(1341,1,'2010-07-04 10:51:16','2010-07-04 10:51:16','<table style=\"margin-left: 5px;\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\" width=\"58%\" align=\"centre\">\r\n<tbody>\r\n<tr>\r\n<td width=\"35%\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Reena Saini Kallat</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2008</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/reena-kallat\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Rainbow of Refuse</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2006</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/rainbow-of-refuse\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Black Flute and Other Stories</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2004</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/black-flute\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>The Battlefield Is The Mind</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2002</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/battlefield-of-mind\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>SKIN</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2000</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/skin\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Orchard of Home-grown Secrets</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>1998</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/orchard-of-home-grown-screts\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<!-- Start of Other Publications -->\r\n<strong style=\"color: #000000;\">BOOKS/  CATALOGUES </strong>\r\n<!--  em {color:#000000} -->\r\n<!--<strong><em>SOLO  SHOWS</em></strong>-->\r\n<!--  strong {color:#979797} -->\r\n<strong><span style=\"text-decoration: underline;\"> </span></strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>REENA SAINI  KALLAT</strong>, 2009\r\n\r\nText: Nancy Adajania and Murtaza Vali\r\n\r\nPublisher: Primo Marella Gallery, Walsh Gallery and Chemould   Prescott Road\r\n\r\nISBN:  978-81-908879-1-5\r\n\r\n<strong>RAINBOW OF  REFUSE</strong>, 2006\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher: Bodhi Art Gallery\r\n\r\n<strong> </strong><strong>BLACK  FLUTE (AND OTHER STORIES)</strong>,<strong> </strong>2005\r\n\r\n<strong> BLACK FLUTE</strong>, 2004\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher: Gallery Chemould  and Nature Morte Gallery\r\n\r\n<strong>THE BATTLEFIELD  IS THE MIND</strong>, 2002<strong> </strong>\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher:  Sakshi Gallery\r\n\r\n<strong>SKIN</strong>,<strong> </strong>2000\r\n\r\nInterview with  Jitish Kallat\r\n\r\nPublisher:  Gallery Chemould and Vis-à-vis Art Inc. Gallery\r\n\r\n<strong>ORCHARD OF  HOME-GROWN SECRETS</strong>, 1998<strong> </strong>\r\n\r\nText: Ranjit Hoskote\r\n\r\nPublisher: Gallery Chemould and Pundole  Art Gallery\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong><em>GROUP  SHOWS</em></strong>\r\n\r\n<strong><em> </em></strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>NEVER RUN AWAY</strong>, 2010\r\n\r\nText: Shaheen  Merali\r\n\r\nPublisher: Stux Gallery\r\n\r\n<strong>URBAN MANNERS 2</strong>, 2010<strong><em> </em></strong>\r\n\r\nText: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\n\r\nPublisher: SESC Pompeia, Sao Paulo\r\n\r\n<strong> </strong>\r\n\r\n<strong>THE EMPIRE  STRIKES BACK</strong>, 2010<strong> </strong>\r\n\r\nText: Zehra Jumabhoy\r\n\r\nPublisher: Saatchi