(3066,1,'2014-05-12 18:08:02','2014-05-12 18:08:02','Reena Saini Kallat (b. 1973, Delhi, India) graduated from Sir J.J. School of Art, Mumbai in 1996 with a B.F.A. in painting. Her practice - spanning painting, photography, video, sculpture and installation, often incorporates multiple mediums into a single work. She frequently works with officially recorded or registered names of people, objects, and monuments that are lost or have disappeared without a trace, only to get listed as anonymous and forgotten statistics. One of the recurrent motifs in her work is the rubber stamp, used as an object and an imprint, signifying the bureaucratic apparatus, which both confirms and obscures identities.\r\n\r\nHer work has been widely exhibited across the world in venues such as Mori Art Museum, Tokyo; Kennedy Centre, Washington; Saatchi Gallery, London; SESC Pompeia and SESC Belenzino in Sao Paulo; Goteborgs Konsthall, Sweden; Helsinki City Art Museum, Finland; National Taiwan Museum of Fine Arts; Tel Aviv Museum of Art, Israel; National Museum of Contemporary Art, Seoul; Henie OnstadKunstsenter, Oslo; Casa Asia, Madrid and Barcelona; ZKM Karlsruhe in Germany; Campbelltown Arts Centre, Sydney; Hangar Bicocca, Milan; Museum of Contemporary Art, Shanghai; IVAM Museum, Spain; Busan MOMA; Kulturhuset, Stockholm; Chicago Cultural Centre amongst many others and she has participated in a number of workshops and residencies. She lives and works in Mumbai.\r\n<table>\r\n    <tbody>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td colspan=\"2\"><strong><span style=\"color: #888888;\">SOLO EXHIBITIONS</span></strong></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2014</td>\r\n            <td>Anatomy of forking paths, Art Houz, during Art Chennai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2013</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.zegnart.com/diary/public\" target=\"_blank\">ZegnArt Public project with Dr. Bhaudaji Lad Museum, Mumbai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2011</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.naturemorte.com/exhibitions/2011-03-08_reena-saini-kallat/\" target=\"_blank\">Labyrinth of Absences, Nature Morte, New Delhi</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2009</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.primomarellagallery.com/it/catalogue/scheda.asp?id=568&amp;view=past\" target=\"_blank\">Drift, Primo Marella Gallery, Milan</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2008</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2008/reena_bio.html\" target=\"_blank\"> Silt of Seasons, Chemould   Prescott Road, Mumbai <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2008</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.walshgallery.com/reena-kallat-exhibition-2008/\" target=\"_blank\">Subject to Change without Notice, Walsh Gallery, Chicago</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2006</td>\r\n            <td>Rainbow Of Refuse, Bodhi Art Gallery, Mumbai and Singapore</td>\r\n            <td><em> </em></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2005</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.naturemorte.com/artists/reena-saini-kallat/selected-works/\" target=\"_blank\">Black Flute (And Other Stories), Nature Morte, New Delhi</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2004</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2004/reena_saini_kallat_note.html\" target=\"_blank\">Black Flute, Gallery Chemould, Mumbai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2002</td>\r\n            <td>The Battlefield Is The Mind, Sakshi Gallery, Bangalore</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2002</td>\r\n            <td>Seven Faces of Dust, Chicago Radio, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2000</td>\r\n            <td>Skin, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">1998</td>\r\n            <td>Orchard of Home-grown Secrets, Gallery Chemould and Pundole  Art Gallery, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td colspan=\"2\"><span style=\"color: #888888;\"><strong>SELECTED GROUP EXHIBITIONS</strong></span></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2014</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions-works/aesthetic%20bind-cabinet%20closet%20wunderkammer/Reena-Saini-Kallat-50-years-chemould-gallery-prescott-road-mumbai-contemporary-2014.html\" target=\"_blank\">Aesthetic Bind: Floating World, Chemould Prescott Road, Mumbai <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2014</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.sahmatnews.blogspot.in/2014/02/forms-of-activism-24th-feb-to-1st-march.html\" target=\"_blank\">Forms of Activism, exhibition marking 25 years of SAHMAT at the Lalit Kala Akademi                  galleries, Rabindra bhavan, New Delhi <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2014</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.artoxygen.org/wp-content/uploads/2014/140218_Program_isthereloveinthisair2014.pdf\" target=\"_blank\">Encounters 2014 - Is there love in the air?, Public project with Art Oxygen in Mumbai<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2013</td>\r\n            <td><a class=\"linkbio\" href=\"http://eslitegallery.tumblr.com/post/65981256422/reena-saini-kallat\" target=\"_blank\">No-Mad-Ness in No-Man\'s Land, Eslite Gallery, Taipei <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2013</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.artoxygen.org/?p=1858\" target=\"_blank\">Haein Art Project, Haeinsa Temple, Korea <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2013</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.collabo-x.com/cheongju-international-craft-biennale-2013-청주첨단문화산업단지/\" target=\"_blank\"> \"Something Old and Something New\", Cheongju International Craft Biennale, Korea<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2013</td>\r\n            <td><a class=\"linkbio\" href=\"http://mohileparikhcenter.org/site/?q=node/647\" target=\"_blank\">Partner a Master Exhibition, Artist/Mentor Programme, Premchand Roychand Gallery, Chhatrapati Shivaji Maharaj Vastu Sangrahalaya (CSMVS), Mumbai <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2013</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.paletteartgallery.com/exhibition/past/works/details/5120\" target=\"_blank\">Spell of Spill: Utopia of Ecology, Palette Art Gallery, Delhi <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2013</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.satellite.org.au/docs/encounters-powerPLAY_press_release.pdf \" target=\"_blank\">EN(counters): POWERplay, along Mumbai’s waterfronts, gardens and historic sites<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2013</td>\r\n            <td>JJ’s 90s - The Time of Change, Sir J.J. School of Art, Mumbai  </td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2012</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.arken.dk/content/us/art/exhibitions/india_art_now/the_intimate_sphere\" target=\"_blank\">India Today, ARKEN Museum of Modern Art, Copenhagen, Denmark <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2012</td>\r\n            <td>The Indian Parallax or the Doubling of Happiness, Birla Academy of Art and Culture, Kolkata</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2012</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.kunsten.dk/Default.aspx?ID=4378\" target=\"_blank\">WONDERS – Masterpieces from Private Collections, Denmark <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2012</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.bb.com.br/docs/pub/inst/dwn/CatalogoIndia.pdf\" target=\"_blank\">India side by side, Centro Cultural Banco do Brasil, Brasilia <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2012</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.eigen-art.com/lab/index.php?article_id=804&clang=1\" target=\"_blank\">Group show, Eigen + Art Lab, Berlin<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2012</td>\r\n            <td>India Side by Side,SESC Belenzino, Sao Paulo, Brazil</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2012</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.punkto.no/voices-from-pandemonium.5006429-249860.html\" target=\"_blank\">Stemmer fra Pandemonium, Punkt-Galleri F 15, Moss, Norway <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2012</td>\r\n            <td>To Let the World In: Narrative and Beyond in Contemporary Indian Art, Lalit Kala Regional Centre, Chennai, India</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2012</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.exhibit320.com/exhibitionShow/EXH00014/\" target=\"_blank\">The Contemporary Sultanate, the Sunrydge, New Delhi <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2012</td>\r\n            <td>Kalaghoda Art Festival, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2012</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.theskodaprize.com/2012/longlist.php?id=1#.ULxBLWDrbJw\" target=\"_blank\">The Skoda Prize Exhibition, Lalit Kala Academy, New Delhi<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2011</td>\r\n            <td>India Side by Side, Centro Cultural Banco do Brasil, Rio De Janeiro</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2011</td>\r\n            <td>Giant Elephant : Contemporary Art from India, H Cube Gallery, Seoul</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2011</td>\r\n            <td>Roundabout, Tel Aviv Museum of Art, Israel<span style=\"color: red;\"> </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2011</td>\r\n            <td><a class=\"linkbio\" href=\"http://goteborg.biennal.org/en/the-biennial-2011/artists/\" target=\"_blank\">Goteborg International Biennale for Contemporary Art, curated by Sarat Maharaj, Göteborgs Konsthall and Bohuslans Konsthall, Uddevalla, Sweden <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2011</td>\r\n            <td>Right to Dissent, Clark House, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2011</td>\r\n            <td>RED, Palette Art Gallery, Delhi</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2011</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.kennedy-center.org/events/?event=ZLINB\" target=\"_blank\">Maximum India, The Kennedy Centre, Washington</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2011</td>\r\n            <td>Of Gods and Goddesses, Cinema, Cricket - The New cultural Icons of India, Jehangir Art Gallery, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2011</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.hel.fi/hki/taimu/en/art+museum+tennis+palace/past+exhibitions/2011/concurrent+india\" target=\"_blank\">Samtidigt, Helsinki City Art Museum, Finland<span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2011</td>\r\n            <td>Iconoclasts and Iconodules, curated by Ombretta Argo, Religare Art Gallery, New  Delhi</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2011</td>\r\n            <td><a class=\"linkbio\" href=\"http://vancouverbiennale.com/sculptures_page.php?sculptureID=36\" target=\"_blank\">The Vancouver International Sculpture Biennale, Surrey Art Gallery, Canada<span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2011</td>\r\n            <td>The Intuitive: Logic Revisted, from the Osians Collection at The World Economic Forum, Davos, Switzerland</td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2010</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/current/La_Route_De_La_Soie.htm\" target=\"_blank\">La Route de la Soie / The Silk Road, Lille 3000, France </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2010</td>\r\n            <td><a class=\"linkbio\" href=\"http://kulturhuset.stockholm.se/\" target=\"_blank\">Samtidigt, Kulterhuset, Stockholm</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2010</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.campbelltown.nsw.gov.au/Exhibitions\" target=\"_blank\">The River Project, Campbelltown Art Centre, Sydney</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2010</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.tamuseum.com/about-the-exhibition/roundabout-face-to-face\" target=\"_blank\">Roundabout, City Gallery Wellington, New Zealand</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2010</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.walshgallery.com/water-ways/\" target=\"_blank\">Waterways, Walsh Gallery, Chicago</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2010</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.richmondartgallery.org/in-transition.php\" target=\"_blank\">In Transition: New Art from India, Richmond Art Gallery Vancouver Biennale, Vancouver</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2010</td>\r\n            <td><a class=\"linkbio\" href=\"http://www2.webster.edu/news/releases/bringmealion_0910113.shtml\" target=\"_blank\">Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster University, curated by Jeffrey Hughes and Dana Turkovic, Cecile R. Hunt  Gallery, St. Louis, Missouri</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2010</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/www/pastExhibitions\" target=\"_blank\">Never Run Away, 2 person exhibition curated by Shaheen Merali, Stux Gallery, New York</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2010</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/artists/reena_kallat.htm?section_name=new_india\" target=\"_blank\">The Empire Strikes Back, Saatchi Gallery, London</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2010</td>\r\n            <td><a class=\"linkbio\" href=\"http://art-for-the-world.blogspot.com/2010/01/some-installation-views-of-urban.html\" target=\"_blank\">Urban Manners 2, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao Paulo, Brazil</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2009</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.asianartbiennial.org/2009/en/index_en.html\" target=\"_blank\">View Points and Viewing points - 2009 Asian Art Biennale, National Taiwan Museum of Fine Arts </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2009</td>\r\n            <td>Spectrum: Indian Art at Abu   Dhabi, United   Arab Emirates</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2009</td>\r\n            <td>Milan Galleria, curated by Georgio Verzotti, Triennale Museum, Milan</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2009</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.initialaccess.co.uk/exh/73/11/passage-to-india-part-ii/reena-saini-kallat\" target=\"_blank\">Passage to India Part II show at Initial Access, Frank Cohen Collection, Wolverhampton, UK</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2009</td>\r\n            <td>Ventosul Biennale, Curitiba, Brazil</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2009</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.mori.art.museum/english/contents/india/index.html\" target=\"_blank\"> Chalo! India: A New Era of Indian Art, National  Museum of Contemporary Art, Korea and Essl Museum, Vienna</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2009</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.mocashanghai.org/index.php?_function=exhibition&amp;_subFunction=pastExhibition&amp;exhibition_id=40&amp;_view=detail\" target=\"_blank\">INDIA XIANZAI: Contemporary Indian Art, Museum of Contemporary Art, Shanghai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2009</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/42/622\" target=\"_blank\">Low Blow: And Other Species of Confusion, Stux gallery, New York</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2009</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.casaasia.eu/actividad/detalle?id=13195\" target=\"_blank\"><em> </em>Indian Narratives in the 21<sup>st</sup> Century: Between Memory and History,Casa  Asia, Madrid and Barcelona, Spain<span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2009</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.walshgallery.com/body-chatter-an-exhibition-of-contemporary-indian-art-2008/\" target=\"_blank\">Body Chatter, Walsh Gallery, Chicago</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2008</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.mori.art.museum/contents/press/india_20081121_e.pdf\" target=\"_blank\">Chalo! India: A New Era of Indian Art, Mori Art   Museum, Japan</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2008</td>\r\n            <td>India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM Museum, Valencia, Spain </td>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2008</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.aaa.org.hk/onlineprojects/bitri/en/gallery.aspx?eid=A080.03\" target=\"_blank\">3<sup>rd</sup> Nanjing Triennale, curators: Fumihiko Sumitomo, Jaeyoung Kang,  China</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2008</td>\r\n            <td>TEAF (Taehwagang Eco Art Festival) - Dream River, Korea</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2008</td>\r\n            <td>Everywhere is War (And Rumours of it), Bodhi Art Gallery, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2008</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/33\" target=\"_blank\">Fire Walkers, Stefan Stux gallery, New York</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2008</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.galeriems.com/publications_2008.html\" target=\"_blank\">Three Points of view, Galerie Mirchandani + Steinrucke, Mumbai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2008</td>\r\n            <td>Excavation: Memory / Myth / Membrane, Museum Gallery, Mumbai</td>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2007</td>\r\n            <td>International Incheon Women Artists’ Biennale, Korea</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2007</td>\r\n            <td>Soft Power: Asian Attitude, Shanghai Zendai Museum of Modern Art, Shanghai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2007</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.kunstaspekte.de/index.php?tid=39629&amp;action=termin\" target=\"_blank\">Urban Manners, curated by Adelina Von Furstenberg, at Hangar Bicocca, Milan </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2007</td>\r\n            <td>\r\n                <a class=\"linkbio\" href=\"http://www.artsblog.it/post/933/larte-contemporanea-indiana-a-milano\" target=\"_blank\">\r\n                    INDIA NOW: Contemporary Indian Art, Between Continuity and transformation, curated by Daniela Palozzoli\r\n                    at Spazio Oberdan, Milan\r\n                </a> <span style=\"color: red;\"> &gt;&gt; </span>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2007</td>\r\n            <td>New Narratives: Contemporary Art From India, curated by Betty Seid, Chicago Cultural Centre, Chicago</td>\r\n            <td><em> </em></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2007</td>\r\n            <td>Thermocline Of Art- New Asian Waves, curated by Wonil Rhee and Peter Weibel at ZKM in Karlsruhe, Germany</td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2006</td>\r\n            <td>Modern Indian Works On Paper, Arthur Ross Gallery, Philadelphia and the Georgia Museum of Art, USA</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2006</td>\r\n            <td>Lille 3000 (Maximum City-Mumbai), Lille,  France</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2006</td>\r\n            <td>Hungry God- Indian Contemporary Art, curated by Yun Chaegab and June Gwak, Arario Gallery, Beijing and Busan MoMA</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2006</td>\r\n            <td>India Express – Art and Popular Culture, Art Museum Tennispalace, curators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City  Art Museum, Finland</td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2005</td>\r\n            <td>Mom and Pop Art, Walsh Gallery, Chicago</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2005</td>\r\n            <td>Span, Sakshi Gallery, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2005</td>\r\n            <td>Indian Paintings of the New Millenium, curated by Helen Asquine Fazio at Thomas J. Walsh Art Gallery at Fairfield  University, USA</td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2004</td>\r\n            <td><em> </em>Contemporary Art from India, Thomas   Erben Gallery, New York</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2004</td>\r\n            <td>Zoom! Art in Contemporary India. Curators: Nancy Adajania and Luis Serpa, The Culturgest Museum, Lisbon, Portugal</td>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2003</td>\r\n            <td>Crossing generations: diVERGE, Gallery Chemould’s 40th anniversary, Curators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of Modern Art, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2003</td>\r\n            <td><em> </em>Hard Copy, two-person show with Jitish Kallat, Gallery 88, Calcutta</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2003</td>\r\n            <td>Tiranga, curator: Peter Nagy, India Habitat Centre, New Delhi</td>\r\n            <td><em> </em></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2003</td>\r\n            <td><em> </em>Elephant Walks, Youth Arts Project in collaboration with Jitish Kallat as part of Indians + Cowboys exhibition, Curators: Aaron Seetu and Ruth Watson Gallery 4A, Sydney</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2003</td>\r\n            <td>The Tree From The Seed, Contemporary Art from India, curator: Gavin Jantjes Henie Onstad Kunstsenter (Oslo), Norway</td>\r\n            <td><em></em></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2002</td>\r\n            <td><em>Crosscurrents</em>, organized by Artworks for the fiftieth anniversary celebrations of Jehangir Art  Gallery, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2002</td>\r\n            <td><em>Reclaim Our Freedom</em>, organized by Open Circle, Pundole Art Gallery, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2002</td>\r\n            <td>Crossing Borders, Gallery Windkracht 13, Den Helder, Holland</td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2001</td>\r\n            <td>Big River 2, CCA7 Gallery, Port Of Spain, Trinidad</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2001</td>\r\n            <td>AOM- Art on the move, organized by Sahmat, New Delhi</td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">1999</td>\r\n            <td><em> </em>Edge of the Century, curated by Amit Mukhopadhyay, Academy  of Fine Arts and Literature, New Delhi</td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">1998</td>\r\n            <td><em> </em>Essays in Time, Kinetic Sculptures, Nehru Centre, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">1997</td>\r\n            <td><em> </em>India in Harmony 1947-1997, Nehru Centre, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">1997</td>\r\n            <td><em> </em>A Page From My Diary, Sans Tache Art Gallery, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">1997</td>\r\n            <td><em> </em>Fresh Work, Birla Academy of Art and Culture, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">1996</td>\r\n            <td><em> </em>Monsoon Show, Jehangir Art Gallery, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">1995</td>\r\n            <td><em> </em>Varsha ’95, Y. B. Chavan Gallery, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td colspan=\"2\"><strong><span style=\"color: #888888;\">SELECTED WORKSHOPS AND RESIDENCIES</span></strong></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2014</td>\r\n            <td>Visas to Happiness - 3, workshop with children at the 2014 Dhaka Art Summit, Bangladesh</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2013</td>\r\n            <td><a class=\"linkbio\" href=\"http://art1stindia.wordpress.com/2012/09/09/reena-kallat-visa-to-happiness/#comments\" target=\"_blank\">Partner a Master Workshop Artist/Mentor Programme, organized by Art 1st Foundation in collaboration with Mohile Parikh Centre, Mumbai <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2012</td>\r\n            <td>Visas to Happiness, workshop with children as part of the exhibition \'To Let the World In\', Chennai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2011</td>\r\n            <td>Iaspis Residency, Gothenburg, Sweden.</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2009</td>\r\n            <td>Vanishing Point, children’s project at the Celebrate Bandra Festival, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2007</td>\r\n            <td>Collaborative workshop as part of the exhibition Aftershock, Sainsbury Centre for Visual Arts, University of East Anglia, Norwich,  UK</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2003</td>\r\n            <td>Collaborated on a Billboard project with Jitish Kallat, Kala Ghoda Art District, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2003</td>\r\n            <td>Elephant Walks, Youth Arts Project at the Casula Power House Arts Centre, Liverpool, Australia</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2002</td>\r\n            <td>Khoj 2002 International Artists Workshop, Mysore, India</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2002</td>\r\n            <td>Identity and Landscape, residency in the Laurentian mountains of Quebec at the Boreal Art/Nature Centre, Canada</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2001</td>\r\n            <td>Big River 2, International Artists Workshop organized by CCA7 and the Triangle Arts Trust at Grand Riviere, Trinidad, West Indies</td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td><span style=\"color: #888888;\"><strong>TALKS/PRESENTATIONS</strong></span></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2013</td>\r\n            <td>“Who is the Audience?” IAF 2013  I  Conversations, panel discussion with Kamini Sawhney, Matthieu Foss moderated by Ranjit Hoskote, Nehru Centre, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2013</td>\r\n            <td>“Rendezvous with the Artist” series by Asia Society at the artists studio in Mumbai, sponsored by Christies.</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2012</td>\r\n            <td>Artists Talk at the World Economic Forum, Tianjin</td>\r\n        </tr>\r\n        <tr>\r\n        <tr>\r\n            <td valign=\"top\">2012</td>\r\n            <td>\"Why I am not a woman artist” panel discussion with Anju Dodiya, moderated by Nancy Adajania at the Jehangir Nicholson Art Foundation, Prince of Wales Museum, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2011</td>\r\n            <td>Artists Talk at GIBCA Speak Easy (GSE), Goteborg</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2011</td>\r\n            <td>Informal talk at HDK – The School of Design and Crafts, Goteborg</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2011</td>\r\n            <td>Artists Talk at the Iaspis Residency Studio, Stockholm</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2010</td>\r\n            <td>Short presentation as part of The River Project at The Campbelltown Arts Centre, Sydney</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2011</td>\r\n            <td>Artists Talk at the Krishnakriti Festival 2011, Kalakriti Gallery, Hyderabad</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2010</td>\r\n            <td>Panel discussion moderated by Maria Lantz, with participating artists during the exhibition Samtidigt at Kulturhuset, Stockholm</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2009</td>\r\n            <td>Panel discussion with artist Gulam Sheikh, co-chair: Sabine B. Vogel, art critic at the Sammlung Essl Museum, Vienna</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2008</td>\r\n            <td>Slide presentation followed by a panel discussion with Nalini Malani and Jayshree Chakravarty, moderated by Nancy Adajania at Jnanapravaha, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2008</td>\r\n            <td>Slide presentation at the School of the Art Institute of Chicago</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2007</td>\r\n            <td>Panel discussion with Nalini Malani, Sheba Chhachhi, moderated by Betty Seid at the Chicago Cultural Centre</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2007</td>\r\n            <td>Lecture at the University Boccini, Milan</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2006</td>\r\n            <td>Slide presentation at the Lamar Dodd School of Art, University of Georgia, USA</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2006</td>\r\n            <td>Artists Talk at the Griffith Auditorium, Georgia Museum of Art, USA</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2003</td>\r\n            <td>Slide presentation at Oslo National Academy of the Arts, Norway</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2000</td>\r\n            <td>Slide presentation at Mohile Parikh Centre for the Visual Arts, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td colspan=\"2\"><strong><span style=\"color: #888888;\">AWARDS</span></strong></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2012</td>\r\n            <td>ZegnArt Public Award in collaboration with Dr. Bhaudaji Lad Museum, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2011</td>\r\n            <td>YFLO ZOYA Young Women Achievers Awards 2010-11, Delhi</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2005</td>\r\n            <td>Harmony Award</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">1996</td>\r\n            <td>Bombay Art Society Merit Certificate</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">1996</td>\r\n            <td>Second Prize Government Award, Sir J. J. School of Art, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">1995</td>\r\n            <td>Gladstone Solomon Award</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">1991-1996</td>\r\n            <td>Merit Scholarship, Sir J. J. School of Art, Mumbai</td>\r\n        </tr>\r\n    </tbody>\r\n</table>','Biography','','inherit','open','open','','105-revision-149','','','2014-05-12 18:08:02','2014-05-12 18:08:02','',105,'http://www.reenakallat.com/3066/uncat/105-revision-149',0,'revision','',0),(3068,1,'2013-05-05 05:06:42','2013-05-05 05:06:42','<style type=\"text/css\">\r\n.tablenav {\r\nclear:both;\r\nheight:30px;\r\nmargin:6px 0 4px;\r\nvertical-align:middle;\r\n}\r\n.tablenav-pages {\r\ncolor:#555555;\r\n}\r\n.tablenav .tablenav-pages {\r\ncursor:default;\r\ndisplay:block;\r\nfloat:right;\r\nfont-size:11px;\r\nheight:30px;\r\nline-height:30px;\r\n}\r\n.page-numbers {\r\nborder-bottom-color:#B8D3E2;\r\ncolor:#21759B;\r\nfont-weight:bold;\r\n}\r\n.tablenav-pages .current {\r\nbackground:none repeat scroll 0 0 #DFDFDF;\r\nborder-color:#D3D3D3;\r\n}\r\n\r\na.page-numbers {\r\nborder-bottom-color:#B8D3E2;\r\n}\r\n.tablenav .displaying-num {\r\nfont-family:Georgia,\"Times New Roman\",\"Bitstream Charter\",Times,serif;\r\nfont-size:12px;\r\nfont-style:italic;\r\nmargin-right:10px;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/rubber-stamp\"><img class=\"alignnone size-medium wp-image-712\" title=\"Visas to Happiness (2012)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-Works-page.jpg\" alt=\"Untitled Rubberstamp(2012)\"  /></a>Untitled Rubberstamp (2012)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/untitled-cobweb-knots-and-crossings\"><img class=\"alignnone size-medium wp-image-712\" title=\"Untitled Cobweb (knots and crossings) (2012)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/Cobweb-Work-page.jpg\" alt=\"Untitled Cobweb (knots and crossings) (2012)\"  /></a>Untitled Cobweb (knots and crossings) (2012)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/paper-machine\"><img class=\"alignnone size-medium wp-image-712\" title=\"Synapse (2011)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-WP.jpg\" alt=\"Paper Machine (2012)\"  /></a>Paper Machine (2012)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/visas-to-happiness\"><img class=\"alignnone size-medium wp-image-712\" title=\"Visas to Happiness (2012)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/children-workshop-works-pag.jpg\" alt=\"Visas to Happiness (2012)\"  /></a>Visas to Happiness (2012)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/map-drawing\"><img class=\"alignnone size-medium wp-image-712\" title=\"Untitled (Map/Drawing)  (2011)\" src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/Mapping-works-page.jpg\" alt=\"untitled (Map/Drawing)  (2011)\"  /></a> Untitled (Map/Drawing) (2011)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/synapse-2011\"><img class=\"alignnone size-medium wp-image-712\" title=\"Synapse (2011)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/synapse-Works-page.jpg\" alt=\"Synapse (2011)\"  /></a>Synapse (2011)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/memoria-crematoria\"><img class=\"alignnone size-medium wp-image-712\" title=\"untitled (column)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-Works-pa.jpg\" alt=\"Memoria Crematoria (dates of war) (2011)\"  /></a> Memoria Crematoria (dates of war) (2011)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/untitledcolumn\"><img class=\"alignnone size-medium wp-image-712\" title=\"untitled (column)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Untitled-works-page.jpg\" alt=\"untitled (2011)\"  /></a> Untitled (2011)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/falling-fables\"><img class=\"alignnone size-medium wp-image-712\" title=\"Falling Fables\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-work-page.jpg\" alt=\"Falling Fables (2010-11)\"  /></a> Falling Fables (2010-11)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/sculptures\"><img class=\"alignnone size-medium wp-image-712\" title=\"Sculptures\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/sculpture-for-works.jpg\" alt=\"Falling Fables (column) (2011)\"  /></a>Falling Fables (column) (2011)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/2degrees\"><img class=\"alignnone size-medium wp-image-712\" title=\"2 Degrees\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/2degrees-works.jpg\" alt=\"\"  /></a> 2 Degrees (2010)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/woven-veins\"><img class=\"alignnone size-medium wp-image-712\" title=\"Woven Veins\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/woven-veins-lead.jpg\" alt=\"Woven Veins (2009)\"  /></a> Woven Veins (2010)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/preface\"><img class=\"alignnone size-medium wp-image-712\" title=\"Preface\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/Preface-lead.jpg\" alt=\"Preface\"  /></a> Preface (2010)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/light-leaks\"><img class=\"alignnone size-medium wp-image-201\" title=\"Light Leaks\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/Light-Leaks-lead.jpg\" alt=\"Light Leaks (2008-2010)\"  /></a>Light Leaks... (2008-2010)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/colour-curtain\"><img class=\"alignnone size-medium wp-image-201\" title=\"Colour-curtain\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/2colour-curtain.jpg\" alt=\"Colour Curtain (2009)\"  /></a>Colour Curtain... (2009)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/your-mileage-gallery\"><img class=\"alignnone size-medium wp-image-320\" title=\"Your-Mileage-May-Vary\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/3-Your-Mileage-May-Vary.jpg\" alt=\"\" /></a></span>Your Mileage May Vary (2009)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/synonym\"><img class=\"alignnone size-medium wp-image-712\" title=\"Synonym\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/1-Synonym.jpg\" alt=\"\"  /></a> Synonym (2009)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/vanishing-point\"><img class=\"alignnone size-medium wp-image-201\" title=\"Vanishing Point (2009)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/4--VanishingPoint.jpg\" alt=\"Vanishing Point (2009)\"  /></a>Vanishing Point (2009)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\" >\r\n<a href=\"http://www.reenakallat.com/moving-millimeter\"><img class=\"alignnone size-medium wp-image-712\" title=\"The Moving Millimeter (2009)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/5---The-Moving-Mil.jpg\" alt=\"The Moving Millimeter (2009)\"  /></a>The Moving Millimeter (2009)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/white-yarn-detailed-info\"><img class=\"alignnone size-medium wp-image-199\" title=\"White Yarn\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/6---white-yarn.jpg\" alt=\"White Yarn (2008)\" /></a>White Yarn...(2008)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/white-heat-the-ironing-board-detailed-info\"><img class=\"alignnone size-medium wp-image-879\" title=\"White Heat (2008)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/7--White-Heat.jpg\" alt=\"White Heat (2008)\"  /></a>White Heat...(2008)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/crease-crevice-contour-detailed-info\"><img class=\"alignnone size-large wp-image-417\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/8---Crease-crevice.jpg\" alt=\"Crease / Crevice / Contour (2008)\" /></a>Crease / Crevice / Contour (2008)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/silt-of-seasons-1-detailed-info\"><img class=\"alignnone size-large wp-image-436\" title=\"Silt of Seasons I (2008)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/9--Silt-of-Seasons.jpg\" alt=\"Silt of Seasons I (2008)\"  /></a>Silt of Seasons - I (2008)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/silt-of-seasons-2-detailed-info\"><img class=\"alignnone size-large wp-image-436\" title=\"Silt of Seasons - II (2008)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/10--Silt-of-Seasons.jpg\" alt=\"Silt of Seasons - II (2008)\"  /></a>Silt of Seasons - II (2008)</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\">\r\n<div class=\"tablenav\"><div class=\"tablenav-pages\"><span>1, </span>  <a href=\"works-page-2\" class=\"page-numbers\">2, </a> <a href=\"works-page-3\" class=\"page-numbers\">3</a> <a href=\"works-page-2\" >»</a></div><br class=\"clear\"></div>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<!--more-->\r\n','Works-4thMay2013','','inherit','open','open','','2858-revision-4','','','2013-05-05 05:06:42','2013-05-05 05:06:42','',2858,'http://www.reenakallat.com/3068/uncat/2858-revision-4',0,'revision','',0),(3073,1,'2014-04-12 10:49:37','2014-04-12 10:49:37','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/visatohappiness3-1.jpg\" alt=\"Visa To Happiness 3\" title=\"Visa To Happiness - 3\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></a></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Visa To Happiness - 3</span>\r\n2014\r\npainted wall murals, \r\nmock-passports and arrival cards\r\n46 ft. x 8 ft. l 552 in. x 96 in.\r\n<a href=\"https://www.youtube.com/watch?v=cZRLFR4sui0\" target=\"_blank\"><span style=\"color: #888888;\">view video >></span></a>\r\n</td></tr></tr>\r\n<tr>\r\n<td><span style=\"font-size:11px;font-weight:normal;line-height:3px;\">  Installation view,<i> Shilpakala Academy, Dhaka</i></span></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"visatohappiness 3\" src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/visatohappiness3-2.jpg\" alt=\"visatohappiness 3\" width=\"600\" /></a>\r\n</td>\r\n<td width=\"400\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThis interactive workshop during the Dhaka Art Summit with children was part of an ongoing project called \"Visas to Happiness\", under which key questions related to our notion of happiness or subjective well-being were discussed. How we view the world, our mental state of well-being depending on not just our social environment that comprises of family, friends and community but our natural environment, how our health is closely linked to the ecology, how cultural and biological diversity are essential for ensuring creative, peaceful societies and how each of us can try and re-imagine the world.