalization, where subject or subjectivity were located by cross borders’ references. <em>Never Run Away </em>discusses an account of the ebbing dynamics of unrealized citizenship, not the recent here or there, but a constant without everywhere.\r\n\r\n<em>Never run away</em> is a curatorial premise based on those who no longer can run away.  It brings together an understanding of the place of not belonging, an exposed fracas, a non-consensual image of cruelty which binds and confers “an anotherness” within, that is starting to be examined forcefully by artists and writers who share a historical and cultural similarity.\r\n\r\nIn a world of multiple themes and anthologies, the chaos that these terms of loss, disappearance and holding back create, provides an omnivorous, sociological and artistic push for any enquiry. It is through its indexical qualities that it provides an enriched metaphoric ground for further private contestations.\r\n\r\nParticularly in this remarkable passage of history, of the credit crunch and hibernating institutions, of unilateral ‘just wars’ and some of the most uncertain global conditions, it is important to take stock of this “worlding” and this exhibition, <em>Never run away</em>, alongside other emerging forums that represent the post-market dialogue, provides an invaluable space in which to study the predicament of culture at a time of deflation and when the ebb is the condition acting as a stimul','','','inherit','open','open','','1513-revision-6','','','2010-07-10 11:01:52','2010-07-10 11:01:52','',1513,'http://www.biggventures.com/demo/artists/2068/uncat/1513-revision-6',0,'revision','',0),(2071,1,'2010-07-07 17:45:05','2010-07-07 17:45:05','<b style=\"color:#999999;\">SCREEN OF DEMONOLOGY</b>\r\n<b>Nancy Adajania</b>\r\n\r\nThe mediatic image is like a siren: it dies even as it raises an alarm.  The central problem facing painters who employ mediatic images in their art, therefore, is how do you resurrect an image that has such a brief half-life, how do you render significant an image that holds the attention for not more than the blink of an eye? In an economy of images that has reduced every human being to a banal cipher, how can the artist return a sense of significance and dignity to the human subject, re-connecting the image –fragmented individual to the larger texts of the contemporary? In her recent work, Reena Saini Kallat embeds these questions in portrait-narratives that function between the realms of ceremonial time and the accidents of history.\r\n\r\nFrom the flux of mediatic ephemera, Reena extracts images of anonymous people belonging to varied social milieux and political contexts; she invests them with symbolic resonance by the apparently simple act of selection and isolation with the specificities of their icon cropped away.  I would say that Reena’s figures are neither recognisable individual (in the sense that we cannot name them, even when we identify their locale from internal evidence) nor are they simply identitarian stereotypes (in that, although they are coded with national, religious or ethnic characteristics, the pictorial emphasis is on their human vulnerability, as people going about their lives, rather than as incarnations of identity).  In Reena’s treatment, these anonymous people become portraits residing in an unstable semiotic space intermediate between individual and type: she is thus able to employ them as markers of everyday heroism.\r\n\r\n\r\nThe faces that state at us from Reena’s columns are those of ordinary people, archived from the random memory of a computer; a Kashmiri woman in a festive dress, a street-child whose face wears an anxiety of lack, a man in characteristically African Muslim headgear, an anaemic migrant labourer, a taxi- or a rickshaw-driver, or perhaps one of the unemployed millions.  We are comforted by their familiar presence; we meet them daily in newspaper, on the TV screen, or on the Net.  They may come across as stereotypes at first glance, but the vulnerability of their situation summons from us an empathy that gives them a dimension of reality.  For, as the viewing eye travels below the portrait, it encounters a circus of mythic demons, flashing swords and lotus- charkas.\r\n\r\n\r\nThses figures take their place in a conspicuously ceremonial form that celebrates the everyday: Reena has chosen to install her portraits in wooden frames shaped and presented like columns; each portrait has below it, several panel that act as strata of visual inscription.  These columns may give the gallery-viewer a sense of having entered a space defined by ritual circumstances.  their form reminds the present writer of the stele, the archetypal memorial column for a hero in the ancient world, which used images to narrate his deeds to gods and humans.  But, of course the people we meet in Reena’s contemporary memorials are not legendary heroes they are day-to-day survivors.\r\n\r\n\r\nThese portraits seem structured to act like a screening procedure, as though the subjects were being passed through the beam of scrutiny.  Below the portrait’s face, what we thought were rows of visual inscriptions may be read as scans of a revealed anatomy, the interior of a body racked by the demons of poverty, state oppression and religious discrimination.  I use the term “screening procedure” to allude to the larger context of security paranoia where all individuals are demonised and reduced to types, guilty of belonging to whatever group identity that happens to be perceived as the threat of the moment.  I would choose to read the current exhibition as an attempt to address the dissonance between the personhood of the individual and the institutional tendency of states and corporations to depersonalise the individual into a type.  This show could also be seen as addressing the rampant trend towards demonising the other in every conflict at all levels, which forces us to perceive the world through screens if demonology.\r\n\r\n\r\nIn Reena’s columns, the demons are largely drawn from the representation of asuras in the Kangra miniatures.  Here they appear as machines of caricature and callisthenics, rather than as things of blood.  Their traditional role in mythology was to wreck the sacred sacrifice, the yagna and wreak havoc on figures of power and authority.  In Reena’s interpretation, however the demons impede the migrant labourer from fulfilling his desire to play Shravan and take his parents on a pilgrimage to the sacred sites of Hinduism, or the Muslim man from concentrating on his prayers, or the lotus- charkas of energy nosed within her body.  The sword, an intricately decorated prop which may imply the aestheticisation of violence in popular culture, recurs in each column, to mow down the demons.\r\n\r\n\r\nThe presence of these demons in these contemporary memorials has larger resonances.  Subaltern histories reveal how lower-caste communities and tribal populations  were represented as demons in our myths, how their land was captured and their resources usurped.  Labelled as demons, they became outsiders in their own land .  This subtly points to our construction of people as demons or our internalisation of demonologies without paying heed to the subterranean layers of history and folklore.  Sometimes, it becomes possible to see the demonisers as themselves being the demons: such reversals of perception are probed here.  This is significant in an age when George Bush launches a brutal war of occupation in the name of containing jehad;  The Hindutva fundamentalists organise pogroms in revenge for events that are alleged to have taken place a thousand years ago; and the Israeli state engages in daily rites of slaughter to defend a homeland secured by the expropriation of territory and the expulsion of its people.\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\nIt is instructive that Reena breaks the solemnity of her portraits by inserting them within a comic-strip narrative of violence and retribution.  The drama unfolds through energetic play between the demons and the invading swords: black blood, a splatter of entrails, a missing leg.  This sense of comic play is minored in a portfolio of small acrylic works, which Reena has composed as a gallery of rogues based on comic characters from Italian baroque theatre.  The status quo is lampooned a bunch of knives breaks out of a  bespectacled face ,legs grow roots of knives.  Reena sees these figures as symbolic of our Indian politicians who juggle the citizens’ fate, driving their knives magically into the body polity without drawing any blood.\r\n\r\n\r\nBut all demons are not displayed as weapons of mass destruction.  In one of the columns, a demon with pointed tusks and sharpclawed hooves grows larger than life and swoops away with the monuments around which religious contention has been waged.  Above, we see the portrait of an elderly citizen with clouded spectacles.  He waits for change a respite from everyday violence.  Echoing his hope, in another column we witness the blade of a sword faintly disappearing.  The column ends with a spring-cloud,  a shade lighter  than the nocturnal blue dupatta of a child shielding herself from the biting cold .  Perhaps this is why, these columns have been titled, Sword –Swallowers, to emphasise that today ordinary people have to perform extraordinary feats to survive demons of all shapes and colurs.  Our everyday heroes have the skill of the juggler and the spiritual resilience of the fakir.  They survive the blade of the sword that cuts through their vocal cords and the demon that bites their entrails.\r\n\r\n\r\nDemons have fluid identities, they demonise, are demonised in turn .  But even cycles of violence have to end the spring-cloud returns and stain us with hope. Post script: Reena’s works, whether paintings or assemblages or photo-based installations have always dealt with the fragility of human existence and with the susceptibility of the human body that could easily crash like a pack of cards that was never meant to last its composure.  Body-parts, especially hands, recur in her art, sometimes they open up an existing wound, at other times, they rehearse the coming of grace.  The hands symbolise the constant tension in Reena’s art between the hap-hazardness (pun intended) of faith and the enduring lines of fate.\r\n\r\n\r\nTwo earlier works have been judiciously added to this current suite of paintings.  Both of which in their own distinct way deal with tattooed body-parts: the former (Seven Degrees of Vapour for the Vitreous Trousseau) and the latter (Wave and Blue-print: Birthmarks and Tattoos).  \r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n \r\n\r\n\r\nSeven Degrees… follows the cumulative growth of natural cycles, which are beset with the inexplicable.  On a three-week Residency at the Boreal Art/Nature Centre in the Laurentian Mountains of Quebec, Canada, Reena was given a brief to socialise with nature to reduce the gap between the binaries of culture and nature.  Since the cultural/nature binary is a given today, it would be more useful to find out what kind of interfaces are possible between culture and nature.  Away from the humid, sound-percolating city of Bombay, Reena chose to meditate uninvasively on the tranquillity of the Laurentian Mountains.  She did not resort to quasi-anthropological heroics that most artists in such a situation would have performed inevitably; no ground-clearing or hunter-gathering for her.  She framed the landscape with an already existing frame, the windowpane in her room, a façade of sheer glass entranced her.\r\n\r\n\r\nBy making the glass window with a henna drawing of open palms, Reena was subconsciously consecrating the window, an aperture of elsewhereness, with this auspicious paste from her home country.  It is as if Reena had visited the Laurentian Mountains in the spirit of a bridesmaid, only the palms on which she drew her henna designs were not those of a bride, bit window waiting to be dressed as one.  I have deliberately read this as a ritual of consecration rather than a naturalistic framing of a landscape.  Look at her gestures, every two days she offered drawings of fruits and herbs catalogued from a nearby greenhouse to the framed landscape by drilling a hole in the ground, she transformed the window her own.  The frame outside changed with the weather, the bare mountains were covered with a green garments as bald trees grew leaves.  Reena recorded these changes with her camera to make 21 photo-prints.  the resulting images did not need digital manipulation, no burn, lasso or crop(note the phallocentric terminology).  Rather they were a slow unfolding exposure of the mountains superimposed with signs of abundance and nurture.\r\n\r\nWave and Blue-print: Birthmarks and Tattoos, were not a private notation like Seven Degrees …., but a political inscription of the body with tattoos of discrimination.\r\n\r\n\r\nThe notion of play as lucid intervention phrased in the political context permeated this sculpture and photo-installation.  Reena led viewers into a familiar recreational field of reference, then pulled the rug from under their feet.  She made an inviting swing, its seat covered with a quilt of diverse scripts.  But the viewer could not sit or lie on it.  Covered by upturned rubber stamps bearing the names of people belonging to different communities, its seat seemed to signal “Inconvenience Regretted”! Reena felt an obsessive need to inscribe the names of India’s citizens in the colours of the national flag: it was her way of renewing the original contract of inclusiveness that the nation signed with its citizens in 1947, at Independence.  Today, some citizens fear a de-notification, while others claim special citizenship, and some are still not recognised as full-fledged citizens.  Subject to the mood-swings of electoral politics, citizen oscillate, their political identities polled into existence and defaced thereafter.  Reena made an identikit of photographic details, comprising branded body parts, to from the backdrop to the swing, amplifying the tattoos and taboos of a dismembered nation.\r\n\r\n<b>Bombay, January 2005</b>','','','inherit','open','open','','1264-revision-7','','','2010-07-07 17:45:05','2010-07-07 17:45:05','',1264,'http://www.biggventures.com/demo/artists/2071/uncat/1264-revision-7',0,'revision','',0),(2072,1,'2010-09-20 07:43:15','2010-09-20 07:43:15','<strong style=\"color: #999999;\">SCREEN OF DEMONOLOGY</strong>\r\n<strong>Nancy Adajania</strong>\r\n\r\nThe mediatic image is like a siren: it dies even as it raises an alarm. The central problem facing painters who employ mediatic images in their art, therefore, is: How do you resurrect an image that has such a brief half-life, how do you render significant an image that holds the attention for not more than the blink of an eye? In an economy of images that has reduced every human being to a banal cipher, how can the artist return a sense of significance and dignity to the human subject, re-connecting the image-fragmented individual to the larger texts of the contemporary? In her recent work, Reena Saini Kallat embeds these questions in portrait-narratives that function between the realms of ceremonial time and the accidents of history.\r\n\r\nFrom the flux of mediatic ephemera, Reena extracts images of anonymous people belonging to varied social milieux and political contexts; she invests them with symbolic resonance by the apparently simple act of selection and isolation, with the specificities of their loci cropped away. I would say that Reena’s figures are neither recognisable individuals (in the sense that we cannot name them, even when we identify their locale from internal evidence) nor are they simply identitarian stereotypes (in that, although they are coded with national, religious or ethnic characteristics, the pictorial emphasis is on their human vulnerability, as people going about their lives, rather than as incarnations of identity). In Reena’s treatment, these anonymous people become portraits residing in an unstable semiotic space intermediate between individual and type: she is thus able to employ them as markers of everyday heroism.\r\n\r\nThe faces that state at us from Reena’s columns are those of ordinary people, archived from the random memory of a computer: a Kashmiri woman in a festive dress, a street-child whose face wears an anxiety of lack, a man in characteristically African Muslim headgear, an anaemic migrant labourer, a taxi- or a rickshaw-driver, or perhaps one of the unemployed millions. We are comforted by their familiar presence, we meet them daily in newspaper, on the TV screen, or on the Net.  They may come across as stereotypes at first glance, but the vulnerability of their situation summons from us an empathy that gives them a dimension of reality. For, as the viewing eye travels below the portrait, it encounters a circus of mythic demons, flashing swords and lotus-chakras.\r\n\r\nThese figures take their place in a conspicuously ceremonial form that celebrates the everyday: Reena has chosen to install her portraits in wooden frames shaped and presented like columns; each portrait has below it, several panels that act as strata of visual inscription. These columns may give the gallery-viewer a sense of having entered a space defined by ritual circumstances. Their form reminds the present writer of the stele, the archetypal memorial column for a hero in the ancient world, which used images to narrate his deeds to gods and humans. But, of course, the people we meet in Reena’s contemporary memorials are not legendary heroes, they are day-to-day survivors.\r\n\r\nThese portraits seem structured to act like a screening procedure, as though the subjects were being passed through the beam of scrutiny. Below the portrait’s face, what we thought were rows of visual inscriptions may be read as scans of a revealed anatomy, the interior of a body racked by the demons of poverty, state oppression and religious discrimination. I use the term ‘screening procedure’ to allude to the larger context of security paranoia where all individuals are demonised and reduced to types, guilty of belonging to whatever group identity that happens to be perceived as the threat of the moment. I would choose to read the current exhibition as an attempt to address the dissonance between the personhood of the individual and the institutional tendency of states and corporations to depersonalise the individual into a type. This show could also be seen as addressing the rampant trend towards demonising the other in every conflict at all levels, which forces us to perceive the world through screens if demonology.\r\n\r\nIn Reena’s columns, the demons are largely drawn from the representation of asuras in the Kangra miniatures. Here, they appear as machines of caricature and callisthenics, rather than as things of blood. Their traditional role in mythology was to wreck the sacred sacrifice, the yagna, and wreak havoc on figures of power and authority. In Reena’s interpretation, however, the demons impede the migrant labourer from fulfilling his desire to play Shravana and take his parents on a pilgrimage to the sacred sites of Hinduism, or the Muslim man from concentrating on his prayers, or the lotus-chakras of energy nosed within her body. The sword, an intricately decorated prop which may imply the aestheticisation of violence in popular culture, recurs in each column, to mow down the demons.\r\n\r\nThe presence of these demons in these contemporary memorials has larger resonances.  Subaltern histories reveal how lower-caste communities and tribal populations were represented as demons in our myths, how their land was captured and their resources usurped. Labelled as demons, they became outsiders in their own land. This subtly points to our construction of people as demons or our internalisation of demonologies without paying heed to the subterranean layers of history and folklore. Sometimes, it becomes possible to see the demonisers as themselves being the demons: such reversals of perception are probed here. This is significant in an age when George Bush launches\r\na brutal war of occupation in the name of containing jehad;  The Hindutva fundamentalists organise pogroms in revenge for events that are alleged to have taken place a thousand years ago; and the Israeli state engages in daily rites of slaughter to defend a homeland secured by the expropriation of territory and the expulsion of its people.\r\n\r\nIt is instructive that Reena breaks the solemnity of her portraits by inserting them within a comic-strip narrative of violence and retribution. The drama unfolds through energetic play between the demons and the invading swords: black blood, a splatter of entrails, a missing leg. This sense of comic play is mirrored in a portfolio of small acrylic works which Reena has composed as a gallery of rogues based on comic characters from Italian baroque theatre. The status quo is lampooned: a bunch of knives breaks out of a bespectacled face, legs grow roots of knives. Reena sees these figures as symbolic of our Indian politicians who juggle the citizens’ fate, driving their knives magically into the body-polity without drawing any blood.\r\n\r\nBut all demons are not displayed as weapons of mass destruction. In one of the columns, a demon with pointed tusks and sharp clawed hooves grows larger than life and swoops away with the monuments around which religious contention has been waged. Above, we see the portrait of an elderly citizen with clouded spectacles. He waits for change, a respite from everyday violence. Echoing his hope, in another column we witness the blade of a sword faintly disappearing. The column ends with a spring-cloud, a shade lighter than the nocturnal blue dupatta of a child shielding herself from the biting cold.  Perhaps this is why, these columns have been titled, Sword-Swallowers, to emphasise that today ordinary people have to perform extraordinary feats to survive demons of all shapes and colours. Our everyday heroes have the skill of the juggler and the spiritual resilience of the fakir. They survive the blade of the sword that cuts through their vocal cords and the demon that bites their entrails.\r\n\r\nDemons have fluid identities, they demonise, are demonised in turn.  But even cycles of violence have to end: the spring-cloud returns and stains us with hope. \r\n\r\npost script: Reena’s works, whether paintings or assemblages or photo-based installations have always dealt with the fragility of human existence and with the susceptibility of the human body that could easily crash like a pack of cards that was never meant to last its composure. Body-parts, especially hands, recur in her art, sometimes they open up an existing wound, at other times, they rehearse the coming of grace. The hands symbolise the constant tension in Reena’s art between the hap-hazardness (pun intended) of faith and the enduring lines of fate.\r\n\r\nTwo earlier works have been judiciously added to this current suite of paintings. Both of which in their own distinct way deal with tattooed body-parts: the former (Seven Degrees of Vapour for the Vitreous Trousseau) and the latter (Wave and Blue-print: Birthmarks and Tattoos). \r\n\r\nSeven Degrees…follows the cumulative growth of natural cycles, which are beset with the inexplicable. On a three-week Residency at the Boreal Art/Nature Centre in the Laurentian Mountains of Quebec, Canada, Reena was given a brief to socialise with nature, to reduce the gap between the binaries of culture and nature. Since the cultural/nature binary is a given today, it would be more useful to find out what kinds of interfaces are possible between culture and nature. Away from the humid, sound-percolating city of Bombay, Reena chose to meditate uninvasively on the tranquility of the Laurentian Mountains. She did not resort to quasi-anthropological heroics that most artists in such a situation would have performed inevitably; no ground-clearing or hunter-gathering for her. She framed the landscape with an already existing frame, the window-pane in her room, a facade of sheer glass entranced her.\r\n\r\nBy making the glass window with a henna drawing of open palms, Reena was subconsciously consecrating the window, an aperture of elsewhereness, with this auspicious paste from her home country. It is as if Reena had visited the Laurentian Mountains in the spirit of a bridesmaid, only the palms on which she drew her henna designs were not those of a bride, but a window waiting to be dressed as one. I have deliberately read this as a ritual of consecration rather than a naturalistic framing of a landscape. Look at her gestures, every two days she offered drawings of fruits and herbs catalogued from a nearby greenhouse to the framed landscape. Instead of controlling the landscape by drilling a hole in the ground, she transformed the window-pane into a sheet of water, making the landscape outside her window her own. The frame outside changed with the weather, the bare mountains were covered with a green garment as bald trees grew leaves. Reena recorded these changes with her camera to make 21 photo-prints. The resulting images did not need digital manipulation, no burn, lasso or crop (note the phallocentric terminology). Rather they were a slow unfolding exposure of the mountains superimposed with signs of abundance and nurture.\r\n\r\nWave and Blue-print: Birthmarks and Tattoos, were not a private notation like Seven Degrees..., but a political inscription of the body with tattoos of discrimination.\r\n\r\nThe notion of play as lucid intervention phrased in the political context permeated this sculpture and photo-installation. Reena led viewers into a familiar recreational field of reference, then pulled the rug from under their feet. She made an inviting swing, its seat covered with a quilt of diverse scripts. But the viewer could not sit or lie on it. Covered by upturned rubber stamps bearing the names of people belonging to different communities, its seat seemed to signal ‘Inconvenience Regretted’! Reena felt an obsessive need to inscribe the names of India’s citizens in the colours of the national flag: it was her way of renewing the original contract of inclusiveness that the nation signed with its citizens in 1947, at Independence. Today, some citizens fear a de-notification, while others claim special citizenship, and some are still not recognised as full-fledged citizens. Subject to the mood-swings of electoral politics, citizen oscillate, their political identities polled into existence and defaced thereafter. Reena made an identikit of photographic details, comprising branded body parts, to from the backdrop to the swing, amplifying the tattoos and taboos of a dismembered nation.\r\n\r\nNancy Adajania\r\n<strong>Bombay, January 2005</strong>','','','inherit','open','open','','1264-revision-8','','','2010-09-20 07:43:15','2010-09-20 07:43:15','',1264,'http://www.biggventures.com/demo/artists/2072/uncat/1264-revision-8',0,'revision','',0);
