(2380,1,'2011-03-22 12:43:29','2011-03-22 12:43:29','<table border=\"0\" cellspacing=\"5\" cellpadding=\"0\" width=\"100%\" align=\"centre\">\r\n<tbody>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" width=\"21%\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td style=\"margin-left: 5px;\"><span class=\"pubstrong\">Reena Saini Kallat, </span> 2009<span>\r\nText: Nancy Adajania and Murtaza Vali\r\nPublisher: Primo Marella Gallery, Walsh Gallery and Chemould Prescott Road\r\nISBN: 978-81-908879-1-5 </span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/reena-kallat\">read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Rainbow of Refuse, </span>2006<span>\r\nText: Nancy Adajania\r\nPublisher: Bodhi Art Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/rainbow-of-refuse\">read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Black Flute (and other stories), </span>2005\r\n<span class=\"pubstrong\">Black Flute,</span> 2004<span>\r\nText: Nancy Adajania\r\nPublisher: Gallery Chemould and Nature Morte Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/black-flute\">read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">The Battlefield is the Mind, </span>2002<span>\r\nText: Nancy Adajania\r\nPublisher: Sakshi Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/battlefield-of-mind\">read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\" cellspacing=\"0\" cellpadding=\"0\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Skin, </span>2000<span>\r\nInterview with Jitish Kallat\r\nPublisher: Gallery Chemould and Vis-à-vis Art Inc. Gallery</span></td>\r\n</tr>\r\n<tr>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Orchard of home-grown secrets, </span>1998<span>\r\nText: Ranjit Hoskote\r\nPublisher: Gallery Chemould and Pundole Art Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/orchard-pub\">read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n<td><!-- Start of Other Publications -->\r\n<span class=\"pubstrong\">Never Run Away, </span>2010<span>\r\nText: Shaheen Merali\r\nPublisher: Stux Gallery</span>\r\n<span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/never-run-away\">read essay</a></span>\r\n\r\n<span class=\"pubstrong\">Urban Manners 2, </span>2010<span>\r\nText: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\nPublisher: SESC Pompeia, Sao Paulo </span>\r\n\r\n<span class=\"pubstrong\">The Empire Strikes Back, </span>2010<span>\r\nText: Zehra Jumabhoy\r\nPublisher: Saatchi Gallery\r\nISBN: 9780224089494\r\n</span>\r\n\r\n\r\n<span class=\"pubstrong\">The River Project, </span>2010<span>\r\nPublisher: Campbelltown Arts Centre\r\nISBN: 9781875199761\r\n</span>\r\n\r\n\r\n<span class=\"pubstrong\">Asian Art Now, </span>2010<span>\r\nText: Melissa Chiu and Benjamin Genocchio\r\nPublisher: Monacelli Press\r\nISBN: 978-1-58093-298-1 (1-58093-298-3)\r\n</span>\r\n\r\n<span class=\"pubstrong\">The Khoj Book, </span>2010<span>\r\nInterview with Shilpa Gupta\r\nPublisher: HarperCollins\r\nISBN: 9788172236878</span>\r\n<span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/khoj-book\">read interview</a></span>\r\n\r\n\r\n<span class=\"pubstrong\">5 Bienal Ventosul, </span>2009<span>\r\nPublisher: Instituto Paranaense de Arte</span>\r\n\r\n<span class=\"pubstrong\">Viewpoints &amp; Viewings Points- Asian Art Biennale, </span>2009<span>\r\nText: Chao-yi-Tsai\r\nPublisher: National Taiwan Museum of fine Arts\r\nISBN: 978-986-02-0269-4</span>\r\n\r\n<span class=\"pubstrong\">India Xianzai: Contemporary Indian Art, </span>2009<span>\r\nText: Jitish Kallat, Diana Freundl, Alexander Keefe\r\nPublisher: Museum of Contemporary Art</span>\r\n\r\n<span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2009<span>\r\nText: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki,\r\nMiho Tagomori\r\nPublisher: Prestel, National Museum of Contemporary Art and Essl Museum\r\nISBN: 978-3-7913-4304-4</span>\r\n\r\n<span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2008<span>\r\nText: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman\r\nGopinath, Jayaram, Deepak Ananth\r\nPublisher: Mori Art Museum\r\nISBN: 978-4-902819-21-2</span>\r\n\r\n<span class=\"pubstrong\">India Moderna, </span>2008<span>\r\nText: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur,\r\nR. Siva Kumar, K.G. Subramanyan\r\nPublisher: IVAM (Institute Valencia D’Art Modern)\r\nISBN: 978-84-482-5104-8</span>\r\n\r\n<span class=\"pubstrong\">Everywhere is War (and rumours of it),</span>2008<span>\r\nText: Kai Hafez, Martin Hager, Nicholas Mirzoeff, Daniel Miller,\r\nBregje van Eekelen\r\nPublisher: Bodhi Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Three Points of Views, </span>2008<span>\r\nText: Grant Watson\r\nPublisher: Galerie Mirchandani + Steinruecke</span>\r\n\r\n<span class=\"pubstrong\">New Narratives: Contemporary Art from India, </span>2008<span>\r\nText: Betty Seid with contributions by Johan Pijnappel\r\nPublisher: Mapin Publication in association with Chicago Cultural Center\r\nISBN: 978-1-890206-08-6</span>\r\n\r\n<span class=\"pubstrong\">Made by Indians, </span>2007<span>\r\nText: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\nPublisher: Galerie Enrico Navarra\r\nISBN: 2-911596-37-4</span>\r\n\r\n<span class=\"pubstrong\">Thermocline of Art: New Asian Waves, </span>2007<span>\r\nText:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong\r\nPublisher: Hatje Cantz Vertag\r\nISBN: 978-3-7757-2073-1\r\nEAN: 9782911596377</span>\r\n\r\n<span class=\"pubstrong\">Indian Colour, </span>2007<span>\r\nText: Peter Nagy\r\nPublisher: Dal- seung Hwang, Keumsan Gallery</span>\r\n\r\n<span class=\"pubstrong\">India Arte Oggi, </span>2007<span>\r\nText:  Daniela Palazzoli\r\nPublisher: Spazio Oberdan\r\nISBN: 978-88-202-1867-6</span>\r\n\r\n<span class=\"pubstrong\">Urban Manners, </span>2007<span>\r\nText: Adelina Von Furstenberg and Nancy Adajania\r\nPublisher: Hangar Bicocca</span>\r\n\r\n<span class=\"pubstrong\">International Incheon Women Artists’ Biennale,</span>\r\n<span class=\"pubstrong\">Knocking on the Door, </span>2007<span>\r\nText: Sung Hee Kim, John C. Welchman\r\nPublisher: Incheon Culture and Art Centre</span>\r\n\r\n<span class=\"pubstrong\">Soft Power: Asian Attitude, </span>2007<span>\r\nText: Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\nPublisher: Shanghai Zendai Mumsem of Modern Art\r\nISBN: 978-7-5356-2790-2</span>\r\n\r\n<span class=\"pubstrong\">India Express- Art and Popular Culture, </span>2006<span>\r\nText: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze\r\nPublisher: Helsinki City Art Museum\r\nISBN: 951-8965-61-7</span>\r\n\r\n<span class=\"pubstrong\">Bombay L’album Maximum City, </span>2006<span>\r\nText: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\nPublisher: Terrail, Lille 3000\r\nISBN: 2-87939-325-6</span>\r\n\r\n<span class=\"pubstrong\">Indian Paintings of the New Millennium, </span>2005<span>\r\nText: Helen Asquine  Fazio, Gayatri Sinha\r\nPublisher: Quick Arts Center, Fairfield University</span>\r\n\r\n<span class=\"pubstrong\">A Guide to 101 Modern &amp; Contemporary Indian Artists, </span>2005<span>\r\nText: Amrita Jhaveri\r\nPublisher: India Book House\r\nISBN: 81-7508-423-5</span>\r\n\r\n<span class=\"pubstrong\">Zoom! Art in Contemporary India, </span>2004<span>\r\nTexts: Luis Serpa and Nancy Adajania\r\nPublisher: The Culturgest Museum\r\nISBN: 972-769-033-5</span>\r\n\r\n<span class=\"pubstrong\">Interlude in Sri Lanka, </span>2004<span>\r\nText: Ranjit Hoskote and Nancy Adajania\r\nPublisher: The Guild Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Generation I, </span>2004<span>\r\nText: Zehra Jumabhoy\r\nPublisher: Saffronart &amp; The Guild Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Tiranga Rights and Reponsibilities, </span>2003<span>\r\nText: Peter Nagy\r\nPublisher: Jindal Foundation &amp; Creative Arts</span>\r\n\r\n<span class=\"pubstrong\">Hard Copy, </span>2003<span>\r\nText: Peter Nagy\r\nPublisher: Galerie 88</span>\r\n\r\n<span class=\"pubstrong\">Crossing Generations: diVERGE, </span>2003<span>\r\nText: Geeta Kapoor and Chaitanya Sambrani\r\nPublisher: Gallery Chemould</span>\r\n\r\n\r\n<span class=\"pubstrong\" style=\"color: #000000;\">PRESS</span>\r\n\r\n<span class=\"pubstrong\"><a href=\"http://www.america.gov/st/peopleplace-english/2011/March/20110307133535drawoh0.7282221.html?CP.rss=true\" style=\"color: rgb(135, 135, 135);\" >Art at “maximum INDIA” Festival Evokes Cultural Memory and Loss</a>  </span><span>\r\nHoward Cincotta, www.america.gov, March 7, 2011\r\n</span>\r\n\r\n<span class=\"pubstrong\"><a href=\"http://www.signonsandiego.com/news/2011/mar/02/kennedy-center-opens-3-week-india-arts-festival/\" style=\"color: rgb(135, 135, 135);\" >Kennedy Center opens 3-week India arts festival</a>  </span><span>\r\nBrett Zongker, www.signonsnadiego.com</span>\r\n\r\n<span class=\"pubstrong\"><a href=\"http://www.artconcerns.com/mywork.php\" style=\"color: rgb(135, 135, 135);\" >My work</a>  </span><span>\r\nwww.artconcerns.com, Oct-Nov 2010 issue\r\nText: Reena Kallat</span>\r\n\r\n<span class=\"pubstrong\"><a href=\"http://artradarjournal.com/2010/04/20/indian-contemporary-artist-reena-kallat-art-radar-exclusive-interview/\" style=\"color: rgb(135, 135, 135);\">Interview, Art Radar Asia </a></span><span>\r\n April 20, 2010</span>\r\n\r\n\r\n<span class=\"pubstrong\">The Archives of the Heart</span><span>\r\nNancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\nFront Cover, pgs 42-45, 2009</span>\r\n\r\n<span class=\"pubstrong\">Globale Kunst Mit Wurzelduft</span><span>\r\nVon Almuth Speigler, Die Presse, Feuilleton, 2nd September 2009</span>\r\n\r\n<span class=\"pubstrong\">Landscapes of Loss</span><span>\r\nBeth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009</span>\r\n\r\n<span class=\"pubstrong\">Reincarnating History</span><span>\r\nThe Big Picture, Architect and Interiors, July 2009</span>\r\n\r\n<span class=\"pubstrong\">Stamp Collection</span><span>\r\nGeorgina Maddox, The Sunday Express, 17th May 2009</span>\r\n\r\n<span class=\"pubstrong\">Evolving Beyond Borders</span><span>\r\nReshma S. Kulkarni, Bombay Times, Times of India, 15th January, 2009</span>\r\n\r\n<span class=\"pubstrong\">Loss and Found</span><span>\r\nMarina Correa, DNA, Mumbai, 22nd January 2009</span>\r\n\r\n<span class=\"pubstrong\">Focus India</span><span>\r\nMegha Ralapati, Flash Art, pg 114, January-February 2008</span>\r\n\r\n<span class=\"pubstrong\">Come Together Right Now</span><span>\r\nReema Gehi, HT Café, 15th February 2008</span>\r\n\r\n<span class=\"pubstrong\">Such a Long Journey</span><span>\r\nAparna S Sharma, Elle Magazine, pgs 115-117, February 2008</span>\r\n\r\n<span class=\"pubstrong\">More than a Woman</span><span>\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 4th February 2008</span>\r\n\r\n<span class=\"pubstrong\">Artist of the Fortnight</span><span>\r\nMaria Louis, Outlook Profit, pg 79, 18th April 2008</span>\r\n\r\n<span class=\"pubstrong\">Deja View</span><span>\r\nTara Khilachand, Live Mint, 20th December 2008</span>\r\n\r\n<span class=\"pubstrong\">Terror Struck</span><span>\r\nMaria Louis, Outlook Profit, 26th December 2008</span>\r\n\r\n<span class=\"pubstrong\">Name Calling</span><span>\r\nDeepanjana Pal, Timeout Mumbai, December 2008</span>\r\n\r\n<span class=\"pubstrong\">Corruptions of Power</span>\r\n<span>Shiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99, 2007</span>\r\n\r\n<span class=\"pubstrong\">Over the Rainbow</span><span>\r\nMaria Louis, Interview, Verve Magazine, pg 78, November 2006</span>\r\n\r\n<span class=\"pubstrong\"><a href=\"http://www.hindu.com/mag/2006/10/29/stories/2006102900070200.htm\" style=\"color: rgb(135, 135, 135);\">In a State of Perennial Siege</a></span><span>\r\nNancy Adajania, The Hindu, Hyderabad, 29th October 2006</span>\r\n\r\n<span class=\"pubstrong\">Her Crowning Achievement</span><span>\r\nClara Chow, The Straits Times, 18th November 2006</span>\r\n\r\n<span class=\"pubstrong\">Political Chaos</span><span>\r\nDeepali Nandwani, Beautiful people, pg 143, November-December 2006</span>\r\n\r\n<span class=\"pubstrong\">Weapons of Mass Construction</span><span>\r\nRituparna Som, DNA after Hrs, Mumbai, 9th October, 2006</span>\r\n\r\n<span class=\"pubstrong\">Guns and Roses</span><span>\r\nRachna Nakra, The Indian Express, Mumbai Newsline, 18th September 2006</span>\r\n\r\n<span class=\"pubstrong\">Under Attack</span><span>\r\nGitanjali Dang, HT Mumbai, 22nd September 2006</span>\r\n\r\n<span class=\"pubstrong\">Time Traveller</span><span>\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 27th June 2006</span>\r\n\r\n<span class=\"pubstrong\">The Flower and the Sword</span><span>\r\nGirish Shahane, The Art News magazine of India, pg 93, volume X issue I, 2004</span>\r\n\r\n<span class=\"pubstrong\">India’s Top 100 Achievers</span><span>\r\nSociety Magazine, pg 137, December 2004</span>\r\n\r\n<span class=\"pubstrong\"><a href=\"http://www.hinduonnet.com/thehindu/mag/2004/12/19/stories/2004121900620700.htm\" style=\"color: rgb(135, 135, 135);\" >Caught Between Demons</a></span><span>\r\nNancy Adajania, The Hindu, 19th December 2004</span>\r\n\r\n<span class=\"pubstrong\">En Reise Til India</span><span>\r\nHarald Flor, Dagbladet, Kultur, 2nd February 2003</span>\r\n\r\n<span class=\"pubstrong\">Signs of Resistance</span><span>\r\nNancy Adajania, The Hindu, 5th January 2003</span>\r\n\r\n<span class=\"pubstrong\">Of the Goddess and Demon in the Mind</span><span>\r\nDebbie Rodgers, Sunday edition Vijay Times, Bangalore, 5th January 2003</span>\r\n\r\n<span class=\"pubstrong\">Empathic Anger</span><span>\r\nMarta Jakimowicz, Deccan Herald, 23rd December 2002</span>\r\n\r\n<span class=\"pubstrong\">Mysore Ek Khoj</span>\r\nCross Fertilization of Culture, Interview in Star of Mysore, 27th October 2002\r\n\r\n<span class=\"pubstrong\">Linking Islands</span><span>\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 15th February 2002</span>\r\n\r\n<span class=\"pubstrong\">Creating to Destroy</span><span>\r\nJasmine Shah Varma, The List, Mid Day, 22nd February 2002</span>\r\n\r\n<span class=\"pubstrong\">Different Strokes</span><span>\r\nGeorgina L Maddox, The Indian Express, Mumbai Newsline, 24th July 2002</span>\r\n\r\n<span class=\"pubstrong\">Of Faith and Hunger</span><span>\r\nAbhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89, December 2000</span>\r\n\r\n<span class=\"pubstrong\">The Murmur of Skin</span><span>\r\nNupur Mahajan, Bombay Times, Times of India, 12th October 2000</span>\r\n\r\n<span class=\"pubstrong\">Not just Skin Deep</span><span>\r\nJasmine Shah Varma, The List, Mid-day, 4th October 2000</span>\r\n\r\n<span class=\"pubstrong\">Inside Out</span><span>\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 11th October 2000</span>\r\n\r\n<span class=\"pubstrong\">Scintillating Skin</span><span>\r\nVaibhav Purandare, The Asian Age, 14th October 2000</span>\r\n\r\n<span class=\"pubstrong\">An Artist’s World: Roti, Makaan &amp; Abstract Art</span><span>\r\nPoonam Goel, HT City, 23rd December 2000</span>\r\n\r\n<span class=\"pubstrong\">Within you, Without you</span><span>\r\nAnu Kumar, Indian Express, Express Newsline, 2nd September 1998</span>\r\n\r\n<span class=\"pubstrong\">Farming Intrigue</span><span>\r\nJerry Pinto, The Times of India, Bombay Times, 3rd September 1998</span>\r\n\r\n<span class=\"pubstrong\">Interactive Medium</span><span>\r\nKaren Pereira, Indian Architect &amp; Builder, pgs 102-104, October 1998</span></td>\r\n</tr>\r\n</tbody>\r\n</table>','Publications','','inherit','open','open','','87-revision-173','','','2011-03-22 12:43:29','2011-03-22 12:43:29','',87,'http://www.reenakallat.com/2380/uncat/87-revision-173',0,'revision','',0),(2381,1,'2011-03-23 06:51:44','2011-03-23 06:51:44','<table border=\"0\" cellspacing=\"5\" cellpadding=\"0\" width=\"100%\" align=\"centre\">\r\n<tbody>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" width=\"21%\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td style=\"margin-left: 5px;\"><span class=\"pubstrong\">Reena Saini Kallat, </span> 2009<span>\r\nText: Nancy Adajania and Murtaza Vali\r\nPublisher: Primo Marella Gallery, Walsh Gallery and Chemould Prescott Road\r\nISBN: 978-81-908879-1-5 </span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/reena-kallat\">read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Rainbow of Refuse, </span>2006<span>\r\nText: Nancy Adajania\r\nPublisher: Bodhi Art Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/rainbow-of-refuse\">read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Black Flute (and other stories), </span>2005\r\n<span class=\"pubstrong\">Black Flute,</span> 2004<span>\r\nText: Nancy Adajania\r\nPublisher: Gallery Chemould and Nature Morte Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/black-flute\">read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">The Battlefield is the Mind, </span>2002<span>\r\nText: Nancy Adajania\r\nPublisher: Sakshi Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/battlefield-of-mind\">read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\" cellspacing=\"0\" cellpadding=\"0\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Skin, </span>2000<span>\r\nInterview with Jitish Kallat\r\nPublisher: Gallery Chemould and Vis-à-vis Art Inc. Gallery</span></td>\r\n</tr>\r\n<tr>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Orchard of home-grown secrets, </span>1998<span>\r\nText: Ranjit Hoskote\r\nPublisher: Gallery Chemould and Pundole Art Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/orchard-pub\">read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n<td><!-- Start of Other Publications -->\r\n<span class=\"pubstrong\">Never Run Away, </span>2010<span>\r\nText: Shaheen Merali\r\nPublisher: Stux Gallery</span>\r\n<span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/never-run-away\">read essay</a></span>\r\n\r\n<span class=\"pubstrong\">Urban Manners 2, </span>2010<span>\r\nText: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\nPublisher: SESC Pompeia, Sao Paulo </span>\r\n\r\n<span class=\"pubstrong\">The Empire Strikes Back, </span>2010<span>\r\nText: Zehra Jumabhoy\r\nPublisher: Saatchi Gallery\r\nISBN: 9780224089494\r\n</span>\r\n\r\n\r\n<span class=\"pubstrong\">The River Project, </span>2010<span>\r\nPublisher: Campbelltown Arts Centre\r\nISBN: 9781875199761\r\n</span>\r\n\r\n\r\n<span class=\"pubstrong\">Asian Art Now, </span>2010<span>\r\nText: Melissa Chiu and Benjamin Genocchio\r\nPublisher: Monacelli Press\r\nISBN: 978-1-58093-298-1 (1-58093-298-3)\r\n</span>\r\n\r\n<span class=\"pubstrong\">Roundabout, </span>2010<span>\r\nPublisher: Art Asia Pacific Publishing\r\nISBN: 978-0984562510\r\n</span>\r\n\r\n<span class=\"pubstrong\">The Khoj Book, </span>2010<span>\r\nInterview with Shilpa Gupta\r\nPublisher: HarperCollins\r\nISBN: 9788172236878</span>\r\n<span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/khoj-book\">read interview</a></span>\r\n\r\n\r\n<span class=\"pubstrong\">5 Bienal Ventosul, </span>2009<span>\r\nPublisher: Instituto Paranaense de Arte</span>\r\n\r\n<span class=\"pubstrong\">Viewpoints &amp; Viewings Points- Asian Art Biennale, </span>2009<span>\r\nText: Chao-yi-Tsai\r\nPublisher: National Taiwan Museum of fine Arts\r\nISBN: 978-986-02-0269-4</span>\r\n\r\n<span class=\"pubstrong\">India Xianzai: Contemporary Indian Art, </span>2009<span>\r\nText: Jitish Kallat, Diana Freundl, Alexander Keefe\r\nPublisher: Museum of Contemporary Art</span>\r\n\r\n<span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2009<span>\r\nText: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki,\r\nMiho Tagomori\r\nPublisher: Prestel, National Museum of Contemporary Art and Essl Museum\r\nISBN: 978-3-7913-4304-4</span>\r\n\r\n<span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2008<span>\r\nText: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman\r\nGopinath, Jayaram, Deepak Ananth\r\nPublisher: Mori Art Museum\r\nISBN: 978-4-902819-21-2</span>\r\n\r\n<span class=\"pubstrong\">India Moderna, </span>2008<span>\r\nText: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur,\r\nR. Siva Kumar, K.G. Subramanyan\r\nPublisher: IVAM (Institute Valencia D’Art Modern)\r\nISBN: 978-84-482-5104-8</span>\r\n\r\n<span class=\"pubstrong\">Everywhere is War (and rumours of it),</span>2008<span>\r\nText: Kai Hafez, Martin Hager, Nicholas Mirzoeff, Daniel Miller,\r\nBregje van Eekelen\r\nPublisher: Bodhi Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Three Points of Views, </span>2008<span>\r\nText: Grant Watson\r\nPublisher: Galerie Mirchandani + Steinruecke</span>\r\n\r\n<span class=\"pubstrong\">New Narratives: Contemporary Art from India, </span>2008<span>\r\nText: Betty Seid with contributions by Johan Pijnappel\r\nPublisher: Mapin Publication in association with Chicago Cultural Center\r\nISBN: 978-1-890206-08-6</span>\r\n\r\n<span class=\"pubstrong\">Made by Indians, </span>2007<span>\r\nText: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\nPublisher: Galerie Enrico Navarra\r\nISBN: 2-911596-37-4</span>\r\n\r\n<span class=\"pubstrong\">Thermocline of Art: New Asian Waves, </span>2007<span>\r\nText:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong\r\nPublisher: Hatje Cantz Vertag\r\nISBN: 978-3-7757-2073-1\r\nEAN: 9782911596377</span>\r\n\r\n<span class=\"pubstrong\">Indian Colour, </span>2007<span>\r\nText: Peter Nagy\r\nPublisher: Dal- seung Hwang, Keumsan Gallery</span>\r\n\r\n<span class=\"pubstrong\">India Arte Oggi, </span>2007<span>\r\nText:  Daniela Palazzoli\r\nPublisher: Spazio Oberdan\r\nISBN: 978-88-202-1867-6</span>\r\n\r\n<span class=\"pubstrong\">Urban Manners, </span>2007<span>\r\nText: Adelina Von Furstenberg and Nancy Adajania\r\nPublisher: Hangar Bicocca</span>\r\n\r\n<span class=\"pubstrong\">International Incheon Women Artists’ Biennale,</span>\r\n<span class=\"pubstrong\">Knocking on the Door, </span>2007<span>\r\nText: Sung Hee Kim, John C. Welchman\r\nPublisher: Incheon Culture and Art Centre</span>\r\n\r\n<span class=\"pubstrong\">Soft Power: Asian Attitude, </span>2007<span>\r\nText: Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\nPublisher: Shanghai Zendai Mumsem of Modern Art\r\nISBN: 978-7-5356-2790-2</span>\r\n\r\n<span class=\"pubstrong\">India Express- Art and Popular Culture, </span>2006<span>\r\nText: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze\r\nPublisher: Helsinki City Art Museum\r\nISBN: 951-8965-61-7</span>\r\n\r\n<span class=\"pubstrong\">Bombay L’album Maximum City, </span>2006<span>\r\nText: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\nPublisher: Terrail, Lille 3000\r\nISBN: 2-87939-325-6</span>\r\n\r\n<span class=\"pubstrong\">Indian Paintings of the New Millennium, </span>2005<span>\r\nText: Helen Asquine  Fazio, Gayatri Sinha\r\nPublisher: Quick Arts Center, Fairfield University</span>\r\n\r\n<span class=\"pubstrong\">A Guide to 101 Modern &amp; Contemporary Indian Artists, </span>2005<span>\r\nText: Amrita Jhaveri\r\nPublisher: India Book House\r\nISBN: 81-7508-423-5</span>\r\n\r\n<span class=\"pubstrong\">Zoom! Art in Contemporary India, </span>2004<span>\r\nTexts: Luis Serpa and Nancy Adajania\r\nPublisher: The Culturgest Museum\r\nISBN: 972-769-033-5</span>\r\n\r\n<span class=\"pubstrong\">Interlude in Sri Lanka, </span>2004<span>\r\nText: Ranjit Hoskote and Nancy Adajania\r\nPublisher: The Guild Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Generation I, </span>2004<span>\r\nText: Zehra Jumabhoy\r\nPublisher: Saffronart &amp; The Guild Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Tiranga Rights and Reponsibilities, </span>2003<span>\r\nText: Peter Nagy\r\nPublisher: Jindal Foundation &amp; Creative Arts</span>\r\n\r\n<span class=\"pubstrong\">Hard Copy, </span>2003<span>\r\nText: Peter Nagy\r\nPublisher: Galerie 88</span>\r\n\r\n<span class=\"pubstrong\">Crossing Generations: diVERGE, </span>2003<span>\r\nText: Geeta Kapoor and Chaitanya Sambrani\r\nPublisher: Gallery Chemould</span>\r\n\r\n\r\n<span class=\"pubstrong\" style=\"color: #000000;\">PRESS</span>\r\n\r\n<span class=\"pubstrong\"><a href=\"http://www.america.gov/st/peopleplace-english/2011/March/20110307133535drawoh0.7282221.html?CP.rss=true\" style=\"color: rgb(135, 135, 135);\" >Art at “maximum INDIA” Festival Evokes Cultural Memory and Loss</a>  </span><span>\r\nHoward Cincotta, www.america.gov, March 7, 2011\r\n</span>\r\n\r\n<span class=\"pubstrong\"><a href=\"http://www.signonsandiego.com/news/2011/mar/02/kennedy-center-opens-3-week-india-arts-festival/\" style=\"color: rgb(135, 135, 135);\" >Kennedy Center opens 3-week India arts festival</a>  </span><span>\r\nBrett Zongker, www.signonsnadiego.com</span>\r\n\r\n<span class=\"pubstrong\"><a href=\"http://www.artconcerns.com/mywork.php\" style=\"color: rgb(135, 135, 135);\" >My work</a>  </span><span>\r\nwww.artconcerns.com, Oct-Nov 2010 issue\r\nText: Reena Kallat</span>\r\n\r\n<span class=\"pubstrong\"><a href=\"http://artradarjournal.com/2010/04/20/indian-contemporary-artist-reena-kallat-art-radar-exclusive-interview/\" style=\"color: rgb(135, 135, 135);\">Interview, Art Radar Asia </a></span><span>\r\n April 20, 2010</span>\r\n\r\n\r\n<span class=\"pubstrong\">The Archives of the Heart</span><span>\r\nNancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\nFront Cover, pgs 42-45, 2009</span>\r\n\r\n<span class=\"pubstrong\">Globale Kunst Mit Wurzelduft</span><span>\r\nVon Almuth Speigler, Die Presse, Feuilleton, 2nd September 2009</span>\r\n\r\n<span class=\"pubstrong\">Landscapes of Loss</span><span>\r\nBeth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009</span>\r\n\r\n<span class=\"pubstrong\">Reincarnating History</span><span>\r\nThe Big Picture, Architect and Interiors, July 2009</span>\r\n\r\n<span class=\"pubstrong\">Stamp Collection</span><span>\r\nGeorgina Maddox, The Sunday Express, 17th May 2009</span>\r\n\r\n<span class=\"pubstrong\">Evolving Beyond Borders</span><span>\r\nReshma S. Kulkarni, Bombay Times, Times of India, 15th January, 2009</span>\r\n\r\n<span class=\"pubstrong\">Loss and Found</span><span>\r\nMarina Correa, DNA, Mumbai, 22nd January 2009</span>\r\n\r\n<span class=\"pubstrong\">Focus India</span><span>\r\nMegha Ralapati, Flash Art, pg 114, January-February 2008</span>\r\n\r\n<span class=\"pubstrong\">Come Together Right Now</span><span>\r\nReema Gehi, HT Café, 15th February 2008</span>\r\n\r\n<span class=\"pubstrong\">Such a Long Journey</span><span>\r\nAparna S Sharma, Elle Magazine, pgs 115-117, February 2008</span>\r\n\r\n<span class=\"pubstrong\">More than a Woman</span><span>\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 4th February 2008</span>\r\n\r\n<span class=\"pubstrong\">Artist of the Fortnight</span><span>\r\nMaria Louis, Outlook Profit, pg 79, 18th April 2008</span>\r\n\r\n<span class=\"pubstrong\">Deja View</span><span>\r\nTara Khilachand, Live Mint, 20th December 2008</span>\r\n\r\n<span class=\"pubstrong\">Terror Struck</span><span>\r\nMaria Louis, Outlook Profit, 26th December 2008</span>\r\n\r\n<span class=\"pubstrong\">Name Calling</span><span>\r\nDeepanjana Pal, Timeout Mumbai, December 2008</span>\r\n\r\n<span class=\"pubstrong\">Corruptions of Power</span>\r\n<span>Shiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99, 2007</span>\r\n\r\n<span class=\"pubstrong\">Over the Rainbow</span><span>\r\nMaria Louis, Interview, Verve Magazine, pg 78, November 2006</span>\r\n\r\n<span class=\"pubstrong\"><a href=\"http://www.hindu.com/mag/2006/10/29/stories/2006102900070200.htm\" style=\"color: rgb(135, 135, 135);\">In a State of Perennial Siege</a></span><span>\r\nNancy Adajania, The Hindu, Hyderabad, 29th October 2006</span>\r\n\r\n<span class=\"pubstrong\">Her Crowning Achievement</span><span>\r\nClara Chow, The Straits Times, 18th November 2006</span>\r\n\r\n<span class=\"pubstrong\">Political Chaos</span><span>\r\nDeepali Nandwani, Beautiful people, pg 143, November-December 2006</span>\r\n\r\n<span class=\"pubstrong\">Weapons of Mass Construction</span><span>\r\nRituparna Som, DNA after Hrs, Mumbai, 9th October, 2006</span>\r\n\r\n<span class=\"pubstrong\">Guns and Roses</span><span>\r\nRachna Nakra, The Indian Express, Mumbai Newsline, 18th September 2006</span>\r\n\r\n<span class=\"pubstrong\">Under Attack</span><span>\r\nGitanjali Dang, HT Mumbai, 22nd September 2006</span>\r\n\r\n<span class=\"pubstrong\">Time Traveller</span><span>\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 27th June 2006</span>\r\n\r\n<span class=\"pubstrong\">The Flower and the Sword</span><span>\r\nGirish Shahane, The Art News magazine of India, pg 93, volume X issue I, 2004</span>\r\n\r\n<span class=\"pubstrong\">India’s Top 100 Achievers</span><span>\r\nSociety Magazine, pg 137, December 2004</span>\r\n\r\n<span class=\"pubstrong\"><a href=\"http://www.hinduonnet.com/thehindu/mag/2004/12/19/stories/2004121900620700.htm\" style=\"color: rgb(135, 135, 135);\" >Caught Between Demons</a></span><span>\r\nNancy Adajania, The Hindu, 19th December 2004</span>\r\n\r\n<span class=\"pubstrong\">En Reise Til India</span><span>\r\nHarald Flor, Dagbladet, Kultur, 2nd February 2003</span>\r\n\r\n<span class=\"pubstrong\">Signs of Resistance</span><span>\r\nNancy Adajania, The Hindu, 5th January 2003</span>\r\n\r\n<span class=\"pubstrong\">Of the Goddess and Demon in the Mind</span><span>\r\nDebbie Rodgers, Sunday edition Vijay Times, Bangalore, 5th January 2003</span>\r\n\r\n<span class=\"pubstrong\">Empathic Anger</span><span>\r\nMarta Jakimowicz, Deccan Herald, 23rd December 2002</span>\r\n\r\n<span class=\"pubstrong\">Mysore Ek Khoj</span>\r\nCross Fertilization of Culture, Interview in Star of Mysore, 27th October 2002\r\n\r\n<span class=\"pubstrong\">Linking Islands</span><span>\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 15th February 2002</span>\r\n\r\n<span class=\"pubstrong\">Creating to Destroy</span><span>\r\nJasmine Shah Varma, The List, Mid Day, 22nd February 2002</span>\r\n\r\n<span class=\"pubstrong\">Different Strokes</span><span>\r\nGeorgina L Maddox, The Indian Express, Mumbai Newsline, 24th July 2002</span>\r\n\r\n<span class=\"pubstrong\">Of Faith and Hunger</span><span>\r\nAbhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89, December 2000</span>\r\n\r\n<span class=\"pubstrong\">The Murmur of Skin</span><span>\r\nNupur Mahajan, Bombay Times, Times of India, 12th October 2000</span>\r\n\r\n<span class=\"pubstrong\">Not just Skin Deep</span><span>\r\nJasmine Shah Varma, The List, Mid-day, 4th October 2000</span>\r\n\r\n<span class=\"pubstrong\">Inside Out</span><span>\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 11th October 2000</span>\r\n\r\n<span class=\"pubstrong\">Scintillating Skin</span><span>\r\nVaibhav Purandare, The Asian Age, 14th October 2000</span>\r\n\r\n<span class=\"pubstrong\">An Artist’s World: Roti, Makaan &amp; Abstract Art</span><span>\r\nPoonam Goel, HT City, 23rd December 2000</span>\r\n\r\n<span class=\"pubstrong\">Within you, Without you</span><span>\r\nAnu Kumar, Indian Express, Express Newsline, 2nd September 1998</span>\r\n\r\n<span class=\"pubstrong\">Farming Intrigue</span><span>\r\nJerry Pinto, The Times of India, Bombay Times, 3rd September 1998</span>\r\n\r\n<span class=\"pubstrong\">Interactive Medium</span><span>\r\nKaren Pereira, Indian Architect &amp; Builder, pgs 102-104, October 1998</span></td>\r\n</tr>\r\n</tbody>\r\n</table>','Publications','','inherit','open','open','','87-revision-174','','','2011-03-23 06:51:44','2011-03-23 06:51:44','',87,'http://www.reenakallat.com/2381/uncat/87-revision-174',0,'revision','',0),(2382,1,'2011-03-23 06:47:06','2011-03-23 06:47:06',' <b style=\"color:#999999;\">THE ARCHIVES OF THE HEART</b>\r\n<b>© Nancy Adajania</b>\r\n\r\n\r\nAn island in Japan houses an archive of heartbeats gathered from people living in different parts of the world. We might regard this as a New Age technique of mummification. And indeed, in this work, ‘Les archives du coeur’ (2008), Christian Boltanski creates what the curator Tessa Praun describes as a unique class of ‘portraits’, her contention being that these recorded heartbeats will prolong the lives of the subjects even after their physical death. [1] Since the 1960s, Boltanski has been recording his own personal effects, as well as those of anonymous people condemned to occupy the margins of history. His photographic portraits are subject to the tremors of representation, appearing to float in a liquid blur, in the twilight zone between birth and dying, between the wingbeat of recorded history and the ephemera of personal memory. With his idiosyncratic conceptual take on portraiture in ‘Les archives du coeur’, Boltanski distils the portrait into a pure note of classical music, a thrum of life that transcends local and corporal circumstances and reminds us of the survivor’s drive that has kept us going on the long journey from Olduvai Gorge.\r\n\r\nLaunched on an analogous quest for the posthumous evidence of the missing, Reena Saini Kallat began to experiment in early 2000 with the portraiture of anonymous denizens of the global multitudes. Her passion for nameless faces gradually grew into an obsession with compiling archives of the missing and the dead from India, articulating in contour a history of post-colonial India as told through traumatic upheaval. Recall that the nation-state of India was born in cataclysmic circumstances, through the Partition, which was accompanied by pogroms, forced migrations, mass rape and the irrevocable dispersal of families and communities. Such crises have recurred in India since, at different scales and intensities, because India balances on a paradox, between robust democracy and relentless atrocity. \r\n\r\nThe political logic of democracy has been to enfranchise every single individual, so that in theory every single person has a name and a share in electoral power. Therefore, metaphorically speaking, we could say that the nation-state is a complex composite portrait made up of a billion mosaic units. The tragedy is that we cannot see these units clearly, but only through a symbolic blur. While the Constitution of India guarantees its individuals various entitlements, in reality the vast majority cannot articulate their political rights.\r\n\r\nPrecisely this paradox animates Reena’s mixed-media works, photographs, sculpture installations and video in the recent suite of works, ‘Silt of Seasons’ (Chemould Prescott Road, Bombay, 2008). In ‘Synonym’ (2007), for instance, we are confronted with a series of 6-foot-high portraits of ordinary citizens constructed from hundreds of painted rubber-stamps bearing names gathered from police records. She scours the records to retrieve the memory of those who have disappeared during riots, earthquakes, landslides or genocides. \r\n\r\nWith ‘Synonym’, Reena constructs an anti-monument. Unlike official monuments, which extol the virtues of permanence, these portraits appear like ghostly transmissions from another planet. From a distance, they look like burnt, scarred faces; up close, they pixellate, lose definition, hover in a grey zone. They are, in the development activist Dunu Roy’s words, “nowhere people looking for a somewhere place.”\r\n\r\n\r\n<b>A Sentimental Education </b>\r\n\r\nWhat’s in a name? Deep histories of violence and loss. Bodies are swallowed up by mass graves, dumped into oceans, shovelled into ovens. Names remain, residues silted up in the ever-growing list of the missing. Names are talismans of absence, keys to a resistance against amnesia. The spectre that haunts Reena’s art is the spectre of forgetting. \r\n\r\nTwo anomalies remain behind in the ruins of war, civil strife and genocide twinned in a cruel asymmetry: bodies without names and names without bodies. When we go close to the portraits, we realise that the names are withheld in plain view. Hundreds of names in 14 different languages in reverse sensitise us to the fact that historical silences cannot be decoded with the certainty of a cryptographer, and that loss cannot always be compensated.\r\n\r\nCuriously, despite being the carriers of hundreds of names, the portraits themselves remain unnamed. Or alternately, we might think that instead of having a fixed identity, the portraits possess multiple lineages of ethnicity, language and religious persuasion. Reena’s acts of naming and recalling suggest a secular, politicised recovery of the practice of japa or dhikr. Instead of a mantra or the names of God, the artist recounts the last traces of history’s victims.\r\n \r\nThe methodology of ‘Synonym’ shares an unmistakable affinity with that employed by Chuck Close in his portraits, where the picture grid is incrementally built from units consisting of finger-prints, scribbles and wads of pulp paper. As Close observes about his artistic process: “It’s that tension between the artificial and the real – the insistent flatness of the surface and the conjured up illusion that makes for a very physical experience for the viewer.” [2] \r\n\r\nThat said, the act of painterly representation can involve the reductive translation of a wide range of surfaces and effects into the relatively limited language of the medium, of pigment, brush, knife, spatula, rag and roller. By contrast, Reena extends painterly media in such as way that a wide array of palpabilities is made disturbingly available. For example, the bruised skin of the portraits produced from an intense chromatic saturation and their extra-dimensionality, the move made from the painted surface of the rubber stamps to their tactile knob-like presence on the reverse. \r\n\r\nIndeed, we realise that these works are no longer paintings, but rather, are delivered as sculptures in the round. This is where their family resemblance with Close’s portraits ends. Although Reena’s mixed media works seem to function in an interlocking grid, they are more like jigsaw puzzles in nature than grid-like. And unlike Close’s incrementally painted grids, we realise with some surprise, these works are formally sculptural: they occupy mass and volume and create dense black silhouettes. This gives them edge and unpredictability: double portraits that confront us with one face and darken the walls with their spectral shadows.\r\n\r\nThe first time the artist deployed the rubber stamp as an object and device was in a sculptural assemblage titled ‘Kiosk’ in 2003. She recomposed the colours of the Indian flag by suspending rubber stamps from a stand. The mixed-up colours of the flag were meant to stamp out the violent differences wracking the Indian republic. A mock MOU (Memorandum of Understanding), an agreement between the Indian State and its citizens to renew the original contract of inclusiveness that the nation promised its citizens in 1950, accompanied the sculpture.\r\n\r\nThe rubber stamps and the MOU signal the dialectical tension between two discourses, that of the juridical and of sentiment: a tension that has underwritten Reena’s art over half a decade. The play with the juridical documents that legitimise the authority of the State and the status of the citizen is not difficult to decode; but the discourse of sentiment is less easily reduced to evidence. What is the locus of sentiment? For instance, the term ‘public sentiment’ is grossly manipulated in a country which is governed by competing populist forces whose only aim of politics is to secure a ‘vote bank’, a reliable support base constructed on the basis of an exclusive and defensive group identity, and where, as a corollary, popular mobilisations are made by playing up religious and linguistic differences among a largely illiterate electorate. Repeatedly, in over six decades of Independence, charlatans of every shade from the Left, Right and Centre have played with public sentiment to disrupt peace, manufacture riots and factionalise a society already divided along identitarian lines. When I speak of the discourse of sentiment in Reena’s art, I mean that she provides her viewers with a ‘sentimental education’ in the Flaubertian sense. This has nothing to do with sentimentality as commonly conceived, meaning the maudlin expression of strong feeling. On the contrary, it signifies a training in the modes of responding to a potentially fracturing experience in such a way as to develop the resources of the self: sensitivity, reflection, the ability to understand vicissitudes, the gifts of acceptance and reconciliation. Such an education in feeling has specific value in a desensitised society where the values of liberty, equality and fraternity have been sacrificed at the altar of expediency. In Reena’s art, the discourses of the juridical and of sentiment manifest themselves as a relay of effect and affect in the public domain.\r\n\r\n\r\n<b>Branding/ Incisions </b>\r\n\r\nIn ‘Crease/Crevice/Contour’ (2008), a set of ten photographic prints of a torso are stamped with the changing contours of a contested territory. As we trace the changing magnifications of these red scars, we realise we are looking at a woman’s torso, vulnerable to the brandings of a territorial claim. The figure of the abducted woman has haunted both sides of the Partition: Hindu and Sikh women were abducted by Muslims on the one hand, and Muslim women by Hindus and Sikhs on the other, in 1947. Within a few years, with no hope of recovery by their families and an acceptance of their new lives, many of these women married their abductors and even had children. Then, with the horrifying lack of compassion that only the most public-spirited can afford, commissions of recovery decided that the women must be found and ‘returned’ to their ‘original’ countries, even if this meant destroying the new families they had created, separating them from their husbands and children. Stories recounted by feminist writers about these search and recovery operations for abducted women both from India and Pakistan after Independence make for chilling reading. Veena Das observes that the recovered women were not seen as citizens with equal rights but were seen as ‘sexual and reproductive beings’ who had to be returned to their rightful territory to save the ‘national honour’. As Das observes: “In the fantasy of men, the inscription of nationalist slogans on the bodies of women (Victory to India, Long Live Pakistan) or proclaiming possessions of their bodies (This thing, this loot – ye maal – is ours), would create a future memory by which men of the other community would never be able to forget that the woman as territory had already been claimed and occupied by other men. The bodies of the women were surfaces on which texts were to be written and read – icons of the new nations.” [3] \r\n \r\nThe contested territory in Crease/Crevice/Contour happens to be Kashmir, morphing in relation to the LOC (Line of Control) between October 1947 and December 1948. Neither India nor Pakistan has been able or willing to resolve this issue. Kashmiris call it the Ceasefire Line, not agreeing to the military strategists’ ambiguous term LOC. Since the late 1980s, the women of Kashmir have suffered violation and brutality at the hands of the militants and the Indian state: the scars have deepened.   \r\n\r\nAs a gesture of healing, the artist decided to stamp the names of people who have signed the peace agreement between India and Pakistan on the woman’s torso. Thus, Reena’s representation of the woman’s body in ‘Crease/Crevice/Contour’ is that of desiring agency rather than passive victimhood.\r\n \r\n\r\n<b>Where Have The Masons Gone? </b>\r\n\r\nHistory has shown us how the names of people who have suffered slavery or genocide are transformed into ciphers, recall the branded foreheads of Chinese slaves or the numbered bands of the Holocaust victims. Artists have responded to these historical silences by building memorials and making mementos. I would like to draw parallels between Reena’s recent work and Maya Lin’s ‘Vietnam Veterans Memorial’ (1982) and Boltanski’s ‘The Missing House’ (1990). \r\n\r\nLin’s ‘Vietnam Veterans Memorial’, which began as a controversial public arts project, has achieved iconic status. The granite wall (built, incidentally, from stone quarried in South India) is etched with 58,175 names of US soldiers who died during the Vietnam War. The present melds into the past as the families of the veterans see their reflections in a wall that is more mirror than stone. This fluid interface becomes urgently haptic as they take away rubbings of the names as souvenirs. [4] \r\n\r\nIn ‘The Missing House’ (1990), Boltanski has placed nameplates on the facade of a building in Berlin that had formerly been occupied by Jewish families, and had been destroyed by Allied aerial bombardment in 1945. The artist makes a gesture that is at once archaeological and elegiac, by reminding an urban present of one of its brutally erased pasts. [5]  \r\n\r\nReena’s first attempt at creating memorials for the ordinary citizens began with her series ‘Sword-Swallowers’ (2004). Painted portraits with unfolding screens of visual inscription were installed in the form of archetypal memorial columns or steles. The stele narrates the deeds of the heroes of the ancient world to gods and humans. But the people we meet in Reena’s contemporary memorial columns are not legendary heroes but day-to-day survivors. [6] \r\n\r\nIn her recent works, Reena puts the erased impulses of ordinary people back into the historical record. She dismantles historical monuments brick by brick, metaphorically, and stamps them with the names of the workers who built them. She redrafts the Taj Mahal’s beautiful pietra dura patterns, using the names of workers and their guild signatures, instead of the precious stones originally inlaid there. This gesture of defacing the monument with the marks of labour creates a dense and robust beauty, cutting against the refined craftsmanship we are familiar with. Bertolt Brecht’s song, ‘A Worker Reads History’ returns to our lips: \r\n\r\n“Who built the seven gates of Thebes? \r\nThe books are filled with names of kings.\r\nWas it the kings who hauled the craggy blocks of stone? \r\nIn the evening when the Chinese Wall was finished \r\nWhere did the masons go?”\r\n\r\nIn the same vein, the artist subverts the solidity of the Mughal architectural masterpiece by making it porous, a see-through curtain that marks domestic thoroughfare. The beads of the curtain recount the names of the lovers who will not make it to the history books, but who will live on in graffiti and song. Other monuments like Bombay’s colonial structure the Gateway of India is scaled down to act as a maquette or a teaching model in an urban history museum. The litany of colonial names of streets – Ropewalk Lane, Cruickshank Lane, Hope Street and so forth – were embossed on the structure to remind us of our present rather than of our past. Bombay was renamed under pressure from right-wing nativist forces in the mid-1990s and is now Mumbai. This politics of renaming shows the rise of an illiberal politics that has no interest in securing the rights of citizens but prefers to produce the empty spectacle of demagogic triumph over hapless symbols, branding and re-branding streets and squares, tearing down and replacing public statuary.\r\n\r\n<b>The Lost Mother </b>\r\n\r\n“I began to work as an artist when I began to be an adult, when I understood that my childhood was finished, and was dead. I think we all have somebody who is dead inside of us. A dead child. I remember the Little Christian that is dead inside me.” [7]\r\n\r\nWhile Boltanski’s art may be activated by the dead child he carries within himself, I would say that in Reena’s case it is the memory of her dead mother that has given birth to an art of (un)belonging. Although she professes not to allow autobiographical elements to enter into her work, she has made such exceptions as ‘Walls of the Womb’, a work made two years ago and scored in Braille to articulate hazy memories of her mother who died of cancer when she was a child. It could be argued that Reena’s obsessive inscription of the names of the missing could have its roots in her search for the mother she never knew. The personal is the political and her loss becomes, in her art, a mode of recovering the status of all those citizens who have not been mourned properly, whose memories are alive only in their erasure. [8]\r\n\r\nReena’s first video work, which is projected on the contested territory of Kashmir, is the most powerful work in this suite. Names scatter like snowflakes and dissolve into other names. We stand mesmerised as a blue spiritual light sheathes names of people belonging to various religions and ethnicities. Suffering recognises no distinctions. In this work, the conceptual charge of Reena’s art is seen to advantage; elsewhere, it can sometimes be overwhelmed under the dazzling effects of surface or technical accomplishment that she brings to the production of her art. With its minimalism and clarity, the video takes the logic of japa or dhikr to its conclusion. It is a prayer, but it is also an ode to silence.  \r\n\r\n\r\n<b>Notes & References</b>\r\n\r\n1. See Tessa Praun, ‘Les archives du coeur’ in Zeitung für Kunst und Ästhetik (Buch 3, 2/2008).\r\n\r\n2. See ‘Chuck Close: Decoding the Mysterious Process of Art’ in Herb Meyers and Richard Gertsman eds., Creativity: Unconventional Wisdom from 20 Accomplished Minds (New York: Palgrave Macmillan, 2008).      \r\n\r\n3. See Veena Das, Life and Words: Violence and the Descent into the Ordinary (New Delhi: Oxford University Press, 2007).    \r\n \r\n4. See Robert Campbell, ‘An Emotive Place Apart’ (A.I.A. Journal, May 1983). \r\n\r\n5. See http://www.chgs.umn.edu/museum/memorials/berlin/index.html\r\n\r\n6. See Nancy Adajania, ‘Screens of Demonology’, essay in the exhibition catalogue, ‘Black Flute (And Other Stories)’ (Gallery Chemould, Bombay, & Nature Morte, New Delhi, 2005).   \r\n\r\n7. See http://www.tate.org.uk/magazine/issue2/boltanski.htm\r\n\r\n8. See Nancy Adajania, ‘The Braille of Desire’, essay in the exhibition catalogue, Urban Manners: 15 Contemporary Artists from India (Hangar Bicocca, Milan, in collaboration with Art for the World, Geneva & Milan, 2007).<p>&nbsp;</p><b style=\"color:#999999;\">BEYOND RESOLUTION: THE ART OF REENA SAINI KALLAT</b>\r\n<b>© Murtaza Vali</b>\r\n\r\nI\r\nThe dramatic expansion of mass media – print, televisual and cybernetic – that followed economic liberalization in the early 1990s, has profoundly shifted the terrain of the visual in India. The growing ubiquity of media images has forced artists to reexamine the changing status, role and power of the image in contemporary culture. According to Nancy Adajania, this dynamic new mediascape has inspired the emergence of a “new mediatic realism,” a realist impulse among Indian painters that explicitly references the imagery, format, effects and surfaces of the media flow.  Like many of her peers, in her recent work Reena Saini Kallat has experimented with strategies for arresting the overwhelming glut of media images and imbuing these images, especially those of people, with renewed pictorial and emotional significance. Her approach has been to anoint the human image sourced from the media with symbols and icons from a mythic register. In the 2004 series Sword Swallowers, generic portraits of ordinary people, sourced from the Internet, topped stele-like stacks of paintings filled with fantastical images of warring demons. Two years later, in the Penumbra Passage (Canine Cases) series, similar painted portraits appeared again, each framed and stained with a floating form in the shape of the contested Occupied Kashmir region, and hovering over a museum case containing tiny toy-like weapons arranged like a menacing set of teeth. According to Adajania, Saini Kallat’s constellations of images and objects, of the mediatic real juxtaposed with the mythic imaginary, may be understood as serving an “apotropaic” function, providing a spiritual salve for the many evils and injustices that trouble India and its least fortunate citizens.  \r\n	Saini Kallat’s recent Synonym series marks a distinct departure. Here, the portraits stand alone, monumental yet atomized, composed entirely of hundreds of painted rubberstamps, each bearing a name (in reverse) in one of over fourteen Indian languages. From the appropriate viewing distance the array of stamps coalesce into a recognizable human image; up close they register as pure pattern, an irregular lattice of color and text. Ambiguously hybrid objects, they oscillate between photography, painting and sculpture, between human portrait and abstract pattern, between image and text. Seemingly forgoing the mythic as the mode for consecrating human images extracted from the media flow, the Synonyms instead register in their very pixilated materiality the growing fragility and profound dissolution of the human image enacted by the spread of media, an indeterminacy that appears to extend to issues related to subjectivity, identity and citizenship that these human images embody. \r\n	The Synonyms are not without precedent and bear superficial similarities to Chuck Close’s large gridded portrait paintings or Rashid Rana’s Ommatidia series, composite digital prints of Bollywood heartthrobs composed of thousands of tiny images of everyday Pakistani men. However, Saini Kallat’s works, comprised of short interlocking horizontals and verticals of varying lengths, reject the stability that a regular orthogonal grid might provide. The composite image that emerges more closely resembles a mosaic or, in the artist’s own words, a “circuit board,” pulsating, as the eye is forced to wander across the surface in search of a visual anchor.  Despite their three-dimensionality, for Saini Kallat, these works are intimately tied to the history of painted portraiture, reflecting her training at Mumbai’s Sir J.J. School of Art and revealing much about the craft of painting. Encrusted with illegible text, each stamp resembles an individual brushstroke, its rough surface suggesting the impasto of an Impressionist or Post-Impressionist canvas. Like these earlier styles, Saini Kallat’s Synonyms challenge the smooth illusionistic space of traditional painting, evincing instead the piecemeal way in which a painted image is constructed, through the careful application of individual marks. Saini Kallat goes a step further, literally disintegrating the picture plane, dramatizing the dialectical relationship between image and mark.   \r\n	In their teeming, tessellated and text-ured surfaces, these portraits seem to visualize the Nehruvian maxim of ‘unity in diversity,’ a popular nationalist creed that asserted that India’s national identity and true strength lay in its cultural diversity, that a palpable but indefinable ‘Indianness’ united and transcended the myriad of ethnicities, religions, castes, and languages found across the nation.  While the motto served as an important rallying cry, mobilizing these diverse populations against the colonial power, India’s troubled post-colonial history has demonstrated that, though laudatory, it is a difficult if not impossible ideal to achieve. Rather than naively celebrating its increasingly hollow utopian multiculturalism, Saini Kallat’s Synonyms reflect the strange paradox and delicate tension inherent in this nationalist credo; their trembling surfaces register difficult lessons about democracy, secularism and citizenship. The unstable formal relationship between image part and image whole serves as metaphor for the increasingly fraught relationship between the individual and the collective, the citizen-subject and the nation-state, the regions and the center. Like in these portraits of its citizens, which do not completely cohere, resolution is never absolute in a democracy like India and consensus is at best temporary and ephemeral, the result of constant and always contested negotiation.\r\n	The stamps in these portraits bear the names of those officially registered as missing, from victims of the natural disasters, riots and accidents that regularly afflict the Indian populace, to those whose disappearances are inexplicable but no less distressing, who have willfully absconded or been forcefully abducted. While Saini Kallat’s earlier experiments with portraiture reproduced anonymous images from the Internet these works are based on photographs of migrant workers, many children, encountered in the artist’s Mumbai neighborhood, shot by the artist herself. Despite the somewhat impersonal passport photograph format, the occasional coyly tilted head or cheeky grin betrays the warm intimacy of this face-to-face encounter. Their collective title, Synonym, suggests a series of equivalences: between the linguistic, ethnic, religious, caste and cultural differences registered in the variously scripted names, between those named and those pictured, between the missing person and the migrant worker. The missing, in Saini Kallat’s own words, are those who have “slipped out of the radar of human communication, [have been] thrown off the social safety net.”  The migrant worker’s existence is similarly precarious; displacement from their rural homes severs their traditional bonds of kith, kin and community, resulting in a gnawing instability and deep sense of loss. And like the missing, the migrant workers are rendered invisible; they are the dark under belly of the metropolis, the hidden and exploited work force whose unacknowledged labor is, however, integral to its proper functioning. While the Synonyms rightly monumentalize these marginalized figures, their portraits remain visually liminal, their faces appearing and disappearing like phantasms.  \r\n\r\nII\r\nThe name as marker of the subaltern citizen reappears in the photographic series and sculptural installation entitled Lunar Notes (2008). Arranged in an incomplete grid, the photographs document instances of ‘love-graffiti’ scrawled and etched on the often ornately carved but decaying walls of historic monuments across India. To the authorities that manage these heritage sites, the inscriptions are a nuisance, small acts of vandalism that collectively threaten the integrity of national treasures. One tongue-in-cheek image includes a clearly ignored Archaeological Survey of India sign pleading, “Thank you for not scratching on the monument.” Drawn to these scrawls for their tender transposition of the private emotion of love into the public sphere of history, Saini Kallat began systematically documenting examples encountered on her travels. Seemingly neutral documents, these photographs, however, reveal a profound tension between the master narrative of Indian history and literature and the quotidian experiences and desires of its subaltern citizens. Examples of a spontaneous populism, little acts of romantic resistance to eventual historical absence, the inscriptions, through the most human of emotions, register a powerful need to index subaltern presence by literally etching one’s name onto the architectural edifices of history. \r\n	Inspired by the photographs, the accompanying sculptural installation is a curtain comprised of strings of variously sized beads of bonded marble, that, from a distance suggest the silhouette of the Taj Mahal. Along with the names of the everyday Romeos and Juliets documented in the photographs, the beads bear those of great lovers from the annals of Indian myth and history: the star-crossed Punjabi lovers Heer and Ranjha, immortalized in verse by Waris Shah; the Mughal emperor Shah Jahan and his queen Mumtaz, the monument’s patron and muse respectively. An architectural masterpiece and an enduring memorial to lost love, the Taj is increasingly a visual cliché for India, repeated ad nauseam on travel guides, tourist brochures and snapshots, and kitsch souvenirs. The installation seems to acknowledge this dual status, and like the Synonyms, uses optical resolution as metaphor. The image of the monolithic Taj is literally dispersed, rendered fragile and fugitive like the love it symbolizes, a fleeting vision increasingly difficult to resolutely grasp.  \r\n\r\nIII\r\nIf the Synonyms and Lunar Notes both rely on the limits of optical resolution to address the indeterminate status of hallowed national myths, Saini Kallat’s other recent work focuses on the always uncertain relationship between India and Pakistan, a conflict that, despite repeated efforts at peace, appears irresolvable. Saini Kallat unites work in diverse media through her iconographical repetition of the form of the still-disputed territory of Occupied Kashmir, a shape, that for the artist, becomes an “emblem of human folly,” and carries with it a powerful traumatic legacy that continues to taint Subcontinental geo-politics.  The brazen terrorist attacks that besieged Mumbai for three devastating days in late November, and appear to have derailed attempts at peace between the two countries, are just the latest disheartening reminder of this.\r\n	In Crease/Crevice/Contour (2008), a series of ten photographs trace the shifting Line of Control (L.O.C.) between the newly independent India and Pakistan during their first war over the region of Kashmir. In each image, the specific contours of the conflict area at a particular stage of the conflagration – which lasted from October 1947 to December 1948, following on the heels of the devastation of Partition – is rubber-stamped onto a woman’s naked back. The form is composed of the names of signatories of a petition demanding the construction, at the Wagah-Attari border crossing, of a bilateral memorial to victims of Partition violence, such an official public acknowledgement of atrocities being a necessary first step to resolving deep-rooted traumas and achieving lasting peace in the region.  By visually equating territory and the female body, Saini Kallat extends the popular concept of Bharat Mata or Mother India, of the nation personified as a nurturing and self-sacrificing Mother Goddess, a patriarchal archetype of Indian femininity that emerged in nationalist discourse in the late Nineteenth century. However, her analogy introduces a critique. Stamped in blood red ink, the changing cluster of names resembles an embarrassing birthmark or a malignant skin lesion, growing or shrinking with the shifting frontline. As a “residual scar” of an ongoing territorial dispute, one that has cast a lingering shadow of violence and mistrust over the Subcontinent’s post-colonial history, the form symbolically marks the fact that women inadvertently bear the brunt of such hostilities, their bodies literally invaded, defiled, occupied and exchanged, like pieces of land.  During the dark days of Partition, on both sides of the newly drawn border, women were abducted and forcibly converted, raped and murdered by strangers as a show of strength, and killed by their own to safeguard so-called ‘family honor.’ \r\n	Through exaggerations in scale and symbol, the playfully absurd sculptural installation White Heat (2008) dramatizes the frustration that characterizes attempts to resolve the conflict. Perched atop an ironing board is an oversized iron, its flat surface encrusted with ornate weapon-like projections that render it useless, unable to smooth out the creases in a cloth repeatedly embroidered with the form of the contested territory. Embedded within the weapons are the characteristic rooftops of religious monuments – a mosque dome, a temple shikhara, a church steeple – a gesture that acknowledges how religion is cynically, strategically and divisively wielded by power hungry politicians on both sides, hindering all attempts at peace. In contrast, Silt of Seasons (2008), the artist’s first video installation, appears more optimistic. Projected onto sand shaped into the form of Occupied Kashmir, recalling Saini Kallat’s previous use of rangoli or ritual floor patterns, are the names of signatories of a recent peace petition. Each name, carefully spelt out in letters of sand, appears momentarily, eventually blowing away, its transience reflecting the fragility of the peace process. Yet the piece balances elegy with hope; each erased name is promptly replaced by that of another peace advocate, the desire for and commitment to peace enduring, renewing itself with each new name.\r\n\r\n*****\r\nDisplaying these varied works, both in subject matter and medium, together under the exhibition title “Subject to Change Without Notice” is more than mere acknowledgement of the paralyzing bureaucratic inconsistency that has long characterized everyday life in India.  Rather, the indeterminate and precarious status it describes is a Cassandra-like warning issued by the artist to her fellow citizens. While India might be shining bright as it triumphantly emerges onto the world stage as a political and economic superpower, its status as such will always be tenuous until it resolves the specters that haunt it, until it acknowledges and grapples with the profound trauma that accompanied its independence and its enduring legacy of violence, and it achieves equal access to the rights and freedoms promised under the Republic’s constitution for all its citizens. Until then India might just remain beyond resolution.        \r\n\r\n<b>New York, December 2008</b>\r\n\r\n','','','inherit','open','open','','1271-revision-25','','','2011-03-23 06:47:06','2011-03-23 06:47:06','',1271,'http://www.reenakallat.com/2382/uncat/1271-revision-25',0,'revision','',0),(2383,1,'2011-04-01 06:48:14','2011-04-01 06:48:14','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Untitled (column)-1.jpg\" alt=\"Untitled (column)\" title=\"Untitled (column)\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Untitled (column)\r\n</span>2011\r\nacrylic, rubber stamps, wood\r\n336 in. x 108 in. x 108 in. l  853 x  274 x  274 cm</td></tr>\r\n<tr><td><span style=\"font-size:11px; line-height:3px;\"><i>installation view</i>,  Kennedy Centre, Washington</span></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Untitled (column)-2.jpg\" alt=\"Untitled (column)\" title=\"Untitled (column)\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n<td width=\"300\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThe sculpture is part of a series of works titled \'FALLING FABLES\' referenced from architectural ruins and fragments, that are disintegrating and in a state of collapse. …<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\nThe sculpture is part of a series of works titled \'FALLING FABLES\' referenced from architectural ruins and fragments, that are disintegrating and in a state of collapse.\r\n\r\nThe surface consists of nearly 30 thousand rubberstamps bearing addresses of missing monuments listed as protected sites under the Archeological Survey of India, dispersed amidst others that carry fragments of poems/ phrases on architecture and loss. As creations of active historical forces and natural processes, these ruins seem more than just passive or static forms with their sense of incompleteness and fracture alluding to the broader themes of time, loss and memory.\r\n\r\nWhile my attempt is not to venerate the past, the work seeks to highlight the continuity and shifting nature of urban landscape, to look at ruins as metaphors of individual and universal experience.\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div></td>\r\n\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Untitled (column)-3.jpg\" alt=\"Untitled (column)\" title=\"Untitled (column)\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px; line-height:3px;\"><i>detail</i></span></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Untitled (column)-4.jpg\" alt=\"Untitled (column)\" title=\"Untitled (column)\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px; line-height:3px;\"><i>detail</i></span></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Untitled (column)-5.jpg\" alt=\"Untitled (column)\" title=\"Untitled (column)\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px; line-height:3px;\"><i>Acknowledgement:</i> The Kennedy Centre and Studio Adrien Gardere</span></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','publish','open','open','','untitledcolumn','','','2014-06-28 08:34:43','2014-06-28 08:34:43','',0,'http://www.reenakallat.com/?page_id=2383',0,'page','',0),(2385,1,'2011-04-01 05:48:04','2011-04-01 05:48:04','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\n<style type=\"text/css\">\nh3.canvas  {\ncolor:#333333;\nfont-size:11px\nfont-weight:normal;\nmargin-bottom:5px;\nmargin-left:7px;\nmargin-top:0;\npadding:0;\ntext-transform:none;\n}\n\nh2.painting  {\ncolor:#FFFFFF;\nfont-family:verdana,arial,tahoma,sans-serif;\nfont-size:11px;\nfont-weight:normal;\nmargin:0 0 10px 7px;\npadding:0;\ntext-align:left;\ntext-transform:none;\n}\n</style>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Untitled (column)-1.jpg\" alt=\"Untitled (column)\" title=\"Untitled (column)\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Untitled (column)\n</span>2011\nacrylic, rubber stamps, wood\n28 ft x 9 ft x 9 ft (l x h x b)</td></tr>\n<tr><td><span style=\"font-size:11px;\"><i>Installation view</i> ,  Kennedy Centre, Washington</span></td>\n<td>&nbsp;</td>\n</tr>\n<tr><td>&nbsp;</td></tr>\n</tbody></table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\n<tbody>\n<tr>\n<td width=\"200\" align=\"left\" valign=\"top\">\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Untitled (column)-2.jpg\" alt=\"Untitled (column)\" title=\"Untitled (column)\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\n</td>\n</tr><tr><td>&nbsp;</td></tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\n<tbody>\n<tr>\n<td width=\"200\" align=\"left\" valign=\"top\">\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Untitled (column)-3.jpg\" alt=\"Untitled (column)\" title=\"Untitled (column)\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\n</td></tr>\n<tr><td><span style=\"font-size:11px;\"><i>Detail</i></span></td>\n</tr></tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\n<tbody>\n<tr>\n<td width=\"200\" align=\"left\" valign=\"top\">\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Untitled (column)-4.jpg\" alt=\"Untitled (column)\" title=\"Untitled (column)\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\n</td></tr>\n<tr><td><span style=\"font-size:11px;\"><i>Detail</i></span></td>\n</tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\n<tbody>\n<tr>\n<td width=\"200\" align=\"left\" valign=\"top\">\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Untitled (column)-5.jpg\" alt=\"Untitled (column)\" title=\"Untitled (column)\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\n</td>\n</tr><tr><td>&nbsp;</td></tr>\n</tbody>\n</table>','','','inherit','open','open','','2383-revision-2','','','2011-04-01 05:48:04','2011-04-01 05:48:04','',2383,'http://www.reenakallat.com/2385/uncat/2383-revision-2',0,'revision','',0),(2384,1,'2011-04-01 05:44:58','2011-04-01 05:44:58','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Untitled (column)-1.jpg\" alt=\"Untitled (column)\" title=\"Untitled (column)\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Untitled (column)\r\n</span>2011\r\nacrylic, rubber stamps, wood\r\n28 ft x 9 ft x 9 ft (l x h x b)</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Installation view</i> ,  Kennedy Centre, Washington</span></td>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Untitled (column)-2.jpg\" alt=\"Untitled (column)\" title=\"Untitled (column)\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Untitled (column)-3.jpg\" alt=\"Untitled (column)\" title=\"Untitled (column)\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Detail</i></span></td>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Untitled (column)-4.jpg\" alt=\"Untitled (column)\" title=\"Untitled (column)\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Installation view</i> ,  Kennedy Centre, Washington</span></td>\r\n<td>&nbsp;</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Untitled (column)-5.jpg\" alt=\"Untitled (column)\" title=\"Untitled (column)\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','2383-revision','','','2011-04-01 05:44:58','2011-04-01 05:44:58','',2383,'http://www.reenakallat.com/2384/uncat/2383-revision',0,'revision','',0),(2386,1,'2011-04-01 05:48:05','2011-04-01 05:48:05','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Untitled (column)-1.jpg\" alt=\"Untitled (column)\" title=\"Untitled (column)\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Untitled (column)\r\n</span>2011\r\nacrylic, rubber stamps, wood\r\n28 ft x 9 ft x 9 ft (l x h x b)</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Installation view</i> ,  Kennedy Centre, Washington</span></td>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Untitled (column)-2.jpg\" alt=\"Untitled (column)\" title=\"Untitled (column)\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Untitled (column)-3.jpg\" alt=\"Untitled (column)\" title=\"Untitled (column)\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Detail</i></span></td>\r\n</tr></tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Untitled (column)-4.jpg\" alt=\"Untitled (column)\" title=\"Untitled (column)\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Detail</i></span></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Untitled (column)-5.jpg\" alt=\"Untitled (column)\" title=\"Untitled (column)\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','2383-revision-3','','','2011-04-01 05:48:05','2011-04-01 05:48:05','',2383,'http://www.reenakallat.com/2386/uncat/2383-revision-3',0,'revision','',0),(2387,1,'2011-04-01 05:48:54','2011-04-01 05:48:54','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Untitled (column)-1.jpg\" alt=\"Untitled (column)\" title=\"Untitled (column)\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Untitled (column)\r\n</span>2011\r\nacrylic, rubber stamps, wood\r\n28 ft x 9 ft x 9 ft (l x h x b)</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Installation view</i> ,  Kennedy Centre, Washington</span></td>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Untitled (column)-2.jpg\" alt=\"Untitled (column)\" title=\"Untitled (column)\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Untitled (column)-3.jpg\" alt=\"Untitled (column)\" title=\"Untitled (column)\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Detail</i></span></td>\r\n</tr></tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Untitled (column)-4.jpg\" alt=\"Untitled (column)\" title=\"Untitled (column)\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Detail</i></span></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Untitled (column)-5.jpg\" alt=\"Untitled (column)\" title=\"Untitled (column)\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','2383-revision-4','','','2011-04-01 05:48:54','2011-04-01 05:48:54','',2383,'http://www.reenakallat.com/2387/uncat/2383-revision-4',0,'revision','',0),(2388,1,'2011-04-01 05:50:09','2011-04-01 05:50:09','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Untitled (column)-1.jpg\" alt=\"Untitled (column)\" title=\"Untitled (column)\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Untitled (column)\r\n</span>2011\r\nacrylic, rubber stamps, wood\r\n28 ft x 9 ft x 9 ft (l x h x b)</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Installation view</i> ,  Kennedy Centre, Washington</span></td>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Untitled (column)-2.jpg\" alt=\"Untitled (column)\" title=\"Untitled (column)\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Untitled (column)-3.jpg\" alt=\"Untitled (column)\" title=\"Untitled (column)\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Detail</i></span></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Untitled (column)-4.jpg\" alt=\"Untitled (column)\" title=\"Untitled (column)\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Detail</i></span></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Untitled (column)-5.jpg\" alt=\"Untitled (column)\" title=\"Untitled (column)\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Acknowledgement: Studio Adrien Gardere</i></span></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','2383-revision-5','','','2011-04-01 05:50:09','2011-04-01 05:50:09','',2383,'http://www.reenakallat.com/2388/uncat/2383-revision-5',0,'revision','',0),(2389,1,'2011-04-01 06:40:48','2011-04-01 06:40:48','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-1.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Falling Fables\r\n</span>2011\r\nAcrylic on canvas\r\n</td></tr><tr><td><span style=\"font-size:11px; line-height:2px;\"><i>Falling Fables – I,</i> 48 x 78 in. I 122x198 cms.</span></td></tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-2.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n<td width=\"300\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThe series of paintings titled ‘Falling Fables’ are based on my photographs documenting various parts of the city of Delhi, where ruins from the past rub shoulders with present-day structures, revealing the many contradictions and shifting nature of urban landscape. Their surface consists of numerous addresses of missing monuments listed as protected sites under the Archeological Survey of India, dispersed amidst fragments of poems/ phrases on architecture and loss. …<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\nThe series of paintings titled ‘Falling Fables’ are based on my photographs documenting various parts of the city of Delhi, where ruins from the past rub shoulders with present-day structures, revealing the many contradictions and shifting nature of urban landscape. Their surface consists of numerous addresses of missing monuments listed as protected sites under the Archeological Survey of India, dispersed amidst fragments of poems/ phrases on architecture and loss.\r\nA few years ago, surveys of archeological and historical monuments in India revealed that a number of monuments had gone missing due to rapid implementation of development projects, haphazard urbanization and inefficient protection laws. The Archeological Survey of India had listed around 200 sites/objects being lost all over the country. Among these missing monuments, 35 were listed as protected; of these 12 are in Delhi, where the Archeological Survey is headquartered. I began visiting these monument sites scattered all over Delhi, some easily accessible while others surrounded by urban housing or amidst congested market places\r\nthat are in the process of being lost due to rapid commercialization and construction.While my attempt is not to venerate the past, the work seeks to highlight the continuity and shifting nature of urban landscape, where ruins are seen as metaphors of individual and universal experience.\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div></td>\r\n</tr>\r\n<tr><td><span style=\"font-size:11px;  line-height:3px;\"><i>detail, Falling Fables – I</i> </span></td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-3.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;  line-height:3px;\"><i>Falling Fables – 2</i>, 44 x 78 in. I 112 x 198 cms.</span></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-4.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;  line-height:3px;\"><i>detail, Falling Fables - 2</i></span></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-5.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;  line-height:3px;\"><i>Falling Fables – 3,</i> 44 x 78 in. I 112 x 198 cms.</span></td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-6.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;  line-height:3px;\"><i>Falling Fables – 4,</i> 48 x 78 in. I 122x198 cms.</span></td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-7.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;  line-height:3px;\"><i>Falling Fables – 5,</i> 59 x 108 in. I 150 x 274 cms</span></td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-8.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;  line-height:3px;\"><i>Falling Fables – 6,</i> 80 x 54 in. I 203 x 137 cms</span></td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','publish','open','open','','falling-fables','','','2011-11-10 13:15:29','2011-11-10 13:15:29','',0,'http://www.reenakallat.com/?page_id=2389',0,'page','',0),(2396,1,'2011-04-01 06:10:52','2011-04-01 06:10:52','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-1.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Falling Fables\r\n</span>2011\r\nAcrylic on canvas\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Falling Fables – I, 48 x 78 in. I 122x198 cms.</i></span></td>\r\n<td>&nbsp;</td>\r\n</tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-2.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Detail</i>, Falling Fables – I </span></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-3.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Falling Fables – 2, 44 x 78 in. I 112 x 198 cms.</i></span></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-4.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Detail</i>, Falling Fables - 2</span></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-5.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Falling Fables – 3, 44 x 78 in. I 112 x 198 cms.</i></span></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-6.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\">Falling Fables – 4, 48 x 78 in. I 122x198 cms.</span></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-7.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\">Falling Fables – 5, 59 x 108 in. I 150 x 274 cms</span></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-8.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\">Falling Fables – 5, 59 x 108 in. I 150 x 274 cms</span></td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','2389-revision-7','','','2011-04-01 06:10:52','2011-04-01 06:10:52','',2389,'http://www.reenakallat.com/2396/uncat/2389-revision-7',0,'revision','',0),(2390,1,'2011-04-01 06:06:30','2011-04-01 06:06:30','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-1.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Falling Fables\r\n</span>2011\r\nAcrylic on canvas\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Falling Fables – I, 48 x 78 in. I 122x198 cms.</i></span></td>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-2.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Detail</i>Falling Fables – I </span></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-3.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Falling Fables – 2, 44 x 78 in. I 112 x 198 cms.</i></span></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-4.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Detail</i>Falling Fables - 2</span></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-5.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Falling Fables – 3, 44 x 78 in. I 112 x 198 cms.</i></span></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-6.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\">Falling Fables – 4, 48 x 78 in. I 122x198 cms.</span></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-7.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\">Falling Fables – 5, 59 x 108 in. I 150 x 274 cms</span></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-8.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\">Falling Fables – 5, 59 x 108 in. I 150 x 274 cms</span></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','2389-revision','','','2011-04-01 06:06:30','2011-04-01 06:06:30','',2389,'http://www.reenakallat.com/2390/uncat/2389-revision',0,'revision','',0),(2392,1,'2011-04-01 06:08:59','2011-04-01 06:08:59','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-1.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Falling Fables\r\n</span>2011\r\nAcrylic on canvas\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Falling Fables – I, 48 x 78 in. I 122x198 cms.</i></span></td>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-2.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Detail</i>Falling Fables – I </span></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-3.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Falling Fables – 2, 44 x 78 in. I 112 x 198 cms.</i></span></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-4.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Detail</i>Falling Fables - 2</span></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-5.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Falling Fables – 3, 44 x 78 in. I 112 x 198 cms.</i></span></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-6.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\">Falling Fables – 4, 48 x 78 in. I 122x198 cms.</span></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-7.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\">Falling Fables – 5, 59 x 108 in. I 150 x 274 cms</span></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-8.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\">Falling Fables – 5, 59 x 108 in. I 150 x 274 cms</span></td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','2389-revision-3','','','2011-04-01 06:08:59','2011-04-01 06:08:59','',2389,'http://www.reenakallat.com/2392/uncat/2389-revision-3',0,'revision','',0),(2391,1,'2011-04-01 06:06:39','2011-04-01 06:06:39','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-1.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Falling Fables\r\n</span>2011\r\nAcrylic on canvas\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Falling Fables – I, 48 x 78 in. I 122x198 cms.</i></span></td>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-2.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Detail</i>Falling Fables – I </span></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-3.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Falling Fables – 2, 44 x 78 in. I 112 x 198 cms.</i></span></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-4.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Detail</i>Falling Fables - 2</span></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-5.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Falling Fables – 3, 44 x 78 in. I 112 x 198 cms.