(597,1,'2010-04-15 16:29:13','2010-04-15 16:29:13','<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Closet-Quarries (2004-2006)\r\n<a href=\"http://www.reenakallat.com/?p=232\"><img class=\"aligncenter size-medium wp-image-196\" title=\"B1-Closet Quarries\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/B1-Closet-Quarries-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">White-Yarn (2004-2006)\r\n<a href=\"http://www.reenakallat.com/white-yarn-detailed-info\"><img class=\"aligncenter size-medium wp-image-199\" title=\"E1-White Yarn\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/E1-White-Yarn-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Crease-crevice-contour (2004-2006)\r\n<a href=\"http://www.reenakallat.com/crease-crevice-contour-detailed-info\"><img class=\"aligncenter size-medium wp-image-201\" title=\"D1-Crease crevice contour\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/D1-Crease-crevice-contour1-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Silt-of-Seasons (2004-2006)\r\n<a href=\"http://www.reenakallat.com/silt-of-seasons-2-detailed-info\"><img class=\"aligncenter size-medium wp-image-203\" title=\"H1-Silt of Seasons-2\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/H1-Silt-of-Seasons-2-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Subject-to-Change-Without-Notice (2004-2006)\r\n<a href=\"http://www.reenakallat.com/subject-to-change-without-notice-detailed-info\"><img class=\"aligncenter size-medium wp-image-204\" title=\"Q1-Subject to Change Without Notice\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Q1-Subject-to-Change-Without-Notice-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Walls-of-the-womb (2004-2006)\r\n<a href=\"http://www.reenakallat.com/walls-of-the-womb-detailed-info\"><img class=\"aligncenter size-medium wp-image-205\" title=\"R1-Walls of the womb\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/R1-Walls-of-the-womb-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Penumbra (2004-2006)\r\n<a href=\"http://www.reenakallat.com/penumbra-detailed-info\"><img class=\"aligncenter size-medium wp-image-206\" title=\"T1- Penumbra\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/T1-Penumbra-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Birds-of-Steel (2004-2006)\r\n<a href=\"http://www.reenakallat.com/birds-of-steel-detailed-info\"><img class=\"aligncenter size-medium wp-image-207\" title=\"V1-Birds of Steel\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/V1-Birds-of-Steel-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Penumbra-Passage-Canine-Cases (2004-2006)\r\n<a href=\"http://www.reenakallat.com/penumbra-passage-canine-cases-detailed-info\"><img class=\"aligncenter size-medium wp-image-208\" title=\"X1-Penumbra Passage (Canine Cases)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/X1-Penumbra-Passage-Canine-Cases-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Memoria Mausolea (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/memoria-mausolea-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Memoria-Mausolea-300x244.jpg\" alt=\"\" title=\"Memoria Mausolea\" width=\"270\" height=\"214\" class=\"alignnone size-medium wp-image-261\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">A1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/a1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/A1-300x160.jpg\" alt=\"\" title=\"A1\" width=\"270\" height=\"214\" class=\"alignnone size-medium wp-image-308\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">White Heat-The Ironing Board (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/White Heat-The Ironing Board-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/F1-300x225.jpg\" alt=\"\" title=\"White Heat (The Ironing Board)\" width=\"270\" height=\"214\" class=\"alignnone size-medium wp-image-320\" /></a></td>\r\n</tr>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Memoria Mausolea (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/c1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/C1-300x200.jpg\" alt=\"C1\" title=\"C1\" width=\"270\" height=\"214\" class=\"alignnone size-medium wp-image-410\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Silt of Seasons-1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/silt-of-seasons-1\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Silt-of-Seasons-1-1024x682.jpg\" alt=\"Silt of Seasons-1\" title=\"Silt of Seasons-1\" width=\"270\" height=\"214\" class=\"alignleft size-large wp-image-417\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">White Heat-The Ironing Board (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/i1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/I11-731x1024.jpg\" alt=\"I1\" title=\"I1\" width=\"270\" height=\"214\" class=\"alignleft size-large wp-image-436\" /></a></td>\r\n</tr>\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">J1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/j1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/J1-721x1023.jpg\" alt=\"J1\" title=\"J1\" width=\"270\" height=\"214\" class=\"alignleft size-large wp-image-445\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">K1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/k1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/K1-726x1023.jpg\" alt=\"K1\" title=\"K1\" width=\"270\" height=\"214\" class=\"alignleft size-large wp-image-451\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">L1 (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/l1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/L1-744x1024.jpg\" alt=\"L1\" title=\"L1\" width=\"270\" height=\"214\" class=\"alignleft size-large wp-image-459\" /></a></td>\r\n</tr>\r\n\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">M1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/m1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/M1-220x300.jpg\" alt=\"M1\" title=\"M1\" width=\"270\" height=\"214\" class=\"alignleft size-medium wp-image-468\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">N1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/n1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/N1-217x300.jpg\" alt=\"N1\" title=\"N1\" width=\"270\" height=\"214\" class=\"alignleft size-medium wp-image-469\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">O1 (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/o1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/O1-214x300.jpg\" alt=\"O1\" title=\"O1\" width=\"270\" height=\"214\" class=\"alignleft size-medium wp-image-470\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">P1 (2007)\r\n\r\n<a href=\"http://www.reenakallat.com/p1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/P1-753x1024.jpg\" alt=\"P1\" title=\"P1\" width=\"270\" height=\"214\" class=\"alignleft size-large wp-image-489\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Saline (2007)\r\n\r\n<a href=\"http://www.reenakallat.com/saline-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Saline-300x185.jpg\" alt=\"saline\" title=\"Saline\" width=\"270\" height=\"214\" class=\"alignleft size-medium wp-image-495\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">O1 (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/memoria-corona\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Memoria-Corona-220x300.jpg\" alt=\"\" title=\"Memoria Corona\" width=\"270\" height=\"214\" class=\"alignleft size-medium wp-image-505\" /></a></td>\r\n</tr>\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Xylophone (2007)\r\n\r\n<a href=\"http://www.reenakallat.com/xylophone-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Xylophone-300x200.jpg\" alt=\"Xylophone\" title=\"Xylophone\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-517\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Z1 (2007)\r\n\r\n<a href=\"http://www.reenakallat.com/z1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Z1-300x169.jpg\" alt=\"Z1\" title=\"Z1\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-524\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Kiosk (2003)\r\n\r\n<a href=\"http://www.reenakallat.com/kiosk-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Kiosk-300x224.jpg\" alt=\"Kiosk\" title=\"Kiosk\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-537\" /></a></td>\r\n</tr>\r\n\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">First page of MOU (2007)\r\n\r\n<a href=\"http://www.reenakallat.com/first-page-of-mou-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/First-page-of-MOU-224x300.jpg\" alt=\"First page of MOU\" title=\"First page of MOU\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-542\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Black Flute (2004)\r\n\r\n<a href=\"http://www.reenakallat.com/black-flute-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-299x197.jpg\" alt=\"Black Flute\" title=\"Black Flute\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-547\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Kiosk (2003)\r\n\r\n<a href=\"http://www.reenakallat.com/birthmark-tattoos-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/BirthMark-tattoos-300x225.jpg\" alt=\"BirthMark and tattoos\" title=\"BirthMark tattoos\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-557\" /></a>\r\n</td>\r\n</tr>\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Orchard of home-grown secrets (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/orchard-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchard-300x186.jpg\" alt=\"Orchard\" title=\"Orchard\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-564\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Joint Family (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/joint-family-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Joint-Family-193x300.jpg\" alt=\"Joint Family\" title=\"Joint Family\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-577\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">escapades-of-the-ladder-occupants-detailed (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/escapades-of-the-ladder-occupants-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Escapades-of-the-ladder-occupants-204x300.jpg\" alt=\"Escapades of the ladder occupants\" title=\"Escapades of the ladder occupants\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-583\" /></a>\r\n</td>\r\n</tr>\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Recitals from the city-garden (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/recitals-from-the-city-garden-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/WH1-300x198.jpg\" alt=\"Recitals from the city-garden\" title=\"Recitals from the city-garden\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-590\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Joint Family (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/joint-family-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Joint-Family-193x300.jpg\" alt=\"Joint Family\" title=\"Joint Family\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-577\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">escapades-of-the-ladder-occupants-detailed (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/escapades-of-the-ladder-occupants-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Escapades-of-the-ladder-occupants-204x300.jpg\" alt=\"Escapades of the ladder occupants\" title=\"Escapades of the ladder occupants\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-583\" /></a>\r\n</td>\r\n</tr>\r\n\r\n</tbody>\r\n</table>','Works','','inherit','open','open','','54-revision-111','','','2010-04-15 16:29:13','2010-04-15 16:29:13','',54,'http://biggventures.com/demo/artists/597/uncat/54-revision-111',0,'revision','',0),(598,1,'2010-04-15 16:33:43','2010-04-15 16:33:43','','WI1','','inherit','open','open','','wi1','','','2010-04-15 16:33:43','2010-04-15 16:33:43','',54,'http://biggventures.com/demo/artists/wp-content/uploads/2010/03/WI1.jpg',0,'attachment','image/jpeg',0),(599,1,'2010-04-15 16:36:05','2010-04-15 16:36:05','<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">WI1 (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/WI1.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/WI1.jpg\" alt=\"WI1\" title=\"WI1\" width=\"600\" height=\"400\" class=\"aligncenter size-full wp-image-598\" /></a>\r\n</td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<h2 class=\"painting\">WI1\r\n</h2>\r\n<h3 class=\"canvas1\">\r\n<span class=\"painting\">1998\r\n</span></h3>\r\nWI1 Description\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>','WI1 (detailed info)','','draft','open','open','','wi1-detailed-info','','','2010-09-24 10:55:25','2010-09-24 10:55:25','',0,'http://biggventures.com/demo/artists/?page_id=599',0,'page','',0),(600,1,'2010-04-15 16:34:36','2010-04-15 16:34:36','','WI1 (detailed info)','','inherit','open','open','','599-revision','','','2010-04-15 16:34:36','2010-04-15 16:34:36','',599,'http://biggventures.com/demo/artists/600/uncat/599-revision',0,'revision','',0),(601,1,'2010-04-15 16:30:59','2010-04-15 16:30:59','<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Closet-Quarries (2004-2006)\r\n<a href=\"http://www.reenakallat.com/?p=232\"><img class=\"aligncenter size-medium wp-image-196\" title=\"B1-Closet Quarries\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/B1-Closet-Quarries-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">White-Yarn (2004-2006)\r\n<a href=\"http://www.reenakallat.com/white-yarn-detailed-info\"><img class=\"aligncenter size-medium wp-image-199\" title=\"E1-White Yarn\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/E1-White-Yarn-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Crease-crevice-contour (2004-2006)\r\n<a href=\"http://www.reenakallat.com/crease-crevice-contour-detailed-info\"><img class=\"aligncenter size-medium wp-image-201\" title=\"D1-Crease crevice contour\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/D1-Crease-crevice-contour1-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Silt-of-Seasons (2004-2006)\r\n<a href=\"http://www.reenakallat.com/silt-of-seasons-2-detailed-info\"><img class=\"aligncenter size-medium wp-image-203\" title=\"H1-Silt of Seasons-2\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/H1-Silt-of-Seasons-2-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Subject-to-Change-Without-Notice (2004-2006)\r\n<a href=\"http://www.reenakallat.com/subject-to-change-without-notice-detailed-info\"><img class=\"aligncenter size-medium wp-image-204\" title=\"Q1-Subject to Change Without Notice\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Q1-Subject-to-Change-Without-Notice-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Walls-of-the-womb (2004-2006)\r\n<a href=\"http://www.reenakallat.com/walls-of-the-womb-detailed-info\"><img class=\"aligncenter size-medium wp-image-205\" title=\"R1-Walls of the womb\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/R1-Walls-of-the-womb-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Penumbra (2004-2006)\r\n<a href=\"http://www.reenakallat.com/penumbra-detailed-info\"><img class=\"aligncenter size-medium wp-image-206\" title=\"T1- Penumbra\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/T1-Penumbra-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Birds-of-Steel (2004-2006)\r\n<a href=\"http://www.reenakallat.com/birds-of-steel-detailed-info\"><img class=\"aligncenter size-medium wp-image-207\" title=\"V1-Birds of Steel\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/V1-Birds-of-Steel-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Penumbra-Passage-Canine-Cases (2004-2006)\r\n<a href=\"http://www.reenakallat.com/penumbra-passage-canine-cases-detailed-info\"><img class=\"aligncenter size-medium wp-image-208\" title=\"X1-Penumbra Passage (Canine Cases)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/X1-Penumbra-Passage-Canine-Cases-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Memoria Mausolea (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/memoria-mausolea-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Memoria-Mausolea-300x244.jpg\" alt=\"\" title=\"Memoria Mausolea\" width=\"270\" height=\"214\" class=\"alignnone size-medium wp-image-261\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">A1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/a1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/A1-300x160.jpg\" alt=\"\" title=\"A1\" width=\"270\" height=\"214\" class=\"alignnone size-medium wp-image-308\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">White Heat-The Ironing Board (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/White Heat-The Ironing Board-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/F1-300x225.jpg\" alt=\"\" title=\"White Heat (The Ironing Board)\" width=\"270\" height=\"214\" class=\"alignnone size-medium wp-image-320\" /></a></td>\r\n</tr>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Memoria Mausolea (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/c1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/C1-300x200.jpg\" alt=\"C1\" title=\"C1\" width=\"270\" height=\"214\" class=\"alignnone size-medium wp-image-410\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Silt of Seasons-1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/silt-of-seasons-1\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Silt-of-Seasons-1-1024x682.jpg\" alt=\"Silt of Seasons-1\" title=\"Silt of Seasons-1\" width=\"270\" height=\"214\" class=\"alignleft size-large wp-image-417\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">White Heat-The Ironing Board (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/i1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/I11-731x1024.jpg\" alt=\"I1\" title=\"I1\" width=\"270\" height=\"214\" class=\"alignleft size-large wp-image-436\" /></a></td>\r\n</tr>\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">J1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/j1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/J1-721x1023.jpg\" alt=\"J1\" title=\"J1\" width=\"270\" height=\"214\" class=\"alignleft size-large wp-image-445\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">K1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/k1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/K1-726x1023.jpg\" alt=\"K1\" title=\"K1\" width=\"270\" height=\"214\" class=\"alignleft size-large wp-image-451\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">L1 (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/l1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/L1-744x1024.jpg\" alt=\"L1\" title=\"L1\" width=\"270\" height=\"214\" class=\"alignleft size-large wp-image-459\" /></a></td>\r\n</tr>\r\n\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">M1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/m1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/M1-220x300.jpg\" alt=\"M1\" title=\"M1\" width=\"270\" height=\"214\" class=\"alignleft size-medium wp-image-468\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">N1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/n1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/N1-217x300.jpg\" alt=\"N1\" title=\"N1\" width=\"270\" height=\"214\" class=\"alignleft size-medium wp-image-469\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">O1 (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/o1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/O1-214x300.jpg\" alt=\"O1\" title=\"O1\" width=\"270\" height=\"214\" class=\"alignleft size-medium wp-image-470\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">P1 (2007)\r\n\r\n<a href=\"http://www.reenakallat.com/p1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/P1-753x1024.jpg\" alt=\"P1\" title=\"P1\" width=\"270\" height=\"214\" class=\"alignleft size-large wp-image-489\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Saline (2007)\r\n\r\n<a href=\"http://www.reenakallat.com/saline-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Saline-300x185.jpg\" alt=\"saline\" title=\"Saline\" width=\"270\" height=\"214\" class=\"alignleft size-medium wp-image-495\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">O1 (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/memoria-corona\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Memoria-Corona-220x300.jpg\" alt=\"\" title=\"Memoria Corona\" width=\"270\" height=\"214\" class=\"alignleft size-medium wp-image-505\" /></a></td>\r\n</tr>\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Xylophone (2007)\r\n\r\n<a href=\"http://www.reenakallat.com/xylophone-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Xylophone-300x200.jpg\" alt=\"Xylophone\" title=\"Xylophone\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-517\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Z1 (2007)\r\n\r\n<a href=\"http://www.reenakallat.com/z1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Z1-300x169.jpg\" alt=\"Z1\" title=\"Z1\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-524\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Kiosk (2003)\r\n\r\n<a href=\"http://www.reenakallat.com/kiosk-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Kiosk-300x224.jpg\" alt=\"Kiosk\" title=\"Kiosk\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-537\" /></a></td>\r\n</tr>\r\n\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">First page of MOU (2007)\r\n\r\n<a href=\"http://www.reenakallat.com/first-page-of-mou-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/First-page-of-MOU-224x300.jpg\" alt=\"First page of MOU\" title=\"First page of MOU\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-542\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Black Flute (2004)\r\n\r\n<a href=\"http://www.reenakallat.com/black-flute-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-299x197.jpg\" alt=\"Black Flute\" title=\"Black Flute\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-547\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Kiosk (2003)\r\n\r\n<a href=\"http://www.reenakallat.com/birthmark-tattoos-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/BirthMark-tattoos-300x225.jpg\" alt=\"BirthMark and tattoos\" title=\"BirthMark tattoos\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-557\" /></a>\r\n</td>\r\n</tr>\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Orchard of home-grown secrets (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/orchard-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchard-300x186.jpg\" alt=\"Orchard\" title=\"Orchard\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-564\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Joint Family (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/joint-family-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Joint-Family-193x300.jpg\" alt=\"Joint Family\" title=\"Joint Family\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-577\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">escapades-of-the-ladder-occupants-detailed (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/escapades-of-the-ladder-occupants-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Escapades-of-the-ladder-occupants-204x300.jpg\" alt=\"Escapades of the ladder occupants\" title=\"Escapades of the ladder occupants\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-583\" /></a>\r\n</td>\r\n</tr>\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Recitals from the city-garden (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/recitals-from-the-city-garden-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/WH1-300x198.jpg\" alt=\"Recitals from the city-garden\" title=\"Recitals from the city-garden\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-590\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Joint Family (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/joint-family-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Joint-Family-193x300.jpg\" alt=\"Joint Family\" title=\"Joint Family\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-577\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">escapades-of-the-ladder-occupants-detailed (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/escapades-of-the-ladder-occupants-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Escapades-of-the-ladder-occupants-204x300.jpg\" alt=\"Escapades of the ladder occupants\" title=\"Escapades of the ladder occupants\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-583\" /></a>\r\n</td>\r\n</tr>\r\n\r\n</tbody>\r\n</table>','Works','','inherit','open','open','','54-revision-112','','','2010-04-15 16:30:59','2010-04-15 16:30:59','',54,'http://biggventures.com/demo/artists/601/uncat/54-revision-112',0,'revision','',0),(603,1,'2010-04-15 16:42:37','2010-04-15 16:42:37','<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchard-of-Home-grown-secrets.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchard-of-Home-grown-secrets.jpg\" alt=\"Orchard of Home grown secrets\" title=\"Orchard of Home grown secrets\" width=\"600\" height=\"400\" class=\"aligncenter size-full wp-image-604\" /></a>\r\n</td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<h2 class=\"painting\">Orchard of Home grown secrets\r\n</h2>\r\n<h3 class=\"canvas1\">\r\n<span class=\"painting\">1998\r\n</span></h3>\r\nOrchard of Home grown secrets Description\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>','','','publish','open','open','','orchard-of-home-grown-secrets-detailed-info','','','2010-05-08 06:34:47','2010-05-08 06:34:47','',0,'http://biggventures.com/demo/artists/?page_id=603',0,'page','',0),(819,1,'2010-05-04 16:57:13','2010-05-04 16:57:13','<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">P1 (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/P1.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/P1-753x1024.jpg\" alt=\"P1\" title=\"P1\" width=\"753\" height=\"1024\" class=\"alignnone size-large wp-image-489\" /></a>\r\n</td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<h2 class=\"painting\">P1\r\n</h2>\r\n<h3 class=\"canvas\">\r\n<span class=\"painting\">2008\r\n</span></h3>\r\nP1 Description\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/P2.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/P2-1024x682.jpg\" alt=\"P2\" title=\"P2\" width=\"900\" height=\"600\" class=\"alignnone size-large wp-image-492\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Z1.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Z1-1024x577.jpg\" alt=\"Z1\" title=\"Z1\" width=\"800\" height=\"500\" class=\"aligncenter size-large wp-image-524\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Z2.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Z2-1024x771.jpg\" alt=\"Z2\" title=\"Z2\" width=\"800\" height=\"600\" class=\"aligncenter size-large wp-image-527\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>','P1 (detailed info)','','inherit','open','open','','491-revision-5','','','2010-05-04 16:57:13','2010-05-04 16:57:13','',491,'http://www.biggventures.com/demo/artists/819/uncat/491-revision-5',0,'revision','',0),(607,1,'2010-04-15 16:42:37','2010-04-15 16:42:37','<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">Orchard of Home grown secrets (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchard-of-Home-grown-secrets.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchard-of-Home-grown-secrets.jpg\" alt=\"Orchard of Home grown secrets\" title=\"Orchard of Home grown secrets\" width=\"1604\" height=\"1042\" class=\"aligncenter size-full wp-image-604\" /></a>\r\n</td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<h2 class=\"painting\">Z1\r\n</h2>\r\n<h3 class=\"canvas\">\r\n<span class=\"painting\">2008\r\n</span></h3>\r\nZ1 Description\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>','Orchard of Home grown secrets (detailed info)','','inherit','open','open','','603-revision-2','','','2010-04-15 16:42:37','2010-04-15 16:42:37','',603,'http://biggventures.com/demo/artists/607/uncat/603-revision-2',0,'revision','',0),(604,1,'2010-04-15 16:40:35','2010-04-15 16:40:35','','Orchard of Home grown secrets','','inherit','open','open','','orchard-of-home-grown-secrets','','','2010-04-15 16:40:35','2010-04-15 16:40:35','',54,'http://biggventures.com/demo/artists/wp-content/uploads/2010/03/Orchard-of-Home-grown-secrets.jpg',0,'attachment','image/jpeg',0),(608,1,'2010-04-15 16:41:31','2010-04-15 16:41:31','<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Closet-Quarries (2004-2006)\r\n<a href=\"http://www.reenakallat.com/?p=232\"><img class=\"aligncenter size-medium wp-image-196\" title=\"B1-Closet Quarries\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/B1-Closet-Quarries-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">White-Yarn (2004-2006)\r\n<a href=\"http://www.reenakallat.com/white-yarn-detailed-info\"><img class=\"aligncenter size-medium wp-image-199\" title=\"E1-White Yarn\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/E1-White-Yarn-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Crease-crevice-contour (2004-2006)\r\n<a href=\"http://www.reenakallat.com/crease-crevice-contour-detailed-info\"><img class=\"aligncenter size-medium wp-image-201\" title=\"D1-Crease crevice contour\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/D1-Crease-crevice-contour1-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Silt-of-Seasons (2004-2006)\r\n<a href=\"http://www.reenakallat.com/silt-of-seasons-2-detailed-info\"><img class=\"aligncenter size-medium wp-image-203\" title=\"H1-Silt of Seasons-2\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/H1-Silt-of-Seasons-2-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Subject-to-Change-Without-Notice (2004-2006)\r\n<a href=\"http://www.reenakallat.com/subject-to-change-without-notice-detailed-info\"><img class=\"aligncenter size-medium wp-image-204\" title=\"Q1-Subject to Change Without Notice\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Q1-Subject-to-Change-Without-Notice-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Walls-of-the-womb (2004-2006)\r\n<a href=\"http://www.reenakallat.com/walls-of-the-womb-detailed-info\"><img class=\"aligncenter size-medium wp-image-205\" title=\"R1-Walls of the womb\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/R1-Walls-of-the-womb-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Penumbra (2004-2006)\r\n<a href=\"http://www.reenakallat.com/penumbra-detailed-info\"><img class=\"aligncenter size-medium wp-image-206\" title=\"T1- Penumbra\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/T1-Penumbra-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Birds-of-Steel (2004-2006)\r\n<a href=\"http://www.reenakallat.com/birds-of-steel-detailed-info\"><img class=\"aligncenter size-medium wp-image-207\" title=\"V1-Birds of Steel\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/V1-Birds-of-Steel-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Penumbra-Passage-Canine-Cases (2004-2006)\r\n<a href=\"http://www.reenakallat.com/penumbra-passage-canine-cases-detailed-info\"><img class=\"aligncenter size-medium wp-image-208\" title=\"X1-Penumbra Passage (Canine Cases)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/X1-Penumbra-Passage-Canine-Cases-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Memoria Mausolea (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/memoria-mausolea-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Memoria-Mausolea-300x244.jpg\" alt=\"\" title=\"Memoria Mausolea\" width=\"270\" height=\"214\" class=\"alignnone size-medium wp-image-261\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">A1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/a1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/A1-300x160.jpg\" alt=\"\" title=\"A1\" width=\"270\" height=\"214\" class=\"alignnone size-medium wp-image-308\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">White Heat-The Ironing Board (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/White Heat-The Ironing Board-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/F1-300x225.jpg\" alt=\"\" title=\"White Heat (The Ironing Board)\" width=\"270\" height=\"214\" class=\"alignnone size-medium wp-image-320\" /></a></td>\r\n</tr>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Memoria Mausolea (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/c1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/C1-300x200.jpg\" alt=\"C1\" title=\"C1\" width=\"270\" height=\"214\" class=\"alignnone size-medium wp-image-410\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Silt of Seasons-1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/silt-of-seasons-1\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Silt-of-Seasons-1-1024x682.jpg\" alt=\"Silt of Seasons-1\" title=\"Silt of Seasons-1\" width=\"270\" height=\"214\" class=\"alignleft size-large wp-image-417\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">White Heat-The Ironing Board (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/i1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/I11-731x1024.jpg\" alt=\"I1\" title=\"I1\" width=\"270\" height=\"214\" class=\"alignleft size-large wp-image-436\" /></a></td>\r\n</tr>\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">J1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/j1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/J1-721x1023.jpg\" alt=\"J1\" title=\"J1\" width=\"270\" height=\"214\" class=\"alignleft size-large wp-image-445\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">K1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/k1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/K1-726x1023.jpg\" alt=\"K1\" title=\"K1\" width=\"270\" height=\"214\" class=\"alignleft size-large wp-image-451\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">L1 (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/l1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/L1-744x1024.jpg\" alt=\"L1\" title=\"L1\" width=\"270\" height=\"214\" class=\"alignleft size-large wp-image-459\" /></a></td>\r\n</tr>\r\n\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">M1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/m1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/M1-220x300.jpg\" alt=\"M1\" title=\"M1\" width=\"270\" height=\"214\" class=\"alignleft size-medium wp-image-468\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">N1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/n1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/N1-217x300.jpg\" alt=\"N1\" title=\"N1\" width=\"270\" height=\"214\" class=\"alignleft size-medium wp-image-469\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">O1 (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/o1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/O1-214x300.jpg\" alt=\"O1\" title=\"O1\" width=\"270\" height=\"214\" class=\"alignleft size-medium wp-image-470\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">P1 (2007)\r\n\r\n<a href=\"http://www.reenakallat.com/p1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/P1-753x1024.jpg\" alt=\"P1\" title=\"P1\" width=\"270\" height=\"214\" class=\"alignleft size-large wp-image-489\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Saline (2007)\r\n\r\n<a href=\"http://www.reenakallat.com/saline-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Saline-300x185.jpg\" alt=\"saline\" title=\"Saline\" width=\"270\" height=\"214\" class=\"alignleft size-medium wp-image-495\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">O1 (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/memoria-corona\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Memoria-Corona-220x300.jpg\" alt=\"\" title=\"Memoria Corona\" width=\"270\" height=\"214\" class=\"alignleft size-medium wp-image-505\" /></a></td>\r\n</tr>\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Xylophone (2007)\r\n\r\n<a href=\"http://www.reenakallat.com/xylophone-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Xylophone-300x200.jpg\" alt=\"Xylophone\" title=\"Xylophone\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-517\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Z1 (2007)\r\n\r\n<a href=\"http://www.reenakallat.com/z1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Z1-300x169.jpg\" alt=\"Z1\" title=\"Z1\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-524\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Kiosk (2003)\r\n\r\n<a href=\"http://www.reenakallat.com/kiosk-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Kiosk-300x224.jpg\" alt=\"Kiosk\" title=\"Kiosk\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-537\" /></a></td>\r\n</tr>\r\n\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">First page of MOU (2007)\r\n\r\n<a href=\"http://www.reenakallat.com/first-page-of-mou-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/First-page-of-MOU-224x300.jpg\" alt=\"First page of MOU\" title=\"First page of MOU\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-542\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Black Flute (2004)\r\n\r\n<a href=\"http://www.reenakallat.com/black-flute-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-299x197.jpg\" alt=\"Black Flute\" title=\"Black Flute\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-547\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Kiosk (2003)\r\n\r\n<a href=\"http://www.reenakallat.com/birthmark-tattoos-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/BirthMark-tattoos-300x225.jpg\" alt=\"BirthMark and tattoos\" title=\"BirthMark tattoos\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-557\" /></a>\r\n</td>\r\n</tr>\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Orchard of home-grown secrets (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/orchard-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchard-300x186.jpg\" alt=\"Orchard\" title=\"Orchard\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-564\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Joint Family (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/joint-family-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Joint-Family-193x300.jpg\" alt=\"Joint Family\" title=\"Joint Family\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-577\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">escapades-of-the-ladder-occupants-detailed (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/escapades-of-the-ladder-occupants-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Escapades-of-the-ladder-occupants-204x300.jpg\" alt=\"Escapades of the ladder occupants\" title=\"Escapades of the ladder occupants\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-583\" /></a>\r\n</td>\r\n</tr>\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Recitals from the city-garden (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/recitals-from-the-city-garden-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/WH1-300x198.jpg\" alt=\"Recitals from the city-garden\" title=\"Recitals from the city-garden\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-590\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">WI (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/wi1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/WI1-300x208.jpg\" alt=\"WI1\" title=\"WI1\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-598\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Orchard of Home grown secrets (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/orchard-of-hom…-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchard-of-Home-grown-secrets-300x194.jpg\" alt=\"Orchard of Home grown secrets\" title=\"Orchard of Home grown secrets\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-604\" /></a>\r\n</td>\r\n</tr>\r\n\r\n</tbody>\r\n</table>','Works','','inherit','open','open','','54-revision-114','','','2010-04-15 16:41:31','2010-04-15 16:41:31','',54,'http://biggventures.com/demo/artists/608/uncat/54-revision-114',0,'revision','',0),(609,1,'2010-04-15 16:43:07','2010-04-15 16:43:07','<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Closet-Quarries (2004-2006)\r\n<a href=\"http://www.reenakallat.com/?p=232\"><img class=\"aligncenter size-medium wp-image-196\" title=\"B1-Closet Quarries\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/B1-Closet-Quarries-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">White-Yarn (2004-2006)\r\n<a href=\"http://www.reenakallat.com/white-yarn-detailed-info\"><img class=\"aligncenter size-medium wp-image-199\" title=\"E1-White Yarn\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/E1-White-Yarn-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Crease-crevice-contour (2004-2006)\r\n<a href=\"http://www.reenakallat.com/crease-crevice-contour-detailed-info\"><img class=\"aligncenter size-medium wp-image-201\" title=\"D1-Crease crevice contour\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/D1-Crease-crevice-contour1-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Silt-of-Seasons (2004-2006)\r\n<a href=\"http://www.reenakallat.com/silt-of-seasons-2-detailed-info\"><img class=\"aligncenter size-medium wp-image-203\" title=\"H1-Silt of Seasons-2\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/H1-Silt-of-Seasons-2-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Subject-to-Change-Without-Notice (2004-2006)\r\n<a href=\"http://www.reenakallat.com/subject-to-change-without-notice-detailed-info\"><img class=\"aligncenter size-medium wp-image-204\" title=\"Q1-Subject to Change Without Notice\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Q1-Subject-to-Change-Without-Notice-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Walls-of-the-womb (2004-2006)\r\n<a href=\"http://www.reenakallat.com/walls-of-the-womb-detailed-info\"><img class=\"aligncenter size-medium wp-image-205\" title=\"R1-Walls of the womb\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/R1-Walls-of-the-womb-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Penumbra (2004-2006)\r\n<a href=\"http://www.reenakallat.com/penumbra-detailed-info\"><img class=\"aligncenter size-medium wp-image-206\" title=\"T1- Penumbra\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/T1-Penumbra-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Birds-of-Steel (2004-2006)\r\n<a href=\"http://www.reenakallat.com/birds-of-steel-detailed-info\"><img class=\"aligncenter size-medium wp-image-207\" title=\"V1-Birds of Steel\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/V1-Birds-of-Steel-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Penumbra-Passage-Canine-Cases (2004-2006)\r\n<a href=\"http://www.reenakallat.com/penumbra-passage-canine-cases-detailed-info\"><img class=\"aligncenter size-medium wp-image-208\" title=\"X1-Penumbra Passage (Canine Cases)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/X1-Penumbra-Passage-Canine-Cases-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Memoria Mausolea (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/memoria-mausolea-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Memoria-Mausolea-300x244.jpg\" alt=\"\" title=\"Memoria Mausolea\" width=\"270\" height=\"214\" class=\"alignnone size-medium wp-image-261\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">A1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/a1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/A1-300x160.jpg\" alt=\"\" title=\"A1\" width=\"270\" height=\"214\" class=\"alignnone size-medium wp-image-308\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">White Heat-The Ironing Board (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/White Heat-The Ironing Board-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/F1-300x225.jpg\" alt=\"\" title=\"White Heat (The Ironing Board)\" width=\"270\" height=\"214\" class=\"alignnone size-medium wp-image-320\" /></a></td>\r\n</tr>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Memoria Mausolea (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/c1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/C1-300x200.jpg\" alt=\"C1\" title=\"C1\" width=\"270\" height=\"214\" class=\"alignnone size-medium wp-image-410\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Silt of Seasons-1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/silt-of-seasons-1\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Silt-of-Seasons-1-1024x682.jpg\" alt=\"Silt of Seasons-1\" title=\"Silt of Seasons-1\" width=\"270\" height=\"214\" class=\"alignleft size-large wp-image-417\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">White Heat-The Ironing Board (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/i1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/I11-731x1024.jpg\" alt=\"I1\" title=\"I1\" width=\"270\" height=\"214\" class=\"alignleft size-large wp-image-436\" /></a></td>\r\n</tr>\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">J1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/j1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/J1-721x1023.jpg\" alt=\"J1\" title=\"J1\" width=\"270\" height=\"214\" class=\"alignleft size-large wp-image-445\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">K1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/k1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/K1-726x1023.jpg\" alt=\"K1\" title=\"K1\" width=\"270\" height=\"214\" class=\"alignleft size-large wp-image-451\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">L1 (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/l1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/L1-744x1024.jpg\" alt=\"L1\" title=\"L1\" width=\"270\" height=\"214\" class=\"alignleft size-large wp-image-459\" /></a></td>\r\n</tr>\r\n\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">M1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/m1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/M1-220x300.jpg\" alt=\"M1\" title=\"M1\" width=\"270\" height=\"214\" class=\"alignleft size-medium wp-image-468\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">N1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/n1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/N1-217x300.jpg\" alt=\"N1\" title=\"N1\" width=\"270\" height=\"214\" class=\"alignleft size-medium wp-image-469\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">O1 (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/o1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/O1-214x300.jpg\" alt=\"O1\" title=\"O1\" width=\"270\" height=\"214\" class=\"alignleft size-medium wp-image-470\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">P1 (2007)\r\n\r\n<a href=\"http://www.reenakallat.com/p1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/P1-753x1024.jpg\" alt=\"P1\" title=\"P1\" width=\"270\" height=\"214\" class=\"alignleft size-large wp-image-489\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Saline (2007)\r\n\r\n<a href=\"http://www.reenakallat.com/saline-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Saline-300x185.jpg\" alt=\"saline\" title=\"Saline\" width=\"270\" height=\"214\" class=\"alignleft size-medium wp-image-495\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">O1 (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/memoria-corona\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Memoria-Corona-220x300.jpg\" alt=\"\" title=\"Memoria Corona\" width=\"270\" height=\"214\" class=\"alignleft size-medium wp-image-505\" /></a></td>\r\n</tr>\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Xylophone (2007)\r\n\r\n<a href=\"http://www.reenakallat.com/xylophone-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Xylophone-300x200.jpg\" alt=\"Xylophone\" title=\"Xylophone\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-517\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Z1 (2007)\r\n\r\n<a href=\"http://www.reenakallat.com/z1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Z1-300x169.jpg\" alt=\"Z1\" title=\"Z1\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-524\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Kiosk (2003)\r\n\r\n<a href=\"http://www.reenakallat.com/kiosk-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Kiosk-300x224.jpg\" alt=\"Kiosk\" title=\"Kiosk\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-537\" /></a></td>\r\n</tr>\r\n\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">First page of MOU (2007)\r\n\r\n<a href=\"http://www.reenakallat.com/first-page-of-mou-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/First-page-of-MOU-224x300.jpg\" alt=\"First page of MOU\" title=\"First page of MOU\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-542\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Black Flute (2004)\r\n\r\n<a href=\"http://www.reenakallat.com/black-flute-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-299x197.jpg\" alt=\"Black Flute\" title=\"Black Flute\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-547\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Kiosk (2003)\r\n\r\n<a href=\"http://www.reenakallat.com/birthmark-tattoos-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/BirthMark-tattoos-300x225.jpg\" alt=\"BirthMark and tattoos\" title=\"BirthMark tattoos\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-557\" /></a>\r\n</td>\r\n</tr>\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Orchard of home-grown secrets (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/orchard-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchard-300x186.jpg\" alt=\"Orchard\" title=\"Orchard\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-564\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Joint Family (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/joint-family-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Joint-Family-193x300.jpg\" alt=\"Joint Family\" title=\"Joint Family\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-577\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">escapades-of-the-ladder-occupants-detailed (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/escapades-of-the-ladder-occupants-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Escapades-of-the-ladder-occupants-204x300.jpg\" alt=\"Escapades of the ladder occupants\" title=\"Escapades of the ladder occupants\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-583\" /></a>\r\n</td>\r\n</tr>\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Recitals from the city-garden (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/recitals-from-the-city-garden-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/WH1-300x198.jpg\" alt=\"Recitals from the city-garden\" title=\"Recitals from the city-garden\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-590\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">WI (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/wi1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/WI1-300x208.jpg\" alt=\"WI1\" title=\"WI1\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-598\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Orchard of Home grown secrets (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/orchard-of-hom…-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchard-of-Home-grown-secrets-300x194.jpg\" alt=\"Orchard of Home grown secrets\" title=\"Orchard of Home grown secrets\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-604\" /></a>\r\n</td>\r\n</tr>\r\n\r\n</tbody>\r\n</table>','Works','','inherit','open','open','','54-revision-115','','','2010-04-15 16:43:07','2010-04-15 16:43:07','',54,'http://biggventures.com/demo/artists/609/uncat/54-revision-115',0,'revision','',0),(610,1,'2011-04-28 07:17:06','2011-04-28 07:17:06','<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchard-of-Home-grown-secrets.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchard-of-Home-grown-secrets.jpg\" alt=\"Orchard of Home grown secrets\" title=\"Orchard of Home grown secrets\" width=\"600\" height=\"400\" class=\"aligncenter size-full wp-image-604\" /></a>\r\n</td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<h2 class=\"painting\">Orchard of Home grown secrets\r\n</h2>\r\n<h3 class=\"canvas1\">\r\n<span class=\"painting\">1998\r\n</span></h3>\r\nOrchard of Home grown secrets Description\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','603-autosave','','','2011-04-28 07:17:06','2011-04-28 07:17:06','',603,'http://biggventures.com/demo/artists/610/uncat/603-autosave',0,'revision','',0),(920,1,'2010-10-29 11:54:54','2010-10-29 11:54:54','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\n<style type=\"text/css\">\nh3.canvas  {\ncolor:#333333;\nfont-size:11px\nfont-weight:normal;\nmargin-bottom:5px;\nmargin-left:7px;\nmargin-top:0;\npadding:0;\ntext-transform:none;\n}\n\nh2.painting  {\ncolor:#FFFFFF;\nfont-family:verdana,arial,tahoma,sans-serif;\nfont-size:11px;\nfont-weight:normal;\nmargin:0 0 10px 7px;\npadding:0;\ntext-align:left;\ntext-transform:none;\n}\n</style>\n\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" ><tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Orchard.jpg\" alt=\"Orc000hard\" title=\"Orchard\" width=\"500\" class=\"alignnone size-full wp-image-919\" /></a>\n</td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">\nOrchard of home-grown secrets\n</span>1998\nacrylic on paper\n6 x 4 in. I 15 x 10 cm each (26 cards in each set)\n</tr>\n<tr><td><span style=\"font-size:11px;\"><i>installation view,</i> Pundole Art Gallery, Mumbai</span></td></tr>\n<tr><td>&nbsp;</td></tr></tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\"><tbody><tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/orchard-1.jpg\" alt=\"Orchard\" title=\"Orchard1\" width=\"500\" class=\"alignnone size-full wp-image-922\" /></a></td>\n</tr><tr><td>&nbsp;</td></tr></tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\"><tbody><tr>\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/orchard-2.jpg\" alt=\"Orchard\" title=\"Orchard2\" width=\"500\"  class=\"alignnone size-full wp-image-923\" /></a></td></tr><tr><td>&nbsp;</td></tr>\n</tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\"><tbody><tr><td width=\"200\" align=\"left\" valign=\"top\">\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/orchard-3.jpg\" alt=\"Orchard\" title=\"Orchard2\" width=\"500\"  class=\"alignnone size-full wp-image-923\" /></a></td>\n</tr><tr><td>&nbsp;</td></tr></tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\"><tbody><tr>\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/orchard-4.jpg\" alt=\"Orchard\" title=\"Orchard2\" width=\"500\"  class=\"alignnone size-full wp-image-923\" /></a>\n</td></tr><tr><td>&nbsp;</td></tr></tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\"><tbody><tr>\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/orchard-5.jpg\" alt=\"Orchard\" title=\"Orchard2\" width=\"500\"  class=\"alignnone size-full wp-image-923\" /></a></td>\n</tr><tr><td>&nbsp;</td></tr></tbody></table>','','','inherit','open','open','','565-autosave','','','2010-10-29 11:54:54','2010-10-29 11:54:54','',565,'http://www.biggventures.com/demo/artists/920/uncat/565-autosave',0,'revision','',0),(2239,1,'2010-09-16 08:03:59','2010-09-16 08:03:59','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" >\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Orchard.jpg\" alt=\"Orc000hard\" title=\"Orchard\" width=\"500\" class=\"alignnone size-full wp-image-919\" /></a><span style=\"font-size:11px;\"><i>installation view,</i> Pundole Art Gallery, Mumbai</span>\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Orchard of home-grown secrets\r\n</span>1998\r\nacrylic on paper\r\n6 x 4 in. I 15 x 10 cm each (26 cards in each set)\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/orchard-1.jpg\" alt=\"Orchard\" title=\"Orchard1\" width=\"500\" class=\"alignnone size-full wp-image-922\" /></a></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/orchard-2.jpg\" alt=\"Orchard\" title=\"Orchard2\" width=\"500\"  class=\"alignnone size-full wp-image-923\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/orchard-3.jpg\" alt=\"Orchard\" title=\"Orchard2\" width=\"500\"  class=\"alignnone size-full wp-image-923\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/orchard-4.jpg\" alt=\"Orchard\" title=\"Orchard2\" width=\"500\"  class=\"alignnone size-full wp-image-923\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/orchard-5.jpg\" alt=\"Orchard\" title=\"Orchard2\" width=\"500\"  class=\"alignnone size-full wp-image-923\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','565-revision-13','','','2010-09-16 08:03:59','2010-09-16 08:03:59','',565,'http://www.reenakallat.com/2239/uncat/565-revision-13',0,'revision','',0),(1978,1,'2010-09-14 06:56:59','2010-09-14 06:56:59','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" >\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Orchard.jpg\" alt=\"Orc000hard\" title=\"Orchard\" width=\"500\" class=\"alignnone size-full wp-image-919\" /></a><span style=\"font-size:11px;\"><i>installation view,</i> Pundole Art Gallery, Mumbai</span>\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Orchard of home-grown secrets (1998)\r\n</span>1998\r\nMedium: Acrylic on paper\r\nDimension: 6” x 4” each (26 cards in each set)\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/orchard-1.jpg\" alt=\"Orchard\" title=\"Orchard1\" width=\"500\" class=\"alignnone size-full wp-image-922\" /></a></td>\r\n<td width=\"400\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThe image of ‘the house of cards’ runs as a leitmotif through my oeuvre.