(2659,1,'2011-11-10 11:51:35','2011-11-10 11:51:35','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/map-1.jpg\" alt=\"Map Drawing\" title=\"Map Drawing\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></a></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Untitled (Map/Drawing)</span>\r\n2011\r\nelectric wires and fittings, 10 min audio loop\r\n11 ft x 38 ft I 132 in x 456 in\r\n</td></tr></tr>\r\n<tr><td><span style=\"font-size:11px;font-weight:normal;line-height:3px;\"><i>installation view,</i> Goteborgs Konsthall, Sweden</span></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n\r\n\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/map-2.jpg\" alt=\"Map Drawing\" title=\"Map Drawing\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n<td width=\"300\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThe flows and movements of labour migrants across the world have resulted in cultural exchanges not to mention the social and economic implications. It has not only allowed us to free cultural identities from a physical place but see us all as entwined in a symbolic web as it were. …<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\nThe flows and movements of labour migrants across the world have resulted in cultural exchanges not to mention the social and economic implications. It has not only allowed us to free cultural identities from a physical place but see us all as entwined in a symbolic web as it were.\r\nWhen I was asked to conceive of a wall work for the Konsthall during the Goteborg International Biennale of Contemporary Art 2011, keeping the curatorial premise in mind, I decided to work with electric wires to form the drawing that will trace patterns of movement of migrants globally, where multitude of actors interact without knowledge of the overall situation. \r\nI think of this work as a drawing project, made with wires that essentially transmit energy and information from one place to another. It is said that the electricity is the same in electrical equipment but the expression of electricity differs from one appliance to the next. By changing the instrument of this quasi-cartographic drawing from a pencil line to a wire, I’m interested in the notion of the map as dynamic, ever changing, streaming and transferring data with the global flows of energies and people, as the courses of these travelers intersect.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div></td>\r\n\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/map-3.jpg\" alt=\"Map Drawing\" title=\"Map Drawing\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/map-4.jpg\" alt=\"Map Drawing\" title=\"Map Drawing\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/map-5.jpg\" alt=\"Map Drawing\" title=\"Map Drawing\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/map-6.jpg\" alt=\"Map Drawing\" title=\"Map Drawing\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/map-process-1-2.jpg\" alt=\"Map Drawing\" title=\"Map Drawing\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td style=\"height: 10px;\"></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/map-process-3-4.jpg\" alt=\"Map Drawing\" title=\"Map Drawing\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td style=\"height: 15px;\"></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/map-process-5-6.jpg\" alt=\"Map Drawing\" title=\"Map Drawing\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /><span style=\"font-size:11px;\"><i>process shots</i></span></td>\r\n</tr><tr><td ><span style=\"font-size:11px; line-height:15px;\"><i>Acknowledgement:</i> \r\nGoteborg International Biennial of Contemporary Art, Sweden\r\n</span>\r\n</td></tr>\r\n</tbody>\r\n</table>','Map Drawing','','inherit','open','open','','2527-revision-21','','','2011-11-10 11:51:35','2011-11-10 11:51:35','',2527,'http://www.reenakallat.com/2659/uncat/2527-revision-21',0,'revision','',0),(2660,1,'2011-04-28 09:14:15','2011-04-28 09:14:15','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Preface-works-page-image.jpg\" alt=\"Preface\" title=\"Preface\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></a></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Preface</span>\r\n2010\r\nhandmade paper book, wooden stand, two-channel video projection\r\n28 x 75 x 56 in. I 71 x 190 x 142 cm (h x l x b)\r\n</td></tr></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Preface-1.jpg\" alt=\"Preface\" title=\"Preface\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td><td width=\"400\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThe video work ‘Preface’ consists of an oversized book, presented like a sacred/ religious object on a prayer stand. The book presents the promise of democracy enshrined within the Preamble of the Constitution of India, in Braille. The video has developed as a result of my long engagement with the text, The Preamble of the Constitution of India that elucidates the purpose and underlying philosophy of the Constitution. Being the most religiously diverse country in the world, India’s democratic republic is premised on a national belief in pluralism and an assimilative culture. Rendered in Braille and thus reduced to various unreadable dots are words that spell out the fundamental principles, procedures, powers and responsibilities of the government and also the fundamental rights and duties of citizens. What you see are a series of images that evoke neural patterns constantly changing, transforming where the dots/words break open, blot, clot, smudge and stain the pages. What interests me is how this text gets interpreted by different people differently.</div>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Preface-3.jpg\" alt=\"Preface\" title=\"Preface\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Preface-4.jpg\" alt=\"Preface\" title=\"Preface\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Preface-5.jpg\" alt=\"Preface\" title=\"Preface\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Preface-6.jpg\" alt=\"Preface\" title=\"Preface\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Preface-process-1-2.jpg\" alt=\"Preface\" title=\"Preface\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td style=\"height: 15px;\"></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Preface-process-3-4.jpg\" alt=\"Preface\" title=\"Preface\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td style=\"height: 15px;\"></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Preface-process-5-6.jpg\" alt=\"Preface\" title=\"Preface\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /><span style=\"font-size:11px;\"><i>process shots of the video</i></span></td>\r\n</tr><tr><td ><span style=\"font-size:11px; line-height:15px;\"><i>Acknowledgement:</i> \r\nCamera: Ajay Noronha\r\nEditing: Pooja Madhavan, Sruti Visweswaran\r\nTechnical assistance: Abhinit Khanna\r\n</span>\r\n</td></tr>\r\n</tbody>\r\n</table>','Preface','','inherit','open','open','','2174-revision-16','','','2011-04-28 09:14:15','2011-04-28 09:14:15','',2174,'http://www.reenakallat.com/2660/uncat/2174-revision-16',0,'revision','',0),(2662,1,'2011-11-17 09:55:35','2011-11-17 09:55:35','Reena Saini Kallat (b. Delhi 1973) graduated from the Sir J. J. School of Art, Mumbai in 1996 with a B. F. A. in painting. Her practice - spanning painting, photography, video and sculptural installations - frequently deals with the condition of an individual in a rapidly changing society, ever susceptible to being reduced to an anonymous and forgotten statistic. Kallat is interested in constructing images that seem to change and transform by the possibilities they carry for the generation of meaning through a calibrated interplay of image and form.\r\n\r\nOver the last decade her work has been part of many important exhibitions, across the world. She has had ten solo exhibitions in India and abroad, collectively, and participated in a number of workshops and residencies. She lives and works in Mumbai.\r\n<table>\r\n<tbody>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">SOLO EXHIBITIONS</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://www.naturemorte.com/exhibitions/2011-03-08_reena-saini-kallat/\" target=\"_blank\">Labyrinth of Absences, Nature Morte, New Delhi</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.primomarellagallery.com/it/catalogue/scheda.asp?id=568&amp;view=past\" target=\"_blank\">Drift, Primo Marella Gallery, Milan</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2008/reena_bio.html\" target=\"_blank\"> Silt of Seasons, Chemould   Prescott Road, Mumbai <font color=\"red\">  >> </font></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/reena-kallat-exhibition-2008/\" target=\"_blank\">Subject to Change without Notice, Walsh Gallery, Chicago</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Rainbow Of Refuse, Bodhi Art Gallery, Mumbai and Singapore</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td><a class=\"linkbio\" href=\"http://www.naturemorte.com/artists/reena-saini-kallat/selected-works/\" target=\"_blank\">Black Flute (And Other Stories), Nature Morte, New Delhi</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2004/reena_saini_kallat_note.html\" target=\"_blank\">Black Flute, Gallery Chemould, Mumbai</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>The Battlefield Is The Mind, Sakshi Gallery, Bangalore</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Seven Faces of Dust, Chicago Radio, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2000</td>\r\n<td>Skin, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1998</td>\r\n<td>Orchard of Home-grown Secrets, Gallery Chemould and Pundole  Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><span style=\"color: #888888;\"><strong>SELECTED GROUP EXHIBITIONS</strong></span></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td v	align=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://goteborg.biennal.org/en/the-biennial-2011/artists/\" target=\"_blank\">Goteborg International Biennale for Contemporary Art, curated by Sarat Maharaj, Göteborgs Konsthall and Bohuslans Konsthall, Uddevalla, Sweden <font color=\"red\">  >> </font></td></a>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Right to Dissent, Clark House, Mumbai, India</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>RED, Palette Art Gallery, Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\"  href=\"http://www.kennedy-center.org/events/?event=ZLINB\" target=\"_blank\" >Maximum India, The Kennedy Centre, Washington</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Of Gods and Goddesses, Cinema, Cricket - The New cultural Icons of India, Jehangir Art Gallery, Mumbai\r\n</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Samtidigt, Helsinki City Art Museum, Finland</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Iconoclasts and Iconodules, curated by Ombretta Argo, Religare Art Gallery, New  Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>The Vancouver International Sculpture Biennale, Surrey Art Gallery, Canada</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>The Intuitive: Logic Revisted, from the Osians Collection at The World Economic Forum, Davos, Switzerland</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/current/La_Route_De_La_Soie.htm\" target=\"_blank\">La Route de la Soie / The Silk Road, Lille 3000, France </a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.kulturhuset.stockholm.se/default.asp?id=5760&refid=34277\" target=\"_blank\">Samtidigt, Kulterhuset, Stockholm</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.campbelltown.nsw.gov.au/default.asp?iNavCatID=3407&iSubCatID=3615\" target=\"_blank\">The River Project, Campbelltown Art Centre, Sydney</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.aboutroundabout.com/artists/kallat-reena-saini\" target=\"_blank\">Roundabout, City Gallery Wellington, New Zealand</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/\" target=\"_blank\">Waterways, Walsh Gallery, Chicago</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.richmondartgallery.org/in-transition.php\" target=\"_blank\">In Transition: New Art from India, Richmond Art Gallery Vancouver Biennale, Vancouver</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://websterhuntgallery.blogspot.com/2010_02_01_archive.html\" target=\"_blank\">Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster University, curated by Jeffrey Hughes and Dana Turkovic,\r\nCecile R. Hunt Gallery,St.Louis,Missouri</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/51\" target=\"_blank\">Never Run Away, 2 person exhibition curated by Shaheen Merali,Stux   Gallery,  New York</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/artists/reena_kallat.htm?section_name=new_india\" target=\"_blank\">The Empire Strikes Back, Saatchi Gallery, London</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://art-for-the-world.blogspot.com/2010/01/some-installation-views-of-urban.html\" target=\"_blank\">Urban Manners 2, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao Paulo, Brazil</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.asianartbiennial.org/2009/en/index_en.html\" target=\"_blank\">View Points and Viewing points - 2009 Asian Art Biennale, National Taiwan Museum of Fine Arts </a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Spectrum: Indian Art at Abu   Dhabi, United   Arab Emirates</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Milan Galleria, curated by Georgio Verzotti, Triennale Museum, Milan</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.initialaccess.co.uk/exh/73/11/passage-to-india-part-ii/reena-saini-kallat\" target=\"_blank\">Passage to India Part II show at Initial Access, Frank Cohen Collection, Wolverhampton, UK</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Ventosul Biennale, Curitiba, Brazil</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/english/contents/india/index.html\" target=\"_blank\"> Chalo! India: A New Era of Indian Art, National  Museum of Contemporary Art, Korea and Essl Museum, Vienna</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mocashanghai.org/index.php?_function=exhibition&amp;_subFunction=pastExhibition&amp;exhibition_id=40&amp;_view=detail\" target=\"_blank\">INDIA XIANZAI: Contemporary Indian Art, Museum of Contemporary Art, Shanghai</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/42/622\" target=\"_blank\">Low Blow: And Other Species of Confusion, Stux gallery, New York</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><em> </em>Indian Narratives in the 21<sup>st</sup> Century: Between Memory and History,Casa  Asia, Madrid and Barcelona, Spain</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/body-chatter-an-exhibition-of-contemporary-indian-art-2008/\" target=\"_blank\">Body Chatter, Walsh Gallery, Chicago</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/contents/press/india_20081121_e.pdf\" target=\"_blank\">Chalo! India: A New Era of Indian Art, Mori Art   Museum, Japan</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.indiamoderna.es/eng/index.html\" target=\"_blank\">India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM Museum, Valencia, Spain </a> <font color=\"red\">  >> </font></td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.aaa.org.hk/onlineprojects/bitri/en/gallery.aspx?eid=A080.03\" target=\"_blank\">3<sup>rd</sup> Nanjing Triennale, curators: Fumihiko Sumitomo, Jaeyoung Kang,  China</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>TEAF (Taehwagang Eco Art Festival) - Dream River, Korea</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.bodhiart.in/exhibitions/everywhere_is_war/everywhere_war.html\" target=\"_blank\">Everywhere is War (And Rumours of it), Bodhi Art Gallery, Mumbai</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/33\" target=\"_blank\">Fire Walkers, Stefan Stux gallery, New York</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.galeriems.com/reenask_one.htm\" target=\"_blank\">Three Points of view, Galerie Mirchandani + Steinrucke, Mumbai</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Excavation: Memory / Myth / Membrane, Museum Gallery, Mumbai</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>International Incheon Women Artists’ Biennale, Korea</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Soft Power: Asian Attitude, Shanghai Zendai Museum of Modern Art, Shanghai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td><a class=\"linkbio\" href=\"http://www.kunstaspekte.de/index.php?tid=39629&amp;action=termin\" target=\"_blank\">Urban Manners, curated by Adelina Von Furstenberg, at Hangar Bicocca , Milan</a> <font color=\"red\">  >> </font></td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td><a class=\"linkbio\" href=\"http://www.art-for-the-world.com/wwd/2007/urban_manners/Urban_Manners_pr.pdf\" target=\"_blank\">INDIA NOW: Contemporary Indian Art, Between Continuity and transformation,curated by Daniela Palozzoli at Spazio Oberdan, Milan</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>New Narratives: Contemporary Art From India, curated by Betty Seid,Chicago Cultural Centre, Chicago</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Thermocline Of Art- New Asian Waves, curated by Wonil Rhee and Peter Weibel at ZKM in Karlsruhe, Germany</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Modern Indian Works On Paper, Arthur Ross Gallery, Philadelphia and the Georgia Museum of Art, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Lille 3000 (Maximum City-Mumbai), Lille,  France</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Hungry God- Indian Contemporary Art, curated by Yun Chaegab and June Gwak, Arario Gallery, Beijing and Busan MoMA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>India Express – Art and Popular Culture, Art Museum Tennispalace, curators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City  Art Museum, Finland</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Mom and Pop Art, Walsh Gallery, Chicago</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Span, Sakshi Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Indian Paintings of the New Millenium, curated by Helen Asquine Fazio at Thomas J. Walsh Art Gallery at Fairfield  University, USA</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td><em> </em>Contemporary Art from India, Thomas   Erben Gallery, New York</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td>Zoom! Art in Contemporary India. Curators: Nancy Adajania and Luis Serpa, The Culturgest Museum, Lisbon, Portugal</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Crossing generations: diVERGE, Gallery Chemould’s 40th anniversary,Curators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of Modern Art, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td><em> </em>Hard Copy, two-person show with Jitish Kallat, Gallery 88, Calcutta</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Tiranga, curator: Peter Nagy, India Habitat Centre, New Delhi</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td><em> </em>Elephant Walks, Youth Arts Project in collaboration with Jitish Kallat as part of Indians + Cowboys exhibition, Curators: Aaron Seetu and Ruth Watson Gallery 4A, Sydney</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>The Tree From The Seed, Contemporary Art from India, curator: Gavin Jantjes Henie Onstad Kunstsenter (Oslo), Norway</td>\r\n<td><em></em></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td><em>Crosscurrents</em>, organized by Artworks for the fiftieth anniversary celebrations of Jehangir Art  Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td><em>Reclaim Our Freedom</em>, organized by Open Circle, Pundole Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Crossing Borders, Gallery Windkracht 13, Den Helder, Holland</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>Big River 2, CCA7 Gallery, Port Of Spain, Trinidad</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>AOM- Art on the move, organized by Sahmat, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1999</td>\r\n<td><em> </em>Edge of the Century, curated by Amit Mukhopadhyay, Academy  of Fine Arts and Literature, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1998</td>\r\n<td><em> </em>Essays in Time, Kinetic Sculptures, Nehru Centre, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1997</td>\r\n<td><em> </em>India in Harmony 1947-1997, Nehru Centre, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1997</td>\r\n<td><em> </em>A Page From My Diary, Sans Tache Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1997</td>\r\n<td><em> </em>Fresh Work, Birla Academy of Art and Culture, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1996</td>\r\n<td><em> </em>Monsoon Show, Jehangir Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1995</td>\r\n<td><em> </em>Varsha ’95, Y. B. Chavan Gallery, Mumbai</td>\r\n</tr>\r\n\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">SELECTED WORKSHOPS AND RESIDENCIES</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Iaspis Residency, Gothenburg, Sweden. May 5 to June 4, 2011</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Vanishing Point, children’s project at the Celebrate Bandra Festival, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Collaborative workshop as part of the exhibition Aftershock, Sainsbury Centre for Visual Arts, University of East Anglia, Norwich,  UK</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Collaborated on a Billboard project with Jitish Kallat, Kala Ghoda Art District, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Elephant Walks, Youth Arts Project at the Casula Power House Arts Centre, Liverpool, Australia</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Khoj 2002 International Artists Workshop, Mysore, India</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Identity and Landscape, residency in the Laurentian mountains of Quebec at the Boreal Art/Nature Centre, Canada</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>Big River 2, International Artists Workshop organized by CCA7 and the Triangle Arts Trust at Grand Riviere, Trinidad, West Indies</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n</tr>\r\n<tr>\r\n<td><span style=\"color: #888888;\"><strong>TALKS/PRESENTATIONS</strong></span></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Talk at GIBCA Speak Easy (GSE), Goteborg, Sweden</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Informal talk at HDK – The School of Design and Crafts, Goteborg, Sweden</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Talk at the Iaspis Residency Studio, Sweden</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td>Short presentation as part of The River Project at The Campbelltown Arts Centre, Sydney, Australia\r\n</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Talk at the Krishnakriti Festival 2011, Kalakriti Gallery, Hyderabad  </td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td>Panel discussion moderated by Maria Lantz, with participating artists during the exhibition Samtidigt at Kulturhuset, Stockholm</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Panel discussion with artist Gulam Sheikh, co-chair: Sabine B. Vogel, art critic at the Sammlung Essl Museum, Vienna</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Slide presentation followed by a panel discussion with Nalini Malani and Jayshree Chakravarty, moderated by Nancy Adajania at Jnanapravaha, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Slide presentation at the School of the Art Institute of Chicago</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Panel discussion with Nalini Malani, Sheba Chhachhi, moderated by Betty Seid at the Chicago Cultural Centre</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Lecture at the University Boccini, Milan</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Slide presentation at the Lamar Dodd School of Art, University of Georgia, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Talk at the Griffith Auditorium, Georgia Museum of Art, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Slide presentation at Oslo National Academy of the Arts, Norway</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2000</td>\r\n<td>Slide presentation at Mohile Parikh Centre for the Visual Arts, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">AWARDS</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>YFLO ZOYA Young Women Achievers Awards 2010-11, Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Harmony Award</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1996</td>\r\n<td>Bombay Art Society Merit Certificate</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1996</td>\r\n<td>Second Prize Government Award, Sir J. J. School of Art, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1995</td>\r\n<td>Gladstone Solomon Award</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1991-1996</td>\r\n<td>Merit Scholarship, Sir J. J. School of Art, Mumbai</td>\r\n</tr>\r\n</tbody>\r\n</table>','Biography','','inherit','open','open','','105-revision-105','','','2011-11-17 09:55:35','2011-11-17 09:55:35','',105,'http://www.reenakallat.com/2662/uncat/105-revision-105',0,'revision','',0),(2663,1,'2012-04-15 12:30:58','2012-04-15 12:30:58','Reena Saini Kallat (b. 1973, Delhi, India) graduated from Sir J.J. School of Art, Mumbai in 1996 with a B.F.A. in painting. Her practice - spanning painting, photography, video, sculpture and installation, often incorporates multiple mediums into a single work. She frequently works with officially recorded or registered names of people, objects, and monuments that are lost or have disappeared without a trace, only to get listed as anonymous and forgotten statistics. One of the recurrent motifs in her work is the rubber stamp, used as an object and an imprint, signifying the bureaucratic apparatus, which both confirms and obscures identities. \r\n \r\nHer work has been widely exhibited across the world in venues such as Mori Art Museum, Tokyo; Kennedy Centre, Washington; Saatchi Gallery, London; SESC Pompeia and SESC Belenzino in Sao Paulo; Goteborgs Konsthall, Sweden; Helsinki City Art Museum, Finland; National Taiwan Museum of Fine Arts; Tel Aviv Museum of Art, Israel; National Museum of Contemporary Art, Seoul; Henie Onstad Kunstsenter, Oslo; Casa Asia, Madrid and Barcelona; ZKM Karlsruhe in Germany; Campbelltown Arts Centre, Sydney; Hangar Bicocca, Milan; Museum of Contemporary Art, Shanghai; IVAM Museum, Spain;  Busan MOMA; Kulturhuset, Stockholm; Chicago Cultural Centre amongst many others and she has participated in a number of workshops and residencies. She lives and works in Mumbai.\r\n\r\n<table>\r\n<tbody>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">SOLO EXHIBITIONS</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://www.naturemorte.com/exhibitions/2011-03-08_reena-saini-kallat/\" target=\"_blank\">Labyrinth of Absences, Nature Morte, New Delhi</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.primomarellagallery.com/it/catalogue/scheda.asp?id=568&amp;view=past\" target=\"_blank\">Drift, Primo Marella Gallery, Milan</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2008/reena_bio.html\" target=\"_blank\"> Silt of Seasons, Chemould   Prescott Road, Mumbai <font color=\"red\">  >> </font></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/reena-kallat-exhibition-2008/\" target=\"_blank\">Subject to Change without Notice, Walsh Gallery, Chicago</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Rainbow Of Refuse, Bodhi Art Gallery, Mumbai and Singapore</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td><a class=\"linkbio\" href=\"http://www.naturemorte.com/artists/reena-saini-kallat/selected-works/\" target=\"_blank\">Black Flute (And Other Stories), Nature Morte, New Delhi</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2004/reena_saini_kallat_note.html\" target=\"_blank\">Black Flute, Gallery Chemould, Mumbai</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>The Battlefield Is The Mind, Sakshi Gallery, Bangalore</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Seven Faces of Dust, Chicago Radio, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2000</td>\r\n<td>Skin, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1998</td>\r\n<td>Orchard of Home-grown Secrets, Gallery Chemould and Pundole  Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><span style=\"color: #888888;\"><strong>SELECTED GROUP EXHIBITIONS</strong></span></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td v	align=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://goteborg.biennal.org/en/the-biennial-2011/artists/\" target=\"_blank\">Goteborg International Biennale for Contemporary Art, curated by Sarat Maharaj, Göteborgs Konsthall and Bohuslans Konsthall, Uddevalla, Sweden <font color=\"red\">  >> </font></td></a>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Right to Dissent, Clark House, Mumbai, India</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>RED, Palette Art Gallery, Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\"  href=\"http://www.kennedy-center.org/events/?event=ZLINB\" target=\"_blank\" >Maximum India, The Kennedy Centre, Washington</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Of Gods and Goddesses, Cinema, Cricket - The New cultural Icons of India, Jehangir Art Gallery, Mumbai\r\n</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Samtidigt, Helsinki City Art Museum, Finland</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Iconoclasts and Iconodules, curated by Ombretta Argo, Religare Art Gallery, New  Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>The Vancouver International Sculpture Biennale, Surrey Art Gallery, Canada</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>The Intuitive: Logic Revisted, from the Osians Collection at The World Economic Forum, Davos, Switzerland</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/current/La_Route_De_La_Soie.htm\" target=\"_blank\">La Route de la Soie / The Silk Road, Lille 3000, France </a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.kulturhuset.stockholm.se/default.asp?id=5760&refid=34277\" target=\"_blank\">Samtidigt, Kulterhuset, Stockholm</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.campbelltown.nsw.gov.au/default.asp?iNavCatID=3407&iSubCatID=3615\" target=\"_blank\">The River Project, Campbelltown Art Centre, Sydney</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.aboutroundabout.com/artists/kallat-reena-saini\" target=\"_blank\">Roundabout, City Gallery Wellington, New Zealand</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/\" target=\"_blank\">Waterways, Walsh Gallery, Chicago</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.richmondartgallery.org/in-transition.php\" target=\"_blank\">In Transition: New Art from India, Richmond Art Gallery Vancouver Biennale, Vancouver</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://websterhuntgallery.blogspot.com/2010_02_01_archive.html\" target=\"_blank\">Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster University, curated by Jeffrey Hughes and Dana Turkovic,\r\nCecile R. Hunt Gallery,St.Louis,Missouri</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/51\" target=\"_blank\">Never Run Away, 2 person exhibition curated by Shaheen Merali,Stux   Gallery,  New York</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/artists/reena_kallat.htm?section_name=new_india\" target=\"_blank\">The Empire Strikes Back, Saatchi Gallery, London</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://art-for-the-world.blogspot.com/2010/01/some-installation-views-of-urban.html\" target=\"_blank\">Urban Manners 2, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao Paulo, Brazil</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.asianartbiennial.org/2009/en/index_en.html\" target=\"_blank\">View Points and Viewing points - 2009 Asian Art Biennale, National Taiwan Museum of Fine Arts </a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Spectrum: Indian Art at Abu   Dhabi, United   Arab Emirates</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Milan Galleria, curated by Georgio Verzotti, Triennale Museum, Milan</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.initialaccess.co.uk/exh/73/11/passage-to-india-part-ii/reena-saini-kallat\" target=\"_blank\">Passage to India Part II show at Initial Access, Frank Cohen Collection, Wolverhampton, UK</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Ventosul Biennale, Curitiba, Brazil</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/english/contents/india/index.html\" target=\"_blank\"> Chalo! India: A New Era of Indian Art, National  Museum of Contemporary Art, Korea and Essl Museum, Vienna</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mocashanghai.org/index.php?_function=exhibition&amp;_subFunction=pastExhibition&amp;exhibition_id=40&amp;_view=detail\" target=\"_blank\">INDIA XIANZAI: Contemporary Indian Art, Museum of Contemporary Art, Shanghai</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/42/622\" target=\"_blank\">Low Blow: And Other Species of Confusion, Stux gallery, New York</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><em> </em>Indian Narratives in the 21<sup>st</sup> Century: Between Memory and History,Casa  Asia, Madrid and Barcelona, Spain</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/body-chatter-an-exhibition-of-contemporary-indian-art-2008/\" target=\"_blank\">Body Chatter, Walsh Gallery, Chicago</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/contents/press/india_20081121_e.pdf\" target=\"_blank\">Chalo! India: A New Era of Indian Art, Mori Art   Museum, Japan</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.indiamoderna.es/eng/index.html\" target=\"_blank\">India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM Museum, Valencia, Spain </a> <font color=\"red\">  >> </font></td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.aaa.org.hk/onlineprojects/bitri/en/gallery.aspx?eid=A080.03\" target=\"_blank\">3<sup>rd</sup> Nanjing Triennale, curators: Fumihiko Sumitomo, Jaeyoung Kang,  China</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>TEAF (Taehwagang Eco Art Festival) - Dream River, Korea</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.bodhiart.in/exhibitions/everywhere_is_war/everywhere_war.html\" target=\"_blank\">Everywhere is War (And Rumours of it), Bodhi Art Gallery, Mumbai</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/33\" target=\"_blank\">Fire Walkers, Stefan Stux gallery, New York</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.galeriems.com/reenask_one.htm\" target=\"_blank\">Three Points of view, Galerie Mirchandani + Steinrucke, Mumbai</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Excavation: Memory / Myth / Membrane, Museum Gallery, Mumbai</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>International Incheon Women Artists’ Biennale, Korea</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Soft Power: Asian Attitude, Shanghai Zendai Museum of Modern Art, Shanghai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td><a class=\"linkbio\" href=\"http://www.kunstaspekte.de/index.php?tid=39629&amp;action=termin\" target=\"_blank\">Urban Manners, curated by Adelina Von Furstenberg, at Hangar Bicocca , Milan</a> <font color=\"red\">  >> </font></td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td><a class=\"linkbio\" href=\"http://www.art-for-the-world.com/wwd/2007/urban_manners/Urban_Manners_pr.pdf\" target=\"_blank\">INDIA NOW: Contemporary Indian Art, Between Continuity and transformation,curated by Daniela Palozzoli at Spazio Oberdan, Milan</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>New Narratives: Contemporary Art From India, curated by Betty Seid,Chicago Cultural Centre, Chicago</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Thermocline Of Art- New Asian Waves, curated by Wonil Rhee and Peter Weibel at ZKM in Karlsruhe, Germany</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Modern Indian Works On Paper, Arthur Ross Gallery, Philadelphia and the Georgia Museum of Art, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Lille 3000 (Maximum City-Mumbai), Lille,  France</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Hungry God- Indian Contemporary Art, curated by Yun Chaegab and June Gwak, Arario Gallery, Beijing and Busan MoMA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>India Express – Art and Popular Culture, Art Museum Tennispalace, curators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City  Art Museum, Finland</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Mom and Pop Art, Walsh Gallery, Chicago</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Span, Sakshi Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Indian Paintings of the New Millenium, curated by Helen Asquine Fazio at Thomas J. Walsh Art Gallery at Fairfield  University, USA</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td><em> </em>Contemporary Art from India, Thomas   Erben Gallery, New York</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td>Zoom! Art in Contemporary India. Curators: Nancy Adajania and Luis Serpa, The Culturgest Museum, Lisbon, Portugal</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Crossing generations: diVERGE, Gallery Chemould’s 40th anniversary,Curators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of Modern Art, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td><em> </em>Hard Copy, two-person show with Jitish Kallat, Gallery 88, Calcutta</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Tiranga, curator: Peter Nagy, India Habitat Centre, New Delhi</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td><em> </em>Elephant Walks, Youth Arts Project in collaboration with Jitish Kallat as part of Indians + Cowboys exhibition, Curators: Aaron Seetu and Ruth Watson Gallery 4A, Sydney</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>The Tree From The Seed, Contemporary Art from India, curator: Gavin Jantjes Henie Onstad Kunstsenter (Oslo), Norway</td>\r\n<td><em></em></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td><em>Crosscurrents</em>, organized by Artworks for the fiftieth anniversary celebrations of Jehangir Art  Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td><em>Reclaim Our Freedom</em>, organized by Open Circle, Pundole Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Crossing Borders, Gallery Windkracht 13, Den Helder, Holland</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>Big River 2, CCA7 Gallery, Port Of Spain, Trinidad</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>AOM- Art on the move, organized by Sahmat, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1999</td>\r\n<td><em> </em>Edge of the Century, curated by Amit Mukhopadhyay, Academy  of Fine Arts and Literature, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1998</td>\r\n<td><em> </em>Essays in Time, Kinetic Sculptures, Nehru Centre, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1997</td>\r\n<td><em> </em>India in Harmony 1947-1997, Nehru Centre, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1997</td>\r\n<td><em> </em>A Page From My Diary, Sans Tache Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1997</td>\r\n<td><em> </em>Fresh Work, Birla Academy of Art and Culture, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1996</td>\r\n<td><em> </em>Monsoon Show, Jehangir Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1995</td>\r\n<td><em> </em>Varsha ’95, Y. B. Chavan Gallery, Mumbai</td>\r\n</tr>\r\n\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">SELECTED WORKSHOPS AND RESIDENCIES</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Iaspis Residency, Gothenburg, Sweden. May 5 to June 4, 2011</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Vanishing Point, children’s project at the Celebrate Bandra Festival, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Collaborative workshop as part of the exhibition Aftershock, Sainsbury Centre for Visual Arts, University of East Anglia, Norwich,  UK</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Collaborated on a Billboard project with Jitish Kallat, Kala Ghoda Art District, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Elephant Walks, Youth Arts Project at the Casula Power House Arts Centre, Liverpool, Australia</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Khoj 2002 International Artists Workshop, Mysore, India</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Identity and Landscape, residency in the Laurentian mountains of Quebec at the Boreal Art/Nature Centre, Canada</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>Big River 2, International Artists Workshop organized by CCA7 and the Triangle Arts Trust at Grand Riviere, Trinidad, West Indies</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n</tr>\r\n<tr>\r\n<td><span style=\"color: #888888;\"><strong>TALKS/PRESENTATIONS</strong></span></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Talk at GIBCA Speak Easy (GSE), Goteborg, Sweden</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Informal talk at HDK – The School of Design and Crafts, Goteborg, Sweden</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Talk at the Iaspis Residency Studio, Sweden</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td>Short presentation as part of The River Project at The Campbelltown Arts Centre, Sydney, Australia\r\n</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Talk at the Krishnakriti Festival 2011, Kalakriti Gallery, Hyderabad  </td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td>Panel discussion moderated by Maria Lantz, with participating artists during the exhibition Samtidigt at Kulturhuset, Stockholm</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Panel discussion with artist Gulam Sheikh, co-chair: Sabine B. Vogel, art critic at the Sammlung Essl Museum, Vienna</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Slide presentation followed by a panel discussion with Nalini Malani and Jayshree Chakravarty, moderated by Nancy Adajania at Jnanapravaha, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Slide presentation at the School of the Art Institute of Chicago</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Panel discussion with Nalini Malani, Sheba Chhachhi, moderated by Betty Seid at the Chicago Cultural Centre</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Lecture at the University Boccini, Milan</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Slide presentation at the Lamar Dodd School of Art, University of Georgia, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Talk at the Griffith Auditorium, Georgia Museum of Art, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Slide presentation at Oslo National Academy of the Arts, Norway</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2000</td>\r\n<td>Slide presentation at Mohile Parikh Centre for the Visual Arts, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">AWARDS</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>YFLO ZOYA Young Women Achievers Awards 2010-11, Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Harmony Award</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1996</td>\r\n<td>Bombay Art Society Merit Certificate</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1996</td>\r\n<td>Second Prize Government Award, Sir J. J. School of Art, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1995</td>\r\n<td>Gladstone Solomon Award</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1991-1996</td>\r\n<td>Merit Scholarship, Sir J. J. School of Art, Mumbai</td>\r\n</tr>\r\n</tbody>\r\n</table>','Biography','','inherit','open','open','','105-revision-106','','','2012-04-15 12:30:58','2012-04-15 12:30:58','',105,'http://www.reenakallat.com/2663/uncat/105-revision-106',0,'revision','',0),(2664,1,'2011-11-17 09:48:40','2011-11-17 09:48:40','<table border=\"0\" cellspacing=\"5\" cellpadding=\"0\" width=\"100%\" align=\"centre\">\r\n<tbody>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" width=\"21%\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td style=\"margin-left: 5px;\"><span class=\"pubstrong\">Reena Saini Kallat, </span> 2009<span>\r\nText: Nancy Adajania and Murtaza Vali\r\nPublisher: Primo Marella Gallery, Walsh Gallery and Chemould Prescott Road\r\nISBN: 978-81-908879-1-5 </span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/reena-kallat\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Rainbow of Refuse, </span>2006<span>\r\nText: Nancy Adajania\r\nPublisher: Bodhi Art Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/rainbow-of-refuse\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Black Flute (and other stories), </span>2005\r\n<span class=\"pubstrong\">Black Flute,</span> 2004<span>\r\nText: Nancy Adajania\r\nPublisher: Gallery Chemould and Nature Morte Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/black-flute\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">The Battlefield is the Mind, </span>2002<span>\r\nText: Nancy Adajania\r\nPublisher: Sakshi Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/battlefield-of-mind\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table cellspacing=\"0\" cellpadding=\"0\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Skin, </span>2000<span>\r\nInterview with Jitish Kallat\r\nPublisher: Gallery Chemould and Vis-à-vis Art Inc. Gallery</span></td>\r\n</tr>\r\n<tr></tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Orchard of home-grown secrets, </span>1998<span>\r\nText: Ranjit Hoskote\r\nPublisher: Gallery Chemould and Pundole Art Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/orchard-pub\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n<td><!