</i></span></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-6.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\">Falling Fables – 4, 48 x 78 in. I 122x198 cms.</span></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-7.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\">Falling Fables – 5, 59 x 108 in. I 150 x 274 cms</span></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-8.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\">Falling Fables – 5, 59 x 108 in. I 150 x 274 cms</span></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','2389-revision-2','','','2011-04-01 06:06:39','2011-04-01 06:06:39','',2389,'http://www.reenakallat.com/2391/uncat/2389-revision-2',0,'revision','',0),(2393,1,'2011-04-01 06:09:06','2011-04-01 06:09:06','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-1.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Falling Fables\r\n</span>2011\r\nAcrylic on canvas\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Falling Fables – I, 48 x 78 in. I 122x198 cms.</i></span></td>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-2.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Detail</i>Falling Fables – I </span></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-3.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Falling Fables – 2, 44 x 78 in. I 112 x 198 cms.</i></span></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-4.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Detail</i>Falling Fables - 2</span></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-5.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Falling Fables – 3, 44 x 78 in. I 112 x 198 cms.</i></span></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-6.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\">Falling Fables – 4, 48 x 78 in. I 122x198 cms.</span></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-7.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\">Falling Fables – 5, 59 x 108 in. I 150 x 274 cms</span></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-8.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\">Falling Fables – 5, 59 x 108 in. I 150 x 274 cms</span></td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','2389-revision-4','','','2011-04-01 06:09:06','2011-04-01 06:09:06','',2389,'http://www.reenakallat.com/2393/uncat/2389-revision-4',0,'revision','',0),(2394,1,'2011-04-01 06:09:59','2011-04-01 06:09:59','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-1.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Falling Fables\r\n</span>2011\r\nAcrylic on canvas\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Falling Fables – I, 48 x 78 in. I 122x198 cms.</i></span></td>\r\n<td>&nbsp;</td>\r\n</tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-2.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Detail</i>Falling Fables – I </span></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-3.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Falling Fables – 2, 44 x 78 in. I 112 x 198 cms.</i></span></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-4.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Detail</i>Falling Fables - 2</span></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-5.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Falling Fables – 3, 44 x 78 in. I 112 x 198 cms.</i></span></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-6.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\">Falling Fables – 4, 48 x 78 in. I 122x198 cms.</span></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-7.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\">Falling Fables – 5, 59 x 108 in. I 150 x 274 cms</span></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-8.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\">Falling Fables – 5, 59 x 108 in. I 150 x 274 cms</span></td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','2389-revision-5','','','2011-04-01 06:09:59','2011-04-01 06:09:59','',2389,'http://www.reenakallat.com/2394/uncat/2389-revision-5',0,'revision','',0),(2395,1,'2011-04-01 06:10:12','2011-04-01 06:10:12','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-1.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Falling Fables\r\n</span>2011\r\nAcrylic on canvas\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Falling Fables – I, 48 x 78 in. I 122x198 cms.</i></span></td>\r\n<td>&nbsp;</td>\r\n</tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-2.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Detail</i>Falling Fables – I </span></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-3.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Falling Fables – 2, 44 x 78 in. I 112 x 198 cms.</i></span></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-4.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Detail</i>Falling Fables - 2</span></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-5.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Falling Fables – 3, 44 x 78 in. I 112 x 198 cms.</i></span></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-6.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\">Falling Fables – 4, 48 x 78 in. I 122x198 cms.</span></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-7.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\">Falling Fables – 5, 59 x 108 in. I 150 x 274 cms</span></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-8.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\">Falling Fables – 5, 59 x 108 in. I 150 x 274 cms</span></td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','2389-revision-6','','','2011-04-01 06:10:12','2011-04-01 06:10:12','',2389,'http://www.reenakallat.com/2395/uncat/2389-revision-6',0,'revision','',0),(2397,1,'2011-04-01 06:11:03','2011-04-01 06:11:03','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-1.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Falling Fables\r\n</span>2011\r\nAcrylic on canvas\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Falling Fables – I, 48 x 78 in. I 122x198 cms.</i></span></td>\r\n<td>&nbsp;</td>\r\n</tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-2.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Detail</i>, Falling Fables – I </span></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-3.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Falling Fables – 2, 44 x 78 in. I 112 x 198 cms.</i></span></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-4.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Detail</i>, Falling Fables - 2</span></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-5.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Falling Fables – 3, 44 x 78 in. I 112 x 198 cms.</i></span></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-6.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\">Falling Fables – 4, 48 x 78 in. I 122x198 cms.</span></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-7.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\">Falling Fables – 5, 59 x 108 in. I 150 x 274 cms</span></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-8.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\">Falling Fables – 5, 59 x 108 in. I 150 x 274 cms</span></td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','2389-revision-8','','','2011-04-01 06:11:03','2011-04-01 06:11:03','',2389,'http://www.reenakallat.com/2397/uncat/2389-revision-8',0,'revision','',0),(2398,1,'2011-04-01 06:40:49','2011-04-01 06:40:49','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/sculpture-1.jpg\" alt=\"sculpture\" title=\"sculpture\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></a></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Falling Fables (column)</span>\r\n2011\r\nAcrylic paint, rubber stamps, FRP\r\n31.5 x 80.5 x 31.5 in. I 80 x 204 x 80 cms\r\n</td></tr></tr>\r\n<tr><td><span style=\"font-size:11px;line-height:3px;\"><i>installation view</i>, Nature Morte, New Delhi</span></td>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/sculpture-2.jpg\" alt=\"sculpture\" title=\"sculpture\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td><td width=\"400\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThe sculpture of the fallen pillar is part of a series of works titled \'FALLING FABLES\' referenced from architectural ruins and fragments, that are disintegrating and in a state of collapse.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...more</a></div>\r\n<div id=\"uniquename\"  style=\"display:none;width:400px;\">The sculpture of the fallen pillar is part of a series of works titled \'FALLING FABLES\' referenced from architectural ruins and fragments, that are disintegrating and in a state of collapse. Their surface consists of numerous rubberstamps bearing addresses of missing monuments listed as protected sites under the Archeological Survey of India, dispersed amidst others that carry fragments of poems/ phrases on architecture and loss. I’ve been interested in official records of loss and disappearance – in earlier works such as ‘Synonyms’ where the names of missing persons have collectively formed a single portrait. \r\nThe paintings here are referenced from photographs I made in various parts of the city of Delhi, where ruins from the past rub shoulders with present-day structures, revealing the many contradictions and shifting nature of urban landscape.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/sculpture-3.jpg\" alt=\"sculpture\" title=\"sculpture\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr><tr><td><span style=\"font-size:11px; line-height:3px;\"><i>detail</i></span></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/sculpture-4.jpg\" alt=\"sculpture\" title=\"sculpture\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr><tr><td><span style=\"font-size:11px; line-height:3px;\"><i>detail</i></span></td></tr>\r\n<tr><td><span style=\"font-size:11px; line-height:3px;\"><i>Acknowledgement:</i> Sadashiv Kuncolienker</span></td></tr>\r\n</tbody>\r\n</table>\r\n','','','publish','open','open','','sculptures','','','2011-08-03 09:41:18','2011-08-03 09:41:18','',0,'http://www.reenakallat.com/?page_id=2398',0,'page','',0),(2399,1,'2011-04-01 06:34:15','2011-04-01 06:34:15','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/sculpture-1.jpg\" alt=\"sculpture\" title=\"sculpture\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></a></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Falling Fables (column)</span>\r\n2011\r\nAcrylic paint, rubber stamps, FRP\r\n31.5 x 80.5 x 31.5 in. I 80 x 204 x 80 cms\r\n</td></tr></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Detail</i>, Nature Morte, New Delhi</span></td>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/sculpture-2.jpg\" alt=\"sculpture\" title=\"sculpture\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td><td width=\"400\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThe sculpture of the fallen pillar is part of a series of works titled \'FALLING FABLES\' referenced from architectural ruins and fragments, that are disintegrating and in a state of collapse.</div>\r\n<div id=\"uniquename\"  style=\"display:none;width:400px;\">Their surface consists of numerous rubberstamps bearing addresses of missing monuments listed as protected sites under the Archeological Survey of India, dispersed amidst others that carry fragments of poems/ phrases on architecture and loss. I’ve been interested in official records of loss and disappearance – in earlier works such as ‘Synonyms’ where the names of missing persons have collectively formed a single portrait. \r\nThe paintings here are referenced from photographs I made in various parts of the city of Delhi, where ruins from the past rub shoulders with present-day structures, revealing the many contradictions and shifting nature of urban landscape.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/sculpture-3.jpg\" alt=\"sculpture\" title=\"sculpture\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr><tr><td><span style=\"font-size:11px;\"><i>Detail</i></span></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/sculpture-4.jpg\" alt=\"sculpture\" title=\"sculpture\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr><tr><td><span style=\"font-size:11px;\"><i>Detail</i></span></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','2398-revision','','','2011-04-01 06:34:15','2011-04-01 06:34:15','',2398,'http://www.reenakallat.com/2399/uncat/2398-revision',0,'revision','',0),(2402,1,'2011-04-01 06:36:30','2011-04-01 06:36:30','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/sculpture-1.jpg\" alt=\"sculpture\" title=\"sculpture\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></a></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Falling Fables (column)</span>\r\n2011\r\nAcrylic paint, rubber stamps, FRP\r\n31.5 x 80.5 x 31.5 in. I 80 x 204 x 80 cms\r\n</td></tr></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Detail</i>, Nature Morte, New Delhi</span></td>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/sculpture-2.jpg\" alt=\"sculpture\" title=\"sculpture\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td><td width=\"400\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThe sculpture of the fallen pillar is part of a series of works titled \'FALLING FABLES\' referenced from architectural ruins and fragments, that are disintegrating and in a state of collapse.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...more</a></div>\r\n<div id=\"uniquename\"  style=\"display:none;width:400px;\">Their surface consists of numerous rubberstamps bearing addresses of missing monuments listed as protected sites under the Archeological Survey of India, dispersed amidst others that carry fragments of poems/ phrases on architecture and loss. I’ve been interested in official records of loss and disappearance – in earlier works such as ‘Synonyms’ where the names of missing persons have collectively formed a single portrait. \r\nThe paintings here are referenced from photographs I made in various parts of the city of Delhi, where ruins from the past rub shoulders with present-day structures, revealing the many contradictions and shifting nature of urban landscape.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div>\r\n</td></tr>\r\n</tbody>\r\n</table>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/sculpture-3.jpg\" alt=\"sculpture\" title=\"sculpture\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr><tr><td><span style=\"font-size:11px;\"><i>Detail</i></span></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/sculpture-4.jpg\" alt=\"sculpture\" title=\"sculpture\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr><tr><td><span style=\"font-size:11px;\"><i>Detail</i></span></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n','','','inherit','open','open','','2398-revision-4','','','2011-04-01 06:36:30','2011-04-01 06:36:30','',2398,'http://www.reenakallat.com/2402/uncat/2398-revision-4',0,'revision','',0),(2400,1,'2011-04-01 06:35:20','2011-04-01 06:35:20','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/sculpture-1.jpg\" alt=\"sculpture\" title=\"sculpture\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></a></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Falling Fables (column)</span>\r\n2011\r\nAcrylic paint, rubber stamps, FRP\r\n31.5 x 80.5 x 31.5 in. I 80 x 204 x 80 cms\r\n</td></tr></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Detail</i>, Nature Morte, New Delhi</span></td>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/sculpture-2.jpg\" alt=\"sculpture\" title=\"sculpture\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td><td width=\"400\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThe sculpture of the fallen pillar is part of a series of works titled \'FALLING FABLES\' referenced from architectural ruins and fragments, that are disintegrating and in a state of collapse.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...more</a></div>\r\n<div id=\"uniquename\"  style=\"display:none;width:400px;\">Their surface consists of numerous rubberstamps bearing addresses of missing monuments listed as protected sites under the Archeological Survey of India, dispersed amidst others that carry fragments of poems/ phrases on architecture and loss. I’ve been interested in official records of loss and disappearance – in earlier works such as ‘Synonyms’ where the names of missing persons have collectively formed a single portrait. \r\nThe paintings here are referenced from photographs I made in various parts of the city of Delhi, where ruins from the past rub shoulders with present-day structures, revealing the many contradictions and shifting nature of urban landscape.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/sculpture-3.jpg\" alt=\"sculpture\" title=\"sculpture\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr><tr><td><span style=\"font-size:11px;\"><i>Detail</i></span></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/sculpture-4.jpg\" alt=\"sculpture\" title=\"sculpture\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr><tr><td><span style=\"font-size:11px;\"><i>Detail</i></span></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n','','','inherit','open','open','','2398-revision-2','','','2011-04-01 06:35:20','2011-04-01 06:35:20','',2398,'http://www.reenakallat.com/2400/uncat/2398-revision-2',0,'revision','',0),(2401,1,'2011-04-01 06:35:28','2011-04-01 06:35:28','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/sculpture-1.jpg\" alt=\"sculpture\" title=\"sculpture\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></a></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Falling Fables (column)</span>\r\n2011\r\nAcrylic paint, rubber stamps, FRP\r\n31.5 x 80.5 x 31.5 in. I 80 x 204 x 80 cms\r\n</td></tr></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Detail</i>, Nature Morte, New Delhi</span></td>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/sculpture-2.jpg\" alt=\"sculpture\" title=\"sculpture\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td><td width=\"400\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThe sculpture of the fallen pillar is part of a series of works titled \'FALLING FABLES\' referenced from architectural ruins and fragments, that are disintegrating and in a state of collapse.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...more</a></div>\r\n<div id=\"uniquename\"  style=\"display:none;width:400px;\">Their surface consists of numerous rubberstamps bearing addresses of missing monuments listed as protected sites under the Archeological Survey of India, dispersed amidst others that carry fragments of poems/ phrases on architecture and loss. I’ve been interested in official records of loss and disappearance – in earlier works such as ‘Synonyms’ where the names of missing persons have collectively formed a single portrait. \r\nThe paintings here are referenced from photographs I made in various parts of the city of Delhi, where ruins from the past rub shoulders with present-day structures, revealing the many contradictions and shifting nature of urban landscape.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/sculpture-3.jpg\" alt=\"sculpture\" title=\"sculpture\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr><tr><td><span style=\"font-size:11px;\"><i>Detail</i></span></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/sculpture-4.jpg\" alt=\"sculpture\" title=\"sculpture\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr><tr><td><span style=\"font-size:11px;\"><i>Detail</i></span></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n','','','inherit','open','open','','2398-revision-3','','','2011-04-01 06:35:28','2011-04-01 06:35:28','',2398,'http://www.reenakallat.com/2401/uncat/2398-revision-3',0,'revision','',0),(2403,1,'2011-04-01 06:36:39','2011-04-01 06:36:39','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/sculpture-1.jpg\" alt=\"sculpture\" title=\"sculpture\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></a></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Falling Fables (column)</span>\r\n2011\r\nAcrylic paint, rubber stamps, FRP\r\n31.5 x 80.5 x 31.5 in. I 80 x 204 x 80 cms\r\n</td></tr></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Detail</i>, Nature Morte, New Delhi</span></td>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/sculpture-2.jpg\" alt=\"sculpture\" title=\"sculpture\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td><td width=\"400\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThe sculpture of the fallen pillar is part of a series of works titled \'FALLING FABLES\' referenced from architectural ruins and fragments, that are disintegrating and in a state of collapse.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...more</a></div>\r\n<div id=\"uniquename\"  style=\"display:none;width:400px;\">Their surface consists of numerous rubberstamps bearing addresses of missing monuments listed as protected sites under the Archeological Survey of India, dispersed amidst others that carry fragments of poems/ phrases on architecture and loss. I’ve been interested in official records of loss and disappearance – in earlier works such as ‘Synonyms’ where the names of missing persons have collectively formed a single portrait. \r\nThe paintings here are referenced from photographs I made in various parts of the city of Delhi, where ruins from the past rub shoulders with present-day structures, revealing the many contradictions and shifting nature of urban landscape.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div>\r\n</td></tr>\r\n</tbody>\r\n</table>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/sculpture-3.jpg\" alt=\"sculpture\" title=\"sculpture\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr><tr><td><span style=\"font-size:11px;\"><i>Detail</i></span></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/sculpture-4.jpg\" alt=\"sculpture\" title=\"sculpture\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr><tr><td><span style=\"font-size:11px;\"><i>Detail</i></span></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n','','','inherit','open','open','','2398-revision-5','','','2011-04-01 06:36:39','2011-04-01 06:36:39','',2398,'http://www.reenakallat.com/2403/uncat/2398-revision-5',0,'revision','',0),(2404,1,'2011-04-01 06:37:03','2011-04-01 06:37:03','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/sculpture-1.jpg\" alt=\"sculpture\" title=\"sculpture\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></a></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Falling Fables (column)</span>\r\n2011\r\nAcrylic paint, rubber stamps, FRP\r\n31.5 x 80.5 x 31.5 in. I 80 x 204 x 80 cms\r\n</td></tr></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Detail</i>, Nature Morte, New Delhi</span></td>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/sculpture-2.jpg\" alt=\"sculpture\" title=\"sculpture\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td><td width=\"400\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThe sculpture of the fallen pillar is part of a series of works titled \'FALLING FABLES\' referenced from architectural ruins and fragments, that are disintegrating and in a state of collapse.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...more</a></div>\r\n<div id=\"uniquename\"  style=\"display:none;width:400px;\">Their surface consists of numerous rubberstamps bearing addresses of missing monuments listed as protected sites under the Archeological Survey of India, dispersed amidst others that carry fragments of poems/ phrases on architecture and loss. I’ve been interested in official records of loss and disappearance – in earlier works such as ‘Synonyms’ where the names of missing persons have collectively formed a single portrait. \r\nThe paintings here are referenced from photographs I made in various parts of the city of Delhi, where ruins from the past rub shoulders with present-day structures, revealing the many contradictions and shifting nature of urban landscape.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/sculpture-3.jpg\" alt=\"sculpture\" title=\"sculpture\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr><tr><td><span style=\"font-size:11px;\"><i>Detail</i></span></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/sculpture-4.jpg\" alt=\"sculpture\" title=\"sculpture\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr><tr><td><span style=\"font-size:11px;\"><i>Detail</i></span></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n','','','inherit','open','open','','2398-revision-6','','','2011-04-01 06:37:03','2011-04-01 06:37:03','',2398,'http://www.reenakallat.com/2404/uncat/2398-revision-6',0,'revision','',0),(2405,1,'2011-04-01 06:11:21','2011-04-01 06:11:21','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-1.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Falling Fables\r\n</span>2011\r\nAcrylic on canvas\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Falling Fables – I, 48 x 78 in. I 122x198 cms.</i></span></td>\r\n<td>&nbsp;</td>\r\n</tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-2.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Detail</i>, Falling Fables – I </span></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-3.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Falling Fables – 2, 44 x 78 in. I 112 x 198 cms.</i></span></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-4.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Detail</i>, Falling Fables - 2</span></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-5.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Falling Fables – 3, 44 x 78 in. I 112 x 198 cms.</i></span></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-6.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\">Falling Fables – 4, 48 x 78 in. I 122x198 cms.</span></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-7.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\">Falling Fables – 5, 59 x 108 in. I 150 x 274 cms</span></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-8.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\">Falling Fables – 5, 59 x 108 in. I 150 x 274 cms</span></td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','2389-revision-9','','','2011-04-01 06:11:21','2011-04-01 06:11:21','',2389,'http://www.reenakallat.com/2405/uncat/2389-revision-9',0,'revision','',0),(2406,1,'2011-04-01 06:38:36','2011-04-01 06:38:36','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-1.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Falling Fables\r\n</span>2011\r\nAcrylic on canvas\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Falling Fables – I, 48 x 78 in. I 122x198 cms.</i></span></td>\r\n<td>&nbsp;</td>\r\n</tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-2.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Detail</i>, Falling Fables – I </span></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-3.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Falling Fables – 2, 44 x 78 in. I 112 x 198 cms.</i></span></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-4.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Detail</i>, Falling Fables - 2</span></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-5.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Falling Fables – 3, 44 x 78 in. I 112 x 198 cms.</i></span></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-6.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\">Falling Fables – 4, 48 x 78 in. I 122x198 cms.</span></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-7.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\">Falling Fables – 5, 59 x 108 in. I 150 x 274 cms</span></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-8.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\">Falling Fables – 5, 59 x 108 in. I 150 x 274 cms</span></td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','2389-revision-10','','','2011-04-01 06:38:36','2011-04-01 06:38:36','',2389,'http://www.reenakallat.com/2406/uncat/2389-revision-10',0,'revision','',0),(2407,1,'2011-04-01 06:37:12','2011-04-01 06:37:12','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/sculpture-1.jpg\" alt=\"sculpture\" title=\"sculpture\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></a></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Falling Fables (column)</span>\r\n2011\r\nAcrylic paint, rubber stamps, FRP\r\n31.5 x 80.5 x 31.5 in. I 80 x 204 x 80 cms\r\n</td></tr></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Detail</i>, Nature Morte, New Delhi</span></td>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/sculpture-2.jpg\" alt=\"sculpture\" title=\"sculpture\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td><td width=\"400\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThe sculpture of the fallen pillar is part of a series of works titled \'FALLING FABLES\' referenced from architectural ruins and fragments, that are disintegrating and in a state of collapse.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...more</a></div>\r\n<div id=\"uniquename\"  style=\"display:none;width:400px;\">Their surface consists of numerous rubberstamps bearing addresses of missing monuments listed as protected sites under the Archeological Survey of India, dispersed amidst others that carry fragments of poems/ phrases on architecture and loss. I’ve been interested in official records of loss and disappearance – in earlier works such as ‘Synonyms’ where the names of missing persons have collectively formed a single portrait. \r\nThe paintings here are referenced from photographs I made in various parts of the city of Delhi, where ruins from the past rub shoulders with present-day structures, revealing the many contradictions and shifting nature of urban landscape.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/sculpture-3.jpg\" alt=\"sculpture\" title=\"sculpture\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr><tr><td><span style=\"font-size:11px;\"><i>Detail</i></span></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/sculpture-4.jpg\" alt=\"sculpture\" title=\"sculpture\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr><tr><td><span style=\"font-size:11px;\"><i>Detail</i></span></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n','','','inherit','open','open','','2398-revision-7','','','2011-04-01 06:37:12','2011-04-01 06:37:12','',2398,'http://www.reenakallat.com/2407/uncat/2398-revision-7',0,'revision','',0),(2408,1,'2011-04-01 06:40:48','2011-04-01 06:40:48','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-1.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Falling Fables\r\n</span>2011\r\nAcrylic on canvas\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Falling Fables – I, 48 x 78 in. I 122x198 cms.</i></span></td>\r\n<td>&nbsp;</td>\r\n</tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-2.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Detail</i>, Falling Fables – I </span></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-3.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Falling Fables – 2, 44 x 78 in. I 112 x 198 cms.</i></span></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-4.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Detail</i>, Falling Fables - 2</span></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-5.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Falling Fables – 3, 44 x 78 in. I 112 x 198 cms.</i></span></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-6.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\">Falling Fables – 4, 48 x 78 in. I 122x198 cms.</span></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-7.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\">Falling Fables – 5, 59 x 108 in. I 150 x 274 cms</span></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-8.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\">Falling Fables – 5, 59 x 108 in. I 150 x 274 cms</span></td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','2389-revision-11','','','2011-04-01 06:40:48','2011-04-01 06:40:48','',2389,'http://www.reenakallat.com/2408/uncat/2389-revision-11',0,'revision','',0),(2410,1,'2011-04-01 06:41:13','2011-04-01 06:41:13','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-1.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Falling Fables\r\n</span>2011\r\nAcrylic on canvas\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Falling Fables – I, 48 x 78 in. I 122x198 cms.</i></span></td>\r\n<td>&nbsp;</td>\r\n</tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-2.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Detail</i>, Falling Fables – I </span></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-3.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Falling Fables – 2, 44 x 78 in. I 112 x 198 cms.</i></span></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-4.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Detail</i>, Falling Fables - 2</span></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-5.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Falling Fables – 3, 44 x 78 in. I 112 x 198 cms.</i></span></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-6.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\">Falling Fables – 4, 48 x 78 in. I 122x198 cms.</span></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-7.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\">Falling Fables – 5, 59 x 108 in. I 150 x 274 cms</span></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-8.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\">Falling Fables – 5, 59 x 108 in. I 150 x 274 cms</span></td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','2389-revision-13','','','2011-04-01 06:41:13','2011-04-01 06:41:13','',2389,'http://www.reenakallat.com/2410/uncat/2389-revision-13',0,'revision','',0),(2409,1,'2011-04-01 06:40:52','2011-04-01 06:40:52','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-1.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Falling Fables\r\n</span>2011\r\nAcrylic on canvas\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Falling Fables – I, 48 x 78 in. I 122x198 cms.</i></span></td>\r\n<td>&nbsp;</td>\r\n</tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-2.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Detail</i>, Falling Fables – I </span></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-3.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Falling Fables – 2, 44 x 78 in. I 112 x 198 cms.</i></span></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-4.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Detail</i>, Falling Fables - 2</span></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-5.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Falling Fables – 3, 44 x 78 in. I 112 x 198 cms.</i></span></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-6.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\">Falling Fables – 4, 48 x 78 in. I 122x198 cms.</span></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-7.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\">Falling Fables – 5, 59 x 108 in. I 150 x 274 cms</span></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-8.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\">Falling Fables – 5, 59 x 108 in. I 150 x 274 cms</span></td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','2389-revision-12','','','2011-04-01 06:40:52','2011-04-01 06:40:52','',2389,'http://www.reenakallat.com/2409/uncat/2389-revision-12',0,'revision','',0),(2411,1,'2011-04-01 05:50:33','2011-04-01 05:50:33','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Untitled (column)-1.jpg\" alt=\"Untitled (column)\" title=\"Untitled (column)\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Untitled (column)\r\n</span>2011\r\nacrylic, rubber stamps, wood\r\n28 ft x 9 ft x 9 ft (l x h x b)</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Installation view</i> ,  Kennedy Centre, Washington</span></td>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Untitled (column)-2.jpg\" alt=\"Untitled (column)\" title=\"Untitled (column)\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Untitled (column)-3.jpg\" alt=\"Untitled (column)\" title=\"Untitled (column)\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Detail</i></span></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Untitled (column)-4.jpg\" alt=\"Untitled (column)\" title=\"Untitled (column)\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Detail</i></span></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Untitled (column)-5.jpg\" alt=\"Untitled (column)\" title=\"Untitled (column)\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Acknowledgement: Studio Adrien Gardere</i></span></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','2383-revision-6','','','2011-04-01 05:50:33','2011-04-01 05:50:33','',2383,'http://www.reenakallat.com/2411/uncat/2383-revision-6',0,'revision','',0),(2436,1,'2010-10-19 06:22:29','2010-10-19 06:22:29','<style type=\"text/css\">\r\n.tablenav {\r\nclear:both;\r\nheight:30px;\r\nmargin:6px 0 4px;\r\nvertical-align:middle;\r\n}\r\n.tablenav-pages {\r\ncolor:#555555;\r\n}\r\n.tablenav .tablenav-pages {\r\ncursor:default;\r\ndisplay:block;\r\nfloat:right;\r\nfont-size:11px;\r\nheight:30px;\r\nline-height:30px;\r\n}\r\n.page-numbers {\r\nborder-bottom-color:#B8D3E2;\r\ncolor:#21759B;\r\nfont-weight:bold;\r\n}\r\n.tablenav-pages .current {\r\nbackground:none repeat scroll 0 0 #DFDFDF;\r\nborder-color:#D3D3D3;\r\n}\r\n\r\na.page-numbers {\r\nborder-bottom-color:#B8D3E2;\r\n}\r\n.tablenav .displaying-num {\r\nfont-family:Georgia,\"Times New Roman\",\"Bitstream Charter\",Times,serif;\r\nfont-size:12px;\r\nfont-style:italic;\r\nmargin-right:10px;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/2degrees\"><img class=\"alignnone size-medium wp-image-712\" title=\"2 Degrees\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/2degrees-works.jpg\" alt=\"\"  /></a> 2 Degrees (2010)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/woven-veins\"><img class=\"alignnone size-medium wp-image-712\" title=\"Woven Veins\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/woven-veins-lead.jpg\" alt=\"Woven Veins (2009)\"  /></a> Woven Veins (2010)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/preface\"><img class=\"alignnone size-medium wp-image-712\" title=\"Preface\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/Preface-lead.jpg\" alt=\"Preface\"  /></a> Preface (2010)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/light-leaks\"><img class=\"alignnone size-medium wp-image-201\" title=\"Light Leaks\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/Light-Leaks-lead.jpg\" alt=\"Light Leaks (2008-2010)\"  /></a>Light Leaks... (2008-2010)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/colour-curtain\"><img class=\"alignnone size-medium wp-image-201\" title=\"Colour-curtain\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/2--colour-curtain.jpg\" alt=\"Colour Curtain (2009)\"  /></a>Colour Curtain... (2009)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/your-mileage-gallery\"><img class=\"alignnone size-medium wp-image-320\" title=\"Your-Mileage-May-Vary\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/3-Your-Mileage-May-Vary.jpg\" alt=\"\" /></a></span>Your Mileage May Vary (2009)</td>\r\n\r\n\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/synonym\"><img class=\"alignnone size-medium wp-image-712\" title=\"Synonym\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/1--Synonym.jpg\" alt=\"\"  /></a> Synonym (2009)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/vanishing-point\"><img class=\"alignnone size-medium wp-image-201\" title=\"Vanishing Point (2009)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/4--VanishingPoint.jpg\" alt=\"Vanishing Point (2009)\"  /></a>Vanishing Point (2009)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\" >\r\n<a href=\"http://www.reenakallat.com/moving-millimeter\"><img class=\"alignnone size-medium wp-image-712\" title=\"The Moving Millimeter (2009)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/5---The-Moving-Mil....jpg\" alt=\"The Moving Millimeter (2009)\"  /></a>The Moving Millimeter (2009)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/white-yarn-detailed-info\"><img class=\"alignnone size-medium wp-image-199\" title=\"White Yarn\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/6---white-yarn.jpg\" alt=\"White Yarn (2008)\" /></a>White Yarn...(2008)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/white-heat-the-ironing-board-detailed-info\"><img class=\"alignnone size-medium wp-image-879\" title=\"White Heat (2008)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/7--White-Heat.jpg\" alt=\"White Heat (2008)\"  /></a>White Heat...(2008)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/crease-crevice-contour-detailed-info\"><img class=\"alignnone size-large wp-image-417\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/8---Crease-crevice.jpg\" alt=\"Crease / Crevice / Contour (2008)\" /></a>Crease / Crevice / Contour (2008)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/silt-of-seasons-1-detailed-info\"><img class=\"alignnone size-large wp-image-436\" title=\"Silt of Seasons I (2008)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/9--Silt-of-Seasons.jpg\" alt=\"Silt of Seasons I (2008)\"  /></a>Silt of Seasons - I (2008)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/silt-of-seasons-2-detailed-info\"><img class=\"alignnone size-large wp-image-436\" title=\"Silt of Seasons - II (2008)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/10--Silt-of-Seasons.jpg\" alt=\"Silt of Seasons - II (2008)\"  /></a>Silt of Seasons - II (2008)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/colostrum-detailed\"><img class=\"alignnone size-large wp-image-451\" title=\"Colostrum (2008)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/11---colostrum.jpg\" alt=\"Colostrum (2008)\"  /></a>Colostrum (2008)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/closet-quarries-detailed-info\"><img class=\"alignnone size-large wp-image-459\" title=\"Closet Quaries (2008)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/12---Closet-Quaries.jpg\" alt=\"Closet Quaries (2008)\" /></a>Closet Quarries (2008)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/synonym07-09\"><img class=\"alignnone size-medium wp-image-468\" title=\"Synonym (2007-09)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/13---synonym-2007-09.jpg\" alt=\"Synonym (2007-09)\"  /></a>Synonym (2007-09)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/subject-to-change-without-notice-detailed-info\"><img class=\"alignnone size-medium wp-image-469\" title=\"Lunar Notes (2007-08)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/14--lunar-notes1.jpg\" alt=\"Lunar Notes (2007-08)\"  /></a>Lunar Notes (2007-08)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/saline-detailed-info#\"><img class=\"alignnone size-medium wp-image-470\" title=\"Saline (2007)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/15---Saline.jpg\" alt=\"Saline (2007)\"  /></a>Saline (2007)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/walls-of-the-womb-detailed-info\"><img class=\"alignnone size-medium wp-image-206\" title=\"Walls of the Womb (2007)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/16--Walls-of-womb.jpg\" alt=\"Walls of the Womb (2007)\"  /></a>Walls of the Womb (2007)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/memoria-mausolea-detailed-info\"><img class=\"alignnone size-medium wp-image-873\" title=\"Memoria Mausolea (2007)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/17--Memoria-Mausolea.jpg\" alt=\"Memoria Mausolea (2007)\"  /></a>Memoria Mausolea (2007)</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\">\r\n<div class=\"tablenav\"><div class=\"tablenav-pages\"><span>1, </span>  <a href=\"works-page-2\" class=\"page-numbers\">2</a> <a href=\"works-page-2\" >»</a></div><br class=\"clear\"></div>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<!