(3098,1,'2014-06-28 09:27:31','2014-06-28 09:27:31','<table border=\"0\" cellspacing=\"5\" cellpadding=\"0\" width=\"100%\" align=\"centre\">\r\n    <tbody>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" width=\"21%\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td style=\"margin-left: 5px;\">\r\n                                <span class=\"pubstrong\">Reena Saini Kallat, </span> 2009<span>\r\n                                    Text: Nancy Adajania and Murtaza Vali\r\n                                    Publisher: Primo Marella Gallery, Walsh Gallery and Chemould Prescott Road\r\n                                    ISBN: 978-81-908879-1-5\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/reena-kallat\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Rainbow of Refuse, </span>2006<span>\r\n                                    Text: Nancy Adajania\r\n                                    Publisher: Bodhi Art Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/rainbow-of-refuse\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Black Flute (and other stories), </span>2005\r\n                                <span class=\"pubstrong\">Black Flute,</span> 2004<span>\r\n                                    Text: Nancy Adajania\r\n                                    Publisher: Gallery Chemould and Nature Morte Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/black-flute\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">The Battlefield is the Mind, </span>2002<span>\r\n                                    Text: Nancy Adajania\r\n                                    Publisher: Sakshi Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/battlefield-of-mind\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table cellspacing=\"0\" cellpadding=\"0\" width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Skin, </span>2000<span>\r\n                                    Interview with Jitish Kallat\r\n                                    Publisher: Gallery Chemould and Vis-à-vis Art Inc. Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr></tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Orchard of home-grown secrets, </span>1998<span>\r\n                                    Text: Ranjit Hoskote\r\n                                    Publisher: Gallery Chemould and Pundole Art Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/orchard-pub\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td colspan=\"2\"></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n            <td>\r\n                <!-- Start of Other Publications -->\r\n\r\n                <span class=\"pubstrong\">Nature Morte, 2013</span><span>\r\n                    Text: Michael Petry\r\n                    Publisher: Thames & Hudson\r\n                    ISBN: 9780500239063\r\n\r\n\r\n\r\n            <span class=\"pubstrong\">Haein Art Project, 2013</span><span>\r\n                Text:  Kim Jiyon, Leandre D’souza and Claudio Maffioletti\r\n                Publisher: Ven.Sun-Hae (Abbot of Haeinsa Temple)\r\n                ISBN: 979 1195142309 90620\r\n\r\n\r\n                <span class=\"pubstrong\">NO-MAD-NESS IN NO MAN’S LAND, 2013</span><span>\r\n                    Text:  interview by Ombretta Agro Andruff and Leeza Ahmady with Casey Amy Fan\r\n                    Publisher: The Eslite Corp.\r\n                    ISBN: 978-986-89759-7-2\r\n\r\n                    <span class=\"pubstrong\">India Side by Side, 2012</span><span>\r\n                        Text: Cibele Aldrovandi, Deepak Ananth, Flavia Galli Tatsch, Kapila Vatsyayan, Laura Cury, Rahaab Allana, Tereza de Arruda\r\n                        Publisher: The Brazilian Ministry of Culture and Banco do Brasil\r\n                        ISBN: 978-85-64170-01-8\r\n\r\n                        <span class=\"pubstrong\">India : Art Now, 2012 </span><span>\r\n                            Text: Stine Hoholt, Ranjit Hoskote, Zehra Jumabhoy\r\n                            Publisher: Hatje Cantz\r\n                        </span>\r\n                        ISBN: 978-3-7757-3411-0\r\n\r\n                        <span class=\"pubstrong\">Undervaeker – Wonders, </span>2012<span>\r\n                            Texts by Gitte Orskou, Af Theis Vallo Madsen, Jeanett Stampe\r\n                            Publisher: KUNSTEN - Museum of Modern Art Aalborg\r\n                        </span>\r\n                        ISBN: 978-87-88307-72-6\r\n\r\n                        <span class=\"pubstrong\">n.paradoxa: international feminist art journal, volume 30, </span>2012<span>\r\n                            Text: interview with Veeranganakumari Solanki\r\n                            Publisher: KT press\r\n                        </span>\r\n                        ISBN: 1461- 0434\r\n\r\n                        <span class=\"pubstrong\">The Skoda Prize Twenty, </span>2011-2012<span>\r\n                            Text: Zeenat Nagree\r\n                            Publisher: Popular Prakashan\r\n                        </span>\r\n                        ISBN: 978-81-7991-681-0\r\n\r\n                        <span class=\"pubstrong\">Pandemonium: Art in a time of creativity fever, </span>2011<span>\r\n                            Text: interview with Stina Edblom\r\n                            Publisher: Göteborg International Biennial for Contemporary Art\r\n                        </span>\r\n                        ISBN: 978-91-633-9363-1\r\n                        <span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/pandemonium\">read interview</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span>\r\n\r\n                        <span class=\"pubstrong\">The Indian Renaissance, </span>2011<span>\r\n                            Text: Antonio Stellatelli, Romano Ravasio and Marina Pizziolo\r\n\r\n                            <span class=\"pubstrong\">Vancouver Biennale, </span>2009-2011<span>\r\n                                Text: Vancouver International Sculpture Biennale\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Maximum India, </span>2011<span>\r\n                                Publisher: The John F. Kennedy Center for the Performing Arts, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Never Run Away, </span>2010<span>\r\n                                Text: Shaheen Merali\r\n                                Publisher: Stux Gallery\r\n                            </span>\r\n                            <span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/never-run-away\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span>\r\n\r\n                            <span class=\"pubstrong\">Urban Manners 2, </span>2010<span>\r\n                                Text: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\n                                Publisher: SESC Pompeia, Sao Paulo\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Empire Strikes Back, </span>2010<span>\r\n                                Text: Zehra Jumabhoy\r\n                                Publisher: Saatchi Gallery\r\n                                ISBN: 9780224089494\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The River Project, </span>2010<span>\r\n                                Publisher: Campbelltown Arts Centre\r\n                                ISBN: 9781875199761\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Asian Art Now, </span>2010<span>\r\n                                Text: Melissa Chiu and Benjamin Genocchio\r\n                                Publisher: Monacelli Press\r\n                                ISBN: 978-1-58093-298-1 (1-58093-298-3)\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Roundabout, </span>2010<span>\r\n                                Publisher: Art Asia Pacific Publishing\r\n                                ISBN: 978-0984562510\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Khoj Book, </span>2010<span>\r\n                                Interview with Shilpa Gupta\r\n                                Publisher: HarperCollins\r\n                                ISBN: 9788172236878\r\n                            </span>\r\n                            <span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/khoj-book\">read interview</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span>\r\n\r\n                            <span class=\"pubstrong\">5 Bienal Ventosul, </span>2009<span>\r\n                                Publisher: Instituto Paranaense de Arte\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Viewpoints &amp; Viewings Points- Asian Art Biennale, </span>2009<span>\r\n                                Text: Chao-yi-Tsai\r\n                                Publisher: National Taiwan Museum of fine Arts\r\n                                ISBN: 978-986-02-0269-4\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Xianzai: Contemporary Indian Art, </span>2009<span>\r\n                                Text: Jitish Kallat, Diana Freundl, Alexander Keefe\r\n                                Publisher: Museum of Contemporary Art\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2009<span>\r\n                                Text: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki,\r\n                                Miho Tagomori\r\n                                Publisher: Prestel, National Museum of Contemporary Art and Essl Museum\r\n                                ISBN: 978-3-7913-4304-4\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2008<span>\r\n                                Text: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman\r\n                                Gopinath, Jayaram, Deepak Ananth\r\n                                Publisher: Mori Art Museum\r\n                                ISBN: 978-4-902819-21-2\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Moderna, </span>2008<span>\r\n                                Text: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur,\r\n                                R. Siva Kumar, K.G. Subramanyan\r\n                                Publisher: IVAM (Institute Valencia D’Art Modern)\r\n                                ISBN: 978-84-482-5104-8\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Everywhere is War (and rumours of it),</span>2008<span>\r\n                                Text: Kai Hafez, Martin Hager, Nicholas Mirzoeff, Daniel Miller,\r\n                                Bregje van Eekelen\r\n                                Publisher: Bodhi Art Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Three Points of Views, </span>2008<span>\r\n                                Text: Grant Watson\r\n                                Publisher: Galerie Mirchandani + Steinruecke\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">New Narratives: Contemporary Art from India, </span>2008<span>\r\n                                Text: Betty Seid with contributions by Johan Pijnappel\r\n                                Publisher: Mapin Publication in association with Chicago Cultural Center\r\n                                ISBN: 978-1-890206-08-6\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Made by Indians, </span>2007<span>\r\n                                Text: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\n                                Publisher: Galerie Enrico Navarra\r\n                                ISBN: 2-911596-37-4\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Thermocline of Art: New Asian Waves, </span>2007<span>\r\n                                Text:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong\r\n                                Publisher: Hatje Cantz Vertag\r\n                                ISBN: 978-3-7757-2073-1\r\n                                EAN: 9782911596377\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Indian Colour, </span>2007<span>\r\n                                Text: Peter Nagy\r\n                                Publisher: Dal- seung Hwang, Keumsan Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Arte Oggi, </span>2007<span>\r\n                                Text:  Daniela Palazzoli\r\n                                Publisher: Spazio Oberdan\r\n                                ISBN: 978-88-202-1867-6\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Urban Manners, </span>2007<span>\r\n                                Text: Adelina Von Furstenberg and Nancy Adajania\r\n                                Publisher: Hangar Bicocca\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">International Incheon Women Artists’ Biennale,</span>\r\n                            <span class=\"pubstrong\">Knocking on the Door, </span>2007<span>\r\n                                Text: Sung Hee Kim, John C. Welchman\r\n                                Publisher: Incheon Culture and Art Centre\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Soft Power: Asian Attitude, </span>2007<span>\r\n                                Text: Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\n                                Publisher: Shanghai Zendai Mumsem of Modern Art\r\n                                ISBN: 978-7-5356-2790-2\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Express- Art and Popular Culture, </span>2006<span>\r\n                                Text: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze\r\n                                Publisher: Helsinki City Art Museum\r\n                                ISBN: 951-8965-61-7\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Bombay L’album Maximum City, </span>2006<span>\r\n                                Text: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\n                                Publisher: Terrail, Lille 3000\r\n                                ISBN: 2-87939-325-6\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Indian Paintings of the New Millennium, </span>2005<span>\r\n                                Text: Helen Asquine  Fazio, Gayatri Sinha\r\n                                Publisher: Quick Arts Center, Fairfield University\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">A Guide to 101 Modern &amp; Contemporary Indian Artists, </span>2005<span>\r\n                                Text: Amrita Jhaveri\r\n                                Publisher: India Book House\r\n                                ISBN: 81-7508-423-5\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Zoom! Art in Contemporary India, </span>2004<span>\r\n                                Texts: Luis Serpa and Nancy Adajania\r\n                                Publisher: The Culturgest Museum\r\n                                ISBN: 972-769-033-5\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Interlude in Sri Lanka, </span>2004<span>\r\n                                Text: Ranjit Hoskote and Nancy Adajania\r\n                                Publisher: The Guild Art Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Generation I, </span>2004<span>\r\n                                Text: Zehra Jumabhoy\r\n                                Publisher: Saffronart &amp; The Guild Art Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Tiranga Rights and Reponsibilities, </span>2003<span>\r\n                                Text: Peter Nagy\r\n                                Publisher: Jindal Foundation &amp; Creative Arts\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Hard Copy, </span>2003<span>\r\n                                Text: Peter Nagy\r\n                                Publisher: Galerie 88\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Crossing Generations: diVERGE, </span>2003<span>\r\n                                Text: Geeta Kapoor and Chaitanya Sambrani\r\n                                Publisher: Gallery Chemould\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\" style=\"color: #000000;\">PRESS</span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.timeoutmumbai.net/art/features/suspense\" target=\"_blank\">In Suspense </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Phalguni Desai , Timeout Mumbai,  March  2014\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artdaily.com/news/68958/Chemould-Prescott-Road-celebrates-fifty-years-of-contemporary-art-with-Aesthetic-Bind--Floating-World#.Uz5us_mSxVk\" target=\"_blank\">Chemould Prescott Road celebrates fifty years of contemporary art with Aesthetic Bind: Floating World </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Geeta Kapur, Art Daily, 24th March 2014\r\n                            </span>\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.timeoutbengaluru.net/art/features/gild-trip\" target=\"_blank\">A series of exhibitions marking the 50th anniversary of a gallery</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Karanjeet Kaur, 30th August 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.caravanmagazine.in/print/4116\" target=\"_blank\">The Dreamers</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Shanoor Seervai, 1st January 2014\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.wallpaper.com/art/zegnart-enlists-reena-kallat-to-create-a-site-specific-artwork-in-mumbai/6292\" target=\"_blank\">ZegnArt enlists Reena Kallat to create a site-specific artwork in Mumbai,</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                JJ Martin, Wallpaper, 18th January 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.timeoutmumbai.net/art/features/web-design\" target=\"_blank\">Web design</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Karanjeet Kaur,Timeout Magazine, pg 26-28, 15th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artribune.com/2013/03/una-ragnatela-fra-italia-e-india-inaugurata-a-mumbai-lopera-di-reena-kallat-per-il-progetto-zegnart-public-qui-ci-sono-immagini-video-e-intervista-allartista/\" target=\"_blank\">Arte pubblica a Mumbai. Intervista con Anna Zegna</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Daniele Perra, Art Tribune, 1st March 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://in.blouinartinfo.com/news/story/885613/reena-kallat-on-her-mammoth-1-ton-rubber-stamp-cobweb-at-the\" target=\"_blank\">Reena Kallat On Her Mammoth, 1-ton Rubber-Stamp Cobweb at the Bhau Daji Lad Museum, Mumbai</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Rosalyn D\'Mello, Blouinart, April 1, 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.thehindu.com/features/magazine/putting-her-stamp-on-it/article4484175.ece\" target=\"_blank\">Putting her stamp on it</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Ramya Sarma, The Hindu, 9th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.business-standard.com/article/beyond-business/stamp-over-mumbai-113030800509_1.html\" target=\"_blank\">Stamp over Mumbai</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Kishore Singh, Business Standard, New Delhi  8th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.dnaindia.com/lifestyle/report_weaving-a-tangled-web_1806665\" target=\"_blank\">Weaving a tangled web</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Deepanjana Pal, DNA, 3rd March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.dnaindia.com/lifestyle/report_web-of-history_1810815\" target=\"_blank\">Web of history </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Sanaya Chavda, DNA, 13th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindustantimes.com/Entertainment/Art/Web-of-history-Reena-Kallat-s-installation/Article1-1027359.aspx\" target=\"_blank\">Web of history </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Shweta Mehta, Hindustan Times, 16th March 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://blog.saffronart.com/2013/03/14/reena-kallats-untitled-cobwebscrossings/\" target=\"_blank\">Public Art installation by Reena Kallat at the Dr. Bhau Daji Lad Museum in Mumbai </a> </span> <font color=\"red\">  >> </font><span>\r\n                                Manjari Sihare, Saffron blog,Posted on 14th March  2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Weaving into  networks, Buliding Cobwebs: Musings over Reena Saini Kallat’s recent work </span> <span>\r\n                                Parni Ray, Take on Art/Eleven, pg 98, Volume lll\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Stamping ground </span><span>\r\n                                Deepanjana Pal, Wallpaper magazine, pg 193 – 194, May 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Editorial</span><span>\r\n                                Kaiwan Mehta, Domus, pg 5 – 10, April 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Web Design</span> <span>\r\n                                Chumki Bharadwaj, India Today, pg 45 – 46, April 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Art Outside  </span> <span>\r\n                                Pavitra Mohan, Architectural Digest, pg 98, March-April 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://inditerrain.indiaartndesign.com/2013/03/of-cobwebs-crossings.html\" target=\"_blank\">Of Cobwebs & Crossings </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Jigna Padhiar, India Art & Design, 1st March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://prestige-singapore.com.sg/2013/04/arts-raj\" target=\"_blank\">Art\'s the Raj</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Dylan Boey, Prestige Singapore, 3rd April 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\">Adrift in unknown waters: Reena Saini Kallat and the Art of letting go</span><span>\r\n                                Parni Ray,  Artfair Magazine, Issue-3, pg 48 – 51, 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://shobanarayan.com/2012/02/04/about-jitish-kallat-and-reena-saini-kallat/\" target=\"_blank\">Walking the Art talk with the Kallats</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Shobha Narayan, Live Mint, February 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.tribuneindia.com/2012/20120219/spectrum/main2.htm\" target=\"_blank\">Spectrum New Visual Idiom</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                The Tribune, February 19, 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artnewsnviews.com/view-article.php?article=g-teborg-international-biennial&iid=25&articleid=678\" target=\"_blank\">Goteborg International Biennial</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Art Etc, Vol.4, No. 2, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Helsinki taidemuseo.fi-Journal, </span> January 2011<span>\r\n                            </span>\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://indiatoday.intoday.in/site/story/brush-with-reality/1/134582.html\">Brush With Reality </a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Sumaiya Khan, India Today Woman, pg. 20-21, April 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">System overload </span><span>\r\n                                Shweta Upadhyay, Timeout Delhi, March 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artslant.com/ind/articles/show/22573\" target=\"_blank\">Picking up the past</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Parni Ray, www.artslant.com, 4th April 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://iipdigital.usembassy.gov/st/english/article/2011/03/20110307133535drawoh0.7282221.html#axzz34yECziHk\">Art at “maximum INDIA” Festival Evokes Cultural Memory and Loss</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Howard Cincotta, www.america.gov, March 7, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.signonsandiego.com/news/2011/mar/02/kennedy-center-opens-3-week-india-arts-festival/\">Kennedy Center opens 3-week India arts festival</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Brett Zongker, www.signonsnadiego.com, 2nd March 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Eye and the Mind: New Interventions in Contemporary Indian Art </span><span>\r\n                                Rajeev Lochan, India Perspectives, Vol. 24, No. 6, 2010\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artradarjournal.com/2010/04/20/indian-contemporary-artist-reena-kallat-art-radar-exclusive-interview/\">Interview, Art Radar Asia </a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span><span>\r\n                                April 20, 2010\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Archives of the Heart</span><span>\r\n                                Nancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\n                                Front Cover, pgs 42-45, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Globale Kunst Mit Wurzelduft</span><span>\r\n                                Von Almuth Speigler, Die Presse, Feuilleton, 2nd September 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Landscapes of Loss</span><span>\r\n                                Beth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Reincarnating History</span><span>\r\n                                The Big Picture, Architect and Interiors, July 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Stamp Collection</span><span>\r\n                                Georgina Maddox, The Sunday Express, 17th May 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Evolving Beyond Borders</span><span>\r\n                                Reshma S. Kulkarni, Bombay Times, Times of India, 15th January, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Loss and Found</span><span>\r\n                                Marina Correa, DNA, Mumbai, 22nd January 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Focus India</span><span>\r\n                                Megha Ralapati, Flash Art, pg 114, January-February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Come Together Right Now</span><span>\r\n                                Reema Gehi, HT Café, 15th February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Such a Long Journey</span><span>\r\n                                Aparna S Sharma, Elle Magazine, pgs 115-117, February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">More than a Woman</span><span>\r\n                                Georgina Maddox, The Indian Express, Mumbai Newsline, 4th February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Artist of the Fortnight</span><span>\r\n                                Maria Louis, Outlook Profit, pg 79, 18th April 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Deja View</span><span>\r\n                                Tara Khilachand, Live Mint, 20th December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Terror Struck</span><span>\r\n                                Maria Louis, Outlook Profit, 26th December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Name Calling</span><span>\r\n                                Deepanjana Pal, Timeout Mumbai, December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Corruptions of Power</span>\r\n                            <span>Shiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99, 2007</span>\r\n\r\n                            <span class=\"pubstrong\">Over the Rainbow</span><span>\r\n                                Maria Louis, Interview, Verve Magazine, pg 78, November 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindu.com/mag/2006/10/29/stories/2006102900070200.htm\">In a State of Perennial Siege</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span><span>\r\n                                Nancy Adajania, The Hindu, Hyderabad, 29th October 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Her Crowning Achievement</span><span>\r\n                                Clara Chow, The Straits Times, 18th November 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Political Chaos</span><span>\r\n                                Deepali Nandwani, Beautiful people, pg 143, November-December 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Weapons of Mass Construction</span><span>\r\n                                Rituparna Som, DNA after Hrs, Mumbai, 9th October, 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Guns and Roses</span><span>\r\n                                Rachna Nakra, The Indian Express, Mumbai Newsline, 18th September 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Under Attack</span><span>\r\n                                Gitanjali Dang, HT Mumbai, 22nd September 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Time Traveller</span><span>\r\n                                Georgina Maddox, The Indian Express, Mumbai Newsline, 27th June 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Flower and the Sword</span><span>\r\n                                Girish Shahane, The Art News magazine of India, pg 93, volume X issue I, 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India’s Top 100 Achievers</span><span>\r\n                                Society Magazine, pg 137, December 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Caught Between Demons<span style=\"font-weight: normal; color: red;\"></span></span><span>\r\n                                Nancy Adajania, The Hindu, 19th December 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">En Reise Til India</span><span>\r\n                                Harald Flor, Dagbladet, Kultur, 2nd February 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Signs of Resistance</span><span>\r\n                                Nancy Adajania, The Hindu, 5th January 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Of the Goddess and Demon in the Mind</span><span>\r\n                                Debbie Rodgers, Sunday edition Vijay Times, Bangalore, 5th January 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Empathic Anger</span><span>\r\n                                Marta Jakimowicz, Deccan Herald, 23rd December 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Mysore Ek Khoj</span>\r\n                            Cross Fertilization of Culture, Interview in Star of Mysore, 27th October 2002\r\n\r\n                            <span class=\"pubstrong\">Linking Islands</span><span>\r\n                                Menaka Jayasankar, Indian Express, Mumbai Newsline, 15th February 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Creating to Destroy</span><span>\r\n                                Jasmine Shah Varma, The List, Mid Day, 22nd February 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Different Strokes</span><span>\r\n                                Georgina L Maddox, The Indian Express, Mumbai Newsline, 24th July 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a target=\"_blank\" href=\"http://www.reenakallat.com/wp-content/uploads/2011/09/Faith%20and%20Hunger.pdf\" style=\"color: rgb(135, 135, 135);\">Of Faith and Hunger</a><font style=\"font-weight:normal;\" color=\"red\">  >> </font></span>\r\n                        </span><span>\r\n                            Abhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89, December 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">The Murmur of Skin</span><span>\r\n                            Nupur Mahajan, Bombay Times, Times of India, 12th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Not just Skin Deep</span><span>\r\n                            Jasmine Shah Varma, The List, Mid-day, 4th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Inside Out</span><span>\r\n                            Menaka Jayasankar, Indian Express, Mumbai Newsline, 11th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Scintillating Skin</span><span>\r\n                            Vaibhav Purandare, The Asian Age, 14th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">An Artist’s World: Roti, Makaan &amp; Abstract Art</span><span>\r\n                            Poonam Goel, HT City, 23rd December 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Within you, Without you</span><span>\r\n                            Anu Kumar, Indian Express, Express Newsline, 2nd September 1998\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Farming Intrigue</span><span>\r\n                            Jerry Pinto, The Times of India, Bombay Times, 3rd September 1998\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Interactive Medium</span><span>\r\n                            Karen Pereira, Indian Architect &amp; Builder, pgs 102-104, October 1998\r\n                        </span>\r\n</td>\r\n        </tr>\r\n    </tbody>\r\n</table>','Publications','','inherit','open','open','','87-revision-219','','','2014-06-28 09:27:31','2014-06-28 09:27:31','',87,'http://www.reenakallat.com/3098/uncat/87-revision-219',0,'revision','',0),(3099,1,'2014-06-28 09:27:57','2014-06-28 09:27:57','<table border=\"0\" cellspacing=\"5\" cellpadding=\"0\" width=\"100%\" align=\"centre\">\r\n    <tbody>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" width=\"21%\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td style=\"margin-left: 5px;\">\r\n                                <span class=\"pubstrong\">Reena Saini Kallat, </span> 2009<span>\r\n                                    Text: Nancy Adajania and Murtaza Vali\r\n                                    Publisher: Primo Marella Gallery, Walsh Gallery and Chemould Prescott Road\r\n                                    ISBN: 978-81-908879-1-5\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/reena-kallat\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Rainbow of Refuse, </span>2006<span>\r\n                                    Text: Nancy Adajania\r\n                                    Publisher: Bodhi Art Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/rainbow-of-refuse\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Black Flute (and other stories), </span>2005\r\n                                <span class=\"pubstrong\">Black Flute,</span> 2004<span>\r\n                                    Text: Nancy Adajania\r\n                                    Publisher: Gallery Chemould and Nature Morte Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/black-flute\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">The Battlefield is the Mind, </span>2002<span>\r\n                                    Text: Nancy Adajania\r\n                                    Publisher: Sakshi Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/battlefield-of-mind\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table cellspacing=\"0\" cellpadding=\"0\" width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Skin, </span>2000<span>\r\n                                    Interview with Jitish Kallat\r\n                                    Publisher: Gallery Chemould and Vis-à-vis Art Inc. Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr></tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Orchard of home-grown secrets, </span>1998<span>\r\n                                    Text: Ranjit Hoskote\r\n                                    Publisher: Gallery Chemould and Pundole Art Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/orchard-pub\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td colspan=\"2\"></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n            <td>\r\n                <!-- Start of Other Publications -->\r\n\r\n                <span class=\"pubstrong\">Nature Morte, 2013</span><span>\r\n                    Text: Michael Petry\r\n                    Publisher: Thames & Hudson\r\n                    ISBN: 9780500239063\r\n\r\n\r\n\r\n            <span class=\"pubstrong\">Haein Art Project, 2013</span><span>\r\n                Text:  Kim Jiyon, Leandre D’souza and Claudio Maffioletti\r\n                Publisher: Ven.Sun-Hae (Abbot of Haeinsa Temple)\r\n                ISBN: 979 1195142309 90620\r\n\r\n\r\n                <span class=\"pubstrong\">NO-MAD-NESS IN NO MAN’S LAND, 2013</span><span>\r\n                    Text:  interview by Ombretta Agro Andruff and Leeza Ahmady with Casey Amy Fan\r\n                    Publisher: The Eslite Corp.\r\n                    ISBN: 978-986-89759-7-2\r\n\r\n                    <span class=\"pubstrong\">India Side by Side, 2012</span><span>\r\n                        Text: Cibele Aldrovandi, Deepak Ananth, Flavia Galli Tatsch, Kapila Vatsyayan, Laura Cury, Rahaab Allana, Tereza de Arruda\r\n                        Publisher: The Brazilian Ministry of Culture and Banco do Brasil\r\n                        ISBN: 978-85-64170-01-8\r\n\r\n                        <span class=\"pubstrong\">India : Art Now, 2012 </span><span>\r\n                            Text: Stine Hoholt, Ranjit Hoskote, Zehra Jumabhoy\r\n                            Publisher: Hatje Cantz\r\n                        </span>\r\n                        ISBN: 978-3-7757-3411-0\r\n\r\n                        <span class=\"pubstrong\">Undervaeker – Wonders, </span>2012<span>\r\n                            Texts by Gitte Orskou, Af Theis Vallo Madsen, Jeanett Stampe\r\n                            Publisher: KUNSTEN - Museum of Modern Art Aalborg\r\n                        </span>\r\n                        ISBN: 978-87-88307-72-6\r\n\r\n                        <span class=\"pubstrong\">n.paradoxa: international feminist art journal, volume 30, </span>2012<span>\r\n                            Text: interview with Veeranganakumari Solanki\r\n                            Publisher: KT press\r\n                        </span>\r\n                        ISBN: 1461- 0434\r\n\r\n                        <span class=\"pubstrong\">The Skoda Prize Twenty, </span>2011-2012<span>\r\n                            Text: Zeenat Nagree\r\n                            Publisher: Popular Prakashan\r\n                        </span>\r\n                        ISBN: 978-81-7991-681-0\r\n\r\n                        <span class=\"pubstrong\">Pandemonium: Art in a time of creativity fever, </span>2011<span>\r\n                            Text: interview with Stina Edblom\r\n                            Publisher: Göteborg International Biennial for Contemporary Art\r\n                        </span>\r\n                        ISBN: 978-91-633-9363-1\r\n                        <span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/pandemonium\">read interview</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span>\r\n\r\n                        <span class=\"pubstrong\">The Indian Renaissance, </span>2011<span>\r\n                            Text: Antonio Stellatelli, Romano Ravasio and Marina Pizziolo\r\n\r\n                            <span class=\"pubstrong\">Vancouver Biennale, </span>2009-2011<span>\r\n                                Text: Vancouver International Sculpture Biennale\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Maximum India, </span>2011<span>\r\n                                Publisher: The John F. Kennedy Center for the Performing Arts, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Never Run Away, </span>2010<span>\r\n                                Text: Shaheen Merali\r\n                                Publisher: Stux Gallery\r\n                            </span>\r\n                            <span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/never-run-away\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span>\r\n\r\n                            <span class=\"pubstrong\">Urban Manners 2, </span>2010<span>\r\n                                Text: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\n                                Publisher: SESC Pompeia, Sao Paulo\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Empire Strikes Back, </span>2010<span>\r\n                                Text: Zehra Jumabhoy\r\n                                Publisher: Saatchi Gallery\r\n                                ISBN: 9780224089494\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The River Project, </span>2010<span>\r\n                                Publisher: Campbelltown Arts Centre\r\n                                ISBN: 9781875199761\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Asian Art Now, </span>2010<span>\r\n                                Text: Melissa Chiu and Benjamin Genocchio\r\n                                Publisher: Monacelli Press\r\n                                ISBN: 978-1-58093-298-1 (1-58093-298-3)\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Roundabout, </span>2010<span>\r\n                                Publisher: Art Asia Pacific Publishing\r\n                                ISBN: 978-0984562510\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Khoj Book, </span>2010<span>\r\n                                Interview with Shilpa Gupta\r\n                                Publisher: HarperCollins\r\n                                ISBN: 9788172236878\r\n                            </span>\r\n                            <span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/khoj-book\">read interview</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span>\r\n\r\n                            <span class=\"pubstrong\">5 Bienal Ventosul, </span>2009<span>\r\n                                Publisher: Instituto Paranaense de Arte\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Viewpoints &amp; Viewings Points- Asian Art Biennale, </span>2009<span>\r\n                                Text: Chao-yi-Tsai\r\n                                Publisher: National Taiwan Museum of fine Arts\r\n                                ISBN: 978-986-02-0269-4\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Xianzai: Contemporary Indian Art, </span>2009<span>\r\n                                Text: Jitish Kallat, Diana Freundl, Alexander Keefe\r\n                                Publisher: Museum of Contemporary Art\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2009<span>\r\n                                Text: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki,\r\n                                Miho Tagomori\r\n                                Publisher: Prestel, National Museum of Contemporary Art and Essl Museum\r\n                                ISBN: 978-3-7913-4304-4\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2008<span>\r\n                                Text: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman\r\n                                Gopinath, Jayaram, Deepak Ananth\r\n                                Publisher: Mori Art Museum\r\n                                ISBN: 978-4-902819-21-2\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Moderna, </span>2008<span>\r\n                                Text: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur,\r\n                                R. Siva Kumar, K.G. Subramanyan\r\n                                Publisher: IVAM (Institute Valencia D’Art Modern)\r\n                                ISBN: 978-84-482-5104-8\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Everywhere is War (and rumours of it),</span>2008<span>\r\n                                Text: Kai Hafez, Martin Hager, Nicholas Mirzoeff, Daniel Miller,\r\n                                Bregje van Eekelen\r\n                                Publisher: Bodhi Art Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Three Points of Views, </span>2008<span>\r\n                                Text: Grant Watson\r\n                                Publisher: Galerie Mirchandani + Steinruecke\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">New Narratives: Contemporary Art from India, </span>2008<span>\r\n                                Text: Betty Seid with contributions by Johan Pijnappel\r\n                                Publisher: Mapin Publication in association with Chicago Cultural Center\r\n                                ISBN: 978-1-890206-08-6\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Made by Indians, </span>2007<span>\r\n                                