(3465,1,'2017-02-01 23:09:30','2017-02-01 23:09:30','Reena Saini Kallat (b. 1973, Delhi, India) graduated from Sir J.J. School of Art, Mumbai in 1996 with a B.F.A. in painting. Her practice spanning drawing, photography, sculpture and video engages diverse materials, imbued with conceptual underpinnings. She is interested in the role that memory plays, in not only what we choose to remember but also how we think of the past. Using the motif of the rubberstamp both as object and imprint, signifying the bureaucratic apparatus, Kallat has worked with officially recorded or registered names of people, objects, and monuments that are lost or have disappeared without a trace, only to get listed as anonymous and forgotten statistics. In her works made with electrical cables, wires usually serving as conduits of contact that transmit ideas and information, become painstakingly woven entanglements that morph into barbed wires like barriers. Her ongoing series using salt as a medium explores the tenuous yet intrinsic relationship between the body and the oceans, highlighting the fragility and unpredictability of existence.\r\n\r\nShe has widely exhibited across the world in venues such as Museum of Modern Art (MOMA), New York; Mori Art Museum, Tokyo; Kennedy Centre, Washington; Vancouver Art Gallery; Saatchi Gallery, London; SESC Pompeia and SESC Belenzino in Sao Paulo; Goteborgs Konsthall, Sweden; Helsinki City Art Museum, Finland; National Taiwan Museum of Fine Arts; Tel Aviv Museum of Art, Israel; National Museum of Contemporary Art, Seoul; Henie Onstad Kunstsenter, Oslo; Casa Asia, Madrid and Barcelona; ZKM Karlsruhe in Germany; Campbelltown Arts Centre, Sydney; Hangar Bicocca, Milan; Museum of Contemporary Art, Shanghai; IVAM Museum, Spain; Busan MOMA; Kulturhuset, Stockholm; Kunsthaus Langenthal, Switzerland; Chicago Cultural Centre amongst many others. She lives and works in Mumbai.\r\n\r\nHer works are part of several public and private collections including the National Taiwan Museum of Fine Arts, Taiwan; Vancouver Art Gallery, Canada; Initial Access (Frank Cohen Collection), UK; Fondazione Golinelli, Italy; Bhaudaji Lad Museum, Mumbai; National Gallery of Modern Art, New Delhi; Devi Art Foundation, New Delhi; Saatchi Gallery, London; Tiroche DeLeon Collection, Israel; Ermenegildo Zegna Group, Italy; JSW Foundation, Mumbai and Burger Collection, Hongkong amongst others.\r\n\r\n<table>\r\n<tbody>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">SOLO EXHIBITIONS</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>Porous Passages, Nature Morte, New Delhi </td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/Reena-Kallat-hyphenated-lives-2015-forthcoming-show/\" target=\"_blank\">Hyphenated Lives, Chemould Prescott Road, Mumbai<span style=\"color: red;\"> &gt;&gt; </span><a>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td><a class=\"linkbio\" href=\"https://www.vanartgallery.bc.ca/the_exhibitions/exhibit_sainikallat.html\" target=\"_blank\">Offsite, Public Art Project, Vancouver Art Gallery</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td>Anatomy of forking paths, Art Houz, during Art Chennai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td><a class=\"linkbio\" href=\"http://www.zegnart.com/diary/public\" target=\"_blank\">ZegnArt Public project with Dr. Bhaudaji Lad Museum, Mumbai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://www.kennedy-center.org/events/?event=ZLINB\" target=\"_blank\">Falling Fables, Maximum India at the Kennedy Centre, Washington </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://www.naturemorte.com/exhibitions/press_release/delhi/past/364\" target=\"_blank\">Labyrinth of Absences, Nature Morte, New Delhi</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.primomarellagallery.com/it/catalogue/scheda.asp?id=568&amp;view=past\" target=\"_blank\">Drift, Primo Marella Gallery, Milan</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://gallerychemould.com/exhibitions/reena-show-2008/\" target=\"_blank\"> Silt of Seasons, Chemould   Prescott Road, Mumbai <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/reena-kallat-exhibition-2008/\" target=\"_blank\">Subject to Change without Notice, Walsh Gallery, Chicago</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Rainbow Of Refuse, Bodhi Art Gallery, Mumbai and Singapore</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Black Flute (And Other Stories), Nature Morte, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2004/reena_saini_kallat_note.html\" target=\"_blank\">Black Flute, Gallery Chemould, Mumbai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>The Battlefield Is The Mind, Sakshi Gallery, Bangalore</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Seven Faces of Dust, Chicago Radio, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2000</td>\r\n<td>Skin, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1998</td>\r\n<td>Orchard of Home-grown Secrets, Gallery Chemould and Pundole  Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><span style=\"color: #888888;\"><strong>SELECTED GROUP EXHIBITIONS</strong></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2016</td>\r\n<td><a class=\"linkbio\" href=\"https://medium.com/insecurities/woven-chronicle-e494ea66e782#.s05p5qtyx\" target=\"_blank\" >Insecurities: tracing Displacement and Shelter, organized by Sean Anderson and Ariele Dionne-Krosnick, The Museum of Modern Art (MOMA), New York <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2016</td>\r\n<td><a class=\"linkbio\" href=\"http://busanbiennale.org/english/sub01/03_view_2015.php?no=314&wr_3=&sfl=&stx=&sop=&sca=&type=2&page=3\" target=\"_blank\"> Hybridizing Earth, Discussing Multitude, 10th Busan Biennale, curated by Cheagab Yun, Kiswire Suyeong factory, Busan, \r\nSouth Korea<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2016</td>\r\n<td>Conceiving Space, Colombo Art Biennial, curated by Alnoor Mitha, Sri Lanka</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2016</td>\r\n<td>Make a Change, curated by Torun Ekstrand, Cultural Ronneby, Sweden</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2016</td>\r\n<td>Tabiyat: Medicine and Healing in India, curated by Ratan Vaswani, CSMVS (Chhatrapati Shivaji Maharaj Vastu Sangrahalaya), Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2016</td>\r\n<td>The Eye and The Mind: New Interventions in Indian Art, NGMA- Jaipur House, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>The Eye and The Mind: New Interventions in Indian Art, Minsheng Art Museum, Beijing</td>\r\n</tr>\r\n\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>Aperture, Indian Summer Festival, Old Canadian Pacific Railway Station, Vancouver</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>The Eye and The Mind: New Interventions in Indian Art, China Art Museum, Shanghai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/A-Summer-Mix-Artists-from-Chemould-Prescott-2015/\" target=\"_blank\">A Summer Mix, Chemould Prescott Road, Mumbai<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>One and one make eleven (Contemporary Art From India), Kunsthaus Langenthal, Switzerland</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>The Eye and The Mind: New Interventions in Indian Art, Guangdong Museum of Art, Guangzhou, China</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>[en]counters 2015, Spaces in Transition, CST Terminus, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>Kalaghoda Art Festival, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td>Off the wall, Sir. J.J. School of Art, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td>India: Maximum City, St. Moritz Art Masters, Switzerland</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td>Encounters:- Is There Love in This Air?, Cattle depot, C &amp; G ArtPartment, Hong Kong</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/aesthetic-bind-cabinet-closet-wunderkammer/\" target=\"_blank\">Aesthetic Bind: Floating World, Chemould Prescott Road, Mumbai<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td><a class=\"linkbio\" href=\"http://www.sahmatnews.blogspot.in/2014/02/forms-of-activism-24th-feb-to-1st-march.html\" target=\"_blank\">Forms of Activism, exhibition marking 25 years of SAHMAT at the Lalit Kala Akademi galleries, Rabindra bhavan, New Delhi <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td><a class=\"linkbio\" href=\"http://www.artoxygen.org/wp-content/uploads/2014/140218_Program_isthereloveinthisair2014.pdf\" target=\"_blank\">Encounters 2014 - Is there love in the air?, Public project with Art Oxygen in Mumbai<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td><a class=\"linkbio\" href=\"http://eslitegallery.tumblr.com/post/65981256422/reena-saini-kallat\" target=\"_blank\">No-Mad-Ness in No-Man\'s Land, Eslite Gallery, Taipei <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td><a class=\"linkbio\" href=\"http://www.artoxygen.org/?p=1858\" target=\"_blank\">Haein Art Project, Haeinsa Temple, Korea <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td><a class=\"linkbio\" href=\"http://www.collabo-x.com/cheongju-international-craft-biennale-2013-청주첨단문화산업단지/\" target=\"_blank\"> \"Something Old and Something New\", Cheongju International Craft Biennale, Korea<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td><a class=\"linkbio\" href=\"http://mohileparikhcenter.org/site/?q=node/647\" target=\"_blank\">Partner a Master Exhibition, Artist/Mentor Programme, Premchand Roychand Gallery, Chhatrapati Shivaji Maharaj Vastu Sangrahalaya (CSMVS), Mumbai <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td><a class=\"linkbio\" href=\"http://www.paletteartgallery.com/exhibition/past/works/details/5120\" target=\"_blank\">Spell of Spill: Utopia of Ecology, Palette Art Gallery, Delhi <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td><a class=\"linkbio\" href=\"http://www.satellite.org.au/docs/encounters-powerPLAY_press_release.pdf \" target=\"_blank\">EN(counters): POWERplay, along Mumbai’s waterfronts, gardens and historic sites<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td>JJ’s 90s - The Time of Change, Sir J.J. School of Art, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>India Today, ARKEN Museum of Modern Art, Copenhagen, Denmark</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>The Indian Parallax or the Doubling of Happiness, Birla Academy of Art and Culture, Kolkata</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>WONDERS – Masterpieces from Private Collections, Denmark</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td><a class=\"linkbio\" href=\"http://www.bb.com.br/docs/pub/inst/dwn/CatalogoIndia.pdf\" target=\"_blank\">India side by side, Centro Cultural Banco do Brasil, Brasilia <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td><a class=\"linkbio\" href=\"http://www.eigen-art.com/lab/index.php?article_id=804&amp;clang=1\" target=\"_blank\">Group show, Eigen + Art Lab, Berlin<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>India Side by Side,SESC Belenzino, Sao Paulo, Brazil</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td><a class=\"linkbio\" href=\"http://www.punkto.no/voices-from-pandemonium.5006429-249860.html\" target=\"_blank\">Stemmer fra Pandemonium, Punkt-Galleri F 15, Moss, Norway <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>To Let the World In: Narrative and Beyond in Contemporary Indian Art, Lalit Kala Regional Centre, Chennai, India</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>The Contemporary Sultanate, the Sunrydge, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>Kalaghoda Art Festival, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td><a class=\"linkbio\" href=\"http://www.theskodaprize.com/2012/longlist.php?id=1#.ULxBLWDrbJw\" target=\"_blank\">The Skoda Prize Exhibition, Lalit Kala Academy, New Delhi<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>India Side by Side, Centro Cultural Banco do Brasil, Rio De Janeiro</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Giant Elephant : Contemporary Art from India, H Cube Gallery, Seoul</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Roundabout, Tel Aviv Museum of Art, Israel<span style=\"color: red;\"> </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://www.konsthallen.goteborg.se/prod/kultur/konsthallen/dalis2.nsf/535e371e7fd657aec1256a5c0045675f/22123a2342203237c125794a003704ed!OpenDocument\" target=\"_blank\">Goteborg International Biennale for Contemporary Art, curated by Sarat Maharaj, Göteborgs Konsthall and Bohuslans Konsthall, Uddevalla, Sweden <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Right to Dissent, Clark House, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>RED, Palette Art Gallery, Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Of Gods and Goddesses, Cinema, Cricket - The New cultural Icons of India, Jehangir Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://www.hel.fi/hki/taimu/en/art+museum+tennis+palace/past+exhibitions/2011/concurrent+india\" target=\"_blank\">Samtidigt, Helsinki City Art Museum, Finland<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Iconoclasts and Iconodules, curated by Ombretta Argo, Religare Art Gallery, New  Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://vancouverbiennale.com/sculptures_page.php?sculptureID=36\" target=\"_blank\">The Vancouver International Sculpture Biennale, Surrey Art Gallery, Canada<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>The Intuitive: Logic Revisted, from the Osians Collection at The World Economic Forum, Davos, Switzerland</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/current/La_Route_De_La_Soie.htm\" target=\"_blank\">La Route de la Soie / The Silk Road, Lille 3000, France </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://kulturhuset.stockholm.se/\" target=\"_blank\">Samtidigt, Kulterhuset, Stockholm</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.campbelltown.nsw.gov.au/Exhibitions\" target=\"_blank\">The River Project, Campbelltown Art Centre, Sydney</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.tamuseum.com/about-the-exhibition/roundabout-face-to-face\" target=\"_blank\">Roundabout, City Gallery Wellington, New Zealand</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/water-ways/\" target=\"_blank\">Waterways, Walsh Gallery, Chicago</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.richmondartgallery.org/in-transition.php\" target=\"_blank\">In Transition: New Art from India, Richmond Art Gallery Vancouver Biennale, Vancouver</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www2.webster.edu/news/releases/bringmealion_0910113.shtml\" target=\"_blank\">Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster University, curated by Jeffrey Hughes and Dana Turkovic, Cecile R. Hunt  Gallery, St. Louis, Missouri</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/www/pastExhibitions\" target=\"_blank\">Never Run Away, 2 person exhibition curated by Shaheen Merali, Stux Gallery, New York</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/artists/reena_kallat.htm?section_name=new_india\" target=\"_blank\">The Empire Strikes Back, Saatchi Gallery, London</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://art-for-the-world.blogspot.com/2010/01/some-installation-views-of-urban.html\" target=\"_blank\">Urban Manners 2, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao Paulo, Brazil</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.asianartbiennial.org/2009/en/index_en.html\" target=\"_blank\">View Points and Viewing points - 2009 Asian Art Biennale, National Taiwan Museum of Fine Arts </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Spectrum: Indian Art at Abu   Dhabi, United   Arab Emirates</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Milan Galleria, curated by Georgio Verzotti, Triennale Museum, Milan</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.initialaccess.co.uk/exh/73/11/passage-to-india-part-ii/reena-saini-kallat\" target=\"_blank\">Passage to India Part II show at Initial Access, Frank Cohen Collection, Wolverhampton, UK</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Ventosul Biennale, Curitiba, Brazil</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/english/contents/india/index.html\" target=\"_blank\"> Chalo! India: A New Era of Indian Art, National  Museum of Contemporary Art, Korea and Essl Museum, Vienna</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mocashanghai.org/index.php?_function=exhibition&amp;_subFunction=pastExhibition&amp;exhibition_id=40&amp;_view=detail\" target=\"_blank\">INDIA XIANZAI: Contemporary Indian Art, Museum of Contemporary Art, Shanghai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/42/622\" target=\"_blank\">Low Blow: And Other Species of Confusion, Stux gallery, New York</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.casaasia.eu/actividad/detalle?id=13195\" target=\"_blank\"><em> </em>Indian Narratives in the 21<sup>st</sup> Century: Between Memory and History,Casa  Asia, Madrid and Barcelona, Spain<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/body-chatter-an-exhibition-of-contemporary-indian-art-2008/\" target=\"_blank\">Body Chatter, Walsh Gallery, Chicago</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/contents/press/india_20081121_e.pdf\" target=\"_blank\">Chalo! India: A New Era of Indian Art, Mori Art   Museum, Japan</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM Museum, Valencia, Spain</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>3<sup>rd</sup> Nanjing Triennale, curators: Fumihiko Sumitomo, Jaeyoung Kang,  China</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>TEAF (Taehwagang Eco Art Festival) - Dream River, Korea</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Everywhere is War (And Rumours of it), Bodhi Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/33\" target=\"_blank\">Fire Walkers, Stefan Stux gallery, New York</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.galeriems.com/publications_2008.html\" target=\"_blank\">Three Points of view, Galerie Mirchandani + Steinrucke, Mumbai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Excavation: Memory / Myth / Membrane, Museum Gallery, Mumbai</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>International Incheon Women Artists’ Biennale, Korea</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Soft Power: Asian Attitude, Shanghai Zendai Museum of Modern Art, Shanghai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td><a class=\"linkbio\" href=\"http://www.kunstaspekte.de/index.php?tid=39629&amp;action=termin\" target=\"_blank\">Urban Manners, curated by Adelina Von Furstenberg, at Hangar Bicocca, Milan </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td><a class=\"linkbio\" href=\"\"http://www.artsblog.it/post/933/larte-contemporanea-indiana-a-milano\" target=\"_blank\">INDIA NOW: Contemporary Indian Art, Between Continuity and transformation, curated by Daniela Palozzoli at Spazio Oberdan, \r\nMilan<span style=\"color: red;\"> &gt;&gt; </span></a></td></tr>\r\n<td valign=\"top\">2007</td>\r\n<td>New Narratives: Contemporary Art From India, curated by Betty Seid, Chicago Cultural Centre, Chicago</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Thermocline Of Art- New Asian Waves, curated by Wonil Rhee and Peter Weibel at ZKM in Karlsruhe, Germany</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Modern Indian Works On Paper, Arthur Ross Gallery, Philadelphia and the Georgia Museum of Art, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Lille 3000 (Maximum City-Mumbai), Lille,  France</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Hungry God- Indian Contemporary Art, curated by Yun Chaegab and June Gwak, Arario Gallery, Beijing and Busan MoMA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>India Express – Art and Popular Culture, Art Museum Tennispalace, curators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City  Art Museum, Finland</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Mom and Pop Art, Walsh Gallery, Chicago</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Span, Sakshi Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Indian Paintings of the New Millenium, curated by Helen Asquine Fazio at Thomas J. Walsh Art Gallery at Fairfield  University, USA</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td><em> </em>Contemporary Art from India, Thomas   Erben Gallery, New York</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td>Zoom! Art in Contemporary India. Curators: Nancy Adajania and Luis Serpa, The Culturgest Museum, Lisbon, Portugal</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Crossing generations: diVERGE, Gallery Chemould’s 40th anniversary, Curators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of Modern Art, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td><em> </em>Hard Copy, two-person show with Jitish Kallat, Gallery 88, Calcutta</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Tiranga, curator: Peter Nagy, India Habitat Centre, New Delhi</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td><em> </em>Elephant Walks, Youth Arts Project in collaboration with Jitish Kallat as part of Indians + Cowboys exhibition, Curators: Aaron Seetu and Ruth Watson Gallery 4A, Sydney</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>The Tree From The Seed, Contemporary Art from India, curator: Gavin Jantjes Henie Onstad Kunstsenter (Oslo), Norway</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td><em>Crosscurrents</em>, organized by Artworks for the fiftieth anniversary celebrations of Jehangir Art  Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td><em>Reclaim Our Freedom</em>, organized by Open Circle, Pundole Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Crossing Borders, Gallery Windkracht 13, Den Helder, Holland</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>Big River 2, CCA7 Gallery, Port Of Spain, Trinidad</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>AOM- Art on the move, organized by Sahmat, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1999</td>\r\n<td><em> </em>Edge of the Century, curated by Amit Mukhopadhyay, Academy  of Fine Arts and Literature, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1998</td>\r\n<td><em> </em>Essays in Time, Kinetic Sculptures, Nehru Centre, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1997</td>\r\n<td><em> </em>India in Harmony 1947-1997, Nehru Centre, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1997</td>\r\n<td><em> </em>A Page From My Diary, Sans Tache Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1997</td>\r\n<td><em> </em>Fresh Work, Birla Academy of Art and Culture, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1996</td>\r\n<td><em> </em>Monsoon Show, Jehangir Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1995</td>\r\n<td><em> </em>Varsha ’95, Y. B. Chavan Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">SELECTED WORKSHOPS AND RESIDENCIES</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td>Visas to Happiness - 3, workshop with children at the 2014 Dhaka Art Summit, Bangladesh</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td><a class=\"linkbio\" href=\"http://art1stindia.wordpress.com/2012/09/09/reena-kallat-visa-to-happiness/#comments\" target=\"_blank\">Partner a Master Workshop Artist/Mentor Programme, organized by Art 1st Foundation in collaboration with Mohile Parikh Centre, Mumbai <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>Visas to Happiness, workshop with children as part of the exhibition \'To Let the World In\', Chennai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Iaspis Residency, Gothenburg, Sweden.</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Vanishing Point, children’s project at the Celebrate Bandra Festival, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Collaborative workshop as part of the exhibition Aftershock, Sainsbury Centre for Visual Arts, University of East Anglia, Norwich,  UK</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Collaborated on a Billboard project with Jitish Kallat, Kala Ghoda Art District, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Elephant Walks, Youth Arts Project at the Casula Power House Arts Centre, Liverpool, Australia</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Khoj 2002 International Artists Workshop, Mysore, India</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Identity and Landscape, residency in the Laurentian mountains of Quebec at the Boreal Art/Nature Centre, Canada</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>Big River 2, International Artists Workshop organized by CCA7 and the Triangle Arts Trust at Grand Riviere, Trinidad, West Indies</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td><span style=\"color: #888888;\"><strong>TALKS/PRESENTATIONS</strong></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2016</td>\r\n<td>Artist talk with the C-MAP session at the Museum of Modern Art (MOMA), New York</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2016</td>\r\n<td>Artist talk with the Chicago Collectors Circle (CCC) at the Art Institute of Chicago (AIC), Chicago</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>Walkthrough \'Hyphenated Lives\', Reena Kallat and Nancy Adajania at Chemould Prescott Road, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>Artists talk at Vancouver Art Gallery, Canada</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>Mumbai Local: Ideas and the Artist in collaboration with Junoon, Mcubed library, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>Artists talk at CSMVS (former Prince of Wales Museum), Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>Artists panel at Asian Contemporary Art Week (ACAW), FIELD MEETING Take 2: An afterthought in Venice</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>Artists Talk at \'What About Art?