Gallery\r\n\r\n<strong> </strong><strong> </strong>\r\n\r\n<strong>VIEW POINTS AND  VIEWINGS POINTS- ASIAN ART BIENNALE</strong>, 2009<strong> </strong>\r\n\r\nText: Chao-yi-Tsai\r\n\r\nPublisher: National Taiwan Museum of fine Arts\r\n\r\n<strong>INDIA</strong><strong> XIANZAI:  CONTEMPORARY INDIAN ART</strong>,  2009\r\n\r\n<strong> </strong>Text: Jitish  Kallat, Diana Freundl, Alexander Keefe\r\n\r\nPublisher: Museum  of Contemporary  Art\r\n\r\n<strong>CHALO! INDIA: A  NEW ERA OF INDIAN ART</strong>, 2009<strong> </strong>\r\n\r\nText: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki, Miho\r\n\r\nTagomori\r\n\r\nPublisher: National Museum of Contemporary Art and Essl  Museum\r\n\r\nISBN: 978-3-7913-4304-4\r\n\r\n<strong>CHALO! INDIA: A NEW ERA OF INDIAN ART</strong>,  208<strong><em> </em></strong>\r\n\r\nText: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman\r\n\r\nGopinath, Jayaram, Deepak Ananth\r\n\r\nPublisher:  Mori Art Museum\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong><strong>INDIA</strong><strong> MODERNA</strong>, 2008<strong> </strong>\r\n\r\nText: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur,\r\n\r\nR.Siva  Kumar,  K.G. Subramanyan\r\n\r\nPublisher: IVAM (Institute Valencia D’Art Modern)\r\n\r\n<strong>EVERYWHERE IS  WAR (AND RUMOURS OF IT</strong>), 2008\r\n\r\n<strong> </strong>Text: Kai  Hafez, Martin  Hager,  Nicholas Mirzoeff, Daniel Miller,\r\n\r\nBregje van Eekelen\r\n\r\nPublisher: Bodhi Art  Gallery\r\n\r\n<strong>THREE POINTS OF  VIEWS</strong>, 2008\r\n\r\n<strong> </strong>Text:  Grant Watson\r\n\r\nPublisher: Galerie Mirchandani + Steinruecke\r\n\r\n<strong>NEW NARRATIVES</strong>, 2008\r\n\r\nText: Betty Seid<strong> </strong>\r\n\r\n<strong> </strong>Publisher:  Chicago  Cultural Center\r\n\r\n<strong> </strong><strong>MADE BY INDIANS</strong>, 2007\r\n\r\nText: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\n\r\nPublisher: Galerie Enrico Navarra\r\n\r\nISBN: 2-911596-37-4\r\n\r\n<strong>THERMOCLINE OF  ART: NEW ASIAN WAVES</strong>,  2007\r\n\r\n<strong> </strong>Text:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong<strong> </strong>\r\n\r\nPublisher: Hatje Cantz Vertag\r\n\r\nISBN: 978-3-7757-2073-1\r\n\r\nEAN: 9782911596377\r\n\r\n<strong> INDIAN COLOUR</strong>, 2007\r\n\r\nText: Peter Nagy\r\n\r\nPublisher: Dal- seung Hwang, Keumsan Gallery\r\n\r\n<strong>INDIA</strong><strong> ARTE OGGI</strong>, 2007<strong> </strong>\r\n\r\n<strong> </strong>Text:  Daniela Palazzoli<strong> </strong>\r\n\r\nPublisher: Spazio Oberdan\r\n\r\nISBN: 978-88-202-1867-6\r\n\r\n<strong>URBAN MANNERS</strong>, 2007\r\n\r\nText: Adelina Von Furstenberg\r\n\r\n<strong> </strong>Publisher:  Hangar Bicocca\r\n\r\n<strong>INTERNATIONAL  INCHEON WOMEN ARTISTS BIENNALE, </strong>\r\n\r\n<strong> KNOCKING ON THE DOOR</strong>,  2007\r\n\r\n<strong> </strong>Text:  Sung Hee Kim, John C. Welchman<strong> </strong>\r\n\r\nPublisher: Incheon Culture and Art Centre\r\n\r\n<strong>SOFT  POWER: ASIAN ATTITUDE</strong>,  2007<strong> </strong>\r\n\r\n<strong> </strong>Text:  Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\n\r\nPublisher: Shanghai  Zendai Mumsem of Modern Art\r\n\r\nISBN: 978-7-5356-2790-2\r\n\r\n<strong>INDIA</strong><strong> EXPRESS- ART AND POPULAR CULTURE</strong>, 2006\r\n\r\n<strong> </strong>Text: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze,\r\n\r\nPublisher: Helsinki  City Art  Museum\r\n\r\nISBN: 951-8965-61-7\r\n\r\n<strong>BOMBAY</strong><strong> L’ALBUM