(1970,1,'2010-09-16 07:17:15','2010-09-16 07:17:15','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-gallery.jpg\" alt=\"Subject-to-Change-Without-Notice\" title=\"Subject-to-Change-Without-Notice\" width=\"600\" class=\"alignnone size-large wp-image-368\" /></a>\r\n</td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Pollen Patterns\r\n</span>2002\r\nProduced with bamboo basket weavers at the Khoj International Artists Workshop, Bangalore\r\n</td>\r\n</tr></tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-1.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n<td width=\"400\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThe work I conceived as part of the workshop has two segments to it. One is a floor piece titled “Pollen Patterns” made in collaboration with bamboo basket weavers, while the other is part of an interactive outreach programme that I conducted at Apollo Hospital, titled H.E.A.L. (Help Enjoy Amicable Living) <a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\nThe work I conceived as part of the workshop has two segments to it. One is a floor piece titled “Pollen Patterns” made in collaboration with bamboo basket weavers, while the other is part of an interactive outreach programme that I conducted at Apollo Hospital, titled H.E.A.L. (Help Enjoy Amicable Living)\r\n\r\nPollen Patterns\r\nThe floor piece comprises of a large mat (length 18ft woven in bamboo) in the shape of a uterus, using the colours of the Indian National flag. The work evokes notions of motherhood, nationhood and metaphorically attempts to try and interlace the colours (representative of the varied religious communities living in India) by weaving them closely. The center of the mat carries the Gandhian Charkha (the spinning wheel), which used to be part of the flag in the 20’s but later got replaced by the Ashoka Chakra. In a political environment that reflected a state of lawlessness (post Gujarat riots) I wanted to take away the Wheel of law, Ashoka Chakra and replace it with the Charkha as a reminder of the principles and values it stood for, of resistence, simplicity, self empowerment, economic independence and progress and view this against the current climate of religious intolerance, where various forms of violence have infiltrated the country. Moving out/towards the uterus were forms woven in bamboo that ranged from aquatic life to insect and bird life leading to religious symbols and those from political parties. Bamboo is used both for making cradles as well as to carry the dead-body on the stretcher and hence sort of represented a complete lifecycle. Contrasting the fragility of bamboo, metal implements both industrial as well as domestic were tied to each piece/object.\r\n\r\nH.E.A.L. (Help Enjoy Amicable Living)\r\nAt the open day, vistors were invited to plait the three strings provided in the colours of the flag as a gesture of their commitment and solidarity towards the integration and peaceful co-existence of all communities. They were encouraged to contribute to the existing collection which was a result of an outreach programme conducted at the Apollo hospital where nurses, trainees, patients alike joined in the act of plaiting the strings and the individual contributions came together at the open day. The hospital being a place for healing and recovering, was seen as the appropriate site to initiate this exercise.\r\n\r\nWhile on the one hand this works speaks of embalming an ailing nation state, on the other it is a critique of the many futile attempts being made to salvage it from complete loss. In a lighter vein, the accompanying drawings made of henna were derived from product manuals containing info about the herbs used in hair shampoos, conditioners and hair Oils for building, cleansing, strengthening and revitalizing purposes.\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen_pattern_2-3.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen_pattern_4.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen_pattern_5.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen_pattern_6.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen_pattern_7.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen_pattern_8.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen_pattern_9.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen_pattern_10.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen_pattern_11.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','1218-revision-7','','','2010-09-16 07:17:15','2010-09-16 07:17:15','',1218,'http://www.biggventures.com/demo/artists/1970/uncat/1218-revision-7',0,'revision','',0),(1219,1,'2010-06-17 13:00:36','2010-06-17 13:00:36','','Pollent Patterns','','inherit','open','open','','1218-revision','','','2010-06-17 13:00:36','2010-06-17 13:00:36','',1218,'http://www.biggventures.com/demo/artists/1219/uncat/1218-revision',0,'revision','',0),(1220,1,'2012-05-04 18:38:21','2012-05-04 18:38:21','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-gallery.jpg\" alt=\"Subject-to-Change-Without-Notice\" title=\"Subject-to-Change-Without-Notice\" width=\"600\" class=\"alignnone size-large wp-image-368\" /></a>\r\n</td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Pollen Patterns\r\n</span>2002\r\nProduced with bamboo basket weavers at the Khoj International Artists Workshop, Mysore.\r\nH.E.A.L. (Help Enjoy Amicable Living) \r\nWorkshop with the staff of Apollo Hospital, Mysore\r\n</td></td></tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-1.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n<td width=\"300\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename\"  style=\"display:block;\">\r\nThe work conceived as part of the International Artists Workshop had two segments. One,was a floor piece titled “Pollen Patterns” made in collaboration with bamboo basket weavers. It comprised of a large mat (length 18ft woven in bamboo) in the shape of a uterus, using the colours of the Indian National flag by interlacing them. The center of the mat carried the Gandhian Charkha (spinning wheel), which used to be part of the flag in the20’s but later got replaced by the Ashoka Chakra (the wheel of law).\r\nThe other, was part of an interactive outreach programme conducted at Apollo Hospital, titled H.E.A.L. (Help Enjoy Amicable Living) where vistors were invited to plait the tri-coloured strings provided, as a metaphoric gesture of their solidarity towards the peaceful co-existence of all communities. The hospital being a place for healing and recovering, was seen as the appropriate site to initiate this exercisewhere nurses, trainees, patients alike joined in.</div>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen_pattern_2-3.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen_pattern_4.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen_pattern_5.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen_pattern_6.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen_pattern_7.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen_pattern_8.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen_pattern_9.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen_pattern_10.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen_pattern_11.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','1218-autosave','','','2012-05-04 18:38:21','2012-05-04 18:38:21','',1218,'http://www.biggventures.com/demo/artists/1220/uncat/1218-autosave',0,'revision','',0),(2705,1,'2012-04-25 18:50:11','2012-04-25 18:50:11','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-gallery.jpg\" alt=\"Subject-to-Change-Without-Notice\" title=\"Subject-to-Change-Without-Notice\" width=\"600\" class=\"alignnone size-large wp-image-368\" /></a>\r\n</td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Pollen Patterns\r\n</span>2002\r\nProduced with bamboo basket weavers at the Khoj International Artists Workshop, Bangalore\r\nH.E.A.L. (Help Enjoy Amicable Living)\r\nWorkshop with the staff of Apollo Hospital, Bangalore<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...more</a>\r\n</td>\r\n</tr></tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-1.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n<td width=\"400\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\nThe work I conceived as part of the workshop has two segments to it. One is a floor piece titled “Pollen Patterns” made in collaboration with bamboo basket weavers, while the other is part of an interactive outreach programme that I conducted at Apollo Hospital, titled H.E.A.L. (Help Enjoy Amicable Living)\r\n\r\nPollen Patterns\r\nThe floor piece comprises of a large mat (length 18ft woven in bamboo) in the shape of a uterus, using the colours of the Indian National flag. The work evokes notions of motherhood, nationhood and metaphorically attempts to try and interlace the colours (representative of the varied religious communities living in India) by weaving them closely. The center of the mat carries the Gandhian Charkha (the spinning wheel), which used to be part of the flag in the 20’s but later got replaced by the Ashoka Chakra. In a political environment that reflected a state of lawlessness (post Gujarat riots) I wanted to take away the Wheel of law, Ashoka Chakra and replace it with the Charkha as a reminder of the principles and values it stood for, of resistence, simplicity, self empowerment, economic independence and progress and view this against the current climate of religious intolerance, where various forms of violence have infiltrated the country. Moving out/towards the uterus were forms woven in bamboo that ranged from aquatic life to insect and bird life leading to religious symbols and those from political parties. Bamboo is used both for making cradles as well as to carry the dead-body on the stretcher and hence sort of represented a complete lifecycle. Contrasting the fragility of bamboo, metal implements both industrial as well as domestic were tied to each piece/object.\r\n\r\nH.E.A.L. (Help Enjoy Amicable Living)\r\nAt the open day, vistors were invited to plait the three strings provided in the colours of the flag as a gesture of their commitment and solidarity towards the integration and peaceful co-existence of all communities. They were encouraged to contribute to the existing collection which was a result of an outreach programme conducted at the Apollo hospital where nurses, trainees, patients alike joined in the act of plaiting the strings and the individual contributions came together at the open day. The hospital being a place for healing and recovering, was seen as the appropriate site to initiate this exercise.\r\n\r\nWhile on the one hand this works speaks of embalming an ailing nation state, on the other it is a critique of the many futile attempts being made to salvage it from complete loss. In a lighter vein, the accompanying drawings made of henna were derived from product manuals containing info about the herbs used in hair shampoos, conditioners and hair Oils for building, cleansing, strengthening and revitalizing purposes.\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen_pattern_2-3.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen_pattern_4.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen_pattern_5.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen_pattern_6.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen_pattern_7.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen_pattern_8.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen_pattern_9.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen_pattern_10.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen_pattern_11.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','1218-revision-12','','','2012-04-25 18:50:11','2012-04-25 18:50:11','',1218,'http://www.reenakallat.com/2705/uncat/1218-revision-12',0,'revision','',0),(1969,1,'2010-06-17 14:19:19','2010-06-17 14:19:19','<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-gallery.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-gallery.jpg\" alt=\"Subject-to-Change-Without-Notice\" title=\"Subject-to-Change-Without-Notice\" width=\"600\" height=\"400\" class=\"alignnone size-large wp-image-368\" /></a>\r\n\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<h3 class=\"canvas1\">\r\nKHOJ INTERNATIONAL ARTISTS WORKSHOP\r\n<span class=\"painting\">2002\r\n</span></h3>\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThe work I conceived as part of the workshop has two segments to it. One is a floor piece titled “Pollen Patterns” made in collaboration with bamboo basket weavers, while the other is part of an interactive outreach programme that I conducted at Apollo Hospital, titled H.E.A.L. (Help Enjoy Amicable Living) <a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\">\r\n[more info]</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\nThe work I conceived as part of the workshop has two segments to it. One is a floor piece titled “Pollen Patterns” made in collaboration with bamboo basket weavers, while the other is part of an interactive outreach programme that I conducted at Apollo Hospital, titled H.E.A.L. (Help Enjoy Amicable Living)\r\n\r\nPollen Patterns\r\nThe floor piece comprises of a large mat (length 18ft woven in bamboo) in the shape of a uterus, using the colours of the Indian National flag. The work evokes notions of motherhood, nationhood and metaphorically attempts to try and interlace the colours (representative of the varied religious communities living in India) by weaving them closely. The center of the mat carries the Gandhian Charkha (the spinning wheel), which used to be part of the flag in the 20’s but later got replaced by the Ashoka Chakra. In a political environment that reflected a state of lawlessness (post Gujarat riots) I wanted to take away the Wheel of law, Ashoka Chakra and replace it with the Charkha as a reminder of the principles and values it stood for, of resistence, simplicity, self empowerment, economic independence and progress and view this against the current climate of religious intolerance, where various forms of violence have infiltrated the country. Moving out/towards the uterus were forms woven in bamboo that ranged from aquatic life to insect and bird life leading to religious symbols and those from political parties. Bamboo is used both for making cradles as well as to carry the dead-body on the stretcher and hence sort of represented a complete lifecycle. Contrasting the fragility of bamboo, metal implements both industrial as well as domestic were tied to each piece/object.\r\n\r\nH.E.A.L. (Help Enjoy Amicable Living)\r\nAt the open day, vistors were invited to plait the three strings provided in the colours of the flag as a gesture of their commitment and solidarity towards the integration and peaceful co-existence of all communities. They were encouraged to contribute to the existing collection which was a result of an outreach programme conducted at the Apollo hospital where nurses, trainees, patients alike joined in the act of plaiting the strings and the individual contributions came together at the open day. The hospital being a place for healing and recovering, was seen as the appropriate site to initiate this exercise.\r\n\r\nWhile on the one hand this works speaks of embalming an ailing nation state, on the other it is a critique of the many futile attempts being made to salvage it from complete loss. In a lighter vein, the accompanying drawings made of henna were derived from product manuals containing info about the herbs used in hair shampoos, conditioners and hair Oils for building, cleansing, strengthening and revitalizing purposes.\r\n\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\">[hide info]</a>\r\n</div>\r\n<script language=\'javascript\' type=\'text/javascript\'>\r\nfunction ReverseContentDisplay(d) {\r\nif(d.length < 1) { return; }\r\nif(document.getElementById(d).style.display == \'none\') \r\n{\r\n  document.getElementById(d).style.display = \'block\'; \r\n  document.getElementById(\"uniquename1\").style.display = \'none\'; \r\n}  \r\nelse \r\n{ \r\n  document.getElementById(d).style.display = \'none\'; \r\n  document.getElementById(\"uniquename1\").style.display = \'block\';\r\n}\r\n}\r\n</script>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n\r\n\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-1.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-1.jpg\" width=\"550\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-2.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-2.jpg\" width=\"550\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-3.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-3.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-4.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-4.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-5.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-5.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-6.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-6.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-7.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-7.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-8.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-8.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-9.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-9.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','1218-revision-6','','','2010-06-17 14:19:19','2010-06-17 14:19:19','',1218,'http://www.biggventures.com/demo/artists/1969/uncat/1218-revision-6',0,'revision','',0),(1221,1,'2010-06-17 13:00:42','2010-06-17 13:00:42','<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-gallery.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/1 Process Workshop site.jpg\" alt=\"Subject-to-Change-Without-Notice\" title=\"Subject-to-Change-Without-Notice\" width=\"600\" height=\"400\" class=\"alignnone size-large wp-image-368\" /></a>\r\n\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<h3 class=\"canvas\">\r\nPollen-Patterns Art/Nature Residency\r\n<span class=\"painting\">2002\r\nWire mesh, leaves from fallen trees, pine tree cones, drift wood\r\napprox. 18ft (l) x 15 ft (b). \r\nLaurentian mountains of Quebec, \r\nCanada</span></h3>\r\n<div id=\"uniquename1\" style=\"display:block\">\r\n\r\nDesc here\r\n\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\">[more info]</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\n\r\nDesc here\r\nextended\r\n\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\">[hide info]</a>\r\n</div>\r\n<script language=\'javascript\' type=\'text/javascript\'>\r\nfunction ReverseContentDisplay(d) {\r\nif(d.length < 1) { return; }\r\nif(document.getElementById(d).style.display == \'none\') \r\n{\r\n  document.getElementById(d).style.display = \'block\'; \r\n  document.getElementById(\"uniquename1\").style.display = \'none\'; \r\n}  \r\nelse \r\n{ \r\n  document.getElementById(d).style.display = \'none\'; \r\n  document.getElementById(\"uniquename1\").style.display = \'block\';\r\n}\r\n}\r\n</script>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n\r\n\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-1.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-1.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-2.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-2.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-3.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-3.jpg\" width=\"550\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-4.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-4.jpg\" width=\"550\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-5.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-5.jpg\" width=\"550\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-6.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-6.jpg\" width=\"550\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-7.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-7.jpg\" width=\"550\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-8.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-8.jpg\" width=\"550\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-9.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-9.jpg\" width=\"550\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>','Pollent Patterns','','inherit','open','open','','1218-revision-2','','','2010-06-17 13:00:42','2010-06-17 13:00:42','',1218,'http://www.biggventures.com/demo/artists/1221/uncat/1218-revision-2',0,'revision','',0),(1222,1,'2010-06-17 13:03:34','2010-06-17 13:03:34','<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-gallery.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-gallery.jpg\" alt=\"Subject-to-Change-Without-Notice\" title=\"Subject-to-Change-Without-Notice\" width=\"600\" height=\"400\" class=\"alignnone size-large wp-image-368\" /></a>\r\n\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<h3 class=\"canvas\">\r\nPollen-Patterns Art/Nature Residency\r\n<span class=\"painting\">2002\r\nWire mesh, leaves from fallen trees, pine tree cones, drift wood\r\napprox. 18ft (l) x 15 ft (b). \r\nLaurentian mountains of Quebec, \r\nCanada</span></h3>\r\n<div id=\"uniquename1\" style=\"display:block\">\r\n\r\nDesc here\r\n\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\">[more info]</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\n\r\nDesc here\r\nextended\r\n\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\">[hide info]</a>\r\n</div>\r\n<script language=\'javascript\' type=\'text/javascript\'>\r\nfunction ReverseContentDisplay(d) {\r\nif(d.length < 1) { return; }\r\nif(document.getElementById(d).style.display == \'none\') \r\n{\r\n  document.getElementById(d).style.display = \'block\'; \r\n  document.getElementById(\"uniquename1\").style.display = \'none\'; \r\n}  \r\nelse \r\n{ \r\n  document.getElementById(d).style.display = \'none\'; \r\n  document.getElementById(\"uniquename1\").style.display = \'block\';\r\n}\r\n}\r\n</script>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n\r\n\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-1.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-1.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-2.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-2.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-3.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-3.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-4.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-4.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-5.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-5.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-6.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-6.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-7.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-7.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-8.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-8.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-9.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-9.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','1218-revision-3','','','2010-06-17 13:03:34','2010-06-17 13:03:34','',1218,'http://www.biggventures.com/demo/artists/1222/uncat/1218-revision-3',0,'revision','',0),(1223,1,'2010-06-17 13:04:44','2010-06-17 13:04:44','<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-gallery.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-gallery.jpg\" alt=\"Subject-to-Change-Without-Notice\" title=\"Subject-to-Change-Without-Notice\" width=\"600\" height=\"400\" class=\"alignnone size-large wp-image-368\" /></a>\r\n\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<h3 class=\"canvas\">\r\nPollen-Patterns Art/Nature Residency\r\n<span class=\"painting\">2002\r\nWire mesh, leaves from fallen trees, pine tree cones, drift wood\r\napprox. 18ft (l) x 15 ft (b). \r\nLaurentian mountains of Quebec, \r\nCanada</span></h3>\r\n<div id=\"uniquename1\" style=\"display:block\">\r\n\r\nDesc here\r\n\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\">[more info]</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\n\r\nDesc here\r\nextended\r\n\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\">[hide info]</a>\r\n</div>\r\n<script language=\'javascript\' type=\'text/javascript\'>\r\nfunction ReverseContentDisplay(d) {\r\nif(d.length < 1) { return; }\r\nif(document.getElementById(d).style.display == \'none\') \r\n{\r\n  document.getElementById(d).style.display = \'block\'; \r\n  document.getElementById(\"uniquename1\").style.display = \'none\'; \r\n}  \r\nelse \r\n{ \r\n  document.getElementById(d).style.display = \'none\'; \r\n  document.getElementById(\"uniquename1\").style.display = \'block\';\r\n}\r\n}\r\n</script>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n\r\n\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-1.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-1.jpg\" width=\"550\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-2.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-2.jpg\" width=\"550\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-3.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-3.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-4.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-4.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-5.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-5.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-6.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-6.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-7.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-7.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-8.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-8.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-9.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-9.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','1218-revision-4','','','2010-06-17 13:04:44','2010-06-17 13:04:44','',1218,'http://www.biggventures.com/demo/artists/1223/uncat/1218-revision-4',0,'revision','',0),(1224,1,'2010-06-17 13:16:32','2010-06-17 13:16:32','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-gallery.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-gallery.jpg\" alt=\"Subject-to-Change-Without-Notice\" title=\"Subject-to-Change-Without-Notice\" width=\"600\" height=\"400\" class=\"alignnone size-large wp-image-368\" /></a>\r\n</td>\r\n<td nowrap width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">ELEPHANT WALKS</span>\r\n2003\r\nCollaborative workshop by Jitish Kallat and Reena Saini Kallat at the \r\nCasula Powerhouse Arts Centre, Liverpool\r\nExhibition: Gallery 4A Sydney, Australia</td></tr></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-1.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-1.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n<td width=\"400\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nYouth Arts Project at the Casula Powerhouse Arts Centre, Liverpool, was an extension of the exhibition Indians + Cowboys.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\nYouth Arts Project at the Casula Powerhouse Arts Centre, Liverpool, was an extension of the exhibition Indians + Cowboys.\r\nIndians + Cowboys, curated by Ruth Watson and Aaron Seeto questioned accepted ideas of cultural diversity and difference. It was conceived to illustrate the absurdity of simplifying identities into stereotypes by categorizing them on the basis of notions of cultural purity.\r\nThe Casula Powerhouse Centre is located in Liverpool, a neighbourhood where people from 150 different ethnic identities reside. For the workshop we had children from places like Iraq, Kurdistan, China, Vietnam, India etc. The potential disconnections that occur between idealized ways of seeing and describing and the ways in which individuals imagine and observe their worlds is what the work engages with. \r\nWe started by narrating an ancient Sufi story to the children called the ‘City of Ghor’, \r\nwhich is part of the childhood imagination of Indian children around the world. The story recounts a city of blind people and their encounters with an elephant. Through the process of describing, these blind people illustrate diverging and individual experiences of a single encounter. However since they had felt only a part of the elephant they arrived at an incomplete understanding with opposing conclusions on what the elephant was like.\r\nCiting examples from world politics we spoke about how wars are held because of the rigidity with which we hold on to our own perspective and are often unsympathetic towards the perspectives of others. For the workshop we handed out pieces of board in undefined/amoeboid forms to the children and asked them to render their notions of the world. While each one made their interpretation out of their own world view, the narrative of the story was used to direct them to the fact that no single notion of the world is complete and it is necessary to follow various interpretations to understand anything fully.\r\nThese later came together to form a large elephant, which was made in 5 parts and suspended in such a way that the complete form of the elephant only becomes apparent through all the contributions of the participants and only from certain vantages in the gallery.\r\nBy bringing together thoughts of children and placing them in the context of other thoughts by another set of children, the attempt was to try and create new worlds with new interpretations that are infused with a sense of individuality as well as completeness.  \r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\"><tbody>\r\n<tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-2.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-2.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr></tbody>\r\n</table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-3.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-3.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-4.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-4.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-5.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-5.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-6.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-6.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-7.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-7.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-8.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-8.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-9.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-9.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table>','','','publish','open','open','','elephant-walks','','','2011-10-12 10:26:37','2011-10-12 10:26:37','',0,'http://www.biggventures.com/demo/artists/?page_id=1224',0,'page','',0),(1225,1,'2010-06-17 13:16:21','2010-06-17 13:16:21','<style type=\"text/css\">\nh3.canvas  {\ncolor:#333333;\nfont-size:11px;\nfont-weight:normal;\nmargin-bottom:5px;\nmargin-left:7px;\nmargin-top:0;\npadding:0;\ntext-transform:none;\n}\n\nh2.painting  {\ncolor:#FFFFFF;\nfont-family:verdana,arial,tahoma,sans-serif;\nfont-size:11px;\nfont-weight:normal;\nmargin:0 0 10px 7px;\npadding:0;\ntext-align:left;\ntext-transform:none;\n}\n</style>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\n<tbody>\n<tr>\n<td width=\"60%\" align=\"left\" valign=\"top\">\n\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-gallery.jpg\">\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-gallery.jpg\" alt=\"Subject-to-Change-Without-Notice\" title=\"Subject-to-Change-Without-Notice\" width=\"600\" height=\"400\" class=\"alignnone size-large wp-image-368\" /></a>\n\n</td>\n<td width=\"200\" align=\"left\" valign=\"top\">\n<h3 class=\"canvas\">\nElephant-walks Art/Nature Residency\n<span class=\"painting\">2002\nWire mesh, leaves from fallen trees, pine tree cones, drift wood\napprox. 18ft (l) x 15 ft (b). \nLaurentian mountains of Quebec, \nCanada</span></h3>\n<div id=\"uniquename1\" style=\"display:block\">\n\nDesc here\n\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\">[more info]</a>\n</div>\n<div id=\"uniquename\"  style=\"display:none;\">\n\nDesc here\nextended\n\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\">[hide info]</a>\n</div>\n<script language=\'javascript\' type=\'text/javascript\'>\nfunction ReverseContentDisplay(d) {\nif(d.length < 1) { return; }\nif(document.getElementById(d).style.display == \'none\') \n{\n  document.getElementById(d).style.display = \'block\'; \n  document.getElementById(\"uniquename1\").style.display = \'none\'; \n}  \nelse \n{ \n  document.getElementById(d).style.display = \'none\'; \n  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cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\n<tbody>\n<tr>\n\n<td width=\"200\" align=\"left\" valign=\"top\">\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-3.jpg\">\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-3.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\n</td>\n\n</tr>\n</tbody>\n</table>\n\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\n<tbody>\n<tr>\n\n<td width=\"200\" align=\"left\" valign=\"top\">\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-4.jpg\">\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-4.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\n</td>\n\n</tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\n<tbody>\n<tr>\n\n<td width=\"200\" align=\"left\" valign=\"top\">\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-5.jpg\">\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-5.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\n</td>\n\n</tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\n<tbody>\n<tr>\n\n<td width=\"200\" align=\"left\" valign=\"top\">\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-6.jpg\">\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-6.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\n</td>\n\n</tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\n<tbody>\n<tr>\n\n<td width=\"200\" align=\"left\" valign=\"top\">\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-7.jpg\">\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-7.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\n</td>\n\n</tr>\n</tbody>\n</table>\n\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\n<tbody>\n<tr>\n\n<td width=\"200\" align=\"left\" valign=\"top\">\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-8.jpg\">\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-8.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\n</td>\n\n</tr>\n</tbody>\n</table>\n\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\n<tbody>\n<tr>\n\n<td width=\"200\" align=\"left\" valign=\"top\">\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-9.jpg\">\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-9.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\n</td>\n\n</tr>\n</tbody>\n</table>','elephant','','inherit','open','open','','1224-revision','','','2010-06-17 13:16:21','2010-06-17 13:16:21','',1224,'http://www.biggventures.com/demo/artists/1225/uncat/1224-revision',0,'revision','',0),(1226,1,'2010-06-17 13:16:32','2010-06-17 13:16:32','<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-gallery.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-gallery.jpg\" alt=\"Subject-to-Change-Without-Notice\" title=\"Subject-to-Change-Without-Notice\" width=\"600\" height=\"400\" class=\"alignnone size-large wp-image-368\" /></a>\r\n\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<h3 class=\"canvas\">\r\nElephant-walks Art/Nature Residency\r\n<span class=\"painting\">2002\r\nWire mesh, leaves from fallen trees, pine tree cones, drift wood\r\napprox. 18ft (l) x 15 ft (b). \r\nLaurentian mountains of Quebec, \r\nCanada</span></h3>\r\n<div id=\"uniquename1\" style=\"display:block\">\r\n\r\nDesc here\r\n\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\">[more info]</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\n\r\nDesc here\r\nextended\r\n\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\">[hide info]</a>\r\n</div>\r\n<script language=\'javascript\' type=\'text/javascript\'>\r\nfunction ReverseContentDisplay(d) {\r\nif(d.length < 1) { return; }\r\nif(document.getElementById(d).style.display == \'none\') \r\n{\r\n  document.getElementById(d).style.display = \'block\'; \r\n  document.getElementById(\"uniquename1\").style.display = \'none\'; \r\n}  \r\nelse \r\n{ \r\n  document.getElementById(d).style.display = \'none\'; \r\n  document.getElementById(\"uniquename1\").style.display = \'block\';\r\n}\r\n}\r\n</script>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n\r\n\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-1.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-1.jpg\" width=\"550\" class=\"alignnone size-large wp-image-366\" 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href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-6.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-6.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-7.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-7.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-8.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-8.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-9.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-9.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>','Elephant-walks','','inherit','open','open','','1224-revision-2','','','2010-06-17 13:16:32','2010-06-17 13:16:32','',1224,'http://www.biggventures.com/demo/artists/1226/uncat/1224-revision-2',0,'revision','',0),(1227,1,'2010-06-17 13:17:01','2010-06-17 13:17:01','<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-gallery.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-gallery.jpg\" alt=\"Subject-to-Change-Without-Notice\" title=\"Subject-to-Change-Without-Notice\" width=\"600\" height=\"400\" class=\"alignnone size-large wp-image-368\" /></a>\r\n\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<h3 class=\"canvas\">\r\nElephant-walks Art/Nature Residency\r\n<span class=\"painting\">2002\r\nWire mesh, leaves from fallen trees, pine tree cones, drift wood\r\napprox. 18ft (l) x 15 ft (b). \r\nLaurentian mountains of Quebec, \r\nCanada</span></h3>\r\n<div id=\"uniquename1\" style=\"display:block\">\r\n\r\nDesc here\r\n\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\">[more info]</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\n\r\nDesc here\r\nextended\r\n\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\">[hide info]</a>\r\n</div>\r\n<script language=\'javascript\' type=\'text/javascript\'>\r\nfunction ReverseContentDisplay(d) {\r\nif(d.length < 1) { return; }\r\nif(document.getElementById(d).style.display == \'none\') \r\n{\r\n  document.getElementById(d).style.display = \'block\'; \r\n  document.getElementById(\"uniquename1\").style.display = \'none\'; \r\n}  \r\nelse \r\n{ \r\n 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class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-3.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-3.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-4.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-4.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-5.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-5.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-6.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-6.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-7.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-7.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-8.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-8.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-9.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-9.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','1224-revision-3','','','2010-06-17 13:17:01','2010-06-17 13:17:01','',1224,'http://www.biggventures.com/demo/artists/1227/uncat/1224-revision-3',0,'revision','',0),(1228,1,'2010-09-13 13:36:05','2010-09-13 13:36:05','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-gallery.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-gallery.jpg\" alt=\"Subject-to-Change-Without-Notice\" title=\"Subject-to-Change-Without-Notice\" width=\"600\" height=\"400\" class=\"alignnone size-large wp-image-368\" /></a>\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">ELEPHANT WALKS</span>\r\n2003\r\nCollaborative workshop by Jitish Kallat and Reena Saini Kallat at the \r\nCasula Powerhouse Arts Centre, Liverpool\r\nExhibition: Gallery 4A Sydney, \r\nAustralia\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-1.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-1.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n<td width=\"400\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nYouth Arts Project at the Casula Powerhouse Arts Centre, Liverpool, was an extension of the exhibition Indians + Cowboys.\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\nYouth Arts Project at the Casula Powerhouse Arts Centre, Liverpool, was an extension of the exhibition Indians + Cowboys.\r\nIndians + Cowboys, curated by Ruth Watson and Aaron Seeto questioned accepted ideas of cultural diversity and difference. It was conceived to illustrate the absurdity of simplifying identities into stereotypes by categorizing them on the basis of notions of cultural purity.\r\nThe Casula Powerhouse Centre is located in Liverpool, a neighbourhood where people from 150 different ethnic identities reside. For the workshop we had children from places like Iraq, Kurdistan, China, Vietnam, India etc. The potential disconnections that occur between idealized ways of seeing and describing and the ways in which individuals imagine and observe their worlds is what the work engages with. \r\nWe started by narrating an ancient Sufi story to the children called the ‘City of Ghor’, \r\nwhich is part of the childhood imagination of Indian children around the world. The story recounts a city of blind people and their encounters with an elephant. Through the process of describing, these blind people illustrate diverging and individual experiences of a single encounter. However since they had felt only a part of the elephant they arrived at an incomplete understanding with opposing conclusions on what the elephant was like.\r\nCiting examples from world politics we spoke about how wars are held because of the rigidity with which we hold on to our own perspective and are often unsympathetic towards the perspectives of others. For the workshop we handed out pieces of board in undefined/amoeboid forms to the children and asked them to render their notions of the world. While each one made their interpretation out of their own world view, the narrative of the story was used to direct them to the fact that no single notion of the world is complete and it is necessary to follow various interpretations to understand anything fully.\r\nThese later came together to form a large elephant, which was made in 5 parts and suspended in such a way that the complete form of the elephant only becomes apparent through all the contributions of the participants and only from certain vantages in the gallery.\r\nBy bringing together thoughts of children and placing them in the context of other thoughts by another set of children, the attempt was to try and create new worlds with new interpretations that are infused with a sense of individuality as well as completeness.  \r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-2.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-2.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-3.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-3.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-4.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-4.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-5.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-5.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-6.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-6.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-7.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-7.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-8.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-8.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-9.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-9.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','1224-autosave','','','2010-09-13 13:36:05','2010-09-13 13:36:05','',1224,'http://www.biggventures.com/demo/artists/1228/uncat/1224-autosave',0,'revision','',0),(1229,1,'2010-06-17 13:23:06','2010-06-17 13:23:06','<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-gallery.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-gallery.jpg\" alt=\"Subject-to-Change-Without-Notice\" title=\"Subject-to-Change-Without-Notice\" width=\"600\" height=\"400\" class=\"alignnone size-large wp-image-368\" /></a>\r\n\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<h3 class=\"canvas\">\r\nElephant-walks Art/Nature Residency\r\n<span class=\"painting\">2002\r\nWire mesh, leaves from fallen trees, pine tree cones, drift wood\r\napprox. 