\r\nIt is a playful image on the one hand, modeled after the card houses made by children, but the use of cards carry associations with gambling, the notion of uncertainty and instability.\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\nThe image of ‘the house of cards’ runs as a leitmotif through my oeuvre.\r\nIt is a playful image on the one hand, modeled after the card houses made by children, but the use of cards carry associations with gambling, the notion of uncertainty and instability. The fragile paper constructions were made to resemble the makeshift dwellings of the several homeless migrants that dot the city of Mumbai with their cumbrous little spaces. The house of cards within my own vocabulary of images has become emblematic of the aspirations, ambitions and hopes of people for basic provisions such as shelter and their underlying fears due to the constant sense of threat these are subjected to.\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/orchard-2.jpg\" alt=\"Orchard\" title=\"Orchard2\" width=\"500\"  class=\"alignnone size-full wp-image-923\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/orchard-2.jpg\" alt=\"Orchard\" title=\"Orchard2\" width=\"500\"  class=\"alignnone size-full wp-image-923\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/orchard-3.jpg\" alt=\"Orchard\" title=\"Orchard2\" width=\"500\"  class=\"alignnone size-full wp-image-923\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/orchard-4.jpg\" alt=\"Orchard\" title=\"Orchard2\" width=\"500\"  class=\"alignnone size-full wp-image-923\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/orchard-5.jpg\" alt=\"Orchard\" title=\"Orchard2\" width=\"500\"  class=\"alignnone size-full wp-image-923\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','565-revision-11','','','2010-09-14 06:56:59','2010-09-14 06:56:59','',565,'http://www.biggventures.com/demo/artists/1978/uncat/565-revision-11',0,'revision','',0),(1907,1,'2010-06-16 19:14:07','2010-06-16 19:14:07','<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Orchard.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Orchard.jpg\" alt=\"Orchard\" title=\"Orchard\" width=\"600\" height=\"400\" class=\"aligncenter size-full wp-image-919\" /></a>\r\n</td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<h3 class=\"canvas1\">Orchard of home-grown secrets (1998)\r\n<span class=\"painting\">1998\r\nMedium: Acrylic on paper\r\nDimension: 6” x 4” each (26 cards in each set)\r\n</span></h3>\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThe image of ‘the house of cards’ runs as a leitmotif through my oeuvre.\r\nIt is a playful image on the one hand, modeled after the card houses made by children, but the use of cards carry associations with gambling, the notion of uncertainty and instability.\r\n\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\">[more info]</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\nThe image of ‘the house of cards’ runs as a leitmotif through my oeuvre.\r\nIt is a playful image on the one hand, modeled after the card houses made by children, but the use of cards carry associations with gambling, the notion of uncertainty and instability. The fragile paper constructions were made to resemble the makeshift dwellings of the several homeless migrants that dot the city of Mumbai with their cumbrous little spaces. The house of cards within my own vocabulary of images has become emblematic of the aspirations, ambitions and hopes of people for basic provisions such as shelter and their underlying fears due to the constant sense of threat these are subjected to.\r\n\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\">[hide info]</a>\r\n</div>\r\n<script language=\'javascript\' type=\'text/javascript\'>\r\nfunction ReverseContentDisplay(d) {\r\nif(d.length < 1) { return; }\r\nif(document.getElementById(d).style.display == \'none\')\r\n{\r\n  document.getElementById(d).style.display = \'block\';\r\n  document.getElementById(\"uniquename1\").style.display = \'none\';\r\n} \r\nelse\r\n{\r\n  document.getElementById(d).style.display = \'none\';\r\n  document.getElementById(\"uniquename1\").style.display = \'block\';\r\n}\r\n}\r\n</script>\r\n\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Orchard11.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Orchard11.jpg\" alt=\"Orchard\" title=\"Orchard1\" width=\"468\" height=\"732\" class=\"aligncenter size-full wp-image-922\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Orchard21.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Orchard21.jpg\" alt=\"Orchard\" title=\"Orchard2\" width=\"551\" height=\"845\" class=\"aligncenter size-full wp-image-923\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Orchard31.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Orchard31.jpg\" alt=\"Orchard\" title=\"Orchard3\" width=\"536\" height=\"865\" class=\"aligncenter size-full wp-image-924\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/box-detail1.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/box-detail1.jpg\" alt=\"box-detail\" title=\"box-detail\" width=\"750\" height=\"450\" class=\"aligncenter size-full wp-image-925\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/card-detail1.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/card-detail1.jpg\" alt=\"card-detail\" title=\"card-detail\" width=\"750\" height=\"450\" class=\"aligncenter size-full wp-image-926\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Orchard71.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Orchard71.jpg\" alt=\"Orchard\" title=\"Orchard7\" width=\"506\" height=\"741\" class=\"aligncenter size-full wp-image-927\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Orchard81.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Orchard81.jpg\" alt=\"Orchard\" title=\"Orchard8\" width=\"571\" height=\"875\" class=\"aligncenter size-full wp-image-928\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Orchard41.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Orchard41.jpg\" alt=\"Orchard\" title=\"Orchard4\" width=\"561\" height=\"865\" class=\"aligncenter size-full wp-image-929\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Orchard91.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Orchard91.jpg\" alt=\"Orchard\" title=\"Orchard9\" width=\"571\" height=\"875\" class=\"aligncenter size-full wp-image-930\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','565-revision-8','','','2010-06-16 19:14:07','2010-06-16 19:14:07','',565,'http://www.biggventures.com/demo/artists/1907/uncat/565-revision-8',0,'revision','',0),(611,1,'2010-04-15 16:43:04','2010-04-15 16:43:04','<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">Orchard of Home grown secrets (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchard-of-Home-grown-secrets.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchard-of-Home-grown-secrets.jpg\" alt=\"Orchard of Home grown secrets\" title=\"Orchard of Home grown secrets\" width=\"1604\" height=\"1042\" class=\"aligncenter size-full wp-image-604\" /></a>\r\n</td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<h2 class=\"painting\">Z1\r\n</h2>\r\n<h3 class=\"canvas\">\r\n<span class=\"painting\">2008\r\n</span></h3>\r\nZ1 Description\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>','Orchard of Home grown secrets (detailed info)','','inherit','open','open','','603-revision-3','','','2010-04-15 16:43:04','2010-04-15 16:43:04','',603,'http://biggventures.com/demo/artists/611/uncat/603-revision-3',0,'revision','',0),(622,1,'2010-04-15 17:27:14','2010-04-15 17:27:14','<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Scuptures.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Scuptures.jpg\" alt=\"Scuptures\" title=\"Scuptures\" width=\"600\" height=\"400\" class=\"aligncenter size-full wp-image-621\" /></a>\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<h3 class=\"canvas1\">\r\nSculptures\r\n<span class=\"painting\">2003\r\n</span></h3>\r\nScuptures description\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Scuptures.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Scuptures.jpg\" alt=\"Scuptures\" title=\"Scuptures\" width=\"800\" height=\"600\" class=\"aligncenter size-full wp-image-623\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n','','','publish','open','open','','scuptures-detailed-info','','','2010-06-16 18:42:00','2010-06-16 18:42:00','',0,'http://biggventures.com/demo/artists/?page_id=622',0,'page','',0),(612,1,'2010-04-15 16:53:13','2010-04-15 16:53:13','','Seven Faces of Dust','','inherit','open','open','','seven-faces-of-dust','','','2010-04-15 16:53:13','2010-04-15 16:53:13','',54,'http://biggventures.com/demo/artists/wp-content/uploads/2010/03/Seven-Faces-of-Dust.jpg',0,'attachment','image/jpeg',0),(613,1,'2010-04-15 16:45:39','2010-04-15 16:45:39','<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">Orchard of Home grown secrets (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchard-of-Home-grown-secrets.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchard-of-Home-grown-secrets.jpg\" alt=\"Orchard of Home grown secrets\" title=\"Orchard of Home grown secrets\" width=\"600\" height=\"400\" class=\"aligncenter size-full wp-image-604\" /></a>\r\n</td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<h2 class=\"painting\">Orchard of Home grown secrets\r\n</h2>\r\n<h3 class=\"canvas\">\r\n<span class=\"painting\">1998\r\n</span></h3>\r\nOrchard of Home grown secrets Description\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>','Orchard of Home grown secrets (detailed info)','','inherit','open','open','','603-revision-4','','','2010-04-15 16:45:39','2010-04-15 16:45:39','',603,'http://biggventures.com/demo/artists/613/uncat/603-revision-4',0,'revision','',0),(614,1,'2010-04-15 17:13:59','2010-04-15 17:13:59','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style><table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Seven-Faces-of-Dust.jpg\">\r\n<img class=\"alignnone size-full wp-image-612\" title=\"Seven Faces of Dust\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Seven-Faces-of-Dust.jpg\" alt=\"Seven Faces of Dust\" width=\"600\" /></a>\r\n</td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Seven Faces of Dust\r\n</span>2003\r\nsand, pigment, wax, bamboo boats, cloth, fiberglass sculptures, photographs dimensions variable </td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>installation view,</i> Henie Onstad Kultursenter, Oslo, Norway </span></td></tr>\r\n<tr><td>&nbsp;</td></tr></tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-616\" title=\"Seven Faces of Dust_detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/seven-faces-2-3.jpg\" alt=\"Seven Faces of Dust\" width=\"600\" /></a></td>\r\n<td width=\"400\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nWhen I began conceptualizing this work, I was thinking of the seven islands that originally made up the island city of Bombay. The constellation of the seven floor drawings are made using sand (a residue of degraded materials, derived from the wearing down of rocks).\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\nWhen I began conceptualizing this work, I was thinking of the seven islands that originally made up the island city of Bombay. The constellation of the seven floor drawings are made using sand (a residue of degraded materials, derived from the wearing down of rocks). The act of laying the sand while executing the work, resembled that of making rangolis.\r\nLike the rangoli, this work will be effaced at the end of the exhibition.\r\nIt is made to commemorate ‘the individual’s wish’ in a city that is inhabited by large numbers of anonymous people.\r\nCities as we know get defined and shaped by people as extensions of their needs, aspirations, desires and fears. The seven islands can be seen as points of convergence where people from several communities are drawn everyday and get absorbed and assimilated. The uterus islands are looked upon as sites for the symbolic cross fertilization of wishes. As I went along making the work, I wanted it to be less about the city in a physical sense as it were and attempted to seek the immense complexity of real places in essence. However, this map is ephemeral and subject to constant change, like the changing face of the city of Mumbai. It does not provide the full and definitive picture; it speaks its own destiny of transformation, its ultimate formlessness.\r\nThe accompanying sculptural assemblage with seven pairs of hands hold out wax houses in a gesture of offering, while the series of photographs with people seen inscribing messages onto a variety of offering-candles attempts to metaphorically map their wishes.\r\nSeven Faces Of Dust is a reminder of the silenced impulses, secret hopes and latent desires of people that may perhaps never be heard.\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Seven-Faces-of-Dust-details.jpg\"><img class=\"alignnone size-full wp-image-618\" title=\"Seven Faces of Dust-details\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Seven-Faces-of-Dust-details.jpg\" alt=\"Seven Faces of Dust\"  width=\"600\" /></a></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Seven-Faces-of-Dust_details.jpg\"><img class=\"alignnone size-full wp-image-617\" title=\"Seven Faces of Dust_details\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Seven-Faces-of-Dust_details.jpg\" alt=\"Seven Faces of Dust\" width=\"600\" /></a></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Scuptures.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Scuptures.jpg\" alt=\"Scuptures\" title=\"Scuptures\" width=\"600\"  class=\"alignnone size-full wp-image-621\" /></a></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Scuptures.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Scuptures.jpg\" alt=\"Scuptures\" title=\"Scuptures\" width=\"600\" class=\"alignnone size-full wp-image-623\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','publish','open','open','','seven-faces-of-dust-detailed-info','','','2010-10-29 10:03:40','2010-10-29 10:03:40','',0,'http://biggventures.com/demo/artists/?page_id=614',0,'page','',0),(665,1,'2010-03-23 08:59:46','2010-03-23 08:59:46','Contact Us','Contact Us','','inherit','open','open','','189-revision-2','','','2010-03-23 08:59:46','2010-03-23 08:59:46','',189,'http://www.biggventures.com/demo/artists/665/uncat/189-revision-2',0,'revision','',0),(615,1,'2010-04-15 16:44:40','2010-04-15 16:44:40','<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Closet-Quarries (2004-2006)\r\n<a href=\"http://www.reenakallat.com/?p=232\"><img class=\"aligncenter size-medium wp-image-196\" title=\"B1-Closet Quarries\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/B1-Closet-Quarries-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">White-Yarn (2004-2006)\r\n<a href=\"http://www.reenakallat.com/white-yarn-detailed-info\"><img class=\"aligncenter size-medium wp-image-199\" title=\"E1-White Yarn\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/E1-White-Yarn-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Crease-crevice-contour (2004-2006)\r\n<a href=\"http://www.reenakallat.com/crease-crevice-contour-detailed-info\"><img class=\"aligncenter size-medium wp-image-201\" title=\"D1-Crease crevice contour\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/D1-Crease-crevice-contour1-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Silt-of-Seasons (2004-2006)\r\n<a href=\"http://www.reenakallat.com/silt-of-seasons-2-detailed-info\"><img class=\"aligncenter size-medium wp-image-203\" title=\"H1-Silt of Seasons-2\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/H1-Silt-of-Seasons-2-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Subject-to-Change-Without-Notice (2004-2006)\r\n<a href=\"http://www.reenakallat.com/subject-to-change-without-notice-detailed-info\"><img class=\"aligncenter size-medium wp-image-204\" title=\"Q1-Subject to Change Without Notice\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Q1-Subject-to-Change-Without-Notice-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Walls-of-the-womb (2004-2006)\r\n<a href=\"http://www.reenakallat.com/walls-of-the-womb-detailed-info\"><img class=\"aligncenter size-medium wp-image-205\" title=\"R1-Walls of the womb\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/R1-Walls-of-the-womb-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Penumbra (2004-2006)\r\n<a href=\"http://www.reenakallat.com/penumbra-detailed-info\"><img class=\"aligncenter size-medium wp-image-206\" title=\"T1- Penumbra\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/T1-Penumbra-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Birds-of-Steel (2004-2006)\r\n<a href=\"http://www.reenakallat.com/birds-of-steel-detailed-info\"><img class=\"aligncenter size-medium wp-image-207\" title=\"V1-Birds of Steel\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/V1-Birds-of-Steel-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Penumbra-Passage-Canine-Cases (2004-2006)\r\n<a href=\"http://www.reenakallat.com/penumbra-passage-canine-cases-detailed-info\"><img class=\"aligncenter size-medium wp-image-208\" title=\"X1-Penumbra Passage (Canine Cases)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/X1-Penumbra-Passage-Canine-Cases-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Memoria Mausolea (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/memoria-mausolea-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Memoria-Mausolea-300x244.jpg\" alt=\"\" title=\"Memoria Mausolea\" width=\"270\" height=\"214\" class=\"alignnone size-medium wp-image-261\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">A1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/a1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/A1-300x160.jpg\" alt=\"\" title=\"A1\" width=\"270\" height=\"214\" class=\"alignnone size-medium wp-image-308\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">White Heat-The Ironing Board (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/White Heat-The Ironing Board-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/F1-300x225.jpg\" alt=\"\" title=\"White Heat (The Ironing Board)\" width=\"270\" height=\"214\" class=\"alignnone size-medium wp-image-320\" /></a></td>\r\n</tr>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Memoria Mausolea (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/c1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/C1-300x200.jpg\" alt=\"C1\" title=\"C1\" width=\"270\" height=\"214\" class=\"alignnone size-medium wp-image-410\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Silt of Seasons-1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/silt-of-seasons-1\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Silt-of-Seasons-1-1024x682.jpg\" alt=\"Silt of Seasons-1\" title=\"Silt of Seasons-1\" width=\"270\" height=\"214\" class=\"alignleft size-large wp-image-417\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">White Heat-The Ironing Board (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/i1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/I11-731x1024.jpg\" alt=\"I1\" title=\"I1\" width=\"270\" height=\"214\" class=\"alignleft size-large wp-image-436\" /></a></td>\r\n</tr>\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">J1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/j1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/J1-721x1023.jpg\" alt=\"J1\" title=\"J1\" width=\"270\" height=\"214\" class=\"alignleft size-large wp-image-445\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">K1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/k1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/K1-726x1023.jpg\" alt=\"K1\" title=\"K1\" width=\"270\" height=\"214\" class=\"alignleft size-large wp-image-451\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">L1 (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/l1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/L1-744x1024.jpg\" alt=\"L1\" title=\"L1\" width=\"270\" height=\"214\" class=\"alignleft size-large wp-image-459\" /></a></td>\r\n</tr>\r\n\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">M1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/m1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/M1-220x300.jpg\" alt=\"M1\" title=\"M1\" width=\"270\" height=\"214\" class=\"alignleft size-medium wp-image-468\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">N1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/n1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/N1-217x300.jpg\" alt=\"N1\" title=\"N1\" width=\"270\" height=\"214\" class=\"alignleft size-medium wp-image-469\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">O1 (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/o1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/O1-214x300.jpg\" alt=\"O1\" title=\"O1\" width=\"270\" height=\"214\" class=\"alignleft size-medium wp-image-470\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">P1 (2007)\r\n\r\n<a href=\"http://www.reenakallat.com/p1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/P1-753x1024.jpg\" alt=\"P1\" title=\"P1\" width=\"270\" height=\"214\" class=\"alignleft size-large wp-image-489\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Saline (2007)\r\n\r\n<a href=\"http://www.reenakallat.com/saline-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Saline-300x185.jpg\" alt=\"saline\" title=\"Saline\" width=\"270\" height=\"214\" class=\"alignleft size-medium wp-image-495\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">O1 (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/memoria-corona\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Memoria-Corona-220x300.jpg\" alt=\"\" title=\"Memoria Corona\" width=\"270\" height=\"214\" class=\"alignleft size-medium wp-image-505\" /></a></td>\r\n</tr>\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Xylophone (2007)\r\n\r\n<a href=\"http://www.reenakallat.com/xylophone-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Xylophone-300x200.jpg\" alt=\"Xylophone\" title=\"Xylophone\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-517\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Z1 (2007)\r\n\r\n<a href=\"http://www.reenakallat.com/z1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Z1-300x169.jpg\" alt=\"Z1\" title=\"Z1\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-524\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Kiosk (2003)\r\n\r\n<a href=\"http://www.reenakallat.com/kiosk-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Kiosk-300x224.jpg\" alt=\"Kiosk\" title=\"Kiosk\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-537\" /></a></td>\r\n</tr>\r\n\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">First page of MOU (2007)\r\n\r\n<a href=\"http://www.reenakallat.com/first-page-of-mou-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/First-page-of-MOU-224x300.jpg\" alt=\"First page of MOU\" title=\"First page of MOU\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-542\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Black Flute (2004)\r\n\r\n<a href=\"http://www.reenakallat.com/black-flute-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-299x197.jpg\" alt=\"Black Flute\" title=\"Black Flute\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-547\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Kiosk (2003)\r\n\r\n<a href=\"http://www.reenakallat.com/birthmark-tattoos-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/BirthMark-tattoos-300x225.jpg\" alt=\"BirthMark and tattoos\" title=\"BirthMark tattoos\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-557\" /></a>\r\n</td>\r\n</tr>\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Orchard of home-grown secrets (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/orchard-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchard-300x186.jpg\" alt=\"Orchard\" title=\"Orchard\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-564\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Joint Family (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/joint-family-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Joint-Family-193x300.jpg\" alt=\"Joint Family\" title=\"Joint Family\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-577\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">escapades-of-the-ladder-occupants-detailed (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/escapades-of-the-ladder-occupants-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Escapades-of-the-ladder-occupants-204x300.jpg\" alt=\"Escapades of the ladder occupants\" title=\"Escapades of the ladder occupants\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-583\" /></a>\r\n</td>\r\n</tr>\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Recitals from the city-garden (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/recitals-from-the-city-garden-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/WH1-300x198.jpg\" alt=\"Recitals from the city-garden\" title=\"Recitals from the city-garden\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-590\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">WI (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/wi1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/WI1-300x208.jpg\" alt=\"WI1\" title=\"WI1\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-598\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Orchard of Home grown secrets (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/orchard-of-home-grown-secrets-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchard-of-Home-grown-secrets-300x194.jpg\" alt=\"Orchard of Home grown secrets\" title=\"Orchard of Home grown secrets\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-604\" /></a>\r\n</td>\r\n</tr>\r\n\r\n</tbody>\r\n</table>','Works','','inherit','open','open','','54-revision-116','','','2010-04-15 16:44:40','2010-04-15 16:44:40','',54,'http://biggventures.com/demo/artists/615/uncat/54-revision-116',0,'revision','',0),(616,1,'2010-04-15 16:58:35','2010-04-15 16:58:35','','Seven Faces of Dust_detail','','inherit','open','open','','seven-faces-of-dust_detail','','','2010-04-15 16:58:35','2010-04-15 16:58:35','',614,'http://biggventures.com/demo/artists/wp-content/uploads/2010/04/Seven-Faces-of-Dust_detail.jpg',0,'attachment','image/jpeg',0),(617,1,'2010-04-15 17:01:20','2010-04-15 17:01:20','','Seven Faces of Dust_details','','inherit','open','open','','seven-faces-of-dust_details','','','2010-04-15 17:01:20','2010-04-15 17:01:20','',614,'http://biggventures.com/demo/artists/wp-content/uploads/2010/04/Seven-Faces-of-Dust_details.jpg',0,'attachment','image/jpeg',0),(618,1,'2010-04-15 17:03:43','2010-04-15 17:03:43','','Seven Faces of Dust-details','','inherit','open','open','','seven-faces-of-dust-details','','','2010-04-15 17:03:43','2010-04-15 17:03:43','',614,'http://biggventures.com/demo/artists/wp-content/uploads/2010/04/Seven-Faces-of-Dust-details.jpg',0,'attachment','image/jpeg',0),(619,1,'2010-04-15 17:06:34','2010-04-15 17:06:34','','Seven Faces of Dust-detail','','inherit','open','open','','seven-faces-of-dust-detail','','','2010-04-15 17:06:34','2010-04-15 17:06:34','',614,'http://biggventures.com/demo/artists/wp-content/uploads/2010/04/Seven-Faces-of-Dust-detail.jpg',0,'attachment','image/jpeg',0),(620,1,'2010-04-15 17:09:27','2010-04-15 17:09:27','<style type=\"text/css\">\nh3.canvas  {\ncolor:#333333;\nfont-size:11px;\nfont-weight:normal;\nmargin-bottom:5px;\nmargin-left:7px;\nmargin-top:0;\npadding:0;\ntext-transform:none;\n}\n\nh2.painting  {\ncolor:#FFFFFF;\nfont-family:verdana,arial,tahoma,sans-serif;\nfont-size:11px;\nfont-weight:normal;\nmargin:0 0 10px 7px;\npadding:0;\ntext-align:left;\ntext-transform:none;\n}\n</style>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\n<tbody>\n<tr>\n<td width=\"60%\" align=\"left\" valign=\"top\">Seven Faces of Dust (2003)\n\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Seven-Faces-of-Dust.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Seven-Faces-of-Dust.jpg\" alt=\"Seven Faces of Dust\" title=\"Seven Faces of Dust\" width=\"600\" height=\"400\" class=\"aligncenter size-full wp-image-612\" /></a>\n</td>\n\n<td width=\"200\" align=\"left\" valign=\"top\">\n<h2 class=\"painting\">Seven Faces of Dust\n</h2>\n<h3 class=\"canvas\">\n<span class=\"painting\">2003\nMedium: sand, pigment, wax, bamboo boats, cloth, fiberglass sculptures, photographs\n</span></h3>\nWhen I began conceptualizing this work, I was thinking of the seven islands that originally made up the island city of Bombay. The constellation of the seven floor drawings are made using sand (a residue of degraded materials, derived from the wearing down of rocks). The act of laying the sand while executing the work, resembled that of making rangolis. \nLike the rangoli, this work will be effaced at the end of the exhibition.\nIt is made to commemorate ‘the individual’s wish’ in a city that is inhabited by large numbers of anonymous people. \n\nCities as we know get defined and shaped by people as extensions of their needs, aspirations, desires and fears. The seven islands can be seen as points of convergence where people from several communities are drawn everyday and get absorbed and assimilated. The uterus islands are looked upon as sites for the symbolic cross fertilization of wishes. As I went along making the work, I wanted it to be less about the city in a physical sense as it were and attempted to seek the immense complexity of real places in essence. However, this map is ephemeral and subject to constant change, like the changing face of the city of Mumbai. It does not provide the full and definitive picture; it speaks its own destiny of transformation, its ultimate formlessness.\n\nThe accompanying sculptural assemblage with seven pairs of hands hold out wax houses in a gesture of offering, while the series of photographs with people seen inscribing messages onto a variety of offering-candles attempts to metaphorically map their wishes.\nSeven Faces Of Dust is a reminder of the silenced impulses, secret hopes and latent desires of people that may perhaps never be heard.\n</td>\n\n</tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\n<tbody>\n<tr>\n\n<td width=\"200\" align=\"left\" valign=\"top\">\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Seven-Faces-of-Dust_detail.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Seven-Faces-of-Dust_detail.jpg\" alt=\"Seven Faces of Dust\" title=\"Seven Faces of Dust_detail\" width=\"600\" height=\"900\" class=\"aligncenter size-full wp-image-616\" /></a>\n</td>\n\n</tr>\n</tbody>\n</table>\n\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\n<tbody>\n<tr>\n\n<td width=\"200\" align=\"left\" valign=\"top\">\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Seven-Faces-of-Dust_details.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Seven-Faces-of-Dust_details.jpg\" alt=\"Seven Faces of Dust\" title=\"Seven Faces of Dust_details\" width=\"800\" height=\"600\" class=\"aligncenter size-full wp-image-617\" /></a>\n</td>\n\n</tr>\n</tbody>\n</table>\n\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\n<tbody>\n<tr>\n\n<td width=\"200\" align=\"left\" valign=\"top\">\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Seven-Faces-of-Dust-details.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Seven-Faces-of-Dust-details.jpg\" alt=\"Seven Faces of Dust\" title=\"Seven Faces of Dust-details\" width=\"800\" height=\"900\" class=\"aligncenter size-full wp-image-618\" /></a>\n</td>\n\n</tr>\n</tbody>\n</table>\n\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\n<tbody>\n<tr>\n\n<td width=\"200\" align=\"left\" valign=\"top\">\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Seven-Faces-of-Dust-detail.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Seven-Faces-of-Dust-detail.jpg\" alt=\"Seven Faces of Dust\" title=\"Seven Faces of Dust-detail\" width=\"566\" height=\"865\" class=\"aligncenter size-full wp-image-619\" /></a>\n</td>\n\n</tr>\n</tbody>\n</table>','Seven Faces of Dust (detailed-info)','','inherit','open','open','','614-revision','','','2010-04-15 17:09:27','2010-04-15 17:09:27','',614,'http://biggventures.com/demo/artists/620/uncat/614-revision',0,'revision','',0),(621,1,'2010-04-15 17:21:37','2010-04-15 17:21:37','','Scuptures','','inherit','open','open','','scuptures','','','2010-04-15 17:21:37','2010-04-15 17:21:37','',54,'http://biggventures.com/demo/artists/wp-content/uploads/2010/03/Scuptures.jpg',0,'attachment','image/jpeg',0),(624,1,'2010-04-15 17:27:05','2010-04-15 17:27:05','<style type=\"text/css\">\nh3.canvas  {\ncolor:#333333;\nfont-size:11px;\nfont-weight:normal;\nmargin-bottom:5px;\nmargin-left:7px;\nmargin-top:0;\npadding:0;\ntext-transform:none;\n}\n\nh2.painting  {\ncolor:#FFFFFF;\nfont-family:verdana,arial,tahoma,sans-serif;\nfont-size:11px;\nfont-weight:normal;\nmargin:0 0 10px 7px;\npadding:0;\ntext-align:left;\ntext-transform:none;\n}\n</style>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\n<tbody>\n<tr>\n<td width=\"60%\" align=\"left\" valign=\"top\">Scuptures (2003)\n\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Scuptures.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Scuptures.jpg\" alt=\"Scuptures\" title=\"Scuptures\" width=\"600\" height=\"400\" class=\"aligncenter size-full wp-image-621\" /></a>\n</td>\n\n<td width=\"200\" align=\"left\" valign=\"top\">\n<h2 class=\"painting\">Scuptures\n</h2>\n<h3 class=\"canvas\">\n<span class=\"painting\">2003\n</span></h3>\nScuptures description\n</td>\n\n</tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\n<tbody>\n<tr>\n\n<td width=\"200\" align=\"left\" valign=\"top\">\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Scuptures.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Scuptures.jpg\" alt=\"Scuptures\" title=\"Scuptures\" width=\"800\" height=\"600\" class=\"aligncenter size-full wp-image-623\" /></a>\n</td>\n\n</tr>\n</tbody>\n</table>\n\n','Scuptures (detailed-info)','','inherit','open','open','','622-revision','','','2010-04-15 17:27:05','2010-04-15 17:27:05','',622,'http://biggventures.com/demo/artists/624/uncat/622-revision',0,'revision','',0),(625,1,'2010-04-15 16:55:21','2010-04-15 16:55:21','<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Closet-Quarries (2004-2006)\r\n<a href=\"http://www.reenakallat.com/?p=232\"><img class=\"aligncenter size-medium wp-image-196\" title=\"B1-Closet Quarries\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/B1-Closet-Quarries-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">White-Yarn (2004-2006)\r\n<a href=\"http://www.reenakallat.com/white-yarn-detailed-info\"><img class=\"aligncenter size-medium wp-image-199\" title=\"E1-White Yarn\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/E1-White-Yarn-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Crease-crevice-contour (2004-2006)\r\n<a href=\"http://www.reenakallat.com/crease-crevice-contour-detailed-info\"><img class=\"aligncenter size-medium wp-image-201\" title=\"D1-Crease crevice contour\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/D1-Crease-crevice-contour1-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Silt-of-Seasons (2004-2006)\r\n<a href=\"http://www.reenakallat.com/silt-of-seasons-2-detailed-info\"><img class=\"aligncenter size-medium wp-image-203\" title=\"H1-Silt of Seasons-2\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/H1-Silt-of-Seasons-2-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Subject-to-Change-Without-Notice (2004-2006)\r\n<a href=\"http://www.reenakallat.com/subject-to-change-without-notice-detailed-info\"><img class=\"aligncenter size-medium wp-image-204\" title=\"Q1-Subject to Change Without Notice\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Q1-Subject-to-Change-Without-Notice-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Walls-of-the-womb (2004-2006)\r\n<a href=\"http://www.reenakallat.com/walls-of-the-womb-detailed-info\"><img class=\"aligncenter size-medium wp-image-205\" title=\"R1-Walls of the womb\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/R1-Walls-of-the-womb-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Penumbra (2004-2006)\r\n<a href=\"http://www.reenakallat.com/penumbra-detailed-info\"><img class=\"aligncenter size-medium wp-image-206\" title=\"T1- Penumbra\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/T1-Penumbra-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Birds-of-Steel (2004-2006)\r\n<a href=\"http://www.reenakallat.com/birds-of-steel-detailed-info\"><img class=\"aligncenter size-medium wp-image-207\" title=\"V1-Birds of Steel\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/V1-Birds-of-Steel-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Penumbra-Passage-Canine-Cases (2004-2006)\r\n<a href=\"http://www.reenakallat.com/penumbra-passage-canine-cases-detailed-info\"><img class=\"aligncenter size-medium wp-image-208\" title=\"X1-Penumbra Passage (Canine Cases)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/X1-Penumbra-Passage-Canine-Cases-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Memoria Mausolea (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/memoria-mausolea-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Memoria-Mausolea-300x244.jpg\" alt=\"\" title=\"Memoria Mausolea\" width=\"270\" height=\"214\" class=\"alignnone size-medium wp-image-261\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">A1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/a1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/A1-300x160.jpg\" alt=\"\" title=\"A1\" width=\"270\" height=\"214\" class=\"alignnone size-medium wp-image-308\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">White Heat-The Ironing Board (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/White Heat-The Ironing Board-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/F1-300x225.jpg\" alt=\"\" title=\"White Heat (The Ironing Board)\" width=\"270\" height=\"214\" class=\"alignnone size-medium wp-image-320\" /></a></td>\r\n</tr>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Memoria Mausolea (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/c1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/C1-300x200.jpg\" alt=\"C1\" title=\"C1\" width=\"270\" height=\"214\" class=\"alignnone size-medium wp-image-410\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Silt of Seasons-1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/silt-of-seasons-1\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Silt-of-Seasons-1-1024x682.jpg\" alt=\"Silt of Seasons-1\" title=\"Silt of Seasons-1\" width=\"270\" height=\"214\" class=\"alignleft size-large wp-image-417\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">White Heat-The Ironing Board (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/i1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/I11-731x1024.jpg\" alt=\"I1\" title=\"I1\" width=\"270\" height=\"214\" class=\"alignleft size-large wp-image-436\" /></a></td>\r\n</tr>\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">J1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/j1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/J1-721x1023.jpg\" alt=\"J1\" title=\"J1\" width=\"270\" height=\"214\" class=\"alignleft size-large wp-image-445\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">K1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/k1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/K1-726x1023.jpg\" alt=\"K1\" title=\"K1\" width=\"270\" height=\"214\" class=\"alignleft size-large wp-image-451\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">L1 (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/l1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/L1-744x1024.jpg\" alt=\"L1\" title=\"L1\" width=\"270\" height=\"214\" class=\"alignleft size-large wp-image-459\" /></a></td>\r\n</tr>\r\n\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">M1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/m1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/M1-220x300.jpg\" alt=\"M1\" title=\"M1\" width=\"270\" height=\"214\" class=\"alignleft size-medium wp-image-468\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">N1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/n1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/N1-217x300.jpg\" alt=\"N1\" title=\"N1\" width=\"270\" height=\"214\" class=\"alignleft size-medium wp-image-469\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">O1 (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/o1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/O1-214x300.jpg\" alt=\"O1\" title=\"O1\" width=\"270\" height=\"214\" class=\"alignleft size-medium wp-image-470\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">P1 (2007)\r\n\r\n<a href=\"http://www.reenakallat.com/p1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/P1-753x1024.jpg\" alt=\"P1\" title=\"P1\" width=\"270\" height=\"214\" class=\"alignleft size-large wp-image-489\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Saline (2007)\r\n\r\n<a href=\"http://www.reenakallat.com/saline-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Saline-300x185.jpg\" alt=\"saline\" title=\"Saline\" width=\"270\" height=\"214\" class=\"alignleft size-medium wp-image-495\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">O1 (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/memoria-corona\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Memoria-Corona-220x300.jpg\" alt=\"\" title=\"Memoria Corona\" width=\"270\" height=\"214\" class=\"alignleft size-medium wp-image-505\" /></a></td>\r\n</tr>\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Xylophone (2007)\r\n\r\n<a href=\"http://www.reenakallat.com/xylophone-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Xylophone-300x200.jpg\" alt=\"Xylophone\" title=\"Xylophone\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-517\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Z1 (2007)\r\n\r\n<a href=\"http://www.reenakallat.com/z1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Z1-300x169.jpg\" alt=\"Z1\" title=\"Z1\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-524\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Kiosk (2003)\r\n\r\n<a href=\"http://www.reenakallat.com/kiosk-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Kiosk-300x224.jpg\" alt=\"Kiosk\" title=\"Kiosk\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-537\" /></a></td>\r\n</tr>\r\n\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">First page of MOU (2007)\r\n\r\n<a href=\"http://www.reenakallat.com/first-page-of-mou-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/First-page-of-MOU-224x300.jpg\" alt=\"First page of MOU\" title=\"First page of MOU\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-542\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Black Flute (2004)\r\n\r\n<a href=\"http://www.reenakallat.com/black-flute-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-299x197.jpg\" alt=\"Black Flute\" title=\"Black Flute\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-547\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Kiosk (2003)\r\n\r\n<a href=\"http://www.reenakallat.com/birthmark-tattoos-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/BirthMark-tattoos-300x225.jpg\" alt=\"BirthMark and tattoos\" title=\"BirthMark tattoos\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-557\" /></a>\r\n</td>\r\n</tr>\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Orchard of home-grown secrets (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/orchard-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchard-300x186.jpg\" alt=\"Orchard\" title=\"Orchard\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-564\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Joint Family (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/joint-family-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Joint-Family-193x300.jpg\" alt=\"Joint Family\" title=\"Joint Family\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-577\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">escapades-of-the-ladder-occupants-detailed (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/escapades-of-the-ladder-occupants-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Escapades-of-the-ladder-occupants-204x300.jpg\" alt=\"Escapades of the ladder occupants\" title=\"Escapades of the ladder occupants\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-583\" /></a>\r\n</td>\r\n</tr>\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Recitals from the city-garden (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/recitals-from-the-city-garden-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/WH1-300x198.jpg\" alt=\"Recitals from the city-garden\" title=\"Recitals from the city-garden\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-590\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">WI (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/wi1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/WI1-300x208.jpg\" alt=\"WI1\" title=\"WI1\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-598\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Orchard of Home grown secrets (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/orchard-of-home-grown-secrets-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchard-of-Home-grown-secrets-300x194.jpg\" alt=\"Orchard of Home grown secrets\" title=\"Orchard of Home grown secrets\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-604\" /></a>\r\n</td>\r\n</tr>\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Seven Faces of Dust (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/seven-faces-of-dust-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Seven-Faces-of-Dust-300x192.jpg\" alt=\"Seven Faces of Dust\" title=\"Seven Faces of Dust\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-612\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">WI (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/wi1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/WI1-300x208.jpg\" alt=\"WI1\" title=\"WI1\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-598\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Orchard of Home grown secrets (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/orchard-of-home-grown-secrets-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchard-of-Home-grown-secrets-300x194.jpg\" alt=\"Orchard of Home grown secrets\" title=\"Orchard of Home grown secrets\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-604\" /></a>\r\n</td>\r\n</tr>\r\n\r\n</tbody>\r\n</table>','Works','','inherit','open','open','','54-revision-117','','','2010-04-15 16:55:21','2010-04-15 16:55:21','',54,'http://biggventures.com/demo/artists/625/uncat/54-revision-117',0,'revision','',0),(623,1,'2010-04-15 17:26:24','2010-04-15 17:26:24','','Scuptures','','inherit','open','open','','scuptures-2','','','2010-04-15 17:26:24','2010-04-15 17:26:24','',622,'http://biggventures.com/demo/artists/wp-content/uploads/2010/04/Scuptures.jpg',0,'attachment','image/jpeg',0),(626,1,'2010-04-22 07:43:49','2010-04-22 07:43:49','<!-- 		@page { size: 21cm 29.7cm; margin: 2cm } 		P { margin-bottom: 0.21cm } -->\n<h2 style=\"text-align: center;\"><strong>2009</strong></h2>\n<em><strong>THE ARCHIVES OF THE HEART</strong></em>\n\nNancy Adajania, Indian Contemporaray Art Journal, Volume 1, Issue III,\n\nFront Cover, pgs 42-45, 2009\n\n<em><strong>GLOBALE KUNST MIT WURZELDUFT</strong></em>\n\nVon Almuth Speigler, Die Presse, Feuilleton, 2<sup>nd</sup> September 2009\n\n<em><strong>LANDSCAPES OF LOSS</strong></em>\n\nBeth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009\n\n<em><strong>ARTIST OF THE FORTNIGHT</strong></em>\n\nMaria Louis, Outlook Profit, 24<sup>th</sup> July 2009\n\n<em><strong>REINCARNATING HISTORY</strong></em>\n\nThe big Picture, Architect and Interiors, July 2009\n\n<em><strong>STAMP COLLECTION</strong></em>\n\nGeorgina Maddox, The Sunday Express, 17<sup>th</sup> May 2009\n\n<em><strong>LOST AND FOUND</strong></em>\n\nMarina Correa, DNA, Mumbai, 22<sup>nd</sup> January, 2009\n\n<em><strong>EVOLVING BEYOND BORDERS</strong></em>\n\nReshma S. Kulkarni, Bombay times, The Times of India, 15<sup>th</sup> January, 2009\n<h2><strong>2008</strong></h2>\n<em><strong>QUARRIES AND ANSWERS</strong></em>\n\nReema Gehi, Hindustan Times Café, Mumbai, 24<sup>th</sup> December\n\n<em><strong>DEJA VIEW</strong></em>\n\nTara Khilachand, Live Mint, 20<sup>th</sup> December 2008\n\n<em><strong>TERROR STRUCK</strong></em>\n\nMaria Louis, Outlook Profit, 26<sup>th</sup> December 2008\n\n<em><strong>NAME CALLING</strong></em>\n\nDeepanjana Pal, Timeout Mumbai, December 2008\n\n<em><strong>PAINTING A PROTEST</strong></em>\n\nSujata Chakrabarti, DNA After Hrs, 21st August 2008\n\n<em><strong>ARTIST OF THE FORTNIGHT</strong></em>\n\nMaria Louis, Outlook Profit, pg 79, April 2008\n\n<em><strong>FOCUS INDIA</strong></em>\n\nMegha Ralapati, Flash Art, pg 114, January February 2008\n\n<em><strong>QUARRYING THE PAST</strong></em>\n\nMaria Louis, Beautiful People, pg 145, March-April 2008\n\n<em><strong>COME TOGETHER RIGHT NOW</strong></em>\n\nReema Gehi, HT Café, 15<sup>th</sup> February 2008\n\n<em><strong>SUCH A LONG JOURNEY</strong></em>\n\nAparna S Sharma, Elle Magazine, pgs 115-117, February 2008\n\n<em><strong> </strong></em><em><strong>MORE THAN A WOMAN</strong></em>\n\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 4<sup>th</sup> February 2008.\n\n<em><strong>ARTIST OF THE FORTNIGHT</strong></em>\n\nMaria Louis, Outlook, Profit, dated 18<sup>th</sup> April 2008.\n<h2><strong>2007</strong></h2>\n<em><strong> </strong></em><em><strong>CORRUPTIONS OF POWER</strong></em>\n\nShiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs98-99, 2007\n<h2><strong>2006 </strong></h2>\n<em><strong> </strong></em><em><strong>POLITICAL CHAOS</strong></em>\n\nDeepali Nandwani, Beautiful people, pg 143, November-December 2006\n\n<em><strong> </strong></em><em><strong>OVER THE RAINBOW</strong></em>\n\nMaria Louis, Interview, Verve Magazine, pg 78, November 2006\n\n<em><strong>HER CROWNING ACHIEVEMENT</strong></em>\n\nClara Chow, The Straits Times, 18<sup>th</sup> November, 2006\n\n<em><strong>RAINBOW OF REFUSE</strong></em>\n\nInside Outside Magazine, November 2006\n\n<em><strong>IN A STATE OF PERENNIAL SIEGE</strong></em>\n\nNancy Adajania, The Hindu, Hyderabad, 29<sup>th</sup> October, 2006\n\n<em><strong>WEAPONS OF MASS CONSTRUCTION</strong></em>\n\nRituparna Som, DNA After Hrs Mumbai, 9<sup>th</sup> October, 2006\n\n<em><strong>UNDER ATTACK</strong></em>\n\nGitanjali Dang, HT Mumbai, 22<sup>nd</sup> September 2006\n\n<em><strong>GUNS AND ROSES</strong></em>\n\nRachna Nakra, The Indian Express, Mumbai Newsline, 18<sup>th</sup> September 2006\n\n<em><strong>TIME TRAVELLER</strong></em>\n\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 27<sup>th</sup> June 2006\n\n<em><strong>BEYOND FEMINISM</strong></em>\n\nMallika Advani, Elle Décor, pg 78-80, May 2006\n<h2><strong>2004</strong></h2>\n<em><strong>THE FLOWER AND THE SWORD</strong></em>\n\nGirish Shahane, pg 93, The Art News magazine of India, volume X issue I, 2004\n\n<em><strong>BLACK FLUTE</strong></em>\n\nInside Outside Magazine, pgs 36-37, November 2004\n\n<em><strong>INDIA’S TOP 100 ACHIEVERS</strong></em>\n\nSociety Magazine, pg 137, December 2004\n\n<em><strong>CAUGHT BETWEEN DEMONS</strong></em>\n\nNancy Adajania, The Hindu, 19<sup>th</sup> December 2004\n\n<em><strong>HARD COPY</strong></em>\n\nInside Outside, pgs 30-32, November 2003\n<h2><strong>2003</strong></h2>\n<em><strong>A HARD COPY OF FLUX</strong></em>\n\nSharmila Maiti, Calcutta Times, The Times of India, 3<sup>rd</sup> November 2003\n\n<em><strong>KALA GHODA GETS A HORSE</strong></em>\n\nJasmine Shah Varma, The List, Mid Day, 22<sup>nd</sup> October 2003\n\n<em><strong>METAPHORS OF CONTEMPORARY REALITIES</strong></em>\n\nSoumitra Das, The Telegraph, 31<sup>st</sup> October 2003\n\n<em><strong>EN REISE TIL INDIA</strong></em>\n\nHarald Flor, Dagbladet, Kultur, 2<sup>nd</sup> February 2003\n\n<em><strong>SIGNS OF RESISTANCE</strong></em>\n\nNancy Adajania, The Hindu, 5<sup>th</sup> January 2003\n\n<em><strong>OF THE GODDESS AND DEMON IN THE MIND</strong></em>\n\nDebbie Rodgers, Sunday edition Vijay Times, Bangalore, 5<sup>th</sup> January 2003\n<h2><strong>2002</strong></h2>\n<em><strong>EMPATHIC ANGER</strong></em>\n\nMarta Jakimowicz, Deccan Herald, 23<sup>rd</sup> December 2002\n\n<em><strong>MYSORE EK KHOJ</strong></em>\n\nCross Fertilization of Culture, Interview in Star of Mysore, 27<sup>th</sup> October 2002\n\n<em><strong>DIFFERENT STROKES</strong></em>\n\nGeorgina L Maddox, The Indian Express, Mumbai Newsline, 24<sup>th</sup> July, 2002\n\n<em><strong>CREATING TO DESTROY</strong></em>\n\nJasmine Shah Varma, The List, Mid Day, 22<sup>nd</sup> February 2002\n\n<em><strong>LINKING ISLANDS</strong></em>\n\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 15<sup>th</sup> February 2002\n<h2><strong>2000</strong></h2>\n<em><strong>OF FAITH AND HUNGER</strong></em>\n\nAbhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89, December 2000\n\n<em><strong>PARADOXICAL METAPHORS</strong></em>\n\nSanaya Pavri, Oomph Art, pgs 38-40 December 2000\n\n<em><strong>AN ARTIST’S WORLD: ROTI, MAKAAN &amp; ABSTRACT ART</strong></em>\n\nPoonam Goel, HT City, 23<sup>rd</sup> December 2000\n\n<em><strong>SCINTILLATING SKIN</strong></em>\n\nVaibhav Purandare, The Asian Age, 14<sup>th</sup> October 2000\n\n<em><strong>THE MURMUR OF SKIN</strong></em>\n\nNupur Mahajan, Bombay times, Times of India, 12<sup>th</sup> October 2000\n\n<em><strong>INSIDE OUT</strong></em>\n\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 11<sup>th</sup> October 2000\n\n<em><strong>NOT JUST SKIN DEEP</strong></em>\n\nJasmine Shah Varma, The list, Mid-day, 4<sup>th</sup> October 2000\n<h2><em><strong>1998</strong></em></h2>\n<em><strong>INTERACTIVE MEDIUM</strong></em>\n\nKaren Pereira, Indian Architect &amp; Builder, pgs 102-104, October 1998\n\n<em><strong>FARMING INTRIRUE</strong></em>\n\nJerry Pinto, The Times of India, Bombay Times, 3<sup>rd</sup> September 1998\n\n<em><strong>WITHIN YOU, WITHOUT YOU</strong></em>\n\nAnu Kumar, Indian Express, Express Newsline, 2<sup>nd</sup> September 1998\n\n<em><strong>DUAL TONES </strong></em>\n\nDnyaneshwar Nadkarni, Mid-day, 27<sup>th</sup> August 1998','Bibliography','','inherit','open','open','','102-autosave','','','2010-04-22 07:43:49','2010-04-22 07:43:49','',102,'http://biggventures.com/demo/artists/626/uncat/102-autosave',0,'revision','',0),(629,1,'2010-05-11 17:40:52','2010-05-11 17:40:52','<!