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\nThis interactive workshop during the Dhaka Art Summit with children was part of an ongoing project called \"Visas to Happiness\", under which key questions related to our notion of happiness or subjective well-being were discussed. How we view the world, our mental state of well-being depending on not just our social environment that comprises of family, friends and community but our natural environment, how our health is closely linked to the ecology, how cultural and biological diversity are essential for ensuring creative, peaceful societies and how each of us can try and re-imagine the world.Although indicators that attempt to measure quality of life in more holistic and psychological terms rather than only economic, reflect a higher happiness quotient for smaller countries due to the strong sense of community and collectivism, Bangladesh however has slipped behind in their rankings on happiness. The project was conceived with two large wall murals that were painted with birds forming the texts (in Bengali and English) on two opposite facing walls along the corridors at the Shilpakala Academy. The children were provided specially produced mock-passports and arrival cards which they creatively filled in with their understanding through personal and cultural values, animating ideas of time, geography, movement, flight and freedom…\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n \r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/visatohappiness3-3.jpg\" alt=\"Visa To Happiness 3\" title=\"Visa To Happiness 3\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/visatohappiness3-4.jpg\" alt=\"Visa To Happiness 3\" title=\"Visa To Happiness 3\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr></tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/visatohappiness3-5-6.jpg\" alt=\"Visa To Happiness 3\" title=\"Visa To Happiness 3\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/visatohappiness3-7-8.jpg\" alt=\"Visa To Happiness 3\" title=\"Visa To Happiness 3\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/visatohappiness3-9.jpg\" alt=\"Visa To Happiness 3\" title=\"Visa To Happiness 3\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/visatohappiness3-10.jpg\" alt=\"Visa To Happiness 3\" title=\"Visa To Happiness 3\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/visatohappiness3-11.jpg\" alt=\"Visa To Happiness 3\" title=\"Visa To Happiness 3\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/visatohappiness3-13.jpg\" alt=\"Visa To Happiness 3\" title=\"Visa To Happiness 3\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/visatohappiness3-14-15.jpg\" alt=\"Visa To Happiness 3\" title=\"Visa To Happiness 3\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/visatohappiness3-16-17.jpg\" alt=\"Visa To Happiness 3\" title=\"Visa To Happiness 3\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/visatohappiness3-18-19.jpg\" alt=\"Visa To Happiness 3\" title=\"Visa To Happiness 3\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/visatohappiness3-20-21.jpg\" alt=\"Visa To Happiness 3\" title=\"Visa To Happiness 3\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/visatohappiness3-22.jpg\" alt=\"Visa To Happiness 3\" title=\"Visa To Happiness 3\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n</tbody>\r\n</table>','visatohappiness3','','inherit','open','open','','3026-revision-18','','','2014-04-12 10:49:37','2014-04-12 10:49:37','',3026,'http://www.reenakallat.com/3073/uncat/3026-revision-18',0,'revision','',0),(3069,1,'2014-01-22 21:09:18','2014-01-22 21:09:18','<style type=\"text/css\">\r\n.tablenav {\r\nclear:both;\r\nheight:30px;\r\nmargin:6px 0 4px;\r\nvertical-align:middle;\r\n}\r\n.tablenav-pages {\r\ncolor:#555555;\r\n}\r\n.tablenav .tablenav-pages {\r\ncursor:default;\r\ndisplay:block;\r\nfloat:right;\r\nfont-size:11px;\r\nheight:30px;\r\nline-height:30px;\r\n}\r\n.page-numbers {\r\nborder-bottom-color:#B8D3E2;\r\ncolor:#21759B;\r\nfont-weight:bold;\r\n}\r\n.tablenav-pages .current {\r\nbackground:none repeat scroll 0 0 #DFDFDF;\r\nborder-color:#D3D3D3;\r\n}\r\n\r\na.page-numbers {\r\nborder-bottom-color:#B8D3E2;\r\n}\r\n.tablenav .displaying-num {\r\nfont-family:Georgia,\"Times New Roman\",\"Bitstream Charter\",Times,serif;\r\nfont-size:12px;\r\nfont-style:italic;\r\nmargin-right:10px;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/measurement-from-evaporating-oceans\"><img class=\"alignnone size-medium wp-image-712\" title=\"Measurement from evaporating oceans (2013)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Measurement-evaporating-hom.jpg\" alt=\"Measurement from evaporating oceans (2013)\" /></a>Measurement from evaporating oceans (2013)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/cycle-of-recurrence\"><img class=\"alignnone size-medium wp-image-712\" title=\"Cycles of Eternal Recurrence (2013)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Cycles-of-Eternal-Recurrenc.jpg\" alt=\"Cycles of Eternal Recurrence (2013)\" /></a>Cycles of Eternal Recurrence (2013)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/anatomy_of_distance\"><img class=\"alignnone size-medium wp-image-712\" title=\"Anatomy of distance (2013)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Anatomay-of-distance_home.jpg\" alt=\"Anatomy of distance (2013)\"  /></a>Anatomy of distance (2013)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/rubber-stamp\"><img class=\"alignnone size-medium wp-image-712\" title=\"Untitled Rubberstamp (2012)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-Works-page.jpg\" alt=\"Untitled Rubberstamp(2012)\" /></a>Untitled Rubberstamp (2012)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/untitled-cobwebcrossings\"><img class=\"alignnone size-medium wp-image-712\" title=\"Untitled Cobweb (knots and crossings) (2012)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/United-Cobweb-Works-page.jpg\" alt=\"Untitled (Cobweb/Crossings) 2013 \" /></a>Untitled (Cobweb/Crossings) 2013 </td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/Podium-Cube\"><img class=\"alignnone size-medium wp-image-712\" title=\"Podium/Cube 2013\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Podium-cube-Works-page.jpg\" alt=\"Podium/Cube 2013\"  /></a>Podium/Cube 2013</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/Visa-to-happiness 2\"><img class=\"alignnone size-medium wp-image-712\" title=\"Visas to Happiness-2 (2012)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Visa-to-happiness2-Works-page.jpg\" alt=\"Visas to Happiness-2 (2012)\"  /></a>Visas to Happiness-2 (2012)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/untitled-cobweb-knots-and-crossings\"><img class=\"alignnone size-medium wp-image-712\" title=\"Untitled Cobweb (knots and crossings) (2012)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/Cobweb-Work-page.jpg\" alt=\"Untitled Cobweb (knots and crossings) (2012)\"  /></a>Untitled Cobweb (knots and crossings) (2012)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/paper-machine\"><img class=\"alignnone size-medium wp-image-712\" title=\"Synapse (2011)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-WP.jpg\" alt=\"Paper Machine (2012)\"  /></a>Paper Machine (2012)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/visas-to-happiness\"><img class=\"alignnone size-medium wp-image-712\" title=\"Visas to Happiness (2012)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/children-workshop-works-pag.jpg\" alt=\"Visas to Happiness (2012)\"  /></a>Visas to Happiness (2012)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/map-drawing\"><img class=\"alignnone size-medium wp-image-712\" title=\"Untitled (Map/Drawing)  (2011)\" src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/Mapping-works-page.jpg\" alt=\"untitled (Map/Drawing)  (2011)\"  /></a> Untitled (Map/Drawing) (2011)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/synapse-2011\"><img class=\"alignnone size-medium wp-image-712\" title=\"Synapse (2011)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/synapse-Works-page.jpg\" alt=\"Synapse (2011)\"  /></a>Synapse (2011)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/memoria-crematoria\"><img class=\"alignnone size-medium wp-image-712\" title=\"untitled (column)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-Works-pa.jpg\" alt=\"Memoria Crematoria (dates of war) (2011)\"  /></a> Memoria Crematoria (dates of war) (2011)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/untitledcolumn\"><img class=\"alignnone size-medium wp-image-712\" title=\"untitled (column)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Untitled-works-page.jpg\" alt=\"untitled (2011)\"  /></a> Untitled (column) (2011)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/falling-fables\"><img class=\"alignnone size-medium wp-image-712\" title=\"Falling Fables\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-work-page.jpg\" alt=\"Falling Fables (2010-11)\"  /></a> Falling Fables (2010-11)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/sculptures\"><img class=\"alignnone size-medium wp-image-712\" title=\"Sculptures\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/sculpture-for-works.jpg\" alt=\"Falling Fables (column) (2011)\"  /></a>Falling Fables (column) (2011)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/2degrees\"><img class=\"alignnone size-medium wp-image-712\" title=\"2 Degrees\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/2degrees-works.jpg\" alt=\"\"  /></a> 2 Degrees (2010)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/woven-veins\"><img class=\"alignnone size-medium wp-image-712\" title=\"Woven Veins\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/woven-veins-lead.jpg\" alt=\"Woven Veins (2009)\"  /></a> Woven Veins (2010)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/preface\"><img class=\"alignnone size-medium wp-image-712\" title=\"Preface\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/Preface-lead.jpg\" alt=\"Preface\"  /></a> Preface (2010)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/light-leaks\"><img class=\"alignnone size-medium wp-image-201\" title=\"Light Leaks\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/Light-Leaks-lead.jpg\" alt=\"Light Leaks (2008-2010)\"  /></a>Light Leaks... (2008-2010)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/colour-curtain\"><img class=\"alignnone size-medium wp-image-201\" title=\"Colour-curtain\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/2colour-curtain.jpg\" alt=\"Colour Curtain (2009)\"  /></a>Colour Curtain... (2009)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/your-mileage-gallery\"><img class=\"alignnone size-medium wp-image-320\" title=\"Your-Mileage-May-Vary\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/3-Your-Mileage-May-Vary.jpg\" alt=\"\" /></a></span>Your Mileage May Vary (2009)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/synonym\"><img class=\"alignnone size-medium wp-image-712\" title=\"Synonym\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/1-Synonym.jpg\" alt=\"\"  /></a> Synonym (2009)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/vanishing-point\"><img class=\"alignnone size-medium wp-image-201\" title=\"Vanishing Point (2009)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/4--VanishingPoint.jpg\" alt=\"Vanishing Point (2009)\"  /></a>Vanishing Point (2009)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\" >\r\n<a href=\"http://www.reenakallat.com/moving-millimeter\"><img class=\"alignnone size-medium wp-image-712\" title=\"The Moving Millimeter (2009)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/5---The-Moving-Mil.jpg\" alt=\"The Moving Millimeter (2009)\"  /></a>The Moving Millimeter (2009)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/white-yarn-detailed-info\"><img class=\"alignnone size-medium wp-image-199\" title=\"White Yarn\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/6---white-yarn.jpg\" alt=\"White Yarn (2008)\" /></a>White Yarn...(2008)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/white-heat-the-ironing-board-detailed-info\"><img class=\"alignnone size-medium wp-image-879\" title=\"White Heat (2008)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/7--White-Heat.jpg\" alt=\"White Heat (2008)\"  /></a>White Heat...(2008)</td>\r\n</tr>\r\n<tr>\r\n<tr>\r\n<td colspan=\"3\">\r\n<div class=\"tablenav\"><div class=\"tablenav-pages\"><span>1, </span>  <a href=\"works-page-2\" class=\"page-numbers\">2, </a> <a href=\"works-page-3\" class=\"page-numbers\">3</a> <a href=\"works-page-2\" >»</a></div><br class=\"clear\"></div>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<!--more-->\r\n','Works','','inherit','open','open','','54-revision-338','','','2014-01-22 21:09:18','2014-01-22 21:09:18','',54,'http://www.reenakallat.com/3069/uncat/54-revision-338',0,'revision','',0),(3072,1,'2014-05-20 16:46:14','2014-05-20 16:46:14','<link rel=\"canonical\" href=\"http://www.reenakallat.com\" />\r\n<script type=\"text/javascript\" src=\"http://www.reenakallat.com/wp-includes/js/jquery/jquery-1.2.6.min.js\"></script>\r\n<script type=\"text/javascript\">\r\n    function slideSwitch() {\r\n        var $active = $(\'#slideshow DIV.active\');\r\n        if ($active.length == 0) $active = $(\'#slideshow DIV:last\');\r\n        // use this to pull the divs in the order they appear in the markup\r\n        var $next = $active.next().length ? $active.next()\r\n            : $(\'#slideshow DIV:first\');\r\n        // uncomment below to pull the divs randomly\r\n        // var $sibs  = $active.siblings();\r\n        // var rndNum = Math.floor(Math.random() * $sibs.length );\r\n        // var $next  = $( $sibs[ rndNum ] );\r\n        $active.addClass(\'last-active\');\r\n        $next.css({ opacity: 0.0 })\r\n            .addClass(\'active\')\r\n            .animate({ opacity: 1.0 }, 1000, function () {\r\n                $active.removeClass(\'active last-active\');\r\n            });\r\n    }\r\n    $(function () {\r\n        setInterval(\"slideSwitch()\", 3000);\r\n    });\r\n</script>\r\n<style type=\"text/css\">\r\n    #slideshow {\r\n        position: relative;\r\n        height: 500px;\r\n        width: 660px;\r\n        margin: 0 auto;\r\n    }\r\n\r\n        #slideshow DIV {\r\n            position: absolute;\r\n            top: 0;\r\n            left: 300;\r\n            z-index: 8;\r\n            opacity: 0.0;\r\n            height: 500px;\r\n            background-color: #FFF;\r\n        }\r\n\r\n            #slideshow DIV.active {\r\n                z-index: 10;\r\n                opacity: 1.0;\r\n            }\r\n\r\n            #slideshow DIV.last-active {\r\n                z-index: 9;\r\n            }\r\n\r\n            #slideshow DIV IMG {\r\n                height: 450px;\r\n                display: block;\r\n                border: 0;\r\n                margin-bottom: 10px;\r\n            }\r\n</style>\r\n</head>\r\n<body style=\"font-family: Arial, Sans-serif, sans;\">\r\n    <div style=\"float:right;width:221px;padding-top:7px;\">\r\n        <strong><span class=\"pubstrong\">Current and upcoming shows</span></span></strong><span style=\"font-size: small;\"></span>\r\n        <br>\r\n        <br>\r\n\r\n        <em>IAF (India Art Fair)</em>, represented by Nature Morte gallery\r\n        30th January - 2nd February 2014, Delhi\r\n        <br>\r\n        <br>\r\n        <em>IAF (India Art Fair)</em>, Project presented by Art Oxygen and Palette Art gallery\r\n        30th January - 2nd February 2014, Delhi\r\n        <br>\r\n        <br>\r\n        <em>Visas to happiness - 3 (kids project)</em>\r\n        9th February 2014, Dhaka Art Summit, Bangladesh Shilpakala Academy\r\n        <br>\r\n        <br>\r\n        <em>Anatomy of forking paths (solo exhibition)</em>\r\n        12th February - 26th February at Art Houz, during Art Chennai 2014\r\n        <br>\r\n        <br>\r\n        <em>Encounters 2014 - Is there love in the air? </em>\r\n        7th February - 3rd March, Public project with Art Oxygen in Mumbai\r\n        <br>\r\n        <br>\r\n        <em>Aesthetic Bind: Floating World</em>\r\n        15th March - 12th April 2014, Chemould Prescott Road, Mumbai\r\n\r\n\r\n\r\n\r\n    </div>\r\n    <div id=\"slideshow\" style=\"float:left;\">\r\n\r\n        <div class=\"active\">\r\n            <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new1.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-894\" /></a>\r\n            <!-- Caption for image 1-->\r\n        </div>\r\n        <div>\r\n            <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new2.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-896\" /></a>\r\n            <!--This will work with any markup-->\r\n        </div>\r\n        <div>\r\n            <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new3.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-897\" /></a>\r\n            <!--Swap this out for anything, links, paragraphs, whatever-->\r\n        </div>\r\n        <div>\r\n            <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new4.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-898\" /></a>\r\n            <!--Just make sure to set a background color if you use text-->\r\n        </div>\r\n\r\n        <div>\r\n            <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new5.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-899\" /></a>\r\n            <!--Just make sure to set a background color if you use text-->\r\n        </div>\r\n\r\n        <div>\r\n            <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new6.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-899\" /></a>\r\n            <!--Just make sure to set a background color if you use text-->\r\n        </div>\r\n        <div>\r\n            <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new7.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-898\" /></a>\r\n            <!--Just make sure to set a background color if you use text-->\r\n        </div>\r\n        <div>\r\n            <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new8.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-899\" /></a>\r\n            <!--Just make sure to set a background color if you use text-->\r\n        </div>\r\n\r\n\r\n    </div>\r\n','home page old - 20th may 2014','','inherit','open','open','','3071-revision','','','2014-05-20 16:46:14','2014-05-20 16:46:14','',3071,'http://www.reenakallat.com/3072/uncat/3071-revision',0,'revision','',0),(3074,1,'2014-05-20 16:38:12','2014-05-20 16:38:12','<style type=\"text/css\">\r\n    .tablenav {\r\n        clear: both;\r\n        height: 30px;\r\n        margin: 6px 0 4px;\r\n        vertical-align: middle;\r\n    }\r\n\r\n    .tablenav-pages {\r\n        color: #555555;\r\n    }\r\n\r\n    .tablenav .tablenav-pages {\r\n        cursor: default;\r\n        display: block;\r\n        float: right;\r\n        font-size: 11px;\r\n        height: 30px;\r\n        line-height: 30px;\r\n    }\r\n\r\n    .page-numbers {\r\n        border-bottom-color: #B8D3E2;\r\n        color: #21759B;\r\n        font-weight: bold;\r\n    }\r\n\r\n    .tablenav-pages .current {\r\n        background: none repeat scroll 0 0 #DFDFDF;\r\n        border-color: #D3D3D3;\r\n    }\r\n\r\n    a.page-numbers {\r\n        border-bottom-color: #B8D3E2;\r\n    }\r\n\r\n    .tablenav .displaying-num {\r\n        font-family: Georgia,\"Times New Roman\",\"Bitstream Charter\",Times,serif;\r\n        font-size: 12px;\r\n        font-style: italic;\r\n        margin-right: 10px;\r\n    }\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n    <tbody>\r\n        <tr>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/salinenotations\"><img class=\"alignnone size-medium wp-image-712\" title=\"Saline Notations (2014)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/salinenotations_homepage.jpg\" alt=\"Saline Notations (2014)\" /></a>Saline Notations (2014)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/wash\"><img class=\"alignnone size-medium wp-image-712\" title=\"Untitled (2014)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/wash_2014_homepage.jpg\" alt=\"Untitled (2014)\" /></a>Untitled (2014)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/visatohappiness3\"><img class=\"alignnone size-medium wp-image-712\" title=\"Visa To Happiness - 3 (2014)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/visatohapp3_homepage.jpg\" alt=\"Visa To Happiness - 3 (2014)\" /></a>Visa To Happiness - 3 (2014)</td>\r\n        </tr>\r\n        <tr>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/measurement-from-evaporating-oceans\"><img class=\"alignnone size-medium wp-image-712\" title=\"Measurement from evaporating oceans (2013)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Measurement-evaporating-hom.jpg\" alt=\"Measurement from evaporating oceans (2013)\" /></a>Measurement from evaporating oceans (2013)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/cycle-of-recurrence\"><img class=\"alignnone size-medium wp-image-712\" title=\"Cycles of Eternal Recurrence (2013)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Cycles-of-Eternal-Recurrenc.jpg\" alt=\"Cycles of Eternal Recurrence (2013)\" /></a>Cycles of Eternal Recurrence (2013)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/anatomy_of_distance\"><img class=\"alignnone size-medium wp-image-712\" title=\"Anatomy of distance (2013)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Anatomay-of-distance_home.jpg\" alt=\"Anatomy of distance (2013)\" /></a>Anatomy of distance (2013)</td>\r\n        </tr>\r\n        <tr>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/rubber-stamp\"><img class=\"alignnone size-medium wp-image-712\" title=\"Untitled Rubberstamp (2012)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-Works-page.jpg\" alt=\"Untitled Rubberstamp(2012)\" /></a>Untitled Rubberstamp (2012)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/untitled-cobwebcrossings\"><img class=\"alignnone size-medium wp-image-712\" title=\"Untitled Cobweb (knots and crossings) (2012)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/United-Cobweb-Works-page.jpg\" alt=\"Untitled (Cobweb/Crossings) 2013 \" /></a>Untitled (Cobweb/Crossings) 2013 </td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/Podium-Cube\"><img class=\"alignnone size-medium wp-image-712\" title=\"Podium/Cube 2013\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Podium-cube-Works-page.jpg\" alt=\"Podium/Cube 2013\" /></a>Podium/Cube 2013</td>\r\n        </tr>\r\n        <tr>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/Visa-to-happiness 2\"><img class=\"alignnone size-medium wp-image-712\" title=\"Visas to Happiness-2 (2012)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Visa-to-happiness2-Works-page.jpg\" alt=\"Visas to Happiness-2 (2012)\" /></a>Visas to Happiness-2 (2012)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/untitled-cobweb-knots-and-crossings\"><img class=\"alignnone size-medium wp-image-712\" title=\"Untitled Cobweb (knots and crossings) (2012)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/Cobweb-Work-page.jpg\" alt=\"Untitled Cobweb (knots and crossings) (2012)\" /></a>Untitled Cobweb (knots and crossings) (2012)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/paper-machine\"><img class=\"alignnone size-medium wp-image-712\" title=\"Synapse (2011)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-WP.jpg\" alt=\"Paper Machine (2012)\" /></a>Paper Machine (2012)</td>\r\n        </tr>\r\n        <tr>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/visas-to-happiness\"><img class=\"alignnone size-medium wp-image-712\" title=\"Visas to Happiness (2012)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/children-workshop-works-pag.jpg\" alt=\"Visas to Happiness (2012)\" /></a>Visas to Happiness (2012)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/map-drawing\"><img class=\"alignnone size-medium wp-image-712\" title=\"Untitled (Map/Drawing)  (2011)\" src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/Mapping-works-page.jpg\" alt=\"untitled (Map/Drawing)  (2011)\" /></a> Untitled (Map/Drawing) (2011)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/synapse-2011\"><img class=\"alignnone size-medium wp-image-712\" title=\"Synapse (2011)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/synapse-Works-page.jpg\" alt=\"Synapse (2011)\" /></a>Synapse (2011)</td>\r\n        </tr>\r\n        <tr>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/memoria-crematoria\"><img class=\"alignnone size-medium wp-image-712\" title=\"untitled (column)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-Works-pa.jpg\" alt=\"Memoria Crematoria (dates of war) (2011)\" /></a> Memoria Crematoria (dates of war) (2011)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/untitledcolumn\"><img class=\"alignnone size-medium wp-image-712\" title=\"untitled (column)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Untitled-works-page.jpg\" alt=\"untitled (2011)\" /></a> Untitled (column) (2011)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/falling-fables\"><img class=\"alignnone size-medium wp-image-712\" title=\"Falling Fables\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-work-page.jpg\" alt=\"Falling Fables (2010-11)\" /></a> Falling Fables (2010-11)</td>\r\n        </tr>\r\n        <tr>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/sculptures\"><img class=\"alignnone size-medium wp-image-712\" title=\"Sculptures\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/sculpture-for-works.jpg\" alt=\"Falling Fables (column) (2011)\" /></a>Falling Fables (column) (2011)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/2degrees\"><img class=\"alignnone size-medium wp-image-712\" title=\"2 Degrees\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/2degrees-works.jpg\" alt=\"\" /></a> 2 Degrees (2010)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/woven-veins\"><img class=\"alignnone size-medium wp-image-712\" title=\"Woven Veins\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/woven-veins-lead.jpg\" alt=\"Woven Veins (2009)\" /></a> Woven Veins (2010)</td>\r\n        </tr>\r\n        <tr>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/preface\"><img class=\"alignnone size-medium wp-image-712\" title=\"Preface\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/Preface-lead.jpg\" alt=\"Preface\" /></a> Preface (2010)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/light-leaks\"><img class=\"alignnone size-medium wp-image-201\" title=\"Light Leaks\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/Light-Leaks-lead.jpg\" alt=\"Light Leaks (2008-2010)\" /></a>Light Leaks... (2008-2010)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/colour-curtain\"><img class=\"alignnone size-medium wp-image-201\" title=\"Colour-curtain\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/2colour-curtain.jpg\" alt=\"Colour Curtain (2009)\" /></a>Colour Curtain... (2009)</td>\r\n        </tr>\r\n        <tr>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/your-mileage-gallery\"><img class=\"alignnone size-medium wp-image-320\" title=\"Your-Mileage-May-Vary\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/3-Your-Mileage-May-Vary.jpg\" alt=\"\" /></a></span>Your Mileage May Vary (2009)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/synonym\"><img class=\"alignnone size-medium wp-image-712\" title=\"Synonym\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/1-Synonym.jpg\" alt=\"\" /></a> Synonym (2009)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n                <a href=\"http://www.reenakallat.com/vanishing-point\"><img class=\"alignnone size-medium wp-image-201\" title=\"Vanishing Point (2009)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/4--VanishingPoint.jpg\" alt=\"Vanishing Point (2009)\" /></a>Vanishing Point (2009)\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n                <a href=\"http://www.reenakallat.com/moving-millimeter\"><img class=\"alignnone size-medium wp-image-712\" title=\"The Moving Millimeter (2009)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/5---The-Moving-Mil.jpg\" alt=\"The Moving Millimeter (2009)\" /></a>The Moving Millimeter (2009)\r\n            </td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n                <a href=\"http://www.reenakallat.com/white-yarn-detailed-info\"><img class=\"alignnone size-medium wp-image-199\" title=\"White Yarn\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/6---white-yarn.jpg\" alt=\"White Yarn (2008)\" /></a>White Yarn...(2008)\r\n            </td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n                <a href=\"http://www.reenakallat.com/white-heat-the-ironing-board-detailed-info\"><img class=\"alignnone size-medium wp-image-879\" title=\"White Heat (2008)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/7--White-Heat.jpg\" alt=\"White Heat (2008)\" /></a>White Heat...(2008)\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n        <tr>\r\n            <td colspan=\"3\">\r\n                <div class=\"tablenav\"><div class=\"tablenav-pages\"><span>1, </span>  <a href=\"works-page-2\" class=\"page-numbers\">2, </a> <a href=\"works-page-3\" class=\"page-numbers\">3</a> <a href=\"works-page-2\">»</a></div><br class=\"clear\"></div>\r\n            </td>\r\n        </tr>\r\n    </tbody>\r\n</table>\r\n<!--more-->\r\n','Works','','inherit','open','open','','54-revision-339','','','2014-05-20 16:38:12','2014-05-20 16:38:12','',54,'http://www.reenakallat.com/3074/uncat/54-revision-339',0,'revision','',0),(3075,1,'2014-05-21 16:50:04','2014-05-21 16:50:04','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) { if (d.length < 1) { return; } if (document.getElementById(d).style.display == \'none\') { document.getElementById(d).style.display = \'block\'; document.getElementById(\"uniquename1\").style.display = \'none\'; } else { document.getElementById(d).style.display = \'none\'; document.getElementById(\"uniquename1\").style.display = \'block\'; } }</script>\n<style type=\"text/css\">\n    h3.canvas {\n        color: #333333;\n        font-size: 11px font-weight:normal;\n        margin-bottom: 5px;\n        margin-left: 7px;\n        margin-top: 0;\n        padding: 0;\n        text-transform: none;\n    }\n\n    h2.painting {\n        color: #FFFFFF;\n        font-family: verdana,arial,tahoma,sans-serif;\n        font-size: 11px;\n        font-weight: normal;\n        margin: 0 0 10px 7px;\n        padding: 0;\n        text-align: left;\n        text-transform: none;\n    }\n</style>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\n    <tbody>\n        <tr>\n            <td width=\"60%\" align=\"left\" valign=\"top\">\n                <a href=\"\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/salinenotations-1.jpg\" alt=\"Anatomy of distance\" title=\"Anatomy of distance\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></a>\n            </td>\n            <td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\">\n                <span style=\"color: #888888;\">\"Saline Notations\"</span>\n                2014\n                digital prints on Hahnemuhle Photorag archival paper\n                23 x 33 in. l 58 x 84 cm each\n\n            </td>\n        </tr></tr>\n        \n        <tr><td>&nbsp;</td></tr>\n    </tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\n    <tbody>\n        <tr>\n            <td width=\"200\" align=\"left\" valign=\"top\">\n                <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/salinenotations-2.jpg\" alt=\"Anatomy of distance\" title=\"Anatomy of distance\" width=\"600\" class=\"alignnone size-full wp-image-350\" /></a>\n            </td>\n        </tr>\n       \n        <tr><td>&nbsp;</td></tr>\n\n    </tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\n    <tbody>\n        <tr>\n            <td width=\"200\" align=\"left\" valign=\"top\">\n                <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/salinenotations-3.jpg\" alt=\"Anatomy of distance\" title=\"Anatomy of distance\" width=\"600\" class=\"alignnone size-full wp-image-350\" /></a>\n            </td>\n\n        </tr>\n        <tr><td>&nbsp;</td></tr>\n    </tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\n    <tbody>\n        <tr>\n            <td width=\"200\" align=\"left\" valign=\"top\">\n                <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/salinenotations-4.jpg\" alt=\"Anatomy of distance\" title=\"Anatomy of distance\" width=\"600\" class=\"alignnone size-full wp-image-350\" /></a>\n            </td>\n       \n        </tr>\n        <tr><td>&nbsp;</td></tr>\n    </tbody>\n</table>\n\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\n    <tbody>\n        <tr>\n            <td width=\"200\" align=\"left\" valign=\"top\">\n                <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/salinenotations-5.jpg\" alt=\"Anatomy of distance\" title=\"Anatomy of distance\" width=\"600\" class=\"alignnone size-full wp-image-350\" /></a>\n            </td>\n        </tr>\n        <tr><td>&nbsp;</td></tr>\n    </tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\n    <tbody>\n        <tr>\n            <td width=\"200\" align=\"left\" valign=\"top\">\n                <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/salinenotations-6.jpg\" alt=\"Anatomy of distance\" title=\"Anatomy of distance\" width=\"600\" class=\"alignnone size-full wp-image-350\" /></a>\n            </td>\n        \n        </tr>\n        <tr><td>&nbsp;</td></tr>\n    </tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\n    <tbody>\n        <tr>\n            <td width=\"200\" align=\"left\" valign=\"top\">\n                <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/salinenotations-7.jpg\" alt=\"Anatomy of distance\" title=\"Anatomy of distance\" width=\"600\" class=\"alignnone size-full wp-image-350\" /></a>\n            </td>\n        </tr>\n        \n        </tr>\n        <tr><td>&nbsp;</td></tr>\n    </tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\n    <tbody>\n        <tr>\n            <td width=\"200\" align=\"left\" valign=\"top\">\n                <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/salinenotations-8.jpg\" alt=\"Anatomy of distance\" title=\"Anatomy of distance\" width=\"600\" class=\"alignnone size-full wp-image-350\" /></a>\n            </td>\n        </tr>\n        <tr><td style=\"height: 10px;\"></td></tr>\n    </tbody>\n</table>\n\n','salinenotations','','inherit','open','open','','3053-autosave','','','2014-05-21 16:50:04','2014-05-21 16:50:04','',3053,'http://www.reenakallat.com/3075/uncat/3053-autosave',0,'revision','',0),(3076,1,'2014-05-12 17:54:05','2014-05-12 17:54:05','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) { if (d.length < 1) { return; } if (document.getElementById(d).style.display == \'none\') { document.getElementById(d).style.display = \'block\'; document.getElementById(\"uniquename1\").style.display = \'none\'; } else { document.getElementById(d).style.display = \'none\'; document.getElementById(\"uniquename1\").style.display = \'block\'; } }</script>\r\n<style type=\"text/css\">\r\n    h3.canvas {\r\n        color: #333333;\r\n        font-size: 11px font-weight:normal;\r\n        margin-bottom: 5px;\r\n        margin-left: 7px;\r\n        margin-top: 0;\r\n        padding: 0;\r\n        text-transform: none;\r\n    }\r\n\r\n    h2.painting {\r\n        color: #FFFFFF;\r\n        font-family: verdana,arial,tahoma,sans-serif;\r\n        font-size: 11px;\r\n        font-weight: normal;\r\n        margin: 0 0 10px 7px;\r\n        padding: 0;\r\n        text-align: left;\r\n        text-transform: none;\r\n    }\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n    <tbody>\r\n        <tr>\r\n            <td width=\"60%\" align=\"left\" valign=\"top\">\r\n                <a href=\"\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/salinenotations-3.jpg\" alt=\"Anatomy of distance\" title=\"Anatomy of distance\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></a>\r\n            </td>\r\n            <td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\">\r\n                <span style=\"color: #888888;\">\"Saline Notations\"</span>\r\n                2014\r\n                digital prints on Hahnemuhle Photorag archival paper\r\n                23 x 33 in. l 58 x 84 cm each\r\n\r\n            </td>\r\n        </tr></tr>\r\n        \r\n        <tr><td>&nbsp;</td></tr>\r\n    </tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n    <tbody>\r\n        <tr>\r\n            <td width=\"200\" align=\"left\" valign=\"top\">\r\n                <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/salinenotations-1.jpg\" alt=\"Anatomy of distance\" title=\"Anatomy of distance\" width=\"600\" class=\"alignnone size-full wp-image-350\" /></a>\r\n            </td>\r\n        </tr>\r\n       \r\n        <tr><td>&nbsp;</td></tr>\r\n\r\n    </tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n    <tbody>\r\n        <tr>\r\n            <td width=\"200\" align=\"left\" valign=\"top\">\r\n                <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/salinenotations-2.jpg\" alt=\"Anatomy of distance\" title=\"Anatomy of distance\" width=\"600\" class=\"alignnone size-full wp-image-350\" /></a>\r\n            </td>\r\n\r\n        </tr>\r\n        <tr><td>&nbsp;</td></tr>\r\n    </tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n    <tbody>\r\n        <tr>\r\n            <td width=\"200\" align=\"left\" valign=\"top\">\r\n                <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/salinenotations-3.jpg\" alt=\"Anatomy of distance\" title=\"Anatomy of distance\" width=\"600\" class=\"alignnone size-full wp-image-350\" /></a>\r\n            </td>\r\n       \r\n        </tr>\r\n        <tr><td>&nbsp;</td></tr>\r\n    </tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n    <tbody>\r\n        <tr>\r\n            <td width=\"200\" align=\"left\" valign=\"top\">\r\n                <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/salinenotations-4.jpg\" alt=\"Anatomy of distance\" title=\"Anatomy of distance\" width=\"600\" class=\"alignnone size-full wp-image-350\" /></a>\r\n            </td>\r\n        </tr>\r\n        <tr><td>&nbsp;</td></tr>\r\n    </tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n    <tbody>\r\n        <tr>\r\n            <td width=\"200\" align=\"left\" valign=\"top\">\r\n                <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/salinenotations-5.jpg\" alt=\"Anatomy of distance\" title=\"Anatomy of distance\" width=\"600\" class=\"alignnone size-full wp-image-350\" /></a>\r\n            </td>\r\n        \r\n        </tr>\r\n        <tr><td>&nbsp;</td></tr>\r\n    </tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n    <tbody>\r\n        <tr>\r\n            <td width=\"200\" align=\"left\" valign=\"top\">\r\n                <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/salinenotations-6.jpg\" alt=\"Anatomy of distance\" title=\"Anatomy of distance\" width=\"600\" class=\"alignnone size-full wp-image-350\" /></a>\r\n            </td>\r\n        </tr>\r\n        \r\n        </tr>\r\n        <tr><td>&nbsp;</td></tr>\r\n    </tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n    <tbody>\r\n        <tr>\r\n            <td width=\"200\" align=\"left\" valign=\"top\">\r\n                <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/salinenotations-7.jpg\" alt=\"Anatomy of distance\" title=\"Anatomy of distance\" width=\"600\" class=\"alignnone size-full wp-image-350\" /></a>\r\n            </td>\r\n        </tr>\r\n        <tr><td style=\"height: 10px;\"></td></tr>\r\n    </tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n    <tbody>\r\n        <tr>\r\n            <td width=\"200\" align=\"left\" valign=\"top\">\r\n                <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/salinenotations-8.jpg\" alt=\"Anatomy of distance\" title=\"Anatomy of distance\" width=\"600\" class=\"alignnone size-full wp-image-350\" /></a>\r\n            </td>\r\n        </tr>\r\n       \r\n        <tr><td style=\"height: 15px;\"></td></tr>\r\n    </tbody>\r\n</table>\r\n','salinenotations','','inherit','open','open','','3053-revision-11','','','2014-05-12 17:54:05','2014-05-12 17:54:05','',3053,'http://www.reenakallat.com/3076/uncat/3053-revision-11',0,'revision','',0),(3078,1,'2014-04-18 03:37:26','2014-04-18 03:37:26','<script type=\"text/javascript\">// <![CDATA[\r\nfunction ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}\r\n// ]]></script>\r\n<!--\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n-->\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\"><img class=\"alignnone size-large wp-image-349\" title=\"Untitled-(Cobweb)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Untitled-(Cobweb)-1.jpg\" alt=\"Rubber Stamp\" width=\"600\" /></td>\r\n<td style=\"font-size: 11px;\" width=\"200\" align=\"left\" valign=\"bottom\"><span style=\"color: #888888;\">Untitled (Cobweb/Crossings)\r\n</span>2013\r\npainted sculptural installation in FRP, metal\r\napprox. 45 ft. x 55 ft. I 540 in. x 660 in.\r\n<a href=\"https://www.youtube.com/watch?v=zD8Zac3GlNc&feature=em-upload_owner\" target=\"_blank\"><span style=\"color: #888888;\">view video >></span></a>\r\n</td>\r\n</tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Installation view</i>, Dr. Bhau Daji Lad City Museum, Mumbai    &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &nbsp;&nbsp; Courtesy: ZegnArt /Public India\r\n</span></td>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Untitled-(Cobweb)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Untitled-(Cobweb)-2.jpg\" alt=\"Untitled-(Cobweb)\" width=\"600\" /></a>\r\n</td>\r\n<td width=\"400\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nSince the Bhau Daji Lad Museum stands situated at Jijamata Udyaan (once called the Victoria Gardens) in the natural environment of the zoo, I wanted the sculpture to have an organic form, one that has some sort of a relationship to its surroundings. While thinking of the museum’s history and it’s mutating relationship to the city of Mumbai, what occupied my mind about the transforming city are the changing street names; in what manner streets define a city’s imagination and how their names speak to us about the people who occupy them. The Museum itself had undergone a change of name from the Victoria and Albert Museum to Dr. Bhau Daji Lad Museum, a century after its inception. Conceived at the time of the British rule, the museum and its collection narrate some of the earliest moments in the city’s history through its industrial and artisanal past, through the changing life patterns of its people across maps and historical photographs.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\nSince the Bhau Daji Lad Museum stands situated at Jijamata Udyaan (once called the Victoria Gardens) in the natural environment of the zoo, I wanted the sculpture to have an organic form, one that has some sort of a relationship to its surroundings. While thinking of the museum’s history and it’s mutating relationship to the city of Mumbai, what occupied my mind about the transforming city are the changing street names; in what manner streets define a city’s imagination and how their names speak to us about the people who occupy them. The Museum itself had undergone a change of name from the Victoria and Albert Museum to Dr. Bhau Daji Lad Museum, a century after its inception. Conceived at the time of the British rule, the museum and its collection narrate some of the earliest moments in the city’s history through its industrial and artisanal past, through the changing life patterns of its people across maps and historical photographs.\r\n\r\nAs we know the early 90’s as part of the decolonization spree, saw the change of street names in Mumbai from colonial names to indigenous ones. While renaming is either geographic, commemorative, often linked to language, in case of Mumbai it has been more political than cultural and never without controversy. It’s been a real struggle between the cosmopolitan identities over local or regional claims. ‘Untitled (Cobweb/Crossings)’, is an oversized web formed with hundreds of rubber-stamps that weaves the history of the city onto the façade of the museum. Each one bears the colonial name of a city street that has now been replaced by an indigenous one. Part of the bureaucratic apparatus, rubber-stamps metaphorically either seem to endorse or stamp histories out of existence. While unknowingly, unconsciously, histories are constantly being interpreted and altered, what’s interesting is the comfort and ease with which people shift between the old and new names, often referring to a place with numerous appellations at the same time. The web is a home, linear, fragile, protecting the physical self; at the same time it can also be a restricting trap. A cobweb is evocative of time and appears to hold dust from the past. \r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Untitled-(Cobweb)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Untitled-(Cobweb)-3.jpg\" alt=\"Untitled-(Cobweb)\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Untitled-(Cobweb)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Untitled-(Cobweb)-4.jpg\" alt=\"Untitled-(Cobweb)\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Untitled-(Cobweb)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Untitled-(Cobweb)-5-6.jpg\" alt=\"Untitled-(Cobweb)\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Untitled-(Cobweb)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Untitled-(Cobweb)-7.jpg\" alt=\"Untitled-(Cobweb)\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','2846-revision-20','','','2014-04-18 03:37:26','2014-04-18 03:37:26','',2846,'http://www.reenakallat.com/3078/uncat/2846-revision-20',0,'revision','',0),(3079,1,'2014-06-28 08:30:12','2014-06-28 08:30:12','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/visatohappiness3-1.jpg\" alt=\"Visas To Happiness 3\" title=\"Visas To Happiness - 3\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></a></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Visas To Happiness - 3</span>\r\n2014\r\npainted wall murals, \r\nmock-passports and arrival cards\r\n 552 in. x 96 in. l 1403 x 244 cm.\r\n<a href=\"https://www.youtube.com/watch?v=cZRLFR4sui0\" target=\"_blank\"><span style=\"color: #888888;\">view video >></span></a>\r\n</td></tr></tr>\r\n<tr>\r\n<td><span style=\"font-size:11px;font-weight:normal;line-height:3px;\">  Installation view,<i> Shilpakala Academy, Dhaka</i></span></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"visatohappiness 3\" src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/visatohappiness3-2.jpg\" alt=\"visatohappiness 3\" width=\"600\" /></a>\r\n</td>\r\n<td width=\"400\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThis interactive workshop during the Dhaka Art Summit with children was part of an ongoing project called \"Visas to Happiness\", under which key questions related to our notion of happiness or subjective well-being were discussed. How we view the world, our mental state of well-being depending on not just our social environment that comprises of family, friends and community but our natural environment, how our health is closely linked to the ecology, how cultural and biological diversity are essential for ensuring creative, peaceful societies and how each of us can try and re-imagine the world.