-- Start of Other Publications -->\r\n\r\n<span class=\"pubstrong\">Pandemonium: Art in a time of creativity fever, </span>2011<span>\r\nText: interview with Stina Edblom\r\nPublisher: Göteborg International Biennial for Contemporary Art</span>\r\nISBN 978-91-633-9363-1\r\n<span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/pandemonium\">read interview</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span>\r\n\r\n<span class=\"pubstrong\">Maximum India, </span>2011<span>\r\nPublisher: The John F. Kennedy Center for the Performing Arts, 2011</span>\r\n\r\n<span class=\"pubstrong\">Never Run Away, </span>2010<span>\r\nText: Shaheen Merali\r\nPublisher: Stux Gallery</span>\r\n<span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/never-run-away\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span>\r\n\r\n<span class=\"pubstrong\">Urban Manners 2, </span>2010<span>\r\nText: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\nPublisher: SESC Pompeia, Sao Paulo </span>\r\n\r\n<span class=\"pubstrong\">The Empire Strikes Back, </span>2010<span>\r\nText: Zehra Jumabhoy\r\nPublisher: Saatchi Gallery\r\nISBN: 9780224089494\r\n</span>\r\n\r\n<span class=\"pubstrong\">The River Project, </span>2010<span>\r\nPublisher: Campbelltown Arts Centre\r\nISBN: 9781875199761\r\n</span>\r\n\r\n<span class=\"pubstrong\">Asian Art Now, </span>2010<span>\r\nText: Melissa Chiu and Benjamin Genocchio\r\nPublisher: Monacelli Press\r\nISBN: 978-1-58093-298-1 (1-58093-298-3)\r\n</span>\r\n\r\n<span class=\"pubstrong\">Roundabout, </span>2010<span>\r\nPublisher: Art Asia Pacific Publishing\r\nISBN: 978-0984562510\r\n</span>\r\n\r\n<span class=\"pubstrong\">The Khoj Book, </span>2010<span>\r\nInterview with Shilpa Gupta\r\nPublisher: HarperCollins\r\nISBN: 9788172236878</span>\r\n<span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/khoj-book\">read interview</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span>\r\n\r\n<span class=\"pubstrong\">5 Bienal Ventosul, </span>2009<span>\r\nPublisher: Instituto Paranaense de Arte</span>\r\n\r\n<span class=\"pubstrong\">Viewpoints &amp; Viewings Points- Asian Art Biennale, </span>2009<span>\r\nText: Chao-yi-Tsai\r\nPublisher: National Taiwan Museum of fine Arts\r\nISBN: 978-986-02-0269-4</span>\r\n\r\n<span class=\"pubstrong\">India Xianzai: Contemporary Indian Art, </span>2009<span>\r\nText: Jitish Kallat, Diana Freundl, Alexander Keefe\r\nPublisher: Museum of Contemporary Art</span>\r\n\r\n<span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2009<span>\r\nText: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki,\r\nMiho Tagomori\r\nPublisher: Prestel, National Museum of Contemporary Art and Essl Museum\r\nISBN: 978-3-7913-4304-4</span>\r\n\r\n<span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2008<span>\r\nText: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman\r\nGopinath, Jayaram, Deepak Ananth\r\nPublisher: Mori Art Museum\r\nISBN: 978-4-902819-21-2</span>\r\n\r\n<span class=\"pubstrong\">India Moderna, </span>2008<span>\r\nText: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur,\r\nR. Siva Kumar, K.G. Subramanyan\r\nPublisher: IVAM (Institute Valencia D’Art Modern)\r\nISBN: 978-84-482-5104-8</span>\r\n\r\n<span class=\"pubstrong\">Everywhere is War (and rumours of it),</span>2008<span>\r\nText: Kai Hafez, Martin Hager, Nicholas Mirzoeff, Daniel Miller,\r\nBregje van Eekelen\r\nPublisher: Bodhi Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Three Points of Views, </span>2008<span>\r\nText: Grant Watson\r\nPublisher: Galerie Mirchandani + Steinruecke</span>\r\n\r\n<span class=\"pubstrong\">New Narratives: Contemporary Art from India, </span>2008<span>\r\nText: Betty Seid with contributions by Johan Pijnappel\r\nPublisher: Mapin Publication in association with Chicago Cultural Center\r\nISBN: 978-1-890206-08-6</span>\r\n\r\n<span class=\"pubstrong\">Made by Indians, </span>2007<span>\r\nText: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\nPublisher: Galerie Enrico Navarra\r\nISBN: 2-911596-37-4</span>\r\n\r\n<span class=\"pubstrong\">Thermocline of Art: New Asian Waves, </span>2007<span>\r\nText:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong\r\nPublisher: Hatje Cantz Vertag\r\nISBN: 978-3-7757-2073-1\r\nEAN: 9782911596377</span>\r\n\r\n<span class=\"pubstrong\">Indian Colour, </span>2007<span>\r\nText: Peter Nagy\r\nPublisher: Dal- seung Hwang, Keumsan Gallery</span>\r\n\r\n<span class=\"pubstrong\">India Arte Oggi, </span>2007<span>\r\nText:  Daniela Palazzoli\r\nPublisher: Spazio Oberdan\r\nISBN: 978-88-202-1867-6</span>\r\n\r\n<span class=\"pubstrong\">Urban Manners, </span>2007<span>\r\nText: Adelina Von Furstenberg and Nancy Adajania\r\nPublisher: Hangar Bicocca</span>\r\n\r\n<span class=\"pubstrong\">International Incheon Women Artists’ Biennale,</span>\r\n<span class=\"pubstrong\">Knocking on the Door, </span>2007<span>\r\nText: Sung Hee Kim, John C. Welchman\r\nPublisher: Incheon Culture and Art Centre</span>\r\n\r\n<span class=\"pubstrong\">Soft Power: Asian Attitude, </span>2007<span>\r\nText: Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\nPublisher: Shanghai Zendai Mumsem of Modern Art\r\nISBN: 978-7-5356-2790-2</span>\r\n\r\n<span class=\"pubstrong\">India Express- Art and Popular Culture, </span>2006<span>\r\nText: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze\r\nPublisher: Helsinki City Art Museum\r\nISBN: 951-8965-61-7</span>\r\n\r\n<span class=\"pubstrong\">Bombay L’album Maximum City, </span>2006<span>\r\nText: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\nPublisher: Terrail, Lille 3000\r\nISBN: 2-87939-325-6</span>\r\n\r\n<span class=\"pubstrong\">Indian Paintings of the New Millennium, </span>2005<span>\r\nText: Helen Asquine  Fazio, Gayatri Sinha\r\nPublisher: Quick Arts Center, Fairfield University</span>\r\n\r\n<span class=\"pubstrong\">A Guide to 101 Modern &amp; Contemporary Indian Artists, </span>2005<span>\r\nText: Amrita Jhaveri\r\nPublisher: India Book House\r\nISBN: 81-7508-423-5</span>\r\n\r\n<span class=\"pubstrong\">Zoom! Art in Contemporary India, </span>2004<span>\r\nTexts: Luis Serpa and Nancy Adajania\r\nPublisher: The Culturgest Museum\r\nISBN: 972-769-033-5</span>\r\n\r\n<span class=\"pubstrong\">Interlude in Sri Lanka, </span>2004<span>\r\nText: Ranjit Hoskote and Nancy Adajania\r\nPublisher: The Guild Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Generation I, </span>2004<span>\r\nText: Zehra Jumabhoy\r\nPublisher: Saffronart &amp; The Guild Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Tiranga Rights and Reponsibilities, </span>2003<span>\r\nText: Peter Nagy\r\nPublisher: Jindal Foundation &amp; Creative Arts</span>\r\n\r\n<span class=\"pubstrong\">Hard Copy, </span>2003<span>\r\nText: Peter Nagy\r\nPublisher: Galerie 88</span>\r\n\r\n<span class=\"pubstrong\">Crossing Generations: diVERGE, </span>2003<span>\r\nText: Geeta Kapoor and Chaitanya Sambrani\r\nPublisher: Gallery Chemould</span>\r\n\r\n<span class=\"pubstrong\" style=\"color: #000000;\">PRESS</span>\r\n\r\n<span class=\"pubstrong\">Helsinki taidemuseo.fi-Journal, </span> January 2011<span>\r\n</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://indiatoday.intoday.in/site/story/brush-with-reality/1/134582.html\">Brush With Reality </a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\nSumaiya Khan, India Today Woman, pg. 20-21, April 2011\r\n</span>\r\n\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.timeoutdelhi.net/art/arts_preview_details.asp?code=107\">System overload</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\nShweta Upadhyay, Timeout Delhi, March 2011\r\n</span>\r\n\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artslant.com/ind/articles/show/22573\" target=\"_blank\">Picking up the past</a> </span> <font color=\"red\">  >> </font> <span>\r\nParni Ray, www.artslant.com\r\n</span>\r\n\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.america.gov/st/peopleplace-english/2011/March/20110307133535drawoh0.7282221.html?CP.rss=true\">Art at “maximum INDIA” Festival Evokes Cultural Memory and Loss</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\nHoward Cincotta, www.america.gov, March 7, 2011\r\n</span>\r\n\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.signonsandiego.com/news/2011/mar/02/kennedy-center-opens-3-week-india-arts-festival/\">Kennedy Center opens 3-week India arts festival</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\nBrett Zongker, www.signonsnadiego.com</span>\r\n\r\n<span class=\"pubstrong\">The Eye and the Mind: New Interventions in Contemporary Indian Art </span><span>\r\nRajeev Lochan, India Perspectives, Vol. 24, No. 6, 2010</span>\r\n\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artconcerns.com/mywork.php\">My work</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\nwww.artconcerns.com, Oct-Nov 2010 issue\r\nText: Reena Kallat</span>\r\n\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artradarjournal.com/2010/04/20/indian-contemporary-artist-reena-kallat-art-radar-exclusive-interview/\">Interview, Art Radar Asia </a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span><span>\r\nApril 20, 2010</span>\r\n\r\n<span class=\"pubstrong\">The Archives of the Heart</span><span>\r\nNancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\nFront Cover, pgs 42-45, 2009</span>\r\n\r\n<span class=\"pubstrong\">Globale Kunst Mit Wurzelduft</span><span>\r\nVon Almuth Speigler, Die Presse, Feuilleton, 2nd September 2009</span>\r\n\r\n<span class=\"pubstrong\">Landscapes of Loss</span><span>\r\nBeth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009</span>\r\n\r\n<span class=\"pubstrong\">Reincarnating History</span><span>\r\nThe Big Picture, Architect and Interiors, July 2009</span>\r\n\r\n<span class=\"pubstrong\">Stamp Collection</span><span>\r\nGeorgina Maddox, The Sunday Express, 17th May 2009</span>\r\n\r\n<span class=\"pubstrong\">Evolving Beyond Borders</span><span>\r\nReshma S. Kulkarni, Bombay Times, Times of India, 15th January, 2009</span>\r\n\r\n<span class=\"pubstrong\">Loss and Found</span><span>\r\nMarina Correa, DNA, Mumbai, 22nd January 2009</span>\r\n\r\n<span class=\"pubstrong\">Focus India</span><span>\r\nMegha Ralapati, Flash Art, pg 114, January-February 2008</span>\r\n\r\n<span class=\"pubstrong\">Come Together Right Now</span><span>\r\nReema Gehi, HT Café, 15th February 2008</span>\r\n\r\n<span class=\"pubstrong\">Such a Long Journey</span><span>\r\nAparna S Sharma, Elle Magazine, pgs 115-117, February 2008</span>\r\n\r\n<span class=\"pubstrong\">More than a Woman</span><span>\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 4th February 2008</span>\r\n\r\n<span class=\"pubstrong\">Artist of the Fortnight</span><span>\r\nMaria Louis, Outlook Profit, pg 79, 18th April 2008</span>\r\n\r\n<span class=\"pubstrong\">Deja View</span><span>\r\nTara Khilachand, Live Mint, 20th December 2008</span>\r\n\r\n<span class=\"pubstrong\">Terror Struck</span><span>\r\nMaria Louis, Outlook Profit, 26th December 2008</span>\r\n\r\n<span class=\"pubstrong\">Name Calling</span><span>\r\nDeepanjana Pal, Timeout Mumbai, December 2008</span>\r\n\r\n<span class=\"pubstrong\">Corruptions of Power</span>\r\n<span>Shiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99, 2007</span>\r\n\r\n<span class=\"pubstrong\">Over the Rainbow</span><span>\r\nMaria Louis, Interview, Verve Magazine, pg 78, November 2006</span>\r\n\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindu.com/mag/2006/10/29/stories/2006102900070200.htm\">In a State of Perennial Siege</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span><span>\r\nNancy Adajania, The Hindu, Hyderabad, 29th October 2006</span>\r\n\r\n<span class=\"pubstrong\">Her Crowning Achievement</span><span>\r\nClara Chow, The Straits Times, 18th November 2006</span>\r\n\r\n<span class=\"pubstrong\">Political Chaos</span><span>\r\nDeepali Nandwani, Beautiful people, pg 143, November-December 2006</span>\r\n\r\n<span class=\"pubstrong\">Weapons of Mass Construction</span><span>\r\nRituparna Som, DNA after Hrs, Mumbai, 9th October, 2006</span>\r\n\r\n<span class=\"pubstrong\">Guns and Roses</span><span>\r\nRachna Nakra, The Indian Express, Mumbai Newsline, 18th September 2006</span>\r\n\r\n<span class=\"pubstrong\">Under Attack</span><span>\r\nGitanjali Dang, HT Mumbai, 22nd September 2006</span>\r\n\r\n<span class=\"pubstrong\">Time Traveller</span><span>\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 27th June 2006</span>\r\n\r\n<span class=\"pubstrong\">The Flower and the Sword</span><span>\r\nGirish Shahane, The Art News magazine of India, pg 93, volume X issue I, 2004</span>\r\n\r\n<span class=\"pubstrong\">India’s Top 100 Achievers</span><span>\r\nSociety Magazine, pg 137, December 2004</span>\r\n\r\n<span class=\"pubstrong\">Caught Between Demons<span style=\"font-weight: normal; color: red;\"></span></span><span>\r\nNancy Adajania, The Hindu, 19th December 2004</span>\r\n\r\n<span class=\"pubstrong\">En Reise Til India</span><span>\r\nHarald Flor, Dagbladet, Kultur, 2nd February 2003</span>\r\n\r\n<span class=\"pubstrong\">Signs of Resistance</span><span>\r\nNancy Adajania, The Hindu, 5th January 2003</span>\r\n\r\n<span class=\"pubstrong\">Of the Goddess and Demon in the Mind</span><span>\r\nDebbie Rodgers, Sunday edition Vijay Times, Bangalore, 5th January 2003</span>\r\n\r\n<span class=\"pubstrong\">Empathic Anger</span><span>\r\nMarta Jakimowicz, Deccan Herald, 23rd December 2002</span>\r\n\r\n<span class=\"pubstrong\">Mysore Ek Khoj</span>\r\nCross Fertilization of Culture, Interview in Star of Mysore, 27th October 2002\r\n\r\n<span class=\"pubstrong\">Linking Islands</span><span>\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 15th February 2002</span>\r\n\r\n<span class=\"pubstrong\">Creating to Destroy</span><span>\r\nJasmine Shah Varma, The List, Mid Day, 22nd February 2002</span>\r\n\r\n<span class=\"pubstrong\">Different Strokes</span><span>\r\nGeorgina L Maddox, The Indian Express, Mumbai Newsline, 24th July 2002</span>\r\n\r\n<span class=\"pubstrong\"><a target=\"_blank\" href =\"http://www.reenakallat.com/wp-content/uploads/2011/09/Faith%20and%20Hunger.pdf\" style=\"color: rgb(135, 135, 135);\">Of Faith and Hunger</a><font  style=\"font-weight:normal;\"   color=\"red\">  >> </font></span></span><span>\r\nAbhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89, December 2000</span>\r\n\r\n<span class=\"pubstrong\">The Murmur of Skin</span><span>\r\nNupur Mahajan, Bombay Times, Times of India, 12th October 2000</span>\r\n\r\n<span class=\"pubstrong\">Not just Skin Deep</span><span>\r\nJasmine Shah Varma, The List, Mid-day, 4th October 2000</span>\r\n\r\n<span class=\"pubstrong\">Inside Out</span><span>\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 11th October 2000</span>\r\n\r\n<span class=\"pubstrong\">Scintillating Skin</span><span>\r\nVaibhav Purandare, The Asian Age, 14th October 2000</span>\r\n\r\n<span class=\"pubstrong\">An Artist’s World: Roti, Makaan &amp; Abstract Art</span><span>\r\nPoonam Goel, HT City, 23rd December 2000</span>\r\n\r\n<span class=\"pubstrong\">Within you, Without you</span><span>\r\nAnu Kumar, Indian Express, Express Newsline, 2nd September 1998</span>\r\n\r\n<span class=\"pubstrong\">Farming Intrigue</span><span>\r\nJerry Pinto, The Times of India, Bombay Times, 3rd September 1998</span>\r\n\r\n<span class=\"pubstrong\">Interactive Medium</span><span>\r\nKaren Pereira, Indian Architect &amp; Builder, pgs 102-104, October 1998</span></td>\r\n</tr>\r\n</tbody>\r\n</table>','Publications','','inherit','open','open','','87-revision-196','','','2011-11-17 09:48:40','2011-11-17 09:48:40','',87,'http://www.reenakallat.com/2664/uncat/87-revision-196',0,'revision','',0),(2665,1,'2012-04-15 12:29:49','2012-04-15 12:29:49','<link rel=\"canonical\" href=\"http://www.reenakallat.com\" />\r\n<script type=\"text/javascript\" src=\"http://www.reenakallat.com/wp-includes/js/jquery/jquery-1.2.6.min.js\"></script>\r\n<script type=\"text/javascript\">\r\nfunction slideSwitch() {\r\n    var $active = $(\'#slideshow DIV.active\');\r\n    if ( $active.length == 0 ) $active = $(\'#slideshow DIV:last\');\r\n    // use this to pull the divs in the order they appear in the markup\r\n    var $next =  $active.next().length ? $active.next()\r\n        : $(\'#slideshow DIV:first\');\r\n    // uncomment below to pull the divs randomly\r\n    // var $sibs  = $active.siblings();\r\n    // var rndNum = Math.floor(Math.random() * $sibs.length );\r\n    // var $next  = $( $sibs[ rndNum ] );\r\n    $active.addClass(\'last-active\');\r\n    $next.css({opacity: 0.0})\r\n        .addClass(\'active\')\r\n        .animate({opacity: 1.0}, 1000, function() {\r\n            $active.removeClass(\'active last-active\');\r\n        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do Brasil in Sao Paulo, Brazil\r\nMay 21 - July 29, 2012:  Centro Cultural Banco do Brasil in Brasislia\r\n<br>\r\n<br>\r\n<em>To Let the World In: Narrative and Beyond in Contemporary Indian Art</em>\r\nMarch 15 - April 12, 2012\r\nLalit Kala Regional Centre, Chennai, India. \r\n<br>\r\n<br>\r\n<em>Group Show</em>\r\nJune 5 – 21st August 2012, \r\nEigen + Art Lab, Berlin	\r\n<br>\r\n<br>\r\n<em>India Today</em>\r\nAugust 2012 –January 2013\r\nARKEN Museum of Modern Art, Copenhagen, Denmark \r\n\r\n</div>\r\n<div id=\"slideshow\" style=\"float:left;\"  >\r\n    <div class=\"active\">\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/slideshow_1m.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-894\" /></a>\r\n       <!-- Caption for image 1-->\r\n    </div>\r\n    <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/slideshow_2m.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-896\" /></a>\r\n        <!--This will work with any markup-->\r\n    </div>\r\n    <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/slideshow_3m.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-897\" /></a>\r\n        <!--Swap this out for anything, links, paragraphs, whatever-->\r\n    </div>\r\n    <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/slideshow_4m.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-898\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div>\r\n <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/slideshow_6m.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-898\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div>\r\n    <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/slideshow_5m.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-899\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div>\r\n</div>','Home','','inherit','open','open','','93-revision-54','','','2012-04-15 12:29:49','2012-04-15 12:29:49','',93,'http://www.reenakallat.com/2665/uncat/93-revision-54',0,'revision','',0),(2666,1,'2012-04-23 18:08:51','2012-04-23 18:08:51','<link rel=\"canonical\" href=\"http://www.reenakallat.com\" />\r\n<script type=\"text/javascript\" src=\"http://www.reenakallat.com/wp-includes/js/jquery/jquery-1.2.6.min.js\"></script>\r\n<script type=\"text/javascript\">\r\nfunction slideSwitch() {\r\n    var $active = $(\'#slideshow DIV.active\');\r\n    if ( $active.length == 0 ) $active = $(\'#slideshow DIV:last\');\r\n    // use this to pull the divs in the order they appear in the markup\r\n    var $next =  $active.next().length ? $active.next()\r\n        : $(\'#slideshow DIV:first\');\r\n    // uncomment below to pull the divs randomly\r\n    // var $sibs  = $active.siblings();\r\n    // var rndNum = Math.floor(Math.random() * $sibs.length );\r\n    // var $next  = $( $sibs[ rndNum ] );\r\n    $active.addClass(\'last-active\');\r\n    $next.css({opacity: 0.0})\r\n        .addClass(\'active\')\r\n        .animate({opacity: 1.0}, 1000, function() {\r\n            $active.removeClass(\'active last-active\');\r\n        });\r\n}\r\n$(function() {\r\n    setInterval( \"slideSwitch()\", 3000);\r\n});\r\n</script>\r\n<style type=\"text/css\">\r\n#slideshow {\r\n    position:relative;\r\n    height:500px;\r\n    width:660px;\r\n    margin: 0 auto;\r\n}\r\n#slideshow DIV {\r\n    position:absolute;\r\n    top:0;\r\n    left:300;\r\n    z-index:8;\r\n    opacity:0.0;\r\n    height: 500px;\r\n    background-color: #FFF;\r\n}\r\n#slideshow DIV.active {\r\n    z-index:10;\r\n    opacity:1.0;\r\n}\r\n#slideshow DIV.last-active {\r\n    z-index:9;\r\n}\r\n#slideshow DIV IMG {\r\n    height: 450px;\r\n    display: block;\r\n    border: 0;\r\n    margin-bottom: 10px;\r\n}\r\n</style>\r\n</head>\r\n<body style=\"font-family: Arial, Sans-serif, sans;\">\r\n<div style=\"float:right;width:218px;padding-top:7px;\">\r\n<strong><span class=\"pubstrong\" >Current and upcoming shows</span></span></strong><span style=\"font-size: small;\"></span>\r\n<br>\r\n<br>\r\n<em>India side by side</em>\r\nFeb 22 - May 6, 2012: Centro Cultural Banco do Brasil in Sao Paulo, Brazil\r\nMay 21 - July 29, 2012:  Centro Cultural Banco do Brasil in Brasislia\r\n<br>\r\n<br>\r\n<em>To Let the World In: Narrative and Beyond in Contemporary Indian Art</em>\r\nMarch 15 - April 12, 2012\r\nLalit Kala Regional Centre, Chennai, India. \r\n<br>\r\n<br>\r\n<em>Group Show</em>\r\nJune 5 – 21st August 2012, \r\nEigen + Art Lab, Berlin	\r\n<br>\r\n<br>\r\n<em>India Today</em>\r\nAugust 2012 –January 2013\r\nARKEN Museum of Modern Art, Copenhagen, Denmark \r\n\r\n</div>\r\n<div id=\"slideshow\" style=\"float:left;\"  >\r\n    <div class=\"active\">\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/slideshow_1m.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-894\" /></a>\r\n       <!-- Caption for image 1-->\r\n    </div>\r\n    <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/slideshow_2m.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-896\" /></a>\r\n        <!--This will work with any markup-->\r\n    </div>\r\n    <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/slideshow_3m.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-897\" /></a>\r\n        <!--Swap this out for anything, links, paragraphs, whatever-->\r\n    </div>\r\n    <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/slideshow_4m.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-898\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div>\r\n <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/slideshow_6m.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-898\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div>\r\n    <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/slideshow_5m.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-899\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div>\r\n</div>','Home','','inherit','open','open','','93-revision-55','','','2012-04-23 18:08:51','2012-04-23 18:08:51','',93,'http://www.reenakallat.com/2666/uncat/93-revision-55',0,'revision','',0),(2669,1,'2012-04-15 12:22:58','2012-04-15 12:22:58','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-1024x682.jpg\" alt=\"Silt of Seasons-1\" title=\"Silt of Seasons-1\" width=\"600\" class=\"alignnone size-large wp-image-420\" /></a>\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Silt of Seasons-1\r\n</span>2008 \r\nsingle channel video projection on sand\r\nduration 59 min 30 s, dimension variable\r\nedition: 5+AP\r\n<a href=\"http://www.youtube.com/watch?v=s760crcG7gw\" target=\"_blank\"><span style=\"color: #888888;\">view full video >></span></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-detail-1024x682.jpg\" alt=\"Silt of Seasons-1-details\" title=\"Silt of Seasons-1-details\" width=\"600\" class=\"alignnone size-large wp-image-425\" /></a></td>\r\n<td width=\"300\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThe work titled “Silt of Seasons” is a video projection on sand, shaped in the form of the disputed territory that lies between India and Pakistan, also called P.O.K. (Pakistan Occupied Kashmir).<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888\">...more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\nThe work titled “Silt of Seasons” is a video projection on sand, shaped in the form of the disputed territory that lies between India and Pakistan, also called P.O.K. (Pakistan Occupied Kashmir). The map of this conflicted terrain recurs in several of my works as a symbol of human inanity.\r\nNames of those from across the world who’ve signed the peace petition in 2004, addressed to General Pervez Musharraf and to the Indian Prime Minister Dr. Manmohan Singh appear spelt out in letters formed with sand. Each name is made visible only momentarily and seems to slowly get blown away or effaced, much like the repeated attempts at peace that often get sabotaged by extremist forces or political opportunism. And yet each erased name is replaced by another one, transporting the optimism in the piece through the renewed hope and commitment towards peace in the region. <a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888\">...hide</a>\r\n</div></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table><table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody><tr><td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1_detail-1024x682.jpg\" alt=\"Silt of Seasons-1_detail\" title=\"Silt of Seasons-1_detail\" width=\"600\" class=\"alignnone size-large wp-image-423\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr><td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-details-1024x682.jpg\" alt=\"Silt of Seasons-1-detail\" title=\"Silt of Seasons-1-detail\" width=\"600\" class=\"alignnone size-large wp-image-424\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr><td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/slit-of-season-image-5.jpg\" alt=\"Silt of Seasons-1-detail\" title=\"Silt of Seasons-1-detail\" width=\"600\" class=\"alignnone size-large wp-image-424\" /></a><span style=\"font-size:11px;\"><i>internet reference material</i></span>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr><td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/slit-of-season-image-6.jpg\" alt=\"Silt of Seasons-1-detail\" title=\"Silt of Seasons-1-detail\" width=\"600\" class=\"alignnone size-large wp-image-424\" /></a><span style=\"font-size:11px;\"><i>process shots</i></span></td></tr><tr><td><span style=\"font-size:11px; line-height:15px;\"><i>Acknowledgement:</i> \r\nCamera: Ajay Noronha\r\nEditing: Diksha Sharma\r\n</span>\r\n</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','419-revision-19','','','2012-04-15 12:22:58','2012-04-15 12:22:58','',419,'http://www.reenakallat.com/2669/uncat/419-revision-19',0,'revision','',0),(2670,1,'2012-04-15 12:24:18','2012-04-15 12:24:18','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/map-1.jpg\" alt=\"Map Drawing\" title=\"Map Drawing\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></a></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Untitled (Map/Drawing)</span>\r\n2011\r\nelectric wires and fittings, 10 min audio loop\r\n11 ft x 38 ft I 132 in x 456 in\r\n<a href=\"http://youtu.be/vkShp-vQeFc\" target=\"_blank\"><span style=\"color: #888888;\">view full video >></span></a>\r\n</td></tr></tr>\r\n<tr><td><span style=\"font-size:11px;font-weight:normal;line-height:3px;\"><i>installation view,</i> Goteborgs Konsthall, Sweden</span></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n\r\n\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/map-2.jpg\" alt=\"Map Drawing\" title=\"Map Drawing\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n<td width=\"300\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThe flows and movements of labour migrants across the world have resulted in cultural exchanges not to mention the social and economic implications. It has not only allowed us to free cultural identities from a physical place but see us all as entwined in a symbolic web as it were. …<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\nThe flows and movements of labour migrants across the world have resulted in cultural exchanges not to mention the social and economic implications. It has not only allowed us to free cultural identities from a physical place but see us all as entwined in a symbolic web as it were.\r\nWhen I was asked to conceive of a wall work for the Konsthall during the Goteborg International Biennale of Contemporary Art 2011, keeping the curatorial premise in mind, I decided to work with electric wires to form the drawing that will trace patterns of movement of migrants globally, where multitude of actors interact without knowledge of the overall situation. \r\nI think of this work as a drawing project, made with wires that essentially transmit energy and information from one place to another. It is said that the electricity is the same in electrical equipment but the expression of electricity differs from one appliance to the next. By changing the instrument of this quasi-cartographic drawing from a pencil line to a wire, I’m interested in the notion of the map as dynamic, ever changing, streaming and transferring data with the global flows of energies and people, as the courses of these travelers intersect.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div></td>\r\n\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/map-3.jpg\" alt=\"Map Drawing\" title=\"Map Drawing\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/map-4.jpg\" alt=\"Map Drawing\" title=\"Map Drawing\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/map-5.jpg\" alt=\"Map Drawing\" title=\"Map Drawing\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/map-6.jpg\" alt=\"Map Drawing\" title=\"Map Drawing\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/map-process-1-2.jpg\" alt=\"Map Drawing\" title=\"Map Drawing\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td style=\"height: 10px;\"></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/map-process-3-4.jpg\" alt=\"Map Drawing\" title=\"Map Drawing\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td style=\"height: 15px;\"></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/map-process-5-6.jpg\" alt=\"Map Drawing\" title=\"Map Drawing\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /><span style=\"font-size:11px;\"><i>process shots</i></span></td>\r\n</tr><tr><td ><span style=\"font-size:11px; line-height:15px;\"><i>Acknowledgement:</i> \r\nGoteborg International Biennial of Contemporary Art, Sweden\r\n</span>\r\n</td></tr>\r\n</tbody>\r\n</table>','Map Drawing','','inherit','open','open','','2527-revision-22','','','2012-04-15 12:24:18','2012-04-15 12:24:18','',2527,'http://www.reenakallat.com/2670/uncat/2527-revision-22',0,'revision','',0),(2671,1,'2012-04-23 18:17:15','2012-04-23 18:17:15','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/map-1.jpg\" alt=\"Map Drawing\" title=\"Map Drawing\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></a></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Untitled (Map/Drawing)</span>\r\n2011\r\nelectric wires and fittings, 10 min audio loop\r\n11 ft x 38 ft I 132 in x 456 in\r\n<a href=\"http://youtu.be/vkShp-vQeFc\" target=\"_blank\"><span style=\"color: #888888;\">view video >></span></a>\r\n</td></tr></tr>\r\n<tr><td><span style=\"font-size:11px;font-weight:normal;line-height:3px;\"><i>installation view,</i> Goteborgs Konsthall, Sweden</span></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n\r\n\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/map-2.jpg\" alt=\"Map Drawing\" title=\"Map Drawing\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n<td width=\"300\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThe flows and movements of labour migrants across the world have resulted in cultural exchanges not to mention the social and economic implications. It has not only allowed us to free cultural identities from a physical place but see us all as entwined in a symbolic web as it were. …<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\nThe flows and movements of labour migrants across the world have resulted in cultural exchanges not to mention the social and economic implications. It has not only allowed us to free cultural identities from a physical place but see us all as entwined in a symbolic web as it were.\r\nWhen I was asked to conceive of a wall work for the Konsthall during the Goteborg International Biennale of Contemporary Art 2011, keeping the curatorial premise in mind, I decided to work with electric wires to form the drawing that will trace patterns of movement of migrants globally, where multitude of actors interact without knowledge of the overall situation. \r\nI think of this work as a drawing project, made with wires that essentially transmit energy and information from one place to another. It is said that the electricity is the same in electrical equipment but the expression of electricity differs from one appliance to the next. By changing the instrument of this quasi-cartographic drawing from a pencil line to a wire, I’m interested in the notion of the map as dynamic, ever changing, streaming and transferring data with the global flows of energies and people, as the courses of these travelers intersect.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div></td>\r\n\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/map-3.jpg\" alt=\"Map Drawing\" title=\"Map Drawing\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/map-4.jpg\" alt=\"Map Drawing\" title=\"Map Drawing\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/map-5.jpg\" alt=\"Map Drawing\" title=\"Map Drawing\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/map-6.jpg\" alt=\"Map Drawing\" title=\"Map Drawing\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/map-process-1-2.jpg\" alt=\"Map Drawing\" title=\"Map Drawing\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td style=\"height: 10px;\"></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/map-process-3-4.jpg\" alt=\"Map Drawing\" title=\"Map Drawing\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td style=\"height: 15px;\"></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/map-process-5-6.jpg\" alt=\"Map Drawing\" title=\"Map Drawing\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /><span style=\"font-size:11px;\"><i>process shots</i></span></td>\r\n</tr><tr><td ><span style=\"font-size:11px; line-height:15px;\"><i>Acknowledgement:</i> \r\nGoteborg International Biennial of Contemporary Art, Sweden\r\n</span>\r\n</td></tr>\r\n</tbody>\r\n</table>','Map Drawing','','inherit','open','open','','2527-revision-23','','','2012-04-23 18:17:15','2012-04-23 18:17:15','',2527,'http://www.reenakallat.com/2671/uncat/2527-revision-23',0,'revision','',0),(2672,1,'2012-04-25 16:56:03','2012-04-25 16:56:03','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/children-workshop-works page.jpg\" alt=\"Children Workshop\" title=\"Children Workshop\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></a></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Visas to Happiness</span>\r\n2012\r\nmock-passports, rubberstamps, coloured papers, paints, markers, winged canvas bags \r\nand printed floor map \r\ndimension variable\r\nInteractive workshop with children during the exhibition ‘To Let the World In’, Chennai\r\n</td></tr></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/children-workshop-1.jpg\" alt=\"Children Workshop\" title=\"Children Workshop\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n<td width=\"300\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThe workshop was conceived with groups of 20 children at a time, in an outdoor classroom setting under a tree cover, on a large printed map of the world. The workshop involved specially produced mock-passports, within which children could design and issue ‘Visas to Happiness’ (metaphorically giving them the license to visit places imagined). The passports carried folded pages where children could make self-portraits that opened up into landscapes or a double character; they could mark their happiness quotient on specific days of the week in the speedometers provided or grade their seasonal highs and lows through the months of the year on graph paper. The last page of the passports ends with a \'Recipe for Happiness\' where the kids could choose from the ingredients offered, to make their own recipe.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\nThe workshop was conceived with groups of 20 children at a time, in an outdoor classroom setting under a tree cover, on a large printed map of the world. The workshop involved specially produced mock-passports, within which children could design and issue ‘Visas to Happiness’ (metaphorically giving them the license to visit places imagined). The passports carried folded pages where children could make self-portraits that opened up into landscapes or a double character; they could mark their happiness quotient on specific days of the week in the speedometers provided or grade their seasonal highs and lows through the months of the year on graph paper. The last page of the passports ends with a \'Recipe for Happiness\' where the kids could choose from the ingredients offered, to make their own recipe. The children were provided winged-school bags that became part of the workshop materials but also animated certain ideas about time, geography, movement, flight, freedom..The world map printed on the floor was based on the first map of Global subjective well-being or the first map of Happiness published by Adrian White from University of Leicester. Although his survey found that SWB correlated most strongly with Health, closely followed by Wealth and Access to Basic Education, we know that happiness depends on several other factors that go well beyond those stated above. Over this map children made several drawings and paintings of places imagined or real, places of departure and destination through a trail of texts, rubberstamps carrying quotations on happiness and drawings of wings, the children could plot and paste their own imaginary island on the world, charting flight routes through this visually rich and layered map of the world, connecting with other islands made and pasted by their friends.\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div></td>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/children-workshop-2.jpg\" alt=\"Children Workshop\" title=\"Children Workshop\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/children-workshop-3.jpg\" alt=\"Children Workshop\" title=\"Children Workshop\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/children-workshop-4-5.jpg\" alt=\"Children Workshop\" title=\"Children Workshop\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/children-workshop-6.jpg\" alt=\"Children Workshop\" title=\"Children Workshop\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/children-workshop-7.jpg\" alt=\"Children Workshop\" title=\"Children Workshop\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/children-workshop-8.jpg\" alt=\"Children Workshop\" title=\"Children Workshop\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/children-workshop-9-10.jpg\" alt=\"Children Workshop\" title=\"Children Workshop\" width=\"600\"  class=\"alignnone size-full wp-image-350\" />\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/children-workshop-11.jpg\" alt=\"Children Workshop\" title=\"Children Workshop\" width=\"600\"  class=\"alignnone size-full wp-image-350\" />\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/children-workshop-12.jpg\" alt=\"Children Workshop\" title=\"Children Workshop\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></td>\r\n</tr>\r\n</tbody>\r\n</table>','Visas to Happiness','','inherit','open','open','','2632-autosave','','','2012-04-25 16:56:03','2012-04-25 16:56:03','',2632,'http://www.reenakallat.com/2672/uncat/2632-autosave',0,'revision','',0),(2673,1,'2012-04-15 12:16:05','2012-04-15 12:16:05','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/children-workshop-works page.jpg\" alt=\"Children Workshop\" title=\"Children Workshop\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></a></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Visas to Happiness</span>\r\n2012\r\n</td></tr></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/children-workshop-1.jpg\" alt=\"Children Workshop\" title=\"Children Workshop\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/children-workshop-2.jpg\" alt=\"Children Workshop\" title=\"Children Workshop\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/children-workshop-3.jpg\" alt=\"Children Workshop\" title=\"Children Workshop\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/children-workshop-4-5.jpg\" alt=\"Children Workshop\" title=\"Children Workshop\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/children-workshop-6.jpg\" alt=\"Children Workshop\" title=\"Children Workshop\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/children-workshop-7.jpg\" alt=\"Children Workshop\" title=\"Children Workshop\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td style=\"height: 15px;\"></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/children-workshop-8.jpg\" alt=\"Children Workshop\" title=\"Children Workshop\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td style=\"height: 15px;\"></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/children-workshop-9-10.jpg\" alt=\"Children Workshop\" title=\"Children Workshop\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/children-workshop-11.jpg\" alt=\"Children Workshop\" title=\"Children Workshop\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/children-workshop-12.jpg\" alt=\"Children Workshop\" title=\"Children Workshop\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></td>\r\n</tr>\r\n</tbody>\r\n</table>','Visas to Happiness','','inherit','open','open','','2632-revision-12','','','2012-04-15 12:16:05','2012-04-15 12:16:05','',2632,'http://www.reenakallat.com/2673/uncat/2632-revision-12',0,'revision','',0),(2674,1,'2012-04-15 12:21:47','2012-04-15 12:21:47','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/synapse-Works page.jpg\" alt=\"synapse\" title=\"synapse\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Synapse\r\n</span>2011\r\nSingle channel video projection\r\nduration 09 mins 32 secs\r\nedition: 5+AP\r\n<a href=\"http://youtu.be/TUbQ34zWq2A\" target=\"_blank\"><span style=\"color: #888888;\">view full video >></span></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/synapse-1.jpg\" alt=\"synapse\" title=\"synapse\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n<td width=\"300\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThe video is shot at an optometrists clinic with 14 people getting their vision tested, reading out alphabets from eye charts placed in front of them. The text they are reading in fragmented form, merely like alphabets and which will not be visible to the camera, is the Preamble of the Constitution of India. This fragmented recital played in the form of a health check-up is marked with hesitations, uncertainties, anxieties.\r\n</div>\r\n</td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/synapse-2.jpg\" alt=\"synapse\" title=\"synapse\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/synapse-3.jpg\" alt=\"synapse\" title=\"synapse\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/synapse-4.jpg\" alt=\"synapse\" title=\"synapse\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/synapse-5.jpg\" alt=\"synapse\" title=\"synapse\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/synapse-6.jpg\" alt=\"synapse\" title=\"synapse\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/synapse-7.jpg\" alt=\"synapse\" title=\"synapse\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/synapse-8.jpg\" alt=\"synapse\" title=\"synapse\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n</tbody>\r\n</table>','synapse-2011','','inherit','open','open','','2643-revision-8','','','2012-04-15 12:21:47','2012-04-15 12:21:47','',2643,'http://www.reenakallat.com/2674/uncat/2643-revision-8',0,'revision','',0),(2675,1,'2012-04-15 12:43:37','2012-04-15 12:43:37','Reena Saini Kallat (b. 1973, Delhi, India) graduated from Sir J.J. School of Art, Mumbai in 1996 with a B.F.A. in painting. Her practice - spanning painting, photography, video, sculpture and installation, often incorporates multiple mediums into a single work. She frequently works with officially recorded or registered names of people, objects, and monuments that are lost or have disappeared without a trace, only to get listed as anonymous and forgotten statistics. One of the recurrent motifs in her work is the rubber stamp, used as an object and an imprint, signifying the bureaucratic apparatus, which both confirms and obscures identities. \r\n \r\nHer work has been widely exhibited across the world in venues such as Mori Art Museum, Tokyo; Kennedy Centre, Washington; Saatchi Gallery, London; SESC Pompeia and SESC Belenzino in Sao Paulo; Goteborgs Konsthall, Sweden; Helsinki City Art Museum, Finland; National Taiwan Museum of Fine Arts; Tel Aviv Museum of Art, Israel; National Museum of Contemporary Art, Seoul; Henie Onstad Kunstsenter, Oslo; Casa Asia, Madrid and Barcelona; ZKM Karlsruhe in Germany; Campbelltown Arts Centre, Sydney; Hangar Bicocca, Milan; Museum of Contemporary Art, Shanghai; IVAM Museum, Spain;  Busan MOMA; Kulturhuset, Stockholm; Chicago Cultural Centre amongst many others and she has participated in a number of workshops and residencies. She lives and works in Mumbai.\r\n\r\n<table>\r\n<tbody>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">SOLO EXHIBITIONS</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://www.naturemorte.com/exhibitions/2011-03-08_reena-saini-kallat/\" target=\"_blank\">Labyrinth of Absences, Nature Morte, New Delhi</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.primomarellagallery.com/it/catalogue/scheda.asp?id=568&amp;view=past\" target=\"_blank\">Drift, Primo Marella Gallery, Milan</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2008/reena_bio.html\" target=\"_blank\"> Silt of Seasons, Chemould   Prescott Road, Mumbai <font color=\"red\">  >> </font></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/reena-kallat-exhibition-2008/\" target=\"_blank\">Subject to Change without Notice, Walsh Gallery, Chicago</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Rainbow Of Refuse, Bodhi Art Gallery, Mumbai and Singapore</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td><a class=\"linkbio\" href=\"http://www.naturemorte.com/artists/reena-saini-kallat/selected-works/\" target=\"_blank\">Black Flute (And Other Stories), Nature Morte, New Delhi</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2004/reena_saini_kallat_note.html\" target=\"_blank\">Black Flute, Gallery Chemould, Mumbai</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>The Battlefield Is The Mind, Sakshi Gallery, Bangalore</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Seven Faces of Dust, Chicago Radio, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2000</td>\r\n<td>Skin, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1998</td>\r\n<td>Orchard of Home-grown Secrets, Gallery Chemould and Pundole  Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><span style=\"color: #888888;\"><strong>SELECTED GROUP EXHIBITIONS</strong></span></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td v	align=\"top\">2012</td>\r\n<td>SESC Belenzino, Sao Paulo, Brazil<font color=\"red\"></font></td>\r\n</tr>\r\n<tr>\r\n<td v	align=\"top\">2012</td>\r\n<td><a class=\"linkbio\" href=\"http://www.punkto.no/voices-from-pandemonium.5009470-185063.html\" target=\"_blank\">Stemmer fra Pandemonium, Punkt-Galleri F 15, Moss, Norway <font color=\"red\">  >> </font></td></a>\r\n</tr>\r\n<tr>\r\n<td v	align=\"top\">2012</td>\r\n<td>Group show, Eigen + Art Lab, Berlin<font color=\"red\"></font></td>\r\n</tr>\r\n<tr>\r\n<td v	align=\"top\">2012</td>\r\n<td>To Let the World In: Narrative and Beyond in Contemporary Indian Art, Lalit Kala Regional Centre, Chennai, India<font color=\"red\"></font></td>\r\n</tr>\r\n<tr>\r\n<td v	align=\"top\">2012</td>\r\n<td><a class=\"linkbio\" href=\"http://www.exhibit320.com/exhibitionShow/EXH00014/\" target=\"_blank\">The Contemporary Sultanate, the Sunrydge, New Delhi, India <font color=\"red\">  >> </font></td></a>\r\n</tr>\r\n<tr>\r\n<td v	align=\"top\">2012</td>\r\n<td>The Skoda Prize Exhibition, Lalit Kala Academy, New Delhi, India <font color=\"red\"></font></td>\r\n</tr>\r\n<tr>\r\n<td v	align=\"top\">2012</td>\r\n<td>Kalaghoda Art Festival, Mumbai, India <font color=\"red\"></font></td>\r\n</tr>\r\n<td v	align=\"top\">2011</td>\r\n<td>India Side by Side, Centro Cultural Banco do Brasil, Rio De Janeiro, Brazil<font color=\"red\"></font></td>\r\n</tr>\r\n<td v	align=\"top\">2011</td>\r\n<td>Giant Elephant : Contemporary Art from India, H Cube Gallery, Seoul <font color=\"red\"></font></td>\r\n</tr>\r\n<td v	align=\"top\">2011</td>\r\n<td>Roundabout, Tel Aviv Museum of Art, Israel<font color=\"red\"> </font></td>\r\n</tr>\r\n<tr>\r\n<td v	align=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://goteborg.biennal.org/en/the-biennial-2011/artists/\" target=\"_blank\">Goteborg International Biennale for Contemporary Art, curated by Sarat Maharaj, Göteborgs Konsthall and Bohuslans Konsthall, Uddevalla, Sweden <font color=\"red\">  >> </font></td></a>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Right to Dissent, Clark House, Mumbai, India</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>RED, Palette Art Gallery, Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\"  href=\"http://www.kennedy-center.org/events/?event=ZLINB\" target=\"_blank\" >Maximum India, The Kennedy Centre, Washington</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Of Gods and Goddesses, Cinema, Cricket - The New cultural Icons of India, Jehangir Art Gallery, Mumbai\r\n</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Samtidigt, Helsinki City Art Museum, Finland</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Iconoclasts and Iconodules, curated by Ombretta Argo, Religare Art Gallery, New  Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>The Vancouver International Sculpture Biennale, Surrey Art Gallery, Canada</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>The Intuitive: Logic Revisted, from the Osians Collection at The World Economic Forum, Davos, Switzerland</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/current/La_Route_De_La_Soie.htm\" target=\"_blank\">La Route de la Soie / The Silk Road, Lille 3000, France </a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.kulturhuset.stockholm.se/default.asp?id=5760&refid=34277\" target=\"_blank\">Samtidigt, Kulterhuset, Stockholm</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.campbelltown.nsw.gov.au/default.asp?iNavCatID=3407&iSubCatID=3615\" target=\"_blank\">The River Project, Campbelltown Art Centre, Sydney</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.aboutroundabout.com/artists/kallat-reena-saini\" target=\"_blank\">Roundabout, City Gallery Wellington, New Zealand</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/\" target=\"_blank\">Waterways, Walsh Gallery, Chicago</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.richmondartgallery.org/in-transition.php\" target=\"_blank\">In Transition: New Art from India, Richmond Art Gallery Vancouver Biennale, Vancouver</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://websterhuntgallery.blogspot.com/2010_02_01_archive.html\" target=\"_blank\">Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster University, curated by Jeffrey Hughes and Dana Turkovic,\r\nCecile R. Hunt Gallery,St.Louis,Missouri</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/51\" target=\"_blank\">Never Run Away, 2 person exhibition curated by Shaheen Merali,Stux   Gallery,  New York</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/artists/reena_kallat.htm?section_name=new_india\" target=\"_blank\">The Empire Strikes Back, Saatchi Gallery, London</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://art-for-the-world.blogspot.com/2010/01/some-installation-views-of-urban.html\" target=\"_blank\">Urban Manners 2, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao Paulo, Brazil</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.asianartbiennial.org/2009/en/index_en.html\" target=\"_blank\">View Points and Viewing points - 2009 Asian Art Biennale, National Taiwan Museum of Fine Arts </a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Spectrum: Indian Art at Abu   Dhabi, United   Arab Emirates</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Milan Galleria, curated by Georgio Verzotti, Triennale Museum, Milan</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.initialaccess.co.uk/exh/73/11/passage-to-india-part-ii/reena-saini-kallat\" target=\"_blank\">Passage to India Part II show at Initial Access, Frank Cohen Collection, Wolverhampton, UK</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Ventosul Biennale, Curitiba, Brazil</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/english/contents/india/index.html\" target=\"_blank\"> Chalo! India: A New Era of Indian Art, National  Museum of Contemporary Art, Korea and Essl Museum, Vienna</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mocashanghai.org/index.php?