-- 		@page { size: 21cm 29.7cm; margin: 2cm } 		P { margin-bottom: 0cm } 		P.western { font-size: 11pt } 		P.cjk { font-size: 11pt } 		H2 { margin-top: 0cm; margin-bottom: 0cm } 		H2.western { font-family: \"Nimbus Roman No9 L\", serif; font-size: 11pt } 		H2.cjk { font-family: \"DejaVu Sans\"; font-size: 11pt } 		H2.ctl { font-family: \"DejaVu Sans\"; font-size: 12pt; font-weight: medium } 		H1 { margin-top: 0cm; margin-bottom: 0cm } 		H1.western { font-family: \"Nimbus Roman No9 L\", serif; font-size: 12pt } 		H1.cjk { font-family: \"DejaVu Sans\"; font-size: 12pt } 		H1.ctl { font-family: \"DejaVu Sans\"; font-size: 12pt; font-weight: medium } -->\n<h2><span style=\"font-size: medium;\"><span style=\"text-decoration: underline;\">REENA S. KALLAT</span></span></h2>\n<span>1973                   Born in Delhi, India</span>\n<ol>\n	<li>\n<ol>\n	<li><span>B.F.A. 		[painting], Sir J.J.School of Art, Mumbai</span></li>\n</ol>\n</li>\n</ol>\nThe artist lives and works in Mumbai.\n\n<span><em><strong>SOLO EXHIBITIONS</strong></em></span>\n\n<span><span>2009 </span><span><em>Drift</em></span><span>, Primo Marella Gallery, Milan </span><span><em>*</em></span></span>\n\n<span><span>2008 </span><span><em>Silt of Seasons</em></span><span>, Chemould Prescott Road, Mumbai </span><span><em>*</em></span></span>\n\n<span><span>2008 </span><span><em>Subject to Change without Notice</em></span><span>, Walsh Gallery, Chicago </span><span><em>*</em></span></span>\n\n<span><span>2006 </span><span><em>Rainbow Of Refuse, </em></span><span>Bodhi Art Gallery, Mumbai and Singapore </span><span><em>* </em></span></span>\n\n<span><span>2005 </span><span><em>Black Flute (And Other Stories)</em></span><span>, Nature Morte, New Delhi </span><span><em>*</em></span></span>\n\n<span><span>2004 </span><span><em>Black Flute</em></span><span>, Gallery Chemould, Mumbai </span><span><em>*</em></span></span>\n\n<span>2002 </span><span><em>The Battlefield Is The Mind</em></span><span>, Sakshi Gallery, Bangalore </span><span><em>*</em></span>\n\n<span>2002 </span><span><em>Seven Faces of Dust</em></span><span>, Chicago Radio, Mumbai</span>\n\n<span><span>2000 </span><span><em>Skin</em></span><span>, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi </span><span><em>*</em></span></span>\n<ol>\n	<li><span><span><em>Orchard 	of Home-grown Secrets</em></span><span>, 	Gallery Chemould and Pundole Art Gallery, Mumbai </span><span><em>*</em></span></span></li>\n</ol>\n<span><em><strong>SELECTED GROUP EXHIBITIONS</strong></em></span>\n\n<span><span>2010 </span><span><em>In Transition: New Art from India</em></span><span>, Richmond Art Gallery in collaboration with the Vancouver Biennale, Vancouver</span></span>\n\n<span><span>2010 </span><span><em>Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster </em></span><span><em>University</em></span><span>, curated by Jeffrey Hughes and Dana Turkovic, Cecile R. Hunt </span>Gallery, St. Louis, Missouri</span>\n\n<span><span>2010 </span><span><em>Never Run Away</em></span><span>, 2 person exhibition curated by Shaheen Merali, Stux Gallery, New York </span><span><em>*</em></span></span>\n\n<span><span>2010 </span><span><em>The Empire Strikes Back</em></span><span>, Saatchi Gallery, London </span><span><em>*</em></span></span>\n\n<span><span>2010 </span><span><em> Urban Manners 2</em></span><span>, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao Paulo, Brazil</span></span>\n\n<span><span>2009 </span><span><em>View Points and Viewing points - 2009 Asian Art Biennale</em></span><span>, National Taiwan\n\nMuseum of Fine Arts </span><span><em>*</em></span></span>\n\n<span><span>2009 </span><span><em>Spectrum: Indian Art at Abu Dhabi</em></span><span>, United Arab Emirates</span></span>\n\n<span><span>2009 </span><span><em>Milan Galleria</em></span><span>, curated by Georgio Verzotti, Triennale Museum, Milan</span></span>\n\n2009                  <em>Passage to India Part II show </em>at Initial Access, Frank Cohen Collection, Wolverhampton, UK\n\n<span>2009                  Ventosul Biennale, Curitiba, Brazil </span>\n\n<span><span>2009 </span><span><em> Chalo! India: A New Era of Indian Art</em></span><span>, National Museum of Contemporary Art, </span></span>\n\n<span><span>Korea and Essl Museum, Vienna </span><span><em>*</em></span></span>\n\n<span><span>2009 </span><span><em>INDIA XIANZAI: Contemporary Indian Art</em></span><span>, Museum of Contemporary Art, Shanghai </span><span><em>*</em></span><span> </span></span>\n<ol>\n	<li><span><span><em>Low 	Blow: And Other Species of Confusion</em></span><span>, 	Stux gallery, New York</span></span></li>\n</ol>\n<span><span>2009</span><span><em> Indian Narratives in the 21</em></span><sup><span><em>st</em></span></sup><span><em> Century: Between Memory and History</em></span><span>, Casa Asia, Madrid and Barcelona, Spain </span></span>\n\n<span><span>2009 </span><span><em>Body Chatter</em></span><span>, Walsh Gallery, Chicago</span></span>\n\n2008     <em> Chalo! India: A New Era of Indian Art</em>, Mori Art Museum, Japan <em>*</em>\n\n2008                  India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM Museum, Valencia, Spain <em>* </em>\n\n<span>2008                     <span><em>3</em></span><sup><span><em>rd</em></span></sup><span><em> Nanjing Triennale</em></span><span>, curators: Fumihiko Sumitomo, Jaeyoung Kang, China</span></span>\n\n<span>2008                     <span><em>TEAF (Taehwagang Eco Art Festival) - Dream River</em></span><span>, Korea</span> * </span>\n\n2008                  <em>Everywhere is War (And Rumours of it</em>), Bodhi Art Gallery, Mumbai <em>*</em>\n\n2008                  <em>Fire Walkers</em>, Stefan Stux gallery, New York\n\n2008                  <em>Three Points of view</em>, Galerie Mirchandani + Steinrucke, Mumbai <em>*</em>\n\n2008                  <em>A MAZ ING</em>, curated by Anupa Mehta for Harsh Goenka/RPG Academy of Art and Culture at the Jehangir Art Gallery, Mumbai\n\n2008                  <em>Excavation: Memory / Myth / Membrane</em>, Museum Gallery, Mumbai <em>*</em>\n\n2007                  <em>International Incheon Women Artists’</em> <em>Biennale</em>, Korea <em>*</em>\n\n2007                  <em>Soft Power: Asian Attitude</em>, Shanghai Zendai Museum of Modern Art, Shanghai <em>*</em>\n\n2007                  <em>Urban Manners</em>, curated by Adelina Von Furstenberg, at Hangar Bicocca , Milan\n\n2007                  <em>INDIA NOW: Contemporary Indian Art, Between Continuity and transformation</em>, curated by Daniela Palozzoli at Spazio Oberdan, Milan <em>*</em>\n\n2007                  <em>New Narratives: Contemporary Art From India</em>, curated by Betty Seid, Chicago Cultural Centre, Chicago <em>*</em>\n\n2007                  <em>Thermocline Of Art- New Asian Waves</em>, curated by Wonil Rhee and Peter Weibel at ZKM in Karlsruhe, Germany <em>*</em>\n\n2007                  <em>Indian Colour</em>, Keumsan Gallery, Heyri, Korea\n\n<span><span>2006 </span><span><em>Modern Indian Works On Paper,</em></span><span> Arthur Ross Gallery, Philadelphia and the Georgia Museum of Art, USA * </span></span>\n\n<span><span>2006 </span><span><em>Lille 3000 (</em></span><span> Maximum City-Mumbai), Lille, France </span><span><em>*</em></span></span>\n\n<span><span>2006</span><span><em> Hungry God- Indian Contemporary Art</em></span><span>, curated by Yun Chaegab and June Gwak, Arario Gallery, Beijing and Busan MoMA</span><span><em>*</em></span><span> </span></span>\n\n<span><span>2006 </span><span><em>India Express – Art and Popular Culture</em></span><span>, Art Museum Tennispalace, curators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City Art Museum, Finland </span><span><em>*</em></span></span>\n\n<span><span>2005 </span><span><em>Mom and Pop Art, </em></span><span>Walsh Gallery, Chicago</span></span>\n\n<span><span>2005 </span><span><em>Span</em></span><span>, Sakshi Gallery, Mumbai</span></span>\n\n<span><span>2005 </span><span><em>Indian Paintings of the New Millenium</em></span><span>, curated by </span><span>Helen Asquine Fazio at Thomas J. Walsh Art Gallery at Fairfield University, USA</span><span><em>*</em></span></span>\n\n<span><span>2004 </span><span><em> Contemporary Art from India</em></span><span>, Thomas Erben Gallery, New York</span></span>\n<ol>\n	<li><em>Zoom! Art in Contemporary 	India.</em> Curators: Nancy Adajania and Luis</li>\n</ol>\nSerpa, The Culturgest Museum, Lisbon, Portugal *<em> </em>\n\n<span><span>2003</span><span><em> Crossing generations: diVERGE</em></span><span>, Gallery Chemould’s 40th anniversary, </span>Curators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of Modern </span>\n\n<span><span>Art, Mumbai </span><span><em>*</em></span><span> </span></span>\n\n<span><span>2003</span><span><em> Hard Copy,</em></span><span> two-person show with Jitish Kallat, Gallery 88, Calcutta *</span></span>\n\n<span><span>2003 </span><span><em>Tiranga</em></span><span>, curator: Peter Nagy, India Habitat Centre, New Delhi, </span><span><em>*</em></span></span>\n\n<span><span>2003</span><span><em> Elephant Walks</em></span><span>, Youth Arts Project in collaboration with Jitish Kallat as part of </span>Indians + Cowboys exhibition, Curators: Aaron Seetu and Ruth Watson</span>\n\n<span><span>Gallery 4A, Sydney </span><span><em>*</em></span><span> </span><span><em> </em></span><span> </span></span>\n\n<span><span>2003 </span><span><em>The Tree From The Seed, Contemporary Art from India, </em></span><span>curator: Gavin Jantjes Henie Onstad Kunstsenter (Oslo), Norway </span><span><em>*</em></span></span>\n\n<span><span>2002 </span><span><em>Crosscurrents</em></span><span>, organized by Artworks for the fiftieth anniversary </span>celebrations of Jehangir Art Gallery, Mumbai </span>\n<ol>\n	<li><span><span><em>Reclaim 	Our Freedom</em></span><span>, 	organized by Open Circle, Pundole Art Gallery, Mumbai </span></span></li>\n</ol>\n<ol>\n	<li><span><span><em>Crossing 	Borders</em></span><span>, Gallery 	Windkracht 13, Den Helder, Holland</span></span></li>\n</ol>\n<ol>\n	<li><span><span><em>Big 	River 2</em></span><span>, CCA7 	Gallery, Port Of Spain, Trinidad </span><span><em>*</em></span></span></li>\n</ol>\n<span><span>2001 </span><span><em>AOM- Art on the move</em></span><span>, organized by Sahmat, New Delhi </span><span><em>*</em></span><span> </span></span>\n\n<span><span>1999</span><span><em> Edge of the Century,</em></span><span> curated by Amit Mukhopadhyay, Academy of Fine Arts and Literature, New Delhi </span><span><em>*</em></span></span>\n\n<em>* </em>exhibition catalogue published\n\n<span><em><strong>SELECTED WORKSHOPS AND RESIDENCIES</strong></em></span>\n\n<span><span>2009 </span><span><em>Vanishing Point</em></span><span>, children’s project at the Celebrate Bandra Festival, Mumbai </span></span>\n<ol>\n	<li><span><span>Collaborative 	workshop as part of the exhibition </span><span><em>Aftershock</em></span><span> at the Sainsbury </span></span></li>\n</ol>\n<span><span>Centre for Visual Arts, University of East Anglia, Norwich, UK</span></span>\n<ol>\n	<li><span>Collaborated 	on a Billboard project with Jitish Kallat, funded by the Swiss       	            Council, Kala Ghoda Art District, Mumbai</span></li>\n</ol>\n<span><span>2003 </span><span><em>Elephant Walks</em></span><span>, Youth Arts Project at the Casula Power House </span>Arts Centre, Liverpool, Australia</span>\n\n<span><span>2002</span><span><em> Khoj 2002</em></span><span>, International Artists Workshop, Mysore, India</span></span>\n\n<span><span>2002</span><span><em> Identity and Landscape</em></span><span>, residency in the Laurentian mountains of Quebec at the </span></span>Boreal Art/Nature Centre, Canada\n\n<span><span>2001 </span><span><em>Big River 2</em></span><span>, International Artists Workshop organized by CCA7 and the Triangle </span></span>Arts Trust at Grand Riviere, Trinidad, West Indies','Info','','inherit','open','open','','89-autosave','','','2010-05-11 17:40:52','2010-05-11 17:40:52','',89,'http://biggventures.com/demo/artists/629/uncat/89-autosave',0,'revision','',0),(667,1,'2010-04-22 08:00:25','2010-04-22 08:00:25','<!-- 		@page { size: 21cm 29.7cm; margin: 2cm } 		P { margin-bottom: 0cm } 		P.western { font-size: 11pt } 		P.cjk { font-size: 11pt } 		H2 { margin-top: 0cm; margin-bottom: 0cm } 		H2.western { font-family: \"Nimbus Roman No9 L\", serif; font-size: 11pt } 		H2.cjk { font-family: \"DejaVu Sans\"; font-size: 11pt } 		H2.ctl { font-family: \"DejaVu Sans\"; font-size: 12pt; font-weight: medium } 		H1 { margin-top: 0cm; margin-bottom: 0cm } 		H1.western { font-family: \"Nimbus Roman No9 L\", serif; font-size: 12pt } 		H1.cjk { font-family: \"DejaVu Sans\"; font-size: 12pt } 		H1.ctl { font-family: \"DejaVu Sans\"; font-size: 12pt; font-weight: medium } -->\r\n<h2><span style=\"font-size: medium;\"><span style=\"text-decoration: underline;\">REENA S. KALLAT</span></span></h2>\r\n<span>1973                   Born in Delhi, India</span>\r\n<ol>\r\n	<li>\r\n<ol>\r\n	<li><span>B.F.A. 		[painting], Sir J.J.School of Art, Mumbai</span></li>\r\n</ol>\r\n</li>\r\n</ol>\r\nThe artist lives and works in Mumbai.\r\n\r\n<span><em><strong>SOLO EXHIBITIONS</strong></em></span>\r\n\r\n<span><span>2009 </span><span><em>Drift</em></span><span>, Primo Marella Gallery, Milan </span><span><em>*</em></span></span>\r\n\r\n<span><span>2008 </span><span><em>Silt of Seasons</em></span><span>, Chemould Prescott Road, Mumbai </span><span><em>*</em></span></span>\r\n\r\n<span><span>2008 </span><span><em>Subject to Change without Notice</em></span><span>, Walsh Gallery, Chicago </span><span><em>*</em></span></span>\r\n\r\n<span><span>2006 </span><span><em>Rainbow Of Refuse, </em></span><span>Bodhi Art Gallery, Mumbai and Singapore </span><span><em>* </em></span></span>\r\n\r\n<span><span>2005 </span><span><em>Black Flute (And Other Stories)</em></span><span>, Nature Morte, New Delhi </span><span><em>*</em></span></span>\r\n\r\n<span><span>2004 </span><span><em>Black Flute</em></span><span>, Gallery Chemould, Mumbai </span><span><em>*</em></span></span>\r\n\r\n<span>2002 </span><span><em>The Battlefield Is The Mind</em></span><span>, Sakshi Gallery, Bangalore </span><span><em>*</em></span>\r\n\r\n<span>2002 </span><span><em>Seven Faces of Dust</em></span><span>, Chicago Radio, Mumbai</span>\r\n\r\n<span><span>2000 </span><span><em>Skin</em></span><span>, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi </span><span><em>*</em></span></span>\r\n<ol>\r\n	<li><span><span><em>Orchard 	of Home-grown Secrets</em></span><span>, 	Gallery Chemould and Pundole Art Gallery, Mumbai </span><span><em>*</em></span></span></li>\r\n</ol>\r\n<span><em><strong>SELECTED GROUP EXHIBITIONS</strong></em></span>\r\n\r\n<span><span>2010 </span><span><em>In Transition: New Art from India</em></span><span>, Richmond Art Gallery in collaboration with the Vancouver Biennale, Vancouver</span></span>\r\n\r\n<span><span>2010 </span><span><em>Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster </em></span><span><em>University</em></span><span>, curated by Jeffrey Hughes and Dana Turkovic, Cecile R. Hunt </span>Gallery, St. Louis, Missouri</span>\r\n\r\n<span><span>2010 </span><span><em>Never Run Away</em></span><span>, 2 person exhibition curated by Shaheen Merali, Stux Gallery, New York </span><span><em>*</em></span></span>\r\n\r\n<span><span>2010 </span><span><em>The Empire Strikes Back</em></span><span>, Saatchi Gallery, London </span><span><em>*</em></span></span>\r\n\r\n<span><span>2010 </span><span><em> Urban Manners 2</em></span><span>, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao Paulo, Brazil</span></span>\r\n\r\n<span><span>2009 </span><span><em>View Points and Viewing points - 2009 Asian Art Biennale</em></span><span>, National Taiwan\r\nMuseum of Fine Arts </span><span><em>*</em></span></span>\r\n\r\n<span><span>2009 </span><span><em>Spectrum: Indian Art at Abu Dhabi</em></span><span>, United Arab Emirates</span></span>\r\n\r\n<span><span>2009 </span><span><em>Milan Galleria</em></span><span>, curated by Georgio Verzotti, Triennale Museum, Milan</span></span>\r\n\r\n2009                  <em>Passage to India Part II show </em>at Initial Access, Frank Cohen Collection, Wolverhampton, UK\r\n\r\n<span>2009                  Ventosul Biennale, Curitiba, Brazil </span>\r\n\r\n<span><span>2009 </span><span><em> Chalo! India: A New Era of Indian Art</em></span><span>, National Museum of Contemporary Art, </span></span>\r\n\r\n<span><span>Korea and Essl Museum, Vienna </span><span><em>*</em></span></span>\r\n\r\n<span><span>2009 </span><span><em>INDIA XIANZAI: Contemporary Indian Art</em></span><span>, Museum of Contemporary Art, Shanghai </span><span><em>*</em></span><span> </span></span>\r\n<ol>\r\n	<li><span><span><em>Low 	Blow: And Other Species of Confusion</em></span><span>, 	Stux gallery, New York</span></span></li>\r\n</ol>\r\n<span><span>2009</span><span><em> Indian Narratives in the 21</em></span><sup><span><em>st</em></span></sup><span><em> Century: Between Memory and History</em></span><span>, Casa Asia, Madrid and Barcelona, Spain </span></span>\r\n\r\n<span><span>2009 </span><span><em>Body Chatter</em></span><span>, Walsh Gallery, Chicago</span></span>\r\n\r\n2008     <em> Chalo! India: A New Era of Indian Art</em>, Mori Art Museum, Japan <em>*</em>\r\n\r\n2008                  India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM Museum, Valencia, Spain <em>* </em>\r\n\r\n<span>2008                     <span><em>3</em></span><sup><span><em>rd</em></span></sup><span><em> Nanjing Triennale</em></span><span>, curators: Fumihiko Sumitomo, Jaeyoung Kang, China</span></span>\r\n\r\n<span>2008                     <span><em>TEAF (Taehwagang Eco Art Festival) - Dream River</em></span><span>, Korea</span> * </span>\r\n\r\n2008                  <em>Everywhere is War (And Rumours of it</em>), Bodhi Art Gallery, Mumbai <em>*</em>\r\n\r\n2008                  <em>Fire Walkers</em>, Stefan Stux gallery, New York\r\n\r\n2008                  <em>Three Points of view</em>, Galerie Mirchandani + Steinrucke, Mumbai <em>*</em>\r\n\r\n2008                  <em>A MAZ ING</em>, curated by Anupa Mehta for Harsh Goenka/RPG Academy of Art and Culture at the Jehangir Art Gallery, Mumbai\r\n\r\n2008                  <em>Excavation: Memory / Myth / Membrane</em>, Museum Gallery, Mumbai <em>*</em>\r\n\r\n2007                  <em>International Incheon Women Artists’</em> <em>Biennale</em>, Korea <em>*</em>\r\n\r\n2007                  <em>Soft Power: Asian Attitude</em>, Shanghai Zendai Museum of Modern Art, Shanghai <em>*</em>\r\n\r\n2007                  <em>Urban Manners</em>, curated by Adelina Von Furstenberg, at Hangar Bicocca , Milan\r\n\r\n2007                  <em>INDIA NOW: Contemporary Indian Art, Between Continuity and transformation</em>, curated by Daniela Palozzoli at Spazio Oberdan, Milan <em>*</em>\r\n\r\n2007                  <em>New Narratives: Contemporary Art From India</em>, curated by Betty Seid, Chicago Cultural Centre, Chicago <em>*</em>\r\n\r\n2007                  <em>Thermocline Of Art- New Asian Waves</em>, curated by Wonil Rhee and Peter Weibel at ZKM in Karlsruhe, Germany <em>*</em>\r\n\r\n2007                  <em>Indian Colour</em>, Keumsan Gallery, Heyri, Korea\r\n\r\n<span><span>2006 </span><span><em>Modern Indian Works On Paper,</em></span><span> Arthur Ross Gallery, Philadelphia and the Georgia Museum of Art, USA * </span></span>\r\n\r\n<span><span>2006 </span><span><em>Lille 3000 (</em></span><span> Maximum City-Mumbai), Lille, France </span><span><em>*</em></span></span>\r\n\r\n<span><span>2006</span><span><em> Hungry God- Indian Contemporary Art</em></span><span>, curated by Yun Chaegab and June Gwak, Arario Gallery, Beijing and Busan MoMA</span><span><em>*</em></span><span> </span></span>\r\n\r\n<span><span>2006 </span><span><em>India Express – Art and Popular Culture</em></span><span>, Art Museum Tennispalace, curators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City Art Museum, Finland </span><span><em>*</em></span></span>\r\n\r\n<span><span>2005 </span><span><em>Mom and Pop Art, </em></span><span>Walsh Gallery, Chicago</span></span>\r\n\r\n<span><span>2005 </span><span><em>Span</em></span><span>, Sakshi Gallery, Mumbai</span></span>\r\n\r\n<span><span>2005 </span><span><em>Indian Paintings of the New Millenium</em></span><span>, curated by </span><span>Helen Asquine Fazio at Thomas J. Walsh Art Gallery at Fairfield University, USA</span><span><em>*</em></span></span>\r\n\r\n<span><span>2004 </span><span><em> Contemporary Art from India</em></span><span>, Thomas Erben Gallery, New York</span></span>\r\n<ol>\r\n	<li><em>Zoom! Art in Contemporary 	India.</em> Curators: Nancy Adajania and Luis</li>\r\n</ol>\r\nSerpa, The Culturgest Museum, Lisbon, Portugal *<em> </em>\r\n\r\n<span><span>2003</span><span><em> Crossing generations: diVERGE</em></span><span>, Gallery Chemould’s 40th anniversary, </span>Curators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of Modern </span>\r\n\r\n<span><span>Art, Mumbai </span><span><em>*</em></span><span> </span></span>\r\n\r\n<span><span>2003</span><span><em> Hard Copy,</em></span><span> two-person show with Jitish Kallat, Gallery 88, Calcutta *</span></span>\r\n\r\n<span><span>2003 </span><span><em>Tiranga</em></span><span>, curator: Peter Nagy, India Habitat Centre, New Delhi, </span><span><em>*</em></span></span>\r\n\r\n<span><span>2003</span><span><em> Elephant Walks</em></span><span>, Youth Arts Project in collaboration with Jitish Kallat as part of </span>Indians + Cowboys exhibition, Curators: Aaron Seetu and Ruth Watson</span>\r\n\r\n<span><span>Gallery 4A, Sydney </span><span><em>*</em></span><span> </span><span><em> </em></span><span> </span></span>\r\n\r\n<span><span>2003 </span><span><em>The Tree From The Seed, Contemporary Art from India, </em></span><span>curator: Gavin Jantjes Henie Onstad Kunstsenter (Oslo), Norway </span><span><em>*</em></span></span>\r\n\r\n<span><span>2002 </span><span><em>Crosscurrents</em></span><span>, organized by Artworks for the fiftieth anniversary </span>celebrations of Jehangir Art Gallery, Mumbai </span>\r\n<ol>\r\n	<li><span><span><em>Reclaim 	Our Freedom</em></span><span>, 	organized by Open Circle, Pundole Art Gallery, Mumbai </span></span></li>\r\n</ol>\r\n<ol>\r\n	<li><span><span><em>Crossing 	Borders</em></span><span>, Gallery 	Windkracht 13, Den Helder, Holland</span></span></li>\r\n</ol>\r\n<ol>\r\n	<li><span><span><em>Big 	River 2</em></span><span>, CCA7 	Gallery, Port Of Spain, Trinidad </span><span><em>*</em></span></span></li>\r\n</ol>\r\n<span><span>2001 </span><span><em>AOM- Art on the move</em></span><span>, organized by Sahmat, New Delhi </span><span><em>*</em></span><span> </span></span>\r\n\r\n<span><span>1999</span><span><em> Edge of the Century,</em></span><span> curated by Amit Mukhopadhyay, Academy of Fine Arts and Literature, New Delhi </span><span><em>*</em></span></span>\r\n\r\n<em>* </em>exhibition catalogue published\r\n\r\n<span><em><strong>SELECTED WORKSHOPS AND RESIDENCIES</strong></em></span>\r\n\r\n<span><span>2009 </span><span><em>Vanishing Point</em></span><span>, children’s project at the Celebrate Bandra Festival, Mumbai </span></span>\r\n<ol>\r\n	<li><span><span>Collaborative 	workshop as part of the exhibition </span><span><em>Aftershock</em></span><span> at the Sainsbury </span></span></li>\r\n</ol>\r\n<span><span>Centre for Visual Arts, University of East Anglia, Norwich, UK</span></span>\r\n<ol>\r\n	<li><span>Collaborated 	on a Billboard project with Jitish Kallat, funded by the Swiss       	            Council, Kala Ghoda Art District, Mumbai</span></li>\r\n</ol>\r\n<span><span>2003 </span><span><em>Elephant Walks</em></span><span>, Youth Arts Project at the Casula Power House </span>Arts Centre, Liverpool, Australia</span>\r\n\r\n<span><span>2002</span><span><em> Khoj 2002</em></span><span>, International Artists Workshop, Mysore, India</span></span>\r\n\r\n<span><span>2002</span><span><em> Identity and Landscape</em></span><span>, residency in the Laurentian mountains of Quebec at the </span></span>Boreal Art/Nature Centre, Canada\r\n\r\n<span><span>2001 </span><span><em>Big River 2</em></span><span>, International Artists Workshop organized by CCA7 and the Triangle </span></span>Arts Trust at Grand Riviere, Trinidad, West Indies','CV','','inherit','open','open','','89-revision-8','','','2010-04-22 08:00:25','2010-04-22 08:00:25','',89,'http://www.biggventures.com/demo/artists/667/uncat/89-revision-8',0,'revision','',0),(635,1,'2010-04-22 07:54:40','2010-04-22 07:54:40','<!-- 		@page { size: 21cm 29.7cm; margin: 2cm } 		P { margin-bottom: 0cm } 		P.western { font-size: 11pt } 		P.cjk { font-size: 11pt } 		H2 { margin-top: 0cm; margin-bottom: 0cm } 		H2.western { font-family: \"Nimbus Roman No9 L\", serif; font-size: 11pt } 		H2.cjk { font-family: \"DejaVu Sans\"; font-size: 11pt } 		H2.ctl { font-family: \"DejaVu Sans\"; font-size: 12pt; font-weight: medium } 		H1 { margin-top: 0cm; margin-bottom: 0cm } 		H1.western { font-family: \"Nimbus Roman No9 L\", serif; font-size: 12pt } 		H1.cjk { font-family: \"DejaVu Sans\"; font-size: 12pt } 		H1.ctl { font-family: \"DejaVu Sans\"; font-size: 12pt; font-weight: medium } -->\r\n<h2><span style=\"font-size: medium;\"><span style=\"text-decoration: underline;\">REENA S. KALLAT</span></span></h2>\r\n<span>1973                   Born in Delhi, India</span>\r\n<ol>\r\n	<li>\r\n<ol>\r\n	<li><span>B.F.A. 		[painting], Sir J.J.School of Art, Mumbai</span></li>\r\n</ol>\r\n</li>\r\n</ol>\r\n<span><em><strong>SOLO EXHIBITIONS</strong></em></span>\r\n\r\n<span><span>2009 </span><span><em>Drift</em></span><span>, Primo Marella Gallery, Milan </span><span><em>*</em></span></span>\r\n\r\n<span><span>2008 </span><span><em>Silt of Seasons</em></span><span>, Chemould Prescott Road, Mumbai </span><span><em>*</em></span></span>\r\n\r\n<span><span>2008 </span><span><em>Subject to Change without Notice</em></span><span>, Walsh Gallery, Chicago </span><span><em>*</em></span></span>\r\n\r\n<span><span>2006 </span><span><em>Rainbow Of Refuse, </em></span><span>Bodhi Art Gallery, Mumbai and Singapore </span><span><em>* </em></span></span>\r\n\r\n<span><span>2005 </span><span><em>Black Flute (And Other Stories)</em></span><span>, Nature Morte, New Delhi </span><span><em>*</em></span></span>\r\n\r\n<span><span>2004 </span><span><em>Black Flute</em></span><span>, Gallery Chemould, Mumbai </span><span><em>*</em></span></span>\r\n\r\n<span>2002 </span><span><em>The Battlefield Is The Mind</em></span><span>, Sakshi Gallery, Bangalore </span><span><em>*</em></span>\r\n\r\n<span>2002 </span><span><em>Seven Faces of Dust</em></span><span>, Chicago Radio, Mumbai</span>\r\n\r\n<span><span>2000 </span><span><em>Skin</em></span><span>, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi </span><span><em>*</em></span></span>\r\n<ol>\r\n	<li><span><span><em>Orchard 	of Home-grown Secrets</em></span><span>, 	Gallery Chemould and Pundole Art Gallery, Mumbai </span><span><em>*</em></span></span></li>\r\n</ol>\r\n<span><em><strong>SELECTED GROUP EXHIBITIONS</strong></em></span>\r\n\r\n<span><span>2010 </span><span><em>In Transition: New Art from India</em></span><span>, Richmond Art Gallery in collaboration with the Vancouver Biennale, Vancouver</span></span>\r\n\r\n<span><span>2010 </span><span><em>Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster </em></span><span><em>University</em></span><span>, curated by Jeffrey Hughes and Dana Turkovic, Cecile R. Hunt </span>Gallery, St. Louis, Missouri</span>\r\n\r\n<span><span>2010 </span><span><em>Never Run Away</em></span><span>, 2 person exhibition curated by Shaheen Merali, Stux Gallery, New York </span><span><em>*</em></span></span>\r\n\r\n<span><span>2010 </span><span><em>The Empire Strikes Back</em></span><span>, Saatchi Gallery, London </span><span><em>*</em></span></span>\r\n\r\n<span><span>2010 </span><span><em> Urban Manners 2</em></span><span>, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao Paulo, Brazil</span></span>\r\n\r\n<span><span>2009 </span><span><em>View Points and Viewing points - 2009 Asian Art Biennale</em></span><span>, National Taiwan\r\nMuseum of Fine Arts </span><span><em>*</em></span></span>\r\n\r\n<span><span>2009 </span><span><em>Spectrum: Indian Art at Abu Dhabi</em></span><span>, United Arab Emirates</span></span>\r\n\r\n<span><span>2009 </span><span><em>Milan Galleria</em></span><span>, curated by Georgio Verzotti, Triennale Museum, Milan</span></span>\r\n\r\n2009                  <em>Passage to India Part II show </em>at Initial Access, Frank Cohen Collection, Wolverhampton, UK\r\n\r\n<span>2009                  Ventosul Biennale, Curitiba, Brazil </span>\r\n\r\n<span><span>2009 </span><span><em> Chalo! India: A New Era of Indian Art</em></span><span>, National Museum of Contemporary Art, </span></span>\r\n\r\n<span><span>Korea and Essl Museum, Vienna </span><span><em>*</em></span></span>\r\n\r\n<span><span>2009 </span><span><em>INDIA XIANZAI: Contemporary Indian Art</em></span><span>, Museum of Contemporary Art, Shanghai </span><span><em>*</em></span><span> </span></span>\r\n<ol>\r\n	<li><span><span><em>Low 	Blow: And Other Species of Confusion</em></span><span>, 	Stux gallery, New York</span></span></li>\r\n</ol>\r\n<span><span>2009</span><span><em> Indian Narratives in the 21</em></span><sup><span><em>st</em></span></sup><span><em> Century: Between Memory and History</em></span><span>, Casa Asia, Madrid and Barcelona, Spain </span></span>\r\n\r\n<span><span>2009 </span><span><em>Body Chatter</em></span><span>, Walsh Gallery, Chicago</span></span>\r\n\r\n2008     <em> Chalo! India: A New Era of Indian Art</em>, Mori Art Museum, Japan <em>*</em>\r\n\r\n2008                  India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM Museum, Valencia, Spain <em>* </em>\r\n\r\n<span>2008                     <span><em>3</em></span><sup><span><em>rd</em></span></sup><span><em> Nanjing Triennale</em></span><span>, curators: Fumihiko Sumitomo, Jaeyoung Kang, China</span></span>\r\n\r\n<span>2008                     <span><em>TEAF (Taehwagang Eco Art Festival) - Dream River</em></span><span>, Korea</span> * </span>\r\n\r\n2008                  <em>Everywhere is War (And Rumours of it</em>), Bodhi Art Gallery, Mumbai <em>*</em>\r\n\r\n2008                  <em>Fire Walkers</em>, Stefan Stux gallery, New York\r\n\r\n2008                  <em>Three Points of view</em>, Galerie Mirchandani + Steinrucke, Mumbai <em>*</em>\r\n\r\n2008                  <em>A MAZ ING</em>, curated by Anupa Mehta for Harsh Goenka/RPG Academy of Art and Culture at the Jehangir Art Gallery, Mumbai\r\n\r\n2008                  <em>Excavation: Memory / Myth / Membrane</em>, Museum Gallery, Mumbai <em>*</em>\r\n\r\n2007                  <em>International Incheon Women Artists’</em> <em>Biennale</em>, Korea <em>*</em>\r\n\r\n2007                  <em>Soft Power: Asian Attitude</em>, Shanghai Zendai Museum of Modern Art, Shanghai <em>*</em>\r\n\r\n2007                  <em>Urban Manners</em>, curated by Adelina Von Furstenberg, at Hangar Bicocca , Milan\r\n\r\n2007                  <em>INDIA NOW: Contemporary Indian Art, Between Continuity and transformation</em>, curated by Daniela Palozzoli at Spazio Oberdan, Milan <em>*</em>\r\n\r\n2007                  <em>New Narratives: Contemporary Art From India</em>, curated by Betty Seid, Chicago Cultural Centre, Chicago <em>*</em>\r\n\r\n2007                  <em>Thermocline Of Art- New Asian Waves</em>, curated by Wonil Rhee and Peter Weibel at ZKM in Karlsruhe, Germany <em>*</em>\r\n\r\n2007                  <em>Indian Colour</em>, Keumsan Gallery, Heyri, Korea\r\n\r\n<span><span>2006 </span><span><em>Modern Indian Works On Paper,</em></span><span> Arthur Ross Gallery, Philadelphia and the Georgia Museum of Art, USA * </span></span>\r\n\r\n<span><span>2006 </span><span><em>Lille 3000 (</em></span><span> Maximum City-Mumbai), Lille, France </span><span><em>*</em></span></span>\r\n\r\n<span><span>2006</span><span><em> Hungry God- Indian Contemporary Art</em></span><span>, curated by Yun Chaegab and June Gwak, Arario Gallery, Beijing and Busan MoMA</span><span><em>*</em></span><span> </span></span>\r\n\r\n<span><span>2006 </span><span><em>India Express – Art and Popular Culture</em></span><span>, Art Museum Tennispalace, curators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City Art Museum, Finland </span><span><em>*</em></span></span>\r\n\r\n<span><span>2005 </span><span><em>Mom and Pop Art, </em></span><span>Walsh Gallery, Chicago</span></span>\r\n\r\n<span><span>2005 </span><span><em>Span</em></span><span>, Sakshi Gallery, Mumbai</span></span>\r\n\r\n<span><span>2005 </span><span><em>Indian Paintings of the New Millenium</em></span><span>, curated by </span><span>Helen Asquine Fazio at Thomas J. Walsh Art Gallery at Fairfield University, USA</span><span><em>*</em></span></span>\r\n\r\n<span><span>2004 </span><span><em> Contemporary Art from India</em></span><span>, Thomas Erben Gallery, New York</span></span>\r\n<ol>\r\n	<li><em>Zoom! Art in Contemporary 	India.</em> Curators: Nancy Adajania and Luis</li>\r\n</ol>\r\nSerpa, The Culturgest Museum, Lisbon, Portugal *<em> </em>\r\n\r\n<span><span>2003</span><span><em> Crossing generations: diVERGE</em></span><span>, Gallery Chemould’s 40th anniversary, </span>Curators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of Modern </span>\r\n\r\n<span><span>Art, Mumbai </span><span><em>*</em></span><span> </span></span>\r\n\r\n<span><span>2003</span><span><em> Hard Copy,</em></span><span> two-person show with Jitish Kallat, Gallery 88, Calcutta *</span></span>\r\n\r\n<span><span>2003 </span><span><em>Tiranga</em></span><span>, curator: Peter Nagy, India Habitat Centre, New Delhi, </span><span><em>*</em></span></span>\r\n\r\n<span><span>2003</span><span><em> Elephant Walks</em></span><span>, Youth Arts Project in collaboration with Jitish Kallat as part of </span>Indians + Cowboys exhibition, Curators: Aaron Seetu and Ruth Watson</span>\r\n\r\n<span><span>Gallery 4A, Sydney </span><span><em>*</em></span><span> </span><span><em> </em></span><span> </span></span>\r\n\r\n<span><span>2003 </span><span><em>The Tree From The Seed, Contemporary Art from India, </em></span><span>curator: Gavin Jantjes Henie Onstad Kunstsenter (Oslo), Norway </span><span><em>*</em></span></span>\r\n\r\n<span><span>2002 </span><span><em>Crosscurrents</em></span><span>, organized by Artworks for the fiftieth anniversary </span>celebrations of Jehangir Art Gallery, Mumbai </span>\r\n<ol>\r\n	<li><span><span><em>Reclaim 	Our Freedom</em></span><span>, 	organized by Open Circle, Pundole Art Gallery, Mumbai </span></span></li>\r\n</ol>\r\n<ol>\r\n	<li><span><span><em>Crossing 	Borders</em></span><span>, Gallery 	Windkracht 13, Den Helder, Holland</span></span></li>\r\n</ol>\r\n<ol>\r\n	<li><span><span><em>Big 	River 2</em></span><span>, CCA7 	Gallery, Port Of Spain, Trinidad </span><span><em>*</em></span></span></li>\r\n</ol>\r\n<span><span>2001 </span><span><em>AOM- Art on the move</em></span><span>, organized by Sahmat, New Delhi </span><span><em>*</em></span><span> </span></span>\r\n\r\n<span><span>1999</span><span><em> Edge of the Century,</em></span><span> curated by Amit Mukhopadhyay, Academy of Fine Arts and Literature, New Delhi </span><span><em>*</em></span></span>\r\n\r\n<em>* </em>exhibition catalogue published\r\n\r\n<span><em><strong>SELECTED WORKSHOPS AND RESIDENCIES</strong></em></span>\r\n\r\n<span><span>2009 </span><span><em>Vanishing Point</em></span><span>, children’s project at the Celebrate Bandra Festival, Mumbai </span></span>\r\n<ol>\r\n	<li><span><span>Collaborative 	workshop as part of the exhibition </span><span><em>Aftershock</em></span><span> at the Sainsbury </span></span></li>\r\n</ol>\r\n<span><span>Centre for Visual Arts, University of East Anglia, Norwich, UK</span></span>\r\n<ol>\r\n	<li><span>Collaborated 	on a Billboard project with Jitish Kallat, funded by the Swiss       	            Council, Kala Ghoda Art District, Mumbai</span></li>\r\n</ol>\r\n<span><span>2003 </span><span><em>Elephant Walks</em></span><span>, Youth Arts Project at the Casula Power House </span>Arts Centre, Liverpool, Australia</span>\r\n\r\n<span><span>2002</span><span><em> Khoj 2002</em></span><span>, International Artists Workshop, Mysore, India</span></span>\r\n\r\n<span><span>2002</span><span><em> Identity and Landscape</em></span><span>, residency in the Laurentian mountains of Quebec at the </span></span>Boreal Art/Nature Centre, Canada\r\n\r\n<span><span>2001 </span><span><em>Big River 2</em></span><span>, International Artists Workshop organized by CCA7 and the Triangle </span></span>Arts Trust at Grand Riviere, Trinidad, West Indies\r\n\r\nThe artist lives and works in Mumbai.','CV','','inherit','open','open','','89-revision-7','','','2010-04-22 07:54:40','2010-04-22 07:54:40','',89,'http://biggventures.com/demo/artists/635/uncat/89-revision-7',0,'revision','',0),(633,1,'2010-04-22 07:48:28','2010-04-22 07:48:28','<!-- 		@page { size: 21cm 29.7cm; margin: 2cm } 		P { margin-bottom: 0cm } 		P.western { font-size: 11pt } 		P.cjk { font-size: 11pt } 		H2 { margin-top: 0cm; margin-bottom: 0cm } 		H2.western { font-family: \"Nimbus Roman No9 L\", serif; font-size: 11pt } 		H2.cjk { font-family: \"DejaVu Sans\"; font-size: 11pt } 		H2.ctl { font-family: \"DejaVu Sans\"; font-size: 12pt; font-weight: medium } 		H1 { margin-top: 0cm; margin-bottom: 0cm } 		H1.western { font-family: \"Nimbus Roman No9 L\", serif; font-size: 12pt } 		H1.cjk { font-family: \"DejaVu Sans\"; font-size: 12pt } 		H1.ctl { font-family: \"DejaVu Sans\"; font-size: 12pt; font-weight: medium } -->\r\n<h2><span style=\"font-size: medium;\"><span style=\"text-decoration: underline;\">REENA S. KALLAT</span></span></h2>\r\n<span>1973                   Born in Delhi, India</span>\r\n<ol>\r\n	<li>\r\n<ol>\r\n	<li><span>B.F.A. 		[painting], Sir J.J.School of Art, Mumbai</span></li>\r\n</ol>\r\n</li>\r\n</ol>\r\n<span><em><strong>SOLO EXHIBITIONS</strong></em></span>\r\n\r\n<span><span>2009 </span><span><em>Drift</em></span><span>, Primo Marella Gallery, Milan </span><span><em>*</em></span></span>\r\n\r\n<span><span>2008 </span><span><em>Silt of Seasons</em></span><span>, Chemould Prescott Road, Mumbai </span><span><em>*</em></span></span>\r\n\r\n<span><span>2008 </span><span><em>Subject to Change without Notice</em></span><span>, Walsh Gallery, Chicago </span><span><em>*</em></span></span>\r\n\r\n<span><span>2006 </span><span><em>Rainbow Of Refuse, </em></span><span>Bodhi Art Gallery, Mumbai and Singapore </span><span><em>* </em></span></span>\r\n\r\n<span><span>2005 </span><span><em>Black Flute (And Other Stories)</em></span><span>, Nature Morte, New Delhi </span><span><em>*</em></span></span>\r\n\r\n<span><span>2004 </span><span><em>Black Flute</em></span><span>, Gallery Chemould, Mumbai </span><span><em>*</em></span></span>\r\n\r\n<span>2002 </span><span><em>The Battlefield Is The Mind</em></span><span>, Sakshi Gallery, Bangalore </span><span><em>*</em></span>\r\n\r\n<span>2002 </span><span><em>Seven Faces of Dust</em></span><span>, Chicago Radio, Mumbai</span>\r\n\r\n<span><span>2000 </span><span><em>Skin</em></span><span>, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi </span><span><em>*</em></span></span>\r\n<ol>\r\n	<li><span><span><em>Orchard 	of Home-grown Secrets</em></span><span>, 	Gallery Chemould and Pundole Art Gallery, Mumbai </span><span><em>*</em></span></span></li>\r\n</ol>\r\n<span><em><strong>SELECTED GROUP EXHIBITIONS</strong></em></span>\r\n<span><span>2010 </span><span><em>In Transition: New Art from India</em></span><span>, Richmond Art Gallery in collaboration </span></span>\r\n\r\n<span><span>with the Vancouver Biennale, Vancouver</span></span>\r\n\r\n<span><span>2010 </span><span><em>Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster</em></span><span> </span></span>\r\n\r\n<span><span><em>University</em></span><span>, curated by Jeffrey Hughes and Dana Turkovic, Cecile R. Hunt </span></span>\r\n\r\n<span>Gallery, St. Louis, Missouri</span>\r\n\r\n<span><span>2010 </span><span><em>Never Run Away</em></span><span>, 2 person exhibition curated by Shaheen Merali, </span></span>\r\n\r\n<span><span>Stux Gallery, New York </span><span><em>*</em></span></span>\r\n\r\n<span><span>2010 </span><span><em>The Empire Strikes Back</em></span><span>, Saatchi Gallery, London </span><span><em>*</em></span></span>\r\n\r\n<span><span>2010 </span><span><em> Urban Manners 2</em></span><span>, Contemporary Artists from India, curated by Adelina </span></span>\r\n\r\n<span><span>Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao</span></span>\r\n\r\n<span><span>Paulo, Brazil</span></span>\r\n\r\n<span><span>2009 </span><span><em>View Points and Viewing points - 2009 Asian Art Biennale</em></span><span>, National Taiwan\r\nMuseum of Fine Arts </span><span><em>*</em></span></span>\r\n\r\n<span><span>2009 </span><span><em>Spectrum: Indian Art at Abu Dhabi</em></span><span>, United Arab Emirates</span></span>\r\n\r\n<span><span>2009 </span><span><em>Milan Galleria</em></span><span>, curated by Georgio Verzotti, Triennale Museum, Milan</span></span>\r\n\r\n2009                  <em>Passage to India Part II show </em>at Initial Access, Frank Cohen Collection,\r\n\r\nWolverhampton, UK\r\n\r\n<span>2009                  Ventosul Biennale, Curitiba, Brazil </span>\r\n\r\n<span><span>2009 </span><span><em> Chalo! India: A New Era of Indian Art</em></span><span>, National Museum of Contemporary Art, </span></span>\r\n\r\n<span><span>Korea and Essl Museum, Vienna </span><span><em>*</em></span></span>\r\n\r\n<span><span>2009 </span><span><em>INDIA XIANZAI: Contemporary Indian Art</em></span><span>, Museum of Contemporary Art, </span></span>\r\n\r\n<span><span>Shanghai </span><span><em>*</em></span><span> </span></span>\r\n<ol>\r\n	<li><span><span><em>Low 	Blow: And Other Species of Confusion</em></span><span>, 	Stux gallery, New York</span></span></li>\r\n</ol>\r\n<span><span>2009</span><span><em> Indian Narratives in the 21</em></span><sup><span><em>st</em></span></sup><span><em> Century: Between Memory and History</em></span><span>, </span></span>\r\n\r\n<span><span>Casa Asia, Madrid and Barcelona, Spain </span></span>\r\n\r\n<span><span>2009 </span><span><em>Body Chatter</em></span><span>, Walsh Gallery, Chicago</span></span>\r\n\r\n2008     <em> Chalo! India: A New Era of Indian Art</em>, Mori Art Museum, Japan <em>*</em>\r\n\r\n2008                  India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM\r\n\r\nMuseum, Valencia, Spain <em>* </em>\r\n\r\n<span>2008                     <span><em>3</em></span><sup><span><em>rd</em></span></sup><span><em> Nanjing Triennale</em></span><span>, curators: Fumihiko Sumitomo, Jaeyoung Kang, China</span></span>\r\n\r\n<span>2008                     <span><em>TEAF (Taehwagang Eco Art Festival) - Dream River</em></span><span>, Korea</span> * </span>\r\n\r\n2008                  <em>Everywhere is War (And Rumours of it</em>), Bodhi Art Gallery, Mumbai <em>*</em>\r\n\r\n2008                  <em>Fire Walkers</em>, Stefan Stux gallery, New York\r\n\r\n2008                  <em>Three Points of view</em>, Galerie Mirchandani + Steinrucke, Mumbai <em>*</em>\r\n\r\n2008                  <em>A MAZ ING</em>, curated by Anupa Mehta for Harsh Goenka/RPG Academy of Art\r\n\r\nand Culture at the Jehangir Art Gallery, Mumbai\r\n\r\n2008                  <em>Excavation: Memory / Myth / Membrane</em>, Museum Gallery, Mumbai <em>*</em>\r\n\r\n2007                  <em>International Incheon Women Artists’</em> <em>Biennale</em>, Korea <em>*</em>\r\n\r\n2007                  <em>Soft Power: Asian Attitude</em>, Shanghai Zendai Museum of Modern Art, Shanghai <em>*</em>\r\n\r\n2007                  <em>Urban Manners</em>, curated by Adelina Von Furstenberg, at Hangar\r\n\r\nBicocca , Milan\r\n\r\n2007                  <em>INDIA NOW: Contemporary Indian Art, Between Continuity and transformation</em>,\r\n\r\ncurated by Daniela Palozzoli at Spazio Oberdan, Milan <em>*</em>\r\n\r\n2007                  <em>New Narratives: Contemporary Art From India</em>, curated by Betty Seid,\r\n\r\nChicago Cultural Centre, Chicago <em>*</em>\r\n\r\n2007                  <em>Thermocline Of Art- New Asian Waves</em>, curated by Wonil Rhee and Peter\r\n\r\nWeibel at ZKM in Karlsruhe, Germany <em>*</em>\r\n\r\n2007                  <em>Indian Colour</em>, Keumsan Gallery, Heyri, Korea\r\n\r\n<span><span>2006 </span><span><em>Modern Indian Works On Paper,</em></span><span> Arthur Ross Gallery, Philadelphia and the</span></span>\r\n\r\n<span><span>Georgia Museum of Art, USA * </span></span>\r\n\r\n<span><span>2006 </span><span><em>Lille 3000 (</em></span><span> Maximum City-Mumbai), Lille, France </span><span><em>*</em></span></span>\r\n\r\n<span><span>2006</span><span><em> Hungry God- Indian Contemporary Art</em></span><span>, curated by Yun Chaegab and June </span></span>\r\n\r\n<span><span>Gwak, Arario Gallery, Beijing and Busan MoMA</span><span><em>*</em></span><span> </span></span>\r\n\r\n<span><span>2006 </span><span><em>India Express – Art and Popular Culture</em></span><span>, Art Museum Tennispalace,</span></span>\r\n\r\n<span><span>curators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City Art Museum, </span></span>\r\n\r\n<span><span>Finland </span><span><em>*</em></span></span>\r\n\r\n<span><span>2005 </span><span><em>Mom and Pop Art, </em></span><span>Walsh Gallery, Chicago</span></span>\r\n\r\n<span><span>2005 </span><span><em>Span</em></span><span>, Sakshi Gallery, Mumbai</span></span>\r\n\r\n<span><span>2005 </span><span><em>Indian Paintings of the New Millenium</em></span><span>, curated by </span><span>Helen Asquine Fazio </span></span>\r\n\r\n<span><span>at Thomas J. Walsh Art Gallery at Fairfield University, USA</span><span><em>*</em></span></span>\r\n\r\n<span><span>2004 </span><span><em> Contemporary Art from India</em></span><span>, Thomas Erben Gallery, New York</span></span>\r\n<ol>\r\n	<li><em>Zoom! Art in Contemporary 	India.</em> Curators: Nancy Adajania and Luis</li>\r\n</ol>\r\nSerpa, The Culturgest Museum, Lisbon, Portugal *<em> </em>\r\n\r\n<span><span>2003</span><span><em> Crossing generations: diVERGE</em></span><span>, Gallery Chemould’s 40th anniversary,</span></span>\r\n\r\n<span>Curators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of Modern </span>\r\n\r\n<span><span>Art, Mumbai </span><span><em>*</em></span><span> </span></span>\r\n\r\n<span><span>2003</span><span><em> Hard Copy,</em></span><span> two-person show with Jitish Kallat, Gallery 88, Calcutta *</span></span>\r\n\r\n<span><span>2003 </span><span><em>Tiranga</em></span><span>, curator: Peter Nagy, India Habitat Centre, New Delhi, </span><span><em>*</em></span></span>\r\n\r\n<span><span>2003</span><span><em> Elephant Walks</em></span><span>, Youth Arts Project in collaboration with Jitish Kallat as part of </span></span>\r\n\r\n<span>Indians + Cowboys exhibition, Curators: Aaron Seetu and Ruth Watson</span>\r\n\r\n<span><span>Gallery 4A, Sydney </span><span><em>*</em></span><span> </span><span><em> </em></span><span> </span></span>\r\n\r\n<span><span>2003 </span><span><em>The Tree From The Seed, Contemporary Art from India, </em></span><span>curator: Gavin Jantjes </span></span>\r\n\r\n<span><span>Henie Onstad Kunstsenter (Oslo), Norway </span><span><em>*</em></span></span>\r\n\r\n<span><span>2002 </span><span><em>Crosscurrents</em></span><span>, organized by Artworks for the fiftieth anniversary</span></span>\r\n\r\n<span>celebrations of Jehangir Art Gallery, Mumbai </span>\r\n<ol>\r\n	<li><span><span><em>Reclaim 	Our Freedom</em></span><span>, 	organized by Open Circle, Pundole Art Gallery, Mumbai </span></span></li>\r\n</ol>\r\n<ol>\r\n	<li><span><span><em>Crossing 	Borders</em></span><span>, Gallery 	Windkracht 13, Den Helder, Holland</span></span></li>\r\n</ol>\r\n<ol>\r\n	<li><span><span><em>Big 	River 2</em></span><span>, CCA7 	Gallery, Port Of Spain, Trinidad </span><span><em>*</em></span></span></li>\r\n</ol>\r\n<span><span>2001 </span><span><em>AOM- Art on the move</em></span><span>, organized by Sahmat, New Delhi </span><span><em>*</em></span><span> </span></span>\r\n\r\n<span><span>1999</span><span><em> Edge of the Century,</em></span><span> curated by Amit Mukhopadhyay, Academy of Fine Arts </span></span>\r\n\r\n<span><span>and Literature, New Delhi </span><span><em>*</em></span></span>\r\n\r\n<em>* </em>exhibition catalogue published\r\n\r\n<span><em><strong>SELECTED WORKSHOPS AND RESIDENCIES</strong></em></span>\r\n\r\n<span><span>2009 </span><span><em>Vanishing Point</em></span><span>, children’s project at the Celebrate Bandra Festival, Mumbai </span></span>\r\n<ol>\r\n	<li><span><span>Collaborative 	workshop as part of the exhibition </span><span><em>Aftershock</em></span><span> at the Sainsbury </span></span></li>\r\n</ol>\r\n<span><span>Centre for Visual Arts, University of East Anglia, Norwich, UK</span></span>\r\n<ol>\r\n	<li><span>Collaborated 	on a Billboard project with Jitish Kallat, funded by the Swiss       	            Council, Kala Ghoda Art District, Mumbai</span></li>\r\n</ol>\r\n<span><span>2003 </span><span><em>Elephant Walks</em></span><span>, Youth Arts Project at the Casula Power House </span></span>\r\n\r\n<span>Arts Centre, Liverpool, Australia</span>\r\n\r\n<span><span>2002</span><span><em> Khoj 2002</em></span><span>, International Artists Workshop, Mysore, India</span></span>\r\n\r\n<span><span>2002</span><span><em> Identity and Landscape</em></span><span>, residency in the Laurentian mountains of Quebec at the </span></span>\r\n\r\nBoreal Art/Nature Centre, Canada\r\n\r\n<span><span>2001 </span><span><em>Big River 2</em></span><span>, International Artists Workshop organized by CCA7 and the Triangle </span></span>\r\n\r\nArts Trust at Grand Riviere, Trinidad, West Indies\r\n\r\nThe artist lives and works in Mumbai','CV','','inherit','open','open','','89-revision-5','','','2010-04-22 07:48:28','2010-04-22 07:48:28','',89,'http://biggventures.com/demo/artists/633/uncat/89-revision-5',0,'revision','',0),(631,1,'2010-04-22 07:37:56','2010-04-22 07:37:56','<!-- 		@page { size: 21cm 29.7cm; margin: 2cm } 		P { margin-bottom: 0cm } 		P.western { font-size: 11pt } 		P.cjk { font-size: 11pt } 		H2 { margin-top: 0cm; margin-bottom: 0cm } 		H2.western { font-family: \"Nimbus Roman No9 L\", serif; font-size: 11pt } 		H2.cjk { font-family: \"DejaVu Sans\"; font-size: 11pt } 		H2.ctl { font-family: \"DejaVu Sans\"; font-size: 12pt; font-weight: medium } 		H1 { margin-top: 0cm; margin-bottom: 0cm } 		H1.western { font-family: \"Nimbus Roman No9 L\", serif; font-size: 12pt } 		H1.cjk { font-family: \"DejaVu Sans\"; font-size: 12pt } 		H1.ctl { font-family: \"DejaVu Sans\"; font-size: 12pt; font-weight: medium } -->\r\n<h2><span style=\"font-size: medium;\"><span style=\"text-decoration: underline;\">REENA S. KALLAT</span></span></h2>\r\n<span style=\"font-size: x-small;\">1973                   Born in Delhi, India</span>\r\n<ol>\r\n	<li>\r\n<ol>\r\n	<li><span style=\"font-size: x-small;\">B.F.A. 		