(1540,1,'2010-07-11 06:02:42','2010-07-11 06:02:42','<style>\r\na {\r\nfont-weight:normal;\r\ncolor: #000000;\r\n}\r\na:hover {\r\ncolor: #000000;\r\nfont-weight: bold;\r\ntext-decoration: underline;\r\n}\r\na:visited {\r\ncolor: #000000;\r\n}\r\na:link{\r\ncolor: #000000;\r\n}\r\na:active{\r\nfont-weight:normal;\r\ncolor: #000000\r\n}\r\n</style>\r\nReena Saini Kallat (b. Delhi 1973) graduated from the Sir J. J. School of Art, Mumbai in 1996 with a B. F. A. in painting. Her practice - spanning painting, photography, video and sculptural installations - frequently deals with the condition of an individual in a rapidly changing society, ever susceptible to being reduced to an anonymous and forgotten statistic. Kallat is interested in constructing images that seem to change and transform by the possibilities they carry for the generation of meaning through a calibrated interplay of image and form.\r\n\r\nOver the last decade her work has been part of many important exhibitions, across the world. She has had ten solo exhibitions in India and abroad, collectively, and participated in a number of workshops and residencies. She lives and works in Mumbai.\r\n\r\n<strong><span style=\"color: #888888;\">SOLO EXHIBITIONS</span></strong>\r\n<table>\r\n<tr><td valign=\"top\">2009                  </td><td><a class=\"linkbio\" href=\"http://www.primomarellagallery.com/it/catalogue/scheda.asp?id=568&view=past\">Drift, Primo Marella Gallery, Milan</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2008/reena_bio.html\"> Silt of Seasons, Chemould   Prescott Road, Mumbai</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><em>Subject to Change without Notice</em>, Walsh Gallery, Chicago\r\n\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td><em>Rainbow Of Refuse, </em>Bodhi Art Gallery, Mumbai and Singapore </td><td><em> </em>\r\n\r\n</td></tr><tr><td valign=\"top\">2005                  </td><td><em>Black Flute (And Other Stories)</em>, Nature Morte, New Delhi\r\n\r\n</td></tr><tr><td valign=\"top\">2004                  </td><td><em>Black Flute</em>, Gallery Chemould, Mumbai\r\n\r\n</td></tr><tr><td valign=\"top\">2002                  </td><td><em>The Battlefield Is The Mind</em>, Sakshi Gallery, Bangalore\r\n\r\n</td></tr><tr><td valign=\"top\">2002                  </td><td><em>Seven Faces of Dust</em>, Chicago Radio, Mumbai\r\n\r\n</td></tr><tr><td valign=\"top\">2000                  </td><td><em>Skin</em>, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi\r\n\r\n</td></tr><tr><td valign=\"top\">1998                  </td><td><em>Orchard of Home-grown Secrets</em>, Gallery Chemould and Pundole  Art <em>Gallery, Mumbai</em>\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr>\r\n\r\n<tr><td colspan=\"2\">\r\n<span style=\"color: #888888;\"><strong>SELECTED GROUP EXHIBITIONS</strong></span>\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr>\r\n\r\n<tr><td valign=\"top\">2010                  </td><td><em>In Transition: New Art from India</em>, Richmond Art Gallery\r\nVancouver Biennale, Vancouver\r\n</td></tr><tr><td valign=\"top\">2010                  </td><td><em>Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster University</em>, curated by Jeffrey Hughes and Dana Turkovic, Cecile R. Hunt\r\nGallery, St. Louis, Missouri\r\n</td></tr><tr><td valign=\"top\">2010                  </td><td><em>Never Run Away</em>, 2 person exhibition curated by Shaheen Merali,Stux   Gallery,  New York\r\n\r\n</td></tr><tr><td valign=\"top\">2010                  </td><td><em>The Empire Strikes Back</em>, Saatchi Gallery, London\r\n\r\n</td></tr><tr><td valign=\"top\">2010 </td><td><em> Urban Manners 2</em>, Contemporary Artists from India, curated by Adelina\r\nVon Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao\r\nPaulo, Brazil\r\n\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><em>View Points and Viewing points - </td></tr><tr><td valign=\"top\">2009 </td><td>Asian Art Biennale</em>, National Taiwan Museum of Fine Arts \r\n\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><em>Spectrum: Indian Art at Abu   Dhabi, United   Arab Emirates</em>\r\n\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><em>Milan Galleria</em>, curated by Georgio Verzotti, Triennale Museum, Milan\r\n\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><em>Passage to India Part II show </em>at Initial Access, Frank Cohen Collection,\r\nWolverhampton, UK\r\n\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td>Ventosul Biennale, Curitiba, Brazil\r\n\r\n</td></tr><tr><td valign=\"top\">2009     </td><td><em> Chalo! India: A New Era of Indian Art</em>, National  Museum of Contemporary Art,\r\nKorea and Essl Museum, Vienna\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><em>INDIA XIANZAI: Contemporary Indian Art</em>, Museum of Contemporary Art,\r\nShanghai\r\n\r\n</td></tr><tr><td valign=\"top\">2009                   </td><td><em>Low Blow: And Other Species of Confusion</em>, Stux gallery, New York\r\n</td></tr><tr><td valign=\"top\">2009</td><td><em> Indian Narratives in the 21<sup>st</sup> Century: Between Memory and History</em>,Casa  Asia, Madrid and Barcelona, Spain\r\n\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><em>Body Chatter</em>, Walsh Gallery, Chicago\r\n\r\n</td></tr><tr><td valign=\"top\">2008     </td><td><em> Chalo! India: A New Era of Indian Art</em>, Mori Art   Museum, Japan\r\n\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td>India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM\r\nMuseum, Valencia, Spain </td><td>\r\n\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><em>3<sup>rd</sup> Nanjing Triennale</em>, curators: Fumihiko Sumitomo, Jaeyoung Kang,  China\r\n\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><em>TEAF (Taehwagang Eco Art Festival) - Dream River, Korea </em>\r\n\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><em>Everywhere is War (And Rumours of it</em>), Bodhi Art Gallery, Mumbai\r\n\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><em>Fire Walkers</em>, Stefan Stux gallery, New York\r\n\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><em>Three Points of view</em>, Galerie Mirchandani + Steinrucke, Mumbai\r\n\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><em>Excavation: Memory / Myth / Membrane</em>, Museum Gallery, Mumbai </td><td><em> </em>\r\n\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><em>International Incheon Women Artists’ Biennale</em>, Korea\r\n\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><em>Soft Power: Asian Attitude</em>, Shanghai Zendai Museum of Modern Art, Shanghai\r\n\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><em>Urban Manners</em>, curated by Adelina Von Furstenberg, at Hangar\r\nBicocca , Milan </td><td>\r\n\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><em>INDIA NOW: Contemporary Indian Art, Between Continuity and transformation</em>,curated by Daniela Palozzoli at Spazio Oberdan, Milan\r\n\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><em>New Narratives: Contemporary Art From India</em>, curated by Betty Seid,Chicago Cultural Centre, Chicago </td><td><em> </em>\r\n\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><em>Thermocline Of Art- New Asian Waves</em>, curated by Wonil Rhee and Peter\r\nWeibel at ZKM in Karlsruhe, Germany\r\n\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td><em>Modern Indian Works On Paper,</em> Arthur Ross Gallery, Philadelphia and the\r\nGeorgia Museum of Art, USA\r\n\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td><em>Lille 3000 (</em>Maximum City-Mumbai), Lille,  France \r\n\r\n</td></tr><tr><td valign=\"top\">2006</td><td><em> Hungry God- Indian Contemporary Art</em>, curated by Yun Chaegab and June\r\nGwak, Arario Gallery, Beijing and Busan MoMA\r\n\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td><em>India Express – Art and Popular Culture</em>, Art Museum Tennispalace,\r\ncurators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City  Art Museum,\r\nFinland\r\n\r\n</td></tr><tr><td valign=\"top\">2005                  </td><td><em>Mom and Pop Art, </em>Walsh Gallery, Chicago\r\n\r\n</td></tr><tr><td valign=\"top\">2005                  </td><td><em>Span</em>, Sakshi Gallery, Mumbai\r\n\r\n</td></tr><tr><td valign=\"top\">2005                  </td><td><em>Indian Paintings of the New Millenium</em>, curated by Helen Asquine Fazio\r\nat Thomas J. Walsh Art Gallery at Fairfield   University, USA\r\n\r\n</td></tr><tr><td valign=\"top\">2004 </td><td><em> Contemporary Art from India</em>, Thomas   Erben Gallery, New York\r\n\r\n</td></tr><tr><td valign=\"top\">2004                    </td><td><em>Zoom! Art in Contemporary India.</em> Curators: Nancy Adajania and Luis\r\nSerpa, The Culturgest Museum, Lisbon, Portugal</td><td><em> </em>\r\n\r\n</td><td><em> </em>\r\n\r\n</td></tr><tr><td valign=\"top\">2003</td><td><em> Crossing generations: diVERGE</em>, Gallery Chemould’s 40th anniversary,\r\nCurators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of Modern\r\nArt, Mumbai\r\n\r\n</td></tr><tr><td valign=\"top\">2003</td><td><em> Hard Copy,</em> two-person show with Jitish Kallat, Gallery 88, Calcutta*\r\n\r\n</td></tr><tr><td valign=\"top\">2003                  </td><td><em>Tiranga</em>, curator: Peter Nagy, India Habitat Centre, New Delhi</td><td><em> </em>\r\n\r\n</td></tr><tr><td valign=\"top\">2003</td><td><em> Elephant Walks</em>, Youth Arts Project in collaboration with Jitish Kallat as part of\r\nIndians + Cowboys exhibition, Curators: Aaron Seetu and Ruth Watson\r\nGallery 4A, Sydney</td><td><em> </em>\r\n\r\n</td></tr><tr><td valign=\"top\">2003                  </td><td><em>The Tree From The Seed, Contemporary Art from India, </em>curator: Gavin Jantjes\r\nHenie Onstad Kunstsenter (Oslo), Norway</td><td><em></em>\r\n\r\n</td></tr><tr><td valign=\"top\">2002                   </td><td><em>Crosscurrents</em>, organized by Artworks for the fiftieth anniversary\r\ncelebrations of Jehangir Art  Gallery, Mumbai\r\n\r\n</td></tr><tr><td valign=\"top\">2002                        </td><td><em>Reclaim Our Freedom</em>, organized by Open Circle, Pundole Art Gallery, Mumbai\r\n\r\n</td></tr><tr><td valign=\"top\">2002                       </td><td><em>Crossing Borders</em>, Gallery Windkracht 13, Den Helder, Holland\r\n\r\n</td></tr><tr><td valign=\"top\">2001                        </td><td><em>Big River 2</em>, CCA7 Gallery, Port Of Spain, Trinidad\r\n\r\n</td></tr><tr><td valign=\"top\">2001                   </td><td><em>AOM- Art on the move</em>, organized by Sahmat, New Delhi\r\n\r\n</td></tr><tr><td valign=\"top\">1999</td><td><em> Edge of the Century,</em> curated by Amit Mukhopadhyay, Academy  of Fine Arts\r\n\r\nand Literature, New Delhi\r\n</td></tr><tr><td colspan=\"2\">\r\n<strong><span style=\"color: #888888;\">SELECTED WORKSHOPS AND RESIDENCIES</span></strong>\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><em>Vanishing Point</em>, children’s project at the Celebrate Bandra Festival, Mumbai\r\n\r\n</td></tr><tr><td valign=\"top\">2007             </td><td>Collaborative workshop as part of the exhibition <em>Aftershock</em> at the Sainsbury\r\nCentre for Visual Arts, University of East Anglia, Norwich,  UK\r\n\r\n</td></tr><tr><td valign=\"top\">2003                       </td><td>Collaborated on a Billboard project with Jitish Kallat, Kala Ghoda Art District, Mumbai\r\n\r\n</td></tr><tr><td valign=\"top\">2003                  </td><td><em>Elephant Walks</em>, Youth Arts Project at the Casula Power House Arts Centre,\r\nLiverpool, Australia\r\n\r\n</td></tr><tr><td valign=\"top\">2002</td><td><em> Khoj </td></tr><tr><td valign=\"top\">2002</em></td><td> International Artists Workshop, Mysore, India\r\n\r\n</td></tr><tr><td valign=\"top\">2002</td><td><em> Identity and Landscape</em>, residency in the Laurentian mountains of Quebec at the Boreal Art/Nature Centre, Canada\r\n\r\n</td></tr><tr><td valign=\"top\">2001                  </td><td><em>Big River 2</em>, International Artists Workshop organized by CCA7 and the Triangle Arts Trust at Grand Riviere, Trinidad, West Indies\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr>\r\n<tr><td>\r\n<span style=\"color: #888888;\"><strong>TALKS/PRESENTATIONS</strong></span>\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td>Panel discussion with artist Gulam Sheikh, co-chair: Sabine B. Vogel, art critic at the Sammlung Essl Museum, Vienna\r\n\r\n</td></tr><tr><td valign=\"top\">2008                    </td><td>Slide presentation followed by a panel discussion with Nalini Malani and Jayshree Chakravarty, moderated by Nancy Adajania at Jnanapravaha, Mumbai\r\n\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td>Slide presentation at the School of the Art Institute of Chicago\r\n\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td>Panel discussion with Nalini Malani, Sheba Chhachhi, moderated by Betty Seid at the Chicago Cultural Centre\r\n\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td>Lecture at the University Boccini, Milan\r\n\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td>Slide presentation at the Lamar Dodd School of Art, University   of Georgia, USA\r\n\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td>Talk at the Griffith Auditorium, Georgia Museum of Art, USA\r\n\r\n</td></tr><tr><td valign=\"top\">2003                  </td><td>Slide presentation at Oslo National Academy of the Arts, Norway\r\n\r\n</td></tr><tr><td valign=\"top\">2000                  </td><td>Mohile Parikh Centre for the Visual Arts, Mumbai\r\n</td></tr>\r\n</table>','Biography','','inherit','open','open','','105-revision-46','','','2010-07-11 06:02:42','2010-07-11 06:02:42','',105,'http://www.biggventures.com/demo/artists/1540/uncat/105-revision-46',0,'revision','',0),(1541,1,'2010-07-11 06:39:22','2010-07-11 06:39:22','<style>\r\na {\r\nfont-weight:normal;\r\ncolor: #000000;\r\n}\r\na:hover {\r\ncolor: #000000;\r\nfont-weight: bold;\r\ntext-decoration: underline;\r\n}\r\na:visited {\r\ncolor: #000000;\r\n}\r\na:link{\r\ncolor: #000000;\r\n}\r\na:active{\r\nfont-weight:normal;\r\ncolor: #000000\r\n}\r\n</style>\r\nReena Saini Kallat (b. Delhi 1973) graduated from the Sir J. J. School of Art, Mumbai in 1996 with a B. F. A. in painting. Her practice - spanning painting, photography, video and sculptural installations - frequently deals with the condition of an individual in a rapidly changing society, ever susceptible to being reduced to an anonymous and forgotten statistic. Kallat is interested in constructing images that seem to change and transform by the possibilities they carry for the generation of meaning through a calibrated interplay of image and form.\r\n\r\nOver the last decade her work has been part of many important exhibitions, across the world. She has had ten solo exhibitions in India and abroad, collectively, and participated in a number of workshops and residencies. She lives and works in Mumbai.\r\n\r\n<strong><span style=\"color: #888888;\">SOLO EXHIBITIONS</span></strong>\r\n<table>\r\n<tr><td valign=\"top\">2009                  </td><td><a href=\"http://www.primomarellagallery.com/it/catalogue/scheda.asp?id=568&view=past\">Drift, Primo Marella Gallery, Milan</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a href=\"http://www.gallerychemould.com/exhibitions/2008/reena_bio.html\"> Silt of Seasons, Chemould   Prescott Road, Mumbai</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a href=\"http://www.walshgallery.com/reena-kallat-exhibition-2008/\">Subject to Change without Notice, Walsh Gallery, Chicago\r\n</a>\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td><em>Rainbow Of Refuse, </em>Bodhi Art Gallery, Mumbai and Singapore </td><td><em> </em>\r\n\r\n</td></tr><tr><td valign=\"top\">2005                  </td><td><a href=\"http://www.naturemorte.com/artists/reena-saini-kallat/selected-works/\">Black Flute (And Other Stories), Nature Morte, New Delhi</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2004                  </td><td><a href=\"http://www.gallerychemould.com/exhibitions/2004/reena_saini_kallat_note.html\">Black Flute</em>, Gallery Chemould, Mumbai</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2002                  </td><td><em>The Battlefield Is The Mind</em>, Sakshi Gallery, Bangalore\r\n\r\n</td></tr><tr><td valign=\"top\">2002                  </td><td><em>Seven Faces of Dust</em>, Chicago Radio, Mumbai\r\n\r\n</td></tr><tr><td valign=\"top\">2000                  </td><td><em>Skin</em>, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi\r\n\r\n</td></tr><tr><td valign=\"top\">1998                  </td><td><em>Orchard of Home-grown Secrets</em>, Gallery Chemould and Pundole  Art <em>Gallery, Mumbai</em>\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr>\r\n\r\n<tr><td colspan=\"2\">\r\n<span style=\"color: #888888;\"><strong>SELECTED GROUP EXHIBITIONS</strong></span>\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr>\r\n\r\n<tr><td valign=\"top\">2010                  </td><td><a href=\"http://www.richmondartgallery.org/in-transition.php\">In Transition: New Art from India, Richmond Art Gallery Vancouver Biennale, Vancouver</a>\r\n</td></tr><tr><td valign=\"top\">2010                  </td><td><a href=\"http://websterhuntgallery.blogspot.com/2010_02_01_archive.html\">Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster University, curated by Jeffrey Hughes and Dana Turkovic, Cecile R. Hunt\r\nGallery, St. Louis, Missouri</a>\r\n</td></tr><tr><td valign=\"top\">2010                  </td><td><a href=\"http://www.stuxgallery.com/site/www/artist_gallery/51\">Never Run Away, 2 person exhibition curated by Shaheen Merali,Stux   Gallery,  New York</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2010                  </td><td><a href=\"http://www.saatchi-gallery.co.uk/artists/reena_kallat.htm?section_name=new_india\">The Empire Strikes Back, Saatchi Gallery, London</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2010 </td><td><a href=\"http://art-for-the-world.blogspot.com/2010/01/some-installation-views-of-urban.html\">Urban Manners 2</em>, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao\r\nPaulo, Brazil</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><a href=\"http://www.asianartbiennial.org/2009/en/index_en.html\">View Points and Viewing points - 2009 Asian Art Biennale, National Taiwan Museum of Fine Arts \r\n\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><em>Spectrum: Indian Art at Abu   Dhabi, United   Arab Emirates</em>\r\n\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><em>Milan Galleria</em>, curated by Georgio Verzotti, Triennale Museum, Milan\r\n\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><a href=\"http://www.initialaccess.co.uk/exhibition_moreinfo.php?id=11\">Passage to India Part II show at Initial Access, Frank Cohen Collection,\r\nWolverhampton, UK</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td>Ventosul Biennale, Curitiba, Brazil\r\n\r\n</td></tr><tr><td valign=\"top\">2009     </td><td><a href=\"http://www.mori.art.museum/english/contents/india/index.html\"> Chalo! India: A New Era of Indian Art, National  Museum of Contemporary Art,\r\nKorea and Essl Museum, Vienna</a>\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><a href=\"http://www.mocashanghai.org/index.php?_function=exhibition&_subFunction=pastExhibition&exhibition_id=40&_view=detail\">INDIA XIANZAI: Contemporary Indian Art, Museum of Contemporary Art,\r\nShanghai</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2009                   </td><td><a href=\"http://www.stuxgallery.com/site/www/artist_gallery/42/622\">Low Blow: And Other Species of Confusion, Stux gallery, New York</a>\r\n</td></tr><tr><td valign=\"top\">2009</td><td><em> Indian Narratives in the 21<sup>st</sup> Century: Between Memory and History</em>,Casa  Asia, Madrid and Barcelona, Spain\r\n\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><a href=\"http://www.walshgallery.com/body-chatter-an-exhibition-of-contemporary-indian-art-2008/\">Body Chatter, Walsh Gallery, Chicago</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2008     </td><td><a href=\"http://www.mori.art.museum/contents/press/india_20081121_e.pdf\">Chalo! India: A New Era of Indian Art, Mori Art   Museum, Japan</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a href=\"http://www.indiamoderna.es/eng/index.html\">India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM\r\nMuseum, Valencia, Spain </a></td><td>\r\n\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a href=\"http://www.aaa.org.hk/onlineprojects/bitri/en/gallery.aspx?eid=A080.03\">3<sup>rd</sup> Nanjing Triennale</em>, curators: Fumihiko Sumitomo, Jaeyoung Kang,  China\r\n</a>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><em>TEAF (Taehwagang Eco Art Festival) - Dream River, Korea </em>\r\n\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a href=\"http://www.bodhiart.in/exhibitions/everywhere_is_war/everywhere_war.html\">Everywhere is War (And Rumours of it), Bodhi Art Gallery, Mumbai</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a href=\"http://www.stuxgallery.com/site/www/artist_gallery/33\">Fire Walkers, Stefan Stux gallery, New York</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a href=\"http://www.galeriems.com/reenask_one.htm\">Three Points of view, Galerie Mirchandani + Steinrucke, Mumbai</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><em>Excavation: Memory / Myth / Membrane</em>, Museum Gallery, Mumbai </td><td><em> </em>\r\n\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><em>International Incheon Women Artists’ Biennale</em>, Korea\r\n\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><em>Soft Power: Asian Attitude</em>, Shanghai Zendai Museum of Modern Art, Shanghai\r\n\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><a href=\"http://www.kunstaspekte.de/index.php?tid=39629&action=termin\">Urban Manners, curated by Adelina Von Furstenberg, at Hangar\r\nBicocca , Milan</a></td><td>\r\n\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><a href=\"http://www.art-for-the-world.com/wwd/2007/urban_manners/Urban_Manners_pr.pdf\">INDIA NOW: Contemporary Indian Art, Between Continuity and transformation,curated by Daniela Palozzoli at Spazio Oberdan, Milan</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><em>New Narratives: Contemporary Art From India</em>, curated by Betty Seid,Chicago Cultural Centre, Chicago </td><td><em> </em>\r\n\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><em>Thermocline Of Art- New Asian Waves</em>, curated by Wonil Rhee and Peter\r\nWeibel at ZKM in Karlsruhe, Germany\r\n\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td><em>Modern Indian Works On Paper,</em> Arthur Ross Gallery, Philadelphia and the\r\nGeorgia Museum of Art, USA\r\n\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td><em>Lille 3000 (</em>Maximum City-Mumbai), Lille,  France \r\n\r\n</td></tr><tr><td valign=\"top\">2006</td><td><em> Hungry God- Indian Contemporary Art</em>, curated by Yun Chaegab and June\r\nGwak, Arario Gallery, Beijing and Busan MoMA\r\n\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td><em>India Express – Art and Popular Culture</em>, Art Museum Tennispalace,\r\ncurators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City  Art Museum,\r\nFinland\r\n\r\n</td></tr><tr><td valign=\"top\">2005                  </td><td><em>Mom and Pop Art, </em>Walsh Gallery, Chicago\r\n\r\n</td></tr><tr><td valign=\"top\">2005                  </td><td><em>Span</em>, Sakshi Gallery, Mumbai\r\n\r\n</td></tr><tr><td valign=\"top\">2005                  </td><td><em>Indian Paintings of the New Millenium</em>, curated by Helen Asquine Fazio\r\nat Thomas J. Walsh Art Gallery at Fairfield   University, USA\r\n\r\n</td></tr><tr><td valign=\"top\">2004 </td><td><em> Contemporary Art from India</em>, Thomas   Erben Gallery, New York\r\n\r\n</td></tr><tr><td valign=\"top\">2004                    </td><td><em>Zoom! Art in Contemporary India.</em> Curators: Nancy Adajania and Luis\r\nSerpa, The Culturgest Museum, Lisbon, Portugal</td><td><em> </em>\r\n\r\n</td><td><em> </em>\r\n\r\n</td></tr><tr><td valign=\"top\">2003</td><td><em> Crossing generations: diVERGE</em>, Gallery Chemould’s 40th anniversary,\r\nCurators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of Modern\r\nArt, Mumbai\r\n\r\n</td></tr><tr><td valign=\"top\">2003</td><td><em> Hard Copy,</em> two-person show with Jitish Kallat, Gallery 88, Calcutta*\r\n\r\n</td></tr><tr><td valign=\"top\">2003                  </td><td><em>Tiranga</em>, curator: Peter Nagy, India Habitat Centre, New Delhi</td><td><em> </em>\r\n\r\n</td></tr><tr><td valign=\"top\">2003</td><td><em> Elephant Walks</em>, Youth Arts Project in collaboration with Jitish Kallat as part of\r\nIndians + Cowboys exhibition, Curators: Aaron Seetu and Ruth Watson\r\nGallery 4A, Sydney</td><td><em> </em>\r\n\r\n</td></tr><tr><td valign=\"top\">2003                  </td><td><em>The Tree From The Seed, Contemporary Art from India, </em>curator: Gavin Jantjes\r\nHenie Onstad Kunstsenter (Oslo), Norway</td><td><em></em>\r\n\r\n</td></tr><tr><td valign=\"top\">2002                   </td><td><em>Crosscurrents</em>, organized by Artworks for the fiftieth anniversary\r\ncelebrations of Jehangir Art  Gallery, Mumbai\r\n\r\n</td></tr><tr><td valign=\"top\">2002                        </td><td><em>Reclaim Our Freedom</em>, organized by Open Circle, Pundole Art Gallery, Mumbai\r\n\r\n</td></tr><tr><td valign=\"top\">2002                       </td><td><em>Crossing Borders</em>, Gallery Windkracht 13, Den Helder, Holland\r\n\r\n</td></tr><tr><td valign=\"top\">2001                        </td><td><em>Big River 2</em>, CCA7 Gallery, Port Of Spain, Trinidad\r\n\r\n</td></tr><tr><td valign=\"top\">2001                   </td><td><em>AOM- Art on the move</em>, organized by Sahmat, New Delhi\r\n\r\n</td></tr><tr><td valign=\"top\">1999</td><td><em> Edge of the Century,</em> curated by Amit Mukhopadhyay, Academy  of Fine Arts\r\n\r\nand Literature, New Delhi\r\n</td></tr><tr><td colspan=\"2\">\r\n<strong><span style=\"color: #888888;\">SELECTED WORKSHOPS AND RESIDENCIES</span></strong>\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><em>Vanishing Point</em>, children’s project at the Celebrate Bandra Festival, Mumbai\r\n\r\n</td></tr><tr><td valign=\"top\">2007             </td><td>Collaborative workshop as part of the exhibition <em>Aftershock</em> at the Sainsbury\r\nCentre for Visual Arts, University of East Anglia, Norwich,  UK\r\n\r\n</td></tr><tr><td valign=\"top\">2003                       </td><td>Collaborated on a Billboard project with Jitish Kallat, Kala Ghoda Art District, Mumbai\r\n\r\n</td></tr><tr><td valign=\"top\">2003                  </td><td><em>Elephant Walks</em>, Youth Arts Project at the Casula Power House Arts Centre,\r\nLiverpool, Australia\r\n\r\n</td></tr><tr><td valign=\"top\">2002</td><td><em> Khoj </td></tr><tr><td valign=\"top\">2002</em></td><td> International Artists Workshop, Mysore, India\r\n\r\n</td></tr><tr><td valign=\"top\">2002</td><td><em> Identity and Landscape</em>, residency in the Laurentian mountains of Quebec at the Boreal Art/Nature Centre, Canada\r\n\r\n</td></tr><tr><td valign=\"top\">2001                  </td><td><em>Big River 2</em>, International Artists Workshop organized by CCA7 and the Triangle Arts Trust at Grand Riviere, Trinidad, West Indies\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr>\r\n<tr><td>\r\n<span style=\"color: #888888;\"><strong>TALKS/PRESENTATIONS</strong></span>\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td>Panel discussion with artist Gulam Sheikh, co-chair: Sabine B. Vogel, art critic at the Sammlung Essl Museum, Vienna\r\n\r\n</td></tr><tr><td valign=\"top\">2008                    </td><td>Slide presentation followed by a panel discussion with Nalini Malani and Jayshree Chakravarty, moderated by Nancy Adajania at Jnanapravaha, Mumbai\r\n\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td>Slide presentation at the School of the Art Institute of Chicago\r\n\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td>Panel discussion with Nalini Malani, Sheba Chhachhi, moderated by Betty Seid at the Chicago Cultural Centre\r\n\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td>Lecture at the University Boccini, Milan\r\n\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td>Slide presentation at the Lamar Dodd School of Art, University   of Georgia, USA\r\n\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td>Talk at the Griffith Auditorium, Georgia Museum of Art, USA\r\n\r\n</td></tr><tr><td valign=\"top\">2003                  </td><td>Slide presentation at Oslo National Academy of the Arts, Norway\r\n\r\n</td></tr><tr><td valign=\"top\">2000                  </td><td>Mohile Parikh Centre for the Visual Arts, Mumbai\r\n</td></tr>\r\n</table>','Biography','','inherit','open','open','','105-revision-47','','','2010-07-11 06:39:22','2010-07-11 06:39:22','',105,'http://www.biggventures.com/demo/artists/1541/uncat/105-revision-47',0,'revision','',0),(1542,1,'2010-07-11 06:49:57','2010-07-11 06:49:57','<style>\r\na {\r\nfont-weight:normal;\r\ncolor: #000000;\r\n}\r\na:hover {\r\ncolor: #000000;\r\nfont-weight: bold;\r\ntext-decoration: underline;\r\n}\r\na:visited {\r\ncolor: #000000;\r\n}\r\na:link{\r\ncolor: #000000;\r\n}\r\na:active{\r\nfont-weight:normal;\r\ncolor: #000000\r\n}\r\n</style>\r\nReena Saini Kallat (b. Delhi 1973) graduated from the Sir J. J. School of Art, Mumbai in 1996 with a B. F. A. in painting. Her practice - spanning painting, photography, video and sculptural installations - frequently deals with the condition of an individual in a rapidly changing society, ever susceptible to being reduced to an anonymous and forgotten statistic. Kallat is interested in constructing images that seem to change and transform by the possibilities they carry for the generation of meaning through a calibrated interplay of image and form.\r\n\r\nOver the last decade her work has been part of many important exhibitions, across the world. She has had ten solo exhibitions in India and abroad, collectively, and participated in a number of workshops and residencies. She lives and works in Mumbai.\r\n\r\n<strong><span style=\"color: #888888;\">SOLO EXHIBITIONS</span></strong>\r\n<table>\r\n<tr><td valign=\"top\">2009                  </td><td><a href=\"http://www.primomarellagallery.com/it/catalogue/scheda.asp?id=568&view=past\">Drift, Primo Marella Gallery, Milan</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a href=\"http://www.gallerychemould.com/exhibitions/2008/reena_bio.html\"> Silt of Seasons, Chemould   Prescott Road, Mumbai</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a href=\"http://www.walshgallery.com/reena-kallat-exhibition-2008/\">Subject to Change without Notice, Walsh Gallery, Chicago\r\n</a>\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td><em>Rainbow Of Refuse, </em>Bodhi Art Gallery, Mumbai and Singapore </td><td><em> </em>\r\n\r\n</td></tr><tr><td valign=\"top\">2005                  </td><td><a href=\"http://www.naturemorte.com/artists/reena-saini-kallat/selected-works/\">Black Flute (And Other Stories), Nature Morte, New Delhi</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2004                  </td><td><a href=\"http://www.gallerychemould.com/exhibitions/2004/reena_saini_kallat_note.html\">Black Flute</em>, Gallery Chemould, Mumbai</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2002                  </td><td><em>The Battlefield Is The Mind</em>, Sakshi Gallery, Bangalore\r\n\r\n</td></tr><tr><td valign=\"top\">2002                  </td><td><em>Seven Faces of Dust</em>, Chicago Radio, Mumbai\r\n\r\n</td></tr><tr><td valign=\"top\">2000                  </td><td><em>Skin</em>, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi\r\n\r\n</td></tr><tr><td valign=\"top\">1998                  </td><td><em>Orchard of Home-grown Secrets</em>, Gallery Chemould and Pundole  Art <em>Gallery, Mumbai</em>\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr>\r\n\r\n<tr><td colspan=\"2\">\r\n<span style=\"color: #888888;\"><strong>SELECTED GROUP EXHIBITIONS</strong></span>\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr>\r\n\r\n<tr><td valign=\"top\">2010                  </td><td><a href=\"http://www.richmondartgallery.org/in-transition.php\">In Transition: New Art from India, Richmond Art Gallery Vancouver Biennale, Vancouver</a>\r\n</td></tr><tr><td valign=\"top\">2010                  </td><td><a href=\"http://websterhuntgallery.blogspot.com/2010_02_01_archive.html\">Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster University, curated by Jeffrey Hughes and Dana Turkovic, Cecile R. Hunt\r\nGallery, St. Louis, Missouri</a>\r\n</td></tr><tr><td valign=\"top\">2010                  </td><td><a href=\"http://www.stuxgallery.com/site/www/artist_gallery/51\">Never Run Away, 2 person exhibition curated by Shaheen Merali,Stux   Gallery,  New York</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2010                  </td><td><a href=\"http://www.saatchi-gallery.co.uk/artists/reena_kallat.htm?section_name=new_india\">The Empire Strikes Back, Saatchi Gallery, London</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2010 </td><td><a href=\"http://art-for-the-world.blogspot.com/2010/01/some-installation-views-of-urban.html\">Urban Manners 2</em>, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao\r\nPaulo, Brazil</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><a href=\"http://www.asianartbiennial.org/2009/en/index_en.html\">View Points and Viewing points - 2009 Asian Art Biennale, National Taiwan Museum of Fine Arts \r\n\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><em>Spectrum: Indian Art at Abu   Dhabi, United   Arab Emirates</em>\r\n\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><em>Milan Galleria</em>, curated by Georgio Verzotti, Triennale Museum, Milan\r\n\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><a href=\"http://www.initialaccess.co.uk/exhibition_moreinfo.php?id=11\">Passage to India Part II show at Initial Access, Frank Cohen Collection,\r\nWolverhampton, UK</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td>Ventosul Biennale, Curitiba, Brazil\r\n\r\n</td></tr><tr><td valign=\"top\">2009     </td><td><a href=\"http://www.mori.art.museum/english/contents/india/index.html\"> Chalo! India: A New Era of Indian Art, National  Museum of Contemporary Art,\r\nKorea and Essl Museum, Vienna</a>\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><a href=\"http://www.mocashanghai.org/index.php?_function=exhibition&_subFunction=pastExhibition&exhibition_id=40&_view=detail\">INDIA XIANZAI: Contemporary Indian Art, Museum of Contemporary Art,\r\nShanghai</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2009                   </td><td><a href=\"http://www.stuxgallery.com/site/www/artist_gallery/42/622\">Low Blow: And Other Species of Confusion, Stux gallery, New York</a>\r\n</td></tr><tr><td valign=\"top\">2009</td><td><em> Indian Narratives in the 21<sup>st</sup> Century: Between Memory and History</em>,Casa  Asia, Madrid and Barcelona, Spain\r\n\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><a href=\"http://www.walshgallery.com/body-chatter-an-exhibition-of-contemporary-indian-art-2008/\">Body Chatter, Walsh Gallery, Chicago</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2008     </td><td><a href=\"http://www.mori.art.museum/contents/press/india_20081121_e.pdf\">Chalo! India: A New Era of Indian Art, Mori Art   Museum, Japan</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a href=\"http://www.indiamoderna.es/eng/index.html\">India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM\r\nMuseum, Valencia, Spain </a></td><td>\r\n\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a href=\"http://www.aaa.org.hk/onlineprojects/bitri/en/gallery.aspx?eid=A080.03\">3<sup>rd</sup> Nanjing Triennale</em>, curators: Fumihiko Sumitomo, Jaeyoung Kang,  China\r\n</a>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><em>TEAF (Taehwagang Eco Art Festival) - Dream River, Korea </em>\r\n\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a href=\"http://www.bodhiart.in/exhibitions/everywhere_is_war/everywhere_war.html\">Everywhere is War (And Rumours of it), Bodhi Art Gallery, Mumbai</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a href=\"http://www.stuxgallery.com/site/www/artist_gallery/33\">Fire Walkers, Stefan Stux gallery, New York</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a href=\"http://www.galeriems.com/reenask_one.htm\">Three Points of view, Galerie Mirchandani + Steinrucke, Mumbai</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><em>Excavation: Memory / Myth / Membrane</em>, Museum Gallery, Mumbai </td><td><em> </em>\r\n\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><em>International Incheon Women Artists’ Biennale</em>, Korea\r\n\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><em>Soft Power: Asian Attitude</em>, Shanghai Zendai Museum of Modern Art, Shanghai\r\n\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><a href=\"http://www.kunstaspekte.de/index.php?tid=39629&action=termin\">Urban Manners, curated by Adelina Von Furstenberg, at Hangar\r\nBicocca , Milan</a></td><td>\r\n\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><a href=\"http://www.art-for-the-world.com/wwd/2007/urban_manners/Urban_Manners_pr.pdf\">INDIA NOW: Contemporary Indian Art, Between Continuity and transformation,curated by Daniela Palozzoli at Spazio Oberdan, Milan</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><em>New Narratives: Contemporary Art From India</em>, curated by Betty Seid,Chicago Cultural Centre, Chicago </td><td><em> </em>\r\n\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><em>Thermocline Of Art- New Asian Waves</em>, curated by Wonil Rhee and Peter\r\nWeibel at ZKM in Karlsruhe, Germany\r\n\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td><em>Modern Indian Works On Paper,</em> Arthur Ross Gallery, Philadelphia and the\r\nGeorgia Museum of Art, USA\r\n\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td><em>Lille 3000 (</em>Maximum City-Mumbai), Lille,  France \r\n\r\n</td></tr><tr><td valign=\"top\">2006</td><td><em> Hungry God- Indian Contemporary Art</em>, curated by Yun Chaegab and June\r\nGwak, Arario Gallery, Beijing and Busan MoMA\r\n\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td><em>India Express – Art and Popular Culture</em>, Art Museum Tennispalace,\r\ncurators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City  Art Museum,\r\nFinland\r\n\r\n</td></tr><tr><td valign=\"top\">2005                  </td><td><em>Mom and Pop Art, </em>Walsh Gallery, Chicago\r\n\r\n</td></tr><tr><td valign=\"top\">2005                  </td><td><em>Span</em>, Sakshi Gallery, Mumbai\r\n\r\n</td></tr><tr><td valign=\"top\">2005                  </td><td><em>Indian Paintings of the New Millenium</em>, curated by Helen Asquine Fazio\r\nat Thomas J. Walsh Art Gallery at Fairfield   University, USA\r\n\r\n</td></tr><tr><td valign=\"top\">2004 </td><td><em> Contemporary Art from India</em>, Thomas   Erben Gallery, New York\r\n\r\n</td></tr><tr><td valign=\"top\">2004                    </td><td><em>Zoom! Art in Contemporary India.</em> Curators: Nancy Adajania and Luis\r\nSerpa, The Culturgest Museum, Lisbon, Portugal</td><td><em> </em>\r\n\r\n</td><td><em> </em>\r\n\r\n</td></tr><tr><td valign=\"top\">2003</td><td><em> Crossing generations: diVERGE</em>, Gallery Chemould’s 40th anniversary,\r\nCurators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of Modern\r\nArt, Mumbai\r\n\r\n</td></tr><tr><td valign=\"top\">2003</td><td><em> Hard Copy,</em> two-person show with Jitish Kallat, Gallery 88, Calcutta*\r\n\r\n</td></tr><tr><td valign=\"top\">2003                  </td><td><em>Tiranga</em>, curator: Peter Nagy, India Habitat Centre, New Delhi</td><td><em> </em>\r\n\r\n</td></tr><tr><td valign=\"top\">2003</td><td><em> Elephant Walks</em>, Youth Arts Project in collaboration with Jitish Kallat as part of\r\nIndians + Cowboys exhibition, Curators: Aaron Seetu and Ruth Watson\r\nGallery 4A, Sydney</td><td><em> </em>\r\n\r\n</td></tr><tr><td valign=\"top\">2003                  </td><td><em>The Tree From The Seed, Contemporary Art from India, </em>curator: Gavin Jantjes\r\nHenie Onstad Kunstsenter (Oslo), Norway</td><td><em></em>\r\n\r\n</td></tr><tr><td valign=\"top\">2002                   </td><td><em>Crosscurrents</em>, organized by Artworks for the fiftieth anniversary\r\ncelebrations of Jehangir Art  Gallery, Mumbai\r\n\r\n</td></tr><tr><td valign=\"top\">2002                        </td><td><em>Reclaim Our Freedom</em>, organized by Open Circle, Pundole Art Gallery, Mumbai\r\n\r\n</td></tr><tr><td valign=\"top\">2002                       </td><td><em>Crossing Borders</em>, Gallery Windkracht 13, Den Helder, Holland\r\n\r\n</td></tr><tr><td valign=\"top\">2001                        </td><td><em>Big River 2</em>, CCA7 Gallery, Port Of Spain, Trinidad\r\n\r\n</td></tr><tr><td valign=\"top\">2001                   </td><td><em>AOM- Art on the move</em>, organized by Sahmat, New Delhi\r\n\r\n</td></tr><tr><td valign=\"top\">1999</td><td><em> Edge of the Century,</em> curated by Amit Mukhopadhyay, Academy  of Fine Arts\r\n\r\nand Literature, New Delhi\r\n</td></tr><tr><td colspan=\"2\">\r\n<strong><span style=\"color: #888888;\">SELECTED WORKSHOPS AND RESIDENCIES</span></strong>\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><em>Vanishing Point</em>, children’s project at the Celebrate Bandra Festival, Mumbai\r\n\r\n</td></tr><tr><td valign=\"top\">2007             </td><td>Collaborative workshop as part of the exhibition <em>Aftershock</em> at the Sainsbury\r\nCentre for Visual Arts, University of East Anglia, Norwich,  UK\r\n\r\n</td></tr><tr><td valign=\"top\">2003                       </td><td>Collaborated on a Billboard project with Jitish Kallat, Kala Ghoda Art District, Mumbai\r\n\r\n</td></tr><tr><td valign=\"top\">2003                  </td><td><em>Elephant Walks</em>, Youth Arts Project at the Casula Power House Arts Centre,\r\nLiverpool, Australia\r\n\r\n</td></tr><tr><td valign=\"top\">2002</td><td><em> Khoj </td></tr><tr><td valign=\"top\">2002</em></td><td> International Artists Workshop, Mysore, India\r\n\r\n</td></tr><tr><td valign=\"top\">2002</td><td><em> Identity and Landscape</em>, residency in the Laurentian mountains of Quebec at the Boreal Art/Nature Centre, Canada\r\n\r\n</td></tr><tr><td valign=\"top\">2001                  </td><td><em>Big River 2</em>, International Artists Workshop organized by CCA7 and the Triangle Arts Trust at Grand Riviere, Trinidad, West Indies\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr>\r\n<tr><td>\r\n<span style=\"color: #888888;\"><strong>TALKS/PRESENTATIONS</strong></span>\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td>Panel discussion with artist Gulam Sheikh, co-chair: Sabine B. Vogel, art critic at the Sammlung Essl Museum, Vienna\r\n\r\n</td></tr><tr><td valign=\"top\">2008                    </td><td>Slide presentation followed by a panel discussion with Nalini Malani and Jayshree Chakravarty, moderated by Nancy Adajania at Jnanapravaha, Mumbai\r\n\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td>Slide presentation at the School of the Art Institute of Chicago\r\n\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td>Panel discussion with Nalini Malani, Sheba Chhachhi, moderated by Betty Seid at the Chicago Cultural Centre\r\n\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td>Lecture at the University Boccini, Milan\r\n\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td>Slide presentation at the Lamar Dodd School of Art, University   of Georgia, USA\r\n\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td>Talk at the Griffith Auditorium, Georgia Museum of Art, USA\r\n\r\n</td></tr><tr><td valign=\"top\">2003                  </td><td>Slide presentation at Oslo National Academy of the Arts, Norway\r\n\r\n</td></tr><tr><td valign=\"top\">2000                  </td><td>Mohile Parikh Centre for the Visual Arts, Mumbai\r\n</td></tr>\r\n</table>','Biography','','inherit','open','open','','105-revision-48','','','2010-07-11 06:49:57','2010-07-11 06:49:57','',105,'http://www.biggventures.com/demo/artists/1542/uncat/105-revision-48',0,'revision','',0),(1543,1,'2010-07-11 09:23:18','2010-07-11 09:23:18','<style>\r\n/*a {\r\ncolor: #000000;\r\n}\r\na:hover {\r\ncolor: #000000;\r\nfont-weight: bold;\r\ntext-decoration: underline;\r\n}\r\na:visited {\r\ncolor: #000000;\r\n}\r\na:link{\r\nfont-weight: normal;\r\ncolor: #000000;\r\n}\r\na:active{\r\ncolor: #000000\r\n}*/\r\n</style>\r\nReena Saini Kallat (b. Delhi 1973) graduated from the Sir J. J. School of Art, Mumbai in 1996 with a B. F. A. in painting. Her practice - spanning painting, photography, video and sculptural installations - frequently deals with the condition of an individual in a rapidly changing society, ever susceptible to being reduced to an anonymous and forgotten statistic. Kallat is interested in constructing images that seem to change and transform by the possibilities they carry for the generation of meaning through a calibrated interplay of image and form.\r\n\r\nOver the last decade her work has been part of many important exhibitions, across the world. She has had ten solo exhibitions in India and abroad, collectively, and participated in a number of workshops and residencies. She lives and works in Mumbai.\r\n\r\n<strong><span style=\"color: #888888;\">SOLO EXHIBITIONS</span></strong>\r\n<table>\r\n<tr><td valign=\"top\">2009                  </td><td><a href=\"http://www.primomarellagallery.com/it/catalogue/scheda.asp?id=568&view=past\">Drift, Primo Marella Gallery, Milan</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a href=\"http://www.gallerychemould.com/exhibitions/2008/reena_bio.html\"> Silt of Seasons, Chemould   Prescott Road, Mumbai</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a href=\"http://www.walshgallery.com/reena-kallat-exhibition-2008/\">Subject to Change without Notice, Walsh Gallery, Chicago\r\n</a>\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td><em>Rainbow Of Refuse, </em>Bodhi Art Gallery, Mumbai and Singapore </td><td><em> </em>\r\n\r\n</td></tr><tr><td valign=\"top\">2005                  </td><td><a href=\"http://www.naturemorte.com/artists/reena-saini-kallat/selected-works/\">Black Flute (And Other Stories), Nature Morte, New Delhi</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2004                  </td><td><a href=\"http://www.gallerychemould.com/exhibitions/2004/reena_saini_kallat_note.html\">Black Flute</em>, Gallery Chemould, Mumbai</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2002                  </td><td><em>The Battlefield Is The Mind</em>, Sakshi Gallery, Bangalore\r\n\r\n</td></tr><tr><td valign=\"top\">2002                  </td><td><em>Seven Faces of Dust</em>, Chicago Radio, Mumbai\r\n\r\n</td></tr><tr><td valign=\"top\">2000                  </td><td><em>Skin</em>, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi\r\n\r\n</td></tr><tr><td valign=\"top\">1998                  </td><td><em>Orchard of Home-grown Secrets</em>, Gallery Chemould and Pundole  Art <em>Gallery, Mumbai</em>\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr>\r\n\r\n<tr><td colspan=\"2\">\r\n<span style=\"color: #888888;\"><strong>SELECTED GROUP EXHIBITIONS</strong></span>\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr>\r\n\r\n<tr><td valign=\"top\">2010                  </td><td><a href=\"http://www.richmondartgallery.org/in-transition.php\">In Transition: New Art from India, Richmond Art Gallery Vancouver Biennale, Vancouver</a>\r\n</td></tr><tr><td valign=\"top\">2010                  </td><td><a href=\"http://websterhuntgallery.blogspot.com/2010_02_01_archive.html\">Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster University, curated by Jeffrey Hughes and Dana Turkovic, Cecile R. Hunt\r\nGallery, St. Louis, Missouri</a>\r\n</td></tr><tr><td valign=\"top\">2010                  </td><td><a href=\"http://www.stuxgallery.com/site/www/artist_gallery/51\">Never Run Away, 2 person exhibition curated by Shaheen Merali,Stux   Gallery,  New York</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2010                  </td><td><a href=\"http://www.saatchi-gallery.co.uk/artists/reena_kallat.htm?section_name=new_india\">The Empire Strikes Back, Saatchi Gallery, London</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2010 </td><td><a href=\"http://art-for-the-world.blogspot.com/2010/01/some-installation-views-of-urban.html\">Urban Manners 2</em>, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao\r\nPaulo, Brazil</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><a href=\"http://www.asianartbiennial.org/2009/en/index_en.html\">View Points and Viewing points - 2009 Asian Art Biennale, National Taiwan Museum of Fine Arts \r\n\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><em>Spectrum: Indian Art at Abu   Dhabi, United   Arab Emirates</em>\r\n\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><em>Milan Galleria</em>, curated by Georgio Verzotti, Triennale Museum, Milan\r\n\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><a href=\"http://www.initialaccess.co.uk/exhibition_moreinfo.php?id=11\">Passage to India Part II show at Initial Access, Frank Cohen Collection,\r\nWolverhampton, UK</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td>Ventosul Biennale, Curitiba, Brazil\r\n\r\n</td></tr><tr><td valign=\"top\">2009     </td><td><a href=\"http://www.mori.art.museum/english/contents/india/index.html\"> Chalo! India: A New Era of Indian Art, National  Museum of Contemporary Art,\r\nKorea and Essl Museum, Vienna</a>\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><a href=\"http://www.mocashanghai.org/index.php?_function=exhibition&_subFunction=pastExhibition&exhibition_id=40&_view=detail\">INDIA XIANZAI: Contemporary Indian Art, Museum of Contemporary Art,\r\nShanghai</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2009                   </td><td><a href=\"http://www.stuxgallery.com/site/www/artist_gallery/42/622\">Low Blow: And Other Species of Confusion, Stux gallery, New York</a>\r\n</td></tr><tr><td valign=\"top\">2009</td><td><em> Indian Narratives in the 21<sup>st</sup> Century: Between Memory and History</em>,Casa  Asia, Madrid and Barcelona, Spain\r\n\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><a href=\"http://www.walshgallery.com/body-chatter-an-exhibition-of-contemporary-indian-art-2008/\">Body Chatter, Walsh Gallery, Chicago</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2008     </td><td><a href=\"http://www.mori.art.museum/contents/press/india_20081121_e.pdf\">Chalo! India: A New Era of Indian Art, Mori Art   Museum, Japan</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a href=\"http://www.indiamoderna.es/eng/index.html\">India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM\r\nMuseum, Valencia, Spain </a></td><td>\r\n\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a href=\"http://www.aaa.org.hk/onlineprojects/bitri/en/gallery.aspx?eid=A080.03\">3<sup>rd</sup> Nanjing Triennale</em>, curators: Fumihiko Sumitomo, Jaeyoung Kang,  China\r\n</a>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><em>TEAF (Taehwagang Eco Art Festival) - Dream River, Korea </em>\r\n\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a href=\"http://www.bodhiart.in/exhibitions/everywhere_is_war/everywhere_war.html\">Everywhere is War (And Rumours of it), Bodhi Art Gallery, Mumbai</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a href=\"http://www.stuxgallery.com/site/www/artist_gallery/33\">Fire Walkers, Stefan Stux gallery, New York</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a href=\"http://www.galeriems.com/reenask_one.htm\">Three Points of view, Galerie Mirchandani + Steinrucke, Mumbai</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><em>Excavation: Memory / Myth / Membrane</em>, Museum Gallery, Mumbai </td><td><em> </em>\r\n\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><em>International Incheon Women Artists’ Biennale</em>, Korea\r\n\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><em>Soft Power: Asian Attitude</em>, Shanghai Zendai Museum of Modern Art, Shanghai\r\n\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><a href=\"http://www.kunstaspekte.de/index.php?tid=39629&action=termin\">Urban Manners, curated by Adelina Von Furstenberg, at Hangar\r\nBicocca , Milan</a></td><td>\r\n\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><a href=\"http://www.art-for-the-world.com/wwd/2007/urban_manners/Urban_Manners_pr.pdf\">INDIA NOW: Contemporary Indian Art, Between Continuity and transformation,curated by Daniela Palozzoli at Spazio Oberdan, Milan</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><em>New Narratives: Contemporary Art From India</em>, curated by Betty Seid,Chicago Cultural Centre, Chicago </td><td><em> </em>\r\n\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><em>Thermocline Of Art- New Asian Waves</em>, curated by Wonil Rhee and Peter\r\nWeibel at ZKM in Karlsruhe, Germany\r\n\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td><em>Modern Indian Works On Paper,</em> Arthur Ross Gallery, Philadelphia and the\r\nGeorgia Museum of Art, USA\r\n\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td><em>Lille 3000 (</em>Maximum City-Mumbai), Lille,  France \r\n\r\n</td></tr><tr><td valign=\"top\">2006</td><td><em> Hungry God- Indian Contemporary Art</em>, curated by Yun Chaegab and June\r\nGwak, Arario Gallery, Beijing and Busan MoMA\r\n\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td><em>India Express – Art and Popular Culture</em>, Art Museum Tennispalace,\r\ncurators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City  Art Museum,\r\nFinland\r\n\r\n</td></tr><tr><td valign=\"top\">2005                  </td><td><em>Mom and Pop Art, </em>Walsh Gallery, Chicago\r\n\r\n</td></tr><tr><td valign=\"top\">2005                  </td><td><em>Span</em>, Sakshi Gallery, Mumbai\r\n\r\n</td></tr><tr><td valign=\"top\">2005                  </td><td><em>Indian Paintings of the New Millenium</em>, curated by Helen Asquine Fazio\r\nat Thomas J. Walsh Art Gallery at Fairfield   University, USA\r\n\r\n</td></tr><tr><td valign=\"top\">2004 </td><td><em> Contemporary Art from India</em>, Thomas   Erben Gallery, New York\r\n\r\n</td></tr><tr><td valign=\"top\">2004                    </td><td><em>Zoom! Art in Contemporary India.