\', Arts management agency, in collaboration with ArtOxyen, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td>Artists talk at Asia Society, during the Asian Contemporary Art Week in New York</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td>Moving Millimeter: Talk by Reena Kallat for Mumbai Local, Bhaudaji Lad Museum, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td>\'Meet the Artist\' session for the students from South Asia Inter School Association (SAISA), Art Festival hosted by the American School of Bombay</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td>\'Who is the Audience?\' IAF 2013  I  Conversations, panel discussion with Kamini Sawhney, Matthieu Foss moderated by Ranjit Hoskote, Nehru Centre, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td>\'Rendezvous with the Artist\' series by Asia Society at the artists studio in Mumbai, sponsored by Christies.</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>Artists Talk at the World Economic Forum, Tianjin</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>\'Why I am not a woman artist\' panel discussion with Anju Dodiya, moderated by Nancy Adajania at the Jehangir Nicholson Art Foundation, Prince of Wales Museum, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Artists Talk at GIBCA Speak Easy (GSE), Goteborg</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Informal talk at HDK – The School of Design and Crafts, Goteborg</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Artists Talk at the Iaspis Residency Studio, Stockholm</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td>Short presentation as part of The River Project at The Campbelltown Arts Centre, Sydney</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Artists Talk at the Krishnakriti Festival 2011, Kalakriti Gallery, Hyderabad</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td>Panel discussion moderated by Maria Lantz, with participating artists during the exhibition Samtidigt at Kulturhuset, Stockholm</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Panel discussion with artist Gulam Sheikh, co-chair: Sabine B. Vogel, art critic at the Sammlung Essl Museum, Vienna</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Slide presentation followed by a panel discussion with Nalini Malani and Jayshree Chakravarty, moderated by Nancy Adajania at Jnanapravaha, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Slide presentation at the School of the Art Institute of Chicago</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Panel discussion with Nalini Malani, Sheba Chhachhi, moderated by Betty Seid at the Chicago Cultural Centre</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Lecture at the University Boccini, Milan</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Slide presentation at the Lamar Dodd School of Art, University of Georgia, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Artists Talk at the Griffith Auditorium, Georgia Museum of Art, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Slide presentation at Oslo National Academy of the Arts, Norway</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2000</td>\r\n<td>Slide presentation at Mohile Parikh Centre for the Visual Arts, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">AWARDS</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2016</td>\r\n<td>Zee: Indian Women Awards in Arts & Culture category, Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>ZegnArt Public Award in collaboration with Dr. Bhaudaji Lad Museum, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>YFLO ZOYA Young Women Achievers Awards 2010-11, Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Harmony Award, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1996</td>\r\n<td>Bombay Art Society Merit Certificate, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1996</td>\r\n<td>Second Prize Government Award, Sir J. J. School of Art, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1995</td>\r\n<td>Gladstone Solomon Award, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1991-1996</td>\r\n<td>Merit Scholarship, Sir J. J. School of Art, Mumbai</td>\r\n</tr>\r\n</tbody>\r\n</table>','Biography','','inherit','open','open','','105-revision-182','','','2017-02-01 23:09:30','2017-02-01 23:09:30','',105,'http://www.reenakallat.com/3465/uncat/105-revision-182',0,'revision','',0),(3466,1,'2017-01-09 10:40:12','2017-01-09 10:40:12','<link rel=\"canonical\" href=\"http://www.reenakallat.com\" />\r\n<script type=\"text/javascript\" src=\"http://www.reenakallat.com/wp-includes/js/jquery/jquery-1.2.6.min.js\"></script>\r\n<script type=\"text/javascript\">\r\nfunction slideSwitch() {\r\n    var $active = $(\'#slideshow DIV.active\');\r\n    if ( $active.length == 0 ) $active = $(\'#slideshow DIV:last\');\r\n    // use this to pull the divs in the order they appear in the markup\r\n    var $next =  $active.next().length ? $active.next()\r\n        : $(\'#slideshow DIV:first\');\r\n    // uncomment below to pull the divs randomly\r\n    // var $sibs  = $active.siblings();\r\n    // var rndNum = Math.floor(Math.random() * $sibs.length );\r\n    // var $next  = $( $sibs[ rndNum ] );\r\n    $active.addClass(\'last-active\');\r\n    $next.css({opacity: 0.0})\r\n        .addClass(\'active\')\r\n        .animate({opacity: 1.0}, 1000, function() {\r\n            $active.removeClass(\'active last-active\');\r\n        });\r\n}\r\n$(function() {\r\n    setInterval( \"slideSwitch()\", 3000);\r\n});\r\n</script>\r\n<style type=\"text/css\">\r\n#slideshow {\r\n    position:relative;\r\n    height:500px;\r\n    width:660px;\r\n    margin: 0 auto;\r\n}\r\n#slideshow DIV {\r\n    position:absolute;\r\n    top:0;\r\n    left:300;\r\n    z-index:8;\r\n    opacity:0.0;\r\n    height: 500px;\r\n    background-color: #FFF;\r\n}\r\n#slideshow DIV.active {\r\n    z-index:10;\r\n    opacity:1.0;\r\n}\r\n#slideshow DIV.last-active {\r\n    z-index:9;\r\n}\r\n#slideshow DIV IMG {\r\n    height: 450px;\r\n    display: block;\r\n    border: 0;\r\n    margin-bottom: 10px;\r\n}\r\n</style>\r\n</head>\r\n<body style=\"font-family: Arial, Sans-serif, sans;\">\r\n<div style=\"float:right;width:221px;padding-top:7px;\">\r\n <strong><span class=\"pubstrong\">Current and upcoming shows</span></span></strong><span style=\"font-size: small;\"></span>\r\n        <br>\r\n        <br>\r\n\r\n        <em>Make a Change and Crossroads No 2. </em>,\r\n        curated by Torun Ekstrand\r\n		25th March – 28th May 2017\r\n		Norrtalje Museum + Konsthall, Sweden\r\n        <br>\r\n        <br>\r\n        <em>Solo exhibition at the Manchester Art Museum</em>\r\n		Opening 6th October 2017\r\n		Manchester, UK\r\n</div>\r\n<div id=\"slideshow\" style=\"float:left;\"  >\r\n  \r\n    \r\n    <div class=\"active\">\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new1.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-894\" /></a>\r\n       <!-- Caption for image 1-->\r\n    </div>\r\n    <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new2.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-896\" /></a>\r\n        <!--This will work with any markup-->\r\n    </div>\r\n    <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new3.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-897\" /></a>\r\n        <!--Swap this out for anything, links, paragraphs, whatever-->\r\n    </div>\r\n    <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new4.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-898\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div>\r\n \r\n    <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new5.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-899\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div>\r\n\r\n     <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new6.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-899\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div\r\n <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new7.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-898\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div> \r\n    <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new8.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-899\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div>     \r\n    \r\n         <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new9.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-899\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div>\r\n <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new10.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-898\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div> \r\n    <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new11.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-899\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div>\r\n   <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new12.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-899\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div>\r\n</div>','Home','','inherit','open','open','','93-revision-81','','','2017-01-09 10:40:12','2017-01-09 10:40:12','',93,'http://www.reenakallat.com/3466/uncat/93-revision-81',0,'revision','',0),(3467,1,'2017-02-01 22:52:23','2017-02-01 22:52:23','		<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1000px;\">\r\n<tbody><tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/hyphenatedlives2016-01.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Hyphenated Lives</span>\r\n2016\r\ngouache, charcoal, ink and electric wire on handmade paper,\r\nblack boards, wooden vitrines, unfired clay, postcard\r\n</td></tr></tr>\r\n<tr>\r\n<td><span style=\"font-size:11px;font-weight:normal;line-height:3px;\"><i>Installation view, </i> Kiswire Suyeong Factory, 10th Busan Biennale, Korea</span></td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1000px;\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/hyphenatedlives2016-02.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n<td width=\"400\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nHyphenated Lives is a re-imagining of fantastical mutations within the natural world, where new hybridized species of birds and animals, trees and flowers otherwise foregrounded as national symbols and proclaimed by nations as their own, symbolically get combined, with the hyphen serving to unify the otherwise conflicted nations they represent. Reena Kallat felt the need to turn to species other than the human race to tell us how to share the planet, where the existence of one depends on the other or the disappearance of one species affects the other adversely.\r\nOne of the motifs in the making of these works is the electrical cable. These conduits of contact that transmit ideas and information, bringing people together, become painstakingly woven entanglements that morph into barbed wires like barriers. Such explorations into ideas of independence and interdependence, directed at our individual conflicted selves and our relationship with others as neighbours or as nations, prod us to think of the many bonds and borders that make our complex existence. \r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\nHyphenated Lives is a re-imagining of fantastical mutations within the natural world, where new hybridized species of birds and animals, trees and flowers otherwise foregrounded as national symbols and proclaimed by nations as their own, symbolically get combined, with the hyphen serving to unify the otherwise conflicted nations they represent. Reena Kallat felt the need to turn to species other than the human race to tell us how to share the planet, where the existence of one depends on the other or the disappearance of one species affects the other adversely.\r\n\r\nOne of the motifs in the making of these works is the electrical cable. These conduits of contact that transmit ideas and information, bringing people together, become painstakingly woven entanglements that morph into barbed wires like barriers. Such explorations into ideas of independence and interdependence, directed at our individual conflicted selves and our relationship with others as neighbours or as nations, prod us to think of the many bonds and borders that make our complex existence. \r\n\r\nAlthough she has been working around these ideas for several years, the work she showed at Campbelltown Art Centre, Sydney in 2010, titled “Two Degrees” can be said to be the starting point for this series, where her longstanding interest in the relationship between countries politically partitioned but historically related was furthered with attention to natural resources, that are often the root cause of conflict and contestation between divided countries such as India and Pakistan, Ireland and UK, Israel and Palestine, North and South Korea, Macedonia and Serbia, Austria and Hungary, US and Cuba. What usually begins with the sharing of common waters of rivers that run between borders of countries, often leads to the partitioning of the rivers; whether it is the case with the River Indus between India and Pakistan, the Rio Grande that flows between the US and Mexico, the Ganges-Brahmaputra-Meghna river basin between Bangladesh and India or the Jordan river between Palestine and Israel. In the drawings, you’ll find conjoined images of trees stemming together at the roots with one half growing into the banyan tree while the other into the Deodar tree, the national trees of India and Pakistan or the national bird from Israel, the Hoopoe combined with the Palestinian Sun Bird. The conjoined forms perhaps allude to nature’s defiance of the artificially imposed, man-made divisions on the ground, as poetic provocations from the past or a proposition for an imagined future when indeed they may reunite.\r\n\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a></td>\r\n</div>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1050px;\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/hyphenatedlives2016-03.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1000px;\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/hyphenatedlives2016-04.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Hyphenated Lives (Danube River) </span>- 2016\r\ngouache, charcoal, ink and electric wire on deckle - edge handmade paper\r\n27 x 40 in. l  69 x 102 cm.\r\n</td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1000px;\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/hyphenatedlives2016-05.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Hyphenated Lives (Sun-poe) </span>- 2016\r\ngouache, charcoal, ink and electric wire on deckle - edge handmade paper\r\n41 x 28 in.  l 104 x 71 cm\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1000px;\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/hyphenatedlives2016-06.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n<!--<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Hyphenated lives (Crested cara-gle) </span>- 2015 \r\ngouache, charcoal, ink and electric wire on Fabriano paper \r\n21 x 29 in. l 53 x 74 cm.\r\n</td>--></tr>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1000px;\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/hyphenatedlives2016-07.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Hyphenated Lives (Jordon River) </span>- 2016\r\ngouache, charcoal, ink and electric wire on deckle - edge handmade paper\r\n40 x 27 in.  l 102 x 68 cm\r\n</td></tr></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1050px;\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/hyphenatedlives2016-08.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Hyphenated Lives (Edel-ip) </span>- 2016\r\ngouache, charcoal, ink and electric wire on deckle - edge handmade paper\r\n40 x 27 in.  l 102 x 68 cm\r\n</td>\r\n</tr>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1000px;\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/hyphenatedlives2016-09.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Hyphenated Lives (Saker swallow) </span>- 2016\r\ngouache, charcoal, ink and electric wire on deckle - edge handmade paper\r\n41 x 28 in.  l 104 x 71 cm\r\n</td>\r\n</tr>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1050px;\">\r\n<tbody><tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/hyphenatedlives2016-10.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></a></td>\r\n<!--<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #000000;\">wooden vitrine, charcoal, ink and electric wire on handmade paper, unfired clay</td>--></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1000px;\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/hyphenatedlives2016-11.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1000px;\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/hyphenatedlives2016-12.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Hyphenated Lives (Ti-khor) </span>- 2015\r\ncharcoal, ink and electric wire on Fabriano paper\r\n22 x 27 in. l 56 x 69 cm.\r\n</td>\r\n</tr></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1000px;\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/hyphenatedlives2016-13.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Hyphenated Lives (Sham-rose) </span>- 2016\r\ngouache, charcoal, ink and electric wire on deckle - edge handmade paper\r\n<!--41 x 28 in.  l 104 x 71 cm-->\r\n</td>\r\n</tr></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1000px;\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/hyphenatedlives2016-14.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1000px;\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/hyphenatedlives2016-15.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n<!--<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Hyphenated lives (De-on) </span>- 2016 \r\ngouache, charcoal, ink and electric wire on handmade paper \r\n35 x 45 in.I 89 x 114 cm.\r\n</td>\r\n</tr>\r\n--></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1000px;\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/hyphenatedlives2016-16.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Hyphenated lives (GBM) </span>- 2016 \r\ngouache, charcoal, ink and electric wire on handmade paper \r\n54 x 38 in. l 137 x 97 cm\r\n</td>\r\n</tr>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1000px;\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/hyphenatedlives2016-17.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Hyphenated lives (Pea-yel) </span>- 2016 \r\ngouache, charcoal, ink and electric wire on handmade paper \r\n28 x 32 in. l 71 x 81 cm\r\n</td>\r\n</tr>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1000px;\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/hyphenatedlives2016-18.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Hyphenated lives (Man-yan) </span>- 2016\r\nGouache, charcoal, ink and electric wire on Fabriano paper\r\n22 x 30 in. l 56 x 76 x 5 cm.\r\n</td>\r\n</tr>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1050px;\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/hyphenatedlives2016-19.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Hyphenated lives (Oak-palm) </span>- 2016\r\ngouache, charcoal, ink and electric wire on Fabriano paper\r\n22 x 30 in. l 56 x 76 x 5 cm.\r\n</td>\r\n</tr>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<!--<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1000px;\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/hyphenatedlives2016-20.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>-->\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1000px;\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/hyphenatedlives2016-21.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #000000;\">detail: wooden vitrine, archival prints on paper</span>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1050px;\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/hyphenatedlives2016-22.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Hyphenated lives  Mari - rose (Stamp) </span>- 2016\r\ngouache, charcoal, ink and electric wire on deckle - edge handmade paper\r\n18 x 13 in. l 46 x 33 cm\r\n</td>\r\n</tr>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1000px;\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/hyphenatedlives2016-23.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1000px;\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/hyphenatedlives2016-24.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<!--<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1000px;\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/hyphenatedlives2016-25.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>-->\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1000px;\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/hyphenatedlives2016-25.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Hyphenated lives Edel-ip(Stamp) </span>- 2016\r\ngouache, charcoal, ink and electric wire on Fabriano paper\r\n22 x 30 in. l 56 x 76 x 5 cm.\r\n</td></tr>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1000px;\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/hyphenatedlives2016-26.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Hyphenated lives (Sess-yal) - 2016 </span>\r\ngouache, charcoal, ink and electric wire on Fabriano paper\r\n22 x 30 in. l  56 x 76 cm\r\n</td>\r\n</tr>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1000px;\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/hyphenatedlives2016-27.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Hyphenated lives ((Cy-oak) - 2016 </span>\r\ngouache, charcoal, ink and electric wire on Fabriano paper\r\n22 x 30 in.  l  56 x 76 cm\r\n</td>\r\n</tr>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1000px;\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/hyphenatedlives2016-28.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Hyphenated lives (Deo-yan) - 2014 </span>\r\ncharcoal, ink and electric wire on Fabriano paper\r\n25 x 24.5 in. l  64 x 62 cm\r\n</td>\r\n</tr>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1000px;\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/hyphenatedlives2016-29.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Hyphenated Lives (Ti-khor) </span>- 2015\r\ncharcoal, ink and electric wire on Fabriano paper\r\n32 x 42 in. l  81 x 106 cm.\r\n</td>\r\n</tr>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1000px;\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/hyphenatedlives2016-30.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Hyphenated lives (Cob ger) - 2016 </span>\r\ngouache, charcoal, ink and electric wire on deckle - edge handmade paper\r\n40 x 28 in.  l 102 x 71 cm\r\n</td>\r\n</tr>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1000px;\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/hyphenatedlives2016-31.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Hyphenated lives (Pea-kar) </span>- 2015\r\ngouache, charcoal, ink and electric wire on deckle - edge handmade paper\r\n62 x  36 in.  l  157 x 91 cm.\r\n</td>\r\n</tr>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1000px;\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/hyphenatedlives2016-32.