Text: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\n                                Publisher: Galerie Enrico Navarra\r\n                                ISBN: 2-911596-37-4\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Thermocline of Art: New Asian Waves, </span>2007<span>\r\n                                Text:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong\r\n                                Publisher: Hatje Cantz Vertag\r\n                                ISBN: 978-3-7757-2073-1\r\n                                EAN: 9782911596377\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Indian Colour, </span>2007<span>\r\n                                Text: Peter Nagy\r\n                                Publisher: Dal- seung Hwang, Keumsan Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Arte Oggi, </span>2007<span>\r\n                                Text:  Daniela Palazzoli\r\n                                Publisher: Spazio Oberdan\r\n                                ISBN: 978-88-202-1867-6\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Urban Manners, </span>2007<span>\r\n                                Text: Adelina Von Furstenberg and Nancy Adajania\r\n                                Publisher: Hangar Bicocca\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">International Incheon Women Artists’ Biennale,</span>\r\n                            <span class=\"pubstrong\">Knocking on the Door, </span>2007<span>\r\n                                Text: Sung Hee Kim, John C. Welchman\r\n                                Publisher: Incheon Culture and Art Centre\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Soft Power: Asian Attitude, </span>2007<span>\r\n                                Text: Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\n                                Publisher: Shanghai Zendai Mumsem of Modern Art\r\n                                ISBN: 978-7-5356-2790-2\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Express- Art and Popular Culture, </span>2006<span>\r\n                                Text: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze\r\n                                Publisher: Helsinki City Art Museum\r\n                                ISBN: 951-8965-61-7\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Bombay L’album Maximum City, </span>2006<span>\r\n                                Text: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\n                                Publisher: Terrail, Lille 3000\r\n                                ISBN: 2-87939-325-6\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Indian Paintings of the New Millennium, </span>2005<span>\r\n                                Text: Helen Asquine  Fazio, Gayatri Sinha\r\n                                Publisher: Quick Arts Center, Fairfield University\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">A Guide to 101 Modern &amp; Contemporary Indian Artists, </span>2005<span>\r\n                                Text: Amrita Jhaveri\r\n                                Publisher: India Book House\r\n                                ISBN: 81-7508-423-5\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Zoom! Art in Contemporary India, </span>2004<span>\r\n                                Texts: Luis Serpa and Nancy Adajania\r\n                                Publisher: The Culturgest Museum\r\n                                ISBN: 972-769-033-5\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Interlude in Sri Lanka, </span>2004<span>\r\n                                Text: Ranjit Hoskote and Nancy Adajania\r\n                                Publisher: The Guild Art Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Generation I, </span>2004<span>\r\n                                Text: Zehra Jumabhoy\r\n                                Publisher: Saffronart &amp; The Guild Art Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Tiranga Rights and Reponsibilities, </span>2003<span>\r\n                                Text: Peter Nagy\r\n                                Publisher: Jindal Foundation &amp; Creative Arts\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Hard Copy, </span>2003<span>\r\n                                Text: Peter Nagy\r\n                                Publisher: Galerie 88\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Crossing Generations: diVERGE, </span>2003<span>\r\n                                Text: Geeta Kapoor and Chaitanya Sambrani\r\n                                Publisher: Gallery Chemould\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\" style=\"color: #000000;\">PRESS</span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.timeoutmumbai.net/art/features/suspense\" target=\"_blank\">In Suspense </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Phalguni Desai , Timeout Mumbai,  March  2014\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artdaily.com/news/68958/Chemould-Prescott-Road-celebrates-fifty-years-of-contemporary-art-with-Aesthetic-Bind--Floating-World#.Uz5us_mSxVk\" target=\"_blank\">Chemould Prescott Road celebrates fifty years of contemporary art with Aesthetic Bind: Floating World </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Geeta Kapur, Art Daily, 24th March 2014\r\n                            </span>\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.timeoutbengaluru.net/art/features/gild-trip\" target=\"_blank\">A series of exhibitions marking the 50th anniversary of a gallery</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Karanjeet Kaur, 30th August 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.caravanmagazine.in/print/4116\" target=\"_blank\">The Dreamers</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Shanoor Seervai, 1st January 2014\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.wallpaper.com/art/zegnart-enlists-reena-kallat-to-create-a-site-specific-artwork-in-mumbai/6292\" target=\"_blank\">ZegnArt enlists Reena Kallat to create a site-specific artwork in Mumbai,</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                JJ Martin, Wallpaper, 18th January 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.timeoutmumbai.net/art/features/web-design\" target=\"_blank\">Web design</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Karanjeet Kaur,Timeout Magazine, pg 26-28, 15th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artribune.com/2013/03/una-ragnatela-fra-italia-e-india-inaugurata-a-mumbai-lopera-di-reena-kallat-per-il-progetto-zegnart-public-qui-ci-sono-immagini-video-e-intervista-allartista/\" target=\"_blank\">Arte pubblica a Mumbai. Intervista con Anna Zegna</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Daniele Perra, Art Tribune, 1st March 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://in.blouinartinfo.com/news/story/885613/reena-kallat-on-her-mammoth-1-ton-rubber-stamp-cobweb-at-the\" target=\"_blank\">Reena Kallat On Her Mammoth, 1-ton Rubber-Stamp Cobweb at the Bhau Daji Lad Museum, Mumbai</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Rosalyn D\'Mello, Blouinart, April 1, 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.thehindu.com/features/magazine/putting-her-stamp-on-it/article4484175.ece\" target=\"_blank\">Putting her stamp on it</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Ramya Sarma, The Hindu, 9th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.business-standard.com/article/beyond-business/stamp-over-mumbai-113030800509_1.html\" target=\"_blank\">Stamp over Mumbai</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Kishore Singh, Business Standard, New Delhi  8th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.dnaindia.com/lifestyle/report_weaving-a-tangled-web_1806665\" target=\"_blank\">Weaving a tangled web</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Deepanjana Pal, DNA, 3rd March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.dnaindia.com/lifestyle/report_web-of-history_1810815\" target=\"_blank\">Web of history </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Sanaya Chavda, DNA, 13th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindustantimes.com/Entertainment/Art/Web-of-history-Reena-Kallat-s-installation/Article1-1027359.aspx\" target=\"_blank\">Web of history </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Shweta Mehta, Hindustan Times, 16th March 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://blog.saffronart.com/2013/03/14/reena-kallats-untitled-cobwebscrossings/\" target=\"_blank\">Public Art installation by Reena Kallat at the Dr. Bhau Daji Lad Museum in Mumbai </a> </span> <font color=\"red\">  >> </font><span>\r\n                                Manjari Sihare, Saffron blog,Posted on 14th March  2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Weaving into  networks, Buliding Cobwebs: Musings over Reena Saini Kallat’s recent work </span> <span>\r\n                                Parni Ray, Take on Art/Eleven, pg 98, Volume lll\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Stamping ground </span><span>\r\n                                Deepanjana Pal, Wallpaper magazine, pg 193 – 194, May 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Editorial</span><span>\r\n                                Kaiwan Mehta, Domus, pg 5 – 10, April 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Web Design</span> <span>\r\n                                Chumki Bharadwaj, India Today, pg 45 – 46, April 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Art Outside  </span> <span>\r\n                                Pavitra Mohan, Architectural Digest, pg 98, March-April 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://inditerrain.indiaartndesign.com/2013/03/of-cobwebs-crossings.html\" target=\"_blank\">Of Cobwebs & Crossings </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Jigna Padhiar, India Art & Design, 1st March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://prestige-singapore.com.sg/2013/04/arts-raj\" target=\"_blank\">Art\'s the Raj</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Dylan Boey, Prestige Singapore, 3rd April 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\">Adrift in unknown waters: Reena Saini Kallat and the Art of letting go</span><span>\r\n                                Parni Ray,  Artfair Magazine, Issue-3, pg 48 – 51, 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://shobanarayan.com/2012/02/04/about-jitish-kallat-and-reena-saini-kallat/\" target=\"_blank\">Walking the Art talk with the Kallats</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Shobha Narayan, Live Mint, February 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.tribuneindia.com/2012/20120219/spectrum/main2.htm\" target=\"_blank\">Spectrum New Visual Idiom</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                The Tribune, February 19, 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artnewsnviews.com/view-article.php?article=g-teborg-international-biennial&iid=25&articleid=678\" target=\"_blank\">Goteborg International Biennial</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Art Etc, Vol.4, No. 2, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Helsinki taidemuseo.fi-Journal, </span> January 2011<span>\r\n                            </span>\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://indiatoday.intoday.in/site/story/brush-with-reality/1/134582.html\">Brush With Reality </a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Sumaiya Khan, India Today Woman, pg. 20-21, April 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">System overload </span><span>\r\n                                Shweta Upadhyay, Timeout Delhi, March 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artslant.com/ind/articles/show/22573\" target=\"_blank\">Picking up the past</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Parni Ray, www.artslant.com, 4th April 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://iipdigital.usembassy.gov/st/english/article/2011/03/20110307133535drawoh0.7282221.html#axzz34yECziHk\">Art at “maximum INDIA” Festival Evokes Cultural Memory and Loss</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Howard Cincotta, www.america.gov, March 7, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.signonsandiego.com/news/2011/mar/02/kennedy-center-opens-3-week-india-arts-festival/\">Kennedy Center opens 3-week India arts festival</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Brett Zongker, www.signonsnadiego.com, 2nd March 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Eye and the Mind: New Interventions in Contemporary Indian Art </span><span>\r\n                                Rajeev Lochan, India Perspectives, Vol. 24, No. 6, 2010\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artradarjournal.com/2010/04/20/indian-contemporary-artist-reena-kallat-art-radar-exclusive-interview/\">Interview, Art Radar Asia </a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span><span>\r\n                                April 20, 2010\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Archives of the Heart</span><span>\r\n                                Nancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\n                                Front Cover, pgs 42-45, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Globale Kunst Mit Wurzelduft</span><span>\r\n                                Von Almuth Speigler, Die Presse, Feuilleton, 2nd September 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Landscapes of Loss</span><span>\r\n                                Beth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Reincarnating History</span><span>\r\n                                The Big Picture, Architect and Interiors, July 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Stamp Collection</span><span>\r\n                                Georgina Maddox, The Sunday Express, 17th May 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Evolving Beyond Borders</span><span>\r\n                                Reshma S. Kulkarni, Bombay Times, Times of India, 15th January, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Loss and Found</span><span>\r\n                                Marina Correa, DNA, Mumbai, 22nd January 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Focus India</span><span>\r\n                                Megha Ralapati, Flash Art, pg 114, January-February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Come Together Right Now</span><span>\r\n                                Reema Gehi, HT Café, 15th February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Such a Long Journey</span><span>\r\n                                Aparna S Sharma, Elle Magazine, pgs 115-117, February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">More than a Woman</span><span>\r\n                                Georgina Maddox, The Indian Express, Mumbai Newsline, 4th February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Artist of the Fortnight</span><span>\r\n                                Maria Louis, Outlook Profit, pg 79, 18th April 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Deja View</span><span>\r\n                                Tara Khilachand, Live Mint, 20th December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Terror Struck</span><span>\r\n                                Maria Louis, Outlook Profit, 26th December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Name Calling</span><span>\r\n                                Deepanjana Pal, Timeout Mumbai, December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Corruptions of Power</span>\r\n                            <span>Shiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99, 2007</span>\r\n\r\n                            <span class=\"pubstrong\">Over the Rainbow</span><span>\r\n                                Maria Louis, Interview, Verve Magazine, pg 78, November 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindu.com/mag/2006/10/29/stories/2006102900070200.htm\">In a State of Perennial Siege</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span><span>\r\n                                Nancy Adajania, The Hindu, Hyderabad, 29th October 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Her Crowning Achievement</span><span>\r\n                                Clara Chow, The Straits Times, 18th November 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Political Chaos</span><span>\r\n                                Deepali Nandwani, Beautiful people, pg 143, November-December 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Weapons of Mass Construction</span><span>\r\n                                Rituparna Som, DNA after Hrs, Mumbai, 9th October, 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Guns and Roses</span><span>\r\n                                Rachna Nakra, The Indian Express, Mumbai Newsline, 18th September 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Under Attack</span><span>\r\n                                Gitanjali Dang, HT Mumbai, 22nd September 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Time Traveller</span><span>\r\n                                Georgina Maddox, The Indian Express, Mumbai Newsline, 27th June 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Flower and the Sword</span><span>\r\n                                Girish Shahane, The Art News magazine of India, pg 93, volume X issue I, 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India’s Top 100 Achievers</span><span>\r\n                                Society Magazine, pg 137, December 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Caught Between Demons<span style=\"font-weight: normal; color: red;\"></span></span><span>\r\n                                Nancy Adajania, The Hindu, 19th December 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">En Reise Til India</span><span>\r\n                                Harald Flor, Dagbladet, Kultur, 2nd February 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Signs of Resistance</span><span>\r\n                                Nancy Adajania, The Hindu, 5th January 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Of the Goddess and Demon in the Mind</span><span>\r\n                                Debbie Rodgers, Sunday edition Vijay Times, Bangalore, 5th January 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Empathic Anger</span><span>\r\n                                Marta Jakimowicz, Deccan Herald, 23rd December 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Mysore Ek Khoj</span>\r\n                            Cross Fertilization of Culture, Interview in Star of Mysore, 27th October 2002\r\n\r\n                            <span class=\"pubstrong\">Linking Islands</span><span>\r\n                                Menaka Jayasankar, Indian Express, Mumbai Newsline, 15th February 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Creating to Destroy</span><span>\r\n                                Jasmine Shah Varma, The List, Mid Day, 22nd February 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Different Strokes</span><span>\r\n                                Georgina L Maddox, The Indian Express, Mumbai Newsline, 24th July 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a target=\"_blank\" href=\"http://www.reenakallat.com/wp-content/uploads/2011/09/Faith%20and%20Hunger.pdf\" style=\"color: rgb(135, 135, 135);\">Of Faith and Hunger</a><font style=\"font-weight:normal;\" color=\"red\">  >> </font></span>\r\n                        </span><span>\r\n                            Abhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89, December 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">The Murmur of Skin</span><span>\r\n                            Nupur Mahajan, Bombay Times, Times of India, 12th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Not just Skin Deep</span><span>\r\n                            Jasmine Shah Varma, The List, Mid-day, 4th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Inside Out</span><span>\r\n                            Menaka Jayasankar, Indian Express, Mumbai Newsline, 11th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Scintillating Skin</span><span>\r\n                            Vaibhav Purandare, The Asian Age, 14th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">An Artist’s World: Roti, Makaan &amp; Abstract Art</span><span>\r\n                            Poonam Goel, HT City, 23rd December 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Within you, Without you</span><span>\r\n                            Anu Kumar, Indian Express, Express Newsline, 2nd September 1998\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Farming Intrigue</span><span>\r\n                            Jerry Pinto, The Times of India, Bombay Times, 3rd September 1998\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Interactive Medium</span><span>\r\n                            Karen Pereira, Indian Architect &amp; Builder, pgs 102-104, October 1998\r\n                        </span>\r\n</td>\r\n        </tr>\r\n    </tbody>\r\n</table>','Publications','','inherit','open','open','','87-revision-220','','','2014-06-28 09:27:57','2014-06-28 09:27:57','',87,'http://www.reenakallat.com/3099/uncat/87-revision-220',0,'revision','',0),(3107,1,'2014-07-26 09:38:50','2014-07-26 09:38:50','f<table border=\"0\" cellspacing=\"5\" cellpadding=\"0\" width=\"100%\" align=\"centre\">\r\n    <tbody>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" width=\"21%\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td style=\"margin-left: 5px;\">\r\n                                <span class=\"pubstrong\">Reena Saini Kallat, </span> 2009<span>\r\n                                    Text: Nancy Adajania and Murtaza Vali\r\n                                    Publisher: Primo Marella Gallery, Walsh Gallery and Chemould Prescott Road\r\n                                    ISBN: 978-81-908879-1-5\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/reena-kallat\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Rainbow of Refuse, </span>2006<span>\r\n                                    Text: Nancy Adajania\r\n                                    Publisher: Bodhi Art Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/rainbow-of-refuse\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Black Flute (and other stories), </span>2005\r\n                                <span class=\"pubstrong\">Black Flute,</span> 2004<span>\r\n                                    Text: Nancy Adajania\r\n                                    Publisher: Gallery Chemould and Nature Morte Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/black-flute\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">The Battlefield is the Mind, </span>2002<span>\r\n                                    Text: Nancy Adajania\r\n                                    Publisher: Sakshi Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/battlefield-of-mind\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table cellspacing=\"0\" cellpadding=\"0\" width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Skin, </span>2000<span>\r\n                                    Interview with Jitish Kallat\r\n                                    Publisher: Gallery Chemould and Vis-à-vis Art Inc. Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr></tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Orchard of home-grown secrets, </span>1998<span>\r\n                                    Text: Ranjit Hoskote\r\n                                    Publisher: Gallery Chemould and Pundole Art Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/orchard-pub\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td colspan=\"2\"></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n            <td>\r\n                <!-- Start of Other Publications -->\r\n\r\n                <span class=\"pubstrong\">Nature Morte, 2013</span><span>\r\n                    Text: Michael Petry\r\n                    Publisher: Thames & Hudson\r\n                    ISBN: 9780500239063\r\n\r\n\r\n\r\n            <span class=\"pubstrong\">Haein Art Project, 2013</span><span>\r\n                Text:  Kim Jiyon, Leandre D’souza and Claudio Maffioletti\r\n                Publisher: Ven.Sun-Hae (Abbot of Haeinsa Temple)\r\n                ISBN: 979 1195142309 90620\r\n\r\n\r\n                <span class=\"pubstrong\">NO-MAD-NESS IN NO MAN’S LAND, 2013</span><span>\r\n                    Text:  interview by Ombretta Agro Andruff and Leeza Ahmady with Casey Amy Fan\r\n                    Publisher: The Eslite Corp.\r\n                    ISBN: 978-986-89759-7-2\r\n\r\n                    <span class=\"pubstrong\">India Side by Side, 2012</span><span>\r\n                        Text: Cibele Aldrovandi, Deepak Ananth, Flavia Galli Tatsch, Kapila Vatsyayan, Laura Cury, Rahaab Allana, Tereza de Arruda\r\n                        Publisher: The Brazilian Ministry of Culture and Banco do Brasil\r\n                        ISBN: 978-85-64170-01-8\r\n\r\n                        <span class=\"pubstrong\">India : Art Now, 2012 </span><span>\r\n                            Text: Stine Hoholt, Ranjit Hoskote, Zehra Jumabhoy\r\n                            Publisher: Hatje Cantz\r\n                        </span>\r\n                        ISBN: 978-3-7757-3411-0\r\n\r\n                        <span class=\"pubstrong\">Undervaeker – Wonders, </span>2012<span>\r\n                            Texts by Gitte Orskou, Af Theis Vallo Madsen, Jeanett Stampe\r\n                            Publisher: KUNSTEN - Museum of Modern Art Aalborg\r\n                        </span>\r\n                        ISBN: 978-87-88307-72-6\r\n\r\n                        <span class=\"pubstrong\">n.paradoxa: international feminist art journal, volume 30, </span>2012<span>\r\n                            Text: interview with Veeranganakumari Solanki\r\n                            Publisher: KT press\r\n                        </span>\r\n                        ISBN: 1461- 0434\r\n\r\n                        <span class=\"pubstrong\">The Skoda Prize Twenty, </span>2011-2012<span>\r\n                            Text: Zeenat Nagree\r\n                            Publisher: Popular Prakashan\r\n                        </span>\r\n                        ISBN: 978-81-7991-681-0\r\n\r\n                        <span class=\"pubstrong\">Pandemonium: Art in a time of creativity fever, </span>2011<span>\r\n                            Text: interview with Stina Edblom\r\n                            Publisher: Göteborg International Biennial for Contemporary Art\r\n                        </span>\r\n                        ISBN: 978-91-633-9363-1\r\n                        <span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/pandemonium\">read interview</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span>\r\n\r\n                        <span class=\"pubstrong\">The Indian Renaissance, </span>2011<span>\r\n                            Text: Antonio Stellatelli, Romano Ravasio and Marina Pizziolo\r\n\r\n                            <span class=\"pubstrong\">Vancouver Biennale, </span>2009-2011<span>\r\n                                Text: Vancouver International Sculpture Biennale\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Maximum India, </span>2011<span>\r\n                                Publisher: The John F. Kennedy Center for the Performing Arts, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Never Run Away, </span>2010<span>\r\n                                Text: Shaheen Merali\r\n                                Publisher: Stux Gallery\r\n                            </span>\r\n                            <span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/never-run-away\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span>\r\n\r\n                            <span class=\"pubstrong\">Urban Manners 2, </span>2010<span>\r\n                                Text: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\n                                Publisher: SESC Pompeia, Sao Paulo\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Empire Strikes Back, </span>2010<span>\r\n                                Text: Zehra Jumabhoy\r\n                                Publisher: Saatchi Gallery\r\n                                ISBN: 9780224089494\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The River Project, </span>2010<span>\r\n                                Publisher: Campbelltown Arts Centre\r\n                                ISBN: 9781875199761\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Asian Art Now, </span>2010<span>\r\n                                Text: Melissa Chiu and Benjamin Genocchio\r\n                                Publisher: Monacelli Press\r\n                                ISBN: 978-1-58093-298-1 (1-58093-298-3)\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Roundabout, </span>2010<span>\r\n                                Publisher: Art Asia Pacific Publishing\r\n                                ISBN: 978-0984562510\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Khoj Book, </span>2010<span>\r\n                                Interview with Shilpa Gupta\r\n                                Publisher: HarperCollins\r\n                                ISBN: 9788172236878\r\n                            </span>\r\n                            <span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/khoj-book\">read interview</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span>\r\n\r\n                            <span class=\"pubstrong\">5 Bienal Ventosul, </span>2009<span>\r\n                                Publisher: Instituto Paranaense de Arte\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Viewpoints &amp; Viewings Points- Asian Art Biennale, </span>2009<span>\r\n                                Text: Chao-yi-Tsai\r\n                                Publisher: National Taiwan Museum of fine Arts\r\n                                ISBN: 978-986-02-0269-4\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Xianzai: Contemporary Indian Art, </span>2009<span>\r\n                                Text: Jitish Kallat, Diana Freundl, Alexander Keefe\r\n                                Publisher: Museum of Contemporary Art\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2009<span>\r\n                                Text: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki,\r\n                                Miho Tagomori\r\n                                Publisher: Prestel, National Museum of Contemporary Art and Essl Museum\r\n                                ISBN: 978-3-7913-4304-4\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2008<span>\r\n                                Text: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman\r\n                                Gopinath, Jayaram, Deepak Ananth\r\n                                Publisher: Mori Art Museum\r\n                                ISBN: 978-4-902819-21-2\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Moderna, </span>2008<span>\r\n                                Text: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur,\r\n                                R. Siva Kumar, K.G. Subramanyan\r\n                                Publisher: IVAM (Institute Valencia D’Art Modern)\r\n                                ISBN: 978-84-482-5104-8\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Everywhere is War (and rumours of it),</span>2008<span>\r\n                                Text: Kai Hafez, Martin Hager, Nicholas Mirzoeff, Daniel Miller,\r\n                                Bregje van Eekelen\r\n                                Publisher: Bodhi Art Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Three Points of Views, </span>2008<span>\r\n                                Text: Grant Watson\r\n                                Publisher: Galerie Mirchandani + Steinruecke\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">New Narratives: Contemporary Art from India, </span>2008<span>\r\n                                Text: Betty Seid with contributions by Johan Pijnappel\r\n                                Publisher: Mapin Publication in association with Chicago Cultural Center\r\n                                ISBN: 978-1-890206-08-6\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Made by Indians, </span>2007<span>\r\n                                Text: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\n                                Publisher: Galerie Enrico Navarra\r\n                                ISBN: 2-911596-37-4\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Thermocline of Art: New Asian Waves, </span>2007<span>\r\n                                Text:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong\r\n                                Publisher: Hatje Cantz Vertag\r\n                                ISBN: 978-3-7757-2073-1\r\n                                EAN: 9782911596377\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Indian Colour, </span>2007<span>\r\n                                Text: Peter Nagy\r\n                                Publisher: Dal- seung Hwang, Keumsan Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Arte Oggi, </span>2007<span>\r\n                                Text:  Daniela Palazzoli\r\n                                Publisher: Spazio Oberdan\r\n                                ISBN: 978-88-202-1867-6\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Urban Manners, </span>2007<span>\r\n                                Text: Adelina Von Furstenberg and Nancy Adajania\r\n                                Publisher: Hangar Bicocca\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">International Incheon Women Artists’ Biennale,</span>\r\n                            <span class=\"pubstrong\">Knocking on the Door, </span>2007<span>\r\n                                Text: Sung Hee Kim, John C. Welchman\r\n                                Publisher: Incheon Culture and Art Centre\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Soft Power: Asian Attitude, </span>2007<span>\r\n                                Text: Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\n                                Publisher: Shanghai Zendai Mumsem of Modern Art\r\n                                ISBN: 978-7-5356-2790-2\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Express- Art and Popular Culture, </span>2006<span>\r\n                                Text: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze\r\n                                Publisher: Helsinki City Art Museum\r\n                                ISBN: 951-8965-61-7\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Bombay L’album Maximum City, </span>2006<span>\r\n                                Text: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\n                                Publisher: Terrail, Lille 3000\r\n                                ISBN: 2-87939-325-6\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Indian Paintings of the New Millennium, </span>2005<span>\r\n                                Text: Helen Asquine  Fazio, Gayatri Sinha\r\n                                Publisher: Quick Arts Center, Fairfield University\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">A Guide to 101 Modern &amp; Contemporary Indian Artists, </span>2005<span>\r\n                                Text: Amrita Jhaveri\r\n                                Publisher: India Book House\r\n                                ISBN: 81-7508-423-5\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Zoom! Art in Contemporary India, </span>2004<span>\r\n                                Texts: Luis Serpa and Nancy Adajania\r\n                                Publisher: The Culturgest Museum\r\n                                ISBN: 972-769-033-5\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Interlude in Sri Lanka, </span>2004<span>\r\n                                Text: Ranjit Hoskote and Nancy Adajania\r\n                                Publisher: The Guild Art Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Generation I, </span>2004<span>\r\n                                Text: Zehra Jumabhoy\r\n                                Publisher: Saffronart &amp; The Guild Art Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Tiranga Rights and Reponsibilities, </span>2003<span>\r\n                                Text: Peter Nagy\r\n                                Publisher: Jindal Foundation &amp; Creative Arts\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Hard Copy, </span>2003<span>\r\n                                Text: Peter Nagy\r\n                                Publisher: Galerie 88\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Crossing Generations: diVERGE, </span>2003<span>\r\n                                Text: Geeta Kapoor and Chaitanya Sambrani\r\n                                Publisher: Gallery Chemould\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\" style=\"color: #000000;\">PRESS</span>\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artasiapacific.com/Magazine/WebExclusives/FloatingWorldAestheticBind\" target=\"_blank\">Aesthetic Bind Floating World</a> </span> <font color=\"red\">  >> </font> <span>\r\n                              Gitanjali Dang, ArtAsiaPacific, April 2014                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.timeoutmumbai.net/art/features/suspense\" target=\"_blank\">In Suspense </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Phalguni Desai , Timeout Mumbai,  March  2014\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artdaily.com/news/68958/Chemould-Prescott-Road-celebrates-fifty-years-of-contemporary-art-with-Aesthetic-Bind--Floating-World#.Uz5us_mSxVk\" target=\"_blank\">Chemould Prescott Road celebrates fifty years of contemporary art with Aesthetic Bind: Floating World </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Geeta Kapur, Art Daily, 24th March 2014\r\n                            </span>\r\n                                                        <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.wallpaper.com/art/zegnart-enlists-reena-kallat-to-create-a-site-specific-artwork-in-mumbai/6292\" target=\"_blank\">ZegnArt enlists Reena Kallat to create a site-specific artwork in Mumbai,</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                JJ Martin, Wallpaper, 18th January 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.timeoutmumbai.net/art/features/web-design\" target=\"_blank\">Web design</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Karanjeet Kaur,Timeout Magazine, pg 26-28, 15th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artribune.com/2013/03/una-ragnatela-fra-italia-e-india-inaugurata-a-mumbai-lopera-di-reena-kallat-per-il-progetto-zegnart-public-qui-ci-sono-immagini-video-e-intervista-allartista/\" target=\"_blank\">Arte pubblica a Mumbai. Intervista con Anna Zegna</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Daniele Perra, Art Tribune, 1st March 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://in.blouinartinfo.com/news/story/885613/reena-kallat-on-her-mammoth-1-ton-rubber-stamp-cobweb-at-the\" target=\"_blank\">Reena Kallat On Her Mammoth, 1-ton Rubber-Stamp Cobweb at the Bhau Daji Lad Museum, Mumbai</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Rosalyn D\'Mello, Blouinart, April 1, 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.thehindu.com/features/magazine/putting-her-stamp-on-it/article4484175.ece\" target=\"_blank\">Putting her stamp on it</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Ramya Sarma, The Hindu, 9th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.business-standard.com/article/beyond-business/stamp-over-mumbai-113030800509_1.html\" target=\"_blank\">Stamp over Mumbai</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Kishore Singh, Business Standard, New Delhi  8th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.dnaindia.com/lifestyle/report_weaving-a-tangled-web_1806665\" target=\"_blank\">Weaving a tangled web</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Deepanjana Pal, DNA, 3rd March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.dnaindia.com/lifestyle/report_web-of-history_1810815\" target=\"_blank\">Web of history </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Sanaya Chavda, DNA, 13th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindustantimes.com/Entertainment/Art/Web-of-history-Reena-Kallat-s-installation/Article1-1027359.aspx\" target=\"_blank\">Web of history </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Shweta Mehta, Hindustan Times, 16th March 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://blog.saffronart.com/2013/03/14/reena-kallats-untitled-cobwebscrossings/\" target=\"_blank\">Public Art installation by Reena Kallat at the Dr. Bhau Daji Lad Museum in Mumbai </a> </span> <font color=\"red\">  >> </font><span>\r\n                                Manjari Sihare, Saffron blog,Posted on 14th March  2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Weaving into  networks, Buliding Cobwebs: Musings over Reena Saini Kallat’s recent work </span> <span>\r\n                                Parni Ray, Take on Art/Eleven, pg 98, Volume lll\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Stamping ground </span><span>\r\n                                Deepanjana Pal, Wallpaper magazine, pg 193 – 194, May 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Editorial</span><span>\r\n                                Kaiwan Mehta, Domus, pg 5 – 10, April 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Web Design</span> <span>\r\n                                Chumki Bharadwaj, India Today, pg 45 – 46, April 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Art Outside  </span> <span>\r\n                                Pavitra Mohan, Architectural Digest, pg 98, March-April 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://inditerrain.indiaartndesign.com/2013/03/of-cobwebs-crossings.html\" target=\"_blank\">Of Cobwebs & Crossings </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Jigna Padhiar, India Art & Design, 1st March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://prestige-singapore.com.sg/2013/04/arts-raj\" target=\"_blank\">Art\'s the Raj</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Dylan Boey, Prestige Singapore, 3rd April 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\">Adrift in unknown waters: Reena Saini Kallat and the Art of letting go</span><span>\r\n                                Parni Ray,  Artfair Magazine, Issue-3, pg 48 – 51, 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://shobanarayan.com/2012/02/04/about-jitish-kallat-and-reena-saini-kallat/\" target=\"_blank\">Walking the Art talk with the Kallats</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Shobha Narayan, Live Mint, February 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.tribuneindia.com/2012/20120219/spectrum/main2.htm\" target=\"_blank\">Spectrum New Visual Idiom</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                The Tribune, February 19, 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artnewsnviews.com/view-article.php?article=g-teborg-international-biennial&iid=25&articleid=678\" target=\"_blank\">Goteborg International Biennial</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Art Etc, Vol.4, No. 2, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Helsinki