_function=exhibition&amp;_subFunction=pastExhibition&amp;exhibition_id=40&amp;_view=detail\" target=\"_blank\">INDIA XIANZAI: Contemporary Indian Art, Museum of Contemporary Art, Shanghai</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/42/622\" target=\"_blank\">Low Blow: And Other Species of Confusion, Stux gallery, New York</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><em> </em>Indian Narratives in the 21<sup>st</sup> Century: Between Memory and History,Casa  Asia, Madrid and Barcelona, Spain</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/body-chatter-an-exhibition-of-contemporary-indian-art-2008/\" target=\"_blank\">Body Chatter, Walsh Gallery, Chicago</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/contents/press/india_20081121_e.pdf\" target=\"_blank\">Chalo! India: A New Era of Indian Art, Mori Art   Museum, Japan</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.indiamoderna.es/eng/index.html\" target=\"_blank\">India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM Museum, Valencia, Spain </a> <font color=\"red\">  >> </font></td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.aaa.org.hk/onlineprojects/bitri/en/gallery.aspx?eid=A080.03\" target=\"_blank\">3<sup>rd</sup> Nanjing Triennale, curators: Fumihiko Sumitomo, Jaeyoung Kang,  China</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>TEAF (Taehwagang Eco Art Festival) - Dream River, Korea</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.bodhiart.in/exhibitions/everywhere_is_war/everywhere_war.html\" target=\"_blank\">Everywhere is War (And Rumours of it), Bodhi Art Gallery, Mumbai</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/33\" target=\"_blank\">Fire Walkers, Stefan Stux gallery, New York</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.galeriems.com/reenask_one.htm\" target=\"_blank\">Three Points of view, Galerie Mirchandani + Steinrucke, Mumbai</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Excavation: Memory / Myth / Membrane, Museum Gallery, Mumbai</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>International Incheon Women Artists’ Biennale, Korea</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Soft Power: Asian Attitude, Shanghai Zendai Museum of Modern Art, Shanghai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td><a class=\"linkbio\" href=\"http://www.kunstaspekte.de/index.php?tid=39629&amp;action=termin\" target=\"_blank\">Urban Manners, curated by Adelina Von Furstenberg, at Hangar Bicocca , Milan</a> <font color=\"red\">  >> </font></td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td><a class=\"linkbio\" href=\"http://www.art-for-the-world.com/wwd/2007/urban_manners/Urban_Manners_pr.pdf\" target=\"_blank\">INDIA NOW: Contemporary Indian Art, Between Continuity and transformation,curated by Daniela Palozzoli at Spazio Oberdan, Milan</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>New Narratives: Contemporary Art From India, curated by Betty Seid,Chicago Cultural Centre, Chicago</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Thermocline Of Art- New Asian Waves, curated by Wonil Rhee and Peter Weibel at ZKM in Karlsruhe, Germany</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Modern Indian Works On Paper, Arthur Ross Gallery, Philadelphia and the Georgia Museum of Art, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Lille 3000 (Maximum City-Mumbai), Lille,  France</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Hungry God- Indian Contemporary Art, curated by Yun Chaegab and June Gwak, Arario Gallery, Beijing and Busan MoMA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>India Express – Art and Popular Culture, Art Museum Tennispalace, curators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City  Art Museum, Finland</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Mom and Pop Art, Walsh Gallery, Chicago</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Span, Sakshi Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Indian Paintings of the New Millenium, curated by Helen Asquine Fazio at Thomas J. Walsh Art Gallery at Fairfield  University, USA</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td><em> </em>Contemporary Art from India, Thomas   Erben Gallery, New York</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td>Zoom! Art in Contemporary India. Curators: Nancy Adajania and Luis Serpa, The Culturgest Museum, Lisbon, Portugal</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Crossing generations: diVERGE, Gallery Chemould’s 40th anniversary,Curators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of Modern Art, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td><em> </em>Hard Copy, two-person show with Jitish Kallat, Gallery 88, Calcutta</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Tiranga, curator: Peter Nagy, India Habitat Centre, New Delhi</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td><em> </em>Elephant Walks, Youth Arts Project in collaboration with Jitish Kallat as part of Indians + Cowboys exhibition, Curators: Aaron Seetu and Ruth Watson Gallery 4A, Sydney</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>The Tree From The Seed, Contemporary Art from India, curator: Gavin Jantjes Henie Onstad Kunstsenter (Oslo), Norway</td>\r\n<td><em></em></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td><em>Crosscurrents</em>, organized by Artworks for the fiftieth anniversary celebrations of Jehangir Art  Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td><em>Reclaim Our Freedom</em>, organized by Open Circle, Pundole Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Crossing Borders, Gallery Windkracht 13, Den Helder, Holland</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>Big River 2, CCA7 Gallery, Port Of Spain, Trinidad</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>AOM- Art on the move, organized by Sahmat, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1999</td>\r\n<td><em> </em>Edge of the Century, curated by Amit Mukhopadhyay, Academy  of Fine Arts and Literature, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1998</td>\r\n<td><em> </em>Essays in Time, Kinetic Sculptures, Nehru Centre, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1997</td>\r\n<td><em> </em>India in Harmony 1947-1997, Nehru Centre, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1997</td>\r\n<td><em> </em>A Page From My Diary, Sans Tache Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1997</td>\r\n<td><em> </em>Fresh Work, Birla Academy of Art and Culture, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1996</td>\r\n<td><em> </em>Monsoon Show, Jehangir Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1995</td>\r\n<td><em> </em>Varsha ’95, Y. B. Chavan Gallery, Mumbai</td>\r\n</tr>\r\n\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">SELECTED WORKSHOPS AND RESIDENCIES</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>Visas to Happiness, workshop with children as part of the exhibition \'To Let the World In\', Chennai\r\n</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Iaspis Residency, Gothenburg, Sweden.</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Iaspis Residency, Gothenburg, Sweden. May 5 to June 4, 2011</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Vanishing Point, children’s project at the Celebrate Bandra Festival, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Collaborative workshop as part of the exhibition Aftershock, Sainsbury Centre for Visual Arts, University of East Anglia, Norwich,  UK</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Collaborated on a Billboard project with Jitish Kallat, Kala Ghoda Art District, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Elephant Walks, Youth Arts Project at the Casula Power House Arts Centre, Liverpool, Australia</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Khoj 2002 International Artists Workshop, Mysore, India</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Identity and Landscape, residency in the Laurentian mountains of Quebec at the Boreal Art/Nature Centre, Canada</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>Big River 2, International Artists Workshop organized by CCA7 and the Triangle Arts Trust at Grand Riviere, Trinidad, West Indies</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n</tr>\r\n<tr>\r\n<td><span style=\"color: #888888;\"><strong>TALKS/PRESENTATIONS</strong></span></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Talk at GIBCA Speak Easy (GSE), Goteborg, Sweden</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Informal talk at HDK – The School of Design and Crafts, Goteborg, Sweden</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Talk at the Iaspis Residency Studio, Sweden</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td>Short presentation as part of The River Project at The Campbelltown Arts Centre, Sydney, Australia\r\n</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Talk at the Krishnakriti Festival 2011, Kalakriti Gallery, Hyderabad  </td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td>Panel discussion moderated by Maria Lantz, with participating artists during the exhibition Samtidigt at Kulturhuset, Stockholm</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Panel discussion with artist Gulam Sheikh, co-chair: Sabine B. Vogel, art critic at the Sammlung Essl Museum, Vienna</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Slide presentation followed by a panel discussion with Nalini Malani and Jayshree Chakravarty, moderated by Nancy Adajania at Jnanapravaha, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Slide presentation at the School of the Art Institute of Chicago</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Panel discussion with Nalini Malani, Sheba Chhachhi, moderated by Betty Seid at the Chicago Cultural Centre</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Lecture at the University Boccini, Milan</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Slide presentation at the Lamar Dodd School of Art, University of Georgia, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Talk at the Griffith Auditorium, Georgia Museum of Art, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Slide presentation at Oslo National Academy of the Arts, Norway</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2000</td>\r\n<td>Slide presentation at Mohile Parikh Centre for the Visual Arts, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">AWARDS</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>YFLO ZOYA Young Women Achievers Awards 2010-11, Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Harmony Award</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1996</td>\r\n<td>Bombay Art Society Merit Certificate</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1996</td>\r\n<td>Second Prize Government Award, Sir J. J. School of Art, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1995</td>\r\n<td>Gladstone Solomon Award</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1991-1996</td>\r\n<td>Merit Scholarship, Sir J. J. School of Art, Mumbai</td>\r\n</tr>\r\n</tbody>\r\n</table>','Biography','','inherit','open','open','','105-revision-107','','','2012-04-15 12:43:37','2012-04-15 12:43:37','',105,'http://www.reenakallat.com/2675/uncat/105-revision-107',0,'revision','',0),(2676,1,'2012-04-23 18:40:13','2012-04-23 18:40:13','Reena Saini Kallat (b. 1973, Delhi, India) graduated from Sir J.J. School of Art, Mumbai in 1996 with a B.F.A. in painting. Her practice - spanning painting, photography, video, sculpture and installation, often incorporates multiple mediums into a single work. She frequently works with officially recorded or registered names of people, objects, and monuments that are lost or have disappeared without a trace, only to get listed as anonymous and forgotten statistics. One of the recurrent motifs in her work is the rubber stamp, used as an object and an imprint, signifying the bureaucratic apparatus, which both confirms and obscures identities. \r\n \r\nHer work has been widely exhibited across the world in venues such as Mori Art Museum, Tokyo; Kennedy Centre, Washington; Saatchi Gallery, London; SESC Pompeia and SESC Belenzino in Sao Paulo; Goteborgs Konsthall, Sweden; Helsinki City Art Museum, Finland; National Taiwan Museum of Fine Arts; Tel Aviv Museum of Art, Israel; National Museum of Contemporary Art, Seoul; Henie Onstad Kunstsenter, Oslo; Casa Asia, Madrid and Barcelona; ZKM Karlsruhe in Germany; Campbelltown Arts Centre, Sydney; Hangar Bicocca, Milan; Museum of Contemporary Art, Shanghai; IVAM Museum, Spain;  Busan MOMA; Kulturhuset, Stockholm; Chicago Cultural Centre amongst many others and she has participated in a number of workshops and residencies. She lives and works in Mumbai.\r\n\r\n<table>\r\n<tbody>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">SOLO EXHIBITIONS</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://www.naturemorte.com/exhibitions/2011-03-08_reena-saini-kallat/\" target=\"_blank\">Labyrinth of Absences, Nature Morte, New Delhi</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.primomarellagallery.com/it/catalogue/scheda.asp?id=568&amp;view=past\" target=\"_blank\">Drift, Primo Marella Gallery, Milan</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2008/reena_bio.html\" target=\"_blank\"> Silt of Seasons, Chemould   Prescott Road, Mumbai <font color=\"red\">  >> </font></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/reena-kallat-exhibition-2008/\" target=\"_blank\">Subject to Change without Notice, Walsh Gallery, Chicago</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Rainbow Of Refuse, Bodhi Art Gallery, Mumbai and Singapore</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td><a class=\"linkbio\" href=\"http://www.naturemorte.com/artists/reena-saini-kallat/selected-works/\" target=\"_blank\">Black Flute (And Other Stories), Nature Morte, New Delhi</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2004/reena_saini_kallat_note.html\" target=\"_blank\">Black Flute, Gallery Chemould, Mumbai</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>The Battlefield Is The Mind, Sakshi Gallery, Bangalore</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Seven Faces of Dust, Chicago Radio, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2000</td>\r\n<td>Skin, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1998</td>\r\n<td>Orchard of Home-grown Secrets, Gallery Chemould and Pundole  Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><span style=\"color: #888888;\"><strong>SELECTED GROUP EXHIBITIONS</strong></span></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>SESC Belenzino, Sao Paulo, Brazil<font color=\"red\"></font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td><a class=\"linkbio\" href=\"http://www.punkto.no/voices-from-pandemonium.5009470-185063.html\" target=\"_blank\">Stemmer fra Pandemonium, Punkt-Galleri F 15, Moss, Norway <font color=\"red\">  >> </font></td></a>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>Group show, Eigen + Art Lab, Berlin<font color=\"red\"></font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>To Let the World In: Narrative and Beyond in Contemporary Indian Art, Lalit Kala Regional Centre, Chennai, India<font color=\"red\"></font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td><a class=\"linkbio\" href=\"http://www.exhibit320.com/exhibitionShow/EXH00014/\" target=\"_blank\">The Contemporary Sultanate, the Sunrydge, New Delhi, India <font color=\"red\">  >> </font></td></a>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>Kalaghoda Art Festival, Mumbai, India <font color=\"red\"></font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>The Skoda Prize Exhibition, Lalit Kala Academy, New Delhi, India <font color=\"red\"></font></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<td valign=\"top\">2011</td>\r\n<td>India Side by Side, Centro Cultural Banco do Brasil, Rio De Janeiro, Brazil<font color=\"red\"></font></td>\r\n</tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Giant Elephant : Contemporary Art from India, H Cube Gallery, Seoul <font color=\"red\"></font></td>\r\n</tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Roundabout, Tel Aviv Museum of Art, Israel<font color=\"red\"> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://goteborg.biennal.org/en/the-biennial-2011/artists/\" target=\"_blank\">Goteborg International Biennale for Contemporary Art, curated by Sarat Maharaj, Göteborgs Konsthall and Bohuslans Konsthall, Uddevalla, Sweden <font color=\"red\">  >> </font></td></a>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Right to Dissent, Clark House, Mumbai, India</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>RED, Palette Art Gallery, Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\"  href=\"http://www.kennedy-center.org/events/?event=ZLINB\" target=\"_blank\" >Maximum India, The Kennedy Centre, Washington</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Of Gods and Goddesses, Cinema, Cricket - The New cultural Icons of India, Jehangir Art Gallery, Mumbai\r\n</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Samtidigt, Helsinki City Art Museum, Finland</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Iconoclasts and Iconodules, curated by Ombretta Argo, Religare Art Gallery, New  Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>The Vancouver International Sculpture Biennale, Surrey Art Gallery, Canada</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>The Intuitive: Logic Revisted, from the Osians Collection at The World Economic Forum, Davos, Switzerland</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/current/La_Route_De_La_Soie.htm\" target=\"_blank\">La Route de la Soie / The Silk Road, Lille 3000, France </a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.kulturhuset.stockholm.se/default.asp?id=5760&refid=34277\" target=\"_blank\">Samtidigt, Kulterhuset, Stockholm</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.campbelltown.nsw.gov.au/default.asp?iNavCatID=3407&iSubCatID=3615\" target=\"_blank\">The River Project, Campbelltown Art Centre, Sydney</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.aboutroundabout.com/artists/kallat-reena-saini\" target=\"_blank\">Roundabout, City Gallery Wellington, New Zealand</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/\" target=\"_blank\">Waterways, Walsh Gallery, Chicago</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.richmondartgallery.org/in-transition.php\" target=\"_blank\">In Transition: New Art from India, Richmond Art Gallery Vancouver Biennale, Vancouver</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://websterhuntgallery.blogspot.com/2010_02_01_archive.html\" target=\"_blank\">Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster University, curated by Jeffrey Hughes and Dana Turkovic,\r\nCecile R. Hunt Gallery,St.Louis,Missouri</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/51\" target=\"_blank\">Never Run Away, 2 person exhibition curated by Shaheen Merali,Stux   Gallery,  New York</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/artists/reena_kallat.htm?section_name=new_india\" target=\"_blank\">The Empire Strikes Back, Saatchi Gallery, London</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://art-for-the-world.blogspot.com/2010/01/some-installation-views-of-urban.html\" target=\"_blank\">Urban Manners 2, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao Paulo, Brazil</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.asianartbiennial.org/2009/en/index_en.html\" target=\"_blank\">View Points and Viewing points - 2009 Asian Art Biennale, National Taiwan Museum of Fine Arts </a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Spectrum: Indian Art at Abu   Dhabi, United   Arab Emirates</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Milan Galleria, curated by Georgio Verzotti, Triennale Museum, Milan</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.initialaccess.co.uk/exh/73/11/passage-to-india-part-ii/reena-saini-kallat\" target=\"_blank\">Passage to India Part II show at Initial Access, Frank Cohen Collection, Wolverhampton, UK</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Ventosul Biennale, Curitiba, Brazil</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/english/contents/india/index.html\" target=\"_blank\"> Chalo! India: A New Era of Indian Art, National  Museum of Contemporary Art, Korea and Essl Museum, Vienna</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mocashanghai.org/index.php?_function=exhibition&amp;_subFunction=pastExhibition&amp;exhibition_id=40&amp;_view=detail\" target=\"_blank\">INDIA XIANZAI: Contemporary Indian Art, Museum of Contemporary Art, Shanghai</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/42/622\" target=\"_blank\">Low Blow: And Other Species of Confusion, Stux gallery, New York</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><em> </em>Indian Narratives in the 21<sup>st</sup> Century: Between Memory and History,Casa  Asia, Madrid and Barcelona, Spain</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/body-chatter-an-exhibition-of-contemporary-indian-art-2008/\" target=\"_blank\">Body Chatter, Walsh Gallery, Chicago</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/contents/press/india_20081121_e.pdf\" target=\"_blank\">Chalo! India: A New Era of Indian Art, Mori Art   Museum, Japan</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.indiamoderna.es/eng/index.html\" target=\"_blank\">India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM Museum, Valencia, Spain </a> <font color=\"red\">  >> </font></td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.aaa.org.hk/onlineprojects/bitri/en/gallery.aspx?eid=A080.03\" target=\"_blank\">3<sup>rd</sup> Nanjing Triennale, curators: Fumihiko Sumitomo, Jaeyoung Kang,  China</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>TEAF (Taehwagang Eco Art Festival) - Dream River, Korea</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.bodhiart.in/exhibitions/everywhere_is_war/everywhere_war.html\" target=\"_blank\">Everywhere is War (And Rumours of it), Bodhi Art Gallery, Mumbai</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/33\" target=\"_blank\">Fire Walkers, Stefan Stux gallery, New York</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.galeriems.com/reenask_one.htm\" target=\"_blank\">Three Points of view, Galerie Mirchandani + Steinrucke, Mumbai</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Excavation: Memory / Myth / Membrane, Museum Gallery, Mumbai</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>International Incheon Women Artists’ Biennale, Korea</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Soft Power: Asian Attitude, Shanghai Zendai Museum of Modern Art, Shanghai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td><a class=\"linkbio\" href=\"http://www.kunstaspekte.de/index.php?tid=39629&amp;action=termin\" target=\"_blank\">Urban Manners, curated by Adelina Von Furstenberg, at Hangar Bicocca , Milan</a> <font color=\"red\">  >> </font></td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td><a class=\"linkbio\" href=\"http://www.art-for-the-world.com/wwd/2007/urban_manners/Urban_Manners_pr.pdf\" target=\"_blank\">INDIA NOW: Contemporary Indian Art, Between Continuity and transformation,curated by Daniela Palozzoli at Spazio Oberdan, Milan</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>New Narratives: Contemporary Art From India, curated by Betty Seid,Chicago Cultural Centre, Chicago</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Thermocline Of Art- New Asian Waves, curated by Wonil Rhee and Peter Weibel at ZKM in Karlsruhe, Germany</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Modern Indian Works On Paper, Arthur Ross Gallery, Philadelphia and the Georgia Museum of Art, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Lille 3000 (Maximum City-Mumbai), Lille,  France</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Hungry God- Indian Contemporary Art, curated by Yun Chaegab and June Gwak, Arario Gallery, Beijing and Busan MoMA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>India Express – Art and Popular Culture, Art Museum Tennispalace, curators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City  Art Museum, Finland</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Mom and Pop Art, Walsh Gallery, Chicago</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Span, Sakshi Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Indian Paintings of the New Millenium, curated by Helen Asquine Fazio at Thomas J. Walsh Art Gallery at Fairfield  University, USA</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td><em> </em>Contemporary Art from India, Thomas   Erben Gallery, New York</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td>Zoom! Art in Contemporary India. Curators: Nancy Adajania and Luis Serpa, The Culturgest Museum, Lisbon, Portugal</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Crossing generations: diVERGE, Gallery Chemould’s 40th anniversary,Curators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of Modern Art, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td><em> </em>Hard Copy, two-person show with Jitish Kallat, Gallery 88, Calcutta</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Tiranga, curator: Peter Nagy, India Habitat Centre, New Delhi</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td><em> </em>Elephant Walks, Youth Arts Project in collaboration with Jitish Kallat as part of Indians + Cowboys exhibition, Curators: Aaron Seetu and Ruth Watson Gallery 4A, Sydney</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>The Tree From The Seed, Contemporary Art from India, curator: Gavin Jantjes Henie Onstad Kunstsenter (Oslo), Norway</td>\r\n<td><em></em></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td><em>Crosscurrents</em>, organized by Artworks for the fiftieth anniversary celebrations of Jehangir Art  Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td><em>Reclaim Our Freedom</em>, organized by Open Circle, Pundole Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Crossing Borders, Gallery Windkracht 13, Den Helder, Holland</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>Big River 2, CCA7 Gallery, Port Of Spain, Trinidad</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>AOM- Art on the move, organized by Sahmat, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1999</td>\r\n<td><em> </em>Edge of the Century, curated by Amit Mukhopadhyay, Academy  of Fine Arts and Literature, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1998</td>\r\n<td><em> </em>Essays in Time, Kinetic Sculptures, Nehru Centre, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1997</td>\r\n<td><em> </em>India in Harmony 1947-1997, Nehru Centre, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1997</td>\r\n<td><em> </em>A Page From My Diary, Sans Tache Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1997</td>\r\n<td><em> </em>Fresh Work, Birla Academy of Art and Culture, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1996</td>\r\n<td><em> </em>Monsoon Show, Jehangir Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1995</td>\r\n<td><em> </em>Varsha ’95, Y. B. Chavan Gallery, Mumbai</td>\r\n</tr>\r\n\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">SELECTED WORKSHOPS AND RESIDENCIES</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>Visas to Happiness, workshop with children as part of the exhibition \'To Let the World In\', Chennai\r\n</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Iaspis Residency, Gothenburg, Sweden.</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Iaspis Residency, Gothenburg, Sweden. May 5 to June 4, 2011</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Vanishing Point, children’s project at the Celebrate Bandra Festival, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Collaborative workshop as part of the exhibition Aftershock, Sainsbury Centre for Visual Arts, University of East Anglia, Norwich,  UK</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Collaborated on a Billboard project with Jitish Kallat, Kala Ghoda Art District, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Elephant Walks, Youth Arts Project at the Casula Power House Arts Centre, Liverpool, Australia</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Khoj 2002 International Artists Workshop, Mysore, India</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Identity and Landscape, residency in the Laurentian mountains of Quebec at the Boreal Art/Nature Centre, Canada</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>Big River 2, International Artists Workshop organized by CCA7 and the Triangle Arts Trust at Grand Riviere, Trinidad, West Indies</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n</tr>\r\n<tr>\r\n<td><span style=\"color: #888888;\"><strong>TALKS/PRESENTATIONS</strong></span></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Talk at GIBCA Speak Easy (GSE), Goteborg, Sweden</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Informal talk at HDK – The School of Design and Crafts, Goteborg, Sweden</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Talk at the Iaspis Residency Studio, Sweden</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td>Short presentation as part of The River Project at The Campbelltown Arts Centre, Sydney, Australia\r\n</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Talk at the Krishnakriti Festival 2011, Kalakriti Gallery, Hyderabad  </td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td>Panel discussion moderated by Maria Lantz, with participating artists during the exhibition Samtidigt at Kulturhuset, Stockholm</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Panel discussion with artist Gulam Sheikh, co-chair: Sabine B. Vogel, art critic at the Sammlung Essl Museum, Vienna</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Slide presentation followed by a panel discussion with Nalini Malani and Jayshree Chakravarty, moderated by Nancy Adajania at Jnanapravaha, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Slide presentation at the School of the Art Institute of Chicago</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Panel discussion with Nalini Malani, Sheba Chhachhi, moderated by Betty Seid at the Chicago Cultural Centre</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Lecture at the University Boccini, Milan</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Slide presentation at the Lamar Dodd School of Art, University of Georgia, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Talk at the Griffith Auditorium, Georgia Museum of Art, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Slide presentation at Oslo National Academy of the Arts, Norway</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2000</td>\r\n<td>Slide presentation at Mohile Parikh Centre for the Visual Arts, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">AWARDS</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>YFLO ZOYA Young Women Achievers Awards 2010-11, Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Harmony Award</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1996</td>\r\n<td>Bombay Art Society Merit Certificate</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1996</td>\r\n<td>Second Prize Government Award, Sir J. J. School of Art, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1995</td>\r\n<td>Gladstone Solomon Award</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1991-1996</td>\r\n<td>Merit Scholarship, Sir J. J. School of Art, Mumbai</td>\r\n</tr>\r\n</tbody>\r\n</table>','Biography','','inherit','open','open','','105-revision-108','','','2012-04-23 18:40:13','2012-04-23 18:40:13','',105,'http://www.reenakallat.com/2676/uncat/105-revision-108',0,'revision','',0),(2677,1,'2012-04-23 18:46:06','2012-04-23 18:46:06','Reena Saini Kallat (b. 1973, Delhi, India) graduated from Sir J.J. School of Art, Mumbai in 1996 with a B.F.A. in painting. Her practice - spanning painting, photography, video, sculpture and installation, often incorporates multiple mediums into a single work. She frequently works with officially recorded or registered names of people, objects, and monuments that are lost or have disappeared without a trace, only to get listed as anonymous and forgotten statistics. One of the recurrent motifs in her work is the rubber stamp, used as an object and an imprint, signifying the bureaucratic apparatus, which both confirms and obscures identities. \r\n \r\nHer work has been widely exhibited across the world in venues such as Mori Art Museum, Tokyo; Kennedy Centre, Washington; Saatchi Gallery, London; SESC Pompeia and SESC Belenzino in Sao Paulo; Goteborgs Konsthall, Sweden; Helsinki City Art Museum, Finland; National Taiwan Museum of Fine Arts; Tel Aviv Museum of Art, Israel; National Museum of Contemporary Art, Seoul; Henie Onstad Kunstsenter, Oslo; Casa Asia, Madrid and Barcelona; ZKM Karlsruhe in Germany; Campbelltown Arts Centre, Sydney; Hangar Bicocca, Milan; Museum of Contemporary Art, Shanghai; IVAM Museum, Spain;  Busan MOMA; Kulturhuset, Stockholm; Chicago Cultural Centre amongst many others and she has participated in a number of workshops and residencies. She lives and works in Mumbai.\r\n\r\n<table>\r\n<tbody>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">SOLO EXHIBITIONS</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://www.naturemorte.com/exhibitions/2011-03-08_reena-saini-kallat/\" target=\"_blank\">Labyrinth of Absences, Nature Morte, New Delhi</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.primomarellagallery.com/it/catalogue/scheda.asp?id=568&amp;view=past\" target=\"_blank\">Drift, Primo Marella Gallery, Milan</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2008/reena_bio.html\" target=\"_blank\"> Silt of Seasons, Chemould   Prescott Road, Mumbai <font color=\"red\">  >> </font></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/reena-kallat-exhibition-2008/\" target=\"_blank\">Subject to Change without Notice, Walsh Gallery, Chicago</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Rainbow Of Refuse, Bodhi Art Gallery, Mumbai and Singapore</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td><a class=\"linkbio\" href=\"http://www.naturemorte.com/artists/reena-saini-kallat/selected-works/\" target=\"_blank\">Black Flute (And Other Stories), Nature Morte, New Delhi</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2004/reena_saini_kallat_note.html\" target=\"_blank\">Black Flute, Gallery Chemould, Mumbai</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>The Battlefield Is The Mind, Sakshi Gallery, Bangalore</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Seven Faces of Dust, Chicago Radio, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2000</td>\r\n<td>Skin, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1998</td>\r\n<td>Orchard of Home-grown Secrets, Gallery Chemould and Pundole  Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><span style=\"color: #888888;\"><strong>SELECTED GROUP EXHIBITIONS</strong></span></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>SESC Belenzino, Sao Paulo, Brazil<font color=\"red\"></font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td><a class=\"linkbio\" href=\"http://www.punkto.no/voices-from-pandemonium.5009470-185063.html\" target=\"_blank\">Stemmer fra Pandemonium, Punkt-Galleri F 15, Moss, Norway <font color=\"red\">  >> </font></td></a>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>Group show, Eigen + Art Lab, Berlin<font color=\"red\"></font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>To Let the World In: Narrative and Beyond in Contemporary Indian Art, Lalit Kala Regional Centre, Chennai, India<font color=\"red\"></font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td><a class=\"linkbio\" href=\"http://www.exhibit320.com/exhibitionShow/EXH00014/\" target=\"_blank\">The Contemporary Sultanate, the Sunrydge, New Delhi, India <font color=\"red\">  >> </font></td></a>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>Kalaghoda Art Festival, Mumbai, India <font color=\"red\"></font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>The Skoda Prize Exhibition, Lalit Kala Academy, New Delhi, India <font color=\"red\"></font></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<td valign=\"top\">2011</td>\r\n<td>India Side by Side, Centro Cultural Banco do Brasil, Rio De Janeiro, Brazil<font color=\"red\"></font></td>\r\n</tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Giant Elephant : Contemporary Art from India, H Cube Gallery, Seoul <font color=\"red\"></font></td>\r\n</tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Roundabout, Tel Aviv Museum of Art, Israel<font color=\"red\"> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://goteborg.biennal.org/en/the-biennial-2011/artists/\" target=\"_blank\">Goteborg International Biennale for Contemporary Art, curated by Sarat Maharaj, Göteborgs Konsthall and Bohuslans Konsthall, Uddevalla, Sweden <font color=\"red\">  >> </font></td></a>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Right to Dissent, Clark House, Mumbai, India</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>RED, Palette Art Gallery, Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\"  href=\"http://www.kennedy-center.org/events/?event=ZLINB\" target=\"_blank\" >Maximum India, The Kennedy Centre, Washington</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Of Gods and Goddesses, Cinema, Cricket - The New cultural Icons of India, Jehangir Art Gallery, Mumbai\r\n</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Samtidigt, Helsinki City Art Museum, Finland</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Iconoclasts and Iconodules, curated by Ombretta Argo, Religare Art Gallery, New  Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>The Vancouver International Sculpture Biennale, Surrey Art Gallery, Canada</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>The Intuitive: Logic Revisted, from the Osians Collection at The World Economic Forum, Davos, Switzerland</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/current/La_Route_De_La_Soie.htm\" target=\"_blank\">La Route de la Soie / The Silk Road, Lille 3000, France </a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.kulturhuset.stockholm.se/default.asp?id=5760&refid=34277\" target=\"_blank\">Samtidigt, Kulterhuset, Stockholm</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.campbelltown.nsw.gov.au/default.asp?iNavCatID=3407&iSubCatID=3615\" target=\"_blank\">The River Project, Campbelltown Art Centre, Sydney</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.aboutroundabout.com/artists/kallat-reena-saini\" target=\"_blank\">Roundabout, City Gallery Wellington, New Zealand</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/\" target=\"_blank\">Waterways, Walsh Gallery, Chicago</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.richmondartgallery.org/in-transition.php\" target=\"_blank\">In Transition: New Art from India, Richmond Art Gallery Vancouver Biennale, Vancouver</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://websterhuntgallery.blogspot.com/2010_02_01_archive.html\" target=\"_blank\">Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster University, curated by Jeffrey Hughes and Dana Turkovic,\r\nCecile R. Hunt Gallery,St.Louis,Missouri</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/51\" target=\"_blank\">Never Run Away, 2 person exhibition curated by Shaheen Merali,Stux   Gallery,  New York</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/artists/reena_kallat.htm?section_name=new_india\" target=\"_blank\">The Empire Strikes Back, Saatchi Gallery, London</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://art-for-the-world.blogspot.com/2010/01/some-installation-views-of-urban.html\" target=\"_blank\">Urban Manners 2, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao Paulo, Brazil</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.asianartbiennial.org/2009/en/index_en.html\" target=\"_blank\">View Points and Viewing points - 2009 Asian Art Biennale, National Taiwan Museum of Fine Arts </a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Spectrum: Indian Art at Abu   Dhabi, United   Arab Emirates</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Milan Galleria, curated by Georgio Verzotti, Triennale Museum, Milan</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.initialaccess.co.uk/exh/73/11/passage-to-india-part-ii/reena-saini-kallat\" target=\"_blank\">Passage to India Part II show at Initial Access, Frank Cohen Collection, Wolverhampton, UK</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Ventosul Biennale, Curitiba, Brazil</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/english/contents/india/index.html\" target=\"_blank\"> Chalo! India: A New Era of Indian Art, National  Museum of Contemporary Art, Korea and Essl Museum, Vienna</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mocashanghai.org/index.php?