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','3431-revision-21','','','2017-02-01 22:52:23','2017-02-01 22:52:23','',3431,'http://www.reenakallat.com/3467/uncat/3431-revision-21',0,'revision','',0),(3469,1,'2017-02-07 10:07:54','2017-02-07 10:07:54','','works-07-02-2017','','inherit','open','open','','3468-revision','','','2017-02-07 10:07:54','2017-02-07 10:07:54','',3468,'http://www.reenakallat.com/3469/uncat/3468-revision',0,'revision','',0),(3470,1,'2017-02-07 10:07:58','2017-02-07 10:07:58','<style type=\"text/css\">\r\n    .tablenav {\r\n        clear: both;\r\n        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cellpadding=\"5\" width=\"600\">\r\n    <tbody>\r\n     <tr>\r\n			<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/woven-2016\"><img class=\"alignnone size-medium wp-image-712\" title=\"Woven Chronicle (2016)\" src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/Woven-Chronicle-2016_homepage.jpg\" alt=\"Woven Chronicle (2016)\" /></a>Woven Chronicle (2016)</td>\r\n     		<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/hyphenated-lives-2016\"><img class=\"alignnone size-medium wp-image-712\" title=\"Hyphenated Lives (2016)\" src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/hyphenatedlive-2016_homepage.jpg\" alt=\"Hyphenated Lives (2016)\" /></a>Hyphenated Lives (2016)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/salinenotations-fluid-signs\"><img class=\"alignnone size-medium wp-image-712\" title=\" Saline Notations (fluid signs) (2016)\" src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/saline-notation-fluid-2016_homepage.jpg\" alt=\"saline notation fluid sign (2016)\" /></a> Saline Notations (fluid signs)2016</td>\r\n        </tr>\r\n<tr>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/hyphenatedlives\"><img class=\"alignnone size-medium wp-image-712\" title=\"Hyphenated Lives (2015)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/hyphenatedlive_homepage.jpg\" alt=\"Hyphenated Lives (2015)\" /></a>Hyphenated Lives (2015)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/whitebirds\"><img class=\"alignnone size-medium wp-image-712\" title=\"White Birds (2015)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/whitebirds2015_homepage.jpg\" alt=\"White Birds (2015)\" /></a>White Birds (2015)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/pausepersist\"><img class=\"alignnone size-medium wp-image-712\" title=\"Pause Persist (2015)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/pausepersist2015_homepage.jpg\" alt=\"Pause Persist (2015)\" /></a>Pause Persist (2015)</td>\r\n        </tr>\r\n        \r\n        <tr>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/saline_notations_echoes\"><img class=\"alignnone size-medium wp-image-712\" title=\"Saline Notations (Echoes) (2015)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/salinenotationsechoes2015_homepage.jpg\" alt=\"Saline Notations (Echoes) (2015)\" /></a>Saline Notations (Echoes) (2015)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/woven_chronicle\"><img class=\"alignnone size-medium wp-image-712\" title=\"Woven chronicle (2015)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/wovenchronicle2015_homepage.jpg\" alt=\"Woven chronicle (2015)\" /></a>Woven Chronicle (2015)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/echoes-2015\"><img class=\"alignnone size-medium wp-image-712\" title=\"Echoes (2015)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/echoes2015_homepage.jpg\" alt=\"Echoes (2015)\" /></a>Echoes (2015)</td>\r\n        </tr>\r\n    	 <tr>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/saline_notations_2015\"><img class=\"alignnone size-medium wp-image-712\" title=\"Saline Notations  (2015)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/salinenotations2015_homepage.jpg\" alt=\"Saline Notations (2015)\" /></a>Saline Notations (2015)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/ruled-paper\"><img class=\"alignnone size-medium wp-image-712\" title=\"Ruled Paper (red, blue white) (2014)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/ruledpaper_homepage.jpg\" alt=\"Ruled Paper (red, blue white) (2014)\" /></a>Ruled Paper (red, blue, white) (2014)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/aperture\"><img class=\"alignnone size-medium wp-image-712\" title=\"Aperture  (2014)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/aperture2014_homepage.jpg\" alt=\"Aperture (2014)\" /></a>Aperture (2014)</td>\r\n        </tr>\r\n     	<tr>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/siamesetrees\"><img class=\"alignnone size-medium wp-image-712\" title=\"Siamese Trees (2014)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/siamesetrees_homepage.jpg\" alt=\"Siamese Trees (2014)\" /></a>Siamese Trees (2014)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/halfoxgen\"><img class=\"alignnone size-medium wp-image-712\" title=\"Half Oxygen (2014)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/halfoxygen_homepage.jpg\" alt=\"Half Oxygen (2014)\" /></a>Half Oxygen (2014)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/anatomy-distance-2014\"><img class=\"alignnone size-medium wp-image-712\" title=\"Anatomy of distance (2014)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/anatomyofdistance_homepage.jpg\" alt=\"Anatomy of distance (2014)\" /></a>Anatomy of distance (2014)</td>\r\n        </tr>\r\n        <tr>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/salinenotations\"><img class=\"alignnone size-medium wp-image-712\" title=\"Saline Notations (2014)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/salinenotations_homepage.jpg\" alt=\"Saline Notations (2014)\" /></a>Saline Notations (2014)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/wash\"><img class=\"alignnone size-medium wp-image-712\" title=\"Untitled (2014)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/wash_2014_homepage.jpg\" alt=\"Untitled (2014)\" /></a>Untitled (2014)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/visatohappiness3\"><img class=\"alignnone size-medium wp-image-712\" title=\"Visas To Happiness - 3 (2014)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/visatohapp3_homepage.jpg\" alt=\"Visas To Happiness - 3 (2014)\" /></a>Visas To Happiness - 3 (2014)</td>\r\n        </tr>\r\n        <tr>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/measurement-from-evaporating-oceans\"><img class=\"alignnone size-medium wp-image-712\" title=\"Measurement from evaporating oceans (2013)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Measurement-evaporating-hom.jpg\" alt=\"Measurement from evaporating oceans (2013)\" /></a>Measurement from evaporating oceans (2013)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/cycle-of-recurrence\"><img class=\"alignnone size-medium wp-image-712\" title=\"Cycles of Eternal Recurrence (2013)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Cycles-of-Eternal-Recurrenc.jpg\" alt=\"Cycles of Eternal Recurrence (2013)\" /></a>Cycles of Eternal Recurrence (2013)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/anatomy_of_distance\"><img class=\"alignnone size-medium wp-image-712\" title=\"Anatomy of distance (2013)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Anatomay-of-distance_home.jpg\" alt=\"Anatomy of distance (2013)\" /></a>Anatomy of distance (2013)</td>\r\n        </tr>\r\n        <tr>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/rubber-stamp\"><img class=\"alignnone size-medium wp-image-712\" title=\"Untitled Rubberstamp (2012)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-Works-page.jpg\" alt=\"Untitled Rubberstamp(2012)\" /></a>Untitled Rubberstamp (2012)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/untitled-cobwebcrossings\"><img class=\"alignnone size-medium wp-image-712\" title=\"Untitled Cobweb (knots and crossings) (2012)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/United-Cobweb-Works-page.jpg\" alt=\"Untitled (Cobweb/Crossings) 2013 \" /></a>Untitled (Cobweb/Crossings) 2013 </td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/Podium-Cube\"><img class=\"alignnone size-medium wp-image-712\" title=\"Podium/Cube 2013\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Podium-cube-Works-page.jpg\" alt=\"Podium/Cube 2013\" /></a>Podium/Cube 2012</td>\r\n        </tr>\r\n        <tr>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/Visa-to-happiness 2\"><img class=\"alignnone size-medium wp-image-712\" title=\"Visas to Happiness-2 (2012)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Visa-to-happiness2-Works-page.jpg\" alt=\"Visas to Happiness-2 (2012)\" /></a>Visas to Happiness-2 (2012)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/untitled-cobweb-knots-and-crossings\"><img class=\"alignnone size-medium wp-image-712\" title=\"Untitled Cobweb (knots and crossings) (2012)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/Cobweb-Work-page.jpg\" alt=\"Untitled Cobweb (knots and crossings) (2012)\" /></a>Untitled Cobweb (knots and crossings) (2012)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/paper-machine\"><img class=\"alignnone size-medium wp-image-712\" title=\"Synapse (2011)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-WP.jpg\" alt=\"Paper Machine (2012)\" /></a>Paper Machine (2012)</td>\r\n        </tr>\r\n        <tr>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/visas-to-happiness\"><img class=\"alignnone size-medium wp-image-712\" title=\"Visas to Happiness (2012)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/children-workshop-works-pag.jpg\" alt=\"Visas to Happiness (2012)\" /></a>Visas to Happiness (2012)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/map-drawing\"><img class=\"alignnone size-medium wp-image-712\" title=\"Untitled (Map/Drawing)  (2011)\" src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/Mapping-works-page.jpg\" alt=\"untitled (Map/Drawing)  (2011)\" /></a> Untitled (Map/Drawing) (2011)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/synapse-2011\"><img class=\"alignnone size-medium wp-image-712\" title=\"Synapse (2011)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/synapse-Works-page.jpg\" alt=\"Synapse (2011)\" /></a>Synapse (2011)</td>\r\n        </tr>\r\n        <tr>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/memoria-crematoria\"><img class=\"alignnone size-medium wp-image-712\" title=\"untitled (column)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-Works-pa.jpg\" alt=\"Memoria Crematoria (dates of war) (2011)\" /></a> Memoria Crematoria (dates of war) (2011)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/untitledcolumn\"><img class=\"alignnone size-medium wp-image-712\" title=\"untitled (column)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Untitled-works-page.jpg\" alt=\"untitled (2011)\" /></a> Untitled (column) (2011)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/falling-fables\"><img class=\"alignnone size-medium wp-image-712\" title=\"Falling Fables\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-work-page.jpg\" alt=\"Falling Fables (2010-11)\" /></a> Falling Fables (2010-11)</td>\r\n        </tr>\r\n        <tr>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/sculptures\"><img class=\"alignnone size-medium wp-image-712\" title=\"Sculptures\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/sculpture-for-works.jpg\" alt=\"Falling Fables (column) (2011)\" /></a>Falling Fables (column) (2011)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/2degrees\"><img class=\"alignnone size-medium wp-image-712\" title=\"2 Degrees\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/2degrees-works.jpg\" alt=\"\" /></a> 2 Degrees (2010)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/woven-veins\"><img class=\"alignnone size-medium wp-image-712\" title=\"Woven Veins\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/woven-veins-lead.jpg\" alt=\"Woven Veins (2009)\" /></a> Woven Veins (2010)</td>\r\n        </tr>\r\n        <tr>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/preface\"><img class=\"alignnone size-medium wp-image-712\" title=\"Preface\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/Preface-lead.jpg\" alt=\"Preface\" /></a> Preface (2010)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/light-leaks\"><img class=\"alignnone size-medium wp-image-201\" title=\"Light Leaks\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/Light-Leaks-lead.jpg\" alt=\"Light Leaks (2008-2010)\" /></a>Light Leaks... (2008-2010)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/colour-curtain\"><img class=\"alignnone size-medium wp-image-201\" title=\"Colour-curtain\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/2colour-curtain.jpg\" alt=\"Colour Curtain (2009)\" /></a>Colour Curtain... (2009)</td>\r\n        </tr>\r\n        <tr>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/your-mileage-gallery\"><img class=\"alignnone size-medium wp-image-320\" title=\"Your-Mileage-May-Vary\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/3-Your-Mileage-May-Vary.jpg\" alt=\"\" /></a></span>Your Mileage May Vary (2009)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/synonym\"><img class=\"alignnone size-medium wp-image-712\" title=\"Synonym\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/1-Synonym.jpg\" alt=\"\" /></a> Synonym (2009)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n                <a href=\"http://www.reenakallat.com/vanishing-point\"><img class=\"alignnone size-medium wp-image-201\" title=\"Vanishing Point (2009)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/4--VanishingPoint.jpg\" alt=\"Vanishing Point (2009)\" /></a>Vanishing Point (2009)\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n                <a href=\"http://www.reenakallat.com/moving-millimeter\"><img class=\"alignnone size-medium wp-image-712\" title=\"The Moving Millimeter (2009)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/5---The-Moving-Mil.jpg\" alt=\"The Moving Millimeter (2009)\" /></a>The Moving Millimeter (2009)\r\n            </td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n                <a href=\"http://www.reenakallat.com/white-yarn-detailed-info\"><img class=\"alignnone size-medium wp-image-199\" title=\"White Yarn\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/6---white-yarn.jpg\" alt=\"White Yarn (2008)\" /></a>White Yarn...(2008)\r\n            </td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n                <a href=\"http://www.reenakallat.com/white-heat-the-ironing-board-detailed-info\"><img class=\"alignnone size-medium wp-image-879\" title=\"White Heat (2008)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/7--White-Heat.jpg\" alt=\"White Heat (2008)\" /></a>White Heat...(2008)\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n        <tr>\r\n            <td colspan=\"3\">\r\n                <div class=\"tablenav\"><div class=\"tablenav-pages\"  style=\"text-align:center;\"><span>1, </span>  <a href=\"works-page-2\" class=\"page-numbers\">2, </a> <a href=\"works-page-3\" class=\"page-numbers\">3</a> <a href=\"works-page-2\">»</a></div><br class=\"clear\"></div>\r\n            </td>\r\n        </tr>\r\n    </tbody>\r\n</table>\r\n<!--more-->','works-07-02-2017','','inherit','open','open','','3468-revision-2','','','2017-02-07 10:07:58','2017-02-07 10:07:58','',3468,'http://www.reenakallat.com/3470/uncat/3468-revision-2',0,'revision','',0),(3471,1,'2016-01-04 10:39:32','2016-01-04 10:39:32','<style type=\"text/css\">\r\n    .tablenav {\r\n        clear: both;\r\n        height: 30px;\r\n        margin: 6px 0 4px;\r\n        vertical-align: middle;\r\n    }\r\n\r\n    .tablenav-pages {\r\n        color: #555555;\r\n    }\r\n\r\n    .tablenav .tablenav-pages {\r\n        cursor: default;\r\n        display: block;\r\n        float: right;\r\n        font-size: 11px;\r\n        height: 30px;\r\n        line-height: 30px;\r\n    }\r\n\r\n    .page-numbers {\r\n        border-bottom-color: #B8D3E2;\r\n        color: #21759B;\r\n        font-weight: bold;\r\n    }\r\n\r\n    .tablenav-pages .current {\r\n        background: none repeat scroll 0 0 #DFDFDF;\r\n        border-color: #D3D3D3;\r\n   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(2015)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/whitebirds2015_homepage.jpg\" alt=\"White Birds (2015)\" /></a>White Birds (2015)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/pausepersist\"><img class=\"alignnone size-medium wp-image-712\" title=\"Pause Persist (2015)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/pausepersist2015_homepage.jpg\" alt=\"Pause Persist (2015)\" /></a>Pause Persist (2015)</td>\r\n        </tr>\r\n        <tr>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/saline_notations_echoes\"><img class=\"alignnone size-medium wp-image-712\" title=\"Saline Notations (Echoes) (2015)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/salinenotationsechoes2015_homepage.jpg\" alt=\"Saline Notations (Echoes) (2015)\" /></a>Saline Notations (Echoes) (2015)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/woven_chronicle\"><img class=\"alignnone size-medium wp-image-712\" title=\"Woven chronicle (2015)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/wovenchronicle2015_homepage.jpg\" alt=\"Woven chronicle (2015)\" /></a>Woven Chronicle (2015)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/echoes-2015\"><img class=\"alignnone size-medium wp-image-712\" title=\"Echoes (2015)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/echoes2015_homepage.jpg\" alt=\"Echoes (2015)\" /></a>Echoes (2015)</td>\r\n        </tr>\r\n    	 <tr>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/saline_notations_2015\"><img class=\"alignnone size-medium wp-image-712\" title=\"Saline Notations  (2015)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/salinenotations2015_homepage.jpg\" alt=\"Saline Notations (2015)\" /></a>Saline Notations (2015)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/ruled-paper\"><img class=\"alignnone size-medium wp-image-712\" title=\"Ruled Paper (red, blue white) (2014)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/ruledpaper_homepage.jpg\" alt=\"Ruled Paper (red, blue white) (2014)\" /></a>Ruled Paper (red, blue, white) (2014)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/aperture\"><img class=\"alignnone size-medium wp-image-712\" title=\"Aperture  (2014)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/aperture2014_homepage.jpg\" alt=\"Aperture (2014)\" /></a>Aperture (2014)</td>\r\n        </tr>\r\n     	<tr>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/siamesetrees\"><img class=\"alignnone size-medium wp-image-712\" title=\"Siamese Trees (2014)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/siamesetrees_homepage.jpg\" alt=\"Siamese Trees (2014)\" /></a>Siamese Trees (2014)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/halfoxgen\"><img class=\"alignnone size-medium wp-image-712\" title=\"Half Oxygen (2014)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/halfoxygen_homepage.jpg\" alt=\"Half Oxygen (2014)\" /></a>Half Oxygen (2014)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/anatomy-distance-2014\"><img class=\"alignnone size-medium wp-image-712\" title=\"Anatomy of distance (2014)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/anatomyofdistance_homepage.jpg\" alt=\"Anatomy of distance (2014)\" /></a>Anatomy of distance (2014)</td>\r\n        </tr>\r\n        <tr>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/salinenotations\"><img class=\"alignnone size-medium wp-image-712\" title=\"Saline Notations (2014)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/salinenotations_homepage.jpg\" alt=\"Saline Notations (2014)\" /></a>Saline Notations (2014)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/wash\"><img class=\"alignnone size-medium wp-image-712\" title=\"Untitled (2014)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/wash_2014_homepage.jpg\" alt=\"Untitled (2014)\" /></a>Untitled (2014)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/visatohappiness3\"><img class=\"alignnone size-medium wp-image-712\" title=\"Visas To Happiness - 3 (2014)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/visatohapp3_homepage.jpg\" alt=\"Visas To Happiness - 3 (2014)\" /></a>Visas To Happiness - 3 (2014)</td>\r\n        </tr>\r\n        <tr>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/measurement-from-evaporating-oceans\"><img class=\"alignnone size-medium wp-image-712\" title=\"Measurement from evaporating oceans (2013)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Measurement-evaporating-hom.jpg\" alt=\"Measurement from evaporating oceans (2013)\" /></a>Measurement from evaporating oceans (2013)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/cycle-of-recurrence\"><img class=\"alignnone size-medium wp-image-712\" title=\"Cycles of Eternal Recurrence (2013)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Cycles-of-Eternal-Recurrenc.jpg\" alt=\"Cycles of Eternal Recurrence (2013)\" /></a>Cycles of Eternal Recurrence (2013)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/anatomy_of_distance\"><img class=\"alignnone size-medium wp-image-712\" title=\"Anatomy of distance (2013)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Anatomay-of-distance_home.jpg\" alt=\"Anatomy of distance (2013)\" /></a>Anatomy of distance (2013)</td>\r\n        </tr>\r\n        <tr>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/rubber-stamp\"><img class=\"alignnone size-medium wp-image-712\" title=\"Untitled Rubberstamp (2012)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-Works-page.jpg\" alt=\"Untitled Rubberstamp(2012)\" /></a>Untitled Rubberstamp (2012)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/untitled-cobwebcrossings\"><img class=\"alignnone size-medium wp-image-712\" title=\"Untitled Cobweb (knots and crossings) (2012)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/United-Cobweb-Works-page.jpg\" alt=\"Untitled (Cobweb/Crossings) 2013 \" /></a>Untitled (Cobweb/Crossings) 2013 </td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/Podium-Cube\"><img class=\"alignnone size-medium wp-image-712\" title=\"Podium/Cube 2013\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Podium-cube-Works-page.jpg\" alt=\"Podium/Cube 2013\" /></a>Podium/Cube 2012</td>\r\n        </tr>\r\n        <tr>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/Visa-to-happiness 2\"><img class=\"alignnone size-medium wp-image-712\" title=\"Visas to Happiness-2 (2012)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Visa-to-happiness2-Works-page.jpg\" alt=\"Visas to Happiness-2 (2012)\" /></a>Visas to Happiness-2 (2012)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/untitled-cobweb-knots-and-crossings\"><img class=\"alignnone size-medium wp-image-712\" title=\"Untitled Cobweb (knots and crossings) (2012)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/Cobweb-Work-page.jpg\" alt=\"Untitled Cobweb (knots and crossings) (2012)\" /></a>Untitled Cobweb (knots and crossings) (2012)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/paper-machine\"><img class=\"alignnone size-medium wp-image-712\" title=\"Synapse (2011)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-WP.jpg\" alt=\"Paper Machine (2012)\" /></a>Paper Machine (2012)</td>\r\n        </tr>\r\n        <tr>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/visas-to-happiness\"><img class=\"alignnone size-medium wp-image-712\" title=\"Visas to Happiness (2012)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/children-workshop-works-pag.jpg\" alt=\"Visas to Happiness (2012)\" /></a>Visas to Happiness (2012)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/map-drawing\"><img class=\"alignnone size-medium wp-image-712\" title=\"Untitled (Map/Drawing)  (2011)\" src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/Mapping-works-page.jpg\" alt=\"untitled (Map/Drawing)  (2011)\" /></a> Untitled (Map/Drawing) (2011)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/synapse-2011\"><img class=\"alignnone size-medium wp-image-712\" title=\"Synapse (2011)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/synapse-Works-page.jpg\" alt=\"Synapse (2011)\" /></a>Synapse (2011)</td>\r\n        </tr>\r\n        <tr>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/memoria-crematoria\"><img class=\"alignnone size-medium wp-image-712\" title=\"untitled (column)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-Works-pa.jpg\" alt=\"Memoria Crematoria (dates of war) (2011)\" /></a> Memoria Crematoria (dates of war) (2011)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/untitledcolumn\"><img class=\"alignnone size-medium wp-image-712\" title=\"untitled (column)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Untitled-works-page.jpg\" alt=\"untitled (2011)\" /></a> Untitled (column) (2011)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/falling-fables\"><img class=\"alignnone size-medium wp-image-712\" title=\"Falling Fables\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-work-page.jpg\" alt=\"Falling Fables (2010-11)\" /></a> Falling Fables (2010-11)</td>\r\n        </tr>\r\n        <tr>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/sculptures\"><img class=\"alignnone size-medium wp-image-712\" title=\"Sculptures\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/sculpture-for-works.jpg\" alt=\"Falling Fables (column) (2011)\" /></a>Falling Fables (column) (2011)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/2degrees\"><img class=\"alignnone size-medium wp-image-712\" title=\"2 Degrees\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/2degrees-works.jpg\" alt=\"\" /></a> 2 Degrees (2010)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/woven-veins\"><img class=\"alignnone size-medium wp-image-712\" title=\"Woven Veins\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/woven-veins-lead.jpg\" alt=\"Woven Veins (2009)\" /></a> Woven Veins (2010)</td>\r\n        </tr>\r\n        <tr>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/preface\"><img class=\"alignnone size-medium wp-image-712\" title=\"Preface\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/Preface-lead.jpg\" alt=\"Preface\" /></a> Preface (2010)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/light-leaks\"><img class=\"alignnone size-medium wp-image-201\" title=\"Light Leaks\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/Light-Leaks-lead.jpg\" alt=\"Light Leaks (2008-2010)\" /></a>Light Leaks... (2008-2010)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/colour-curtain\"><img class=\"alignnone size-medium wp-image-201\" title=\"Colour-curtain\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/2colour-curtain.jpg\" alt=\"Colour Curtain (2009)\" /></a>Colour Curtain... (2009)</td>\r\n        </tr>\r\n        <tr>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/your-mileage-gallery\"><img class=\"alignnone size-medium wp-image-320\" title=\"Your-Mileage-May-Vary\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/3-Your-Mileage-May-Vary.jpg\" alt=\"\" /></a></span>Your Mileage May Vary (2009)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/synonym\"><img class=\"alignnone size-medium wp-image-712\" title=\"Synonym\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/1-Synonym.jpg\" alt=\"\" /></a> Synonym (2009)</td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n                <a href=\"http://www.reenakallat.com/vanishing-point\"><img class=\"alignnone size-medium wp-image-201\" title=\"Vanishing Point (2009)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/4--VanishingPoint.jpg\" alt=\"Vanishing Point (2009)\" /></a>Vanishing Point (2009)\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n                <a href=\"http://www.reenakallat.com/moving-millimeter\"><img class=\"alignnone size-medium wp-image-712\" title=\"The Moving Millimeter (2009)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/5---The-Moving-Mil.jpg\" alt=\"The Moving Millimeter (2009)\" /></a>The Moving Millimeter (2009)\r\n            </td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n                <a href=\"http://www.reenakallat.com/white-yarn-detailed-info\"><img class=\"alignnone size-medium wp-image-199\" title=\"White Yarn\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/6---white-yarn.jpg\" alt=\"White Yarn (2008)\" /></a>White Yarn...(2008)\r\n            </td>\r\n            <td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n                <a href=\"http://www.reenakallat.com/white-heat-the-ironing-board-detailed-info\"><img class=\"alignnone size-medium wp-image-879\" title=\"White Heat (2008)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/7--White-Heat.jpg\" alt=\"White Heat (2008)\" /></a>White Heat...(2008)\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n        <tr>\r\n            <td colspan=\"3\">\r\n                <div class=\"tablenav\"><div class=\"tablenav-pages\"  style=\"text-align:center;\"><span>1, </span>  <a href=\"works-page-2\" class=\"page-numbers\">2, </a> <a href=\"works-page-3\" class=\"page-numbers\">3</a> <a href=\"works-page-2\">»</a></div><br class=\"clear\"></div>\r\n            </td>\r\n        </tr>\r\n    </tbody>\r\n</table>\r\n<!--more-->','Works','','inherit','open','open','','54-revision-344','','','2016-01-04 10:39:32','2016-01-04 10:39:32','',54,'http://www.reenakallat.com/3471/uncat/54-revision-344',0,'revision','',0),(3472,1,'2017-02-07 09:49:49','2017-02-07 09:49:49','		<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1000px;\">\r\n<tbody><tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/hyphenatedlives2016-01.