(2264,1,'2010-10-27 11:33:04','2010-10-27 11:33:04','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;2\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/BirthMark-tattoos-1024x768.jpg\" alt=\"BirthMark and tattoos\" title=\"BirthMark tattoos\" width=\"600\" class=\"alignnone size-large wp-image-557\" /></a><span style=\"font-size:11px;\"><i>installation view,</i> Nature Morte, New Delhi</span>\r\n</td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Birthmarks and Tattoos\r\n</span>2004\r\ndigital prints on photographic paper\r\n11 x 15 in. I 28 x 38 cm each (64 prints)\r\nedition 5+AP</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"500\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/BirthMark-tattoos11.jpg\" alt=\"BirthMark tattoos1\" title=\"BirthMark tattoos1\" width=\"600\" class=\"alignnone size-large wp-image-559\" /></a>\r\n</td>\r\n<td width=\"500\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThe work comprises of 64 prints of close-up shots of different body parts carrying multiple names stamped on them. The pictures attempt to trace the scars/marks on the body that can be said to be both inherited as well as adopted. <a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...more</a>\r\n</div><div id=\"uniquename\"  style=\"display:none;\">\r\nThe work comprises of 64 prints of close-up shots of different body parts carrying multiple names stamped on them. The pictures attempt to trace the scars/marks on the body that can be said to be both inherited as well as adopted.The body here is treated as a document on which the identity of the individual is stamped; the complex web forming an interlaced mosaic evoking our cramped social networks where bodies co-exist and collide. The nature of that collision is determined by the identities of the colliding bodies. This photo-piece touches upon some of these ideas but formally speaking it will rely on the intricate interplay of the stamped text, the skin tones and colours to create a visually sensual land(body)scape.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div>\r\n</td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/BirthMark-tattoos1-1024x768.jpg\" alt=\"BirthMark tattoos2\" title=\"BirthMark tattoos2\" width=\"600\" class=\"alignnone size-large wp-image-560\" /></a>\r\n</td>\r\n</tr>\r\n <tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/BirthMark-tattoos2-1024x768.jpg\" alt=\"BirthMark tattoos2\" title=\"BirthMark tattoos2\" width=\"600\" class=\"alignnone size-large wp-image-560\" /></a>\r\n</td>\r\n</tr>\r\n <tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/BirthMark-tattoos3-1024x768.jpg\" alt=\"BirthMark tattoos3\" title=\"BirthMark tattoos3\" width=\"600\" class=\"alignnone size-large wp-image-561\" /></a>\r\n</td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/BirthMark-tattoos4-1024x768.jpg\" alt=\"BirthMark tattoos4\" title=\"BirthMark tattoos4\" width=\"600\" class=\"alignnone size-large wp-image-562\" /></a>\r\n</td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','555-revision-17','','','2010-10-27 11:33:04','2010-10-27 11:33:04','',555,'http://www.reenakallat.com/2264/uncat/555-revision-17',0,'revision','',0),(2265,1,'2010-10-27 11:37:12','2010-10-27 11:37:12','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"2\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"bottom\" style=\"padding-top:4px;\"><a href=\"#\"><img class=\"alignnone size-large wp-image-322\" title=\"Sword Swallow\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Sword-Swallower1.jpg\" alt=\"\" width=\"600\" /></a><span style=\"font-size:11px;\"><i>installation view,</i> Gallery Chemould, Mumbai</span></td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Sword Swallower</span>\r\n2004\r\nacrylic on paper\r\n78 x 28 in. I 198 x 71 cm each\r\n</td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-732\" title=\"Sword Swallow\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Sword-Swallower2-3.jpg\" alt=\"Sword Swallow\" width=\"600\" /></a></td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody><tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-324\" title=\"Sword Swallow\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Sword-Swallower7-8.jpg\" alt=\"\" width=\"600\" /></a></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table>','','','inherit','open','open','','1828-revision-9','','','2010-10-27 11:37:12','2010-10-27 11:37:12','',1828,'http://www.reenakallat.com/2265/uncat/1828-revision-9',0,'revision','',0),(2266,1,'2010-10-28 05:55:42','2010-10-28 05:55:42','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Seven-Faces-of-Dust.jpg\"><img class=\"alignnone size-full wp-image-612\" title=\"Seven Faces of Dust\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Seven-Faces-of-Dust.jpg\" alt=\"Seven Faces of Dust\" width=\"600\" /></a><span style=\"font-size:11px;\"><i>installation view,</i> Henie Onstad Kultursenter, Oslo, Norway </span></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Seven Faces of Dust\r\n</span>2003\r\nsand, pigment, wax, bamboo boats, cloth, fiberglass sculptures, photographs dimensions variable </td></tr><tr><td>&nbsp;</td></tr></tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-616\" title=\"Seven Faces of Dust_detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/seven-faces-2-3.jpg\" alt=\"Seven Faces of Dust\" width=\"600\" /></a></td>\r\n<td width=\"400\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nWhen I began conceptualizing this work, I was thinking of the seven islands that originally made up the island city of Bombay. The constellation of the seven floor drawings are made using sand (a residue of degraded materials, derived from the wearing down of rocks).\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\nWhen I began conceptualizing this work, I was thinking of the seven islands that originally made up the island city of Bombay. The constellation of the seven floor drawings are made using sand (a residue of degraded materials, derived from the wearing down of rocks). The act of laying the sand while executing the work, resembled that of making rangolis.\r\nLike the rangoli, this work will be effaced at the end of the exhibition.\r\nIt is made to commemorate ‘the individual’s wish’ in a city that is inhabited by large numbers of anonymous people.\r\nCities as we know get defined and shaped by people as extensions of their needs, aspirations, desires and fears. The seven islands can be seen as points of convergence where people from several communities are drawn everyday and get absorbed and assimilated. The uterus islands are looked upon as sites for the symbolic cross fertilization of wishes. As I went along making the work, I wanted it to be less about the city in a physical sense as it were and attempted to seek the immense complexity of real places in essence. However, this map is ephemeral and subject to constant change, like the changing face of the city of Mumbai. It does not provide the full and definitive picture; it speaks its own destiny of transformation, its ultimate formlessness.\r\nThe accompanying sculptural assemblage with seven pairs of hands hold out wax houses in a gesture of offering, while the series of photographs with people seen inscribing messages onto a variety of offering-candles attempts to metaphorically map their wishes.\r\nSeven Faces Of Dust is a reminder of the silenced impulses, secret hopes and latent desires of people that may perhaps never be heard.\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Seven-Faces-of-Dust-details.jpg\"><img class=\"alignnone size-full wp-image-618\" title=\"Seven Faces of Dust-details\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Seven-Faces-of-Dust-details.jpg\" alt=\"Seven Faces of Dust\"  width=\"600\" /></a></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Seven-Faces-of-Dust_details.jpg\"><img class=\"alignnone size-full wp-image-617\" title=\"Seven Faces of Dust_details\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Seven-Faces-of-Dust_details.jpg\" alt=\"Seven Faces of Dust\" width=\"600\" /></a></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Scuptures.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Scuptures.jpg\" alt=\"Scuptures\" title=\"Scuptures\" width=\"600\"  class=\"alignnone size-full wp-image-621\" /></a></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Scuptures.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Scuptures.jpg\" alt=\"Scuptures\" title=\"Scuptures\" width=\"600\" class=\"alignnone size-full wp-image-623\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','614-revision-23','','','2010-10-28 05:55:42','2010-10-28 05:55:42','',614,'http://www.reenakallat.com/2266/uncat/614-revision-23',0,'revision','',0),(2267,1,'2010-10-27 11:45:25','2010-10-27 11:45:25','<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"2\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"bottom\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/05/reclaim_our_freedom1.jpg\" alt=\"reclaim our freedom\" title=\"reclaim our freedom\"  class=\"alignnone size-full wp-image-1024\" /></a><span style=\"font-size:11px;\"><i>installation view,</i> Pundole Art Gallery, Mumbai</td><td width=\"300\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Reclaim Our Freedom</span>\r\n2003\r\ndyed saree, wooden prayer stand, glucose bottles, plastic syringes and wax votive offerings\r\n14.7 ft x 4.5 mts</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody><tr><td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/05/reclaim_our_freedom2.jpg\" alt=\"reclaim our freedom\" title=\"moving-millimeter\" width=\"561\" class=\"alignnone size-full wp-image-1025\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/05/reclaim_our_freedom3.jpg\" alt=\"reclaim our freedom\" title=\"reclaim our freedom\" width=\"561\" class=\"alignnone size-full wp-image-1026\" /></a>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','1711-revision-12','','','2010-10-27 11:45:25','2010-10-27 11:45:25','',1711,'http://www.reenakallat.com/2267/uncat/1711-revision-12',0,'revision','',0),(2268,1,'2010-10-29 10:05:42','2010-10-29 10:05:42','<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"2\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"bottom\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/05/reclaim_our_freedom1.jpg\" alt=\"reclaim our freedom\" title=\"reclaim our freedom\"  class=\"alignnone size-full wp-image-1024\" /></a></td><td width=\"300\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Reclaim Our Freedom</span>\r\n2003\r\ndyed saree, wooden prayer stand, glucose bottles, plastic syringes and wax votive offerings\r\n14.7 ft x 4.5 mts</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>installation view,</i> Pundole Art Gallery, Mumbai</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody><tr><td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/05/reclaim_our_freedom2.jpg\" alt=\"reclaim our freedom\" title=\"moving-millimeter\" width=\"561\" class=\"alignnone size-full wp-image-1025\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/05/reclaim_our_freedom3.jpg\" alt=\"reclaim our freedom\" title=\"reclaim our freedom\" width=\"561\" class=\"alignnone size-full wp-image-1026\" /></a>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','1711-revision-13','','','2010-10-29 10:05:42','2010-10-29 10:05:42','',1711,'http://www.reenakallat.com/2268/uncat/1711-revision-13',0,'revision','',0),(2269,1,'2014-06-28 09:07:58','2014-06-28 09:07:58','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\"\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Lead-imageSeven-Degrees.jpg\" alt=\"Seven Degrees\" title=\"Seven Degree\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></a>\r\n</td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Seven Degrees\r\n</span>2002\r\n12 x 15 in. I 30 x 38 cm each (set of 21 prints)</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>installation view,</i> Nature Morte, Delhi</span></td></tr><tr><td>&nbsp;</td></tr></tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\"\">\r\n<tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/seven-degrees-2.jpg\" alt=\"Seven Degrees\" title=\"Seven Degree\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/croped_image.jpg\" alt=\"Seven Degrees\" title=\"Seven Degree\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/last-image.jpg\" alt=\"Seven Degrees\" title=\"Seven Degree\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','1914-autosave','','','2014-06-28 09:07:58','2014-06-28 09:07:58','',1914,'http://www.reenakallat.com/2269/uncat/1914-autosave',0,'revision','',0),(2270,1,'2010-09-16 09:28:05','2010-09-16 09:28:05','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\"\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Lead-imageSeven-Degrees.jpg\" alt=\"Seven Degrees\" title=\"Seven Degree\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></a><span style=\"font-size:11px;\"><i>installation view,</i> Nature Morte, Delhi</span>\r\n</td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Seven Degrees\r\n</span>12 x 15 in. I 30 x 38 cm each (set of 21 prints)</td></tr></tr><tr><td>&nbsp;</td></tr></tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\"\">\r\n<tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/seven-degrees-2.jpg\" alt=\"Seven Degrees\" title=\"Seven Degree\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/croped_image.jpg\" alt=\"Seven Degrees\" title=\"Seven Degree\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/last-image.jpg\" alt=\"Seven Degrees\" title=\"Seven Degree\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','1914-revision-8','','','2010-09-16 09:28:05','2010-09-16 09:28:05','',1914,'http://www.reenakallat.com/2270/uncat/1914-revision-8',0,'revision','',0),(2271,1,'2010-10-29 10:07:29','2010-10-29 10:07:29','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\"\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Lead-imageSeven-Degrees.jpg\" alt=\"Seven Degrees\" title=\"Seven Degree\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></a>\r\n</td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Seven Degrees\r\n</span>12 x 15 in. I 30 x 38 cm each (set of 21 prints)</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>installation view,</i> Nature Morte, Delhi</span></td></tr><tr><td>&nbsp;</td></tr></tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\"\">\r\n<tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/seven-degrees-2.jpg\" alt=\"Seven Degrees\" title=\"Seven Degree\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/croped_image.jpg\" alt=\"Seven Degrees\" title=\"Seven Degree\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/last-image.jpg\" alt=\"Seven Degrees\" title=\"Seven Degree\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','1914-revision-9','','','2010-10-29 10:07:29','2010-10-29 10:07:29','',1914,'http://www.reenakallat.com/2271/uncat/1914-revision-9',0,'revision','',0),(2272,1,'2010-09-16 09:26:57','2010-09-16 09:26:57','<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/boreal-gallery.jpg\" alt=\"Subject-to-Change-Without-Notice\" title=\"Subject-to-Change-Without-Notice\" width=\"600\" class=\"alignnone size-large wp-image-368\" /></a><span style=\"font-size:11px;\"><i>installation view,</i> Laurentian mountains of Quebec, Canada</span>\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Boreal Art/Nature Residency\r\n</span>2002\r\nwire mesh, leaves from fallen trees, pine tree cones, drift wood. \r\n18 x 15 ft I 216 x 180 in\r\n</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/boreal-2-3.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/boreal-4-5.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/boreal-6.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','1203-revision-21','','','2010-09-16 09:26:57','2010-09-16 09:26:57','',1203,'http://www.reenakallat.com/2272/uncat/1203-revision-21',0,'revision','',0),(2273,1,'2010-10-28 06:46:09','2010-10-28 06:46:09','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" ><tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Orchard.jpg\" alt=\"Orc000hard\" title=\"Orchard\" width=\"500\" class=\"alignnone size-full wp-image-919\" /></a><span style=\"font-size:11px;\"><i>installation view,</i> Pundole Art Gallery, Mumbai</span></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">\r\nOrchard of home-grown secrets\r\n</span>1998\r\nacrylic on paper\r\n6 x 4 in. I 15 x 10 cm each (26 cards in each set)\r\n</tr><tr><td>&nbsp;</td></tr></tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\"><tbody><tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/orchard-1.jpg\" alt=\"Orchard\" title=\"Orchard1\" width=\"500\" class=\"alignnone size-full wp-image-922\" /></a></td>\r\n</tr><tr><td>&nbsp;</td></tr></tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\"><tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/orchard-2.jpg\" alt=\"Orchard\" title=\"Orchard2\" width=\"500\"  class=\"alignnone size-full wp-image-923\" /></a></td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\"><tbody><tr><td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/orchard-3.jpg\" alt=\"Orchard\" title=\"Orchard2\" width=\"500\"  class=\"alignnone size-full wp-image-923\" /></a></td>\r\n</tr><tr><td>&nbsp;</td></tr></tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\"><tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/orchard-4.jpg\" alt=\"Orchard\" title=\"Orchard2\" width=\"500\"  class=\"alignnone size-full wp-image-923\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr></tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\"><tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/orchard-5.jpg\" alt=\"Orchard\" title=\"Orchard2\" width=\"500\"  class=\"alignnone size-full wp-image-923\" /></a></td>\r\n</tr><tr><td>&nbsp;</td></tr></tbody></table>','','','inherit','open','open','','565-revision-15','','','2010-10-28 06:46:09','2010-10-28 06:46:09','',565,'http://www.reenakallat.com/2273/uncat/565-revision-15',0,'revision','',0),(2274,1,'2010-10-29 11:54:58','2010-10-29 11:54:58','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" ><tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Orchard.jpg\" alt=\"Orc000hard\" title=\"Orchard\" width=\"500\" class=\"alignnone size-full wp-image-919\" /></a>\r\n</td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">\r\nOrchard of home-grown secrets\r\n</span>1998\r\nacrylic on paper\r\n6 x 4 in. I 15 x 10 cm each (26 cards in each set)\r\n</tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>installation view,</i> Pundole Art Gallery, Mumbai</span></td></tr>\r\n<tr><td>&nbsp;</td></tr></tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\"><tbody><tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/orchard-1.jpg\" alt=\"Orchard\" title=\"Orchard1\" width=\"500\" class=\"alignnone size-full wp-image-922\" /></a></td>\r\n</tr><tr><td>&nbsp;</td></tr></tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\"><tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/orchard-2.jpg\" alt=\"Orchard\" title=\"Orchard2\" width=\"500\"  class=\"alignnone size-full wp-image-923\" /></a></td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\"><tbody><tr><td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/orchard-3.jpg\" alt=\"Orchard\" title=\"Orchard2\" width=\"500\"  class=\"alignnone size-full wp-image-923\" /></a></td>\r\n</tr><tr><td>&nbsp;</td></tr></tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\"><tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/orchard-4.jpg\" alt=\"Orchard\" title=\"Orchard2\" width=\"500\"  class=\"alignnone size-full wp-image-923\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr></tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\"><tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/orchard-5.jpg\" alt=\"Orchard\" title=\"Orchard2\" width=\"500\"  class=\"alignnone size-full wp-image-923\" /></a></td>\r\n</tr><tr><td>&nbsp;</td></tr></tbody></table>','','','inherit','open','open','','565-revision-16','','','2010-10-29 11:54:58','2010-10-29 11:54:58','',565,'http://www.reenakallat.com/2274/uncat/565-revision-16',0,'revision','',0),(2275,1,'2010-10-29 12:06:50','2010-10-29 12:06:50','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" ><tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Orchard.jpg\" alt=\"Orc000hard\" title=\"Orchard\" width=\"500\" class=\"alignnone size-full wp-image-919\" /></a>\r\n</td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">\r\nOrchard of home-grown secrets\r\n</span>1998\r\nacrylic on paper\r\n6 x 4 in. I 15 x 10 cm each (26 cards in each set)\r\n</tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>installation view,</i> Pundole Art Gallery, Mumbai</span></td></tr>\r\n<tr><td>&nbsp;</td></tr></tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\"><tbody><tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/orchard-1.jpg\" alt=\"Orchard\" title=\"Orchard1\" width=\"500\" class=\"alignnone size-full wp-image-922\" /></a></td>\r\n</tr><tr><td>&nbsp;</td></tr></tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\"><tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/orchard-2.jpg\" alt=\"Orchard\" title=\"Orchard2\" width=\"500\"  class=\"alignnone size-full wp-image-923\" /></a></td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\"><tbody><tr><td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/orchard-3.jpg\" alt=\"Orchard\" title=\"Orchard2\" width=\"500\"  class=\"alignnone size-full wp-image-923\" /></a></td>\r\n</tr><tr><td>&nbsp;</td></tr></tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\"><tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/orchard-4.jpg\" alt=\"Orchard\" title=\"Orchard2\" width=\"500\"  class=\"alignnone size-full wp-image-923\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr></tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\"><tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/orchard-5.jpg\" alt=\"Orchard\" title=\"Orchard2\" width=\"500\"  class=\"alignnone size-full wp-image-923\" /></a></td>\r\n</tr><tr><td>&nbsp;</td></tr></tbody></table>','','','inherit','open','open','','565-revision-17','','','2010-10-29 12:06:50','2010-10-29 12:06:50','',565,'http://www.reenakallat.com/2275/uncat/565-revision-17',0,'revision','',0),(2276,1,'2010-10-29 12:08:18','2010-10-29 12:08:18','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" ><tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Orchard.jpg\" alt=\"Orc000hard\" title=\"Orchard\" width=\"500\" class=\"alignnone size-full wp-image-919\" /></a>\r\n</td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">\r\nOrchard of home-grown secrets\r\n</span>1998\r\nacrylic on paper\r\n6 x 4 in. I 15 x 10 cm each (26 cards in each set)\r\n</tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>installation view,</i> Pundole Art Gallery, Mumbai</span></td></tr>\r\n<tr><td>&nbsp;</td></tr></tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\"><tbody><tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/orchard-1.jpg\" alt=\"Orchard\" title=\"Orchard1\" width=\"500\" class=\"alignnone size-full wp-image-922\" /></a></td>\r\n</tr><tr><td>&nbsp;</td></tr></tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\"><tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/orchard-2.jpg\" alt=\"Orchard\" title=\"Orchard2\" width=\"500\"  class=\"alignnone size-full wp-image-923\" /></a></td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\"><tbody><tr><td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/orchard-3.jpg\" alt=\"Orchard\" title=\"Orchard2\" width=\"500\"  class=\"alignnone size-full wp-image-923\" /></a></td>\r\n</tr><tr><td>&nbsp;</td></tr></tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\"><tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/orchard-4.jpg\" alt=\"Orchard\" title=\"Orchard2\" width=\"500\"  class=\"alignnone size-full wp-image-923\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr></tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\"><tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/orchard-5.jpg\" alt=\"Orchard\" title=\"Orchard2\" width=\"500\"  class=\"alignnone size-full wp-image-923\" /></a></td>\r\n</tr><tr><td>&nbsp;</td></tr></tbody></table>','','','inherit','open','open','','565-revision-18','','','2010-10-29 12:08:18','2010-10-29 12:08:18','',565,'http://www.reenakallat.com/2276/uncat/565-revision-18',0,'revision','',0),(2277,1,'2010-10-28 18:25:22','2010-10-28 18:25:22','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}</style><table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-gallery.jpg\" alt=\"Subject-to-Change-Without-Notice\" title=\"Subject-to-Change-Without-Notice\" width=\"600\" class=\"alignnone size-large wp-image-368\" /></a></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Colour Curtain (between shores and the seas)</span>\r\n2009 \r\nacrylic paint, rubberstamps, metal \r\nsize variable  \r\n</td>\r\n</tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>installation view,</i> , stux Gallery, New York</span></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-2.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n<td width=\"300\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThe sculptural barricades formed with rubberstamps carry names of people who’ve been denied visas to various countries on the basis of class, culture, nationality, religion, politics etc. The works in the show collectively approach issues of global mobility, privilege and perceptions. On the one hand International travel is linked with aspirations, expectations, while on the other these are often bound with a wide set of restrictions and controls. <a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\nThe sculptural barricades formed with rubberstamps carry names of people who’ve been denied visas to various countries on the basis of class, culture, nationality, religion, politics etc. The works in the show collectively approach issues of global mobility, privilege and perceptions. On the one hand International travel is linked with aspirations, expectations, while on the other these are often bound with a wide set of restrictions and controls. \r\nEven as cultures blend with a greater movement of people and information than any moment in human history, borders have become more controlled and monitored than ever before. In the ‘Colour Curtains’ each rubberstamp is clad in patterns with colours derived from various national flags, each carrying a name of a person who’s been denied a visa. What appear like barriers or festoons of refusal can also evoke garlands that are often used to welcome guests on arrival.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table><table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody><tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-3.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-5.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','1232-revision-19','','','2010-10-28 18:25:22','2010-10-28 18:25:22','',1232,'http://www.reenakallat.com/2277/uncat/1232-revision-19',0,'revision','',0),(2278,1,'2010-10-28 18:27:08','2010-10-28 18:27:08','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style>h3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style><table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr><td width=\"60%\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-gallery.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-gallery.jpg\" alt=\"Subject-to-Change-Without-Notice\" title=\"Subject-to-Change-Without-Notice\" width=\"600\" class=\"alignnone size-large wp-image-368\" /></a>\r\n</td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Your Mileage May Vary</span>\r\n2009\r\nacrylic paint, archival inks on handmade paper\r\n37 x 54 in. I 94 x 137 cm</td>\r\n</tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>installation view,</i> stux Gallery, New York</span></td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-4.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a></td><td width=\"300\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nIn the paper works the twin forms of maps and mazes are overlaid by stamping names of people who have been denied visas for traveling to other countries.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888\">...more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\nIn the paper works the twin forms of maps and mazes are overlaid by stamping names of people who have been denied visas for traveling to other countries. These are often on the basis of class, culture, nation, religion, politics etc. \r\nEven as cultures blend with a greater movement of people and information than any moment in human history, borders have become more controlled and monitored than ever before.\r\nThe maze has a structure and a format while the painted maps almost seem like a result of an accidental spill. In some of these works flight air-routes formed by names of those who\'ve been denied access are superimposed on painted maps, while in the mazes the same names clog the passage ways and are overlaid with spills and blots that appear map like.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\"  style=\"color:#888888\">...hide</a>\r\n</div></td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-2.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody><tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-3.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody><tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-5.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-5.jpg\" width=\"600\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table>','','','inherit','open','open','','1243-revision-20','','','2010-10-28 18:27:08','2010-10-28 18:27:08','',1243,'http://www.reenakallat.com/2278/uncat/1243-revision-20',0,'revision','',0),(2281,1,'2010-11-24 17:35:24','2010-11-24 17:35:24','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script><!-- h3.canvas  { color:#333333; font-size:11px; font-weight:normal; margin-bottom:5px; margin-left:7px; margin-top:0; padding:0; text-transform:none; } h2.painting  { color:#FFFFFF; font-family:verdana,arial,tahoma,sans-serif; font-size:11px; font-weight:normal; margin:0 0 10px 7px; padding:0; text-align:left; text-transform:none; } -->\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"960\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\" style=\"padding-top:4px;\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/05_resized_gallery_view.jpg\"><img class=\"alignnone size-full wp-image-1013\" title=\"vanishing point\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/05_resized_gallery_view.jpg\" alt=\"vanishing point\" width=\"600\"  /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Vanishing Point</span>\r\n2009\r\nblackboard, paint, chalk, printed texts\r\ndimension variable\r\nInteractive work made for children during the Bandra Festival, Mumbai</td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"400\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/05/vanishing-point2.jpg\"><img class=\"alignnone size-full wp-image-1015\" title=\"vanishing-point\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/vanishing-point2.jpg\" alt=\"vanishing-point\"  /></a>\r\n</td><td width=\"300\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\"><div id=\"uniquename1\" style=\"display: block; width:400px;\">The project was an attempt to engage children by raising awareness about endangered species of plants and animals; those that face the risk of extinction, often threatened by changing environmental or predation parameters.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;width:400px;\">The project was an attempt to engage children by raising awareness about endangered species of plants and animals; those that face the risk of extinction, often threatened by changing environmental or predation parameters.Through simple playful means such as…more joining-the-dots or colouring, the animal forms on the 12 blackboard panels reveal and conceal as the children draw and erase them. By fading in and out of focus they remind us of how we can be active contributors in either destroying or restoring our immediate habitat.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div>\r\n</td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/vanishing-point3.jpg\"><img class=\"alignnone size-full wp-image-1016\" title=\"vanishing-point\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/vanishing-point3.jpg\" alt=\"vanishing-point\"  /></a></td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/05/vanishing-point4.jpg\"><img class=\"alignnone size-full wp-image-1017\" title=\"vanishing-point4\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/vanishing-point4.jpg\" alt=\"vanishing-point\"  /></a></td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/05/vanishing5.jpg\"><img class=\"alignnone size-full wp-image-1018\" title=\"vanishing point\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/vanishing-point5.jpg\" alt=\"vanishing point\" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','1012-revision-30','','','2010-11-24 17:35:24','2010-11-24 17:35:24','',1012,'http://www.reenakallat.com/2281/uncat/1012-revision-30',0,'revision','',0),(2282,1,'2010-10-27 11:35:54','2010-10-27 11:35:54','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style>h3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}</style><table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\"><tbody><tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"aligntop size-large wp-image-495\" title=\"Saline\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Saline-1024x631.jpg\" alt=\"saline\" width=\"600\" /></a></td>\r\n<td style=\"font-size: 11px;\" width=\"200\" align=\"left\" valign=\"bottom\"><span style=\"color: #888888;\">Saline</span>\r\n2007\r\nbonded marble, wood, fabric\r\n13 ft I 156 in. diameter</td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignleft size-large wp-image-498\" title=\"Saline_detail1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Saline_detail1-1024x646.jpg\" alt=\"Saline_detail1\" width=\"600\" /></a></td>\r\n<td style=\"font-size: 11px;\" width=\"300\" align=\"justify\" valign=\"top\">\r\n<div id=\"uniquename1\" style=\"display: block;\">The work takes off from an episode in the Hindu Puranas (religious text) called Samudra Manthan. Samudra means ‘the ocean’ and Manthan means ‘to churn’.<a style=\"color: #888888;\" onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\">...more</a></div>\r\n<div id=\"uniquename\" style=\"display: none;\">The work takes off from an episode in the Hindu Puranas (religious text) called Samudra Manthan. Samudra means ‘the ocean’ and Manthan means ‘to churn’.\r\nIn this particular episode, the Gods lose their powers due to an instance of arrogance and need the assistance of demons in order to churn the ocean to obtain nectar that would empower them again. A number of herbs were cast into the ocean and the churning produced several objects and beings that were symbolic and served as offerings to please demi-gods. It is believed that to keep the nectar away from the hands of the demons, the gods had to hide it in four different places on earth. These places are since believed to have acquired mystical power and are celebrated as sites of worship.\r\nSALINE re-constructs imagery from the myths of the past as well as their re-incarnations in the historical present. The formation of the demon is a sculptural translation of drawings from the Razmnama (illustrated translations of the Hindu epic, Mahabharat into Persian).\r\nArtistically speaking, this demon form rendered by Persian illustrators of a Hindu endeavor becomes an interesting secular by-product of the religious cross-pollination of the Hindu epic in the Islamic world.\r\nWater has always been seen as the source of all creation. Just like salt is easily missible in water, India is traditionally eulogised for its secular fabric wherein the boundaries of Hinduism, Islam, Christianity, Buddhism, Jainism, Sikhism and several other religious traditions are said to dissolve. I have set out to make the sculptural installation ‘Saline’\r\nat a time when this fabric is stained by the recurrence of communal conflict.\r\nI see ‘Saline’ as a call of hope; the fluid figment of my imagination churned out of contemporary conflicts to symbolically drop nectar in a poisonous ocean, reclaim the spaces of religious worship from the demons of fanaticism and intravenously inject organisms with the rejuvenating and hydrating powers of saline in the endless confrontation between good and evil.<a style=\"color: #888888;\" onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\">...hide</a></div></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignleft size-large wp-image-499\" title=\"Saline-detail2\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Saline-detail2-1024x652.jpg\" alt=\"Saline-detail\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr></tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignleft size-large wp-image-500\" title=\"Saline_detail3\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Saline_detail3-1024x696.jpg\" alt=\"Saline_detail\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','496-revision-39','','','2010-10-27 11:35:54','2010-10-27 11:35:54','',496,'http://www.reenakallat.com/2282/uncat/496-revision-39',0,'revision','',0),(2283,1,'2010-10-06 05:33:08','2010-10-06 05:33:08','<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: rgb(136, 136, 136);\">TEXT BY NANCY ADAJANIA</span></strong></td>\r\n</tr>\r\n‘He looked at his own Soul\r\nWith a telescope. What seemed\r\nall irregular, he saw and\r\nshewed to be beautiful\r\nConstellations, and he added\r\nto the Consciousness hidden\r\nworlds within worlds.’\r\n\r\nS. T. Coleridge, Notebooks\r\n\r\nScrolls dyed in different dialects of red fall sheer from a height and kiss the floor. On them, numerous white circles project out like curious eyes. Or are they constellations of stars on a sky-cloth? You cannot decipher the pattern on the scrolls, but a glass case in one corner of the room has books whose pages secrete closely packed, yet legible words. They appear to be recipes for preparing Indian and Continental food.\r\n\r\nReena Saini Kallat’s installation, ‘Walls of the Womb’, is an edifice built from silk saris that hang like amplified scrolls echoing her mother’s absence. The artist’s mother did not live long enough to drape a sari around her daughter’s waist, a coming-of-age ritual in India. This sensuous garment has millennially held many secrets, scents and desires in its folds. Crafted in many weaves and textures, it can be as light as dew, transparent as water or opaque as night. This garment signals a woman’s modesty but also invites erotic play.\r\n\r\nHere, the saris stand like a memorial, an elegy for a body that the artist remembers only faintly; she lost her mother when she was eight. As a child, Reena tried to construct a portrait of her mother through family lore and by running her hand blindly over her belongings, her saris, cosmetics, books and bags. I suspect that her vocation as an artist helped Reena to recover a sense of wholeness, to wipe out the colour of lack from her life. That is why her paintings and sculpture installations are constructed like spells to ward off the forces of conflict and chaos besieging the body and, by extension, the body politic. You would find a politically contested site lying like a dormant tumour in a steel cradle (Penumbra, 2006) or smeared across anonymous portraits (Penumbra Passage (Canine Cases), 2006). Denial of her mother’s affection has been projected into an extended narrative of belonging: over the years, Reena has obsessively made hundreds of rubber stamps bearing the names of Indian citizens from different castes and religions, who have been deprived of basic freedoms by the Indian state.\r\n\r\nThis secret history of Reena’s work comes to light in ‘Walls of the Womb’, her first explicitly autobiographical work. Having herself become a mother two years ago, Reena has tried to make peace with her beleaguered self. She has exorcised her mother’s memories by celebrating her courage. Her mother fought the pain of cancer with beauty, making exquisite flower arrangements, fabric paintings and costumes for Reena and her brother.\r\n\r\nThe intense colours of Reena’s sari-scrolls bespeak a passion for life. This work is not a dirge, but a ballad. And fittingly so, because the saris have been coloured by the tie-and-dye technique associated with the artisans of Bhuj, in the Kutch desert. Reena chose this method so that she could translate her mother’s recipes into Braille on some dotted areas that are left white, while the rest of the fabric is coloured. On display, the recipes in Braille look like eyes, stars or nipples. As abstractions, they are inscrutable yet rich in possibility – just like her mother’s abbreviated life, which remains an ellipsis. The brackets from which the saris hang are moulded into breasts made smooth with bonded marble. They rhyme with the nourishing recipes in the glass case. The Braille dots are like breath-spans: the silken breath of dream, the hissing breath of recall and the empty-yet-full (w)hole which sucks all life in, shunyata.\r\n\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: rgb(136, 136, 136);\">TEXT BY GRANT WATSON</span></strong></td>\r\nRed fabrics hang from floor to ceiling. Tie – dye, a textile technique that is elsewhere known for its exuberance, its hippy array of colours and spider web – like patterns, is here controlled, in a manner similar to that used by the artisans of Kutch. The tie – dye effect (where small segments of cloth are tied up so that they resist colour when immersed in a vat of dye) is reduced to a series of tiny dots, which appear across the lengths of fabric like a starry night sky. It is almost too obvious to point out the linguistic connection between textile and text, ‘the Latin word textum means web’  and put simply, in compositional terms, textiles often employ the repetition of small details, a dot, a squiggle, a paisley, or a flower repeated  to produce an all over effect not unlike writing. Of course we don’t read textiles like a book and textiles don’t communicate in the way that writing does, but traditionally the squiggles and the dots did mean something. Paisley for example was connected to fertility symbols. Textiles also reflect the cross currents of cultures as they interact, and so Chintz which was commissioned from Indian artisans by European traders, combines the demands of the metropolitan consumer with the vision and skill of the fabrics makers who substantially embellished the original commission. Textiles have also been indexically linked to art history, from the sumptuous drapery of baroque painting, to the soft sculptures of Robert Morris, taking in along the way Matisse, who described his extensive textile collection (which included North African hangings, embroideries and costumes as well as fabrics from Bali and China and traditional French textiles) as his working library.   \r\nReena Kallat’s red hangings draw on these various strands, going beyond textiles as artefacts and linking them to a wider frame of meaning: fabric design as proto – text, cloth as cultural signifier and textiles as objects in the context of art. Although here the connection between pattern and text is literal not suggestive, because if one was able to decipher them, the pattern of dots in Kallat’s hangings could be actually read as a text. They are in fact recipes, which have been translated into Braille and rendered onto the fabric. In doing this the artist draws up the fact that tie-dye is often three dimensional (as the sections which have been tied up and then untied to reveal areas free of colour, sometimes maintain a slight puckering effect) and here the dots could be read by running ones fingers over the cloth. Touching the cloth would also provide an entry into the hap tic of the work, its cultural references, the sensory world evoked by the choice of fabrics, in this case the world of childhood experiences -  Kallat lost her mother when she was eight and the dyed sari’s hanging on the walls, on which her mother’s recipes have been inscribed, are testament to the artist’s loss. Sari’s were amongst the fetish objects left behind. Others included photo albums, recipes, books, stuffed toys, cosmetics and bags, and here some of these elements are brought together in act of what Benjamin calls a ‘purposive remembering’  the work of recollection, the ‘weaving’  of memories in the face of a much more powerful forgetting that permanently threatens to dissolve those fragments from the past onto which we place such significance. Here, not only are these elements (linked to the artist’s mother) summoned into the present, they are also made manifest as a sort of public testimony to her loss and put on display, banner like, in the space of the gallery so that others can enter into this narrative. Functioning perhaps in a similar way to collective mourning, where the community not just the individual bears the brunt of the grief along with the responsibility of holding onto the memory of the departed. \r\nThe world which is described here, a narrative that includes the colours and textures of her mother’s clothing, her make up and accessories, the memory of her cooking and the toys that she made for her children, is a feminine world in the traditional sense, it is familial, interior and nurturing. Perhaps you could say that Kallat is a feminist artist, but here she does not critique this world, which is in some senses a stereotypical one, but instead presents us with a portrait, not a painted picture portrait, but a mis – en scene, a theatre of her memories which is both an archive and a fiction. What is recognisable within a tradition of feminist practice going back to the 1960s is a manoeuvre in which the artist, insisting on her right to acknowledge not only her position in relation to art history, but also her role as an individual existing within a web of relationships (mother/daughter/lover) places this material fore – square in the gallery. It is a manoeuvre which is by now familiar to audiences, who no longer question it’s legitimacy but see it as one avenue of expression amongst many others available to artists working today. \r\n\r\n</tr>','','','inherit','open','open','','2135-revision-4','','','2010-10-06 05:33:08','2010-10-06 05:33:08','',2135,'http://www.reenakallat.com/2283/uncat/2135-revision-4',0,'revision','',0),(2284,1,'2010-10-29 09:54:35','2010-10-29 09:54:35','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\"><tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\"><a href=\"#\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Walls-of-the-womb.jpg\" alt=\"Walls-of-the-womb\" title=\"Walls-of-the-womb\" width=\"600\" class=\"alignnone size-full wp-image-375\" /></a>\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Walls of the womb\r\n</span>2007\r\nTied-and-dyed silk, brass, bonded marble, handwritten recipe books\r\n594 x 114 cm each\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>installation view,</i> Hangar Bicocca, Milan</span></td></tr>\r\n<tr><td>&nbsp;</td></tr></tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\"><tbody><tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/walls_of_womb_work3.jpg\" alt=\"Making of walls of womb-1\" title=\"Making-1\" width=\"600\"  class=\"alignnone size-large wp-image-857\" /></a></td><td width=\"400\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">This series, unlike most of my other works, is autobiographical in nature and has perhaps taken me the longest period of time to articulate into communicable form.