[painting], Sir J.J.School of Art, Mumbai</span></li>\r\n</ol>\r\n</li>\r\n</ol>\r\n<h1><span style=\"font-size: small;\"><em><strong>SOLO EXHIBITIONS</strong></em></span></h1>\r\n<span style=\"font-size: small;\"><span style=\"font-size: x-small;\">2009 </span><span style=\"font-size: x-small;\"><em>Drift</em></span><span style=\"font-size: x-small;\">, Primo Marella Gallery, Milan </span><span style=\"font-size: x-small;\"><em>*</em></span></span>\r\n\r\n<span style=\"font-size: small;\"><span style=\"font-size: x-small;\">2008 </span><span style=\"font-size: x-small;\"><em>Silt of Seasons</em></span><span style=\"font-size: x-small;\">, Chemould Prescott Road, Mumbai </span><span style=\"font-size: x-small;\"><em>*</em></span></span>\r\n\r\n<span style=\"font-size: small;\"><span style=\"font-size: x-small;\">2008 </span><span style=\"font-size: x-small;\"><em>Subject to Change without Notice</em></span><span style=\"font-size: x-small;\">, Walsh Gallery, Chicago </span><span style=\"font-size: x-small;\"><em>*</em></span></span>\r\n\r\n<span style=\"font-size: small;\"><span style=\"font-size: x-small;\">2006 </span><span style=\"font-size: x-small;\"><em>Rainbow Of Refuse, </em></span><span style=\"font-size: x-small;\">Bodhi Art Gallery, Mumbai and Singapore </span><span style=\"font-size: x-small;\"><em>* </em></span></span>\r\n\r\n<span style=\"font-size: small;\"><span style=\"font-size: x-small;\">2005 </span><span style=\"font-size: x-small;\"><em>Black Flute (And Other Stories)</em></span><span style=\"font-size: x-small;\">, Nature Morte, New Delhi </span><span style=\"font-size: x-small;\"><em>*</em></span></span>\r\n\r\n<span style=\"font-size: small;\"><span style=\"font-size: x-small;\">2004 </span><span style=\"font-size: x-small;\"><em>Black Flute</em></span><span style=\"font-size: x-small;\">, Gallery Chemould, Mumbai </span><span style=\"font-size: x-small;\"><em>*</em></span></span>\r\n<h1><span style=\"font-size: x-small;\">2002 </span><span style=\"font-size: x-small;\"><em>The Battlefield Is The Mind</em></span><span style=\"font-size: x-small;\">, Sakshi Gallery, Bangalore </span><span style=\"font-size: x-small;\"><em>*</em></span></h1>\r\n<h1><span style=\"font-size: x-small;\">2002 </span><span style=\"font-size: x-small;\"><em>Seven Faces of Dust</em></span><span style=\"font-size: x-small;\">, Chicago Radio, Mumbai</span></h1>\r\n<span style=\"font-size: small;\"><span style=\"font-size: x-small;\">2000 </span><span style=\"font-size: x-small;\"><em>Skin</em></span><span style=\"font-size: x-small;\">, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi </span><span style=\"font-size: x-small;\"><em>*</em></span></span>\r\n<ol>\r\n	<li><span style=\"font-size: small;\"><span style=\"font-size: x-small;\"><em>Orchard 	of Home-grown Secrets</em></span><span style=\"font-size: x-small;\">, 	Gallery Chemould and Pundole Art Gallery, Mumbai </span><span style=\"font-size: x-small;\"><em>*</em></span></span></li>\r\n</ol>\r\n<h1 lang=\"en-US\"><span style=\"color: #000000;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\"><em>SELECTED GROUP EXHIBITIONS</em></span></span></span></h1>\r\n<span style=\"font-size: small;\"><span style=\"font-size: x-small;\">2010 </span><span style=\"font-size: x-small;\"><em>In Transition: New Art from India</em></span><span style=\"font-size: x-small;\">, Richmond Art Gallery in collaboration </span></span>\r\n\r\n<span style=\"font-size: small;\"><span style=\"font-size: x-small;\">with the Vancouver Biennale, Vancouver</span></span>\r\n\r\n<span style=\"font-size: small;\"><span style=\"font-size: x-small;\">2010 </span><span style=\"font-size: x-small;\"><em>Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster</em></span><span style=\"font-size: x-small;\"> </span></span>\r\n\r\n<span style=\"font-size: small;\"><span style=\"font-size: x-small;\"><em>University</em></span><span style=\"font-size: x-small;\">, curated by Jeffrey Hughes and Dana Turkovic, Cecile R. Hunt </span></span>\r\n\r\n<span style=\"font-size: x-small;\">Gallery, St. Louis, Missouri</span>\r\n\r\n<span style=\"font-size: small;\"><span style=\"font-size: x-small;\">2010 </span><span style=\"font-size: x-small;\"><em>Never Run Away</em></span><span style=\"font-size: x-small;\">, 2 person exhibition curated by Shaheen Merali, </span></span>\r\n\r\n<span style=\"font-size: small;\"><span style=\"font-size: x-small;\">Stux Gallery, New York </span><span style=\"font-size: x-small;\"><em>*</em></span></span>\r\n\r\n<span style=\"font-size: small;\"><span style=\"font-size: x-small;\">2010 </span><span style=\"font-size: x-small;\"><em>The Empire Strikes Back</em></span><span style=\"font-size: x-small;\">, Saatchi Gallery, London </span><span style=\"font-size: x-small;\"><em>*</em></span></span>\r\n\r\n<span style=\"font-size: small;\"><span style=\"font-size: x-small;\">2010 </span><span style=\"font-size: x-small;\"><em> Urban Manners 2</em></span><span style=\"font-size: x-small;\">, Contemporary Artists from India, curated by Adelina </span></span>\r\n\r\n<span style=\"font-size: small;\"><span style=\"font-size: x-small;\">Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao</span></span>\r\n\r\n<span style=\"font-size: small;\"><span style=\"font-size: x-small;\">Paulo, Brazil</span></span>\r\n\r\n<span style=\"font-size: small;\"><span style=\"font-size: x-small;\">2009 </span><span style=\"font-size: x-small;\"><em>View Points and Viewing points - 2009 Asian Art Biennale</em></span><span style=\"font-size: x-small;\">, National Taiwan\r\nMuseum of Fine Arts </span><span style=\"font-size: x-small;\"><em>*</em></span></span>\r\n\r\n<span style=\"font-size: small;\"><span style=\"font-size: x-small;\">2009 </span><span style=\"font-size: x-small;\"><em>Spectrum: Indian Art at Abu Dhabi</em></span><span style=\"font-size: x-small;\">, United Arab Emirates</span></span>\r\n\r\n<span style=\"font-size: small;\"><span style=\"font-size: x-small;\">2009 </span><span style=\"font-size: x-small;\"><em>Milan Galleria</em></span><span style=\"font-size: x-small;\">, curated by Georgio Verzotti, Triennale Museum, Milan</span></span>\r\n\r\n2009                  <em>Passage to India Part II show </em>at Initial Access, Frank Cohen Collection,\r\n\r\nWolverhampton, UK\r\n\r\n<span style=\"font-size: x-small;\">2009                  Ventosul Biennale, Curitiba, Brazil </span>\r\n\r\n<span style=\"font-size: small;\"><span style=\"font-size: x-small;\">2009 </span><span style=\"font-size: x-small;\"><em> Chalo! India: A New Era of Indian Art</em></span><span style=\"font-size: x-small;\">, National Museum of Contemporary Art, </span></span>\r\n\r\n<span style=\"font-size: small;\"><span style=\"font-size: x-small;\">Korea and Essl Museum, Vienna </span><span style=\"font-size: x-small;\"><em>*</em></span></span>\r\n\r\n<span style=\"font-size: small;\"><span style=\"font-size: x-small;\">2009 </span><span style=\"font-size: x-small;\"><em>INDIA XIANZAI: Contemporary Indian Art</em></span><span style=\"font-size: x-small;\">, Museum of Contemporary Art, </span></span>\r\n\r\n<span style=\"font-size: small;\"><span style=\"font-size: x-small;\">Shanghai </span><span style=\"font-size: x-small;\"><em>*</em></span><span style=\"font-size: x-small;\"> </span></span>\r\n<ol>\r\n	<li><span style=\"font-size: small;\"><span style=\"font-size: x-small;\"><em>Low 	Blow: And Other Species of Confusion</em></span><span style=\"font-size: x-small;\">, 	Stux gallery, New York</span></span></li>\r\n</ol>\r\n<span style=\"font-size: small;\"><span style=\"font-size: x-small;\">2009</span><span style=\"font-size: x-small;\"><em> Indian Narratives in the 21</em></span><sup><span style=\"font-size: x-small;\"><em>st</em></span></sup><span style=\"font-size: x-small;\"><em> Century: Between Memory and History</em></span><span style=\"font-size: x-small;\">, </span></span>\r\n\r\n<span style=\"font-size: small;\"><span style=\"font-size: x-small;\">Casa Asia, Madrid and Barcelona, Spain </span></span>\r\n\r\n<span style=\"font-size: small;\"><span style=\"font-size: x-small;\">2009 </span><span style=\"font-size: x-small;\"><em>Body Chatter</em></span><span style=\"font-size: x-small;\">, Walsh Gallery, Chicago</span></span>\r\n\r\n2008     <em> Chalo! India: A New Era of Indian Art</em>, Mori Art Museum, Japan <em>*</em>\r\n\r\n2008                  India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM\r\n\r\nMuseum, Valencia, Spain <em>* </em>\r\n\r\n<span style=\"font-size: small;\">2008                     <span style=\"font-size: x-small;\"><em>3</em></span><sup><span style=\"font-size: x-small;\"><em>rd</em></span></sup><span style=\"font-size: x-small;\"><em> Nanjing Triennale</em></span><span style=\"font-size: x-small;\">, curators: Fumihiko Sumitomo, Jaeyoung Kang, China</span></span>\r\n\r\n<span style=\"font-size: small;\">2008                     <span style=\"font-size: x-small;\"><em>TEAF (Taehwagang Eco Art Festival) - Dream River</em></span><span style=\"font-size: x-small;\">, Korea</span> * </span>\r\n\r\n2008                  <em>Everywhere is War (And Rumours of it</em>), Bodhi Art Gallery, Mumbai <em>*</em>\r\n\r\n2008                  <em>Fire Walkers</em>, Stefan Stux gallery, New York\r\n\r\n2008                  <em>Three Points of view</em>, Galerie Mirchandani + Steinrucke, Mumbai <em>*</em>\r\n\r\n2008                  <em>A MAZ ING</em>, curated by Anupa Mehta for Harsh Goenka/RPG Academy of Art\r\n\r\nand Culture at the Jehangir Art Gallery, Mumbai\r\n\r\n2008                  <em>Excavation: Memory / Myth / Membrane</em>, Museum Gallery, Mumbai <em>*</em>\r\n\r\n2007                  <em>International Incheon Women Artists’</em> <em>Biennale</em>, Korea <em>*</em>\r\n\r\n2007                  <em>Soft Power: Asian Attitude</em>, Shanghai Zendai Museum of Modern Art, Shanghai <em>*</em>\r\n\r\n2007                  <em>Urban Manners</em>, curated by Adelina Von Furstenberg, at Hangar\r\n\r\nBicocca , Milan\r\n\r\n2007                  <em>INDIA NOW: Contemporary Indian Art, Between Continuity and transformation</em>,\r\n\r\ncurated by Daniela Palozzoli at Spazio Oberdan, Milan <em>*</em>\r\n\r\n2007                  <em>New Narratives: Contemporary Art From India</em>, curated by Betty Seid,\r\n\r\nChicago Cultural Centre, Chicago <em>*</em>\r\n\r\n2007                  <em>Thermocline Of Art- New Asian Waves</em>, curated by Wonil Rhee and Peter\r\n\r\nWeibel at ZKM in Karlsruhe, Germany <em>*</em>\r\n\r\n2007                  <em>Indian Colour</em>, Keumsan Gallery, Heyri, Korea\r\n\r\n<span style=\"font-size: small;\"><span style=\"font-size: x-small;\">2006 </span><span style=\"font-size: x-small;\"><em>Modern Indian Works On Paper,</em></span><span style=\"font-size: x-small;\"> Arthur Ross Gallery, Philadelphia and the</span></span>\r\n\r\n<span style=\"font-size: small;\"><span style=\"font-size: x-small;\">Georgia Museum of Art, USA * </span></span>\r\n\r\n<span style=\"font-size: small;\"><span style=\"font-size: x-small;\">2006 </span><span style=\"font-size: x-small;\"><em>Lille 3000 (</em></span><span style=\"font-size: x-small;\"> Maximum City-Mumbai), Lille, France </span><span style=\"font-size: x-small;\"><em>*</em></span></span>\r\n\r\n<span style=\"font-size: small;\"><span style=\"font-size: x-small;\">2006</span><span style=\"font-size: x-small;\"><em> Hungry God- Indian Contemporary Art</em></span><span style=\"font-size: x-small;\">, curated by Yun Chaegab and June </span></span>\r\n\r\n<span style=\"font-size: small;\"><span style=\"font-size: x-small;\">Gwak, Arario Gallery, Beijing and Busan MoMA</span><span style=\"font-size: x-small;\"><em>*</em></span><span style=\"font-size: x-small;\"> </span></span>\r\n\r\n<span style=\"font-size: small;\"><span style=\"font-size: x-small;\">2006 </span><span style=\"font-size: x-small;\"><em>India Express – Art and Popular Culture</em></span><span style=\"font-size: x-small;\">, Art Museum Tennispalace,</span></span>\r\n\r\n<span style=\"font-size: small;\"><span style=\"font-size: x-small;\">curators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City Art Museum, </span></span>\r\n\r\n<span style=\"font-size: small;\"><span style=\"font-size: x-small;\">Finland </span><span style=\"font-size: x-small;\"><em>*</em></span></span>\r\n\r\n<span style=\"font-size: small;\"><span style=\"font-size: x-small;\">2005 </span><span style=\"font-size: x-small;\"><em>Mom and Pop Art, </em></span><span style=\"font-size: x-small;\">Walsh Gallery, Chicago</span></span>\r\n\r\n<span style=\"font-size: small;\"><span style=\"font-size: x-small;\">2005 </span><span style=\"font-size: x-small;\"><em>Span</em></span><span style=\"font-size: x-small;\">, Sakshi Gallery, Mumbai</span></span>\r\n\r\n<span style=\"font-size: small;\"><span style=\"font-size: x-small;\">2005 </span><span style=\"font-size: x-small;\"><em>Indian Paintings of the New Millenium</em></span><span style=\"font-size: x-small;\">, curated by </span><span style=\"font-size: x-small;\">Helen Asquine Fazio </span></span>\r\n\r\n<span style=\"font-size: small;\"><span style=\"font-size: x-small;\">at Thomas J. Walsh Art Gallery at Fairfield University, USA</span><span style=\"font-size: x-small;\"><em>*</em></span></span>\r\n\r\n<span style=\"font-size: small;\"><span style=\"font-size: x-small;\">2004 </span><span style=\"font-size: x-small;\"><em> Contemporary Art from India</em></span><span style=\"font-size: x-small;\">, Thomas Erben Gallery, New York</span></span>\r\n<ol>\r\n	<li><em>Zoom! Art in Contemporary 	India.</em> Curators: Nancy Adajania and Luis</li>\r\n</ol>\r\nSerpa, The Culturgest Museum, Lisbon, Portugal *<em> </em>\r\n\r\n<span style=\"font-size: small;\"><span style=\"font-size: x-small;\">2003</span><span style=\"font-size: x-small;\"><em> Crossing generations: diVERGE</em></span><span style=\"font-size: x-small;\">, Gallery Chemould’s 40th anniversary,</span></span>\r\n\r\n<span style=\"font-size: x-small;\">Curators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of Modern </span>\r\n\r\n<span style=\"font-size: small;\"><span style=\"font-size: x-small;\">Art, Mumbai </span><span style=\"font-size: x-small;\"><em>*</em></span><span style=\"font-size: x-small;\"> </span></span>\r\n\r\n<span style=\"font-size: small;\"><span style=\"font-size: x-small;\">2003</span><span style=\"font-size: x-small;\"><em> Hard Copy,</em></span><span style=\"font-size: x-small;\"> two-person show with Jitish Kallat, Gallery 88, Calcutta *</span></span>\r\n\r\n<span style=\"font-size: small;\"><span style=\"font-size: x-small;\">2003 </span><span style=\"font-size: x-small;\"><em>Tiranga</em></span><span style=\"font-size: x-small;\">, curator: Peter Nagy, India Habitat Centre, New Delhi, </span><span style=\"font-size: x-small;\"><em>*</em></span></span>\r\n\r\n<span style=\"font-size: small;\"><span style=\"font-size: x-small;\">2003</span><span style=\"font-size: x-small;\"><em> Elephant Walks</em></span><span style=\"font-size: x-small;\">, Youth Arts Project in collaboration with Jitish Kallat as part of </span></span>\r\n\r\n<span style=\"font-size: x-small;\">Indians + Cowboys exhibition, Curators: Aaron Seetu and Ruth Watson</span>\r\n\r\n<span style=\"font-size: small;\"><span style=\"font-size: x-small;\">Gallery 4A, Sydney </span><span style=\"font-size: x-small;\"><em>*</em></span><span style=\"font-size: x-small;\"> </span><span style=\"font-size: x-small;\"><em> </em></span><span style=\"font-size: x-small;\"> </span></span>\r\n\r\n<span style=\"font-size: small;\"><span style=\"font-size: x-small;\">2003 </span><span style=\"font-size: x-small;\"><em>The Tree From The Seed, Contemporary Art from India, </em></span><span style=\"font-size: x-small;\">curator: Gavin Jantjes </span></span>\r\n\r\n<span style=\"font-size: small;\"><span style=\"font-size: x-small;\">Henie Onstad Kunstsenter (Oslo), Norway </span><span style=\"font-size: x-small;\"><em>*</em></span></span>\r\n\r\n<span style=\"font-size: small;\"><span style=\"font-size: x-small;\">2002 </span><span style=\"font-size: x-small;\"><em>Crosscurrents</em></span><span style=\"font-size: x-small;\">, organized by Artworks for the fiftieth anniversary</span></span>\r\n\r\n<span style=\"font-size: x-small;\">celebrations of Jehangir Art Gallery, Mumbai </span>\r\n<ol>\r\n	<li><span style=\"font-size: small;\"><span style=\"font-size: x-small;\"><em>Reclaim 	Our Freedom</em></span><span style=\"font-size: x-small;\">, 	organized by Open Circle, Pundole Art Gallery, Mumbai </span></span></li>\r\n</ol>\r\n<ol>\r\n	<li><span style=\"font-size: small;\"><span style=\"font-size: x-small;\"><em>Crossing 	Borders</em></span><span style=\"font-size: x-small;\">, Gallery 	Windkracht 13, Den Helder, Holland</span></span></li>\r\n</ol>\r\n<ol>\r\n	<li><span style=\"font-size: small;\"><span style=\"font-size: x-small;\"><em>Big 	River 2</em></span><span style=\"font-size: x-small;\">, CCA7 	Gallery, Port Of Spain, Trinidad </span><span style=\"font-size: x-small;\"><em>*</em></span></span></li>\r\n</ol>\r\n<span style=\"font-size: small;\"><span style=\"font-size: x-small;\">2001 </span><span style=\"font-size: x-small;\"><em>AOM- Art on the move</em></span><span style=\"font-size: x-small;\">, organized by Sahmat, New Delhi </span><span style=\"font-size: x-small;\"><em>*</em></span><span style=\"font-size: x-small;\"> </span></span>\r\n\r\n<span style=\"font-size: small;\"><span style=\"font-size: x-small;\">1999</span><span style=\"font-size: x-small;\"><em> Edge of the Century,</em></span><span style=\"font-size: x-small;\"> curated by Amit Mukhopadhyay, Academy of Fine Arts </span></span>\r\n\r\n<span style=\"font-size: small;\"><span style=\"font-size: x-small;\">and Literature, New Delhi </span><span style=\"font-size: x-small;\"><em>*</em></span></span>\r\n\r\n<em>* </em>exhibition catalogue published\r\n<h1><span style=\"font-size: small;\"><em><strong>SELECTED WORKSHOPS AND RESIDENCIES</strong></em></span></h1>\r\n<span style=\"font-size: small;\"><span style=\"font-size: x-small;\">2009 </span><span style=\"font-size: x-small;\"><em>Vanishing Point</em></span><span style=\"font-size: x-small;\">, children’s project at the Celebrate Bandra Festival, Mumbai </span></span>\r\n<ol>\r\n	<li><span style=\"font-size: small;\"><span style=\"font-size: x-small;\">Collaborative 	workshop as part of the exhibition </span><span style=\"font-size: x-small;\"><em>Aftershock</em></span><span style=\"font-size: x-small;\"> at the Sainsbury </span></span></li>\r\n</ol>\r\n<span style=\"font-size: small;\"><span style=\"font-size: x-small;\">Centre for Visual Arts, University of East Anglia, Norwich, UK</span></span>\r\n<ol>\r\n	<li><span style=\"font-size: x-small;\">Collaborated 	on a Billboard project with Jitish Kallat, funded by the Swiss       	            Council, Kala Ghoda Art District, Mumbai</span></li>\r\n</ol>\r\n<span style=\"font-size: small;\"><span style=\"font-size: x-small;\">2003 </span><span style=\"font-size: x-small;\"><em>Elephant Walks</em></span><span style=\"font-size: x-small;\">, Youth Arts Project at the Casula Power House </span></span>\r\n\r\n<span style=\"font-size: x-small;\">Arts Centre, Liverpool, Australia</span>\r\n\r\n<span style=\"font-size: small;\"><span style=\"font-size: x-small;\">2002</span><span style=\"font-size: x-small;\"><em> Khoj 2002</em></span><span style=\"font-size: x-small;\">, International Artists Workshop, Mysore, India</span></span>\r\n\r\n<span style=\"font-size: small;\"><span style=\"font-size: x-small;\">2002</span><span style=\"font-size: x-small;\"><em> Identity and Landscape</em></span><span style=\"font-size: x-small;\">, residency in the Laurentian mountains of Quebec at the </span></span>\r\n\r\nBoreal Art/Nature Centre, Canada\r\n\r\n<span style=\"font-size: small;\"><span style=\"font-size: x-small;\">2001 </span><span style=\"font-size: x-small;\"><em>Big River 2</em></span><span style=\"font-size: x-small;\">, International Artists Workshop organized by CCA7 and the Triangle </span></span>\r\n\r\nArts Trust at Grand Riviere, Trinidad, West Indies\r\n\r\nThe artist lives and works in Mumbai','CV','','inherit','open','open','','89-revision-3','','','2010-04-22 07:37:56','2010-04-22 07:37:56','',89,'http://biggventures.com/demo/artists/631/uncat/89-revision-3',0,'revision','',0),(628,1,'2010-04-20 11:36:15','2010-04-20 11:36:15','<!-- 		@page { size: 21cm 29.7cm; margin: 2cm } 		P { margin-bottom: 0.21cm } -->\r\n<h2 style=\"text-align: center;\"><strong>2009</strong></h2>\r\n<em><strong>THE ARCHIVES OF THE HEART</strong></em>\r\n\r\nNancy Adajania, Indian Contemporaray Art Journal, Volume 1, Issue III,\r\n\r\nFront Cover, pgs 42-45, 2009\r\n\r\n<em><strong>GLOBALE KUNST MIT WURZELDUFT</strong></em>\r\n\r\nVon Almuth Speigler, Die Presse, Feuilleton, 2<sup>nd</sup> September 2009\r\n\r\n<em><strong>LANDSCAPES OF LOSS</strong></em>\r\n\r\nBeth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009\r\n\r\n<em><strong>ARTIST OF THE FORTNIGHT</strong></em>\r\n\r\nMaria Louis, Outlook Profit, 24<sup>th</sup> July 2009\r\n\r\n<em><strong>REINCARNATING HISTORY</strong></em>\r\n\r\nThe big Picture, Architect and Interiors, July 2009\r\n\r\n<em><strong>STAMP COLLECTION</strong></em>\r\n\r\nGeorgina Maddox, The Sunday Express, 17<sup>th</sup> May 2009\r\n\r\n<em><strong>LOST AND FOUND</strong></em>\r\n\r\nMarina Correa, DNA, Mumbai, 22<sup>nd</sup> January, 2009\r\n\r\n<em><strong>EVOLVING BEYOND BORDERS</strong></em>\r\n\r\nReshma S. Kulkarni, Bombay times, The Times of India, 15<sup>th</sup> January, 2009\r\n<h2><strong>2008</strong></h2>\r\n<em><strong>QUARRIES AND ANSWERS</strong></em>\r\n\r\nReema Gehi, Hindustan Times Café, Mumbai, 24<sup>th</sup> December\r\n\r\n<em><strong>DEJA VIEW</strong></em>\r\n\r\nTara Khilachand, Live Mint, 20<sup>th</sup> December 2008\r\n\r\n<em><strong>TERROR STRUCK</strong></em>\r\n\r\nMaria Louis, Outlook Profit, 26<sup>th</sup> December 2008\r\n\r\n<em><strong>NAME CALLING</strong></em>\r\n\r\nDeepanjana Pal, Timeout Mumbai, December 2008\r\n\r\n<em><strong>PAINTING A PROTEST</strong></em>\r\n\r\nSujata Chakrabarti, DNA After Hrs, 21st August 2008\r\n\r\n<em><strong>ARTIST OF THE FORTNIGHT</strong></em>\r\n\r\nMaria Louis, Outlook Profit, pg 79, April 2008\r\n\r\n<em><strong>FOCUS INDIA</strong></em>\r\n\r\nMegha Ralapati, Flash Art, pg 114, January February 2008\r\n\r\n<em><strong>QUARRYING THE PAST</strong></em>\r\n\r\nMaria Louis, Beautiful People, pg 145, March-April 2008\r\n\r\n<em><strong>COME TOGETHER RIGHT NOW</strong></em>\r\n\r\nReema Gehi, HT Café, 15<sup>th</sup> February 2008\r\n\r\n<em><strong>SUCH A LONG JOURNEY</strong></em>\r\n\r\nAparna S Sharma, Elle Magazine, pgs 115-117, February 2008\r\n\r\n<em><strong>More than a Woman</strong></em>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 4<sup>th</sup> February 2008.\r\n\r\n<em><strong>Artist of the fortnight</strong></em>\r\n\r\nMaria Louis, Outlook, Profit, dated 18<sup>th</sup> April 2008.\r\n<h2><strong>2007</strong></h2>\r\n<em><strong>Corruptions of Power</strong></em>\r\n\r\nShiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs98-99, 2007\r\n<h2><strong>2006 </strong></h2>\r\n<em><strong>Political chaos</strong></em>\r\n\r\nDeepali Nandwani, Beautiful people, pg 143, November-December 2006\r\n\r\n<em><strong>Over the Rainbow</strong></em>\r\n\r\nMaria Louis, Interview, Verve Magazine, pg 78, November 2006\r\n\r\n<em><strong>Her crowning achievement</strong></em>\r\n\r\nClara Chow, The Straits Times, 18<sup>th</sup> November, 2006\r\n\r\n<em><strong>Rainbow of Refuse</strong></em>\r\n\r\nInside Outside Magazine, November 2006\r\n\r\n<em><strong>In a state of perennial siege</strong></em>\r\n\r\nNancy Adajania, The Hindu, Hyderabad, 29<sup>th</sup> October, 2006\r\n\r\n<em><strong>WEAPONS OF MASS CONSTRUCTION</strong></em>\r\n\r\nRituparna Som, DNA After Hrs Mumbai, 9<sup>th</sup> October, 2006\r\n\r\n<em><strong>UNDER ATTACK</strong></em>\r\n\r\nGitanjali Dang, HT Mumbai, 22<sup>nd</sup> September 2006\r\n\r\n<em><strong>Guns and Roses</strong></em>\r\n\r\nRachna Nakra, The Indian Express, Mumbai Newsline, 18<sup>th</sup> September 2006\r\n\r\n<em><strong>TIME TRAVELLER</strong></em>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 27<sup>th</sup> June 2006\r\n\r\n<em><strong>BEYOND FEMINISM</strong></em>\r\n\r\nMallika Advani, Elle Décor, pg 78-80, May 2006\r\n<h2><strong>2004</strong></h2>\r\n<em><strong>The Flower and the Sword</strong></em>\r\n\r\nGirish Shahane, pg 93, The Art News magazine of India, volume X issue I, 2004\r\n\r\n<em><strong>BLACK FLUTE</strong></em>\r\n\r\nInside Outside Magazine, pgs 36-37, November 2004\r\n\r\n<em><strong>INDIA’S TOP 100 ACHIEVERS</strong></em>\r\n\r\nSociety Magazine, pg 137, December 2004\r\n\r\n<em><strong>Caught between demons</strong></em>\r\n\r\nNancy Adajania, The Hindu, 19<sup>th</sup> December 2004\r\n\r\n<em><strong>HARD COPY</strong></em>\r\n\r\nInside Outside, pgs 30-32, November 2003\r\n<h2><strong>2003</strong></h2>\r\n<em><strong>A HARD COPY OF FLUX</strong></em>\r\n\r\nSharmila Maiti, Calcutta Times, The Times of India, 3<sup>rd</sup> November 2003\r\n\r\n<em><strong>KALA GHODA GETS A HORSE</strong></em>\r\n\r\nJasmine Shah Varma, The List, Mid Day, 22<sup>nd</sup> October 2003\r\n\r\n<em><strong>METAPHORS OF CONTEMPORARY REALITIES</strong></em>\r\n\r\nSoumitra Das, The Telegraph, 31<sup>st</sup> October 2003\r\n\r\n<em><strong>EN REISE TIL INDIA</strong></em>\r\n\r\nHarald Flor, Dagbladet, Kultur, 2<sup>nd</sup> February 2003\r\n\r\n<em><strong>SIGNS OF RESISTANCE</strong></em>\r\n\r\nNancy Adajania, The Hindu, 5<sup>th</sup> January 2003\r\n\r\n<em><strong>OF THE GODDESS AND DEMON IN THE MIND</strong></em>\r\n\r\nDebbie Rodgers, Sunday edition Vijay Times, Bangalore, 5<sup>th</sup> January 2003\r\n<h2><strong>2002</strong></h2>\r\n<em><strong>EMPATHIC ANGER</strong></em>\r\n\r\nMarta Jakimowicz, Deccan Herald, 23<sup>rd</sup> December 2002\r\n\r\n<em><strong>MYSORE EK KHOJ</strong></em>\r\n\r\nCross Fertilization of Culture, Interview in Star of Mysore, 27<sup>th</sup> October 2002\r\n\r\n<em><strong>DIFFERENT STROKES</strong></em>\r\n\r\nGeorgina L Maddox, The Indian Express, Mumbai Newsline, 24<sup>th</sup> July, 2002\r\n\r\n<em><strong>CREATING TO DESTROY</strong></em>\r\n\r\nJasmine Shah Varma, The List, Mid Day, 22<sup>nd</sup> February 2002\r\n\r\n<em><strong>Linking islands</strong></em>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 15<sup>th</sup> February 2002\r\n<h2><strong>2000</strong></h2>\r\n<em><strong>Of faith and hunger</strong></em>\r\n\r\nAbhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89, December 2000\r\n\r\n<em><strong>PARADOXICAL METAPHORS</strong></em>\r\n\r\nSanaya Pavri, Oomph Art, pgs 38-40 December 2000\r\n\r\n<em><strong>AN ARTIST’S WORLD: ROTI, MAKAAN &amp; ABSTRACT ART</strong></em>\r\n\r\nPoonam Goel, HT City, 23<sup>rd</sup> December 2000\r\n\r\n<em><strong>Scintillating skin</strong></em>\r\n\r\nVaibhav Purandare, The Asian Age, 14<sup>th</sup> October 2000\r\n\r\n<em><strong>THE MURMUR OF SKIN</strong></em>\r\n\r\nNupur Mahajan, Bombay times, Times of India, 12<sup>th</sup> October 2000\r\n\r\n<em><strong>INSIDE OUT</strong></em>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 11<sup>th</sup> October 2000\r\n\r\n<em><strong>NOT JUST SKIN DEEP</strong></em>\r\n\r\nJasmine Shah Varma, The list, Mid-day, 4<sup>th</sup> October 2000\r\n<h2><em><strong>1998</strong></em></h2>\r\n<em><strong>Interactive Medium</strong></em>\r\n\r\nKaren Pereira, Indian Architect &amp; Builder, pgs 102-104, October 1998\r\n\r\n<em><strong>Farming intrirue</strong></em>\r\n\r\nJerry Pinto, The Times of India, Bombay Times, 3<sup>rd</sup> September 1998\r\n\r\n<em><strong>WITHIN YOU, </strong></em><em><strong>without you</strong></em>\r\n\r\nAnu Kumar, Indian Express, Express Newsline, 2<sup>nd</sup> September 1998\r\n\r\n<em><strong>DUAL TONES </strong></em>\r\n\r\nDnyaneshwar Nadkarni, Mid-day, 27<sup>th</sup> August 1998','Bibliography','','inherit','open','open','','102-revision-7','','','2010-04-20 11:36:15','2010-04-20 11:36:15','',102,'http://biggventures.com/demo/artists/628/uncat/102-revision-7',0,'revision','',0),(627,1,'2010-03-22 14:04:58','2010-03-22 14:04:58','Bibliography','Bibliography','','inherit','open','open','','102-revision-6','','','2010-03-22 14:04:58','2010-03-22 14:04:58','',102,'http://biggventures.com/demo/artists/627/uncat/102-revision-6',0,'revision','',0),(632,1,'2010-04-22 07:47:27','2010-04-22 07:47:27','<!-- 		@page { size: 21cm 29.7cm; margin: 2cm } 		P { margin-bottom: 0cm } 		P.western { font-size: 11pt } 		P.cjk { font-size: 11pt } 		H2 { margin-top: 0cm; margin-bottom: 0cm } 		H2.western { font-family: \"Nimbus Roman No9 L\", serif; font-size: 11pt } 		H2.cjk { font-family: \"DejaVu Sans\"; font-size: 11pt } 		H2.ctl { font-family: \"DejaVu Sans\"; font-size: 12pt; font-weight: medium } 		H1 { margin-top: 0cm; margin-bottom: 0cm } 		H1.western { font-family: \"Nimbus Roman No9 L\", serif; font-size: 12pt } 		H1.cjk { font-family: \"DejaVu Sans\"; font-size: 12pt } 		H1.ctl { font-family: \"DejaVu Sans\"; font-size: 12pt; font-weight: medium } -->\r\n<h2><span style=\"font-size: medium;\"><span style=\"text-decoration: underline;\">REENA S. KALLAT</span></span></h2>\r\n<span>1973                   Born in Delhi, India</span>\r\n<ol>\r\n	<li>\r\n<ol>\r\n	<li><span>B.F.A. 		[painting], Sir J.J.School of Art, Mumbai</span></li>\r\n</ol>\r\n</li>\r\n</ol>\r\n<span><em><strong>SOLO EXHIBITIONS</strong></em></span>\r\n\r\n<span><span>2009 </span><span><em>Drift</em></span><span>, Primo Marella Gallery, Milan </span><span><em>*</em></span></span>\r\n\r\n<span><span>2008 </span><span><em>Silt of Seasons</em></span><span>, Chemould Prescott Road, Mumbai </span><span><em>*</em></span></span>\r\n\r\n<span><span>2008 </span><span><em>Subject to Change without Notice</em></span><span>, Walsh Gallery, Chicago </span><span><em>*</em></span></span>\r\n\r\n<span><span>2006 </span><span><em>Rainbow Of Refuse, </em></span><span>Bodhi Art Gallery, Mumbai and Singapore </span><span><em>* </em></span></span>\r\n\r\n<span><span>2005 </span><span><em>Black Flute (And Other Stories)</em></span><span>, Nature Morte, New Delhi </span><span><em>*</em></span></span>\r\n\r\n<span><span>2004 </span><span><em>Black Flute</em></span><span>, Gallery Chemould, Mumbai </span><span><em>*</em></span></span>\r\n\r\n<span>2002 </span><span><em>The Battlefield Is The Mind</em></span><span>, Sakshi Gallery, Bangalore </span><span><em>*</em></span>\r\n\r\n<span>2002 </span><span><em>Seven Faces of Dust</em></span><span>, Chicago Radio, Mumbai</span>\r\n\r\n<span><span>2000 </span><span><em>Skin</em></span><span>, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi </span><span><em>*</em></span></span>\r\n<ol>\r\n	<li><span><span><em>Orchard 	of Home-grown Secrets</em></span><span>, 	Gallery Chemould and Pundole Art Gallery, Mumbai </span><span><em>*</em></span></span></li>\r\n</ol>\r\n<p lang=\"en-US\"><strong><span style=\"color: #000000;\"><span style=\"font-family: Times New Roman,serif;\"><span><em>SELECTED GROUP EXHIBITIONS</em></span></span></span></strong></p>\r\n<span><span>2010 </span><span><em>In Transition: New Art from India</em></span><span>, Richmond Art Gallery in collaboration </span></span>\r\n\r\n<span><span>with the Vancouver Biennale, Vancouver</span></span>\r\n\r\n<span><span>2010 </span><span><em>Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster</em></span><span> </span></span>\r\n\r\n<span><span><em>University</em></span><span>, curated by Jeffrey Hughes and Dana Turkovic, Cecile R. Hunt </span></span>\r\n\r\n<span>Gallery, St. Louis, Missouri</span>\r\n\r\n<span><span>2010 </span><span><em>Never Run Away</em></span><span>, 2 person exhibition curated by Shaheen Merali, </span></span>\r\n\r\n<span><span>Stux Gallery, New York </span><span><em>*</em></span></span>\r\n\r\n<span><span>2010 </span><span><em>The Empire Strikes Back</em></span><span>, Saatchi Gallery, London </span><span><em>*</em></span></span>\r\n\r\n<span><span>2010 </span><span><em> Urban Manners 2</em></span><span>, Contemporary Artists from India, curated by Adelina </span></span>\r\n\r\n<span><span>Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao</span></span>\r\n\r\n<span><span>Paulo, Brazil</span></span>\r\n\r\n<span><span>2009 </span><span><em>View Points and Viewing points - 2009 Asian Art Biennale</em></span><span>, National Taiwan\r\nMuseum of Fine Arts </span><span><em>*</em></span></span>\r\n\r\n<span><span>2009 </span><span><em>Spectrum: Indian Art at Abu Dhabi</em></span><span>, United Arab Emirates</span></span>\r\n\r\n<span><span>2009 </span><span><em>Milan Galleria</em></span><span>, curated by Georgio Verzotti, Triennale Museum, Milan</span></span>\r\n\r\n2009                  <em>Passage to India Part II show </em>at Initial Access, Frank Cohen Collection,\r\n\r\nWolverhampton, UK\r\n\r\n<span>2009                  Ventosul Biennale, Curitiba, Brazil </span>\r\n\r\n<span><span>2009 </span><span><em> Chalo! India: A New Era of Indian Art</em></span><span>, National Museum of Contemporary Art, </span></span>\r\n\r\n<span><span>Korea and Essl Museum, Vienna </span><span><em>*</em></span></span>\r\n\r\n<span><span>2009 </span><span><em>INDIA XIANZAI: Contemporary Indian Art</em></span><span>, Museum of Contemporary Art, </span></span>\r\n\r\n<span><span>Shanghai </span><span><em>*</em></span><span> </span></span>\r\n<ol>\r\n	<li><span><span><em>Low 	Blow: And Other Species of Confusion</em></span><span>, 	Stux gallery, New York</span></span></li>\r\n</ol>\r\n<span><span>2009</span><span><em> Indian Narratives in the 21</em></span><sup><span><em>st</em></span></sup><span><em> Century: Between Memory and History</em></span><span>, </span></span>\r\n\r\n<span><span>Casa Asia, Madrid and Barcelona, Spain </span></span>\r\n\r\n<span><span>2009 </span><span><em>Body Chatter</em></span><span>, Walsh Gallery, Chicago</span></span>\r\n\r\n2008     <em> Chalo! India: A New Era of Indian Art</em>, Mori Art Museum, Japan <em>*</em>\r\n\r\n2008                  India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM\r\n\r\nMuseum, Valencia, Spain <em>* </em>\r\n\r\n<span>2008                     <span><em>3</em></span><sup><span><em>rd</em></span></sup><span><em> Nanjing Triennale</em></span><span>, curators: Fumihiko Sumitomo, Jaeyoung Kang, China</span></span>\r\n\r\n<span>2008                     <span><em>TEAF (Taehwagang Eco Art Festival) - Dream River</em></span><span>, Korea</span> * </span>\r\n\r\n2008                  <em>Everywhere is War (And Rumours of it</em>), Bodhi Art Gallery, Mumbai <em>*</em>\r\n\r\n2008                  <em>Fire Walkers</em>, Stefan Stux gallery, New York\r\n\r\n2008                  <em>Three Points of view</em>, Galerie Mirchandani + Steinrucke, Mumbai <em>*</em>\r\n\r\n2008                  <em>A MAZ ING</em>, curated by Anupa Mehta for Harsh Goenka/RPG Academy of Art\r\n\r\nand Culture at the Jehangir Art Gallery, Mumbai\r\n\r\n2008                  <em>Excavation: Memory / Myth / Membrane</em>, Museum Gallery, Mumbai <em>*</em>\r\n\r\n2007                  <em>International Incheon Women Artists’</em> <em>Biennale</em>, Korea <em>*</em>\r\n\r\n2007                  <em>Soft Power: Asian Attitude</em>, Shanghai Zendai Museum of Modern Art, Shanghai <em>*</em>\r\n\r\n2007                  <em>Urban Manners</em>, curated by Adelina Von Furstenberg, at Hangar\r\n\r\nBicocca , Milan\r\n\r\n2007                  <em>INDIA NOW: Contemporary Indian Art, Between Continuity and transformation</em>,\r\n\r\ncurated by Daniela Palozzoli at Spazio Oberdan, Milan <em>*</em>\r\n\r\n2007                  <em>New Narratives: Contemporary Art From India</em>, curated by Betty Seid,\r\n\r\nChicago Cultural Centre, Chicago <em>*</em>\r\n\r\n2007                  <em>Thermocline Of Art- New Asian Waves</em>, curated by Wonil Rhee and Peter\r\n\r\nWeibel at ZKM in Karlsruhe, Germany <em>*</em>\r\n\r\n2007                  <em>Indian Colour</em>, Keumsan Gallery, Heyri, Korea\r\n\r\n<span><span>2006 </span><span><em>Modern Indian Works On Paper,</em></span><span> Arthur Ross Gallery, Philadelphia and the</span></span>\r\n\r\n<span><span>Georgia Museum of Art, USA * </span></span>\r\n\r\n<span><span>2006 </span><span><em>Lille 3000 (</em></span><span> Maximum City-Mumbai), Lille, France </span><span><em>*</em></span></span>\r\n\r\n<span><span>2006</span><span><em> Hungry God- Indian Contemporary Art</em></span><span>, curated by Yun Chaegab and June </span></span>\r\n\r\n<span><span>Gwak, Arario Gallery, Beijing and Busan MoMA</span><span><em>*</em></span><span> </span></span>\r\n\r\n<span><span>2006 </span><span><em>India Express – Art and Popular Culture</em></span><span>, Art Museum Tennispalace,</span></span>\r\n\r\n<span><span>curators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City Art Museum, </span></span>\r\n\r\n<span><span>Finland </span><span><em>*</em></span></span>\r\n\r\n<span><span>2005 </span><span><em>Mom and Pop Art, </em></span><span>Walsh Gallery, Chicago</span></span>\r\n\r\n<span><span>2005 </span><span><em>Span</em></span><span>, Sakshi Gallery, Mumbai</span></span>\r\n\r\n<span><span>2005 </span><span><em>Indian Paintings of the New Millenium</em></span><span>, curated by </span><span>Helen Asquine Fazio </span></span>\r\n\r\n<span><span>at Thomas J. Walsh Art Gallery at Fairfield University, USA</span><span><em>*</em></span></span>\r\n\r\n<span><span>2004 </span><span><em> Contemporary Art from India</em></span><span>, Thomas Erben Gallery, New York</span></span>\r\n<ol>\r\n	<li><em>Zoom! Art in Contemporary 	India.</em> Curators: Nancy Adajania and Luis</li>\r\n</ol>\r\nSerpa, The Culturgest Museum, Lisbon, Portugal *<em> </em>\r\n\r\n<span><span>2003</span><span><em> Crossing generations: diVERGE</em></span><span>, Gallery Chemould’s 40th anniversary,</span></span>\r\n\r\n<span>Curators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of Modern </span>\r\n\r\n<span><span>Art, Mumbai </span><span><em>*</em></span><span> </span></span>\r\n\r\n<span><span>2003</span><span><em> Hard Copy,</em></span><span> two-person show with Jitish Kallat, Gallery 88, Calcutta *</span></span>\r\n\r\n<span><span>2003 </span><span><em>Tiranga</em></span><span>, curator: Peter Nagy, India Habitat Centre, New Delhi, </span><span><em>*</em></span></span>\r\n\r\n<span><span>2003</span><span><em> Elephant Walks</em></span><span>, Youth Arts Project in collaboration with Jitish Kallat as part of </span></span>\r\n\r\n<span>Indians + Cowboys exhibition, Curators: Aaron Seetu and Ruth Watson</span>\r\n\r\n<span><span>Gallery 4A, Sydney </span><span><em>*</em></span><span> </span><span><em> </em></span><span> </span></span>\r\n\r\n<span><span>2003 </span><span><em>The Tree From The Seed, Contemporary Art from India, </em></span><span>curator: Gavin Jantjes </span></span>\r\n\r\n<span><span>Henie Onstad Kunstsenter (Oslo), Norway </span><span><em>*</em></span></span>\r\n\r\n<span><span>2002 </span><span><em>Crosscurrents</em></span><span>, organized by Artworks for the fiftieth anniversary</span></span>\r\n\r\n<span>celebrations of Jehangir Art Gallery, Mumbai </span>\r\n<ol>\r\n	<li><span><span><em>Reclaim 	Our Freedom</em></span><span>, 	organized by Open Circle, Pundole Art Gallery, Mumbai </span></span></li>\r\n</ol>\r\n<ol>\r\n	<li><span><span><em>Crossing 	Borders</em></span><span>, Gallery 	Windkracht 13, Den Helder, Holland</span></span></li>\r\n</ol>\r\n<ol>\r\n	<li><span><span><em>Big 	River 2</em></span><span>, CCA7 	Gallery, Port Of Spain, Trinidad </span><span><em>*</em></span></span></li>\r\n</ol>\r\n<span><span>2001 </span><span><em>AOM- Art on the move</em></span><span>, organized by Sahmat, New Delhi </span><span><em>*</em></span><span> </span></span>\r\n\r\n<span><span>1999</span><span><em> Edge of the Century,</em></span><span> curated by Amit Mukhopadhyay, Academy of Fine Arts </span></span>\r\n\r\n<span><span>and Literature, New Delhi </span><span><em>*</em></span></span>\r\n\r\n<em>* </em>exhibition catalogue published\r\n\r\n<span><em><strong>SELECTED WORKSHOPS AND RESIDENCIES</strong></em></span>\r\n\r\n<span><span>2009 </span><span><em>Vanishing Point</em></span><span>, children’s project at the Celebrate Bandra Festival, Mumbai </span></span>\r\n<ol>\r\n	<li><span><span>Collaborative 	workshop as part of the exhibition </span><span><em>Aftershock</em></span><span> at the Sainsbury </span></span></li>\r\n</ol>\r\n<span><span>Centre for Visual Arts, University of East Anglia, Norwich, UK</span></span>\r\n<ol>\r\n	<li><span>Collaborated 	on a Billboard project with Jitish Kallat, funded by the Swiss       	            Council, Kala Ghoda Art District, Mumbai</span></li>\r\n</ol>\r\n<span><span>2003 </span><span><em>Elephant Walks</em></span><span>, Youth Arts Project at the Casula Power House </span></span>\r\n\r\n<span>Arts Centre, Liverpool, Australia</span>\r\n\r\n<span><span>2002</span><span><em> Khoj 2002</em></span><span>, International Artists Workshop, Mysore, India</span></span>\r\n\r\n<span><span>2002</span><span><em> Identity and Landscape</em></span><span>, residency in the Laurentian mountains of Quebec at the </span></span>\r\n\r\nBoreal Art/Nature Centre, Canada\r\n\r\n<span><span>2001 </span><span><em>Big River 2</em></span><span>, International Artists Workshop organized by CCA7 and the Triangle </span></span>\r\n\r\nArts Trust at Grand Riviere, Trinidad, West Indies\r\n\r\nThe artist lives and works in Mumbai','CV','','inherit','open','open','','89-revision-4','','','2010-04-22 07:47:27','2010-04-22 07:47:27','',89,'http://biggventures.com/demo/artists/632/uncat/89-revision-4',0,'revision','',0),(634,1,'2010-04-22 07:50:13','2010-04-22 07:50:13','<!-- 		@page { size: 21cm 29.7cm; margin: 2cm } 		P { margin-bottom: 0cm } 		P.western { font-size: 11pt } 		P.cjk { font-size: 11pt } 		H2 { margin-top: 0cm; margin-bottom: 0cm } 		H2.western { font-family: \"Nimbus Roman No9 L\", serif; font-size: 11pt } 		H2.cjk { font-family: \"DejaVu Sans\"; font-size: 11pt } 		H2.ctl { font-family: \"DejaVu Sans\"; font-size: 12pt; font-weight: medium } 		H1 { margin-top: 0cm; margin-bottom: 0cm } 		H1.western { font-family: \"Nimbus Roman No9 L\", serif; font-size: 12pt } 		H1.cjk { font-family: \"DejaVu Sans\"; font-size: 12pt } 		H1.ctl { font-family: \"DejaVu Sans\"; font-size: 12pt; font-weight: medium } -->\r\n<h2><span style=\"font-size: medium;\"><span style=\"text-decoration: underline;\">REENA S. KALLAT</span></span></h2>\r\n<span>1973                   Born in Delhi, India</span>\r\n<ol>\r\n	<li>\r\n<ol>\r\n	<li><span>B.F.A. 		[painting], Sir J.J.School of Art, Mumbai</span></li>\r\n</ol>\r\n</li>\r\n</ol>\r\n<span><em><strong>SOLO EXHIBITIONS</strong></em></span>\r\n\r\n<span><span>2009 </span><span><em>Drift</em></span><span>, Primo Marella Gallery, Milan </span><span><em>*</em></span></span>\r\n\r\n<span><span>2008 </span><span><em>Silt of Seasons</em></span><span>, Chemould Prescott Road, Mumbai </span><span><em>*</em></span></span>\r\n\r\n<span><span>2008 </span><span><em>Subject to Change without Notice</em></span><span>, Walsh Gallery, Chicago </span><span><em>*</em></span></span>\r\n\r\n<span><span>2006 </span><span><em>Rainbow Of Refuse, </em></span><span>Bodhi Art Gallery, Mumbai and Singapore </span><span><em>* </em></span></span>\r\n\r\n<span><span>2005 </span><span><em>Black Flute (And Other Stories)</em></span><span>, Nature Morte, New Delhi </span><span><em>*</em></span></span>\r\n\r\n<span><span>2004 </span><span><em>Black Flute</em></span><span>, Gallery Chemould, Mumbai </span><span><em>*</em></span></span>\r\n\r\n<span>2002 </span><span><em>The Battlefield Is The Mind</em></span><span>, Sakshi Gallery, Bangalore </span><span><em>*</em></span>\r\n\r\n<span>2002 </span><span><em>Seven Faces of Dust</em></span><span>, Chicago Radio, Mumbai</span>\r\n\r\n<span><span>2000 </span><span><em>Skin</em></span><span>, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi </span><span><em>*</em></span></span>\r\n<ol>\r\n	<li><span><span><em>Orchard 	of Home-grown Secrets</em></span><span>, 	Gallery Chemould and Pundole Art Gallery, Mumbai </span><span><em>*</em></span></span></li>\r\n</ol>\r\n<span><em><strong>SELECTED GROUP EXHIBITIONS</strong></em></span>\r\n<span><span>2010 </span><span><em>In Transition: New Art from India</em></span><span>, Richmond Art Gallery in collaboration </span></span>\r\n\r\n<span><span>with the Vancouver Biennale, Vancouver</span></span>\r\n\r\n<span><span>2010 </span><span><em>Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster</em></span><span> </span></span>\r\n\r\n<span><span><em>University</em></span><span>, curated by Jeffrey Hughes and Dana Turkovic, Cecile R. Hunt </span></span>\r\n\r\n<span>Gallery, St. Louis, Missouri</span>\r\n\r\n<span><span>2010 </span><span><em>Never Run Away</em></span><span>, 2 person exhibition curated by Shaheen Merali, </span></span>\r\n\r\n<span><span>Stux Gallery, New York </span><span><em>*</em></span></span>\r\n\r\n<span><span>2010 </span><span><em>The Empire Strikes Back</em></span><span>, Saatchi Gallery, London </span><span><em>*</em></span></span>\r\n\r\n<span><span>2010 </span><span><em> Urban Manners 2</em></span><span>, Contemporary Artists from India, curated by Adelina </span></span>\r\n\r\n<span><span>Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao</span></span>\r\n\r\n<span><span>Paulo, Brazil</span></span>\r\n\r\n<span><span>2009 </span><span><em>View Points and Viewing points - 2009 Asian Art Biennale</em></span><span>, National Taiwan\r\nMuseum of Fine Arts </span><span><em>*</em></span></span>\r\n\r\n<span><span>2009 </span><span><em>Spectrum: Indian Art at Abu Dhabi</em></span><span>, United Arab Emirates</span></span>\r\n\r\n<span><span>2009 </span><span><em>Milan Galleria</em></span><span>, curated by Georgio Verzotti, Triennale Museum, Milan</span></span>\r\n\r\n2009                  <em>Passage to India Part II show </em>at Initial Access, Frank Cohen Collection,\r\n\r\nWolverhampton, UK\r\n\r\n<span>2009                  Ventosul Biennale, Curitiba, Brazil </span>\r\n\r\n<span><span>2009 </span><span><em> Chalo! India: A New Era of Indian Art</em></span><span>, National Museum of Contemporary Art, </span></span>\r\n\r\n<span><span>Korea and Essl Museum, Vienna </span><span><em>*</em></span></span>\r\n\r\n<span><span>2009 </span><span><em>INDIA XIANZAI: Contemporary Indian Art</em></span><span>, Museum of Contemporary Art, </span></span>\r\n\r\n<span><span>Shanghai </span><span><em>*</em></span><span> </span></span>\r\n<ol>\r\n	<li><span><span><em>Low 	Blow: And Other Species of Confusion</em></span><span>, 	Stux gallery, New York</span></span></li>\r\n</ol>\r\n<span><span>2009</span><span><em> Indian Narratives in the 21</em></span><sup><span><em>st</em></span></sup><span><em> Century: Between Memory and History</em></span><span>, </span></span>\r\n\r\n<span><span>Casa Asia, Madrid and Barcelona, Spain </span></span>\r\n\r\n<span><span>2009 </span><span><em>Body Chatter</em></span><span>, Walsh Gallery, Chicago</span></span>\r\n\r\n2008     <em> Chalo! India: A New Era of Indian Art</em>, Mori Art Museum, Japan <em>*</em>\r\n\r\n2008                  India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM\r\n\r\nMuseum, Valencia, Spain <em>* </em>\r\n\r\n<span>2008                     <span><em>3</em></span><sup><span><em>rd</em></span></sup><span><em> Nanjing Triennale</em></span><span>, curators: Fumihiko Sumitomo, Jaeyoung Kang, China</span></span>\r\n\r\n<span>2008                     <span><em>TEAF (Taehwagang Eco Art Festival) - Dream River</em></span><span>, Korea</span> * </span>\r\n\r\n2008                  <em>Everywhere is War (And Rumours of it</em>), Bodhi Art Gallery, Mumbai <em>*</em>\r\n\r\n2008                  <em>Fire Walkers</em>, Stefan Stux gallery, New York\r\n\r\n2008                  <em>Three Points of view</em>, Galerie Mirchandani + Steinrucke, Mumbai <em>*</em>\r\n\r\n2008                  <em>A MAZ ING</em>, curated by Anupa Mehta for Harsh Goenka/RPG Academy of Art\r\n\r\nand Culture at the Jehangir Art Gallery, Mumbai\r\n\r\n2008                  <em>Excavation: Memory / Myth / Membrane</em>, Museum Gallery, Mumbai <em>*</em>\r\n\r\n2007                  <em>International Incheon Women Artists’</em> <em>Biennale</em>, Korea <em>*</em>\r\n\r\n2007                  <em>Soft Power: Asian Attitude</em>, Shanghai Zendai Museum of Modern Art, Shanghai <em>*</em>\r\n\r\n2007                  <em>Urban Manners</em>, curated by Adelina Von Furstenberg, at Hangar\r\n\r\nBicocca , Milan\r\n\r\n2007                  <em>INDIA NOW: Contemporary Indian Art, Between Continuity and transformation</em>,\r\n\r\ncurated by Daniela Palozzoli at Spazio Oberdan, Milan <em>*</em>\r\n\r\n2007                  <em>New Narratives: Contemporary Art From India</em>, curated by Betty Seid,\r\n\r\nChicago Cultural Centre, Chicago <em>*</em>\r\n\r\n2007                  <em>Thermocline Of Art- New Asian Waves</em>, curated by Wonil Rhee and Peter\r\n\r\nWeibel at ZKM in Karlsruhe, Germany <em>*</em>\r\n\r\n2007                  <em>Indian Colour</em>, Keumsan Gallery, Heyri, Korea\r\n\r\n<span><span>2006 </span><span><em>Modern Indian Works On Paper,</em></span><span> Arthur Ross Gallery, Philadelphia and the</span></span>\r\n\r\n<span><span>Georgia Museum of Art, USA * </span></span>\r\n\r\n<span><span>2006 </span><span><em>Lille 3000 (</em></span><span> Maximum City-Mumbai), Lille, France </span><span><em>*</em></span></span>\r\n\r\n<span><span>2006</span><span><em> Hungry God- Indian Contemporary Art</em></span><span>, curated by Yun Chaegab and June </span></span>\r\n\r\n<span><span>Gwak, Arario Gallery, Beijing and Busan MoMA</span><span><em>*</em></span><span> </span></span>\r\n\r\n<span><span>2006 </span><span><em>India Express – Art and Popular Culture</em></span><span>, Art Museum Tennispalace,</span></span>\r\n\r\n<span><span>curators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City Art Museum, </span></span>\r\n\r\n<span><span>Finland </span><span><em>*</em></span></span>\r\n\r\n<span><span>2005 </span><span><em>Mom and Pop Art, </em></span><span>Walsh Gallery, Chicago</span></span>\r\n\r\n<span><span>2005 </span><span><em>Span</em></span><span>, Sakshi Gallery, Mumbai</span></span>\r\n\r\n<span><span>2005 </span><span><em>Indian Paintings of the New Millenium</em></span><span>, curated by </span><span>Helen Asquine Fazio </span></span>\r\n\r\n<span><span>at Thomas J. Walsh Art Gallery at Fairfield University, USA</span><span><em>*</em></span></span>\r\n\r\n<span><span>2004 </span><span><em> Contemporary Art from India</em></span><span>, Thomas Erben Gallery, New York</span></span>\r\n<ol>\r\n	<li><em>Zoom! Art in Contemporary 	India.</em> Curators: Nancy Adajania and Luis</li>\r\n</ol>\r\nSerpa, The Culturgest Museum, Lisbon, Portugal *<em> </em>\r\n\r\n<span><span>2003</span><span><em> Crossing generations: diVERGE</em></span><span>, Gallery Chemould’s 40th anniversary,</span></span>\r\n\r\n<span>Curators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of Modern </span>\r\n\r\n<span><span>Art, Mumbai </span><span><em>*</em></span><span> </span></span>\r\n\r\n<span><span>2003</span><span><em> Hard Copy,</em></span><span> two-person show with Jitish Kallat, Gallery 88, Calcutta *</span></span>\r\n\r\n<span><span>2003 </span><span><em>Tiranga</em></span><span>, curator: Peter Nagy, India Habitat Centre, New Delhi, </span><span><em>*</em></span></span>\r\n\r\n<span><span>2003</span><span><em> Elephant Walks</em></span><span>, Youth Arts Project in collaboration with Jitish Kallat as part of </span></span>\r\n\r\n<span>Indians + Cowboys exhibition, Curators: Aaron Seetu and Ruth Watson</span>\r\n\r\n<span><span>Gallery 4A, Sydney </span><span><em>*</em></span><span> </span><span><em> </em></span><span> </span></span>\r\n\r\n<span><span>2003 </span><span><em>The Tree From The Seed, Contemporary Art from India, </em></span><span>curator: Gavin Jantjes </span></span>\r\n\r\n<span><span>Henie Onstad Kunstsenter (Oslo), Norway </span><span><em>*</em></span></span>\r\n\r\n<span><span>2002 </span><span><em>Crosscurrents</em></span><span>, organized by Artworks for the fiftieth anniversary</span></span>\r\n\r\n<span>celebrations of Jehangir Art Gallery, Mumbai </span>\r\n<ol>\r\n	<li><span><span><em>Reclaim 	Our Freedom</em></span><span>, 	organized by Open Circle, Pundole Art Gallery, Mumbai </span></span></li>\r\n</ol>\r\n<ol>\r\n	<li><span><span><em>Crossing 	Borders</em></span><span>, Gallery 	Windkracht 13, Den Helder, Holland</span></span></li>\r\n</ol>\r\n<ol>\r\n	<li><span><span><em>Big 	River 2</em></span><span>, CCA7 	Gallery, Port Of Spain, Trinidad </span><span><em>*</em></span></span></li>\r\n</ol>\r\n<span><span>2001 </span><span><em>AOM- Art on the move</em></span><span>, organized by Sahmat, New Delhi </span><span><em>*</em></span><span> </span></span>\r\n\r\n<span><span>1999</span><span><em> Edge of the Century,</em></span><span> curated by Amit Mukhopadhyay, Academy of Fine Arts </span></span>\r\n\r\n<span><span>and Literature, New Delhi </span><span><em>*</em></span></span>\r\n\r\n<em>* </em>exhibition catalogue published\r\n\r\n<span><em><strong>SELECTED WORKSHOPS AND RESIDENCIES</strong></em></span>\r\n\r\n<span><span>2009 </span><span><em>Vanishing Point</em></span><span>, children’s project at the Celebrate Bandra Festival, Mumbai </span></span>\r\n<ol>\r\n	<li><span><span>Collaborative 	workshop as part of the exhibition </span><span><em>Aftershock</em></span><span> at the Sainsbury </span></span></li>\r\n</ol>\r\n<span><span>Centre for Visual Arts, University of East Anglia, Norwich, UK</span></span>\r\n<ol>\r\n	<li><span>Collaborated 	on a Billboard project with Jitish Kallat, funded by the Swiss       	            Council, Kala Ghoda Art District, Mumbai</span></li>\r\n</ol>\r\n<span><span>2003 </span><span><em>Elephant Walks</em></span><span>, Youth Arts Project at the Casula Power House </span></span>\r\n\r\n<span>Arts Centre, Liverpool, Australia</span>\r\n\r\n<span><span>2002</span><span><em> Khoj 2002</em></span><span>, International Artists Workshop, Mysore, India</span></span>\r\n\r\n<span><span>2002</span><span><em> Identity and Landscape</em></span><span>, residency in the Laurentian mountains of Quebec at the </span></span>\r\n\r\nBoreal Art/Nature Centre, Canada\r\n\r\n<span><span>2001 </span><span><em>Big River 2</em></span><span>, International Artists Workshop organized by CCA7 and the Triangle </span></span>\r\n\r\nArts Trust at Grand Riviere, Trinidad, West Indies\r\n\r\nThe artist lives and works in Mumbai.','CV','','inherit','open','open','','89-revision-6','','','2010-04-22 07:50:13','2010-04-22 07:50:13','',89,'http://biggventures.com/demo/artists/634/uncat/89-revision-6',0,'revision','',0),(636,1,'2010-04-22 08:41:20','2010-04-22 08:41:20','<span style=\"text-decoration: underline;\"><a title=\"2006 DNA Interview\" href=\"http://www.reenakallat.com/publications/interviews/2006-dna-interview\" target=\"_self\"><span class=\"wpGallery\">2006 D.N.A. Interview</span></a></span>\r\n\r\n<span style=\"text-decoration: underline;\"><a title=\"Khoj Interview\" href=\"http://www.reenakallat.com/publications/interviews/khoj-interview\" target=\"_self\">Khoj Interview</a></span>\r\n\r\n<span style=\"text-decoration: underline;\"><a title=\"Verve Magazine\" href=\"http://www.reenakallat.com/publications/interviews/verve-magazine\" target=\"_self\">Q and A for Verve Magazine</a></span>','Interviews','','inherit','open','open','','184-autosave','','','2010-04-22 08:41:20','2010-04-22 08:41:20','',184,'http://biggventures.com/demo/artists/636/uncat/184-autosave',0,'revision','',0),(637,1,'2010-03-23 08:58:38','2010-03-23 08:58:38','Interviews','Interviews','','inherit','open','open','','184-revision-3','','','2010-03-23 08:58:38','2010-03-23 08:58:38','',184,'http://biggventures.com/demo/artists/637/uncat/184-revision-3',0,'revision','',0),(638,1,'2010-04-22 08:04:59','2010-04-22 08:04:59','<em><strong>1. Could you tell us in your own words what your current exhibition is about?</strong></em>\r\nThe current exhibition titled \'Rainbow Of Refuse\' is meant to evoke a whole range of responses from the seductive to the dreadful. It explores the myths and realities of war; associated with courage and national pride on the one hand and the resultant waste it generates on the other, whether it has to do with the loss of human lives or the destruction of property. Broadly, the work reflects on the institutionalisation of violence and attempts to critique these dehumanising institutions that have a stong bearing on our\r\nexistence by foregrounding the fragility of the human condtion.\r\n\r\n<em><strong>2. Why is the British Raj such an integral part? What makes it relevant even today?</strong></em>\r\nWe cannot wish away the history of colonisation and the impact the imperial powers left behind. \"Memoria Corona\" is modelled on the crown of the queen of England, queen Elizabeth II, that carries the Kohinoor, the most precious diamond we lost to the British Empire. The surface of this sculpture is completely covered with names of freedom fighters almost like a memorial to those who fought the freedom struggle.  By evoking the loss of human lives I wanted the crown to carry the weight of these other precious treasures we lost to the empire.\r\n\r\n<em><strong>3. Such an exhibition is so multifaceted - there are so many components to it - do you feel it might be difficult for people to take it all in in one go? Or are you expecting people to take in one thing at a time/one concept at a time?</strong></em>\r\nArt works do unexpected things to different people. A lot of meanings are implied and not overtly stated. Some might find one thing interesting while others might carry questions on others. The idea is to try and stimulate the imagination rather than provide conclusions.\r\n\r\n<em><strong>4. Is there a particular incident that you associate with the germination of this idea? Something that happened, something you read, something you saw or something someone said?</strong></em>\r\nI\'m fascinated by the beautiful illustrations in the Razmnama, translations of the Mahabharat in Persian made as an attempt to try and understand these texts during the time of Akbar. The demon drawings that recur in my paintings are sourced both from here and the Pahari miniatures, where Durga is often shown slaying the asuras   Although meant to be demonic the form seems endearing at the same time, in some ways reflecting that not everything can be clearly defined as black and white. We often demonise the\r\nother simply to safeguard our own interests whether nationalistic, religious etc.\r\n\r\n<em><strong>5. As an exhibition with so many facets - which one is your \'favourite\' or which part is the most pertinent for you?</strong></em>\r\nSince the works are inter-related, each plays an integral role in understanding the many dimensions of the exhibition as a whole. But the two multi-part paintings titled \'Xylophone-I\' and \'Xylophone-II\' have been challenging pieces within my own practice and I have wanted to attempt them since the last four years. Structured to collectively form the human ribcage, they comprise of swords in one case and guns in the other. These\r\n\r\nlife-threatening weapons act as an armour, just like the ribcage forms a protective covering to the lungs and the heart. What interests me is how we legitimise the use of violence by justifying it in the name of self-defence.\r\n\r\n<em><strong>6. Is there a personal experience attached with what you\'re trying to say?</strong></em>\r\nMy work is not necessarily a reflection of my immediate personal/domestic surrounding but the world around me.\r\n\r\n<em><strong>7. Is this a vision of our country you are comfortable with exhibiting abroad?</strong></em>\r\nI think my work attempts to unravel the contradictions and complexities of\r\nour existence in contemporary society and its many layers. I would hope to\r\nconvey it truthfully no matter where the work gets shown.\r\n\r\n<em><strong>8. Do you go through some kind of emotional process when you\'re preparing your work? If so, what kind of process is it?</strong></em>\r\nI undoubtedly get affected by what I see or hear around me in society at large and sometimes I like to analyse these experiences through my work.\r\n\r\n<em><strong>9. What are your plans for this exhibition? Will you be sending it abroad? If so, where and when?