MAXIMUM CITY</strong>, 2006\r\n\r\nText: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\n\r\nPublisher: Terrail, Lille 3000\r\n\r\nISBN:  2-87939-325-6<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>INDIAN PAINTINGS  OF THE NEW MILLENNIUM</strong>, 2005\r\n\r\n<strong> </strong>Text: Helen Asquine  Fazio, Gayatri Sinha<strong> </strong>\r\n\r\n<strong> </strong>Publisher: Quick Arts Center, Fairfield University\r\n\r\n<strong>A GUIDE TO 101 MODERN &amp; CONTEMPORARY INDIAN ARTISTS</strong>, 2005\r\n\r\n<strong> </strong>Text: Amrita  Jhaveri\r\n\r\nPublisher: India  Book House\r\n\r\nISBN: 81-7508-423-5\r\n\r\n<strong>ZOOM! ART IN  CONTEMPORARY INDIA</strong>, 2004\r\n\r\n<strong> </strong>Texts:  Luis Serpa and Nancy Adajania<strong> </strong>\r\n\r\n<strong> </strong>Publisher: The Culturgest Museum\r\n\r\nISBN: 972-769-033-5\r\n\r\n<strong>INTERLUDE IN SRI   LANKA</strong>, 2004<strong> </strong>\r\n\r\n<strong> </strong>Text:  Ranjit Hoskote, Nancy Adajania<strong> </strong>\r\n\r\n<strong> </strong>Publisher:  The Guild  Art Gallery\r\n\r\n<strong>GENERATION I</strong>, 2004\r\n\r\nText: Zehra Jumabhoy<strong> </strong>\r\n\r\n<strong> </strong>Publisher:<strong> </strong>Saffronart &amp; The Guild Art Gallery\r\n\r\n<strong>TIRANGA  RIGHTS AND REPONSIBILITIES</strong>,  2003<strong> </strong>\r\n\r\nText: Peter Nagy<strong> </strong>\r\n\r\n<strong> </strong>Publisher: Jindal  Foundation &amp; Creative Arts\r\n\r\n<strong>HARD COPY</strong>, 2003\r\n\r\nText: Peter Nagy\r\n\r\n<strong> </strong>Publisher: Gallery 88\r\n\r\n<strong> </strong><strong>CROSSING  GENERATIONS: DIVERGE</strong><strong>, </strong>2003\r\n\r\n<strong> </strong>Text:  Geeta Kapoor and Chaitanya Sambrani<strong> </strong>\r\n\r\n<strong> </strong>Publisher:<strong> </strong>Gallery Chemould\r\n\r\nPRESS  <strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong><em> </em></strong>\r\n\r\n<strong>THE ARCHIVES OF  THE HEART</strong> <strong> </strong>\r\n\r\nNancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\n\r\nFront Cover, pgs 42-45, 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>GLOBALE KUNST  MIT WURZELDUFT</strong>\r\n\r\nVon Almuth Speigler, Die Presse, Feuilleton, 2<sup>nd</sup> September 2009\r\n\r\n<strong>LANDSCAPES OF  LOSS</strong>\r\n\r\nBeth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>REINCARNATING  HISTORY</strong>\r\n\r\nThe Big Picture, Architect and Interiors, July 2009<strong> </strong>\r\n\r\n<strong>STAMP COLLECTION</strong>\r\n\r\nGeorgina Maddox, The Sunday Express, 17<sup>th</sup> May 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>EVOLVING BEYOND  BORDERS</strong>\r\n\r\nReshma S. Kulkarni, Bombay Times, Times of India,  15<sup>th</sup> January, 2009\r\n\r\n<strong>LO</strong><strong>SS AND FOUND</strong>\r\n\r\nMarina Correa, DNA, Mumbai, 22<sup>nd</sup> January 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>FOCUS INDIA</strong>\r\n\r\nMegha Ralapati, Flash Art, pg 114, January-February 2008\r\n\r\n<strong>COME TOGETHER  RIGHT NOW</strong>\r\n\r\nReema Gehi, HT Café, 15<sup>th</sup> February 2008\r\n\r\n<strong>SUCH A LONG  JOURNEY</strong>\r\n\r\nAparna S Sharma, Elle Magazine, pgs 115-117, February 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong>MORE THAN A  WOMAN</strong>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 4<sup>th</sup> February 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong>ARTIST OF THE  FORTNIGHT</strong>\r\n\r\nMaria