--more-->','Works','','inherit','open','open','','54-revision-317','','','2010-10-19 06:22:29','2010-10-19 06:22:29','',54,'http://www.reenakallat.com/2436/uncat/54-revision-317',0,'revision','',0),(2452,1,'2011-04-01 10:49:59','2011-04-01 10:49:59','<link rel=\"canonical\" href=\"http://www.reenakallat.com\" />\r\n<script type=\"text/javascript\" src=\"http://www.reenakallat.com/wp-includes/js/jquery/jquery-1.2.6.min.js\"></script>\r\n<script type=\"text/javascript\">\r\nfunction slideSwitch() {\r\n    var $active = $(\'#slideshow DIV.active\');\r\n    if ( $active.length == 0 ) $active = $(\'#slideshow DIV:last\');\r\n    // use this to pull the divs in the order they appear in the markup\r\n    var $next =  $active.next().length ? $active.next()\r\n        : $(\'#slideshow DIV:first\');\r\n    // uncomment below to pull the divs randomly\r\n    // var $sibs  = $active.siblings();\r\n    // var rndNum = Math.floor(Math.random() * $sibs.length );\r\n    // var $next  = $( $sibs[ rndNum ] );\r\n    $active.addClass(\'last-active\');\r\n    $next.css({opacity: 0.0})\r\n        .addClass(\'active\')\r\n        .animate({opacity: 1.0}, 1000, function() {\r\n            $active.removeClass(\'active last-active\');\r\n        });\r\n}\r\n$(function() {\r\n    setInterval( \"slideSwitch()\", 3000);\r\n});\r\n</script>\r\n<style type=\"text/css\">\r\n#slideshow {\r\n    position:relative;\r\n    height:500px;\r\n    width:660px;\r\n    margin: 0 auto;\r\n}\r\n#slideshow DIV {\r\n    position:absolute;\r\n    top:0;\r\n    left:300;\r\n    z-index:8;\r\n    opacity:0.0;\r\n    height: 500px;\r\n    background-color: #FFF;\r\n}\r\n#slideshow DIV.active {\r\n    z-index:10;\r\n    opacity:1.0;\r\n}\r\n#slideshow DIV.last-active {\r\n    z-index:9;\r\n}\r\n#slideshow DIV IMG {\r\n    height: 450px;\r\n    display: block;\r\n    border: 0;\r\n    margin-bottom: 10px;\r\n}\r\n</style>\r\n</head>\r\n<body style=\"font-family: Arial, Sans-serif, sans;\">\r\n<div style=\"float:right;width:218px;\">\r\n<strong><span class=\"pubstrong\" >Current and upcoming shows</span></span></strong><span style=\"font-size: small;\"></span>\r\n<br>\r\n<br>\r\n<em>Samtidigt</em>\r\nMarch 2 - May 8, 2011           \r\nHelsinki City Art museum, Finland\r\n<br>\r\n<br>\r\n<em>The Vancouver International Sculpture Biennale</em>\r\nJanuary 21 – March 27, 2011  \r\nSurrey Art Gallery, Canada\r\n<br>\r\n<br>\r\n<em>Pandemonium: Art in a time of creativity fever</em>\r\nGoteborg International Biennale 2011\r\nSeptember 10, 2011  \r\nGoteborg and Uddevalla, Sweden\r\n<br>\r\n<br>\r\n<em>Roundabout</em>\r\nAugust – October 2011                      \r\nTel Aviv Museum of Art, Israel\r\n<br>\r\n<br>\r\n<em>India Today</em>\r\nSummer 2012\r\nARKEN Museum of Modern Art, Copenhagen, Denmark \r\n\r\n\r\n</div>\r\n<div id=\"slideshow\" style=\"float:left;\"  >\r\n    <div class=\"active\">\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/slideshow_1m.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-894\" /></a>\r\n       <!-- Caption for image 1-->\r\n    </div>\r\n    <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/slideshow_2m.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-896\" /></a>\r\n        <!--This will work with any markup-->\r\n    </div>\r\n    <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/slideshow_3m.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-897\" /></a>\r\n        <!--Swap this out for anything, links, paragraphs, whatever-->\r\n    </div>\r\n    <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/slideshow_4m.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-898\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div>\r\n <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/slideshow_6m.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-898\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div>\r\n    <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/slideshow_5m.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-899\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div>\r\n</div>\r\n','Home','','inherit','open','open','','93-revision-43','','','2011-04-01 10:49:59','2011-04-01 10:49:59','',93,'http://www.reenakallat.com/2452/uncat/93-revision-43',0,'revision','',0),(2420,1,'2011-04-01 09:34:26','2011-04-01 09:34:26','<link rel=\"canonical\" href=\"http://www.reenakallat.com\" />\r\n<script type=\"text/javascript\" src=\"http://www.reenakallat.com/wp-includes/js/jquery/jquery-1.2.6.min.js\"></script>\r\n<script type=\"text/javascript\">\r\nfunction slideSwitch() {\r\n    var $active = $(\'#slideshow DIV.active\');\r\n    if ( $active.length == 0 ) $active = $(\'#slideshow DIV:last\');\r\n    // use this to pull the divs in the order they appear in the markup\r\n    var $next =  $active.next().length ? $active.next()\r\n        : $(\'#slideshow DIV:first\');\r\n    // uncomment below to pull the divs randomly\r\n    // var $sibs  = $active.siblings();\r\n    // var rndNum = Math.floor(Math.random() * $sibs.length );\r\n    // var $next  = $( $sibs[ rndNum ] );\r\n    $active.addClass(\'last-active\');\r\n    $next.css({opacity: 0.0})\r\n        .addClass(\'active\')\r\n        .animate({opacity: 1.0}, 1000, function() {\r\n            $active.removeClass(\'active last-active\');\r\n        });\r\n}\r\n$(function() {\r\n    setInterval( \"slideSwitch()\", 3000);\r\n});\r\n</script>\r\n<style type=\"text/css\">\r\n#slideshow {\r\n    position:relative;\r\n    height:500px;\r\n    width:660px;\r\n    margin: 0 auto;\r\n}\r\n#slideshow DIV {\r\n    position:absolute;\r\n    top:0;\r\n    left:300;\r\n    z-index:8;\r\n    opacity:0.0;\r\n    height: 500px;\r\n    background-color: #FFF;\r\n}\r\n#slideshow DIV.active {\r\n    z-index:10;\r\n    opacity:1.0;\r\n}\r\n#slideshow DIV.last-active {\r\n    z-index:9;\r\n}\r\n#slideshow DIV IMG {\r\n    height: 450px;\r\n    display: block;\r\n    border: 0;\r\n    margin-bottom: 10px;\r\n}\r\n</style>\r\n</head>\r\n<body style=\"font-family: Arial, Sans-serif, sans;\">\r\n<div style=\"float:right;width:218px;\">\r\n<strong><span class=\"pubstrong\" >Current and upcoming shows</span></span></strong><span style=\"font-size: small;\"></span>\r\n<br>\r\n<br>\r\n<em>Labyrinth of Absences (solo)</em>\r\nMarch 8 - 26, 2011                \r\nNature Morte, New Delhi, India\r\n<br>\r\n<br>\r\n<em>Samtidigt</em>\r\nMarch 2 - May 8, 2011           \r\nHelsinki City Art museum, Finland\r\n<br>\r\n<br>\r\n<em>The Vancouver International Sculpture Biennale</em>\r\nJanuary 21 – March 27, 2011  \r\nSurrey Art Gallery, Canada\r\n<br>\r\n<br>\r\n<em>Pandemonium: Art in a time of creativity fever</em>\r\nGoteborg International Biennale 2011\r\nSeptember 10, 2011  \r\nGoteborg and Uddevalla, Sweden\r\n<br>\r\n<br>\r\n<em>India Today</em>\r\nSummer 2012\r\nARKEN Museum of Modern Art, Copenhagen, Denmark \r\n<br>\r\n<br>\r\n<em>Roundabout</em>\r\nAugust – October 2011                      \r\nTel Aviv Museum of Art, Israel\r\n\r\n</div>\r\n<div id=\"slideshow\" style=\"float:left;\"  >\r\n    <div class=\"active\">\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/slideshow_1m.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-894\" /></a>\r\n       <!-- Caption for image 1-->\r\n    </div>\r\n    <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/slideshow_2m.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-896\" /></a>\r\n        <!--This will work with any markup-->\r\n    </div>\r\n    <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/slideshow_3m.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-897\" /></a>\r\n        <!--Swap this out for anything, links, paragraphs, whatever-->\r\n    </div>\r\n    <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/slideshow_4m.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-898\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div>\r\n <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/slideshow_6m.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-898\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div>\r\n    <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/slideshow_5m.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-899\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div>\r\n</div>\r\n','Home','','inherit','open','open','','93-revision-40','','','2011-04-01 09:34:26','2011-04-01 09:34:26','',93,'http://www.reenakallat.com/2420/uncat/93-revision-40',0,'revision','',0),(2412,1,'2011-03-23 06:38:18','2011-03-23 06:38:18','<link rel=\"canonical\" href=\"http://www.reenakallat.com\" />\r\n<script type=\"text/javascript\" src=\"http://www.reenakallat.com/wp-includes/js/jquery/jquery-1.2.6.min.js\"></script>\r\n<script type=\"text/javascript\">\r\nfunction slideSwitch() {\r\n    var $active = $(\'#slideshow DIV.active\');\r\n    if ( $active.length == 0 ) $active = $(\'#slideshow DIV:last\');\r\n    // use this to pull the divs in the order they appear in the markup\r\n    var $next =  $active.next().length ? $active.next()\r\n        : $(\'#slideshow DIV:first\');\r\n    // uncomment below to pull the divs randomly\r\n    // var $sibs  = $active.siblings();\r\n    // var rndNum = Math.floor(Math.random() * $sibs.length );\r\n    // var $next  = $( $sibs[ rndNum ] );\r\n    $active.addClass(\'last-active\');\r\n    $next.css({opacity: 0.0})\r\n        .addClass(\'active\')\r\n        .animate({opacity: 1.0}, 1000, function() {\r\n            $active.removeClass(\'active last-active\');\r\n        });\r\n}\r\n$(function() {\r\n    setInterval( \"slideSwitch()\", 3000);\r\n});\r\n</script>\r\n<style type=\"text/css\">\r\n#slideshow {\r\n    position:relative;\r\n    height:500px;\r\n    width:660px;\r\n    margin: 0 auto;\r\n}\r\n#slideshow DIV {\r\n    position:absolute;\r\n    top:0;\r\n    left:300;\r\n    z-index:8;\r\n    opacity:0.0;\r\n    height: 500px;\r\n    background-color: #FFF;\r\n}\r\n#slideshow DIV.active {\r\n    z-index:10;\r\n    opacity:1.0;\r\n}\r\n#slideshow DIV.last-active {\r\n    z-index:9;\r\n}\r\n#slideshow DIV IMG {\r\n    height: 450px;\r\n    display: block;\r\n    border: 0;\r\n    margin-bottom: 10px;\r\n}\r\n</style>\r\n</head>\r\n<body style=\"font-family: Arial, Sans-serif, sans;\">\r\n<div style=\"float:right;width:218px;\">\r\n<strong><span class=\"pubstrong\" >Current and upcoming shows</span></span></strong><span style=\"font-size: small;\"></span>\r\n<br>\r\n<br>\r\n<em>Labyrinth of Absences (solo)</em>\r\nMarch 8 - 26, 2011                \r\nNature Morte, New Delhi, India\r\n<br>\r\n<br>\r\n<em>Samtidigt</em>\r\nMarch 2 - May 8, 2011           \r\nHelsinki City Art museum, Finland\r\n<br>\r\n<br>\r\n<em>The Vancouver International Sculpture Biennale</em>\r\nJanuary 21 – March 27, 2011  \r\nSurrey Art Gallery, Canada\r\n<br>\r\n<br>\r\n<em>Pandemonium: Art in a time of creativity fever</em>\r\nGoteborg International Biennale 2011\r\nSeptember 10, 2011  \r\nGoteborg and Uddevalla, Sweden\r\n<br>\r\n<br>\r\n<em>India Today</em>\r\nSummer 2012\r\nARKEN Museum of Modern Art, Copenhagen, Denmark \r\n<br>\r\n<br>\r\n<em>Roundabout</em>\r\nAugust – October 2011                      \r\nTel Aviv Museum of Art, Israel\r\n\r\n</div>\r\n<div id=\"slideshow\" style=\"float:left;\"  >\r\n    <div class=\"active\">\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/slideshow_1m.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-894\" /></a>\r\n       <!-- Caption for image 1-->\r\n    </div>\r\n    <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/slideshow_2m.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-896\" /></a>\r\n        <!--This will work with any markup-->\r\n    </div>\r\n    <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/slideshow_3m.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-897\" /></a>\r\n        <!--Swap this out for anything, links, paragraphs, whatever-->\r\n    </div>\r\n    <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/slideshow_4m.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-898\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div>\r\n    <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/slideshow_5m.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-899\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div>\r\n</div>\r\n','Home','','inherit','open','open','','93-revision-39','','','2011-03-23 06:38:18','2011-03-23 06:38:18','',93,'http://www.reenakallat.com/2412/uncat/93-revision-39',0,'revision','',0),(2421,1,'2011-03-23 06:52:25','2011-03-23 06:52:25','<table border=\"0\" cellspacing=\"5\" cellpadding=\"0\" width=\"100%\" align=\"centre\">\r\n<tbody>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" width=\"21%\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td style=\"margin-left: 5px;\"><span class=\"pubstrong\">Reena Saini Kallat, </span> 2009<span>\r\nText: Nancy Adajania and Murtaza Vali\r\nPublisher: Primo Marella Gallery, Walsh Gallery and Chemould Prescott Road\r\nISBN: 978-81-908879-1-5 </span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/reena-kallat\">read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Rainbow of Refuse, </span>2006<span>\r\nText: Nancy Adajania\r\nPublisher: Bodhi Art Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/rainbow-of-refuse\">read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Black Flute (and other stories), </span>2005\r\n<span class=\"pubstrong\">Black Flute,</span> 2004<span>\r\nText: Nancy Adajania\r\nPublisher: Gallery Chemould and Nature Morte Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/black-flute\">read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">The Battlefield is the Mind, </span>2002<span>\r\nText: Nancy Adajania\r\nPublisher: Sakshi Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/battlefield-of-mind\">read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\" cellspacing=\"0\" cellpadding=\"0\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Skin, </span>2000<span>\r\nInterview with Jitish Kallat\r\nPublisher: Gallery Chemould and Vis-à-vis Art Inc. Gallery</span></td>\r\n</tr>\r\n<tr>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Orchard of home-grown secrets, </span>1998<span>\r\nText: Ranjit Hoskote\r\nPublisher: Gallery Chemould and Pundole Art Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/orchard-pub\">read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n<td><!-- Start of Other Publications -->\r\n<span class=\"pubstrong\">Never Run Away, </span>2010<span>\r\nText: Shaheen Merali\r\nPublisher: Stux Gallery</span>\r\n<span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/never-run-away\">read essay</a></span>\r\n\r\n<span class=\"pubstrong\">Urban Manners 2, </span>2010<span>\r\nText: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\nPublisher: SESC Pompeia, Sao Paulo </span>\r\n\r\n<span class=\"pubstrong\">The Empire Strikes Back, </span>2010<span>\r\nText: Zehra Jumabhoy\r\nPublisher: Saatchi Gallery\r\nISBN: 9780224089494\r\n</span>\r\n\r\n\r\n<span class=\"pubstrong\">The River Project, </span>2010<span>\r\nPublisher: Campbelltown Arts Centre\r\nISBN: 9781875199761\r\n</span>\r\n\r\n\r\n<span class=\"pubstrong\">Asian Art Now, </span>2010<span>\r\nText: Melissa Chiu and Benjamin Genocchio\r\nPublisher: Monacelli Press\r\nISBN: 978-1-58093-298-1 (1-58093-298-3)\r\n</span>\r\n\r\n<span class=\"pubstrong\">Roundabout, </span>2010<span>\r\nPublisher: Art Asia Pacific Publishing\r\nISBN: 978-0984562510\r\n</span>\r\n\r\n<span class=\"pubstrong\">The Khoj Book, </span>2010<span>\r\nInterview with Shilpa Gupta\r\nPublisher: HarperCollins\r\nISBN: 9788172236878</span>\r\n<span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/khoj-book\">read interview</a></span>\r\n\r\n\r\n<span class=\"pubstrong\">5 Bienal Ventosul, </span>2009<span>\r\nPublisher: Instituto Paranaense de Arte</span>\r\n\r\n<span class=\"pubstrong\">Viewpoints &amp; Viewings Points- Asian Art Biennale, </span>2009<span>\r\nText: Chao-yi-Tsai\r\nPublisher: National Taiwan Museum of fine Arts\r\nISBN: 978-986-02-0269-4</span>\r\n\r\n<span class=\"pubstrong\">India Xianzai: Contemporary Indian Art, </span>2009<span>\r\nText: Jitish Kallat, Diana Freundl, Alexander Keefe\r\nPublisher: Museum of Contemporary Art</span>\r\n\r\n<span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2009<span>\r\nText: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki,\r\nMiho Tagomori\r\nPublisher: Prestel, National Museum of Contemporary Art and Essl Museum\r\nISBN: 978-3-7913-4304-4</span>\r\n\r\n<span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2008<span>\r\nText: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman\r\nGopinath, Jayaram, Deepak Ananth\r\nPublisher: Mori Art Museum\r\nISBN: 978-4-902819-21-2</span>\r\n\r\n<span class=\"pubstrong\">India Moderna, </span>2008<span>\r\nText: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur,\r\nR. Siva Kumar, K.G. Subramanyan\r\nPublisher: IVAM (Institute Valencia D’Art Modern)\r\nISBN: 978-84-482-5104-8</span>\r\n\r\n<span class=\"pubstrong\">Everywhere is War (and rumours of it),</span>2008<span>\r\nText: Kai Hafez, Martin Hager, Nicholas Mirzoeff, Daniel Miller,\r\nBregje van Eekelen\r\nPublisher: Bodhi Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Three Points of Views, </span>2008<span>\r\nText: Grant Watson\r\nPublisher: Galerie Mirchandani + Steinruecke</span>\r\n\r\n<span class=\"pubstrong\">New Narratives: Contemporary Art from India, </span>2008<span>\r\nText: Betty Seid with contributions by Johan Pijnappel\r\nPublisher: Mapin Publication in association with Chicago Cultural Center\r\nISBN: 978-1-890206-08-6</span>\r\n\r\n<span class=\"pubstrong\">Made by Indians, </span>2007<span>\r\nText: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\nPublisher: Galerie Enrico Navarra\r\nISBN: 2-911596-37-4</span>\r\n\r\n<span class=\"pubstrong\">Thermocline of Art: New Asian Waves, </span>2007<span>\r\nText:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong\r\nPublisher: Hatje Cantz Vertag\r\nISBN: 978-3-7757-2073-1\r\nEAN: 9782911596377</span>\r\n\r\n<span class=\"pubstrong\">Indian Colour, </span>2007<span>\r\nText: Peter Nagy\r\nPublisher: Dal- seung Hwang, Keumsan Gallery</span>\r\n\r\n<span class=\"pubstrong\">India Arte Oggi, </span>2007<span>\r\nText:  Daniela Palazzoli\r\nPublisher: Spazio Oberdan\r\nISBN: 978-88-202-1867-6</span>\r\n\r\n<span class=\"pubstrong\">Urban Manners, </span>2007<span>\r\nText: Adelina Von Furstenberg and Nancy Adajania\r\nPublisher: Hangar Bicocca</span>\r\n\r\n<span class=\"pubstrong\">International Incheon Women Artists’ Biennale,</span>\r\n<span class=\"pubstrong\">Knocking on the Door, </span>2007<span>\r\nText: Sung Hee Kim, John C. Welchman\r\nPublisher: Incheon Culture and Art Centre</span>\r\n\r\n<span class=\"pubstrong\">Soft Power: Asian Attitude, </span>2007<span>\r\nText: Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\nPublisher: Shanghai Zendai Mumsem of Modern Art\r\nISBN: 978-7-5356-2790-2</span>\r\n\r\n<span class=\"pubstrong\">India Express- Art and Popular Culture, </span>2006<span>\r\nText: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze\r\nPublisher: Helsinki City Art Museum\r\nISBN: 951-8965-61-7</span>\r\n\r\n<span class=\"pubstrong\">Bombay L’album Maximum City, </span>2006<span>\r\nText: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\nPublisher: Terrail, Lille 3000\r\nISBN: 2-87939-325-6</span>\r\n\r\n<span class=\"pubstrong\">Indian Paintings of the New Millennium, </span>2005<span>\r\nText: Helen Asquine  Fazio, Gayatri Sinha\r\nPublisher: Quick Arts Center, Fairfield University</span>\r\n\r\n<span class=\"pubstrong\">A Guide to 101 Modern &amp; Contemporary Indian Artists, </span>2005<span>\r\nText: Amrita Jhaveri\r\nPublisher: India Book House\r\nISBN: 81-7508-423-5</span>\r\n\r\n<span class=\"pubstrong\">Zoom! Art in Contemporary India, </span>2004<span>\r\nTexts: Luis Serpa and Nancy Adajania\r\nPublisher: The Culturgest Museum\r\nISBN: 972-769-033-5</span>\r\n\r\n<span class=\"pubstrong\">Interlude in Sri Lanka, </span>2004<span>\r\nText: Ranjit Hoskote and Nancy Adajania\r\nPublisher: The Guild Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Generation I, </span>2004<span>\r\nText: Zehra Jumabhoy\r\nPublisher: Saffronart &amp; The Guild Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Tiranga Rights and Reponsibilities, </span>2003<span>\r\nText: Peter Nagy\r\nPublisher: Jindal Foundation &amp; Creative Arts</span>\r\n\r\n<span class=\"pubstrong\">Hard Copy, </span>2003<span>\r\nText: Peter Nagy\r\nPublisher: Galerie 88</span>\r\n\r\n<span class=\"pubstrong\">Crossing Generations: diVERGE, </span>2003<span>\r\nText: Geeta Kapoor and Chaitanya Sambrani\r\nPublisher: Gallery Chemould</span>\r\n\r\n\r\n<span class=\"pubstrong\" style=\"color: #000000;\">PRESS</span>\r\n\r\n<span class=\"pubstrong\"><a href=\"http://www.america.gov/st/peopleplace-english/2011/March/20110307133535drawoh0.7282221.html?CP.rss=true\" style=\"color: rgb(135, 135, 135);\" >Art at “maximum INDIA” Festival Evokes Cultural Memory and Loss</a>  </span><span>\r\nHoward Cincotta, www.america.gov, March 7, 2011\r\n</span>\r\n\r\n<span class=\"pubstrong\"><a href=\"http://www.signonsandiego.com/news/2011/mar/02/kennedy-center-opens-3-week-india-arts-festival/\" style=\"color: rgb(135, 135, 135);\" >Kennedy Center opens 3-week India arts festival</a>  </span><span>\r\nBrett Zongker, www.signonsnadiego.com</span>\r\n\r\n<span class=\"pubstrong\"><a href=\"http://www.artconcerns.com/mywork.php\" style=\"color: rgb(135, 135, 135);\" >My work</a>  </span><span>\r\nwww.artconcerns.com, Oct-Nov 2010 issue\r\nText: Reena Kallat</span>\r\n\r\n<span class=\"pubstrong\"><a href=\"http://artradarjournal.com/2010/04/20/indian-contemporary-artist-reena-kallat-art-radar-exclusive-interview/\" style=\"color: rgb(135, 135, 135);\">Interview, Art Radar Asia </a></span><span>\r\n April 20, 2010</span>\r\n\r\n\r\n<span class=\"pubstrong\">The Archives of the Heart</span><span>\r\nNancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\nFront Cover, pgs 42-45, 2009</span>\r\n\r\n<span class=\"pubstrong\">Globale Kunst Mit Wurzelduft</span><span>\r\nVon Almuth Speigler, Die Presse, Feuilleton, 2nd September 2009</span>\r\n\r\n<span class=\"pubstrong\">Landscapes of Loss</span><span>\r\nBeth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009</span>\r\n\r\n<span class=\"pubstrong\">Reincarnating History</span><span>\r\nThe Big Picture, Architect and Interiors, July 2009</span>\r\n\r\n<span class=\"pubstrong\">Stamp Collection</span><span>\r\nGeorgina Maddox, The Sunday Express, 17th May 2009</span>\r\n\r\n<span class=\"pubstrong\">Evolving Beyond Borders</span><span>\r\nReshma S. Kulkarni, Bombay Times, Times of India, 15th January, 2009</span>\r\n\r\n<span class=\"pubstrong\">Loss and Found</span><span>\r\nMarina Correa, DNA, Mumbai, 22nd January 2009</span>\r\n\r\n<span class=\"pubstrong\">Focus India</span><span>\r\nMegha Ralapati, Flash Art, pg 114, January-February 2008</span>\r\n\r\n<span class=\"pubstrong\">Come Together Right Now</span><span>\r\nReema Gehi, HT Café, 15th February 2008</span>\r\n\r\n<span class=\"pubstrong\">Such a Long Journey</span><span>\r\nAparna S Sharma, Elle Magazine, pgs 115-117, February 2008</span>\r\n\r\n<span class=\"pubstrong\">More than a Woman</span><span>\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 4th February 2008</span>\r\n\r\n<span class=\"pubstrong\">Artist of the Fortnight</span><span>\r\nMaria Louis, Outlook Profit, pg 79, 18th April 2008</span>\r\n\r\n<span class=\"pubstrong\">Deja View</span><span>\r\nTara Khilachand, Live Mint, 20th December 2008</span>\r\n\r\n<span class=\"pubstrong\">Terror Struck</span><span>\r\nMaria Louis, Outlook Profit, 26th December 2008</span>\r\n\r\n<span class=\"pubstrong\">Name Calling</span><span>\r\nDeepanjana Pal, Timeout Mumbai, December 2008</span>\r\n\r\n<span class=\"pubstrong\">Corruptions of Power</span>\r\n<span>Shiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99, 2007</span>\r\n\r\n<span class=\"pubstrong\">Over the Rainbow</span><span>\r\nMaria Louis, Interview, Verve Magazine, pg 78, November 2006</span>\r\n\r\n<span class=\"pubstrong\"><a href=\"http://www.hindu.com/mag/2006/10/29/stories/2006102900070200.htm\" style=\"color: rgb(135, 135, 135);\">In a State of Perennial Siege</a></span><span>\r\nNancy Adajania, The Hindu, Hyderabad, 29th October 2006</span>\r\n\r\n<span class=\"pubstrong\">Her Crowning Achievement</span><span>\r\nClara Chow, The Straits Times, 18th November 2006</span>\r\n\r\n<span class=\"pubstrong\">Political Chaos</span><span>\r\nDeepali Nandwani, Beautiful people, pg 143, November-December 2006</span>\r\n\r\n<span class=\"pubstrong\">Weapons of Mass Construction</span><span>\r\nRituparna Som, DNA after Hrs, Mumbai, 9th October, 2006</span>\r\n\r\n<span class=\"pubstrong\">Guns and Roses</span><span>\r\nRachna Nakra, The Indian Express, Mumbai Newsline, 18th September 2006</span>\r\n\r\n<span class=\"pubstrong\">Under Attack</span><span>\r\nGitanjali Dang, HT Mumbai, 22nd September 2006</span>\r\n\r\n<span class=\"pubstrong\">Time Traveller</span><span>\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 27th June 2006</span>\r\n\r\n<span class=\"pubstrong\">The Flower and the Sword</span><span>\r\nGirish Shahane, The Art News magazine of India, pg 93, volume X issue I, 2004</span>\r\n\r\n<span class=\"pubstrong\">India’s Top 100 Achievers</span><span>\r\nSociety Magazine, pg 137, December 2004</span>\r\n\r\n<span class=\"pubstrong\"><a href=\"http://www.hinduonnet.com/thehindu/mag/2004/12/19/stories/2004121900620700.htm\" style=\"color: rgb(135, 135, 135);\" >Caught Between Demons</a></span><span>\r\nNancy Adajania, The Hindu, 19th December 2004</span>\r\n\r\n<span class=\"pubstrong\">En Reise Til India</span><span>\r\nHarald Flor, Dagbladet, Kultur, 2nd February 2003</span>\r\n\r\n<span class=\"pubstrong\">Signs of Resistance</span><span>\r\nNancy Adajania, The Hindu, 5th January 2003</span>\r\n\r\n<span class=\"pubstrong\">Of the Goddess and Demon in the Mind</span><span>\r\nDebbie Rodgers, Sunday edition Vijay Times, Bangalore, 5th January 2003</span>\r\n\r\n<span class=\"pubstrong\">Empathic Anger</span><span>\r\nMarta Jakimowicz, Deccan Herald, 23rd December 2002</span>\r\n\r\n<span class=\"pubstrong\">Mysore Ek Khoj</span>\r\nCross Fertilization of Culture, Interview in Star of Mysore, 27th October 2002\r\n\r\n<span class=\"pubstrong\">Linking Islands</span><span>\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 15th February 2002</span>\r\n\r\n<span class=\"pubstrong\">Creating to Destroy</span><span>\r\nJasmine Shah Varma, The List, Mid Day, 22nd February 2002</span>\r\n\r\n<span class=\"pubstrong\">Different Strokes</span><span>\r\nGeorgina L Maddox, The Indian Express, Mumbai Newsline, 24th July 2002</span>\r\n\r\n<span class=\"pubstrong\">Of Faith and Hunger</span><span>\r\nAbhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89, December 2000</span>\r\n\r\n<span class=\"pubstrong\">The Murmur of Skin</span><span>\r\nNupur Mahajan, Bombay Times, Times of India, 12th October 2000</span>\r\n\r\n<span class=\"pubstrong\">Not just Skin Deep</span><span>\r\nJasmine Shah Varma, The List, Mid-day, 4th October 2000</span>\r\n\r\n<span class=\"pubstrong\">Inside Out</span><span>\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 11th October 2000</span>\r\n\r\n<span class=\"pubstrong\">Scintillating Skin</span><span>\r\nVaibhav Purandare, The Asian Age, 14th October 2000</span>\r\n\r\n<span class=\"pubstrong\">An Artist’s World: Roti, Makaan &amp; Abstract Art</span><span>\r\nPoonam Goel, HT City, 23rd December 2000</span>\r\n\r\n<span class=\"pubstrong\">Within you, Without you</span><span>\r\nAnu Kumar, Indian Express, Express Newsline, 2nd September 1998</span>\r\n\r\n<span class=\"pubstrong\">Farming Intrigue</span><span>\r\nJerry Pinto, The Times of India, Bombay Times, 3rd September 1998</span>\r\n\r\n<span class=\"pubstrong\">Interactive Medium</span><span>\r\nKaren Pereira, Indian Architect &amp; Builder, pgs 102-104, October 1998</span></td>\r\n</tr>\r\n</tbody>\r\n</table>','Publications','','inherit','open','open','','87-revision-175','','','2011-03-23 06:52:25','2011-03-23 06:52:25','',87,'http://www.reenakallat.com/2421/uncat/87-revision-175',0,'revision','',0),(2413,1,'2011-11-17 11:02:14','2011-11-17 11:02:14','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Untitled (column)-1.jpg\" alt=\"Untitled (column)\" title=\"Untitled (column)\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Untitled (column)\r\n</span>2011\r\nacrylic, rubber stamps, wood\r\n28 ft x 9 ft x 9 ft (l x h x b)</td></tr>\r\n<tr><td><span style=\"font-size:11px; line-height:3px;\"><i>installation view</i>,  Kennedy Centre, Washington</span></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Untitled (column)-2.jpg\" alt=\"Untitled (column)\" title=\"Untitled (column)\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n<td width=\"300\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThe sculpture is part of a series of works titled \'FALLING FABLES\' referenced from architectural ruins and fragments, that are disintegrating and in a state of collapse. …<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\nThe sculpture is part of a series of works titled \'FALLING FABLES\' referenced from architectural ruins and fragments, that are disintegrating and in a state of collapse.\r\n\r\nThe surface consists of nearly 30 thousand rubberstamps bearing addresses of missing monuments listed as protected sites under the Archeological Survey of India, dispersed amidst others that carry fragments of poems/ phrases on architecture and loss. As creations of active historical forces and natural processes, these ruins seem more than just passive or static forms with their sense of incompleteness and fracture alluding to the broader themes of time, loss and memory.\r\n\r\nWhile my attempt is not to venerate the past, the work seeks to highlight the continuity and shifting nature of urban landscape, to look at ruins as metaphors of individual and universal experience.\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div></td>\r\n\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Untitled (column)-3.jpg\" alt=\"Untitled (column)\" title=\"Untitled (column)\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px; line-height:3px;\"><i>detail</i></span></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Untitled (column)-4.jpg\" alt=\"Untitled (column)\" title=\"Untitled (column)\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px; line-height:3px;\"><i>detail</i></span></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Untitled (column)-5.jpg\" alt=\"Untitled (column)\" title=\"Untitled (column)\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px; line-height:3px;\"><i>Acknowledgement:</i> The Kennedy Centre and Studio Adrien Gardere</span></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','2383-autosave','','','2011-11-17 11:02:14','2011-11-17 11:02:14','',2383,'http://www.reenakallat.com/2413/uncat/2383-autosave',0,'revision','',0),(2414,1,'2011-04-01 06:48:14','2011-04-01 06:48:14','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Untitled (column)-1.jpg\" alt=\"Untitled (column)\" title=\"Untitled (column)\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Untitled (column)\r\n</span>2011\r\nacrylic, rubber stamps, wood\r\n28 ft x 9 ft x 9 ft (l x h x b)</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Installation view</i> ,  Kennedy Centre, Washington</span></td>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Untitled (column)-2.jpg\" alt=\"Untitled (column)\" title=\"Untitled (column)\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Untitled (column)-3.jpg\" alt=\"Untitled (column)\" title=\"Untitled (column)\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Detail</i></span></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Untitled (column)-4.jpg\" alt=\"Untitled (column)\" title=\"Untitled (column)\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Detail</i></span></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Untitled (column)-5.jpg\" alt=\"Untitled (column)\" title=\"Untitled (column)\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Acknowledgement: Studio Adrien Gardere</i></span></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','2383-revision-7','','','2011-04-01 06:48:14','2011-04-01 06:48:14','',2383,'http://www.reenakallat.com/2414/uncat/2383-revision-7',0,'revision','',0),(2415,1,'2011-11-10 13:15:23','2011-11-10 13:15:23','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\n<style type=\"text/css\">\nh3.canvas  {\ncolor:#333333;\nfont-size:11px\nfont-weight:normal;\nmargin-bottom:5px;\nmargin-left:7px;\nmargin-top:0;\npadding:0;\ntext-transform:none;\n}\n\nh2.painting  {\ncolor:#FFFFFF;\nfont-family:verdana,arial,tahoma,sans-serif;\nfont-size:11px;\nfont-weight:normal;\nmargin:0 0 10px 7px;\npadding:0;\ntext-align:left;\ntext-transform:none;\n}\n</style>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-1.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Falling Fables\n</span>2011\nAcrylic on canvas\n</td></tr><tr><td><span style=\"font-size:11px; line-height:2px;\"><i>Falling Fables – I,</i> 48 x 78 in. I 122x198 cms.</span></td></tr>\n</tbody></table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\n<tbody>\n<tr>\n<td width=\"200\" align=\"left\" valign=\"top\">\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-2.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\n</td>\n<td width=\"300\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\n<div id=\"uniquename1\" style=\"display:block\">\nThe series of paintings titled ‘Falling Fables’ are based on my photographs documenting various parts of the city of Delhi, where ruins from the past rub shoulders with present-day structures, revealing the many contradictions and shifting nature of urban landscape. Their surface consists of numerous addresses of missing monuments listed as protected sites under the Archeological Survey of India, dispersed amidst fragments of poems/ phrases on architecture and loss. …<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">more</a>\n</div>\n<div id=\"uniquename\"  style=\"display:none;\">\nThe series of paintings titled ‘Falling Fables’ are based on my photographs documenting various parts of the city of Delhi, where ruins from the past rub shoulders with present-day structures, revealing the many contradictions and shifting nature of urban landscape. Their surface consists of numerous addresses of missing monuments listed as protected sites under the Archeological Survey of India, dispersed amidst fragments of poems/ phrases on architecture and loss.\nA few years ago, surveys of archeological and historical monuments in India revealed that a number of monuments had gone missing due to rapid implementation of development projects, haphazard urbanization and inefficient protection laws. The Archeological Survey of India had listed around 200 sites/objects being lost all over the country. Among these missing monuments, 35 were listed as protected; of these 12 are in Delhi, where the Archeological Survey is headquartered. I began visiting these monument sites scattered all over Delhi, some easily accessible while others surrounded by urban housing or amidst congested market places\nthat are in the process of being lost due to rapid commercialization and construction.While my attempt is not to venerate the past, the work seeks to highlight the continuity and shifting nature of urban landscape, where ruins are seen as metaphors of individual and universal experience.\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\n</div></td>\n</tr>\n<tr><td><span style=\"font-size:11px;  line-height:3px;\"><i>detail, Falling Fables – I</i> </span></td></tr><tr><td>&nbsp;</td></tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\n<tbody>\n<tr>\n<td width=\"200\" align=\"left\" valign=\"top\">\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-3.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\n</td></tr>\n<tr><td><span style=\"font-size:11px;  line-height:3px;\"><i>Falling Fables – 2</i>, 44 x 78 in. I 112 x 198 cms.</span></td></tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\n<tbody>\n<tr>\n<td width=\"200\" align=\"left\" valign=\"top\">\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-4.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\n</td></tr>\n<tr><td><span style=\"font-size:11px;  line-height:3px;\"><i>detail, Falling Fables - 2</i></span></td>\n</tr><tr><td>&nbsp;</td></tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\n<tbody>\n<tr>\n<td width=\"200\" align=\"left\" valign=\"top\">\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-5.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\n</td></tr>\n<tr><td><span style=\"font-size:11px;  line-height:3px;\"><i>Falling Fables – 3,</i> 44 x 78 in. I 112 x 198 cms.</span></td></tr><tr><td>&nbsp;</td></tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\n<tbody>\n<tr>\n<td width=\"200\" align=\"left\" valign=\"top\">\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-6.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\n</td></tr>\n<tr><td><span style=\"font-size:11px;  line-height:3px;\"><i>Falling Fables – 4,</i> 48 x 78 in. I 122x198 cms.</span></td></tr><tr><td>&nbsp;</td></tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\n<tbody>\n<tr>\n<td width=\"200\" align=\"left\" valign=\"top\">\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-7.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\n</td></tr>\n<tr><td><span style=\"font-size:11px;  line-height:3px;\"><i>Falling Fables – 5,</i> 59 x 108 in. I 150 x 274 cms</span></td></tr><tr><td>&nbsp;</td></tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\n<tbody>\n<tr>\n<td width=\"200\" align=\"left\" valign=\"top\">\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-8.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\n</td></tr>\n<tr><td><span style=\"font-size:11px;  line-height:3px;\"><i>Falling Fables – 6,</i> 80 x 54 in. I 203 x 137 cms</span></td></tr><tr><td>&nbsp;</td></tr>\n</tbody>\n</table>','','','inherit','open','open','','2389-autosave','','','2011-11-10 13:15:23','2011-11-10 13:15:23','',2389,'http://www.reenakallat.com/2415/uncat/2389-autosave',0,'revision','',0),(2450,1,'2011-04-01 10:30:59','2011-04-01 10:30:59','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-1.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Falling Fables\r\n</span>2011\r\nAcrylic on canvas\r\n</td></tr><tr><td><span style=\"font-size:11px; line-height:2px;\"><i>Falling Fables – I,</i> 48 x 78 in. I 122x198 cms.</span></td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-2.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;  line-height:3px;\"><i>detail, Falling Fables – I</i> </span></td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-3.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;  line-height:3px;\"><i>Falling Fables – 2</i>, 44 x 78 in. I 112 x 198 cms.</span></td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-4.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;  line-height:3px;\"><i>detail, Falling Fables - 2</i></span></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-5.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;  line-height:3px;\"><i>Falling Fables – 3,</i> 44 x 78 in. I 112 x 198 cms.</span></td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-6.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;  line-height:3px;\"><i>Falling Fables – 4,</i> 48 x 78 in. I 122x198 cms.</span></td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-7.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;  line-height:3px;\"><i>Falling Fables – 5,</i> 59 x 108 in. I 150 x 274 cms</span></td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-8.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;  line-height:3px;\"><i>Falling Fables – 6,</i> 80 x 54 in. I 203 x 137 cms</span></td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','2389-revision-17','','','2011-04-01 10:30:59','2011-04-01 10:30:59','',2389,'http://www.reenakallat.com/2450/uncat/2389-revision-17',0,'revision','',0),(2416,1,'2011-04-01 06:42:47','2011-04-01 06:42:47','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-1.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Falling Fables\r\n</span>2011\r\nAcrylic on canvas\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Falling Fables – I, 48 x 78 in. I 122x198 cms.</i></span></td>\r\n<td>&nbsp;</td>\r\n</tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-2.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Detail</i>, Falling Fables – I </span></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-3.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Falling Fables – 2, 44 x 78 in. I 112 x 198 cms.</i></span></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-4.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Detail</i>, Falling Fables - 2</span></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-5.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Falling Fables – 3, 44 x 78 in. I 112 x 198 cms.</i></span></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-6.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\">Falling Fables – 4, 48 x 78 in. I 122x198 cms.</span></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-7.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\">Falling Fables – 5, 59 x 108 in. I 150 x 274 cms</span></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-8.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\">Falling Fables – 5, 59 x 108 in. I 150 x 274 cms</span></td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','2389-revision-14','','','2011-04-01 06:42:47','2011-04-01 06:42:47','',2389,'http://www.reenakallat.com/2416/uncat/2389-revision-14',0,'revision','',0),(2417,1,'2011-04-01 10:11:57','2011-04-01 10:11:57','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-1.