_function=exhibition&amp;_subFunction=pastExhibition&amp;exhibition_id=40&amp;_view=detail\" target=\"_blank\">INDIA XIANZAI: Contemporary Indian Art, Museum of Contemporary Art, Shanghai</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/42/622\" target=\"_blank\">Low Blow: And Other Species of Confusion, Stux gallery, New York</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><em> </em>Indian Narratives in the 21<sup>st</sup> Century: Between Memory and History,Casa  Asia, Madrid and Barcelona, Spain</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/body-chatter-an-exhibition-of-contemporary-indian-art-2008/\" target=\"_blank\">Body Chatter, Walsh Gallery, Chicago</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/contents/press/india_20081121_e.pdf\" target=\"_blank\">Chalo! India: A New Era of Indian Art, Mori Art   Museum, Japan</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.indiamoderna.es/eng/index.html\" target=\"_blank\">India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM Museum, Valencia, Spain </a> <font color=\"red\">  >> </font></td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.aaa.org.hk/onlineprojects/bitri/en/gallery.aspx?eid=A080.03\" target=\"_blank\">3<sup>rd</sup> Nanjing Triennale, curators: Fumihiko Sumitomo, Jaeyoung Kang,  China</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>TEAF (Taehwagang Eco Art Festival) - Dream River, Korea</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.bodhiart.in/exhibitions/everywhere_is_war/everywhere_war.html\" target=\"_blank\">Everywhere is War (And Rumours of it), Bodhi Art Gallery, Mumbai</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/33\" target=\"_blank\">Fire Walkers, Stefan Stux gallery, New York</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.galeriems.com/reenask_one.htm\" target=\"_blank\">Three Points of view, Galerie Mirchandani + Steinrucke, Mumbai</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Excavation: Memory / Myth / Membrane, Museum Gallery, Mumbai</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>International Incheon Women Artists’ Biennale, Korea</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Soft Power: Asian Attitude, Shanghai Zendai Museum of Modern Art, Shanghai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td><a class=\"linkbio\" href=\"http://www.kunstaspekte.de/index.php?tid=39629&amp;action=termin\" target=\"_blank\">Urban Manners, curated by Adelina Von Furstenberg, at Hangar Bicocca , Milan</a> <font color=\"red\">  >> </font></td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td><a class=\"linkbio\" href=\"http://www.art-for-the-world.com/wwd/2007/urban_manners/Urban_Manners_pr.pdf\" target=\"_blank\">INDIA NOW: Contemporary Indian Art, Between Continuity and transformation,curated by Daniela Palozzoli at Spazio Oberdan, Milan</a> <font color=\"red\">  >> </font></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>New Narratives: Contemporary Art From India, curated by Betty Seid,Chicago Cultural Centre, Chicago</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Thermocline Of Art- New Asian Waves, curated by Wonil Rhee and Peter Weibel at ZKM in Karlsruhe, Germany</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Modern Indian Works On Paper, Arthur Ross Gallery, Philadelphia and the Georgia Museum of Art, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Lille 3000 (Maximum City-Mumbai), Lille,  France</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Hungry God- Indian Contemporary Art, curated by Yun Chaegab and June Gwak, Arario Gallery, Beijing and Busan MoMA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>India Express – Art and Popular Culture, Art Museum Tennispalace, curators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City  Art Museum, Finland</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Mom and Pop Art, Walsh Gallery, Chicago</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Span, Sakshi Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Indian Paintings of the New Millenium, curated by Helen Asquine Fazio at Thomas J. Walsh Art Gallery at Fairfield  University, USA</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td><em> </em>Contemporary Art from India, Thomas   Erben Gallery, New York</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td>Zoom! Art in Contemporary India. Curators: Nancy Adajania and Luis Serpa, The Culturgest Museum, Lisbon, Portugal</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Crossing generations: diVERGE, Gallery Chemould’s 40th anniversary,Curators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of Modern Art, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td><em> </em>Hard Copy, two-person show with Jitish Kallat, Gallery 88, Calcutta</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Tiranga, curator: Peter Nagy, India Habitat Centre, New Delhi</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td><em> </em>Elephant Walks, Youth Arts Project in collaboration with Jitish Kallat as part of Indians + Cowboys exhibition, Curators: Aaron Seetu and Ruth Watson Gallery 4A, Sydney</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>The Tree From The Seed, Contemporary Art from India, curator: Gavin Jantjes Henie Onstad Kunstsenter (Oslo), Norway</td>\r\n<td><em></em></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td><em>Crosscurrents</em>, organized by Artworks for the fiftieth anniversary celebrations of Jehangir Art  Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td><em>Reclaim Our Freedom</em>, organized by Open Circle, Pundole Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Crossing Borders, Gallery Windkracht 13, Den Helder, Holland</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>Big River 2, CCA7 Gallery, Port Of Spain, Trinidad</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>AOM- Art on the move, organized by Sahmat, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1999</td>\r\n<td><em> </em>Edge of the Century, curated by Amit Mukhopadhyay, Academy  of Fine Arts and Literature, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1998</td>\r\n<td><em> </em>Essays in Time, Kinetic Sculptures, Nehru Centre, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1997</td>\r\n<td><em> </em>India in Harmony 1947-1997, Nehru Centre, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1997</td>\r\n<td><em> </em>A Page From My Diary, Sans Tache Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1997</td>\r\n<td><em> </em>Fresh Work, Birla Academy of Art and Culture, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1996</td>\r\n<td><em> </em>Monsoon Show, Jehangir Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1995</td>\r\n<td><em> </em>Varsha ’95, Y. B. Chavan Gallery, Mumbai</td>\r\n</tr>\r\n\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">SELECTED WORKSHOPS AND RESIDENCIES</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>Visas to Happiness, workshop with children as part of the exhibition \'To Let the World In\', Chennai\r\n</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Iaspis Residency, Gothenburg, Sweden.</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Iaspis Residency, Gothenburg, Sweden. May 5 to June 4, 2011</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Vanishing Point, children’s project at the Celebrate Bandra Festival, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Collaborative workshop as part of the exhibition Aftershock, Sainsbury Centre for Visual Arts, University of East Anglia, Norwich,  UK</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Collaborated on a Billboard project with Jitish Kallat, Kala Ghoda Art District, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Elephant Walks, Youth Arts Project at the Casula Power House Arts Centre, Liverpool, Australia</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Khoj 2002 International Artists Workshop, Mysore, India</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Identity and Landscape, residency in the Laurentian mountains of Quebec at the Boreal Art/Nature Centre, Canada</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>Big River 2, International Artists Workshop organized by CCA7 and the Triangle Arts Trust at Grand Riviere, Trinidad, West Indies</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n</tr>\r\n<tr>\r\n<td><span style=\"color: #888888;\"><strong>TALKS/PRESENTATIONS</strong></span></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Artists Talk at GIBCA Speak Easy (GSE), Goteborg, Sweden</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Informal talk at HDK – The School of Design and Crafts, Goteborg, Sweden</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Artists Talk at the Iaspis Residency Studio, Sweden</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td>Short presentation as part of The River Project at The Campbelltown Arts Centre, Sydney, Australia\r\n</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Artists Talk at the Krishnakriti Festival 2011, Kalakriti Gallery, Hyderabad  </td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td>Panel discussion moderated by Maria Lantz, with participating artists during the exhibition Samtidigt at Kulturhuset, Stockholm</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Panel discussion with artist Gulam Sheikh, co-chair: Sabine B. Vogel, art critic at the Sammlung Essl Museum, Vienna</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Slide presentation followed by a panel discussion with Nalini Malani and Jayshree Chakravarty, moderated by Nancy Adajania at Jnanapravaha, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Slide presentation at the School of the Art Institute of Chicago</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Panel discussion with Nalini Malani, Sheba Chhachhi, moderated by Betty Seid at the Chicago Cultural Centre</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Lecture at the University Boccini, Milan</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Slide presentation at the Lamar Dodd School of Art, University of Georgia, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Artists Talk at the Griffith Auditorium, Georgia Museum of Art, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Slide presentation at Oslo National Academy of the Arts, Norway</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2000</td>\r\n<td>Slide presentation at Mohile Parikh Centre for the Visual Arts, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">AWARDS</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>YFLO ZOYA Young Women Achievers Awards 2010-11, Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Harmony Award</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1996</td>\r\n<td>Bombay Art Society Merit Certificate</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1996</td>\r\n<td>Second Prize Government Award, Sir J. J. School of Art, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1995</td>\r\n<td>Gladstone Solomon Award</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1991-1996</td>\r\n<td>Merit Scholarship, Sir J. J. School of Art, Mumbai</td>\r\n</tr>\r\n</tbody>\r\n</table>','Biography','','inherit','open','open','','105-revision-109','','','2012-04-23 18:46:06','2012-04-23 18:46:06','',105,'http://www.reenakallat.com/2677/uncat/105-revision-109',0,'revision','',0),(2707,1,'2012-05-04 18:50:17','2012-05-04 18:50:17','Reena Saini Kallat (b. 1973, Delhi, India) graduated from Sir J.J. School of Art, Mumbai in 1996 with a B.F.A. in painting. Her practice - spanning painting, photography, video, sculpture and installation, often incorporates multiple mediums into a single work. She frequently works with officially recorded or registered names of people, objects, and monuments that are lost or have disappeared without a trace, only to get listed as anonymous and forgotten statistics. One of the recurrent motifs in her work is the rubber stamp, used as an object and an imprint, signifying the bureaucratic apparatus, which both confirms and obscures identities.\r\n\r\nHer work has been widely exhibited across the world in venues such as Mori Art Museum, Tokyo; Kennedy Centre, Washington; Saatchi Gallery, London; SESC Pompeia and SESC Belenzino in Sao Paulo; Goteborgs Konsthall, Sweden; Helsinki City Art Museum, Finland; National Taiwan Museum of Fine Arts; Tel Aviv Museum of Art, Israel; National Museum of Contemporary Art, Seoul; Henie Onstad Kunstsenter, Oslo; Casa Asia, Madrid and Barcelona; ZKM Karlsruhe in Germany; Campbelltown Arts Centre, Sydney; Hangar Bicocca, Milan; Museum of Contemporary Art, Shanghai; IVAM Museum, Spain;  Busan MOMA; Kulturhuset, Stockholm; Chicago Cultural Centre amongst many others and she has participated in a number of workshops and residencies. She lives and works in Mumbai.<tr><td>&nbsp;</td></tr><table>\r\n<tbody>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">SOLO EXHIBITIONS</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://www.naturemorte.com/exhibitions/2011-03-08_reena-saini-kallat/\" target=\"_blank\">Labyrinth of Absences, Nature Morte, New Delhi</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.primomarellagallery.com/it/catalogue/scheda.asp?id=568&amp;view=past\" target=\"_blank\">Drift, Primo Marella Gallery, Milan</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2008/reena_bio.html\" target=\"_blank\"> Silt of Seasons, Chemould   Prescott Road, Mumbai <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/reena-kallat-exhibition-2008/\" target=\"_blank\">Subject to Change without Notice, Walsh Gallery, Chicago</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Rainbow Of Refuse, Bodhi Art Gallery, Mumbai and Singapore</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td><a class=\"linkbio\" href=\"http://www.naturemorte.com/artists/reena-saini-kallat/selected-works/\" target=\"_blank\">Black Flute (And Other Stories), Nature Morte, New Delhi</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2004/reena_saini_kallat_note.html\" target=\"_blank\">Black Flute, Gallery Chemould, Mumbai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>The Battlefield Is The Mind, Sakshi Gallery, Bangalore</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Seven Faces of Dust, Chicago Radio, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2000</td>\r\n<td>Skin, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1998</td>\r\n<td>Orchard of Home-grown Secrets, Gallery Chemould and Pundole  Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><span style=\"color: #888888;\"><strong>SELECTED GROUP EXHIBITIONS</strong></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>SESC Belenzino, Sao Paulo, Brazil</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td><a class=\"linkbio\" href=\"http://www.punkto.no/voices-from-pandemonium.5009470-185063.html\" target=\"_blank\">Stemmer fra Pandemonium, Punkt-Galleri F 15, Moss, Norway <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>Group show, Eigen + Art Lab, Berlin</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>To Let the World In: Narrative and Beyond in Contemporary Indian Art, Lalit Kala Regional Centre, Chennai, India</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td><a class=\"linkbio\" href=\"http://www.exhibit320.com/exhibitionShow/EXH00014/\" target=\"_blank\">The Contemporary Sultanate, the Sunrydge, New Delhi, India <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>Kalaghoda Art Festival, Mumbai, India</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>The Skoda Prize Exhibition, Lalit Kala Academy, New Delhi, India</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>India Side by Side, Centro Cultural Banco do Brasil, Rio De Janeiro, Brazil</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Giant Elephant : Contemporary Art from India, H Cube Gallery, Seoul</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Roundabout, Tel Aviv Museum of Art, Israel<span style=\"color: red;\"> </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://goteborg.biennal.org/en/the-biennial-2011/artists/\" target=\"_blank\">Goteborg International Biennale for Contemporary Art, curated by Sarat Maharaj, Göteborgs Konsthall and Bohuslans Konsthall, Uddevalla, Sweden <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Right to Dissent, Clark House, Mumbai, India</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>RED, Palette Art Gallery, Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://www.kennedy-center.org/events/?event=ZLINB\" target=\"_blank\">Maximum India, The Kennedy Centre, Washington</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Of Gods and Goddesses, Cinema, Cricket - The New cultural Icons of India, Jehangir Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Samtidigt, Helsinki City Art Museum, Finland</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Iconoclasts and Iconodules, curated by Ombretta Argo, Religare Art Gallery, New  Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>The Vancouver International Sculpture Biennale, Surrey Art Gallery, Canada</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>The Intuitive: Logic Revisted, from the Osians Collection at The World Economic Forum, Davos, Switzerland</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/current/La_Route_De_La_Soie.htm\" target=\"_blank\">La Route de la Soie / The Silk Road, Lille 3000, France </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.kulturhuset.stockholm.se/default.asp?id=5760&amp;refid=34277\" target=\"_blank\">Samtidigt, Kulterhuset, Stockholm</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.campbelltown.nsw.gov.au/default.asp?iNavCatID=3407&amp;iSubCatID=3615\" target=\"_blank\">The River Project, Campbelltown Art Centre, Sydney</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.aboutroundabout.com/artists/kallat-reena-saini\" target=\"_blank\">Roundabout, City Gallery Wellington, New Zealand</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/\" target=\"_blank\">Waterways, Walsh Gallery, Chicago</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.richmondartgallery.org/in-transition.php\" target=\"_blank\">In Transition: New Art from India, Richmond Art Gallery Vancouver Biennale, Vancouver</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://websterhuntgallery.blogspot.com/2010_02_01_archive.html\" target=\"_blank\">Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster University, curated by Jeffrey Hughes and Dana Turkovic, Cecile R. Hunt  Gallery, St. Louis, Missouri</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/51\" target=\"_blank\">Never Run Away, 2 person exhibition curated by Shaheen Merali, Stux Gallery, New York</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/artists/reena_kallat.htm?section_name=new_india\" target=\"_blank\">The Empire Strikes Back, Saatchi Gallery, London</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://art-for-the-world.blogspot.com/2010/01/some-installation-views-of-urban.html\" target=\"_blank\">Urban Manners 2, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao Paulo, Brazil</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.asianartbiennial.org/2009/en/index_en.html\" target=\"_blank\">View Points and Viewing points - 2009 Asian Art Biennale, National Taiwan Museum of Fine Arts </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Spectrum: Indian Art at Abu   Dhabi, United   Arab Emirates</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Milan Galleria, curated by Georgio Verzotti, Triennale Museum, Milan</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.initialaccess.co.uk/exh/73/11/passage-to-india-part-ii/reena-saini-kallat\" target=\"_blank\">Passage to India Part II show at Initial Access, Frank Cohen Collection, Wolverhampton, UK</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Ventosul Biennale, Curitiba, Brazil</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/english/contents/india/index.html\" target=\"_blank\"> Chalo! India: A New Era of Indian Art, National  Museum of Contemporary Art, Korea and Essl Museum, Vienna</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mocashanghai.org/index.php?_function=exhibition&amp;_subFunction=pastExhibition&amp;exhibition_id=40&amp;_view=detail\" target=\"_blank\">INDIA XIANZAI: Contemporary Indian Art, Museum of Contemporary Art, Shanghai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/42/622\" target=\"_blank\">Low Blow: And Other Species of Confusion, Stux gallery, New York</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><em> </em>Indian Narratives in the 21<sup>st</sup> Century: Between Memory and History,Casa  Asia, Madrid and Barcelona, Spain</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/body-chatter-an-exhibition-of-contemporary-indian-art-2008/\" target=\"_blank\">Body Chatter, Walsh Gallery, Chicago</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/contents/press/india_20081121_e.pdf\" target=\"_blank\">Chalo! India: A New Era of Indian Art, Mori Art   Museum, Japan</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.indiamoderna.es/eng/index.html\" target=\"_blank\">India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM Museum, Valencia, Spain </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.aaa.org.hk/onlineprojects/bitri/en/gallery.aspx?eid=A080.03\" target=\"_blank\">3<sup>rd</sup> Nanjing Triennale, curators: Fumihiko Sumitomo, Jaeyoung Kang,  China</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>TEAF (Taehwagang Eco Art Festival) - Dream River, Korea</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.bodhiart.in/exhibitions/everywhere_is_war/everywhere_war.html\" target=\"_blank\">Everywhere is War (And Rumours of it), Bodhi Art Gallery, Mumbai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/33\" target=\"_blank\">Fire Walkers, Stefan Stux gallery, New York</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.galeriems.com/reenask_one.htm\" target=\"_blank\">Three Points of view, Galerie Mirchandani + Steinrucke, Mumbai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Excavation: Memory / Myth / Membrane, Museum Gallery, Mumbai</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>International Incheon Women Artists’ Biennale, Korea</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Soft Power: Asian Attitude, Shanghai Zendai Museum of Modern Art, Shanghai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td><a class=\"linkbio\" href=\"http://www.kunstaspekte.de/index.php?tid=39629&amp;action=termin\" target=\"_blank\">Urban Manners, curated by Adelina Von Furstenberg, at Hangar Bicocca, Milan </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td><a class=\"linkbio\" href=\"http://www.art-for-the-world.com/wwd/2007/urban_manners/Urban_Manners_pr.pdf\" target=\"_blank\">INDIA NOW: Contemporary Indian Art, Between Continuity and transformation, curated by Daniela Palozzoli at Spazio Oberdan, Milan</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>New Narratives: Contemporary Art From India, curated by Betty Seid, Chicago Cultural Centre, Chicago</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Thermocline Of Art- New Asian Waves, curated by Wonil Rhee and Peter Weibel at ZKM in Karlsruhe, Germany</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Modern Indian Works On Paper, Arthur Ross Gallery, Philadelphia and the Georgia Museum of Art, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Lille 3000 (Maximum City-Mumbai), Lille,  France</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Hungry God- Indian Contemporary Art, curated by Yun Chaegab and June Gwak, Arario Gallery, Beijing and Busan MoMA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>India Express – Art and Popular Culture, Art Museum Tennispalace, curators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City  Art Museum, Finland</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Mom and Pop Art, Walsh Gallery, Chicago</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Span, Sakshi Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Indian Paintings of the New Millenium, curated by Helen Asquine Fazio at Thomas J. Walsh Art Gallery at Fairfield  University, USA</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td><em> </em>Contemporary Art from India, Thomas   Erben Gallery, New York</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td>Zoom! Art in Contemporary India. Curators: Nancy Adajania and Luis Serpa, The Culturgest Museum, Lisbon, Portugal</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Crossing generations: diVERGE, Gallery Chemould’s 40th anniversary, Curators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of Modern Art, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td><em> </em>Hard Copy, two-person show with Jitish Kallat, Gallery 88, Calcutta</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Tiranga, curator: Peter Nagy, India Habitat Centre, New Delhi</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td><em> </em>Elephant Walks, Youth Arts Project in collaboration with Jitish Kallat as part of Indians + Cowboys exhibition, Curators: Aaron Seetu and Ruth Watson Gallery 4A, Sydney</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>The Tree From The Seed, Contemporary Art from India, curator: Gavin Jantjes Henie Onstad Kunstsenter (Oslo), Norway</td>\r\n<td><em></em></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td><em>Crosscurrents</em>, organized by Artworks for the fiftieth anniversary celebrations of Jehangir Art  Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td><em>Reclaim Our Freedom</em>, organized by Open Circle, Pundole Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Crossing Borders, Gallery Windkracht 13, Den Helder, Holland</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>Big River 2, CCA7 Gallery, Port Of Spain, Trinidad</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>AOM- Art on the move, organized by Sahmat, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1999</td>\r\n<td><em> </em>Edge of the Century, curated by Amit Mukhopadhyay, Academy  of Fine Arts and Literature, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1998</td>\r\n<td><em> </em>Essays in Time, Kinetic Sculptures, Nehru Centre, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1997</td>\r\n<td><em> </em>India in Harmony 1947-1997, Nehru Centre, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1997</td>\r\n<td><em> </em>A Page From My Diary, Sans Tache Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1997</td>\r\n<td><em> </em>Fresh Work, Birla Academy of Art and Culture, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1996</td>\r\n<td><em> </em>Monsoon Show, Jehangir Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1995</td>\r\n<td><em> </em>Varsha ’95, Y. B. Chavan Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">SELECTED WORKSHOPS AND RESIDENCIES</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>Visas to Happiness, workshop with children as part of the exhibition \'To Let the World In\', Chennai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Iaspis Residency, Gothenburg, Sweden.</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Vanishing Point, children’s project at the Celebrate Bandra Festival, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Collaborative workshop as part of the exhibition Aftershock, Sainsbury Centre for Visual Arts, University of East Anglia, Norwich,  UK</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Collaborated on a Billboard project with Jitish Kallat, Kala Ghoda Art District, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Elephant Walks, Youth Arts Project at the Casula Power House Arts Centre, Liverpool, Australia</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Khoj 2002 International Artists Workshop, Mysore, India</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Identity and Landscape, residency in the Laurentian mountains of Quebec at the Boreal Art/Nature Centre, Canada</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>Big River 2, International Artists Workshop organized by CCA7 and the Triangle Arts Trust at Grand Riviere, Trinidad, West Indies</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td><span style=\"color: #888888;\"><strong>TALKS/PRESENTATIONS</strong></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Artists Talk at GIBCA Speak Easy (GSE), Goteborg, Sweden</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Informal talk at HDK – The School of Design and Crafts, Goteborg, Sweden</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Artists Talk at the Iaspis Residency Studio, Sweden</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td>Short presentation as part of The River Project at The Campbelltown Arts Centre, Sydney, Australia</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Artists Talk at the Krishnakriti Festival 2011, Kalakriti Gallery, Hyderabad</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td>Panel discussion moderated by Maria Lantz, with participating artists during the exhibition Samtidigt at Kulturhuset, Stockholm</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Panel discussion with artist Gulam Sheikh, co-chair: Sabine B. Vogel, art critic at the Sammlung Essl Museum, Vienna</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Slide presentation followed by a panel discussion with Nalini Malani and Jayshree Chakravarty, moderated by Nancy Adajania at Jnanapravaha, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Slide presentation at the School of the Art Institute of Chicago</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Panel discussion with Nalini Malani, Sheba Chhachhi, moderated by Betty Seid at the Chicago Cultural Centre</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Lecture at the University Boccini, Milan</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Slide presentation at the Lamar Dodd School of Art, University of Georgia, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Artists Talk at the Griffith Auditorium, Georgia Museum of Art, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Slide presentation at Oslo National Academy of the Arts, Norway</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2000</td>\r\n<td>Slide presentation at Mohile Parikh Centre for the Visual Arts, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">AWARDS</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>YFLO ZOYA Young Women Achievers Awards 2010-11, Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Harmony Award</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1996</td>\r\n<td>Bombay Art Society Merit Certificate</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1996</td>\r\n<td>Second Prize Government Award, Sir J. J. School of Art, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1995</td>\r\n<td>Gladstone Solomon Award</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1991-1996</td>\r\n<td>Merit Scholarship, Sir J. J. School of Art, Mumbai</td>\r\n</tr>\r\n</tbody>\r\n</table>','Biography','','inherit','open','open','','105-revision-114','','','2012-05-04 18:50:17','2012-05-04 18:50:17','',105,'http://www.reenakallat.com/2707/uncat/105-revision-114',0,'revision','',0),(2694,1,'2012-05-03 18:09:16','2012-05-03 18:09:16','	Reena Saini Kallat (b. 1973, Delhi, India) graduated from Sir J.J. School of Art, Mumbai in 1996 with a B.F.A. in painting. Her practice - spanning painting, photography, video, sculpture and installation, often incorporates multiple mediums into a single work. She frequently works with officially recorded or registered names of people, objects, and monuments that are lost or have disappeared without a trace, only to get listed as anonymous and forgotten statistics. One of the recurrent motifs in her work is the rubber stamp, used as an object and an imprint, signifying the bureaucratic apparatus, which both confirms and obscures identities. \r\n	 \r\n	Her work has been widely exhibited across the world in venues such as Mori Art Museum, Tokyo; Kennedy Centre, Washington; Saatchi Gallery, London; SESC Pompeia and SESC Belenzino in Sao Paulo; Goteborgs Konsthall, Sweden; Helsinki City Art Museum, Finland; National Taiwan Museum of Fine Arts; Tel Aviv Museum of Art, Israel; National Museum of Contemporary Art, Seoul; Henie Onstad Kunstsenter, Oslo; Casa Asia, Madrid and Barcelona; ZKM Karlsruhe in Germany; Campbelltown Arts Centre, Sydney; Hangar Bicocca, Milan; Museum of Contemporary Art, Shanghai; IVAM Museum, Spain;  Busan MOMA; Kulturhuset, Stockholm; Chicago Cultural Centre amongst many others and she has participated in a number of workshops and residencies. She lives and works in Mumbai.<table><tbody><tr><td colspan=\"2\"><strong><span style=\"color: #888888;\">SOLO EXHIBITIONS</span></strong></td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2011</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.naturemorte.com/exhibitions/2011-03-08_reena-saini-kallat/\" target=\"_blank\">Labyrinth of Absences, Nature Morte, New Delhi</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2009</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.primomarellagallery.com/it/catalogue/scheda.asp?id=568&amp;view=past\" target=\"_blank\">Drift, Primo Marella Gallery, Milan</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2008</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2008/reena_bio.html\" target=\"_blank\"> Silt of Seasons, Chemould   Prescott Road, Mumbai <font color=\"red\">  >> </font></a></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2008</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/reena-kallat-exhibition-2008/\" target=\"_blank\">Subject to Change without Notice, Walsh Gallery, Chicago</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2006</td>\r\n	<td>Rainbow Of Refuse, Bodhi Art Gallery, Mumbai and Singapore</td>\r\n	<td><em> </em></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2005</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.naturemorte.com/artists/reena-saini-kallat/selected-works/\" target=\"_blank\">Black Flute (And Other Stories), Nature Morte, New Delhi</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2004</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2004/reena_saini_kallat_note.html\" target=\"_blank\">Black Flute, Gallery Chemould, Mumbai</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2002</td>\r\n	<td>The Battlefield Is The Mind, Sakshi Gallery, Bangalore</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2002</td>\r\n	<td>Seven Faces of Dust, Chicago Radio, Mumbai</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2000</td>\r\n	<td>Skin, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">1998</td>\r\n	<td>Orchard of Home-grown Secrets, Gallery Chemould and Pundole  Art Gallery, Mumbai</td>\r\n	</tr>\r\n	<tr>\r\n	<td></td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td colspan=\"2\"><span style=\"color: #888888;\"><strong>SELECTED GROUP EXHIBITIONS</strong></span></td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2012</td>\r\n	<td>SESC Belenzino, Sao Paulo, Brazil<font color=\"red\"></font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2012</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.punkto.no/voices-from-pandemonium.5009470-185063.html\" target=\"_blank\">Stemmer fra Pandemonium, Punkt-Galleri F 15, Moss, Norway <font color=\"red\">  >> </font></td></a>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2012</td>\r\n	<td>Group show, Eigen + Art Lab, Berlin<font color=\"red\"></font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2012</td>\r\n	<td>To Let the World In: Narrative and Beyond in Contemporary Indian Art, Lalit Kala Regional Centre, Chennai, India<font color=\"red\"></font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2012</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.exhibit320.com/exhibitionShow/EXH00014/\" target=\"_blank\">The Contemporary Sultanate, the Sunrydge, New Delhi, India <font color=\"red\">  >> </font></td></a>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2012</td>\r\n	<td>Kalaghoda Art Festival, Mumbai, India <font color=\"red\"></font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2012</td>\r\n	<td>The Skoda Prize Exhibition, Lalit Kala Academy, New Delhi, India <font color=\"red\"></font></td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<td valign=\"top\">2011</td>\r\n	<td>India Side by Side, Centro Cultural Banco do Brasil, Rio De Janeiro, Brazil<font color=\"red\"></font></td>\r\n	</tr>\r\n	<td valign=\"top\">2011</td>\r\n	<td>Giant Elephant : Contemporary Art from India, H Cube Gallery, Seoul <font color=\"red\"></font></td>\r\n	</tr>\r\n	<td valign=\"top\">2011</td>\r\n	<td>Roundabout, Tel Aviv Museum of Art, Israel<font color=\"red\"> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2011</td>\r\n	<td><a class=\"linkbio\" href=\"http://goteborg.biennal.org/en/the-biennial-2011/artists/\" target=\"_blank\">Goteborg International Biennale for Contemporary Art, curated by Sarat Maharaj, Göteborgs Konsthall and Bohuslans Konsthall, Uddevalla, Sweden <font color=\"red\">  >> </font></td></a>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2011</td>\r\n	<td>Right to Dissent, Clark House, Mumbai, India</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2011</td>\r\n	<td>RED, Palette Art Gallery, Delhi</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2011</td>\r\n	<td><a class=\"linkbio\"  href=\"http://www.kennedy-center.org/events/?event=ZLINB\" target=\"_blank\" >Maximum India, The Kennedy Centre, Washington</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2011</td>\r\n	<td>Of Gods and Goddesses, Cinema, Cricket - The New cultural Icons of India, Jehangir Art Gallery, Mumbai\r\n	</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2011</td>\r\n	<td>Samtidigt, Helsinki City Art Museum, Finland</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2011</td>\r\n	<td>Iconoclasts and Iconodules, curated by Ombretta Argo, Religare Art Gallery, New  Delhi</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2011</td>\r\n	<td>The Vancouver International Sculpture Biennale, Surrey Art Gallery, Canada</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2011</td>\r\n	<td>The Intuitive: Logic Revisted, from the Osians Collection at The World Economic Forum, Davos, Switzerland</td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2010</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/current/La_Route_De_La_Soie.htm\" target=\"_blank\">La Route de la Soie / The Silk Road, Lille 3000, France </a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2010</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.kulturhuset.stockholm.se/default.asp?id=5760&refid=34277\" target=\"_blank\">Samtidigt, Kulterhuset, Stockholm</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2010</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.campbelltown.nsw.gov.au/default.asp?iNavCatID=3407&iSubCatID=3615\" target=\"_blank\">The River Project, Campbelltown Art Centre, Sydney</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2010</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.aboutroundabout.com/artists/kallat-reena-saini\" target=\"_blank\">Roundabout, City Gallery Wellington, New Zealand</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2010</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/\" target=\"_blank\">Waterways, Walsh Gallery, Chicago</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2010</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.richmondartgallery.org/in-transition.php\" target=\"_blank\">In Transition: New Art from India, Richmond Art Gallery Vancouver Biennale, Vancouver</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2010</td>\r\n	<td><a class=\"linkbio\" href=\"http://websterhuntgallery.blogspot.com/2010_02_01_archive.html\" target=\"_blank\">Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster University, curated by Jeffrey Hughes and Dana Turkovic, Cecile R. Hunt  Gallery, St. Louis, Missouri</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2010</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/51\" target=\"_blank\">Never Run Away, 2 person exhibition curated by Shaheen Merali, Stux Gallery, New York</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2010</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/artists/reena_kallat.htm?section_name=new_india\" target=\"_blank\">The Empire Strikes Back, Saatchi Gallery, London</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2010</td>\r\n	<td><a class=\"linkbio\" href=\"http://art-for-the-world.blogspot.com/2010/01/some-installation-views-of-urban.html\" target=\"_blank\">Urban Manners 2, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao Paulo, Brazil</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2009</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.asianartbiennial.org/2009/en/index_en.html\" target=\"_blank\">View Points and Viewing points - 2009 Asian Art Biennale, National Taiwan Museum of Fine Arts </a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2009</td>\r\n	<td>Spectrum: Indian Art at Abu   Dhabi, United   Arab Emirates</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2009</td>\r\n	<td>Milan Galleria, curated by Georgio Verzotti, Triennale Museum, Milan</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2009</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.initialaccess.co.uk/exh/73/11/passage-to-india-part-ii/reena-saini-kallat\" target=\"_blank\">Passage to India Part II show at Initial Access, Frank Cohen Collection, Wolverhampton, UK</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2009</td>\r\n	<td>Ventosul Biennale, Curitiba, Brazil</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2009</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/english/contents/india/index.html\" target=\"_blank\"> Chalo! India: A New Era of Indian Art, National  Museum of Contemporary Art, Korea and Essl Museum, Vienna</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2009</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.mocashanghai.org/index.php?_function=exhibition&amp;_subFunction=pastExhibition&amp;exhibition_id=40&amp;_view=detail\" target=\"_blank\">INDIA XIANZAI: Contemporary Indian Art, Museum of Contemporary Art, Shanghai</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2009</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/42/622\" target=\"_blank\">Low Blow: And Other Species of Confusion, Stux gallery, New York</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2009</td>\r\n	<td><em> </em>Indian Narratives in the 21<sup>st</sup> Century: Between Memory and History,Casa  Asia, Madrid and Barcelona, Spain</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2009</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/body-chatter-an-exhibition-of-contemporary-indian-art-2008/\" target=\"_blank\">Body Chatter, Walsh Gallery, Chicago</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2008</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/contents/press/india_20081121_e.pdf\" target=\"_blank\">Chalo! India: A New Era of Indian Art, Mori Art   Museum, Japan</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2008</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.indiamoderna.es/eng/index.html\" target=\"_blank\">India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM Museum, Valencia, Spain </a> <font color=\"red\">  >> </font></td>\r\n	<td></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2008</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.aaa.org.hk/onlineprojects/bitri/en/gallery.aspx?eid=A080.03\" target=\"_blank\">3<sup>rd</sup> Nanjing Triennale, curators: Fumihiko Sumitomo, Jaeyoung Kang,  China</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2008</td>\r\n	<td>TEAF (Taehwagang Eco Art Festival) - Dream River, Korea</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2008</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.bodhiart.in/exhibitions/everywhere_is_war/everywhere_war.html\" target=\"_blank\">Everywhere is War (And Rumours of it), Bodhi Art Gallery, Mumbai</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2008</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/33\" target=\"_blank\">Fire Walkers, Stefan Stux gallery, New York</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2008</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.galeriems.com/reenask_one.htm\" target=\"_blank\">Three Points of view, Galerie Mirchandani + Steinrucke, Mumbai</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2008</td>\r\n	<td>Excavation: Memory / Myth / Membrane, Museum Gallery, Mumbai</td>\r\n	<td></td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2007</td>\r\n	<td>International Incheon Women Artists’ Biennale, Korea</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2007</td>\r\n	<td>Soft Power: Asian Attitude, Shanghai Zendai Museum of Modern Art, Shanghai</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2007</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.kunstaspekte.de/index.php?tid=39629&amp;action=termin\" target=\"_blank\">Urban Manners, curated by Adelina Von Furstenberg, at Hangar Bicocca, Milan </a> <font color=\"red\">  >> </font></td>\r\n	<td></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2007</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.art-for-the-world.com/wwd/2007/urban_manners/Urban_Manners_pr.pdf\" target=\"_blank\">INDIA NOW: Contemporary Indian Art, Between Continuity and transformation, curated by Daniela Palozzoli at Spazio Oberdan, Milan</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2007</td>\r\n	<td>New Narratives: Contemporary Art From India, curated by Betty Seid, Chicago Cultural Centre, Chicago</td>\r\n	<td><em> </em></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2007</td>\r\n	<td>Thermocline Of Art- New Asian Waves, curated by Wonil Rhee and Peter Weibel at ZKM in Karlsruhe, Germany</td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2006</td>\r\n	<td>Modern Indian Works On Paper, Arthur Ross Gallery, Philadelphia and the Georgia Museum of Art, USA</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2006</td>\r\n	<td>Lille 3000 (Maximum City-Mumbai), Lille,  France</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2006</td>\r\n	<td>Hungry God- Indian Contemporary Art, curated by Yun Chaegab and June Gwak, Arario Gallery, Beijing and Busan MoMA</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2006</td>\r\n	<td>India Express – Art and Popular Culture, Art Museum Tennispalace, curators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City  Art Museum, Finland</td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2005</td>\r\n	<td>Mom and Pop Art, Walsh Gallery, Chicago</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2005</td>\r\n	<td>Span, Sakshi Gallery, Mumbai</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2005</td>\r\n	<td>Indian Paintings of the New Millenium, curated by Helen Asquine Fazio at Thomas J. Walsh Art Gallery at Fairfield  University, USA</td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2004</td>\r\n	<td><em> </em>Contemporary Art from India, Thomas   Erben Gallery, New York</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2004</td>\r\n	<td>Zoom! Art in Contemporary India. Curators: Nancy Adajania and Luis Serpa, The Culturgest Museum, Lisbon, Portugal</td>\r\n	<td></td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2003</td>\r\n	<td>Crossing generations: diVERGE, Gallery Chemould’s 40th anniversary, Curators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of Modern Art, Mumbai</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2003</td>\r\n	<td><em> </em>Hard Copy, two-person show with Jitish Kallat, Gallery 88, Calcutta</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2003</td>\r\n	<td>Tiranga, curator: Peter Nagy, India Habitat Centre, New Delhi</td>\r\n	<td><em> </em></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2003</td>\r\n	<td><em> </em>Elephant Walks, Youth Arts Project in collaboration with Jitish Kallat as part of Indians + Cowboys exhibition, Curators: Aaron Seetu and Ruth Watson Gallery 4A, Sydney</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2003</td>\r\n	<td>The Tree From The Seed, Contemporary Art from India, curator: Gavin Jantjes Henie Onstad Kunstsenter (Oslo), Norway</td>\r\n	<td><em></em></td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2002</td>\r\n	<td><em>Crosscurrents</em>, organized by Artworks for the fiftieth anniversary celebrations of Jehangir Art  Gallery, Mumbai</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2002</td>\r\n	<td><em>Reclaim Our Freedom</em>, organized by Open Circle, Pundole Art Gallery, Mumbai</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2002</td>\r\n	<td>Crossing Borders, Gallery Windkracht 13, Den Helder, Holland</td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2001</td>\r\n	<td>Big River 2, CCA7 Gallery, Port Of Spain, Trinidad</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2001</td>\r\n	<td>AOM- Art on the move, organized by Sahmat, New Delhi</td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">1999</td>\r\n	<td><em> </em>Edge of the Century, curated by Amit Mukhopadhyay, Academy  of Fine Arts and Literature, New Delhi</td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">1998</td>\r\n	<td><em> </em>Essays in Time, Kinetic Sculptures, Nehru Centre, Mumbai</td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">1997</td>\r\n	<td><em> </em>India in Harmony 1947-1997, Nehru Centre, Mumbai</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">1997</td>\r\n	<td><em> </em>A Page From My Diary, Sans Tache Art Gallery, Mumbai</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">1997</td>\r\n	<td><em> </em>Fresh Work, Birla Academy of Art and Culture, Mumbai</td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">1996</td>\r\n	<td><em> </em>Monsoon Show, Jehangir Art Gallery, Mumbai</td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">1995</td>\r\n	<td><em> </em>Varsha ’95, Y. B. Chavan Gallery, Mumbai</td>\r\n	</tr>\r\n	\r\n	<tr>\r\n	<td></td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td colspan=\"2\"><strong><span style=\"color: #888888;\">SELECTED WORKSHOPS AND RESIDENCIES</span></strong></td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2012</td>\r\n	<td>Visas to Happiness, workshop with children as part of the exhibition \'To Let the World In\', Chennai\r\n	</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2011</td>\r\n	<td>Iaspis Residency, Gothenburg, Sweden.