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Hyphenated Lives</span>\r\n2016\r\ngouache, charcoal, ink and electric wire on handmade paper,\r\nblack boards, wooden vitrines, unfired clay, postcard\r\n</td></tr></tr>\r\n<tr>\r\n<td><span style=\"font-size:11px;font-weight:normal;line-height:3px;\"><i>Installation view, </i> Kiswire Suyeong Factory, 10th Busan Biennale, Korea</span></td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1000px;\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/hyphenatedlives2016-02.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n<td width=\"400\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nHyphenated Lives is a re-imagining of fantastical mutations within the natural world, where new hybridized species of birds and animals, trees and flowers otherwise foregrounded as national symbols and proclaimed by nations as their own, symbolically get combined, with the hyphen serving to unify the otherwise conflicted nations they represent. Reena Kallat felt the need to turn to species other than the human race to tell us how to share the planet, where the existence of one depends on the other or the disappearance of one species affects the other adversely.\r\nOne of the motifs in the making of these works is the electrical cable. These conduits of contact that transmit ideas and information, bringing people together, become painstakingly woven entanglements that morph into barbed wires like barriers. Such explorations into ideas of independence and interdependence, directed at our individual conflicted selves and our relationship with others as neighbours or as nations, prod us to think of the many bonds and borders that make our complex existence. \r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\nHyphenated Lives is a re-imagining of fantastical mutations within the natural world, where new hybridized species of birds and animals, trees and flowers otherwise foregrounded as national symbols and proclaimed by nations as their own, symbolically get combined, with the hyphen serving to unify the otherwise conflicted nations they represent. Reena Kallat felt the need to turn to species other than the human race to tell us how to share the planet, where the existence of one depends on the other or the disappearance of one species affects the other adversely.\r\n\r\nOne of the motifs in the making of these works is the electrical cable. These conduits of contact that transmit ideas and information, bringing people together, become painstakingly woven entanglements that morph into barbed wires like barriers. Such explorations into ideas of independence and interdependence, directed at our individual conflicted selves and our relationship with others as neighbours or as nations, prod us to think of the many bonds and borders that make our complex existence. \r\n\r\nAlthough she has been working around these ideas for several years, the work she showed at Campbelltown Art Centre, Sydney in 2010, titled “Two Degrees” can be said to be the starting point for this series, where her longstanding interest in the relationship between countries politically partitioned but historically related was furthered with attention to natural resources, that are often the root cause of conflict and contestation between divided countries such as India and Pakistan, Ireland and UK, Israel and Palestine, North and South Korea, Macedonia and Serbia, Austria and Hungary, US and Cuba. What usually begins with the sharing of common waters of rivers that run between borders of countries, often leads to the partitioning of the rivers; whether it is the case with the River Indus between India and Pakistan, the Rio Grande that flows between the US and Mexico, the Ganges-Brahmaputra-Meghna river basin between Bangladesh and India or the Jordan river between Palestine and Israel. In the drawings, you’ll find conjoined images of trees stemming together at the roots with one half growing into the banyan tree while the other into the Deodar tree, the national trees of India and Pakistan or the national bird from Israel, the Hoopoe combined with the Palestinian Sun Bird. The conjoined forms perhaps allude to nature’s defiance of the artificially imposed, man-made divisions on the ground, as poetic provocations from the past or a proposition for an imagined future when indeed they may reunite.\r\n\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a></td>\r\n</div>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1050px;\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/hyphenatedlives2016-03.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1000px;\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/hyphenatedlives2016-04.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Hyphenated Lives (Danube River) </span>- 2016\r\ngouache, charcoal, ink and electric wire on deckle - edge handmade paper\r\n27 x 40 in. l  69 x 102 cm.\r\n</td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1000px;\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/hyphenatedlives2016-05.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Hyphenated Lives (Sun-poe) </span>- 2016\r\ngouache, charcoal, ink and electric wire on deckle - edge handmade paper\r\n41 x 28 in.  l 104 x 71 cm\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1000px;\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/hyphenatedlives2016-06.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n<!--<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Hyphenated lives (Crested cara-gle) </span>- 2015 \r\ngouache, charcoal, ink and electric wire on Fabriano paper \r\n21 x 29 in. l 53 x 74 cm.\r\n</td>--></tr>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1000px;\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/hyphenatedlives2016-07.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Hyphenated Lives (Jordon River) </span>- 2016\r\ngouache, charcoal, ink and electric wire on deckle - edge handmade paper\r\n40 x 27 in.  l 102 x 68 cm\r\n</td></tr></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1050px;\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/hyphenatedlives2016-08.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Hyphenated Lives (Edel-ip) </span>- 2016\r\ngouache, charcoal, ink and electric wire on deckle - edge handmade paper\r\n40 x 27 in.  l 102 x 68 cm\r\n</td>\r\n</tr>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1000px;\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/hyphenatedlives2016-09.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Hyphenated Lives (Saker swallow) </span>- 2016\r\ngouache, charcoal, ink and electric wire on deckle - edge handmade paper\r\n41 x 28 in.  l 104 x 71 cm\r\n</td>\r\n</tr>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1050px;\">\r\n<tbody><tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/hyphenatedlives2016-10.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></a></td>\r\n<!--<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #000000;\">wooden vitrine, charcoal, ink and electric wire on handmade paper, unfired clay</td>--></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1000px;\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/hyphenatedlives2016-11.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1000px;\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/hyphenatedlives2016-12.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Hyphenated Lives (Ti-khor) </span>- 2015\r\ncharcoal, ink and electric wire on Fabriano paper\r\n22 x 27 in. l 56 x 69 cm.\r\n</td>\r\n</tr></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1000px;\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/hyphenatedlives2016-13.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Hyphenated Lives (Sham-rose) </span>- 2016\r\ngouache, charcoal, ink and electric wire on deckle - edge handmade paper\r\n<!--41 x 28 in.  l 104 x 71 cm-->\r\n</td>\r\n</tr></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1000px;\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/hyphenatedlives2016-14.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1000px;\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/hyphenatedlives2016-15.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n<!--<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Hyphenated lives (De-on) </span>- 2016 \r\ngouache, charcoal, ink and electric wire on handmade paper \r\n35 x 45 in.I 89 x 114 cm.\r\n</td>\r\n</tr>\r\n--></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1000px;\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/hyphenatedlives2016-16.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Hyphenated lives (GBM) </span>- 2016 \r\ngouache, charcoal, ink and electric wire on handmade paper \r\n54 x 38 in. l 137 x 97 cm\r\n</td>\r\n</tr>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1000px;\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/hyphenatedlives2016-17.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Hyphenated lives (Pea-yel) </span>- 2016 \r\ngouache, charcoal, ink and electric wire on handmade paper \r\n28 x 32 in. l 71 x 81 cm\r\n</td>\r\n</tr>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1000px;\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/hyphenatedlives2016-18.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Hyphenated lives (Man-yan) </span>- 2016\r\nGouache, charcoal, ink and electric wire on Fabriano paper\r\n22 x 30 in. l 56 x 76 x 5 cm.\r\n</td>\r\n</tr>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1050px;\">\r\n<tbody>\r\n<tr>\r\n<td width=\"57%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/hyphenatedlives2016-19.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Hyphenated lives (Oak-palm) </span>- 2016\r\ngouache, charcoal, ink and electric wire on Fabriano paper\r\n22 x 30 in. l 56 x 76 x 5 cm.\r\n</td></tr></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<!--<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1000px;\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/hyphenatedlives2016-20.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>-->\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1000px;\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/hyphenatedlives2016-21.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #000000;\">detail: wooden vitrine, archival prints on paper</span>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1050px;\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/hyphenatedlives2016-22.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Hyphenated lives  Mari - rose (Stamp) </span>- 2016\r\ngouache, charcoal, ink and electric wire on deckle - edge handmade paper\r\n18 x 13 in. l 46 x 33 cm\r\n</td>\r\n</tr>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1000px;\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/hyphenatedlives2016-23.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1000px;\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/hyphenatedlives2016-24.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<!--<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1000px;\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/hyphenatedlives2016-25.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>-->\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1000px;\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/hyphenatedlives2016-25.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Hyphenated lives Edel-ip(Stamp) </span>- 2016\r\ngouache, charcoal, ink and electric wire on Fabriano paper\r\n22 x 30 in. l 56 x 76 x 5 cm.\r\n</td></tr>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1000px;\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/hyphenatedlives2016-26.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Hyphenated lives (Sess-yal) - 2016 </span>\r\ngouache, charcoal, ink and electric wire on Fabriano paper\r\n22 x 30 in. l  56 x 76 cm\r\n</td>\r\n</tr>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1000px;\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/hyphenatedlives2016-27.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Hyphenated lives ((Cy-oak) - 2016 </span>\r\ngouache, charcoal, ink and electric wire on Fabriano paper\r\n22 x 30 in.  l  56 x 76 cm\r\n</td>\r\n</tr>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1000px;\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/hyphenatedlives2016-28.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Hyphenated lives (Deo-yan) - 2014 </span>\r\ncharcoal, ink and electric wire on Fabriano paper\r\n25 x 24.5 in. l  64 x 62 cm\r\n</td>\r\n</tr>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1000px;\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/hyphenatedlives2016-29.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Hyphenated Lives (Ti-khor) </span>- 2015\r\ncharcoal, ink and electric wire on Fabriano paper\r\n32 x 42 in. l  81 x 106 cm.\r\n</td>\r\n</tr>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1000px;\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/hyphenatedlives2016-30.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Hyphenated lives (Cob ger) - 2016 </span>\r\ngouache, charcoal, ink and electric wire on deckle - edge handmade paper\r\n40 x 28 in.  l 102 x 71 cm\r\n</td>\r\n</tr>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1000px;\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/hyphenatedlives2016-31.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Hyphenated lives (Pea-kar) </span>- 2015\r\ngouache, charcoal, ink and electric wire on deckle - edge handmade paper\r\n62 x  36 in.  l  157 x 91 cm.\r\n</td>\r\n</tr>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1000px;\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/hyphenatedlives2016-32.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','3431-revision-22','','','2017-02-07 09:49:49','2017-02-07 09:49:49','',3431,'http://www.reenakallat.com/3472/uncat/3431-revision-22',0,'revision','',0),(3474,1,'2017-02-07 20:18:38','2017-02-07 20:18:38','	<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\n<style type=\"text/css\">\nh3.canvas  {\ncolor:#333333;\nfont-size:11px\nfont-weight:normal;\nmargin-bottom:5px;\nmargin-left:7px;\nmargin-top:0;\npadding:0;\ntext-transform:none;\n}\n\nh2.painting  {\ncolor:#FFFFFF;\nfont-family:verdana,arial,tahoma,sans-serif;\nfont-size:11px;\nfont-weight:normal;\nmargin:0 0 10px 7px;\npadding:0;\ntext-align:left;\ntext-transform:none;\n}\n</style>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1000px;\">\n<tbody><tr>\n<td width=\"60%\" align=\"left\" valign=\"top\">\n<a href=\"\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/SalineNotations-fluid-signs-01.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></a></td>\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Saline Notations (fluid signs)</span>\n2016\ndigital print on Hahnemuhle photorag archival paper, rock salt chunks, first   \ncovers from Colombo Postal Headquarters, \nblack painted MDF boards, salt, clip boards, paper \n44 x 29.5 in. l  112 x 75 cm (print) 96 x 48 in. I 244 x 122 cm (MDF board)\n</td></tr></tr>\n<tr>\n<td><span style=\"font-size:11px;font-weight:normal;line-height:3px;\"><i>Installation view, </i>Prana Lounge, Colombo Art Biennale, Sri Lanka</span></td>\n</tr>\n<tr><td>&nbsp;</td></tr>\n</tbody></table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1000px;\">\n<tbody>\n<tr>\n<td width=\"60%\" align=\"left\" valign=\"top\">\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/SalineNotations-fluid-signs-02.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\n</td>\n<td width=\"400\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\n<div id=\"uniquename1\" style=\"display:block\">\nReena Kallat\'s installation at the Colombo Biennale is centred on the photograph of a beach inscribed with the poem ‘Where the mind is without fear\' by Rabindranath Tagore (1861-1941). The poem, which articulates Tagore\'s idea of freedom as the removal of shackles of the mind was written in sand with salt, allowing it to be slowly consumed by wind and the rising tides. In surrendering the work thus to nature, the artist creates a fragile, dissipating memory of the poem that resists memorialisation as an aesthetic mode of forgetting.  \nPlaced alongside the photopiece are salt rock chunks engraved with the dates of Tagore\'s visits to Srilanka and the postage stamp with the first covers that were printed by the Srilankan government on his 150th birth anniversary.\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...more</a>\n</div>\n<div id=\"uniquename\"  style=\"display:none;\">\nReena Kallat\'s installation at the Colombo Biennale is centred on the photograph of a beach inscribed with the poem ‘Where the mind is without fear\' by Rabindranath Tagore (1861-1941). The poem, which articulates Tagore\'s idea of freedom as the removal of shackles of the mind was written in sand with salt, allowing it to be slowly consumed by wind and the rising tides. In surrendering the work thus to nature, the artist creates a fragile, dissipating memory of the poem that resists memorialisation as an aesthetic mode of forgetting.  \nPlaced alongside the photopiece are salt rock chunks engraved with the dates of Tagore\'s visits to Srilanka and the postage stamp with the first covers that were printed by the Srilankan government on his 150th birth anniversary.\nRabindranath Tagore, born in pre-independence Bengal, was a turn-of-the-century poet and thinker whose influence cut across the borders. He not only wrote the national anthems of India and Bangladesh but inspired his Ceylonese student Ananda Samarakoon to pen what would become the national anthem of Srilanka. Samarakoon was Tagore\'s student at Viswa Bharati, a university he founded in 1921. It is Viswa Bharati that inspired Wilmut Pereira to establish Sri Palee in Horana as a school for music, dance, the fine arts and allied subjects. Sri Palee was inaugurated by Tagore in 1934. \nTagore often spoke about the power of free thinking, pointing to the human mind\'s tendency to form habits that save it from the trouble of thinking anew. Taking a cue from this, the artist invites visitors to re-configure the words of the poem, giving it a new turn.  Like a holographic poem that moves and changes as a viewer wanders through it, fluid signs in salt on blackboards placed on the floor will alter through visitor participation throughout the biennale, escaping the constancy of meaning a printed sign would have. The reader, now a collaborator of sorts, remains subject to the words themselves that endlessly reshape themselves and their environment. \n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\n</div>\n</td>\n<tr>\n<td><span style=\"font-size:11px;font-weight:normal;line-height:3px;\"><i>detail, </i>rock salt chunks, first covers from Colombo Postal Headquarters</span></td>\n</tr>\n</tr>\n<tr><td>&nbsp;</td></tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1050px;\">\n<tbody>\n<tr>\n<td width=\"60%\" align=\"left\" valign=\"top\">\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/SalineNotations-fluid-signs-03.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\n</td></tr><tr><td>&nbsp;</td></tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1000px;\">\n<tbody>\n<tr>\n<td width=\"60%\" align=\"left\" valign=\"top\">\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/SalineNotations-fluid-signs-04.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\n</td>\n</tr>\n<tr><td>&nbsp;</td></tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1000px;\">\n<tbody>\n<tr>\n<td width=\"60%\" align=\"left\" valign=\"top\">\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/SalineNotations-fluid-signs-05.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\n</td>\n<tr>\n<td><span style=\"font-size:11px;font-weight:normal;line-height:3px;\"><i>detail, </i>black painted MDF board</span></td>\n</tr>\n</tr><tr><td>&nbsp;</td></tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1000px;\">\n<tbody>\n<tr>\n<td width=\"60%\" align=\"left\" valign=\"top\">\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/SalineNotations-fluid-signs-06.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\n</td>\n<tr>\n<td><span style=\"font-size:11px;font-weight:normal;line-height:3px;\"><i>detail, </i>black painted MDF board</span></td>\n</tr>\n</tr>\n</tr><tr><td>&nbsp;</td></tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1000px;\">\n<tbody>\n<tr>\n<td width=\"60%\" align=\"left\" valign=\"top\">\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/SalineNotations-fluid-signs-07.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\n</td>\n<tr>\n<td><span style=\"font-size:11px;font-weight:normal;line-height:3px;\"><i>detail,</i></span></td>\n</tr></tr><tr><td>&nbsp;</td></tr>\n</tbody>\n</table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1050px;\">\n<tbody>\n<tr>\n<td width=\"60%\" align=\"left\" valign=\"top\">\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/SalineNotations-fluid-signs-08.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\n</td>\n</tr>\n</tr><tr><td>&nbsp;</td></tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1000px;\">\n<tbody>\n<tr>\n<td width=\"60%\" align=\"left\" valign=\"top\">\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/SalineNotations-fluid-signs-09.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\n</td>\n</tr>\n</tr><tr><td>&nbsp;</td></tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1050px;\">\n<tbody><tr>\n<td width=\"60%\" align=\"left\" valign=\"top\">\n<a href=\"\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/SalineNotations-fluid-signs-10.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></a>\n</td>\n<tr>\n<td><span style=\"font-size:11px;font-weight:normal;line-height:3px;\"><i>detail, </i>clip boards, paper</span></td>\n</tr></tr>\n<tr><td>&nbsp;</td></tr>\n</tbody></table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1000px;\">\n<tbody>\n<tr>\n<td width=\"60%\" align=\"left\" valign=\"top\">\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/SalineNotations-fluid-signs-11.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\n</td></tr>\n</tr><tr><td>&nbsp;</td></tr>\n</tbody>\n</table>','','','inherit','open','open','','3451-autosave','','','2017-02-07 20:18:38','2017-02-07 20:18:38','',3451,'http://www.reenakallat.com/3474/uncat/3451-autosave',0,'revision','',0),(3475,1,'2017-01-18 10:36:18','2017-01-18 10:36:18','	<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1000px;\">\r\n<tbody><tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/SalineNotations-fluid-signs-01.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Saline Notations (fluid signs)</span>\r\n2016\r\ndigital print on Hahnemuhle photorag archival paper, rock salt chunks, first   \r\ncovers from Colombo Postal Headquarters, \r\nblack painted MDF boards, salt, clip boards, paper \r\n44 x 29.5 in. l  112 x 75 cm (print) 96 x 48 in. I 244 x 122 cm (MDF board)\r\n</td></tr></tr>\r\n<tr>\r\n<td><span style=\"font-size:11px;font-weight:normal;line-height:3px;\"><i>Installation view, </i>Prana Lounge, Colombo Art Biennale, Sri Lanka</span></td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1000px;\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/SalineNotations-fluid-signs-02.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n<td width=\"400\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nReena Kallat’s installation at the Colombo Biennale is centred on the photograph of a beach inscribed with the poem ‘Where the mind is without fear’ by Rabindranath Tagore (1861-1941). The poem, which articulates Tagore’s idea of freedom as the removal of shackles of the mind was written in sand with salt, allowing it to be slowly consumed by wind and the rising tides. In surrendering the work thus to nature, the artist creates a fragile, dissipating memory of the poem that resists memorialisation as an aesthetic mode of forgetting.  \r\nPlaced alongside the photopiece are salt rock chunks engraved with the dates of Tagore’s visits to Srilanka and the postage stamp with the first covers that were printed by the Srilankan government on his 150th birth anniversary.\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\nReena Kallat’s installation at the Colombo Biennale is centred on the photograph of a beach inscribed with the poem ‘Where the mind is without fear’ by Rabindranath Tagore (1861-1941). The poem, which articulates Tagore’s idea of freedom as the removal of shackles of the mind was written in sand with salt, allowing it to be slowly consumed by wind and the rising tides. In surrendering the work thus to nature, the artist creates a fragile, dissipating memory of the poem that resists memorialisation as an aesthetic mode of forgetting.  \r\nPlaced alongside the photopiece are salt rock chunks engraved with the dates of Tagore’s visits to Srilanka and the postage stamp with the first covers that were printed by the Srilankan government on his 150th birth anniversary.\r\nRabindranath Tagore, born in pre-independence Bengal, was a turn-of-the-century poet and thinker whose influence cut across the borders. He not only wrote the national anthems of India and Bangladesh but inspired his Ceylonese student Ananda Samarakoon to pen what would become the national anthem of Srilanka. Samarakoon was Tagore’s student at Viswa Bharati, a university he founded in 1921. It is Viswa Bharati that inspired Wilmut Pereira to establish Sri Palee in Horana as a school for music, dance, the fine arts and allied subjects. Sri Palee was inaugurated by Tagore in 1934. \r\nTagore often spoke about the power of free thinking, pointing to the human mind’s tendency to form habits that save it from the trouble of thinking anew. Taking a cue from this, the artist invites visitors to re-configure the words of the poem, giving it a new turn.  