INSERT INTO `wp_posts` VALUES (2073,1,'2010-09-20 08:00:13','2010-09-20 08:00:13','<strong style=\"color: #999999;\">SCREEN OF DEMONOLOGY</strong>\r\n<strong>Nancy Adajania</strong>\r\n\r\nThe mediatic image is like a siren: it dies even as it raises an alarm. The central problem facing painters who employ mediatic images in their art, therefore, is: How do you resurrect an image that has such a brief half-life, how do you render significant an image that holds the attention for not more than the blink of an eye? In an economy of images that has reduced every human being to a banal cipher, how can the artist return a sense of significance and dignity to the human subject, re-connecting the image-fragmented individual to the larger texts of the contemporary? In her recent work, Reena Saini Kallat embeds these questions in portrait-narratives that function between the realms of ceremonial time and the accidents of history.\r\n\r\nFrom the flux of mediatic ephemera, Reena extracts images of anonymous people belonging to varied social milieux and political contexts; she invests them with symbolic resonance by the apparently simple act of selection and isolation, with the specificities of their loci cropped away. I would say that Reena’s figures are neither recognisable individuals (in the sense that we cannot name them, even when we identify their locale from internal evidence) nor are they simply identitarian stereotypes (in that, although they are coded with national, religious or ethnic characteristics, the pictorial emphasis is on their human vulnerability, as people going about their lives, rather than as incarnations of identity). In Reena’s treatment, these anonymous people become portraits residing in an unstable semiotic space intermediate between individual and type: she is thus able to employ them as markers of everyday heroism.\r\n\r\nThe faces that state at us from Reena’s columns are those of ordinary people, archived from the random memory of a computer: a Kashmiri woman in a festive dress, a street-child whose face wears an anxiety of lack, a man in characteristically African Muslim headgear, an anaemic migrant labourer, a taxi- or a rickshaw-driver, or perhaps one of the unemployed millions. We are comforted by their familiar presence, we meet them daily in newspaper, on the TV screen, or on the Net.  They may come across as stereotypes at first glance, but the vulnerability of their situation summons from us an empathy that gives them a dimension of reality. For, as the viewing eye travels below the portrait, it encounters a circus of mythic demons, flashing swords and lotus-chakras.\r\n\r\nThese figures take their place in a conspicuously ceremonial form that celebrates the everyday: Reena has chosen to install her portraits in wooden frames shaped and presented like columns; each portrait has below it, several panels that act as strata of visual inscription. These columns may give the gallery-viewer a sense of having entered a space defined by ritual circumstances. Their form reminds the present writer of the stele, the archetypal memorial column for a hero in the ancient world, which used images to narrate his deeds to gods and humans. But, of course, the people we meet in Reena’s contemporary memorials are not legendary heroes, they are day-to-day survivors.\r\n\r\nThese portraits seem structured to act like a screening procedure, as though the subjects were being passed through the beam of scrutiny. Below the portrait’s face, what we thought were rows of visual inscriptions may be read as scans of a revealed anatomy, the interior of a body racked by the demons of poverty, state oppression and religious discrimination. I use the term ‘screening procedure’ to allude to the larger context of security paranoia where all individuals are demonised and reduced to types, guilty of belonging to whatever group identity that happens to be perceived as the threat of the moment. I would choose to read the current exhibition as an attempt to address the dissonance between the personhood of the individual and the institutional tendency of states and corporations to depersonalise the individual into a type. This show could also be seen as addressing the rampant trend towards demonising the other in every conflict at all levels, which forces us to perceive the world through screens if demonology.\r\n\r\nIn Reena’s columns, the demons are largely drawn from the representation of asuras in the Kangra miniatures. Here, they appear as machines of caricature and callisthenics, rather than as things of blood. Their traditional role in mythology was to wreck the sacred sacrifice, the yagna, and wreak havoc on figures of power and authority. In Reena’s interpretation, however, the demons impede the migrant labourer from fulfilling his desire to play Shravana and take his parents on a pilgrimage to the sacred sites of Hinduism, or the Muslim man from concentrating on his prayers, or the lotus-chakras of energy nosed within her body. The sword, an intricately decorated prop which may imply the aestheticisation of violence in popular culture, recurs in each column, to mow down the demons.\r\n\r\nThe presence of these demons in these contemporary memorials has larger resonances.  Subaltern histories reveal how lower-caste communities and tribal populations were represented as demons in our myths, how their land was captured and their resources usurped. Labelled as demons, they became outsiders in their own land. This subtly points to our construction of people as demons or our internalisation of demonologies without paying heed to the subterranean layers of history and folklore. Sometimes, it becomes possible to see the demonisers as themselves being the demons: such reversals of perception are probed here. This is significant in an age when George Bush launches\r\na brutal war of occupation in the name of containing jehad;  The Hindutva fundamentalists organise pogroms in revenge for events that are alleged to have taken place a thousand years ago; and the Israeli state engages in daily rites of slaughter to defend a homeland secured by the expropriation of territory and the expulsion of its people.\r\n\r\nIt is instructive that Reena breaks the solemnity of her portraits by inserting them within a comic-strip narrative of violence and retribution. The drama unfolds through energetic play between the demons and the invading swords: black blood, a splatter of entrails, a missing leg. This sense of comic play is mirrored in a portfolio of small acrylic works which Reena has composed as a gallery of rogues based on comic characters from Italian baroque theatre. The status quo is lampooned: a bunch of knives breaks out of a bespectacled face, legs grow roots of knives. Reena sees these figures as symbolic of our Indian politicians who juggle the citizens’ fate, driving their knives magically into the body-polity without drawing any blood.\r\n\r\nBut all demons are not displayed as weapons of mass destruction. In one of the columns, a demon with pointed tusks and sharp clawed hooves grows larger than life and swoops away with the monuments around which religious contention has been waged. Above, we see the portrait of an elderly citizen with clouded spectacles. He waits for change, a respite from everyday violence. Echoing his hope, in another column we witness the blade of a sword faintly disappearing. The column ends with a spring-cloud, a shade lighter than the nocturnal blue dupatta of a child shielding herself from the biting cold.  Perhaps this is why, these columns have been titled, Sword-Swallowers, to emphasise that today ordinary people have to perform extraordinary feats to survive demons of all shapes and colours. Our everyday heroes have the skill of the juggler and the spiritual resilience of the fakir. They survive the blade of the sword that cuts through their vocal cords and the demon that bites their entrails.\r\n\r\nDemons have fluid identities, they demonise, are demonised in turn.  But even cycles of violence have to end: the spring-cloud returns and stains us with hope. \r\n\r\npost script: Reena’s works, whether paintings or assemblages or photo-based installations have always dealt with the fragility of human existence and with the susceptibility of the human body that could easily crash like a pack of cards that was never meant to last its composure. Body-parts, especially hands, recur in her art, sometimes they open up an existing wound, at other times, they rehearse the coming of grace. The hands symbolise the constant tension in Reena’s art between the hap-hazardness (pun intended) of faith and the enduring lines of fate.\r\n\r\nTwo earlier works have been judiciously added to this current suite of paintings. Both of which in their own distinct way deal with tattooed body-parts: the former (Seven Degrees of Vapour for the Vitreous Trousseau) and the latter (Wave and Blue-print: Birthmarks and Tattoos). \r\n\r\nSeven Degrees…follows the cumulative growth of natural cycles, which are beset with the inexplicable. On a three-week Residency at the Boreal Art/Nature Centre in the Laurentian Mountains of Quebec, Canada, Reena was given a brief to socialise with nature, to reduce the gap between the binaries of culture and nature. Since the cultural/nature binary is a given today, it would be more useful to find out what kinds of interfaces are possible between culture and nature. Away from the humid, sound-percolating city of Bombay, Reena chose to meditate uninvasively on the tranquility of the Laurentian Mountains. She did not resort to quasi-anthropological heroics that most artists in such a situation would have performed inevitably; no ground-clearing or hunter-gathering for her. She framed the landscape with an already existing frame, the window-pane in her room, a facade of sheer glass entranced her.\r\n\r\nBy making the glass window with a henna drawing of open palms, Reena was subconsciously consecrating the window, an aperture of elsewhereness, with this auspicious paste from her home country. It is as if Reena had visited the Laurentian Mountains in the spirit of a bridesmaid, only the palms on which she drew her henna designs were not those of a bride, but a window waiting to be dressed as one. I have deliberately read this as a ritual of consecration rather than a naturalistic framing of a landscape. Look at her gestures, every two days she offered drawings of fruits and herbs catalogued from a nearby greenhouse to the framed landscape. Instead of controlling the landscape by drilling a hole in the ground, she transformed the window-pane into a sheet of water, making the landscape outside her window her own. The frame outside changed with the weather, the bare mountains were covered with a green garment as bald trees grew leaves. Reena recorded these changes with her camera to make 21 photo-prints. The resulting images did not need digital manipulation, no burn, lasso or crop (note the phallocentric terminology). Rather they were a slow unfolding exposure of the mountains superimposed with signs of abundance and nurture.\r\n\r\nWave and Blue-print: Birthmarks and Tattoos, were not a private notation like Seven Degrees..., but a political inscription of the body with tattoos of discrimination.\r\n\r\nThe notion of play as lucid intervention phrased in the political context permeated this sculpture and photo-installation. Reena led viewers into a familiar recreational field of reference, then pulled the rug from under their feet. She made an inviting swing, its seat covered with a quilt of diverse scripts. But the viewer could not sit or lie on it. Covered by upturned rubber stamps bearing the names of people belonging to different communities, its seat seemed to signal ‘Inconvenience Regretted’! Reena felt an obsessive need to inscribe the names of India’s citizens in the colours of the national flag: it was her way of renewing the original contract of inclusiveness that the nation signed with its citizens in 1947, at Independence. Today, some citizens fear a de-notification, while others claim special citizenship, and some are still not recognised as full-fledged citizens. Subject to the mood-swings of electoral politics, citizen oscillate, their political identities polled into existence and defaced thereafter. Reena made an identikit of photographic details, comprising branded body parts, to from the backdrop to the swing, amplifying the tattoos and taboos of a dismembered nation.\r\n\r\nNancy Adajania\r\n<strong>Bombay, January 2005</strong>','','','inherit','open','open','','1264-revision-9','','','2010-09-20 08:00:13','2010-09-20 08:00:13','',1264,'http://www.biggventures.com/demo/artists/2073/uncat/1264-revision-9',0,'revision','',0),(2074,1,'2010-07-10 11:37:27','2010-07-10 11:37:27','<table border=\"0\" cellspacing=\"5\" cellpadding=\"0\" width=\"100%\" align=\"centre\">\r\n<tbody>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" width=\"21%\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td style=\"margin-left: 5px;\"><span class=\"pubstrong\">Reena Saini Kallat, </span> 2009<span>\r\nText: Nancy Adajania and Murtaza Vali\r\nPublisher: Primo Marella Gallery, Walsh Gallery and Chemould Prescott Road\r\nISBN: 978-81-908879-1-5 </span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/reena-kallat\">read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Rainbow of Refuse, </span>2006<span>\r\nText: Nancy Adajania\r\nPublisher: Bodhi Art Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/rainbow-of-refuse\">read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Black Flute (and other stories), </span>2005\r\n<span class=\"pubstrong\">Black Flute,</span> 2004<span>\r\nText: Nancy Adajania\r\nPublisher: Gallery Chemould and Nature Morte Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/black-flute\">read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">The Battlefield is the Mind, </span>2002<span>\r\nText: Nancy Adajania\r\nPublisher: Sakshi Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/battlefield-of-mind\">read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Skin, </span>2000<span>\r\nInterview with Jitish Kallat\r\nPublisher: Gallery Chemould and Vis-à-vis Art Inc. Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/skin\">read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Orchard of home-grown secrets, </span>1998<span>\r\nText: Ranjit Hoskote\r\nPublisher: Gallery Chemould and Pundole Art Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/orchard-pub\">read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n<td><!-- Start of Other Publications -->\r\n<span class=\"pubstrong\">Never Run Away, </span>2010<span>\r\nText: Shaheen Merali\r\nPublisher: Stux Gallery</span>\r\n<span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/never-run-away\">read essay</a></span>\r\n\r\n<span class=\"pubstrong\">Urban Manners 2, </span>2010<span>\r\nText: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\nPublisher: SESC Pompeia, Sao Paulo </span>\r\n\r\n<span class=\"pubstrong\">The Empire Strikes Back, </span>2010<span>\r\nText: Zehra Jumabhoy\r\nPublisher: Saatchi Gallery\r\nISBN: 9780224089494\r\n</span>\r\n\r\n<span class=\"pubstrong\">The Khoj Book, </span>2010<span>\r\nInterview with Shilpa Gupta\r\nPublisher: HarperCollins\r\nISBN: 9788172236878</span>\r\n<span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/khoj-book\">read essay</a></span>\r\n\r\n<span class=\"pubstrong\">Viewpoints &amp; viewings points- Asian Art Biennale, </span>2009<span>\r\nText: Chao-yi-Tsai\r\nPublisher: National Taiwan Museum of fine Arts\r\nISBN: 978-986-02-0269-4</span>\r\n\r\n<span class=\"pubstrong\">India Xianzai: Contemporary Indian Art, </span>2009<span>\r\nText: Jitish Kallat, Diana Freundl, Alexander Keefe\r\nPublisher: Museum of Contemporary Art</span>\r\n\r\n<span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2009<span>\r\nText: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki,\r\nMiho Tagomori\r\nPublisher: Prestel, National Museum of Contemporary Art and Essl Museum\r\nISBN: 978-3-7913-4304-4</span>\r\n\r\n<span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2008<span>\r\nText: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman\r\nGopinath, Jayaram, Deepak Ananth\r\nPublisher: Mori Art Museum\r\nISBN: 978-4-902819-21-2</span>\r\n\r\n<span class=\"pubstrong\">India Moderna, </span>2008<span>\r\nText: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur,\r\nR. Siva Kumar, K.G. Subramanyan\r\nPublisher: IVAM (Institute Valencia D’Art Modern)\r\nISBN: 978-84-482-5104-8</span>\r\n\r\n<span class=\"pubstrong\">Everywhere is War (and rumours of it),</span>)2008<span>\r\nText: Kai Hafez, Martin Hager, Nicholas Mirzoeff, Daniel Miller,\r\nBregje van Eekelen\r\nPublisher: Bodhi Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Three Points of Views, </span>2008<span>\r\nText: Grant Watson\r\nPublisher: Galerie Mirchandani + Steinruecke</span>\r\n\r\n<span class=\"pubstrong\">New Narratives: Contemporary Art from India, </span>2008<span>\r\nText: Betty Seid with contributions by Johan Pijnappel\r\nPublisher: Mapin Publication in association with Chicago Cultural Center\r\nISBN: 978-1-890206-08-6</span>\r\n\r\n<span class=\"pubstrong\">Made by Indians, </span>2007<span>\r\nText: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\nPublisher: Galerie Enrico Navarra\r\nISBN: 2-911596-37-4</span>\r\n\r\n<span class=\"pubstrong\">Thermocline of Art: New Asian Waves, </span>2007<span>\r\nText:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong\r\nPublisher: Hatje Cantz Vertag\r\nISBN: 978-3-7757-2073-1\r\nEAN: 9782911596377</span>\r\n\r\n<span class=\"pubstrong\">Indian Colour, </span>2007<span>\r\nText: Peter Nagy\r\nPublisher: Dal- seung Hwang, Keumsan Gallery</span>\r\n\r\n<span class=\"pubstrong\">India Arte Oggi, </span>2007<span>\r\nText:  Daniela Palazzoli\r\nPublisher: Spazio Oberdan\r\nISBN: 978-88-202-1867-6</span>\r\n\r\n<span class=\"pubstrong\">Urban Manners, </span>2007<span>\r\nText: Adelina Von Furstenberg and Nancy Adajania\r\nPublisher: Hangar Bicocca</span>\r\n\r\n<span class=\"pubstrong\">International Incheon Women Artists’ Biennale,</span>\r\n<span class=\"pubstrong\">Knocking on the Door, </span>2007<span>\r\nText: Sung Hee Kim, John C. Welchman\r\nPublisher: Incheon Culture and Art Centre</span>\r\n\r\n<span class=\"pubstrong\">Soft Power: Asian Attitude, </span>2007<span>\r\nText: Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\nPublisher: Shanghai Zendai Mumsem of Modern Art\r\nISBN: 978-7-5356-2790-2</span>\r\n\r\n<span class=\"pubstrong\">India Express- Art and Popular Culture, </span>2006<span>\r\nText: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze\r\nPublisher: Helsinki City Art Museum\r\nISBN: 951-8965-61-7</span>\r\n\r\n<span class=\"pubstrong\">Bombay L’album Maximum City, </span>2006<span>\r\nText: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\nPublisher: Terrail, Lille 3000\r\nISBN: 2-87939-325-6</span>\r\n\r\n<span class=\"pubstrong\">Indian Paintings of the New Millennium, </span>2005<span>\r\nText: Helen Asquine  Fazio, Gayatri Sinha\r\nPublisher: Quick Arts Center, Fairfield University</span>\r\n\r\n<span class=\"pubstrong\">A Guide to 101 Modern &amp; Contemporary Indian Artists, </span>2005<span>\r\nText: Amrita Jhaveri\r\nPublisher: India Book House\r\nISBN: 81-7508-423-5</span>\r\n\r\n<span class=\"pubstrong\">Zoom! Art in Contemporary India, </span>2004<span>\r\nTexts: Luis Serpa and Nancy Adajania\r\nPublisher: The Culturgest Museum\r\nISBN: 972-769-033-5</span>\r\n\r\n<span class=\"pubstrong\">Interlude in Sri Lanka, </span>2004<span>\r\nText: Ranjit Hoskote and Nancy Adajania\r\nPublisher: The Guild Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Generation I, </span>2004<span>\r\nText: Zehra Jumabhoy\r\nPublisher: Saffronart &amp; The Guild Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Tiranga Rights and Reponsibilities, </span>2003<span>\r\nText: Peter Nagy\r\nPublisher: Jindal Foundation &amp; Creative Arts</span>\r\n\r\n<span class=\"pubstrong\">Hard Copy, </span>2003<span>\r\nText: Peter Nagy\r\nPublisher: Galerie 88</span>\r\n\r\n<span class=\"pubstrong\">Crossing Generations: diVERGE, </span>2003<span>\r\nText: Geeta Kapoor and Chaitanya Sambrani\r\nPublisher: Gallery Chemould</span>\r\n\r\n\r\n<span class=\"pubstrong\" style=\"color: #000000;\">PRESS</span>\r\n\r\n<span class=\"pubstrong\">The Archives of the Heart</span><span>\r\nNancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\nFront Cover, pgs 42-45, 2009</span>\r\n\r\n<span class=\"pubstrong\">Globale Kunst Mit Wurzelduft</span><span>\r\nVon Almuth Speigler, Die Presse, Feuilleton, 2nd September 2009</span>\r\n\r\n<span class=\"pubstrong\">Landscapes of Loss</span><span>\r\nBeth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009</span>\r\n\r\n<span class=\"pubstrong\">Reincarnating History</span><span>\r\nThe Big Picture, Architect and Interiors, July 2009</span>\r\n\r\n<span class=\"pubstrong\">Stamp Collection</span><span>\r\nGeorgina Maddox, The Sunday Express, 17th May 2009</span>\r\n\r\n<span class=\"pubstrong\">Evolving Beyond Borders</span><span>\r\nReshma S. Kulkarni, Bombay Times, Times of India, 15th January, 2009</span>\r\n\r\n<span class=\"pubstrong\">Loss and Found</span><span>\r\nMarina Correa, DNA, Mumbai, 22nd January 2009</span>\r\n\r\n<span class=\"pubstrong\">Focus India</span><span>\r\nMegha Ralapati, Flash Art, pg 114, January-February 2008</span>\r\n\r\n<span class=\"pubstrong\">Come Together Right Now</span><span>\r\nReema Gehi, HT Café, 15th February 2008</span>\r\n\r\n<span class=\"pubstrong\">Such a Long Journey</span><span>\r\nAparna S Sharma, Elle Magazine, pgs 115-117, February 2008</span>\r\n\r\n<span class=\"pubstrong\">More than a Woman</span><span>\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 4th February 2008</span>\r\n\r\n<span class=\"pubstrong\">Artist of the Fortnight</span><span>\r\nMaria Louis, Outlook Profit, pg 79, 18th April 2008</span>\r\n\r\n<span class=\"pubstrong\">Deja View</span><span>\r\nTara Khilachand, Live Mint, 20th December 2008</span>\r\n\r\n<span class=\"pubstrong\">Terror Struck</span><span>\r\nMaria Louis, Outlook Profit, 26th December 2008</span>\r\n\r\n<span class=\"pubstrong\">Name Calling</span><span>\r\nDeepanjana Pal, Timeout Mumbai, December 2008</span>\r\n\r\n<span class=\"pubstrong\">Corruptions of Power</span>\r\n<span>Shiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99, 2007</span>\r\n\r\n<span class=\"pubstrong\">Over the Rainbow</span><span>\r\nMaria Louis, Interview, Verve Magazine, pg 78, November 2006</span>\r\n\r\n<span class=\"pubstrong\">In a State of Perennial Siege</span><span>\r\nNancy Adajania, The Hindu, Hyderabad, 29th October 2006</span>\r\n\r\n<span class=\"pubstrong\">Her Crowning Achievement</span><span>\r\nClara Chow, The Straits Times, 18th November 2006</span>\r\n\r\n<span class=\"pubstrong\">Political Chaos</span><span>\r\nDeepali Nandwani, Beautiful people, pg 143, November-December 2006</span>\r\n\r\n<span class=\"pubstrong\">Weapons of Mass Construction</span><span>\r\nRituparna Som, DNA after Hrs, Mumbai, 9th October, 2006</span>\r\n\r\n<span class=\"pubstrong\">Guns and Roses</span><span>\r\nRachna Nakra, The Indian Express, Mumbai Newsline, 18th September 2006</span>\r\n\r\n<span class=\"pubstrong\">Under Attack</span><span>\r\nGitanjali Dang, HT Mumbai, 22nd September 2006</span>\r\n\r\n<span class=\"pubstrong\">Time Traveller</span><span>\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 27th June 2006</span>\r\n\r\n<span class=\"pubstrong\">The Flower and the Sword</span><span>\r\nGirish Shahane, The Art News magazine of India, pg 93, volume X issue I, 2004</span>\r\n\r\n<span class=\"pubstrong\">India’s top 100 achievers</span><span>\r\nSociety Magazine, pg 137, December 2004</span>\r\n\r\n<span class=\"pubstrong\">Caught Between Demons</span><span>\r\nNancy Adajania, The Hindu, 19th December 2004</span>\r\n\r\n<span class=\"pubstrong\">En Reise Til India</span><span>\r\nHarald Flor, Dagbladet, Kultur, 2nd February 2003</span>\r\n\r\n<span class=\"pubstrong\">Signs of Resistance</span><span>\r\nNancy Adajania, The Hindu, 5th January 2003</span>\r\n\r\n<span class=\"pubstrong\">Of the Goddess and Demon in the Mind</span><span>\r\nDebbie Rodgers, Sunday edition Vijay Times, Bangalore, 5th January 2003</span>\r\n\r\n<span class=\"pubstrong\">Empathic Anger</span><span>\r\nMarta Jakimowicz, Deccan Herald, 23rd December 2002</span>\r\n\r\n<span class=\"pubstrong\">Mysore Ek Khoj</span>\r\nCross Fertilization of Culture, Interview in Star of Mysore, 27th October 2002\r\n\r\n<span class=\"pubstrong\">Linking Islands</span><span>\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 15th February 2002</span>\r\n\r\n<span class=\"pubstrong\">Creating to Destroy</span><span>\r\nJasmine Shah Varma, The List, Mid Day, 22nd February 2002</span>\r\n\r\n<span class=\"pubstrong\">Different Strokes</span><span>\r\nGeorgina L Maddox, The Indian Express, Mumbai Newsline, 24th July 2002</span>\r\n\r\n<span class=\"pubstrong\">Of Faith and Hunger</span><span>\r\nAbhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89, December 2000</span>\r\n\r\n<span class=\"pubstrong\">The Murmur of Skin</span><span>\r\nNupur Mahajan, Bombay Times, Times of India, 12th October 2000</span>\r\n\r\n<span class=\"pubstrong\">Not just Skin Deep</span><span>\r\nJasmine Shah Varma, The List, Mid-day, 4th October 2000</span>\r\n\r\n<span class=\"pubstrong\">Inside Out</span><span>\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 11th October 2000</span>\r\n\r\n<span class=\"pubstrong\">Scintillating Skin</span><span>\r\nVaibhav Purandare, The Asian Age, 14th October 2000</span>\r\n\r\n<span class=\"pubstrong\">An Artist’s World: roti, makaan &amp; abstract art</span><span>\r\nPoonam Goel, HT City, 23rd December 2000</span>\r\n\r\n<span class=\"pubstrong\">Within you, Without you</span><span>\r\nAnu Kumar, Indian Express, Express Newsline, 2nd September 1998</span>\r\n\r\n<span class=\"pubstrong\">Farming Intrigue</span><span>\r\nJerry Pinto, The Times of India, Bombay Times, 3rd September 1998</span>\r\n\r\n<span class=\"pubstrong\">Interactive Medium</span><span>\r\nKaren Pereira, Indian Architect &amp; Builder, pgs 102-104, October 1998</span></td>\r\n</tr>\r\n</tbody>\r\n</table>','Publications','','inherit','open','open','','87-revision-151','','','2010-07-10 11:37:27','2010-07-10 11:37:27','',87,'http://www.biggventures.com/demo/artists/2074/uncat/87-revision-151',0,'revision','',0),(2076,1,'2010-09-20 08:35:38','2010-09-20 08:35:38','<table border=\"0\" cellspacing=\"5\" cellpadding=\"0\" width=\"100%\" align=\"centre\">\r\n<tbody>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" width=\"21%\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td style=\"margin-left: 5px;\"><span class=\"pubstrong\">Reena Saini Kallat, </span> 2009<span>\r\nText: Nancy Adajania and Murtaza Vali\r\nPublisher: Primo Marella Gallery, Walsh Gallery and Chemould Prescott Road\r\nISBN: 978-81-908879-1-5 </span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/reena-kallat\">read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Rainbow of Refuse, </span>2006<span>\r\nText: Nancy Adajania\r\nPublisher: Bodhi Art Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/rainbow-of-refuse\">read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Black Flute (and other stories), </span>2005\r\n<span class=\"pubstrong\">Black Flute,</span> 2004<span>\r\nText: Nancy Adajania\r\nPublisher: Gallery Chemould and Nature Morte Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/black-flute\">read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">The Battlefield is the Mind, </span>2002<span>\r\nText: Nancy Adajania\r\nPublisher: Sakshi Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/battlefield-of-mind\">read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\" cellspacing=\"0\" cellpadding=\"0\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Skin, </span>2000<span>\r\nInterview with Jitish Kallat\r\nPublisher: Gallery Chemould and Vis-à-vis Art Inc. Gallery</span></td>\r\n</tr>\r\n<tr>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Orchard of home-grown secrets, </span>1998<span>\r\nText: Ranjit Hoskote\r\nPublisher: Gallery Chemould and Pundole Art Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/orchard-pub\">read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n<td><!