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Falling Fables\r\n</span>2011\r\nAcrylic on canvas\r\n</td></tr><tr><td><span style=\"font-size:11px; line-height:2px;\"><i>Falling Fables – I,</i> 48 x 78 in. I 122x198 cms.</span></td><td>&nbsp;</td>\r\n</tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-2.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;  line-height:3px;\"><i>Detail, Falling Fables – I</i> </span></td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-3.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;  line-height:3px;\"><i>Falling Fables – 2</i>, 44 x 78 in. I 112 x 198 cms.</span></td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-4.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;  line-height:3px;\"><i>Detail, Falling Fables - 2</i></span></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-5.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;  line-height:3px;\"><i>Falling Fables – 3,</i> 44 x 78 in. I 112 x 198 cms.</span></td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-6.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;  line-height:3px;\"><i>Falling Fables – 4,</i> 48 x 78 in. I 122x198 cms.</span></td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-7.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;  line-height:3px;\"><i>Falling Fables – 5,</i> 59 x 108 in. I 150 x 274 cms</span></td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-8.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;  line-height:3px;\"><i>Falling Fables – 6,</i> 80 x 54 in. I 203 x 137 cms</span></td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','2389-revision-15','','','2011-04-01 10:11:57','2011-04-01 10:11:57','',2389,'http://www.reenakallat.com/2417/uncat/2389-revision-15',0,'revision','',0),(2418,1,'2011-08-03 09:41:12','2011-08-03 09:41:12','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/sculpture-1.jpg\" alt=\"sculpture\" title=\"sculpture\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></a></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Falling Fables (column)</span>\r\n2011\r\nAcrylic paint, rubber stamps, FRP\r\n31.5 x 80.5 x 31.5 in. I 80 x 204 x 80 cms\r\n</td></tr></tr>\r\n<tr><td><span style=\"font-size:11px;line-height:3px;\"><i>installation view</i>, Nature Morte, New Delhi</span></td>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/sculpture-2.jpg\" alt=\"sculpture\" title=\"sculpture\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td><td width=\"400\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThe sculpture of the fallen pillar is part of a series of works titled \'FALLING FABLES\' referenced from architectural ruins and fragments, that are disintegrating and in a state of collapse.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...more</a></div>\r\n<div id=\"uniquename\"  style=\"display:none;width:400px;\">The sculpture of the fallen pillar is part of a series of works titled \'FALLING FABLES\' referenced from architectural ruins and fragments, that are disintegrating and in a state of collapse. Their surface consists of numerous rubberstamps bearing addresses of missing monuments listed as protected sites under the Archeological Survey of India, dispersed amidst others that carry fragments of poems/ phrases on architecture and loss. I’ve been interested in official records of loss and disappearance – in earlier works such as ‘Synonyms’ where the names of missing persons have collectively formed a single portrait. \r\nThe paintings here are referenced from photographs I made in various parts of the city of Delhi, where ruins from the past rub shoulders with present-day structures, revealing the many contradictions and shifting nature of urban landscape.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/sculpture-3.jpg\" alt=\"sculpture\" title=\"sculpture\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr><tr><td><span style=\"font-size:11px; line-height:3px;\"><i>detail</i></span></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/sculpture-4.jpg\" alt=\"sculpture\" title=\"sculpture\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr><tr><td><span style=\"font-size:11px; line-height:3px;\"><i>detail</i></span></td></tr>\r\n<tr><td><span style=\"font-size:11px; line-height:3px;\"><i>Acknowledgement:</i> Sadashiv Kuncolienker</span></td></tr>\r\n</tbody>\r\n</table>\r\n','','','inherit','open','open','','2398-autosave','','','2011-08-03 09:41:12','2011-08-03 09:41:12','',2398,'http://www.reenakallat.com/2418/uncat/2398-autosave',0,'revision','',0),(2419,1,'2011-04-01 06:40:49','2011-04-01 06:40:49','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/sculpture-1.jpg\" alt=\"sculpture\" title=\"sculpture\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></a></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Falling Fables (column)</span>\r\n2011\r\nAcrylic paint, rubber stamps, FRP\r\n31.5 x 80.5 x 31.5 in. I 80 x 204 x 80 cms\r\n</td></tr></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Detail</i>, Nature Morte, New Delhi</span></td>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/sculpture-2.jpg\" alt=\"sculpture\" title=\"sculpture\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td><td width=\"400\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThe sculpture of the fallen pillar is part of a series of works titled \'FALLING FABLES\' referenced from architectural ruins and fragments, that are disintegrating and in a state of collapse.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...more</a></div>\r\n<div id=\"uniquename\"  style=\"display:none;width:400px;\">Their surface consists of numerous rubberstamps bearing addresses of missing monuments listed as protected sites under the Archeological Survey of India, dispersed amidst others that carry fragments of poems/ phrases on architecture and loss. I’ve been interested in official records of loss and disappearance – in earlier works such as ‘Synonyms’ where the names of missing persons have collectively formed a single portrait. \r\nThe paintings here are referenced from photographs I made in various parts of the city of Delhi, where ruins from the past rub shoulders with present-day structures, revealing the many contradictions and shifting nature of urban landscape.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/sculpture-3.jpg\" alt=\"sculpture\" title=\"sculpture\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr><tr><td><span style=\"font-size:11px;\"><i>Detail</i></span></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/sculpture-4.jpg\" alt=\"sculpture\" title=\"sculpture\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr><tr><td><span style=\"font-size:11px;\"><i>Detail</i></span></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n','','','inherit','open','open','','2398-revision-8','','','2011-04-01 06:40:49','2011-04-01 06:40:49','',2398,'http://www.reenakallat.com/2419/uncat/2398-revision-8',0,'revision','',0),(2422,1,'2011-04-01 10:19:10','2011-04-01 10:19:10','<link rel=\"canonical\" href=\"http://www.reenakallat.com\" />\r\n<script type=\"text/javascript\" src=\"http://www.reenakallat.com/wp-includes/js/jquery/jquery-1.2.6.min.js\"></script>\r\n<script type=\"text/javascript\">\r\nfunction slideSwitch() {\r\n    var $active = $(\'#slideshow DIV.active\');\r\n    if ( $active.length == 0 ) $active = $(\'#slideshow DIV:last\');\r\n    // use this to pull the divs in the order they appear in the markup\r\n    var $next =  $active.next().length ? $active.next()\r\n        : $(\'#slideshow DIV:first\');\r\n    // uncomment below to pull the divs randomly\r\n    // var $sibs  = $active.siblings();\r\n    // var rndNum = Math.floor(Math.random() * $sibs.length );\r\n    // var $next  = $( $sibs[ rndNum ] );\r\n    $active.addClass(\'last-active\');\r\n    $next.css({opacity: 0.0})\r\n        .addClass(\'active\')\r\n        .animate({opacity: 1.0}, 1000, function() {\r\n            $active.removeClass(\'active last-active\');\r\n        });\r\n}\r\n$(function() {\r\n    setInterval( \"slideSwitch()\", 3000);\r\n});\r\n</script>\r\n<style type=\"text/css\">\r\n#slideshow {\r\n    position:relative;\r\n    height:500px;\r\n    width:660px;\r\n    margin: 0 auto;\r\n}\r\n#slideshow DIV {\r\n    position:absolute;\r\n    top:0;\r\n    left:300;\r\n    z-index:8;\r\n    opacity:0.0;\r\n    height: 500px;\r\n    background-color: #FFF;\r\n}\r\n#slideshow DIV.active {\r\n    z-index:10;\r\n    opacity:1.0;\r\n}\r\n#slideshow DIV.last-active {\r\n    z-index:9;\r\n}\r\n#slideshow DIV IMG {\r\n    height: 450px;\r\n    display: block;\r\n    border: 0;\r\n    margin-bottom: 10px;\r\n}\r\n</style>\r\n</head>\r\n<body style=\"font-family: Arial, Sans-serif, sans;\">\r\n<div style=\"float:right;width:218px;\">\r\n<strong><span class=\"pubstrong\" >Current and upcoming shows</span></span></strong><span style=\"font-size: small;\"></span>\r\n<br>\r\n<br>\r\n<em>Samtidigt</em>\r\nMarch 2 - May 8, 2011           \r\nHelsinki City Art museum, Finland\r\n<br>\r\n<br>\r\n<em>The Vancouver International Sculpture Biennale</em>\r\nJanuary 21 – March 27, 2011  \r\nSurrey Art Gallery, Canada\r\n<br>\r\n<br>\r\n<em>Pandemonium: Art in a time of creativity fever</em>\r\nGoteborg International Biennale 2011\r\nSeptember 10, 2011  \r\nGoteborg and Uddevalla, Sweden\r\n<br>\r\n<br>\r\n<em>India Today</em>\r\nSummer 2012\r\nARKEN Museum of Modern Art, Copenhagen, Denmark \r\n<br>\r\n<br>\r\n<em>Roundabout</em>\r\nAugust – October 2011                      \r\nTel Aviv Museum of Art, Israel\r\n\r\n</div>\r\n<div id=\"slideshow\" style=\"float:left;\"  >\r\n    <div class=\"active\">\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/slideshow_1m.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-894\" /></a>\r\n       <!-- Caption for image 1-->\r\n    </div>\r\n    <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/slideshow_2m.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-896\" /></a>\r\n        <!--This will work with any markup-->\r\n    </div>\r\n    <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/slideshow_3m.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-897\" /></a>\r\n        <!--Swap this out for anything, links, paragraphs, whatever-->\r\n    </div>\r\n    <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/slideshow_4m.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-898\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div>\r\n <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/slideshow_6m.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-898\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div>\r\n    <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/slideshow_5m.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-899\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div>\r\n</div>\r\n','Home','','inherit','open','open','','93-revision-41','','','2011-04-01 10:19:10','2011-04-01 10:19:10','',93,'http://www.reenakallat.com/2422/uncat/93-revision-41',0,'revision','',0),(2423,1,'2011-04-01 10:03:51','2011-04-01 10:03:51','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Untitled (column)-1.jpg\" alt=\"Untitled (column)\" title=\"Untitled (column)\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Untitled (column)\r\n</span>2011\r\nacrylic, rubber stamps, wood\r\n28 ft x 9 ft x 9 ft (l x h x b)</td></tr>\r\n<tr><td><span style=\"font-size:11px; line-height:3px;\"><i>installation view</i>,  Kennedy Centre, Washington</span></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Untitled (column)-2.jpg\" alt=\"Untitled (column)\" title=\"Untitled (column)\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Untitled (column)-3.jpg\" alt=\"Untitled (column)\" title=\"Untitled (column)\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px; line-height:3px;\"><i>Detail</i></span></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Untitled (column)-4.jpg\" alt=\"Untitled (column)\" title=\"Untitled (column)\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px; line-height:3px;\"><i>Detail</i></span></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Untitled (column)-5.jpg\" alt=\"Untitled (column)\" title=\"Untitled (column)\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px; line-height:3px;\"><i>Acknowledgement: The Kennedy Centre Studio Adrien Gardere</i></span></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','2383-revision-8','','','2011-04-01 10:03:51','2011-04-01 10:03:51','',2383,'http://www.reenakallat.com/2423/uncat/2383-revision-8',0,'revision','',0),(2424,1,'2011-04-01 10:23:48','2011-04-01 10:23:48','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Untitled (column)-1.jpg\" alt=\"Untitled (column)\" title=\"Untitled (column)\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Untitled (column)\r\n</span>2011\r\nacrylic, rubber stamps, wood\r\n28 ft x 9 ft x 9 ft (l x h x b)</td></tr>\r\n<tr><td><span style=\"font-size:11px; line-height:3px;\"><i>installation view</i>,  Kennedy Centre, Washington</span></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Untitled (column)-2.jpg\" alt=\"Untitled (column)\" title=\"Untitled (column)\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Untitled (column)-3.jpg\" alt=\"Untitled (column)\" title=\"Untitled (column)\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px; line-height:3px;\"><i>detail</i></span></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Untitled (column)-4.jpg\" alt=\"Untitled (column)\" title=\"Untitled (column)\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px; line-height:3px;\"><i>detail</i></span></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Untitled (column)-5.jpg\" alt=\"Untitled (column)\" title=\"Untitled (column)\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px; line-height:3px;\"><i>Acknowledgement: The Kennedy Centre Studio Adrien Gardere</i></span></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','2383-revision-9','','','2011-04-01 10:23:48','2011-04-01 10:23:48','',2383,'http://www.reenakallat.com/2424/uncat/2383-revision-9',0,'revision','',0),(2425,1,'2011-04-01 10:25:28','2011-04-01 10:25:28','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Untitled (column)-1.jpg\" alt=\"Untitled (column)\" title=\"Untitled (column)\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Untitled (column)\r\n</span>2011\r\nacrylic, rubber stamps, wood\r\n28 ft x 9 ft x 9 ft (l x h x b)</td></tr>\r\n<tr><td><span style=\"font-size:11px; line-height:3px;\"><i>installation view</i>,  Kennedy Centre, Washington</span></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Untitled (column)-2.jpg\" alt=\"Untitled (column)\" title=\"Untitled (column)\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Untitled (column)-3.jpg\" alt=\"Untitled (column)\" title=\"Untitled (column)\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px; line-height:3px;\"><i>detail</i></span></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Untitled (column)-4.jpg\" alt=\"Untitled (column)\" title=\"Untitled (column)\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px; line-height:3px;\"><i>detail</i></span></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Untitled (column)-5.jpg\" alt=\"Untitled (column)\" title=\"Untitled (column)\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px; line-height:3px;\"><i>Acknowledgement: The Kennedy Centre, Studio Adrien Gardere</i></span></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','2383-revision-10','','','2011-04-01 10:25:28','2011-04-01 10:25:28','',2383,'http://www.reenakallat.com/2425/uncat/2383-revision-10',0,'revision','',0),(2426,1,'2011-04-01 10:16:01','2011-04-01 10:16:01','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-1.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Falling Fables\r\n</span>2011\r\nAcrylic on canvas\r\n</td></tr><tr><td><span style=\"font-size:11px; line-height:2px;\"><i>Falling Fables – I,</i> 48 x 78 in. I 122x198 cms.</span></td><td>&nbsp;</td>\r\n</tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-2.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;  line-height:3px;\"><i>Detail, Falling Fables – I</i> </span></td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-3.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;  line-height:3px;\"><i>Falling Fables – 2</i>, 44 x 78 in. I 112 x 198 cms.</span></td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-4.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;  line-height:3px;\"><i>Detail, Falling Fables - 2</i></span></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-5.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;  line-height:3px;\"><i>Falling Fables – 3,</i> 44 x 78 in. I 112 x 198 cms.</span></td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-6.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;  line-height:3px;\"><i>Falling Fables – 4,</i> 48 x 78 in. I 122x198 cms.</span></td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-7.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;  line-height:3px;\"><i>Falling Fables – 5,</i> 59 x 108 in. I 150 x 274 cms</span></td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-8.jpg\" alt=\"paintings\" title=\"paintings\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;  line-height:3px;\"><i>Falling Fables – 6,</i> 80 x 54 in. I 203 x 137 cms</span></td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','2389-revision-16','','','2011-04-01 10:16:01','2011-04-01 10:16:01','',2389,'http://www.reenakallat.com/2426/uncat/2389-revision-16',0,'revision','',0),(2451,1,'2011-04-08 10:00:36','2011-04-08 10:00:36','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table cellspacing=\"0\" cellpadding=\"3\" border=\"0\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td align=\"left\" width=\"60%\" valign=\"top\">\r\n<a href=\"#\"><img width=\"600\" alt=\"Synonym\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/lead-synonym-07-09.jpg\" title=\"Synonym\" class=\"alignnone size-full wp-image-612\"></a></td>\r\n<td align=\"left\" width=\"200\" valign=\"bottom\" style=\"font-size: 11px;\"><span style=\"color: rgb(136, 136, 136);\">Synonym<br>\r\n</span>2007-2009<br>\r\n78 x 57.5 x 12 in. I 198 x 146 x 30 cm<br>\r\nacrylic paint, rubberstamps, plexiglas\r\n</td>\r\n</tr>\r\n<tr><td><span style=\"font-size: 11px;\"><i>installation view,</i> Chemould Prescott Road, Mumbai</span></td>\r\n<td> </td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/synonym-2.jpg\"><img class=\"alignnone size-full wp-image-618\" title=\"Synonym\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/synonym-2.jpg\" alt=\"Synonym\"  width=\"600\" /></a></td>\r\n<td width=\"300\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThe works stand like screens holding up portraits formed by several hundred names of people rendered in scripts of over 14 Indian languages.\r\nFrom a distance they come together as portraits, but up-close they almost seem like a circuit-board of rubberstamps. The rubberstamps are made with names of those officially registered as having gone missing in India from different geographical zones. <a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\nThe works stand like screens holding up portraits formed by several hundred names of people rendered in scripts of over 14 Indian languages.\r\nFrom a distance they come together as portraits, but up-close they almost seem like a circuit-board of rubberstamps. The rubberstamps are made with names of those officially registered as having gone missing in India from different geographical zones. These include names of those lost either through natural calamities such as landslides, floods, earthquakes; or gone missing during riots or large scale mishaps; names of those abducted or absconding, with the police still trying to ascertain their whereabouts.\r\n \r\nThese are people who seem to have slipped out of the radar of human communication, thrown off the social safety net. The portrait of a sub-continental citizen is formed by numerous such names; the back of each portrait appearing like a sea of invisible identities, a bird’s eye view of a large human congregation.\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/synonym-3.jpg\"><img class=\"alignnone size-full wp-image-617\" title=\"Synonym\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/synonym-3.jpg\" alt=\"Seven Faces of Dust\" width=\"600\" /></a><span style=\"font-size:11px;\"><i>installation view,</i>National Taiwan Museum, Taiwan</span></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"0\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/synonym-4-4a.jpg\" alt=\"Synonym\" title=\"Synonym\" width=\"600\"  class=\"alignnone size-full wp-image-621\" /></a></td>\r\n</tr><tr><td><table width=100% cellspacing=\"0\" cellpadding=\"3\">\r\n<tr>\r\n<td width=52%>\r\n</td>\r\n<td><span style=\"font-size: 11px;\"><i>back view</i></span></td></tr></table></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/synonym-5.jpg\" alt=\"Synonym\" title=\"Synonym\" width=\"600\" class=\"alignnone size-full wp-image-623\" /></a><span style=\"font-size:11px;\"><i>detail</i></span></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','438-revision-25','','','2011-04-08 10:00:36','2011-04-08 10:00:36','',438,'http://www.reenakallat.com/2451/uncat/438-revision-25',0,'revision','',0),(2427,1,'2011-04-01 10:18:19','2011-04-01 10:18:19','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/sculpture-1.jpg\" alt=\"sculpture\" title=\"sculpture\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></a></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Falling Fables (column)</span>\r\n2011\r\nAcrylic paint, rubber stamps, FRP\r\n31.5 x 80.5 x 31.5 in. I 80 x 204 x 80 cms\r\n</td></tr></tr>\r\n<tr><td><span style=\"font-size:11px;line-height:3px;\"><i>installation view</i>, Nature Morte, New delhi</span></td>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/sculpture-2.jpg\" alt=\"sculpture\" title=\"sculpture\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td><td width=\"400\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThe sculpture of the fallen pillar is part of a series of works titled \'FALLING FABLES\' referenced from architectural ruins and fragments, that are disintegrating and in a state of collapse.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...more</a></div>\r\n<div id=\"uniquename\"  style=\"display:none;width:400px;\">Their surface consists of numerous rubberstamps bearing addresses of missing monuments listed as protected sites under the Archeological Survey of India, dispersed amidst others that carry fragments of poems/ phrases on architecture and loss. I’ve been interested in official records of loss and disappearance – in earlier works such as ‘Synonyms’ where the names of missing persons have collectively formed a single portrait. \r\nThe paintings here are referenced from photographs I made in various parts of the city of Delhi, where ruins from the past rub shoulders with present-day structures, revealing the many contradictions and shifting nature of urban landscape.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/sculpture-3.jpg\" alt=\"sculpture\" title=\"sculpture\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr><tr><td><span style=\"font-size:11px; line-height:3px;\"><i>Detail</i></span></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/sculpture-4.jpg\" alt=\"sculpture\" title=\"sculpture\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr><tr><td><span style=\"font-size:11px; line-height:3px;\"><i>Detail</i></span></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n','','','inherit','open','open','','2398-revision-9','','','2011-04-01 10:18:19','2011-04-01 10:18:19','',2398,'http://www.reenakallat.com/2427/uncat/2398-revision-9',0,'revision','',0),(2428,1,'2011-04-01 10:36:17','2011-04-01 10:36:17','<style type=\"text/css\">\r\n.tablenav {\r\nclear:both;\r\nheight:30px;\r\nmargin:6px 0 4px;\r\nvertical-align:middle;\r\n}\r\n.tablenav-pages {\r\ncolor:#555555;\r\n}\r\n.tablenav .tablenav-pages {\r\ncursor:default;\r\ndisplay:block;\r\nfloat:right;\r\nfont-size:11px;\r\nheight:30px;\r\nline-height:30px;\r\n}\r\n.page-numbers {\r\nborder-bottom-color:#B8D3E2;\r\ncolor:#21759B;\r\nfont-weight:bold;\r\n}\r\n.tablenav-pages .current {\r\nbackground:none repeat scroll 0 0 #DFDFDF;\r\nborder-color:#D3D3D3;\r\n}\r\n\r\na.page-numbers {\r\nborder-bottom-color:#B8D3E2;\r\n}\r\n.tablenav .displaying-num {\r\nfont-family:Georgia,\"Times New Roman\",\"Bitstream Charter\",Times,serif;\r\nfont-size:12px;\r\nfont-style:italic;\r\nmargin-right:10px;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/reclaim-our-freedom\"><img class=\"alignnone size-medium wp-image-557\" title=\"Heal Anthem (2002)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/27---reclaim-our-freedom.jpg\" alt=\"Heal Anthem (2002)\" width=\"270\" height=\"214\" /></a>Heal Anthem (2002)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/seven-degrees-detailed\"><img class=\"alignnone size-medium wp-image-621\" title=\"Seven Degrees of Vapour… (2002)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/29---seven-degrees.jpg\" alt=\"Seven Degrees of Vapour… (2002)\"  /></a>Seven Degrees of Vapour… (2002)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/boreal\"><img class=\"alignnone size-medium wp-image-199\" title=\"Boreal Art/Nature Residency (2002)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/30--boreal.jpg\" alt=\"\" /></a>Boreal Art/Nature Residency (2002)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/pollent-patterns\"><img class=\"alignnone size-medium wp-image-977\" title=\"Pollen Patterns (2002)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/31--pollen-patterns.jpg\" alt=\"Pollen Patterns (2002)\"  /></a>Pollen Patterns (2002)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/braiding-the-line\"><img class=\"alignnone size-medium wp-image-712\" title=\"Braiding the line (2002)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/braiding_the_line_works-pag.jpg\" alt=\"\"  /></a> Braiding the Line (2002)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/words-and-images\"><img class=\"alignnone size-medium wp-image-712\" title=\"Words And Images\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/words-and-images-works.jpg\" alt=\"\"  /></a> Untitled (2002)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/beautiful-people\"><img class=\"alignnone size-medium wp-image-612\" title=\"Beautiful People of the… (2001)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/32-beautiful-people.jpg\" alt=\"Beautiful People of the… (2001)\"  /></a>Beautiful People of the… (2001)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/tent-cities\"><img class=\"alignnone size-medium wp-image-712\" title=\"Tent Cities\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/tent-cities-works.jpg\" alt=\"\"  /></a> Tent Cities (2000)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/orchard-detailed-info\"><img class=\"alignnone size-medium wp-image-537\" title=\"Orchard of home-grown secrets (1998)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/33--orchard-of-home....jpg\" alt=\"Orchard of home-grown secrets (1998)\"  /></a>Orchard of home-grown secrets (1998)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/joint-family-detailed-info\"><img class=\"alignnone size-medium wp-image-199\" title=\"Joint Family (1998)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/34---Joint-Family.jpg\" alt=\"Joint Family (1998)\"  /></a>Joint Family (1998)</td>\r\n<td width=\"230\" align=\"left\" valign=\"top\" class=\"canvas1\"> \r\n<a href=\"http://www.reenakallat.com/escapades-of-the-ladder-occupants-detailed-info\"><img class=\"alignnone size-medium wp-image-201\" title=\"Escapades of the ladder occupants (1998)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/35---Escapades-of-the-ladde.jpg\" alt=\"Escapades of the ladder occupants (1998)\"  /></a>Escapades of the ladder occupants (1998)</td><td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/recitals-from-the-city-garden-detailed-info\"><img class=\"alignnone size-medium wp-image-712\" title=\"Recitals from the city-garden (1998)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/36---Recitals-from-the-city.jpg\" alt=\"Recitals from the city-garden (1998)\"  /></a>Recitals from the city-garden (1998)</td>\r\n</tr>\r\n<tr>\r\n<td  colspan=3>\r\n<div class=\"tablenav\"><div  style=\"text-align:center;\"><a href=\"works-page-2\" class=\"prev page-numbers\">«</a> <a href=\"works\" class=\"page-numbers\">1, </a> <a href=\"works-page-2\" class=\"page-numbers\">2, </a> <span>3</span> </div><br class=\"clear\"></div>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<!--more-->','works-page-3','','publish','open','open','','works-page-3','','','2014-06-28 10:18:35','2014-06-28 10:18:35','',0,'http://www.reenakallat.com/?page_id=2428',0,'page','',0),(2429,1,'2011-04-01 10:33:04','2011-04-01 10:33:04','','works-page-3','','inherit','open','open','','2428-revision','','','2011-04-01 10:33:04','2011-04-01 10:33:04','',2428,'http://www.reenakallat.com/2429/uncat/2428-revision',0,'revision','',0),(2430,1,'2011-04-01 10:33:22','2011-04-01 10:33:22','<style type=\"text/css\">\r\n.tablenav {\r\nclear:both;\r\nheight:30px;\r\nmargin:6px 0 4px;\r\nvertical-align:middle;\r\n}\r\n.tablenav-pages {\r\ncolor:#555555;\r\n}\r\n.tablenav .tablenav-pages {\r\ncursor:default;\r\ndisplay:block;\r\nfloat:right;\r\nfont-size:11px;\r\nheight:30px;\r\nline-height:30px;\r\n}\r\n.page-numbers {\r\nborder-bottom-color:#B8D3E2;\r\ncolor:#21759B;\r\nfont-weight:bold;\r\n}\r\n.tablenav-pages .current {\r\nbackground:none repeat scroll 0 0 #DFDFDF;\r\nborder-color:#D3D3D3;\r\n}\r\n\r\na.page-numbers {\r\nborder-bottom-color:#B8D3E2;\r\n}\r\n.tablenav .displaying-num {\r\nfont-family:Georgia,\"Times New Roman\",\"Bitstream Charter\",Times,serif;\r\nfont-size:12px;\r\nfont-style:italic;\r\nmargin-right:10px;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/joint-family-detailed-info\"><img class=\"alignnone size-medium wp-image-199\" title=\"Joint Family (1998)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/34---Joint-Family.jpg\" alt=\"Joint Family (1998)\"  /></a>Joint Family (1998)</td>\r\n<td width=\"230\" align=\"left\" valign=\"top\" class=\"canvas1\"> \r\n<a href=\"http://www.reenakallat.com/escapades-of-the-ladder-occupants-detailed-info\"><img class=\"alignnone size-medium wp-image-201\" title=\"Escapades of the ladder occupants (1998)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/35---Escapades-of-the-ladde.jpg\" alt=\"Escapades of the ladder occupants (1998)\"  /></a>Escapades of the ladder occupants (1998)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/recitals-from-the-city-garden-detailed-info\"><img class=\"alignnone size-medium wp-image-712\" title=\"Recitals from the city-garden (1998)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/36---Recitals-from-the-city.jpg\" alt=\"Recitals from the city-garden (1998)\"  /></a>Recitals from the city-garden (1998)</td>\r\n</tr>\r\n<tr>\r\n<td  colspan=3>\r\n<div class=\"tablenav\"><div class=\"tablenav-pages\"><a href=\"works\" class=\"prev page-numbers\">«</a> <a href=\"works\" class=\"page-numbers\">1, </a> <a href=\"works-page-2\" class=\"page-numbers\">2, </a> <span>3</span> </div><br class=\"clear\"></div>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<!--more-->','works-page-3','','inherit','open','open','','2428-revision-2','','','2011-04-01 10:33:22','2011-04-01 10:33:22','',2428,'http://www.reenakallat.com/2430/uncat/2428-revision-2',0,'revision','',0),(2431,1,'2011-04-01 10:34:12','2011-04-01 10:34:12','<style type=\"text/css\">\r\n.tablenav {\r\nclear:both;\r\nheight:30px;\r\nmargin:6px 0 4px;\r\nvertical-align:middle;\r\n}\r\n.tablenav-pages {\r\ncolor:#555555;\r\n}\r\n.tablenav .tablenav-pages {\r\ncursor:default;\r\ndisplay:block;\r\nfloat:right;\r\nfont-size:11px;\r\nheight:30px;\r\nline-height:30px;\r\n}\r\n.page-numbers {\r\nborder-bottom-color:#B8D3E2;\r\ncolor:#21759B;\r\nfont-weight:bold;\r\n}\r\n.tablenav-pages .current {\r\nbackground:none repeat scroll 0 0 #DFDFDF;\r\nborder-color:#D3D3D3;\r\n}\r\n\r\na.page-numbers {\r\nborder-bottom-color:#B8D3E2;\r\n}\r\n.tablenav .displaying-num {\r\nfont-family:Georgia,\"Times New Roman\",\"Bitstream Charter\",Times,serif;\r\nfont-size:12px;\r\nfont-style:italic;\r\nmargin-right:10px;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/joint-family-detailed-info\"><img class=\"alignnone size-medium wp-image-199\" title=\"Joint Family (1998)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/34---Joint-Family.jpg\" alt=\"Joint Family (1998)\"  /></a>Joint Family (1998)</td>\r\n<td width=\"230\" align=\"left\" valign=\"top\" class=\"canvas1\"> \r\n<a href=\"http://www.reenakallat.com/escapades-of-the-ladder-occupants-detailed-info\"><img class=\"alignnone size-medium wp-image-201\" title=\"Escapades of the ladder occupants (1998)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/35---Escapades-of-the-ladde.jpg\" alt=\"Escapades of the ladder occupants (1998)\"  /></a>Escapades of the ladder occupants (1998)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/recitals-from-the-city-garden-detailed-info\"><img class=\"alignnone size-medium wp-image-712\" title=\"Recitals from the city-garden (1998)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/36---Recitals-from-the-city.jpg\" alt=\"Recitals from the city-garden (1998)\"  /></a>Recitals from the city-garden (1998)</td>\r\n</tr>\r\n<tr>\r\n<td  colspan=3>\r\n<div class=\"tablenav\"><div class=\"tablenav-pages\"><a href=\"works-page-2\" class=\"prev page-numbers\">«</a> <a href=\"works\" class=\"page-numbers\">1, </a> <a href=\"works-page-2\" class=\"page-numbers\">2, </a> <span>3</span> </div><br class=\"clear\"></div>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<!--more-->','works-page-3','','inherit','open','open','','2428-revision-3','','','2011-04-01 10:34:12','2011-04-01 10:34:12','',2428,'http://www.reenakallat.com/2431/uncat/2428-revision-3',0,'revision','',0),(2432,1,'2011-04-01 10:36:17','2011-04-01 10:36:17','<style type=\"text/css\">\r\n.tablenav {\r\nclear:both;\r\nheight:30px;\r\nmargin:6px 0 4px;\r\nvertical-align:middle;\r\n}\r\n.tablenav-pages {\r\ncolor:#555555;\r\n}\r\n.tablenav .tablenav-pages {\r\ncursor:default;\r\ndisplay:block;\r\nfloat:right;\r\nfont-size:11px;\r\nheight:30px;\r\nline-height:30px;\r\n}\r\n.page-numbers {\r\nborder-bottom-color:#B8D3E2;\r\ncolor:#21759B;\r\nfont-weight:bold;\r\n}\r\n.tablenav-pages .current {\r\nbackground:none repeat scroll 0 0 #DFDFDF;\r\nborder-color:#D3D3D3;\r\n}\r\n\r\na.page-numbers {\r\nborder-bottom-color:#B8D3E2;\r\n}\r\n.tablenav .displaying-num {\r\nfont-family:Georgia,\"Times New Roman\",\"Bitstream Charter\",Times,serif;\r\nfont-size:12px;\r\nfont-style:italic;\r\nmargin-right:10px;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/joint-family-detailed-info\"><img class=\"alignnone size-medium wp-image-199\" title=\"Joint Family (1998)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/34---Joint-Family.jpg\" alt=\"Joint Family (1998)\"  /></a>Joint Family (1998)</td>\r\n<td width=\"230\" align=\"left\" valign=\"top\" class=\"canvas1\"> \r\n<a href=\"http://www.reenakallat.com/escapades-of-the-ladder-occupants-detailed-info\"><img class=\"alignnone size-medium wp-image-201\" title=\"Escapades of the ladder occupants (1998)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/35---Escapades-of-the-ladde.jpg\" alt=\"Escapades of the ladder occupants (1998)\"  /></a>Escapades of the ladder occupants (1998)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/recitals-from-the-city-garden-detailed-info\"><img class=\"alignnone size-medium wp-image-712\" title=\"Recitals from the city-garden (1998)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/36---Recitals-from-the-city.jpg\" alt=\"Recitals from the city-garden (1998)\"  /></a>Recitals from the city-garden (1998)</td>\r\n</tr>\r\n<tr>\r\n<td  colspan=3>\r\n<div class=\"tablenav\"><div class=\"tablenav-pages\"><a href=\"works-page-2\" class=\"prev page-numbers\">«</a> <a href=\"works\" class=\"page-numbers\">1, </a> <a href=\"works-page-2\" class=\"page-numbers\">2, </a> <span>3</span> </div><br class=\"clear\"></div>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<!--more-->','','','inherit','open','open','','2428-revision-4','','','2011-04-01 10:36:17','2011-04-01 10:36:17','',2428,'http://www.reenakallat.com/2432/uncat/2428-revision-4',0,'revision','',0),(2433,1,'2010-10-26 18:33:56','2010-10-26 18:33:56','<style type=\"text/css\">\r\n.tablenav {\r\nclear:both;\r\nheight:30px;\r\nmargin:6px 0 4px;\r\nvertical-align:middle;\r\n}\r\n.tablenav-pages {\r\ncolor:#555555;\r\n}\r\n.tablenav .tablenav-pages {\r\ncursor:default;\r\ndisplay:block;\r\nfloat:right;\r\nfont-size:11px;\r\nheight:30px;\r\nline-height:30px;\r\n}\r\n.page-numbers {\r\nborder-bottom-color:#B8D3E2;\r\ncolor:#21759B;\r\nfont-weight:bold;\r\n}\r\n.tablenav-pages .current {\r\nbackground:none repeat scroll 0 0 #DFDFDF;\r\nborder-color:#D3D3D3;\r\n}\r\n\r\na.page-numbers {\r\nborder-bottom-color:#B8D3E2;\r\n}\r\n.tablenav .displaying-num {\r\nfont-family:Georgia,\"Times New Roman\",\"Bitstream Charter\",Times,serif;\r\nfont-size:12px;\r\nfont-style:italic;\r\nmargin-right:10px;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/memoria-corona-detailed-info\"><img class=\"alignnone size-medium wp-image-205\" title=\"Memoria Corona (2006)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/18--Memoria-Corona.jpg\" alt=\"Memoria Corona (2006)\"  /></a>Memoria Corona (2006)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/penumbra-detailed-info\"><img class=\"alignnone size-medium wp-image-261\" title=\"Penumbra (2006)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/19---Penumbra.jpg\" alt=\"\"  /></a>Penumbra (2006)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/xylophone-detailed-info\"><img class=\"alignnone size-medium wp-image-495\" title=\"Xylophone (2006)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/20--Xylophone.jpg\" alt=\"Xylophone (2006)\"  /></a>Xylophone (2006)</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\">\r\n</td>\r\n</tr>\r\n<tr>\r\n<td width=\"210\" align=\"left\" valign=\"top\" class=\"canvas1\" nowrap>\r\n<a href=\"http://www.reenakallat.com/penumbra-passage-canine-cases-detailed-info\"><img class=\"alignnone size-medium wp-image-208\" title=\"Penumbra Passage (Canine Cases)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/21--Penumbra-passage.jpg\" alt=\"Penumbra Passage (Canine Cases) (2006)\"  /></a>Penumbra Passage  (Canine Cases) (2006)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/birds-of-steel-detailed-info\"><img class=\"alignnone size-medium wp-image-505\" title=\"Birds of Steel (2006)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/22--Birds-of-Steel.jpg\" alt=\"Birds of Steel (2006)\"  /></a>Birds of Steel (2006)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/birthmark-tattoos-detailed-info\"><img class=\"alignnone size-medium wp-image-207\" title=\"Blueprint: Birthmarks and Tattoos (2004)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/23---birthmarks.jpg\" alt=\"Blueprint: Birthmarks and Tattoos (2004)\"  /></a>Blueprint: Birthmarks and Tattoos (2004)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/sword-swallowers\"><img class=\"alignnone size-medium wp-image-204\" title=\"Sword Swallowers (2004)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/24---sword-swallowers.jpg\" alt=\"Sword Swallowers (2004)\" /></a>Sword Swallowers (2004)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/kiosk-detailed-info\"><img class=\"alignnone size-medium wp-image-517\" title=\"Kiosk (2003)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/25--kiosk.jpg\" alt=\"Kiosk (2003)\"  /></a>Kiosk (2003)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/elephant-walks\"><img class=\"alignnone size-medium wp-image-547\" title=\"Elephant Walks (2003)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/26--ElephantWalks.jpg\" alt=\"Elephant Walks (2003)\"  /></a>Elephant Walks (2003)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/seven-faces-of-dust-detailed-info\"><img class=\"alignnone size-medium wp-image-1013\" title=\"Seven Faces of Dust (2003)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/28--seven-faces-of-dust.jpg\" alt=\"Seven Faces of Dust (2003)\"  /></a>Seven Faces of Dust (2003)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/reclaim-our-freedom\"><img class=\"alignnone size-medium wp-image-557\" title=\"Reclaim our Freedom (2002)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/27---reclaim-our-freedom.jpg\" alt=\"Reclaim our Freedom (2002)\" width=\"270\" height=\"214\" /></a>Reclaim our Freedom (2002)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/seven-degrees-detailed\"><img class=\"alignnone size-medium wp-image-621\" title=\"Seven Degrees of Vapour… (2002)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/29---seven-degrees.jpg\" alt=\"Seven Degrees of Vapour… (2002)\"  /></a>Seven Degrees of Vapour… (2002)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/boreal\"><img class=\"alignnone size-medium wp-image-199\" title=\"Boreal Art/Nature Residency (2002)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/30--boreal.jpg\" alt=\"\" /></a>Boreal Art/Nature Residency (2002)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/pollent-patterns\"><img class=\"alignnone size-medium wp-image-977\" title=\"Pollen Patterns (2002)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/31--pollen-patterns.jpg\" alt=\"Pollen Patterns (2002)\"  /></a>Pollen Patterns (2002)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/words-and-images\"><img class=\"alignnone size-medium wp-image-712\" title=\"Words And Images\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/words-and-images-works.jpg\" alt=\"\"  /></a> Words and Images (2002)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/beautiful-people\"><img class=\"alignnone size-medium wp-image-612\" title=\"Beautiful People of the… (2001)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/32-beautiful-people.jpg\" alt=\"Beautiful People of the… (2001)\"  /></a>Beautiful People of the… (2001)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/tent-cities\"><img class=\"alignnone size-medium wp-image-712\" title=\"Tent Cities\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/tent-cities-works.jpg\" alt=\"\"  /></a> Tent Cities (2000)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/orchard-detailed-info\"><img class=\"alignnone size-medium wp-image-537\" title=\"Orchard of home-grown secrets (1998)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/33--orchard-of-home....jpg\" alt=\"Orchard of home-grown secrets (1998)\"  /></a>Orchard of home-grown secrets (1998)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/joint-family-detailed-info\"><img class=\"alignnone size-medium wp-image-199\" title=\"Joint Family (1998)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/34---Joint-Family.jpg\" alt=\"Joint Family (1998)\"  /></a>Joint Family (1998)</td>\r\n<td width=\"230\" align=\"left\" valign=\"top\" class=\"canvas1\"> \r\n<a href=\"http://www.reenakallat.com/escapades-of-the-ladder-occupants-detailed-info\"><img class=\"alignnone size-medium wp-image-201\" title=\"Escapades of the ladder occupants (1998)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/35---Escapades-of-the-ladde.jpg\" alt=\"Escapades of the ladder occupants (1998)\"  /></a>Escapades of the ladder occupants (1998)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/recitals-from-the-city-garden-detailed-info\"><img class=\"alignnone size-medium wp-image-712\" title=\"Recitals from the city-garden (1998)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/36---Recitals-from-the-city.jpg\" alt=\"Recitals from the city-garden (1998)\"  /></a>Recitals from the city-garden (1998)</td>\r\n</tr>\r\n<tr>\r\n<td  colspan=3>\r\n<div class=\"tablenav\"><div class=\"tablenav-pages\"><a href=\"works\" class=\"prev page-numbers\">«</a> <a href=\"works\" class=\"page-numbers\">1, </a> <span>2</span></div><br class=\"clear\"></div>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<!