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...more</a><div>\r\n<div><a href=\"http://www.reenakallat.com/essay-nancy-adajania\" style=\"color:#888888;\" target=\"_blank\">Texts by Nancy Adajania and  Grant Watson</a></div></br></div></div></br>\r\n<div id=\"uniquename\"  style=\"display:none;\">This series, unlike most of my other works, is autobiographical in nature and has perhaps taken me the longest period of time to articulate into communicable form.My relationship with my mother, who I lost when I was 8 years of age, has been built around the objects she left behind; those sewn by her, stuffed toys she made me, photo-albums, her personal books, stories narrated to me by other family members, besides my own faint recollections. I’ve spent a good part of my childhood going through my mother’s personal belongings such as her sarees, cosmetics, bags, sometimes bringing them out of closed cupboards to look at, while at other times trying them on myself.  \r\nI arrived at this work through the frequent contact with my mother’s sarees that have remained stacked inside a cupboard for over 27 years.\r\nThe work comprises of 12 sarees dyed in shades of red, such that through the process of tie and dye, the un-dyed dotted areas remain white, where the untreated virgin fabric forms a text in Braille. The text laid on these sarees seen in reverse print, are translations of recipes from my mothers hand written recipe books.   \r\nThe associations with motherhood are carried through the symbolic usage of the saree and the recipes from my mother’s books extend it further by evoking notions of nurturing and nourishing. With my recent role as a mother I find myself having come full circle, inadvertently re-establishing contact with a past I’d tried hard to put behind me.\r\nThe sarees, while beautiful, remain illegible. The dotted patterns forming the script in braille disallow easy access to the content of the text, much like the relationship with my mother that is built on fragments of inscrutable memory.\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a><div>\r\n<div><a href=\"http://www.reenakallat.com/essay-nancy-adajania\" style=\"color:#888888;\" target=\"_blank\">Texts by Nancy Adajania and Grant Watson</a></div>\r\n</br></div></div></td></tr><tr><td>&nbsp;</td></tr></tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\"><tbody><tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/walls_of_womb_work5.jpg\" alt=\"Making of walls of womb-1\" title=\"Making-1\" width=\"600\"  class=\"alignnone size-large wp-image-857\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr></tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\"><tbody><tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/walls_of_womb_work4.jpg\" alt=\"Making of walls of womb-1\" title=\"Making-1\" width=\"600\"  class=\"alignnone size-large wp-image-857\" /></a><span style=\"font-size:11px;\"><i>detail,</i> vitrine containing artist’s mother’s handwritten recipe book</span></td>\r\n</tr><tr><td>&nbsp;</td></tr></tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\"><tbody><tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Walls-of-the-womb-detail-70.jpg\" alt=\"Walls-of-the-womb-detail\" title=\"Walls-of-the-womb-detail\" width=\"600\"  class=\"alignnone size-large wp-image-374\" /></a><span style=\"font-size:11px;\"><i>detail</i></span></td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\"><tbody><tr><td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/walls_of_womb_work.jpg\" alt=\"Making of walls of womb-1\" title=\"Making-1\" width=\"600\"  class=\"alignnone size-large wp-image-857\" /></a><span style=\"font-size:11px;\"><i>process shots</i></span></td>\r\n/tr><tr><td>&nbsp;</td></tr></tbody></table><ins datetime=\"2010-06-16T18:26:32+00:00\">','','','inherit','open','open','','373-revision-48','','','2010-10-29 09:54:35','2010-10-29 09:54:35','',373,'http://www.reenakallat.com/2284/uncat/373-revision-48',0,'revision','',0),(2285,1,'2010-10-29 09:58:33','2010-10-29 09:58:33','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;2\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/BirthMark-tattoos-1024x768.jpg\" alt=\"BirthMark and tattoos\" title=\"BirthMark tattoos\" width=\"600\" class=\"alignnone size-large wp-image-557\" /></a>\r\n</td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Birthmarks and Tattoos\r\n</span>2004\r\ndigital prints on photographic paper\r\n11 x 15 in. I 28 x 38 cm each (64 prints)\r\nedition 5+AP</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>installation view,</i> Nature Morte, New Delhi</span></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"500\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/BirthMark-tattoos11.jpg\" alt=\"BirthMark tattoos1\" title=\"BirthMark tattoos1\" width=\"600\" class=\"alignnone size-large wp-image-559\" /></a>\r\n</td>\r\n<td width=\"500\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThe work comprises of 64 prints of close-up shots of different body parts carrying multiple names stamped on them. The pictures attempt to trace the scars/marks on the body that can be said to be both inherited as well as adopted. <a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...more</a>\r\n</div><div id=\"uniquename\"  style=\"display:none;\">\r\nThe work comprises of 64 prints of close-up shots of different body parts carrying multiple names stamped on them. The pictures attempt to trace the scars/marks on the body that can be said to be both inherited as well as adopted.The body here is treated as a document on which the identity of the individual is stamped; the complex web forming an interlaced mosaic evoking our cramped social networks where bodies co-exist and collide. The nature of that collision is determined by the identities of the colliding bodies. This photo-piece touches upon some of these ideas but formally speaking it will rely on the intricate interplay of the stamped text, the skin tones and colours to create a visually sensual land(body)scape.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div>\r\n</td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/BirthMark-tattoos1-1024x768.jpg\" alt=\"BirthMark tattoos2\" title=\"BirthMark tattoos2\" width=\"600\" class=\"alignnone size-large wp-image-560\" /></a>\r\n</td>\r\n</tr>\r\n <tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/BirthMark-tattoos2-1024x768.jpg\" alt=\"BirthMark tattoos2\" title=\"BirthMark tattoos2\" width=\"600\" class=\"alignnone size-large wp-image-560\" /></a>\r\n</td>\r\n</tr>\r\n <tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/BirthMark-tattoos3-1024x768.jpg\" alt=\"BirthMark tattoos3\" title=\"BirthMark tattoos3\" width=\"600\" class=\"alignnone size-large wp-image-561\" /></a>\r\n</td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/BirthMark-tattoos4-1024x768.jpg\" alt=\"BirthMark tattoos4\" title=\"BirthMark tattoos4\" width=\"600\" class=\"alignnone size-large wp-image-562\" /></a>\r\n</td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','555-revision-18','','','2010-10-29 09:58:33','2010-10-29 09:58:33','',555,'http://www.reenakallat.com/2285/uncat/555-revision-18',0,'revision','',0),(2286,1,'2010-10-18 10:34:56','2010-10-18 10:34:56','Reena Saini Kallat (b. Delhi 1973) graduated from the Sir J. J. School of Art, Mumbai in 1996 with a B. F. A. in painting. Her practice - spanning painting, photography, video and sculptural installations - frequently deals with the condition of an individual in a rapidly changing society, ever susceptible to being reduced to an anonymous and forgotten statistic. Kallat is interested in constructing images that seem to change and transform by the possibilities they carry for the generation of meaning through a calibrated interplay of image and form.\r\n\r\nOver the last decade her work has been part of many important exhibitions, across the world. She has had ten solo exhibitions in India and abroad, collectively, and participated in a number of workshops and residencies. She lives and works in Mumbai.\r\n<table>\r\n<tbody>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">SOLO EXHIBITIONS</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.primomarellagallery.com/it/catalogue/scheda.asp?id=568&amp;view=past\" target=\"_blank\">Drift, Primo Marella Gallery, Milan</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2008/reena_bio.html\" target=\"_blank\"> Silt of Seasons, Chemould   Prescott Road, Mumbai</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/reena-kallat-exhibition-2008/\" target=\"_blank\">Subject to Change without Notice, Walsh Gallery, Chicago</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Rainbow Of Refuse, Bodhi Art Gallery, Mumbai and Singapore</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td><a class=\"linkbio\" href=\"http://www.naturemorte.com/artists/reena-saini-kallat/selected-works/\" target=\"_blank\">Black Flute (And Other Stories), Nature Morte, New Delhi</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2004/reena_saini_kallat_note.html\" target=\"_blank\">Black Flute, Gallery Chemould, Mumbai</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>The Battlefield Is The Mind, Sakshi Gallery, Bangalore</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Seven Faces of Dust, Chicago Radio, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2000</td>\r\n<td>Skin, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1998</td>\r\n<td>Orchard of Home-grown Secrets, Gallery Chemould and Pundole  Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><span style=\"color: #888888;\"><strong>SELECTED GROUP EXHIBITIONS</strong></span></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td>La Route de la Soie / The Silk Road, Lille 3000, France </td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td>Samtidigt, Kulterhuset, Stockholm</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td>The River Project, Campbelltown Art Centre, Sydney</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td>Roundabout, City Gallery Wellington, New Zealand (touring)</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/\" target=\"_blank\">Waterways, Walsh Gallery, Chicago</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.richmondartgallery.org/in-transition.php\" target=\"_blank\">In Transition: New Art from India, Richmond Art Gallery Vancouver Biennale, Vancouver</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://websterhuntgallery.blogspot.com/2010_02_01_archive.html\" target=\"_blank\">Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster University, curated by Jeffrey Hughes and Dana Turkovic,\r\nCecile R. Hunt Gallery,St.Louis,Missouri</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/51\" target=\"_blank\">Never Run Away, 2 person exhibition curated by Shaheen Merali,Stux   Gallery,  New York</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/artists/reena_kallat.htm?section_name=new_india\" target=\"_blank\">The Empire Strikes Back, Saatchi Gallery, London</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://art-for-the-world.blogspot.com/2010/01/some-installation-views-of-urban.html\" target=\"_blank\">Urban Manners 2, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao Paulo, Brazil</a></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.asianartbiennial.org/2009/en/index_en.html\" target=\"_blank\">View Points and Viewing points - 2009 Asian Art Biennale, National Taiwan Museum of Fine Arts </a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Spectrum: Indian Art at Abu   Dhabi, United   Arab Emirates</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Milan Galleria, curated by Georgio Verzotti, Triennale Museum, Milan</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.initialaccess.co.uk/exhibition_moreinfo.php?id=11\" target=\"_blank\">Passage to India Part II show at Initial Access, Frank Cohen Collection, Wolverhampton, UK</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Ventosul Biennale, Curitiba, Brazil</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/english/contents/india/index.html\" target=\"_blank\"> Chalo! India: A New Era of Indian Art, National  Museum of Contemporary Art, Korea and Essl Museum, Vienna</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mocashanghai.org/index.php?_function=exhibition&amp;_subFunction=pastExhibition&amp;exhibition_id=40&amp;_view=detail\" target=\"_blank\">INDIA XIANZAI: Contemporary Indian Art, Museum of Contemporary Art, Shanghai</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/42/622\" target=\"_blank\">Low Blow: And Other Species of Confusion, Stux gallery, New York</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><em> </em>Indian Narratives in the 21<sup>st</sup> Century: Between Memory and History,Casa  Asia, Madrid and Barcelona, Spain</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/body-chatter-an-exhibition-of-contemporary-indian-art-2008/\" target=\"_blank\">Body Chatter, Walsh Gallery, Chicago</a></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/contents/press/india_20081121_e.pdf\" target=\"_blank\">Chalo! India: A New Era of Indian Art, Mori Art   Museum, Japan</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.indiamoderna.es/eng/index.html\" target=\"_blank\">India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM Museum, Valencia, Spain </a></td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.aaa.org.hk/onlineprojects/bitri/en/gallery.aspx?eid=A080.03\" target=\"_blank\">3<sup>rd</sup> Nanjing Triennale, curators: Fumihiko Sumitomo, Jaeyoung Kang,  China\r\n</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>TEAF (Taehwagang Eco Art Festival) - Dream River, Korea</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.bodhiart.in/exhibitions/everywhere_is_war/everywhere_war.html\" target=\"_blank\">Everywhere is War (And Rumours of it), Bodhi Art Gallery, Mumbai</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/33\" target=\"_blank\">Fire Walkers, Stefan Stux gallery, New York</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.galeriems.com/reenask_one.htm\" target=\"_blank\">Three Points of view, Galerie Mirchandani + Steinrucke, Mumbai</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Excavation: Memory / Myth / Membrane, Museum Gallery, Mumbai</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>International Incheon Women Artists’ Biennale, Korea</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Soft Power: Asian Attitude, Shanghai Zendai Museum of Modern Art, Shanghai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td><a class=\"linkbio\" href=\"http://www.kunstaspekte.de/index.php?tid=39629&amp;action=termin\" target=\"_blank\">Urban Manners, curated by Adelina Von Furstenberg, at Hangar Bicocca , Milan</a></td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td><a class=\"linkbio\" href=\"http://www.art-for-the-world.com/wwd/2007/urban_manners/Urban_Manners_pr.pdf\" target=\"_blank\">INDIA NOW: Contemporary Indian Art, Between Continuity and transformation,curated by Daniela Palozzoli at Spazio Oberdan, Milan</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>New Narratives: Contemporary Art From India, curated by Betty Seid,Chicago Cultural Centre, Chicago</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Thermocline Of Art- New Asian Waves, curated by Wonil Rhee and Peter Weibel at ZKM in Karlsruhe, Germany</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Modern Indian Works On Paper, Arthur Ross Gallery, Philadelphia and the Georgia Museum of Art, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Lille 3000 (Maximum City-Mumbai), Lille,  France</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Hungry God- Indian Contemporary Art, curated by Yun Chaegab and June Gwak, Arario Gallery, Beijing and Busan MoMA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>India Express – Art and Popular Culture, Art Museum Tennispalace, curators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City  Art Museum, Finland</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Mom and Pop Art, Walsh Gallery, Chicago</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Span, Sakshi Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Indian Paintings of the New Millenium, curated by Helen Asquine Fazio at Thomas J. Walsh Art Gallery at Fairfield  University, USA</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td><em> </em>Contemporary Art from India, Thomas   Erben Gallery, New York</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td>Zoom! Art in Contemporary India. Curators: Nancy Adajania and Luis Serpa, The Culturgest Museum, Lisbon, Portugal</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Crossing generations: diVERGE, Gallery Chemould’s 40th anniversary,Curators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of Modern Art, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td><em> </em>Hard Copy, two-person show with Jitish Kallat, Gallery 88, Calcutta</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Tiranga, curator: Peter Nagy, India Habitat Centre, New Delhi</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td><em> </em>Elephant Walks, Youth Arts Project in collaboration with Jitish Kallat as part of Indians + Cowboys exhibition, Curators: Aaron Seetu and Ruth Watson Gallery 4A, Sydney</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>The Tree From The Seed, Contemporary Art from India, curator: Gavin Jantjes Henie Onstad Kunstsenter (Oslo), Norway</td>\r\n<td><em></em></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td><em>Crosscurrents</em>, organized by Artworks for the fiftieth anniversary celebrations of Jehangir Art  Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td><em>Reclaim Our Freedom</em>, organized by Open Circle, Pundole Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Crossing Borders, Gallery Windkracht 13, Den Helder, Holland</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>Big River 2, CCA7 Gallery, Port Of Spain, Trinidad</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>AOM- Art on the move, organized by Sahmat, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1999</td>\r\n<td><em> </em>Edge of the Century, curated by Amit Mukhopadhyay, Academy  of Fine Arts and Literature, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">SELECTED WORKSHOPS AND RESIDENCIES</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Vanishing Point, children’s project at the Celebrate Bandra Festival, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Collaborative workshop as part of the exhibition Aftershock at the Sainsbury Centre for Visual Arts, University of East Anglia, Norwich,  UK</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Collaborated on a Billboard project with Jitish Kallat, Kala Ghoda Art District, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Elephant Walks, Youth Arts Project at the Casula Power House Arts Centre, Liverpool, Australia</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Khoj 2002 International Artists Workshop, Mysore, India</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Identity and Landscape, residency in the Laurentian mountains of Quebec at the Boreal Art/Nature Centre, Canada</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>Big River 2, International Artists Workshop organized by CCA7 and the Triangle Arts Trust at Grand Riviere, Trinidad, West Indies</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n</tr>\r\n<tr>\r\n<td><span style=\"color: #888888;\"><strong>TALKS/PRESENTATIONS</strong></span></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Panel discussion with artist Gulam Sheikh, co-chair: Sabine B. Vogel, art critic at the Sammlung Essl Museum, Vienna</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Slide presentation followed by a panel discussion with Nalini Malani and Jayshree Chakravarty, moderated by Nancy Adajania at Jnanapravaha, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Slide presentation at the School of the Art Institute of Chicago</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Panel discussion with Nalini Malani, Sheba Chhachhi, moderated by Betty Seid at the Chicago Cultural Centre</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Lecture at the University Boccini, Milan</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Slide presentation at the Lamar Dodd School of Art, University of Georgia, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Talk at the Griffith Auditorium, Georgia Museum of Art, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Slide presentation at Oslo National Academy of the Arts, Norway</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2000</td>\r\n<td>Slide presentation at Mohile Parikh Centre for the Visual Arts, Mumbai</td>\r\n</tr>\r\n</tbody>\r\n</table>','Biography','','inherit','open','open','','105-revision-82','','','2010-10-18 10:34:56','2010-10-18 10:34:56','',105,'http://www.reenakallat.com/2286/uncat/105-revision-82',0,'revision','',0),(2287,1,'2010-11-24 18:00:05','2010-11-24 18:00:05','Reena Saini Kallat (b. Delhi 1973) graduated from the Sir J. J. School of Art, Mumbai in 1996 with a B. F. A. in painting. Her practice - spanning painting, photography, video and sculptural installations - frequently deals with the condition of an individual in a rapidly changing society, ever susceptible to being reduced to an anonymous and forgotten statistic. Kallat is interested in constructing images that seem to change and transform by the possibilities they carry for the generation of meaning through a calibrated interplay of image and form.\r\n\r\nOver the last decade her work has been part of many important exhibitions, across the world. She has had ten solo exhibitions in India and abroad, collectively, and participated in a number of workshops and residencies. She lives and works in Mumbai.\r\n<table>\r\n<tbody>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">SOLO EXHIBITIONS</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.primomarellagallery.com/it/catalogue/scheda.asp?id=568&amp;view=past\" target=\"_blank\">Drift, Primo Marella Gallery, Milan</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2008/reena_bio.html\" target=\"_blank\"> Silt of Seasons, Chemould   Prescott Road, Mumbai</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/reena-kallat-exhibition-2008/\" target=\"_blank\">Subject to Change without Notice, Walsh Gallery, Chicago</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Rainbow Of Refuse, Bodhi Art Gallery, Mumbai and Singapore</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td><a class=\"linkbio\" href=\"http://www.naturemorte.com/artists/reena-saini-kallat/selected-works/\" target=\"_blank\">Black Flute (And Other Stories), Nature Morte, New Delhi</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2004/reena_saini_kallat_note.html\" target=\"_blank\">Black Flute, Gallery Chemould, Mumbai</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>The Battlefield Is The Mind, Sakshi Gallery, Bangalore</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Seven Faces of Dust, Chicago Radio, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2000</td>\r\n<td>Skin, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1998</td>\r\n<td>Orchard of Home-grown Secrets, Gallery Chemould and Pundole  Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><span style=\"color: #888888;\"><strong>SELECTED GROUP EXHIBITIONS</strong></span></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/current/La_Route_De_La_Soie.htm\" target=\"_blank\">La Route de la Soie / The Silk Road, Lille 3000, France </a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.kulturhuset.stockholm.se/default.asp?id=5760&refid=34277\" target=\"_blank\">Samtidigt, Kulterhuset, Stockholm</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.campbelltown.nsw.gov.au/default.asp?iNavCatID=3407&iSubCatID=3615\" target=\"_blank\">The River Project, Campbelltown Art Centre, Sydney</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.aboutroundabout.com/artists/kallat-reena-saini\" target=\"_blank\">Roundabout, City Gallery Wellington, New Zealand (touring)</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/\" target=\"_blank\">Waterways, Walsh Gallery, Chicago</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.richmondartgallery.org/in-transition.php\" target=\"_blank\">In Transition: New Art from India, Richmond Art Gallery Vancouver Biennale, Vancouver</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://websterhuntgallery.blogspot.com/2010_02_01_archive.html\" target=\"_blank\">Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster University, curated by Jeffrey Hughes and Dana Turkovic,\r\nCecile R. Hunt Gallery,St.Louis,Missouri</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/51\" target=\"_blank\">Never Run Away, 2 person exhibition curated by Shaheen Merali,Stux   Gallery,  New York</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/artists/reena_kallat.htm?section_name=new_india\" target=\"_blank\">The Empire Strikes Back, Saatchi Gallery, London</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://art-for-the-world.blogspot.com/2010/01/some-installation-views-of-urban.html\" target=\"_blank\">Urban Manners 2, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao Paulo, Brazil</a></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.asianartbiennial.org/2009/en/index_en.html\" target=\"_blank\">View Points and Viewing points - 2009 Asian Art Biennale, National Taiwan Museum of Fine Arts </a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Spectrum: Indian Art at Abu   Dhabi, United   Arab Emirates</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Milan Galleria, curated by Georgio Verzotti, Triennale Museum, Milan</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.initialaccess.co.uk/exhibition_moreinfo.php?id=11\" target=\"_blank\">Passage to India Part II show at Initial Access, Frank Cohen Collection, Wolverhampton, UK</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Ventosul Biennale, Curitiba, Brazil</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/english/contents/india/index.html\" target=\"_blank\"> Chalo! India: A New Era of Indian Art, National  Museum of Contemporary Art, Korea and Essl Museum, Vienna</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mocashanghai.org/index.php?_function=exhibition&amp;_subFunction=pastExhibition&amp;exhibition_id=40&amp;_view=detail\" target=\"_blank\">INDIA XIANZAI: Contemporary Indian Art, Museum of Contemporary Art, Shanghai</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/42/622\" target=\"_blank\">Low Blow: And Other Species of Confusion, Stux gallery, New York</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><em> </em>Indian Narratives in the 21<sup>st</sup> Century: Between Memory and History,Casa  Asia, Madrid and Barcelona, Spain</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/body-chatter-an-exhibition-of-contemporary-indian-art-2008/\" target=\"_blank\">Body Chatter, Walsh Gallery, Chicago</a></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/contents/press/india_20081121_e.pdf\" target=\"_blank\">Chalo! India: A New Era of Indian Art, Mori Art   Museum, Japan</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.indiamoderna.es/eng/index.html\" target=\"_blank\">India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM Museum, Valencia, Spain </a></td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.aaa.org.hk/onlineprojects/bitri/en/gallery.aspx?eid=A080.03\" target=\"_blank\">3<sup>rd</sup> Nanjing Triennale, curators: Fumihiko Sumitomo, Jaeyoung Kang,  China\r\n</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>TEAF (Taehwagang Eco Art Festival) - Dream River, Korea</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.bodhiart.in/exhibitions/everywhere_is_war/everywhere_war.html\" target=\"_blank\">Everywhere is War (And Rumours of it), Bodhi Art Gallery, Mumbai</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/33\" target=\"_blank\">Fire Walkers, Stefan Stux gallery, New York</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.galeriems.com/reenask_one.htm\" target=\"_blank\">Three Points of view, Galerie Mirchandani + Steinrucke, Mumbai</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Excavation: Memory / Myth / Membrane, Museum Gallery, Mumbai</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>International Incheon Women Artists’ Biennale, Korea</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Soft Power: Asian Attitude, Shanghai Zendai Museum of Modern Art, Shanghai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td><a class=\"linkbio\" href=\"http://www.kunstaspekte.de/index.php?tid=39629&amp;action=termin\" target=\"_blank\">Urban Manners, curated by Adelina Von Furstenberg, at Hangar Bicocca , Milan</a></td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td><a class=\"linkbio\" href=\"http://www.art-for-the-world.com/wwd/2007/urban_manners/Urban_Manners_pr.pdf\" target=\"_blank\">INDIA NOW: Contemporary Indian Art, Between Continuity and transformation,curated by Daniela Palozzoli at Spazio Oberdan, Milan</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>New Narratives: Contemporary Art From India, curated by Betty Seid,Chicago Cultural Centre, Chicago</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Thermocline Of Art- New Asian Waves, curated by Wonil Rhee and Peter Weibel at ZKM in Karlsruhe, Germany</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Modern Indian Works On Paper, Arthur Ross Gallery, Philadelphia and the Georgia Museum of Art, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Lille 3000 (Maximum City-Mumbai), Lille,  France</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Hungry God- Indian Contemporary Art, curated by Yun Chaegab and June Gwak, Arario Gallery, Beijing and Busan MoMA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>India Express – Art and Popular Culture, Art Museum Tennispalace, curators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City  Art Museum, Finland</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Mom and Pop Art, Walsh Gallery, Chicago</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Span, Sakshi Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Indian Paintings of the New Millenium, curated by Helen Asquine Fazio at Thomas J. Walsh Art Gallery at Fairfield  University, USA</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td><em> </em>Contemporary Art from India, Thomas   Erben Gallery, New York</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td>Zoom! Art in Contemporary India. Curators: Nancy Adajania and Luis Serpa, The Culturgest Museum, Lisbon, Portugal</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Crossing generations: diVERGE, Gallery Chemould’s 40th anniversary,Curators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of Modern Art, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td><em> </em>Hard Copy, two-person show with Jitish Kallat, Gallery 88, Calcutta</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Tiranga, curator: Peter Nagy, India Habitat Centre, New Delhi</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td><em> </em>Elephant Walks, Youth Arts Project in collaboration with Jitish Kallat as part of Indians + Cowboys exhibition, Curators: Aaron Seetu and Ruth Watson Gallery 4A, Sydney</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>The Tree From The Seed, Contemporary Art from India, curator: Gavin Jantjes Henie Onstad Kunstsenter (Oslo), Norway</td>\r\n<td><em></em></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td><em>Crosscurrents</em>, organized by Artworks for the fiftieth anniversary celebrations of Jehangir Art  Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td><em>Reclaim Our Freedom</em>, organized by Open Circle, Pundole Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Crossing Borders, Gallery Windkracht 13, Den Helder, Holland</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>Big River 2, CCA7 Gallery, Port Of Spain, Trinidad</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>AOM- Art on the move, organized by Sahmat, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1999</td>\r\n<td><em> </em>Edge of the Century, curated by Amit Mukhopadhyay, Academy  of Fine Arts and Literature, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">SELECTED WORKSHOPS AND RESIDENCIES</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Vanishing Point, children’s project at the Celebrate Bandra Festival, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Collaborative workshop as part of the exhibition Aftershock at the Sainsbury Centre for Visual Arts, University of East Anglia, Norwich,  UK</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Collaborated on a Billboard project with Jitish Kallat, Kala Ghoda Art District, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Elephant Walks, Youth Arts Project at the Casula Power House Arts Centre, Liverpool, Australia</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Khoj 2002 International Artists Workshop, Mysore, India</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Identity and Landscape, residency in the Laurentian mountains of Quebec at the Boreal Art/Nature Centre, Canada</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>Big River 2, International Artists Workshop organized by CCA7 and the Triangle Arts Trust at Grand Riviere, Trinidad, West Indies</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n</tr>\r\n<tr>\r\n<td><span style=\"color: #888888;\"><strong>TALKS/PRESENTATIONS</strong></span></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Panel discussion with artist Gulam Sheikh, co-chair: Sabine B. Vogel, art critic at the Sammlung Essl Museum, Vienna</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Slide presentation followed by a panel discussion with Nalini Malani and Jayshree Chakravarty, moderated by Nancy Adajania at Jnanapravaha, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Slide presentation at the School of the Art Institute of Chicago</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Panel discussion with Nalini Malani, Sheba Chhachhi, moderated by Betty Seid at the Chicago Cultural Centre</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Lecture at the University Boccini, Milan</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Slide presentation at the Lamar Dodd School of Art, University of Georgia, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Talk at the Griffith Auditorium, Georgia Museum of Art, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Slide presentation at Oslo National Academy of the Arts, Norway</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2000</td>\r\n<td>Slide presentation at Mohile Parikh Centre for the Visual Arts, Mumbai</td>\r\n</tr>\r\n</tbody>\r\n</table>','Biography','','inherit','open','open','','105-revision-83','','','2010-11-24 18:00:05','2010-11-24 18:00:05','',105,'http://www.reenakallat.com/2287/uncat/105-revision-83',0,'revision','',0),(2288,1,'2010-11-24 18:04:57','2010-11-24 18:04:57','Reena Saini Kallat (b. Delhi 1973) graduated from the Sir J. J. School of Art, Mumbai in 1996 with a B. F. A. in painting. Her practice - spanning painting, photography, video and sculptural installations - frequently deals with the condition of an individual in a rapidly changing society, ever susceptible to being reduced to an anonymous and forgotten statistic. Kallat is interested in constructing images that seem to change and transform by the possibilities they carry for the generation of meaning through a calibrated interplay of image and form.\r\n\r\nOver the last decade her work has been part of many important exhibitions, across the world. She has had ten solo exhibitions in India and abroad, collectively, and participated in a number of workshops and residencies. She lives and works in Mumbai.\r\n<table>\r\n<tbody>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">SOLO EXHIBITIONS</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.primomarellagallery.com/it/catalogue/scheda.asp?id=568&amp;view=past\" target=\"_blank\">Drift, Primo Marella Gallery, Milan</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2008/reena_bio.html\" target=\"_blank\"> Silt of Seasons, Chemould   Prescott Road, Mumbai</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/reena-kallat-exhibition-2008/\" target=\"_blank\">Subject to Change without Notice, Walsh Gallery, Chicago</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Rainbow Of Refuse, Bodhi Art Gallery, Mumbai and Singapore</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td><a class=\"linkbio\" href=\"http://www.naturemorte.com/artists/reena-saini-kallat/selected-works/\" target=\"_blank\">Black Flute (And Other Stories), Nature Morte, New Delhi</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2004/reena_saini_kallat_note.html\" target=\"_blank\">Black Flute, Gallery Chemould, Mumbai</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>The Battlefield Is The Mind, Sakshi Gallery, Bangalore</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Seven Faces of Dust, Chicago Radio, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2000</td>\r\n<td>Skin, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1998</td>\r\n<td>Orchard of Home-grown Secrets, Gallery Chemould and Pundole  Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><span style=\"color: #888888;\"><strong>SELECTED GROUP EXHIBITIONS</strong></span></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/current/La_Route_De_La_Soie.htm\" target=\"_blank\">La Route de la Soie / The Silk Road, Lille 3000, France </a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.kulturhuset.stockholm.se/default.asp?id=5760&refid=34277\" target=\"_blank\">Samtidigt, Kulterhuset, Stockholm</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.campbelltown.nsw.gov.au/default.asp?iNavCatID=3407&iSubCatID=3615\" target=\"_blank\">The River Project, Campbelltown Art Centre, Sydney</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.aboutroundabout.com/artists/kallat-reena-saini\" target=\"_blank\">Roundabout, City Gallery Wellington, New Zealand</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/\" target=\"_blank\">Waterways, Walsh Gallery, Chicago</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.richmondartgallery.org/in-transition.php\" target=\"_blank\">In Transition: New Art from India, Richmond Art Gallery Vancouver Biennale, Vancouver</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://websterhuntgallery.blogspot.com/2010_02_01_archive.html\" target=\"_blank\">Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster University, curated by Jeffrey Hughes and Dana Turkovic,\r\nCecile R. Hunt Gallery,St.Louis,Missouri</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/51\" target=\"_blank\">Never Run Away, 2 person exhibition curated by Shaheen Merali,Stux   Gallery,  New York</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/artists/reena_kallat.htm?section_name=new_india\" target=\"_blank\">The Empire Strikes Back, Saatchi Gallery, London</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://art-for-the-world.blogspot.com/2010/01/some-installation-views-of-urban.html\" target=\"_blank\">Urban Manners 2, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao Paulo, Brazil</a></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.asianartbiennial.org/2009/en/index_en.html\" target=\"_blank\">View Points and Viewing points - 2009 Asian Art Biennale, National Taiwan Museum of Fine Arts </a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Spectrum: Indian Art at Abu   Dhabi, United   Arab Emirates</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Milan Galleria, curated by Georgio Verzotti, Triennale Museum, Milan</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.initialaccess.co.uk/exhibition_moreinfo.php?id=11\" target=\"_blank\">Passage to India Part II show at Initial Access, Frank Cohen Collection, Wolverhampton, UK</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Ventosul Biennale, Curitiba, Brazil</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/english/contents/india/index.html\" target=\"_blank\"> Chalo! India: A New Era of Indian Art, National  Museum of Contemporary Art, Korea and Essl Museum, Vienna</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mocashanghai.org/index.php?_function=exhibition&amp;_subFunction=pastExhibition&amp;exhibition_id=40&amp;_view=detail\" target=\"_blank\">INDIA XIANZAI: Contemporary Indian Art, Museum of Contemporary Art, Shanghai</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/42/622\" target=\"_blank\">Low Blow: And Other Species of Confusion, Stux gallery, New York</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><em> </em>Indian Narratives in the 21<sup>st</sup> Century: Between Memory and History,Casa  Asia, Madrid and Barcelona, Spain</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/body-chatter-an-exhibition-of-contemporary-indian-art-2008/\" target=\"_blank\">Body Chatter, Walsh Gallery, Chicago</a></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/contents/press/india_20081121_e.pdf\" target=\"_blank\">Chalo! India: A New Era of Indian Art, Mori Art   Museum, Japan</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.indiamoderna.es/eng/index.html\" target=\"_blank\">India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM Museum, Valencia, Spain </a></td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.aaa.org.hk/onlineprojects/bitri/en/gallery.aspx?eid=A080.03\" target=\"_blank\">3<sup>rd</sup> Nanjing Triennale, curators: Fumihiko Sumitomo, Jaeyoung Kang,  China\r\n</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>TEAF (Taehwagang Eco Art Festival) - Dream River, Korea</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.bodhiart.in/exhibitions/everywhere_is_war/everywhere_war.html\" target=\"_blank\">Everywhere is War (And Rumours of it), Bodhi Art Gallery, Mumbai</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/33\" target=\"_blank\">Fire Walkers, Stefan Stux gallery, New York</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.galeriems.com/reenask_one.htm\" target=\"_blank\">Three Points of view, Galerie Mirchandani + Steinrucke, Mumbai</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Excavation: Memory / Myth / Membrane, Museum Gallery, Mumbai</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>International Incheon Women Artists’ Biennale, Korea</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Soft Power: Asian Attitude, Shanghai Zendai Museum of Modern Art, Shanghai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td><a class=\"linkbio\" href=\"http://www.kunstaspekte.de/index.php?tid=39629&amp;action=termin\" target=\"_blank\">Urban Manners, curated by Adelina Von Furstenberg, at Hangar Bicocca , Milan</a></td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td><a class=\"linkbio\" href=\"http://www.art-for-the-world.com/wwd/2007/urban_manners/Urban_Manners_pr.pdf\" target=\"_blank\">INDIA NOW: Contemporary Indian Art, Between Continuity and transformation,curated by Daniela Palozzoli at Spazio Oberdan, Milan</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>New Narratives: Contemporary Art From India, curated by Betty Seid,Chicago Cultural Centre, Chicago</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Thermocline Of Art- New Asian Waves, curated by Wonil Rhee and Peter Weibel at ZKM in Karlsruhe, Germany</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Modern Indian Works On Paper, Arthur Ross Gallery, Philadelphia and the Georgia Museum of Art, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Lille 3000 (Maximum City-Mumbai), Lille,  France</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Hungry God- Indian Contemporary Art, curated by Yun Chaegab and June Gwak, Arario Gallery, Beijing and Busan MoMA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>India Express – Art and Popular Culture, Art Museum Tennispalace, curators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City  Art Museum, Finland</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Mom and Pop Art, Walsh Gallery, Chicago</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Span, Sakshi Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Indian Paintings of the New Millenium, curated by Helen Asquine Fazio at Thomas J. Walsh Art Gallery at Fairfield  University, USA</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td><em> </em>Contemporary Art from India, Thomas   Erben Gallery, New York</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td>Zoom! Art in Contemporary India. Curators: Nancy Adajania and Luis Serpa, The Culturgest Museum, Lisbon, Portugal</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Crossing generations: diVERGE, Gallery Chemould’s 40th anniversary,Curators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of Modern Art, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td><em> </em>Hard Copy, two-person show with Jitish Kallat, Gallery 88, Calcutta</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Tiranga, curator: Peter Nagy, India Habitat Centre, New Delhi</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td><em> </em>Elephant Walks, Youth Arts Project in collaboration with Jitish Kallat as part of Indians + Cowboys exhibition, Curators: Aaron Seetu and Ruth Watson Gallery 4A, Sydney</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>The Tree From The Seed, Contemporary Art from India, curator: Gavin Jantjes Henie Onstad Kunstsenter (Oslo), Norway</td>\r\n<td><em></em></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td><em>Crosscurrents</em>, organized by Artworks for the fiftieth anniversary celebrations of Jehangir Art  Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td><em>Reclaim Our Freedom</em>, organized by Open Circle, Pundole Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Crossing Borders, Gallery Windkracht 13, Den Helder, Holland</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>Big River 2, CCA7 Gallery, Port Of Spain, Trinidad</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>AOM- Art on the move, organized by Sahmat, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1999</td>\r\n<td><em> </em>Edge of the Century, curated by Amit Mukhopadhyay, Academy  of Fine Arts and Literature, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">SELECTED WORKSHOPS AND RESIDENCIES</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Vanishing Point, children’s project at the Celebrate Bandra Festival, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Collaborative workshop as part of the exhibition Aftershock at the Sainsbury Centre for Visual Arts, University of East Anglia, Norwich,  UK</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Collaborated on a Billboard project with Jitish Kallat, Kala Ghoda Art District, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Elephant Walks, Youth Arts Project at the Casula Power House Arts Centre, Liverpool, Australia</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Khoj 2002 International Artists Workshop, Mysore, India</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Identity and Landscape, residency in the Laurentian mountains of Quebec at the Boreal Art/Nature Centre, Canada</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>Big River 2, International Artists Workshop organized by CCA7 and the Triangle Arts Trust at Grand Riviere, Trinidad, West Indies</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n</tr>\r\n<tr>\r\n<td><span style=\"color: #888888;\"><strong>TALKS/PRESENTATIONS</strong></span></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td>Talk as part of The River Project at the Campbelltown Arts Centre, Sydney</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td>Panel discussion moderated by Maria Lantz, along with the other participating   artists during the exhibition Samtidigt at Kulturhuset, Stockholm</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Panel discussion with artist Gulam Sheikh, co-chair: Sabine B. Vogel, art critic at the Sammlung Essl Museum, Vienna</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Slide presentation followed by a panel discussion with Nalini Malani and Jayshree Chakravarty, moderated by Nancy Adajania at Jnanapravaha, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Slide presentation at the School of the Art Institute of Chicago</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Panel discussion with Nalini Malani, Sheba Chhachhi, moderated by Betty Seid at the Chicago Cultural Centre</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Lecture at the University Boccini, Milan</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Slide presentation at the Lamar Dodd School of Art, University of Georgia, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Talk at the Griffith Auditorium, Georgia Museum of Art, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Slide presentation at Oslo National Academy of the Arts, Norway</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2000</td>\r\n<td>Slide presentation at Mohile Parikh Centre for the Visual Arts, Mumbai</td>\r\n</tr>\r\n</tbody>\r\n</table>','Biography','','inherit','open','open','','105-revision-84','','','2010-11-24 18:04:57','2010-11-24 18:04:57','',105,'http://www.reenakallat.com/2288/uncat/105-revision-84',0,'revision','',0),(2289,1,'2010-09-16 13:32:55','2010-09-16 13:32:55','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Crease-Crevice-Contour.