-- Start of Other Publications -->\r\n<span class=\"pubstrong\">Never Run Away, </span>2010<span>\r\nText: Shaheen Merali\r\nPublisher: Stux Gallery</span>\r\n<span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/never-run-away\">read essay</a></span>\r\n\r\n<span class=\"pubstrong\">Urban Manners 2, </span>2010<span>\r\nText: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\nPublisher: SESC Pompeia, Sao Paulo </span>\r\n\r\n<span class=\"pubstrong\">The Empire Strikes Back, </span>2010<span>\r\nText: Zehra Jumabhoy\r\nPublisher: Saatchi Gallery\r\nISBN: 9780224089494\r\n</span>\r\n\r\n<span class=\"pubstrong\">The Khoj Book, </span>2010<span>\r\nInterview with Shilpa Gupta\r\nPublisher: HarperCollins\r\nISBN: 9788172236878</span>\r\n<span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/khoj-book\">read essay</a></span>\r\n\r\n<span class=\"pubstrong\">Viewpoints &amp; Viewings Points- Asian Art Biennale, </span>2009<span>\r\nText: Chao-yi-Tsai\r\nPublisher: National Taiwan Museum of fine Arts\r\nISBN: 978-986-02-0269-4</span>\r\n\r\n<span class=\"pubstrong\">India Xianzai: Contemporary Indian Art, </span>2009<span>\r\nText: Jitish Kallat, Diana Freundl, Alexander Keefe\r\nPublisher: Museum of Contemporary Art</span>\r\n\r\n<span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2009<span>\r\nText: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki,\r\nMiho Tagomori\r\nPublisher: Prestel, National Museum of Contemporary Art and Essl Museum\r\nISBN: 978-3-7913-4304-4</span>\r\n\r\n<span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2008<span>\r\nText: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman\r\nGopinath, Jayaram, Deepak Ananth\r\nPublisher: Mori Art Museum\r\nISBN: 978-4-902819-21-2</span>\r\n\r\n<span class=\"pubstrong\">India Moderna, </span>2008<span>\r\nText: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur,\r\nR. Siva Kumar, K.G. Subramanyan\r\nPublisher: IVAM (Institute Valencia D’Art Modern)\r\nISBN: 978-84-482-5104-8</span>\r\n\r\n<span class=\"pubstrong\">Everywhere is War (and rumours of it),</span>)2008<span>\r\nText: Kai Hafez, Martin Hager, Nicholas Mirzoeff, Daniel Miller,\r\nBregje van Eekelen\r\nPublisher: Bodhi Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Three Points of Views, </span>2008<span>\r\nText: Grant Watson\r\nPublisher: Galerie Mirchandani + Steinruecke</span>\r\n\r\n<span class=\"pubstrong\">New Narratives: Contemporary Art from India, </span>2008<span>\r\nText: Betty Seid with contributions by Johan Pijnappel\r\nPublisher: Mapin Publication in association with Chicago Cultural Center\r\nISBN: 978-1-890206-08-6</span>\r\n\r\n<span class=\"pubstrong\">Made by Indians, </span>2007<span>\r\nText: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\nPublisher: Galerie Enrico Navarra\r\nISBN: 2-911596-37-4</span>\r\n\r\n<span class=\"pubstrong\">Thermocline of Art: New Asian Waves, </span>2007<span>\r\nText:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong\r\nPublisher: Hatje Cantz Vertag\r\nISBN: 978-3-7757-2073-1\r\nEAN: 9782911596377</span>\r\n\r\n<span class=\"pubstrong\">Indian Colour, </span>2007<span>\r\nText: Peter Nagy\r\nPublisher: Dal- seung Hwang, Keumsan Gallery</span>\r\n\r\n<span class=\"pubstrong\">India Arte Oggi, </span>2007<span>\r\nText:  Daniela Palazzoli\r\nPublisher: Spazio Oberdan\r\nISBN: 978-88-202-1867-6</span>\r\n\r\n<span class=\"pubstrong\">Urban Manners, </span>2007<span>\r\nText: Adelina Von Furstenberg and Nancy Adajania\r\nPublisher: Hangar Bicocca</span>\r\n\r\n<span class=\"pubstrong\">International Incheon Women Artists’ Biennale,</span>\r\n<span class=\"pubstrong\">Knocking on the Door, </span>2007<span>\r\nText: Sung Hee Kim, John C. Welchman\r\nPublisher: Incheon Culture and Art Centre</span>\r\n\r\n<span class=\"pubstrong\">Soft Power: Asian Attitude, </span>2007<span>\r\nText: Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\nPublisher: Shanghai Zendai Mumsem of Modern Art\r\nISBN: 978-7-5356-2790-2</span>\r\n\r\n<span class=\"pubstrong\">India Express- Art and Popular Culture, </span>2006<span>\r\nText: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze\r\nPublisher: Helsinki City Art Museum\r\nISBN: 951-8965-61-7</span>\r\n\r\n<span class=\"pubstrong\">Bombay L’album Maximum City, </span>2006<span>\r\nText: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\nPublisher: Terrail, Lille 3000\r\nISBN: 2-87939-325-6</span>\r\n\r\n<span class=\"pubstrong\">Indian Paintings of the New Millennium, </span>2005<span>\r\nText: Helen Asquine  Fazio, Gayatri Sinha\r\nPublisher: Quick Arts Center, Fairfield University</span>\r\n\r\n<span class=\"pubstrong\">A Guide to 101 Modern &amp; Contemporary Indian Artists, </span>2005<span>\r\nText: Amrita Jhaveri\r\nPublisher: India Book House\r\nISBN: 81-7508-423-5</span>\r\n\r\n<span class=\"pubstrong\">Zoom! Art in Contemporary India, </span>2004<span>\r\nTexts: Luis Serpa and Nancy Adajania\r\nPublisher: The Culturgest Museum\r\nISBN: 972-769-033-5</span>\r\n\r\n<span class=\"pubstrong\">Interlude in Sri Lanka, </span>2004<span>\r\nText: Ranjit Hoskote and Nancy Adajania\r\nPublisher: The Guild Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Generation I, </span>2004<span>\r\nText: Zehra Jumabhoy\r\nPublisher: Saffronart &amp; The Guild Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Tiranga Rights and Reponsibilities, </span>2003<span>\r\nText: Peter Nagy\r\nPublisher: Jindal Foundation &amp; Creative Arts</span>\r\n\r\n<span class=\"pubstrong\">Hard Copy, </span>2003<span>\r\nText: Peter Nagy\r\nPublisher: Galerie 88</span>\r\n\r\n<span class=\"pubstrong\">Crossing Generations: diVERGE, </span>2003<span>\r\nText: Geeta Kapoor and Chaitanya Sambrani\r\nPublisher: Gallery Chemould</span>\r\n\r\n\r\n<span class=\"pubstrong\" style=\"color: #000000;\">PRESS</span>\r\n\r\n<span class=\"pubstrong\">The Archives of the Heart</span><span>\r\nNancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\nFront Cover, pgs 42-45, 2009</span>\r\n\r\n<span class=\"pubstrong\">Globale Kunst Mit Wurzelduft</span><span>\r\nVon Almuth Speigler, Die Presse, Feuilleton, 2nd September 2009</span>\r\n\r\n<span class=\"pubstrong\">Landscapes of Loss</span><span>\r\nBeth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009</span>\r\n\r\n<span class=\"pubstrong\">Reincarnating History</span><span>\r\nThe Big Picture, Architect and Interiors, July 2009</span>\r\n\r\n<span class=\"pubstrong\">Stamp Collection</span><span>\r\nGeorgina Maddox, The Sunday Express, 17th May 2009</span>\r\n\r\n<span class=\"pubstrong\">Evolving Beyond Borders</span><span>\r\nReshma S. Kulkarni, Bombay Times, Times of India, 15th January, 2009</span>\r\n\r\n<span class=\"pubstrong\">Loss and Found</span><span>\r\nMarina Correa, DNA, Mumbai, 22nd January 2009</span>\r\n\r\n<span class=\"pubstrong\">Focus India</span><span>\r\nMegha Ralapati, Flash Art, pg 114, January-February 2008</span>\r\n\r\n<span class=\"pubstrong\">Come Together Right Now</span><span>\r\nReema Gehi, HT Café, 15th February 2008</span>\r\n\r\n<span class=\"pubstrong\">Such a Long Journey</span><span>\r\nAparna S Sharma, Elle Magazine, pgs 115-117, February 2008</span>\r\n\r\n<span class=\"pubstrong\">More than a Woman</span><span>\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 4th February 2008</span>\r\n\r\n<span class=\"pubstrong\">Artist of the Fortnight</span><span>\r\nMaria Louis, Outlook Profit, pg 79, 18th April 2008</span>\r\n\r\n<span class=\"pubstrong\">Deja View</span><span>\r\nTara Khilachand, Live Mint, 20th December 2008</span>\r\n\r\n<span class=\"pubstrong\">Terror Struck</span><span>\r\nMaria Louis, Outlook Profit, 26th December 2008</span>\r\n\r\n<span class=\"pubstrong\">Name Calling</span><span>\r\nDeepanjana Pal, Timeout Mumbai, December 2008</span>\r\n\r\n<span class=\"pubstrong\">Corruptions of Power</span>\r\n<span>Shiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99, 2007</span>\r\n\r\n<span class=\"pubstrong\">Over the Rainbow</span><span>\r\nMaria Louis, Interview, Verve Magazine, pg 78, November 2006</span>\r\n\r\n<span class=\"pubstrong\">In a State of Perennial Siege</span><span>\r\nNancy Adajania, The Hindu, Hyderabad, 29th October 2006</span>\r\n\r\n<span class=\"pubstrong\">Her Crowning Achievement</span><span>\r\nClara Chow, The Straits Times, 18th November 2006</span>\r\n\r\n<span class=\"pubstrong\">Political Chaos</span><span>\r\nDeepali Nandwani, Beautiful people, pg 143, November-December 2006</span>\r\n\r\n<span class=\"pubstrong\">Weapons of Mass Construction</span><span>\r\nRituparna Som, DNA after Hrs, Mumbai, 9th October, 2006</span>\r\n\r\n<span class=\"pubstrong\">Guns and Roses</span><span>\r\nRachna Nakra, The Indian Express, Mumbai Newsline, 18th September 2006</span>\r\n\r\n<span class=\"pubstrong\">Under Attack</span><span>\r\nGitanjali Dang, HT Mumbai, 22nd September 2006</span>\r\n\r\n<span class=\"pubstrong\">Time Traveller</span><span>\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 27th June 2006</span>\r\n\r\n<span class=\"pubstrong\">The Flower and the Sword</span><span>\r\nGirish Shahane, The Art News magazine of India, pg 93, volume X issue I, 2004</span>\r\n\r\n<span class=\"pubstrong\">India’s top 100 achievers</span><span>\r\nSociety Magazine, pg 137, December 2004</span>\r\n\r\n<span class=\"pubstrong\">Caught Between Demons</span><span>\r\nNancy Adajania, The Hindu, 19th December 2004</span>\r\n\r\n<span class=\"pubstrong\">En Reise Til India</span><span>\r\nHarald Flor, Dagbladet, Kultur, 2nd February 2003</span>\r\n\r\n<span class=\"pubstrong\">Signs of Resistance</span><span>\r\nNancy Adajania, The Hindu, 5th January 2003</span>\r\n\r\n<span class=\"pubstrong\">Of the Goddess and Demon in the Mind</span><span>\r\nDebbie Rodgers, Sunday edition Vijay Times, Bangalore, 5th January 2003</span>\r\n\r\n<span class=\"pubstrong\">Empathic Anger</span><span>\r\nMarta Jakimowicz, Deccan Herald, 23rd December 2002</span>\r\n\r\n<span class=\"pubstrong\">Mysore Ek Khoj</span>\r\nCross Fertilization of Culture, Interview in Star of Mysore, 27th October 2002\r\n\r\n<span class=\"pubstrong\">Linking Islands</span><span>\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 15th February 2002</span>\r\n\r\n<span class=\"pubstrong\">Creating to Destroy</span><span>\r\nJasmine Shah Varma, The List, Mid Day, 22nd February 2002</span>\r\n\r\n<span class=\"pubstrong\">Different Strokes</span><span>\r\nGeorgina L Maddox, The Indian Express, Mumbai Newsline, 24th July 2002</span>\r\n\r\n<span class=\"pubstrong\">Of Faith and Hunger</span><span>\r\nAbhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89, December 2000</span>\r\n\r\n<span class=\"pubstrong\">The Murmur of Skin</span><span>\r\nNupur Mahajan, Bombay Times, Times of India, 12th October 2000</span>\r\n\r\n<span class=\"pubstrong\">Not just Skin Deep</span><span>\r\nJasmine Shah Varma, The List, Mid-day, 4th October 2000</span>\r\n\r\n<span class=\"pubstrong\">Inside Out</span><span>\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 11th October 2000</span>\r\n\r\n<span class=\"pubstrong\">Scintillating Skin</span><span>\r\nVaibhav Purandare, The Asian Age, 14th October 2000</span>\r\n\r\n<span class=\"pubstrong\">An Artist’s World: roti, makaan &amp; abstract art</span><span>\r\nPoonam Goel, HT City, 23rd December 2000</span>\r\n\r\n<span class=\"pubstrong\">Within you, Without you</span><span>\r\nAnu Kumar, Indian Express, Express Newsline, 2nd September 1998</span>\r\n\r\n<span class=\"pubstrong\">Farming Intrigue</span><span>\r\nJerry Pinto, The Times of India, Bombay Times, 3rd September 1998</span>\r\n\r\n<span class=\"pubstrong\">Interactive Medium</span><span>\r\nKaren Pereira, Indian Architect &amp; Builder, pgs 102-104, October 1998</span></td>\r\n</tr>\r\n</tbody>\r\n</table>','Publications','','inherit','open','open','','87-revision-153','','','2010-09-20 08:35:38','2010-09-20 08:35:38','',87,'http://www.biggventures.com/demo/artists/2076/uncat/87-revision-153',0,'revision','',0),(2078,1,'2010-09-20 08:38:58','2010-09-20 08:38:58','<table border=\"0\" cellspacing=\"5\" cellpadding=\"0\" width=\"100%\" align=\"centre\">\r\n<tbody>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" width=\"21%\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td style=\"margin-left: 5px;\"><span class=\"pubstrong\">Reena Saini Kallat, </span> 2009<span>\r\nText: Nancy Adajania and Murtaza Vali\r\nPublisher: Primo Marella Gallery, Walsh Gallery and Chemould Prescott Road\r\nISBN: 978-81-908879-1-5 </span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/reena-kallat\">read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Rainbow of Refuse, </span>2006<span>\r\nText: Nancy Adajania\r\nPublisher: Bodhi Art Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/rainbow-of-refuse\">read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Black Flute (and other stories), </span>2005\r\n<span class=\"pubstrong\">Black Flute,</span> 2004<span>\r\nText: Nancy Adajania\r\nPublisher: Gallery Chemould and Nature Morte Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/black-flute\">read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">The Battlefield is the Mind, </span>2002<span>\r\nText: Nancy Adajania\r\nPublisher: Sakshi Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/battlefield-of-mind\">read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\" cellspacing=\"0\" cellpadding=\"0\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Skin, </span>2000<span>\r\nInterview with Jitish Kallat\r\nPublisher: Gallery Chemould and Vis-à-vis Art Inc. Gallery</span></td>\r\n</tr>\r\n<tr>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Orchard of home-grown secrets, </span>1998<span>\r\nText: Ranjit Hoskote\r\nPublisher: Gallery Chemould and Pundole Art Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/orchard-pub\">read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n<td><!-- Start of Other Publications -->\r\n<span class=\"pubstrong\">Never Run Away, </span>2010<span>\r\nText: Shaheen Merali\r\nPublisher: Stux Gallery</span>\r\n<span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/never-run-away\">read essay</a></span>\r\n\r\n<span class=\"pubstrong\">Urban Manners 2, </span>2010<span>\r\nText: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\nPublisher: SESC Pompeia, Sao Paulo </span>\r\n\r\n<span class=\"pubstrong\">The Empire Strikes Back, </span>2010<span>\r\nText: Zehra Jumabhoy\r\nPublisher: Saatchi Gallery\r\nISBN: 9780224089494\r\n</span>\r\n\r\n<span class=\"pubstrong\">The Khoj Book, </span>2010<span>\r\nInterview with Shilpa Gupta\r\nPublisher: HarperCollins\r\nISBN: 9788172236878</span>\r\n<span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/khoj-book\">read essay</a></span>\r\n\r\n<span class=\"pubstrong\">Viewpoints &amp; Viewings Points- Asian Art Biennale, </span>2009<span>\r\nText: Chao-yi-Tsai\r\nPublisher: National Taiwan Museum of fine Arts\r\nISBN: 978-986-02-0269-4</span>\r\n\r\n<span class=\"pubstrong\">India Xianzai: Contemporary Indian Art, </span>2009<span>\r\nText: Jitish Kallat, Diana Freundl, Alexander Keefe\r\nPublisher: Museum of Contemporary Art</span>\r\n\r\n<span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2009<span>\r\nText: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki,\r\nMiho Tagomori\r\nPublisher: Prestel, National Museum of Contemporary Art and Essl Museum\r\nISBN: 978-3-7913-4304-4</span>\r\n\r\n<span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2008<span>\r\nText: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman\r\nGopinath, Jayaram, Deepak Ananth\r\nPublisher: Mori Art Museum\r\nISBN: 978-4-902819-21-2</span>\r\n\r\n<span class=\"pubstrong\">India Moderna, </span>2008<span>\r\nText: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur,\r\nR. Siva Kumar, K.G. Subramanyan\r\nPublisher: IVAM (Institute Valencia D’Art Modern)\r\nISBN: 978-84-482-5104-8</span>\r\n\r\n<span class=\"pubstrong\">Everywhere is War (and rumours of it),</span>2008<span>\r\nText: Kai Hafez, Martin Hager, Nicholas Mirzoeff, Daniel Miller,\r\nBregje van Eekelen\r\nPublisher: Bodhi Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Three Points of Views, </span>2008<span>\r\nText: Grant Watson\r\nPublisher: Galerie Mirchandani + Steinruecke</span>\r\n\r\n<span class=\"pubstrong\">New Narratives: Contemporary Art from India, </span>2008<span>\r\nText: Betty Seid with contributions by Johan Pijnappel\r\nPublisher: Mapin Publication in association with Chicago Cultural Center\r\nISBN: 978-1-890206-08-6</span>\r\n\r\n<span class=\"pubstrong\">Made by Indians, </span>2007<span>\r\nText: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\nPublisher: Galerie Enrico Navarra\r\nISBN: 2-911596-37-4</span>\r\n\r\n<span class=\"pubstrong\">Thermocline of Art: New Asian Waves, </span>2007<span>\r\nText:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong\r\nPublisher: Hatje Cantz Vertag\r\nISBN: 978-3-7757-2073-1\r\nEAN: 9782911596377</span>\r\n\r\n<span class=\"pubstrong\">Indian Colour, </span>2007<span>\r\nText: Peter Nagy\r\nPublisher: Dal- seung Hwang, Keumsan Gallery</span>\r\n\r\n<span class=\"pubstrong\">India Arte Oggi, </span>2007<span>\r\nText:  Daniela Palazzoli\r\nPublisher: Spazio Oberdan\r\nISBN: 978-88-202-1867-6</span>\r\n\r\n<span class=\"pubstrong\">Urban Manners, </span>2007<span>\r\nText: Adelina Von Furstenberg and Nancy Adajania\r\nPublisher: Hangar Bicocca</span>\r\n\r\n<span class=\"pubstrong\">International Incheon Women Artists’ Biennale,</span>\r\n<span class=\"pubstrong\">Knocking on the Door, </span>2007<span>\r\nText: Sung Hee Kim, John C. Welchman\r\nPublisher: Incheon Culture and Art Centre</span>\r\n\r\n<span class=\"pubstrong\">Soft Power: Asian Attitude, </span>2007<span>\r\nText: Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\nPublisher: Shanghai Zendai Mumsem of Modern Art\r\nISBN: 978-7-5356-2790-2</span>\r\n\r\n<span class=\"pubstrong\">India Express- Art and Popular Culture, </span>2006<span>\r\nText: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze\r\nPublisher: Helsinki City Art Museum\r\nISBN: 951-8965-61-7</span>\r\n\r\n<span class=\"pubstrong\">Bombay L’album Maximum City, </span>2006<span>\r\nText: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\nPublisher: Terrail, Lille 3000\r\nISBN: 2-87939-325-6</span>\r\n\r\n<span class=\"pubstrong\">Indian Paintings of the New Millennium, </span>2005<span>\r\nText: Helen Asquine  Fazio, Gayatri Sinha\r\nPublisher: Quick Arts Center, Fairfield University</span>\r\n\r\n<span class=\"pubstrong\">A Guide to 101 Modern &amp; Contemporary Indian Artists, </span>2005<span>\r\nText: Amrita Jhaveri\r\nPublisher: India Book House\r\nISBN: 81-7508-423-5</span>\r\n\r\n<span class=\"pubstrong\">Zoom! Art in Contemporary India, </span>2004<span>\r\nTexts: Luis Serpa and Nancy Adajania\r\nPublisher: The Culturgest Museum\r\nISBN: 972-769-033-5</span>\r\n\r\n<span class=\"pubstrong\">Interlude in Sri Lanka, </span>2004<span>\r\nText: Ranjit Hoskote and Nancy Adajania\r\nPublisher: The Guild Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Generation I, </span>2004<span>\r\nText: Zehra Jumabhoy\r\nPublisher: Saffronart &amp; The Guild Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Tiranga Rights and Reponsibilities, </span>2003<span>\r\nText: Peter Nagy\r\nPublisher: Jindal Foundation &amp; Creative Arts</span>\r\n\r\n<span class=\"pubstrong\">Hard Copy, </span>2003<span>\r\nText: Peter Nagy\r\nPublisher: Galerie 88</span>\r\n\r\n<span class=\"pubstrong\">Crossing Generations: diVERGE, </span>2003<span>\r\nText: Geeta Kapoor and Chaitanya Sambrani\r\nPublisher: Gallery Chemould</span>\r\n\r\n\r\n<span class=\"pubstrong\" style=\"color: #000000;\">PRESS</span>\r\n\r\n<span class=\"pubstrong\">The Archives of the Heart</span><span>\r\nNancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\nFront Cover, pgs 42-45, 2009</span>\r\n\r\n<span class=\"pubstrong\">Globale Kunst Mit Wurzelduft</span><span>\r\nVon Almuth Speigler, Die Presse, Feuilleton, 2nd September 2009</span>\r\n\r\n<span class=\"pubstrong\">Landscapes of Loss</span><span>\r\nBeth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009</span>\r\n\r\n<span class=\"pubstrong\">Reincarnating History</span><span>\r\nThe Big Picture, Architect and Interiors, July 2009</span>\r\n\r\n<span class=\"pubstrong\">Stamp Collection</span><span>\r\nGeorgina Maddox, The Sunday Express, 17th May 2009</span>\r\n\r\n<span class=\"pubstrong\">Evolving Beyond Borders</span><span>\r\nReshma S. Kulkarni, Bombay Times, Times of India, 15th January, 2009</span>\r\n\r\n<span class=\"pubstrong\">Loss and Found</span><span>\r\nMarina Correa, DNA, Mumbai, 22nd January 2009</span>\r\n\r\n<span class=\"pubstrong\">Focus India</span><span>\r\nMegha Ralapati, Flash Art, pg 114, January-February 2008</span>\r\n\r\n<span class=\"pubstrong\">Come Together Right Now</span><span>\r\nReema Gehi, HT Café, 15th February 2008</span>\r\n\r\n<span class=\"pubstrong\">Such a Long Journey</span><span>\r\nAparna S Sharma, Elle Magazine, pgs 115-117, February 2008</span>\r\n\r\n<span class=\"pubstrong\">More than a Woman</span><span>\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 4th February 2008</span>\r\n\r\n<span class=\"pubstrong\">Artist of the Fortnight</span><span>\r\nMaria Louis, Outlook Profit, pg 79, 18th April 2008</span>\r\n\r\n<span class=\"pubstrong\">Deja View</span><span>\r\nTara Khilachand, Live Mint, 20th December 2008</span>\r\n\r\n<span class=\"pubstrong\">Terror Struck</span><span>\r\nMaria Louis, Outlook Profit, 26th December 2008</span>\r\n\r\n<span class=\"pubstrong\">Name Calling</span><span>\r\nDeepanjana Pal, Timeout Mumbai, December 2008</span>\r\n\r\n<span class=\"pubstrong\">Corruptions of Power</span>\r\n<span>Shiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99, 2007</span>\r\n\r\n<span class=\"pubstrong\">Over the Rainbow</span><span>\r\nMaria Louis, Interview, Verve Magazine, pg 78, November 2006</span>\r\n\r\n<span class=\"pubstrong\">In a State of Perennial Siege</span><span>\r\nNancy Adajania, The Hindu, Hyderabad, 29th October 2006</span>\r\n\r\n<span class=\"pubstrong\">Her Crowning Achievement</span><span>\r\nClara Chow, The Straits Times, 18th November 2006</span>\r\n\r\n<span class=\"pubstrong\">Political Chaos</span><span>\r\nDeepali Nandwani, Beautiful people, pg 143, November-December 2006</span>\r\n\r\n<span class=\"pubstrong\">Weapons of Mass Construction</span><span>\r\nRituparna Som, DNA after Hrs, Mumbai, 9th October, 2006</span>\r\n\r\n<span class=\"pubstrong\">Guns and Roses</span><span>\r\nRachna Nakra, The Indian Express, Mumbai Newsline, 18th September 2006</span>\r\n\r\n<span class=\"pubstrong\">Under Attack</span><span>\r\nGitanjali Dang, HT Mumbai, 22nd September 2006</span>\r\n\r\n<span class=\"pubstrong\">Time Traveller</span><span>\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 27th June 2006</span>\r\n\r\n<span class=\"pubstrong\">The Flower and the Sword</span><span>\r\nGirish Shahane, The Art News magazine of India, pg 93, volume X issue I, 2004</span>\r\n\r\n<span class=\"pubstrong\">India’s top 100 achievers</span><span>\r\nSociety Magazine, pg 137, December 2004</span>\r\n\r\n<span class=\"pubstrong\">Caught Between Demons</span><span>\r\nNancy Adajania, The Hindu, 19th December 2004</span>\r\n\r\n<span class=\"pubstrong\">En Reise Til India</span><span>\r\nHarald Flor, Dagbladet, Kultur, 2nd February 2003</span>\r\n\r\n<span class=\"pubstrong\">Signs of Resistance</span><span>\r\nNancy Adajania, The Hindu, 5th January 2003</span>\r\n\r\n<span class=\"pubstrong\">Of the Goddess and Demon in the Mind</span><span>\r\nDebbie Rodgers, Sunday edition Vijay Times, Bangalore, 5th January 2003</span>\r\n\r\n<span class=\"pubstrong\">Empathic Anger</span><span>\r\nMarta Jakimowicz, Deccan Herald, 23rd December 2002</span>\r\n\r\n<span class=\"pubstrong\">Mysore Ek Khoj</span>\r\nCross Fertilization of Culture, Interview in Star of Mysore, 27th October 2002\r\n\r\n<span class=\"pubstrong\">Linking Islands</span><span>\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 15th February 2002</span>\r\n\r\n<span class=\"pubstrong\">Creating to Destroy</span><span>\r\nJasmine Shah Varma, The List, Mid Day, 22nd February 2002</span>\r\n\r\n<span class=\"pubstrong\">Different Strokes</span><span>\r\nGeorgina L Maddox, The Indian Express, Mumbai Newsline, 24th July 2002</span>\r\n\r\n<span class=\"pubstrong\">Of Faith and Hunger</span><span>\r\nAbhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89, December 2000</span>\r\n\r\n<span class=\"pubstrong\">The Murmur of Skin</span><span>\r\nNupur Mahajan, Bombay Times, Times of India, 12th October 2000</span>\r\n\r\n<span class=\"pubstrong\">Not just Skin Deep</span><span>\r\nJasmine Shah Varma, The List, Mid-day, 4th October 2000</span>\r\n\r\n<span class=\"pubstrong\">Inside Out</span><span>\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 11th October 2000</span>\r\n\r\n<span class=\"pubstrong\">Scintillating Skin</span><span>\r\nVaibhav Purandare, The Asian Age, 14th October 2000</span>\r\n\r\n<span class=\"pubstrong\">An Artist’s World: roti, makaan &amp; abstract art</span><span>\r\nPoonam Goel, HT City, 23rd December 2000</span>\r\n\r\n<span class=\"pubstrong\">Within you, Without you</span><span>\r\nAnu Kumar, Indian Express, Express Newsline, 2nd September 1998</span>\r\n\r\n<span class=\"pubstrong\">Farming Intrigue</span><span>\r\nJerry Pinto, The Times of India, Bombay Times, 3rd September 1998</span>\r\n\r\n<span class=\"pubstrong\">Interactive Medium</span><span>\r\nKaren Pereira, Indian Architect &amp; Builder, pgs 102-104, October 1998</span></td>\r\n</tr>\r\n</tbody>\r\n</table>','Publications','','inherit','open','open','','87-revision-154','','','2010-09-20 08:38:58','2010-09-20 08:38:58','',87,'http://www.biggventures.com/demo/artists/2078/uncat/87-revision-154',0,'revision','',0),(2079,1,'2010-09-20 08:47:04','2010-09-20 08:47:04','<table border=\"0\" cellspacing=\"5\" cellpadding=\"0\" width=\"100%\" align=\"centre\">\r\n<tbody>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" width=\"21%\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td style=\"margin-left: 5px;\"><span class=\"pubstrong\">Reena Saini Kallat, </span> 2009<span>\r\nText: Nancy Adajania and Murtaza Vali\r\nPublisher: Primo Marella Gallery, Walsh Gallery and Chemould Prescott Road\r\nISBN: 978-81-908879-1-5 </span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/reena-kallat\">read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Rainbow of Refuse, </span>2006<span>\r\nText: Nancy Adajania\r\nPublisher: Bodhi Art Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/rainbow-of-refuse\">read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Black Flute (and other stories), </span>2005\r\n<span class=\"pubstrong\">Black Flute,</span> 2004<span>\r\nText: Nancy Adajania\r\nPublisher: Gallery Chemould and Nature Morte Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/black-flute\">read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">The Battlefield is the Mind, </span>2002<span>\r\nText: Nancy Adajania\r\nPublisher: Sakshi Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/battlefield-of-mind\">read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\" cellspacing=\"0\" cellpadding=\"0\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Skin, </span>2000<span>\r\nInterview with Jitish Kallat\r\nPublisher: Gallery Chemould and Vis-à-vis Art Inc. Gallery</span></td>\r\n</tr>\r\n<tr>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Orchard of home-grown secrets, </span>1998<span>\r\nText: Ranjit Hoskote\r\nPublisher: Gallery Chemould and Pundole Art Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/orchard-pub\">read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n<td><!