</em> Curators: Nancy Adajania and Luis\r\nSerpa, The Culturgest Museum, Lisbon, Portugal</td><td><em> </em>\r\n\r\n</td><td><em> </em>\r\n\r\n</td></tr><tr><td valign=\"top\">2003</td><td><em> Crossing generations: diVERGE</em>, Gallery Chemould’s 40th anniversary,\r\nCurators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of Modern\r\nArt, Mumbai\r\n\r\n</td></tr><tr><td valign=\"top\">2003</td><td><em> Hard Copy,</em> two-person show with Jitish Kallat, Gallery 88, Calcutta*\r\n\r\n</td></tr><tr><td valign=\"top\">2003                  </td><td><em>Tiranga</em>, curator: Peter Nagy, India Habitat Centre, New Delhi</td><td><em> </em>\r\n\r\n</td></tr><tr><td valign=\"top\">2003</td><td><em> Elephant Walks</em>, Youth Arts Project in collaboration with Jitish Kallat as part of\r\nIndians + Cowboys exhibition, Curators: Aaron Seetu and Ruth Watson\r\nGallery 4A, Sydney</td><td><em> </em>\r\n\r\n</td></tr><tr><td valign=\"top\">2003                  </td><td><em>The Tree From The Seed, Contemporary Art from India, </em>curator: Gavin Jantjes\r\nHenie Onstad Kunstsenter (Oslo), Norway</td><td><em></em>\r\n\r\n</td></tr><tr><td valign=\"top\">2002                   </td><td><em>Crosscurrents</em>, organized by Artworks for the fiftieth anniversary\r\ncelebrations of Jehangir Art  Gallery, Mumbai\r\n\r\n</td></tr><tr><td valign=\"top\">2002                        </td><td><em>Reclaim Our Freedom</em>, organized by Open Circle, Pundole Art Gallery, Mumbai\r\n\r\n</td></tr><tr><td valign=\"top\">2002                       </td><td><em>Crossing Borders</em>, Gallery Windkracht 13, Den Helder, Holland\r\n\r\n</td></tr><tr><td valign=\"top\">2001                        </td><td><em>Big River 2</em>, CCA7 Gallery, Port Of Spain, Trinidad\r\n\r\n</td></tr><tr><td valign=\"top\">2001                   </td><td><em>AOM- Art on the move</em>, organized by Sahmat, New Delhi\r\n\r\n</td></tr><tr><td valign=\"top\">1999</td><td><em> Edge of the Century,</em> curated by Amit Mukhopadhyay, Academy  of Fine Arts\r\n\r\nand Literature, New Delhi\r\n</td></tr><tr><td colspan=\"2\">\r\n<strong><span style=\"color: #888888;\">SELECTED WORKSHOPS AND RESIDENCIES</span></strong>\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><em>Vanishing Point</em>, children’s project at the Celebrate Bandra Festival, Mumbai\r\n\r\n</td></tr><tr><td valign=\"top\">2007             </td><td>Collaborative workshop as part of the exhibition <em>Aftershock</em> at the Sainsbury\r\nCentre for Visual Arts, University of East Anglia, Norwich,  UK\r\n\r\n</td></tr><tr><td valign=\"top\">2003                       </td><td>Collaborated on a Billboard project with Jitish Kallat, Kala Ghoda Art District, Mumbai\r\n\r\n</td></tr><tr><td valign=\"top\">2003                  </td><td><em>Elephant Walks</em>, Youth Arts Project at the Casula Power House Arts Centre,\r\nLiverpool, Australia\r\n\r\n</td></tr><tr><td valign=\"top\">2002</td><td><em> Khoj </td></tr><tr><td valign=\"top\">2002</em></td><td> International Artists Workshop, Mysore, India\r\n\r\n</td></tr><tr><td valign=\"top\">2002</td><td><em> Identity and Landscape</em>, residency in the Laurentian mountains of Quebec at the Boreal Art/Nature Centre, Canada\r\n\r\n</td></tr><tr><td valign=\"top\">2001                  </td><td><em>Big River 2</em>, International Artists Workshop organized by CCA7 and the Triangle Arts Trust at Grand Riviere, Trinidad, West Indies\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr>\r\n<tr><td>\r\n<span style=\"color: #888888;\"><strong>TALKS/PRESENTATIONS</strong></span>\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td>Panel discussion with artist Gulam Sheikh, co-chair: Sabine B. Vogel, art critic at the Sammlung Essl Museum, Vienna\r\n\r\n</td></tr><tr><td valign=\"top\">2008                    </td><td>Slide presentation followed by a panel discussion with Nalini Malani and Jayshree Chakravarty, moderated by Nancy Adajania at Jnanapravaha, Mumbai\r\n\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td>Slide presentation at the School of the Art Institute of Chicago\r\n\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td>Panel discussion with Nalini Malani, Sheba Chhachhi, moderated by Betty Seid at the Chicago Cultural Centre\r\n\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td>Lecture at the University Boccini, Milan\r\n\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td>Slide presentation at the Lamar Dodd School of Art, University   of Georgia, USA\r\n\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td>Talk at the Griffith Auditorium, Georgia Museum of Art, USA\r\n\r\n</td></tr><tr><td valign=\"top\">2003                  </td><td>Slide presentation at Oslo National Academy of the Arts, Norway\r\n\r\n</td></tr><tr><td valign=\"top\">2000                  </td><td>Mohile Parikh Centre for the Visual Arts, Mumbai\r\n</td></tr>\r\n</table>','Biography','','inherit','open','open','','105-revision-49','','','2010-07-11 09:23:18','2010-07-11 09:23:18','',105,'http://www.biggventures.com/demo/artists/1543/uncat/105-revision-49',0,'revision','',0),(1544,1,'2010-07-11 09:24:01','2010-07-11 09:24:01','<style>\r\n/*a {\r\ncolor: #000000;\r\n}\r\na:hover {\r\ncolor: #000000;\r\nfont-weight: bold;\r\ntext-decoration: underline;\r\n}\r\na:visited {\r\ncolor: #000000;\r\n}\r\na:link{\r\nfont-weight: normal;\r\ncolor: #000000;\r\n}\r\na:active{\r\ncolor: #000000\r\n}*/\r\n</style>\r\nReena Saini Kallat (b. Delhi 1973) graduated from the Sir J. J. School of Art, Mumbai in 1996 with a B. F. A. in painting. Her practice - spanning painting, photography, video and sculptural installations - frequently deals with the condition of an individual in a rapidly changing society, ever susceptible to being reduced to an anonymous and forgotten statistic. Kallat is interested in constructing images that seem to change and transform by the possibilities they carry for the generation of meaning through a calibrated interplay of image and form.\r\n\r\nOver the last decade her work has been part of many important exhibitions, across the world. She has had ten solo exhibitions in India and abroad, collectively, and participated in a number of workshops and residencies. She lives and works in Mumbai.\r\n\r\n<strong><span style=\"color: #888888;\">SOLO EXHIBITIONS</span></strong>\r\n<table>\r\n<tr><td valign=\"top\">2009                  </td><td><a class=\"linkbio\" href=\"http://www.primomarellagallery.com/it/catalogue/scheda.asp?id=568&view=past\">Drift, Primo Marella Gallery, Milan</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a href=\"http://www.gallerychemould.com/exhibitions/2008/reena_bio.html\"> Silt of Seasons, Chemould   Prescott Road, Mumbai</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a href=\"http://www.walshgallery.com/reena-kallat-exhibition-2008/\">Subject to Change without Notice, Walsh Gallery, Chicago\r\n</a>\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td><em>Rainbow Of Refuse, </em>Bodhi Art Gallery, Mumbai and Singapore </td><td><em> </em>\r\n\r\n</td></tr><tr><td valign=\"top\">2005                  </td><td><a href=\"http://www.naturemorte.com/artists/reena-saini-kallat/selected-works/\">Black Flute (And Other Stories), Nature Morte, New Delhi</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2004                  </td><td><a href=\"http://www.gallerychemould.com/exhibitions/2004/reena_saini_kallat_note.html\">Black Flute</em>, Gallery Chemould, Mumbai</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2002                  </td><td><em>The Battlefield Is The Mind</em>, Sakshi Gallery, Bangalore\r\n\r\n</td></tr><tr><td valign=\"top\">2002                  </td><td><em>Seven Faces of Dust</em>, Chicago Radio, Mumbai\r\n\r\n</td></tr><tr><td valign=\"top\">2000                  </td><td><em>Skin</em>, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi\r\n\r\n</td></tr><tr><td valign=\"top\">1998                  </td><td><em>Orchard of Home-grown Secrets</em>, Gallery Chemould and Pundole  Art <em>Gallery, Mumbai</em>\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr>\r\n\r\n<tr><td colspan=\"2\">\r\n<span style=\"color: #888888;\"><strong>SELECTED GROUP EXHIBITIONS</strong></span>\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr>\r\n\r\n<tr><td valign=\"top\">2010                  </td><td><a href=\"http://www.richmondartgallery.org/in-transition.php\">In Transition: New Art from India, Richmond Art Gallery Vancouver Biennale, Vancouver</a>\r\n</td></tr><tr><td valign=\"top\">2010                  </td><td><a href=\"http://websterhuntgallery.blogspot.com/2010_02_01_archive.html\">Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster University, curated by Jeffrey Hughes and Dana Turkovic, Cecile R. Hunt\r\nGallery, St. Louis, Missouri</a>\r\n</td></tr><tr><td valign=\"top\">2010                  </td><td><a href=\"http://www.stuxgallery.com/site/www/artist_gallery/51\">Never Run Away, 2 person exhibition curated by Shaheen Merali,Stux   Gallery,  New York</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2010                  </td><td><a href=\"http://www.saatchi-gallery.co.uk/artists/reena_kallat.htm?section_name=new_india\">The Empire Strikes Back, Saatchi Gallery, London</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2010 </td><td><a href=\"http://art-for-the-world.blogspot.com/2010/01/some-installation-views-of-urban.html\">Urban Manners 2</em>, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao\r\nPaulo, Brazil</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><a href=\"http://www.asianartbiennial.org/2009/en/index_en.html\">View Points and Viewing points - 2009 Asian Art Biennale, National Taiwan Museum of Fine Arts \r\n\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><em>Spectrum: Indian Art at Abu   Dhabi, United   Arab Emirates</em>\r\n\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><em>Milan Galleria</em>, curated by Georgio Verzotti, Triennale Museum, Milan\r\n\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><a href=\"http://www.initialaccess.co.uk/exhibition_moreinfo.php?id=11\">Passage to India Part II show at Initial Access, Frank Cohen Collection,\r\nWolverhampton, UK</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td>Ventosul Biennale, Curitiba, Brazil\r\n\r\n</td></tr><tr><td valign=\"top\">2009     </td><td><a href=\"http://www.mori.art.museum/english/contents/india/index.html\"> Chalo! India: A New Era of Indian Art, National  Museum of Contemporary Art,\r\nKorea and Essl Museum, Vienna</a>\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><a href=\"http://www.mocashanghai.org/index.php?_function=exhibition&_subFunction=pastExhibition&exhibition_id=40&_view=detail\">INDIA XIANZAI: Contemporary Indian Art, Museum of Contemporary Art,\r\nShanghai</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2009                   </td><td><a href=\"http://www.stuxgallery.com/site/www/artist_gallery/42/622\">Low Blow: And Other Species of Confusion, Stux gallery, New York</a>\r\n</td></tr><tr><td valign=\"top\">2009</td><td><em> Indian Narratives in the 21<sup>st</sup> Century: Between Memory and History</em>,Casa  Asia, Madrid and Barcelona, Spain\r\n\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><a href=\"http://www.walshgallery.com/body-chatter-an-exhibition-of-contemporary-indian-art-2008/\">Body Chatter, Walsh Gallery, Chicago</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2008     </td><td><a href=\"http://www.mori.art.museum/contents/press/india_20081121_e.pdf\">Chalo! India: A New Era of Indian Art, Mori Art   Museum, Japan</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a href=\"http://www.indiamoderna.es/eng/index.html\">India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM\r\nMuseum, Valencia, Spain </a></td><td>\r\n\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a href=\"http://www.aaa.org.hk/onlineprojects/bitri/en/gallery.aspx?eid=A080.03\">3<sup>rd</sup> Nanjing Triennale</em>, curators: Fumihiko Sumitomo, Jaeyoung Kang,  China\r\n</a>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><em>TEAF (Taehwagang Eco Art Festival) - Dream River, Korea </em>\r\n\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a href=\"http://www.bodhiart.in/exhibitions/everywhere_is_war/everywhere_war.html\">Everywhere is War (And Rumours of it), Bodhi Art Gallery, Mumbai</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a href=\"http://www.stuxgallery.com/site/www/artist_gallery/33\">Fire Walkers, Stefan Stux gallery, New York</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a href=\"http://www.galeriems.com/reenask_one.htm\">Three Points of view, Galerie Mirchandani + Steinrucke, Mumbai</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><em>Excavation: Memory / Myth / Membrane</em>, Museum Gallery, Mumbai </td><td><em> </em>\r\n\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><em>International Incheon Women Artists’ Biennale</em>, Korea\r\n\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><em>Soft Power: Asian Attitude</em>, Shanghai Zendai Museum of Modern Art, Shanghai\r\n\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><a href=\"http://www.kunstaspekte.de/index.php?tid=39629&action=termin\">Urban Manners, curated by Adelina Von Furstenberg, at Hangar\r\nBicocca , Milan</a></td><td>\r\n\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><a href=\"http://www.art-for-the-world.com/wwd/2007/urban_manners/Urban_Manners_pr.pdf\">INDIA NOW: Contemporary Indian Art, Between Continuity and transformation,curated by Daniela Palozzoli at Spazio Oberdan, Milan</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><em>New Narratives: Contemporary Art From India</em>, curated by Betty Seid,Chicago Cultural Centre, Chicago </td><td><em> </em>\r\n\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><em>Thermocline Of Art- New Asian Waves</em>, curated by Wonil Rhee and Peter\r\nWeibel at ZKM in Karlsruhe, Germany\r\n\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td><em>Modern Indian Works On Paper,</em> Arthur Ross Gallery, Philadelphia and the\r\nGeorgia Museum of Art, USA\r\n\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td><em>Lille 3000 (</em>Maximum City-Mumbai), Lille,  France \r\n\r\n</td></tr><tr><td valign=\"top\">2006</td><td><em> Hungry God- Indian Contemporary Art</em>, curated by Yun Chaegab and June\r\nGwak, Arario Gallery, Beijing and Busan MoMA\r\n\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td><em>India Express – Art and Popular Culture</em>, Art Museum Tennispalace,\r\ncurators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City  Art Museum,\r\nFinland\r\n\r\n</td></tr><tr><td valign=\"top\">2005                  </td><td><em>Mom and Pop Art, </em>Walsh Gallery, Chicago\r\n\r\n</td></tr><tr><td valign=\"top\">2005                  </td><td><em>Span</em>, Sakshi Gallery, Mumbai\r\n\r\n</td></tr><tr><td valign=\"top\">2005                  </td><td><em>Indian Paintings of the New Millenium</em>, curated by Helen Asquine Fazio\r\nat Thomas J. Walsh Art Gallery at Fairfield   University, USA\r\n\r\n</td></tr><tr><td valign=\"top\">2004 </td><td><em> Contemporary Art from India</em>, Thomas   Erben Gallery, New York\r\n\r\n</td></tr><tr><td valign=\"top\">2004                    </td><td><em>Zoom! Art in Contemporary India.</em> Curators: Nancy Adajania and Luis\r\nSerpa, The Culturgest Museum, Lisbon, Portugal</td><td><em> </em>\r\n\r\n</td><td><em> </em>\r\n\r\n</td></tr><tr><td valign=\"top\">2003</td><td><em> Crossing generations: diVERGE</em>, Gallery Chemould’s 40th anniversary,\r\nCurators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of Modern\r\nArt, Mumbai\r\n\r\n</td></tr><tr><td valign=\"top\">2003</td><td><em> Hard Copy,</em> two-person show with Jitish Kallat, Gallery 88, Calcutta*\r\n\r\n</td></tr><tr><td valign=\"top\">2003                  </td><td><em>Tiranga</em>, curator: Peter Nagy, India Habitat Centre, New Delhi</td><td><em> </em>\r\n\r\n</td></tr><tr><td valign=\"top\">2003</td><td><em> Elephant Walks</em>, Youth Arts Project in collaboration with Jitish Kallat as part of\r\nIndians + Cowboys exhibition, Curators: Aaron Seetu and Ruth Watson\r\nGallery 4A, Sydney</td><td><em> </em>\r\n\r\n</td></tr><tr><td valign=\"top\">2003                  </td><td><em>The Tree From The Seed, Contemporary Art from India, </em>curator: Gavin Jantjes\r\nHenie Onstad Kunstsenter (Oslo), Norway</td><td><em></em>\r\n\r\n</td></tr><tr><td valign=\"top\">2002                   </td><td><em>Crosscurrents</em>, organized by Artworks for the fiftieth anniversary\r\ncelebrations of Jehangir Art  Gallery, Mumbai\r\n\r\n</td></tr><tr><td valign=\"top\">2002                        </td><td><em>Reclaim Our Freedom</em>, organized by Open Circle, Pundole Art Gallery, Mumbai\r\n\r\n</td></tr><tr><td valign=\"top\">2002                       </td><td><em>Crossing Borders</em>, Gallery Windkracht 13, Den Helder, Holland\r\n\r\n</td></tr><tr><td valign=\"top\">2001                        </td><td><em>Big River 2</em>, CCA7 Gallery, Port Of Spain, Trinidad\r\n\r\n</td></tr><tr><td valign=\"top\">2001                   </td><td><em>AOM- Art on the move</em>, organized by Sahmat, New Delhi\r\n\r\n</td></tr><tr><td valign=\"top\">1999</td><td><em> Edge of the Century,</em> curated by Amit Mukhopadhyay, Academy  of Fine Arts\r\n\r\nand Literature, New Delhi\r\n</td></tr><tr><td colspan=\"2\">\r\n<strong><span style=\"color: #888888;\">SELECTED WORKSHOPS AND RESIDENCIES</span></strong>\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><em>Vanishing Point</em>, children’s project at the Celebrate Bandra Festival, Mumbai\r\n\r\n</td></tr><tr><td valign=\"top\">2007             </td><td>Collaborative workshop as part of the exhibition <em>Aftershock</em> at the Sainsbury\r\nCentre for Visual Arts, University of East Anglia, Norwich,  UK\r\n\r\n</td></tr><tr><td valign=\"top\">2003                       </td><td>Collaborated on a Billboard project with Jitish Kallat, Kala Ghoda Art District, Mumbai\r\n\r\n</td></tr><tr><td valign=\"top\">2003                  </td><td><em>Elephant Walks</em>, Youth Arts Project at the Casula Power House Arts Centre,\r\nLiverpool, Australia\r\n\r\n</td></tr><tr><td valign=\"top\">2002</td><td><em> Khoj </td></tr><tr><td valign=\"top\">2002</em></td><td> International Artists Workshop, Mysore, India\r\n\r\n</td></tr><tr><td valign=\"top\">2002</td><td><em> Identity and Landscape</em>, residency in the Laurentian mountains of Quebec at the Boreal Art/Nature Centre, Canada\r\n\r\n</td></tr><tr><td valign=\"top\">2001                  </td><td><em>Big River 2</em>, International Artists Workshop organized by CCA7 and the Triangle Arts Trust at Grand Riviere, Trinidad, West Indies\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr>\r\n<tr><td>\r\n<span style=\"color: #888888;\"><strong>TALKS/PRESENTATIONS</strong></span>\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td>Panel discussion with artist Gulam Sheikh, co-chair: Sabine B. Vogel, art critic at the Sammlung Essl Museum, Vienna\r\n\r\n</td></tr><tr><td valign=\"top\">2008                    </td><td>Slide presentation followed by a panel discussion with Nalini Malani and Jayshree Chakravarty, moderated by Nancy Adajania at Jnanapravaha, Mumbai\r\n\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td>Slide presentation at the School of the Art Institute of Chicago\r\n\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td>Panel discussion with Nalini Malani, Sheba Chhachhi, moderated by Betty Seid at the Chicago Cultural Centre\r\n\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td>Lecture at the University Boccini, Milan\r\n\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td>Slide presentation at the Lamar Dodd School of Art, University   of Georgia, USA\r\n\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td>Talk at the Griffith Auditorium, Georgia Museum of Art, USA\r\n\r\n</td></tr><tr><td valign=\"top\">2003                  </td><td>Slide presentation at Oslo National Academy of the Arts, Norway\r\n\r\n</td></tr><tr><td valign=\"top\">2000                  </td><td>Mohile Parikh Centre for the Visual Arts, Mumbai\r\n</td></tr>\r\n</table>','Biography','','inherit','open','open','','105-revision-50','','','2010-07-11 09:24:01','2010-07-11 09:24:01','',105,'http://www.biggventures.com/demo/artists/1544/uncat/105-revision-50',0,'revision','',0),(1545,1,'2010-07-11 09:26:48','2010-07-11 09:26:48','<style>\r\n/*a {\r\ncolor: #000000;\r\n}\r\na:hover {\r\ncolor: #000000;\r\nfont-weight: bold;\r\ntext-decoration: underline;\r\n}\r\na:visited {\r\ncolor: #000000;\r\n}\r\na:link{\r\nfont-weight: normal;\r\ncolor: #000000;\r\n}\r\na:active{\r\ncolor: #000000\r\n}*/\r\n</style>\r\nReena Saini Kallat (b. Delhi 1973) graduated from the Sir J. J. School of Art, Mumbai in 1996 with a B. F. A. in painting. Her practice - spanning painting, photography, video and sculptural installations - frequently deals with the condition of an individual in a rapidly changing society, ever susceptible to being reduced to an anonymous and forgotten statistic. Kallat is interested in constructing images that seem to change and transform by the possibilities they carry for the generation of meaning through a calibrated interplay of image and form.\r\n\r\nOver the last decade her work has been part of many important exhibitions, across the world. She has had ten solo exhibitions in India and abroad, collectively, and participated in a number of workshops and residencies. She lives and works in Mumbai.\r\n\r\n<strong><span style=\"color: #888888;\">SOLO EXHIBITIONS</span></strong>\r\n<table>\r\n<tr><td valign=\"top\">2009                  </td><td><a class=\"linkbio\" href=\"http://www.primomarellagallery.com/it/catalogue/scheda.asp?id=568&view=past\">Drift, Primo Marella Gallery, Milan</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a href=\"http://www.gallerychemould.com/exhibitions/2008/reena_bio.html\"> Silt of Seasons, Chemould   Prescott Road, Mumbai</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a href=\"http://www.walshgallery.com/reena-kallat-exhibition-2008/\">Subject to Change without Notice, Walsh Gallery, Chicago\r\n</a>\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td><em>Rainbow Of Refuse, </em>Bodhi Art Gallery, Mumbai and Singapore </td><td><em> </em>\r\n\r\n</td></tr><tr><td valign=\"top\">2005                  </td><td><a href=\"http://www.naturemorte.com/artists/reena-saini-kallat/selected-works/\">Black Flute (And Other Stories), Nature Morte, New Delhi</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2004                  </td><td><a href=\"http://www.gallerychemould.com/exhibitions/2004/reena_saini_kallat_note.html\">Black Flute</em>, Gallery Chemould, Mumbai</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2002                  </td><td><em>The Battlefield Is The Mind</em>, Sakshi Gallery, Bangalore\r\n\r\n</td></tr><tr><td valign=\"top\">2002                  </td><td><em>Seven Faces of Dust</em>, Chicago Radio, Mumbai\r\n\r\n</td></tr><tr><td valign=\"top\">2000                  </td><td><em>Skin</em>, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi\r\n\r\n</td></tr><tr><td valign=\"top\">1998                  </td><td><em>Orchard of Home-grown Secrets</em>, Gallery Chemould and Pundole  Art <em>Gallery, Mumbai</em>\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr>\r\n\r\n<tr><td colspan=\"2\">\r\n<span style=\"color: #888888;\"><strong>SELECTED GROUP EXHIBITIONS</strong></span>\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr>\r\n\r\n<tr><td valign=\"top\">2010                  </td><td><a href=\"http://www.richmondartgallery.org/in-transition.php\">In Transition: New Art from India, Richmond Art Gallery Vancouver Biennale, Vancouver</a>\r\n</td></tr><tr><td valign=\"top\">2010                  </td><td><a href=\"http://websterhuntgallery.blogspot.com/2010_02_01_archive.html\">Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster University, curated by Jeffrey Hughes and Dana Turkovic, Cecile R. Hunt\r\nGallery, St. Louis, Missouri</a>\r\n</td></tr><tr><td valign=\"top\">2010                  </td><td><a href=\"http://www.stuxgallery.com/site/www/artist_gallery/51\">Never Run Away, 2 person exhibition curated by Shaheen Merali,Stux   Gallery,  New York</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2010                  </td><td><a href=\"http://www.saatchi-gallery.co.uk/artists/reena_kallat.htm?section_name=new_india\">The Empire Strikes Back, Saatchi Gallery, London</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2010 </td><td><a href=\"http://art-for-the-world.blogspot.com/2010/01/some-installation-views-of-urban.html\">Urban Manners 2</em>, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao\r\nPaulo, Brazil</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><a href=\"http://www.asianartbiennial.org/2009/en/index_en.html\">View Points and Viewing points - 2009 Asian Art Biennale, National Taiwan Museum of Fine Arts \r\n\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><em>Spectrum: Indian Art at Abu   Dhabi, United   Arab Emirates</em>\r\n\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><em>Milan Galleria</em>, curated by Georgio Verzotti, Triennale Museum, Milan\r\n\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><a href=\"http://www.initialaccess.co.uk/exhibition_moreinfo.php?id=11\">Passage to India Part II show at Initial Access, Frank Cohen Collection,\r\nWolverhampton, UK</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td>Ventosul Biennale, Curitiba, Brazil\r\n\r\n</td></tr><tr><td valign=\"top\">2009     </td><td><a href=\"http://www.mori.art.museum/english/contents/india/index.html\"> Chalo! India: A New Era of Indian Art, National  Museum of Contemporary Art,\r\nKorea and Essl Museum, Vienna</a>\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><a href=\"http://www.mocashanghai.org/index.php?_function=exhibition&_subFunction=pastExhibition&exhibition_id=40&_view=detail\">INDIA XIANZAI: Contemporary Indian Art, Museum of Contemporary Art,\r\nShanghai</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2009                   </td><td><a href=\"http://www.stuxgallery.com/site/www/artist_gallery/42/622\">Low Blow: And Other Species of Confusion, Stux gallery, New York</a>\r\n</td></tr><tr><td valign=\"top\">2009</td><td><em> Indian Narratives in the 21<sup>st</sup> Century: Between Memory and History</em>,Casa  Asia, Madrid and Barcelona, Spain\r\n\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><a href=\"http://www.walshgallery.com/body-chatter-an-exhibition-of-contemporary-indian-art-2008/\">Body Chatter, Walsh Gallery, Chicago</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2008     </td><td><a href=\"http://www.mori.art.museum/contents/press/india_20081121_e.pdf\">Chalo! India: A New Era of Indian Art, Mori Art   Museum, Japan</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a href=\"http://www.indiamoderna.es/eng/index.html\">India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM\r\nMuseum, Valencia, Spain </a></td><td>\r\n\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a href=\"http://www.aaa.org.hk/onlineprojects/bitri/en/gallery.aspx?eid=A080.03\">3<sup>rd</sup> Nanjing Triennale</em>, curators: Fumihiko Sumitomo, Jaeyoung Kang,  China\r\n</a>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><em>TEAF (Taehwagang Eco Art Festival) - Dream River, Korea </em>\r\n\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a href=\"http://www.bodhiart.in/exhibitions/everywhere_is_war/everywhere_war.html\">Everywhere is War (And Rumours of it), Bodhi Art Gallery, Mumbai</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a href=\"http://www.stuxgallery.com/site/www/artist_gallery/33\">Fire Walkers, Stefan Stux gallery, New York</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a href=\"http://www.galeriems.com/reenask_one.htm\">Three Points of view, Galerie Mirchandani + Steinrucke, Mumbai</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><em>Excavation: Memory / Myth / Membrane</em>, Museum Gallery, Mumbai </td><td><em> </em>\r\n\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><em>International Incheon Women Artists’ Biennale</em>, Korea\r\n\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><em>Soft Power: Asian Attitude</em>, Shanghai Zendai Museum of Modern Art, Shanghai\r\n\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><a href=\"http://www.kunstaspekte.de/index.php?tid=39629&action=termin\">Urban Manners, curated by Adelina Von Furstenberg, at Hangar\r\nBicocca , Milan</a></td><td>\r\n\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><a href=\"http://www.art-for-the-world.com/wwd/2007/urban_manners/Urban_Manners_pr.pdf\">INDIA NOW: Contemporary Indian Art, Between Continuity and transformation,curated by Daniela Palozzoli at Spazio Oberdan, Milan</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><em>New Narratives: Contemporary Art From India</em>, curated by Betty Seid,Chicago Cultural Centre, Chicago </td><td><em> </em>\r\n\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><em>Thermocline Of Art- New Asian Waves</em>, curated by Wonil Rhee and Peter\r\nWeibel at ZKM in Karlsruhe, Germany\r\n\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td><em>Modern Indian Works On Paper,</em> Arthur Ross Gallery, Philadelphia and the\r\nGeorgia Museum of Art, USA\r\n\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td><em>Lille 3000 (</em>Maximum City-Mumbai), Lille,  France \r\n\r\n</td></tr><tr><td valign=\"top\">2006</td><td><em> Hungry God- Indian Contemporary Art</em>, curated by Yun Chaegab and June\r\nGwak, Arario Gallery, Beijing and Busan MoMA\r\n\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td><em>India Express – Art and Popular Culture</em>, Art Museum Tennispalace,\r\ncurators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City  Art Museum,\r\nFinland\r\n\r\n</td></tr><tr><td valign=\"top\">2005                  </td><td><em>Mom and Pop Art, </em>Walsh Gallery, Chicago\r\n\r\n</td></tr><tr><td valign=\"top\">2005                  </td><td><em>Span</em>, Sakshi Gallery, Mumbai\r\n\r\n</td></tr><tr><td valign=\"top\">2005                  </td><td><em>Indian Paintings of the New Millenium</em>, curated by Helen Asquine Fazio\r\nat Thomas J. Walsh Art Gallery at Fairfield   University, USA\r\n\r\n</td></tr><tr><td valign=\"top\">2004 </td><td><em> Contemporary Art from India</em>, Thomas   Erben Gallery, New York\r\n\r\n</td></tr><tr><td valign=\"top\">2004                    </td><td><em>Zoom! Art in Contemporary India.</em> Curators: Nancy Adajania and Luis\r\nSerpa, The Culturgest Museum, Lisbon, Portugal</td><td><em> </em>\r\n\r\n</td><td><em> </em>\r\n\r\n</td></tr><tr><td valign=\"top\">2003</td><td><em> Crossing generations: diVERGE</em>, Gallery Chemould’s 40th anniversary,\r\nCurators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of Modern\r\nArt, Mumbai\r\n\r\n</td></tr><tr><td valign=\"top\">2003</td><td><em> Hard Copy,</em> two-person show with Jitish Kallat, Gallery 88, Calcutta*\r\n\r\n</td></tr><tr><td valign=\"top\">2003                  </td><td><em>Tiranga</em>, curator: Peter Nagy, India Habitat Centre, New Delhi</td><td><em> </em>\r\n\r\n</td></tr><tr><td valign=\"top\">2003</td><td><em> Elephant Walks</em>, Youth Arts Project in collaboration with Jitish Kallat as part of\r\nIndians + Cowboys exhibition, Curators: Aaron Seetu and Ruth Watson\r\nGallery 4A, Sydney</td><td><em> </em>\r\n\r\n</td></tr><tr><td valign=\"top\">2003                  </td><td><em>The Tree From The Seed, Contemporary Art from India, </em>curator: Gavin Jantjes\r\nHenie Onstad Kunstsenter (Oslo), Norway</td><td><em></em>\r\n\r\n</td></tr><tr><td valign=\"top\">2002                   </td><td><em>Crosscurrents</em>, organized by Artworks for the fiftieth anniversary\r\ncelebrations of Jehangir Art  Gallery, Mumbai\r\n\r\n</td></tr><tr><td valign=\"top\">2002                        </td><td><em>Reclaim Our Freedom</em>, organized by Open Circle, Pundole Art Gallery, Mumbai\r\n\r\n</td></tr><tr><td valign=\"top\">2002                       </td><td><em>Crossing Borders</em>, Gallery Windkracht 13, Den Helder, Holland\r\n\r\n</td></tr><tr><td valign=\"top\">2001                        </td><td><em>Big River 2</em>, CCA7 Gallery, Port Of Spain, Trinidad\r\n\r\n</td></tr><tr><td valign=\"top\">2001                   </td><td><em>AOM- Art on the move</em>, organized by Sahmat, New Delhi\r\n\r\n</td></tr><tr><td valign=\"top\">1999</td><td><em> Edge of the Century,</em> curated by Amit Mukhopadhyay, Academy  of Fine Arts\r\n\r\nand Literature, New Delhi\r\n</td></tr><tr><td colspan=\"2\">\r\n<strong><span style=\"color: #888888;\">SELECTED WORKSHOPS AND RESIDENCIES</span></strong>\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><em>Vanishing Point</em>, children’s project at the Celebrate Bandra Festival, Mumbai\r\n\r\n</td></tr><tr><td valign=\"top\">2007             </td><td>Collaborative workshop as part of the exhibition <em>Aftershock</em> at the Sainsbury\r\nCentre for Visual Arts, University of East Anglia, Norwich,  UK\r\n\r\n</td></tr><tr><td valign=\"top\">2003                       </td><td>Collaborated on a Billboard project with Jitish Kallat, Kala Ghoda Art District, Mumbai\r\n\r\n</td></tr><tr><td valign=\"top\">2003                  </td><td><em>Elephant Walks</em>, Youth Arts Project at the Casula Power House Arts Centre,\r\nLiverpool, Australia\r\n\r\n</td></tr><tr><td valign=\"top\">2002</td><td><em> Khoj </td></tr><tr><td valign=\"top\">2002</em></td><td> International Artists Workshop, Mysore, India\r\n\r\n</td></tr><tr><td valign=\"top\">2002</td><td><em> Identity and Landscape</em>, residency in the Laurentian mountains of Quebec at the Boreal Art/Nature Centre, Canada\r\n\r\n</td></tr><tr><td valign=\"top\">2001                  </td><td><em>Big River 2</em>, International Artists Workshop organized by CCA7 and the Triangle Arts Trust at Grand Riviere, Trinidad, West Indies\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr>\r\n<tr><td>\r\n<span style=\"color: #888888;\"><strong>TALKS/PRESENTATIONS</strong></span>\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td>Panel discussion with artist Gulam Sheikh, co-chair: Sabine B. Vogel, art critic at the Sammlung Essl Museum, Vienna\r\n\r\n</td></tr><tr><td valign=\"top\">2008                    </td><td>Slide presentation followed by a panel discussion with Nalini Malani and Jayshree Chakravarty, moderated by Nancy Adajania at Jnanapravaha, Mumbai\r\n\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td>Slide presentation at the School of the Art Institute of Chicago\r\n\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td>Panel discussion with Nalini Malani, Sheba Chhachhi, moderated by Betty Seid at the Chicago Cultural Centre\r\n\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td>Lecture at the University Boccini, Milan\r\n\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td>Slide presentation at the Lamar Dodd School of Art, University   of Georgia, USA\r\n\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td>Talk at the Griffith Auditorium, Georgia Museum of Art, USA\r\n\r\n</td></tr><tr><td valign=\"top\">2003                  </td><td>Slide presentation at Oslo National Academy of the Arts, Norway\r\n\r\n</td></tr><tr><td valign=\"top\">2000                  </td><td>Mohile Parikh Centre for the Visual Arts, Mumbai\r\n</td></tr>\r\n</table>','Biography','','inherit','open','open','','105-revision-51','','','2010-07-11 09:26:48','2010-07-11 09:26:48','',105,'http://www.biggventures.com/demo/artists/1545/uncat/105-revision-51',0,'revision','',0),(1546,1,'2010-07-11 09:39:53','2010-07-11 09:39:53','Reena Saini Kallat (b. Delhi 1973) graduated from the Sir J. J. School of Art, Mumbai in 1996 with a B. F. A. in painting. Her practice - spanning painting, photography, video and sculptural installations - frequently deals with the condition of an individual in a rapidly changing society, ever susceptible to being reduced to an anonymous and forgotten statistic. Kallat is interested in constructing images that seem to change and transform by the possibilities they carry for the generation of meaning through a calibrated interplay of image and form.\r\n\r\nOver the last decade her work has been part of many important exhibitions, across the world. She has had ten solo exhibitions in India and abroad, collectively, and participated in a number of workshops and residencies. She lives and works in Mumbai.\r\n\r\n<strong><span style=\"color: #888888;\">SOLO EXHIBITIONS</span></strong>\r\n<table>\r\n<tr><td valign=\"top\">2009                  </td><td><a class=\"linkbio\" href=\"http://www.primomarellagallery.com/it/catalogue/scheda.asp?id=568&view=past\">Drift, Primo Marella Gallery, Milan</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2008/reena_bio.html\"> Silt of Seasons, Chemould   Prescott Road, Mumbai</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a class=\"linkbio\" href=\"http://www.walshgallery.com/reena-kallat-exhibition-2008/\">Subject to Change without Notice, Walsh Gallery, Chicago\r\n</a>\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td><em>Rainbow Of Refuse, </em>Bodhi Art Gallery, Mumbai and Singapore </td><td><em> </em>\r\n\r\n</td></tr><tr><td valign=\"top\">2005                  </td><td><a class=\"linkbio\" href=\"http://www.naturemorte.com/artists/reena-saini-kallat/selected-works/\">Black Flute (And Other Stories), Nature Morte, New Delhi</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2004                  </td><td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2004/reena_saini_kallat_note.html\">Black Flute</em>, Gallery Chemould, Mumbai</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2002                  </td><td><em>The Battlefield Is The Mind</em>, Sakshi Gallery, Bangalore\r\n\r\n</td></tr><tr><td valign=\"top\">2002                  </td><td><em>Seven Faces of Dust</em>, Chicago Radio, Mumbai\r\n\r\n</td></tr><tr><td valign=\"top\">2000                  </td><td><em>Skin</em>, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi\r\n\r\n</td></tr><tr><td valign=\"top\">1998                  </td><td><em>Orchard of Home-grown Secrets</em>, Gallery Chemould and Pundole  Art <em>Gallery, Mumbai</em>\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr>\r\n\r\n<tr><td colspan=\"2\">\r\n<span style=\"color: #888888;\"><strong>SELECTED GROUP EXHIBITIONS</strong></span>\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr>\r\n\r\n<tr><td valign=\"top\">2010                  </td><td><a class=\"linkbio\" href=\"http://www.richmondartgallery.org/in-transition.php\">In Transition: New Art from India, Richmond Art Gallery Vancouver Biennale, Vancouver</a>\r\n</td></tr><tr><td valign=\"top\">2010                  </td><td><a class=\"linkbio\" href=\"http://websterhuntgallery.blogspot.com/2010_02_01_archive.html\">Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster University, curated by Jeffrey Hughes and Dana Turkovic, Cecile R. Hunt Gallery,St.Louis,Missouri</a>\r\n</td></tr><tr><td valign=\"top\">2010                  </td><td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/51\">Never Run Away, 2 person exhibition curated by Shaheen Merali,Stux   Gallery,  New York</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2010                  </td><td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/artists/reena_kallat.htm?section_name=new_india\">The Empire Strikes Back, Saatchi Gallery, London</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2010 </td><td><a class=\"linkbio\" href=\"http://art-for-the-world.blogspot.com/2010/01/some-installation-views-of-urban.html\">Urban Manners 2, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao Paulo, Brazil</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><a class=\"linkbio\" href=\"http://www.asianartbiennial.org/2009/en/index_en.html\">View Points and Viewing points - 2009 Asian Art Biennale, National Taiwan Museum of Fine Arts \r\n\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><em>Spectrum: Indian Art at Abu   Dhabi, United   Arab Emirates</em>\r\n\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><em>Milan Galleria</em>, curated by Georgio Verzotti, Triennale Museum, Milan\r\n\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><a class=\"linkbio\" href=\"http://www.initialaccess.co.uk/exhibition_moreinfo.php?id=11\">Passage to India Part II show at Initial Access, Frank Cohen Collection, Wolverhampton, UK</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td>Ventosul Biennale, Curitiba, Brazil\r\n\r\n</td></tr><tr><td valign=\"top\">2009     </td><td><a class=\"linkbio\" href=\"http://www.mori.art.museum/english/contents/india/index.html\"> Chalo! India: A New Era of Indian Art, National  Museum of Contemporary Art, Korea and Essl Museum, Vienna</a>\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><a class=\"linkbio\" href=\"http://www.mocashanghai.org/index.php?_function=exhibition&_subFunction=pastExhibition&exhibition_id=40&_view=detail\">INDIA XIANZAI: Contemporary Indian Art, Museum of Contemporary Art, Shanghai</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2009                   </td><td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/42/622\">Low Blow: And Other Species of Confusion, Stux gallery, New York</a>\r\n</td></tr><tr><td valign=\"top\">2009</td><td><em> Indian Narratives in the 21<sup>st</sup> Century: Between Memory and History</em>,Casa  Asia, Madrid and Barcelona, Spain\r\n\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><a class=\"linkbio\" href=\"http://www.walshgallery.com/body-chatter-an-exhibition-of-contemporary-indian-art-2008/\">Body Chatter, Walsh Gallery, Chicago</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2008     </td><td><a class=\"linkbio\" href=\"http://www.mori.art.museum/contents/press/india_20081121_e.pdf\">Chalo! India: A New Era of Indian Art, Mori Art   Museum, Japan</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a class=\"linkbio\" href=\"http://www.indiamoderna.es/eng/index.html\">India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM Museum, Valencia, Spain </a></td><td>\r\n\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a class=\"linkbio\" href=\"http://www.aaa.org.hk/onlineprojects/bitri/en/gallery.aspx?eid=A080.03\">3<sup>rd</sup> Nanjing Triennale, curators: Fumihiko Sumitomo, Jaeyoung Kang,  China\r\n</a>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><em>TEAF (Taehwagang Eco Art Festival) - Dream River, Korea </em>\r\n\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a class=\"linkbio\" href=\"http://www.bodhiart.in/exhibitions/everywhere_is_war/everywhere_war.html\">Everywhere is War (And Rumours of it), Bodhi Art Gallery, Mumbai</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/33\">Fire Walkers, Stefan Stux gallery, New York</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a class=\"linkbio\" href=\"http://www.galeriems.com/reenask_one.htm\">Three Points of view, Galerie Mirchandani + Steinrucke, Mumbai</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><em>Excavation: Memory / Myth / Membrane</em>, Museum Gallery, Mumbai </td><td><em> </em>\r\n\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><em>International Incheon Women Artists’ Biennale</em>, Korea\r\n\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><em>Soft Power: Asian Attitude</em>, Shanghai Zendai Museum of Modern Art, Shanghai\r\n\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><a class=\"linkbio\" href=\"http://www.kunstaspekte.de/index.php?tid=39629&action=termin\">Urban Manners, curated by Adelina Von Furstenberg, at Hangar Bicocca , Milan</a></td><td>\r\n\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><a class=\"linkbio\" href=\"http://www.art-for-the-world.com/wwd/2007/urban_manners/Urban_Manners_pr.pdf\">INDIA NOW: Contemporary Indian Art, Between Continuity and transformation,curated by Daniela Palozzoli at Spazio Oberdan, Milan</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><em>New Narratives: Contemporary Art From India</em>, curated by Betty Seid,Chicago Cultural Centre, Chicago </td><td><em> </em>\r\n\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><em>Thermocline Of Art- New Asian Waves</em>, curated by Wonil Rhee and Peter Weibel at ZKM in Karlsruhe, Germany\r\n\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td><em>Modern Indian Works On Paper,</em> Arthur Ross Gallery, Philadelphia and the Georgia Museum of Art, USA\r\n\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td><em>Lille 3000 (</em>Maximum City-Mumbai), Lille,  France \r\n\r\n</td></tr><tr><td valign=\"top\">2006</td><td><em> Hungry God- Indian Contemporary Art</em>, curated by Yun Chaegab and June\r\nGwak, Arario Gallery, Beijing and Busan MoMA\r\n\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td><em>India Express – Art and Popular Culture</em>, Art Museum Tennispalace,\r\ncurators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City  Art Museum,\r\nFinland\r\n\r\n</td></tr><tr><td valign=\"top\">2005                  </td><td><em>Mom and Pop Art, </em>Walsh Gallery, Chicago\r\n\r\n</td></tr><tr><td valign=\"top\">2005                  </td><td><em>Span</em>, Sakshi Gallery, Mumbai\r\n\r\n</td></tr><tr><td valign=\"top\">2005                  </td><td><em>Indian Paintings of the New Millenium</em>, curated by Helen Asquine Fazio\r\nat Thomas J. Walsh Art Gallery at Fairfield   University, USA\r\n\r\n</td></tr><tr><td valign=\"top\">2004 </td><td><em> Contemporary Art from India</em>, Thomas   Erben Gallery, New York\r\n\r\n</td></tr><tr><td valign=\"top\">2004                    </td><td><em>Zoom! Art in Contemporary India.</em> Curators: Nancy Adajania and Luis\r\nSerpa, The Culturgest Museum, Lisbon, Portugal</td><td><em> </em>\r\n\r\n</td><td><em> </em>\r\n\r\n</td></tr><tr><td valign=\"top\">2003</td><td><em> Crossing generations: diVERGE</em>, Gallery Chemould’s 40th anniversary,\r\nCurators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of Modern\r\nArt, Mumbai\r\n\r\n</td></tr><tr><td valign=\"top\">2003</td><td><em> Hard Copy,</em> two-person show with Jitish Kallat, Gallery 88, Calcutta*\r\n\r\n</td></tr><tr><td valign=\"top\">2003                  </td><td><em>Tiranga</em>, curator: Peter Nagy, India Habitat Centre, New Delhi</td><td><em> </em>\r\n\r\n</td></tr><tr><td valign=\"top\">2003</td><td><em> Elephant Walks</em>, Youth Arts Project in collaboration with Jitish Kallat as part of\r\nIndians + Cowboys exhibition, Curators: Aaron Seetu and Ruth Watson\r\nGallery 4A, Sydney</td><td><em> </em>\r\n\r\n</td></tr><tr><td valign=\"top\">2003                  </td><td><em>The Tree From The Seed, Contemporary Art from India, </em>curator: Gavin Jantjes\r\nHenie Onstad Kunstsenter (Oslo), Norway</td><td><em></em>\r\n\r\n</td></tr><tr><td valign=\"top\">2002                   </td><td><em>Crosscurrents</em>, organized by Artworks for the fiftieth anniversary\r\ncelebrations of Jehangir Art  Gallery, Mumbai\r\n\r\n</td></tr><tr><td valign=\"top\">2002                        </td><td><em>Reclaim Our Freedom</em>, organized by Open Circle, Pundole Art Gallery, Mumbai\r\n\r\n</td></tr><tr><td valign=\"top\">2002                       </td><td><em>Crossing Borders</em>, Gallery Windkracht 13, Den Helder, Holland\r\n\r\n</td></tr><tr><td valign=\"top\">2001                        </td><td><em>Big River 2</em>, CCA7 Gallery, Port Of Spain, Trinidad\r\n\r\n</td></tr><tr><td valign=\"top\">2001                   </td><td><em>AOM- Art on the move</em>, organized by Sahmat, New Delhi\r\n\r\n</td></tr><tr><td valign=\"top\">1999</td><td><em> Edge of the Century,</em> curated by Amit Mukhopadhyay, Academy  of Fine Arts\r\n\r\nand Literature, New Delhi\r\n</td></tr><tr><td colspan=\"2\">\r\n<strong><span style=\"color: #888888;\">SELECTED WORKSHOPS AND RESIDENCIES</span></strong>\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><em>Vanishing Point</em>, children’s project at the Celebrate Bandra Festival, Mumbai\r\n\r\n</td></tr><tr><td valign=\"top\">2007             </td><td>Collaborative workshop as part of the exhibition <em>Aftershock</em> at the Sainsbury\r\nCentre for Visual Arts, University of East Anglia, Norwich,  UK\r\n\r\n</td></tr><tr><td valign=\"top\">2003                       </td><td>Collaborated on a Billboard project with Jitish Kallat, Kala Ghoda Art District, Mumbai\r\n\r\n</td></tr><tr><td valign=\"top\">2003                  </td><td><em>Elephant Walks</em>, Youth Arts Project at the Casula Power House Arts Centre,\r\nLiverpool, Australia\r\n\r\n</td></tr><tr><td valign=\"top\">2002</td><td><em> Khoj </td></tr><tr><td valign=\"top\">2002</em></td><td> International Artists Workshop, Mysore, India\r\n\r\n</td></tr><tr><td valign=\"top\">2002</td><td><em> Identity and Landscape</em>, residency in the Laurentian mountains of Quebec at the Boreal Art/Nature Centre, Canada\r\n\r\n</td></tr><tr><td valign=\"top\">2001                  </td><td><em>Big River 2</em>, International Artists Workshop organized by CCA7 and the Triangle Arts Trust at Grand Riviere, Trinidad, West Indies\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr>\r\n<tr><td>\r\n<span style=\"color: #888888;\"><strong>TALKS/PRESENTATIONS</strong></span>\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td>Panel discussion with artist Gulam Sheikh, co-chair: Sabine B. Vogel, art critic at the Sammlung Essl Museum, Vienna\r\n\r\n</td></tr><tr><td valign=\"top\">2008                    </td><td>Slide presentation followed by a panel discussion with Nalini Malani and Jayshree Chakravarty, moderated by Nancy Adajania at Jnanapravaha, Mumbai\r\n\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td>Slide presentation at the School of the Art Institute of Chicago\r\n\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td>Panel discussion with Nalini Malani, Sheba Chhachhi, moderated by Betty Seid at the Chicago Cultural Centre\r\n\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td>Lecture at the University Boccini, Milan\r\n\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td>Slide presentation at the Lamar Dodd School of Art, University   of Georgia, USA\r\n\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td>Talk at the Griffith Auditorium, Georgia Museum of Art, USA\r\n\r\n</td></tr><tr><td valign=\"top\">2003                  </td><td>Slide presentation at Oslo National Academy of the Arts, Norway\r\n\r\n</td></tr><tr><td valign=\"top\">2000                  </td><td>Mohile Parikh Centre for the Visual Arts, Mumbai\r\n</td></tr>\r\n</table>','Biography','','inherit','open','open','','105-revision-52','','','2010-07-11 09:39:53','2010-07-11 09:39:53','',105,'http://www.biggventures.com/demo/artists/1546/uncat/105-revision-52',0,'revision','',0),(1548,1,'2010-07-13 10:58:52','2010-07-13 10:58:52','Reena Saini Kallat (b. Delhi 1973) graduated from the Sir J. J. School of Art, Mumbai in 1996 with a B. F. A. in painting. Her practice - spanning painting, photography, video and sculptural installations - frequently deals with the condition of an individual in a rapidly changing society, ever susceptible to being reduced to an anonymous and forgotten statistic. Kallat is interested in constructing images that seem to change and transform by the possibilities they carry for the generation of meaning through a calibrated interplay of image and form.\r\n\r\nOver the last decade her work has been part of many important exhibitions, across the world. She has had ten solo exhibitions in India and abroad, collectively, and participated in a number of workshops and residencies. She lives and works in Mumbai.\r\n\r\n<strong><span style=\"color: #888888;\">SOLO EXHIBITIONS</span></strong>\r\n<table>\r\n<tr><td valign=\"top\">2009                  </td><td><a class=\"linkbio\" href=\"http://www.primomarellagallery.com/it/catalogue/scheda.asp?id=568&view=past\" target=\"_blank\">Drift, Primo Marella Gallery, Milan</a>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2008/reena_bio.html\" target=\"_blank\"> Silt of Seasons, Chemould   Prescott Road, Mumbai</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a class=\"linkbio\" href=\"http://www.walshgallery.com/reena-kallat-exhibition-2008/\" target=\"_blank\">Subject to Change without Notice, Walsh Gallery, Chicago\r\n</a>\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td><em>Rainbow Of Refuse, </em>Bodhi Art Gallery, Mumbai and Singapore </td><td><em> </em>\r\n\r\n</td></tr><tr><td valign=\"top\">2005                  </td><td><a class=\"linkbio\" href=\"http://www.naturemorte.com/artists/reena-saini-kallat/selected-works/\" target=\"_blank\">Black Flute (And Other Stories), Nature Morte, New Delhi</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2004                  </td><td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2004/reena_saini_kallat_note.html\" target=\"_blank\">Black Flute</em>, Gallery Chemould, Mumbai</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2002                  </td><td><em>The Battlefield Is The Mind</em>, Sakshi Gallery, Bangalore\r\n\r\n</td></tr><tr><td valign=\"top\">2002                  </td><td><em>Seven Faces of Dust</em>, Chicago Radio, Mumbai\r\n\r\n</td></tr><tr><td valign=\"top\">2000                  </td><td><em>Skin</em>, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi\r\n\r\n</td></tr><tr><td valign=\"top\">1998                  </td><td><em>Orchard of Home-grown Secrets</em>, Gallery Chemould and Pundole  Art <em>Gallery, Mumbai</em>\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr>\r\n\r\n<tr><td colspan=\"2\">\r\n<span style=\"color: #888888;\"><strong>SELECTED GROUP EXHIBITIONS</strong></span>\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr>\r\n\r\n<tr><td valign=\"top\">2010                  </td><td><a class=\"linkbio\" href=\"http://www.richmondartgallery.org/in-transition.php\" target=\"_blank\">In Transition: New Art from India, Richmond Art Gallery Vancouver Biennale, Vancouver</a>\r\n</td></tr><tr><td valign=\"top\">2010                  </td><td><a class=\"linkbio\" href=\"http://websterhuntgallery.blogspot.com/2010_02_01_archive.html\" target=\"_blank\">Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster University, curated by Jeffrey Hughes and Dana Turkovic, Cecile R. Hunt Gallery,St.Louis,Missouri</a>\r\n</td></tr><tr><td valign=\"top\">2010                  </td><td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/51\" target=\"_blank\">Never Run Away, 2 person exhibition curated by Shaheen Merali,Stux   Gallery,  New York</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2010                  </td><td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/artists/reena_kallat.htm?section_name=new_india\" target=\"_blank\">The Empire Strikes Back, Saatchi Gallery, London</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2010 </td><td><a class=\"linkbio\" href=\"http://art-for-the-world.blogspot.com/2010/01/some-installation-views-of-urban.html\" target=\"_blank\">Urban Manners 2, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao Paulo, Brazil</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><a class=\"linkbio\" href=\"http://www.asianartbiennial.org/2009/en/index_en.html\" target=\"_blank\">View Points and Viewing points - 2009 Asian Art Biennale, National Taiwan Museum of Fine Arts \r\n\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><em>Spectrum: Indian Art at Abu   Dhabi, United   Arab Emirates</em>\r\n\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><em>Milan Galleria</em>, curated by Georgio Verzotti, Triennale Museum, Milan\r\n\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><a class=\"linkbio\" href=\"http://www.initialaccess.co.uk/exhibition_moreinfo.php?id=11\" target=\"_blank\">Passage to India Part II show at Initial Access, Frank Cohen Collection, Wolverhampton, UK</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td>Ventosul Biennale, Curitiba, Brazil\r\n\r\n</td></tr><tr><td valign=\"top\">2009     </td><td><a class=\"linkbio\" href=\"http://www.mori.art.museum/english/contents/india/index.html\" target=\"_blank\"> Chalo! India: A New Era of Indian Art, National  Museum of Contemporary Art, Korea and Essl Museum, Vienna</a>\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><a class=\"linkbio\" href=\"http://www.mocashanghai.org/index.php?_function=exhibition&_subFunction=pastExhibition&exhibition_id=40&_view=detail\" target=\"_blank\">INDIA XIANZAI: Contemporary Indian Art, Museum of Contemporary Art, Shanghai</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2009                   </td><td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/42/622\" target=\"_blank\">Low Blow: And Other Species of Confusion, Stux gallery, New York</a>\r\n</td></tr><tr><td valign=\"top\">2009</td><td><em> Indian Narratives in the 21<sup>st</sup> Century: Between Memory and History</em>,Casa  Asia, Madrid and Barcelona, Spain\r\n\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><a class=\"linkbio\" href=\"http://www.walshgallery.com/body-chatter-an-exhibition-of-contemporary-indian-art-2008/\" target=\"_blank\">Body Chatter, Walsh Gallery, Chicago</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2008     </td><td><a class=\"linkbio\" href=\"http://www.mori.art.museum/contents/press/india_20081121_e.pdf\" target=\"_blank\">Chalo! India: A New Era of Indian Art, Mori Art   Museum, Japan</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a class=\"linkbio\" href=\"http://www.indiamoderna.es/eng/index.html\" target=\"_blank\">India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM Museum, Valencia, Spain </a></td><td>\r\n\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a class=\"linkbio\" href=\"http://www.aaa.org.hk/onlineprojects/bitri/en/gallery.aspx?eid=A080.03\" target=\"_blank\">3<sup>rd</sup> Nanjing Triennale, curators: Fumihiko Sumitomo, Jaeyoung Kang,  China\r\n</a>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><em>TEAF (Taehwagang Eco Art Festival) - Dream River, Korea </em>\r\n\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a class=\"linkbio\" href=\"http://www.bodhiart.in/exhibitions/everywhere_is_war/everywhere_war.html\" target=\"_blank\">Everywhere is War (And Rumours of it), Bodhi Art Gallery, Mumbai</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/33\" target=\"_blank\">Fire Walkers, Stefan Stux gallery, New York</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a class=\"linkbio\" href=\"http://www.galeriems.com/reenask_one.htm\" target=\"_blank\">Three Points of view, Galerie Mirchandani + Steinrucke, Mumbai</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><em>Excavation: Memory / Myth / Membrane</em>, Museum Gallery, Mumbai </td><td><em> </em>\r\n\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><em>International Incheon Women Artists’ Biennale</em>, Korea\r\n\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><em>Soft Power: Asian Attitude</em>, Shanghai Zendai Museum of Modern Art, Shanghai\r\n\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><a class=\"linkbio\" href=\"http://www.kunstaspekte.de/index.php?tid=39629&action=termin\" target=\"_blank\">Urban Manners, curated by Adelina Von Furstenberg, at Hangar Bicocca , Milan</a></td><td>\r\n\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><a class=\"linkbio\" href=\"http://www.art-for-the-world.com/wwd/2007/urban_manners/Urban_Manners_pr.pdf\" target=\"_blank\">INDIA NOW: Contemporary Indian Art, Between Continuity and transformation,curated by Daniela Palozzoli at Spazio Oberdan, Milan</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><em>New Narratives: Contemporary Art From India</em>, curated by Betty Seid,Chicago Cultural Centre, Chicago </td><td><em> </em>\r\n\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><em>Thermocline Of Art- New Asian Waves</em>, curated by Wonil Rhee and Peter Weibel at ZKM in Karlsruhe, Germany\r\n\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td><em>Modern Indian Works On Paper,</em> Arthur Ross Gallery, Philadelphia and the Georgia Museum of Art, USA\r\n\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td><em>Lille 3000 (</em>Maximum City-Mumbai), Lille,  France \r\n\r\n</td></tr><tr><td valign=\"top\">2006</td><td><em> Hungry God- Indian Contemporary Art</em>, curated by Yun Chaegab and June\r\nGwak, Arario Gallery, Beijing and Busan MoMA\r\n\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td><em>India Express – Art and Popular Culture</em>, Art Museum Tennispalace,\r\ncurators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City  Art Museum,\r\nFinland\r\n\r\n</td></tr><tr><td valign=\"top\">2005                  </td><td><em>Mom and Pop Art, </em>Walsh Gallery, Chicago\r\n\r\n</td></tr><tr><td valign=\"top\">2005                  </td><td><em>Span</em>, Sakshi Gallery, Mumbai\r\n\r\n</td></tr><tr><td valign=\"top\">2005                  </td><td><em>Indian Paintings of the New Millenium</em>, curated by Helen Asquine Fazio\r\nat Thomas J. Walsh Art Gallery at Fairfield   University, USA\r\n\r\n</td></tr><tr><td valign=\"top\">2004 </td><td><em> Contemporary Art from India</em>, Thomas   Erben Gallery, New York\r\n\r\n</td></tr><tr><td valign=\"top\">2004                    </td><td><em>Zoom! Art in Contemporary India.