18ft (l) x 15 ft (b). \r\nLaurentian mountains of Quebec, \r\nCanada</span></h3>\r\n<div id=\"uniquename1\" style=\"display:block\">\r\n\r\nDesc here\r\n\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\">[more info]</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\n\r\nDesc here\r\nextended\r\n\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\">[hide info]</a>\r\n</div>\r\n<script language=\'javascript\' type=\'text/javascript\'>\r\nfunction ReverseContentDisplay(d) {\r\nif(d.length < 1) { return; 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align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-2.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-2.jpg\" width=\"550\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-3.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-3.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-4.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-4.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-5.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-5.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-6.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-6.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-7.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-7.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-8.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-8.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-9.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-9.jpg\" width=\"550\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','1224-revision-4','','','2010-06-17 13:23:06','2010-06-17 13:23:06','',1224,'http://www.biggventures.com/demo/artists/1229/uncat/1224-revision-4',0,'revision','',0),(1230,1,'2010-06-17 13:24:31','2010-06-17 13:24:31','<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-gallery.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-gallery.jpg\" alt=\"Subject-to-Change-Without-Notice\" title=\"Subject-to-Change-Without-Notice\" width=\"600\" height=\"400\" class=\"alignnone size-large wp-image-368\" /></a>\r\n\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<h3 class=\"canvas\">\r\nElephant-walks Art/Nature Residency\r\n<span class=\"painting\">2002\r\nWire mesh, leaves from fallen trees, pine tree cones, drift wood\r\napprox. 18ft (l) x 15 ft (b). \r\nLaurentian mountains of Quebec, \r\nCanada</span></h3>\r\n<div id=\"uniquename1\" style=\"display:block\">\r\n\r\nDesc here\r\n\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\">[more info]</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\n\r\nDesc here\r\nextended\r\n\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\">[hide info]</a>\r\n</div>\r\n<script language=\'javascript\' type=\'text/javascript\'>\r\nfunction ReverseContentDisplay(d) {\r\nif(d.length < 1) { return; }\r\nif(document.getElementById(d).style.display == \'none\') \r\n{\r\n  document.getElementById(d).style.display = \'block\'; \r\n  document.getElementById(\"uniquename1\").style.display = \'none\'; \r\n}  \r\nelse \r\n{ \r\n  document.getElementById(d).style.display = \'none\'; \r\n  document.getElementById(\"uniquename1\").style.display = \'block\';\r\n}\r\n}\r\n</script>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n\r\n\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-1.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-1.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-2.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-2.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-3.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-3.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-4.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-4.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-5.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-5.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-6.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-6.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-7.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-7.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-8.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-8.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-9.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-9.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','1224-revision-5','','','2010-06-17 13:24:31','2010-06-17 13:24:31','',1224,'http://www.biggventures.com/demo/artists/1230/uncat/1224-revision-5',0,'revision','',0),(1231,1,'2010-06-17 13:29:42','2010-06-17 13:29:42','<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-gallery.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-gallery.jpg\" alt=\"Subject-to-Change-Without-Notice\" title=\"Subject-to-Change-Without-Notice\" width=\"600\" height=\"400\" class=\"alignnone size-large wp-image-368\" /></a>\r\n\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<h3 class=\"canvas\">\r\nELEPHANT WALKS  \r\n<span class=\"painting\">2003\r\nCollaborative workshop by Jitish Kallat and Reena Saini Kallat at the \r\nCasula Powerhouse Arts Centre, Liverpool\r\nExhibition: Gallery 4A Sydney, \r\nAustralia</span></h3>\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nYouth Arts Project at the Casula Powerhouse Arts Centre, Liverpool, was an extension of the exhibition Indians + Cowboys.\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\">[more info]</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\nYouth Arts Project at the Casula Powerhouse Arts Centre, Liverpool, was an extension of the exhibition Indians + Cowboys.\r\nIndians + Cowboys, curated by Ruth Watson and Aaron Seeto questioned accepted ideas of cultural diversity and difference. It was conceived to illustrate the absurdity of simplifying identities into stereotypes by categorizing them on the basis of notions of cultural purity.\r\n\r\nThe Casula Powerhouse Centre is located in Liverpool, a neighbourhood where people from 150 different ethnic identities reside. For the workshop we had children from places like Iraq, Kurdistan, China, Vietnam, India etc. The potential disconnections that occur between idealized ways of seeing and describing and the ways in which individuals imagine and observe their worlds is what the work engages with. \r\nWe started by narrating an ancient Sufi story to the children called the ‘City of Ghor’, \r\nwhich is part of the childhood imagination of Indian children around the world. The story recounts a city of blind people and their encounters with an elephant. Through the process of describing, these blind people illustrate diverging and individual experiences of a single encounter. However since they had felt only a part of the elephant they arrived at an incomplete understanding with opposing conclusions on what the elephant was like.\r\n \r\nCiting examples from world politics we spoke about how wars are held because of the rigidity with which we hold on to our own perspective and are often unsympathetic towards the perspectives of others. For the workshop we handed out pieces of board in undefined/amoeboid forms to the children and asked them to render their notions of the world. While each one made their interpretation out of their own world view, the narrative of the story was used to direct them to the fact that no single notion of the world is complete and it is necessary to follow various interpretations to understand anything fully.\r\n\r\nThese later came together to form a large elephant, which was made in 5 parts and suspended in such a way that the complete form of the elephant only becomes apparent through all the contributions of the participants and only from certain vantages in the gallery.\r\nBy bringing together thoughts of children and placing them in the context of other thoughts by another set of children, the attempt was to try and create new worlds with new interpretations that are infused with a sense of individuality as well as completeness.  \r\n\r\n\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\">[hide info]</a>\r\n</div>\r\n<script language=\'javascript\' type=\'text/javascript\'>\r\nfunction ReverseContentDisplay(d) {\r\nif(d.length < 1) { return; }\r\nif(document.getElementById(d).style.display == \'none\') \r\n{\r\n  document.getElementById(d).style.display = \'block\'; \r\n  document.getElementById(\"uniquename1\").style.display = \'none\'; \r\n}  \r\nelse \r\n{ \r\n  document.getElementById(d).style.display = \'none\'; \r\n  document.getElementById(\"uniquename1\").style.display = \'block\';\r\n}\r\n}\r\n</script>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n\r\n\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-1.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-1.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-2.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-2.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-3.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-3.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-4.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-4.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-5.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-5.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-6.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-6.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-7.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-7.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-8.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-8.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-9.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-9.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','1224-revision-6','','','2010-06-17 13:29:42','2010-06-17 13:29:42','',1224,'http://www.biggventures.com/demo/artists/1231/uncat/1224-revision-6',0,'revision','',0),(1232,1,'2010-06-17 13:49:22','2010-06-17 13:49:22','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}</style><table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-gallery.jpg\" alt=\"Subject-to-Change-Without-Notice\" title=\"Subject-to-Change-Without-Notice\" width=\"600\" class=\"alignnone size-large wp-image-368\" /></a></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Colour Curtain (between shores and the seas)</span>\r\n2009 \r\nacrylic paint, rubberstamps, metal \r\nsize variable  \r\n</td>\r\n</tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>installation view,</i> , Stux Gallery, New York</span></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-2.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n<td width=\"300\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThe sculptural barricades formed with rubberstamps carry names of people who’ve been denied visas to various countries on the basis of class, culture, nationality, religion, politics etc. The works in the show collectively approach issues of global mobility, privilege and perceptions. On the one hand International travel is linked with aspirations, expectations, while on the other these are often bound with a wide set of restrictions and controls. <a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\nThe sculptural barricades formed with rubberstamps carry names of people who’ve been denied visas to various countries on the basis of class, culture, nationality, religion, politics etc. The works in the show collectively approach issues of global mobility, privilege and perceptions. On the one hand International travel is linked with aspirations, expectations, while on the other these are often bound with a wide set of restrictions and controls. \r\nEven as cultures blend with a greater movement of people and information than any moment in human history, borders have become more controlled and monitored than ever before. In the ‘Colour Curtains’ each rubberstamp is clad in patterns with colours derived from various national flags, each carrying a name of a person who’s been denied a visa. What appear like barriers or festoons of refusal can also evoke garlands that are often used to welcome guests on arrival.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table><table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody><tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-3.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-5.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td></tr><tr><td><span style=\"font-size:11px; line-height:15px;\"><i>Acknowledgement:</i> : Solanki Metal\r\nPhotography: Iris Dreams\r\n</span>\r\n</td></tr>\r\n</tbody>\r\n</table>','','','publish','open','open','','colour-curtain','','','2011-04-28 09:18:29','2011-04-28 09:18:29','',0,'http://www.biggventures.com/demo/artists/?page_id=1232',0,'page','',0),(2210,1,'2010-09-16 12:22:06','2010-09-16 12:22:06','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/2degree-lead.jpg\" alt=\"2 Degree\" title=\"2 Degree\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></a><span style=\"font-size:11px;\"><i>installation view,</i> , Campbelltown Art Center, Sydney </span></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">2 Degrees\r\n</span>2010\r\nred earthenware, henna, audio speakers\r\ndimensions variable\r\n</td></tr></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/2degree-2.jpg\" alt=\"2 Degree\" title=\"2 Degree\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td><td width=\"400\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nNot much in terms of effective policy came out of the 2009 climate conference in Copenhagen, or COP15. One figure, though, came to the forefront of most greenhouse-gas reduction conversations at COP15, and that is two degrees. Two degrees, most reputable scientists agree, is the maximum rise in temperature that we can allow, after which the climate change associated with global warming becomes potentially catastrophic. Another, equally integral relationship is also measured in degrees, where social theorists estimate that every person on the planet is six degrees or six relational steps away from every other person. But for those who share a common civilization history, could the degrees of separation be as narrow or as wide as the river that flows between them?<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...more</a>\r\n</div><div id=\"uniquename\"  style=\"display:none;\">\r\nNot much in terms of effective policy came out of the 2009 climate conference in Copenhagen, or COP15. One figure, though, came to the forefront of most greenhouse-gas reduction conversations at COP15, and that is two degrees. Two degrees, most reputable scientists agree, is the maximum rise in temperature that we can allow, after which the climate change associated with global warming becomes potentially catastrophic. Another, equally integral relationship is also measured in degrees, where social theorists estimate that every person on the planet is six degrees or six relational steps away from every other person. But for those who share a common civilization history, could the degrees of separation be as narrow or as wide as the river that flows between them?\r\nRivers have always played an important role in human history. They have been the cradle of great civilizations, the link between cultures, the boundaries of empires, the best means of transportation for trade and, at times, a barrier to invaders. And so it has been with the Indus. It is a river that gave its name to a sub-continent. Since the founding of India and Pakistan as separate states in 1947, the dispute over who should control Kashmir has been amongst the world\'s most enduring and violent conflicts. One of the many reasons behind the dispute over Kashmir is water. Kashmir is the origin point for many rivers and tributaries of the Indus River basin feeding Pakistan and India. The water dispute can be traced to the time when the British Indian Empire was partitioned. The split gave India control of the part of Kashmir that is the source of six rivers that irrigate crops in Pakistan\'s agricultural heartland of Punjab province and elsewhere. Under the 1960\'s International water sharing treaty, Pakistan has the use of the three western rivers - the Indus, Jhelum and Chenab - and India, the three eastern ones - the Sutlej, Beas and Ravi. \r\nThe Indus River Basin spanning 1,800 miles, the river and its tributaries together make up one of the largest irrigation canals in the world. The basin provides water to millions of people in northwestern India and Pakistan. Dams and canals built in order to provide hydropower and irrigation have dried up stretches of the Indus River. Water projects have further caused the displacement of people and have contributed to the destruction of the ecosystem in the Indus plain.  \r\nEven as I make my piece titled ‘2 Degrees’ with all these varied thoughts in my mind and place it  within the context of this first Asian Pacific Biennale of River System titled “The Rising…”, due to the heavy intensity monsoon, the river Indus has overflowed into its floodplain in Punjab and Sindh provinces as authorities evacuate thousands of residents in Sukkur and other cities. Due to the population growth, the people are today living in the alluvial flood plains which used to be left for the river to meander about. Today the river is angry, changing its course and as it flows down, it engulfs many of the populated areas.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/2degree-4-6.jpg\" alt=\"2 Degree\" title=\"2 Degree\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/2degree-5.jpg\" alt=\"2 Degree\" title=\"2 Degree\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/2degree-7-8.jpg\" alt=\"2 Degree\" title=\"2 Degree\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','1949-revision-6','','','2010-09-16 12:22:06','2010-09-16 12:22:06','',1949,'http://www.reenakallat.com/2210/uncat/1949-revision-6',0,'revision','',0),(1796,1,'2010-08-19 18:32:18','2010-08-19 18:32:18','<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/synonym\"><img class=\"alignnone size-medium wp-image-712\" title=\"Synonym\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/1--Synonym.jpg\" alt=\"\"  /></a> Synonym (2009)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/colour-curtain\"><img class=\"alignnone size-medium wp-image-201\" title=\"Colour-curtain\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/2--colour-curtain.jpg\" alt=\"Colour Curtain (2009)\"  /></a>Colour Curtain... (2009)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/White Heat-The Ironing Board-detailed-info\"><img class=\"alignnone size-medium wp-image-320\" title=\"Your-Mileage-May-Vary\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/3-Your-Mileage-May-Vary.jpg\" alt=\"\" /></a></span>Your Mileage May Vary (2009)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/vanishing-point\"><img class=\"alignnone size-medium wp-image-201\" title=\"Vanishing Point (2009)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/4--VanishingPoint.jpg\" alt=\"Vanishing Point (2009)\"  /></a>Vanishing Point (2009)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\" >\r\n<a href=\"http://www.reenakallat.com/moving-millimeter\"><img class=\"alignnone size-medium wp-image-712\" title=\"The Moving Millimeter (2009)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/5---The-Moving-Mil....jpg\" alt=\"The Moving Millimeter (2009)\"  /></a>The Moving Millimeter (2009)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/white-yarn-detailed-info\"><img class=\"alignnone size-medium wp-image-199\" title=\"White Yarn\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/6---white-yarn.jpg\" alt=\"White Yarn (2008)\" /></a>White Yarn...(2008)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/white-heat-the-ironing-board-detailed-info\"><img class=\"alignnone size-medium wp-image-879\" title=\"White Heat (2008)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/7--White-Heat.jpg\" alt=\"White Heat (2008)\"  /></a>White Heat...(2008)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/silt-of-seasons-1\"><img class=\"alignnone size-large wp-image-417\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/8---Crease-crevice.jpg\" alt=\"Crease / Crevice / Contour (2008)\" /></a>Crease / Crevice / Contour (2008)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/i1-detailed-info\"><img class=\"alignnone size-large wp-image-436\" title=\"Silt of Seasons I (2008)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/9--Silt-of-Seasons.jpg\" alt=\"Silt of Seasons I (2008)\"  /></a>Silt of Seasons - I (2008)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/i1-detailed-info\"><img class=\"alignnone size-large wp-image-436\" title=\"Silt of Seasons - II (2008)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/10--Silt-of-Seasons.jpg\" alt=\"Silt of Seasons - II (2008)\"  /></a>Silt of Seasons - II (2008)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/k1-detailed-info\"><img class=\"alignnone size-large wp-image-451\" title=\"Colostrum (2008)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/11---colostrum.jpg\" alt=\"Colostrum (2008)\"  /></a>Colostrum (2008)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/l1-detailed-info\"><img class=\"alignnone size-large wp-image-459\" title=\"Closet Quaries (2008)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/12---Closet-Quaries.jpg\" alt=\"Closet Quaries (2008)\" /></a>Closet Quarries (2008)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/m1-detailed-info\"><img class=\"alignnone size-medium wp-image-468\" title=\"Synonym (2007-09)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/13---synonym-2007-09.jpg\" alt=\"Synonym (2007-09)\"  /></a>Synonym (2007-09)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/n1-detailed-info\"><img class=\"alignnone size-medium wp-image-469\" title=\"Lunar Notes (2007-08)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/14--lunar-notes1.jpg\" alt=\"Lunar Notes (2007-08)\"  /></a>Lunar Notes (2007-08)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/o1-detailed-info\"><img class=\"alignnone size-medium wp-image-470\" title=\"Saline (2007)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/15---Saline.jpg\" alt=\"Saline (2007)\"  /></a>Saline (2007)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/penumbra-detailed-info\"><img class=\"alignnone size-medium wp-image-206\" title=\"Walls of the Womb (2007)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/16--Walls-of-womb.jpg\" alt=\"Walls of the Womb (2007)\"  /></a>Walls of the Womb (2007)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/memoria-mausolea-detailed-info\"><img class=\"alignnone size-medium wp-image-873\" title=\"Memoria Mausolea (2007)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/17--Memoria-Mausolea.jpg\" alt=\"Memoria Mausolea (2007)\"  /></a>Memoria Mausolea (2007)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/walls-of-the-womb-detailed-info\"><img class=\"alignnone size-medium wp-image-205\" title=\"Memoria Corona (2006)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/18--Memoria-Corona.jpg\" alt=\"Memoria Corona (2006)\"  /></a>Memoria Corona (2006)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/penumbra-detailed-info\"><img class=\"alignnone size-medium wp-image-261\" title=\"Penumbra (2006)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/19---Penumbra.jpg\" alt=\"\"  /></a>Penumbra (2006)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/saline-detailed-info\"><img class=\"alignnone size-medium wp-image-495\" title=\"Xylophone (2006)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/20--Xylophone.jpg\" alt=\"Xylophone (2006)\"  /></a>Xylophone (2006)</td>\r\n<td width=\"210\" align=\"left\" valign=\"top\" class=\"canvas1\" nowrap>\r\n<a href=\"http://www.reenakallat.com/penumbra-passage-canine-cases-detailed-info\"><img class=\"alignnone size-medium wp-image-208\" title=\"Penumbra Passage (Canine Cases)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/21--Penumbra-passage.jpg\" alt=\"Penumbra Passage (Canine Cases) (2006)\"  /></a>Penumbra Passage  (Canine Cases) (2006)</td></tr><tr><td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/memoria-corona\"><img class=\"alignnone size-medium wp-image-505\" title=\"Birds of Steel (2004)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/22--Birds-of-Steel.jpg\" alt=\"Birds of Steel (2004)\"  /></a>Birds of Steel (2004)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/birthmark-tattoos-detailed-info\"><img class=\"alignnone size-medium wp-image-207\" title=\"Blueprint: Birthmarks and Tattoos (2004)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/23---birthmarks.jpg\" alt=\"Blueprint: Birthmarks and Tattoos (2004)\"  /></a>Blueprint: Birthmarks and Tattoos (2004)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/subject-to-change-without-notice-detailed-info\"><img class=\"alignnone size-medium wp-image-204\" title=\"Sword Swallowers (2004)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/24---sword-swallowers.jpg\" alt=\"Sword Swallowers (2004)\" /></a>Sword Swallowers (2004)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/kiosk-detailed-info\"><img class=\"alignnone size-medium wp-image-517\" title=\"Kiosk (2003)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/25--kiosk.jpg\" alt=\"Kiosk (2003)\"  /></a>Kiosk (2003)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/black-flute-detailed-info\"><img class=\"alignnone size-medium wp-image-547\" title=\"Elephant Walks (2003)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/26--ElephantWalks.jpg\" alt=\"Elephant Walks (2003)\"  /></a>Elephant Walks (2003)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/reclaim-our-freedom\"><img class=\"alignnone size-medium wp-image-557\" title=\"Reclaim our Freedom (2002)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/27---reclaim-our-freedom.jpg\" alt=\"Reclaim our Freedom (2002)\" width=\"270\" height=\"214\" /></a>Reclaim our Freedom (2002)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/vanishing-point\"><img class=\"alignnone size-medium wp-image-1013\" title=\"Seven Faces of Dust (2003)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/28--seven-faces-of-dust.jpg\" alt=\"Seven Faces of Dust (2003)\"  /></a>Seven Faces of Dust (2003)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/scuptures-detailed-info\"><img class=\"alignnone size-medium wp-image-621\" title=\"Seven Degrees of Vapour… (2002)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/29---seven-degrees.jpg\" alt=\"Seven Degrees of Vapour… (2002)\"  /></a>Seven Degrees of Vapour… (2002)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/boreal\"><img class=\"alignnone size-medium wp-image-199\" title=\"Boreal Art/Nature Residency (2002)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/30--boreal.jpg\" alt=\"\" /></a>Boreal Art/Nature Residency (2002)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/billboardmural-for-the-kala-ghoda-festival-2003\"><img class=\"alignnone size-medium wp-image-977\" title=\"Pollen Patterns (2002)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/31--pollen-patterns.jpg\" alt=\"Pollen Patterns (2002)\"  /></a>Pollen Patterns (2002)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/beautiful-people\"><img class=\"alignnone size-medium wp-image-612\" title=\"Beautiful People of the… (2001)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/32-beautiful-people.jpg\" alt=\"Beautiful People of the… (2001)\"  /></a>Beautiful People of the… (2001)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/kiosk-detailed-info\"><img class=\"alignnone size-medium wp-image-537\" title=\"Orchard of home-grown secrets (1998)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/33--orchard-of-home....jpg\" alt=\"Orchard of home-grown secrets (1998)\"  /></a>Orchard of home-grown secrets (1998)</td>\r\n</tr><tr><td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/joint-family-detailed-info\"><img class=\"alignnone size-medium wp-image-199\" title=\"Joint Family (1998)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/34---Joint-Family.jpg\" alt=\"Joint Family (1998)\"  /></a>Joint Family (1998)</td>\r\n<td width=\"230\" align=\"left\" valign=\"top\" class=\"canvas1\"> \r\n<a href=\"http://www.reenakallat.com/boreal\"><img class=\"alignnone size-medium wp-image-201\" title=\"Escapades of the ladder occupants (1998)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/35---Escapades-of-the-ladde.jpg\" alt=\"Escapades of the ladder occupants (1998)\"  /></a>Escapades of the ladder occupants (1998)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/recitals-from-the-city-garden-detailed-info\"><img class=\"alignnone size-medium wp-image-712\" title=\"Recitals from the city-garden (1998)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/36---Recitals-from-the-city.jpg\" alt=\"Recitals from the city-garden (1998)\"  /></a>Recitals from the city-garden (1998)</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<!--more-->','Works','','inherit','open','open','','54-revision-282','','','2010-08-19 18:32:18','2010-08-19 18:32:18','',54,'http://www.biggventures.com/demo/artists/1796/uncat/54-revision-282',0,'revision','',0),(1793,1,'2010-08-19 18:53:50','2010-08-19 18:53:50','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-gallery.jpg\" alt=\"Subject-to-Change-Without-Notice\" title=\"Subject-to-Change-Without-Notice\" width=\"600\" class=\"alignnone size-large wp-image-368\" /></a>\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Colour Curtain (between shores and the seas)</span>\r\n2009 \r\nacrylic paint, rubberstamps, metal \r\nsize variable  \r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-2.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n<td width=\"300\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThe sculptural barricades formed with rubberstamps carry names of people who’ve been denied visas to various countries on the basis of class, culture, nationality, religion, politics etc. The works in the show collectively approach issues of global mobility, privilege and perceptions. On the one hand International travel is linked with aspirations, expectations, while on the other these are often bound with a wide set of restrictions and controls. \r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\nThe sculptural barricades formed with rubberstamps carry names of people who’ve been denied visas to various countries on the basis of class, culture, nationality, religion, politics etc. The works in the show collectively approach issues of global mobility, privilege and perceptions. On the one hand International travel is linked with aspirations, expectations, while on the other these are often bound with a wide set of restrictions and controls. \r\n\r\nEven as cultures blend with a greater movement of people and information than any moment in human history, borders have become more controlled and monitored than ever before. In the ‘Colour Curtains’ each rubberstamp is clad in patterns with colours derived from various national flags, each carrying a name of a person who’s been denied a visa. What appear like barriers or festoons of refusal can also evoke garlands that are often used to welcome guests on arrival.\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table><table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-3.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-4.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-4.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','1232-revision-8','','','2010-08-19 18:53:50','2010-08-19 18:53:50','',1232,'http://www.biggventures.com/demo/artists/1793/uncat/1232-revision-8',0,'revision','',0),(1233,1,'2010-06-17 13:49:05','2010-06-17 13:49:05','<style type=\"text/css\">\nh3.canvas  {\ncolor:#333333;\nfont-size:11px;\nfont-weight:normal;\nmargin-bottom:5px;\nmargin-left:7px;\nmargin-top:0;\npadding:0;\ntext-transform:none;\n}\n\nh2.painting  {\ncolor:#FFFFFF;\nfont-family:verdana,arial,tahoma,sans-serif;\nfont-size:11px;\nfont-weight:normal;\nmargin:0 0 10px 7px;\npadding:0;\ntext-align:left;\ntext-transform:none;\n}\n</style>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\n<tbody>\n<tr>\n<td width=\"60%\" align=\"left\" valign=\"top\">\n\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-gallery.jpg\">\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-gallery.jpg\" alt=\"Subject-to-Change-Without-Notice\" title=\"Subject-to-Change-Without-Notice\" width=\"600\" height=\"400\" class=\"alignnone size-large wp-image-368\" /></a>\n\n</td>\n<td width=\"200\" align=\"left\" valign=\"top\">\n<h3 class=\"canvas\">\nColour-curtain Art/Nature Residency\n<span class=\"painting\">2002\nWire mesh, leaves from fallen trees, pine tree cones, drift wood\napprox. 18ft (l) x 15 ft (b). \nLaurentian mountains of Quebec, \nCanada</span></h3>\n<div id=\"uniquename1\" style=\"display:block\">\n\nDesc here\n\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\">[more info]</a>\n</div>\n<div id=\"uniquename\"  style=\"display:none;\">\n\nDesc here\nextended\n\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\">[hide info]</a>\n</div>\n<script language=\'javascript\' type=\'text/javascript\'>\nfunction ReverseContentDisplay(d) {\nif(d.length < 1) { return; }\nif(document.getElementById(d).style.display == \'none\') \n{\n  document.getElementById(d).style.display = \'block\'; \n  document.getElementById(\"uniquename1\").style.display = \'none\'; \n}  \nelse \n{ \n  document.getElementById(d).style.display = \'none\'; \n  document.getElementById(\"uniquename1\").style.display = \'block\';\n}\n}\n</script>\n</td>\n</tr>\n</tbody>\n</table>\n\n\n\n\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\n<tbody>\n<tr>\n\n<td width=\"200\" align=\"left\" valign=\"top\">\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-1.jpg\">\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-1.jpg\" width=\"550\" class=\"alignnone size-large wp-image-366\" /></a>\n</td>\n\n</tr>\n</tbody>\n</table>\n\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\n<tbody>\n<tr>\n\n<td width=\"200\" align=\"left\" valign=\"top\">\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-2.jpg\">\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-2.jpg\" width=\"550\" class=\"alignnone size-large wp-image-366\" /></a>\n</td>\n\n</tr>\n</tbody>\n</table>\n\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\n<tbody>\n<tr>\n\n<td width=\"200\" align=\"left\" valign=\"top\">\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-3.jpg\">\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-3.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\n</td>\n\n</tr>\n</tbody>\n</table>\n\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\n<tbody>\n<tr>\n\n<td width=\"200\" align=\"left\" valign=\"top\">\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-4.jpg\">\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-4.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\n</td>\n\n</tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\n<tbody>\n<tr>\n\n<td width=\"200\" align=\"left\" valign=\"top\">\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-5.jpg\">\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-5.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\n</td>\n\n</tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\n<tbody>\n<tr>\n\n<td width=\"200\" align=\"left\" valign=\"top\">\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-6.jpg\">\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-6.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\n</td>\n\n</tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\n<tbody>\n<tr>\n\n<td width=\"200\" align=\"left\" valign=\"top\">\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-7.jpg\">\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-7.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\n</td>\n\n</tr>\n</tbody>\n</table>\n\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\n<tbody>\n<tr>\n\n<td width=\"200\" align=\"left\" valign=\"top\">\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-8.jpg\">\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-8.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\n</td>\n\n</tr>\n</tbody>\n</table>\n\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\n<tbody>\n<tr>\n\n<td width=\"200\" align=\"left\" valign=\"top\">\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-9.jpg\">\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-9.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\n</td>\n\n</tr>\n</tbody>\n</table>','','','inherit','open','open','','1232-revision','','','2010-06-17 13:49:05','2010-06-17 13:49:05','',1232,'http://www.biggventures.com/demo/artists/1233/uncat/1232-revision',0,'revision','',0),(1234,1,'2011-04-28 09:18:19','2011-04-28 09:18:19','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}</style><table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-gallery.jpg\" alt=\"Subject-to-Change-Without-Notice\" title=\"Subject-to-Change-Without-Notice\" width=\"600\" class=\"alignnone size-large wp-image-368\" /></a></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Colour Curtain (between shores and the seas)</span>\r\n2009 \r\nacrylic paint, rubberstamps, metal \r\nsize variable  \r\n</td>\r\n</tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>installation view,</i> , Stux Gallery, New York</span></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-2.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n<td width=\"300\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThe sculptural barricades formed with rubberstamps carry names of people who’ve been denied visas to various countries on the basis of class, culture, nationality, religion, politics etc. The works in the show collectively approach issues of global mobility, privilege and perceptions. On the one hand International travel is linked with aspirations, expectations, while on the other these are often bound with a wide set of restrictions and controls. <a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\nThe sculptural barricades formed with rubberstamps carry names of people who’ve been denied visas to various countries on the basis of class, culture, nationality, religion, politics etc. The works in the show collectively approach issues of global mobility, privilege and perceptions. On the one hand International travel is linked with aspirations, expectations, while on the other these are often bound with a wide set of restrictions and controls. \r\nEven as cultures blend with a greater movement of people and information than any moment in human history, borders have become more controlled and monitored than ever before. In the ‘Colour Curtains’ each rubberstamp is clad in patterns with colours derived from various national flags, each carrying a name of a person who’s been denied a visa. What appear like barriers or festoons of refusal can also evoke garlands that are often used to welcome guests on arrival.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table><table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody><tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-3.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-5.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td></tr><tr><td><span style=\"font-size:11px; line-height:15px;\"><i>Acknowledgement:</i> : Solanki Metal\r\nPhotography: Iris Dreams\r\n</span>\r\n</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','1232-autosave','','','2011-04-28 09:18:19','2011-04-28 09:18:19','',1232,'http://www.biggventures.com/demo/artists/1234/uncat/1232-autosave',0,'revision','',0),(2251,1,'2010-10-27 07:01:04','2010-10-27 07:01:04','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-gallery.jpg\" alt=\"Subject-to-Change-Without-Notice\" title=\"Subject-to-Change-Without-Notice\" width=\"600\" class=\"alignnone size-large wp-image-368\" /></a><span style=\"font-size:11px;\"><i>installation view,</i> , stux Gallery, New York</span></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Colour Curtain (between shores and the seas)</span>\r\n2009 \r\nacrylic paint, rubberstamps, metal \r\nsize variable  \r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-2.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n<td width=\"300\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThe sculptural barricades formed with rubberstamps carry names of people who’ve been denied visas to various countries on the basis of class, culture, nationality, religion, politics etc. The works in the show collectively approach issues of global mobility, privilege and perceptions. On the one hand International travel is linked with aspirations, expectations, while on the other these are often bound with a wide set of restrictions and controls. <a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\nThe sculptural barricades formed with rubberstamps carry names of people who’ve been denied visas to various countries on the basis of class, culture, nationality, religion, politics etc. The works in the show collectively approach issues of global mobility, privilege and perceptions. On the one hand International travel is linked with aspirations, expectations, while on the other these are often bound with a wide set of restrictions and controls. \r\nEven as cultures blend with a greater movement of people and information than any moment in human history, borders have become more controlled and monitored than ever before. In the ‘Colour Curtains’ each rubberstamp is clad in patterns with colours derived from various national flags, each carrying a name of a person who’s been denied a visa. What appear like barriers or festoons of refusal can also evoke garlands that are often used to welcome guests on arrival.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table><table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody><tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-3.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-5.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','1232-revision-15','','','2010-10-27 07:01:04','2010-10-27 07:01:04','',1232,'http://www.reenakallat.com/2251/uncat/1232-revision-15',0,'revision','',0),(2209,1,'2010-10-27 04:40:42','2010-10-27 04:40:42','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-gallery.jpg\" alt=\"Subject-to-Change-Without-Notice\" title=\"Subject-to-Change-Without-Notice\" width=\"600\" class=\"alignnone size-large wp-image-368\" /></a><span style=\"font-size:11px;\"><i>installation view,</i> Stux Gallery, New York</span></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Colour Curtain (between shores and the seas)</span>\r\n2009 \r\nacrylic paint, rubberstamps, metal \r\nsize variable  \r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-2.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n<td width=\"300\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThe sculptural barricades formed with rubberstamps carry names of people who’ve been denied visas to various countries on the basis of class, culture, nationality, religion, politics etc. The works in the show collectively approach issues of global mobility, privilege and perceptions. On the one hand International travel is linked with aspirations, expectations, while on the other these are often bound with a wide set of restrictions and controls. <a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\nThe sculptural barricades formed with rubberstamps carry names of people who’ve been denied visas to various countries on the basis of class, culture, nationality, religion, politics etc. The works in the show collectively approach issues of global mobility, privilege and perceptions. On the one hand International travel is linked with aspirations, expectations, while on the other these are often bound with a wide set of restrictions and controls. \r\nEven as cultures blend with a greater movement of people and information than any moment in human history, borders have become more controlled and monitored than ever before. In the ‘Colour Curtains’ each rubberstamp is clad in patterns with colours derived from various national flags, each carrying a name of a person who’s been denied a visa. What appear like barriers or festoons of refusal can also evoke garlands that are often used to welcome guests on arrival.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table><table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody><tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-3.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-4.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td></tr></tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-5.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','1232-revision-14','','','2010-10-27 04:40:42','2010-10-27 04:40:42','',1232,'http://www.reenakallat.com/2209/uncat/1232-revision-14',0,'revision','',0),(1235,1,'2010-06-17 13:49:22','2010-06-17 13:49:22','<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-gallery.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-gallery.jpg\" alt=\"Subject-to-Change-Without-Notice\" title=\"Subject-to-Change-Without-Notice\" width=\"600\" height=\"400\" class=\"alignnone size-large wp-image-368\" /></a>\r\n\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<h3 class=\"canvas\">\r\nColour-curtain Art/Nature Residency\r\n<span class=\"painting\">2002\r\nWire mesh, leaves from fallen trees, pine tree cones, drift wood\r\napprox. 