Like a holographic poem that moves and changes as a viewer wanders through it, fluid signs in salt on blackboards placed on the floor will alter through visitor participation throughout the biennale, escaping the constancy of meaning a printed sign would have. The reader, now a collaborator of sorts, remains subject to the words themselves that endlessly reshape themselves and their environment. \r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div>\r\n</td>\r\n<tr>\r\n<td><span style=\"font-size:11px;font-weight:normal;line-height:3px;\"><i>detail, </i>rock salt chunks, first covers from Colombo Postal Headquarters</span></td>\r\n</tr>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1050px;\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/SalineNotations-fluid-signs-03.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1000px;\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/SalineNotations-fluid-signs-04.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1000px;\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/SalineNotations-fluid-signs-05.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n<tr>\r\n<td><span style=\"font-size:11px;font-weight:normal;line-height:3px;\"><i>detail, </i>black painted MDF board</span></td>\r\n</tr>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1000px;\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/SalineNotations-fluid-signs-06.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n<tr>\r\n<td><span style=\"font-size:11px;font-weight:normal;line-height:3px;\"><i>detail, </i>black painted MDF board</span></td>\r\n</tr>\r\n</tr>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1000px;\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/SalineNotations-fluid-signs-07.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n<tr>\r\n<td><span style=\"font-size:11px;font-weight:normal;line-height:3px;\"><i>detail,</i></span></td>\r\n</tr></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1050px;\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/SalineNotations-fluid-signs-08.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1000px;\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/SalineNotations-fluid-signs-09.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1050px;\">\r\n<tbody><tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/SalineNotations-fluid-signs-10.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></a>\r\n</td>\r\n<tr>\r\n<td><span style=\"font-size:11px;font-weight:normal;line-height:3px;\"><i>detail, </i>clip boards, paper</span></td>\r\n</tr></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"1000px;\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2016/12/SalineNotations-fluid-signs-11.jpg\" alt=\"hyphenatedlives\" title=\"hyphenatedlives\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','3451-revision-3','','','2017-01-18 10:36:18','2017-01-18 10:36:18','',3451,'http://www.reenakallat.com/3475/uncat/3451-revision-3',0,'revision','',0),(3477,1,'2017-02-01 23:25:43','2017-02-01 23:25:43','Reena Saini Kallat (b. 1973, Delhi, India) graduated from Sir J.J. School of Art, Mumbai in 1996 with a B.F.A. in painting. Her practice spanning drawing, photography, sculpture and video engages diverse materials, imbued with conceptual underpinnings. She is interested in the role that memory plays, in not only what we choose to remember but also how we think of the past. Using the motif of the rubberstamp both as object and imprint, signifying the bureaucratic apparatus, Kallat has worked with officially recorded or registered names of people, objects, and monuments that are lost or have disappeared without a trace, only to get listed as anonymous and forgotten statistics. In her works made with electrical cables, wires usually serving as conduits of contact that transmit ideas and information, become painstakingly woven entanglements that morph into barbed wires like barriers. Her ongoing series using salt as a medium explores the tenuous yet intrinsic relationship between the body and the oceans, highlighting the fragility and unpredictability of existence.\r\n\r\nShe has widely exhibited across the world in venues such as Museum of Modern Art (MOMA), New York; Mori Art Museum, Tokyo; Kennedy Centre, Washington; Vancouver Art Gallery; Saatchi Gallery, London; SESC Pompeia and SESC Belenzino in Sao Paulo; Goteborgs Konsthall, Sweden; Helsinki City Art Museum, Finland; National Taiwan Museum of Fine Arts; Tel Aviv Museum of Art, Israel; National Museum of Contemporary Art, Seoul; Henie Onstad Kunstsenter, Oslo; Casa Asia, Madrid and Barcelona; ZKM Karlsruhe in Germany; Campbelltown Arts Centre, Sydney; Hangar Bicocca, Milan; Museum of Contemporary Art, Shanghai; IVAM Museum, Spain; Busan MOMA; Kulturhuset, Stockholm; Kunsthaus Langenthal, Switzerland; Chicago Cultural Centre amongst many others. She lives and works in Mumbai.\r\n\r\nHer works are part of several public and private collections including the National Taiwan Museum of Fine Arts, Taiwan; Vancouver Art Gallery, Canada; Initial Access (Frank Cohen Collection), UK; Fondazione Golinelli, Italy; Bhaudaji Lad Museum, Mumbai; National Gallery of Modern Art, New Delhi; Devi Art Foundation, New Delhi; Saatchi Gallery, London; Tiroche DeLeon Collection, Israel; Ermenegildo Zegna Group, Italy; JSW Foundation, Mumbai and Burger Collection, Hongkong amongst others.\r\n\r\n<table>\r\n<tbody>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">SOLO EXHIBITIONS</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>Porous Passages, Nature Morte, New Delhi </td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/Reena-Kallat-hyphenated-lives-2015-forthcoming-show/\" target=\"_blank\">Hyphenated Lives, Chemould Prescott Road, Mumbai<span style=\"color: red;\"> &gt;&gt; </span><a>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td><a class=\"linkbio\" href=\"https://www.vanartgallery.bc.ca/the_exhibitions/exhibit_sainikallat.html\" target=\"_blank\">Offsite, Public Art Project, Vancouver Art Gallery</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td>Anatomy of forking paths, Art Houz, during Art Chennai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td><a class=\"linkbio\" href=\"http://www.zegnart.com/diary/public\" target=\"_blank\">ZegnArt Public project with Dr. Bhaudaji Lad Museum, Mumbai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://www.kennedy-center.org/events/?event=ZLINB\" target=\"_blank\">Falling Fables, Maximum India at the Kennedy Centre, Washington </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://www.naturemorte.com/exhibitions/press_release/delhi/past/364\" target=\"_blank\">Labyrinth of Absences, Nature Morte, New Delhi</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.primomarellagallery.com/it/catalogue/scheda.asp?id=568&amp;view=past\" target=\"_blank\">Drift, Primo Marella Gallery, Milan</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://gallerychemould.com/exhibitions/reena-show-2008/\" target=\"_blank\"> Silt of Seasons, Chemould   Prescott Road, Mumbai <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/reena-kallat-exhibition-2008/\" target=\"_blank\">Subject to Change without Notice, Walsh Gallery, Chicago</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Rainbow Of Refuse, Bodhi Art Gallery, Mumbai and Singapore</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Black Flute (And Other Stories), Nature Morte, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2004/reena_saini_kallat_note.html\" target=\"_blank\">Black Flute, Gallery Chemould, Mumbai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>The Battlefield Is The Mind, Sakshi Gallery, Bangalore</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Seven Faces of Dust, Chicago Radio, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2000</td>\r\n<td>Skin, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1998</td>\r\n<td>Orchard of Home-grown Secrets, Gallery Chemould and Pundole  Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><span style=\"color: #888888;\"><strong>SELECTED GROUP EXHIBITIONS</strong></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2016</td>\r\n<td><a class=\"linkbio\" href=\"https://medium.com/insecurities/woven-chronicle-e494ea66e782#.s05p5qtyx\" target=\"_blank\" >Insecurities: tracing Displacement and Shelter, organized by Sean Anderson and Ariele Dionne-Krosnick, The Museum of Modern Art (MOMA), New York <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2016</td>\r\n<td><a class=\"linkbio\" href=\"http://busanbiennale.org/english/sub01/03_view_2015.php?no=314&wr_3=&sfl=&stx=&sop=&sca=&type=2&page=3\" target=\"_blank\"> Hybridizing Earth, Discussing Multitude, 10th Busan Biennale, curated by Cheagab Yun, Kiswire Suyeong factory, Busan, \r\nSouth Korea<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2016</td>\r\n<td>Conceiving Space, Colombo Art Biennial, curated by Alnoor Mitha, Sri Lanka</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2016</td>\r\n<td>Make a Change, curated by Torun Ekstrand, Cultural Ronneby, Sweden</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2016</td>\r\n<td>Tabiyat: Medicine and Healing in India, curated by Ratan Vaswani, CSMVS (Chhatrapati Shivaji Maharaj Vastu Sangrahalaya), Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2016</td>\r\n<td>The Eye and The Mind: New Interventions in Indian Art, NGMA- Jaipur House, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>The Eye and The Mind: New Interventions in Indian Art, Minsheng Art Museum, Beijing</td>\r\n</tr>\r\n\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>Aperture, Indian Summer Festival, Old Canadian Pacific Railway Station, Vancouver</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>The Eye and The Mind: New Interventions in Indian Art, China Art Museum, Shanghai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/A-Summer-Mix-Artists-from-Chemould-Prescott-2015/\" target=\"_blank\">A Summer Mix, Chemould Prescott Road, Mumbai<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>One and one make eleven (Contemporary Art From India), Kunsthaus Langenthal, Switzerland</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>The Eye and The Mind: New Interventions in Indian Art, Guangdong Museum of Art, Guangzhou, China</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>[en]counters 2015, Spaces in Transition, CST Terminus, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>Kalaghoda Art Festival, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td>Off the wall, Sir. J.J. School of Art, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td>India: Maximum City, St. Moritz Art Masters, Switzerland</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td>Encounters:- Is There Love in This Air?, Cattle depot, C &amp; G ArtPartment, Hong Kong</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/aesthetic-bind-cabinet-closet-wunderkammer/\" target=\"_blank\">Aesthetic Bind: Floating World, Chemould Prescott Road, Mumbai<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td><a class=\"linkbio\" href=\"http://www.sahmatnews.blogspot.in/2014/02/forms-of-activism-24th-feb-to-1st-march.html\" target=\"_blank\">Forms of Activism, exhibition marking 25 years of SAHMAT at the Lalit Kala Akademi galleries, Rabindra bhavan, New Delhi <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td><a class=\"linkbio\" href=\"http://www.artoxygen.org/wp-content/uploads/2014/140218_Program_isthereloveinthisair2014.pdf\" target=\"_blank\">Encounters 2014 - Is there love in the air?, Public project with Art Oxygen in Mumbai<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td><a class=\"linkbio\" href=\"http://eslitegallery.tumblr.com/post/65981256422/reena-saini-kallat\" target=\"_blank\">No-Mad-Ness in No-Man\'s Land, Eslite Gallery, Taipei <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td><a class=\"linkbio\" href=\"http://www.artoxygen.org/?p=1858\" target=\"_blank\">Haein Art Project, Haeinsa Temple, Korea <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td><a class=\"linkbio\" href=\"http://www.collabo-x.com/cheongju-international-craft-biennale-2013-청주첨단문화산업단지/\" target=\"_blank\"> \"Something Old and Something New\", Cheongju International Craft Biennale, Korea<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td><a class=\"linkbio\" href=\"http://mohileparikhcenter.org/site/?q=node/647\" target=\"_blank\">Partner a Master Exhibition, Artist/Mentor Programme, Premchand Roychand Gallery, Chhatrapati Shivaji Maharaj Vastu Sangrahalaya (CSMVS), Mumbai <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td><a class=\"linkbio\" href=\"http://www.paletteartgallery.com/exhibition/past/works/details/5120\" target=\"_blank\">Spell of Spill: Utopia of Ecology, Palette Art Gallery, Delhi <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td><a class=\"linkbio\" href=\"http://www.satellite.org.au/docs/encounters-powerPLAY_press_release.pdf \" target=\"_blank\">EN(counters): POWERplay, along Mumbai’s waterfronts, gardens and historic sites<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td>JJ’s 90s - The Time of Change, Sir J.J. School of Art, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>India Today, ARKEN Museum of Modern Art, Copenhagen, Denmark</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>The Indian Parallax or the Doubling of Happiness, Birla Academy of Art and Culture, Kolkata</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>WONDERS – Masterpieces from Private Collections, Denmark</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td><a class=\"linkbio\" href=\"http://www.bb.com.br/docs/pub/inst/dwn/CatalogoIndia.pdf\" target=\"_blank\">India side by side, Centro Cultural Banco do Brasil, Brasilia <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td><a class=\"linkbio\" href=\"http://www.eigen-art.com/lab/index.php?article_id=804&amp;clang=1\" target=\"_blank\">Group show, Eigen + Art Lab, Berlin<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>India Side by Side,SESC Belenzino, Sao Paulo, Brazil</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td><a class=\"linkbio\" href=\"http://www.punkto.no/voices-from-pandemonium.5006429-249860.html\" target=\"_blank\">Stemmer fra Pandemonium, Punkt-Galleri F 15, Moss, Norway <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>To Let the World In: Narrative and Beyond in Contemporary Indian Art, Lalit Kala Regional Centre, Chennai, India</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>The Contemporary Sultanate, the Sunrydge, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>Kalaghoda Art Festival, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td><a class=\"linkbio\" href=\"http://www.theskodaprize.com/2012/longlist.php?id=1#.ULxBLWDrbJw\" target=\"_blank\">The Skoda Prize Exhibition, Lalit Kala Academy, New Delhi<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>India Side by Side, Centro Cultural Banco do Brasil, Rio De Janeiro</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Giant Elephant : Contemporary Art from India, H Cube Gallery, Seoul</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Roundabout, Tel Aviv Museum of Art, Israel<span style=\"color: red;\"> </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://www.konsthallen.goteborg.se/prod/kultur/konsthallen/dalis2.nsf/535e371e7fd657aec1256a5c0045675f/22123a2342203237c125794a003704ed!OpenDocument\" target=\"_blank\">Goteborg International Biennale for Contemporary Art, curated by Sarat Maharaj, Göteborgs Konsthall and Bohuslans Konsthall, Uddevalla, Sweden <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Right to Dissent, Clark House, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>RED, Palette Art Gallery, Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Of Gods and Goddesses, Cinema, Cricket - The New cultural Icons of India, Jehangir Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://www.hel.fi/hki/taimu/en/art+museum+tennis+palace/past+exhibitions/2011/concurrent+india\" target=\"_blank\">Samtidigt, Helsinki City Art Museum, Finland<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Iconoclasts and Iconodules, curated by Ombretta Argo, Religare Art Gallery, New  Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://vancouverbiennale.com/sculptures_page.php?sculptureID=36\" target=\"_blank\">The Vancouver International Sculpture Biennale, Surrey Art Gallery, Canada<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>The Intuitive: Logic Revisted, from the Osians Collection at The World Economic Forum, Davos, Switzerland</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/current/La_Route_De_La_Soie.htm\" target=\"_blank\">La Route de la Soie / The Silk Road, Lille 3000, France </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://kulturhuset.stockholm.se/\" target=\"_blank\">Samtidigt, Kulterhuset, Stockholm</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.campbelltown.nsw.gov.au/Exhibitions\" target=\"_blank\">The River Project, Campbelltown Art Centre, Sydney</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.tamuseum.com/about-the-exhibition/roundabout-face-to-face\" target=\"_blank\">Roundabout, City Gallery Wellington, New Zealand</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/water-ways/\" target=\"_blank\">Waterways, Walsh Gallery, Chicago</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.richmondartgallery.org/in-transition.php\" target=\"_blank\">In Transition: New Art from India, Richmond Art Gallery Vancouver Biennale, Vancouver</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www2.webster.edu/news/releases/bringmealion_0910113.shtml\" target=\"_blank\">Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster University, curated by Jeffrey Hughes and Dana Turkovic, Cecile R. Hunt  Gallery, St. Louis, Missouri</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/www/pastExhibitions\" target=\"_blank\">Never Run Away, 2 person exhibition curated by Shaheen Merali, Stux Gallery, New York</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/artists/reena_kallat.htm?section_name=new_india\" target=\"_blank\">The Empire Strikes Back, Saatchi Gallery, London</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://art-for-the-world.blogspot.com/2010/01/some-installation-views-of-urban.html\" target=\"_blank\">Urban Manners 2, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao Paulo, Brazil</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.asianartbiennial.org/2009/en/index_en.html\" target=\"_blank\">View Points and Viewing points - 2009 Asian Art Biennale, National Taiwan Museum of Fine Arts </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Spectrum: Indian Art at Abu   Dhabi, United   Arab Emirates</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Milan Galleria, curated by Georgio Verzotti, Triennale Museum, Milan</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.initialaccess.co.uk/exh/73/11/passage-to-india-part-ii/reena-saini-kallat\" target=\"_blank\">Passage to India Part II show at Initial Access, Frank Cohen Collection, Wolverhampton, UK</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Ventosul Biennale, Curitiba, Brazil</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/english/contents/india/index.html\" target=\"_blank\"> Chalo! India: A New Era of Indian Art, National  Museum of Contemporary Art, Korea and Essl Museum, Vienna</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mocashanghai.org/index.php?_function=exhibition&amp;_subFunction=pastExhibition&amp;exhibition_id=40&amp;_view=detail\" target=\"_blank\">INDIA XIANZAI: Contemporary Indian Art, Museum of Contemporary Art, Shanghai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/42/622\" target=\"_blank\">Low Blow: And Other Species of Confusion, Stux gallery, New York</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.casaasia.eu/actividad/detalle?id=13195\" target=\"_blank\"><em> </em>Indian Narratives in the 21<sup>st</sup> Century: Between Memory and History,Casa  Asia, Madrid and Barcelona, Spain<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/body-chatter-an-exhibition-of-contemporary-indian-art-2008/\" target=\"_blank\">Body Chatter, Walsh Gallery, Chicago</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/contents/press/india_20081121_e.pdf\" target=\"_blank\">Chalo! India: A New Era of Indian Art, Mori Art   Museum, Japan</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM Museum, Valencia, Spain</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>3<sup>rd</sup> Nanjing Triennale, curators: Fumihiko Sumitomo, Jaeyoung Kang,  China</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>TEAF (Taehwagang Eco Art Festival) - Dream River, Korea</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Everywhere is War (And Rumours of it), Bodhi Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/33\" target=\"_blank\">Fire Walkers, Stefan Stux gallery, New York</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.galeriems.com/publications_2008.html\" target=\"_blank\">Three Points of view, Galerie Mirchandani + Steinrucke, Mumbai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Excavation: Memory / Myth / Membrane, Museum Gallery, Mumbai</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>International Incheon Women Artists’ Biennale, Korea</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Soft Power: Asian Attitude, Shanghai Zendai Museum of Modern Art, Shanghai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td><a class=\"linkbio\" href=\"http://www.kunstaspekte.de/index.php?tid=39629&amp;action=termin\" target=\"_blank\">Urban Manners, curated by Adelina Von Furstenberg, at Hangar Bicocca, Milan </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td><a class=\"linkbio\" href=\"\"http://www.artsblog.it/post/933/larte-contemporanea-indiana-a-milano\" target=\"_blank\">INDIA NOW: Contemporary Indian Art, Between Continuity and transformation, curated by Daniela Palozzoli at Spazio Oberdan, \r\nMilan<span style=\"color: red;\"> &gt;&gt; </span></a></td></tr>\r\n<td valign=\"top\">2007</td>\r\n<td>New Narratives: Contemporary Art From India, curated by Betty Seid, Chicago Cultural Centre, Chicago</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Thermocline Of Art- New Asian Waves, curated by Wonil Rhee and Peter Weibel at ZKM in Karlsruhe, Germany</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Modern Indian Works On Paper, Arthur Ross Gallery, Philadelphia and the Georgia Museum of Art, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Lille 3000 (Maximum City-Mumbai), Lille,  France</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Hungry God- Indian Contemporary Art, curated by Yun Chaegab and June Gwak, Arario Gallery, Beijing and Busan MoMA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>India Express – Art and Popular Culture, Art Museum Tennispalace, curators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City  Art Museum, Finland</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Mom and Pop Art, Walsh Gallery, Chicago</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Span, Sakshi Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Indian Paintings of the New Millenium, curated by Helen Asquine Fazio at Thomas J. Walsh Art Gallery at Fairfield  University, USA</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td><em> </em>Contemporary Art from India, Thomas   Erben Gallery, New York</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td>Zoom! Art in Contemporary India. Curators: Nancy Adajania and Luis Serpa, The Culturgest Museum, Lisbon, Portugal</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Crossing generations: diVERGE, Gallery Chemould’s 40th anniversary, Curators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of Modern Art, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td><em> </em>Hard Copy, two-person show with Jitish Kallat, Gallery 88, Calcutta</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Tiranga, curator: Peter Nagy, India Habitat Centre, New Delhi</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td><em> </em>Elephant Walks, Youth Arts Project in collaboration with Jitish Kallat as part of Indians + Cowboys exhibition, Curators: Aaron Seetu and Ruth Watson Gallery 4A, Sydney</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>The Tree From The Seed, Contemporary Art from India, curator: Gavin Jantjes Henie Onstad Kunstsenter (Oslo), Norway</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td><em>Crosscurrents</em>, organized by Artworks for the fiftieth anniversary celebrations of Jehangir Art  Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td><em>Reclaim Our Freedom</em>, organized by Open Circle, Pundole Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Crossing Borders, Gallery Windkracht 13, Den Helder, Holland</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>Big River 2, CCA7 Gallery, Port Of Spain, Trinidad</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>AOM- Art on the move, organized by Sahmat, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1999</td>\r\n<td><em> </em>Edge of the Century, curated by Amit Mukhopadhyay, Academy  of Fine Arts and Literature, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1998</td>\r\n<td><em> </em>Essays in Time, Kinetic Sculptures, Nehru Centre, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1997</td>\r\n<td><em> </em>India in Harmony 1947-1997, Nehru Centre, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1997</td>\r\n<td><em> </em>A Page From My Diary, Sans Tache Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1997</td>\r\n<td><em> </em>Fresh Work, Birla Academy of Art and Culture, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1996</td>\r\n<td><em> </em>Monsoon Show, Jehangir Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1995</td>\r\n<td><em> </em>Varsha ’95, Y. B. Chavan Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">SELECTED WORKSHOPS AND RESIDENCIES</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td>Visas to Happiness - 3, workshop with children at the 2014 Dhaka Art Summit, Bangladesh</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td><a class=\"linkbio\" href=\"http://art1stindia.wordpress.com/2012/09/09/reena-kallat-visa-to-happiness/#comments\" target=\"_blank\">Partner a Master Workshop Artist/Mentor Programme, organized by Art 1st Foundation in collaboration with Mohile Parikh Centre, Mumbai <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>Visas to Happiness, workshop with children as part of the exhibition \'To Let the World In\', Chennai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Iaspis Residency, Gothenburg, Sweden.