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Crease-Crevice-Contour-1024x605.jpg\" alt=\"Crease- Crevice- Contour\" title=\"Crease- Crevice- Contour\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></a>\r\n</td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Crease Crevice Contour\r\n</span>2008\r\npigment print on Hahnemuhle Museum etching \r\narchival paper\r\n40 x 50 in. I 101 x 127 cm each (set of 10 prints)\r\nedition 10+AP</td></tr></tr><tr><td>&nbsp;</td></tr></tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Crease-Crevice-Contour-detail.jpg\" alt=\"Crease- Crevice- Contour-detail\" title=\"Crease- Crevice- Contour-detail\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n<td width=\"400\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\n‘Crease/ Crevice/ Contour’, a collection of 10 photographs, traces the changing L.O.C. (Line Of Control) between India and Pakistan, from October 1947 to December 1948. It refers to the first of the four wars fought among the two newly independent nations over the region of Kashmir.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\n‘Crease/ Crevice/ Contour’, a collection of 10 photographs, traces the changing L.O.C. (Line Of Control) between India and Pakistan, from October 1947 to December 1948. It refers to the first of the four wars fought among the two newly independent nations over the region of Kashmir. The result of the war, still affects the geo-politics of both the countries to this day, leaving behind a deep sense of mistrust and many psychological scars.\r\nThe photo-piece comprises names of those who’ve signed the peace petition between India and Pakistan. Within my work the L.O.C. appears recurrently not just as a political demarcation but metaphorically as a sociological barrier amongst the people on both sides.  \r\nThe work maps the movement of the LOC, showcasing 10 stages of the war through a diagrammatic sketch of the shifting border, finally leading up to the historical ceasefire. The photonever graphs are close details of the back of a body stamped with names using rubber-stamps; the collective cluster of names forming the shifting territory between the two countries, appears like a residual scar of the ending dispute.\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Crease-Crevice-Contour-3.jpg\" alt=\"Crease- Crevice- Contour-detail\" title=\"Crease- Crevice- Contour-detail\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a><span style=\"font-size:11px;\"><i>internet reference material</i></span></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n','','','inherit','open','open','','348-revision-38','','','2010-09-16 13:32:55','2010-09-16 13:32:55','',348,'http://www.reenakallat.com/2289/uncat/348-revision-38',0,'revision','',0),(2290,1,'2010-09-28 11:20:59','2010-09-28 11:20:59','<meta name=\"description\" content=\"Reena Saini Kallat, Reena Kallat,Reena Saini,Indian artist,Contemporary Indian artist, Contemporary Visual artist, Indian painting, Painter, Sculptor, Contemporary Indian Sculpture, Photography in India, Contemporary Art in India,Contemporary artists in India, Video Art in India,Video artist, Photographer, International artist, global artists, Museums in India, Galleries in India, Indian galleries, global art\" /><meta name=\"keywords\" content=\"reena saini kallat, reena kallat,reena saini,indian artist,contemporary indian artist, contemporary visual artist, indian painting, painter, sculptor, contemporary indian sculpture, photography in india, contemporary art in india,contemporary artists in india, video art in india,video artist, photographer, international artist, global artists, museums in india, galleries in india, indian galleries, global art\" /><link rel=\"canonical\" href=\"http://www.reenakallat.com\" />\r\n<script type=\"text/javascript\" src=\"http://www.reenakallat.com/wp-includes/js/jquery/jquery-1.2.6.min.js\"></script>\r\n<script type=\"text/javascript\">\r\nfunction slideSwitch() {\r\n    var $active = $(\'#slideshow DIV.active\');\r\n    if ( $active.length == 0 ) $active = $(\'#slideshow DIV:last\');\r\n    // use this to pull the divs in the order they appear in the markup\r\n    var $next =  $active.next().length ? $active.next()\r\n        : $(\'#slideshow DIV:first\');\r\n    // uncomment below to pull the divs randomly\r\n    // var $sibs  = $active.siblings();\r\n    // var rndNum = Math.floor(Math.random() * $sibs.length );\r\n    // var $next  = $( $sibs[ rndNum ] );\r\n    $active.addClass(\'last-active\');\r\n    $next.css({opacity: 0.0})\r\n        .addClass(\'active\')\r\n        .animate({opacity: 1.0}, 1000, function() {\r\n            $active.removeClass(\'active last-active\');\r\n        });\r\n}\r\n$(function() {\r\n    setInterval( \"slideSwitch()\", 3000);\r\n});\r\n</script>\r\n<style type=\"text/css\">\r\n#slideshow {\r\n    position:relative;\r\n    height:500px;\r\n    width:650px;\r\n    margin: 0 auto;\r\n}\r\n#slideshow DIV {\r\n    position:absolute;\r\n    top:0;\r\n    left:300;\r\n    z-index:8;\r\n    opacity:0.0;\r\n    height: 500px;\r\n    background-color: #FFF;\r\n}\r\n#slideshow DIV.active {\r\n    z-index:10;\r\n    opacity:1.0;\r\n}\r\n#slideshow DIV.last-active {\r\n    z-index:9;\r\n}\r\n#slideshow DIV IMG {\r\n    height: 450px;\r\n    display: block;\r\n    border: 0;\r\n    margin-bottom: 10px;\r\n}\r\n</style>\r\n</head>\r\n<body style=\"font-family: Arial, Sans-serif, sans;\">\r\n<div id=\"slideshow\">\r\n    <div class=\"active\">\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/slideshow_1m.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-894\" /></a>\r\n       <!-- Caption for image 1-->\r\n    </div>\r\n    <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/slideshow_2m.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-896\" /></a>\r\n        <!--This will work with any markup-->\r\n    </div>\r\n    <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/slideshow_3m.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-897\" /></a>\r\n        <!--Swap this out for anything, links, paragraphs, whatever-->\r\n    </div>\r\n    <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/slideshow_4m.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-898\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div>\r\n    <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/slideshow_5m.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-899\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div>\r\n</div>','Home','','inherit','open','open','','93-revision-23','','','2010-09-28 11:20:59','2010-09-28 11:20:59','',93,'http://www.reenakallat.com/2290/uncat/93-revision-23',0,'revision','',0),(2291,1,'2010-11-24 18:07:25','2010-11-24 18:07:25','Reena Saini Kallat (b. Delhi 1973) graduated from the Sir J. J. School of Art, Mumbai in 1996 with a B. F. A. in painting. Her practice - spanning painting, photography, video and sculptural installations - frequently deals with the condition of an individual in a rapidly changing society, ever susceptible to being reduced to an anonymous and forgotten statistic. Kallat is interested in constructing images that seem to change and transform by the possibilities they carry for the generation of meaning through a calibrated interplay of image and form.\r\n\r\nOver the last decade her work has been part of many important exhibitions, across the world. She has had ten solo exhibitions in India and abroad, collectively, and participated in a number of workshops and residencies. She lives and works in Mumbai.\r\n<table>\r\n<tbody>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">SOLO EXHIBITIONS</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.primomarellagallery.com/it/catalogue/scheda.asp?id=568&amp;view=past\" target=\"_blank\">Drift, Primo Marella Gallery, Milan</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2008/reena_bio.html\" target=\"_blank\"> Silt of Seasons, Chemould   Prescott Road, Mumbai</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/reena-kallat-exhibition-2008/\" target=\"_blank\">Subject to Change without Notice, Walsh Gallery, Chicago</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Rainbow Of Refuse, Bodhi Art Gallery, Mumbai and Singapore</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td><a class=\"linkbio\" href=\"http://www.naturemorte.com/artists/reena-saini-kallat/selected-works/\" target=\"_blank\">Black Flute (And Other Stories), Nature Morte, New Delhi</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2004/reena_saini_kallat_note.html\" target=\"_blank\">Black Flute, Gallery Chemould, Mumbai</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>The Battlefield Is The Mind, Sakshi Gallery, Bangalore</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Seven Faces of Dust, Chicago Radio, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2000</td>\r\n<td>Skin, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1998</td>\r\n<td>Orchard of Home-grown Secrets, Gallery Chemould and Pundole  Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><span style=\"color: #888888;\"><strong>SELECTED GROUP EXHIBITIONS</strong></span></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/current/La_Route_De_La_Soie.htm\" target=\"_blank\">La Route de la Soie / The Silk Road, Lille 3000, France </a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.kulturhuset.stockholm.se/default.asp?id=5760&refid=34277\" target=\"_blank\">Samtidigt, Kulterhuset, Stockholm</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.campbelltown.nsw.gov.au/default.asp?iNavCatID=3407&iSubCatID=3615\" target=\"_blank\">The River Project, Campbelltown Art Centre, Sydney</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.aboutroundabout.com/artists/kallat-reena-saini\" target=\"_blank\">Roundabout, City Gallery Wellington, New Zealand</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/\" target=\"_blank\">Waterways, Walsh Gallery, Chicago</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.richmondartgallery.org/in-transition.php\" target=\"_blank\">In Transition: New Art from India, Richmond Art Gallery Vancouver Biennale, Vancouver</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://websterhuntgallery.blogspot.com/2010_02_01_archive.html\" target=\"_blank\">Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster University, curated by Jeffrey Hughes and Dana Turkovic,\r\nCecile R. Hunt Gallery,St.Louis,Missouri</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/51\" target=\"_blank\">Never Run Away, 2 person exhibition curated by Shaheen Merali,Stux   Gallery,  New York</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/artists/reena_kallat.htm?section_name=new_india\" target=\"_blank\">The Empire Strikes Back, Saatchi Gallery, London</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://art-for-the-world.blogspot.com/2010/01/some-installation-views-of-urban.html\" target=\"_blank\">Urban Manners 2, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao Paulo, Brazil</a></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.asianartbiennial.org/2009/en/index_en.html\" target=\"_blank\">View Points and Viewing points - 2009 Asian Art Biennale, National Taiwan Museum of Fine Arts </a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Spectrum: Indian Art at Abu   Dhabi, United   Arab Emirates</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Milan Galleria, curated by Georgio Verzotti, Triennale Museum, Milan</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.initialaccess.co.uk/exhibition_moreinfo.php?id=11\" target=\"_blank\">Passage to India Part II show at Initial Access, Frank Cohen Collection, Wolverhampton, UK</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Ventosul Biennale, Curitiba, Brazil</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/english/contents/india/index.html\" target=\"_blank\"> Chalo! India: A New Era of Indian Art, National  Museum of Contemporary Art, Korea and Essl Museum, Vienna</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mocashanghai.org/index.php?_function=exhibition&amp;_subFunction=pastExhibition&amp;exhibition_id=40&amp;_view=detail\" target=\"_blank\">INDIA XIANZAI: Contemporary Indian Art, Museum of Contemporary Art, Shanghai</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/42/622\" target=\"_blank\">Low Blow: And Other Species of Confusion, Stux gallery, New York</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><em> </em>Indian Narratives in the 21<sup>st</sup> Century: Between Memory and History,Casa  Asia, Madrid and Barcelona, Spain</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/body-chatter-an-exhibition-of-contemporary-indian-art-2008/\" target=\"_blank\">Body Chatter, Walsh Gallery, Chicago</a></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/contents/press/india_20081121_e.pdf\" target=\"_blank\">Chalo! India: A New Era of Indian Art, Mori Art   Museum, Japan</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.indiamoderna.es/eng/index.html\" target=\"_blank\">India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM Museum, Valencia, Spain </a></td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.aaa.org.hk/onlineprojects/bitri/en/gallery.aspx?eid=A080.03\" target=\"_blank\">3<sup>rd</sup> Nanjing Triennale, curators: Fumihiko Sumitomo, Jaeyoung Kang,  China\r\n</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>TEAF (Taehwagang Eco Art Festival) - Dream River, Korea</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.bodhiart.in/exhibitions/everywhere_is_war/everywhere_war.html\" target=\"_blank\">Everywhere is War (And Rumours of it), Bodhi Art Gallery, Mumbai</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/33\" target=\"_blank\">Fire Walkers, Stefan Stux gallery, New York</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.galeriems.com/reenask_one.htm\" target=\"_blank\">Three Points of view, Galerie Mirchandani + Steinrucke, Mumbai</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Excavation: Memory / Myth / Membrane, Museum Gallery, Mumbai</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>International Incheon Women Artists’ Biennale, Korea</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Soft Power: Asian Attitude, Shanghai Zendai Museum of Modern Art, Shanghai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td><a class=\"linkbio\" href=\"http://www.kunstaspekte.de/index.php?tid=39629&amp;action=termin\" target=\"_blank\">Urban Manners, curated by Adelina Von Furstenberg, at Hangar Bicocca , Milan</a></td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td><a class=\"linkbio\" href=\"http://www.art-for-the-world.com/wwd/2007/urban_manners/Urban_Manners_pr.pdf\" target=\"_blank\">INDIA NOW: Contemporary Indian Art, Between Continuity and transformation,curated by Daniela Palozzoli at Spazio Oberdan, Milan</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>New Narratives: Contemporary Art From India, curated by Betty Seid,Chicago Cultural Centre, Chicago</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Thermocline Of Art- New Asian Waves, curated by Wonil Rhee and Peter Weibel at ZKM in Karlsruhe, Germany</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Modern Indian Works On Paper, Arthur Ross Gallery, Philadelphia and the Georgia Museum of Art, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Lille 3000 (Maximum City-Mumbai), Lille,  France</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Hungry God- Indian Contemporary Art, curated by Yun Chaegab and June Gwak, Arario Gallery, Beijing and Busan MoMA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>India Express – Art and Popular Culture, Art Museum Tennispalace, curators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City  Art Museum, Finland</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Mom and Pop Art, Walsh Gallery, Chicago</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Span, Sakshi Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Indian Paintings of the New Millenium, curated by Helen Asquine Fazio at Thomas J. Walsh Art Gallery at Fairfield  University, USA</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td><em> </em>Contemporary Art from India, Thomas   Erben Gallery, New York</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td>Zoom! Art in Contemporary India. Curators: Nancy Adajania and Luis Serpa, The Culturgest Museum, Lisbon, Portugal</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Crossing generations: diVERGE, Gallery Chemould’s 40th anniversary,Curators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of Modern Art, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td><em> </em>Hard Copy, two-person show with Jitish Kallat, Gallery 88, Calcutta</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Tiranga, curator: Peter Nagy, India Habitat Centre, New Delhi</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td><em> </em>Elephant Walks, Youth Arts Project in collaboration with Jitish Kallat as part of Indians + Cowboys exhibition, Curators: Aaron Seetu and Ruth Watson Gallery 4A, Sydney</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>The Tree From The Seed, Contemporary Art from India, curator: Gavin Jantjes Henie Onstad Kunstsenter (Oslo), Norway</td>\r\n<td><em></em></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td><em>Crosscurrents</em>, organized by Artworks for the fiftieth anniversary celebrations of Jehangir Art  Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td><em>Reclaim Our Freedom</em>, organized by Open Circle, Pundole Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Crossing Borders, Gallery Windkracht 13, Den Helder, Holland</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>Big River 2, CCA7 Gallery, Port Of Spain, Trinidad</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>AOM- Art on the move, organized by Sahmat, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1999</td>\r\n<td><em> </em>Edge of the Century, curated by Amit Mukhopadhyay, Academy  of Fine Arts and Literature, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">SELECTED WORKSHOPS AND RESIDENCIES</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Vanishing Point, children’s project at the Celebrate Bandra Festival, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Collaborative workshop as part of the exhibition Aftershock at the Sainsbury Centre for Visual Arts, University of East Anglia, Norwich,  UK</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Collaborated on a Billboard project with Jitish Kallat, Kala Ghoda Art District, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Elephant Walks, Youth Arts Project at the Casula Power House Arts Centre, Liverpool, Australia</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Khoj 2002 International Artists Workshop, Mysore, India</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Identity and Landscape, residency in the Laurentian mountains of Quebec at the Boreal Art/Nature Centre, Canada</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>Big River 2, International Artists Workshop organized by CCA7 and the Triangle Arts Trust at Grand Riviere, Trinidad, West Indies</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n</tr>\r\n<tr>\r\n<td><span style=\"color: #888888;\"><strong>TALKS/PRESENTATIONS</strong></span></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td>Talk as part of The River Project at the Campbelltown Arts Centre, Sydney</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td>Panel discussion moderated by Maria Lantz, along with the other participating   artists during the exhibition Samtidigt at Kulturhuset, Stockholm</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Panel discussion with artist Gulam Sheikh, co-chair: Sabine B. Vogel, art critic at the Sammlung Essl Museum, Vienna</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Slide presentation followed by a panel discussion with Nalini Malani and Jayshree Chakravarty, moderated by Nancy Adajania at Jnanapravaha, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Slide presentation at the School of the Art Institute of Chicago</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Panel discussion with Nalini Malani, Sheba Chhachhi, moderated by Betty Seid at the Chicago Cultural Centre</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Lecture at the University Boccini, Milan</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Slide presentation at the Lamar Dodd School of Art, University of Georgia, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Talk at the Griffith Auditorium, Georgia Museum of Art, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Slide presentation at Oslo National Academy of the Arts, Norway</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2000</td>\r\n<td>Slide presentation at Mohile Parikh Centre for the Visual Arts, Mumbai</td>\r\n</tr>\r\n</tbody>\r\n</table>','Biography','','inherit','open','open','','105-revision-85','','','2010-11-24 18:07:25','2010-11-24 18:07:25','',105,'http://www.reenakallat.com/2291/uncat/105-revision-85',0,'revision','',0),(2292,1,'2010-09-28 10:19:08','2010-09-28 10:19:08','<table border=\"0\" cellspacing=\"5\" cellpadding=\"0\" width=\"100%\" align=\"centre\">\r\n<tbody>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" width=\"21%\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td style=\"margin-left: 5px;\"><span class=\"pubstrong\">Reena Saini Kallat, </span> 2009<span>\r\nText: Nancy Adajania and Murtaza Vali\r\nPublisher: Primo Marella Gallery, Walsh Gallery and Chemould Prescott Road\r\nISBN: 978-81-908879-1-5 </span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/reena-kallat\">read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Rainbow of Refuse, </span>2006<span>\r\nText: Nancy Adajania\r\nPublisher: Bodhi Art Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/rainbow-of-refuse\">read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Black Flute (and other stories), </span>2005\r\n<span class=\"pubstrong\">Black Flute,</span> 2004<span>\r\nText: Nancy Adajania\r\nPublisher: Gallery Chemould and Nature Morte Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/black-flute\">read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">The Battlefield is the Mind, </span>2002<span>\r\nText: Nancy Adajania\r\nPublisher: Sakshi Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/battlefield-of-mind\">read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\" cellspacing=\"0\" cellpadding=\"0\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Skin, </span>2000<span>\r\nInterview with Jitish Kallat\r\nPublisher: Gallery Chemould and Vis-à-vis Art Inc. Gallery</span></td>\r\n</tr>\r\n<tr>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Orchard of home-grown secrets, </span>1998<span>\r\nText: Ranjit Hoskote\r\nPublisher: Gallery Chemould and Pundole Art Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/orchard-pub\">read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n<td><!-- Start of Other Publications -->\r\n<span class=\"pubstrong\">Never Run Away, </span>2010<span>\r\nText: Shaheen Merali\r\nPublisher: Stux Gallery</span>\r\n<span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/never-run-away\">read essay</a></span>\r\n\r\n<span class=\"pubstrong\">Urban Manners 2, </span>2010<span>\r\nText: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\nPublisher: SESC Pompeia, Sao Paulo </span>\r\n\r\n<span class=\"pubstrong\">The Empire Strikes Back, </span>2010<span>\r\nText: Zehra Jumabhoy\r\nPublisher: Saatchi Gallery\r\nISBN: 9780224089494\r\n</span>\r\n\r\n<span class=\"pubstrong\">The Khoj Book, </span>2010<span>\r\nInterview with Shilpa Gupta\r\nPublisher: HarperCollins\r\nISBN: 9788172236878</span>\r\n<span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/khoj-book\">read interview</a></span>\r\n\r\n<span class=\"pubstrong\">Viewpoints &amp; Viewings Points- Asian Art Biennale, </span>2009<span>\r\nText: Chao-yi-Tsai\r\nPublisher: National Taiwan Museum of fine Arts\r\nISBN: 978-986-02-0269-4</span>\r\n\r\n<span class=\"pubstrong\">India Xianzai: Contemporary Indian Art, </span>2009<span>\r\nText: Jitish Kallat, Diana Freundl, Alexander Keefe\r\nPublisher: Museum of Contemporary Art</span>\r\n\r\n<span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2009<span>\r\nText: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki,\r\nMiho Tagomori\r\nPublisher: Prestel, National Museum of Contemporary Art and Essl Museum\r\nISBN: 978-3-7913-4304-4</span>\r\n\r\n<span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2008<span>\r\nText: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman\r\nGopinath, Jayaram, Deepak Ananth\r\nPublisher: Mori Art Museum\r\nISBN: 978-4-902819-21-2</span>\r\n\r\n<span class=\"pubstrong\">India Moderna, </span>2008<span>\r\nText: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur,\r\nR. Siva Kumar, K.G. Subramanyan\r\nPublisher: IVAM (Institute Valencia D’Art Modern)\r\nISBN: 978-84-482-5104-8</span>\r\n\r\n<span class=\"pubstrong\">Everywhere is War (and rumours of it),</span>2008<span>\r\nText: Kai Hafez, Martin Hager, Nicholas Mirzoeff, Daniel Miller,\r\nBregje van Eekelen\r\nPublisher: Bodhi Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Three Points of Views, </span>2008<span>\r\nText: Grant Watson\r\nPublisher: Galerie Mirchandani + Steinruecke</span>\r\n\r\n<span class=\"pubstrong\">New Narratives: Contemporary Art from India, </span>2008<span>\r\nText: Betty Seid with contributions by Johan Pijnappel\r\nPublisher: Mapin Publication in association with Chicago Cultural Center\r\nISBN: 978-1-890206-08-6</span>\r\n\r\n<span class=\"pubstrong\">Made by Indians, </span>2007<span>\r\nText: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\nPublisher: Galerie Enrico Navarra\r\nISBN: 2-911596-37-4</span>\r\n\r\n<span class=\"pubstrong\">Thermocline of Art: New Asian Waves, </span>2007<span>\r\nText:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong\r\nPublisher: Hatje Cantz Vertag\r\nISBN: 978-3-7757-2073-1\r\nEAN: 9782911596377</span>\r\n\r\n<span class=\"pubstrong\">Indian Colour, </span>2007<span>\r\nText: Peter Nagy\r\nPublisher: Dal- seung Hwang, Keumsan Gallery</span>\r\n\r\n<span class=\"pubstrong\">India Arte Oggi, </span>2007<span>\r\nText:  Daniela Palazzoli\r\nPublisher: Spazio Oberdan\r\nISBN: 978-88-202-1867-6</span>\r\n\r\n<span class=\"pubstrong\">Urban Manners, </span>2007<span>\r\nText: Adelina Von Furstenberg and Nancy Adajania\r\nPublisher: Hangar Bicocca</span>\r\n\r\n<span class=\"pubstrong\">International Incheon Women Artists’ Biennale,</span>\r\n<span class=\"pubstrong\">Knocking on the Door, </span>2007<span>\r\nText: Sung Hee Kim, John C. Welchman\r\nPublisher: Incheon Culture and Art Centre</span>\r\n\r\n<span class=\"pubstrong\">Soft Power: Asian Attitude, </span>2007<span>\r\nText: Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\nPublisher: Shanghai Zendai Mumsem of Modern Art\r\nISBN: 978-7-5356-2790-2</span>\r\n\r\n<span class=\"pubstrong\">India Express- Art and Popular Culture, </span>2006<span>\r\nText: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze\r\nPublisher: Helsinki City Art Museum\r\nISBN: 951-8965-61-7</span>\r\n\r\n<span class=\"pubstrong\">Bombay L’album Maximum City, </span>2006<span>\r\nText: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\nPublisher: Terrail, Lille 3000\r\nISBN: 2-87939-325-6</span>\r\n\r\n<span class=\"pubstrong\">Indian Paintings of the New Millennium, </span>2005<span>\r\nText: Helen Asquine  Fazio, Gayatri Sinha\r\nPublisher: Quick Arts Center, Fairfield University</span>\r\n\r\n<span class=\"pubstrong\">A Guide to 101 Modern &amp; Contemporary Indian Artists, </span>2005<span>\r\nText: Amrita Jhaveri\r\nPublisher: India Book House\r\nISBN: 81-7508-423-5</span>\r\n\r\n<span class=\"pubstrong\">Zoom! Art in Contemporary India, </span>2004<span>\r\nTexts: Luis Serpa and Nancy Adajania\r\nPublisher: The Culturgest Museum\r\nISBN: 972-769-033-5</span>\r\n\r\n<span class=\"pubstrong\">Interlude in Sri Lanka, </span>2004<span>\r\nText: Ranjit Hoskote and Nancy Adajania\r\nPublisher: The Guild Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Generation I, </span>2004<span>\r\nText: Zehra Jumabhoy\r\nPublisher: Saffronart &amp; The Guild Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Tiranga Rights and Reponsibilities, </span>2003<span>\r\nText: Peter Nagy\r\nPublisher: Jindal Foundation &amp; Creative Arts</span>\r\n\r\n<span class=\"pubstrong\">Hard Copy, </span>2003<span>\r\nText: Peter Nagy\r\nPublisher: Galerie 88</span>\r\n\r\n<span class=\"pubstrong\">Crossing Generations: diVERGE, </span>2003<span>\r\nText: Geeta Kapoor and Chaitanya Sambrani\r\nPublisher: Gallery Chemould</span>\r\n\r\n\r\n<span class=\"pubstrong\" style=\"color: #000000;\">PRESS</span>\r\n\r\n<span class=\"pubstrong\">The Archives of the Heart</span><span>\r\nNancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\nFront Cover, pgs 42-45, 2009</span>\r\n\r\n<span class=\"pubstrong\">Globale Kunst Mit Wurzelduft</span><span>\r\nVon Almuth Speigler, Die Presse, Feuilleton, 2nd September 2009</span>\r\n\r\n<span class=\"pubstrong\">Landscapes of Loss</span><span>\r\nBeth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009</span>\r\n\r\n<span class=\"pubstrong\">Reincarnating History</span><span>\r\nThe Big Picture, Architect and Interiors, July 2009</span>\r\n\r\n<span class=\"pubstrong\">Stamp Collection</span><span>\r\nGeorgina Maddox, The Sunday Express, 17th May 2009</span>\r\n\r\n<span class=\"pubstrong\">Evolving Beyond Borders</span><span>\r\nReshma S. Kulkarni, Bombay Times, Times of India, 15th January, 2009</span>\r\n\r\n<span class=\"pubstrong\">Loss and Found</span><span>\r\nMarina Correa, DNA, Mumbai, 22nd January 2009</span>\r\n\r\n<span class=\"pubstrong\">Focus India</span><span>\r\nMegha Ralapati, Flash Art, pg 114, January-February 2008</span>\r\n\r\n<span class=\"pubstrong\">Come Together Right Now</span><span>\r\nReema Gehi, HT Café, 15th February 2008</span>\r\n\r\n<span class=\"pubstrong\">Such a Long Journey</span><span>\r\nAparna S Sharma, Elle Magazine, pgs 115-117, February 2008</span>\r\n\r\n<span class=\"pubstrong\">More than a Woman</span><span>\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 4th February 2008</span>\r\n\r\n<span class=\"pubstrong\">Artist of the Fortnight</span><span>\r\nMaria Louis, Outlook Profit, pg 79, 18th April 2008</span>\r\n\r\n<span class=\"pubstrong\">Deja View</span><span>\r\nTara Khilachand, Live Mint, 20th December 2008</span>\r\n\r\n<span class=\"pubstrong\">Terror Struck</span><span>\r\nMaria Louis, Outlook Profit, 26th December 2008</span>\r\n\r\n<span class=\"pubstrong\">Name Calling</span><span>\r\nDeepanjana Pal, Timeout Mumbai, December 2008</span>\r\n\r\n<span class=\"pubstrong\">Corruptions of Power</span>\r\n<span>Shiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99, 2007</span>\r\n\r\n<span class=\"pubstrong\">Over the Rainbow</span><span>\r\nMaria Louis, Interview, Verve Magazine, pg 78, November 2006</span>\r\n\r\n<span class=\"pubstrong\">In a State of Perennial Siege</span><span>\r\nNancy Adajania, The Hindu, Hyderabad, 29th October 2006</span>\r\n\r\n<span class=\"pubstrong\">Her Crowning Achievement</span><span>\r\nClara Chow, The Straits Times, 18th November 2006</span>\r\n\r\n<span class=\"pubstrong\">Political Chaos</span><span>\r\nDeepali Nandwani, Beautiful people, pg 143, November-December 2006</span>\r\n\r\n<span class=\"pubstrong\">Weapons of Mass Construction</span><span>\r\nRituparna Som, DNA after Hrs, Mumbai, 9th October, 2006</span>\r\n\r\n<span class=\"pubstrong\">Guns and Roses</span><span>\r\nRachna Nakra, The Indian Express, Mumbai Newsline, 18th September 2006</span>\r\n\r\n<span class=\"pubstrong\">Under Attack</span><span>\r\nGitanjali Dang, HT Mumbai, 22nd September 2006</span>\r\n\r\n<span class=\"pubstrong\">Time Traveller</span><span>\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 27th June 2006</span>\r\n\r\n<span class=\"pubstrong\">The Flower and the Sword</span><span>\r\nGirish Shahane, The Art News magazine of India, pg 93, volume X issue I, 2004</span>\r\n\r\n<span class=\"pubstrong\">India’s Top 100 Achievers</span><span>\r\nSociety Magazine, pg 137, December 2004</span>\r\n\r\n<span class=\"pubstrong\">Caught Between Demons</span><span>\r\nNancy Adajania, The Hindu, 19th December 2004</span>\r\n\r\n<span class=\"pubstrong\">En Reise Til India</span><span>\r\nHarald Flor, Dagbladet, Kultur, 2nd February 2003</span>\r\n\r\n<span class=\"pubstrong\">Signs of Resistance</span><span>\r\nNancy Adajania, The Hindu, 5th January 2003</span>\r\n\r\n<span class=\"pubstrong\">Of the Goddess and Demon in the Mind</span><span>\r\nDebbie Rodgers, Sunday edition Vijay Times, Bangalore, 5th January 2003</span>\r\n\r\n<span class=\"pubstrong\">Empathic Anger</span><span>\r\nMarta Jakimowicz, Deccan Herald, 23rd December 2002</span>\r\n\r\n<span class=\"pubstrong\">Mysore Ek Khoj</span>\r\nCross Fertilization of Culture, Interview in Star of Mysore, 27th October 2002\r\n\r\n<span class=\"pubstrong\">Linking Islands</span><span>\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 15th February 2002</span>\r\n\r\n<span class=\"pubstrong\">Creating to Destroy</span><span>\r\nJasmine Shah Varma, The List, Mid Day, 22nd February 2002</span>\r\n\r\n<span class=\"pubstrong\">Different Strokes</span><span>\r\nGeorgina L Maddox, The Indian Express, Mumbai Newsline, 24th July 2002</span>\r\n\r\n<span class=\"pubstrong\">Of Faith and Hunger</span><span>\r\nAbhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89, December 2000</span>\r\n\r\n<span class=\"pubstrong\">The Murmur of Skin</span><span>\r\nNupur Mahajan, Bombay Times, Times of India, 12th October 2000</span>\r\n\r\n<span class=\"pubstrong\">Not just Skin Deep</span><span>\r\nJasmine Shah Varma, The List, Mid-day, 4th October 2000</span>\r\n\r\n<span class=\"pubstrong\">Inside Out</span><span>\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 11th October 2000</span>\r\n\r\n<span class=\"pubstrong\">Scintillating Skin</span><span>\r\nVaibhav Purandare, The Asian Age, 14th October 2000</span>\r\n\r\n<span class=\"pubstrong\">An Artist’s World: Roti, Makaan &amp; Abstract Art</span><span>\r\nPoonam Goel, HT City, 23rd December 2000</span>\r\n\r\n<span class=\"pubstrong\">Within you, Without you</span><span>\r\nAnu Kumar, Indian Express, Express Newsline, 2nd September 1998</span>\r\n\r\n<span class=\"pubstrong\">Farming Intrigue</span><span>\r\nJerry Pinto, The Times of India, Bombay Times, 3rd September 1998</span>\r\n\r\n<span class=\"pubstrong\">Interactive Medium</span><span>\r\nKaren Pereira, Indian Architect &amp; Builder, pgs 102-104, October 1998</span></td>\r\n</tr>\r\n</tbody>\r\n</table>','Publications','','inherit','open','open','','87-revision-159','','','2010-09-28 10:19:08','2010-09-28 10:19:08','',87,'http://www.reenakallat.com/2292/uncat/87-revision-159',0,'revision','',0),(2293,1,'2010-11-24 17:49:32','2010-11-24 17:49:32','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\"><tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\"><a href=\"#\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Walls-of-the-womb.jpg\" alt=\"Walls-of-the-womb\" title=\"Walls-of-the-womb\" width=\"600\" class=\"alignnone size-full wp-image-375\" /></a>\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Walls of the womb\r\n</span>2007\r\nTied-and-dyed silk, brass, bonded marble, handwritten recipe books\r\n594 x 114 cm each\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>installation view,</i> Hangar Bicocca, Milan</span></td></tr>\r\n<tr><td>&nbsp;</td></tr></tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\"><tbody><tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/walls_of_womb_work3.jpg\" alt=\"Making of walls of womb-1\" title=\"Making-1\" width=\"600\"  class=\"alignnone size-large wp-image-857\" /></a></td><td width=\"400\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">This series, unlike most of my other works, is autobiographical in nature and has perhaps taken me the longest period of time to articulate into communicable form.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...more</a><div>\r\n<div><a href=\"http://www.reenakallat.com/essay-nancy-adajania\" style=\"color:#888888;\" target=\"_blank\">Texts by Nancy Adajania and  Grant Watson</a></div></br></div></div></br>\r\n<div id=\"uniquename\"  style=\"display:none;\">This series, unlike most of my other works, is autobiographical in nature and has perhaps taken me the longest period of time to articulate into communicable form.My relationship with my mother, who I lost when I was 8 years of age, has been built around the objects she left behind; those sewn by her, stuffed toys she made me, photo-albums, her personal books, stories narrated to me by other family members, besides my own faint recollections. I’ve spent a good part of my childhood going through my mother’s personal belongings such as her sarees, cosmetics, bags, sometimes bringing them out of closed cupboards to look at, while at other times trying them on myself.  \r\nI arrived at this work through the frequent contact with my mother’s sarees that have remained stacked inside a cupboard for over 27 years.\r\nThe work comprises of 12 sarees dyed in shades of red, such that through the process of tie and dye, the un-dyed dotted areas remain white, where the untreated virgin fabric forms a text in Braille. The text laid on these sarees seen in reverse print, are translations of recipes from my mothers hand written recipe books.   \r\nThe associations with motherhood are carried through the symbolic usage of the saree and the recipes from my mother’s books extend it further by evoking notions of nurturing and nourishing. With my recent role as a mother I find myself having come full circle, inadvertently re-establishing contact with a past I’d tried hard to put behind me.\r\nThe sarees, while beautiful, remain illegible. The dotted patterns forming the script in braille disallow easy access to the content of the text, much like the relationship with my mother that is built on fragments of inscrutable memory.\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a><div>\r\n<div><a href=\"http://www.reenakallat.com/essay-nancy-adajania\" style=\"color:#888888;\" target=\"_blank\">Texts by Nancy Adajania and Grant Watson</a></div>\r\n</br></div></div></td></tr><tr><td>&nbsp;</td></tr></tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\"><tbody><tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/walls_of_womb_work5.jpg\" alt=\"Making of walls of womb-1\" title=\"Making-1\" width=\"600\"  class=\"alignnone size-large wp-image-857\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr></tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\"><tbody><tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/walls_of_womb_work4.jpg\" alt=\"Making of walls of womb-1\" title=\"Making-1\" width=\"600\"  class=\"alignnone size-large wp-image-857\" /></a><span style=\"font-size:11px;\"><i>detail,</i> vitrine containing artist’s mother’s handwritten recipe book</span></td>\r\n</tr><tr><td>&nbsp;</td></tr></tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\"><tbody><tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Walls-of-the-womb-detail-70.jpg\" alt=\"Walls-of-the-womb-detail\" title=\"Walls-of-the-womb-detail\" width=\"600\"  class=\"alignnone size-large wp-image-374\" /></a><span style=\"font-size:11px;\"><i>detail</i></span></td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\"><tbody><tr><td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/walls_of_womb_work.jpg\" alt=\"Making of walls of womb-1\" title=\"Making-1\" width=\"600\"  class=\"alignnone size-large wp-image-857\" /></a><span style=\"font-size:11px;\"><i>process shots</i></span></td>\r\n</tr><tr><td>&nbsp;</td></tr></tbody></table><ins datetime=\"2010-06-16T18:26:32+00:00\">','','','inherit','open','open','','373-revision-49','','','2010-11-24 17:49:32','2010-11-24 17:49:32','',373,'http://www.reenakallat.com/2293/uncat/373-revision-49',0,'revision','',0),(2294,1,'2010-11-26 08:01:09','2010-11-26 08:01:09','<script language=\'javascript\' type=\'text/javascript\'>\r\nfunction ReverseContentDisplay(d,e) \r\n{\r\n	if(d.length < 1) \r\n	{ \r\n		return; \r\n	}\r\n	if(document.getElementById(d).style.display == \'none\') \r\n	{  \r\n		document.getElementById(d).style.display = \'block\';   \r\n		document.getElementById(\"uniquename1\").style.display = \'none\'; \r\n	}  \r\n	else \r\n	{   \r\n		document.getElementById(d).style.display = \'none\';   \r\n		document.getElementById(\"uniquename1\").style.display = \'block\';\r\n	}\r\n}\r\n</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\"><tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\"><a href=\"#\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Walls-of-the-womb.jpg\" alt=\"Walls-of-the-womb\" title=\"Walls-of-the-womb\" width=\"600\" class=\"alignnone size-full wp-image-375\" /></a>\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Walls of the womb\r\n</span>2007\r\nTied-and-dyed silk, brass, bonded marble, handwritten recipe books\r\n594 x 114 cm each\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>installation view,</i> Hangar Bicocca, Milan</span></td></tr>\r\n<tr><td>&nbsp;</td></tr></tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\"><tbody><tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/walls_of_womb_work3.jpg\" alt=\"Making of walls of womb-1\" title=\"Making-1\" width=\"600\"  class=\"alignnone size-large wp-image-857\" /></a></td><td width=\"400\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">This series, unlike most of my other works, is autobiographical in nature and has perhaps taken me the longest period of time to articulate into communicable form.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...more</a></div><br/><br/><br/><div><div><a href=\"http://www.reenakallat.com/essay-nancy-adajania\" style=\"color:#888888;\" target=\"_blank\">Texts by Nancy Adajania and  Grant Watson</a></div></br></div>\r\n<div id=\"uniquename\"  style=\"display:none;\">This series, unlike most of my other works, is autobiographical in nature and has perhaps taken me the longest period of time to articulate into communicable form.My relationship with my mother, who I lost when I was 8 years of age, has been built around the objects she left behind; those sewn by her, stuffed toys she made me, photo-albums, her personal books, stories narrated to me by other family members, besides my own faint recollections. I’ve spent a good part of my childhood going through my mother’s personal belongings such as her sarees, cosmetics, bags, sometimes bringing them out of closed cupboards to look at, while at other times trying them on myself.  \r\nI arrived at this work through the frequent contact with my mother’s sarees that have remained stacked inside a cupboard for over 27 years.\r\nThe work comprises of 12 sarees dyed in shades of red, such that through the process of tie and dye, the un-dyed dotted areas remain white, where the untreated virgin fabric forms a text in Braille. The text laid on these sarees seen in reverse print, are translations of recipes from my mothers hand written recipe books.   \r\nThe associations with motherhood are carried through the symbolic usage of the saree and the recipes from my mother’s books extend it further by evoking notions of nurturing and nourishing. With my recent role as a mother I find myself having come full circle, inadvertently re-establishing contact with a past I’d tried hard to put behind me.