</strong></em>\r\nThis exhibition travels to Bodhi Art Gallery, Singapore late October. A couple of sculptures part of this exhibition titled \"Memoria Corona\" and \"Penumbra\" which are in edition are currently showing at Arario Gallery, Beijing along with a monumental painting.\r\n\r\n<em><strong>10. What are you currently involved in?</strong></em>\r\nSoon I leave for France for a large exhibition of Indian Art, in Lille. But as far as my next set of pieces are concerned, I have conceptualised two or three bodies of work I\'m excited to pursue making; trying very hard for my hand to keep pace with my mind.','2006 D.N.A. Interview','','draft','open','open','','2006-dna-interview','','','2010-06-18 08:43:10','2010-06-18 08:43:10','',184,'http://biggventures.com/demo/artists/?page_id=638',0,'page','',0),(639,1,'2010-04-22 08:04:40','2010-04-22 08:04:40','','2006 D.N.A. Interview','','inherit','open','open','','638-revision','','','2010-04-22 08:04:40','2010-04-22 08:04:40','',638,'http://biggventures.com/demo/artists/639/uncat/638-revision',0,'revision','',0),(640,1,'2010-04-22 08:05:52','2010-04-22 08:05:52','<!-- 		@page { size: 21cm 29.7cm; margin: 2cm } 		P { margin-bottom: 0cm } 		P.western { font-family: \"Arial\", sans-serif; so-language: en-US; font-weight: bold } 		P.cjk { font-family: \"Times New Roman\", serif; font-weight: bold } --> <!-- 		@page { size: 21cm 29.7cm; margin: 2cm } 		H4 { margin-top: 0cm; margin-bottom: 0cm; line-height: 150% } 		H4.western { font-family: \"Helvetica\", sans-serif; font-size: 14pt } 		H4.cjk { font-family: \"DejaVu Sans\"; font-size: 14pt } 		H4.ctl { font-family: \"DejaVu Sans\"; font-size: 12pt; font-weight: medium } 		P { margin-bottom: 0.21cm } -->\r\n<h2 style=\"text-align: center;\">Reena Saini Kallat by Shilpa Gupta</h2>\r\n<em><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\"><strong>In your works, forms are overlapped but often painted on different planes that maintain an unsettling distance between them. In </strong><strong>Penumbra Passage (Canine Cases)</strong><strong>, from 2007,</strong><strong> </strong><strong>for example, the figure blankly looks at the viewer unaware of the stain near its mouth; or in </strong><strong>Pulse 30</strong><strong>,</strong><strong> </strong><strong>from 2002, two-dimensional figures from mythology rendered in great detail lie on top of a tactile three-dimensional piece of bread. This way of painting affects the way meaning gets formed, not instantaneously visually but in the mind. Why do you employ this approach?</strong></span></span></em>\r\n\r\n<span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\">Yes, the tentativeness of meaning created by certain juxtapositions can be quite discomforting. The relationship between images is kept provisional. I often employ this approach when I’m trying to make a connection between people or objects and yet it is not meant to be conclusive. For instance, <em>Penumbra Passage (Canine Cases)</em> comprises of a series of portraits of ordinary people/civilians from India and Pakistan, with their faces blemished by the silhouette of the disputed territory often referred to as POK (Pakistan Occupied Kashmir). The portraits are put in grand frames like those of royal descendants, while the map of the land that remains at the core of the dispute between the two neighbouring countries casts a shadow over these, haunting us with tales from the region. </span></span>\r\n\r\n<em><strong><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\">When a lot of art is becoming instantaneous, you continue to use the structure of narrative, where elements of mythology are woven with factual data, so that the viewer decodes a work over time. Mythology, especially, has been a reference point for several artists in India. I was wondering what you think about using it at a time when people are increasingly unaware of the meanings it contains?</span></span></strong></em>\r\n\r\n<span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\">I use Indian mythology because I find it extremely interesting and an incredibly rich source of ideas and images. Artworks always carry the potential of being misread and misunderstood, given that they get exhibited in different venues across the world. That doesn’t discourage me, although I increasingly want to back my work up with information that assists an understanding of the context in which it was produced.</span></span>\r\n\r\n<span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\">Besides mythology, I often like to take off from a familiar object or story that comes with its own set of associations and then, by the slightest alteration, inject fresh meaning. My sculptures <em>Memoria Corona</em> and <em>Memoria Mausolea</em> are examples where a pre-existing object becomes a starting point for the work. <em>Memoria Corona</em> was modelled on Elizabeth II’s crown in which rests the precious Kohinoor diamond that India lost to the British Empire. I inscribed the names of Indian freedom fighters on the surface of this symbol of authority and power because I wanted the crown to bear the weight of other precious treasures, the human lives that were also lost to the British Empire.</span></span>\r\n\r\n<span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\"><em>Memoria Mausolea</em> was modelled on Bombay’s Gateway of India, which was built to commemorate the visit of King George V and Queen Mary to India in 1911. Although it was built as a gateway ‘to’ India, the last convoy of British troops, the Somerset Light Infantry, ‘exited’ the country through it in 1948. By enveloping it with perished colonial names of streets in Mumbai, which have now been replaced with indigenous names, I wanted this monument to be playfully remembered for the end of the British Empire.</span></span>\r\n\r\n<em><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\"><strong>Can you tell us a little bit about your working process? How do your ideas develop and do you generally work in long series?</strong></span></span></em>\r\n\r\n<span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\">At any given point there will be a bunch of ideas I’m toying with at different stages of completion. A certain amount of groundwork is often needed before things can take on a more definitive form. It’s then that decisions about media come into play. In a more recent series of portraits titled <em>Synonym</em>, for example, I’ve employed rubber stamps, which are normally used for official purposes. Since the portraits carry names out of official police records of those who’ve gone missing, I decided to bring them to the surface of the work. Depending on how far an idea needs to travel to reach its optimum effectiveness, a work may or may not grow into a series.</span></span>\r\n\r\n<em><strong><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\">Has there been a clear evolution from one media/form to another or have you jumped about?</span></span></strong></em>\r\n\r\n<span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\">I have always worked between media, from my early days at Sir JJ School of Art in 1993 onwards. My debut solo exhibition in 1998, for instance, held simultaneously at Gallery Chemould and Pundole Art Gallery in Mumbai, comprised both paintings and sculptural installations, including the house of cards series <em>Orchard of Home-grown Secrets</em>, the photographic translites <em>Escapades of the Ladder Occupants</em> and a walk-in installation called <em>Joint Family</em>. Content takes precedence over form or medium for me: I like working with whatever medium best carries out the idea. </span></span>\r\n\r\n<em><strong><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\">Where does your interest in storytelling come from? Do you have a favourite story?</span></span></strong></em>\r\n\r\n<span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\">We’ve all grown up listening to stories, reading comics and watching epics on television. However, it wasn’t until after I finished college in 1996 that my interest in the narrative school of painting evolved. I took a diploma in Indian aesthetics at Rachana Sansad, affiliated to Bombay University that gave me a more holistic perspective on Indian culture. </span></span>\r\n\r\n<a name=\"OLE_LINK1\"></a> <span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\">Among the stories that have captivated me is one from the Hindu <em>Puranas</em> called the <em>Samudra Manthan</em>. <em>Samudra</em>,<em> </em>as we know, means ‘the ocean’ and <em>manthan</em> means ‘to churn’. In this particular episode, the gods lose their powers due to an instance of arrogance and need the assistance of demons in order to churn the ocean to obtain nectar that can empower them again. They cast a number of herbs into the ocean and the churning produces several objects and beings that are served as symbolic offerings to please the demi-gods. Some truly fantastical forms emerge, such as the <em>Kamadhenu</em> or the wish-granting cow. This became a generative point of departure for a sculptural installation titled <em>Saline</em>, a piece made up of 150 parts.</span></span>\r\n\r\n<em><strong><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\">As artists we primarily operate in galleries, yet only a miniscule section of our society visits them. With such low visibility what do you think is the role and function of art?</span></span></strong></em>\r\n\r\n<span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\">Art has always played several roles in society, including recording change and raising awareness on issues. Besides tickling the spirit, it can comment, critique and challenge existing ideas by generating dialogue. This can happen both inside and outside the gallery. While some works are best suited to being viewed within the clean white space of the gallery, other art interfaces, perhaps even on the street, promote more participation from a wider audience, which democratises access. However, the circulation of images through books and catalogues is a powerful means for certain works of art to reach beyond their immediate use value as exhibits.</span></span>\r\n\r\n<span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\">Just as I would not undermine the effectiveness and impact of a short performance, I would not be demoralised or discouraged about the legitimacy and role of art just because limited numbers of people frequent galleries. Not only are the numbers growing, but also the works themselves have gained larger mobility by being showcased in multiple venues across the globe. It remains true though that there is a dearth of platforms for public intervention, especially in India where there is no state support for the arts. </span></span>\r\n\r\n<span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\"><strong><em>Braids of leaves have been a constant recurrence in your work, be they in painting, floor installations or interactive performances. What do they signify?</em> </strong></span></span>\r\n<p lang=\"en-US\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\">They have served varied purposes in different works. They first made an appearance in a sculpture from 1998 titled <em>Joint Family</em>, where the leaves wrap around the surface of houses made of packaging material that are inserted one into the other. Like an overgrown family tree, they hold up images offering clues that might uncover family secrets.</span></span></p>\r\n<p lang=\"en-US\"></p>\r\n<p lang=\"en-US\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\">In a triptych called <em>Braiding the Line</em>,<em> </em>made in 2002, I posit the last incarnation of Vishnu as Kalki, in the form of a fisherman. His net, woven with leaves, is unfurled to reveal the colours of the Indian national flag or what might be seen as the colours of the changing seasons. Motifs from aquatic, bird, animal and human life are interwoven with the leaves, offered as samples that could be carried on to the next era after the end of the world. The leaves are often a visual apparatus for inserting or depositing other images.</span></span></p>\r\n<p lang=\"en-US\"></p>\r\n<span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\">In <em>Birds of Steel </em>made in 2006,<em> </em>the romantic idea of the skies as being boundless is marred by the threatening image of several airplanes that leave behind a sinister trail of black twines. <em>Birds of Steel </em>works by juxtaposing motifs of border disputes and invasions against the liberating image of the open sky. </span></span>\r\n\r\n<em><strong><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\">Why do you use POK – Pakistan Occupied Kashmir – as a symbol in several works? Do you have personal connections to the region or do you relate to it for broader political/humanitarian reasons?</span></span></strong></em>\r\n\r\n<span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\">My father was born in Lahore and moved to Punjab before Partition, and, as a young girl, I grew up listening to stories about his ancestral home. However, this hasn’t had a direct bearing on my practice. More important, I suspect, was my exposure to art with a strong social conscience, which was prevalent in the early 1990s when I was a student.<em> </em>I think an artist’s work can be independent of his or her personal history. </span></span>\r\n\r\n<span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\">Pakistan Occupied Kashmir has been the nucleus of conflict between India and Pakistan since 1947. Its territorial form begins to function as a symbol of this strained relationship between the two neighbours, as well as of human folly. In <em>Penumbra</em>, I showed the disputed territory in a cold, unsettling stainless steel cradle. It’s in limbo, as are its people, rocked back and forth by political agendas and myopic policies.</span></span>\r\n\r\n<em><strong><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\">As well as participating in the Khoj workshop in Mysore you helped organise Khoj Mumbai in 2005. What were those experiences like?</span></span></strong></em>\r\n\r\n<span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\">I think Khoj played a vital role in the late 1990s and early 2000s when there weren’t many opportunities for artists to travel and work alongside others from different parts of the world. And although there are many more openings now, I continue to value that experience of sharing an experimental studio/laboratory with others. It encourages the extension of art practice into the public sphere. Khoj’s decision to constantly bring in new hands and fresh energy is particularly important: it helps revise and renew the model year after year.</span></span>','Khoj Interview','','draft','open','open','','khoj-interview','','','2010-06-18 08:43:18','2010-06-18 08:43:18','',184,'http://biggventures.com/demo/artists/?page_id=640',0,'page','',0),(641,1,'2010-04-22 08:05:44','2010-04-22 08:05:44','','Khoj Interview','','inherit','open','open','','640-revision','','','2010-04-22 08:05:44','2010-04-22 08:05:44','',640,'http://biggventures.com/demo/artists/641/uncat/640-revision',0,'revision','',0),(642,1,'2010-04-22 08:06:14','2010-04-22 08:06:14','<h2 style=\"text-align: center;\">Q &amp; A for Verve with Maria Louis</h2>\r\n<em><strong>1. Why have you called your latest collection of works, displayed at the Bodhi Art Gallery, \"Rainbow of Refuse\"? (The title seems to be a contradiction of terms, juxtaposing as it does the exquisite with the obnoxious.)</strong></em>\r\nThe exhibition itself is meant to evoke a whole range of responses, from the seductive to the dreadful. It touches upon the myths and realities of war; that have to do with notions of courage, patriotism, power and the resultant waste it generates i.e. the loss of human lives, property etc.\r\n\r\n<em><strong>2. You have been toying with symbols of violence and destruction in your work over the past decade. What are the reasons that have sustained this preoccupation?</strong></em>\r\n\r\nSome of my pieces refer to the sort of institutionalised violence we are facing and the work is meant to be a critique of those de-humanising institutions and their effect on our existence. I\'m interested in the fragility of the human condition.\r\n\r\n<em><strong>3. Are your paintings and sculptural installations meant to be didactic... or are you labouring the same point to clarify your own stance about the social, political and economic forces at play?</strong></em>\r\n\r\nI do not seek to be didactic through my practice/work but I do believe that good literature, cinema like art have the capacity to mould/ alter perceptions. I repeatedly explore certain themes in my work but each time they take on a new form. For instance, I have made paintings in the past with swords and daggers carrying life-affirming forms as embellishments on their handles, paradoxical to the function of these objects. In case of the paintings in this show titled, \'Xylophone-1\' and \'Xylophone-2\' large muti-part paintings forming the human ribcage, one with swords and the other with guns, life-threatening weapons act as an armour just like the ribcage forms a protective covering to the lungs and the heart. What interests me is how we legitimise the use of violence by justifying it in the name of self defense.\r\n\r\n<em><strong>4. In the light of the fact that you have conceived a collection of manufactured objects that illustrate what you want to say, would you still call yourself primarily a painter? If not, what would you call yourself?</strong></em>\r\n\r\nI have always enjoyed keeping my mind open to working with mediums and methods that would aid communicating an idea appropriately. A large part of my practise comprises of painting and hence I still see myself primarily as a painter, although a lot more work ahead coming from me is in the form of sculptural assemblages.\r\n\r\n<em><strong>5. Do you find that the essence of your artistic vision gets diluted by virtue of the fact that others are involved in the creation of your masterpieces? Why? Why not?</strong></em>\r\n\r\nI think technical inputs in the realisation of an idea have only enhanced it\'s effectiveness, whether it is in case of an architect or a movie director.\r\n\r\n<em><strong>6. Finally, how would you describe your role as a contemporary Indian artist?</strong></em>\r\n\r\nI see myself as someone who is simultaneously influenced and inspired by my surroundings, circumstances; by which I don\'t necessarily imply my personal life but the lives of people at large in society. As an artist I would want to be alert to what characterises our situation from that of the rest of the world. I would hope to play a small role in arriving at a better understanding of other cultures we live with, and being more accepting/appreciative of our differences.','Verve Magazine','','draft','open','open','','verve-magazine','','','2010-06-18 08:43:29','2010-06-18 08:43:29','',184,'http://biggventures.com/demo/artists/?page_id=642',0,'page','',0),(643,1,'2010-04-22 08:06:07','2010-04-22 08:06:07','','Verve Magazine','','inherit','open','open','','642-revision','','','2010-04-22 08:06:07','2010-04-22 08:06:07','',642,'http://biggventures.com/demo/artists/643/uncat/642-revision',0,'revision','',0),(644,1,'2010-04-22 08:41:49','2010-04-22 08:41:49','<h2 style=\"text-align: center;\">Q &amp; A for Verve with Maria Louis</h2>\n<em><strong>1. Why have you called your latest collection of works, displayed at the Bodhi Art Gallery, \"Rainbow of Refuse\"? (The title seems to be a contradiction of terms, juxtaposing as it does the exquisite with the obnoxious.)</strong></em>\nThe exhibition itself is meant to evoke a whole range of responses, from the seductive to the dreadful. It touches upon the myths and realities of war; that have to do with notions of courage, patriotism, power and the resultant waste it generates i.e. the loss of human lives, property etc.\n\n<em><strong>2. You have been toying with symbols of violence and destruction in your work over the past decade. What are the reasons that have sustained this preoccupation?</strong></em>\n\nSome of my pieces refer to the sort of institutionalised violence we are facing and the work is meant to be a critique of those de-humanising institutions and their effect on our existence. I\'m interested in the fragility of the human condition.\n\n<em><strong>3. Are your paintings and sculptural installations meant to be didactic... or are you labouring the same point to clarify your own stance about the social, political and economic forces at play?</strong></em>\n\nI do not seek to be didactic through my practice/work but I do believe that good literature, cinema like art have the capacity to mould/ alter perceptions. I repeatedly explore certain themes in my work but each time they take on a new form. For instance, I have made paintings in the past with swords and daggers carrying life-affirming forms as embellishments on their handles, paradoxical to the function of these objects. In case of the paintings in this show titled, \'Xylophone-1\' and \'Xylophone-2\' large muti-part paintings forming the human ribcage, one with swords and the other with guns, life-threatening weapons act as an armour just like the ribcage forms a protective covering to the lungs and the heart. What interests me is how we legitimise the use of violence by justifying it in the name of self defense.\n\n<em><strong>4. In the light of the fact that you have conceived a collection of manufactured objects that illustrate what you want to say, would you still call yourself primarily a painter? If not, what would you call yourself?</strong></em>\n\nI have always enjoyed keeping my mind open to working with mediums and methods that would aid communicating an idea appropriately. A large part of my practise comprises of painting and hence I still see myself primarily as a painter, although a lot more work ahead coming from me is in the form of sculptural assemblages.\n\n<em><strong>5. Do you find that the essence of your artistic vision gets diluted by virtue of the fact that others are involved in the creation of your masterpieces? Why? Why not?</strong></em>\n\nI think technical inputs in the realisation of an idea have only enhanced it\'s effectiveness, whether it is in case of an architect or a movie director.\n\n<em><strong>6. Finally, how would you describe your role as a contemporary Indian artist?</strong></em>\n\nI see myself as someone who is simultaneously influenced and inspired by my surroundings, circumstances; by which I don\'t necessarily imply my personal life but the lives of people at large in society. As an artist I would want to be alert to what characterises our situation from that of the rest of the world. I would hope to play a small role in arriving at a better understanding of other cultures we live with, and being more accepting/appreciative of our differences.','Verve Magazine','','inherit','open','open','','642-autosave','','','2010-04-22 08:41:49','2010-04-22 08:41:49','',642,'http://biggventures.com/demo/artists/644/uncat/642-autosave',0,'revision','',0),(645,1,'2010-04-22 08:06:14','2010-04-22 08:06:14','','Verve Magazine','','inherit','open','open','','642-revision-2','','','2010-04-22 08:06:14','2010-04-22 08:06:14','',642,'http://biggventures.com/demo/artists/645/uncat/642-revision-2',0,'revision','',0),(646,1,'2010-04-22 08:13:50','2010-04-22 08:13:50','<h2 style=\"text-align: center;\" mce_style=\"text-align: center;\">Q &amp; A for Verve with Maria Louis</h2>\r\n<p><i><b>1. Why have you called your latest collection of works, displayed at the Bodhi Art Gallery, \"Rainbow of Refuse\"? (The title seems to be a contradiction of terms, juxtaposing as it does the exquisite with the obnoxious.)</b></i><br>\r\nThe exhibition itself is meant to evoke a whole range of responses, from the seductive to the dreadful. It touches upon the myths and realities of war; that have to do with notions of courage, patriotism, power and the resultant waste it generates i.e. the loss of human lives, property etc.<br></p>\r\n<p><i><b>2. You have been toying with symbols of violence and destruction in your work over the past decade. What are the reasons that have sustained this preoccupation?</b></i></p>\r\n<p>Some of my pieces refer to the sort of institutionalised violence we are facing and the work is meant to be a critique of those de-humanising institutions and their effect on our existence. I\'m interested in the fragility of the human condition.</p>\r\n<p><i><b>3. Are your paintings and sculptural installations meant to be didactic... or are you labouring the same point to clarify your own stance about the social, political and economic forces at play?</b></i></p>\r\n<p>I do not seek to be didactic through my practice/work but I do believe that good literature, cinema like art have the capacity to mould/ alter perceptions. I repeatedly explore certain themes in my work but each time they take on a new form. For instance, I have made paintings in the past with swords and daggers carrying life-affirming forms as embellishments on their handles, paradoxical to the function of these objects. In case of the paintings in this show titled, \'Xylophone-1\' and \'Xylophone-2\' large muti-part paintings forming the human ribcage, one with swords and the other with guns, life-threatening weapons act as an armour just like the ribcage forms a protective covering to the lungs and the heart. What interests me is how we legitimise the use of violence by justifying it in the name of self defense.</p>\r\n<p><i><b>4. In the light of the fact that you have conceived a collection of manufactured objects that illustrate what you want to say, would you still call yourself primarily a painter? If not, what would you call yourself?</b></i></p>\r\n<p>I have always enjoyed keeping my mind open to working with mediums and methods that would aid communicating an idea appropriately. A large part of my practise comprises of painting and hence I still see myself primarily as a painter, although a lot more work ahead coming from me is in the form of sculptural assemblages.</p>\r\n<p><i><b>5. Do you find that the essence of your artistic vision gets diluted by virtue of the fact that others are involved in the creation of your masterpieces? Why? Why not?</b></i></p>\r\n<p>I think technical inputs in the realisation of an idea have only enhanced it\'s effectiveness, whether it is in case of an architect or a movie director.</p>\r\n<p><i><b>6. Finally, how would you describe your role as a contemporary Indian artist?</b></i></p>\r\n<p>I see myself as someone who is simultaneously influenced and inspired by my surroundings, circumstances; by which I don\'t necessarily imply my personal life but the lives of people at large in society. As an artist I would want to be alert to what characterises our situation from that of the rest of the world. I would hope to play a small role in arriving at a better understanding of other cultures we live with, and being more accepting/appreciative of our differences.</p>','Verve Magazine','','inherit','open','open','','642-revision-3','','','2010-04-22 08:13:50','2010-04-22 08:13:50','',642,'http://biggventures.com/demo/artists/646/uncat/642-revision-3',0,'revision','',0),(647,1,'2010-04-22 08:20:04','2010-04-22 08:20:04','<!-- 		@page { size: 21cm 29.7cm; margin: 2cm } 		P { margin-bottom: 0cm } 		P.western { font-family: \"Arial\", sans-serif; so-language: en-US; font-weight: bold } 		P.cjk { font-family: \"Times New Roman\", serif; font-weight: bold } --> <!-- 		@page { size: 21cm 29.7cm; margin: 2cm } 		H4 { margin-top: 0cm; margin-bottom: 0cm; line-height: 150% } 		H4.western { font-family: \"Helvetica\", sans-serif; font-size: 14pt } 		H4.cjk { font-family: \"DejaVu Sans\"; font-size: 14pt } 		H4.ctl { font-family: \"DejaVu Sans\"; font-size: 12pt; font-weight: medium } 		P { margin-bottom: 0.21cm } -->\n<h2 style=\"text-align: center;\">Reena Saini Kallat by Shilpa Gupta</h2>\n<em><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\"><strong>In your works, forms are overlapped but often painted on different planes that maintain an unsettling distance between them. In </strong><strong>Penumbra Passage (Canine Cases)</strong><strong>, from 2007,</strong><strong> </strong><strong>for example, the figure blankly looks at the viewer unaware of the stain near its mouth; or in </strong><strong>Pulse 30</strong><strong>,</strong><strong> </strong><strong>from 2002, two-dimensional figures from mythology rendered in great detail lie on top of a tactile three-dimensional piece of bread. This way of painting affects the way meaning gets formed, not instantaneously visually but in the mind. Why do you employ this approach?</strong></span></span></em>\n\n<span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\">Yes, the tentativeness of meaning created by certain juxtapositions can be quite discomforting. The relationship between images is kept provisional. I often employ this approach when I’m trying to make a connection between people or objects and yet it is not meant to be conclusive. For instance, <em>Penumbra Passage (Canine Cases)</em> comprises of a series of portraits of ordinary people/civilians from India and Pakistan, with their faces blemished by the silhouette of the disputed territory often referred to as POK (Pakistan Occupied Kashmir). The portraits are put in grand frames like those of royal descendants, while the map of the land that remains at the core of the dispute between the two neighbouring countries casts a shadow over these, haunting us with tales from the region. </span></span>\n\n<em><strong><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\">When a lot of art is becoming instantaneous, you continue to use the structure of narrative, where elements of mythology are woven with factual data, so that the viewer decodes a work over time. Mythology, especially, has been a reference point for several artists in India. I was wondering what you think about using it at a time when people are increasingly unaware of the meanings it contains?</span></span></strong></em>\n\n<span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\">I use Indian mythology because I find it extremely interesting and an incredibly rich source of ideas and images. Artworks always carry the potential of being misread and misunderstood, given that they get exhibited in different venues across the world. That doesn’t discourage me, although I increasingly want to back my work up with information that assists an understanding of the context in which it was produced.</span></span>\n\n<span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\">Besides mythology, I often like to take off from a familiar object or story that comes with its own set of associations and then, by the slightest alteration, inject fresh meaning. My sculptures <em>Memoria Corona</em> and <em>Memoria Mausolea</em> are examples where a pre-existing object becomes a starting point for the work. <em>Memoria Corona</em> was modelled on Elizabeth II’s crown in which rests the precious Kohinoor diamond that India lost to the British Empire. I inscribed the names of Indian freedom fighters on the surface of this symbol of authority and power because I wanted the crown to bear the weight of other precious treasures, the human lives that were also lost to the British Empire.</span></span>\n\n<span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\"><em>Memoria Mausolea</em> was modelled on Bombay’s Gateway of India, which was built to commemorate the visit of King George V and Queen Mary to India in 1911. Although it was built as a gateway ‘to’ India, the last convoy of British troops, the Somerset Light Infantry, ‘exited’ the country through it in 1948. By enveloping it with perished colonial names of streets in Mumbai, which have now been replaced with indigenous names, I wanted this monument to be playfully remembered for the end of the British Empire.</span></span>\n\n<em><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\"><strong>Can you tell us a little bit about your working process? How do your ideas develop and do you generally work in long series?</strong></span></span></em>\n\n<span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\">At any given point there will be a bunch of ideas I’m toying with at different stages of completion. A certain amount of groundwork is often needed before things can take on a more definitive form. It’s then that decisions about media come into play. In a more recent series of portraits titled <em>Synonym</em>, for example, I’ve employed rubber stamps, which are normally used for official purposes. Since the portraits carry names out of official police records of those who’ve gone missing, I decided to bring them to the surface of the work. Depending on how far an idea needs to travel to reach its optimum effectiveness, a work may or may not grow into a series.</span></span>\n\n<em><strong><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\">Has there been a clear evolution from one media/form to another or have you jumped about?</span></span></strong></em>\n\n<span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\">I have always worked between media, from my early days at Sir JJ School of Art in 1993 onwards. My debut solo exhibition in 1998, for instance, held simultaneously at Gallery Chemould and Pundole Art Gallery in Mumbai, comprised both paintings and sculptural installations, including the house of cards series <em>Orchard of Home-grown Secrets</em>, the photographic translites <em>Escapades of the Ladder Occupants</em> and a walk-in installation called <em>Joint Family</em>. Content takes precedence over form or medium for me: I like working with whatever medium best carries out the idea. </span></span>\n\n<em><strong><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\">Where does your interest in storytelling come from? Do you have a favourite story?</span></span></strong></em>\n\n<span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\">We’ve all grown up listening to stories, reading comics and watching epics on television. However, it wasn’t until after I finished college in 1996 that my interest in the narrative school of painting evolved. I took a diploma in Indian aesthetics at Rachana Sansad, affiliated to Bombay University that gave me a more holistic perspective on Indian culture. </span></span>\n\n<a name=\"OLE_LINK1\"></a> <span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\">Among the stories that have captivated me is one from the Hindu <em>Puranas</em> called the <em>Samudra Manthan</em>. <em>Samudra</em>,<em> </em>as we know, means ‘the ocean’ and <em>manthan</em> means ‘to churn’. In this particular episode, the gods lose their powers due to an instance of arrogance and need the assistance of demons in order to churn the ocean to obtain nectar that can empower them again. They cast a number of herbs into the ocean and the churning produces several objects and beings that are served as symbolic offerings to please the demi-gods. Some truly fantastical forms emerge, such as the <em>Kamadhenu</em> or the wish-granting cow. This became a generative point of departure for a sculptural installation titled <em>Saline</em>, a piece made up of 150 parts.</span></span>\n\n<em><strong><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\">As artists we primarily operate in galleries, yet only a miniscule section of our society visits them. With such low visibility what do you think is the role and function of art?</span></span></strong></em>\n\n<span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\">Art has always played several roles in society, including recording change and raising awareness on issues. Besides tickling the spirit, it can comment, critique and challenge existing ideas by generating dialogue. This can happen both inside and outside the gallery. While some works are best suited to being viewed within the clean white space of the gallery, other art interfaces, perhaps even on the street, promote more participation from a wider audience, which democratises access. However, the circulation of images through books and catalogues is a powerful means for certain works of art to reach beyond their immediate use value as exhibits.</span></span>\n\n<span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\">Just as I would not undermine the effectiveness and impact of a short performance, I would not be demoralised or discouraged about the legitimacy and role of art just because limited numbers of people frequent galleries. Not only are the numbers growing, but also the works themselves have gained larger mobility by being showcased in multiple venues across the globe. It remains true though that there is a dearth of platforms for public intervention, especially in India where there is no state support for the arts. </span></span>\n\n<span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\"><strong><em>Braids of leaves have been a constant recurrence in your work, be they in painting, floor installations or interactive performances. What do they signify?</em> </strong></span></span>\n<p lang=\"en-US\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\">They have served varied purposes in different works. They first made an appearance in a sculpture from 1998 titled <em>Joint Family</em>, where the leaves wrap around the surface of houses made of packaging material that are inserted one into the other. Like an overgrown family tree, they hold up images offering clues that might uncover family secrets.</span></span></p>\n<p lang=\"en-US\"></p>\n<p lang=\"en-US\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\">In a triptych called <em>Braiding the Line</em>,<em> </em>made in 2002, I posit the last incarnation of Vishnu as Kalki, in the form of a fisherman. His net, woven with leaves, is unfurled to reveal the colours of the Indian national flag or what might be seen as the colours of the changing seasons. Motifs from aquatic, bird, animal and human life are interwoven with the leaves, offered as samples that could be carried on to the next era after the end of the world. The leaves are often a visual apparatus for inserting or depositing other images.</span></span></p>\n<p lang=\"en-US\"></p>\n<span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\">In <em>Birds of Steel </em>made in 2006,<em> </em>the romantic idea of the skies as being boundless is marred by the threatening image of several airplanes that leave behind a sinister trail of black twines. <em>Birds of Steel </em>works by juxtaposing motifs of border disputes and invasions against the liberating image of the open sky. </span></span>\n\n<em><strong><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\">Why do you use POK – Pakistan Occupied Kashmir – as a symbol in several works? Do you have personal connections to the region or do you relate to it for broader political/humanitarian reasons?</span></span></strong></em>\n\n<span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\">My father was born in Lahore and moved to Punjab before Partition, and, as a young girl, I grew up listening to stories about his ancestral home. However, this hasn’t had a direct bearing on my practice. More important, I suspect, was my exposure to art with a strong social conscience, which was prevalent in the early 1990s when I was a student.<em> </em>I think an artist’s work can be independent of his or her personal history. </span></span>\n\n<span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\">Pakistan Occupied Kashmir has been the nucleus of conflict between India and Pakistan since 1947. Its territorial form begins to function as a symbol of this strained relationship between the two neighbours, as well as of human folly. In <em>Penumbra</em>, I showed the disputed territory in a cold, unsettling stainless steel cradle. It’s in limbo, as are its people, rocked back and forth by political agendas and myopic policies.</span></span>\n\n<em><strong><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\">As well as participating in the Khoj workshop in Mysore you helped organise Khoj Mumbai in 2005. What were those experiences like?</span></span></strong></em>\n\n<span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\">I think Khoj played a vital role in the late 1990s and early 2000s when there weren’t many opportunities for artists to travel and work alongside others from different parts of the world. And although there are many more openings now, I continue to value that experience of sharing an experimental studio/laboratory with others. It encourages the extension of art practice into the public sphere. Khoj’s decision to constantly bring in new hands and fresh energy is particularly important: it helps revise and renew the model year after year.</span></span>','Khoj Interview','','inherit','open','open','','640-autosave','','','2010-04-22 08:20:04','2010-04-22 08:20:04','',640,'http://biggventures.com/demo/artists/647/uncat/640-autosave',0,'revision','',0),(649,1,'2010-04-22 08:18:55','2010-04-22 08:18:55','<!-- 		@page { size: 21cm 29.7cm; margin: 2cm } 		P { margin-bottom: 0cm } 		P.western { font-family: \"Arial\", sans-serif; so-language: en-US; font-weight: bold } 		P.cjk { font-family: \"Times New Roman\", serif; font-weight: bold } --> <!-- 		@page { size: 21cm 29.7cm; margin: 2cm } 		H4 { margin-top: 0cm; margin-bottom: 0cm; line-height: 150% } 		H4.western { font-family: \"Helvetica\", sans-serif; font-size: 14pt } 		H4.cjk { font-family: \"DejaVu Sans\"; font-size: 14pt } 		H4.ctl { font-family: \"DejaVu Sans\"; font-size: 12pt; font-weight: medium } 		P { margin-bottom: 0.21cm } -->\r\n<h2 style=\"text-align: center;\">Reena Saini Kallat by Shilpa Gupta</h2>\r\n<em><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\"><strong>In your works, forms are overlapped but often painted on different planes that maintain an unsettling distance between them. In </strong><strong>Penumbra Passage (Canine Cases)</strong><strong>, from 2007,</strong><strong> </strong><strong>for example, the figure blankly looks at the viewer unaware of the stain near its mouth; or in </strong><strong>Pulse 30</strong><strong>,</strong><strong> </strong><strong>from 2002, two-dimensional figures from mythology rendered in great detail lie on top of a tactile three-dimensional piece of bread. This way of painting affects the way meaning gets formed, not instantaneously visually but in the mind. Why do you employ this approach?</strong></span></span></em>\r\n\r\n<span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\">Yes, the tentativeness of meaning created by certain juxtapositions can be quite discomforting. The relationship between images is kept provisional. I often employ this approach when I’m trying to make a connection between people or objects and yet it is not meant to be conclusive. For instance, <em>Penumbra Passage (Canine Cases)</em> comprises of a series of portraits of ordinary people/civilians from India and Pakistan, with their faces blemished by the silhouette of the disputed territory often referred to as POK (Pakistan Occupied Kashmir). The portraits are put in grand frames like those of royal descendants, while the map of the land that remains at the core of the dispute between the two neighbouring countries casts a shadow over these, haunting us with tales from the region. </span></span>\r\n\r\n<em><strong><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\">When a lot of art is becoming instantaneous, you continue to use the structure of narrative, where elements of mythology are woven with factual data, so that the viewer decodes a work over time. Mythology, especially, has been a reference point for several artists in India. I was wondering what you think about using it at a time when people are increasingly unaware of the meanings it contains?</span></span></strong></em>\r\n\r\n<span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\">I use Indian mythology because I find it extremely interesting and an incredibly rich source of ideas and images. Artworks always carry the potential of being misread and misunderstood, given that they get exhibited in different venues across the world. That doesn’t discourage me, although I increasingly want to back my work up with information that assists an understanding of the context in which it was produced.</span></span>\r\n\r\n<span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\">Besides mythology, I often like to take off from a familiar object or story that comes with its own set of associations and then, by the slightest alteration, inject fresh meaning. My sculptures <em>Memoria Corona</em> and <em>Memoria Mausolea</em> are examples where a pre-existing object becomes a starting point for the work. <em>Memoria Corona</em> was modelled on Elizabeth II’s crown in which rests the precious Kohinoor diamond that India lost to the British Empire. I inscribed the names of Indian freedom fighters on the surface of this symbol of authority and power because I wanted the crown to bear the weight of other precious treasures, the human lives that were also lost to the British Empire.</span></span>\r\n\r\n<span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\"><em>Memoria Mausolea</em> was modelled on Bombay’s Gateway of India, which was built to commemorate the visit of King George V and Queen Mary to India in 1911. Although it was built as a gateway ‘to’ India, the last convoy of British troops, the Somerset Light Infantry, ‘exited’ the country through it in 1948. By enveloping it with perished colonial names of streets in Mumbai, which have now been replaced with indigenous names, I wanted this monument to be playfully remembered for the end of the British Empire.</span></span>\r\n\r\n<em><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\"><strong>Can you tell us a little bit about your working process? How do your ideas develop and do you generally work in long series?</strong></span></span></em>\r\n\r\n<span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\">At any given point there will be a bunch of ideas I’m toying with at different stages of completion. A certain amount of groundwork is often needed before things can take on a more definitive form. It’s then that decisions about media come into play. In a more recent series of portraits titled <em>Synonym</em>, for example, I’ve employed rubber stamps, which are normally used for official purposes. Since the portraits carry names out of official police records of those who’ve gone missing, I decided to bring them to the surface of the work. Depending on how far an idea needs to travel to reach its optimum effectiveness, a work may or may not grow into a series.</span></span>\r\n\r\n<em><strong><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\">Has there been a clear evolution from one media/form to another or have you jumped about?</span></span></strong></em>\r\n\r\n<span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\">I have always worked between media, from my early days at Sir JJ School of Art in 1993 onwards. My debut solo exhibition in 1998, for instance, held simultaneously at Gallery Chemould and Pundole Art Gallery in Mumbai, comprised both paintings and sculptural installations, including the house of cards series <em>Orchard of Home-grown Secrets</em>, the photographic translites <em>Escapades of the Ladder Occupants</em> and a walk-in installation called <em>Joint Family</em>. Content takes precedence over form or medium for me: I like working with whatever medium best carries out the idea. </span></span>\r\n\r\n<em><strong><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\">Where does your interest in storytelling come from? Do you have a favourite story?</span></span></strong></em>\r\n\r\n<span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\">We’ve all grown up listening to stories, reading comics and watching epics on television. However, it wasn’t until after I finished college in 1996 that my interest in the narrative school of painting evolved. I took a diploma in Indian aesthetics at Rachana Sansad, affiliated to Bombay University that gave me a more holistic perspective on Indian culture. </span></span>\r\n\r\n<a name=\"OLE_LINK1\"></a> <span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\">Among the stories that have captivated me is one from the Hindu <em>Puranas</em> called the <em>Samudra Manthan</em>. <em>Samudra</em>,<em> </em>as we know, means ‘the ocean’ and <em>manthan</em> means ‘to churn’. In this particular episode, the gods lose their powers due to an instance of arrogance and need the assistance of demons in order to churn the ocean to obtain nectar that can empower them again. They cast a number of herbs into the ocean and the churning produces several objects and beings that are served as symbolic offerings to please the demi-gods. Some truly fantastical forms emerge, such as the <em>Kamadhenu</em> or the wish-granting cow. This became a generative point of departure for a sculptural installation titled <em>Saline</em>, a piece made up of 150 parts.</span></span>\r\n\r\n<em><strong><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\">As artists we primarily operate in galleries, yet only a miniscule section of our society visits them. With such low visibility what do you think is the role and function of art?</span></span></strong></em>\r\n\r\n<span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\">Art has always played several roles in society, including recording change and raising awareness on issues. Besides tickling the spirit, it can comment, critique and challenge existing ideas by generating dialogue. This can happen both inside and outside the gallery. While some works are best suited to being viewed within the clean white space of the gallery, other art interfaces, perhaps even on the street, promote more participation from a wider audience, which democratises access. However, the circulation of images through books and catalogues is a powerful means for certain works of art to reach beyond their immediate use value as exhibits.</span></span>\r\n\r\n<span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\">Just as I would not undermine the effectiveness and impact of a short performance, I would not be demoralised or discouraged about the legitimacy and role of art just because limited numbers of people frequent galleries. Not only are the numbers growing, but also the works themselves have gained larger mobility by being showcased in multiple venues across the globe. It remains true though that there is a dearth of platforms for public intervention, especially in India where there is no state support for the arts. </span></span>\r\n\r\n<span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\"><strong><em>Braids of leaves have been a constant recurrence in your work, be they in painting, floor installations or interactive performances. What do they signify?</em> </strong></span></span>\r\n<p lang=\"en-US\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\">They have served varied purposes in different works. They first made an appearance in a sculpture from 1998 titled <em>Joint Family</em>, where the leaves wrap around the surface of houses made of packaging material that are inserted one into the other. Like an overgrown family tree, they hold up images offering clues that might uncover family secrets.</span></span></p>\r\n<p lang=\"en-US\"></p>\r\n<p lang=\"en-US\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\">In a triptych called <em>Braiding the Line</em>,<em> </em>made in 2002, I posit the last incarnation of Vishnu as Kalki, in the form of a fisherman. His net, woven with leaves, is unfurled to reveal the colours of the Indian national flag or what might be seen as the colours of the changing seasons. Motifs from aquatic, bird, animal and human life are interwoven with the leaves, offered as samples that could be carried on to the next era after the end of the world. The leaves are often a visual apparatus for inserting or depositing other images.</span></span></p>\r\n<p lang=\"en-US\"></p>\r\n<span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\">In <em>Birds of Steel </em>made in 2006,<em> </em>the romantic idea of the skies as being boundless is marred by the threatening image of several airplanes that leave behind a sinister trail of black twines. <em>Birds of Steel </em>works by juxtaposing motifs of border disputes and invasions against the liberating image of the open sky. </span></span>\r\n\r\n<em><strong><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\">Why do you use POK – Pakistan Occupied Kashmir – as a symbol in several works? Do you have personal connections to the region or do you relate to it for broader political/humanitarian reasons?</span></span></strong></em>\r\n\r\n<span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\">My father was born in Lahore and moved to Punjab before Partition, and, as a young girl, I grew up listening to stories about his ancestral home. However, this hasn’t had a direct bearing on my practice. More important, I suspect, was my exposure to art with a strong social conscience, which was prevalent in the early 1990s when I was a student.<em> </em>I think an artist’s work can be independent of his or her personal history. </span></span>\r\n\r\n<span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\">Pakistan Occupied Kashmir has been the nucleus of conflict between India and Pakistan since 1947. Its territorial form begins to function as a symbol of this strained relationship between the two neighbours, as well as of human folly. In <em>Penumbra</em>, I showed the disputed territory in a cold, unsettling stainless steel cradle. It’s in limbo, as are its people, rocked back and forth by political agendas and myopic policies.</span></span>\r\n\r\n<em><strong><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\">As well as participating in the Khoj workshop in Mysore you helped organise Khoj Mumbai in 2005. What were those experiences like?</span></span></strong></em>\r\n\r\n<span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: small;\">I think Khoj played a vital role in the late 1990s and early 2000s when there weren’t many opportunities for artists to travel and work alongside others from different parts of the world. And although there are many more openings now, I continue to value that experience of sharing an experimental studio/laboratory with others. It encourages the extension of art practice into the public sphere. Khoj’s decision to constantly bring in new hands and fresh energy is particularly important: it helps revise and renew the model year after year.</span></span>','Khoj Interview','','inherit','open','open','','640-revision-3','','','2010-04-22 08:18:55','2010-04-22 08:18:55','',640,'http://biggventures.com/demo/artists/649/uncat/640-revision-3',0,'revision','',0),(648,1,'2010-04-22 08:05:52','2010-04-22 08:05:52','','Khoj Interview','','inherit','open','open','','640-revision-2','','','2010-04-22 08:05:52','2010-04-22 08:05:52','',640,'http://biggventures.com/demo/artists/648/uncat/640-revision-2',0,'revision','',0),(650,1,'2010-04-22 08:39:08','2010-04-22 08:39:08','<em><strong>1. Could you tell us in your own words what your current exhibition is about?</strong></em>\nThe current exhibition titled \'Rainbow Of Refuse\' is meant to evoke a whole range of responses from the seductive to the dreadful. It explores the myths and realities of war; associated with courage and national pride on the one hand and the resultant waste it generates on the other, whether it has to do with the loss of human lives or the destruction of property. Broadly, the work reflects on the institutionalisation of violence and attempts to critique these dehumanising institutions that have a stong bearing on our\nexistence by foregrounding the fragility of the human condtion.