</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Vanishing Point, children’s project at the Celebrate Bandra Festival, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Collaborative workshop as part of the exhibition Aftershock, Sainsbury Centre for Visual Arts, University of East Anglia, Norwich,  UK</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Collaborated on a Billboard project with Jitish Kallat, Kala Ghoda Art District, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Elephant Walks, Youth Arts Project at the Casula Power House Arts Centre, Liverpool, Australia</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Khoj 2002 International Artists Workshop, Mysore, India</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Identity and Landscape, residency in the Laurentian mountains of Quebec at the Boreal Art/Nature Centre, Canada</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>Big River 2, International Artists Workshop organized by CCA7 and the Triangle Arts Trust at Grand Riviere, Trinidad, West Indies</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td><span style=\"color: #888888;\"><strong>TALKS/PRESENTATIONS</strong></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2016</td>\r\n<td>Artist talk with the C-MAP session at the Museum of Modern Art (MOMA), New York</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2016</td>\r\n<td>Artist talk with the Chicago Collectors Circle (CCC) at the Art Institute of Chicago (AIC), Chicago</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>Walkthrough \'Hyphenated Lives\', Reena Kallat and Nancy Adajania at Chemould Prescott Road, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>Artists talk at Vancouver Art Gallery, Canada</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>Mumbai Local: Ideas and the Artist in collaboration with Junoon, Mcubed library, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>Artists talk at CSMVS (former Prince of Wales Museum), Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>Artists panel at Asian Contemporary Art Week (ACAW), FIELD MEETING Take 2: An afterthought in Venice</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>Artists Talk at \'What About Art?\', Arts management agency, in collaboration with ArtOxyen, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td>Artists talk at Asia Society, during the Asian Contemporary Art Week in New York</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td>Moving Millimeter: Talk by Reena Kallat for Mumbai Local, Bhaudaji Lad Museum, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td>\'Meet the Artist\' session for the students from South Asia Inter School Association (SAISA), Art Festival hosted by the American School of Bombay</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td>\'Who is the Audience?\' IAF 2013  I  Conversations, panel discussion with Kamini Sawhney, Matthieu Foss moderated by Ranjit Hoskote, Nehru Centre, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td>\'Rendezvous with the Artist\' series by Asia Society at the artists studio in Mumbai, sponsored by Christies.</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>Artists Talk at the World Economic Forum, Tianjin</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>\'Why I am not a woman artist\' panel discussion with Anju Dodiya, moderated by Nancy Adajania at the Jehangir Nicholson Art Foundation, Prince of Wales Museum, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Artists Talk at GIBCA Speak Easy (GSE), Goteborg</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Informal talk at HDK – The School of Design and Crafts, Goteborg</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Artists Talk at the Iaspis Residency Studio, Stockholm</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td>Short presentation as part of The River Project at The Campbelltown Arts Centre, Sydney</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Artists Talk at the Krishnakriti Festival 2011, Kalakriti Gallery, Hyderabad</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td>Panel discussion moderated by Maria Lantz, with participating artists during the exhibition Samtidigt at Kulturhuset, Stockholm</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Panel discussion with artist Gulam Sheikh, co-chair: Sabine B. Vogel, art critic at the Sammlung Essl Museum, Vienna</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Slide presentation followed by a panel discussion with Nalini Malani and Jayshree Chakravarty, moderated by Nancy Adajania at Jnanapravaha, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Slide presentation at the School of the Art Institute of Chicago</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Panel discussion with Nalini Malani, Sheba Chhachhi, moderated by Betty Seid at the Chicago Cultural Centre</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Lecture at the University Boccini, Milan</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Slide presentation at the Lamar Dodd School of Art, University of Georgia, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Artists Talk at the Griffith Auditorium, Georgia Museum of Art, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Slide presentation at Oslo National Academy of the Arts, Norway</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2000</td>\r\n<td>Slide presentation at Mohile Parikh Centre for the Visual Arts, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">AWARDS</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2016</td>\r\n<td>Zee: Indian Women Awards in Arts & Culture category, Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>ZegnArt Public Award in collaboration with Dr. Bhaudaji Lad Museum, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>YFLO ZOYA Young Women Achievers Awards 2010-11, Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Harmony Award, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1996</td>\r\n<td>Bombay Art Society Merit Certificate, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1996</td>\r\n<td>Second Prize Government Award, Sir J. J. School of Art, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1995</td>\r\n<td>Gladstone Solomon Award, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1991-1996</td>\r\n<td>Merit Scholarship, Sir J. J. School of Art, Mumbai</td>\r\n</tr>\r\n</tbody>\r\n</table>','Biography','','inherit','open','open','','105-revision-183','','','2017-02-01 23:25:43','2017-02-01 23:25:43','',105,'http://www.reenakallat.com/3477/uncat/105-revision-183',0,'revision','',0),(3478,1,'2017-02-07 09:40:36','2017-02-07 09:40:36','<link rel=\"canonical\" href=\"http://www.reenakallat.com\" />\r\n<script type=\"text/javascript\" src=\"http://www.reenakallat.com/wp-includes/js/jquery/jquery-1.2.6.min.js\"></script>\r\n<script type=\"text/javascript\">\r\nfunction slideSwitch() {\r\n    var $active = $(\'#slideshow DIV.active\');\r\n    if ( $active.length == 0 ) $active = $(\'#slideshow DIV:last\');\r\n    // use this to pull the divs in the order they appear in the markup\r\n    var $next =  $active.next().length ? $active.next()\r\n        : $(\'#slideshow DIV:first\');\r\n    // uncomment below to pull the divs randomly\r\n    // var $sibs  = $active.siblings();\r\n    // var rndNum = Math.floor(Math.random() 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style=\"font-family: Arial, Sans-serif, sans;\">\r\n<div style=\"float:right;width:221px;padding-top:7px;\">\r\n <strong><span class=\"pubstrong\">Current and upcoming shows</span></span></strong><span style=\"font-size: small;\"></span>\r\n        <br>\r\n        <br>\r\n\r\n        <em>Transforming Vision: 21st century art from the Pizzuti Collection</em>,\r\n		March 10, 2017 - October 28, 2017\r\n		Pizzuti Collection, Columbus, Ohio\r\n		<br>\r\n        <br>\r\n        <em>Make a Change and Crossroads No 2. </em>,\r\n        curated by Torun Ekstrand\r\n		25th March - 28th May 2017\r\n		Norrtalje Museum + Konsthall, Sweden\r\n        <br>\r\n        <br>\r\n        <em>Solo exhibition at the Manchester Art Museum</em>\r\n		Opening 6th October 2017\r\n		Manchester, UK\r\n</div>\r\n<div id=\"slideshow\" style=\"float:left;\"  >\r\n  \r\n    \r\n    <div class=\"active\">\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new1.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-894\" /></a>\r\n       <!-- Caption for image 1-->\r\n    </div>\r\n    <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new2.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-896\" /></a>\r\n        <!--This will work with any markup-->\r\n    </div>\r\n    <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new3.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-897\" /></a>\r\n        <!--Swap this out for anything, links, paragraphs, whatever-->\r\n    </div>\r\n    <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new4.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-898\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div>\r\n \r\n    <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new5.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-899\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div>\r\n\r\n     <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new6.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-899\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div\r\n <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new7.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-898\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div> \r\n    <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new8.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-899\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div>     \r\n    \r\n         <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new9.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-899\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div>\r\n <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new10.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-898\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div> \r\n    <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new11.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-899\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div>\r\n   <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2014/04/slideshow_new12.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-899\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div>\r\n</div>','Home','','inherit','open','open','','93-revision-82','','','2017-02-07 09:40:36','2017-02-07 09:40:36','',93,'http://www.reenakallat.com/3478/uncat/93-revision-82',0,'revision','',0),(3479,1,'2014-01-10 23:15:51','2014-01-10 23:15:51','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Preface-works-page-image.jpg\" alt=\"Preface\" title=\"Preface\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></a></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Preface</span>\r\n2010\r\nhandmade paper book, wooden stand, two-channel video projection\r\nDuration 13mins15secs\r\n28 x 75 x 56 in. I 71 x 190 x 142 cm (h x l x b)\r\n<a href=\"http://youtu.be/VtF6X3At8lA\" target=\"_blank\"><span style=\"color: #888888;\">view video >></span></a>\r\n</td></tr></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Installation view</i> , Kulturhuset, Stockholm </span></td>\r\n<td>&nbsp;</td>\r\n</tr>\r\n</tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Preface-1.jpg\" alt=\"Preface\" title=\"Preface\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td><td width=\"400\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThe video work ‘Preface’ consists of an oversized book, presented like a sacred/ religious object on a prayer stand. The book presents the promise of democracy enshrined within the Preamble of the Constitution of India, in Braille. The video has developed as a result of my long engagement with the text, The Preamble of the Constitution of India that elucidates the purpose and underlying philosophy of the Constitution. Being the most religiously diverse country in the world, India’s democratic republic is premised on a national belief in pluralism and an assimilative culture. Rendered in Braille and thus reduced to various unreadable dots are words that spell out the fundamental principles, procedures, powers and responsibilities of the government and also the fundamental rights and duties of citizens. What you see are a series of images that evoke neural patterns constantly changing, transforming where the dots/words break open, blot, clot, smudge and stain the pages. What interests me is how this text gets interpreted by different people differently.</div>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Preface-3.jpg\" alt=\"Preface\" title=\"Preface\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Preface-4.jpg\" alt=\"Preface\" title=\"Preface\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Preface-5.jpg\" alt=\"Preface\" title=\"Preface\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Preface-6.jpg\" alt=\"Preface\" title=\"Preface\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Preface-process-1-2.jpg\" alt=\"Preface\" title=\"Preface\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td style=\"height: 15px;\"></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Preface-process-3-4.jpg\" alt=\"Preface\" title=\"Preface\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td style=\"height: 15px;\"></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Preface-process-5-6.jpg\" alt=\"Preface\" title=\"Preface\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /><span style=\"font-size:11px;\"><i>process shots of the video</i></span></td>\r\n</tr><tr><td ><span style=\"font-size:11px; line-height:15px;\"><i>Acknowledgement:</i> \r\nCamera: Ajay Noronha\r\nEditing: Pooja Madhavan, Sruti Visweswaran\r\nTechnical assistance: Abhinit Khanna\r\n</span>\r\n</td></tr>\r\n</tbody>\r\n</table>','Preface','','inherit','open','open','','2174-revision-22','','','2014-01-10 23:15:51','2014-01-10 23:15:51','',2174,'http://www.reenakallat.com/3479/uncat/2174-revision-22',0,'revision','',0),(3480,1,'2017-02-19 09:20:29','2017-02-19 09:20:29','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Preface-works-page-image.jpg\" alt=\"Preface\" title=\"Preface\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></a></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Preface</span>\r\n2010\r\nhandmade paper book, wooden stand, two-channel video projection\r\nDuration 13mins15secs\r\n28 x 75 x 56 in. I 71 x 190 x 142 cm (h x l x b)\r\n<a href=\"https://www.youtube.com/watch?v=bXYEnrLjgRw\" target=\"_blank\"><span style=\"color: #888888;\">view video >></span></a>\r\n</td></tr></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Installation view</i> , Kulturhuset, Stockholm </span></td>\r\n<td>&nbsp;</td>\r\n</tr>\r\n</tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Preface-1.jpg\" alt=\"Preface\" title=\"Preface\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td><td width=\"400\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThe video work ‘Preface’ consists of an oversized book, presented like a sacred/ religious object on a prayer stand. The book presents the promise of democracy enshrined within the Preamble of the Constitution of India, in Braille. The video has developed as a result of my long engagement with the text, The Preamble of the Constitution of India that elucidates the purpose and underlying philosophy of the Constitution. Being the most religiously diverse country in the world, India’s democratic republic is premised on a national belief in pluralism and an assimilative culture. Rendered in Braille and thus reduced to various unreadable dots are words that spell out the fundamental principles, procedures, powers and responsibilities of the government and also the fundamental rights and duties of citizens. What you see are a series of images that evoke neural patterns constantly changing, transforming where the dots/words break open, blot, clot, smudge and stain the pages. What interests me is how this text gets interpreted by different people differently.</div>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Preface-3.jpg\" alt=\"Preface\" title=\"Preface\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Preface-4.jpg\" alt=\"Preface\" title=\"Preface\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Preface-5.jpg\" alt=\"Preface\" title=\"Preface\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Preface-6.jpg\" alt=\"Preface\" title=\"Preface\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Preface-process-1-2.jpg\" alt=\"Preface\" title=\"Preface\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td style=\"height: 15px;\"></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Preface-process-3-4.jpg\" alt=\"Preface\" title=\"Preface\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td style=\"height: 15px;\"></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Preface-process-5-6.jpg\" alt=\"Preface\" title=\"Preface\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /><span style=\"font-size:11px;\"><i>process shots of the video</i></span></td>\r\n</tr><tr><td ><span style=\"font-size:11px; line-height:15px;\"><i>Acknowledgement:</i> \r\nCamera: Ajay Noronha\r\nEditing: Pooja Madhavan, Sruti Visweswaran\r\nTechnical assistance: Abhinit Khanna\r\n</span>\r\n</td></tr>\r\n</tbody>\r\n</table>','Preface','','inherit','open','open','','2174-revision-23','','','2017-02-19 09:20:29','2017-02-19 09:20:29','',2174,'http://www.reenakallat.com/3480/uncat/2174-revision-23',0,'revision','',0),(3481,1,'2014-01-10 23:53:01','2014-01-10 23:53:01','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-1024x682.jpg\" alt=\"Silt of Seasons-1\" title=\"Silt of Seasons-1\" width=\"600\" class=\"alignnone size-large wp-image-420\" /></a>\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Silt of Seasons-1\r\n</span>2008 \r\nsingle channel video projection on sand\r\nduration 59 min 30 s, dimension variable\r\nedition: 5+AP\r\n<a href=\"http://www.youtube.com/watch?v=s760crcG7gw\" target=\"_blank\"><span style=\"color: #888888;\">view video >></span></a>\r\n</td>\r\n</tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Installation view</i> , Chemould Prescott Rd, Mumbai</span></td>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-detail-1024x682.jpg\" alt=\"Silt of Seasons-1-details\" title=\"Silt of Seasons-1-details\" width=\"600\" class=\"alignnone size-large wp-image-425\" /></a></td>\r\n<td width=\"300\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThe work titled “Silt of Seasons” is a video projection on sand, shaped in the form of the disputed territory that lies between India and Pakistan, also called P.O.K. (Pakistan Occupied Kashmir).<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888\">...more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\nThe work titled “Silt of Seasons” is a video projection on sand, shaped in the form of the disputed territory that lies between India and Pakistan, also called P.O.K. (Pakistan Occupied Kashmir). The map of this conflicted terrain recurs in several of my works as a symbol of human inanity.\r\nNames of those from across the world who’ve signed the peace petition in 2004, addressed to General Pervez Musharraf and to the Indian Prime Minister Dr. Manmohan Singh appear spelt out in letters formed with sand. Each name is made visible only momentarily and seems to slowly get blown away or effaced, much like the repeated attempts at peace that often get sabotaged by extremist forces or political opportunism. And yet each erased name is replaced by another one, transporting the optimism in the piece through the renewed hope and commitment towards peace in the region. <a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888\">...hide</a>\r\n</div></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table><table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody><tr><td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1_detail-1024x682.jpg\" alt=\"Silt of Seasons-1_detail\" title=\"Silt of Seasons-1_detail\" width=\"600\" class=\"alignnone size-large wp-image-423\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr><td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-details-1024x682.jpg\" alt=\"Silt of Seasons-1-detail\" title=\"Silt of Seasons-1-detail\" width=\"600\" class=\"alignnone size-large wp-image-424\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr><td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/slit-of-season-image-5.jpg\" alt=\"Silt of Seasons-1-detail\" title=\"Silt of Seasons-1-detail\" width=\"600\" class=\"alignnone size-large wp-image-424\" /></a><span style=\"font-size:11px;\"><i>internet reference material</i></span>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr><td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/slit-of-season-image-6.jpg\" alt=\"Silt of Seasons-1-detail\" title=\"Silt of Seasons-1-detail\" width=\"600\" class=\"alignnone size-large wp-image-424\" /></a><span style=\"font-size:11px;\"><i>process shots</i></span></td></tr><tr><td><span style=\"font-size:11px; line-height:15px;\"><i>Acknowledgement:</i> \r\nCamera: Ajay Noronha\r\nEditing: Diksha Sharma\r\n</span>\r\n</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','419-revision-22','','','2014-01-10 23:53:01','2014-01-10 23:53:01','',419,'http://www.reenakallat.com/3481/uncat/419-revision-22',0,'revision','',0),(3482,1,'2017-02-19 09:14:15','2017-02-19 09:14:15','Reena Saini Kallat (b. 1973, Delhi, India) graduated from Sir J.J. School of Art, Mumbai in 1996 with a B.F.A. in painting. Her practice spanning drawing, photography, sculpture and video engages diverse materials, imbued with conceptual underpinnings. She is interested in the role that memory plays, in not only what we choose to remember but also how we think of the past. Using the motif of the rubberstamp both as object and imprint, signifying the bureaucratic apparatus, Kallat has worked with officially recorded or registered names of people, objects, and monuments that are lost or have disappeared without a trace, only to get listed as anonymous and forgotten statistics. In her works made with electrical cables, wires usually serving as conduits of contact that transmit ideas and information, become painstakingly woven entanglements that morph into barbed wires like barriers. Her ongoing series using salt as a medium explores the tenuous yet intrinsic relationship between the body and the oceans, highlighting the fragility and unpredictability of existence.\r\n\r\nShe has widely exhibited across the world in venues such as Museum of Modern Art (MOMA), New York; Mori Art Museum, Tokyo; Kennedy Centre, Washington; Vancouver Art Gallery; Saatchi Gallery, London; SESC Pompeia and SESC Belenzino in Sao Paulo; Goteborgs Konsthall, Sweden; Helsinki City Art Museum, Finland; National Taiwan Museum of Fine Arts; Tel Aviv Museum of Art, Israel; National Museum of Contemporary Art, Seoul; Henie Onstad Kunstsenter, Oslo; Casa Asia, Madrid and Barcelona; ZKM Karlsruhe in Germany; Campbelltown Arts Centre, Sydney; Hangar Bicocca, Milan; Museum of Contemporary Art, Shanghai; IVAM Museum, Spain; Busan MOMA; Kulturhuset, Stockholm; Kunsthaus Langenthal, Switzerland; Chicago Cultural Centre amongst many others. She lives and works in Mumbai.\r\n\r\nHer works are part of several public and private collections including the National Taiwan Museum of Fine Arts, Taiwan; Vancouver Art Gallery, Canada; Initial Access (Frank Cohen Collection), UK; Fondazione Golinelli, Italy; Bhaudaji Lad Museum, Mumbai; National Gallery of Modern Art, New Delhi; Devi Art Foundation, New Delhi; Saatchi Gallery, London; Tiroche DeLeon Collection, Israel; Ermenegildo Zegna Group, Italy; JSW Foundation, Mumbai and Burger Collection, Hongkong amongst others.