Louis, Outlook Profit, pg 79, 18<sup>th</sup> April 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong>DEJA VIEW</strong>\r\n\r\nTara Khilachand, Live Mint, 20<sup>th</sup> December 2008\r\n\r\n<strong>TERROR STRUCK</strong>\r\n\r\nMaria Louis, Outlook Profit, 26<sup>th</sup> December 2008\r\n\r\n<strong>NAME CALLING</strong>\r\n\r\nDeepanjana Pal, Timeout Mumbai, December 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>CORRUPTIONS OF  POWER</strong>\r\n\r\nShiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99,  2007\r\n\r\n<strong>OVER THE RAINBOW</strong>\r\n\r\nMaria Louis, Interview, Verve Magazine, pg 78, November 2006\r\n\r\n<strong> </strong>\r\n\r\n<strong>IN A STATE OF PERENNIAL SIEGE</strong>\r\n\r\nNancy Adajania, The Hindu, Hyderabad, 29<sup>th</sup> October  2006\r\n\r\n<strong>HER CROWNING  ACHIEVEMENT</strong>\r\n\r\nClara Chow, The Straits Times, 18<sup>th</sup> November 2006\r\n\r\n<strong> </strong>\r\n\r\n<strong>POLITICAL CHAOS</strong>\r\n\r\nDeepali Nandwani,  Beautiful people, pg 143, November-December 2006\r\n\r\n<strong>WEAPONS OF MASS  CONSTRUCTION</strong>\r\n\r\nRituparna Som, DNA after Hrs, Mumbai, 9<sup>th</sup> October, 2006\r\n\r\n<strong> </strong>\r\n\r\n<strong> GUNS AND ROSES</strong>\r\n\r\nRachna Nakra, The Indian Express,  Mumbai Newsline, 18<sup>th</sup> September 2006\r\n\r\n<strong> UNDER ATTACK</strong>\r\n\r\nGitanjali Dang, HT Mumbai, 22<sup>nd</sup> September 2006\r\n\r\n<strong> TIME TRAVELLER</strong>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline,  27<sup>th</sup> June 2006      <strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>THE FLOWER AND  THE SWORD</strong>\r\n\r\nGirish Shahane, The Art News magazine of India,  pg 93, volume X issue I, 2004\r\n\r\n<strong>INDIA</strong><strong>’S TOP 100 ACHIEVERS</strong>\r\n\r\nSociety Magazine, pg 137, December 2004\r\n\r\n<strong>CAUGHT BETWEEEN  DEMONS</strong>\r\n\r\nNancy Adajania, The Hindu, 19<sup>th</sup> December  2004\r\n\r\n<strong>EN REISE TIL INDIA</strong>\r\n\r\nHarald Flor, Dagbladet, Kultur, 2<sup>nd</sup> February 2003\r\n\r\n<strong> </strong>\r\n\r\n<strong>SIGNS OF  RESISTANCE</strong>\r\n\r\nNancy Adajania, The Hindu, 5<sup>th</sup> January  2003\r\n\r\n<strong>OF THE GODDESS  AND DEMON IN THE MIND</strong>\r\n\r\nDebbie Rodgers, Sunday edition Vijay Times, Bangalore, 5<sup>th</sup> January 2003\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>EMPATHIC ANGER</strong>\r\n\r\nMarta Jakimowicz, Deccan Herald, 23<sup>rd</sup> December 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong>MYSORE</strong><strong> EK KHOJ</strong>\r\n\r\nCross Fertilization of Culture, Interview in Star of Mysore, 27<sup>th</sup> October 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong> LINKING ISLANDS</strong>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 15<sup>th</sup> February  2002\r\n\r\n<strong>CREATING TO  DESTROY</strong>\r\n\r\nJasmine Shah Varma, The List, Mid Day, 22<sup>nd</sup> February 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong>DIFFERENT  STROKES</strong>\r\n\r\nGeorgina L Maddox, The Indian Express, Mumbai Newsline,  24<sup>th</sup> July 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong>OF FAITH AND  HUNGER</strong>\r\n\r\nAbhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89,  December 2000\r\n\r\n<strong> </strong>\r\n\r\n<strong>THE MURMUR OF  SKIN</strong>\r\n\r\nNupur Mahajan, Bombay Times, Times  of India, 12<sup>th</sup> October 