-- Start of Other Publications -->\r\n<span class=\"pubstrong\">Never Run Away, </span>2010<span>\r\nText: Shaheen Merali\r\nPublisher: Stux Gallery</span>\r\n<span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/never-run-away\">read essay</a></span>\r\n\r\n<span class=\"pubstrong\">Urban Manners 2, </span>2010<span>\r\nText: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\nPublisher: SESC Pompeia, Sao Paulo </span>\r\n\r\n<span class=\"pubstrong\">The Empire Strikes Back, </span>2010<span>\r\nText: Zehra Jumabhoy\r\nPublisher: Saatchi Gallery\r\nISBN: 9780224089494\r\n</span>\r\n\r\n<span class=\"pubstrong\">The Khoj Book, </span>2010<span>\r\nInterview with Shilpa Gupta\r\nPublisher: HarperCollins\r\nISBN: 9788172236878</span>\r\n<span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/khoj-book\">read essay</a></span>\r\n\r\n<span class=\"pubstrong\">Viewpoints &amp; Viewings Points- Asian Art Biennale, </span>2009<span>\r\nText: Chao-yi-Tsai\r\nPublisher: National Taiwan Museum of fine Arts\r\nISBN: 978-986-02-0269-4</span>\r\n\r\n<span class=\"pubstrong\">India Xianzai: Contemporary Indian Art, </span>2009<span>\r\nText: Jitish Kallat, Diana Freundl, Alexander Keefe\r\nPublisher: Museum of Contemporary Art</span>\r\n\r\n<span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2009<span>\r\nText: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki,\r\nMiho Tagomori\r\nPublisher: Prestel, National Museum of Contemporary Art and Essl Museum\r\nISBN: 978-3-7913-4304-4</span>\r\n\r\n<span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2008<span>\r\nText: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman\r\nGopinath, Jayaram, Deepak Ananth\r\nPublisher: Mori Art Museum\r\nISBN: 978-4-902819-21-2</span>\r\n\r\n<span class=\"pubstrong\">India Moderna, </span>2008<span>\r\nText: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur,\r\nR. Siva Kumar, K.G. Subramanyan\r\nPublisher: IVAM (Institute Valencia D’Art Modern)\r\nISBN: 978-84-482-5104-8</span>\r\n\r\n<span class=\"pubstrong\">Everywhere is War (and rumours of it),</span>2008<span>\r\nText: Kai Hafez, Martin Hager, Nicholas Mirzoeff, Daniel Miller,\r\nBregje van Eekelen\r\nPublisher: Bodhi Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Three Points of Views, </span>2008<span>\r\nText: Grant Watson\r\nPublisher: Galerie Mirchandani + Steinruecke</span>\r\n\r\n<span class=\"pubstrong\">New Narratives: Contemporary Art from India, </span>2008<span>\r\nText: Betty Seid with contributions by Johan Pijnappel\r\nPublisher: Mapin Publication in association with Chicago Cultural Center\r\nISBN: 978-1-890206-08-6</span>\r\n\r\n<span class=\"pubstrong\">Made by Indians, </span>2007<span>\r\nText: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\nPublisher: Galerie Enrico Navarra\r\nISBN: 2-911596-37-4</span>\r\n\r\n<span class=\"pubstrong\">Thermocline of Art: New Asian Waves, </span>2007<span>\r\nText:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong\r\nPublisher: Hatje Cantz Vertag\r\nISBN: 978-3-7757-2073-1\r\nEAN: 9782911596377</span>\r\n\r\n<span class=\"pubstrong\">Indian Colour, </span>2007<span>\r\nText: Peter Nagy\r\nPublisher: Dal- seung Hwang, Keumsan Gallery</span>\r\n\r\n<span class=\"pubstrong\">India Arte Oggi, </span>2007<span>\r\nText:  Daniela Palazzoli\r\nPublisher: Spazio Oberdan\r\nISBN: 978-88-202-1867-6</span>\r\n\r\n<span class=\"pubstrong\">Urban Manners, </span>2007<span>\r\nText: Adelina Von Furstenberg and Nancy Adajania\r\nPublisher: Hangar Bicocca</span>\r\n\r\n<span class=\"pubstrong\">International Incheon Women Artists’ Biennale,</span>\r\n<span class=\"pubstrong\">Knocking on the Door, </span>2007<span>\r\nText: Sung Hee Kim, John C. Welchman\r\nPublisher: Incheon Culture and Art Centre</span>\r\n\r\n<span class=\"pubstrong\">Soft Power: Asian Attitude, </span>2007<span>\r\nText: Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\nPublisher: Shanghai Zendai Mumsem of Modern Art\r\nISBN: 978-7-5356-2790-2</span>\r\n\r\n<span class=\"pubstrong\">India Express- Art and Popular Culture, </span>2006<span>\r\nText: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze\r\nPublisher: Helsinki City Art Museum\r\nISBN: 951-8965-61-7</span>\r\n\r\n<span class=\"pubstrong\">Bombay L’album Maximum City, </span>2006<span>\r\nText: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\nPublisher: Terrail, Lille 3000\r\nISBN: 2-87939-325-6</span>\r\n\r\n<span class=\"pubstrong\">Indian Paintings of the New Millennium, </span>2005<span>\r\nText: Helen Asquine  Fazio, Gayatri Sinha\r\nPublisher: Quick Arts Center, Fairfield University</span>\r\n\r\n<span class=\"pubstrong\">A Guide to 101 Modern &amp; Contemporary Indian Artists, </span>2005<span>\r\nText: Amrita Jhaveri\r\nPublisher: India Book House\r\nISBN: 81-7508-423-5</span>\r\n\r\n<span class=\"pubstrong\">Zoom! Art in Contemporary India, </span>2004<span>\r\nTexts: Luis Serpa and Nancy Adajania\r\nPublisher: The Culturgest Museum\r\nISBN: 972-769-033-5</span>\r\n\r\n<span class=\"pubstrong\">Interlude in Sri Lanka, </span>2004<span>\r\nText: Ranjit Hoskote and Nancy Adajania\r\nPublisher: The Guild Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Generation I, </span>2004<span>\r\nText: Zehra Jumabhoy\r\nPublisher: Saffronart &amp; The Guild Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Tiranga Rights and Reponsibilities, </span>2003<span>\r\nText: Peter Nagy\r\nPublisher: Jindal Foundation &amp; Creative Arts</span>\r\n\r\n<span class=\"pubstrong\">Hard Copy, </span>2003<span>\r\nText: Peter Nagy\r\nPublisher: Galerie 88</span>\r\n\r\n<span class=\"pubstrong\">Crossing Generations: diVERGE, </span>2003<span>\r\nText: Geeta Kapoor and Chaitanya Sambrani\r\nPublisher: Gallery Chemould</span>\r\n\r\n\r\n<span class=\"pubstrong\" style=\"color: #000000;\">PRESS</span>\r\n\r\n<span class=\"pubstrong\">The Archives of the Heart</span><span>\r\nNancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\nFront Cover, pgs 42-45, 2009</span>\r\n\r\n<span class=\"pubstrong\">Globale Kunst Mit Wurzelduft</span><span>\r\nVon Almuth Speigler, Die Presse, Feuilleton, 2nd September 2009</span>\r\n\r\n<span class=\"pubstrong\">Landscapes of Loss</span><span>\r\nBeth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009</span>\r\n\r\n<span class=\"pubstrong\">Reincarnating History</span><span>\r\nThe Big Picture, Architect and Interiors, July 2009</span>\r\n\r\n<span class=\"pubstrong\">Stamp Collection</span><span>\r\nGeorgina Maddox, The Sunday Express, 17th May 2009</span>\r\n\r\n<span class=\"pubstrong\">Evolving Beyond Borders</span><span>\r\nReshma S. Kulkarni, Bombay Times, Times of India, 15th January, 2009</span>\r\n\r\n<span class=\"pubstrong\">Loss and Found</span><span>\r\nMarina Correa, DNA, Mumbai, 22nd January 2009</span>\r\n\r\n<span class=\"pubstrong\">Focus India</span><span>\r\nMegha Ralapati, Flash Art, pg 114, January-February 2008</span>\r\n\r\n<span class=\"pubstrong\">Come Together Right Now</span><span>\r\nReema Gehi, HT Café, 15th February 2008</span>\r\n\r\n<span class=\"pubstrong\">Such a Long Journey</span><span>\r\nAparna S Sharma, Elle Magazine, pgs 115-117, February 2008</span>\r\n\r\n<span class=\"pubstrong\">More than a Woman</span><span>\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 4th February 2008</span>\r\n\r\n<span class=\"pubstrong\">Artist of the Fortnight</span><span>\r\nMaria Louis, Outlook Profit, pg 79, 18th April 2008</span>\r\n\r\n<span class=\"pubstrong\">Deja View</span><span>\r\nTara Khilachand, Live Mint, 20th December 2008</span>\r\n\r\n<span class=\"pubstrong\">Terror Struck</span><span>\r\nMaria Louis, Outlook Profit, 26th December 2008</span>\r\n\r\n<span class=\"pubstrong\">Name Calling</span><span>\r\nDeepanjana Pal, Timeout Mumbai, December 2008</span>\r\n\r\n<span class=\"pubstrong\">Corruptions of Power</span>\r\n<span>Shiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99, 2007</span>\r\n\r\n<span class=\"pubstrong\">Over the Rainbow</span><span>\r\nMaria Louis, Interview, Verve Magazine, pg 78, November 2006</span>\r\n\r\n<span class=\"pubstrong\">In a State of Perennial Siege</span><span>\r\nNancy Adajania, The Hindu, Hyderabad, 29th October 2006</span>\r\n\r\n<span class=\"pubstrong\">Her Crowning Achievement</span><span>\r\nClara Chow, The Straits Times, 18th November 2006</span>\r\n\r\n<span class=\"pubstrong\">Political Chaos</span><span>\r\nDeepali Nandwani, Beautiful people, pg 143, November-December 2006</span>\r\n\r\n<span class=\"pubstrong\">Weapons of Mass Construction</span><span>\r\nRituparna Som, DNA after Hrs, Mumbai, 9th October, 2006</span>\r\n\r\n<span class=\"pubstrong\">Guns and Roses</span><span>\r\nRachna Nakra, The Indian Express, Mumbai Newsline, 18th September 2006</span>\r\n\r\n<span class=\"pubstrong\">Under Attack</span><span>\r\nGitanjali Dang, HT Mumbai, 22nd September 2006</span>\r\n\r\n<span class=\"pubstrong\">Time Traveller</span><span>\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 27th June 2006</span>\r\n\r\n<span class=\"pubstrong\">The Flower and the Sword</span><span>\r\nGirish Shahane, The Art News magazine of India, pg 93, volume X issue I, 2004</span>\r\n\r\n<span class=\"pubstrong\">India’s Top 100 Achievers</span><span>\r\nSociety Magazine, pg 137, December 2004</span>\r\n\r\n<span class=\"pubstrong\">Caught Between Demons</span><span>\r\nNancy Adajania, The Hindu, 19th December 2004</span>\r\n\r\n<span class=\"pubstrong\">En Reise Til India</span><span>\r\nHarald Flor, Dagbladet, Kultur, 2nd February 2003</span>\r\n\r\n<span class=\"pubstrong\">Signs of Resistance</span><span>\r\nNancy Adajania, The Hindu, 5th January 2003</span>\r\n\r\n<span class=\"pubstrong\">Of the Goddess and Demon in the Mind</span><span>\r\nDebbie Rodgers, Sunday edition Vijay Times, Bangalore, 5th January 2003</span>\r\n\r\n<span class=\"pubstrong\">Empathic Anger</span><span>\r\nMarta Jakimowicz, Deccan Herald, 23rd December 2002</span>\r\n\r\n<span class=\"pubstrong\">Mysore Ek Khoj</span>\r\nCross Fertilization of Culture, Interview in Star of Mysore, 27th October 2002\r\n\r\n<span class=\"pubstrong\">Linking Islands</span><span>\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 15th February 2002</span>\r\n\r\n<span class=\"pubstrong\">Creating to Destroy</span><span>\r\nJasmine Shah Varma, The List, Mid Day, 22nd February 2002</span>\r\n\r\n<span class=\"pubstrong\">Different Strokes</span><span>\r\nGeorgina L Maddox, The Indian Express, Mumbai Newsline, 24th July 2002</span>\r\n\r\n<span class=\"pubstrong\">Of Faith and Hunger</span><span>\r\nAbhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89, December 2000</span>\r\n\r\n<span class=\"pubstrong\">The Murmur of Skin</span><span>\r\nNupur Mahajan, Bombay Times, Times of India, 12th October 2000</span>\r\n\r\n<span class=\"pubstrong\">Not just Skin Deep</span><span>\r\nJasmine Shah Varma, The List, Mid-day, 4th October 2000</span>\r\n\r\n<span class=\"pubstrong\">Inside Out</span><span>\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 11th October 2000</span>\r\n\r\n<span class=\"pubstrong\">Scintillating Skin</span><span>\r\nVaibhav Purandare, The Asian Age, 14th October 2000</span>\r\n\r\n<span class=\"pubstrong\">An Artist’s World: roti, makaan &amp; abstract art</span><span>\r\nPoonam Goel, HT City, 23rd December 2000</span>\r\n\r\n<span class=\"pubstrong\">Within you, Without you</span><span>\r\nAnu Kumar, Indian Express, Express Newsline, 2nd September 1998</span>\r\n\r\n<span class=\"pubstrong\">Farming Intrigue</span><span>\r\nJerry Pinto, The Times of India, Bombay Times, 3rd September 1998</span>\r\n\r\n<span class=\"pubstrong\">Interactive Medium</span><span>\r\nKaren Pereira, Indian Architect &amp; Builder, pgs 102-104, October 1998</span></td>\r\n</tr>\r\n</tbody>\r\n</table>','Publications','','inherit','open','open','','87-revision-155','','','2010-09-20 08:47:04','2010-09-20 08:47:04','',87,'http://www.biggventures.com/demo/artists/2079/uncat/87-revision-155',0,'revision','',0),(2104,1,'2010-09-20 17:44:06','2010-09-20 17:44:06','Reena Saini Kallat (b. Delhi 1973) graduated from the Sir J. J. School of Art, Mumbai in 1996 with a B. F. A. in painting. Her practice - spanning painting, photography, video and sculptural installations - frequently deals with the condition of an individual in a rapidly changing society, ever susceptible to being reduced to an anonymous and forgotten statistic. Kallat is interested in constructing images that seem to change and transform by the possibilities they carry for the generation of meaning through a calibrated interplay of image and form.\r\n\r\nOver the last decade her work has been part of many important exhibitions, across the world. She has had ten solo exhibitions in India and abroad, collectively, and participated in a number of workshops and residencies. She lives and works in Mumbai.\r\n<table>\r\n<tbody>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">SOLO EXHIBITIONS</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><i>Samtidigt,</i> Kulterhuset, Stockholm</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><i>The River Project,</i> Campbelltown Art Centre, Sydney</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><i>Roundabout,</i> City Gallery Wellington, New Zealand (touring)</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/\" target=\"_blank\">Waterways, Walsh Gallery, Chicago</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.primomarellagallery.com/it/catalogue/scheda.asp?id=568&amp;view=past\" target=\"_blank\">Drift, Primo Marella Gallery, Milan</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2008/reena_bio.html\" target=\"_blank\"> Silt of Seasons, Chemould   Prescott Road, Mumbai</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/reena-kallat-exhibition-2008/\" target=\"_blank\">Subject to Change without Notice, Walsh Gallery, Chicago</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Rainbow Of Refuse, Bodhi Art Gallery, Mumbai and Singapore</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td><a class=\"linkbio\" href=\"http://www.naturemorte.com/artists/reena-saini-kallat/selected-works/\" target=\"_blank\">Black Flute (And Other Stories), Nature Morte, New Delhi</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2004/reena_saini_kallat_note.html\" target=\"_blank\">Black Flute, Gallery Chemould, Mumbai</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>The Battlefield Is The Mind, Sakshi Gallery, Bangalore</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Seven Faces of Dust, Chicago Radio, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2000</td>\r\n<td>Skin, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1998</td>\r\n<td>Orchard of Home-grown Secrets, Gallery Chemould and Pundole  Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><span style=\"color: #888888;\"><strong>SELECTED GROUP EXHIBITIONS</strong></span></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.richmondartgallery.org/in-transition.php\" target=\"_blank\">In Transition: New Art from India, Richmond Art Gallery Vancouver Biennale, Vancouver</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://websterhuntgallery.blogspot.com/2010_02_01_archive.html\" target=\"_blank\">Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster University, curated by Jeffrey Hughes and Dana Turkovic,\r\nCecile R. Hunt Gallery,St.Louis,Missouri</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/51\" target=\"_blank\">Never Run Away, 2 person exhibition curated by Shaheen Merali,Stux   Gallery,  New York</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/artists/reena_kallat.htm?section_name=new_india\" target=\"_blank\">The Empire Strikes Back, Saatchi Gallery, London</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://art-for-the-world.blogspot.com/2010/01/some-installation-views-of-urban.html\" target=\"_blank\">Urban Manners 2, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao Paulo, Brazil</a></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.asianartbiennial.org/2009/en/index_en.html\" target=\"_blank\">View Points and Viewing points - 2009 Asian Art Biennale, National Taiwan Museum of Fine Arts </a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Spectrum: Indian Art at Abu   Dhabi, United   Arab Emirates</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Milan Galleria, curated by Georgio Verzotti, Triennale Museum, Milan</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.initialaccess.co.uk/exhibition_moreinfo.php?id=11\" target=\"_blank\">Passage to India Part II show at Initial Access, Frank Cohen Collection, Wolverhampton, UK</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Ventosul Biennale, Curitiba, Brazil</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/english/contents/india/index.html\" target=\"_blank\"> Chalo! India: A New Era of Indian Art, National  Museum of Contemporary Art, Korea and Essl Museum, Vienna</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mocashanghai.org/index.php?_function=exhibition&amp;_subFunction=pastExhibition&amp;exhibition_id=40&amp;_view=detail\" target=\"_blank\">INDIA XIANZAI: Contemporary Indian Art, Museum of Contemporary Art, Shanghai</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/42/622\" target=\"_blank\">Low Blow: And Other Species of Confusion, Stux gallery, New York</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><em> </em>Indian Narratives in the 21<sup>st</sup> Century: Between Memory and History,Casa  Asia, Madrid and Barcelona, Spain</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/body-chatter-an-exhibition-of-contemporary-indian-art-2008/\" target=\"_blank\">Body Chatter, Walsh Gallery, Chicago</a></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/contents/press/india_20081121_e.pdf\" target=\"_blank\">Chalo! India: A New Era of Indian Art, Mori Art   Museum, Japan</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.indiamoderna.es/eng/index.html\" target=\"_blank\">India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM Museum, Valencia, Spain </a></td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.aaa.org.hk/onlineprojects/bitri/en/gallery.aspx?eid=A080.03\" target=\"_blank\">3<sup>rd</sup> Nanjing Triennale, curators: Fumihiko Sumitomo, Jaeyoung Kang,  China\r\n</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>TEAF (Taehwagang Eco Art Festival) - Dream River, Korea</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.bodhiart.in/exhibitions/everywhere_is_war/everywhere_war.html\" target=\"_blank\">Everywhere is War (And Rumours of it), Bodhi Art Gallery, Mumbai</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/33\" target=\"_blank\">Fire Walkers, Stefan Stux gallery, New York</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.galeriems.com/reenask_one.htm\" target=\"_blank\">Three Points of view, Galerie Mirchandani + Steinrucke, Mumbai</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Excavation: Memory / Myth / Membrane, Museum Gallery, Mumbai</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>International Incheon Women Artists’ Biennale, Korea</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Soft Power: Asian Attitude, Shanghai Zendai Museum of Modern Art, Shanghai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td><a class=\"linkbio\" href=\"http://www.kunstaspekte.de/index.php?tid=39629&amp;action=termin\" target=\"_blank\">Urban Manners, curated by Adelina Von Furstenberg, at Hangar Bicocca , Milan</a></td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td><a class=\"linkbio\" href=\"http://www.art-for-the-world.com/wwd/2007/urban_manners/Urban_Manners_pr.pdf\" target=\"_blank\">INDIA NOW: Contemporary Indian Art, Between Continuity and transformation,curated by Daniela Palozzoli at Spazio Oberdan, Milan</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>New Narratives: Contemporary Art From India, curated by Betty Seid,Chicago Cultural Centre, Chicago</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Thermocline Of Art- New Asian Waves, curated by Wonil Rhee and Peter Weibel at ZKM in Karlsruhe, Germany</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Modern Indian Works On Paper, Arthur Ross Gallery, Philadelphia and the Georgia Museum of Art, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Lille 3000 (Maximum City-Mumbai), Lille,  France</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Hungry God- Indian Contemporary Art, curated by Yun Chaegab and June Gwak, Arario Gallery, Beijing and Busan MoMA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>India Express – Art and Popular Culture, Art Museum Tennispalace, curators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City  Art Museum, Finland</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Mom and Pop Art, Walsh Gallery, Chicago</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Span, Sakshi Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Indian Paintings of the New Millenium, curated by Helen Asquine Fazio at Thomas J. Walsh Art Gallery at Fairfield  University, USA</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td><em> </em>Contemporary Art from India, Thomas   Erben Gallery, New York</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td>Zoom! Art in Contemporary India. Curators: Nancy Adajania and Luis Serpa, The Culturgest Museum, Lisbon, Portugal</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Crossing generations: diVERGE, Gallery Chemould’s 40th anniversary,Curators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of Modern Art, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td><em> </em>Hard Copy, two-person show with Jitish Kallat, Gallery 88, Calcutta</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Tiranga, curator: Peter Nagy, India Habitat Centre, New Delhi</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td><em> </em>Elephant Walks, Youth Arts Project in collaboration with Jitish Kallat as part of Indians + Cowboys exhibition, Curators: Aaron Seetu and Ruth Watson Gallery 4A, Sydney</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>The Tree From The Seed, Contemporary Art from India, curator: Gavin Jantjes Henie Onstad Kunstsenter (Oslo), Norway</td>\r\n<td><em></em></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td><em>Crosscurrents</em>, organized by Artworks for the fiftieth anniversary celebrations of Jehangir Art  Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td><em>Reclaim Our Freedom</em>, organized by Open Circle, Pundole Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Crossing Borders, Gallery Windkracht 13, Den Helder, Holland</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>Big River 2, CCA7 Gallery, Port Of Spain, Trinidad</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>AOM- Art on the move, organized by Sahmat, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1999</td>\r\n<td><em> </em>Edge of the Century, curated by Amit Mukhopadhyay, Academy  of Fine Arts and Literature, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">SELECTED WORKSHOPS AND RESIDENCIES</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Vanishing Point, children’s project at the Celebrate Bandra Festival, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Collaborative workshop as part of the exhibition Aftershock at the Sainsbury Centre for Visual Arts, University of East Anglia, Norwich,  UK</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Collaborated on a Billboard project with Jitish Kallat, Kala Ghoda Art District, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Elephant Walks, Youth Arts Project at the Casula Power House Arts Centre, Liverpool, Australia</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Khoj 2002 International Artists Workshop, Mysore, India</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Identity and Landscape, residency in the Laurentian mountains of Quebec at the Boreal Art/Nature Centre, Canada</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>Big River 2, International Artists Workshop organized by CCA7 and the Triangle Arts Trust at Grand Riviere, Trinidad, West Indies</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n</tr>\r\n<tr>\r\n<td><span style=\"color: #888888;\"><strong>TALKS/PRESENTATIONS</strong></span></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Panel discussion with artist Gulam Sheikh, co-chair: Sabine B. Vogel, art critic at the Sammlung Essl Museum, Vienna</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Slide presentation followed by a panel discussion with Nalini Malani and Jayshree Chakravarty, moderated by Nancy Adajania at Jnanapravaha, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Slide presentation at the School of the Art Institute of Chicago</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Panel discussion with Nalini Malani, Sheba Chhachhi, moderated by Betty Seid at the Chicago Cultural Centre</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Lecture at the University Boccini, Milan</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Slide presentation at the Lamar Dodd School of Art, University of Georgia, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Talk at the Griffith Auditorium, Georgia Museum of Art, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Slide presentation at Oslo National Academy of the Arts, Norway</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2000</td>\r\n<td>Slide presentation at Mohile Parikh Centre for the Visual Arts, Mumbai</td>\r\n</tr>\r\n</tbody>\r\n</table>','Biography','','inherit','open','open','','105-revision-78','','','2010-09-20 17:44:06','2010-09-20 17:44:06','',105,'http://www.biggventures.com/demo/artists/2104/uncat/105-revision-78',0,'revision','',0),(2080,1,'2010-07-26 16:01:26','2010-07-26 16:01:26','Reena Saini Kallat (b. Delhi 1973) graduated from the Sir J. J. School of Art, Mumbai in 1996 with a B. F. A. in painting. Her practice - spanning painting, photography, video and sculptural installations - frequently deals with the condition of an individual in a rapidly changing society, ever susceptible to being reduced to an anonymous and forgotten statistic. Kallat is interested in constructing images that seem to change and transform by the possibilities they carry for the generation of meaning through a calibrated interplay of image and form.