\r\n\r\n<table>\r\n<tbody>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">SOLO EXHIBITIONS</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>Porous Passages, Nature Morte, New Delhi </td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/Reena-Kallat-hyphenated-lives-2015-forthcoming-show/\" target=\"_blank\">Hyphenated Lives, Chemould Prescott Road, Mumbai<span style=\"color: red;\"> &gt;&gt; </span><a>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td><a class=\"linkbio\" href=\"https://www.vanartgallery.bc.ca/the_exhibitions/exhibit_sainikallat.html\" target=\"_blank\">Offsite, Public Art Project, Vancouver Art Gallery</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td>Anatomy of forking paths, Art Houz, during Art Chennai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td><a class=\"linkbio\" href=\"http://www.zegnart.com/diary/public\" target=\"_blank\">ZegnArt Public project with Dr. Bhaudaji Lad Museum, Mumbai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://www.kennedy-center.org/events/?event=ZLINB\" target=\"_blank\">Falling Fables, Maximum India at the Kennedy Centre, Washington </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://www.naturemorte.com/exhibitions/press_release/delhi/past/364\" target=\"_blank\">Labyrinth of Absences, Nature Morte, New Delhi</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.primomarellagallery.com/it/catalogue/scheda.asp?id=568&amp;view=past\" target=\"_blank\">Drift, Primo Marella Gallery, Milan</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://gallerychemould.com/exhibitions/reena-show-2008/\" target=\"_blank\"> Silt of Seasons, Chemould   Prescott Road, Mumbai <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/reena-kallat-exhibition-2008/\" target=\"_blank\">Subject to Change without Notice, Walsh Gallery, Chicago</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Rainbow Of Refuse, Bodhi Art Gallery, Mumbai and Singapore</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Black Flute (And Other Stories), Nature Morte, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2004/reena_saini_kallat_note.html\" target=\"_blank\">Black Flute, Gallery Chemould, Mumbai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>The Battlefield Is The Mind, Sakshi Gallery, Bangalore</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Seven Faces of Dust, Chicago Radio, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2000</td>\r\n<td>Skin, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1998</td>\r\n<td>Orchard of Home-grown Secrets, Gallery Chemould and Pundole  Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><span style=\"color: #888888;\"><strong>SELECTED GROUP EXHIBITIONS</strong></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2016</td>\r\n<td><a class=\"linkbio\" href=\"https://medium.com/insecurities/woven-chronicle-e494ea66e782#.s05p5qtyx\" target=\"_blank\" >Insecurities: tracing Displacement and Shelter, organized by Sean Anderson and Ariele Dionne-Krosnick, The Museum of Modern Art (MOMA), New York <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2016</td>\r\n<td><a class=\"linkbio\" href=\"http://busanbiennale.org/english/sub01/03_view_2015.php?no=314&wr_3=&sfl=&stx=&sop=&sca=&type=2&page=3\" target=\"_blank\"> Hybridizing Earth, Discussing Multitude, 10th Busan Biennale, curated by Cheagab Yun, Kiswire Suyeong factory, Busan, \r\nSouth Korea<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2016</td>\r\n<td>Conceiving Space, Colombo Art Biennial, curated by Alnoor Mitha, Sri Lanka</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2016</td>\r\n<td>Make a Change, curated by Torun Ekstrand, Cultural Ronneby, Sweden</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2016</td>\r\n<td>Tabiyat: Medicine and Healing in India, curated by Ratan Vaswani, CSMVS (Chhatrapati Shivaji Maharaj Vastu Sangrahalaya), Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2016</td>\r\n<td>The Eye and The Mind: New Interventions in Indian Art, NGMA- Jaipur House, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>The Eye and The Mind: New Interventions in Indian Art, Minsheng Art Museum, Beijing</td>\r\n</tr>\r\n\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>Aperture, Indian Summer Festival, Old Canadian Pacific Railway Station, Vancouver</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>The Eye and The Mind: New Interventions in Indian Art, China Art Museum, Shanghai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/A-Summer-Mix-Artists-from-Chemould-Prescott-2015/\" target=\"_blank\">A Summer Mix, Chemould Prescott Road, Mumbai<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>One and one make eleven (Contemporary Art From India), Kunsthaus Langenthal, Switzerland</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>The Eye and The Mind: New Interventions in Indian Art, Guangdong Museum of Art, Guangzhou, China</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>[en]counters 2015, Spaces in Transition, CST Terminus, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>Kalaghoda Art Festival, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td>Off the wall, Sir. J.J. School of Art, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td>India: Maximum City, St. Moritz Art Masters, Switzerland</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td>Encounters:- Is There Love in This Air?, Cattle depot, C &amp; G ArtPartment, Hong Kong</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/aesthetic-bind-cabinet-closet-wunderkammer/\" target=\"_blank\">Aesthetic Bind: Floating World, Chemould Prescott Road, Mumbai<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td><a class=\"linkbio\" href=\"http://www.sahmatnews.blogspot.in/2014/02/forms-of-activism-24th-feb-to-1st-march.html\" target=\"_blank\">Forms of Activism, exhibition marking 25 years of SAHMAT at the Lalit Kala Akademi galleries, Rabindra bhavan, New Delhi <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td><a class=\"linkbio\" href=\"http://www.artoxygen.org/wp-content/uploads/2014/140218_Program_isthereloveinthisair2014.pdf\" target=\"_blank\">Encounters 2014 - Is there love in the air?, Public project with Art Oxygen in Mumbai<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td><a class=\"linkbio\" href=\"http://eslitegallery.tumblr.com/post/65981256422/reena-saini-kallat\" target=\"_blank\">No-Mad-Ness in No-Man\'s Land, Eslite Gallery, Taipei <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td><a class=\"linkbio\" href=\"http://www.artoxygen.org/?p=1858\" target=\"_blank\">Haein Art Project, Haeinsa Temple, Korea <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td><a class=\"linkbio\" href=\"http://www.collabo-x.com/cheongju-international-craft-biennale-2013-청주첨단문화산업단지/\" target=\"_blank\"> \"Something Old and Something New\", Cheongju International Craft Biennale, Korea<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td><a class=\"linkbio\" href=\"http://mohileparikhcenter.org/site/?q=node/647\" target=\"_blank\">Partner a Master Exhibition, Artist/Mentor Programme, Premchand Roychand Gallery, Chhatrapati Shivaji Maharaj Vastu Sangrahalaya (CSMVS), Mumbai <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td><a class=\"linkbio\" href=\"http://www.paletteartgallery.com/exhibition/past/works/details/5120\" target=\"_blank\">Spell of Spill: Utopia of Ecology, Palette Art Gallery, Delhi <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td><a class=\"linkbio\" href=\"http://www.satellite.org.au/docs/encounters-powerPLAY_press_release.pdf \" target=\"_blank\">EN(counters): POWERplay, along Mumbai’s waterfronts, gardens and historic sites<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td>JJ’s 90s - The Time of Change, Sir J.J. School of Art, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>India Today, ARKEN Museum of Modern Art, Copenhagen, Denmark</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>The Indian Parallax or the Doubling of Happiness, Birla Academy of Art and Culture, Kolkata</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>WONDERS – Masterpieces from Private Collections, Denmark</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td><a class=\"linkbio\" href=\"http://www.bb.com.br/docs/pub/inst/dwn/CatalogoIndia.pdf\" target=\"_blank\">India side by side, Centro Cultural Banco do Brasil, Brasilia <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td><a class=\"linkbio\" href=\"http://www.eigen-art.com/lab/index.php?article_id=804&amp;clang=1\" target=\"_blank\">Group show, Eigen + Art Lab, Berlin<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>India Side by Side,SESC Belenzino, Sao Paulo, Brazil</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td><a class=\"linkbio\" href=\"http://www.punkto.no/voices-from-pandemonium.5006429-249860.html\" target=\"_blank\">Stemmer fra Pandemonium, Punkt-Galleri F 15, Moss, Norway <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>To Let the World In: Narrative and Beyond in Contemporary Indian Art, Lalit Kala Regional Centre, Chennai, India</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>The Contemporary Sultanate, the Sunrydge, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>Kalaghoda Art Festival, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td><a class=\"linkbio\" href=\"http://www.theskodaprize.com/2012/longlist.php?id=1#.ULxBLWDrbJw\" target=\"_blank\">The Skoda Prize Exhibition, Lalit Kala Academy, New Delhi<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>India Side by Side, Centro Cultural Banco do Brasil, Rio De Janeiro</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Giant Elephant : Contemporary Art from India, H Cube Gallery, Seoul</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Roundabout, Tel Aviv Museum of Art, Israel<span style=\"color: red;\"> </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://www.konsthallen.goteborg.se/prod/kultur/konsthallen/dalis2.nsf/535e371e7fd657aec1256a5c0045675f/22123a2342203237c125794a003704ed!OpenDocument\" target=\"_blank\">Goteborg International Biennale for Contemporary Art, curated by Sarat Maharaj, Göteborgs Konsthall and Bohuslans Konsthall, Uddevalla, Sweden <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Right to Dissent, Clark House, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>RED, Palette Art Gallery, Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Of Gods and Goddesses, Cinema, Cricket - The New cultural Icons of India, Jehangir Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://www.hel.fi/hki/taimu/en/art+museum+tennis+palace/past+exhibitions/2011/concurrent+india\" target=\"_blank\">Samtidigt, Helsinki City Art Museum, Finland<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Iconoclasts and Iconodules, curated by Ombretta Argo, Religare Art Gallery, New  Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://vancouverbiennale.com/sculptures_page.php?sculptureID=36\" target=\"_blank\">The Vancouver International Sculpture Biennale, Surrey Art Gallery, Canada<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>The Intuitive: Logic Revisted, from the Osians Collection at The World Economic Forum, Davos, Switzerland</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/current/La_Route_De_La_Soie.htm\" target=\"_blank\">La Route de la Soie / The Silk Road, Lille 3000, France </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://kulturhuset.stockholm.se/\" target=\"_blank\">Samtidigt, Kulterhuset, Stockholm</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.campbelltown.nsw.gov.au/Exhibitions\" target=\"_blank\">The River Project, Campbelltown Art Centre, Sydney</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.tamuseum.com/about-the-exhibition/roundabout-face-to-face\" target=\"_blank\">Roundabout, City Gallery Wellington, New Zealand</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/water-ways/\" target=\"_blank\">Waterways, Walsh Gallery, Chicago</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.richmondartgallery.org/in-transition.php\" target=\"_blank\">In Transition: New Art from India, Richmond Art Gallery Vancouver Biennale, Vancouver</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www2.webster.edu/news/releases/bringmealion_0910113.shtml\" target=\"_blank\">Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster University, curated by Jeffrey Hughes and Dana Turkovic, Cecile R. Hunt  Gallery, St. Louis, Missouri</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/www/pastExhibitions\" target=\"_blank\">Never Run Away, 2 person exhibition curated by Shaheen Merali, Stux Gallery, New York</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/artists/reena_kallat.htm?section_name=new_india\" target=\"_blank\">The Empire Strikes Back, Saatchi Gallery, London</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://art-for-the-world.blogspot.com/2010/01/some-installation-views-of-urban.html\" target=\"_blank\">Urban Manners 2, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao Paulo, Brazil</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.asianartbiennial.org/2009/en/index_en.html\" target=\"_blank\">View Points and Viewing points - 2009 Asian Art Biennale, National Taiwan Museum of Fine Arts </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Spectrum: Indian Art at Abu   Dhabi, United   Arab Emirates</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Milan Galleria, curated by Georgio Verzotti, Triennale Museum, Milan</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.initialaccess.co.uk/exh/73/11/passage-to-india-part-ii/reena-saini-kallat\" target=\"_blank\">Passage to India Part II show at Initial Access, Frank Cohen Collection, Wolverhampton, UK</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Ventosul Biennale, Curitiba, Brazil</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/english/contents/india/index.html\" target=\"_blank\"> Chalo! India: A New Era of Indian Art, National  Museum of Contemporary Art, Korea and Essl Museum, Vienna</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mocashanghai.org/index.php?_function=exhibition&amp;_subFunction=pastExhibition&amp;exhibition_id=40&amp;_view=detail\" target=\"_blank\">INDIA XIANZAI: Contemporary Indian Art, Museum of Contemporary Art, Shanghai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/42/622\" target=\"_blank\">Low Blow: And Other Species of Confusion, Stux gallery, New York</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.casaasia.eu/actividad/detalle?id=13195\" target=\"_blank\"><em> </em>Indian Narratives in the 21<sup>st</sup> Century: Between Memory and History,Casa  Asia, Madrid and Barcelona, Spain<span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/body-chatter-an-exhibition-of-contemporary-indian-art-2008/\" target=\"_blank\">Body Chatter, Walsh Gallery, Chicago</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/contents/press/india_20081121_e.pdf\" target=\"_blank\">Chalo! India: A New Era of Indian Art, Mori Art   Museum, Japan</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM Museum, Valencia, Spain</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>3<sup>rd</sup> Nanjing Triennale, curators: Fumihiko Sumitomo, Jaeyoung Kang,  China</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>TEAF (Taehwagang Eco Art Festival) - Dream River, Korea</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Everywhere is War (And Rumours of it), Bodhi Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/33\" target=\"_blank\">Fire Walkers, Stefan Stux gallery, New York</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.galeriems.com/publications_2008.html\" target=\"_blank\">Three Points of view, Galerie Mirchandani + Steinrucke, Mumbai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Excavation: Memory / Myth / Membrane, Museum Gallery, Mumbai</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>International Incheon Women Artists’ Biennale, Korea</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Soft Power: Asian Attitude, Shanghai Zendai Museum of Modern Art, Shanghai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td><a class=\"linkbio\" href=\"http://www.kunstaspekte.de/index.php?tid=39629&amp;action=termin\" target=\"_blank\">Urban Manners, curated by Adelina Von Furstenberg, at Hangar Bicocca, Milan </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td><a class=\"linkbio\" href=\"\"http://www.artsblog.it/post/933/larte-contemporanea-indiana-a-milano\" target=\"_blank\">INDIA NOW: Contemporary Indian Art, Between Continuity and transformation, curated by Daniela Palozzoli at Spazio Oberdan, \r\nMilan<span style=\"color: red;\"> &gt;&gt; </span></a></td></tr>\r\n<td valign=\"top\">2007</td>\r\n<td>New Narratives: Contemporary Art From India, curated by Betty Seid, Chicago Cultural Centre, Chicago</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Thermocline Of Art- New Asian Waves, curated by Wonil Rhee and Peter Weibel at ZKM in Karlsruhe, Germany</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Modern Indian Works On Paper, Arthur Ross Gallery, Philadelphia and the Georgia Museum of Art, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Lille 3000 (Maximum City-Mumbai), Lille,  France</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Hungry God- Indian Contemporary Art, curated by Yun Chaegab and June Gwak, Arario Gallery, Beijing and Busan MoMA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>India Express – Art and Popular Culture, Art Museum Tennispalace, curators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City  Art Museum, Finland</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Mom and Pop Art, Walsh Gallery, Chicago</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Span, Sakshi Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Indian Paintings of the New Millenium, curated by Helen Asquine Fazio at Thomas J. Walsh Art Gallery at Fairfield  University, USA</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td><em> </em>Contemporary Art from India, Thomas   Erben Gallery, New York</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td>Zoom! Art in Contemporary India. Curators: Nancy Adajania and Luis Serpa, The Culturgest Museum, Lisbon, Portugal</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Crossing generations: diVERGE, Gallery Chemould’s 40th anniversary, Curators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of Modern Art, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td><em> </em>Hard Copy, two-person show with Jitish Kallat, Gallery 88, Calcutta</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Tiranga, curator: Peter Nagy, India Habitat Centre, New Delhi</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td><em> </em>Elephant Walks, Youth Arts Project in collaboration with Jitish Kallat as part of Indians + Cowboys exhibition, Curators: Aaron Seetu and Ruth Watson Gallery 4A, Sydney</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>The Tree From The Seed, Contemporary Art from India, curator: Gavin Jantjes Henie Onstad Kunstsenter (Oslo), Norway</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td><em>Crosscurrents</em>, organized by Artworks for the fiftieth anniversary celebrations of Jehangir Art  Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td><em>Reclaim Our Freedom</em>, organized by Open Circle, Pundole Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Crossing Borders, Gallery Windkracht 13, Den Helder, Holland</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>Big River 2, CCA7 Gallery, Port Of Spain, Trinidad</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>AOM- Art on the move, organized by Sahmat, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1999</td>\r\n<td><em> </em>Edge of the Century, curated by Amit Mukhopadhyay, Academy  of Fine Arts and Literature, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1998</td>\r\n<td><em> </em>Essays in Time, Kinetic Sculptures, Nehru Centre, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1997</td>\r\n<td><em> </em>India in Harmony 1947-1997, Nehru Centre, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1997</td>\r\n<td><em> </em>A Page From My Diary, Sans Tache Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1997</td>\r\n<td><em> </em>Fresh Work, Birla Academy of Art and Culture, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1996</td>\r\n<td><em> </em>Monsoon Show, Jehangir Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1995</td>\r\n<td><em> </em>Varsha ’95, Y. B. Chavan Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">SELECTED WORKSHOPS AND RESIDENCIES</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td>Visas to Happiness - 3, workshop with children at the 2014 Dhaka Art Summit, Bangladesh</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td><a class=\"linkbio\" href=\"http://art1stindia.wordpress.com/2012/09/09/reena-kallat-visa-to-happiness/#comments\" target=\"_blank\">Partner a Master Workshop Artist/Mentor Programme, organized by Art 1st Foundation in collaboration with Mohile Parikh Centre, Mumbai <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>Visas to Happiness, workshop with children as part of the exhibition \'To Let the World In\', Chennai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Iaspis Residency, Gothenburg, Sweden.</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Vanishing Point, children’s project at the Celebrate Bandra Festival, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Collaborative workshop as part of the exhibition Aftershock, Sainsbury Centre for Visual Arts, University of East Anglia, Norwich,  UK</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Collaborated on a Billboard project with Jitish Kallat, Kala Ghoda Art District, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Elephant Walks, Youth Arts Project at the Casula Power House Arts Centre, Liverpool, Australia</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Khoj 2002 International Artists Workshop, Mysore, India</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Identity and Landscape, residency in the Laurentian mountains of Quebec at the Boreal Art/Nature Centre, Canada</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>Big River 2, International Artists Workshop organized by CCA7 and the Triangle Arts Trust at Grand Riviere, Trinidad, West Indies</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td><span style=\"color: #888888;\"><strong>TALKS/PRESENTATIONS</strong></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2017</td>\r\n<td>Citizens and Borders: Migration and Displacement, panel discussion with Reena Saini Kallat, Tania Bruguera and Tiffany Chung in conversation with Sean Anderson at the Jaipur Literature Festival; presented by MOMA </td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2016</td>\r\n<td>Artist talk with the C-MAP session at the Museum of Modern Art (MOMA), New York</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2016</td>\r\n<td>Artist talk with the Chicago Collectors Circle (CCC) at the Art Institute of Chicago (AIC), Chicago</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>Walkthrough \'Hyphenated Lives\', Reena Kallat and Nancy Adajania at Chemould Prescott Road, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>Artists talk at Vancouver Art Gallery, Canada</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>Mumbai Local: Ideas and the Artist in collaboration with Junoon, Mcubed library, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>Artists talk at CSMVS (former Prince of Wales Museum), Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>Artists panel at Asian Contemporary Art Week (ACAW), FIELD MEETING Take 2: An afterthought in Venice</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2015</td>\r\n<td>Artists Talk at \'What About Art?\', Arts management agency, in collaboration with ArtOxyen, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td>Artists talk at Asia Society, during the Asian Contemporary Art Week in New York</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td>Moving Millimeter: Talk by Reena Kallat for Mumbai Local, Bhaudaji Lad Museum, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2014</td>\r\n<td>\'Meet the Artist\' session for the students from South Asia Inter School Association (SAISA), Art Festival hosted by the American School of Bombay</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td>\'Who is the Audience?\' IAF 2013  I  Conversations, panel discussion with Kamini Sawhney, Matthieu Foss moderated by Ranjit Hoskote, Nehru Centre, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2013</td>\r\n<td>\'Rendezvous with the Artist\' series by Asia Society at the artists studio in Mumbai, sponsored by Christies.</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>Artists Talk at the World Economic Forum, Tianjin</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>\'Why I am not a woman artist\' panel discussion with Anju Dodiya, moderated by Nancy Adajania at the Jehangir Nicholson Art Foundation, Prince of Wales Museum, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Artists Talk at GIBCA Speak Easy (GSE), Goteborg</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Informal talk at HDK – The School of Design and Crafts, Goteborg</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Artists Talk at the Iaspis Residency Studio, Stockholm</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td>Short presentation as part of The River Project at The Campbelltown Arts Centre, Sydney</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Artists Talk at the Krishnakriti Festival 2011, Kalakriti Gallery, Hyderabad</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td>Panel discussion moderated by Maria Lantz, with participating artists during the exhibition Samtidigt at Kulturhuset, Stockholm</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Panel discussion with artist Gulam Sheikh, co-chair: Sabine B. Vogel, art critic at the Sammlung Essl Museum, Vienna</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Slide presentation followed by a panel discussion with Nalini Malani and Jayshree Chakravarty, moderated by Nancy Adajania at Jnanapravaha, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Slide presentation at the School of the Art Institute of Chicago</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Panel discussion with Nalini Malani, Sheba Chhachhi, moderated by Betty Seid at the Chicago Cultural Centre</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Lecture at the University Boccini, Milan</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Slide presentation at the Lamar Dodd School of Art, University of Georgia, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Artists Talk at the Griffith Auditorium, Georgia Museum of Art, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Slide presentation at Oslo National Academy of the Arts, Norway</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2000</td>\r\n<td>Slide presentation at Mohile Parikh Centre for the Visual Arts, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">AWARDS</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2016</td>\r\n<td>Zee: Indian Women Awards in Arts & Culture category, Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>ZegnArt Public Award in collaboration with Dr. Bhaudaji Lad Museum, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>YFLO ZOYA Young Women Achievers Awards 2010-11, Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Harmony Award, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1996</td>\r\n<td>Bombay Art Society Merit Certificate, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1996</td>\r\n<td>Second Prize Government Award, Sir J. J. School of Art, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1995</td>\r\n<td>Gladstone Solomon Award, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1991-1996</td>\r\n<td>Merit Scholarship, Sir J. J. School of Art, Mumbai</td>\r\n</tr>\r\n</tbody>\r\n</table>','Biography','','inherit','open','open','','105-revision-184','','','2017-02-19 09:14:15','2017-02-19 09:14:15','',105,'http://www.reenakallat.com/3482/uncat/105-revision-184',0,'revision','',0);