--more-->','works-page-2','','inherit','open','open','','2082-revision-24','','','2010-10-26 18:33:56','2010-10-26 18:33:56','',2082,'http://www.reenakallat.com/2433/uncat/2082-revision-24',0,'revision','',0),(2435,1,'2011-04-01 10:39:50','2011-04-01 10:39:50','<style type=\"text/css\">\r\n.tablenav {\r\nclear:both;\r\nheight:30px;\r\nmargin:6px 0 4px;\r\nvertical-align:middle;\r\n}\r\n.tablenav-pages {\r\ncolor:#555555;\r\n}\r\n.tablenav .tablenav-pages {\r\ncursor:default;\r\ndisplay:block;\r\nfloat:right;\r\nfont-size:11px;\r\nheight:30px;\r\nline-height:30px;\r\n}\r\n.page-numbers {\r\nborder-bottom-color:#B8D3E2;\r\ncolor:#21759B;\r\nfont-weight:bold;\r\n}\r\n.tablenav-pages .current {\r\nbackground:none repeat scroll 0 0 #DFDFDF;\r\nborder-color:#D3D3D3;\r\n}\r\n\r\na.page-numbers {\r\nborder-bottom-color:#B8D3E2;\r\n}\r\n.tablenav .displaying-num {\r\nfont-family:Georgia,\"Times New Roman\",\"Bitstream Charter\",Times,serif;\r\nfont-size:12px;\r\nfont-style:italic;\r\nmargin-right:10px;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/saline-detailed-info#\"><img class=\"alignnone size-medium wp-image-470\" title=\"Saline (2007)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/15---Saline.jpg\" alt=\"Saline (2007)\"  /></a>Saline (2007)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/walls-of-the-womb-detailed-info\"><img class=\"alignnone size-medium wp-image-206\" title=\"Walls of the Womb (2007)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/16--Walls-of-womb.jpg\" alt=\"Walls of the Womb (2007)\"  /></a>Walls of the Womb (2007)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/memoria-mausolea-detailed-info\"><img class=\"alignnone size-medium wp-image-873\" title=\"Memoria Mausolea (2007)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/17--Memoria-Mausolea.jpg\" alt=\"Memoria Mausolea (2007)\"  /></a>Memoria Mausolea (2007)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/memoria-corona-detailed-info\"><img class=\"alignnone size-medium wp-image-205\" title=\"Memoria Corona (2006)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/18--Memoria-Corona.jpg\" alt=\"Memoria Corona (2006)\"  /></a>Memoria Corona (2006)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/penumbra-detailed-info\"><img class=\"alignnone size-medium wp-image-261\" title=\"Penumbra (2006)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/19---Penumbra.jpg\" alt=\"\"  /></a>Penumbra (2006)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/xylophone-detailed-info\"><img class=\"alignnone size-medium wp-image-495\" title=\"Xylophone (2006)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/20--Xylophone.jpg\" alt=\"Xylophone (2006)\"  /></a>Xylophone (2006)</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\">\r\n</td>\r\n</tr>\r\n<tr>\r\n<td width=\"210\" align=\"left\" valign=\"top\" class=\"canvas1\" nowrap>\r\n<a href=\"http://www.reenakallat.com/penumbra-passage-canine-cases-detailed-info\"><img class=\"alignnone size-medium wp-image-208\" title=\"Penumbra Passage (Canine Cases)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/21--Penumbra-passage.jpg\" alt=\"Penumbra Passage (Canine Cases) (2006)\"  /></a>Penumbra Passage  (Canine Cases) (2006)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/birds-of-steel-detailed-info\"><img class=\"alignnone size-medium wp-image-505\" title=\"Birds of Steel (2006)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/22--Birds-of-Steel.jpg\" alt=\"Birds of Steel (2006)\"  /></a>Birds of Steel (2006)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/birthmark-tattoos-detailed-info\"><img class=\"alignnone size-medium wp-image-207\" title=\"Blueprint: Birthmarks and Tattoos (2004)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/23---birthmarks.jpg\" alt=\"Blueprint: Birthmarks and Tattoos (2004)\"  /></a>Blueprint: Birthmarks and Tattoos (2004)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/sword-swallowers\"><img class=\"alignnone size-medium wp-image-204\" title=\"Sword Swallowers (2004)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/24---sword-swallowers.jpg\" alt=\"Sword Swallowers (2004)\" /></a>Sword Swallowers (2004)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/kiosk-detailed-info\"><img class=\"alignnone size-medium wp-image-517\" title=\"Kiosk (2003)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/25--kiosk.jpg\" alt=\"Kiosk (2003)\"  /></a>Kiosk (2003)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/elephant-walks\"><img class=\"alignnone size-medium wp-image-547\" title=\"Elephant Walks (2003)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/26--ElephantWalks.jpg\" alt=\"Elephant Walks (2003)\"  /></a>Elephant Walks (2003)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/seven-faces-of-dust-detailed-info\"><img class=\"alignnone size-medium wp-image-1013\" title=\"Seven Faces of Dust (2003)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/28--seven-faces-of-dust.jpg\" alt=\"Seven Faces of Dust (2003)\"  /></a>Seven Faces of Dust (2003)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/reclaim-our-freedom\"><img class=\"alignnone size-medium wp-image-557\" title=\"Reclaim our Freedom (2002)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/27---reclaim-our-freedom.jpg\" alt=\"Reclaim our Freedom (2002)\" width=\"270\" height=\"214\" /></a>Reclaim our Freedom (2002)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/seven-degrees-detailed\"><img class=\"alignnone size-medium wp-image-621\" title=\"Seven Degrees of Vapour… (2002)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/29---seven-degrees.jpg\" alt=\"Seven Degrees of Vapour… (2002)\"  /></a>Seven Degrees of Vapour… (2002)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/boreal\"><img class=\"alignnone size-medium wp-image-199\" title=\"Boreal Art/Nature Residency (2002)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/30--boreal.jpg\" alt=\"\" /></a>Boreal Art/Nature Residency (2002)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/pollent-patterns\"><img class=\"alignnone size-medium wp-image-977\" title=\"Pollen Patterns (2002)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/31--pollen-patterns.jpg\" alt=\"Pollen Patterns (2002)\"  /></a>Pollen Patterns (2002)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/words-and-images\"><img class=\"alignnone size-medium wp-image-712\" title=\"Words And Images\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/words-and-images-works.jpg\" alt=\"\"  /></a> Words and Images (2002)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/beautiful-people\"><img class=\"alignnone size-medium wp-image-612\" title=\"Beautiful People of the… (2001)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/32-beautiful-people.jpg\" alt=\"Beautiful People of the… (2001)\"  /></a>Beautiful People of the… (2001)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/tent-cities\"><img class=\"alignnone size-medium wp-image-712\" title=\"Tent Cities\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/tent-cities-works.jpg\" alt=\"\"  /></a> Tent Cities (2000)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/orchard-detailed-info\"><img class=\"alignnone size-medium wp-image-537\" title=\"Orchard of home-grown secrets (1998)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/33--orchard-of-home....jpg\" alt=\"Orchard of home-grown secrets (1998)\"  /></a>Orchard of home-grown secrets (1998)</td>\r\n</tr>\r\n<tr>\r\n<td  colspan=3>\r\n<div class=\"tablenav\"><div class=\"tablenav-pages\"><a href=\"works\" class=\"prev page-numbers\">«</a> <a href=\"works\" class=\"page-numbers\">1, </a> <span>2, </span> <a href=\"works-page-3\" class=\"page-numbers\">3</a>  <a href=\"works-page-3\" >»</a></div><br class=\"clear\"></div>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<!--more-->','works-page-2','','inherit','open','open','','2082-revision-26','','','2011-04-01 10:39:50','2011-04-01 10:39:50','',2082,'http://www.reenakallat.com/2435/uncat/2082-revision-26',0,'revision','',0),(2438,1,'2011-04-01 10:25:55','2011-04-01 10:25:55','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Untitled (column)-1.jpg\" alt=\"Untitled (column)\" title=\"Untitled (column)\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Untitled (column)\r\n</span>2011\r\nacrylic, rubber stamps, wood\r\n28 ft x 9 ft x 9 ft (l x h x b)</td></tr>\r\n<tr><td><span style=\"font-size:11px; line-height:3px;\"><i>installation view</i>,  Kennedy Centre, Washington</span></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Untitled (column)-2.jpg\" alt=\"Untitled (column)\" title=\"Untitled (column)\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Untitled (column)-3.jpg\" alt=\"Untitled (column)\" title=\"Untitled (column)\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px; line-height:3px;\"><i>detail</i></span></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Untitled (column)-4.jpg\" alt=\"Untitled (column)\" title=\"Untitled (column)\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px; line-height:3px;\"><i>detail</i></span></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Untitled (column)-5.jpg\" alt=\"Untitled (column)\" title=\"Untitled (column)\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px; line-height:3px;\"><i>Acknowledgement:</i> The Kennedy Centre, Studio Adrien Gardere</span></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','2383-revision-11','','','2011-04-01 10:25:55','2011-04-01 10:25:55','',2383,'http://www.reenakallat.com/2438/uncat/2383-revision-11',0,'revision','',0),(2439,1,'2011-04-01 10:31:46','2011-04-01 10:31:46','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/sculpture-1.jpg\" alt=\"sculpture\" title=\"sculpture\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></a></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Falling Fables (column)</span>\r\n2011\r\nAcrylic paint, rubber stamps, FRP\r\n31.5 x 80.5 x 31.5 in. I 80 x 204 x 80 cms\r\n</td></tr></tr>\r\n<tr><td><span style=\"font-size:11px;line-height:3px;\"><i>installation view</i>, Nature Morte, New delhi</span></td>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/sculpture-2.jpg\" alt=\"sculpture\" title=\"sculpture\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td><td width=\"400\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThe sculpture of the fallen pillar is part of a series of works titled \'FALLING FABLES\' referenced from architectural ruins and fragments, that are disintegrating and in a state of collapse.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...more</a></div>\r\n<div id=\"uniquename\"  style=\"display:none;width:400px;\">Their surface consists of numerous rubberstamps bearing addresses of missing monuments listed as protected sites under the Archeological Survey of India, dispersed amidst others that carry fragments of poems/ phrases on architecture and loss. I’ve been interested in official records of loss and disappearance – in earlier works such as ‘Synonyms’ where the names of missing persons have collectively formed a single portrait. \r\nThe paintings here are referenced from photographs I made in various parts of the city of Delhi, where ruins from the past rub shoulders with present-day structures, revealing the many contradictions and shifting nature of urban landscape.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/sculpture-3.jpg\" alt=\"sculpture\" title=\"sculpture\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr><tr><td><span style=\"font-size:11px; line-height:3px;\"><i>Detail</i></span></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/sculpture-4.jpg\" alt=\"sculpture\" title=\"sculpture\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr><tr><td><span style=\"font-size:11px; line-height:3px;\"><i>Detail</i></span></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n','','','inherit','open','open','','2398-revision-10','','','2011-04-01 10:31:46','2011-04-01 10:31:46','',2398,'http://www.reenakallat.com/2439/uncat/2398-revision-10',0,'revision','',0),(2440,1,'2011-04-01 10:21:24','2011-04-01 10:21:24','<table border=\"0\" cellspacing=\"5\" cellpadding=\"0\" width=\"100%\" align=\"centre\">\r\n<tbody>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" width=\"21%\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td style=\"margin-left: 5px;\"><span class=\"pubstrong\">Reena Saini Kallat, </span> 2009<span>\r\nText: Nancy Adajania and Murtaza Vali\r\nPublisher: Primo Marella Gallery, Walsh Gallery and Chemould Prescott Road\r\nISBN: 978-81-908879-1-5 </span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/reena-kallat\">read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Rainbow of Refuse, </span>2006<span>\r\nText: Nancy Adajania\r\nPublisher: Bodhi Art Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/rainbow-of-refuse\">read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Black Flute (and other stories), </span>2005\r\n<span class=\"pubstrong\">Black Flute,</span> 2004<span>\r\nText: Nancy Adajania\r\nPublisher: Gallery Chemould and Nature Morte Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/black-flute\">read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">The Battlefield is the Mind, </span>2002<span>\r\nText: Nancy Adajania\r\nPublisher: Sakshi Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/battlefield-of-mind\">read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\" cellspacing=\"0\" cellpadding=\"0\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Skin, </span>2000<span>\r\nInterview with Jitish Kallat\r\nPublisher: Gallery Chemould and Vis-à-vis Art Inc. Gallery</span></td>\r\n</tr>\r\n<tr>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Orchard of home-grown secrets, </span>1998<span>\r\nText: Ranjit Hoskote\r\nPublisher: Gallery Chemould and Pundole Art Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/orchard-pub\">read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n<td><!-- Start of Other Publications -->\r\n<span class=\"pubstrong\">Never Run Away, </span>2010<span>\r\nText: Shaheen Merali\r\nPublisher: Stux Gallery</span>\r\n<span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/never-run-away\">read essay</a></span>\r\n\r\n<span class=\"pubstrong\">Urban Manners 2, </span>2010<span>\r\nText: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\nPublisher: SESC Pompeia, Sao Paulo </span>\r\n\r\n<span class=\"pubstrong\">The Empire Strikes Back, </span>2010<span>\r\nText: Zehra Jumabhoy\r\nPublisher: Saatchi Gallery\r\nISBN: 9780224089494\r\n</span>\r\n\r\n\r\n<span class=\"pubstrong\">The River Project, </span>2010<span>\r\nPublisher: Campbelltown Arts Centre\r\nISBN: 9781875199761\r\n</span>\r\n\r\n\r\n<span class=\"pubstrong\">Asian Art Now, </span>2010<span>\r\nText: Melissa Chiu and Benjamin Genocchio\r\nPublisher: Monacelli Press\r\nISBN: 978-1-58093-298-1 (1-58093-298-3)\r\n</span>\r\n\r\n<span class=\"pubstrong\">Roundabout, </span>2010<span>\r\nPublisher: Art Asia Pacific Publishing\r\nISBN: 978-0984562510\r\n</span>\r\n\r\n<span class=\"pubstrong\">The Khoj Book, </span>2010<span>\r\nInterview with Shilpa Gupta\r\nPublisher: HarperCollins\r\nISBN: 9788172236878</span>\r\n<span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/khoj-book\">read interview</a></span>\r\n\r\n\r\n<span class=\"pubstrong\">5 Bienal Ventosul, </span>2009<span>\r\nPublisher: Instituto Paranaense de Arte</span>\r\n\r\n<span class=\"pubstrong\">Viewpoints &amp; Viewings Points- Asian Art Biennale, </span>2009<span>\r\nText: Chao-yi-Tsai\r\nPublisher: National Taiwan Museum of fine Arts\r\nISBN: 978-986-02-0269-4</span>\r\n\r\n<span class=\"pubstrong\">India Xianzai: Contemporary Indian Art, </span>2009<span>\r\nText: Jitish Kallat, Diana Freundl, Alexander Keefe\r\nPublisher: Museum of Contemporary Art</span>\r\n\r\n<span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2009<span>\r\nText: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki,\r\nMiho Tagomori\r\nPublisher: Prestel, National Museum of Contemporary Art and Essl Museum\r\nISBN: 978-3-7913-4304-4</span>\r\n\r\n<span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2008<span>\r\nText: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman\r\nGopinath, Jayaram, Deepak Ananth\r\nPublisher: Mori Art Museum\r\nISBN: 978-4-902819-21-2</span>\r\n\r\n<span class=\"pubstrong\">India Moderna, </span>2008<span>\r\nText: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur,\r\nR. Siva Kumar, K.G. Subramanyan\r\nPublisher: IVAM (Institute Valencia D’Art Modern)\r\nISBN: 978-84-482-5104-8</span>\r\n\r\n<span class=\"pubstrong\">Everywhere is War (and rumours of it),</span>2008<span>\r\nText: Kai Hafez, Martin Hager, Nicholas Mirzoeff, Daniel Miller,\r\nBregje van Eekelen\r\nPublisher: Bodhi Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Three Points of Views, </span>2008<span>\r\nText: Grant Watson\r\nPublisher: Galerie Mirchandani + Steinruecke</span>\r\n\r\n<span class=\"pubstrong\">New Narratives: Contemporary Art from India, </span>2008<span>\r\nText: Betty Seid with contributions by Johan Pijnappel\r\nPublisher: Mapin Publication in association with Chicago Cultural Center\r\nISBN: 978-1-890206-08-6</span>\r\n\r\n<span class=\"pubstrong\">Made by Indians, </span>2007<span>\r\nText: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\nPublisher: Galerie Enrico Navarra\r\nISBN: 2-911596-37-4</span>\r\n\r\n<span class=\"pubstrong\">Thermocline of Art: New Asian Waves, </span>2007<span>\r\nText:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong\r\nPublisher: Hatje Cantz Vertag\r\nISBN: 978-3-7757-2073-1\r\nEAN: 9782911596377</span>\r\n\r\n<span class=\"pubstrong\">Indian Colour, </span>2007<span>\r\nText: Peter Nagy\r\nPublisher: Dal- seung Hwang, Keumsan Gallery</span>\r\n\r\n<span class=\"pubstrong\">India Arte Oggi, </span>2007<span>\r\nText:  Daniela Palazzoli\r\nPublisher: Spazio Oberdan\r\nISBN: 978-88-202-1867-6</span>\r\n\r\n<span class=\"pubstrong\">Urban Manners, </span>2007<span>\r\nText: Adelina Von Furstenberg and Nancy Adajania\r\nPublisher: Hangar Bicocca</span>\r\n\r\n<span class=\"pubstrong\">International Incheon Women Artists’ Biennale,</span>\r\n<span class=\"pubstrong\">Knocking on the Door, </span>2007<span>\r\nText: Sung Hee Kim, John C. Welchman\r\nPublisher: Incheon Culture and Art Centre</span>\r\n\r\n<span class=\"pubstrong\">Soft Power: Asian Attitude, </span>2007<span>\r\nText: Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\nPublisher: Shanghai Zendai Mumsem of Modern Art\r\nISBN: 978-7-5356-2790-2</span>\r\n\r\n<span class=\"pubstrong\">India Express- Art and Popular Culture, </span>2006<span>\r\nText: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze\r\nPublisher: Helsinki City Art Museum\r\nISBN: 951-8965-61-7</span>\r\n\r\n<span class=\"pubstrong\">Bombay L’album Maximum City, </span>2006<span>\r\nText: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\nPublisher: Terrail, Lille 3000\r\nISBN: 2-87939-325-6</span>\r\n\r\n<span class=\"pubstrong\">Indian Paintings of the New Millennium, </span>2005<span>\r\nText: Helen Asquine  Fazio, Gayatri Sinha\r\nPublisher: Quick Arts Center, Fairfield University</span>\r\n\r\n<span class=\"pubstrong\">A Guide to 101 Modern &amp; Contemporary Indian Artists, </span>2005<span>\r\nText: Amrita Jhaveri\r\nPublisher: India Book House\r\nISBN: 81-7508-423-5</span>\r\n\r\n<span class=\"pubstrong\">Zoom! Art in Contemporary India, </span>2004<span>\r\nTexts: Luis Serpa and Nancy Adajania\r\nPublisher: The Culturgest Museum\r\nISBN: 972-769-033-5</span>\r\n\r\n<span class=\"pubstrong\">Interlude in Sri Lanka, </span>2004<span>\r\nText: Ranjit Hoskote and Nancy Adajania\r\nPublisher: The Guild Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Generation I, </span>2004<span>\r\nText: Zehra Jumabhoy\r\nPublisher: Saffronart &amp; The Guild Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Tiranga Rights and Reponsibilities, </span>2003<span>\r\nText: Peter Nagy\r\nPublisher: Jindal Foundation &amp; Creative Arts</span>\r\n\r\n<span class=\"pubstrong\">Hard Copy, </span>2003<span>\r\nText: Peter Nagy\r\nPublisher: Galerie 88</span>\r\n\r\n<span class=\"pubstrong\">Crossing Generations: diVERGE, </span>2003<span>\r\nText: Geeta Kapoor and Chaitanya Sambrani\r\nPublisher: Gallery Chemould</span>\r\n\r\n\r\n<span class=\"pubstrong\" style=\"color: #000000;\">PRESS</span>\r\n\r\n<span class=\"pubstrong\"><a href=\"http://www.america.gov/st/peopleplace-english/2011/March/20110307133535drawoh0.7282221.html?CP.rss=true\" style=\"color: rgb(135, 135, 135);\" >Art at “maximum INDIA” Festival Evokes Cultural Memory and Loss</a>  </span><span>\r\nHoward Cincotta, www.america.gov, March 7, 2011\r\n</span>\r\n\r\n<span class=\"pubstrong\"><a href=\"http://www.signonsandiego.com/news/2011/mar/02/kennedy-center-opens-3-week-india-arts-festival/\" style=\"color: rgb(135, 135, 135);\" >Kennedy Center opens 3-week India arts festival</a>  </span><span>\r\nBrett Zongker, www.signonsnadiego.com</span>\r\n\r\n<span class=\"pubstrong\"><a href=\"#\" style=\"color: rgb(135, 135, 135);\" >The Eye and the Mind: New Interventions in Contemporary Indian Art</a>  </span><span>\r\nRajeev Lochan, India Perspectives, Vol. 24, No. 6, 2010</span>\r\n\r\n<span class=\"pubstrong\"><a href=\"http://www.artconcerns.com/mywork.php\" style=\"color: rgb(135, 135, 135);\" >My work</a>  </span><span>\r\nwww.artconcerns.com, Oct-Nov 2010 issue\r\nText: Reena Kallat</span>\r\n\r\n<span class=\"pubstrong\"><a href=\"http://artradarjournal.com/2010/04/20/indian-contemporary-artist-reena-kallat-art-radar-exclusive-interview/\" style=\"color: rgb(135, 135, 135);\">Interview, Art Radar Asia </a></span><span>\r\n April 20, 2010</span>\r\n\r\n\r\n<span class=\"pubstrong\">The Archives of the Heart</span><span>\r\nNancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\nFront Cover, pgs 42-45, 2009</span>\r\n\r\n<span class=\"pubstrong\">Globale Kunst Mit Wurzelduft</span><span>\r\nVon Almuth Speigler, Die Presse, Feuilleton, 2nd September 2009</span>\r\n\r\n<span class=\"pubstrong\">Landscapes of Loss</span><span>\r\nBeth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009</span>\r\n\r\n<span class=\"pubstrong\">Reincarnating History</span><span>\r\nThe Big Picture, Architect and Interiors, July 2009</span>\r\n\r\n<span class=\"pubstrong\">Stamp Collection</span><span>\r\nGeorgina Maddox, The Sunday Express, 17th May 2009</span>\r\n\r\n<span class=\"pubstrong\">Evolving Beyond Borders</span><span>\r\nReshma S. Kulkarni, Bombay Times, Times of India, 15th January, 2009</span>\r\n\r\n<span class=\"pubstrong\">Loss and Found</span><span>\r\nMarina Correa, DNA, Mumbai, 22nd January 2009</span>\r\n\r\n<span class=\"pubstrong\">Focus India</span><span>\r\nMegha Ralapati, Flash Art, pg 114, January-February 2008</span>\r\n\r\n<span class=\"pubstrong\">Come Together Right Now</span><span>\r\nReema Gehi, HT Café, 15th February 2008</span>\r\n\r\n<span class=\"pubstrong\">Such a Long Journey</span><span>\r\nAparna S Sharma, Elle Magazine, pgs 115-117, February 2008</span>\r\n\r\n<span class=\"pubstrong\">More than a Woman</span><span>\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 4th February 2008</span>\r\n\r\n<span class=\"pubstrong\">Artist of the Fortnight</span><span>\r\nMaria Louis, Outlook Profit, pg 79, 18th April 2008</span>\r\n\r\n<span class=\"pubstrong\">Deja View</span><span>\r\nTara Khilachand, Live Mint, 20th December 2008</span>\r\n\r\n<span class=\"pubstrong\">Terror Struck</span><span>\r\nMaria Louis, Outlook Profit, 26th December 2008</span>\r\n\r\n<span class=\"pubstrong\">Name Calling</span><span>\r\nDeepanjana Pal, Timeout Mumbai, December 2008</span>\r\n\r\n<span class=\"pubstrong\">Corruptions of Power</span>\r\n<span>Shiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99, 2007</span>\r\n\r\n<span class=\"pubstrong\">Over the Rainbow</span><span>\r\nMaria Louis, Interview, Verve Magazine, pg 78, November 2006</span>\r\n\r\n<span class=\"pubstrong\"><a href=\"http://www.hindu.com/mag/2006/10/29/stories/2006102900070200.htm\" style=\"color: rgb(135, 135, 135);\">In a State of Perennial Siege</a></span><span>\r\nNancy Adajania, The Hindu, Hyderabad, 29th October 2006</span>\r\n\r\n<span class=\"pubstrong\">Her Crowning Achievement</span><span>\r\nClara Chow, The Straits Times, 18th November 2006</span>\r\n\r\n<span class=\"pubstrong\">Political Chaos</span><span>\r\nDeepali Nandwani, Beautiful people, pg 143, November-December 2006</span>\r\n\r\n<span class=\"pubstrong\">Weapons of Mass Construction</span><span>\r\nRituparna Som, DNA after Hrs, Mumbai, 9th October, 2006</span>\r\n\r\n<span class=\"pubstrong\">Guns and Roses</span><span>\r\nRachna Nakra, The Indian Express, Mumbai Newsline, 18th September 2006</span>\r\n\r\n<span class=\"pubstrong\">Under Attack</span><span>\r\nGitanjali Dang, HT Mumbai, 22nd September 2006</span>\r\n\r\n<span class=\"pubstrong\">Time Traveller</span><span>\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 27th June 2006</span>\r\n\r\n<span class=\"pubstrong\">The Flower and the Sword</span><span>\r\nGirish Shahane, The Art News magazine of India, pg 93, volume X issue I, 2004</span>\r\n\r\n<span class=\"pubstrong\">India’s Top 100 Achievers</span><span>\r\nSociety Magazine, pg 137, December 2004</span>\r\n\r\n<span class=\"pubstrong\"><a href=\"http://www.hinduonnet.com/thehindu/mag/2004/12/19/stories/2004121900620700.htm\" style=\"color: rgb(135, 135, 135);\" >Caught Between Demons</a></span><span>\r\nNancy Adajania, The Hindu, 19th December 2004</span>\r\n\r\n<span class=\"pubstrong\">En Reise Til India</span><span>\r\nHarald Flor, Dagbladet, Kultur, 2nd February 2003</span>\r\n\r\n<span class=\"pubstrong\">Signs of Resistance</span><span>\r\nNancy Adajania, The Hindu, 5th January 2003</span>\r\n\r\n<span class=\"pubstrong\">Of the Goddess and Demon in the Mind</span><span>\r\nDebbie Rodgers, Sunday edition Vijay Times, Bangalore, 5th January 2003</span>\r\n\r\n<span class=\"pubstrong\">Empathic Anger</span><span>\r\nMarta Jakimowicz, Deccan Herald, 23rd December 2002</span>\r\n\r\n<span class=\"pubstrong\">Mysore Ek Khoj</span>\r\nCross Fertilization of Culture, Interview in Star of Mysore, 27th October 2002\r\n\r\n<span class=\"pubstrong\">Linking Islands</span><span>\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 15th February 2002</span>\r\n\r\n<span class=\"pubstrong\">Creating to Destroy</span><span>\r\nJasmine Shah Varma, The List, Mid Day, 22nd February 2002</span>\r\n\r\n<span class=\"pubstrong\">Different Strokes</span><span>\r\nGeorgina L Maddox, The Indian Express, Mumbai Newsline, 24th July 2002</span>\r\n\r\n<span class=\"pubstrong\">Of Faith and Hunger</span><span>\r\nAbhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89, December 2000</span>\r\n\r\n<span class=\"pubstrong\">The Murmur of Skin</span><span>\r\nNupur Mahajan, Bombay Times, Times of India, 12th October 2000</span>\r\n\r\n<span class=\"pubstrong\">Not just Skin Deep</span><span>\r\nJasmine Shah Varma, The List, Mid-day, 4th October 2000</span>\r\n\r\n<span class=\"pubstrong\">Inside Out</span><span>\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 11th October 2000</span>\r\n\r\n<span class=\"pubstrong\">Scintillating Skin</span><span>\r\nVaibhav Purandare, The Asian Age, 14th October 2000</span>\r\n\r\n<span class=\"pubstrong\">An Artist’s World: Roti, Makaan &amp; Abstract Art</span><span>\r\nPoonam Goel, HT City, 23rd December 2000</span>\r\n\r\n<span class=\"pubstrong\">Within you, Without you</span><span>\r\nAnu Kumar, Indian Express, Express Newsline, 2nd September 1998</span>\r\n\r\n<span class=\"pubstrong\">Farming Intrigue</span><span>\r\nJerry Pinto, The Times of India, Bombay Times, 3rd September 1998</span>\r\n\r\n<span class=\"pubstrong\">Interactive Medium</span><span>\r\nKaren Pereira, Indian Architect &amp; Builder, pgs 102-104, October 1998</span></td>\r\n</tr>\r\n</tbody>\r\n</table>','Publications','','inherit','open','open','','87-revision-176','','','2011-04-01 10:21:24','2011-04-01 10:21:24','',87,'http://www.reenakallat.com/2440/uncat/87-revision-176',0,'revision','',0),(2441,1,'2011-04-01 11:04:37','2011-04-01 11:04:37','<table border=\"0\" cellspacing=\"5\" cellpadding=\"0\" width=\"100%\" align=\"centre\">\r\n<tbody>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" width=\"21%\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td style=\"margin-left: 5px;\"><span class=\"pubstrong\">Reena Saini Kallat, </span> 2009<span>\r\nText: Nancy Adajania and Murtaza Vali\r\nPublisher: Primo Marella Gallery, Walsh Gallery and Chemould Prescott Road\r\nISBN: 978-81-908879-1-5 </span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/reena-kallat\">read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Rainbow of Refuse, </span>2006<span>\r\nText: Nancy Adajania\r\nPublisher: Bodhi Art Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/rainbow-of-refuse\">read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Black Flute (and other stories), </span>2005\r\n<span class=\"pubstrong\">Black Flute,</span> 2004<span>\r\nText: Nancy Adajania\r\nPublisher: Gallery Chemould and Nature Morte Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/black-flute\">read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">The Battlefield is the Mind, </span>2002<span>\r\nText: Nancy Adajania\r\nPublisher: Sakshi Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/battlefield-of-mind\">read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\" cellspacing=\"0\" cellpadding=\"0\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Skin, </span>2000<span>\r\nInterview with Jitish Kallat\r\nPublisher: Gallery Chemould and Vis-à-vis Art Inc. Gallery</span></td>\r\n</tr>\r\n<tr>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Orchard of home-grown secrets, </span>1998<span>\r\nText: Ranjit Hoskote\r\nPublisher: Gallery Chemould and Pundole Art Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/orchard-pub\">read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n<td><!-- Start of Other Publications -->\r\n<span class=\"pubstrong\">Never Run Away, </span>2010<span>\r\nText: Shaheen Merali\r\nPublisher: Stux Gallery</span>\r\n<span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/never-run-away\">read essay</a></span>\r\n\r\n<span class=\"pubstrong\">Urban Manners 2, </span>2010<span>\r\nText: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\nPublisher: SESC Pompeia, Sao Paulo </span>\r\n\r\n<span class=\"pubstrong\">The Empire Strikes Back, </span>2010<span>\r\nText: Zehra Jumabhoy\r\nPublisher: Saatchi Gallery\r\nISBN: 9780224089494\r\n</span>\r\n\r\n\r\n<span class=\"pubstrong\">The River Project, </span>2010<span>\r\nPublisher: Campbelltown Arts Centre\r\nISBN: 9781875199761\r\n</span>\r\n\r\n\r\n<span class=\"pubstrong\">Asian Art Now, </span>2010<span>\r\nText: Melissa Chiu and Benjamin Genocchio\r\nPublisher: Monacelli Press\r\nISBN: 978-1-58093-298-1 (1-58093-298-3)\r\n</span>\r\n\r\n<span class=\"pubstrong\">Roundabout, </span>2010<span>\r\nPublisher: Art Asia Pacific Publishing\r\nISBN: 978-0984562510\r\n</span>\r\n\r\n<span class=\"pubstrong\">The Khoj Book, </span>2010<span>\r\nInterview with Shilpa Gupta\r\nPublisher: HarperCollins\r\nISBN: 9788172236878</span>\r\n<span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/khoj-book\">read interview</a></span>\r\n\r\n\r\n<span class=\"pubstrong\">5 Bienal Ventosul, </span>2009<span>\r\nPublisher: Instituto Paranaense de Arte</span>\r\n\r\n<span class=\"pubstrong\">Viewpoints &amp; Viewings Points- Asian Art Biennale, </span>2009<span>\r\nText: Chao-yi-Tsai\r\nPublisher: National Taiwan Museum of fine Arts\r\nISBN: 978-986-02-0269-4</span>\r\n\r\n<span class=\"pubstrong\">India Xianzai: Contemporary Indian Art, </span>2009<span>\r\nText: Jitish Kallat, Diana Freundl, Alexander Keefe\r\nPublisher: Museum of Contemporary Art</span>\r\n\r\n<span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2009<span>\r\nText: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki,\r\nMiho Tagomori\r\nPublisher: Prestel, National Museum of Contemporary Art and Essl Museum\r\nISBN: 978-3-7913-4304-4</span>\r\n\r\n<span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2008<span>\r\nText: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman\r\nGopinath, Jayaram, Deepak Ananth\r\nPublisher: Mori Art Museum\r\nISBN: 978-4-902819-21-2</span>\r\n\r\n<span class=\"pubstrong\">India Moderna, </span>2008<span>\r\nText: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur,\r\nR. Siva Kumar, K.G. Subramanyan\r\nPublisher: IVAM (Institute Valencia D’Art Modern)\r\nISBN: 978-84-482-5104-8</span>\r\n\r\n<span class=\"pubstrong\">Everywhere is War (and rumours of it),</span>2008<span>\r\nText: Kai Hafez, Martin Hager, Nicholas Mirzoeff, Daniel Miller,\r\nBregje van Eekelen\r\nPublisher: Bodhi Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Three Points of Views, </span>2008<span>\r\nText: Grant Watson\r\nPublisher: Galerie Mirchandani + Steinruecke</span>\r\n\r\n<span class=\"pubstrong\">New Narratives: Contemporary Art from India, </span>2008<span>\r\nText: Betty Seid with contributions by Johan Pijnappel\r\nPublisher: Mapin Publication in association with Chicago Cultural Center\r\nISBN: 978-1-890206-08-6</span>\r\n\r\n<span class=\"pubstrong\">Made by Indians, </span>2007<span>\r\nText: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\nPublisher: Galerie Enrico Navarra\r\nISBN: 2-911596-37-4</span>\r\n\r\n<span class=\"pubstrong\">Thermocline of Art: New Asian Waves, </span>2007<span>\r\nText:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong\r\nPublisher: Hatje Cantz Vertag\r\nISBN: 978-3-7757-2073-1\r\nEAN: 9782911596377</span>\r\n\r\n<span class=\"pubstrong\">Indian Colour, </span>2007<span>\r\nText: Peter Nagy\r\nPublisher: Dal- seung Hwang, Keumsan Gallery</span>\r\n\r\n<span class=\"pubstrong\">India Arte Oggi, </span>2007<span>\r\nText:  Daniela Palazzoli\r\nPublisher: Spazio Oberdan\r\nISBN: 978-88-202-1867-6</span>\r\n\r\n<span class=\"pubstrong\">Urban Manners, </span>2007<span>\r\nText: Adelina Von Furstenberg and Nancy Adajania\r\nPublisher: Hangar Bicocca</span>\r\n\r\n<span class=\"pubstrong\">International Incheon Women Artists’ Biennale,</span>\r\n<span class=\"pubstrong\">Knocking on the Door, </span>2007<span>\r\nText: Sung Hee Kim, John C. Welchman\r\nPublisher: Incheon Culture and Art Centre</span>\r\n\r\n<span class=\"pubstrong\">Soft Power: Asian Attitude, </span>2007<span>\r\nText: Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\nPublisher: Shanghai Zendai Mumsem of Modern Art\r\nISBN: 978-7-5356-2790-2</span>\r\n\r\n<span class=\"pubstrong\">India Express- Art and Popular Culture, </span>2006<span>\r\nText: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze\r\nPublisher: Helsinki City Art Museum\r\nISBN: 951-8965-61-7</span>\r\n\r\n<span class=\"pubstrong\">Bombay L’album Maximum City, </span>2006<span>\r\nText: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\nPublisher: Terrail, Lille 3000\r\nISBN: 2-87939-325-6</span>\r\n\r\n<span class=\"pubstrong\">Indian Paintings of the New Millennium, </span>2005<span>\r\nText: Helen Asquine  Fazio, Gayatri Sinha\r\nPublisher: Quick Arts Center, Fairfield University</span>\r\n\r\n<span class=\"pubstrong\">A Guide to 101 Modern &amp; Contemporary Indian Artists, </span>2005<span>\r\nText: Amrita Jhaveri\r\nPublisher: India Book House\r\nISBN: 81-7508-423-5</span>\r\n\r\n<span class=\"pubstrong\">Zoom! Art in Contemporary India, </span>2004<span>\r\nTexts: Luis Serpa and Nancy Adajania\r\nPublisher: The Culturgest Museum\r\nISBN: 972-769-033-5</span>\r\n\r\n<span class=\"pubstrong\">Interlude in Sri Lanka, </span>2004<span>\r\nText: Ranjit Hoskote and Nancy Adajania\r\nPublisher: The Guild Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Generation I, </span>2004<span>\r\nText: Zehra Jumabhoy\r\nPublisher: Saffronart &amp; The Guild Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Tiranga Rights and Reponsibilities, </span>2003<span>\r\nText: Peter Nagy\r\nPublisher: Jindal Foundation &amp; Creative Arts</span>\r\n\r\n<span class=\"pubstrong\">Hard Copy, </span>2003<span>\r\nText: Peter Nagy\r\nPublisher: Galerie 88</span>\r\n\r\n<span class=\"pubstrong\">Crossing Generations: diVERGE, </span>2003<span>\r\nText: Geeta Kapoor and Chaitanya Sambrani\r\nPublisher: Gallery Chemould</span>\r\n\r\n\r\n<span class=\"pubstrong\" style=\"color: #000000;\">PRESS</span>\r\n\r\n<span class=\"pubstrong\"><a href=\"http://www.america.gov/st/peopleplace-english/2011/March/20110307133535drawoh0.7282221.html?CP.rss=true\" style=\"color: rgb(135, 135, 135);\" >Art at “maximum INDIA” Festival Evokes Cultural Memory and Loss</a>  </span><span>\r\nHoward Cincotta, www.america.gov, March 7, 2011\r\n</span>\r\n\r\n<span class=\"pubstrong\"><a href=\"http://www.signonsandiego.com/news/2011/mar/02/kennedy-center-opens-3-week-india-arts-festival/\" style=\"color: rgb(135, 135, 135);\" >Kennedy Center opens 3-week India arts festival</a>  </span><span>\r\nBrett Zongker, www.signonsnadiego.com</span>\r\n\r\n<span class=\"pubstrong\">The Eye and the Mind: New Interventions in Contemporary Indian Art </span><span>\r\nRajeev Lochan, India Perspectives, Vol. 24, No. 6, 2010</span>\r\n\r\n<span class=\"pubstrong\"><a href=\"http://www.artconcerns.com/mywork.php\" style=\"color: rgb(135, 135, 135);\" >My work</a>  </span><span>\r\nwww.artconcerns.com, Oct-Nov 2010 issue\r\nText: Reena Kallat</span>\r\n\r\n<span class=\"pubstrong\"><a href=\"http://artradarjournal.com/2010/04/20/indian-contemporary-artist-reena-kallat-art-radar-exclusive-interview/\" style=\"color: rgb(135, 135, 135);\">Interview, Art Radar Asia </a></span><span>\r\n April 20, 2010</span>\r\n\r\n\r\n<span class=\"pubstrong\">The Archives of the Heart</span><span>\r\nNancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\nFront Cover, pgs 42-45, 2009</span>\r\n\r\n<span class=\"pubstrong\">Globale Kunst Mit Wurzelduft</span><span>\r\nVon Almuth Speigler, Die Presse, Feuilleton, 2nd September 2009</span>\r\n\r\n<span class=\"pubstrong\">Landscapes of Loss</span><span>\r\nBeth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009</span>\r\n\r\n<span class=\"pubstrong\">Reincarnating History</span><span>\r\nThe Big Picture, Architect and Interiors, July 2009</span>\r\n\r\n<span class=\"pubstrong\">Stamp Collection</span><span>\r\nGeorgina Maddox, The Sunday Express, 17th May 2009</span>\r\n\r\n<span class=\"pubstrong\">Evolving Beyond Borders</span><span>\r\nReshma S. Kulkarni, Bombay Times, Times of India, 15th January, 2009</span>\r\n\r\n<span class=\"pubstrong\">Loss and Found</span><span>\r\nMarina Correa, DNA, Mumbai, 22nd January 2009</span>\r\n\r\n<span class=\"pubstrong\">Focus India</span><span>\r\nMegha Ralapati, Flash Art, pg 114, January-February 2008</span>\r\n\r\n<span class=\"pubstrong\">Come Together Right Now</span><span>\r\nReema Gehi, HT Café, 15th February 2008</span>\r\n\r\n<span class=\"pubstrong\">Such a Long Journey</span><span>\r\nAparna S Sharma, Elle Magazine, pgs 115-117, February 2008</span>\r\n\r\n<span class=\"pubstrong\">More than a Woman</span><span>\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 4th February 2008</span>\r\n\r\n<span class=\"pubstrong\">Artist of the Fortnight</span><span>\r\nMaria Louis, Outlook Profit, pg 79, 18th April 2008</span>\r\n\r\n<span class=\"pubstrong\">Deja View</span><span>\r\nTara Khilachand, Live Mint, 20th December 2008</span>\r\n\r\n<span class=\"pubstrong\">Terror Struck</span><span>\r\nMaria Louis, Outlook Profit, 26th December 2008</span>\r\n\r\n<span class=\"pubstrong\">Name Calling</span><span>\r\nDeepanjana Pal, Timeout Mumbai, December 2008</span>\r\n\r\n<span class=\"pubstrong\">Corruptions of Power</span>\r\n<span>Shiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99, 2007</span>\r\n\r\n<span class=\"pubstrong\">Over the Rainbow</span><span>\r\nMaria Louis, Interview, Verve Magazine, pg 78, November 2006</span>\r\n\r\n<span class=\"pubstrong\"><a href=\"http://www.hindu.com/mag/2006/10/29/stories/2006102900070200.htm\" style=\"color: rgb(135, 135, 135);\">In a State of Perennial Siege</a></span><span>\r\nNancy Adajania, The Hindu, Hyderabad, 29th October 2006</span>\r\n\r\n<span class=\"pubstrong\">Her Crowning Achievement</span><span>\r\nClara Chow, The Straits Times, 18th November 2006</span>\r\n\r\n<span class=\"pubstrong\">Political Chaos</span><span>\r\nDeepali Nandwani, Beautiful people, pg 143, November-December 2006</span>\r\n\r\n<span class=\"pubstrong\">Weapons of Mass Construction</span><span>\r\nRituparna Som, DNA after Hrs, Mumbai, 9th October, 2006</span>\r\n\r\n<span class=\"pubstrong\">Guns and Roses</span><span>\r\nRachna Nakra, The Indian Express, Mumbai Newsline, 18th September 2006</span>\r\n\r\n<span class=\"pubstrong\">Under Attack</span><span>\r\nGitanjali Dang, HT Mumbai, 22nd September 2006</span>\r\n\r\n<span class=\"pubstrong\">Time Traveller</span><span>\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 27th June 2006</span>\r\n\r\n<span class=\"pubstrong\">The Flower and the Sword</span><span>\r\nGirish Shahane, The Art News magazine of India, pg 93, volume X issue I, 2004</span>\r\n\r\n<span class=\"pubstrong\">India’s Top 100 Achievers</span><span>\r\nSociety Magazine, pg 137, December 2004</span>\r\n\r\n<span class=\"pubstrong\"><a href=\"http://www.hinduonnet.com/thehindu/mag/2004/12/19/stories/2004121900620700.htm\" style=\"color: rgb(135, 135, 135);\" >Caught Between Demons</a></span><span>\r\nNancy Adajania, The Hindu, 19th December 2004</span>\r\n\r\n<span class=\"pubstrong\">En Reise Til India</span><span>\r\nHarald Flor, Dagbladet, Kultur, 2nd February 2003</span>\r\n\r\n<span class=\"pubstrong\">Signs of Resistance</span><span>\r\nNancy Adajania, The Hindu, 5th January 2003</span>\r\n\r\n<span class=\"pubstrong\">Of the Goddess and Demon in the Mind</span><span>\r\nDebbie Rodgers, Sunday edition Vijay Times, Bangalore, 5th January 2003</span>\r\n\r\n<span class=\"pubstrong\">Empathic Anger</span><span>\r\nMarta Jakimowicz, Deccan Herald, 23rd December 2002</span>\r\n\r\n<span class=\"pubstrong\">Mysore Ek Khoj</span>\r\nCross Fertilization of Culture, Interview in Star of Mysore, 27th October 2002\r\n\r\n<span class=\"pubstrong\">Linking Islands</span><span>\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 15th February 2002</span>\r\n\r\n<span class=\"pubstrong\">Creating to Destroy</span><span>\r\nJasmine Shah Varma, The List, Mid Day, 22nd February 2002</span>\r\n\r\n<span class=\"pubstrong\">Different Strokes</span><span>\r\nGeorgina L Maddox, The Indian Express, Mumbai Newsline, 24th July 2002</span>\r\n\r\n<span class=\"pubstrong\">Of Faith and Hunger</span><span>\r\nAbhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89, December 2000</span>\r\n\r\n<span class=\"pubstrong\">The Murmur of Skin</span><span>\r\nNupur Mahajan, Bombay Times, Times of India, 12th October 2000</span>\r\n\r\n<span class=\"pubstrong\">Not just Skin Deep</span><span>\r\nJasmine Shah Varma, The List, Mid-day, 4th October 2000</span>\r\n\r\n<span class=\"pubstrong\">Inside Out</span><span>\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 11th October 2000</span>\r\n\r\n<span class=\"pubstrong\">Scintillating Skin</span><span>\r\nVaibhav Purandare, The Asian Age, 14th October 2000</span>\r\n\r\n<span class=\"pubstrong\">An Artist’s World: Roti, Makaan &amp; Abstract Art</span><span>\r\nPoonam Goel, HT City, 23rd December 2000</span>\r\n\r\n<span class=\"pubstrong\">Within you, Without you</span><span>\r\nAnu Kumar, Indian Express, Express Newsline, 2nd September 1998</span>\r\n\r\n<span class=\"pubstrong\">Farming Intrigue</span><span>\r\nJerry Pinto, The Times of India, Bombay Times, 3rd September 1998</span>\r\n\r\n<span class=\"pubstrong\">Interactive Medium</span><span>\r\nKaren Pereira, Indian Architect &amp; Builder, pgs 102-104, October 1998</span></td>\r\n</tr>\r\n</tbody>\r\n</table>','Publications','','inherit','open','open','','87-revision-177','','','2011-04-01 11:04:37','2011-04-01 11:04:37','',87,'http://www.reenakallat.com/2441/uncat/87-revision-177',0,'revision','',0),(2442,1,'2011-03-23 06:42:41','2011-03-23 06:42:41','Reena Saini Kallat (b. Delhi 1973) graduated from the Sir J. J. School of Art, Mumbai in 1996 with a B. F. A. in painting. Her practice - spanning painting, photography, video and sculptural installations - frequently deals with the condition of an individual in a rapidly changing society, ever susceptible to being reduced to an anonymous and forgotten statistic. Kallat is interested in constructing images that seem to change and transform by the possibilities they carry for the generation of meaning through a calibrated interplay of image and form.