\r\nThe sarees, while beautiful, remain illegible. The dotted patterns forming the script in braille disallow easy access to the content of the text, much like the relationship with my mother that is built on fragments of inscrutable memory.\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a><div>\r\n<div><a href=\"http://www.reenakallat.com/essay-nancy-adajania\" style=\"color:#888888;\" target=\"_blank\">Texts by Nancy Adajania and Grant Watson</a></div>\r\n</br></div></div></td></tr><tr><td>&nbsp;</td></tr></tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\"><tbody><tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/walls_of_womb_work5.jpg\" alt=\"Making of walls of womb-1\" title=\"Making-1\" width=\"600\"  class=\"alignnone size-large wp-image-857\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr></tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\"><tbody><tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/walls_of_womb_work4.jpg\" alt=\"Making of walls of womb-1\" title=\"Making-1\" width=\"600\"  class=\"alignnone size-large wp-image-857\" /></a><span style=\"font-size:11px;\"><i>detail,</i> vitrine containing artist’s mother’s handwritten recipe book</span></td>\r\n</tr><tr><td>&nbsp;</td></tr></tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\"><tbody><tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Walls-of-the-womb-detail-70.jpg\" alt=\"Walls-of-the-womb-detail\" title=\"Walls-of-the-womb-detail\" width=\"600\"  class=\"alignnone size-large wp-image-374\" /></a><span style=\"font-size:11px;\"><i>detail</i></span></td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\"><tbody><tr><td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/walls_of_womb_work.jpg\" alt=\"Making of walls of womb-1\" title=\"Making-1\" width=\"600\"  class=\"alignnone size-large wp-image-857\" /></a><span style=\"font-size:11px;\"><i>process shots</i></span></td>\r\n</tr><tr><td>&nbsp;</td></tr></tbody></table><ins datetime=\"2010-06-16T18:26:32+00:00\">','','','inherit','open','open','','373-revision-50','','','2010-11-26 08:01:09','2010-11-26 08:01:09','',373,'http://www.reenakallat.com/2294/uncat/373-revision-50',0,'revision','',0),(2295,1,'2010-11-26 08:06:28','2010-11-26 08:06:28','<script language=\'javascript\' type=\'text/javascript\'>\r\nfunction ReverseContentDisplay(d) \r\n{\r\n	if(d.length < 1) \r\n	{ \r\n		return; \r\n	}\r\n	if(document.getElementById(d).style.display == \'none\') \r\n	{  \r\n		document.getElementById(d).style.display = \'block\';   \r\n		document.getElementById(\"uniquename1\").style.display = \'none\'; \r\n	}  \r\n	else \r\n	{   \r\n		document.getElementById(d).style.display = \'none\';   \r\n		document.getElementById(\"uniquename1\").style.display = \'block\';\r\n	}\r\n}\r\n</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\"><tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\"><a href=\"#\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Walls-of-the-womb.jpg\" alt=\"Walls-of-the-womb\" title=\"Walls-of-the-womb\" width=\"600\" class=\"alignnone size-full wp-image-375\" /></a>\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Walls of the womb\r\n</span>2007\r\nTied-and-dyed silk, brass, bonded marble, handwritten recipe books\r\n594 x 114 cm each\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>installation view,</i> Hangar Bicocca, Milan</span></td></tr>\r\n<tr><td>&nbsp;</td></tr></tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\"><tbody><tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/walls_of_womb_work3.jpg\" alt=\"Making of walls of womb-1\" title=\"Making-1\" width=\"600\"  class=\"alignnone size-large wp-image-857\" /></a></td><td width=\"400\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">This series, unlike most of my other works, is autobiographical in nature and has perhaps taken me the longest period of time to articulate into communicable form.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...more</a><br/><br/><div><div><a href=\"http://www.reenakallat.com/essay-nancy-adajania\" style=\"color:#888888;\" target=\"_blank\">Texts by Nancy Adajania and  Grant Watson</a></div></br></div></div>\r\n<div id=\"uniquename\"  style=\"display:none;\">This series, unlike most of my other works, is autobiographical in nature and has perhaps taken me the longest period of time to articulate into communicable form.My relationship with my mother, who I lost when I was 8 years of age, has been built around the objects she left behind; those sewn by her, stuffed toys she made me, photo-albums, her personal books, stories narrated to me by other family members, besides my own faint recollections. I’ve spent a good part of my childhood going through my mother’s personal belongings such as her sarees, cosmetics, bags, sometimes bringing them out of closed cupboards to look at, while at other times trying them on myself.  \r\nI arrived at this work through the frequent contact with my mother’s sarees that have remained stacked inside a cupboard for over 27 years.\r\nThe work comprises of 12 sarees dyed in shades of red, such that through the process of tie and dye, the un-dyed dotted areas remain white, where the untreated virgin fabric forms a text in Braille. The text laid on these sarees seen in reverse print, are translations of recipes from my mothers hand written recipe books.   \r\nThe associations with motherhood are carried through the symbolic usage of the saree and the recipes from my mother’s books extend it further by evoking notions of nurturing and nourishing. With my recent role as a mother I find myself having come full circle, inadvertently re-establishing contact with a past I’d tried hard to put behind me.\r\nThe sarees, while beautiful, remain illegible. The dotted patterns forming the script in braille disallow easy access to the content of the text, much like the relationship with my mother that is built on fragments of inscrutable memory.\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a><br/><br/><div>\r\n<div><a href=\"http://www.reenakallat.com/essay-nancy-adajania\" style=\"color:#888888;\" target=\"_blank\">Texts by Nancy Adajania and Grant Watson</a></div>\r\n</br></div></div></td></tr><tr><td>&nbsp;</td></tr></tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\"><tbody><tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/walls_of_womb_work5.jpg\" alt=\"Making of walls of womb-1\" title=\"Making-1\" width=\"600\"  class=\"alignnone size-large wp-image-857\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr></tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\"><tbody><tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/walls_of_womb_work4.jpg\" alt=\"Making of walls of womb-1\" title=\"Making-1\" width=\"600\"  class=\"alignnone size-large wp-image-857\" /></a><span style=\"font-size:11px;\"><i>detail,</i> vitrine containing artist’s mother’s handwritten recipe book</span></td>\r\n</tr><tr><td>&nbsp;</td></tr></tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\"><tbody><tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Walls-of-the-womb-detail-70.jpg\" alt=\"Walls-of-the-womb-detail\" title=\"Walls-of-the-womb-detail\" width=\"600\"  class=\"alignnone size-large wp-image-374\" /></a><span style=\"font-size:11px;\"><i>detail</i></span></td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\"><tbody><tr><td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/walls_of_womb_work.jpg\" alt=\"Making of walls of womb-1\" title=\"Making-1\" width=\"600\"  class=\"alignnone size-large wp-image-857\" /></a><span style=\"font-size:11px;\"><i>process shots</i></span></td>\r\n</tr><tr><td>&nbsp;</td></tr></tbody></table><ins datetime=\"2010-06-16T18:26:32+00:00\">','','','inherit','open','open','','373-revision-51','','','2010-11-26 08:06:28','2010-11-26 08:06:28','',373,'http://www.reenakallat.com/2295/uncat/373-revision-51',0,'revision','',0),(2296,1,'2010-10-27 11:00:30','2010-10-27 11:00:30','<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"0\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/colostrum1.jpg\" alt=\"Colostrum7\" title=\"Colostrum7\" width=\"600\"  class=\"alignnone size-large wp-image-998\" /></a><span style=\"font-size:11px;\"><i>installation view,</i> Chemould Prescott Road, Mumbai</span></td>\r\n</tr><tr><td>&nbsp;</td></tr></tbody></table></td></tr>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"0\" width=\"100%\">\r\n<tbody><tr><td align=\"left\" width=\"200\" valign=\"top\"><a href=\"#\"><img width=\"600\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/colostrum2-1.jpg\" alt=\"Colostrum2\" title=\"Colostrum2\" class=\"alignnone size-large wp-image-993\"></a></td></tr><tr><td><table width=100% cellpadding=\"0\" cellspacing=0><tbody><tr><td width=\'35%\'><span style=\"color: rgb(136, 136, 136);\">Colostrum (The Crown)</span><br>bonded marble<br>\r\n17 x 23 in. I 43 x 58 cm (diameter)<br>edition 3+AP </td><td valign=top><span style=\"font-size:11px\"><i>detail</i></span></td>\r\n</tr><tr><td>&nbsp;</td></tr></tbody></table></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"0\" width=\"100%\"><tbody>\r\n<tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/P1-753x1024.jpg\" alt=\"P1\" title=\"P1\" width=\"600\"  class=\"alignnone size-full wp-image-878\" /></a><span style=\"color: #888888;\">Untitled (Bodice)</span><br>gold embroidery on fabric<br>\r\n63 x 38 in. I 160 x 97 cm</td></tr><tr><td>&nbsp;</td></tr></tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"0\" width=\"100%\">\r\n<tbody><tr><td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/P2-1024x682.jpg\" alt=\"P2\" title=\"P2\" width=\"600\" class=\"alignnone size-large wp-image-492\" /></a><span style=\"font-size:11px\"><i>detail</i></span></td></tr><tr><td>&nbsp;</td></tr></tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"0\" width=\"100%\"><tbody><tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Z2-1024x771.jpg\" alt=\"Z2\" title=\"Z2\" width=\"600\" class=\"alignnone size-large wp-image-527\" /></a><span style=\"color: #888888;\">Colostrum (The Lost Shoe)</span><br>bonded marble, gold embroidery on fabric<br>34 x 47 x 15 in. I 86 x 119 x 38 cm<br>edition 3+AP</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"0\" width=\"100%\"><tbody><tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colostrum7-682x1024.jpg\" alt=\"Colostrum7\" title=\"Colostrum7\" width=\"600\"  class=\"alignnone size-large wp-image-998\" /></a><span style=\"font-size:11px;\"><i>detail</i></span></td></tr><tr><td>&nbsp;</td></tr></tbody></table>\r\n','','','inherit','open','open','','525-revision-42','','','2010-10-27 11:00:30','2010-10-27 11:00:30','',525,'http://www.reenakallat.com/2296/uncat/525-revision-42',0,'revision','',0),(2297,1,'2010-11-24 17:54:05','2010-11-24 17:54:05','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;2\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\"><a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/BirthMark-tattoos-1024x768.jpg\" alt=\"BirthMark and tattoos\" title=\"BirthMark tattoos\" width=\"600\" class=\"alignnone size-large wp-image-557\" /></a>\r\n</td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Blueprint: Birthmarks and Tattoos\r\n</span>2004\r\ndigital prints on photographic paper\r\n11 x 15 in. I 28 x 38 cm each (64 prints)\r\nedition 5+AP</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>installation view,</i> Nature Morte, New Delhi</span></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"500\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/BirthMark-tattoos11.jpg\" alt=\"BirthMark tattoos1\" title=\"BirthMark tattoos1\" width=\"600\" class=\"alignnone size-large wp-image-559\" /></a>\r\n</td>\r\n<td width=\"500\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThe work comprises of 64 prints of close-up shots of different body parts carrying multiple names stamped on them. The pictures attempt to trace the scars/marks on the body that can be said to be both inherited as well as adopted. <a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...more</a>\r\n</div><div id=\"uniquename\"  style=\"display:none;\">\r\nThe work comprises of 64 prints of close-up shots of different body parts carrying multiple names stamped on them. The pictures attempt to trace the scars/marks on the body that can be said to be both inherited as well as adopted.The body here is treated as a document on which the identity of the individual is stamped; the complex web forming an interlaced mosaic evoking our cramped social networks where bodies co-exist and collide. The nature of that collision is determined by the identities of the colliding bodies. This photo-piece touches upon some of these ideas but formally speaking it will rely on the intricate interplay of the stamped text, the skin tones and colours to create a visually sensual land(body)scape.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div>\r\n</td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/BirthMark-tattoos1-1024x768.jpg\" alt=\"BirthMark tattoos2\" title=\"BirthMark tattoos2\" width=\"600\" class=\"alignnone size-large wp-image-560\" /></a>\r\n</td>\r\n</tr>\r\n <tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/BirthMark-tattoos2-1024x768.jpg\" alt=\"BirthMark tattoos2\" title=\"BirthMark tattoos2\" width=\"600\" class=\"alignnone size-large wp-image-560\" /></a>\r\n</td>\r\n</tr>\r\n <tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/BirthMark-tattoos3-1024x768.jpg\" alt=\"BirthMark tattoos3\" title=\"BirthMark tattoos3\" width=\"600\" class=\"alignnone size-large wp-image-561\" /></a>\r\n</td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/BirthMark-tattoos4-1024x768.jpg\" alt=\"BirthMark tattoos4\" title=\"BirthMark tattoos4\" width=\"600\" class=\"alignnone size-large wp-image-562\" /></a>\r\n</td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','555-revision-19','','','2010-11-24 17:54:05','2010-11-24 17:54:05','',555,'http://www.reenakallat.com/2297/uncat/555-revision-19',0,'revision','',0),(2298,1,'2010-11-24 17:42:24','2010-11-24 17:42:24','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style>h3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}</style><table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\"><tbody><tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"aligntop size-large wp-image-495\" title=\"Saline\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Saline-1024x631.jpg\" alt=\"saline\" width=\"600\" /></a></td><td style=\"font-size: 11px;\" width=\"200\" align=\"left\" valign=\"bottom\"><span style=\"color: #888888;\">Saline</span>\r\n2007\r\nbonded marble, wood, fabric\r\n13 ft I 156 in. diameter</td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignleft size-large wp-image-498\" title=\"Saline_detail1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Saline_detail1-1024x646.jpg\" alt=\"Saline_detail1\" width=\"600\" /></a></td>\r\n<td style=\"font-size: 11px;\" width=\"300\" align=\"justify\" valign=\"top\">\r\n<div id=\"uniquename1\" style=\"display: block;\">The work takes off from an episode in the Hindu Puranas (religious text) called Samudra Manthan. Samudra means ‘the ocean’ and Manthan means ‘to churn’.<a style=\"color: #888888;\" onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\">...more</a></div>\r\n<div id=\"uniquename\" style=\"display: none;\">The work takes off from an episode in the Hindu Puranas (religious text) called Samudra Manthan. Samudra means ‘the ocean’ and Manthan means ‘to churn’.\r\nIn this particular episode, the Gods lose their powers due to an instance of arrogance and need the assistance of demons in order to churn the ocean to obtain nectar that would empower them again. A number of herbs were cast into the ocean and the churning produced several objects and beings that were symbolic and served as offerings to please demi-gods. It is believed that to keep the nectar away from the hands of the demons, the gods had to hide it in four different places on earth. These places are since believed to have acquired mystical power and are celebrated as sites of worship.\r\nSALINE re-constructs imagery from the myths of the past as well as their re-incarnations in the historical present. The formation of the demon is a sculptural translation of drawings from the Razmnama (illustrated translations of the Hindu epic, Mahabharat into Persian).\r\nArtistically speaking, this demon form rendered by Persian illustrators of a Hindu endeavor becomes an interesting secular by-product of the religious cross-pollination of the Hindu epic in the Islamic world.\r\nWater has always been seen as the source of all creation. Just like salt is easily missible in water, India is traditionally eulogised for its secular fabric wherein the boundaries of Hinduism, Islam, Christianity, Buddhism, Jainism, Sikhism and several other religious traditions are said to dissolve. I have set out to make the sculptural installation ‘Saline’\r\nat a time when this fabric is stained by the recurrence of communal conflict.\r\nI see ‘Saline’ as a call of hope; the fluid figment of my imagination churned out of contemporary conflicts to symbolically drop nectar in a poisonous ocean, reclaim the spaces of religious worship from the demons of fanaticism and intravenously inject organisms with the rejuvenating and hydrating powers of saline in the endless confrontation between good and evil.<a style=\"color: #888888;\" onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\">...hide</a></div></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignleft size-large wp-image-499\" title=\"Saline-detail2\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Saline-detail2-1024x652.jpg\" alt=\"Saline-detail\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr></tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignleft size-large wp-image-500\" title=\"Saline_detail3\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Saline_detail3-1024x696.jpg\" alt=\"Saline_detail\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','496-revision-40','','','2010-11-24 17:42:24','2010-11-24 17:42:24','',496,'http://www.reenakallat.com/2298/uncat/496-revision-40',0,'revision','',0),(2299,1,'2010-10-29 09:43:46','2010-10-29 09:43:46','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Closet_Quarries.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Closet_Quarries-1024x547.jpg\" alt=\"\" title=\"Closet_Quarries\" width=\"600\" class=\"alignnone size-large wp-image-712\" /></a>\r\n</td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Closet Quarries\r\n</span>2008 \r\nacrylic paint, rubberstamps, plexiglas\r\n68 x 68 in. I 173 x 173 cm\r\n74 x 38 in. I 188 x 97 cm\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>installation view, Chemould Prescott Road, Mumbai</i></span></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Closet-Quarries_1.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Closet-Quarries_1.jpg\" alt=\"Closet Quarries\" title=\"Closet Quarries_1\" width=\"600\" class=\"alignnone size-full wp-image-720\" /></a>\r\n</td>\r\n<td width=\"400\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThis series of paintings using rubberstamps, were made from references of the great inlay patterns on the walls of the Taj Mahal and other Mughal architectural monuments found in India. The rubberstamps carry names and symbols found engraved on the red sandstones laid along the back wall of the Taj Mahal and on the pathways leading to the Taj; similar carved names of the craftsmen are also seen in case of other Mughal monuments.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\"  href=\"#\" style=\"color:#888888;\">...more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\nThis series of paintings using rubberstamps, were made from references of the great inlay patterns on the walls of the Taj Mahal and other Mughal architectural monuments found in India. The rubberstamps carry names and symbols found engraved on the red sandstones laid along the back wall of the Taj Mahal and on the pathways leading to the Taj; similar carved names of the craftsmen are also seen in case of other Mughal monuments. These names, retrieved from the archives of the Archeological Survey of India, intercept the austere inlay patterns through text and symbols evoking notions of labour, memory and the submerged, factual and fictional, histories and myths that surround monument-making.\r\n As an artist what continues to interest me is the idea of representation which is fundamental to painting and the possibilities it carries for the generation of meaning through a calibrated interplay of image and form.\r\nIn ‘Closet Quarries’ I choose to work with the captivating inlays of the Taj and overlay it with a history invisible to the naked eye.\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div>\r\n</td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Closet-Quarries_3.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Closet-Quarries_3.jpg\" alt=\"\" title=\"Closet Quarries_3\" width=\"600\"  class=\"alignnone size-full wp-image-715\" /></a>\r\n</td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Closet-Quarries_5.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Closet-Quarries_5.jpg\" alt=\"Closet Quarries_5\" title=\"Closet Quarries_5\" width=\"600\" class=\"alignnone size-full wp-image-718\" /></a><span style=\"font-size:11px;\"><i>detail</i></span></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n','','','inherit','open','open','','211-revision-46','','','2010-10-29 09:43:46','2010-10-29 09:43:46','',211,'http://www.reenakallat.com/2299/uncat/211-revision-46',0,'revision','',0),(2300,1,'2010-09-16 12:34:41','2010-09-16 12:34:41','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style>h3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody><tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Penumbra.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Penumbra.jpg\" alt=\"Penumbra\" title=\"Penumbra\" width=\"600\" height=\"400\" class=\"alignnone size-full wp-image-381\" /></a>\r\n</td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Penumbra\r\n</span>2006\r\nstainless steel, acrylic sheet, paint, rubber stamps \r\n60 x 74 x 42 in. I 152 x 188 x 107 cm\r\nedition of 3+AP\r\n</td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/penumbra1.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/penumbra1.jpg\" alt=\"penumbra\" title=\"penumbra1\" width=\"600\" class=\"alignnone size-full wp-image-1006\" /></a>\r\n</td>\r\n<td width=\"400\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block;\">\r\nThe sculptural work titled ‘Penumbra’ takes the form of a cradle. Unlike the  cradle, which is meant to support and comfort, this stainless steel sculpture is cold and unsettling. It rocks the disputed territorial form of (P.O.K) Pakistan Occupied Kashmir, which remains the nucleus of the conflict between India and Pakistan for several decades.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;width=\"400\" \">\r\nThe sculptural work titled ‘Penumbra’ takes the form of a cradle. Unlike the  cradle, which is meant to support and comfort, this stainless steel sculpture is cold and unsettling. It rocks the disputed territorial form of (P.O.K) Pakistan Occupied Kashmir, which remains the nucleus of the conflict between India and Pakistan for several decades. \r\nThe cradle lies in a state of limbo, much like the fate of it’s people, held in suspense. It is formed by rubberstamps carrying names of freedom fighters, both Hindus and Muslims who collectively fought to free the land that later got divided into India and Pakistan. This piece of land rests like a wound of that separation, rocked back and forth by political agendas and myopic policies.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div>\r\n</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/penumbra2.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/penumbra2.jpg\" alt=\"penumbra\" title=\"penumbra2\" width=\"600\" class=\"alignnone size-full wp-image-1007\" /></a><span style=\"font-size:11px;\"><i>detail</i></span>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','380-revision-23','','','2010-09-16 12:34:41','2010-09-16 12:34:41','',380,'http://www.reenakallat.com/2300/uncat/380-revision-23',0,'revision','',0),(2301,1,'2010-12-01 05:07:42','2010-12-01 05:07:42','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Closet_Quarries.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Closet_Quarries-1024x547.jpg\" alt=\"\" title=\"Closet_Quarries\" width=\"600\" class=\"alignnone size-large wp-image-712\" /></a>\r\n</td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Closet Quarries\r\n</span>2008 \r\nacrylic paint, rubberstamps, plexiglas\r\n68 x 68 in. I 173 x 173 cm\r\n74 x 38 in. I 188 x 97 cm\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>installation view, Chemould Prescott Road, Mumbai</i></span></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Closet-Quarries_1.jpg\" alt=\"Closet Quarries\" title=\"Closet Quarries_1\" width=\"600\" class=\"alignnone size-full wp-image-720\" /></a>\r\n</td>\r\n<td width=\"400\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThis series of paintings using rubberstamps, were made from references of the great inlay patterns on the walls of the Taj Mahal and other Mughal architectural monuments found in India. The rubberstamps carry names and symbols found engraved on the red sandstones laid along the back wall of the Taj Mahal and on the pathways leading to the Taj; similar carved names of the craftsmen are also seen in case of other Mughal monuments.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\"  href=\"#\" style=\"color:#888888;\">...more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\nThis series of paintings using rubberstamps, were made from references of the great inlay patterns on the walls of the Taj Mahal and other Mughal architectural monuments found in India. The rubberstamps carry names and symbols found engraved on the red sandstones laid along the back wall of the Taj Mahal and on the pathways leading to the Taj; similar carved names of the craftsmen are also seen in case of other Mughal monuments. These names, retrieved from the archives of the Archeological Survey of India, intercept the austere inlay patterns through text and symbols evoking notions of labour, memory and the submerged, factual and fictional, histories and myths that surround monument-making.\r\n As an artist what continues to interest me is the idea of representation which is fundamental to painting and the possibilities it carries for the generation of meaning through a calibrated interplay of image and form.\r\nIn ‘Closet Quarries’ I choose to work with the captivating inlays of the Taj and overlay it with a history invisible to the naked eye.\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div>\r\n</td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Closet-Quarries_3.jpg\" alt=\"\" title=\"Closet Quarries_3\" width=\"600\"  class=\"alignnone size-full wp-image-715\" /></a>\r\n</td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Closet-Quarries_5.jpg\" alt=\"Closet Quarries_5\" title=\"Closet Quarries_5\" width=\"600\" class=\"alignnone size-full wp-image-718\" /></a><span style=\"font-size:11px;\"><i>detail</i></span></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Closet-Quarries_reference.jpg\" alt=\"Closet Quarries_5\" title=\"Closet Quarries_5\" width=\"600\" class=\"alignnone size-full wp-image-718\" /></a><span style=\"font-size:11px;\"><i>detail</i></span></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n\r\n','','','inherit','open','open','','211-revision-47','','','2010-12-01 05:07:42','2010-12-01 05:07:42','',211,'http://www.reenakallat.com/2301/uncat/211-revision-47',0,'revision','',0),(2302,1,'2010-12-02 07:06:18','2010-12-02 07:06:18','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Closet_Quarries.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Closet_Quarries-1024x547.jpg\" alt=\"\" title=\"Closet_Quarries\" width=\"600\" class=\"alignnone size-large wp-image-712\" /></a>\r\n</td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Closet Quarries\r\n</span>2008 \r\nacrylic paint, rubberstamps, plexiglas\r\n68 x 68 in. I 173 x 173 cm\r\n74 x 38 in. I 188 x 97 cm\r\n</td></tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>installation view, Chemould Prescott Road, Mumbai</i></span></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Closet-Quarries_1.jpg\" alt=\"Closet Quarries\" title=\"Closet Quarries_1\" width=\"600\" class=\"alignnone size-full wp-image-720\" /></a>\r\n</td>\r\n<td width=\"400\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThis series of paintings using rubberstamps, were made from references of the great inlay patterns on the walls of the Taj Mahal and other Mughal architectural monuments found in India. The rubberstamps carry names and symbols found engraved on the red sandstones laid along the back wall of the Taj Mahal and on the pathways leading to the Taj; similar carved names of the craftsmen are also seen in case of other Mughal monuments.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\"  href=\"#\" style=\"color:#888888;\">...more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\nThis series of paintings using rubberstamps, were made from references of the great inlay patterns on the walls of the Taj Mahal and other Mughal architectural monuments found in India. The rubberstamps carry names and symbols found engraved on the red sandstones laid along the back wall of the Taj Mahal and on the pathways leading to the Taj; similar carved names of the craftsmen are also seen in case of other Mughal monuments. These names, retrieved from the archives of the Archeological Survey of India, intercept the austere inlay patterns through text and symbols evoking notions of labour, memory and the submerged, factual and fictional, histories and myths that surround monument-making.\r\n As an artist what continues to interest me is the idea of representation which is fundamental to painting and the possibilities it carries for the generation of meaning through a calibrated interplay of image and form.\r\nIn ‘Closet Quarries’ I choose to work with the captivating inlays of the Taj and overlay it with a history invisible to the naked eye.\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div>\r\n</td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Closet-Quarries_3.jpg\" alt=\"\" title=\"Closet Quarries_3\" width=\"600\"  class=\"alignnone size-full wp-image-715\" /></a>\r\n</td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Closet-Quarries_5.jpg\" alt=\"Closet Quarries_5\" title=\"Closet Quarries_5\" width=\"600\" class=\"alignnone size-full wp-image-718\" /></a><span style=\"font-size:11px;\"><i>detail</i></span></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Closet-Quarries_reference.jpg\" alt=\"Closet Quarries_5\" title=\"Closet Quarries_5\" width=\"600\" class=\"alignnone size-full wp-image-718\" /></a><span style=\"font-size:11px;\"><i>reference shots</i></span></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n\r\n','','','inherit','open','open','','211-revision-48','','','2010-12-02 07:06:18','2010-12-02 07:06:18','',211,'http://www.reenakallat.com/2302/uncat/211-revision-48',0,'revision','',0),(2303,1,'2010-12-01 05:29:41','2010-12-01 05:29:41','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style>h3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody><tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Penumbra.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Penumbra.jpg\" alt=\"Penumbra\" title=\"Penumbra\" width=\"600\" height=\"400\" class=\"alignnone size-full wp-image-381\" /></a>\r\n</td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Penumbra\r\n</span>2006\r\nstainless steel, acrylic sheet, paint, rubber stamps \r\n60 x 74 x 42 in. I 152 x 188 x 107 cm\r\nedition of 3+AP\r\n</td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/penumbra1.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/penumbra1.jpg\" alt=\"penumbra\" title=\"penumbra1\" width=\"600\" class=\"alignnone size-full wp-image-1006\" /></a>\r\n</td>\r\n<td width=\"400\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block;\">\r\nThe sculptural work titled ‘Penumbra’ takes the form of a cradle. Unlike the  cradle, which is meant to support and comfort, this stainless steel sculpture is cold and unsettling. It rocks the disputed territorial form of (P.O.K) Pakistan Occupied Kashmir, which remains the nucleus of the conflict between India and Pakistan for several decades.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;width:400px;\" >The sculptural work titled ‘Penumbra’ takes the form of a cradle. Unlike the  cradle, which is meant to support and comfort, this stainless steel sculpture is cold and unsettling. It rocks the disputed territorial form of (P.O.K) Pakistan Occupied Kashmir, which remains the nucleus of the conflict between India and Pakistan for several decades. \r\nThe cradle lies in a state of limbo, much like the fate of it’s people, held in suspense. It is formed by rubberstamps carrying names of freedom fighters, both Hindus and Muslims who collectively fought to free the land that later got divided into India and Pakistan. This piece of land rests like a wound of that separation, rocked back and forth by political agendas and myopic policies.<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div>\r\n</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/penumbra2.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/penumbra2.jpg\" alt=\"penumbra\" title=\"penumbra2\" width=\"600\" class=\"alignnone size-full wp-image-1007\" /></a><span style=\"font-size:11px;\"><i>detail</i></span>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','380-revision-24','','','2010-12-01 05:29:41','2010-12-01 05:29:41','',380,'http://www.reenakallat.com/2303/uncat/380-revision-24',0,'revision','',0),(2304,1,'2010-11-25 18:20:26','2010-11-25 18:20:26','<table border=\"0\" cellspacing=\"5\" cellpadding=\"0\" width=\"100%\" align=\"centre\">\r\n<tbody>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" width=\"21%\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td style=\"margin-left: 5px;\"><span class=\"pubstrong\">Reena Saini Kallat, </span> 2009<span>\r\nText: Nancy Adajania and Murtaza Vali\r\nPublisher: Primo Marella Gallery, Walsh Gallery and Chemould Prescott Road\r\nISBN: 978-81-908879-1-5 </span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/reena-kallat\">read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Rainbow of Refuse, </span>2006<span>\r\nText: Nancy Adajania\r\nPublisher: Bodhi Art Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/rainbow-of-refuse\">read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Black Flute (and other stories), </span>2005\r\n<span class=\"pubstrong\">Black Flute,</span> 2004<span>\r\nText: Nancy Adajania\r\nPublisher: Gallery Chemould and Nature Morte Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/black-flute\">read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">The Battlefield is the Mind, </span>2002<span>\r\nText: Nancy Adajania\r\nPublisher: Sakshi Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/battlefield-of-mind\">read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\" cellspacing=\"0\" cellpadding=\"0\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Skin, </span>2000<span>\r\nInterview with Jitish Kallat\r\nPublisher: Gallery Chemould and Vis-à-vis Art Inc. Gallery</span></td>\r\n</tr>\r\n<tr>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Orchard of home-grown secrets, </span>1998<span>\r\nText: Ranjit Hoskote\r\nPublisher: Gallery Chemould and Pundole Art Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/orchard-pub\">read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n<td><!-- Start of Other Publications -->\r\n<span class=\"pubstrong\">Never Run Away, </span>2010<span>\r\nText: Shaheen Merali\r\nPublisher: Stux Gallery</span>\r\n<span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/never-run-away\">read essay</a></span>\r\n\r\n<span class=\"pubstrong\">Urban Manners 2, </span>2010<span>\r\nText: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\nPublisher: SESC Pompeia, Sao Paulo </span>\r\n\r\n<span class=\"pubstrong\">The Empire Strikes Back, </span>2010<span>\r\nText: Zehra Jumabhoy\r\nPublisher: Saatchi Gallery\r\nISBN: 9780224089494\r\n</span>\r\n\r\n<span class=\"pubstrong\">The Khoj Book, </span>2010<span>\r\nInterview with Shilpa Gupta\r\nPublisher: HarperCollins\r\nISBN: 9788172236878</span>\r\n<span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/khoj-book\">read interview</a></span>\r\n\r\n<span class=\"pubstrong\">Viewpoints &amp; Viewings Points- Asian Art Biennale, </span>2009<span>\r\nText: Chao-yi-Tsai\r\nPublisher: National Taiwan Museum of fine Arts\r\nISBN: 978-986-02-0269-4</span>\r\n\r\n<span class=\"pubstrong\">India Xianzai: Contemporary Indian Art, </span>2009<span>\r\nText: Jitish Kallat, Diana Freundl, Alexander Keefe\r\nPublisher: Museum of Contemporary Art</span>\r\n\r\n<span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2009<span>\r\nText: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki,\r\nMiho Tagomori\r\nPublisher: Prestel, National Museum of Contemporary Art and Essl Museum\r\nISBN: 978-3-7913-4304-4</span>\r\n\r\n<span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2008<span>\r\nText: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman\r\nGopinath, Jayaram, Deepak Ananth\r\nPublisher: Mori Art Museum\r\nISBN: 978-4-902819-21-2</span>\r\n\r\n<span class=\"pubstrong\">India Moderna, </span>2008<span>\r\nText: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur,\r\nR. Siva Kumar, K.G. Subramanyan\r\nPublisher: IVAM (Institute Valencia D’Art Modern)\r\nISBN: 978-84-482-5104-8</span>\r\n\r\n<span class=\"pubstrong\">Everywhere is War (and rumours of it),</span>2008<span>\r\nText: Kai Hafez, Martin Hager, Nicholas Mirzoeff, Daniel Miller,\r\nBregje van Eekelen\r\nPublisher: Bodhi Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Three Points of Views, </span>2008<span>\r\nText: Grant Watson\r\nPublisher: Galerie Mirchandani + Steinruecke</span>\r\n\r\n<span class=\"pubstrong\">New Narratives: Contemporary Art from India, </span>2008<span>\r\nText: Betty Seid with contributions by Johan Pijnappel\r\nPublisher: Mapin Publication in association with Chicago Cultural Center\r\nISBN: 978-1-890206-08-6</span>\r\n\r\n<span class=\"pubstrong\">Made by Indians, </span>2007<span>\r\nText: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\nPublisher: Galerie Enrico Navarra\r\nISBN: 2-911596-37-4</span>\r\n\r\n<span class=\"pubstrong\">Thermocline of Art: New Asian Waves, </span>2007<span>\r\nText:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong\r\nPublisher: Hatje Cantz Vertag\r\nISBN: 978-3-7757-2073-1\r\nEAN: 9782911596377</span>\r\n\r\n<span class=\"pubstrong\">Indian Colour, </span>2007<span>\r\nText: Peter Nagy\r\nPublisher: Dal- seung Hwang, Keumsan Gallery</span>\r\n\r\n<span class=\"pubstrong\">India Arte Oggi, </span>2007<span>\r\nText:  Daniela Palazzoli\r\nPublisher: Spazio Oberdan\r\nISBN: 978-88-202-1867-6</span>\r\n\r\n<span class=\"pubstrong\">Urban Manners, </span>2007<span>\r\nText: Adelina Von Furstenberg and Nancy Adajania\r\nPublisher: Hangar Bicocca</span>\r\n\r\n<span class=\"pubstrong\">International Incheon Women Artists’ Biennale,</span>\r\n<span class=\"pubstrong\">Knocking on the Door, </span>2007<span>\r\nText: Sung Hee Kim, John C. Welchman\r\nPublisher: Incheon Culture and Art Centre</span>\r\n\r\n<span class=\"pubstrong\">Soft Power: Asian Attitude, </span>2007<span>\r\nText: Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\nPublisher: Shanghai Zendai Mumsem of Modern Art\r\nISBN: 978-7-5356-2790-2</span>\r\n\r\n<span class=\"pubstrong\">India Express- Art and Popular Culture, </span>2006<span>\r\nText: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze\r\nPublisher: Helsinki City Art Museum\r\nISBN: 951-8965-61-7</span>\r\n\r\n<span class=\"pubstrong\">Bombay L’album Maximum City, </span>2006<span>\r\nText: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\nPublisher: Terrail, Lille 3000\r\nISBN: 2-87939-325-6</span>\r\n\r\n<span class=\"pubstrong\">Indian Paintings of the New Millennium, </span>2005<span>\r\nText: Helen Asquine  Fazio, Gayatri Sinha\r\nPublisher: Quick Arts Center, Fairfield University</span>\r\n\r\n<span class=\"pubstrong\">A Guide to 101 Modern &amp; Contemporary Indian Artists, </span>2005<span>\r\nText: Amrita Jhaveri\r\nPublisher: India Book House\r\nISBN: 81-7508-423-5</span>\r\n\r\n<span class=\"pubstrong\">Zoom! Art in Contemporary India, </span>2004<span>\r\nTexts: Luis Serpa and Nancy Adajania\r\nPublisher: The Culturgest Museum\r\nISBN: 972-769-033-5</span>\r\n\r\n<span class=\"pubstrong\">Interlude in Sri Lanka, </span>2004<span>\r\nText: Ranjit Hoskote and Nancy Adajania\r\nPublisher: The Guild Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Generation I, </span>2004<span>\r\nText: Zehra Jumabhoy\r\nPublisher: Saffronart &amp; The Guild Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Tiranga Rights and Reponsibilities, </span>2003<span>\r\nText: Peter Nagy\r\nPublisher: Jindal Foundation &amp; Creative Arts</span>\r\n\r\n<span class=\"pubstrong\">Hard Copy, </span>2003<span>\r\nText: Peter Nagy\r\nPublisher: Galerie 88</span>\r\n\r\n<span class=\"pubstrong\">Crossing Generations: diVERGE, </span>2003<span>\r\nText: Geeta Kapoor and Chaitanya Sambrani\r\nPublisher: Gallery Chemould</span>\r\n\r\n\r\n<span class=\"pubstrong\" style=\"color: #000000;\">PRESS</span>\r\n\r\n<span class=\"pubstrong\">The Archives of the Heart</span><span>\r\nNancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\nFront Cover, pgs 42-45, 2009</span>\r\n\r\n<span class=\"pubstrong\">Globale Kunst Mit Wurzelduft</span><span>\r\nVon Almuth Speigler, Die Presse, Feuilleton, 2nd September 2009</span>\r\n\r\n<span class=\"pubstrong\">Landscapes of Loss</span><span>\r\nBeth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009</span>\r\n\r\n<span class=\"pubstrong\">Reincarnating History</span><span>\r\nThe Big Picture, Architect and Interiors, July 2009</span>\r\n\r\n<span class=\"pubstrong\">Stamp Collection</span><span>\r\nGeorgina Maddox, The Sunday Express, 17th May 2009</span>\r\n\r\n<span class=\"pubstrong\">Evolving Beyond Borders</span><span>\r\nReshma S. Kulkarni, Bombay Times, Times of India, 15th January, 2009</span>\r\n\r\n<span class=\"pubstrong\">Loss and Found</span><span>\r\nMarina Correa, DNA, Mumbai, 22nd January 2009</span>\r\n\r\n<span class=\"pubstrong\">Focus India</span><span>\r\nMegha Ralapati, Flash Art, pg 114, January-February 2008</span>\r\n\r\n<span class=\"pubstrong\">Come Together Right Now</span><span>\r\nReema Gehi, HT Café, 15th February 2008</span>\r\n\r\n<span class=\"pubstrong\">Such a Long Journey</span><span>\r\nAparna S Sharma, Elle Magazine, pgs 115-117, February 2008</span>\r\n\r\n<span class=\"pubstrong\">More than a Woman</span><span>\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 4th February 2008</span>\r\n\r\n<span class=\"pubstrong\">Artist of the Fortnight</span><span>\r\nMaria Louis, Outlook Profit, pg 79, 18th April 2008</span>\r\n\r\n<span class=\"pubstrong\">Deja View</span><span>\r\nTara Khilachand, Live Mint, 20th December 2008</span>\r\n\r\n<span class=\"pubstrong\">Terror Struck</span><span>\r\nMaria Louis, Outlook Profit, 26th December 2008</span>\r\n\r\n<span class=\"pubstrong\">Name Calling</span><span>\r\nDeepanjana Pal, Timeout Mumbai, December 2008</span>\r\n\r\n<span class=\"pubstrong\">Corruptions of Power</span>\r\n<span>Shiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99, 2007</span>\r\n\r\n<span class=\"pubstrong\">Over the Rainbow</span><span>\r\nMaria Louis, Interview, Verve Magazine, pg 78, November 2006</span>\r\n\r\n<span class=\"pubstrong\">In a State of Perennial Siege</span><span>\r\nNancy Adajania, The Hindu, Hyderabad, 29th October 2006</span>\r\n\r\n<span class=\"pubstrong\">Her Crowning Achievement</span><span>\r\nClara Chow, The Straits Times, 18th November 2006</span>\r\n\r\n<span class=\"pubstrong\">Political Chaos</span><span>\r\nDeepali Nandwani, Beautiful people, pg 143, November-December 2006</span>\r\n\r\n<span class=\"pubstrong\">Weapons of Mass Construction</span><span>\r\nRituparna Som, DNA after Hrs, Mumbai, 9th October, 2006</span>\r\n\r\n<span class=\"pubstrong\">Guns and Roses</span><span>\r\nRachna Nakra, The Indian Express, Mumbai Newsline, 18th September 2006</span>\r\n\r\n<span class=\"pubstrong\">Under Attack</span><span>\r\nGitanjali Dang, HT Mumbai, 22nd September 2006</span>\r\n\r\n<span class=\"pubstrong\">Time Traveller</span><span>\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 27th June 2006</span>\r\n\r\n<span class=\"pubstrong\">The Flower and the Sword</span><span>\r\nGirish Shahane, The Art News magazine of India, pg 93, volume X issue I, 2004</span>\r\n\r\n<span class=\"pubstrong\">India’s Top 100 Achievers</span><span>\r\nSociety Magazine, pg 137, December 2004</span>\r\n\r\n<span class=\"pubstrong\">Caught Between Demons</span><span>\r\nNancy Adajania, The Hindu, 19th December 2004</span>\r\n\r\n<span class=\"pubstrong\">En Reise Til India</span><span>\r\nHarald Flor, Dagbladet, Kultur, 2nd February 2003</span>\r\n\r\n<span class=\"pubstrong\">Signs of Resistance</span><span>\r\nNancy Adajania, The Hindu, 5th January 2003</span>\r\n\r\n<span class=\"pubstrong\">Of the Goddess and Demon in the Mind</span><span>\r\nDebbie Rodgers, Sunday edition Vijay Times, Bangalore, 5th January 2003</span>\r\n\r\n<span class=\"pubstrong\">Empathic Anger</span><span>\r\nMarta Jakimowicz, Deccan Herald, 23rd December 2002</span>\r\n\r\n<span class=\"pubstrong\">Mysore Ek Khoj</span>\r\nCross Fertilization of Culture, Interview in Star of Mysore, 27th October 2002\r\n\r\n<span class=\"pubstrong\">Linking Islands</span><span>\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 15th February 2002</span>\r\n\r\n<span class=\"pubstrong\">Creating to Destroy</span><span>\r\nJasmine Shah Varma, The List, Mid Day, 22nd February 2002</span>\r\n\r\n<span class=\"pubstrong\">Different Strokes</span><span>\r\nGeorgina L Maddox, The Indian Express, Mumbai Newsline, 24th July 2002</span>\r\n\r\n<span class=\"pubstrong\">Of Faith and Hunger</span><span>\r\nAbhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89, December 2000</span>\r\n\r\n<span class=\"pubstrong\">The Murmur of Skin</span><span>\r\nNupur Mahajan, Bombay Times, Times of India, 12th October 2000</span>\r\n\r\n<span class=\"pubstrong\">Not just Skin Deep</span><span>\r\nJasmine Shah Varma, The List, Mid-day, 4th October 2000</span>\r\n\r\n<span class=\"pubstrong\">Inside Out</span><span>\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 11th October 2000</span>\r\n\r\n<span class=\"pubstrong\">Scintillating Skin</span><span>\r\nVaibhav Purandare, The Asian Age, 14th October 2000</span>\r\n\r\n<span class=\"pubstrong\">An Artist’s World: Roti, Makaan &amp; Abstract Art</span><span>\r\nPoonam Goel, HT City, 23rd December 2000</span>\r\n\r\n<span class=\"pubstrong\">Within you, Without you</span><span>\r\nAnu Kumar, Indian Express, Express Newsline, 2nd September 1998</span>\r\n\r\n<span class=\"pubstrong\">Farming Intrigue</span><span>\r\nJerry Pinto, The Times of India, Bombay Times, 3rd September 1998</span>\r\n\r\n<span class=\"pubstrong\">Interactive Medium</span><span>\r\nKaren Pereira, Indian Architect &amp; Builder, pgs 102-104, October 1998</span></td>\r\n</tr>\r\n</tbody>\r\n</table>','Publications','','inherit','open','open','','87-revision-160','','','2010-11-25 18:20:26','2010-11-25 18:20:26','',87,'http://www.reenakallat.com/2304/uncat/87-revision-160',0,'revision','',0),(2305,1,'2010-12-02 09:31:07','2010-12-02 09:31:07','<table border=\"0\" cellspacing=\"5\" cellpadding=\"0\" width=\"100%\" align=\"centre\">\r\n<tbody>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" width=\"21%\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td style=\"margin-left: 5px;\"><span class=\"pubstrong\">Reena Saini Kallat, </span> 2009<span>\r\nText: Nancy Adajania and Murtaza Vali\r\nPublisher: Primo Marella Gallery, Walsh Gallery and Chemould Prescott Road\r\nISBN: 978-81-908879-1-5 </span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/reena-kallat\">read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Rainbow of Refuse, </span>2006<span>\r\nText: Nancy Adajania\r\nPublisher: Bodhi Art Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/rainbow-of-refuse\">read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Black Flute (and other stories), </span>2005\r\n<span class=\"pubstrong\">Black Flute,</span> 2004<span>\r\nText: Nancy Adajania\r\nPublisher: Gallery Chemould and Nature Morte Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/black-flute\">read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">The Battlefield is the Mind, </span>2002<span>\r\nText: Nancy Adajania\r\nPublisher: Sakshi Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/battlefield-of-mind\">read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\" cellspacing=\"0\" cellpadding=\"0\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Skin, </span>2000<span>\r\nInterview with Jitish Kallat\r\nPublisher: Gallery Chemould and Vis-à-vis Art Inc. Gallery</span></td>\r\n</tr>\r\n<tr>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Orchard of home-grown secrets, </span>1998<span>\r\nText: Ranjit Hoskote\r\nPublisher: Gallery Chemould and Pundole Art Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/orchard-pub\">read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n<td><!