taidemuseo.fi-Journal, </span> January 2011<span>\r\n                            </span>\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://indiatoday.intoday.in/site/story/brush-with-reality/1/134582.html\">Brush With Reality </a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Sumaiya Khan, India Today Woman, pg. 20-21, April 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">System overload </span><span>\r\n                                Shweta Upadhyay, Timeout Delhi, March 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artslant.com/ind/articles/show/22573\" target=\"_blank\">Picking up the past</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Parni Ray, www.artslant.com, 4th April 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://iipdigital.usembassy.gov/st/english/article/2011/03/20110307133535drawoh0.7282221.html#axzz34yECziHk\">Art at “maximum INDIA” Festival Evokes Cultural Memory and Loss</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Howard Cincotta, www.america.gov, March 7, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.signonsandiego.com/news/2011/mar/02/kennedy-center-opens-3-week-india-arts-festival/\">Kennedy Center opens 3-week India arts festival</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Brett Zongker, www.signonsnadiego.com, 2nd March 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Eye and the Mind: New Interventions in Contemporary Indian Art </span><span>\r\n                                Rajeev Lochan, India Perspectives, Vol. 24, No. 6, 2010\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artradarjournal.com/2010/04/20/indian-contemporary-artist-reena-kallat-art-radar-exclusive-interview/\">Interview, Art Radar Asia </a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span><span>\r\n                                April 20, 2010\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Archives of the Heart</span><span>\r\n                                Nancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\n                                Front Cover, pgs 42-45, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Globale Kunst Mit Wurzelduft</span><span>\r\n                                Von Almuth Speigler, Die Presse, Feuilleton, 2nd September 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Landscapes of Loss</span><span>\r\n                                Beth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Reincarnating History</span><span>\r\n                                The Big Picture, Architect and Interiors, July 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Stamp Collection</span><span>\r\n                                Georgina Maddox, The Sunday Express, 17th May 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Evolving Beyond Borders</span><span>\r\n                                Reshma S. Kulkarni, Bombay Times, Times of India, 15th January, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Loss and Found</span><span>\r\n                                Marina Correa, DNA, Mumbai, 22nd January 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Focus India</span><span>\r\n                                Megha Ralapati, Flash Art, pg 114, January-February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Come Together Right Now</span><span>\r\n                                Reema Gehi, HT Café, 15th February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Such a Long Journey</span><span>\r\n                                Aparna S Sharma, Elle Magazine, pgs 115-117, February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">More than a Woman</span><span>\r\n                                Georgina Maddox, The Indian Express, Mumbai Newsline, 4th February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Artist of the Fortnight</span><span>\r\n                                Maria Louis, Outlook Profit, pg 79, 18th April 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Deja View</span><span>\r\n                                Tara Khilachand, Live Mint, 20th December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Terror Struck</span><span>\r\n                                Maria Louis, Outlook Profit, 26th December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Name Calling</span><span>\r\n                                Deepanjana Pal, Timeout Mumbai, December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Corruptions of Power</span>\r\n                            <span>Shiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99, 2007</span>\r\n\r\n                            <span class=\"pubstrong\">Over the Rainbow</span><span>\r\n                                Maria Louis, Interview, Verve Magazine, pg 78, November 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindu.com/mag/2006/10/29/stories/2006102900070200.htm\">In a State of Perennial Siege</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span><span>\r\n                                Nancy Adajania, The Hindu, Hyderabad, 29th October 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Her Crowning Achievement</span><span>\r\n                                Clara Chow, The Straits Times, 18th November 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Political Chaos</span><span>\r\n                                Deepali Nandwani, Beautiful people, pg 143, November-December 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Weapons of Mass Construction</span><span>\r\n                                Rituparna Som, DNA after Hrs, Mumbai, 9th October, 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Guns and Roses</span><span>\r\n                                Rachna Nakra, The Indian Express, Mumbai Newsline, 18th September 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Under Attack</span><span>\r\n                                Gitanjali Dang, HT Mumbai, 22nd September 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Time Traveller</span><span>\r\n                                Georgina Maddox, The Indian Express, Mumbai Newsline, 27th June 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Flower and the Sword</span><span>\r\n                                Girish Shahane, The Art News magazine of India, pg 93, volume X issue I, 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India’s Top 100 Achievers</span><span>\r\n                                Society Magazine, pg 137, December 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Caught Between Demons<span style=\"font-weight: normal; color: red;\"></span></span><span>\r\n                                Nancy Adajania, The Hindu, 19th December 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">En Reise Til India</span><span>\r\n                                Harald Flor, Dagbladet, Kultur, 2nd February 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Signs of Resistance</span><span>\r\n                                Nancy Adajania, The Hindu, 5th January 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Of the Goddess and Demon in the Mind</span><span>\r\n                                Debbie Rodgers, Sunday edition Vijay Times, Bangalore, 5th January 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Empathic Anger</span><span>\r\n                                Marta Jakimowicz, Deccan Herald, 23rd December 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Mysore Ek Khoj</span>\r\n                            Cross Fertilization of Culture, Interview in Star of Mysore, 27th October 2002\r\n\r\n                            <span class=\"pubstrong\">Linking Islands</span><span>\r\n                                Menaka Jayasankar, Indian Express, Mumbai Newsline, 15th February 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Creating to Destroy</span><span>\r\n                                Jasmine Shah Varma, The List, Mid Day, 22nd February 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Different Strokes</span><span>\r\n                                Georgina L Maddox, The Indian Express, Mumbai Newsline, 24th July 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a target=\"_blank\" href=\"http://www.reenakallat.com/wp-content/uploads/2011/09/Faith%20and%20Hunger.pdf\" style=\"color: rgb(135, 135, 135);\">Of Faith and Hunger</a><font style=\"font-weight:normal;\" color=\"red\">  >> </font></span>\r\n                        <span>Abhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89, December 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">The Murmur of Skin</span><span>\r\n                            Nupur Mahajan, Bombay Times, Times of India, 12th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Not just Skin Deep</span><span>\r\n                            Jasmine Shah Varma, The List, Mid-day, 4th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Inside Out</span><span>\r\n                            Menaka Jayasankar, Indian Express, Mumbai Newsline, 11th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Scintillating Skin</span><span>\r\n                            Vaibhav Purandare, The Asian Age, 14th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">An Artist’s World: Roti, Makaan &amp; Abstract Art</span><span>\r\n                            Poonam Goel, HT City, 23rd December 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Within you, Without you</span><span>\r\n                            Anu Kumar, Indian Express, Express Newsline, 2nd September 1998\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Farming Intrigue</span><span>\r\n                            Jerry Pinto, The Times of India, Bombay Times, 3rd September 1998\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Interactive Medium</span><span>\r\n                            Karen Pereira, Indian Architect &amp; Builder, pgs 102-104, October 1998\r\n                        </span>\r\n</td>\r\n        </tr>\r\n    </tbody>\r\n</table>','Publications','','inherit','open','open','','87-revision-225','','','2014-07-26 09:38:50','2014-07-26 09:38:50','',87,'http://www.reenakallat.com/3107/uncat/87-revision-225',0,'revision','',0),(3100,1,'2014-01-22 21:06:46','2014-01-22 21:06:46','<style type=\"text/css\">\r\n.tablenav {\r\nclear:both;\r\nheight:30px;\r\nmargin:6px 0 4px;\r\nvertical-align:middle;\r\n}\r\n.tablenav-pages {\r\ncolor:#555555;\r\n}\r\n.tablenav .tablenav-pages {\r\ncursor:default;\r\ndisplay:block;\r\nfloat:right;\r\nfont-size:11px;\r\nheight:30px;\r\nline-height:30px;\r\n}\r\n.page-numbers {\r\nborder-bottom-color:#B8D3E2;\r\ncolor:#21759B;\r\nfont-weight:bold;\r\n}\r\n.tablenav-pages .current {\r\nbackground:none repeat scroll 0 0 #DFDFDF;\r\nborder-color:#D3D3D3;\r\n}\r\n\r\na.page-numbers {\r\nborder-bottom-color:#B8D3E2;\r\n}\r\n.tablenav .displaying-num {\r\nfont-family:Georgia,\"Times New Roman\",\"Bitstream Charter\",Times,serif;\r\nfont-size:12px;\r\nfont-style:italic;\r\nmargin-right:10px;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/crease-crevice-contour-detailed-info\"><img class=\"alignnone size-large wp-image-417\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/8---Crease-crevice.jpg\" alt=\"Crease / Crevice / Contour (2008)\" /></a>Crease / Crevice / Contour (2008)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/silt-of-seasons-1-detailed-info\"><img class=\"alignnone size-large wp-image-436\" title=\"Silt of Seasons I (2008)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/9--Silt-of-Seasons.jpg\" alt=\"Silt of Seasons I (2008)\"  /></a>Silt of Seasons - I (2008)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/silt-of-seasons-2-detailed-info\"><img class=\"alignnone size-large wp-image-436\" title=\"Silt of Seasons - II (2008)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/10--Silt-of-Seasons.jpg\" alt=\"Silt of Seasons - II (2008)\"  /></a>Silt of Seasons - II (2008)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/colostrum-detailed\"><img class=\"alignnone size-large wp-image-451\" title=\"Colostrum (2008)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/11---colostrum.jpg\" alt=\"Colostrum (2008)\"  /></a>Colostrum (2008)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/closet-quarries-detailed-info\"><img class=\"alignnone size-large wp-image-459\" title=\"Closet Quaries (2008)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/12---Closet-Quaries.jpg\" alt=\"Closet Quaries (2008)\" /></a>Closet Quarries (2008)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/synonym07-09\"><img class=\"alignnone size-medium wp-image-468\" title=\"Synonym (2007-09)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/13---synonym-2007-09.jpg\" alt=\"Synonym (2007-09)\"  /></a>Synonym (2007-09)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/subject-to-change-without-notice-detailed-info\"><img class=\"alignnone size-medium wp-image-469\" title=\"Lunar Notes (2007-08)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/14--lunar-notes1.jpg\" alt=\"Lunar Notes (2007-08)\"  /></a>Lunar Notes (2007-08)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/saline-detailed-info#\"><img class=\"alignnone size-medium wp-image-470\" title=\"Saline (2007)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/15---Saline.jpg\" alt=\"Saline (2007)\"  /></a>Saline (2007)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/walls-of-the-womb-detailed-info\"><img class=\"alignnone size-medium wp-image-206\" title=\"Walls of the Womb (2007)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/16--Walls-of-womb.jpg\" alt=\"Walls of the Womb (2007)\"  /></a>Walls of the Womb (2007)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/memoria-mausolea-detailed-info\"><img class=\"alignnone size-medium wp-image-873\" title=\"Memoria Mausolea (2007)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/17--Memoria-Mausolea.jpg\" alt=\"Memoria Mausolea (2007)\"  /></a>Memoria Mausolea (2007)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/memoria-corona-detailed-info\"><img class=\"alignnone size-medium wp-image-205\" title=\"Memoria Corona (2006)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/18--Memoria-Corona.jpg\" alt=\"Memoria Corona (2006)\"  /></a>Memoria Corona (2006)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/penumbra-detailed-info\"><img class=\"alignnone size-medium wp-image-261\" title=\"Penumbra (2006)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/19---Penumbra.jpg\" alt=\"\"  /></a>Penumbra (2006)</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"3\">\r\n</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/xylophone-detailed-info\"><img class=\"alignnone size-medium wp-image-495\" title=\"Xylophone (2006)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/20--Xylophone.jpg\" alt=\"Xylophone (2006)\"  /></a>Xylophone (2006)</td>\r\n<td width=\"210\" align=\"left\" valign=\"top\" class=\"canvas1\" nowrap>\r\n<a href=\"http://www.reenakallat.com/penumbra-passage-canine-cases-detailed-info\"><img class=\"alignnone size-medium wp-image-208\" title=\"Penumbra Passage (Canine Cases)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/21--Penumbra-passage.jpg\" alt=\"Penumbra Passage (Canine Cases) (2006)\"  /></a>Penumbra Passage  (Canine Cases) (2006)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/birds-of-steel-detailed-info\"><img class=\"alignnone size-medium wp-image-505\" title=\"Birds of Steel (2006)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/22--Birds-of-Steel.jpg\" alt=\"Birds of Steel (2006)\"  /></a>Birds of Steel (2006)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/birthmark-tattoos-detailed-info\"><img class=\"alignnone size-medium wp-image-207\" title=\"Blueprint: Birthmarks and Tattoos (2004)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/23---birthmarks.jpg\" alt=\"Blueprint: Birthmarks and Tattoos (2004)\"  /></a>Blueprint: Birthmarks and Tattoos (2004)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/sword-swallowers\"><img class=\"alignnone size-medium wp-image-204\" title=\"Sword Swallowers (2004)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/24---sword-swallowers.jpg\" alt=\"Sword Swallowers (2004)\" /></a>Sword Swallowers (2004)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/mother-and-child\"><img class=\"alignnone size-medium wp-image-204\" title=\"Mother & Chold (2003)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/mother_childworks-page.jpg\" alt=\"Mother and Child\" /></a>Mother & Child (2003)</td>\r\n\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/kiosk-detailed-info\"><img class=\"alignnone size-medium wp-image-517\" title=\"Kiosk (2003)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/25--kiosk.jpg\" alt=\"Kiosk (2003)\"  /></a>Kiosk (2003)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/elephant-walks\"><img class=\"alignnone size-medium wp-image-547\" title=\"Elephant Walks (2003)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/26--ElephantWalks.jpg\" alt=\"Elephant Walks (2003)\"  /></a>Elephant Walks (2003)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/seven-faces-of-dust-detailed-info\"><img class=\"alignnone size-medium wp-image-1013\" title=\"Seven Faces of Dust (2003)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/28--seven-faces-of-dust.jpg\" alt=\"Seven Faces of Dust (2003)\"  /></a>Seven Faces of Dust (2003)</td>\r\n\r\n</tr>\r\n\r\n\r\n<tr>\r\n<td  colspan=3>\r\n<div class=\"tablenav\"><div class=\"tablenav-pages\"><a href=\"works\" class=\"prev page-numbers\">«</a> <a href=\"works\" class=\"page-numbers\">1, </a> <span>2, </span> <a href=\"works-page-3\" class=\"page-numbers\">3</a>  <a href=\"works-page-3\" >»</a></div><br class=\"clear\"></div>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<!--more-->','works-page-2','','inherit','open','open','','2082-revision-36','','','2014-01-22 21:06:46','2014-01-22 21:06:46','',2082,'http://www.reenakallat.com/3100/uncat/2082-revision-36',0,'revision','',0),(3101,1,'2014-06-28 08:39:15','2014-06-28 08:39:15','<style type=\"text/css\">\r\n    .tablenav {\r\n        clear: both;\r\n        height: 30px;\r\n        margin: 6px 0 4px;\r\n        vertical-align: middle;\r\n    }\r\n\r\n    .tablenav-pages {\r\n        color: #555555;\r\n    }\r\n\r\n    .tablenav .tablenav-pages {\r\n        cursor: default;\r\n        display: block;\r\n        float: right;\r\n        font-size: 11px;\r\n        height: 30px;\r\n        line-height: 30px;\r\n    }\r\n\r\n    .page-numbers {\r\n        border-bottom-color: #B8D3E2;\r\n        color: #21759B;\r\n        font-weight: bold;\r\n    }\r\n\r\n    .tablenav-pages .current {\r\n        background: none repeat scroll 0 0 #DFDFDF;\r\n        border-color: #D3D3D3;\r\n    }\r\n\r\n    a.page-numbers {\r\n        border-bottom-color: #B8D3E2;\r\n    }\r\n\r\n    .tablenav .displaying-num {\r\n        font-family: Georgia,\"Times New Roman\",\"Bitstream Charter\",Times,serif;\r\n        font-size: 12px;\r\n        font-style: italic;\r\n        margin-right: 10px;\r\n    }\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n    <tbody>\r\n        <tr>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/salinenotations\"><img class=\"alignnone size-medium wp-image-712\" title=\"Saline Notations (2014)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/salinenotations_homepage.jpg\" alt=\"Saline Notations (2014)\" /></a>Saline Notations (2014)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/wash\"><img class=\"alignnone size-medium wp-image-712\" title=\"Untitled (2014)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/wash_2014_homepage.jpg\" alt=\"Untitled (2014)\" /></a>Untitled (2014)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/visatohappiness3\"><img class=\"alignnone size-medium wp-image-712\" title=\"Visas To Happiness - 3 (2014)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/visatohapp3_homepage.jpg\" alt=\"Visas To Happiness - 3 (2014)\" /></a>Visas To Happiness - 3 (2014)</td>\r\n        </tr>\r\n        <tr>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/measurement-from-evaporating-oceans\"><img class=\"alignnone size-medium wp-image-712\" title=\"Measurement from evaporating oceans (2013)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Measurement-evaporating-hom.jpg\" alt=\"Measurement from evaporating oceans (2013)\" /></a>Measurement from evaporating oceans (2013)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/cycle-of-recurrence\"><img class=\"alignnone size-medium wp-image-712\" title=\"Cycles of Eternal Recurrence (2013)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Cycles-of-Eternal-Recurrenc.jpg\" alt=\"Cycles of Eternal Recurrence (2013)\" /></a>Cycles of Eternal Recurrence (2013)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/anatomy_of_distance\"><img class=\"alignnone size-medium wp-image-712\" title=\"Anatomy of distance (2013)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Anatomay-of-distance_home.jpg\" alt=\"Anatomy of distance (2013)\" /></a>Anatomy of distance (2013)</td>\r\n        </tr>\r\n        <tr>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/rubber-stamp\"><img class=\"alignnone size-medium wp-image-712\" title=\"Untitled Rubberstamp (2012)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-Works-page.jpg\" alt=\"Untitled Rubberstamp(2012)\" /></a>Untitled Rubberstamp (2012)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/untitled-cobwebcrossings\"><img class=\"alignnone size-medium wp-image-712\" title=\"Untitled Cobweb (knots and crossings) (2012)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/United-Cobweb-Works-page.jpg\" alt=\"Untitled (Cobweb/Crossings) 2013 \" /></a>Untitled (Cobweb/Crossings) 2013 </td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/Podium-Cube\"><img class=\"alignnone size-medium wp-image-712\" title=\"Podium/Cube 2013\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Podium-cube-Works-page.jpg\" alt=\"Podium/Cube 2013\" /></a>Podium/Cube 2012</td>\r\n        </tr>\r\n        <tr>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/Visa-to-happiness 2\"><img class=\"alignnone size-medium wp-image-712\" title=\"Visas to Happiness-2 (2012)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Visa-to-happiness2-Works-page.jpg\" alt=\"Visas to Happiness-2 (2012)\" /></a>Visas to Happiness-2 (2012)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/untitled-cobweb-knots-and-crossings\"><img class=\"alignnone size-medium wp-image-712\" title=\"Untitled Cobweb (knots and crossings) (2012)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/Cobweb-Work-page.jpg\" alt=\"Untitled Cobweb (knots and crossings) (2012)\" /></a>Untitled Cobweb (knots and crossings) (2012)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/paper-machine\"><img class=\"alignnone size-medium wp-image-712\" title=\"Synapse (2011)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-WP.jpg\" alt=\"Paper Machine (2012)\" /></a>Paper Machine (2012)</td>\r\n        </tr>\r\n        <tr>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/visas-to-happiness\"><img class=\"alignnone size-medium wp-image-712\" title=\"Visas to Happiness (2012)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/children-workshop-works-pag.jpg\" alt=\"Visas to Happiness (2012)\" /></a>Visas to Happiness (2012)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/map-drawing\"><img class=\"alignnone size-medium wp-image-712\" title=\"Untitled (Map/Drawing)  (2011)\" src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/Mapping-works-page.jpg\" alt=\"untitled (Map/Drawing)  (2011)\" /></a> Untitled (Map/Drawing) (2011)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/synapse-2011\"><img class=\"alignnone size-medium wp-image-712\" title=\"Synapse (2011)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/synapse-Works-page.jpg\" alt=\"Synapse (2011)\" /></a>Synapse (2011)</td>\r\n        </tr>\r\n        <tr>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/memoria-crematoria\"><img class=\"alignnone size-medium wp-image-712\" title=\"untitled (column)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-Works-pa.jpg\" alt=\"Memoria Crematoria (dates of war) (2011)\" /></a> Memoria Crematoria (dates of war) (2011)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/untitledcolumn\"><img class=\"alignnone size-medium wp-image-712\" title=\"untitled (column)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Untitled-works-page.jpg\" alt=\"untitled (2011)\" /></a> Untitled (column) (2011)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/falling-fables\"><img class=\"alignnone size-medium wp-image-712\" title=\"Falling Fables\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-work-page.jpg\" alt=\"Falling Fables (2010-11)\" /></a> Falling Fables (2010-11)</td>\r\n        </tr>\r\n        <tr>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/sculptures\"><img class=\"alignnone size-medium wp-image-712\" title=\"Sculptures\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/sculpture-for-works.jpg\" alt=\"Falling Fables (column) (2011)\" /></a>Falling Fables (column) (2011)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/2degrees\"><img class=\"alignnone size-medium wp-image-712\" title=\"2 Degrees\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/2degrees-works.jpg\" alt=\"\" /></a> 2 Degrees (2010)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/woven-veins\"><img class=\"alignnone size-medium wp-image-712\" title=\"Woven Veins\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/woven-veins-lead.jpg\" alt=\"Woven Veins (2009)\" /></a> Woven Veins (2010)</td>\r\n        </tr>\r\n        <tr>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/preface\"><img class=\"alignnone size-medium wp-image-712\" title=\"Preface\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/Preface-lead.jpg\" alt=\"Preface\" /></a> Preface (2010)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/light-leaks\"><img class=\"alignnone size-medium wp-image-201\" title=\"Light Leaks\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/Light-Leaks-lead.jpg\" alt=\"Light Leaks (2008-2010)\" /></a>Light Leaks... (2008-2010)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/colour-curtain\"><img class=\"alignnone size-medium wp-image-201\" title=\"Colour-curtain\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/2colour-curtain.jpg\" alt=\"Colour Curtain (2009)\" /></a>Colour Curtain... (2009)</td>\r\n        </tr>\r\n        <tr>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/your-mileage-gallery\"><img class=\"alignnone size-medium wp-image-320\" title=\"Your-Mileage-May-Vary\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/3-Your-Mileage-May-Vary.jpg\" alt=\"\" /></a></span>Your Mileage May Vary (2009)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/synonym\"><img class=\"alignnone size-medium wp-image-712\" title=\"Synonym\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/1-Synonym.jpg\" alt=\"\" /></a> Synonym (2009)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n                <a href=\"http://www.reenakallat.com/vanishing-point\"><img class=\"alignnone size-medium wp-image-201\" title=\"Vanishing Point (2009)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/4--VanishingPoint.jpg\" alt=\"Vanishing Point (2009)\" /></a>Vanishing Point (2009)\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n                <a href=\"http://www.reenakallat.com/moving-millimeter\"><img class=\"alignnone size-medium wp-image-712\" title=\"The Moving Millimeter (2009)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/5---The-Moving-Mil.jpg\" alt=\"The Moving Millimeter (2009)\" /></a>The Moving Millimeter (2009)\r\n            </td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n                <a href=\"http://www.reenakallat.com/white-yarn-detailed-info\"><img class=\"alignnone size-medium wp-image-199\" title=\"White Yarn\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/6---white-yarn.jpg\" alt=\"White Yarn (2008)\" /></a>White Yarn...(2008)\r\n            </td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n                <a href=\"http://www.reenakallat.com/white-heat-the-ironing-board-detailed-info\"><img class=\"alignnone size-medium wp-image-879\" title=\"White Heat (2008)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/7--White-Heat.jpg\" alt=\"White Heat (2008)\" /></a>White Heat...(2008)\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n        <tr>\r\n            <td colspan=\"3\">\r\n                <div class=\"tablenav\"><div class=\"tablenav-pages\"><span>1, </span>  <a href=\"works-page-2\" class=\"page-numbers\">2, </a> <a href=\"works-page-3\" class=\"page-numbers\">3</a> <a href=\"works-page-2\">»</a></div><br class=\"clear\"></div>\r\n            </td>\r\n        </tr>\r\n    </tbody>\r\n</table>\r\n<!--more-->\r\n','Works','','inherit','open','open','','54-revision-342','','','2014-06-28 08:39:15','2014-06-28 08:39:15','',54,'http://www.reenakallat.com/3101/uncat/54-revision-342',0,'revision','',0),(3102,1,'2014-01-22 21:07:33','2014-01-22 21:07:33','<style type=\"text/css\">\r\n.tablenav {\r\nclear:both;\r\nheight:30px;\r\nmargin:6px 0 4px;\r\nvertical-align:middle;\r\n}\r\n.tablenav-pages {\r\ncolor:#555555;\r\n}\r\n.tablenav .tablenav-pages {\r\ncursor:default;\r\ndisplay:block;\r\nfloat:right;\r\nfont-size:11px;\r\nheight:30px;\r\nline-height:30px;\r\n}\r\n.page-numbers {\r\nborder-bottom-color:#B8D3E2;\r\ncolor:#21759B;\r\nfont-weight:bold;\r\n}\r\n.tablenav-pages .current {\r\nbackground:none repeat scroll 0 0 #DFDFDF;\r\nborder-color:#D3D3D3;\r\n}\r\n\r\na.page-numbers {\r\nborder-bottom-color:#B8D3E2;\r\n}\r\n.tablenav .displaying-num {\r\nfont-family:Georgia,\"Times New Roman\",\"Bitstream Charter\",Times,serif;\r\nfont-size:12px;\r\nfont-style:italic;\r\nmargin-right:10px;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/reclaim-our-freedom\"><img class=\"alignnone size-medium wp-image-557\" title=\"Heal Anthem (2002)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/27---reclaim-our-freedom.jpg\" alt=\"Heal Anthem (2002)\" width=\"270\" height=\"214\" /></a>Heal Anthem (2002)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/seven-degrees-detailed\"><img class=\"alignnone size-medium wp-image-621\" title=\"Seven Degrees of Vapour… (2002)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/29---seven-degrees.jpg\" alt=\"Seven Degrees of Vapour… (2002)\"  /></a>Seven Degrees of Vapour… (2002)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/boreal\"><img class=\"alignnone size-medium wp-image-199\" title=\"Boreal Art/Nature Residency (2002)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/30--boreal.jpg\" alt=\"\" /></a>Boreal Art/Nature Residency (2002)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/pollent-patterns\"><img class=\"alignnone size-medium wp-image-977\" title=\"Pollen Patterns (2002)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/31--pollen-patterns.jpg\" alt=\"Pollen Patterns (2002)\"  /></a>Pollen Patterns (2002)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/braiding-the-line\"><img class=\"alignnone size-medium wp-image-712\" title=\"Braiding the line (2002)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/braiding_the_line_works-pag.jpg\" alt=\"\"  /></a> Braiding the Line (2002)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/words-and-images\"><img class=\"alignnone size-medium wp-image-712\" title=\"Words And Images\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/words-and-images-works.jpg\" alt=\"\"  /></a> Untitled (2002)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/beautiful-people\"><img class=\"alignnone size-medium wp-image-612\" title=\"Beautiful People of the… (2001)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/32-beautiful-people.jpg\" alt=\"Beautiful People of the… (2001)\"  /></a>Beautiful People of the… (2001)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/tent-cities\"><img class=\"alignnone size-medium wp-image-712\" title=\"Tent Cities\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/tent-cities-works.jpg\" alt=\"\"  /></a> Tent Cities (2000)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/orchard-detailed-info\"><img class=\"alignnone size-medium wp-image-537\" title=\"Orchard of home-grown secrets (1998)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/33--orchard-of-home....jpg\" alt=\"Orchard of home-grown secrets (1998)\"  /></a>Orchard of home-grown secrets (1998)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/joint-family-detailed-info\"><img class=\"alignnone size-medium wp-image-199\" title=\"Joint Family (1998)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/34---Joint-Family.jpg\" alt=\"Joint Family (1998)\"  /></a>Joint Family (1998)</td>\r\n<td width=\"230\" align=\"left\" valign=\"top\" class=\"canvas1\"> \r\n<a href=\"http://www.reenakallat.com/escapades-of-the-ladder-occupants-detailed-info\"><img class=\"alignnone size-medium wp-image-201\" title=\"Escapades of the ladder occupants (1998)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/35---Escapades-of-the-ladde.jpg\" alt=\"Escapades of the ladder occupants (1998)\"  /></a>Escapades of the ladder occupants (1998)</td><td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/recitals-from-the-city-garden-detailed-info\"><img class=\"alignnone size-medium wp-image-712\" title=\"Recitals from the city-garden (1998)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/36---Recitals-from-the-city.jpg\" alt=\"Recitals from the city-garden (1998)\"  /></a>Recitals from the city-garden (1998)</td>\r\n</tr>\r\n<tr>\r\n<td  colspan=3>\r\n<div class=\"tablenav\"><div class=\"tablenav-pages\"><a href=\"works-page-2\" class=\"prev page-numbers\">«</a> <a href=\"works\" class=\"page-numbers\">1, </a> <a href=\"works-page-2\" class=\"page-numbers\">2, </a> <span>3</span> </div><br class=\"clear\"></div>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<!--more-->','works-page-3','','inherit','open','open','','2428-revision-9','','','2014-01-22 21:07:33','2014-01-22 21:07:33','',2428,'http://www.reenakallat.com/3102/uncat/2428-revision-9',0,'revision','',0),(3103,1,'2014-06-28 09:29:54','2014-06-28 09:29:54','f<table border=\"0\" cellspacing=\"5\" cellpadding=\"0\" width=\"100%\" align=\"centre\">\r\n    <tbody>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" width=\"21%\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td style=\"margin-left: 5px;\">\r\n                                <span class=\"pubstrong\">Reena Saini Kallat, </span> 2009<span>\r\n                                    Text: Nancy Adajania and Murtaza Vali\r\n                                    Publisher: Primo Marella Gallery, Walsh Gallery and Chemould Prescott Road\r\n                                    ISBN: 978-81-908879-1-5\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/reena-kallat\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Rainbow of Refuse, </span>2006<span>\r\n                                    Text: Nancy Adajania\r\n                                    Publisher: Bodhi Art Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/rainbow-of-refuse\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Black Flute (and other stories), </span>2005\r\n                                <span class=\"pubstrong\">Black Flute,</span> 2004<span>\r\n                                    Text: Nancy Adajania\r\n                                    Publisher: Gallery Chemould and Nature Morte Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/black-flute\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">The Battlefield is the Mind, </span>2002<span>\r\n                                    Text: Nancy Adajania\r\n                                    Publisher: Sakshi Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/battlefield-of-mind\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table cellspacing=\"0\" cellpadding=\"0\" width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Skin, </span>2000<span>\r\n                                    Interview with Jitish Kallat\r\n                                    Publisher: Gallery Chemould and Vis-à-vis Art Inc. Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr></tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Orchard of home-grown secrets, </span>1998<span>\r\n                                    Text: Ranjit Hoskote\r\n                                    Publisher: Gallery Chemould and Pundole Art Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/orchard-pub\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td colspan=\"2\"></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n            <td>\r\n                <!-- Start of Other Publications -->\r\n\r\n                <span class=\"pubstrong\">Nature Morte, 2013</span><span>\r\n                    Text: Michael Petry\r\n                    Publisher: Thames & Hudson\r\n                    ISBN: 9780500239063\r\n\r\n\r\n\r\n            <span class=\"pubstrong\">Haein Art Project, 2013</span><span>\r\n                Text:  Kim Jiyon, Leandre D’souza and Claudio Maffioletti\r\n                Publisher: Ven.Sun-Hae (Abbot of Haeinsa Temple)\r\n                ISBN: 979 1195142309 90620\r\n\r\n\r\n                <span class=\"pubstrong\">NO-MAD-NESS IN NO MAN’S LAND, 2013</span><span>\r\n                    Text:  interview by Ombretta Agro Andruff and Leeza Ahmady with Casey Amy Fan\r\n                    Publisher: The Eslite Corp.