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\nThis interactive workshop during the Dhaka Art Summit with children was part of an ongoing project called \"Visas to Happiness\", under which key questions related to our notion of happiness or subjective well-being were discussed. How we view the world, our mental state of well-being depending on not just our social environment that comprises of family, friends and community but our natural environment, how our health is closely linked to the ecology, how cultural and biological diversity are essential for ensuring creative, peaceful societies and how each of us can try and re-imagine the world.Although indicators that attempt to measure quality of life in more holistic and psychological terms rather than only economic, reflect a higher happiness quotient for smaller countries due to the strong sense of community and collectivism, Bangladesh however has slipped behind in their rankings on happiness. The project was conceived with two large wall murals that were painted with birds forming the texts (in Bengali and English) on two opposite facing walls along the corridors at the Shilpakala Academy. The children were provided specially produced mock-passports and arrival cards which they creatively filled in with their understanding through personal and cultural values, animating ideas of time, geography, movement, flight and freedom…\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n \r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/visatohappiness3-3.jpg\" alt=\"Visa To Happiness 3\" title=\"Visa To Happiness 3\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/visatohappiness3-4.jpg\" alt=\"Visa To Happiness 3\" title=\"Visa To Happiness 3\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr></tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/visatohappiness3-5-6.jpg\" alt=\"Visa To Happiness 3\" title=\"Visa To Happiness 3\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/visatohappiness3-7-8.jpg\" alt=\"Visa To Happiness 3\" title=\"Visa To Happiness 3\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/visatohappiness3-9.jpg\" alt=\"Visa To Happiness 3\" title=\"Visa To Happiness 3\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/visatohappiness3-10.jpg\" alt=\"Visa To Happiness 3\" title=\"Visa To Happiness 3\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/visatohappiness3-11.jpg\" alt=\"Visa To Happiness 3\" title=\"Visa To Happiness 3\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/visatohappiness3-13.jpg\" alt=\"Visa To Happiness 3\" title=\"Visa To Happiness 3\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/visatohappiness3-14-15.jpg\" alt=\"Visa To Happiness 3\" title=\"Visa To Happiness 3\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/visatohappiness3-16-17.jpg\" alt=\"Visa To Happiness 3\" title=\"Visa To Happiness 3\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/visatohappiness3-18-19.jpg\" alt=\"Visa To Happiness 3\" title=\"Visa To Happiness 3\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/visatohappiness3-20-21.jpg\" alt=\"Visa To Happiness 3\" title=\"Visa To Happiness 3\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/visatohappiness3-22.jpg\" alt=\"Visa To Happiness 3\" title=\"Visa To Happiness 3\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n</tbody>\r\n</table>','visatohappiness3','','inherit','open','open','','3026-revision-20','','','2014-06-28 08:30:12','2014-06-28 08:30:12','',3026,'http://www.reenakallat.com/3079/uncat/3026-revision-20',0,'revision','',0),(3080,1,'2014-01-16 19:20:56','2014-01-16 19:20:56','<script type=\"text/javascript\">// <![CDATA[\r\nfunction ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}\r\n// ]]></script>\r\n<!--\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n-->\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\"><img class=\"alignnone size-large wp-image-349\" title=\"Rubber Stamp\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Podium-Cube-1.jpg\" alt=\"Rubber Stamp\" width=\"600\" /></td>\r\n<td style=\"font-size: 11px;\" width=\"200\" align=\"left\" valign=\"bottom\"><span style=\"color: #888888;\">Podium/Cube\r\n</span>2012\r\npainted wood\r\n4ft x 4ft (display dimensions variable)</td>\r\n</tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Installation view</i>, Juhu beach, Mumbai</span></td>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Podium-Cube-2.jpg\" alt=\"Podium-Cube\" title=\"Podium-Cube\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n<td width=\"300\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThe wooden sculpture comprising twenty pieces that fit together to form a cube is made of sections that simulate sport-podiums. Arranged within the stable geometry and universal order of the cube, these podiums however are set in flux with their jumbled numbering and levels, ranking, grading and hierarchy gone awry; ideas of success and accomplishment reshaped to re-configure the victory stand into a plaything.\r\n</div>\r\n</td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Podium-Cube\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Podium-Cube-3.jpg\" alt=\"Podium-Cube\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Podium-Cube\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Podium-Cube-4.jpg\" alt=\"Podium-Cube\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Podium-Cube\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Podium-Cube-5.jpg\" alt=\"Podium-Cube\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Podium-Cube\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Podium-Cube-6.jpg\" alt=\"Podium-Cube\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Podium-Cube\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Podium-Cube-7.jpg\" alt=\"Podium-Cube\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td><span style=\"font-size:11px; line-height:3px;\"><i>details</i></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Podium-Cube\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Podium-Cube-8.jpg\" alt=\"Podium-Cube\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n','','','inherit','open','open','','2839-revision-14','','','2014-01-16 19:20:56','2014-01-16 19:20:56','',2839,'http://www.reenakallat.com/3080/uncat/2839-revision-14',0,'revision','',0),(3081,1,'2012-12-02 10:10:19','2012-12-02 10:10:19','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/map-1.jpg\" alt=\"Map Drawing\" title=\"Map Drawing\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></a></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Untitled (Map/Drawing)</span>\r\n2011\r\nelectric wires and fittings, 10 min audio loop\r\n11 ft x 38 ft I 132 in x 456 in\r\n<a href=\"http://youtu.be/vkShp-vQeFc\" target=\"_blank\"><span style=\"color: #888888;\">view video >></span></a>\r\n</td></tr></tr>\r\n<tr><td><span style=\"font-size:11px;font-weight:normal;line-height:3px;\"><i>installation view,</i> Goteborgs Konsthall, Sweden</span></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n\r\n\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/map-2.jpg\" alt=\"Map Drawing\" title=\"Map Drawing\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n<td width=\"300\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThe flows and movements of labour migrants across the world have resulted in cultural exchanges not to mention the social and economic implications. It has not only allowed us to free cultural identities from a physical place but see us all as entwined in a symbolic web as it were. For the Konsthall Goteborg, as part of the Goteborg International Biennale of Contemporary Art 2011, I decided to work with electric wires to form a drawing that will trace migration patterns globally, where multitude of actors interact without knowledge of the overall situation. …<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\nThe flows and movements of labour migrants across the world have resulted in cultural exchanges not to mention the social and economic implications. It has not only allowed us to free cultural identities from a physical place but see us all as entwined in a symbolic web as it were. For the Konsthall Goteborg, as part of the Goteborg International Biennale of Contemporary Art 2011, I decided to work with electric wires to form a drawing that will trace migration patterns globally, where multitude of actors interact without knowledge of the overall situation. \r\nThis work was made with wires that essentially transmit energy and information from one place to another; their linear formations often evoking barbed wires, barriers or different kinds of fencing. It is said that the electricity is the same in electrical equipment but the expression of electricity differs from one appliance to the next. By changing the instrument of this quasi-cartographic drawing from a pencil line to a wire, I’m interested in the notion of the map as dynamic, ever changing, streaming and transferring data with the global flows of energies and people, as the courses of these travelers intersect\r\nThe work also carried several sound elements such as high-voltage electric current, drowned within which were sounds of factory sirens, ship horns or communication tones such as dialing or engaged tones in a telephone.\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div></td>\r\n\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/map-3.jpg\" alt=\"Map Drawing\" title=\"Map Drawing\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/map-4.jpg\" alt=\"Map Drawing\" title=\"Map Drawing\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/map-5.jpg\" alt=\"Map Drawing\" title=\"Map Drawing\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/map-6.jpg\" alt=\"Map Drawing\" title=\"Map Drawing\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/map-process-1-2.jpg\" alt=\"Map Drawing\" title=\"Map Drawing\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td style=\"height: 10px;\"></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/map-process-3-4.jpg\" alt=\"Map Drawing\" title=\"Map Drawing\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td style=\"height: 15px;\"></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/map-process-5-6.jpg\" alt=\"Map Drawing\" title=\"Map Drawing\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /><span style=\"font-size:11px;\"><i>process shots</i></span></td>\r\n</tr><tr><td ><span style=\"font-size:11px; line-height:15px;\"><i>Acknowledgement:</i> \r\nGoteborg International Biennial of Contemporary Art, Sweden\r\n</span>\r\n</td></tr>\r\n</tbody>\r\n</table>','Map Drawing','','inherit','open','open','','2527-revision-25','','','2012-12-02 10:10:19','2012-12-02 10:10:19','',2527,'http://www.reenakallat.com/3081/uncat/2527-revision-25',0,'revision','',0),(3082,1,'2011-11-17 11:03:05','2011-11-17 11:03:05','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Untitled (column)-1.jpg\" alt=\"Untitled (column)\" title=\"Untitled (column)\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Untitled (column)\r\n</span>2011\r\nacrylic, rubber stamps, wood\r\n28 ft x 9 ft x 9 ft (l x h x b)</td></tr>\r\n<tr><td><span style=\"font-size:11px; line-height:3px;\"><i>installation view</i>,  Kennedy Centre, Washington</span></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Untitled (column)-2.jpg\" alt=\"Untitled (column)\" title=\"Untitled (column)\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n<td width=\"300\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThe sculpture is part of a series of works titled \'FALLING FABLES\' referenced from architectural ruins and fragments, that are disintegrating and in a state of collapse. …<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\nThe sculpture is part of a series of works titled \'FALLING FABLES\' referenced from architectural ruins and fragments, that are disintegrating and in a state of collapse.\r\n\r\nThe surface consists of nearly 30 thousand rubberstamps bearing addresses of missing monuments listed as protected sites under the Archeological Survey of India, dispersed amidst others that carry fragments of poems/ phrases on architecture and loss. As creations of active historical forces and natural processes, these ruins seem more than just passive or static forms with their sense of incompleteness and fracture alluding to the broader themes of time, loss and memory.\r\n\r\nWhile my attempt is not to venerate the past, the work seeks to highlight the continuity and shifting nature of urban landscape, to look at ruins as metaphors of individual and universal experience.\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div></td>\r\n\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Untitled (column)-3.jpg\" alt=\"Untitled (column)\" title=\"Untitled (column)\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px; line-height:3px;\"><i>detail</i></span></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Untitled (column)-4.jpg\" alt=\"Untitled (column)\" title=\"Untitled (column)\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px; line-height:3px;\"><i>detail</i></span></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Untitled (column)-5.jpg\" alt=\"Untitled (column)\" title=\"Untitled (column)\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px; line-height:3px;\"><i>Acknowledgement:</i> The Kennedy Centre and Studio Adrien Gardere</span></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','2383-revision-13','','','2011-11-17 11:03:05','2011-11-17 11:03:05','',2383,'http://www.reenakallat.com/3082/uncat/2383-revision-13',0,'revision','',0),(3083,1,'2012-04-25 18:32:20','2012-04-25 18:32:20','<script language=\'javascript\' type=\'text/javascript\'>\r\nfunction ReverseContentDisplay(d) \r\n{\r\n	if(d.length < 1) \r\n	{ \r\n		return; \r\n	}\r\n	if(document.getElementById(d).style.display == \'none\') \r\n	{  \r\n		document.getElementById(d).style.display = \'block\';   \r\n		document.getElementById(\"uniquename1\").style.display = \'none\'; \r\n	}  \r\n	else \r\n	{   \r\n		document.getElementById(d).style.display = \'none\';   \r\n		document.getElementById(\"uniquename1\").style.display = \'block\';\r\n	}\r\n}\r\n</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\"><tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\"><a href=\"#\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Walls-of-the-womb.jpg\" alt=\"Walls-of-the-womb\" title=\"Walls-of-the-womb\" width=\"600\" class=\"alignnone size-full wp-image-375\" /></a>\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Walls of the womb\r\n</span>2007\r\nTied-and-dyed silk, brass, bonded marble, handwritten recipe books\r\n594 x 114 cm each\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>installation view,</i> Hangar Bicocca, Milan</span></td></tr>\r\n<tr><td>&nbsp;</td></tr></tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\"><tbody><tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/walls_of_womb_work3.jpg\" alt=\"Making of walls of womb-1\" title=\"Making-1\" width=\"600\"  class=\"alignnone size-large wp-image-857\" /></a></td><td width=\"400\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">This series, unlike most of my other works, is autobiographical in nature and has perhaps taken me the longest period of time to articulate into communicable form.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...more</a><br/><br/><div><div><a href=\"http://www.reenakallat.com/essay-nancy-adajania\" style=\"color:#888888;\" target=\"_blank\">Texts by Nancy Adajania and  Grant Watson >></a></div></br></div></div>\r\n<div id=\"uniquename\"  style=\"display:none;\">This series, unlike most of my other works, is autobiographical in nature and has perhaps taken me the longest period of time to articulate into communicable form.My relationship with my mother, who I lost when I was 8 years of age, has been built around the objects she left behind; those sewn by her, stuffed toys she made me, photo-albums, her personal books, stories narrated to me by other family members, besides my own faint recollections. I’ve spent a good part of my childhood going through my mother’s personal belongings such as her sarees, cosmetics, bags, sometimes bringing them out of closed cupboards to look at, while at other times trying them on myself.  \r\nI arrived at this work through the frequent contact with my mother’s sarees that have remained stacked inside a cupboard for over 27 years.\r\nThe work comprises of 12 sarees dyed in shades of red, such that through the process of tie and dye, the un-dyed dotted areas remain white, where the untreated virgin fabric forms a text in Braille. The text laid on these sarees seen in reverse print, are translations of recipes from my mothers hand written recipe books.   \r\nThe associations with motherhood are carried through the symbolic usage of the saree and the recipes from my mother’s books extend it further by evoking notions of nurturing and nourishing. With my recent role as a mother I find myself having come full circle, inadvertently re-establishing contact with a past I’d tried hard to put behind me.\r\nThe sarees, while beautiful, remain illegible. The dotted patterns forming the script in braille disallow easy access to the content of the text, much like the relationship with my mother that is built on fragments of inscrutable memory.\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a><br/><br/><div>\r\n<div><a href=\"http://www.reenakallat.com/essay-nancy-adajania\" style=\"color:#888888;\" target=\"_blank\">Texts by Nancy Adajania and Grant Watson</a></div>\r\n</br></div></div></td></tr><tr><td>&nbsp;</td></tr></tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\"><tbody><tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/walls_of_womb_work5.jpg\" alt=\"Making of walls of womb-1\" title=\"Making-1\" width=\"600\"  class=\"alignnone size-large wp-image-857\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr></tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\"><tbody><tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/walls_of_womb_work4.jpg\" alt=\"Making of walls of womb-1\" title=\"Making-1\" width=\"600\"  class=\"alignnone size-large wp-image-857\" /></a><span style=\"font-size:11px;\"><i>detail,</i> vitrine containing artist’s mother’s handwritten recipe book</span></td>\r\n</tr><tr><td>&nbsp;</td></tr></tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\"><tbody><tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Walls-of-the-womb-detail-70.jpg\" alt=\"Walls-of-the-womb-detail\" title=\"Walls-of-the-womb-detail\" width=\"600\"  class=\"alignnone size-large wp-image-374\" /></a><span style=\"font-size:11px;\"><i>detail</i></span></td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\"><tbody><tr><td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/walls_of_womb_work.jpg\" alt=\"Making of walls of womb-1\" title=\"Making-1\" width=\"600\"  class=\"alignnone size-large wp-image-857\" /></a><span style=\"font-size:11px;\"><i>process shots</i></span></td>\r\n</tr><tr><td><span style=\"font-size:11px; line-height:15px;\"><i>Acknowledgement:</i> \r\nTie and die: Imtiaz Khatri and Family</span></td></tr></tbody></table><ins datetime=\"2010-06-16T18:26:32+00:00\">','','','inherit','open','open','','373-revision-58','','','2012-04-25 18:32:20','2012-04-25 18:32:20','',373,'http://www.reenakallat.com/3083/uncat/373-revision-58',0,'revision','',0),(3084,1,'2014-05-21 16:47:04','2014-05-21 16:47:04','<style type=\"text/css\">\r\n    .tablenav {\r\n        clear: both;\r\n        height: 30px;\r\n        margin: 6px 0 4px;\r\n        vertical-align: middle;\r\n    }\r\n\r\n    .tablenav-pages {\r\n        color: #555555;\r\n    }\r\n\r\n    .tablenav .tablenav-pages {\r\n        cursor: default;\r\n        display: block;\r\n        float: right;\r\n        font-size: 11px;\r\n        height: 30px;\r\n        line-height: 30px;\r\n    }\r\n\r\n    .page-numbers {\r\n        border-bottom-color: #B8D3E2;\r\n        color: #21759B;\r\n        font-weight: bold;\r\n    }\r\n\r\n    .tablenav-pages .current {\r\n        background: none repeat scroll 0 0 #DFDFDF;\r\n        border-color: #D3D3D3;\r\n    }\r\n\r\n    a.page-numbers {\r\n        border-bottom-color: #B8D3E2;\r\n    }\r\n\r\n    .tablenav .displaying-num {\r\n        font-family: Georgia,\"Times New Roman\",\"Bitstream Charter\",Times,serif;\r\n        font-size: 12px;\r\n        font-style: italic;\r\n        margin-right: 10px;\r\n    }\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n    <tbody>\r\n        <tr>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/salinenotations\"><img class=\"alignnone size-medium wp-image-712\" title=\"Saline Notations (2014)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/salinenotations_homepage.jpg\" alt=\"Saline Notations (2014)\" /></a>Saline Notations (2014)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/wash\"><img class=\"alignnone size-medium wp-image-712\" title=\"Untitled (2014)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/wash_2014_homepage.jpg\" alt=\"Untitled (2014)\" /></a>Untitled (2014)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/visatohappiness3\"><img class=\"alignnone size-medium wp-image-712\" title=\"Visas To Happiness - 3 (2014)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/visatohapp3_homepage.jpg\" alt=\"Visas To Happiness - 3 (2014)\" /></a>Visas To Happiness - 3 (2014)</td>\r\n        </tr>\r\n        <tr>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/measurement-from-evaporating-oceans\"><img class=\"alignnone size-medium wp-image-712\" title=\"Measurement from evaporating oceans (2013)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Measurement-evaporating-hom.jpg\" alt=\"Measurement from evaporating oceans (2013)\" /></a>Measurement from evaporating oceans (2013)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/cycle-of-recurrence\"><img class=\"alignnone size-medium wp-image-712\" title=\"Cycles of Eternal Recurrence (2013)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Cycles-of-Eternal-Recurrenc.jpg\" alt=\"Cycles of Eternal Recurrence (2013)\" /></a>Cycles of Eternal Recurrence (2013)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/anatomy_of_distance\"><img class=\"alignnone size-medium wp-image-712\" title=\"Anatomy of distance (2013)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Anatomay-of-distance_home.jpg\" alt=\"Anatomy of distance (2013)\" /></a>Anatomy of distance (2013)</td>\r\n        </tr>\r\n        <tr>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/rubber-stamp\"><img class=\"alignnone size-medium wp-image-712\" title=\"Untitled Rubberstamp (2012)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-Works-page.jpg\" alt=\"Untitled Rubberstamp(2012)\" /></a>Untitled Rubberstamp (2012)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/untitled-cobwebcrossings\"><img class=\"alignnone size-medium wp-image-712\" title=\"Untitled Cobweb (knots and crossings) (2012)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/United-Cobweb-Works-page.jpg\" alt=\"Untitled (Cobweb/Crossings) 2013 \" /></a>Untitled (Cobweb/Crossings) 2013 </td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/Podium-Cube\"><img class=\"alignnone size-medium wp-image-712\" title=\"Podium/Cube 2013\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Podium-cube-Works-page.jpg\" alt=\"Podium/Cube 2013\" /></a>Podium/Cube 2013</td>\r\n        </tr>\r\n        <tr>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/Visa-to-happiness 2\"><img class=\"alignnone size-medium wp-image-712\" title=\"Visas to Happiness-2 (2012)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Visa-to-happiness2-Works-page.jpg\" alt=\"Visas to Happiness-2 (2012)\" /></a>Visas to Happiness-2 (2012)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/untitled-cobweb-knots-and-crossings\"><img class=\"alignnone size-medium wp-image-712\" title=\"Untitled Cobweb (knots and crossings) (2012)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/Cobweb-Work-page.jpg\" alt=\"Untitled Cobweb (knots and crossings) (2012)\" /></a>Untitled Cobweb (knots and crossings) (2012)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/paper-machine\"><img class=\"alignnone size-medium wp-image-712\" title=\"Synapse (2011)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-WP.jpg\" alt=\"Paper Machine (2012)\" /></a>Paper Machine (2012)</td>\r\n        </tr>\r\n        <tr>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/visas-to-happiness\"><img class=\"alignnone size-medium wp-image-712\" title=\"Visas to Happiness (2012)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/children-workshop-works-pag.jpg\" alt=\"Visas to Happiness (2012)\" /></a>Visas to Happiness (2012)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/map-drawing\"><img class=\"alignnone size-medium wp-image-712\" title=\"Untitled (Map/Drawing)  (2011)\" src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/Mapping-works-page.jpg\" alt=\"untitled (Map/Drawing)  (2011)\" /></a> Untitled (Map/Drawing) (2011)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/synapse-2011\"><img class=\"alignnone size-medium wp-image-712\" title=\"Synapse (2011)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/synapse-Works-page.jpg\" alt=\"Synapse (2011)\" /></a>Synapse (2011)</td>\r\n        </tr>\r\n        <tr>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/memoria-crematoria\"><img class=\"alignnone size-medium wp-image-712\" title=\"untitled (column)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-Works-pa.jpg\" alt=\"Memoria Crematoria (dates of war) (2011)\" /></a> Memoria Crematoria (dates of war) (2011)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/untitledcolumn\"><img class=\"alignnone size-medium wp-image-712\" title=\"untitled (column)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Untitled-works-page.jpg\" alt=\"untitled (2011)\" /></a> Untitled (column) (2011)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/falling-fables\"><img class=\"alignnone size-medium wp-image-712\" title=\"Falling Fables\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-work-page.jpg\" alt=\"Falling Fables (2010-11)\" /></a> Falling Fables (2010-11)</td>\r\n        </tr>\r\n        <tr>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/sculptures\"><img class=\"alignnone size-medium wp-image-712\" title=\"Sculptures\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/sculpture-for-works.jpg\" alt=\"Falling Fables (column) (2011)\" /></a>Falling Fables (column) (2011)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/2degrees\"><img class=\"alignnone size-medium wp-image-712\" title=\"2 Degrees\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/2degrees-works.jpg\" alt=\"\" /></a> 2 Degrees (2010)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/woven-veins\"><img class=\"alignnone size-medium wp-image-712\" title=\"Woven Veins\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/woven-veins-lead.jpg\" alt=\"Woven Veins (2009)\" /></a> Woven Veins (2010)</td>\r\n        </tr>\r\n        <tr>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/preface\"><img class=\"alignnone size-medium wp-image-712\" title=\"Preface\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/Preface-lead.jpg\" alt=\"Preface\" /></a> Preface (2010)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/light-leaks\"><img class=\"alignnone size-medium wp-image-201\" title=\"Light Leaks\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/Light-Leaks-lead.jpg\" alt=\"Light Leaks (2008-2010)\" /></a>Light Leaks... (2008-2010)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/colour-curtain\"><img class=\"alignnone size-medium wp-image-201\" title=\"Colour-curtain\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/2colour-curtain.jpg\" alt=\"Colour Curtain (2009)\" /></a>Colour Curtain... (2009)</td>\r\n        </tr>\r\n        <tr>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/your-mileage-gallery\"><img class=\"alignnone size-medium wp-image-320\" title=\"Your-Mileage-May-Vary\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/3-Your-Mileage-May-Vary.jpg\" alt=\"\" /></a></span>Your Mileage May Vary (2009)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/synonym\"><img class=\"alignnone size-medium wp-image-712\" title=\"Synonym\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/1-Synonym.jpg\" alt=\"\" /></a> Synonym (2009)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n                <a href=\"http://www.reenakallat.com/vanishing-point\"><img class=\"alignnone size-medium wp-image-201\" title=\"Vanishing Point (2009)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/4--VanishingPoint.jpg\" alt=\"Vanishing Point (2009)\" /></a>Vanishing Point (2009)\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n                <a href=\"http://www.reenakallat.com/moving-millimeter\"><img class=\"alignnone size-medium wp-image-712\" title=\"The Moving Millimeter (2009)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/5---The-Moving-Mil.jpg\" alt=\"The Moving Millimeter (2009)\" /></a>The Moving Millimeter (2009)\r\n            </td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n                <a href=\"http://www.reenakallat.com/white-yarn-detailed-info\"><img class=\"alignnone size-medium wp-image-199\" title=\"White Yarn\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/6---white-yarn.jpg\" alt=\"White Yarn (2008)\" /></a>White Yarn...(2008)\r\n            </td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n                <a href=\"http://www.reenakallat.com/white-heat-the-ironing-board-detailed-info\"><img class=\"alignnone size-medium wp-image-879\" title=\"White Heat (2008)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/7--White-Heat.jpg\" alt=\"White Heat (2008)\" /></a>White Heat...(2008)\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n        <tr>\r\n            <td colspan=\"3\">\r\n                <div class=\"tablenav\"><div class=\"tablenav-pages\"><span>1, </span>  <a href=\"works-page-2\" class=\"page-numbers\">2, </a> <a href=\"works-page-3\" class=\"page-numbers\">3</a> <a href=\"works-page-2\">»</a></div><br class=\"clear\"></div>\r\n            </td>\r\n        </tr>\r\n    </tbody>\r\n</table>\r\n<!--more-->\r\n','Works','','inherit','open','open','','54-revision-340','','','2014-05-21 16:47:04','2014-05-21 16:47:04','',54,'http://www.reenakallat.com/3084/uncat/54-revision-340',0,'revision','',0),(3085,1,'2014-06-28 08:37:31','2014-06-28 08:37:31','<style type=\"text/css\">\r\n    .tablenav {\r\n        clear: both;\r\n        height: 30px;\r\n        margin: 6px 0 4px;\r\n        vertical-align: middle;\r\n    }\r\n\r\n    .tablenav-pages {\r\n        color: #555555;\r\n    }\r\n\r\n    .tablenav .tablenav-pages {\r\n        cursor: default;\r\n        display: block;\r\n        float: right;\r\n        font-size: 11px;\r\n        height: 30px;\r\n        line-height: 30px;\r\n    }\r\n\r\n    .page-numbers {\r\n        border-bottom-color: #B8D3E2;\r\n        color: #21759B;\r\n        font-weight: bold;\r\n    }\r\n\r\n    .tablenav-pages .current {\r\n        background: none repeat scroll 0 0 #DFDFDF;\r\n        border-color: #D3D3D3;\r\n    }\r\n\r\n    a.page-numbers {\r\n        border-bottom-color: #B8D3E2;\r\n    }\r\n\r\n    .tablenav .displaying-num {\r\n        font-family: Georgia,\"Times New Roman\",\"Bitstream Charter\",Times,serif;\r\n        font-size: 12px;\r\n        font-style: italic;\r\n        margin-right: 10px;\r\n    }\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n    <tbody>\r\n        <tr>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/salinenotations\"><img class=\"alignnone size-medium wp-image-712\" title=\"Saline Notations (2014)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/salinenotations_homepage.jpg\" alt=\"Saline Notations (2014)\" /></a>Saline Notations (2014)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/wash\"><img class=\"alignnone size-medium wp-image-712\" title=\"Untitled (2014)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/wash_2014_homepage.jpg\" alt=\"Untitled (2014)\" /></a>Untitled (2014)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/visatohappiness3\"><img class=\"alignnone size-medium wp-image-712\" title=\"Visas To Happiness - 3 (2014)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/visatohapp3_homepage.jpg\" alt=\"Visas To Happiness - 3 (2014)\" /></a>Visas To Happiness - 3 (2014)</td>\r\n        </tr>\r\n        <tr>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/measurement-from-evaporating-oceans\"><img class=\"alignnone size-medium wp-image-712\" title=\"Measurement from evaporating oceans (2013)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Measurement-evaporating-hom.jpg\" alt=\"Measurement from evaporating oceans (2013)\" /></a>Measurement from evaporating oceans (2013)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/cycle-of-recurrence\"><img class=\"alignnone size-medium wp-image-712\" title=\"Cycles of Eternal Recurrence (2013)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Cycles-of-Eternal-Recurrenc.jpg\" alt=\"Cycles of Eternal Recurrence (2013)\" /></a>Cycles of Eternal Recurrence (2013)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/anatomy_of_distance\"><img class=\"alignnone size-medium wp-image-712\" title=\"Anatomy of distance (2013)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Anatomay-of-distance_home.jpg\" alt=\"Anatomy of distance (2013)\" /></a>Anatomy of distance (2013)</td>\r\n        </tr>\r\n        <tr>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/rubber-stamp\"><img class=\"alignnone size-medium wp-image-712\" title=\"Untitled Rubberstamp (2012)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-Works-page.jpg\" alt=\"Untitled Rubberstamp(2012)\" /></a>Untitled Rubberstamp (2012)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/untitled-cobwebcrossings\"><img class=\"alignnone size-medium wp-image-712\" title=\"Untitled Cobweb (knots and crossings) (2012)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/United-Cobweb-Works-page.jpg\" alt=\"Untitled (Cobweb/Crossings) 2013 \" /></a>Untitled (Cobweb/Crossings) 2013 </td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/Podium-Cube\"><img class=\"alignnone size-medium wp-image-712\" title=\"Podium/Cube 2013\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Podium-cube-Works-page.jpg\" alt=\"Podium/Cube 2013\" /></a>Podium/Cube 2012</td>\r\n        </tr>\r\n        <tr>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/Visa-to-happiness 2\"><img class=\"alignnone size-medium wp-image-712\" title=\"Visas to Happiness-2 (2012)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Visa-to-happiness2-Works-page.jpg\" alt=\"Visas to Happiness-2 (2012)\" /></a>Visas to Happiness-2 (2012)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/untitled-cobweb-knots-and-crossings\"><img class=\"alignnone size-medium wp-image-712\" title=\"Untitled Cobweb (knots and crossings) (2012)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/Cobweb-Work-page.jpg\" alt=\"Untitled Cobweb (knots and crossings) (2012)\" /></a>Untitled Cobweb (knots and crossings) (2012)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/paper-machine\"><img class=\"alignnone size-medium wp-image-712\" title=\"Synapse (2011)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-WP.jpg\" alt=\"Paper Machine (2012)\" /></a>Paper Machine (2012)</td>\r\n        </tr>\r\n        <tr>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/visas-to-happiness\"><img class=\"alignnone size-medium wp-image-712\" title=\"Visas to Happiness (2012)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/children-workshop-works-pag.jpg\" alt=\"Visas to Happiness (2012)\" /></a>Visas to Happiness (2012)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/map-drawing\"><img class=\"alignnone size-medium wp-image-712\" title=\"Untitled (Map/Drawing)  (2011)\" src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/Mapping-works-page.jpg\" alt=\"untitled (Map/Drawing)  (2011)\" /></a> Untitled (Map/Drawing) (2011)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/synapse-2011\"><img class=\"alignnone size-medium wp-image-712\" title=\"Synapse (2011)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/synapse-Works-page.jpg\" alt=\"Synapse (2011)\" /></a>Synapse (2011)</td>\r\n        </tr>\r\n        <tr>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/memoria-crematoria\"><img class=\"alignnone size-medium wp-image-712\" title=\"untitled (column)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-Works-pa.jpg\" alt=\"Memoria Crematoria (dates of war) (2011)\" /></a> Memoria Crematoria (dates of war) (2011)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/untitledcolumn\"><img class=\"alignnone size-medium wp-image-712\" title=\"untitled (column)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Untitled-works-page.jpg\" alt=\"untitled (2011)\" /></a> Untitled (column) (2011)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/falling-fables\"><img class=\"alignnone size-medium wp-image-712\" title=\"Falling Fables\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-work-page.jpg\" alt=\"Falling Fables (2010-11)\" /></a> Falling Fables (2010-11)</td>\r\n        </tr>\r\n        <tr>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/sculptures\"><img class=\"alignnone size-medium wp-image-712\" title=\"Sculptures\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/sculpture-for-works.jpg\" alt=\"Falling Fables (column) (2011)\" /></a>Falling Fables (column) (2011)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/2degrees\"><img class=\"alignnone size-medium wp-image-712\" title=\"2 Degrees\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/2degrees-works.jpg\" alt=\"\" /></a> 2 Degrees (2010)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/woven-veins\"><img class=\"alignnone size-medium wp-image-712\" title=\"Woven Veins\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/woven-veins-lead.jpg\" alt=\"Woven Veins (2009)\" /></a> Woven Veins (2010)</td>\r\n        </tr>\r\n        <tr>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/preface\"><img class=\"alignnone size-medium wp-image-712\" title=\"Preface\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/Preface-lead.jpg\" alt=\"Preface\" /></a> Preface (2010)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/light-leaks\"><img class=\"alignnone size-medium wp-image-201\" title=\"Light Leaks\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/Light-Leaks-lead.jpg\" alt=\"Light Leaks (2008-2010)\" /></a>Light Leaks... (2008-2010)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/colour-curtain\"><img class=\"alignnone size-medium wp-image-201\" title=\"Colour-curtain\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/2colour-curtain.jpg\" alt=\"Colour Curtain (2009)\" /></a>Colour Curtain... (2009)</td>\r\n        </tr>\r\n        <tr>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/your-mileage-gallery\"><img class=\"alignnone size-medium wp-image-320\" title=\"Your-Mileage-May-Vary\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/3-Your-Mileage-May-Vary.jpg\" alt=\"\" /></a></span>Your Mileage May Vary (2009)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/synonym\"><img class=\"alignnone size-medium wp-image-712\" title=\"Synonym\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/1-Synonym.jpg\" alt=\"\" /></a> Synonym (2009)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n                <a href=\"http://www.reenakallat.com/vanishing-point\"><img class=\"alignnone size-medium wp-image-201\" title=\"Vanishing Point (2009)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/4--VanishingPoint.jpg\" alt=\"Vanishing Point (2009)\" /></a>Vanishing Point (2009)\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n                <a href=\"http://www.reenakallat.com/moving-millimeter\"><img class=\"alignnone size-medium wp-image-712\" title=\"The Moving Millimeter (2009)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/5---The-Moving-Mil.jpg\" alt=\"The Moving Millimeter (2009)\" /></a>The Moving Millimeter (2009)\r\n            </td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n                <a href=\"http://www.reenakallat.com/white-yarn-detailed-info\"><img class=\"alignnone size-medium wp-image-199\" title=\"White Yarn\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/6---white-yarn.jpg\" alt=\"White Yarn (2008)\" /></a>White Yarn...(2008)\r\n            </td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n                <a href=\"http://www.reenakallat.com/white-heat-the-ironing-board-detailed-info\"><img class=\"alignnone size-medium wp-image-879\" title=\"White Heat (2008)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/7--White-Heat.jpg\" alt=\"White Heat (2008)\" /></a>White Heat...(2008)\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n        <tr>\r\n            <td colspan=\"3\">\r\n                <div class=\"tablenav\"><div class=\"tablenav-pages\"><span>1, </span>  <a href=\"works-page-2\" class=\"page-numbers\">2, </a> <a href=\"works-page-3\" class=\"page-numbers\">3</a> <a href=\"works-page-2\">»</a></div><br class=\"clear\"></div>\r\n            </td>\r\n        </tr>\r\n    </tbody>\r\n</table>\r\n<!--more-->\r\n','Works','','inherit','open','open','','54-revision-341','','','2014-06-28 08:37:31','2014-06-28 08:37:31','',54,'http://www.reenakallat.com/3085/uncat/54-revision-341',0,'revision','',0),(3108,1,'2014-07-26 09:39:09','2014-07-26 09:39:09','f<table border=\"0\" cellspacing=\"5\" cellpadding=\"0\" width=\"100%\" align=\"centre\">\r\n    <tbody>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" width=\"21%\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td style=\"margin-left: 5px;\">\r\n                                <span class=\"pubstrong\">Reena Saini Kallat, </span> 2009<span>\r\n                                    Text: Nancy Adajania and Murtaza Vali\r\n                                    Publisher: Primo Marella Gallery, Walsh Gallery and Chemould Prescott Road\r\n                                    ISBN: 978-81-908879-1-5\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/reena-kallat\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Rainbow of Refuse, </span>2006<span>\r\n                                    Text: Nancy Adajania\r\n                                    Publisher: Bodhi Art Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/rainbow-of-refuse\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Black Flute (and other stories), </span>2005\r\n                                <span class=\"pubstrong\">Black Flute,</span> 2004<span>\r\n                                    Text: Nancy Adajania\r\n                                    Publisher: Gallery Chemould and Nature Morte Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/black-flute\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">The Battlefield is the Mind, </span>2002<span>\r\n                                    Text: Nancy Adajania\r\n                                    Publisher: Sakshi Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/battlefield-of-mind\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table cellspacing=\"0\" cellpadding=\"0\" width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Skin, </span>2000<span>\r\n                                    Interview with Jitish Kallat\r\n                                    Publisher: Gallery Chemould and Vis-à-vis Art Inc. Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr></tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Orchard of home-grown secrets, </span>1998<span>\r\n                                    Text: Ranjit Hoskote\r\n                                    Publisher: Gallery Chemould and Pundole Art Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/orchard-pub\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td colspan=\"2\"></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n            <td>\r\n                <!-- Start of Other Publications -->\r\n\r\n                <span class=\"pubstrong\">Nature Morte, 2013</span><span>\r\n                    Text: Michael Petry\r\n                    Publisher: Thames & Hudson\r\n                    ISBN: 9780500239063\r\n\r\n\r\n\r\n            <span class=\"pubstrong\">Haein Art Project, 2013</span><span>\r\n                Text:  Kim Jiyon, Leandre D’souza and Claudio Maffioletti\r\n                Publisher: Ven.Sun-Hae (Abbot of Haeinsa Temple)\r\n                ISBN: 979 1195142309 90620\r\n\r\n\r\n                <span class=\"pubstrong\">NO-MAD-NESS IN NO MAN’S LAND, 2013</span><span>\r\n                    Text:  interview by Ombretta Agro Andruff and Leeza Ahmady with Casey Amy Fan\r\n                    Publisher: The Eslite Corp.\r\n                    ISBN: 978-986-89759-7-2\r\n\r\n                    <span class=\"pubstrong\">India Side by Side, 2012</span><span>\r\n                        Text: Cibele Aldrovandi, Deepak Ananth, Flavia Galli Tatsch, Kapila Vatsyayan, Laura Cury, Rahaab Allana, Tereza de Arruda\r\n                        Publisher: The Brazilian Ministry of Culture and Banco do Brasil\r\n                        ISBN: 978-85-64170-01-8\r\n\r\n                        <span class=\"pubstrong\">India : Art Now, 2012 </span><span>\r\n                            Text: Stine Hoholt, Ranjit Hoskote, Zehra Jumabhoy\r\n                            Publisher: Hatje Cantz\r\n                        </span>\r\n                        ISBN: 978-3-7757-3411-0\r\n\r\n                        <span class=\"pubstrong\">Undervaeker – Wonders, </span>2012<span>\r\n                            Texts by Gitte Orskou, Af Theis Vallo Madsen, Jeanett Stampe\r\n                            Publisher: KUNSTEN - Museum of Modern Art Aalborg\r\n                        </span>\r\n                        ISBN: 978-87-88307-72-6\r\n\r\n                        <span class=\"pubstrong\">n.paradoxa: international feminist art journal, volume 30, </span>2012<span>\r\n                            Text: interview with Veeranganakumari Solanki\r\n                            Publisher: KT press\r\n                        </span>\r\n                        ISBN: 1461- 0434\r\n\r\n                        <span class=\"pubstrong\">The Skoda Prize Twenty, </span>2011-2012<span>\r\n                            Text: Zeenat Nagree\r\n                            Publisher: Popular Prakashan\r\n                        </span>\r\n                        ISBN: 978-81-7991-681-0\r\n\r\n                        <span class=\"pubstrong\">Pandemonium: Art in a time of creativity fever, </span>2011<span>\r\n                            Text: interview with Stina Edblom\r\n                            Publisher: Göteborg International Biennial for Contemporary Art\r\n                        </span>\r\n                        ISBN: 978-91-633-9363-1\r\n                        <span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/pandemonium\">read interview</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span>\r\n\r\n                        <span class=\"pubstrong\">The Indian Renaissance, </span>2011<span>\r\n                            Text: Antonio Stellatelli, Romano Ravasio and Marina Pizziolo\r\n\r\n                            <span class=\"pubstrong\">Vancouver Biennale, </span>2009-2011<span>\r\n                                Text: Vancouver International Sculpture Biennale\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Maximum India, </span>2011<span>\r\n                                Publisher: The John F. Kennedy Center for the Performing Arts, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Never Run Away, </span>2010<span>\r\n                                Text: Shaheen Merali\r\n                                Publisher: Stux Gallery\r\n                            </span>\r\n                            <span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/never-run-away\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span>\r\n\r\n                            <span class=\"pubstrong\">Urban Manners 2, </span>2010<span>\r\n                                Text: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\n                                Publisher: SESC Pompeia, Sao Paulo\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Empire Strikes Back, </span>2010<span>\r\n                                Text: Zehra Jumabhoy\r\n                                Publisher: Saatchi Gallery\r\n                                ISBN: 9780224089494\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The River Project, </span>2010<span>\r\n                                Publisher: Campbelltown Arts Centre\r\n                                ISBN: 9781875199761\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Asian Art Now, </span>2010<span>\r\n                                Text: Melissa Chiu and Benjamin Genocchio\r\n                                Publisher: Monacelli Press\r\n                                ISBN: 978-1-58093-298-1 (1-58093-298-3)\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Roundabout, </span>2010<span>\r\n                                Publisher: Art Asia Pacific Publishing\r\n                                ISBN: 978-0984562510\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Khoj Book, </span>2010<span>\r\n                                Interview with Shilpa Gupta\r\n                                Publisher: HarperCollins\r\n                                ISBN: 9788172236878\r\n                            </span>\r\n                            <span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/khoj-book\">read interview</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span>\r\n\r\n                            <span class=\"pubstrong\">5 Bienal Ventosul, </span>2009<span>\r\n                                Publisher: Instituto Paranaense de Arte\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Viewpoints &amp; Viewings Points- Asian Art Biennale, </span>2009<span>\r\n                                Text: Chao-yi-Tsai\r\n                                Publisher: National Taiwan Museum of fine Arts\r\n                                ISBN: 978-986-02-0269-4\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Xianzai: Contemporary Indian Art, </span>2009<span>\r\n                                Text: Jitish Kallat, Diana Freundl, Alexander Keefe\r\n                                Publisher: Museum of Contemporary Art\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2009<span>\r\n                                Text: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki,\r\n                                Miho Tagomori\r\n                                Publisher: Prestel, National Museum of Contemporary Art and Essl Museum\r\n                                ISBN: 978-3-7913-4304-4\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2008<span>\r\n                                Text: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman\r\n                                Gopinath, Jayaram, Deepak Ananth\r\n                                Publisher: Mori Art Museum\r\n                                ISBN: 978-4-902819-21-2\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Moderna, </span>2008<span>\r\n                                Text: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur,\r\n                                R. Siva Kumar, K.G. Subramanyan\r\n                                Publisher: IVAM (Institute Valencia D’Art Modern)\r\n                                ISBN: 978-84-482-5104-8\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Everywhere is War (and rumours of it),</span>2008<span>\r\n                                Text: Kai Hafez, Martin Hager, Nicholas Mirzoeff, Daniel Miller,\r\n                                Bregje van Eekelen\r\n                                Publisher: Bodhi Art Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Three Points of Views, </span>2008<span>\r\n                                Text: Grant Watson\r\n                                Publisher: Galerie Mirchandani + Steinruecke\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">New Narratives: Contemporary Art from India, </span>2008<span>\r\n                                Text: Betty Seid with contributions by Johan Pijnappel\r\n                                Publisher: Mapin Publication in association with Chicago Cultural Center\r\n                                ISBN: 978-1-890206-08-6\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Made by Indians, </span>2007<span>\r\n                                Text: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\n                                Publisher: Galerie Enrico Navarra\r\n                                ISBN: 2-911596-37-4\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Thermocline of Art: New Asian Waves, </span>2007<span>\r\n                                Text:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong\r\n                                Publisher: Hatje Cantz Vertag\r\n                                ISBN: 978-3-7757-2073-1\r\n                                EAN: 9782911596377\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Indian Colour, </span>2007<span>\r\n                                Text: Peter Nagy\r\n                                Publisher: Dal- seung Hwang, Keumsan Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Arte Oggi, </span>2007<span>\r\n                                Text:  Daniela Palazzoli\r\n                                Publisher: Spazio Oberdan\r\n                                ISBN: 978-88-202-1867-6\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Urban Manners, </span>2007<span>\r\n                                Text: Adelina Von Furstenberg and Nancy Adajania\r\n                                Publisher: Hangar Bicocca\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">International Incheon Women Artists’ Biennale,</span>\r\n                            <span class=\"pubstrong\">Knocking on the Door, </span>2007<span>\r\n                                Text: Sung Hee Kim, John C. Welchman\r\n                                Publisher: Incheon Culture and Art Centre\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Soft Power: Asian Attitude, </span>2007<span>\r\n                                Text: Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\n                                Publisher: Shanghai Zendai Mumsem of Modern Art\r\n                                ISBN: 978-7-5356-2790-2\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Express- Art and Popular Culture, </span>2006<span>\r\n                                Text: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze\r\n                                Publisher: Helsinki City Art Museum\r\n                                ISBN: 951-8965-61-7\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Bombay L’album Maximum City, </span>2006<span>\r\n                                Text: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\n                                Publisher: Terrail, Lille 3000\r\n                                ISBN: 2-87939-325-6\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Indian Paintings of the New Millennium, </span>2005<span>\r\n                                Text: Helen Asquine  Fazio, Gayatri Sinha\r\n                                Publisher: Quick Arts Center, Fairfield University\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">A Guide to 101 Modern &amp; Contemporary Indian Artists, </span>2005<span>\r\n                                Text: Amrita Jhaveri\r\n                                Publisher: India Book House\r\n                                ISBN: 81-7508-423-5\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Zoom! Art in Contemporary India, </span>2004<span>\r\n                                Texts: Luis Serpa and Nancy Adajania\r\n                                Publisher: The Culturgest Museum\r\n                                ISBN: 972-769-033-5\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Interlude in Sri Lanka, </span>2004<span>\r\n                                Text: Ranjit Hoskote and Nancy Adajania\r\n                                Publisher: The Guild Art Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Generation I, </span>2004<span>\r\n                                Text: Zehra Jumabhoy\r\n                                Publisher: Saffronart &amp; The Guild Art Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Tiranga Rights and Reponsibilities, </span>2003<span>\r\n                                Text: Peter Nagy\r\n                                Publisher: Jindal Foundation &amp; Creative Arts\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Hard Copy, </span>2003<span>\r\n                                Text: Peter Nagy\r\n                                Publisher: Galerie 88\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Crossing Generations: diVERGE, </span>2003<span>\r\n                                Text: Geeta Kapoor and Chaitanya Sambrani\r\n                                Publisher: Gallery Chemould\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\" style=\"color: #000000;\">PRESS</span>\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artasiapacific.com/Magazine/WebExclusives/FloatingWorldAestheticBind\" target=\"_blank\">Aesthetic Bind Floating World</a> </span> <font color=\"red\">  >> </font> <span>\r\n                              Gitanjali Dang, ArtAsiaPacific, April 2014                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.timeoutmumbai.net/art/features/suspense\" target=\"_blank\">In Suspense </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Phalguni Desai , Timeout Mumbai,  March  2014\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artdaily.com/news/68958/Chemould-Prescott-Road-celebrates-fifty-years-of-contemporary-art-with-Aesthetic-Bind--Floating-World#.Uz5us_mSxVk\" target=\"_blank\">Chemould Prescott Road celebrates fifty years of contemporary art with Aesthetic Bind: Floating World </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Geeta Kapur, Art Daily, 24th March 2014\r\n                            </span>\r\n                                                        <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.wallpaper.com/art/zegnart-enlists-reena-kallat-to-create-a-site-specific-artwork-in-mumbai/6292\" target=\"_blank\">ZegnArt enlists Reena Kallat to create a site-specific artwork in Mumbai,</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                JJ Martin, Wallpaper, 18th January 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.timeoutmumbai.net/art/features/web-design\" target=\"_blank\">Web design</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Karanjeet Kaur,Timeout Magazine, pg 26-28, 15th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artribune.com/2013/03/una-ragnatela-fra-italia-e-india-inaugurata-a-mumbai-lopera-di-reena-kallat-per-il-progetto-zegnart-public-qui-ci-sono-immagini-video-e-intervista-allartista/\" target=\"_blank\">Arte pubblica a Mumbai. Intervista con Anna Zegna</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Daniele Perra, Art Tribune, 1st March 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://in.blouinartinfo.com/news/story/885613/reena-kallat-on-her-mammoth-1-ton-rubber-stamp-cobweb-at-the\" target=\"_blank\">Reena Kallat On Her Mammoth, 1-ton Rubber-Stamp Cobweb at the Bhau Daji Lad Museum, Mumbai</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Rosalyn D\'Mello, Blouinart, April 1, 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.thehindu.com/features/magazine/putting-her-stamp-on-it/article4484175.ece\" target=\"_blank\">Putting her stamp on it</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Ramya Sarma, The Hindu, 9th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.business-standard.com/article/beyond-business/stamp-over-mumbai-113030800509_1.html\" target=\"_blank\">Stamp over Mumbai</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Kishore Singh, Business Standard, New Delhi  8th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.dnaindia.com/lifestyle/report_weaving-a-tangled-web_1806665\" target=\"_blank\">Weaving a tangled web</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Deepanjana Pal, DNA, 3rd March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.dnaindia.com/lifestyle/report_web-of-history_1810815\" target=\"_blank\">Web of history </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Sanaya Chavda, DNA, 13th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindustantimes.com/Entertainment/Art/Web-of-history-Reena-Kallat-s-installation/Article1-1027359.aspx\" target=\"_blank\">Web of history </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Shweta Mehta, Hindustan Times, 16th March 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://blog.saffronart.com/2013/03/14/reena-kallats-untitled-cobwebscrossings/\" target=\"_blank\">Public Art installation by Reena Kallat at the Dr. Bhau Daji Lad Museum in Mumbai </a> </span> <font color=\"red\">  >> </font><span>\r\n                                Manjari Sihare, Saffron blog,Posted on 14th March  2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Weaving into  networks, Buliding Cobwebs: Musings over Reena Saini Kallat’s recent work </span> <span>\r\n                                Parni Ray, Take on Art/Eleven, pg 98, Volume lll\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Stamping ground </span><span>\r\n                                Deepanjana Pal, Wallpaper magazine, pg 193 – 194, May 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Editorial</span><span>\r\n                                Kaiwan Mehta, Domus, pg 5 – 10, April 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Web Design</span> <span>\r\n                                Chumki Bharadwaj, India Today, pg 45 – 46, April 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Art Outside  </span> <span>\r\n                                Pavitra Mohan, Architectural Digest, pg 98, March-April 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://inditerrain.indiaartndesign.com/2013/03/of-cobwebs-crossings.html\" target=\"_blank\">Of Cobwebs & Crossings </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Jigna Padhiar, India Art & Design, 1st March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://prestige-singapore.com.sg/2013/04/arts-raj\" target=\"_blank\">Art\'s the Raj</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Dylan Boey, Prestige Singapore, 3rd April 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\">Adrift in unknown waters: Reena Saini Kallat and the Art of letting go</span><span>\r\n                                Parni Ray,  Artfair Magazine, Issue-3, pg 48 – 51, 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://shobanarayan.com/2012/02/04/about-jitish-kallat-and-reena-saini-kallat/\" target=\"_blank\">Walking the Art talk with the Kallats</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Shobha Narayan, Live Mint, February 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.tribuneindia.com/2012/20120219/spectrum/main2.htm\" target=\"_blank\">Spectrum New Visual Idiom</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                The Tribune, February 19, 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artnewsnviews.com/view-article.php?article=g-teborg-international-biennial&iid=25&articleid=678\" target=\"_blank\">Goteborg International Biennial</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Art Etc, Vol.4, No. 2, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Helsinki taidemuseo.fi-Journal, </span> January 2011<span>\r\n                            </span>\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://indiatoday.intoday.in/site/story/brush-with-reality/1/134582.html\">Brush With Reality </a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Sumaiya Khan, India Today Woman, pg. 20-21, April 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">System overload </span><span>\r\n                                Shweta Upadhyay, Timeout Delhi, March 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artslant.com/ind/articles/show/22573\" target=\"_blank\">Picking up the past</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Parni Ray, www.artslant.com, 4th April 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://iipdigital.usembassy.gov/st/english/article/2011/03/20110307133535drawoh0.7282221.html#axzz34yECziHk\">Art at “maximum INDIA” Festival Evokes Cultural Memory and Loss</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Howard Cincotta, www.america.gov, March 7, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.signonsandiego.com/news/2011/mar/02/kennedy-center-opens-3-week-india-arts-festival/\">Kennedy Center opens 3-week India arts festival</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Brett Zongker, www.signonsnadiego.com, 2nd March 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Eye and the Mind: New Interventions in Contemporary Indian Art </span><span>\r\n                                Rajeev Lochan, India Perspectives, Vol. 24, No. 6, 2010\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artradarjournal.com/2010/04/20/indian-contemporary-artist-reena-kallat-art-radar-exclusive-interview/\">Interview, Art Radar Asia </a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span><span>\r\n                                April 20, 2010\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Archives of the Heart</span><span>\r\n                                Nancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\n                                Front Cover, pgs 42-45, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Globale Kunst Mit Wurzelduft</span><span>\r\n                                Von Almuth Speigler, Die Presse, Feuilleton, 2nd September 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Landscapes of Loss</span><span>\r\n                                Beth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Reincarnating History</span><span>\r\n                                The Big Picture, Architect and Interiors, July 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Stamp Collection</span><span>\r\n                                Georgina Maddox, The Sunday Express, 17th May 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Evolving Beyond Borders</span><span>\r\n                                Reshma S. Kulkarni, Bombay Times, Times of India, 15th January, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Loss and Found</span><span>\r\n                                Marina Correa, DNA, Mumbai, 22nd January 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Focus India</span><span>\r\n                                Megha Ralapati, Flash Art, pg 114, January-February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Come Together Right Now</span><span>\r\n                                Reema Gehi, HT Café, 15th February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Such a Long Journey</span><span>\r\n                                Aparna S Sharma, Elle Magazine, pgs 115-117, February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">More than a Woman</span><span>\r\n                                Georgina Maddox, The Indian Express, Mumbai Newsline, 4th February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Artist of the Fortnight</span><span>\r\n                                Maria Louis, Outlook Profit, pg 79, 18th April 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Deja View</span><span>\r\n                                Tara Khilachand, Live Mint, 20th December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Terror Struck</span><span>\r\n                                Maria Louis, Outlook Profit, 26th December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Name Calling</span><span>\r\n                                Deepanjana Pal, Timeout Mumbai, December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Corruptions of Power</span>\r\n                            <span>Shiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99, 2007</span>\r\n\r\n                            <span class=\"pubstrong\">Over the Rainbow</span><span>\r\n                                Maria Louis, Interview, Verve Magazine, pg 78, November 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindu.com/mag/2006/10/29/stories/2006102900070200.htm\">In a State of Perennial Siege</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span><span>\r\n                                Nancy Adajania, The Hindu, Hyderabad, 29th October 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Her Crowning Achievement</span><span>\r\n                                Clara Chow, The Straits Times, 18th November 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Political Chaos</span><span>\r\n                                Deepali Nandwani, Beautiful people, pg 143, November-December 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Weapons of Mass Construction</span><span>\r\n                                Rituparna Som, DNA after Hrs, Mumbai, 9th October, 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Guns and Roses</span><span>\r\n                                Rachna Nakra, The Indian Express, Mumbai Newsline, 18th September 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Under Attack</span><span>\r\n                                Gitanjali Dang, HT Mumbai, 22nd September 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Time Traveller</span><span>\r\n                                Georgina Maddox, The Indian Express, Mumbai Newsline, 27th June 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Flower and the Sword</span><span>\r\n                                Girish Shahane, The Art News magazine of India, pg 93, volume X issue I, 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India’s Top 100 Achievers</span><span>\r\n                                Society Magazine, pg 137, December 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Caught Between Demons<span style=\"font-weight: normal; color: red;\"></span></span><span>\r\n                                Nancy Adajania, The Hindu, 19th December 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">En Reise Til India</span><span>\r\n                                Harald Flor, Dagbladet, Kultur, 2nd February 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Signs of Resistance</span><span>\r\n                                Nancy Adajania, The Hindu, 5th January 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Of the Goddess and Demon in the Mind</span><span>\r\n                                Debbie Rodgers, Sunday edition Vijay Times, Bangalore, 5th January 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Empathic Anger</span><span>\r\n                                Marta Jakimowicz, Deccan Herald, 23rd December 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Mysore Ek Khoj</span>\r\n                            Cross Fertilization of Culture, Interview in Star of Mysore, 27th October 2002\r\n\r\n                            <span class=\"pubstrong\">Linking Islands</span><span>\r\n                                Menaka Jayasankar, Indian Express, Mumbai Newsline, 15th February 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Creating to Destroy</span><span>\r\n                                Jasmine Shah Varma, The List, Mid Day, 22nd February 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Different Strokes</span><span>\r\n                                Georgina L Maddox, The Indian Express, Mumbai Newsline, 24th July 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a target=\"_blank\" href=\"http://www.reenakallat.com/wp-content/uploads/2011/09/Faith%20and%20Hunger.pdf\" style=\"color: rgb(135, 135, 135);\">Of Faith and Hunger</a><font style=\"font-weight:normal;\" color=\"red\">  >> </font></span>\r\n                        <span>Abhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89, December 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">The Murmur of Skin</span><span>\r\n                            Nupur Mahajan, Bombay Times, Times of India, 12th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Not just Skin Deep</span><span>\r\n                            Jasmine Shah Varma, The List, Mid-day, 4th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Inside Out</span><span>\r\n                            Menaka Jayasankar, Indian Express, Mumbai Newsline, 11th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Scintillating Skin</span><span>\r\n                            Vaibhav Purandare, The Asian Age, 14th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">An Artist’s World: Roti, Makaan &amp; Abstract Art</span><span>\r\n                            Poonam Goel, HT City, 23rd December 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Within you, Without you</span><span>\r\n                            Anu Kumar, Indian Express, Express Newsline, 2nd September 1998\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Farming Intrigue</span><span>\r\n                            Jerry Pinto, The Times of India, Bombay Times, 3rd September 1998\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Interactive Medium</span><span>\r\n                            Karen Pereira, Indian Architect &amp; Builder, pgs 102-104, October 1998\r\n                        </span>\r\n</td>\r\n        </tr>\r\n    </tbody>\r\n</table>','Publications','','inherit','open','open','','87-revision-226','','','2014-07-26 09:39:09','2014-07-26 09:39:09','',87,'http://www.reenakallat.com/3108/uncat/87-revision-226',0,'revision','',0),(3086,1,'2014-01-15 22:25:44','2014-01-15 22:25:44','<table border=\"0\" cellspacing=\"5\" cellpadding=\"0\" width=\"100%\" align=\"centre\">\r\n<tbody>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" width=\"21%\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td style=\"margin-left: 5px;\"><span class=\"pubstrong\">Reena Saini Kallat, </span> 2009<span>\r\nText: Nancy Adajania and Murtaza Vali\r\nPublisher: Primo Marella Gallery, Walsh Gallery and Chemould Prescott Road\r\nISBN: 978-81-908879-1-5 </span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/reena-kallat\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Rainbow of Refuse, </span>2006<span>\r\nText: Nancy Adajania\r\nPublisher: Bodhi Art Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/rainbow-of-refuse\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Black Flute (and other stories), </span>2005\r\n<span class=\"pubstrong\">Black Flute,</span> 2004<span>\r\nText: Nancy Adajania\r\nPublisher: Gallery Chemould and Nature Morte Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/black-flute\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">The Battlefield is the Mind, </span>2002<span>\r\nText: Nancy Adajania\r\nPublisher: Sakshi Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/battlefield-of-mind\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table cellspacing=\"0\" cellpadding=\"0\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Skin, </span>2000<span>\r\nInterview with Jitish Kallat\r\nPublisher: Gallery Chemould and Vis-à-vis Art Inc. Gallery</span></td>\r\n</tr>\r\n<tr></tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Orchard of home-grown secrets, </span>1998<span>\r\nText: Ranjit Hoskote\r\nPublisher: Gallery Chemould and Pundole Art Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/orchard-pub\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n<td><!-- Start of Other Publications -->\r\n\r\n\r\n<span class=\"pubstrong\">NO-MAD-NESS IN NO MAN’S LAND</span><span>\r\nText:  interview by Ombretta Agro Andruff and Leeza Ahmady with Casey Amy Fan\r\nPublisher: The Eslite Corp.\r\nISBN: 978-986-89759-7-2\r\n\r\n<span class=\"pubstrong\">India Side by Side</span><span>\r\nText: Cibele Aldrovandi, Deepak Ananth, Flavia Galli Tatsch, Kapila Vatsyayan, Laura Cury, Rahaab Allana, Tereza de Arruda\r\nPublisher: The Brazilian Ministry of Culture and Banco do Brasil\r\nISBN: 978-85-64170-01-8\r\n\r\n<span class=\"pubstrong\">India : Art Now </span><span>\r\nText: Stine Hoholt, Ranjit Hoskote, Zehra Jumabhoy\r\nPublisher: Hatje Cantz</span>\r\nISBN: 978-3-7757-3411-0\r\n\r\n<span class=\"pubstrong\">Undervaeker – Wonders, </span>2012<span>\r\nTexts by Gitte Orskou, Af Theis Vallo Madsen, Jeanett Stampe\r\nPublisher: KUNSTEN - Museum of Modern Art Aalborg</span>\r\nISBN: 978-87-88307-72-6\r\n\r\n<span class=\"pubstrong\">n.paradoxa: international feminist art journal, volume 30, </span>2012<span>\r\nText: interview with Veeranganakumari Solanki\r\nPublisher: KT press</span>\r\nISBN: 1461- 0434\r\n\r\n<span class=\"pubstrong\">The Skoda Prize Twenty, </span>2011-2012<span>\r\nText: Zeenat Nagree\r\nPublisher: Popular Prakashan</span>\r\nISBN: 978-81-7991-681-0\r\n\r\n<span class=\"pubstrong\">Pandemonium: Art in a time of creativity fever, </span>2011<span>\r\nText: interview with Stina Edblom\r\nPublisher: Göteborg International Biennial for Contemporary Art</span>\r\nISBN: 978-91-633-9363-1\r\n<span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/pandemonium\">read interview</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span>\r\n\r\n<span class=\"pubstrong\">The Indian Renaissance, </span>2011<span>\r\nText: Antonio Stellatelli, Romano Ravasio and Marina Pizziolo\r\n\r\n<span class=\"pubstrong\">Vancouver Biennale, </span>2009-2011<span>\r\nText: Vancouver International Sculpture Biennale\r\n</span>\r\n\r\n<span class=\"pubstrong\">Maximum India, </span>2011<span>\r\nPublisher: The John F. Kennedy Center for the Performing Arts, 2011</span>\r\n\r\n<span class=\"pubstrong\">Never Run Away, </span>2010<span>\r\nText: Shaheen Merali\r\nPublisher: Stux Gallery</span>\r\n<span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/never-run-away\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span>\r\n\r\n<span class=\"pubstrong\">Urban Manners 2, </span>2010<span>\r\nText: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\nPublisher: SESC Pompeia, Sao Paulo </span>\r\n\r\n<span class=\"pubstrong\">The Empire Strikes Back, </span>2010<span>\r\nText: Zehra Jumabhoy\r\nPublisher: Saatchi Gallery\r\nISBN: 9780224089494\r\n</span>\r\n\r\n<span class=\"pubstrong\">The River Project, </span>2010<span>\r\nPublisher: Campbelltown Arts Centre\r\nISBN: 9781875199761\r\n</span>\r\n\r\n<span class=\"pubstrong\">Asian Art Now, </span>2010<span>\r\nText: Melissa Chiu and Benjamin Genocchio\r\nPublisher: Monacelli Press\r\nISBN: 978-1-58093-298-1 (1-58093-298-3)\r\n</span>\r\n\r\n<span class=\"pubstrong\">Roundabout, </span>2010<span>\r\nPublisher: Art Asia Pacific Publishing\r\nISBN: 978-0984562510\r\n</span>\r\n\r\n<span class=\"pubstrong\">The Khoj Book, </span>2010<span>\r\nInterview with Shilpa Gupta\r\nPublisher: HarperCollins\r\nISBN: 9788172236878</span>\r\n<span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/khoj-book\">read interview</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span>\r\n\r\n<span class=\"pubstrong\">5 Bienal Ventosul, </span>2009<span>\r\nPublisher: Instituto Paranaense de Arte</span>\r\n\r\n<span class=\"pubstrong\">Viewpoints &amp; Viewings Points- Asian Art Biennale, </span>2009<span>\r\nText: Chao-yi-Tsai\r\nPublisher: National Taiwan Museum of fine Arts\r\nISBN: 978-986-02-0269-4</span>\r\n\r\n<span class=\"pubstrong\">India Xianzai: Contemporary Indian Art, </span>2009<span>\r\nText: Jitish Kallat, Diana Freundl, Alexander Keefe\r\nPublisher: Museum of Contemporary Art</span>\r\n\r\n<span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2009<span>\r\nText: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki,\r\nMiho Tagomori\r\nPublisher: Prestel, National Museum of Contemporary Art and Essl Museum\r\nISBN: 978-3-7913-4304-4</span>\r\n\r\n<span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2008<span>\r\nText: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman\r\nGopinath, Jayaram, Deepak Ananth\r\nPublisher: Mori Art Museum\r\nISBN: 978-4-902819-21-2</span>\r\n\r\n<span class=\"pubstrong\">India Moderna, </span>2008<span>\r\nText: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur,\r\nR. Siva Kumar, K.G. Subramanyan\r\nPublisher: IVAM (Institute Valencia D’Art Modern)\r\nISBN: 978-84-482-5104-8</span>\r\n\r\n<span class=\"pubstrong\">Everywhere is War (and rumours of it),</span>2008<span>\r\nText: Kai Hafez, Martin Hager, Nicholas Mirzoeff, Daniel Miller,\r\nBregje van Eekelen\r\nPublisher: Bodhi Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Three Points of Views, </span>2008<span>\r\nText: Grant Watson\r\nPublisher: Galerie Mirchandani + Steinruecke</span>\r\n\r\n<span class=\"pubstrong\">New Narratives: Contemporary Art from India, </span>2008<span>\r\nText: Betty Seid with contributions by Johan Pijnappel\r\nPublisher: Mapin Publication in association with Chicago Cultural Center\r\nISBN: 978-1-890206-08-6</span>\r\n\r\n<span class=\"pubstrong\">Made by Indians, </span>2007<span>\r\nText: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\nPublisher: Galerie Enrico Navarra\r\nISBN: 2-911596-37-4</span>\r\n\r\n<span class=\"pubstrong\">Thermocline of Art: New Asian Waves, </span>2007<span>\r\nText:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong\r\nPublisher: Hatje Cantz Vertag\r\nISBN: 978-3-7757-2073-1\r\nEAN: 9782911596377</span>\r\n\r\n<span class=\"pubstrong\">Indian Colour, </span>2007<span>\r\nText: Peter Nagy\r\nPublisher: Dal- seung Hwang, Keumsan Gallery</span>\r\n\r\n<span class=\"pubstrong\">India Arte Oggi, </span>2007<span>\r\nText:  Daniela Palazzoli\r\nPublisher: Spazio Oberdan\r\nISBN: 978-88-202-1867-6</span>\r\n\r\n<span class=\"pubstrong\">Urban Manners, </span>2007<span>\r\nText: Adelina Von Furstenberg and Nancy Adajania\r\nPublisher: Hangar Bicocca</span>\r\n\r\n<span class=\"pubstrong\">International Incheon Women Artists’ Biennale,</span>\r\n<span class=\"pubstrong\">Knocking on the Door, </span>2007<span>\r\nText: Sung Hee Kim, John C. Welchman\r\nPublisher: Incheon Culture and Art Centre</span>\r\n\r\n<span class=\"pubstrong\">Soft Power: Asian Attitude, </span>2007<span>\r\nText: Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\nPublisher: Shanghai Zendai Mumsem of Modern Art\r\nISBN: 978-7-5356-2790-2</span>\r\n\r\n<span class=\"pubstrong\">India Express- Art and Popular Culture, </span>2006<span>\r\nText: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze\r\nPublisher: Helsinki City Art Museum\r\nISBN: 951-8965-61-7</span>\r\n\r\n<span class=\"pubstrong\">Bombay L’album Maximum City, </span>2006<span>\r\nText: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\nPublisher: Terrail, Lille 3000\r\nISBN: 2-87939-325-6</span>\r\n\r\n<span class=\"pubstrong\">Indian Paintings of the New Millennium, </span>2005<span>\r\nText: Helen Asquine  Fazio, Gayatri Sinha\r\nPublisher: Quick Arts Center, Fairfield University</span>\r\n\r\n<span class=\"pubstrong\">A Guide to 101 Modern &amp; Contemporary Indian Artists, </span>2005<span>\r\nText: Amrita Jhaveri\r\nPublisher: India Book House\r\nISBN: 81-7508-423-5</span>\r\n\r\n<span class=\"pubstrong\">Zoom! Art in Contemporary India, </span>2004<span>\r\nTexts: Luis Serpa and Nancy Adajania\r\nPublisher: The Culturgest Museum\r\nISBN: 972-769-033-5</span>\r\n\r\n<span class=\"pubstrong\">Interlude in Sri Lanka, </span>2004<span>\r\nText: Ranjit Hoskote and Nancy Adajania\r\nPublisher: The Guild Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Generation I, </span>2004<span>\r\nText: Zehra Jumabhoy\r\nPublisher: Saffronart &amp; The Guild Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Tiranga Rights and Reponsibilities, </span>2003<span>\r\nText: Peter Nagy\r\nPublisher: Jindal Foundation &amp; Creative Arts</span>\r\n\r\n<span class=\"pubstrong\">Hard Copy, </span>2003<span>\r\nText: Peter Nagy\r\nPublisher: Galerie 88</span>\r\n\r\n<span class=\"pubstrong\">Crossing Generations: diVERGE, </span>2003<span>\r\nText: Geeta Kapoor and Chaitanya Sambrani\r\nPublisher: Gallery Chemould</span>\r\n\r\n<span class=\"pubstrong\" style=\"color: #000000;\">PRESS</span>\r\n\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.wallpaper.com/art/zegnart-enlists-reena-kallat-to-create-a-site-specific-artwork-in-mumbai/6292\" target=\"_blank\">ZegnArt enlists Reena Kallat to create a site-specific artwork in Mumbai,</a> </span> <font color=\"red\">  >> </font> <span>\r\nJJ Martin, Wallpaper, 18th January 2013 \r\n</span>\r\n\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.timeoutmumbai.net/art/features/web-design\" target=\"_blank\">Web design</a> </span> <font color=\"red\">  >> </font> <span>\r\nKaranjeet Kaur,Timeout Magazine, pg 26-28, 15th March 2013\r\n</span>\r\n\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artribune.com/2013/03/una-ragnatela-fra-italia-e-india-inaugurata-a-mumbai-lopera-di-reena-kallat-per-il-progetto-zegnart-public-qui-ci-sono-immagini-video-e-intervista-allartista/\" target=\"_blank\">Arte pubblica a Mumbai. Intervista con Anna Zegna</a> </span> <font color=\"red\">  >> </font> <span>\r\nDaniele Perra, Art Tribune, 1st March 2013\r\n</span>\r\n\r\n\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://in.blouinartinfo.com/news/story/885613/reena-kallat-on-her-mammoth-1-ton-rubber-stamp-cobweb-at-the\" target=\"_blank\">Reena Kallat On Her Mammoth, 1-ton Rubber-Stamp Cobweb at the Bhau Daji Lad Museum, Mumbai</a> </span> <font color=\"red\">  >> </font> <span> \r\nRosalyn D\'Mello, Blouinart, April 1, 2013</span>\r\n\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.thehindu.com/features/magazine/putting-her-stamp-on-it/article4484175.ece\" target=\"_blank\">Putting her stamp on it</a> </span> <font color=\"red\">  >> </font> <span>\r\nRamya Sarma, The Hindu, 9th March 2013\r\n</span>\r\n\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.business-standard.com/article/beyond-business/stamp-over-mumbai-113030800509_1.html\" target=\"_blank\">Stamp over Mumbai</a> </span> <font color=\"red\">  >> </font> <span>\r\nKishore Singh, Business Standard, New Delhi  8th March 2013\r\n</span>\r\n\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.dnaindia.com/lifestyle/report_weaving-a-tangled-web_1806665\" target=\"_blank\">Weaving a tangled web</a> </span> <font color=\"red\">  >> </font> <span>\r\nDeepanjana Pal, DNA, 3rd March 2013\r\n</span>\r\n\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.dnaindia.com/lifestyle/report_web-of-history_1810815\" target=\"_blank\">Web of history </a> </span> <font color=\"red\">  >> </font> <span>\r\nSanaya Chavda, DNA, 13th March 2013\r\n</span>\r\n\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindustantimes.com/Entertainment/Art/Web-of-history-Reena-Kallat-s-installation/Article1-1027359.aspx\" target=\"_blank\">Web of history </a> </span> <font color=\"red\">  >> </font> <span>\r\nShweta Mehta, Hindustan Times, 16th March 2013\r\n</span>\r\n\r\n\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://blog.saffronart.com/2013/03/14/reena-kallats-untitled-cobwebscrossings/\" target=\"_blank\">Public Art installation by Reena Kallat at the Dr. Bhau Daji Lad Museum in Mumbai </a> </span> <font color=\"red\">  >> </font><span>\r\nManjari Sihare, Saffron blog,Posted on 14th March  2013\r\n</span>\r\n\r\n<span class=\"pubstrong\">Weaving into  networks, Buliding Cobwebs: Musings over Reena Saini Kallat’s recent work </span> <span>\r\nParni Ray, Take on Art/Eleven, pg 98, Volume lll\r\n</span>\r\n\r\n<span class=\"pubstrong\">Stamping ground </span><span>\r\nDeepanjana Pal, Wallpaper magazine, pg 193 – 194, May 2013\r\n</span>\r\n\r\n<span class=\"pubstrong\">Editorial</span><span>\r\nKaiwan Mehta, Domus, pg 5 – 10, April 2013\r\n</span>\r\n\r\n<span class=\"pubstrong\">Web Design</span> <span>\r\nChumki Bharadwaj, India Today, pg 45 – 46, April 2013\r\n</span>\r\n\r\n<span class=\"pubstrong\">Art Outside  </span> <span>\r\nPavitra Mohan, Architectural Digest, pg 98, March-April 2013\r\n</span>\r\n\r\n\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.indiaartndesign.com/2013/03/of-cobwebs-crossings.html\" target=\"_blank\">Of Cobwebs & Crossings </a> </span> <font color=\"red\">  >> </font> <span>\r\nJigna Padhiar, India Art & Design, 1st March 2013\r\n</span>\r\n\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://prestige-singapore.com.sg/2013/04/arts-raj\" target=\"_blank\">Art\'s the Raj</a> </span> <font color=\"red\">  >> </font> <span>\r\nDylan Boey, Prestige Singapore, 3rd April 2013 \r\n</span>\r\n\r\n\r\n<span class=\"pubstrong\">Adrift in unknown waters: Reena Saini Kallat and the Art of letting go</span><span>\r\nParni Ray,  Artfair Magazine, Issue-3, pg 48 – 51, 2012\r\n</span>\r\n\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.livemint.com/2012/02/02193324/Walking-the-art-talk-with-the.html\" target=\"_blank\">Walking the Art talk with the Kallats</a> </span> <font color=\"red\">  >> </font> <span>\r\nShobha Narayan, Live Mint, February 2012 \r\n</span>\r\n\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.tribuneindia.com/2012/20120219/spectrum/main2.htm\" target=\"_blank\">Spectrum New Visual Idiom</a> </span> <font color=\"red\">  >> </font> <span>\r\nThe Tribune, February 19, 2012  \r\n</span>\r\n\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artnewsnviews.com/view-article.php?article=g-teborg-international-biennial&iid=25&articleid=678\" target=\"_blank\">Goteborg International Biennial</a> </span> <font color=\"red\">  >> </font> <span>\r\nArt Etc, Vol.4, No. 2, 2011\r\n</span>\r\n\r\n<span class=\"pubstrong\">Helsinki taidemuseo.fi-Journal, </span> January 2011<span>\r\n</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://indiatoday.intoday.in/site/story/brush-with-reality/1/134582.html\">Brush With Reality </a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\nSumaiya Khan, India Today Woman, pg. 20-21, April 2011\r\n</span>\r\n\r\n<span class=\"pubstrong\">System overload </span><span>\r\nShweta Upadhyay, Timeout Delhi, March 2011\r\n</span>\r\n\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artslant.com/ind/articles/show/22573\" target=\"_blank\">Picking up the past</a> </span> <font color=\"red\">  >> </font> <span>\r\nParni Ray, www.artslant.com, 4th April 2011\r\n</span>\r\n\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.america.gov/st/peopleplace-english/2011/March/20110307133535drawoh0.7282221.html?CP.rss=true\">Art at “maximum INDIA” Festival Evokes Cultural Memory and Loss</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\nHoward Cincotta, www.america.gov, March 7, 2011\r\n</span>\r\n\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.signonsandiego.com/news/2011/mar/02/kennedy-center-opens-3-week-india-arts-festival/\">Kennedy Center opens 3-week India arts festival</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\nBrett Zongker, www.signonsnadiego.com, 2nd March 2011</span>\r\n\r\n<span class=\"pubstrong\">The Eye and the Mind: New Interventions in Contemporary Indian Art </span><span>\r\nRajeev Lochan, India Perspectives, Vol. 24, No. 6, 2010</span>\r\n\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artradarjournal.com/2010/04/20/indian-contemporary-artist-reena-kallat-art-radar-exclusive-interview/\">Interview, Art Radar Asia </a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span><span>\r\nApril 20, 2010</span>\r\n\r\n<span class=\"pubstrong\">The Archives of the Heart</span><span>\r\nNancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\nFront Cover, pgs 42-45, 2009</span>\r\n\r\n<span class=\"pubstrong\">Globale Kunst Mit Wurzelduft</span><span>\r\nVon Almuth Speigler, Die Presse, Feuilleton, 2nd September 2009</span>\r\n\r\n<span class=\"pubstrong\">Landscapes of Loss</span><span>\r\nBeth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009</span>\r\n\r\n<span class=\"pubstrong\">Reincarnating History</span><span>\r\nThe Big Picture, Architect and Interiors, July 2009</span>\r\n\r\n<span class=\"pubstrong\">Stamp Collection</span><span>\r\nGeorgina Maddox, The Sunday Express, 17th May 2009</span>\r\n\r\n<span class=\"pubstrong\">Evolving Beyond Borders</span><span>\r\nReshma S. Kulkarni, Bombay Times, Times of India, 15th January, 2009</span>\r\n\r\n<span class=\"pubstrong\">Loss and Found</span><span>\r\nMarina Correa, DNA, Mumbai, 22nd January 2009</span>\r\n\r\n<span class=\"pubstrong\">Focus India</span><span>\r\nMegha Ralapati, Flash Art, pg 114, January-February 2008</span>\r\n\r\n<span class=\"pubstrong\">Come Together Right Now</span><span>\r\nReema Gehi, HT Café, 15th February 2008</span>\r\n\r\n<span class=\"pubstrong\">Such a Long Journey</span><span>\r\nAparna S Sharma, Elle Magazine, pgs 115-117, February 2008</span>\r\n\r\n<span class=\"pubstrong\">More than a Woman</span><span>\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 4th February 2008</span>\r\n\r\n<span class=\"pubstrong\">Artist of the Fortnight</span><span>\r\nMaria Louis, Outlook Profit, pg 79, 18th April 2008</span>\r\n\r\n<span class=\"pubstrong\">Deja View</span><span>\r\nTara Khilachand, Live Mint, 20th December 2008</span>\r\n\r\n<span class=\"pubstrong\">Terror Struck</span><span>\r\nMaria Louis, Outlook Profit, 26th December 2008</span>\r\n\r\n<span class=\"pubstrong\">Name Calling</span><span>\r\nDeepanjana Pal, Timeout Mumbai, December 2008</span>\r\n\r\n<span class=\"pubstrong\">Corruptions of Power</span>\r\n<span>Shiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99, 2007</span>\r\n\r\n<span class=\"pubstrong\">Over the Rainbow</span><span>\r\nMaria Louis, Interview, Verve Magazine, pg 78, November 2006</span>\r\n\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindu.com/mag/2006/10/29/stories/2006102900070200.htm\">In a State of Perennial Siege</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span><span>\r\nNancy Adajania, The Hindu, Hyderabad, 29th October 2006</span>\r\n\r\n<span class=\"pubstrong\">Her Crowning Achievement</span><span>\r\nClara Chow, The Straits Times, 18th November 2006</span>\r\n\r\n<span class=\"pubstrong\">Political Chaos</span><span>\r\nDeepali Nandwani, Beautiful people, pg 143, November-December 2006</span>\r\n\r\n<span class=\"pubstrong\">Weapons of Mass Construction</span><span>\r\nRituparna Som, DNA after Hrs, Mumbai, 9th October, 2006</span>\r\n\r\n<span class=\"pubstrong\">Guns and Roses</span><span>\r\nRachna Nakra, The Indian Express, Mumbai Newsline, 18th September 2006</span>\r\n\r\n<span class=\"pubstrong\">Under Attack</span><span>\r\nGitanjali Dang, HT Mumbai, 22nd September 2006</span>\r\n\r\n<span class=\"pubstrong\">Time Traveller</span><span>\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 27th June 2006</span>\r\n\r\n<span class=\"pubstrong\">The Flower and the Sword</span><span>\r\nGirish Shahane, The Art News magazine of India, pg 93, volume X issue I, 2004</span>\r\n\r\n<span class=\"pubstrong\">India’s Top 100 Achievers</span><span>\r\nSociety Magazine, pg 137, December 2004</span>\r\n\r\n<span class=\"pubstrong\">Caught Between Demons<span style=\"font-weight: normal; color: red;\"></span></span><span>\r\nNancy Adajania, The Hindu, 19th December 2004</span>\r\n\r\n<span class=\"pubstrong\">En Reise Til India</span><span>\r\nHarald Flor, Dagbladet, Kultur, 2nd February 2003</span>\r\n\r\n<span class=\"pubstrong\">Signs of Resistance</span><span>\r\nNancy Adajania, The Hindu, 5th January 2003</span>\r\n\r\n<span class=\"pubstrong\">Of the Goddess and Demon in the Mind</span><span>\r\nDebbie Rodgers, Sunday edition Vijay Times, Bangalore, 5th January 2003</span>\r\n\r\n<span class=\"pubstrong\">Empathic Anger</span><span>\r\nMarta Jakimowicz, Deccan Herald, 23rd December 2002</span>\r\n\r\n<span class=\"pubstrong\">Mysore Ek Khoj</span>\r\nCross Fertilization of Culture, Interview in Star of Mysore, 27th October 2002\r\n\r\n<span class=\"pubstrong\">Linking Islands</span><span>\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 15th February 2002</span>\r\n\r\n<span class=\"pubstrong\">Creating to Destroy</span><span>\r\nJasmine Shah Varma, The List, Mid Day, 22nd February 2002</span>\r\n\r\n<span class=\"pubstrong\">Different Strokes</span><span>\r\nGeorgina L Maddox, The Indian Express, Mumbai Newsline, 24th July 2002</span>\r\n\r\n<span class=\"pubstrong\"><a target=\"_blank\" href =\"http://www.reenakallat.com/wp-content/uploads/2011/09/Faith%20and%20Hunger.pdf\" style=\"color: rgb(135, 135, 135);\">Of Faith and Hunger</a><font  style=\"font-weight:normal;\"   color=\"red\">  >> </font></span></span><span>\r\nAbhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89, December 2000</span>\r\n\r\n<span class=\"pubstrong\">The Murmur of Skin</span><span>\r\nNupur Mahajan, Bombay Times, Times of India, 12th October 2000</span>\r\n\r\n<span class=\"pubstrong\">Not just Skin Deep</span><span>\r\nJasmine Shah Varma, The List, Mid-day, 4th October 2000</span>\r\n\r\n<span class=\"pubstrong\">Inside Out</span><span>\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 11th October 2000</span>\r\n\r\n<span class=\"pubstrong\">Scintillating Skin</span><span>\r\nVaibhav Purandare, The Asian Age, 14th October 2000</span>\r\n\r\n<span class=\"pubstrong\">An Artist’s World: Roti, Makaan &amp; Abstract Art</span><span>\r\nPoonam Goel, HT City, 23rd December 2000</span>\r\n\r\n<span class=\"pubstrong\">Within you, Without you</span><span>\r\nAnu Kumar, Indian Express, Express Newsline, 2nd September 1998</span>\r\n\r\n<span class=\"pubstrong\">Farming Intrigue</span><span>\r\nJerry Pinto, The Times of India, Bombay Times, 3rd September 1998</span>\r\n\r\n<span class=\"pubstrong\">Interactive Medium</span><span>\r\nKaren Pereira, Indian Architect &amp; Builder, pgs 102-104, October 1998</span></td>\r\n</tr>\r\n</tbody>\r\n</table>','Publications','','inherit','open','open','','87-revision-217','','','2014-01-15 22:25:44','2014-01-15 22:25:44','',87,'http://www.reenakallat.com/3086/uncat/87-revision-217',0,'revision','',0),(3109,1,'2015-01-19 15:32:27','2015-01-19 15:32:27','f<table border=\"0\" cellspacing=\"5\" cellpadding=\"0\" width=\"100%\" align=\"centre\">\r\n    <tbody>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" width=\"21%\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td style=\"margin-left: 5px;\">\r\n                                <span class=\"pubstrong\">Reena Saini Kallat, </span> 2009<span>\r\n                                    Text: Nancy Adajania and Murtaza Vali\r\n                                    Publisher: Primo Marella Gallery, Walsh Gallery and Chemould Prescott Road\r\n                                    ISBN: 978-81-908879-1-5\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/reena-kallat\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Rainbow of Refuse, </span>2006<span>\r\n                                    Text: Nancy Adajania\r\n                                    Publisher: Bodhi Art Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/rainbow-of-refuse\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Black Flute (and other stories), </span>2005\r\n                                <span class=\"pubstrong\">Black Flute,</span> 2004<span>\r\n                                    Text: Nancy Adajania\r\n                                    Publisher: Gallery Chemould and Nature Morte Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/black-flute\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">The Battlefield is the Mind, </span>2002<span>\r\n                                    Text: Nancy Adajania\r\n                                    Publisher: Sakshi Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/battlefield-of-mind\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table cellspacing=\"0\" cellpadding=\"0\" width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Skin, </span>2000<span>\r\n                                    Interview with Jitish Kallat\r\n                                    Publisher: Gallery Chemould and Vis-à-vis Art Inc. Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr></tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Orchard of home-grown secrets, </span>1998<span>\r\n                                    Text: Ranjit Hoskote\r\n                                    Publisher: Gallery Chemould and Pundole Art Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/orchard-pub\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td colspan=\"2\"></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n            <td>\r\n                <!-- Start of Other Publications -->\r\n\r\n                <span class=\"pubstrong\">Nature Morte, 2013</span><span>\r\n                    Text: Michael Petry\r\n                    Publisher: Thames & Hudson\r\n                    ISBN: 9780500239063\r\n\r\n\r\n\r\n            <span class=\"pubstrong\">Haein Art Project, 2013</span><span>\r\n                Text:  Kim Jiyon, Leandre D’souza and Claudio Maffioletti\r\n                Publisher: Ven.Sun-Hae (Abbot of Haeinsa Temple)\r\n                ISBN: 979 1195142309 90620\r\n\r\n\r\n                <span class=\"pubstrong\">NO-MAD-NESS IN NO MAN’S LAND, 2013</span><span>\r\n                    Text:  interview by Ombretta Agro Andruff and Leeza Ahmady with Casey Amy Fan\r\n                    Publisher: The Eslite Corp.\r\n                    ISBN: 978-986-89759-7-2\r\n\r\n                    <span class=\"pubstrong\">India Side by Side, 2012</span><span>\r\n                        Text: Cibele Aldrovandi, Deepak Ananth, Flavia Galli Tatsch, Kapila Vatsyayan, Laura Cury, Rahaab Allana, Tereza de Arruda\r\n                        Publisher: The Brazilian Ministry of Culture and Banco do Brasil\r\n                        ISBN: 978-85-64170-01-8\r\n\r\n                        <span class=\"pubstrong\">India : Art Now, 2012 </span><span>\r\n                            Text: Stine Hoholt, Ranjit Hoskote, Zehra Jumabhoy\r\n                            Publisher: Hatje Cantz\r\n                        </span>ISBN: 978-3-7757-3411-0\r\n\r\n                        <span class=\"pubstrong\">Undervaeker – Wonders, </span>2012<span>\r\n                            Texts by Gitte Orskou, Af Theis Vallo Madsen, Jeanett Stampe\r\n                            Publisher: KUNSTEN - Museum of Modern Art Aalborg\r\n                        </span>ISBN: 978-87-88307-72-6\r\n\r\n                        <span class=\"pubstrong\">n.paradoxa: international feminist art journal, volume 30, </span>2012<span>\r\n                            Text: interview with Veeranganakumari Solanki\r\n                            Publisher: KT press\r\n                        </span>ISBN: 1461- 0434\r\n\r\n                        <span class=\"pubstrong\">The Skoda Prize Twenty, </span>2011-2012<span>\r\n                            Text: Zeenat Nagree\r\n                            Publisher: Popular Prakashan\r\n                        </span>ISBN: 978-81-7991-681-0\r\n\r\n                        <span class=\"pubstrong\">Pandemonium: Art in a time of creativity fever, </span>2011<span>\r\n                            Text: interview with Stina Edblom\r\n                            Publisher: Göteborg International Biennial for Contemporary Art\r\n                        </span>ISBN: 978-91-633-9363-1\r\n                        <span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/pandemonium\">read interview</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span>\r\n\r\n                        <span class=\"pubstrong\">The Indian Renaissance, </span>2011<span>\r\n                            Text: Antonio Stellatelli, Romano Ravasio and Marina Pizziolo\r\n\r\n                            <span class=\"pubstrong\">Vancouver Biennale, </span>2009-2011<span>\r\n                                Text: Vancouver International Sculpture Biennale\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Maximum India, </span>2011<span>\r\n                                Publisher: The John F. Kennedy Center for the Performing Arts, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Never Run Away, </span>2010<span>\r\n                                Text: Shaheen Merali\r\n                                Publisher: Stux Gallery\r\n                            </span>\r\n                            <span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/never-run-away\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span>\r\n\r\n                            <span class=\"pubstrong\">Urban Manners 2, </span>2010<span>\r\n                                Text: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\n                                Publisher: SESC Pompeia, Sao Paulo\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Empire Strikes Back, </span>2010<span>\r\n                                Text: Zehra Jumabhoy\r\n                                Publisher: Saatchi Gallery\r\n                                ISBN: 9780224089494\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The River Project, </span>2010<span>\r\n                                Publisher: Campbelltown Arts Centre\r\n                                ISBN: 9781875199761\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Asian Art Now, </span>2010<span>\r\n                                Text: Melissa Chiu and Benjamin Genocchio\r\n                                Publisher: Monacelli Press\r\n                                ISBN: 978-1-58093-298-1 (1-58093-298-3)\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Roundabout, </span>2010<span>\r\n                                Publisher: Art Asia Pacific Publishing\r\n                                ISBN: 978-0984562510\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Khoj Book, </span>2010<span>\r\n                                Interview with Shilpa Gupta\r\n                                Publisher: HarperCollins\r\n                                ISBN: 9788172236878\r\n                            </span>\r\n                            <span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/khoj-book\">read interview</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span>\r\n\r\n                            <span class=\"pubstrong\">5 Bienal Ventosul, </span>2009<span>\r\n                                Publisher: Instituto Paranaense de Arte\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Viewpoints &amp; Viewings Points- Asian Art Biennale, </span>2009<span>\r\n                                Text: Chao-yi-Tsai\r\n                                Publisher: National Taiwan Museum of fine Arts\r\n                                ISBN: 978-986-02-0269-4\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Xianzai: Contemporary Indian Art, </span>2009<span>\r\n                                Text: Jitish Kallat, Diana Freundl, Alexander Keefe\r\n                                Publisher: Museum of Contemporary Art\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2009<span>\r\n                                Text: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki,\r\n                                Miho Tagomori\r\n                                Publisher: Prestel, National Museum of Contemporary Art and Essl Museum\r\n                                ISBN: 978-3-7913-4304-4\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2008<span>\r\n                                Text: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman\r\n                                Gopinath, Jayaram, Deepak Ananth\r\n                                Publisher: Mori Art Museum\r\n                                ISBN: 978-4-902819-21-2\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Moderna, </span>2008<span>\r\n                                Text: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur,\r\n                                R. Siva Kumar, K.G. Subramanyan\r\n                                Publisher: IVAM (Institute Valencia D’Art Modern)\r\n                                ISBN: 978-84-482-5104-8\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Everywhere is War (and rumours of it),</span>2008<span>\r\n                                Text: Kai Hafez, Martin Hager, Nicholas Mirzoeff, Daniel Miller,\r\n                                Bregje van Eekelen\r\n                                Publisher: Bodhi Art Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Three Points of Views, </span>2008<span>\r\n                                Text: Grant Watson\r\n                                Publisher: Galerie Mirchandani + Steinruecke\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">New Narratives: Contemporary Art from India, </span>2008<span>\r\n                                Text: Betty Seid with contributions by Johan Pijnappel\r\n                                Publisher: Mapin Publication in association with Chicago Cultural Center\r\n                                ISBN: 978-1-890206-08-6\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Made by Indians, </span>2007<span>\r\n                                Text: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\n                                Publisher: Galerie Enrico Navarra\r\n                                ISBN: 2-911596-37-4\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Thermocline of Art: New Asian Waves, </span>2007<span>\r\n                                Text:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong\r\n                                Publisher: Hatje Cantz Vertag\r\n                                ISBN: 978-3-7757-2073-1\r\n                                EAN: 9782911596377\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Indian Colour, </span>2007<span>\r\n                                Text: Peter Nagy\r\n                                Publisher: Dal- seung Hwang, Keumsan Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Arte Oggi, </span>2007<span>\r\n                                Text:  Daniela Palazzoli\r\n                                Publisher: Spazio Oberdan\r\n                                ISBN: 978-88-202-1867-6\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Urban Manners, </span>2007<span>\r\n                                Text: Adelina Von Furstenberg and Nancy Adajania\r\n                                Publisher: Hangar Bicocca\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">International Incheon Women Artists’ Biennale,</span>\r\n                            <span class=\"pubstrong\">Knocking on the Door, </span>2007<span>\r\n                                Text: Sung Hee Kim, John C. Welchman\r\n                                Publisher: Incheon Culture and Art Centre\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Soft Power: Asian Attitude, </span>2007<span>\r\n                                Text: Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\n                                Publisher: Shanghai Zendai Mumsem of Modern Art\r\n                                ISBN: 978-7-5356-2790-2\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Express- Art and Popular Culture, </span>2006<span>\r\n                                Text: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze\r\n                                Publisher: Helsinki City Art Museum\r\n                                ISBN: 951-8965-61-7\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Bombay L’album Maximum City, </span>2006<span>\r\n                                Text: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\n                                Publisher: Terrail, Lille 3000\r\n                                ISBN: 2-87939-325-6\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Indian Paintings of the New Millennium, </span>2005<span>\r\n                                Text: Helen Asquine  Fazio, Gayatri Sinha\r\n                                Publisher: Quick Arts Center, Fairfield University\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">A Guide to 101 Modern &amp; Contemporary Indian Artists, </span>2005<span>\r\n                                Text: Amrita Jhaveri\r\n                                Publisher: India Book House\r\n                                ISBN: 81-7508-423-5\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Zoom! Art in Contemporary India, </span>2004<span>\r\n                                Texts: Luis Serpa and Nancy Adajania\r\n                                Publisher: The Culturgest Museum\r\n                                ISBN: 972-769-033-5\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Interlude in Sri Lanka, </span>2004<span>\r\n                                Text: Ranjit Hoskote and Nancy Adajania\r\n                                Publisher: The Guild Art Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Generation I, </span>2004<span>\r\n                                Text: Zehra Jumabhoy\r\n                                Publisher: Saffronart &amp; The Guild Art Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Tiranga Rights and Reponsibilities, </span>2003<span>\r\n                                Text: Peter Nagy\r\n                                Publisher: Jindal Foundation &amp; Creative Arts\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Hard Copy, </span>2003<span>\r\n                                Text: Peter Nagy\r\n                                Publisher: Galerie 88\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Crossing Generations: diVERGE, </span>2003<span>\r\n                                Text: Geeta Kapoor and Chaitanya Sambrani\r\n                                Publisher: Gallery Chemould\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\" style=\"color: #000000;\">PRESS</span>\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artasiapacific.com/Magazine/WebExclusives/FloatingWorldAestheticBind\" target=\"_blank\">Aesthetic Bind Floating World</a> </span> <font color=\"red\">  >> </font> <span>\r\n                              Gitanjali Dang, ArtAsiaPacific, April 2014                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.timeoutmumbai.net/art/features/suspense\" target=\"_blank\">In Suspense </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Phalguni Desai , Timeout Mumbai,  March  2014\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artdaily.com/news/68958/Chemould-Prescott-Road-celebrates-fifty-years-of-contemporary-art-with-Aesthetic-Bind--Floating-World#.Uz5us_mSxVk\" target=\"_blank\">Chemould Prescott Road celebrates fifty years of contemporary art with Aesthetic Bind: Floating World </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Geeta Kapur, Art Daily, 24th March 2014\r\n                            </span>\r\n                                                        <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.wallpaper.com/art/zegnart-enlists-reena-kallat-to-create-a-site-specific-artwork-in-mumbai/6292\" target=\"_blank\">ZegnArt enlists Reena Kallat to create a site-specific artwork in Mumbai,</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                JJ Martin, Wallpaper, 18th January 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.timeoutmumbai.net/art/features/web-design\" target=\"_blank\">Web design</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Karanjeet Kaur,Timeout Magazine, pg 26-28, 15th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artribune.com/2013/03/una-ragnatela-fra-italia-e-india-inaugurata-a-mumbai-lopera-di-reena-kallat-per-il-progetto-zegnart-public-qui-ci-sono-immagini-video-e-intervista-allartista/\" target=\"_blank\">Arte pubblica a Mumbai. Intervista con Anna Zegna</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Daniele Perra, Art Tribune, 1st March 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://in.blouinartinfo.com/news/story/885613/reena-kallat-on-her-mammoth-1-ton-rubber-stamp-cobweb-at-the\" target=\"_blank\">Reena Kallat On Her Mammoth, 1-ton Rubber-Stamp Cobweb at the Bhau Daji Lad Museum, Mumbai</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Rosalyn D\'Mello, Blouinart, April 1, 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.thehindu.com/features/magazine/putting-her-stamp-on-it/article4484175.ece\" target=\"_blank\">Putting her stamp on it</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Ramya Sarma, The Hindu, 9th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.business-standard.com/article/beyond-business/stamp-over-mumbai-113030800509_1.html\" target=\"_blank\">Stamp over Mumbai</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Kishore Singh, Business Standard, New Delhi  8th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.dnaindia.com/lifestyle/report_weaving-a-tangled-web_1806665\" target=\"_blank\">Weaving a tangled web</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Deepanjana Pal, DNA, 3rd March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.dnaindia.com/lifestyle/report_web-of-history_1810815\" target=\"_blank\">Web of history </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Sanaya Chavda, DNA, 13th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindustantimes.com/Entertainment/Art/Web-of-history-Reena-Kallat-s-installation/Article1-1027359.aspx\" target=\"_blank\">Web of history </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Shweta Mehta, Hindustan Times, 16th March 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://blog.saffronart.com/2013/03/14/reena-kallats-untitled-cobwebscrossings/\" target=\"_blank\">Public Art installation by Reena Kallat at the Dr. Bhau Daji Lad Museum in Mumbai </a> </span> <font color=\"red\">  >> </font><span>\r\n                                Manjari Sihare, Saffron blog,Posted on 14th March  2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Weaving into  networks, Buliding Cobwebs: Musings over Reena Saini Kallat’s recent work </span> <span>\r\n                                Parni Ray, Take on Art/Eleven, pg 98, Volume lll\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Stamping ground </span><span>\r\n                                Deepanjana Pal, Wallpaper magazine, pg 193 – 194, May 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Editorial</span><span>\r\n                                Kaiwan Mehta, Domus, pg 5 – 10, April 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Web Design</span> <span>\r\n                                Chumki Bharadwaj, India Today, pg 45 – 46, April 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Art Outside  </span> <span>\r\n                                Pavitra Mohan, Architectural Digest, pg 98, March-April 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://inditerrain.indiaartndesign.com/2013/03/of-cobwebs-crossings.html\" target=\"_blank\">Of Cobwebs & Crossings </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Jigna Padhiar, India Art & Design, 1st March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://prestige-singapore.com.sg/2013/04/arts-raj\" target=\"_blank\">Art\'s the Raj</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Dylan Boey, Prestige Singapore, 3rd April 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\">Adrift in unknown waters: Reena Saini Kallat and the Art of letting go</span><span>\r\n                                Parni Ray,  Artfair Magazine, Issue-3, pg 48 – 51, 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://shobanarayan.com/2012/02/04/about-jitish-kallat-and-reena-saini-kallat/\" target=\"_blank\">Walking the Art talk with the Kallats</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Shobha Narayan, Live Mint, February 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.tribuneindia.com/2012/20120219/spectrum/main2.htm\" target=\"_blank\">Spectrum New Visual Idiom</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                The Tribune, February 19, 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artnewsnviews.com/view-article.php?article=g-teborg-international-biennial&iid=25&articleid=678\" target=\"_blank\">Goteborg International Biennial</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Art Etc, Vol.4, No. 2, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Helsinki taidemuseo.fi-Journal, </span> January 2011<span>\r\n                            </span>\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://indiatoday.intoday.in/site/story/brush-with-reality/1/134582.html\">Brush With Reality </a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Sumaiya Khan, India Today Woman, pg. 20-21, April 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">System overload </span><span>\r\n                                Shweta Upadhyay, Timeout Delhi, March 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artslant.com/ind/articles/show/22573\" target=\"_blank\">Picking up the past</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Parni Ray, www.artslant.com, 4th April 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://iipdigital.usembassy.gov/st/english/article/2011/03/20110307133535drawoh0.7282221.html#axzz34yECziHk\">Art at “maximum INDIA” Festival Evokes Cultural Memory and Loss</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Howard Cincotta, www.america.gov, March 7, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.signonsandiego.com/news/2011/mar/02/kennedy-center-opens-3-week-india-arts-festival/\">Kennedy Center opens 3-week India arts festival</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Brett Zongker, www.signonsnadiego.com, 2nd March 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Eye and the Mind: New Interventions in Contemporary Indian Art </span><span>\r\n                                Rajeev Lochan, India Perspectives, Vol. 24, No. 6, 2010\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artradarjournal.com/2010/04/20/indian-contemporary-artist-reena-kallat-art-radar-exclusive-interview/\">Interview, Art Radar Asia </a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span><span>\r\n                                April 20, 2010\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Archives of the Heart</span><span>\r\n                                Nancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\n                                Front Cover, pgs 42-45, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Globale Kunst Mit Wurzelduft</span><span>\r\n                                Von Almuth Speigler, Die Presse, Feuilleton, 2nd September 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Landscapes of Loss</span><span>\r\n                                Beth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Reincarnating History</span><span>\r\n                                The Big Picture, Architect and Interiors, July 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Stamp Collection</span><span>\r\n                                Georgina Maddox, The Sunday Express, 17th May 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Evolving Beyond Borders</span><span>\r\n                                Reshma S. Kulkarni, Bombay Times, Times of India, 15th January, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Loss and Found</span><span>\r\n                                Marina Correa, DNA, Mumbai, 22nd January 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Focus India</span><span>\r\n                                Megha Ralapati, Flash Art, pg 114, January-February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Come Together Right Now</span><span>\r\n                                Reema Gehi, HT Café, 15th February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Such a Long Journey</span><span>\r\n                                Aparna S Sharma, Elle Magazine, pgs 115-117, February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">More than a Woman</span><span>\r\n                                Georgina Maddox, The Indian Express, Mumbai Newsline, 4th February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Artist of the Fortnight</span><span>\r\n                                Maria Louis, Outlook Profit, pg 79, 18th April 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Deja View</span><span>\r\n                                Tara Khilachand, Live Mint, 20th December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Terror Struck</span><span>\r\n                                Maria Louis, Outlook Profit, 26th December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Name Calling</span><span>\r\n                                Deepanjana Pal, Timeout Mumbai, December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Corruptions of Power</span>\r\n                            <span>Shiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99, 2007</span>\r\n\r\n                            <span class=\"pubstrong\">Over the Rainbow</span><span>\r\n                                Maria Louis, Interview, Verve Magazine, pg 78, November 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindu.com/mag/2006/10/29/stories/2006102900070200.htm\">In a State of Perennial Siege</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span><span>\r\n                                Nancy Adajania, The Hindu, Hyderabad, 29th October 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Her Crowning Achievement</span><span>\r\n                                Clara Chow, The Straits Times, 18th November 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Political Chaos</span><span>\r\n                                Deepali Nandwani, Beautiful people, pg 143, November-December 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Weapons of Mass Construction</span><span>\r\n                                Rituparna Som, DNA after Hrs, Mumbai, 9th October, 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Guns and Roses</span><span>\r\n                                Rachna Nakra, The Indian Express, Mumbai Newsline, 18th September 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Under Attack</span><span>\r\n                                Gitanjali Dang, HT Mumbai, 22nd September 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Time Traveller</span><span>\r\n                                Georgina Maddox, The Indian Express, Mumbai Newsline, 27th June 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Flower and the Sword</span><span>\r\n                                Girish Shahane, The Art News magazine of India, pg 93, volume X issue I, 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India’s Top 100 Achievers</span><span>\r\n                                Society Magazine, pg 137, December 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Caught Between Demons<span style=\"font-weight: normal; color: red;\"></span></span><span>\r\n                                Nancy Adajania, The Hindu, 19th December 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">En Reise Til India</span><span>\r\n                                Harald Flor, Dagbladet, Kultur, 2nd February 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Signs of Resistance</span><span>\r\n                                Nancy Adajania, The Hindu, 5th January 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Of the Goddess and Demon in the Mind</span><span>\r\n                                Debbie Rodgers, Sunday edition Vijay Times, Bangalore, 5th January 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Empathic Anger</span><span>\r\n                                Marta Jakimowicz, Deccan Herald, 23rd December 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Mysore Ek Khoj</span>\r\n                            Cross Fertilization of Culture, Interview in Star of Mysore, 27th October 2002\r\n\r\n                            <span class=\"pubstrong\">Linking Islands</span><span>\r\n                                Menaka Jayasankar, Indian Express, Mumbai Newsline, 15th February 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Creating to Destroy</span><span>\r\n                                Jasmine Shah Varma, The List, Mid Day, 22nd February 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Different Strokes</span><span>\r\n                                Georgina L Maddox, The Indian Express, Mumbai Newsline, 24th July 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a target=\"_blank\" href=\"http://www.reenakallat.com/wp-content/uploads/2011/09/Faith%20and%20Hunger.pdf\" style=\"color: rgb(135, 135, 135);\">Of Faith and Hunger</a><font style=\"font-weight:normal;\" color=\"red\">  >> </font></span>\r\n                        <span>Abhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89, December 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">The Murmur of Skin</span><span>\r\n                            Nupur Mahajan, Bombay Times, Times of India, 12th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Not just Skin Deep</span><span>\r\n                            Jasmine Shah Varma, The List, Mid-day, 4th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Inside Out</span><span>\r\n                            Menaka Jayasankar, Indian Express, Mumbai Newsline, 11th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Scintillating Skin</span><span>\r\n                            Vaibhav Purandare, The Asian Age, 14th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">An Artist’s World: Roti, Makaan &amp; Abstract Art</span><span>\r\n                            Poonam Goel, HT City, 23rd December 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Within you, Without you</span><span>\r\n                            Anu Kumar, Indian Express, Express Newsline, 2nd September 1998\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Farming Intrigue</span><span>\r\n                            Jerry Pinto, The Times of India, Bombay Times, 3rd September 1998\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Interactive Medium</span><span>\r\n                            Karen Pereira, Indian Architect &amp; Builder, pgs 102-104, October 1998\r\n                        </span>\r\n</td>\r\n        </tr>\r\n    </tbody>\r\n</table>','Publications','','inherit','open','open','','87-revision-227','','','2015-01-19 15:32:27','2015-01-19 15:32:27','',87,'http://www.reenakallat.com/3109/uncat/87-revision-227',0,'revision','',0),(3087,1,'2014-05-20 15:59:51','2014-05-20 15:59:51','Reena Saini Kallat (b. 1973, Delhi, India) graduated from Sir J.J. School of Art, Mumbai in 1996 with a B.F.A. in painting. Her practice - spanning painting, photography, video, sculpture and installation, often incorporates multiple mediums into a single work. She frequently works with officially recorded or registered names of people, objects, and monuments that are lost or have disappeared without a trace, only to get listed as anonymous and forgotten statistics. One of the recurrent motifs in her work is the rubber stamp, used as an object and an imprint, signifying the bureaucratic apparatus, which both confirms and obscures identities.