-- Start of Other Publications -->\r\n<span class=\"pubstrong\">Never Run Away, </span>2010<span>\r\nText: Shaheen Merali\r\nPublisher: Stux Gallery</span>\r\n<span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/never-run-away\">read essay</a></span>\r\n\r\n<span class=\"pubstrong\">Urban Manners 2, </span>2010<span>\r\nText: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\nPublisher: SESC Pompeia, Sao Paulo </span>\r\n\r\n<span class=\"pubstrong\">The Empire Strikes Back, </span>2010<span>\r\nText: Zehra Jumabhoy\r\nPublisher: Saatchi Gallery\r\nISBN: 9780224089494\r\n</span>\r\n\r\n<span class=\"pubstrong\">Asian Art Now, </span>2010<span>\r\nText: Melissa Chiu and Benjamin Genocchio\r\nPublisher: Monacelli Press\r\nISBN: 978-1-58093-298-1 (1-58093-298-3)\r\n</span>\r\n\r\n<span class=\"pubstrong\">The Khoj Book, </span>2010<span>\r\nInterview with Shilpa Gupta\r\nPublisher: HarperCollins\r\nISBN: 9788172236878</span>\r\n<span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/khoj-book\">read interview</a></span>\r\n\r\n<span class=\"pubstrong\">Viewpoints &amp; Viewings Points- Asian Art Biennale, </span>2009<span>\r\nText: Chao-yi-Tsai\r\nPublisher: National Taiwan Museum of fine Arts\r\nISBN: 978-986-02-0269-4</span>\r\n\r\n<span class=\"pubstrong\">India Xianzai: Contemporary Indian Art, </span>2009<span>\r\nText: Jitish Kallat, Diana Freundl, Alexander Keefe\r\nPublisher: Museum of Contemporary Art</span>\r\n\r\n<span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2009<span>\r\nText: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki,\r\nMiho Tagomori\r\nPublisher: Prestel, National Museum of Contemporary Art and Essl Museum\r\nISBN: 978-3-7913-4304-4</span>\r\n\r\n<span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2008<span>\r\nText: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman\r\nGopinath, Jayaram, Deepak Ananth\r\nPublisher: Mori Art Museum\r\nISBN: 978-4-902819-21-2</span>\r\n\r\n<span class=\"pubstrong\">India Moderna, </span>2008<span>\r\nText: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur,\r\nR. Siva Kumar, K.G. Subramanyan\r\nPublisher: IVAM (Institute Valencia D’Art Modern)\r\nISBN: 978-84-482-5104-8</span>\r\n\r\n<span class=\"pubstrong\">Everywhere is War (and rumours of it),</span>2008<span>\r\nText: Kai Hafez, Martin Hager, Nicholas Mirzoeff, Daniel Miller,\r\nBregje van Eekelen\r\nPublisher: Bodhi Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Three Points of Views, </span>2008<span>\r\nText: Grant Watson\r\nPublisher: Galerie Mirchandani + Steinruecke</span>\r\n\r\n<span class=\"pubstrong\">New Narratives: Contemporary Art from India, </span>2008<span>\r\nText: Betty Seid with contributions by Johan Pijnappel\r\nPublisher: Mapin Publication in association with Chicago Cultural Center\r\nISBN: 978-1-890206-08-6</span>\r\n\r\n<span class=\"pubstrong\">Made by Indians, </span>2007<span>\r\nText: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\nPublisher: Galerie Enrico Navarra\r\nISBN: 2-911596-37-4</span>\r\n\r\n<span class=\"pubstrong\">Thermocline of Art: New Asian Waves, </span>2007<span>\r\nText:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong\r\nPublisher: Hatje Cantz Vertag\r\nISBN: 978-3-7757-2073-1\r\nEAN: 9782911596377</span>\r\n\r\n<span class=\"pubstrong\">Indian Colour, </span>2007<span>\r\nText: Peter Nagy\r\nPublisher: Dal- seung Hwang, Keumsan Gallery</span>\r\n\r\n<span class=\"pubstrong\">India Arte Oggi, </span>2007<span>\r\nText:  Daniela Palazzoli\r\nPublisher: Spazio Oberdan\r\nISBN: 978-88-202-1867-6</span>\r\n\r\n<span class=\"pubstrong\">Urban Manners, </span>2007<span>\r\nText: Adelina Von Furstenberg and Nancy Adajania\r\nPublisher: Hangar Bicocca</span>\r\n\r\n<span class=\"pubstrong\">International Incheon Women Artists’ Biennale,</span>\r\n<span class=\"pubstrong\">Knocking on the Door, </span>2007<span>\r\nText: Sung Hee Kim, John C. Welchman\r\nPublisher: Incheon Culture and Art Centre</span>\r\n\r\n<span class=\"pubstrong\">Soft Power: Asian Attitude, </span>2007<span>\r\nText: Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\nPublisher: Shanghai Zendai Mumsem of Modern Art\r\nISBN: 978-7-5356-2790-2</span>\r\n\r\n<span class=\"pubstrong\">India Express- Art and Popular Culture, </span>2006<span>\r\nText: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze\r\nPublisher: Helsinki City Art Museum\r\nISBN: 951-8965-61-7</span>\r\n\r\n<span class=\"pubstrong\">Bombay L’album Maximum City, </span>2006<span>\r\nText: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\nPublisher: Terrail, Lille 3000\r\nISBN: 2-87939-325-6</span>\r\n\r\n<span class=\"pubstrong\">Indian Paintings of the New Millennium, </span>2005<span>\r\nText: Helen Asquine  Fazio, Gayatri Sinha\r\nPublisher: Quick Arts Center, Fairfield University</span>\r\n\r\n<span class=\"pubstrong\">A Guide to 101 Modern &amp; Contemporary Indian Artists, </span>2005<span>\r\nText: Amrita Jhaveri\r\nPublisher: India Book House\r\nISBN: 81-7508-423-5</span>\r\n\r\n<span class=\"pubstrong\">Zoom! Art in Contemporary India, </span>2004<span>\r\nTexts: Luis Serpa and Nancy Adajania\r\nPublisher: The Culturgest Museum\r\nISBN: 972-769-033-5</span>\r\n\r\n<span class=\"pubstrong\">Interlude in Sri Lanka, </span>2004<span>\r\nText: Ranjit Hoskote and Nancy Adajania\r\nPublisher: The Guild Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Generation I, </span>2004<span>\r\nText: Zehra Jumabhoy\r\nPublisher: Saffronart &amp; The Guild Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Tiranga Rights and Reponsibilities, </span>2003<span>\r\nText: Peter Nagy\r\nPublisher: Jindal Foundation &amp; Creative Arts</span>\r\n\r\n<span class=\"pubstrong\">Hard Copy, </span>2003<span>\r\nText: Peter Nagy\r\nPublisher: Galerie 88</span>\r\n\r\n<span class=\"pubstrong\">Crossing Generations: diVERGE, </span>2003<span>\r\nText: Geeta Kapoor and Chaitanya Sambrani\r\nPublisher: Gallery Chemould</span>\r\n\r\n\r\n<span class=\"pubstrong\" style=\"color: #000000;\">PRESS</span>\r\n\r\n<span class=\"pubstrong\"><a href=\"http://www.artconcerns.com/mywork.php\" style=\"color: rgb(135, 135, 135);\" >My work</a> , </span><span>\r\nwww.artconcerns.com, Oct-Nov 2010 issue\r\nText: Reena Kallat</span>\r\n\r\n<span class=\"pubstrong\"><a href=\"http://artradarjournal.com/2010/04/20/indian-contemporary-artist-reena-kallat-art-radar-exclusive-interview/\" style=\"color: rgb(135, 135, 135);\">Interview, Art Radar Asia, </a></span><span>\r\n April 20, 2010</span>\r\n\r\n\r\n<span class=\"pubstrong\">The Archives of the Heart</span><span>\r\nNancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\nFront Cover, pgs 42-45, 2009</span>\r\n\r\n<span class=\"pubstrong\">Globale Kunst Mit Wurzelduft</span><span>\r\nVon Almuth Speigler, Die Presse, Feuilleton, 2nd September 2009</span>\r\n\r\n<span class=\"pubstrong\">Landscapes of Loss</span><span>\r\nBeth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009</span>\r\n\r\n<span class=\"pubstrong\">Reincarnating History</span><span>\r\nThe Big Picture, Architect and Interiors, July 2009</span>\r\n\r\n<span class=\"pubstrong\">Stamp Collection</span><span>\r\nGeorgina Maddox, The Sunday Express, 17th May 2009</span>\r\n\r\n<span class=\"pubstrong\">Evolving Beyond Borders</span><span>\r\nReshma S. Kulkarni, Bombay Times, Times of India, 15th January, 2009</span>\r\n\r\n<span class=\"pubstrong\">Loss and Found</span><span>\r\nMarina Correa, DNA, Mumbai, 22nd January 2009</span>\r\n\r\n<span class=\"pubstrong\">Focus India</span><span>\r\nMegha Ralapati, Flash Art, pg 114, January-February 2008</span>\r\n\r\n<span class=\"pubstrong\">Come Together Right Now</span><span>\r\nReema Gehi, HT Café, 15th February 2008</span>\r\n\r\n<span class=\"pubstrong\">Such a Long Journey</span><span>\r\nAparna S Sharma, Elle Magazine, pgs 115-117, February 2008</span>\r\n\r\n<span class=\"pubstrong\">More than a Woman</span><span>\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 4th February 2008</span>\r\n\r\n<span class=\"pubstrong\">Artist of the Fortnight</span><span>\r\nMaria Louis, Outlook Profit, pg 79, 18th April 2008</span>\r\n\r\n<span class=\"pubstrong\">Deja View</span><span>\r\nTara Khilachand, Live Mint, 20th December 2008</span>\r\n\r\n<span class=\"pubstrong\">Terror Struck</span><span>\r\nMaria Louis, Outlook Profit, 26th December 2008</span>\r\n\r\n<span class=\"pubstrong\">Name Calling</span><span>\r\nDeepanjana Pal, Timeout Mumbai, December 2008</span>\r\n\r\n<span class=\"pubstrong\">Corruptions of Power</span>\r\n<span>Shiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99, 2007</span>\r\n\r\n<span class=\"pubstrong\">Over the Rainbow</span><span>\r\nMaria Louis, Interview, Verve Magazine, pg 78, November 2006</span>\r\n\r\n<span class=\"pubstrong\"><a href=\"http://www.hindu.com/mag/2006/10/29/stories/2006102900070200.htm\" style=\"color: rgb(135, 135, 135);\">In a State of Perennial Siege</a></span><span>\r\nNancy Adajania, The Hindu, Hyderabad, 29th October 2006</span>\r\n\r\n<span class=\"pubstrong\">Her Crowning Achievement</span><span>\r\nClara Chow, The Straits Times, 18th November 2006</span>\r\n\r\n<span class=\"pubstrong\">Political Chaos</span><span>\r\nDeepali Nandwani, Beautiful people, pg 143, November-December 2006</span>\r\n\r\n<span class=\"pubstrong\">Weapons of Mass Construction</span><span>\r\nRituparna Som, DNA after Hrs, Mumbai, 9th October, 2006</span>\r\n\r\n<span class=\"pubstrong\">Guns and Roses</span><span>\r\nRachna Nakra, The Indian Express, Mumbai Newsline, 18th September 2006</span>\r\n\r\n<span class=\"pubstrong\">Under Attack</span><span>\r\nGitanjali Dang, HT Mumbai, 22nd September 2006</span>\r\n\r\n<span class=\"pubstrong\">Time Traveller</span><span>\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 27th June 2006</span>\r\n\r\n<span class=\"pubstrong\">The Flower and the Sword</span><span>\r\nGirish Shahane, The Art News magazine of India, pg 93, volume X issue I, 2004</span>\r\n\r\n<span class=\"pubstrong\">India’s Top 100 Achievers</span><span>\r\nSociety Magazine, pg 137, December 2004</span>\r\n\r\n<span class=\"pubstrong\"><a href=\"http://www.hinduonnet.com/thehindu/mag/2004/12/19/stories/2004121900620700.htm\" style=\"color: rgb(135, 135, 135);\" >Caught Between Demons</a></span><span>\r\nNancy Adajania, The Hindu, 19th December 2004</span>\r\n\r\n<span class=\"pubstrong\">En Reise Til India</span><span>\r\nHarald Flor, Dagbladet, Kultur, 2nd February 2003</span>\r\n\r\n<span class=\"pubstrong\">Signs of Resistance</span><span>\r\nNancy Adajania, The Hindu, 5th January 2003</span>\r\n\r\n<span class=\"pubstrong\">Of the Goddess and Demon in the Mind</span><span>\r\nDebbie Rodgers, Sunday edition Vijay Times, Bangalore, 5th January 2003</span>\r\n\r\n<span class=\"pubstrong\">Empathic Anger</span><span>\r\nMarta Jakimowicz, Deccan Herald, 23rd December 2002</span>\r\n\r\n<span class=\"pubstrong\">Mysore Ek Khoj</span>\r\nCross Fertilization of Culture, Interview in Star of Mysore, 27th October 2002\r\n\r\n<span class=\"pubstrong\">Linking Islands</span><span>\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 15th February 2002</span>\r\n\r\n<span class=\"pubstrong\">Creating to Destroy</span><span>\r\nJasmine Shah Varma, The List, Mid Day, 22nd February 2002</span>\r\n\r\n<span class=\"pubstrong\">Different Strokes</span><span>\r\nGeorgina L Maddox, The Indian Express, Mumbai Newsline, 24th July 2002</span>\r\n\r\n<span class=\"pubstrong\">Of Faith and Hunger</span><span>\r\nAbhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89, December 2000</span>\r\n\r\n<span class=\"pubstrong\">The Murmur of Skin</span><span>\r\nNupur Mahajan, Bombay Times, Times of India, 12th October 2000</span>\r\n\r\n<span class=\"pubstrong\">Not just Skin Deep</span><span>\r\nJasmine Shah Varma, The List, Mid-day, 4th October 2000</span>\r\n\r\n<span class=\"pubstrong\">Inside Out</span><span>\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 11th October 2000</span>\r\n\r\n<span class=\"pubstrong\">Scintillating Skin</span><span>\r\nVaibhav Purandare, The Asian Age, 14th October 2000</span>\r\n\r\n<span class=\"pubstrong\">An Artist’s World: Roti, Makaan &amp; Abstract Art</span><span>\r\nPoonam Goel, HT City, 23rd December 2000</span>\r\n\r\n<span class=\"pubstrong\">Within you, Without you</span><span>\r\nAnu Kumar, Indian Express, Express Newsline, 2nd September 1998</span>\r\n\r\n<span class=\"pubstrong\">Farming Intrigue</span><span>\r\nJerry Pinto, The Times of India, Bombay Times, 3rd September 1998</span>\r\n\r\n<span class=\"pubstrong\">Interactive Medium</span><span>\r\nKaren Pereira, Indian Architect &amp; Builder, pgs 102-104, October 1998</span></td>\r\n</tr>\r\n</tbody>\r\n</table>','Publications','','inherit','open','open','','87-revision-161','','','2010-12-02 09:31:07','2010-12-02 09:31:07','',87,'http://www.reenakallat.com/2305/uncat/87-revision-161',0,'revision','',0),(2306,1,'2010-12-02 12:23:10','2010-12-02 12:23:10','<script type=\"text/javascript\">// <![CDATA[\r\nfunction ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\'; 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font-size:11px; font-weight:normal; margin-bottom:5px; margin-left:7px; margin-top:0; padding:0; text-transform:none; } h2.painting  { color:#FFFFFF; font-family:verdana,arial,tahoma,sans-serif; font-size:11px; font-weight:normal; margin:0 0 10px 7px; padding:0; text-align:left; text-transform:none; } -->\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-420\" title=\"Silt of Seasons-1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-1024x682.jpg\" alt=\"Silt of Seasons-1\" width=\"600\" /></a></td>\r\n<td style=\"font-size: 11px;\" width=\"200\" align=\"left\" valign=\"bottom\"><span style=\"color: #888888;\">Silt of Seasons-1</span>\r\n\r\n2008\r\n\r\nsingle channel video projection on sand\r\n\r\nduration 59 min 30 s, dimension variable\r\n\r\nedition: 5+AP</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-425\" title=\"Silt of Seasons-1-details\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-detail-1024x682.jpg\" alt=\"Silt of Seasons-1-details\" width=\"600\" /></a></td>\r\n<td style=\"font-size: 11px;\" width=\"300\" align=\"justify\" valign=\"top\">\r\n<div id=\"uniquename1\" style=\"display: block;\">\r\n\r\nThe work titled “Silt of Seasons” is a video projection on sand, shaped in the form of the disputed territory that lies between India and Pakistan, also called P.O.K. (Pakistan Occupied Kashmir).<a style=\"color: #888888;\" onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\">...more</a>\r\n<div id=\"video1\" style=\"display: block;\"><a onclick=\"javascript:ReverseContentDisplayVideo(\'video\'); return false;\" href=\"#\">View Video</a></div>\r\n<div style=\"display: block;\"><object classid=\"clsid:6bf52a52-394a-11d3-b153-00c04f79faa6\" width=\"300\" height=\"300\" codebase=\"http://activex.microsoft.com/activex/controls/mplayer/en/nsmp2inf.cab#Version=5,1,52,701\"><param name=\"url\" value=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat_small.avi\" /><param name=\"src\" value=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat_small.avi\" /><embed type=\"application/x-mplayer2\" width=\"300\" height=\"300\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat_small.avi\" url=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat_small.avi\"> </embed></object></div>\r\n<div id=\"video\" style=\"display: none;\"><object classid=\"clsid:6bf52a52-394a-11d3-b153-00c04f79faa6\" width=\"300\" height=\"300\" codebase=\"http://activex.microsoft.com/activex/controls/mplayer/en/nsmp2inf.cab#Version=5,1,52,701\"><param name=\"url\" value=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat.avi\" /><param name=\"src\" value=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat.avi\" /><embed type=\"application/x-mplayer2\" width=\"300\" height=\"300\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat.avi\" url=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat.avi\"></embed></object>\r\n<a style=\"color: #888888;\" onclick=\"javascript: ReverseContentDisplayVideo(\'video\');return false;\" href=\"#\">Hide Video</a></div>\r\n</div>\r\n<div id=\"uniquename\" style=\"display: none;\">\r\n\r\nThe work titled “Silt of Seasons” is a video projection on sand, shaped in the form of the disputed territory that lies between India and Pakistan, also called P.O.K. (Pakistan Occupied Kashmir). The map of this conflicted terrain recurs in several of my works as a symbol of human inanity.\r\n\r\nNames of those from across the world who’ve signed the peace petition in 2004, addressed to General Pervez Musharraf and to the Indian Prime Minister Dr. Manmohan Singh appear spelt out in letters formed with sand. Each name is made visible only momentarily and seems to slowly get blown away or effaced, much like the repeated attempts at peace that often get sabotaged by extremist forces or political opportunism. And yet each erased name is replaced by another one, transporting the optimism in the piece through the renewed hope and commitment towards peace in the region. <a style=\"color: #888888;\" onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\">...hide</a>\r\n<div id=\"video_hide1\" style=\"display: block;\"><a onclick=\"javascript:ReverseContentDisplayVideoHide(\'video_hide\'); return false;\" href=\"#\">View Video</a></div>\r\n<div id=\"video_hide\" style=\"display: none;\"><object classid=\"clsid:6bf52a52-394a-11d3-b153-00c04f79faa6\" width=\"300\" height=\"300\" codebase=\"http://activex.microsoft.com/activex/controls/mplayer/en/nsmp2inf.cab#Version=5,1,52,701\"><param name=\"url\" value=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat.avi\" /><param name=\"src\" value=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat.avi\" /><embed type=\"application/x-mplayer2\" width=\"300\" height=\"300\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat.avi\" url=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat.avi\"></embed></object>\r\n<a style=\"color: #888888;\" onclick=\"javascript: ReverseContentDisplayVideoHide(\'video_hide\');return false;\" href=\"#\">Hide Video</a></div>\r\n</div></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-423\" title=\"Silt of Seasons-1_detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1_detail-1024x682.jpg\" alt=\"Silt of Seasons-1_detail\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-details-1024x682.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/slit-of-season-image-5.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a><span style=\"font-size: 11px;\"><em>internet reference material</em></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/slit-of-season-image-6.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a><span style=\"font-size: 11px;\"><em>process shots</em></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>','','','publish','open','open','','video','','','2010-12-06 09:25:33','2010-12-06 09:25:33','',0,'http://www.reenakallat.com/?page_id=2306',0,'page','',0),(2307,1,'2010-12-02 09:39:12','2010-12-02 09:39:12','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-1024x682.jpg\" alt=\"Silt of Seasons-1\" title=\"Silt of Seasons-1\" width=\"600\" class=\"alignnone size-large wp-image-420\" /></a>\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Silt of Seasons-1\r\n</span>2008 \r\nsingle channel video projection on sand\r\nduration 59 min 30 s, dimension variable\r\nedition: 5+AP\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-detail-1024x682.jpg\" alt=\"Silt of Seasons-1-details\" title=\"Silt of Seasons-1-details\" width=\"600\" class=\"alignnone size-large wp-image-425\" /></a></td>\r\n<td width=\"300\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThe work titled “Silt of Seasons” is a video projection on sand, shaped in the form of the disputed territory that lies between India and Pakistan, also called P.O.K. (Pakistan Occupied Kashmir).<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888\">...more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\nThe work titled “Silt of Seasons” is a video projection on sand, shaped in the form of the disputed territory that lies between India and Pakistan, also called P.O.K. (Pakistan Occupied Kashmir). The map of this conflicted terrain recurs in several of my works as a symbol of human inanity.\r\nNames of those from across the world who’ve signed the peace petition in 2004, addressed to General Pervez Musharraf and to the Indian Prime Minister Dr. Manmohan Singh appear spelt out in letters formed with sand. Each name is made visible only momentarily and seems to slowly get blown away or effaced, much like the repeated attempts at peace that often get sabotaged by extremist forces or political opportunism. And yet each erased name is replaced by another one, transporting the optimism in the piece through the renewed hope and commitment towards peace in the region. <a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888\">...hide</a>\r\n</div></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table><table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody><tr><td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1_detail-1024x682.jpg\" alt=\"Silt of Seasons-1_detail\" title=\"Silt of Seasons-1_detail\" width=\"600\" class=\"alignnone size-large wp-image-423\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr><td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-details-1024x682.jpg\" alt=\"Silt of Seasons-1-detail\" title=\"Silt of Seasons-1-detail\" width=\"600\" class=\"alignnone size-large wp-image-424\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr><td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/slit-of-season-image-5.jpg\" alt=\"Silt of Seasons-1-detail\" title=\"Silt of Seasons-1-detail\" width=\"600\" class=\"alignnone size-large wp-image-424\" /></a><span style=\"font-size:11px;\"><i>internet reference material</i></span>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr><td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/slit-of-season-image-6.jpg\" alt=\"Silt of Seasons-1-detail\" title=\"Silt of Seasons-1-detail\" width=\"600\" class=\"alignnone size-large wp-image-424\" /></a><span style=\"font-size:11px;\"><i>process shots</i></span></td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','test-video-slit','','inherit','open','open','','2306-revision','','','2010-12-02 09:39:12','2010-12-02 09:39:12','',2306,'http://www.reenakallat.com/2307/uncat/2306-revision',0,'revision','',0),(2308,1,'2010-12-02 12:13:19','2010-12-02 12:13:19','mihir','mihir','','inherit','open','open','','mihir','','','2010-12-02 12:13:19','2010-12-02 12:13:19','',2306,'http://www.reenakallat.com/wp-content/uploads/2010/12/17072009.avi',0,'attachment','video/avi',0),(2309,1,'2010-12-02 12:10:48','2010-12-02 12:10:48','<script type=\"text/javascript\">// <![CDATA[\nfunction ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}\n// ]]></script>\n\n<!-- h3.canvas  { color:#333333; font-size:11px; font-weight:normal; margin-bottom:5px; margin-left:7px; margin-top:0; padding:0; text-transform:none; } h2.painting  { color:#FFFFFF; font-family:verdana,arial,tahoma,sans-serif; font-size:11px; font-weight:normal; margin:0 0 10px 7px; padding:0; text-align:left; text-transform:none; } -->\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\n<tbody>\n<tr>\n<td width=\"60%\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-420\" title=\"Silt of Seasons-1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-1024x682.jpg\" alt=\"Silt of Seasons-1\" width=\"600\" /></a></td>\n<td style=\"font-size: 11px;\" width=\"200\" align=\"left\" valign=\"bottom\"><span style=\"color: #888888;\">Silt of Seasons-1</span>\n\n2008\n\nsingle channel video projection on sand\n\nduration 59 min 30 s, dimension variable\n\nedition: 5+AP</td>\n</tr>\n<tr>\n<td></td>\n</tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\n<tbody>\n<tr>\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-425\" title=\"Silt of Seasons-1-details\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-detail-1024x682.jpg\" alt=\"Silt of Seasons-1-details\" width=\"600\" /></a></td>\n<td style=\"font-size: 11px;\" width=\"300\" align=\"justify\" valign=\"top\">\n<div id=\"uniquename1\" style=\"display: block;\">The work titled “Silt of Seasons” is a video projection on sand, shaped in the form of the disputed territory that lies between India and Pakistan, also called P.O.K. (Pakistan Occupied Kashmir).<a style=\"color: #888888;\" onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\">...more</a></div>\n<div id=\"uniquename\" style=\"display: none;\">\n\nThe work titled “Silt of Seasons” is a video projection on sand, shaped in the form of the disputed territory that lies between India and Pakistan, also called P.O.K. (Pakistan Occupied Kashmir). The map of this conflicted terrain recurs in several of my works as a symbol of human inanity.\n\nNames of those from across the world who’ve signed the peace petition in 2004, addressed to General Pervez Musharraf and to the Indian Prime Minister Dr. Manmohan Singh appear spelt out in letters formed with sand. Each name is made visible only momentarily and seems to slowly get blown away or effaced, much like the repeated attempts at peace that often get sabotaged by extremist forces or political opportunism. And yet each erased name is replaced by another one, transporting the optimism in the piece through the renewed hope and commitment towards peace in the region. <a style=\"color: #888888;\" onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\">...hide</a>\n\n</div></td>\n</tr>\n<tr>\n<td></td>\n</tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\n<tbody>\n<tr>\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-423\" title=\"Silt of Seasons-1_detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1_detail-1024x682.jpg\" alt=\"Silt of Seasons-1_detail\" width=\"600\" /></a></td>\n</tr>\n<tr>\n<td></td>\n</tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\n<tbody>\n<tr>\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-details-1024x682.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a></td>\n</tr>\n<tr>\n<td></td>\n</tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\n<tbody>\n<tr>\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/slit-of-season-image-5.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a><span style=\"font-size: 11px;\"><em>internet reference material</em></span></td>\n</tr>\n<tr>\n<td></td>\n</tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\n<tbody>\n<tr>\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/slit-of-season-image-6.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a><span style=\"font-size: 11px;\"><em>process shots</em></span></td>\n</tr>\n<tr>\n<td></td>\n</tr>\n</tbody>\n</table>','test-video-slit','','inherit','open','open','','2306-revision-2','','','2010-12-02 12:10:48','2010-12-02 12:10:48','',2306,'http://www.reenakallat.com/2309/uncat/2306-revision-2',0,'revision','',0),(2310,1,'2010-12-02 12:15:04','2010-12-02 12:15:04','<script type=\"text/javascript\">// <![CDATA[\r\nfunction ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}\r\n// ]]></script>\r\n\r\n<!-- h3.canvas  { color:#333333; font-size:11px; font-weight:normal; margin-bottom:5px; margin-left:7px; margin-top:0; padding:0; text-transform:none; } h2.painting  { color:#FFFFFF; font-family:verdana,arial,tahoma,sans-serif; font-size:11px; font-weight:normal; margin:0 0 10px 7px; padding:0; text-align:left; text-transform:none; } -->\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-420\" title=\"Silt of Seasons-1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-1024x682.jpg\" alt=\"Silt of Seasons-1\" width=\"600\" /></a></td>\r\n<td style=\"font-size: 11px;\" width=\"200\" align=\"left\" valign=\"bottom\"><span style=\"color: #888888;\">Silt of Seasons-1</span>\r\n\r\n2008\r\n\r\nsingle channel video projection on sand\r\n\r\nduration 59 min 30 s, dimension variable\r\n\r\nedition: 5+AP</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-425\" title=\"Silt of Seasons-1-details\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-detail-1024x682.jpg\" alt=\"Silt of Seasons-1-details\" width=\"600\" /></a></td>\r\n<td style=\"font-size: 11px;\" width=\"300\" align=\"justify\" valign=\"top\">\r\n<div id=\"uniquename1\" style=\"display: block;\">The work titled “Silt of Seasons” is a video projection on sand, shaped in the form of the disputed territory that lies between India and Pakistan, also called P.O.K. (Pakistan Occupied Kashmir).<a style=\"color: #888888;\" onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\">...more</a></div>\r\n<div id=\"uniquename\" style=\"display: none;\">\r\n\r\nThe work titled “Silt of Seasons” is a video projection on sand, shaped in the form of the disputed territory that lies between India and Pakistan, also called P.O.K. (Pakistan Occupied Kashmir). The map of this conflicted terrain recurs in several of my works as a symbol of human inanity.\r\n\r\nNames of those from across the world who’ve signed the peace petition in 2004, addressed to General Pervez Musharraf and to the Indian Prime Minister Dr. Manmohan Singh appear spelt out in letters formed with sand. Each name is made visible only momentarily and seems to slowly get blown away or effaced, much like the repeated attempts at peace that often get sabotaged by extremist forces or political opportunism. And yet each erased name is replaced by another one, transporting the optimism in the piece through the renewed hope and commitment towards peace in the region. <a style=\"color: #888888;\" onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\">...hide</a>\r\n\r\n</div></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-423\" title=\"Silt of Seasons-1_detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1_detail-1024x682.jpg\" alt=\"Silt of Seasons-1_detail\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-details-1024x682.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/slit-of-season-image-5.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a><span style=\"font-size: 11px;\"><em>internet reference material</em></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/slit-of-season-image-6.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a><span style=\"font-size: 11px;\"><em>process shots</em></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>','test-video-slit','','inherit','open','open','','2306-revision-3','','','2010-12-02 12:15:04','2010-12-02 12:15:04','',2306,'http://www.reenakallat.com/2310/uncat/2306-revision-3',0,'revision','',0),(2311,1,'2010-12-02 12:22:03','2010-12-02 12:22:03','<script type=\"text/javascript\">// <![CDATA[\r\nfunction ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}\r\n// ]]></script>\r\n\r\n<!-- h3.canvas  { color:#333333; font-size:11px; font-weight:normal; margin-bottom:5px; margin-left:7px; margin-top:0; padding:0; text-transform:none; } h2.painting  { color:#FFFFFF; font-family:verdana,arial,tahoma,sans-serif; font-size:11px; font-weight:normal; margin:0 0 10px 7px; padding:0; text-align:left; text-transform:none; } -->\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-420\" title=\"Silt of Seasons-1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-1024x682.jpg\" alt=\"Silt of Seasons-1\" width=\"600\" /></a></td>\r\n<td style=\"font-size: 11px;\" width=\"200\" align=\"left\" valign=\"bottom\"><span style=\"color: #888888;\">Silt of Seasons-1</span>\r\n\r\n2008\r\n\r\nsingle channel video projection on sand\r\n\r\nduration 59 min 30 s, dimension variable\r\n\r\nedition: 5+AP</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-425\" title=\"Silt of Seasons-1-details\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-detail-1024x682.jpg\" alt=\"Silt of Seasons-1-details\" width=\"600\" /></a></td>\r\n<td style=\"font-size: 11px;\" width=\"300\" align=\"justify\" valign=\"top\">\r\n<div id=\"uniquename1\" style=\"display: block;\">The work titled “Silt of Seasons” is a video projection on sand, shaped in the form of the disputed territory that lies between India and Pakistan, also called P.O.K. (Pakistan Occupied Kashmir).<a style=\"color: #888888;\" onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\">...more</a>[local /wp-content/uploads/2010/12/17072009.avi view video]</div>\r\n<div id=\"uniquename\" style=\"display: none;\">\r\n\r\nThe work titled “Silt of Seasons” is a video projection on sand, shaped in the form of the disputed territory that lies between India and Pakistan, also called P.O.K. (Pakistan Occupied Kashmir). The map of this conflicted terrain recurs in several of my works as a symbol of human inanity.\r\n\r\nNames of those from across the world who’ve signed the peace petition in 2004, addressed to General Pervez Musharraf and to the Indian Prime Minister Dr. Manmohan Singh appear spelt out in letters formed with sand. Each name is made visible only momentarily and seems to slowly get blown away or effaced, much like the repeated attempts at peace that often get sabotaged by extremist forces or political opportunism. And yet each erased name is replaced by another one, transporting the optimism in the piece through the renewed hope and commitment towards peace in the region. <a style=\"color: #888888;\" onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\">...hide</a>\r\n\r\n</div></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-423\" title=\"Silt of Seasons-1_detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1_detail-1024x682.jpg\" alt=\"Silt of Seasons-1_detail\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-details-1024x682.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/slit-of-season-image-5.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a><span style=\"font-size: 11px;\"><em>internet reference material</em></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/slit-of-season-image-6.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a><span style=\"font-size: 11px;\"><em>process shots</em></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>','test-video-slit','','inherit','open','open','','2306-revision-4','','','2010-12-02 12:22:03','2010-12-02 12:22:03','',2306,'http://www.reenakallat.com/2311/uncat/2306-revision-4',0,'revision','',0),(2312,1,'2010-12-06 09:26:42','2010-12-06 09:26:42','<script type=\"text/javascript\">// <![CDATA[\nfunction ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}function ReverseContentDisplayVideo(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"video1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"video1\").style.display = \'block\';}}function ReverseContentDisplayVideoHide(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"video_hide1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"video_hide1\").style.display = \'block\';}}\n// ]]></script>\n\n<!-- h3.canvas  { color:#333333; font-size:11px; font-weight:normal; margin-bottom:5px; margin-left:7px; margin-top:0; padding:0; text-transform:none; } h2.painting  { color:#FFFFFF; font-family:verdana,arial,tahoma,sans-serif; font-size:11px; font-weight:normal; margin:0 0 10px 7px; padding:0; text-align:left; text-transform:none; } -->\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\n<tbody>\n<tr>\n<td width=\"60%\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-420\" title=\"Silt of Seasons-1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-1024x682.jpg\" alt=\"Silt of Seasons-1\" width=\"600\" /></a></td>\n<td style=\"font-size: 11px;\" width=\"200\" align=\"left\" valign=\"bottom\"><span style=\"color: #888888;\">Silt of Seasons-1</span>\n\n2008\n\nsingle channel video projection on sand\n\nduration 59 min 30 s, dimension variable\n\nedition: 5+AP</td>\n</tr>\n<tr>\n<td></td>\n</tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\n<tbody>\n<tr>\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-425\" title=\"Silt of Seasons-1-details\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-detail-1024x682.jpg\" alt=\"Silt of Seasons-1-details\" width=\"600\" /></a></td>\n<td style=\"font-size: 11px;\" width=\"300\" align=\"justify\" valign=\"top\">\n<div id=\"uniquename1\" style=\"display: block;\">\n\nThe work titled “Silt of Seasons” is a video projection on sand, shaped in the form of the disputed territory that lies between India and Pakistan, also called P.O.K. (Pakistan Occupied Kashmir).<a style=\"color: #888888;\" onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\">...more</a>\n<div id=\"video1\" style=\"display: block;\"><a onclick=\"javascript:ReverseContentDisplayVideo(\'video\'); return false;\" href=\"#\">View Video</a></div>\n<div style=\"display: block;\"><object classid=\"clsid:6bf52a52-394a-11d3-b153-00c04f79faa6\" width=\"300\" height=\"300\" codebase=\"http://activex.microsoft.com/activex/controls/mplayer/en/nsmp2inf.cab#Version=5,1,52,701\"><param name=\"url\" value=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat_small.avi\" /><param name=\"src\" value=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat_small.avi\" /><embed type=\"application/x-mplayer2\" width=\"300\" height=\"300\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat_small.avi\" url=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat_small.avi\"> </embed></object></div>\n<div id=\"video\" style=\"display: none;\"><object classid=\"clsid:6bf52a52-394a-11d3-b153-00c04f79faa6\" width=\"300\" height=\"300\" codebase=\"http://activex.microsoft.com/activex/controls/mplayer/en/nsmp2inf.cab#Version=5,1,52,701\"><param name=\"url\" value=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat.avi\" /><param name=\"src\" value=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat.avi\" /><embed type=\"application/x-mplayer2\" width=\"300\" height=\"300\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat.avi\" url=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat.avi\"></embed></object>\n<a style=\"color: #888888;\" onclick=\"javascript: ReverseContentDisplayVideo(\'video\');return false;\" href=\"#\">Hide Video</a></div>\n</div>\n<div id=\"uniquename\" style=\"display: none;\">\n\nThe work titled “Silt of Seasons” is a video projection on sand, shaped in the form of the disputed territory that lies between India and Pakistan, also called P.O.K. (Pakistan Occupied Kashmir). The map of this conflicted terrain recurs in several of my works as a symbol of human inanity.\n\nNames of those from across the world who’ve signed the peace petition in 2004, addressed to General Pervez Musharraf and to the Indian Prime Minister Dr. Manmohan Singh appear spelt out in letters formed with sand. Each name is made visible only momentarily and seems to slowly get blown away or effaced, much like the repeated attempts at peace that often get sabotaged by extremist forces or political opportunism. And yet each erased name is replaced by another one, transporting the optimism in the piece through the renewed hope and commitment towards peace in the region. <a style=\"color: #888888;\" onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\">...hide</a>\n<div id=\"video_hide1\" style=\"display: block;\"><a onclick=\"javascript:ReverseContentDisplayVideoHide(\'video_hide\'); return false;\" href=\"#\">View Video</a></div>\n<div id=\"video_hide\" style=\"display: none;\"><object classid=\"clsid:6bf52a52-394a-11d3-b153-00c04f79faa6\" width=\"300\" height=\"300\" codebase=\"http://activex.microsoft.com/activex/controls/mplayer/en/nsmp2inf.cab#Version=5,1,52,701\"><param name=\"url\" value=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat.avi\" /><param name=\"src\" value=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat.avi\" /><embed type=\"application/x-mplayer2\" width=\"300\" height=\"300\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat.avi\" url=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat.avi\"></embed></object>\n<a style=\"color: #888888;\" onclick=\"javascript: ReverseContentDisplayVideoHide(\'video_hide\');return false;\" href=\"#\">Hide Video</a></div>\n</div></td>\n</tr>\n<tr>\n<td></td>\n</tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\n<tbody>\n<tr>\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-423\" title=\"Silt of Seasons-1_detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1_detail-1024x682.jpg\" alt=\"Silt of Seasons-1_detail\" width=\"600\" /></a></td>\n</tr>\n<tr>\n<td></td>\n</tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\n<tbody>\n<tr>\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-details-1024x682.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a></td>\n</tr>\n<tr>\n<td></td>\n</tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\n<tbody>\n<tr>\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/slit-of-season-image-5.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a><span style=\"font-size: 11px;\"><em>internet reference material</em></span></td>\n</tr>\n<tr>\n<td></td>\n</tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\n<tbody>\n<tr>\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/slit-of-season-image-6.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a><span style=\"font-size: 11px;\"><em>process shots</em></span></td>\n</tr>\n<tr>\n<td></td>\n</tr>\n</tbody>\n</table>','','','inherit','open','open','','2306-autosave','','','2010-12-06 09:26:42','2010-12-06 09:26:42','',2306,'http://www.reenakallat.com/2312/uncat/2306-autosave',0,'revision','',0),(2313,1,'2010-12-02 12:23:10','2010-12-02 12:23:10','<script type=\"text/javascript\">// <![CDATA[\r\nfunction ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}\r\n// ]]></script>\r\n\r\n<!-- h3.canvas  { color:#333333; font-size:11px; font-weight:normal; margin-bottom:5px; margin-left:7px; margin-top:0; padding:0; text-transform:none; } h2.painting  { color:#FFFFFF; font-family:verdana,arial,tahoma,sans-serif; font-size:11px; font-weight:normal; margin:0 0 10px 7px; padding:0; text-align:left; text-transform:none; } -->\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-420\" title=\"Silt of Seasons-1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-1024x682.jpg\" alt=\"Silt of Seasons-1\" width=\"600\" /></a></td>\r\n<td style=\"font-size: 11px;\" width=\"200\" align=\"left\" valign=\"bottom\"><span style=\"color: #888888;\">Silt of Seasons-1</span>\r\n\r\n2008\r\n\r\nsingle channel video projection on sand\r\n\r\nduration 59 min 30 s, dimension variable\r\n\r\nedition: 5+AP</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-425\" title=\"Silt of Seasons-1-details\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-detail-1024x682.jpg\" alt=\"Silt of Seasons-1-details\" width=\"600\" /></a></td>\r\n<td style=\"font-size: 11px;\" width=\"300\" align=\"justify\" valign=\"top\">\r\n<div id=\"uniquename1\" style=\"display: block;\">The work titled “Silt of Seasons” is a video projection on sand, shaped in the form of the disputed territory that lies between India and Pakistan, also called P.O.K. (Pakistan Occupied Kashmir).<a style=\"color: #888888;\" onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\">...more</a>[local /wp-content/uploads/2010/12/17072009.avi view video]</div>\r\n<div id=\"uniquename\" style=\"display: none;\">\r\n\r\nThe work titled “Silt of Seasons” is a video projection on sand, shaped in the form of the disputed territory that lies between India and Pakistan, also called P.O.K. (Pakistan Occupied Kashmir). The map of this conflicted terrain recurs in several of my works as a symbol of human inanity.\r\n\r\nNames of those from across the world who’ve signed the peace petition in 2004, addressed to General Pervez Musharraf and to the Indian Prime Minister Dr. Manmohan Singh appear spelt out in letters formed with sand. Each name is made visible only momentarily and seems to slowly get blown away or effaced, much like the repeated attempts at peace that often get sabotaged by extremist forces or political opportunism. And yet each erased name is replaced by another one, transporting the optimism in the piece through the renewed hope and commitment towards peace in the region. <a style=\"color: #888888;\" onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\">...hide</a>\r\n\r\n</div></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-423\" title=\"Silt of Seasons-1_detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1_detail-1024x682.jpg\" alt=\"Silt of Seasons-1_detail\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-details-1024x682.