</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2009</td>\r\n	<td>Vanishing Point, children’s project at the Celebrate Bandra Festival, Mumbai</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2007</td>\r\n	<td>Collaborative workshop as part of the exhibition Aftershock, Sainsbury Centre for Visual Arts, University of East Anglia, Norwich,  UK</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2003</td>\r\n	<td>Collaborated on a Billboard project with Jitish Kallat, Kala Ghoda Art District, Mumbai</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2003</td>\r\n	<td>Elephant Walks, Youth Arts Project at the Casula Power House Arts Centre, Liverpool, Australia</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2002</td>\r\n	<td>Khoj 2002 International Artists Workshop, Mysore, India</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2002</td>\r\n	<td>Identity and Landscape, residency in the Laurentian mountains of Quebec at the Boreal Art/Nature Centre, Canada</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2001</td>\r\n	<td>Big River 2, International Artists Workshop organized by CCA7 and the Triangle Arts Trust at Grand Riviere, Trinidad, West Indies</td>\r\n	</tr>\r\n	<tr>\r\n	<td></td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	</tr>\r\n	<tr>\r\n	<td><span style=\"color: #888888;\"><strong>TALKS/PRESENTATIONS</strong></span></td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2011</td>\r\n	<td>Artists Talk at GIBCA Speak Easy (GSE), Goteborg, Sweden</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2011</td>\r\n	<td>Informal talk at HDK – The School of Design and Crafts, Goteborg, Sweden</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2011</td>\r\n	<td>Artists Talk at the Iaspis Residency Studio, Sweden</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2010</td>\r\n	<td>Short presentation as part of The River Project at The Campbelltown Arts Centre, Sydney, Australia\r\n	</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2011</td>\r\n	<td>Artists Talk at the Krishnakriti Festival 2011, Kalakriti Gallery, Hyderabad  </td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2010</td>\r\n	<td>Panel discussion moderated by Maria Lantz, with participating artists during the exhibition Samtidigt at Kulturhuset, Stockholm</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2009</td>\r\n	<td>Panel discussion with artist Gulam Sheikh, co-chair: Sabine B. Vogel, art critic at the Sammlung Essl Museum, Vienna</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2008</td>\r\n	<td>Slide presentation followed by a panel discussion with Nalini Malani and Jayshree Chakravarty, moderated by Nancy Adajania at Jnanapravaha, Mumbai</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2008</td>\r\n	<td>Slide presentation at the School of the Art Institute of Chicago</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2007</td>\r\n	<td>Panel discussion with Nalini Malani, Sheba Chhachhi, moderated by Betty Seid at the Chicago Cultural Centre</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2007</td>\r\n	<td>Lecture at the University Boccini, Milan</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2006</td>\r\n	<td>Slide presentation at the Lamar Dodd School of Art, University of Georgia, USA</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2006</td>\r\n	<td>Artists Talk at the Griffith Auditorium, Georgia Museum of Art, USA</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2003</td>\r\n	<td>Slide presentation at Oslo National Academy of the Arts, Norway</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2000</td>\r\n	<td>Slide presentation at Mohile Parikh Centre for the Visual Arts, Mumbai</td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td colspan=\"2\"><strong><span style=\"color: #888888;\">AWARDS</span></strong></td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2011</td>\r\n	<td>YFLO ZOYA Young Women Achievers Awards 2010-11, Delhi</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2005</td>\r\n	<td>Harmony Award</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">1996</td>\r\n	<td>Bombay Art Society Merit Certificate</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">1996</td>\r\n	<td>Second Prize Government Award, Sir J. J. School of Art, Mumbai</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">1995</td>\r\n	<td>Gladstone Solomon Award</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">1991-1996</td>\r\n	<td>Merit Scholarship, Sir J. J. School of Art, Mumbai</td>\r\n	</tr>\r\n	</tbody>\r\n	</table>','Biography','','inherit','open','open','','105-revision-112','','','2012-05-03 18:09:16','2012-05-03 18:09:16','',105,'http://www.reenakallat.com/2694/uncat/105-revision-112',0,'revision','',0),(2678,1,'2011-04-28 09:56:07','2011-04-28 09:56:07','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/woven-veins-lead.jpg\" alt=\"Woven Veins\" title=\"Woven Veins\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Woven Veins\r\n</span>2010\r\ndigital prints on Hahnemeuhle ultra smooth photo rag paper (set of 5)\r\nedition 5 + AP\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>installation view</i> , Walsh Gallery, Chicago</span></td>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Woven-Veins-1.jpg\" alt=\"Woven Veins\" title=\"Woven Veins\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Woven-Veins-2.jpg\" alt=\"Woven Veins\" title=\"Woven Veins\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Woven-Veins-3.jpg\" alt=\"Woven Veins\" title=\"Woven Veins\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Woven-Veins-4.jpg\" alt=\"Woven Veins\" title=\"Woven Veins\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Woven-Veins-5.jpg\" alt=\"Woven Veins\" title=\"Woven Veins\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Woven-Veins-6.jpg\" alt=\"Woven Veins\" title=\"Woven Veins\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td><span style=\"font-size:11px; line-height:15px;\"><i>Acknowledgement:</i> \r\nDigital imaging: Photokina</span></td></tr>\r\n</tbody>\r\n</table>','Woven Veins','','inherit','open','open','','2182-revision-12','','','2011-04-28 09:56:07','2011-04-28 09:56:07','',2182,'http://www.reenakallat.com/2678/uncat/2182-revision-12',0,'revision','',0),(2679,1,'2012-04-15 12:17:45','2012-04-15 12:17:45','<style type=\"text/css\">\r\n.tablenav {\r\nclear:both;\r\nheight:30px;\r\nmargin:6px 0 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crossings) (2012)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/Cobweb-Work-page.jpg\" alt=\"Untitled Cobweb (knots and crossings) (2012)\"  /></a>Untitled Cobweb (knots and crossings) (2012)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/visas-to-happiness\"><img class=\"alignnone size-medium wp-image-712\" title=\"Visas to Happiness (2012)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/children-workshop-works-pag.jpg\" alt=\"Visas to Happiness (2012)\"  /></a>Visas to Happiness (2012)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/synapse-2011\"><img class=\"alignnone size-medium wp-image-712\" title=\"Synapse (2011)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/synapse-Works-page.jpg\" alt=\"Synapse (2011)\"  /></a>Synapse (2011)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/map-drawing\"><img class=\"alignnone size-medium wp-image-712\" title=\"Untitled (Map/Drawing)  (2011)\" src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/Mapping-works-page.jpg\" alt=\"untitled (Map/Drawing)  (2011)\"  /></a> Untitled (Map/Drawing) (2011)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/untitledcolumn\"><img class=\"alignnone size-medium wp-image-712\" title=\"untitled (column)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Untitled-works-page.jpg\" alt=\"untitled (2011)\"  /></a> Untitled (2011)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/falling-fables\"><img class=\"alignnone size-medium wp-image-712\" title=\"Falling Fables\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-work-page.jpg\" alt=\"Falling Fables (2010-11)\"  /></a> Falling Fables (2010-11)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/sculptures\"><img class=\"alignnone size-medium wp-image-712\" title=\"Sculptures\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/sculpture-for-works.jpg\" alt=\"Falling Fables (column) (2011)\"  /></a>Falling Fables (column) (2011)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/2degrees\"><img class=\"alignnone size-medium wp-image-712\" title=\"2 Degrees\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/2degrees-works.jpg\" alt=\"\"  /></a> 2 Degrees (2010)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/woven-veins\"><img class=\"alignnone size-medium wp-image-712\" title=\"Woven Veins\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/woven-veins-lead.jpg\" alt=\"Woven Veins (2009)\"  /></a> Woven Veins (2010)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/preface\"><img class=\"alignnone size-medium wp-image-712\" title=\"Preface\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/Preface-lead.jpg\" alt=\"Preface\"  /></a> Preface (2010)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/light-leaks\"><img class=\"alignnone size-medium wp-image-201\" title=\"Light Leaks\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/Light-Leaks-lead.jpg\" alt=\"Light Leaks (2008-2010)\"  /></a>Light Leaks... (2008-2010)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/colour-curtain\"><img class=\"alignnone size-medium wp-image-201\" title=\"Colour-curtain\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/2--colour-curtain.jpg\" alt=\"Colour Curtain (2009)\"  /></a>Colour Curtain... (2009)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/your-mileage-gallery\"><img class=\"alignnone size-medium wp-image-320\" title=\"Your-Mileage-May-Vary\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/3-Your-Mileage-May-Vary.jpg\" alt=\"\" /></a></span>Your Mileage May Vary (2009)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/synonym\"><img class=\"alignnone size-medium wp-image-712\" title=\"Synonym\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/1--Synonym.jpg\" alt=\"\"  /></a> Synonym (2009)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/vanishing-point\"><img class=\"alignnone size-medium wp-image-201\" title=\"Vanishing Point (2009)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/4--VanishingPoint.jpg\" alt=\"Vanishing Point (2009)\"  /></a>Vanishing Point (2009)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\" >\r\n<a href=\"http://www.reenakallat.com/moving-millimeter\"><img class=\"alignnone size-medium wp-image-712\" title=\"The Moving Millimeter (2009)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/5---The-Moving-Mil....jpg\" alt=\"The Moving Millimeter (2009)\"  /></a>The Moving Millimeter (2009)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/white-yarn-detailed-info\"><img class=\"alignnone size-medium wp-image-199\" title=\"White Yarn\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/6---white-yarn.jpg\" alt=\"White Yarn (2008)\" /></a>White Yarn...(2008)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/white-heat-the-ironing-board-detailed-info\"><img class=\"alignnone size-medium wp-image-879\" title=\"White Heat (2008)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/7--White-Heat.jpg\" alt=\"White Heat (2008)\"  /></a>White Heat...(2008)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/crease-crevice-contour-detailed-info\"><img class=\"alignnone size-large wp-image-417\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/8---Crease-crevice.jpg\" alt=\"Crease / Crevice / Contour (2008)\" /></a>Crease / Crevice / Contour (2008)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/silt-of-seasons-1-detailed-info\"><img class=\"alignnone size-large wp-image-436\" title=\"Silt of Seasons I (2008)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/9--Silt-of-Seasons.jpg\" alt=\"Silt of Seasons I (2008)\"  /></a>Silt of Seasons - I (2008)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/silt-of-seasons-2-detailed-info\"><img class=\"alignnone size-large wp-image-436\" title=\"Silt of Seasons - II (2008)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/10--Silt-of-Seasons.jpg\" alt=\"Silt of Seasons - II (2008)\"  /></a>Silt of Seasons - II (2008)</td>\r\n</tr>\r\n\r\n<tr>\r\n<td colspan=\"3\">\r\n<div class=\"tablenav\"><div class=\"tablenav-pages\"><span>1, </span>  <a href=\"works-page-2\" class=\"page-numbers\">2, </a> <a href=\"works-page-3\" class=\"page-numbers\">3</a> <a href=\"works-page-2\" >»</a></div><br class=\"clear\"></div>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<!--more-->','Works','','inherit','open','open','','54-revision-324','','','2012-04-15 12:17:45','2012-04-15 12:17:45','',54,'http://www.reenakallat.com/2679/uncat/54-revision-324',0,'revision','',0),(2719,1,'2012-05-03 18:00:51','2012-05-03 18:00:51','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/synapse-Works page.jpg\" alt=\"synapse\" title=\"synapse\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Synapse\r\n</span>2011\r\nSingle channel video projection\r\nduration 09 mins 32 secs\r\nedition: 5+AP\r\n<a href=\"http://youtu.be/TUbQ34zWq2A\" target=\"_blank\"><span style=\"color: #888888;\">view full video >></span></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/synapse-1.jpg\" alt=\"synapse\" title=\"synapse\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n<td width=\"300\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThe video is shot at an optometrists clinic with 14 people getting their vision tested, reading out alphabets from eye charts placed in front of them. The text they are reading in fragmented form, merely like alphabets and which will not be visible to the camera, is the Preamble of the Constitution of India. This fragmented recital played in the form of a health check-up is marked with hesitations, uncertainties, anxieties.\r\n</div>\r\n</td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/synapse-2.jpg\" alt=\"synapse\" title=\"synapse\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/synapse-3.jpg\" alt=\"synapse\" title=\"synapse\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/synapse-4.jpg\" alt=\"synapse\" title=\"synapse\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/synapse-5.jpg\" alt=\"synapse\" title=\"synapse\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/synapse-6.jpg\" alt=\"synapse\" title=\"synapse\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/synapse-7.jpg\" alt=\"synapse\" title=\"synapse\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/synapse-8.jpg\" alt=\"synapse\" title=\"synapse\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/synapse-9.jpg\" alt=\"synapse\" title=\"synapse\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n</tbody>\r\n</table>','synapse-2011','','inherit','open','open','','2643-revision-11','','','2012-05-03 18:00:51','2012-05-03 18:00:51','',2643,'http://www.reenakallat.com/2719/uncat/2643-revision-11',0,'revision','',0),(2680,1,'2012-04-23 18:28:58','2012-04-23 18:28:58','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/synapse-Works page.jpg\" alt=\"synapse\" title=\"synapse\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Synapse\r\n</span>2011\r\nSingle channel video projection\r\nduration 09 mins 32 secs\r\nedition: 5+AP\r\n<a href=\"http://youtu.be/TUbQ34zWq2A\" target=\"_blank\"><span style=\"color: #888888;\">view full video >></span></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/synapse-1.jpg\" alt=\"synapse\" title=\"synapse\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n<td width=\"300\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThe video is shot at an optometrists clinic with 14 people getting their vision tested, reading out alphabets from eye charts placed in front of them. The text they are reading in fragmented form, merely like alphabets and which will not be visible to the camera, is the Preamble of the Constitution of India. This fragmented recital played in the form of a health check-up is marked with hesitations, uncertainties, anxieties.\r\n</div>\r\n</td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/synapse-2.jpg\" alt=\"synapse\" title=\"synapse\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/synapse-3.jpg\" alt=\"synapse\" title=\"synapse\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/synapse-4.jpg\" alt=\"synapse\" title=\"synapse\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/synapse-5.jpg\" alt=\"synapse\" title=\"synapse\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/synapse-6.jpg\" alt=\"synapse\" title=\"synapse\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/synapse-7.jpg\" alt=\"synapse\" title=\"synapse\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/synapse-8.jpg\" alt=\"synapse\" title=\"synapse\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n</tbody>\r\n</table>','synapse-2011','','inherit','open','open','','2643-revision-9','','','2012-04-23 18:28:58','2012-04-23 18:28:58','',2643,'http://www.reenakallat.com/2680/uncat/2643-revision-9',0,'revision','',0),(2721,1,'2012-10-21 14:51:51','2012-10-21 14:51:51','Reena Saini Kallat (b. 1973, Delhi, India) graduated from Sir J.J. School of Art, Mumbai in 1996 with a B.F.A. in painting. Her practice - spanning painting, photography, video, sculpture and installation, often incorporates multiple mediums into a single work. She frequently works with officially recorded or registered names of people, objects, and monuments that are lost or have disappeared without a trace, only to get listed as anonymous and forgotten statistics. One of the recurrent motifs in her work is the rubber stamp, used as an object and an imprint, signifying the bureaucratic apparatus, which both confirms and obscures identities.\r\n\r\nHer work has been widely exhibited across the world in venues such as Mori Art Museum, Tokyo; Kennedy Centre, Washington; Saatchi Gallery, London; SESC Pompeia and SESC Belenzino in Sao Paulo; Goteborgs Konsthall, Sweden; Helsinki City Art Museum, Finland; National Taiwan Museum of Fine Arts; Tel Aviv Museum of Art, Israel; National Museum of Contemporary Art, Seoul; Henie Onstad Kunstsenter, Oslo; Casa Asia, Madrid and Barcelona; ZKM Karlsruhe in Germany; Campbelltown Arts Centre, Sydney; Hangar Bicocca, Milan; Museum of Contemporary Art, Shanghai; IVAM Museum, Spain;  Busan MOMA; Kulturhuset, Stockholm; Chicago Cultural Centre amongst many others and she has participated in a number of workshops and residencies. She lives and works in Mumbai.\r\n<table>\r\n<tbody>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">SOLO EXHIBITIONS</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://www.naturemorte.com/exhibitions/2011-03-08_reena-saini-kallat/\" target=\"_blank\">Labyrinth of Absences, Nature Morte, New Delhi</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.primomarellagallery.com/it/catalogue/scheda.asp?id=568&amp;view=past\" target=\"_blank\">Drift, Primo Marella Gallery, Milan</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2008/reena_bio.html\" target=\"_blank\"> Silt of Seasons, Chemould   Prescott Road, Mumbai <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/reena-kallat-exhibition-2008/\" target=\"_blank\">Subject to Change without Notice, Walsh Gallery, Chicago</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Rainbow Of Refuse, Bodhi Art Gallery, Mumbai and Singapore</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td><a class=\"linkbio\" href=\"http://www.naturemorte.com/artists/reena-saini-kallat/selected-works/\" target=\"_blank\">Black Flute (And Other Stories), Nature Morte, New Delhi</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2004/reena_saini_kallat_note.html\" target=\"_blank\">Black Flute, Gallery Chemould, Mumbai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>The Battlefield Is The Mind, Sakshi Gallery, Bangalore</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Seven Faces of Dust, Chicago Radio, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2000</td>\r\n<td>Skin, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1998</td>\r\n<td>Orchard of Home-grown Secrets, Gallery Chemould and Pundole  Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><span style=\"color: #888888;\"><strong>SELECTED GROUP EXHIBITIONS</strong></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>India Today, ARKEN Museum of Modern Art, Copenhagen, Denmark</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>WONDERS – Masterpieces from Private Collections, Denmark</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>India side by side, Centro Cultural Banco do Brasil, Brasilia</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>Group show, Eigen + Art Lab, Berlin</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>India Side by Side,SESC Belenzino, Sao Paulo, Brazil</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td><a class=\"linkbio\" href=\"http://www.punkto.no/voices-from-pandemonium.5009470-185063.html\" target=\"_blank\">Stemmer fra Pandemonium, Punkt-Galleri F 15, Moss, Norway <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>To Let the World In: Narrative and Beyond in Contemporary Indian Art, Lalit Kala Regional Centre, Chennai, India</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td><a class=\"linkbio\" href=\"http://www.exhibit320.com/exhibitionShow/EXH00014/\" target=\"_blank\">The Contemporary Sultanate, the Sunrydge, New Delhi <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>Kalaghoda Art Festival, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>The Skoda Prize Exhibition, Lalit Kala Academy, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>India Side by Side, Centro Cultural Banco do Brasil, Rio De Janeiro</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Giant Elephant : Contemporary Art from India, H Cube Gallery, Seoul</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Roundabout, Tel Aviv Museum of Art, Israel<span style=\"color: red;\"> </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://goteborg.biennal.org/en/the-biennial-2011/artists/\" target=\"_blank\">Goteborg International Biennale for Contemporary Art, curated by Sarat Maharaj, Göteborgs Konsthall and Bohuslans Konsthall, Uddevalla, Sweden <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Right to Dissent, Clark House, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>RED, Palette Art Gallery, Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://www.kennedy-center.org/events/?event=ZLINB\" target=\"_blank\">Maximum India, The Kennedy Centre, Washington</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Of Gods and Goddesses, Cinema, Cricket - The New cultural Icons of India, Jehangir Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Samtidigt, Helsinki City Art Museum, Finland</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Iconoclasts and Iconodules, curated by Ombretta Argo, Religare Art Gallery, New  Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>The Vancouver International Sculpture Biennale, Surrey Art Gallery, Canada</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>The Intuitive: Logic Revisted, from the Osians Collection at The World Economic Forum, Davos, Switzerland</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/current/La_Route_De_La_Soie.htm\" target=\"_blank\">La Route de la Soie / The Silk Road, Lille 3000, France </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.kulturhuset.stockholm.se/default.asp?id=5760&amp;refid=34277\" target=\"_blank\">Samtidigt, Kulterhuset, Stockholm</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.campbelltown.nsw.gov.au/default.asp?iNavCatID=3407&amp;iSubCatID=3615\" target=\"_blank\">The River Project, Campbelltown Art Centre, Sydney</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.aboutroundabout.com/artists/kallat-reena-saini\" target=\"_blank\">Roundabout, City Gallery Wellington, New Zealand</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/\" target=\"_blank\">Waterways, Walsh Gallery, Chicago</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.richmondartgallery.org/in-transition.php\" target=\"_blank\">In Transition: New Art from India, Richmond Art Gallery Vancouver Biennale, Vancouver</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://websterhuntgallery.blogspot.com/2010_02_01_archive.html\" target=\"_blank\">Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster University, curated by Jeffrey Hughes and Dana Turkovic, Cecile R. Hunt  Gallery, St. Louis, Missouri</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/51\" target=\"_blank\">Never Run Away, 2 person exhibition curated by Shaheen Merali, Stux Gallery, New York</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/artists/reena_kallat.htm?section_name=new_india\" target=\"_blank\">The Empire Strikes Back, Saatchi Gallery, London</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://art-for-the-world.blogspot.com/2010/01/some-installation-views-of-urban.html\" target=\"_blank\">Urban Manners 2, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao Paulo, Brazil</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.asianartbiennial.org/2009/en/index_en.html\" target=\"_blank\">View Points and Viewing points - 2009 Asian Art Biennale, National Taiwan Museum of Fine Arts </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Spectrum: Indian Art at Abu   Dhabi, United   Arab Emirates</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Milan Galleria, curated by Georgio Verzotti, Triennale Museum, Milan</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.initialaccess.co.uk/exh/73/11/passage-to-india-part-ii/reena-saini-kallat\" target=\"_blank\">Passage to India Part II show at Initial Access, Frank Cohen Collection, Wolverhampton, UK</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Ventosul Biennale, Curitiba, Brazil</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/english/contents/india/index.html\" target=\"_blank\"> Chalo! India: A New Era of Indian Art, National  Museum of Contemporary Art, Korea and Essl Museum, Vienna</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mocashanghai.org/index.php?_function=exhibition&amp;_subFunction=pastExhibition&amp;exhibition_id=40&amp;_view=detail\" target=\"_blank\">INDIA XIANZAI: Contemporary Indian Art, Museum of Contemporary Art, Shanghai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/42/622\" target=\"_blank\">Low Blow: And Other Species of Confusion, Stux gallery, New York</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><em> </em>Indian Narratives in the 21<sup>st</sup> Century: Between Memory and History,Casa  Asia, Madrid and Barcelona, Spain</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/body-chatter-an-exhibition-of-contemporary-indian-art-2008/\" target=\"_blank\">Body Chatter, Walsh Gallery, Chicago</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/contents/press/india_20081121_e.pdf\" target=\"_blank\">Chalo! India: A New Era of Indian Art, Mori Art   Museum, Japan</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.indiamoderna.es/eng/index.html\" target=\"_blank\">India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM Museum, Valencia, Spain </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.aaa.org.hk/onlineprojects/bitri/en/gallery.aspx?eid=A080.03\" target=\"_blank\">3<sup>rd</sup> Nanjing Triennale, curators: Fumihiko Sumitomo, Jaeyoung Kang,  China</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>TEAF (Taehwagang Eco Art Festival) - Dream River, Korea</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.bodhiart.in/exhibitions/everywhere_is_war/everywhere_war.html\" target=\"_blank\">Everywhere is War (And Rumours of it), Bodhi Art Gallery, Mumbai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/33\" target=\"_blank\">Fire Walkers, Stefan Stux gallery, New York</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.galeriems.com/reenask_one.htm\" target=\"_blank\">Three Points of view, Galerie Mirchandani + Steinrucke, Mumbai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Excavation: Memory / Myth / Membrane, Museum Gallery, Mumbai</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>International Incheon Women Artists’ Biennale, Korea</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Soft Power: Asian Attitude, Shanghai Zendai Museum of Modern Art, Shanghai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td><a class=\"linkbio\" href=\"http://www.kunstaspekte.de/index.php?tid=39629&amp;action=termin\" target=\"_blank\">Urban Manners, curated by Adelina Von Furstenberg, at Hangar Bicocca, Milan </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td><a class=\"linkbio\" href=\"http://www.art-for-the-world.com/wwd/2007/urban_manners/Urban_Manners_pr.pdf\" target=\"_blank\">INDIA NOW: Contemporary Indian Art, Between Continuity and transformation, curated by Daniela Palozzoli <br>at Spazio Oberdan, Milan</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>New Narratives: Contemporary Art From India, curated by Betty Seid, Chicago Cultural Centre, Chicago</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Thermocline Of Art- New Asian Waves, curated by Wonil Rhee and Peter Weibel at ZKM in Karlsruhe, Germany</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Modern Indian Works On Paper, Arthur Ross Gallery, Philadelphia and the Georgia Museum of Art, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Lille 3000 (Maximum City-Mumbai), Lille,  France</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Hungry God- Indian Contemporary Art, curated by Yun Chaegab and June Gwak, Arario Gallery, Beijing and Busan MoMA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>India Express – Art and Popular Culture, Art Museum Tennispalace, curators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City  Art Museum, Finland</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Mom and Pop Art, Walsh Gallery, Chicago</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Span, Sakshi Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Indian Paintings of the New Millenium, curated by Helen Asquine Fazio at Thomas J. Walsh Art Gallery at Fairfield  University, USA</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td><em> </em>Contemporary Art from India, Thomas   Erben Gallery, New York</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td>Zoom! Art in Contemporary India. Curators: Nancy Adajania and Luis Serpa, The Culturgest Museum, Lisbon, Portugal</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Crossing generations: diVERGE, Gallery Chemould’s 40th anniversary, Curators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of Modern Art, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td><em> </em>Hard Copy, two-person show with Jitish Kallat, Gallery 88, Calcutta</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Tiranga, curator: Peter Nagy, India Habitat Centre, New Delhi</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td><em> </em>Elephant Walks, Youth Arts Project in collaboration with Jitish Kallat as part of Indians + Cowboys exhibition, Curators: Aaron Seetu and Ruth Watson Gallery 4A, Sydney</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>The Tree From The Seed, Contemporary Art from India, curator: Gavin Jantjes Henie Onstad Kunstsenter (Oslo), Norway</td>\r\n<td><em></em></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td><em>Crosscurrents</em>, organized by Artworks for the fiftieth anniversary celebrations of Jehangir Art  Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td><em>Reclaim Our Freedom</em>, organized by Open Circle, Pundole Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Crossing Borders, Gallery Windkracht 13, Den Helder, Holland</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>Big River 2, CCA7 Gallery, Port Of Spain, Trinidad</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>AOM- Art on the move, organized by Sahmat, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1999</td>\r\n<td><em> </em>Edge of the Century, curated by Amit Mukhopadhyay, Academy  of Fine Arts and Literature, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1998</td>\r\n<td><em> </em>Essays in Time, Kinetic Sculptures, Nehru Centre, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1997</td>\r\n<td><em> </em>India in Harmony 1947-1997, Nehru Centre, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1997</td>\r\n<td><em> </em>A Page From My Diary, Sans Tache Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1997</td>\r\n<td><em> </em>Fresh Work, Birla Academy of Art and Culture, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1996</td>\r\n<td><em> </em>Monsoon Show, Jehangir Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1995</td>\r\n<td><em> </em>Varsha ’95, Y. B. Chavan Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">SELECTED WORKSHOPS AND RESIDENCIES</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>Visas to Happiness, workshop with children as part of the exhibition \'To Let the World In\', Chennai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Iaspis Residency, Gothenburg, Sweden.</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Vanishing Point, children’s project at the Celebrate Bandra Festival, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Collaborative workshop as part of the exhibition Aftershock, Sainsbury Centre for Visual Arts, University of East Anglia, Norwich,  UK</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Collaborated on a Billboard project with Jitish Kallat, Kala Ghoda Art District, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Elephant Walks, Youth Arts Project at the Casula Power House Arts Centre, Liverpool, Australia</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Khoj 2002 International Artists Workshop, Mysore, India</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Identity and Landscape, residency in the Laurentian mountains of Quebec at the Boreal Art/Nature Centre, Canada</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>Big River 2, International Artists Workshop organized by CCA7 and the Triangle Arts Trust at Grand Riviere, Trinidad, West Indies</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td><span style=\"color: #888888;\"><strong>TALKS/PRESENTATIONS</strong></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>Artists Talk at the World Economic Forum, Tianjin</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Artists Talk at GIBCA Speak Easy (GSE), Goteborg</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Informal talk at HDK – The School of Design and Crafts, Goteborg</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Artists Talk at the Iaspis Residency Studio, Stockholm</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td>Short presentation as part of The River Project at The Campbelltown Arts Centre, Sydney</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Artists Talk at the Krishnakriti Festival 2011, Kalakriti Gallery, Hyderabad</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td>Panel discussion moderated by Maria Lantz, with participating artists during the exhibition Samtidigt at Kulturhuset, Stockholm</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Panel discussion with artist Gulam Sheikh, co-chair: Sabine B. Vogel, art critic at the Sammlung Essl Museum, Vienna</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Slide presentation followed by a panel discussion with Nalini Malani and Jayshree Chakravarty, moderated by Nancy Adajania at Jnanapravaha, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Slide presentation at the School of the Art Institute of Chicago</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Panel discussion with Nalini Malani, Sheba Chhachhi, moderated by Betty Seid at the Chicago Cultural Centre</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Lecture at the University Boccini, Milan</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Slide presentation at the Lamar Dodd School of Art, University of Georgia, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Artists Talk at the Griffith Auditorium, Georgia Museum of Art, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Slide presentation at Oslo National Academy of the Arts, Norway</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2000</td>\r\n<td>Slide presentation at Mohile Parikh Centre for the Visual Arts, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">AWARDS</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>YFLO ZOYA Young Women Achievers Awards 2010-11, Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Harmony Award</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1996</td>\r\n<td>Bombay Art Society Merit Certificate</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1996</td>\r\n<td>Second Prize Government Award, Sir J. J. School of Art, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1995</td>\r\n<td>Gladstone Solomon Award</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1991-1996</td>\r\n<td>Merit Scholarship, Sir J. J. School of Art, Mumbai</td>\r\n</tr>\r\n</tbody>\r\n</table>','Biography','','inherit','open','open','','105-revision-118','','','2012-10-21 14:51:51','2012-10-21 14:51:51','',105,'http://www.reenakallat.com/2721/uncat/105-revision-118',0,'revision','',0),(2720,1,'2012-10-12 15:35:13','2012-10-12 15:35:13','Reena Saini Kallat (b. 1973, Delhi, India) graduated from Sir J.J. School of Art, Mumbai in 1996 with a B.F.A. in painting. Her practice - spanning painting, photography, video, sculpture and installation, often incorporates multiple mediums into a single work. She frequently works with officially recorded or registered names of people, objects, and monuments that are lost or have disappeared without a trace, only to get listed as anonymous and forgotten statistics. One of the recurrent motifs in her work is the rubber stamp, used as an object and an imprint, signifying the bureaucratic apparatus, which both confirms and obscures identities.\r\n\r\nHer work has been widely exhibited across the world in venues such as Mori Art Museum, Tokyo; Kennedy Centre, Washington; Saatchi Gallery, London; SESC Pompeia and SESC Belenzino in Sao Paulo; Goteborgs Konsthall, Sweden; Helsinki City Art Museum, Finland; National Taiwan Museum of Fine Arts; Tel Aviv Museum of Art, Israel; National Museum of Contemporary Art, Seoul; Henie Onstad Kunstsenter, Oslo; Casa Asia, Madrid and Barcelona; ZKM Karlsruhe in Germany; Campbelltown Arts Centre, Sydney; Hangar Bicocca, Milan; Museum of Contemporary Art, Shanghai; IVAM Museum, Spain;  Busan MOMA; Kulturhuset, Stockholm; Chicago Cultural Centre amongst many others and she has participated in a number of workshops and residencies. She lives and works in Mumbai.\r\n<table>\r\n<tbody>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">SOLO EXHIBITIONS</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://www.naturemorte.com/exhibitions/2011-03-08_reena-saini-kallat/\" target=\"_blank\">Labyrinth of Absences, Nature Morte, New Delhi</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.primomarellagallery.com/it/catalogue/scheda.asp?id=568&amp;view=past\" target=\"_blank\">Drift, Primo Marella Gallery, Milan</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2008/reena_bio.html\" target=\"_blank\"> Silt of Seasons, Chemould   Prescott Road, Mumbai <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/reena-kallat-exhibition-2008/\" target=\"_blank\">Subject to Change without Notice, Walsh Gallery, Chicago</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Rainbow Of Refuse, Bodhi Art Gallery, Mumbai and Singapore</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td><a class=\"linkbio\" href=\"http://www.naturemorte.com/artists/reena-saini-kallat/selected-works/\" target=\"_blank\">Black Flute (And Other Stories), Nature Morte, New Delhi</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2004/reena_saini_kallat_note.html\" target=\"_blank\">Black Flute, Gallery Chemould, Mumbai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>The Battlefield Is The Mind, Sakshi Gallery, Bangalore</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Seven Faces of Dust, Chicago Radio, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2000</td>\r\n<td>Skin, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1998</td>\r\n<td>Orchard of Home-grown Secrets, Gallery Chemould and Pundole  Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><span style=\"color: #888888;\"><strong>SELECTED GROUP EXHIBITIONS</strong></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>India Today, ARKEN Museum of Modern Art, Copenhagen, Denmark</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>WONDERS – Masterpieces from Private Collections, Denmark</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>India Side by Side, Centro Cultural Banco do Brasil, Brasilia</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>Group show, Eigen + Art Lab, Berlin</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>India Side by Side,SESC Belenzino, Sao Paulo, Brazil</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td><a class=\"linkbio\" href=\"http://www.punkto.no/voices-from-pandemonium.5009470-185063.html\" target=\"_blank\">Stemmer fra Pandemonium, Punkt-Galleri F 15, Moss, Norway <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>To Let the World In: Narrative and Beyond in Contemporary Indian Art, Lalit Kala Regional Centre, Chennai, India</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td><a class=\"linkbio\" href=\"http://www.exhibit320.com/exhibitionShow/EXH00014/\" target=\"_blank\">The Contemporary Sultanate, the Sunrydge, New Delhi <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>Kalaghoda Art Festival, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>The Skoda Prize Exhibition, Lalit Kala Academy, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>India Side by Side, Centro Cultural Banco do Brasil, Rio De Janeiro</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Giant Elephant : Contemporary Art from India, H Cube Gallery, Seoul</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Roundabout, Tel Aviv Museum of Art, Israel<span style=\"color: red;\"> </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://goteborg.biennal.org/en/the-biennial-2011/artists/\" target=\"_blank\">Goteborg International Biennale for Contemporary Art, curated by Sarat Maharaj, Göteborgs Konsthall and Bohuslans Konsthall, Uddevalla, Sweden <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Right to Dissent, Clark House, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>RED, Palette Art Gallery, Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://www.kennedy-center.org/events/?event=ZLINB\" target=\"_blank\">Maximum India, The Kennedy Centre, Washington</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Of Gods and Goddesses, Cinema, Cricket - The New cultural Icons of India, Jehangir Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Samtidigt, Helsinki City Art Museum, Finland</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Iconoclasts and Iconodules, curated by Ombretta Argo, Religare Art Gallery, New  Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>The Vancouver International Sculpture Biennale, Surrey Art Gallery, Canada</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>The Intuitive: Logic Revisted, from the Osians Collection at The World Economic Forum, Davos, Switzerland</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/current/La_Route_De_La_Soie.htm\" target=\"_blank\">La Route de la Soie / The Silk Road, Lille 3000, France </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.kulturhuset.stockholm.se/default.asp?id=5760&amp;refid=34277\" target=\"_blank\">Samtidigt, Kulterhuset, Stockholm</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.campbelltown.nsw.gov.au/default.asp?iNavCatID=3407&amp;iSubCatID=3615\" target=\"_blank\">The River Project, Campbelltown Art Centre, Sydney</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.aboutroundabout.com/artists/kallat-reena-saini\" target=\"_blank\">Roundabout, City Gallery Wellington, New Zealand</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/\" target=\"_blank\">Waterways, Walsh Gallery, Chicago</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.richmondartgallery.org/in-transition.php\" target=\"_blank\">In Transition: New Art from India, Richmond Art Gallery Vancouver Biennale, Vancouver</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://websterhuntgallery.blogspot.com/2010_02_01_archive.html\" target=\"_blank\">Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster University, curated by Jeffrey Hughes and Dana Turkovic, Cecile R. Hunt  Gallery, St. Louis, Missouri</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/51\" target=\"_blank\">Never Run Away, 2 person exhibition curated by Shaheen Merali, Stux Gallery, New York</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/artists/reena_kallat.htm?section_name=new_india\" target=\"_blank\">The Empire Strikes Back, Saatchi Gallery, London</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://art-for-the-world.blogspot.com/2010/01/some-installation-views-of-urban.html\" target=\"_blank\">Urban Manners 2, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao Paulo, Brazil</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.asianartbiennial.org/2009/en/index_en.html\" target=\"_blank\">View Points and Viewing points - 2009 Asian Art Biennale, National Taiwan Museum of Fine Arts </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Spectrum: Indian Art at Abu   Dhabi, United   Arab Emirates</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Milan Galleria, curated by Georgio Verzotti, Triennale Museum, Milan</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.initialaccess.co.uk/exh/73/11/passage-to-india-part-ii/reena-saini-kallat\" target=\"_blank\">Passage to India Part II show at Initial Access, Frank Cohen Collection, Wolverhampton, UK</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Ventosul Biennale, Curitiba, Brazil</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/english/contents/india/index.html\" target=\"_blank\"> Chalo! India: A New Era of Indian Art, National  Museum of Contemporary Art, Korea and Essl Museum, Vienna</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mocashanghai.org/index.php?