\r\n\r\nHer work has been widely exhibited across the world in venues such as Mori Art Museum, Tokyo; Kennedy Centre, Washington; Saatchi Gallery, London; SESC Pompeia and SESC Belenzino in Sao Paulo; Goteborgs Konsthall, Sweden; Helsinki City Art Museum, Finland; National Taiwan Museum of Fine Arts; Tel Aviv Museum of Art, Israel; National Museum of Contemporary Art, Seoul; Henie OnstadKunstsenter, Oslo; Casa Asia, Madrid and Barcelona; ZKM Karlsruhe in Germany; Campbelltown Arts Centre, Sydney; Hangar Bicocca, Milan; Museum of Contemporary Art, Shanghai; IVAM Museum, Spain; Busan MOMA; Kulturhuset, Stockholm; Chicago Cultural Centre amongst many others and she has participated in a number of workshops and residencies. She lives and works in Mumbai.\r\n<table>\r\n    <tbody>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td colspan=\"2\"><strong><span style=\"color: #888888;\">SOLO EXHIBITIONS</span></strong></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2014</td>\r\n            <td>Anatomy of forking paths, Art Houz, during Art Chennai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2013</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.zegnart.com/diary/public\" target=\"_blank\">ZegnArt Public project with Dr. Bhaudaji Lad Museum, Mumbai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2011</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.naturemorte.com/exhibitions/2011-03-08_reena-saini-kallat/\" target=\"_blank\">Labyrinth of Absences, Nature Morte, New Delhi</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2009</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.primomarellagallery.com/it/catalogue/scheda.asp?id=568&amp;view=past\" target=\"_blank\">Drift, Primo Marella Gallery, Milan</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2008</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2008/reena_bio.html\" target=\"_blank\"> Silt of Seasons, Chemould   Prescott Road, Mumbai <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2008</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.walshgallery.com/reena-kallat-exhibition-2008/\" target=\"_blank\">Subject to Change without Notice, Walsh Gallery, Chicago</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2006</td>\r\n            <td>Rainbow Of Refuse, Bodhi Art Gallery, Mumbai and Singapore</td>\r\n            <td><em> </em></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2005</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.naturemorte.com/artists/reena-saini-kallat/selected-works/\" target=\"_blank\">Black Flute (And Other Stories), Nature Morte, New Delhi</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2004</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2004/reena_saini_kallat_note.html\" target=\"_blank\">Black Flute, Gallery Chemould, Mumbai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2002</td>\r\n            <td>The Battlefield Is The Mind, Sakshi Gallery, Bangalore</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2002</td>\r\n            <td>Seven Faces of Dust, Chicago Radio, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2000</td>\r\n            <td>Skin, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">1998</td>\r\n            <td>Orchard of Home-grown Secrets, Gallery Chemould and Pundole  Art Gallery, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td colspan=\"2\"><span style=\"color: #888888;\"><strong>SELECTED GROUP EXHIBITIONS</strong></span></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2014</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions-works/aesthetic%20bind-cabinet%20closet%20wunderkammer/Reena-Saini-Kallat-50-years-chemould-gallery-prescott-road-mumbai-contemporary-2014.html\" target=\"_blank\">Aesthetic Bind: Floating World, Chemould Prescott Road, Mumbai<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2014</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.sahmatnews.blogspot.in/2014/02/forms-of-activism-24th-feb-to-1st-march.html\" target=\"_blank\">Forms of Activism, exhibition marking 25 years of SAHMAT at the Lalit Kala Akademi galleries, Rabindra bhavan, New Delhi <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2014</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.artoxygen.org/wp-content/uploads/2014/140218_Program_isthereloveinthisair2014.pdf\" target=\"_blank\">Encounters 2014 - Is there love in the air?, Public project with Art Oxygen in Mumbai<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2013</td>\r\n            <td><a class=\"linkbio\" href=\"http://eslitegallery.tumblr.com/post/65981256422/reena-saini-kallat\" target=\"_blank\">No-Mad-Ness in No-Man\'s Land, Eslite Gallery, Taipei <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2013</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.artoxygen.org/?p=1858\" target=\"_blank\">Haein Art Project, Haeinsa Temple, Korea <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2013</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.collabo-x.com/cheongju-international-craft-biennale-2013-청주첨단문화산업단지/\" target=\"_blank\"> \"Something Old and Something New\", Cheongju International Craft Biennale, Korea<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2013</td>\r\n            <td><a class=\"linkbio\" href=\"http://mohileparikhcenter.org/site/?q=node/647\" target=\"_blank\">Partner a Master Exhibition, Artist/Mentor Programme, Premchand Roychand Gallery, Chhatrapati Shivaji Maharaj Vastu Sangrahalaya (CSMVS), Mumbai <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2013</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.paletteartgallery.com/exhibition/past/works/details/5120\" target=\"_blank\">Spell of Spill: Utopia of Ecology, Palette Art Gallery, Delhi <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2013</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.satellite.org.au/docs/encounters-powerPLAY_press_release.pdf \" target=\"_blank\">EN(counters): POWERplay, along Mumbai’s waterfronts, gardens and historic sites<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2013</td>\r\n            <td>JJ’s 90s - The Time of Change, Sir J.J. School of Art, Mumbai  </td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2012</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.arken.dk/content/us/art/exhibitions/india_art_now/the_intimate_sphere\" target=\"_blank\">India Today, ARKEN Museum of Modern Art, Copenhagen, Denmark <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2012</td>\r\n            <td>The Indian Parallax or the Doubling of Happiness, Birla Academy of Art and Culture, Kolkata</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2012</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.kunsten.dk/Default.aspx?ID=4378\" target=\"_blank\">WONDERS – Masterpieces from Private Collections, Denmark <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2012</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.bb.com.br/docs/pub/inst/dwn/CatalogoIndia.pdf\" target=\"_blank\">India side by side, Centro Cultural Banco do Brasil, Brasilia <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2012</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.eigen-art.com/lab/index.php?article_id=804&clang=1\" target=\"_blank\">Group show, Eigen + Art Lab, Berlin<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2012</td>\r\n            <td>India Side by Side,SESC Belenzino, Sao Paulo, Brazil</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2012</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.punkto.no/voices-from-pandemonium.5006429-249860.html\" target=\"_blank\">Stemmer fra Pandemonium, Punkt-Galleri F 15, Moss, Norway <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2012</td>\r\n            <td>To Let the World In: Narrative and Beyond in Contemporary Indian Art, Lalit Kala Regional Centre, Chennai, India</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2012</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.exhibit320.com/exhibitionShow/EXH00014/\" target=\"_blank\">The Contemporary Sultanate, the Sunrydge, New Delhi <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2012</td>\r\n            <td>Kalaghoda Art Festival, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2012</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.theskodaprize.com/2012/longlist.php?id=1#.ULxBLWDrbJw\" target=\"_blank\">The Skoda Prize Exhibition, Lalit Kala Academy, New Delhi<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2011</td>\r\n            <td>India Side by Side, Centro Cultural Banco do Brasil, Rio De Janeiro</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2011</td>\r\n            <td>Giant Elephant : Contemporary Art from India, H Cube Gallery, Seoul</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2011</td>\r\n            <td>Roundabout, Tel Aviv Museum of Art, Israel<span style=\"color: red;\"> </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2011</td>\r\n            <td><a class=\"linkbio\" href=\"http://goteborg.biennal.org/en/the-biennial-2011/artists/\" target=\"_blank\">Goteborg International Biennale for Contemporary Art, curated by Sarat Maharaj, Göteborgs Konsthall and Bohuslans Konsthall, Uddevalla, Sweden <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2011</td>\r\n            <td>Right to Dissent, Clark House, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2011</td>\r\n            <td>RED, Palette Art Gallery, Delhi</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2011</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.kennedy-center.org/events/?event=ZLINB\" target=\"_blank\">Maximum India, The Kennedy Centre, Washington</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2011</td>\r\n            <td>Of Gods and Goddesses, Cinema, Cricket - The New cultural Icons of India, Jehangir Art Gallery, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2011</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.hel.fi/hki/taimu/en/art+museum+tennis+palace/past+exhibitions/2011/concurrent+india\" target=\"_blank\">Samtidigt, Helsinki City Art Museum, Finland<span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2011</td>\r\n            <td>Iconoclasts and Iconodules, curated by Ombretta Argo, Religare Art Gallery, New  Delhi</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2011</td>\r\n            <td><a class=\"linkbio\" href=\"http://vancouverbiennale.com/sculptures_page.php?sculptureID=36\" target=\"_blank\">The Vancouver International Sculpture Biennale, Surrey Art Gallery, Canada<span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2011</td>\r\n            <td>The Intuitive: Logic Revisted, from the Osians Collection at The World Economic Forum, Davos, Switzerland</td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2010</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/current/La_Route_De_La_Soie.htm\" target=\"_blank\">La Route de la Soie / The Silk Road, Lille 3000, France </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2010</td>\r\n            <td><a class=\"linkbio\" href=\"http://kulturhuset.stockholm.se/\" target=\"_blank\">Samtidigt, Kulterhuset, Stockholm</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2010</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.campbelltown.nsw.gov.au/Exhibitions\" target=\"_blank\">The River Project, Campbelltown Art Centre, Sydney</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2010</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.tamuseum.com/about-the-exhibition/roundabout-face-to-face\" target=\"_blank\">Roundabout, City Gallery Wellington, New Zealand</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2010</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.walshgallery.com/water-ways/\" target=\"_blank\">Waterways, Walsh Gallery, Chicago</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2010</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.richmondartgallery.org/in-transition.php\" target=\"_blank\">In Transition: New Art from India, Richmond Art Gallery Vancouver Biennale, Vancouver</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2010</td>\r\n            <td><a class=\"linkbio\" href=\"http://www2.webster.edu/news/releases/bringmealion_0910113.shtml\" target=\"_blank\">Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster University, curated by Jeffrey Hughes and Dana Turkovic, Cecile R. Hunt  Gallery, St. Louis, Missouri</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2010</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/www/pastExhibitions\" target=\"_blank\">Never Run Away, 2 person exhibition curated by Shaheen Merali, Stux Gallery, New York</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2010</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/artists/reena_kallat.htm?section_name=new_india\" target=\"_blank\">The Empire Strikes Back, Saatchi Gallery, London</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2010</td>\r\n            <td><a class=\"linkbio\" href=\"http://art-for-the-world.blogspot.com/2010/01/some-installation-views-of-urban.html\" target=\"_blank\">Urban Manners 2, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao Paulo, Brazil</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2009</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.asianartbiennial.org/2009/en/index_en.html\" target=\"_blank\">View Points and Viewing points - 2009 Asian Art Biennale, National Taiwan Museum of Fine Arts </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2009</td>\r\n            <td>Spectrum: Indian Art at Abu   Dhabi, United   Arab Emirates</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2009</td>\r\n            <td>Milan Galleria, curated by Georgio Verzotti, Triennale Museum, Milan</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2009</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.initialaccess.co.uk/exh/73/11/passage-to-india-part-ii/reena-saini-kallat\" target=\"_blank\">Passage to India Part II show at Initial Access, Frank Cohen Collection, Wolverhampton, UK</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2009</td>\r\n            <td>Ventosul Biennale, Curitiba, Brazil</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2009</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.mori.art.museum/english/contents/india/index.html\" target=\"_blank\"> Chalo! India: A New Era of Indian Art, National  Museum of Contemporary Art, Korea and Essl Museum, Vienna</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2009</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.mocashanghai.org/index.php?_function=exhibition&amp;_subFunction=pastExhibition&amp;exhibition_id=40&amp;_view=detail\" target=\"_blank\">INDIA XIANZAI: Contemporary Indian Art, Museum of Contemporary Art, Shanghai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2009</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/42/622\" target=\"_blank\">Low Blow: And Other Species of Confusion, Stux gallery, New York</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2009</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.casaasia.eu/actividad/detalle?id=13195\" target=\"_blank\"><em> </em>Indian Narratives in the 21<sup>st</sup> Century: Between Memory and History,Casa  Asia, Madrid and Barcelona, Spain<span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2009</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.walshgallery.com/body-chatter-an-exhibition-of-contemporary-indian-art-2008/\" target=\"_blank\">Body Chatter, Walsh Gallery, Chicago</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2008</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.mori.art.museum/contents/press/india_20081121_e.pdf\" target=\"_blank\">Chalo! India: A New Era of Indian Art, Mori Art   Museum, Japan</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2008</td>\r\n            <td>India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM Museum, Valencia, Spain </td>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2008</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.aaa.org.hk/onlineprojects/bitri/en/gallery.aspx?eid=A080.03\" target=\"_blank\">3<sup>rd</sup> Nanjing Triennale, curators: Fumihiko Sumitomo, Jaeyoung Kang,  China</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2008</td>\r\n            <td>TEAF (Taehwagang Eco Art Festival) - Dream River, Korea</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2008</td>\r\n            <td>Everywhere is War (And Rumours of it), Bodhi Art Gallery, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2008</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/33\" target=\"_blank\">Fire Walkers, Stefan Stux gallery, New York</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2008</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.galeriems.com/publications_2008.html\" target=\"_blank\">Three Points of view, Galerie Mirchandani + Steinrucke, Mumbai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2008</td>\r\n            <td>Excavation: Memory / Myth / Membrane, Museum Gallery, Mumbai</td>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2007</td>\r\n            <td>International Incheon Women Artists’ Biennale, Korea</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2007</td>\r\n            <td>Soft Power: Asian Attitude, Shanghai Zendai Museum of Modern Art, Shanghai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2007</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.kunstaspekte.de/index.php?tid=39629&amp;action=termin\" target=\"_blank\">Urban Manners, curated by Adelina Von Furstenberg, at Hangar Bicocca, Milan </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2007</td>\r\n            <td>\r\n                <a class=\"linkbio\" href=\"http://www.artsblog.it/post/933/larte-contemporanea-indiana-a-milano\" target=\"_blank\">\r\n                    INDIA NOW: Contemporary Indian Art, Between Continuity and transformation, curated by Daniela Palozzoli\r\n                    at Spazio Oberdan, Milan\r\n                </a> <span style=\"color: red;\"> &gt;&gt; </span>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2007</td>\r\n            <td>New Narratives: Contemporary Art From India, curated by Betty Seid, Chicago Cultural Centre, Chicago</td>\r\n            <td><em> </em></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2007</td>\r\n            <td>Thermocline Of Art- New Asian Waves, curated by Wonil Rhee and Peter Weibel at ZKM in Karlsruhe, Germany</td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2006</td>\r\n            <td>Modern Indian Works On Paper, Arthur Ross Gallery, Philadelphia and the Georgia Museum of Art, USA</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2006</td>\r\n            <td>Lille 3000 (Maximum City-Mumbai), Lille,  France</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2006</td>\r\n            <td>Hungry God- Indian Contemporary Art, curated by Yun Chaegab and June Gwak, Arario Gallery, Beijing and Busan MoMA</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2006</td>\r\n            <td>India Express – Art and Popular Culture, Art Museum Tennispalace, curators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City  Art Museum, Finland</td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2005</td>\r\n            <td>Mom and Pop Art, Walsh Gallery, Chicago</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2005</td>\r\n            <td>Span, Sakshi Gallery, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2005</td>\r\n            <td>Indian Paintings of the New Millenium, curated by Helen Asquine Fazio at Thomas J. Walsh Art Gallery at Fairfield  University, USA</td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2004</td>\r\n            <td><em> </em>Contemporary Art from India, Thomas   Erben Gallery, New York</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2004</td>\r\n            <td>Zoom! Art in Contemporary India. Curators: Nancy Adajania and Luis Serpa, The Culturgest Museum, Lisbon, Portugal</td>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2003</td>\r\n            <td>Crossing generations: diVERGE, Gallery Chemould’s 40th anniversary, Curators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of Modern Art, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2003</td>\r\n            <td><em> </em>Hard Copy, two-person show with Jitish Kallat, Gallery 88, Calcutta</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2003</td>\r\n            <td>Tiranga, curator: Peter Nagy, India Habitat Centre, New Delhi</td>\r\n            <td><em> </em></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2003</td>\r\n            <td><em> </em>Elephant Walks, Youth Arts Project in collaboration with Jitish Kallat as part of Indians + Cowboys exhibition, Curators: Aaron Seetu and Ruth Watson Gallery 4A, Sydney</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2003</td>\r\n            <td>The Tree From The Seed, Contemporary Art from India, curator: Gavin Jantjes Henie Onstad Kunstsenter (Oslo), Norway</td>\r\n            <td><em></em></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2002</td>\r\n            <td><em>Crosscurrents</em>, organized by Artworks for the fiftieth anniversary celebrations of Jehangir Art  Gallery, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2002</td>\r\n            <td><em>Reclaim Our Freedom</em>, organized by Open Circle, Pundole Art Gallery, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2002</td>\r\n            <td>Crossing Borders, Gallery Windkracht 13, Den Helder, Holland</td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2001</td>\r\n            <td>Big River 2, CCA7 Gallery, Port Of Spain, Trinidad</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2001</td>\r\n            <td>AOM- Art on the move, organized by Sahmat, New Delhi</td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">1999</td>\r\n            <td><em> </em>Edge of the Century, curated by Amit Mukhopadhyay, Academy  of Fine Arts and Literature, New Delhi</td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">1998</td>\r\n            <td><em> </em>Essays in Time, Kinetic Sculptures, Nehru Centre, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">1997</td>\r\n            <td><em> </em>India in Harmony 1947-1997, Nehru Centre, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">1997</td>\r\n            <td><em> </em>A Page From My Diary, Sans Tache Art Gallery, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">1997</td>\r\n            <td><em> </em>Fresh Work, Birla Academy of Art and Culture, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">1996</td>\r\n            <td><em> </em>Monsoon Show, Jehangir Art Gallery, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">1995</td>\r\n            <td><em> </em>Varsha ’95, Y. B. Chavan Gallery, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td colspan=\"2\"><strong><span style=\"color: #888888;\">SELECTED WORKSHOPS AND RESIDENCIES</span></strong></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2014</td>\r\n            <td>Visas to Happiness - 3, workshop with children at the 2014 Dhaka Art Summit, Bangladesh</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2013</td>\r\n            <td><a class=\"linkbio\" href=\"http://art1stindia.wordpress.com/2012/09/09/reena-kallat-visa-to-happiness/#comments\" target=\"_blank\">Partner a Master Workshop Artist/Mentor Programme, organized by Art 1st Foundation in collaboration with Mohile Parikh Centre, Mumbai <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2012</td>\r\n            <td>Visas to Happiness, workshop with children as part of the exhibition \'To Let the World In\', Chennai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2011</td>\r\n            <td>Iaspis Residency, Gothenburg, Sweden.</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2009</td>\r\n            <td>Vanishing Point, children’s project at the Celebrate Bandra Festival, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2007</td>\r\n            <td>Collaborative workshop as part of the exhibition Aftershock, Sainsbury Centre for Visual Arts, University of East Anglia, Norwich,  UK</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2003</td>\r\n            <td>Collaborated on a Billboard project with Jitish Kallat, Kala Ghoda Art District, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2003</td>\r\n            <td>Elephant Walks, Youth Arts Project at the Casula Power House Arts Centre, Liverpool, Australia</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2002</td>\r\n            <td>Khoj 2002 International Artists Workshop, Mysore, India</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2002</td>\r\n            <td>Identity and Landscape, residency in the Laurentian mountains of Quebec at the Boreal Art/Nature Centre, Canada</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2001</td>\r\n            <td>Big River 2, International Artists Workshop organized by CCA7 and the Triangle Arts Trust at Grand Riviere, Trinidad, West Indies</td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td><span style=\"color: #888888;\"><strong>TALKS/PRESENTATIONS</strong></span></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2013</td>\r\n            <td>“Who is the Audience?” IAF 2013  I  Conversations, panel discussion with Kamini Sawhney, Matthieu Foss moderated by Ranjit Hoskote, Nehru Centre, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2013</td>\r\n            <td>“Rendezvous with the Artist” series by Asia Society at the artists studio in Mumbai, sponsored by Christies.</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2012</td>\r\n            <td>Artists Talk at the World Economic Forum, Tianjin</td>\r\n        </tr>\r\n        <tr>\r\n        <tr>\r\n            <td valign=\"top\">2012</td>\r\n            <td>\"Why I am not a woman artist” panel discussion with Anju Dodiya, moderated by Nancy Adajania at the Jehangir Nicholson Art Foundation, Prince of Wales Museum, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2011</td>\r\n            <td>Artists Talk at GIBCA Speak Easy (GSE), Goteborg</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2011</td>\r\n            <td>Informal talk at HDK – The School of Design and Crafts, Goteborg</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2011</td>\r\n            <td>Artists Talk at the Iaspis Residency Studio, Stockholm</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2010</td>\r\n            <td>Short presentation as part of The River Project at The Campbelltown Arts Centre, Sydney</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2011</td>\r\n            <td>Artists Talk at the Krishnakriti Festival 2011, Kalakriti Gallery, Hyderabad</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2010</td>\r\n            <td>Panel discussion moderated by Maria Lantz, with participating artists during the exhibition Samtidigt at Kulturhuset, Stockholm</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2009</td>\r\n            <td>Panel discussion with artist Gulam Sheikh, co-chair: Sabine B. Vogel, art critic at the Sammlung Essl Museum, Vienna</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2008</td>\r\n            <td>Slide presentation followed by a panel discussion with Nalini Malani and Jayshree Chakravarty, moderated by Nancy Adajania at Jnanapravaha, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2008</td>\r\n            <td>Slide presentation at the School of the Art Institute of Chicago</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2007</td>\r\n            <td>Panel discussion with Nalini Malani, Sheba Chhachhi, moderated by Betty Seid at the Chicago Cultural Centre</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2007</td>\r\n            <td>Lecture at the University Boccini, Milan</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2006</td>\r\n            <td>Slide presentation at the Lamar Dodd School of Art, University of Georgia, USA</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2006</td>\r\n            <td>Artists Talk at the Griffith Auditorium, Georgia Museum of Art, USA</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2003</td>\r\n            <td>Slide presentation at Oslo National Academy of the Arts, Norway</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2000</td>\r\n            <td>Slide presentation at Mohile Parikh Centre for the Visual Arts, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td colspan=\"2\"><strong><span style=\"color: #888888;\">AWARDS</span></strong></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2012</td>\r\n            <td>ZegnArt Public Award in collaboration with Dr. Bhaudaji Lad Museum, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2011</td>\r\n            <td>YFLO ZOYA Young Women Achievers Awards 2010-11, Delhi</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2005</td>\r\n            <td>Harmony Award</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">1996</td>\r\n            <td>Bombay Art Society Merit Certificate</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">1996</td>\r\n            <td>Second Prize Government Award, Sir J. J. School of Art, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">1995</td>\r\n            <td>Gladstone Solomon Award</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">1991-1996</td>\r\n            <td>Merit Scholarship, Sir J. J. School of Art, Mumbai</td>\r\n        </tr>\r\n    </tbody>\r\n</table>','Biography','','inherit','open','open','','105-revision-151','','','2014-05-20 15:59:51','2014-05-20 15:59:51','',105,'http://www.reenakallat.com/3087/uncat/105-revision-151',0,'revision','',0),(3088,1,'2014-06-28 09:02:29','2014-06-28 09:02:29','Reena Saini Kallat (b. 1973, Delhi, India) graduated from Sir J.J. School of Art, Mumbai in 1996 with a B.F.A. in painting. Her practice - spanning painting, photography, video, sculpture and installation, often incorporates multiple mediums into a single work. She frequently works with officially recorded or registered names of people, objects, and monuments that are lost or have disappeared without a trace, only to get listed as anonymous and forgotten statistics. One of the recurrent motifs in her work is the rubber stamp, used as an object and an imprint, signifying the bureaucratic apparatus, which both confirms and obscures identities.\r\n\r\nHer work has been widely exhibited across the world in venues such as Mori Art Museum, Tokyo; Kennedy Centre, Washington; Saatchi Gallery, London; SESC Pompeia and SESC Belenzino in Sao Paulo; Goteborgs Konsthall, Sweden; Helsinki City Art Museum, Finland; National Taiwan Museum of Fine Arts; Tel Aviv Museum of Art, Israel; National Museum of Contemporary Art, Seoul; Henie OnstadKunstsenter, Oslo; Casa Asia, Madrid and Barcelona; ZKM Karlsruhe in Germany; Campbelltown Arts Centre, Sydney; Hangar Bicocca, Milan; Museum of Contemporary Art, Shanghai; IVAM Museum, Spain; Busan MOMA; Kulturhuset, Stockholm; Chicago Cultural Centre amongst many others and she has participated in a number of workshops and residencies. She lives and works in Mumbai.\r\n<table>\r\n    <tbody>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td colspan=\"2\"><strong><span style=\"color: #888888;\">SOLO EXHIBITIONS</span></strong></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2014</td>\r\n            <td>Anatomy of forking paths, Art Houz, during Art Chennai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2013</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.zegnart.com/diary/public\" target=\"_blank\">ZegnArt Public project with Dr. Bhaudaji Lad Museum, Mumbai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2011</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.naturemorte.com/exhibitions/2011-03-08_reena-saini-kallat/\" target=\"_blank\">Labyrinth of Absences, Nature Morte, New Delhi</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2009</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.primomarellagallery.com/it/catalogue/scheda.asp?id=568&amp;view=past\" target=\"_blank\">Drift, Primo Marella Gallery, Milan</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2008</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2008/reena_bio.html\" target=\"_blank\"> Silt of Seasons, Chemould   Prescott Road, Mumbai <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2008</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.walshgallery.com/reena-kallat-exhibition-2008/\" target=\"_blank\">Subject to Change without Notice, Walsh Gallery, Chicago</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2006</td>\r\n            <td>Rainbow Of Refuse, Bodhi Art Gallery, Mumbai and Singapore</td>\r\n            <td><em> </em></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2005</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.naturemorte.com/artists/reena-saini-kallat/selected-works/\" target=\"_blank\">Black Flute (And Other Stories), Nature Morte, New Delhi</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2004</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2004/reena_saini_kallat_note.html\" target=\"_blank\">Black Flute, Gallery Chemould, Mumbai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2002</td>\r\n            <td>The Battlefield Is The Mind, Sakshi Gallery, Bangalore</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2002</td>\r\n            <td>Seven Faces of Dust, Chicago Radio, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2000</td>\r\n            <td>Skin, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">1998</td>\r\n            <td>Orchard of Home-grown Secrets, Gallery Chemould and Pundole  Art Gallery, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td colspan=\"2\"><span style=\"color: #888888;\"><strong>SELECTED GROUP EXHIBITIONS</strong></span></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2014</td>\r\n            <td> Encounters:- Is There Love in This Air?, Cattle depot, C & G ArtPartment, Hong Kong</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2014</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions-works/aesthetic%20bind-cabinet%20closet%20wunderkammer/Reena-Saini-Kallat-50-years-chemould-gallery-prescott-road-mumbai-contemporary-2014.html\" target=\"_blank\">Aesthetic Bind: Floating World, Chemould Prescott Road, Mumbai<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2014</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.sahmatnews.blogspot.in/2014/02/forms-of-activism-24th-feb-to-1st-march.html\" target=\"_blank\">Forms of Activism, exhibition marking 25 years of SAHMAT at the Lalit Kala Akademi galleries, Rabindra bhavan, New Delhi <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2014</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.artoxygen.org/wp-content/uploads/2014/140218_Program_isthereloveinthisair2014.pdf\" target=\"_blank\">Encounters 2014 - Is there love in the air?, Public project with Art Oxygen in Mumbai<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2013</td>\r\n            <td><a class=\"linkbio\" href=\"http://eslitegallery.tumblr.com/post/65981256422/reena-saini-kallat\" target=\"_blank\">No-Mad-Ness in No-Man\'s Land, Eslite Gallery, Taipei <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2013</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.artoxygen.org/?p=1858\" target=\"_blank\">Haein Art Project, Haeinsa Temple, Korea <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2013</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.collabo-x.com/cheongju-international-craft-biennale-2013-청주첨단문화산업단지/\" target=\"_blank\"> \"Something Old and Something New\", Cheongju International Craft Biennale, Korea<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2013</td>\r\n            <td><a class=\"linkbio\" href=\"http://mohileparikhcenter.org/site/?q=node/647\" target=\"_blank\">Partner a Master Exhibition, Artist/Mentor Programme, Premchand Roychand Gallery, Chhatrapati Shivaji Maharaj Vastu Sangrahalaya (CSMVS), Mumbai <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2013</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.paletteartgallery.com/exhibition/past/works/details/5120\" target=\"_blank\">Spell of Spill: Utopia of Ecology, Palette Art Gallery, Delhi <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2013</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.satellite.org.au/docs/encounters-powerPLAY_press_release.pdf \" target=\"_blank\">EN(counters): POWERplay, along Mumbai’s waterfronts, gardens and historic sites<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2013</td>\r\n            <td>JJ’s 90s - The Time of Change, Sir J.J. School of Art, Mumbai  </td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2012</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.arken.dk/content/us/art/exhibitions/india_art_now/the_intimate_sphere\" target=\"_blank\">India Today, ARKEN Museum of Modern Art, Copenhagen, Denmark <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2012</td>\r\n            <td>The Indian Parallax or the Doubling of Happiness, Birla Academy of Art and Culture, Kolkata</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2012</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.kunsten.dk/Default.aspx?ID=4378\" target=\"_blank\">WONDERS – Masterpieces from Private Collections, Denmark <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2012</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.bb.com.br/docs/pub/inst/dwn/CatalogoIndia.pdf\" target=\"_blank\">India side by side, Centro Cultural Banco do Brasil, Brasilia <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2012</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.eigen-art.com/lab/index.php?article_id=804&clang=1\" target=\"_blank\">Group show, Eigen + Art Lab, Berlin<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2012</td>\r\n            <td>India Side by Side,SESC Belenzino, Sao Paulo, Brazil</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2012</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.punkto.no/voices-from-pandemonium.5006429-249860.html\" target=\"_blank\">Stemmer fra Pandemonium, Punkt-Galleri F 15, Moss, Norway <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2012</td>\r\n            <td>To Let the World In: Narrative and Beyond in Contemporary Indian Art, Lalit Kala Regional Centre, Chennai, India</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2012</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.exhibit320.com/exhibitionShow/EXH00014/\" target=\"_blank\">The Contemporary Sultanate, the Sunrydge, New Delhi <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2012</td>\r\n            <td>Kalaghoda Art Festival, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2012</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.theskodaprize.com/2012/longlist.php?id=1#.ULxBLWDrbJw\" target=\"_blank\">The Skoda Prize Exhibition, Lalit Kala Academy, New Delhi<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2011</td>\r\n            <td>India Side by Side, Centro Cultural Banco do Brasil, Rio De Janeiro</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2011</td>\r\n            <td>Giant Elephant : Contemporary Art from India, H Cube Gallery, Seoul</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2011</td>\r\n            <td>Roundabout, Tel Aviv Museum of Art, Israel<span style=\"color: red;\"> </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2011</td>\r\n            <td><a class=\"linkbio\" href=\"http://goteborg.biennal.org/en/the-biennial-2011/artists/\" target=\"_blank\">Goteborg International Biennale for Contemporary Art, curated by Sarat Maharaj, Göteborgs Konsthall and Bohuslans Konsthall, Uddevalla, Sweden <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2011</td>\r\n            <td>Right to Dissent, Clark House, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2011</td>\r\n            <td>RED, Palette Art Gallery, Delhi</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2011</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.kennedy-center.org/events/?event=ZLINB\" target=\"_blank\">Maximum India, The Kennedy Centre, Washington</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2011</td>\r\n            <td>Of Gods and Goddesses, Cinema, Cricket - The New cultural Icons of India, Jehangir Art Gallery, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2011</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.hel.fi/hki/taimu/en/art+museum+tennis+palace/past+exhibitions/2011/concurrent+india\" target=\"_blank\">Samtidigt, Helsinki City Art Museum, Finland<span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2011</td>\r\n            <td>Iconoclasts and Iconodules, curated by Ombretta Argo, Religare Art Gallery, New  Delhi</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2011</td>\r\n            <td><a class=\"linkbio\" href=\"http://vancouverbiennale.com/sculptures_page.php?sculptureID=36\" target=\"_blank\">The Vancouver International Sculpture Biennale, Surrey Art Gallery, Canada<span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2011</td>\r\n            <td>The Intuitive: Logic Revisted, from the Osians Collection at The World Economic Forum, Davos, Switzerland</td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2010</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/current/La_Route_De_La_Soie.htm\" target=\"_blank\">La Route de la Soie / The Silk Road, Lille 3000, France </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2010</td>\r\n            <td><a class=\"linkbio\" href=\"http://kulturhuset.stockholm.se/\" target=\"_blank\">Samtidigt, Kulterhuset, Stockholm</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2010</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.campbelltown.nsw.gov.au/Exhibitions\" target=\"_blank\">The River Project, Campbelltown Art Centre, Sydney</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2010</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.tamuseum.com/about-the-exhibition/roundabout-face-to-face\" target=\"_blank\">Roundabout, City Gallery Wellington, New Zealand</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2010</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.walshgallery.com/water-ways/\" target=\"_blank\">Waterways, Walsh Gallery, Chicago</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2010</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.richmondartgallery.org/in-transition.php\" target=\"_blank\">In Transition: New Art from India, Richmond Art Gallery Vancouver Biennale, Vancouver</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2010</td>\r\n            <td><a class=\"linkbio\" href=\"http://www2.webster.edu/news/releases/bringmealion_0910113.shtml\" target=\"_blank\">Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster University, curated by Jeffrey Hughes and Dana Turkovic, Cecile R. Hunt  Gallery, St. Louis, Missouri</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2010</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/www/pastExhibitions\" target=\"_blank\">Never Run Away, 2 person exhibition curated by Shaheen Merali, Stux Gallery, New York</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2010</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/artists/reena_kallat.htm?section_name=new_india\" target=\"_blank\">The Empire Strikes Back, Saatchi Gallery, London</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2010</td>\r\n            <td><a class=\"linkbio\" href=\"http://art-for-the-world.blogspot.com/2010/01/some-installation-views-of-urban.html\" target=\"_blank\">Urban Manners 2, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao Paulo, Brazil</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2009</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.asianartbiennial.org/2009/en/index_en.html\" target=\"_blank\">View Points and Viewing points - 2009 Asian Art Biennale, National Taiwan Museum of Fine Arts </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2009</td>\r\n            <td>Spectrum: Indian Art at Abu   Dhabi, United   Arab Emirates</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2009</td>\r\n            <td>Milan Galleria, curated by Georgio Verzotti, Triennale Museum, Milan</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2009</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.initialaccess.co.uk/exh/73/11/passage-to-india-part-ii/reena-saini-kallat\" target=\"_blank\">Passage to India Part II show at Initial Access, Frank Cohen Collection, Wolverhampton, UK</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2009</td>\r\n            <td>Ventosul Biennale, Curitiba, Brazil</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2009</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.mori.art.museum/english/contents/india/index.html\" target=\"_blank\"> Chalo! India: A New Era of Indian Art, National  Museum of Contemporary Art, Korea and Essl Museum, Vienna</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2009</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.mocashanghai.org/index.php?