18ft (l) x 15 ft (b). \r\nLaurentian mountains of Quebec, \r\nCanada</span></h3>\r\n<div id=\"uniquename1\" style=\"display:block\">\r\n\r\nDesc here\r\n\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\">[more info]</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\n\r\nDesc here\r\nextended\r\n\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\">[hide info]</a>\r\n</div>\r\n<script language=\'javascript\' type=\'text/javascript\'>\r\nfunction ReverseContentDisplay(d) {\r\nif(d.length < 1) { return; }\r\nif(document.getElementById(d).style.display == \'none\') \r\n{\r\n  document.getElementById(d).style.display = \'block\'; \r\n  document.getElementById(\"uniquename1\").style.display = \'none\'; \r\n}  \r\nelse \r\n{ \r\n  document.getElementById(d).style.display = \'none\'; \r\n  document.getElementById(\"uniquename1\").style.display = \'block\';\r\n}\r\n}\r\n</script>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n\r\n\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-1.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-1.jpg\" width=\"550\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-2.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-2.jpg\" width=\"550\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-3.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-3.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-4.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-4.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-5.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-5.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-6.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-6.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-7.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-7.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-8.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-8.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-9.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-9.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>','colour-curtain','','inherit','open','open','','1232-revision-2','','','2010-06-17 13:49:22','2010-06-17 13:49:22','',1232,'http://www.biggventures.com/demo/artists/1235/uncat/1232-revision-2',0,'revision','',0),(1236,1,'2010-06-17 13:52:00','2010-06-17 13:52:00','<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-gallery.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-gallery.jpg\" alt=\"Subject-to-Change-Without-Notice\" title=\"Subject-to-Change-Without-Notice\" width=\"600\" height=\"400\" class=\"alignnone size-large wp-image-368\" /></a>\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<h3 class=\"canvas\">\r\nColour Curtain (between shores and the seas)\r\n<span class=\"painting\">2009 \r\nacrylic paint, rubberstamps, metal \r\nsize variable  \r\n</span></h3>\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThe sculptural barricades formed with rubberstamps carry names of people \r\nwho’ve been denied visas to various countries on the basis of class, culture, nationality, religion, politics etc. The works in the show collectively approach issues of global mobility, privilege and perceptions. On the one hand International travel is linked with aspirations, expectations, while on the other these are often bound with a wide set of restrictions and controls. \r\n\r\nEven as cultures blend with a greater movement of people and information than any moment in human history, borders have become more controlled and monitored than ever before. In the ‘Colour Curtains’ each rubberstamp is clad in patterns with colours derived from various national flags, each carrying a name of a person who’s been denied a visa. What appear like barriers or festoons of refusal can also evoke garlands that are often used to welcome guests on arrival. \r\n\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\">[more info]</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\n\r\nDesc here\r\nextended\r\n\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\">[hide info]</a>\r\n</div>\r\n<script language=\'javascript\' type=\'text/javascript\'>\r\nfunction ReverseContentDisplay(d) {\r\nif(d.length < 1) { return; }\r\nif(document.getElementById(d).style.display == \'none\') \r\n{\r\n  document.getElementById(d).style.display = \'block\'; \r\n  document.getElementById(\"uniquename1\").style.display = \'none\'; \r\n}  \r\nelse \r\n{ \r\n  document.getElementById(d).style.display = \'none\'; \r\n  document.getElementById(\"uniquename1\").style.display = \'block\';\r\n}\r\n}\r\n</script>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n\r\n\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-1.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-1.jpg\" width=\"550\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-2.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-2.jpg\" width=\"550\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-3.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-3.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-4.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-4.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-5.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-5.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-6.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-6.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-7.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-7.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-8.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-8.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-9.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-9.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>','colour-curtain','','inherit','open','open','','1232-revision-3','','','2010-06-17 13:52:00','2010-06-17 13:52:00','',1232,'http://www.biggventures.com/demo/artists/1236/uncat/1232-revision-3',0,'revision','',0),(1237,1,'2010-06-17 13:52:16','2010-06-17 13:52:16','<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-gallery.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-gallery.jpg\" alt=\"Subject-to-Change-Without-Notice\" title=\"Subject-to-Change-Without-Notice\" width=\"600\" height=\"400\" class=\"alignnone size-large wp-image-368\" /></a>\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<h3 class=\"canvas\">\r\nColour Curtain (between shores and the seas)\r\n<span class=\"painting\">2009 \r\nacrylic paint, rubberstamps, metal \r\nsize variable  \r\n</span></h3>\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThe sculptural barricades formed with rubberstamps carry names of people \r\nwho’ve been denied visas to various countries on the basis of class, culture, nationality, religion, politics etc. The works in the show collectively approach issues of global mobility, privilege and perceptions. On the one hand International travel is linked with aspirations, expectations, while on the other these are often bound with a wide set of restrictions and controls. \r\n\r\nEven as cultures blend with a greater movement of people and information than any moment in human history, borders have become more controlled and monitored than ever before. In the ‘Colour Curtains’ each rubberstamp is clad in patterns with colours derived from various national flags, each carrying a name of a person who’s been denied a visa. What appear like barriers or festoons of refusal can also evoke garlands that are often used to welcome guests on arrival. \r\n\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\">[more info]</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\n\r\nDesc here\r\nextended\r\n\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\">[hide info]</a>\r\n</div>\r\n<script language=\'javascript\' type=\'text/javascript\'>\r\nfunction ReverseContentDisplay(d) {\r\nif(d.length < 1) { return; }\r\nif(document.getElementById(d).style.display == \'none\') \r\n{\r\n  document.getElementById(d).style.display = \'block\'; \r\n  document.getElementById(\"uniquename1\").style.display = \'none\'; \r\n}  \r\nelse \r\n{ \r\n  document.getElementById(d).style.display = \'none\'; \r\n  document.getElementById(\"uniquename1\").style.display = \'block\';\r\n}\r\n}\r\n</script>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n\r\n\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-1.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-1.jpg\" width=\"550\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-2.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-2.jpg\" width=\"550\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-3.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-3.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-4.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-4.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-5.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-5.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-6.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-6.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-7.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-7.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-8.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-8.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-9.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-9.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','1232-revision-4','','','2010-06-17 13:52:16','2010-06-17 13:52:16','',1232,'http://www.biggventures.com/demo/artists/1237/uncat/1232-revision-4',0,'revision','',0),(1238,1,'2010-06-17 14:06:56','2010-06-17 14:06:56','<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\"><tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-gallery.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-gallery.jpg\" alt=\"Subject-to-Change-Without-Notice\" title=\"Subject-to-Change-Without-Notice\" width=\"600\" height=\"400\" class=\"alignnone size-large wp-image-368\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Synonym\r\n</span>2009\r\nacrylic paint, rubberstamps, plexiglass\r\n60 x 45 in. I 152 x 114 cm\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>installation view,</i> Stux Gallery, New York</span></tr></td>\r\n<tr><td>&nbsp;</td></tr></tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\"><tbody><tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-1.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr></tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\"><tbody><tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-3-4.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a></td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\"><tbody><tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-3-detail.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a><span style=\"font-size:11px;\"><i>detail</i></span></td>\r\n</tr><tr><td>&nbsp;</td></tr></tbody></table>','','','publish','open','open','','synonym','','','2010-10-29 09:37:10','2010-10-29 09:37:10','',0,'http://www.biggventures.com/demo/artists/synonym',0,'page','',0),(2244,1,'2010-10-28 07:47:47','2010-10-28 07:47:47','<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\"><tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-gallery.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-gallery.jpg\" alt=\"Subject-to-Change-Without-Notice\" title=\"Subject-to-Change-Without-Notice\" width=\"600\" height=\"400\" class=\"alignnone size-large wp-image-368\" /></a><span style=\"font-size:11px;\"><i>installation view,</i> Stux Gallery, New York</span></td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Synonym\r\n</span>2009\r\nacrylic paint, rubberstamps, plexiglass\r\n60 x 45 in. I 152 x 114 cm\r\n</td></tr><tr><td>&nbsp;</td></tr></tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\"><tbody><tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-1.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr></tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\"><tbody><tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-3-4.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a></td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\"><tbody><tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-3-detail.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a><span style=\"font-size:11px;\"><i>detail</i></span></td>\r\n</tr><tr><td>&nbsp;</td></tr></tbody></table>','','','inherit','open','open','','1238-revision-8','','','2010-10-28 07:47:47','2010-10-28 07:47:47','',1238,'http://www.reenakallat.com/2244/uncat/1238-revision-8',0,'revision','',0),(1937,1,'2010-07-22 11:28:49','2010-07-22 11:28:49','<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Walls-of-the-womb.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Walls-of-the-womb.jpg\" alt=\"Walls-of-the-womb\" title=\"Walls-of-the-womb\" width=\"703\" class=\"alignnone size-full wp-image-375\" /></a>\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<h3 class=\"canvas1\">\r\nWalls of the womb\r\n<span class=\"painting\">2007\r\n<br>Tied-and-dyed silk, brass, bonded marble, handwritten recipe books\r\n594 x 114 cm each\r\n</span></h3>\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThis series, unlike most of my other works, is autobiographical in nature and has perhaps taken me the longest period of time to articulate into communicable form.\r\n\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\">[more info]</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\nThis series, unlike most of my other works, is autobiographical in nature and has perhaps taken me the longest period of time to articulate into communicable form.\r\nMy relationship with my mother, who I lost when I was 8 years of age, has been built around the objects she left behind; those sewn by her, stuffed toys she made me, photo-albums, her personal books, stories narrated to me by other family members, besides my own faint recollections. I’ve spent a good part of my childhood going through my mother’s personal belongings such as her sarees, cosmetics, bags, sometimes bringing them out of closed cupboards to look at, while at other times trying them on myself.  \r\n\r\nI arrived at this work through the frequent contact with my mother’s sarees that have remained stacked inside a cupboard for over 27 years.\r\n\r\nThe work comprises of 12 sarees dyed in shades of red, such that through the process of tie and dye, the un-dyed dotted areas remain white, where the untreated virgin fabric forms a text in Braille. The text laid on these sarees seen in reverse print, are translations of recipes from my mothers hand written recipe books.   \r\n\r\nThe associations with motherhood are carried through the symbolic usage of the saree and the recipes from my mother’s books extend it further by evoking notions of nurturing and nourishing. With my recent role as a mother I find myself having come full circle, inadvertently re-establishing contact with a past I’d tried hard to put behind me.\r\n\r\nThe sarees, while beautiful, remain illegible. The dotted patterns forming the script in braille disallow easy access to the content of the text, much like the relationship with my mother that is built on fragments of inscrutable memory.\r\n\r\n\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\">[hide info]</a>\r\n</div>\r\n\r\n<script language=\'javascript\' type=\'text/javascript\'>\r\nfunction ReverseContentDisplay(d) {\r\nif(d.length < 1) { return; }\r\nif(document.getElementById(d).style.display == \'none\')\r\n{\r\n  document.getElementById(d).style.display = \'block\';\r\n  document.getElementById(\"uniquename1\").style.display = \'none\';\r\n} \r\nelse\r\n{\r\n  document.getElementById(d).style.display = \'none\';\r\n  document.getElementById(\"uniquename1\").style.display = \'block\';\r\n}\r\n}\r\n</script>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n\r\n\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/walls_of_womb_work.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/walls_of_womb_work3.jpg\" alt=\"Making of walls of womb-1\" title=\"Making-1\" width=\"703\"  class=\"aligncenter size-large wp-image-857\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/walls_of_womb_work.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/walls_of_womb_work4.jpg\" alt=\"Making of walls of womb-1\" title=\"Making-1\" width=\"703\"  class=\"aligncenter size-large wp-image-857\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/walls_of_womb_work.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/walls_of_womb_work5.jpg\" alt=\"Making of walls of womb-1\" title=\"Making-1\" width=\"703\"  class=\"aligncenter size-large wp-image-857\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Walls-of-the-womb-detail.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Walls-of-the-womb-detail-703x1024.jpg\" alt=\"Walls-of-the-womb-detail\" title=\"Walls-of-the-womb-detail\" width=\"703\" height=\"1024\" class=\"alignnone size-large wp-image-374\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/walls_of_womb_work.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/walls_of_womb_work.jpg\" alt=\"Making of walls of womb-1\" title=\"Making-1\" width=\"703\" height=\"1600\" class=\"aligncenter size-large wp-image-857\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table><ins datetime=\"2010-06-16T18:26:32+00:00\">','','','inherit','open','open','','373-revision-26','','','2010-07-22 11:28:49','2010-07-22 11:28:49','',373,'http://www.biggventures.com/demo/artists/1937/uncat/373-revision-26',0,'revision','',0),(1239,1,'2010-06-17 14:05:04','2010-06-17 14:05:04','<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-gallery.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-gallery.jpg\" alt=\"Subject-to-Change-Without-Notice\" title=\"Subject-to-Change-Without-Notice\" width=\"600\" height=\"400\" class=\"alignnone size-large wp-image-368\" /></a>\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<h3 class=\"canvas\">\r\nColour Curtain (between shores and the seas)\r\n<span class=\"painting\">2009 \r\nacrylic paint, rubberstamps, metal \r\nsize variable  \r\n</span></h3>\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThe sculptural barricades formed with rubberstamps carry names of people \r\nwho’ve been denied visas to various countries on the basis of class, culture, nationality, religion, politics etc. The works in the show collectively approach issues of global mobility, privilege and perceptions. On the one hand International travel is linked with aspirations, expectations, while on the other these are often bound with a wide set of restrictions and controls. \r\n\r\nEven as cultures blend with a greater movement of people and information than any moment in human history, borders have become more controlled and monitored than ever before. In the ‘Colour Curtains’ each rubberstamp is clad in patterns with colours derived from various national flags, each carrying a name of a person who’s been denied a visa. What appear like barriers or festoons of refusal can also evoke garlands that are often used to welcome guests on arrival. \r\n\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\">[more info]</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\n\r\nDesc here\r\nextended\r\n\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\">[hide info]</a>\r\n</div>\r\n<script language=\'javascript\' type=\'text/javascript\'>\r\nfunction ReverseContentDisplay(d) {\r\nif(d.length < 1) { return; }\r\nif(document.getElementById(d).style.display == \'none\') \r\n{\r\n  document.getElementById(d).style.display = \'block\'; \r\n  document.getElementById(\"uniquename1\").style.display = \'none\'; \r\n}  \r\nelse \r\n{ \r\n  document.getElementById(d).style.display = \'none\'; \r\n  document.getElementById(\"uniquename1\").style.display = \'block\';\r\n}\r\n}\r\n</script>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n\r\n\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-1.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-1.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-2.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-2.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-3.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-3.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-4.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-4.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-5.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-5.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-6.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-6.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-7.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-7.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-8.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-8.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-9.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-9.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','1232-revision-5','','','2010-06-17 14:05:04','2010-06-17 14:05:04','',1232,'http://www.biggventures.com/demo/artists/1239/uncat/1232-revision-5',0,'revision','',0),(1240,1,'2010-06-17 14:06:56','2010-06-17 14:06:56','<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-gallery.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-gallery.jpg\" alt=\"Subject-to-Change-Without-Notice\" title=\"Subject-to-Change-Without-Notice\" width=\"600\" height=\"400\" class=\"alignnone size-large wp-image-368\" /></a>\r\n\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<h3 class=\"canvas\">\r\nSynonym\r\n<span class=\"painting\">2009\r\n</span></h3>\r\n<div id=\"uniquename1\" style=\"display:block\">\r\n\r\nDesc here\r\n\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\">[more info]</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\n\r\nDesc here\r\nextended\r\n\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\">[hide info]</a>\r\n</div>\r\n<script language=\'javascript\' type=\'text/javascript\'>\r\nfunction ReverseContentDisplay(d) {\r\nif(d.length < 1) { return; }\r\nif(document.getElementById(d).style.display == \'none\') \r\n{\r\n  document.getElementById(d).style.display = \'block\'; \r\n  document.getElementById(\"uniquename1\").style.display = \'none\'; \r\n}  \r\nelse \r\n{ \r\n  document.getElementById(d).style.display = \'none\'; \r\n  document.getElementById(\"uniquename1\").style.display = \'block\';\r\n}\r\n}\r\n</script>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n\r\n\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-1.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-1.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-2.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-2.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-3.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-3.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-4.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-4.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-5.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-5.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-6.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-6.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-7.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-7.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-8.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-8.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-9.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-9.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>','synonym','','inherit','open','open','','1238-revision','','','2010-06-17 14:06:56','2010-06-17 14:06:56','',1238,'http://www.biggventures.com/demo/artists/1240/uncat/1238-revision',0,'revision','',0),(1241,1,'2010-10-29 09:36:49','2010-10-29 09:36:49','<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\"><tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-gallery.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-gallery.jpg\" alt=\"Subject-to-Change-Without-Notice\" title=\"Subject-to-Change-Without-Notice\" width=\"600\" height=\"400\" class=\"alignnone size-large wp-image-368\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Synonym\r\n</span>2009\r\nacrylic paint, rubberstamps, plexiglass\r\n60 x 45 in. I 152 x 114 cm\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>installation view,</i> Stux Gallery, New York</span></tr></td>\r\n<tr><td>&nbsp;</td></tr></tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\"><tbody><tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-1.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr></tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\"><tbody><tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-3-4.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a></td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\"><tbody><tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-3-detail.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a><span style=\"font-size:11px;\"><i>detail</i></span></td>\r\n</tr><tr><td>&nbsp;</td></tr></tbody></table>','','','inherit','open','open','','1238-autosave','','','2010-10-29 09:36:49','2010-10-29 09:36:49','',1238,'http://www.biggventures.com/demo/artists/1241/uncat/1238-autosave',0,'revision','',0),(1936,1,'2010-09-14 18:33:35','2010-09-14 18:33:35','<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-gallery.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-gallery.jpg\" alt=\"Subject-to-Change-Without-Notice\" title=\"Subject-to-Change-Without-Notice\" width=\"600\" height=\"400\" class=\"alignnone size-large wp-image-368\" /></a><span style=\"font-size:11px;\"><i>installation view,</i> Stux Gallery, New York</span></td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Synonym\r\n</span>2009</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-1.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-3-4.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-3-detail.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-4.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-5.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-6.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-7.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-8.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-9.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','1238-revision-4','','','2010-09-14 18:33:35','2010-09-14 18:33:35','',1238,'http://www.biggventures.com/demo/artists/1936/uncat/1238-revision-4',0,'revision','',0),(1935,1,'2010-06-17 14:09:11','2010-06-17 14:09:11','<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-gallery.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-gallery.jpg\" alt=\"Subject-to-Change-Without-Notice\" title=\"Subject-to-Change-Without-Notice\" width=\"600\" height=\"400\" class=\"alignnone size-large wp-image-368\" /></a>\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<h3 class=\"canvas1\">\r\n\r\n\r\nSynonym\r\n<span class=\"painting\">2009\r\n</span></h3>\r\n<div id=\"uniquename1\" style=\"display:block\">\r\n\r\nDesc here\r\n\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\">[more info]</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\n\r\nDesc here\r\nextended\r\n\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\">[hide info]</a>\r\n</div>\r\n<script language=\'javascript\' type=\'text/javascript\'>\r\nfunction ReverseContentDisplay(d) {\r\nif(d.length < 1) { return; }\r\nif(document.getElementById(d).style.display == \'none\') \r\n{\r\n  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href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-2.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-2.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-3.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-3.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-4.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-4.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-5.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-5.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-6.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-6.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-7.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-7.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-8.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-8.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-9.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-9.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','1238-revision-3','','','2010-06-17 14:09:11','2010-06-17 14:09:11','',1238,'http://www.biggventures.com/demo/artists/1935/uncat/1238-revision-3',0,'revision','',0),(1242,1,'2010-06-17 14:07:41','2010-06-17 14:07:41','<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-gallery.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-gallery.jpg\" alt=\"Subject-to-Change-Without-Notice\" title=\"Subject-to-Change-Without-Notice\" width=\"600\" height=\"400\" class=\"alignnone size-large wp-image-368\" /></a>\r\n\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<h3 class=\"canvas\">\r\nSynonym\r\n<span class=\"painting\">2009\r\n</span></h3>\r\n<div id=\"uniquename1\" style=\"display:block\">\r\n\r\nDesc here\r\n\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\">[more info]</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\n\r\nDesc here\r\nextended\r\n\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\">[hide info]</a>\r\n</div>\r\n<script language=\'javascript\' type=\'text/javascript\'>\r\nfunction ReverseContentDisplay(d) {\r\nif(d.length < 1) { return; }\r\nif(document.getElementById(d).style.display == \'none\') \r\n{\r\n  document.getElementById(d).style.display = \'block\'; \r\n  document.getElementById(\"uniquename1\").style.display = \'none\'; \r\n}  \r\nelse \r\n{ \r\n  document.getElementById(d).style.display = \'none\'; \r\n  document.getElementById(\"uniquename1\").style.display = \'block\';\r\n}\r\n}\r\n</script>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n\r\n\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-1.jpg\">\r\n<img 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/></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-4.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-4.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-5.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-5.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-6.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-6.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-7.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-7.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-8.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-8.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-9.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-9.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','1238-revision-2','','','2010-06-17 14:07:41','2010-06-17 14:07:41','',1238,'http://www.biggventures.com/demo/artists/1242/uncat/1238-revision-2',0,'revision','',0),(1243,1,'2010-06-17 14:12:00','2010-06-17 14:12:00','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style>h3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style><table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr><td width=\"60%\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-gallery.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-gallery.jpg\" alt=\"Subject-to-Change-Without-Notice\" title=\"Subject-to-Change-Without-Notice\" width=\"600\" class=\"alignnone size-large wp-image-368\" /></a>\r\n</td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Your Mileage May Vary</span>\r\n2009\r\nacrylic paint, archival inks on handmade paper\r\n37 x 54 in. I 94 x 137 cm</td>\r\n</tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>installation view,</i> Stux Gallery, New York</span></td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-4.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a></td><td width=\"300\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nIn the paper works the twin forms of maps and mazes are overlaid by stamping names of people who have been denied visas for traveling to other countries. These are often on the basis of class, culture, nation, religion, politics etc. \r\nEven as cultures blend with a greater movement of people and information than any moment in human history, borders have become more controlled and monitored than ever before.\r\nThe maze has a structure and a format while the painted maps almost seem like a result of an accidental spill. In some of these works flight air-routes formed by names of those who\'ve been denied access are superimposed on painted maps, while in the mazes the same names clog the passage ways and are overlaid with spills and blots that appear map like.\r\n</div>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-2.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody><tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-3.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody><tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-5.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-5.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table>','','','publish','open','open','','your-mileage-gallery','','','2010-11-24 17:21:57','2010-11-24 17:21:57','',0,'http://www.biggventures.com/demo/artists/your-mileage-gallery',0,'page','',0),(2280,1,'2010-08-16 09:12:07','2010-08-16 09:12:07','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script><!-- h3.canvas  { color:#333333; font-size:11px; font-weight:normal; margin-bottom:5px; margin-left:7px; margin-top:0; padding:0; text-transform:none; } h2.painting  { color:#FFFFFF; font-family:verdana,arial,tahoma,sans-serif; font-size:11px; font-weight:normal; margin:0 0 10px 7px; padding:0; text-align:left; text-transform:none; } -->\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\" style=\"padding-top:4px;\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/05_resized_gallery_view.jpg\"><img class=\"alignnone size-full wp-image-1013\" title=\"vanishing point\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/05_resized_gallery_view.jpg\" alt=\"vanishing point\" width=\"600\"  /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Vanishing Point</span>\r\n2009\r\nblackboard, paint, chalk, printed texts\r\ndimension variable\r\nInteractive work made for children during the Bandra Festival, Mumbai\r\n</td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"400\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/05/vanishing-point2.jpg\"><img class=\"alignnone size-full wp-image-1015\" title=\"vanishing-point\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/vanishing-point2.jpg\" alt=\"vanishing-point\"  /></a>\r\n</td><td width=\"300\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\"><div id=\"uniquename1\" style=\"display: block; width:400px;\">The project was an attempt to engage children by raising awareness about endangered species of plants and animals; those that face the risk of extinction, often threatened by changing environmental or predation parameters.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;width:400px;\">The project was an attempt to engage children by raising awareness about endangered species of plants and animals; those that face the risk of extinction, often threatened by changing environmental or predation parameters.Through simple playful means such as…more joining-the-dots or colouring, the animal forms on the 12 blackboard panels reveal and conceal as the children draw and erase them. By fading in and out of focus they remind us of how we can be active contributors in either destroying or restoring our immediate habitat.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div>\r\n</td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/vanishing-point3.jpg\"><img class=\"alignnone size-full wp-image-1016\" title=\"vanishing-point\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/vanishing-point3.jpg\" alt=\"vanishing-point\"  /></a></td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/05/vanishing-point4.jpg\"><img class=\"alignnone size-full wp-image-1017\" title=\"vanishing-point4\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/vanishing-point4.jpg\" alt=\"vanishing-point\"  /></a></td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/05/vanishing5.jpg\"><img class=\"alignnone size-full wp-image-1018\" title=\"vanishing point\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/vanishing-point5.jpg\" alt=\"vanishing point\" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','1012-revision-29','','','2010-08-16 09:12:07','2010-08-16 09:12:07','',1012,'http://www.reenakallat.com/2280/uncat/1012-revision-29',0,'revision','',0),(1825,1,'2010-08-19 21:24:57','2010-08-19 21:24:57','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-gallery.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-gallery.jpg\" alt=\"Subject-to-Change-Without-Notice\" title=\"Subject-to-Change-Without-Notice\" width=\"600\" class=\"alignnone size-large wp-image-368\" /></a>\r\n</td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Your Mileage May Vary</span>\r\n2009\r\nacrylic paint, archival inks on handmade paper\r\n54 x 37 inches\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-4.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a></td>\r\n<td width=\"300\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nIn the paper works the twin forms of maps and mazes are overlaid by stamping names of people who have been denied visas for traveling to other countries.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888\">more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\nIn the paper works the twin forms of maps and mazes are overlaid by stamping names of people who have been denied visas for traveling to other countries. These are often on the basis of class, culture, nation, religion, politics etc. \r\nEven as cultures blend with a greater movement of people and information than any moment in human history, borders have become more controlled and monitored than ever before.\r\nThe maze has a structure and a format while the painted maps almost seem like a result of an accidental spill. In some of these works flight air-routes formed by names of those who\'ve been denied access are superimposed on painted maps, while in the mazes the same names clog the passage ways and are overlaid with spills and blots that appear map like.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\"  style=\"color:#888888\">...hide</a>\r\n</div></td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-2.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody><tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-3.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody><tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-5.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-5.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-6.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-6.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody><tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-7.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-7.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-8.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-8.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody><tr><td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-9.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-9.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','1243-revision-7','','','2010-08-19 21:24:57','2010-08-19 21:24:57','',1243,'http://www.biggventures.com/demo/artists/1825/uncat/1243-revision-7',0,'revision','',0),(1247,1,'2010-06-17 14:15:10','2010-06-17 14:15:10','<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-gallery.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-gallery.jpg\" alt=\"Subject-to-Change-Without-Notice\" title=\"Subject-to-Change-Without-Notice\" width=\"600\" height=\"400\" class=\"alignnone size-large wp-image-368\" /></a>\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<h3 class=\"canvas\">\r\n\r\nYour Mileage May Vary\r\n<span class=\"painting	\">2009\r\nacrylic paint, archival inks on handmade paper\r\n54 x 37 inches\r\n\r\n</span></h3>\r\n<div id=\"uniquename1\" style=\"display:block\">\r\n\r\nIn the paper works the twin forms of maps and mazes are overlaid by stamping names of people who have been denied visas for traveling to other countries. \r\n\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\">[more info]</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\n\r\nIn the paper works the twin forms of maps and mazes are overlaid by stamping names of people who have been denied visas for traveling to other countries. \r\nThese are often on the basis of class, culture, nation, religion, politics etc. \r\n\r\nEven as cultures blend with a greater movement of people and information than any moment in human history, borders have become more controlled and monitored than ever before \r\nThe maze has a structure and a format while the painted maps almost seem like a result of an accidental spill. In some of these works flight air-routes formed by names of those who\'ve been denied access are superimposed on painted maps, while in the mazes the same names clog the passage ways and are overlaid with spills and blots that appear map like.\r\n\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\">[hide info]</a>\r\n</div>\r\n<script language=\'javascript\' type=\'text/javascript\'>\r\nfunction ReverseContentDisplay(d) {\r\nif(d.length < 1) { return; }\r\nif(document.getElementById(d).style.display == \'none\') \r\n{\r\n  document.getElementById(d).style.display = \'block\'; \r\n  document.getElementById(\"uniquename1\").style.display = \'none\'; \r\n}  \r\nelse \r\n{ \r\n  document.getElementById(d).style.display = \'none\'; \r\n  document.getElementById(\"uniquename1\").style.display = \'block\';\r\n}\r\n}\r\n</script>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n\r\n\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-1.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-1.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-2.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-2.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-3.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-3.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-4.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-4.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-5.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-5.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-6.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-6.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-7.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-7.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-8.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-8.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-9.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-9.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','1243-revision-4','','','2010-06-17 14:15:10','2010-06-17 14:15:10','',1243,'http://www.biggventures.com/demo/artists/1247/uncat/1243-revision-4',0,'revision','',0),(1244,1,'2010-06-17 14:12:00','2010-06-17 14:12:00','<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-gallery-gallery.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-gallery-gallery.jpg\" alt=\"Subject-to-Change-Without-Notice\" title=\"Subject-to-Change-Without-Notice\" width=\"600\" height=\"400\" class=\"alignnone size-large wp-image-368\" /></a>\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<h3 class=\"canvas\">\r\n\r\nYour Mileage May Vary\r\n<span class=\"painting	\">2009\r\nacrylic paint, archival inks on handmade paper\r\n54 x 37 inches\r\n\r\n</span></h3>\r\n<div id=\"uniquename1\" style=\"display:block\">\r\n\r\nIn the paper works the twin forms of maps and mazes are overlaid by stamping names of people who have been denied visas for traveling to other countries. \r\n\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\">[more info]</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\n\r\nIn the paper works the twin forms of maps and mazes are overlaid by stamping names of people who have been denied visas for traveling to other countries. \r\nThese are often on the basis of class, culture, nation, religion, politics etc. \r\n\r\nEven as cultures blend with a greater movement of people and information than any moment in human history, borders have become more controlled and monitored than ever before \r\nThe maze has a structure and a format while the painted maps almost seem like a result of an accidental spill. In some of these works flight air-routes formed by names of those who\'ve been denied access are superimposed on painted maps, while in the mazes the same names clog the passage ways and are overlaid with spills and blots that appear map like.\r\n\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\">[hide info]</a>\r\n</div>\r\n<script language=\'javascript\' type=\'text/javascript\'>\r\nfunction ReverseContentDisplay(d) {\r\nif(d.length < 1) { return; }\r\nif(document.getElementById(d).style.display == \'none\') \r\n{\r\n  document.getElementById(d).style.display = \'block\'; \r\n  document.getElementById(\"uniquename1\").style.display = \'none\'; \r\n}  \r\nelse \r\n{ \r\n  document.getElementById(d).style.display = \'none\'; \r\n  document.getElementById(\"uniquename1\").style.display = \'block\';\r\n}\r\n}\r\n</script>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n\r\n\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" 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href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-gallery-5.