</em> Curators: Nancy Adajania and Luis\r\nSerpa, The Culturgest Museum, Lisbon, Portugal</td><td><em> </em>\r\n\r\n</td><td><em> </em>\r\n\r\n</td></tr><tr><td valign=\"top\">2003</td><td><em> Crossing generations: diVERGE</em>, Gallery Chemould’s 40th anniversary,\r\nCurators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of Modern Art, Mumbai\r\n\r\n</td></tr><tr><td valign=\"top\">2003</td><td><em> Hard Copy,</em> two-person show with Jitish Kallat, Gallery 88, Calcutta*\r\n\r\n</td></tr><tr><td valign=\"top\">2003                  </td><td><em>Tiranga</em>, curator: Peter Nagy, India Habitat Centre, New Delhi</td><td><em> </em>\r\n\r\n</td></tr><tr><td valign=\"top\">2003</td><td><em> Elephant Walks</em>, Youth Arts Project in collaboration with Jitish Kallat as part of Indians + Cowboys exhibition, Curators: Aaron Seetu and Ruth Watson Gallery 4A, Sydney</td><td><em> </em>\r\n\r\n</td></tr><tr><td valign=\"top\">2003                  </td><td><em>The Tree From The Seed, Contemporary Art from India, </em>curator: Gavin Jantjes Henie Onstad Kunstsenter (Oslo), Norway</td><td><em></em>\r\n\r\n</td></tr><tr><td valign=\"top\">2002                   </td><td><em>Crosscurrents</em>, organized by Artworks for the fiftieth anniversary celebrations of Jehangir Art  Gallery, Mumbai\r\n\r\n</td></tr><tr><td valign=\"top\">2002                        </td><td><em>Reclaim Our Freedom</em>, organized by Open Circle, Pundole Art Gallery, Mumbai\r\n\r\n</td></tr><tr><td valign=\"top\">2002                       </td><td><em>Crossing Borders</em>, Gallery Windkracht 13, Den Helder, Holland\r\n\r\n</td></tr><tr><td valign=\"top\">2001                        </td><td><em>Big River 2</em>, CCA7 Gallery, Port Of Spain, Trinidad\r\n\r\n</td></tr><tr><td valign=\"top\">2001                   </td><td><em>AOM- Art on the move</em>, organized by Sahmat, New Delhi\r\n\r\n</td></tr><tr><td valign=\"top\">1999</td><td><em> Edge of the Century,</em> curated by Amit Mukhopadhyay, Academy  of Fine Arts and Literature, New Delhi\r\n</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n<tr><td colspan=\"2\">\r\n<strong><span style=\"color: #888888;\">SELECTED WORKSHOPS AND RESIDENCIES</span></strong>\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><em>Vanishing Point</em>, children’s project at the Celebrate Bandra Festival, Mumbai\r\n\r\n</td></tr><tr><td valign=\"top\">2007             </td><td>Collaborative workshop as part of the exhibition <em>Aftershock</em> at the Sainsbury\r\nCentre for Visual Arts, University of East Anglia, Norwich,  UK\r\n\r\n</td></tr><tr><td valign=\"top\">2003                       </td><td>Collaborated on a Billboard project with Jitish Kallat, Kala Ghoda Art District, Mumbai\r\n\r\n</td></tr><tr><td valign=\"top\">2003                  </td><td><em>Elephant Walks</em>, Youth Arts Project at the Casula Power House Arts Centre, Liverpool, Australia\r\n\r\n</td></tr><tr><td valign=\"top\">2002</td><td><em> Khoj </td></tr><tr><td valign=\"top\">2002</em></td><td> International Artists Workshop, Mysore, India\r\n\r\n</td></tr><tr><td valign=\"top\">2002</td><td><em> Identity and Landscape</em>, residency in the Laurentian mountains of Quebec at the Boreal Art/Nature Centre, Canada\r\n\r\n</td></tr><tr><td valign=\"top\">2001                  </td><td><em>Big River 2</em>, International Artists Workshop organized by CCA7 and the Triangle Arts Trust at Grand Riviere, Trinidad, West Indies\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr>\r\n<tr><td>\r\n<span style=\"color: #888888;\"><strong>TALKS/PRESENTATIONS</strong></span>\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td>Panel discussion with artist Gulam Sheikh, co-chair: Sabine B. Vogel, art critic at the Sammlung Essl Museum, Vienna\r\n\r\n</td></tr><tr><td valign=\"top\">2008                    </td><td>Slide presentation followed by a panel discussion with Nalini Malani and Jayshree Chakravarty, moderated by Nancy Adajania at Jnanapravaha, Mumbai\r\n\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td>Slide presentation at the School of the Art Institute of Chicago\r\n\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td>Panel discussion with Nalini Malani, Sheba Chhachhi, moderated by Betty Seid at the Chicago Cultural Centre\r\n\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td>Lecture at the University Boccini, Milan\r\n\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td>Slide presentation at the Lamar Dodd School of Art, University   of Georgia, USA\r\n\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td>Talk at the Griffith Auditorium, Georgia Museum of Art, USA\r\n\r\n</td></tr><tr><td valign=\"top\">2003                  </td><td>Slide presentation at Oslo National Academy of the Arts, Norway\r\n\r\n</td></tr><tr><td valign=\"top\">2000                  </td><td>Mohile Parikh Centre for the Visual Arts, Mumbai\r\n</td></tr>\r\n</table>','Biography','','inherit','open','open','','105-revision-54','','','2010-07-13 10:58:52','2010-07-13 10:58:52','',105,'http://www.biggventures.com/demo/artists/1548/uncat/105-revision-54',0,'revision','',0),(1550,1,'2010-07-13 12:16:03','2010-07-13 12:16:03','Reena Saini Kallat (b. Delhi 1973) graduated from the Sir J. J. School of Art, Mumbai in 1996 with a B. F. A. in painting. Her practice - spanning painting, photography, video and sculptural installations - frequently deals with the condition of an individual in a rapidly changing society, ever susceptible to being reduced to an anonymous and forgotten statistic. Kallat is interested in constructing images that seem to change and transform by the possibilities they carry for the generation of meaning through a calibrated interplay of image and form.\r\n\r\nOver the last decade her work has been part of many important exhibitions, across the world. She has had ten solo exhibitions in India and abroad, collectively, and participated in a number of workshops and residencies. She lives and works in Mumbai.\r\n\r\n<strong><span style=\"color: #888888;\">SOLO EXHIBITIONS</span></strong>\r\n<table>\r\n<tr><td valign=\"top\">2009                  </td><td><a class=\"linkbio\" href=\"http://www.primomarellagallery.com/it/catalogue/scheda.asp?id=568&view=past\" target=\"_blank\">Drift, Primo Marella Gallery, Milan</a>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2008/reena_bio.html\" target=\"_blank\"> Silt of Seasons, Chemould   Prescott Road, Mumbai</a>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a class=\"linkbio\" href=\"http://www.walshgallery.com/reena-kallat-exhibition-2008/\" target=\"_blank\">Subject to Change without Notice, Walsh Gallery, Chicago\r\n</a>\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td><em>Rainbow Of Refuse, </em>Bodhi Art Gallery, Mumbai and Singaporeer work has been part of many important exhibitions, across the world. She has had ten solo exhibitions in India and abroad, collectively, and participated in a number of workshops and residencies. She lives and works in Mumbai.\r\n\r\n<strong><span style=\"color: #888888;\">SOLO EXHIBITIONS</span></strong>\r\n<table>\r\n<tr><td valign=\"top\">2009                  </td><td><a class=\"linkbio\" href=\"http://www.primomarellagallery.com/it/catalogue/scheda.asp?id=568&view=past\" target=\"_blank\">Drift, Primo Marella Gallery, Milan</a>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2008/reena_bio.html\" target=\"_blank\"> Silt of Seasons, Chemould   Prescott Road, Mumbai</a>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a class=\"linkbio\" href=\"http://www.walshgallery.com/reena-kallat-exhibition-2008/\" target=\"_blank\">Subject to Change without Notice, Walsh Gallery, Chicago\r\n</a>\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td><em>Rainbow Of Refuse, </em>Bodhi Art Gallery, Mumbai and Singapore </td><td><em> </em>\r\n\r\n</td></tr><tr><td valign=\"top\">2005                  </td><td><a class=\"linkbio\" href=\"http://www.naturemorte.com/artists/reena-saini-kallat/selected-works/\" target=\"_blank\">Black Flute (And Other Stories), Nature Morte, New Delhi</a>\r\n</td></tr><tr><td valign=\"top\">2004                  </td><td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2004/reena_saini_kallat_note.html\" target=\"_blank\">Black Flute</em>, Gallery Chemould, Mumbai</a>\r\n</td></tr><tr><td valign=\"top\">2002                  </td><td><em>The Battlefield Is The Mind</em>, Sakshi Gallery, Bangalore\r\n</td></tr><tr><td valign=\"top\">2002                  </td><td><em>Seven Faces of Dust</em>, Chicago Radio, Mumbai\r\n</td></tr><tr><td valign=\"top\">2000                  </td><td><em>Skin</em>, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi\r\n</td></tr><tr><td valign=\"top\">1998                  </td><td><em>Orchard of Home-grown Secrets</em>, Gallery Chemould and Pundole  Art <em>Gallery, Mumbai</em>\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr>\r\n\r\n<tr><td colspan=\"2\">\r\n<span style=\"color: #888888;\"><strong>SELECTED GROUP EXHIBITIONS</strong></span>\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr>\r\n\r\n<tr><td valign=\"top\">2010                  </td><td><a class=\"linkbio\" href=\"http://www.richmondartgallery.org/in-transition.php\" target=\"_blank\">In Transition: New Art from India, Richmond Art Gallery Vancouver Biennale, Vancouver</a>\r\n</td></tr><tr><td valign=\"top\">2010                  </td><td><a class=\"linkbio\" href=\"http://websterhuntgallery.blogspot.com/2010_02_01_archive.html\" target=\"_blank\">Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster University, curated by Jeffrey Hughes and Dana Turkovic, Cecile R. Hunt Gallery,St.Louis,Missouri</a>\r\n</td></tr><tr><td valign=\"top\">2010                  </td><td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/51\" target=\"_blank\">Never Run Away, 2 person exhibition curated by Shaheen Merali,Stux   Gallery,  New York</a>\r\n</td></tr><tr><td valign=\"top\">2010                  </td><td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/artists/reena_kallat.htm?section_name=new_india\" target=\"_blank\">The Empire Strikes Back, Saatchi Gallery, London</a>\r\n</td></tr><tr><td valign=\"top\">2010 </td><td><a class=\"linkbio\" href=\"http://art-for-the-world.blogspot.com/2010/01/some-installation-views-of-urban.html\" target=\"_blank\">Urban Manners 2, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao Paulo, Brazil</a>\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><a class=\"linkbio\" href=\"http://www.asianartbiennial.org/2009/en/index_en.html\" target=\"_blank\">View Points and Viewing points - 2009 Asian Art Biennale, National Taiwan Museum of Fine Arts \r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><em>Spectrum: Indian Art at Abu   Dhabi, United   Arab Emirates</em>\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><em>Milan Galleria</em>, curated by Georgio Verzotti, Triennale Museum, Milan\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><a class=\"linkbio\" href=\"http://www.initialaccess.co.uk/exhibition_moreinfo.php?id=11\" target=\"_blank\">Passage to India Part II show at Initial Access, Frank Cohen Collection, Wolverhampton, UK</a>\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td>Ventosul Biennale, Curitiba, Brazil\r\n</td></tr><tr><td valign=\"top\">2009     </td><td><a class=\"linkbio\" href=\"http://www.mori.art.museum/english/contents/india/index.html\" target=\"_blank\"> Chalo! India: A New Era of Indian Art, National  Museum of Contemporary Art, Korea and Essl Museum, Vienna</a>\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><a class=\"linkbio\" href=\"http://www.mocashanghai.org/index.php?_function=exhibition&_subFunction=pastExhibition&exhibition_id=40&_view=detail\" target=\"_blank\">INDIA XIANZAI: Contemporary Indian Art, Museum of Contemporary Art, Shanghai</a>\r\n</td></tr><tr><td valign=\"top\">2009                   </td><td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/42/622\" target=\"_blank\">Low Blow: And Other Species of Confusion, Stux gallery, New York</a>\r\n</td></tr><tr><td valign=\"top\">2009</td><td><em> Indian Narratives in the 21<sup>st</sup> Century: Between Memory and History</em>,Casa  Asia, Madrid and Barcelona, Spain\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><a class=\"linkbio\" href=\"http://www.walshgallery.com/body-chatter-an-exhibition-of-contemporary-indian-art-2008/\" target=\"_blank\">Body Chatter, Walsh Gallery, Chicago</a>\r\n</td></tr><tr><td valign=\"top\">2008     </td><td><a class=\"linkbio\" href=\"http://www.mori.art.museum/contents/press/india_20081121_e.pdf\" target=\"_blank\">Chalo! India: A New Era of Indian Art, Mori Art   Museum, Japan</a>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a class=\"linkbio\" href=\"http://www.indiamoderna.es/eng/index.html\" target=\"_blank\">India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM Museum, Valencia, Spain </a></td><td>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a class=\"linkbio\" href=\"http://www.aaa.org.hk/onlineprojects/bitri/en/gallery.aspx?eid=A080.03\" target=\"_blank\">3<sup>rd</sup> Nanjing Triennale, curators: Fumihiko Sumitomo, Jaeyoung Kang,  China\r\n</a>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><em>TEAF (Taehwagang Eco Art Festival) - Dream River, Korea </em>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a class=\"linkbio\" href=\"http://www.bodhiart.in/exhibitions/everywhere_is_war/everywhere_war.html\" target=\"_blank\">Everywhere is War (And Rumours of it), Bodhi Art Gallery, Mumbai</a>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/33\" target=\"_blank\">Fire Walkers, Stefan Stux gallery, New York</a>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a class=\"linkbio\" href=\"http://www.galeriems.com/reenask_one.htm\" target=\"_blank\">Three Points of view, Galerie Mirchandani + Steinrucke, Mumbai</a>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><em>Excavation: Memory / Myth / Membrane</em>, Museum Gallery, Mumbai </td><td><em> </em>\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><em>International Incheon Women Artists’ Biennale</em>, Korea\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><em>Soft Power: Asian Attitude</em>, Shanghai Zendai Museum of Modern Art, Shanghai\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><a class=\"linkbio\" href=\"http://www.kunstaspekte.de/index.php?tid=39629&action=termin\" target=\"_blank\">Urban Manners, curated by Adelina Von Furstenberg, at Hangar Bicocca , Milan</a></td><td>\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><a class=\"linkbio\" href=\"http://www.art-for-the-world.com/wwd/2007/urban_manners/Urban_Manners_pr.pdf\" target=\"_blank\">INDIA NOW: Contemporary Indian Art, Between Continuity and transformation,curated by Daniela Palozzoli at Spazio Oberdan, Milan</a>\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><em>New Narratives: Contemporary Art From India</em>, curated by Betty Seid,Chicago Cultural Centre, Chicago </td><td><em> </em>\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><em>Thermocline Of Art- New Asian Waves</em>, curated by Wonil Rhee and Peter Weibel at ZKM in Karlsruhe, Germany\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td><em>Modern Indian Works On Paper,</em> Arthur Ross Gallery, Philadelphia and the Georgia Museum of Art, USA\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td><em>Lille 3000 (</em>Maximum City-Mumbai), Lille,  France \r\n</td></tr><tr><td valign=\"top\">2006</td><td><em> Hungry God- Indian Contemporary Art</em>, curated by Yun Chaegab and June\r\nGwak, Arario Gallery, Beijing and Busan MoMA\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td><em>India Express – Art and Popular Culture</em>, Art Museum Tennispalace,\r\ncurators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City  Art Museum,\r\nFinland\r\n</td></tr><tr><td valign=\"top\">2005                  </td><td><em>Mom and Pop Art, </em>Walsh Gallery, Chicago\r\n</td></tr><tr><td valign=\"top\">2005                  </td><td><em>Span</em>, Sakshi Gallery, Mumbai\r\n</td></tr><tr><td valign=\"top\">2005                  </td><td><em>Indian Paintings of the New Millenium</em>, curated by Helen Asquine Fazio\r\nat Thomas J. Walsh Art Gallery at Fairfield   University, USA\r\n</td></tr><tr><td valign=\"top\">2004 </td><td><em> Contemporary Art from India</em>, Thomas   Erben Gallery, New York\r\n</td></tr><tr><td valign=\"top\">2004                    </td><td><em>Zoom! Art in Contemporary India.</em> Curators: Nancy Adajania and Luis\r\nSerpa, The Culturgest Museum, Lisbon, Portugal</td><td><em> </em>\r\n</td></tr><tr><td valign=\"top\">2003</td><td><em> Crossing generations: diVERGE</em>, Gallery Chemould’s 40th anniversary,\r\nCurators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of Modern Art, Mumbai\r\n</td></tr><tr><td valign=\"top\">2003</td><td><em> Hard Copy,</em> two-person show with Jitish Kallat, Gallery 88, Calcutta*\r\n</td></tr><tr><td valign=\"top\">2003                  </td><td><em>Tiranga</em>, curator: Peter Nagy, India Habitat Centre, New Delhi</td><td><em> </em>\r\n</td></tr><tr><td valign=\"top\">2003</td><td><em> Elephant Walks</em>, Youth Arts Project in collaboration with Jitish Kallat as part of Indians + Cowboys exhibition, Curators: Aaron Seetu and Ruth Watson Gallery 4A, Sydney\r\n</td></tr><tr><td valign=\"top\">2003                  </td><td><em>The Tree From The Seed, Contemporary Art from India, </em>curator: Gavin Jantjes Henie Onstad Kunstsenter (Oslo), Norway</td><td><em></em>\r\n</td></tr><tr><td valign=\"top\">2002                   </td><td><em>Crosscurrents</em>, organized by Artworks for the fiftieth anniversary celebrations of Jehangir Art  Gallery, Mumbai\r\n</td></tr><tr><td valign=\"top\">2002                        </td><td><em>Reclaim Our Freedom</em>, organized by Open Circle, Pundole Art Gallery, Mumbai\r\n</td></tr><tr><td valign=\"top\">2002                       </td><td><em>Crossing Borders</em>, Gallery Windkracht 13, Den Helder, Holland\r\n</td></tr><tr><td valign=\"top\">2001                        </td><td><em>Big River 2</em>, CCA7 Gallery, Port Of Spain, Trinidad\r\n</td></tr><tr><td valign=\"top\">2001                   </td><td><em>AOM- Art on the move</em>, organized by Sahmat, New Delhi\r\n</td></tr><tr><td valign=\"top\">1999</td><td><em> Edge of the Century,</em> curated by Amit Mukhopadhyay, Academy  of Fine Arts and Literature, New Delhi\r\n</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n<tr><td colspan=\"2\">\r\n<strong><span style=\"color: #888888;\">SELECTED WORKSHOPS AND RESIDENCIES</span></strong>\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><em>Vanishing Point</em>, children’s project at the Celebrate Bandra Festival, Mumbai\r\n</td></tr><tr><td valign=\"top\">2007             </td><td>Collaborative workshop as part of the exhibition <em>Aftershock</em> at the Sainsbury\r\nCentre for Visual Arts, University of East Anglia, Norwich,  UK\r\n</td></tr><tr><td valign=\"top\">2003                       </td><td>Collaborated on a Billboard project with Jitish Kallat, Kala Ghoda Art District, Mumbai\r\n</td></tr><tr><td valign=\"top\">2003                  </td><td><em>Elephant Walks</em>, Youth Arts Project at the Casula Power House Arts Centre, Liverpool, Australia\r\n</td></tr><tr><td valign=\"top\">2002</td><td><em> Khoj </td></tr><tr><td valign=\"top\">2002</em></td><td> International Artists Workshop, Mysore, India\r\n</td></tr><tr><td valign=\"top\">2002</td><td><em> Identity and Landscape</em>, residency in the Laurentian mountains of Quebec at the Boreal Art/Nature Centre, Canada\r\n</td></tr><tr><td valign=\"top\">2001                  </td><td><em>Big River 2</em>, International Artists Workshop organized by CCA7 and the Triangle Arts Trust at Grand Riviere, Trinidad, West Indies\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr>\r\n<tr><td>\r\n<span style=\"color: #888888;\"><strong>TALKS/PRESENTATIONS</strong></span>\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td>Panel discussion with artist Gulam Sheikh, co-chair: Sabine B. Vogel, art critic at the Sammlung Essl Museum, Vienna\r\n</td></tr><tr><td valign=\"top\">2008                    </td><td>Slide presentation followed by a panel discussion with Nalini Malani and Jayshree Chakravarty, moderated by Nancy Adajania at Jnanapravaha, Mumbai\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td>Slide presentation at the School of the Art Institute of Chicago\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td>Panel discussion with Nalini Malani, Sheba Chhachhi, moderated b','Biography','','inherit','open','open','','105-revision-56','','','2010-07-13 12:16:03','2010-07-13 12:16:03','',105,'http://www.biggventures.com/demo/artists/1550/uncat/105-revision-56',0,'revision','',0),(1551,1,'2010-06-16 18:26:44','2010-06-16 18:26:44','<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Walls-of-the-womb.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Walls-of-the-womb.jpg\" alt=\"Walls-of-the-womb\" title=\"Walls-of-the-womb\" width=\"600\" height=\"400\" class=\"alignnone size-full wp-image-375\" /></a>\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<h3 class=\"canvas1\">\r\nWalls of the womb\r\n<span class=\"painting\">2007\r\n<br>Tied-and-dyed silk, brass, bonded marble, handwritten recipe books\r\n594 x 114 cm each\r\n</span></h3>\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThis series, unlike most of my other works, is autobiographical in nature and has perhaps taken me the longest period of time to articulate into communicable form.\r\n\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\">[more info]</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\nThis series, unlike most of my other works, is autobiographical in nature and has perhaps taken me the longest period of time to articulate into communicable form.\r\nMy relationship with my mother, who I lost when I was 8 years of age, has been built around the objects she left behind; those sewn by her, stuffed toys she made me, photo-albums, her personal books, stories narrated to me by other family members, besides my own faint recollections. I’ve spent a good part of my childhood going through my mother’s personal belongings such as her sarees, cosmetics, bags, sometimes bringing them out of closed cupboards to look at, while at other times trying them on myself.  \r\n\r\nI arrived at this work through the frequent contact with my mother’s sarees that have remained stacked inside a cupboard for over 27 years.\r\n\r\nThe work comprises of 12 sarees dyed in shades of red, such that through the process of tie and dye, the un-dyed dotted areas remain white, where the untreated virgin fabric forms a text in Braille. The text laid on these sarees seen in reverse print, are translations of recipes from my mothers hand written recipe books.   \r\n\r\nThe associations with motherhood are carried through the symbolic usage of the saree and the recipes from my mother’s books extend it further by evoking notions of nurturing and nourishing. With my recent role as a mother I find myself having come full circle, inadvertently re-establishing contact with a past I’d tried hard to put behind me.\r\n\r\nThe sarees, while beautiful, remain illegible. The dotted patterns forming the script in braille disallow easy access to the content of the text, much like the relationship with my mother that is built on fragments of inscrutable memory.\r\n\r\n\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\">[hide info]</a>\r\n</div>\r\n\r\n<script language=\'javascript\' type=\'text/javascript\'>\r\nfunction ReverseContentDisplay(d) {\r\nif(d.length < 1) { return; }\r\nif(document.getElementById(d).style.display == \'none\')\r\n{\r\n  document.getElementById(d).style.display = \'block\';\r\n  document.getElementById(\"uniquename1\").style.display = \'none\';\r\n} \r\nelse\r\n{\r\n  document.getElementById(d).style.display = \'none\';\r\n  document.getElementById(\"uniquename1\").style.display = \'block\';\r\n}\r\n}\r\n</script>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n\r\n\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/walls_of_womb_work.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/walls_of_womb_work3.jpg\" alt=\"Making of walls of womb-1\" title=\"Making-1\" width=\"703\"  class=\"aligncenter size-large wp-image-857\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/walls_of_womb_work.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/walls_of_womb_work4.jpg\" alt=\"Making of walls of womb-1\" title=\"Making-1\" width=\"703\"  class=\"aligncenter size-large wp-image-857\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/walls_of_womb_work.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/walls_of_womb_work5.jpg\" alt=\"Making of walls of womb-1\" title=\"Making-1\" width=\"703\"  class=\"aligncenter size-large wp-image-857\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Walls-of-the-womb-detail.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Walls-of-the-womb-detail-703x1024.jpg\" alt=\"Walls-of-the-womb-detail\" title=\"Walls-of-the-womb-detail\" width=\"703\" height=\"1024\" class=\"alignnone size-large wp-image-374\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/walls_of_womb_work.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/walls_of_womb_work.jpg\" alt=\"Making of walls of womb-1\" title=\"Making-1\" width=\"703\" height=\"1600\" class=\"aligncenter size-large wp-image-857\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table><ins datetime=\"2010-06-16T18:26:32+00:00\">','','','inherit','open','open','','373-revision-25','','','2010-06-16 18:26:44','2010-06-16 18:26:44','',373,'http://www.biggventures.com/demo/artists/1551/uncat/373-revision-25',0,'revision','',0),(1554,1,'2010-07-22 16:40:45','2010-07-22 16:40:45','Reena Saini Kallat (b. Delhi 1973) graduated from the Sir J. J. School of Art, Mumbai in 1996 with a B. F. A. in painting. Her practice - spanning painting, photography, video and sculptural installations - frequently deals with the condition of an individual in a rapidly changing society, ever susceptible to being reduced to an anonymous and forgotten statistic. Kallat is interested in constructing images that seem to change and transform by the possibilities they carry for the generation of meaning through a calibrated interplay of image and form.\r\n\r\nOver the last decade her work has been part of many important exhibitions, across the world. She has had ten solo exhibitions in India and abroad, collectively, and participated in a number of workshops and residencies. She lives and works in Mumbai.\r\n\r\n<strong><span style=\"color: #888888;\">SOLO EXHIBITIONS</span></strong>\r\n<table>\r\n<tr><td valign=\"top\">2009                  </td><td><a class=\"linkbio\" href=\"http://www.primomarellagallery.com/it/catalogue/scheda.asp?id=568&view=past\" target=\"_blank\">Drift, Primo Marella Gallery, Milan</a>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2008/reena_bio.html\" target=\"_blank\"> Silt of Seasons, Chemould   Prescott Road, Mumbai</a>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a class=\"linkbio\" href=\"http://www.walshgallery.com/reena-kallat-exhibition-2008/\" target=\"_blank\">Subject to Change without Notice, Walsh Gallery, Chicago\r\n</a>\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td><em>Rainbow Of Refuse, </em>Bodhi Art Gallery, Mumbai and Singapore </td><td><em> </em>\r\n\r\n</td></tr><tr><td valign=\"top\">2005                  </td><td><a class=\"linkbio\" href=\"http://www.naturemorte.com/artists/reena-saini-kallat/selected-works/\" target=\"_blank\">Black Flute (And Other Stories), Nature Morte, New Delhi</a>\r\n</td></tr><tr><td valign=\"top\">2004                  </td><td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2004/reena_saini_kallat_note.html\" target=\"_blank\">Black Flute</em>, Gallery Chemould, Mumbai</a>\r\n</td></tr><tr><td valign=\"top\">2002                  </td><td><em>The Battlefield Is The Mind</em>, Sakshi Gallery, Bangalore\r\n</td></tr><tr><td valign=\"top\">2002                  </td><td><em>Seven Faces of Dust</em>, Chicago Radio, Mumbai\r\n</td></tr><tr><td valign=\"top\">2000                  </td><td><em>Skin</em>, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi\r\n</td></tr><tr><td valign=\"top\">1998                  </td><td><em>Orchard of Home-grown Secrets</em>, Gallery Chemould and Pundole  Art <em>Gallery, Mumbai</em>\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr>\r\n\r\n<tr><td colspan=\"2\">\r\n<span style=\"color: #888888;\"><strong>SELECTED GROUP EXHIBITIONS</strong></span>\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr>\r\n\r\n<tr><td valign=\"top\">2010                  </td><td><a class=\"linkbio\" href=\"http://www.richmondartgallery.org/in-transition.php\" target=\"_blank\">In Transition: New Art from India, Richmond Art Gallery Vancouver Biennale, Vancouver</a>\r\n</td></tr><tr><td valign=\"top\">2010                  </td><td><a class=\"linkbio\" href=\"http://websterhuntgallery.blogspot.com/2010_02_01_archive.html\" target=\"_blank\">Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster University, curated by Jeffrey Hughes and Dana Turkovic, Cecile R. Hunt Gallery,St.Louis,Missouri</a>\r\n</td></tr><tr><td valign=\"top\">2010                  </td><td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/51\" target=\"_blank\">Never Run Away, 2 person exhibition curated by Shaheen Merali,Stux   Gallery,  New York</a>\r\n</td></tr><tr><td valign=\"top\">2010                  </td><td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/artists/reena_kallat.htm?section_name=new_india\" target=\"_blank\">The Empire Strikes Back, Saatchi Gallery, London</a>\r\n</td></tr><tr><td valign=\"top\">2010 </td><td><a class=\"linkbio\" href=\"http://art-for-the-world.blogspot.com/2010/01/some-installation-views-of-urban.html\" target=\"_blank\">Urban Manners 2, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao Paulo, Brazil</a>\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><a class=\"linkbio\" href=\"http://www.asianartbiennial.org/2009/en/index_en.html\" target=\"_blank\">View Points and Viewing points - 2009 Asian Art Biennale, National Taiwan Museum of Fine Arts \r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><em>Spectrum: Indian Art at Abu   Dhabi, United   Arab Emirates</em>\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><em>Milan Galleria</em>, curated by Georgio Verzotti, Triennale Museum, Milan\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><a class=\"linkbio\" href=\"http://www.initialaccess.co.uk/exhibition_moreinfo.php?id=11\" target=\"_blank\">Passage to India Part II show at Initial Access, Frank Cohen Collection, Wolverhampton, UK</a>\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td>Ventosul Biennale, Curitiba, Brazil\r\n</td></tr><tr><td valign=\"top\">2009     </td><td><a class=\"linkbio\" href=\"http://www.mori.art.museum/english/contents/india/index.html\" target=\"_blank\"> Chalo! India: A New Era of Indian Art, National  Museum of Contemporary Art, Korea and Essl Museum, Vienna</a>\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><a class=\"linkbio\" href=\"http://www.mocashanghai.org/index.php?_function=exhibition&_subFunction=pastExhibition&exhibition_id=40&_view=detail\" target=\"_blank\">INDIA XIANZAI: Contemporary Indian Art, Museum of Contemporary Art, Shanghai</a>\r\n</td></tr><tr><td valign=\"top\">2009                   </td><td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/42/622\" target=\"_blank\">Low Blow: And Other Species of Confusion, Stux gallery, New York</a>\r\n</td></tr><tr><td valign=\"top\">2009</td><td><em> Indian Narratives in the 21<sup>st</sup> Century: Between Memory and History</em>,Casa  Asia, Madrid and Barcelona, Spain\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><a class=\"linkbio\" href=\"http://www.walshgallery.com/body-chatter-an-exhibition-of-contemporary-indian-art-2008/\" target=\"_blank\">Body Chatter, Walsh Gallery, Chicago</a>\r\n</td></tr><tr><td valign=\"top\">2008     </td><td><a class=\"linkbio\" href=\"http://www.mori.art.museum/contents/press/india_20081121_e.pdf\" target=\"_blank\">Chalo! India: A New Era of Indian Art, Mori Art   Museum, Japan</a>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a class=\"linkbio\" href=\"http://www.indiamoderna.es/eng/index.html\" target=\"_blank\">India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM Museum, Valencia, Spain </a></td><td>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a class=\"linkbio\" href=\"http://www.aaa.org.hk/onlineprojects/bitri/en/gallery.aspx?eid=A080.03\" target=\"_blank\">3<sup>rd</sup> Nanjing Triennale, curators: Fumihiko Sumitomo, Jaeyoung Kang,  China\r\n</a>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><em>TEAF (Taehwagang Eco Art Festival) - Dream River, Korea </em>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a class=\"linkbio\" href=\"http://www.bodhiart.in/exhibitions/everywhere_is_war/everywhere_war.html\" target=\"_blank\">Everywhere is War (And Rumours of it), Bodhi Art Gallery, Mumbai</a>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/33\" target=\"_blank\">Fire Walkers, Stefan Stux gallery, New York</a>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a class=\"linkbio\" href=\"http://www.galeriems.com/reenask_one.htm\" target=\"_blank\">Three Points of view, Galerie Mirchandani + Steinrucke, Mumbai</a>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><em>Excavation: Memory / Myth / Membrane</em>, Museum Gallery, Mumbai </td><td><em> </em>\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><em>International Incheon Women Artists’ Biennale</em>, Korea\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><em>Soft Power: Asian Attitude</em>, Shanghai Zendai Museum of Modern Art, Shanghai\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><a class=\"linkbio\" href=\"http://www.kunstaspekte.de/index.php?tid=39629&action=termin\" target=\"_blank\">Urban Manners, curated by Adelina Von Furstenberg, at Hangar Bicocca , Milan</a></td><td>\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><a class=\"linkbio\" href=\"http://www.art-for-the-world.com/wwd/2007/urban_manners/Urban_Manners_pr.pdf\" target=\"_blank\">INDIA NOW: Contemporary Indian Art, Between Continuity and transformation,curated by Daniela Palozzoli at Spazio Oberdan, Milan</a>\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><em>New Narratives: Contemporary Art From India</em>, curated by Betty Seid,Chicago Cultural Centre, Chicago </td><td><em> </em>\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><em>Thermocline Of Art- New Asian Waves</em>, curated by Wonil Rhee and Peter Weibel at ZKM in Karlsruhe, Germany\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td><em>Modern Indian Works On Paper,</em> Arthur Ross Gallery, Philadelphia and the Georgia Museum of Art, USA\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td><em>Lille 3000 (</em>Maximum City-Mumbai), Lille,  France \r\n</td></tr><tr><td valign=\"top\">2006</td><td>Hungry God- Indian Contemporary Art, curated by Yun Chaegab and June Gwak, Arario Gallery, Beijing and Busan MoMA\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td><em>India Express – Art and Popular Culture</em>, Art Museum Tennispalace, curators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City  Art Museum, Finland\r\n</td></tr><tr><td valign=\"top\">2005                  </td><td><em>Mom and Pop Art, </em>Walsh Gallery, Chicago\r\n</td></tr><tr><td valign=\"top\">2005                  </td><td><em>Span</em>, Sakshi Gallery, Mumbai\r\n</td></tr><tr><td valign=\"top\">2005                  </td><td>>Indian Paintings of the New Millenium, curated by Helen Asquine Fazio at Thomas J. Walsh Art Gallery at Fairfield  University, USA\r\n</td></tr><tr><td valign=\"top\">2004 </td><td><em> Contemporary Art from India</em>, Thomas   Erben Gallery, New York\r\n</td></tr><tr><td valign=\"top\">2004                    </td><td>Zoom! Art in Contemporary India. Curators: Nancy Adajania and Luis Serpa, The Culturgest Museum, Lisbon, Portugal</td><td>\r\n</td></tr><tr><td valign=\"top\">2003</td><td> Crossing generations: diVERGE, Gallery Chemould’s 40th anniversary,Curators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of Modern Art, Mumbai\r\n</td></tr><tr><td valign=\"top\">2003</td><td><em> Hard Copy,</em> two-person show with Jitish Kallat, Gallery 88, Calcutta\r\n</td></tr><tr><td valign=\"top\">2003                  </td><td><em>Tiranga</em>, curator: Peter Nagy, India Habitat Centre, New Delhi</td><td><em> </em>\r\n</td></tr><tr><td valign=\"top\">2003</td><td><em> Elephant Walks</em>, Youth Arts Project in collaboration with Jitish Kallat as part of Indians + Cowboys exhibition, Curators: Aaron Seetu and Ruth Watson Gallery 4A, Sydney\r\n</td></tr><tr><td valign=\"top\">2003                  </td><td><em>The Tree From The Seed, Contemporary Art from India, </em>curator: Gavin Jantjes Henie Onstad Kunstsenter (Oslo), Norway</td><td><em></em>\r\n</td></tr><tr><td valign=\"top\">2002                   </td><td><em>Crosscurrents</em>, organized by Artworks for the fiftieth anniversary celebrations of Jehangir Art  Gallery, Mumbai\r\n</td></tr><tr><td valign=\"top\">2002                        </td><td><em>Reclaim Our Freedom</em>, organized by Open Circle, Pundole Art Gallery, Mumbai\r\n</td></tr><tr><td valign=\"top\">2002                       </td><td><em>Crossing Borders</em>, Gallery Windkracht 13, Den Helder, Holland\r\n</td></tr><tr><td valign=\"top\">2001                        </td><td><em>Big River 2</em>, CCA7 Gallery, Port Of Spain, Trinidad\r\n</td></tr><tr><td valign=\"top\">2001                   </td><td><em>AOM- Art on the move</em>, organized by Sahmat, New Delhi\r\n</td></tr><tr><td valign=\"top\">1999</td><td><em> Edge of the Century,</em> curated by Amit Mukhopadhyay, Academy  of Fine Arts and Literature, New Delhi\r\n</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n<tr><td colspan=\"2\">\r\n<strong><span style=\"color: #888888;\">SELECTED WORKSHOPS AND RESIDENCIES</span></strong>\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><em>Vanishing Point</em>, children’s project at the Celebrate Bandra Festival, Mumbai\r\n</td></tr><tr><td valign=\"top\">2007             </td><td>Collaborative workshop as part of the exhibition Aftershock at the Sainsbury Centre for Visual Arts, University of East Anglia, Norwich,  UK\r\n</td></tr><tr><td valign=\"top\">2003                       </td><td>Collaborated on a Billboard project with Jitish Kallat, Kala Ghoda Art District, Mumbai\r\n</td></tr><tr><td valign=\"top\">2003                  </td><td><em>Elephant Walks</em>, Youth Arts Project at the Casula Power House Arts Centre, Liverpool, Australia\r\n</td></tr><tr><td valign=\"top\">2002</td><td> Khoj 2002 International Artists Workshop, Mysore, India\r\n</td></tr><tr><td valign=\"top\">2002</td><td><em> Identity and Landscape</em>, residency in the Laurentian mountains of Quebec at the Boreal Art/Nature Centre, Canada\r\n</td></tr><tr><td valign=\"top\">2001                  </td><td><em>Big River 2</em>, International Artists Workshop organized by CCA7 and the Triangle Arts Trust at Grand Riviere, Trinidad, West Indies\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr>\r\n<tr><td>\r\n<span style=\"color: #888888;\"><strong>TALKS/PRESENTATIONS</strong></span>\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td>Panel discussion with artist Gulam Sheikh, co-chair: Sabine B. Vogel, art critic at the Sammlung Essl Museum, Vienna\r\n</td></tr><tr><td valign=\"top\">2008                    </td><td>Slide presentation followed by a panel discussion with Nalini Malani and Jayshree Chakravarty, moderated by Nancy Adajania at Jnanapravaha, Mumbai\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td>Slide presentation at the School of the Art Institute of Chicago\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td>Panel discussion with Nalini Malani, Sheba Chhachhi, moderated b','Biography','','inherit','open','open','','105-revision-59','','','2010-07-22 16:40:45','2010-07-22 16:40:45','',105,'http://www.biggventures.com/demo/artists/1554/uncat/105-revision-59',0,'revision','',0),(1555,1,'2010-07-22 16:42:40','2010-07-22 16:42:40','Reena Saini Kallat (b. Delhi 1973) graduated from the Sir J. J. School of Art, Mumbai in 1996 with a B. F. A. in painting. Her practice - spanning painting, photography, video and sculptural installations - frequently deals with the condition of an individual in a rapidly changing society, ever susceptible to being reduced to an anonymous and forgotten statistic. Kallat is interested in constructing images that seem to change and transform by the possibilities they carry for the generation of meaning through a calibrated interplay of image and form.\r\n\r\nOver the last decade her work has been part of many important exhibitions, across the world. She has had ten solo exhibitions in India and abroad, collectively, and participated in a number of workshops and residencies. She lives and works in Mumbai.\r\n\r\n<strong><span style=\"color: #888888;\">SOLO EXHIBITIONS</span></strong>\r\n<table>\r\n<tr><td valign=\"top\">2009                  </td><td><a class=\"linkbio\" href=\"http://www.primomarellagallery.com/it/catalogue/scheda.asp?id=568&view=past\" target=\"_blank\">Drift, Primo Marella Gallery, Milan</a>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2008/reena_bio.html\" target=\"_blank\"> Silt of Seasons, Chemould   Prescott Road, Mumbai</a>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a class=\"linkbio\" href=\"http://www.walshgallery.com/reena-kallat-exhibition-2008/\" target=\"_blank\">Subject to Change without Notice, Walsh Gallery, Chicago\r\n</a>\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td><em>Rainbow Of Refuse, </em>Bodhi Art Gallery, Mumbai and Singapore </td><td><em> </em>\r\n\r\n</td></tr><tr><td valign=\"top\">2005                  </td><td><a class=\"linkbio\" href=\"http://www.naturemorte.com/artists/reena-saini-kallat/selected-works/\" target=\"_blank\">Black Flute (And Other Stories), Nature Morte, New Delhi</a>\r\n</td></tr><tr><td valign=\"top\">2004                  </td><td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2004/reena_saini_kallat_note.html\" target=\"_blank\">Black Flute</em>, Gallery Chemould, Mumbai</a>\r\n</td></tr><tr><td valign=\"top\">2002                  </td><td><em>The Battlefield Is The Mind</em>, Sakshi Gallery, Bangalore\r\n</td></tr><tr><td valign=\"top\">2002                  </td><td><em>Seven Faces of Dust</em>, Chicago Radio, Mumbai\r\n</td></tr><tr><td valign=\"top\">2000                  </td><td><em>Skin</em>, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi\r\n</td></tr><tr><td valign=\"top\">1998                  </td><td><em>Orchard of Home-grown Secrets</em>, Gallery Chemould and Pundole  Art <em>Gallery, Mumbai</em>\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr>\r\n\r\n<tr><td colspan=\"2\">\r\n<span style=\"color: #888888;\"><strong>SELECTED GROUP EXHIBITIONS</strong></span>\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr>\r\n\r\n<tr><td valign=\"top\">2010                  </td><td><a class=\"linkbio\" href=\"http://www.richmondartgallery.org/in-transition.php\" target=\"_blank\">In Transition: New Art from India, Richmond Art Gallery Vancouver Biennale, Vancouver</a>\r\n</td></tr><tr><td valign=\"top\">2010                  </td><td><a class=\"linkbio\" href=\"http://websterhuntgallery.blogspot.com/2010_02_01_archive.html\" target=\"_blank\">Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster University, curated by Jeffrey Hughes and Dana Turkovic, Cecile R. Hunt Gallery,St.Louis,Missouri</a>\r\n</td></tr><tr><td valign=\"top\">2010                  </td><td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/51\" target=\"_blank\">Never Run Away, 2 person exhibition curated by Shaheen Merali,Stux   Gallery,  New York</a>\r\n</td></tr><tr><td valign=\"top\">2010                  </td><td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/artists/reena_kallat.htm?section_name=new_india\" target=\"_blank\">The Empire Strikes Back, Saatchi Gallery, London</a>\r\n</td></tr><tr><td valign=\"top\">2010 </td><td><a class=\"linkbio\" href=\"http://art-for-the-world.blogspot.com/2010/01/some-installation-views-of-urban.html\" target=\"_blank\">Urban Manners 2, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao Paulo, Brazil</a>\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><a class=\"linkbio\" href=\"http://www.asianartbiennial.org/2009/en/index_en.html\" target=\"_blank\">View Points and Viewing points - 2009 Asian Art Biennale, National Taiwan Museum of Fine Arts \r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><em>Spectrum: Indian Art at Abu   Dhabi, United   Arab Emirates</em>\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><em>Milan Galleria</em>, curated by Georgio Verzotti, Triennale Museum, Milan\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><a class=\"linkbio\" href=\"http://www.initialaccess.co.uk/exhibition_moreinfo.php?id=11\" target=\"_blank\">Passage to India Part II show at Initial Access, Frank Cohen Collection, Wolverhampton, UK</a>\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td>Ventosul Biennale, Curitiba, Brazil\r\n</td></tr><tr><td valign=\"top\">2009     </td><td><a class=\"linkbio\" href=\"http://www.mori.art.museum/english/contents/india/index.html\" target=\"_blank\"> Chalo! India: A New Era of Indian Art, National  Museum of Contemporary Art, Korea and Essl Museum, Vienna</a>\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><a class=\"linkbio\" href=\"http://www.mocashanghai.org/index.php?_function=exhibition&_subFunction=pastExhibition&exhibition_id=40&_view=detail\" target=\"_blank\">INDIA XIANZAI: Contemporary Indian Art, Museum of Contemporary Art, Shanghai</a>\r\n</td></tr><tr><td valign=\"top\">2009                   </td><td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/42/622\" target=\"_blank\">Low Blow: And Other Species of Confusion, Stux gallery, New York</a>\r\n</td></tr><tr><td valign=\"top\">2009</td><td><em> Indian Narratives in the 21<sup>st</sup> Century: Between Memory and History</em>,Casa  Asia, Madrid and Barcelona, Spain\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><a class=\"linkbio\" href=\"http://www.walshgallery.com/body-chatter-an-exhibition-of-contemporary-indian-art-2008/\" target=\"_blank\">Body Chatter, Walsh Gallery, Chicago</a>\r\n</td></tr><tr><td valign=\"top\">2008     </td><td><a class=\"linkbio\" href=\"http://www.mori.art.museum/contents/press/india_20081121_e.pdf\" target=\"_blank\">Chalo! India: A New Era of Indian Art, Mori Art   Museum, Japan</a>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a class=\"linkbio\" href=\"http://www.indiamoderna.es/eng/index.html\" target=\"_blank\">India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM Museum, Valencia, Spain </a></td><td>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a class=\"linkbio\" href=\"http://www.aaa.org.hk/onlineprojects/bitri/en/gallery.aspx?eid=A080.03\" target=\"_blank\">3<sup>rd</sup> Nanjing Triennale, curators: Fumihiko Sumitomo, Jaeyoung Kang,  China\r\n</a>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><em>TEAF (Taehwagang Eco Art Festival) - Dream River, Korea </em>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a class=\"linkbio\" href=\"http://www.bodhiart.in/exhibitions/everywhere_is_war/everywhere_war.html\" target=\"_blank\">Everywhere is War (And Rumours of it), Bodhi Art Gallery, Mumbai</a>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/33\" target=\"_blank\">Fire Walkers, Stefan Stux gallery, New York</a>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a class=\"linkbio\" href=\"http://www.galeriems.com/reenask_one.htm\" target=\"_blank\">Three Points of view, Galerie Mirchandani + Steinrucke, Mumbai</a>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><em>Excavation: Memory / Myth / Membrane</em>, Museum Gallery, Mumbai </td><td><em> </em>\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><em>International Incheon Women Artists’ Biennale</em>, Korea\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><em>Soft Power: Asian Attitude</em>, Shanghai Zendai Museum of Modern Art, Shanghai\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><a class=\"linkbio\" href=\"http://www.kunstaspekte.de/index.php?tid=39629&action=termin\" target=\"_blank\">Urban Manners, curated by Adelina Von Furstenberg, at Hangar Bicocca , Milan</a></td><td>\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><a class=\"linkbio\" href=\"http://www.art-for-the-world.com/wwd/2007/urban_manners/Urban_Manners_pr.pdf\" target=\"_blank\">INDIA NOW: Contemporary Indian Art, Between Continuity and transformation,curated by Daniela Palozzoli at Spazio Oberdan, Milan</a>\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><em>New Narratives: Contemporary Art From India</em>, curated by Betty Seid,Chicago Cultural Centre, Chicago </td><td><em> </em>\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><em>Thermocline Of Art- New Asian Waves</em>, curated by Wonil Rhee and Peter Weibel at ZKM in Karlsruhe, Germany\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td><em>Modern Indian Works On Paper,</em> Arthur Ross Gallery, Philadelphia and the Georgia Museum of Art, USA\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td><em>Lille 3000 (</em>Maximum City-Mumbai), Lille,  France \r\n</td></tr><tr><td valign=\"top\">2006</td><td>Hungry God- Indian Contemporary Art, curated by Yun Chaegab and June Gwak, Arario Gallery, Beijing and Busan MoMA\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td><em>India Express – Art and Popular Culture</em>, Art Museum Tennispalace, curators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City  Art Museum, Finland\r\n</td></tr><tr><td valign=\"top\">2005                  </td><td><em>Mom and Pop Art, </em>Walsh Gallery, Chicago\r\n</td></tr><tr><td valign=\"top\">2005                  </td><td><em>Span</em>, Sakshi Gallery, Mumbai\r\n</td></tr><tr><td valign=\"top\">2005                  </td><td>Indian Paintings of the New Millenium, curated by Helen Asquine Fazio at Thomas J. Walsh Art Gallery at Fairfield  University, USA\r\n</td></tr><tr><td valign=\"top\">2004 </td><td><em> Contemporary Art from India</em>, Thomas   Erben Gallery, New York\r\n</td></tr><tr><td valign=\"top\">2004                    </td><td>Zoom! Art in Contemporary India. Curators: Nancy Adajania and Luis Serpa, The Culturgest Museum, Lisbon, Portugal</td><td>\r\n</td></tr><tr><td valign=\"top\">2003</td><td> Crossing generations: diVERGE, Gallery Chemould’s 40th anniversary,Curators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of Modern Art, Mumbai\r\n</td></tr><tr><td valign=\"top\">2003</td><td><em> Hard Copy,</em> two-person show with Jitish Kallat, Gallery 88, Calcutta\r\n</td></tr><tr><td valign=\"top\">2003                  </td><td><em>Tiranga</em>, curator: Peter Nagy, India Habitat Centre, New Delhi</td><td><em> </em>\r\n</td></tr><tr><td valign=\"top\">2003</td><td><em> Elephant Walks</em>, Youth Arts Project in collaboration with Jitish Kallat as part of Indians + Cowboys exhibition, Curators: Aaron Seetu and Ruth Watson Gallery 4A, Sydney\r\n</td></tr><tr><td valign=\"top\">2003                  </td><td><em>The Tree From The Seed, Contemporary Art from India, </em>curator: Gavin Jantjes Henie Onstad Kunstsenter (Oslo), Norway</td><td><em></em>\r\n</td></tr><tr><td valign=\"top\">2002                   </td><td><em>Crosscurrents</em>, organized by Artworks for the fiftieth anniversary celebrations of Jehangir Art  Gallery, Mumbai\r\n</td></tr><tr><td valign=\"top\">2002                        </td><td><em>Reclaim Our Freedom</em>, organized by Open Circle, Pundole Art Gallery, Mumbai\r\n</td></tr><tr><td valign=\"top\">2002                       </td><td><em>Crossing Borders</em>, Gallery Windkracht 13, Den Helder, Holland\r\n</td></tr><tr><td valign=\"top\">2001                        </td><td><em>Big River 2</em>, CCA7 Gallery, Port Of Spain, Trinidad\r\n</td></tr><tr><td valign=\"top\">2001                   </td><td><em>AOM- Art on the move</em>, organized by Sahmat, New Delhi\r\n</td></tr><tr><td valign=\"top\">1999</td><td><em> Edge of the Century,</em> curated by Amit Mukhopadhyay, Academy  of Fine Arts and Literature, New Delhi\r\n</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n<tr><td colspan=\"2\">\r\n<strong><span style=\"color: #888888;\">SELECTED WORKSHOPS AND RESIDENCIES</span></strong>\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><em>Vanishing Point</em>, children’s project at the Celebrate Bandra Festival, Mumbai\r\n</td></tr><tr><td valign=\"top\">2007             </td><td>Collaborative workshop as part of the exhibition Aftershock at the Sainsbury Centre for Visual Arts, University of East Anglia, Norwich,  UK\r\n</td></tr><tr><td valign=\"top\">2003                       </td><td>Collaborated on a Billboard project with Jitish Kallat, Kala Ghoda Art District, Mumbai\r\n</td></tr><tr><td valign=\"top\">2003                  </td><td><em>Elephant Walks</em>, Youth Arts Project at the Casula Power House Arts Centre, Liverpool, Australia\r\n</td></tr><tr><td valign=\"top\">2002</td><td> Khoj 2002 International Artists Workshop, Mysore, India\r\n</td></tr><tr><td valign=\"top\">2002</td><td><em> Identity and Landscape</em>, residency in the Laurentian mountains of Quebec at the Boreal Art/Nature Centre, Canada\r\n</td></tr><tr><td valign=\"top\">2001                  </td><td><em>Big River 2</em>, International Artists Workshop organized by CCA7 and the Triangle Arts Trust at Grand Riviere, Trinidad, West Indies\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr>\r\n<tr><td>\r\n<span style=\"color: #888888;\"><strong>TALKS/PRESENTATIONS</strong></span>\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td>Panel discussion with artist Gulam Sheikh, co-chair: Sabine B. Vogel, art critic at the Sammlung Essl Museum, Vienna\r\n</td></tr><tr><td valign=\"top\">2008                    </td><td>Slide presentation followed by a panel discussion with Nalini Malani and Jayshree Chakravarty, moderated by Nancy Adajania at Jnanapravaha, Mumbai\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td>Slide presentation at the School of the Art Institute of Chicago\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td>Panel discussion with Nalini Malani, Sheba Chhachhi, moderated b','Biography','','inherit','open','open','','105-revision-60','','','2010-07-22 16:42:40','2010-07-22 16:42:40','',105,'http://www.biggventures.com/demo/artists/1555/uncat/105-revision-60',0,'revision','',0),(1556,1,'2010-07-22 16:50:23','2010-07-22 16:50:23','Reena Saini Kallat (b. Delhi 1973) graduated from the Sir J. J. School of Art, Mumbai in 1996 with a B. F. A. in painting. Her practice - spanning painting, photography, video and sculptural installations - frequently deals with the condition of an individual in a rapidly changing society, ever susceptible to being reduced to an anonymous and forgotten statistic. Kallat is interested in constructing images that seem to change and transform by the possibilities they carry for the generation of meaning through a calibrated interplay of image and form.