\r\n                    ISBN: 978-986-89759-7-2\r\n\r\n                    <span class=\"pubstrong\">India Side by Side, 2012</span><span>\r\n                        Text: Cibele Aldrovandi, Deepak Ananth, Flavia Galli Tatsch, Kapila Vatsyayan, Laura Cury, Rahaab Allana, Tereza de Arruda\r\n                        Publisher: The Brazilian Ministry of Culture and Banco do Brasil\r\n                        ISBN: 978-85-64170-01-8\r\n\r\n                        <span class=\"pubstrong\">India : Art Now, 2012 </span><span>\r\n                            Text: Stine Hoholt, Ranjit Hoskote, Zehra Jumabhoy\r\n                            Publisher: Hatje Cantz\r\n                        </span>\r\n                        ISBN: 978-3-7757-3411-0\r\n\r\n                        <span class=\"pubstrong\">Undervaeker – Wonders, </span>2012<span>\r\n                            Texts by Gitte Orskou, Af Theis Vallo Madsen, Jeanett Stampe\r\n                            Publisher: KUNSTEN - Museum of Modern Art Aalborg\r\n                        </span>\r\n                        ISBN: 978-87-88307-72-6\r\n\r\n                        <span class=\"pubstrong\">n.paradoxa: international feminist art journal, volume 30, </span>2012<span>\r\n                            Text: interview with Veeranganakumari Solanki\r\n                            Publisher: KT press\r\n                        </span>\r\n                        ISBN: 1461- 0434\r\n\r\n                        <span class=\"pubstrong\">The Skoda Prize Twenty, </span>2011-2012<span>\r\n                            Text: Zeenat Nagree\r\n                            Publisher: Popular Prakashan\r\n                        </span>\r\n                        ISBN: 978-81-7991-681-0\r\n\r\n                        <span class=\"pubstrong\">Pandemonium: Art in a time of creativity fever, </span>2011<span>\r\n                            Text: interview with Stina Edblom\r\n                            Publisher: Göteborg International Biennial for Contemporary Art\r\n                        </span>\r\n                        ISBN: 978-91-633-9363-1\r\n                        <span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/pandemonium\">read interview</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span>\r\n\r\n                        <span class=\"pubstrong\">The Indian Renaissance, </span>2011<span>\r\n                            Text: Antonio Stellatelli, Romano Ravasio and Marina Pizziolo\r\n\r\n                            <span class=\"pubstrong\">Vancouver Biennale, </span>2009-2011<span>\r\n                                Text: Vancouver International Sculpture Biennale\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Maximum India, </span>2011<span>\r\n                                Publisher: The John F. Kennedy Center for the Performing Arts, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Never Run Away, </span>2010<span>\r\n                                Text: Shaheen Merali\r\n                                Publisher: Stux Gallery\r\n                            </span>\r\n                            <span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/never-run-away\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span>\r\n\r\n                            <span class=\"pubstrong\">Urban Manners 2, </span>2010<span>\r\n                                Text: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\n                                Publisher: SESC Pompeia, Sao Paulo\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Empire Strikes Back, </span>2010<span>\r\n                                Text: Zehra Jumabhoy\r\n                                Publisher: Saatchi Gallery\r\n                                ISBN: 9780224089494\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The River Project, </span>2010<span>\r\n                                Publisher: Campbelltown Arts Centre\r\n                                ISBN: 9781875199761\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Asian Art Now, </span>2010<span>\r\n                                Text: Melissa Chiu and Benjamin Genocchio\r\n                                Publisher: Monacelli Press\r\n                                ISBN: 978-1-58093-298-1 (1-58093-298-3)\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Roundabout, </span>2010<span>\r\n                                Publisher: Art Asia Pacific Publishing\r\n                                ISBN: 978-0984562510\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Khoj Book, </span>2010<span>\r\n                                Interview with Shilpa Gupta\r\n                                Publisher: HarperCollins\r\n                                ISBN: 9788172236878\r\n                            </span>\r\n                            <span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/khoj-book\">read interview</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span>\r\n\r\n                            <span class=\"pubstrong\">5 Bienal Ventosul, </span>2009<span>\r\n                                Publisher: Instituto Paranaense de Arte\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Viewpoints &amp; Viewings Points- Asian Art Biennale, </span>2009<span>\r\n                                Text: Chao-yi-Tsai\r\n                                Publisher: National Taiwan Museum of fine Arts\r\n                                ISBN: 978-986-02-0269-4\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Xianzai: Contemporary Indian Art, </span>2009<span>\r\n                                Text: Jitish Kallat, Diana Freundl, Alexander Keefe\r\n                                Publisher: Museum of Contemporary Art\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2009<span>\r\n                                Text: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki,\r\n                                Miho Tagomori\r\n                                Publisher: Prestel, National Museum of Contemporary Art and Essl Museum\r\n                                ISBN: 978-3-7913-4304-4\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2008<span>\r\n                                Text: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman\r\n                                Gopinath, Jayaram, Deepak Ananth\r\n                                Publisher: Mori Art Museum\r\n                                ISBN: 978-4-902819-21-2\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Moderna, </span>2008<span>\r\n                                Text: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur,\r\n                                R. Siva Kumar, K.G. Subramanyan\r\n                                Publisher: IVAM (Institute Valencia D’Art Modern)\r\n                                ISBN: 978-84-482-5104-8\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Everywhere is War (and rumours of it),</span>2008<span>\r\n                                Text: Kai Hafez, Martin Hager, Nicholas Mirzoeff, Daniel Miller,\r\n                                Bregje van Eekelen\r\n                                Publisher: Bodhi Art Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Three Points of Views, </span>2008<span>\r\n                                Text: Grant Watson\r\n                                Publisher: Galerie Mirchandani + Steinruecke\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">New Narratives: Contemporary Art from India, </span>2008<span>\r\n                                Text: Betty Seid with contributions by Johan Pijnappel\r\n                                Publisher: Mapin Publication in association with Chicago Cultural Center\r\n                                ISBN: 978-1-890206-08-6\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Made by Indians, </span>2007<span>\r\n                                Text: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\n                                Publisher: Galerie Enrico Navarra\r\n                                ISBN: 2-911596-37-4\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Thermocline of Art: New Asian Waves, </span>2007<span>\r\n                                Text:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong\r\n                                Publisher: Hatje Cantz Vertag\r\n                                ISBN: 978-3-7757-2073-1\r\n                                EAN: 9782911596377\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Indian Colour, </span>2007<span>\r\n                                Text: Peter Nagy\r\n                                Publisher: Dal- seung Hwang, Keumsan Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Arte Oggi, </span>2007<span>\r\n                                Text:  Daniela Palazzoli\r\n                                Publisher: Spazio Oberdan\r\n                                ISBN: 978-88-202-1867-6\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Urban Manners, </span>2007<span>\r\n                                Text: Adelina Von Furstenberg and Nancy Adajania\r\n                                Publisher: Hangar Bicocca\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">International Incheon Women Artists’ Biennale,</span>\r\n                            <span class=\"pubstrong\">Knocking on the Door, </span>2007<span>\r\n                                Text: Sung Hee Kim, John C. Welchman\r\n                                Publisher: Incheon Culture and Art Centre\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Soft Power: Asian Attitude, </span>2007<span>\r\n                                Text: Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\n                                Publisher: Shanghai Zendai Mumsem of Modern Art\r\n                                ISBN: 978-7-5356-2790-2\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Express- Art and Popular Culture, </span>2006<span>\r\n                                Text: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze\r\n                                Publisher: Helsinki City Art Museum\r\n                                ISBN: 951-8965-61-7\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Bombay L’album Maximum City, </span>2006<span>\r\n                                Text: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\n                                Publisher: Terrail, Lille 3000\r\n                                ISBN: 2-87939-325-6\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Indian Paintings of the New Millennium, </span>2005<span>\r\n                                Text: Helen Asquine  Fazio, Gayatri Sinha\r\n                                Publisher: Quick Arts Center, Fairfield University\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">A Guide to 101 Modern &amp; Contemporary Indian Artists, </span>2005<span>\r\n                                Text: Amrita Jhaveri\r\n                                Publisher: India Book House\r\n                                ISBN: 81-7508-423-5\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Zoom! Art in Contemporary India, </span>2004<span>\r\n                                Texts: Luis Serpa and Nancy Adajania\r\n                                Publisher: The Culturgest Museum\r\n                                ISBN: 972-769-033-5\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Interlude in Sri Lanka, </span>2004<span>\r\n                                Text: Ranjit Hoskote and Nancy Adajania\r\n                                Publisher: The Guild Art Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Generation I, </span>2004<span>\r\n                                Text: Zehra Jumabhoy\r\n                                Publisher: Saffronart &amp; The Guild Art Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Tiranga Rights and Reponsibilities, </span>2003<span>\r\n                                Text: Peter Nagy\r\n                                Publisher: Jindal Foundation &amp; Creative Arts\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Hard Copy, </span>2003<span>\r\n                                Text: Peter Nagy\r\n                                Publisher: Galerie 88\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Crossing Generations: diVERGE, </span>2003<span>\r\n                                Text: Geeta Kapoor and Chaitanya Sambrani\r\n                                Publisher: Gallery Chemould\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\" style=\"color: #000000;\">PRESS</span>\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artasiapacific.com/Magazine/WebExclusives/FloatingWorldAestheticBind\" target=\"_blank\">Aesthetic Bind Floating World</a> </span> <font color=\"red\">  >> </font> <span>\r\n                              Gitanjali Dang,\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.timeoutmumbai.net/art/features/suspense\" target=\"_blank\">In Suspense </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Phalguni Desai , Timeout Mumbai,  March  2014\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artdaily.com/news/68958/Chemould-Prescott-Road-celebrates-fifty-years-of-contemporary-art-with-Aesthetic-Bind--Floating-World#.Uz5us_mSxVk\" target=\"_blank\">Chemould Prescott Road celebrates fifty years of contemporary art with Aesthetic Bind: Floating World </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Geeta Kapur, Art Daily, 24th March 2014\r\n                            </span>\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.timeoutbengaluru.net/art/features/gild-trip\" target=\"_blank\">A series of exhibitions marking the 50th anniversary of a gallery</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Karanjeet Kaur, 30th August 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.caravanmagazine.in/print/4116\" target=\"_blank\">The Dreamers</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Shanoor Seervai, 1st January 2014\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.wallpaper.com/art/zegnart-enlists-reena-kallat-to-create-a-site-specific-artwork-in-mumbai/6292\" target=\"_blank\">ZegnArt enlists Reena Kallat to create a site-specific artwork in Mumbai,</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                JJ Martin, Wallpaper, 18th January 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.timeoutmumbai.net/art/features/web-design\" target=\"_blank\">Web design</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Karanjeet Kaur,Timeout Magazine, pg 26-28, 15th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artribune.com/2013/03/una-ragnatela-fra-italia-e-india-inaugurata-a-mumbai-lopera-di-reena-kallat-per-il-progetto-zegnart-public-qui-ci-sono-immagini-video-e-intervista-allartista/\" target=\"_blank\">Arte pubblica a Mumbai. Intervista con Anna Zegna</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Daniele Perra, Art Tribune, 1st March 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://in.blouinartinfo.com/news/story/885613/reena-kallat-on-her-mammoth-1-ton-rubber-stamp-cobweb-at-the\" target=\"_blank\">Reena Kallat On Her Mammoth, 1-ton Rubber-Stamp Cobweb at the Bhau Daji Lad Museum, Mumbai</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Rosalyn D\'Mello, Blouinart, April 1, 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.thehindu.com/features/magazine/putting-her-stamp-on-it/article4484175.ece\" target=\"_blank\">Putting her stamp on it</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Ramya Sarma, The Hindu, 9th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.business-standard.com/article/beyond-business/stamp-over-mumbai-113030800509_1.html\" target=\"_blank\">Stamp over Mumbai</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Kishore Singh, Business Standard, New Delhi  8th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.dnaindia.com/lifestyle/report_weaving-a-tangled-web_1806665\" target=\"_blank\">Weaving a tangled web</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Deepanjana Pal, DNA, 3rd March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.dnaindia.com/lifestyle/report_web-of-history_1810815\" target=\"_blank\">Web of history </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Sanaya Chavda, DNA, 13th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindustantimes.com/Entertainment/Art/Web-of-history-Reena-Kallat-s-installation/Article1-1027359.aspx\" target=\"_blank\">Web of history </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Shweta Mehta, Hindustan Times, 16th March 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://blog.saffronart.com/2013/03/14/reena-kallats-untitled-cobwebscrossings/\" target=\"_blank\">Public Art installation by Reena Kallat at the Dr. Bhau Daji Lad Museum in Mumbai </a> </span> <font color=\"red\">  >> </font><span>\r\n                                Manjari Sihare, Saffron blog,Posted on 14th March  2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Weaving into  networks, Buliding Cobwebs: Musings over Reena Saini Kallat’s recent work </span> <span>\r\n                                Parni Ray, Take on Art/Eleven, pg 98, Volume lll\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Stamping ground </span><span>\r\n                                Deepanjana Pal, Wallpaper magazine, pg 193 – 194, May 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Editorial</span><span>\r\n                                Kaiwan Mehta, Domus, pg 5 – 10, April 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Web Design</span> <span>\r\n                                Chumki Bharadwaj, India Today, pg 45 – 46, April 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Art Outside  </span> <span>\r\n                                Pavitra Mohan, Architectural Digest, pg 98, March-April 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://inditerrain.indiaartndesign.com/2013/03/of-cobwebs-crossings.html\" target=\"_blank\">Of Cobwebs & Crossings </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Jigna Padhiar, India Art & Design, 1st March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://prestige-singapore.com.sg/2013/04/arts-raj\" target=\"_blank\">Art\'s the Raj</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Dylan Boey, Prestige Singapore, 3rd April 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\">Adrift in unknown waters: Reena Saini Kallat and the Art of letting go</span><span>\r\n                                Parni Ray,  Artfair Magazine, Issue-3, pg 48 – 51, 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://shobanarayan.com/2012/02/04/about-jitish-kallat-and-reena-saini-kallat/\" target=\"_blank\">Walking the Art talk with the Kallats</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Shobha Narayan, Live Mint, February 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.tribuneindia.com/2012/20120219/spectrum/main2.htm\" target=\"_blank\">Spectrum New Visual Idiom</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                The Tribune, February 19, 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artnewsnviews.com/view-article.php?article=g-teborg-international-biennial&iid=25&articleid=678\" target=\"_blank\">Goteborg International Biennial</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Art Etc, Vol.4, No. 2, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Helsinki taidemuseo.fi-Journal, </span> January 2011<span>\r\n                            </span>\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://indiatoday.intoday.in/site/story/brush-with-reality/1/134582.html\">Brush With Reality </a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Sumaiya Khan, India Today Woman, pg. 20-21, April 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">System overload </span><span>\r\n                                Shweta Upadhyay, Timeout Delhi, March 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artslant.com/ind/articles/show/22573\" target=\"_blank\">Picking up the past</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Parni Ray, www.artslant.com, 4th April 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://iipdigital.usembassy.gov/st/english/article/2011/03/20110307133535drawoh0.7282221.html#axzz34yECziHk\">Art at “maximum INDIA” Festival Evokes Cultural Memory and Loss</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Howard Cincotta, www.america.gov, March 7, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.signonsandiego.com/news/2011/mar/02/kennedy-center-opens-3-week-india-arts-festival/\">Kennedy Center opens 3-week India arts festival</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Brett Zongker, www.signonsnadiego.com, 2nd March 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Eye and the Mind: New Interventions in Contemporary Indian Art </span><span>\r\n                                Rajeev Lochan, India Perspectives, Vol. 24, No. 6, 2010\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artradarjournal.com/2010/04/20/indian-contemporary-artist-reena-kallat-art-radar-exclusive-interview/\">Interview, Art Radar Asia </a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span><span>\r\n                                April 20, 2010\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Archives of the Heart</span><span>\r\n                                Nancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\n                                Front Cover, pgs 42-45, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Globale Kunst Mit Wurzelduft</span><span>\r\n                                Von Almuth Speigler, Die Presse, Feuilleton, 2nd September 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Landscapes of Loss</span><span>\r\n                                Beth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Reincarnating History</span><span>\r\n                                The Big Picture, Architect and Interiors, July 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Stamp Collection</span><span>\r\n                                Georgina Maddox, The Sunday Express, 17th May 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Evolving Beyond Borders</span><span>\r\n                                Reshma S. Kulkarni, Bombay Times, Times of India, 15th January, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Loss and Found</span><span>\r\n                                Marina Correa, DNA, Mumbai, 22nd January 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Focus India</span><span>\r\n                                Megha Ralapati, Flash Art, pg 114, January-February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Come Together Right Now</span><span>\r\n                                Reema Gehi, HT Café, 15th February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Such a Long Journey</span><span>\r\n                                Aparna S Sharma, Elle Magazine, pgs 115-117, February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">More than a Woman</span><span>\r\n                                Georgina Maddox, The Indian Express, Mumbai Newsline, 4th February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Artist of the Fortnight</span><span>\r\n                                Maria Louis, Outlook Profit, pg 79, 18th April 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Deja View</span><span>\r\n                                Tara Khilachand, Live Mint, 20th December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Terror Struck</span><span>\r\n                                Maria Louis, Outlook Profit, 26th December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Name Calling</span><span>\r\n                                Deepanjana Pal, Timeout Mumbai, December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Corruptions of Power</span>\r\n                            <span>Shiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99, 2007</span>\r\n\r\n                            <span class=\"pubstrong\">Over the Rainbow</span><span>\r\n                                Maria Louis, Interview, Verve Magazine, pg 78, November 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindu.com/mag/2006/10/29/stories/2006102900070200.htm\">In a State of Perennial Siege</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span><span>\r\n                                Nancy Adajania, The Hindu, Hyderabad, 29th October 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Her Crowning Achievement</span><span>\r\n                                Clara Chow, The Straits Times, 18th November 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Political Chaos</span><span>\r\n                                Deepali Nandwani, Beautiful people, pg 143, November-December 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Weapons of Mass Construction</span><span>\r\n                                Rituparna Som, DNA after Hrs, Mumbai, 9th October, 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Guns and Roses</span><span>\r\n                                Rachna Nakra, The Indian Express, Mumbai Newsline, 18th September 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Under Attack</span><span>\r\n                                Gitanjali Dang, HT Mumbai, 22nd September 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Time Traveller</span><span>\r\n                                Georgina Maddox, The Indian Express, Mumbai Newsline, 27th June 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Flower and the Sword</span><span>\r\n                                Girish Shahane, The Art News magazine of India, pg 93, volume X issue I, 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India’s Top 100 Achievers</span><span>\r\n                                Society Magazine, pg 137, December 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Caught Between Demons<span style=\"font-weight: normal; color: red;\"></span></span><span>\r\n                                Nancy Adajania, The Hindu, 19th December 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">En Reise Til India</span><span>\r\n                                Harald Flor, Dagbladet, Kultur, 2nd February 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Signs of Resistance</span><span>\r\n                                Nancy Adajania, The Hindu, 5th January 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Of the Goddess and Demon in the Mind</span><span>\r\n                                Debbie Rodgers, Sunday edition Vijay Times, Bangalore, 5th January 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Empathic Anger</span><span>\r\n                                Marta Jakimowicz, Deccan Herald, 23rd December 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Mysore Ek Khoj</span>\r\n                            Cross Fertilization of Culture, Interview in Star of Mysore, 27th October 2002\r\n\r\n                            <span class=\"pubstrong\">Linking Islands</span><span>\r\n                                Menaka Jayasankar, Indian Express, Mumbai Newsline, 15th February 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Creating to Destroy</span><span>\r\n                                Jasmine Shah Varma, The List, Mid Day, 22nd February 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Different Strokes</span><span>\r\n                                Georgina L Maddox, The Indian Express, Mumbai Newsline, 24th July 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a target=\"_blank\" href=\"http://www.reenakallat.com/wp-content/uploads/2011/09/Faith%20and%20Hunger.pdf\" style=\"color: rgb(135, 135, 135);\">Of Faith and Hunger</a><font style=\"font-weight:normal;\" color=\"red\">  >> </font></span>\r\n                        </span><span>\r\n                            Abhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89, December 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">The Murmur of Skin</span><span>\r\n                            Nupur Mahajan, Bombay Times, Times of India, 12th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Not just Skin Deep</span><span>\r\n                            Jasmine Shah Varma, The List, Mid-day, 4th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Inside Out</span><span>\r\n                            Menaka Jayasankar, Indian Express, Mumbai Newsline, 11th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Scintillating Skin</span><span>\r\n                            Vaibhav Purandare, The Asian Age, 14th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">An Artist’s World: Roti, Makaan &amp; Abstract Art</span><span>\r\n                            Poonam Goel, HT City, 23rd December 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Within you, Without you</span><span>\r\n                            Anu Kumar, Indian Express, Express Newsline, 2nd September 1998\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Farming Intrigue</span><span>\r\n                            Jerry Pinto, The Times of India, Bombay Times, 3rd September 1998\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Interactive Medium</span><span>\r\n                            Karen Pereira, Indian Architect &amp; Builder, pgs 102-104, October 1998\r\n                        </span>\r\n</td>\r\n        </tr>\r\n    </tbody>\r\n</table>','Publications','','inherit','open','open','','87-revision-221','','','2014-06-28 09:29:54','2014-06-28 09:29:54','',87,'http://www.reenakallat.com/3103/uncat/87-revision-221',0,'revision','',0),(3106,1,'2014-07-26 09:37:10','2014-07-26 09:37:10','f<table border=\"0\" cellspacing=\"5\" cellpadding=\"0\" width=\"100%\" align=\"centre\">\r\n    <tbody>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" width=\"21%\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td style=\"margin-left: 5px;\">\r\n                                <span class=\"pubstrong\">Reena Saini Kallat, </span> 2009<span>\r\n                                    Text: Nancy Adajania and Murtaza Vali\r\n                                    Publisher: Primo Marella Gallery, Walsh Gallery and Chemould Prescott Road\r\n                                    ISBN: 978-81-908879-1-5\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/reena-kallat\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Rainbow of Refuse, </span>2006<span>\r\n                                    Text: Nancy Adajania\r\n                                    Publisher: Bodhi Art Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/rainbow-of-refuse\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Black Flute (and other stories), </span>2005\r\n                                <span class=\"pubstrong\">Black Flute,</span> 2004<span>\r\n                                    Text: Nancy Adajania\r\n                                    Publisher: Gallery Chemould and Nature Morte Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/black-flute\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">The Battlefield is the Mind, </span>2002<span>\r\n                                    Text: Nancy Adajania\r\n                                    Publisher: Sakshi Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/battlefield-of-mind\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table cellspacing=\"0\" cellpadding=\"0\" width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Skin, </span>2000<span>\r\n                                    Interview with Jitish Kallat\r\n                                    Publisher: Gallery Chemould and Vis-à-vis Art Inc. Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr></tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Orchard of home-grown secrets, </span>1998<span>\r\n                                    Text: Ranjit Hoskote\r\n                                    Publisher: Gallery Chemould and Pundole Art Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/orchard-pub\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td colspan=\"2\"></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n            <td>\r\n                <!-- Start of Other Publications -->\r\n\r\n                <span class=\"pubstrong\">Nature Morte, 2013</span><span>\r\n                    Text: Michael Petry\r\n                    Publisher: Thames & Hudson\r\n                    ISBN: 9780500239063\r\n\r\n\r\n\r\n            <span class=\"pubstrong\">Haein Art Project, 2013</span><span>\r\n                Text:  Kim Jiyon, Leandre D’souza and Claudio Maffioletti\r\n                Publisher: Ven.Sun-Hae (Abbot of Haeinsa Temple)\r\n                ISBN: 979 1195142309 90620\r\n\r\n\r\n                <span class=\"pubstrong\">NO-MAD-NESS IN NO MAN’S LAND, 2013</span><span>\r\n                    Text:  interview by Ombretta Agro Andruff and Leeza Ahmady with Casey Amy Fan\r\n                    Publisher: The Eslite Corp.\r\n                    ISBN: 978-986-89759-7-2\r\n\r\n                    <span class=\"pubstrong\">India Side by Side, 2012</span><span>\r\n                        Text: Cibele Aldrovandi, Deepak Ananth, Flavia Galli Tatsch, Kapila Vatsyayan, Laura Cury, Rahaab Allana, Tereza de Arruda\r\n                        Publisher: The Brazilian Ministry of Culture and Banco do Brasil\r\n                        ISBN: 978-85-64170-01-8\r\n\r\n                        <span class=\"pubstrong\">India : Art Now, 2012 </span><span>\r\n                            Text: Stine Hoholt, Ranjit Hoskote, Zehra Jumabhoy\r\n                            Publisher: Hatje Cantz\r\n                        </span>\r\n                        ISBN: 978-3-7757-3411-0\r\n\r\n                        <span class=\"pubstrong\">Undervaeker – Wonders, </span>2012<span>\r\n                            Texts by Gitte Orskou, Af Theis Vallo Madsen, Jeanett Stampe\r\n                            Publisher: KUNSTEN - Museum of Modern Art Aalborg\r\n                        </span>\r\n                        ISBN: 978-87-88307-72-6\r\n\r\n                        <span class=\"pubstrong\">n.paradoxa: international feminist art journal, volume 30, </span>2012<span>\r\n                            Text: interview with Veeranganakumari Solanki\r\n                            Publisher: KT press\r\n                        </span>\r\n                        ISBN: 1461- 0434\r\n\r\n                        <span class=\"pubstrong\">The Skoda Prize Twenty, </span>2011-2012<span>\r\n                            Text: Zeenat Nagree\r\n                            Publisher: Popular Prakashan\r\n                        </span>\r\n                        ISBN: 978-81-7991-681-0\r\n\r\n                        <span class=\"pubstrong\">Pandemonium: Art in a time of creativity fever, </span>2011<span>\r\n                            Text: interview with Stina Edblom\r\n                            Publisher: Göteborg International Biennial for Contemporary Art\r\n                        </span>\r\n                        ISBN: 978-91-633-9363-1\r\n                        <span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/pandemonium\">read interview</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span>\r\n\r\n                        <span class=\"pubstrong\">The Indian Renaissance, </span>2011<span>\r\n                            Text: Antonio Stellatelli, Romano Ravasio and Marina Pizziolo\r\n\r\n                            <span class=\"pubstrong\">Vancouver Biennale, </span>2009-2011<span>\r\n                                Text: Vancouver International Sculpture Biennale\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Maximum India, </span>2011<span>\r\n                                Publisher: The John F. Kennedy Center for the Performing Arts, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Never Run Away, </span>2010<span>\r\n                                Text: Shaheen Merali\r\n                                Publisher: Stux Gallery\r\n                            </span>\r\n                            <span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/never-run-away\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span>\r\n\r\n                            <span class=\"pubstrong\">Urban Manners 2, </span>2010<span>\r\n                                Text: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\n                                Publisher: SESC Pompeia, Sao Paulo\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Empire Strikes Back, </span>2010<span>\r\n                                Text: Zehra Jumabhoy\r\n                                Publisher: Saatchi Gallery\r\n                                ISBN: 9780224089494\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The River Project, </span>2010<span>\r\n                                Publisher: Campbelltown Arts Centre\r\n                                ISBN: 9781875199761\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Asian Art Now, </span>2010<span>\r\n                                Text: Melissa Chiu and Benjamin Genocchio\r\n                                Publisher: Monacelli Press\r\n                                ISBN: 978-1-58093-298-1 (1-58093-298-3)\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Roundabout, </span>2010<span>\r\n                                Publisher: Art Asia Pacific Publishing\r\n                                ISBN: 978-0984562510\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Khoj Book, </span>2010<span>\r\n                                Interview with Shilpa Gupta\r\n                                Publisher: HarperCollins\r\n                                ISBN: 9788172236878\r\n                            </span>\r\n                            <span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/khoj-book\">read interview</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span>\r\n\r\n                            <span class=\"pubstrong\">5 Bienal Ventosul, </span>2009<span>\r\n                                Publisher: Instituto Paranaense de Arte\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Viewpoints &amp; Viewings Points- Asian Art Biennale, </span>2009<span>\r\n                                Text: Chao-yi-Tsai\r\n                                Publisher: National Taiwan Museum of fine Arts\r\n                                ISBN: 978-986-02-0269-4\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Xianzai: Contemporary Indian Art, </span>2009<span>\r\n                                Text: Jitish Kallat, Diana Freundl, Alexander Keefe\r\n                                Publisher: Museum of Contemporary Art\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2009<span>\r\n                                Text: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki,\r\n                                Miho Tagomori\r\n                                Publisher: Prestel, National Museum of Contemporary Art and Essl Museum\r\n                                ISBN: 978-3-7913-4304-4\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2008<span>\r\n                                Text: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman\r\n                                Gopinath, Jayaram, Deepak Ananth\r\n                                Publisher: Mori Art Museum\r\n                                ISBN: 978-4-902819-21-2\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Moderna, </span>2008<span>\r\n                                Text: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur,\r\n                                R. Siva Kumar, K.G. Subramanyan\r\n                                Publisher: IVAM (Institute Valencia D’Art Modern)\r\n                                ISBN: 978-84-482-5104-8\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Everywhere is War (and rumours of it),</span>2008<span>\r\n                                Text: Kai Hafez, Martin Hager, Nicholas Mirzoeff, Daniel Miller,\r\n                                Bregje van Eekelen\r\n                                Publisher: Bodhi Art Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Three Points of Views, </span>2008<span>\r\n                                Text: Grant Watson\r\n                                Publisher: Galerie Mirchandani + Steinruecke\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">New Narratives: Contemporary Art from India, </span>2008<span>\r\n                                Text: Betty Seid with contributions by Johan Pijnappel\r\n                                Publisher: Mapin Publication in association with Chicago Cultural Center\r\n                                ISBN: 978-1-890206-08-6\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Made by Indians, </span>2007<span>\r\n                                Text: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\n                                Publisher: Galerie Enrico Navarra\r\n                                ISBN: 2-911596-37-4\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Thermocline of Art: New Asian Waves, </span>2007<span>\r\n                                Text:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong\r\n                                Publisher: Hatje Cantz Vertag\r\n                                ISBN: 978-3-7757-2073-1\r\n                                EAN: 9782911596377\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Indian Colour, </span>2007<span>\r\n                                Text: Peter Nagy\r\n                                Publisher: Dal- seung Hwang, Keumsan Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Arte Oggi, </span>2007<span>\r\n                                Text:  Daniela Palazzoli\r\n                                Publisher: Spazio Oberdan\r\n                                ISBN: 978-88-202-1867-6\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Urban Manners, </span>2007<span>\r\n                                Text: Adelina Von Furstenberg and Nancy Adajania\r\n                                Publisher: Hangar Bicocca\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">International Incheon Women Artists’ Biennale,</span>\r\n                            <span class=\"pubstrong\">Knocking on the Door, </span>2007<span>\r\n                                Text: Sung Hee Kim, John C. Welchman\r\n                                Publisher: Incheon Culture and Art Centre\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Soft Power: Asian Attitude, </span>2007<span>\r\n                                Text: Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\n                                Publisher: Shanghai Zendai Mumsem of Modern Art\r\n                                ISBN: 978-7-5356-2790-2\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Express- Art and Popular Culture, </span>2006<span>\r\n                                Text: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze\r\n                                Publisher: Helsinki City Art Museum\r\n                                ISBN: 951-8965-61-7\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Bombay L’album Maximum City, </span>2006<span>\r\n                                Text: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\n                                Publisher: Terrail, Lille 3000\r\n                                ISBN: 2-87939-325-6\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Indian Paintings of the New Millennium, </span>2005<span>\r\n                                Text: Helen Asquine  Fazio, Gayatri Sinha\r\n                                Publisher: Quick Arts Center, Fairfield University\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">A Guide to 101 Modern &amp; Contemporary Indian Artists, </span>2005<span>\r\n                                Text: Amrita Jhaveri\r\n                                Publisher: India Book House\r\n                                ISBN: 81-7508-423-5\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Zoom! Art in Contemporary India, </span>2004<span>\r\n                                Texts: Luis Serpa and Nancy Adajania\r\n                                Publisher: The Culturgest Museum\r\n                                ISBN: 972-769-033-5\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Interlude in Sri Lanka, </span>2004<span>\r\n                                Text: Ranjit Hoskote and Nancy Adajania\r\n                                Publisher: The Guild Art Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Generation I, </span>2004<span>\r\n                                Text: Zehra Jumabhoy\r\n                                Publisher: Saffronart &amp; The Guild Art Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Tiranga Rights and Reponsibilities, </span>2003<span>\r\n                                Text: Peter Nagy\r\n                                Publisher: Jindal Foundation &amp; Creative Arts\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Hard Copy, </span>2003<span>\r\n                                Text: Peter Nagy\r\n                                Publisher: Galerie 88\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Crossing Generations: diVERGE, </span>2003<span>\r\n                                Text: Geeta Kapoor and Chaitanya Sambrani\r\n                                Publisher: Gallery Chemould\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\" style=\"color: #000000;\">PRESS</span>\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artasiapacific.com/Magazine/WebExclusives/FloatingWorldAestheticBind\" target=\"_blank\">Aesthetic Bind Floating World</a> </span> <font color=\"red\">  >> </font> <span>\r\n                              Gitanjali Dang, ArtAsiaPacific, April 2014                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.timeoutmumbai.net/art/features/suspense\" target=\"_blank\">In Suspense </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Phalguni Desai , Timeout Mumbai,  March  2014\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artdaily.com/news/68958/Chemould-Prescott-Road-celebrates-fifty-years-of-contemporary-art-with-Aesthetic-Bind--Floating-World#.Uz5us_mSxVk\" target=\"_blank\">Chemould Prescott Road celebrates fifty years of contemporary art with Aesthetic Bind: Floating World </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Geeta Kapur, Art Daily, 24th March 2014\r\n                            </span>\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.timeoutbengaluru.net/art/features/gild-trip\" target=\"_blank\">A series of exhibitions marking the 50th anniversary of a gallery</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Karanjeet Kaur, 30th August 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.caravanmagazine.in/print/4116\" target=\"_blank\">The Dreamers</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Shanoor Seervai, 1st January 2014\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.wallpaper.com/art/zegnart-enlists-reena-kallat-to-create-a-site-specific-artwork-in-mumbai/6292\" target=\"_blank\">ZegnArt enlists Reena Kallat to create a site-specific artwork in Mumbai,</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                JJ Martin, Wallpaper, 18th January 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.timeoutmumbai.net/art/features/web-design\" target=\"_blank\">Web design</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Karanjeet Kaur,Timeout Magazine, pg 26-28, 15th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artribune.com/2013/03/una-ragnatela-fra-italia-e-india-inaugurata-a-mumbai-lopera-di-reena-kallat-per-il-progetto-zegnart-public-qui-ci-sono-immagini-video-e-intervista-allartista/\" target=\"_blank\">Arte pubblica a Mumbai. Intervista con Anna Zegna</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Daniele Perra, Art Tribune, 1st March 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://in.blouinartinfo.com/news/story/885613/reena-kallat-on-her-mammoth-1-ton-rubber-stamp-cobweb-at-the\" target=\"_blank\">Reena Kallat On Her Mammoth, 1-ton Rubber-Stamp Cobweb at the Bhau Daji Lad Museum, Mumbai</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Rosalyn D\'Mello, Blouinart, April 1, 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.thehindu.com/features/magazine/putting-her-stamp-on-it/article4484175.ece\" target=\"_blank\">Putting her stamp on it</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Ramya Sarma, The Hindu, 9th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.business-standard.com/article/beyond-business/stamp-over-mumbai-113030800509_1.html\" target=\"_blank\">Stamp over Mumbai</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Kishore Singh, Business Standard, New Delhi  8th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.dnaindia.com/lifestyle/report_weaving-a-tangled-web_1806665\" target=\"_blank\">Weaving a tangled web</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Deepanjana Pal, DNA, 3rd March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.dnaindia.com/lifestyle/report_web-of-history_1810815\" target=\"_blank\">Web of history </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Sanaya Chavda, DNA, 13th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindustantimes.com/Entertainment/Art/Web-of-history-Reena-Kallat-s-installation/Article1-1027359.aspx\" target=\"_blank\">Web of history </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Shweta Mehta, Hindustan Times, 16th March 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://blog.saffronart.com/2013/03/14/reena-kallats-untitled-cobwebscrossings/\" target=\"_blank\">Public Art installation by Reena Kallat at the Dr. Bhau Daji Lad Museum in Mumbai </a> </span> <font color=\"red\">  >> </font><span>\r\n                                Manjari Sihare, Saffron blog,Posted on 14th March  2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Weaving into  networks, Buliding Cobwebs: Musings over Reena Saini Kallat’s recent work </span> <span>\r\n                                Parni Ray, Take on