2000\r\n\r\n<strong>NOT JUST SKIN  DEEP</strong>\r\n\r\nJasmine Shah Varma, The List, Mid-day, 4<sup>th</sup> October 2000\r\n\r\n<strong>INSIDE OUT</strong>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 11<sup>th</sup> October  2000\r\n\r\n<strong>SCINTILLATING  SKIN</strong>\r\n\r\nVaibhav Purandare, The Asian Age, 14<sup>th</sup> October 2000\r\n\r\n<strong>AN ARTIST’S  WORLD: ROTI, MAKAAN &amp; ABSTRACT ART</strong>\r\n\r\nPoonam Goel, HT City, 23<sup>rd</sup> December 2000\r\n\r\n<strong> </strong>\r\n\r\n<strong>WITHIN YOU,  WITHOUT YOU</strong>\r\n\r\nAnu Kumar, Indian Express,  Express Newsline, 2<sup>nd</sup> September 1998\r\n\r\n<strong>FARMING INTRIRUE</strong>\r\n\r\nJerry Pinto, The Times of India, Bombay Times, 3<sup>rd</sup> September 1998\r\n\r\n<strong> </strong>\r\n\r\n<strong>INTERACTIVE  MEDIUM</strong>\r\n\r\nKaren Pereira, Indian  Architect &amp; Builder, pgs 102-104, October 1998','Publications','','inherit','open','open','','87-revision-54','','','2010-07-04 10:51:16','2010-07-04 10:51:16','',87,'http://www.biggventures.com/demo/artists/1341/uncat/87-revision-54',0,'revision','',0),(1340,1,'2010-07-04 10:42:39','2010-07-04 10:42:39','<table style=\"margin-left: 5px;\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\" width=\"58%\" align=\"centre\">\r\n<tbody>\r\n<tr>\r\n<td width=\"35%\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Reena Saini Kallat</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2008</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/reena-kallat\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Rainbow of Refuse</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2006</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/rainbow-of-refuse\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Black Flute and Other Stories</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2004</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/black-flute\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>The Battlefield Is The Mind</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2002</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/battlefield-of-mind\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>SKIN</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2000</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/skin\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Orchard of Home-grown Secrets</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>1998</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/orchard-of-home-grown-screts\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<!-- Start of Other Publications -->\r\n<strong style=\"color: #000000;font family:Arial;font-size:10px;font-weight:bold;\">BOOKS/  CATALOGUES </strong>\r\n<!--  em {color:#000000} -->\r\n<!--<strong><em>SOLO  SHOWS</em></strong>-->\r\n<!--  strong {color:#979797} -->\r\n<strong><span style=\"text-decoration: underline;\"> </span></strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>REENA SAINI  KALLAT</strong>, 2009\r\n\r\nText: Nancy Adajania and Murtaza Vali\r\n\r\nPublisher: Primo Marella Gallery, Walsh Gallery and Chemould   Prescott Road\r\n\r\nISBN:  978-81-908879-1-5\r\n\r\n<strong>RAINBOW OF  REFUSE</strong>, 2006\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher: Bodhi Art Gallery\r\n\r\n<strong> </strong><strong>BLACK  FLUTE (AND OTHER STORIES)</strong>,<strong> </strong>2005\r\n\r\n<strong> BLACK FLUTE</strong>, 