_function=exhibition&amp;_subFunction=pastExhibition&amp;exhibition_id=40&amp;_view=detail\" target=\"_blank\">INDIA XIANZAI: Contemporary Indian Art, Museum of Contemporary Art, Shanghai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/42/622\" target=\"_blank\">Low Blow: And Other Species of Confusion, Stux gallery, New York</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><em> </em>Indian Narratives in the 21<sup>st</sup> Century: Between Memory and History,Casa  Asia, Madrid and Barcelona, Spain</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/body-chatter-an-exhibition-of-contemporary-indian-art-2008/\" target=\"_blank\">Body Chatter, Walsh Gallery, Chicago</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/contents/press/india_20081121_e.pdf\" target=\"_blank\">Chalo! India: A New Era of Indian Art, Mori Art   Museum, Japan</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.indiamoderna.es/eng/index.html\" target=\"_blank\">India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM Museum, Valencia, Spain </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.aaa.org.hk/onlineprojects/bitri/en/gallery.aspx?eid=A080.03\" target=\"_blank\">3<sup>rd</sup> Nanjing Triennale, curators: Fumihiko Sumitomo, Jaeyoung Kang,  China</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>TEAF (Taehwagang Eco Art Festival) - Dream River, Korea</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.bodhiart.in/exhibitions/everywhere_is_war/everywhere_war.html\" target=\"_blank\">Everywhere is War (And Rumours of it), Bodhi Art Gallery, Mumbai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/33\" target=\"_blank\">Fire Walkers, Stefan Stux gallery, New York</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.galeriems.com/reenask_one.htm\" target=\"_blank\">Three Points of view, Galerie Mirchandani + Steinrucke, Mumbai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Excavation: Memory / Myth / Membrane, Museum Gallery, Mumbai</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>International Incheon Women Artists’ Biennale, Korea</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Soft Power: Asian Attitude, Shanghai Zendai Museum of Modern Art, Shanghai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td><a class=\"linkbio\" href=\"http://www.kunstaspekte.de/index.php?tid=39629&amp;action=termin\" target=\"_blank\">Urban Manners, curated by Adelina Von Furstenberg, at Hangar Bicocca, Milan </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td><a class=\"linkbio\" href=\"http://www.art-for-the-world.com/wwd/2007/urban_manners/Urban_Manners_pr.pdf\" target=\"_blank\">INDIA NOW: Contemporary Indian Art, Between Continuity and transformation, curated by Daniela Palozzoli at Spazio Oberdan, Milan</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>New Narratives: Contemporary Art From India, curated by Betty Seid, Chicago Cultural Centre, Chicago</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Thermocline Of Art- New Asian Waves, curated by Wonil Rhee and Peter Weibel at ZKM in Karlsruhe, Germany</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Modern Indian Works On Paper, Arthur Ross Gallery, Philadelphia and the Georgia Museum of Art, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Lille 3000 (Maximum City-Mumbai), Lille,  France</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Hungry God- Indian Contemporary Art, curated by Yun Chaegab and June Gwak, Arario Gallery, Beijing and Busan MoMA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>India Express – Art and Popular Culture, Art Museum Tennispalace, curators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City  Art Museum, Finland</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Mom and Pop Art, Walsh Gallery, Chicago</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Span, Sakshi Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Indian Paintings of the New Millenium, curated by Helen Asquine Fazio at Thomas J. Walsh Art Gallery at Fairfield  University, USA</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td><em> </em>Contemporary Art from India, Thomas   Erben Gallery, New York</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td>Zoom! Art in Contemporary India. Curators: Nancy Adajania and Luis Serpa, The Culturgest Museum, Lisbon, Portugal</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Crossing generations: diVERGE, Gallery Chemould’s 40th anniversary, Curators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of Modern Art, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td><em> </em>Hard Copy, two-person show with Jitish Kallat, Gallery 88, Calcutta</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Tiranga, curator: Peter Nagy, India Habitat Centre, New Delhi</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td><em> </em>Elephant Walks, Youth Arts Project in collaboration with Jitish Kallat as part of Indians + Cowboys exhibition, Curators: Aaron Seetu and Ruth Watson Gallery 4A, Sydney</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>The Tree From The Seed, Contemporary Art from India, curator: Gavin Jantjes Henie Onstad Kunstsenter (Oslo), Norway</td>\r\n<td><em></em></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td><em>Crosscurrents</em>, organized by Artworks for the fiftieth anniversary celebrations of Jehangir Art  Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td><em>Reclaim Our Freedom</em>, organized by Open Circle, Pundole Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Crossing Borders, Gallery Windkracht 13, Den Helder, Holland</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>Big River 2, CCA7 Gallery, Port Of Spain, Trinidad</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>AOM- Art on the move, organized by Sahmat, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1999</td>\r\n<td><em> </em>Edge of the Century, curated by Amit Mukhopadhyay, Academy  of Fine Arts and Literature, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1998</td>\r\n<td><em> </em>Essays in Time, Kinetic Sculptures, Nehru Centre, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1997</td>\r\n<td><em> </em>India in Harmony 1947-1997, Nehru Centre, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1997</td>\r\n<td><em> </em>A Page From My Diary, Sans Tache Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1997</td>\r\n<td><em> </em>Fresh Work, Birla Academy of Art and Culture, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1996</td>\r\n<td><em> </em>Monsoon Show, Jehangir Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1995</td>\r\n<td><em> </em>Varsha ’95, Y. B. Chavan Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">SELECTED WORKSHOPS AND RESIDENCIES</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>Visas to Happiness, workshop with children as part of the exhibition \'To Let the World In\', Chennai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Iaspis Residency, Gothenburg, Sweden.</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Vanishing Point, children’s project at the Celebrate Bandra Festival, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Collaborative workshop as part of the exhibition Aftershock, Sainsbury Centre for Visual Arts, University of East Anglia, Norwich,  UK</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Collaborated on a Billboard project with Jitish Kallat, Kala Ghoda Art District, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Elephant Walks, Youth Arts Project at the Casula Power House Arts Centre, Liverpool, Australia</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Khoj 2002 International Artists Workshop, Mysore, India</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Identity and Landscape, residency in the Laurentian mountains of Quebec at the Boreal Art/Nature Centre, Canada</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>Big River 2, International Artists Workshop organized by CCA7 and the Triangle Arts Trust at Grand Riviere, Trinidad, West Indies</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td><span style=\"color: #888888;\"><strong>TALKS/PRESENTATIONS</strong></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>Artists Talk at the World Economic Forum, Tianjin</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Artists Talk at GIBCA Speak Easy (GSE), Goteborg, Sweden</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Informal talk at HDK – The School of Design and Crafts, Goteborg, Sweden</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Artists Talk at the Iaspis Residency Studio, Sweden</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td>Short presentation as part of The River Project at The Campbelltown Arts Centre, Sydney, Australia</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Artists Talk at the Krishnakriti Festival 2011, Kalakriti Gallery, Hyderabad</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td>Panel discussion moderated by Maria Lantz, with participating artists during the exhibition Samtidigt at Kulturhuset, Stockholm</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Panel discussion with artist Gulam Sheikh, co-chair: Sabine B. Vogel, art critic at the Sammlung Essl Museum, Vienna</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Slide presentation followed by a panel discussion with Nalini Malani and Jayshree Chakravarty, moderated by Nancy Adajania at Jnanapravaha, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Slide presentation at the School of the Art Institute of Chicago</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Panel discussion with Nalini Malani, Sheba Chhachhi, moderated by Betty Seid at the Chicago Cultural Centre</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Lecture at the University Boccini, Milan</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Slide presentation at the Lamar Dodd School of Art, University of Georgia, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Artists Talk at the Griffith Auditorium, Georgia Museum of Art, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Slide presentation at Oslo National Academy of the Arts, Norway</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2000</td>\r\n<td>Slide presentation at Mohile Parikh Centre for the Visual Arts, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">AWARDS</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>YFLO ZOYA Young Women Achievers Awards 2010-11, Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Harmony Award</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1996</td>\r\n<td>Bombay Art Society Merit Certificate</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1996</td>\r\n<td>Second Prize Government Award, Sir J. J. School of Art, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1995</td>\r\n<td>Gladstone Solomon Award</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1991-1996</td>\r\n<td>Merit Scholarship, Sir J. J. School of Art, Mumbai</td>\r\n</tr>\r\n</tbody>\r\n</table>','Biography','','inherit','open','open','','105-revision-117','','','2012-10-12 15:35:13','2012-10-12 15:35:13','',105,'http://www.reenakallat.com/2720/uncat/105-revision-117',0,'revision','',0),(2681,1,'2012-04-23 18:26:47','2012-04-23 18:26:47','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  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src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/children-workshop-1.jpg\" alt=\"Children Workshop\" title=\"Children Workshop\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/children-workshop-2.jpg\" alt=\"Children Workshop\" title=\"Children Workshop\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/children-workshop-3.jpg\" alt=\"Children Workshop\" title=\"Children Workshop\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/children-workshop-4-5.jpg\" alt=\"Children Workshop\" title=\"Children Workshop\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/children-workshop-6.jpg\" alt=\"Children Workshop\" title=\"Children Workshop\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/children-workshop-7.jpg\" alt=\"Children Workshop\" title=\"Children Workshop\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/children-workshop-8.jpg\" alt=\"Children Workshop\" title=\"Children Workshop\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/children-workshop-9-10.jpg\" alt=\"Children Workshop\" title=\"Children Workshop\" width=\"600\"  class=\"alignnone size-full wp-image-350\" />\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/children-workshop-11.jpg\" alt=\"Children Workshop\" title=\"Children Workshop\" width=\"600\"  class=\"alignnone size-full wp-image-350\" />\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/children-workshop-12.jpg\" alt=\"Children Workshop\" title=\"Children Workshop\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></td>\r\n</tr>\r\n</tbody>\r\n</table>','Visas to Happiness','','inherit','open','open','','2632-revision-13','','','2012-04-23 18:26:47','2012-04-23 18:26:47','',2632,'http://www.reenakallat.com/2681/uncat/2632-revision-13',0,'revision','',0),(2682,1,'2010-11-24 17:37:44','2010-11-24 17:37:44','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script><!-- h3.canvas  { color:#333333; font-size:11px; font-weight:normal; margin-bottom:5px; margin-left:7px; margin-top:0; padding:0; text-transform:none; } h2.painting  { color:#FFFFFF; font-family:verdana,arial,tahoma,sans-serif; font-size:11px; font-weight:normal; margin:0 0 10px 7px; padding:0; text-align:left; text-transform:none; } -->\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"960\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\" style=\"padding-top:4px;\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/05_resized_gallery_view.jpg\"><img class=\"alignnone size-full wp-image-1013\" title=\"vanishing point\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/05_resized_gallery_view.jpg\" alt=\"vanishing point\" width=\"600\"  /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Vanishing Point</span>\r\n2009\r\nblackboard, paint, chalk, printed texts\r\ndimension variable\r\nInteractive work made for children during the Bandra Festival, Mumbai</td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"400\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/05/vanishing-point2.jpg\"><img class=\"alignnone size-full wp-image-1015\" title=\"vanishing-point\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/vanishing-point2.jpg\" alt=\"vanishing-point\"  /></a>\r\n</td><td width=\"300\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\"><div id=\"uniquename1\" style=\"display: block; width:400px;\">The project was an attempt to engage children by raising awareness about endangered species of plants and animals; those that face the risk of extinction, often threatened by changing environmental or predation parameters.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;width:400px;\">The project was an attempt to engage children by raising awareness about endangered species of plants and animals; those that face the risk of extinction, often threatened by changing environmental or predation parameters.Through simple playful means such as…more joining-the-dots or colouring, the animal forms on the 12 blackboard panels reveal and conceal as the children draw and erase them. By fading in and out of focus they remind us of how we can be active contributors in either destroying or restoring our immediate habitat.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div>\r\n</td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/vanishing-point3.jpg\"><img class=\"alignnone size-full wp-image-1016\" title=\"vanishing-point\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/vanishing-point3.jpg\" alt=\"vanishing-point\"  /></a></td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/05/vanishing-point4.jpg\"><img class=\"alignnone size-full wp-image-1017\" title=\"vanishing-point4\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/vanishing-point4.jpg\" alt=\"vanishing-point\"  /></a></td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/05/vanishing5.jpg\"><img class=\"alignnone size-full wp-image-1018\" title=\"vanishing point\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/vanishing-point5.jpg\" alt=\"vanishing point\" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','1012-revision-31','','','2010-11-24 17:37:44','2010-11-24 17:37:44','',1012,'http://www.reenakallat.com/2682/uncat/1012-revision-31',0,'revision','',0),(2683,1,'2011-04-28 10:00:23','2011-04-28 10:00:23','<script language=\'javascript\' type=\'text/javascript\'>\r\nfunction ReverseContentDisplay(d) \r\n{\r\n	if(d.length < 1) \r\n	{ \r\n		return; \r\n	}\r\n	if(document.getElementById(d).style.display == \'none\') \r\n	{  \r\n		document.getElementById(d).style.display = \'block\';   \r\n		document.getElementById(\"uniquename1\").style.display = \'none\'; \r\n	}  \r\n	else \r\n	{   \r\n		document.getElementById(d).style.display = \'none\';   \r\n		document.getElementById(\"uniquename1\").style.display = \'block\';\r\n	}\r\n}\r\n</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\"><tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\"><a href=\"#\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Walls-of-the-womb.jpg\" alt=\"Walls-of-the-womb\" title=\"Walls-of-the-womb\" width=\"600\" class=\"alignnone size-full wp-image-375\" /></a>\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Walls of the womb\r\n</span>2007\r\nTied-and-dyed silk, brass, bonded marble, handwritten recipe books\r\n594 x 114 cm each\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>installation view,</i> Hangar Bicocca, Milan</span></td></tr>\r\n<tr><td>&nbsp;</td></tr></tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\"><tbody><tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/walls_of_womb_work3.jpg\" alt=\"Making of walls of womb-1\" title=\"Making-1\" width=\"600\"  class=\"alignnone size-large wp-image-857\" /></a></td><td width=\"400\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">This series, unlike most of my other works, is autobiographical in nature and has perhaps taken me the longest period of time to articulate into communicable form.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...more</a><br/><br/><div><div><a href=\"http://www.reenakallat.com/essay-nancy-adajania\" style=\"color:#888888;\" target=\"_blank\">Texts by Nancy Adajania and  Grant Watson</a></div></br></div></div>\r\n<div id=\"uniquename\"  style=\"display:none;\">This series, unlike most of my other works, is autobiographical in nature and has perhaps taken me the longest period of time to articulate into communicable form.My relationship with my mother, who I lost when I was 8 years of age, has been built around the objects she left behind; those sewn by her, stuffed toys she made me, photo-albums, her personal books, stories narrated to me by other family members, besides my own faint recollections. I’ve spent a good part of my childhood going through my mother’s personal belongings such as her sarees, cosmetics, bags, sometimes bringing them out of closed cupboards to look at, while at other times trying them on myself.  \r\nI arrived at this work through the frequent contact with my mother’s sarees that have remained stacked inside a cupboard for over 27 years.\r\nThe work comprises of 12 sarees dyed in shades of red, such that through the process of tie and dye, the un-dyed dotted areas remain white, where the untreated virgin fabric forms a text in Braille. The text laid on these sarees seen in reverse print, are translations of recipes from my mothers hand written recipe books.   \r\nThe associations with motherhood are carried through the symbolic usage of the saree and the recipes from my mother’s books extend it further by evoking notions of nurturing and nourishing. With my recent role as a mother I find myself having come full circle, inadvertently re-establishing contact with a past I’d tried hard to put behind me.\r\nThe sarees, while beautiful, remain illegible. The dotted patterns forming the script in braille disallow easy access to the content of the text, much like the relationship with my mother that is built on fragments of inscrutable memory.\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a><br/><br/><div>\r\n<div><a href=\"http://www.reenakallat.com/essay-nancy-adajania\" style=\"color:#888888;\" target=\"_blank\">Texts by Nancy Adajania and Grant Watson</a></div>\r\n</br></div></div></td></tr><tr><td>&nbsp;</td></tr></tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\"><tbody><tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/walls_of_womb_work5.jpg\" alt=\"Making of walls of womb-1\" title=\"Making-1\" width=\"600\"  class=\"alignnone size-large wp-image-857\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr></tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\"><tbody><tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/walls_of_womb_work4.jpg\" alt=\"Making of walls of womb-1\" title=\"Making-1\" width=\"600\"  class=\"alignnone size-large wp-image-857\" /></a><span style=\"font-size:11px;\"><i>detail,</i> vitrine containing artist’s mother’s handwritten recipe book</span></td>\r\n</tr><tr><td>&nbsp;</td></tr></tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\"><tbody><tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Walls-of-the-womb-detail-70.jpg\" alt=\"Walls-of-the-womb-detail\" title=\"Walls-of-the-womb-detail\" width=\"600\"  class=\"alignnone size-large wp-image-374\" /></a><span style=\"font-size:11px;\"><i>detail</i></span></td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\"><tbody><tr><td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/walls_of_womb_work.jpg\" alt=\"Making of walls of womb-1\" title=\"Making-1\" width=\"600\"  class=\"alignnone size-large wp-image-857\" /></a><span style=\"font-size:11px;\"><i>process shots</i></span></td>\r\n</tr><tr><td><span style=\"font-size:11px; line-height:15px;\"><i>Acknowledgement:</i> \r\nTie and die: Imtiaz Khatri and Family</span></td></tr></tbody></table><ins datetime=\"2010-06-16T18:26:32+00:00\">','','','inherit','open','open','','373-revision-57','','','2011-04-28 10:00:23','2011-04-28 10:00:23','',373,'http://www.reenakallat.com/2683/uncat/373-revision-57',0,'revision','',0),(2686,1,'2010-10-29 09:57:13','2010-10-29 09:57:13','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Penumbra-Passage-Canine-Cases.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Penumbra-Passage-Canine-Cases-1024x619.jpg\" alt=\"Penumbra-Passage-Canine-Cases\" title=\"Penumbra-Passage-Canine-Cases\" width=\"600\" class=\"alignnone size-large wp-image-398\" /></a>\r\n</td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\" nowrap;><span style=\"color: #888888;\">Penumbra Passage (Canine Cases)\r\n</span>2006\r\nacrylic on canvas, bonded marble, wooden box, stainless steel, velvet, glass\r\n60 x 42 in. and 27 x 48 x 30 in. I 152 x 107 cm and 69 x 122 x 76 cm</td>\r\n</tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>installation view,</i> Bodhi Gallery, Mumbai</span></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Penumbra-Passage-Canine-Cases-detail1-682x10243.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Penumbra-Passage-Canine-Cases-detail1-682x10243.jpg\" alt=\"Penumbra-Passage-Canine-Cases-detail\" title=\"Penumbra-Passage-Canine-Cases-detail1-682x1024\" width=\"600\"  class=\"alignnone size-full wp-image-871\" /></a>\r\n</td>\r\n<td width=\"400\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\n‘Penumbra Passage (Canine Cases)’ comprises of a series of portraits of ordinary people/civilians from both India as well as Pakistan, their faces blemished by the silhouette of the disputed territory, often referred to as Pakistan Occupied Kashmir. <a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\n‘Penumbra Passage (Canine Cases)’ comprises of a series of portraits of ordinary people/civilians from both India as well as Pakistan, their faces blemished by the silhouette of the disputed territory, often referred to as Pakistan Occupied Kashmir. While the portraits are put in grand frames like those of royal descendants, the map of the land that remains at the core of the dispute between the two neighboring countries, casts a shadow on these portraits haunting us with tales from the region. \r\nThe corresponding cases carry a range of weapons that appear more like museumised relics, however on closer observation one finds that they are highly embellished with life affirming forms. Comprising a set of 32 pieces they collectively evoke human dentures, resonating with images of the conflict-ridden region. \r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Penumbra-Passage-Canine-Cases-detail_2-1024x682.jpg\" alt=\"\" title=\"Penumbra-Passage-Canine-Cases-detail_2\" width=\"600\"  class=\"alignnone size-large wp-image-400\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Penumbra-Passage-Canine-Cases-detail5-682x10241.jpg\" alt=\"Penumbra-Passage-Canine-Cases-detail\" title=\"Penumbra-Passage-Canine-Cases-detail5-682x1024\" width=\"600\" class=\"alignnone size-full wp-image-868\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Penumbra-Passage-Canine-Cases-detail6-1024x6821.jpg\" alt=\"Penumbra-Passage-Canine-Cases-detail\" title=\"Penumbra-Passage-Canine-Cases-detail6-1024x682\" width=\"600\" class=\"alignnone size-full wp-image-869\" /></a></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Penumbra-Passage-Canine-Cases-detail3-682x10241.jpg\" alt=\"Penumbra-Passage-Canine-Cases-detail\" title=\"Penumbra-Passage-Canine-Cases-detail3-682x1024\" width=\"600\"  class=\"alignnone size-full wp-image-866\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Penumbra-Passage-Canine-Cases-detail4-1024x6821.jpg\" alt=\"Penumbra-Passage-Canine-Cases-detail\" title=\"Penumbra-Passage-Canine-Cases-detail4-1024x682\" width=\"600\"  class=\"alignnone size-full wp-image-867\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','397-revision-19','','','2010-10-29 09:57:13','2010-10-29 09:57:13','',397,'http://www.reenakallat.com/2686/uncat/397-revision-19',0,'revision','',0),(2687,1,'2012-04-25 18:37:04','2012-04-25 18:37:04','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Penumbra-Passage-Canine-Cases.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Penumbra-Passage-Canine-Cases-1024x619.jpg\" alt=\"Penumbra-Passage-Canine-Cases\" title=\"Penumbra-Passage-Canine-Cases\" width=\"600\" class=\"alignnone size-large wp-image-398\" /></a>\r\n</td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\" nowrap;><span style=\"color: #888888;\">Penumbra Passage (Canine Cases)\r\n</span>2006\r\nacrylic on canvas, bonded marble, wooden box, stainless steel, velvet, glass\r\n60 x 42 in. and 27 x 48 x 30 in. I 152 x 107 cm and 69 x 122 x 76 cm</td>\r\n</tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>installation view,</i> Bodhi Art Gallery, Mumbai</span></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Penumbra-Passage-Canine-Cases-detail1-682x10243.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Penumbra-Passage-Canine-Cases-detail1-682x10243.jpg\" alt=\"Penumbra-Passage-Canine-Cases-detail\" title=\"Penumbra-Passage-Canine-Cases-detail1-682x1024\" width=\"600\"  class=\"alignnone size-full wp-image-871\" /></a>\r\n</td>\r\n<td width=\"400\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\n‘Penumbra Passage (Canine Cases)’ comprises of a series of portraits of ordinary people/civilians from both India as well as Pakistan, their faces blemished by the silhouette of the disputed territory, often referred to as Pakistan Occupied Kashmir. <a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\n‘Penumbra Passage (Canine Cases)’ comprises of a series of portraits of ordinary people/civilians from both India as well as Pakistan, their faces blemished by the silhouette of the disputed territory, often referred to as Pakistan Occupied Kashmir. While the portraits are put in grand frames like those of royal descendants, the map of the land that remains at the core of the dispute between the two neighboring countries, casts a shadow on these portraits haunting us with tales from the region. \r\nThe corresponding cases carry a range of weapons that appear more like museumised relics, however on closer observation one finds that they are highly embellished with life affirming forms. Comprising a set of 32 pieces they collectively evoke human dentures, resonating with images of the conflict-ridden region. \r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Penumbra-Passage-Canine-Cases-detail_2-1024x682.jpg\" alt=\"\" title=\"Penumbra-Passage-Canine-Cases-detail_2\" width=\"600\"  class=\"alignnone size-large wp-image-400\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Penumbra-Passage-Canine-Cases-detail5-682x10241.jpg\" alt=\"Penumbra-Passage-Canine-Cases-detail\" title=\"Penumbra-Passage-Canine-Cases-detail5-682x1024\" width=\"600\" class=\"alignnone size-full wp-image-868\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Penumbra-Passage-Canine-Cases-detail6-1024x6821.jpg\" alt=\"Penumbra-Passage-Canine-Cases-detail\" title=\"Penumbra-Passage-Canine-Cases-detail6-1024x682\" width=\"600\" class=\"alignnone size-full wp-image-869\" /></a></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Penumbra-Passage-Canine-Cases-detail3-682x10241.jpg\" alt=\"Penumbra-Passage-Canine-Cases-detail\" title=\"Penumbra-Passage-Canine-Cases-detail3-682x1024\" width=\"600\"  class=\"alignnone size-full wp-image-866\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Penumbra-Passage-Canine-Cases-detail4-1024x6821.jpg\" alt=\"Penumbra-Passage-Canine-Cases-detail\" title=\"Penumbra-Passage-Canine-Cases-detail4-1024x682\" width=\"600\"  class=\"alignnone size-full wp-image-867\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','397-revision-20','','','2012-04-25 18:37:04','2012-04-25 18:37:04','',397,'http://www.reenakallat.com/2687/uncat/397-revision-20',0,'revision','',0),(2688,1,'2011-11-17 13:46:59','2011-11-17 13:46:59','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/mother_child1.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></td><!--<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Mother & Child\r\n</span>2003\r\nacrylic on paper and marble swords,\r\n36 x 82 in. I 91 x 208 cm\r\n</td>--></tr><tr><td><span style=\"font-size:11px; line-height:2px;\">Mother & Child, 2003, acrylic on paper and marble swords, 36 x 82 in. I 91 x 208 cm.</span></td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/mother_child2.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;  line-height:3px;\"><i>installation view, </i>Liquid Air, 2003, acrylic on paper – portfolio of 22 pieces, 80 x 180 in. I 203 x 457 cm. </span></td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/mother_child3.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;  line-height:3px;\"><i>detail,</i> Liquid Air</span></td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/mother_child4.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;  line-height:3px;\"><i>detail,</i> Liquid Air</span></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/mother_child5.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;  line-height:3px;\"><i>installation view,</i> Liquid Flame, 2003, acrylic on canvas, 21 x 13 in. I 53 x 33 cm. each – portfolio of 22 pieces</span></td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/mother_child6.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;  line-height:3px;\"><i>detail,</i> Liquid Flame</span></td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/mother_child7.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;  line-height:3px;\"><i></i> Triad Tautologies, 2003, acrylic on paper, 28 x 72 in. I 71 x 183 cm</span></td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','2591-revision-9','','','2011-11-17 13:46:59','2011-11-17 13:46:59','',2591,'http://www.reenakallat.com/2688/uncat/2591-revision-9',0,'revision','',0),(2689,1,'2010-10-28 05:58:07','2010-10-28 05:58:07','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-gallery.jpg\" alt=\"Subject-to-Change-Without-Notice\" title=\"Subject-to-Change-Without-Notice\" width=\"600\" class=\"alignnone size-large wp-image-368\" /></a>\r\n</td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Pollen Patterns\r\n</span>2002\r\nProduced with bamboo basket weavers at the Khoj International Artists Workshop, Bangalore\r\nH.E.A.L. (Help Enjoy Amicable Living)\r\nWorkshop with the staff of Apollo Hospital, Bangalore\r\n</td>\r\n</tr></tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-1.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n<td width=\"400\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThe work I conceived as part of the workshop has two segments to it. One is a floor piece titled “Pollen Patterns” made in collaboration with bamboo basket weavers, while the other is part of an interactive outreach programme that I conducted at Apollo Hospital, titled H.E.A.L. (Help Enjoy Amicable Living) <a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\nThe work I conceived as part of the workshop has two segments to it. One is a floor piece titled “Pollen Patterns” made in collaboration with bamboo basket weavers, while the other is part of an interactive outreach programme that I conducted at Apollo Hospital, titled H.E.A.L. (Help Enjoy Amicable Living)\r\n\r\nPollen Patterns\r\nThe floor piece comprises of a large mat (length 18ft woven in bamboo) in the shape of a uterus, using the colours of the Indian National flag. The work evokes notions of motherhood, nationhood and metaphorically attempts to try and interlace the colours (representative of the varied religious communities living in India) by weaving them closely. The center of the mat carries the Gandhian Charkha (the spinning wheel), which used to be part of the flag in the 20’s but later got replaced by the Ashoka Chakra. In a political environment that reflected a state of lawlessness (post Gujarat riots) I wanted to take away the Wheel of law, Ashoka Chakra and replace it with the Charkha as a reminder of the principles and values it stood for, of resistence, simplicity, self empowerment, economic independence and progress and view this against the current climate of religious intolerance, where various forms of violence have infiltrated the country. Moving out/towards the uterus were forms woven in bamboo that ranged from aquatic life to insect and bird life leading to religious symbols and those from political parties. Bamboo is used both for making cradles as well as to carry the dead-body on the stretcher and hence sort of represented a complete lifecycle. Contrasting the fragility of bamboo, metal implements both industrial as well as domestic were tied to each piece/object.\r\n\r\nH.E.A.L. (Help Enjoy Amicable Living)\r\nAt the open day, vistors were invited to plait the three strings provided in the colours of the flag as a gesture of their commitment and solidarity towards the integration and peaceful co-existence of all communities. They were encouraged to contribute to the existing collection which was a result of an outreach programme conducted at the Apollo hospital where nurses, trainees, patients alike joined in the act of plaiting the strings and the individual contributions came together at the open day. The hospital being a place for healing and recovering, was seen as the appropriate site to initiate this exercise.\r\n\r\nWhile on the one hand this works speaks of embalming an ailing nation state, on the other it is a critique of the many futile attempts being made to salvage it from complete loss. In a lighter vein, the accompanying drawings made of henna were derived from product manuals containing info about the herbs used in hair shampoos, conditioners and hair Oils for building, cleansing, strengthening and revitalizing purposes.\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen_pattern_2-3.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen_pattern_4.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen_pattern_5.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen_pattern_6.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen_pattern_7.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen_pattern_8.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen_pattern_9.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen_pattern_10.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen_pattern_11.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','1218-revision-10','','','2010-10-28 05:58:07','2010-10-28 05:58:07','',1218,'http://www.reenakallat.com/2689/uncat/1218-revision-10',0,'revision','',0),(2714,1,'2013-08-11 08:09:35','0000-00-00 00:00:00','Reena Saini Kallat (b. 1973, Delhi, India) graduated from Sir J.J. School of Art, Mumbai in 1996 with a B.F.A. in painting. Her practice - spanning painting, photography, video, sculpture and installation, often incorporates multiple mediums into a single work. She frequently works with officially recorded or registered names of people, objects, and monuments that are lost or have disappeared without a trace, only to get listed as anonymous and forgotten statistics. One of the recurrent motifs in her work is the rubber stamp, used as an object and an imprint, signifying the bureaucratic apparatus, which both confirms and obscures identities.\r\n\r\nHer work has been widely exhibited across the world in venues such as Mori Art Museum, Tokyo; Kennedy Centre, Washington; Saatchi Gallery, London; SESC Pompeia and SESC Belenzino in Sao Paulo; Goteborgs Konsthall, Sweden; Helsinki City Art Museum, Finland; National Taiwan Museum of Fine Arts; Tel Aviv Museum of Art, Israel; National Museum of Contemporary Art, Seoul; Henie Onstad Kunstsenter, Oslo; Casa Asia, Madrid and Barcelona; ZKM Karlsruhe in Germany; Campbelltown Arts Centre, Sydney; Hangar Bicocca, Milan; Museum of Contemporary Art, Shanghai; IVAM Museum, Spain;  Busan MOMA; Kulturhuset, Stockholm; Chicago Cultural Centre amongst many others and she has participated in a number of workshops and residencies. She lives and works in Mumbai.\r\n<table>\r\n<tbody>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">SOLO EXHIBITIONS</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://www.naturemorte.com/exhibitions/2011-03-08_reena-saini-kallat/\" target=\"_blank\">Labyrinth of Absences, Nature Morte, New Delhi</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.primomarellagallery.com/it/catalogue/scheda.asp?id=568&amp;view=past\" target=\"_blank\">Drift, Primo Marella Gallery, Milan</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2008/reena_bio.html\" target=\"_blank\"> Silt of Seasons, Chemould   Prescott Road, Mumbai <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/reena-kallat-exhibition-2008/\" target=\"_blank\">Subject to Change without Notice, Walsh Gallery, Chicago</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Rainbow Of Refuse, Bodhi Art Gallery, Mumbai and Singapore</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td><a class=\"linkbio\" href=\"http://www.naturemorte.com/artists/reena-saini-kallat/selected-works/\" target=\"_blank\">Black Flute (And Other Stories), Nature Morte, New Delhi</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2004/reena_saini_kallat_note.html\" target=\"_blank\">Black Flute, Gallery Chemould, Mumbai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>The Battlefield Is The Mind, Sakshi Gallery, Bangalore</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Seven Faces of Dust, Chicago Radio, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2000</td>\r\n<td>Skin, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1998</td>\r\n<td>Orchard of Home-grown Secrets, Gallery Chemould and Pundole  Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><span style=\"color: #888888;\"><strong>SELECTED GROUP EXHIBITIONS</strong></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>SESC Belenzino, Sao Paulo, Brazil</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td><a class=\"linkbio\" href=\"http://www.punkto.no/voices-from-pandemonium.5009470-185063.html\" target=\"_blank\">Stemmer fra Pandemonium, Punkt-Galleri F 15, Moss, Norway <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>Group show, Eigen + Art Lab, Berlin</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>To Let the World In: Narrative and Beyond in Contemporary Indian Art, Lalit Kala Regional Centre, Chennai, India</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td><a class=\"linkbio\" href=\"http://www.exhibit320.com/exhibitionShow/EXH00014/\" target=\"_blank\">The Contemporary Sultanate, the Sunrydge, New Delhi, India <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>Kalaghoda Art Festival, Mumbai, India</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>The Skoda Prize Exhibition, Lalit Kala Academy, New Delhi, India</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>India Side by Side, Centro Cultural Banco do Brasil, Rio De Janeiro, Brazil</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Giant Elephant : Contemporary Art from India, H Cube Gallery, Seoul</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Roundabout, Tel Aviv Museum of Art, Israel<span style=\"color: red;\"> </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://goteborg.biennal.org/en/the-biennial-2011/artists/\" target=\"_blank\">Goteborg International Biennale for Contemporary Art, curated by Sarat Maharaj, Göteborgs Konsthall and Bohuslans Konsthall, Uddevalla, Sweden <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Right to Dissent, Clark House, Mumbai, India</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>RED, Palette Art Gallery, Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://www.kennedy-center.org/events/?event=ZLINB\" target=\"_blank\">Maximum India, The Kennedy Centre, Washington</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Of Gods and Goddesses, Cinema, Cricket - The New cultural Icons of India, Jehangir Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Samtidigt, Helsinki City Art Museum, Finland</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Iconoclasts and Iconodules, curated by Ombretta Argo, Religare Art Gallery, New  Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>The Vancouver International Sculpture Biennale, Surrey Art Gallery, Canada</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>The Intuitive: Logic Revisted, from the Osians Collection at The World Economic Forum, Davos, Switzerland</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/current/La_Route_De_La_Soie.htm\" target=\"_blank\">La Route de la Soie / The Silk Road, Lille 3000, France </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.kulturhuset.stockholm.se/default.asp?id=5760&amp;refid=34277\" target=\"_blank\">Samtidigt, Kulterhuset, Stockholm</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.campbelltown.nsw.gov.au/default.asp?iNavCatID=3407&amp;iSubCatID=3615\" target=\"_blank\">The River Project, Campbelltown Art Centre, Sydney</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.aboutroundabout.com/artists/kallat-reena-saini\" target=\"_blank\">Roundabout, City Gallery Wellington, New Zealand</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/\" target=\"_blank\">Waterways, Walsh Gallery, Chicago</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.richmondartgallery.org/in-transition.php\" target=\"_blank\">In Transition: New Art from India, Richmond Art Gallery Vancouver Biennale, Vancouver</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://websterhuntgallery.blogspot.com/2010_02_01_archive.html\" target=\"_blank\">Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster University, curated by Jeffrey Hughes and Dana Turkovic, Cecile R. Hunt  Gallery, St. Louis, Missouri</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/51\" target=\"_blank\">Never Run Away, 2 person exhibition curated by Shaheen Merali, Stux Gallery, New York</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/artists/reena_kallat.htm?section_name=new_india\" target=\"_blank\">The Empire Strikes Back, Saatchi Gallery, London</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://art-for-the-world.blogspot.com/2010/01/some-installation-views-of-urban.html\" target=\"_blank\">Urban Manners 2, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao Paulo, Brazil</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.asianartbiennial.org/2009/en/index_en.html\" target=\"_blank\">View Points and Viewing points - 2009 Asian Art Biennale, National Taiwan Museum of Fine Arts </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Spectrum: Indian Art at Abu   Dhabi, United   Arab Emirates</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Milan Galleria, curated by Georgio Verzotti, Triennale Museum, Milan</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.initialaccess.co.uk/exh/73/11/passage-to-india-part-ii/reena-saini-kallat\" target=\"_blank\">Passage to India Part II show at Initial Access, Frank Cohen Collection, Wolverhampton, UK</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Ventosul Biennale, Curitiba, Brazil</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/english/contents/india/index.html\" target=\"_blank\"> Chalo! India: A New Era of Indian Art, National  Museum of Contemporary Art, Korea and Essl Museum, Vienna</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mocashanghai.org/index.php?