\n\n<em><strong>2. Why is the British Raj such an integral part? What makes it relevant even today?</strong></em>\nWe cannot wish away the history of colonisation and the impact the imperial powers left behind. \"Memoria Corona\" is modelled on the crown of the queen of England, queen Elizabeth II, that carries the Kohinoor, the most precious diamond we lost to the British Empire. The surface of this sculpture is completely covered with names of freedom fighters almost like a memorial to those who fought the freedom struggle.  By evoking the loss of human lives I wanted the crown to carry the weight of these other precious treasures we lost to the empire.\n\n<em><strong>3. Such an exhibition is so multifaceted - there are so many components to it - do you feel it might be difficult for people to take it all in in one go? Or are you expecting people to take in one thing at a time/one concept at a time?</strong></em>\nArt works do unexpected things to different people. A lot of meanings are implied and not overtly stated. Some might find one thing interesting while others might carry questions on others. The idea is to try and stimulate the imagination rather than provide conclusions.\n\n<em><strong>4. Is there a particular incident that you associate with the germination of this idea? Something that happened, something you read, something you saw or something someone said?</strong></em>\nI\'m fascinated by the beautiful illustrations in the Razmnama, translations of the Mahabharat in Persian made as an attempt to try and understand these texts during the time of Akbar. The demon drawings that recur in my paintings are sourced both from here and the Pahari miniatures, where Durga is often shown slaying the asuras   Although meant to be demonic the form seems endearing at the same time, in some ways reflecting that not everything can be clearly defined as black and white. We often demonise the\nother simply to safeguard our own interests whether nationalistic, religious etc.\n\n<em><strong>5. As an exhibition with so many facets - which one is your \'favourite\' or which part is the most pertinent for you?</strong></em>\nSince the works are inter-related, each plays an integral role in understanding the many dimensions of the exhibition as a whole. But the two multi-part paintings titled \'Xylophone-I\' and \'Xylophone-II\' have been challenging pieces within my own practice and I have wanted to attempt them since the last four years. Structured to collectively form the human ribcage, they comprise of swords in one case and guns in the other. These\n\nlife-threatening weapons act as an armour, just like the ribcage forms a protective covering to the lungs and the heart. What interests me is how we legitimise the use of violence by justifying it in the name of self-defence.\n\n<em><strong>6. Is there a personal experience attached with what you\'re trying to say?</strong></em>\nMy work is not necessarily a reflection of my immediate personal/domestic surrounding but the world around me.\n\n<em><strong>7. Is this a vision of our country you are comfortable with exhibiting abroad?</strong></em>\nI think my work attempts to unravel the contradictions and complexities of\nour existence in contemporary society and its many layers. I would hope to\nconvey it truthfully no matter where the work gets shown.\n\n<em><strong>8. Do you go through some kind of emotional process when you\'re preparing your work? If so, what kind of process is it?</strong></em>\nI undoubtedly get affected by what I see or hear around me in society at large and sometimes I like to analyse these experiences through my work.\n\n<em><strong>9. What are your plans for this exhibition? Will you be sending it abroad? If so, where and when?</strong></em>\nThis exhibition travels to Bodhi Art Gallery, Singapore late October. A couple of sculptures part of this exhibition titled \"Memoria Corona\" and \"Penumbra\" which are in edition are currently showing at Arario Gallery, Beijing along with a monumental painting.\n\n<em><strong>10. What are you currently involved in?</strong></em>\nSoon I leave for France for a large exhibition of Indian Art, in Lille. But as far as my next set of pieces are concerned, I have conceptualised two or three bodies of work I\'m excited to pursue making; trying very hard for my hand to keep pace with my mind.','2006 D.N.A. Interview','','inherit','open','open','','638-autosave','','','2010-04-22 08:39:08','2010-04-22 08:39:08','',638,'http://biggventures.com/demo/artists/650/uncat/638-autosave',0,'revision','',0),(652,1,'2010-04-22 08:25:43','2010-04-22 08:25:43','<em><strong>1. Could you tell us in your own words what your current exhibition is about?</strong></em>\r\nThe current exhibition titled \'Rainbow Of Refuse\' is meant to evoke a whole range of responses from the seductive to the dreadful. It explores the myths and realities of war; associated with courage and national pride on the one hand and the resultant waste it generates on the other, whether it has to do with the loss of human lives or the destruction of property. Broadly, the work reflects on the institutionalisation of violence and attempts to critique these dehumanising institutions that have a stong bearing on our\r\nexistence by foregrounding the fragility of the human condtion.\r\n\r\n<em><strong>2. Why is the British Raj such an integral part? What makes it relevant even today?</strong></em>\r\nWe cannot wish away the history of colonisation and the impact the imperial powers left behind. \"Memoria Corona\" is modelled on the crown of the queen of England, queen Elizabeth II, that carries the Kohinoor, the most precious diamond we lost to the British Empire. The surface of this sculpture is completely covered with names of freedom fighters almost like a memorial to those who fought the freedom struggle.  By evoking the loss of human lives I wanted the crown to carry the weight of these other precious treasures we lost to the empire.\r\n\r\n<em><strong>3. Such an exhibition is so multifaceted - there are so many components to it - do you feel it might be difficult for people to take it all in in one go? Or are you expecting people to take in one thing at a time/one concept at a time?</strong></em>\r\nArt works do unexpected things to different people. A lot of meanings are implied and not overtly stated. Some might find one thing interesting while others might carry questions on others. The idea is to try and stimulate the imagination rather than provide conclusions.\r\n\r\n<em><strong>4. Is there a particular incident that you associate with the germination of this idea? Something that happened, something you read, something you saw or something someone said?</strong></em>\r\nI\'m fascinated by the beautiful illustrations in the Razmnama, translations of the Mahabharat in Persian made as an attempt to try and understand these texts during the time of Akbar. The demon drawings that recur in my paintings are sourced both from here and the Pahari miniatures, where Durga is often shown slaying the asuras   Although meant to be demonic the form seems endearing at the same time, in some ways reflecting that not everything can be clearly defined as black and white. We often demonise the\r\nother simply to safeguard our own interests whether nationalistic, religious etc.\r\n\r\n<em><strong>5. As an exhibition with so many facets - which one is your \'favourite\' or which part is the most pertinent for you?</strong></em>\r\nSince the works are inter-related, each plays an integral role in understanding the many dimensions of the exhibition as a whole. But the two multi-part paintings titled \'Xylophone-I\' and \'Xylophone-II\' have been challenging pieces within my own practice and I have wanted to attempt them since the last four years. Structured to collectively form the human ribcage, they comprise of swords in one case and guns in the other. These\r\n\r\nlife-threatening weapons act as an armour, just like the ribcage forms a protective covering to the lungs and the heart. What interests me is how we legitimise the use of violence by justifying it in the name of self-defence.\r\n\r\n<em><strong>6. Is there a personal experience attached with what you\'re trying to say?</strong></em>\r\nMy work is not necessarily a reflection of my immediate personal/domestic surrounding but the world around me.\r\n\r\n<em><strong>7. Is this a vision of our country you are comfortable with exhibiting abroad?</strong></em>\r\nI think my work attempts to unravel the contradictions and complexities of\r\nour existence in contemporary society and its many layers. I would hope to\r\nconvey it truthfully no matter where the work gets shown.\r\n\r\n<em><strong>8. Do you go through some kind of emotional process when you\'re preparing your work? If so, what kind of process is it?</strong></em>\r\nI undoubtedly get affected by what I see or hear around me in society at large and sometimes I like to analyse these experiences through my work.\r\n\r\n<em><strong>9. What are your plans for this exhibition? Will you be sending it abroad? If so, where and when?</strong></em>\r\nThis exhibition travels to Bodhi Art Gallery, Singapore late October. A couple of sculptures part of this exhibition titled \"Memoria Corona\" and \"Penumbra\" which are in edition are currently showing at Arario Gallery, Beijing along with a monumental painting.\r\n\r\n<em><strong>10. What are you currently involved in?</strong></em>\r\nSoon I leave for France for a large exhibition of Indian Art, in Lille. But as far as my next set of pieces are concerned, I have conceptualised two or three bodies of work I\'m excited to pursue making; trying very hard for my hand to keep pace with my mind.','2006 D.N.A. Interview','','inherit','open','open','','638-revision-3','','','2010-04-22 08:25:43','2010-04-22 08:25:43','',638,'http://biggventures.com/demo/artists/652/uncat/638-revision-3',0,'revision','',0),(651,1,'2010-04-22 08:04:59','2010-04-22 08:04:59','D.N.A.\r\n\r\n1.Could you tell us in your own words what your current exhibition is \r\nabout?\r\nThe current exhibition titled \'Rainbow Of Refuse\' is meant to evoke a whole \r\nrange of responses from the seductive to the dreadful. It explores the myths \r\nand realities of war; associated with courage and national pride on the one \r\nhand and the resultant waste it generates on the other, whether it has to do \r\nwith the loss of human lives or the destruction of property. Broadly, the \r\nwork reflects on the institutionalisation of violence and attempts to \r\ncritique these dehumanising institutions that have a stong bearing on our \r\nexistence by foregrounding the fragility of the human condtion.\r\n\r\n2. Why is the British Raj such an integral part? What makes it relevant even \r\ntoday?\r\nWe cannot wish away the history of colonisation and the impact the imperial \r\npowers left behind. \"Memoria Corona\" is modelled on the crown of the queen \r\nof England, queen Elizabeth II, that carries the Kohinoor, the most precious \r\ndiamond we lost to the British Empire. The surface of this sculpture is \r\ncompletely covered with names of freedom fighters almost like a memorial to \r\nthose who fought the freedom struggle.  By evoking the loss of human lives I \r\nwanted the crown to carry the weight of these other precious treasures we \r\nlost to the empire.\r\n\r\n3. Such an exhibition is so multifaceted - there are so many components to \r\nit - do you feel it might be difficult for people to take it all in in one \r\ngo? Or are you expecting people to take in one thing at a time/one concept \r\nat a time?\r\nArt works do unexpected things to different people. A lot of meanings are \r\nimplied and not overtly stated. Some might find one thing interesting while \r\nothers might carry questions on others. The idea is to try and stimulate the \r\nimagination rather than provide conclusions.\r\n\r\n4. Is there a particular incident that you associate with the germination of \r\nthis idea? Something that happened, something you read, something you saw or \r\nsomething someone said?\r\nI\'m fascinated by the beautiful illustrations in the Razmnama, translations \r\nof the Mahabharat in Persian made as an attempt to try and understand these \r\ntexts during the time of Akbar. The demon drawings that recur in my \r\npaintings are sourced both from here and the Pahari miniatures, where Durga \r\nis often shown slaying the asuras   Although meant to be demonic the form \r\nseems endearing at the same time, in some ways reflecting that not \r\neverything can be clearly defined as black and white. We often demonise the \r\nother simply to safeguard our own interests whether nationalistic, religious \r\netc.\r\n\r\n5. As an exhibition with so many facets - which one is your \'favourite\' or \r\nwhich part is the most pertinent for you?\r\nSince the works are inter-related, each plays an integral role in \r\nunderstanding the many dimensions of the exhibition as a whole. But the two\r\nmulti-part paintings titled \'Xylophone-I\' and \'Xylophone-II\' have been \r\nchallenging pieces within my own practice and I have wanted to attempt them \r\nsince the last four years. Structured to collectively form the human \r\nribcage, they comprise of swords in one case and guns in the other. These \r\nlife-threatening weapons act as an armour, just like the ribcage forms a \r\nprotective covering to the lungs and the heart. What interests me is how we \r\nlegitimise the use of violence by justifying it in the name of self-defence.\r\n\r\n6. Is there a personal experience attached with what you\'re trying to say?\r\nMy work is not necessarily a reflection of my immediate personal/domestic \r\nsurrounding but the world around me.\r\n\r\n7. Is this a vision of our country you are comfortable with exhibiting \r\nabroad?\r\nI think my work attempts to unravel the contradictions and complexities of \r\nour existence in contemporary society and its many layers. I would hope to \r\nconvey it truthfully no matter where the work gets shown.\r\n\r\n8. Do you go through some kind of emotional process when you\'re preparing \r\nyour work? If so, what kind of process is it?\r\nI undoubtedly get affected by what I see or hear around me in society at \r\nlarge and sometimes I like to analyse these experiences through my work.\r\n\r\n9. What are your plans for this exhibition? Will you be sending it abroad? \r\nIf so, where and when?\r\nThis exhibition travels to Bodhi Art Gallery, Singapore late October. A \r\ncouple of sculptures part of this exhibition titled \"Memoria Corona\" and \r\n\"Penumbra\" which are in edition are currently showing at Arario Gallery, \r\nBeijing along with a monumental painting.\r\n\r\n10. What are you currently involved in?\r\nSoon I leave for France for a large exhibition of Indian Art, in Lille. But \r\nas far as my next set of pieces are concerned, I have conceptualised two or \r\nthree bodies of work I\'m excited to pursue making; trying very hard for my \r\nhand to keep pace with my mind.\r\n','2006 D.N.A. Interview','','inherit','open','open','','638-revision-2','','','2010-04-22 08:04:59','2010-04-22 08:04:59','',638,'http://biggventures.com/demo/artists/651/uncat/638-revision-2',0,'revision','',0),(653,1,'2010-04-22 08:04:23','2010-04-22 08:04:23','2006 D.N.A. Interview\r\n\r\nKhoj Interview\r\n\r\nQ and A for Verve Magazine','Interviews','','inherit','open','open','','184-revision-4','','','2010-04-22 08:04:23','2010-04-22 08:04:23','',184,'http://biggventures.com/demo/artists/653/uncat/184-revision-4',0,'revision','',0),(654,1,'2010-04-11 11:24:25','2010-04-11 11:24:25','<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">Memoria Corona (detailed info)\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Memoria-Corona.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Memoria-Corona-220x300.jpg\" alt=\"Memoria Corona\" title=\"Memoria Corona\" width=\"600\" height=\"400\" class=\"aligncenter size-medium wp-image-509\" /></a>\r\n</td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<h2 class=\"painting\">Memoria Corona \r\n</h2>\r\n<h3 class=\"canvas\">\r\n<span class=\"painting\">2006\r\nIvory duco paint on FRP\r\n47\" (ht) x 38\" (diam.)\r\nedition of 3+ AP\r\n\r\n\r\n</span></h3>\r\nThe crown, usually belonging to the royalty is reflective of power and seen as a mark of honour. The sculpture ‘Memoria Corona’ is modeled on the crown of Queen Elizabeth II of England, on which rests the precious Kohinoor diamond, that India lost to the Empire. The surface of this all white sculpture is completely covered with names of freedom fighters almost like a `memorial` to those who fought the Indian freedom stuggle. I wanted the crown to bear the weight of the other precious treasures, the human lives that were lost to the British Empire.\r\n\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Memoria-Corona_detail.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Memoria-Corona_detail-682x1024.jpg\" alt=\"Memoria Corona\" title=\"Memoria Corona_detail\" width=\"682\" height=\"1024\" class=\"aligncenter size-large wp-image-510\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Memoria-Corona-detail1.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Memoria-Corona-detail1-682x1024.jpg\" alt=\"Memoria Corona\" title=\"Memoria Corona-detail\" width=\"600\" height=\"900\" class=\"aligncenter size-large wp-image-513\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n','Memoria Corona (detailed info)','','inherit','open','open','','507-revision-2','','','2010-04-11 11:24:25','2010-04-11 11:24:25','',507,'http://www.biggventures.com/demo/artists/654/uncat/507-revision-2',0,'revision','',0),(655,1,'2010-04-15 17:27:27','2010-04-15 17:27:27','<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Closet-Quarries (2004-2006)\r\n<a href=\"http://www.reenakallat.com/?p=232\"><img class=\"aligncenter size-medium wp-image-196\" title=\"B1-Closet Quarries\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/B1-Closet-Quarries-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">White-Yarn (2004-2006)\r\n<a href=\"http://www.reenakallat.com/white-yarn-detailed-info\"><img class=\"aligncenter size-medium wp-image-199\" title=\"E1-White Yarn\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/E1-White-Yarn-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Crease-crevice-contour (2004-2006)\r\n<a href=\"http://www.reenakallat.com/crease-crevice-contour-detailed-info\"><img class=\"aligncenter size-medium wp-image-201\" title=\"D1-Crease crevice contour\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/D1-Crease-crevice-contour1-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Silt-of-Seasons (2004-2006)\r\n<a href=\"http://www.reenakallat.com/silt-of-seasons-2-detailed-info\"><img class=\"aligncenter size-medium wp-image-203\" title=\"H1-Silt of Seasons-2\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/H1-Silt-of-Seasons-2-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Subject-to-Change-Without-Notice (2004-2006)\r\n<a href=\"http://www.reenakallat.com/subject-to-change-without-notice-detailed-info\"><img class=\"aligncenter size-medium wp-image-204\" title=\"Q1-Subject to Change Without Notice\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Q1-Subject-to-Change-Without-Notice-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Walls-of-the-womb (2004-2006)\r\n<a href=\"http://www.reenakallat.com/walls-of-the-womb-detailed-info\"><img class=\"aligncenter size-medium wp-image-205\" title=\"R1-Walls of the womb\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/R1-Walls-of-the-womb-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Penumbra (2004-2006)\r\n<a href=\"http://www.reenakallat.com/penumbra-detailed-info\"><img class=\"aligncenter size-medium wp-image-206\" title=\"T1- Penumbra\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/T1-Penumbra-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Birds-of-Steel (2004-2006)\r\n<a href=\"http://www.reenakallat.com/birds-of-steel-detailed-info\"><img class=\"aligncenter size-medium wp-image-207\" title=\"V1-Birds of Steel\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/V1-Birds-of-Steel-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Penumbra-Passage-Canine-Cases (2004-2006)\r\n<a href=\"http://www.reenakallat.com/penumbra-passage-canine-cases-detailed-info\"><img class=\"aligncenter size-medium wp-image-208\" title=\"X1-Penumbra Passage (Canine Cases)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/X1-Penumbra-Passage-Canine-Cases-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Memoria Mausolea (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/memoria-mausolea-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Memoria-Mausolea-300x244.jpg\" alt=\"\" title=\"Memoria Mausolea\" width=\"270\" height=\"214\" class=\"alignnone size-medium wp-image-261\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">A1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/a1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/A1-300x160.jpg\" alt=\"\" title=\"A1\" width=\"270\" height=\"214\" class=\"alignnone size-medium wp-image-308\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">White Heat-The Ironing Board (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/White Heat-The Ironing Board-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/F1-300x225.jpg\" alt=\"\" title=\"White Heat (The Ironing Board)\" width=\"270\" height=\"214\" class=\"alignnone size-medium wp-image-320\" /></a></td>\r\n</tr>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Memoria Mausolea (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/c1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/C1-300x200.jpg\" alt=\"C1\" title=\"C1\" width=\"270\" height=\"214\" class=\"alignnone size-medium wp-image-410\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Silt of Seasons-1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/silt-of-seasons-1\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Silt-of-Seasons-1-1024x682.jpg\" alt=\"Silt of Seasons-1\" title=\"Silt of Seasons-1\" width=\"270\" height=\"214\" class=\"alignleft size-large wp-image-417\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">White Heat-The Ironing Board (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/i1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/I11-731x1024.jpg\" alt=\"I1\" title=\"I1\" width=\"270\" height=\"214\" class=\"alignleft size-large wp-image-436\" /></a></td>\r\n</tr>\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">J1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/j1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/J1-721x1023.jpg\" alt=\"J1\" title=\"J1\" width=\"270\" height=\"214\" class=\"alignleft size-large wp-image-445\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">K1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/k1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/K1-726x1023.jpg\" alt=\"K1\" title=\"K1\" width=\"270\" height=\"214\" class=\"alignleft size-large wp-image-451\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">L1 (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/l1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/L1-744x1024.jpg\" alt=\"L1\" title=\"L1\" width=\"270\" height=\"214\" class=\"alignleft size-large wp-image-459\" /></a></td>\r\n</tr>\r\n\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">M1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/m1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/M1-220x300.jpg\" alt=\"M1\" title=\"M1\" width=\"270\" height=\"214\" class=\"alignleft size-medium wp-image-468\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">N1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/n1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/N1-217x300.jpg\" alt=\"N1\" title=\"N1\" width=\"270\" height=\"214\" class=\"alignleft size-medium wp-image-469\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">O1 (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/o1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/O1-214x300.jpg\" alt=\"O1\" title=\"O1\" width=\"270\" height=\"214\" class=\"alignleft size-medium wp-image-470\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">P1 (2007)\r\n\r\n<a href=\"http://www.reenakallat.com/p1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/P1-753x1024.jpg\" alt=\"P1\" title=\"P1\" width=\"270\" height=\"214\" class=\"alignleft size-large wp-image-489\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Saline (2007)\r\n\r\n<a href=\"http://www.reenakallat.com/saline-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Saline-300x185.jpg\" alt=\"saline\" title=\"Saline\" width=\"270\" height=\"214\" class=\"alignleft size-medium wp-image-495\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">O1 (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/memoria-corona\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Memoria-Corona-220x300.jpg\" alt=\"\" title=\"Memoria Corona\" width=\"270\" height=\"214\" class=\"alignleft size-medium wp-image-505\" /></a></td>\r\n</tr>\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Xylophone (2007)\r\n\r\n<a href=\"http://www.reenakallat.com/xylophone-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Xylophone-300x200.jpg\" alt=\"Xylophone\" title=\"Xylophone\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-517\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Z1 (2007)\r\n\r\n<a href=\"http://www.reenakallat.com/z1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Z1-300x169.jpg\" alt=\"Z1\" title=\"Z1\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-524\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Kiosk (2003)\r\n\r\n<a href=\"http://www.reenakallat.com/kiosk-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Kiosk-300x224.jpg\" alt=\"Kiosk\" title=\"Kiosk\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-537\" /></a></td>\r\n</tr>\r\n\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">First page of MOU (2007)\r\n\r\n<a href=\"http://www.reenakallat.com/first-page-of-mou-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/First-page-of-MOU-224x300.jpg\" alt=\"First page of MOU\" title=\"First page of MOU\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-542\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Black Flute (2004)\r\n\r\n<a href=\"http://www.reenakallat.com/black-flute-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-299x197.jpg\" alt=\"Black Flute\" title=\"Black Flute\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-547\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Kiosk (2003)\r\n\r\n<a href=\"http://www.reenakallat.com/birthmark-tattoos-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/BirthMark-tattoos-300x225.jpg\" alt=\"BirthMark and tattoos\" title=\"BirthMark tattoos\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-557\" /></a>\r\n</td>\r\n</tr>\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Orchard of home-grown secrets (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/orchard-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchard-300x186.jpg\" alt=\"Orchard\" title=\"Orchard\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-564\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Joint Family (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/joint-family-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Joint-Family-193x300.jpg\" alt=\"Joint Family\" title=\"Joint Family\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-577\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">escapades-of-the-ladder-occupants-detailed (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/escapades-of-the-ladder-occupants-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Escapades-of-the-ladder-occupants-204x300.jpg\" alt=\"Escapades of the ladder occupants\" title=\"Escapades of the ladder occupants\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-583\" /></a>\r\n</td>\r\n</tr>\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Recitals from the city-garden (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/recitals-from-the-city-garden-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/WH1-300x198.jpg\" alt=\"Recitals from the city-garden\" title=\"Recitals from the city-garden\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-590\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">WI (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/wi1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/WI1-300x208.jpg\" alt=\"WI1\" title=\"WI1\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-598\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Orchard of Home grown secrets (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/orchard-of-home-grown-secrets-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchard-of-Home-grown-secrets-300x194.jpg\" alt=\"Orchard of Home grown secrets\" title=\"Orchard of Home grown secrets\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-604\" /></a>\r\n</td>\r\n</tr>\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Seven Faces of Dust (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/seven-faces-of-dust-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Seven-Faces-of-Dust-300x192.jpg\" alt=\"Seven Faces of Dust\" title=\"Seven Faces of Dust\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-612\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Scuptures (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/scuptures-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Scuptures-300x188.jpg\" alt=\"Scuptures\" title=\"Scuptures\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-621\" /></a></td>\r\n\r\n</tr>\r\n\r\n</tbody>\r\n</table>','Works','','inherit','open','open','','54-revision-118','','','2010-04-15 17:27:27','2010-04-15 17:27:27','',54,'http://www.biggventures.com/demo/artists/655/uncat/54-revision-118',0,'revision','',0),(656,1,'2012-05-03 18:32:07','2012-05-03 18:32:07','<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/lead_image_ joint_family.jpg\" alt=\"Joint Family\" title=\"Joint Family\" class=\"alignnone size-full wp-image-577\" /></a></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">\r\nJoint Family</span>\r\n1998\r\nacrylic, corrugated paper, metal, stone\r\n66 x 66 x 90 in. I 168 x 168 x 228 cm</td></tr><tr><td><span style=\"font-size:11px; line-height:3px;\"><i>installation view</i>, Pundole Art Gallery, Mumbai</span></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Joint-Family-detail.jpg\" alt=\"Joint Family detail\" title=\"Joint Family_detail\" width=\"561\" class=\"alignnone size-full wp-image-579\" /></a>\r\n</td>\r\n\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Joint-Family_detail_2.jpg\" alt=\"Joint Family-detail\" title=\"Joint Family-detail\" width=\"561\" class=\"alignnone size-full wp-image-580\" /></a>\r\n</td>\r\n\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','578-autosave','','','2012-05-03 18:32:07','2012-05-03 18:32:07','',578,'http://www.biggventures.com/demo/artists/656/uncat/578-autosave',0,'revision','',0),(2700,1,'2010-08-12 09:56:33','2010-08-12 09:56:33','<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/lead_image_ joint_family.jpg\" alt=\"Joint Family\" title=\"Joint Family\" class=\"alignnone size-full wp-image-577\" /></a></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">\r\nJoint Family</span>\r\n1998\r\nacrylic, corrugated paper, metal, stone\r\n66 x 66 x 90 in. I 168 x 168 x 228 cm</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Joint-Family-detail.jpg\" alt=\"Joint Family detail\" title=\"Joint Family_detail\" width=\"561\" class=\"alignnone size-full wp-image-579\" /></a>\r\n</td>\r\n\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Joint-Family_detail_2.jpg\" alt=\"Joint Family-detail\" title=\"Joint Family-detail\" width=\"561\" class=\"alignnone size-full wp-image-580\" /></a>\r\n</td>\r\n\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','578-revision-10','','','2010-08-12 09:56:33','2010-08-12 09:56:33','',578,'http://www.reenakallat.com/2700/uncat/578-revision-10',0,'revision','',0),(796,1,'2010-04-22 10:55:08','2010-04-22 10:55:08','<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">Joint Family  (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Joint-Family.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Joint-Family-561x728.jpg\" alt=\"Joint Family\" title=\"Joint Family\" class=\"aligncenter size-full wp-image-577\" /></a>\r\n</td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<h2 class=\"painting\">Joint Family \r\n</h2>\r\n<h3 class=\"canvas\">\r\n<span class=\"painting\">1998\r\nMedium: Acrylic, corrugated paper, metal, stone\r\nDimensions: 66” x 66” x 90”\r\n</span></h3>\r\nJoint Family\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Joint-Family_detail.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Joint-Family_detail.jpg\" alt=\"Joint Family detail\" title=\"Joint Family_detail\" width=\"585\" height=\"865\" class=\"aligncenter size-full wp-image-579\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Joint-Family-detail.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Joint-Family-detail.jpg\" alt=\"Joint Family-detail\" title=\"Joint Family-detail\" width=\"585\" height=\"856\" class=\"aligncenter size-full wp-image-580\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n','Joint Family (detailed-info)','','inherit','open','open','','578-revision-3','','','2010-04-22 10:55:08','2010-04-22 10:55:08','',578,'http://www.biggventures.com/demo/artists/796/uncat/578-revision-3',0,'revision','',0),(657,1,'2010-04-14 16:06:35','2010-04-14 16:06:35','<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">Joint Family  (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Joint-Family.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Joint-Family.jpg\" alt=\"Joint Family\" title=\"Joint Family\" width=\"600\" height=\"500\" class=\"aligncenter size-full wp-image-577\" /></a>\r\n</td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<h2 class=\"painting\">Joint Family \r\n</h2>\r\n<h3 class=\"canvas\">\r\n<span class=\"painting\">1998\r\nMedium: Acrylic, corrugated paper, metal, stone\r\nDimensions: 66” x 66” x 90”\r\n</span></h3>\r\nJoint Family\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Joint-Family_detail.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Joint-Family_detail.jpg\" alt=\"Joint Family detail\" title=\"Joint Family_detail\" width=\"585\" height=\"865\" class=\"aligncenter size-full wp-image-579\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Joint-Family-detail.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Joint-Family-detail.jpg\" alt=\"Joint Family-detail\" title=\"Joint Family-detail\" width=\"585\" height=\"856\" class=\"aligncenter size-full wp-image-580\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n','Joint Family (detailed-info)','','inherit','open','open','','578-revision-2','','','2010-04-14 16:06:35','2010-04-14 16:06:35','',578,'http://www.biggventures.com/demo/artists/657/uncat/578-revision-2',0,'revision','',0),(659,1,'2010-04-22 11:02:04','2010-04-22 11:02:04','<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Closet-Quarries (2004-2006)\r\n<a href=\"http://www.reenakallat.com/?p=232\"><img class=\"aligncenter size-medium wp-image-196\" title=\"B1-Closet Quarries\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/B1-Closet-Quarries-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">White-Yarn (2004-2006)\r\n<a href=\"http://www.reenakallat.com/white-yarn-detailed-info\"><img class=\"aligncenter size-medium wp-image-199\" title=\"E1-White Yarn\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/E1-White-Yarn-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Crease-crevice-contour (2004-2006)\r\n<a href=\"http://www.reenakallat.com/crease-crevice-contour-detailed-info\"><img class=\"aligncenter size-medium wp-image-201\" title=\"D1-Crease crevice contour\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/D1-Crease-crevice-contour1-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Silt-of-Seasons (2004-2006)\r\n<a href=\"http://www.reenakallat.com/silt-of-seasons-2-detailed-info\"><img class=\"aligncenter size-medium wp-image-203\" title=\"H1-Silt of Seasons-2\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/H1-Silt-of-Seasons-2-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Subject-to-Change-Without-Notice (2004-2006)\r\n<a href=\"http://www.reenakallat.com/subject-to-change-without-notice-detailed-info\"><img class=\"aligncenter size-medium wp-image-204\" title=\"Q1-Subject to Change Without Notice\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Q1-Subject-to-Change-Without-Notice-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Walls-of-the-womb (2004-2006)\r\n<a href=\"http://www.reenakallat.com/walls-of-the-womb-detailed-info\"><img class=\"aligncenter size-medium wp-image-205\" title=\"R1-Walls of the womb\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/R1-Walls-of-the-womb-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Penumbra (2004-2006)\r\n<a href=\"http://www.reenakallat.com/penumbra-detailed-info\"><img class=\"aligncenter size-medium wp-image-206\" title=\"T1- Penumbra\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/T1-Penumbra-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Birds-of-Steel (2004-2006)\r\n<a href=\"http://www.reenakallat.com/birds-of-steel-detailed-info\"><img class=\"aligncenter size-medium wp-image-207\" title=\"V1-Birds of Steel\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/V1-Birds-of-Steel-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Penumbra-Passage-Canine-Cases (2004-2006)\r\n<a href=\"http://www.reenakallat.com/penumbra-passage-canine-cases-detailed-info\"><img class=\"aligncenter size-medium wp-image-208\" title=\"X1-Penumbra Passage (Canine Cases)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/X1-Penumbra-Passage-Canine-Cases-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Memoria Mausolea (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/memoria-mausolea-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Memoria-Mausolea-300x244.jpg\" alt=\"\" title=\"Memoria Mausolea\" width=\"270\" height=\"214\" class=\"alignnone size-medium wp-image-261\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">A1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/a1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/A1-300x160.jpg\" alt=\"\" title=\"A1\" width=\"270\" height=\"214\" class=\"alignnone size-medium wp-image-308\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">White Heat-The Ironing Board (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/White Heat-The Ironing Board-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/F1-300x225.jpg\" alt=\"\" title=\"White Heat (The Ironing Board)\" width=\"270\" height=\"214\" class=\"alignnone size-medium wp-image-320\" /></a></td>\r\n</tr>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Memoria Mausolea (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/c1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/C1-300x200.jpg\" alt=\"C1\" title=\"C1\" width=\"270\" height=\"214\" class=\"alignnone size-medium wp-image-410\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Silt of Seasons-1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/silt-of-seasons-1\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Silt-of-Seasons-1-1024x682.jpg\" alt=\"Silt of Seasons-1\" title=\"Silt of Seasons-1\" width=\"270\" height=\"214\" class=\"alignleft size-large wp-image-417\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">White Heat-The Ironing Board (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/i1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/I11-731x1024.jpg\" alt=\"I1\" title=\"I1\" width=\"270\" height=\"214\" class=\"alignleft size-large wp-image-436\" /></a></td>\r\n</tr>\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">J1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/j1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/J1-721x1023.jpg\" alt=\"J1\" title=\"J1\" width=\"270\" height=\"214\" class=\"alignleft size-large wp-image-445\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">K1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/k1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/K1-726x1023.jpg\" alt=\"K1\" title=\"K1\" width=\"270\" height=\"214\" class=\"alignleft size-large wp-image-451\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">L1 (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/l1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/L1-744x1024.jpg\" alt=\"L1\" title=\"L1\" width=\"270\" height=\"214\" class=\"alignleft size-large wp-image-459\" /></a></td>\r\n</tr>\r\n\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">M1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/m1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/M1-220x300.jpg\" alt=\"M1\" title=\"M1\" width=\"270\" height=\"214\" class=\"alignleft size-medium wp-image-468\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">N1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/n1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/N1-217x300.jpg\" alt=\"N1\" title=\"N1\" width=\"270\" height=\"214\" class=\"alignleft size-medium wp-image-469\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">O1 (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/o1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/O1-214x300.jpg\" alt=\"O1\" title=\"O1\" width=\"270\" height=\"214\" class=\"alignleft size-medium wp-image-470\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">P1 (2007)\r\n\r\n<a href=\"http://www.reenakallat.com/p1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/P1-753x1024.jpg\" alt=\"P1\" title=\"P1\" width=\"270\" height=\"214\" class=\"alignleft size-large wp-image-489\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Saline (2007)\r\n\r\n<a href=\"http://www.reenakallat.com/saline-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Saline-300x185.jpg\" alt=\"saline\" title=\"Saline\" width=\"270\" height=\"214\" class=\"alignleft size-medium wp-image-495\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">O1 (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/memoria-corona\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Memoria-Corona-220x300.jpg\" alt=\"\" title=\"Memoria Corona\" width=\"270\" height=\"214\" class=\"alignleft size-medium wp-image-505\" /></a></td>\r\n</tr>\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Xylophone (2007)\r\n\r\n<a href=\"http://www.reenakallat.com/xylophone-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Xylophone-300x200.jpg\" alt=\"Xylophone\" title=\"Xylophone\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-517\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Z1 (2007)\r\n\r\n<a href=\"http://www.reenakallat.com/z1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Z1-300x169.jpg\" alt=\"Z1\" title=\"Z1\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-524\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Kiosk (2003)\r\n\r\n<a href=\"http://www.reenakallat.com/kiosk-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Kiosk-300x224.jpg\" alt=\"Kiosk\" title=\"Kiosk\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-537\" /></a></td>\r\n</tr>\r\n\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">First page of MOU (2007)\r\n\r\n<a href=\"http://www.reenakallat.com/first-page-of-mou-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/First-page-of-MOU-224x300.jpg\" alt=\"First page of MOU\" title=\"First page of MOU\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-542\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Black Flute (2004)\r\n\r\n<a href=\"http://www.reenakallat.com/black-flute-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-299x197.jpg\" alt=\"Black Flute\" title=\"Black Flute\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-547\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Kiosk (2003)\r\n\r\n<a href=\"http://www.reenakallat.com/birthmark-tattoos-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/BirthMark-tattoos-300x225.jpg\" alt=\"BirthMark and tattoos\" title=\"BirthMark tattoos\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-557\" /></a>\r\n</td>\r\n</tr>\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Orchard of home-grown secrets (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/orchard-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchard-300x186.jpg\" alt=\"Orchard\" title=\"Orchard\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-564\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Joint Family (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/joint-family-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Joint-Family-295x295.png\" alt=\"Joint Family\" title=\"Joint Family\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-577\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">escapades-of-the-ladder-occupants (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/escapades-of-the-ladder-occupants-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Escapades-of-the-ladder-occupants-302x302.png\" alt=\"Escapades of the ladder occupants\" title=\"Escapades of the ladder occupants\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-583\" /></a>\r\n</td>\r\n</tr>\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Recitals from the city-garden (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/recitals-from-the-city-garden-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/WH1-300x198.jpg\" alt=\"Recitals from the city-garden\" title=\"Recitals from the city-garden\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-590\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">WI (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/wi1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/WI1-300x208.jpg\" alt=\"WI1\" title=\"WI1\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-598\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Orchard of Home grown secrets (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/orchard-of-home-grown-secrets-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchard-of-Home-grown-secrets-300x194.jpg\" alt=\"Orchard of Home grown secrets\" title=\"Orchard of Home grown secrets\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-604\" /></a>\r\n</td>\r\n</tr>\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Seven Faces of Dust (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/seven-faces-of-dust-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Seven-Faces-of-Dust-300x192.jpg\" alt=\"Seven Faces of Dust\" title=\"Seven Faces of Dust\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-612\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Scuptures (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/scuptures-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Scuptures-300x188.jpg\" alt=\"Scuptures\" title=\"Scuptures\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-621\" /></a></td>\r\n\r\n</tr>\r\n\r\n</tbody>\r\n</table>','Works','','inherit','open','open','','54-revision-120','','','2010-04-22 11:02:04','2010-04-22 11:02:04','',54,'http://www.biggventures.com/demo/artists/659/uncat/54-revision-120',0,'revision','',0),(660,1,'2010-04-22 11:02:25','2010-04-22 11:02:25','<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Closet-Quarries (2004-2006)\r\n<a href=\"http://www.reenakallat.com/?p=232\"><img class=\"aligncenter size-medium wp-image-196\" title=\"B1-Closet Quarries\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/B1-Closet-Quarries-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">White-Yarn (2004-2006)\r\n<a href=\"http://www.reenakallat.com/white-yarn-detailed-info\"><img class=\"aligncenter size-medium wp-image-199\" title=\"E1-White Yarn\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/E1-White-Yarn-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Crease-crevice-contour (2004-2006)\r\n<a href=\"http://www.reenakallat.com/crease-crevice-contour-detailed-info\"><img class=\"aligncenter size-medium wp-image-201\" title=\"D1-Crease crevice contour\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/D1-Crease-crevice-contour1-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Silt-of-Seasons (2004-2006)\r\n<a href=\"http://www.reenakallat.com/silt-of-seasons-2-detailed-info\"><img class=\"aligncenter size-medium wp-image-203\" title=\"H1-Silt of Seasons-2\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/H1-Silt-of-Seasons-2-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Subject-to-Change-Without-Notice (2004-2006)\r\n<a href=\"http://www.reenakallat.com/subject-to-change-without-notice-detailed-info\"><img class=\"aligncenter size-medium wp-image-204\" title=\"Q1-Subject to Change Without Notice\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Q1-Subject-to-Change-Without-Notice-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Walls-of-the-womb (2004-2006)\r\n<a href=\"http://www.reenakallat.com/walls-of-the-womb-detailed-info\"><img class=\"aligncenter size-medium wp-image-205\" title=\"R1-Walls of the womb\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/R1-Walls-of-the-womb-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Penumbra (2004-2006)\r\n<a href=\"http://www.reenakallat.com/penumbra-detailed-info\"><img class=\"aligncenter size-medium wp-image-206\" title=\"T1- Penumbra\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/T1-Penumbra-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Birds-of-Steel (2004-2006)\r\n<a href=\"http://www.reenakallat.com/birds-of-steel-detailed-info\"><img class=\"aligncenter size-medium wp-image-207\" title=\"V1-Birds of Steel\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/V1-Birds-of-Steel-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Penumbra-Passage-Canine-Cases (2004-2006)\r\n<a href=\"http://www.reenakallat.com/penumbra-passage-canine-cases-detailed-info\"><img class=\"aligncenter size-medium wp-image-208\" title=\"X1-Penumbra Passage (Canine Cases)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/X1-Penumbra-Passage-Canine-Cases-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Memoria Mausolea (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/memoria-mausolea-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Memoria-Mausolea-300x244.jpg\" alt=\"\" title=\"Memoria Mausolea\" width=\"270\" height=\"214\" class=\"alignnone size-medium wp-image-261\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">A1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/a1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/A1-300x160.jpg\" alt=\"\" title=\"A1\" width=\"270\" height=\"214\" class=\"alignnone size-medium wp-image-308\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">White Heat-The Ironing Board (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/White Heat-The Ironing Board-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/F1-300x225.jpg\" alt=\"\" title=\"White Heat (The Ironing Board)\" width=\"270\" height=\"214\" class=\"alignnone size-medium wp-image-320\" /></a></td>\r\n</tr>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Memoria Mausolea (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/c1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/C1-300x200.jpg\" alt=\"C1\" title=\"C1\" width=\"270\" height=\"214\" class=\"alignnone size-medium wp-image-410\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Silt of Seasons-1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/silt-of-seasons-1\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Silt-of-Seasons-1-1024x682.jpg\" alt=\"Silt of Seasons-1\" title=\"Silt of Seasons-1\" width=\"270\" height=\"214\" class=\"alignleft size-large wp-image-417\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">White Heat-The Ironing Board (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/i1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/I11-731x1024.jpg\" alt=\"I1\" title=\"I1\" width=\"270\" height=\"214\" class=\"alignleft size-large wp-image-436\" /></a></td>\r\n</tr>\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">J1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/j1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/J1-721x1023.jpg\" alt=\"J1\" title=\"J1\" width=\"270\" height=\"214\" class=\"alignleft size-large wp-image-445\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">K1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/k1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/K1-726x1023.jpg\" alt=\"K1\" title=\"K1\" width=\"270\" height=\"214\" class=\"alignleft size-large wp-image-451\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">L1 (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/l1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/L1-744x1024.jpg\" alt=\"L1\" title=\"L1\" width=\"270\" height=\"214\" class=\"alignleft size-large wp-image-459\" /></a></td>\r\n</tr>\r\n\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">M1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/m1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/M1-220x300.jpg\" alt=\"M1\" title=\"M1\" width=\"270\" height=\"214\" class=\"alignleft size-medium wp-image-468\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">N1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/n1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/N1-217x300.jpg\" alt=\"N1\" title=\"N1\" width=\"270\" height=\"214\" class=\"alignleft size-medium wp-image-469\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">O1 (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/o1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/O1-214x300.jpg\" alt=\"O1\" title=\"O1\" width=\"270\" height=\"214\" class=\"alignleft size-medium wp-image-470\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">P1 (2007)\r\n\r\n<a href=\"http://www.reenakallat.com/p1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/P1-753x1024.jpg\" alt=\"P1\" title=\"P1\" width=\"270\" height=\"214\" class=\"alignleft size-large wp-image-489\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Saline (2007)\r\n\r\n<a href=\"http://www.reenakallat.com/saline-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Saline-300x185.jpg\" alt=\"saline\" title=\"Saline\" width=\"270\" height=\"214\" class=\"alignleft size-medium wp-image-495\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">O1 (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/memoria-corona\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Memoria-Corona-220x300.jpg\" alt=\"\" title=\"Memoria Corona\" width=\"270\" height=\"214\" class=\"alignleft size-medium wp-image-505\" /></a></td>\r\n</tr>\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Xylophone (2007)\r\n\r\n<a href=\"http://www.reenakallat.com/xylophone-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Xylophone-300x200.jpg\" alt=\"Xylophone\" title=\"Xylophone\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-517\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Z1 (2007)\r\n\r\n<a href=\"http://www.reenakallat.com/z1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Z1-300x169.jpg\" alt=\"Z1\" title=\"Z1\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-524\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Kiosk (2003)\r\n\r\n<a href=\"http://www.reenakallat.com/kiosk-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Kiosk-300x224.jpg\" alt=\"Kiosk\" title=\"Kiosk\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-537\" /></a></td>\r\n</tr>\r\n\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">First page of MOU (2007)\r\n\r\n<a href=\"http://www.reenakallat.com/first-page-of-mou-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/First-page-of-MOU-224x300.jpg\" alt=\"First page of MOU\" title=\"First page of MOU\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-542\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Black Flute (2004)\r\n\r\n<a href=\"http://www.reenakallat.com/black-flute-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-299x197.jpg\" alt=\"Black Flute\" title=\"Black Flute\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-547\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Kiosk (2003)\r\n\r\n<a href=\"http://www.reenakallat.com/birthmark-tattoos-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/BirthMark-tattoos-300x225.jpg\" alt=\"BirthMark and tattoos\" title=\"BirthMark tattoos\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-557\" /></a>\r\n</td>\r\n</tr>\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Orchard of home-grown secrets (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/orchard-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchard-300x186.jpg\" alt=\"Orchard\" title=\"Orchard\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-564\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Joint Family (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/joint-family-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Joint-Family-295x295.png\" alt=\"Joint Family\" title=\"Joint Family\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-577\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">escapades-of-the-ladder-occupants (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/escapades-of-the-ladder-occupants-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Escapades-of-the-ladder-occupants-302x302.png\" alt=\"Escapades of the ladder occupants\" title=\"Escapades of the ladder occupants\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-583\" /></a>\r\n</td>\r\n</tr>\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Recitals from the city-garden (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/recitals-from-the-city-garden-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/WH1-300x198.jpg\" alt=\"Recitals from the city-garden\" title=\"Recitals from the city-garden\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-590\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">WI (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/wi1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/WI1-300x208.jpg\" alt=\"WI1\" title=\"WI1\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-598\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Orchard of Home grown secrets (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/orchard-of-home-grown-secrets-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchard-of-Home-grown-secrets-300x194.jpg\" alt=\"Orchard of Home grown secrets\" title=\"Orchard of Home grown secrets\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-604\" /></a>\r\n</td>\r\n</tr>\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Seven Faces of Dust (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/seven-faces-of-dust-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Seven-Faces-of-Dust-300x192.jpg\" alt=\"Seven Faces of Dust\" title=\"Seven Faces of Dust\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-612\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Scuptures (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/scuptures-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Scuptures-300x188.jpg\" alt=\"Scuptures\" title=\"Scuptures\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-621\" /></a></td>\r\n\r\n</tr>\r\n\r\n</tbody>\r\n</table>','Works','','inherit','open','open','','54-revision-121','','','2010-04-22 11:02:25','2010-04-22 11:02:25','',54,'http://www.biggventures.com/demo/artists/660/uncat/54-revision-121',0,'revision','',0),(662,1,'2016-07-10 11:09:22','2016-07-10 11:09:22','<br/>\r\n<table style=\"margin-left:0px\">\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td>\r\n<strong>Reena Kallat Studio</strong>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td>\r\nemail: studio@reenakallat.com\r\n</td>\r\n</tr>\r\n</table>\r\n<br/>\r\n<table style=\"margin-left:0px\">\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<!