Art/Eleven, pg 98, Volume lll\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Stamping ground </span><span>\r\n                                Deepanjana Pal, Wallpaper magazine, pg 193 – 194, May 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Editorial</span><span>\r\n                                Kaiwan Mehta, Domus, pg 5 – 10, April 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Web Design</span> <span>\r\n                                Chumki Bharadwaj, India Today, pg 45 – 46, April 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Art Outside  </span> <span>\r\n                                Pavitra Mohan, Architectural Digest, pg 98, March-April 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://inditerrain.indiaartndesign.com/2013/03/of-cobwebs-crossings.html\" target=\"_blank\">Of Cobwebs & Crossings </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Jigna Padhiar, India Art & Design, 1st March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://prestige-singapore.com.sg/2013/04/arts-raj\" target=\"_blank\">Art\'s the Raj</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Dylan Boey, Prestige Singapore, 3rd April 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\">Adrift in unknown waters: Reena Saini Kallat and the Art of letting go</span><span>\r\n                                Parni Ray,  Artfair Magazine, Issue-3, pg 48 – 51, 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://shobanarayan.com/2012/02/04/about-jitish-kallat-and-reena-saini-kallat/\" target=\"_blank\">Walking the Art talk with the Kallats</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Shobha Narayan, Live Mint, February 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.tribuneindia.com/2012/20120219/spectrum/main2.htm\" target=\"_blank\">Spectrum New Visual Idiom</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                The Tribune, February 19, 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artnewsnviews.com/view-article.php?article=g-teborg-international-biennial&iid=25&articleid=678\" target=\"_blank\">Goteborg International Biennial</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Art Etc, Vol.4, No. 2, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Helsinki taidemuseo.fi-Journal, </span> January 2011<span>\r\n                            </span>\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://indiatoday.intoday.in/site/story/brush-with-reality/1/134582.html\">Brush With Reality </a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Sumaiya Khan, India Today Woman, pg. 20-21, April 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">System overload </span><span>\r\n                                Shweta Upadhyay, Timeout Delhi, March 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artslant.com/ind/articles/show/22573\" target=\"_blank\">Picking up the past</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Parni Ray, www.artslant.com, 4th April 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://iipdigital.usembassy.gov/st/english/article/2011/03/20110307133535drawoh0.7282221.html#axzz34yECziHk\">Art at “maximum INDIA” Festival Evokes Cultural Memory and Loss</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Howard Cincotta, www.america.gov, March 7, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.signonsandiego.com/news/2011/mar/02/kennedy-center-opens-3-week-india-arts-festival/\">Kennedy Center opens 3-week India arts festival</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Brett Zongker, www.signonsnadiego.com, 2nd March 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Eye and the Mind: New Interventions in Contemporary Indian Art </span><span>\r\n                                Rajeev Lochan, India Perspectives, Vol. 24, No. 6, 2010\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artradarjournal.com/2010/04/20/indian-contemporary-artist-reena-kallat-art-radar-exclusive-interview/\">Interview, Art Radar Asia </a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span><span>\r\n                                April 20, 2010\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Archives of the Heart</span><span>\r\n                                Nancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\n                                Front Cover, pgs 42-45, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Globale Kunst Mit Wurzelduft</span><span>\r\n                                Von Almuth Speigler, Die Presse, Feuilleton, 2nd September 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Landscapes of Loss</span><span>\r\n                                Beth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Reincarnating History</span><span>\r\n                                The Big Picture, Architect and Interiors, July 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Stamp Collection</span><span>\r\n                                Georgina Maddox, The Sunday Express, 17th May 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Evolving Beyond Borders</span><span>\r\n                                Reshma S. Kulkarni, Bombay Times, Times of India, 15th January, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Loss and Found</span><span>\r\n                                Marina Correa, DNA, Mumbai, 22nd January 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Focus India</span><span>\r\n                                Megha Ralapati, Flash Art, pg 114, January-February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Come Together Right Now</span><span>\r\n                                Reema Gehi, HT Café, 15th February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Such a Long Journey</span><span>\r\n                                Aparna S Sharma, Elle Magazine, pgs 115-117, February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">More than a Woman</span><span>\r\n                                Georgina Maddox, The Indian Express, Mumbai Newsline, 4th February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Artist of the Fortnight</span><span>\r\n                                Maria Louis, Outlook Profit, pg 79, 18th April 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Deja View</span><span>\r\n                                Tara Khilachand, Live Mint, 20th December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Terror Struck</span><span>\r\n                                Maria Louis, Outlook Profit, 26th December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Name Calling</span><span>\r\n                                Deepanjana Pal, Timeout Mumbai, December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Corruptions of Power</span>\r\n                            <span>Shiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99, 2007</span>\r\n\r\n                            <span class=\"pubstrong\">Over the Rainbow</span><span>\r\n                                Maria Louis, Interview, Verve Magazine, pg 78, November 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindu.com/mag/2006/10/29/stories/2006102900070200.htm\">In a State of Perennial Siege</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span><span>\r\n                                Nancy Adajania, The Hindu, Hyderabad, 29th October 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Her Crowning Achievement</span><span>\r\n                                Clara Chow, The Straits Times, 18th November 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Political Chaos</span><span>\r\n                                Deepali Nandwani, Beautiful people, pg 143, November-December 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Weapons of Mass Construction</span><span>\r\n                                Rituparna Som, DNA after Hrs, Mumbai, 9th October, 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Guns and Roses</span><span>\r\n                                Rachna Nakra, The Indian Express, Mumbai Newsline, 18th September 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Under Attack</span><span>\r\n                                Gitanjali Dang, HT Mumbai, 22nd September 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Time Traveller</span><span>\r\n                                Georgina Maddox, The Indian Express, Mumbai Newsline, 27th June 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Flower and the Sword</span><span>\r\n                                Girish Shahane, The Art News magazine of India, pg 93, volume X issue I, 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India’s Top 100 Achievers</span><span>\r\n                                Society Magazine, pg 137, December 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Caught Between Demons<span style=\"font-weight: normal; color: red;\"></span></span><span>\r\n                                Nancy Adajania, The Hindu, 19th December 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">En Reise Til India</span><span>\r\n                                Harald Flor, Dagbladet, Kultur, 2nd February 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Signs of Resistance</span><span>\r\n                                Nancy Adajania, The Hindu, 5th January 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Of the Goddess and Demon in the Mind</span><span>\r\n                                Debbie Rodgers, Sunday edition Vijay Times, Bangalore, 5th January 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Empathic Anger</span><span>\r\n                                Marta Jakimowicz, Deccan Herald, 23rd December 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Mysore Ek Khoj</span>\r\n                            Cross Fertilization of Culture, Interview in Star of Mysore, 27th October 2002\r\n\r\n                            <span class=\"pubstrong\">Linking Islands</span><span>\r\n                                Menaka Jayasankar, Indian Express, Mumbai Newsline, 15th February 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Creating to Destroy</span><span>\r\n                                Jasmine Shah Varma, The List, Mid Day, 22nd February 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Different Strokes</span><span>\r\n                                Georgina L Maddox, The Indian Express, Mumbai Newsline, 24th July 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a target=\"_blank\" href=\"http://www.reenakallat.com/wp-content/uploads/2011/09/Faith%20and%20Hunger.pdf\" style=\"color: rgb(135, 135, 135);\">Of Faith and Hunger</a><font style=\"font-weight:normal;\" color=\"red\">  >> </font></span>\r\n                        <span>Abhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89, December 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">The Murmur of Skin</span><span>\r\n                            Nupur Mahajan, Bombay Times, Times of India, 12th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Not just Skin Deep</span><span>\r\n                            Jasmine Shah Varma, The List, Mid-day, 4th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Inside Out</span><span>\r\n                            Menaka Jayasankar, Indian Express, Mumbai Newsline, 11th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Scintillating Skin</span><span>\r\n                            Vaibhav Purandare, The Asian Age, 14th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">An Artist’s World: Roti, Makaan &amp; Abstract Art</span><span>\r\n                            Poonam Goel, HT City, 23rd December 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Within you, Without you</span><span>\r\n                            Anu Kumar, Indian Express, Express Newsline, 2nd September 1998\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Farming Intrigue</span><span>\r\n                            Jerry Pinto, The Times of India, Bombay Times, 3rd September 1998\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Interactive Medium</span><span>\r\n                            Karen Pereira, Indian Architect &amp; Builder, pgs 102-104, October 1998\r\n                        </span>\r\n</td>\r\n        </tr>\r\n    </tbody>\r\n</table>','Publications','','inherit','open','open','','87-revision-224','','','2014-07-26 09:37:10','2014-07-26 09:37:10','',87,'http://www.reenakallat.com/3106/uncat/87-revision-224',0,'revision','',0);
INSERT INTO `wp_posts` VALUES (3104,1,'2014-07-26 09:35:11','2014-07-26 09:35:11','f<table border=\"0\" cellspacing=\"5\" cellpadding=\"0\" width=\"100%\" align=\"centre\">\r\n    <tbody>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" width=\"21%\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td style=\"margin-left: 5px;\">\r\n                                <span class=\"pubstrong\">Reena Saini Kallat, </span> 2009<span>\r\n                                    Text: Nancy Adajania and Murtaza Vali\r\n                                    Publisher: Primo Marella Gallery, Walsh Gallery and Chemould Prescott Road\r\n                                    ISBN: 978-81-908879-1-5\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/reena-kallat\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Rainbow of Refuse, </span>2006<span>\r\n                                    Text: Nancy Adajania\r\n                                    Publisher: Bodhi Art Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/rainbow-of-refuse\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Black Flute (and other stories), </span>2005\r\n                                <span class=\"pubstrong\">Black Flute,</span> 2004<span>\r\n                                    Text: Nancy Adajania\r\n                                    Publisher: Gallery Chemould and Nature Morte Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/black-flute\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">The Battlefield is the Mind, </span>2002<span>\r\n                                    Text: Nancy Adajania\r\n                                    Publisher: Sakshi Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/battlefield-of-mind\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table cellspacing=\"0\" cellpadding=\"0\" width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Skin, </span>2000<span>\r\n                                    Interview with Jitish Kallat\r\n                                    Publisher: Gallery Chemould and Vis-à-vis Art Inc. Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr></tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Orchard of home-grown secrets, </span>1998<span>\r\n                                    Text: Ranjit Hoskote\r\n                                    Publisher: Gallery Chemould and Pundole Art Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/orchard-pub\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td colspan=\"2\"></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n            <td>\r\n                <!-- Start of Other Publications -->\r\n\r\n                <span class=\"pubstrong\">Nature Morte, 2013</span><span>\r\n                    Text: Michael Petry\r\n                    Publisher: Thames & Hudson\r\n                    ISBN: 9780500239063\r\n\r\n\r\n\r\n            <span class=\"pubstrong\">Haein Art Project, 2013</span><span>\r\n                Text:  Kim Jiyon, Leandre D’souza and Claudio Maffioletti\r\n                Publisher: Ven.Sun-Hae (Abbot of Haeinsa Temple)\r\n                ISBN: 979 1195142309 90620\r\n\r\n\r\n                <span class=\"pubstrong\">NO-MAD-NESS IN NO MAN’S LAND, 2013</span><span>\r\n                    Text:  interview by Ombretta Agro Andruff and Leeza Ahmady with Casey Amy Fan\r\n                    Publisher: The Eslite Corp.\r\n                    ISBN: 978-986-89759-7-2\r\n\r\n                    <span class=\"pubstrong\">India Side by Side, 2012</span><span>\r\n                        Text: Cibele Aldrovandi, Deepak Ananth, Flavia Galli Tatsch, Kapila Vatsyayan, Laura Cury, Rahaab Allana, Tereza de Arruda\r\n                        Publisher: The Brazilian Ministry of Culture and Banco do Brasil\r\n                        ISBN: 978-85-64170-01-8\r\n\r\n                        <span class=\"pubstrong\">India : Art Now, 2012 </span><span>\r\n                            Text: Stine Hoholt, Ranjit Hoskote, Zehra Jumabhoy\r\n                            Publisher: Hatje Cantz\r\n                        </span>\r\n                        ISBN: 978-3-7757-3411-0\r\n\r\n                        <span class=\"pubstrong\">Undervaeker – Wonders, </span>2012<span>\r\n                            Texts by Gitte Orskou, Af Theis Vallo Madsen, Jeanett Stampe\r\n                            Publisher: KUNSTEN - Museum of Modern Art Aalborg\r\n                        </span>\r\n                        ISBN: 978-87-88307-72-6\r\n\r\n                        <span class=\"pubstrong\">n.paradoxa: international feminist art journal, volume 30, </span>2012<span>\r\n                            Text: interview with Veeranganakumari Solanki\r\n                            Publisher: KT press\r\n                        </span>\r\n                        ISBN: 1461- 0434\r\n\r\n                        <span class=\"pubstrong\">The Skoda Prize Twenty, </span>2011-2012<span>\r\n                            Text: Zeenat Nagree\r\n                            Publisher: Popular Prakashan\r\n                        </span>\r\n                        ISBN: 978-81-7991-681-0\r\n\r\n                        <span class=\"pubstrong\">Pandemonium: Art in a time of creativity fever, </span>2011<span>\r\n                            Text: interview with Stina Edblom\r\n                            Publisher: Göteborg International Biennial for Contemporary Art\r\n                        </span>\r\n                        ISBN: 978-91-633-9363-1\r\n                        <span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/pandemonium\">read interview</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span>\r\n\r\n                        <span class=\"pubstrong\">The Indian Renaissance, </span>2011<span>\r\n                            Text: Antonio Stellatelli, Romano Ravasio and Marina Pizziolo\r\n\r\n                            <span class=\"pubstrong\">Vancouver Biennale, </span>2009-2011<span>\r\n                                Text: Vancouver International Sculpture Biennale\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Maximum India, </span>2011<span>\r\n                                Publisher: The John F. Kennedy Center for the Performing Arts, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Never Run Away, </span>2010<span>\r\n                                Text: Shaheen Merali\r\n                                Publisher: Stux Gallery\r\n                            </span>\r\n                            <span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/never-run-away\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span>\r\n\r\n                            <span class=\"pubstrong\">Urban Manners 2, </span>2010<span>\r\n                                Text: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\n                                Publisher: SESC Pompeia, Sao Paulo\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Empire Strikes Back, </span>2010<span>\r\n                                Text: Zehra Jumabhoy\r\n                                Publisher: Saatchi Gallery\r\n                                ISBN: 9780224089494\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The River Project, </span>2010<span>\r\n                                Publisher: Campbelltown Arts Centre\r\n                                ISBN: 9781875199761\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Asian Art Now, </span>2010<span>\r\n                                Text: Melissa Chiu and Benjamin Genocchio\r\n                                Publisher: Monacelli Press\r\n                                ISBN: 978-1-58093-298-1 (1-58093-298-3)\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Roundabout, </span>2010<span>\r\n                                Publisher: Art Asia Pacific Publishing\r\n                                ISBN: 978-0984562510\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Khoj Book, </span>2010<span>\r\n                                Interview with Shilpa Gupta\r\n                                Publisher: HarperCollins\r\n                                ISBN: 9788172236878\r\n                            </span>\r\n                            <span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/khoj-book\">read interview</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span>\r\n\r\n                            <span class=\"pubstrong\">5 Bienal Ventosul, </span>2009<span>\r\n                                Publisher: Instituto Paranaense de Arte\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Viewpoints &amp; Viewings Points- Asian Art Biennale, </span>2009<span>\r\n                                Text: Chao-yi-Tsai\r\n                                Publisher: National Taiwan Museum of fine Arts\r\n                                ISBN: 978-986-02-0269-4\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Xianzai: Contemporary Indian Art, </span>2009<span>\r\n                                Text: Jitish Kallat, Diana Freundl, Alexander Keefe\r\n                                Publisher: Museum of Contemporary Art\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2009<span>\r\n                                Text: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki,\r\n                                Miho Tagomori\r\n                                Publisher: Prestel, National Museum of Contemporary Art and Essl Museum\r\n                                ISBN: 978-3-7913-4304-4\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2008<span>\r\n                                Text: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman\r\n                                Gopinath, Jayaram, Deepak Ananth\r\n                                Publisher: Mori Art Museum\r\n                                ISBN: 978-4-902819-21-2\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Moderna, </span>2008<span>\r\n                                Text: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur,\r\n                                R. Siva Kumar, K.G. Subramanyan\r\n                                Publisher: IVAM (Institute Valencia D’Art Modern)\r\n                                ISBN: 978-84-482-5104-8\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Everywhere is War (and rumours of it),</span>2008<span>\r\n                                Text: Kai Hafez, Martin Hager, Nicholas Mirzoeff, Daniel Miller,\r\n                                Bregje van Eekelen\r\n                                Publisher: Bodhi Art Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Three Points of Views, </span>2008<span>\r\n                                Text: Grant Watson\r\n                                Publisher: Galerie Mirchandani + Steinruecke\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">New Narratives: Contemporary Art from India, </span>2008<span>\r\n                                Text: Betty Seid with contributions by Johan Pijnappel\r\n                                Publisher: Mapin Publication in association with Chicago Cultural Center\r\n                                ISBN: 978-1-890206-08-6\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Made by Indians, </span>2007<span>\r\n                                Text: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\n                                Publisher: Galerie Enrico Navarra\r\n                                ISBN: 2-911596-37-4\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Thermocline of Art: New Asian Waves, </span>2007<span>\r\n                                Text:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong\r\n                                Publisher: Hatje Cantz Vertag\r\n                                ISBN: 978-3-7757-2073-1\r\n                                EAN: 9782911596377\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Indian Colour, </span>2007<span>\r\n                                Text: Peter Nagy\r\n                                Publisher: Dal- seung Hwang, Keumsan Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Arte Oggi, </span>2007<span>\r\n                                Text:  Daniela Palazzoli\r\n                                Publisher: Spazio Oberdan\r\n                                ISBN: 978-88-202-1867-6\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Urban Manners, </span>2007<span>\r\n                                Text: Adelina Von Furstenberg and Nancy Adajania\r\n                                Publisher: Hangar Bicocca\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">International Incheon Women Artists’ Biennale,</span>\r\n                            <span class=\"pubstrong\">Knocking on the Door, </span>2007<span>\r\n                                Text: Sung Hee Kim, John C. Welchman\r\n                                Publisher: Incheon Culture and Art Centre\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Soft Power: Asian Attitude, </span>2007<span>\r\n                                Text: Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\n                                Publisher: Shanghai Zendai Mumsem of Modern Art\r\n                                ISBN: 978-7-5356-2790-2\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Express- Art and Popular Culture, </span>2006<span>\r\n                                Text: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze\r\n                                Publisher: Helsinki City Art Museum\r\n                                ISBN: 951-8965-61-7\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Bombay L’album Maximum City, </span>2006<span>\r\n                                Text: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\n                                Publisher: Terrail, Lille 3000\r\n                                ISBN: 2-87939-325-6\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Indian Paintings of the New Millennium, </span>2005<span>\r\n                                Text: Helen Asquine  Fazio, Gayatri Sinha\r\n                                Publisher: Quick Arts Center, Fairfield University\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">A Guide to 101 Modern &amp; Contemporary Indian Artists, </span>2005<span>\r\n                                Text: Amrita Jhaveri\r\n                                Publisher: India Book House\r\n                                ISBN: 81-7508-423-5\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Zoom! Art in Contemporary India, </span>2004<span>\r\n                                Texts: Luis Serpa and Nancy Adajania\r\n                                Publisher: The Culturgest Museum\r\n                                ISBN: 972-769-033-5\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Interlude in Sri Lanka, </span>2004<span>\r\n                                Text: Ranjit Hoskote and Nancy Adajania\r\n                                Publisher: The Guild Art Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Generation I, </span>2004<span>\r\n                                Text: Zehra Jumabhoy\r\n                                Publisher: Saffronart &amp; The Guild Art Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Tiranga Rights and Reponsibilities, </span>2003<span>\r\n                                Text: Peter Nagy\r\n                                Publisher: Jindal Foundation &amp; Creative Arts\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Hard Copy, </span>2003<span>\r\n                                Text: Peter Nagy\r\n                                Publisher: Galerie 88\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Crossing Generations: diVERGE, </span>2003<span>\r\n                                Text: Geeta Kapoor and Chaitanya Sambrani\r\n                                Publisher: Gallery Chemould\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\" style=\"color: #000000;\">PRESS</span>\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artasiapacific.com/Magazine/WebExclusives/FloatingWorldAestheticBind\" target=\"_blank\">Aesthetic Bind Floating World</a> </span> <font color=\"red\">  >> </font> <span>\r\n                              Gitanjali Dang,\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.timeoutmumbai.net/art/features/suspense\" target=\"_blank\">In Suspense </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Phalguni Desai , Timeout Mumbai,  March  2014\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artdaily.com/news/68958/Chemould-Prescott-Road-celebrates-fifty-years-of-contemporary-art-with-Aesthetic-Bind--Floating-World#.Uz5us_mSxVk\" target=\"_blank\">Chemould Prescott Road celebrates fifty years of contemporary art with Aesthetic Bind: Floating World </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Geeta Kapur, Art Daily, 24th March 2014\r\n                            </span>\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.timeoutbengaluru.net/art/features/gild-trip\" target=\"_blank\">A series of exhibitions marking the 50th anniversary of a gallery</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Karanjeet Kaur, 30th August 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.caravanmagazine.in/print/4116\" target=\"_blank\">The Dreamers</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Shanoor Seervai, 1st January 2014\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.wallpaper.com/art/zegnart-enlists-reena-kallat-to-create-a-site-specific-artwork-in-mumbai/6292\" target=\"_blank\">ZegnArt enlists Reena Kallat to create a site-specific artwork in Mumbai,</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                JJ Martin, Wallpaper, 18th January 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.timeoutmumbai.net/art/features/web-design\" target=\"_blank\">Web design</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Karanjeet Kaur,Timeout Magazine, pg 26-28, 15th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artribune.com/2013/03/una-ragnatela-fra-italia-e-india-inaugurata-a-mumbai-lopera-di-reena-kallat-per-il-progetto-zegnart-public-qui-ci-sono-immagini-video-e-intervista-allartista/\" target=\"_blank\">Arte pubblica a Mumbai. Intervista con Anna Zegna</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Daniele Perra, Art Tribune, 1st March 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://in.blouinartinfo.com/news/story/885613/reena-kallat-on-her-mammoth-1-ton-rubber-stamp-cobweb-at-the\" target=\"_blank\">Reena Kallat On Her Mammoth, 1-ton Rubber-Stamp Cobweb at the Bhau Daji Lad Museum, Mumbai</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Rosalyn D\'Mello, Blouinart, April 1, 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.thehindu.com/features/magazine/putting-her-stamp-on-it/article4484175.ece\" target=\"_blank\">Putting her stamp on it</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Ramya Sarma, The Hindu, 9th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.business-standard.com/article/beyond-business/stamp-over-mumbai-113030800509_1.html\" target=\"_blank\">Stamp over Mumbai</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Kishore Singh, Business Standard, New Delhi  8th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.dnaindia.com/lifestyle/report_weaving-a-tangled-web_1806665\" target=\"_blank\">Weaving a tangled web</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Deepanjana Pal, DNA, 3rd March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.dnaindia.com/lifestyle/report_web-of-history_1810815\" target=\"_blank\">Web of history </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Sanaya Chavda, DNA, 13th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindustantimes.com/Entertainment/Art/Web-of-history-Reena-Kallat-s-installation/Article1-1027359.aspx\" target=\"_blank\">Web of history </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Shweta Mehta, Hindustan Times, 16th March 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://blog.saffronart.com/2013/03/14/reena-kallats-untitled-cobwebscrossings/\" target=\"_blank\">Public Art installation by Reena Kallat at the Dr. Bhau Daji Lad Museum in Mumbai </a> </span> <font color=\"red\">  >> </font><span>\r\n                                Manjari Sihare, Saffron blog,Posted on 14th March  2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Weaving into  networks, Buliding Cobwebs: Musings over Reena Saini Kallat’s recent work </span> <span>\r\n                                Parni Ray, Take on Art/Eleven, pg 98, Volume lll\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Stamping ground </span><span>\r\n                                Deepanjana Pal, Wallpaper magazine, pg 193 – 194, May 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Editorial</span><span>\r\n                                Kaiwan Mehta, Domus, pg 5 – 10, April 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Web Design</span> <span>\r\n                                Chumki Bharadwaj, India Today, pg 45 – 46, April 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Art Outside  </span> <span>\r\n                                Pavitra Mohan, Architectural Digest, pg 98, March-April 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://inditerrain.indiaartndesign.com/2013/03/of-cobwebs-crossings.html\" target=\"_blank\">Of Cobwebs & Crossings </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Jigna Padhiar, India Art & Design, 1st March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://prestige-singapore.com.sg/2013/04/arts-raj\" target=\"_blank\">Art\'s the Raj</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Dylan Boey, Prestige Singapore, 3rd April 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\">Adrift in unknown waters: Reena Saini Kallat and the Art of letting go</span><span>\r\n                                Parni Ray,  Artfair Magazine, Issue-3, pg 48 – 51, 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://shobanarayan.com/2012/02/04/about-jitish-kallat-and-reena-saini-kallat/\" target=\"_blank\">Walking the Art talk with the Kallats</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Shobha Narayan, Live Mint, February 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.tribuneindia.com/2012/20120219/spectrum/main2.htm\" target=\"_blank\">Spectrum New Visual Idiom</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                The Tribune, February 19, 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artnewsnviews.com/view-article.php?article=g-teborg-international-biennial&iid=25&articleid=678\" target=\"_blank\">Goteborg International Biennial</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Art Etc, Vol.4, No. 2, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Helsinki taidemuseo.fi-Journal, </span> January 2011<span>\r\n                            </span>\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://indiatoday.intoday.in/site/story/brush-with-reality/1/134582.html\">Brush With Reality </a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Sumaiya Khan, India Today Woman, pg. 20-21, April 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">System overload </span><span>\r\n                                Shweta Upadhyay, Timeout Delhi, March 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artslant.com/ind/articles/show/22573\" target=\"_blank\">Picking up the past</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Parni Ray, www.artslant.com, 4th April 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://iipdigital.usembassy.gov/st/english/article/2011/03/20110307133535drawoh0.7282221.html#axzz34yECziHk\">Art at “maximum INDIA” Festival Evokes Cultural Memory and Loss</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Howard Cincotta, www.america.gov, March 7, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.signonsandiego.com/news/2011/mar/02/kennedy-center-opens-3-week-india-arts-festival/\">Kennedy Center opens 3-week India arts festival</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Brett Zongker, www.signonsnadiego.com, 2nd March 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Eye and the Mind: New Interventions in Contemporary Indian Art </span><span>\r\n                                Rajeev Lochan, India Perspectives, Vol. 24, No. 6, 2010\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artradarjournal.com/2010/04/20/indian-contemporary-artist-reena-kallat-art-radar-exclusive-interview/\">Interview, Art Radar Asia </a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span><span>\r\n                                April 20, 2010\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Archives of the Heart</span><span>\r\n                                Nancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\n                                Front Cover, pgs 42-45, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Globale Kunst Mit Wurzelduft</span><span>\r\n                                Von Almuth Speigler, Die Presse, Feuilleton, 2nd September 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Landscapes of Loss</span><span>\r\n                                Beth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Reincarnating History</span><span>\r\n                                The Big Picture, Architect and Interiors, July 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Stamp Collection</span><span>\r\n                                Georgina Maddox, The Sunday Express, 17th May 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Evolving Beyond Borders</span><span>\r\n                                Reshma S. Kulkarni, Bombay Times, Times of India, 15th January, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Loss and Found</span><span>\r\n                                Marina Correa, DNA, Mumbai, 22nd January 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Focus India</span><span>\r\n                                Megha Ralapati, Flash Art, pg 114, January-February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Come Together Right Now</span><span>\r\n                                Reema Gehi, HT Café, 15th February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Such a Long Journey</span><span>\r\n                                Aparna S Sharma, Elle Magazine, pgs 115-117, February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">More than a Woman</span><span>\r\n                                Georgina Maddox, The Indian Express, Mumbai Newsline, 4th February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Artist of the Fortnight</span><span>\r\n                                Maria Louis, Outlook Profit, pg 79, 18th April 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Deja View</span><span>\r\n                                Tara Khilachand, Live Mint, 20th December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Terror Struck</span><span>\r\n                                Maria Louis, Outlook Profit, 26th December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Name Calling</span><span>\r\n                                Deepanjana Pal, Timeout Mumbai, December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Corruptions of Power</span>\r\n                            <span>Shiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99, 2007</span>\r\n\r\n                            <span class=\"pubstrong\">Over the Rainbow</span><span>\r\n                                Maria Louis, Interview, Verve Magazine, pg 78, November 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindu.com/mag/2006/10/29/stories/2006102900070200.htm\">In a State of Perennial Siege</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span><span>\r\n                                Nancy Adajania, The Hindu, Hyderabad, 29th October 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Her Crowning Achievement</span><span>\r\n                                Clara Chow, The Straits Times, 18th November 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Political Chaos</span><span>\r\n                                Deepali Nandwani, Beautiful people, pg 143, November-December 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Weapons of Mass Construction</span><span>\r\n                                Rituparna Som, DNA after Hrs, Mumbai, 9th October, 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Guns and Roses</span><span>\r\n                                Rachna Nakra, The Indian Express, Mumbai Newsline, 18th September 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Under Attack</span><span>\r\n                                Gitanjali Dang, HT Mumbai, 22nd September 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Time Traveller</span><span>\r\n                                Georgina Maddox, The Indian Express, Mumbai Newsline, 27th June 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Flower and the Sword</span><span>\r\n                                Girish Shahane, The Art News magazine of India, pg 93, volume X issue I, 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India’s Top 100 Achievers</span><span>\r\n                                Society Magazine, pg 137, December 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Caught Between Demons<span style=\"font-weight: normal; color: red;\"></span></span><span>\r\n                                Nancy Adajania, The Hindu, 19th December 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">En Reise Til India</span><span>\r\n                                Harald Flor, Dagbladet, Kultur, 2nd February 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Signs of Resistance</span><span>\r\n                                Nancy Adajania, The Hindu, 5th January 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Of the Goddess and Demon in the Mind</span><span>\r\n                                Debbie Rodgers, Sunday edition Vijay Times, Bangalore, 5th January 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Empathic Anger</span><span>\r\n                                Marta Jakimowicz, Deccan Herald, 23rd December 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Mysore Ek Khoj</span>\r\n                            Cross Fertilization of Culture, Interview in Star of Mysore, 27th October 2002\r\n\r\n                            <span class=\"pubstrong\">Linking Islands</span><span>\r\n                                Menaka Jayasankar, Indian Express, Mumbai Newsline, 15th February 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Creating to Destroy</span><span>\r\n                                Jasmine Shah Varma, The List, Mid Day, 22nd February 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Different Strokes</span><span>\r\n                                Georgina L Maddox, The Indian Express, Mumbai Newsline, 24th July 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a target=\"_blank\" href=\"http://www.reenakallat.com/wp-content/uploads/2011/09/Faith%20and%20Hunger.pdf\" style=\"color: rgb(135, 135, 135);\">Of Faith and Hunger</a><font style=\"font-weight:normal;\" color=\"red\">  >> </font></span>\r\n                        <span>Abhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89, December 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">The Murmur of Skin</span><span>\r\n                            Nupur Mahajan, Bombay Times, Times of India, 12th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Not just Skin Deep</span><span>\r\n                            Jasmine Shah Varma, The List, Mid-day, 4th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Inside Out</span><span>\r\n                            Menaka Jayasankar, Indian Express, Mumbai Newsline, 11th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Scintillating Skin</span><span>\r\n                            Vaibhav Purandare, The Asian Age, 14th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">An Artist’s World: Roti, Makaan &amp; Abstract Art</span><span>\r\n                            Poonam Goel, HT City, 23rd December 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Within you, Without you</span><span>\r\n                            Anu Kumar, Indian Express, Express Newsline, 2nd September 1998\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Farming Intrigue</span><span>\r\n                            Jerry Pinto, The Times of India, Bombay Times, 3rd September 1998\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Interactive Medium</span><span>\r\n                            Karen Pereira, Indian Architect &amp; Builder, pgs 102-104, October 1998\r\n                        </span>\r\n</td>\r\n        </tr>\r\n    </tbody>\r\n</table>','Publications','','inherit','open','open','','87-revision-222','','','2014-07-26 09:35:11','2014-07-26 09:35:11','',87,'http://www.reenakallat.com/3104/uncat/87-revision-222',0,'revision','',0),(3105,1,'2014-07-26 09:36:40','2014-07-26 09:36:40','f<table border=\"0\" cellspacing=\"5\" cellpadding=\"0\" width=\"100%\" align=\"centre\">\r\n    <tbody>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" width=\"21%\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td style=\"margin-left: 5px;\">\r\n                                <span class=\"pubstrong\">Reena Saini Kallat, </span> 2009<span>\r\n                                    Text: Nancy Adajania and Murtaza Vali\r\n                                    Publisher: Primo Marella Gallery, Walsh Gallery and Chemould Prescott Road\r\n                                    ISBN: 978-81-908879-1-5\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/reena-kallat\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Rainbow of Refuse, </span>2006<span>\r\n                                    Text: Nancy Adajania\r\n                                    Publisher: Bodhi Art Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/rainbow-of-refuse\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Black Flute (and other stories), </span>2005\r\n                                <span class=\"pubstrong\">Black Flute,</span> 2004<span>\r\n                                    Text: Nancy Adajania\r\n                                    Publisher: Gallery Chemould and Nature Morte Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/black-flute\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">The Battlefield is the Mind, </span>2002<span>\r\n                                    Text: Nancy Adajania\r\n                                    Publisher: Sakshi Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/battlefield-of-mind\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table cellspacing=\"0\" cellpadding=\"0\" width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Skin, </span>2000<span>\r\n                                    Interview with Jitish Kallat\r\n                                    Publisher: Gallery Chemould and Vis-à-vis Art Inc. Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr></tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Orchard of home-grown secrets, </span>1998<span>\r\n                                    Text: Ranjit Hoskote\r\n                                    Publisher: Gallery Chemould and Pundole Art Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/orchard-pub\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td colspan=\"2\"></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n            <td>\r\n                <!-- Start of Other Publications -->\r\n\r\n                <span class=\"pubstrong\">Nature Morte, 2013</span><span>\r\n                    Text: Michael Petry\r\n                    Publisher: Thames & Hudson\r\n                    ISBN: 9780500239063\r\n\r\n\r\n\r\n            <span class=\"pubstrong\">Haein Art Project, 2013</span><span>\r\n                Text:  Kim Jiyon, Leandre D’souza and Claudio Maffioletti\r\n                Publisher: Ven.Sun-Hae (Abbot of Haeinsa Temple)\r\n                ISBN: 979 1195142309 90620\r\n\r\n\r\n                <span class=\"pubstrong\">NO-MAD-NESS IN NO MAN’S LAND, 2013</span><span>\r\n                    Text:  interview by Ombretta Agro Andruff and Leeza Ahmady with Casey Amy Fan\r\n                    Publisher: The Eslite Corp.\r\n                    ISBN: 978-986-89759-7-2\r\n\r\n                    <span class=\"pubstrong\">India Side by Side, 2012</span><span>\r\n                        Text: Cibele Aldrovandi, Deepak Ananth, Flavia Galli Tatsch, Kapila Vatsyayan, Laura Cury, Rahaab Allana, Tereza de Arruda\r\n                        Publisher: The Brazilian Ministry of Culture and Banco do Brasil\r\n                        ISBN: 978-85-64170-01-8\r\n\r\n                        <span class=\"pubstrong\">India : Art Now, 2012 </span><span>\r\n                            Text: Stine Hoholt, Ranjit Hoskote, Zehra Jumabhoy\r\n                            Publisher: Hatje Cantz\r\n                        </span>\r\n                        ISBN: 978-3-7757-3411-0\r\n\r\n                        <span class=\"pubstrong\">Undervaeker – Wonders, </span>2012<span>\r\n                            Texts by Gitte Orskou, Af Theis Vallo Madsen, Jeanett Stampe\r\n                            Publisher: KUNSTEN - Museum of Modern Art Aalborg\r\n                        </span>\r\n                        ISBN: 978-87-88307-72-6\r\n\r\n                        <span class=\"pubstrong\">n.paradoxa: international feminist art journal, volume 30, </span>2012<span>\r\n                            Text: interview with Veeranganakumari Solanki\r\n                            Publisher: KT press\r\n                        </span>\r\n                        ISBN: 1461- 0434\r\n\r\n                        <span class=\"pubstrong\">The Skoda Prize Twenty, </span>2011-2012<span>\r\n                            Text: Zeenat Nagree\r\n                            Publisher: Popular Prakashan\r\n                        </span>\r\n                        ISBN: 978-81-7991-681-0\r\n\r\n                        <span class=\"pubstrong\">Pandemonium: Art in a time of creativity fever, </span>2011<span>\r\n                            Text: interview with Stina Edblom\r\n                            Publisher: Göteborg International Biennial for Contemporary Art\r\n                        </span>\r\n                        ISBN: 978-91-633-9363-1\r\n                        <span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/pandemonium\">read interview</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span>\r\n\r\n                        <span class=\"pubstrong\">The Indian Renaissance, </span>2011<span>\r\n                            Text: Antonio Stellatelli, Romano Ravasio and Marina Pizziolo\r\n\r\n                            <span class=\"pubstrong\">Vancouver Biennale, </span>2009-2011<span>\r\n                                Text: Vancouver International Sculpture Biennale\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Maximum India, </span>2011<span>\r\n                                Publisher: The John F. Kennedy Center for the Performing Arts, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Never Run Away, </span>2010<span>\r\n                                Text: Shaheen Merali\r\n                                Publisher: Stux Gallery\r\n                            </span>\r\n                            <span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/never-run-away\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span>\r\n\r\n                            <span class=\"pubstrong\">Urban Manners 2, </span>2010<span>\r\n                                Text: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\n                                Publisher: SESC Pompeia, Sao Paulo\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Empire Strikes Back, </span>2010<span>\r\n                                Text: Zehra Jumabhoy\r\n                                Publisher: Saatchi Gallery\r\n                                ISBN: 9780224089494\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The River Project, </span>2010<span>\r\n                                Publisher: Campbelltown Arts Centre\r\n                                ISBN: 9781875199761\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Asian Art Now, </span>2010<span>\r\n                                Text: Melissa Chiu and Benjamin Genocchio\r\n                                Publisher: Monacelli Press\r\n                                ISBN: 978-1-58093-298-1 (1-58093-298-3)\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Roundabout, </span>2010<span>\r\n                                Publisher: Art Asia Pacific Publishing\r\n                                ISBN: 978-0984562510\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Khoj Book, </span>2010<span>\r\n                                Interview with Shilpa Gupta\r\n                                Publisher: HarperCollins\r\n                                ISBN: 9788172236878\r\n                            </span>\r\n                            <span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/khoj-book\">read interview</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span>\r\n\r\n                            <span class=\"pubstrong\">5 Bienal Ventosul, </span>2009<span>\r\n                                Publisher: Instituto Paranaense de Arte\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Viewpoints &amp; Viewings Points- Asian Art Biennale, </span>2009<span>\r\n                                Text: Chao-yi-Tsai\r\n                                Publisher: National Taiwan Museum of fine Arts\r\n                                ISBN: 978-986-02-0269-4\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Xianzai: Contemporary Indian Art, </span>2009<span>\r\n                                Text: Jitish Kallat, Diana Freundl, Alexander Keefe\r\n                                Publisher: Museum of Contemporary Art\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2009<span>\r\n                                Text: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki,\r\n                                Miho Tagomori\r\n                                Publisher: Prestel, National Museum of Contemporary Art and Essl Museum\r\n                                ISBN: 978-3-7913-4304-4\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2008<span>\r\n                                Text: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman\r\n                                Gopinath, Jayaram, Deepak Ananth\r\n                                Publisher: Mori Art Museum\r\n                                ISBN: 978-4-902819-21-2\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Moderna, </span>2008<span>\r\n                                Text: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur,\r\n                                R. Siva Kumar, K.G. Subramanyan\r\n                                Publisher: IVAM (Institute Valencia D’Art Modern)\r\n                                ISBN: 978-84-482-5104-8\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Everywhere is War (and rumours of it),</span>2008<span>\r\n                                Text: Kai Hafez, Martin Hager, Nicholas Mirzoeff, Daniel Miller,\r\n                                Bregje van Eekelen\r\n                                Publisher: Bodhi Art Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Three Points of Views, </span>2008<span>\r\n                                Text: Grant Watson\r\n                                Publisher: Galerie Mirchandani + Steinruecke\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">New Narratives: Contemporary Art from India, </span>2008<span>\r\n                                Text: Betty Seid with contributions by Johan Pijnappel\r\n                                Publisher: Mapin Publication in association with Chicago Cultural Center\r\n                                ISBN: 978-1-890206-08-6\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Made by Indians, </span>2007<span>\r\n                                Text: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\n                                Publisher: Galerie Enrico Navarra\r\n                                ISBN: 2-911596-37-4\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Thermocline of Art: New Asian Waves, </span>2007<span>\r\n                                Text:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong\r\n                                Publisher: Hatje Cantz Vertag\r\n                                ISBN: 978-3-7757-2073-1\r\n                                EAN: 9782911596377\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Indian Colour, </span>2007<span>\r\n                                Text: Peter Nagy\r\n                                Publisher: Dal- seung Hwang, Keumsan Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Arte Oggi, </span>2007<span>\r\n                                Text:  Daniela Palazzoli\r\n                                Publisher: Spazio Oberdan\r\n                                ISBN: 978-88-202-1867-6\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Urban Manners, </span>2007<span>\r\n                                Text: Adelina Von Furstenberg and Nancy Adajania\r\n                                Publisher: Hangar Bicocca\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">International Incheon Women Artists’ Biennale,</span>\r\n                            <span class=\"pubstrong\">Knocking on the Door, </span>2007<span>\r\n                                Text: Sung Hee Kim, John C. Welchman\r\n                                Publisher: Incheon Culture and Art Centre\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Soft Power: Asian Attitude, </span>2007<span>\r\n                                Text: Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\n                                Publisher: Shanghai Zendai Mumsem of Modern Art\r\n                                ISBN: 978-7-5356-2790-2\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Express- Art and Popular Culture, </span>2006<span>\r\n                                Text: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze\r\n                                Publisher: Helsinki City Art Museum\r\n                                ISBN: 951-8965-61-7\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Bombay L’album Maximum City, </span>2006<span>\r\n                                Text: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\n                                Publisher: Terrail, Lille 3000\r\n                                ISBN: 2-87939-325-6\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Indian Paintings of the New Millennium, </span>2005<span>\r\n                                Text: Helen Asquine  Fazio, Gayatri Sinha\r\n                                Publisher: Quick Arts Center, Fairfield University\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">A Guide to 101 Modern &amp; Contemporary Indian Artists, </span>2005<span>\r\n                                Text: Amrita Jhaveri\r\n                                Publisher: India Book House\r\n                                ISBN: 81-7508-423-5\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Zoom! Art in Contemporary India, </span>2004<span>\r\n                                Texts: Luis Serpa and Nancy Adajania\r\n                                Publisher: The Culturgest Museum\r\n                                ISBN: 972-769-033-5\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Interlude in Sri Lanka, </span>2004<span>\r\n                                Text: Ranjit Hoskote and Nancy Adajania\r\n                                Publisher: The Guild Art Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Generation I, </span>2004<span>\r\n                                Text: Zehra Jumabhoy\r\n                                Publisher: Saffronart &amp; The Guild Art Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Tiranga Rights and Reponsibilities, </span>2003<span>\r\n                                Text: Peter Nagy\r\n                                Publisher: Jindal Foundation &amp; Creative Arts\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Hard Copy, </span>2003<span>\r\n                                Text: Peter Nagy\r\n                                Publisher: Galerie 88\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Crossing Generations: diVERGE, </span>2003<span>\r\n                                Text: Geeta Kapoor and Chaitanya Sambrani\r\n                                Publisher: Gallery Chemould\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\" style=\"color: #000000;\">PRESS</span>\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artasiapacific.com/Magazine/WebExclusives/FloatingWorldAestheticBind\" target=\"_blank\">Aesthetic Bind Floating World</a> </span> <font color=\"red\">  >> </font> <span>\r\n                              Gitanjali Dang, ArtAsiaPacific, April 2014                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.timeoutmumbai.net/art/features/suspense\" target=\"_blank\">In Suspense </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Phalguni Desai , Timeout Mumbai,  March  2014\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artdaily.com/news/68958/Chemould-Prescott-Road-celebrates-fifty-years-of-contemporary-art-with-Aesthetic-Bind--Floating-World#.Uz5us_mSxVk\" target=\"_blank\">Chemould Prescott Road celebrates fifty years of contemporary art with Aesthetic Bind: Floating World </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Geeta Kapur, Art Daily, 24th March 2014\r\n                            </span>\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.timeoutbengaluru.net/art/features/gild-trip\" target=\"_blank\">A series of exhibitions marking the 50th anniversary of a gallery</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Karanjeet Kaur, 30th August 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.caravanmagazine.in/print/4116\" target=\"_blank\">The Dreamers</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Shanoor Seervai, 1st January 2014\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.wallpaper.com/art/zegnart-enlists-reena-kallat-to-create-a-site-specific-artwork-in-mumbai/6292\" target=\"_blank\">ZegnArt enlists Reena Kallat to create a site-specific artwork in Mumbai,</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                JJ Martin, Wallpaper, 18th January 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.timeoutmumbai.net/art/features/web-design\" target=\"_blank\">Web design</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Karanjeet Kaur,Timeout Magazine, pg 26-28, 15th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artribune.com/2013/03/una-ragnatela-fra-italia-e-india-inaugurata-a-mumbai-lopera-di-reena-kallat-per-il-progetto-zegnart-public-qui-ci-sono-immagini-video-e-intervista-allartista/\" target=\"_blank\">Arte pubblica a Mumbai. Intervista con Anna Zegna</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Daniele Perra, Art Tribune, 1st March 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://in.blouinartinfo.com/news/story/885613/reena-kallat-on-her-mammoth-1-ton-rubber-stamp-cobweb-at-the\" target=\"_blank\">Reena Kallat On Her Mammoth, 1-ton Rubber-Stamp Cobweb at the Bhau Daji Lad Museum, Mumbai</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Rosalyn D\'Mello, Blouinart, April 1, 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.thehindu.com/features/magazine/putting-her-stamp-on-it/article4484175.ece\" target=\"_blank\">Putting her stamp on it</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Ramya Sarma, The Hindu, 9th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.business-standard.com/article/beyond-business/stamp-over-mumbai-113030800509_1.html\" target=\"_blank\">Stamp over Mumbai</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Kishore Singh, Business Standard, New Delhi  8th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.dnaindia.com/lifestyle/report_weaving-a-tangled-web_1806665\" target=\"_blank\">Weaving a tangled web</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Deepanjana Pal, DNA, 3rd March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.dnaindia.com/lifestyle/report_web-of-history_1810815\" target=\"_blank\">Web of history </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Sanaya Chavda, DNA, 13th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindustantimes.com/Entertainment/Art/Web-of-history-Reena-Kallat-s-installation/Article1-1027359.aspx\" target=\"_blank\">Web of history </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Shweta Mehta, Hindustan Times, 16th March 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://blog.saffronart.com/2013/03/14/reena-kallats-untitled-cobwebscrossings/\" target=\"_blank\">Public Art installation by Reena Kallat at the Dr. Bhau Daji Lad Museum in Mumbai </a> </span> <font color=\"red\">  >> </font><span>\r\n                                Manjari Sihare, Saffron blog,Posted on 14th March  2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Weaving into  networks, Buliding Cobwebs: Musings over Reena Saini Kallat’s recent work </span> <span>\r\n                                Parni Ray, Take on Art/Eleven, pg 98, Volume lll\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Stamping ground </span><span>\r\n                                Deepanjana Pal, Wallpaper magazine, pg 193 – 194, May 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Editorial</span><span>\r\n                                Kaiwan Mehta, Domus, pg 5 – 10, April 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Web Design</span> <span>\r\n                                Chumki Bharadwaj, India Today, pg 45 – 46, April 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Art Outside  </span> <span>\r\n                                Pavitra Mohan, Architectural Digest, pg 98, March-April 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://inditerrain.indiaartndesign.com/2013/03/of-cobwebs-crossings.html\" target=\"_blank\">Of Cobwebs & Crossings </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Jigna Padhiar, India Art & Design, 1st March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://prestige-singapore.com.sg/2013/04/arts-raj\" target=\"_blank\">Art\'s the Raj</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Dylan Boey, Prestige Singapore, 3rd April 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\">Adrift in unknown waters: Reena Saini Kallat and the Art of letting go</span><span>\r\n                                Parni Ray,  Artfair Magazine, Issue-3, pg 48 – 51, 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://shobanarayan.com/2012/02/04/about-jitish-kallat-and-reena-saini-kallat/\" target=\"_blank\">Walking the Art talk with the Kallats</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Shobha Narayan, Live Mint, February 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.tribuneindia.com/2012/20120219/spectrum/main2.htm\" target=\"_blank\">Spectrum New Visual Idiom</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                The Tribune, February 19, 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artnewsnviews.com/view-article.php?article=g-teborg-international-biennial&iid=25&articleid=678\" target=\"_blank\">Goteborg International Biennial</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Art Etc, Vol.4, No. 2, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Helsinki taidemuseo.fi-Journal, </span> January 2011<span>\r\n                            </span>\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://indiatoday.intoday.in/site/story/brush-with-reality/1/134582.html\">Brush With Reality </a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Sumaiya Khan, India Today Woman, pg. 20-21, April 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">System overload </span><span>\r\n                                Shweta Upadhyay, Timeout Delhi, March 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artslant.com/ind/articles/show/22573\" target=\"_blank\">Picking up the past</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Parni Ray, www.artslant.com, 4th April 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://iipdigital.usembassy.gov/st/english/article/2011/03/20110307133535drawoh0.7282221.html#axzz34yECziHk\">Art at “maximum INDIA” Festival Evokes Cultural Memory and Loss</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Howard Cincotta, www.america.gov, March 7, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.signonsandiego.com/news/2011/mar/02/kennedy-center-opens-3-week-india-arts-festival/\">Kennedy Center opens 3-week India arts festival</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Brett Zongker, www.signonsnadiego.com, 2nd March 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Eye and the Mind: New Interventions in Contemporary Indian Art </span><span>\r\n                                Rajeev Lochan, India Perspectives, Vol. 24, No. 6, 2010\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artradarjournal.com/2010/04/20/indian-contemporary-artist-reena-kallat-art-radar-exclusive-interview/\">Interview, Art Radar Asia </a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span><span>\r\n                                April 20, 2010\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Archives of the Heart</span><span>\r\n                                Nancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\n                                Front Cover, pgs 42-45, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Globale Kunst Mit Wurzelduft</span><span>\r\n                                Von Almuth Speigler, Die Presse, Feuilleton, 2nd September 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Landscapes of Loss</span><span>\r\n                                Beth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Reincarnating History</span><span>\r\n                                The Big Picture, Architect and Interiors, July 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Stamp Collection</span><span>\r\n                                Georgina Maddox, The Sunday Express, 17th May 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Evolving Beyond Borders</span><span>\r\n                                Reshma S. Kulkarni, Bombay Times, Times of India, 15th January, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Loss and Found</span><span>\r\n                                Marina Correa, DNA, Mumbai, 22nd January 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Focus India</span><span>\r\n                                Megha Ralapati, Flash Art, pg 114, January-February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Come Together Right Now</span><span>\r\n                                Reema Gehi, HT Café, 15th February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Such a Long Journey</span><span>\r\n                                Aparna S Sharma, Elle Magazine, pgs 115-117, February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">More than a Woman</span><span>\r\n                                Georgina Maddox, The Indian Express, Mumbai Newsline, 4th February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Artist of the Fortnight</span><span>\r\n                                Maria Louis, Outlook Profit, pg 79, 18th April 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Deja View</span><span>\r\n                                Tara Khilachand, Live Mint, 20th December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Terror Struck</span><span>\r\n                                Maria Louis, Outlook Profit, 26th December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Name Calling</span><span>\r\n                                Deepanjana Pal, Timeout Mumbai, December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Corruptions of Power</span>\r\n                            <span>Shiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99, 2007</span>\r\n\r\n                            <span class=\"pubstrong\">Over the Rainbow</span><span>\r\n                                Maria Louis, Interview, Verve Magazine, pg 78, November 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindu.com/mag/2006/10/29/stories/2006102900070200.htm\">In a State of Perennial Siege</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span><span>\r\n                                Nancy Adajania, The Hindu, Hyderabad, 29th October 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Her Crowning Achievement</span><span>\r\n                                Clara Chow, The Straits Times, 18th November 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Political Chaos</span><span>\r\n                                Deepali Nandwani, Beautiful people, pg 143, November-December 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Weapons of Mass Construction</span><span>\r\n                                Rituparna Som, DNA after Hrs, Mumbai, 9th October, 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Guns and Roses</span><span>\r\n                                Rachna Nakra, The Indian Express, Mumbai Newsline, 18th September 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Under Attack</span><span>\r\n                                Gitanjali Dang, HT Mumbai, 22nd September 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Time Traveller</span><span>\r\n                                Georgina Maddox, The Indian Express, Mumbai Newsline, 27th June 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Flower and the Sword</span><span>\r\n                                Girish Shahane, The Art News magazine of India, pg 93, volume X issue I, 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India’s Top 100 Achievers</span><span>\r\n                                Society Magazine, pg 137, December 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Caught Between Demons<span style=\"font-weight: normal; color: red;\"></span></span><span>\r\n                                Nancy Adajania, The Hindu, 19th December 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">En Reise Til India</span><span>\r\n                                Harald Flor, Dagbladet, Kultur, 2nd February 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Signs of Resistance</span><span>\r\n                                Nancy Adajania, The Hindu, 5th January 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Of the Goddess and Demon in the Mind</span><span>\r\n                                Debbie Rodgers, Sunday edition Vijay Times, Bangalore, 5th January 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Empathic Anger</span><span>\r\n                                Marta Jakimowicz, Deccan Herald, 23rd December 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Mysore Ek Khoj</span>\r\n                            Cross Fertilization of Culture, Interview in Star of Mysore, 27th October 2002\r\n\r\n                            <span class=\"pubstrong\">Linking Islands</span><span>\r\n                                Menaka Jayasankar, Indian Express, Mumbai Newsline, 15th February 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Creating to Destroy</span><span>\r\n                                Jasmine Shah Varma, The List, Mid Day, 22nd February 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Different Strokes</span><span>\r\n                                Georgina L Maddox, The Indian Express, Mumbai Newsline, 24th July 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a target=\"_blank\" href=\"http://www.reenakallat.com/wp-content/uploads/2011/09/Faith%20and%20Hunger.pdf\" style=\"color: rgb(135, 135, 135);\">Of Faith and Hunger</a><font style=\"font-weight:normal;\" color=\"red\">  >> </font></span>\r\n                        <span>Abhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89, December 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">The Murmur of Skin</span><span>\r\n                            Nupur Mahajan, Bombay Times, Times of India, 12th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Not just Skin Deep</span><span>\r\n                            Jasmine Shah Varma, The List, Mid-day, 4th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Inside Out</span><span>\r\n                            Menaka Jayasankar, Indian Express, Mumbai Newsline, 11th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Scintillating Skin</span><span>\r\n                            Vaibhav Purandare, The Asian Age, 14th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">An Artist’s World: Roti, Makaan &amp; Abstract Art</span><span>\r\n                            Poonam Goel, HT City, 23rd December 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Within you, Without you</span><span>\r\n                            Anu Kumar, Indian Express, Express Newsline, 2nd September 1998\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Farming Intrigue</span><span>\r\n                            Jerry Pinto, The Times of India, Bombay Times, 3rd September 1998\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Interactive Medium</span><span>\r\n                            Karen Pereira, Indian Architect &amp; Builder, pgs 102-104, October 1998\r\n                        </span>\r\n</td>\r\n        </tr>\r\n    </tbody>\r\n</table>','Publications','','inherit','open','open','','87-revision-223','','','2014-07-26 09:36:40','2014-07-26 09:36:40','',87,'http://www.reenakallat.com/3105/uncat/87-revision-223',0,'revision','',0),(3110,1,'2015-01-19 15:55:20','2015-01-19 15:55:20','f<table border=\"0\" cellspacing=\"5\" cellpadding=\"0\" width=\"100%\" align=\"centre\">\r\n    <tbody>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" width=\"21%\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td style=\"margin-left: 5px;\">\r\n                                <span class=\"pubstrong\">Reena Saini Kallat, </span> 2009<span>\r\n                                    Text: Nancy Adajania and Murtaza Vali\r\n                                    Publisher: Primo Marella Gallery, Walsh Gallery and Chemould Prescott Road\r\n                                    ISBN: 978-81-908879-1-5\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/reena-kallat\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Rainbow of Refuse, </span>2006<span>\r\n                                    Text: Nancy Adajania\r\n                                    Publisher: Bodhi Art Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/rainbow-of-refuse\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Black Flute (and other stories), </span>2005\r\n                                <span class=\"pubstrong\">Black Flute,</span> 2004<span>\r\n                                    Text: Nancy Adajania\r\n                                    Publisher: Gallery Chemould and Nature Morte Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/black-flute\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">The Battlefield is the Mind, </span>2002<span>\r\n                                    Text: Nancy Adajania\r\n                                    Publisher: Sakshi Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/battlefield-of-mind\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table cellspacing=\"0\" cellpadding=\"0\" width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Skin, </span>2000<span>\r\n                                    Interview with Jitish Kallat\r\n                                    Publisher: Gallery Chemould and Vis-à-vis Art Inc. Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr></tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Orchard of home-grown secrets, </span>1998<span>\r\n                                    Text: Ranjit Hoskote\r\n                                    Publisher: Gallery Chemould and Pundole Art Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/orchard-pub\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td colspan=\"2\"></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n            <td>\r\n                <!-- Start of Other Publications -->\r\n\r\n                <span class=\"pubstrong\">Nature Morte, 2013</span><span>\r\n                    Text: Michael Petry\r\n                    Publisher: Thames & Hudson\r\n                    ISBN: 9780500239063\r\n\r\n\r\n\r\n            <span class=\"pubstrong\">Haein Art Project, 2013</span><span>\r\n                Text:  Kim Jiyon, Leandre D’souza and Claudio Maffioletti\r\n                Publisher: Ven.Sun-Hae (Abbot of Haeinsa Temple)\r\n                ISBN: 979 1195142309 90620\r\n\r\n\r\n                <span class=\"pubstrong\">NO-MAD-NESS IN NO MAN’S LAND, 2013</span><span>\r\n                    Text:  interview by Ombretta Agro Andruff and Leeza Ahmady with Casey Amy Fan\r\n                    Publisher: The Eslite Corp.