\r\n\r\nOver the last decade her work has been part of many important exhibitions, across the world. She has had ten solo exhibitions in India and abroad, collectively, and participated in a number of workshops and residencies. She lives and works in Mumbai.\r\n\r\n<strong><span style=\"color: #888888;\">SOLO EXHIBITIONS</span></strong>\r\n<table>\r\n<tr><td valign=\"top\">2009                  </td><td><a class=\"linkbio\" href=\"http://www.primomarellagallery.com/it/catalogue/scheda.asp?id=568&view=past\" target=\"_blank\">Drift, Primo Marella Gallery, Milan</a>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2008/reena_bio.html\" target=\"_blank\"> Silt of Seasons, Chemould   Prescott Road, Mumbai</a>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a class=\"linkbio\" href=\"http://www.walshgallery.com/reena-kallat-exhibition-2008/\" target=\"_blank\">Subject to Change without Notice, Walsh Gallery, Chicago\r\n</a>\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td><em>Rainbow Of Refuse, </em>Bodhi Art Gallery, Mumbai and Singapore </td><td><em> </em>\r\n\r\n</td></tr><tr><td valign=\"top\">2005                  </td><td><a class=\"linkbio\" href=\"http://www.naturemorte.com/artists/reena-saini-kallat/selected-works/\" target=\"_blank\">Black Flute (And Other Stories), Nature Morte, New Delhi</a>\r\n</td></tr><tr><td valign=\"top\">2004                  </td><td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2004/reena_saini_kallat_note.html\" target=\"_blank\">Black Flute</em>, Gallery Chemould, Mumbai</a>\r\n</td></tr><tr><td valign=\"top\">2002                  </td><td><em>The Battlefield Is The Mind</em>, Sakshi Gallery, Bangalore\r\n</td></tr><tr><td valign=\"top\">2002                  </td><td><em>Seven Faces of Dust</em>, Chicago Radio, Mumbai\r\n</td></tr><tr><td valign=\"top\">2000                  </td><td><em>Skin</em>, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi\r\n</td></tr><tr><td valign=\"top\">1998                  </td><td><em>Orchard of Home-grown Secrets</em>, Gallery Chemould and Pundole  Art <em>Gallery, Mumbai</em>\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr>\r\n\r\n<tr><td colspan=\"2\">\r\n<span style=\"color: #888888;\"><strong>SELECTED GROUP EXHIBITIONS</strong></span>\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr>\r\n\r\n<tr><td valign=\"top\">2010                  </td><td><a class=\"linkbio\" href=\"http://www.richmondartgallery.org/in-transition.php\" target=\"_blank\">In Transition: New Art from India, Richmond Art Gallery Vancouver Biennale, Vancouver</a>\r\n</td></tr><tr><td valign=\"top\">2010                  </td><td><a class=\"linkbio\" href=\"http://websterhuntgallery.blogspot.com/2010_02_01_archive.html\" target=\"_blank\">Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster University, curated by Jeffrey Hughes and Dana Turkovic, Cecile R. Hunt Gallery,St.Louis,Missouri</a>\r\n</td></tr><tr><td valign=\"top\">2010                  </td><td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/51\" target=\"_blank\">Never Run Away, 2 person exhibition curated by Shaheen Merali,Stux   Gallery,  New York</a>\r\n</td></tr><tr><td valign=\"top\">2010                  </td><td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/artists/reena_kallat.htm?section_name=new_india\" target=\"_blank\">The Empire Strikes Back, Saatchi Gallery, London</a>\r\n</td></tr><tr><td valign=\"top\">2010 </td><td><a class=\"linkbio\" href=\"http://art-for-the-world.blogspot.com/2010/01/some-installation-views-of-urban.html\" target=\"_blank\">Urban Manners 2, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao Paulo, Brazil</a>\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><a class=\"linkbio\" href=\"http://www.asianartbiennial.org/2009/en/index_en.html\" target=\"_blank\">View Points and Viewing points - 2009 Asian Art Biennale, National Taiwan Museum of Fine Arts \r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><em>Spectrum: Indian Art at Abu   Dhabi, United   Arab Emirates</em>\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><em>Milan Galleria</em>, curated by Georgio Verzotti, Triennale Museum, Milan\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><a class=\"linkbio\" href=\"http://www.initialaccess.co.uk/exhibition_moreinfo.php?id=11\" target=\"_blank\">Passage to India Part II show at Initial Access, Frank Cohen Collection, Wolverhampton, UK</a>\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td>Ventosul Biennale, Curitiba, Brazil\r\n</td></tr><tr><td valign=\"top\">2009     </td><td><a class=\"linkbio\" href=\"http://www.mori.art.museum/english/contents/india/index.html\" target=\"_blank\"> Chalo! India: A New Era of Indian Art, National  Museum of Contemporary Art, Korea and Essl Museum, Vienna</a>\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><a class=\"linkbio\" href=\"http://www.mocashanghai.org/index.php?_function=exhibition&_subFunction=pastExhibition&exhibition_id=40&_view=detail\" target=\"_blank\">INDIA XIANZAI: Contemporary Indian Art, Museum of Contemporary Art, Shanghai</a>\r\n</td></tr><tr><td valign=\"top\">2009                   </td><td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/42/622\" target=\"_blank\">Low Blow: And Other Species of Confusion, Stux gallery, New York</a>\r\n</td></tr><tr><td valign=\"top\">2009</td><td><em> Indian Narratives in the 21<sup>st</sup> Century: Between Memory and History</em>,Casa  Asia, Madrid and Barcelona, Spain\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><a class=\"linkbio\" href=\"http://www.walshgallery.com/body-chatter-an-exhibition-of-contemporary-indian-art-2008/\" target=\"_blank\">Body Chatter, Walsh Gallery, Chicago</a>\r\n</td></tr><tr><td valign=\"top\">2008     </td><td><a class=\"linkbio\" href=\"http://www.mori.art.museum/contents/press/india_20081121_e.pdf\" target=\"_blank\">Chalo! India: A New Era of Indian Art, Mori Art   Museum, Japan</a>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a class=\"linkbio\" href=\"http://www.indiamoderna.es/eng/index.html\" target=\"_blank\">India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM Museum, Valencia, Spain </a></td><td>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a class=\"linkbio\" href=\"http://www.aaa.org.hk/onlineprojects/bitri/en/gallery.aspx?eid=A080.03\" target=\"_blank\">3<sup>rd</sup> Nanjing Triennale, curators: Fumihiko Sumitomo, Jaeyoung Kang,  China\r\n</a>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><em>TEAF (Taehwagang Eco Art Festival) - Dream River, Korea </em>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a class=\"linkbio\" href=\"http://www.bodhiart.in/exhibitions/everywhere_is_war/everywhere_war.html\" target=\"_blank\">Everywhere is War (And Rumours of it), Bodhi Art Gallery, Mumbai</a>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/33\" target=\"_blank\">Fire Walkers, Stefan Stux gallery, New York</a>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a class=\"linkbio\" href=\"http://www.galeriems.com/reenask_one.htm\" target=\"_blank\">Three Points of view, Galerie Mirchandani + Steinrucke, Mumbai</a>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><em>Excavation: Memory / Myth / Membrane</em>, Museum Gallery, Mumbai </td><td><em> </em>\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><em>International Incheon Women Artists’ Biennale</em>, Korea\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><em>Soft Power: Asian Attitude</em>, Shanghai Zendai Museum of Modern Art, Shanghai\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><a class=\"linkbio\" href=\"http://www.kunstaspekte.de/index.php?tid=39629&action=termin\" target=\"_blank\">Urban Manners, curated by Adelina Von Furstenberg, at Hangar Bicocca , Milan</a></td><td>\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><a class=\"linkbio\" href=\"http://www.art-for-the-world.com/wwd/2007/urban_manners/Urban_Manners_pr.pdf\" target=\"_blank\">INDIA NOW: Contemporary Indian Art, Between Continuity and transformation,curated by Daniela Palozzoli at Spazio Oberdan, Milan</a>\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><em>New Narratives: Contemporary Art From India</em>, curated by Betty Seid,Chicago Cultural Centre, Chicago </td><td><em> </em>\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><em>Thermocline Of Art- New Asian Waves</em>, curated by Wonil Rhee and Peter Weibel at ZKM in Karlsruhe, Germany\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td><em>Modern Indian Works On Paper,</em> Arthur Ross Gallery, Philadelphia and the Georgia Museum of Art, USA\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td><em>Lille 3000 (</em>Maximum City-Mumbai), Lille,  France \r\n</td></tr><tr><td valign=\"top\">2006</td><td>Hungry God- Indian Contemporary Art, curated by Yun Chaegab and June Gwak, Arario Gallery, Beijing and Busan MoMA\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td><em>India Express – Art and Popular Culture</em>, Art Museum Tennispalace, curators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City  Art Museum, Finland\r\n</td></tr><tr><td valign=\"top\">2005                  </td><td><em>Mom and Pop Art, </em>Walsh Gallery, Chicago\r\n</td></tr><tr><td valign=\"top\">2005                  </td><td><em>Span</em>, Sakshi Gallery, Mumbai\r\n</td></tr><tr><td valign=\"top\">2005                  </td><td>Indian Paintings of the New Millenium, curated by Helen Asquine Fazio at Thomas J. Walsh Art Gallery at Fairfield  University, USA\r\n</td></tr><tr><td valign=\"top\">2004 </td><td><em> Contemporary Art from India</em>, Thomas   Erben Gallery, New York\r\n</td></tr><tr><td valign=\"top\">2004                    </td><td>Zoom! Art in Contemporary India. Curators: Nancy Adajania and Luis Serpa, The Culturgest Museum, Lisbon, Portugal</td><td>\r\n</td></tr><tr><td valign=\"top\">2003</td><td> Crossing generations: diVERGE, Gallery Chemould’s 40th anniversary,Curators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of Modern Art, Mumbai\r\n</td></tr><tr><td valign=\"top\">2003</td><td><em> Hard Copy,</em> two-person show with Jitish Kallat, Gallery 88, Calcutta\r\n</td></tr><tr><td valign=\"top\">2003                  </td><td><em>Tiranga</em>, curator: Peter Nagy, India Habitat Centre, New Delhi</td><td><em> </em>\r\n</td></tr><tr><td valign=\"top\">2003</td><td><em> Elephant Walks</em>, Youth Arts Project in collaboration with Jitish Kallat as part of Indians + Cowboys exhibition, Curators: Aaron Seetu and Ruth Watson Gallery 4A, Sydney\r\n</td></tr><tr><td valign=\"top\">2003                  </td><td><em>The Tree From The Seed, Contemporary Art from India, </em>curator: Gavin Jantjes Henie Onstad Kunstsenter (Oslo), Norway</td><td><em></em>\r\n</td></tr><tr><td valign=\"top\">2002                   </td><td><em>Crosscurrents</em>, organized by Artworks for the fiftieth anniversary celebrations of Jehangir Art  Gallery, Mumbai\r\n</td></tr><tr><td valign=\"top\">2002                        </td><td><em>Reclaim Our Freedom</em>, organized by Open Circle, Pundole Art Gallery, Mumbai\r\n</td></tr><tr><td valign=\"top\">2002                       </td><td><em>Crossing Borders</em>, Gallery Windkracht 13, Den Helder, Holland\r\n</td></tr><tr><td valign=\"top\">2001                        </td><td><em>Big River 2</em>, CCA7 Gallery, Port Of Spain, Trinidad\r\n</td></tr><tr><td valign=\"top\">2001                   </td><td><em>AOM- Art on the move</em>, organized by Sahmat, New Delhi\r\n</td></tr><tr><td valign=\"top\">1999</td><td><em> Edge of the Century,</em> curated by Amit Mukhopadhyay, Academy  of Fine Arts and Literature, New Delhi\r\n</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n<tr><td colspan=\"2\">\r\n<strong><span style=\"color: #888888;\">SELECTED WORKSHOPS AND RESIDENCIES</span></strong>\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><em>Vanishing Point</em>, children’s project at the Celebrate Bandra Festival, Mumbai\r\n</td></tr><tr><td valign=\"top\">2007             </td><td>Collaborative workshop as part of the exhibition Aftershock at the Sainsbury Centre for Visual Arts, University of East Anglia, Norwich,  UK\r\n</td></tr><tr><td valign=\"top\">2003                       </td><td>Collaborated on a Billboard project with Jitish Kallat, Kala Ghoda Art District, Mumbai\r\n</td></tr><tr><td valign=\"top\">2003                  </td><td><em>Elephant Walks</em>, Youth Arts Project at the Casula Power House Arts Centre, Liverpool, Australia\r\n</td></tr><tr><td valign=\"top\">2002</td><td> Khoj 2002 International Artists Workshop, Mysore, India\r\n</td></tr><tr><td valign=\"top\">2002</td><td><em> Identity and Landscape</em>, residency in the Laurentian mountains of Quebec at the Boreal Art/Nature Centre, Canada\r\n</td></tr><tr><td valign=\"top\">2001                  </td><td><em>Big River 2</em>, International Artists Workshop organized by CCA7 and the Triangle Arts Trust at Grand Riviere, Trinidad, West Indies\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr>\r\n<tr><td>\r\n<span style=\"color: #888888;\"><strong>TALKS/PRESENTATIONS</strong></span>\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td>Panel discussion with artist Gulam Sheikh, co-chair: Sabine B. Vogel, art critic at the Sammlung Essl Museum, Vienna\r\n</td></tr><tr><td valign=\"top\">2008                    </td><td>Slide presentation followed by a panel discussion with Nalini Malani and Jayshree Chakravarty, moderated by Nancy Adajania at Jnanapravaha, Mumbai\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td>Slide presentation at the School of the Art Institute of Chicago\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td>Panel discussion with Nalini Malani, Sheba Chhachhi, moderated by Betty Seid at the Chicago Cultural Centre\r\n</td></tr><tr><td valign=\"top\">2007                   </td><td>Lecture at the University Boccini, Milan\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td>Slide presentation at the Lamar Dodd School of Art, University of Georgia, USA\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td>Talk at the Griffith Auditorium, Georgia Museum of Art, USA\r\n</td></tr><tr><td valign=\"top\">2003                  </td><td>Slide presentation at Oslo National Academy of the Arts, Norway\r\n</td></tr><tr><td valign=\"top\">2000                  </td><td>Mohile Parikh Centre for the Visual Arts, Mumbai','Biography','','inherit','open','open','','105-revision-61','','','2010-07-22 16:50:23','2010-07-22 16:50:23','',105,'http://www.biggventures.com/demo/artists/1556/uncat/105-revision-61',0,'revision','',0),(1557,1,'2010-07-22 16:53:32','2010-07-22 16:53:32','Reena Saini Kallat (b. Delhi 1973) graduated from the Sir J. J. School of Art, Mumbai in 1996 with a B. F. A. in painting. Her practice - spanning painting, photography, video and sculptural installations - frequently deals with the condition of an individual in a rapidly changing society, ever susceptible to being reduced to an anonymous and forgotten statistic. Kallat is interested in constructing images that seem to change and transform by the possibilities they carry for the generation of meaning through a calibrated interplay of image and form.\r\n\r\nOver the last decade her work has been part of many important exhibitions, across the world. She has had ten solo exhibitions in India and abroad, collectively, and participated in a number of workshops and residencies. She lives and works in Mumbai.\r\n\r\n<strong><span style=\"color: #888888;\">SOLO EXHIBITIONS</span></strong>\r\n<table>\r\n<tr><td valign=\"top\">2009                  </td><td><a class=\"linkbio\" href=\"http://www.primomarellagallery.com/it/catalogue/scheda.asp?id=568&view=past\" target=\"_blank\">Drift, Primo Marella Gallery, Milan</a>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2008/reena_bio.html\" target=\"_blank\"> Silt of Seasons, Chemould   Prescott Road, Mumbai</a>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a class=\"linkbio\" href=\"http://www.walshgallery.com/reena-kallat-exhibition-2008/\" target=\"_blank\">Subject to Change without Notice, Walsh Gallery, Chicago\r\n</a>\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td><em>Rainbow Of Refuse, </em>Bodhi Art Gallery, Mumbai and Singapore </td><td><em> </em>\r\n\r\n</td></tr><tr><td valign=\"top\">2005                  </td><td><a class=\"linkbio\" href=\"http://www.naturemorte.com/artists/reena-saini-kallat/selected-works/\" target=\"_blank\">Black Flute (And Other Stories), Nature Morte, New Delhi</a>\r\n</td></tr><tr><td valign=\"top\">2004                  </td><td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2004/reena_saini_kallat_note.html\" target=\"_blank\">Black Flute</em>, Gallery Chemould, Mumbai</a>\r\n</td></tr><tr><td valign=\"top\">2002                  </td><td><em>The Battlefield Is The Mind</em>, Sakshi Gallery, Bangalore\r\n</td></tr><tr><td valign=\"top\">2002                  </td><td><em>Seven Faces of Dust</em>, Chicago Radio, Mumbai\r\n</td></tr><tr><td valign=\"top\">2000                  </td><td><em>Skin</em>, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi\r\n</td></tr><tr><td valign=\"top\">1998                  </td><td><em>Orchard of Home-grown Secrets</em>, Gallery Chemould and Pundole  Art <em>Gallery, Mumbai</em>\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr>\r\n\r\n<tr><td colspan=\"2\">\r\n<span style=\"color: #888888;\"><strong>SELECTED GROUP EXHIBITIONS</strong></span>\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr>\r\n\r\n<tr><td valign=\"top\">2010                  </td><td><a class=\"linkbio\" href=\"http://www.richmondartgallery.org/in-transition.php\" target=\"_blank\">In Transition: New Art from India, Richmond Art Gallery Vancouver Biennale, Vancouver</a>\r\n</td></tr><tr><td valign=\"top\">2010                  </td><td><a class=\"linkbio\" href=\"http://websterhuntgallery.blogspot.com/2010_02_01_archive.html\" target=\"_blank\">Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster University, curated by Jeffrey Hughes and Dana Turkovic, \r\nCecile R. Hunt Gallery,St.Louis,Missouri</a>\r\n</td></tr><tr><td valign=\"top\">2010                  </td><td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/51\" target=\"_blank\">Never Run Away, 2 person exhibition curated by Shaheen Merali,Stux   Gallery,  New York</a>\r\n</td></tr><tr><td valign=\"top\">2010                  </td><td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/artists/reena_kallat.htm?section_name=new_india\" target=\"_blank\">The Empire Strikes Back, Saatchi Gallery, London</a>\r\n</td></tr><tr><td valign=\"top\">2010 </td><td><a class=\"linkbio\" href=\"http://art-for-the-world.blogspot.com/2010/01/some-installation-views-of-urban.html\" target=\"_blank\">Urban Manners 2, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao Paulo, Brazil</a>\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><a class=\"linkbio\" href=\"http://www.asianartbiennial.org/2009/en/index_en.html\" target=\"_blank\">View Points and Viewing points - 2009 Asian Art Biennale, National Taiwan Museum of Fine Arts \r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><em>Spectrum: Indian Art at Abu   Dhabi, United   Arab Emirates</em>\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><em>Milan Galleria</em>, curated by Georgio Verzotti, Triennale Museum, Milan\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><a class=\"linkbio\" href=\"http://www.initialaccess.co.uk/exhibition_moreinfo.php?id=11\" target=\"_blank\">Passage to India Part II show at Initial Access, Frank Cohen Collection, Wolverhampton, UK</a>\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td>Ventosul Biennale, Curitiba, Brazil\r\n</td></tr><tr><td valign=\"top\">2009     </td><td><a class=\"linkbio\" href=\"http://www.mori.art.museum/english/contents/india/index.html\" target=\"_blank\"> Chalo! India: A New Era of Indian Art, National  Museum of Contemporary Art, Korea and Essl Museum, Vienna</a>\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><a class=\"linkbio\" href=\"http://www.mocashanghai.org/index.php?_function=exhibition&_subFunction=pastExhibition&exhibition_id=40&_view=detail\" target=\"_blank\">INDIA XIANZAI: Contemporary Indian Art, Museum of Contemporary Art, Shanghai</a>\r\n</td></tr><tr><td valign=\"top\">2009                   </td><td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/42/622\" target=\"_blank\">Low Blow: And Other Species of Confusion, Stux gallery, New York</a>\r\n</td></tr><tr><td valign=\"top\">2009</td><td><em> Indian Narratives in the 21<sup>st</sup> Century: Between Memory and History</em>,Casa  Asia, Madrid and Barcelona, Spain\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><a class=\"linkbio\" href=\"http://www.walshgallery.com/body-chatter-an-exhibition-of-contemporary-indian-art-2008/\" target=\"_blank\">Body Chatter, Walsh Gallery, Chicago</a>\r\n</td></tr><tr><td valign=\"top\">2008     </td><td><a class=\"linkbio\" href=\"http://www.mori.art.museum/contents/press/india_20081121_e.pdf\" target=\"_blank\">Chalo! India: A New Era of Indian Art, Mori Art   Museum, Japan</a>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a class=\"linkbio\" href=\"http://www.indiamoderna.es/eng/index.html\" target=\"_blank\">India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM Museum, Valencia, Spain </a></td><td>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a class=\"linkbio\" href=\"http://www.aaa.org.hk/onlineprojects/bitri/en/gallery.aspx?eid=A080.03\" target=\"_blank\">3<sup>rd</sup> Nanjing Triennale, curators: Fumihiko Sumitomo, Jaeyoung Kang,  China\r\n</a>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><em>TEAF (Taehwagang Eco Art Festival) - Dream River, Korea </em>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a class=\"linkbio\" href=\"http://www.bodhiart.in/exhibitions/everywhere_is_war/everywhere_war.html\" target=\"_blank\">Everywhere is War (And Rumours of it), Bodhi Art Gallery, Mumbai</a>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/33\" target=\"_blank\">Fire Walkers, Stefan Stux gallery, New York</a>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a class=\"linkbio\" href=\"http://www.galeriems.com/reenask_one.htm\" target=\"_blank\">Three Points of view, Galerie Mirchandani + Steinrucke, Mumbai</a>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><em>Excavation: Memory / Myth / Membrane</em>, Museum Gallery, Mumbai </td><td><em> </em>\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><em>International Incheon Women Artists’ Biennale</em>, Korea\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><em>Soft Power: Asian Attitude</em>, Shanghai Zendai Museum of Modern Art, Shanghai\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><a class=\"linkbio\" href=\"http://www.kunstaspekte.de/index.php?tid=39629&action=termin\" target=\"_blank\">Urban Manners, curated by Adelina Von Furstenberg, at Hangar Bicocca , Milan</a></td><td>\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><a class=\"linkbio\" href=\"http://www.art-for-the-world.com/wwd/2007/urban_manners/Urban_Manners_pr.pdf\" target=\"_blank\">INDIA NOW: Contemporary Indian Art, Between Continuity and transformation,curated by Daniela Palozzoli at Spazio Oberdan, Milan</a>\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><em>New Narratives: Contemporary Art From India</em>, curated by Betty Seid,Chicago Cultural Centre, Chicago </td><td><em> </em>\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><em>Thermocline Of Art- New Asian Waves</em>, curated by Wonil Rhee and Peter Weibel at ZKM in Karlsruhe, Germany\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td><em>Modern Indian Works On Paper,</em> Arthur Ross Gallery, Philadelphia and the Georgia Museum of Art, USA\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td><em>Lille 3000 (</em>Maximum City-Mumbai), Lille,  France \r\n</td></tr><tr><td valign=\"top\">2006</td><td>Hungry God- Indian Contemporary Art, curated by Yun Chaegab and June Gwak, Arario Gallery, Beijing and Busan MoMA\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td><em>India Express – Art and Popular Culture</em>, Art Museum Tennispalace, curators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City  Art Museum, Finland\r\n</td></tr><tr><td valign=\"top\">2005                  </td><td><em>Mom and Pop Art, </em>Walsh Gallery, Chicago\r\n</td></tr><tr><td valign=\"top\">2005                  </td><td><em>Span</em>, Sakshi Gallery, Mumbai\r\n</td></tr><tr><td valign=\"top\">2005                  </td><td>Indian Paintings of the New Millenium, curated by Helen Asquine Fazio at Thomas J. Walsh Art Gallery at Fairfield  University, USA\r\n</td></tr><tr><td valign=\"top\">2004 </td><td><em> Contemporary Art from India</em>, Thomas   Erben Gallery, New York\r\n</td></tr><tr><td valign=\"top\">2004                    </td><td>Zoom! Art in Contemporary India. Curators: Nancy Adajania and Luis Serpa, The Culturgest Museum, Lisbon, Portugal</td><td>\r\n</td></tr><tr><td valign=\"top\">2003</td><td> Crossing generations: diVERGE, Gallery Chemould’s 40th anniversary,Curators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of Modern Art, Mumbai\r\n</td></tr><tr><td valign=\"top\">2003</td><td><em> Hard Copy,</em> two-person show with Jitish Kallat, Gallery 88, Calcutta\r\n</td></tr><tr><td valign=\"top\">2003                  </td><td><em>Tiranga</em>, curator: Peter Nagy, India Habitat Centre, New Delhi</td><td><em> </em>\r\n</td></tr><tr><td valign=\"top\">2003</td><td><em> Elephant Walks</em>, Youth Arts Project in collaboration with Jitish Kallat as part of Indians + Cowboys exhibition, Curators: Aaron Seetu and Ruth Watson Gallery 4A, Sydney\r\n</td></tr><tr><td valign=\"top\">2003                  </td><td><em>The Tree From The Seed, Contemporary Art from India, </em>curator: Gavin Jantjes Henie Onstad Kunstsenter (Oslo), Norway</td><td><em></em>\r\n</td></tr><tr><td valign=\"top\">2002                   </td><td><em>Crosscurrents</em>, organized by Artworks for the fiftieth anniversary celebrations of Jehangir Art  Gallery, Mumbai\r\n</td></tr><tr><td valign=\"top\">2002                        </td><td><em>Reclaim Our Freedom</em>, organized by Open Circle, Pundole Art Gallery, Mumbai\r\n</td></tr><tr><td valign=\"top\">2002                       </td><td><em>Crossing Borders</em>, Gallery Windkracht 13, Den Helder, Holland\r\n</td></tr><tr><td valign=\"top\">2001                        </td><td><em>Big River 2</em>, CCA7 Gallery, Port Of Spain, Trinidad\r\n</td></tr><tr><td valign=\"top\">2001                   </td><td><em>AOM- Art on the move</em>, organized by Sahmat, New Delhi\r\n</td></tr><tr><td valign=\"top\">1999</td><td><em> Edge of the Century,</em> curated by Amit Mukhopadhyay, Academy  of Fine Arts and Literature, New Delhi\r\n</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n<tr><td colspan=\"2\">\r\n<strong><span style=\"color: #888888;\">SELECTED WORKSHOPS AND RESIDENCIES</span></strong>\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><em>Vanishing Point</em>, children’s project at the Celebrate Bandra Festival, Mumbai\r\n</td></tr><tr><td valign=\"top\">2007             </td><td>Collaborative workshop as part of the exhibition Aftershock at the Sainsbury Centre for Visual Arts, University of East Anglia, Norwich,  UK\r\n</td></tr><tr><td valign=\"top\">2003                       </td><td>Collaborated on a Billboard project with Jitish Kallat, Kala Ghoda Art District, Mumbai\r\n</td></tr><tr><td valign=\"top\">2003                  </td><td><em>Elephant Walks</em>, Youth Arts Project at the Casula Power House Arts Centre, Liverpool, Australia\r\n</td></tr><tr><td valign=\"top\">2002</td><td> Khoj 2002 International Artists Workshop, Mysore, India\r\n</td></tr><tr><td valign=\"top\">2002</td><td><em> Identity and Landscape</em>, residency in the Laurentian mountains of Quebec at the Boreal Art/Nature Centre, Canada\r\n</td></tr><tr><td valign=\"top\">2001                  </td><td><em>Big River 2</em>, International Artists Workshop organized by CCA7 and the Triangle Arts Trust at Grand Riviere, Trinidad, West Indies\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr>\r\n<tr><td>\r\n<span style=\"color: #888888;\"><strong>TALKS/PRESENTATIONS</strong></span>\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td>Panel discussion with artist Gulam Sheikh, co-chair: Sabine B. Vogel, art critic at the Sammlung Essl Museum, Vienna\r\n</td></tr><tr><td valign=\"top\">2008                    </td><td>Slide presentation followed by a panel discussion with Nalini Malani and Jayshree Chakravarty, moderated by Nancy Adajania at Jnanapravaha, Mumbai\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td>Slide presentation at the School of the Art Institute of Chicago\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td>Panel discussion with Nalini Malani, Sheba Chhachhi, moderated by Betty Seid at the Chicago Cultural Centre\r\n</td></tr><tr><td valign=\"top\">2007                   </td><td>Lecture at the University Boccini, Milan\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td>Slide presentation at the Lamar Dodd School of Art, University of Georgia, USA\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td>Talk at the Griffith Auditorium, Georgia Museum of Art, USA\r\n</td></tr><tr><td valign=\"top\">2003                  </td><td>Slide presentation at Oslo National Academy of the Arts, Norway\r\n</td></tr><tr><td valign=\"top\">2000                  </td><td>Mohile Parikh Centre for the Visual Arts, Mumbai','Biography','','inherit','open','open','','105-revision-62','','','2010-07-22 16:53:32','2010-07-22 16:53:32','',105,'http://www.biggventures.com/demo/artists/1557/uncat/105-revision-62',0,'revision','',0),(1558,1,'2010-07-22 16:59:43','2010-07-22 16:59:43','Reena Saini Kallat (b. Delhi 1973) graduated from the Sir J. J. School of Art, Mumbai in 1996 with a B. F. A. in painting. Her practice - spanning painting, photography, video and sculptural installations - frequently deals with the condition of an individual in a rapidly changing society, ever susceptible to being reduced to an anonymous and forgotten statistic. Kallat is interested in constructing images that seem to change and transform by the possibilities they carry for the generation of meaning through a calibrated interplay of image and form.\r\n\r\nOver the last decade her work has been part of many important exhibitions, across the world. She has had ten solo exhibitions in India and abroad, collectively, and participated in a number of workshops and residencies. She lives and works in Mumbai.\r\n\r\n<strong><span style=\"color: #888888;\">SOLO EXHIBITIONS</span></strong>\r\n<table>\r\n<tr><td valign=\"top\">2009                  </td><td><a class=\"linkbio\" href=\"http://www.primomarellagallery.com/it/catalogue/scheda.asp?id=568&view=past\" target=\"_blank\">Drift, Primo Marella Gallery, Milan</a>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2008/reena_bio.html\" target=\"_blank\"> Silt of Seasons, Chemould   Prescott Road, Mumbai</a>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a class=\"linkbio\" href=\"http://www.walshgallery.com/reena-kallat-exhibition-2008/\" target=\"_blank\">Subject to Change without Notice, Walsh Gallery, Chicago\r\n</a>\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td><em>Rainbow Of Refuse, </em>Bodhi Art Gallery, Mumbai and Singapore </td><td><em> </em>\r\n\r\n</td></tr><tr><td valign=\"top\">2005                  </td><td><a class=\"linkbio\" href=\"http://www.naturemorte.com/artists/reena-saini-kallat/selected-works/\" target=\"_blank\">Black Flute (And Other Stories), Nature Morte, New Delhi</a>\r\n</td></tr><tr><td valign=\"top\">2004                  </td><td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2004/reena_saini_kallat_note.html\" target=\"_blank\">Black Flute</em>, Gallery Chemould, Mumbai</a>\r\n</td></tr><tr><td valign=\"top\">2002                  </td><td><em>The Battlefield Is The Mind</em>, Sakshi Gallery, Bangalore\r\n</td></tr><tr><td valign=\"top\">2002                  </td><td><em>Seven Faces of Dust</em>, Chicago Radio, Mumbai\r\n</td></tr><tr><td valign=\"top\">2000                  </td><td><em>Skin</em>, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi\r\n</td></tr><tr><td valign=\"top\">1998                  </td><td><em>Orchard of Home-grown Secrets</em>, Gallery Chemould and Pundole  Art <em>Gallery, Mumbai</em>\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr>\r\n\r\n<tr><td colspan=\"2\">\r\n<span style=\"color: #888888;\"><strong>SELECTED GROUP EXHIBITIONS</strong></span>\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr>\r\n\r\n<tr><td valign=\"top\">2010                  </td><td><a class=\"linkbio\" href=\"http://www.richmondartgallery.org/in-transition.php\" target=\"_blank\">In Transition: New Art from India, Richmond Art Gallery Vancouver Biennale, Vancouver</a>\r\n</td></tr><tr><td valign=\"top\">2010                  </td><td><a class=\"linkbio\" href=\"http://websterhuntgallery.blogspot.com/2010_02_01_archive.html\" target=\"_blank\">Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster University, curated by Jeffrey Hughes and Dana Turkovic, \r\nCecile R. Hunt Gallery,St.Louis,Missouri</a>\r\n</td></tr><tr><td valign=\"top\">2010                  </td><td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/51\" target=\"_blank\">Never Run Away, 2 person exhibition curated by Shaheen Merali,Stux   Gallery,  New York</a>\r\n</td></tr><tr><td valign=\"top\">2010                  </td><td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/artists/reena_kallat.htm?section_name=new_india\" target=\"_blank\">The Empire Strikes Back, Saatchi Gallery, London</a>\r\n</td></tr><tr><td valign=\"top\">2010 </td><td><a class=\"linkbio\" href=\"http://art-for-the-world.blogspot.com/2010/01/some-installation-views-of-urban.html\" target=\"_blank\">Urban Manners 2, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao Paulo, Brazil</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><a class=\"linkbio\" href=\"http://www.asianartbiennial.org/2009/en/index_en.html\" target=\"_blank\">View Points and Viewing points - 2009 Asian Art Biennale, National Taiwan Museum of Fine Arts \r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><em>Spectrum: Indian Art at Abu   Dhabi, United   Arab Emirates</em>\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><em>Milan Galleria</em>, curated by Georgio Verzotti, Triennale Museum, Milan\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><a class=\"linkbio\" href=\"http://www.initialaccess.co.uk/exhibition_moreinfo.php?id=11\" target=\"_blank\">Passage to India Part II show at Initial Access, Frank Cohen Collection, Wolverhampton, UK</a></td></tr>\r\n<tr><td valign=\"top\">2009                  </td><td>Ventosul Biennale, Curitiba, Brazil\r\n</td></tr><tr><td valign=\"top\">2009     </td><td><a class=\"linkbio\" href=\"http://www.mori.art.museum/english/contents/india/index.html\" target=\"_blank\"> Chalo! India: A New Era of Indian Art, National  Museum of Contemporary Art, Korea and Essl Museum, Vienna</a>\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><a class=\"linkbio\" href=\"http://www.mocashanghai.org/index.php?_function=exhibition&_subFunction=pastExhibition&exhibition_id=40&_view=detail\" target=\"_blank\">INDIA XIANZAI: Contemporary Indian Art, Museum of Contemporary Art, Shanghai</a>\r\n</td></tr><tr><td valign=\"top\">2009                   </td><td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/42/622\" target=\"_blank\">Low Blow: And Other Species of Confusion, Stux gallery, New York</a>\r\n</td></tr><tr><td valign=\"top\">2009</td><td><em> Indian Narratives in the 21<sup>st</sup> Century: Between Memory and History</em>,Casa  Asia, Madrid and Barcelona, Spain\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><a class=\"linkbio\" href=\"http://www.walshgallery.com/body-chatter-an-exhibition-of-contemporary-indian-art-2008/\" target=\"_blank\">Body Chatter, Walsh Gallery, Chicago</a></td></tr>\r\n<tr><td valign=\"top\">2008     </td><td><a class=\"linkbio\" href=\"http://www.mori.art.museum/contents/press/india_20081121_e.pdf\" target=\"_blank\">Chalo! India: A New Era of Indian Art, Mori Art   Museum, Japan</a>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a class=\"linkbio\" href=\"http://www.indiamoderna.es/eng/index.html\" target=\"_blank\">India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM Museum, Valencia, Spain </a></td><td>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a class=\"linkbio\" href=\"http://www.aaa.org.hk/onlineprojects/bitri/en/gallery.aspx?eid=A080.03\" target=\"_blank\">3<sup>rd</sup> Nanjing Triennale, curators: Fumihiko Sumitomo, Jaeyoung Kang,  China\r\n</a>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><em>TEAF (Taehwagang Eco Art Festival) - Dream River, Korea </em>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a class=\"linkbio\" href=\"http://www.bodhiart.in/exhibitions/everywhere_is_war/everywhere_war.html\" target=\"_blank\">Everywhere is War (And Rumours of it), Bodhi Art Gallery, Mumbai</a>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/33\" target=\"_blank\">Fire Walkers, Stefan Stux gallery, New York</a>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a class=\"linkbio\" href=\"http://www.galeriems.com/reenask_one.htm\" target=\"_blank\">Three Points of view, Galerie Mirchandani + Steinrucke, Mumbai</a>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><em>Excavation: Memory / Myth / Membrane</em>, Museum Gallery, Mumbai </td><td>\r\n</td></tr>\r\n<tr><td valign=\"top\">2007                  </td><td><em>International Incheon Women Artists’ Biennale</em>, Korea\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><em>Soft Power: Asian Attitude</em>, Shanghai Zendai Museum of Modern Art, Shanghai\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><a class=\"linkbio\" href=\"http://www.kunstaspekte.de/index.php?tid=39629&action=termin\" target=\"_blank\">Urban Manners, curated by Adelina Von Furstenberg, at Hangar Bicocca , Milan</a></td><td>\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><a class=\"linkbio\" href=\"http://www.art-for-the-world.com/wwd/2007/urban_manners/Urban_Manners_pr.pdf\" target=\"_blank\">INDIA NOW: Contemporary Indian Art, Between Continuity and transformation,curated by Daniela Palozzoli at Spazio Oberdan, Milan</a>\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><em>New Narratives: Contemporary Art From India</em>, curated by Betty Seid,Chicago Cultural Centre, Chicago </td><td><em> </em>\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><em>Thermocline Of Art- New Asian Waves</em>, curated by Wonil Rhee and Peter Weibel at ZKM in Karlsruhe, Germany\r\n</td></tr>\r\n<tr><td valign=\"top\">2006                  </td><td><em>Modern Indian Works On Paper,</em> Arthur Ross Gallery, Philadelphia and the Georgia Museum of Art, USA\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td><em>Lille 3000 (</em>Maximum City-Mumbai), Lille,  France \r\n</td></tr><tr><td valign=\"top\">2006</td><td>Hungry God- Indian Contemporary Art, curated by Yun Chaegab and June Gwak, Arario Gallery, Beijing and Busan MoMA\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td><em>India Express – Art and Popular Culture</em>, Art Museum Tennispalace, curators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City  Art Museum, Finland\r\n</td></tr>\r\n<tr><td valign=\"top\">2005                  </td><td><em>Mom and Pop Art, </em>Walsh Gallery, Chicago\r\n</td></tr><tr><td valign=\"top\">2005                  </td><td><em>Span</em>, Sakshi Gallery, Mumbai\r\n</td></tr><tr><td valign=\"top\">2005                  </td><td>Indian Paintings of the New Millenium, curated by Helen Asquine Fazio at Thomas J. Walsh Art Gallery at Fairfield  University, USA\r\n</td></tr>\r\n<tr><td valign=\"top\">2004 </td><td><em> Contemporary Art from India</em>, Thomas   Erben Gallery, New York\r\n</td></tr><tr><td valign=\"top\">2004                    </td><td>Zoom! Art in Contemporary India. Curators: Nancy Adajania and Luis Serpa, The Culturgest Museum, Lisbon, Portugal</td><td>\r\n</td></tr>\r\n<tr><td valign=\"top\">2003</td><td> Crossing generations: diVERGE, Gallery Chemould’s 40th anniversary,Curators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of Modern Art, Mumbai\r\n</td></tr><tr><td valign=\"top\">2003</td><td><em> Hard Copy,</em> two-person show with Jitish Kallat, Gallery 88, Calcutta\r\n</td></tr><tr><td valign=\"top\">2003                  </td><td><em>Tiranga</em>, curator: Peter Nagy, India Habitat Centre, New Delhi</td><td><em> </em>\r\n</td></tr><tr><td valign=\"top\">2003</td><td><em> Elephant Walks</em>, Youth Arts Project in collaboration with Jitish Kallat as part of Indians + Cowboys exhibition, Curators: Aaron Seetu and Ruth Watson Gallery 4A, Sydney\r\n</td></tr><tr><td valign=\"top\">2003                  </td><td><em>The Tree From The Seed, Contemporary Art from India, </em>curator: Gavin Jantjes Henie Onstad Kunstsenter (Oslo), Norway</td><td><em></em>\r\n</td></tr>\r\n<tr><td valign=\"top\">2002                   </td><td><em>Crosscurrents</em>, organized by Artworks for the fiftieth anniversary celebrations of Jehangir Art  Gallery, Mumbai\r\n</td></tr><tr><td valign=\"top\">2002                        </td><td><em>Reclaim Our Freedom</em>, organized by Open Circle, Pundole Art Gallery, Mumbai\r\n</td></tr><tr><td valign=\"top\">2002                       </td><td><em>Crossing Borders</em>, Gallery Windkracht 13, Den Helder, Holland\r\n</td></tr>\r\n<tr><td valign=\"top\">2001                        </td><td><em>Big River 2</em>, CCA7 Gallery, Port Of Spain, Trinidad\r\n</td></tr><tr><td valign=\"top\">2001                   </td><td><em>AOM- Art on the move</em>, organized by Sahmat, New Delhi\r\n</td></tr>\r\n<tr><td valign=\"top\">1999</td><td><em> Edge of the Century,</em> curated by Amit Mukhopadhyay, Academy  of Fine Arts and Literature, New Delhi\r\n</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n<tr><td colspan=\"2\">\r\n<strong><span style=\"color: #888888;\">SELECTED WORKSHOPS AND RESIDENCIES</span></strong>\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><em>Vanishing Point</em>, children’s project at the Celebrate Bandra Festival, Mumbai\r\n</td></tr><tr><td valign=\"top\">2007             </td><td>Collaborative workshop as part of the exhibition Aftershock at the Sainsbury Centre for Visual Arts, University of East Anglia, Norwich,  UK\r\n</td></tr><tr><td valign=\"top\">2003                       </td><td>Collaborated on a Billboard project with Jitish Kallat, Kala Ghoda Art District, Mumbai\r\n</td></tr><tr><td valign=\"top\">2003                  </td><td><em>Elephant Walks</em>, Youth Arts Project at the Casula Power House Arts Centre, Liverpool, Australia\r\n</td></tr><tr><td valign=\"top\">2002</td><td> Khoj 2002 International Artists Workshop, Mysore, India\r\n</td></tr><tr><td valign=\"top\">2002</td><td><em> Identity and Landscape</em>, residency in the Laurentian mountains of Quebec at the Boreal Art/Nature Centre, Canada\r\n</td></tr><tr><td valign=\"top\">2001                  </td><td><em>Big River 2</em>, International Artists Workshop organized by CCA7 and the Triangle Arts Trust at Grand Riviere, Trinidad, West Indies\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr>\r\n<tr><td>\r\n<span style=\"color: #888888;\"><strong>TALKS/PRESENTATIONS</strong></span>\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td>Panel discussion with artist Gulam Sheikh, co-chair: Sabine B. Vogel, art critic at the Sammlung Essl Museum, Vienna\r\n</td></tr><tr><td valign=\"top\">2008                    </td><td>Slide presentation followed by a panel discussion with Nalini Malani and Jayshree Chakravarty, moderated by Nancy Adajania at Jnanapravaha, Mumbai\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td>Slide presentation at the School of the Art Institute of Chicago\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td>Panel discussion with Nalini Malani, Sheba Chhachhi, moderated by Betty Seid at the Chicago Cultural Centre\r\n</td></tr><tr><td valign=\"top\">2007                   </td><td>Lecture at the University Boccini, Milan\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td>Slide presentation at the Lamar Dodd School of Art, University of Georgia, USA\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td>Talk at the Griffith Auditorium, Georgia Museum of Art, USA\r\n</td></tr><tr><td valign=\"top\">2003                  </td><td>Slide presentation at Oslo National Academy of the Arts, Norway\r\n</td></tr><tr><td valign=\"top\">2000                  </td><td>Mohile Parikh Centre for the Visual Arts, Mumbai','Biography','','inherit','open','open','','105-revision-63','','','2010-07-22 16:59:43','2010-07-22 16:59:43','',105,'http://www.biggventures.com/demo/artists/1558/uncat/105-revision-63',0,'revision','',0),(1559,1,'2010-07-22 17:03:26','2010-07-22 17:03:26','Reena Saini Kallat (b. Delhi 1973) graduated from the Sir J. J. School of Art, Mumbai in 1996 with a B. F. A. in painting. Her practice - spanning painting, photography, video and sculptural installations - frequently deals with the condition of an individual in a rapidly changing society, ever susceptible to being reduced to an anonymous and forgotten statistic. Kallat is interested in constructing images that seem to change and transform by the possibilities they carry for the generation of meaning through a calibrated interplay of image and form.\r\n\r\nOver the last decade her work has been part of many important exhibitions, across the world. She has had ten solo exhibitions in India and abroad, collectively, and participated in a number of workshops and residencies. She lives and works in Mumbai.\r\n\r\n<strong><span style=\"color: #888888;\">SOLO EXHIBITIONS</span></strong>\r\n<table>\r\n<tr><td valign=\"top\">2009                  </td><td><a class=\"linkbio\" href=\"http://www.primomarellagallery.com/it/catalogue/scheda.asp?id=568&view=past\" target=\"_blank\">Drift, Primo Marella Gallery, Milan</a>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2008/reena_bio.html\" target=\"_blank\"> Silt of Seasons, Chemould   Prescott Road, Mumbai</a>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a class=\"linkbio\" href=\"http://www.walshgallery.com/reena-kallat-exhibition-2008/\" target=\"_blank\">Subject to Change without Notice, Walsh Gallery, Chicago</a></td></tr>\r\n<tr><td valign=\"top\">2006                  </td><td><em>Rainbow Of Refuse, </em>Bodhi Art Gallery, Mumbai and Singapore </td><td><em> </em>\r\n</td></tr>\r\n<tr><td valign=\"top\">2005                  </td><td><a class=\"linkbio\" href=\"http://www.naturemorte.com/artists/reena-saini-kallat/selected-works/\" target=\"_blank\">Black Flute (And Other Stories), Nature Morte, New Delhi</a>\r\n</td></tr><tr><td valign=\"top\">2004                  </td><td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2004/reena_saini_kallat_note.html\" target=\"_blank\">Black Flute</em>, Gallery Chemould, Mumbai</a>\r\n</td></tr><tr><td valign=\"top\">2002                  </td><td><em>The Battlefield Is The Mind</em>, Sakshi Gallery, Bangalore\r\n</td></tr><tr><td valign=\"top\">2002                  </td><td><em>Seven Faces of Dust</em>, Chicago Radio, Mumbai\r\n</td></tr><tr><td valign=\"top\">2000                  </td><td><em>Skin</em>, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi\r\n</td></tr><tr><td valign=\"top\">1998                  </td><td><em>Orchard of Home-grown Secrets</em>, Gallery Chemould and Pundole  Art <em>Gallery, Mumbai</em>\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr>\r\n\r\n<tr><td colspan=\"2\">\r\n<span style=\"color: #888888;\"><strong>SELECTED GROUP EXHIBITIONS</strong></span>\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr>\r\n\r\n<tr><td valign=\"top\">2010                  </td><td><a class=\"linkbio\" href=\"http://www.richmondartgallery.org/in-transition.php\" target=\"_blank\">In Transition: New Art from India, Richmond Art Gallery Vancouver Biennale, Vancouver</a>\r\n</td></tr><tr><td valign=\"top\">2010                  </td><td><a class=\"linkbio\" href=\"http://websterhuntgallery.blogspot.com/2010_02_01_archive.html\" target=\"_blank\">Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster University, curated by Jeffrey Hughes and Dana Turkovic, \r\nCecile R. Hunt Gallery,St.Louis,Missouri</a>\r\n</td></tr><tr><td valign=\"top\">2010                  </td><td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/51\" target=\"_blank\">Never Run Away, 2 person exhibition curated by Shaheen Merali,Stux   Gallery,  New York</a>\r\n</td></tr><tr><td valign=\"top\">2010                  </td><td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/artists/reena_kallat.htm?section_name=new_india\" target=\"_blank\">The Empire Strikes Back, Saatchi Gallery, London</a>\r\n</td></tr><tr><td valign=\"top\">2010 </td><td><a class=\"linkbio\" href=\"http://art-for-the-world.blogspot.com/2010/01/some-installation-views-of-urban.html\" target=\"_blank\">Urban Manners 2, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao Paulo, Brazil</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><a class=\"linkbio\" href=\"http://www.asianartbiennial.org/2009/en/index_en.html\" target=\"_blank\">View Points and Viewing points - 2009 Asian Art Biennale, National Taiwan Museum of Fine Arts \r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><em>Spectrum: Indian Art at Abu   Dhabi, United   Arab Emirates</em>\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><em>Milan Galleria</em>, curated by Georgio Verzotti, Triennale Museum, Milan\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><a class=\"linkbio\" href=\"http://www.initialaccess.co.uk/exhibition_moreinfo.php?id=11\" target=\"_blank\">Passage to India Part II show at Initial Access, Frank Cohen Collection, Wolverhampton, UK</a></td></tr>\r\n<tr><td valign=\"top\">2009                  </td><td>Ventosul Biennale, Curitiba, Brazil\r\n</td></tr><tr><td valign=\"top\">2009     </td><td><a class=\"linkbio\" href=\"http://www.mori.art.museum/english/contents/india/index.html\" target=\"_blank\"> Chalo! India: A New Era of Indian Art, National  Museum of Contemporary Art, Korea and Essl Museum, Vienna</a>\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><a class=\"linkbio\" href=\"http://www.mocashanghai.org/index.php?_function=exhibition&_subFunction=pastExhibition&exhibition_id=40&_view=detail\" target=\"_blank\">INDIA XIANZAI: Contemporary Indian Art, Museum of Contemporary Art, Shanghai</a>\r\n</td></tr><tr><td valign=\"top\">2009                   </td><td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/42/622\" target=\"_blank\">Low Blow: And Other Species of Confusion, Stux gallery, New York</a>\r\n</td></tr><tr><td valign=\"top\">2009</td><td><em> Indian Narratives in the 21<sup>st</sup> Century: Between Memory and History</em>,Casa  Asia, Madrid and Barcelona, Spain\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><a class=\"linkbio\" href=\"http://www.walshgallery.com/body-chatter-an-exhibition-of-contemporary-indian-art-2008/\" target=\"_blank\">Body Chatter, Walsh Gallery, Chicago</a></td></tr>\r\n<tr><td valign=\"top\">2008     </td><td><a class=\"linkbio\" href=\"http://www.mori.art.museum/contents/press/india_20081121_e.pdf\" target=\"_blank\">Chalo! India: A New Era of Indian Art, Mori Art   Museum, Japan</a>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a class=\"linkbio\" href=\"http://www.indiamoderna.es/eng/index.html\" target=\"_blank\">India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM Museum, Valencia, Spain </a></td><td>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a class=\"linkbio\" href=\"http://www.aaa.org.hk/onlineprojects/bitri/en/gallery.aspx?eid=A080.03\" target=\"_blank\">3<sup>rd</sup> Nanjing Triennale, curators: Fumihiko Sumitomo, Jaeyoung Kang,  China\r\n</a>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><em>TEAF (Taehwagang Eco Art Festival) - Dream River, Korea </em>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a class=\"linkbio\" href=\"http://www.bodhiart.in/exhibitions/everywhere_is_war/everywhere_war.html\" target=\"_blank\">Everywhere is War (And Rumours of it), Bodhi Art Gallery, Mumbai</a>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/33\" target=\"_blank\">Fire Walkers, Stefan Stux gallery, New York</a>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a class=\"linkbio\" href=\"http://www.galeriems.com/reenask_one.htm\" target=\"_blank\">Three Points of view, Galerie Mirchandani + Steinrucke, Mumbai</a>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><em>Excavation: Memory / Myth / Membrane</em>, Museum Gallery, Mumbai </td><td>\r\n</td></tr>\r\n<tr><td valign=\"top\">2007                  </td><td><em>International Incheon Women Artists’ Biennale</em>, Korea\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><em>Soft Power: Asian Attitude</em>, Shanghai Zendai Museum of Modern Art, Shanghai\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><a class=\"linkbio\" href=\"http://www.kunstaspekte.de/index.php?tid=39629&action=termin\" target=\"_blank\">Urban Manners, curated by Adelina Von Furstenberg, at Hangar Bicocca , Milan</a></td><td>\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><a class=\"linkbio\" href=\"http://www.art-for-the-world.com/wwd/2007/urban_manners/Urban_Manners_pr.pdf\" target=\"_blank\">INDIA NOW: Contemporary Indian Art, Between Continuity and transformation,curated by Daniela Palozzoli at Spazio Oberdan, Milan</a>\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><em>New Narratives: Contemporary Art From India</em>, curated by Betty Seid,Chicago Cultural Centre, Chicago </td><td><em> </em>\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><em>Thermocline Of Art- New Asian Waves</em>, curated by Wonil Rhee and Peter Weibel at ZKM in Karlsruhe, Germany\r\n</td></tr>\r\n<tr><td valign=\"top\">2006                  </td><td><em>Modern Indian Works On Paper,</em> Arthur Ross Gallery, Philadelphia and the Georgia Museum of Art, USA\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td><em>Lille 3000 (</em>Maximum City-Mumbai), Lille,  France \r\n</td></tr><tr><td valign=\"top\">2006</td><td>Hungry God- Indian Contemporary Art, curated by Yun Chaegab and June Gwak, Arario Gallery, Beijing and Busan MoMA\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td><em>India Express – Art and Popular Culture</em>, Art Museum Tennispalace, curators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City  Art Museum, Finland</td></tr>\r\n<tr><td valign=\"top\">2005                  </td><td><em>Mom and Pop Art, </em>Walsh Gallery, Chicago\r\n</td></tr><tr><td valign=\"top\">2005                  </td><td><em>Span</em>, Sakshi Gallery, Mumbai\r\n</td></tr><tr><td valign=\"top\">2005                  </td><td>Indian Paintings of the New Millenium, curated by Helen Asquine Fazio at Thomas J. Walsh Art Gallery at Fairfield  University, USA</td></tr>\r\n<tr><td valign=\"top\">2004 </td><td><em> Contemporary Art from India</em>, Thomas   Erben Gallery, New York\r\n</td></tr><tr><td valign=\"top\">2004                    </td><td>Zoom! Art in Contemporary India. Curators: Nancy Adajania and Luis Serpa, The Culturgest Museum, Lisbon, Portugal</td><td>\r\n</td></tr>\r\n<tr><td valign=\"top\">2003</td><td> Crossing generations: diVERGE, Gallery Chemould’s 40th anniversary,Curators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of Modern Art, Mumbai\r\n</td></tr><tr><td valign=\"top\">2003</td><td><em> Hard Copy,</em> two-person show with Jitish Kallat, Gallery 88, Calcutta\r\n</td></tr><tr><td valign=\"top\">2003                  </td><td><em>Tiranga</em>, curator: Peter Nagy, India Habitat Centre, New Delhi</td><td><em> </em>\r\n</td></tr><tr><td valign=\"top\">2003</td><td><em> Elephant Walks</em>, Youth Arts Project in collaboration with Jitish Kallat as part of Indians + Cowboys exhibition, Curators: Aaron Seetu and Ruth Watson Gallery 4A, Sydney\r\n</td></tr><tr><td valign=\"top\">2003                  </td><td><em>The Tree From The Seed, Contemporary Art from India, </em>curator: Gavin Jantjes Henie Onstad Kunstsenter (Oslo), Norway</td><td><em></em>\r\n</td></tr>\r\n<tr><td valign=\"top\">2002                   </td><td><em>Crosscurrents</em>, organized by Artworks for the fiftieth anniversary celebrations of Jehangir Art  Gallery, Mumbai\r\n</td></tr><tr><td valign=\"top\">2002                        </td><td><em>Reclaim Our Freedom</em>, organized by Open Circle, Pundole Art Gallery, Mumbai\r\n</td></tr><tr><td valign=\"top\">2002                       </td><td><em>Crossing Borders</em>, Gallery Windkracht 13, Den Helder, Holland\r\n</td></tr>\r\n<tr><td valign=\"top\">2001                        </td><td><em>Big River 2</em>, CCA7 Gallery, Port Of Spain, Trinidad\r\n</td></tr><tr><td valign=\"top\">2001                   </td><td><em>AOM- Art on the move</em>, organized by Sahmat, New Delhi\r\n</td></tr>\r\n<tr><td valign=\"top\">1999</td><td><em> Edge of the Century,</em> curated by Amit Mukhopadhyay, Academy  of Fine Arts and Literature, New Delhi\r\n</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n<tr><td colspan=\"2\">\r\n<strong><span style=\"color: #888888;\">SELECTED WORKSHOPS AND RESIDENCIES</span></strong>\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><em>Vanishing Point</em>, children’s project at the Celebrate Bandra Festival, Mumbai\r\n</td></tr><tr><td valign=\"top\">2007             </td><td>Collaborative workshop as part of the exhibition Aftershock at the Sainsbury Centre for Visual Arts, University of East Anglia, Norwich,  UK\r\n</td></tr><tr><td valign=\"top\">2003                       </td><td>Collaborated on a Billboard project with Jitish Kallat, Kala Ghoda Art District, Mumbai\r\n</td></tr><tr><td valign=\"top\">2003                  </td><td><em>Elephant Walks</em>, Youth Arts Project at the Casula Power House Arts Centre, Liverpool, Australia\r\n</td></tr><tr><td valign=\"top\">2002</td><td> Khoj 2002 International Artists Workshop, Mysore, India\r\n</td></tr><tr><td valign=\"top\">2002</td><td><em> Identity and Landscape</em>, residency in the Laurentian mountains of Quebec at the Boreal Art/Nature Centre, Canada\r\n</td></tr><tr><td valign=\"top\">2001                  </td><td><em>Big River 2</em>, International Artists Workshop organized by CCA7 and the Triangle Arts Trust at Grand Riviere, Trinidad, West Indies\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr>\r\n<tr><td>\r\n<span style=\"color: #888888;\"><strong>TALKS/PRESENTATIONS</strong></span>\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td>Panel discussion with artist Gulam Sheikh, co-chair: Sabine B. Vogel, art critic at the Sammlung Essl Museum, Vienna\r\n</td></tr><tr><td valign=\"top\">2008                    </td><td>Slide presentation followed by a panel discussion with Nalini Malani and Jayshree Chakravarty, moderated by Nancy Adajania at Jnanapravaha, Mumbai\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td>Slide presentation at the School of the Art Institute of Chicago\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td>Panel discussion with Nalini Malani, Sheba Chhachhi, moderated by Betty Seid at the Chicago Cultural Centre\r\n</td></tr><tr><td valign=\"top\">2007                   </td><td>Lecture at the University Boccini, Milan\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td>Slide presentation at the Lamar Dodd School of Art, University of Georgia, USA\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td>Talk at the Griffith Auditorium, Georgia Museum of Art, USA\r\n</td></tr><tr><td valign=\"top\">2003                  </td><td>Slide presentation at Oslo National Academy of the Arts, Norway\r\n</td></tr><tr><td valign=\"top\">2000                  </td><td>Mohile Parikh Centre for the Visual Arts, Mumbai','Biography','','inherit','open','open','','105-revision-64','','','2010-07-22 17:03:26','2010-07-22 17:03:26','',105,'http://www.biggventures.com/demo/artists/1559/uncat/105-revision-64',0,'revision','',0),(1560,1,'2010-07-22 17:07:30','2010-07-22 17:07:30','Reena Saini Kallat (b. Delhi 1973) graduated from the Sir J. J. School of Art, Mumbai in 1996 with a B. F. A. in painting. Her practice - spanning painting, photography, video and sculptural installations - frequently deals with the condition of an individual in a rapidly changing society, ever susceptible to being reduced to an anonymous and forgotten statistic. Kallat is interested in constructing images that seem to change and transform by the possibilities they carry for the generation of meaning through a calibrated interplay of image and form.