2004\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher: Gallery Chemould  and Nature Morte Gallery\r\n\r\n<strong>THE BATTLEFIELD  IS THE MIND</strong>, 2002<strong> </strong>\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher:  Sakshi Gallery\r\n\r\n<strong>SKIN</strong>,<strong> </strong>2000\r\n\r\nInterview with  Jitish Kallat\r\n\r\nPublisher:  Gallery Chemould and Vis-à-vis Art Inc. Gallery\r\n\r\n<strong>ORCHARD OF  HOME-GROWN SECRETS</strong>, 1998<strong> </strong>\r\n\r\nText: Ranjit Hoskote\r\n\r\nPublisher: Gallery Chemould and Pundole  Art Gallery\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong><em>GROUP  SHOWS</em></strong>\r\n\r\n<strong><em> </em></strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>NEVER RUN AWAY</strong>, 2010\r\n\r\nText: Shaheen  Merali\r\n\r\nPublisher: Stux Gallery\r\n\r\n<strong>URBAN MANNERS 2</strong>, 2010<strong><em> </em></strong>\r\n\r\nText: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\n\r\nPublisher: SESC Pompeia, Sao Paulo\r\n\r\n<strong> </strong>\r\n\r\n<strong>THE EMPIRE  STRIKES BACK</strong>, 2010<strong> </strong>\r\n\r\nText: Zehra Jumabhoy\r\n\r\nPublisher: Saatchi Gallery\r\n\r\n<strong> </strong><strong> </strong>\r\n\r\n<strong>VIEW POINTS AND  VIEWINGS POINTS- ASIAN ART BIENNALE</strong>, 2009<strong> </strong>\r\n\r\nText: Chao-yi-Tsai\r\n\r\nPublisher: National Taiwan Museum of fine Arts\r\n\r\n<strong>INDIA</strong><strong> XIANZAI:  CONTEMPORARY INDIAN ART</strong>,  2009\r\n\r\n<strong> </strong>Text: Jitish  Kallat, Diana Freundl, Alexander Keefe\r\n\r\nPublisher: Museum  of Contemporary  Art\r\n\r\n<strong>CHALO! INDIA: A  NEW ERA OF INDIAN ART</strong>, 2009<strong> </strong>\r\n\r\nText: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki, Miho\r\n\r\nTagomori\r\n\r\nPublisher: National Museum of Contemporary Art and Essl  Museum\r\n\r\nISBN: 978-3-7913-4304-4\r\n\r\n<strong>CHALO! INDIA: A NEW ERA OF INDIAN ART</strong>,  208<strong><em> </em></strong>\r\n\r\nText: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman\r\n\r\nGopinath, Jayaram, Deepak Ananth\r\n\r\nPublisher:  Mori Art Museum\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong><strong>INDIA</strong><strong> MODERNA</strong>, 2008<strong> </strong>\r\n\r\nText: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur,\r\n\r\nR.Siva  Kumar,  K.G. Subramanyan\r\n\r\nPublisher: IVAM (Institute Valencia D’Art Modern)\r\n\r\n<strong>EVERYWHERE IS  WAR (AND RUMOURS OF IT</strong>), 2008\r\n\r\n<strong> </strong>Text: Kai  Hafez, Martin  Hager,  Nicholas Mirzoeff, Daniel Miller,\r\n\r\nBregje van Eekelen\r\n\r\nPublisher: Bodhi Art  Gallery\r\n\r\n<strong>THREE POINTS OF  VIEWS</strong>, 2008\r\n\r\n<strong> </strong>Text:  Grant Watson\r\n\r\nPublisher: Galerie Mirchandani + Steinruecke\r\n\r\n<strong>NEW NARRATIVES</strong>, 2008\r\n\r\nText: Betty Seid<strong> </strong>\r\n\r\n<strong> </strong>Publisher:  Chicago  Cultural Center\r\n\r\n<strong> </strong><strong>MADE BY INDIANS</strong>, 2007\r\n\r\nText: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\n\r\nPublisher: Galerie Enrico Navarra\r\n\r\nISBN: 2-911596-37-4\r\n\r\n<strong>THERMOCLINE OF  ART: NEW ASIAN WAVES</strong>,  2007\r\n\r\n<strong> </strong>Text:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong<strong> </strong>\r\n\r\nPublisher: Hatje Cantz Vertag\r\n\r\nISBN: 978-3-7757-2073-1\r\n\r\nEAN: 9782911596377\r\n\r\n<strong> INDIAN COLOUR</strong>, 2007\r\n\r\nText: Peter