\r\n                    ISBN: 978-986-89759-7-2\r\n\r\n                    <span class=\"pubstrong\">India Side by Side, 2012</span><span>\r\n                        Text: Cibele Aldrovandi, Deepak Ananth, Flavia Galli Tatsch, Kapila Vatsyayan, Laura Cury, Rahaab Allana, Tereza de Arruda\r\n                        Publisher: The Brazilian Ministry of Culture and Banco do Brasil\r\n                        ISBN: 978-85-64170-01-8\r\n\r\n                        <span class=\"pubstrong\">India : Art Now, 2012 </span><span>\r\n                            Text: Stine Hoholt, Ranjit Hoskote, Zehra Jumabhoy\r\n                            Publisher: Hatje Cantz\r\n                        </span>ISBN: 978-3-7757-3411-0\r\n\r\n                        <span class=\"pubstrong\">Undervaeker – Wonders, </span>2012<span>\r\n                            Texts by Gitte Orskou, Af Theis Vallo Madsen, Jeanett Stampe\r\n                            Publisher: KUNSTEN - Museum of Modern Art Aalborg\r\n                        </span>ISBN: 978-87-88307-72-6\r\n\r\n                        <span class=\"pubstrong\">n.paradoxa: international feminist art journal, volume 30, </span>2012<span>\r\n                            Text: interview with Veeranganakumari Solanki\r\n                            Publisher: KT press\r\n                        </span>ISBN: 1461- 0434\r\n\r\n                        <span class=\"pubstrong\">The Skoda Prize Twenty, </span>2011-2012<span>\r\n                            Text: Zeenat Nagree\r\n                            Publisher: Popular Prakashan\r\n                        </span>ISBN: 978-81-7991-681-0\r\n\r\n                        <span class=\"pubstrong\">Pandemonium: Art in a time of creativity fever, </span>2011<span>\r\n                            Text: interview with Stina Edblom\r\n                            Publisher: Göteborg International Biennial for Contemporary Art\r\n                        </span>ISBN: 978-91-633-9363-1\r\n                        <span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/pandemonium\">read interview</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span>\r\n\r\n                        <span class=\"pubstrong\">The Indian Renaissance, </span>2011<span>\r\n                            Text: Antonio Stellatelli, Romano Ravasio and Marina Pizziolo\r\n\r\n                            <span class=\"pubstrong\">Vancouver Biennale, </span>2009-2011<span>\r\n                                Text: Vancouver International Sculpture Biennale\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Maximum India, </span>2011<span>\r\n                                Publisher: The John F. Kennedy Center for the Performing Arts, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Never Run Away, </span>2010<span>\r\n                                Text: Shaheen Merali\r\n                                Publisher: Stux Gallery\r\n                            </span>\r\n                            <span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/never-run-away\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span>\r\n\r\n                            <span class=\"pubstrong\">Urban Manners 2, </span>2010<span>\r\n                                Text: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\n                                Publisher: SESC Pompeia, Sao Paulo\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Empire Strikes Back, </span>2010<span>\r\n                                Text: Zehra Jumabhoy\r\n                                Publisher: Saatchi Gallery\r\n                                ISBN: 9780224089494\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The River Project, </span>2010<span>\r\n                                Publisher: Campbelltown Arts Centre\r\n                                ISBN: 9781875199761\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Asian Art Now, </span>2010<span>\r\n                                Text: Melissa Chiu and Benjamin Genocchio\r\n                                Publisher: Monacelli Press\r\n                                ISBN: 978-1-58093-298-1 (1-58093-298-3)\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Roundabout, </span>2010<span>\r\n                                Publisher: Art Asia Pacific Publishing\r\n                                ISBN: 978-0984562510\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Khoj Book, </span>2010<span>\r\n                                Interview with Shilpa Gupta\r\n                                Publisher: HarperCollins\r\n                                ISBN: 9788172236878\r\n                            </span>\r\n                            <span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/khoj-book\">read interview</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span>\r\n\r\n                            <span class=\"pubstrong\">5 Bienal Ventosul, </span>2009<span>\r\n                                Publisher: Instituto Paranaense de Arte\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Viewpoints &amp; Viewings Points- Asian Art Biennale, </span>2009<span>\r\n                                Text: Chao-yi-Tsai\r\n                                Publisher: National Taiwan Museum of fine Arts\r\n                                ISBN: 978-986-02-0269-4\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Xianzai: Contemporary Indian Art, </span>2009<span>\r\n                                Text: Jitish Kallat, Diana Freundl, Alexander Keefe\r\n                                Publisher: Museum of Contemporary Art\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2009<span>\r\n                                Text: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki,\r\n                                Miho Tagomori\r\n                                Publisher: Prestel, National Museum of Contemporary Art and Essl Museum\r\n                                ISBN: 978-3-7913-4304-4\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2008<span>\r\n                                Text: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman\r\n                                Gopinath, Jayaram, Deepak Ananth\r\n                                Publisher: Mori Art Museum\r\n                                ISBN: 978-4-902819-21-2\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Moderna, </span>2008<span>\r\n                                Text: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur,\r\n                                R. Siva Kumar, K.G. Subramanyan\r\n                                Publisher: IVAM (Institute Valencia D’Art Modern)\r\n                                ISBN: 978-84-482-5104-8\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Everywhere is War (and rumours of it),</span>2008<span>\r\n                                Text: Kai Hafez, Martin Hager, Nicholas Mirzoeff, Daniel Miller,\r\n                                Bregje van Eekelen\r\n                                Publisher: Bodhi Art Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Three Points of Views, </span>2008<span>\r\n                                Text: Grant Watson\r\n                                Publisher: Galerie Mirchandani + Steinruecke\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">New Narratives: Contemporary Art from India, </span>2008<span>\r\n                                Text: Betty Seid with contributions by Johan Pijnappel\r\n                                Publisher: Mapin Publication in association with Chicago Cultural Center\r\n                                ISBN: 978-1-890206-08-6\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Made by Indians, </span>2007<span>\r\n                                Text: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\n                                Publisher: Galerie Enrico Navarra\r\n                                ISBN: 2-911596-37-4\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Thermocline of Art: New Asian Waves, </span>2007<span>\r\n                                Text:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong\r\n                                Publisher: Hatje Cantz Vertag\r\n                                ISBN: 978-3-7757-2073-1\r\n                                EAN: 9782911596377\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Indian Colour, </span>2007<span>\r\n                                Text: Peter Nagy\r\n                                Publisher: Dal- seung Hwang, Keumsan Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Arte Oggi, </span>2007<span>\r\n                                Text:  Daniela Palazzoli\r\n                                Publisher: Spazio Oberdan\r\n                                ISBN: 978-88-202-1867-6\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Urban Manners, </span>2007<span>\r\n                                Text: Adelina Von Furstenberg and Nancy Adajania\r\n                                Publisher: Hangar Bicocca\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">International Incheon Women Artists’ Biennale,</span>\r\n                            <span class=\"pubstrong\">Knocking on the Door, </span>2007<span>\r\n                                Text: Sung Hee Kim, John C. Welchman\r\n                                Publisher: Incheon Culture and Art Centre\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Soft Power: Asian Attitude, </span>2007<span>\r\n                                Text: Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\n                                Publisher: Shanghai Zendai Mumsem of Modern Art\r\n                                ISBN: 978-7-5356-2790-2\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Express- Art and Popular Culture, </span>2006<span>\r\n                                Text: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze\r\n                                Publisher: Helsinki City Art Museum\r\n                                ISBN: 951-8965-61-7\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Bombay L’album Maximum City, </span>2006<span>\r\n                                Text: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\n                                Publisher: Terrail, Lille 3000\r\n                                ISBN: 2-87939-325-6\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Indian Paintings of the New Millennium, </span>2005<span>\r\n                                Text: Helen Asquine  Fazio, Gayatri Sinha\r\n                                Publisher: Quick Arts Center, Fairfield University\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">A Guide to 101 Modern &amp; Contemporary Indian Artists, </span>2005<span>\r\n                                Text: Amrita Jhaveri\r\n                                Publisher: India Book House\r\n                                ISBN: 81-7508-423-5\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Zoom! Art in Contemporary India, </span>2004<span>\r\n                                Texts: Luis Serpa and Nancy Adajania\r\n                                Publisher: The Culturgest Museum\r\n                                ISBN: 972-769-033-5\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Interlude in Sri Lanka, </span>2004<span>\r\n                                Text: Ranjit Hoskote and Nancy Adajania\r\n                                Publisher: The Guild Art Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Generation I, </span>2004<span>\r\n                                Text: Zehra Jumabhoy\r\n                                Publisher: Saffronart &amp; The Guild Art Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Tiranga Rights and Reponsibilities, </span>2003<span>\r\n                                Text: Peter Nagy\r\n                                Publisher: Jindal Foundation &amp; Creative Arts\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Hard Copy, </span>2003<span>\r\n                                Text: Peter Nagy\r\n                                Publisher: Galerie 88\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Crossing Generations: diVERGE, </span>2003<span>\r\n                                Text: Geeta Kapoor and Chaitanya Sambrani\r\n                                Publisher: Gallery Chemould\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\" style=\"color: #000000;\">PRESS</span>\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artasiapacific.com/Magazine/WebExclusives/FloatingWorldAestheticBind\" target=\"_blank\">Aesthetic Bind Floating World</a> </span> <font color=\"red\">  >> </font> <span>\r\n                              Gitanjali Dang, ArtAsiaPacific, April 2014                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.timeoutmumbai.net/art/features/suspense\" target=\"_blank\">In Suspense </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Phalguni Desai , Timeout Mumbai,  March  2014\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artdaily.com/news/68958/Chemould-Prescott-Road-celebrates-fifty-years-of-contemporary-art-with-Aesthetic-Bind--Floating-World#.Uz5us_mSxVk\" target=\"_blank\">Chemould Prescott Road celebrates fifty years of contemporary art with Aesthetic Bind: Floating World </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Geeta Kapur, Art Daily, 24th March 2014\r\n                            </span>\r\n                                                        <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.wallpaper.com/art/zegnart-enlists-reena-kallat-to-create-a-site-specific-artwork-in-mumbai/6292\" target=\"_blank\">ZegnArt enlists Reena Kallat to create a site-specific artwork in Mumbai,</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                JJ Martin, Wallpaper, 18th January 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.timeoutmumbai.net/art/features/web-design\" target=\"_blank\">Web design</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Karanjeet Kaur,Timeout Magazine, pg 26-28, 15th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artribune.com/2013/03/una-ragnatela-fra-italia-e-india-inaugurata-a-mumbai-lopera-di-reena-kallat-per-il-progetto-zegnart-public-qui-ci-sono-immagini-video-e-intervista-allartista/\" target=\"_blank\">Arte pubblica a Mumbai. Intervista con Anna Zegna</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Daniele Perra, Art Tribune, 1st March 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://in.blouinartinfo.com/news/story/885613/reena-kallat-on-her-mammoth-1-ton-rubber-stamp-cobweb-at-the\" target=\"_blank\">Reena Kallat On Her Mammoth, 1-ton Rubber-Stamp Cobweb at the Bhau Daji Lad Museum, Mumbai</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Rosalyn D\'Mello, Blouinart, April 1, 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.thehindu.com/features/magazine/putting-her-stamp-on-it/article4484175.ece\" target=\"_blank\">Putting her stamp on it</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Ramya Sarma, The Hindu, 9th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.business-standard.com/article/beyond-business/stamp-over-mumbai-113030800509_1.html\" target=\"_blank\">Stamp over Mumbai</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Kishore Singh, Business Standard, New Delhi  8th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.dnaindia.com/lifestyle/report_weaving-a-tangled-web_1806665\" target=\"_blank\">Weaving a tangled web</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Deepanjana Pal, DNA, 3rd March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.dnaindia.com/lifestyle/report_web-of-history_1810815\" target=\"_blank\">Web of history </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Sanaya Chavda, DNA, 13th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindustantimes.com/Entertainment/Art/Web-of-history-Reena-Kallat-s-installation/Article1-1027359.aspx\" target=\"_blank\">Web of history </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Shweta Mehta, Hindustan Times, 16th March 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://blog.saffronart.com/2013/03/14/reena-kallats-untitled-cobwebscrossings/\" target=\"_blank\">Public Art installation by Reena Kallat at the Dr. Bhau Daji Lad Museum in Mumbai </a> </span> <font color=\"red\">  >> </font><span>\r\n                                Manjari Sihare, Saffron blog,Posted on 14th March  2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Weaving into  networks, Buliding Cobwebs: Musings over Reena Saini Kallat’s recent work </span> <span>\r\n                                Parni Ray, Take on Art/Eleven, pg 98, Volume lll\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Stamping ground </span><span>\r\n                                Deepanjana Pal, Wallpaper magazine, pg 193 – 194, May 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Editorial</span><span>\r\n                                Kaiwan Mehta, Domus, pg 5 – 10, April 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Web Design</span> <span>\r\n                                Chumki Bharadwaj, India Today, pg 45 – 46, April 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Art Outside  </span> <span>\r\n                                Pavitra Mohan, Architectural Digest, pg 98, March-April 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://inditerrain.indiaartndesign.com/2013/03/of-cobwebs-crossings.html\" target=\"_blank\">Of Cobwebs & Crossings </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Jigna Padhiar, India Art & Design, 1st March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://prestige-singapore.com.sg/2013/04/arts-raj\" target=\"_blank\">Art\'s the Raj</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Dylan Boey, Prestige Singapore, 3rd April 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\">Adrift in unknown waters: Reena Saini Kallat and the Art of letting go</span><span>\r\n                                Parni Ray,  Artfair Magazine, Issue-3, pg 48 – 51, 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://shobanarayan.com/2012/02/04/about-jitish-kallat-and-reena-saini-kallat/\" target=\"_blank\">Walking the Art talk with the Kallats</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Shobha Narayan, Live Mint, February 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.tribuneindia.com/2012/20120219/spectrum/main2.htm\" target=\"_blank\">Spectrum New Visual Idiom</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                The Tribune, February 19, 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artnewsnviews.com/view-article.php?article=g-teborg-international-biennial&iid=25&articleid=678\" target=\"_blank\">Goteborg International Biennial</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Art Etc, Vol.4, No. 2, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Helsinki taidemuseo.fi-Journal, </span> January 2011<span>\r\n                            </span>\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://indiatoday.intoday.in/site/story/brush-with-reality/1/134582.html\">Brush With Reality </a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Sumaiya Khan, India Today Woman, pg. 20-21, April 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">System overload </span><span>\r\n                                Shweta Upadhyay, Timeout Delhi, March 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artslant.com/ind/articles/show/22573\" target=\"_blank\">Picking up the past</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Parni Ray, www.artslant.com, 4th April 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://iipdigital.usembassy.gov/st/english/article/2011/03/20110307133535drawoh0.7282221.html#axzz34yECziHk\">Art at “maximum INDIA” Festival Evokes Cultural Memory and Loss</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Howard Cincotta, www.america.gov, March 7, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.signonsandiego.com/news/2011/mar/02/kennedy-center-opens-3-week-india-arts-festival/\">Kennedy Center opens 3-week India arts festival</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Brett Zongker, www.signonsnadiego.com, 2nd March 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Eye and the Mind: New Interventions in Contemporary Indian Art </span><span>\r\n                                Rajeev Lochan, India Perspectives, Vol. 24, No. 6, 2010\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artradarjournal.com/2010/04/20/indian-contemporary-artist-reena-kallat-art-radar-exclusive-interview/\">Interview, Art Radar Asia </a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span><span>\r\n                                April 20, 2010\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Archives of the Heart</span><span>\r\n                                Nancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\n                                Front Cover, pgs 42-45, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Globale Kunst Mit Wurzelduft</span><span>\r\n                                Von Almuth Speigler, Die Presse, Feuilleton, 2nd September 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Landscapes of Loss</span><span>\r\n                                Beth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Reincarnating History</span><span>\r\n                                The Big Picture, Architect and Interiors, July 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Stamp Collection</span><span>\r\n                                Georgina Maddox, The Sunday Express, 17th May 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Evolving Beyond Borders</span><span>\r\n                                Reshma S. Kulkarni, Bombay Times, Times of India, 15th January, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Loss and Found</span><span>\r\n                                Marina Correa, DNA, Mumbai, 22nd January 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Focus India</span><span>\r\n                                Megha Ralapati, Flash Art, pg 114, January-February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Come Together Right Now</span><span>\r\n                                Reema Gehi, HT Café, 15th February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Such a Long Journey</span><span>\r\n                                Aparna S Sharma, Elle Magazine, pgs 115-117, February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">More than a Woman</span><span>\r\n                                Georgina Maddox, The Indian Express, Mumbai Newsline, 4th February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Artist of the Fortnight</span><span>\r\n                                Maria Louis, Outlook Profit, pg 79, 18th April 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Deja View</span><span>\r\n                                Tara Khilachand, Live Mint, 20th December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Terror Struck</span><span>\r\n                                Maria Louis, Outlook Profit, 26th December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Name Calling</span><span>\r\n                                Deepanjana Pal, Timeout Mumbai, December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Corruptions of Power</span>\r\n                            <span>Shiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99, 2007</span>\r\n\r\n                            <span class=\"pubstrong\">Over the Rainbow</span><span>\r\n                                Maria Louis, Interview, Verve Magazine, pg 78, November 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindu.com/mag/2006/10/29/stories/2006102900070200.htm\">In a State of Perennial Siege</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span><span>\r\n                                Nancy Adajania, The Hindu, Hyderabad, 29th October 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Her Crowning Achievement</span><span>\r\n                                Clara Chow, The Straits Times, 18th November 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Political Chaos</span><span>\r\n                                Deepali Nandwani, Beautiful people, pg 143, November-December 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Weapons of Mass Construction</span><span>\r\n                                Rituparna Som, DNA after Hrs, Mumbai, 9th October, 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Guns and Roses</span><span>\r\n                                Rachna Nakra, The Indian Express, Mumbai Newsline, 18th September 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Under Attack</span><span>\r\n                                Gitanjali Dang, HT Mumbai, 22nd September 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Time Traveller</span><span>\r\n                                Georgina Maddox, The Indian Express, Mumbai Newsline, 27th June 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Flower and the Sword</span><span>\r\n                                Girish Shahane, The Art News magazine of India, pg 93, volume X issue I, 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India’s Top 100 Achievers</span><span>\r\n                                Society Magazine, pg 137, December 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Caught Between Demons<span style=\"font-weight: normal; color: red;\"></span></span><span>\r\n                                Nancy Adajania, The Hindu, 19th December 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">En Reise Til India</span><span>\r\n                                Harald Flor, Dagbladet, Kultur, 2nd February 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Signs of Resistance</span><span>\r\n                                Nancy Adajania, The Hindu, 5th January 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Of the Goddess and Demon in the Mind</span><span>\r\n                                Debbie Rodgers, Sunday edition Vijay Times, Bangalore, 5th January 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Empathic Anger</span><span>\r\n                                Marta Jakimowicz, Deccan Herald, 23rd December 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Mysore Ek Khoj</span>\r\n                            Cross Fertilization of Culture, Interview in Star of Mysore, 27th October 2002\r\n\r\n                            <span class=\"pubstrong\">Linking Islands</span><span>\r\n                                Menaka Jayasankar, Indian Express, Mumbai Newsline, 15th February 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Creating to Destroy</span><span>\r\n                                Jasmine Shah Varma, The List, Mid Day, 22nd February 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Different Strokes</span><span>\r\n                                Georgina L Maddox, The Indian Express, Mumbai Newsline, 24th July 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a target=\"_blank\" href=\"http://www.reenakallat.com/wp-content/uploads/2011/09/Faith%20and%20Hunger.pdf\" style=\"color: rgb(135, 135, 135);\">Of Faith and Hunger</a><font style=\"font-weight:normal;\" color=\"red\">  >> </font></span>\r\n                        <span>Abhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89, December 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">The Murmur of Skin</span><span>\r\n                            Nupur Mahajan, Bombay Times, Times of India, 12th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Not just Skin Deep</span><span>\r\n                            Jasmine Shah Varma, The List, Mid-day, 4th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Inside Out</span><span>\r\n                            Menaka Jayasankar, Indian Express, Mumbai Newsline, 11th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Scintillating Skin</span><span>\r\n                            Vaibhav Purandare, The Asian Age, 14th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">An Artist’s World: Roti, Makaan &amp; Abstract Art</span><span>\r\n                            Poonam Goel, HT City, 23rd December 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Within you, Without you</span><span>\r\n                            Anu Kumar, Indian Express, Express Newsline, 2nd September 1998\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Farming Intrigue</span><span>\r\n                            Jerry Pinto, The Times of India, Bombay Times, 3rd September 1998\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Interactive Medium</span><span>\r\n                            Karen Pereira, Indian Architect &amp; Builder, pgs 102-104, October 1998\r\n                        </span>\r\n</td>\r\n        </tr>\r\n    </tbody>\r\n</table>','Publications','','inherit','open','open','','87-revision-228','','','2015-01-19 15:55:20','2015-01-19 15:55:20','',87,'http://www.reenakallat.com/3110/uncat/87-revision-228',0,'revision','',0),(3111,1,'2015-01-19 15:56:26','2015-01-19 15:56:26','f<table border=\"0\" cellspacing=\"5\" cellpadding=\"0\" width=\"100%\" align=\"centre\">\r\n    <tbody>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" width=\"21%\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td style=\"margin-left: 5px;\">\r\n                                <span class=\"pubstrong\">Reena Saini Kallat, </span> 2009<span>\r\n                                    Text: Nancy Adajania and Murtaza Vali\r\n                                    Publisher: Primo Marella Gallery, Walsh Gallery and Chemould Prescott Road\r\n                                    ISBN: 978-81-908879-1-5\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/reena-kallat\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Rainbow of Refuse, </span>2006<span>\r\n                                    Text: Nancy Adajania\r\n                                    Publisher: Bodhi Art Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/rainbow-of-refuse\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Black Flute (and other stories), </span>2005\r\n                                <span class=\"pubstrong\">Black Flute,</span> 2004<span>\r\n                                    Text: Nancy Adajania\r\n                                    Publisher: Gallery Chemould and Nature Morte Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/black-flute\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">The Battlefield is the Mind, </span>2002<span>\r\n                                    Text: Nancy Adajania\r\n                                    Publisher: Sakshi Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/battlefield-of-mind\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table cellspacing=\"0\" cellpadding=\"0\" width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Skin, </span>2000<span>\r\n                                    Interview with Jitish Kallat\r\n                                    Publisher: Gallery Chemould and Vis-à-vis Art Inc. Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr></tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Orchard of home-grown secrets, </span>1998<span>\r\n                                    Text: Ranjit Hoskote\r\n                                    Publisher: Gallery Chemould and Pundole Art Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/orchard-pub\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td colspan=\"2\"></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n            <td>\r\n                <!-- Start of Other Publications -->\r\n\r\n                <span class=\"pubstrong\">Nature Morte, 2013</span><span>\r\n                    Text: Michael Petry\r\n                    Publisher: Thames & Hudson\r\n                    ISBN: 9780500239063\r\n\r\n\r\n\r\n            <span class=\"pubstrong\">Haein Art Project, 2013</span><span>\r\n                Text:  Kim Jiyon, Leandre D’souza and Claudio Maffioletti\r\n                Publisher: Ven.Sun-Hae (Abbot of Haeinsa Temple)\r\n                ISBN: 979 1195142309 90620\r\n\r\n\r\n                <span class=\"pubstrong\">NO-MAD-NESS IN NO MAN’S LAND, 2013</span><span>\r\n                    Text:  interview by Ombretta Agro Andruff and Leeza Ahmady with Casey Amy Fan\r\n                    Publisher: The Eslite Corp.\r\n                    ISBN: 978-986-89759-7-2\r\n\r\n                    <span class=\"pubstrong\">India Side by Side, 2012</span><span>\r\n                        Text: Cibele Aldrovandi, Deepak Ananth, Flavia Galli Tatsch, Kapila Vatsyayan, Laura Cury, Rahaab Allana, Tereza de Arruda\r\n                        Publisher: The Brazilian Ministry of Culture and Banco do Brasil\r\n                        ISBN: 978-85-64170-01-8\r\n\r\n                        <span class=\"pubstrong\">India : Art Now, 2012 </span><span>\r\n                            Text: Stine Hoholt, Ranjit Hoskote, Zehra Jumabhoy\r\n                            Publisher: Hatje Cantz\r\n                        </span>ISBN: 978-3-7757-3411-0\r\n\r\n                        <span class=\"pubstrong\">Undervaeker – Wonders, </span>2012<span>\r\n                            Texts by Gitte Orskou, Af Theis Vallo Madsen, Jeanett Stampe\r\n                            Publisher: KUNSTEN - Museum of Modern Art Aalborg\r\n                        </span>ISBN: 978-87-88307-72-6\r\n\r\n                        <span class=\"pubstrong\">n.paradoxa: international feminist art journal, volume 30, </span>2012<span>\r\n                            Text: interview with Veeranganakumari Solanki\r\n                            Publisher: KT press\r\n                        </span>ISBN: 1461- 0434\r\n\r\n                        <span class=\"pubstrong\">The Skoda Prize Twenty, </span>2011-2012<span>\r\n                            Text: Zeenat Nagree\r\n                            Publisher: Popular Prakashan\r\n                        </span>ISBN: 978-81-7991-681-0\r\n\r\n                        <span class=\"pubstrong\">Pandemonium: Art in a time of creativity fever, </span>2011<span>\r\n                            Text: interview with Stina Edblom\r\n                            Publisher: Göteborg International Biennial for Contemporary Art\r\n                        </span>ISBN: 978-91-633-9363-1\r\n                        <span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/pandemonium\">read interview</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span>\r\n\r\n                        <span class=\"pubstrong\">The Indian Renaissance, </span>2011<span>\r\n                            Text: Antonio Stellatelli, Romano Ravasio and Marina Pizziolo\r\n\r\n                            <span class=\"pubstrong\">Vancouver Biennale, </span>2009-2011<span>\r\n                                Text: Vancouver International Sculpture Biennale\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Maximum India, </span>2011<span>\r\n                                Publisher: The John F. Kennedy Center for the Performing Arts, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Never Run Away, </span>2010<span>\r\n                                Text: Shaheen Merali\r\n                                Publisher: Stux Gallery\r\n                            </span>\r\n                            <span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/never-run-away\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span>\r\n\r\n                            <span class=\"pubstrong\">Urban Manners 2, </span>2010<span>\r\n                                Text: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\n                                Publisher: SESC Pompeia, Sao Paulo\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Empire Strikes Back, </span>2010<span>\r\n                                Text: Zehra Jumabhoy\r\n                                Publisher: Saatchi Gallery\r\n                                ISBN: 9780224089494\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The River Project, </span>2010<span>\r\n                                Publisher: Campbelltown Arts Centre\r\n                                ISBN: 9781875199761\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Asian Art Now, </span>2010<span>\r\n                                Text: Melissa Chiu and Benjamin Genocchio\r\n                                Publisher: Monacelli Press\r\n                                ISBN: 978-1-58093-298-1 (1-58093-298-3)\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Roundabout, </span>2010<span>\r\n                                Publisher: Art Asia Pacific Publishing\r\n                                ISBN: 978-0984562510\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Khoj Book, </span>2010<span>\r\n                                Interview with Shilpa Gupta\r\n                                Publisher: HarperCollins\r\n                                ISBN: 9788172236878\r\n                            </span>\r\n                            <span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/khoj-book\">read interview</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span>\r\n\r\n                            <span class=\"pubstrong\">5 Bienal Ventosul, </span>2009<span>\r\n                                Publisher: Instituto Paranaense de Arte\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Viewpoints &amp; Viewings Points- Asian Art Biennale, </span>2009<span>\r\n                                Text: Chao-yi-Tsai\r\n                                Publisher: National Taiwan Museum of fine Arts\r\n                                ISBN: 978-986-02-0269-4\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Xianzai: Contemporary Indian Art, </span>2009<span>\r\n                                Text: Jitish Kallat, Diana Freundl, Alexander Keefe\r\n                                Publisher: Museum of Contemporary Art\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2009<span>\r\n                                Text: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki,\r\n                                Miho Tagomori\r\n                                Publisher: Prestel, National Museum of Contemporary Art and Essl Museum\r\n                                ISBN: 978-3-7913-4304-4\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2008<span>\r\n                                Text: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman\r\n                                Gopinath, Jayaram, Deepak Ananth\r\n                                Publisher: Mori Art Museum\r\n                                ISBN: 978-4-902819-21-2\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Moderna, </span>2008<span>\r\n                                Text: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur,\r\n                                R. Siva Kumar, K.G. Subramanyan\r\n                                Publisher: IVAM (Institute Valencia D’Art Modern)\r\n                                ISBN: 978-84-482-5104-8\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Everywhere is War (and rumours of it),</span>2008<span>\r\n                                Text: Kai Hafez, Martin Hager, Nicholas Mirzoeff, Daniel Miller,\r\n                                Bregje van Eekelen\r\n                                Publisher: Bodhi Art Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Three Points of Views, </span>2008<span>\r\n                                Text: Grant Watson\r\n                                Publisher: Galerie Mirchandani + Steinruecke\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">New Narratives: Contemporary Art from India, </span>2008<span>\r\n                                Text: Betty Seid with contributions by Johan Pijnappel\r\n                                Publisher: Mapin Publication in association with Chicago Cultural Center\r\n                                ISBN: 978-1-890206-08-6\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Made by Indians, </span>2007<span>\r\n                                Text: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\n                                Publisher: Galerie Enrico Navarra\r\n                                ISBN: 2-911596-37-4\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Thermocline of Art: New Asian Waves, </span>2007<span>\r\n                                Text:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong\r\n                                Publisher: Hatje Cantz Vertag\r\n                                ISBN: 978-3-7757-2073-1\r\n                                EAN: 9782911596377\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Indian Colour, </span>2007<span>\r\n                                Text: Peter Nagy\r\n                                Publisher: Dal- seung Hwang, Keumsan Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Arte Oggi, </span>2007<span>\r\n                                Text:  Daniela Palazzoli\r\n                                Publisher: Spazio Oberdan\r\n                                ISBN: 978-88-202-1867-6\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Urban Manners, </span>2007<span>\r\n                                Text: Adelina Von Furstenberg and Nancy Adajania\r\n                                Publisher: Hangar Bicocca\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">International Incheon Women Artists’ Biennale,</span>\r\n                            <span class=\"pubstrong\">Knocking on the Door, </span>2007<span>\r\n                                Text: Sung Hee Kim, John C. Welchman\r\n                                Publisher: Incheon Culture and Art Centre\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Soft Power: Asian Attitude, </span>2007<span>\r\n                                Text: Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\n                                Publisher: Shanghai Zendai Mumsem of Modern Art\r\n                                ISBN: 978-7-5356-2790-2\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Express- Art and Popular Culture, </span>2006<span>\r\n                                Text: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze\r\n                                Publisher: Helsinki City Art Museum\r\n                                ISBN: 951-8965-61-7\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Bombay L’album Maximum City, </span>2006<span>\r\n                                Text: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\n                                Publisher: Terrail, Lille 3000\r\n                                ISBN: 2-87939-325-6\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Indian Paintings of the New Millennium, </span>2005<span>\r\n                                Text: Helen Asquine  Fazio, Gayatri Sinha\r\n                                Publisher: Quick Arts Center, Fairfield University\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">A Guide to 101 Modern &amp; Contemporary Indian Artists, </span>2005<span>\r\n                                Text: Amrita Jhaveri\r\n                                Publisher: India Book House\r\n                                ISBN: 81-7508-423-5\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Zoom! Art in Contemporary India, </span>2004<span>\r\n                                Texts: Luis Serpa and Nancy Adajania\r\n                                Publisher: The Culturgest Museum\r\n                                ISBN: 972-769-033-5\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Interlude in Sri Lanka, </span>2004<span>\r\n                                Text: Ranjit Hoskote and Nancy Adajania\r\n                                Publisher: The Guild Art Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Generation I, </span>2004<span>\r\n                                Text: Zehra Jumabhoy\r\n                                Publisher: Saffronart &amp; The Guild Art Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Tiranga Rights and Reponsibilities, </span>2003<span>\r\n                                Text: Peter Nagy\r\n                                Publisher: Jindal Foundation &amp; Creative Arts\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Hard Copy, </span>2003<span>\r\n                                Text: Peter Nagy\r\n                                Publisher: Galerie 88\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Crossing Generations: diVERGE, </span>2003<span>\r\n                                Text: Geeta Kapoor and Chaitanya Sambrani\r\n                                Publisher: Gallery Chemould\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\" style=\"color: #000000;\">PRESS</span>\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artasiapacific.com/Magazine/WebExclusives/FloatingWorldAestheticBind\" target=\"_blank\">Aesthetic Bind Floating World</a> </span> <font color=\"red\">  >> </font> <span>\r\n                              Gitanjali Dang, ArtAsiaPacific, April 2014                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.timeoutmumbai.net/art/features/suspense\" target=\"_blank\">In Suspense </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Phalguni Desai , Timeout Mumbai,  March  2014\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artdaily.com/news/68958/Chemould-Prescott-Road-celebrates-fifty-years-of-contemporary-art-with-Aesthetic-Bind--Floating-World#.Uz5us_mSxVk\" target=\"_blank\">Chemould Prescott Road celebrates fifty years of contemporary art with Aesthetic Bind: Floating World </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Geeta Kapur, Art Daily, 24th March 2014\r\n                            </span>\r\n                                                        <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.wallpaper.com/art/zegnart-enlists-reena-kallat-to-create-a-site-specific-artwork-in-mumbai/6292\" target=\"_blank\">ZegnArt enlists Reena Kallat to create a site-specific artwork in Mumbai,</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                JJ Martin, Wallpaper, 18th January 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.timeoutmumbai.net/art/features/web-design\" target=\"_blank\">Web design</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Karanjeet Kaur,Timeout Magazine, pg 26-28, 15th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artribune.com/2013/03/una-ragnatela-fra-italia-e-india-inaugurata-a-mumbai-lopera-di-reena-kallat-per-il-progetto-zegnart-public-qui-ci-sono-immagini-video-e-intervista-allartista/\" target=\"_blank\">Arte pubblica a Mumbai. Intervista con Anna Zegna</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Daniele Perra, Art Tribune, 1st March 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://in.blouinartinfo.com/news/story/885613/reena-kallat-on-her-mammoth-1-ton-rubber-stamp-cobweb-at-the\" target=\"_blank\">Reena Kallat On Her Mammoth, 1-ton Rubber-Stamp Cobweb at the Bhau Daji Lad Museum, Mumbai</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Rosalyn D\'Mello, Blouinart, April 1, 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.thehindu.com/features/magazine/putting-her-stamp-on-it/article4484175.ece\" target=\"_blank\">Putting her stamp on it</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Ramya Sarma, The Hindu, 9th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.business-standard.com/article/beyond-business/stamp-over-mumbai-113030800509_1.html\" target=\"_blank\">Stamp over Mumbai</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Kishore Singh, Business Standard, New Delhi  8th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.dnaindia.com/lifestyle/report_weaving-a-tangled-web_1806665\" target=\"_blank\">Weaving a tangled web</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Deepanjana Pal, DNA, 3rd March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.dnaindia.com/lifestyle/report_web-of-history_1810815\" target=\"_blank\">Web of history </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Sanaya Chavda, DNA, 13th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindustantimes.com/Entertainment/Art/Web-of-history-Reena-Kallat-s-installation/Article1-1027359.aspx\" target=\"_blank\">Web of history </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Shweta Mehta, Hindustan Times, 16th March 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://blog.saffronart.com/2013/03/14/reena-kallats-untitled-cobwebscrossings/\" target=\"_blank\">Public Art installation by Reena Kallat at the Dr. Bhau Daji Lad Museum in Mumbai </a> </span> <font color=\"red\">  >> </font><span>\r\n                                Manjari Sihare, Saffron blog,Posted on 14th March  2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Weaving into  networks, Buliding Cobwebs: Musings over Reena Saini Kallat’s recent work </span> <span>\r\n                                Parni Ray, Take on Art/Eleven, pg 98, Volume lll\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Stamping ground </span><span>\r\n                                Deepanjana Pal, Wallpaper magazine, pg 193 – 194, May 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Editorial</span><span>\r\n                                Kaiwan Mehta, Domus, pg 5 – 10, April 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Web Design</span> <span>\r\n                                Chumki Bharadwaj, India Today, pg 45 – 46, April 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Art Outside  </span> <span>\r\n                                Pavitra Mohan, Architectural Digest, pg 98, March-April 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://inditerrain.indiaartndesign.com/2013/03/of-cobwebs-crossings.html\" target=\"_blank\">Of Cobwebs & Crossings </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Jigna Padhiar, India Art & Design, 