_function=exhibition&amp;_subFunction=pastExhibition&amp;exhibition_id=40&amp;_view=detail\" target=\"_blank\">INDIA XIANZAI: Contemporary Indian Art, Museum of Contemporary Art, Shanghai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2009</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/42/622\" target=\"_blank\">Low Blow: And Other Species of Confusion, Stux gallery, New York</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2009</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.casaasia.eu/actividad/detalle?id=13195\" target=\"_blank\"><em> </em>Indian Narratives in the 21<sup>st</sup> Century: Between Memory and History,Casa  Asia, Madrid and Barcelona, Spain<span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2009</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.walshgallery.com/body-chatter-an-exhibition-of-contemporary-indian-art-2008/\" target=\"_blank\">Body Chatter, Walsh Gallery, Chicago</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2008</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.mori.art.museum/contents/press/india_20081121_e.pdf\" target=\"_blank\">Chalo! India: A New Era of Indian Art, Mori Art   Museum, Japan</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2008</td>\r\n            <td>India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM Museum, Valencia, Spain </td>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2008</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.aaa.org.hk/onlineprojects/bitri/en/gallery.aspx?eid=A080.03\" target=\"_blank\">3<sup>rd</sup> Nanjing Triennale, curators: Fumihiko Sumitomo, Jaeyoung Kang,  China</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2008</td>\r\n            <td>TEAF (Taehwagang Eco Art Festival) - Dream River, Korea</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2008</td>\r\n            <td>Everywhere is War (And Rumours of it), Bodhi Art Gallery, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2008</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/33\" target=\"_blank\">Fire Walkers, Stefan Stux gallery, New York</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2008</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.galeriems.com/publications_2008.html\" target=\"_blank\">Three Points of view, Galerie Mirchandani + Steinrucke, Mumbai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2008</td>\r\n            <td>Excavation: Memory / Myth / Membrane, Museum Gallery, Mumbai</td>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2007</td>\r\n            <td>International Incheon Women Artists’ Biennale, Korea</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2007</td>\r\n            <td>Soft Power: Asian Attitude, Shanghai Zendai Museum of Modern Art, Shanghai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2007</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.kunstaspekte.de/index.php?tid=39629&amp;action=termin\" target=\"_blank\">Urban Manners, curated by Adelina Von Furstenberg, at Hangar Bicocca, Milan </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2007</td>\r\n            <td>\r\n                <a class=\"linkbio\" href=\"http://www.artsblog.it/post/933/larte-contemporanea-indiana-a-milano\" target=\"_blank\">\r\n                    INDIA NOW: Contemporary Indian Art, Between Continuity and transformation, curated by Daniela Palozzoli\r\n                    at Spazio Oberdan, Milan\r\n                </a> <span style=\"color: red;\"> &gt;&gt; </span>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2007</td>\r\n            <td>New Narratives: Contemporary Art From India, curated by Betty Seid, Chicago Cultural Centre, Chicago</td>\r\n            <td><em> </em></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2007</td>\r\n            <td>Thermocline Of Art- New Asian Waves, curated by Wonil Rhee and Peter Weibel at ZKM in Karlsruhe, Germany</td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2006</td>\r\n            <td>Modern Indian Works On Paper, Arthur Ross Gallery, Philadelphia and the Georgia Museum of Art, USA</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2006</td>\r\n            <td>Lille 3000 (Maximum City-Mumbai), Lille,  France</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2006</td>\r\n            <td>Hungry God- Indian Contemporary Art, curated by Yun Chaegab and June Gwak, Arario Gallery, Beijing and Busan MoMA</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2006</td>\r\n            <td>India Express – Art and Popular Culture, Art Museum Tennispalace, curators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City  Art Museum, Finland</td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2005</td>\r\n            <td>Mom and Pop Art, Walsh Gallery, Chicago</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2005</td>\r\n            <td>Span, Sakshi Gallery, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2005</td>\r\n            <td>Indian Paintings of the New Millenium, curated by Helen Asquine Fazio at Thomas J. Walsh Art Gallery at Fairfield  University, USA</td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2004</td>\r\n            <td><em> </em>Contemporary Art from India, Thomas   Erben Gallery, New York</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2004</td>\r\n            <td>Zoom! Art in Contemporary India. Curators: Nancy Adajania and Luis Serpa, The Culturgest Museum, Lisbon, Portugal</td>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2003</td>\r\n            <td>Crossing generations: diVERGE, Gallery Chemould’s 40th anniversary, Curators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of Modern Art, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2003</td>\r\n            <td><em> </em>Hard Copy, two-person show with Jitish Kallat, Gallery 88, Calcutta</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2003</td>\r\n            <td>Tiranga, curator: Peter Nagy, India Habitat Centre, New Delhi</td>\r\n            <td><em> </em></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2003</td>\r\n            <td><em> </em>Elephant Walks, Youth Arts Project in collaboration with Jitish Kallat as part of Indians + Cowboys exhibition, Curators: Aaron Seetu and Ruth Watson Gallery 4A, Sydney</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2003</td>\r\n            <td>The Tree From The Seed, Contemporary Art from India, curator: Gavin Jantjes Henie Onstad Kunstsenter (Oslo), Norway</td>\r\n            <td><em></em></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2002</td>\r\n            <td><em>Crosscurrents</em>, organized by Artworks for the fiftieth anniversary celebrations of Jehangir Art  Gallery, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2002</td>\r\n            <td><em>Reclaim Our Freedom</em>, organized by Open Circle, Pundole Art Gallery, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2002</td>\r\n            <td>Crossing Borders, Gallery Windkracht 13, Den Helder, Holland</td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2001</td>\r\n            <td>Big River 2, CCA7 Gallery, Port Of Spain, Trinidad</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2001</td>\r\n            <td>AOM- Art on the move, organized by Sahmat, New Delhi</td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">1999</td>\r\n            <td><em> </em>Edge of the Century, curated by Amit Mukhopadhyay, Academy  of Fine Arts and Literature, New Delhi</td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">1998</td>\r\n            <td><em> </em>Essays in Time, Kinetic Sculptures, Nehru Centre, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">1997</td>\r\n            <td><em> </em>India in Harmony 1947-1997, Nehru Centre, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">1997</td>\r\n            <td><em> </em>A Page From My Diary, Sans Tache Art Gallery, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">1997</td>\r\n            <td><em> </em>Fresh Work, Birla Academy of Art and Culture, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">1996</td>\r\n            <td><em> </em>Monsoon Show, Jehangir Art Gallery, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">1995</td>\r\n            <td><em> </em>Varsha ’95, Y. B. Chavan Gallery, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td colspan=\"2\"><strong><span style=\"color: #888888;\">SELECTED WORKSHOPS AND RESIDENCIES</span></strong></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2014</td>\r\n            <td>Visas to Happiness - 3, workshop with children at the 2014 Dhaka Art Summit, Bangladesh</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2013</td>\r\n            <td><a class=\"linkbio\" href=\"http://art1stindia.wordpress.com/2012/09/09/reena-kallat-visa-to-happiness/#comments\" target=\"_blank\">Partner a Master Workshop Artist/Mentor Programme, organized by Art 1st Foundation in collaboration with Mohile Parikh Centre, Mumbai <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2012</td>\r\n            <td>Visas to Happiness, workshop with children as part of the exhibition \'To Let the World In\', Chennai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2011</td>\r\n            <td>Iaspis Residency, Gothenburg, Sweden.</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2009</td>\r\n            <td>Vanishing Point, children’s project at the Celebrate Bandra Festival, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2007</td>\r\n            <td>Collaborative workshop as part of the exhibition Aftershock, Sainsbury Centre for Visual Arts, University of East Anglia, Norwich,  UK</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2003</td>\r\n            <td>Collaborated on a Billboard project with Jitish Kallat, Kala Ghoda Art District, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2003</td>\r\n            <td>Elephant Walks, Youth Arts Project at the Casula Power House Arts Centre, Liverpool, Australia</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2002</td>\r\n            <td>Khoj 2002 International Artists Workshop, Mysore, India</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2002</td>\r\n            <td>Identity and Landscape, residency in the Laurentian mountains of Quebec at the Boreal Art/Nature Centre, Canada</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2001</td>\r\n            <td>Big River 2, International Artists Workshop organized by CCA7 and the Triangle Arts Trust at Grand Riviere, Trinidad, West Indies</td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td><span style=\"color: #888888;\"><strong>TALKS/PRESENTATIONS</strong></span></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2013</td>\r\n            <td>“Who is the Audience?” IAF 2013  I  Conversations, panel discussion with Kamini Sawhney, Matthieu Foss moderated by Ranjit Hoskote, Nehru Centre, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2013</td>\r\n            <td>“Rendezvous with the Artist” series by Asia Society at the artists studio in Mumbai, sponsored by Christies.</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2012</td>\r\n            <td>Artists Talk at the World Economic Forum, Tianjin</td>\r\n        </tr>\r\n        <tr>\r\n        <tr>\r\n            <td valign=\"top\">2012</td>\r\n            <td>\"Why I am not a woman artist” panel discussion with Anju Dodiya, moderated by Nancy Adajania at the Jehangir Nicholson Art Foundation, Prince of Wales Museum, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2011</td>\r\n            <td>Artists Talk at GIBCA Speak Easy (GSE), Goteborg</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2011</td>\r\n            <td>Informal talk at HDK – The School of Design and Crafts, Goteborg</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2011</td>\r\n            <td>Artists Talk at the Iaspis Residency Studio, Stockholm</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2010</td>\r\n            <td>Short presentation as part of The River Project at The Campbelltown Arts Centre, Sydney</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2011</td>\r\n            <td>Artists Talk at the Krishnakriti Festival 2011, Kalakriti Gallery, Hyderabad</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2010</td>\r\n            <td>Panel discussion moderated by Maria Lantz, with participating artists during the exhibition Samtidigt at Kulturhuset, Stockholm</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2009</td>\r\n            <td>Panel discussion with artist Gulam Sheikh, co-chair: Sabine B. Vogel, art critic at the Sammlung Essl Museum, Vienna</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2008</td>\r\n            <td>Slide presentation followed by a panel discussion with Nalini Malani and Jayshree Chakravarty, moderated by Nancy Adajania at Jnanapravaha, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2008</td>\r\n            <td>Slide presentation at the School of the Art Institute of Chicago</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2007</td>\r\n            <td>Panel discussion with Nalini Malani, Sheba Chhachhi, moderated by Betty Seid at the Chicago Cultural Centre</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2007</td>\r\n            <td>Lecture at the University Boccini, Milan</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2006</td>\r\n            <td>Slide presentation at the Lamar Dodd School of Art, University of Georgia, USA</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2006</td>\r\n            <td>Artists Talk at the Griffith Auditorium, Georgia Museum of Art, USA</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2003</td>\r\n            <td>Slide presentation at Oslo National Academy of the Arts, Norway</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2000</td>\r\n            <td>Slide presentation at Mohile Parikh Centre for the Visual Arts, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td colspan=\"2\"><strong><span style=\"color: #888888;\">AWARDS</span></strong></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2012</td>\r\n            <td>ZegnArt Public Award in collaboration with Dr. Bhaudaji Lad Museum, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2011</td>\r\n            <td>YFLO ZOYA Young Women Achievers Awards 2010-11, Delhi</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2005</td>\r\n            <td>Harmony Award</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">1996</td>\r\n            <td>Bombay Art Society Merit Certificate</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">1996</td>\r\n            <td>Second Prize Government Award, Sir J. J. School of Art, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">1995</td>\r\n            <td>Gladstone Solomon Award</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">1991-1996</td>\r\n            <td>Merit Scholarship, Sir J. J. School of Art, Mumbai</td>\r\n        </tr>\r\n    </tbody>\r\n</table>','Biography','','inherit','open','open','','105-revision-152','','','2014-06-28 09:02:29','2014-06-28 09:02:29','',105,'http://www.reenakallat.com/3088/uncat/105-revision-152',0,'revision','',0),(3089,1,'2012-05-03 18:30:01','2012-05-03 18:30:01','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/tent_cities_lead.jpg\" alt=\"Tent Cities\" title=\"Tent Cities\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></a></td><td nowrap width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Tent Cities, XX illuminated manuals\r\n</span>2000\r\nfibreglass, pigment, backlit translites, photographic details\r\n8 x 8 ft I 96 x 96 in.\r\n</td></tr><tr><td><span style=\"font-size:11px; line-height:3px;\"><i>installation view</i>, Chemould Art gallery, Mumbai</span></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/tent_cities_2.jpg\" alt=\"Tent Cities\" title=\"Tent Cities\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/tent_cities_3.jpg\" alt=\"Tent Cities\" title=\"Tent Cities\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','1954-revision-11','','','2012-05-03 18:30:01','2012-05-03 18:30:01','',1954,'http://www.reenakallat.com/3089/uncat/1954-revision-11',0,'revision','',0),(3090,1,'2010-10-29 11:51:56','2010-10-29 11:51:56','<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/boreal-gallery.jpg\" alt=\"Subject-to-Change-Without-Notice\" title=\"Subject-to-Change-Without-Notice\" width=\"600\" class=\"alignnone size-large wp-image-368\" /></a>\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Boreal Art/Nature Residency\r\n</span>2002\r\nwire mesh, leaves from fallen trees, pine tree cones, drift wood. \r\n18 x 15 ft I 216 x 180 in\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>installation view,</i> Laurentian mountains of Quebec, Canada</span></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/boreal-2-3.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/boreal-4-5.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/boreal-6.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','1203-revision-22','','','2010-10-29 11:51:56','2010-10-29 11:51:56','',1203,'http://www.reenakallat.com/3090/uncat/1203-revision-22',0,'revision','',0),(3091,1,'2014-06-28 09:05:33','2014-06-28 09:05:33','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/tent_cities_lead.jpg\" alt=\"Tent Cities\" title=\"Tent Cities\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></a></td><td nowrap width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Tent Cities, XX illuminated manuals\r\n</span>2000\r\nfibreglass, pigment, backlit translites, photographic details\r\n96 x 96 in. l  244 x 244 cm (remove the previous sizes)\r\n</td></tr><tr><td><span style=\"font-size:11px; line-height:3px;\"><i>installation view</i>, Chemould Art gallery, Mumbai</span></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/tent_cities_2.jpg\" alt=\"Tent Cities\" title=\"Tent Cities\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/tent_cities_3.jpg\" alt=\"Tent Cities\" title=\"Tent Cities\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','1954-revision-12','','','2014-06-28 09:05:33','2014-06-28 09:05:33','',1954,'http://www.reenakallat.com/3091/uncat/1954-revision-12',0,'revision','',0),(3092,1,'2010-10-29 10:10:48','2010-10-29 10:10:48','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\"\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Lead-imageSeven-Degrees.jpg\" alt=\"Seven Degrees\" title=\"Seven Degree\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></a>\r\n</td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Seven Degrees\r\n</span>12 x 15 in. I 30 x 38 cm each (set of 21 prints)</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>installation view,</i> Nature Morte, Delhi</span></td></tr><tr><td>&nbsp;</td></tr></tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\"\">\r\n<tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/seven-degrees-2.jpg\" alt=\"Seven Degrees\" title=\"Seven Degree\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/croped_image.jpg\" alt=\"Seven Degrees\" title=\"Seven Degree\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/last-image.jpg\" alt=\"Seven Degrees\" title=\"Seven Degree\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','1914-revision-10','','','2010-10-29 10:10:48','2010-10-29 10:10:48','',1914,'http://www.reenakallat.com/3092/uncat/1914-revision-10',0,'revision','',0),(3093,1,'2011-11-10 12:09:03','2011-11-10 12:09:03','<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"2\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"bottom\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/05/reclaim_our_freedom1.jpg\" alt=\"Heal Anthem\" title=\"Heal Anthem\"  class=\"alignnone size-full wp-image-1024\" /></a></td><td width=\"300\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Heal Anthem (2002) </span>\r\ndyed saree, wooden prayer stand, glucose bottles, plastic syringes and wax votive offerings\r\n14.7 ft x 4.5 mts</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>installation view,</i> Pundole Art Gallery, Mumbai</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody><tr><td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/05/reclaim_our_freedom2.jpg\" alt=\"Heal Anthem\" title=\"moving-millimeter\" width=\"561\" class=\"alignnone size-full wp-image-1025\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/05/reclaim_our_freedom3.jpg\" alt=\"Heal Anthem\" title=\"Heal Anthem\" width=\"561\" class=\"alignnone size-full wp-image-1026\" /></a>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','1711-revision-16','','','2011-11-10 12:09:03','2011-11-10 12:09:03','',1711,'http://www.reenakallat.com/3093/uncat/1711-revision-16',0,'revision','',0),(3094,1,'2014-06-28 09:06:21','2014-06-28 09:06:21','<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/boreal-gallery.jpg\" alt=\"Subject-to-Change-Without-Notice\" title=\"Subject-to-Change-Without-Notice\" width=\"600\" class=\"alignnone size-large wp-image-368\" /></a>\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Boreal Art/Nature Residency\r\n</span>2002\r\nwire mesh, leaves from fallen trees, pine tree cones, drift wood. \r\n216 x 180 in l  548 x  457 cm (remove the previous sizes)\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>installation view,</i> Laurentian mountains of Quebec, Canada</span></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/boreal-2-3.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/boreal-4-5.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/boreal-6.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','1203-revision-23','','','2014-06-28 09:06:21','2014-06-28 09:06:21','',1203,'http://www.reenakallat.com/3094/uncat/1203-revision-23',0,'revision','',0),(3095,1,'2014-06-28 09:06:23','2014-06-28 09:06:23','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/tent_cities_lead.jpg\" alt=\"Tent Cities\" title=\"Tent Cities\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></a></td><td nowrap width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Tent Cities, XX illuminated manuals\r\n</span>2000\r\nfibreglass, pigment, backlit translites, photographic details\r\n96 x 96 in. l  244 x 244 cm (remove the previous sizes)\r\n</td></tr><tr><td><span style=\"font-size:11px; line-height:3px;\"><i>installation view</i>, Chemould Art gallery, Mumbai</span></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/tent_cities_2.jpg\" alt=\"Tent Cities\" title=\"Tent Cities\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/tent_cities_3.jpg\" alt=\"Tent Cities\" title=\"Tent Cities\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','1954-revision-13','','','2014-06-28 09:06:23','2014-06-28 09:06:23','',1954,'http://www.reenakallat.com/3095/uncat/1954-revision-13',0,'revision','',0),(3097,1,'2014-06-28 09:03:23','2014-06-28 09:03:23','Reena Saini Kallat (b. 1973, Delhi, India) graduated from Sir J.J. School of Art, Mumbai in 1996 with a B.F.A. in painting. Her practice - spanning painting, photography, video, sculpture and installation, often incorporates multiple mediums into a single work. She frequently works with officially recorded or registered names of people, objects, and monuments that are lost or have disappeared without a trace, only to get listed as anonymous and forgotten statistics. One of the recurrent motifs in her work is the rubber stamp, used as an object and an imprint, signifying the bureaucratic apparatus, which both confirms and obscures identities.\r\n\r\nHer work has been widely exhibited across the world in venues such as Mori Art Museum, Tokyo; Kennedy Centre, Washington; Saatchi Gallery, London; SESC Pompeia and SESC Belenzino in Sao Paulo; Goteborgs Konsthall, Sweden; Helsinki City Art Museum, Finland; National Taiwan Museum of Fine Arts; Tel Aviv Museum of Art, Israel; National Museum of Contemporary Art, Seoul; Henie OnstadKunstsenter, Oslo; Casa Asia, Madrid and Barcelona; ZKM Karlsruhe in Germany; Campbelltown Arts Centre, Sydney; Hangar Bicocca, Milan; Museum of Contemporary Art, Shanghai; IVAM Museum, Spain; Busan MOMA; Kulturhuset, Stockholm; Chicago Cultural Centre amongst many others and she has participated in a number of workshops and residencies. She lives and works in Mumbai.\r\n<table>\r\n    <tbody>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td colspan=\"2\"><strong><span style=\"color: #888888;\">SOLO EXHIBITIONS</span></strong></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2014</td>\r\n            <td>Anatomy of forking paths, Art Houz, during Art Chennai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2013</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.zegnart.com/diary/public\" target=\"_blank\">ZegnArt Public project with Dr. Bhaudaji Lad Museum, Mumbai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2011</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.naturemorte.com/exhibitions/2011-03-08_reena-saini-kallat/\" target=\"_blank\">Labyrinth of Absences, Nature Morte, New Delhi</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2009</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.primomarellagallery.com/it/catalogue/scheda.asp?id=568&amp;view=past\" target=\"_blank\">Drift, Primo Marella Gallery, Milan</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2008</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2008/reena_bio.html\" target=\"_blank\"> Silt of Seasons, Chemould   Prescott Road, Mumbai <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2008</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.walshgallery.com/reena-kallat-exhibition-2008/\" target=\"_blank\">Subject to Change without Notice, Walsh Gallery, Chicago</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2006</td>\r\n            <td>Rainbow Of Refuse, Bodhi Art Gallery, Mumbai and Singapore</td>\r\n            <td><em> </em></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2005</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.naturemorte.com/artists/reena-saini-kallat/selected-works/\" target=\"_blank\">Black Flute (And Other Stories), Nature Morte, New Delhi</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2004</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2004/reena_saini_kallat_note.html\" target=\"_blank\">Black Flute, Gallery Chemould, Mumbai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2002</td>\r\n            <td>The Battlefield Is The Mind, Sakshi Gallery, Bangalore</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2002</td>\r\n            <td>Seven Faces of Dust, Chicago Radio, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2000</td>\r\n            <td>Skin, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">1998</td>\r\n            <td>Orchard of Home-grown Secrets, Gallery Chemould and Pundole  Art Gallery, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td colspan=\"2\"><span style=\"color: #888888;\"><strong>SELECTED GROUP EXHIBITIONS</strong></span></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2014</td>\r\n            <td> Encounters:- Is There Love in This Air?, Cattle depot, C & G ArtPartment, Hong Kong</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2014</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions-works/aesthetic%20bind-cabinet%20closet%20wunderkammer/Reena-Saini-Kallat-50-years-chemould-gallery-prescott-road-mumbai-contemporary-2014.html\" target=\"_blank\">Aesthetic Bind: Floating World, Chemould Prescott Road, Mumbai<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2014</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.sahmatnews.blogspot.in/2014/02/forms-of-activism-24th-feb-to-1st-march.html\" target=\"_blank\">Forms of Activism, exhibition marking 25 years of SAHMAT at the Lalit Kala Akademi galleries, Rabindra bhavan, New Delhi <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2014</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.artoxygen.org/wp-content/uploads/2014/140218_Program_isthereloveinthisair2014.pdf\" target=\"_blank\">Encounters 2014 - Is there love in the air?, Public project with Art Oxygen in Mumbai<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2013</td>\r\n            <td><a class=\"linkbio\" href=\"http://eslitegallery.tumblr.com/post/65981256422/reena-saini-kallat\" target=\"_blank\">No-Mad-Ness in No-Man\'s Land, Eslite Gallery, Taipei <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2013</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.artoxygen.org/?p=1858\" target=\"_blank\">Haein Art Project, Haeinsa Temple, Korea <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2013</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.collabo-x.com/cheongju-international-craft-biennale-2013-청주첨단문화산업단지/\" target=\"_blank\"> \"Something Old and Something New\", Cheongju International Craft Biennale, Korea<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2013</td>\r\n            <td><a class=\"linkbio\" href=\"http://mohileparikhcenter.org/site/?q=node/647\" target=\"_blank\">Partner a Master Exhibition, Artist/Mentor Programme, Premchand Roychand Gallery, Chhatrapati Shivaji Maharaj Vastu Sangrahalaya (CSMVS), Mumbai <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2013</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.paletteartgallery.com/exhibition/past/works/details/5120\" target=\"_blank\">Spell of Spill: Utopia of Ecology, Palette Art Gallery, Delhi <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2013</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.satellite.org.au/docs/encounters-powerPLAY_press_release.pdf \" target=\"_blank\">EN(counters): POWERplay, along Mumbai’s waterfronts, gardens and historic sites<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2013</td>\r\n            <td>JJ’s 90s - The Time of Change, Sir J.J. School of Art, Mumbai  </td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2012</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.arken.dk/content/us/art/exhibitions/india_art_now/the_intimate_sphere\" target=\"_blank\">India Today, ARKEN Museum of Modern Art, Copenhagen, Denmark <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2012</td>\r\n            <td>The Indian Parallax or the Doubling of Happiness, Birla Academy of Art and Culture, Kolkata</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2012</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.kunsten.dk/Default.aspx?ID=4378\" target=\"_blank\">WONDERS – Masterpieces from Private Collections, Denmark <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2012</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.bb.com.br/docs/pub/inst/dwn/CatalogoIndia.pdf\" target=\"_blank\">India side by side, Centro Cultural Banco do Brasil, Brasilia <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2012</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.eigen-art.com/lab/index.php?article_id=804&clang=1\" target=\"_blank\">Group show, Eigen + Art Lab, Berlin<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2012</td>\r\n            <td>India Side by Side,SESC Belenzino, Sao Paulo, Brazil</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2012</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.punkto.no/voices-from-pandemonium.5006429-249860.html\" target=\"_blank\">Stemmer fra Pandemonium, Punkt-Galleri F 15, Moss, Norway <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2012</td>\r\n            <td>To Let the World In: Narrative and Beyond in Contemporary Indian Art, Lalit Kala Regional Centre, Chennai, India</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2012</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.exhibit320.com/exhibitionShow/EXH00014/\" target=\"_blank\">The Contemporary Sultanate, the Sunrydge, New Delhi <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2012</td>\r\n            <td>Kalaghoda Art Festival, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2012</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.theskodaprize.com/2012/longlist.php?id=1#.ULxBLWDrbJw\" target=\"_blank\">The Skoda Prize Exhibition, Lalit Kala Academy, New Delhi<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2011</td>\r\n            <td>India Side by Side, Centro Cultural Banco do Brasil, Rio De Janeiro</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2011</td>\r\n            <td>Giant Elephant : Contemporary Art from India, H Cube Gallery, Seoul</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2011</td>\r\n            <td>Roundabout, Tel Aviv Museum of Art, Israel<span style=\"color: red;\"> </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2011</td>\r\n            <td><a class=\"linkbio\" href=\"http://goteborg.biennal.org/en/the-biennial-2011/artists/\" target=\"_blank\">Goteborg International Biennale for Contemporary Art, curated by Sarat Maharaj, Göteborgs Konsthall and Bohuslans Konsthall, Uddevalla, Sweden <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2011</td>\r\n            <td>Right to Dissent, Clark House, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2011</td>\r\n            <td>RED, Palette Art Gallery, Delhi</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2011</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.kennedy-center.org/events/?event=ZLINB\" target=\"_blank\">Maximum India, The Kennedy Centre, Washington</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2011</td>\r\n            <td>Of Gods and Goddesses, Cinema, Cricket - The New cultural Icons of India, Jehangir Art Gallery, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2011</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.hel.fi/hki/taimu/en/art+museum+tennis+palace/past+exhibitions/2011/concurrent+india\" target=\"_blank\">Samtidigt, Helsinki City Art Museum, Finland<span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2011</td>\r\n            <td>Iconoclasts and Iconodules, curated by Ombretta Argo, Religare Art Gallery, New  Delhi</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2011</td>\r\n            <td><a class=\"linkbio\" href=\"http://vancouverbiennale.com/sculptures_page.php?sculptureID=36\" target=\"_blank\">The Vancouver International Sculpture Biennale, Surrey Art Gallery, Canada<span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2011</td>\r\n            <td>The Intuitive: Logic Revisted, from the Osians Collection at The World Economic Forum, Davos, Switzerland</td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2010</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/current/La_Route_De_La_Soie.htm\" target=\"_blank\">La Route de la Soie / The Silk Road, Lille 3000, France </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2010</td>\r\n            <td><a class=\"linkbio\" href=\"http://kulturhuset.stockholm.se/\" target=\"_blank\">Samtidigt, Kulterhuset, Stockholm</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2010</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.campbelltown.nsw.gov.au/Exhibitions\" target=\"_blank\">The River Project, Campbelltown Art Centre, Sydney</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2010</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.tamuseum.com/about-the-exhibition/roundabout-face-to-face\" target=\"_blank\">Roundabout, City Gallery Wellington, New Zealand</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2010</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.walshgallery.com/water-ways/\" target=\"_blank\">Waterways, Walsh Gallery, Chicago</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2010</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.richmondartgallery.org/in-transition.php\" target=\"_blank\">In Transition: New Art from India, Richmond Art Gallery Vancouver Biennale, Vancouver</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2010</td>\r\n            <td><a class=\"linkbio\" href=\"http://www2.webster.edu/news/releases/bringmealion_0910113.shtml\" target=\"_blank\">Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster University, curated by Jeffrey Hughes and Dana Turkovic, Cecile R. Hunt  Gallery, St. Louis, Missouri</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2010</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/www/pastExhibitions\" target=\"_blank\">Never Run Away, 2 person exhibition curated by Shaheen Merali, Stux Gallery, New York</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2010</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/artists/reena_kallat.htm?section_name=new_india\" target=\"_blank\">The Empire Strikes Back, Saatchi Gallery, London</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2010</td>\r\n            <td><a class=\"linkbio\" href=\"http://art-for-the-world.blogspot.com/2010/01/some-installation-views-of-urban.html\" target=\"_blank\">Urban Manners 2, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao Paulo, Brazil</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2009</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.asianartbiennial.org/2009/en/index_en.html\" target=\"_blank\">View Points and Viewing points - 2009 Asian Art Biennale, National Taiwan Museum of Fine Arts </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2009</td>\r\n            <td>Spectrum: Indian Art at Abu   Dhabi, United   Arab Emirates</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2009</td>\r\n            <td>Milan Galleria, curated by Georgio Verzotti, Triennale Museum, Milan</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2009</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.initialaccess.co.uk/exh/73/11/passage-to-india-part-ii/reena-saini-kallat\" target=\"_blank\">Passage to India Part II show at Initial Access, Frank Cohen Collection, Wolverhampton, UK</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2009</td>\r\n            <td>Ventosul Biennale, Curitiba, Brazil</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2009</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.mori.art.museum/english/contents/india/index.html\" target=\"_blank\"> Chalo! India: A New Era of Indian Art, National  Museum of Contemporary Art, Korea and Essl Museum, Vienna</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2009</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.mocashanghai.org/index.php?