--<tr>\r\nHouse No. 6, Matsalaya, Chimbai road,\r\nBandra (W), Mumbai 400 050, India\r\nph: +91 22 26423426\r\n</tr>-->\r\n</table>','Contact','','inherit','open','open','','189-autosave','','','2016-07-10 11:09:22','2016-07-10 11:09:22','',189,'http://www.biggventures.com/demo/artists/662/uncat/189-autosave',0,'revision','',0),(661,1,'2010-04-22 11:03:03','2010-04-22 11:03:03','<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Closet-Quarries (2004-2006)\r\n<a href=\"http://www.reenakallat.com/?p=232\"><img class=\"aligncenter size-medium wp-image-196\" title=\"B1-Closet Quarries\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/B1-Closet-Quarries-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">White-Yarn (2004-2006)\r\n<a href=\"http://www.reenakallat.com/white-yarn-detailed-info\"><img class=\"aligncenter size-medium wp-image-199\" title=\"E1-White Yarn\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/E1-White-Yarn-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Crease-crevice-contour (2004-2006)\r\n<a href=\"http://www.reenakallat.com/crease-crevice-contour-detailed-info\"><img class=\"aligncenter size-medium wp-image-201\" title=\"D1-Crease crevice contour\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/D1-Crease-crevice-contour1-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Silt-of-Seasons (2004-2006)\r\n<a href=\"http://www.reenakallat.com/silt-of-seasons-2-detailed-info\"><img class=\"aligncenter size-medium wp-image-203\" title=\"H1-Silt of Seasons-2\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/H1-Silt-of-Seasons-2-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Subject-to-Change-Without-Notice (2004-2006)\r\n<a href=\"http://www.reenakallat.com/subject-to-change-without-notice-detailed-info\"><img class=\"aligncenter size-medium wp-image-204\" title=\"Q1-Subject to Change Without Notice\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Q1-Subject-to-Change-Without-Notice-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Walls-of-the-womb (2004-2006)\r\n<a href=\"http://www.reenakallat.com/walls-of-the-womb-detailed-info\"><img class=\"aligncenter size-medium wp-image-205\" title=\"R1-Walls of the womb\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/R1-Walls-of-the-womb-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Penumbra (2004-2006)\r\n<a href=\"http://www.reenakallat.com/penumbra-detailed-info\"><img class=\"aligncenter size-medium wp-image-206\" title=\"T1- Penumbra\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/T1-Penumbra-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Birds-of-Steel (2004-2006)\r\n<a href=\"http://www.reenakallat.com/birds-of-steel-detailed-info\"><img class=\"aligncenter size-medium wp-image-207\" title=\"V1-Birds of Steel\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/V1-Birds-of-Steel-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Penumbra-Passage-Canine-Cases (2004-2006)\r\n<a href=\"http://www.reenakallat.com/penumbra-passage-canine-cases-detailed-info\"><img class=\"aligncenter size-medium wp-image-208\" title=\"X1-Penumbra Passage (Canine Cases)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/X1-Penumbra-Passage-Canine-Cases-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Memoria Mausolea (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/memoria-mausolea-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Memoria-Mausolea-300x244.jpg\" alt=\"\" title=\"Memoria Mausolea\" width=\"270\" height=\"214\" class=\"alignnone size-medium wp-image-261\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">A1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/a1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/A1-300x160.jpg\" alt=\"\" title=\"A1\" width=\"270\" height=\"214\" class=\"alignnone size-medium wp-image-308\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">White Heat-The Ironing Board (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/White Heat-The Ironing Board-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/F1-300x225.jpg\" alt=\"\" title=\"White Heat (The Ironing Board)\" width=\"270\" height=\"214\" class=\"alignnone size-medium wp-image-320\" /></a></td>\r\n</tr>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Memoria Mausolea (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/c1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/C1-300x200.jpg\" alt=\"C1\" title=\"C1\" width=\"270\" height=\"214\" class=\"alignnone size-medium wp-image-410\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Silt of Seasons-1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/silt-of-seasons-1\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Silt-of-Seasons-1-1024x682.jpg\" alt=\"Silt of Seasons-1\" title=\"Silt of Seasons-1\" width=\"270\" height=\"214\" class=\"alignleft size-large wp-image-417\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">White Heat-The Ironing Board (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/i1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/I11-731x1024.jpg\" alt=\"I1\" title=\"I1\" width=\"270\" height=\"214\" class=\"alignleft size-large wp-image-436\" /></a></td>\r\n</tr>\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">J1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/j1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/J1-721x1023.jpg\" alt=\"J1\" title=\"J1\" width=\"270\" height=\"214\" class=\"alignleft size-large wp-image-445\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">K1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/k1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/K1-726x1023.jpg\" alt=\"K1\" title=\"K1\" width=\"270\" height=\"214\" class=\"alignleft size-large wp-image-451\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">L1 (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/l1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/L1-744x1024.jpg\" alt=\"L1\" title=\"L1\" width=\"270\" height=\"214\" class=\"alignleft size-large wp-image-459\" /></a></td>\r\n</tr>\r\n\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">M1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/m1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/M1-220x300.jpg\" alt=\"M1\" title=\"M1\" width=\"270\" height=\"214\" class=\"alignleft size-medium wp-image-468\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">N1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/n1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/N1-217x300.jpg\" alt=\"N1\" title=\"N1\" width=\"270\" height=\"214\" class=\"alignleft size-medium wp-image-469\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">O1 (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/o1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/O1-214x300.jpg\" alt=\"O1\" title=\"O1\" width=\"270\" height=\"214\" class=\"alignleft size-medium wp-image-470\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">P1 (2007)\r\n\r\n<a href=\"http://www.reenakallat.com/p1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/P1-753x1024.jpg\" alt=\"P1\" title=\"P1\" width=\"270\" height=\"214\" class=\"alignleft size-large wp-image-489\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Saline (2007)\r\n\r\n<a href=\"http://www.reenakallat.com/saline-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Saline-300x185.jpg\" alt=\"saline\" title=\"Saline\" width=\"270\" height=\"214\" class=\"alignleft size-medium wp-image-495\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">O1 (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/memoria-corona\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Memoria-Corona-220x300.jpg\" alt=\"\" title=\"Memoria Corona\" width=\"270\" height=\"214\" class=\"alignleft size-medium wp-image-505\" /></a></td>\r\n</tr>\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Xylophone (2007)\r\n\r\n<a href=\"http://www.reenakallat.com/xylophone-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Xylophone-300x200.jpg\" alt=\"Xylophone\" title=\"Xylophone\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-517\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Z1 (2007)\r\n\r\n<a href=\"http://www.reenakallat.com/z1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Z1-300x169.jpg\" alt=\"Z1\" title=\"Z1\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-524\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Kiosk (2003)\r\n\r\n<a href=\"http://www.reenakallat.com/kiosk-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Kiosk-300x224.jpg\" alt=\"Kiosk\" title=\"Kiosk\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-537\" /></a></td>\r\n</tr>\r\n\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">First page of MOU (2007)\r\n\r\n<a href=\"http://www.reenakallat.com/first-page-of-mou-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/First-page-of-MOU-224x300.jpg\" alt=\"First page of MOU\" title=\"First page of MOU\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-542\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Black Flute (2004)\r\n\r\n<a href=\"http://www.reenakallat.com/black-flute-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-299x197.jpg\" alt=\"Black Flute\" title=\"Black Flute\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-547\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Kiosk (2003)\r\n\r\n<a href=\"http://www.reenakallat.com/birthmark-tattoos-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/BirthMark-tattoos-300x225.jpg\" alt=\"BirthMark and tattoos\" title=\"BirthMark tattoos\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-557\" /></a>\r\n</td>\r\n</tr>\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Orchard of home-grown secrets (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/orchard-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchard-300x186.jpg\" alt=\"Orchard\" title=\"Orchard\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-564\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Joint Family (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/joint-family-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Joint-Family-295x295.png\" alt=\"Joint Family\" title=\"Joint Family\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-577\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Escapades of the ladder occupants (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/escapades-of-the-ladder-occupants-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Escapades-of-the-ladder-occupants-302x302.png\" alt=\"Escapades of the ladder occupants\" title=\"Escapades of the ladder occupants\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-583\" /></a>\r\n</td>\r\n</tr>\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Recitals from the city-garden (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/recitals-from-the-city-garden-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/WH1-300x198.jpg\" alt=\"Recitals from the city-garden\" title=\"Recitals from the city-garden\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-590\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">WI (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/wi1-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/WI1-300x208.jpg\" alt=\"WI1\" title=\"WI1\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-598\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Orchard of Home grown secrets (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/orchard-of-home-grown-secrets-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchard-of-Home-grown-secrets-300x194.jpg\" alt=\"Orchard of Home grown secrets\" title=\"Orchard of Home grown secrets\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-604\" /></a>\r\n</td>\r\n</tr>\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Seven Faces of Dust (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/seven-faces-of-dust-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Seven-Faces-of-Dust-300x192.jpg\" alt=\"Seven Faces of Dust\" title=\"Seven Faces of Dust\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-612\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Scuptures (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/scuptures-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Scuptures-300x188.jpg\" alt=\"Scuptures\" title=\"Scuptures\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-621\" /></a></td>\r\n\r\n</tr>\r\n\r\n</tbody>\r\n</table>','Works','','inherit','open','open','','54-revision-122','','','2010-04-22 11:03:03','2010-04-22 11:03:03','',54,'http://www.biggventures.com/demo/artists/661/uncat/54-revision-122',0,'revision','',0),(663,1,'2010-10-29 10:03:32','2010-10-29 10:03:32','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style><table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Seven-Faces-of-Dust.jpg\">\r\n<img class=\"alignnone size-full wp-image-612\" title=\"Seven Faces of Dust\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Seven-Faces-of-Dust.jpg\" alt=\"Seven Faces of Dust\" width=\"600\" /></a>\r\n</td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Seven Faces of Dust\r\n</span>2003\r\nsand, pigment, wax, bamboo boats, cloth, fiberglass sculptures, photographs dimensions variable </td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>installation view,</i> Henie Onstad Kultursenter, Oslo, Norway </span></td></tr>\r\n<tr><td>&nbsp;</td></tr></tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-616\" title=\"Seven Faces of Dust_detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/seven-faces-2-3.jpg\" alt=\"Seven Faces of Dust\" width=\"600\" /></a></td>\r\n<td width=\"400\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nWhen I began conceptualizing this work, I was thinking of the seven islands that originally made up the island city of Bombay. The constellation of the seven floor drawings are made using sand (a residue of degraded materials, derived from the wearing down of rocks).\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\nWhen I began conceptualizing this work, I was thinking of the seven islands that originally made up the island city of Bombay. The constellation of the seven floor drawings are made using sand (a residue of degraded materials, derived from the wearing down of rocks). The act of laying the sand while executing the work, resembled that of making rangolis.\r\nLike the rangoli, this work will be effaced at the end of the exhibition.\r\nIt is made to commemorate ‘the individual’s wish’ in a city that is inhabited by large numbers of anonymous people.\r\nCities as we know get defined and shaped by people as extensions of their needs, aspirations, desires and fears. The seven islands can be seen as points of convergence where people from several communities are drawn everyday and get absorbed and assimilated. The uterus islands are looked upon as sites for the symbolic cross fertilization of wishes. As I went along making the work, I wanted it to be less about the city in a physical sense as it were and attempted to seek the immense complexity of real places in essence. However, this map is ephemeral and subject to constant change, like the changing face of the city of Mumbai. It does not provide the full and definitive picture; it speaks its own destiny of transformation, its ultimate formlessness.\r\nThe accompanying sculptural assemblage with seven pairs of hands hold out wax houses in a gesture of offering, while the series of photographs with people seen inscribing messages onto a variety of offering-candles attempts to metaphorically map their wishes.\r\nSeven Faces Of Dust is a reminder of the silenced impulses, secret hopes and latent desires of people that may perhaps never be heard.\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Seven-Faces-of-Dust-details.jpg\"><img class=\"alignnone size-full wp-image-618\" title=\"Seven Faces of Dust-details\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Seven-Faces-of-Dust-details.jpg\" alt=\"Seven Faces of Dust\"  width=\"600\" /></a></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Seven-Faces-of-Dust_details.jpg\"><img class=\"alignnone size-full wp-image-617\" title=\"Seven Faces of Dust_details\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Seven-Faces-of-Dust_details.jpg\" alt=\"Seven Faces of Dust\" width=\"600\" /></a></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Scuptures.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Scuptures.jpg\" alt=\"Scuptures\" title=\"Scuptures\" width=\"600\"  class=\"alignnone size-full wp-image-621\" /></a></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Scuptures.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Scuptures.jpg\" alt=\"Scuptures\" title=\"Scuptures\" width=\"600\" class=\"alignnone size-full wp-image-623\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','614-autosave','','','2010-10-29 10:03:32','2010-10-29 10:03:32','',614,'http://www.biggventures.com/demo/artists/663/uncat/614-autosave',0,'revision','',0),(2234,1,'2010-09-16 09:56:24','2010-09-16 09:56:24','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Seven-Faces-of-Dust.jpg\"><img class=\"alignnone size-full wp-image-612\" title=\"Seven Faces of Dust\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Seven-Faces-of-Dust.jpg\" alt=\"Seven Faces of Dust\" width=\"600\" /></a><span style=\"font-size:11px;\"><i>installation view,</i> , Henie Onstad Kultursenter, Oslo, Norway </span></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Seven Faces of Dust\r\n</span>2003\r\nsand, pigment, wax, bamboo boats, cloth, fiberglass sculptures, photographs dimensions variable </td></tr></tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-616\" title=\"Seven Faces of Dust_detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/seven-faces-2-3.jpg\" alt=\"Seven Faces of Dust\" width=\"600\" /></a></td>\r\n<td width=\"400\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nWhen I began conceptualizing this work, I was thinking of the seven islands that originally made up the island city of Bombay. The constellation of the seven floor drawings are made using sand (a residue of degraded materials, derived from the wearing down of rocks).\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\nWhen I began conceptualizing this work, I was thinking of the seven islands that originally made up the island city of Bombay. The constellation of the seven floor drawings are made using sand (a residue of degraded materials, derived from the wearing down of rocks). The act of laying the sand while executing the work, resembled that of making rangolis.\r\nLike the rangoli, this work will be effaced at the end of the exhibition.\r\nIt is made to commemorate ‘the individual’s wish’ in a city that is inhabited by large numbers of anonymous people.\r\nCities as we know get defined and shaped by people as extensions of their needs, aspirations, desires and fears. The seven islands can be seen as points of convergence where people from several communities are drawn everyday and get absorbed and assimilated. The uterus islands are looked upon as sites for the symbolic cross fertilization of wishes. As I went along making the work, I wanted it to be less about the city in a physical sense as it were and attempted to seek the immense complexity of real places in essence. However, this map is ephemeral and subject to constant change, like the changing face of the city of Mumbai. It does not provide the full and definitive picture; it speaks its own destiny of transformation, its ultimate formlessness.\r\nThe accompanying sculptural assemblage with seven pairs of hands hold out wax houses in a gesture of offering, while the series of photographs with people seen inscribing messages onto a variety of offering-candles attempts to metaphorically map their wishes.\r\nSeven Faces Of Dust is a reminder of the silenced impulses, secret hopes and latent desires of people that may perhaps never be heard.\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Seven-Faces-of-Dust-details.jpg\"><img class=\"alignnone size-full wp-image-618\" title=\"Seven Faces of Dust-details\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Seven-Faces-of-Dust-details.jpg\" alt=\"Seven Faces of Dust\"  width=\"600\" /></a></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Seven-Faces-of-Dust_details.jpg\"><img class=\"alignnone size-full wp-image-617\" title=\"Seven Faces of Dust_details\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Seven-Faces-of-Dust_details.jpg\" alt=\"Seven Faces of Dust\" width=\"600\" /></a></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Scuptures.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Scuptures.jpg\" alt=\"Scuptures\" title=\"Scuptures\" width=\"600\"  class=\"alignnone size-full wp-image-621\" /></a></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Scuptures.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Scuptures.jpg\" alt=\"Scuptures\" title=\"Scuptures\" width=\"600\" class=\"alignnone size-full wp-image-623\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','614-revision-21','','','2010-09-16 09:56:24','2010-09-16 09:56:24','',614,'http://www.reenakallat.com/2234/uncat/614-revision-21',0,'revision','',0),(1925,1,'2010-09-14 11:42:12','2010-09-14 11:42:12','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Seven-Faces-of-Dust.jpg\"><img class=\"aligncenter size-full wp-image-612\" title=\"Seven Faces of Dust\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Seven-Faces-of-Dust.jpg\" alt=\"Seven Faces of Dust\" width=\"600\"  /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Seven Faces of Dust\r\n</span>2003\r\nMedium: sand, pigment, wax, bamboo boats, cloth, fiberglass sculptures, photographs\r\n</td></tr></tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"aligncenter size-full wp-image-616\" title=\"Seven Faces of Dust_detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/seven-faces-2-3.jpg\" alt=\"Seven Faces of Dust\" width=\"600\" /></a></td>\r\n<td width=\"400\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nWhen I began conceptualizing this work, I was thinking of the seven islands that originally made up the island city of Bombay. The constellation of the seven floor drawings are made using sand (a residue of degraded materials, derived from the wearing down of rocks).\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\nWhen I began conceptualizing this work, I was thinking of the seven islands that originally made up the island city of Bombay. The constellation of the seven floor drawings are made using sand (a residue of degraded materials, derived from the wearing down of rocks). The act of laying the sand while executing the work, resembled that of making rangolis.\r\nLike the rangoli, this work will be effaced at the end of the exhibition.\r\nIt is made to commemorate ‘the individual’s wish’ in a city that is inhabited by large numbers of anonymous people.\r\nCities as we know get defined and shaped by people as extensions of their needs, aspirations, desires and fears. The seven islands can be seen as points of convergence where people from several communities are drawn everyday and get absorbed and assimilated. The uterus islands are looked upon as sites for the symbolic cross fertilization of wishes. As I went along making the work, I wanted it to be less about the city in a physical sense as it were and attempted to seek the immense complexity of real places in essence. However, this map is ephemeral and subject to constant change, like the changing face of the city of Mumbai. It does not provide the full and definitive picture; it speaks its own destiny of transformation, its ultimate formlessness.\r\nThe accompanying sculptural assemblage with seven pairs of hands hold out wax houses in a gesture of offering, while the series of photographs with people seen inscribing messages onto a variety of offering-candles attempts to metaphorically map their wishes.\r\nSeven Faces Of Dust is a reminder of the silenced impulses, secret hopes and latent desires of people that may perhaps never be heard.\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div>\r\n</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Seven-Faces-of-Dust-details.jpg\"><img class=\"aligncenter size-full wp-image-618\" title=\"Seven Faces of Dust-details\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Seven-Faces-of-Dust-details.jpg\" alt=\"Seven Faces of Dust\"  width=\"600\" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Seven-Faces-of-Dust_details.jpg\"><img class=\"aligncenter size-full wp-image-617\" title=\"Seven Faces of Dust_details\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Seven-Faces-of-Dust_details.jpg\" alt=\"Seven Faces of Dust\" width=\"600\" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Scuptures.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Scuptures.jpg\" alt=\"Scuptures\" title=\"Scuptures\" width=\"600\"  class=\"aligncenter size-full wp-image-621\" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Scuptures.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Scuptures.jpg\" alt=\"Scuptures\" title=\"Scuptures\" width=\"600\" class=\"aligncenter size-full wp-image-623\" /></a>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','614-revision-15','','','2010-09-14 11:42:12','2010-09-14 11:42:12','',614,'http://www.biggventures.com/demo/artists/1925/uncat/614-revision-15',0,'revision','',0),(664,1,'2010-04-15 17:13:59','2010-04-15 17:13:59','<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">Seven Faces of Dust (2003)\r\n\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Seven-Faces-of-Dust.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Seven-Faces-of-Dust.jpg\" alt=\"Seven Faces of Dust\" title=\"Seven Faces of Dust\" width=\"600\" height=\"400\" class=\"aligncenter size-full wp-image-612\" /></a>\r\n</td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<h2 class=\"painting\">Seven Faces of Dust\r\n</h2>\r\n<h3 class=\"canvas\">\r\n<span class=\"painting\">2003\r\nMedium: sand, pigment, wax, bamboo boats, cloth, fiberglass sculptures, photographs\r\n</span></h3>\r\nWhen I began conceptualizing this work, I was thinking of the seven islands that originally made up the island city of Bombay. The constellation of the seven floor drawings are made using sand (a residue of degraded materials, derived from the wearing down of rocks). The act of laying the sand while executing the work, resembled that of making rangolis. \r\nLike the rangoli, this work will be effaced at the end of the exhibition.\r\nIt is made to commemorate ‘the individual’s wish’ in a city that is inhabited by large numbers of anonymous people. \r\n\r\nCities as we know get defined and shaped by people as extensions of their needs, aspirations, desires and fears. The seven islands can be seen as points of convergence where people from several communities are drawn everyday and get absorbed and assimilated. The uterus islands are looked upon as sites for the symbolic cross fertilization of wishes. As I went along making the work, I wanted it to be less about the city in a physical sense as it were and attempted to seek the immense complexity of real places in essence. However, this map is ephemeral and subject to constant change, like the changing face of the city of Mumbai. It does not provide the full and definitive picture; it speaks its own destiny of transformation, its ultimate formlessness.\r\n\r\nThe accompanying sculptural assemblage with seven pairs of hands hold out wax houses in a gesture of offering, while the series of photographs with people seen inscribing messages onto a variety of offering-candles attempts to metaphorically map their wishes.\r\nSeven Faces Of Dust is a reminder of the silenced impulses, secret hopes and latent desires of people that may perhaps never be heard.\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Seven-Faces-of-Dust_detail.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Seven-Faces-of-Dust_detail.jpg\" alt=\"Seven Faces of Dust\" title=\"Seven Faces of Dust_detail\" width=\"600\" height=\"900\" class=\"aligncenter size-full wp-image-616\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Seven-Faces-of-Dust_details.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Seven-Faces-of-Dust_details.jpg\" alt=\"Seven Faces of Dust\" title=\"Seven Faces of Dust_details\" width=\"800\" height=\"600\" class=\"aligncenter size-full wp-image-617\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Seven-Faces-of-Dust-details.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Seven-Faces-of-Dust-details.jpg\" alt=\"Seven Faces of Dust\" title=\"Seven Faces of Dust-details\" width=\"800\" height=\"900\" class=\"aligncenter size-full wp-image-618\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Seven-Faces-of-Dust-detail.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Seven-Faces-of-Dust-detail.jpg\" alt=\"Seven Faces of Dust\" title=\"Seven Faces of Dust-detail\" width=\"566\" height=\"865\" class=\"aligncenter size-full wp-image-619\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>','Seven Faces of Dust (detailed-info)','','inherit','open','open','','614-revision-2','','','2010-04-15 17:13:59','2010-04-15 17:13:59','',614,'http://www.biggventures.com/demo/artists/664/uncat/614-revision-2',0,'revision','',0),(668,1,'2010-04-22 12:25:02','2010-04-22 12:25:02','<!--cforms name=\"Your default form\"-->','Contact Us','','inherit','open','open','','189-revision-4','','','2010-04-22 12:25:02','2010-04-22 12:25:02','',189,'http://www.biggventures.com/demo/artists/668/uncat/189-revision-4',0,'revision','',0),(678,1,'2010-05-02 17:54:00','2010-05-02 17:54:00','<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\n<tbody>\n<tr>\n<td width=\"200\" align=\"left\" valign=\"top\">Closet-Quarries (2004-2006)\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/B1-Closet-Quarries1.jpg\"><img class=\"alignleft size-large wp-image-222\" title=\"B1-Closet Quarries\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/B1-Closet-Quarries1-1024x686.jpg\" alt=\"\" width=\"600\" height=\"400\" /></a></td>\n<td width=\"200\" align=\"left\" valign=\"top\">White-Yarn (2004-2006)\ntext here\ntext here\ntext here\ntext here</td>\n</tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\n<tbody>\n<tr>\n<td width=\"200\" align=\"left\" valign=\"top\">Silt-of-Seasons (2004-2006)\n\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/B31.jpg\"><img class=\"alignleft size-full wp-image-224\" title=\"B3\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/B31.jpg\" alt=\"\" width=\"867\" height=\"553\" /></a></td>\n</tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\n<tbody>\n<tr>\n<td width=\"200\" align=\"left\" valign=\"top\">Penumbra (2004-2006)\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/B21.jpg\"><img class=\"alignleft size-large wp-image-220\" title=\"Closet Quarries\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/B21-533x1024.jpg\" alt=\"\" width=\"850\" height=\"1024\" /></a></td>\n</tr>\n</tbody>\n</table>\n\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\n<tbody>\n<tr>\n<td width=\"200\" align=\"left\" valign=\"top\">Penumbra (2004-2006)\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/B21.jpg\"><img class=\"alignleft size-large wp-image-220\" title=\"Closet Quarries\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/B21-533x1024.jpg\" alt=\"\" width=\"850\" height=\"1024\" /></a></td>\n</tr>\n</tbody>\n</table>','Closet-Quarries (detailed info)','','inherit','open','open','','211-revision-15','','','2010-05-02 17:54:00','2010-05-02 17:54:00','',211,'http://www.biggventures.com/demo/artists/678/uncat/211-revision-15',0,'revision','',0),(679,1,'2010-05-02 17:55:00','2010-05-02 17:55:00','<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\n<tbody>\n<tr>\n<td width=\"200\" align=\"left\" valign=\"top\">Closet-Quarries (2004-2006)\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/B1-Closet-Quarries1.jpg\"><img class=\"alignleft size-large wp-image-222\" title=\"B1-Closet Quarries\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/B1-Closet-Quarries1-1024x686.jpg\" alt=\"\" width=\"600\" height=\"400\" /></a></td>\n<td width=\"200\" align=\"left\" valign=\"top\">White-Yarn (2004-2006)\ntext here\ntext here\ntext here\ntext here</td>\n</tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\n<tbody>\n<tr>\n<td width=\"200\" align=\"left\" valign=\"top\">Silt-of-Seasons (2004-2006)\n\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/B31.jpg\"><img class=\"alignleft size-full wp-image-224\" title=\"B3\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/B31.jpg\" alt=\"\" width=\"867\" height=\"553\" /></a></td>\n</tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\n<tbody>\n<tr>\n<td width=\"200\" align=\"left\" valign=\"top\">Penumbra (2004-2006)\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/B21.jpg\"><img class=\"alignleft size-large wp-image-220\" title=\"Closet Quarries\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/B21-533x1024.jpg\" alt=\"\" width=\"850\" height=\"1024\" /></a></td>\n</tr>\n</tbody>\n</table>\n\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\n<tbody>\n<tr>\n<td width=\"200\" align=\"left\" valign=\"top\">C1 (2004-2006)\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/B21.jpg\"><img class=\"alignleft size-large wp-image-220\" title=\"Closet Quarries\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/B21-533x1024.jpg\" alt=\"\" width=\"850\" height=\"1024\" /></a></td>\n</tr>\n</tbody>\n</table>','Closet-Quarries (detailed info)','','inherit','open','open','','211-revision-16','','','2010-05-02 17:55:00','2010-05-02 17:55:00','',211,'http://www.biggventures.com/demo/artists/679/uncat/211-revision-16',0,'revision','',0),(680,1,'2010-05-02 17:56:44','2010-05-02 17:56:44','<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Closet-Quarries (2004-2006)\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/B1-Closet-Quarries1.jpg\"><img class=\"alignleft size-large wp-image-222\" title=\"B1-Closet Quarries\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/B1-Closet-Quarries1-1024x686.jpg\" alt=\"\" width=\"600\" height=\"400\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">White-Yarn (2004-2006)\r\ntext here\r\ntext here\r\ntext here\r\ntext here</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Silt-of-Seasons (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/B31.jpg\"><img class=\"alignleft size-full wp-image-224\" title=\"B3\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/B31.jpg\" alt=\"\" width=\"867\" height=\"553\" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Penumbra (2004-2006)\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/B21.jpg\"><img class=\"alignleft size-large wp-image-220\" title=\"Closet Quarries\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/B21-533x1024.jpg\" alt=\"\" width=\"850\" height=\"1024\" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">C1 (2004-2006)\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/C2.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/C2.jpg\" alt=\"C1-detail\" title=\"C1-detail\" width=\"800\" height=\"750\" class=\"aligncenter size-full wp-image-414\" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>','Closet-Quarries (detailed info)','','inherit','open','open','','211-revision-17','','','2010-05-02 17:56:44','2010-05-02 17:56:44','',211,'http://www.biggventures.com/demo/artists/680/uncat/211-revision-17',0,'revision','',0),(681,1,'2010-05-02 17:57:23','2010-05-02 17:57:23','<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Closet-Quarries (2004-2006)\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/B1-Closet-Quarries1.jpg\"><img class=\"alignleft size-large wp-image-222\" title=\"B1-Closet Quarries\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/B1-Closet-Quarries1-1024x686.jpg\" alt=\"\" width=\"600\" height=\"400\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">White-Yarn (2004-2006)\r\ntext here\r\ntext here\r\ntext here\r\ntext here</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Silt-of-Seasons (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/B31.jpg\"><img class=\"alignleft size-full wp-image-224\" title=\"B3\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/B31.jpg\" alt=\"\" width=\"867\" height=\"553\" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Penumbra (2004-2006)\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/B21.jpg\"><img class=\"alignleft size-large wp-image-220\" title=\"Closet Quarries\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/B21-533x1024.jpg\" alt=\"\" width=\"850\" height=\"1024\" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">C1 (2004-2006)\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/C2.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/C2.jpg\" alt=\"C1-detail\" title=\"C1-detail\" width=\"800\" height=\"750\" class=\"aligncenter size-full wp-image-414\" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>','Closet-Quarries (detailed info)','','inherit','open','open','','211-revision-18','','','2010-05-02 17:57:23','2010-05-02 17:57:23','',211,'http://www.biggventures.com/demo/artists/681/uncat/211-revision-18',0,'revision','',0),(682,1,'2010-05-02 17:51:57','2010-05-02 17:51:57','<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Closet-Quarries (2004-2006)\r\n<a href=\"http://www.reenakallat.com/?p=232\"><img class=\"aligncenter size-medium wp-image-196\" title=\"B1-Closet Quarries\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/B1-Closet-Quarries-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">White-Yarn (2004-2006)\r\n<a href=\"http://www.reenakallat.com/white-yarn-detailed-info\"><img class=\"aligncenter size-medium wp-image-199\" title=\"E1-White Yarn\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/E1-White-Yarn-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Crease-crevice-contour (2004-2006)\r\n<a href=\"http://www.reenakallat.com/crease-crevice-contour-detailed-info\"><img class=\"aligncenter size-medium wp-image-201\" title=\"D1-Crease crevice contour\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/D1-Crease-crevice-contour1-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Silt-of-Seasons (2004-2006)\r\n<a href=\"http://www.reenakallat.com/silt-of-seasons-2-detailed-info\"><img class=\"aligncenter size-medium wp-image-203\" title=\"H1-Silt of Seasons-2\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/H1-Silt-of-Seasons-2-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Subject-to-Change-Without-Notice (2004-2006)\r\n<a href=\"http://www.reenakallat.com/subject-to-change-without-notice-detailed-info\"><img class=\"aligncenter size-medium wp-image-204\" title=\"Q1-Subject to Change Without Notice\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Q1-Subject-to-Change-Without-Notice-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Walls-of-the-womb (2004-2006)\r\n<a href=\"http://www.reenakallat.com/walls-of-the-womb-detailed-info\"><img class=\"aligncenter size-medium wp-image-205\" title=\"R1-Walls of the womb\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/R1-Walls-of-the-womb-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Penumbra (2004-2006)\r\n<a href=\"http://www.reenakallat.com/penumbra-detailed-info\"><img class=\"aligncenter size-medium wp-image-206\" title=\"T1- Penumbra\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/T1-Penumbra-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Birds-of-Steel (2004-2006)\r\n<a href=\"http://www.reenakallat.com/birds-of-steel-detailed-info\"><img class=\"aligncenter size-medium wp-image-207\" title=\"V1-Birds of Steel\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/V1-Birds-of-Steel-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Penumbra-Passage-Canine-Cases (2004-2006)\r\n<a href=\"http://www.reenakallat.com/penumbra-passage-canine-cases-detailed-info\"><img class=\"aligncenter size-medium wp-image-208\" title=\"X1-Penumbra Passage (Canine Cases)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/X1-Penumbra-Passage-Canine-Cases-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Memoria Mausolea (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/memoria-mausolea-detailed-info\"><img class=\"alignnone size-medium wp-image-261\" title=\"Memoria Mausolea\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Memoria-Mausolea-300x244.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">A1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/a1-detailed-info\"><img class=\"alignnone size-medium wp-image-308\" title=\"A1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/A1-300x160.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">White Heat-The Ironing Board (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/White Heat-The Ironing Board-detailed-info\"><img class=\"alignnone size-medium wp-image-320\" title=\"White Heat (The Ironing Board)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/F1-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Sculptures (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/scuptures-detailed-info\"><img class=\"aligncenter size-medium wp-image-621\" title=\"Sculptures\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Scuptures-300x188.jpg\" alt=\"Scuptures\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Silt of Seasons-1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/silt-of-seasons-1\"><img class=\"alignleft size-large wp-image-417\" title=\"Silt of Seasons-1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Silt-of-Seasons-1-1024x682.jpg\" alt=\"Silt of Seasons-1\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">White Heat-The Ironing Board (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/i1-detailed-info\"><img class=\"alignleft size-large wp-image-436\" title=\"I1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/I11-731x1024.jpg\" alt=\"I1\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">J1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/j1-detailed-info\"><img class=\"alignleft size-large wp-image-445\" title=\"J1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/J1-721x1023.jpg\" alt=\"J1\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">K1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/k1-detailed-info\"><img class=\"alignleft size-large wp-image-451\" title=\"K1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/K1-726x1023.jpg\" alt=\"K1\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">L1 (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/l1-detailed-info\"><img class=\"alignleft size-large wp-image-459\" title=\"L1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/L1-744x1024.jpg\" alt=\"L1\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">M1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/m1-detailed-info\"><img class=\"alignleft size-medium wp-image-468\" title=\"M1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/M1-220x300.jpg\" alt=\"M1\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">N1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/n1-detailed-info\"><img class=\"alignleft size-medium wp-image-469\" title=\"N1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/N1-217x300.jpg\" alt=\"N1\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">O1 (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/o1-detailed-info\"><img class=\"alignleft size-medium wp-image-470\" title=\"O1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/O1-214x300.jpg\" alt=\"O1\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">P1 (2007)\r\n\r\n<a href=\"http://www.reenakallat.com/p1-detailed-info\"><img class=\"alignleft size-large wp-image-489\" title=\"P1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/P1-753x1024.jpg\" alt=\"P1\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Saline (2007)\r\n\r\n<a href=\"http://www.reenakallat.com/saline-detailed-info\"><img class=\"alignleft size-medium wp-image-495\" title=\"Saline\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Saline-300x185.jpg\" alt=\"saline\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">O1 (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/memoria-corona\"><img class=\"alignleft size-medium wp-image-505\" title=\"Memoria Corona\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Memoria-Corona-220x300.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Xylophone (2007)\r\n\r\n<a href=\"http://www.reenakallat.com/xylophone-detailed-info\"><img class=\"aligncenter size-medium wp-image-517\" title=\"Xylophone\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Xylophone-300x200.jpg\" alt=\"Xylophone\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Z1 (2007)\r\n\r\n<a href=\"http://www.reenakallat.com/z1-detailed-info\"><img class=\"aligncenter size-medium wp-image-524\" title=\"Z1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Z1-300x169.jpg\" alt=\"Z1\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Kiosk (2003)\r\n\r\n<a href=\"http://www.reenakallat.com/kiosk-detailed-info\"><img class=\"aligncenter size-medium wp-image-537\" title=\"Kiosk\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Kiosk-300x224.jpg\" alt=\"Kiosk\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">First page of MOU (2007)\r\n\r\n<a href=\"http://www.reenakallat.com/first-page-of-mou-detailed-info\"><img class=\"aligncenter size-medium wp-image-542\" title=\"First page of MOU\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/First-page-of-MOU-304x304.png\" alt=\"First page of MOU\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Black Flute (2004)\r\n\r\n<a href=\"http://www.reenakallat.com/black-flute-detailed-info\"><img class=\"aligncenter size-medium wp-image-547\" title=\"Black Flute\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-299x197.jpg\" alt=\"Black Flute\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Kiosk (2003)\r\n\r\n<a href=\"http://www.reenakallat.com/birthmark-tattoos-detailed-info\"><img class=\"aligncenter size-medium wp-image-557\" title=\"BirthMark tattoos\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/BirthMark-tattoos-300x225.jpg\" alt=\"BirthMark and tattoos\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Orchard of home-grown secrets (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/orchard-detailed-info\"><img class=\"aligncenter size-medium wp-image-564\" title=\"Orchard\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchard-300x186.jpg\" alt=\"Orchard\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Joint Family (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/joint-family-detailed-info\"><img class=\"aligncenter size-medium wp-image-577\" title=\"Joint Family\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Joint-Family-295x295.png\" alt=\"Joint Family\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Escapades of the ladder occupants (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/escapades-of-the-ladder-occupants-detailed-info\"><img class=\"aligncenter size-medium wp-image-583\" title=\"Escapades of the ladder occupants\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Escapades-of-the-ladder-occupants-302x302.png\" alt=\"Escapades of the ladder occupants\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Recitals from the city-garden (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/recitals-from-the-city-garden-detailed-info\"><img class=\"aligncenter size-medium wp-image-590\" title=\"Recitals from the city-garden\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/WH1-300x198.jpg\" alt=\"Recitals from the city-garden\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">WI (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/wi1-detailed-info\"><img class=\"aligncenter size-medium wp-image-598\" title=\"WI1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/WI1-300x208.jpg\" alt=\"WI1\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Orchard of Home grown secrets (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/orchard-of-home-grown-secrets-detailed-info\"><img class=\"aligncenter size-medium wp-image-604\" title=\"Orchard of Home grown secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchard-of-Home-grown-secrets-300x194.jpg\" alt=\"Orchard of Home grown secrets\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Seven Faces of Dust (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/seven-faces-of-dust-detailed-info\"><img class=\"aligncenter size-medium wp-image-612\" title=\"Seven Faces of Dust\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Seven-Faces-of-Dust-300x192.jpg\" alt=\"Seven Faces of Dust\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>','Works','','inherit','open','open','','54-revision-124','','','2010-05-02 17:51:57','2010-05-02 17:51:57','',54,'http://www.biggventures.com/demo/artists/682/uncat/54-revision-124',0,'revision','',0),(690,1,'2010-05-02 18:32:49','2010-05-02 18:32:49','<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Closet-Quarries (2004-2006)\r\n<a href=\"http://www.reenakallat.com/closet-quarries-detailed-info\"><img class=\"aligncenter size-medium wp-image-196\" title=\"B1-Closet Quarries\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/B1-Closet-Quarries-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">White-Yarn (2004-2006)\r\n<a href=\"http://www.reenakallat.com/white-yarn-detailed-info\"><img class=\"aligncenter size-medium wp-image-199\" title=\"E1-White Yarn\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/E1-White-Yarn-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Crease-crevice-contour (2004-2006)\r\n<a href=\"http://www.reenakallat.com/crease-crevice-contour-detailed-info\"><img class=\"aligncenter size-medium wp-image-201\" title=\"D1-Crease crevice contour\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/D1-Crease-crevice-contour1-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Silt-of-Seasons (2004-2006)\r\n<a href=\"http://www.reenakallat.com/silt-of-seasons-2-detailed-info\"><img class=\"aligncenter size-medium wp-image-203\" title=\"H1-Silt of Seasons-2\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/H1-Silt-of-Seasons-2-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Subject-to-Change-Without-Notice (2004-2006)\r\n<a href=\"http://www.reenakallat.com/subject-to-change-without-notice-detailed-info\"><img class=\"aligncenter size-medium wp-image-204\" title=\"Q1-Subject to Change Without Notice\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Q1-Subject-to-Change-Without-Notice-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Walls-of-the-womb (2004-2006)\r\n<a href=\"http://www.reenakallat.com/walls-of-the-womb-detailed-info\"><img class=\"aligncenter size-medium wp-image-205\" title=\"R1-Walls of the womb\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/R1-Walls-of-the-womb-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Penumbra (2004-2006)\r\n<a href=\"http://www.reenakallat.com/penumbra-detailed-info\"><img class=\"aligncenter size-medium wp-image-206\" title=\"T1- Penumbra\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/T1-Penumbra-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Birds-of-Steel (2004-2006)\r\n<a href=\"http://www.reenakallat.com/birds-of-steel-detailed-info\"><img class=\"aligncenter size-medium wp-image-207\" title=\"V1-Birds of Steel\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/V1-Birds-of-Steel-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Penumbra-Passage-Canine-Cases (2004-2006)\r\n<a href=\"http://www.reenakallat.com/penumbra-passage-canine-cases-detailed-info\"><img class=\"aligncenter size-medium wp-image-208\" title=\"X1-Penumbra Passage (Canine Cases)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/X1-Penumbra-Passage-Canine-Cases-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Memoria Mausolea (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/memoria-mausolea-detailed-info\"><img class=\"alignnone size-medium wp-image-261\" title=\"Memoria Mausolea\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Memoria-Mausolea-300x244.