\r\n\r\nOver the last decade her work has been part of many important exhibitions, across the world. She has had ten solo exhibitions in India and abroad, collectively, and participated in a number of workshops and residencies. She lives and works in Mumbai.\r\n\r\n<strong><span style=\"color: #888888;\">SOLO EXHIBITIONS</span></strong>\r\n<table>\r\n<tr><td valign=\"top\">2009                  </td><td><a class=\"linkbio\" href=\"http://www.primomarellagallery.com/it/catalogue/scheda.asp?id=568&view=past\" target=\"_blank\">Drift, Primo Marella Gallery, Milan</a>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2008/reena_bio.html\" target=\"_blank\"> Silt of Seasons, Chemould   Prescott Road, Mumbai</a>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a class=\"linkbio\" href=\"http://www.walshgallery.com/reena-kallat-exhibition-2008/\" target=\"_blank\">Subject to Change without Notice, Walsh Gallery, Chicago</a></td></tr>\r\n\r\n<tr><td valign=\"top\">2006                  </td><td><em>Rainbow Of Refuse, </em>Bodhi Art Gallery, Mumbai and Singapore </td><td><em> </em>\r\n</td></tr>\r\n<tr><td valign=\"top\">2005                  </td><td><a class=\"linkbio\" href=\"http://www.naturemorte.com/artists/reena-saini-kallat/selected-works/\" target=\"_blank\">Black Flute (And Other Stories), Nature Morte, New Delhi</a>\r\n</td></tr><tr><td valign=\"top\">2004                  </td><td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2004/reena_saini_kallat_note.html\" target=\"_blank\">Black Flute</em>, Gallery Chemould, Mumbai</a>\r\n</td></tr><tr><td valign=\"top\">2002                  </td><td><em>The Battlefield Is The Mind</em>, Sakshi Gallery, Bangalore\r\n</td></tr><tr><td valign=\"top\">2002                  </td><td><em>Seven Faces of Dust</em>, Chicago Radio, Mumbai\r\n</td></tr><tr><td valign=\"top\">2000                  </td><td><em>Skin</em>, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi\r\n</td></tr><tr><td valign=\"top\">1998                  </td><td><em>Orchard of Home-grown Secrets</em>, Gallery Chemould and Pundole  Art <em>Gallery, Mumbai</em>\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr>\r\n\r\n<tr><td colspan=\"2\">\r\n<span style=\"color: #888888;\"><strong>SELECTED GROUP EXHIBITIONS</strong></span>\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr>\r\n\r\n<tr><td valign=\"top\">2010                  </td><td><a class=\"linkbio\" href=\"http://www.richmondartgallery.org/in-transition.php\" target=\"_blank\">In Transition: New Art from India, Richmond Art Gallery Vancouver Biennale, Vancouver</a>\r\n</td></tr><tr><td valign=\"top\">2010                  </td><td><a class=\"linkbio\" href=\"http://websterhuntgallery.blogspot.com/2010_02_01_archive.html\" target=\"_blank\">Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster University, curated by Jeffrey Hughes and Dana Turkovic, \r\nCecile R. Hunt Gallery,St.Louis,Missouri</a>\r\n</td></tr><tr><td valign=\"top\">2010                  </td><td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/51\" target=\"_blank\">Never Run Away, 2 person exhibition curated by Shaheen Merali,Stux   Gallery,  New York</a>\r\n</td></tr><tr><td valign=\"top\">2010                  </td><td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/artists/reena_kallat.htm?section_name=new_india\" target=\"_blank\">The Empire Strikes Back, Saatchi Gallery, London</a>\r\n</td></tr><tr><td valign=\"top\">2010 </td><td><a class=\"linkbio\" href=\"http://art-for-the-world.blogspot.com/2010/01/some-installation-views-of-urban.html\" target=\"_blank\">Urban Manners 2, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao Paulo, Brazil</a>\r\n\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><a class=\"linkbio\" href=\"http://www.asianartbiennial.org/2009/en/index_en.html\" target=\"_blank\">View Points and Viewing points - 2009 Asian Art Biennale, National Taiwan Museum of Fine Arts \r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><em>Spectrum: Indian Art at Abu   Dhabi, United   Arab Emirates</em>\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><em>Milan Galleria</em>, curated by Georgio Verzotti, Triennale Museum, Milan\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><a class=\"linkbio\" href=\"http://www.initialaccess.co.uk/exhibition_moreinfo.php?id=11\" target=\"_blank\">Passage to India Part II show at Initial Access, Frank Cohen Collection, Wolverhampton, UK</a></td></tr>\r\n<tr><td valign=\"top\">2009                  </td><td>Ventosul Biennale, Curitiba, Brazil\r\n</td></tr><tr><td valign=\"top\">2009     </td><td><a class=\"linkbio\" href=\"http://www.mori.art.museum/english/contents/india/index.html\" target=\"_blank\"> Chalo! India: A New Era of Indian Art, National  Museum of Contemporary Art, Korea and Essl Museum, Vienna</a>\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><a class=\"linkbio\" href=\"http://www.mocashanghai.org/index.php?_function=exhibition&_subFunction=pastExhibition&exhibition_id=40&_view=detail\" target=\"_blank\">INDIA XIANZAI: Contemporary Indian Art, Museum of Contemporary Art, Shanghai</a>\r\n</td></tr><tr><td valign=\"top\">2009                   </td><td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/42/622\" target=\"_blank\">Low Blow: And Other Species of Confusion, Stux gallery, New York</a>\r\n</td></tr><tr><td valign=\"top\">2009</td><td><em> Indian Narratives in the 21<sup>st</sup> Century: Between Memory and History</em>,Casa  Asia, Madrid and Barcelona, Spain\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><a class=\"linkbio\" href=\"http://www.walshgallery.com/body-chatter-an-exhibition-of-contemporary-indian-art-2008/\" target=\"_blank\">Body Chatter, Walsh Gallery, Chicago</a></td></tr>\r\n<tr><td valign=\"top\">2008     </td><td><a class=\"linkbio\" href=\"http://www.mori.art.museum/contents/press/india_20081121_e.pdf\" target=\"_blank\">Chalo! India: A New Era of Indian Art, Mori Art   Museum, Japan</a>\r\n</td></tr>\r\n<tr><td valign=\"top\">2008                  </td><td><a class=\"linkbio\" href=\"http://www.indiamoderna.es/eng/index.html\" target=\"_blank\">India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM Museum, Valencia, Spain </a></td><td>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a class=\"linkbio\" href=\"http://www.aaa.org.hk/onlineprojects/bitri/en/gallery.aspx?eid=A080.03\" target=\"_blank\">3<sup>rd</sup> Nanjing Triennale, curators: Fumihiko Sumitomo, Jaeyoung Kang,  China\r\n</a>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><em>TEAF (Taehwagang Eco Art Festival) - Dream River, Korea </em>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a class=\"linkbio\" href=\"http://www.bodhiart.in/exhibitions/everywhere_is_war/everywhere_war.html\" target=\"_blank\">Everywhere is War (And Rumours of it), Bodhi Art Gallery, Mumbai</a>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/33\" target=\"_blank\">Fire Walkers, Stefan Stux gallery, New York</a>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a class=\"linkbio\" href=\"http://www.galeriems.com/reenask_one.htm\" target=\"_blank\">Three Points of view, Galerie Mirchandani + Steinrucke, Mumbai</a>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><em>Excavation: Memory / Myth / Membrane</em>, Museum Gallery, Mumbai </td><td>\r\n</td></tr>\r\n\r\n<tr><td valign=\"top\">2007                  </td><td><em>International Incheon Women Artists’ Biennale</em>, Korea\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><em>Soft Power: Asian Attitude</em>, Shanghai Zendai Museum of Modern Art, Shanghai\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><a class=\"linkbio\" href=\"http://www.kunstaspekte.de/index.php?tid=39629&action=termin\" target=\"_blank\">Urban Manners, curated by Adelina Von Furstenberg, at Hangar Bicocca , Milan</a></td><td>\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><a class=\"linkbio\" href=\"http://www.art-for-the-world.com/wwd/2007/urban_manners/Urban_Manners_pr.pdf\" target=\"_blank\">INDIA NOW: Contemporary Indian Art, Between Continuity and transformation,curated by Daniela Palozzoli at Spazio Oberdan, Milan</a>\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><em>New Narratives: Contemporary Art From India</em>, curated by Betty Seid,Chicago Cultural Centre, Chicago </td><td><em> </em>\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><em>Thermocline Of Art- New Asian Waves</em>, curated by Wonil Rhee and Peter Weibel at ZKM in Karlsruhe, Germany\r\n</td></tr>\r\n\r\n<tr><td valign=\"top\">2006                  </td><td><em>Modern Indian Works On Paper,</em> Arthur Ross Gallery, Philadelphia and the Georgia Museum of Art, USA\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td><em>Lille 3000 (</em>Maximum City-Mumbai), Lille,  France \r\n</td></tr><tr><td valign=\"top\">2006</td><td>Hungry God- Indian Contemporary Art, curated by Yun Chaegab and June Gwak, Arario Gallery, Beijing and Busan MoMA\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td><em>India Express – Art and Popular Culture</em>, Art Museum Tennispalace, curators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City  Art Museum, Finland</td></tr>\r\n\r\n<tr><td valign=\"top\">2005                  </td><td><em>Mom and Pop Art, </em>Walsh Gallery, Chicago\r\n</td></tr><tr><td valign=\"top\">2005                  </td><td><em>Span</em>, Sakshi Gallery, Mumbai\r\n</td></tr><tr><td valign=\"top\">2005                  </td><td>Indian Paintings of the New Millenium, curated by Helen Asquine Fazio at Thomas J. Walsh Art Gallery at Fairfield  University, USA</td></tr>\r\n\r\n<tr><td valign=\"top\">2004 </td><td><em> Contemporary Art from India</em>, Thomas   Erben Gallery, New York\r\n</td></tr><tr><td valign=\"top\">2004                    </td><td>Zoom! Art in Contemporary India. Curators: Nancy Adajania and Luis Serpa, The Culturgest Museum, Lisbon, Portugal</td><td>\r\n</td></tr>\r\n\r\n<tr><td valign=\"top\">2003</td><td> Crossing generations: diVERGE, Gallery Chemould’s 40th anniversary,Curators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of Modern Art, Mumbai\r\n</td></tr><tr><td valign=\"top\">2003</td><td><em> Hard Copy,</em> two-person show with Jitish Kallat, Gallery 88, Calcutta\r\n</td></tr><tr><td valign=\"top\">2003                  </td><td><em>Tiranga</em>, curator: Peter Nagy, India Habitat Centre, New Delhi</td><td><em> </em>\r\n</td></tr><tr><td valign=\"top\">2003</td><td><em> Elephant Walks</em>, Youth Arts Project in collaboration with Jitish Kallat as part of Indians + Cowboys exhibition, Curators: Aaron Seetu and Ruth Watson Gallery 4A, Sydney\r\n</td></tr><tr><td valign=\"top\">2003                  </td><td><em>The Tree From The Seed, Contemporary Art from India, </em>curator: Gavin Jantjes Henie Onstad Kunstsenter (Oslo), Norway</td><td><em></em>\r\n</td></tr>\r\n\r\n<tr><td valign=\"top\">2002                   </td><td><em>Crosscurrents</em>, organized by Artworks for the fiftieth anniversary celebrations of Jehangir Art  Gallery, Mumbai\r\n</td></tr><tr><td valign=\"top\">2002                        </td><td><em>Reclaim Our Freedom</em>, organized by Open Circle, Pundole Art Gallery, Mumbai\r\n</td></tr><tr><td valign=\"top\">2002                       </td><td><em>Crossing Borders</em>, Gallery Windkracht 13, Den Helder, Holland\r\n</td></tr>\r\n\r\n<tr><td valign=\"top\">2001                        </td><td><em>Big River 2</em>, CCA7 Gallery, Port Of Spain, Trinidad\r\n</td></tr><tr><td valign=\"top\">2001                   </td><td><em>AOM- Art on the move</em>, organized by Sahmat, New Delhi\r\n</td></tr>\r\n<tr><td valign=\"top\">1999</td><td><em> Edge of the Century,</em> curated by Amit Mukhopadhyay, Academy  of Fine Arts and Literature, New Delhi\r\n</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n<tr><td colspan=\"2\">\r\n<strong><span style=\"color: #888888;\">SELECTED WORKSHOPS AND RESIDENCIES</span></strong>\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><em>Vanishing Point</em>, children’s project at the Celebrate Bandra Festival, Mumbai\r\n</td></tr><tr><td valign=\"top\">2007             </td><td>Collaborative workshop as part of the exhibition Aftershock at the Sainsbury Centre for Visual Arts, University of East Anglia, Norwich,  UK\r\n</td></tr><tr><td valign=\"top\">2003                       </td><td>Collaborated on a Billboard project with Jitish Kallat, Kala Ghoda Art District, Mumbai\r\n</td></tr><tr><td valign=\"top\">2003                  </td><td><em>Elephant Walks</em>, Youth Arts Project at the Casula Power House Arts Centre, Liverpool, Australia\r\n</td></tr><tr><td valign=\"top\">2002</td><td> Khoj 2002 International Artists Workshop, Mysore, India\r\n</td></tr><tr><td valign=\"top\">2002</td><td><em> Identity and Landscape</em>, residency in the Laurentian mountains of Quebec at the Boreal Art/Nature Centre, Canada\r\n</td></tr><tr><td valign=\"top\">2001                  </td><td><em>Big River 2</em>, International Artists Workshop organized by CCA7 and the Triangle Arts Trust at Grand Riviere, Trinidad, West Indies\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr>\r\n<tr><td>\r\n<span style=\"color: #888888;\"><strong>TALKS/PRESENTATIONS</strong></span>\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td>Panel discussion with artist Gulam Sheikh, co-chair: Sabine B. Vogel, art critic at the Sammlung Essl Museum, Vienna\r\n</td></tr><tr><td valign=\"top\">2008                    </td><td>Slide presentation followed by a panel discussion with Nalini Malani and Jayshree Chakravarty, moderated by Nancy Adajania at Jnanapravaha, Mumbai\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td>Slide presentation at the School of the Art Institute of Chicago\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td>Panel discussion with Nalini Malani, Sheba Chhachhi, moderated by Betty Seid at the Chicago Cultural Centre\r\n</td></tr><tr><td valign=\"top\">2007                   </td><td>Lecture at the University Boccini, Milan\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td>Slide presentation at the Lamar Dodd School of Art, University of Georgia, USA\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td>Talk at the Griffith Auditorium, Georgia Museum of Art, USA\r\n</td></tr><tr><td valign=\"top\">2003                  </td><td>Slide presentation at Oslo National Academy of the Arts, Norway\r\n</td></tr><tr><td valign=\"top\">2000                  </td><td>Mohile Parikh Centre for the Visual Arts, Mumbai','Biography','','inherit','open','open','','105-revision-65','','','2010-07-22 17:07:30','2010-07-22 17:07:30','',105,'http://www.biggventures.com/demo/artists/1560/uncat/105-revision-65',0,'revision','',0),(1561,1,'2010-07-22 17:20:21','2010-07-22 17:20:21','Reena Saini Kallat (b. Delhi 1973) graduated from the Sir J. J. School of Art, Mumbai in 1996 with a B. F. A. in painting. Her practice - spanning painting, photography, video and sculptural installations - frequently deals with the condition of an individual in a rapidly changing society, ever susceptible to being reduced to an anonymous and forgotten statistic. Kallat is interested in constructing images that seem to change and transform by the possibilities they carry for the generation of meaning through a calibrated interplay of image and form.\r\n\r\nOver the last decade her work has been part of many important exhibitions, across the world. She has had ten solo exhibitions in India and abroad, collectively, and participated in a number of workshops and residencies. She lives and works in Mumbai.\r\n\r\n<strong><span style=\"color: #888888;\">SOLO EXHIBITIONS</span></strong>\r\n<table>\r\n<tr><td valign=\"top\">2009                  </td><td><a class=\"linkbio\" href=\"http://www.primomarellagallery.com/it/catalogue/scheda.asp?id=568&view=past\" target=\"_blank\">Drift, Primo Marella Gallery, Milan</a>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2008/reena_bio.html\" target=\"_blank\"> Silt of Seasons, Chemould   Prescott Road, Mumbai</a>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a class=\"linkbio\" href=\"http://www.walshgallery.com/reena-kallat-exhibition-2008/\" target=\"_blank\">Subject to Change without Notice, Walsh Gallery, Chicago</a></td></tr>\r\n\r\n<tr><td valign=\"top\">2006                  </td><td><em>Rainbow Of Refuse, </em>Bodhi Art Gallery, Mumbai and Singapore </td><td><em> </em>\r\n</td></tr>\r\n<tr><td valign=\"top\">2005                  </td><td><a class=\"linkbio\" href=\"http://www.naturemorte.com/artists/reena-saini-kallat/selected-works/\" target=\"_blank\">Black Flute (And Other Stories), Nature Morte, New Delhi</a>\r\n</td></tr><tr><td valign=\"top\">2004                  </td><td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2004/reena_saini_kallat_note.html\" target=\"_blank\">Black Flute</em>, Gallery Chemould, Mumbai</a>\r\n</td></tr><tr><td valign=\"top\">2002                  </td><td><em>The Battlefield Is The Mind</em>, Sakshi Gallery, Bangalore\r\n</td></tr><tr><td valign=\"top\">2002                  </td><td><em>Seven Faces of Dust</em>, Chicago Radio, Mumbai\r\n</td></tr><tr><td valign=\"top\">2000                  </td><td><em>Skin</em>, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi\r\n</td></tr><tr><td valign=\"top\">1998                  </td><td><em>Orchard of Home-grown Secrets</em>, Gallery Chemould and Pundole  Art <em>Gallery, Mumbai</em>\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr>\r\n\r\n<tr><td colspan=\"2\">\r\n<span style=\"color: #888888;\"><strong>SELECTED GROUP EXHIBITIONS</strong></span>\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr>\r\n\r\n<tr><td valign=\"top\">2010                  </td><td><a class=\"linkbio\" href=\"http://www.richmondartgallery.org/in-transition.php\" target=\"_blank\">In Transition: New Art from India, Richmond Art Gallery Vancouver Biennale, Vancouver</a>\r\n</td></tr><tr><td valign=\"top\">2010                  </td><td><a class=\"linkbio\" href=\"http://websterhuntgallery.blogspot.com/2010_02_01_archive.html\" target=\"_blank\">Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster University, curated by Jeffrey Hughes and Dana Turkovic, \r\nCecile R. Hunt Gallery,St.Louis,Missouri</a>\r\n</td></tr><tr><td valign=\"top\">2010                  </td><td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/51\" target=\"_blank\">Never Run Away, 2 person exhibition curated by Shaheen Merali,Stux   Gallery,  New York</a>\r\n</td></tr><tr><td valign=\"top\">2010                  </td><td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/artists/reena_kallat.htm?section_name=new_india\" target=\"_blank\">The Empire Strikes Back, Saatchi Gallery, London</a>\r\n</td></tr><tr><td valign=\"top\">2010 </td><td><a class=\"linkbio\" href=\"http://art-for-the-world.blogspot.com/2010/01/some-installation-views-of-urban.html\" target=\"_blank\">Urban Manners 2, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao Paulo, Brazil</a>\r\n</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n<tr><td valign=\"top\">2009                  </td><td><a class=\"linkbio\" href=\"http://www.asianartbiennial.org/2009/en/index_en.html\" target=\"_blank\">View Points and Viewing points - 2009 Asian Art Biennale, National Taiwan Museum of Fine Arts \r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><em>Spectrum: Indian Art at Abu   Dhabi, United   Arab Emirates</em>\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><em>Milan Galleria</em>, curated by Georgio Verzotti, Triennale Museum, Milan\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><a class=\"linkbio\" href=\"http://www.initialaccess.co.uk/exhibition_moreinfo.php?id=11\" target=\"_blank\">Passage to India Part II show at Initial Access, Frank Cohen Collection, Wolverhampton, UK</a></td></tr>\r\n<tr><td valign=\"top\">2009                  </td><td>Ventosul Biennale, Curitiba, Brazil\r\n</td></tr><tr><td valign=\"top\">2009     </td><td><a class=\"linkbio\" href=\"http://www.mori.art.museum/english/contents/india/index.html\" target=\"_blank\"> Chalo! India: A New Era of Indian Art, National  Museum of Contemporary Art, Korea and Essl Museum, Vienna</a>\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><a class=\"linkbio\" href=\"http://www.mocashanghai.org/index.php?_function=exhibition&_subFunction=pastExhibition&exhibition_id=40&_view=detail\" target=\"_blank\">INDIA XIANZAI: Contemporary Indian Art, Museum of Contemporary Art, Shanghai</a>\r\n</td></tr><tr><td valign=\"top\">2009                   </td><td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/42/622\" target=\"_blank\">Low Blow: And Other Species of Confusion, Stux gallery, New York</a>\r\n</td></tr><tr><td valign=\"top\">2009</td><td><em> Indian Narratives in the 21<sup>st</sup> Century: Between Memory and History</em>,Casa  Asia, Madrid and Barcelona, Spain\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><a class=\"linkbio\" href=\"http://www.walshgallery.com/body-chatter-an-exhibition-of-contemporary-indian-art-2008/\" target=\"_blank\">Body Chatter, Walsh Gallery, Chicago</a></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n<tr><td valign=\"top\">2008     </td><td><a class=\"linkbio\" href=\"http://www.mori.art.museum/contents/press/india_20081121_e.pdf\" target=\"_blank\">Chalo! India: A New Era of Indian Art, Mori Art   Museum, Japan</a>\r\n</td></tr>\r\n<tr><td valign=\"top\">2008                  </td><td><a class=\"linkbio\" href=\"http://www.indiamoderna.es/eng/index.html\" target=\"_blank\">India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM Museum, Valencia, Spain </a></td><td>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a class=\"linkbio\" href=\"http://www.aaa.org.hk/onlineprojects/bitri/en/gallery.aspx?eid=A080.03\" target=\"_blank\">3<sup>rd</sup> Nanjing Triennale, curators: Fumihiko Sumitomo, Jaeyoung Kang,  China\r\n</a>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><em>TEAF (Taehwagang Eco Art Festival) - Dream River, Korea </em>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a class=\"linkbio\" href=\"http://www.bodhiart.in/exhibitions/everywhere_is_war/everywhere_war.html\" target=\"_blank\">Everywhere is War (And Rumours of it), Bodhi Art Gallery, Mumbai</a>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/33\" target=\"_blank\">Fire Walkers, Stefan Stux gallery, New York</a>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><a class=\"linkbio\" href=\"http://www.galeriems.com/reenask_one.htm\" target=\"_blank\">Three Points of view, Galerie Mirchandani + Steinrucke, Mumbai</a>\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td><em>Excavation: Memory / Myth / Membrane</em>, Museum Gallery, Mumbai </td><td>\r\n</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n<tr><td valign=\"top\">2007                  </td><td><em>International Incheon Women Artists’ Biennale</em>, Korea\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><em>Soft Power: Asian Attitude</em>, Shanghai Zendai Museum of Modern Art, Shanghai\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><a class=\"linkbio\" href=\"http://www.kunstaspekte.de/index.php?tid=39629&action=termin\" target=\"_blank\">Urban Manners, curated by Adelina Von Furstenberg, at Hangar Bicocca , Milan</a></td><td>\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><a class=\"linkbio\" href=\"http://www.art-for-the-world.com/wwd/2007/urban_manners/Urban_Manners_pr.pdf\" target=\"_blank\">INDIA NOW: Contemporary Indian Art, Between Continuity and transformation,curated by Daniela Palozzoli at Spazio Oberdan, Milan</a>\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><em>New Narratives: Contemporary Art From India</em>, curated by Betty Seid,Chicago Cultural Centre, Chicago </td><td><em> </em>\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td><em>Thermocline Of Art- New Asian Waves</em>, curated by Wonil Rhee and Peter Weibel at ZKM in Karlsruhe, Germany\r\n</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n<tr><td valign=\"top\">2006                  </td><td><em>Modern Indian Works On Paper,</em> Arthur Ross Gallery, Philadelphia and the Georgia Museum of Art, USA\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td><em>Lille 3000 (</em>Maximum City-Mumbai), Lille,  France \r\n</td></tr><tr><td valign=\"top\">2006</td><td>Hungry God- Indian Contemporary Art, curated by Yun Chaegab and June Gwak, Arario Gallery, Beijing and Busan MoMA\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td><em>India Express – Art and Popular Culture</em>, Art Museum Tennispalace, curators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City  Art Museum, Finland</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n<tr><td valign=\"top\">2005                  </td><td><em>Mom and Pop Art, </em>Walsh Gallery, Chicago\r\n</td></tr><tr><td valign=\"top\">2005                  </td><td><em>Span</em>, Sakshi Gallery, Mumbai\r\n</td></tr><tr><td valign=\"top\">2005                  </td><td>Indian Paintings of the New Millenium, curated by Helen Asquine Fazio at Thomas J. Walsh Art Gallery at Fairfield  University, USA</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n<tr><td valign=\"top\">2004 </td><td><em> Contemporary Art from India</em>, Thomas   Erben Gallery, New York\r\n</td></tr><tr><td valign=\"top\">2004                    </td><td>Zoom! Art in Contemporary India. Curators: Nancy Adajania and Luis Serpa, The Culturgest Museum, Lisbon, Portugal</td><td>\r\n</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n<tr><td valign=\"top\">2003</td><td> Crossing generations: diVERGE, Gallery Chemould’s 40th anniversary,Curators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of Modern Art, Mumbai\r\n</td></tr><tr><td valign=\"top\">2003</td><td><em> Hard Copy,</em> two-person show with Jitish Kallat, Gallery 88, Calcutta\r\n</td></tr><tr><td valign=\"top\">2003                  </td><td><em>Tiranga</em>, curator: Peter Nagy, India Habitat Centre, New Delhi</td><td><em> </em>\r\n</td></tr><tr><td valign=\"top\">2003</td><td><em> Elephant Walks</em>, Youth Arts Project in collaboration with Jitish Kallat as part of Indians + Cowboys exhibition, Curators: Aaron Seetu and Ruth Watson Gallery 4A, Sydney\r\n</td></tr><tr><td valign=\"top\">2003                  </td><td><em>The Tree From The Seed, Contemporary Art from India, </em>curator: Gavin Jantjes Henie Onstad Kunstsenter (Oslo), Norway</td><td><em></em>\r\n</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n<tr><td valign=\"top\">2002                   </td><td><em>Crosscurrents</em>, organized by Artworks for the fiftieth anniversary celebrations of Jehangir Art  Gallery, Mumbai\r\n</td></tr><tr><td valign=\"top\">2002                        </td><td><em>Reclaim Our Freedom</em>, organized by Open Circle, Pundole Art Gallery, Mumbai\r\n</td></tr><tr><td valign=\"top\">2002                       </td><td><em>Crossing Borders</em>, Gallery Windkracht 13, Den Helder, Holland\r\n</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n<tr><td valign=\"top\">2001                        </td><td><em>Big River 2</em>, CCA7 Gallery, Port Of Spain, Trinidad\r\n</td></tr><tr><td valign=\"top\">2001                   </td><td><em>AOM- Art on the move</em>, organized by Sahmat, New Delhi\r\n</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n<tr><td valign=\"top\">1999</td><td><em> Edge of the Century,</em> curated by Amit Mukhopadhyay, Academy  of Fine Arts and Literature, New Delhi\r\n</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n<tr><td colspan=\"2\">\r\n<strong><span style=\"color: #888888;\">SELECTED WORKSHOPS AND RESIDENCIES</span></strong>\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td><em>Vanishing Point</em>, children’s project at the Celebrate Bandra Festival, Mumbai\r\n</td></tr><tr><td valign=\"top\">2007             </td><td>Collaborative workshop as part of the exhibition Aftershock at the Sainsbury Centre for Visual Arts, University of East Anglia, Norwich,  UK\r\n</td></tr><tr><td valign=\"top\">2003                       </td><td>Collaborated on a Billboard project with Jitish Kallat, Kala Ghoda Art District, Mumbai\r\n</td></tr><tr><td valign=\"top\">2003                  </td><td><em>Elephant Walks</em>, Youth Arts Project at the Casula Power House Arts Centre, Liverpool, Australia\r\n</td></tr><tr><td valign=\"top\">2002</td><td> Khoj 2002 International Artists Workshop, Mysore, India\r\n</td></tr><tr><td valign=\"top\">2002</td><td><em> Identity and Landscape</em>, residency in the Laurentian mountains of Quebec at the Boreal Art/Nature Centre, Canada\r\n</td></tr><tr><td valign=\"top\">2001                  </td><td><em>Big River 2</em>, International Artists Workshop organized by CCA7 and the Triangle Arts Trust at Grand Riviere, Trinidad, West Indies\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr>\r\n<tr><td>\r\n<span style=\"color: #888888;\"><strong>TALKS/PRESENTATIONS</strong></span>\r\n</td></tr><tr><td>&nbsp;\r\n</td></tr><tr><td valign=\"top\">2009                  </td><td>Panel discussion with artist Gulam Sheikh, co-chair: Sabine B. Vogel, art critic at the Sammlung Essl Museum, Vienna\r\n</td></tr><tr><td valign=\"top\">2008                    </td><td>Slide presentation followed by a panel discussion with Nalini Malani and Jayshree Chakravarty, moderated by Nancy Adajania at Jnanapravaha, Mumbai\r\n</td></tr><tr><td valign=\"top\">2008                  </td><td>Slide presentation at the School of the Art Institute of Chicago\r\n</td></tr><tr><td valign=\"top\">2007                  </td><td>Panel discussion with Nalini Malani, Sheba Chhachhi, moderated by Betty Seid at the Chicago Cultural Centre\r\n</td></tr><tr><td valign=\"top\">2007                   </td><td>Lecture at the University Boccini, Milan\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td>Slide presentation at the Lamar Dodd School of Art, University of Georgia, USA\r\n</td></tr><tr><td valign=\"top\">2006                  </td><td>Talk at the Griffith Auditorium, Georgia Museum of Art, USA\r\n</td></tr><tr><td valign=\"top\">2003                  </td><td>Slide presentation at Oslo National Academy of the Arts, Norway\r\n</td></tr><tr><td valign=\"top\">2000                  </td><td>Mohile Parikh Centre for the Visual Arts, Mumbai','Biography','','inherit','open','open','','105-revision-66','','','2010-07-22 17:20:21','2010-07-22 17:20:21','',105,'http://www.biggventures.com/demo/artists/1561/uncat/105-revision-66',0,'revision','',0);
INSERT INTO `wp_posts` VALUES (1564,1,'2010-07-23 17:29:54','2010-07-23 17:29:54','Reena Saini Kallat (b. Delhi 1973) graduated from the Sir J. J. School of Art, Mumbai in 1996 with a B. F. A. in painting. Her practice - spanning painting, photography, video and sculptural installations - frequently deals with the condition of an individual in a rapidly changing society, ever susceptible to being reduced to an anonymous and forgotten statistic. Kallat is interested in constructing images that seem to change and transform by the possibilities they carry for the generation of meaning through a calibrated interplay of image and form.\r\n\r\nOver the last decade her work has been part of many important exhibitions, across the world. She has had ten solo exhibitions in India and abroad, collectively, and participated in a number of workshops and residencies. She lives and works in Mumbai.\r\n<table>\r\n<tbody>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">SOLO EXHIBITIONS</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.primomarellagallery.com/it/catalogue/scheda.asp?id=568&amp;view=past\" target=\"_blank\">Drift, Primo Marella Gallery, Milan</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2008/reena_bio.html\" target=\"_blank\"> Silt of Seasons, Chemould   Prescott Road, Mumbai</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/reena-kallat-exhibition-2008/\" target=\"_blank\">Subject to Change without Notice, Walsh Gallery, Chicago</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Rainbow Of Refuse, Bodhi Art Gallery, Mumbai and Singapore</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td><a class=\"linkbio\" href=\"http://www.naturemorte.com/artists/reena-saini-kallat/selected-works/\" target=\"_blank\">Black Flute (And Other Stories), Nature Morte, New Delhi</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2004/reena_saini_kallat_note.html\" target=\"_blank\">Black Flute, Gallery Chemould, Mumbai</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>The Battlefield Is The Mind, Sakshi Gallery, Bangalore</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Seven Faces of Dust, Chicago Radio, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2000</td>\r\n<td>Skin, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1998</td>\r\n<td>Orchard of Home-grown Secrets, Gallery Chemould and Pundole  Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><span style=\"color: #888888;\"><strong>SELECTED GROUP EXHIBITIONS</strong></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.richmondartgallery.org/in-transition.php\" target=\"_blank\">In Transition: New Art from India, Richmond Art Gallery Vancouver Biennale, Vancouver</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://websterhuntgallery.blogspot.com/2010_02_01_archive.html\" target=\"_blank\">Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster University, curated by Jeffrey Hughes and Dana Turkovic,\r\nCecile R. Hunt Gallery,St.Louis,Missouri</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/51\" target=\"_blank\">Never Run Away, 2 person exhibition curated by Shaheen Merali,Stux   Gallery,  New York</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/artists/reena_kallat.htm?section_name=new_india\" target=\"_blank\">The Empire Strikes Back, Saatchi Gallery, London</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://art-for-the-world.blogspot.com/2010/01/some-installation-views-of-urban.html\" target=\"_blank\">Urban Manners 2, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao Paulo, Brazil</a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.asianartbiennial.org/2009/en/index_en.html\" target=\"_blank\">View Points and Viewing points - 2009 Asian Art Biennale, National Taiwan Museum of Fine Arts </a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Spectrum: Indian Art at Abu   Dhabi, United   Arab Emirates</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Milan Galleria, curated by Georgio Verzotti, Triennale Museum, Milan</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.initialaccess.co.uk/exhibition_moreinfo.php?id=11\" target=\"_blank\">Passage to India Part II show at Initial Access, Frank Cohen Collection, Wolverhampton, UK</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Ventosul Biennale, Curitiba, Brazil</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/english/contents/india/index.html\" target=\"_blank\"> Chalo! India: A New Era of Indian Art, National  Museum of Contemporary Art, Korea and Essl Museum, Vienna</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mocashanghai.org/index.php?_function=exhibition&amp;_subFunction=pastExhibition&amp;exhibition_id=40&amp;_view=detail\" target=\"_blank\">INDIA XIANZAI: Contemporary Indian Art, Museum of Contemporary Art, Shanghai</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/42/622\" target=\"_blank\">Low Blow: And Other Species of Confusion, Stux gallery, New York</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><em> </em>Indian Narratives in the 21<sup>st</sup> Century: Between Memory and History,Casa  Asia, Madrid and Barcelona, Spain</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/body-chatter-an-exhibition-of-contemporary-indian-art-2008/\" target=\"_blank\">Body Chatter, Walsh Gallery, Chicago</a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/contents/press/india_20081121_e.pdf\" target=\"_blank\">Chalo! India: A New Era of Indian Art, Mori Art   Museum, Japan</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.indiamoderna.es/eng/index.html\" target=\"_blank\">India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM Museum, Valencia, Spain </a></td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.aaa.org.hk/onlineprojects/bitri/en/gallery.aspx?eid=A080.03\" target=\"_blank\">3<sup>rd</sup> Nanjing Triennale, curators: Fumihiko Sumitomo, Jaeyoung Kang,  China\r\n</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>TEAF (Taehwagang Eco Art Festival) - Dream River, Korea</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.bodhiart.in/exhibitions/everywhere_is_war/everywhere_war.html\" target=\"_blank\">Everywhere is War (And Rumours of it), Bodhi Art Gallery, Mumbai</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/33\" target=\"_blank\">Fire Walkers, Stefan Stux gallery, New York</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.galeriems.com/reenask_one.htm\" target=\"_blank\">Three Points of view, Galerie Mirchandani + Steinrucke, Mumbai</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Excavation: Memory / Myth / Membrane, Museum Gallery, Mumbai</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>International Incheon Women Artists’ Biennale, Korea</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Soft Power: Asian Attitude, Shanghai Zendai Museum of Modern Art, Shanghai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td><a class=\"linkbio\" href=\"http://www.kunstaspekte.de/index.php?tid=39629&amp;action=termin\" target=\"_blank\">Urban Manners, curated by Adelina Von Furstenberg, at Hangar Bicocca , Milan</a></td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td><a class=\"linkbio\" href=\"http://www.art-for-the-world.com/wwd/2007/urban_manners/Urban_Manners_pr.pdf\" target=\"_blank\">INDIA NOW: Contemporary Indian Art, Between Continuity and transformation,curated by Daniela Palozzoli at Spazio Oberdan, Milan</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>New Narratives: Contemporary Art From India, curated by Betty Seid,Chicago Cultural Centre, Chicago</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Thermocline Of Art- New Asian Waves, curated by Wonil Rhee and Peter Weibel at ZKM in Karlsruhe, Germany</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Modern Indian Works On Paper, Arthur Ross Gallery, Philadelphia and the Georgia Museum of Art, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Lille 3000 (Maximum City-Mumbai), Lille,  France</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Hungry God- Indian Contemporary Art, curated by Yun Chaegab and June Gwak, Arario Gallery, Beijing and Busan MoMA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>India Express – Art and Popular Culture, Art Museum Tennispalace, curators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City  Art Museum, Finland</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Mom and Pop Art, Walsh Gallery, Chicago</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Span, Sakshi Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Indian Paintings of the New Millenium, curated by Helen Asquine Fazio at Thomas J. Walsh Art Gallery at Fairfield  University, USA</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td><em> </em>Contemporary Art from India, Thomas   Erben Gallery, New York</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td>Zoom! Art in Contemporary India. Curators: Nancy Adajania and Luis Serpa, The Culturgest Museum, Lisbon, Portugal</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Crossing generations: diVERGE, Gallery Chemould’s 40th anniversary,Curators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of Modern Art, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td><em> </em>Hard Copy, two-person show with Jitish Kallat, Gallery 88, Calcutta</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Tiranga, curator: Peter Nagy, India Habitat Centre, New Delhi</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td><em> </em>Elephant Walks, Youth Arts Project in collaboration with Jitish Kallat as part of Indians + Cowboys exhibition, Curators: Aaron Seetu and Ruth Watson Gallery 4A, Sydney</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>The Tree From The Seed, Contemporary Art from India, curator: Gavin Jantjes Henie Onstad Kunstsenter (Oslo), Norway</td>\r\n<td><em></em></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td><em>Crosscurrents</em>, organized by Artworks for the fiftieth anniversary celebrations of Jehangir Art  Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td><em>Reclaim Our Freedom</em>, organized by Open Circle, Pundole Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Crossing Borders, Gallery Windkracht 13, Den Helder, Holland</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>Big River 2, CCA7 Gallery, Port Of Spain, Trinidad</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>AOM- Art on the move, organized by Sahmat, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1999</td>\r\n<td><em> </em>Edge of the Century, curated by Amit Mukhopadhyay, Academy  of Fine Arts and Literature, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">SELECTED WORKSHOPS AND RESIDENCIES</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Vanishing Point, children’s project at the Celebrate Bandra Festival, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Collaborative workshop as part of the exhibition Aftershock at the Sainsbury Centre for Visual Arts, University of East Anglia, Norwich,  UK</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Collaborated on a Billboard project with Jitish Kallat, Kala Ghoda Art District, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Elephant Walks, Youth Arts Project at the Casula Power House Arts Centre, Liverpool, Australia</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Khoj 2002 International Artists Workshop, Mysore, India</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Identity and Landscape, residency in the Laurentian mountains of Quebec at the Boreal Art/Nature Centre, Canada</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>Big River 2, International Artists Workshop organized by CCA7 and the Triangle Arts Trust at Grand Riviere, Trinidad, West Indies</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td><span style=\"color: #888888;\"><strong>TALKS/PRESENTATIONS</strong></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Panel discussion with artist Gulam Sheikh, co-chair: Sabine B. Vogel, art critic at the Sammlung Essl Museum, Vienna</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Slide presentation followed by a panel discussion with Nalini Malani and Jayshree Chakravarty, moderated by Nancy Adajania at Jnanapravaha, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Slide presentation at the School of the Art Institute of Chicago</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Panel discussion with Nalini Malani, Sheba Chhachhi, moderated by Betty Seid at the Chicago Cultural Centre</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Lecture at the University Boccini, Milan</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Slide presentation at the Lamar Dodd School of Art, University of Georgia, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Talk at the Griffith Auditorium, Georgia Museum of Art, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Slide presentation at Oslo National Academy of the Arts, Norway</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2000</td>\r\n<td>Mohile Parikh Centre for the Visual Arts, Mumbai</td>\r\n</tr>\r\n</tbody>\r\n</table>','Biography','','inherit','open','open','','105-revision-69','','','2010-07-23 17:29:54','2010-07-23 17:29:54','',105,'http://www.biggventures.com/demo/artists/1564/uncat/105-revision-69',0,'revision','',0),(1565,1,'2010-07-01 18:19:25','2010-07-01 18:19:25','<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Synonym (2009)<a href=\"http://www.reenakallat.com/synonym\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-thumb.jpg\" alt=\"\" title=\"Synonym\" width=\"270\" height=\"214\" class=\"alignnone size-medium wp-image-712\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Colour Curtain (2009)<a href=\"http://www.reenakallat.com/colour-curtain\"><img class=\"alignnone size-medium wp-image-201\" title=\"Colour-curtain\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-thumb.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td><td width=\"200\" align=\"left\" valign=\"top\">\r\nWhite Heat The Ironing Board (2008)<a href=\"http://www.reenakallat.com/White Heat-The Ironing Board-detailed-info\"><img class=\"alignnone size-medium wp-image-320\" title=\"White Heat (The Ironing Board)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/F1-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Closet Quarries (2008)\r\n<a href=\"http://www.reenakallat.com/closet-quarries-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Closet_Quarries-300x160.jpg\" alt=\"\" title=\"Closet_Quarries\" width=\"270\" height=\"214\" class=\"alignnone size-medium wp-image-712\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">White Yarn (2008)\r\n<a href=\"http://www.reenakallat.com/white-yarn-detailed-info\"><img class=\"alignnone size-medium wp-image-199\" title=\"E1-White Yarn\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/E1-White-Yarn-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Crease crevice contour (2008)\r\n<a href=\"http://www.reenakallat.com/crease-crevice-contour-detailed-info\"><img class=\"alignnone size-medium wp-image-201\" title=\"D1-Crease crevice contour\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/D1-Crease-crevice-contour1-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Colostrum (2008)\r\n<a href=\"http://www.reenakallat.com/z1-detailed-info-2\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Z1-1024x577-300x169.jpg\" alt=\"Z1\" title=\"Z1\" width=\"270\" height=\"214\" class=\"alignnone size-medium wp-image-879\" /></a></td>\r\n\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Silt of Seasons 1 (2008)\r\n<a href=\"http://www.reenakallat.com/silt-of-seasons-1\"><img class=\"alignnone size-large wp-image-417\" title=\"Silt of Seasons-1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Silt-of-Seasons-1-1024x682.jpg\" alt=\"Silt of Seasons-1\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">I1 (2008)\r\n<a href=\"http://www.reenakallat.com/i1-detailed-info\"><img class=\"alignnone size-large wp-image-436\" title=\"I1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/I11-731x1024.jpg\" alt=\"I1\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">J1 (2008)\r\n<a href=\"http://www.reenakallat.com/j1-detailed-info\"><img class=\"alignnone size-large wp-image-445\" title=\"J1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/J1-721x1023.jpg\" alt=\"J1\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">K1 (2008)\r\n<a href=\"http://www.reenakallat.com/k1-detailed-info\"><img class=\"alignnone size-large wp-image-451\" title=\"K1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/K1-726x1023.jpg\" alt=\"K1\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">L1 (2008)\r\n<a href=\"http://www.reenakallat.com/l1-detailed-info\"><img class=\"alignnone size-large wp-image-459\" title=\"L1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/L1-744x1024.jpg\" alt=\"L1\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">M1 (2008)\r\n<a href=\"http://www.reenakallat.com/m1-detailed-info\"><img class=\"alignnone size-medium wp-image-468\" title=\"M1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/M1-220x300.jpg\" alt=\"M1\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">N1 (2008)\r\n<a href=\"http://www.reenakallat.com/n1-detailed-info\"><img class=\"alignnone size-medium wp-image-469\" title=\"N1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/N1-217x300.jpg\" alt=\"N1\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">O1(2008)\r\n<a href=\"http://www.reenakallat.com/o1-detailed-info\"><img class=\"alignnone size-medium wp-image-470\" title=\"O1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/O1-214x300.jpg\" alt=\"O1\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Penumbra (2008)\r\n<a href=\"http://www.reenakallat.com/penumbra-detailed-info\"><img class=\"alignnone size-medium wp-image-206\" title=\"T1- Penumbra\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/T1-Penumbra-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Silt of Seasons-2 (2008)\r\n<a href=\"http://www.reenakallat.com/silt-of-seasons-2-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-2-1024x7341-300x215.jpg\" alt=\"Silt-of-Seasons-2\" title=\"Silt-of-Seasons-2-1024x734\" width=\"270\" height=\"214\" class=\"alignnone size-medium wp-image-873\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Walls of the womb (2008)\r\n<a href=\"http://www.reenakallat.com/walls-of-the-womb-detailed-info\"><img class=\"alignnone size-medium wp-image-205\" title=\"R1-Walls of the womb\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/R1-Walls-of-the-womb-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Memoria Mausolea (2007)\r\n<a href=\"http://www.reenakallat.com/memoria-mausolea-detailed-info\"><img class=\"alignnone size-medium wp-image-261\" title=\"Memoria Mausolea\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Memoria-Mausolea-300x244.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Saline (2007)\r\n<a href=\"http://www.reenakallat.com/saline-detailed-info\"><img class=\"alignnone size-medium wp-image-495\" title=\"Saline\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Saline-300x185.jpg\" alt=\"saline\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Penumbra Passage Canine Cases (2006)\r\n<a href=\"http://www.reenakallat.com/penumbra-passage-canine-cases-detailed-info\"><img class=\"alignnone size-medium wp-image-208\" title=\"X1-Penumbra Passage (Canine Cases)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/X1-Penumbra-Passage-Canine-Cases-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Memoria corona (2006)\r\n<a href=\"http://www.reenakallat.com/memoria-corona\"><img class=\"alignnone size-medium wp-image-505\" title=\"Memoria Corona\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Memoria-Corona-220x300.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Birds of Steel (2005-2006)\r\n<a href=\"http://www.reenakallat.com/birds-of-steel-detailed-info\"><img class=\"alignnone size-medium wp-image-207\" title=\"V1-Birds of Steel\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/V1-Birds-of-Steel-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Lunar Notes (2004-2006)\r\n<a href=\"http://www.reenakallat.com/subject-to-change-without-notice-detailed-info\"><img class=\"alignnone size-medium wp-image-204\" title=\"Q1-Subject to Change Without Notice\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Q1-Subject-to-Change-Without-Notice-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n</tr>\r\n\r\n\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Xylophone (2005)\r\n<a href=\"http://www.reenakallat.com/xylophone-detailed-info\"><img class=\"alignnone size-medium wp-image-517\" title=\"Xylophone\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Xylophone-1024x682.jpg\" alt=\"Xylophone\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Black Flute (2004)\r\n<a href=\"http://www.reenakallat.com/black-flute-detailed-info\"><img class=\"alignnone size-medium wp-image-547\" title=\"Black Flute\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-299x197.jpg\" alt=\"Black Flute\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Birthmark Tattoos (2004)\r\n<a href=\"http://www.reenakallat.com/birthmark-tattoos-detailed-info\"><img class=\"alignnone size-medium wp-image-557\" title=\"BirthMark tattoos\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/BirthMark-tattoos-300x225.jpg\" alt=\"BirthMark and tattoos\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Vanishing Point(2003)\r\n<a href=\"http://www.reenakallat.com/vanishing-point\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/05_resized_gallery_view-300x200.jpg\" alt=\"vanishing point\" title=\"vanishing point\" width=\"270\" height=\"214\" class=\"alignnone size-medium wp-image-1013\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Sculptures (2003)<a href=\"http://www.reenakallat.com/scuptures-detailed-info\"><img class=\"alignnone size-medium wp-image-621\" title=\"Sculptures\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Scuptures-300x188.jpg\" alt=\"Scuptures\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Elephant Walks (2003)<a href=\"http://www.reenakallat.com/Elephant-walks\"><img class=\"alignnone size-medium wp-image-199\" title=\"Elephant-walks\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-thumb.