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-gallery-5.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-gallery-6.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-gallery-6.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-gallery-7.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-gallery-7.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-gallery-8.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-gallery-8.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-gallery-9.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-gallery-9.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>','your-mileage-gallery','','inherit','open','open','','1243-revision','','','2010-06-17 14:12:00','2010-06-17 14:12:00','',1243,'http://www.biggventures.com/demo/artists/1244/uncat/1243-revision',0,'revision','',0),(1245,1,'2010-06-17 14:12:39','2010-06-17 14:12:39','<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-gallery-gallery.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-gallery-gallery.jpg\" alt=\"Subject-to-Change-Without-Notice\" title=\"Subject-to-Change-Without-Notice\" width=\"600\" height=\"400\" class=\"alignnone size-large wp-image-368\" /></a>\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<h3 class=\"canvas\">\r\n\r\nYour Mileage May Vary\r\n<span class=\"painting	\">2009\r\nacrylic paint, archival inks on handmade paper\r\n54 x 37 inches\r\n\r\n</span></h3>\r\n<div id=\"uniquename1\" style=\"display:block\">\r\n\r\nIn the paper works the twin forms of maps and mazes are overlaid by stamping names of people who have been denied visas for traveling to other countries. \r\n\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\">[more info]</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\n\r\nIn the paper works the twin forms of maps and mazes are overlaid by stamping names of people who have been denied visas for traveling to other countries. \r\nThese are often on the basis of class, culture, nation, religion, politics etc. \r\n\r\nEven as cultures blend with a greater movement of people and information than any moment in human history, borders have become more controlled and monitored than ever before \r\nThe maze has a structure and a format while the painted maps almost seem like a result of an accidental spill. In some of these works flight air-routes formed by names of those who\'ve been denied access are superimposed on painted maps, while in the mazes the same names clog the passage ways and are overlaid with spills and blots that appear map like.\r\n\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\">[hide info]</a>\r\n</div>\r\n<script language=\'javascript\' type=\'text/javascript\'>\r\nfunction ReverseContentDisplay(d) {\r\nif(d.length < 1) { return; }\r\nif(document.getElementById(d).style.display == \'none\') \r\n{\r\n  document.getElementById(d).style.display = \'block\'; \r\n  document.getElementById(\"uniquename1\").style.display = \'none\'; \r\n}  \r\nelse \r\n{ \r\n  document.getElementById(d).style.display = \'none\'; \r\n  document.getElementById(\"uniquename1\").style.display = \'block\';\r\n}\r\n}\r\n</script>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n\r\n\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-gallery-1.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-gallery-1.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-gallery-2.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-gallery-2.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-gallery-3.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-gallery-3.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-gallery-4.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-gallery-4.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-gallery-5.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-gallery-5.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-gallery-6.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-gallery-6.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-gallery-7.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-gallery-7.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-gallery-8.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-gallery-8.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-gallery-9.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-gallery-9.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','1243-revision-2','','','2010-06-17 14:12:39','2010-06-17 14:12:39','',1243,'http://www.biggventures.com/demo/artists/1245/uncat/1243-revision-2',0,'revision','',0),(1246,1,'2010-06-17 14:12:57','2010-06-17 14:12:57','<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-gallery-gallery.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-gallery-gallery.jpg\" alt=\"Subject-to-Change-Without-Notice\" title=\"Subject-to-Change-Without-Notice\" width=\"600\" height=\"400\" class=\"alignnone size-large wp-image-368\" /></a>\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<h3 class=\"canvas\">\r\n\r\n\r\nYour Mileage May Vary\r\n<span class=\"painting	\">2009\r\nacrylic paint, archival inks on handmade paper\r\n54 x 37 inches\r\n\r\n</span></h3>\r\n<div id=\"uniquename1\" style=\"display:block\">\r\n\r\nIn the paper works the twin forms of maps and mazes are overlaid by stamping names of people who have been denied visas for traveling to other countries. \r\n\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\">[more info]</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\n\r\nIn the paper works the twin forms of maps and mazes are overlaid by stamping names of people who have been denied visas for traveling to other countries. \r\nThese are often on the basis of class, culture, nation, religion, politics etc. \r\n\r\nEven as cultures blend with a greater movement of people and information than any moment in human history, borders have become more controlled and monitored than ever before \r\nThe maze has a structure and a format while the painted maps almost seem like a result of an accidental spill. In some of these works flight air-routes formed by names of those who\'ve been denied access are superimposed on painted maps, while in the mazes the same names clog the passage ways and are overlaid with spills and blots that appear map like.\r\n\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\">[hide info]</a>\r\n</div>\r\n<script language=\'javascript\' type=\'text/javascript\'>\r\nfunction ReverseContentDisplay(d) {\r\nif(d.length < 1) { return; }\r\nif(document.getElementById(d).style.display == \'none\') \r\n{\r\n  document.getElementById(d).style.display = \'block\'; \r\n  document.getElementById(\"uniquename1\").style.display = \'none\'; \r\n}  \r\nelse \r\n{ \r\n  document.getElementById(d).style.display = \'none\'; \r\n  document.getElementById(\"uniquename1\").style.display = \'block\';\r\n}\r\n}\r\n</script>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n\r\n\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-gallery-1.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-gallery-1.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-gallery-2.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-gallery-2.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-gallery-3.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-gallery-3.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-gallery-4.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-gallery-4.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-gallery-5.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-gallery-5.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-gallery-6.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-gallery-6.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-gallery-7.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-gallery-7.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-gallery-8.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-gallery-8.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-gallery-9.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-gallery-9.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','1243-revision-3','','','2010-06-17 14:12:57','2010-06-17 14:12:57','',1243,'http://www.biggventures.com/demo/artists/1246/uncat/1243-revision-3',0,'revision','',0),(1248,1,'2010-06-17 14:15:38','2010-06-17 14:15:38','<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-gallery.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-gallery.jpg\" alt=\"Subject-to-Change-Without-Notice\" title=\"Subject-to-Change-Without-Notice\" width=\"600\" height=\"400\" class=\"alignnone size-large wp-image-368\" /></a>\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<h3 class=\"canvas\">\r\n\r\n\r\n\r\nYour Mileage May Vary\r\n<span class=\"painting	\">2009\r\nacrylic paint, archival inks on handmade paper\r\n54 x 37 inches\r\n\r\n</span></h3>\r\n<div id=\"uniquename1\" style=\"display:block\">\r\n\r\nIn the paper works the twin forms of maps and mazes are overlaid by stamping names of people who have been denied visas for traveling to other countries. \r\n\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\">[more info]</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\n\r\nIn the paper works the twin forms of maps and mazes are overlaid by stamping names of people who have been denied visas for traveling to other countries. \r\nThese are often on the basis of class, culture, nation, religion, politics etc. \r\n\r\nEven as cultures blend with a greater movement of people and information than any moment in human history, borders have become more controlled and monitored than ever before \r\nThe maze has a structure and a format while the painted maps almost seem like a result of an accidental spill. In some of these works flight air-routes formed by names of those who\'ve been denied access are superimposed on painted maps, while in the mazes the same names clog the passage ways and are overlaid with spills and blots that appear map like.\r\n\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\">[hide info]</a>\r\n</div>\r\n<script language=\'javascript\' type=\'text/javascript\'>\r\nfunction ReverseContentDisplay(d) {\r\nif(d.length < 1) { return; }\r\nif(document.getElementById(d).style.display == \'none\') \r\n{\r\n  document.getElementById(d).style.display = \'block\'; \r\n  document.getElementById(\"uniquename1\").style.display = \'none\'; \r\n}  \r\nelse \r\n{ \r\n  document.getElementById(d).style.display = \'none\'; \r\n  document.getElementById(\"uniquename1\").style.display = \'block\';\r\n}\r\n}\r\n</script>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n\r\n\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-1.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-1.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-2.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-2.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-3.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-3.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-4.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-4.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-5.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-5.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-6.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-6.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-7.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-7.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-8.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-8.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-9.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-9.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','1243-revision-5','','','2010-06-17 14:15:38','2010-06-17 14:15:38','',1243,'http://www.biggventures.com/demo/artists/1248/uncat/1243-revision-5',0,'revision','',0),(1251,1,'2010-06-17 14:18:38','2010-06-17 14:18:38','<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Art on the Move (2001)<a href=\"http://www.reenakallat.com/art-on-move\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/art-on-move-thumb.jpg\" alt=\"\" title=\"Closet_Quarries\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-712\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Beautiful People of the Rainbow (2001)\r\n<a href=\"http://www.reenakallat.com/beautiful-people\"><img class=\"aligncenter size-medium wp-image-199\" title=\"E1-White Yarn\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/1 Process Workshop site.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Boreal (2002)\r\n<a href=\"http://www.reenakallat.com/boreal\"><img class=\"aligncenter size-medium wp-image-201\" title=\"D1-Crease crevice contour\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/boreal-gallery.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Pollen Patterns (2002)\r\n<a href=\"http://www.reenakallat.com/pollent-patterns\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-thumb.jpg\" alt=\"\" title=\"Pollen-Patterns\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-712\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Elephant Walks (2003)\r\n<a href=\"http://www.reenakallat.com/Elephant-walks-info\">\r\n<img class=\"aligncenter size-medium wp-image-199\" title=\"Elephant-walks\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-thumb.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Colour Curtain (2009)\r\n<a href=\"http://www.reenakallat.com/colour-curtain\">\r\n<img class=\"aligncenter size-medium wp-image-201\" title=\"Colour-curtain\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-thumb.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Synonym (2009)\r\n<a href=\"http://www.reenakallat.com/synonym\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-thumb.jpg\" alt=\"\" title=\"Synonym\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-712\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Your Mileage May Vary (2003)\r\n<a href=\"http://www.reenakallat.com/your-mileage-gallery\">\r\n<img class=\"aligncenter size-medium wp-image-199\" title=\"your-mileage-gallery may vary\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-gallery.jpg\" alt=\"your-mileage-gallery may vary\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Closet Quarries (2008)\r\n<a href=\"http://www.reenakallat.com/closet-quarries-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Closet_Quarries-300x160.jpg\" alt=\"\" title=\"Closet_Quarries\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-712\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">White Yarn (2008)\r\n<a href=\"http://www.reenakallat.com/white-yarn-detailed-info\"><img class=\"aligncenter size-medium wp-image-199\" title=\"E1-White Yarn\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/E1-White-Yarn-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Crease crevice contour (2008)\r\n<a href=\"http://www.reenakallat.com/crease-crevice-contour-detailed-info\"><img class=\"aligncenter size-medium wp-image-201\" title=\"D1-Crease crevice contour\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/D1-Crease-crevice-contour1-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Silt of Seasons-2 (2008)\r\n<a href=\"http://www.reenakallat.com/silt-of-seasons-2-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-2-1024x7341-300x215.jpg\" alt=\"Silt-of-Seasons-2\" title=\"Silt-of-Seasons-2-1024x734\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-873\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Lunar Notes (2004-2006)\r\n<a href=\"http://www.reenakallat.com/subject-to-change-without-notice-detailed-info\"><img class=\"aligncenter size-medium wp-image-204\" title=\"Q1-Subject to Change Without Notice\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Q1-Subject-to-Change-Without-Notice-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Walls of the womb (2008)\r\n<a href=\"http://www.reenakallat.com/walls-of-the-womb-detailed-info\"><img class=\"aligncenter size-medium wp-image-205\" title=\"R1-Walls of the womb\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/R1-Walls-of-the-womb-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Penumbra (2008)\r\n<a href=\"http://www.reenakallat.com/penumbra-detailed-info\"><img class=\"aligncenter size-medium wp-image-206\" title=\"T1- Penumbra\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/T1-Penumbra-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Birds of Steel (2005-2006)\r\n<a href=\"http://www.reenakallat.com/birds-of-steel-detailed-info\"><img class=\"aligncenter size-medium wp-image-207\" title=\"V1-Birds of Steel\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/V1-Birds-of-Steel-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Penumbra Passage Canine Cases (2006)\r\n<a href=\"http://www.reenakallat.com/penumbra-passage-canine-cases-detailed-info\"><img class=\"aligncenter size-medium wp-image-208\" title=\"X1-Penumbra Passage (Canine Cases)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/X1-Penumbra-Passage-Canine-Cases-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Memoria Mausolea (2007)\r\n\r\n<a href=\"http://www.reenakallat.com/memoria-mausolea-detailed-info\"><img class=\"alignnone size-medium wp-image-261\" title=\"Memoria Mausolea\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Memoria-Mausolea-300x244.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">White Heat The Ironing Board (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/White Heat-The Ironing Board-detailed-info\"><img class=\"alignnone size-medium wp-image-320\" title=\"White Heat (The Ironing Board)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/F1-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Recitals from the city garden (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/recitals-from-the-city-garden-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/21-Recitals-from-the-city-garden-300x198.jpg\" alt=\"Recitals-from-the-city-garden\" title=\"Recitals-from-the-city-garden\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-917\" /></a></td>\r\n\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Sculptures (2003)\r\n\r\n<a href=\"http://www.reenakallat.com/scuptures-detailed-info\"><img class=\"aligncenter size-medium wp-image-621\" title=\"Sculptures\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Scuptures-300x188.jpg\" alt=\"Scuptures\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Silt of Seasons 1 (2008)\r\n<a href=\"http://www.reenakallat.com/silt-of-seasons-1\"><img class=\"alignleft size-large wp-image-417\" title=\"Silt of Seasons-1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Silt-of-Seasons-1-1024x682.jpg\" alt=\"Silt of Seasons-1\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">I1 (2008)\r\n<a href=\"http://www.reenakallat.com/i1-detailed-info\"><img class=\"alignleft size-large wp-image-436\" title=\"I1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/I11-731x1024.jpg\" alt=\"I1\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">J1 (2008)\r\n<a href=\"http://www.reenakallat.com/j1-detailed-info\"><img class=\"alignleft size-large wp-image-445\" title=\"J1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/J1-721x1023.jpg\" alt=\"J1\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">K1 (2008)\r\n<a href=\"http://www.reenakallat.com/k1-detailed-info\"><img class=\"alignleft size-large wp-image-451\" title=\"K1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/K1-726x1023.jpg\" alt=\"K1\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">L1 (2008)\r\n<a href=\"http://www.reenakallat.com/l1-detailed-info\"><img class=\"alignleft size-large wp-image-459\" title=\"L1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/L1-744x1024.jpg\" alt=\"L1\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">M1 (2008)\r\n<a href=\"http://www.reenakallat.com/m1-detailed-info\"><img class=\"alignleft size-medium wp-image-468\" title=\"M1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/M1-220x300.jpg\" alt=\"M1\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">N1 (2008)\r\n<a href=\"http://www.reenakallat.com/n1-detailed-info\"><img class=\"alignleft size-medium wp-image-469\" title=\"N1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/N1-217x300.jpg\" alt=\"N1\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">O1(2008)\r\n<a href=\"http://www.reenakallat.com/o1-detailed-info\"><img class=\"alignleft size-medium wp-image-470\" title=\"O1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/O1-214x300.jpg\" alt=\"O1\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Colostrum (2008)\r\n<a href=\"http://www.reenakallat.com/z1-detailed-info-2\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Z1-1024x577-300x169.jpg\" alt=\"Z1\" title=\"Z1\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-879\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Saline (2007)\r\n<a href=\"http://www.reenakallat.com/saline-detailed-info\"><img class=\"alignleft size-medium wp-image-495\" title=\"Saline\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Saline-300x185.jpg\" alt=\"saline\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Memoria corona (2006)\r\n<a href=\"http://www.reenakallat.com/memoria-corona\"><img class=\"alignleft size-medium wp-image-505\" title=\"Memoria Corona\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Memoria-Corona-220x300.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Xylophone (2005)\r\n<a href=\"http://www.reenakallat.com/xylophone-detailed-info\"><img class=\"aligncenter size-medium wp-image-517\" title=\"Xylophone\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Xylophone-1024x682.jpg\" alt=\"Xylophone\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Seven Faces of Dust (2003)\r\n<a href=\"http://www.reenakallat.com/seven-faces-of-dust-detailed-info\"><img class=\"aligncenter size-medium wp-image-612\" title=\"Seven Faces of Dust\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Seven-Faces-of-Dust-300x192.jpg\" alt=\"Seven Faces of Dust\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Kiosk (2003)\r\n<a href=\"http://www.reenakallat.com/kiosk-detailed-info\"><img class=\"aligncenter size-medium wp-image-537\" title=\"Kiosk\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Kiosk-300x224.jpg\" alt=\"Kiosk\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Escapades of the ladder occupants (1998)\r\n<a href=\"http://www.reenakallat.com/escapades-of-the-ladder-occupants-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Escapades-of-the-ladder-occupants2-204x300.jpg\" alt=\"\" title=\"Escapades-of-the-ladder-occupants2\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-1064\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Black Flute (2004)\r\n<a href=\"http://www.reenakallat.com/black-flute-detailed-info\"><img class=\"aligncenter size-medium wp-image-547\" title=\"Black Flute\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-299x197.jpg\" alt=\"Black Flute\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Birthmark Tattoos (2004)\r\n<a href=\"http://www.reenakallat.com/birthmark-tattoos-detailed-info\"><img class=\"aligncenter size-medium wp-image-557\" title=\"BirthMark tattoos\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/BirthMark-tattoos-300x225.jpg\" alt=\"BirthMark and tattoos\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Orchard of home grown secrets (1998)\r\n<a href=\"http://www.reenakallat.com/orchard-detailed-info\"><img class=\"aligncenter size-medium wp-image-564\" title=\"Orchard\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchard-300x186.jpg\" alt=\"Orchard\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Joint Family (1998)\r\n<a href=\"http://www.reenakallat.com/joint-family-detailed-info\"><img class=\"aligncenter size-medium wp-image-577\" title=\"Joint Family\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Joint-Family-295x295.png\" alt=\"Joint Family\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Billboard/Mural for the Kala Ghoda Festival (2003)\r\n<a href=\"http://www.reenakallat.com/billboardmural-for-the-kala-ghoda-festival-2003\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/4-Complete-Billboard-300x187.jpg\" alt=\"Billboard/Mural for the Kala Ghoda Festival 2003\" title=\"Billboard/Mural for the Kala Ghoda Festival 2003\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-977\" /></a></td>\r\n\r\n</tr>\r\n\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Moving millimeter (1998)\r\n<a href=\"http://www.reenakallat.com/moving-millimeter\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/moving-millineter1-300x200.jpg\" alt=\"moving-millimeter\" title=\"moving-millimeter\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-1022\" /></a>\r\n</td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Vanishing Point(2003)\r\n<a href=\"http://www.reenakallat.com/vanishing-point\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/05_resized_gallery_view-300x200.jpg\" alt=\"vanishing point\" title=\"vanishing point\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-1013\" /></a></td>\r\n\r\n</tr>\r\n</tbody>\r\n</table><!--more-->','Works','','inherit','open','open','','54-revision-216','','','2010-06-17 14:18:38','2010-06-17 14:18:38','',54,'http://www.biggventures.com/demo/artists/1251/uncat/54-revision-216',0,'revision','',0),(1252,1,'2010-06-17 14:19:57','2010-06-17 14:19:57','<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Art on the Move (2001)<a href=\"http://www.reenakallat.com/art-on-move\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/art-on-move-thumb.jpg\" alt=\"\" title=\"Closet_Quarries\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-712\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Beautiful People of the Rainbow (2001)\r\n<a href=\"http://www.reenakallat.com/beautiful-people\"><img class=\"aligncenter size-medium wp-image-199\" title=\"E1-White Yarn\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/1 Process Workshop site.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Boreal (2002)\r\n<a href=\"http://www.reenakallat.com/boreal\"><img class=\"aligncenter size-medium wp-image-201\" title=\"D1-Crease crevice contour\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/boreal-gallery.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Pollen Patterns (2002)\r\n<a href=\"http://www.reenakallat.com/pollent-patterns\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-thumb.jpg\" alt=\"\" title=\"Pollen-Patterns\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-712\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Elephant Walks (2003)\r\n<a href=\"http://www.reenakallat.com/Elephant-walks\">\r\n<img class=\"aligncenter size-medium wp-image-199\" title=\"Elephant-walks\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-thumb.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Colour Curtain (2009)\r\n<a href=\"http://www.reenakallat.com/colour-curtain\">\r\n<img class=\"aligncenter size-medium wp-image-201\" title=\"Colour-curtain\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-thumb.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Synonym (2009)\r\n<a href=\"http://www.reenakallat.com/synonym\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-thumb.jpg\" alt=\"\" title=\"Synonym\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-712\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Your Mileage May Vary (2003)\r\n<a href=\"http://www.reenakallat.com/your-mileage-gallery\">\r\n<img class=\"aligncenter size-medium wp-image-199\" title=\"your-mileage-gallery may vary\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-gallery.jpg\" alt=\"your-mileage-gallery may vary\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Closet Quarries (2008)\r\n<a href=\"http://www.reenakallat.com/closet-quarries-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Closet_Quarries-300x160.jpg\" alt=\"\" title=\"Closet_Quarries\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-712\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">White Yarn (2008)\r\n<a href=\"http://www.reenakallat.com/white-yarn-detailed-info\"><img class=\"aligncenter size-medium wp-image-199\" title=\"E1-White Yarn\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/E1-White-Yarn-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Crease crevice contour (2008)\r\n<a href=\"http://www.reenakallat.com/crease-crevice-contour-detailed-info\"><img class=\"aligncenter size-medium wp-image-201\" title=\"D1-Crease crevice contour\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/D1-Crease-crevice-contour1-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Silt of Seasons-2 (2008)\r\n<a href=\"http://www.reenakallat.com/silt-of-seasons-2-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-2-1024x7341-300x215.jpg\" alt=\"Silt-of-Seasons-2\" title=\"Silt-of-Seasons-2-1024x734\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-873\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Lunar Notes (2004-2006)\r\n<a href=\"http://www.reenakallat.com/subject-to-change-without-notice-detailed-info\"><img class=\"aligncenter size-medium wp-image-204\" title=\"Q1-Subject to Change Without Notice\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Q1-Subject-to-Change-Without-Notice-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Walls of the womb (2008)\r\n<a href=\"http://www.reenakallat.com/walls-of-the-womb-detailed-info\"><img class=\"aligncenter size-medium wp-image-205\" title=\"R1-Walls of the womb\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/R1-Walls-of-the-womb-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Penumbra (2008)\r\n<a href=\"http://www.reenakallat.com/penumbra-detailed-info\"><img class=\"aligncenter size-medium wp-image-206\" title=\"T1- Penumbra\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/T1-Penumbra-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Birds of Steel (2005-2006)\r\n<a href=\"http://www.reenakallat.com/birds-of-steel-detailed-info\"><img class=\"aligncenter size-medium wp-image-207\" title=\"V1-Birds of Steel\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/V1-Birds-of-Steel-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Penumbra Passage Canine Cases (2006)\r\n<a href=\"http://www.reenakallat.com/penumbra-passage-canine-cases-detailed-info\"><img class=\"aligncenter size-medium wp-image-208\" title=\"X1-Penumbra Passage (Canine Cases)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/X1-Penumbra-Passage-Canine-Cases-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Memoria Mausolea (2007)\r\n\r\n<a href=\"http://www.reenakallat.com/memoria-mausolea-detailed-info\"><img class=\"alignnone size-medium wp-image-261\" title=\"Memoria Mausolea\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Memoria-Mausolea-300x244.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">White Heat The Ironing Board (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/White Heat-The Ironing Board-detailed-info\"><img class=\"alignnone size-medium wp-image-320\" title=\"White Heat (The Ironing Board)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/F1-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Recitals from the city garden (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/recitals-from-the-city-garden-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/21-Recitals-from-the-city-garden-300x198.jpg\" alt=\"Recitals-from-the-city-garden\" title=\"Recitals-from-the-city-garden\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-917\" /></a></td>\r\n\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Sculptures (2003)\r\n\r\n<a href=\"http://www.reenakallat.com/scuptures-detailed-info\"><img class=\"aligncenter size-medium wp-image-621\" title=\"Sculptures\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Scuptures-300x188.jpg\" alt=\"Scuptures\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Silt of Seasons 1 (2008)\r\n<a href=\"http://www.reenakallat.com/silt-of-seasons-1\"><img class=\"alignleft size-large wp-image-417\" title=\"Silt of Seasons-1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Silt-of-Seasons-1-1024x682.jpg\" alt=\"Silt of Seasons-1\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">I1 (2008)\r\n<a href=\"http://www.reenakallat.com/i1-detailed-info\"><img class=\"alignleft size-large wp-image-436\" title=\"I1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/I11-731x1024.jpg\" alt=\"I1\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">J1 (2008)\r\n<a href=\"http://www.reenakallat.com/j1-detailed-info\"><img class=\"alignleft size-large wp-image-445\" title=\"J1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/J1-721x1023.jpg\" alt=\"J1\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">K1 (2008)\r\n<a href=\"http://www.reenakallat.com/k1-detailed-info\"><img class=\"alignleft size-large wp-image-451\" title=\"K1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/K1-726x1023.jpg\" alt=\"K1\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">L1 (2008)\r\n<a href=\"http://www.reenakallat.com/l1-detailed-info\"><img class=\"alignleft size-large wp-image-459\" title=\"L1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/L1-744x1024.jpg\" alt=\"L1\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">M1 (2008)\r\n<a href=\"http://www.reenakallat.com/m1-detailed-info\"><img class=\"alignleft size-medium wp-image-468\" title=\"M1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/M1-220x300.jpg\" alt=\"M1\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">N1 (2008)\r\n<a href=\"http://www.reenakallat.com/n1-detailed-info\"><img class=\"alignleft size-medium wp-image-469\" title=\"N1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/N1-217x300.jpg\" alt=\"N1\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">O1(2008)\r\n<a href=\"http://www.reenakallat.com/o1-detailed-info\"><img class=\"alignleft size-medium wp-image-470\" title=\"O1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/O1-214x300.jpg\" alt=\"O1\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Colostrum (2008)\r\n<a href=\"http://www.reenakallat.com/z1-detailed-info-2\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Z1-1024x577-300x169.jpg\" alt=\"Z1\" title=\"Z1\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-879\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Saline (2007)\r\n<a href=\"http://www.reenakallat.com/saline-detailed-info\"><img class=\"alignleft size-medium wp-image-495\" title=\"Saline\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Saline-300x185.jpg\" alt=\"saline\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Memoria corona (2006)\r\n<a href=\"http://www.reenakallat.com/memoria-corona\"><img class=\"alignleft size-medium wp-image-505\" title=\"Memoria Corona\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Memoria-Corona-220x300.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Xylophone (2005)\r\n<a href=\"http://www.reenakallat.com/xylophone-detailed-info\"><img class=\"aligncenter size-medium wp-image-517\" title=\"Xylophone\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Xylophone-1024x682.jpg\" alt=\"Xylophone\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Seven Faces of Dust (2003)\r\n<a href=\"http://www.reenakallat.com/seven-faces-of-dust-detailed-info\"><img class=\"aligncenter size-medium wp-image-612\" title=\"Seven Faces of Dust\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Seven-Faces-of-Dust-300x192.jpg\" alt=\"Seven Faces of Dust\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Kiosk (2003)\r\n<a href=\"http://www.reenakallat.com/kiosk-detailed-info\"><img class=\"aligncenter size-medium wp-image-537\" title=\"Kiosk\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Kiosk-300x224.jpg\" alt=\"Kiosk\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Escapades of the ladder occupants (1998)\r\n<a href=\"http://www.reenakallat.com/escapades-of-the-ladder-occupants-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Escapades-of-the-ladder-occupants2-204x300.jpg\" alt=\"\" title=\"Escapades-of-the-ladder-occupants2\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-1064\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Black Flute (2004)\r\n<a href=\"http://www.reenakallat.com/black-flute-detailed-info\"><img class=\"aligncenter size-medium wp-image-547\" title=\"Black Flute\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-299x197.jpg\" alt=\"Black Flute\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Birthmark Tattoos (2004)\r\n<a href=\"http://www.reenakallat.com/birthmark-tattoos-detailed-info\"><img class=\"aligncenter size-medium wp-image-557\" title=\"BirthMark tattoos\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/BirthMark-tattoos-300x225.jpg\" alt=\"BirthMark and tattoos\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Orchard of home grown secrets (1998)\r\n<a href=\"http://www.reenakallat.com/orchard-detailed-info\"><img class=\"aligncenter size-medium wp-image-564\" title=\"Orchard\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchard-300x186.jpg\" alt=\"Orchard\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Joint Family (1998)\r\n<a href=\"http://www.reenakallat.com/joint-family-detailed-info\"><img class=\"aligncenter size-medium wp-image-577\" title=\"Joint Family\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Joint-Family-295x295.png\" alt=\"Joint Family\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Billboard/Mural for the Kala Ghoda Festival (2003)\r\n<a href=\"http://www.reenakallat.com/billboardmural-for-the-kala-ghoda-festival-2003\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/4-Complete-Billboard-300x187.jpg\" alt=\"Billboard/Mural for the Kala Ghoda Festival 2003\" title=\"Billboard/Mural for the Kala Ghoda Festival 2003\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-977\" /></a></td>\r\n\r\n</tr>\r\n\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Moving millimeter (1998)\r\n<a href=\"http://www.reenakallat.com/moving-millimeter\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/moving-millineter1-300x200.jpg\" alt=\"moving-millimeter\" title=\"moving-millimeter\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-1022\" /></a>\r\n</td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Vanishing Point(2003)\r\n<a href=\"http://www.reenakallat.com/vanishing-point\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/05_resized_gallery_view-300x200.jpg\" alt=\"vanishing point\" title=\"vanishing point\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-1013\" /></a></td>\r\n\r\n</tr>\r\n</tbody>\r\n</table><!--more-->','Works','','inherit','open','open','','54-revision-217','','','2010-06-17 14:19:57','2010-06-17 14:19:57','',54,'http://www.biggventures.com/demo/artists/1252/uncat/54-revision-217',0,'revision','',0),(1253,1,'2010-06-17 14:21:36','2010-06-17 14:21:36','<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Art on the Move (2001)<a href=\"http://www.reenakallat.com/art-on-move\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/art-on-move-thumb.jpg\" alt=\"\" title=\"Closet_Quarries\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-712\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Beautiful People of the Rainbow (2001)\r\n<a href=\"http://www.reenakallat.com/beautiful-people\"><img class=\"aligncenter size-medium wp-image-199\" title=\"E1-White Yarn\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/1 Process Workshop site.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Boreal (2002)\r\n<a href=\"http://www.reenakallat.com/boreal\"><img class=\"aligncenter size-medium wp-image-201\" title=\"D1-Crease crevice contour\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/boreal-gallery.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Pollen Patterns (2002)\r\n<a href=\"http://www.reenakallat.com/pollent-patterns\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-thumb.jpg\" alt=\"\" title=\"Pollen-Patterns\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-712\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Elephant Walks (2003)\r\n<a href=\"http://www.reenakallat.com/Elephant-walks\">\r\n<img class=\"aligncenter size-medium wp-image-199\" title=\"Elephant-walks\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-thumb.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Colour Curtain (2009)\r\n<a href=\"http://www.reenakallat.com/colour-curtain\">\r\n<img class=\"aligncenter size-medium wp-image-201\" title=\"Colour-curtain\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-thumb.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Synonym (2009)\r\n<a href=\"http://www.reenakallat.com/synonym\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-thumb.jpg\" alt=\"\" title=\"Synonym\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-712\" /></a></td><td width=\"200\" align=\"left\" valign=\"top\">Your Mileage May Vary (2003)\r\n<a href=\"http://www.reenakallat.com/your-mileage-gallery\">\r\n<img class=\"aligncenter size-medium wp-image-199\" title=\"your-mileage-gallery may vary\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-gallery.jpg\" alt=\"your-mileage-gallery may vary\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Closet Quarries (2008)\r\n<a href=\"http://www.reenakallat.com/closet-quarries-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Closet_Quarries-300x160.jpg\" alt=\"\" title=\"Closet_Quarries\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-712\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">White Yarn (2008)\r\n<a href=\"http://www.reenakallat.com/white-yarn-detailed-info\"><img class=\"aligncenter size-medium wp-image-199\" title=\"E1-White Yarn\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/E1-White-Yarn-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Crease crevice contour (2008)\r\n<a href=\"http://www.reenakallat.com/crease-crevice-contour-detailed-info\"><img class=\"aligncenter size-medium wp-image-201\" title=\"D1-Crease crevice contour\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/D1-Crease-crevice-contour1-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Silt of Seasons-2 (2008)\r\n<a href=\"http://www.reenakallat.com/silt-of-seasons-2-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-2-1024x7341-300x215.jpg\" alt=\"Silt-of-Seasons-2\" title=\"Silt-of-Seasons-2-1024x734\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-873\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Lunar Notes (2004-2006)\r\n<a href=\"http://www.reenakallat.com/subject-to-change-without-notice-detailed-info\"><img class=\"aligncenter size-medium wp-image-204\" title=\"Q1-Subject to Change Without Notice\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Q1-Subject-to-Change-Without-Notice-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Walls of the womb (2008)\r\n<a href=\"http://www.reenakallat.com/walls-of-the-womb-detailed-info\"><img class=\"aligncenter size-medium wp-image-205\" title=\"R1-Walls of the womb\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/R1-Walls-of-the-womb-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Penumbra (2008)\r\n<a href=\"http://www.reenakallat.com/penumbra-detailed-info\"><img class=\"aligncenter size-medium wp-image-206\" title=\"T1- Penumbra\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/T1-Penumbra-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Birds of Steel (2005-2006)\r\n<a href=\"http://www.reenakallat.com/birds-of-steel-detailed-info\"><img class=\"aligncenter size-medium wp-image-207\" title=\"V1-Birds of Steel\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/V1-Birds-of-Steel-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Penumbra Passage Canine Cases (2006)\r\n<a href=\"http://www.reenakallat.com/penumbra-passage-canine-cases-detailed-info\"><img class=\"aligncenter size-medium wp-image-208\" title=\"X1-Penumbra Passage (Canine Cases)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/X1-Penumbra-Passage-Canine-Cases-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Memoria Mausolea (2007)\r\n\r\n<a href=\"http://www.reenakallat.com/memoria-mausolea-detailed-info\"><img class=\"alignnone size-medium wp-image-261\" title=\"Memoria Mausolea\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Memoria-Mausolea-300x244.