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/slit-of-season-image-5.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a><span style=\"font-size: 11px;\"><em>internet reference material</em></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/slit-of-season-image-6.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a><span style=\"font-size: 11px;\"><em>process shots</em></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>','test-video-slit','','inherit','open','open','','2306-revision-5','','','2010-12-02 12:23:10','2010-12-02 12:23:10','',2306,'http://www.reenakallat.com/2313/uncat/2306-revision-5',0,'revision','',0),(2314,1,'2010-12-02 09:32:07','2010-12-02 09:32:07','<table border=\"0\" cellspacing=\"5\" cellpadding=\"0\" width=\"100%\" align=\"centre\">\r\n<tbody>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" width=\"21%\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td style=\"margin-left: 5px;\"><span class=\"pubstrong\">Reena Saini Kallat, </span> 2009<span>\r\nText: Nancy Adajania and Murtaza Vali\r\nPublisher: Primo Marella Gallery, Walsh Gallery and Chemould Prescott Road\r\nISBN: 978-81-908879-1-5 </span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/reena-kallat\">read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Rainbow of Refuse, </span>2006<span>\r\nText: Nancy Adajania\r\nPublisher: Bodhi Art Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/rainbow-of-refuse\">read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Black Flute (and other stories), </span>2005\r\n<span class=\"pubstrong\">Black Flute,</span> 2004<span>\r\nText: Nancy Adajania\r\nPublisher: Gallery Chemould and Nature Morte Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/black-flute\">read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">The Battlefield is the Mind, </span>2002<span>\r\nText: Nancy Adajania\r\nPublisher: Sakshi Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/battlefield-of-mind\">read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\" cellspacing=\"0\" cellpadding=\"0\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Skin, </span>2000<span>\r\nInterview with Jitish Kallat\r\nPublisher: Gallery Chemould and Vis-à-vis Art Inc. Gallery</span></td>\r\n</tr>\r\n<tr>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Orchard of home-grown secrets, </span>1998<span>\r\nText: Ranjit Hoskote\r\nPublisher: Gallery Chemould and Pundole Art Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/orchard-pub\">read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n<td><!-- Start of Other Publications -->\r\n<span class=\"pubstrong\">Never Run Away, </span>2010<span>\r\nText: Shaheen Merali\r\nPublisher: Stux Gallery</span>\r\n<span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/never-run-away\">read essay</a></span>\r\n\r\n<span class=\"pubstrong\">Urban Manners 2, </span>2010<span>\r\nText: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\nPublisher: SESC Pompeia, Sao Paulo </span>\r\n\r\n<span class=\"pubstrong\">The Empire Strikes Back, </span>2010<span>\r\nText: Zehra Jumabhoy\r\nPublisher: Saatchi Gallery\r\nISBN: 9780224089494\r\n</span>\r\n\r\n<span class=\"pubstrong\">Asian Art Now, </span>2010<span>\r\nText: Melissa Chiu and Benjamin Genocchio\r\nPublisher: Monacelli Press\r\nISBN: 978-1-58093-298-1 (1-58093-298-3)\r\n</span>\r\n\r\n<span class=\"pubstrong\">The Khoj Book, </span>2010<span>\r\nInterview with Shilpa Gupta\r\nPublisher: HarperCollins\r\nISBN: 9788172236878</span>\r\n<span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/khoj-book\">read interview</a></span>\r\n\r\n<span class=\"pubstrong\">Viewpoints &amp; Viewings Points- Asian Art Biennale, </span>2009<span>\r\nText: Chao-yi-Tsai\r\nPublisher: National Taiwan Museum of fine Arts\r\nISBN: 978-986-02-0269-4</span>\r\n\r\n<span class=\"pubstrong\">India Xianzai: Contemporary Indian Art, </span>2009<span>\r\nText: Jitish Kallat, Diana Freundl, Alexander Keefe\r\nPublisher: Museum of Contemporary Art</span>\r\n\r\n<span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2009<span>\r\nText: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki,\r\nMiho Tagomori\r\nPublisher: Prestel, National Museum of Contemporary Art and Essl Museum\r\nISBN: 978-3-7913-4304-4</span>\r\n\r\n<span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2008<span>\r\nText: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman\r\nGopinath, Jayaram, Deepak Ananth\r\nPublisher: Mori Art Museum\r\nISBN: 978-4-902819-21-2</span>\r\n\r\n<span class=\"pubstrong\">India Moderna, </span>2008<span>\r\nText: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur,\r\nR. Siva Kumar, K.G. Subramanyan\r\nPublisher: IVAM (Institute Valencia D’Art Modern)\r\nISBN: 978-84-482-5104-8</span>\r\n\r\n<span class=\"pubstrong\">Everywhere is War (and rumours of it),</span>2008<span>\r\nText: Kai Hafez, Martin Hager, Nicholas Mirzoeff, Daniel Miller,\r\nBregje van Eekelen\r\nPublisher: Bodhi Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Three Points of Views, </span>2008<span>\r\nText: Grant Watson\r\nPublisher: Galerie Mirchandani + Steinruecke</span>\r\n\r\n<span class=\"pubstrong\">New Narratives: Contemporary Art from India, </span>2008<span>\r\nText: Betty Seid with contributions by Johan Pijnappel\r\nPublisher: Mapin Publication in association with Chicago Cultural Center\r\nISBN: 978-1-890206-08-6</span>\r\n\r\n<span class=\"pubstrong\">Made by Indians, </span>2007<span>\r\nText: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\nPublisher: Galerie Enrico Navarra\r\nISBN: 2-911596-37-4</span>\r\n\r\n<span class=\"pubstrong\">Thermocline of Art: New Asian Waves, </span>2007<span>\r\nText:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong\r\nPublisher: Hatje Cantz Vertag\r\nISBN: 978-3-7757-2073-1\r\nEAN: 9782911596377</span>\r\n\r\n<span class=\"pubstrong\">Indian Colour, </span>2007<span>\r\nText: Peter Nagy\r\nPublisher: Dal- seung Hwang, Keumsan Gallery</span>\r\n\r\n<span class=\"pubstrong\">India Arte Oggi, </span>2007<span>\r\nText:  Daniela Palazzoli\r\nPublisher: Spazio Oberdan\r\nISBN: 978-88-202-1867-6</span>\r\n\r\n<span class=\"pubstrong\">Urban Manners, </span>2007<span>\r\nText: Adelina Von Furstenberg and Nancy Adajania\r\nPublisher: Hangar Bicocca</span>\r\n\r\n<span class=\"pubstrong\">International Incheon Women Artists’ Biennale,</span>\r\n<span class=\"pubstrong\">Knocking on the Door, </span>2007<span>\r\nText: Sung Hee Kim, John C. Welchman\r\nPublisher: Incheon Culture and Art Centre</span>\r\n\r\n<span class=\"pubstrong\">Soft Power: Asian Attitude, </span>2007<span>\r\nText: Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\nPublisher: Shanghai Zendai Mumsem of Modern Art\r\nISBN: 978-7-5356-2790-2</span>\r\n\r\n<span class=\"pubstrong\">India Express- Art and Popular Culture, </span>2006<span>\r\nText: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze\r\nPublisher: Helsinki City Art Museum\r\nISBN: 951-8965-61-7</span>\r\n\r\n<span class=\"pubstrong\">Bombay L’album Maximum City, </span>2006<span>\r\nText: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\nPublisher: Terrail, Lille 3000\r\nISBN: 2-87939-325-6</span>\r\n\r\n<span class=\"pubstrong\">Indian Paintings of the New Millennium, </span>2005<span>\r\nText: Helen Asquine  Fazio, Gayatri Sinha\r\nPublisher: Quick Arts Center, Fairfield University</span>\r\n\r\n<span class=\"pubstrong\">A Guide to 101 Modern &amp; Contemporary Indian Artists, </span>2005<span>\r\nText: Amrita Jhaveri\r\nPublisher: India Book House\r\nISBN: 81-7508-423-5</span>\r\n\r\n<span class=\"pubstrong\">Zoom! Art in Contemporary India, </span>2004<span>\r\nTexts: Luis Serpa and Nancy Adajania\r\nPublisher: The Culturgest Museum\r\nISBN: 972-769-033-5</span>\r\n\r\n<span class=\"pubstrong\">Interlude in Sri Lanka, </span>2004<span>\r\nText: Ranjit Hoskote and Nancy Adajania\r\nPublisher: The Guild Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Generation I, </span>2004<span>\r\nText: Zehra Jumabhoy\r\nPublisher: Saffronart &amp; The Guild Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Tiranga Rights and Reponsibilities, </span>2003<span>\r\nText: Peter Nagy\r\nPublisher: Jindal Foundation &amp; Creative Arts</span>\r\n\r\n<span class=\"pubstrong\">Hard Copy, </span>2003<span>\r\nText: Peter Nagy\r\nPublisher: Galerie 88</span>\r\n\r\n<span class=\"pubstrong\">Crossing Generations: diVERGE, </span>2003<span>\r\nText: Geeta Kapoor and Chaitanya Sambrani\r\nPublisher: Gallery Chemould</span>\r\n\r\n\r\n<span class=\"pubstrong\" style=\"color: #000000;\">PRESS</span>\r\n\r\n<span class=\"pubstrong\"><a href=\"http://www.artconcerns.com/mywork.php\" style=\"color: rgb(135, 135, 135);\" >My work</a> , </span><span>\r\nwww.artconcerns.com, Oct-Nov 2010 issue\r\nText: Reena Kallat</span>\r\n\r\n<span class=\"pubstrong\"><a href=\"http://artradarjournal.com/2010/04/20/indian-contemporary-artist-reena-kallat-art-radar-exclusive-interview/\" style=\"color: rgb(135, 135, 135);\">Interview, Art Radar Asia, </a></span><span>\r\n April 20, 2010</span>\r\n\r\n\r\n<span class=\"pubstrong\">The Archives of the Heart</span><span>\r\nNancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\nFront Cover, pgs 42-45, 2009</span>\r\n\r\n<span class=\"pubstrong\">Globale Kunst Mit Wurzelduft</span><span>\r\nVon Almuth Speigler, Die Presse, Feuilleton, 2nd September 2009</span>\r\n\r\n<span class=\"pubstrong\">Landscapes of Loss</span><span>\r\nBeth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009</span>\r\n\r\n<span class=\"pubstrong\">Reincarnating History</span><span>\r\nThe Big Picture, Architect and Interiors, July 2009</span>\r\n\r\n<span class=\"pubstrong\">Stamp Collection</span><span>\r\nGeorgina Maddox, The Sunday Express, 17th May 2009</span>\r\n\r\n<span class=\"pubstrong\">Evolving Beyond Borders</span><span>\r\nReshma S. Kulkarni, Bombay Times, Times of India, 15th January, 2009</span>\r\n\r\n<span class=\"pubstrong\">Loss and Found</span><span>\r\nMarina Correa, DNA, Mumbai, 22nd January 2009</span>\r\n\r\n<span class=\"pubstrong\">Focus India</span><span>\r\nMegha Ralapati, Flash Art, pg 114, January-February 2008</span>\r\n\r\n<span class=\"pubstrong\">Come Together Right Now</span><span>\r\nReema Gehi, HT Café, 15th February 2008</span>\r\n\r\n<span class=\"pubstrong\">Such a Long Journey</span><span>\r\nAparna S Sharma, Elle Magazine, pgs 115-117, February 2008</span>\r\n\r\n<span class=\"pubstrong\">More than a Woman</span><span>\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 4th February 2008</span>\r\n\r\n<span class=\"pubstrong\">Artist of the Fortnight</span><span>\r\nMaria Louis, Outlook Profit, pg 79, 18th April 2008</span>\r\n\r\n<span class=\"pubstrong\">Deja View</span><span>\r\nTara Khilachand, Live Mint, 20th December 2008</span>\r\n\r\n<span class=\"pubstrong\">Terror Struck</span><span>\r\nMaria Louis, Outlook Profit, 26th December 2008</span>\r\n\r\n<span class=\"pubstrong\">Name Calling</span><span>\r\nDeepanjana Pal, Timeout Mumbai, December 2008</span>\r\n\r\n<span class=\"pubstrong\">Corruptions of Power</span>\r\n<span>Shiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99, 2007</span>\r\n\r\n<span class=\"pubstrong\">Over the Rainbow</span><span>\r\nMaria Louis, Interview, Verve Magazine, pg 78, November 2006</span>\r\n\r\n<span class=\"pubstrong\"><a href=\"http://www.hindu.com/mag/2006/10/29/stories/2006102900070200.htm\" style=\"color: rgb(135, 135, 135);\">In a State of Perennial Siege</a></span><span>\r\nNancy Adajania, The Hindu, Hyderabad, 29th October 2006</span>\r\n\r\n<span class=\"pubstrong\">Her Crowning Achievement</span><span>\r\nClara Chow, The Straits Times, 18th November 2006</span>\r\n\r\n<span class=\"pubstrong\">Political Chaos</span><span>\r\nDeepali Nandwani, Beautiful people, pg 143, November-December 2006</span>\r\n\r\n<span class=\"pubstrong\">Weapons of Mass Construction</span><span>\r\nRituparna Som, DNA after Hrs, Mumbai, 9th October, 2006</span>\r\n\r\n<span class=\"pubstrong\">Guns and Roses</span><span>\r\nRachna Nakra, The Indian Express, Mumbai Newsline, 18th September 2006</span>\r\n\r\n<span class=\"pubstrong\">Under Attack</span><span>\r\nGitanjali Dang, HT Mumbai, 22nd September 2006</span>\r\n\r\n<span class=\"pubstrong\">Time Traveller</span><span>\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 27th June 2006</span>\r\n\r\n<span class=\"pubstrong\">The Flower and the Sword</span><span>\r\nGirish Shahane, The Art News magazine of India, pg 93, volume X issue I, 2004</span>\r\n\r\n<span class=\"pubstrong\">India’s Top 100 Achievers</span><span>\r\nSociety Magazine, pg 137, December 2004</span>\r\n\r\n<span class=\"pubstrong\"><a href=\"http://www.hinduonnet.com/thehindu/mag/2004/12/19/stories/2004121900620700.htm\" style=\"color: rgb(135, 135, 135);\" >Caught Between Demons</a></span><span>\r\nNancy Adajania, The Hindu, 19th December 2004</span>\r\n\r\n<span class=\"pubstrong\">En Reise Til India</span><span>\r\nHarald Flor, Dagbladet, Kultur, 2nd February 2003</span>\r\n\r\n<span class=\"pubstrong\">Signs of Resistance</span><span>\r\nNancy Adajania, The Hindu, 5th January 2003</span>\r\n\r\n<span class=\"pubstrong\">Of the Goddess and Demon in the Mind</span><span>\r\nDebbie Rodgers, Sunday edition Vijay Times, Bangalore, 5th January 2003</span>\r\n\r\n<span class=\"pubstrong\">Empathic Anger</span><span>\r\nMarta Jakimowicz, Deccan Herald, 23rd December 2002</span>\r\n\r\n<span class=\"pubstrong\">Mysore Ek Khoj</span>\r\nCross Fertilization of Culture, Interview in Star of Mysore, 27th October 2002\r\n\r\n<span class=\"pubstrong\">Linking Islands</span><span>\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 15th February 2002</span>\r\n\r\n<span class=\"pubstrong\">Creating to Destroy</span><span>\r\nJasmine Shah Varma, The List, Mid Day, 22nd February 2002</span>\r\n\r\n<span class=\"pubstrong\">Different Strokes</span><span>\r\nGeorgina L Maddox, The Indian Express, Mumbai Newsline, 24th July 2002</span>\r\n\r\n<span class=\"pubstrong\">Of Faith and Hunger</span><span>\r\nAbhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89, December 2000</span>\r\n\r\n<span class=\"pubstrong\">The Murmur of Skin</span><span>\r\nNupur Mahajan, Bombay Times, Times of India, 12th October 2000</span>\r\n\r\n<span class=\"pubstrong\">Not just Skin Deep</span><span>\r\nJasmine Shah Varma, The List, Mid-day, 4th October 2000</span>\r\n\r\n<span class=\"pubstrong\">Inside Out</span><span>\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 11th October 2000</span>\r\n\r\n<span class=\"pubstrong\">Scintillating Skin</span><span>\r\nVaibhav Purandare, The Asian Age, 14th October 2000</span>\r\n\r\n<span class=\"pubstrong\">An Artist’s World: Roti, Makaan &amp; Abstract Art</span><span>\r\nPoonam Goel, HT City, 23rd December 2000</span>\r\n\r\n<span class=\"pubstrong\">Within you, Without you</span><span>\r\nAnu Kumar, Indian Express, Express Newsline, 2nd September 1998</span>\r\n\r\n<span class=\"pubstrong\">Farming Intrigue</span><span>\r\nJerry Pinto, The Times of India, Bombay Times, 3rd September 1998</span>\r\n\r\n<span class=\"pubstrong\">Interactive Medium</span><span>\r\nKaren Pereira, Indian Architect &amp; Builder, pgs 102-104, October 1998</span></td>\r\n</tr>\r\n</tbody>\r\n</table>','Publications','','inherit','open','open','','87-revision-162','','','2010-12-02 09:32:07','2010-12-02 09:32:07','',87,'http://www.reenakallat.com/2314/uncat/87-revision-162',0,'revision','',0),(2315,1,'2010-12-03 05:35:13','2010-12-03 05:35:13','<script type=\"text/javascript\">// <![CDATA[\r\nfunction ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}\r\n// ]]></script>\r\n\r\n<!-- h3.canvas  { color:#333333; font-size:11px; font-weight:normal; margin-bottom:5px; margin-left:7px; margin-top:0; padding:0; text-transform:none; } h2.painting  { color:#FFFFFF; font-family:verdana,arial,tahoma,sans-serif; font-size:11px; font-weight:normal; margin:0 0 10px 7px; padding:0; text-align:left; text-transform:none; } -->\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-420\" title=\"Silt of Seasons-1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-1024x682.jpg\" alt=\"Silt of Seasons-1\" width=\"600\" /></a></td>\r\n<td style=\"font-size: 11px;\" width=\"200\" align=\"left\" valign=\"bottom\"><span style=\"color: #888888;\">Silt of Seasons-1</span>\r\n\r\n2008\r\n\r\nsingle channel video projection on sand\r\n\r\nduration 59 min 30 s, dimension variable\r\n\r\nedition: 5+AP</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-425\" title=\"Silt of Seasons-1-details\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-detail-1024x682.jpg\" alt=\"Silt of Seasons-1-details\" width=\"600\" /></a></td>\r\n<td style=\"font-size: 11px;\" width=\"300\" align=\"justify\" valign=\"top\">\r\n<div id=\"uniquename1\" style=\"display: block;\">The work titled “Silt of Seasons” is a video projection on sand, shaped in the form of the disputed territory that lies between India and Pakistan, also called P.O.K. (Pakistan Occupied Kashmir).<a style=\"color: #888888;\" onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\">...more</a>[local /wp-content/uploads/2010/12/17072009.avi view video]</div>\r\n<div id=\"uniquename\" style=\"display: none;\">\r\n\r\nThe work titled “Silt of Seasons” is a video projection on sand, shaped in the form of the disputed territory that lies between India and Pakistan, also called P.O.K. (Pakistan Occupied Kashmir). The map of this conflicted terrain recurs in several of my works as a symbol of human inanity.\r\n\r\nNames of those from across the world who’ve signed the peace petition in 2004, addressed to General Pervez Musharraf and to the Indian Prime Minister Dr. Manmohan Singh appear spelt out in letters formed with sand. Each name is made visible only momentarily and seems to slowly get blown away or effaced, much like the repeated attempts at peace that often get sabotaged by extremist forces or political opportunism. And yet each erased name is replaced by another one, transporting the optimism in the piece through the renewed hope and commitment towards peace in the region. <a style=\"color: #888888;\" onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\">...hide</a>\r\n\r\n</div></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-423\" title=\"Silt of Seasons-1_detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1_detail-1024x682.jpg\" alt=\"Silt of Seasons-1_detail\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-details-1024x682.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/slit-of-season-image-5.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a><span style=\"font-size: 11px;\"><em>internet reference material</em></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/slit-of-season-image-6.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a><span style=\"font-size: 11px;\"><em>process shots</em></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>','test-video-slit','','inherit','open','open','','2306-revision-6','','','2010-12-03 05:35:13','2010-12-03 05:35:13','',2306,'http://www.reenakallat.com/2315/uncat/2306-revision-6',0,'revision','',0),(2316,1,'2010-07-10 11:01:35','2010-07-10 11:01:35','<b style=\"color: #999999;\">THE KHOJ BOOK</b>\r\n<b>Interview with Shilpa Gupta</b>\r\n\r\n<strong>In your works, forms are overlapped but often painted on different planes that maintain an unsettling distance between them. In <em>Penumbra Passage (Canine Cases)</em>, from 2007,<em> </em>for example, the figure blankly looks at the viewer unaware of the stain near its mouth; or in <em>Pulse 30</em>,<em> </em>from 2002, two-dimensional figures from mythology rendered in great detail lie on top of a tactile three-dimensional piece of bread. This way of painting affects the way meaning gets formed, not instantaneously visually but in the mind. Why do you employ this approach? </strong>\r\n\r\nYes, the tentativeness of meaning created by certain juxtapositions can be quite discomforting. The relationship between images is kept provisional. I often employ this approach when I’m trying to make a connection between people or objects and yet it is not meant to be conclusive. For instance, <em>Penumbra Passage (Canine Cases)</em> comprises of a series of portraits of ordinary people/civilians from India and Pakistan, with their faces blemished by the silhouette of the disputed territory often referred to as POK (Pakistan Occupied Kashmir). The portraits are put in grand frames like those of royal descendants, while the map of the land that remains at the core of the dispute between the two neighbouring countries casts a shadow over these, haunting us with tales from the region.\r\n\r\n<strong>When a lot of art is becoming instantaneous, you continue to use the structure of narrative, where elements of mythology are woven with factual data, so that the viewer decodes a work over time. Mythology, especially, has been a reference point for several artists in India. I was wondering what you think about using it at a time when people are increasingly unaware of the meanings it contains?</strong>\r\n\r\nI use Indian mythology because I find it extremely interesting and an incredibly rich source of idhe mind. Why do you employ this approach? </strong>\r\n\r\nYes, the tentativeness of meaning created by certain juxtapositions can be quite discomforting. The relationship between images is kept provisional. I often employ this approach when I’m trying to make a connection between people or objects and yet it is not meant to be conclusive. For instance, <em>Penumbra Passage (Canine Cases)</em> comprises of a series of portraits of ordinary people/civilians from India and Pakistan, with their faces blemished by the silhouette of the disputed territory often referred to as POK (Pakistan Occupied Kashmir). The portraits are put in grand frames like those of royal descendants, while the map of the land that remains at the core of the dispute between the two neighbouring countries casts a shadow over these, haunting us with tales from the region.\r\n\r\n<strong>When a lot of art is becoming instantaneous, you continue to use the structure of narrative, where elements of mythology are woven with factual data, so that the viewer decodes a work over time. Mythology, especially, has been a reference point for several artists in India. I was wondering what you think about using it at a time when people are increasingly unaware of the meanings it contains?</strong>\r\n\r\nI use Indian mythology because I find it extremely interesting and an incredibly rich source of ideas and images. Artworks always carry the potential of being misread and misunderstood, given that they get exhibited in different venues across the world. That doesn’t discourage me, although I increasingly want to back my work up with information that assists an understanding of the context in which it was produced.\r\n\r\nBesides mythology, I often like to take off from a familiar object or story that comes with its own set of associations and then, by the slightest alteration, inject fresh meaning. My sculptures <em>Memoria Corona</em> and <em>Memoria Mausolea</em> are examples where a pre-existing object becomes a starting point for the work. <em>Memoria Corona</em> was modelled on Elizabeth II’s crown in which rests the precious Kohinoor diamond that India lost to the British Empire. I inscribed the names of Indian freedom fighters on the surface of this symbol of authority and power because I wanted the crown to bear the weight of other precious treasures, the human lives that were also lost to the British Empire.\r\n\r\n<em>Memoria Mausolea</em> was modelled on Bombay’s Gateway of India, which was built to commemorate the visit of King George V and Queen Mary to India in 1911. Although it was built as a gateway ‘to’ India, the last convoy of British troops, the Somerset Light Infantry, ‘exited’ the country through it in 1948. By enveloping it with perished colonial names of streets in Mumbai, which have now been replaced with indigenous names, I wanted this monument to be playfully remembered for the end of the British Empire.\r\n\r\n<strong>Can you tell us a little bit about your working process? How do your ideas develop and do you generally work in long series?</strong>\r\n\r\nAt any given point there will be a bunch of ideas I’m toying with at different stages of completion. A certain amount of groundwork is often needed before things can take on a more definitive form. It’s then that decisions about media come into play. In a more recent series of portraits titled <em>Synonym</em>, for example, I’ve employed rubber stamps, which are normally used for official purposes. Since the portraits carry names out of official police records of those who’ve gone missing, I decided to bring them to the surface of the work. Depending on how far an idea needs to travel to reach its optimum effectiveness, a work may or may not grow into a series.\r\n\r\n<strong>Has there been a clear evolution from one media/form to another or have you jumped about?</strong>\r\n\r\nI have always worked between media, from my early days at Sir JJ School of Art in 1993 onwards. My debut solo exhibition in 1998, for instance, held simultaneously at Gallery Chemould and Pundole Art Gallery in Mumbai, comprised both paintings and sculptural installations, including the house of cards series <em>Orchard of Home-grown Secrets</em>, the photographic translites <em>Escapades of the Ladder Occupants</em> and a walk-in installation called <em>Joint Family</em>. Content takes precedence over form or medium for me: I like working with whatever medium best carries out the idea.\r\n\r\n<strong>Where does your interest in storytelling come from? Do you have a favourite story?</strong>\r\n\r\nWe’ve all grown up listening to stories, reading comics and watching epics on television. However, it wasn’t until after I finished college in 1996 that my interest in the narrative school of painting evolved. I took a diploma in Indian aesthetics at Rachana Sansad, affiliated to Bombay University that gave me a more holistic perspective on Indian culture.\r\n\r\nAmong the stories that have captivated me is one from the Hindu <em>Puranas</em> called the <em>Samudra Manthan</em>. <em>Samudra</em>,<em> </em>as we know, means ‘the ocean’ and <em>manthan</em> means ‘to churn’. In this particular episode, the gods lose their powers due to an instance of arrogance and need the assistance of demons in order to churn the ocean to obtain nectar that can empower them again. They cast a number of herbs into the ocean and the churning produces several objects and beings that are served as symbolic offerings to please the demi-gods. Some truly fantastical forms emerge, such as the <em>Kamadhenu</em> or the wish-granting cow. This became a generative point of departure for a sculptural installation titled <em>Saline</em>, a piece made up of 150 parts.\r\n\r\n<strong>As artists we primarily operate in galleries, yet only a miniscule section of our society visits them. With such low visibility what do you think is the role and function of art?</strong>\r\n\r\nArt has always played several roles in society, including recording change and raising awareness on issues. Besides tickling the spirit, it can comment, critique and challenge existing ideas by generating dialogue. This can happen both inside and outside the gallery. While some works are best suited to being viewed within the clean white space of the gallery, other art interfaces, perhaps even on the street, promote more participation from a wider audience, which democratises access. However, the circulation of images through books and catalogues is a powerful means for certain works of art to reach beyond their immediate use value as exhibits.\r\n\r\nJust as I would not undermine the effectiveness and impact of a short performance, I would not be demoralised or discouraged about the legitimacy and role of art just because limited numbers of people frequent galleries. Not only are the numbers growing, but also the works themselves have gained larger mobility by being showcased in multiple venues across the globe. It remains true though that there is a dearth of platforms for public intervention, especially in India where there is no state support for the arts.\r\n\r\n<strong>Braids of leaves have been a constant recurrence in your work, be they in painting, floor installations or interactive performances. What do they signify? </strong>\r\n\r\nThey have served varied purposes in different works. They first made an appearance in a sculpture from 1998 titled <em>Joint Family</em>, where the leaves wrap around<strong> </strong>the surface of houses made of packaging material that are inserted one into the other. Like an overgrown family tree, they hold up images offering clues that might uncover family secrets.\r\n\r\nIn a triptych called <em>Braiding the Line</em>,<em> </em>made in 2002, I posit the last incarnation of Vishnu as Kalki, in the form of a fisherman. His net, woven with leaves, is unfurled to reveal the colours of the Indian national flag or what might be seen as the colours of the changing seasons. Motifs from aquatic, bird, animal and human life are interwoven with the leaves, offered as samples that could be carried on to the next era after the end of the world. The leaves are often a visual apparatus for inserting or depositing other images.\r\n\r\nIn <em>Birds of Steel </em>made in 2006,<em> </em>the romantic idea of the skies as being boundless is marred by the threatening image of several airplanes that leave behind a sinister trail of black twines. <em>Birds of Steel </em>works by juxtaposing motifs of border disputes and invasions against the liberating image of the open sky.\r\n\r\n<strong>Why do you use POK (Pakistan Occupied Kashmir) as a symbol in several works? Do you have personal connections to the region or do you relate to it for broader political/humanitarian reasons?</strong>\r\n\r\nMy father was born in Lahore and moved to Punjab before Partition, and, as a young girl, I grew up listening to stories about his ancestral home. However, this hasn’t had a direct bearing on my practice. More important, I suspect, was my exposure to art with a strong social conscience, which was prevalent in the early 1990s when I was a student.<em> </em>I think an artist’s work can be independent of his or her personal history.\r\n\r\nPakistan Occupied Kashmir has been the nucleus of conflict between India and Pakistan since 1947. Its territorial form begins to function as a symbol of this strained relationship between the two neighbours, as well as of human folly. In <em>Penumbra</em>, I showed the disputed terri','','','inherit','open','open','','1506-revision-8','','','2010-07-10 11:01:35','2010-07-10 11:01:35','',1506,'http://www.reenakallat.com/2316/uncat/1506-revision-8',0,'revision','',0),(2317,1,'2010-12-03 06:22:29','2010-12-03 06:22:29','<script type=\"text/javascript\">// <![CDATA[\nfunction ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}\n// ]]></script>\n\n<!-- h3.canvas  { color:#333333; font-size:11px; font-weight:normal; margin-bottom:5px; margin-left:7px; margin-top:0; padding:0; text-transform:none; } h2.painting  { color:#FFFFFF; font-family:verdana,arial,tahoma,sans-serif; font-size:11px; font-weight:normal; margin:0 0 10px 7px; padding:0; text-align:left; text-transform:none; } -->\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\n<tbody>\n<tr>\n<td width=\"60%\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-420\" title=\"Silt of Seasons-1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-1024x682.jpg\" alt=\"Silt of Seasons-1\" width=\"600\" /></a></td>\n<td style=\"font-size: 11px;\" width=\"200\" align=\"left\" valign=\"bottom\"><span style=\"color: #888888;\">Silt of Seasons-1</span>\n\n2008\n\nsingle channel video projection on sand\n\nduration 59 min 30 s, dimension variable\n\nedition: 5+AP</td>\n</tr>\n<tr>\n<td></td>\n</tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\n<tbody>\n<tr>\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-425\" title=\"Silt of Seasons-1-details\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-detail-1024x682.jpg\" alt=\"Silt of Seasons-1-details\" width=\"600\" /></a></td>\n<td style=\"font-size: 11px;\" width=\"300\" align=\"justify\" valign=\"top\">\n<div id=\"uniquename1\" style=\"display: block;\">The work titled “Silt of Seasons” is a video projection on sand, shaped in the form of the disputed territory that lies between India and Pakistan, also called P.O.K. (Pakistan Occupied Kashmir).<a style=\"color: #888888;\" onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\">...more</a></div>\n<div style=\"display: block;\"></div>\n<div style=\"display: block;\">[local /wp-content/uploads/2010/12/17072009.avi view video]</div>\n<div style=\"display: block;\"></div>\n<div style=\"display: block;\"></div>\n<div id=\"uniquename\" style=\"display: none;\">\n\nThe work titled “Silt of Seasons” is a video projection on sand, shaped in the form of the disputed territory that lies between India and Pakistan, also called P.O.K. (Pakistan Occupied Kashmir). The map of this conflicted terrain recurs in several of my works as a symbol of human inanity.\n\nNames of those from across the world who’ve signed the peace petition in 2004, addressed to General Pervez Musharraf and to the Indian Prime Minister Dr. Manmohan Singh appear spelt out in letters formed with sand. Each name is made visible only momentarily and seems to slowly get blown away or effaced, much like the repeated attempts at peace that often get sabotaged by extremist forces or political opportunism. And yet each erased name is replaced by another one, transporting the optimism in the piece through the renewed hope and commitment towards peace in the region. <a style=\"color: #888888;\" onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\">...hide</a>\n\n</div></td>\n</tr>\n<tr>\n<td></td>\n</tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\n<tbody>\n<tr>\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-423\" title=\"Silt of Seasons-1_detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1_detail-1024x682.jpg\" alt=\"Silt of Seasons-1_detail\" width=\"600\" /></a></td>\n</tr>\n<tr>\n<td></td>\n</tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\n<tbody>\n<tr>\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-details-1024x682.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a></td>\n</tr>\n<tr>\n<td></td>\n</tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\n<tbody>\n<tr>\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/slit-of-season-image-5.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a><span style=\"font-size: 11px;\"><em>internet reference material</em></span></td>\n</tr>\n<tr>\n<td></td>\n</tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\n<tbody>\n<tr>\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/slit-of-season-image-6.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a><span style=\"font-size: 11px;\"><em>process shots</em></span></td>\n</tr>\n<tr>\n<td></td>\n</tr>\n</tbody>\n</table>','test-video-slit','','inherit','open','open','','2306-revision-7','','','2010-12-03 06:22:29','2010-12-03 06:22:29','',2306,'http://www.reenakallat.com/2317/uncat/2306-revision-7',0,'revision','',0),(2319,1,'2010-12-03 06:25:31','2010-12-03 06:25:31','<script type=\"text/javascript\">// <![CDATA[\nfunction ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}\n// ]]></script>\n\n<!-- h3.canvas  { color:#333333; font-size:11px; font-weight:normal; margin-bottom:5px; margin-left:7px; margin-top:0; padding:0; text-transform:none; } h2.painting  { color:#FFFFFF; font-family:verdana,arial,tahoma,sans-serif; font-size:11px; font-weight:normal; margin:0 0 10px 7px; padding:0; text-align:left; text-transform:none; } -->\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\n<tbody>\n<tr>\n<td width=\"60%\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-420\" title=\"Silt of Seasons-1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-1024x682.jpg\" alt=\"Silt of Seasons-1\" width=\"600\" /></a></td>\n<td style=\"font-size: 11px;\" width=\"200\" align=\"left\" valign=\"bottom\"><span style=\"color: #888888;\">Silt of Seasons-1</span>\n\n2008\n\nsingle channel video projection on sand\n\nduration 59 min 30 s, dimension variable\n\nedition: 5+AP</td>\n</tr>\n<tr>\n<td></td>\n</tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\n<tbody>\n<tr>\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-425\" title=\"Silt of Seasons-1-details\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-detail-1024x682.jpg\" alt=\"Silt of Seasons-1-details\" width=\"600\" /></a></td>\n<td style=\"font-size: 11px;\" width=\"300\" align=\"justify\" valign=\"top\">\n<div id=\"uniquename1\" style=\"display: block;\">The work titled “Silt of Seasons” is a video projection on sand, shaped in the form of the disputed territory that lies between India and Pakistan, also called P.O.K. (Pakistan Occupied Kashmir).<a style=\"color: #888888;\" onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\">...more</a></div>\n<div style=\"display: block;\"></div>\n<div style=\"display: block;\">[local /wp-content/uploads/2010/12/17072009.avi view video]</div>\n<div style=\"display: block;\"></div>\n<div style=\"display: block;\"><object classid=\"clsid:6bf52a52-394a-11d3-b153-00c04f79faa6\" width=\"275\" height=\"275\" codebase=\"http://activex.microsoft.com/activex/controls/mplayer/en/nsmp2inf.cab#Version=5,1,52,701\"><param name=\"url\" value=\"http://www.reenakallat.com/wp-content/uploads/2010/12/17072009.avi\" /><embed type=\"application/x-mplayer2\" width=\"275\" height=\"275\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/12/17072009.avi\"> </embed></object></div>\n<div id=\"uniquename\" style=\"display: none;\">\n\nThe work titled “Silt of Seasons” is a video projection on sand, shaped in the form of the disputed territory that lies between India and Pakistan, also called P.O.K. (Pakistan Occupied Kashmir). The map of this conflicted terrain recurs in several of my works as a symbol of human inanity.\n\nNames of those from across the world who’ve signed the peace petition in 2004, addressed to General Pervez Musharraf and to the Indian Prime Minister Dr. Manmohan Singh appear spelt out in letters formed with sand. Each name is made visible only momentarily and seems to slowly get blown away or effaced, much like the repeated attempts at peace that often get sabotaged by extremist forces or political opportunism. And yet each erased name is replaced by another one, transporting the optimism in the piece through the renewed hope and commitment towards peace in the region. <a style=\"color: #888888;\" onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\">...hide</a>\n\n</div></td>\n</tr>\n<tr>\n<td></td>\n</tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\n<tbody>\n<tr>\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-423\" title=\"Silt of Seasons-1_detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1_detail-1024x682.jpg\" alt=\"Silt of Seasons-1_detail\" width=\"600\" /></a></td>\n</tr>\n<tr>\n<td></td>\n</tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\n<tbody>\n<tr>\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-details-1024x682.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a></td>\n</tr>\n<tr>\n<td></td>\n</tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\n<tbody>\n<tr>\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/slit-of-season-image-5.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a><span style=\"font-size: 11px;\"><em>internet reference material</em></span></td>\n</tr>\n<tr>\n<td></td>\n</tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\n<tbody>\n<tr>\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/slit-of-season-image-6.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a><span style=\"font-size: 11px;\"><em>process shots</em></span></td>\n</tr>\n<tr>\n<td></td>\n</tr>\n</tbody>\n</table>','test-video-slit','','inherit','open','open','','2306-revision-8','','','2010-12-03 06:25:31','2010-12-03 06:25:31','',2306,'http://www.reenakallat.com/2319/uncat/2306-revision-8',0,'revision','',0),(2318,1,'2010-12-03 06:06:59','2010-12-03 06:06:59','<strong style=\"color: #999999;\">THE KHOJ BOOK</strong>\r\n<strong>Interview with Shilpa Gupta</strong>\r\n\r\n<strong>In your works, forms are overlapped but often painted on different planes that maintain an unsettling distance between them. In <em>Penumbra Passage (Canine Cases)</em>, from 2007,<em> </em>for example, the figure blankly looks at the viewer unaware of the stain near its mouth; or in <em>Pulse 30</em>,<em> </em>from 2002, two-dimensional figures from mythology rendered in great detail lie on top of a tactile three-dimensional piece of bread. This way of painting affects the way meaning gets formed, not instantaneously visually but in the mind. Why do you employ this approach? </strong>\r\n\r\nYes, the tentativeness of meaning created by certain juxtapositions can be quite discomforting. The relationship between images is kept provisional. I often employ this approach when I’m trying to make a connection between people or objects and yet it is not meant to be conclusive. For instance, <em>Penumbra Passage (Canine Cases)</em> comprises of a series of portraits of ordinary people/civilians from India and Pakistan, with their faces blemished by the silhouette of the disputed territory often referred to as POK (Pakistan Occupied Kashmir). The portraits are put in grand frames like those of royal descendants, while the map of the land that remains at the core of the dispute between the two neighbouring countries casts a shadow over these, haunting us with tales from the region.\r\n\r\n<strong>When a lot of art is becoming instantaneous, you continue to use the structure of narrative, where elements of mythology are woven with factual data, so that the viewer decodes a work over time. Mythology, especially, has been a reference point for several artists in India. I was wondering what you think about using it at a time when people are increasingly unaware of the meanings it contains?</strong>\r\n\r\nI use Indian mythology because I find it extremely interesting and an incredibly rich source of ideas and images. Artworks always carry the potential of being misread and misunderstood, given that they get exhibited in different venues across the world. That doesn’t discourage me, although I increasingly want to back my work up with information that assists an understanding of the context in which it was produced.\r\n\r\nBesides mythology, I often like to take off from a familiar object or story that comes with its own set of associations and then, by the slightest alteration, inject fresh meaning. My sculptures <em>Memoria Corona</em> and <em>Memoria Mausolea</em> are examples where a pre-existing object becomes a starting point for the work. <em>Memoria Corona</em> was modelled on Elizabeth II’s crown in which rests the precious Kohinoor diamond that India lost to the British Empire. I inscribed the names of Indian freedom fighters on the surface of this symbol of authority and power because I wanted the crown to bear the weight of other precious treasures, the human lives that were also lost to the British Empire.\r\n\r\n<em>Memoria Mausolea</em> was modelled on Bombay’s Gateway of India, which was built to commemorate the visit of King George V and Queen Mary to India in 1911. Although it was built as a gateway ‘to’ India, the last convoy of British troops, the Somerset Light Infantry, ‘exited’ the country through it in 1948. By enveloping it with perished colonial names of streets in Mumbai, which have now been replaced with indigenous names, I wanted this monument to be playfully remembered for the end of the British Empire.\r\n\r\n<strong>Can you tell us a little bit about your working process? How do your ideas develop and do you generally work in long series?</strong>\r\n\r\nAt any given point there will be a bunch of ideas I’m toying with at different stages of completion. A certain amount of groundwork is often needed before things can take on a more definitive form. It’s then that decisions about media come into play. In a more recent series of portraits titled <em>Synonym</em>, for example, I’ve employed rubber stamps, which are normally used for official purposes. Since the portraits carry names out of official police records of those who’ve gone missing, I decided to bring them to the surface of the work. Depending on how far an idea needs to travel to reach its optimum effectiveness, a work may or may not grow into a series.\r\n\r\n<strong>Has there been a clear evolution from one media/form to another or have you jumped about?</strong>\r\n\r\nI have always worked between media, from my early days at Sir JJ School of Art in 1993 onwards. My debut solo exhibition in 1998, for instance, held simultaneously at Gallery Chemould and Pundole Art Gallery in Mumbai, comprised both paintings and sculptural installations, including the house of cards series <em>Orchard of Home-grown Secrets</em>, the photographic translites <em>Escapades of the Ladder Occupants</em> and a walk-in installation called <em>Joint Family</em>. Content takes precedence over form or medium for me: I like working with whatever medium best carries out the idea.\r\n\r\n<strong>Where does your interest in storytelling come from? Do you have a favourite story?</strong>\r\n\r\nWe’ve all grown up listening to stories, reading comics and watching epics on television. However, it wasn’t until after I finished college in 1996 that my interest in the narrative school of painting evolved. I took a diploma in Indian aesthetics at Rachana Sansad, affiliated to Bombay University that gave me a more holistic perspective on Indian culture.\r\n\r\nAmong the stories that have captivated me is one from the Hindu <em>Puranas</em> called the <em>Samudra Manthan</em>. <em>Samudra</em>,<em> </em>as we know, means ‘the ocean’ and <em>manthan</em> means ‘to churn’. In this particular episode, the gods lose their powers due to an instance of arrogance and need the assistance of demons in order to churn the ocean to obtain nectar that can empower them again. They cast a number of herbs into the ocean and the churning produces several objects and beings that are served as symbolic offerings to please the demi-gods. Some truly fantastical forms emerge, such as the <em>Kamadhenu</em> or the wish-granting cow. This became a generative point of departure for a sculptural installation titled <em>Saline</em>, a piece made up of 150 parts.\r\n\r\n<strong>As artists we primarily operate in galleries, yet only a miniscule section of our society visits them. With such low visibility what do you think is the role and function of art?