\r\n\r\nOver the last decade her work has been part of many important exhibitions, across the world. She has had ten solo exhibitions in India and abroad, collectively, and participated in a number of workshops and residencies. She lives and works in Mumbai.\r\n<table>\r\n<tbody>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">SOLO EXHIBITIONS</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.primomarellagallery.com/it/catalogue/scheda.asp?id=568&amp;view=past\" target=\"_blank\">Drift, Primo Marella Gallery, Milan</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2008/reena_bio.html\" target=\"_blank\"> Silt of Seasons, Chemould   Prescott Road, Mumbai</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/reena-kallat-exhibition-2008/\" target=\"_blank\">Subject to Change without Notice, Walsh Gallery, Chicago</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Rainbow Of Refuse, Bodhi Art Gallery, Mumbai and Singapore</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td><a class=\"linkbio\" href=\"http://www.naturemorte.com/artists/reena-saini-kallat/selected-works/\" target=\"_blank\">Black Flute (And Other Stories), Nature Morte, New Delhi</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2004/reena_saini_kallat_note.html\" target=\"_blank\">Black Flute, Gallery Chemould, Mumbai</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>The Battlefield Is The Mind, Sakshi Gallery, Bangalore</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Seven Faces of Dust, Chicago Radio, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2000</td>\r\n<td>Skin, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1998</td>\r\n<td>Orchard of Home-grown Secrets, Gallery Chemould and Pundole  Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><span style=\"color: #888888;\"><strong>SELECTED GROUP EXHIBITIONS</strong></span></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.richmondartgallery.org/in-transition.php\" target=\"_blank\">In Transition: New Art from India, Richmond Art Gallery Vancouver Biennale, Vancouver</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://websterhuntgallery.blogspot.com/2010_02_01_archive.html\" target=\"_blank\">Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster University, curated by Jeffrey Hughes and Dana Turkovic,\r\nCecile R. Hunt Gallery,St.Louis,Missouri</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/51\" target=\"_blank\">Never Run Away, 2 person exhibition curated by Shaheen Merali,Stux   Gallery,  New York</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/artists/reena_kallat.htm?section_name=new_india\" target=\"_blank\">The Empire Strikes Back, Saatchi Gallery, London</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://art-for-the-world.blogspot.com/2010/01/some-installation-views-of-urban.html\" target=\"_blank\">Urban Manners 2, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao Paulo, Brazil</a></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.asianartbiennial.org/2009/en/index_en.html\" target=\"_blank\">View Points and Viewing points - 2009 Asian Art Biennale, National Taiwan Museum of Fine Arts </a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Spectrum: Indian Art at Abu   Dhabi, United   Arab Emirates</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Milan Galleria, curated by Georgio Verzotti, Triennale Museum, Milan</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.initialaccess.co.uk/exhibition_moreinfo.php?id=11\" target=\"_blank\">Passage to India Part II show at Initial Access, Frank Cohen Collection, Wolverhampton, UK</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Ventosul Biennale, Curitiba, Brazil</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/english/contents/india/index.html\" target=\"_blank\"> Chalo! India: A New Era of Indian Art, National  Museum of Contemporary Art, Korea and Essl Museum, Vienna</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mocashanghai.org/index.php?_function=exhibition&amp;_subFunction=pastExhibition&amp;exhibition_id=40&amp;_view=detail\" target=\"_blank\">INDIA XIANZAI: Contemporary Indian Art, Museum of Contemporary Art, Shanghai</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/42/622\" target=\"_blank\">Low Blow: And Other Species of Confusion, Stux gallery, New York</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><em> </em>Indian Narratives in the 21<sup>st</sup> Century: Between Memory and History,Casa  Asia, Madrid and Barcelona, Spain</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/body-chatter-an-exhibition-of-contemporary-indian-art-2008/\" target=\"_blank\">Body Chatter, Walsh Gallery, Chicago</a></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/contents/press/india_20081121_e.pdf\" target=\"_blank\">Chalo! India: A New Era of Indian Art, Mori Art   Museum, Japan</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.indiamoderna.es/eng/index.html\" target=\"_blank\">India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM Museum, Valencia, Spain </a></td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.aaa.org.hk/onlineprojects/bitri/en/gallery.aspx?eid=A080.03\" target=\"_blank\">3<sup>rd</sup> Nanjing Triennale, curators: Fumihiko Sumitomo, Jaeyoung Kang,  China\r\n</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>TEAF (Taehwagang Eco Art Festival) - Dream River, Korea</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.bodhiart.in/exhibitions/everywhere_is_war/everywhere_war.html\" target=\"_blank\">Everywhere is War (And Rumours of it), Bodhi Art Gallery, Mumbai</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/33\" target=\"_blank\">Fire Walkers, Stefan Stux gallery, New York</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.galeriems.com/reenask_one.htm\" target=\"_blank\">Three Points of view, Galerie Mirchandani + Steinrucke, Mumbai</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Excavation: Memory / Myth / Membrane, Museum Gallery, Mumbai</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>International Incheon Women Artists’ Biennale, Korea</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Soft Power: Asian Attitude, Shanghai Zendai Museum of Modern Art, Shanghai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td><a class=\"linkbio\" href=\"http://www.kunstaspekte.de/index.php?tid=39629&amp;action=termin\" target=\"_blank\">Urban Manners, curated by Adelina Von Furstenberg, at Hangar Bicocca , Milan</a></td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td><a class=\"linkbio\" href=\"http://www.art-for-the-world.com/wwd/2007/urban_manners/Urban_Manners_pr.pdf\" target=\"_blank\">INDIA NOW: Contemporary Indian Art, Between Continuity and transformation,curated by Daniela Palozzoli at Spazio Oberdan, Milan</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>New Narratives: Contemporary Art From India, curated by Betty Seid,Chicago Cultural Centre, Chicago</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Thermocline Of Art- New Asian Waves, curated by Wonil Rhee and Peter Weibel at ZKM in Karlsruhe, Germany</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Modern Indian Works On Paper, Arthur Ross Gallery, Philadelphia and the Georgia Museum of Art, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Lille 3000 (Maximum City-Mumbai), Lille,  France</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Hungry God- Indian Contemporary Art, curated by Yun Chaegab and June Gwak, Arario Gallery, Beijing and Busan MoMA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>India Express – Art and Popular Culture, Art Museum Tennispalace, curators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City  Art Museum, Finland</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Mom and Pop Art, Walsh Gallery, Chicago</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Span, Sakshi Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Indian Paintings of the New Millenium, curated by Helen Asquine Fazio at Thomas J. Walsh Art Gallery at Fairfield  University, USA</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td><em> </em>Contemporary Art from India, Thomas   Erben Gallery, New York</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td>Zoom! Art in Contemporary India. Curators: Nancy Adajania and Luis Serpa, The Culturgest Museum, Lisbon, Portugal</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Crossing generations: diVERGE, Gallery Chemould’s 40th anniversary,Curators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of Modern Art, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td><em> </em>Hard Copy, two-person show with Jitish Kallat, Gallery 88, Calcutta</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Tiranga, curator: Peter Nagy, India Habitat Centre, New Delhi</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td><em> </em>Elephant Walks, Youth Arts Project in collaboration with Jitish Kallat as part of Indians + Cowboys exhibition, Curators: Aaron Seetu and Ruth Watson Gallery 4A, Sydney</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>The Tree From The Seed, Contemporary Art from India, curator: Gavin Jantjes Henie Onstad Kunstsenter (Oslo), Norway</td>\r\n<td><em></em></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td><em>Crosscurrents</em>, organized by Artworks for the fiftieth anniversary celebrations of Jehangir Art  Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td><em>Reclaim Our Freedom</em>, organized by Open Circle, Pundole Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Crossing Borders, Gallery Windkracht 13, Den Helder, Holland</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>Big River 2, CCA7 Gallery, Port Of Spain, Trinidad</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>AOM- Art on the move, organized by Sahmat, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1999</td>\r\n<td><em> </em>Edge of the Century, curated by Amit Mukhopadhyay, Academy  of Fine Arts and Literature, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">SELECTED WORKSHOPS AND RESIDENCIES</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Vanishing Point, children’s project at the Celebrate Bandra Festival, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Collaborative workshop as part of the exhibition Aftershock at the Sainsbury Centre for Visual Arts, University of East Anglia, Norwich,  UK</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Collaborated on a Billboard project with Jitish Kallat, Kala Ghoda Art District, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Elephant Walks, Youth Arts Project at the Casula Power House Arts Centre, Liverpool, Australia</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Khoj 2002 International Artists Workshop, Mysore, India</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Identity and Landscape, residency in the Laurentian mountains of Quebec at the Boreal Art/Nature Centre, Canada</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>Big River 2, International Artists Workshop organized by CCA7 and the Triangle Arts Trust at Grand Riviere, Trinidad, West Indies</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n</tr>\r\n<tr>\r\n<td><span style=\"color: #888888;\"><strong>TALKS/PRESENTATIONS</strong></span></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Panel discussion with artist Gulam Sheikh, co-chair: Sabine B. Vogel, art critic at the Sammlung Essl Museum, Vienna</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Slide presentation followed by a panel discussion with Nalini Malani and Jayshree Chakravarty, moderated by Nancy Adajania at Jnanapravaha, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Slide presentation at the School of the Art Institute of Chicago</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Panel discussion with Nalini Malani, Sheba Chhachhi, moderated by Betty Seid at the Chicago Cultural Centre</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Lecture at the University Boccini, Milan</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Slide presentation at the Lamar Dodd School of Art, University of Georgia, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Talk at the Griffith Auditorium, Georgia Museum of Art, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Slide presentation at Oslo National Academy of the Arts, Norway</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2000</td>\r\n<td>Slide presentation at Mohile Parikh Centre for the Visual Arts, Mumbai</td>\r\n</tr>\r\n</tbody>\r\n</table>','Biography','','inherit','open','open','','105-revision-76','','','2010-07-26 16:01:26','2010-07-26 16:01:26','',105,'http://www.biggventures.com/demo/artists/2080/uncat/105-revision-76',0,'revision','',0),(2081,1,'2010-09-20 17:42:47','2010-09-20 17:42:47','Reena Saini Kallat (b. Delhi 1973) graduated from the Sir J. J. School of Art, Mumbai in 1996 with a B. F. A. in painting. Her practice - spanning painting, photography, video and sculptural installations - frequently deals with the condition of an individual in a rapidly changing society, ever susceptible to being reduced to an anonymous and forgotten statistic. Kallat is interested in constructing images that seem to change and transform by the possibilities they carry for the generation of meaning through a calibrated interplay of image and form.\r\n\r\nOver the last decade her work has been part of many important exhibitions, across the world. She has had ten solo exhibitions in India and abroad, collectively, and participated in a number of workshops and residencies. She lives and works in Mumbai.\r\n<table>\r\n<tbody>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">SOLO EXHIBITIONS</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><i>Samtidigt,</i> Kulterhuset, Stockholm</td>\r\n</tr>\r\n\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><i>The River Project,</i> Campbelltown Art Centre, Sydney</td>\r\n</tr>\r\n\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><i>Roundabout,</i> City Gallery Wellington, New Zealand (touring)</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/\" target=\"_blank\"><i>Waterways,</i> Walsh Gallery, Chicago</a></td>\r\n</tr>\r\n\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.primomarellagallery.com/it/catalogue/scheda.asp?id=568&amp;view=past\" target=\"_blank\">Drift, Primo Marella Gallery, Milan</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2008/reena_bio.html\" target=\"_blank\"> Silt of Seasons, Chemould   Prescott Road, Mumbai</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/reena-kallat-exhibition-2008/\" target=\"_blank\">Subject to Change without Notice, Walsh Gallery, Chicago</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Rainbow Of Refuse, Bodhi Art Gallery, Mumbai and Singapore</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td><a class=\"linkbio\" href=\"http://www.naturemorte.com/artists/reena-saini-kallat/selected-works/\" target=\"_blank\">Black Flute (And Other Stories), Nature Morte, New Delhi</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2004/reena_saini_kallat_note.html\" target=\"_blank\">Black Flute, Gallery Chemould, Mumbai</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>The Battlefield Is The Mind, Sakshi Gallery, Bangalore</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Seven Faces of Dust, Chicago Radio, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2000</td>\r\n<td>Skin, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1998</td>\r\n<td>Orchard of Home-grown Secrets, Gallery Chemould and Pundole  Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><span style=\"color: #888888;\"><strong>SELECTED GROUP EXHIBITIONS</strong></span></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.richmondartgallery.org/in-transition.php\" target=\"_blank\">In Transition: New Art from India, Richmond Art Gallery Vancouver Biennale, Vancouver</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://websterhuntgallery.blogspot.com/2010_02_01_archive.html\" target=\"_blank\">Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster University, curated by Jeffrey Hughes and Dana Turkovic,\r\nCecile R. Hunt Gallery,St.Louis,Missouri</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/51\" target=\"_blank\">Never Run Away, 2 person exhibition curated by Shaheen Merali,Stux   Gallery,  New York</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/artists/reena_kallat.htm?section_name=new_india\" target=\"_blank\">The Empire Strikes Back, Saatchi Gallery, London</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://art-for-the-world.blogspot.com/2010/01/some-installation-views-of-urban.html\" target=\"_blank\">Urban Manners 2, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao Paulo, Brazil</a></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.asianartbiennial.org/2009/en/index_en.html\" target=\"_blank\">View Points and Viewing points - 2009 Asian Art Biennale, National Taiwan Museum of Fine Arts </a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Spectrum: Indian Art at Abu   Dhabi, United   Arab Emirates</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Milan Galleria, curated by Georgio Verzotti, Triennale Museum, Milan</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.initialaccess.co.uk/exhibition_moreinfo.php?id=11\" target=\"_blank\">Passage to India Part II show at Initial Access, Frank Cohen Collection, Wolverhampton, UK</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Ventosul Biennale, Curitiba, Brazil</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/english/contents/india/index.html\" target=\"_blank\"> Chalo! India: A New Era of Indian Art, National  Museum of Contemporary Art, Korea and Essl Museum, Vienna</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mocashanghai.org/index.php?_function=exhibition&amp;_subFunction=pastExhibition&amp;exhibition_id=40&amp;_view=detail\" target=\"_blank\">INDIA XIANZAI: Contemporary Indian Art, Museum of Contemporary Art, Shanghai</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/42/622\" target=\"_blank\">Low Blow: And Other Species of Confusion, Stux gallery, New York</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><em> </em>Indian Narratives in the 21<sup>st</sup> Century: Between Memory and History,Casa  Asia, Madrid and Barcelona, Spain</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/body-chatter-an-exhibition-of-contemporary-indian-art-2008/\" target=\"_blank\">Body Chatter, Walsh Gallery, Chicago</a></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/contents/press/india_20081121_e.pdf\" target=\"_blank\">Chalo! India: A New Era of Indian Art, Mori Art   Museum, Japan</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.indiamoderna.es/eng/index.html\" target=\"_blank\">India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM Museum, Valencia, Spain </a></td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.aaa.org.hk/onlineprojects/bitri/en/gallery.aspx?eid=A080.03\" target=\"_blank\">3<sup>rd</sup> Nanjing Triennale, curators: Fumihiko Sumitomo, Jaeyoung Kang,  China\r\n</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>TEAF (Taehwagang Eco Art Festival) - Dream River, Korea</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.bodhiart.in/exhibitions/everywhere_is_war/everywhere_war.html\" target=\"_blank\">Everywhere is War (And Rumours of it), Bodhi Art Gallery, Mumbai</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/33\" target=\"_blank\">Fire Walkers, Stefan Stux gallery, New York</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.galeriems.com/reenask_one.htm\" target=\"_blank\">Three Points of view, Galerie Mirchandani + Steinrucke, Mumbai</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Excavation: Memory / Myth / Membrane, Museum Gallery, Mumbai</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>International Incheon Women Artists’ Biennale, Korea</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Soft Power: Asian Attitude, Shanghai Zendai Museum of Modern Art, Shanghai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td><a class=\"linkbio\" href=\"http://www.kunstaspekte.de/index.php?tid=39629&amp;action=termin\" target=\"_blank\">Urban Manners, curated by Adelina Von Furstenberg, at Hangar Bicocca , Milan</a></td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td><a class=\"linkbio\" href=\"http://www.art-for-the-world.com/wwd/2007/urban_manners/Urban_Manners_pr.pdf\" target=\"_blank\">INDIA NOW: Contemporary Indian Art, Between Continuity and transformation,curated by Daniela Palozzoli at Spazio Oberdan, Milan</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>New Narratives: Contemporary Art From India, curated by Betty Seid,Chicago Cultural Centre, Chicago</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Thermocline Of Art- New Asian Waves, curated by Wonil Rhee and Peter Weibel at ZKM in Karlsruhe, Germany</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Modern Indian Works On Paper, Arthur Ross Gallery, Philadelphia and the Georgia Museum of Art, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Lille 3000 (Maximum City-Mumbai), Lille,  France</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Hungry God- Indian Contemporary Art, curated by Yun Chaegab and June Gwak, Arario Gallery, Beijing and Busan MoMA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>India Express – Art and Popular Culture, Art Museum Tennispalace, curators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City  Art Museum, Finland</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Mom and Pop Art, Walsh Gallery, Chicago</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Span, Sakshi Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Indian Paintings of the New Millenium, curated by Helen Asquine Fazio at Thomas J. Walsh Art Gallery at Fairfield  University, USA</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td><em> </em>Contemporary Art from India, Thomas   Erben Gallery, New York</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td>Zoom! Art in Contemporary India. Curators: Nancy Adajania and Luis Serpa, The Culturgest Museum, Lisbon, Portugal</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Crossing generations: diVERGE, Gallery Chemould’s 40th anniversary,Curators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of Modern Art, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td><em> </em>Hard Copy, two-person show with Jitish Kallat, Gallery 88, Calcutta</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Tiranga, curator: Peter Nagy, India Habitat Centre, New Delhi</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td><em> </em>Elephant Walks, Youth Arts Project in collaboration with Jitish Kallat as part of Indians + Cowboys exhibition, Curators: Aaron Seetu and Ruth Watson Gallery 4A, Sydney</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>The Tree From The Seed, Contemporary Art from India, curator: Gavin Jantjes Henie Onstad Kunstsenter (Oslo), Norway</td>\r\n<td><em></em></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td><em>Crosscurrents</em>, organized by Artworks for the fiftieth anniversary celebrations of Jehangir Art  Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td><em>Reclaim Our Freedom</em>, organized by Open Circle, Pundole Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Crossing Borders, Gallery Windkracht 13, Den Helder, Holland</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>Big River 2, CCA7 Gallery, Port Of Spain, Trinidad</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>AOM- Art on the move, organized by Sahmat, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1999</td>\r\n<td><em> </em>Edge of the Century, curated by Amit Mukhopadhyay, Academy  of Fine Arts and Literature, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">SELECTED WORKSHOPS AND RESIDENCIES</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Vanishing Point, children’s project at the Celebrate Bandra Festival, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Collaborative workshop as part of the exhibition Aftershock at the Sainsbury Centre for Visual Arts, University of East Anglia, Norwich,  UK</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Collaborated on a Billboard project with Jitish Kallat, Kala Ghoda Art District, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Elephant Walks, Youth Arts Project at the Casula Power House Arts Centre, Liverpool, Australia</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Khoj 2002 International Artists Workshop, Mysore, India</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Identity and Landscape, residency in the Laurentian mountains of Quebec at the Boreal Art/Nature Centre, Canada</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>Big River 2, International Artists Workshop organized by CCA7 and the Triangle Arts Trust at Grand Riviere, Trinidad, West Indies</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n</tr>\r\n<tr>\r\n<td><span