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">White Heat The Ironing Board (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/White Heat-The Ironing Board-detailed-info\"><img class=\"alignnone size-medium wp-image-320\" title=\"White Heat (The Ironing Board)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/F1-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Recitals from the city garden (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/recitals-from-the-city-garden-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/21-Recitals-from-the-city-garden-300x198.jpg\" alt=\"Recitals-from-the-city-garden\" title=\"Recitals-from-the-city-garden\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-917\" /></a></td>\r\n\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Sculptures (2003)\r\n\r\n<a href=\"http://www.reenakallat.com/scuptures-detailed-info\"><img class=\"aligncenter size-medium wp-image-621\" title=\"Sculptures\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Scuptures-300x188.jpg\" alt=\"Scuptures\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Silt of Seasons 1 (2008)\r\n<a href=\"http://www.reenakallat.com/silt-of-seasons-1\"><img class=\"alignleft size-large wp-image-417\" title=\"Silt of Seasons-1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Silt-of-Seasons-1-1024x682.jpg\" alt=\"Silt of Seasons-1\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">I1 (2008)\r\n<a href=\"http://www.reenakallat.com/i1-detailed-info\"><img class=\"alignleft size-large wp-image-436\" title=\"I1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/I11-731x1024.jpg\" alt=\"I1\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">J1 (2008)\r\n<a href=\"http://www.reenakallat.com/j1-detailed-info\"><img class=\"alignleft size-large wp-image-445\" title=\"J1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/J1-721x1023.jpg\" alt=\"J1\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">K1 (2008)\r\n<a href=\"http://www.reenakallat.com/k1-detailed-info\"><img class=\"alignleft size-large wp-image-451\" title=\"K1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/K1-726x1023.jpg\" alt=\"K1\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">L1 (2008)\r\n<a href=\"http://www.reenakallat.com/l1-detailed-info\"><img class=\"alignleft size-large wp-image-459\" title=\"L1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/L1-744x1024.jpg\" alt=\"L1\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">M1 (2008)\r\n<a href=\"http://www.reenakallat.com/m1-detailed-info\"><img class=\"alignleft size-medium wp-image-468\" title=\"M1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/M1-220x300.jpg\" alt=\"M1\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">N1 (2008)\r\n<a href=\"http://www.reenakallat.com/n1-detailed-info\"><img class=\"alignleft size-medium wp-image-469\" title=\"N1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/N1-217x300.jpg\" alt=\"N1\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">O1(2008)\r\n<a href=\"http://www.reenakallat.com/o1-detailed-info\"><img class=\"alignleft size-medium wp-image-470\" title=\"O1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/O1-214x300.jpg\" alt=\"O1\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Colostrum (2008)\r\n<a href=\"http://www.reenakallat.com/z1-detailed-info-2\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Z1-1024x577-300x169.jpg\" alt=\"Z1\" title=\"Z1\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-879\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Saline (2007)\r\n<a href=\"http://www.reenakallat.com/saline-detailed-info\"><img class=\"alignleft size-medium wp-image-495\" title=\"Saline\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Saline-300x185.jpg\" alt=\"saline\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Memoria corona (2006)\r\n<a href=\"http://www.reenakallat.com/memoria-corona\"><img class=\"alignleft size-medium wp-image-505\" title=\"Memoria Corona\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Memoria-Corona-220x300.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Xylophone (2005)\r\n<a href=\"http://www.reenakallat.com/xylophone-detailed-info\"><img class=\"aligncenter size-medium wp-image-517\" title=\"Xylophone\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Xylophone-1024x682.jpg\" alt=\"Xylophone\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Seven Faces of Dust (2003)\r\n<a href=\"http://www.reenakallat.com/seven-faces-of-dust-detailed-info\"><img class=\"aligncenter size-medium wp-image-612\" title=\"Seven Faces of Dust\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Seven-Faces-of-Dust-300x192.jpg\" alt=\"Seven Faces of Dust\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Kiosk (2003)\r\n<a href=\"http://www.reenakallat.com/kiosk-detailed-info\"><img class=\"aligncenter size-medium wp-image-537\" title=\"Kiosk\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Kiosk-300x224.jpg\" alt=\"Kiosk\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Escapades of the ladder occupants (1998)\r\n<a href=\"http://www.reenakallat.com/escapades-of-the-ladder-occupants-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Escapades-of-the-ladder-occupants2-204x300.jpg\" alt=\"\" title=\"Escapades-of-the-ladder-occupants2\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-1064\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Black Flute (2004)\r\n<a href=\"http://www.reenakallat.com/black-flute-detailed-info\"><img class=\"aligncenter size-medium wp-image-547\" title=\"Black Flute\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-299x197.jpg\" alt=\"Black Flute\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Birthmark Tattoos (2004)\r\n<a href=\"http://www.reenakallat.com/birthmark-tattoos-detailed-info\"><img class=\"aligncenter size-medium wp-image-557\" title=\"BirthMark tattoos\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/BirthMark-tattoos-300x225.jpg\" alt=\"BirthMark and tattoos\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Orchard of home grown secrets (1998)\r\n<a href=\"http://www.reenakallat.com/orchard-detailed-info\"><img class=\"aligncenter size-medium wp-image-564\" title=\"Orchard\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchard-300x186.jpg\" alt=\"Orchard\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Joint Family (1998)\r\n<a href=\"http://www.reenakallat.com/joint-family-detailed-info\"><img class=\"aligncenter size-medium wp-image-577\" title=\"Joint Family\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Joint-Family-295x295.png\" alt=\"Joint Family\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Billboard/Mural for the Kala Ghoda Festival (2003)\r\n<a href=\"http://www.reenakallat.com/billboardmural-for-the-kala-ghoda-festival-2003\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/4-Complete-Billboard-300x187.jpg\" alt=\"Billboard/Mural for the Kala Ghoda Festival 2003\" title=\"Billboard/Mural for the Kala Ghoda Festival 2003\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-977\" /></a></td>\r\n\r\n</tr>\r\n\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Moving millimeter (1998)\r\n<a href=\"http://www.reenakallat.com/moving-millimeter\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/moving-millineter1-300x200.jpg\" alt=\"moving-millimeter\" title=\"moving-millimeter\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-1022\" /></a>\r\n</td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Vanishing Point(2003)\r\n<a href=\"http://www.reenakallat.com/vanishing-point\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/05_resized_gallery_view-300x200.jpg\" alt=\"vanishing point\" title=\"vanishing point\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-1013\" /></a></td>\r\n\r\n</tr>\r\n</tbody>\r\n</table><!--more-->','Works','','inherit','open','open','','54-revision-218','','','2010-06-17 14:21:36','2010-06-17 14:21:36','',54,'http://www.biggventures.com/demo/artists/1253/uncat/54-revision-218',0,'revision','',0),(1254,1,'2010-06-17 14:23:24','2010-06-17 14:23:24','<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Art on the Move (2001)<a href=\"http://www.reenakallat.com/art-on-move\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/art-on-move-thumb.jpg\" alt=\"\" title=\"Closet_Quarries\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-712\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Beautiful People of the Rainbow (2001)\r\n<a href=\"http://www.reenakallat.com/beautiful-people\"><img class=\"aligncenter size-medium wp-image-199\" title=\"E1-White Yarn\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/1 Process Workshop site.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Boreal (2002)\r\n<a href=\"http://www.reenakallat.com/boreal\"><img class=\"aligncenter size-medium wp-image-201\" title=\"D1-Crease crevice contour\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/boreal-gallery.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Pollen Patterns (2002)\r\n<a href=\"http://www.reenakallat.com/pollent-patterns\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-thumb.jpg\" alt=\"\" title=\"Pollen-Patterns\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-712\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Elephant Walks (2003)\r\n<a href=\"http://www.reenakallat.com/Elephant-walks\">\r\n<img class=\"aligncenter size-medium wp-image-199\" title=\"Elephant-walks\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-thumb.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Colour Curtain (2009)\r\n<a href=\"http://www.reenakallat.com/colour-curtain\">\r\n<img class=\"aligncenter size-medium wp-image-201\" title=\"Colour-curtain\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-thumb.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Synonym (2009)\r\n<a href=\"http://www.reenakallat.com/synonym\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-thumb.jpg\" alt=\"\" title=\"Synonym\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-712\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\nYour Mileage May Vary (2003)\r\n<a href=\"http://www.reenakallat.com/your-mileage-gallery\">\r\n<img class=\"aligncenter size-medium wp-image-199\" title=\"your-mileage-gallery may vary\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-gallery.jpg\" alt=\"your-mileage-gallery may vary\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Closet Quarries (2008)\r\n<a href=\"http://www.reenakallat.com/closet-quarries-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Closet_Quarries-300x160.jpg\" alt=\"\" title=\"Closet_Quarries\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-712\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">White Yarn (2008)\r\n<a href=\"http://www.reenakallat.com/white-yarn-detailed-info\"><img class=\"aligncenter size-medium wp-image-199\" title=\"E1-White Yarn\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/E1-White-Yarn-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Crease crevice contour (2008)\r\n<a href=\"http://www.reenakallat.com/crease-crevice-contour-detailed-info\"><img class=\"aligncenter size-medium wp-image-201\" title=\"D1-Crease crevice contour\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/D1-Crease-crevice-contour1-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Silt of Seasons-2 (2008)\r\n<a href=\"http://www.reenakallat.com/silt-of-seasons-2-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-2-1024x7341-300x215.jpg\" alt=\"Silt-of-Seasons-2\" title=\"Silt-of-Seasons-2-1024x734\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-873\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Lunar Notes (2004-2006)\r\n<a href=\"http://www.reenakallat.com/subject-to-change-without-notice-detailed-info\"><img class=\"aligncenter size-medium wp-image-204\" title=\"Q1-Subject to Change Without Notice\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Q1-Subject-to-Change-Without-Notice-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Walls of the womb (2008)\r\n<a href=\"http://www.reenakallat.com/walls-of-the-womb-detailed-info\"><img class=\"aligncenter size-medium wp-image-205\" title=\"R1-Walls of the womb\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/R1-Walls-of-the-womb-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Penumbra (2008)\r\n<a href=\"http://www.reenakallat.com/penumbra-detailed-info\"><img class=\"aligncenter size-medium wp-image-206\" title=\"T1- Penumbra\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/T1-Penumbra-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Birds of Steel (2005-2006)\r\n<a href=\"http://www.reenakallat.com/birds-of-steel-detailed-info\"><img class=\"aligncenter size-medium wp-image-207\" title=\"V1-Birds of Steel\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/V1-Birds-of-Steel-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Penumbra Passage Canine Cases (2006)\r\n<a href=\"http://www.reenakallat.com/penumbra-passage-canine-cases-detailed-info\"><img class=\"aligncenter size-medium wp-image-208\" title=\"X1-Penumbra Passage (Canine Cases)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/X1-Penumbra-Passage-Canine-Cases-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Memoria Mausolea (2007)\r\n\r\n<a href=\"http://www.reenakallat.com/memoria-mausolea-detailed-info\"><img class=\"alignnone size-medium wp-image-261\" title=\"Memoria Mausolea\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Memoria-Mausolea-300x244.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">White Heat The Ironing Board (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/White Heat-The Ironing Board-detailed-info\"><img class=\"alignnone size-medium wp-image-320\" title=\"White Heat (The Ironing Board)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/F1-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Recitals from the city garden (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/recitals-from-the-city-garden-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/21-Recitals-from-the-city-garden-300x198.jpg\" alt=\"Recitals-from-the-city-garden\" title=\"Recitals-from-the-city-garden\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-917\" /></a></td>\r\n\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Sculptures (2003)\r\n\r\n<a href=\"http://www.reenakallat.com/scuptures-detailed-info\"><img class=\"aligncenter size-medium wp-image-621\" title=\"Sculptures\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Scuptures-300x188.jpg\" alt=\"Scuptures\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Silt of Seasons 1 (2008)\r\n<a href=\"http://www.reenakallat.com/silt-of-seasons-1\"><img class=\"alignleft size-large wp-image-417\" title=\"Silt of Seasons-1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Silt-of-Seasons-1-1024x682.jpg\" alt=\"Silt of Seasons-1\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">I1 (2008)\r\n<a href=\"http://www.reenakallat.com/i1-detailed-info\"><img class=\"alignleft size-large wp-image-436\" title=\"I1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/I11-731x1024.jpg\" alt=\"I1\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">J1 (2008)\r\n<a href=\"http://www.reenakallat.com/j1-detailed-info\"><img class=\"alignleft size-large wp-image-445\" title=\"J1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/J1-721x1023.jpg\" alt=\"J1\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">K1 (2008)\r\n<a href=\"http://www.reenakallat.com/k1-detailed-info\"><img class=\"alignleft size-large wp-image-451\" title=\"K1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/K1-726x1023.jpg\" alt=\"K1\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">L1 (2008)\r\n<a href=\"http://www.reenakallat.com/l1-detailed-info\"><img class=\"alignleft size-large wp-image-459\" title=\"L1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/L1-744x1024.jpg\" alt=\"L1\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">M1 (2008)\r\n<a href=\"http://www.reenakallat.com/m1-detailed-info\"><img class=\"alignleft size-medium wp-image-468\" title=\"M1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/M1-220x300.jpg\" alt=\"M1\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">N1 (2008)\r\n<a href=\"http://www.reenakallat.com/n1-detailed-info\"><img class=\"alignleft size-medium wp-image-469\" title=\"N1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/N1-217x300.jpg\" alt=\"N1\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">O1(2008)\r\n<a href=\"http://www.reenakallat.com/o1-detailed-info\"><img class=\"alignleft size-medium wp-image-470\" title=\"O1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/O1-214x300.jpg\" alt=\"O1\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Colostrum (2008)\r\n<a href=\"http://www.reenakallat.com/z1-detailed-info-2\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Z1-1024x577-300x169.jpg\" alt=\"Z1\" title=\"Z1\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-879\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Saline (2007)\r\n<a href=\"http://www.reenakallat.com/saline-detailed-info\"><img class=\"alignleft size-medium wp-image-495\" title=\"Saline\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Saline-300x185.jpg\" alt=\"saline\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Memoria corona (2006)\r\n<a href=\"http://www.reenakallat.com/memoria-corona\"><img class=\"alignleft size-medium wp-image-505\" title=\"Memoria Corona\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Memoria-Corona-220x300.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Xylophone (2005)\r\n<a href=\"http://www.reenakallat.com/xylophone-detailed-info\"><img class=\"aligncenter size-medium wp-image-517\" title=\"Xylophone\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Xylophone-1024x682.jpg\" alt=\"Xylophone\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Seven Faces of Dust (2003)\r\n<a href=\"http://www.reenakallat.com/seven-faces-of-dust-detailed-info\"><img class=\"aligncenter size-medium wp-image-612\" title=\"Seven Faces of Dust\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Seven-Faces-of-Dust-300x192.jpg\" alt=\"Seven Faces of Dust\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Kiosk (2003)\r\n<a href=\"http://www.reenakallat.com/kiosk-detailed-info\"><img class=\"aligncenter size-medium wp-image-537\" title=\"Kiosk\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Kiosk-300x224.jpg\" alt=\"Kiosk\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Escapades of the ladder occupants (1998)\r\n<a href=\"http://www.reenakallat.com/escapades-of-the-ladder-occupants-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Escapades-of-the-ladder-occupants2-204x300.jpg\" alt=\"\" title=\"Escapades-of-the-ladder-occupants2\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-1064\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Black Flute (2004)\r\n<a href=\"http://www.reenakallat.com/black-flute-detailed-info\"><img class=\"aligncenter size-medium wp-image-547\" title=\"Black Flute\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-299x197.jpg\" alt=\"Black Flute\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Birthmark Tattoos (2004)\r\n<a href=\"http://www.reenakallat.com/birthmark-tattoos-detailed-info\"><img class=\"aligncenter size-medium wp-image-557\" title=\"BirthMark tattoos\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/BirthMark-tattoos-300x225.jpg\" alt=\"BirthMark and tattoos\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Orchard of home grown secrets (1998)\r\n<a href=\"http://www.reenakallat.com/orchard-detailed-info\"><img class=\"aligncenter size-medium wp-image-564\" title=\"Orchard\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchard-300x186.jpg\" alt=\"Orchard\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Joint Family (1998)\r\n<a href=\"http://www.reenakallat.com/joint-family-detailed-info\"><img class=\"aligncenter size-medium wp-image-577\" title=\"Joint Family\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Joint-Family-295x295.png\" alt=\"Joint Family\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Billboard/Mural for the Kala Ghoda Festival (2003)\r\n<a href=\"http://www.reenakallat.com/billboardmural-for-the-kala-ghoda-festival-2003\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/4-Complete-Billboard-300x187.jpg\" alt=\"Billboard/Mural for the Kala Ghoda Festival 2003\" title=\"Billboard/Mural for the Kala Ghoda Festival 2003\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-977\" /></a></td>\r\n\r\n</tr>\r\n\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Moving millimeter (1998)\r\n<a href=\"http://www.reenakallat.com/moving-millimeter\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/moving-millineter1-300x200.jpg\" alt=\"moving-millimeter\" title=\"moving-millimeter\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-1022\" /></a>\r\n</td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Vanishing Point(2003)\r\n<a href=\"http://www.reenakallat.com/vanishing-point\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/05_resized_gallery_view-300x200.jpg\" alt=\"vanishing point\" title=\"vanishing point\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-1013\" /></a></td>\r\n\r\n</tr>\r\n</tbody>\r\n</table><!--more-->','Works','','inherit','open','open','','54-revision-219','','','2010-06-17 14:23:24','2010-06-17 14:23:24','',54,'http://www.biggventures.com/demo/artists/1254/uncat/54-revision-219',0,'revision','',0),(1255,1,'2010-06-17 12:53:33','2010-06-17 12:53:33','<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/boreal-gallery.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/1 Process Workshop site.jpg\" alt=\"Subject-to-Change-Without-Notice\" title=\"Subject-to-Change-Without-Notice\" width=\"600\" height=\"400\" class=\"alignnone size-large wp-image-368\" /></a>\r\n\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<h3 class=\"canvas\">\r\nBoreal Art/Nature Residency\r\n<span class=\"painting\">2002\r\nWire mesh, leaves from fallen trees, pine tree cones, drift wood\r\napprox. 18ft (l) x 15 ft (b). \r\nLaurentian mountains of Quebec, \r\nCanada</span></h3>\r\n<div id=\"uniquename1\" style=\"display:block\">\r\n\r\nDesc here\r\n\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\">[more info]</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\n\r\nDesc here\r\nextended\r\n\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\">[hide info]</a>\r\n</div>\r\n<script language=\'javascript\' type=\'text/javascript\'>\r\nfunction ReverseContentDisplay(d) {\r\nif(d.length < 1) { return; }\r\nif(document.getElementById(d).style.display == \'none\') \r\n{\r\n  document.getElementById(d).style.display = \'block\'; \r\n  document.getElementById(\"uniquename1\").style.display = \'none\'; \r\n}  \r\nelse \r\n{ \r\n  document.getElementById(d).style.display = \'none\'; \r\n  document.getElementById(\"uniquename1\").style.display = \'block\';\r\n}\r\n}\r\n</script>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n\r\n\r\n\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/boreal-03.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/boreal-03.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/boreal-04.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/boreal-04.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/boreal-05.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/boreal-05.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/boreal-06.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/boreal-06.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/boreal-07.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/boreal-07.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','1203-revision-8','','','2010-06-17 12:53:33','2010-06-17 12:53:33','',1203,'http://www.biggventures.com/demo/artists/1255/uncat/1203-revision-8',0,'revision','',0),(1256,1,'2010-06-17 14:23:50','2010-06-17 14:23:50','<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Art on the Move (2001)<a href=\"http://www.reenakallat.com/art-on-move\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/art-on-move-thumb.jpg\" alt=\"\" title=\"Closet_Quarries\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-712\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Beautiful People of the Rainbow (2001)\r\n<a href=\"http://www.reenakallat.com/beautiful-people\"><img class=\"aligncenter size-medium wp-image-199\" title=\"E1-White Yarn\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/1 Process Workshop site.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Boreal (2002)\r\n<a href=\"http://www.reenakallat.com/boreal\"><img class=\"aligncenter size-medium wp-image-201\" title=\"D1-Crease crevice contour\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/boreal-gallery.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Pollen Patterns (2002)\r\n<a href=\"http://www.reenakallat.com/pollent-patterns\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-thumb.jpg\" alt=\"\" title=\"Pollen-Patterns\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-712\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Elephant Walks (2003)\r\n<a href=\"http://www.reenakallat.com/Elephant-walks\">\r\n<img class=\"aligncenter size-medium wp-image-199\" title=\"Elephant-walks\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-thumb.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Colour Curtain (2009)\r\n<a href=\"http://www.reenakallat.com/colour-curtain\">\r\n<img class=\"aligncenter size-medium wp-image-201\" title=\"Colour-curtain\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-thumb.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Synonym (2009)\r\n<a href=\"http://www.reenakallat.com/synonym\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-thumb.jpg\" alt=\"\" title=\"Synonym\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-712\" /></a></td><td width=\"200\" align=\"left\" valign=\"top\">Your Mileage May Vary (2003)<a href=\"http://www.reenakallat.com/your-mileage-gallery\">\r\n<img class=\"aligncenter size-medium wp-image-199\" title=\"your-mileage-gallery may vary\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-gallery.jpg\" alt=\"your-mileage-gallery may vary\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Closet Quarries (2008)\r\n<a href=\"http://www.reenakallat.com/closet-quarries-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Closet_Quarries-300x160.jpg\" alt=\"\" title=\"Closet_Quarries\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-712\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">White Yarn (2008)\r\n<a href=\"http://www.reenakallat.com/white-yarn-detailed-info\"><img class=\"aligncenter size-medium wp-image-199\" title=\"E1-White Yarn\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/E1-White-Yarn-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Crease crevice contour (2008)\r\n<a href=\"http://www.reenakallat.com/crease-crevice-contour-detailed-info\"><img class=\"aligncenter size-medium wp-image-201\" title=\"D1-Crease crevice contour\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/D1-Crease-crevice-contour1-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Silt of Seasons-2 (2008)\r\n<a href=\"http://www.reenakallat.com/silt-of-seasons-2-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-2-1024x7341-300x215.jpg\" alt=\"Silt-of-Seasons-2\" title=\"Silt-of-Seasons-2-1024x734\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-873\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Lunar Notes (2004-2006)\r\n<a href=\"http://www.reenakallat.com/subject-to-change-without-notice-detailed-info\"><img class=\"aligncenter size-medium wp-image-204\" title=\"Q1-Subject to Change Without Notice\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Q1-Subject-to-Change-Without-Notice-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Walls of the womb (2008)\r\n<a href=\"http://www.reenakallat.com/walls-of-the-womb-detailed-info\"><img class=\"aligncenter size-medium wp-image-205\" title=\"R1-Walls of the womb\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/R1-Walls-of-the-womb-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Penumbra (2008)\r\n<a href=\"http://www.reenakallat.com/penumbra-detailed-info\"><img class=\"aligncenter size-medium wp-image-206\" title=\"T1- Penumbra\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/T1-Penumbra-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Birds of Steel (2005-2006)\r\n<a href=\"http://www.reenakallat.com/birds-of-steel-detailed-info\"><img class=\"aligncenter size-medium wp-image-207\" title=\"V1-Birds of Steel\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/V1-Birds-of-Steel-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Penumbra Passage Canine Cases (2006)\r\n<a href=\"http://www.reenakallat.com/penumbra-passage-canine-cases-detailed-info\"><img class=\"aligncenter size-medium wp-image-208\" title=\"X1-Penumbra Passage (Canine Cases)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/X1-Penumbra-Passage-Canine-Cases-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Memoria Mausolea (2007)\r\n\r\n<a href=\"http://www.reenakallat.com/memoria-mausolea-detailed-info\"><img class=\"alignnone size-medium wp-image-261\" title=\"Memoria Mausolea\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Memoria-Mausolea-300x244.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">White Heat The Ironing Board (2008)\r\n\r\n<a href=\"http://www.reenakallat.com/White Heat-The Ironing Board-detailed-info\"><img class=\"alignnone size-medium wp-image-320\" title=\"White Heat (The Ironing Board)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/F1-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Recitals from the city garden (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/recitals-from-the-city-garden-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/21-Recitals-from-the-city-garden-300x198.jpg\" alt=\"Recitals-from-the-city-garden\" title=\"Recitals-from-the-city-garden\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-917\" /></a></td>\r\n\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Sculptures (2003)\r\n\r\n<a href=\"http://www.reenakallat.com/scuptures-detailed-info\"><img class=\"aligncenter size-medium wp-image-621\" title=\"Sculptures\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Scuptures-300x188.jpg\" alt=\"Scuptures\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Silt of Seasons 1 (2008)\r\n<a href=\"http://www.reenakallat.com/silt-of-seasons-1\"><img class=\"alignleft size-large wp-image-417\" title=\"Silt of Seasons-1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Silt-of-Seasons-1-1024x682.jpg\" alt=\"Silt of Seasons-1\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">I1 (2008)\r\n<a href=\"http://www.reenakallat.com/i1-detailed-info\"><img class=\"alignleft size-large wp-image-436\" title=\"I1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/I11-731x1024.jpg\" alt=\"I1\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">J1 (2008)\r\n<a href=\"http://www.reenakallat.com/j1-detailed-info\"><img class=\"alignleft size-large wp-image-445\" title=\"J1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/J1-721x1023.jpg\" alt=\"J1\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">K1 (2008)\r\n<a href=\"http://www.reenakallat.com/k1-detailed-info\"><img class=\"alignleft size-large wp-image-451\" title=\"K1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/K1-726x1023.jpg\" alt=\"K1\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">L1 (2008)\r\n<a href=\"http://www.reenakallat.com/l1-detailed-info\"><img class=\"alignleft size-large wp-image-459\" title=\"L1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/L1-744x1024.jpg\" alt=\"L1\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">M1 (2008)\r\n<a href=\"http://www.reenakallat.com/m1-detailed-info\"><img class=\"alignleft size-medium wp-image-468\" title=\"M1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/M1-220x300.jpg\" alt=\"M1\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">N1 (2008)\r\n<a href=\"http://www.reenakallat.com/n1-detailed-info\"><img class=\"alignleft size-medium wp-image-469\" title=\"N1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/N1-217x300.jpg\" alt=\"N1\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">O1(2008)\r\n<a href=\"http://www.reenakallat.com/o1-detailed-info\"><img class=\"alignleft size-medium wp-image-470\" title=\"O1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/O1-214x300.jpg\" alt=\"O1\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Colostrum (2008)\r\n<a href=\"http://www.reenakallat.com/z1-detailed-info-2\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Z1-1024x577-300x169.jpg\" alt=\"Z1\" title=\"Z1\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-879\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Saline (2007)\r\n<a href=\"http://www.reenakallat.com/saline-detailed-info\"><img class=\"alignleft size-medium wp-image-495\" title=\"Saline\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Saline-300x185.jpg\" alt=\"saline\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Memoria corona (2006)\r\n<a href=\"http://www.reenakallat.com/memoria-corona\"><img class=\"alignleft size-medium wp-image-505\" title=\"Memoria Corona\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Memoria-Corona-220x300.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Xylophone (2005)\r\n<a href=\"http://www.reenakallat.com/xylophone-detailed-info\"><img class=\"aligncenter size-medium wp-image-517\" title=\"Xylophone\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Xylophone-1024x682.jpg\" alt=\"Xylophone\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Seven Faces of Dust (2003)\r\n<a href=\"http://www.reenakallat.com/seven-faces-of-dust-detailed-info\"><img class=\"aligncenter size-medium wp-image-612\" title=\"Seven Faces of Dust\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Seven-Faces-of-Dust-300x192.jpg\" alt=\"Seven Faces of Dust\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Kiosk (2003)\r\n<a href=\"http://www.reenakallat.com/kiosk-detailed-info\"><img class=\"aligncenter size-medium wp-image-537\" title=\"Kiosk\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Kiosk-300x224.jpg\" alt=\"Kiosk\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Escapades of the ladder occupants (1998)\r\n<a href=\"http://www.reenakallat.com/escapades-of-the-ladder-occupants-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Escapades-of-the-ladder-occupants2-204x300.jpg\" alt=\"\" title=\"Escapades-of-the-ladder-occupants2\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-1064\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Black Flute (2004)\r\n<a href=\"http://www.reenakallat.com/black-flute-detailed-info\"><img class=\"aligncenter size-medium wp-image-547\" title=\"Black Flute\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-299x197.jpg\" alt=\"Black Flute\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Birthmark Tattoos (2004)\r\n<a href=\"http://www.reenakallat.com/birthmark-tattoos-detailed-info\"><img class=\"aligncenter size-medium wp-image-557\" title=\"BirthMark tattoos\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/BirthMark-tattoos-300x225.jpg\" alt=\"BirthMark and tattoos\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Orchard of home grown secrets (1998)\r\n<a href=\"http://www.reenakallat.com/orchard-detailed-info\"><img class=\"aligncenter size-medium wp-image-564\" title=\"Orchard\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchard-300x186.jpg\" alt=\"Orchard\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Joint Family (1998)\r\n<a href=\"http://www.reenakallat.com/joint-family-detailed-info\"><img class=\"aligncenter size-medium wp-image-577\" title=\"Joint Family\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Joint-Family-295x295.png\" alt=\"Joint Family\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Billboard/Mural for the Kala Ghoda Festival (2003)\r\n<a href=\"http://www.reenakallat.com/billboardmural-for-the-kala-ghoda-festival-2003\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/4-Complete-Billboard-300x187.jpg\" alt=\"Billboard/Mural for the Kala Ghoda Festival 2003\" title=\"Billboard/Mural for the Kala Ghoda Festival 2003\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-977\" /></a></td>\r\n\r\n</tr>\r\n\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Moving millimeter (1998)\r\n<a href=\"http://www.reenakallat.com/moving-millimeter\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/moving-millineter1-300x200.jpg\" alt=\"moving-millimeter\" title=\"moving-millimeter\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-1022\" /></a>\r\n</td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Vanishing Point(2003)\r\n<a href=\"http://www.reenakallat.com/vanishing-point\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/05_resized_gallery_view-300x200.jpg\" alt=\"vanishing point\" title=\"vanishing point\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-1013\" /></a></td>\r\n\r\n</tr>\r\n</tbody>\r\n</table><!--more-->','Works','','inherit','open','open','','54-revision-220','','','2010-06-17 14:23:50','2010-06-17 14:23:50','',54,'http://www.biggventures.com/demo/artists/1256/uncat/54-revision-220',0,'revision','',0),(1257,1,'2010-06-18 07:13:00','2010-06-18 07:13:00','<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Synonym (2009)<a href=\"http://www.reenakallat.com/synonym\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-thumb.jpg\" alt=\"\" title=\"Synonym\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-712\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Colour Curtain (2009)<a href=\"http://www.reenakallat.com/colour-curtain\"><img class=\"aligncenter size-medium wp-image-201\" title=\"Colour-curtain\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-thumb.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td><td width=\"200\" align=\"left\" valign=\"top\">White Heat The Ironing Board (2008)<a href=\"http://www.reenakallat.com/White Heat-The Ironing Board-detailed-info\"><img class=\"alignnone size-medium wp-image-320\" title=\"White Heat (The Ironing Board)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/F1-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Closet Quarries (2008)\r\n<a href=\"http://www.reenakallat.com/closet-quarries-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Closet_Quarries-300x160.jpg\" alt=\"\" title=\"Closet_Quarries\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-712\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">White Yarn (2008)\r\n<a href=\"http://www.reenakallat.com/white-yarn-detailed-info\"><img class=\"aligncenter size-medium wp-image-199\" title=\"E1-White Yarn\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/E1-White-Yarn-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Crease crevice contour (2008)\r\n<a href=\"http://www.reenakallat.com/crease-crevice-contour-detailed-info\"><img class=\"aligncenter size-medium wp-image-201\" title=\"D1-Crease crevice contour\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/D1-Crease-crevice-contour1-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Colostrum (2008)\r\n<a href=\"http://www.reenakallat.com/z1-detailed-info-2\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Z1-1024x577-300x169.jpg\" alt=\"Z1\" title=\"Z1\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-879\" /></a></td>\r\n\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Silt of Seasons 1 (2008)\r\n<a href=\"http://www.reenakallat.com/silt-of-seasons-1\"><img class=\"alignleft size-large wp-image-417\" title=\"Silt of Seasons-1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Silt-of-Seasons-1-1024x682.jpg\" alt=\"Silt of Seasons-1\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">I1 (2008)\r\n<a href=\"http://www.reenakallat.com/i1-detailed-info\"><img class=\"alignleft size-large wp-image-436\" title=\"I1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/I11-731x1024.jpg\" alt=\"I1\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">J1 (2008)\r\n<a href=\"http://www.reenakallat.com/j1-detailed-info\"><img class=\"alignleft size-large wp-image-445\" title=\"J1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/J1-721x1023.jpg\" alt=\"J1\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">K1 (2008)\r\n<a href=\"http://www.reenakallat.com/k1-detailed-info\"><img class=\"alignleft size-large wp-image-451\" title=\"K1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/K1-726x1023.jpg\" alt=\"K1\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">L1 (2008)\r\n<a href=\"http://www.reenakallat.com/l1-detailed-info\"><img class=\"alignleft size-large wp-image-459\" title=\"L1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/L1-744x1024.jpg\" alt=\"L1\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">M1 (2008)\r\n<a href=\"http://www.reenakallat.com/m1-detailed-info\"><img class=\"alignleft size-medium wp-image-468\" title=\"M1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/M1-220x300.jpg\" alt=\"M1\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">N1 (2008)\r\n<a href=\"http://www.reenakallat.com/n1-detailed-info\"><img class=\"alignleft size-medium wp-image-469\" title=\"N1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/N1-217x300.jpg\" alt=\"N1\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">O1(2008)\r\n<a href=\"http://www.reenakallat.com/o1-detailed-info\"><img class=\"alignleft size-medium wp-image-470\" title=\"O1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/O1-214x300.jpg\" alt=\"O1\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Penumbra (2008)\r\n<a href=\"http://www.reenakallat.com/penumbra-detailed-info\"><img class=\"aligncenter size-medium wp-image-206\" title=\"T1- Penumbra\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/T1-Penumbra-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Silt of Seasons-2 (2008)\r\n<a href=\"http://www.reenakallat.com/silt-of-seasons-2-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-2-1024x7341-300x215.jpg\" alt=\"Silt-of-Seasons-2\" title=\"Silt-of-Seasons-2-1024x734\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-873\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Walls of the womb (2008)\r\n<a href=\"http://www.reenakallat.com/walls-of-the-womb-detailed-info\"><img class=\"aligncenter size-medium wp-image-205\" title=\"R1-Walls of the womb\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/R1-Walls-of-the-womb-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Memoria Mausolea (2007)\r\n<a href=\"http://www.reenakallat.com/memoria-mausolea-detailed-info\"><img class=\"alignnone size-medium wp-image-261\" title=\"Memoria Mausolea\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Memoria-Mausolea-300x244.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Saline (2007)\r\n<a href=\"http://www.reenakallat.com/saline-detailed-info\"><img class=\"alignleft size-medium wp-image-495\" title=\"Saline\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Saline-300x185.jpg\" alt=\"saline\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Penumbra Passage Canine Cases (2006)\r\n<a href=\"http://www.reenakallat.com/penumbra-passage-canine-cases-detailed-info\"><img class=\"aligncenter size-medium wp-image-208\" title=\"X1-Penumbra Passage (Canine Cases)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/X1-Penumbra-Passage-Canine-Cases-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Memoria corona (2006)\r\n<a href=\"http://www.reenakallat.com/memoria-corona\"><img class=\"alignleft size-medium wp-image-505\" title=\"Memoria Corona\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Memoria-Corona-220x300.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Birds of Steel (2005-2006)\r\n<a href=\"http://www.reenakallat.com/birds-of-steel-detailed-info\"><img class=\"aligncenter size-medium wp-image-207\" title=\"V1-Birds of Steel\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/V1-Birds-of-Steel-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Lunar Notes (2004-2006)\r\n<a href=\"http://www.reenakallat.com/subject-to-change-without-notice-detailed-info\"><img class=\"aligncenter size-medium wp-image-204\" title=\"Q1-Subject to Change Without Notice\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Q1-Subject-to-Change-Without-Notice-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n</tr>\r\n\r\n\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Xylophone (2005)\r\n<a href=\"http://www.reenakallat.com/xylophone-detailed-info\"><img class=\"aligncenter size-medium wp-image-517\" title=\"Xylophone\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Xylophone-1024x682.jpg\" alt=\"Xylophone\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Black Flute (2004)\r\n<a href=\"http://www.reenakallat.com/black-flute-detailed-info\"><img class=\"aligncenter size-medium wp-image-547\" title=\"Black Flute\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-299x197.jpg\" alt=\"Black Flute\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Birthmark Tattoos (2004)\r\n<a href=\"http://www.reenakallat.com/birthmark-tattoos-detailed-info\"><img class=\"aligncenter size-medium wp-image-557\" title=\"BirthMark tattoos\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/BirthMark-tattoos-300x225.jpg\" alt=\"BirthMark and tattoos\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Vanishing Point(2003)\r\n<a href=\"http://www.reenakallat.com/vanishing-point\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/05_resized_gallery_view-300x200.jpg\" alt=\"vanishing point\" title=\"vanishing point\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-1013\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Sculptures (2003)\r\n\r\n<a href=\"http://www.reenakallat.com/scuptures-detailed-info\"><img class=\"aligncenter size-medium wp-image-621\" title=\"Sculptures\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Scuptures-300x188.jpg\" alt=\"Scuptures\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Elephant Walks (2003)\r\n<a href=\"http://www.reenakallat.com/Elephant-walks\">\r\n<img class=\"aligncenter size-medium wp-image-199\" title=\"Elephant-walks\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-thumb.