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n\r\n</tr>\r\n\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Billboard/Mural for the Kala Ghoda Festival (2003)\r\n<a href=\"http://www.reenakallat.com/billboardmural-for-the-kala-ghoda-festival-2003\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/4-Complete-Billboard-300x187.jpg\" alt=\"Billboard/Mural for the Kala Ghoda Festival 2003\" title=\"Billboard/Mural for the Kala Ghoda Festival 2003\" width=\"270\" height=\"214\" class=\"alignnone size-medium wp-image-977\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Seven Faces of Dust (2003)\r\n<a href=\"http://www.reenakallat.com/seven-faces-of-dust-detailed-info\"><img class=\"alignnone size-medium wp-image-612\" title=\"Seven Faces of Dust\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Seven-Faces-of-Dust-300x192.jpg\" alt=\"Seven Faces of Dust\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Kiosk (2003)\r\n<a href=\"http://www.reenakallat.com/kiosk-detailed-info\"><img class=\"alignnone size-medium wp-image-537\" title=\"Kiosk\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Kiosk-300x224.jpg\" alt=\"Kiosk\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n</tr>\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Your Mileage May Vary (2003)<a href=\"http://www.reenakallat.com/your-mileage-gallery\">\r\n<img class=\"alignnone size-medium wp-image-199\" title=\"your-mileage-gallery may vary\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-gallery.jpg\" alt=\"your-mileage-gallery may vary\" width=\"270\" height=\"214\" /></a>\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Boreal (2002)\r\n<a href=\"http://www.reenakallat.com/boreal\"><img class=\"alignnone size-medium wp-image-201\" title=\"D1-Crease crevice contour\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/boreal-gallery.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Pollen Patterns (2002)<a href=\"http://www.reenakallat.com/pollent-patterns\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-thumb.jpg\" alt=\"\" title=\"Pollen-Patterns\" width=\"270\" height=\"214\" class=\"alignnone size-medium wp-image-712\" /></a></td>\r\n</tr>\r\n\r\n\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Art on the Move (2001)<a href=\"http://www.reenakallat.com/art-on-move\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/art-on-move-thumb.jpg\" alt=\"\" title=\"Closet_Quarries\" width=\"270\" height=\"214\" class=\"alignnone size-medium wp-image-712\" /></a>\r\n</td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Beautiful People of the Rainbow (2001)\r\n<a href=\"http://www.reenakallat.com/beautiful-people\"><img class=\"alignnone size-medium wp-image-199\" title=\"E1-White Yarn\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/1 Process Workshop site.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Orchard of home grown secrets (1998)\r\n<a href=\"http://www.reenakallat.com/orchard-detailed-info\"><img class=\"alignnone size-medium wp-image-564\" title=\"Orchard\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchard-300x186.jpg\" alt=\"Orchard\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Joint Family (1998)\r\n<a href=\"http://www.reenakallat.com/joint-family-detailed-info\"><img class=\"alignnone size-medium wp-image-577\" title=\"Joint Family\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Joint-Family-295x295.png\" alt=\"Joint Family\" width=\"270\" height=\"214\" /></a></td>\r\n\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Escapades of the ladder occupants (1998)\r\n<a href=\"http://www.reenakallat.com/escapades-of-the-ladder-occupants-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Escapades-of-the-ladder-occupants2-204x300.jpg\" alt=\"\" title=\"Escapades-of-the-ladder-occupants2\" width=\"270\" height=\"214\" class=\"alignnone size-medium wp-image-1064\" /></a></td>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">Recitals from the city garden (1998)<a href=\"http://www.reenakallat.com/recitals-from-the-city-garden-detailed-info\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/21-Recitals-from-the-city-garden-300x198.jpg\" alt=\"Recitals-from-the-city-garden\" title=\"Recitals-from-the-city-garden\" width=\"270\" height=\"214\" class=\"alignnone size-medium wp-image-917\" /></a></td>\r\n\r\n\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Moving millimeter (1998)\r\n<a href=\"http://www.reenakallat.com/moving-millimeter\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/moving-millineter1-300x200.jpg\" alt=\"moving-millimeter\" title=\"moving-millimeter\" width=\"270\" height=\"214\" class=\"alignnone size-medium wp-image-1022\" /></a>\r\n</td>\r\n\r\n</tr>\r\n\r\n\r\n</tbody>\r\n</table><!--more-->','Works','','inherit','open','open','','54-revision-223','','','2010-07-01 18:19:25','2010-07-01 18:19:25','',54,'http://www.biggventures.com/demo/artists/1565/uncat/54-revision-223',0,'revision','',0),(1566,1,'2010-06-16 19:15:23','2010-06-16 19:15:23','<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/05_resized_gallery_view.jpg\"><img class=\"aligncenter size-full wp-image-1013\" title=\"vanishing point\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/05_resized_gallery_view.jpg\" alt=\"vanishing point\" width=\"600\" height=\"400\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><h3 class=\"canvas1\">\r\nVanishing Point</h3>\r\n<div id=\"uniquename1\" style=\"display: block;\">The Vanishing point project is an attempt to engage children by raising awareness about endangered species of plants and animals;\r\n\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\">[more info]</a>\r\n\r\n</div>\r\n<div id=\"uniquename\" style=\"display: none;\">The Vanishing point project is an attempt to engage children by raising awareness about endangered species of plants and animals; those that face the risk of extinction being threatened by changing environmental or predation parameters. Through simple playful means such as joining-the-dots or colouring, the animal forms on the 12 blackboard panels presented here get revealed and concealed as the children begin to draw and erase them.\r\nBy fading in and out of focus they remind us of how we can be active contributors in either destroying or restoring our immediate habitat.\r\n\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\">[hide info]</a>\r\n\r\n</div>\r\n<script type=\"text/javascript\">// <![CDATA[\r\nfunction ReverseContentDisplay(d) {\r\nif(d.length < 1) { return; }\r\nif(document.getElementById(d).style.display == \'none\')\r\n{\r\n  document.getElementById(d).style.display = \'block\';\r\n  document.getElementById(\"uniquename1\").style.display = \'none\';\r\n}\r\nelse\r\n{\r\n  document.getElementById(d).style.display = \'none\';\r\n  document.getElementById(\"uniquename1\").style.display = \'block\';\r\n}\r\n}\r\n// ]]></script></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/05/vanishing-point2.jpg\"><img class=\"aligncenter size-full wp-image-1015\" title=\"vanishing-point\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/05/vanishing-point2.jpg\" alt=\"vanishing-point\" width=\"800\" height=\"550\" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/05/vanishin-point3.jpg\"><img class=\"aligncenter size-full wp-image-1016\" title=\"vanishing-point\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/05/vanishin-point3.jpg\" alt=\"vanishing-point\" width=\"800\" height=\"550\" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/05/vanishing-point4.jpg\"><img class=\"aligncenter size-full wp-image-1017\" title=\"vanishing-point4\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/05/vanishing-point4.jpg\" alt=\"vanishing-point\" width=\"800\" height=\"550\" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/05/vanishing5.jpg\"><img class=\"aligncenter size-full wp-image-1018\" title=\"vanishing point\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/05/vanishing5.jpg\" alt=\"vanishing point\" width=\"800\" height=\"550\" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','1012-revision-7','','','2010-06-16 19:15:23','2010-06-16 19:15:23','',1012,'http://www.biggventures.com/demo/artists/1566/uncat/1012-revision-7',0,'revision','',0),(1568,1,'2010-07-24 05:30:00','2010-07-24 05:30:00','<!-- h3.canvas  { color:#333333; font-size:11px; font-weight:normal; margin-bottom:5px; margin-left:7px; margin-top:0; padding:0; text-transform:none; } h2.painting  { color:#FFFFFF; font-family:verdana,arial,tahoma,sans-serif; font-size:11px; font-weight:normal; margin:0 0 10px 7px; padding:0; text-align:left; text-transform:none; } -->\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/05_resized_gallery_view.jpg\"><img class=\"alignnone size-full wp-image-1013\" title=\"vanishing point\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/05_resized_gallery_view.jpg\" alt=\"vanishing point\" width=\"600\" height=\"400\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><span style=\"color: #888888;\">Vanishing Point</span>\r\n2009\r\nblackboard, paint, chalk, printed texts\r\ndimension variable\r\nInteractive work made for children during the Bandra Festival, Mumbai\r\n<div id=\"uniquename1\" style=\"display: block;\">\r\n<p style=\"text-align: justify;\">The project was an attempt to engage children by raising awareness about endangered species of plants and animals; those that face the risk of extinction, often threatened by changing environmental or predation parameters.</p>\r\n\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\">...more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\nThrough simple playful means such as…more joining-the-dots or colouring, the animal forms on the 12 blackboard panels reveal and conceal as the children draw and erase them. By fading in and out of focus they remind us of how we can be active contributors in either destroying or restoring our immediate habitat.\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\">...hide</a>\r\n</div>\r\n<script type=\"text/javascript\">// <![CDATA[\r\nfunction ReverseContentDisplay(d) {\r\nif(d.length < 1) { return; } if(document.getElementById(d).style.display == \'none\') {   document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; } else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\'; } }\r\n// ]]></script></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/05/vanishing-point2.jpg\"><img class=\"aligncenter size-full wp-image-1015\" title=\"vanishing-point\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/05/vanishing-point2.jpg\" alt=\"vanishing-point\" width=\"800\" height=\"550\" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/05/vanishin-point3.jpg\"><img class=\"aligncenter size-full wp-image-1016\" title=\"vanishing-point\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/05/vanishin-point3.jpg\" alt=\"vanishing-point\" width=\"800\" height=\"550\" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/05/vanishing-point4.jpg\"><img class=\"aligncenter size-full wp-image-1017\" title=\"vanishing-point4\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/05/vanishing-point4.jpg\" alt=\"vanishing-point\" width=\"800\" height=\"550\" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/05/vanishing5.jpg\"><img class=\"aligncenter size-full wp-image-1018\" title=\"vanishing point\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/05/vanishing5.jpg\" alt=\"vanishing point\" width=\"800\" height=\"550\" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','1012-revision-9','','','2010-07-24 05:30:00','2010-07-24 05:30:00','',1012,'http://www.biggventures.com/demo/artists/1568/uncat/1012-revision-9',0,'revision','',0),(1569,1,'2010-07-24 05:31:17','2010-07-24 05:31:17','<!-- h3.canvas  { color:#333333; font-size:11px; font-weight:normal; margin-bottom:5px; margin-left:7px; margin-top:0; padding:0; text-transform:none; } h2.painting  { color:#FFFFFF; font-family:verdana,arial,tahoma,sans-serif; font-size:11px; font-weight:normal; margin:0 0 10px 7px; padding:0; text-align:left; text-transform:none; } -->\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/05_resized_gallery_view.jpg\"><img class=\"alignnone size-full wp-image-1013\" title=\"vanishing point\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/05_resized_gallery_view.jpg\" alt=\"vanishing point\" width=\"600\" height=\"400\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><span style=\"color: #888888;\">Vanishing Point</span>\r\n2009\r\nblackboard, paint, chalk, printed texts\r\ndimension variable\r\nInteractive work made for children during the Bandra Festival, Mumbai\r\n<div id=\"uniquename1\" style=\"display: block;\">\r\n<p style=\"text-align: justify;\">The project was an attempt to engage children by raising awareness about endangered species of plants and animals; those that face the risk of extinction, often threatened by changing environmental or predation parameters.</p>\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\">...more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\nThrough simple playful means such as…more joining-the-dots or colouring, the animal forms on the 12 blackboard panels reveal and conceal as the children draw and erase them. By fading in and out of focus they remind us of how we can be active contributors in either destroying or restoring our immediate habitat.\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\">...hide</a>\r\n</div>\r\n<script type=\"text/javascript\">// <![CDATA[\r\nfunction ReverseContentDisplay(d) {\r\nif(d.length < 1) { return; } if(document.getElementById(d).style.display == \'none\') {   document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; } else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\'; } }\r\n// ]]></script></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/05/vanishing-point2.jpg\"><img class=\"aligncenter size-full wp-image-1015\" title=\"vanishing-point\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/05/vanishing-point2.jpg\" alt=\"vanishing-point\" width=\"800\" height=\"550\" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/05/vanishin-point3.jpg\"><img class=\"aligncenter size-full wp-image-1016\" title=\"vanishing-point\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/05/vanishin-point3.jpg\" alt=\"vanishing-point\" width=\"800\" height=\"550\" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/05/vanishing-point4.jpg\"><img class=\"aligncenter size-full wp-image-1017\" title=\"vanishing-point4\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/05/vanishing-point4.jpg\" alt=\"vanishing-point\" width=\"800\" height=\"550\" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/05/vanishing5.jpg\"><img class=\"aligncenter size-full wp-image-1018\" title=\"vanishing point\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/05/vanishing5.jpg\" alt=\"vanishing point\" width=\"800\" height=\"550\" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','1012-revision-10','','','2010-07-24 05:31:17','2010-07-24 05:31:17','',1012,'http://www.biggventures.com/demo/artists/1569/uncat/1012-revision-10',0,'revision','',0),(1570,1,'2010-07-24 05:46:20','2010-07-24 05:46:20','<!-- h3.canvas  { color:#333333; font-size:11px; font-weight:normal; margin-bottom:5px; margin-left:7px; margin-top:0; padding:0; text-transform:none; } h2.painting  { color:#FFFFFF; font-family:verdana,arial,tahoma,sans-serif; font-size:11px; font-weight:normal; margin:0 0 10px 7px; padding:0; text-align:left; text-transform:none; } -->\r\n<table border=\"0\" cellspacing=\"5\" cellpadding=\"0\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\" style=\"paddning-top:4px\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/05_resized_gallery_view.jpg\"><img class=\"alignnone size-full wp-image-1013\" title=\"vanishing point\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/05_resized_gallery_view.jpg\" alt=\"vanishing point\" width=\"600\" height=\"400\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><span style=\"color: #888888;\">Vanishing Point</span>\r\n2009\r\nblackboard, paint, chalk, printed texts\r\ndimension variable\r\nInteractive work made for children during the Bandra Festival, Mumbai\r\n<div id=\"uniquename1\" style=\"display: block;\">\r\n<p style=\"text-align: justify;\">The project was an attempt to engage children by raising awareness about endangered species of plants and animals; those that face the risk of extinction, often threatened by changing environmental or predation parameters.</p>\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\" style=\"color:#888888;\">...more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\nThrough simple playful means such as…more joining-the-dots or colouring, the animal forms on the 12 blackboard panels reveal and conceal as the children draw and erase them. By fading in and out of focus they remind us of how we can be active contributors in either destroying or restoring our immediate habitat.\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div>\r\n<script type=\"text/javascript\">// <![CDATA[\r\nfunction ReverseContentDisplay(d) {\r\nif(d.length < 1) { return; } if(document.getElementById(d).style.display == \'none\') {   document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; } else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\'; } }\r\n// ]]></script></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/05/vanishing-point2.jpg\"><img class=\"aligncenter size-full wp-image-1015\" title=\"vanishing-point\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/05/vanishing-point2.jpg\" alt=\"vanishing-point\" width=\"800\" height=\"550\" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/05/vanishin-point3.jpg\"><img class=\"aligncenter size-full wp-image-1016\" title=\"vanishing-point\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/05/vanishin-point3.jpg\" alt=\"vanishing-point\" width=\"800\" height=\"550\" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/05/vanishing-point4.jpg\"><img class=\"aligncenter size-full wp-image-1017\" title=\"vanishing-point4\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/05/vanishing-point4.jpg\" alt=\"vanishing-point\" width=\"800\" height=\"550\" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/05/vanishing5.jpg\"><img class=\"aligncenter size-full wp-image-1018\" title=\"vanishing point\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/05/vanishing5.jpg\" alt=\"vanishing point\" width=\"800\" height=\"550\" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','1012-revision-11','','','2010-07-24 05:46:20','2010-07-24 05:46:20','',1012,'http://www.biggventures.com/demo/artists/1570/uncat/1012-revision-11',0,'revision','',0),(1572,1,'2010-07-24 05:49:08','2010-07-24 05:49:08','<!-- h3.canvas  { color:#333333; font-size:11px; font-weight:normal; margin-bottom:5px; margin-left:7px; margin-top:0; padding:0; text-transform:none; } h2.painting  { color:#FFFFFF; font-family:verdana,arial,tahoma,sans-serif; font-size:11px; font-weight:normal; margin:0 0 10px 7px; padding:0; text-align:left; text-transform:none; } -->\r\n<table border=\"0\" cellspacing=\"5\" cellpadding=\"0\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\" style=\"padding-top:4px;\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/05_resized_gallery_view.jpg\"><img class=\"alignnone size-full wp-image-1013\" title=\"vanishing point\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/05_resized_gallery_view.jpg\" alt=\"vanishing point\" width=\"600\" height=\"400\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><span style=\"color: #888888;\">Vanishing Point</span>\r\n2009\r\nblackboard, paint, chalk, printed texts\r\ndimension variable\r\nInteractive work made for children during the Bandra Festival, Mumbai\r\n<div id=\"uniquename1\" style=\"display: block;\">\r\n<p style=\"text-align: justify;\">The project was an attempt to engage children by raising awareness about endangered species of plants and animals; those that face the risk of extinction, often threatened by changing environmental or predation parameters.</p>\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\" style=\"color:#888888;\">...more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\nThrough simple playful means such as…more joining-the-dots or colouring, the animal forms on the 12 blackboard panels reveal and conceal as the children draw and erase them. By fading in and out of focus they remind us of how we can be active contributors in either destroying or restoring our immediate habitat.\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div>\r\n<script type=\"text/javascript\">// <![CDATA[\r\nfunction ReverseContentDisplay(d) {\r\nif(d.length < 1) { return; } if(document.getElementById(d).style.display == \'none\') {   document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; } else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\'; } }\r\n// ]]></script></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/05/vanishing-point2.jpg\"><img class=\"aligncenter size-full wp-image-1015\" title=\"vanishing-point\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/05/vanishing-point2.jpg\" alt=\"vanishing-point\" width=\"800\" height=\"550\" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/05/vanishin-point3.jpg\"><img class=\"aligncenter size-full wp-image-1016\" title=\"vanishing-point\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/05/vanishin-point3.jpg\" alt=\"vanishing-point\" width=\"800\" height=\"550\" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/05/vanishing-point4.jpg\"><img class=\"aligncenter size-full wp-image-1017\" title=\"vanishing-point4\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/05/vanishing-point4.jpg\" alt=\"vanishing-point\" width=\"800\" height=\"550\" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/05/vanishing5.jpg\"><img class=\"aligncenter size-full wp-image-1018\" title=\"vanishing point\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/05/vanishing5.jpg\" alt=\"vanishing point\" width=\"800\" height=\"550\" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','1012-revision-13','','','2010-07-24 05:49:08','2010-07-24 05:49:08','',1012,'http://www.biggventures.com/demo/artists/1572/uncat/1012-revision-13',0,'revision','',0),(1571,1,'2010-07-24 05:47:20','2010-07-24 05:47:20','<!-- h3.canvas  { color:#333333; font-size:11px; font-weight:normal; margin-bottom:5px; margin-left:7px; margin-top:0; padding:0; text-transform:none; } h2.painting  { color:#FFFFFF; font-family:verdana,arial,tahoma,sans-serif; font-size:11px; font-weight:normal; margin:0 0 10px 7px; padding:0; text-align:left; text-transform:none; } -->\r\n<table border=\"0\" cellspacing=\"5\" cellpadding=\"0\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\" style=\"paddning-top:4px;\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/05_resized_gallery_view.jpg\"><img class=\"alignnone size-full wp-image-1013\" title=\"vanishing point\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/05_resized_gallery_view.jpg\" alt=\"vanishing point\" width=\"600\" height=\"400\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><span style=\"color: #888888;\">Vanishing Point</span>\r\n2009\r\nblackboard, paint, chalk, printed texts\r\ndimension variable\r\nInteractive work made for children during the Bandra Festival, Mumbai\r\n<div id=\"uniquename1\" style=\"display: block;\">\r\n<p style=\"text-align: justify;\">The project was an attempt to engage children by raising awareness about endangered species of plants and animals; those that face the risk of extinction, often threatened by changing environmental or predation parameters.</p>\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\" style=\"color:#888888;\">...more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\nThrough simple playful means such as…more joining-the-dots or colouring, the animal forms on the 12 blackboard panels reveal and conceal as the children draw and erase them. By fading in and out of focus they remind us of how we can be active contributors in either destroying or restoring our immediate habitat.\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div>\r\n<script type=\"text/javascript\">// <![CDATA[\r\nfunction ReverseContentDisplay(d) {\r\nif(d.length < 1) { return; } if(document.getElementById(d).style.display == \'none\') {   document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; } else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\'; } }\r\n// ]]></script></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/05/vanishing-point2.jpg\"><img class=\"aligncenter size-full wp-image-1015\" title=\"vanishing-point\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/05/vanishing-point2.jpg\" alt=\"vanishing-point\" width=\"800\" height=\"550\" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/05/vanishin-point3.jpg\"><img class=\"aligncenter size-full wp-image-1016\" title=\"vanishing-point\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/05/vanishin-point3.jpg\" alt=\"vanishing-point\" width=\"800\" height=\"550\" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/05/vanishing-point4.jpg\"><img class=\"aligncenter size-full wp-image-1017\" title=\"vanishing-point4\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/05/vanishing-point4.jpg\" alt=\"vanishing-point\" width=\"800\" height=\"550\" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/05/vanishing5.jpg\"><img class=\"aligncenter size-full wp-image-1018\" title=\"vanishing point\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/05/vanishing5.jpg\" alt=\"vanishing point\" width=\"800\" height=\"550\" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','1012-revision-12','','','2010-07-24 05:47:20','2010-07-24 05:47:20','',1012,'http://www.biggventures.com/demo/artists/1571/uncat/1012-revision-12',0,'revision','',0),(1574,1,'2010-07-24 05:54:28','2010-07-24 05:54:28','<!-- h3.canvas  { color:#333333; font-size:11px; font-weight:normal; margin-bottom:5px; margin-left:7px; margin-top:0; padding:0; text-transform:none; } h2.painting  { color:#FFFFFF; font-family:verdana,arial,tahoma,sans-serif; font-size:11px; font-weight:normal; margin:0 0 10px 7px; padding:0; text-align:left; text-transform:none; } -->\r\n<table border=\"0\" cellspacing=\"5\" cellpadding=\"0\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\" style=\"padding-top:4px;\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/05_resized_gallery_view.jpg\"><img class=\"alignnone size-full wp-image-1013\" title=\"vanishing point\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/05_resized_gallery_view.jpg\" alt=\"vanishing point\" width=\"600\" height=\"400\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><span style=\"color: #888888;\">Vanishing Point</span>\r\n2009\r\nblackboard, paint, chalk, printed texts\r\ndimension variable\r\nInteractive work made for children during the Bandra Festival, Mumbai\r\n<div id=\"uniquename1\" style=\"display: block;\">\r\n<p style=\"text-align: justify;\">The project was an attempt to engage children by raising awareness about endangered species of plants and animals; those that face the risk of extinction, often threatened by changing environmental or predation parameters.</p>\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\" style=\"color:#888888;\">...more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\n\r\nThe project was an attempt to engage children by raising awareness about endangered species of plants and animals; those that face the risk of extinction, often threatened by changing environmental or predation parameters.Through simple playful means such as…more joining-the-dots or colouring, the animal forms on the 12 blackboard panels reveal and conceal as the children draw and erase them. By fading in and out of focus they remind us of how we can be active contributors in either destroying or restoring our immediate habitat.\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div>\r\n<script type=\"text/javascript\">// <![CDATA[\r\nfunction ReverseContentDisplay(d) {\r\nif(d.length < 1) { return; } if(document.getElementById(d).style.display == \'none\') {   document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; } else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\'; } }\r\n// ]]></script></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/05/vanishing-point2.jpg\"><img class=\"aligncenter size-full wp-image-1015\" title=\"vanishing-point\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/05/vanishing-point2.jpg\" alt=\"vanishing-point\" width=\"800\" height=\"550\" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/05/vanishin-point3.jpg\"><img class=\"aligncenter size-full wp-image-1016\" title=\"vanishing-point\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/05/vanishin-point3.jpg\" alt=\"vanishing-point\" width=\"800\" height=\"550\" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/05/vanishing-point4.jpg\"><img class=\"aligncenter size-full wp-image-1017\" title=\"vanishing-point4\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/05/vanishing-point4.jpg\" alt=\"vanishing-point\" width=\"800\" height=\"550\" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/05/vanishing5.jpg\"><img class=\"aligncenter size-full wp-image-1018\" title=\"vanishing point\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/05/vanishing5.jpg\" alt=\"vanishing point\" width=\"800\" height=\"550\" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','1012-revision-15','','','2010-07-24 05:54:28','2010-07-24 05:54:28','',1012,'http://www.biggventures.com/demo/artists/1574/uncat/1012-revision-15',0,'revision','',0),(1577,1,'2010-07-24 05:54:44','2010-07-24 05:54:44','<!-- h3.canvas  { color:#333333; font-size:11px; font-weight:normal; margin-bottom:5px; margin-left:7px; margin-top:0; padding:0; text-transform:none; } h2.painting  { color:#FFFFFF; font-family:verdana,arial,tahoma,sans-serif; font-size:11px; font-weight:normal; margin:0 0 10px 7px; padding:0; text-align:left; text-transform:none; } -->\r\n<table border=\"0\" cellspacing=\"5\" cellpadding=\"0\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\" style=\"padding-top:4px;\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/05_resized_gallery_view.jpg\"><img class=\"alignnone size-full wp-image-1013\" title=\"vanishing point\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/05_resized_gallery_view.jpg\" alt=\"vanishing point\" width=\"600\" height=\"400\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><span style=\"color: #888888;\">Vanishing Point</span>\r\n2009\r\nblackboard, paint, chalk, printed texts\r\ndimension variable\r\nInteractive work made for children during the Bandra Festival, Mumbai\r\n<div id=\"uniquename1\" style=\"display: block;\">\r\n<p style=\"text-align: justify;\">The project was an attempt to engage children by raising awareness about endangered species of plants and animals; those that face the risk of extinction, often threatened by changing environmental or predation parameters.</p>\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\" style=\"color:#888888;\">...more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\n\r\nThe project was an attempt to engage children by raising awareness about endangered species of plants and animals; those that face the risk of extinction, often threatened by changing environmental or predation parameters.Through simple playful means such as…more joining-the-dots or colouring, the animal forms on the 12 blackboard panels reveal and conceal as the children draw and erase them. By fading in and out of focus they remind us of how we can be active contributors in either destroying or restoring our immediate habitat.\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div>\r\n<script type=\"text/javascript\">// <![CDATA[\r\nfunction ReverseContentDisplay(d) {\r\nif(d.length < 1) { return; } if(document.getElementById(d).style.display == \'none\') {   document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; } else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\'; } }\r\n// ]]></script></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/05/vanishing-point2.jpg\"><img class=\"aligncenter size-full wp-image-1015\" title=\"vanishing-point\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/05/vanishing-point2.jpg\" alt=\"vanishing-point\" width=\"800\" height=\"550\" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/05/vanishin-point3.jpg\"><img class=\"aligncenter size-full wp-image-1016\" title=\"vanishing-point\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/05/vanishin-point3.jpg\" alt=\"vanishing-point\" width=\"800\" height=\"550\" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/05/vanishing-point4.jpg\"><img class=\"aligncenter size-full wp-image-1017\" title=\"vanishing-point4\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/05/vanishing-point4.jpg\" alt=\"vanishing-point\" width=\"800\" height=\"550\" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/05/vanishing5.jpg\"><img class=\"aligncenter size-full wp-image-1018\" title=\"vanishing point\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/05/vanishing5.jpg\" alt=\"vanishing point\" width=\"800\" height=\"550\" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','1012-revision-16','','','2010-07-24 05:54:44','2010-07-24 05:54:44','',1012,'http://www.biggventures.com/demo/artists/1577/uncat/1012-revision-16',0,'revision','',0),(1579,1,'2010-07-25 08:36:40','2010-07-25 08:36:40','<!--\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n-->\r\n<table border=\"0\" cellspacing=\"5\" cellpadding=\"0\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\" style=\"padding-top:4px;\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/F1.jpg\"><img class=\"alignnone size-large wp-image-322\" title=\"F1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/F1-1024x771.jpg\" alt=\"\" width=\"600\" height=\"400\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><span style=\"color: #888888;\">White Heat (The Ironing Board)</span>\r\n2008\r\nbonded marble, brass, fabric\r\n70 x 102 x 30 in. I 178 x 259 x 76 cm\r\nedition of 5 + AP\r\n\r\n<div id=\"uniquename1\" style=\"display: block; text-align: justify;\">‘The Ironing Board’ refers to the highly fortified relationship that India shares with its neighbour Pakistan and the uncertain nature of the peace process between the countries.\r\nThe sculpture of an oversized iron placed on an ironing board seems dysfunctional due to the surface being densely loaded with numerous weapon-like projections.\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\" style=\"color:#888888;\">...more</a>\r\n\r\n</div>\r\n<div id=\"uniquename\" style=\"display: none; text-align: justify;\">‘The Ironing Board’ refers to the highly fortified relationship that India shares with its neighbour Pakistan and the uncertain nature of the peace process between the countries.\r\n\r\nThe sculpture of an oversized iron placed on an ironing board seems dysfunctional due to the surface being densely loaded with numerous weapon-like projections.\r\nOn close observation one would find, amongst other weapons, truncated rooftops of religious monuments. The fabric that lies draped waiting to be ironed is embroidered with names of those who’ve signed the petition for peace between India and Pakistan along with multiple maps of the disputed territory between the two countries, an image that recurs in many of my works as a space symbolic of human inanity.\r\n\r\nThe sculpture playfully renders the frustrations of the never-ending dialogue, where any attempts at ironing out creases in the peace process are sabotaged by conflicting interests and with the misuse of religion as a divisive tool by both countries.\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n\r\n</div>\r\n<p style=\"text-align: justify;\"><script type=\"text/javascript\">// <![CDATA[\r\nfunction ReverseContentDisplay(d) {\r\nif(d.length < 1) { return; }\r\nif(document.getElementById(d).style.display == \'none\')\r\n{\r\n  document.getElementById(d).style.display = \'block\';\r\n  document.getElementById(\"uniquename1\").style.display = \'none\';\r\n}\r\nelse\r\n{\r\n  document.getElementById(d).style.display = \'none\';\r\n  document.getElementById(\"uniquename1\").style.display = \'block\';\r\n}\r\n}\r\n// ]]></script></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/F2.jpg\"><img class=\"alignnone size-large wp-image-323\" title=\"F2-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/F2-695x1024.jpg\" alt=\"\" width=\"800\" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/White-Heat.jpg\"><img class=\"aligncenter size-full wp-image-732\" title=\"White Heat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/White-Heat.jpg\" alt=\"White Heat\" width=\"800\" height=\"500\" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/F3.jpg\"><img class=\"alignnone size-large wp-image-324\" title=\"F3-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/F3-1024x682.jpg\" alt=\"\" width=\"800\" height=\"600\" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','321-revision-15','','','2010-07-25 08:36:40','2010-07-25 08:36:40','',321,'http://www.biggventures.com/demo/artists/1579/uncat/321-revision-15',0,'revision','',0),(1578,1,'2010-06-16 18:33:25','2010-06-16 18:33:25','<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/F1.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/F1-1024x771.jpg\" alt=\"\" title=\"F1-detail\" width=\"600\" height=\"400\" class=\"alignnone size-large wp-image-322\" /></a>\r\n</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<h3 class=\"canvas1\">White Heat The Ironing Board\r\n<span class=\"painting\">2008\r\nBonded marble, brass, fabric\r\n70 inches x 102 inches x 30 inches (h x l x b)\r\nEdition of 5 + AP\r\n</span></h3>\r\n<div id=\"uniquename1\" style=\"display:block\">\r\n‘The Ironing Board’ refers to the highly fortified relationship that India shares with its neighbour Pakistan and the uncertain nature of the peace process between the countries. \r\n\r\nThe sculpture of an oversized iron placed on an ironing board seems dysfunctional due to the surface being densely loaded with numerous weapon-like projections.\r\n\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\">[more info]</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\n‘The Ironing Board’ refers to the highly fortified relationship that India shares with its neighbour Pakistan and the uncertain nature of the peace process between the countries. \r\n\r\nThe sculpture of an oversized iron placed on an ironing board seems dysfunctional due to the surface being densely loaded with numerous weapon-like projections.\r\nOn close observation one would find, amongst other weapons, truncated rooftops of religious monuments. The fabric that lies draped waiting to be ironed is embroidered with names of those who’ve signed the petition for peace between India and Pakistan along with multiple maps of the disputed territory between the two countries, an image that recurs in many of my works as a space symbolic of human inanity.\r\n\r\nThe sculpture playfully renders the frustrations of the never-ending dialogue, where any attempts at ironing out creases in the peace process are sabotaged by conflicting interests and with the misuse of religion as a divisive tool by both countries.\r\n\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\">[hide info]</a>\r\n</div>\r\n\r\n<script language=\'javascript\' type=\'text/javascript\'>\r\nfunction ReverseContentDisplay(d) {\r\nif(d.length < 1) { return; }\r\nif(document.getElementById(d).style.display == \'none\')\r\n{\r\n  document.getElementById(d).style.display = \'block\';\r\n  document.getElementById(\"uniquename1\").style.display = \'none\';\r\n} \r\nelse\r\n{\r\n  document.getElementById(d).style.display = \'none\';\r\n  document.getElementById(\"uniquename1\").style.display = \'block\';\r\n}\r\n}\r\n</script>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/F2.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/F2-695x1024.jpg\" alt=\"\" title=\"F2-detail\" width=\"800\" class=\"alignnone size-large wp-image-323\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/White-Heat.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/White-Heat.jpg\" alt=\"White Heat\" title=\"White Heat\" width=\"800\" height=\"500\" class=\"aligncenter size-full wp-image-732\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/F3.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/F3-1024x682.jpg\" alt=\"\" title=\"F3-detail\" width=\"800\" height=\"600\" class=\"alignnone size-large wp-image-324\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>\r\n','','','inherit','open','open','','321-revision-14','','','2010-06-16 18:33:25','2010-06-16 18:33:25','',321,'http://www.biggventures.com/demo/artists/1578/uncat/321-revision-14',0,'revision','',0),(1580,1,'2010-07-25 08:39:00','2010-07-25 08:39:00','<!--\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n-->\r\n<table border=\"0\" cellspacing=\"5\" cellpadding=\"0\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\" style=\"padding-top:4px;\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/F1.jpg\"><img class=\"alignnone size-large wp-image-322\" title=\"F1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/F1-1024x771.jpg\" alt=\"\" width=\"600\" height=\"400\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><span style=\"color: #888888;\">White Heat (The Ironing Board)</span>\r\n2008\r\nbonded marble, brass, fabric\r\n70 x 102 x 30 in. I 178 x 259 x 76 cm\r\nedition of 5 + AP\r\n\r\n<div id=\"uniquename1\" style=\"display: block; text-align: justify;\">‘The Ironing Board’ refers to the highly fortified relationship that India shares with its neighbour Pakistan and the uncertain nature of the peace process between the countries.\r\nThe sculpture of an oversized iron placed on an ironing board seems dysfunctional due to the surface being densely loaded with numerous weapon-like projections.\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\" style=\"color:#888888;\">...more</a>\r\n\r\n</div>\r\n<div id=\"uniquename\" style=\"display: none; text-align: justify;\">‘The Ironing Board’ refers to the highly fortified relationship that India shares with its neighbour Pakistan and the uncertain nature of the peace process between the countries.\r\n\r\nThe sculpture of an oversized iron placed on an ironing board seems dysfunctional due to the surface being densely loaded with numerous weapon-like projections.\r\nOn close observation one would find, amongst other weapons, truncated rooftops of religious monuments. The fabric that lies draped waiting to be ironed is embroidered with names of those who’ve signed the petition for peace between India and Pakistan along with multiple maps of the disputed territory between the two countries, an image that recurs in many of my works as a space symbolic of human inanity.\r\n\r\nThe sculpture playfully renders the frustrations of the never-ending dialogue, where any attempts at ironing out creases in the peace process are sabotaged by conflicting interests and with the misuse of religion as a divisive tool by both countries.\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n\r\n</div>\r\n<tr><td></td></tr>\r\n<p style=\"text-align: justify;\"><script type=\"text/javascript\">// <![CDATA[\r\nfunction ReverseContentDisplay(d) {\r\nif(d.length < 1) { return; }\r\nif(document.getElementById(d).style.display == \'none\')\r\n{\r\n  document.getElementById(d).style.display = \'block\';\r\n  document.getElementById(\"uniquename1\").style.display = \'none\';\r\n}\r\nelse\r\n{\r\n  document.getElementById(d).style.display = \'none\';\r\n  document.getElementById(\"uniquename1\").style.display = \'block\';\r\n}\r\n}\r\n// ]]></script></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/F2.jpg\"><img class=\"alignnone size-large wp-image-323\" title=\"F2-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/F2-695x1024.jpg\" alt=\"\" width=\"800\" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/White-Heat.jpg\"><img class=\"aligncenter size-full wp-image-732\" title=\"White Heat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/White-Heat.jpg\" alt=\"White Heat\" width=\"800\" height=\"500\" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/F3.jpg\"><img class=\"alignnone size-large wp-image-324\" title=\"F3-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/F3-1024x682.jpg\" alt=\"\" width=\"800\" height=\"600\" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','321-revision-16','','','2010-07-25 08:39:00','2010-07-25 08:39:00','',321,'http://www.biggventures.com/demo/artists/1580/uncat/321-revision-16',0,'revision','',0),(1581,1,'2010-07-25 08:42:56','2010-07-25 08:42:56','<!--\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n-->\r\n<table border=\"0\" cellspacing=\"5\" cellpadding=\"0\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\" style=\"padding-top:4px;\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/F1.jpg\"><img class=\"alignnone size-large wp-image-322\" title=\"F1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/F1-1024x771.jpg\" alt=\"\" width=\"600\" height=\"400\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><span style=\"color: #888888;\">White Heat (The Ironing Board)</span>\r\n2008\r\nbonded marble, brass, fabric\r\n70 x 102 x 30 in. I 178 x 259 x 76 cm\r\nedition of 5 + AP\r\n\r\n<div id=\"uniquename1\" style=\"display: block; text-align: justify;\">‘The Ironing Board’ refers to the highly fortified relationship that India shares with its neighbour Pakistan and the uncertain nature of the peace process between the countries.\r\nThe sculpture of an oversized iron placed on an ironing board seems dysfunctional due to the surface being densely loaded with numerous weapon-like projections.\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\" style=\"color:#888888;\">...more</a>\r\n\r\n</div>\r\n<div id=\"uniquename\" style=\"display: none; text-align: justify;\">‘The Ironing Board’ refers to the highly fortified relationship that India shares with its neighbour Pakistan and the uncertain nature of the peace process between the countries.\r\n\r\nThe sculpture of an oversized iron placed on an ironing board seems dysfunctional due to the surface being densely loaded with numerous weapon-like projections.\r\nOn close observation one would find, amongst other weapons, truncated rooftops of religious monuments. The fabric that lies draped waiting to be ironed is embroidered with names of those who’ve signed the petition for peace between India and Pakistan along with multiple maps of the disputed territory between the two countries, an image that recurs in many of my works as a space symbolic of human inanity.\r\n\r\nThe sculpture playfully renders the frustrations of the never-ending dialogue, where any attempts at ironing out creases in the peace process are sabotaged by conflicting interests and with the misuse of religion as a divisive tool by both countries.\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n\r\n</div>\r\n<tr><td>&nbsp;</td></tr>\r\n<p style=\"text-align: justify;\"><script type=\"text/javascript\">// <![CDATA[\r\nfunction ReverseContentDisplay(d) {\r\nif(d.length < 1) { return; }\r\nif(document.getElementById(d).style.display == \'none\')\r\n{\r\n  document.getElementById(d).style.display = \'block\';\r\n  document.getElementById(\"uniquename1\").style.display = \'none\';\r\n}\r\nelse\r\n{\r\n  document.getElementById(d).style.display = \'none\';\r\n  document.getElementById(\"uniquename1\").style.display = \'block\';\r\n}\r\n}\r\n// ]]></script></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/F2.jpg\"><img class=\"alignnone size-large wp-image-323\" title=\"F2-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/F2-695x1024.jpg\" alt=\"\" width=\"800\" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/White-Heat.jpg\"><img class=\"aligncenter size-full wp-image-732\" title=\"White Heat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/White-Heat.jpg\" alt=\"White Heat\" width=\"800\" height=\"500\" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/F3.jpg\"><img class=\"alignnone size-large wp-image-324\" title=\"F3-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/F3-1024x682.jpg\" alt=\"\" width=\"800\" height=\"600\" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','321-revision-17','','','2010-07-25 08:42:56','2010-07-25 08:42:56','',321,'http://www.biggventures.com/demo/artists/1581/uncat/321-revision-17',0,'revision','',0),(1582,1,'2010-07-25 08:43:39','2010-07-25 08:43:39','<!--\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n-->\r\n<table border=\"0\" cellspacing=\"5\" cellpadding=\"0\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\" style=\"padding-top:4px;\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/F1.jpg\"><img class=\"alignnone size-large wp-image-322\" title=\"F1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/F1-1024x771.jpg\" alt=\"\" width=\"600\" height=\"400\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><span style=\"color: #888888;\">White Heat (The Ironing Board)</span>\r\n2008\r\nbonded marble, brass, fabric\r\n70 x 102 x 30 in. I 178 x 259 x 76 cm\r\nedition of 5 + AP\r\n\r\n<div id=\"uniquename1\" style=\"display: block; text-align: justify;\">‘The Ironing Board’ refers to the highly fortified relationship that India shares with its neighbour Pakistan and the uncertain nature of the peace process between the countries.\r\nThe sculpture of an oversized iron placed on an ironing board seems dysfunctional due to the surface being densely loaded with numerous weapon-like projections.\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\" style=\"color:#888888;\">...more</a>\r\n\r\n</div>\r\n<div id=\"uniquename\" style=\"display: none; text-align: justify;\">‘The Ironing Board’ refers to the highly fortified relationship that India shares with its neighbour Pakistan and the uncertain nature of the peace process between the countries.\r\n\r\nThe sculpture of an oversized iron placed on an ironing board seems dysfunctional due to the surface being densely loaded with numerous weapon-like projections.\r\nOn close observation one would find, amongst other weapons, truncated rooftops of religious monuments. The fabric that lies draped waiting to be ironed is embroidered with names of those who’ve signed the petition for peace between India and Pakistan along with multiple maps of the disputed territory between the two countries, an image that recurs in many of my works as a space symbolic of human inanity.\r\n\r\nThe sculpture playfully renders the frustrations of the never-ending dialogue, where any attempts at ironing out creases in the peace process are sabotaged by conflicting interests and with the misuse of religion as a divisive tool by both countries.\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n\r\n</div>\r\n<p style=\"text-align: justify;\"><script type=\"text/javascript\">// <![CDATA[\r\nfunction ReverseContentDisplay(d) {\r\nif(d.length < 1) { return; }\r\nif(document.getElementById(d).style.display == \'none\')\r\n{\r\n  document.getElementById(d).style.display = \'block\';\r\n  document.getElementById(\"uniquename1\").style.display = \'none\';\r\n}\r\nelse\r\n{\r\n  document.getElementById(d).style.display = \'none\';\r\n  document.getElementById(\"uniquename1\").style.display = \'block\';\r\n}\r\n}\r\n// ]]></script></td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/F2.jpg\"><img class=\"alignnone size-large wp-image-323\" title=\"F2-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/F2-695x1024.jpg\" alt=\"\" width=\"800\" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/White-Heat.jpg\"><img class=\"aligncenter size-full wp-image-732\" title=\"White Heat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/White-Heat.jpg\" alt=\"White Heat\" width=\"800\" height=\"500\" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/F3.jpg\"><img class=\"alignnone size-large wp-image-324\" title=\"F3-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/F3-1024x682.jpg\" alt=\"\" width=\"800\" height=\"600\" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','321-revision-18','','','2010-07-25 08:43:39','2010-07-25 08:43:39','',321,'http://www.biggventures.com/demo/artists/1582/uncat/321-revision-18',0,'revision','',0),(1583,1,'2010-07-25 08:46:03','2010-07-25 08:46:03','<!--\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n-->\r\n<table border=\"0\" cellspacing=\"5\" cellpadding=\"0\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\" style=\"padding-top:4px;\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/F1.jpg\"><img class=\"alignnone size-large wp-image-322\" title=\"F1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/F1-1024x771.jpg\" alt=\"\" width=\"600\" height=\"400\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><span style=\"color: #888888;\">White Heat (The Ironing Board)</span>\r\n2008\r\nbonded marble, brass, fabric\r\n70 x 102 x 30 in. I 178 x 259 x 76 cm\r\nedition of 5 + AP\r\n\r\n<div id=\"uniquename1\" style=\"display: block; text-align: justify;\">‘The Ironing Board’ refers to the highly fortified relationship that India shares with its neighbour Pakistan and the uncertain nature of the peace process between the countries.\r\nThe sculpture of an oversized iron placed on an ironing board seems dysfunctional due to the surface being densely loaded with numerous weapon-like projections.\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\" style=\"color:#888888;\">...more</a>\r\n\r\n</div>\r\n<div id=\"uniquename\" style=\"display: none; text-align: justify;\">‘The Ironing Board’ refers to the highly fortified relationship that India shares with its neighbour Pakistan and the uncertain nature of the peace process between the countries.\r\n\r\nThe sculpture of an oversized iron placed on an ironing board seems dysfunctional due to the surface being densely loaded with numerous weapon-like projections.\r\nOn close observation one would find, amongst other weapons, truncated rooftops of religious monuments. The fabric that lies draped waiting to be ironed is embroidered with names of those who’ve signed the petition for peace between India and Pakistan along with multiple maps of the disputed territory between the two countries, an image that recurs in many of my works as a space symbolic of human inanity.\r\n\r\nThe sculpture playfully renders the frustrations of the never-ending dialogue, where any attempts at ironing out creases in the peace process are sabotaged by conflicting interests and with the misuse of religion as a divisive tool by both countries.\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n\r\n</div>\r\n<p style=\"text-align: justify;\"><script type=\"text/javascript\">// <![CDATA[\r\nfunction ReverseContentDisplay(d) {\r\nif(d.length < 1) { return; }\r\nif(document.getElementById(d).style.display == \'none\')\r\n{\r\n  document.getElementById(d).style.display = \'block\';\r\n  document.getElementById(\"uniquename1\").style.display = \'none\';\r\n}\r\nelse\r\n{\r\n  document.getElementById(d).style.display = \'none\';\r\n  document.getElementById(\"uniquename1\").style.display = \'block\';\r\n}\r\n}\r\n// ]]></script></td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/F2.jpg\"><img class=\"alignnone size-large wp-image-323\" title=\"F2-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/F2-695x1024.jpg\" alt=\"\" width=\"800\" /></a></td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/White-Heat.jpg\"><img class=\"aligncenter size-full wp-image-732\" title=\"White Heat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/White-Heat.jpg\" alt=\"White Heat\" width=\"800\" height=\"500\" /></a></td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/F3.jpg\"><img class=\"alignnone size-large wp-image-324\" title=\"F3-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/F3-1024x682.jpg\" alt=\"\" width=\"800\" height=\"600\" /></a></td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','321-revision-19','','','2010-07-25 08:46:03','2010-07-25 08:46:03','',321,'http://www.biggventures.com/demo/artists/1583/uncat/321-revision-19',0,'revision','',0),(1584,1,'2010-07-25 08:49:11','2010-07-25 08:49:11','<!--\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n-->\r\n<table border=\"0\" cellspacing=\"5\" cellpadding=\"0\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\" style=\"padding-top:4px;\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/F1.jpg\"><img class=\"alignnone size-large wp-image-322\" title=\"F1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/F1-1024x771.jpg\" alt=\"\" width=\"600\" height=\"400\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><span style=\"color: #888888;\">White Heat (The Ironing Board)</span>\r\n2008\r\nbonded marble, brass, fabric\r\n70 x 102 x 30 in. I 178 x 259 x 76 cm\r\nedition of 5 + AP\r\n\r\n<div id=\"uniquename1\" style=\"display: block; text-align: justify;\">‘The Ironing Board’ refers to the highly fortified relationship that India shares with its neighbour Pakistan and the uncertain nature of the peace process between the countries.