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--
-- Table structure for table `wp_term_taxonomy`
--

CREATE TABLE `wp_term_taxonomy` (
  `term_taxonomy_id` bigint(20) unsigned NOT NULL AUTO_INCREMENT,
  `term_id` bigint(20) unsigned NOT NULL DEFAULT '0',
  `taxonomy` varchar(32) NOT NULL DEFAULT '',
  `description` longtext NOT NULL,
  `parent` bigint(20) unsigned NOT NULL DEFAULT '0',
  `count` bigint(20) NOT NULL DEFAULT '0',
  PRIMARY KEY (`term_taxonomy_id`),
  UNIQUE KEY `term_id_taxonomy` (`term_id`,`taxonomy`),
  KEY `taxonomy` (`taxonomy`)
) ENGINE=MyISAM AUTO_INCREMENT=3 DEFAULT CHARSET=utf8;

--
-- Dumping data for table `wp_term_taxonomy`
--

INSERT INTO `wp_term_taxonomy` VALUES (1,1,'category','',0,4),(2,2,'link_category','',0,0);

--
-- Table structure for table `wp_terms`
--

CREATE TABLE `wp_terms` (
  `term_id` bigint(20) unsigned NOT NULL AUTO_INCREMENT,
  `name` varchar(200) NOT NULL DEFAULT '',
  `slug` varchar(200) NOT NULL DEFAULT '',
  `term_group` bigint(10) NOT NULL DEFAULT '0',
  PRIMARY KEY (`term_id`),
  UNIQUE KEY `slug` (`slug`),
  KEY `name` (`name`)
) ENGINE=MyISAM AUTO_INCREMENT=3 DEFAULT CHARSET=utf8;

--
-- Dumping data for table `wp_terms`
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  `meta_key` varchar(255) DEFAULT '',
  `meta_value` longtext,
  `custom` varchar(1) NOT NULL DEFAULT '0',
  PRIMARY KEY (`id`),
  KEY `product_id` (`product_id`),
  KEY `meta_key` (`meta_key`),
  KEY `custom` (`custom`)
) ENGINE=MyISAM AUTO_INCREMENT=29 DEFAULT CHARSET=utf8;

--
-- Dumping data for table `wp_wpsc_productmeta`
--

INSERT INTO `wp_wpsc_productmeta` VALUES (1,1,'url_name','2008-2009-paris','0'),(2,1,'sku','','0'),(3,1,'table_rate_price','','0'),(4,1,'custom_tax','','0'),(5,1,'merchant_notes','','0'),(6,1,'engraved','0','0'),(7,1,'can_have_uploaded_image','0','0'),(8,1,'external_link','','0'),(9,1,'thumbnail_width','96','0'),(10,1,'thumbnail_height','96','0'),(27,3,'thumbnail_width','96','0'),(12,2,'sku','','0'),(13,2,'table_rate_price','','0'),(14,2,'custom_tax','','0'),(15,2,'merchant_notes','','0'),(16,2,'engraved','0','0'),(17,2,'can_have_uploaded_image','0','0'),(18,2,'external_link','','0'),(19,3,'url_name','2','0'),(20,3,'sku','','0'),(21,3,'table_rate_price','','0'),(22,3,'custom_tax','','0'),(23,3,'merchant_notes','','0'),(24,3,'engraved','0','0'),(25,3,'can_have_uploaded_image','0','0'),(26,3,'external_link','','0'),(28,3,'thumbnail_height','96','0');

--
-- Table structure for table `wp_wpsc_purchase_logs`
--

CREATE TABLE `wp_wpsc_purchase_logs` (
  `id` bigint(20) unsigned NOT NULL AUTO_INCREMENT,
  `totalprice` decimal(11,2) NOT NULL DEFAULT '0.00',
  `statusno` smallint(6) NOT NULL DEFAULT '0',
  `sessionid` varchar(255) NOT NULL DEFAULT '',
  `transactid` varchar(255) NOT NULL DEFAULT '',
  `authcode` varchar(255) NOT NULL DEFAULT '',
  `processed` bigint(20) unsigned NOT NULL DEFAULT '1',
  `user_ID` bigint(20) unsigned DEFAULT '0',
  `date` varchar(255) NOT NULL DEFAULT '',
  `gateway` varchar(64) NOT NULL DEFAULT '',
  `billing_country` char(6) NOT NULL DEFAULT '',
  `shipping_country` char(6) NOT NULL DEFAULT '',
  `base_shipping` decimal(11,2) NOT NULL DEFAULT '0.00',
  `email_sent` char(1) NOT NULL DEFAULT '0',
  `stock_adjusted` char(1) NOT NULL DEFAULT '0',
  `discount_value` decimal(11,2) NOT NULL DEFAULT '0.00',
  `discount_data` text,
  `track_id` varchar(50) DEFAULT '',
  `billing_region` char(6) NOT NULL DEFAULT '',
  `shipping_region` char(6) NOT NULL DEFAULT '',
  `find_us` varchar(255) NOT NULL DEFAULT '',
  `engravetext` varchar(255) DEFAULT '',
  `shipping_method` varchar(64) DEFAULT NULL,
  `shipping_option` varchar(128) DEFAULT NULL,
  `affiliate_id` varchar(32) DEFAULT NULL,
  `plugin_version` varchar(32) DEFAULT NULL,
  `notes` text,
  PRIMARY KEY (`id`),
  UNIQUE KEY `sessionid` (`sessionid`),
  KEY `gateway` (`gateway`)
) ENGINE=MyISAM DEFAULT CHARSET=utf8;

--
-- Dumping data for table `wp_wpsc_purchase_logs`
--


--
-- Table structure for table `wp_wpsc_purchase_statuses`
--

CREATE TABLE `wp_wpsc_purchase_statuses` (
  `id` bigint(20) unsigned NOT NULL AUTO_INCREMENT,
  `name` varchar(128) NOT NULL DEFAULT '',
  `active` varchar(1) NOT NULL DEFAULT '0',
  `colour` varchar(6) NOT NULL DEFAULT '',
  PRIMARY KEY (`id`)
) ENGINE=MyISAM AUTO_INCREMENT=5 DEFAULT CHARSET=utf8;

--
-- Dumping data for table `wp_wpsc_purchase_statuses`
--

INSERT INTO `wp_wpsc_purchase_statuses` VALUES (1,'Order Received','1',''),(2,'Accepted Payment','1',''),(3,'Job Dispatched','1',''),(4,'Closed Order','1','');

--
-- Table structure for table `wp_wpsc_region_tax`
--

CREATE TABLE `wp_wpsc_region_tax` (
  `id` bigint(20) unsigned NOT NULL AUTO_INCREMENT,
  `country_id` bigint(20) unsigned NOT NULL DEFAULT '0',
  `name` varchar(64) NOT NULL DEFAULT '',
  `code` char(2) NOT NULL DEFAULT '',
  `tax` float NOT NULL DEFAULT '0',
  PRIMARY KEY (`id`),
  KEY `country_id` (`country_id`)
) ENGINE=MyISAM AUTO_INCREMENT=65 DEFAULT CHARSET=utf8;

--
-- Dumping data for table `wp_wpsc_region_tax`
--

INSERT INTO `wp_wpsc_region_tax` VALUES (1,100,'Alberta','AB',0),(2,100,'British Columbia','BC',0),(3,100,'Manitoba','MB',0),(4,100,'New Brunswick','NK',0),(5,100,'Newfoundland','NF',0),(6,100,'Northwest Territories','NT',0),(7,100,'Nova Scotia','NS',0),(8,100,'Nunavut','NU',0),(9,100,'Ontario','ON',0),(10,100,'Prince Edward Island','PE',0),(11,100,'Quebec','PQ',0),(12,100,'Saskatchewan','SN',0),(13,100,'Yukon','YT',0),(14,136,'Alabama','AL',0),(15,136,'Alaska','AK',0),(16,136,'Arizona','AZ',0),(17,136,'Arkansas','AR',0),(18,136,'California','CA',0),(19,136,'Colorado','CO',0),(20,136,'Connecticut','CT',0),(21,136,'Delaware','DE',0),(22,136,'Florida','FL',0),(23,136,'Georgia','GA',0),(24,136,'Hawaii','HI',0),(25,136,'Idaho','ID',0),(26,136,'Illinois','IL',0),(27,136,'Indiana','IN',0),(28,136,'Iowa','IA',0),(29,136,'Kansas','KS',0),(30,136,'Kentucky','KY',0),(31,136,'Louisiana','LA',0),(32,136,'Maine','ME',0),(33,136,'Maryland','MD',0),(34,136,'Massachusetts','MA',0),(35,136,'Michigan','MI',0),(36,136,'Minnesota','MN',0),(37,136,'Mississippi','MS',0),(38,136,'Missouri','MO',0),(39,136,'Montana','MT',0),(40,136,'Nebraska','NE',0),(41,136,'Nevada','NV',0),(42,136,'New Hampshire','NH',0),(43,136,'New Jersey','NJ',0),(44,136,'New Mexico','NM',0),(45,136,'New York','NY',0),(46,136,'North Carolina','NC',0),(47,136,'North Dakota','ND',0),(48,136,'Ohio','OH',0),(49,136,'Oklahoma','OK',0),(50,136,'Oregon','OR',0),(51,136,'Pennsylvania','PA',0),(52,136,'Rhode Island','RI',0),(53,136,'South Carolina','SC',0),(54,136,'South Dakota','SD',0),(55,136,'Tennessee','TN',0),(56,136,'Texas','TX',0),(57,136,'Utah','UT',0),(58,136,'Vermont','VT',0),(59,136,'Virginia','VA',0),(60,136,'Washington','WA',0),(61,136,'Washington DC','DC',0),(62,136,'West Virginia','WV',0),(63,136,'Wisconsin','WI',0),(64,136,'Wyoming','WY',0);

--
-- Table structure for table `wp_wpsc_submited_form_data`
--

CREATE TABLE `wp_wpsc_submited_form_data` (
  `id` bigint(20) unsigned NOT NULL AUTO_INCREMENT,
  `log_id` bigint(20) unsigned NOT NULL DEFAULT '0',
  `form_id` bigint(20) unsigned NOT NULL DEFAULT '0',
  `value` varchar(255) NOT NULL DEFAULT '',
  PRIMARY KEY (`id`),
  KEY `log_id` (`log_id`,`form_id`)
) ENGINE=MyISAM DEFAULT CHARSET=utf8;

--
-- Dumping data for table `wp_wpsc_submited_form_data`
--


--
-- Table structure for table `wp_wpsc_variation_assoc`
--

CREATE TABLE `wp_wpsc_variation_assoc` (
  `id` bigint(20) unsigned NOT NULL AUTO_INCREMENT,
  `type` varchar(64) NOT NULL DEFAULT '',
  `name` varchar(128) NOT NULL DEFAULT '',
  `associated_id` bigint(20) unsigned NOT NULL DEFAULT '0',
  `variation_id` bigint(20) unsigned NOT NULL DEFAULT '0',
  PRIMARY KEY (`id`),
  KEY `associated_id` (`associated_id`),
  KEY `variation_id` (`variation_id`)
) ENGINE=MyISAM DEFAULT CHARSET=utf8;

--
-- Dumping data for table `wp_wpsc_variation_assoc`
--


--
-- Table structure for table `wp_wpsc_variation_combinations`
--

CREATE TABLE `wp_wpsc_variation_combinations` (
  `product_id` bigint(20) unsigned NOT NULL DEFAULT '0',
  `priceandstock_id` bigint(20) unsigned NOT NULL DEFAULT '0',
  `value_id` bigint(20) unsigned NOT NULL DEFAULT '0',
  `variation_id` bigint(20) unsigned NOT NULL DEFAULT '0',
  `all_variation_ids` varchar(64) NOT NULL DEFAULT '',
  KEY `product_id` (`product_id`),
  KEY `priceandstock_id` (`priceandstock_id`),
  KEY `value_id` (`value_id`),
  KEY `variation_id` (`variation_id`),
  KEY `all_variation_ids` (`all_variation_ids`)
) ENGINE=MyISAM DEFAULT CHARSET=utf8;

--
-- Dumping data for table `wp_wpsc_variation_combinations`
--


--
-- Table structure for table `wp_wpsc_variation_properties`
--

CREATE TABLE `wp_wpsc_variation_properties` (
  `id` bigint(20) unsigned NOT NULL AUTO_INCREMENT,
  `product_id` bigint(20) unsigned NOT NULL DEFAULT '0',
  `stock` bigint(20) unsigned NOT NULL DEFAULT '0',
  `price` decimal(11,2) NOT NULL DEFAULT '0.00',
  `weight` varchar(64) DEFAULT '',
  `weight_unit` varchar(10) NOT NULL DEFAULT '',
  `visibility` varchar(1) NOT NULL DEFAULT '1',
  `file` bigint(20) unsigned NOT NULL DEFAULT '0',
  PRIMARY KEY (`id`),
  KEY `product_id` (`product_id`)
) ENGINE=MyISAM DEFAULT CHARSET=utf8;

--
-- Dumping data for table `wp_wpsc_variation_properties`
--


--
-- Table structure for table `wp_wpsc_variation_values`
--

CREATE TABLE `wp_wpsc_variation_values` (
  `id` bigint(20) unsigned NOT NULL AUTO_INCREMENT,
  `name` varchar(128) NOT NULL DEFAULT '',
  `variation_id` bigint(20) unsigned NOT NULL DEFAULT '0',
  PRIMARY KEY (`id`),
  KEY `variation_id` (`variation_id`)
) ENGINE=MyISAM DEFAULT CHARSET=utf8;

--
-- Dumping data for table `wp_wpsc_variation_values`
--


--
-- Table structure for table `wp_wpsc_variation_values_assoc`
--

CREATE TABLE `wp_wpsc_variation_values_assoc` (
  `id` bigint(20) unsigned NOT NULL AUTO_INCREMENT,
  `product_id` bigint(20) unsigned NOT NULL DEFAULT '0',
  `value_id` bigint(20) unsigned NOT NULL DEFAULT '0',
  `visible` varchar(1) NOT NULL DEFAULT '0',
  `variation_id` bigint(20) unsigned NOT NULL DEFAULT '0',
  PRIMARY KEY (`id`),
  KEY `product_id` (`product_id`,`value_id`,`variation_id`)
) ENGINE=MyISAM DEFAULT CHARSET=utf8;

--
-- Dumping data for table `wp_wpsc_variation_values_assoc`
--