_function=exhibition&amp;_subFunction=pastExhibition&amp;exhibition_id=40&amp;_view=detail\" target=\"_blank\">INDIA XIANZAI: Contemporary Indian Art, Museum of Contemporary Art, Shanghai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2009</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/42/622\" target=\"_blank\">Low Blow: And Other Species of Confusion, Stux gallery, New York</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2009</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.casaasia.eu/actividad/detalle?id=13195\" target=\"_blank\"><em> </em>Indian Narratives in the 21<sup>st</sup> Century: Between Memory and History,Casa  Asia, Madrid and Barcelona, Spain<span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2009</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.walshgallery.com/body-chatter-an-exhibition-of-contemporary-indian-art-2008/\" target=\"_blank\">Body Chatter, Walsh Gallery, Chicago</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2008</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.mori.art.museum/contents/press/india_20081121_e.pdf\" target=\"_blank\">Chalo! India: A New Era of Indian Art, Mori Art   Museum, Japan</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2008</td>\r\n            <td>India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM Museum, Valencia, Spain </td>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2008</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.aaa.org.hk/onlineprojects/bitri/en/gallery.aspx?eid=A080.03\" target=\"_blank\">3<sup>rd</sup> Nanjing Triennale, curators: Fumihiko Sumitomo, Jaeyoung Kang,  China</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2008</td>\r\n            <td>TEAF (Taehwagang Eco Art Festival) - Dream River, Korea</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2008</td>\r\n            <td>Everywhere is War (And Rumours of it), Bodhi Art Gallery, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2008</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/33\" target=\"_blank\">Fire Walkers, Stefan Stux gallery, New York</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2008</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.galeriems.com/publications_2008.html\" target=\"_blank\">Three Points of view, Galerie Mirchandani + Steinrucke, Mumbai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2008</td>\r\n            <td>Excavation: Memory / Myth / Membrane, Museum Gallery, Mumbai</td>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2007</td>\r\n            <td>International Incheon Women Artists’ Biennale, Korea</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2007</td>\r\n            <td>Soft Power: Asian Attitude, Shanghai Zendai Museum of Modern Art, Shanghai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2007</td>\r\n            <td><a class=\"linkbio\" href=\"http://www.kunstaspekte.de/index.php?tid=39629&amp;action=termin\" target=\"_blank\">Urban Manners, curated by Adelina Von Furstenberg, at Hangar Bicocca, Milan </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2007</td>\r\n            <td>\r\n                <a class=\"linkbio\" href=\"http://www.artsblog.it/post/933/larte-contemporanea-indiana-a-milano\" target=\"_blank\">\r\n                    INDIA NOW: Contemporary Indian Art, Between Continuity and transformation, curated by Daniela Palozzoli\r\n                    at Spazio Oberdan, Milan\r\n                </a> <span style=\"color: red;\"> &gt;&gt; </span>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2007</td>\r\n            <td>New Narratives: Contemporary Art From India, curated by Betty Seid, Chicago Cultural Centre, Chicago</td>\r\n            <td><em> </em></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2007</td>\r\n            <td>Thermocline Of Art- New Asian Waves, curated by Wonil Rhee and Peter Weibel at ZKM in Karlsruhe, Germany</td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2006</td>\r\n            <td>Modern Indian Works On Paper, Arthur Ross Gallery, Philadelphia and the Georgia Museum of Art, USA</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2006</td>\r\n            <td>Lille 3000 (Maximum City-Mumbai), Lille,  France</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2006</td>\r\n            <td>Hungry God- Indian Contemporary Art, curated by Yun Chaegab and June Gwak, Arario Gallery, Beijing and Busan MoMA</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2006</td>\r\n            <td>India Express – Art and Popular Culture, Art Museum Tennispalace, curators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City  Art Museum, Finland</td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2005</td>\r\n            <td>Mom and Pop Art, Walsh Gallery, Chicago</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2005</td>\r\n            <td>Span, Sakshi Gallery, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2005</td>\r\n            <td>Indian Paintings of the New Millenium, curated by Helen Asquine Fazio at Thomas J. Walsh Art Gallery at Fairfield  University, USA</td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2004</td>\r\n            <td><em> </em>Contemporary Art from India, Thomas   Erben Gallery, New York</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2004</td>\r\n            <td>Zoom! Art in Contemporary India. Curators: Nancy Adajania and Luis Serpa, The Culturgest Museum, Lisbon, Portugal</td>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2003</td>\r\n            <td>Crossing generations: diVERGE, Gallery Chemould’s 40th anniversary, Curators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of Modern Art, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2003</td>\r\n            <td><em> </em>Hard Copy, two-person show with Jitish Kallat, Gallery 88, Calcutta</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2003</td>\r\n            <td>Tiranga, curator: Peter Nagy, India Habitat Centre, New Delhi</td>\r\n            <td><em> </em></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2003</td>\r\n            <td><em> </em>Elephant Walks, Youth Arts Project in collaboration with Jitish Kallat as part of Indians + Cowboys exhibition, Curators: Aaron Seetu and Ruth Watson Gallery 4A, Sydney</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2003</td>\r\n            <td>The Tree From The Seed, Contemporary Art from India, curator: Gavin Jantjes Henie Onstad Kunstsenter (Oslo), Norway</td>\r\n            <td><em></em></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2002</td>\r\n            <td><em>Crosscurrents</em>, organized by Artworks for the fiftieth anniversary celebrations of Jehangir Art  Gallery, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2002</td>\r\n            <td><em>Reclaim Our Freedom</em>, organized by Open Circle, Pundole Art Gallery, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2002</td>\r\n            <td>Crossing Borders, Gallery Windkracht 13, Den Helder, Holland</td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2001</td>\r\n            <td>Big River 2, CCA7 Gallery, Port Of Spain, Trinidad</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2001</td>\r\n            <td>AOM- Art on the move, organized by Sahmat, New Delhi</td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">1999</td>\r\n            <td><em> </em>Edge of the Century, curated by Amit Mukhopadhyay, Academy  of Fine Arts and Literature, New Delhi</td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">1998</td>\r\n            <td><em> </em>Essays in Time, Kinetic Sculptures, Nehru Centre, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">1997</td>\r\n            <td><em> </em>India in Harmony 1947-1997, Nehru Centre, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">1997</td>\r\n            <td><em> </em>A Page From My Diary, Sans Tache Art Gallery, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">1997</td>\r\n            <td><em> </em>Fresh Work, Birla Academy of Art and Culture, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">1996</td>\r\n            <td><em> </em>Monsoon Show, Jehangir Art Gallery, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">1995</td>\r\n            <td><em> </em>Varsha ’95, Y. B. Chavan Gallery, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td colspan=\"2\"><strong><span style=\"color: #888888;\">SELECTED WORKSHOPS AND RESIDENCIES</span></strong></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2014</td>\r\n            <td>Visas to Happiness - 3, workshop with children at the 2014 Dhaka Art Summit, Bangladesh</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2013</td>\r\n            <td><a class=\"linkbio\" href=\"http://art1stindia.wordpress.com/2012/09/09/reena-kallat-visa-to-happiness/#comments\" target=\"_blank\">Partner a Master Workshop Artist/Mentor Programme, organized by Art 1st Foundation in collaboration with Mohile Parikh Centre, Mumbai <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2012</td>\r\n            <td>Visas to Happiness, workshop with children as part of the exhibition \'To Let the World In\', Chennai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2011</td>\r\n            <td>Iaspis Residency, Gothenburg, Sweden.</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2009</td>\r\n            <td>Vanishing Point, children’s project at the Celebrate Bandra Festival, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2007</td>\r\n            <td>Collaborative workshop as part of the exhibition Aftershock, Sainsbury Centre for Visual Arts, University of East Anglia, Norwich,  UK</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2003</td>\r\n            <td>Collaborated on a Billboard project with Jitish Kallat, Kala Ghoda Art District, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2003</td>\r\n            <td>Elephant Walks, Youth Arts Project at the Casula Power House Arts Centre, Liverpool, Australia</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2002</td>\r\n            <td>Khoj 2002 International Artists Workshop, Mysore, India</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2002</td>\r\n            <td>Identity and Landscape, residency in the Laurentian mountains of Quebec at the Boreal Art/Nature Centre, Canada</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2001</td>\r\n            <td>Big River 2, International Artists Workshop organized by CCA7 and the Triangle Arts Trust at Grand Riviere, Trinidad, West Indies</td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td><span style=\"color: #888888;\"><strong>TALKS/PRESENTATIONS</strong></span></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2013</td>\r\n            <td>“Who is the Audience?” IAF 2013  I  Conversations, panel discussion with Kamini Sawhney, Matthieu Foss moderated by Ranjit Hoskote, Nehru Centre, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2013</td>\r\n            <td>“Rendezvous with the Artist” series by Asia Society at the artists studio in Mumbai, sponsored by Christies.</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2012</td>\r\n            <td>Artists Talk at the World Economic Forum, Tianjin</td>\r\n        </tr>\r\n        <tr>\r\n        <tr>\r\n            <td valign=\"top\">2012</td>\r\n            <td>\"Why I am not a woman artist” panel discussion with Anju Dodiya, moderated by Nancy Adajania at the Jehangir Nicholson Art Foundation, Prince of Wales Museum, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2011</td>\r\n            <td>Artists Talk at GIBCA Speak Easy (GSE), Goteborg</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2011</td>\r\n            <td>Informal talk at HDK – The School of Design and Crafts, Goteborg</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2011</td>\r\n            <td>Artists Talk at the Iaspis Residency Studio, Stockholm</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2010</td>\r\n            <td>Short presentation as part of The River Project at The Campbelltown Arts Centre, Sydney</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2011</td>\r\n            <td>Artists Talk at the Krishnakriti Festival 2011, Kalakriti Gallery, Hyderabad</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2010</td>\r\n            <td>Panel discussion moderated by Maria Lantz, with participating artists during the exhibition Samtidigt at Kulturhuset, Stockholm</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2009</td>\r\n            <td>Panel discussion with artist Gulam Sheikh, co-chair: Sabine B. Vogel, art critic at the Sammlung Essl Museum, Vienna</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2008</td>\r\n            <td>Slide presentation followed by a panel discussion with Nalini Malani and Jayshree Chakravarty, moderated by Nancy Adajania at Jnanapravaha, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2008</td>\r\n            <td>Slide presentation at the School of the Art Institute of Chicago</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2007</td>\r\n            <td>Panel discussion with Nalini Malani, Sheba Chhachhi, moderated by Betty Seid at the Chicago Cultural Centre</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2007</td>\r\n            <td>Lecture at the University Boccini, Milan</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2006</td>\r\n            <td>Slide presentation at the Lamar Dodd School of Art, University of Georgia, USA</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2006</td>\r\n            <td>Artists Talk at the Griffith Auditorium, Georgia Museum of Art, USA</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2003</td>\r\n            <td>Slide presentation at Oslo National Academy of the Arts, Norway</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2000</td>\r\n            <td>Slide presentation at Mohile Parikh Centre for the Visual Arts, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td colspan=\"2\"><strong><span style=\"color: #888888;\">AWARDS</span></strong></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2012</td>\r\n            <td>ZegnArt Public Award in collaboration with Dr. Bhaudaji Lad Museum, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2011</td>\r\n            <td>YFLO ZOYA Young Women Achievers Awards 2010-11, Delhi</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">2005</td>\r\n            <td>Harmony Award</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">1996</td>\r\n            <td>Bombay Art Society Merit Certificate</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">1996</td>\r\n            <td>Second Prize Government Award, Sir J. J. School of Art, Mumbai</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">1995</td>\r\n            <td>Gladstone Solomon Award</td>\r\n        </tr>\r\n        <tr>\r\n            <td valign=\"top\">1991-1996</td>\r\n            <td>Merit Scholarship, Sir J. J. School of Art, Mumbai</td>\r\n        </tr>\r\n    </tbody>\r\n</table>','Biography','','inherit','open','open','','105-revision-153','','','2014-06-28 09:03:23','2014-06-28 09:03:23','',105,'http://www.reenakallat.com/3097/uncat/105-revision-153',0,'revision','',0),(3096,1,'2014-06-28 08:57:53','2014-06-28 08:57:53','<table border=\"0\" cellspacing=\"5\" cellpadding=\"0\" width=\"100%\" align=\"centre\">\r\n    <tbody>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" width=\"21%\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td style=\"margin-left: 5px;\">\r\n                                <span class=\"pubstrong\">Reena Saini Kallat, </span> 2009<span>\r\n                                    Text: Nancy Adajania and Murtaza Vali\r\n                                    Publisher: Primo Marella Gallery, Walsh Gallery and Chemould Prescott Road\r\n                                    ISBN: 978-81-908879-1-5\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/reena-kallat\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Rainbow of Refuse, </span>2006<span>\r\n                                    Text: Nancy Adajania\r\n                                    Publisher: Bodhi Art Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/rainbow-of-refuse\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Black Flute (and other stories), </span>2005\r\n                                <span class=\"pubstrong\">Black Flute,</span> 2004<span>\r\n                                    Text: Nancy Adajania\r\n                                    Publisher: Gallery Chemould and Nature Morte Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/black-flute\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">The Battlefield is the Mind, </span>2002<span>\r\n                                    Text: Nancy Adajania\r\n                                    Publisher: Sakshi Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/battlefield-of-mind\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table cellspacing=\"0\" cellpadding=\"0\" width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Skin, </span>2000<span>\r\n                                    Interview with Jitish Kallat\r\n                                    Publisher: Gallery Chemould and Vis-à-vis Art Inc. Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr></tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Orchard of home-grown secrets, </span>1998<span>\r\n                                    Text: Ranjit Hoskote\r\n                                    Publisher: Gallery Chemould and Pundole Art Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/orchard-pub\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td colspan=\"2\"></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n            <td>\r\n                <!-- Start of Other Publications -->\r\n\r\n                <span class=\"pubstrong\">Nature Morte, 2013</span><span>\r\n                    Text: Michael Petry\r\n                    Publisher: Thames & Hudson\r\n                    ISBN: 9780500239063\r\n\r\n\r\n\r\n            <span class=\"pubstrong\">Haein Art Project, 2013</span><span>\r\n                Text:  Kim Jiyon, Leandre D’souza and Claudio Maffioletti\r\n                Publisher: Ven.Sun-Hae (Abbot of Haeinsa Temple)\r\n                ISBN: 979 1195142309 90620\r\n\r\n\r\n                <span class=\"pubstrong\">NO-MAD-NESS IN NO MAN’S LAND, 2013</span><span>\r\n                    Text:  interview by Ombretta Agro Andruff and Leeza Ahmady with Casey Amy Fan\r\n                    Publisher: The Eslite Corp.\r\n                    ISBN: 978-986-89759-7-2\r\n\r\n                    <span class=\"pubstrong\">India Side by Side, 2012</span><span>\r\n                        Text: Cibele Aldrovandi, Deepak Ananth, Flavia Galli Tatsch, Kapila Vatsyayan, Laura Cury, Rahaab Allana, Tereza de Arruda\r\n                        Publisher: The Brazilian Ministry of Culture and Banco do Brasil\r\n                        ISBN: 978-85-64170-01-8\r\n\r\n                        <span class=\"pubstrong\">India : Art Now, 2012 </span><span>\r\n                            Text: Stine Hoholt, Ranjit Hoskote, Zehra Jumabhoy\r\n                            Publisher: Hatje Cantz\r\n                        </span>\r\n                        ISBN: 978-3-7757-3411-0\r\n\r\n                        <span class=\"pubstrong\">Undervaeker – Wonders, </span>2012<span>\r\n                            Texts by Gitte Orskou, Af Theis Vallo Madsen, Jeanett Stampe\r\n                            Publisher: KUNSTEN - Museum of Modern Art Aalborg\r\n                        </span>\r\n                        ISBN: 978-87-88307-72-6\r\n\r\n                        <span class=\"pubstrong\">n.paradoxa: international feminist art journal, volume 30, </span>2012<span>\r\n                            Text: interview with Veeranganakumari Solanki\r\n                            Publisher: KT press\r\n                        </span>\r\n                        ISBN: 1461- 0434\r\n\r\n                        <span class=\"pubstrong\">The Skoda Prize Twenty, </span>2011-2012<span>\r\n                            Text: Zeenat Nagree\r\n                            Publisher: Popular Prakashan\r\n                        </span>\r\n                        ISBN: 978-81-7991-681-0\r\n\r\n                        <span class=\"pubstrong\">Pandemonium: Art in a time of creativity fever, </span>2011<span>\r\n                            Text: interview with Stina Edblom\r\n                            Publisher: Göteborg International Biennial for Contemporary Art\r\n                        </span>\r\n                        ISBN: 978-91-633-9363-1\r\n                        <span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/pandemonium\">read interview</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span>\r\n\r\n                        <span class=\"pubstrong\">The Indian Renaissance, </span>2011<span>\r\n                            Text: Antonio Stellatelli, Romano Ravasio and Marina Pizziolo\r\n\r\n                            <span class=\"pubstrong\">Vancouver Biennale, </span>2009-2011<span>\r\n                                Text: Vancouver International Sculpture Biennale\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Maximum India, </span>2011<span>\r\n                                Publisher: The John F. Kennedy Center for the Performing Arts, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Never Run Away, </span>2010<span>\r\n                                Text: Shaheen Merali\r\n                                Publisher: Stux Gallery\r\n                            </span>\r\n                            <span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/never-run-away\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span>\r\n\r\n                            <span class=\"pubstrong\">Urban Manners 2, </span>2010<span>\r\n                                Text: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\n                                Publisher: SESC Pompeia, Sao Paulo\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Empire Strikes Back, </span>2010<span>\r\n                                Text: Zehra Jumabhoy\r\n                                Publisher: Saatchi Gallery\r\n                                ISBN: 9780224089494\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The River Project, </span>2010<span>\r\n                                Publisher: Campbelltown Arts Centre\r\n                                ISBN: 9781875199761\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Asian Art Now, </span>2010<span>\r\n                                Text: Melissa Chiu and Benjamin Genocchio\r\n                                Publisher: Monacelli Press\r\n                                ISBN: 978-1-58093-298-1 (1-58093-298-3)\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Roundabout, </span>2010<span>\r\n                                Publisher: Art Asia Pacific Publishing\r\n                                ISBN: 978-0984562510\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Khoj Book, </span>2010<span>\r\n                                Interview with Shilpa Gupta\r\n                                Publisher: HarperCollins\r\n                                ISBN: 9788172236878\r\n                            </span>\r\n                            <span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/khoj-book\">read interview</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span>\r\n\r\n                            <span class=\"pubstrong\">5 Bienal Ventosul, </span>2009<span>\r\n                                Publisher: Instituto Paranaense de Arte\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Viewpoints &amp; Viewings Points- Asian Art Biennale, </span>2009<span>\r\n                                Text: Chao-yi-Tsai\r\n                                Publisher: National Taiwan Museum of fine Arts\r\n                                ISBN: 978-986-02-0269-4\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Xianzai: Contemporary Indian Art, </span>2009<span>\r\n                                Text: Jitish Kallat, Diana Freundl, Alexander Keefe\r\n                                Publisher: Museum of Contemporary Art\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2009<span>\r\n                                Text: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki,\r\n                                Miho Tagomori\r\n                                Publisher: Prestel, National Museum of Contemporary Art and Essl Museum\r\n                                ISBN: 978-3-7913-4304-4\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2008<span>\r\n                                Text: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman\r\n                                Gopinath, Jayaram, Deepak Ananth\r\n                                Publisher: Mori Art Museum\r\n                                ISBN: 978-4-902819-21-2\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Moderna, </span>2008<span>\r\n                                Text: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur,\r\n                                R. Siva Kumar, K.G. Subramanyan\r\n                                Publisher: IVAM (Institute Valencia D’Art Modern)\r\n                                ISBN: 978-84-482-5104-8\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Everywhere is War (and rumours of it),</span>2008<span>\r\n                                Text: Kai Hafez, Martin Hager, Nicholas Mirzoeff, Daniel Miller,\r\n                                Bregje van Eekelen\r\n                                Publisher: Bodhi Art Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Three Points of Views, </span>2008<span>\r\n                                Text: Grant Watson\r\n                                Publisher: Galerie Mirchandani + Steinruecke\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">New Narratives: Contemporary Art from India, </span>2008<span>\r\n                                Text: Betty Seid with contributions by Johan Pijnappel\r\n                                Publisher: Mapin Publication in association with Chicago Cultural Center\r\n                                ISBN: 978-1-890206-08-6\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Made by Indians, </span>2007<span>\r\n                                Text: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\n                                Publisher: Galerie Enrico Navarra\r\n                                ISBN: 2-911596-37-4\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Thermocline of Art: New Asian Waves, </span>2007<span>\r\n                                Text:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong\r\n                                Publisher: Hatje Cantz Vertag\r\n                                ISBN: 978-3-7757-2073-1\r\n                                EAN: 9782911596377\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Indian Colour, </span>2007<span>\r\n                                Text: Peter Nagy\r\n                                Publisher: Dal- seung Hwang, Keumsan Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Arte Oggi, </span>2007<span>\r\n                                Text:  Daniela Palazzoli\r\n                                Publisher: Spazio Oberdan\r\n                                ISBN: 978-88-202-1867-6\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Urban Manners, </span>2007<span>\r\n                                Text: Adelina Von Furstenberg and Nancy Adajania\r\n                                Publisher: Hangar Bicocca\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">International Incheon Women Artists’ Biennale,</span>\r\n                            <span class=\"pubstrong\">Knocking on the Door, </span>2007<span>\r\n                                Text: Sung Hee Kim, John C. Welchman\r\n                                Publisher: Incheon Culture and Art Centre\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Soft Power: Asian Attitude, </span>2007<span>\r\n                                Text: Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\n                                Publisher: Shanghai Zendai Mumsem of Modern Art\r\n                                ISBN: 978-7-5356-2790-2\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Express- Art and Popular Culture, </span>2006<span>\r\n                                Text: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze\r\n                                Publisher: Helsinki City Art Museum\r\n                                ISBN: 951-8965-61-7\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Bombay L’album Maximum City, </span>2006<span>\r\n                                Text: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\n                                Publisher: Terrail, Lille 3000\r\n                                ISBN: 2-87939-325-6\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Indian Paintings of the New Millennium, </span>2005<span>\r\n                                Text: Helen Asquine  Fazio, Gayatri Sinha\r\n                                Publisher: Quick Arts Center, Fairfield University\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">A Guide to 101 Modern &amp; Contemporary Indian Artists, </span>2005<span>\r\n                                Text: Amrita Jhaveri\r\n                                Publisher: India Book House\r\n                                ISBN: 81-7508-423-5\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Zoom! Art in Contemporary India, </span>2004<span>\r\n                                Texts: Luis Serpa and Nancy Adajania\r\n                                Publisher: The Culturgest Museum\r\n                                ISBN: 972-769-033-5\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Interlude in Sri Lanka, </span>2004<span>\r\n                                Text: Ranjit Hoskote and Nancy Adajania\r\n                                Publisher: The Guild Art Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Generation I, </span>2004<span>\r\n                                Text: Zehra Jumabhoy\r\n                                Publisher: Saffronart &amp; The Guild Art Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Tiranga Rights and Reponsibilities, </span>2003<span>\r\n                                Text: Peter Nagy\r\n                                Publisher: Jindal Foundation &amp; Creative Arts\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Hard Copy, </span>2003<span>\r\n                                Text: Peter Nagy\r\n                                Publisher: Galerie 88\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Crossing Generations: diVERGE, </span>2003<span>\r\n                                Text: Geeta Kapoor and Chaitanya Sambrani\r\n                                Publisher: Gallery Chemould\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\" style=\"color: #000000;\">PRESS</span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.timeoutmumbai.net/art/features/suspense\" target=\"_blank\">In Suspense </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Phalguni Desai , Timeout Mumbai,  March  2014\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artdaily.com/news/68958/Chemould-Prescott-Road-celebrates-fifty-years-of-contemporary-art-with-Aesthetic-Bind--Floating-World#.Uz5us_mSxVk\" target=\"_blank\">Chemould Prescott Road celebrates fifty years of contemporary art with Aesthetic Bind: Floating World </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Geeta Kapur, Art Daily, 24th March 2014\r\n                            </span>\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.timeoutbengaluru.net/art/features/gild-trip\" target=\"_blank\">A series of exhibitions marking the 50th anniversary of a gallery</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Karanjeet Kaur, 30th August 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.caravanmagazine.in/print/4116\" target=\"_blank\">The Dreamers</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Shanoor Seervai, 1st January 2014\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.wallpaper.com/art/zegnart-enlists-reena-kallat-to-create-a-site-specific-artwork-in-mumbai/6292\" target=\"_blank\">ZegnArt enlists Reena Kallat to create a site-specific artwork in Mumbai,</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                JJ Martin, Wallpaper, 18th January 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.timeoutmumbai.net/art/features/web-design\" target=\"_blank\">Web design</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Karanjeet Kaur,Timeout Magazine, pg 26-28, 15th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artribune.com/2013/03/una-ragnatela-fra-italia-e-india-inaugurata-a-mumbai-lopera-di-reena-kallat-per-il-progetto-zegnart-public-qui-ci-sono-immagini-video-e-intervista-allartista/\" target=\"_blank\">Arte pubblica a Mumbai. Intervista con Anna Zegna</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Daniele Perra, Art Tribune, 1st March 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://in.blouinartinfo.com/news/story/885613/reena-kallat-on-her-mammoth-1-ton-rubber-stamp-cobweb-at-the\" target=\"_blank\">Reena Kallat On Her Mammoth, 1-ton Rubber-Stamp Cobweb at the Bhau Daji Lad Museum, Mumbai</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Rosalyn D\'Mello, Blouinart, April 1, 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.thehindu.com/features/magazine/putting-her-stamp-on-it/article4484175.ece\" target=\"_blank\">Putting her stamp on it</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Ramya Sarma, The Hindu, 9th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.business-standard.com/article/beyond-business/stamp-over-mumbai-113030800509_1.html\" target=\"_blank\">Stamp over Mumbai</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Kishore Singh, Business Standard, New Delhi  8th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.dnaindia.com/lifestyle/report_weaving-a-tangled-web_1806665\" target=\"_blank\">Weaving a tangled web</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Deepanjana Pal, DNA, 3rd March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.dnaindia.com/lifestyle/report_web-of-history_1810815\" target=\"_blank\">Web of history </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Sanaya Chavda, DNA, 13th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindustantimes.com/Entertainment/Art/Web-of-history-Reena-Kallat-s-installation/Article1-1027359.aspx\" target=\"_blank\">Web of history </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Shweta Mehta, Hindustan Times, 16th March 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://blog.saffronart.com/2013/03/14/reena-kallats-untitled-cobwebscrossings/\" target=\"_blank\">Public Art installation by Reena Kallat at the Dr. Bhau Daji Lad Museum in Mumbai </a> </span> <font color=\"red\">  >> </font><span>\r\n                                Manjari Sihare, Saffron blog,Posted on 14th March  2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Weaving into  networks, Buliding Cobwebs: Musings over Reena Saini Kallat’s recent work </span> <span>\r\n                                Parni Ray, Take on Art/Eleven, pg 98, Volume lll\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Stamping ground </span><span>\r\n                                Deepanjana Pal, Wallpaper magazine, pg 193 – 194, May 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Editorial</span><span>\r\n                                Kaiwan Mehta, Domus, pg 5 – 10, April 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Web Design</span> <span>\r\n                                Chumki Bharadwaj, India Today, pg 45 – 46, April 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Art Outside  </span> <span>\r\n                                Pavitra Mohan, Architectural Digest, pg 98, March-April 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://inditerrain.indiaartndesign.com/2013/03/of-cobwebs-crossings.html\" target=\"_blank\">Of Cobwebs & Crossings </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Jigna Padhiar, India Art & Design, 1st March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://prestige-singapore.com.sg/2013/04/arts-raj\" target=\"_blank\">Art\'s the Raj</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Dylan Boey, Prestige Singapore, 3rd April 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\">Adrift in unknown waters: Reena Saini Kallat and the Art of letting go</span><span>\r\n                                Parni Ray,  Artfair Magazine, Issue-3, pg 48 – 51, 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://shobanarayan.com/2012/02/04/about-jitish-kallat-and-reena-saini-kallat/\" target=\"_blank\">Walking the Art talk with the Kallats</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Shobha Narayan, Live Mint, February 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.tribuneindia.com/2012/20120219/spectrum/main2.htm\" target=\"_blank\">Spectrum New Visual Idiom</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                The Tribune, February 19, 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artnewsnviews.com/view-article.php?article=g-teborg-international-biennial&iid=25&articleid=678\" target=\"_blank\">Goteborg International Biennial</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Art Etc, Vol.4, No. 2, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Helsinki taidemuseo.fi-Journal, </span> January 2011<span>\r\n                            </span>\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://indiatoday.intoday.in/site/story/brush-with-reality/1/134582.html\">Brush With Reality </a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Sumaiya Khan, India Today Woman, pg. 20-21, April 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">System overload </span><span>\r\n                                Shweta Upadhyay, Timeout Delhi, March 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artslant.com/ind/articles/show/22573\" target=\"_blank\">Picking up the past</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Parni Ray, www.artslant.com, 4th April 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://iipdigital.usembassy.gov/st/english/article/2011/03/20110307133535drawoh0.7282221.html#axzz34yECziHk\">Art at “maximum INDIA” Festival Evokes Cultural Memory and Loss</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Howard Cincotta, www.america.gov, March 7, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.signonsandiego.com/news/2011/mar/02/kennedy-center-opens-3-week-india-arts-festival/\">Kennedy Center opens 3-week India arts festival</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Brett Zongker, www.signonsnadiego.com, 2nd March 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Eye and the Mind: New Interventions in Contemporary Indian Art </span><span>\r\n                                Rajeev Lochan, India Perspectives, Vol. 24, No. 6, 2010\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artradarjournal.com/2010/04/20/indian-contemporary-artist-reena-kallat-art-radar-exclusive-interview/\">Interview, Art Radar Asia </a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span><span>\r\n                                April 20, 2010\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Archives of the Heart</span><span>\r\n                                Nancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\n                                Front Cover, pgs 42-45, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Globale Kunst Mit Wurzelduft</span><span>\r\n                                Von Almuth Speigler, Die Presse, Feuilleton, 2nd September 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Landscapes of Loss</span><span>\r\n                                Beth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Reincarnating History</span><span>\r\n                                The Big Picture, Architect and Interiors, July 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Stamp Collection</span><span>\r\n                                Georgina Maddox, The Sunday Express, 17th May 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Evolving Beyond Borders</span><span>\r\n                                Reshma S. Kulkarni, Bombay Times, Times of India, 15th January, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Loss and Found</span><span>\r\n                                Marina Correa, DNA, Mumbai, 22nd January 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Focus India</span><span>\r\n                                Megha Ralapati, Flash Art, pg 114, January-February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Come Together Right Now</span><span>\r\n                                Reema Gehi, HT Café, 15th February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Such a Long Journey</span><span>\r\n                                Aparna S Sharma, Elle Magazine, pgs 115-117, February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">More than a Woman</span><span>\r\n                                Georgina Maddox, The Indian Express, Mumbai Newsline, 4th February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Artist of the Fortnight</span><span>\r\n                                Maria Louis, Outlook Profit, pg 79, 18th April 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Deja View</span><span>\r\n                                Tara Khilachand, Live Mint, 20th December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Terror Struck</span><span>\r\n                                Maria Louis, Outlook Profit, 26th December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Name Calling</span><span>\r\n                                Deepanjana Pal, Timeout Mumbai, December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Corruptions of Power</span>\r\n                            <span>Shiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99, 2007</span>\r\n\r\n                            <span class=\"pubstrong\">Over the Rainbow</span><span>\r\n                                Maria Louis, Interview, Verve Magazine, pg 78, November 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindu.com/mag/2006/10/29/stories/2006102900070200.htm\">In a State of Perennial Siege</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span><span>\r\n                                Nancy Adajania, The Hindu, Hyderabad, 29th October 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Her Crowning Achievement</span><span>\r\n                                Clara Chow, The Straits Times, 18th November 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Political Chaos</span><span>\r\n                                Deepali Nandwani, Beautiful people, pg 143, November-December 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Weapons of Mass Construction</span><span>\r\n                                Rituparna Som, DNA after Hrs, Mumbai, 9th October, 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Guns and Roses</span><span>\r\n                                Rachna Nakra, The Indian Express, Mumbai Newsline, 18th September 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Under Attack</span><span>\r\n                                Gitanjali Dang, HT Mumbai, 22nd September 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Time Traveller</span><span>\r\n                                Georgina Maddox, The Indian Express, Mumbai Newsline, 27th June 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Flower and the Sword</span><span>\r\n                                Girish Shahane, The Art News magazine of India, pg 93, volume X issue I, 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India’s Top 100 Achievers</span><span>\r\n                                Society Magazine, pg 137, December 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Caught Between Demons<span style=\"font-weight: normal; color: red;\"></span></span><span>\r\n                                Nancy Adajania, The Hindu, 19th December 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">En Reise Til India</span><span>\r\n                                Harald Flor, Dagbladet, Kultur, 2nd February 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Signs of Resistance</span><span>\r\n                                Nancy Adajania, The Hindu, 5th January 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Of the Goddess and Demon in the Mind</span><span>\r\n                                Debbie Rodgers, Sunday edition Vijay Times, Bangalore, 5th January 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Empathic Anger</span><span>\r\n                                Marta Jakimowicz, Deccan Herald, 23rd December 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Mysore Ek Khoj</span>\r\n                            Cross Fertilization of Culture, Interview in Star of Mysore, 27th October 2002\r\n\r\n                            <span class=\"pubstrong\">Linking Islands</span><span>\r\n                                Menaka Jayasankar, Indian Express, Mumbai Newsline, 15th February 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Creating to Destroy</span><span>\r\n                                Jasmine Shah Varma, The List, Mid Day, 22nd February 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Different Strokes</span><span>\r\n                                Georgina L Maddox, The Indian Express, Mumbai Newsline, 24th July 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a target=\"_blank\" href=\"http://www.reenakallat.com/wp-content/uploads/2011/09/Faith%20and%20Hunger.pdf\" style=\"color: rgb(135, 135, 135);\">Of Faith and Hunger</a><font style=\"font-weight:normal;\" color=\"red\">  >> </font></span>\r\n                        </span><span>\r\n                            Abhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89, December 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">The Murmur of Skin</span><span>\r\n                            Nupur Mahajan, Bombay Times, Times of India, 12th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Not just Skin Deep</span><span>\r\n                            Jasmine Shah Varma, The List, Mid-day, 4th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Inside Out</span><span>\r\n                            Menaka Jayasankar, Indian Express, Mumbai Newsline, 11th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Scintillating Skin</span><span>\r\n                            Vaibhav Purandare, The Asian Age, 14th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">An Artist’s World: Roti, Makaan &amp; Abstract Art</span><span>\r\n                            Poonam Goel, HT City, 23rd December 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Within you, Without you</span><span>\r\n                            Anu Kumar, Indian Express, Express Newsline, 2nd September 1998\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Farming Intrigue</span><span>\r\n                            Jerry Pinto, The Times of India, Bombay Times, 3rd September 1998\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Interactive Medium</span><span>\r\n                            Karen Pereira, Indian Architect &amp; Builder, pgs 102-104, October 1998\r\n                        </span>\r\n</td>\r\n        </tr>\r\n    </tbody>\r\n</table>','Publications','','inherit','open','open','','87-revision-218','','','2014-06-28 08:57:53','2014-06-28 08:57:53','',87,'http://www.reenakallat.com/3096/uncat/87-revision-218',0,'revision','',0),