</strong>\r\n\r\nArt has always played several roles in society, including recording change and raising awareness on issues. Besides tickling the spirit, it can comment, critique and challenge existing ideas by generating dialogue. This can happen both inside and outside the gallery. While some works are best suited to being viewed within the clean white space of the gallery, other art interfaces, perhaps even on the street, promote more participation from a wider audience, which democratises access. However, the circulation of images through books and catalogues is a powerful means for certain works of art to reach beyond their immediate use value as exhibits.\r\n\r\nJust as I would not undermine the effectiveness and impact of a short performance, I would not be demoralised or discouraged about the legitimacy and role of art just because limited numbers of people frequent galleries. Not only are the numbers growing, but also the works themselves have gained larger mobility by being showcased in multiple venues across the globe. It remains true though that there is a dearth of platforms for public intervention, especially in India where there is no state support for the arts.\r\n\r\n<strong>Braids of leaves have been a constant recurrence in your work, be they in painting, floor installations or interactive performances. What do they signify? </strong>\r\n\r\nThey have served varied purposes in different works. They first made an appearance in a sculpture from 1998 titled <em>Joint Family</em>, where the leaves wrap around<strong> </strong>the surface of houses made of packaging material that are inserted one into the other. Like an overgrown family tree, they hold up images offering clues that might uncover family secrets.\r\n\r\nIn a triptych called <em>Braiding the Line</em>,<em> </em>made in 2002, I posit the last incarnation of Vishnu as Kalki, in the form of a fisherman. His net, woven with leaves, is unfurled to reveal the colours of the Indian national flag or what might be seen as the colours of the changing seasons. Motifs from aquatic, bird, animal and human life are interwoven with the leaves, offered as samples that could be carried on to the next era after the end of the world. The leaves are often a visual apparatus for inserting or depositing other images.\r\n\r\nIn <em>Birds of Steel </em>made in 2006,<em> </em>the romantic idea of the skies as being boundless is marred by the threatening image of several airplanes that leave behind a sinister trail of black twines. <em>Birds of Steel </em>works by juxtaposing motifs of border disputes and invasions against the liberating image of the open sky.\r\n\r\n<strong>Why do you use POK (Pakistan Occupied Kashmir) as a symbol in several works? Do you have personal connections to the region or do you relate to it for broader political/humanitarian reasons?</strong>\r\n\r\nMy father was born in Lahore and moved to Punjab before Partition, and, as a young girl, I grew up listening to stories about his ancestral home. However, this hasn’t had a direct bearing on my practice. More important, I suspect, was my exposure to art with a strong social conscience, which was prevalent in the early 1990s when I was a student.<em> </em>I think an artist’s work can be independent of his or her personal history.\r\n\r\nPakistan Occupied Kashmir has been the nucleus of conflict between India and Pakistan since 1947. Its territorial form begins to function as a symbol of this strained relationship between the two neighbours, as well as of human folly. In <em>Penumbra</em>, I showed the disputed territory in a cold, unsettling stainless steel cradle. It’s in limbo, as are its people, rocked back and forth by political agendas and myopic policies.\r\n\r\nAs well as participating in the Khoj workshop in Mysore you helped organise Khoj Mumbai in 2005. What were those experiences like?\r\n\r\n<strong> </strong>\r\n\r\nI think Khoj played a vital role in the late 1990s and early 2000s when there weren’t many opportunities for artists to travel and work alongside others from different parts of the world. And although there are many more openings now, I continue to value that experience of sharing an experimental studio/laboratory with others. It encourages the extension of art practice into the public sphere. Khoj’s decision to constantly bring in new hands and fresh energy is particularly important: it helps revise and renew the model year after year.\r\n\r\n<strong>As well as participating in the Khoj workshop in Mysore you helped organise Khoj Mumbai in 2005. What were those experiences like?</strong>\r\n\r\nI think Khoj played a vital role in the late 1990s and early 2000s when there weren’t many opportunities for artists to travel and work alongside others from different parts of the world. And although there are many more openings now, I continue to value that experience of sharing an experimental studio/laboratory with others. It encourages the extension of art practice into the public sphere. Khoj’s decision to constantly bring in new hands and fresh energy is particularly important: it helps revise and renew the model year after year.','','','inherit','open','open','','1506-revision-9','','','2010-12-03 06:06:59','2010-12-03 06:06:59','',1506,'http://www.reenakallat.com/2318/uncat/1506-revision-9',0,'revision','',0),(2321,1,'2010-12-03 07:20:20','2010-12-03 07:20:20','<script type=\"text/javascript\">// <![CDATA[\r\nfunction ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}\r\n// ]]></script>\r\n\r\n<!-- h3.canvas  { color:#333333; font-size:11px; font-weight:normal; margin-bottom:5px; margin-left:7px; margin-top:0; padding:0; text-transform:none; } h2.painting  { color:#FFFFFF; font-family:verdana,arial,tahoma,sans-serif; font-size:11px; font-weight:normal; margin:0 0 10px 7px; padding:0; text-align:left; text-transform:none; } -->\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-420\" title=\"Silt of Seasons-1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-1024x682.jpg\" alt=\"Silt of Seasons-1\" width=\"600\" /></a></td>\r\n<td style=\"font-size: 11px;\" width=\"200\" align=\"left\" valign=\"bottom\"><span style=\"color: #888888;\">Silt of Seasons-1</span>\r\n\r\n2008\r\n\r\nsingle channel video projection on sand\r\n\r\nduration 59 min 30 s, dimension variable\r\n\r\nedition: 5+AP</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-425\" title=\"Silt of Seasons-1-details\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-detail-1024x682.jpg\" alt=\"Silt of Seasons-1-details\" width=\"600\" /></a></td>\r\n<td style=\"font-size: 11px;\" width=\"300\" align=\"justify\" valign=\"top\">\r\n<div id=\"uniquename1\" style=\"display: block;\">The work titled “Silt of Seasons” is a video projection on sand, shaped in the form of the disputed territory that lies between India and Pakistan, also called P.O.K. (Pakistan Occupied Kashmir).<a style=\"color: #888888;\" onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\">...more</a></div>\r\n<div style=\"display: block;\"></div>\r\n<div style=\"display: block;\">[local /wp-content/uploads/2010/12/17072009.avi view video]</div>\r\n<div style=\"display: block;\"></div>\r\n<div style=\"display: block;\"><object style=\"width: 400px; height: 300px;\" classid=\"clsid:02bf25d5-8c17-4b23-bc80-d3488abddc6b\" width=\"400\" height=\"300\" codebase=\"http://www.apple.com/qtactivex/qtplugin.cab#version=6,0,2,0\"><param name=\"src\" value=\"http://www.reenakallat.com/wp-content/uploads/2010/12/MVI_0580_1.MOV\" /><embed style=\"width: 400px; height: 300px;\" type=\"video/quicktime\" width=\"400\" height=\"300\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/12/MVI_0580_1.MOV\"> </embed></object></div>\r\n<div id=\"uniquename\" style=\"display: none;\">\r\n\r\nThe work titled “Silt of Seasons” is a video projection on sand, shaped in the form of the disputed territory that lies between India and Pakistan, also called P.O.K. (Pakistan Occupied Kashmir). The map of this conflicted terrain recurs in several of my works as a symbol of human inanity.\r\n\r\nNames of those from across the world who’ve signed the peace petition in 2004, addressed to General Pervez Musharraf and to the Indian Prime Minister Dr. Manmohan Singh appear spelt out in letters formed with sand. Each name is made visible only momentarily and seems to slowly get blown away or effaced, much like the repeated attempts at peace that often get sabotaged by extremist forces or political opportunism. And yet each erased name is replaced by another one, transporting the optimism in the piece through the renewed hope and commitment towards peace in the region. <a style=\"color: #888888;\" onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\">...hide</a>\r\n\r\n</div></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-423\" title=\"Silt of Seasons-1_detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1_detail-1024x682.jpg\" alt=\"Silt of Seasons-1_detail\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-details-1024x682.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/slit-of-season-image-5.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a><span style=\"font-size: 11px;\"><em>internet reference material</em></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/slit-of-season-image-6.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a><span style=\"font-size: 11px;\"><em>process shots</em></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','2306-revision-10','','','2010-12-03 07:20:20','2010-12-03 07:20:20','',2306,'http://www.reenakallat.com/2321/uncat/2306-revision-10',0,'revision','',0),(2320,1,'2010-12-03 06:38:18','2010-12-03 06:38:18','<script type=\"text/javascript\">// <![CDATA[\r\nfunction ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}\r\n// ]]></script>\r\n\r\n<!-- h3.canvas  { color:#333333; font-size:11px; font-weight:normal; margin-bottom:5px; margin-left:7px; margin-top:0; padding:0; text-transform:none; } h2.painting  { color:#FFFFFF; font-family:verdana,arial,tahoma,sans-serif; font-size:11px; font-weight:normal; margin:0 0 10px 7px; padding:0; text-align:left; text-transform:none; } -->\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-420\" title=\"Silt of Seasons-1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-1024x682.jpg\" alt=\"Silt of Seasons-1\" width=\"600\" /></a></td>\r\n<td style=\"font-size: 11px;\" width=\"200\" align=\"left\" valign=\"bottom\"><span style=\"color: #888888;\">Silt of Seasons-1</span>\r\n\r\n2008\r\n\r\nsingle channel video projection on sand\r\n\r\nduration 59 min 30 s, dimension variable\r\n\r\nedition: 5+AP</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-425\" title=\"Silt of Seasons-1-details\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-detail-1024x682.jpg\" alt=\"Silt of Seasons-1-details\" width=\"600\" /></a></td>\r\n<td style=\"font-size: 11px;\" width=\"300\" align=\"justify\" valign=\"top\">\r\n<div id=\"uniquename1\" style=\"display: block;\">The work titled “Silt of Seasons” is a video projection on sand, shaped in the form of the disputed territory that lies between India and Pakistan, also called P.O.K. (Pakistan Occupied Kashmir).<a style=\"color: #888888;\" onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\">...more</a></div>\r\n<div style=\"display: block;\"></div>\r\n<div style=\"display: block;\">[local /wp-content/uploads/2010/12/17072009.avi view video]</div>\r\n<div style=\"display: block;\"></div>\r\n<div style=\"display: block;\"><object style=\"width: 400px; height: 275px;\" classid=\"clsid:6bf52a52-394a-11d3-b153-00c04f79faa6\" width=\"400\" height=\"275\" codebase=\"http://activex.microsoft.com/activex/controls/mplayer/en/nsmp2inf.cab#Version=5,1,52,701\"><param name=\"url\" value=\"http://www.reenakallat.com/wp-content/uploads/2010/12/MVI_0580_1.MOV\" /><embed style=\"width: 400px; height: 275px;\" type=\"application/x-mplayer2\" width=\"400\" height=\"275\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/12/MVI_0580_1.MOV\"> </embed></object></div>\r\n<div id=\"uniquename\" style=\"display: none;\">\r\n\r\nThe work titled “Silt of Seasons” is a video projection on sand, shaped in the form of the disputed territory that lies between India and Pakistan, also called P.O.K. (Pakistan Occupied Kashmir). The map of this conflicted terrain recurs in several of my works as a symbol of human inanity.\r\n\r\nNames of those from across the world who’ve signed the peace petition in 2004, addressed to General Pervez Musharraf and to the Indian Prime Minister Dr. Manmohan Singh appear spelt out in letters formed with sand. Each name is made visible only momentarily and seems to slowly get blown away or effaced, much like the repeated attempts at peace that often get sabotaged by extremist forces or political opportunism. And yet each erased name is replaced by another one, transporting the optimism in the piece through the renewed hope and commitment towards peace in the region. <a style=\"color: #888888;\" onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\">...hide</a>\r\n\r\n</div></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-423\" title=\"Silt of Seasons-1_detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1_detail-1024x682.jpg\" alt=\"Silt of Seasons-1_detail\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-details-1024x682.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/slit-of-season-image-5.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a><span style=\"font-size: 11px;\"><em>internet reference material</em></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/slit-of-season-image-6.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a><span style=\"font-size: 11px;\"><em>process shots</em></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>','test-video-slit','','inherit','open','open','','2306-revision-9','','','2010-12-03 06:38:18','2010-12-03 06:38:18','',2306,'http://www.reenakallat.com/2320/uncat/2306-revision-9',0,'revision','',0),(2324,1,'2010-12-03 07:24:29','2010-12-03 07:24:29','<script type=\"text/javascript\">// <![CDATA[\r\nfunction ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}\r\n// ]]></script>\r\n\r\n<!-- h3.canvas  { color:#333333; font-size:11px; font-weight:normal; margin-bottom:5px; margin-left:7px; margin-top:0; padding:0; text-transform:none; } h2.painting  { color:#FFFFFF; font-family:verdana,arial,tahoma,sans-serif; font-size:11px; font-weight:normal; margin:0 0 10px 7px; padding:0; text-align:left; text-transform:none; } -->\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-420\" title=\"Silt of Seasons-1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-1024x682.jpg\" alt=\"Silt of Seasons-1\" width=\"600\" /></a></td>\r\n<td style=\"font-size: 11px;\" width=\"200\" align=\"left\" valign=\"bottom\"><span style=\"color: #888888;\">Silt of Seasons-1</span>\r\n\r\n2008\r\n\r\nsingle channel video projection on sand\r\n\r\nduration 59 min 30 s, dimension variable\r\n\r\nedition: 5+AP</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-425\" title=\"Silt of Seasons-1-details\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-detail-1024x682.jpg\" alt=\"Silt of Seasons-1-details\" width=\"600\" /></a></td>\r\n<td style=\"font-size: 11px;\" width=\"300\" align=\"justify\" valign=\"top\">\r\n<div id=\"uniquename1\" style=\"display: block;\">The work titled “Silt of Seasons” is a video projection on sand, shaped in the form of the disputed territory that lies between India and Pakistan, also called P.O.K. (Pakistan Occupied Kashmir).<a style=\"color: #888888;\" onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\">...more</a></div>\r\n<div style=\"display: block;\"></div>\r\n<div style=\"display: block;\"><object style=\"width: 400px; height: 400px;\" classid=\"clsid:02bf25d5-8c17-4b23-bc80-d3488abddc6b\" width=\"400\" height=\"400\" codebase=\"http://www.apple.com/qtactivex/qtplugin.cab#version=6,0,2,0\"><param name=\"src\" value=\"http://www.reenakallat.com/wp-content/uploads/2010/12/MVI_0580_1.MOV\" /><embed style=\"width: 400px; height: 400px;\" type=\"video/quicktime\" width=\"400\" height=\"400\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/12/MVI_0580_1.MOV\"> </embed></object></div>\r\n<div id=\"uniquename\" style=\"display: none;\">\r\n\r\nThe work titled “Silt of Seasons” is a video projection on sand, shaped in the form of the disputed territory that lies between India and Pakistan, also called P.O.K. (Pakistan Occupied Kashmir). The map of this conflicted terrain recurs in several of my works as a symbol of human inanity.\r\n\r\nNames of those from across the world who’ve signed the peace petition in 2004, addressed to General Pervez Musharraf and to the Indian Prime Minister Dr. Manmohan Singh appear spelt out in letters formed with sand. Each name is made visible only momentarily and seems to slowly get blown away or effaced, much like the repeated attempts at peace that often get sabotaged by extremist forces or political opportunism. And yet each erased name is replaced by another one, transporting the optimism in the piece through the renewed hope and commitment towards peace in the region. <a style=\"color: #888888;\" onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\">...hide</a>\r\n\r\n</div></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-423\" title=\"Silt of Seasons-1_detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1_detail-1024x682.jpg\" alt=\"Silt of Seasons-1_detail\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-details-1024x682.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/slit-of-season-image-5.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a><span style=\"font-size: 11px;\"><em>internet reference material</em></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/slit-of-season-image-6.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a><span style=\"font-size: 11px;\"><em>process shots</em></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','2306-revision-13','','','2010-12-03 07:24:29','2010-12-03 07:24:29','',2306,'http://www.reenakallat.com/2324/uncat/2306-revision-13',0,'revision','',0),(2322,1,'2010-12-03 07:21:08','2010-12-03 07:21:08','<script type=\"text/javascript\">// <![CDATA[\r\nfunction ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}\r\n// ]]></script>\r\n\r\n<!-- h3.canvas  { color:#333333; font-size:11px; font-weight:normal; margin-bottom:5px; margin-left:7px; margin-top:0; padding:0; text-transform:none; } h2.painting  { color:#FFFFFF; font-family:verdana,arial,tahoma,sans-serif; font-size:11px; font-weight:normal; margin:0 0 10px 7px; padding:0; text-align:left; text-transform:none; } -->\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-420\" title=\"Silt of Seasons-1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-1024x682.jpg\" alt=\"Silt of Seasons-1\" width=\"600\" /></a></td>\r\n<td style=\"font-size: 11px;\" width=\"200\" align=\"left\" valign=\"bottom\"><span style=\"color: #888888;\">Silt of Seasons-1</span>\r\n\r\n2008\r\n\r\nsingle channel video projection on sand\r\n\r\nduration 59 min 30 s, dimension variable\r\n\r\nedition: 5+AP</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-425\" title=\"Silt of Seasons-1-details\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-detail-1024x682.jpg\" alt=\"Silt of Seasons-1-details\" width=\"600\" /></a></td>\r\n<td style=\"font-size: 11px;\" width=\"300\" align=\"justify\" valign=\"top\">\r\n<div id=\"uniquename1\" style=\"display: block;\">The work titled “Silt of Seasons” is a video projection on sand, shaped in the form of the disputed territory that lies between India and Pakistan, also called P.O.K. (Pakistan Occupied Kashmir).<a style=\"color: #888888;\" onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\">...more</a></div>\r\n<div style=\"display: block;\">[local /wp-content/uploads/2010/12/17072009.avi view video]</div>\r\n<div style=\"display: block;\"><object style=\"width: 400px; height: 300px;\" classid=\"clsid:02bf25d5-8c17-4b23-bc80-d3488abddc6b\" width=\"400\" height=\"300\" codebase=\"http://www.apple.com/qtactivex/qtplugin.cab#version=6,0,2,0\"><param name=\"src\" value=\"http://www.reenakallat.com/wp-content/uploads/2010/12/MVI_0580_1.MOV\" /><embed style=\"width: 400px; height: 300px;\" type=\"video/quicktime\" width=\"400\" height=\"300\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/12/MVI_0580_1.MOV\"> </embed></object></div>\r\n<div id=\"uniquename\" style=\"display: none;\">\r\n\r\nThe work titled “Silt of Seasons” is a video projection on sand, shaped in the form of the disputed territory that lies between India and Pakistan, also called P.O.K. (Pakistan Occupied Kashmir). The map of this conflicted terrain recurs in several of my works as a symbol of human inanity.\r\n\r\nNames of those from across the world who’ve signed the peace petition in 2004, addressed to General Pervez Musharraf and to the Indian Prime Minister Dr. Manmohan Singh appear spelt out in letters formed with sand. Each name is made visible only momentarily and seems to slowly get blown away or effaced, much like the repeated attempts at peace that often get sabotaged by extremist forces or political opportunism. And yet each erased name is replaced by another one, transporting the optimism in the piece through the renewed hope and commitment towards peace in the region. <a style=\"color: #888888;\" onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\">...hide</a>\r\n\r\n</div></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-423\" title=\"Silt of Seasons-1_detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1_detail-1024x682.jpg\" alt=\"Silt of Seasons-1_detail\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-details-1024x682.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/slit-of-season-image-5.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a><span style=\"font-size: 11px;\"><em>internet reference material</em></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/slit-of-season-image-6.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a><span style=\"font-size: 11px;\"><em>process shots</em></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','2306-revision-11','','','2010-12-03 07:21:08','2010-12-03 07:21:08','',2306,'http://www.reenakallat.com/2322/uncat/2306-revision-11',0,'revision','',0),(2323,1,'2010-12-03 07:23:53','2010-12-03 07:23:53','<script type=\"text/javascript\">// <![CDATA[\r\nfunction ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}\r\n// ]]></script>\r\n\r\n<!-- h3.canvas  { color:#333333; font-size:11px; font-weight:normal; margin-bottom:5px; margin-left:7px; margin-top:0; padding:0; text-transform:none; } h2.painting  { color:#FFFFFF; font-family:verdana,arial,tahoma,sans-serif; font-size:11px; font-weight:normal; margin:0 0 10px 7px; padding:0; text-align:left; text-transform:none; } -->\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-420\" title=\"Silt of Seasons-1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-1024x682.jpg\" alt=\"Silt of Seasons-1\" width=\"600\" /></a></td>\r\n<td style=\"font-size: 11px;\" width=\"200\" align=\"left\" valign=\"bottom\"><span style=\"color: #888888;\">Silt of Seasons-1</span>\r\n\r\n2008\r\n\r\nsingle channel video projection on sand\r\n\r\nduration 59 min 30 s, dimension variable\r\n\r\nedition: 5+AP</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-425\" title=\"Silt of Seasons-1-details\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-detail-1024x682.jpg\" alt=\"Silt of Seasons-1-details\" width=\"600\" /></a></td>\r\n<td style=\"font-size: 11px;\" width=\"300\" align=\"justify\" valign=\"top\">\r\n<div id=\"uniquename1\" style=\"display: block;\">The work titled “Silt of Seasons” is a video projection on sand, shaped in the form of the disputed territory that lies between India and Pakistan, also called P.O.K. (Pakistan Occupied Kashmir).<a style=\"color: #888888;\" onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\">...more</a></div>\r\n<div style=\"display: block;\">[local /wp-content/uploads/2010/12/17072009.avi view video]</div>\r\n<div style=\"display: block;\"><object style=\"width: 400px; height: 400px;\" classid=\"clsid:02bf25d5-8c17-4b23-bc80-d3488abddc6b\" width=\"400\" height=\"400\" codebase=\"http://www.apple.com/qtactivex/qtplugin.cab#version=6,0,2,0\"><param name=\"src\" value=\"http://www.reenakallat.com/wp-content/uploads/2010/12/MVI_0580_1.MOV\" /><embed style=\"width: 400px; height: 400px;\" type=\"video/quicktime\" width=\"400\" height=\"400\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/12/MVI_0580_1.MOV\"> </embed></object></div>\r\n<div id=\"uniquename\" style=\"display: none;\">\r\n\r\nThe work titled “Silt of Seasons” is a video projection on sand, shaped in the form of the disputed territory that lies between India and Pakistan, also called P.O.K. (Pakistan Occupied Kashmir). The map of this conflicted terrain recurs in several of my works as a symbol of human inanity.\r\n\r\nNames of those from across the world who’ve signed the peace petition in 2004, addressed to General Pervez Musharraf and to the Indian Prime Minister Dr. Manmohan Singh appear spelt out in letters formed with sand. Each name is made visible only momentarily and seems to slowly get blown away or effaced, much like the repeated attempts at peace that often get sabotaged by extremist forces or political opportunism. And yet each erased name is replaced by another one, transporting the optimism in the piece through the renewed hope and commitment towards peace in the region. <a style=\"color: #888888;\" onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\">...hide</a>\r\n\r\n</div></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-423\" title=\"Silt of Seasons-1_detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1_detail-1024x682.jpg\" alt=\"Silt of Seasons-1_detail\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-details-1024x682.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/slit-of-season-image-5.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a><span style=\"font-size: 11px;\"><em>internet reference material</em></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/slit-of-season-image-6.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a><span style=\"font-size: 11px;\"><em>process shots</em></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','2306-revision-12','','','2010-12-03 07:23:53','2010-12-03 07:23:53','',2306,'http://www.reenakallat.com/2323/uncat/2306-revision-12',0,'revision','',0),(2325,1,'2010-12-03 07:25:51','2010-12-03 07:25:51','<script type=\"text/javascript\">// <![CDATA[\r\nfunction ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}\r\n// ]]></script>\r\n\r\n<!-- h3.canvas  { color:#333333; font-size:11px; font-weight:normal; margin-bottom:5px; margin-left:7px; margin-top:0; padding:0; text-transform:none; } h2.painting  { color:#FFFFFF; font-family:verdana,arial,tahoma,sans-serif; font-size:11px; font-weight:normal; margin:0 0 10px 7px; padding:0; text-align:left; text-transform:none; } -->\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-420\" title=\"Silt of Seasons-1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-1024x682.jpg\" alt=\"Silt of Seasons-1\" width=\"600\" /></a></td>\r\n<td style=\"font-size: 11px;\" width=\"200\" align=\"left\" valign=\"bottom\"><span style=\"color: #888888;\">Silt of Seasons-1</span>\r\n\r\n2008\r\n\r\nsingle channel video projection on sand\r\n\r\nduration 59 min 30 s, dimension variable\r\n\r\nedition: 5+AP</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-425\" title=\"Silt of Seasons-1-details\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-detail-1024x682.jpg\" alt=\"Silt of Seasons-1-details\" width=\"600\" /></a></td>\r\n<td style=\"font-size: 11px;\" width=\"300\" align=\"justify\" valign=\"top\">\r\n<div id=\"uniquename1\" style=\"display: block;\">The work titled “Silt of Seasons” is a video projection on sand, shaped in the form of the disputed territory that lies between India and Pakistan, also called P.O.K. (Pakistan Occupied Kashmir).<a style=\"color: #888888;\" onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\">...more</a></div>\r\n<div style=\"display: block;\"><object style=\"width: 440px; height: 440px;\" classid=\"clsid:02bf25d5-8c17-4b23-bc80-d3488abddc6b\" width=\"440\" height=\"440\" codebase=\"http://www.apple.com/qtactivex/qtplugin.cab#version=6,0,2,0\"><param name=\"src\" value=\"http://www.reenakallat.com/wp-content/uploads/2010/12/MVI_0580_1.MOV\" /><embed style=\"width: 440px; height: 440px;\" type=\"video/quicktime\" width=\"440\" height=\"440\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/12/MVI_0580_1.MOV\"> </embed></object></div>\r\n<div id=\"uniquename\" style=\"display: none;\">\r\n\r\nThe work titled “Silt of Seasons” is a video projection on sand, shaped in the form of the disputed territory that lies between India and Pakistan, also called P.O.K. (Pakistan Occupied Kashmir). The map of this conflicted terrain recurs in several of my works as a symbol of human inanity.\r\n\r\nNames of those from across the world who’ve signed the peace petition in 2004, addressed to General Pervez Musharraf and to the Indian Prime Minister Dr. Manmohan Singh appear spelt out in letters formed with sand. Each name is made visible only momentarily and seems to slowly get blown away or effaced, much like the repeated attempts at peace that often get sabotaged by extremist forces or political opportunism. And yet each erased name is replaced by another one, transporting the optimism in the piece through the renewed hope and commitment towards peace in the region. <a style=\"color: #888888;\" onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\">...hide</a>\r\n\r\n</div></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-423\" title=\"Silt of Seasons-1_detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1_detail-1024x682.jpg\" alt=\"Silt of Seasons-1_detail\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-details-1024x682.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/slit-of-season-image-5.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a><span style=\"font-size: 11px;\"><em>internet reference material</em></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/slit-of-season-image-6.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a><span style=\"font-size: 11px;\"><em>process shots</em></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','2306-revision-14','','','2010-12-03 07:25:51','2010-12-03 07:25:51','',2306,'http://www.reenakallat.com/2325/uncat/2306-revision-14',0,'revision','',0),(2326,1,'2010-12-06 07:02:35','2010-12-06 07:02:35','<script type=\"text/javascript\">// <![CDATA[\r\nfunction ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}\r\n// ]]></script>\r\n\r\n<!-- h3.canvas  { color:#333333; font-size:11px; font-weight:normal; margin-bottom:5px; margin-left:7px; margin-top:0; padding:0; text-transform:none; } h2.painting  { color:#FFFFFF; font-family:verdana,arial,tahoma,sans-serif; font-size:11px; font-weight:normal; margin:0 0 10px 7px; padding:0; text-align:left; text-transform:none; } -->\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-420\" title=\"Silt of Seasons-1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-1024x682.jpg\" alt=\"Silt of Seasons-1\" width=\"600\" /></a></td>\r\n<td style=\"font-size: 11px;\" width=\"200\" align=\"left\" valign=\"bottom\"><span style=\"color: #888888;\">Silt of Seasons-1</span>\r\n\r\n2008\r\n\r\nsingle channel video projection on sand\r\n\r\nduration 59 min 30 s, dimension variable\r\n\r\nedition: 5+AP</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-425\" title=\"Silt of Seasons-1-details\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-detail-1024x682.jpg\" alt=\"Silt of Seasons-1-details\" width=\"600\" /></a></td>\r\n<td style=\"font-size: 11px;\" width=\"300\" align=\"justify\" valign=\"top\">\r\n<div id=\"uniquename1\" style=\"display: block;\">The work titled “Silt of Seasons” is a video projection on sand, shaped in the form of the disputed territory that lies between India and Pakistan, also called P.O.K. (Pakistan Occupied Kashmir).<a style=\"color: #888888;\" onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\">...more</a></div>\r\n<div style=\"display: block;\"><object classid=\"clsid:6bf52a52-394a-11d3-b153-00c04f79faa6\" width=\"300\" height=\"300\" codebase=\"http://activex.microsoft.com/activex/controls/mplayer/en/nsmp2inf.cab#Version=5,1,52,701\"><param name=\"url\" value=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat.avi\" /><embed type=\"application/x-mplayer2\" width=\"300\" height=\"300\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat.avi\"> </embed></object></div>\r\n<div id=\"uniquename\" style=\"display: none;\">\r\n\r\nThe work titled “Silt of Seasons” is a video projection on sand, shaped in the form of the disputed territory that lies between India and Pakistan, also called P.O.K. (Pakistan Occupied Kashmir). The map of this conflicted terrain recurs in several of my works as a symbol of human inanity.\r\n\r\nNames of those from across the world who’ve signed the peace petition in 2004, addressed to General Pervez Musharraf and to the Indian Prime Minister Dr. Manmohan Singh appear spelt out in letters formed with sand. Each name is made visible only momentarily and seems to slowly get blown away or effaced, much like the repeated attempts at peace that often get sabotaged by extremist forces or political opportunism. And yet each erased name is replaced by another one, transporting the optimism in the piece through the renewed hope and commitment towards peace in the region. <a style=\"color: #888888;\" onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\">...hide</a>\r\n\r\n</div></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-423\" title=\"Silt of Seasons-1_detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1_detail-1024x682.jpg\" alt=\"Silt of Seasons-1_detail\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-details-1024x682.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/slit-of-season-image-5.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a><span style=\"font-size: 11px;\"><em>internet reference material</em></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/slit-of-season-image-6.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a><span style=\"font-size: 11px;\"><em>process shots</em></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','2306-revision-15','','','2010-12-06 07:02:35','2010-12-06 07:02:35','',2306,'http://www.reenakallat.com/2326/uncat/2306-revision-15',0,'revision','',0),(2327,1,'2010-12-06 07:04:57','2010-12-06 07:04:57','<p><script type=\"text/javascript\">// <![CDATA[\r\nfunction ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}\r\n// ]]></script></p>\r\n<p><!-- h3.canvas  { color:#333333; font-size:11px; font-weight:normal; margin-bottom:5px; margin-left:7px; margin-top:0; padding:0; text-transform:none; } h2.painting  { color:#FFFFFF; font-family:verdana,arial,tahoma,sans-serif; font-size:11px; font-weight:normal; margin:0 0 10px 7px; padding:0; text-align:left; text-transform:none; } --></p>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-420\" title=\"Silt of Seasons-1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-1024x682.jpg\" alt=\"Silt of Seasons-1\" width=\"600\" /></a></td>\r\n<td style=\"font-size: 11px;\" width=\"200\" align=\"left\" valign=\"bottom\"><span style=\"color: #888888;\">Silt of Seasons-1</span></p>\r\n<p>2008</p>\r\n<p>single channel video projection on sand</p>\r\n<p>duration 59 min 30 s, dimension variable</p>\r\n<p>edition: 5+AP</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-425\" title=\"Silt of Seasons-1-details\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-detail-1024x682.jpg\" alt=\"Silt of Seasons-1-details\" width=\"600\" /></a></td>\r\n<td style=\"font-size: 11px;\" width=\"300\" align=\"justify\" valign=\"top\">\r\n<div id=\"uniquename1\" style=\"display: block;\">The work titled “Silt of Seasons” is a video projection on sand, shaped in the form of the disputed territory that lies between India and Pakistan, also called P.O.K. (Pakistan Occupied Kashmir).<a style=\"color: #888888;\" onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\">...more</a></div>\r\n<div style=\"display: block;\"><object classid=\"clsid:6bf52a52-394a-11d3-b153-00c04f79faa6\" width=\"300\" height=\"300\" codebase=\"http://activex.microsoft.com/activex/controls/mplayer/en/nsmp2inf.cab#Version=5,1,52,701\"><param name=\"url\" value=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat.avi\" /><embed type=\"application/x-mplayer2\" width=\"300\" height=\"300\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat.avi\"></embed></object></div>\r\n<div id=\"uniquename\" style=\"display: none;\">\r\n<p>The work titled “Silt of Seasons” is a video projection on sand, shaped in the form of the disputed territory that lies between India and Pakistan, also called P.O.K. (Pakistan Occupied Kashmir). The map of this conflicted terrain recurs in several of my works as a symbol of human inanity.</p>\r\n<p>Names of those from across the world who’ve signed the peace petition in 2004, addressed to General Pervez Musharraf and to the Indian Prime Minister Dr. Manmohan Singh appear spelt out in letters formed with sand. Each name is made visible only momentarily and seems to slowly get blown away or effaced, much like the repeated attempts at peace that often get sabotaged by extremist forces or political opportunism. And yet each erased name is replaced by another one, transporting the optimism in the piece through the renewed hope and commitment towards peace in the region. <a style=\"color: #888888;\" onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\">...hide</a></p>\r\n</div>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-423\" title=\"Silt of Seasons-1_detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1_detail-1024x682.jpg\" alt=\"Silt of Seasons-1_detail\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-details-1024x682.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/slit-of-season-image-5.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a><span style=\"font-size: 11px;\"><em>internet reference material</em></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/slit-of-season-image-6.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a><span style=\"font-size: 11px;\"><em>process shots</em></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n','','','inherit','open','open','','2306-revision-16','','','2010-12-06 07:04:57','2010-12-06 07:04:57','',2306,'http://www.reenakallat.com/2327/uncat/2306-revision-16',0,'revision','',0),(2328,1,'2010-12-06 07:09:20','2010-12-06 07:09:20','<script type=\"text/javascript\">// <![CDATA[\r\nfunction ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}\r\n// ]]></script>\r\n\r\n<!-- h3.canvas  { color:#333333; font-size:11px; font-weight:normal; margin-bottom:5px; margin-left:7px; margin-top:0; padding:0; text-transform:none; } h2.painting  { color:#FFFFFF; font-family:verdana,arial,tahoma,sans-serif; font-size:11px; font-weight:normal; margin:0 0 10px 7px; padding:0; text-align:left; text-transform:none; } -->\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-420\" title=\"Silt of Seasons-1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-1024x682.jpg\" alt=\"Silt of Seasons-1\" width=\"600\" /></a></td>\r\n<td style=\"font-size: 11px;\" width=\"200\" align=\"left\" valign=\"bottom\"><span style=\"color: #888888;\">Silt of Seasons-1</span>\r\n\r\n2008\r\n\r\nsingle channel video projection on sand\r\n\r\nduration 59 min 30 s, dimension variable\r\n\r\nedition: 5+AP</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-425\" title=\"Silt of Seasons-1-details\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-detail-1024x682.jpg\" alt=\"Silt of Seasons-1-details\" width=\"600\" /></a></td>\r\n<td style=\"font-size: 11px;\" width=\"300\" align=\"justify\" valign=\"top\">\r\n<div id=\"uniquename1\" style=\"display: block;\">The work titled “Silt of Seasons” is a video projection on sand, shaped in the form of the disputed territory that lies between India and Pakistan, also called P.O.K. (Pakistan Occupied Kashmir).<a style=\"color: #888888;\" onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\">...more</a></div>\r\n<div><a href = \"#\" onclick=\"javascript:ReverseContentDisplay(\'video\'); return false;\" >View Video</a></div>\r\n<div id=\"video\" style=\"display: none;\"><object classid=\"clsid:6bf52a52-394a-11d3-b153-00c04f79faa6\" width=\"300\" height=\"300\" codebase=\"http://activex.microsoft.com/activex/controls/mplayer/en/nsmp2inf.cab#Version=5,1,52,701\"><param name=\"url\" value=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat.avi\" /><param name=\"src\" value=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat.avi\" /><embed type=\"application/x-mplayer2\" width=\"300\" height=\"300\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat.avi\" url=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat.avi\"> </embed></object></div>\r\n\r\n<div id=\"uniquename\" style=\"display: none;\">\r\n\r\nThe work titled “Silt of Seasons” is a video projection on sand, shaped in the form of the disputed territory that lies between India and Pakistan, also called P.O.K. (Pakistan Occupied Kashmir). The map of this conflicted terrain recurs in several of my works as a symbol of human inanity.\r\n\r\nNames of those from across the world who’ve signed the peace petition in 2004, addressed to General Pervez Musharraf and to the Indian Prime Minister Dr. Manmohan Singh appear spelt out in letters formed with sand. Each name is made visible only momentarily and seems to slowly get blown away or effaced, much like the repeated attempts at peace that often get sabotaged by extremist forces or political opportunism. And yet each erased name is replaced by another one, transporting the optimism in the piece through the renewed hope and commitment towards peace in the region. <a style=\"color: #888888;\" onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\">...hide</a>\r\n\r\n</div></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-423\" title=\"Silt of Seasons-1_detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1_detail-1024x682.jpg\" alt=\"Silt of Seasons-1_detail\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-details-1024x682.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/slit-of-season-image-5.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a><span style=\"font-size: 11px;\"><em>internet reference material</em></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/slit-of-season-image-6.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a><span style=\"font-size: 11px;\"><em>process shots</em></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','2306-revision-17','','','2010-12-06 07:09:20','2010-12-06 07:09:20','',2306,'http://www.reenakallat.com/2328/uncat/2306-revision-17',0,'revision','',0),(2329,1,'2010-12-06 07:13:24','2010-12-06 07:13:24','<script type=\"text/javascript\">// <![CDATA[\r\nfunction ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}\r\n// ]]></script>\r\n\r\n<!-- h3.canvas  { color:#333333; font-size:11px; font-weight:normal; margin-bottom:5px; margin-left:7px; margin-top:0; padding:0; text-transform:none; } h2.painting  { color:#FFFFFF; font-family:verdana,arial,tahoma,sans-serif; font-size:11px; font-weight:normal; margin:0 0 10px 7px; padding:0; text-align:left; text-transform:none; } -->\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-420\" title=\"Silt of Seasons-1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-1024x682.jpg\" alt=\"Silt of Seasons-1\" width=\"600\" /></a></td>\r\n<td style=\"font-size: 11px;\" width=\"200\" align=\"left\" valign=\"bottom\"><span style=\"color: #888888;\">Silt of Seasons-1</span>\r\n\r\n2008\r\n\r\nsingle channel video projection on sand\r\n\r\nduration 59 min 30 s, dimension variable\r\n\r\nedition: 5+AP</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-425\" title=\"Silt of Seasons-1-details\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-detail-1024x682.jpg\" alt=\"Silt of Seasons-1-details\" width=\"600\" /></a></td>\r\n<td style=\"font-size: 11px;\" width=\"300\" align=\"justify\" valign=\"top\">\r\n<div id=\"uniquename1\" style=\"display: block;\">The work titled “Silt of Seasons” is a video projection on sand, shaped in the form of the disputed territory that lies between India and Pakistan, also called P.O.K. (Pakistan Occupied Kashmir).<a style=\"color: #888888;\" onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\">...more</a></div>\r\n\r\n<div style=\"display: block;\" id=\"video1\"><a href = \"#\" onclick=\"javascript:ReverseContentDisplay(\'video\'); return false;\" >View Video</a></div>\r\n<div id=\"video\" style=\"display: none;\"><object classid=\"clsid:6bf52a52-394a-11d3-b153-00c04f79faa6\" width=\"300\" height=\"300\" codebase=\"http://activex.microsoft.com/activex/controls/mplayer/en/nsmp2inf.cab#Version=5,1,52,701\"><param name=\"url\" value=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat.avi\" /><param name=\"src\" value=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat.avi\" /><embed type=\"application/x-mplayer2\" width=\"300\" height=\"300\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat.avi\" url=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat.avi\"> </embed></object>\r\n<div id=\"video1\" onclick=\"javascript:ReverseContentDisplay(\'video1\'); return false;\" >Hide Video</div>\r\n</div>\r\n\r\n<div id=\"uniquename\" style=\"display: none;\">\r\n\r\nThe work titled “Silt of Seasons” is a video projection on sand, shaped in the form of the disputed territory that lies between India and Pakistan, also called P.O.K. (Pakistan Occupied Kashmir). The map of this conflicted terrain recurs in several of my works as a symbol of human inanity.\r\n\r\nNames of those from across the world who’ve signed the peace petition in 2004, addressed to General Pervez Musharraf and to the Indian Prime Minister Dr. Manmohan Singh appear spelt out in letters formed with sand. Each name is made visible only momentarily and seems to slowly get blown away or effaced, much like the repeated attempts at peace that often get sabotaged by extremist forces or political opportunism. And yet each erased name is replaced by another one, transporting the optimism in the piece through the renewed hope and commitment towards peace in the region. <a style=\"color: #888888;\" onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\">...hide</a>\r\n\r\n</div></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-423\" title=\"Silt of Seasons-1_detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1_detail-1024x682.jpg\" alt=\"Silt of Seasons-1_detail\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-details-1024x682.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/slit-of-season-image-5.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a><span style=\"font-size: 11px;\"><em>internet reference material</em></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/slit-of-season-image-6.