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">A1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/a1-detailed-info\"><img class=\"alignnone size-medium wp-image-308\" title=\"A1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/A1-300x160.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">White Heat-The Ironing Board (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/White Heat-The Ironing Board-detailed-info\"><img class=\"alignnone size-medium wp-image-320\" title=\"White Heat (The Ironing Board)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/F1-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Sculptures (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/scuptures-detailed-info\"><img class=\"aligncenter size-medium wp-image-621\" title=\"Sculptures\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Scuptures-300x188.jpg\" alt=\"Scuptures\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Silt of Seasons-1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/silt-of-seasons-1\"><img class=\"alignleft size-large wp-image-417\" title=\"Silt of Seasons-1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Silt-of-Seasons-1-1024x682.jpg\" alt=\"Silt of Seasons-1\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">White Heat-The Ironing Board (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/i1-detailed-info\"><img class=\"alignleft size-large wp-image-436\" title=\"I1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/I11-731x1024.jpg\" alt=\"I1\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">J1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/j1-detailed-info\"><img class=\"alignleft size-large wp-image-445\" title=\"J1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/J1-721x1023.jpg\" alt=\"J1\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">K1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/k1-detailed-info\"><img class=\"alignleft size-large wp-image-451\" title=\"K1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/K1-726x1023.jpg\" alt=\"K1\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">L1 (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/l1-detailed-info\"><img class=\"alignleft size-large wp-image-459\" title=\"L1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/L1-744x1024.jpg\" alt=\"L1\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">M1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/m1-detailed-info\"><img class=\"alignleft size-medium wp-image-468\" title=\"M1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/M1-220x300.jpg\" alt=\"M1\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">N1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/n1-detailed-info\"><img class=\"alignleft size-medium wp-image-469\" title=\"N1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/N1-217x300.jpg\" alt=\"N1\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">O1 (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/o1-detailed-info\"><img class=\"alignleft size-medium wp-image-470\" title=\"O1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/O1-214x300.jpg\" alt=\"O1\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">P1 (2007)\r\n\r\n<a href=\"http://www.reenakallat.com/p1-detailed-info\"><img class=\"alignleft size-large wp-image-489\" title=\"P1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/P1-753x1024.jpg\" alt=\"P1\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Saline (2007)\r\n\r\n<a href=\"http://www.reenakallat.com/saline-detailed-info\"><img class=\"alignleft size-medium wp-image-495\" title=\"Saline\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Saline-300x185.jpg\" alt=\"saline\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">O1 (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/memoria-corona\"><img class=\"alignleft size-medium wp-image-505\" title=\"Memoria Corona\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Memoria-Corona-220x300.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Xylophone (2007)\r\n\r\n<a href=\"http://www.reenakallat.com/xylophone-detailed-info\"><img class=\"aligncenter size-medium wp-image-517\" title=\"Xylophone\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Xylophone-300x200.jpg\" alt=\"Xylophone\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Z1 (2007)\r\n\r\n<a href=\"http://www.reenakallat.com/z1-detailed-info\"><img class=\"aligncenter size-medium wp-image-524\" title=\"Z1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Z1-300x169.jpg\" alt=\"Z1\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Kiosk (2003)\r\n\r\n<a href=\"http://www.reenakallat.com/kiosk-detailed-info\"><img class=\"aligncenter size-medium wp-image-537\" title=\"Kiosk\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Kiosk-300x224.jpg\" alt=\"Kiosk\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">First page of MOU (2007)\r\n\r\n<a href=\"http://www.reenakallat.com/first-page-of-mou-detailed-info\"><img class=\"aligncenter size-medium wp-image-542\" title=\"First page of MOU\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/First-page-of-MOU-304x304.png\" alt=\"First page of MOU\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Black Flute (2004)\r\n\r\n<a href=\"http://www.reenakallat.com/black-flute-detailed-info\"><img class=\"aligncenter size-medium wp-image-547\" title=\"Black Flute\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-299x197.jpg\" alt=\"Black Flute\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Kiosk (2003)\r\n\r\n<a href=\"http://www.reenakallat.com/birthmark-tattoos-detailed-info\"><img class=\"aligncenter size-medium wp-image-557\" title=\"BirthMark tattoos\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/BirthMark-tattoos-300x225.jpg\" alt=\"BirthMark and tattoos\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Orchard of home-grown secrets (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/orchard-detailed-info\"><img class=\"aligncenter size-medium wp-image-564\" title=\"Orchard\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchard-300x186.jpg\" alt=\"Orchard\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Joint Family (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/joint-family-detailed-info\"><img class=\"aligncenter size-medium wp-image-577\" title=\"Joint Family\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Joint-Family-295x295.png\" alt=\"Joint Family\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Escapades of the ladder occupants (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/escapades-of-the-ladder-occupants-detailed-info\"><img class=\"aligncenter size-medium wp-image-583\" title=\"Escapades of the ladder occupants\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Escapades-of-the-ladder-occupants-302x302.png\" alt=\"Escapades of the ladder occupants\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Recitals from the city-garden (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/recitals-from-the-city-garden-detailed-info\"><img class=\"aligncenter size-medium wp-image-590\" title=\"Recitals from the city-garden\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/WH1-300x198.jpg\" alt=\"Recitals from the city-garden\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">WI (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/wi1-detailed-info\"><img class=\"aligncenter size-medium wp-image-598\" title=\"WI1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/WI1-300x208.jpg\" alt=\"WI1\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Seven Faces of Dust (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/seven-faces-of-dust-detailed-info\"><img class=\"aligncenter size-medium wp-image-612\" title=\"Seven Faces of Dust\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Seven-Faces-of-Dust-300x192.jpg\" alt=\"Seven Faces of Dust\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>','Works','','inherit','open','open','','54-revision-127','','','2010-05-02 18:32:49','2010-05-02 18:32:49','',54,'http://www.biggventures.com/demo/artists/690/uncat/54-revision-127',0,'revision','',0),(694,1,'2010-05-02 18:37:41','2010-05-02 18:37:41','<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Closet-Quarries (2004-2006)\r\n<a href=\"http://www.reenakallat.com/closet-quarries-detailed-info\"><img class=\"aligncenter size-medium wp-image-196\" title=\"B1-Closet Quarries\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/B1-Closet-Quarries-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">White-Yarn (2004-2006)\r\n<a href=\"http://www.reenakallat.com/white-yarn-detailed-info\"><img class=\"aligncenter size-medium wp-image-199\" title=\"E1-White Yarn\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/E1-White-Yarn-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Crease-crevice-contour (2004-2006)\r\n<a href=\"http://www.reenakallat.com/crease-crevice-contour-detailed-info\"><img class=\"aligncenter size-medium wp-image-201\" title=\"D1-Crease crevice contour\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/D1-Crease-crevice-contour1-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Silt-of-Seasons (2004-2006)\r\n<a href=\"http://www.reenakallat.com/silt-of-seasons-2-detailed-info\"><img class=\"aligncenter size-medium wp-image-203\" title=\"H1-Silt of Seasons-2\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/H1-Silt-of-Seasons-2-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Lunar Notes (2004-2006)\r\n<a href=\"http://www.reenakallat.com/subject-to-change-without-notice-detailed-info\"><img class=\"aligncenter size-medium wp-image-204\" title=\"Q1-Subject to Change Without Notice\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Q1-Subject-to-Change-Without-Notice-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Walls-of-the-womb (2004-2006)\r\n<a href=\"http://www.reenakallat.com/walls-of-the-womb-detailed-info\"><img class=\"aligncenter size-medium wp-image-205\" title=\"R1-Walls of the womb\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/R1-Walls-of-the-womb-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Penumbra (2004-2006)\r\n<a href=\"http://www.reenakallat.com/penumbra-detailed-info\"><img class=\"aligncenter size-medium wp-image-206\" title=\"T1- Penumbra\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/T1-Penumbra-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Birds-of-Steel (2004-2006)\r\n<a href=\"http://www.reenakallat.com/birds-of-steel-detailed-info\"><img class=\"aligncenter size-medium wp-image-207\" title=\"V1-Birds of Steel\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/V1-Birds-of-Steel-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Penumbra-Passage-Canine-Cases (2004-2006)\r\n<a href=\"http://www.reenakallat.com/penumbra-passage-canine-cases-detailed-info\"><img class=\"aligncenter size-medium wp-image-208\" title=\"X1-Penumbra Passage (Canine Cases)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/X1-Penumbra-Passage-Canine-Cases-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Memoria Mausolea (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/memoria-mausolea-detailed-info\"><img class=\"alignnone size-medium wp-image-261\" title=\"Memoria Mausolea\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Memoria-Mausolea-300x244.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">A1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/a1-detailed-info\"><img class=\"alignnone size-medium wp-image-308\" title=\"A1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/A1-300x160.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">White Heat-The Ironing Board (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/White Heat-The Ironing Board-detailed-info\"><img class=\"alignnone size-medium wp-image-320\" title=\"White Heat (The Ironing Board)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/F1-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Sculptures (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/scuptures-detailed-info\"><img class=\"aligncenter size-medium wp-image-621\" title=\"Sculptures\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Scuptures-300x188.jpg\" alt=\"Scuptures\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Silt of Seasons-1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/silt-of-seasons-1\"><img class=\"alignleft size-large wp-image-417\" title=\"Silt of Seasons-1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Silt-of-Seasons-1-1024x682.jpg\" alt=\"Silt of Seasons-1\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">White Heat-The Ironing Board (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/i1-detailed-info\"><img class=\"alignleft size-large wp-image-436\" title=\"I1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/I11-731x1024.jpg\" alt=\"I1\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">J1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/j1-detailed-info\"><img class=\"alignleft size-large wp-image-445\" title=\"J1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/J1-721x1023.jpg\" alt=\"J1\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">K1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/k1-detailed-info\"><img class=\"alignleft size-large wp-image-451\" title=\"K1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/K1-726x1023.jpg\" alt=\"K1\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">L1 (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/l1-detailed-info\"><img class=\"alignleft size-large wp-image-459\" title=\"L1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/L1-744x1024.jpg\" alt=\"L1\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">M1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/m1-detailed-info\"><img class=\"alignleft size-medium wp-image-468\" title=\"M1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/M1-220x300.jpg\" alt=\"M1\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">N1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/n1-detailed-info\"><img class=\"alignleft size-medium wp-image-469\" title=\"N1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/N1-217x300.jpg\" alt=\"N1\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">O1 (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/o1-detailed-info\"><img class=\"alignleft size-medium wp-image-470\" title=\"O1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/O1-214x300.jpg\" alt=\"O1\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">P1 (2007)\r\n\r\n<a href=\"http://www.reenakallat.com/p1-detailed-info\"><img class=\"alignleft size-large wp-image-489\" title=\"P1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/P1-753x1024.jpg\" alt=\"P1\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Saline (2007)\r\n\r\n<a href=\"http://www.reenakallat.com/saline-detailed-info\"><img class=\"alignleft size-medium wp-image-495\" title=\"Saline\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Saline-300x185.jpg\" alt=\"saline\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">O1 (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/memoria-corona\"><img class=\"alignleft size-medium wp-image-505\" title=\"Memoria Corona\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Memoria-Corona-220x300.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Xylophone (2007)\r\n\r\n<a href=\"http://www.reenakallat.com/xylophone-detailed-info\"><img class=\"aligncenter size-medium wp-image-517\" title=\"Xylophone\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Xylophone-300x200.jpg\" alt=\"Xylophone\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Z1 (2007)\r\n\r\n<a href=\"http://www.reenakallat.com/z1-detailed-info\"><img class=\"aligncenter size-medium wp-image-524\" title=\"Z1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Z1-300x169.jpg\" alt=\"Z1\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Kiosk (2003)\r\n\r\n<a href=\"http://www.reenakallat.com/kiosk-detailed-info\"><img class=\"aligncenter size-medium wp-image-537\" title=\"Kiosk\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Kiosk-300x224.jpg\" alt=\"Kiosk\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">First page of MOU (2007)\r\n\r\n<a href=\"http://www.reenakallat.com/first-page-of-mou-detailed-info\"><img class=\"aligncenter size-medium wp-image-542\" title=\"First page of MOU\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/First-page-of-MOU-304x304.png\" alt=\"First page of MOU\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Black Flute (2004)\r\n\r\n<a href=\"http://www.reenakallat.com/black-flute-detailed-info\"><img class=\"aligncenter size-medium wp-image-547\" title=\"Black Flute\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-299x197.jpg\" alt=\"Black Flute\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Kiosk (2003)\r\n\r\n<a href=\"http://www.reenakallat.com/birthmark-tattoos-detailed-info\"><img class=\"aligncenter size-medium wp-image-557\" title=\"BirthMark tattoos\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/BirthMark-tattoos-300x225.jpg\" alt=\"BirthMark and tattoos\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Orchard of home-grown secrets (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/orchard-detailed-info\"><img class=\"aligncenter size-medium wp-image-564\" title=\"Orchard\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchard-300x186.jpg\" alt=\"Orchard\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Joint Family (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/joint-family-detailed-info\"><img class=\"aligncenter size-medium wp-image-577\" title=\"Joint Family\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Joint-Family-295x295.png\" alt=\"Joint Family\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Escapades of the ladder occupants (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/escapades-of-the-ladder-occupants-detailed-info\"><img class=\"aligncenter size-medium wp-image-583\" title=\"Escapades of the ladder occupants\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Escapades-of-the-ladder-occupants-302x302.png\" alt=\"Escapades of the ladder occupants\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Recitals from the city-garden (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/recitals-from-the-city-garden-detailed-info\"><img class=\"aligncenter size-medium wp-image-590\" title=\"Recitals from the city-garden\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/WH1-300x198.jpg\" alt=\"Recitals from the city-garden\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">WI (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/wi1-detailed-info\"><img class=\"aligncenter size-medium wp-image-598\" title=\"WI1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/WI1-300x208.jpg\" alt=\"WI1\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Seven Faces of Dust (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/seven-faces-of-dust-detailed-info\"><img class=\"aligncenter size-medium wp-image-612\" title=\"Seven Faces of Dust\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Seven-Faces-of-Dust-300x192.jpg\" alt=\"Seven Faces of Dust\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>','Works','','inherit','open','open','','54-revision-129','','','2010-05-02 18:37:41','2010-05-02 18:37:41','',54,'http://www.biggventures.com/demo/artists/694/uncat/54-revision-129',0,'revision','',0),(683,1,'2010-05-02 17:59:03','2010-05-02 17:59:03','<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Closet-Quarries (2004-2006)\r\n<a href=\"http://www.reenakallat.com/closet-quarries-detailed-info\"><img class=\"aligncenter size-medium wp-image-196\" title=\"B1-Closet Quarries\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/B1-Closet-Quarries-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">White-Yarn (2004-2006)\r\n<a href=\"http://www.reenakallat.com/white-yarn-detailed-info\"><img class=\"aligncenter size-medium wp-image-199\" title=\"E1-White Yarn\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/E1-White-Yarn-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Crease-crevice-contour (2004-2006)\r\n<a href=\"http://www.reenakallat.com/crease-crevice-contour-detailed-info\"><img class=\"aligncenter size-medium wp-image-201\" title=\"D1-Crease crevice contour\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/D1-Crease-crevice-contour1-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Silt-of-Seasons (2004-2006)\r\n<a href=\"http://www.reenakallat.com/silt-of-seasons-2-detailed-info\"><img class=\"aligncenter size-medium wp-image-203\" title=\"H1-Silt of Seasons-2\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/H1-Silt-of-Seasons-2-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Subject-to-Change-Without-Notice (2004-2006)\r\n<a href=\"http://www.reenakallat.com/subject-to-change-without-notice-detailed-info\"><img class=\"aligncenter size-medium wp-image-204\" title=\"Q1-Subject to Change Without Notice\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Q1-Subject-to-Change-Without-Notice-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Walls-of-the-womb (2004-2006)\r\n<a href=\"http://www.reenakallat.com/walls-of-the-womb-detailed-info\"><img class=\"aligncenter size-medium wp-image-205\" title=\"R1-Walls of the womb\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/R1-Walls-of-the-womb-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Penumbra (2004-2006)\r\n<a href=\"http://www.reenakallat.com/penumbra-detailed-info\"><img class=\"aligncenter size-medium wp-image-206\" title=\"T1- Penumbra\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/T1-Penumbra-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Birds-of-Steel (2004-2006)\r\n<a href=\"http://www.reenakallat.com/birds-of-steel-detailed-info\"><img class=\"aligncenter size-medium wp-image-207\" title=\"V1-Birds of Steel\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/V1-Birds-of-Steel-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Penumbra-Passage-Canine-Cases (2004-2006)\r\n<a href=\"http://www.reenakallat.com/penumbra-passage-canine-cases-detailed-info\"><img class=\"aligncenter size-medium wp-image-208\" title=\"X1-Penumbra Passage (Canine Cases)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/X1-Penumbra-Passage-Canine-Cases-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Memoria Mausolea (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/memoria-mausolea-detailed-info\"><img class=\"alignnone size-medium wp-image-261\" title=\"Memoria Mausolea\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Memoria-Mausolea-300x244.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">A1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/a1-detailed-info\"><img class=\"alignnone size-medium wp-image-308\" title=\"A1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/A1-300x160.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">White Heat-The Ironing Board (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/White Heat-The Ironing Board-detailed-info\"><img class=\"alignnone size-medium wp-image-320\" title=\"White Heat (The Ironing Board)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/F1-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Sculptures (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/scuptures-detailed-info\"><img class=\"aligncenter size-medium wp-image-621\" title=\"Sculptures\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Scuptures-300x188.jpg\" alt=\"Scuptures\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Silt of Seasons-1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/silt-of-seasons-1\"><img class=\"alignleft size-large wp-image-417\" title=\"Silt of Seasons-1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Silt-of-Seasons-1-1024x682.jpg\" alt=\"Silt of Seasons-1\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">White Heat-The Ironing Board (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/i1-detailed-info\"><img class=\"alignleft size-large wp-image-436\" title=\"I1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/I11-731x1024.jpg\" alt=\"I1\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">J1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/j1-detailed-info\"><img class=\"alignleft size-large wp-image-445\" title=\"J1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/J1-721x1023.jpg\" alt=\"J1\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">K1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/k1-detailed-info\"><img class=\"alignleft size-large wp-image-451\" title=\"K1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/K1-726x1023.jpg\" alt=\"K1\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">L1 (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/l1-detailed-info\"><img class=\"alignleft size-large wp-image-459\" title=\"L1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/L1-744x1024.jpg\" alt=\"L1\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">M1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/m1-detailed-info\"><img class=\"alignleft size-medium wp-image-468\" title=\"M1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/M1-220x300.jpg\" alt=\"M1\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">N1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/n1-detailed-info\"><img class=\"alignleft size-medium wp-image-469\" title=\"N1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/N1-217x300.jpg\" alt=\"N1\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">O1 (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/o1-detailed-info\"><img class=\"alignleft size-medium wp-image-470\" title=\"O1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/O1-214x300.jpg\" alt=\"O1\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">P1 (2007)\r\n\r\n<a href=\"http://www.reenakallat.com/p1-detailed-info\"><img class=\"alignleft size-large wp-image-489\" title=\"P1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/P1-753x1024.jpg\" alt=\"P1\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Saline (2007)\r\n\r\n<a href=\"http://www.reenakallat.com/saline-detailed-info\"><img class=\"alignleft size-medium wp-image-495\" title=\"Saline\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Saline-300x185.jpg\" alt=\"saline\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">O1 (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/memoria-corona\"><img class=\"alignleft size-medium wp-image-505\" title=\"Memoria Corona\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Memoria-Corona-220x300.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Xylophone (2007)\r\n\r\n<a href=\"http://www.reenakallat.com/xylophone-detailed-info\"><img class=\"aligncenter size-medium wp-image-517\" title=\"Xylophone\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Xylophone-300x200.jpg\" alt=\"Xylophone\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Z1 (2007)\r\n\r\n<a href=\"http://www.reenakallat.com/z1-detailed-info\"><img class=\"aligncenter size-medium wp-image-524\" title=\"Z1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Z1-300x169.jpg\" alt=\"Z1\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Kiosk (2003)\r\n\r\n<a href=\"http://www.reenakallat.com/kiosk-detailed-info\"><img class=\"aligncenter size-medium wp-image-537\" title=\"Kiosk\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Kiosk-300x224.jpg\" alt=\"Kiosk\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">First page of MOU (2007)\r\n\r\n<a href=\"http://www.reenakallat.com/first-page-of-mou-detailed-info\"><img class=\"aligncenter size-medium wp-image-542\" title=\"First page of MOU\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/First-page-of-MOU-304x304.png\" alt=\"First page of MOU\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Black Flute (2004)\r\n\r\n<a href=\"http://www.reenakallat.com/black-flute-detailed-info\"><img class=\"aligncenter size-medium wp-image-547\" title=\"Black Flute\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-299x197.jpg\" alt=\"Black Flute\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Kiosk (2003)\r\n\r\n<a href=\"http://www.reenakallat.com/birthmark-tattoos-detailed-info\"><img class=\"aligncenter size-medium wp-image-557\" title=\"BirthMark tattoos\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/BirthMark-tattoos-300x225.jpg\" alt=\"BirthMark and tattoos\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Orchard of home-grown secrets (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/orchard-detailed-info\"><img class=\"aligncenter size-medium wp-image-564\" title=\"Orchard\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchard-300x186.jpg\" alt=\"Orchard\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Joint Family (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/joint-family-detailed-info\"><img class=\"aligncenter size-medium wp-image-577\" title=\"Joint Family\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Joint-Family-295x295.png\" alt=\"Joint Family\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Escapades of the ladder occupants (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/escapades-of-the-ladder-occupants-detailed-info\"><img class=\"aligncenter size-medium wp-image-583\" title=\"Escapades of the ladder occupants\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Escapades-of-the-ladder-occupants-302x302.png\" alt=\"Escapades of the ladder occupants\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Recitals from the city-garden (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/recitals-from-the-city-garden-detailed-info\"><img class=\"aligncenter size-medium wp-image-590\" title=\"Recitals from the city-garden\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/WH1-300x198.jpg\" alt=\"Recitals from the city-garden\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">WI (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/wi1-detailed-info\"><img class=\"aligncenter size-medium wp-image-598\" title=\"WI1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/WI1-300x208.jpg\" alt=\"WI1\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Orchard of Home grown secrets (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/orchard-of-home-grown-secrets-detailed-info\"><img class=\"aligncenter size-medium wp-image-604\" title=\"Orchard of Home grown secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchard-of-Home-grown-secrets-300x194.jpg\" alt=\"Orchard of Home grown secrets\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Seven Faces of Dust (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/seven-faces-of-dust-detailed-info\"><img class=\"aligncenter size-medium wp-image-612\" title=\"Seven Faces of Dust\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Seven-Faces-of-Dust-300x192.jpg\" alt=\"Seven Faces of Dust\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>','Works','','inherit','open','open','','54-revision-125','','','2010-05-02 17:59:03','2010-05-02 17:59:03','',54,'http://www.biggventures.com/demo/artists/683/uncat/54-revision-125',0,'revision','',0),(684,1,'2010-05-02 17:58:24','2010-05-02 17:58:24','<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Closet-Quarries (2004-2006)\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/B1-Closet-Quarries1.jpg\"><img class=\"alignleft size-large wp-image-222\" title=\"B1-Closet Quarries\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/B1-Closet-Quarries1-1024x686.jpg\" alt=\"\" width=\"600\" height=\"400\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">White-Yarn (2004-2006)\r\ntext here\r\ntext here\r\ntext here\r\ntext here</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Silt-of-Seasons (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/B31.jpg\"><img class=\"alignleft size-full wp-image-224\" title=\"B3\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/B31.jpg\" alt=\"\" width=\"867\" height=\"553\" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Penumbra (2004-2006)\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/B21.jpg\"><img class=\"alignleft size-large wp-image-220\" title=\"Closet Quarries\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/B21-533x1024.jpg\" alt=\"\" width=\"850\" height=\"1024\" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">C1 (2004-2006)\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/C2.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/C2.jpg\" alt=\"C1-detail\" title=\"C1-detail\" width=\"800\" height=\"750\" class=\"aligncenter size-full wp-image-414\" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>','Closet-Quarries (detailed info)','','inherit','open','open','','211-revision-19','','','2010-05-02 17:58:24','2010-05-02 17:58:24','',211,'http://www.biggventures.com/demo/artists/684/uncat/211-revision-19',0,'revision','',0),(687,1,'2010-05-02 18:13:59','2010-05-02 18:13:59','<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">Crease- Crevice- Contour (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Crease-Crevice-Contour.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Crease-Crevice-Contour-1024x605.jpg\" alt=\"Crease- Crevice- Contour\" title=\"Crease- Crevice- Contour\" width=\"600\" height=\"400\" class=\"alignnone size-large wp-image-349\" /></a>\r\n</td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<h2 class=\"painting\">Crease- Crevice- Contour\r\n</h2>\r\n<h3 class=\"canvas\">\r\n<span class=\"painting\">2008\r\nPigment Print on Hahnemuhle Museum Etching Archival Paper\r\n40 inches x 50 inches each (Set of 10 prints)\r\nEdition 10 + AP\r\n</span></h3>\r\n‘Crease/ Crevice/ Contour’, a collection of 10 photographs, traces the changing L.O.C. (Line Of Control) between India and Pakistan, from October 1947 to December 1948. It refers to the first of the four wars fought among the two newly independent nations over the region of Kashmir. The result of the war, still affects the geo-politics of both the countries to this day, leaving behind a deep sense of mistrust and many psychological scars.\r\n\r\nThe photo-piece comprises names of those who’ve signed the peace petition between India and Pakistan. Within my work the L.O.C. appears recurrently not just as a political demarcation but metaphorically as a sociological barrier amongst the people on both sides.  \r\n\r\nThe work maps the movement of the LOC, showcasing 10 stages of the war through a diagrammatic sketch of the shifting border, finally leading up to the historical ceasefire. The photographs are close details of the back of a body stamped with names using rubber-stamps; the collective cluster of names forming the shifting territory between the two countries, appears like a residual scar of the never ending dispute.\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Crease-Crevice-Contour-detail.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Crease-Crevice-Contour-detail.jpg\" alt=\"Crease- Crevice- Contour-detail\" title=\"Crease- Crevice- Contour-detail\" width=\"900\" height=\"402\" class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>','Closet-Quarries (detailed info)','','inherit','open','open','','211-revision-22','','','2010-05-02 18:13:59','2010-05-02 18:13:59','',211,'http://www.biggventures.com/demo/artists/687/uncat/211-revision-22',0,'revision','',0),(685,1,'2010-05-02 18:02:23','2010-05-02 18:02:23','<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Closet-Quarries (2004-2006)\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/B1-Closet-Quarries1.jpg\"><img class=\"alignleft size-large wp-image-222\" title=\"B1-Closet Quarries\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/B1-Closet-Quarries1-1024x686.jpg\" alt=\"\" width=\"600\" height=\"400\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">White-Yarn (2004-2006)\r\nThis series of paintings using rubberstamps, were made from references of the great inlay patterns on the walls of the Taj Mahal and other Mughal architectural monuments found in India. The rubberstamps carry names and symbols found engraved on the red sandstones laid along the back wall of the Taj Mahal and on the pathways leading to the Taj; similar carved names of the craftsmen are also seen in case of other Mughal monuments. These names, retrieved from the archives of the Archeological Survey of India, intercept the austere inlay patterns through text and symbols evoking notions of labour, memory and the submerged, factual and fictional, histories and myths that surround monument-making.\r\n As an artist what continues to interest me is the idea of representation which is fundamental to painting and the possibilities it carries for the generation of meaning through a calibrated interplay of image and form.\r\nIn ‘Closet Quarries’ I choose to work with the captivating inlays of the Taj and overlay it with a history invisible to the naked eye.\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Silt-of-Seasons (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/B31.jpg\"><img class=\"alignleft size-full wp-image-224\" title=\"B3\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/B31.jpg\" alt=\"\" width=\"867\" height=\"553\" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Penumbra (2004-2006)\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/B21.jpg\"><img class=\"alignleft size-large wp-image-220\" title=\"Closet Quarries\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/B21-533x1024.jpg\" alt=\"\" width=\"850\" height=\"1024\" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">C1 (2004-2006)\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/C2.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/C2.jpg\" alt=\"C1-detail\" title=\"C1-detail\" width=\"800\" height=\"750\" class=\"aligncenter size-full wp-image-414\" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>','Closet-Quarries (detailed info)','','inherit','open','open','','211-revision-20','','','2010-05-02 18:02:23','2010-05-02 18:02:23','',211,'http://www.biggventures.com/demo/artists/685/uncat/211-revision-20',0,'revision','',0),(686,1,'2010-05-02 18:11:13','2010-05-02 18:11:13','<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<h2 class=\"painting\">Closet-Quarries\r\n</h2>\r\n<h3 class=\"canvas\">\r\n<span class=\"painting\">Closet Quarries\r\n2008 \r\nAcrylic paint, rubberstamps, plexiglas\r\n</span></h3>\r\n\r\nThis series of paintings using rubberstamps, were made from references of the great inlay patterns on the walls of the Taj Mahal and other Mughal architectural monuments found in India. The rubberstamps carry names and symbols found engraved on the red sandstones laid along the back wall of the Taj Mahal and on the pathways leading to the Taj; similar carved names of the craftsmen are also seen in case of other Mughal monuments. These names, retrieved from the archives of the Archeological Survey of India, intercept the austere inlay patterns through text and symbols evoking notions of labour, memory and the submerged, factual and fictional, histories and myths that surround monument-making.\r\n As an artist what continues to interest me is the idea of representation which is fundamental to painting and the possibilities it carries for the generation of meaning through a calibrated interplay of image and form.\r\nIn ‘Closet Quarries’ I choose to work with the captivating inlays of the Taj and overlay it with a history invisible to the naked eye.\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Closet-Quarries (2004-2006)\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/B1-Closet-Quarries1.jpg\"><img class=\"alignleft size-large wp-image-222\" title=\"B1-Closet Quarries\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/B1-Closet-Quarries1-1024x686.jpg\" alt=\"\" width=\"600\" height=\"400\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">White-Yarn (2004-2006)\r\n\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Silt-of-Seasons (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/B31.jpg\"><img class=\"alignleft size-full wp-image-224\" title=\"B3\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/B31.jpg\" alt=\"\" width=\"867\" height=\"553\" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Penumbra (2004-2006)\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/B21.jpg\"><img class=\"alignleft size-large wp-image-220\" title=\"Closet Quarries\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/B21-533x1024.jpg\" alt=\"\" width=\"850\" height=\"1024\" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">C1 (2004-2006)\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/C2.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/C2.jpg\" alt=\"C1-detail\" title=\"C1-detail\" width=\"800\" height=\"750\" class=\"aligncenter size-full wp-image-414\" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>','Closet-Quarries (detailed info)','','inherit','open','open','','211-revision-21','','','2010-05-02 18:11:13','2010-05-02 18:11:13','',211,'http://www.biggventures.com/demo/artists/686/uncat/211-revision-21',0,'revision','',0),(689,1,'2010-05-02 17:59:43','2010-05-02 17:59:43','<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Closet-Quarries (2004-2006)\r\n<a href=\"http://www.reenakallat.com/closet-quarries-detailed-info\"><img class=\"aligncenter size-medium wp-image-196\" title=\"B1-Closet Quarries\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/B1-Closet-Quarries-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">White-Yarn (2004-2006)\r\n<a href=\"http://www.reenakallat.com/white-yarn-detailed-info\"><img class=\"aligncenter size-medium wp-image-199\" title=\"E1-White Yarn\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/E1-White-Yarn-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Crease-crevice-contour (2004-2006)\r\n<a href=\"http://www.reenakallat.com/crease-crevice-contour-detailed-info\"><img class=\"aligncenter size-medium wp-image-201\" title=\"D1-Crease crevice contour\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/D1-Crease-crevice-contour1-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Silt-of-Seasons (2004-2006)\r\n<a href=\"http://www.reenakallat.com/silt-of-seasons-2-detailed-info\"><img class=\"aligncenter size-medium wp-image-203\" title=\"H1-Silt of Seasons-2\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/H1-Silt-of-Seasons-2-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Subject-to-Change-Without-Notice (2004-2006)\r\n<a href=\"http://www.reenakallat.com/subject-to-change-without-notice-detailed-info\"><img class=\"aligncenter size-medium wp-image-204\" title=\"Q1-Subject to Change Without Notice\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Q1-Subject-to-Change-Without-Notice-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Walls-of-the-womb (2004-2006)\r\n<a href=\"http://www.reenakallat.com/walls-of-the-womb-detailed-info\"><img class=\"aligncenter size-medium wp-image-205\" title=\"R1-Walls of the womb\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/R1-Walls-of-the-womb-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Penumbra (2004-2006)\r\n<a href=\"http://www.reenakallat.com/penumbra-detailed-info\"><img class=\"aligncenter size-medium wp-image-206\" title=\"T1- Penumbra\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/T1-Penumbra-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Birds-of-Steel (2004-2006)\r\n<a href=\"http://www.reenakallat.com/birds-of-steel-detailed-info\"><img class=\"aligncenter size-medium wp-image-207\" title=\"V1-Birds of Steel\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/V1-Birds-of-Steel-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Penumbra-Passage-Canine-Cases (2004-2006)\r\n<a href=\"http://www.reenakallat.com/penumbra-passage-canine-cases-detailed-info\"><img class=\"aligncenter size-medium wp-image-208\" title=\"X1-Penumbra Passage (Canine Cases)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/X1-Penumbra-Passage-Canine-Cases-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Memoria Mausolea (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/memoria-mausolea-detailed-info\"><img class=\"alignnone size-medium wp-image-261\" title=\"Memoria Mausolea\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Memoria-Mausolea-300x244.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">A1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/a1-detailed-info\"><img class=\"alignnone size-medium wp-image-308\" title=\"A1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/A1-300x160.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">White Heat-The Ironing Board (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/White Heat-The Ironing Board-detailed-info\"><img class=\"alignnone size-medium wp-image-320\" title=\"White Heat (The Ironing Board)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/F1-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Sculptures (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/scuptures-detailed-info\"><img class=\"aligncenter size-medium wp-image-621\" title=\"Sculptures\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Scuptures-300x188.jpg\" alt=\"Scuptures\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Silt of Seasons-1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/silt-of-seasons-1\"><img class=\"alignleft size-large wp-image-417\" title=\"Silt of Seasons-1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Silt-of-Seasons-1-1024x682.jpg\" alt=\"Silt of Seasons-1\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">White Heat-The Ironing Board (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/i1-detailed-info\"><img class=\"alignleft size-large wp-image-436\" title=\"I1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/I11-731x1024.jpg\" alt=\"I1\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">J1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/j1-detailed-info\"><img class=\"alignleft size-large wp-image-445\" title=\"J1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/J1-721x1023.jpg\" alt=\"J1\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">K1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/k1-detailed-info\"><img class=\"alignleft size-large wp-image-451\" title=\"K1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/K1-726x1023.jpg\" alt=\"K1\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">L1 (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/l1-detailed-info\"><img class=\"alignleft size-large wp-image-459\" title=\"L1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/L1-744x1024.jpg\" alt=\"L1\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">M1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/m1-detailed-info\"><img class=\"alignleft size-medium wp-image-468\" title=\"M1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/M1-220x300.jpg\" alt=\"M1\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">N1 (2004-2006)\r\n\r\n<a href=\"http://www.reenakallat.com/n1-detailed-info\"><img class=\"alignleft size-medium wp-image-469\" title=\"N1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/N1-217x300.jpg\" alt=\"N1\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">O1 (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/o1-detailed-info\"><img class=\"alignleft size-medium wp-image-470\" title=\"O1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/O1-214x300.jpg\" alt=\"O1\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">P1 (2007)\r\n\r\n<a href=\"http://www.reenakallat.com/p1-detailed-info\"><img class=\"alignleft size-large wp-image-489\" title=\"P1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/P1-753x1024.jpg\" alt=\"P1\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Saline (2007)\r\n\r\n<a href=\"http://www.reenakallat.com/saline-detailed-info\"><img class=\"alignleft size-medium wp-image-495\" title=\"Saline\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Saline-300x185.jpg\" alt=\"saline\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">O1 (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/memoria-corona\"><img class=\"alignleft size-medium wp-image-505\" title=\"Memoria Corona\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Memoria-Corona-220x300.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Xylophone (2007)\r\n\r\n<a href=\"http://www.reenakallat.com/xylophone-detailed-info\"><img class=\"aligncenter size-medium wp-image-517\" title=\"Xylophone\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Xylophone-300x200.jpg\" alt=\"Xylophone\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Z1 (2007)\r\n\r\n<a href=\"http://www.reenakallat.com/z1-detailed-info\"><img class=\"aligncenter size-medium wp-image-524\" title=\"Z1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Z1-300x169.jpg\" alt=\"Z1\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Kiosk (2003)\r\n\r\n<a href=\"http://www.reenakallat.com/kiosk-detailed-info\"><img class=\"aligncenter size-medium wp-image-537\" title=\"Kiosk\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Kiosk-300x224.jpg\" alt=\"Kiosk\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">First page of MOU (2007)\r\n\r\n<a href=\"http://www.reenakallat.com/first-page-of-mou-detailed-info\"><img class=\"aligncenter size-medium wp-image-542\" title=\"First page of MOU\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/First-page-of-MOU-304x304.png\" alt=\"First page of MOU\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Black Flute (2004)\r\n\r\n<a href=\"http://www.reenakallat.com/black-flute-detailed-info\"><img class=\"aligncenter size-medium wp-image-547\" title=\"Black Flute\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-299x197.jpg\" alt=\"Black Flute\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Kiosk (2003)\r\n\r\n<a href=\"http://www.reenakallat.com/birthmark-tattoos-detailed-info\"><img class=\"aligncenter size-medium wp-image-557\" title=\"BirthMark tattoos\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/BirthMark-tattoos-300x225.jpg\" alt=\"BirthMark and tattoos\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Orchard of home-grown secrets (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/orchard-detailed-info\"><img class=\"aligncenter size-medium wp-image-564\" title=\"Orchard\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchard-300x186.jpg\" alt=\"Orchard\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Joint Family (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/joint-family-detailed-info\"><img class=\"aligncenter size-medium wp-image-577\" title=\"Joint Family\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Joint-Family-295x295.png\" alt=\"Joint Family\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Escapades of the ladder occupants (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/escapades-of-the-ladder-occupants-detailed-info\"><img class=\"aligncenter size-medium wp-image-583\" title=\"Escapades of the ladder occupants\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Escapades-of-the-ladder-occupants-302x302.png\" alt=\"Escapades of the ladder occupants\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Recitals from the city-garden (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/recitals-from-the-city-garden-detailed-info\"><img class=\"aligncenter size-medium wp-image-590\" title=\"Recitals from the city-garden\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/WH1-300x198.jpg\" alt=\"Recitals from the city-garden\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">WI (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/wi1-detailed-info\"><img class=\"aligncenter size-medium wp-image-598\" title=\"WI1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/WI1-300x208.jpg\" alt=\"WI1\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Orchard of Home grown secrets (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/orchard-of-home-grown-secrets-detailed-info\"><img class=\"aligncenter size-medium wp-image-604\" title=\"Orchard of Home grown secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchard-of-Home-grown-secrets-300x194.jpg\" alt=\"Orchard of Home grown secrets\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Seven Faces of Dust (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/seven-faces-of-dust-detailed-info\"><img class=\"aligncenter size-medium wp-image-612\" title=\"Seven Faces of Dust\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Seven-Faces-of-Dust-300x192.jpg\" alt=\"Seven Faces of Dust\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>','Works','','inherit','open','open','','54-revision-126','','','2010-05-02 17:59:43','2010-05-02 17:59:43','',54,'http://www.biggventures.com/demo/artists/689/uncat/54-revision-126',0,'revision','',0),(688,1,'2010-05-02 18:22:59','2010-05-02 18:22:59','<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">Closet Quarries (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/B1-Closet-Quarries1.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/B1-Closet-Quarries1.jpg\" alt=\"\" title=\"Closet Quarries\" width=\"600\" height=\"400\" class=\"aligncenter size-full wp-image-222\" /></a>\r\n</td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<h2 class=\"painting\">Closet Quarries\r\n</h2>\r\n<h3 class=\"canvas\">\r\n<span class=\"painting\">Closet Quarries\r\n2008 \r\nAcrylic paint, rubberstamps, plexiglas\r\n\r\n</span></h3>\r\nThis series of paintings using rubberstamps, were made from references of the great inlay patterns on the walls of the Taj Mahal and other Mughal architectural monuments found in India. The rubberstamps carry names and symbols found engraved on the red sandstones laid along the back wall of the Taj Mahal and on the pathways leading to the Taj; similar carved names of the craftsmen are also seen in case of other Mughal monuments. These names, retrieved from the archives of the Archeological Survey of India, intercept the austere inlay patterns through text and symbols evoking notions of labour, memory and the submerged, factual and fictional, histories and myths that surround monument-making.\r\n As an artist what continues to interest me is the idea of representation which is fundamental to painting and the possibilities it carries for the generation of meaning through a calibrated interplay of image and form.\r\nIn ‘Closet Quarries’ I choose to work with the captivating inlays of the Taj and overlay it with a history invisible to the naked eye.\r\n\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/B21.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/B21.jpg\" alt=\"\" title=\"Closet Quarries\" width=\"800\" height=\"1000\" class=\"aligncenter size-full wp-image-220\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/C2.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/C2.jpg\" alt=\"Closet Quarries\" title=\"Closet Quarries\" width=\"1408\" height=\"1355\" class=\"aligncenter size-full wp-image-414\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/C2.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/C2.jpg\" alt=\"Closet Quarries\" title=\"Closet Quarries\" width=\"1408\" height=\"1355\" class=\"aligncenter size-full wp-image-414\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/B31.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/B31.jpg\" alt=\"Closet Quarries\" title=\"Closet Quarries\" width=\"999\" height=\"667\" class=\"aligncenter size-full wp-image-224\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>','Closet-Quarries (detailed info)','','inherit','open','open','','211-revision-23','','','2010-05-02 18:22:59','2010-05-02 18:22:59','',211,'http://www.biggventures.com/demo/artists/688/uncat/211-revision-23',0,'revision','',0),