1st March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://prestige-singapore.com.sg/2013/04/arts-raj\" target=\"_blank\">Art\'s the Raj</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Dylan Boey, Prestige Singapore, 3rd April 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\">Adrift in unknown waters: Reena Saini Kallat and the Art of letting go</span><span>\r\n                                Parni Ray,  Artfair Magazine, Issue-3, pg 48 – 51, 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://shobanarayan.com/2012/02/04/about-jitish-kallat-and-reena-saini-kallat/\" target=\"_blank\">Walking the Art talk with the Kallats</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Shobha Narayan, Live Mint, February 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.tribuneindia.com/2012/20120219/spectrum/main2.htm\" target=\"_blank\">Spectrum New Visual Idiom</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                The Tribune, February 19, 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artnewsnviews.com/view-article.php?article=g-teborg-international-biennial&iid=25&articleid=678\" target=\"_blank\">Goteborg International Biennial</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Art Etc, Vol.4, No. 2, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Helsinki taidemuseo.fi-Journal, </span> January 2011<span>\r\n                            </span>\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://indiatoday.intoday.in/site/story/brush-with-reality/1/134582.html\">Brush With Reality </a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Sumaiya Khan, India Today Woman, pg. 20-21, April 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">System overload </span><span>\r\n                                Shweta Upadhyay, Timeout Delhi, March 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artslant.com/ind/articles/show/22573\" target=\"_blank\">Picking up the past</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Parni Ray, www.artslant.com, 4th April 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://iipdigital.usembassy.gov/st/english/article/2011/03/20110307133535drawoh0.7282221.html#axzz34yECziHk\">Art at “maximum INDIA” Festival Evokes Cultural Memory and Loss</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Howard Cincotta, www.america.gov, March 7, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.signonsandiego.com/news/2011/mar/02/kennedy-center-opens-3-week-india-arts-festival/\">Kennedy Center opens 3-week India arts festival</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Brett Zongker, www.signonsnadiego.com, 2nd March 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Eye and the Mind: New Interventions in Contemporary Indian Art </span><span>\r\n                                Rajeev Lochan, India Perspectives, Vol. 24, No. 6, 2010\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artradarjournal.com/2010/04/20/indian-contemporary-artist-reena-kallat-art-radar-exclusive-interview/\">Interview, Art Radar Asia </a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span><span>\r\n                                April 20, 2010\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Archives of the Heart</span><span>\r\n                                Nancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\n                                Front Cover, pgs 42-45, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Globale Kunst Mit Wurzelduft</span><span>\r\n                                Von Almuth Speigler, Die Presse, Feuilleton, 2nd September 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Landscapes of Loss</span><span>\r\n                                Beth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Reincarnating History</span><span>\r\n                                The Big Picture, Architect and Interiors, July 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Stamp Collection</span><span>\r\n                                Georgina Maddox, The Sunday Express, 17th May 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Evolving Beyond Borders</span><span>\r\n                                Reshma S. Kulkarni, Bombay Times, Times of India, 15th January, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Loss and Found</span><span>\r\n                                Marina Correa, DNA, Mumbai, 22nd January 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Focus India</span><span>\r\n                                Megha Ralapati, Flash Art, pg 114, January-February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Come Together Right Now</span><span>\r\n                                Reema Gehi, HT Café, 15th February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Such a Long Journey</span><span>\r\n                                Aparna S Sharma, Elle Magazine, pgs 115-117, February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">More than a Woman</span><span>\r\n                                Georgina Maddox, The Indian Express, Mumbai Newsline, 4th February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Artist of the Fortnight</span><span>\r\n                                Maria Louis, Outlook Profit, pg 79, 18th April 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Deja View</span><span>\r\n                                Tara Khilachand, Live Mint, 20th December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Terror Struck</span><span>\r\n                                Maria Louis, Outlook Profit, 26th December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Name Calling</span><span>\r\n                                Deepanjana Pal, Timeout Mumbai, December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Corruptions of Power</span>\r\n                            <span>Shiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99, 2007</span>\r\n\r\n                            <span class=\"pubstrong\">Over the Rainbow</span><span>\r\n                                Maria Louis, Interview, Verve Magazine, pg 78, November 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindu.com/mag/2006/10/29/stories/2006102900070200.htm\">In a State of Perennial Siege</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span><span>\r\n                                Nancy Adajania, The Hindu, Hyderabad, 29th October 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Her Crowning Achievement</span><span>\r\n                                Clara Chow, The Straits Times, 18th November 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Political Chaos</span><span>\r\n                                Deepali Nandwani, Beautiful people, pg 143, November-December 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Weapons of Mass Construction</span><span>\r\n                                Rituparna Som, DNA after Hrs, Mumbai, 9th October, 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Guns and Roses</span><span>\r\n                                Rachna Nakra, The Indian Express, Mumbai Newsline, 18th September 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Under Attack</span><span>\r\n                                Gitanjali Dang, HT Mumbai, 22nd September 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Time Traveller</span><span>\r\n                                Georgina Maddox, The Indian Express, Mumbai Newsline, 27th June 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Flower and the Sword</span><span>\r\n                                Girish Shahane, The Art News magazine of India, pg 93, volume X issue I, 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India’s Top 100 Achievers</span><span>\r\n                                Society Magazine, pg 137, December 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Caught Between Demons<span style=\"font-weight: normal; color: red;\"></span></span><span>\r\n                                Nancy Adajania, The Hindu, 19th December 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">En Reise Til India</span><span>\r\n                                Harald Flor, Dagbladet, Kultur, 2nd February 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Signs of Resistance</span><span>\r\n                                Nancy Adajania, The Hindu, 5th January 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Of the Goddess and Demon in the Mind</span><span>\r\n                                Debbie Rodgers, Sunday edition Vijay Times, Bangalore, 5th January 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Empathic Anger</span><span>\r\n                                Marta Jakimowicz, Deccan Herald, 23rd December 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Mysore Ek Khoj</span>\r\n                            Cross Fertilization of Culture, Interview in Star of Mysore, 27th October 2002\r\n\r\n                            <span class=\"pubstrong\">Linking Islands</span><span>\r\n                                Menaka Jayasankar, Indian Express, Mumbai Newsline, 15th February 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Creating to Destroy</span><span>\r\n                                Jasmine Shah Varma, The List, Mid Day, 22nd February 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Different Strokes</span><span>\r\n                                Georgina L Maddox, The Indian Express, Mumbai Newsline, 24th July 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a target=\"_blank\" href=\"http://www.reenakallat.com/wp-content/uploads/2011/09/Faith%20and%20Hunger.pdf\" style=\"color: rgb(135, 135, 135);\">Of Faith and Hunger</a><font style=\"font-weight:normal;\" color=\"red\">  >> </font></span>\r\n                        <span>Abhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89, December 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">The Murmur of Skin</span><span>\r\n                            Nupur Mahajan, Bombay Times, Times of India, 12th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Not just Skin Deep</span><span>\r\n                            Jasmine Shah Varma, The List, Mid-day, 4th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Inside Out</span><span>\r\n                            Menaka Jayasankar, Indian Express, Mumbai Newsline, 11th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Scintillating Skin</span><span>\r\n                            Vaibhav Purandare, The Asian Age, 14th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">An Artist’s World: Roti, Makaan &amp; Abstract Art</span><span>\r\n                            Poonam Goel, HT City, 23rd December 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Within you, Without you</span><span>\r\n                            Anu Kumar, Indian Express, Express Newsline, 2nd September 1998\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Farming Intrigue</span><span>\r\n                            Jerry Pinto, The Times of India, Bombay Times, 3rd September 1998\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Interactive Medium</span><span>\r\n                            Karen Pereira, Indian Architect &amp; Builder, pgs 102-104, October 1998\r\n                        </span>\r\n</td>\r\n        </tr>\r\n    </tbody>\r\n</table>','Publications','','inherit','open','open','','87-revision-229','','','2015-01-19 15:56:26','2015-01-19 15:56:26','',87,'http://www.reenakallat.com/3111/uncat/87-revision-229',0,'revision','',0),(3112,1,'2015-01-22 14:33:33','2015-01-22 14:33:33','<table border=\"0\" cellspacing=\"5\" cellpadding=\"0\" width=\"100%\" align=\"centre\">\r\n    <tbody>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" width=\"21%\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td style=\"margin-left: 5px;\">\r\n                                <span class=\"pubstrong\">Reena Saini Kallat, </span> 2009<span>\r\n                                    Text: Nancy Adajania and Murtaza Vali\r\n                                    Publisher: Primo Marella Gallery, Walsh Gallery and Chemould Prescott Road\r\n                                    ISBN: 978-81-908879-1-5\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/reena-kallat\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Rainbow of Refuse, </span>2006<span>\r\n                                    Text: Nancy Adajania\r\n                                    Publisher: Bodhi Art Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/rainbow-of-refuse\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Black Flute (and other stories), </span>2005\r\n                                <span class=\"pubstrong\">Black Flute,</span> 2004<span>\r\n                                    Text: Nancy Adajania\r\n                                    Publisher: Gallery Chemould and Nature Morte Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/black-flute\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">The Battlefield is the Mind, </span>2002<span>\r\n                                    Text: Nancy Adajania\r\n                                    Publisher: Sakshi Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/battlefield-of-mind\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table cellspacing=\"0\" cellpadding=\"0\" width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Skin, </span>2000<span>\r\n                                    Interview with Jitish Kallat\r\n                                    Publisher: Gallery Chemould and Vis-à-vis Art Inc. Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr></tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Orchard of home-grown secrets, </span>1998<span>\r\n                                    Text: Ranjit Hoskote\r\n                                    Publisher: Gallery Chemould and Pundole Art Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/orchard-pub\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td colspan=\"2\"></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n            <td>\r\n                <!-- Start of Other Publications -->\r\n\r\n                <span class=\"pubstrong\">Nature Morte, 2013</span><span>\r\n                    Text: Michael Petry\r\n                    Publisher: Thames & Hudson\r\n                    ISBN: 9780500239063\r\n\r\n\r\n\r\n            <span class=\"pubstrong\">Haein Art Project, 2013</span><span>\r\n                Text:  Kim Jiyon, Leandre D’souza and Claudio Maffioletti\r\n                Publisher: Ven.Sun-Hae (Abbot of Haeinsa Temple)\r\n                ISBN: 979 1195142309 90620\r\n\r\n\r\n                <span class=\"pubstrong\">NO-MAD-NESS IN NO MAN’S LAND, 2013</span><span>\r\n                    Text:  interview by Ombretta Agro Andruff and Leeza Ahmady with Casey Amy Fan\r\n                    Publisher: The Eslite Corp.\r\n                    ISBN: 978-986-89759-7-2\r\n\r\n                    <span class=\"pubstrong\">India Side by Side, 2012</span><span>\r\n                        Text: Cibele Aldrovandi, Deepak Ananth, Flavia Galli Tatsch, Kapila Vatsyayan, Laura Cury, Rahaab Allana, Tereza de Arruda\r\n                        Publisher: The Brazilian Ministry of Culture and Banco do Brasil\r\n                        ISBN: 978-85-64170-01-8\r\n\r\n                        <span class=\"pubstrong\">India : Art Now, 2012 </span><span>\r\n                            Text: Stine Hoholt, Ranjit Hoskote, Zehra Jumabhoy\r\n                            Publisher: Hatje Cantz\r\n                        </span>ISBN: 978-3-7757-3411-0\r\n\r\n                        <span class=\"pubstrong\">Undervaeker – Wonders, </span>2012<span>\r\n                            Texts by Gitte Orskou, Af Theis Vallo Madsen, Jeanett Stampe\r\n                            Publisher: KUNSTEN - Museum of Modern Art Aalborg\r\n                        </span>ISBN: 978-87-88307-72-6\r\n\r\n                        <span class=\"pubstrong\">n.paradoxa: international feminist art journal, volume 30, </span>2012<span>\r\n                            Text: interview with Veeranganakumari Solanki\r\n                            Publisher: KT press\r\n                        </span>ISBN: 1461- 0434\r\n\r\n                        <span class=\"pubstrong\">The Skoda Prize Twenty, </span>2011-2012<span>\r\n                            Text: Zeenat Nagree\r\n                            Publisher: Popular Prakashan\r\n                        </span>ISBN: 978-81-7991-681-0\r\n\r\n                        <span class=\"pubstrong\">Pandemonium: Art in a time of creativity fever, </span>2011<span>\r\n                            Text: interview with Stina Edblom\r\n                            Publisher: Göteborg International Biennial for Contemporary Art\r\n                        </span>ISBN: 978-91-633-9363-1\r\n                        <span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/pandemonium\">read interview</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span>\r\n\r\n                        <span class=\"pubstrong\">The Indian Renaissance, </span>2011<span>\r\n                            Text: Antonio Stellatelli, Romano Ravasio and Marina Pizziolo\r\n\r\n                            <span class=\"pubstrong\">Vancouver Biennale, </span>2009-2011<span>\r\n                                Text: Vancouver International Sculpture Biennale\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Maximum India, </span>2011<span>\r\n                                Publisher: The John F. Kennedy Center for the Performing Arts, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Never Run Away, </span>2010<span>\r\n                                Text: Shaheen Merali\r\n                                Publisher: Stux Gallery\r\n                            </span>\r\n                            <span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/never-run-away\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span>\r\n\r\n                            <span class=\"pubstrong\">Urban Manners 2, </span>2010<span>\r\n                                Text: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\n                                Publisher: SESC Pompeia, Sao Paulo\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Empire Strikes Back, </span>2010<span>\r\n                                Text: Zehra Jumabhoy\r\n                                Publisher: Saatchi Gallery\r\n                                ISBN: 9780224089494\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The River Project, </span>2010<span>\r\n                                Publisher: Campbelltown Arts Centre\r\n                                ISBN: 9781875199761\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Asian Art Now, </span>2010<span>\r\n                                Text: Melissa Chiu and Benjamin Genocchio\r\n                                Publisher: Monacelli Press\r\n                                ISBN: 978-1-58093-298-1 (1-58093-298-3)\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Roundabout, </span>2010<span>\r\n                                Publisher: Art Asia Pacific Publishing\r\n                                ISBN: 978-0984562510\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Khoj Book, </span>2010<span>\r\n                                Interview with Shilpa Gupta\r\n                                Publisher: HarperCollins\r\n                                ISBN: 9788172236878\r\n                            </span>\r\n                            <span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/khoj-book\">read interview</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span>\r\n\r\n                            <span class=\"pubstrong\">5 Bienal Ventosul, </span>2009<span>\r\n                                Publisher: Instituto Paranaense de Arte\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Viewpoints &amp; Viewings Points- Asian Art Biennale, </span>2009<span>\r\n                                Text: Chao-yi-Tsai\r\n                                Publisher: National Taiwan Museum of fine Arts\r\n                                ISBN: 978-986-02-0269-4\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Xianzai: Contemporary Indian Art, </span>2009<span>\r\n                                Text: Jitish Kallat, Diana Freundl, Alexander Keefe\r\n                                Publisher: Museum of Contemporary Art\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2009<span>\r\n                                Text: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki,\r\n                                Miho Tagomori\r\n                                Publisher: Prestel, National Museum of Contemporary Art and Essl Museum\r\n                                ISBN: 978-3-7913-4304-4\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2008<span>\r\n                                Text: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman\r\n                                Gopinath, Jayaram, Deepak Ananth\r\n                                Publisher: Mori Art Museum\r\n                                ISBN: 978-4-902819-21-2\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Moderna, </span>2008<span>\r\n                                Text: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur,\r\n                                R. Siva Kumar, K.G. Subramanyan\r\n                                Publisher: IVAM (Institute Valencia D’Art Modern)\r\n                                ISBN: 978-84-482-5104-8\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Everywhere is War (and rumours of it),</span>2008<span>\r\n                                Text: Kai Hafez, Martin Hager, Nicholas Mirzoeff, Daniel Miller,\r\n                                Bregje van Eekelen\r\n                                Publisher: Bodhi Art Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Three Points of Views, </span>2008<span>\r\n                                Text: Grant Watson\r\n                                Publisher: Galerie Mirchandani + Steinruecke\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">New Narratives: Contemporary Art from India, </span>2008<span>\r\n                                Text: Betty Seid with contributions by Johan Pijnappel\r\n                                Publisher: Mapin Publication in association with Chicago Cultural Center\r\n                                ISBN: 978-1-890206-08-6\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Made by Indians, </span>2007<span>\r\n                                Text: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\n                                Publisher: Galerie Enrico Navarra\r\n                                ISBN: 2-911596-37-4\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Thermocline of Art: New Asian Waves, </span>2007<span>\r\n                                Text:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong\r\n                                Publisher: Hatje Cantz Vertag\r\n                                ISBN: 978-3-7757-2073-1\r\n                                EAN: 9782911596377\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Indian Colour, </span>2007<span>\r\n                                Text: Peter Nagy\r\n                                Publisher: Dal- seung Hwang, Keumsan Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Arte Oggi, </span>2007<span>\r\n                                Text:  Daniela Palazzoli\r\n                                Publisher: Spazio Oberdan\r\n                                ISBN: 978-88-202-1867-6\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Urban Manners, </span>2007<span>\r\n                                Text: Adelina Von Furstenberg and Nancy Adajania\r\n                                Publisher: Hangar Bicocca\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">International Incheon Women Artists’ Biennale,</span>\r\n                            <span class=\"pubstrong\">Knocking on the Door, </span>2007<span>\r\n                                Text: Sung Hee Kim, John C. Welchman\r\n                                Publisher: Incheon Culture and Art Centre\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Soft Power: Asian Attitude, </span>2007<span>\r\n                                Text: Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\n                                Publisher: Shanghai Zendai Mumsem of Modern Art\r\n                                ISBN: 978-7-5356-2790-2\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Express- Art and Popular Culture, </span>2006<span>\r\n                                Text: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze\r\n                                Publisher: Helsinki City Art Museum\r\n                                ISBN: 951-8965-61-7\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Bombay L’album Maximum City, </span>2006<span>\r\n                                Text: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\n                                Publisher: Terrail, Lille 3000\r\n                                ISBN: 2-87939-325-6\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Indian Paintings of the New Millennium, </span>2005<span>\r\n                                Text: Helen Asquine  Fazio, Gayatri Sinha\r\n                                Publisher: Quick Arts Center, Fairfield University\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">A Guide to 101 Modern &amp; Contemporary Indian Artists, </span>2005<span>\r\n                                Text: Amrita Jhaveri\r\n                                Publisher: India Book House\r\n                                ISBN: 81-7508-423-5\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Zoom! Art in Contemporary India, </span>2004<span>\r\n                                Texts: Luis Serpa and Nancy Adajania\r\n                                Publisher: The Culturgest Museum\r\n                                ISBN: 972-769-033-5\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Interlude in Sri Lanka, </span>2004<span>\r\n                                Text: Ranjit Hoskote and Nancy Adajania\r\n                                Publisher: The Guild Art Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Generation I, </span>2004<span>\r\n                                Text: Zehra Jumabhoy\r\n                                Publisher: Saffronart &amp; The Guild Art Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Tiranga Rights and Reponsibilities, </span>2003<span>\r\n                                Text: Peter Nagy\r\n                                Publisher: Jindal Foundation &amp; Creative Arts\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Hard Copy, </span>2003<span>\r\n                                Text: Peter Nagy\r\n                                Publisher: Galerie 88\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Crossing Generations: diVERGE, </span>2003<span>\r\n                                Text: Geeta Kapoor and Chaitanya Sambrani\r\n                                Publisher: Gallery Chemould\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\" style=\"color: #000000;\">PRESS</span>\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artasiapacific.com/Magazine/WebExclusives/FloatingWorldAestheticBind\" target=\"_blank\">Aesthetic Bind Floating World</a> </span> <font color=\"red\">  >> </font> <span>\r\n                              Gitanjali Dang, ArtAsiaPacific, April 2014                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.timeoutmumbai.net/art/features/suspense\" target=\"_blank\">In Suspense </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Phalguni Desai , Timeout Mumbai,  March  2014\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artdaily.com/news/68958/Chemould-Prescott-Road-celebrates-fifty-years-of-contemporary-art-with-Aesthetic-Bind--Floating-World#.Uz5us_mSxVk\" target=\"_blank\">Chemould Prescott Road celebrates fifty years of contemporary art with Aesthetic Bind: Floating World </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Geeta Kapur, Art Daily, 24th March 2014\r\n                            </span>\r\n                                                        <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.wallpaper.com/art/zegnart-enlists-reena-kallat-to-create-a-site-specific-artwork-in-mumbai/6292\" target=\"_blank\">ZegnArt enlists Reena Kallat to create a site-specific artwork in Mumbai,</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                JJ Martin, Wallpaper, 18th January 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.timeoutmumbai.net/art/features/web-design\" target=\"_blank\">Web design</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Karanjeet Kaur,Timeout Magazine, pg 26-28, 15th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artribune.com/2013/03/una-ragnatela-fra-italia-e-india-inaugurata-a-mumbai-lopera-di-reena-kallat-per-il-progetto-zegnart-public-qui-ci-sono-immagini-video-e-intervista-allartista/\" target=\"_blank\">Arte pubblica a Mumbai. Intervista con Anna Zegna</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Daniele Perra, Art Tribune, 1st March 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://in.blouinartinfo.com/news/story/885613/reena-kallat-on-her-mammoth-1-ton-rubber-stamp-cobweb-at-the\" target=\"_blank\">Reena Kallat On Her Mammoth, 1-ton Rubber-Stamp Cobweb at the Bhau Daji Lad Museum, Mumbai</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Rosalyn D\'Mello, Blouinart, April 1, 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.thehindu.com/features/magazine/putting-her-stamp-on-it/article4484175.ece\" target=\"_blank\">Putting her stamp on it</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Ramya Sarma, The Hindu, 9th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.business-standard.com/article/beyond-business/stamp-over-mumbai-113030800509_1.html\" target=\"_blank\">Stamp over Mumbai</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Kishore Singh, Business Standard, New Delhi  8th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.dnaindia.com/lifestyle/report_weaving-a-tangled-web_1806665\" target=\"_blank\">Weaving a tangled web</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Deepanjana Pal, DNA, 3rd March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.dnaindia.com/lifestyle/report_web-of-history_1810815\" target=\"_blank\">Web of history </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Sanaya Chavda, DNA, 13th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindustantimes.com/Entertainment/Art/Web-of-history-Reena-Kallat-s-installation/Article1-1027359.aspx\" target=\"_blank\">Web of history </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Shweta Mehta, Hindustan Times, 16th March 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://blog.saffronart.com/2013/03/14/reena-kallats-untitled-cobwebscrossings/\" target=\"_blank\">Public Art installation by Reena Kallat at the Dr. Bhau Daji Lad Museum in Mumbai </a> </span> <font color=\"red\">  >> </font><span>\r\n                                Manjari Sihare, Saffron blog,Posted on 14th March  2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Weaving into  networks, Buliding Cobwebs: Musings over Reena Saini Kallat’s recent work </span> <span>\r\n                                Parni Ray, Take on Art/Eleven, pg 98, Volume lll\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Stamping ground </span><span>\r\n                                Deepanjana Pal, Wallpaper magazine, pg 193 – 194, May 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Editorial</span><span>\r\n                                Kaiwan Mehta, Domus, pg 5 – 10, April 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Web Design</span> <span>\r\n                                Chumki Bharadwaj, India Today, pg 45 – 46, April 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Art Outside  </span> <span>\r\n                                Pavitra Mohan, Architectural Digest, pg 98, March-April 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://inditerrain.indiaartndesign.com/2013/03/of-cobwebs-crossings.html\" target=\"_blank\">Of Cobwebs & Crossings </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Jigna Padhiar, India Art & Design, 1st March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://prestige-singapore.com.sg/2013/04/arts-raj\" target=\"_blank\">Art\'s the Raj</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Dylan Boey, Prestige Singapore, 3rd April 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\">Adrift in unknown waters: Reena Saini Kallat and the Art of letting go</span><span>\r\n                                Parni Ray,  Artfair Magazine, Issue-3, pg 48 – 51, 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://shobanarayan.com/2012/02/04/about-jitish-kallat-and-reena-saini-kallat/\" target=\"_blank\">Walking the Art talk with the Kallats</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Shobha Narayan, Live Mint, February 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.tribuneindia.com/2012/20120219/spectrum/main2.htm\" target=\"_blank\">Spectrum New Visual Idiom</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                The Tribune, February 19, 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artnewsnviews.com/view-article.php?article=g-teborg-international-biennial&iid=25&articleid=678\" target=\"_blank\">Goteborg International Biennial</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Art Etc, Vol.4, No. 2, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Helsinki taidemuseo.fi-Journal, </span> January 2011<span>\r\n                            </span>\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://indiatoday.intoday.in/site/story/brush-with-reality/1/134582.html\">Brush With Reality </a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Sumaiya Khan, India Today Woman, pg. 20-21, April 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">System overload </span><span>\r\n                                Shweta Upadhyay, Timeout Delhi, March 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artslant.com/ind/articles/show/22573\" target=\"_blank\">Picking up the past</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Parni Ray, www.artslant.com, 4th April 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://iipdigital.usembassy.gov/st/english/article/2011/03/20110307133535drawoh0.7282221.html#axzz34yECziHk\">Art at “maximum INDIA” Festival Evokes Cultural Memory and Loss</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Howard Cincotta, www.america.gov, March 7, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.signonsandiego.com/news/2011/mar/02/kennedy-center-opens-3-week-india-arts-festival/\">Kennedy Center opens 3-week India arts festival</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Brett Zongker, www.signonsnadiego.com, 2nd March 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Eye and the Mind: New Interventions in Contemporary Indian Art </span><span>\r\n                                Rajeev Lochan, India Perspectives, Vol. 24, No. 6, 2010\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artradarjournal.com/2010/04/20/indian-contemporary-artist-reena-kallat-art-radar-exclusive-interview/\">Interview, Art Radar Asia </a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span><span>\r\n                                April 20, 2010\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Archives of the Heart</span><span>\r\n                                Nancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\n                                Front Cover, pgs 42-45, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Globale Kunst Mit Wurzelduft</span><span>\r\n                                Von Almuth Speigler, Die Presse, Feuilleton, 2nd September 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Landscapes of Loss</span><span>\r\n                                Beth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Reincarnating History</span><span>\r\n                                The Big Picture, Architect and Interiors, July 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Stamp Collection</span><span>\r\n                                Georgina Maddox, The Sunday Express, 17th May 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Evolving Beyond Borders</span><span>\r\n                                Reshma S. Kulkarni, Bombay Times, Times of India, 15th January, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Loss and Found</span><span>\r\n                                Marina Correa, DNA, Mumbai, 22nd January 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Focus India</span><span>\r\n                                Megha Ralapati, Flash Art, pg 114, January-February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Come Together Right Now</span><span>\r\n                                Reema Gehi, HT Café, 15th February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Such a Long Journey</span><span>\r\n                                Aparna S Sharma, Elle Magazine, pgs 115-117, February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">More than a Woman</span><span>\r\n                                Georgina Maddox, The Indian Express, Mumbai Newsline, 4th February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Artist of the Fortnight</span><span>\r\n                                Maria Louis, Outlook Profit, pg 79, 18th April 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Deja View</span><span>\r\n                                Tara Khilachand, Live Mint, 20th December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Terror Struck</span><span>\r\n                                Maria Louis, Outlook Profit, 26th December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Name Calling</span><span>\r\n                                Deepanjana Pal, Timeout Mumbai, December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Corruptions of Power</span>\r\n                            <span>Shiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99, 2007</span>\r\n\r\n                            <span class=\"pubstrong\">Over the Rainbow</span><span>\r\n                                Maria Louis, Interview, Verve Magazine, pg 78, November 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindu.com/mag/2006/10/29/stories/2006102900070200.htm\">In a State of Perennial Siege</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span><span>\r\n                                Nancy Adajania, The Hindu, Hyderabad, 29th October 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Her Crowning Achievement</span><span>\r\n                                Clara Chow, The Straits Times, 18th November 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Political Chaos</span><span>\r\n                                Deepali Nandwani, Beautiful people, pg 143, November-December 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Weapons of Mass Construction</span><span>\r\n                                Rituparna Som, DNA after Hrs, Mumbai, 9th October, 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Guns and Roses</span><span>\r\n                                Rachna Nakra, The Indian Express, Mumbai Newsline, 18th September 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Under Attack</span><span>\r\n                                Gitanjali Dang, HT Mumbai, 22nd September 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Time Traveller</span><span>\r\n                                Georgina Maddox, The Indian Express, Mumbai Newsline, 27th June 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Flower and the Sword</span><span>\r\n                                Girish Shahane, The Art News magazine of India, pg 93, volume X issue I, 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India’s Top 100 Achievers</span><span>\r\n                                Society Magazine, pg 137, December 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Caught Between Demons<span style=\"font-weight: normal; color: red;\"></span></span><span>\r\n                                Nancy Adajania, The Hindu, 19th December 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">En Reise Til India</span><span>\r\n                                Harald Flor, Dagbladet, Kultur, 2nd February 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Signs of Resistance</span><span>\r\n                                Nancy Adajania, The Hindu, 5th January 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Of the Goddess and Demon in the Mind</span><span>\r\n                                Debbie Rodgers, Sunday edition Vijay Times, Bangalore, 5th January 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Empathic Anger</span><span>\r\n                                Marta Jakimowicz, Deccan Herald, 23rd December 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Mysore Ek Khoj</span>\r\n                            Cross Fertilization of Culture, Interview in Star of Mysore, 27th October 2002\r\n\r\n                            <span class=\"pubstrong\">Linking Islands</span><span>\r\n                                Menaka Jayasankar, Indian Express, Mumbai Newsline, 15th February 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Creating to Destroy</span><span>\r\n                                Jasmine Shah Varma, The List, Mid Day, 22nd February 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Different Strokes</span><span>\r\n                                Georgina L Maddox, The Indian Express, Mumbai Newsline, 24th July 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a target=\"_blank\" href=\"http://www.reenakallat.com/wp-content/uploads/2011/09/Faith%20and%20Hunger.pdf\" style=\"color: rgb(135, 135, 135);\">Of Faith and Hunger</a><font style=\"font-weight:normal;\" color=\"red\">  >> </font></span>\r\n                        <span>Abhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89, December 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">The Murmur of Skin</span><span>\r\n                            Nupur Mahajan, Bombay Times, Times of India, 12th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Not just Skin Deep</span><span>\r\n                            Jasmine Shah Varma, The List, Mid-day, 4th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Inside Out</span><span>\r\n                            Menaka Jayasankar, Indian Express, Mumbai Newsline, 11th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Scintillating Skin</span><span>\r\n                            Vaibhav Purandare, The Asian Age, 14th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">An Artist’s World: Roti, Makaan &amp; Abstract Art</span><span>\r\n                            Poonam Goel, HT City, 23rd December 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Within you, Without you</span><span>\r\n                            Anu Kumar, Indian Express, Express Newsline, 2nd September 1998\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Farming Intrigue</span><span>\r\n                            Jerry Pinto, The Times of India, Bombay Times, 3rd September 1998\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Interactive Medium</span><span>\r\n                            Karen Pereira, Indian Architect &amp; Builder, pgs 102-104, October 1998\r\n                        </span>\r\n</td>\r\n        </tr>\r\n    </tbody>\r\n</table>','Publications','','inherit','open','open','','87-revision-230','','','2015-01-22 14:33:33','2015-01-22 14:33:33','',87,'http://www.reenakallat.com/3112/uncat/87-revision-230',0,'revision','',0),