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a><span style=\"font-size: 11px;\"><em>process shots</em></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','2306-revision-18','','','2010-12-06 07:13:24','2010-12-06 07:13:24','',2306,'http://www.reenakallat.com/2329/uncat/2306-revision-18',0,'revision','',0),(2330,1,'2010-12-06 07:29:18','2010-12-06 07:29:18','<script type=\"text/javascript\">// <![CDATA[\r\nfunction ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}\r\nfunction ReverseContentDisplayVideo(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"video1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"video1\").style.display = \'block\';}}\r\n\r\n// ]]></script>\r\n\r\n<!-- h3.canvas  { color:#333333; font-size:11px; font-weight:normal; margin-bottom:5px; margin-left:7px; margin-top:0; padding:0; text-transform:none; } h2.painting  { color:#FFFFFF; font-family:verdana,arial,tahoma,sans-serif; font-size:11px; font-weight:normal; margin:0 0 10px 7px; padding:0; text-align:left; text-transform:none; } -->\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-420\" title=\"Silt of Seasons-1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-1024x682.jpg\" alt=\"Silt of Seasons-1\" width=\"600\" /></a></td>\r\n<td style=\"font-size: 11px;\" width=\"200\" align=\"left\" valign=\"bottom\"><span style=\"color: #888888;\">Silt of Seasons-1</span>\r\n\r\n2008\r\n\r\nsingle channel video projection on sand\r\n\r\nduration 59 min 30 s, dimension variable\r\n\r\nedition: 5+AP</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-425\" title=\"Silt of Seasons-1-details\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-detail-1024x682.jpg\" alt=\"Silt of Seasons-1-details\" width=\"600\" /></a></td>\r\n<td style=\"font-size: 11px;\" width=\"300\" align=\"justify\" valign=\"top\">\r\n<div id=\"uniquename1\" style=\"display: block;\">The work titled “Silt of Seasons” is a video projection on sand, shaped in the form of the disputed territory that lies between India and Pakistan, also called P.O.K. (Pakistan Occupied Kashmir).<a style=\"color: #888888;\" onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\">...more</a></div>\r\n\r\n<div style=\"display: block;\" id=\"video1\">\r\n<a href = \"#\" onclick=\"javascript:ReverseContentDisplayVideo(\'video\'); return false;\" >View Video</a>\r\n</div>\r\n<div id=\"video\" style=\"display: none;\"><object classid=\"clsid:6bf52a52-394a-11d3-b153-00c04f79faa6\" width=\"300\" height=\"300\" codebase=\"http://activex.microsoft.com/activex/controls/mplayer/en/nsmp2inf.cab#Version=5,1,52,701\"><param name=\"url\" value=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat.avi\" /><param name=\"src\" value=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat.avi\" /><embed type=\"application/x-mplayer2\" width=\"300\" height=\"300\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat.avi\" url=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat.avi\"> </embed></object>\r\n<a href=\"#\" onclick=\"javascript: ReverseContentDisplayVideo(\'video1\');return false;\" >Hide Video</a>\r\n</div>\r\n\r\n\r\n<div id=\"uniquename\" style=\"display: none;\">\r\n\r\nThe work titled “Silt of Seasons” is a video projection on sand, shaped in the form of the disputed territory that lies between India and Pakistan, also called P.O.K. (Pakistan Occupied Kashmir). The map of this conflicted terrain recurs in several of my works as a symbol of human inanity.\r\n\r\nNames of those from across the world who’ve signed the peace petition in 2004, addressed to General Pervez Musharraf and to the Indian Prime Minister Dr. Manmohan Singh appear spelt out in letters formed with sand. Each name is made visible only momentarily and seems to slowly get blown away or effaced, much like the repeated attempts at peace that often get sabotaged by extremist forces or political opportunism. And yet each erased name is replaced by another one, transporting the optimism in the piece through the renewed hope and commitment towards peace in the region. <a style=\"color: #888888;\" onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\">...hide</a>\r\n\r\n</div></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-423\" title=\"Silt of Seasons-1_detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1_detail-1024x682.jpg\" alt=\"Silt of Seasons-1_detail\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-details-1024x682.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/slit-of-season-image-5.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a><span style=\"font-size: 11px;\"><em>internet reference material</em></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/slit-of-season-image-6.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a><span style=\"font-size: 11px;\"><em>process shots</em></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','2306-revision-19','','','2010-12-06 07:29:18','2010-12-06 07:29:18','',2306,'http://www.reenakallat.com/2330/uncat/2306-revision-19',0,'revision','',0),(2331,1,'2010-12-06 07:31:09','2010-12-06 07:31:09','<script type=\"text/javascript\">// <![CDATA[\r\nfunction ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}\r\n\r\nfunction ReverseContentDisplayVideo(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"video1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"video1\").style.display = \'block\';}}\r\n// ]]>\r\n</script>\r\n\r\n<!-- h3.canvas  { color:#333333; font-size:11px; font-weight:normal; margin-bottom:5px; margin-left:7px; margin-top:0; padding:0; text-transform:none; } h2.painting  { color:#FFFFFF; font-family:verdana,arial,tahoma,sans-serif; font-size:11px; font-weight:normal; margin:0 0 10px 7px; padding:0; text-align:left; text-transform:none; } -->\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-420\" title=\"Silt of Seasons-1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-1024x682.jpg\" alt=\"Silt of Seasons-1\" width=\"600\" /></a></td>\r\n<td style=\"font-size: 11px;\" width=\"200\" align=\"left\" valign=\"bottom\"><span style=\"color: #888888;\">Silt of Seasons-1</span>\r\n\r\n2008\r\n\r\nsingle channel video projection on sand\r\n\r\nduration 59 min 30 s, dimension variable\r\n\r\nedition: 5+AP</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-425\" title=\"Silt of Seasons-1-details\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-detail-1024x682.jpg\" alt=\"Silt of Seasons-1-details\" width=\"600\" /></a></td>\r\n<td style=\"font-size: 11px;\" width=\"300\" align=\"justify\" valign=\"top\">\r\n<div id=\"uniquename1\" style=\"display: block;\">The work titled “Silt of Seasons” is a video projection on sand, shaped in the form of the disputed territory that lies between India and Pakistan, also called P.O.K. (Pakistan Occupied Kashmir).<a style=\"color: #888888;\" onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\">...more</a></div>\r\n\r\n<div style=\"display: block;\" id=\"video1\">\r\n<a href = \"#\" onclick=\"javascript:ReverseContentDisplayVideo(\'video\'); return false;\" >View Video</a>\r\n</div>\r\n<div id=\"video\" style=\"display: none;\"><object classid=\"clsid:6bf52a52-394a-11d3-b153-00c04f79faa6\" width=\"300\" height=\"300\" codebase=\"http://activex.microsoft.com/activex/controls/mplayer/en/nsmp2inf.cab#Version=5,1,52,701\"><param name=\"url\" value=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat.avi\" /><param name=\"src\" value=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat.avi\" /><embed type=\"application/x-mplayer2\" width=\"300\" height=\"300\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat.avi\" url=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat.avi\"> </embed></object>\r\n<a href=\"#\" onclick=\"javascript: ReverseContentDisplayVideo(\'video1\');return false;\" >Hide Video</a>\r\n</div>\r\n\r\n\r\n<div id=\"uniquename\" style=\"display: none;\">\r\n\r\nThe work titled “Silt of Seasons” is a video projection on sand, shaped in the form of the disputed territory that lies between India and Pakistan, also called P.O.K. (Pakistan Occupied Kashmir). The map of this conflicted terrain recurs in several of my works as a symbol of human inanity.\r\n\r\nNames of those from across the world who’ve signed the peace petition in 2004, addressed to General Pervez Musharraf and to the Indian Prime Minister Dr. Manmohan Singh appear spelt out in letters formed with sand. Each name is made visible only momentarily and seems to slowly get blown away or effaced, much like the repeated attempts at peace that often get sabotaged by extremist forces or political opportunism. And yet each erased name is replaced by another one, transporting the optimism in the piece through the renewed hope and commitment towards peace in the region. <a style=\"color: #888888;\" onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\">...hide</a>\r\n\r\n</div></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-423\" title=\"Silt of Seasons-1_detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1_detail-1024x682.jpg\" alt=\"Silt of Seasons-1_detail\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-details-1024x682.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/slit-of-season-image-5.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a><span style=\"font-size: 11px;\"><em>internet reference material</em></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/slit-of-season-image-6.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a><span style=\"font-size: 11px;\"><em>process shots</em></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','2306-revision-20','','','2010-12-06 07:31:09','2010-12-06 07:31:09','',2306,'http://www.reenakallat.com/2331/uncat/2306-revision-20',0,'revision','',0),(2333,1,'2010-12-06 07:33:05','2010-12-06 07:33:05','<script type=\"text/javascript\">// <![CDATA[\r\nfunction ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}function ReverseContentDisplayVideo(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"video1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"video1\").style.display = \'block\';}}\r\n// ]]>\r\n</script>\r\n\r\n<!-- h3.canvas  { color:#333333; font-size:11px; font-weight:normal; margin-bottom:5px; margin-left:7px; margin-top:0; padding:0; text-transform:none; } h2.painting  { color:#FFFFFF; font-family:verdana,arial,tahoma,sans-serif; font-size:11px; font-weight:normal; margin:0 0 10px 7px; padding:0; text-align:left; text-transform:none; } -->\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-420\" title=\"Silt of Seasons-1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-1024x682.jpg\" alt=\"Silt of Seasons-1\" width=\"600\" /></a></td>\r\n<td style=\"font-size: 11px;\" width=\"200\" align=\"left\" valign=\"bottom\"><span style=\"color: #888888;\">Silt of Seasons-1</span>\r\n\r\n2008\r\n\r\nsingle channel video projection on sand\r\n\r\nduration 59 min 30 s, dimension variable\r\n\r\nedition: 5+AP</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-425\" title=\"Silt of Seasons-1-details\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-detail-1024x682.jpg\" alt=\"Silt of Seasons-1-details\" width=\"600\" /></a></td>\r\n<td style=\"font-size: 11px;\" width=\"300\" align=\"justify\" valign=\"top\">\r\n<div id=\"uniquename1\" style=\"display: block;\">The work titled “Silt of Seasons” is a video projection on sand, shaped in the form of the disputed territory that lies between India and Pakistan, also called P.O.K. (Pakistan Occupied Kashmir).<a style=\"color: #888888;\" onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\">...more</a></div>\r\n\r\n<div style=\"display: block;\" id=\"video1\">\r\n<a href = \"#\" onclick=\"javascript:ReverseContentDisplayVideo(\'video\'); return false;\" >View Video</a>\r\n</div>\r\n<div id=\"video\" style=\"display: none;\"><object classid=\"clsid:6bf52a52-394a-11d3-b153-00c04f79faa6\" width=\"300\" height=\"300\" codebase=\"http://activex.microsoft.com/activex/controls/mplayer/en/nsmp2inf.cab#Version=5,1,52,701\"><param name=\"url\" value=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat.avi\" /><param name=\"src\" value=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat.avi\" /><embed type=\"application/x-mplayer2\" width=\"300\" height=\"300\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat.avi\" url=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat.avi\"> </embed></object>\r\n<a href=\"#\" onclick=\"javascript: ReverseContentDisplayVideo(\'video1\');return false;\" >Hide Video</a>\r\n</div>\r\n\r\n\r\n<div id=\"uniquename\" style=\"display: none;\">\r\n\r\nThe work titled “Silt of Seasons” is a video projection on sand, shaped in the form of the disputed territory that lies between India and Pakistan, also called P.O.K. (Pakistan Occupied Kashmir). The map of this conflicted terrain recurs in several of my works as a symbol of human inanity.\r\n\r\nNames of those from across the world who’ve signed the peace petition in 2004, addressed to General Pervez Musharraf and to the Indian Prime Minister Dr. Manmohan Singh appear spelt out in letters formed with sand. Each name is made visible only momentarily and seems to slowly get blown away or effaced, much like the repeated attempts at peace that often get sabotaged by extremist forces or political opportunism. And yet each erased name is replaced by another one, transporting the optimism in the piece through the renewed hope and commitment towards peace in the region. <a style=\"color: #888888;\" onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\">...hide</a>\r\n\r\n</div></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-423\" title=\"Silt of Seasons-1_detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1_detail-1024x682.jpg\" alt=\"Silt of Seasons-1_detail\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-details-1024x682.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/slit-of-season-image-5.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a><span style=\"font-size: 11px;\"><em>internet reference material</em></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/slit-of-season-image-6.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a><span style=\"font-size: 11px;\"><em>process shots</em></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','2306-revision-22','','','2010-12-06 07:33:05','2010-12-06 07:33:05','',2306,'http://www.reenakallat.com/2333/uncat/2306-revision-22',0,'revision','',0),(2332,1,'2010-12-06 07:32:08','2010-12-06 07:32:08','<script type=\"text/javascript\">// <![CDATA[\r\nfunction ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}\r\n\r\nfunction ReverseContentDisplayVideo(d) \r\n{\r\n	// alert(hi);\r\n	if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"video1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"video1\").style.display = \'block\';}}\r\n// ]]>\r\n</script>\r\n\r\n<!-- h3.canvas  { color:#333333; font-size:11px; font-weight:normal; margin-bottom:5px; margin-left:7px; margin-top:0; padding:0; text-transform:none; } h2.painting  { color:#FFFFFF; font-family:verdana,arial,tahoma,sans-serif; font-size:11px; font-weight:normal; margin:0 0 10px 7px; padding:0; text-align:left; text-transform:none; } -->\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-420\" title=\"Silt of Seasons-1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-1024x682.jpg\" alt=\"Silt of Seasons-1\" width=\"600\" /></a></td>\r\n<td style=\"font-size: 11px;\" width=\"200\" align=\"left\" valign=\"bottom\"><span style=\"color: #888888;\">Silt of Seasons-1</span>\r\n\r\n2008\r\n\r\nsingle channel video projection on sand\r\n\r\nduration 59 min 30 s, dimension variable\r\n\r\nedition: 5+AP</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-425\" title=\"Silt of Seasons-1-details\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-detail-1024x682.jpg\" alt=\"Silt of Seasons-1-details\" width=\"600\" /></a></td>\r\n<td style=\"font-size: 11px;\" width=\"300\" align=\"justify\" valign=\"top\">\r\n<div id=\"uniquename1\" style=\"display: block;\">The work titled “Silt of Seasons” is a video projection on sand, shaped in the form of the disputed territory that lies between India and Pakistan, also called P.O.K. (Pakistan Occupied Kashmir).<a style=\"color: #888888;\" onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\">...more</a></div>\r\n\r\n<div style=\"display: block;\" id=\"video1\">\r\n<a href = \"#\" onclick=\"javascript:ReverseContentDisplayVideo(\'video\'); return false;\" >View Video</a>\r\n</div>\r\n<div id=\"video\" style=\"display: none;\"><object classid=\"clsid:6bf52a52-394a-11d3-b153-00c04f79faa6\" width=\"300\" height=\"300\" codebase=\"http://activex.microsoft.com/activex/controls/mplayer/en/nsmp2inf.cab#Version=5,1,52,701\"><param name=\"url\" value=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat.avi\" /><param name=\"src\" value=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat.avi\" /><embed type=\"application/x-mplayer2\" width=\"300\" height=\"300\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat.avi\" url=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat.avi\"> </embed></object>\r\n<a href=\"#\" onclick=\"javascript: ReverseContentDisplayVideo(\'video1\');return false;\" >Hide Video</a>\r\n</div>\r\n\r\n\r\n<div id=\"uniquename\" style=\"display: none;\">\r\n\r\nThe work titled “Silt of Seasons” is a video projection on sand, shaped in the form of the disputed territory that lies between India and Pakistan, also called P.O.K. (Pakistan Occupied Kashmir). The map of this conflicted terrain recurs in several of my works as a symbol of human inanity.\r\n\r\nNames of those from across the world who’ve signed the peace petition in 2004, addressed to General Pervez Musharraf and to the Indian Prime Minister Dr. Manmohan Singh appear spelt out in letters formed with sand. Each name is made visible only momentarily and seems to slowly get blown away or effaced, much like the repeated attempts at peace that often get sabotaged by extremist forces or political opportunism. And yet each erased name is replaced by another one, transporting the optimism in the piece through the renewed hope and commitment towards peace in the region. <a style=\"color: #888888;\" onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\">...hide</a>\r\n\r\n</div></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-423\" title=\"Silt of Seasons-1_detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1_detail-1024x682.jpg\" alt=\"Silt of Seasons-1_detail\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-details-1024x682.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/slit-of-season-image-5.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a><span style=\"font-size: 11px;\"><em>internet reference material</em></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/slit-of-season-image-6.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a><span style=\"font-size: 11px;\"><em>process shots</em></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','2306-revision-21','','','2010-12-06 07:32:08','2010-12-06 07:32:08','',2306,'http://www.reenakallat.com/2332/uncat/2306-revision-21',0,'revision','',0),(2334,1,'2010-12-06 07:34:27','2010-12-06 07:34:27','<script type=\"text/javascript\">// <![CDATA[\r\nfunction ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}function ReverseContentDisplayVideo(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"video1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"video1\").style.display = \'block\';}}\r\n// ]]>\r\n</script>\r\n\r\n<!-- h3.canvas  { color:#333333; font-size:11px; font-weight:normal; margin-bottom:5px; margin-left:7px; margin-top:0; padding:0; text-transform:none; } h2.painting  { color:#FFFFFF; font-family:verdana,arial,tahoma,sans-serif; font-size:11px; font-weight:normal; margin:0 0 10px 7px; padding:0; text-align:left; text-transform:none; } -->\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-420\" title=\"Silt of Seasons-1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-1024x682.jpg\" alt=\"Silt of Seasons-1\" width=\"600\" /></a></td>\r\n<td style=\"font-size: 11px;\" width=\"200\" align=\"left\" valign=\"bottom\"><span style=\"color: #888888;\">Silt of Seasons-1</span>\r\n\r\n2008\r\n\r\nsingle channel video projection on sand\r\n\r\nduration 59 min 30 s, dimension variable\r\n\r\nedition: 5+AP</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-425\" title=\"Silt of Seasons-1-details\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-detail-1024x682.jpg\" alt=\"Silt of Seasons-1-details\" width=\"600\" /></a></td>\r\n<td style=\"font-size: 11px;\" width=\"300\" align=\"justify\" valign=\"top\">\r\n<div id=\"uniquename1\" style=\"display: block;\">The work titled “Silt of Seasons” is a video projection on sand, shaped in the form of the disputed territory that lies between India and Pakistan, also called P.O.K. (Pakistan Occupied Kashmir).<a style=\"color: #888888;\" onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\">...more</a></div>\r\n\r\n<div style=\"display: block;\" id=\"video1\">\r\n<a href = \"#\" onclick=\"javascript:ReverseContentDisplayVideo(\'video\'); return false;\" >View Video</a>\r\n</div>\r\n<div id=\"video\" style=\"display: none;\"><object classid=\"clsid:6bf52a52-394a-11d3-b153-00c04f79faa6\" width=\"300\" height=\"300\" codebase=\"http://activex.microsoft.com/activex/controls/mplayer/en/nsmp2inf.cab#Version=5,1,52,701\"><param name=\"url\" value=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat.avi\" /><param name=\"src\" value=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat.avi\" /><embed type=\"application/x-mplayer2\" width=\"300\" height=\"300\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat.avi\" url=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat.avi\"> </embed></object>\r\n<a href=\"#\" onclick=\"javascript: ReverseContentDisplayVideo(\'video\');return false;\" >Hide Video</a>\r\n</div>\r\n\r\n\r\n<div id=\"uniquename\" style=\"display: none;\">\r\n\r\nThe work titled “Silt of Seasons” is a video projection on sand, shaped in the form of the disputed territory that lies between India and Pakistan, also called P.O.K. (Pakistan Occupied Kashmir). The map of this conflicted terrain recurs in several of my works as a symbol of human inanity.\r\n\r\nNames of those from across the world who’ve signed the peace petition in 2004, addressed to General Pervez Musharraf and to the Indian Prime Minister Dr. Manmohan Singh appear spelt out in letters formed with sand. Each name is made visible only momentarily and seems to slowly get blown away or effaced, much like the repeated attempts at peace that often get sabotaged by extremist forces or political opportunism. And yet each erased name is replaced by another one, transporting the optimism in the piece through the renewed hope and commitment towards peace in the region. <a style=\"color: #888888;\" onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\">...hide</a>\r\n\r\n</div></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-423\" title=\"Silt of Seasons-1_detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1_detail-1024x682.jpg\" alt=\"Silt of Seasons-1_detail\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-details-1024x682.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/slit-of-season-image-5.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a><span style=\"font-size: 11px;\"><em>internet reference material</em></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/slit-of-season-image-6.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a><span style=\"font-size: 11px;\"><em>process shots</em></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','2306-revision-23','','','2010-12-06 07:34:27','2010-12-06 07:34:27','',2306,'http://www.reenakallat.com/2334/uncat/2306-revision-23',0,'revision','',0),(2335,1,'2010-12-06 07:34:57','2010-12-06 07:34:57','<script type=\"text/javascript\">// <![CDATA[\r\nfunction ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}function ReverseContentDisplayVideo(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"video1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"video1\").style.display = \'block\';}}\r\n// ]]>\r\n</script>\r\n\r\n<!-- h3.canvas  { color:#333333; font-size:11px; font-weight:normal; margin-bottom:5px; margin-left:7px; margin-top:0; padding:0; text-transform:none; } h2.painting  { color:#FFFFFF; font-family:verdana,arial,tahoma,sans-serif; font-size:11px; font-weight:normal; margin:0 0 10px 7px; padding:0; text-align:left; text-transform:none; } -->\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-420\" title=\"Silt of Seasons-1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-1024x682.jpg\" alt=\"Silt of Seasons-1\" width=\"600\" /></a></td>\r\n<td style=\"font-size: 11px;\" width=\"200\" align=\"left\" valign=\"bottom\"><span style=\"color: #888888;\">Silt of Seasons-1</span>\r\n\r\n2008\r\n\r\nsingle channel video projection on sand\r\n\r\nduration 59 min 30 s, dimension variable\r\n\r\nedition: 5+AP</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-425\" title=\"Silt of Seasons-1-details\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-detail-1024x682.jpg\" alt=\"Silt of Seasons-1-details\" width=\"600\" /></a></td>\r\n<td style=\"font-size: 11px;\" width=\"300\" align=\"justify\" valign=\"top\">\r\n<div id=\"uniquename1\" style=\"display: block;\">The work titled “Silt of Seasons” is a video projection on sand, shaped in the form of the disputed territory that lies between India and Pakistan, also called P.O.K. (Pakistan Occupied Kashmir).<a style=\"color: #888888;\" onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\">...more</a></div>\r\n\r\n<div style=\"display: block;\" id=\"video1\" style=\"color: #888888;\">\r\n<a href = \"#\" onclick=\"javascript:ReverseContentDisplayVideo(\'video\'); return false;\" >View Video</a>\r\n</div>\r\n<div id=\"video\" style=\"display: none;\"><object classid=\"clsid:6bf52a52-394a-11d3-b153-00c04f79faa6\" width=\"300\" height=\"300\" codebase=\"http://activex.microsoft.com/activex/controls/mplayer/en/nsmp2inf.cab#Version=5,1,52,701\"><param name=\"url\" value=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat.avi\" /><param name=\"src\" value=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat.avi\" /><embed type=\"application/x-mplayer2\" width=\"300\" height=\"300\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat.avi\" url=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat.avi\"> </embed></object>\r\n<a href=\"#\" onclick=\"javascript: ReverseContentDisplayVideo(\'video\');return false;\" style=\"color: #888888;\">Hide Video</a>\r\n</div>\r\n\r\n\r\n<div id=\"uniquename\" style=\"display: none;\">\r\n\r\nThe work titled “Silt of Seasons” is a video projection on sand, shaped in the form of the disputed territory that lies between India and Pakistan, also called P.O.K. (Pakistan Occupied Kashmir). The map of this conflicted terrain recurs in several of my works as a symbol of human inanity.\r\n\r\nNames of those from across the world who’ve signed the peace petition in 2004, addressed to General Pervez Musharraf and to the Indian Prime Minister Dr. Manmohan Singh appear spelt out in letters formed with sand. Each name is made visible only momentarily and seems to slowly get blown away or effaced, much like the repeated attempts at peace that often get sabotaged by extremist forces or political opportunism. And yet each erased name is replaced by another one, transporting the optimism in the piece through the renewed hope and commitment towards peace in the region. <a style=\"color: #888888;\" onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\">...hide</a>\r\n\r\n</div></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-423\" title=\"Silt of Seasons-1_detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1_detail-1024x682.jpg\" alt=\"Silt of Seasons-1_detail\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-details-1024x682.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/slit-of-season-image-5.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a><span style=\"font-size: 11px;\"><em>internet reference material</em></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/slit-of-season-image-6.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a><span style=\"font-size: 11px;\"><em>process shots</em></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','2306-revision-24','','','2010-12-06 07:34:57','2010-12-06 07:34:57','',2306,'http://www.reenakallat.com/2335/uncat/2306-revision-24',0,'revision','',0),(2336,1,'2010-12-06 07:44:57','2010-12-06 07:44:57','<script type=\"text/javascript\">// <![CDATA[\r\nfunction ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}function ReverseContentDisplayVideo(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"video1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"video1\").style.display = \'block\';}}function ReverseContentDisplayVideoHide(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"video_hide1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"video_hide1\").style.display = \'block\';}}\r\n// ]]>\r\n</script>\r\n\r\n<!-- h3.canvas  { color:#333333; font-size:11px; font-weight:normal; margin-bottom:5px; margin-left:7px; margin-top:0; padding:0; text-transform:none; } h2.painting  { color:#FFFFFF; font-family:verdana,arial,tahoma,sans-serif; font-size:11px; font-weight:normal; margin:0 0 10px 7px; padding:0; text-align:left; text-transform:none; } -->\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-420\" title=\"Silt of Seasons-1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-1024x682.jpg\" alt=\"Silt of Seasons-1\" width=\"600\" /></a></td>\r\n<td style=\"font-size: 11px;\" width=\"200\" align=\"left\" valign=\"bottom\"><span style=\"color: #888888;\">Silt of Seasons-1</span>\r\n\r\n2008\r\n\r\nsingle channel video projection on sand\r\n\r\nduration 59 min 30 s, dimension variable\r\n\r\nedition: 5+AP</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-425\" title=\"Silt of Seasons-1-details\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-detail-1024x682.jpg\" alt=\"Silt of Seasons-1-details\" width=\"600\" /></a></td>\r\n<td style=\"font-size: 11px;\" width=\"300\" align=\"justify\" valign=\"top\">\r\n<div id=\"uniquename1\" style=\"display: block;\">The work titled “Silt of Seasons” is a video projection on sand, shaped in the form of the disputed territory that lies between India and Pakistan, also called P.O.K. (Pakistan Occupied Kashmir).<a style=\"color: #888888;\" onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\">...more</a>\r\n<div style=\"display: block;\" id=\"video1\" style=\"color: #888888;\">\r\n<a href = \"#\" onclick=\"javascript:ReverseContentDisplayVideo(\'video\'); return false;\" >View Video</a>\r\n</div>\r\n<div id=\"video\" style=\"display: none;\"><object classid=\"clsid:6bf52a52-394a-11d3-b153-00c04f79faa6\" width=\"300\" height=\"300\" codebase=\"http://activex.microsoft.com/activex/controls/mplayer/en/nsmp2inf.cab#Version=5,1,52,701\"><param name=\"url\" value=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat.avi\" /><param name=\"src\" value=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat.avi\" /><embed type=\"application/x-mplayer2\" width=\"300\" height=\"300\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat.avi\" url=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat.avi\"> </embed></object>\r\n<a href=\"#\" onclick=\"javascript: ReverseContentDisplayVideo(\'video\');return false;\" style=\"color: #888888;\">Hide Video</a>\r\n</div>\r\n\r\n</div>\r\n\r\n\r\n\r\n<div id=\"uniquename\" style=\"display: none;\">\r\n\r\nThe work titled “Silt of Seasons” is a video projection on sand, shaped in the form of the disputed territory that lies between India and Pakistan, also called P.O.K. (Pakistan Occupied Kashmir). The map of this conflicted terrain recurs in several of my works as a symbol of human inanity.\r\n\r\nNames of those from across the world who’ve signed the peace petition in 2004, addressed to General Pervez Musharraf and to the Indian Prime Minister Dr. Manmohan Singh appear spelt out in letters formed with sand. Each name is made visible only momentarily and seems to slowly get blown away or effaced, much like the repeated attempts at peace that often get sabotaged by extremist forces or political opportunism. And yet each erased name is replaced by another one, transporting the optimism in the piece through the renewed hope and commitment towards peace in the region. <a style=\"color: #888888;\" onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\">...hide</a>\r\n<div style=\"display: block;\" id=\"video_hide1\" style=\"color: #888888;\">\r\n<a href = \"#\" onclick=\"javascript:ReverseContentDisplayVideoHide(\'video_hide\'); return false;\" >View Video</a>\r\n</div>\r\n<div id=\"video_hide\" style=\"display: none;\"><object classid=\"clsid:6bf52a52-394a-11d3-b153-00c04f79faa6\" width=\"300\" height=\"300\" codebase=\"http://activex.microsoft.com/activex/controls/mplayer/en/nsmp2inf.cab#Version=5,1,52,701\"><param name=\"url\" value=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat.avi\" /><param name=\"src\" value=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat.avi\" /><embed type=\"application/x-mplayer2\" width=\"300\" height=\"300\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat.avi\" url=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat.avi\"> </embed></object>\r\n<a href=\"#\" onclick=\"javascript: ReverseContentDisplayVideoHide(\'video_hide\');return false;\" style=\"color: #888888;\">Hide Video</a>\r\n</div>\r\n\r\n</div>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-423\" title=\"Silt of Seasons-1_detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1_detail-1024x682.jpg\" alt=\"Silt of Seasons-1_detail\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-details-1024x682.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/slit-of-season-image-5.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a><span style=\"font-size: 11px;\"><em>internet reference material</em></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/slit-of-season-image-6.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a><span style=\"font-size: 11px;\"><em>process shots</em></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','2306-revision-25','','','2010-12-06 07:44:57','2010-12-06 07:44:57','',2306,'http://www.reenakallat.com/2336/uncat/2306-revision-25',0,'revision','',0),(2340,1,'2010-12-06 09:19:20','2010-12-06 09:19:20','<script type=\"text/javascript\">// <![CDATA[\r\nfunction ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}function ReverseContentDisplayVideo(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"video1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"video1\").style.display = \'block\';}}function ReverseContentDisplayVideoHide(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"video_hide1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"video_hide1\").style.display = \'block\';}}\r\n// ]]></script>\r\n\r\n<!-- h3.canvas  { color:#333333; font-size:11px; font-weight:normal; margin-bottom:5px; margin-left:7px; margin-top:0; padding:0; text-transform:none; } h2.painting  { color:#FFFFFF; font-family:verdana,arial,tahoma,sans-serif; font-size:11px; font-weight:normal; margin:0 0 10px 7px; padding:0; text-align:left; text-transform:none; } -->\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-420\" title=\"Silt of Seasons-1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-1024x682.jpg\" alt=\"Silt of Seasons-1\" width=\"600\" /></a></td>\r\n<td style=\"font-size: 11px;\" width=\"200\" align=\"left\" valign=\"bottom\"><span style=\"color: #888888;\">Silt of Seasons-1</span>\r\n\r\n2008\r\n\r\nsingle channel video projection on sand\r\n\r\nduration 59 min 30 s, dimension variable\r\n\r\nedition: 5+AP</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-425\" title=\"Silt of Seasons-1-details\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-detail-1024x682.jpg\" alt=\"Silt of Seasons-1-details\" width=\"600\" /></a></td>\r\n<td style=\"font-size: 11px;\" width=\"300\" align=\"justify\" valign=\"top\">\r\n<div id=\"uniquename1\" style=\"display: block;\">\r\n\r\nThe work titled “Silt of Seasons” is a video projection on sand, shaped in the form of the disputed territory that lies between India and Pakistan, also called P.O.K. (Pakistan Occupied Kashmir).<a style=\"color: #888888;\" onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\">...more</a>\r\n<div id=\"video1\" style=\"display: block;\"><a onclick=\"javascript:ReverseContentDisplayVideo(\'video\'); return false;\" href=\"#\">View Video</a></div>\r\n<div style=\"display: block;\"><object classid=\"clsid:6bf52a52-394a-11d3-b153-00c04f79faa6\" width=\"300\" height=\"300\" codebase=\"http://activex.microsoft.com/activex/controls/mplayer/en/nsmp2inf.cab#Version=5,1,52,701\"><param name=\"url\" value=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat_small.avi\" /><param name=\"src\" value=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat_small.avi\" /><embed type=\"application/x-mplayer2\" width=\"300\" height=\"300\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat_small.avi\" url=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat_small.avi\"></embed></object></div>\r\n<div id=\"video\" style=\"display: none;\"><object classid=\"clsid:6bf52a52-394a-11d3-b153-00c04f79faa6\" width=\"300\" height=\"300\" codebase=\"http://activex.microsoft.com/activex/controls/mplayer/en/nsmp2inf.cab#Version=5,1,52,701\"><param name=\"url\" value=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat.avi\" /><param name=\"src\" value=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat.avi\" /><embed type=\"application/x-mplayer2\" width=\"300\" height=\"300\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat.avi\" url=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat.avi\"></embed></object>\r\n<a style=\"color: #888888;\" onclick=\"javascript: ReverseContentDisplayVideo(\'video\');return false;\" href=\"#\">Hide Video</a></div>\r\n</div>\r\n<div id=\"uniquename\" style=\"display: none;\">\r\n\r\nThe work titled “Silt of Seasons” is a video projection on sand, shaped in the form of the disputed territory that lies between India and Pakistan, also called P.O.K. (Pakistan Occupied Kashmir). The map of this conflicted terrain recurs in several of my works as a symbol of human inanity.\r\n\r\nNames of those from across the world who’ve signed the peace petition in 2004, addressed to General Pervez Musharraf and to the Indian Prime Minister Dr. Manmohan Singh appear spelt out in letters formed with sand. Each name is made visible only momentarily and seems to slowly get blown away or effaced, much like the repeated attempts at peace that often get sabotaged by extremist forces or political opportunism. And yet each erased name is replaced by another one, transporting the optimism in the piece through the renewed hope and commitment towards peace in the region. <a style=\"color: #888888;\" onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\">...hide</a>\r\n<div id=\"video_hide1\" style=\"display: block;\"><a onclick=\"javascript:ReverseContentDisplayVideoHide(\'video_hide\'); return false;\" href=\"#\">View Video</a></div>\r\n<div id=\"video_hide\" style=\"display: none;\"><object classid=\"clsid:6bf52a52-394a-11d3-b153-00c04f79faa6\" width=\"300\" height=\"300\" codebase=\"http://activex.microsoft.com/activex/controls/mplayer/en/nsmp2inf.cab#Version=5,1,52,701\"><param name=\"url\" value=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat.avi\" /><param name=\"src\" value=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat.avi\" /><embed type=\"application/x-mplayer2\" width=\"300\" height=\"300\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat.avi\" url=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat.avi\"></embed></object>\r\n<a style=\"color: #888888;\" onclick=\"javascript: ReverseContentDisplayVideoHide(\'video_hide\');return false;\" href=\"#\">Hide Video</a></div>\r\n</div></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-423\" title=\"Silt of Seasons-1_detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1_detail-1024x682.jpg\" alt=\"Silt of Seasons-1_detail\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-details-1024x682.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/slit-of-season-image-5.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a><span style=\"font-size: 11px;\"><em>internet reference material</em></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/slit-of-season-image-6.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a><span style=\"font-size: 11px;\"><em>process shots</em></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','2306-revision-29','','','2010-12-06 09:19:20','2010-12-06 09:19:20','',2306,'http://www.reenakallat.com/2340/uncat/2306-revision-29',0,'revision','',0),(2337,1,'2010-12-06 09:03:12','2010-12-06 09:03:12','<script type=\"text/javascript\">// <![CDATA[\r\nfunction ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}function ReverseContentDisplayVideo(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"video1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"video1\").style.display = \'block\';}}function ReverseContentDisplayVideoHide(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"video_hide1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"video_hide1\").style.display = \'block\';}}\r\n// ]]>\r\n</script>\r\n\r\n<!-- h3.canvas  { color:#333333; font-size:11px; font-weight:normal; margin-bottom:5px; margin-left:7px; margin-top:0; padding:0; text-transform:none; } h2.painting  { color:#FFFFFF; font-family:verdana,arial,tahoma,sans-serif; font-size:11px; font-weight:normal; margin:0 0 10px 7px; padding:0; text-align:left; text-transform:none; } -->\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-420\" title=\"Silt of Seasons-1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-1024x682.jpg\" alt=\"Silt of Seasons-1\" width=\"600\" /></a></td>\r\n<td style=\"font-size: 11px;\" width=\"200\" align=\"left\" valign=\"bottom\"><span style=\"color: #888888;\">Silt of Seasons-1</span>\r\n\r\n2008\r\n\r\nsingle channel video projection on sand\r\n\r\nduration 59 min 30 s, dimension variable\r\n\r\nedition: 5+AP</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-425\" title=\"Silt of Seasons-1-details\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-detail-1024x682.jpg\" alt=\"Silt of Seasons-1-details\" width=\"600\" /></a></td>\r\n<td style=\"font-size: 11px;\" width=\"300\" align=\"justify\" valign=\"top\">\r\n<div id=\"uniquename1\" style=\"display: block;\">The work titled “Silt of Seasons” is a video projection on sand, shaped in the form of the disputed territory that lies between India and Pakistan, also called P.O.K. (Pakistan Occupied Kashmir).<a style=\"color: #888888;\" onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\">...more</a>\r\n<div style=\"display: block;\" id=\"video1\" style=\"color: #888888;\">\r\n<a href = \"#\" onclick=\"javascript:ReverseContentDisplayVideo(\'video\'); return false;\" >View Video</a>\r\n</div>\r\n<div id=\"video\" style=\"display: none;\"><object classid=\"clsid:6bf52a52-394a-11d3-b153-00c04f79faa6\" width=\"300\" height=\"300\" codebase=\"http://activex.microsoft.com/activex/controls/mplayer/en/nsmp2inf.cab#Version=5,1,52,701\"><param name=\"url\" value=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat.avi\" /><param name=\"src\" value=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat.avi\" /><embed type=\"application/x-mplayer2\" width=\"300\" height=\"300\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat.avi\" url=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat.avi\"> </embed></object>\r\n<a href=\"#\" onclick=\"javascript: ReverseContentDisplayVideo(\'video\');return false;\" style=\"color: #888888;\">Hide Video</a>\r\n</div>\r\n\r\n</div>\r\n\r\n\r\n\r\n<div id=\"uniquename\" style=\"display: none;\">\r\n\r\nThe work titled “Silt of Seasons” is a video projection on sand, shaped in the form of the disputed territory that lies between India and Pakistan, also called P.O.K. (Pakistan Occupied Kashmir). The map of this conflicted terrain recurs in several of my works as a symbol of human inanity.\r\n\r\nNames of those from across the world who’ve signed the peace petition in 2004, addressed to General Pervez Musharraf and to the Indian Prime Minister Dr. Manmohan Singh appear spelt out in letters formed with sand. Each name is made visible only momentarily and seems to slowly get blown away or effaced, much like the repeated attempts at peace that often get sabotaged by extremist forces or political opportunism. And yet each erased name is replaced by another one, transporting the optimism in the piece through the renewed hope and commitment towards peace in the region. <a style=\"color: #888888;\" onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\">...hide</a>\r\n<div style=\"display: block;\" id=\"video_hide1\" style=\"color: #888888;\">\r\n<a href = \"#\" onclick=\"javascript:ReverseContentDisplayVideoHide(\'video_hide\'); return false;\" >View Video</a>\r\n</div>\r\n<div id=\"video_hide\" style=\"display: none;\"><object classid=\"clsid:6bf52a52-394a-11d3-b153-00c04f79faa6\" width=\"300\" height=\"300\" codebase=\"http://activex.microsoft.com/activex/controls/mplayer/en/nsmp2inf.cab#Version=5,1,52,701\"><param name=\"url\" value=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat.avi\" /><param name=\"src\" value=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat.avi\" /><embed type=\"application/x-mplayer2\" width=\"300\" height=\"300\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat.avi\" url=\"http://www.reenakallat.com/wp-content/uploads/2010/12/reenakallat.avi\"> </embed></object>\r\n<a href=\"#\" onclick=\"javascript: ReverseContentDisplayVideoHide(\'video_hide\');return false;\" style=\"color: #888888;\">Hide Video</a>\r\n</div>\r\n\r\n</div>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-423\" title=\"Silt of Seasons-1_detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1_detail-1024x682.jpg\" alt=\"Silt of Seasons-1_detail\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-1-details-1024x682.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/slit-of-season-image-5.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a><span style=\"font-size: 11px;\"><em>internet reference material</em></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-large wp-image-424\" title=\"Silt of Seasons-1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/slit-of-season-image-6.jpg\" alt=\"Silt of Seasons-1-detail\" width=\"600\" /></a><span style=\"font-size: 11px;\"><em>process shots</em></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','2306-revision-26','','','2010-12-06 09:03:12','2010-12-06 09:03:12','',2306,'http://www.reenakallat.com/2337/uncat/2306-revision-26',0,'revision','',0),