_function=exhibition&amp;_subFunction=pastExhibition&amp;exhibition_id=40&amp;_view=detail\" target=\"_blank\">INDIA XIANZAI: Contemporary Indian Art, Museum of Contemporary Art, Shanghai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/42/622\" target=\"_blank\">Low Blow: And Other Species of Confusion, Stux gallery, New York</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><em> </em>Indian Narratives in the 21<sup>st</sup> Century: Between Memory and History,Casa  Asia, Madrid and Barcelona, Spain</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/body-chatter-an-exhibition-of-contemporary-indian-art-2008/\" target=\"_blank\">Body Chatter, Walsh Gallery, Chicago</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/contents/press/india_20081121_e.pdf\" target=\"_blank\">Chalo! India: A New Era of Indian Art, Mori Art   Museum, Japan</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.indiamoderna.es/eng/index.html\" target=\"_blank\">India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM Museum, Valencia, Spain </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.aaa.org.hk/onlineprojects/bitri/en/gallery.aspx?eid=A080.03\" target=\"_blank\">3<sup>rd</sup> Nanjing Triennale, curators: Fumihiko Sumitomo, Jaeyoung Kang,  China</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>TEAF (Taehwagang Eco Art Festival) - Dream River, Korea</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.bodhiart.in/exhibitions/everywhere_is_war/everywhere_war.html\" target=\"_blank\">Everywhere is War (And Rumours of it), Bodhi Art Gallery, Mumbai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/33\" target=\"_blank\">Fire Walkers, Stefan Stux gallery, New York</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.galeriems.com/reenask_one.htm\" target=\"_blank\">Three Points of view, Galerie Mirchandani + Steinrucke, Mumbai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Excavation: Memory / Myth / Membrane, Museum Gallery, Mumbai</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>International Incheon Women Artists’ Biennale, Korea</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Soft Power: Asian Attitude, Shanghai Zendai Museum of Modern Art, Shanghai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td><a class=\"linkbio\" href=\"http://www.kunstaspekte.de/index.php?tid=39629&amp;action=termin\" target=\"_blank\">Urban Manners, curated by Adelina Von Furstenberg, at Hangar Bicocca, Milan </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td><a class=\"linkbio\" href=\"http://www.art-for-the-world.com/wwd/2007/urban_manners/Urban_Manners_pr.pdf\" target=\"_blank\">INDIA NOW: Contemporary Indian Art, Between Continuity and transformation, curated by Daniela Palozzoli at Spazio Oberdan, Milan</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>New Narratives: Contemporary Art From India, curated by Betty Seid, Chicago Cultural Centre, Chicago</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Thermocline Of Art- New Asian Waves, curated by Wonil Rhee and Peter Weibel at ZKM in Karlsruhe, Germany</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Modern Indian Works On Paper, Arthur Ross Gallery, Philadelphia and the Georgia Museum of Art, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Lille 3000 (Maximum City-Mumbai), Lille,  France</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Hungry God- Indian Contemporary Art, curated by Yun Chaegab and June Gwak, Arario Gallery, Beijing and Busan MoMA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>India Express – Art and Popular Culture, Art Museum Tennispalace, curators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City  Art Museum, Finland</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Mom and Pop Art, Walsh Gallery, Chicago</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Span, Sakshi Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Indian Paintings of the New Millenium, curated by Helen Asquine Fazio at Thomas J. Walsh Art Gallery at Fairfield  University, USA</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td><em> </em>Contemporary Art from India, Thomas   Erben Gallery, New York</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td>Zoom! Art in Contemporary India. Curators: Nancy Adajania and Luis Serpa, The Culturgest Museum, Lisbon, Portugal</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Crossing generations: diVERGE, Gallery Chemould’s 40th anniversary, Curators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of Modern Art, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td><em> </em>Hard Copy, two-person show with Jitish Kallat, Gallery 88, Calcutta</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Tiranga, curator: Peter Nagy, India Habitat Centre, New Delhi</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td><em> </em>Elephant Walks, Youth Arts Project in collaboration with Jitish Kallat as part of Indians + Cowboys exhibition, Curators: Aaron Seetu and Ruth Watson Gallery 4A, Sydney</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>The Tree From The Seed, Contemporary Art from India, curator: Gavin Jantjes Henie Onstad Kunstsenter (Oslo), Norway</td>\r\n<td><em></em></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td><em>Crosscurrents</em>, organized by Artworks for the fiftieth anniversary celebrations of Jehangir Art  Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td><em>Reclaim Our Freedom</em>, organized by Open Circle, Pundole Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Crossing Borders, Gallery Windkracht 13, Den Helder, Holland</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>Big River 2, CCA7 Gallery, Port Of Spain, Trinidad</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>AOM- Art on the move, organized by Sahmat, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1999</td>\r\n<td><em> </em>Edge of the Century, curated by Amit Mukhopadhyay, Academy  of Fine Arts and Literature, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1998</td>\r\n<td><em> </em>Essays in Time, Kinetic Sculptures, Nehru Centre, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1997</td>\r\n<td><em> </em>India in Harmony 1947-1997, Nehru Centre, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1997</td>\r\n<td><em> </em>A Page From My Diary, Sans Tache Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1997</td>\r\n<td><em> </em>Fresh Work, Birla Academy of Art and Culture, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1996</td>\r\n<td><em> </em>Monsoon Show, Jehangir Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1995</td>\r\n<td><em> </em>Varsha ’95, Y. B. Chavan Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">SELECTED WORKSHOPS AND RESIDENCIES</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>Visas to Happiness, workshop with children as part of the exhibition \'To Let the World In\', Chennai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Iaspis Residency, Gothenburg, Sweden.</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Vanishing Point, children’s project at the Celebrate Bandra Festival, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Collaborative workshop as part of the exhibition Aftershock, Sainsbury Centre for Visual Arts, University of East Anglia, Norwich,  UK</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Collaborated on a Billboard project with Jitish Kallat, Kala Ghoda Art District, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Elephant Walks, Youth Arts Project at the Casula Power House Arts Centre, Liverpool, Australia</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Khoj 2002 International Artists Workshop, Mysore, India</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Identity and Landscape, residency in the Laurentian mountains of Quebec at the Boreal Art/Nature Centre, Canada</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>Big River 2, International Artists Workshop organized by CCA7 and the Triangle Arts Trust at Grand Riviere, Trinidad, West Indies</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td><span style=\"color: #888888;\"><strong>TALKS/PRESENTATIONS</strong></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Artists Talk at GIBCA Speak Easy (GSE), Goteborg, Sweden</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Informal talk at HDK – The School of Design and Crafts, Goteborg, Sweden</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Artists Talk at the Iaspis Residency Studio, Sweden</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td>Short presentation as part of The River Project at The Campbelltown Arts Centre, Sydney, Australia</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Artists Talk at the Krishnakriti Festival 2011, Kalakriti Gallery, Hyderabad</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td>Panel discussion moderated by Maria Lantz, with participating artists during the exhibition Samtidigt at Kulturhuset, Stockholm</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Panel discussion with artist Gulam Sheikh, co-chair: Sabine B. Vogel, art critic at the Sammlung Essl Museum, Vienna</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Slide presentation followed by a panel discussion with Nalini Malani and Jayshree Chakravarty, moderated by Nancy Adajania at Jnanapravaha, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Slide presentation at the School of the Art Institute of Chicago</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Panel discussion with Nalini Malani, Sheba Chhachhi, moderated by Betty Seid at the Chicago Cultural Centre</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Lecture at the University Boccini, Milan</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Slide presentation at the Lamar Dodd School of Art, University of Georgia, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Artists Talk at the Griffith Auditorium, Georgia Museum of Art, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Slide presentation at Oslo National Academy of the Arts, Norway</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2000</td>\r\n<td>Slide presentation at Mohile Parikh Centre for the Visual Arts, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">AWARDS</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>YFLO ZOYA Young Women Achievers Awards 2010-11, Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Harmony Award</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1996</td>\r\n<td>Bombay Art Society Merit Certificate</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1996</td>\r\n<td>Second Prize Government Award, Sir J. J. School of Art, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1995</td>\r\n<td>Gladstone Solomon Award</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1991-1996</td>\r\n<td>Merit Scholarship, Sir J. J. School of Art, Mumbai</td>\r\n</tr>\r\n</tbody>\r\n</table>','old bio','','draft','open','open','','','','','2013-08-11 08:09:35','2013-08-11 08:09:35','',0,'http://www.reenakallat.com/?page_id=2714',0,'page','',0),(2706,1,'2012-05-03 18:14:12','2012-05-03 18:14:12','	Reena Saini Kallat (b. 1973, Delhi, India) graduated from Sir J.J. School of Art, Mumbai in 1996 with a B.F.A. in painting. Her practice - spanning painting, photography, video, sculpture and installation, often incorporates multiple mediums into a single work. She frequently works with officially recorded or registered names of people, objects, and monuments that are lost or have disappeared without a trace, only to get listed as anonymous and forgotten statistics. One of the recurrent motifs in her work is the rubber stamp, used as an object and an imprint, signifying the bureaucratic apparatus, which both confirms and obscures identities. \r\n	 \r\n	Her work has been widely exhibited across the world in venues such as Mori Art Museum, Tokyo; Kennedy Centre, Washington; Saatchi Gallery, London; SESC Pompeia and SESC Belenzino in Sao Paulo; Goteborgs Konsthall, Sweden; Helsinki City Art Museum, Finland; National Taiwan Museum of Fine Arts; Tel Aviv Museum of Art, Israel; National Museum of Contemporary Art, Seoul; Henie Onstad Kunstsenter, Oslo; Casa Asia, Madrid and Barcelona; ZKM Karlsruhe in Germany; Campbelltown Arts Centre, Sydney; Hangar Bicocca, Milan; Museum of Contemporary Art, Shanghai; IVAM Museum, Spain;  Busan MOMA; Kulturhuset, Stockholm; Chicago Cultural Centre amongst many others and she has participated in a number of workshops and residencies. She lives and works in Mumbai.<table><tbody><tr><td colspan=\"2\"><strong><span style=\"color: #888888;\">SOLO EXHIBITIONS</span></strong></td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2011</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.naturemorte.com/exhibitions/2011-03-08_reena-saini-kallat/\" target=\"_blank\">Labyrinth of Absences, Nature Morte, New Delhi</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2009</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.primomarellagallery.com/it/catalogue/scheda.asp?id=568&amp;view=past\" target=\"_blank\">Drift, Primo Marella Gallery, Milan</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2008</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2008/reena_bio.html\" target=\"_blank\"> Silt of Seasons, Chemould   Prescott Road, Mumbai <font color=\"red\">  >> </font></a></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2008</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/reena-kallat-exhibition-2008/\" target=\"_blank\">Subject to Change without Notice, Walsh Gallery, Chicago</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2006</td>\r\n	<td>Rainbow Of Refuse, Bodhi Art Gallery, Mumbai and Singapore</td>\r\n	<td><em> </em></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2005</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.naturemorte.com/artists/reena-saini-kallat/selected-works/\" target=\"_blank\">Black Flute (And Other Stories), Nature Morte, New Delhi</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2004</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2004/reena_saini_kallat_note.html\" target=\"_blank\">Black Flute, Gallery Chemould, Mumbai</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2002</td>\r\n	<td>The Battlefield Is The Mind, Sakshi Gallery, Bangalore</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2002</td>\r\n	<td>Seven Faces of Dust, Chicago Radio, Mumbai</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2000</td>\r\n	<td>Skin, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">1998</td>\r\n	<td>Orchard of Home-grown Secrets, Gallery Chemould and Pundole  Art Gallery, Mumbai</td>\r\n	</tr>\r\n	<tr>\r\n	<td></td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td colspan=\"2\"><span style=\"color: #888888;\"><strong>SELECTED GROUP EXHIBITIONS</strong></span></td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2012</td>\r\n	<td>SESC Belenzino, Sao Paulo, Brazil<font color=\"red\"></font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2012</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.punkto.no/voices-from-pandemonium.5009470-185063.html\" target=\"_blank\">Stemmer fra Pandemonium, Punkt-Galleri F 15, Moss, Norway <font color=\"red\">  >> </font></td></a>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2012</td>\r\n	<td>Group show, Eigen + Art Lab, Berlin<font color=\"red\"></font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2012</td>\r\n	<td>To Let the World In: Narrative and Beyond in Contemporary Indian Art, Lalit Kala Regional Centre, Chennai, India<font color=\"red\"></font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2012</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.exhibit320.com/exhibitionShow/EXH00014/\" target=\"_blank\">The Contemporary Sultanate, the Sunrydge, New Delhi, India <font color=\"red\">  >> </font></td></a>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2012</td>\r\n	<td>Kalaghoda Art Festival, Mumbai, India <font color=\"red\"></font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2012</td>\r\n	<td>The Skoda Prize Exhibition, Lalit Kala Academy, New Delhi, India <font color=\"red\"></font></td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<td valign=\"top\">2011</td>\r\n	<td>India Side by Side, Centro Cultural Banco do Brasil, Rio De Janeiro, Brazil<font color=\"red\"></font></td>\r\n	</tr>\r\n	<td valign=\"top\">2011</td>\r\n	<td>Giant Elephant : Contemporary Art from India, H Cube Gallery, Seoul <font color=\"red\"></font></td>\r\n	</tr>\r\n	<td valign=\"top\">2011</td>\r\n	<td>Roundabout, Tel Aviv Museum of Art, Israel<font color=\"red\"> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2011</td>\r\n	<td><a class=\"linkbio\" href=\"http://goteborg.biennal.org/en/the-biennial-2011/artists/\" target=\"_blank\">Goteborg International Biennale for Contemporary Art, curated by Sarat Maharaj, Göteborgs Konsthall and Bohuslans Konsthall, Uddevalla, Sweden <font color=\"red\">  >> </font></td></a>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2011</td>\r\n	<td>Right to Dissent, Clark House, Mumbai, India</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2011</td>\r\n	<td>RED, Palette Art Gallery, Delhi</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2011</td>\r\n	<td><a class=\"linkbio\"  href=\"http://www.kennedy-center.org/events/?event=ZLINB\" target=\"_blank\" >Maximum India, The Kennedy Centre, Washington</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2011</td>\r\n	<td>Of Gods and Goddesses, Cinema, Cricket - The New cultural Icons of India, Jehangir Art Gallery, Mumbai\r\n	</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2011</td>\r\n	<td>Samtidigt, Helsinki City Art Museum, Finland</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2011</td>\r\n	<td>Iconoclasts and Iconodules, curated by Ombretta Argo, Religare Art Gallery, New  Delhi</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2011</td>\r\n	<td>The Vancouver International Sculpture Biennale, Surrey Art Gallery, Canada</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2011</td>\r\n	<td>The Intuitive: Logic Revisted, from the Osians Collection at The World Economic Forum, Davos, Switzerland</td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2010</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/current/La_Route_De_La_Soie.htm\" target=\"_blank\">La Route de la Soie / The Silk Road, Lille 3000, France </a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2010</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.kulturhuset.stockholm.se/default.asp?id=5760&refid=34277\" target=\"_blank\">Samtidigt, Kulterhuset, Stockholm</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2010</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.campbelltown.nsw.gov.au/default.asp?iNavCatID=3407&iSubCatID=3615\" target=\"_blank\">The River Project, Campbelltown Art Centre, Sydney</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2010</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.aboutroundabout.com/artists/kallat-reena-saini\" target=\"_blank\">Roundabout, City Gallery Wellington, New Zealand</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2010</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/\" target=\"_blank\">Waterways, Walsh Gallery, Chicago</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2010</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.richmondartgallery.org/in-transition.php\" target=\"_blank\">In Transition: New Art from India, Richmond Art Gallery Vancouver Biennale, Vancouver</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2010</td>\r\n	<td><a class=\"linkbio\" href=\"http://websterhuntgallery.blogspot.com/2010_02_01_archive.html\" target=\"_blank\">Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster University, curated by Jeffrey Hughes and Dana Turkovic, Cecile R. Hunt  Gallery, St. Louis, Missouri</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2010</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/51\" target=\"_blank\">Never Run Away, 2 person exhibition curated by Shaheen Merali, Stux Gallery, New York</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2010</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/artists/reena_kallat.htm?section_name=new_india\" target=\"_blank\">The Empire Strikes Back, Saatchi Gallery, London</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2010</td>\r\n	<td><a class=\"linkbio\" href=\"http://art-for-the-world.blogspot.com/2010/01/some-installation-views-of-urban.html\" target=\"_blank\">Urban Manners 2, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao Paulo, Brazil</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2009</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.asianartbiennial.org/2009/en/index_en.html\" target=\"_blank\">View Points and Viewing points - 2009 Asian Art Biennale, National Taiwan Museum of Fine Arts </a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2009</td>\r\n	<td>Spectrum: Indian Art at Abu   Dhabi, United   Arab Emirates</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2009</td>\r\n	<td>Milan Galleria, curated by Georgio Verzotti, Triennale Museum, Milan</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2009</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.initialaccess.co.uk/exh/73/11/passage-to-india-part-ii/reena-saini-kallat\" target=\"_blank\">Passage to India Part II show at Initial Access, Frank Cohen Collection, Wolverhampton, UK</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2009</td>\r\n	<td>Ventosul Biennale, Curitiba, Brazil</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2009</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/english/contents/india/index.html\" target=\"_blank\"> Chalo! India: A New Era of Indian Art, National  Museum of Contemporary Art, Korea and Essl Museum, Vienna</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2009</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.mocashanghai.org/index.php?_function=exhibition&amp;_subFunction=pastExhibition&amp;exhibition_id=40&amp;_view=detail\" target=\"_blank\">INDIA XIANZAI: Contemporary Indian Art, Museum of Contemporary Art, Shanghai</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2009</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/42/622\" target=\"_blank\">Low Blow: And Other Species of Confusion, Stux gallery, New York</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2009</td>\r\n	<td><em> </em>Indian Narratives in the 21<sup>st</sup> Century: Between Memory and History,Casa  Asia, Madrid and Barcelona, Spain</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2009</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/body-chatter-an-exhibition-of-contemporary-indian-art-2008/\" target=\"_blank\">Body Chatter, Walsh Gallery, Chicago</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2008</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/contents/press/india_20081121_e.pdf\" target=\"_blank\">Chalo! India: A New Era of Indian Art, Mori Art   Museum, Japan</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2008</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.indiamoderna.es/eng/index.html\" target=\"_blank\">India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM Museum, Valencia, Spain </a> <font color=\"red\">  >> </font></td>\r\n	<td></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2008</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.aaa.org.hk/onlineprojects/bitri/en/gallery.aspx?eid=A080.03\" target=\"_blank\">3<sup>rd</sup> Nanjing Triennale, curators: Fumihiko Sumitomo, Jaeyoung Kang,  China</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2008</td>\r\n	<td>TEAF (Taehwagang Eco Art Festival) - Dream River, Korea</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2008</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.bodhiart.in/exhibitions/everywhere_is_war/everywhere_war.html\" target=\"_blank\">Everywhere is War (And Rumours of it), Bodhi Art Gallery, Mumbai</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2008</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/33\" target=\"_blank\">Fire Walkers, Stefan Stux gallery, New York</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2008</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.galeriems.com/reenask_one.htm\" target=\"_blank\">Three Points of view, Galerie Mirchandani + Steinrucke, Mumbai</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2008</td>\r\n	<td>Excavation: Memory / Myth / Membrane, Museum Gallery, Mumbai</td>\r\n	<td></td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2007</td>\r\n	<td>International Incheon Women Artists’ Biennale, Korea</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2007</td>\r\n	<td>Soft Power: Asian Attitude, Shanghai Zendai Museum of Modern Art, Shanghai</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2007</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.kunstaspekte.de/index.php?tid=39629&amp;action=termin\" target=\"_blank\">Urban Manners, curated by Adelina Von Furstenberg, at Hangar Bicocca, Milan </a> <font color=\"red\">  >> </font></td>\r\n	<td></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2007</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.art-for-the-world.com/wwd/2007/urban_manners/Urban_Manners_pr.pdf\" target=\"_blank\">INDIA NOW: Contemporary Indian Art, Between Continuity and transformation, curated by Daniela Palozzoli at Spazio Oberdan, Milan</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2007</td>\r\n	<td>New Narratives: Contemporary Art From India, curated by Betty Seid, Chicago Cultural Centre, Chicago</td>\r\n	<td><em> </em></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2007</td>\r\n	<td>Thermocline Of Art- New Asian Waves, curated by Wonil Rhee and Peter Weibel at ZKM in Karlsruhe, Germany</td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2006</td>\r\n	<td>Modern Indian Works On Paper, Arthur Ross Gallery, Philadelphia and the Georgia Museum of Art, USA</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2006</td>\r\n	<td>Lille 3000 (Maximum City-Mumbai), Lille,  France</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2006</td>\r\n	<td>Hungry God- Indian Contemporary Art, curated by Yun Chaegab and June Gwak, Arario Gallery, Beijing and Busan MoMA</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2006</td>\r\n	<td>India Express – Art and Popular Culture, Art Museum Tennispalace, curators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City  Art Museum, Finland</td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2005</td>\r\n	<td>Mom and Pop Art, Walsh Gallery, Chicago</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2005</td>\r\n	<td>Span, Sakshi Gallery, Mumbai</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2005</td>\r\n	<td>Indian Paintings of the New Millenium, curated by Helen Asquine Fazio at Thomas J. Walsh Art Gallery at Fairfield  University, USA</td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2004</td>\r\n	<td><em> </em>Contemporary Art from India, Thomas   Erben Gallery, New York</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2004</td>\r\n	<td>Zoom! Art in Contemporary India. Curators: Nancy Adajania and Luis Serpa, The Culturgest Museum, Lisbon, Portugal</td>\r\n	<td></td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2003</td>\r\n	<td>Crossing generations: diVERGE, Gallery Chemould’s 40th anniversary, Curators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of Modern Art, Mumbai</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2003</td>\r\n	<td><em> </em>Hard Copy, two-person show with Jitish Kallat, Gallery 88, Calcutta</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2003</td>\r\n	<td>Tiranga, curator: Peter Nagy, India Habitat Centre, New Delhi</td>\r\n	<td><em> </em></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2003</td>\r\n	<td><em> </em>Elephant Walks, Youth Arts Project in collaboration with Jitish Kallat as part of Indians + Cowboys exhibition, Curators: Aaron Seetu and Ruth Watson Gallery 4A, Sydney</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2003</td>\r\n	<td>The Tree From The Seed, Contemporary Art from India, curator: Gavin Jantjes Henie Onstad Kunstsenter (Oslo), Norway</td>\r\n	<td><em></em></td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2002</td>\r\n	<td><em>Crosscurrents</em>, organized by Artworks for the fiftieth anniversary celebrations of Jehangir Art  Gallery, Mumbai</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2002</td>\r\n	<td><em>Reclaim Our Freedom</em>, organized by Open Circle, Pundole Art Gallery, Mumbai</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2002</td>\r\n	<td>Crossing Borders, Gallery Windkracht 13, Den Helder, Holland</td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2001</td>\r\n	<td>Big River 2, CCA7 Gallery, Port Of Spain, Trinidad</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2001</td>\r\n	<td>AOM- Art on the move, organized by Sahmat, New Delhi</td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">1999</td>\r\n	<td><em> </em>Edge of the Century, curated by Amit Mukhopadhyay, Academy  of Fine Arts and Literature, New Delhi</td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">1998</td>\r\n	<td><em> </em>Essays in Time, Kinetic Sculptures, Nehru Centre, Mumbai</td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">1997</td>\r\n	<td><em> </em>India in Harmony 1947-1997, Nehru Centre, Mumbai</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">1997</td>\r\n	<td><em> </em>A Page From My Diary, Sans Tache Art Gallery, Mumbai</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">1997</td>\r\n	<td><em> </em>Fresh Work, Birla Academy of Art and Culture, Mumbai</td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">1996</td>\r\n	<td><em> </em>Monsoon Show, Jehangir Art Gallery, Mumbai</td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">1995</td>\r\n	<td><em> </em>Varsha ’95, Y. B. Chavan Gallery, Mumbai</td>\r\n	</tr>\r\n	\r\n	<tr>\r\n	<td></td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td colspan=\"2\"><strong><span style=\"color: #888888;\">SELECTED WORKSHOPS AND RESIDENCIES</span></strong></td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2012</td>\r\n	<td>Visas to Happiness, workshop with children as part of the exhibition \'To Let the World In\', Chennai\r\n	</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2011</td>\r\n	<td>Iaspis Residency, Gothenburg, Sweden.</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2009</td>\r\n	<td>Vanishing Point, children’s project at the Celebrate Bandra Festival, Mumbai</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2007</td>\r\n	<td>Collaborative workshop as part of the exhibition Aftershock, Sainsbury Centre for Visual Arts, University of East Anglia, Norwich,  UK</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2003</td>\r\n	<td>Collaborated on a Billboard project with Jitish Kallat, Kala Ghoda Art District, Mumbai</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2003</td>\r\n	<td>Elephant Walks, Youth Arts Project at the Casula Power House Arts Centre, Liverpool, Australia</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2002</td>\r\n	<td>Khoj 2002 International Artists Workshop, Mysore, India</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2002</td>\r\n	<td>Identity and Landscape, residency in the Laurentian mountains of Quebec at the Boreal Art/Nature Centre, Canada</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2001</td>\r\n	<td>Big River 2, International Artists Workshop organized by CCA7 and the Triangle Arts Trust at Grand Riviere, Trinidad, West Indies</td>\r\n	</tr>\r\n	<tr>\r\n	<td></td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	</tr>\r\n	<tr>\r\n	<td><span style=\"color: #888888;\"><strong>TALKS/PRESENTATIONS</strong></span></td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2011</td>\r\n	<td>Artists Talk at GIBCA Speak Easy (GSE), Goteborg, Sweden</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2011</td>\r\n	<td>Informal talk at HDK – The School of Design and Crafts, Goteborg, Sweden</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2011</td>\r\n	<td>Artists Talk at the Iaspis Residency Studio, Sweden</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2010</td>\r\n	<td>Short presentation as part of The River Project at The Campbelltown Arts Centre, Sydney, Australia\r\n	</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2011</td>\r\n	<td>Artists Talk at the Krishnakriti Festival 2011, Kalakriti Gallery, Hyderabad  </td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2010</td>\r\n	<td>Panel discussion moderated by Maria Lantz, with participating artists during the exhibition Samtidigt at Kulturhuset, Stockholm</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2009</td>\r\n	<td>Panel discussion with artist Gulam Sheikh, co-chair: Sabine B. Vogel, art critic at the Sammlung Essl Museum, Vienna</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2008</td>\r\n	<td>Slide presentation followed by a panel discussion with Nalini Malani and Jayshree Chakravarty, moderated by Nancy Adajania at Jnanapravaha, Mumbai</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2008</td>\r\n	<td>Slide presentation at the School of the Art Institute of Chicago</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2007</td>\r\n	<td>Panel discussion with Nalini Malani, Sheba Chhachhi, moderated by Betty Seid at the Chicago Cultural Centre</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2007</td>\r\n	<td>Lecture at the University Boccini, Milan</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2006</td>\r\n	<td>Slide presentation at the Lamar Dodd School of Art, University of Georgia, USA</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2006</td>\r\n	<td>Artists Talk at the Griffith Auditorium, Georgia Museum of Art, USA</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2003</td>\r\n	<td>Slide presentation at Oslo National Academy of the Arts, Norway</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2000</td>\r\n	<td>Slide presentation at Mohile Parikh Centre for the Visual Arts, Mumbai</td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td colspan=\"2\"><strong><span style=\"color: #888888;\">AWARDS</span></strong></td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2011</td>\r\n	<td>YFLO ZOYA Young Women Achievers Awards 2010-11, Delhi</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2005</td>\r\n	<td>Harmony Award</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">1996</td>\r\n	<td>Bombay Art Society Merit Certificate</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">1996</td>\r\n	<td>Second Prize Government Award, Sir J. J. School of Art, Mumbai</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">1995</td>\r\n	<td>Gladstone Solomon Award</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">1991-1996</td>\r\n	<td>Merit Scholarship, Sir J. J. School of Art, Mumbai</td>\r\n	</tr>\r\n	</tbody>\r\n	</table>','Biography','','inherit','open','open','','105-revision-113','','','2012-05-03 18:14:12','2012-05-03 18:14:12','',105,'http://www.reenakallat.com/2706/uncat/105-revision-113',0,'revision','',0),(2693,1,'2012-05-03 17:47:35','2012-05-03 17:47:35','	Reena Saini Kallat (b. 1973, Delhi, India) graduated from Sir J.J. School of Art, Mumbai in 1996 with a B.F.A. in painting. Her practice - spanning painting, photography, video, sculpture and installation, often incorporates multiple mediums into a single work. She frequently works with officially recorded or registered names of people, objects, and monuments that are lost or have disappeared without a trace, only to get listed as anonymous and forgotten statistics. One of the recurrent motifs in her work is the rubber stamp, used as an object and an imprint, signifying the bureaucratic apparatus, which both confirms and obscures identities. \r\n	 \r\n	Her work has been widely exhibited across the world in venues such as Mori Art Museum, Tokyo; Kennedy Centre, Washington; Saatchi Gallery, London; SESC Pompeia and SESC Belenzino in Sao Paulo; Goteborgs Konsthall, Sweden; Helsinki City Art Museum, Finland; National Taiwan Museum of Fine Arts; Tel Aviv Museum of Art, Israel; National Museum of Contemporary Art, Seoul; Henie Onstad Kunstsenter, Oslo; Casa Asia, Madrid and Barcelona; ZKM Karlsruhe in Germany; Campbelltown Arts Centre, Sydney; Hangar Bicocca, Milan; Museum of Contemporary Art, Shanghai; IVAM Museum, Spain;  Busan MOMA; Kulturhuset, Stockholm; Chicago Cultural Centre amongst many others and she has participated in a number of workshops and residencies. She lives and works in Mumbai.<table><tbody><tr><td colspan=\"2\"><strong><span style=\"color: #888888;\">SOLO EXHIBITIONS</span></strong></td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2011</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.naturemorte.com/exhibitions/2011-03-08_reena-saini-kallat/\" target=\"_blank\">Labyrinth of Absences, Nature Morte, New Delhi</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2009</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.primomarellagallery.com/it/catalogue/scheda.asp?id=568&amp;view=past\" target=\"_blank\">Drift, Primo Marella Gallery, Milan</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2008</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2008/reena_bio.html\" target=\"_blank\"> Silt of Seasons, Chemould   Prescott Road, Mumbai <font color=\"red\">  >> </font></a></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2008</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/reena-kallat-exhibition-2008/\" target=\"_blank\">Subject to Change without Notice, Walsh Gallery, Chicago</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2006</td>\r\n	<td>Rainbow Of Refuse, Bodhi Art Gallery, Mumbai and Singapore</td>\r\n	<td><em> </em></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2005</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.naturemorte.com/artists/reena-saini-kallat/selected-works/\" target=\"_blank\">Black Flute (And Other Stories), Nature Morte, New Delhi</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2004</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2004/reena_saini_kallat_note.html\" target=\"_blank\">Black Flute, Gallery Chemould, Mumbai</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2002</td>\r\n	<td>The Battlefield Is The Mind, Sakshi Gallery, Bangalore</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2002</td>\r\n	<td>Seven Faces of Dust, Chicago Radio, Mumbai</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2000</td>\r\n	<td>Skin, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">1998</td>\r\n	<td>Orchard of Home-grown Secrets, Gallery Chemould and Pundole  Art Gallery, Mumbai</td>\r\n	</tr>\r\n	<tr>\r\n	<td></td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td colspan=\"2\"><span style=\"color: #888888;\"><strong>SELECTED GROUP EXHIBITIONS</strong></span></td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2012</td>\r\n	<td>SESC Belenzino, Sao Paulo, Brazil<font color=\"red\"></font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2012</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.punkto.no/voices-from-pandemonium.5009470-185063.html\" target=\"_blank\">Stemmer fra Pandemonium, Punkt-Galleri F 15, Moss, Norway <font color=\"red\">  >> </font></td></a>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2012</td>\r\n	<td>Group show, Eigen + Art Lab, Berlin<font color=\"red\"></font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2012</td>\r\n	<td>To Let the World In: Narrative and Beyond in Contemporary Indian Art, Lalit Kala Regional Centre, Chennai, India<font color=\"red\"></font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2012</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.exhibit320.com/exhibitionShow/EXH00014/\" target=\"_blank\">The Contemporary Sultanate, the Sunrydge, New Delhi, India <font color=\"red\">  >> </font></td></a>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2012</td>\r\n	<td>Kalaghoda Art Festival, Mumbai, India <font color=\"red\"></font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2012</td>\r\n	<td>The Skoda Prize Exhibition, Lalit Kala Academy, New Delhi, India <font color=\"red\"></font></td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<td valign=\"top\">2011</td>\r\n	<td>India Side by Side, Centro Cultural Banco do Brasil, Rio De Janeiro, Brazil<font color=\"red\"></font></td>\r\n	</tr>\r\n	<td valign=\"top\">2011</td>\r\n	<td>Giant Elephant : Contemporary Art from India, H Cube Gallery, Seoul <font color=\"red\"></font></td>\r\n	</tr>\r\n	<td valign=\"top\">2011</td>\r\n	<td>Roundabout, Tel Aviv Museum of Art, Israel<font color=\"red\"> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2011</td>\r\n	<td><a class=\"linkbio\" href=\"http://goteborg.biennal.org/en/the-biennial-2011/artists/\" target=\"_blank\">Goteborg International Biennale for Contemporary Art, curated by Sarat Maharaj, Göteborgs Konsthall and Bohuslans Konsthall, Uddevalla, Sweden <font color=\"red\">  >> </font></td></a>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2011</td>\r\n	<td>Right to Dissent, Clark House, Mumbai, India</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2011</td>\r\n	<td>RED, Palette Art Gallery, Delhi</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2011</td>\r\n	<td><a class=\"linkbio\"  href=\"http://www.kennedy-center.org/events/?event=ZLINB\" target=\"_blank\" >Maximum India, The Kennedy Centre, Washington</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2011</td>\r\n	<td>Of Gods and Goddesses, Cinema, Cricket - The New cultural Icons of India, Jehangir Art Gallery, Mumbai\r\n	</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2011</td>\r\n	<td>Samtidigt, Helsinki City Art Museum, Finland</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2011</td>\r\n	<td>Iconoclasts and Iconodules, curated by Ombretta Argo, Religare Art Gallery, New  Delhi</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2011</td>\r\n	<td>The Vancouver International Sculpture Biennale, Surrey Art Gallery, Canada</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2011</td>\r\n	<td>The Intuitive: Logic Revisted, from the Osians Collection at The World Economic Forum, Davos, Switzerland</td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2010</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/current/La_Route_De_La_Soie.htm\" target=\"_blank\">La Route de la Soie / The Silk Road, Lille 3000, France </a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2010</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.kulturhuset.stockholm.se/default.asp?id=5760&refid=34277\" target=\"_blank\">Samtidigt, Kulterhuset, Stockholm</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2010</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.campbelltown.nsw.gov.au/default.asp?iNavCatID=3407&iSubCatID=3615\" target=\"_blank\">The River Project, Campbelltown Art Centre, Sydney</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2010</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.aboutroundabout.com/artists/kallat-reena-saini\" target=\"_blank\">Roundabout, City Gallery Wellington, New Zealand</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2010</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/\" target=\"_blank\">Waterways, Walsh Gallery, Chicago</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2010</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.richmondartgallery.org/in-transition.php\" target=\"_blank\">In Transition: New Art from India, Richmond Art Gallery Vancouver Biennale, Vancouver</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2010</td>\r\n	<td><a class=\"linkbio\" href=\"http://websterhuntgallery.blogspot.com/2010_02_01_archive.html\" target=\"_blank\">Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster University, curated by Jeffrey Hughes and Dana Turkovic, Cecile R. Hunt  Gallery, St. Louis, Missouri</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2010</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/51\" target=\"_blank\">Never Run Away, 2 person exhibition curated by Shaheen Merali, Stux Gallery, New York</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2010</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/artists/reena_kallat.htm?section_name=new_india\" target=\"_blank\">The Empire Strikes Back, Saatchi Gallery, London</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2010</td>\r\n	<td><a class=\"linkbio\" href=\"http://art-for-the-world.blogspot.com/2010/01/some-installation-views-of-urban.html\" target=\"_blank\">Urban Manners 2, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao Paulo, Brazil</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2009</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.asianartbiennial.org/2009/en/index_en.html\" target=\"_blank\">View Points and Viewing points - 2009 Asian Art Biennale, National Taiwan Museum of Fine Arts </a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2009</td>\r\n	<td>Spectrum: Indian Art at Abu   Dhabi, United   Arab Emirates</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2009</td>\r\n	<td>Milan Galleria, curated by Georgio Verzotti, Triennale Museum, Milan</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2009</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.initialaccess.co.uk/exh/73/11/passage-to-india-part-ii/reena-saini-kallat\" target=\"_blank\">Passage to India Part II show at Initial Access, Frank Cohen Collection, Wolverhampton, UK</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2009</td>\r\n	<td>Ventosul Biennale, Curitiba, Brazil</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2009</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/english/contents/india/index.html\" target=\"_blank\"> Chalo! India: A New Era of Indian Art, National  Museum of Contemporary Art, Korea and Essl Museum, Vienna</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2009</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.mocashanghai.org/index.php?_function=exhibition&amp;_subFunction=pastExhibition&amp;exhibition_id=40&amp;_view=detail\" target=\"_blank\">INDIA XIANZAI: Contemporary Indian Art, Museum of Contemporary Art, Shanghai</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2009</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/42/622\" target=\"_blank\">Low Blow: And Other Species of Confusion, Stux gallery, New York</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2009</td>\r\n	<td><em> </em>Indian Narratives in the 21<sup>st</sup> Century: Between Memory and History,Casa  Asia, Madrid and Barcelona, Spain</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2009</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/body-chatter-an-exhibition-of-contemporary-indian-art-2008/\" target=\"_blank\">Body Chatter, Walsh Gallery, Chicago</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2008</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/contents/press/india_20081121_e.pdf\" target=\"_blank\">Chalo! India: A New Era of Indian Art, Mori Art   Museum, Japan</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2008</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.indiamoderna.es/eng/index.html\" target=\"_blank\">India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM Museum, Valencia, Spain </a> <font color=\"red\">  >> </font></td>\r\n	<td></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2008</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.aaa.org.hk/onlineprojects/bitri/en/gallery.aspx?eid=A080.03\" target=\"_blank\">3<sup>rd</sup> Nanjing Triennale, curators: Fumihiko Sumitomo, Jaeyoung Kang,  China</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2008</td>\r\n	<td>TEAF (Taehwagang Eco Art Festival) - Dream River, Korea</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2008</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.bodhiart.in/exhibitions/everywhere_is_war/everywhere_war.html\" target=\"_blank\">Everywhere is War (And Rumours of it), Bodhi Art Gallery, Mumbai</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2008</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/33\" target=\"_blank\">Fire Walkers, Stefan Stux gallery, New York</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2008</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.galeriems.com/reenask_one.htm\" target=\"_blank\">Three Points of view, Galerie Mirchandani + Steinrucke, Mumbai</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2008</td>\r\n	<td>Excavation: Memory / Myth / Membrane, Museum Gallery, Mumbai</td>\r\n	<td></td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2007</td>\r\n	<td>International Incheon Women Artists’ Biennale, Korea</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2007</td>\r\n	<td>Soft Power: Asian Attitude, Shanghai Zendai Museum of Modern Art, Shanghai</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2007</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.kunstaspekte.de/index.php?tid=39629&amp;action=termin\" target=\"_blank\">Urban Manners, curated by Adelina Von Furstenberg, at Hangar Bicocca, Milan </a> <font color=\"red\">  >> </font></td>\r\n	<td></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2007</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.art-for-the-world.com/wwd/2007/urban_manners/Urban_Manners_pr.pdf\" target=\"_blank\">INDIA NOW: Contemporary Indian Art, Between Continuity and transformation, curated by Daniela Palozzoli at Spazio Oberdan, Milan</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2007</td>\r\n	<td>New Narratives: Contemporary Art From India, curated by Betty Seid, Chicago Cultural Centre, Chicago</td>\r\n	<td><em> </em></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2007</td>\r\n	<td>Thermocline Of Art- New Asian Waves, curated by Wonil Rhee and Peter Weibel at ZKM in Karlsruhe, Germany</td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2006</td>\r\n	<td>Modern Indian Works On Paper, Arthur Ross Gallery, Philadelphia and the Georgia Museum of Art, USA</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2006</td>\r\n	<td>Lille 3000 (Maximum City-Mumbai), Lille,  France</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2006</td>\r\n	<td>Hungry God- Indian Contemporary Art, curated by Yun Chaegab and June Gwak, Arario Gallery, Beijing and Busan MoMA</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2006</td>\r\n	<td>India Express – Art and Popular Culture, Art Museum Tennispalace, curators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City  Art Museum, Finland</td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2005</td>\r\n	<td>Mom and Pop Art, Walsh Gallery, Chicago</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2005</td>\r\n	<td>Span, Sakshi Gallery, Mumbai</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2005</td>\r\n	<td>Indian Paintings of the New Millenium, curated by Helen Asquine Fazio at Thomas J. Walsh Art Gallery at Fairfield  University, USA</td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2004</td>\r\n	<td><em> </em>Contemporary Art from India, Thomas   Erben Gallery, New York</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2004</td>\r\n	<td>Zoom! Art in Contemporary India. Curators: Nancy Adajania and Luis Serpa, The Culturgest Museum, Lisbon, Portugal</td>\r\n	<td></td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2003</td>\r\n	<td>Crossing generations: diVERGE, Gallery Chemould’s 40th anniversary, Curators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of Modern Art, Mumbai</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2003</td>\r\n	<td><em> </em>Hard Copy, two-person show with Jitish Kallat, Gallery 88, Calcutta</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2003</td>\r\n	<td>Tiranga, curator: Peter Nagy, India Habitat Centre, New Delhi</td>\r\n	<td><em> </em></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2003</td>\r\n	<td><em> </em>Elephant Walks, Youth Arts Project in collaboration with Jitish Kallat as part of Indians + Cowboys exhibition, Curators: Aaron Seetu and Ruth Watson Gallery 4A, Sydney</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2003</td>\r\n	<td>The Tree From The Seed, Contemporary Art from India, curator: Gavin Jantjes Henie Onstad Kunstsenter (Oslo), Norway</td>\r\n	<td><em></em></td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2002</td>\r\n	<td><em>Crosscurrents</em>, organized by Artworks for the fiftieth anniversary celebrations of Jehangir Art  Gallery, Mumbai</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2002</td>\r\n	<td><em>Reclaim Our Freedom</em>, organized by Open Circle, Pundole Art Gallery, Mumbai</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2002</td>\r\n	<td>Crossing Borders, Gallery Windkracht 13, Den Helder, Holland</td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2001</td>\r\n	<td>Big River 2, CCA7 Gallery, Port Of Spain, Trinidad</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2001</td>\r\n	<td>AOM- Art on the move, organized by Sahmat, New Delhi</td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">1999</td>\r\n	<td><em> </em>Edge of the Century, curated by Amit Mukhopadhyay, Academy  of Fine Arts and Literature, New Delhi</td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">1998</td>\r\n	<td><em> </em>Essays in Time, Kinetic Sculptures, Nehru Centre, Mumbai</td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">1997</td>\r\n	<td><em> </em>India in Harmony 1947-1997, Nehru Centre, Mumbai</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">1997</td>\r\n	<td><em> </em>A Page From My Diary, Sans Tache Art Gallery, Mumbai</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">1997</td>\r\n	<td><em> </em>Fresh Work, Birla Academy of Art and Culture, Mumbai</td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">1996</td>\r\n	<td><em> </em>Monsoon Show, Jehangir Art Gallery, Mumbai</td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">1995</td>\r\n	<td><em> </em>Varsha ’95, Y. B. Chavan Gallery, Mumbai</td>\r\n	</tr>\r\n	\r\n	<tr>\r\n	<td></td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td colspan=\"2\"><strong><span style=\"color: #888888;\">SELECTED WORKSHOPS AND RESIDENCIES</span></strong></td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2012</td>\r\n	<td>Visas to Happiness, workshop with children as part of the exhibition \'To Let the World In\', Chennai\r\n	</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2011</td>\r\n	<td>Iaspis Residency, Gothenburg, Sweden.