style=\"color: #888888;\"><strong>TALKS/PRESENTATIONS</strong></span></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Panel discussion with artist Gulam Sheikh, co-chair: Sabine B. Vogel, art critic at the Sammlung Essl Museum, Vienna</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Slide presentation followed by a panel discussion with Nalini Malani and Jayshree Chakravarty, moderated by Nancy Adajania at Jnanapravaha, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Slide presentation at the School of the Art Institute of Chicago</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Panel discussion with Nalini Malani, Sheba Chhachhi, moderated by Betty Seid at the Chicago Cultural Centre</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Lecture at the University Boccini, Milan</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Slide presentation at the Lamar Dodd School of Art, University of Georgia, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Talk at the Griffith Auditorium, Georgia Museum of Art, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Slide presentation at Oslo National Academy of the Arts, Norway</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2000</td>\r\n<td>Slide presentation at Mohile Parikh Centre for the Visual Arts, Mumbai</td>\r\n</tr>\r\n</tbody>\r\n</table>','Biography','','inherit','open','open','','105-revision-77','','','2010-09-20 17:42:47','2010-09-20 17:42:47','',105,'http://www.biggventures.com/demo/artists/2081/uncat/105-revision-77',0,'revision','',0),(2086,1,'2010-09-21 05:24:14','2010-09-21 05:24:14','<style type=\"text/css\">\r\n.tablenav {\r\nclear:both;\r\nheight:30px;\r\nmargin:6px 0 4px;\r\nvertical-align:middle;\r\n}\r\n.tablenav-pages {\r\ncolor:#555555;\r\n}\r\n.tablenav .tablenav-pages {\r\ncursor:default;\r\ndisplay:block;\r\nfloat:right;\r\nfont-size:11px;\r\nheight:30px;\r\nline-height:30px;\r\n}\r\n.tablenav-pages .current {\r\nbackground:none repeat scroll 0 0 #DFDFDF;\r\nborder-color:#D3D3D3;\r\n}\r\n.tablenav .tablenav-pages a, .tablenav-pages span.current {\r\n-moz-border-radius:5px 5px 5px 5px;\r\nborder:1px solid;\r\npadding:3px 6px;\r\ntext-decoration:none;\r\n}\r\n.tablenav .tablenav-pages a {\r\nbackground:url(\"http://www.reenakallat.com/wp-admin/images/menu-bits.gif\") repeat-x scroll left -379px #EEEEEE;\r\nborder-color:#E3E3E3;\r\n}\r\n\r\n.tablenav .tablenav-pages a, .tablenav-pages span.current {\r\n-moz-border-radius:5px 5px 5px 5px;\r\nborder:1px solid;\r\npadding:3px 6px;\r\ntext-decoration:none;\r\n}\r\na.page-numbers {\r\nborder-bottom-color:#B8D3E2;\r\n}\r\n.tablenav .displaying-num {\r\nfont-family:Georgia,\"Times New Roman\",\"Bitstream Charter\",Times,serif;\r\nfont-size:12px;\r\nfont-style:italic;\r\nmargin-right:10px;\r\n}\r\n</style>\r\n<div class=\"tablenav\"><div class=\"tablenav-pages\"><span class=\"displaying-num\">Displaying 1&ndash;21 of 39</span><span class=\"page-numbers current\">1</span>  <a href=\"/demo/artists/wp-admin/edit-pages.php?pagenum=2\" class=\"page-numbers\">2</a> <a href=\"/demo/artists/wp-admin/edit-pages.php?pagenum=2\" class=\"next page-numbers\">»</a></div><br class=\"clear\"></div>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/2degrees\"><img class=\"alignnone size-medium wp-image-712\" title=\"2 Degrees\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/2degrees-works.jpg\" alt=\"\"  /></a> 2 Degrees (2010)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/synonym\"><img class=\"alignnone size-medium wp-image-712\" title=\"Synonym\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/1--Synonym.jpg\" alt=\"\"  /></a> Synonym (2009)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/colour-curtain\"><img class=\"alignnone size-medium wp-image-201\" title=\"Colour-curtain\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/2--colour-curtain.jpg\" alt=\"Colour Curtain (2009)\"  /></a>Colour Curtain... (2009)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/your-mileage-gallery\"><img class=\"alignnone size-medium wp-image-320\" title=\"Your-Mileage-May-Vary\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/3-Your-Mileage-May-Vary.jpg\" alt=\"\" /></a></span>Your Mileage May Vary (2009)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/vanishing-point\"><img class=\"alignnone size-medium wp-image-201\" title=\"Vanishing Point (2009)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/4--VanishingPoint.jpg\" alt=\"Vanishing Point (2009)\"  /></a>Vanishing Point (2009)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\" >\r\n<a href=\"http://www.reenakallat.com/moving-millimeter\"><img class=\"alignnone size-medium wp-image-712\" title=\"The Moving Millimeter (2009)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/5---The-Moving-Mil....jpg\" alt=\"The Moving Millimeter (2009)\"  /></a>The Moving Millimeter (2009)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/white-yarn-detailed-info\"><img class=\"alignnone size-medium wp-image-199\" title=\"White Yarn\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/6---white-yarn.jpg\" alt=\"White Yarn (2008)\" /></a>White Yarn...(2008)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/white-heat-the-ironing-board-detailed-info\"><img class=\"alignnone size-medium wp-image-879\" title=\"White Heat (2008)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/7--White-Heat.jpg\" alt=\"White Heat (2008)\"  /></a>White Heat...(2008)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/crease-crevice-contour-detailed-info\"><img class=\"alignnone size-large wp-image-417\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/8---Crease-crevice.jpg\" alt=\"Crease / Crevice / Contour (2008)\" /></a>Crease / Crevice / Contour (2008)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/silt-of-seasons-1-detailed-info\"><img class=\"alignnone size-large wp-image-436\" title=\"Silt of Seasons I (2008)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/9--Silt-of-Seasons.jpg\" alt=\"Silt of Seasons I (2008)\"  /></a>Silt of Seasons - I (2008)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/silt-of-seasons-2-detailed-info\"><img class=\"alignnone size-large wp-image-436\" title=\"Silt of Seasons - II (2008)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/10--Silt-of-Seasons.jpg\" alt=\"Silt of Seasons - II (2008)\"  /></a>Silt of Seasons - II (2008)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/colostrum-detailed\"><img class=\"alignnone size-large wp-image-451\" title=\"Colostrum (2008)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/11---colostrum.jpg\" alt=\"Colostrum (2008)\"  /></a>Colostrum (2008)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/closet-quarries-detailed-info\"><img class=\"alignnone size-large wp-image-459\" title=\"Closet Quaries (2008)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/12---Closet-Quaries.jpg\" alt=\"Closet Quaries (2008)\" /></a>Closet Quarries (2008)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/synonym07-09\"><img class=\"alignnone size-medium wp-image-468\" title=\"Synonym (2007-09)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/13---synonym-2007-09.jpg\" alt=\"Synonym (2007-09)\"  /></a>Synonym (2007-09)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/subject-to-change-without-notice-detailed-info\"><img class=\"alignnone size-medium wp-image-469\" title=\"Lunar Notes (2007-08)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/14--lunar-notes1.jpg\" alt=\"Lunar Notes (2007-08)\"  /></a>Lunar Notes (2007-08)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/saline-detailed-info#\"><img class=\"alignnone size-medium wp-image-470\" title=\"Saline (2007)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/15---Saline.jpg\" alt=\"Saline (2007)\"  /></a>Saline (2007)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/walls-of-the-womb-detailed-info\"><img class=\"alignnone size-medium wp-image-206\" title=\"Walls of the Womb (2007)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/16--Walls-of-womb.jpg\" alt=\"Walls of the Womb (2007)\"  /></a>Walls of the Womb (2007)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/memoria-mausolea-detailed-info\"><img class=\"alignnone size-medium wp-image-873\" title=\"Memoria Mausolea (2007)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/17--Memoria-Mausolea.jpg\" alt=\"Memoria Mausolea (2007)\"  /></a>Memoria Mausolea (2007)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/memoria-corona-detailed-info\"><img class=\"alignnone size-medium wp-image-205\" title=\"Memoria Corona (2006)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/18--Memoria-Corona.jpg\" alt=\"Memoria Corona (2006)\"  /></a>Memoria Corona (2006)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/penumbra-detailed-info\"><img class=\"alignnone size-medium wp-image-261\" title=\"Penumbra (2006)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/19---Penumbra.jpg\" alt=\"\"  /></a>Penumbra (2006)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/xylophone-detailed-info\"><img class=\"alignnone size-medium wp-image-495\" title=\"Xylophone (2006)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/20--Xylophone.jpg\" alt=\"Xylophone (2006)\"  /></a>Xylophone (2006)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"210\" align=\"left\" valign=\"top\" class=\"canvas1\" nowrap>\r\n<a href=\"http://www.reenakallat.com/penumbra-passage-canine-cases-detailed-info\"><img class=\"alignnone size-medium wp-image-208\" title=\"Penumbra Passage (Canine Cases)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/21--Penumbra-passage.jpg\" alt=\"Penumbra Passage (Canine Cases) (2006)\"  /></a>Penumbra Passage  (Canine Cases) (2006)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/birds-of-steel-detailed-info\"><img class=\"alignnone size-medium wp-image-505\" title=\"Birds of Steel (2004)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/22--Birds-of-Steel.jpg\" alt=\"Birds of Steel (2004)\"  /></a>Birds of Steel (2004)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/birthmark-tattoos-detailed-info\"><img class=\"alignnone size-medium wp-image-207\" title=\"Blueprint: Birthmarks and Tattoos (2004)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/23---birthmarks.jpg\" alt=\"Blueprint: Birthmarks and Tattoos (2004)\"  /></a>Blueprint: Birthmarks and Tattoos (2004)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/sword-swallowers\"><img class=\"alignnone size-medium wp-image-204\" title=\"Sword Swallowers (2004)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/24---sword-swallowers.jpg\" alt=\"Sword Swallowers (2004)\" /></a>Sword Swallowers (2004)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/kiosk-detailed-info\"><img class=\"alignnone size-medium wp-image-517\" title=\"Kiosk (2003)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/25--kiosk.jpg\" alt=\"Kiosk (2003)\"  /></a>Kiosk (2003)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/elephant-walks\"><img class=\"alignnone size-medium wp-image-547\" title=\"Elephant Walks (2003)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/26--ElephantWalks.jpg\" alt=\"Elephant Walks (2003)\"  /></a>Elephant Walks (2003)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/reclaim-our-freedom\"><img class=\"alignnone size-medium wp-image-557\" title=\"Reclaim our Freedom (2002)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/27---reclaim-our-freedom.jpg\" alt=\"Reclaim our Freedom (2002)\" width=\"270\" height=\"214\" /></a>Reclaim our Freedom (2002)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/seven-faces-of-dust-detailed-info\"><img class=\"alignnone size-medium wp-image-1013\" title=\"Seven Faces of Dust (2003)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/28--seven-faces-of-dust.jpg\" alt=\"Seven Faces of Dust (2003)\"  /></a>Seven Faces of Dust (2003)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/seven-degrees-detailed\"><img class=\"alignnone size-medium wp-image-621\" title=\"Seven Degrees of Vapour… (2002)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/29---seven-degrees.jpg\" alt=\"Seven Degrees of Vapour… (2002)\"  /></a>Seven Degrees of Vapour… (2002)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/boreal\"><img class=\"alignnone size-medium wp-image-199\" title=\"Boreal Art/Nature Residency (2002)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/30--boreal.jpg\" alt=\"\" /></a>Boreal Art/Nature Residency (2002)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/pollent-patterns\"><img class=\"alignnone size-medium wp-image-977\" title=\"Pollen Patterns (2002)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/31--pollen-patterns.jpg\" alt=\"Pollen Patterns (2002)\"  /></a>Pollen Patterns (2002)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/words-and-images\"><img class=\"alignnone size-medium wp-image-712\" title=\"Words And Images\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/words-and-images-works.jpg\" alt=\"\"  /></a> Words and Images (2002)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/beautiful-people\"><img class=\"alignnone size-medium wp-image-612\" title=\"Beautiful People of the… (2001)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/32-beautiful-people.jpg\" alt=\"Beautiful People of the… (2001)\"  /></a>Beautiful People of the… (2001)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/tent-cities\"><img class=\"alignnone size-medium wp-image-712\" title=\"Tent Cities\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/tent-cities-works.jpg\" alt=\"\"  /></a> Tent Cities (2000)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/orchard-detailed-info\"><img class=\"alignnone size-medium wp-image-537\" title=\"Orchard of home-grown secrets (1998)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/33--orchard-of-home....jpg\" alt=\"Orchard of home-grown secrets (1998)\"  /></a>Orchard of home-grown secrets (1998)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/joint-family-detailed-info\"><img class=\"alignnone size-medium wp-image-199\" title=\"Joint Family (1998)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/34---Joint-Family.jpg\" alt=\"Joint Family (1998)\"  /></a>Joint Family (1998)</td>\r\n<td width=\"230\" align=\"left\" valign=\"top\" class=\"canvas1\"> \r\n<a href=\"http://www.reenakallat.com/escapades-of-the-ladder-occupants-detailed-info\"><img class=\"alignnone size-medium wp-image-201\" title=\"Escapades of the ladder occupants (1998)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/35---Escapades-of-the-ladde.jpg\" alt=\"Escapades of the ladder occupants (1998)\"  /></a>Escapades of the ladder occupants (1998)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/recitals-from-the-city-garden-detailed-info\"><img class=\"alignnone size-medium wp-image-712\" title=\"Recitals from the city-garden (1998)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/36---Recitals-from-the-city.jpg\" alt=\"Recitals from the city-garden (1998)\"  /></a>Recitals from the city-garden (1998)</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<!--more-->','works-page-2','','inherit','open','open','','2082-revision-3','','','2010-09-21 05:24:14','2010-09-21 05:24:14','',2082,'http://www.biggventures.com/demo/artists/2086/uncat/2082-revision-3',0,'revision','',0),(2082,1,'2010-09-21 05:24:14','2010-09-21 05:24:14','<style type=\"text/css\">\r\n.tablenav {\r\nclear:both;\r\nheight:30px;\r\nmargin:6px 0 4px;\r\nvertical-align:middle;\r\n}\r\n.tablenav-pages {\r\ncolor:#555555;\r\n}\r\n.tablenav .tablenav-pages {\r\ncursor:default;\r\ndisplay:block;\r\nfloat:right;\r\nfont-size:11px;\r\nheight:30px;\r\nline-height:30px;\r\n}\r\n.page-numbers {\r\nborder-bottom-color:#B8D3E2;\r\ncolor:#21759B;\r\nfont-weight:bold;\r\n}\r\n.tablenav-pages .current {\r\nbackground:none repeat scroll 0 0 #DFDFDF;\r\nborder-color:#D3D3D3;\r\n}\r\n\r\na.page-numbers {\r\nborder-bottom-color:#B8D3E2;\r\n}\r\n.tablenav .displaying-num {\r\nfont-family:Georgia,\"Times New Roman\",\"Bitstream Charter\",Times,serif;\r\nfont-size:12px;\r\nfont-style:italic;\r\nmargin-right:10px;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/crease-crevice-contour-detailed-info\"><img class=\"alignnone size-large wp-image-417\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/8---Crease-crevice.jpg\" alt=\"Crease / Crevice / Contour (2008)\" /></a>Crease / Crevice / Contour (2008)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/silt-of-seasons-1-detailed-info\"><img class=\"alignnone size-large wp-image-436\" title=\"Silt of Seasons I (2008)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/9--Silt-of-Seasons.jpg\" alt=\"Silt of Seasons I (2008)\"  /></a>Silt of Seasons - I (2008)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/silt-of-seasons-2-detailed-info\"><img class=\"alignnone size-large wp-image-436\" title=\"Silt of Seasons - II (2008)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/10--Silt-of-Seasons.jpg\" alt=\"Silt of Seasons - II (2008)\"  /></a>Silt of Seasons - II (2008)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/colostrum-detailed\"><img class=\"alignnone size-large wp-image-451\" title=\"Colostrum (2008)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/11---colostrum.jpg\" alt=\"Colostrum (2008)\"  /></a>Colostrum (2008)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/closet-quarries-detailed-info\"><img class=\"alignnone size-large wp-image-459\" title=\"Closet Quaries (2008)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/12---Closet-Quaries.jpg\" alt=\"Closet Quaries (2008)\" /></a>Closet Quarries (2008)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/synonym07-09\"><img class=\"alignnone size-medium wp-image-468\" title=\"Synonym (2007-09)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/13---synonym-2007-09.jpg\" alt=\"Synonym (2007-09)\"  /></a>Synonym (2007-09)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/subject-to-change-without-notice-detailed-info\"><img class=\"alignnone size-medium wp-image-469\" title=\"Lunar Notes (2007-08)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/14--lunar-notes1.jpg\" alt=\"Lunar Notes (2007-08)\"  /></a>Lunar Notes (2007-08)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/saline-detailed-info#\"><img class=\"alignnone size-medium wp-image-470\" title=\"Saline (2007)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/15---Saline.jpg\" alt=\"Saline (2007)\"  /></a>Saline (2007)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/walls-of-the-womb-detailed-info\"><img class=\"alignnone size-medium wp-image-206\" title=\"Walls of the Womb (2007)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/16--Walls-of-womb.jpg\" alt=\"Walls of the Womb (2007)\"  /></a>Walls of the Womb (2007)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/memoria-mausolea-detailed-info\"><img class=\"alignnone size-medium wp-image-873\" title=\"Memoria Mausolea (2007)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/17--Memoria-Mausolea.jpg\" alt=\"Memoria Mausolea (2007)\"  /></a>Memoria Mausolea (2007)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/memoria-corona-detailed-info\"><img class=\"alignnone size-medium wp-image-205\" title=\"Memoria Corona (2006)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/18--Memoria-Corona.jpg\" alt=\"Memoria Corona (2006)\"  /></a>Memoria Corona (2006)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/penumbra-detailed-info\"><img class=\"alignnone size-medium wp-image-261\" title=\"Penumbra (2006)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/19---Penumbra.jpg\" alt=\"\"  /></a>Penumbra (2006)</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\">\r\n</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/xylophone-detailed-info\"><img class=\"alignnone size-medium wp-image-495\" title=\"Xylophone (2006)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/20--Xylophone.jpg\" alt=\"Xylophone (2006)\"  /></a>Xylophone (2006)</td>\r\n<td width=\"210\" align=\"left\" valign=\"top\" class=\"canvas1\" nowrap>\r\n<a href=\"http://www.reenakallat.com/penumbra-passage-canine-cases-detailed-info\"><img class=\"alignnone size-medium wp-image-208\" title=\"Penumbra Passage (Canine Cases)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/21--Penumbra-passage.jpg\" alt=\"Penumbra Passage (Canine Cases) (2006)\"  /></a>Penumbra Passage  (Canine Cases) (2006)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/birds-of-steel-detailed-info\"><img class=\"alignnone size-medium wp-image-505\" title=\"Birds of Steel (2006)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/22--Birds-of-Steel.jpg\" alt=\"Birds of Steel (2006)\"  /></a>Birds of Steel (2006)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/birthmark-tattoos-detailed-info\"><img class=\"alignnone size-medium wp-image-207\" title=\"Blueprint: Birthmarks and Tattoos (2004)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/23---birthmarks.jpg\" alt=\"Blueprint: Birthmarks and Tattoos (2004)\"  /></a>Blueprint: Birthmarks and Tattoos (2004)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/sword-swallowers\"><img class=\"alignnone size-medium wp-image-204\" title=\"Sword Swallowers (2004)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/24---sword-swallowers.jpg\" alt=\"Sword Swallowers (2004)\" /></a>Sword Swallowers (2004)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/mother-and-child\"><img class=\"alignnone size-medium wp-image-204\" title=\"Mother & Chold (2003)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/mother_childworks-page.jpg\" alt=\"Mother and Child\" /></a>Mother & Child (2003)</td>\r\n\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/kiosk-detailed-info\"><img class=\"alignnone size-medium wp-image-517\" title=\"Kiosk (2003)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/25--kiosk.jpg\" alt=\"Kiosk (2003)\"  /></a>Kiosk (2003)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/elephant-walks\"><img class=\"alignnone size-medium wp-image-547\" title=\"Elephant Walks (2003)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/26--ElephantWalks.jpg\" alt=\"Elephant Walks (2003)\"  /></a>Elephant Walks (2003)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/seven-faces-of-dust-detailed-info\"><img class=\"alignnone size-medium wp-image-1013\" title=\"Seven Faces of Dust (2003)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/28--seven-faces-of-dust.jpg\" alt=\"Seven Faces of Dust (2003)\"  /></a>Seven Faces of Dust (2003)</td>\r\n\r\n</tr>\r\n\r\n\r\n<tr>\r\n<td  colspan=3>\r\n<div class=\"tablenav\"><div style=\"text-align:center;\"><a href=\"works\" class=\"prev page-numbers\">«</a> <a href=\"works\" class=\"page-numbers\">1, </a> <span>2, </span> <a href=\"works-page-3\" class=\"page-numbers\">3</a>  <a href=\"works-page-3\" >»</a></div><br class=\"clear\"></div>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<!--more-->','works-page-2','','publish','open','open','','works-page-2','','','2014-06-28 10:15:34','2014-06-28 10:15:34','',0,'http://www.biggventures.com/demo/artists/?page_id=2082',0,'page','',0),(2580,1,'2010-09-16 09:19:23','2010-09-16 09:19:23','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/words-and-images-lead.jpg\" alt=\"Tent Cities\" title=\"Tent Cities\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></a></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Words and Images\r\n</span>2002\r\ncolour photographs\r\n120 x 84 in. I 305 x 213 cm\r\n</td></tr></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/words-and-images-2.jpg\" alt=\"Tent Cities\" title=\"Tent Cities\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/words-and-images-3.jpg\" alt=\"Tent Cities\" title=\"Tent Cities\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/words-and-images-4.jpg\" alt=\"Tent Cities\" title=\"Tent Cities\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/words-and-images-5.jpg\" alt=\"Tent Cities\" title=\"Tent Cities\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','1957-revision-5','','','2010-09-16 09:19:23','2010-09-16 09:19:23','',1957,'http://www.reenakallat.com/2580/uncat/1957-revision-5',0,'revision','',0),(2434,1,'2011-04-01 10:39:25','2011-04-01 10:39:25','<style type=\"text/css\">\r\n.tablenav {\r\nclear:both;\r\nheight:30px;\r\nmargin:6px 0 4px;\r\nvertical-align:middle;\r\n}\r\n.tablenav-pages {\r\ncolor:#555555;\r\n}\r\n.tablenav .tablenav-pages {\r\ncursor:default;\r\ndisplay:block;\r\nfloat:right;\r\nfont-size:11px;\r\nheight:30px;\r\nline-height:30px;\r\n}\r\n.page-numbers {\r\nborder-bottom-color:#B8D3E2;\r\ncolor:#21759B;\r\nfont-weight:bold;\r\n}\r\n.tablenav-pages .current {\r\nbackground:none repeat scroll 0 0 #DFDFDF;\r\nborder-color:#D3D3D3;\r\n}\r\n\r\na.page-numbers {\r\nborder-bottom-color:#B8D3E2;\r\n}\r\n.tablenav .displaying-num {\r\nfont-family:Georgia,\"Times New Roman\",\"Bitstream Charter\",Times,serif;\r\nfont-size:12px;\r\nfont-style:italic;\r\nmargin-right:10px;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/saline-detailed-info#\"><img class=\"alignnone size-medium wp-image-470\" title=\"Saline (2007)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/15---Saline.jpg\" alt=\"Saline (2007)\"  /></a>Saline (2007)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/walls-of-the-womb-detailed-info\"><img class=\"alignnone size-medium wp-image-206\" title=\"Walls of the Womb (2007)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/16--Walls-of-womb.jpg\" alt=\"Walls of the Womb (2007)\"  /></a>Walls of the Womb (2007)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/memoria-mausolea-detailed-info\"><img class=\"alignnone size-medium wp-image-873\" title=\"Memoria Mausolea (2007)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/17--Memoria-Mausolea.jpg\" alt=\"Memoria Mausolea (2007)\"  /></a>Memoria Mausolea (2007)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/memoria-corona-detailed-info\"><img class=\"alignnone size-medium wp-image-205\" title=\"Memoria Corona (2006)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/18--Memoria-Corona.jpg\" alt=\"Memoria Corona (2006)\"  /></a>Memoria Corona (2006)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/penumbra-detailed-info\"><img class=\"alignnone size-medium wp-image-261\" title=\"Penumbra (2006)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/19---Penumbra.jpg\" alt=\"\"  /></a>Penumbra (2006)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/xylophone-detailed-info\"><img class=\"alignnone size-medium wp-image-495\" title=\"Xylophone (2006)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/20--Xylophone.jpg\" alt=\"Xylophone (2006)\"  /></a>Xylophone (2006)</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\">\r\n</td>\r\n</tr>\r\n<tr>\r\n<td width=\"210\" align=\"left\" valign=\"top\" class=\"canvas1\" nowrap>\r\n<a href=\"http://www.reenakallat.com/penumbra-passage-canine-cases-detailed-info\"><img class=\"alignnone size-medium