\r\n\r\nOver the last decade her work has been part of many important exhibitions, across the world. She has had ten solo exhibitions in India and abroad, collectively, and participated in a number of workshops and residencies. She lives and works in Mumbai.\r\n<table>\r\n<tbody>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">SOLO EXHIBITIONS</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://www.naturemorte.com/exhibitions/2011-03-08_reena-saini-kallat/selected-works/\" target=\"_blank\">Labyrinth of Absences, Nature Morte, New Delhi</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.primomarellagallery.com/it/catalogue/scheda.asp?id=568&amp;view=past\" target=\"_blank\">Drift, Primo Marella Gallery, Milan</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2008/reena_bio.html\" target=\"_blank\"> Silt of Seasons, Chemould   Prescott Road, Mumbai</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/reena-kallat-exhibition-2008/\" target=\"_blank\">Subject to Change without Notice, Walsh Gallery, Chicago</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Rainbow Of Refuse, Bodhi Art Gallery, Mumbai and Singapore</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td><a class=\"linkbio\" href=\"http://www.naturemorte.com/artists/reena-saini-kallat/selected-works/\" target=\"_blank\">Black Flute (And Other Stories), Nature Morte, New Delhi</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2004/reena_saini_kallat_note.html\" target=\"_blank\">Black Flute, Gallery Chemould, Mumbai</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>The Battlefield Is The Mind, Sakshi Gallery, Bangalore</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Seven Faces of Dust, Chicago Radio, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2000</td>\r\n<td>Skin, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1998</td>\r\n<td>Orchard of Home-grown Secrets, Gallery Chemould and Pundole  Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><span style=\"color: #888888;\"><strong>SELECTED GROUP EXHIBITIONS</strong></span></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Maximum India, The Kennedy Centre, Washington</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Of Gods and Goddesses, Cinema, Cricket - The New cultural Icons of   \r\n                    India, Jehangir Art Gallery, Mumbai\r\n</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Samtidigt, Helsinki City Art Museum, Finland</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Iconoclasts and Iconodules, curated by Ombretta Argo, Religare Art Gallery, New  Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>The Vancouver International Sculpture Biennale, Surrey Art Gallery, Canada</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>The Intuitive: Logic Revisted, from the Osians Collection at The World Economic Forum, Davos, Switzerland</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/current/La_Route_De_La_Soie.htm\" target=\"_blank\">La Route de la Soie / The Silk Road, Lille 3000, France </a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.kulturhuset.stockholm.se/default.asp?id=5760&refid=34277\" target=\"_blank\">Samtidigt, Kulterhuset, Stockholm</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.campbelltown.nsw.gov.au/default.asp?iNavCatID=3407&iSubCatID=3615\" target=\"_blank\">The River Project, Campbelltown Art Centre, Sydney</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.aboutroundabout.com/artists/kallat-reena-saini\" target=\"_blank\">Roundabout, City Gallery Wellington, New Zealand</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/\" target=\"_blank\">Waterways, Walsh Gallery, Chicago</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.richmondartgallery.org/in-transition.php\" target=\"_blank\">In Transition: New Art from India, Richmond Art Gallery Vancouver Biennale, Vancouver</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://websterhuntgallery.blogspot.com/2010_02_01_archive.html\" target=\"_blank\">Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster University, curated by Jeffrey Hughes and Dana Turkovic,\r\nCecile R. Hunt Gallery,St.Louis,Missouri</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/51\" target=\"_blank\">Never Run Away, 2 person exhibition curated by Shaheen Merali,Stux   Gallery,  New York</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/artists/reena_kallat.htm?section_name=new_india\" target=\"_blank\">The Empire Strikes Back, Saatchi Gallery, London</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://art-for-the-world.blogspot.com/2010/01/some-installation-views-of-urban.html\" target=\"_blank\">Urban Manners 2, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao Paulo, Brazil</a></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.asianartbiennial.org/2009/en/index_en.html\" target=\"_blank\">View Points and Viewing points - 2009 Asian Art Biennale, National Taiwan Museum of Fine Arts </a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Spectrum: Indian Art at Abu   Dhabi, United   Arab Emirates</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Milan Galleria, curated by Georgio Verzotti, Triennale Museum, Milan</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.initialaccess.co.uk/exhibition_moreinfo.php?id=11\" target=\"_blank\">Passage to India Part II show at Initial Access, Frank Cohen Collection, Wolverhampton, UK</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Ventosul Biennale, Curitiba, Brazil</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/english/contents/india/index.html\" target=\"_blank\"> Chalo! India: A New Era of Indian Art, National  Museum of Contemporary Art, Korea and Essl Museum, Vienna</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mocashanghai.org/index.php?_function=exhibition&amp;_subFunction=pastExhibition&amp;exhibition_id=40&amp;_view=detail\" target=\"_blank\">INDIA XIANZAI: Contemporary Indian Art, Museum of Contemporary Art, Shanghai</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/42/622\" target=\"_blank\">Low Blow: And Other Species of Confusion, Stux gallery, New York</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><em> </em>Indian Narratives in the 21<sup>st</sup> Century: Between Memory and History,Casa  Asia, Madrid and Barcelona, Spain</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/body-chatter-an-exhibition-of-contemporary-indian-art-2008/\" target=\"_blank\">Body Chatter, Walsh Gallery, Chicago</a></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/contents/press/india_20081121_e.pdf\" target=\"_blank\">Chalo! India: A New Era of Indian Art, Mori Art   Museum, Japan</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.indiamoderna.es/eng/index.html\" target=\"_blank\">India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM Museum, Valencia, Spain </a></td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.aaa.org.hk/onlineprojects/bitri/en/gallery.aspx?eid=A080.03\" target=\"_blank\">3<sup>rd</sup> Nanjing Triennale, curators: Fumihiko Sumitomo, Jaeyoung Kang,  China\r\n</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>TEAF (Taehwagang Eco Art Festival) - Dream River, Korea</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.bodhiart.in/exhibitions/everywhere_is_war/everywhere_war.html\" target=\"_blank\">Everywhere is War (And Rumours of it), Bodhi Art Gallery, Mumbai</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/33\" target=\"_blank\">Fire Walkers, Stefan Stux gallery, New York</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.galeriems.com/reenask_one.htm\" target=\"_blank\">Three Points of view, Galerie Mirchandani + Steinrucke, Mumbai</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Excavation: Memory / Myth / Membrane, Museum Gallery, Mumbai</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>International Incheon Women Artists’ Biennale, Korea</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Soft Power: Asian Attitude, Shanghai Zendai Museum of Modern Art, Shanghai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td><a class=\"linkbio\" href=\"http://www.kunstaspekte.de/index.php?tid=39629&amp;action=termin\" target=\"_blank\">Urban Manners, curated by Adelina Von Furstenberg, at Hangar Bicocca , Milan</a></td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td><a class=\"linkbio\" href=\"http://www.art-for-the-world.com/wwd/2007/urban_manners/Urban_Manners_pr.pdf\" target=\"_blank\">INDIA NOW: Contemporary Indian Art, Between Continuity and transformation,curated by Daniela Palozzoli at Spazio Oberdan, Milan</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>New Narratives: Contemporary Art From India, curated by Betty Seid,Chicago Cultural Centre, Chicago</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Thermocline Of Art- New Asian Waves, curated by Wonil Rhee and Peter Weibel at ZKM in Karlsruhe, Germany</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Modern Indian Works On Paper, Arthur Ross Gallery, Philadelphia and the Georgia Museum of Art, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Lille 3000 (Maximum City-Mumbai), Lille,  France</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Hungry God- Indian Contemporary Art, curated by Yun Chaegab and June Gwak, Arario Gallery, Beijing and Busan MoMA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>India Express – Art and Popular Culture, Art Museum Tennispalace, curators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City  Art Museum, Finland</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Mom and Pop Art, Walsh Gallery, Chicago</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Span, Sakshi Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Indian Paintings of the New Millenium, curated by Helen Asquine Fazio at Thomas J. Walsh Art Gallery at Fairfield  University, USA</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td><em> </em>Contemporary Art from India, Thomas   Erben Gallery, New York</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td>Zoom! Art in Contemporary India. Curators: Nancy Adajania and Luis Serpa, The Culturgest Museum, Lisbon, Portugal</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Crossing generations: diVERGE, Gallery Chemould’s 40th anniversary,Curators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of Modern Art, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td><em> </em>Hard Copy, two-person show with Jitish Kallat, Gallery 88, Calcutta</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Tiranga, curator: Peter Nagy, India Habitat Centre, New Delhi</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td><em> </em>Elephant Walks, Youth Arts Project in collaboration with Jitish Kallat as part of Indians + Cowboys exhibition, Curators: Aaron Seetu and Ruth Watson Gallery 4A, Sydney</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>The Tree From The Seed, Contemporary Art from India, curator: Gavin Jantjes Henie Onstad Kunstsenter (Oslo), Norway</td>\r\n<td><em></em></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td><em>Crosscurrents</em>, organized by Artworks for the fiftieth anniversary celebrations of Jehangir Art  Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td><em>Reclaim Our Freedom</em>, organized by Open Circle, Pundole Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Crossing Borders, Gallery Windkracht 13, Den Helder, Holland</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>Big River 2, CCA7 Gallery, Port Of Spain, Trinidad</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>AOM- Art on the move, organized by Sahmat, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1999</td>\r\n<td><em> </em>Edge of the Century, curated by Amit Mukhopadhyay, Academy  of Fine Arts and Literature, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">SELECTED WORKSHOPS AND RESIDENCIES</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Vanishing Point, children’s project at the Celebrate Bandra Festival, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Collaborative workshop as part of the exhibition Aftershock at the Sainsbury Centre for Visual Arts, University of East Anglia, Norwich,  UK</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Collaborated on a Billboard project with Jitish Kallat, Kala Ghoda Art District, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Elephant Walks, Youth Arts Project at the Casula Power House Arts Centre, Liverpool, Australia</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Khoj 2002 International Artists Workshop, Mysore, India</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Identity and Landscape, residency in the Laurentian mountains of Quebec at the Boreal Art/Nature Centre, Canada</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>Big River 2, International Artists Workshop organized by CCA7 and the Triangle Arts Trust at Grand Riviere, Trinidad, West Indies</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n</tr>\r\n<tr>\r\n<td><span style=\"color: #888888;\"><strong>TALKS/PRESENTATIONS</strong></span></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Talk at the Krishnakriti Festival 2011, Kalakriti Gallery, Hyderabad  </td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td>Talk as part of The River Project at the Campbelltown Arts Centre, Sydney</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td>Panel discussion moderated by Maria Lantz, along with the other participating   artists during the exhibition Samtidigt at Kulturhuset, Stockholm</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Panel discussion with artist Gulam Sheikh, co-chair: Sabine B. Vogel, art critic at the Sammlung Essl Museum, Vienna</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Slide presentation followed by a panel discussion with Nalini Malani and Jayshree Chakravarty, moderated by Nancy Adajania at Jnanapravaha, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Slide presentation at the School of the Art Institute of Chicago</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Panel discussion with Nalini Malani, Sheba Chhachhi, moderated by Betty Seid at the Chicago Cultural Centre</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Lecture at the University Boccini, Milan</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Slide presentation at the Lamar Dodd School of Art, University of Georgia, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Talk at the Griffith Auditorium, Georgia Museum of Art, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Slide presentation at Oslo National Academy of the Arts, Norway</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2000</td>\r\n<td>Slide presentation at Mohile Parikh Centre for the Visual Arts, Mumbai</td>\r\n</tr>\r\n</tbody>\r\n</table>','Biography','','inherit','open','open','','105-revision-93','','','2011-03-23 06:42:41','2011-03-23 06:42:41','',105,'http://www.reenakallat.com/2442/uncat/105-revision-93',0,'revision','',0),(2444,1,'2011-04-08 09:52:10','2011-04-08 09:52:10','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table cellspacing=\"0\" cellpadding=\"3\" border=\"0\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td align=\"left\" width=\"60%\" valign=\"top\">\r\n<a href=\"#\"><img width=\"600\" alt=\"Synonym\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/lead-synonym-07-09.jpg\" title=\"Synonym\" class=\"alignnone size-full wp-image-612\"></a></td>\r\n<td align=\"left\" width=\"200\" valign=\"bottom\" style=\"font-size: 11px;\"><span style=\"color: rgb(136, 136, 136);\">Synonym<br>\r\n</span>2007-2009<br>\r\n78 x 57.5 x 12 in. I 198 x 146 x 30 cm<br>\r\nacrylic paint, rubberstamps, plexiglas\r\n</td>\r\n</tr>\r\n<tr><td><span style=\"font-size: 11px;\"><i>installation view,</i> Chemould Prescott Road, Mumbai</span></td>\r\n<td> </td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/synonym-2.jpg\"><img class=\"alignnone size-full wp-image-618\" title=\"Synonym\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/synonym-2.jpg\" alt=\"Synonym\"  width=\"600\" /></a></td>\r\n<td width=\"300\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThe video work ‘Preface’ consists of an oversized book, presented like a sacred/ religious object on a prayer stand. The book presents the promise of democracy enshrined within the Preamble of the Constitution of India, in Braille. The video has developed as a result of my long engagement with the text, The Preamble of the Constitution of India that elucidates the purpose and underlying philosophy of the Constitution. <a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\nThe video work ‘Preface’ consists of an oversized book, presented like a sacred/ religious object on a prayer stand. The book presents the promise of democracy enshrined within the Preamble of the Constitution of India, in Braille. The video has developed as a result of my long engagement with the text, The Preamble of the Constitution of India that elucidates the purpose and underlying philosophy of the Constitution. Being the most religiously diverse country in the world, India’s democratic republic is premised on a national belief in pluralism and an assimilative culture. Rendered in Braille and thus reduced to various unreadable dots are words that spell out the fundamental principles, procedures, powers and responsibilities of the government and also the fundamental rights and duties of citizens. What you see are a series of images that evoke neural patterns constantly changing, transforming where the dots/words break open, blot, clot, smudge and stain the pages. What interests me is how this text gets interpreted by different people differently.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/synonym-3.jpg\"><img class=\"alignnone size-full wp-image-617\" title=\"Synonym\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/synonym-3.jpg\" alt=\"Seven Faces of Dust\" width=\"600\" /></a><span style=\"font-size:11px;\"><i>installation view,</i>National Taiwan Museum, Taiwan</span></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"0\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/synonym-4-4a.jpg\" alt=\"Synonym\" title=\"Synonym\" width=\"600\"  class=\"alignnone size-full wp-image-621\" /></a></td>\r\n</tr><tr><td><table width=100% cellspacing=\"0\" cellpadding=\"3\">\r\n<tr>\r\n<td width=52%>\r\n</td>\r\n<td><span style=\"font-size: 11px;\"><i>back view</i></span></td></tr></table></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/synonym-5.jpg\" alt=\"Synonym\" title=\"Synonym\" width=\"600\" class=\"alignnone size-full wp-image-623\" /></a><span style=\"font-size:11px;\"><i>detail</i></span></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','321-revision-47','','','2011-04-08 09:52:10','2011-04-08 09:52:10','',321,'http://www.reenakallat.com/2444/uncat/321-revision-47',0,'revision','',0),(2443,1,'2010-08-12 13:29:02','2010-08-12 13:29:02','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script><!--\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n-->\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"bottom\" style=\"padding-top:4px;\"><a href=\"#\"><img class=\"alignnone size-large wp-image-322\" title=\"F1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/F1-1024x771.jpg\" alt=\"\" width=\"600\" height=\"400\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">White Heat (The Ironing Board)</span>\r\n2008\r\nbonded marble, brass, fabric\r\n70 x 102 x 30 in. I 178 x 259 x 76 cm\r\nedition of 5 + AP</td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"justify\" valign=\"bottom\"><a href=\"#\"><img class=\"alignnone size-large wp-image-323\" title=\"F2-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/F2-695x1024.jpg\" alt=\"\" width=\"600\" /></a></td>\r\n<td width=\"300\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\n‘The Ironing Board’ refers to the highly fortified relationship that India shares with its neighbour Pakistan and the uncertain nature of the peace process between the countries. The sculpture of an oversized iron placed on an ironing board seems dysfunctional due to the surface being densely loaded with numerous weapon-like projections. On close observation …<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\n‘The Ironing Board’ refers to the highly fortified relationship that India shares with its neighbour Pakistan and the uncertain nature of the peace process between the countries. The sculpture of an oversized iron placed on an ironing board seems dysfunctional due to the surface being densely loaded with numerous weapon-like projections. On close observation one would find, amongst other weapons, truncated rooftops of religious monuments. The fabric that lies draped waiting to be ironed is embroidered with names of those who’ve signed the petition for peace between India and Pakistan along with multiple maps of the disputed territory between the two countries, an image that recurs in many of my works as a space symbolic of human inanity.\r\nThe sculpture playfully renders the frustrations of the never-ending dialogue, where any attempts at ironing out creases in the peace process are sabotaged by conflicting interests and with the misuse of religion as a divisive tool by both countries.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div></td>\r\n\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"  ><a href=\"#\"><img class=\"alignnone size-full wp-image-732\" title=\"White Heat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/White-Heat.jpg\" alt=\"White Heat\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-324\" title=\"F3-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/F3-1024x682.jpg\" alt=\"\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','321-revision-46','','','2010-08-12 13:29:02','2010-08-12 13:29:02','',321,'http://www.reenakallat.com/2443/uncat/321-revision-46',0,'revision','',0),(2445,1,'2010-10-27 11:26:56','2010-10-27 11:26:56','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table cellspacing=\"0\" cellpadding=\"3\" border=\"0\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td align=\"left\" width=\"60%\" valign=\"top\">\r\n<a href=\"#\"><img width=\"600\" alt=\"Synonym\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/lead-synonym-07-09.jpg\" title=\"Synonym\" class=\"alignnone size-full wp-image-612\"></a></td>\r\n<td align=\"left\" width=\"200\" valign=\"bottom\" style=\"font-size: 11px;\"><span style=\"color: rgb(136, 136, 136);\">Synonym<br>\r\n</span>2007-2009<br>\r\n78 x 57.5 x 12 in. I 198 x 146 x 30 cm<br>\r\nacrylic paint, rubberstamps, plexiglas\r\n</td>\r\n</tr>\r\n<tr><td><span style=\"font-size: 11px;\"><i>installation view,</i> Chemould Prescott Road, Mumbai</span></td>\r\n<td> </td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/synonym-2.jpg\"><img class=\"alignnone size-full wp-image-618\" title=\"Synonym\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/synonym-2.jpg\" alt=\"Synonym\"  width=\"600\" /></a></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/synonym-3.jpg\"><img class=\"alignnone size-full wp-image-617\" title=\"Synonym\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/synonym-3.jpg\" alt=\"Seven Faces of Dust\" width=\"600\" /></a><span style=\"font-size:11px;\"><i>installation view,</i>National Taiwan Museum, Taiwan</span></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"0\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/synonym-4-4a.jpg\" alt=\"Synonym\" title=\"Synonym\" width=\"600\"  class=\"alignnone size-full wp-image-621\" /></a></td>\r\n</tr><tr><td><table width=100% cellspacing=\"0\" cellpadding=\"3\">\r\n<tr>\r\n<td width=52%>\r\n</td>\r\n<td><span style=\"font-size: 11px;\"><i>back view</i></span></td></tr></table></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/synonym-5.jpg\" alt=\"Synonym\" title=\"Synonym\" width=\"600\" class=\"alignnone size-full wp-image-623\" /></a><span style=\"font-size:11px;\"><i>detail</i></span></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','438-revision-22','','','2010-10-27 11:26:56','2010-10-27 11:26:56','',438,'http://www.reenakallat.com/2445/uncat/438-revision-22',0,'revision','',0),(2447,1,'2011-04-08 09:58:42','2011-04-08 09:58:42','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table cellspacing=\"0\" cellpadding=\"3\" border=\"0\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td align=\"left\" width=\"60%\" valign=\"top\">\r\n<a href=\"#\"><img width=\"600\" alt=\"Synonym\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/lead-synonym-07-09.jpg\" title=\"Synonym\" class=\"alignnone size-full wp-image-612\"></a></td>\r\n<td align=\"left\" width=\"200\" valign=\"bottom\" style=\"font-size: 11px;\"><span style=\"color: rgb(136, 136, 136);\">Synonym<br>\r\n</span>2007-2009<br>\r\n78 x 57.5 x 12 in. I 198 x 146 x 30 cm<br>\r\nacrylic paint, rubberstamps, plexiglas\r\n</td>\r\n</tr>\r\n<tr><td><span style=\"font-size: 11px;\"><i>installation view,</i> Chemould Prescott Road, Mumbai</span></td>\r\n<td> </td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/synonym-2.jpg\"><img class=\"alignnone size-full wp-image-618\" title=\"Synonym\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/synonym-2.jpg\" alt=\"Synonym\"  width=\"600\" /></a></td>\r\n<td width=\"300\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThe works stand like screens holding up portraits formed by several hundred names of people rendered in scripts of over 14 Indian languages.\r\nFrom a distance they come together as portraits, but up-close they almost seem like a circuit-board of rubberstamps. The rubberstamps are made with names of those officially registered as having gone missing in India from different geographical zones. <a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\nThe works stand like screens holding up portraits formed by several hundred names of people rendered in scripts of over 14 Indian languages.\r\nFrom a distance they come together as portraits, but up-close they almost seem like a circuit-board of rubberstamps. The rubberstamps are made with names of those officially registered as having gone missing in India from different geographical zones. These include names of those lost either through natural calamities such as landslides, floods, earthquakes; or gone missing during riots or large scale mishaps; names of those abducted or absconding, with the police still trying to ascertain their whereabouts.\r\n \r\nThese are people who seem to have slipped out of the radar of human communication, thrown off the social safety net. The portrait of a sub-continental citizen is formed by numerous such names; the back of each portrait appearing like a sea of invisible identities, a bird’s eye view of a large human congregation.\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/synonym-3.jpg\"><img class=\"alignnone size-full wp-image-617\" title=\"Synonym\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/synonym-3.jpg\" alt=\"Seven Faces of Dust\" width=\"600\" /></a><span style=\"font-size:11px;\"><i>installation view,</i>National Taiwan Museum, Taiwan</span></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"0\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/synonym-4-4a.jpg\" alt=\"Synonym\" title=\"Synonym\" width=\"600\"  class=\"alignnone size-full wp-image-621\" /></a></td>\r\n</tr><tr><td><table width=100% cellspacing=\"0\" cellpadding=\"3\">\r\n<tr>\r\n<td width=52%>\r\n</td>\r\n<td><span style=\"font-size: 11px;\"><i>back view</i></span></td></tr></table></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/synonym-5.jpg\" alt=\"Synonym\" title=\"Synonym\" width=\"600\" class=\"alignnone size-full wp-image-623\" /></a><span style=\"font-size:11px;\"><i>detail</i></span></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','438-revision-24','','','2011-04-08 09:58:42','2011-04-08 09:58:42','',438,'http://www.reenakallat.com/2447/uncat/438-revision-24',0,'revision','',0),(2446,1,'2011-04-08 09:54:43','2011-04-08 09:54:43','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table cellspacing=\"0\" cellpadding=\"3\" border=\"0\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td align=\"left\" width=\"60%\" valign=\"top\">\r\n<a href=\"#\"><img width=\"600\" alt=\"Synonym\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/lead-synonym-07-09.jpg\" title=\"Synonym\" class=\"alignnone size-full wp-image-612\"></a></td>\r\n<td align=\"left\" width=\"200\" valign=\"bottom\" style=\"font-size: 11px;\"><span style=\"color: rgb(136, 136, 136);\">Synonym<br>\r\n</span>2007-2009<br>\r\n78 x 57.5 x 12 in. I 198 x 146 x 30 cm<br>\r\nacrylic paint, rubberstamps, plexiglas\r\n</td>\r\n</tr>\r\n<tr><td><span style=\"font-size: 11px;\"><i>installation view,</i> Chemould Prescott Road, Mumbai</span></td>\r\n<td> </td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/synonym-2.jpg\"><img class=\"alignnone size-full wp-image-618\" title=\"Synonym\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/synonym-2.jpg\" alt=\"Synonym\"  width=\"600\" /></a></td>\r\n<td width=\"300\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThe video work ‘Preface’ consists of an oversized book, presented like a sacred/ religious object on a prayer stand. The book presents the promise of democracy enshrined within the Preamble of the Constitution of India, in Braille. The video has developed as a result of my long engagement with the text, The Preamble of the Constitution of India that elucidates the purpose and underlying philosophy of the Constitution. <a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\nThe video work ‘Preface’ consists of an oversized book, presented like a sacred/ religious object on a prayer stand. The book presents the promise of democracy enshrined within the Preamble of the Constitution of India, in Braille. The video has developed as a result of my long engagement with the text, The Preamble of the Constitution of India that elucidates the purpose and underlying philosophy of the Constitution. Being the most religiously diverse country in the world, India’s democratic republic is premised on a national belief in pluralism and an assimilative culture. Rendered in Braille and thus reduced to various unreadable dots are words that spell out the fundamental principles, procedures, powers and responsibilities of the government and also the fundamental rights and duties of citizens. What you see are a series of images that evoke neural patterns constantly changing, transforming where the dots/words break open, blot, clot, smudge and stain the pages. What interests me is how this text gets interpreted by different people differently.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/synonym-3.jpg\"><img class=\"alignnone size-full wp-image-617\" title=\"Synonym\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/synonym-3.jpg\" alt=\"Seven Faces of Dust\" width=\"600\" /></a><span style=\"font-size:11px;\"><i>installation view,</i>National Taiwan Museum, Taiwan</span></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"0\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/synonym-4-4a.jpg\" alt=\"Synonym\" title=\"Synonym\" width=\"600\"  class=\"alignnone size-full wp-image-621\" /></a></td>\r\n</tr><tr><td><table width=100% cellspacing=\"0\" cellpadding=\"3\">\r\n<tr>\r\n<td width=52%>\r\n</td>\r\n<td><span style=\"font-size: 11px;\"><i>back view</i></span></td></tr></table></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/synonym-5.jpg\" alt=\"Synonym\" title=\"Synonym\" width=\"600\" class=\"alignnone size-full wp-image-623\" /></a><span style=\"font-size:11px;\"><i>detail</i></span></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','438-revision-23','','','2011-04-08 09:54:43','2011-04-08 09:54:43','',438,'http://www.reenakallat.com/2446/uncat/438-revision-23',0,'revision','',0),(2448,1,'2017-02-19 09:20:12','2017-02-19 09:20:12','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Preface-works-page-image.jpg\" alt=\"Preface\" title=\"Preface\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></a></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Preface</span>\r\n2010\r\nhandmade paper book, wooden stand, two-channel video projection\r\nDuration 13mins15secs\r\n28 x 75 x 56 in. I 71 x 190 x 142 cm (h x l x b)\r\n<a href=\"https://www.youtube.com/watch?v=bXYEnrLjgRw\" target=\"_blank\"><span style=\"color: #888888;\">view video >></span></a>\r\n</td></tr></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Installation view</i> , Kulturhuset, Stockholm </span></td>\r\n<td>&nbsp;</td>\r\n</tr>\r\n</tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Preface-1.jpg\" alt=\"Preface\" title=\"Preface\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td><td width=\"400\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThe video work ‘Preface’ consists of an oversized book, presented like a sacred/ religious object on a prayer stand. The book presents the promise of democracy enshrined within the Preamble of the Constitution of India, in Braille. The video has developed as a result of my long engagement with the text, The Preamble of the Constitution of India that elucidates the purpose and underlying philosophy of the Constitution. Being the most religiously diverse country in the world, India’s democratic republic is premised on a national belief in pluralism and an assimilative culture. Rendered in Braille and thus reduced to various unreadable dots are words that spell out the fundamental principles, procedures, powers and responsibilities of the government and also the fundamental rights and duties of citizens. What you see are a series of images that evoke neural patterns constantly changing, transforming where the dots/words break open, blot, clot, smudge and stain the pages. What interests me is how this text gets interpreted by different people differently.</div>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Preface-3.jpg\" alt=\"Preface\" title=\"Preface\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Preface-4.jpg\" alt=\"Preface\" title=\"Preface\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Preface-5.jpg\" alt=\"Preface\" title=\"Preface\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Preface-6.jpg\" alt=\"Preface\" title=\"Preface\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Preface-process-1-2.jpg\" alt=\"Preface\" title=\"Preface\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td style=\"height: 15px;\"></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Preface-process-3-4.jpg\" alt=\"Preface\" title=\"Preface\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td style=\"height: 15px;\"></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Preface-process-5-6.jpg\" alt=\"Preface\" title=\"Preface\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /><span style=\"font-size:11px;\"><i>process shots of the video</i></span></td>\r\n</tr><tr><td ><span style=\"font-size:11px; line-height:15px;\"><i>Acknowledgement:</i> \r\nCamera: Ajay Noronha\r\nEditing: Pooja Madhavan, Sruti Visweswaran\r\nTechnical assistance: Abhinit Khanna\r\n</span>\r\n</td></tr>\r\n</tbody>\r\n</table>','Preface','','inherit','open','open','','2174-autosave','','','2017-02-19 09:20:12','2017-02-19 09:20:12','',2174,'http://www.reenakallat.com/2448/uncat/2174-autosave',0,'revision','',0),(2449,1,'2010-10-18 10:48:20','2010-10-18 10:48:20','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Preface-works-page-image.jpg\" alt=\"Preface\" title=\"Preface\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></a></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Preface</span>\r\n2010\r\nhandmade paper book, wooden stand, two-channel video projection\r\n28 x 75 x 56 in. I 71 x 190 x 142 cm (h x l x b)\r\n</td></tr></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Preface-1.jpg\" alt=\"Preface\" title=\"Preface\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td><td width=\"400\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThe book presents the promise of democracy enshrined within the preamble of the Constitution of India, in Braille. Being the most religiously diverse country in the world, India’s democratic republic is premised on a national belief in pluralism and an assimilative culture. Rendered in Braille and thus reduced to various unreadable dots are words that spell out the fundamental principles, procedures, powers and responsibilities of the government and also the fundamental rights and duties of citizens. What you see are a series of images that evoke neural patterns constantly changing, transforming where the dots/words break open, blot, clot, smudge and stain the pages.</div>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Preface-3.jpg\" alt=\"Preface\" title=\"Preface\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Preface-4.jpg\" alt=\"Preface\" title=\"Preface\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Preface-5.jpg\" alt=\"Preface\" title=\"Preface\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Preface-6.jpg\" alt=\"Preface\" title=\"Preface\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Preface-process-1-2.jpg\" alt=\"Preface\" title=\"Preface\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td style=\"height: 15px;\"></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Preface-process-3-4.jpg\" alt=\"Preface\" title=\"Preface\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td style=\"height: 15px;\"></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Preface-process-5-6.jpg\" alt=\"Preface\" title=\"Preface\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /><span style=\"font-size:11px;\"><i>process shots of the video</i></span></td>\r\n</tr><tr><td style=\"height: 15px;\"></td></tr>\r\n</tbody>\r\n</table>','Preface','','inherit','open','open','','2174-revision-12','','','2010-10-18 10:48:20','2010-10-18 10:48:20','',2174,'http://www.reenakallat.com/2449/uncat/2174-revision-12',0,'revision','',0),(2453,1,'2011-04-08 10:55:15','2011-04-08 10:55:15','<link rel=\"canonical\" href=\"http://www.reenakallat.com\" />\r\n<script type=\"text/javascript\" src=\"http://www.reenakallat.com/wp-includes/js/jquery/jquery-1.2.6.min.js\"></script>\r\n<script type=\"text/javascript\">\r\nfunction slideSwitch() {\r\n    var $active = $(\'#slideshow DIV.active\');\r\n    if ( $active.length == 0 ) $active = $(\'#slideshow DIV:last\');\r\n    // use this to pull the divs in the order they appear in the markup\r\n    var $next =  $active.next().length ? $active.next()\r\n        : $(\'#slideshow DIV:first\');\r\n    // uncomment below to pull the divs randomly\r\n    // var $sibs  = $active.siblings();\r\n    // var rndNum = Math.floor(Math.random() * $sibs.length );\r\n    // var $next  = $( $sibs[ rndNum ] );\r\n    $active.addClass(\'last-active\');\r\n    $next.css({opacity: 0.0})\r\n        .addClass(\'active\')\r\n        .animate({opacity: 1.0}, 1000, function() {\r\n            $active.removeClass(\'active last-active\');\r\n        });\r\n}\r\n$(function() {\r\n    setInterval( \"slideSwitch()\", 3000);\r\n});\r\n</script>\r\n<style type=\"text/css\">\r\n#slideshow {\r\n    position:relative;\r\n    height:500px;\r\n    width:660px;\r\n    margin: 0 auto;\r\n}\r\n#slideshow DIV {\r\n    position:absolute;\r\n    top:0;\r\n    left:300;\r\n    z-index:8;\r\n    opacity:0.0;\r\n    height: 500px;\r\n    background-color: #FFF;\r\n}\r\n#slideshow DIV.active {\r\n    z-index:10;\r\n    opacity:1.0;\r\n}\r\n#slideshow DIV.last-active {\r\n    z-index:9;\r\n}\r\n#slideshow DIV IMG {\r\n    height: 450px;\r\n    display: block;\r\n    border: 0;\r\n    margin-bottom: 10px;\r\n}\r\n</style>\r\n</head>\r\n<body style=\"font-family: Arial, Sans-serif, sans;\">\r\n<div style=\"float:right;width:218px;\">\r\n<strong><span class=\"pubstrong\" >Current and upcoming shows</span></span></strong><span style=\"font-size: small;\"></span>\r\n<br>\r\n<br>\r\n<em>Samtidigt</em>\r\nMarch 2 - May 8, 2011           \r\nHelsinki City Art museum, Finland\r\n<br>\r\n<br>\r\n<em>Pandemonium: Art in a time of creativity fever</em>\r\nGoteborg International Biennale 2011\r\nSeptember 10, 2011  \r\nGoteborg and Uddevalla, Sweden\r\n<br>\r\n<br>\r\n<em>Roundabout</em>\r\nAugust – October 2011                      \r\nTel Aviv Museum of Art, Israel\r\n<br>\r\n<br>\r\n<em>India Today</em>\r\nSummer 2012\r\nARKEN Museum of Modern Art, Copenhagen, Denmark \r\n\r\n\r\n</div>\r\n<div id=\"slideshow\" style=\"float:left;\"  >\r\n    <div class=\"active\">\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/slideshow_1m.