\r\nThe sculpture of an oversized iron placed on an ironing board seems dysfunctional due to the surface being densely loaded with numerous weapon-like projections.\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\" style=\"color:#888888;\">...more</a>\r\n\r\n</div>\r\n<div id=\"uniquename\" style=\"display: none; text-align: justify;\">‘The Ironing Board’ refers to the highly fortified relationship that India shares with its neighbour Pakistan and the uncertain nature of the peace process between the countries.\r\n\r\nThe sculpture of an oversized iron placed on an ironing board seems dysfunctional due to the surface being densely loaded with numerous weapon-like projections.\r\nOn close observation one would find, amongst other weapons, truncated rooftops of religious monuments. The fabric that lies draped waiting to be ironed is embroidered with names of those who’ve signed the petition for peace between India and Pakistan along with multiple maps of the disputed territory between the two countries, an image that recurs in many of my works as a space symbolic of human inanity.\r\n\r\nThe sculpture playfully renders the frustrations of the never-ending dialogue, where any attempts at ironing out creases in the peace process are sabotaged by conflicting interests and with the misuse of religion as a divisive tool by both countries.\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n\r\n</div>\r\n<p style=\"text-align: justify;\"><script type=\"text/javascript\">// <![CDATA[\r\nfunction ReverseContentDisplay(d) {\r\nif(d.length < 1) { return; }\r\nif(document.getElementById(d).style.display == \'none\')\r\n{\r\n  document.getElementById(d).style.display = \'block\';\r\n  document.getElementById(\"uniquename1\").style.display = \'none\';\r\n}\r\nelse\r\n{\r\n  document.getElementById(d).style.display = \'none\';\r\n  document.getElementById(\"uniquename1\").style.display = \'block\';\r\n}\r\n}\r\n// ]]></script></td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/F2.jpg\"><img class=\"alignnone size-large wp-image-323\" title=\"F2-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/F2-695x1024.jpg\" alt=\"\" width=\"800\" /></a></td>\r\n</tr>\r\n<tr><td></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/White-Heat.jpg\"><img class=\"aligncenter size-full wp-image-732\" title=\"White Heat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/White-Heat.jpg\" alt=\"White Heat\" width=\"800\" height=\"500\" /></a></td>\r\n</tr>\r\n<tr><td></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/F3.jpg\"><img class=\"alignnone size-large wp-image-324\" title=\"F3-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/F3-1024x682.jpg\" alt=\"\" width=\"800\" height=\"600\" /></a></td>\r\n</tr>\r\n<tr><td></td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','321-revision-20','','','2010-07-25 08:49:11','2010-07-25 08:49:11','',321,'http://www.biggventures.com/demo/artists/1584/uncat/321-revision-20',0,'revision','',0),(1585,1,'2010-07-25 09:17:10','2010-07-25 09:17:10','<!--\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n-->\r\n<table border=\"0\" cellspacing=\"5\" cellpadding=\"0\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\" style=\"padding-top:4px;\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/F1.jpg\"><img class=\"alignnone size-large wp-image-322\" title=\"F1-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/F1-1024x771.jpg\" alt=\"\" width=\"600\" height=\"400\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><span style=\"color: #888888;\">White Heat (The Ironing Board)</span>\r\n2008\r\nbonded marble, brass, fabric\r\n70 x 102 x 30 in. I 178 x 259 x 76 cm\r\nedition of 5 + AP\r\n\r\n<div id=\"uniquename1\" style=\"display: block; text-align: justify;\">‘The Ironing Board’ refers to the highly fortified relationship that India shares with its neighbour Pakistan and the uncertain nature of the peace process between the countries.\r\nThe sculpture of an oversized iron placed on an ironing board seems dysfunctional due to the surface being densely loaded with numerous weapon-like projections.\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\" style=\"color:#888888;\">...more</a>\r\n\r\n</div>\r\n<div id=\"uniquename\" style=\"display: none; text-align: justify;\">‘The Ironing Board’ refers to the highly fortified relationship that India shares with its neighbour Pakistan and the uncertain nature of the peace process between the countries.\r\n\r\nThe sculpture of an oversized iron placed on an ironing board seems dysfunctional due to the surface being densely loaded with numerous weapon-like projections.\r\nOn close observation one would find, amongst other weapons, truncated rooftops of religious monuments. The fabric that lies draped waiting to be ironed is embroidered with names of those who’ve signed the petition for peace between India and Pakistan along with multiple maps of the disputed territory between the two countries, an image that recurs in many of my works as a space symbolic of human inanity.\r\n\r\nThe sculpture playfully renders the frustrations of the never-ending dialogue, where any attempts at ironing out creases in the peace process are sabotaged by conflicting interests and with the misuse of religion as a divisive tool by both countries.\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n\r\n</div>\r\n<p style=\"text-align: justify;\"><script type=\"text/javascript\">// <![CDATA[\r\nfunction ReverseContentDisplay(d) {\r\nif(d.length < 1) { return; }\r\nif(document.getElementById(d).style.display == \'none\')\r\n{\r\n  document.getElementById(d).style.display = \'block\';\r\n  document.getElementById(\"uniquename1\").style.display = \'none\';\r\n}\r\nelse\r\n{\r\n  document.getElementById(d).style.display = \'none\';\r\n  document.getElementById(\"uniquename1\").style.display = \'block\';\r\n}\r\n}\r\n// ]]></script></td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/F2.jpg\"><img class=\"alignnone size-large wp-image-323\" title=\"F2-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/F2-695x1024.jpg\" alt=\"\" width=\"800\" /></a></td>\r\n</tr>\r\n<tr><td></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/White-Heat.jpg\"><img class=\"aligncenter size-full wp-image-732\" title=\"White Heat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/White-Heat.jpg\" alt=\"White Heat\" width=\"800\" height=\"500\" /></a></td>\r\n</tr>\r\n<tr><td></td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/F3.jpg\"><img class=\"alignnone size-large wp-image-324\" title=\"F3-detail\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/F3-1024x682.jpg\" alt=\"\" width=\"800\" height=\"600\" /></a></td>\r\n</tr>\r\n<tr><td></td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','321-revision-21','','','2010-07-25 09:17:10','2010-07-25 09:17:10','',321,'http://www.biggventures.com/demo/artists/1585/uncat/321-revision-21',0,'revision','',0),(1586,1,'2010-07-23 17:30:14','2010-07-23 17:30:14','Reena Saini Kallat (b. Delhi 1973) graduated from the Sir J. J. School of Art, Mumbai in 1996 with a B. F. A. in painting. Her practice - spanning painting, photography, video and sculptural installations - frequently deals with the condition of an individual in a rapidly changing society, ever susceptible to being reduced to an anonymous and forgotten statistic. Kallat is interested in constructing images that seem to change and transform by the possibilities they carry for the generation of meaning through a calibrated interplay of image and form.\r\n\r\nOver the last decade her work has been part of many important exhibitions, across the world. She has had ten solo exhibitions in India and abroad, collectively, and participated in a number of workshops and residencies. She lives and works in Mumbai.\r\n<table>\r\n<tbody>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">SOLO EXHIBITIONS</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.primomarellagallery.com/it/catalogue/scheda.asp?id=568&amp;view=past\" target=\"_blank\">Drift, Primo Marella Gallery, Milan</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2008/reena_bio.html\" target=\"_blank\"> Silt of Seasons, Chemould   Prescott Road, Mumbai</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/reena-kallat-exhibition-2008/\" target=\"_blank\">Subject to Change without Notice, Walsh Gallery, Chicago</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Rainbow Of Refuse, Bodhi Art Gallery, Mumbai and Singapore</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td><a class=\"linkbio\" href=\"http://www.naturemorte.com/artists/reena-saini-kallat/selected-works/\" target=\"_blank\">Black Flute (And Other Stories), Nature Morte, New Delhi</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2004/reena_saini_kallat_note.html\" target=\"_blank\">Black Flute, Gallery Chemould, Mumbai</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>The Battlefield Is The Mind, Sakshi Gallery, Bangalore</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Seven Faces of Dust, Chicago Radio, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2000</td>\r\n<td>Skin, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1998</td>\r\n<td>Orchard of Home-grown Secrets, Gallery Chemould and Pundole  Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><span style=\"color: #888888;\"><strong>SELECTED GROUP EXHIBITIONS</strong></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.richmondartgallery.org/in-transition.php\" target=\"_blank\">In Transition: New Art from India, Richmond Art Gallery Vancouver Biennale, Vancouver</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://websterhuntgallery.blogspot.com/2010_02_01_archive.html\" target=\"_blank\">Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster University, curated by Jeffrey Hughes and Dana Turkovic,\r\nCecile R. Hunt Gallery,St.Louis,Missouri</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/51\" target=\"_blank\">Never Run Away, 2 person exhibition curated by Shaheen Merali,Stux   Gallery,  New York</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/artists/reena_kallat.htm?section_name=new_india\" target=\"_blank\">The Empire Strikes Back, Saatchi Gallery, London</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://art-for-the-world.blogspot.com/2010/01/some-installation-views-of-urban.html\" target=\"_blank\">Urban Manners 2, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao Paulo, Brazil</a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.asianartbiennial.org/2009/en/index_en.html\" target=\"_blank\">View Points and Viewing points - 2009 Asian Art Biennale, National Taiwan Museum of Fine Arts </a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Spectrum: Indian Art at Abu   Dhabi, United   Arab Emirates</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Milan Galleria, curated by Georgio Verzotti, Triennale Museum, Milan</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.initialaccess.co.uk/exhibition_moreinfo.php?id=11\" target=\"_blank\">Passage to India Part II show at Initial Access, Frank Cohen Collection, Wolverhampton, UK</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Ventosul Biennale, Curitiba, Brazil</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/english/contents/india/index.html\" target=\"_blank\"> Chalo! India: A New Era of Indian Art, National  Museum of Contemporary Art, Korea and Essl Museum, Vienna</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mocashanghai.org/index.php?_function=exhibition&amp;_subFunction=pastExhibition&amp;exhibition_id=40&amp;_view=detail\" target=\"_blank\">INDIA XIANZAI: Contemporary Indian Art, Museum of Contemporary Art, Shanghai</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/42/622\" target=\"_blank\">Low Blow: And Other Species of Confusion, Stux gallery, New York</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><em> </em>Indian Narratives in the 21<sup>st</sup> Century: Between Memory and History,Casa  Asia, Madrid and Barcelona, Spain</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/body-chatter-an-exhibition-of-contemporary-indian-art-2008/\" target=\"_blank\">Body Chatter, Walsh Gallery, Chicago</a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/contents/press/india_20081121_e.pdf\" target=\"_blank\">Chalo! India: A New Era of Indian Art, Mori Art   Museum, Japan</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.indiamoderna.es/eng/index.html\" target=\"_blank\">India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM Museum, Valencia, Spain </a></td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.aaa.org.hk/onlineprojects/bitri/en/gallery.aspx?eid=A080.03\" target=\"_blank\">3<sup>rd</sup> Nanjing Triennale, curators: Fumihiko Sumitomo, Jaeyoung Kang,  China\r\n</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>TEAF (Taehwagang Eco Art Festival) - Dream River, Korea</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.bodhiart.in/exhibitions/everywhere_is_war/everywhere_war.html\" target=\"_blank\">Everywhere is War (And Rumours of it), Bodhi Art Gallery, Mumbai</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/33\" target=\"_blank\">Fire Walkers, Stefan Stux gallery, New York</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.galeriems.com/reenask_one.htm\" target=\"_blank\">Three Points of view, Galerie Mirchandani + Steinrucke, Mumbai</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Excavation: Memory / Myth / Membrane, Museum Gallery, Mumbai</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>International Incheon Women Artists’ Biennale, Korea</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Soft Power: Asian Attitude, Shanghai Zendai Museum of Modern Art, Shanghai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td><a class=\"linkbio\" href=\"http://www.kunstaspekte.de/index.php?tid=39629&amp;action=termin\" target=\"_blank\">Urban Manners, curated by Adelina Von Furstenberg, at Hangar Bicocca , Milan</a></td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td><a class=\"linkbio\" href=\"http://www.art-for-the-world.com/wwd/2007/urban_manners/Urban_Manners_pr.pdf\" target=\"_blank\">INDIA NOW: Contemporary Indian Art, Between Continuity and transformation,curated by Daniela Palozzoli at Spazio Oberdan, Milan</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>New Narratives: Contemporary Art From India, curated by Betty Seid,Chicago Cultural Centre, Chicago</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Thermocline Of Art- New Asian Waves, curated by Wonil Rhee and Peter Weibel at ZKM in Karlsruhe, Germany</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Modern Indian Works On Paper, Arthur Ross Gallery, Philadelphia and the Georgia Museum of Art, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Lille 3000 (Maximum City-Mumbai), Lille,  France</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Hungry God- Indian Contemporary Art, curated by Yun Chaegab and June Gwak, Arario Gallery, Beijing and Busan MoMA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>India Express – Art and Popular Culture, Art Museum Tennispalace, curators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City  Art Museum, Finland</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Mom and Pop Art, Walsh Gallery, Chicago</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Span, Sakshi Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Indian Paintings of the New Millenium, curated by Helen Asquine Fazio at Thomas J. Walsh Art Gallery at Fairfield  University, USA</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td><em> </em>Contemporary Art from India, Thomas   Erben Gallery, New York</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td>Zoom! Art in Contemporary India. Curators: Nancy Adajania and Luis Serpa, The Culturgest Museum, Lisbon, Portugal</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Crossing generations: diVERGE, Gallery Chemould’s 40th anniversary,Curators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of Modern Art, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td><em> </em>Hard Copy, two-person show with Jitish Kallat, Gallery 88, Calcutta</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Tiranga, curator: Peter Nagy, India Habitat Centre, New Delhi</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td><em> </em>Elephant Walks, Youth Arts Project in collaboration with Jitish Kallat as part of Indians + Cowboys exhibition, Curators: Aaron Seetu and Ruth Watson Gallery 4A, Sydney</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>The Tree From The Seed, Contemporary Art from India, curator: Gavin Jantjes Henie Onstad Kunstsenter (Oslo), Norway</td>\r\n<td><em></em></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td><em>Crosscurrents</em>, organized by Artworks for the fiftieth anniversary celebrations of Jehangir Art  Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td><em>Reclaim Our Freedom</em>, organized by Open Circle, Pundole Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Crossing Borders, Gallery Windkracht 13, Den Helder, Holland</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>Big River 2, CCA7 Gallery, Port Of Spain, Trinidad</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>AOM- Art on the move, organized by Sahmat, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1999</td>\r\n<td><em> </em>Edge of the Century, curated by Amit Mukhopadhyay, Academy  of Fine Arts and Literature, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">SELECTED WORKSHOPS AND RESIDENCIES</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Vanishing Point, children’s project at the Celebrate Bandra Festival, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Collaborative workshop as part of the exhibition Aftershock at the Sainsbury Centre for Visual Arts, University of East Anglia, Norwich,  UK</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Collaborated on a Billboard project with Jitish Kallat, Kala Ghoda Art District, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Elephant Walks, Youth Arts Project at the Casula Power House Arts Centre, Liverpool, Australia</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Khoj 2002 International Artists Workshop, Mysore, India</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Identity and Landscape, residency in the Laurentian mountains of Quebec at the Boreal Art/Nature Centre, Canada</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>Big River 2, International Artists Workshop organized by CCA7 and the Triangle Arts Trust at Grand Riviere, Trinidad, West Indies</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td><span style=\"color: #888888;\"><strong>TALKS/PRESENTATIONS</strong></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Panel discussion with artist Gulam Sheikh, co-chair: Sabine B. Vogel, art critic at the Sammlung Essl Museum, Vienna</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Slide presentation followed by a panel discussion with Nalini Malani and Jayshree Chakravarty, moderated by Nancy Adajania at Jnanapravaha, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Slide presentation at the School of the Art Institute of Chicago</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Panel discussion with Nalini Malani, Sheba Chhachhi, moderated by Betty Seid at the Chicago Cultural Centre</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Lecture at the University Boccini, Milan</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Slide presentation at the Lamar Dodd School of Art, University of Georgia, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Talk at the Griffith Auditorium, Georgia Museum of Art, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Slide presentation at Oslo National Academy of the Arts, Norway</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2000</td>\r\n<td>Mohile Parikh Centre for the Visual Arts, Mumbai</td>\r\n</tr>\r\n</tbody>\r\n</table>','Biography','','inherit','open','open','','105-revision-70','','','2010-07-23 17:30:14','2010-07-23 17:30:14','',105,'http://www.biggventures.com/demo/artists/1586/uncat/105-revision-70',0,'revision','',0),(1587,1,'2010-07-26 15:49:46','2010-07-26 15:49:46','Reena Saini Kallat (b. Delhi 1973) graduated from the Sir J. J. School of Art, Mumbai in 1996 with a B. F. A. in painting. Her practice - spanning painting, photography, video and sculptural installations - frequently deals with the condition of an individual in a rapidly changing society, ever susceptible to being reduced to an anonymous and forgotten statistic. Kallat is interested in constructing images that seem to change and transform by the possibilities they carry for the generation of meaning through a calibrated interplay of image and form.\r\n\r\nOver the last decade her work has been part of many important exhibitions, across the world. She has had ten solo exhibitions in India and abroad, collectively, and participated in a number of workshops and residencies. She lives and works in Mumbai.\r\n<table>\r\n<tbody>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">SOLO EXHIBITIONS</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.primomarellagallery.com/it/catalogue/scheda.asp?id=568&amp;view=past\" target=\"_blank\">Drift, Primo Marella Gallery, Milan</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2008/reena_bio.html\" target=\"_blank\"> Silt of Seasons, Chemould   Prescott Road, Mumbai</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/reena-kallat-exhibition-2008/\" target=\"_blank\">Subject to Change without Notice, Walsh Gallery, Chicago</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Rainbow Of Refuse, Bodhi Art Gallery, Mumbai and Singapore</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td><a class=\"linkbio\" href=\"http://www.naturemorte.com/artists/reena-saini-kallat/selected-works/\" target=\"_blank\">Black Flute (And Other Stories), Nature Morte, New Delhi</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2004/reena_saini_kallat_note.html\" target=\"_blank\">Black Flute, Gallery Chemould, Mumbai</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>The Battlefield Is The Mind, Sakshi Gallery, Bangalore</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Seven Faces of Dust, Chicago Radio, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2000</td>\r\n<td>Skin, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1998</td>\r\n<td>Orchard of Home-grown Secrets, Gallery Chemould and Pundole  Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><span style=\"color: #888888;\"><strong>SELECTED GROUP EXHIBITIONS</strong></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.richmondartgallery.org/in-transition.php\" target=\"_blank\">In Transition: New Art from India, Richmond Art Gallery Vancouver Biennale, Vancouver</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://websterhuntgallery.blogspot.com/2010_02_01_archive.html\" target=\"_blank\">Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster University, curated by Jeffrey Hughes and Dana Turkovic,\r\nCecile R. Hunt Gallery,St.Louis,Missouri</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/51\" target=\"_blank\">Never Run Away, 2 person exhibition curated by Shaheen Merali,Stux   Gallery,  New York</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/artists/reena_kallat.htm?section_name=new_india\" target=\"_blank\">The Empire Strikes Back, Saatchi Gallery, London</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://art-for-the-world.blogspot.com/2010/01/some-installation-views-of-urban.html\" target=\"_blank\">Urban Manners 2, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao Paulo, Brazil</a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.asianartbiennial.org/2009/en/index_en.html\" target=\"_blank\">View Points and Viewing points - 2009 Asian Art Biennale, National Taiwan Museum of Fine Arts </a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Spectrum: Indian Art at Abu   Dhabi, United   Arab Emirates</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Milan Galleria, curated by Georgio Verzotti, Triennale Museum, Milan</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.initialaccess.co.uk/exhibition_moreinfo.php?id=11\" target=\"_blank\">Passage to India Part II show at Initial Access, Frank Cohen Collection, Wolverhampton, UK</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Ventosul Biennale, Curitiba, Brazil</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/english/contents/india/index.html\" target=\"_blank\"> Chalo! India: A New Era of Indian Art, National  Museum of Contemporary Art, Korea and Essl Museum, Vienna</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mocashanghai.org/index.php?_function=exhibition&amp;_subFunction=pastExhibition&amp;exhibition_id=40&amp;_view=detail\" target=\"_blank\">INDIA XIANZAI: Contemporary Indian Art, Museum of Contemporary Art, Shanghai</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/42/622\" target=\"_blank\">Low Blow: And Other Species of Confusion, Stux gallery, New York</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><em> </em>Indian Narratives in the 21<sup>st</sup> Century: Between Memory and History,Casa  Asia, Madrid and Barcelona, Spain</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/body-chatter-an-exhibition-of-contemporary-indian-art-2008/\" target=\"_blank\">Body Chatter, Walsh Gallery, Chicago</a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/contents/press/india_20081121_e.pdf\" target=\"_blank\">Chalo! India: A New Era of Indian Art, Mori Art   Museum, Japan</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.indiamoderna.es/eng/index.html\" target=\"_blank\">India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM Museum, Valencia, Spain </a></td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.aaa.org.hk/onlineprojects/bitri/en/gallery.aspx?eid=A080.03\" target=\"_blank\">3<sup>rd</sup> Nanjing Triennale, curators: Fumihiko Sumitomo, Jaeyoung Kang,  China\r\n</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>TEAF (Taehwagang Eco Art Festival) - Dream River, Korea</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.bodhiart.in/exhibitions/everywhere_is_war/everywhere_war.html\" target=\"_blank\">Everywhere is War (And Rumours of it), Bodhi Art Gallery, Mumbai</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/33\" target=\"_blank\">Fire Walkers, Stefan Stux gallery, New York</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.galeriems.com/reenask_one.htm\" target=\"_blank\">Three Points of view, Galerie Mirchandani + Steinrucke, Mumbai</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Excavation: Memory / Myth / Membrane, Museum Gallery, Mumbai</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>International Incheon Women Artists’ Biennale, Korea</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Soft Power: Asian Attitude, Shanghai Zendai Museum of Modern Art, Shanghai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td><a class=\"linkbio\" href=\"http://www.kunstaspekte.de/index.php?tid=39629&amp;action=termin\" target=\"_blank\">Urban Manners, curated by Adelina Von Furstenberg, at Hangar Bicocca , Milan</a></td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td><a class=\"linkbio\" href=\"http://www.art-for-the-world.com/wwd/2007/urban_manners/Urban_Manners_pr.pdf\" target=\"_blank\">INDIA NOW: Contemporary Indian Art, Between Continuity and transformation,curated by Daniela Palozzoli at Spazio Oberdan, Milan</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>New Narratives: Contemporary Art From India, curated by Betty Seid,Chicago Cultural Centre, Chicago</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Thermocline Of Art- New Asian Waves, curated by Wonil Rhee and Peter Weibel at ZKM in Karlsruhe, Germany</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Modern Indian Works On Paper, Arthur Ross Gallery, Philadelphia and the Georgia Museum of Art, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Lille 3000 (Maximum City-Mumbai), Lille,  France</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Hungry God- Indian Contemporary Art, curated by Yun Chaegab and June Gwak, Arario Gallery, Beijing and Busan MoMA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>India Express – Art and Popular Culture, Art Museum Tennispalace, curators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City  Art Museum, Finland</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Mom and Pop Art, Walsh Gallery, Chicago</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Span, Sakshi Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Indian Paintings of the New Millenium, curated by Helen Asquine Fazio at Thomas J. Walsh Art Gallery at Fairfield  University, USA</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td><em> </em>Contemporary Art from India, Thomas   Erben Gallery, New York</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td>Zoom! Art in Contemporary India. Curators: Nancy Adajania and Luis Serpa, The Culturgest Museum, Lisbon, Portugal</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Crossing generations: diVERGE, Gallery Chemould’s 40th anniversary,Curators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of Modern Art, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td><em> </em>Hard Copy, two-person show with Jitish Kallat, Gallery 88, Calcutta</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Tiranga, curator: Peter Nagy, India Habitat Centre, New Delhi</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td><em> </em>Elephant Walks, Youth Arts Project in collaboration with Jitish Kallat as part of Indians + Cowboys exhibition, Curators: Aaron Seetu and Ruth Watson Gallery 4A, Sydney</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>The Tree From The Seed, Contemporary Art from India, curator: Gavin Jantjes Henie Onstad Kunstsenter (Oslo), Norway</td>\r\n<td><em></em></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td><em>Crosscurrents</em>, organized by Artworks for the fiftieth anniversary celebrations of Jehangir Art  Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td><em>Reclaim Our Freedom</em>, organized by Open Circle, Pundole Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Crossing Borders, Gallery Windkracht 13, Den Helder, Holland</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>Big River 2, CCA7 Gallery, Port Of Spain, Trinidad</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>AOM- Art on the move, organized by Sahmat, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1999</td>\r\n<td><em> </em>Edge of the Century, curated by Amit Mukhopadhyay, Academy  of Fine Arts and Literature, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">SELECTED WORKSHOPS AND RESIDENCIES</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Vanishing Point, children’s project at the Celebrate Bandra Festival, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Collaborative workshop as part of the exhibition Aftershock at the Sainsbury Centre for Visual Arts, University of East Anglia, Norwich,  UK</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Collaborated on a Billboard project with Jitish Kallat, Kala Ghoda Art District, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Elephant Walks, Youth Arts Project at the Casula Power House Arts Centre, Liverpool, Australia</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Khoj 2002 International Artists Workshop, Mysore, India</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Identity and Landscape, residency in the Laurentian mountains of Quebec at the Boreal Art/Nature Centre, Canada</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>Big River 2, International Artists Workshop organized by CCA7 and the Triangle Arts Trust at Grand Riviere, Trinidad, West Indies</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td><span style=\"color: #888888;\"><strong>TALKS/PRESENTATIONS</strong></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Panel discussion with artist Gulam Sheikh, co-chair: Sabine B. Vogel, art critic at the Sammlung Essl Museum, Vienna</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Slide presentation followed by a panel discussion with Nalini Malani and Jayshree Chakravarty, moderated by Nancy Adajania at Jnanapravaha, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Slide presentation at the School of the Art Institute of Chicago</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Panel discussion with Nalini Malani, Sheba Chhachhi, moderated by Betty Seid at the Chicago Cultural Centre</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Lecture at the University Boccini, Milan</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Slide presentation at the Lamar Dodd School of Art, University of Georgia, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Talk at the Griffith Auditorium, Georgia Museum of Art, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Slide presentation at Oslo National Academy of the Arts, Norway</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2000</td>\r\n<td>Mohile Parikh Centre for the Visual Arts, Mumbai</td>\r\n</tr>\r\n</tbody>\r\n</table>','Biography','','inherit','open','open','','105-revision-71','','','2010-07-26 15:49:46','2010-07-26 15:49:46','',105,'http://www.biggventures.com/demo/artists/1587/uncat/105-revision-71',0,'revision','',0),(1588,1,'2010-07-26 15:51:45','2010-07-26 15:51:45','Reena Saini Kallat (b. Delhi 1973) graduated from the Sir J. J. School of Art, Mumbai in 1996 with a B. F. A. in painting. Her practice - spanning painting, photography, video and sculptural installations - frequently deals with the condition of an individual in a rapidly changing society, ever susceptible to being reduced to an anonymous and forgotten statistic. Kallat is interested in constructing images that seem to change and transform by the possibilities they carry for the generation of meaning through a calibrated interplay of image and form.\r\n\r\nOver the last decade her work has been part of many important exhibitions, across the world. She has had ten solo exhibitions in India and abroad, collectively, and participated in a number of workshops and residencies. She lives and works in Mumbai.\r\n<table>\r\n<tbody>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">SOLO EXHIBITIONS</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.primomarellagallery.com/it/catalogue/scheda.asp?id=568&amp;view=past\" target=\"_blank\">Drift, Primo Marella Gallery, Milan</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2008/reena_bio.html\" target=\"_blank\"> Silt of Seasons, Chemould   Prescott Road, Mumbai</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/reena-kallat-exhibition-2008/\" target=\"_blank\">Subject to Change without Notice, Walsh Gallery, Chicago</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Rainbow Of Refuse, Bodhi Art Gallery, Mumbai and Singapore</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td><a class=\"linkbio\" href=\"http://www.naturemorte.com/artists/reena-saini-kallat/selected-works/\" target=\"_blank\">Black Flute (And Other Stories), Nature Morte, New Delhi</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2004/reena_saini_kallat_note.html\" target=\"_blank\">Black Flute, Gallery Chemould, Mumbai</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>The Battlefield Is The Mind, Sakshi Gallery, Bangalore</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Seven Faces of Dust, Chicago Radio, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2000</td>\r\n<td>Skin, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1998</td>\r\n<td>Orchard of Home-grown Secrets, Gallery Chemould and Pundole  Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><span style=\"color: #888888;\"><strong>SELECTED GROUP EXHIBITIONS</strong></span></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.richmondartgallery.org/in-transition.php\" target=\"_blank\">In Transition: New Art from India, Richmond Art Gallery Vancouver Biennale, Vancouver</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://websterhuntgallery.blogspot.com/2010_02_01_archive.html\" target=\"_blank\">Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster University, curated by Jeffrey Hughes and Dana Turkovic,\r\nCecile R. Hunt Gallery,St.Louis,Missouri</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/51\" target=\"_blank\">Never Run Away, 2 person exhibition curated by Shaheen Merali,Stux   Gallery,  New York</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/artists/reena_kallat.htm?section_name=new_india\" target=\"_blank\">The Empire Strikes Back, Saatchi Gallery, London</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://art-for-the-world.blogspot.com/2010/01/some-installation-views-of-urban.html\" target=\"_blank\">Urban Manners 2, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao Paulo, Brazil</a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.asianartbiennial.org/2009/en/index_en.html\" target=\"_blank\">View Points and Viewing points - 2009 Asian Art Biennale, National Taiwan Museum of Fine Arts </a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Spectrum: Indian Art at Abu   Dhabi, United   Arab Emirates</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Milan Galleria, curated by Georgio Verzotti, Triennale Museum, Milan</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.initialaccess.co.uk/exhibition_moreinfo.php?id=11\" target=\"_blank\">Passage to India Part II show at Initial Access, Frank Cohen Collection, Wolverhampton, UK</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Ventosul Biennale, Curitiba, Brazil</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/english/contents/india/index.html\" target=\"_blank\"> Chalo! India: A New Era of Indian Art, National  Museum of Contemporary Art, Korea and Essl Museum, Vienna</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mocashanghai.org/index.php?_function=exhibition&amp;_subFunction=pastExhibition&amp;exhibition_id=40&amp;_view=detail\" target=\"_blank\">INDIA XIANZAI: Contemporary Indian Art, Museum of Contemporary Art, Shanghai</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/42/622\" target=\"_blank\">Low Blow: And Other Species of Confusion, Stux gallery, New York</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><em> </em>Indian Narratives in the 21<sup>st</sup> Century: Between Memory and History,Casa  Asia, Madrid and Barcelona, Spain</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/body-chatter-an-exhibition-of-contemporary-indian-art-2008/\" target=\"_blank\">Body Chatter, Walsh Gallery, Chicago</a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/contents/press/india_20081121_e.pdf\" target=\"_blank\">Chalo! India: A New Era of Indian Art, Mori Art   Museum, Japan</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.indiamoderna.es/eng/index.html\" target=\"_blank\">India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM Museum, Valencia, Spain </a></td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.aaa.org.hk/onlineprojects/bitri/en/gallery.aspx?eid=A080.03\" target=\"_blank\">3<sup>rd</sup> Nanjing Triennale, curators: Fumihiko Sumitomo, Jaeyoung Kang,  China\r\n</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>TEAF (Taehwagang Eco Art Festival) - Dream River, Korea</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.bodhiart.in/exhibitions/everywhere_is_war/everywhere_war.html\" target=\"_blank\">Everywhere is War (And Rumours of it), Bodhi Art Gallery, Mumbai</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/33\" target=\"_blank\">Fire Walkers, Stefan Stux gallery, New York</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.galeriems.com/reenask_one.htm\" target=\"_blank\">Three Points of view, Galerie Mirchandani + Steinrucke, Mumbai</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Excavation: Memory / Myth / Membrane, Museum Gallery, Mumbai</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>International Incheon Women Artists’ Biennale, Korea</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Soft Power: Asian Attitude, Shanghai Zendai Museum of Modern Art, Shanghai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td><a class=\"linkbio\" href=\"http://www.kunstaspekte.de/index.php?tid=39629&amp;action=termin\" target=\"_blank\">Urban Manners, curated by Adelina Von Furstenberg, at Hangar Bicocca , Milan</a></td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td><a class=\"linkbio\" href=\"http://www.art-for-the-world.com/wwd/2007/urban_manners/Urban_Manners_pr.pdf\" target=\"_blank\">INDIA NOW: Contemporary Indian Art, Between Continuity and transformation,curated by Daniela Palozzoli at Spazio Oberdan, Milan</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>New Narratives: Contemporary Art From India, curated by Betty Seid,Chicago Cultural Centre, Chicago</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Thermocline Of Art- New Asian Waves, curated by Wonil Rhee and Peter Weibel at ZKM in Karlsruhe, Germany</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Modern Indian Works On Paper, Arthur Ross Gallery, Philadelphia and the Georgia Museum of Art, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Lille 3000 (Maximum City-Mumbai), Lille,  France</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Hungry God- Indian Contemporary Art, curated by Yun Chaegab and June Gwak, Arario Gallery, Beijing and Busan MoMA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>India Express – Art and Popular Culture, Art Museum Tennispalace, curators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City  Art Museum, Finland</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Mom and Pop Art, Walsh Gallery, Chicago</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Span, Sakshi Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Indian Paintings of the New Millenium, curated by Helen Asquine Fazio at Thomas J. Walsh Art Gallery at Fairfield  University, USA</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td><em> </em>Contemporary Art from India, Thomas   Erben Gallery, New York</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td>Zoom! Art in Contemporary India. Curators: Nancy Adajania and Luis Serpa, The Culturgest Museum, Lisbon, Portugal</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Crossing generations: diVERGE, Gallery Chemould’s 40th anniversary,Curators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of Modern Art, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td><em> </em>Hard Copy, two-person show with Jitish Kallat, Gallery 88, Calcutta</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Tiranga, curator: Peter Nagy, India Habitat Centre, New Delhi</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td><em> </em>Elephant Walks, Youth Arts Project in collaboration with Jitish Kallat as part of Indians + Cowboys exhibition, Curators: Aaron Seetu and Ruth Watson Gallery 4A, Sydney</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>The Tree From The Seed, Contemporary Art from India, curator: Gavin Jantjes Henie Onstad Kunstsenter (Oslo), Norway</td>\r\n<td><em></em></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td><em>Crosscurrents</em>, organized by Artworks for the fiftieth anniversary celebrations of Jehangir Art  Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td><em>Reclaim Our Freedom</em>, organized by Open Circle, Pundole Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Crossing Borders, Gallery Windkracht 13, Den Helder, Holland</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>Big River 2, CCA7 Gallery, Port Of Spain, Trinidad</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>AOM- Art on the move, organized by Sahmat, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1999</td>\r\n<td><em> </em>Edge of the Century, curated by Amit Mukhopadhyay, Academy  of Fine Arts and Literature, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">SELECTED WORKSHOPS AND RESIDENCIES</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Vanishing Point, children’s project at the Celebrate Bandra Festival, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Collaborative workshop as part of the exhibition Aftershock at the Sainsbury Centre for Visual Arts, University of East Anglia, Norwich,  UK</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Collaborated on a Billboard project with Jitish Kallat, Kala Ghoda Art District, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Elephant Walks, Youth Arts Project at the Casula Power House Arts Centre, Liverpool, Australia</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Khoj 2002 International Artists Workshop, Mysore, India</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Identity and Landscape, residency in the Laurentian mountains of Quebec at the Boreal Art/Nature Centre, Canada</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>Big River 2, International Artists Workshop organized by CCA7 and the Triangle Arts Trust at Grand Riviere, Trinidad, West Indies</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n</tr>\r\n<tr>\r\n<td><span style=\"color: #888888;\"><strong>TALKS/PRESENTATIONS</strong></span></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Panel discussion with artist Gulam Sheikh, co-chair: Sabine B. Vogel, art critic at the Sammlung Essl Museum, Vienna</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Slide presentation followed by a panel discussion with Nalini Malani and Jayshree Chakravarty, moderated by Nancy Adajania at Jnanapravaha, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Slide presentation at the School of the Art Institute of Chicago</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Panel discussion with Nalini Malani, Sheba Chhachhi, moderated by Betty Seid at the Chicago Cultural Centre</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Lecture at the University Boccini, Milan</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Slide presentation at the Lamar Dodd School of Art, University of Georgia, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Talk at the Griffith Auditorium, Georgia Museum of Art, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Slide presentation at Oslo National Academy of the Arts, Norway</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2000</td>\r\n<td>Mohile Parikh Centre for the Visual Arts, Mumbai</td>\r\n</tr>\r\n</tbody>\r\n</table>','Biography','','inherit','open','open','','105-revision-72','','','2010-07-26 15:51:45','2010-07-26 15:51:45','',105,'http://www.biggventures.com/demo/artists/1588/uncat/105-revision-72',0,'revision','',0),(1589,1,'2010-07-26 15:52:32','2010-07-26 15:52:32','Reena Saini Kallat (b. Delhi 1973) graduated from the Sir J. J. School of Art, Mumbai in 1996 with a B. F. A. in painting. Her practice - spanning painting, photography, video and sculptural installations - frequently deals with the condition of an individual in a rapidly changing society, ever susceptible to being reduced to an anonymous and forgotten statistic. Kallat is interested in constructing images that seem to change and transform by the possibilities they carry for the generation of meaning through a calibrated interplay of image and form.\r\n\r\nOver the last decade her work has been part of many important exhibitions, across the world. She has had ten solo exhibitions in India and abroad, collectively, and participated in a number of workshops and residencies. She lives and works in Mumbai.\r\n<table>\r\n<tbody>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">SOLO EXHIBITIONS</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.primomarellagallery.com/it/catalogue/scheda.asp?id=568&amp;view=past\" target=\"_blank\">Drift, Primo Marella Gallery, Milan</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2008/reena_bio.html\" target=\"_blank\"> Silt of Seasons, Chemould   Prescott Road, Mumbai</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/reena-kallat-exhibition-2008/\" target=\"_blank\">Subject to Change without Notice, Walsh Gallery, Chicago</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Rainbow Of Refuse, Bodhi Art Gallery, Mumbai and Singapore</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td><a class=\"linkbio\" href=\"http://www.naturemorte.com/artists/reena-saini-kallat/selected-works/\" target=\"_blank\">Black Flute (And Other Stories), Nature Morte, New Delhi</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2004/reena_saini_kallat_note.html\" target=\"_blank\">Black Flute, Gallery Chemould, Mumbai</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>The Battlefield Is The Mind, Sakshi Gallery, Bangalore</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Seven Faces of Dust, Chicago Radio, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2000</td>\r\n<td>Skin, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1998</td>\r\n<td>Orchard of Home-grown Secrets, Gallery Chemould and Pundole  Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><span style=\"color: #888888;\"><strong>SELECTED GROUP EXHIBITIONS</strong></span></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.richmondartgallery.org/in-transition.php\" target=\"_blank\">In Transition: New Art from India, Richmond Art Gallery Vancouver Biennale, Vancouver</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://websterhuntgallery.blogspot.com/2010_02_01_archive.html\" target=\"_blank\">Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster University, curated by Jeffrey Hughes and Dana Turkovic,\r\nCecile R. Hunt Gallery,St.Louis,Missouri</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/51\" target=\"_blank\">Never Run Away, 2 person exhibition curated by Shaheen Merali,Stux   Gallery,  New York</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/artists/reena_kallat.htm?section_name=new_india\" target=\"_blank\">The Empire Strikes Back, Saatchi Gallery, London</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://art-for-the-world.blogspot.com/2010/01/some-installation-views-of-urban.html\" target=\"_blank\">Urban Manners 2, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao Paulo, Brazil</a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.asianartbiennial.org/2009/en/index_en.html\" target=\"_blank\">View Points and Viewing points - 2009 Asian Art Biennale, National Taiwan Museum of Fine Arts </a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Spectrum: Indian Art at Abu   Dhabi, United   Arab Emirates</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Milan Galleria, curated by Georgio Verzotti, Triennale Museum, Milan</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.initialaccess.co.uk/exhibition_moreinfo.php?id=11\" target=\"_blank\">Passage to India Part II show at Initial Access, Frank Cohen Collection, Wolverhampton, UK</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Ventosul Biennale, Curitiba, Brazil</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/english/contents/india/index.html\" target=\"_blank\"> Chalo! India: A New Era of Indian Art, National  Museum of Contemporary Art, Korea and Essl Museum, Vienna</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mocashanghai.org/index.php?_function=exhibition&amp;_subFunction=pastExhibition&amp;exhibition_id=40&amp;_view=detail\" target=\"_blank\">INDIA XIANZAI: Contemporary Indian Art, Museum of Contemporary Art, Shanghai</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/42/622\" target=\"_blank\">Low Blow: And Other Species of Confusion, Stux gallery, New York</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><em> </em>Indian Narratives in the 21<sup>st</sup> Century: Between Memory and History,Casa  Asia, Madrid and Barcelona, Spain</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/body-chatter-an-exhibition-of-contemporary-indian-art-2008/\" target=\"_blank\">Body Chatter, Walsh Gallery, Chicago</a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/contents/press/india_20081121_e.pdf\" target=\"_blank\">Chalo! India: A New Era of Indian Art, Mori Art   Museum, Japan</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.indiamoderna.es/eng/index.html\" target=\"_blank\">India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM Museum, Valencia, Spain </a></td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.aaa.org.hk/onlineprojects/bitri/en/gallery.aspx?eid=A080.03\" target=\"_blank\">3<sup>rd</sup> Nanjing Triennale, curators: Fumihiko Sumitomo, Jaeyoung Kang,  China\r\n</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>TEAF (Taehwagang Eco Art Festival) - Dream River, Korea</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.bodhiart.in/exhibitions/everywhere_is_war/everywhere_war.html\" target=\"_blank\">Everywhere is War (And Rumours of it), Bodhi Art Gallery, Mumbai</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/33\" target=\"_blank\">Fire Walkers, Stefan Stux gallery, New York</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.galeriems.com/reenask_one.htm\" target=\"_blank\">Three Points of view, Galerie Mirchandani + Steinrucke, Mumbai</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Excavation: Memory / Myth / Membrane, Museum Gallery, Mumbai</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>International Incheon Women Artists’ Biennale, Korea</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Soft Power: Asian Attitude, Shanghai Zendai Museum of Modern Art, Shanghai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td><a class=\"linkbio\" href=\"http://www.kunstaspekte.de/index.php?tid=39629&amp;action=termin\" target=\"_blank\">Urban Manners, curated by Adelina Von Furstenberg, at Hangar Bicocca , Milan</a></td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td><a class=\"linkbio\" href=\"http://www.art-for-the-world.com/wwd/2007/urban_manners/Urban_Manners_pr.pdf\" target=\"_blank\">INDIA NOW: Contemporary Indian Art, Between Continuity and transformation,curated by Daniela Palozzoli at Spazio Oberdan, Milan</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>New Narratives: Contemporary Art From India, curated by Betty Seid,Chicago Cultural Centre, Chicago</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Thermocline Of Art- New Asian Waves, curated by Wonil Rhee and Peter Weibel at ZKM in Karlsruhe, Germany</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Modern Indian Works On Paper, Arthur Ross Gallery, Philadelphia and the Georgia Museum of Art, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Lille 3000 (Maximum City-Mumbai), Lille,  France</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Hungry God- Indian Contemporary Art, curated by Yun Chaegab and June Gwak, Arario Gallery, Beijing and Busan MoMA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>India Express – Art and Popular Culture, Art Museum Tennispalace, curators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City  Art Museum, Finland</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Mom and Pop Art, Walsh Gallery, Chicago</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Span, Sakshi Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Indian Paintings of the New Millenium, curated by Helen Asquine Fazio at Thomas J. Walsh Art Gallery at Fairfield  University, USA</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td><em> </em>Contemporary Art from India, Thomas   Erben Gallery, New York</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td>Zoom! Art in Contemporary India. Curators: Nancy Adajania and Luis Serpa, The Culturgest Museum, Lisbon, Portugal</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Crossing generations: diVERGE, Gallery Chemould’s 40th anniversary,Curators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of Modern Art, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td><em> </em>Hard Copy, two-person show with Jitish Kallat, Gallery 88, Calcutta</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Tiranga, curator: Peter Nagy, India Habitat Centre, New Delhi</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td><em> </em>Elephant Walks, Youth Arts Project in collaboration with Jitish Kallat as part of Indians + Cowboys exhibition, Curators: Aaron Seetu and Ruth Watson Gallery 4A, Sydney</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>The Tree From The Seed, Contemporary Art from India, curator: Gavin Jantjes Henie Onstad Kunstsenter (Oslo), Norway</td>\r\n<td><em></em></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td><em>Crosscurrents</em>, organized by Artworks for the fiftieth anniversary celebrations of Jehangir Art  Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td><em>Reclaim Our Freedom</em>, organized by Open Circle, Pundole Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Crossing Borders, Gallery Windkracht 13, Den Helder, Holland</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>Big River 2, CCA7 Gallery, Port Of Spain, Trinidad</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>AOM- Art on the move, organized by Sahmat, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1999</td>\r\n<td><em> </em>Edge of the Century, curated by Amit Mukhopadhyay, Academy  of Fine Arts and Literature, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">SELECTED WORKSHOPS AND RESIDENCIES</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Vanishing Point, children’s project at the Celebrate Bandra Festival, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Collaborative workshop as part of the exhibition Aftershock at the Sainsbury Centre for Visual Arts, University of East Anglia, Norwich,  UK</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Collaborated on a Billboard project with Jitish Kallat, Kala Ghoda Art District, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Elephant Walks, Youth Arts Project at the Casula Power House Arts Centre, Liverpool, Australia</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Khoj 2002 International Artists Workshop, Mysore, India</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Identity and Landscape, residency in the Laurentian mountains of Quebec at the Boreal Art/Nature Centre, Canada</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>Big River 2, International Artists Workshop organized by CCA7 and the Triangle Arts Trust at Grand Riviere, Trinidad, West Indies</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n</tr>\r\n<tr>\r\n<td><span style=\"color: #888888;\"><strong>TALKS/PRESENTATIONS</strong></span></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Panel discussion with artist Gulam Sheikh, co-chair: Sabine B. Vogel, art critic at the Sammlung Essl Museum, Vienna</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Slide presentation followed by a panel discussion with Nalini Malani and Jayshree Chakravarty, moderated by Nancy Adajania at Jnanapravaha, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Slide presentation at the School of the Art Institute of Chicago</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Panel discussion with Nalini Malani, Sheba Chhachhi, moderated by Betty Seid at the Chicago Cultural Centre</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Lecture at the University Boccini, Milan</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Slide presentation at the Lamar Dodd School of Art, University of Georgia, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Talk at the Griffith Auditorium, Georgia Museum of Art, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Slide presentation at Oslo National Academy of the Arts, Norway</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2000</td>\r\n<td>Mohile Parikh Centre for the Visual Arts, Mumbai</td>\r\n</tr>\r\n</tbody>\r\n</table>','Biography','','inherit','open','open','','105-revision-73','','','2010-07-26 15:52:32','2010-07-26 15:52:32','',105,'http://www.biggventures.com/demo/artists/1589/uncat/105-revision-73',0,'revision','',0),(1590,1,'2010-07-26 15:57:18','2010-07-26 15:57:18','Reena Saini Kallat (b. Delhi 1973) graduated from the Sir J. J. School of Art, Mumbai in 1996 with a B. F. A. in painting. Her practice - spanning painting, photography, video and sculptural installations - frequently deals with the condition of an individual in a rapidly changing society, ever susceptible to being reduced to an anonymous and forgotten statistic. Kallat is interested in constructing images that seem to change and transform by the possibilities they carry for the generation of meaning through a calibrated interplay of image and form.