wp-image-208\" title=\"Penumbra Passage (Canine Cases)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/21--Penumbra-passage.jpg\" alt=\"Penumbra Passage (Canine Cases) (2006)\"  /></a>Penumbra Passage  (Canine Cases) (2006)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/birds-of-steel-detailed-info\"><img class=\"alignnone size-medium wp-image-505\" title=\"Birds of Steel (2006)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/22--Birds-of-Steel.jpg\" alt=\"Birds of Steel (2006)\"  /></a>Birds of Steel (2006)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/birthmark-tattoos-detailed-info\"><img class=\"alignnone size-medium wp-image-207\" title=\"Blueprint: Birthmarks and Tattoos (2004)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/23---birthmarks.jpg\" alt=\"Blueprint: Birthmarks and Tattoos (2004)\"  /></a>Blueprint: Birthmarks and Tattoos (2004)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/sword-swallowers\"><img class=\"alignnone size-medium wp-image-204\" title=\"Sword Swallowers (2004)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/24---sword-swallowers.jpg\" alt=\"Sword Swallowers (2004)\" /></a>Sword Swallowers (2004)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/kiosk-detailed-info\"><img class=\"alignnone size-medium wp-image-517\" title=\"Kiosk (2003)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/25--kiosk.jpg\" alt=\"Kiosk (2003)\"  /></a>Kiosk (2003)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/elephant-walks\"><img class=\"alignnone size-medium wp-image-547\" title=\"Elephant Walks (2003)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/26--ElephantWalks.jpg\" alt=\"Elephant Walks (2003)\"  /></a>Elephant Walks (2003)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/seven-faces-of-dust-detailed-info\"><img class=\"alignnone size-medium wp-image-1013\" title=\"Seven Faces of Dust (2003)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/28--seven-faces-of-dust.jpg\" alt=\"Seven Faces of Dust (2003)\"  /></a>Seven Faces of Dust (2003)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/reclaim-our-freedom\"><img class=\"alignnone size-medium wp-image-557\" title=\"Reclaim our Freedom (2002)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/27---reclaim-our-freedom.jpg\" alt=\"Reclaim our Freedom (2002)\" width=\"270\" height=\"214\" /></a>Reclaim our Freedom (2002)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/seven-degrees-detailed\"><img class=\"alignnone size-medium wp-image-621\" title=\"Seven Degrees of Vapour… (2002)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/29---seven-degrees.jpg\" alt=\"Seven Degrees of Vapour… (2002)\"  /></a>Seven Degrees of Vapour… (2002)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/boreal\"><img class=\"alignnone size-medium wp-image-199\" title=\"Boreal Art/Nature Residency (2002)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/30--boreal.jpg\" alt=\"\" /></a>Boreal Art/Nature Residency (2002)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/pollent-patterns\"><img class=\"alignnone size-medium wp-image-977\" title=\"Pollen Patterns (2002)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/31--pollen-patterns.jpg\" alt=\"Pollen Patterns (2002)\"  /></a>Pollen Patterns (2002)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/words-and-images\"><img class=\"alignnone size-medium wp-image-712\" title=\"Words And Images\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/words-and-images-works.jpg\" alt=\"\"  /></a> Words and Images (2002)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/beautiful-people\"><img class=\"alignnone size-medium wp-image-612\" title=\"Beautiful People of the… (2001)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/32-beautiful-people.jpg\" alt=\"Beautiful People of the… (2001)\"  /></a>Beautiful People of the… (2001)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/tent-cities\"><img class=\"alignnone size-medium wp-image-712\" title=\"Tent Cities\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/tent-cities-works.jpg\" alt=\"\"  /></a> Tent Cities (2000)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/orchard-detailed-info\"><img class=\"alignnone size-medium wp-image-537\" title=\"Orchard of home-grown secrets (1998)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/33--orchard-of-home....jpg\" alt=\"Orchard of home-grown secrets (1998)\"  /></a>Orchard of home-grown secrets (1998)</td>\r\n</tr>\r\n<tr>\r\n<td  colspan=3>\r\n<div class=\"tablenav\"><div class=\"tablenav-pages\"><a href=\"works\" class=\"prev page-numbers\">«</a> <a href=\"works\" class=\"page-numbers\">1, </a> <span>2, </span> <a href=\"works-page-3\" class=\"page-numbers\">3</a>  <a href=\"works-page-3\" >»</a></div><br class=\"clear\"></div>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<!--more-->','works-page-2','','inherit','open','open','','2082-revision-25','','','2011-04-01 10:39:25','2011-04-01 10:39:25','',2082,'http://www.reenakallat.com/2434/uncat/2082-revision-25',0,'revision','',0),(2114,1,'2010-04-02 13:33:14','2010-04-02 13:33:14','<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">A1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/A1.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/A1-1023x546.jpg\" alt=\"\" title=\"A1-detail\" width=\"600\" height=\"400\" class=\"alignnone size-large wp-image-310\" /></a>\r\n</td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<h2 class=\"painting\">A1\r\n</h2>\r\n<h3 class=\"canvas1\">\r\n<span class=\"painting\">need to add details\r\n</span></h3>\r\nA1 desc \r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/A2.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/A2-626x1024.jpg\" alt=\"\" title=\"A2\" width=\"600\" height=\"800\" class=\"alignnone size-large wp-image-312\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/A3.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/A3-907x1024.jpg\" alt=\"\" title=\"A3-detail\" width=\"800\" height=\"800\" class=\"alignnone size-large wp-image-313\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n','A1 (detailed info)','','inherit','open','open','','304-revision-7','','','2010-04-02 13:33:14','2010-04-02 13:33:14','',304,'http://www.biggventures.com/demo/artists/2114/uncat/304-revision-7',0,'revision','',0),(2110,1,'2010-09-21 05:47:08','2010-09-21 05:47:08','<style type=\"text/css\">\r\n.tablenav {\r\nclear:both;\r\nheight:30px;\r\nmargin:6px 0 4px;\r\nvertical-align:middle;\r\n}\r\n.tablenav-pages {\r\ncolor:#555555;\r\n}\r\n.tablenav .tablenav-pages {\r\ncursor:default;\r\ndisplay:block;\r\nfloat:right;\r\nfont-size:11px;\r\nheight:30px;\r\nline-height:30px;\r\n}\r\n.page-numbers {\r\nborder-bottom-color:#B8D3E2;\r\ncolor:#21759B;\r\nfont-weight:bold;\r\n}\r\n.tablenav-pages .current {\r\nbackground:none repeat scroll 0 0 #DFDFDF;\r\nborder-color:#D3D3D3;\r\n}\r\n.tablenav .tablenav-pages a, .tablenav-pages span.current {\r\n-moz-border-radius:5px 5px 5px 5px;\r\nborder:1px solid;\r\npadding:3px 6px;\r\ntext-decoration:none;\r\n}\r\n.tablenav .tablenav-pages a {\r\nbackground:url(\"http://www.reenakallat.com/wp-admin/images/menu-bits.gif\") repeat-x scroll left -379px #EEEEEE;\r\nborder-color:#E3E3E3;\r\n}\r\n\r\n.tablenav .tablenav-pages a, .tablenav-pages span.current {\r\n-moz-border-radius:5px 5px 5px 5px;\r\nborder:1px solid;\r\npadding:3px 6px;\r\ntext-decoration:none;\r\n}\r\na.page-numbers {\r\nborder-bottom-color:#B8D3E2;\r\n}\r\n.tablenav .displaying-num {\r\nfont-family:Georgia,\"Times New Roman\",\"Bitstream Charter\",Times,serif;\r\nfont-size:12px;\r\nfont-style:italic;\r\nmargin-right:10px;\r\n}\r\n</style>\r\n<div class=\"tablenav\"><div class=\"tablenav-pages\"><span class=\"displaying-num\">Displaying 1&ndash;21 of 39</span><span class=\"page-numbers current\">1</span>  <a href=\"works-page-2\" class=\"page-numbers\">2</a> <a href=\"works-page-2\" class=\"next page-numbers\">»</a></div><br class=\"clear\"></div>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/2degrees\"><img class=\"alignnone size-medium wp-image-712\" title=\"2 Degrees\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/2degrees-works.jpg\" alt=\"\"  /></a> 2 Degrees (2010)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/synonym\"><img class=\"alignnone size-medium wp-image-712\" title=\"Synonym\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/1--Synonym.jpg\" alt=\"\"  /></a> Synonym (2009)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/colour-curtain\"><img class=\"alignnone size-medium wp-image-201\" title=\"Colour-curtain\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/2--colour-curtain.jpg\" alt=\"Colour Curtain (2009)\"  /></a>Colour Curtain... (2009)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/your-mileage-gallery\"><img class=\"alignnone size-medium wp-image-320\" title=\"Your-Mileage-May-Vary\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/3-Your-Mileage-May-Vary.jpg\" alt=\"\" /></a></span>Your Mileage May Vary (2009)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/vanishing-point\"><img class=\"alignnone size-medium wp-image-201\" title=\"Vanishing Point (2009)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/4--VanishingPoint.jpg\" alt=\"Vanishing Point (2009)\"  /></a>Vanishing Point (2009)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\" >\r\n<a href=\"http://www.reenakallat.com/moving-millimeter\"><img class=\"alignnone size-medium wp-image-712\" title=\"The Moving Millimeter (2009)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/5---The-Moving-Mil....jpg\" alt=\"The Moving Millimeter (2009)\"  /></a>The Moving Millimeter (2009)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/white-yarn-detailed-info\"><img class=\"alignnone size-medium wp-image-199\" title=\"White Yarn\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/6---white-yarn.jpg\" alt=\"White Yarn (2008)\" /></a>White Yarn...(2008)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/white-heat-the-ironing-board-detailed-info\"><img class=\"alignnone size-medium wp-image-879\" title=\"White Heat (2008)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/7--White-Heat.jpg\" alt=\"White Heat (2008)\"  /></a>White Heat...(2008)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/crease-crevice-contour-detailed-info\"><img class=\"alignnone size-large wp-image-417\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/8---Crease-crevice.jpg\" alt=\"Crease / Crevice / Contour (2008)\" /></a>Crease / Crevice / Contour (2008)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/silt-of-seasons-1-detailed-info\"><img class=\"alignnone size-large wp-image-436\" title=\"Silt of Seasons I (2008)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/9--Silt-of-Seasons.jpg\" alt=\"Silt of Seasons I (2008)\"  /></a>Silt of Seasons - I (2008)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/silt-of-seasons-2-detailed-info\"><img class=\"alignnone size-large wp-image-436\" title=\"Silt of Seasons - II (2008)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/10--Silt-of-Seasons.jpg\" alt=\"Silt of Seasons - II (2008)\"  /></a>Silt of Seasons - II (2008)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/colostrum-detailed\"><img class=\"alignnone size-large wp-image-451\" title=\"Colostrum (2008)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/11---colostrum.jpg\" alt=\"Colostrum (2008)\"  /></a>Colostrum (2008)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/closet-quarries-detailed-info\"><img class=\"alignnone size-large wp-image-459\" title=\"Closet Quaries (2008)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/12---Closet-Quaries.jpg\" alt=\"Closet Quaries (2008)\" /></a>Closet Quarries (2008)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/synonym07-09\"><img class=\"alignnone size-medium wp-image-468\" title=\"Synonym (2007-09)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/13---synonym-2007-09.jpg\" alt=\"Synonym (2007-09)\"  /></a>Synonym (2007-09)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/subject-to-change-without-notice-detailed-info\"><img class=\"alignnone size-medium wp-image-469\" title=\"Lunar Notes (2007-08)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/14--lunar-notes1.jpg\" alt=\"Lunar Notes (2007-08)\"  /></a>Lunar Notes (2007-08)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/saline-detailed-info#\"><img class=\"alignnone size-medium wp-image-470\" title=\"Saline (2007)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/15---Saline.jpg\" alt=\"Saline (2007)\"  /></a>Saline (2007)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/walls-of-the-womb-detailed-info\"><img class=\"alignnone size-medium wp-image-206\" title=\"Walls of the Womb (2007)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/16--Walls-of-womb.jpg\" alt=\"Walls of the Womb (2007)\"  /></a>Walls of the Womb (2007)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/memoria-mausolea-detailed-info\"><img class=\"alignnone size-medium wp-image-873\" title=\"Memoria Mausolea (2007)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/17--Memoria-Mausolea.jpg\" alt=\"Memoria Mausolea (2007)\"  /></a>Memoria Mausolea (2007)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/memoria-corona-detailed-info\"><img class=\"alignnone size-medium wp-image-205\" title=\"Memoria Corona (2006)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/18--Memoria-Corona.jpg\" alt=\"Memoria Corona (2006)\"  /></a>Memoria Corona (2006)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/penumbra-detailed-info\"><img class=\"alignnone size-medium wp-image-261\" title=\"Penumbra (2006)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/19---Penumbra.jpg\" alt=\"\"  /></a>Penumbra (2006)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/xylophone-detailed-info\"><img class=\"alignnone size-medium wp-image-495\" title=\"Xylophone (2006)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/20--Xylophone.jpg\" alt=\"Xylophone (2006)\"  /></a>Xylophone (2006)</td>\r\n</tr>\r\n\r\n</tbody>\r\n</table>\r\n<!--more-->','Works','','inherit','open','open','','54-revision-310','','','2010-09-21 05:47:08','2010-09-21 05:47:08','',54,'http://www.biggventures.com/demo/artists/2110/uncat/54-revision-310',0,'revision','',0),(2083,1,'2010-09-21 05:23:02','2010-09-21 05:23:02','<style type=\"text/css\">\r\n.tablenav {\r\nclear:both;\r\nheight:30px;\r\nmargin:6px 0 4px;\r\nvertical-align:middle;\r\n}\r\n.tablenav-pages {\r\ncolor:#555555;\r\n}\r\n.tablenav .tablenav-pages {\r\ncursor:default;\r\ndisplay:block;\r\nfloat:right;\r\nfont-size:11px;\r\nheight:30px;\r\nline-height:30px;\r\n}\r\n.tablenav-pages .current {\r\nbackground:none repeat scroll 0 0 #DFDFDF;\r\nborder-color:#D3D3D3;\r\n}\r\n.tablenav .tablenav-pages a, .tablenav-pages span.current {\r\n-moz-border-radius:5px 5px 5px 5px;\r\nborder:1px solid;\r\npadding:3px 6px;\r\ntext-decoration:none;\r\n}\r\n.tablenav .tablenav-pages a {\r\nbackground:url(\"http://www.reenakallat.com/wp-admin/images/menu-bits.gif\") repeat-x scroll left -379px #EEEEEE;\r\nborder-color:#E3E3E3;\r\n}\r\n\r\n.tablenav .tablenav-pages a, .tablenav-pages span.current {\r\n-moz-border-radius:5px 5px 5px 5px;\r\nborder:1px solid;\r\npadding:3px 6px;\r\ntext-decoration:none;\r\n}\r\na.page-numbers {\r\nborder-bottom-color:#B8D3E2;\r\n}\r\n.tablenav .displaying-num {\r\nfont-family:Georgia,\"Times New Roman\",\"Bitstream Charter\",Times,serif;\r\nfont-size:12px;\r\nfont-style:italic;\r\nmargin-right:10px;\r\n}\r\n</style>\r\n<div class=\"tablenav\"><div class=\"tablenav-pages\"><span class=\"displaying-num\">Displaying 1&ndash;21 of 39</span><span class=\"page-numbers current\">1</span>  <a href=\"/demo/artists/wp-admin/edit-pages.php?pagenum=2\" class=\"page-numbers\">2</a> <a href=\"/demo/artists/wp-admin/edit-pages.php?pagenum=2\" class=\"next page-numbers\">»</a></div><br class=\"clear\"></div>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/2degrees\"><img class=\"alignnone size-medium wp-image-712\" title=\"2 Degrees\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/2degrees-works.jpg\" alt=\"\"  /></a> 2 Degrees (2010)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/synonym\"><img class=\"alignnone size-medium wp-image-712\" title=\"Synonym\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/1--Synonym.jpg\" alt=\"\"  /></a> Synonym (2009)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/colour-curtain\"><img class=\"alignnone size-medium wp-image-201\" title=\"Colour-curtain\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/2--colour-curtain.jpg\" alt=\"Colour Curtain (2009)\"  /></a>Colour Curtain... (2009)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/your-mileage-gallery\"><img class=\"alignnone size-medium wp-image-320\" title=\"Your-Mileage-May-Vary\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/3-Your-Mileage-May-Vary.jpg\" alt=\"\" /></a></span>Your Mileage May Vary (2009)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/vanishing-point\"><img class=\"alignnone size-medium wp-image-201\" title=\"Vanishing Point (2009)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/4--VanishingPoint.jpg\" alt=\"Vanishing Point (2009)\"  /></a>Vanishing Point (2009)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\" >\r\n<a href=\"http://www.reenakallat.com/moving-millimeter\"><img class=\"alignnone size-medium wp-image-712\" title=\"The Moving Millimeter (2009)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/5---The-Moving-Mil....jpg\" alt=\"The Moving Millimeter (2009)\"  /></a>The Moving Millimeter (2009)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/white-yarn-detailed-info\"><img class=\"alignnone size-medium wp-image-199\" title=\"White Yarn\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/6---white-yarn.jpg\" alt=\"White Yarn (2008)\" /></a>White Yarn...(2008)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/white-heat-the-ironing-board-detailed-info\"><img class=\"alignnone size-medium wp-image-879\" title=\"White Heat (2008)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/7--White-Heat.jpg\" alt=\"White Heat (2008)\"  /></a>White Heat...(2008)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/crease-crevice-contour-detailed-info\"><img class=\"alignnone size-large wp-image-417\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/8---Crease-crevice.jpg\" alt=\"Crease / Crevice / Contour (2008)\" /></a>Crease / Crevice / Contour (2008)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/silt-of-seasons-1-detailed-info\"><img class=\"alignnone size-large wp-image-436\" title=\"Silt of Seasons I (2008)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/9--Silt-of-Seasons.jpg\" alt=\"Silt of Seasons I (2008)\"  /></a>Silt of Seasons - I (2008)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/silt-of-seasons-2-detailed-info\"><img class=\"alignnone size-large wp-image-436\" title=\"Silt of Seasons - II (2008)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/10--Silt-of-Seasons.jpg\" alt=\"Silt of Seasons - II (2008)\"  /></a>Silt of Seasons - II (2008)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/colostrum-detailed\"><img class=\"alignnone size-large wp-image-451\" title=\"Colostrum (2008)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/11---colostrum.jpg\" alt=\"Colostrum (2008)\"  /></a>Colostrum (2008)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/closet-quarries-detailed-info\"><img class=\"alignnone size-large wp-image-459\" title=\"Closet Quaries (2008)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/12---Closet-Quaries.jpg\" alt=\"Closet Quaries (2008)\" /></a>Closet Quarries (2008)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/synonym07-09\"><img class=\"alignnone size-medium wp-image-468\" title=\"Synonym (2007-09)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/13---synonym-2007-09.jpg\" alt=\"Synonym (2007-09)\"  /></a>Synonym (2007-09)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/subject-to-change-without-notice-detailed-info\"><img class=\"alignnone size-medium wp-image-469\" title=\"Lunar Notes (2007-08)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/14--lunar-notes1.jpg\" alt=\"Lunar Notes (2007-08)\"  /></a>Lunar Notes (2007-08)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/saline-detailed-info#\"><img class=\"alignnone size-medium wp-image-470\" title=\"Saline (2007)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/15---Saline.jpg\" alt=\"Saline (2007)\"  /></a>Saline (2007)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/walls-of-the-womb-detailed-info\"><img class=\"alignnone size-medium wp-image-206\" title=\"Walls of the Womb (2007)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/16--Walls-of-womb.jpg\" alt=\"Walls of the Womb (2007)\"  /></a>Walls of the Womb (2007)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/memoria-mausolea-detailed-info\"><img class=\"alignnone size-medium wp-image-873\" title=\"Memoria Mausolea (2007)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/17--Memoria-Mausolea.jpg\" alt=\"Memoria Mausolea (2007)\"  /></a>Memoria Mausolea (2007)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/memoria-corona-detailed-info\"><img class=\"alignnone size-medium wp-image-205\" title=\"Memoria Corona (2006)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/18--Memoria-Corona.jpg\" alt=\"Memoria Corona (2006)\"  /></a>Memoria Corona (2006)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/penumbra-detailed-info\"><img class=\"alignnone size-medium wp-image-261\" title=\"Penumbra (2006)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/19---Penumbra.jpg\" alt=\"\"  /></a>Penumbra (2006)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/xylophone-detailed-info\"><img class=\"alignnone size-medium wp-image-495\" title=\"Xylophone (2006)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/20--Xylophone.jpg\" alt=\"Xylophone (2006)\"  /></a>Xylophone (2006)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"210\" align=\"left\" valign=\"top\" class=\"canvas1\" nowrap>\r\n<a href=\"http://www.reenakallat.com/penumbra-passage-canine-cases-detailed-info\"><img class=\"alignnone size-medium wp-image-208\" title=\"Penumbra Passage (Canine Cases)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/21--Penumbra-passage.jpg\" alt=\"Penumbra Passage (Canine Cases) (2006)\"  /></a>Penumbra Passage  (Canine Cases) (2006)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/birds-of-steel-detailed-info\"><img class=\"alignnone size-medium wp-image-505\" title=\"Birds of Steel (2004)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/22--Birds-of-Steel.jpg\" alt=\"Birds of Steel (2004)\"  /></a>Birds of Steel (2004)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/birthmark-tattoos-detailed-info\"><img class=\"alignnone size-medium wp-image-207\" title=\"Blueprint: Birthmarks and Tattoos (2004)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/23---birthmarks.jpg\" alt=\"Blueprint: Birthmarks and Tattoos (2004)\"  /></a>Blueprint: Birthmarks and Tattoos (2004)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/sword-swallowers\"><img class=\"alignnone size-medium wp-image-204\" title=\"Sword Swallowers (2004)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/24---sword-swallowers.jpg\" alt=\"Sword Swallowers (2004)\" /></a>Sword Swallowers (2004)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/kiosk-detailed-info\"><img class=\"alignnone size-medium wp-image-517\" title=\"Kiosk (2003)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/25--kiosk.jpg\" alt=\"Kiosk (2003)\"  /></a>Kiosk (2003)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/elephant-walks\"><img class=\"alignnone size-medium wp-image-547\" title=\"Elephant Walks (2003)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/26--ElephantWalks.jpg\" alt=\"Elephant Walks (2003)\"  /></a>Elephant Walks (2003)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/reclaim-our-freedom\"><img class=\"alignnone size-medium wp-image-557\" title=\"Reclaim our Freedom (2002)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/27---reclaim-our-freedom.jpg\" alt=\"Reclaim our Freedom (2002)\" width=\"270\" height=\"214\" /></a>Reclaim our Freedom (2002)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/seven-faces-of-dust-detailed-info\"><img class=\"alignnone size-medium wp-image-1013\" title=\"Seven Faces of Dust (2003)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/28--seven-faces-of-dust.jpg\" alt=\"Seven Faces of Dust (2003)\"  /></a>Seven Faces of Dust (2003)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/seven-degrees-detailed\"><img class=\"alignnone size-medium wp-image-621\" title=\"Seven Degrees of Vapour… (2002)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/29---seven-degrees.jpg\" alt=\"Seven Degrees of Vapour… (2002)\"  /></a>Seven Degrees of Vapour… (2002)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/boreal\"><img class=\"alignnone size-medium wp-image-199\" title=\"Boreal Art/Nature Residency (2002)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/30--boreal.jpg\" alt=\"\" /></a>Boreal Art/Nature Residency (2002)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/pollent-patterns\"><img class=\"alignnone size-medium wp-image-977\" title=\"Pollen Patterns (2002)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/31--pollen-patterns.jpg\" alt=\"Pollen Patterns (2002)\"  /></a>Pollen Patterns (2002)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/words-and-images\"><img class=\"alignnone size-medium wp-image-712\" title=\"Words And Images\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/words-and-images-works.jpg\" alt=\"\"  /></a> Words and Images (2002)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/beautiful-people\"><img class=\"alignnone size-medium wp-image-612\" title=\"Beautiful People of the… (2001)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/32-beautiful-people.jpg\" alt=\"Beautiful People of the… (2001)\"  /></a>Beautiful People of the… (2001)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/tent-cities\"><img class=\"alignnone size-medium wp-image-712\" title=\"Tent Cities\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/tent-cities-works.jpg\" alt=\"\"  /></a> Tent Cities (2000)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/orchard-detailed-info\"><img class=\"alignnone size-medium wp-image-537\" title=\"Orchard of home-grown secrets (1998)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/33--orchard-of-home....jpg\" alt=\"Orchard of home-grown secrets (1998)\"  /></a>Orchard of home-grown secrets (1998)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/joint-family-detailed-info\"><img class=\"alignnone size-medium wp-image-199\" title=\"Joint Family (1998)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/34---Joint-Family.jpg\" alt=\"Joint Family (1998)\"  /></a>Joint Family (1998)</td>\r\n<td width=\"230\" align=\"left\" valign=\"top\" class=\"canvas1\"> \r\n<a href=\"http://www.reenakallat.com/escapades-of-the-ladder-occupants-detailed-info\"><img class=\"alignnone size-medium wp-image-201\" title=\"Escapades of the ladder occupants (1998)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/35---Escapades-of-the-ladde.jpg\" alt=\"Escapades of the ladder occupants (1998)\"  /></a>Escapades of the ladder occupants (1998)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/recitals-from-the-city-garden-detailed-info\"><img class=\"alignnone size-medium wp-image-712\" title=\"Recitals from the city-garden (1998)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/36---Recitals-from-the-city.jpg\" alt=\"Recitals from the city-garden (1998)\"  /></a>Recitals from the city-garden (1998)</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<!