</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2011</td>\r\n	<td>Iaspis Residency, Gothenburg, Sweden. May 5 to June 4, 2011</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2009</td>\r\n	<td>Vanishing Point, children’s project at the Celebrate Bandra Festival, Mumbai</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2007</td>\r\n	<td>Collaborative workshop as part of the exhibition Aftershock, Sainsbury Centre for Visual Arts, University of East Anglia, Norwich,  UK</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2003</td>\r\n	<td>Collaborated on a Billboard project with Jitish Kallat, Kala Ghoda Art District, Mumbai</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2003</td>\r\n	<td>Elephant Walks, Youth Arts Project at the Casula Power House Arts Centre, Liverpool, Australia</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2002</td>\r\n	<td>Khoj 2002 International Artists Workshop, Mysore, India</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2002</td>\r\n	<td>Identity and Landscape, residency in the Laurentian mountains of Quebec at the Boreal Art/Nature Centre, Canada</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2001</td>\r\n	<td>Big River 2, International Artists Workshop organized by CCA7 and the Triangle Arts Trust at Grand Riviere, Trinidad, West Indies</td>\r\n	</tr>\r\n	<tr>\r\n	<td></td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	</tr>\r\n	<tr>\r\n	<td><span style=\"color: #888888;\"><strong>TALKS/PRESENTATIONS</strong></span></td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2011</td>\r\n	<td>Artists Talk at GIBCA Speak Easy (GSE), Goteborg, Sweden</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2011</td>\r\n	<td>Informal talk at HDK – The School of Design and Crafts, Goteborg, Sweden</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2011</td>\r\n	<td>Artists Talk at the Iaspis Residency Studio, Sweden</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2010</td>\r\n	<td>Short presentation as part of The River Project at The Campbelltown Arts Centre, Sydney, Australia\r\n	</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2011</td>\r\n	<td>Artists Talk at the Krishnakriti Festival 2011, Kalakriti Gallery, Hyderabad  </td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2010</td>\r\n	<td>Panel discussion moderated by Maria Lantz, with participating artists during the exhibition Samtidigt at Kulturhuset, Stockholm</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2009</td>\r\n	<td>Panel discussion with artist Gulam Sheikh, co-chair: Sabine B. Vogel, art critic at the Sammlung Essl Museum, Vienna</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2008</td>\r\n	<td>Slide presentation followed by a panel discussion with Nalini Malani and Jayshree Chakravarty, moderated by Nancy Adajania at Jnanapravaha, Mumbai</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2008</td>\r\n	<td>Slide presentation at the School of the Art Institute of Chicago</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2007</td>\r\n	<td>Panel discussion with Nalini Malani, Sheba Chhachhi, moderated by Betty Seid at the Chicago Cultural Centre</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2007</td>\r\n	<td>Lecture at the University Boccini, Milan</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2006</td>\r\n	<td>Slide presentation at the Lamar Dodd School of Art, University of Georgia, USA</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2006</td>\r\n	<td>Artists Talk at the Griffith Auditorium, Georgia Museum of Art, USA</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2003</td>\r\n	<td>Slide presentation at Oslo National Academy of the Arts, Norway</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2000</td>\r\n	<td>Slide presentation at Mohile Parikh Centre for the Visual Arts, Mumbai</td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td colspan=\"2\"><strong><span style=\"color: #888888;\">AWARDS</span></strong></td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2011</td>\r\n	<td>YFLO ZOYA Young Women Achievers Awards 2010-11, Delhi</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2005</td>\r\n	<td>Harmony Award</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">1996</td>\r\n	<td>Bombay Art Society Merit Certificate</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">1996</td>\r\n	<td>Second Prize Government Award, Sir J. J. School of Art, Mumbai</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">1995</td>\r\n	<td>Gladstone Solomon Award</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">1991-1996</td>\r\n	<td>Merit Scholarship, Sir J. J. School of Art, Mumbai</td>\r\n	</tr>\r\n	</tbody>\r\n	</table>','Biography','','inherit','open','open','','105-revision-111','','','2012-05-03 17:47:35','2012-05-03 17:47:35','',105,'http://www.reenakallat.com/2693/uncat/105-revision-111',0,'revision','',0),(2691,1,'2012-04-23 19:15:21','2012-04-23 19:15:21','	Reena Saini Kallat (b. 1973, Delhi, India) graduated from Sir J.J. School of Art, Mumbai in 1996 with a B.F.A. in painting. Her practice - spanning painting, photography, video, sculpture and installation, often incorporates multiple mediums into a single work. She frequently works with officially recorded or registered names of people, objects, and monuments that are lost or have disappeared without a trace, only to get listed as anonymous and forgotten statistics. One of the recurrent motifs in her work is the rubber stamp, used as an object and an imprint, signifying the bureaucratic apparatus, which both confirms and obscures identities. \r\n	 \r\n	Her work has been widely exhibited across the world in venues such as Mori Art Museum, Tokyo; Kennedy Centre, Washington; Saatchi Gallery, London; SESC Pompeia and SESC Belenzino in Sao Paulo; Goteborgs Konsthall, Sweden; Helsinki City Art Museum, Finland; National Taiwan Museum of Fine Arts; Tel Aviv Museum of Art, Israel; National Museum of Contemporary Art, Seoul; Henie Onstad Kunstsenter, Oslo; Casa Asia, Madrid and Barcelona; ZKM Karlsruhe in Germany; Campbelltown Arts Centre, Sydney; Hangar Bicocca, Milan; Museum of Contemporary Art, Shanghai; IVAM Museum, Spain;  Busan MOMA; Kulturhuset, Stockholm; Chicago Cultural Centre amongst many others and she has participated in a number of workshops and residencies. She lives and works in Mumbai.\r\n	\r\n	<table>\r\n	<tbody>\r\n	<tr>\r\n	<td></td>\r\n	</tr>\r\n	<tr>\r\n	<td colspan=\"2\"><strong><span style=\"color: #888888;\">SOLO EXHIBITIONS</span></strong></td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2011</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.naturemorte.com/exhibitions/2011-03-08_reena-saini-kallat/\" target=\"_blank\">Labyrinth of Absences, Nature Morte, New Delhi</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2009</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.primomarellagallery.com/it/catalogue/scheda.asp?id=568&amp;view=past\" target=\"_blank\">Drift, Primo Marella Gallery, Milan</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2008</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2008/reena_bio.html\" target=\"_blank\"> Silt of Seasons, Chemould   Prescott Road, Mumbai <font color=\"red\">  >> </font></a></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2008</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/reena-kallat-exhibition-2008/\" target=\"_blank\">Subject to Change without Notice, Walsh Gallery, Chicago</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2006</td>\r\n	<td>Rainbow Of Refuse, Bodhi Art Gallery, Mumbai and Singapore</td>\r\n	<td><em> </em></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2005</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.naturemorte.com/artists/reena-saini-kallat/selected-works/\" target=\"_blank\">Black Flute (And Other Stories), Nature Morte, New Delhi</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2004</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2004/reena_saini_kallat_note.html\" target=\"_blank\">Black Flute, Gallery Chemould, Mumbai</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2002</td>\r\n	<td>The Battlefield Is The Mind, Sakshi Gallery, Bangalore</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2002</td>\r\n	<td>Seven Faces of Dust, Chicago Radio, Mumbai</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2000</td>\r\n	<td>Skin, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">1998</td>\r\n	<td>Orchard of Home-grown Secrets, Gallery Chemould and Pundole  Art Gallery, Mumbai</td>\r\n	</tr>\r\n	<tr>\r\n	<td></td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td colspan=\"2\"><span style=\"color: #888888;\"><strong>SELECTED GROUP EXHIBITIONS</strong></span></td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2012</td>\r\n	<td>SESC Belenzino, Sao Paulo, Brazil<font color=\"red\"></font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2012</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.punkto.no/voices-from-pandemonium.5009470-185063.html\" target=\"_blank\">Stemmer fra Pandemonium, Punkt-Galleri F 15, Moss, Norway <font color=\"red\">  >> </font></td></a>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2012</td>\r\n	<td>Group show, Eigen + Art Lab, Berlin<font color=\"red\"></font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2012</td>\r\n	<td>To Let the World In: Narrative and Beyond in Contemporary Indian Art, Lalit Kala Regional Centre, Chennai, India<font color=\"red\"></font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2012</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.exhibit320.com/exhibitionShow/EXH00014/\" target=\"_blank\">The Contemporary Sultanate, the Sunrydge, New Delhi, India <font color=\"red\">  >> </font></td></a>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2012</td>\r\n	<td>Kalaghoda Art Festival, Mumbai, India <font color=\"red\"></font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2012</td>\r\n	<td>The Skoda Prize Exhibition, Lalit Kala Academy, New Delhi, India <font color=\"red\"></font></td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<td valign=\"top\">2011</td>\r\n	<td>India Side by Side, Centro Cultural Banco do Brasil, Rio De Janeiro, Brazil<font color=\"red\"></font></td>\r\n	</tr>\r\n	<td valign=\"top\">2011</td>\r\n	<td>Giant Elephant : Contemporary Art from India, H Cube Gallery, Seoul <font color=\"red\"></font></td>\r\n	</tr>\r\n	<td valign=\"top\">2011</td>\r\n	<td>Roundabout, Tel Aviv Museum of Art, Israel<font color=\"red\"> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2011</td>\r\n	<td><a class=\"linkbio\" href=\"http://goteborg.biennal.org/en/the-biennial-2011/artists/\" target=\"_blank\">Goteborg International Biennale for Contemporary Art, curated by Sarat Maharaj, Göteborgs Konsthall and Bohuslans Konsthall, Uddevalla, Sweden <font color=\"red\">  >> </font></td></a>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2011</td>\r\n	<td>Right to Dissent, Clark House, Mumbai, India</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2011</td>\r\n	<td>RED, Palette Art Gallery, Delhi</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2011</td>\r\n	<td><a class=\"linkbio\"  href=\"http://www.kennedy-center.org/events/?event=ZLINB\" target=\"_blank\" >Maximum India, The Kennedy Centre, Washington</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2011</td>\r\n	<td>Of Gods and Goddesses, Cinema, Cricket - The New cultural Icons of India, Jehangir Art Gallery, Mumbai\r\n	</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2011</td>\r\n	<td>Samtidigt, Helsinki City Art Museum, Finland</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2011</td>\r\n	<td>Iconoclasts and Iconodules, curated by Ombretta Argo, Religare Art Gallery, New  Delhi</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2011</td>\r\n	<td>The Vancouver International Sculpture Biennale, Surrey Art Gallery, Canada</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2011</td>\r\n	<td>The Intuitive: Logic Revisted, from the Osians Collection at The World Economic Forum, Davos, Switzerland</td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2010</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/current/La_Route_De_La_Soie.htm\" target=\"_blank\">La Route de la Soie / The Silk Road, Lille 3000, France </a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2010</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.kulturhuset.stockholm.se/default.asp?id=5760&refid=34277\" target=\"_blank\">Samtidigt, Kulterhuset, Stockholm</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2010</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.campbelltown.nsw.gov.au/default.asp?iNavCatID=3407&iSubCatID=3615\" target=\"_blank\">The River Project, Campbelltown Art Centre, Sydney</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2010</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.aboutroundabout.com/artists/kallat-reena-saini\" target=\"_blank\">Roundabout, City Gallery Wellington, New Zealand</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2010</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/\" target=\"_blank\">Waterways, Walsh Gallery, Chicago</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2010</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.richmondartgallery.org/in-transition.php\" target=\"_blank\">In Transition: New Art from India, Richmond Art Gallery Vancouver Biennale, Vancouver</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2010</td>\r\n	<td><a class=\"linkbio\" href=\"http://websterhuntgallery.blogspot.com/2010_02_01_archive.html\" target=\"_blank\">Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster University, curated by Jeffrey Hughes and Dana Turkovic, Cecile R. Hunt  Gallery, St. Louis, Missouri</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2010</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/51\" target=\"_blank\">Never Run Away, 2 person exhibition curated by Shaheen Merali, Stux Gallery, New York</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2010</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/artists/reena_kallat.htm?section_name=new_india\" target=\"_blank\">The Empire Strikes Back, Saatchi Gallery, London</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2010</td>\r\n	<td><a class=\"linkbio\" href=\"http://art-for-the-world.blogspot.com/2010/01/some-installation-views-of-urban.html\" target=\"_blank\">Urban Manners 2, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao Paulo, Brazil</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2009</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.asianartbiennial.org/2009/en/index_en.html\" target=\"_blank\">View Points and Viewing points - 2009 Asian Art Biennale, National Taiwan Museum of Fine Arts </a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2009</td>\r\n	<td>Spectrum: Indian Art at Abu   Dhabi, United   Arab Emirates</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2009</td>\r\n	<td>Milan Galleria, curated by Georgio Verzotti, Triennale Museum, Milan</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2009</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.initialaccess.co.uk/exh/73/11/passage-to-india-part-ii/reena-saini-kallat\" target=\"_blank\">Passage to India Part II show at Initial Access, Frank Cohen Collection, Wolverhampton, UK</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2009</td>\r\n	<td>Ventosul Biennale, Curitiba, Brazil</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2009</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/english/contents/india/index.html\" target=\"_blank\"> Chalo! India: A New Era of Indian Art, National  Museum of Contemporary Art, Korea and Essl Museum, Vienna</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2009</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.mocashanghai.org/index.php?_function=exhibition&amp;_subFunction=pastExhibition&amp;exhibition_id=40&amp;_view=detail\" target=\"_blank\">INDIA XIANZAI: Contemporary Indian Art, Museum of Contemporary Art, Shanghai</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2009</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/42/622\" target=\"_blank\">Low Blow: And Other Species of Confusion, Stux gallery, New York</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2009</td>\r\n	<td><em> </em>Indian Narratives in the 21<sup>st</sup> Century: Between Memory and History,Casa  Asia, Madrid and Barcelona, Spain</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2009</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/body-chatter-an-exhibition-of-contemporary-indian-art-2008/\" target=\"_blank\">Body Chatter, Walsh Gallery, Chicago</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2008</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/contents/press/india_20081121_e.pdf\" target=\"_blank\">Chalo! India: A New Era of Indian Art, Mori Art   Museum, Japan</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2008</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.indiamoderna.es/eng/index.html\" target=\"_blank\">India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM Museum, Valencia, Spain </a> <font color=\"red\">  >> </font></td>\r\n	<td></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2008</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.aaa.org.hk/onlineprojects/bitri/en/gallery.aspx?eid=A080.03\" target=\"_blank\">3<sup>rd</sup> Nanjing Triennale, curators: Fumihiko Sumitomo, Jaeyoung Kang,  China</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2008</td>\r\n	<td>TEAF (Taehwagang Eco Art Festival) - Dream River, Korea</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2008</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.bodhiart.in/exhibitions/everywhere_is_war/everywhere_war.html\" target=\"_blank\">Everywhere is War (And Rumours of it), Bodhi Art Gallery, Mumbai</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2008</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/33\" target=\"_blank\">Fire Walkers, Stefan Stux gallery, New York</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2008</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.galeriems.com/reenask_one.htm\" target=\"_blank\">Three Points of view, Galerie Mirchandani + Steinrucke, Mumbai</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2008</td>\r\n	<td>Excavation: Memory / Myth / Membrane, Museum Gallery, Mumbai</td>\r\n	<td></td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2007</td>\r\n	<td>International Incheon Women Artists’ Biennale, Korea</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2007</td>\r\n	<td>Soft Power: Asian Attitude, Shanghai Zendai Museum of Modern Art, Shanghai</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2007</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.kunstaspekte.de/index.php?tid=39629&amp;action=termin\" target=\"_blank\">Urban Manners, curated by Adelina Von Furstenberg, at Hangar Bicocca, Milan </a> <font color=\"red\">  >> </font></td>\r\n	<td></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2007</td>\r\n	<td><a class=\"linkbio\" href=\"http://www.art-for-the-world.com/wwd/2007/urban_manners/Urban_Manners_pr.pdf\" target=\"_blank\">INDIA NOW: Contemporary Indian Art, Between Continuity and transformation, curated by Daniela Palozzoli at Spazio Oberdan, Milan</a> <font color=\"red\">  >> </font></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2007</td>\r\n	<td>New Narratives: Contemporary Art From India, curated by Betty Seid, Chicago Cultural Centre, Chicago</td>\r\n	<td><em> </em></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2007</td>\r\n	<td>Thermocline Of Art- New Asian Waves, curated by Wonil Rhee and Peter Weibel at ZKM in Karlsruhe, Germany</td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2006</td>\r\n	<td>Modern Indian Works On Paper, Arthur Ross Gallery, Philadelphia and the Georgia Museum of Art, USA</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2006</td>\r\n	<td>Lille 3000 (Maximum City-Mumbai), Lille,  France</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2006</td>\r\n	<td>Hungry God- Indian Contemporary Art, curated by Yun Chaegab and June Gwak, Arario Gallery, Beijing and Busan MoMA</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2006</td>\r\n	<td>India Express – Art and Popular Culture, Art Museum Tennispalace, curators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City  Art Museum, Finland</td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2005</td>\r\n	<td>Mom and Pop Art, Walsh Gallery, Chicago</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2005</td>\r\n	<td>Span, Sakshi Gallery, Mumbai</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2005</td>\r\n	<td>Indian Paintings of the New Millenium, curated by Helen Asquine Fazio at Thomas J. Walsh Art Gallery at Fairfield  University, USA</td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2004</td>\r\n	<td><em> </em>Contemporary Art from India, Thomas   Erben Gallery, New York</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2004</td>\r\n	<td>Zoom! Art in Contemporary India. Curators: Nancy Adajania and Luis Serpa, The Culturgest Museum, Lisbon, Portugal</td>\r\n	<td></td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2003</td>\r\n	<td>Crossing generations: diVERGE, Gallery Chemould’s 40th anniversary, Curators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of Modern Art, Mumbai</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2003</td>\r\n	<td><em> </em>Hard Copy, two-person show with Jitish Kallat, Gallery 88, Calcutta</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2003</td>\r\n	<td>Tiranga, curator: Peter Nagy, India Habitat Centre, New Delhi</td>\r\n	<td><em> </em></td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2003</td>\r\n	<td><em> </em>Elephant Walks, Youth Arts Project in collaboration with Jitish Kallat as part of Indians + Cowboys exhibition, Curators: Aaron Seetu and Ruth Watson Gallery 4A, Sydney</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2003</td>\r\n	<td>The Tree From The Seed, Contemporary Art from India, curator: Gavin Jantjes Henie Onstad Kunstsenter (Oslo), Norway</td>\r\n	<td><em></em></td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2002</td>\r\n	<td><em>Crosscurrents</em>, organized by Artworks for the fiftieth anniversary celebrations of Jehangir Art  Gallery, Mumbai</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2002</td>\r\n	<td><em>Reclaim Our Freedom</em>, organized by Open Circle, Pundole Art Gallery, Mumbai</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2002</td>\r\n	<td>Crossing Borders, Gallery Windkracht 13, Den Helder, Holland</td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2001</td>\r\n	<td>Big River 2, CCA7 Gallery, Port Of Spain, Trinidad</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2001</td>\r\n	<td>AOM- Art on the move, organized by Sahmat, New Delhi</td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">1999</td>\r\n	<td><em> </em>Edge of the Century, curated by Amit Mukhopadhyay, Academy  of Fine Arts and Literature, New Delhi</td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">1998</td>\r\n	<td><em> </em>Essays in Time, Kinetic Sculptures, Nehru Centre, Mumbai</td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">1997</td>\r\n	<td><em> </em>India in Harmony 1947-1997, Nehru Centre, Mumbai</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">1997</td>\r\n	<td><em> </em>A Page From My Diary, Sans Tache Art Gallery, Mumbai</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">1997</td>\r\n	<td><em> </em>Fresh Work, Birla Academy of Art and Culture, Mumbai</td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">1996</td>\r\n	<td><em> </em>Monsoon Show, Jehangir Art Gallery, Mumbai</td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">1995</td>\r\n	<td><em> </em>Varsha ’95, Y. B. Chavan Gallery, Mumbai</td>\r\n	</tr>\r\n	\r\n	<tr>\r\n	<td></td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td colspan=\"2\"><strong><span style=\"color: #888888;\">SELECTED WORKSHOPS AND RESIDENCIES</span></strong></td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2012</td>\r\n	<td>Visas to Happiness, workshop with children as part of the exhibition \'To Let the World In\', Chennai\r\n	</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2011</td>\r\n	<td>Iaspis Residency, Gothenburg, Sweden.</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2011</td>\r\n	<td>Iaspis Residency, Gothenburg, Sweden. May 5 to June 4, 2011</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2009</td>\r\n	<td>Vanishing Point, children’s project at the Celebrate Bandra Festival, Mumbai</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2007</td>\r\n	<td>Collaborative workshop as part of the exhibition Aftershock, Sainsbury Centre for Visual Arts, University of East Anglia, Norwich,  UK</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2003</td>\r\n	<td>Collaborated on a Billboard project with Jitish Kallat, Kala Ghoda Art District, Mumbai</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2003</td>\r\n	<td>Elephant Walks, Youth Arts Project at the Casula Power House Arts Centre, Liverpool, Australia</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2002</td>\r\n	<td>Khoj 2002 International Artists Workshop, Mysore, India</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2002</td>\r\n	<td>Identity and Landscape, residency in the Laurentian mountains of Quebec at the Boreal Art/Nature Centre, Canada</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2001</td>\r\n	<td>Big River 2, International Artists Workshop organized by CCA7 and the Triangle Arts Trust at Grand Riviere, Trinidad, West Indies</td>\r\n	</tr>\r\n	<tr>\r\n	<td></td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	</tr>\r\n	<tr>\r\n	<td><span style=\"color: #888888;\"><strong>TALKS/PRESENTATIONS</strong></span></td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2011</td>\r\n	<td>Artists Talk at GIBCA Speak Easy (GSE), Goteborg, Sweden</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2011</td>\r\n	<td>Informal talk at HDK – The School of Design and Crafts, Goteborg, Sweden</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2011</td>\r\n	<td>Artists Talk at the Iaspis Residency Studio, Sweden</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2010</td>\r\n	<td>Short presentation as part of The River Project at The Campbelltown Arts Centre, Sydney, Australia\r\n	</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2011</td>\r\n	<td>Artists Talk at the Krishnakriti Festival 2011, Kalakriti Gallery, Hyderabad  </td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2010</td>\r\n	<td>Panel discussion moderated by Maria Lantz, with participating artists during the exhibition Samtidigt at Kulturhuset, Stockholm</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2009</td>\r\n	<td>Panel discussion with artist Gulam Sheikh, co-chair: Sabine B. Vogel, art critic at the Sammlung Essl Museum, Vienna</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2008</td>\r\n	<td>Slide presentation followed by a panel discussion with Nalini Malani and Jayshree Chakravarty, moderated by Nancy Adajania at Jnanapravaha, Mumbai</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2008</td>\r\n	<td>Slide presentation at the School of the Art Institute of Chicago</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2007</td>\r\n	<td>Panel discussion with Nalini Malani, Sheba Chhachhi, moderated by Betty Seid at the Chicago Cultural Centre</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2007</td>\r\n	<td>Lecture at the University Boccini, Milan</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2006</td>\r\n	<td>Slide presentation at the Lamar Dodd School of Art, University of Georgia, USA</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2006</td>\r\n	<td>Artists Talk at the Griffith Auditorium, Georgia Museum of Art, USA</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2003</td>\r\n	<td>Slide presentation at Oslo National Academy of the Arts, Norway</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2000</td>\r\n	<td>Slide presentation at Mohile Parikh Centre for the Visual Arts, Mumbai</td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td colspan=\"2\"><strong><span style=\"color: #888888;\">AWARDS</span></strong></td>\r\n	</tr>\r\n	<tr>\r\n	<td>&nbsp;</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2011</td>\r\n	<td>YFLO ZOYA Young Women Achievers Awards 2010-11, Delhi</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">2005</td>\r\n	<td>Harmony Award</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">1996</td>\r\n	<td>Bombay Art Society Merit Certificate</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">1996</td>\r\n	<td>Second Prize Government Award, Sir J. J. School of Art, Mumbai</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">1995</td>\r\n	<td>Gladstone Solomon Award</td>\r\n	</tr>\r\n	<tr>\r\n	<td valign=\"top\">1991-1996</td>\r\n	<td>Merit Scholarship, Sir J. J. School of Art, Mumbai</td>\r\n	</tr>\r\n	</tbody>\r\n	</table>','Biography','','inherit','open','open','','105-revision-110','','','2012-04-23 19:15:21','2012-04-23 19:15:21','',105,'http://www.reenakallat.com/2691/uncat/105-revision-110',0,'revision','',0),(2692,1,'2012-04-25 16:34:05','2012-04-25 16:34:05','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/synapse-1a.jpg\" alt=\"synapse\" title=\"synapse\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Synapse\r\n</span>2011\r\nSingle channel video projection\r\nduration 09 mins 32 secs\r\nedition: 5+AP\r\n<a href=\"http://youtu.be/TUbQ34zWq2A\" target=\"_blank\"><span style=\"color: #888888;\">view full video >></span></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/synapse-Works page.jpg\" alt=\"synapse\" title=\"synapse\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n<td width=\"300\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThe video is shot at an optometrists clinic with 14 people getting their vision tested, reading out alphabets from eye charts placed in front of them. The text they are reading in fragmented form, merely like alphabets and which will not be visible to the camera, is the Preamble of the Constitution of India. 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width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/synapse-5.jpg\" alt=\"synapse\" title=\"synapse\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/synapse-6.jpg\" alt=\"synapse\" title=\"synapse\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/synapse-7.jpg\" alt=\"synapse\" title=\"synapse\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/synapse-8.jpg\" alt=\"synapse\" title=\"synapse\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n</tbody>\r\n</table>','synapse-2011','','inherit','open','open','','2643-revision-10','','','2012-04-25 16:34:05','2012-04-25 16:34:05','',2643,'http://www.reenakallat.com/2692/uncat/2643-revision-10',0,'revision','',0),(2696,1,'2010-10-28 06:05:36','2010-10-28 06:05:36','<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/1-Process-Workshop-site.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/1-Process-Workshop-site.jpg\" alt=\"Subject-to-Change-Without-Notice\" title=\"Subject-to-Change-Without-Notice\" width=\"600\"  class=\"alignnone size-large wp-image-368\" /></a>\r\n</td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Beautiful People Of The Rainbow – The Sea Is Salty Everywhere</span>\r\n2001\r\nsand, pigment, bamboo, photographs\r\nCommunity workshop at Grand Riviere as part of Big River 2 \r\n</td></tr><tr><td>&nbsp;</td></tr></tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\"><tbody><tr><td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/Beautiful-People-1.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/Beautiful-People-1.jpg\"  class=\"alignnone size-large wp-image-366\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr></tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\"><tbody><tr><td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/Beautiful-People-2.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/Beautiful-People-2.jpg\"  class=\"alignnone size-large wp-image-366\" /></a></td>\r\n</tr><tr><td>&nbsp;</td></tr></tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\"><tbody><tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/Beautiful-People-3.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/Beautiful-People-3.jpg\"  class=\"alignnone size-large wp-image-366\" /></a></td></tr><tr><td>&nbsp;</td></tr></tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\"><tbody><tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/Beautiful-People-4.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/Beautiful-People-4.jpg\"  class=\"alignnone size-large wp-image-366\" /></a></td>\r\n</tr><tr><td>&nbsp;</td></tr></tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\"><tbody><tr><td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/Beautiful-People-5.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/Beautiful-People-5.jpg\" class=\"alignnone size-large wp-image-366\" /></a></td>\r\n</tr><tr><td>&nbsp;</td></tr></tbody></table>','','','inherit','open','open','','1195-revision-11','','','2010-10-28 06:05:36','2010-10-28 06:05:36','',1195,'http://www.reenakallat.com/2696/uncat/1195-revision-11',0,'revision','',0),(2697,1,'2014-06-28 09:09:30','2014-06-28 09:09:30','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\n<style type=\"text/css\">\nh3.canvas  {\ncolor:#333333;\nfont-size:11px\nfont-weight:normal;\nmargin-bottom:5px;\nmargin-left:7px;\nmargin-top:0;\npadding:0;\ntext-transform:none;\n}\n\nh2.painting  {\ncolor:#FFFFFF;\nfont-family:verdana,arial,tahoma,sans-serif;\nfont-size:11px;\nfont-weight:normal;\nmargin:0 0 10px 7px;\npadding:0;\ntext-align:left;\ntext-transform:none;\n}\n</style>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\n<a href=\"\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/tent_cities_lead.jpg\" alt=\"Tent Cities\" title=\"Tent Cities\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></a></td><td nowrap width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Tent Cities, XX illuminated manuals\n</span>2000\nfibreglass, pigment, backlit translites, photographic details\n96 x 96 in. l  244 x 244 cm \n</td></tr><tr><td><span style=\"font-size:11px; line-height:3px;\"><i>installation view</i>, Chemould Art gallery, Mumbai</span></td></tr>\n<tr><td>&nbsp;</td></tr>\n</tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\n<tbody><tr>\n<td width=\"200\" align=\"left\" valign=\"top\">\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/tent_cities_2.jpg\" alt=\"Tent Cities\" title=\"Tent Cities\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\n</td>\n</tr><tr><td>&nbsp;</td></tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\n<tbody>\n<tr>\n<td width=\"200\" align=\"left\" valign=\"top\">\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/tent_cities_3.jpg\" alt=\"Tent Cities\" title=\"Tent Cities\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\n</td>\n</tr><tr><td>&nbsp;</td></tr>\n</tbody>\n</table>','','','inherit','open','open','','1954-autosave','','','2014-06-28 09:09:30','2014-06-28 09:09:30','',1954,'http://www.reenakallat.com/2697/uncat/1954-autosave',0,'revision','',0),(2698,1,'2010-09-16 11:07:05','2010-09-16 11:07:05','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/tent_cities_lead.jpg\" alt=\"Tent Cities\" title=\"Tent Cities\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></a></td><td nowrap width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Tent Cities, XX illuminated manuals\r\n</span>2000\r\nfibreglass, pigment, backlit translites, photographic details\r\n8 x 8 ft I 96 x 96 in.\r\n</td></tr></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/tent_cities_2.jpg\" alt=\"Tent Cities\" title=\"Tent Cities\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/tent_cities_3.jpg\" alt=\"Tent Cities\" title=\"Tent Cities\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','1954-revision-9','','','2010-09-16 11:07:05','2010-09-16 11:07:05','',1954,'http://www.reenakallat.com/2698/uncat/1954-revision-9',0,'revision','',0),(2699,1,'2012-05-03 18:29:21','2012-05-03 18:29:21','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/tent_cities_lead.jpg\" alt=\"Tent Cities\" title=\"Tent Cities\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></a></td><td nowrap width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Tent Cities, XX illuminated manuals\r\n</span>2000\r\nfibreglass, pigment, backlit translites, photographic details\r\n8 x 8 ft I 96 x 96 in.\r\n</td></tr><tr><td><span style=\"font-size:11px; line-height:3px;\"><i>installation view</i>, Chemould Art gallery, Mumbai</span></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/tent_cities_2.jpg\" alt=\"Tent Cities\" title=\"Tent Cities\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/tent_cities_3.jpg\" alt=\"Tent Cities\" title=\"Tent Cities\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','1954-revision-10','','','2012-05-03 18:29:21','2012-05-03 18:29:21','',1954,'http://www.reenakallat.com/2699/uncat/1954-revision-10',0,'revision','',0),(2701,1,'2010-09-16 07:56:12','2010-09-16 07:56:12','<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Escapades-lead.jpg\" alt=\"\" title=\"Escapades-of-the-ladder-occupants2\" width=\"600\" class=\"alignnone size-full wp-image-1064\" /></a>\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Escapades of the ladder occupants\r\n</span>1998\r\ntranslites, acrylic, metal, wood, corrugated paper\r\n48 x 48 x 108 in. I 122 x 122 x 274 cm\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Escapades-of-the-ladder-occ.jpg\" alt=\"Escapades-of-the-ladder-occupants\" title=\"Escapades-of-the-ladder-occupants-detail1\" width=\"600\" class=\"alignnone size-full wp-image-1070\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n','','','inherit','open','open','','584-revision-15','','','2010-09-16 07:56:12','2010-09-16 07:56:12','',584,'http://www.reenakallat.com/2701/uncat/584-revision-15',0,'revision','',0),(2702,1,'2010-08-12 10:19:31','2010-08-12 10:19:31','<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"bottom\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Recitals_from _the_city_garden.jpg\" alt=\"Recitals-from-the-city-garden\" title=\"Recitals-from-the-city-garden\" width=\"600\" class=\"alignnone size-full wp-image-917\" /></a></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Recitals from the city-garden</span>\r\n1998\r\nbacklit clear-film, acrylic, metal\r\n8 x 10 in. I 20 x 25 cm. each</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table><table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr><td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Recitals_city_garden.jpg\" alt=\"Recitals city garden\" title=\"Recitals city garden\" width=\"600\" class=\"alignnone size-full wp-image-598\" /></a>\r\n</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','591-revision-22','','','2010-08-12 10:19:31','2010-08-12 10:19:31','',591,'http://www.reenakallat.com/2702/uncat/591-revision-22',0,'revision','',0),(2703,1,'2013-05-05 03:52:02','2013-05-05 03:52:02','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/Cobweb-11.jpg\" alt=\"Cobweb\" title=\"Cobweb\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Untitled Cobweb (knots and crossings)\r\n</span>2012\r\nacrylic paint, rubberstamps, metal\r\ndimensions variable\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/Cobweb-1.jpg\" alt=\"Cobweb\" title=\"Cobweb\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n<td width=\"300\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThe suspended drawing, is formed with several hand-painted rubber-stamps wherein each stamp evokes a flag of a nation, bearing the name of an individual who’s been denied a visa to another country.\r\n</div>\r\n</td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/Cobweb-3.jpg\" alt=\"Cobweb\" title=\"Cobweb\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/Cobweb-4.jpg\" alt=\"Cobweb\" title=\"Cobweb\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/Cobweb-5.jpg\" alt=\"Cobweb\" title=\"Cobweb\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/Cobweb-6.jpg\" alt=\"Cobweb\" title=\"Cobweb\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n</tbody>\r\n</table>','Untitled Cobweb (knots and crossings)','','inherit','open','open','','2623-autosave','','','2013-05-05 03:52:02','2013-05-05 03:52:02','',2623,'http://www.reenakallat.com/2703/uncat/2623-autosave',0,'revision','',0),(2704,1,'2012-04-15 12:16:03','2012-04-15 12:16:03','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/Cobweb-1.jpg\" alt=\"Cobweb\" title=\"Cobweb\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Untitled Cobweb (knots and crossings)\r\n</span>2012\r\nacrylic paint, rubberstamps, metal\r\ndimensions variable\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/Cobweb-3.jpg\" alt=\"Cobweb\" title=\"Cobweb\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n<td width=\"300\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThe suspended drawing, is formed with several hand-painted rubber-stamps wherein each stamp evokes a flag of a nation, bearing the name of an individual who’s been denied a visa to another country.\r\n</div>\r\n</td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/Cobweb-4.jpg\" alt=\"Cobweb\" title=\"Cobweb\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/Cobweb-5.jpg\" alt=\"Cobweb\" title=\"Cobweb\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/Cobweb-6.jpg\" alt=\"Cobweb\" title=\"Cobweb\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n</tbody>\r\n</table>','Untitled Cobweb (knots and crossings)','','inherit','open','open','','2623-revision-10','','','2012-04-15 12:16:03','2012-04-15 12:16:03','',2623,'http://www.reenakallat.com/2704/uncat/2623-revision-10',0,'revision','',0),(2708,1,'2011-04-28 09:28:55','2011-04-28 09:28:55','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Memoria-Corona-Gallery-view.jpg\" alt=\"Memoria Corona\" title=\"Memoria Corona\" width=\"600\"  class=\"alignnone size-large wp-image-876\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Memoria Corona\r\n</span>2006\r\nivory duco paint on FRP\r\n47 x 38 in. I 119 x 97 cm (diameter)\r\nedition of 3+AP\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\"><tbody><tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-510\" title=\"Memoria Corona_detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Memoria-Corona-1.jpg\" alt=\"Memoria Corona\" width=\"600\" /></a></td>\r\n<td width=\"400\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThe crown, usually belonging to the royalty is reflective of power and seen as a mark of honour. The sculpture ‘Memoria Corona’ is modeled on the crown of Queen Elizabeth II of England, on which rests the precious Kohinoor diamond, that India lost to the Empire. <a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\nThe crown, usually belonging to the royalty is reflective of power and seen as a mark of honour. The sculpture ‘Memoria Corona’ is modeled on the crown of Queen Elizabeth II of England, on which rests the precious Kohinoor diamond, that India lost to the Empire. The surface of this all white sculpture is completely covered with names of freedom fighters almost like a `memorial` to those who fought the Indian freedom stuggle. I wanted the crown to bear the weight of the other precious treasures, the human lives that were lost to the British Empire.\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img class=\"alignnone size-large wp-image-513\" title=\"Memoria Corona-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Memoria-Corona-2.jpg\" alt=\"Memoria Corona\" width=\"600\"  /></a></td>\r\n</tr><tr><td><span style=\"font-size:11px; line-height:3px;\"><i>Acknowledgement:</i> Sadashiv Kuncolienker</span></td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','507-revision-16','','','2011-04-28 09:28:55','2011-04-28 09:28:55','',507,'http://www.reenakallat.com/2708/uncat/507-revision-16',0,'revision','',0),