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-894\" /></a>\r\n       <!-- Caption for image 1-->\r\n    </div>\r\n    <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/slideshow_2m.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-896\" /></a>\r\n        <!--This will work with any markup-->\r\n    </div>\r\n    <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/slideshow_3m.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-897\" /></a>\r\n        <!--Swap this out for anything, links, paragraphs, whatever-->\r\n    </div>\r\n    <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/slideshow_4m.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-898\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div>\r\n <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/slideshow_6m.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-898\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div>\r\n    <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/slideshow_5m.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-899\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div>\r\n</div>\r\n','Home','','inherit','open','open','','93-revision-44','','','2011-04-08 10:55:15','2011-04-08 10:55:15','',93,'http://www.reenakallat.com/2453/uncat/93-revision-44',0,'revision','',0),(2454,1,'2011-04-28 07:15:18','2011-04-28 07:15:18','<link rel=\"canonical\" href=\"http://www.reenakallat.com\" />\r\n<script type=\"text/javascript\" src=\"http://www.reenakallat.com/wp-includes/js/jquery/jquery-1.2.6.min.js\"></script>\r\n<script type=\"text/javascript\">\r\nfunction slideSwitch() {\r\n    var $active = $(\'#slideshow DIV.active\');\r\n    if ( $active.length == 0 ) $active = $(\'#slideshow DIV:last\');\r\n    // use this to pull the divs in the order they appear in the markup\r\n    var $next =  $active.next().length ? $active.next()\r\n        : $(\'#slideshow DIV:first\');\r\n    // uncomment below to pull the divs randomly\r\n    // var $sibs  = $active.siblings();\r\n    // var rndNum = Math.floor(Math.random() * $sibs.length );\r\n    // var $next  = $( $sibs[ rndNum ] );\r\n    $active.addClass(\'last-active\');\r\n    $next.css({opacity: 0.0})\r\n        .addClass(\'active\')\r\n        .animate({opacity: 1.0}, 1000, function() {\r\n            $active.removeClass(\'active last-active\');\r\n        });\r\n}\r\n$(function() {\r\n    setInterval( \"slideSwitch()\", 3000);\r\n});\r\n</script>\r\n<style type=\"text/css\">\r\n#slideshow {\r\n    position:relative;\r\n    height:500px;\r\n    width:660px;\r\n    margin: 0 auto;\r\n}\r\n#slideshow DIV {\r\n    position:absolute;\r\n    top:0;\r\n    left:300;\r\n    z-index:8;\r\n    opacity:0.0;\r\n    height: 500px;\r\n    background-color: #FFF;\r\n}\r\n#slideshow DIV.active {\r\n    z-index:10;\r\n    opacity:1.0;\r\n}\r\n#slideshow DIV.last-active {\r\n    z-index:9;\r\n}\r\n#slideshow DIV IMG {\r\n    height: 450px;\r\n    display: block;\r\n    border: 0;\r\n    margin-bottom: 10px;\r\n}\r\n</style>\r\n</head>\r\n<body style=\"font-family: Arial, Sans-serif, sans;\">\r\n<div style=\"float:right;width:218px;\">\r\n<strong><span class=\"pubstrong\" >Current and upcoming shows</span></span></strong><span style=\"font-size: small;\"></span>\r\n<br>\r\n<br>\r\n<em>Samtidigt</em>\r\nMarch 2 - May 8, 2011           \r\nHelsinki City Art museum, Finland\r\n<br>\r\n<br>\r\n<em>Pandemonium: Art in a time of creativity fever</em>\r\nGoteborg International Biennale 2011\r\nSeptember 10, 2011  \r\nGoteborg and Uddevalla, Sweden\r\n<br>\r\n<br>\r\n<em>Roundabout</em>\r\nAugust – October 2011                      \r\nTel Aviv Museum of Art, Israel\r\n<br>\r\n<br>\r\n<em>India Today</em>\r\nAugust 2012 –January 2013\r\nARKEN Museum of Modern Art, Copenhagen, Denmark \r\n<br>\r\n<br>\r\n<em>India side by side</em>\r\nOctober 12, 2011 - February 2012\r\nRio de Janeiro, Brazil\r\n\r\n</div>\r\n<div id=\"slideshow\" style=\"float:left;\"  >\r\n    <div class=\"active\">\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/slideshow_1m.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-894\" /></a>\r\n       <!-- Caption for image 1-->\r\n    </div>\r\n    <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/slideshow_2m.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-896\" /></a>\r\n        <!--This will work with any markup-->\r\n    </div>\r\n    <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/slideshow_3m.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-897\" /></a>\r\n        <!--Swap this out for anything, links, paragraphs, whatever-->\r\n    </div>\r\n    <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/slideshow_4m.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-898\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div>\r\n <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/slideshow_6m.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-898\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div>\r\n    <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/slideshow_5m.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-899\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div>\r\n</div>','Home','','inherit','open','open','','93-revision-45','','','2011-04-28 07:15:18','2011-04-28 07:15:18','',93,'http://www.reenakallat.com/2454/uncat/93-revision-45',0,'revision','',0),(2455,1,'2011-03-22 12:24:11','2011-03-22 12:24:11','<b style=\"color:#999999;\">ORCHARD OF HOME-GROWN SECRETS</b>\r\n<b>© Ranjit Hoskote</b>\r\n\r\nReena Saini’s art has come of age during an epoch in which Kalidasa’s Yaksha would be more likely to commit his missive of love and yearning to an e-mail server than a cloud; and Odysseus, were he alive today, would be more likely to spend the years of war and exile re-playing his recorded memories of Ithaca on the video than evoking the lost homeland in song.  In other words, Saini’s art must content with a frame of experience that has to a great extent replaced poetry with technology, and passionate engagement likewise with a remote-control surrogacy.\r\n\r\nBut let us not fall into the error of supposing that art can be defeated by change; change is the only arena in which are can test its range, extend its resources, transform itself.  The dominance of technology has summoned poets into a radical awareness of the word as disturbance; the torpid acceptance of surrogacy has provoked artists into an engagement with improvised gesture and mischievous, even shocking image: these are the styles we know as Conceptual Art.\r\n\r\nBut what are the lower-case conceptual options available to artists like Saini, who are not entirely comfortable with upper-case Conceptualism, with its sharply polemical stance and its insistence that the idea is the form? What are the formal choices exercised by an artist who still wishes to address the art-work as sensuous form, as a vehicle for mysterious and unsayable impulses rather than as an ideologically programmed device?\r\n\r\nLet me try and phrase this question in another way.  What can an artist do in a situation where are no longer aspires to the condition of mythology- that heightened awareness of loss, separation, distance and quest which once formed the vital psychological centre of society? Is it possible for artist to recover something of the grief, the melancholia, the exaltation germane to the mythological consciousness – without losing the ironic, playful finesse of the contemporary?\r\n\r\nThese are the dilemmas that Saini dramatises, with an accomplished sense of purpose, in her paintings and constructions.  Knowing that it no longer possible to enter the grand ruins of the temple of mythology, she assembles a mosaic of small myths instead.  It is her protect, after all, to find pictorial accommodation for memories that have no other home: for the great fish that was once the saviour of the world; for the column without beginning or end, that was the link between heaven and earth; for the house of the heart that stood wide as the sky.\r\n\r\nSaini’s works are cast, then, in the form of a fascinating interplay between the archetype and the novelty.  The flavours of present-day waking life are patterned here, across the archaic structures of experience that manifest themselves in dream and hallucination.  The effect is one of a fabulist’s magical continuity: the viewer enters a region where the spiral staircase is the path to the house of the gods and its column is the axis mundi, where the keyed-up mechanical toy is an impersonation of the self and Aladdin’s lamp is placed just out of reach of a hand that desires acquaintance with genies.\r\n\r\nAs with any post-mythological art, Saini’s underlying theme is that of belonging: the attempt to establish coherence between self and world.  She does not pretend that the attempt is anything but difficult; her studio is replete with surreal images of the all-too-human conditions of fallibility, error, weakness, bewilderment.  It is an intriguing array of hybrids that Saini offers us: the cloud floating above a dreamer stretched out on a park bench; the hand encased in a glove made form a map, its territorial ambitions belied by its evident delicacy; the Trojan horse that two children treat as a toy, oblivious to its capacity for treachery; the child in a conch-shell, a senigimatic as Vishnu, whom the sage sees as a cosmic infant in the Markandeya Purana.  Here, we can tune in to the echoes of the cloud-bell, observe the opening of the sky-flower’s petals.\r\n\r\nThe binary of home and world, not unnaturally, occupies a central place in this schema.  In a work like ‘Escapades of the Ladder Occupants’, for instance, Saini turns inside and outside around, questioning the distinctions we make between interior and landscape, private and public.  The questions that haunt this construction have haunted philosophy for centuries: Must the self-revel in schizophrenia, investing its emotions in spheres artificially separated by tact and reason?  Is a transparency of intention possible? Do acts and motives twine around each other like coupling serpents, or do they come apart like the halves of a broken ladder?\r\n\r\nAnother outcome of the post-mythological condition is the formal problem of containing the epic within the scope of the miniature.  In’ Joint Family’, a construction cast in the form of a house, Saini employs the trope of a family tree - which grows over the walls- to pack in multiple histories, private and public, ancient and modern, local and global.  This is a trail of clues rather than a rigorously detailed encyclopaedia: as we scan the leaves, we pick up a train, a light-bulb, the Buddha, the diagram of the yogic body with its splendid charkas, Leonardo’s ideal man measuring himself against the cosmos.  We scan the leaves again, as though they held the oracular answer to a riddle: we see a diver, or is he parachutist, or a tourist with his backpack?\r\n\r\nHere are energies of various kinds, and enlightenments: the Bodhisattva in the forest, Edison in his laboratory, the diver reaching for the pearl.  This quasi-allegorical narrative is as ‘global’ or ‘national’ in its mood as it is personal, even autobiographical.  In gently mocking the project of a universal history even in the act of tracing its outlines, Saini successfully draws our attention to the ongoing crisis of internationalism.  We are plagued by the knowledge that the alien and the intimate are not always opposites: the foreign is often closer to us than the native, the native is often more distant than the foreign.\r\n\r\nSaini’s use of the painting or construction as an envelope for diverse elements-elements which she has not yet configured into coherent relationships was first rehearsed two years ago, in tentative works like ‘Home, a Showcase for Culture’.  There, she was preoccupied with the rituals of possession, consumption and acquisition by which the affluent convince themselves of their success: the self is invested, finally and literally, in the sum total of the objects of its desire.\r\n\r\nThrough these works, there continuous the quest for an identity: a self-definition that Saini prefers to approach obliquely rather than with frontal bravado.  In the sequence of photographs, digitally printed on clear film and assembled as ‘Recital from the City Garden’, the artist presents us with the images of events performed like little rites.  We trace the fate of a choir of wax dolls, each holding a paper house or boat that is burnt.  It is a model of sati that we witness (morally and politically treacherous as the analogy is, it is appropriate) in which the artefact survives the loss of presence.  Like a song that has outlived the throat which first sang it, the sequence of photographs becomes a memorial to the precise, calculated violence that has become an endemic feature of our polity.\r\n\r\nBut Saini’s does not simply plunge us into despair; she also offers us metaphors of hope and emancipation.  There is the fish in ‘Reservoir’, its splotchy acrylic surface flagged with little pictures of taxis and mapped over as though buy latitude and longitude.  And juxtaposed with this paining, the fibreglass sculpture of a fish: an icon that is also an entertaining diversion, with a peephole cut into it, through which we see the inset of a smaller fish.  The comedy of the toy is lyric release, an affirmation that we can always find needles to puncture the monumental figures who overwhelm our minds.\r\n\r\nAnd there is that quintessential image of risk: the pyramidal palace of cards layered over with cement primer and sprinkled with cement, bearing the motifs of clasped hands and cloud-creepers, bowls of sweets and spiral shells.  Does life remain in suspense awaiting the draw, and does a fateful augury lie hidden in these innocuous pictures? Are these solemn rituals or are they spirited games?  Reena Saini seems to suggest that they can be both at once: for are not our lives a lila shaped by the play of paradoxical forces, of agency and structure, of necessity and chance? She has invited us into her orchard of home-grown secrets; we must now do her the courtesy of cultivating a taste for its fruits.\r\n\r\n<b>Summer 1998</b>','','','inherit','open','open','','1477-revision-7','','','2011-03-22 12:24:11','2011-03-22 12:24:11','',1477,'http://www.reenakallat.com/2455/uncat/1477-revision-7',0,'revision','',0),(2456,1,'2011-04-28 07:24:47','2011-04-28 07:24:47','<b style=\"color:#999999;\">ORCHARD OF HOME-GROWN SECRETS</b>\r\n<b>© Ranjit Hoskote</b>\r\n\r\n<b style=\"color:#999999;\">ORCHARD OF HOME-GROWN SECRETS</b>\r\n<b>© Ranjit Hoskote</b>\r\n\r\nReena Saini’s art has come of age during an epoch in which Kalidasa’s Yaksha would be more likely to commit his missive of love and yearning to an e-mail server than a cloud; and Odysseus, were he alive today, would be more likely to spend the years of war and exile re-playing his recorded memories of Ithaca on the video than evoking the lost homeland in song. In other words, Saini’s art must content with a frame of experience that has to a great extent replaced poetry with technology, and passionate engagement likewise with a remote-control surrogacy.\r\n\r\nBut let us not fall into the error of supposing that art can be defeated by change; change is the only arena in which art can test its range, extend its resources, transform itself. The dominance of technology has summoned poets into a radical awareness of the word as disturbance; the torpid acceptance of surrogacy has provoked artists into an engagement with improvised gesture and mischievous, even shocking image: these are the styles we know as Conceptual Art.\r\n\r\nBut what are the lower-case conceptual options available to artists like Saini, who are not entirely comfortable with upper-case Conceptualism, with its sharply polemical stance and its insistence that the idea is the form? What are the formal choices exercised by an artist who still wishes to address the art-work as sensuous form, as a vehicle for mysterious and unsayable impulses rather than as an ideologically programmed device?\r\n\r\nLet me try and phrase this question in another way. What can an artist do in a situation where art no longer aspires to the condition of mythology - that heightened awareness of loss, separation, distance and quest which once formed the vital psychological centre of society? Is it possible for an artist to recover something of the grief, the melancholia, the exaltation germane to the mythological consciousness – without losing the ironic, playful finesse of the contemporary?\r\n\r\nThese are the dilemmas that Saini dramatises, with an accomplished sense of purpose, in her paintings and constructions. Knowing that it is no longer possible to enter the grand ruins of the temple of mythology, she assembles a mosaic of small myths instead. It is her project, after all, to find pictorial accommodation for memories that have no other home: for the great fish that was once the saviour of the world; for the column without beginning or end, that was the link between heaven and earth; for the houses of the heart that stood wide as the sky.\r\n\r\nSaini’s works are cast, then, in the form of a fascinating interplay between the archetype and the novelty. The flavours of present-day waking life are patterned, here, across the archaic structures of experience that manifest themselves in dream and hallucination. The effect is one of a fabulist’s magical continuity: the viewer enters a region where the spiral staircase is the path to the house of the gods and its column is the axis mundi, where the keyed-up mechanical toy is an impersonation of the self and Aladdin’s lamp is placed just out of reach of a hand that desires acquaintance with genies.\r\nAs with any post-mythological art, Saini’s underlying theme is that of belonging: the attempt to establish coherence between self and world. She does not pretend that the attempt is anything but difficult; her studio is replete with surreal images of the all-too-human conditions of fallibility, error, weakness, bewilderment. It is an intriguing array of hybrids that Saini offers us: the cloud floating above a dreamer stretched out on a park bench; the hand encased in a glove made from a map, its territorial ambitions belied by its evident delicacy; the Trojan horse that two children treat as a toy, oblivious to its capacity for treachery; the child in a conch-shell, as enigmatic as Vishnu, whom the sage sees as a cosmic infant in the Markandeya Purana. Here, we can tune in to the echoes of the cloud-bell, observe the opening of the sky-flower’s petals.\r\n\r\nThe binary of home and world, not unnaturally, occupies a central place in this schema. In a work like  ‘Escapades of the Ladder Occupants’, for instance, Saini turns inside and outside around, questioning the distinctions we make between interior and landscape, private and public. The questions that haunt this construction have haunted philosophy for centuries: Must the self revel in schizophrenia, investing its emotions in spheres artificially separated by tact and reason? Is a transparency of intention possible? Do acts and motives twine around each other like coupling serpents, or do they come apart like the halves of a broken ladder?\r\n\r\nAnother outcome of the post-mythological condition is the formal problem of containing the epic within the scope of the miniature. In ’Joint Family’, a construction cast in the form of a house, Saini employs the trope of a family tree – which grows over the walls - to pack in multiple histories, private and public, ancient and modern, local and global. This is a trail of clues rather than a rigorously detailed encyclopaedia: as we scan the leaves, we pick up a train, a light-bulb, the a Buddha, the diagram of the yogic body with its splendid chakras, Leonardo’s ideal man measuring himself against the cosmos. We scan the leaves again, as though they held the oracular answer to a riddle: we see a diver, or is he parachutist, or a tourist with his backpack?\r\nHere are energies of various kinds, and enlightenments: the Bodhisattva in the forest, Edison in his laboratory, the diver reaching for the pearl. This quasi-allegorical narrative is as ‘global’ or ‘national’ in its mood as it is personal, even autobiographical. In gently mocking the project of a universal history even in the act of tracing its outlines, Saini successfully draws our attention to the ongoing crisis of internationalism. We are plagued by the knowledge that the alien and the intimate are not always opposites: the foreign is often closer to us than the native, the native is often more distant than the foreign.\r\n\r\nSaini’s use of the painting or construction as an envelope for diverse elements  - elements which she has not yet configured into coherent relationships - was first rehearsed two years ago, in tentative works like ‘Home, a Showcase for Culture’. There, she was preoccupied with the rituals of possession, consumption and acquisition by which the affluent convince themselves of their success: the self is invested, finally and literally, in the sum total of the objects of its desire.\r\n\r\nThrough these works, there continues the quest for an identity: a self-definition that Saini prefers to approach obliquely rather than with frontal bravado. In the sequence of photographs, digitally printed on clear film and assembled as ‘Recital from the City Garden’, the artist presents us with the images of events performed like little rites. We trace the fate of a choir of wax dolls, each holding a paper house or boat, that is burnt. It is a model of sati that we witness (morally and politically treacherous as the analogy is, it is appropriate) in which the artefact survives the loss of presence. Like a song that has outlived the throat which first sang it, the sequence of photographs becomes a memorial to the precise, calculated violence that has become an endemic feature of our polity.\r\n\r\nBut Saini does not simply plunge us into despair; she also offers us metaphors of hope and emancipation. There is the fish in ‘Reservoir’, its splotchy acrylic surface flagged with little pictures of taxis and mapped over as though by latitude and longitude. And juxtaposed with this painting, the fibreglass sculpture of a fish: an icon that is also an entertaining diversion, with a peephole cut into it, through which we see the inset of a smaller fish. The comedy of the toy is a lyric release, an affirmation that we can always find needles to puncture the monumental figures who overwhelm our minds.\r\n\r\nAnd there is that quintessential image of risk: the pyramidal palace of cards, a suite of cards layered over with cement primer and sprinkled with cement, bearing the motifs of clasped hands and cloud-creepers, bowls of sweets and spiral shells. Does life remain in suspense awaiting the draw, and does a fateful augury lie hidden in these innocuous pictures? Are these solemn rituals or are they spirited games? Reena Saini seems to suggest that they can be both at once: for are not our lives a lila shaped by the play of paradoxical forces, of agency and structure, of necessity and chance? She has invited us into her orchard of home-grown secrets; we must now do her the courtesy of cultivating a taste for its fruits.\r\n\r\n<b>Summer 1998</b>','','','inherit','open','open','','1477-revision-8','','','2011-04-28 07:24:47','2011-04-28 07:24:47','',1477,'http://www.reenakallat.com/2456/uncat/1477-revision-8',0,'revision','',0),(2457,1,'2011-04-28 07:24:57','2011-04-28 07:24:57','<b style=\"color:#999999;\">ORCHARD OF HOME-GROWN SECRETS</b>\r\n<b>© Ranjit Hoskote</b>\r\n\r\nReena Saini’s art has come of age during an epoch in which Kalidasa’s Yaksha would be more likely to commit his missive of love and yearning to an e-mail server than a cloud; and Odysseus, were he alive today, would be more likely to spend the years of war and exile re-playing his recorded memories of Ithaca on the video than evoking the lost homeland in song. In other words, Saini’s art must content with a frame of experience that has to a great extent replaced poetry with technology, and passionate engagement likewise with a remote-control surrogacy.\r\n\r\nBut let us not fall into the error of supposing that art can be defeated by change; change is the only arena in which art can test its range, extend its resources, transform itself. The dominance of technology has summoned poets into a radical awareness of the word as disturbance; the torpid acceptance of surrogacy has provoked artists into an engagement with improvised gesture and mischievous, even shocking image: these are the styles we know as Conceptual Art.\r\n\r\nBut what are the lower-case conceptual options available to artists like Saini, who are not entirely comfortable with upper-case Conceptualism, with its sharply polemical stance and its insistence that the idea is the form? What are the formal choices exercised by an artist who still wishes to address the art-work as sensuous form, as a vehicle for mysterious and unsayable impulses rather than as an ideologically programmed device?\r\n\r\nLet me try and phrase this question in another way. What can an artist do in a situation where art no longer aspires to the condition of mythology - that heightened awareness of loss, separation, distance and quest which once formed the vital psychological centre of society? Is it possible for an artist to recover something of the grief, the melancholia, the exaltation germane to the mythological consciousness – without losing the ironic, playful finesse of the contemporary?\r\n\r\nThese are the dilemmas that Saini dramatises, with an accomplished sense of purpose, in her paintings and constructions. Knowing that it is no longer possible to enter the grand ruins of the temple of mythology, she assembles a mosaic of small myths instead. It is her project, after all, to find pictorial accommodation for memories that have no other home: for the great fish that was once the saviour of the world; for the column without beginning or end, that was the link between heaven and earth; for the houses of the heart that stood wide as the sky.\r\n\r\nSaini’s works are cast, then, in the form of a fascinating interplay between the archetype and the novelty. The flavours of present-day waking life are patterned, here, across the archaic structures of experience that manifest themselves in dream and hallucination. The effect is one of a fabulist’s magical continuity: the viewer enters a region where the spiral staircase is the path to the house of the gods and its column is the axis mundi, where the keyed-up mechanical toy is an impersonation of the self and Aladdin’s lamp is placed just out of reach of a hand that desires acquaintance with genies.\r\nAs with any post-mythological art, Saini’s underlying theme is that of belonging: the attempt to establish coherence between self and world. She does not pretend that the attempt is anything but difficult; her studio is replete with surreal images of the all-too-human conditions of fallibility, error, weakness, bewilderment. It is an intriguing array of hybrids that Saini offers us: the cloud floating above a dreamer stretched out on a park bench; the hand encased in a glove made from a map, its territorial ambitions belied by its evident delicacy; the Trojan horse that two children treat as a toy, oblivious to its capacity for treachery; the child in a conch-shell, as enigmatic as Vishnu, whom the sage sees as a cosmic infant in the Markandeya Purana. Here, we can tune in to the echoes of the cloud-bell, observe the opening of the sky-flower’s petals.\r\n\r\nThe binary of home and world, not unnaturally, occupies a central place in this schema. In a work like  ‘Escapades of the Ladder Occupants’, for instance, Saini turns inside and outside around, questioning the distinctions we make between interior and landscape, private and public. The questions that haunt this construction have haunted philosophy for centuries: Must the self revel in schizophrenia, investing its emotions in spheres artificially separated by tact and reason? Is a transparency of intention possible? Do acts and motives twine around each other like coupling serpents, or do they come apart like the halves of a broken ladder?\r\n\r\nAnother outcome of the post-mythological condition is the formal problem of containing the epic within the scope of the miniature. In ’Joint Family’, a construction cast in the form of a house, Saini employs the trope of a family tree – which grows over the walls - to pack in multiple histories, private and public, ancient and modern, local and global. This is a trail of clues rather than a rigorously detailed encyclopaedia: as we scan the leaves, we pick up a train, a light-bulb, the a Buddha, the diagram of the yogic body with its splendid chakras, Leonardo’s ideal man measuring himself against the cosmos. We scan the leaves again, as though they held the oracular answer to a riddle: we see a diver, or is he parachutist, or a tourist with his backpack?\r\nHere are energies of various kinds, and enlightenments: the Bodhisattva in the forest, Edison in his laboratory, the diver reaching for the pearl. This quasi-allegorical narrative is as ‘global’ or ‘national’ in its mood as it is personal, even autobiographical. In gently mocking the project of a universal history even in the act of tracing its outlines, Saini successfully draws our attention to the ongoing crisis of internationalism. We are plagued by the knowledge that the alien and the intimate are not always opposites: the foreign is often closer to us than the native, the native is often more distant than the foreign.\r\n\r\nSaini’s use of the painting or construction as an envelope for diverse elements  - elements which she has not yet configured into coherent relationships - was first rehearsed two years ago, in tentative works like ‘Home, a Showcase for Culture’. There, she was preoccupied with the rituals of possession, consumption and acquisition by which the affluent convince themselves of their success: the self is invested, finally and literally, in the sum total of the objects of its desire.\r\n\r\nThrough these works, there continues the quest for an identity: a self-definition that Saini prefers to approach obliquely rather than with frontal bravado. In the sequence of photographs, digitally printed on clear film and assembled as ‘Recital from the City Garden’, the artist presents us with the images of events performed like little rites. We trace the fate of a choir of wax dolls, each holding a paper house or boat, that is burnt. It is a model of sati that we witness (morally and politically treacherous as the analogy is, it is appropriate) in which the artefact survives the loss of presence. Like a song that has outlived the throat which first sang it, the sequence of photographs becomes a memorial to the precise, calculated violence that has become an endemic feature of our polity.\r\n\r\nBut Saini does not simply plunge us into despair; she also offers us metaphors of hope and emancipation. There is the fish in ‘Reservoir’, its splotchy acrylic surface flagged with little pictures of taxis and mapped over as though by latitude and longitude. And juxtaposed with this painting, the fibreglass sculpture of a fish: an icon that is also an entertaining diversion, with a peephole cut into it, through which we see the inset of a smaller fish. The comedy of the toy is a lyric release, an affirmation that we can always find needles to puncture the monumental figures who overwhelm our minds.\r\n\r\nAnd there is that quintessential image of risk: the pyramidal palace of cards, a suite of cards layered over with cement primer and sprinkled with cement, bearing the motifs of clasped hands and cloud-creepers, bowls of sweets and spiral shells. Does life remain in suspense awaiting the draw, and does a fateful augury lie hidden in these innocuous pictures? Are these solemn rituals or are they spirited games? Reena Saini seems to suggest that they can be both at once: for are not our lives a lila shaped by the play of paradoxical forces, of agency and structure, of necessity and chance? She has invited us into her orchard of home-grown secrets; we must now do her the courtesy of cultivating a taste for its fruits.\r\n\r\n<b>Summer 1998</b>','','','inherit','open','open','','1477-revision-9','','','2011-04-28 07:24:57','2011-04-28 07:24:57','',1477,'http://www.reenakallat.com/2457/uncat/1477-revision-9',0,'revision','',0),(2458,1,'2011-04-28 07:40:54','2011-04-28 07:40:54','<b style=\"color:#999999;\">ORCHARD OF HOME-GROWN SECRETS</b>\r\n<b>© Ranjit Hoskote</b>\r\n\r\nReena Saini’s art has come of age during an epoch in which Kalidasa’s Yaksha would be more likely to commit his missive of love and yearning to an e-mail server than a cloud; and Odysseus, were he alive today, would be more likely to spend the years of war and exile re-playing his recorded memories of Ithaca on the video than evoking the lost homeland in song. In other words, Saini’s art must content with a frame of experience that has to a great extent replaced poetry with technology, and passionate engagement likewise with a remote-control surrogacy.\r\n\r\nBut let us not fall into the error of supposing that art can be defeated by change; change is the only arena in which art can test its range, extend its resources, transform itself. The dominance of technology has summoned poets into a radical awareness of the word as disturbance; the torpid acceptance of surrogacy has provoked artists into an engagement with improvised gesture and mischievous, even shocking image: these are the styles we know as Conceptual Art.\r\n\r\nBut what are the lower-case conceptual options available to artists like Saini, who are not entirely comfortable with upper-case Conceptualism, with its sharply polemical stance and its insistence that the idea is the form? What are the formal choices exercised by an artist who still wishes to address the art-work as sensuous form, as a vehicle for mysterious and unsayable impulses rather than as an ideologically programmed device?\r\n\r\nLet me try and phrase this question in another way. What can an artist do in a situation where art no longer aspires to the condition of mythology - that heightened awareness of loss, separation, distance and quest which once formed the vital psychological centre of society? Is it possible for an artist to recover something of the grief, the melancholia, the exaltation germane to the mythological consciousness – without losing the ironic, playful finesse of the contemporary?\r\n\r\nThese are the dilemmas that Saini dramatises, with an accomplished sense of purpose, in her paintings and constructions. Knowing that it is no longer possible to enter the grand ruins of the temple of mythology, she assembles a mosaic of small myths instead. It is her project, after all, to find pictorial accommodation for memories that have no other home: for the great fish that was once the saviour of the world; for the column without beginning or end, that was the link between heaven and earth; for the houses of the heart that stood wide as the sky.\r\n\r\nSaini’s works are cast, then, in the form of a fascinating interplay between the archetype and the novelty. The flavours of present-day waking life are patterned, here, across the archaic structures of experience that manifest themselves in dream and hallucination. The effect is one of a fabulist’s magical continuity: the viewer enters a region where the spiral staircase is the path to the house of the gods and its column is the axis mundi, where the keyed-up mechanical toy is an impersonation of the self and Aladdin’s lamp is placed just out of reach of a hand that desires acquaintance with genies.\r\nAs with any post-mythological art, Saini’s underlying theme is that of belonging: the attempt to establish coherence between self and world. She does not pretend that the attempt is anything but difficult; her studio is replete with surreal images of the all-too-human conditions of fallibility, error, weakness, bewilderment. It is an intriguing array of hybrids that Saini offers us: the cloud floating above a dreamer stretched out on a park bench; the hand encased in a glove made from a map, its territorial ambitions belied by its evident delicacy; the Trojan horse that two children treat as a toy, oblivious to its capacity for treachery; the child in a conch-shell, as enigmatic as Vishnu, whom the sage sees as a cosmic infant in the Markandeya Purana. Here, we can tune in to the echoes of the cloud-bell, observe the opening of the sky-flower’s petals.\r\n\r\nThe binary of home and world, not unnaturally, occupies a central place in this schema. In a work like  ‘Escapades of the Ladder Occupants’, for instance, Saini turns inside and outside around, questioning the distinctions we make between interior and landscape, private and public. The questions that haunt this construction have haunted philosophy for centuries: Must the self revel in schizophrenia, investing its emotions in spheres artificially separated by tact and reason? Is a transparency of intention possible? Do acts and motives twine around each other like coupling serpents, or do they come apart like the halves of a broken ladder?\r\n\r\nAnother outcome of the post-mythological condition is the formal problem of containing the epic within the scope of the miniature. In ’Joint Family’, a construction cast in the form of a house, Saini employs the trope of a family tree – which grows over the walls - to pack in multiple histories, private and public, ancient and modern, local and global. This is a trail of clues rather than a rigorously detailed encyclopaedia: as we scan the leaves, we pick up a train, a light-bulb, the a Buddha, the diagram of the yogic body with its splendid chakras, Leonardo’s ideal man measuring himself against the cosmos. We scan the leaves again, as though they held the oracular answer to a riddle: we see a diver, or is he parachutist, or a tourist with his backpack?\r\n\r\nHere are energies of various kinds, and enlightenments: the Bodhisattva in the forest, Edison in his laboratory, the diver reaching for the pearl. This quasi-allegorical narrative is as ‘global’ or ‘national’ in its mood as it is personal, even autobiographical. In gently mocking the project of a universal history even in the act of tracing its outlines, Saini successfully draws our attention to the ongoing crisis of internationalism. We are plagued by the knowledge that the alien and the intimate are not always opposites: the foreign is often closer to us than the native, the native is often more distant than the foreign.\r\n\r\nSaini’s use of the painting or construction as an envelope for diverse elements  - elements which she has not yet configured into coherent relationships - was first rehearsed two years ago, in tentative works like ‘Home, a Showcase for Culture’. There, she was preoccupied with the rituals of possession, consumption and acquisition by which the affluent convince themselves of their success: the self is invested, finally and literally, in the sum total of the objects of its desire.\r\n\r\nThrough these works, there continues the quest for an identity: a self-definition that Saini prefers to approach obliquely rather than with frontal bravado. In the sequence of photographs, digitally printed on clear film and assembled as ‘Recital from the City Garden’, the artist presents us with the images of events performed like little rites. We trace the fate of a choir of wax dolls, each holding a paper house or boat, that is burnt. It is a model of sati that we witness (morally and politically treacherous as the analogy is, it is appropriate) in which the artefact survives the loss of presence. Like a song that has outlived the throat which first sang it, the sequence of photographs becomes a memorial to the precise, calculated violence that has become an endemic feature of our polity.\r\n\r\nBut Saini does not simply plunge us into despair; she also offers us metaphors of hope and emancipation. There is the fish in ‘Reservoir’, its splotchy acrylic surface flagged with little pictures of taxis and mapped over as though by latitude and longitude. And juxtaposed with this painting, the fibreglass sculpture of a fish: an icon that is also an entertaining diversion, with a peephole cut into it, through which we see the inset of a smaller fish. The comedy of the toy is a lyric release, an affirmation that we can always find needles to puncture the monumental figures who overwhelm our minds.\r\n\r\nAnd there is that quintessential image of risk: the pyramidal palace of cards, a suite of cards layered over with cement primer and sprinkled with cement, bearing the motifs of clasped hands and cloud-creepers, bowls of sweets and spiral shells. Does life remain in suspense awaiting the draw, and does a fateful augury lie hidden in these innocuous pictures? Are these solemn rituals or are they spirited games? Reena Saini seems to suggest that they can be both at once: for are not our lives a lila shaped by the play of paradoxical forces, of agency and structure, of necessity and chance? She has invited us into her orchard of home-grown secrets; we must now do her the courtesy of cultivating a taste for its fruits.\r\n\r\n<b>Summer 1998</b>','','','inherit','open','open','','1477-revision-10','','','2011-04-28 07:40:54','2011-04-28 07:40:54','',1477,'http://www.reenakallat.com/2458/uncat/1477-revision-10',0,'revision','',0),(2459,1,'2010-10-28 17:55:13','2010-10-28 17:55:13','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/woven-veins-lead.jpg\" alt=\"Woven Veins\" title=\"Woven Veins\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Woven Veins\r\n</span>2010\r\ndigital prints on Hahnemeuhle ultra smooth photo rag paper (set of 5)\r\nedition 5 + AP\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>installation view</i> , Walsh Gallery, Chicago</span></td>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Woven-Veins-1.jpg\" alt=\"Woven Veins\" title=\"Woven Veins\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Woven-Veins-2.jpg\" alt=\"Woven Veins\" title=\"Woven Veins\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Woven-Veins-3.jpg\" alt=\"Woven Veins\" title=\"Woven Veins\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Woven-Veins-4.jpg\" alt=\"Woven Veins\" title=\"Woven Veins\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Woven-Veins-5.jpg\" alt=\"Woven Veins\" title=\"Woven Veins\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Woven-Veins-6.jpg\" alt=\"Woven Veins\" title=\"Woven Veins\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','Woven Veins','','inherit','open','open','','2182-revision-7','','','2010-10-28 17:55:13','2010-10-28 17:55:13','',2182,'http://www.reenakallat.com/2459/uncat/2182-revision-7',0,'revision','',0),