--more-->','works-page2','','inherit','open','open','','2082-revision','','','2010-09-21 05:23:02','2010-09-21 05:23:02','',2082,'http://www.biggventures.com/demo/artists/2083/uncat/2082-revision',0,'revision','',0),(2084,1,'2010-09-21 05:23:18','2010-09-21 05:23:18','<style type=\"text/css\">\r\n.tablenav {\r\nclear:both;\r\nheight:30px;\r\nmargin:6px 0 4px;\r\nvertical-align:middle;\r\n}\r\n.tablenav-pages {\r\ncolor:#555555;\r\n}\r\n.tablenav .tablenav-pages {\r\ncursor:default;\r\ndisplay:block;\r\nfloat:right;\r\nfont-size:11px;\r\nheight:30px;\r\nline-height:30px;\r\n}\r\n.tablenav-pages .current {\r\nbackground:none repeat scroll 0 0 #DFDFDF;\r\nborder-color:#D3D3D3;\r\n}\r\n.tablenav .tablenav-pages a, .tablenav-pages span.current {\r\n-moz-border-radius:5px 5px 5px 5px;\r\nborder:1px solid;\r\npadding:3px 6px;\r\ntext-decoration:none;\r\n}\r\n.tablenav .tablenav-pages a {\r\nbackground:url(\"http://www.reenakallat.com/wp-admin/images/menu-bits.gif\") repeat-x scroll left -379px #EEEEEE;\r\nborder-color:#E3E3E3;\r\n}\r\n\r\n.tablenav .tablenav-pages a, .tablenav-pages span.current {\r\n-moz-border-radius:5px 5px 5px 5px;\r\nborder:1px solid;\r\npadding:3px 6px;\r\ntext-decoration:none;\r\n}\r\na.page-numbers {\r\nborder-bottom-color:#B8D3E2;\r\n}\r\n.tablenav .displaying-num {\r\nfont-family:Georgia,\"Times New Roman\",\"Bitstream Charter\",Times,serif;\r\nfont-size:12px;\r\nfont-style:italic;\r\nmargin-right:10px;\r\n}\r\n</style>\r\n<div class=\"tablenav\"><div class=\"tablenav-pages\"><span class=\"displaying-num\">Displaying 1&ndash;21 of 39</span><span class=\"page-numbers current\">1</span>  <a href=\"/demo/artists/wp-admin/edit-pages.php?pagenum=2\" class=\"page-numbers\">2</a> <a href=\"/demo/artists/wp-admin/edit-pages.php?pagenum=2\" class=\"next page-numbers\">»</a></div><br class=\"clear\"></div>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/2degrees\"><img class=\"alignnone size-medium wp-image-712\" title=\"2 Degrees\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/2degrees-works.jpg\" alt=\"\"  /></a> 2 Degrees (2010)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/synonym\"><img class=\"alignnone size-medium wp-image-712\" title=\"Synonym\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/1--Synonym.jpg\" alt=\"\"  /></a> Synonym (2009)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/colour-curtain\"><img class=\"alignnone size-medium wp-image-201\" title=\"Colour-curtain\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/2--colour-curtain.jpg\" alt=\"Colour Curtain (2009)\"  /></a>Colour Curtain... (2009)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/your-mileage-gallery\"><img class=\"alignnone size-medium wp-image-320\" title=\"Your-Mileage-May-Vary\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/3-Your-Mileage-May-Vary.jpg\" alt=\"\" /></a></span>Your Mileage May Vary (2009)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/vanishing-point\"><img class=\"alignnone size-medium wp-image-201\" title=\"Vanishing Point (2009)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/4--VanishingPoint.jpg\" alt=\"Vanishing Point (2009)\"  /></a>Vanishing Point (2009)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\" >\r\n<a href=\"http://www.reenakallat.com/moving-millimeter\"><img class=\"alignnone size-medium wp-image-712\" title=\"The Moving Millimeter (2009)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/5---The-Moving-Mil....jpg\" alt=\"The Moving Millimeter (2009)\"  /></a>The Moving Millimeter (2009)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/white-yarn-detailed-info\"><img class=\"alignnone size-medium wp-image-199\" title=\"White Yarn\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/6---white-yarn.jpg\" alt=\"White Yarn (2008)\" /></a>White Yarn...(2008)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/white-heat-the-ironing-board-detailed-info\"><img class=\"alignnone size-medium wp-image-879\" title=\"White Heat (2008)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/7--White-Heat.jpg\" alt=\"White Heat (2008)\"  /></a>White Heat...(2008)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/crease-crevice-contour-detailed-info\"><img class=\"alignnone size-large wp-image-417\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/8---Crease-crevice.jpg\" alt=\"Crease / Crevice / Contour (2008)\" /></a>Crease / Crevice / Contour (2008)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/silt-of-seasons-1-detailed-info\"><img class=\"alignnone size-large wp-image-436\" title=\"Silt of Seasons I (2008)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/9--Silt-of-Seasons.jpg\" alt=\"Silt of Seasons I (2008)\"  /></a>Silt of Seasons - I (2008)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/silt-of-seasons-2-detailed-info\"><img class=\"alignnone size-large wp-image-436\" title=\"Silt of Seasons - II (2008)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/10--Silt-of-Seasons.jpg\" alt=\"Silt of Seasons - II (2008)\"  /></a>Silt of Seasons - II (2008)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/colostrum-detailed\"><img class=\"alignnone size-large wp-image-451\" title=\"Colostrum (2008)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/11---colostrum.jpg\" alt=\"Colostrum (2008)\"  /></a>Colostrum (2008)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/closet-quarries-detailed-info\"><img class=\"alignnone size-large wp-image-459\" title=\"Closet Quaries (2008)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/12---Closet-Quaries.jpg\" alt=\"Closet Quaries (2008)\" /></a>Closet Quarries (2008)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/synonym07-09\"><img class=\"alignnone size-medium wp-image-468\" title=\"Synonym (2007-09)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/13---synonym-2007-09.jpg\" alt=\"Synonym (2007-09)\"  /></a>Synonym (2007-09)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/subject-to-change-without-notice-detailed-info\"><img class=\"alignnone size-medium wp-image-469\" title=\"Lunar Notes (2007-08)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/14--lunar-notes1.jpg\" alt=\"Lunar Notes (2007-08)\"  /></a>Lunar Notes (2007-08)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/saline-detailed-info#\"><img class=\"alignnone size-medium wp-image-470\" title=\"Saline (2007)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/15---Saline.jpg\" alt=\"Saline (2007)\"  /></a>Saline (2007)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/walls-of-the-womb-detailed-info\"><img class=\"alignnone size-medium wp-image-206\" title=\"Walls of the Womb (2007)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/16--Walls-of-womb.jpg\" alt=\"Walls of the Womb (2007)\"  /></a>Walls of the Womb (2007)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/memoria-mausolea-detailed-info\"><img class=\"alignnone size-medium wp-image-873\" title=\"Memoria Mausolea (2007)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/17--Memoria-Mausolea.jpg\" alt=\"Memoria Mausolea (2007)\"  /></a>Memoria Mausolea (2007)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/memoria-corona-detailed-info\"><img class=\"alignnone size-medium wp-image-205\" title=\"Memoria Corona (2006)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/18--Memoria-Corona.jpg\" alt=\"Memoria Corona (2006)\"  /></a>Memoria Corona (2006)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/penumbra-detailed-info\"><img class=\"alignnone size-medium wp-image-261\" title=\"Penumbra (2006)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/19---Penumbra.jpg\" alt=\"\"  /></a>Penumbra (2006)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/xylophone-detailed-info\"><img class=\"alignnone size-medium wp-image-495\" title=\"Xylophone (2006)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/20--Xylophone.jpg\" alt=\"Xylophone (2006)\"  /></a>Xylophone (2006)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"210\" align=\"left\" valign=\"top\" class=\"canvas1\" nowrap>\r\n<a href=\"http://www.reenakallat.com/penumbra-passage-canine-cases-detailed-info\"><img class=\"alignnone size-medium wp-image-208\" title=\"Penumbra Passage (Canine Cases)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/21--Penumbra-passage.jpg\" alt=\"Penumbra Passage (Canine Cases) (2006)\"  /></a>Penumbra Passage  (Canine Cases) (2006)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/birds-of-steel-detailed-info\"><img class=\"alignnone size-medium wp-image-505\" title=\"Birds of Steel (2004)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/22--Birds-of-Steel.jpg\" alt=\"Birds of Steel (2004)\"  /></a>Birds of Steel (2004)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/birthmark-tattoos-detailed-info\"><img class=\"alignnone size-medium wp-image-207\" title=\"Blueprint: Birthmarks and Tattoos (2004)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/23---birthmarks.jpg\" alt=\"Blueprint: Birthmarks and Tattoos (2004)\"  /></a>Blueprint: Birthmarks and Tattoos (2004)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/sword-swallowers\"><img class=\"alignnone size-medium wp-image-204\" title=\"Sword Swallowers (2004)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/24---sword-swallowers.jpg\" alt=\"Sword Swallowers (2004)\" /></a>Sword Swallowers (2004)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/kiosk-detailed-info\"><img class=\"alignnone size-medium wp-image-517\" title=\"Kiosk (2003)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/25--kiosk.jpg\" alt=\"Kiosk (2003)\"  /></a>Kiosk (2003)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/elephant-walks\"><img class=\"alignnone size-medium wp-image-547\" title=\"Elephant Walks (2003)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/26--ElephantWalks.jpg\" alt=\"Elephant Walks (2003)\"  /></a>Elephant Walks (2003)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/reclaim-our-freedom\"><img class=\"alignnone size-medium wp-image-557\" title=\"Reclaim our Freedom (2002)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/27---reclaim-our-freedom.jpg\" alt=\"Reclaim our Freedom (2002)\" width=\"270\" height=\"214\" /></a>Reclaim our Freedom (2002)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/seven-faces-of-dust-detailed-info\"><img class=\"alignnone size-medium wp-image-1013\" title=\"Seven Faces of Dust (2003)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/28--seven-faces-of-dust.jpg\" alt=\"Seven Faces of Dust (2003)\"  /></a>Seven Faces of Dust (2003)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/seven-degrees-detailed\"><img class=\"alignnone size-medium wp-image-621\" title=\"Seven Degrees of Vapour… (2002)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/29---seven-degrees.jpg\" alt=\"Seven Degrees of Vapour… (2002)\"  /></a>Seven Degrees of Vapour… (2002)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/boreal\"><img class=\"alignnone size-medium wp-image-199\" title=\"Boreal Art/Nature Residency (2002)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/30--boreal.jpg\" alt=\"\" /></a>Boreal Art/Nature Residency (2002)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/pollent-patterns\"><img class=\"alignnone size-medium wp-image-977\" title=\"Pollen Patterns (2002)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/31--pollen-patterns.jpg\" alt=\"Pollen Patterns (2002)\"  /></a>Pollen Patterns (2002)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/words-and-images\"><img class=\"alignnone size-medium wp-image-712\" title=\"Words And Images\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/words-and-images-works.jpg\" alt=\"\"  /></a> Words and Images (2002)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/beautiful-people\"><img class=\"alignnone size-medium wp-image-612\" title=\"Beautiful People of the… (2001)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/32-beautiful-people.jpg\" alt=\"Beautiful People of the… (2001)\"  /></a>Beautiful People of the… (2001)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/tent-cities\"><img class=\"alignnone size-medium wp-image-712\" title=\"Tent Cities\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/tent-cities-works.jpg\" alt=\"\"  /></a> Tent Cities (2000)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/orchard-detailed-info\"><img class=\"alignnone size-medium wp-image-537\" title=\"Orchard of home-grown secrets (1998)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/33--orchard-of-home....jpg\" alt=\"Orchard of home-grown secrets (1998)\"  /></a>Orchard of home-grown secrets (1998)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/joint-family-detailed-info\"><img class=\"alignnone size-medium wp-image-199\" title=\"Joint Family (1998)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/34---Joint-Family.jpg\" alt=\"Joint Family (1998)\"  /></a>Joint Family (1998)</td>\r\n<td width=\"230\" align=\"left\" valign=\"top\" class=\"canvas1\"> \r\n<a href=\"http://www.reenakallat.com/escapades-of-the-ladder-occupants-detailed-info\"><img class=\"alignnone size-medium wp-image-201\" title=\"Escapades of the ladder occupants (1998)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/35---Escapades-of-the-ladde.jpg\" alt=\"Escapades of the ladder occupants (1998)\"  /></a>Escapades of the ladder occupants (1998)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/recitals-from-the-city-garden-detailed-info\"><img class=\"alignnone size-medium wp-image-712\" title=\"Recitals from the city-garden (1998)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/36---Recitals-from-the-city.jpg\" alt=\"Recitals from the city-garden (1998)\"  /></a>Recitals from the city-garden (1998)</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<!--more-->','','','inherit','open','open','','2082-revision-2','','','2010-09-21 05:23:18','2010-09-21 05:23:18','',2082,'http://www.biggventures.com/demo/artists/2084/uncat/2082-revision-2',0,'revision','',0),(2085,1,'2010-09-16 07:37:00','2010-09-16 07:37:00','<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/2degrees\"><img class=\"alignnone size-medium wp-image-712\" title=\"2 Degrees\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/2degrees-works.jpg\" alt=\"\"  /></a> 2 Degrees (2010)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/synonym\"><img class=\"alignnone size-medium wp-image-712\" title=\"Synonym\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/1--Synonym.jpg\" alt=\"\"  /></a> Synonym (2009)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/colour-curtain\"><img class=\"alignnone size-medium wp-image-201\" title=\"Colour-curtain\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/2--colour-curtain.jpg\" alt=\"Colour Curtain (2009)\"  /></a>Colour Curtain... (2009)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/your-mileage-gallery\"><img class=\"alignnone size-medium wp-image-320\" title=\"Your-Mileage-May-Vary\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/3-Your-Mileage-May-Vary.jpg\" alt=\"\" /></a></span>Your Mileage May Vary (2009)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/vanishing-point\"><img class=\"alignnone size-medium wp-image-201\" title=\"Vanishing Point (2009)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/4--VanishingPoint.jpg\" alt=\"Vanishing Point (2009)\"  /></a>Vanishing Point (2009)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\" >\r\n<a href=\"http://www.reenakallat.com/moving-millimeter\"><img class=\"alignnone size-medium wp-image-712\" title=\"The Moving Millimeter (2009)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/5---The-Moving-Mil....jpg\" alt=\"The Moving Millimeter (2009)\"  /></a>The Moving Millimeter (2009)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/white-yarn-detailed-info\"><img class=\"alignnone size-medium wp-image-199\" title=\"White Yarn\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/6---white-yarn.jpg\" alt=\"White Yarn (2008)\" /></a>White Yarn...(2008)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/white-heat-the-ironing-board-detailed-info\"><img class=\"alignnone size-medium wp-image-879\" title=\"White Heat (2008)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/7--White-Heat.jpg\" alt=\"White Heat (2008)\"  /></a>White Heat...(2008)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/crease-crevice-contour-detailed-info\"><img class=\"alignnone size-large wp-image-417\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/8---Crease-crevice.jpg\" alt=\"Crease / Crevice / Contour (2008)\" /></a>Crease / Crevice / Contour (2008)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/silt-of-seasons-1-detailed-info\"><img class=\"alignnone size-large wp-image-436\" title=\"Silt of Seasons I (2008)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/9--Silt-of-Seasons.jpg\" alt=\"Silt of Seasons I (2008)\"  /></a>Silt of Seasons - I (2008)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/silt-of-seasons-2-detailed-info\"><img class=\"alignnone size-large wp-image-436\" title=\"Silt of Seasons - II (2008)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/10--Silt-of-Seasons.jpg\" alt=\"Silt of Seasons - II (2008)\"  /></a>Silt of Seasons - II (2008)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/colostrum-detailed\"><img class=\"alignnone size-large wp-image-451\" title=\"Colostrum (2008)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/11---colostrum.jpg\" alt=\"Colostrum (2008)\"  /></a>Colostrum (2008)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/closet-quarries-detailed-info\"><img class=\"alignnone size-large wp-image-459\" title=\"Closet Quaries (2008)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/12---Closet-Quaries.jpg\" alt=\"Closet Quaries (2008)\" /></a>Closet Quarries (2008)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/synonym07-09\"><img class=\"alignnone size-medium wp-image-468\" title=\"Synonym (2007-09)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/13---synonym-2007-09.jpg\" alt=\"Synonym (2007-09)\"  /></a>Synonym (2007-09)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/subject-to-change-without-notice-detailed-info\"><img class=\"alignnone size-medium wp-image-469\" title=\"Lunar Notes (2007-08)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/14--lunar-notes1.jpg\" alt=\"Lunar Notes (2007-08)\"  /></a>Lunar Notes (2007-08)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/saline-detailed-info#\"><img class=\"alignnone size-medium wp-image-470\" title=\"Saline (2007)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/15---Saline.jpg\" alt=\"Saline (2007)\"  /></a>Saline (2007)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/walls-of-the-womb-detailed-info\"><img class=\"alignnone size-medium wp-image-206\" title=\"Walls of the Womb (2007)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/16--Walls-of-womb.jpg\" alt=\"Walls of the Womb (2007)\"  /></a>Walls of the Womb (2007)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/memoria-mausolea-detailed-info\"><img class=\"alignnone size-medium wp-image-873\" title=\"Memoria Mausolea (2007)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/17--Memoria-Mausolea.jpg\" alt=\"Memoria Mausolea (2007)\"  /></a>Memoria Mausolea (2007)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/memoria-corona-detailed-info\"><img class=\"alignnone size-medium wp-image-205\" title=\"Memoria Corona (2006)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/18--Memoria-Corona.jpg\" alt=\"Memoria Corona (2006)\"  /></a>Memoria Corona (2006)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/penumbra-detailed-info\"><img class=\"alignnone size-medium wp-image-261\" title=\"Penumbra (2006)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/19---Penumbra.jpg\" alt=\"\"  /></a>Penumbra (2006)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/xylophone-detailed-info\"><img class=\"alignnone size-medium wp-image-495\" title=\"Xylophone (2006)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/20--Xylophone.jpg\" alt=\"Xylophone (2006)\"  /></a>Xylophone (2006)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"210\" align=\"left\" valign=\"top\" class=\"canvas1\" nowrap>\r\n<a href=\"http://www.reenakallat.com/penumbra-passage-canine-cases-detailed-info\"><img class=\"alignnone size-medium wp-image-208\" title=\"Penumbra Passage (Canine Cases)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/21--Penumbra-passage.jpg\" alt=\"Penumbra Passage (Canine Cases) (2006)\"  /></a>Penumbra Passage  (Canine Cases) (2006)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/birds-of-steel-detailed-info\"><img class=\"alignnone size-medium wp-image-505\" title=\"Birds of Steel (2004)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/22--Birds-of-Steel.jpg\" alt=\"Birds of Steel (2004)\"  /></a>Birds of Steel (2004)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/birthmark-tattoos-detailed-info\"><img class=\"alignnone size-medium wp-image-207\" title=\"Blueprint: Birthmarks and Tattoos (2004)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/23---birthmarks.jpg\" alt=\"Blueprint: Birthmarks and Tattoos (2004)\"  /></a>Blueprint: Birthmarks and Tattoos (2004)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/sword-swallowers\"><img class=\"alignnone size-medium wp-image-204\" title=\"Sword Swallowers (2004)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/24---sword-swallowers.jpg\" alt=\"Sword Swallowers (2004)\" /></a>Sword Swallowers (2004)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/kiosk-detailed-info\"><img class=\"alignnone size-medium wp-image-517\" title=\"Kiosk (2003)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/25--kiosk.jpg\" alt=\"Kiosk (2003)\"  /></a>Kiosk (2003)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/elephant-walks\"><img class=\"alignnone size-medium wp-image-547\" title=\"Elephant Walks (2003)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/26--ElephantWalks.jpg\" alt=\"Elephant Walks (2003)\"  /></a>Elephant Walks (2003)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/reclaim-our-freedom\"><img class=\"alignnone size-medium wp-image-557\" title=\"Reclaim our Freedom (2002)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/27---reclaim-our-freedom.jpg\" alt=\"Reclaim our Freedom (2002)\" width=\"270\" height=\"214\" /></a>Reclaim our Freedom (2002)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/seven-faces-of-dust-detailed-info\"><img class=\"alignnone size-medium wp-image-1013\" title=\"Seven Faces of Dust (2003)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/28--seven-faces-of-dust.jpg\" alt=\"Seven Faces of Dust (2003)\"  /></a>Seven Faces of Dust (2003)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/seven-degrees-detailed\"><img class=\"alignnone size-medium wp-image-621\" title=\"Seven Degrees of Vapour… (2002)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/29---seven-degrees.jpg\" alt=\"Seven Degrees of Vapour… (2002)\"  /></a>Seven Degrees of Vapour… (2002)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/boreal\"><img class=\"alignnone size-medium wp-image-199\" title=\"Boreal Art/Nature Residency (2002)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/30--boreal.jpg\" alt=\"\" /></a>Boreal Art/Nature Residency (2002)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/pollent-patterns\"><img class=\"alignnone size-medium wp-image-977\" title=\"Pollen Patterns (2002)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/31--pollen-patterns.jpg\" alt=\"Pollen Patterns (2002)\"  /></a>Pollen Patterns (2002)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/words-and-images\"><img class=\"alignnone size-medium wp-image-712\" title=\"Words And Images\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/words-and-images-works.jpg\" alt=\"\"  /></a> Words and Images (2002)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/beautiful-people\"><img class=\"alignnone size-medium wp-image-612\" title=\"Beautiful People of the… (2001)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/32-beautiful-people.jpg\" alt=\"Beautiful People of the… (2001)\"  /></a>Beautiful People of the… (2001)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/tent-cities\"><img class=\"alignnone size-medium wp-image-712\" title=\"Tent Cities\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/tent-cities-works.jpg\" alt=\"\"  /></a> Tent Cities (2000)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/orchard-detailed-info\"><img class=\"alignnone size-medium wp-image-537\" title=\"Orchard of home-grown secrets (1998)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/33--orchard-of-home....jpg\" alt=\"Orchard of home-grown secrets (1998)\"  /></a>Orchard of home-grown secrets (1998)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/joint-family-detailed-info\"><img class=\"alignnone size-medium wp-image-199\" title=\"Joint Family (1998)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/34---Joint-Family.jpg\" alt=\"Joint Family (1998)\"  /></a>Joint Family (1998)</td>\r\n<td width=\"230\" align=\"left\" valign=\"top\" class=\"canvas1\"> \r\n<a href=\"http://www.reenakallat.com/escapades-of-the-ladder-occupants-detailed-info\"><img class=\"alignnone size-medium wp-image-201\" title=\"Escapades of the ladder occupants (1998)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/35---Escapades-of-the-ladde.jpg\" alt=\"Escapades of the ladder occupants (1998)\"  /></a>Escapades of the ladder occupants (1998)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/recitals-from-the-city-garden-detailed-info\"><img class=\"alignnone size-medium wp-image-712\" title=\"Recitals from the city-garden (1998)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/36---Recitals-from-the-city.jpg\" alt=\"Recitals from the city-garden (1998)\"  /></a>Recitals from the city-garden (1998)</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<!--more-->','Works','','inherit','open','open','','54-revision-305','','','2010-09-16 07:37:00','2010-09-16 07:37:00','',54,'http://www.biggventures.com/demo/artists/2085/uncat/54-revision-305',0,'revision','',0),