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n\r\n</tr>\r\n\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Billboard/Mural for the Kala Ghoda Festival (2003)\r\n<a href=\"http://www.reenakallat.com/billboardmural-for-the-kala-ghoda-festival-2003\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/4-Complete-Billboard-300x187.jpg\" alt=\"Billboard/Mural for the Kala Ghoda Festival 2003\" title=\"Billboard/Mural for the Kala Ghoda Festival 2003\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-977\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Seven Faces of Dust (2003)\r\n<a href=\"http://www.reenakallat.com/seven-faces-of-dust-detailed-info\"><img class=\"aligncenter size-medium wp-image-612\" title=\"Seven Faces of Dust\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Seven-Faces-of-Dust-300x192.jpg\" alt=\"Seven Faces of Dust\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Kiosk (2003)\r\n<a href=\"http://www.reenakallat.com/kiosk-detailed-info\"><img class=\"aligncenter size-medium wp-image-537\" title=\"Kiosk\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Kiosk-300x224.jpg\" alt=\"Kiosk\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n</tr>\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Your Mileage May Vary (2003)<a href=\"http://www.reenakallat.com/your-mileage-gallery\">\r\n<img class=\"aligncenter size-medium wp-image-199\" title=\"your-mileage-gallery may vary\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-gallery.jpg\" alt=\"your-mileage-gallery may vary\" width=\"270\" height=\"214\" /></a>\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Boreal (2002)\r\n<a href=\"http://www.reenakallat.com/boreal\"><img class=\"aligncenter size-medium wp-image-201\" title=\"D1-Crease crevice contour\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/boreal-gallery.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Pollen Patterns (2002)\r\n<a href=\"http://www.reenakallat.com/pollent-patterns\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-thumb.jpg\" alt=\"\" title=\"Pollen-Patterns\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-712\" /></a></td>\r\n\r\n\r\n</tr>\r\n\r\n\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Art on the Move (2001)<a href=\"http://www.reenakallat.com/art-on-move\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/art-on-move-thumb.jpg\" alt=\"\" title=\"Closet_Quarries\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-712\" /></a>\r\n</td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Beautiful People of the Rainbow (2001)\r\n<a href=\"http://www.reenakallat.com/beautiful-people\"><img class=\"aligncenter size-medium wp-image-199\" title=\"E1-White Yarn\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/1 Process Workshop site.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Orchard of home grown secrets (1998)\r\n<a href=\"http://www.reenakallat.com/orchard-detailed-info\"><img class=\"aligncenter size-medium wp-image-564\" title=\"Orchard\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchard-300x186.jpg\" alt=\"Orchard\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Joint Family (1998)\r\n<a href=\"http://www.reenakallat.com/joint-family-detailed-info\"><img class=\"aligncenter size-medium wp-image-577\" title=\"Joint Family\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Joint-Family-295x295.png\" alt=\"Joint Family\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Escapades of the ladder occupants (1998)\r\n<a href=\"http://www.reenakallat.com/escapades-of-the-ladder-occupants-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Escapades-of-the-ladder-occupants2-204x300.jpg\" alt=\"\" title=\"Escapades-of-the-ladder-occupants2\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-1064\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Recitals from the city garden (1998)\r\n\r\n<a href=\"http://www.reenakallat.com/recitals-from-the-city-garden-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/21-Recitals-from-the-city-garden-300x198.jpg\" alt=\"Recitals-from-the-city-garden\" title=\"Recitals-from-the-city-garden\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-917\" /></a></td>\r\n\r\n\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Moving millimeter (1998)\r\n<a href=\"http://www.reenakallat.com/moving-millimeter\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/moving-millineter1-300x200.jpg\" alt=\"moving-millimeter\" title=\"moving-millimeter\" width=\"270\" height=\"214\" class=\"aligncenter size-medium wp-image-1022\" /></a>\r\n</td>\r\n\r\n</tr>\r\n\r\n\r\n</tbody>\r\n</table><!--more-->','Works','','inherit','open','open','','54-revision-221','','','2010-06-18 07:13:00','2010-06-18 07:13:00','',54,'http://www.biggventures.com/demo/artists/1257/uncat/54-revision-221',0,'revision','',0),(1258,1,'2010-06-16 06:49:56','2010-06-16 06:49:56','<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"70%\" align=\"centre\">\r\n<tbody>\r\n<tr>\r\n<td  align=\"centre\" valign=\"top\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/images1.jpeg\" alt=\"publications\" title=\"publications\" width=\"270\" height=\"214\" class=\"aligncenter size-full wp-image-939\" /></a></td>\r\n<td  align=\"centre\" valign=\"bottom\"><br/>\r\n<table width=100%>\r\n<tr>\r\n<td width=20%>Name</td><td>Publication 1</td>\r\n</tr><tr>\r\n<td>Year</td><td>2007</td>\r\n</tr><tr>\r\n<td>Description</td><td>Description about the publication</td>\r\n</tr><tr>\r\n<td><a href=\"http://www.reenakallat.com/publication-1\">View Essay</a></td>\r\n</tr></table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/images2-1024x949.jpg\" alt=\"publications\" title=\"publications\" width=\"270\" height=\"214\" class=\"aligncenter size-large wp-image-941\" /></a></td>\r\n<td  align=\"centre\" valign=\"bottom\">\r\n<table width=100%>\r\n<tr>\r\n<td width=20%>Name</td><td>Publication 2</td>\r\n</tr><tr>\r\n<td>Year</td><td>2008</td>\r\n</tr><tr>\r\n<td>Description</td><td>Description about the publication</td>\r\n</tr><tr>\r\n<td><a href=\"http://www.reenakallat.com/publication-1\">View Essay</a></td>\r\n</tr></table>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<!-- Start of Other Publications -->\r\n<!-- 		@page { size: 21cm 29.7cm; margin: 2cm } 		P { margin-bottom: 0.21cm } -->\r\n<h2 style=\"text-align: center;\">\r\n</h2>\r\n<em><strong>THE ARCHIVES OF THE HEART</strong></em>\r\n\r\nNancy Adajania, Indian Contemporaray Art Journal, Volume 1, Issue III,\r\n\r\nFront Cover, pgs 42-45, 2009\r\n\r\n<em><strong>GLOBALE KUNST MIT WURZELDUFT</strong></em>\r\n\r\nVon Almuth Speigler, Die Presse, Feuilleton, 2<sup>nd</sup> September 2009\r\n\r\n<em><strong>LANDSCAPES OF LOSS</strong></em>\r\n\r\nBeth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009\r\n\r\n<em><strong>ARTIST OF THE FORTNIGHT</strong></em>\r\n\r\nMaria Louis, Outlook Profit, 24<sup>th</sup> July 2009\r\n\r\n<em><strong>REINCARNATING HISTORY</strong></em>\r\n\r\nThe big Picture, Architect and Interiors, July 2009\r\n\r\n<em><strong>STAMP COLLECTION</strong></em>\r\n\r\nGeorgina Maddox, The Sunday Express, 17<sup>th</sup> May 2009\r\n\r\n<em><strong>LOST AND FOUND</strong></em>\r\n\r\nMarina Correa, DNA, Mumbai, 22<sup>nd</sup> January, 2009\r\n\r\n<em><strong>EVOLVING BEYOND BORDERS</strong></em>\r\n\r\nReshma S. Kulkarni, Bombay times, The Times of India, 15<sup>th</sup> January, 2009\r\n\r\n<em><strong>QUARRIES AND ANSWERS</strong></em>\r\n\r\nReema Gehi, Hindustan Times Café, Mumbai, 24<sup>th</sup> December 2008\r\n\r\n<em><strong>DEJA VIEW</strong></em>\r\n\r\nTara Khilachand, Live Mint, 20<sup>th</sup> December 2008\r\n\r\n<em><strong>TERROR STRUCK</strong></em>\r\n\r\nMaria Louis, Outlook Profit, 26<sup>th</sup> December 2008\r\n\r\n<em><strong>NAME CALLING</strong></em>\r\n\r\nDeepanjana Pal, Timeout Mumbai, December 2008\r\n\r\n<em><strong>PAINTING A PROTEST</strong></em>\r\n\r\nSujata Chakrabarti, DNA After Hrs, 21st August 2008\r\n\r\n<em><strong>ARTIST OF THE FORTNIGHT</strong></em>\r\n\r\nMaria Louis, Outlook Profit, pg 79, April 2008\r\n\r\n<em><strong>FOCUS INDIA</strong></em>\r\n\r\nMegha Ralapati, Flash Art, pg 114, January February 2008\r\n\r\n<em><strong>QUARRYING THE PAST</strong></em>\r\n\r\nMaria Louis, Beautiful People, pg 145, March-April 2008\r\n\r\n<em><strong>COME TOGETHER RIGHT NOW</strong></em>\r\n\r\nReema Gehi, HT Café, 15<sup>th</sup> February 2008\r\n\r\n<em><strong>SUCH A LONG JOURNEY</strong></em>\r\n\r\nAparna S Sharma, Elle Magazine, pgs 115-117, February 2008\r\n\r\n<em><strong> </strong></em><em><strong>MORE THAN A WOMAN</strong></em>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 4<sup>th</sup> February 2008.\r\n\r\n<em><strong>ARTIST OF THE FORTNIGHT</strong></em>\r\n\r\nMaria Louis, Outlook, Profit, dated 18<sup>th</sup> April 2008.\r\n\r\n<em><strong></strong></em><em><strong>CORRUPTIONS OF POWER</strong></em>\r\n\r\nShiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs98-99, 2007\r\n\r\n<em><strong></strong></em><em><strong>POLITICAL CHAOS</strong></em>\r\n\r\nDeepali Nandwani, Beautiful people, pg 143, November-December 2006\r\n\r\n<em><strong></strong></em><em><strong>OVER THE RAINBOW</strong></em>\r\n\r\nMaria Louis, Interview, Verve Magazine, pg 78, November 2006\r\n\r\n<em><strong>HER CROWNING ACHIEVEMENT</strong></em>\r\n\r\nClara Chow, The Straits Times, 18<sup>th</sup> November, 2006\r\n\r\n<em><strong>RAINBOW OF REFUSE</strong></em>\r\n\r\nInside Outside Magazine, November 2006\r\n\r\n<em><strong>IN A STATE OF PERENNIAL SIEGE</strong></em>\r\n\r\nNancy Adajania, The Hindu, Hyderabad, 29<sup>th</sup> October, 2006\r\n\r\n<em><strong>WEAPONS OF MASS CONSTRUCTION</strong></em>\r\n\r\nRituparna Som, DNA After Hrs Mumbai, 9<sup>th</sup> October, 2006\r\n\r\n<em><strong>UNDER ATTACK</strong></em>\r\n\r\nGitanjali Dang, HT Mumbai, 22<sup>nd</sup> September 2006\r\n\r\n<em><strong>GUNS AND ROSES</strong></em>\r\n\r\nRachna Nakra, The Indian Express, Mumbai Newsline, 18<sup>th</sup> September 2006\r\n\r\n<em><strong>TIME TRAVELLER</strong></em>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 27<sup>th</sup> June 2006\r\n\r\n<em><strong>BEYOND FEMINISM</strong></em>\r\n\r\nMallika Advani, Elle Décor, pg 78-80, May 2006\r\n\r\n<em><strong>THE FLOWER AND THE SWORD</strong></em>\r\n\r\nGirish Shahane, pg 93, The Art News magazine of India, volume X issue I, 2004\r\n\r\n<em><strong>BLACK FLUTE</strong></em>\r\n\r\nInside Outside Magazine, pgs 36-37, November 2004\r\n\r\n<em><strong>INDIA’S TOP 100 ACHIEVERS</strong></em>\r\n\r\nSociety Magazine, pg 137, December 2004\r\n\r\n<em><strong>CAUGHT BETWEEN DEMONS</strong></em>\r\n\r\nNancy Adajania, The Hindu, 19<sup>th</sup> December 2004\r\n\r\n<em><strong>HARD COPY</strong></em>\r\n\r\nInside Outside, pgs 30-32, November 2003\r\n\r\n<em><strong>A HARD COPY OF FLUX</strong></em>\r\n\r\nSharmila Maiti, Calcutta Times, The Times of India, 3<sup>rd</sup> November 2003\r\n\r\n<em><strong>KALA GHODA GETS A HORSE</strong></em>\r\n\r\nJasmine Shah Varma, The List, Mid Day, 22<sup>nd</sup> October 2003\r\n\r\n<em><strong>METAPHORS OF CONTEMPORARY REALITIES</strong></em>\r\n\r\nSoumitra Das, The Telegraph, 31<sup>st</sup> October 2003\r\n\r\n<em><strong>EN REISE TIL INDIA</strong></em>\r\n\r\nHarald Flor, Dagbladet, Kultur, 2<sup>nd</sup> February 2003\r\n\r\n<em><strong>SIGNS OF RESISTANCE</strong></em>\r\n\r\nNancy Adajania, The Hindu, 5<sup>th</sup> January 2003\r\n\r\n<em><strong>OF THE GODDESS AND DEMON IN THE MIND</strong></em>\r\n\r\nDebbie Rodgers, Sunday edition Vijay Times, Bangalore, 5<sup>th</sup> January 2003\r\n\r\n<em><strong>EMPATHIC ANGER</strong></em>\r\n\r\nMarta Jakimowicz, Deccan Herald, 23<sup>rd</sup> December 2002\r\n\r\n<em><strong>MYSORE EK KHOJ</strong></em>\r\n\r\nCross Fertilization of Culture, Interview in Star of Mysore, 27<sup>th</sup> October 2002\r\n\r\n<em><strong>DIFFERENT STROKES</strong></em>\r\n\r\nGeorgina L Maddox, The Indian Express, Mumbai Newsline, 24<sup>th</sup> July, 2002\r\n\r\n<em><strong>CREATING TO DESTROY</strong></em>\r\n\r\nJasmine Shah Varma, The List, Mid Day, 22<sup>nd</sup> February 2002\r\n\r\n<em><strong>LINKING ISLANDS</strong></em>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 15<sup>th</sup> February 2002\r\n\r\n<em><strong>OF FAITH AND HUNGER</strong></em>\r\n\r\nAbhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89, December 2000\r\n\r\n<em><strong>PARADOXICAL METAPHORS</strong></em>\r\n\r\nSanaya Pavri, Oomph Art, pgs 38-40 December 2000\r\n\r\n<em><strong>AN ARTIST’S WORLD: ROTI, MAKAAN &amp; ABSTRACT ART</strong></em>\r\n\r\nPoonam Goel, HT City, 23<sup>rd</sup> December 2000\r\n\r\n<em><strong>SCINTILLATING SKIN</strong></em>\r\n\r\nVaibhav Purandare, The Asian Age, 14<sup>th</sup> October 2000\r\n\r\n<em><strong>THE MURMUR OF SKIN</strong></em>\r\n\r\nNupur Mahajan, Bombay times, Times of India, 12<sup>th</sup> October 2000\r\n\r\n<em><strong>INSIDE OUT</strong></em>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 11<sup>th</sup> October 2000\r\n\r\n<em><strong>NOT JUST SKIN DEEP</strong></em>\r\n\r\nJasmine Shah Varma, The list, Mid-day, 4<sup>th</sup> October 2000\r\n\r\n<em><strong>INTERACTIVE MEDIUM</strong></em>\r\n\r\nKaren Pereira, Indian Architect &amp; Builder, pgs 102-104, October 1998\r\n\r\n<em><strong>FARMING INTRIRUE</strong></em>\r\n\r\nJerry Pinto, The Times of India, Bombay Times, 3<sup>rd</sup> September 1998\r\n\r\n<em><strong>WITHIN YOU, WITHOUT YOU</strong></em>\r\n\r\nAnu Kumar, Indian Express, Express Newsline, 2<sup>nd</sup> September 1998\r\n\r\n<em><strong>DUAL TONES </strong></em>\r\n\r\nDnyaneshwar Nadkarni, Mid-day, 27<sup>th</sup> August 1998','Publications','','inherit','open','open','','87-revision-31','','','2010-06-16 06:49:56','2010-06-16 06:49:56','',87,'http://www.biggventures.com/demo/artists/1258/uncat/87-revision-31',0,'revision','',0),(1278,1,'2010-04-22 12:50:05','2010-04-22 12:50:05','<p><!-- 		@page { size: 21cm 29.7cm; margin: 2cm } 		P { margin-bottom: 0cm } 		P.western { font-size: 11pt } 		P.cjk { font-size: 11pt } 		H2 { margin-top: 0cm; margin-bottom: 0cm } 		H2.western { font-family: \"Nimbus Roman No9 L\", serif; font-size: 11pt } 		H2.cjk { font-family: \"DejaVu Sans\"; font-size: 11pt } 		H2.ctl { font-family: \"DejaVu Sans\"; font-size: 12pt; font-weight: medium } 		H1 { margin-top: 0cm; margin-bottom: 0cm } 		H1.western { font-family: \"Nimbus Roman No9 L\", serif; font-size: 12pt } 		H1.cjk { font-family: \"DejaVu Sans\"; font-size: 12pt } 		H1.ctl { font-family: \"DejaVu Sans\"; font-size: 12pt; font-weight: medium } --></p>\r\n<h2><span style=\"font-size: medium;\"><span style=\"text-decoration: underline;\">REENA S. KALLAT</span></span></h2>\r\n<p><span>1973                   Born in Delhi, India</span></p>\r\n<ol>\r\n<li>\r\n<ol>\r\n<li><span>B.F.A. 		[painting], Sir J.J.School of Art, Mumbai</span></li>\r\n</ol>\r\n</li>\r\n</ol>\r\n<p>The artist lives and works in Mumbai.</p>\r\n<p><span><em><strong>SOLO EXHIBITIONS</strong></em></span></p>\r\n<p><span><span>2009 </span><span><em>Drift</em></span><span>, Primo Marella Gallery, Milan </span><span><em>*</em></span></span></p>\r\n<p><span><span>2008 </span><span><em>Silt of Seasons</em></span><span>, Chemould Prescott Road, Mumbai </span><span><em>*</em></span></span></p>\r\n<p><span><span>2008 </span><span><em>Subject to Change without Notice</em></span><span>, Walsh Gallery, Chicago </span><span><em>*</em></span></span></p>\r\n<p><span><span>2006 </span><span><em>Rainbow Of Refuse, </em></span><span>Bodhi Art Gallery, Mumbai and Singapore </span><span><em>* </em></span></span></p>\r\n<p><span><span>2005 </span><span><em>Black Flute (And Other Stories)</em></span><span>, Nature Morte, New Delhi </span><span><em>*</em></span></span></p>\r\n<p><span><span>2004 </span><span><em>Black Flute</em></span><span>, Gallery Chemould, Mumbai </span><span><em>*</em></span></span></p>\r\n<p><span>2002 </span><span><em>The Battlefield Is The Mind</em></span><span>, Sakshi Gallery, Bangalore </span><span><em>*</em></span></p>\r\n<p><span>2002 </span><span><em>Seven Faces of Dust</em></span><span>, Chicago Radio, Mumbai</span></p>\r\n<p><span><span>2000 </span><span><em>Skin</em></span><span>, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi </span><span><em>*</em></span></span></p>\r\n<ol>\r\n<li><span><span><em>Orchard 	of Home-grown Secrets</em></span><span>, 	Gallery Chemould and Pundole Art Gallery, Mumbai </span><span><em>*</em></span></span></li>\r\n</ol>\r\n<p><span><em><strong>SELECTED GROUP EXHIBITIONS</strong></em></span></p>\r\n<p><span><span>2010 </span><span><em>In Transition: New Art from India</em></span><span>, Richmond Art Gallery in collaboration with the Vancouver Biennale, Vancouver</span></span></p>\r\n<p><span><span>2010 </span><span><em>Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster </em></span><span><em>University</em></span><span>, curated by Jeffrey Hughes and Dana Turkovic, Cecile R. Hunt </span>Gallery, St. Louis, Missouri</span></p>\r\n<p><span><span>2010 </span><span><em>Never Run Away</em></span><span>, 2 person exhibition curated by Shaheen Merali, Stux Gallery, New York </span><span><em>*</em></span></span></p>\r\n<p><span><span>2010 </span><span><em>The Empire Strikes Back</em></span><span>, Saatchi Gallery, London </span><span><em>*</em></span></span></p>\r\n<p><span><span>2010 </span><span><em> Urban Manners 2</em></span><span>, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao Paulo, Brazil</span></span></p>\r\n<p><span><span>2009 </span><span><em>View Points and Viewing points - 2009 Asian Art Biennale</em></span><span>, National Taiwan<br />\r\nMuseum of Fine Arts </span><span><em>*</em></span></span></p>\r\n<p><span><span>2009 </span><span><em>Spectrum: Indian Art at Abu Dhabi</em></span><span>, United Arab Emirates</span></span></p>\r\n<p><span><span>2009 </span><span><em>Milan Galleria</em></span><span>, curated by Georgio Verzotti, Triennale Museum, Milan</span></span></p>\r\n<p>2009                  <em>Passage to India Part II show </em>at Initial Access, Frank Cohen Collection, Wolverhampton, UK</p>\r\n<p><span>2009                  Ventosul Biennale, Curitiba, Brazil </span></p>\r\n<p><span><span>2009 </span><span><em> Chalo! India: A New Era of Indian Art</em></span><span>, National Museum of Contemporary Art, </span></span></p>\r\n<p><span><span>Korea and Essl Museum, Vienna </span><span><em>*</em></span></span></p>\r\n<p><span><span>2009 </span><span><em>INDIA XIANZAI: Contemporary Indian Art</em></span><span>, Museum of Contemporary Art, Shanghai </span><span><em>*</em></span><span> </span></span></p>\r\n<ol>\r\n<li><span><span><em>Low 	Blow: And Other Species of Confusion</em></span><span>, 	Stux gallery, New York</span></span></li>\r\n</ol>\r\n<p><span><span>2009</span><span><em> Indian Narratives in the 21</em></span><sup><span><em>st</em></span></sup><span><em> Century: Between Memory and History</em></span><span>, Casa Asia, Madrid and Barcelona, Spain </span></span></p>\r\n<p><span><span>2009 </span><span><em>Body Chatter</em></span><span>, Walsh Gallery, Chicago</span></span></p>\r\n<p>2008     <em> Chalo! India: A New Era of Indian Art</em>, Mori Art Museum, Japan <em>*</em></p>\r\n<p>2008                  India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM Museum, Valencia, Spain <em>* </em></p>\r\n<p><span>2008                     <span><em>3</em></span><sup><span><em>rd</em></span></sup><span><em> Nanjing Triennale</em></span><span>, curators: Fumihiko Sumitomo, Jaeyoung Kang, China</span></span></p>\r\n<p><span>2008                     <span><em>TEAF (Taehwagang Eco Art Festival) - Dream River</em></span><span>, Korea</span> * </span></p>\r\n<p>2008                  <em>Everywhere is War (And Rumours of it</em>), Bodhi Art Gallery, Mumbai <em>*</em></p>\r\n<p>2008                  <em>Fire Walkers</em>, Stefan Stux gallery, New York</p>\r\n<p>2008                  <em>Three Points of view</em>, Galerie Mirchandani + Steinrucke, Mumbai <em>*</em></p>\r\n<p>2008                  <em>A MAZ ING</em>, curated by Anupa Mehta for Harsh Goenka/RPG Academy of Art and Culture at the Jehangir Art Gallery, Mumbai</p>\r\n<p>2008                  <em>Excavation: Memory / Myth / Membrane</em>, Museum Gallery, Mumbai <em>*</em></p>\r\n<p>2007                  <em>International Incheon Women Artists’</em> <em>Biennale</em>, Korea <em>*</em></p>\r\n<p>2007                  <em>Soft Power: Asian Attitude</em>, Shanghai Zendai Museum of Modern Art, Shanghai <em>*</em></p>\r\n<p>2007                  <em>Urban Manners</em>, curated by Adelina Von Furstenberg, at Hangar Bicocca , Milan</p>\r\n<p>2007                  <em>INDIA NOW: Contemporary Indian Art, Between Continuity and transformation</em>, curated by Daniela Palozzoli at Spazio Oberdan, Milan <em>*</em></p>\r\n<p>2007                  <em>New Narratives: Contemporary Art From India</em>, curated by Betty Seid, Chicago Cultural Centre, Chicago <em>*</em></p>\r\n<p>2007                  <em>Thermocline Of Art- New Asian Waves</em>, curated by Wonil Rhee and Peter Weibel at ZKM in Karlsruhe, Germany <em>*</em></p>\r\n<p>2007                  <em>Indian Colour</em>, Keumsan Gallery, Heyri, Korea</p>\r\n<p><span><span>2006 </span><span><em>Modern Indian Works On Paper,</em></span><span> Arthur Ross Gallery, Philadelphia and the Georgia Museum of Art, USA * </span></span></p>\r\n<p><span><span>2006 </span><span><em>Lille 3000 (</em></span><span> Maximum City-Mumbai), Lille, France </span><span><em>*</em></span></span></p>\r\n<p><span><span>2006</span><span><em> Hungry God- Indian Contemporary Art</em></span><span>, curated by Yun Chaegab and June Gwak, Arario Gallery, Beijing and Busan MoMA</span><span><em>*</em></span><span> </span></span></p>\r\n<p><span><span>2006 </span><span><em>India Express – Art and Popular Culture</em></span><span>, Art Museum Tennispalace, curators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City Art Museum, Finland </span><span><em>*</em></span></span></p>\r\n<p><span><span>2005 </span><span><em>Mom and Pop Art, </em></span><span>Walsh Gallery, Chicago</span></span></p>\r\n<p><span><span>2005 </span><span><em>Span</em></span><span>, Sakshi Gallery, Mumbai</span></span></p>\r\n<p><span><span>2005 </span><span><em>Indian Paintings of the New Millenium</em></span><span>, curated by </span><span>Helen Asquine Fazio at Thomas J. Walsh Art Gallery at Fairfield University, USA</span><span><em>*</em></span></span></p>\r\n<p><span><span>2004 </span><span><em> Contemporary Art from India</em></span><span>, Thomas Erben Gallery, New York</span></span></p>\r\n<ol>\r\n<li><em>Zoom! Art in Contemporary 	India.</em> Curators: Nancy Adajania and Luis</li>\r\n</ol>\r\n<p>Serpa, The Culturgest Museum, Lisbon, Portugal *<em> </em></p>\r\n<p><span><span>2003</span><span><em> Crossing generations: diVERGE</em></span><span>, Gallery Chemould’s 40th anniversary, </span>Curators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of Modern </span></p>\r\n<p><span><span>Art, Mumbai </span><span><em>*</em></span><span> </span></span></p>\r\n<p><span><span>2003</span><span><em> Hard Copy,</em></span><span> two-person show with Jitish Kallat, Gallery 88, Calcutta *</span></span></p>\r\n<p><span><span>2003 </span><span><em>Tiranga</em></span><span>, curator: Peter Nagy, India Habitat Centre, New Delhi, </span><span><em>*</em></span></span></p>\r\n<p><span><span>2003</span><span><em> Elephant Walks</em></span><span>, Youth Arts Project in collaboration with Jitish Kallat as part of </span>Indians + Cowboys exhibition, Curators: Aaron Seetu and Ruth Watson</span></p>\r\n<p><span><span>Gallery 4A, Sydney </span><span><em>*</em></span><span> </span><span><em> </em></span><span> </span></span></p>\r\n<p><span><span>2003 </span><span><em>The Tree From The Seed, Contemporary Art from India, </em></span><span>curator: Gavin Jantjes Henie Onstad Kunstsenter (Oslo), Norway </span><span><em>*</em></span></span></p>\r\n<p><span><span>2002 </span><span><em>Crosscurrents</em></span><span>, organized by Artworks for the fiftieth anniversary </span>celebrations of Jehangir Art Gallery, Mumbai </span></p>\r\n<ol>\r\n<li><span><span><em>Reclaim 	Our Freedom</em></span><span>, 	organized by Open Circle, Pundole Art Gallery, Mumbai </span></span></li>\r\n</ol>\r\n<ol>\r\n<li><span><span><em>Crossing 	Borders</em></span><span>, Gallery 	Windkracht 13, Den Helder, Holland</span></span></li>\r\n</ol>\r\n<ol>\r\n<li><span><span><em>Big 	River 2</em></span><span>, CCA7 	Gallery, Port Of Spain, Trinidad </span><span><em>*</em></span></span></li>\r\n</ol>\r\n<p><span><span>2001 </span><span><em>AOM- Art on the move</em></span><span>, organized by Sahmat, New Delhi </span><span><em>*</em></span><span> </span></span></p>\r\n<p><span><span>1999</span><span><em> Edge of the Century,</em></span><span> curated by Amit Mukhopadhyay, Academy of Fine Arts and Literature, New Delhi </span><span><em>*</em></span></span></p>\r\n<p><em>* </em>exhibition catalogue published</p>\r\n<p><span><em><strong>SELECTED WORKSHOPS AND RESIDENCIES</strong></em></span></p>\r\n<p><span><span>2009 </span><span><em>Vanishing Point</em></span><span>, children’s project at the Celebrate Bandra Festival, Mumbai </span></span></p>\r\n<ol>\r\n<li><span><span>Collaborative 	workshop as part of the exhibition </span><span><em>Aftershock</em></span><span> at the Sainsbury </span></span></li>\r\n</ol>\r\n<p><span><span>Centre for Visual Arts, University of East Anglia, Norwich, UK</span></span></p>\r\n<ol>\r\n<li><span>Collaborated 	on a Billboard project with Jitish Kallat, funded by the Swiss       	            Council, Kala Ghoda Art District, Mumbai</span></li>\r\n</ol>\r\n<p><span><span>2003 </span><span><em>Elephant Walks</em></span><span>, Youth Arts Project at the Casula Power House </span>Arts Centre, Liverpool, Australia</span></p>\r\n<p><span><span>2002</span><span><em> Khoj 2002</em></span><span>, International Artists Workshop, Mysore, India</span></span></p>\r\n<p><span><span>2002</span><span><em> Identity and Landscape</em></span><span>, residency in the Laurentian mountains of Quebec at the </span></span>Boreal Art/Nature Centre, Canada</p>\r\n<p><span><span>2001 </span><span><em>Big River 2</em></span><span>, International Artists Workshop organized by CCA7 and the Triangle </span></span>Arts Trust at Grand Riviere, Trinidad, West Indies</p>\r\n','Info','','inherit','open','open','','89-revision-9','','','2010-04-22 12:50:05','2010-04-22 12:50:05','',89,'http://www.biggventures.com/demo/artists/1278/uncat/89-revision-9',0,'revision','',0),(1259,1,'2010-06-18 08:06:03','2010-06-18 08:06:03','<b style=\"color:#999999\">SKIN</b>\r\n<b>Interview with Jitish Kallat</b>\r\n\r\nIt’s 27th August, a little more than a month before these works get publicly shown and I thought it would be useful to include my voice in the catalogue.  My general discomfort of outlining recent body of work with an artist statement pushed me to conceive this in the manner of a dialogue.  Instead of our usual informal discussions in the studio I decided to exchange observations with Jitish about the making of the exhibition and record it in this document.JK\r\n\r\n<strong>JK - </strong>Reena, lets begin with the title and the format of the show.  You’ve chosen a deceptively simple title ‘Skin’.  It doesn’t say much but seems to murmur.  How did this title come to you?\r\n\r\n<strong>RSK</strong> - The title is used to wrap up the show, to seal the recent body of work.  I first thought of it while I was working on the three dyptichs titled, ‘Transmigration (a travelogue)’, where certain objects were chosen and altered by the act of painting.  In one of the pictures with a girl wearing a hairpin, the rose shaped clip in the larger frame is enveloped in leopard skin, which I think breathes new life into an otherwise inanimate hairpin.  And that kind of sparked off the idea.  Later I decided to retain it since skin suggests both a basic protective covering as well as the more cosmetic aspect of surface appearance.  In the exhibition I work around ideas of the basics of food and shelter often contrasted with material excesses.\r\n\r\n<strong>JK</strong> - A strange collision of privations and plenty does seems to happen in ‘Bred Minar’ where an androgynous fashion freak dressed in a high fashion garment poses stupidly (although looking majestic) in front of a bread-tower candle placed like a house of cards.  The knives that frame his majesty threaten his existence but he is oblivious about it.  The bread house is an excellent metaphor for food and shelter as basic necessities of life.  When its burns like a candle we have an evocation of fuel and light.  All packed in one ‘Bred Minar’.\r\n\r\n<strong>RSK</strong> -	Yes, there is a breakdown of boundaries between the real and the unreal.  What you’re perhaps referring to is the apparent incongruity of the borrowed image from the invented one.\r\n\r\n<strong>JK </strong>-No, I was thinking about how the apparent absurdity has an underlying, almost poetic evocation.  Yet as a picture it is set in an unknown space having the quality of a set design in a surreal play.  While each image is perfectly normal they create a lot of friction when they interact within a single painting.  Is this friction a necessary agent in the creation of meaning?\r\n\r\n<strong>RSK</strong> -	 Well certainly not in the creation of all meaning.  In ‘Bred Minar’ I’m thinking of an altar in a shrine, whereas in case of the work titled ‘Bridge’ the sense of threat is heightened because of the tenuousness of the strings, The tricky placement of the bread houses becomes a reminder of the tight-roped life in the city.\r\n\r\n<strong>JK</strong> - I like the way the imagery connects with the idea of the city. ‘Bridge’ is also a space of transit.  You don’t build a house on it unless it is a makeshift refuge; the home of a gypsy whose residence is an automobile.  One thinks of the numerous squatters in the city.  The formal arrangement of ‘Bridge’ is also interesting because the two nurturing hands that bracket the house of bread at once appear handcuffed, which in turn evokes an images of confinement.\r\n\r\n<strong>RSK</strong> -	Strangely I first thought of titling it ‘Arrested development’. What came as a natural corollary to this work was the image of a person carrying bread houses on the back called ‘Gastropode mollusc’.  And this fragile house structure in motion, is then set against a landscape of solidly grounded pyramids.  You’ll see once I’ve completed it.\r\n\r\n<strong>JK</strong> - The house has anyway been a recurring motif in your last show “ Orchid of home grown secrets”.\r\n\r\n<strong>RSK</strong> - Yes, the house was most prominent there in the work called ‘Joint Family’.  It was conceived such that one large umbrella house contained within it two smaller ones, whose nucleus was marked by a pair of copulating snakes (a symbol of fertility).  Also in the show were fragile houses of painted cards, which in the recent body of work take a new dimension as the cards get replaced by slices of bread.\r\n\r\n<strong>JK</strong> - I know for sure that there isn’t a hint of autobiography in ‘Joint family’.  You never lived in one.  You’ve lived stable and comfortable life in Bombay and never had to carry your home around like ‘Gastropode Mollusc’.  How do these images come to you ? Whose ‘Joint family’ are you referring to and who is ‘Gastropode mollusc?\r\n\r\n<strong>RSK</strong> - Most of my images are conceived on a sketchbook and they are never specifically about me.  The same goes for’ Joint family’ and ‘Gastropode Mollusc’.  With Joint family I began with thoughts on a family I actually knew.  But the work just seemed to be about something else when I completed it.  If the green inside was used to mark off the domestic space, the outer walls covered with creepers hugging at it from all sides had multiple images of the outside world.  I was moving from the home, to the city, to the world.  ‘Gastropode Mollusc’ was conceived out of the image of a snail.\r\n\r\n<strong>JK</strong> - The tiny invertebrate with its soft body carries its hard shell/shelter wherever it goes, like any human being carrying his or her own little room to recede into.  The large slices of bread that frame the picture in extreme close up induce a sense of claustrophobia that then forces the eye to escape into the eerie landscape forming the centre of the picture.\r\n\r\n<strong>RSK</strong> - Similarly in the assemblage of sculptures titled ‘Tent Cities (20 Illuminated Manuals)’, encased in the centre of each hand is a backlit photograph.  I would like to make the viewer play the role of a palmist, scanning through the pyramid of ten pairs of hands.  Each pair is held together like an open book, which the viewer is then invited to read/look into.  The hands on the right carry the sequential building up of the bread houses, while the ones on the left showcase the burning down of bread slices dipped in wax.  I was thinking about the wax dolls and other objects found outside churches.  They are meant for a ritual offering to attain what one desires.  It is from the sacrificial burning of the wax house that the bread tower is resurrected.  I like to think that one gains through the experience of loss.\r\n\r\n<strong>JK</strong> - I was thinking about the key difference between ‘Tent Cities…’ and let’s say works like ‘Transmigration (a travelogue)’ or ‘Moss Garden’. There is something indescribable about seeing a rose, an archetypal symbol of love and beauty, draped in the skin of a carnivore or seeing a family portrait framed on a slice of bread within a ring of moss.  By contrast, don’t you think the logic of ‘Tent Cities….’ is tangible and very easily available?\r\n\r\n<strong>RSK</strong> - I don’t think so.  You probably say this because the work has been with me for the longest duration of time and you’ve heard the logic of its execution, more than once.  There is however, quite clearly, a good deal of difference in the way they were conceived.  ‘Tent Cities’ is more immediate because the photographs are a direct record of the bread monuments.  But they refer to life in much the same way as the paintings do.\r\n\r\n<strong>JK</strong> - What comes after this?\r\n\r\n<strong>RSK</strong> - Newer ideas are already taking shape in the sketch-book.  So I’ll just to chase and realize them.\r\n\r\nJitish Kallat is a Bombay-based artist and a freelance writer.\r\n\r\n<b>2000</b>','','','publish','open','open','','skin','','','2010-07-09 15:59:04','2010-07-09 15:59:04','',0,'http://www.biggventures.com/demo/artists/?page_id=1259',0,'page','',0),(1260,1,'2010-06-18 08:06:00','2010-06-18 08:06:00','It’s 27th August, a little more than a moth before these works get publicly shown and I thought it would be useful to include my voice in the catalogue.  My general discomfort of outlining recent body of work with an artist statement pushed me to conceive this in the manner of a dialogue.  Instead of our usual informal discussions in the studio I decided to exchange observations with Jitish about the making of the exhibition and record it in this document.JK\n\n<strong>JK - </strong>Reena, lets begin with the title and the format of the show.  You’ve chosen a deceptively simple title ‘Skin’.  It doesn’t say much but seems to murmur.  How did this title come to you?\n\n<strong>RSK</strong> - The title is used to wrap up the show, to seal the recent body of work.  I first thought of it while I was working on the three dyptichs titled, ‘Transmigration (a travelogue)’, where certain objects were chosen and altered by the act of painting.  In one of the pictures with a girl wearing a hairpin, the rose shaped clip in the larger frame is enveloped in leopard skin, which I think breathes new life into an otherwise inanimate hairpin.  And that kind of sparked off the idea.  Later I decided to retain it since skin suggests both a basic protective covering as well as the more cosmetic aspect of surface appearance.  In the exhibition I work around ideas of the basics of food and shelter often contrasted with material excesses.\n\n<strong>JK</strong> - A strange collision of privations and plenty does seems to happen in ‘Bred Minar’ where an androgynous fashion freak dressed in a high fashion garment poses stupidly (although looking majestic) in front of a bread-tower candle placed like a house of cards.  The knives that frame his majesty threaten his existence but he is oblivious about it.  The bread house is an excellent metaphor for food and shelter as basic necessities of life.  When its burns like a candle we have an evocation of fuel and light.  All packed in one ‘Bred Minar’.\n\n<strong>RSK</strong> -	Yes, there is a breakdown of boundaries between the real and the unreal.  What you’re perhaps referring to is the apparent incongruity of the borrowed image from the invented one.\n\n<strong>JK </strong>-No, I was thinking about how the apparent absurdity has an underlying, almost poetic evocation.  Yet as a picture it is set in an unknown space having the quality of a set design in a surreal play.  While each image is perfectly normal they create a lot of friction when they interact within a single painting.  Is this friction a necessary agent in the creation of meaning?\n\n<strong>RSK</strong> -	 Well certainly not in the creation of all meaning.  In ‘Bred Minar’ I’m thinking of an altar in a shrine, whereas in case of the work titled ‘Bridge’ the sense of threat is heightened because of the tenuousness of the strings, The tricky placement of the bread houses becomes a reminder of the tight-roped life in the city.\n\n<strong>JK</strong> - I like the way the imagery connects with the idea of the city. ‘Bridge’ is also a space of transit.  You don’t build a house on it unless it is a makeshift refuge; the home of a gypsy whose residence is an automobile.  One thinks of the numerous squatters in the city.  The formal arrangement of ‘Bridge’ is also interesting because the two nurturing hands that bracket the house of bread at once appear handcuffed, which in turn evokes an images of confinement.\n\n<strong>RSK</strong> -	Strangely I first thought of titling it ‘Arrested development’. What came as a natural corollary to this work was the image of a person carrying bread houses on the back called ‘Gastropode mollusc’.  And this fragile house structure in motion, is then set against a landscape of solidly grounded pyramids.  You’ll see once I’ve completed it.\n\n<strong>JK</strong> - The house has anyway been a recurring motif in your last show “ Orchid of home grown secrets”.\n\n<strong>RSK</strong> - Yes, the house was most prominent there in the work called ‘Joint Family’.  It was conceived such that one large umbrella house contained within it two smaller ones, whose nucleus was marked by a pair of copulating snakes (a symbol of fertility).  Also in the show were fragile houses of painted cards, which in the recent body of work take a new dimension as the cards get replaced by slices of bread.\n\n<strong>JK</strong> - I know for sure that there isn’t a hint of autobiography in ‘Joint family’.  You never lived in one.  You’ve lived stable and comfortable life in Bombay and never had to carry your home around like ‘Gastropode Mollusc’.  How do these images come to you ? Whose ‘Joint family’ are you referring to and who is ‘Gastropode mollusc?\n\n<strong>RSK</strong> - Most of my images are conceived on a sketchbook and they are never specifically about me.  The same goes for’ Joint family’ and ‘Gastropode Mollusc’.  With Joint family I began with thoughts on a family I actually knew.  But the work just seemed to be about something else when I completed it.  If the green inside was used to mark off the domestic space, the outer walls covered with creepers hugging at it from all sides had multiple images of the outside world.  I was moving from the home, to the city, to the world.  ‘Gastropode Mollusc’ was conceived out of the image of a snail.\n\n<strong>JK</strong> - The tiny invertebrate with its soft body carries its hard shell/shelter wherever it goes, like any human being carrying his or her own little room to recede into.  The large slices of bread that frame the picture in extreme close up induce a sense of claustrophobia that then forces the eye to escape into the eerie landscape forming the centre of the picture.\n\n<strong>RSK</strong> - Similarly in the assemblage of sculptures titled ‘Tent Cities (20 Illuminated Manuals)’, encased in the centre of each hand is a backlit photograph.  I would like to make the viewer play the role of a palmist, scanning through the pyramid of ten pairs of hands.  Each pair is held together like an open book, which the viewer is then invited to read/look into.  The hands on the right carry the sequential building up of the bread houses, while the ones on the left showcase the burning down of bread slices dipped in wax.  I was thinking about the wax dolls and other objects found outside churches.  They are meant for a ritual offering to attain what one desires.  It is from the sacrificial burning of the wax house that the bread tower is resurrected.  I like to think that one gains through the experience of loss.\n\n<strong>JK</strong> - I was thinking about the key difference between ‘Tent Cities…’ and let’s say works like ‘Transmigration (a travelogue)’ or ‘Moss Garden’. There is something indescribable about seeing a rose, an archetypal symbol of love and beauty, draped in the skin of a carnivore or seeing a family portrait framed on a slice of bread within a ring of moss.  By contrast, don’t you think the logic of ‘Tent Cities….’ is tangible and very easily available?\n\n<strong>RSK</strong> - I don’t think so.  You probably say this because the work has been with me for the longest duration of time and you’ve heard the logic of its execution, more than once.  There is however, quite clearly, a good deal of difference in the way they were conceived.  ‘Tent Cities’ is more immediate because the photographs are a direct record of the bread monuments.  But they refer to life in much the same way as the paintings do.\n\n<strong>JK</strong> - What comes after this?\n\n<strong>RSK</strong> - Newer ideas are already taking shape in the sketch-book.  So I’ll just to chase and realize them.\n\nJitish Kallat is a Bombay-based artist and a freelance writer.','','','inherit','open','open','','1259-revision','','','2010-06-18 08:06:00','2010-06-18 08:06:00','',1259,'http://www.biggventures.com/demo/artists/1260/uncat/1259-revision',0,'revision','',0),(1261,1,'2010-06-18 08:06:03','2010-06-18 08:06:03','It’s 27th August, a little more than a moth before these works get publicly shown and I thought it would be useful to include my voice in the catalogue.  My general discomfort of outlining recent body of work with an artist statement pushed me to conceive this in the manner of a dialogue.  Instead of our usual informal discussions in the studio I decided to exchange observations with Jitish about the making of the exhibition and record it in this document.JK\r\n\r\n<strong>JK - </strong>Reena, lets begin with the title and the format of the show.  You’ve chosen a deceptively simple title ‘Skin’.  It doesn’t say much but seems to murmur.  How did this title come to you?\r\n\r\n<strong>RSK</strong> - The title is used to wrap up the show, to seal the recent body of work.  I first thought of it while I was working on the three dyptichs titled, ‘Transmigration (a travelogue)’, where certain objects were chosen and altered by the act of painting.  In one of the pictures with a girl wearing a hairpin, the rose shaped clip in the larger frame is enveloped in leopard skin, which I think breathes new life into an otherwise inanimate hairpin.  And that kind of sparked off the idea.  Later I decided to retain it since skin suggests both a basic protective covering as well as the more cosmetic aspect of surface appearance.  In the exhibition I work around ideas of the basics of food and shelter often contrasted with material excesses.\r\n\r\n<strong>JK</strong> - A strange collision of privations and plenty does seems to happen in ‘Bred Minar’ where an androgynous fashion freak dressed in a high fashion garment poses stupidly (although looking majestic) in front of a bread-tower candle placed like a house of cards.  The knives that frame his majesty threaten his existence but he is oblivious about it.  The bread house is an excellent metaphor for food and shelter as basic necessities of life.  When its burns like a candle we have an evocation of fuel and light.  All packed in one ‘Bred Minar’.\r\n\r\n<strong>RSK</strong> -	Yes, there is a breakdown of boundaries between the real and the unreal.  What you’re perhaps referring to is the apparent incongruity of the borrowed image from the invented one.\r\n\r\n<strong>JK </strong>-No, I was thinking about how the apparent absurdity has an underlying, almost poetic evocation.  Yet as a picture it is set in an unknown space having the quality of a set design in a surreal play.  