\r\n\r\nOver the last decade her work has been part of many important exhibitions, across the world. She has had ten solo exhibitions in India and abroad, collectively, and participated in a number of workshops and residencies. She lives and works in Mumbai.\r\n<table>\r\n<tbody>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">SOLO EXHIBITIONS</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.primomarellagallery.com/it/catalogue/scheda.asp?id=568&amp;view=past\" target=\"_blank\">Drift, Primo Marella Gallery, Milan</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2008/reena_bio.html\" target=\"_blank\"> Silt of Seasons, Chemould   Prescott Road, Mumbai</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/reena-kallat-exhibition-2008/\" target=\"_blank\">Subject to Change without Notice, Walsh Gallery, Chicago</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Rainbow Of Refuse, Bodhi Art Gallery, Mumbai and Singapore</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td><a class=\"linkbio\" href=\"http://www.naturemorte.com/artists/reena-saini-kallat/selected-works/\" target=\"_blank\">Black Flute (And Other Stories), Nature Morte, New Delhi</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2004/reena_saini_kallat_note.html\" target=\"_blank\">Black Flute, Gallery Chemould, Mumbai</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>The Battlefield Is The Mind, Sakshi Gallery, Bangalore</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Seven Faces of Dust, Chicago Radio, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2000</td>\r\n<td>Skin, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1998</td>\r\n<td>Orchard of Home-grown Secrets, Gallery Chemould and Pundole  Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><span style=\"color: #888888;\"><strong>SELECTED GROUP EXHIBITIONS</strong></span></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.richmondartgallery.org/in-transition.php\" target=\"_blank\">In Transition: New Art from India, Richmond Art Gallery Vancouver Biennale, Vancouver</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://websterhuntgallery.blogspot.com/2010_02_01_archive.html\" target=\"_blank\">Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster University, curated by Jeffrey Hughes and Dana Turkovic,\r\nCecile R. Hunt Gallery,St.Louis,Missouri</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/51\" target=\"_blank\">Never Run Away, 2 person exhibition curated by Shaheen Merali,Stux   Gallery,  New York</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/artists/reena_kallat.htm?section_name=new_india\" target=\"_blank\">The Empire Strikes Back, Saatchi Gallery, London</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://art-for-the-world.blogspot.com/2010/01/some-installation-views-of-urban.html\" target=\"_blank\">Urban Manners 2, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao Paulo, Brazil</a></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.asianartbiennial.org/2009/en/index_en.html\" target=\"_blank\">View Points and Viewing points - 2009 Asian Art Biennale, National Taiwan Museum of Fine Arts </a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Spectrum: Indian Art at Abu   Dhabi, United   Arab Emirates</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Milan Galleria, curated by Georgio Verzotti, Triennale Museum, Milan</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.initialaccess.co.uk/exhibition_moreinfo.php?id=11\" target=\"_blank\">Passage to India Part II show at Initial Access, Frank Cohen Collection, Wolverhampton, UK</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Ventosul Biennale, Curitiba, Brazil</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/english/contents/india/index.html\" target=\"_blank\"> Chalo! India: A New Era of Indian Art, National  Museum of Contemporary Art, Korea and Essl Museum, Vienna</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mocashanghai.org/index.php?_function=exhibition&amp;_subFunction=pastExhibition&amp;exhibition_id=40&amp;_view=detail\" target=\"_blank\">INDIA XIANZAI: Contemporary Indian Art, Museum of Contemporary Art, Shanghai</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/42/622\" target=\"_blank\">Low Blow: And Other Species of Confusion, Stux gallery, New York</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><em> </em>Indian Narratives in the 21<sup>st</sup> Century: Between Memory and History,Casa  Asia, Madrid and Barcelona, Spain</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/body-chatter-an-exhibition-of-contemporary-indian-art-2008/\" target=\"_blank\">Body Chatter, Walsh Gallery, Chicago</a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/contents/press/india_20081121_e.pdf\" target=\"_blank\">Chalo! India: A New Era of Indian Art, Mori Art   Museum, Japan</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.indiamoderna.es/eng/index.html\" target=\"_blank\">India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM Museum, Valencia, Spain </a></td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.aaa.org.hk/onlineprojects/bitri/en/gallery.aspx?eid=A080.03\" target=\"_blank\">3<sup>rd</sup> Nanjing Triennale, curators: Fumihiko Sumitomo, Jaeyoung Kang,  China\r\n</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>TEAF (Taehwagang Eco Art Festival) - Dream River, Korea</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.bodhiart.in/exhibitions/everywhere_is_war/everywhere_war.html\" target=\"_blank\">Everywhere is War (And Rumours of it), Bodhi Art Gallery, Mumbai</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/33\" target=\"_blank\">Fire Walkers, Stefan Stux gallery, New York</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.galeriems.com/reenask_one.htm\" target=\"_blank\">Three Points of view, Galerie Mirchandani + Steinrucke, Mumbai</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Excavation: Memory / Myth / Membrane, Museum Gallery, Mumbai</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>International Incheon Women Artists’ Biennale, Korea</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Soft Power: Asian Attitude, Shanghai Zendai Museum of Modern Art, Shanghai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td><a class=\"linkbio\" href=\"http://www.kunstaspekte.de/index.php?tid=39629&amp;action=termin\" target=\"_blank\">Urban Manners, curated by Adelina Von Furstenberg, at Hangar Bicocca , Milan</a></td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td><a class=\"linkbio\" href=\"http://www.art-for-the-world.com/wwd/2007/urban_manners/Urban_Manners_pr.pdf\" target=\"_blank\">INDIA NOW: Contemporary Indian Art, Between Continuity and transformation,curated by Daniela Palozzoli at Spazio Oberdan, Milan</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>New Narratives: Contemporary Art From India, curated by Betty Seid,Chicago Cultural Centre, Chicago</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Thermocline Of Art- New Asian Waves, curated by Wonil Rhee and Peter Weibel at ZKM in Karlsruhe, Germany</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Modern Indian Works On Paper, Arthur Ross Gallery, Philadelphia and the Georgia Museum of Art, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Lille 3000 (Maximum City-Mumbai), Lille,  France</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Hungry God- Indian Contemporary Art, curated by Yun Chaegab and June Gwak, Arario Gallery, Beijing and Busan MoMA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>India Express – Art and Popular Culture, Art Museum Tennispalace, curators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City  Art Museum, Finland</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Mom and Pop Art, Walsh Gallery, Chicago</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Span, Sakshi Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Indian Paintings of the New Millenium, curated by Helen Asquine Fazio at Thomas J. Walsh Art Gallery at Fairfield  University, USA</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td><em> </em>Contemporary Art from India, Thomas   Erben Gallery, New York</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td>Zoom! Art in Contemporary India. Curators: Nancy Adajania and Luis Serpa, The Culturgest Museum, Lisbon, Portugal</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Crossing generations: diVERGE, Gallery Chemould’s 40th anniversary,Curators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of Modern Art, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td><em> </em>Hard Copy, two-person show with Jitish Kallat, Gallery 88, Calcutta</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Tiranga, curator: Peter Nagy, India Habitat Centre, New Delhi</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td><em> </em>Elephant Walks, Youth Arts Project in collaboration with Jitish Kallat as part of Indians + Cowboys exhibition, Curators: Aaron Seetu and Ruth Watson Gallery 4A, Sydney</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>The Tree From The Seed, Contemporary Art from India, curator: Gavin Jantjes Henie Onstad Kunstsenter (Oslo), Norway</td>\r\n<td><em></em></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td><em>Crosscurrents</em>, organized by Artworks for the fiftieth anniversary celebrations of Jehangir Art  Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td><em>Reclaim Our Freedom</em>, organized by Open Circle, Pundole Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Crossing Borders, Gallery Windkracht 13, Den Helder, Holland</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>Big River 2, CCA7 Gallery, Port Of Spain, Trinidad</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>AOM- Art on the move, organized by Sahmat, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1999</td>\r\n<td><em> </em>Edge of the Century, curated by Amit Mukhopadhyay, Academy  of Fine Arts and Literature, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">SELECTED WORKSHOPS AND RESIDENCIES</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Vanishing Point, children’s project at the Celebrate Bandra Festival, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Collaborative workshop as part of the exhibition Aftershock at the Sainsbury Centre for Visual Arts, University of East Anglia, Norwich,  UK</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Collaborated on a Billboard project with Jitish Kallat, Kala Ghoda Art District, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Elephant Walks, Youth Arts Project at the Casula Power House Arts Centre, Liverpool, Australia</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Khoj 2002 International Artists Workshop, Mysore, India</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Identity and Landscape, residency in the Laurentian mountains of Quebec at the Boreal Art/Nature Centre, Canada</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>Big River 2, International Artists Workshop organized by CCA7 and the Triangle Arts Trust at Grand Riviere, Trinidad, West Indies</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n</tr>\r\n<tr>\r\n<td><span style=\"color: #888888;\"><strong>TALKS/PRESENTATIONS</strong></span></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Panel discussion with artist Gulam Sheikh, co-chair: Sabine B. Vogel, art critic at the Sammlung Essl Museum, Vienna</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Slide presentation followed by a panel discussion with Nalini Malani and Jayshree Chakravarty, moderated by Nancy Adajania at Jnanapravaha, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Slide presentation at the School of the Art Institute of Chicago</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Panel discussion with Nalini Malani, Sheba Chhachhi, moderated by Betty Seid at the Chicago Cultural Centre</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Lecture at the University Boccini, Milan</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Slide presentation at the Lamar Dodd School of Art, University of Georgia, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Talk at the Griffith Auditorium, Georgia Museum of Art, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Slide presentation at Oslo National Academy of the Arts, Norway</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2000</td>\r\n<td>Slide presentation at Mohile Parikh Centre for the Visual Arts, Mumbai</td>\r\n</tr>\r\n</tbody>\r\n</table>','Biography','','inherit','open','open','','105-revision-74','','','2010-07-26 15:57:18','2010-07-26 15:57:18','',105,'http://www.biggventures.com/demo/artists/1590/uncat/105-revision-74',0,'revision','',0),(1591,1,'2010-07-26 15:59:04','2010-07-26 15:59:04','Reena Saini Kallat (b. Delhi 1973) graduated from the Sir J. J. School of Art, Mumbai in 1996 with a B. F. A. in painting. Her practice - spanning painting, photography, video and sculptural installations - frequently deals with the condition of an individual in a rapidly changing society, ever susceptible to being reduced to an anonymous and forgotten statistic. Kallat is interested in constructing images that seem to change and transform by the possibilities they carry for the generation of meaning through a calibrated interplay of image and form.\r\n\r\nOver the last decade her work has been part of many important exhibitions, across the world. She has had ten solo exhibitions in India and abroad, collectively, and participated in a number of workshops and residencies. She lives and works in Mumbai.\r\n<table>\r\n<tbody>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">SOLO EXHIBITIONS</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.primomarellagallery.com/it/catalogue/scheda.asp?id=568&amp;view=past\" target=\"_blank\">Drift, Primo Marella Gallery, Milan</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2008/reena_bio.html\" target=\"_blank\"> Silt of Seasons, Chemould   Prescott Road, Mumbai</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/reena-kallat-exhibition-2008/\" target=\"_blank\">Subject to Change without Notice, Walsh Gallery, Chicago</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Rainbow Of Refuse, Bodhi Art Gallery, Mumbai and Singapore</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td><a class=\"linkbio\" href=\"http://www.naturemorte.com/artists/reena-saini-kallat/selected-works/\" target=\"_blank\">Black Flute (And Other Stories), Nature Morte, New Delhi</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2004/reena_saini_kallat_note.html\" target=\"_blank\">Black Flute, Gallery Chemould, Mumbai</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>The Battlefield Is The Mind, Sakshi Gallery, Bangalore</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Seven Faces of Dust, Chicago Radio, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2000</td>\r\n<td>Skin, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1998</td>\r\n<td>Orchard of Home-grown Secrets, Gallery Chemould and Pundole  Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><span style=\"color: #888888;\"><strong>SELECTED GROUP EXHIBITIONS</strong></span></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.richmondartgallery.org/in-transition.php\" target=\"_blank\">In Transition: New Art from India, Richmond Art Gallery Vancouver Biennale, Vancouver</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://websterhuntgallery.blogspot.com/2010_02_01_archive.html\" target=\"_blank\">Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster University, curated by Jeffrey Hughes and Dana Turkovic,\r\nCecile R. Hunt Gallery,St.Louis,Missouri</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/51\" target=\"_blank\">Never Run Away, 2 person exhibition curated by Shaheen Merali,Stux   Gallery,  New York</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/artists/reena_kallat.htm?section_name=new_india\" target=\"_blank\">The Empire Strikes Back, Saatchi Gallery, London</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://art-for-the-world.blogspot.com/2010/01/some-installation-views-of-urban.html\" target=\"_blank\">Urban Manners 2, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao Paulo, Brazil</a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.asianartbiennial.org/2009/en/index_en.html\" target=\"_blank\">View Points and Viewing points - 2009 Asian Art Biennale, National Taiwan Museum of Fine Arts </a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Spectrum: Indian Art at Abu   Dhabi, United   Arab Emirates</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Milan Galleria, curated by Georgio Verzotti, Triennale Museum, Milan</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.initialaccess.co.uk/exhibition_moreinfo.php?id=11\" target=\"_blank\">Passage to India Part II show at Initial Access, Frank Cohen Collection, Wolverhampton, UK</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Ventosul Biennale, Curitiba, Brazil</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/english/contents/india/index.html\" target=\"_blank\"> Chalo! India: A New Era of Indian Art, National  Museum of Contemporary Art, Korea and Essl Museum, Vienna</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mocashanghai.org/index.php?_function=exhibition&amp;_subFunction=pastExhibition&amp;exhibition_id=40&amp;_view=detail\" target=\"_blank\">INDIA XIANZAI: Contemporary Indian Art, Museum of Contemporary Art, Shanghai</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/42/622\" target=\"_blank\">Low Blow: And Other Species of Confusion, Stux gallery, New York</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><em> </em>Indian Narratives in the 21<sup>st</sup> Century: Between Memory and History,Casa  Asia, Madrid and Barcelona, Spain</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/body-chatter-an-exhibition-of-contemporary-indian-art-2008/\" target=\"_blank\">Body Chatter, Walsh Gallery, Chicago</a></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/contents/press/india_20081121_e.pdf\" target=\"_blank\">Chalo! India: A New Era of Indian Art, Mori Art   Museum, Japan</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.indiamoderna.es/eng/index.html\" target=\"_blank\">India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM Museum, Valencia, Spain </a></td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.aaa.org.hk/onlineprojects/bitri/en/gallery.aspx?eid=A080.03\" target=\"_blank\">3<sup>rd</sup> Nanjing Triennale, curators: Fumihiko Sumitomo, Jaeyoung Kang,  China\r\n</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>TEAF (Taehwagang Eco Art Festival) - Dream River, Korea</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.bodhiart.in/exhibitions/everywhere_is_war/everywhere_war.html\" target=\"_blank\">Everywhere is War (And Rumours of it), Bodhi Art Gallery, Mumbai</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/33\" target=\"_blank\">Fire Walkers, Stefan Stux gallery, New York</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.galeriems.com/reenask_one.htm\" target=\"_blank\">Three Points of view, Galerie Mirchandani + Steinrucke, Mumbai</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Excavation: Memory / Myth / Membrane, Museum Gallery, Mumbai</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>International Incheon Women Artists’ Biennale, Korea</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Soft Power: Asian Attitude, Shanghai Zendai Museum of Modern Art, Shanghai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td><a class=\"linkbio\" href=\"http://www.kunstaspekte.de/index.php?tid=39629&amp;action=termin\" target=\"_blank\">Urban Manners, curated by Adelina Von Furstenberg, at Hangar Bicocca , Milan</a></td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td><a class=\"linkbio\" href=\"http://www.art-for-the-world.com/wwd/2007/urban_manners/Urban_Manners_pr.pdf\" target=\"_blank\">INDIA NOW: Contemporary Indian Art, Between Continuity and transformation,curated by Daniela Palozzoli at Spazio Oberdan, Milan</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>New Narratives: Contemporary Art From India, curated by Betty Seid,Chicago Cultural Centre, Chicago</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Thermocline Of Art- New Asian Waves, curated by Wonil Rhee and Peter Weibel at ZKM in Karlsruhe, Germany</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Modern Indian Works On Paper, Arthur Ross Gallery, Philadelphia and the Georgia Museum of Art, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Lille 3000 (Maximum City-Mumbai), Lille,  France</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Hungry God- Indian Contemporary Art, curated by Yun Chaegab and June Gwak, Arario Gallery, Beijing and Busan MoMA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>India Express – Art and Popular Culture, Art Museum Tennispalace, curators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City  Art Museum, Finland</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Mom and Pop Art, Walsh Gallery, Chicago</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Span, Sakshi Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Indian Paintings of the New Millenium, curated by Helen Asquine Fazio at Thomas J. Walsh Art Gallery at Fairfield  University, USA</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td><em> </em>Contemporary Art from India, Thomas   Erben Gallery, New York</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td>Zoom! Art in Contemporary India. Curators: Nancy Adajania and Luis Serpa, The Culturgest Museum, Lisbon, Portugal</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Crossing generations: diVERGE, Gallery Chemould’s 40th anniversary,Curators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of Modern Art, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td><em> </em>Hard Copy, two-person show with Jitish Kallat, Gallery 88, Calcutta</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Tiranga, curator: Peter Nagy, India Habitat Centre, New Delhi</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td><em> </em>Elephant Walks, Youth Arts Project in collaboration with Jitish Kallat as part of Indians + Cowboys exhibition, Curators: Aaron Seetu and Ruth Watson Gallery 4A, Sydney</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>The Tree From The Seed, Contemporary Art from India, curator: Gavin Jantjes Henie Onstad Kunstsenter (Oslo), Norway</td>\r\n<td><em></em></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td><em>Crosscurrents</em>, organized by Artworks for the fiftieth anniversary celebrations of Jehangir Art  Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td><em>Reclaim Our Freedom</em>, organized by Open Circle, Pundole Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Crossing Borders, Gallery Windkracht 13, Den Helder, Holland</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>Big River 2, CCA7 Gallery, Port Of Spain, Trinidad</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>AOM- Art on the move, organized by Sahmat, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1999</td>\r\n<td><em> </em>Edge of the Century, curated by Amit Mukhopadhyay, Academy  of Fine Arts and Literature, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">SELECTED WORKSHOPS AND RESIDENCIES</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Vanishing Point, children’s project at the Celebrate Bandra Festival, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Collaborative workshop as part of the exhibition Aftershock at the Sainsbury Centre for Visual Arts, University of East Anglia, Norwich,  UK</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Collaborated on a Billboard project with Jitish Kallat, Kala Ghoda Art District, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Elephant Walks, Youth Arts Project at the Casula Power House Arts Centre, Liverpool, Australia</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Khoj 2002 International Artists Workshop, Mysore, India</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Identity and Landscape, residency in the Laurentian mountains of Quebec at the Boreal Art/Nature Centre, Canada</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>Big River 2, International Artists Workshop organized by CCA7 and the Triangle Arts Trust at Grand Riviere, Trinidad, West Indies</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n</tr>\r\n<tr>\r\n<td><span style=\"color: #888888;\"><strong>TALKS/PRESENTATIONS</strong></span></td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Panel discussion with artist Gulam Sheikh, co-chair: Sabine B. Vogel, art critic at the Sammlung Essl Museum, Vienna</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Slide presentation followed by a panel discussion with Nalini Malani and Jayshree Chakravarty, moderated by Nancy Adajania at Jnanapravaha, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Slide presentation at the School of the Art Institute of Chicago</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Panel discussion with Nalini Malani, Sheba Chhachhi, moderated by Betty Seid at the Chicago Cultural Centre</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Lecture at the University Boccini, Milan</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Slide presentation at the Lamar Dodd School of Art, University of Georgia, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Talk at the Griffith Auditorium, Georgia Museum of Art, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Slide presentation at Oslo National Academy of the Arts, Norway</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2000</td>\r\n<td>Slide presentation at Mohile Parikh Centre for the Visual Arts, Mumbai</td>\r\n</tr>\r\n</tbody>\r\n</table>','Biography','','inherit','open','open','','105-revision-75','','','2010-07-26 15:59:04','2010-07-26 15:59:04','',105,'http://www.biggventures.com/demo/artists/1591/uncat/105-revision-75',0,'revision','',0),(1592,1,'2010-07-24 04:57:42','2010-07-24 04:57:42','<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Synonym (2009)<a href=\"http://www.reenakallat.com/synonym\"><img class=\"alignnone size-medium wp-image-712\" title=\"Synonym\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Synonym-thumb.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Colour Curtain (2009)<a href=\"http://www.reenakallat.com/colour-curtain\"><img class=\"alignnone size-medium wp-image-201\" title=\"Colour-curtain\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Colour-curtain-thumb.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><span style=\"color: #888888;\">White Heat (The Ironing Board) 2008<a href=\"http://www.reenakallat.com/White Heat-The Ironing Board-detailed-info\"><img class=\"alignnone size-medium wp-image-320\" title=\"White Heat (The Ironing Board)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/F1-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></span></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Closet Quarries (2008)\r\n<a href=\"http://www.reenakallat.com/closet-quarries-detailed-info\"><img class=\"alignnone size-medium wp-image-712\" title=\"Closet_Quarries\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Closet_Quarries-300x160.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">White Yarn (2008)\r\n<a href=\"http://www.reenakallat.com/white-yarn-detailed-info\"><img class=\"alignnone size-medium wp-image-199\" title=\"E1-White Yarn\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/E1-White-Yarn-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Crease crevice contour (2008)\r\n<a href=\"http://www.reenakallat.com/crease-crevice-contour-detailed-info\"><img class=\"alignnone size-medium wp-image-201\" title=\"D1-Crease crevice contour\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/D1-Crease-crevice-contour1-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Colostrum (2008)\r\n<a href=\"http://www.reenakallat.com/z1-detailed-info-2\"><img class=\"alignnone size-medium wp-image-879\" title=\"Z1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Z1-1024x577-300x169.jpg\" alt=\"Z1\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Silt of Seasons 1 (2008)\r\n<a href=\"http://www.reenakallat.com/silt-of-seasons-1\"><img class=\"alignnone size-large wp-image-417\" title=\"Silt of Seasons-1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Silt-of-Seasons-1-1024x682.jpg\" alt=\"Silt of Seasons-1\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">I1 (2008)\r\n<a href=\"http://www.reenakallat.com/i1-detailed-info\"><img class=\"alignnone size-large wp-image-436\" title=\"I1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/I11-731x1024.jpg\" alt=\"I1\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">J1 (2008)\r\n<a href=\"http://www.reenakallat.com/j1-detailed-info\"><img class=\"alignnone size-large wp-image-445\" title=\"J1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/J1-721x1023.jpg\" alt=\"J1\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">K1 (2008)\r\n<a href=\"http://www.reenakallat.com/k1-detailed-info\"><img class=\"alignnone size-large wp-image-451\" title=\"K1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/K1-726x1023.jpg\" alt=\"K1\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">L1 (2008)\r\n<a href=\"http://www.reenakallat.com/l1-detailed-info\"><img class=\"alignnone size-large wp-image-459\" title=\"L1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/L1-744x1024.jpg\" alt=\"L1\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">M1 (2008)\r\n<a href=\"http://www.reenakallat.com/m1-detailed-info\"><img class=\"alignnone size-medium wp-image-468\" title=\"M1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/M1-220x300.jpg\" alt=\"M1\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">N1 (2008)\r\n<a href=\"http://www.reenakallat.com/n1-detailed-info\"><img class=\"alignnone size-medium wp-image-469\" title=\"N1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/N1-217x300.jpg\" alt=\"N1\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">O1(2008)\r\n<a href=\"http://www.reenakallat.com/o1-detailed-info\"><img class=\"alignnone size-medium wp-image-470\" title=\"O1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/O1-214x300.jpg\" alt=\"O1\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Penumbra (2008)\r\n<a href=\"http://www.reenakallat.com/penumbra-detailed-info\"><img class=\"alignnone size-medium wp-image-206\" title=\"T1- Penumbra\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/T1-Penumbra-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Silt of Seasons-2 (2008)\r\n<a href=\"http://www.reenakallat.com/silt-of-seasons-2-detailed-info\"><img class=\"alignnone size-medium wp-image-873\" title=\"Silt-of-Seasons-2-1024x734\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-2-1024x7341-300x215.jpg\" alt=\"Silt-of-Seasons-2\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Walls of the womb (2008)\r\n<a href=\"http://www.reenakallat.com/walls-of-the-womb-detailed-info\"><img class=\"alignnone size-medium wp-image-205\" title=\"R1-Walls of the womb\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/R1-Walls-of-the-womb-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Memoria Mausolea (2007)\r\n<a href=\"http://www.reenakallat.com/memoria-mausolea-detailed-info\"><img class=\"alignnone size-medium wp-image-261\" title=\"Memoria Mausolea\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Memoria-Mausolea-300x244.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Saline (2007)\r\n<a href=\"http://www.reenakallat.com/saline-detailed-info\"><img class=\"alignnone size-medium wp-image-495\" title=\"Saline\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Saline-300x185.jpg\" alt=\"saline\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Penumbra Passage Canine Cases (2006)\r\n<a href=\"http://www.reenakallat.com/penumbra-passage-canine-cases-detailed-info\"><img class=\"alignnone size-medium wp-image-208\" title=\"X1-Penumbra Passage (Canine Cases)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/X1-Penumbra-Passage-Canine-Cases-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Memoria corona (2006)\r\n<a href=\"http://www.reenakallat.com/memoria-corona\"><img class=\"alignnone size-medium wp-image-505\" title=\"Memoria Corona\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Memoria-Corona-220x300.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Birds of Steel (2005-2006)\r\n<a href=\"http://www.reenakallat.com/birds-of-steel-detailed-info\"><img class=\"alignnone size-medium wp-image-207\" title=\"V1-Birds of Steel\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/V1-Birds-of-Steel-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Lunar Notes (2004-2006)\r\n<a href=\"http://www.reenakallat.com/subject-to-change-without-notice-detailed-info\"><img class=\"alignnone size-medium wp-image-204\" title=\"Q1-Subject to Change Without Notice\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Q1-Subject-to-Change-Without-Notice-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Xylophone (2005)\r\n<a href=\"http://www.reenakallat.com/xylophone-detailed-info\"><img class=\"alignnone size-medium wp-image-517\" title=\"Xylophone\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Xylophone-1024x682.jpg\" alt=\"Xylophone\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Black Flute (2004)\r\n<a href=\"http://www.reenakallat.com/black-flute-detailed-info\"><img class=\"alignnone size-medium wp-image-547\" title=\"Black Flute\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-299x197.jpg\" alt=\"Black Flute\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Birthmark Tattoos (2004)\r\n<a href=\"http://www.reenakallat.com/birthmark-tattoos-detailed-info\"><img class=\"alignnone size-medium wp-image-557\" title=\"BirthMark tattoos\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/BirthMark-tattoos-300x225.jpg\" alt=\"BirthMark and tattoos\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><span style=\"color: #888888;\">Vanishing Point (2009)</span>\r\n<a href=\"http://www.reenakallat.com/vanishing-point\"><img class=\"alignnone size-medium wp-image-1013\" title=\"vanishing point\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/05_resized_gallery_view-300x200.jpg\" alt=\"vanishing point\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Sculptures (2003)<a href=\"http://www.reenakallat.com/scuptures-detailed-info\"><img class=\"alignnone size-medium wp-image-621\" title=\"Sculptures\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Scuptures-300x188.jpg\" alt=\"Scuptures\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Elephant Walks (2003)<a href=\"http://www.reenakallat.com/Elephant-walks\"><img class=\"alignnone size-medium wp-image-199\" title=\"Elephant-walks\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-thumb.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Billboard/Mural for the Kala Ghoda Festival (2003)\r\n<a href=\"http://www.reenakallat.com/billboardmural-for-the-kala-ghoda-festival-2003\"><img class=\"alignnone size-medium wp-image-977\" title=\"Billboard/Mural for the Kala Ghoda Festival 2003\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/4-Complete-Billboard-300x187.jpg\" alt=\"Billboard/Mural for the Kala Ghoda Festival 2003\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Seven Faces of Dust (2003)\r\n<a href=\"http://www.reenakallat.com/seven-faces-of-dust-detailed-info\"><img class=\"alignnone size-medium wp-image-612\" title=\"Seven Faces of Dust\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Seven-Faces-of-Dust-300x192.jpg\" alt=\"Seven Faces of Dust\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Kiosk (2003)\r\n<a href=\"http://www.reenakallat.com/kiosk-detailed-info\"><img class=\"alignnone size-medium wp-image-537\" title=\"Kiosk\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Kiosk-300x224.jpg\" alt=\"Kiosk\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Your Mileage May Vary (2003)<a href=\"http://www.reenakallat.com/your-mileage-gallery\">\r\n<img class=\"alignnone size-medium wp-image-199\" title=\"your-mileage-gallery may vary\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-gallery.jpg\" alt=\"your-mileage-gallery may vary\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Boreal (2002)\r\n<a href=\"http://www.reenakallat.com/boreal\"><img class=\"alignnone size-medium wp-image-201\" title=\"D1-Crease crevice contour\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/boreal-gallery.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Pollen Patterns (2002)<a href=\"http://www.reenakallat.com/pollent-patterns\"><img class=\"alignnone size-medium wp-image-712\" title=\"Pollen-Patterns\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-thumb.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Art on the Move (2001)<a href=\"http://www.reenakallat.com/art-on-move\"><img class=\"alignnone size-medium wp-image-712\" title=\"Closet_Quarries\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/art-on-move-thumb.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Beautiful People of the Rainbow (2001)\r\n<a href=\"http://www.reenakallat.com/beautiful-people\"><img class=\"alignnone size-medium wp-image-199\" title=\"E1-White Yarn\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/1 Process Workshop site.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Orchard of home grown secrets (1998)\r\n<a href=\"http://www.reenakallat.com/orchard-detailed-info\"><img class=\"alignnone size-medium wp-image-564\" title=\"Orchard\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchard-300x186.jpg\" alt=\"Orchard\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Joint Family (1998)\r\n<a href=\"http://www.reenakallat.com/joint-family-detailed-info\"><img class=\"alignnone size-medium wp-image-577\" title=\"Joint Family\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Joint-Family-295x295.png\" alt=\"Joint Family\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Escapades of the ladder occupants (1998)\r\n<a href=\"http://www.reenakallat.com/escapades-of-the-ladder-occupants-detailed-info\"><img class=\"alignnone size-medium wp-image-1064\" title=\"Escapades-of-the-ladder-occupants2\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Escapades-of-the-ladder-occupants2-204x300.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Recitals from the city garden (1998)<a href=\"http://www.reenakallat.com/recitals-from-the-city-garden-detailed-info\"><img class=\"alignnone size-medium wp-image-917\" title=\"Recitals-from-the-city-garden\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/21-Recitals-from-the-city-garden-300x198.jpg\" alt=\"Recitals-from-the-city-garden\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><span style=\"color: #888888;\">The Moving Millimeter (2009)</span>\r\n<a href=\"http://www.reenakallat.com/moving-millimeter\"><img class=\"alignnone size-medium wp-image-1022\" title=\"moving-millimeter\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/moving-millineter1-300x200.jpg\" alt=\"moving-millimeter\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<!--more-->','Works','','inherit','open','open','','54-revision-224','','','2010-07-24 04:57:42','2010-07-24 04:57:42','',54,'http://www.biggventures.com/demo/artists/1592/uncat/54-revision-224',0,'revision','',0),(1594,1,'2010-08-07 13:09:41','2010-08-07 13:09:41','<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">Synonym <a href=\"http://www.reenakallat.com/synonym\"><img class=\"alignnone size-medium wp-image-712\" title=\"Synonym\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/1--Synonym.jpg\" alt=\"\" width=\"255\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">Colour Curtain<a href=\"http://www.reenakallat.com/colour-curtain\"><img class=\"alignnone size-medium wp-image-201\" title=\"Colour-curtain\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/2--colour-curtain.jpg\" alt=\"\" width=\"255\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">Your-Mileage-May-Vary<a href=\"http://www.reenakallat.com/White Heat-The Ironing Board-detailed-info\"><img class=\"alignnone size-medium wp-image-320\" title=\"Your-Mileage-May-Vary\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/3-Your-Mileage-May-Vary.jpg\" alt=\"\" width=\"255\" /></a></span></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\" >The Moving Mill\r\n<a href=\"http://www.reenakallat.com/closet-quarries-detailed-info\"><img class=\"alignnone size-medium wp-image-712\" title=\"Closet_Quarries\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/5---The-Moving-Mil....jpg\" alt=\"\" width=\"255\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">White Yarn\r\n<a href=\"http://www.reenakallat.com/white-yarn-detailed-info\"><img class=\"alignnone size-medium wp-image-199\" title=\"E1-White Yarn\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/6---white-yarn.jpg\" alt=\"\" width=\"255\"/></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Crease crevice contour\r\n<a href=\"http://www.reenakallat.com/crease-crevice-contour-detailed-info\"><img class=\"alignnone size-medium wp-image-201\" title=\"D1-Crease crevice contour\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/8---Crease-crevice.jpg\" alt=\"\" width=\"255\"  /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Colostrum (2008)\r\n<a href=\"http://www.reenakallat.com/z1-detailed-info-2\"><img class=\"alignnone size-medium wp-image-879\" title=\"Z1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Z1-1024x577-300x169.jpg\" alt=\"Z1\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Silt of Seasons 1 (2008)\r\n<a href=\"http://www.reenakallat.com/silt-of-seasons-1\"><img class=\"alignnone size-large wp-image-417\" title=\"Silt of Seasons-1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Silt-of-Seasons-1-1024x682.jpg\" alt=\"Silt of Seasons-1\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">I1 (2008)\r\n<a href=\"http://www.reenakallat.com/i1-detailed-info\"><img class=\"alignnone size-large wp-image-436\" title=\"I1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/I11-731x1024.jpg\" alt=\"I1\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">J1 (2008)\r\n<a href=\"http://www.reenakallat.com/j1-detailed-info\"><img class=\"alignnone size-large wp-image-445\" title=\"J1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/J1-721x1023.jpg\" alt=\"J1\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">K1 (2008)\r\n<a href=\"http://www.reenakallat.com/k1-detailed-info\"><img class=\"alignnone size-large wp-image-451\" title=\"K1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/K1-726x1023.jpg\" alt=\"K1\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">L1 (2008)\r\n<a href=\"http://www.reenakallat.com/l1-detailed-info\"><img class=\"alignnone size-large wp-image-459\" title=\"L1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/L1-744x1024.jpg\" alt=\"L1\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">M1 (2008)\r\n<a href=\"http://www.reenakallat.com/m1-detailed-info\"><img class=\"alignnone size-medium wp-image-468\" title=\"M1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/M1-220x300.jpg\" alt=\"M1\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">N1 (2008)\r\n<a href=\"http://www.reenakallat.com/n1-detailed-info\"><img class=\"alignnone size-medium wp-image-469\" title=\"N1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/N1-217x300.jpg\" alt=\"N1\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">O1(2008)\r\n<a href=\"http://www.reenakallat.com/o1-detailed-info\"><img class=\"alignnone size-medium wp-image-470\" title=\"O1\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/O1-214x300.jpg\" alt=\"O1\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Penumbra (2008)\r\n<a href=\"http://www.reenakallat.com/penumbra-detailed-info\"><img class=\"alignnone size-medium wp-image-206\" title=\"T1- Penumbra\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/T1-Penumbra-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Silt of Seasons-2 (2008)\r\n<a href=\"http://www.reenakallat.com/silt-of-seasons-2-detailed-info\"><img class=\"alignnone size-medium wp-image-873\" title=\"Silt-of-Seasons-2-1024x734\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Silt-of-Seasons-2-1024x7341-300x215.jpg\" alt=\"Silt-of-Seasons-2\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Walls of the womb (2008)\r\n<a href=\"http://www.reenakallat.com/walls-of-the-womb-detailed-info\"><img class=\"alignnone size-medium wp-image-205\" title=\"R1-Walls of the womb\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/R1-Walls-of-the-womb-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Memoria Mausolea (2007)\r\n<a href=\"http://www.reenakallat.com/memoria-mausolea-detailed-info\"><img class=\"alignnone size-medium wp-image-261\" title=\"Memoria Mausolea\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Memoria-Mausolea-300x244.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Saline (2007)\r\n<a href=\"http://www.reenakallat.com/saline-detailed-info\"><img class=\"alignnone size-medium wp-image-495\" title=\"Saline\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Saline-300x185.jpg\" alt=\"saline\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Penumbra Passage Canine Cases (2006)\r\n<a href=\"http://www.reenakallat.com/penumbra-passage-canine-cases-detailed-info\"><img class=\"alignnone size-medium wp-image-208\" title=\"X1-Penumbra Passage (Canine Cases)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/X1-Penumbra-Passage-Canine-Cases-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Memoria corona (2006)\r\n<a href=\"http://www.reenakallat.com/memoria-corona\"><img class=\"alignnone size-medium wp-image-505\" title=\"Memoria Corona\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Memoria-Corona-220x300.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Birds of Steel (2005-2006)\r\n<a href=\"http://www.reenakallat.com/birds-of-steel-detailed-info\"><img class=\"alignnone size-medium wp-image-207\" title=\"V1-Birds of Steel\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/V1-Birds-of-Steel-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Lunar Notes (2004-2006)\r\n<a href=\"http://www.reenakallat.com/subject-to-change-without-notice-detailed-info\"><img class=\"alignnone size-medium wp-image-204\" title=\"Q1-Subject to Change Without Notice\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Q1-Subject-to-Change-Without-Notice-300x225.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Xylophone (2005)\r\n<a href=\"http://www.reenakallat.com/xylophone-detailed-info\"><img class=\"alignnone size-medium wp-image-517\" title=\"Xylophone\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Xylophone-1024x682.jpg\" alt=\"Xylophone\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Black Flute (2004)\r\n<a href=\"http://www.reenakallat.com/black-flute-detailed-info\"><img class=\"alignnone size-medium wp-image-547\" title=\"Black Flute\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-299x197.jpg\" alt=\"Black Flute\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Birthmark Tattoos (2004)\r\n<a href=\"http://www.reenakallat.com/birthmark-tattoos-detailed-info\"><img class=\"alignnone size-medium wp-image-557\" title=\"BirthMark tattoos\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/BirthMark-tattoos-300x225.jpg\" alt=\"BirthMark and tattoos\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><span style=\"color: #888888;\">Vanishing Point (2009)</span>\r\n<a href=\"http://www.reenakallat.com/vanishing-point\"><img class=\"alignnone size-medium wp-image-1013\" title=\"vanishing point\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/05_resized_gallery_view-300x200.jpg\" alt=\"vanishing point\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Sculptures (2003)<a href=\"http://www.reenakallat.com/scuptures-detailed-info\"><img class=\"alignnone size-medium wp-image-621\" title=\"Sculptures\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Scuptures-300x188.jpg\" alt=\"Scuptures\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Elephant Walks (2003)<a href=\"http://www.reenakallat.com/Elephant-walks\"><img class=\"alignnone size-medium wp-image-199\" title=\"Elephant-walks\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Elephant-walks-thumb.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Billboard/Mural for the Kala Ghoda Festival (2003)\r\n<a href=\"http://www.reenakallat.com/billboardmural-for-the-kala-ghoda-festival-2003\"><img class=\"alignnone size-medium wp-image-977\" title=\"Billboard/Mural for the Kala Ghoda Festival 2003\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/4-Complete-Billboard-300x187.jpg\" alt=\"Billboard/Mural for the Kala Ghoda Festival 2003\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Seven Faces of Dust (2003)\r\n<a href=\"http://www.reenakallat.com/seven-faces-of-dust-detailed-info\"><img class=\"alignnone size-medium wp-image-612\" title=\"Seven Faces of Dust\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Seven-Faces-of-Dust-300x192.jpg\" alt=\"Seven Faces of Dust\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Kiosk (2003)\r\n<a href=\"http://www.reenakallat.com/kiosk-detailed-info\"><img class=\"alignnone size-medium wp-image-537\" title=\"Kiosk\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Kiosk-300x224.jpg\" alt=\"Kiosk\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Your Mileage May Vary (2003)<a href=\"http://www.reenakallat.com/your-mileage-gallery\">\r\n<img class=\"alignnone size-medium wp-image-199\" title=\"your-mileage-gallery may vary\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/your-mileage-gallery.jpg\" alt=\"your-mileage-gallery may vary\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Boreal (2002)\r\n<a href=\"http://www.reenakallat.com/boreal\"><img class=\"alignnone size-medium wp-image-201\" title=\"D1-Crease crevice contour\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/boreal-gallery.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Pollen Patterns (2002)<a href=\"http://www.reenakallat.com/pollent-patterns\"><img class=\"alignnone size-medium wp-image-712\" title=\"Pollen-Patterns\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Pollen-Patterns-thumb.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Art on the Move (2001)<a href=\"http://www.reenakallat.com/art-on-move\"><img class=\"alignnone size-medium wp-image-712\" title=\"Closet_Quarries\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/art-on-move-thumb.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Beautiful People of the Rainbow (2001)\r\n<a href=\"http://www.reenakallat.com/beautiful-people\"><img class=\"alignnone size-medium wp-image-199\" title=\"E1-White Yarn\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/1 Process Workshop site.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Orchard of home grown secrets (1998)\r\n<a href=\"http://www.reenakallat.com/orchard-detailed-info\"><img class=\"alignnone size-medium wp-image-564\" title=\"Orchard\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchard-300x186.jpg\" alt=\"Orchard\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Joint Family (1998)\r\n<a href=\"http://www.reenakallat.com/joint-family-detailed-info\"><img class=\"alignnone size-medium wp-image-577\" title=\"Joint Family\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Joint-Family-295x295.png\" alt=\"Joint Family\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Escapades of the ladder occupants (1998)\r\n<a href=\"http://www.reenakallat.com/escapades-of-the-ladder-occupants-detailed-info\"><img class=\"alignnone size-medium wp-image-1064\" title=\"Escapades-of-the-ladder-occupants2\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Escapades-of-the-ladder-occupants2-204x300.jpg\" alt=\"\" width=\"270\" height=\"214\" /></a></td>\r\n<td width=\"200\" align=\"left\" valign=\"top\">Recitals from the city garden (1998)<a href=\"http://www.reenakallat.com/recitals-from-the-city-garden-detailed-info\"><img class=\"alignnone size-medium wp-image-917\" title=\"Recitals-from-the-city-garden\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/21-Recitals-from-the-city-garden-300x198.jpg\" alt=\"Recitals-from-the-city-garden\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><span style=\"color: #888888;\">The Moving Millimeter (2009)</span>\r\n<a href=\"http://www.reenakallat.com/moving-millimeter\"><img class=\"alignnone size-medium wp-image-1022\" title=\"moving-millimeter\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/moving-millineter1-300x200.jpg\" alt=\"moving-millimeter\" width=\"270\" height=\"214\" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<!--more-->','Works','','inherit','open','open','','54-revision-226','','','2010-08-07 13:09:41','2010-08-07 13:09:41','',54,'http://www.biggventures.com/demo/artists/1594/uncat/54-revision-226',0,'revision','',0),