While each image is perfectly normal they create a lot of friction when they interact within a single painting.  Is this friction a necessary agent in the creation of meaning?\r\n\r\n<strong>RSK</strong> -	 Well certainly not in the creation of all meaning.  In ‘Bred Minar’ I’m thinking of an altar in a shrine, whereas in case of the work titled ‘Bridge’ the sense of threat is heightened because of the tenuousness of the strings, The tricky placement of the bread houses becomes a reminder of the tight-roped life in the city.\r\n\r\n<strong>JK</strong> - I like the way the imagery connects with the idea of the city. ‘Bridge’ is also a space of transit.  You don’t build a house on it unless it is a makeshift refuge; the home of a gypsy whose residence is an automobile.  One thinks of the numerous squatters in the city.  The formal arrangement of ‘Bridge’ is also interesting because the two nurturing hands that bracket the house of bread at once appear handcuffed, which in turn evokes an images of confinement.\r\n\r\n<strong>RSK</strong> -	Strangely I first thought of titling it ‘Arrested development’. What came as a natural corollary to this work was the image of a person carrying bread houses on the back called ‘Gastropode mollusc’.  And this fragile house structure in motion, is then set against a landscape of solidly grounded pyramids.  You’ll see once I’ve completed it.\r\n\r\n<strong>JK</strong> - The house has anyway been a recurring motif in your last show “ Orchid of home grown secrets”.\r\n\r\n<strong>RSK</strong> - Yes, the house was most prominent there in the work called ‘Joint Family’.  It was conceived such that one large umbrella house contained within it two smaller ones, whose nucleus was marked by a pair of copulating snakes (a symbol of fertility).  Also in the show were fragile houses of painted cards, which in the recent body of work take a new dimension as the cards get replaced by slices of bread.\r\n\r\n<strong>JK</strong> - I know for sure that there isn’t a hint of autobiography in ‘Joint family’.  You never lived in one.  You’ve lived stable and comfortable life in Bombay and never had to carry your home around like ‘Gastropode Mollusc’.  How do these images come to you ? Whose ‘Joint family’ are you referring to and who is ‘Gastropode mollusc?\r\n\r\n<strong>RSK</strong> - Most of my images are conceived on a sketchbook and they are never specifically about me.  The same goes for’ Joint family’ and ‘Gastropode Mollusc’.  With Joint family I began with thoughts on a family I actually knew.  But the work just seemed to be about something else when I completed it.  If the green inside was used to mark off the domestic space, the outer walls covered with creepers hugging at it from all sides had multiple images of the outside world.  I was moving from the home, to the city, to the world.  ‘Gastropode Mollusc’ was conceived out of the image of a snail.\r\n\r\n<strong>JK</strong> - The tiny invertebrate with its soft body carries its hard shell/shelter wherever it goes, like any human being carrying his or her own little room to recede into.  The large slices of bread that frame the picture in extreme close up induce a sense of claustrophobia that then forces the eye to escape into the eerie landscape forming the centre of the picture.\r\n\r\n<strong>RSK</strong> - Similarly in the assemblage of sculptures titled ‘Tent Cities (20 Illuminated Manuals)’, encased in the centre of each hand is a backlit photograph.  I would like to make the viewer play the role of a palmist, scanning through the pyramid of ten pairs of hands.  Each pair is held together like an open book, which the viewer is then invited to read/look into.  The hands on the right carry the sequential building up of the bread houses, while the ones on the left showcase the burning down of bread slices dipped in wax.  I was thinking about the wax dolls and other objects found outside churches.  They are meant for a ritual offering to attain what one desires.  It is from the sacrificial burning of the wax house that the bread tower is resurrected.  I like to think that one gains through the experience of loss.\r\n\r\n<strong>JK</strong> - I was thinking about the key difference between ‘Tent Cities…’ and let’s say works like ‘Transmigration (a travelogue)’ or ‘Moss Garden’. There is something indescribable about seeing a rose, an archetypal symbol of love and beauty, draped in the skin of a carnivore or seeing a family portrait framed on a slice of bread within a ring of moss.  By contrast, don’t you think the logic of ‘Tent Cities….’ is tangible and very easily available?\r\n\r\n<strong>RSK</strong> - I don’t think so.  You probably say this because the work has been with me for the longest duration of time and you’ve heard the logic of its execution, more than once.  There is however, quite clearly, a good deal of difference in the way they were conceived.  ‘Tent Cities’ is more immediate because the photographs are a direct record of the bread monuments.  But they refer to life in much the same way as the paintings do.\r\n\r\n<strong>JK</strong> - What comes after this?\r\n\r\n<strong>RSK</strong> - Newer ideas are already taking shape in the sketch-book.  So I’ll just to chase and realize them.\r\n\r\nJitish Kallat is a Bombay-based artist and a freelance writer.','','','inherit','open','open','','1259-revision-2','','','2010-06-18 08:06:03','2010-06-18 08:06:03','',1259,'http://www.biggventures.com/demo/artists/1261/uncat/1259-revision-2',0,'revision','',0),(1262,1,'2010-06-18 08:06:47','2010-06-18 08:06:47','<h4>Skin</h4>\r\nIt’s 27th August, a little more than a moth before these works get publicly shown and I thought it would be useful to include my voice in the catalogue.  My general discomfort of outlining recent body of work with an artist statement pushed me to conceive this in the manner of a dialogue.  Instead of our usual informal discussions in the studio I decided to exchange observations with Jitish about the making of the exhibition and record it in this document.JK\r\n\r\n<strong>JK - </strong>Reena, lets begin with the title and the format of the show.  You’ve chosen a deceptively simple title ‘Skin’.  It doesn’t say much but seems to murmur.  How did this title come to you?\r\n\r\n<strong>RSK</strong> - The title is used to wrap up the show, to seal the recent body of work.  I first thought of it while I was working on the three dyptichs titled, ‘Transmigration (a travelogue)’, where certain objects were chosen and altered by the act of painting.  In one of the pictures with a girl wearing a hairpin, the rose shaped clip in the larger frame is enveloped in leopard skin, which I think breathes new life into an otherwise inanimate hairpin.  And that kind of sparked off the idea.  Later I decided to retain it since skin suggests both a basic protective covering as well as the more cosmetic aspect of surface appearance.  In the exhibition I work around ideas of the basics of food and shelter often contrasted with material excesses.\r\n\r\n<strong>JK</strong> - A strange collision of privations and plenty does seems to happen in ‘Bred Minar’ where an androgynous fashion freak dressed in a high fashion garment poses stupidly (although looking majestic) in front of a bread-tower candle placed like a house of cards.  The knives that frame his majesty threaten his existence but he is oblivious about it.  The bread house is an excellent metaphor for food and shelter as basic necessities of life.  When its burns like a candle we have an evocation of fuel and light.  All packed in one ‘Bred Minar’.\r\n\r\n<strong>RSK</strong> -	Yes, there is a breakdown of boundaries between the real and the unreal.  What you’re perhaps referring to is the apparent incongruity of the borrowed image from the invented one.\r\n\r\n<strong>JK </strong>-No, I was thinking about how the apparent absurdity has an underlying, almost poetic evocation.  Yet as a picture it is set in an unknown space having the quality of a set design in a surreal play.  While each image is perfectly normal they create a lot of friction when they interact within a single painting.  Is this friction a necessary agent in the creation of meaning?\r\n\r\n<strong>RSK</strong> -	 Well certainly not in the creation of all meaning.  In ‘Bred Minar’ I’m thinking of an altar in a shrine, whereas in case of the work titled ‘Bridge’ the sense of threat is heightened because of the tenuousness of the strings, The tricky placement of the bread houses becomes a reminder of the tight-roped life in the city.\r\n\r\n<strong>JK</strong> - I like the way the imagery connects with the idea of the city. ‘Bridge’ is also a space of transit.  You don’t build a house on it unless it is a makeshift refuge; the home of a gypsy whose residence is an automobile.  One thinks of the numerous squatters in the city.  The formal arrangement of ‘Bridge’ is also interesting because the two nurturing hands that bracket the house of bread at once appear handcuffed, which in turn evokes an images of confinement.\r\n\r\n<strong>RSK</strong> -	Strangely I first thought of titling it ‘Arrested development’. What came as a natural corollary to this work was the image of a person carrying bread houses on the back called ‘Gastropode mollusc’.  And this fragile house structure in motion, is then set against a landscape of solidly grounded pyramids.  You’ll see once I’ve completed it.\r\n\r\n<strong>JK</strong> - The house has anyway been a recurring motif in your last show “ Orchid of home grown secrets”.\r\n\r\n<strong>RSK</strong> - Yes, the house was most prominent there in the work called ‘Joint Family’.  It was conceived such that one large umbrella house contained within it two smaller ones, whose nucleus was marked by a pair of copulating snakes (a symbol of fertility).  Also in the show were fragile houses of painted cards, which in the recent body of work take a new dimension as the cards get replaced by slices of bread.\r\n\r\n<strong>JK</strong> - I know for sure that there isn’t a hint of autobiography in ‘Joint family’.  You never lived in one.  You’ve lived stable and comfortable life in Bombay and never had to carry your home around like ‘Gastropode Mollusc’.  How do these images come to you ? Whose ‘Joint family’ are you referring to and who is ‘Gastropode mollusc?\r\n\r\n<strong>RSK</strong> - Most of my images are conceived on a sketchbook and they are never specifically about me.  The same goes for’ Joint family’ and ‘Gastropode Mollusc’.  With Joint family I began with thoughts on a family I actually knew.  But the work just seemed to be about something else when I completed it.  If the green inside was used to mark off the domestic space, the outer walls covered with creepers hugging at it from all sides had multiple images of the outside world.  I was moving from the home, to the city, to the world.  ‘Gastropode Mollusc’ was conceived out of the image of a snail.\r\n\r\n<strong>JK</strong> - The tiny invertebrate with its soft body carries its hard shell/shelter wherever it goes, like any human being carrying his or her own little room to recede into.  The large slices of bread that frame the picture in extreme close up induce a sense of claustrophobia that then forces the eye to escape into the eerie landscape forming the centre of the picture.\r\n\r\n<strong>RSK</strong> - Similarly in the assemblage of sculptures titled ‘Tent Cities (20 Illuminated Manuals)’, encased in the centre of each hand is a backlit photograph.  I would like to make the viewer play the role of a palmist, scanning through the pyramid of ten pairs of hands.  Each pair is held together like an open book, which the viewer is then invited to read/look into.  The hands on the right carry the sequential building up of the bread houses, while the ones on the left showcase the burning down of bread slices dipped in wax.  I was thinking about the wax dolls and other objects found outside churches.  They are meant for a ritual offering to attain what one desires.  It is from the sacrificial burning of the wax house that the bread tower is resurrected.  I like to think that one gains through the experience of loss.\r\n\r\n<strong>JK</strong> - I was thinking about the key difference between ‘Tent Cities…’ and let’s say works like ‘Transmigration (a travelogue)’ or ‘Moss Garden’. There is something indescribable about seeing a rose, an archetypal symbol of love and beauty, draped in the skin of a carnivore or seeing a family portrait framed on a slice of bread within a ring of moss.  By contrast, don’t you think the logic of ‘Tent Cities….’ is tangible and very easily available?\r\n\r\n<strong>RSK</strong> - I don’t think so.  You probably say this because the work has been with me for the longest duration of time and you’ve heard the logic of its execution, more than once.  There is however, quite clearly, a good deal of difference in the way they were conceived.  ‘Tent Cities’ is more immediate because the photographs are a direct record of the bread monuments.  But they refer to life in much the same way as the paintings do.\r\n\r\n<strong>JK</strong> - What comes after this?\r\n\r\n<strong>RSK</strong> - Newer ideas are already taking shape in the sketch-book.  So I’ll just to chase and realize them.\r\n\r\nJitish Kallat is a Bombay-based artist and a freelance writer.','','','inherit','open','open','','1259-revision-3','','','2010-06-18 08:06:47','2010-06-18 08:06:47','',1259,'http://www.biggventures.com/demo/artists/1262/uncat/1259-revision-3',0,'revision','',0),(1263,1,'2010-06-18 08:07:02','2010-06-18 08:07:02','<h3>Skin</h3>\r\nIt’s 27th August, a little more than a moth before these works get publicly shown and I thought it would be useful to include my voice in the catalogue.  My general discomfort of outlining recent body of work with an artist statement pushed me to conceive this in the manner of a dialogue.  Instead of our usual informal discussions in the studio I decided to exchange observations with Jitish about the making of the exhibition and record it in this document.JK\r\n\r\n<strong>JK - </strong>Reena, lets begin with the title and the format of the show.  You’ve chosen a deceptively simple title ‘Skin’.  It doesn’t say much but seems to murmur.  How did this title come to you?\r\n\r\n<strong>RSK</strong> - The title is used to wrap up the show, to seal the recent body of work.  I first thought of it while I was working on the three dyptichs titled, ‘Transmigration (a travelogue)’, where certain objects were chosen and altered by the act of painting.  In one of the pictures with a girl wearing a hairpin, the rose shaped clip in the larger frame is enveloped in leopard skin, which I think breathes new life into an otherwise inanimate hairpin.  And that kind of sparked off the idea.  Later I decided to retain it since skin suggests both a basic protective covering as well as the more cosmetic aspect of surface appearance.  In the exhibition I work around ideas of the basics of food and shelter often contrasted with material excesses.\r\n\r\n<strong>JK</strong> - A strange collision of privations and plenty does seems to happen in ‘Bred Minar’ where an androgynous fashion freak dressed in a high fashion garment poses stupidly (although looking majestic) in front of a bread-tower candle placed like a house of cards.  The knives that frame his majesty threaten his existence but he is oblivious about it.  The bread house is an excellent metaphor for food and shelter as basic necessities of life.  When its burns like a candle we have an evocation of fuel and light.  All packed in one ‘Bred Minar’.\r\n\r\n<strong>RSK</strong> -	Yes, there is a breakdown of boundaries between the real and the unreal.  What you’re perhaps referring to is the apparent incongruity of the borrowed image from the invented one.\r\n\r\n<strong>JK </strong>-No, I was thinking about how the apparent absurdity has an underlying, almost poetic evocation.  Yet as a picture it is set in an unknown space having the quality of a set design in a surreal play.  While each image is perfectly normal they create a lot of friction when they interact within a single painting.  Is this friction a necessary agent in the creation of meaning?\r\n\r\n<strong>RSK</strong> -	 Well certainly not in the creation of all meaning.  In ‘Bred Minar’ I’m thinking of an altar in a shrine, whereas in case of the work titled ‘Bridge’ the sense of threat is heightened because of the tenuousness of the strings, The tricky placement of the bread houses becomes a reminder of the tight-roped life in the city.\r\n\r\n<strong>JK</strong> - I like the way the imagery connects with the idea of the city. ‘Bridge’ is also a space of transit.  You don’t build a house on it unless it is a makeshift refuge; the home of a gypsy whose residence is an automobile.  One thinks of the numerous squatters in the city.  The formal arrangement of ‘Bridge’ is also interesting because the two nurturing hands that bracket the house of bread at once appear handcuffed, which in turn evokes an images of confinement.\r\n\r\n<strong>RSK</strong> -	Strangely I first thought of titling it ‘Arrested development’. What came as a natural corollary to this work was the image of a person carrying bread houses on the back called ‘Gastropode mollusc’.  And this fragile house structure in motion, is then set against a landscape of solidly grounded pyramids.  You’ll see once I’ve completed it.\r\n\r\n<strong>JK</strong> - The house has anyway been a recurring motif in your last show “ Orchid of home grown secrets”.\r\n\r\n<strong>RSK</strong> - Yes, the house was most prominent there in the work called ‘Joint Family’.  It was conceived such that one large umbrella house contained within it two smaller ones, whose nucleus was marked by a pair of copulating snakes (a symbol of fertility).  Also in the show were fragile houses of painted cards, which in the recent body of work take a new dimension as the cards get replaced by slices of bread.\r\n\r\n<strong>JK</strong> - I know for sure that there isn’t a hint of autobiography in ‘Joint family’.  You never lived in one.  You’ve lived stable and comfortable life in Bombay and never had to carry your home around like ‘Gastropode Mollusc’.  How do these images come to you ? Whose ‘Joint family’ are you referring to and who is ‘Gastropode mollusc?\r\n\r\n<strong>RSK</strong> - Most of my images are conceived on a sketchbook and they are never specifically about me.  The same goes for’ Joint family’ and ‘Gastropode Mollusc’.  With Joint family I began with thoughts on a family I actually knew.  But the work just seemed to be about something else when I completed it.  If the green inside was used to mark off the domestic space, the outer walls covered with creepers hugging at it from all sides had multiple images of the outside world.  I was moving from the home, to the city, to the world.  ‘Gastropode Mollusc’ was conceived out of the image of a snail.\r\n\r\n<strong>JK</strong> - The tiny invertebrate with its soft body carries its hard shell/shelter wherever it goes, like any human being carrying his or her own little room to recede into.  The large slices of bread that frame the picture in extreme close up induce a sense of claustrophobia that then forces the eye to escape into the eerie landscape forming the centre of the picture.\r\n\r\n<strong>RSK</strong> - Similarly in the assemblage of sculptures titled ‘Tent Cities (20 Illuminated Manuals)’, encased in the centre of each hand is a backlit photograph.  I would like to make the viewer play the role of a palmist, scanning through the pyramid of ten pairs of hands.  Each pair is held together like an open book, which the viewer is then invited to read/look into.  The hands on the right carry the sequential building up of the bread houses, while the ones on the left showcase the burning down of bread slices dipped in wax.  I was thinking about the wax dolls and other objects found outside churches.  They are meant for a ritual offering to attain what one desires.  It is from the sacrificial burning of the wax house that the bread tower is resurrected.  I like to think that one gains through the experience of loss.\r\n\r\n<strong>JK</strong> - I was thinking about the key difference between ‘Tent Cities…’ and let’s say works like ‘Transmigration (a travelogue)’ or ‘Moss Garden’. There is something indescribable about seeing a rose, an archetypal symbol of love and beauty, draped in the skin of a carnivore or seeing a family portrait framed on a slice of bread within a ring of moss.  By contrast, don’t you think the logic of ‘Tent Cities….’ is tangible and very easily available?\r\n\r\n<strong>RSK</strong> - I don’t think so.  You probably say this because the work has been with me for the longest duration of time and you’ve heard the logic of its execution, more than once.  There is however, quite clearly, a good deal of difference in the way they were conceived.  ‘Tent Cities’ is more immediate because the photographs are a direct record of the bread monuments.  But they refer to life in much the same way as the paintings do.\r\n\r\n<strong>JK</strong> - What comes after this?\r\n\r\n<strong>RSK</strong> - Newer ideas are already taking shape in the sketch-book.  So I’ll just to chase and realize them.\r\n\r\nJitish Kallat is a Bombay-based artist and a freelance writer.','','','inherit','open','open','','1259-revision-4','','','2010-06-18 08:07:02','2010-06-18 08:07:02','',1259,'http://www.biggventures.com/demo/artists/1263/uncat/1259-revision-4',0,'revision','',0),(1264,1,'2010-06-18 08:11:52','2010-06-18 08:11:52','<strong style=\"color: #999999;\">SCREENS OF DEMONOLOGY</strong>\r\n<b>© Nancy Adajania</b>\r\n\r\nThe mediatic image is like a siren: it dies even as it raises an alarm. The central problem facing painters who employ mediatic images in their art, therefore, is: How do you resurrect an image that has such a brief half-life, how do you render significant an image that holds the attention for not more than the blink of an eye? In an economy of images that has reduced every human being to a banal cipher, how can the artist return a sense of significance and dignity to the human subject, re-connecting the image-fragmented individual to the larger texts of the contemporary? In her recent work, Reena Saini Kallat embeds these questions in portrait-narratives that function between the realms of ceremonial time and the accidents of history.\r\n\r\nFrom the flux of mediatic ephemera, Reena extracts images of anonymous people belonging to varied social milieux and political contexts; she invests them with symbolic resonance by the apparently simple act of selection and isolation, with the specificities of their loci cropped away. I would say that Reena’s figures are neither recognisable individuals (in the sense that we cannot name them, even when we identify their locale from internal evidence) nor are they simply identitarian stereotypes (in that, although they are coded with national, religious or ethnic characteristics, the pictorial emphasis is on their human vulnerability, as people going about their lives, rather than as incarnations of identity). In Reena’s treatment, these anonymous people become portraits residing in an unstable semiotic space intermediate between individual and type: she is thus able to employ them as markers of everyday heroism.\r\n\r\nThe faces that state at us from Reena’s columns are those of ordinary people, archived from the random memory of a computer: a Kashmiri woman in a festive dress, a street-child whose face wears an anxiety of lack, a man in characteristically African Muslim headgear, an anaemic migrant labourer, a taxi- or a rickshaw-driver, or perhaps one of the unemployed millions. We are comforted by their familiar presence, we meet them daily in newspaper, on the TV screen, or on the Net.  They may come across as stereotypes at first glance, but the vulnerability of their situation summons from us an empathy that gives them a dimension of reality. For, as the viewing eye travels below the portrait, it encounters a circus of mythic demons, flashing swords and lotus-chakras.\r\n\r\nThese figures take their place in a conspicuously ceremonial form that celebrates the everyday: Reena has chosen to install her portraits in wooden frames shaped and presented like columns; each portrait has below it, several panels that act as strata of visual inscription. These columns may give the gallery-viewer a sense of having entered a space defined by ritual circumstances. Their form reminds the present writer of the stele, the archetypal memorial column for a hero in the ancient world, which used images to narrate his deeds to gods and humans. But, of course, the people we meet in Reena’s contemporary memorials are not legendary heroes, they are day-to-day survivors.\r\n\r\nThese portraits seem structured to act like a screening procedure, as though the subjects were being passed through the beam of scrutiny. Below the portrait’s face, what we thought were rows of visual inscriptions may be read as scans of a revealed anatomy, the interior of a body racked by the demons of poverty, state oppression and religious discrimination. I use the term ‘screening procedure’ to allude to the larger context of security paranoia where all individuals are demonised and reduced to types, guilty of belonging to whatever group identity that happens to be perceived as the threat of the moment. I would choose to read the current exhibition as an attempt to address the dissonance between the personhood of the individual and the institutional tendency of states and corporations to depersonalise the individual into a type. This show could also be seen as addressing the rampant trend towards demonising the other in every conflict at all levels, which forces us to perceive the world through screens if demonology.\r\n\r\nIn Reena’s columns, the demons are largely drawn from the representation of asuras in the Kangra miniatures. Here, they appear as machines of caricature and callisthenics, rather than as things of blood. Their traditional role in mythology was to wreck the sacred sacrifice, the yagna, and wreak havoc on figures of power and authority. In Reena’s interpretation, however, the demons impede the migrant labourer from fulfilling his desire to play Shravana and take his parents on a pilgrimage to the sacred sites of Hinduism, or the Muslim man from concentrating on his prayers, or the lotus-chakras of energy nosed within her body. The sword, an intricately decorated prop which may imply the aestheticisation of violence in popular culture, recurs in each column, to mow down the demons.\r\n\r\nThe presence of these demons in these contemporary memorials has larger resonances.  Subaltern histories reveal how lower-caste communities and tribal populations were represented as demons in our myths, how their land was captured and their resources usurped. Labelled as demons, they became outsiders in their own land. This subtly points to our construction of people as demons or our internalisation of demonologies without paying heed to the subterranean layers of history and folklore. Sometimes, it becomes possible to see the demonisers as themselves being the demons: such reversals of perception are probed here. This is significant in an age when George Bush launches\r\na brutal war of occupation in the name of containing jehad;  The Hindutva fundamentalists organise pogroms in revenge for events that are alleged to have taken place a thousand years ago; and the Israeli state engages in daily rites of slaughter to defend a homeland secured by the expropriation of territory and the expulsion of its people.\r\n\r\nIt is instructive that Reena breaks the solemnity of her portraits by inserting them within a comic-strip narrative of violence and retribution. The drama unfolds through energetic play between the demons and the invading swords: black blood, a splatter of entrails, a missing leg. This sense of comic play is mirrored in a portfolio of small acrylic works which Reena has composed as a gallery of rogues based on comic characters from Italian baroque theatre. The status quo is lampooned: a bunch of knives breaks out of a bespectacled face, legs grow roots of knives. Reena sees these figures as symbolic of our Indian politicians who juggle the citizens’ fate, driving their knives magically into the body-polity without drawing any blood.\r\n\r\nBut all demons are not displayed as weapons of mass destruction. In one of the columns, a demon with pointed tusks and sharp clawed hooves grows larger than life and swoops away with the monuments around which religious contention has been waged. Above, we see the portrait of an elderly citizen with clouded spectacles. He waits for change, a respite from everyday violence. Echoing his hope, in another column we witness the blade of a sword faintly disappearing. The column ends with a spring-cloud, a shade lighter than the nocturnal blue dupatta of a child shielding herself from the biting cold.  Perhaps this is why, these columns have been titled, Sword-Swallowers, to emphasise that today ordinary people have to perform extraordinary feats to survive demons of all shapes and colours. Our everyday heroes have the skill of the juggler and the spiritual resilience of the fakir. They survive the blade of the sword that cuts through their vocal cords and the demon that bites their entrails.\r\n\r\nDemons have fluid identities, they demonise, are demonised in turn.  But even cycles of violence have to end: the spring-cloud returns and stains us with hope. \r\n\r\npost script: Reena’s works, whether paintings or assemblages or photo-based installations have always dealt with the fragility of human existence and with the susceptibility of the human body that could easily crash like a pack of cards that was never meant to last its composure. Body-parts, especially hands, recur in her art, sometimes they open up an existing wound, at other times, they rehearse the coming of grace. The hands symbolise the constant tension in Reena’s art between the hap-hazardness (pun intended) of faith and the enduring lines of fate.\r\n\r\nTwo earlier works have been judiciously added to this current suite of paintings. Both of which in their own distinct way deal with tattooed body-parts: the former (Seven Degrees of Vapour for the Vitreous Trousseau) and the latter (Wave and Blue-print: Birthmarks and Tattoos). \r\n\r\nSeven Degrees…follows the cumulative growth of natural cycles, which are beset with the inexplicable. On a three-week Residency at the Boreal Art/Nature Centre in the Laurentian Mountains of Quebec, Canada, Reena was given a brief to socialise with nature, to reduce the gap between the binaries of culture and nature. Since the cultural/nature binary is a given today, it would be more useful to find out what kinds of interfaces are possible between culture and nature. Away from the humid, sound-percolating city of Bombay, Reena chose to meditate uninvasively on the tranquility of the Laurentian Mountains. She did not resort to quasi-anthropological heroics that most artists in such a situation would have performed inevitably; no ground-clearing or hunter-gathering for her. She framed the landscape with an already existing frame, the window-pane in her room, a facade of sheer glass entranced her.\r\n\r\nBy making the glass window with a henna drawing of open palms, Reena was subconsciously consecrating the window, an aperture of elsewhereness, with this auspicious paste from her home country. It is as if Reena had visited the Laurentian Mountains in the spirit of a bridesmaid, only the palms on which she drew her henna designs were not those of a bride, but a window waiting to be dressed as one. I have deliberately read this as a ritual of consecration rather than a naturalistic framing of a landscape. Look at her gestures, every two days she offered drawings of fruits and herbs catalogued from a nearby greenhouse to the framed landscape. Instead of controlling the landscape by drilling a hole in the ground, she transformed the window-pane into a sheet of water, making the landscape outside her window her own. The frame outside changed with the weather, the bare mountains were covered with a green garment as bald trees grew leaves. Reena recorded these changes with her camera to make 21 photo-prints. The resulting images did not need digital manipulation, no burn, lasso or crop (note the phallocentric terminology). Rather they were a slow unfolding exposure of the mountains superimposed with signs of abundance and nurture.\r\n\r\nWave and Blue-print: Birthmarks and Tattoos, were not a private notation like Seven Degrees..., but a political inscription of the body with tattoos of discrimination.\r\n\r\nThe notion of play as lucid intervention phrased in the political context permeated this sculpture and photo-installation. Reena led viewers into a familiar recreational field of reference, then pulled the rug from under their feet. She made an inviting swing, its seat covered with a quilt of diverse scripts. But the viewer could not sit or lie on it. Covered by upturned rubber stamps bearing the names of people belonging to different communities, its seat seemed to signal ‘Inconvenience Regretted’! Reena felt an obsessive need to inscribe the names of India’s citizens in the colours of the national flag: it was her way of renewing the original contract of inclusiveness that the nation signed with its citizens in 1947, at Independence. Today, some citizens fear a de-notification, while others claim special citizenship, and some are still not recognised as full-fledged citizens. Subject to the mood-swings of electoral politics, citizen oscillate, their political identities polled into existence and defaced thereafter. Reena made an identikit of photographic details, comprising branded body parts, to from the backdrop to the swing, amplifying the tattoos and taboos of a dismembered nation.\r\n\r\nNancy Adajania\r\n<strong>Bombay, January 2005</strong>','','','publish','open','open','','black-flute','','','2011-03-22 12:22:52','2011-03-22 12:22:52','',0,'http://www.biggventures.com/demo/artists/?page_id=1264',0,'page','',0),(1265,1,'2010-06-18 08:11:02','2010-06-18 08:11:02','<strong>SCREEN OF DEMONOLOGY</strong>\n\nThe mediatic image is like a siren: it dies even as it raises an alarm.  The central problem facing painters who employ mediatic images in their art, therefore, is how do you resurrect an image that has such a brief half-life, how do you render significant an image that holds the attention for not more than the blink of an eye? In an economy of images that has reduced every human being to a banal cipher, how can the artist return a sense of significance and dignity to the human subject, re-connecting the image –fragmented individual to the larger texts of the contemporary? In her recent work, Reena Saini Kallat embeds these questions in portrait-narratives that function between the realms of ceremonial time and the accidents of history.\n\nFrom the flux of mediatic ephemera, Reena extracts images of anonymous people belonging to varied social milieux and political contexts; she invests them with symbolic resonance by the apparently simple act of selection and isolation with the specificities of their icon cropped away.  I would say that Reena’s figures are neither recognisable individual (in the sense that we cannot name them, even when we identify their locale from internal evidence) nor are they simply identitarian stereotypes (in that, although they are coded with national, religious or ethnic characteristics, the pictorial emphasis is on their human vulnerability, as people going about their lives, rather than as incarnations of identity).  In Reena’s treatment, these anonymous people become portraits residing in an unstable semiotic space intermediate between individual and type: she is thus able to employ them as markers of everyday heroism.\n\n\nThe faces that state at us from Reena’s columns are those of ordinary people, archived from the random memory of a computer; a Kashmiri woman in a festive dress, a street-child whose face wears an anxiety of lack, a man in characteristically African Muslim headgear, an anaemic migrant labourer, a taxi- or a rickshaw-driver, or perhaps one of the unemployed millions.  We are comforted by their familiar presence; we meet them daily in newspaper, on the TV screen, or on the Net.  They may come across as stereotypes at first glance, but the vulnerability of their situation summons from us an empathy that gives them a dimension of reality.  For, as the viewing eye travels below the portrait, it encounters a circus of mythic demons, flashing swords and lotus- charkas.\n\n\nThses figures take their place in a conspicuously ceremonial form that celebrates the everyday: Reena has chosen to install her portraits in wooden frames shaped and presented like columns; each portrait has below it, several panel that act as strata of visual inscription.  These columns may give the gallery-viewer a sense of having entered a space defined by ritual circumstances.  their form reminds the present writer of the stele, the archetypal memorial column for a hero in the ancient world, which used images to narrate his deeds to gods and humans.  But, of course the people we meet in Reena’s contemporary memorials are not legendary heroes they are day-to-day survivors.\n\n\nThese portraits seem structured to act like a screening procedure, as though the subjects were being passed through the beam of scrutiny.  Below the portrait’s face, what we thought were rows of visual inscriptions may be read as scans of a revealed anatomy, the interior of a body racked by the demons of poverty, state oppression and religious discrimination.  I use the term “screening procedure” to allude to the larger context of security paranoia where all individuals are demonised and reduced to types, guilty of belonging to whatever group identity that happens to be perceived as the threat of the moment.  I would choose to read the current exhibition as an attempt to address the dissonance between the personhood of the individual and the institutional tendency of states and corporations to depersonalise the individual into a type.  This show could also be seen as addressing the rampant trend towards demonising the other in every conflict at all levels, which forces us to perceive the world through screens if demonology.\n\n\nIn Reena’s columns, the demons are largely drawn from the representation of asuras in the Kangra miniatures.  Here they appear as machines of caricature and callisthenics, rather than as things of blood.  Their traditional role in mythology was to wreck the sacred sacrifice, the yagna and wreak havoc on figures of power and authority.  In Reena’s interpretation, however the demons impede the migrant labourer from fulfilling his desire to play Shravan and take his parents on a pilgrimage to the sacred sites of Hinduism, or the Muslim man from concentrating on his prayers, or the lotus- charkas of energy nosed within her body.  The sword, an intricately decorated prop which may imply the aestheticisation of violence in popular culture, recurs in each column, to mow down the demons.\n\n\nThe presence of these demons in these contemporary memorials has larger resonances.  Subaltern histories reveal how lower-caste communities and tribal populations  were represented as demons in our myths, how their land was captured and their resources usurped.  Labelled as demons, they became outsiders in their own land .  This subtly points to our construction of people as demons or our internalisation of demonologies without paying heed to the subterranean layers of history and folklore.  Sometimes, it becomes possible to see the demonisers as themselves being the demons: such reversals of perception are probed here.  This is significant in an age when George Bush launches\na brutal war of occupation in the name of containing jehad;  The Hindutva fundamentalists organise pogroms in revenge for events that are alleged to have taken place a thousand years ago; and the Israeli state engages in daily rites of slaughter to defend a homeland secured by the expropriation of territory and the expulsion of its people.\n\n\n\n\n\n\n\n\nIt is instructive that Reena breaks the solemnity of her portraits by inserting them within a comic-strip narrative of violence and retribution.  The drama unfolds through energetic play between the demons and the invading swords: black blood, a splatter of entrails, a missing leg.  This sense of comic play is minored in a portfolio of small acrylic works, which Reena has composed as a gallery of rogues based on comic characters from Italian baroque theatre.  The status quo is lampooned a bunch of knives breaks out of a  bespectacled face ,legs grow roots of knives.  Reena sees these figures as symbolic of our Indian politicians who juggle the citizens’ fate, driving their knives magically into the body polity without drawing any blood.\n\n\nBut all demons are not displayed as weapons of mass destruction.  In one of the columns, a demon with pointed tusks and sharpclawed hooves grows larger than life and swoops away with the monuments around which religious contention has been waged.  Above, we see the portrait of an elderly citizen with clouded spectacles.  He waits for change a respite from everyday violence.  Echoing his hope, in another column we witness the blade of a sword faintly disappearing.  The column ends with a spring-cloud,  a shade lighter  than the nocturnal blue dupatta of a child shielding herself from the biting cold .  Perhaps this is why, these columns have been titled, Sword –Swallowers, to emphasise that today ordinary people have to perform extraordinary feats to survive demons of all shapes and colurs.  Our everyday heroes have the skill of the juggler and the spiritual resilience of the fakir.  They survive the blade of the sword that cuts through their vocal cords and the demon that bites their entrails.\n\n\nDemons have fluid identities, they demonise, are demonised in turn .  But even cycles of violence have to end the spring-cloud returns and stain us with hope. Post script: Reena’s works, whether paintings or assemblages or photo-based installations have always dealt with the fragility of human existence and with the susceptibility of the human body that could easily crash like a pack of cards that was never meant to last its composure.  Body-parts, especially hands, recur in her art, sometimes they open up an existing wound, at other times, they rehearse the coming of grace.  The hands symbolise the constant tension in Reena’s art between the hap-hazardness (pun intended) of faith and the enduring lines of fate.\n\n\nTwo earlier works have been judiciously added to this current suite of paintings.  Both of which in their own distinct way deal with tattooed body-parts: the former (Seven Degrees of Vapour for the Vitreous Trousseau) and the latter (Wave and Blue-print: Birthmarks and Tattoos).  \n\n\n\n\n\n\n\n \n\n\nSeven Degrees… follows the cumulative growth of natural cycles, which are beset with the inexplicable.  On a three-week Residency at the Boreal Art/Nature Centre in the Laurentian Mountains of Quebec, Canada, Reena was given a brief to socialise with nature to reduce the gap between the binaries of culture and nature.  Since the cultural/nature binary is a given today, it would be more useful to find out what kind of interfaces are possible between culture and nature.  Away from the humid, sound-percolating city of Bombay, Reena chose to meditate uninvasively on the tranquillity of the Laurentian Mountains.  She did not resort to quasi-anthropological heroics that most artists in such a situation would have performed inevitably; no ground-clearing or hunter-gathering for her.  She framed the landscape with an already existing frame, the windowpane in her room, a façade of sheer glass entranced her.\n\n\nBy making the glass window with a henna drawing of open palms, Reena was subconsciously consecrating the window, an aperture of elsewhereness, with this auspicious paste from her home country.  It is as if Reena had visited the Laurentian Mountains in the spirit of a bridesmaid, only the palms on which she drew her henna designs were not those of a bride, bit window waiting to be dressed as one.  I have deliberately read this as a ritual of consecration rather than a naturalistic framing of a landscape.  Look at her gestures, every two days she offered drawings of fruits and herbs catalogued from a nearby greenhouse to the framed landscape by drilling a hole in the ground, she transformed the window her own.  The frame outside changed with the weather, the bare mountains were covered with a green garments as bald trees grew leaves.  Reena recorded these changes with her camera to make 21 photo-prints.  the resulting images did not need digital manipulation, no burn, lasso or crop(note the phallocentric terminology).  Rather they were a slow unfolding exposure of the mountains superimposed with signs of abundance and nurture.\n\nWave and Blue-print: Birthmarks and Tattoos, were not a private notation like Seven Degrees …., but a political inscription of the body with tattoos of discrimination.\n\n\nThe notion of play as lucid intervention phrased in the political context permeated this sculpture and photo-installation.  Reena led viewers into a familiar recreational field of reference, then pulled the rug from under their feet.  She made an inviting swing, its seat covered with a quilt of diverse scripts.  But the viewer could not sit or lie on it.  Covered by upturned rubber stamps bearing the names of people belonging to different communities, its seat seemed to signal “Inconvenience Regretted”! Reena felt an obsessive need to inscribe the names of India’s citizens in the colours of the national flag: it was her way of renewing the original contract of inclusiveness that the nation signed with its citizens in 1947, at Independence.  Today, some citizens fear a de-notification, while others claim special citizenship, and some are still not recognised as full-fledged citizens.  Subject to the mood-swings of electoral politics, citizen oscillate, their political identities polled into existence and defaced thereafter.  Reena made an identikit of photographic details, comprising branded body parts, to from the backdrop to the swing, amplifying the tattoos and taboos of a dismembered nation.\n\n\nNancy Adajania\n(Bombay, January 2005)        \n','','','inherit','open','open','','1264-revision','','','2010-06-18 08:11:02','2010-06-18 08:11:02','',1264,'http://www.biggventures.com/demo/artists/1265/uncat/1264-revision',0,'revision','',0),(1266,1,'2011-01-19 04:52:09','2011-01-19 04:52:09','<strong style=\"color: #999999;\">SCREENS OF DEMONOLOGY</strong>\n<strong>Nancy Adajania</strong>\n\nThe mediatic image is like a siren: it dies even as it raises an alarm. The central problem facing painters who employ mediatic images in their art, therefore, is: How do you resurrect an image that has such a brief half-life, how do you render significant an image that holds the attention for not more than the blink of an eye? In an economy of images that has reduced every human being to a banal cipher, how can the artist return a sense of significance and dignity to the human subject, re-connecting the image-fragmented individual to the larger texts of the contemporary? In her recent work, Reena Saini Kallat embeds these questions in portrait-narratives that function between the realms of ceremonial time and the accidents of history.\n\nFrom the flux of mediatic ephemera, Reena extracts images of anonymous people belonging to varied social milieux and political contexts; she invests them with symbolic resonance by the apparently simple act of selection and isolation, with the specificities of their loci cropped away. I would say that Reena’s figures are neither recognisable individuals (in the sense that we cannot name them, even when we identify their locale from internal evidence) nor are they simply identitarian stereotypes (in that, although they are coded with national, religious or ethnic characteristics, the pictorial emphasis is on their human vulnerability, as people going about their lives, rather than as incarnations of identity). In Reena’s treatment, these anonymous people become portraits residing in an unstable semiotic space intermediate between individual and type: she is thus able to employ them as markers of everyday heroism.\n\nThe faces that state at us from Reena’s columns are those of ordinary people, archived from the random memory of a computer: a Kashmiri woman in a festive dress, a street-child whose face wears an anxiety of lack, a man in characteristically African Muslim headgear, an anaemic migrant labourer, a taxi- or a rickshaw-driver, or perhaps one of the unemployed millions. We are comforted by their familiar presence, we meet them daily in newspaper, on the TV screen, or on the Net.  They may come across as stereotypes at first glance, but the vulnerability of their situation summons from us an empathy that gives them a dimension of reality. For, as the viewing eye travels below the portrait, it encounters a circus of mythic demons, flashing swords and lotus-chakras.\n\nThese figures take their place in a conspicuously ceremonial form that celebrates the everyday: Reena has chosen to install her portraits in wooden frames shaped and presented like columns; each portrait has below it, several panels that act as strata of visual inscription. These columns may give the gallery-viewer a sense of having entered a space defined by ritual circumstances. Their form reminds the present writer of the stele, the archetypal memorial column for a hero in the ancient world, which used images to narrate his deeds to gods and humans. But, of course, the people we meet in Reena’s contemporary memorials are not legendary heroes, they are day-to-day survivors.\n\nThese portraits seem structured to act like a screening procedure, as though the subjects were being passed through the beam of scrutiny. Below the portrait’s face, what we thought were rows of visual inscriptions may be read as scans of a revealed anatomy, the interior of a body racked by the demons of poverty, state oppression and religious discrimination. I use the term ‘screening procedure’ to allude to the larger context of security paranoia where all individuals are demonised and reduced to types, guilty of belonging to whatever group identity that happens to be perceived as the threat of the moment. I would choose to read the current exhibition as an attempt to address the dissonance between the personhood of the individual and the institutional tendency of states and corporations to depersonalise the individual into a type. This show could also be seen as addressing the rampant trend towards demonising the other in every conflict at all levels, which forces us to perceive the world through screens if demonology.\n\nIn Reena’s columns, the demons are largely drawn from the representation of asuras in the Kangra miniatures. Here, they appear as machines of caricature and callisthenics, rather than as things of blood. Their traditional role in mythology was to wreck the sacred sacrifice, the yagna, and wreak havoc on figures of power and authority. In Reena’s interpretation, however, the demons impede the migrant labourer from fulfilling his desire to play Shravana and take his parents on a pilgrimage to the sacred sites of Hinduism, or the Muslim man from concentrating on his prayers, or the lotus-chakras of energy nosed within her body. The sword, an intricately decorated prop which may imply the aestheticisation of violence in popular culture, recurs in each column, to mow down the demons.\n\nThe presence of these demons in these contemporary memorials has larger resonances.  Subaltern histories reveal how lower-caste communities and tribal populations were represented as demons in our myths, how their land was captured and their resources usurped. Labelled as demons, they became outsiders in their own land. This subtly points to our construction of people as demons or our internalisation of demonologies without paying heed to the subterranean layers of history and folklore. Sometimes, it becomes possible to see the demonisers as themselves being the demons: such reversals of perception are probed here. This is significant in an age when George Bush launches\na brutal war of occupation in the name of containing jehad;  The Hindutva fundamentalists organise pogroms in revenge for events that are alleged to have taken place a thousand years ago; and the Israeli state engages in daily rites of slaughter to defend a homeland secured by the expropriation of territory and the expulsion of its people.\n\nIt is instructive that Reena breaks the solemnity of her portraits by inserting them within a comic-strip narrative of violence and retribution. The drama unfolds through energetic play between the demons and the invading swords: black blood, a splatter of entrails, a missing leg. This sense of comic play is mirrored in a portfolio of small acrylic works which Reena has composed as a gallery of rogues based on comic characters from Italian baroque theatre. The status quo is lampooned: a bunch of knives breaks out of a bespectacled face, legs grow roots of knives. Reena sees these figures as symbolic of our Indian politicians who juggle the citizens’ fate, driving their knives magically into the body-polity without drawing any blood.\n\nBut all demons are not displayed as weapons of mass destruction. In one of the columns, a demon with pointed tusks and sharp clawed hooves grows larger than life and swoops away with the monuments around which religious contention has been waged. Above, we see the portrait of an elderly citizen with clouded spectacles. He waits for change, a respite from everyday violence. Echoing his hope, in another column we witness the blade of a sword faintly disappearing. The column ends with a spring-cloud, a shade lighter than the nocturnal blue dupatta of a child shielding herself from the biting cold.  Perhaps this is why, these columns have been titled, Sword-Swallowers, to emphasise that today ordinary people have to perform extraordinary feats to survive demons of all shapes and colours. Our everyday heroes have the skill of the juggler and the spiritual resilience of the fakir. They survive the blade of the sword that cuts through their vocal cords and the demon that bites their entrails.\n\nDemons have fluid identities, they demonise, are demonised in turn.  But even cycles of violence have to end: the spring-cloud returns and stains us with hope.\n\npost script: Reena’s works, whether paintings or assemblages or photo-based installations have always dealt with the fragility of human existence and with the susceptibility of the human body that could easily crash like a pack of cards that was never meant to last its composure. Body-parts, especially hands, recur in her art, sometimes they open up an existing wound, at other times, they rehearse the coming of grace. The hands symbolise the constant tension in Reena’s art between the hap-hazardness (pun intended) of faith and the enduring lines of fate.\n\nTwo earlier works have been judiciously added to this current suite of paintings. Both of which in their own distinct way deal with tattooed body-parts: the former (Seven Degrees of Vapour for the Vitreous Trousseau) and the latter (Wave and Blue-print: Birthmarks and Tattoos).\n\nSeven Degrees…follows the cumulative growth of natural cycles, which are beset with the inexplicable. On a three-week Residency at the Boreal Art/Nature Centre in the Laurentian Mountains of Quebec, Canada, Reena was given a brief to socialise with nature, to reduce the gap between the binaries of culture and nature. Since the cultural/nature binary is a given today, it would be more useful to find out what kinds of interfaces are possible between culture and nature. Away from the humid, sound-percolating city of Bombay, Reena chose to meditate uninvasively on the tranquility of the Laurentian Mountains. She did not resort to quasi-anthropological heroics that most artists in such a situation would have performed inevitably; no ground-clearing or hunter-gathering for her. She framed the landscape with an already existing frame, the window-pane in her room, a facade of sheer glass entranced her.\n\nBy making the glass window with a henna drawing of open palms, Reena was subconsciously consecrating the window, an aperture of elsewhereness, with this auspicious paste from her home country. It is as if Reena had visited the Laurentian Mountains in the spirit of a bridesmaid, only the palms on which she drew her henna designs were not those of a bride, but a window waiting to be dressed as one. I have deliberately read this as a ritual of consecration rather than a naturalistic framing of a landscape. Look at her gestures, every two days she offered drawings of fruits and herbs catalogued from a nearby greenhouse to the framed landscape. Instead of controlling the landscape by drilling a hole in the ground, she transformed the window-pane into a sheet of water, making the landscape outside her window her own. The frame outside changed with the weather, the bare mountains were covered with a green garment as bald trees grew leaves. Reena recorded these changes with her camera to make 21 photo-prints. The resulting images did not need digital manipulation, no burn, lasso or crop (note the phallocentric terminology). Rather they were a slow unfolding exposure of the mountains superimposed with signs of abundance and nurture.\n\nWave and Blue-print: Birthmarks and Tattoos, were not a private notation like Seven Degrees..., but a political inscription of the body with tattoos of discrimination.\n\nThe notion of play as lucid intervention phrased in the political context permeated this sculpture and photo-installation. Reena led viewers into a familiar recreational field of reference, then pulled the rug from under their feet. She made an inviting swing, its seat covered with a quilt of diverse scripts. But the viewer could not sit or lie on it. Covered by upturned rubber stamps bearing the names of people belonging to different communities, its seat seemed to signal ‘Inconvenience Regretted’! Reena felt an obsessive need to inscribe the names of India’s citizens in the colours of the national flag: it was her way of renewing the original contract of inclusiveness that the nation signed with its citizens in 1947, at Independence. Today, some citizens fear a de-notification, while others claim special citizenship, and some are still not recognised as full-fledged citizens. Subject to the mood-swings of electoral politics, citizen oscillate, their political identities polled into existence and defaced thereafter. Reena made an identikit of photographic details, comprising branded body parts, to from the backdrop to the swing, amplifying the tattoos and taboos of a dismembered nation.\n\nNancy Adajania\n<strong>Bombay, January 2005</strong>','','','inherit','open','open','','1264-autosave','','','2011-01-19 04:52:09','2011-01-19 04:52:09','',1264,'http://www.biggventures.com/demo/artists/1266/uncat/1264-autosave',0,'revision','',0),(1441,1,'2010-06-18 08:11:52','2010-06-18 08:11:52','<strong>SCREEN OF DEMONOLOGY</strong>\r\n\r\nThe mediatic image is like a siren: it dies even as it raises an alarm.  The central problem facing painters who employ mediatic images in their art, therefore, is how do you resurrect an image that has such a brief half-life, how do you render significant an image that holds the attention for not more than the blink of an eye? In an economy of images that has reduced every human being to a banal cipher, how can the artist return a sense of significance and dignity to the human subject, re-connecting the image –fragmented individual to the larger texts of the contemporary? In her recent work, Reena Saini Kallat embeds these questions in portrait-narratives that function between the realms of ceremonial time and the accidents of history.\r\n\r\nFrom the flux of mediatic ephemera, Reena extracts images of anonymous people belonging to varied social milieux and political contexts; she invests them with symbolic resonance by the apparently simple act of selection and isolation with the specificities of their icon cropped away.  I would say that Reena’s figures are neither recognisable individual (in the sense that we cannot name them, even when we identify their locale from internal evidence) nor are they simply identitarian stereotypes (in that, although they are coded with national, religious or ethnic characteristics, the pictorial emphasis is on their human vulnerability, as people going about their lives, rather than as incarnations of identity).  In Reena’s treatment, these anonymous people become portraits residing in an unstable semiotic space intermediate between individual and type: she is thus able to employ them as markers of everyday heroism.\r\n\r\n\r\nThe faces that state at us from Reena’s columns are those of ordinary people, archived from the random memory of a computer; a Kashmiri woman in a festive dress, a street-child whose face wears an anxiety of lack, a man in characteristically African Muslim headgear, an anaemic migrant labourer, a taxi- or a rickshaw-driver, or perhaps one of the unemployed millions.  We are comforted by their familiar presence; we meet them daily in newspaper, on the TV screen, or on the Net.  They may come across as stereotypes at first glance, but the vulnerability of their situation summons from us an empathy that gives them a dimension of reality.  For, as the viewing eye travels below the portrait, it encounters a circus of mythic demons, flashing swords and lotus- charkas.\r\n\r\n\r\nThses figures take their place in a conspicuously ceremonial form that celebrates the everyday: Reena has chosen to install her portraits in wooden frames shaped and presented like columns; each portrait has below it, several panel that act as strata of visual inscription.  These columns may give the gallery-viewer a sense of having entered a space defined by ritual circumstances.  their form reminds the present writer of the stele, the archetypal memorial column for a hero in the ancient world, which used images to narrate his deeds to gods and humans.  But, of course the people we meet in Reena’s contemporary memorials are not legendary heroes they are day-to-day survivors.\r\n\r\n\r\nThese portraits seem structured to act like a screening procedure, as though the subjects were being passed through the beam of scrutiny.  Below the portrait’s face, what we thought were rows of visual inscriptions may be read as scans of a revealed anatomy, the interior of a body racked by the demons of poverty, state oppression and religious discrimination.  I use the term “screening procedure” to allude to the larger context of security paranoia where all individuals are demonised and reduced to types, guilty of belonging to whatever group identity that happens to be perceived as the threat of the moment.  I would choose to read the current exhibition as an attempt to address the dissonance between the personhood of the individual and the institutional tendency of states and corporations to depersonalise the individual into a type.  This show could also be seen as addressing the rampant trend towards demonising the other in every conflict at all levels, which forces us to perceive the world through screens if demonology.\r\n\r\n\r\nIn Reena’s columns, the demons are largely drawn from the representation of asuras in the Kangra miniatures.  Here they appear as machines of caricature and callisthenics, rather than as things of blood.  Their traditional role in mythology was to wreck the sacred sacrifice, the yagna and wreak havoc on figures of power and authority.  In Reena’s interpretation, however the demons impede the migrant labourer from fulfilling his desire to play Shravan and take his parents on a pilgrimage to the sacred sites of Hinduism, or the Muslim man from concentrating on his prayers, or the lotus- charkas of energy nosed within her body.  The sword, an intricately decorated prop which may imply the aestheticisation of violence in popular culture, recurs in each column, to mow down the demons.\r\n\r\n\r\nThe presence of these demons in these contemporary memorials has larger resonances.  Subaltern histories reveal how lower-caste communities and tribal populations  were represented as demons in our myths, how their land was captured and their resources usurped.  Labelled as demons, they became outsiders in their own land .  This subtly points to our construction of people as demons or our internalisation of demonologies without paying heed to the subterranean layers of history and folklore.  Sometimes, it becomes possible to see the demonisers as themselves being the demons: such reversals of perception are probed here.  This is significant in an age when George Bush launches\r\na brutal war of occupation in the name of containing jehad;  The Hindutva fundamentalists organise pogroms in revenge for events that are alleged to have taken place a thousand years ago; and the Israeli state engages in daily rites of slaughter to defend a homeland secured by the expropriation of territory and the expulsion of its people.\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\nIt is instructive that Reena breaks the solemnity of her portraits by inserting them within a comic-strip narrative of violence and retribution.  The drama unfolds through energetic play between the demons and the invading swords: black blood, a splatter of entrails, a missing leg.  This sense of comic play is minored in a portfolio of small acrylic works, which Reena has composed as a gallery of rogues based on comic characters from Italian baroque theatre.  The status quo is lampooned a bunch of knives breaks out of a  bespectacled face ,legs grow roots of knives.  Reena sees these figures as symbolic of our Indian politicians who juggle the citizens’ fate, driving their knives magically into the body polity without drawing any blood.\r\n\r\n\r\nBut all demons are not displayed as weapons of mass destruction.  In one of the columns, a demon with pointed tusks and sharpclawed hooves grows larger than life and swoops away with the monuments around which religious contention has been waged.  Above, we see the portrait of an elderly citizen with clouded spectacles.  He waits for change a respite from everyday violence.  Echoing his hope, in another column we witness the blade of a sword faintly disappearing.  The column ends with a spring-cloud,  a shade lighter  than the nocturnal blue dupatta of a child shielding herself from the biting cold .  Perhaps this is why, these columns have been titled, Sword –Swallowers, to emphasise that today ordinary people have to perform extraordinary feats to survive demons of all shapes and colurs.  Our everyday heroes have the skill of the juggler and the spiritual resilience of the fakir.  They survive the blade of the sword that cuts through their vocal cords and the demon that bites their entrails.\r\n\r\n\r\nDemons have fluid identities, they demonise, are demonised in turn .  But even cycles of violence have to end the spring-cloud returns and stain us with hope. Post script: Reena’s works, whether paintings or assemblages or photo-based installations have always dealt with the fragility of human existence and with the susceptibility of the human body that could easily crash like a pack of cards that was never meant to last its composure.  Body-parts, especially hands, recur in her art, sometimes they open up an existing wound, at other times, they rehearse the coming of grace.  The hands symbolise the constant tension in Reena’s art between the hap-hazardness (pun intended) of faith and the enduring lines of fate.\r\n\r\n\r\nTwo earlier works have been judiciously added to this current suite of paintings.  Both of which in their own distinct way deal with tattooed body-parts: the former (Seven Degrees of Vapour for the Vitreous Trousseau) and the latter (Wave and Blue-print: Birthmarks and Tattoos).  \r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n \r\n\r\n\r\nSeven Degrees… follows the cumulative growth of natural cycles, which are beset with the inexplicable.  On a three-week Residency at the Boreal Art/Nature Centre in the Laurentian Mountains of Quebec, Canada, Reena was given a brief to socialise with nature to reduce the gap between the binaries of culture and nature.  Since the cultural/nature binary is a given today, it would be more useful to find out what kind of interfaces are possible between culture and nature.  Away from the humid, sound-percolating city of Bombay, Reena chose to meditate uninvasively on the tranquillity of the Laurentian Mountains.  She did not resort to quasi-anthropological heroics that most artists in such a situation would have performed inevitably; no ground-clearing or hunter-gathering for her.  She framed the landscape with an already existing frame, the windowpane in her room, a façade of sheer glass entranced her.\r\n\r\n\r\nBy making the glass window with a henna drawing of open palms, Reena was subconsciously consecrating the window, an aperture of elsewhereness, with this auspicious paste from her home country.  It is as if Reena had visited the Laurentian Mountains in the spirit of a bridesmaid, only the palms on which she drew her henna designs were not those of a bride, bit window waiting to be dressed as one.  I have deliberately read this as a ritual of consecration rather than a naturalistic framing of a landscape.  Look at her gestures, every two days she offered drawings of fruits and herbs catalogued from a nearby greenhouse to the framed landscape by drilling a hole in the ground, she transformed the window her own.  The frame outside changed with the weather, the bare mountains were covered with a green garments as bald trees grew leaves.  Reena recorded these changes with her camera to make 21 photo-prints.  the resulting images did not need digital manipulation, no burn, lasso or crop(note the phallocentric terminology).  Rather they were a slow unfolding exposure of the mountains superimposed with signs of abundance and nurture.\r\n\r\nWave and Blue-print: Birthmarks and Tattoos, were not a private notation like Seven Degrees …., but a political inscription of the body with tattoos of discrimination.\r\n\r\n\r\nThe notion of play as lucid intervention phrased in the political context permeated this sculpture and photo-installation.  Reena led viewers into a familiar recreational field of reference, then pulled the rug from under their feet.  She made an inviting swing, its seat covered with a quilt of diverse scripts.  But the viewer could not sit or lie on it.  Covered by upturned rubber stamps bearing the names of people belonging to different communities, its seat seemed to signal “Inconvenience Regretted”! Reena felt an obsessive need to inscribe the names of India’s citizens in the colours of the national flag: it was her way of renewing the original contract of inclusiveness that the nation signed with its citizens in 1947, at Independence.  Today, some citizens fear a de-notification, while others claim special citizenship, and some are still not recognised as full-fledged citizens.  Subject to the mood-swings of electoral politics, citizen oscillate, their political identities polled into existence and defaced thereafter.  Reena made an identikit of photographic details, comprising branded body parts, to from the backdrop to the swing, amplifying the tattoos and taboos of a dismembered nation.\r\n\r\n\r\nNancy Adajania\r\n(Bombay, January 2005)        \r\n','','','inherit','open','open','','1264-revision-2','','','2010-06-18 08:11:52','2010-06-18 08:11:52','',1264,'http://www.biggventures.com/demo/artists/1441/uncat/1264-revision-2',0,'revision','',0),(1267,1,'2010-06-18 08:14:20','2010-06-18 08:14:20','<strong style=\"color: #999999;\">RE-MANUFACTURING SYMBOLS: RECENT PAINTINGS BY REENA SAINI KALLAT</strong>\r\n<strong>© Nancy Adajania</strong>\r\n\r\nI propose to read Reena Saini Kallat’s recent paintings, which are overtly political, as a conversation between the visualities of fate and faith.  The tension between these two interrelated concepts has been dramatised most strongly in the Indian public sphere after independence.  From the 1950s through the 1980s, the citizens of post-colonial India harboured the hope that they could erase the lines of fate (inheritance by birth, caste, religion and regional location) and replace them with the power of faith in the secular icons of Progress, Technology and the Nation-state.  However, by the 1990s, various political and economic upheavals produced a new political configuration, under which this secular faith was eroded and substituted with a fate determined by religion and ethnicity, and articulated through processes of exclusion and discrimination.\r\n\r\nTwo visual tropes, those of the hand and the flag, recur in Saini’s works.  The hand appears both a delta of fate-lines as well as an instrument of labour that could overcome those lines.  The tricolour is portrayed as a mnemonic of the nation which once stood for sacrifice, peace and fertility, and also as a nation fragmented today by divisive political and religious forces.  In the paintings, the flag assumes various forms, floating across and tri-colouring a range of symbolic objects that stand for the nation.  It hues a diseased branch operated on a surgeon’s table, or dyes a nation-tree thirsting for water, or tints the landscape across which a dhobi carries his bundle of soiled clothes.\r\n\r\nIn Braiding the Line, Saini tries to reclaim the tricolour from ceremonialism.  Instead of an avaricious politician, she chooses a subaltern figure, a fisherman to weave a tricolour with his robust hands: elephants and peacocks, Gandhiji, Maulana Azad and Vinobha Bhave are held together in this net of succulent vines.  The most intriguing detail in this painting is a large watch on the fisherman’s wrist, counterposed with Kalki, the tenth and future avatar of the god Vishnu (the preserver of cosmic order and righteousness), which is placed as a pictorial notation in the corner of the painting.  This icon with a white horse’s head, which looks like a folkloric toy stands for a utopian future where disorder will be replaced with order.  Saini knits this narrative with a poetics of time.  Three layers of temporality co-exist in this triptych: chronological time symbolised by the watch, natural time reflected by the flora and fauna in the net, and mythological time by the popular political and social icons of the past, the whole dominated by the cosmic and cyclical scheme represented by the avatar of Kalki.\r\n\r\nThe artist’s formal treatment complements her construction of contemporary mythologies.  She uses decoration deliberately, as a contextual strategy and artistic choice to compose her pictorial space.  Here decoration does not remain mere surface ornamentation, but becomes an integral part of the image-making vocabulary.  For example, the net of vines, which is the central image of Braiding the Line. Forms an arabesque.  On examination, it reveals a coded significance, uniting the worlds of animals, birds, humans and demigods, proposing itself as an image of the universe.  Also, the underlayer of cement primer makes the ochre-gold acrylic surface look gritty and holds the tendency towards the decorative in counterpoint.  Thus, Saini’s critical approach saves the paintings from looking like a simulacrum of kitsch.  She manages to avoid this danger by rendering some of her forms with intentional crudity and even defacing them, so that, in her hands, kitsch becomes an active ingredient and not merely a fashionable form that appeals to current taste in the art world.\r\n\r\nAnother strategy, which Saini employs successfully, is that of jumbling seemingly different contexts, as in PULSE 30, where folkloric representations of the Dasha-avatar iconography (the ten avatars of Vishnu) are commingled with images from natural history and also with various portrayals of subaltern occupational types.  This is an unexpected move, because we can establish a correspondence between the pattern of the incarnations and the graphs of the evolution of life on earth (consider, for example, the parallel between the Matsya-avatar, Vishnu as Cosmic Fish, and the image of aquatic species).  But there is no such easy correspondence between subaltern artisans such as the knife-grinder and the carpenter, and their neighbour in Saini’s grid, Vishnu as the prince Rama.  There is a certain friction between the images at these points.\r\n\r\nThis device of jumbling the iconic with the subaltern echoes a cultural phenomenon that we could call the haphazard democracy of street culture, where heroes of all kinds, film actors and actresses, politicians, gods, goddesses and pop gurus co-exist.  The difference is that Saini introduces the excluded and marginalised inhabitant of the street, the itinerant artisan or the daily-wage labourer, into the picture.  By adding the subaltern artisans to this pantheon of heroes, Saini produces a new democratic order, one in which the artisan is elevated to iconic status and portrayed with the same kind of valency as the god-king.  But we are not allowed to forget that the discriminating powers of fate still operate.  We find that this work of 30 small-sized paintings is framed by the images of two open palms, their fate-lines pulsating like naked wounds.  And yet are these not the hands that can make a revolution?\r\n\r\nAppropriately, on looking closer, we find that images of the subaltern heroes are framed  by candles.  And although the figures look layered and even blurred at times, they exert a compelling presence.  Saini surrounds their defaced bodies with a halo, provoking a dialogue between the ordinary and the auratic.  The carpenter is made to look like a saint with a liquid yellow halo and the avatar of Parashuram, the fierce axe-warrior, is domesticated, given the look of an everyday guardian deity of the household.\r\n\r\nThis play between the ordinary and auratic is most strongly dramatised in the paintings Sleeping River- Inhale and Sleeping River-Exhale, which show a soft-porn image of a woman (sourced from the Net) and an icon of the mother goddess from the popular cultic material.  In the former painting, the woman is shown as an epic figure in a deep sleep, her vagina wounded; streams of blood camouflaged as red vines gush over her open thighs.  Against this profane image is juxtaposed the sacred figure of the cosmic woman (sourced from an 18th century illuminated manuscript concerning the cosmic process of dissolution and reabsorption, pralaya). The cosmic woman contains within herself the trinity of Brahma,Vishnu and Shiva, the creator, preserver and destroyer of the universe.  Again, an arabesque of vines is used to connect these two disparate elements.  And in this net of vines float offering of dismembered parts of the human body made of wax.\r\n\r\nIn Sleeping River-Exhale, the woman is shown as pile of flesh on offer.  Since her head is cut by the top of the frame, we only see a part of her eyes and are not sure whether she is looking at, or away from, the angry image of Kali as it manifests itself.  Saini’s representation of the female body takes many forms in both these paintings: as commodity in pornography, as a votive wax offering made to show gratitude for healed afflictions, and as an icons.  To create a strong visual impact, Saini counterposes the inevitable crudity of the pornographic figures with the more stylised beauty of the sacred icons and symbols of fertility.\r\n\r\nI would suggest that as an artist, Saini’s primary concern is the status of the symbol in a charged political environment, where it is the discourse of the symbol rather than the discourse of the text that determines the fate of individuals, parties and ideologies.  She draws our attention to the manufactured nature of these symbols by exposing their machinery, through her representation of the differentiated forms of the female body, the nation and the competing narratives of cosmic order and chaos.  Thus, in Saini’s works, the symbols does not appear as an instrument of false consciousness, but instead, is unmasked as a key device in the dominant narratives of power/knowledge.  It appears, from her work, that she has tried to propose a counter-symbology to the symbolic transactions of mountebanks, self-styled religious gurus and criminalised politicians who grapple for control over India’s public sphere today.  The forces ranged against an individual artist’s project such as this one are vast, but Reena Saini Kallat is determined to keep a window of awareness open.  The impulse of her work will surely achieve its full maturity in the years to come.\r\n\r\n<strong>Bombay,2002</strong>','','','publish','open','open','','battlefield-of-mind','','','2012-06-28 09:21:11','2012-06-28 09:21:11','',0,'http://www.biggventures.com/demo/artists/?page_id=1267',0,'page','',0),(1268,1,'2010-06-18 08:13:29','2010-06-18 08:13:29','<strong>Re-manufacturing Symbols: Recent Paintings by Reena Saini Kallat</strong>\r\n\r\nI propose to read Reena Saini Kallat’s recent paintings, which are overtly political, as a conversation between the visualities of fate and faith.  The tension between these two interrelated concepts has been dramatised most strongly in the Indian public sphere after independence.  From the 1950s through the 1980s, the citizens of post-colonial India harboured the hope that they could erase the lines of fate (inheritance by birth, caste, religion and regional location) and replace them with the power of faith in the secular icons of Progress, Technology and the Nation-state.  However, by the 1990s, various political and economic upheavals produced a new political configuration, under which this secular faith was eroded and substituted with a fate determined by religion and ethnicity, and articulated through processes of exclusion and discrimination.\r\n\r\n\r\nTwo visual tropes, those of the hand and the flag, recur in Saini’s works.  The hand appears both a delta of fate-lines as well as an instrument of labour that could overcome those lines.  The tricolour is portrayed as a mnemonic of the nation which once stood for sacrifice, peace and fertility, and also as a nation fragmented today by divisive political and religious forces.  In the paintings, the flag assumes various forms, floating across and tri-colouring a range of symbolic objects that stand for the nation.  It hues a diseased branch operated on a surgeon’s table, or dyes a nation-tree thirsting for water, or tints the landscape across which a dhobi carries his bundle of soiled clothes.\r\n\r\n\r\nIn Braiding the Line, Saini tries to reclaim the tricolour from ceremonialism.  Instead of an avaricious politician, she chooses a subaltern figure, a fisherman to weave a tricolour with his robust hands: elephants and peacocks, Gandhiji, Maulana Azad and Vinobha Bhave are held together in this net of succulent vines.  The most intriguing detail in this painting is a large watch on the fisherman’s wrist, counterposed with Kalki, the tenth and future avatar of the god Vishnu (the preserver of cosmic order and righteousness), which is placed as a pictorial notation in the corner of the painting.  This icon with a white horse’s head, which looks like a folkloric toy stands for a utopian future where disorder will be replaced with order.  Saini knits this narrative with a poetics of time.  Three layers of temporality co-exist in this triptych: chronological time symbolised by the watch, natural time reflected by the flora and fauna in the net, and mythological time by the popular political and social icons of the past, the whole dominated by the cosmic and cyclical scheme represented by the avatar of Kalki.\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\nThe artist’s formal treatment complements her construction of contemporary mythologies.  She uses decoration deliberately, as a contextual strategy and artistic choice to compose her pictorial space.  Here decoration does not remain mere surface ornamentation, but becomes an integral part of the image-making vocabulary.  For example, the net of vines, which is the central image of Braiding the Line. Forms an arabesque.  On examination, it reveals a coded significance, uniting the worlds of animals, birds, humans and demigods, proposing itself as an image of the universe.  Also, the underlayer of cement primer makes the ochre-gold acrylic surface look gritty and holds the tendency towards the decorative in counterpoint.  Thus, Saini’s critical approach saves the paintings from looking like a simulacrum of kitsch.  She manages to avoid this danger by rendering some of her forms with intentional crudity and even defacing them, so that, in her hands, kitsch becomes an active ingredient and not merely a fashionable form that appeals to current taste in the art world.\r\n\r\n\r\nAnother strategy, which Saini employs successfully, is that of jumbling seemingly different contexts, as in PULSE 30, where folkloric representations of the Dasha-avatar iconography (the ten avatars of Vishnu) are commingled with images from natural history and also with various portrayals of subaltern occupational types.  This is an unexpected move, because we can establish a correspondence between the pattern of the incarnations and the graphs of the evolution of life on earth (consider, for example, the parallel between the Matsya-avatar, Vishnu as Cosmic Fish, and the image of aquatic species).  But there is no such easy correspondence between subaltern artisans such as the\r\nknife-grinder and the carpenter, and their neighbour in Saini’s grid, Vishnu as the prince Rama.  There is a certain friction between the images at these points.\r\n\r\n  \r\nThis device of jumbling the iconic with the subaltern echoes a cultural phenomenon that we could call the haphazard democracy of street culture, where heroes of all kinds, film actors and actresses, politicians, gods, goddesses and pop gurus co-exist.  The difference is that Saini introduces the excluded and marginalised inhabitant of the street, the itinerant artisan or the daily-wage labourer, into the picture.  By adding the subaltern artisans to this pantheon of heroes, Saini produces a new democratic order, one in which the artisan is elevated to iconic status and portrayed with the same kind of valency as the god-king.  But we are not allowed to forget that the discriminating powers of fate still operate.  We find that this work of 30 small-sized paintings is framed by the images of two open palms, their fate-lines pulsating like naked wounds.  And yet are these not the hands that can make a revolution?\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\nAppropriately, on looking closer, we find that images of the subaltern heroes are framed  by candles.  And although the figures look layered and even blurred at times, they exert a compelling presence.  Saini surrounds their defaced bodies with a halo, provoking a dialogue between the ordinary and the auratic.  The carpenter is made to look like a saint with a liquid yellow halo and the avatar of Parashuram, the fierce axe-warrior, is domesticated, given the look of an everyday guardian deity of the household.\r\n\r\n\r\n\r\nThis play between the ordinary and auratic is most strongly dramatised in the paintings Sleeping River- Inhale and Sleeping River-Exhale, which show a soft-porn image of a woman (sourced from the Net) and an icon of the mother goddess from the popular cultic material.  In the former painting, the woman is shown as an epic figure in a deep sleep, her vagina wounded; streams of blood camouflaged as red vines gush over her open thighs.  Against this profane image is juxtaposed the sacred figure of the cosmic woman (sourced from an 18th century illuminated manuscript concerning the cosmic process of dissolution and reabsorption, pralaya). The cosmic woman contains within herself the trinity of Brahma,Vishnu and Shiva, the creator, preserver and destroyer of the universe.  Again, an arabesque of vines is used to connect these two disparate elements.  And in this net of vines float offering of dismembered parts of the human body made of wax.\r\n\r\n\r\nIn Sleeping River-Exhale, the woman is shown as pile of flesh on offer.  Since her head is cut by the top of the frame, we only see a part of her eyes and are not sure whether she is looking at, or away from, the angry image of Kali as it manifests itself.  Saini’s representation of the female body takes many forms in both these paintings: as commodity in pornography, as a votive wax offering made to show gratitude for healed afflictions, and as an icons.  To create a strong visual impact, Saini counterposes the inevitable crudity of the pornographic figures with the more stylised beauty of the sacred icons and symbols of fertility.\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\nI would suggest that as an artist, Saini’s primary concern is the status of the symbol in a charged political environment, where it is the discourse of the symbol rather than the discourse of the text that determines the fate of individuals, parties and ideologies.  She draws our attention to the manufactured nature of these symbols by exposing their machinery, through her representation of the differentiated forms of the female body, the nation and the competing narratives of cosmic order and chaos.  Thus, in Saini’s works, the symbols does not appear as an instrument of false consciousness, but instead, is unmasked as a key device in the dominant narratives of power/knowledge.  It appears, from her work, that she has tried to propose a counter-symbology to the symbolic transactions of mountebanks, self-styled religious gurus and criminalised politicians who grapple for control over India’s public sphere today.  The forces ranged against an individual artist’s project such as this one are vast, but Reena Saini Kallat is determined to keep a window of awareness open.  The impulse of her work will surely achieve its full maturity in the years to come.\r\n\r\nNancy Adajania\r\nBombay,2002  \r\n','','','inherit','open','open','','1267-revision','','','2010-06-18 08:13:29','2010-06-18 08:13:29','',1267,'http://www.biggventures.com/demo/artists/1268/uncat/1267-revision',0,'revision','',0),