Nagy\r\n\r\nPublisher: Dal- seung Hwang, Keumsan Gallery\r\n\r\n<strong>INDIA</strong><strong> ARTE OGGI</strong>, 2007<strong> </strong>\r\n\r\n<strong> </strong>Text:  Daniela Palazzoli<strong> </strong>\r\n\r\nPublisher: Spazio Oberdan\r\n\r\nISBN: 978-88-202-1867-6\r\n\r\n<strong>URBAN MANNERS</strong>, 2007\r\n\r\nText: Adelina Von Furstenberg\r\n\r\n<strong> </strong>Publisher:  Hangar Bicocca\r\n\r\n<strong>INTERNATIONAL  INCHEON WOMEN ARTISTS BIENNALE, </strong>\r\n\r\n<strong> KNOCKING ON THE DOOR</strong>,  2007\r\n\r\n<strong> </strong>Text:  Sung Hee Kim, John C. Welchman<strong> </strong>\r\n\r\nPublisher: Incheon Culture and Art Centre\r\n\r\n<strong>SOFT  POWER: ASIAN ATTITUDE</strong>,  2007<strong> </strong>\r\n\r\n<strong> </strong>Text:  Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\n\r\nPublisher: Shanghai  Zendai Mumsem of Modern Art\r\n\r\nISBN: 978-7-5356-2790-2\r\n\r\n<strong>INDIA</strong><strong> EXPRESS- ART AND POPULAR CULTURE</strong>, 2006\r\n\r\n<strong> </strong>Text: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze,\r\n\r\nPublisher: Helsinki  City Art  Museum\r\n\r\nISBN: 951-8965-61-7\r\n\r\n<strong>BOMBAY</strong><strong> L’ALBUM MAXIMUM CITY</strong>, 2006\r\n\r\nText: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\n\r\nPublisher: Terrail, Lille 3000\r\n\r\nISBN:  2-87939-325-6<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>INDIAN PAINTINGS  OF THE NEW MILLENNIUM</strong>, 2005\r\n\r\n<strong> </strong>Text: Helen Asquine  Fazio, Gayatri Sinha<strong> </strong>\r\n\r\n<strong> </strong>Publisher: Quick Arts Center, Fairfield University\r\n\r\n<strong>A GUIDE TO 101 MODERN &amp; CONTEMPORARY INDIAN ARTISTS</strong>, 2005\r\n\r\n<strong> </strong>Text: Amrita  Jhaveri\r\n\r\nPublisher: India  Book House\r\n\r\nISBN: 81-7508-423-5\r\n\r\n<strong>ZOOM! ART IN  CONTEMPORARY INDIA</strong>, 2004\r\n\r\n<strong> </strong>Texts:  Luis Serpa and Nancy Adajania<strong> </strong>\r\n\r\n<strong> </strong>Publisher: The Culturgest Museum\r\n\r\nISBN: 972-769-033-5\r\n\r\n<strong>INTERLUDE IN SRI   LANKA</strong>, 2004<strong> </strong>\r\n\r\n<strong> </strong>Text:  Ranjit Hoskote, Nancy Adajania<strong> </strong>\r\n\r\n<strong> </strong>Publisher:  The Guild  Art Gallery\r\n\r\n<strong>GENERATION I</strong>, 2004\r\n\r\nText: Zehra Jumabhoy<strong> </strong>\r\n\r\n<strong> </strong>Publisher:<strong> </strong>Saffronart &amp; The Guild Art Gallery\r\n\r\n<strong>TIRANGA  RIGHTS AND REPONSIBILITIES</strong>,  2003<strong> </strong>\r\n\r\nText: Peter Nagy<strong> </strong>\r\n\r\n<strong> </strong>Publisher: Jindal  Foundation &amp; Creative Arts\r\n\r\n<strong>HARD COPY</strong>, 2003\r\n\r\nText: Peter Nagy\r\n\r\n<strong> </strong>Publisher: Gallery 88\r\n\r\n<strong> </strong><strong>CROSSING  GENERATIONS: DIVERGE</strong><strong>, </strong>2003\r\n\r\n<strong> </strong>Text:  Geeta Kapoor and Chaitanya Sambrani<strong> </strong>\r\n\r\n<strong> </strong>Publisher:<strong> </strong>Gallery Chemould\r\n\r\nPRESS  <strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong><em> </em></strong>\r\n\r\n<strong>THE ARCHIVES OF  THE HEART</strong> <strong> </strong>\r\n\r\nNancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\n\r\nFront Cover, pgs 42-45, 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>GLOBALE KUNST  MIT WURZELDUFT</strong>\r\n\r\nVon Almuth Speigler, Die Presse, Feuilleton, 2<sup>nd</sup> September 2009\r\n\r\n<strong>LANDSCAPES OF  LOSS</strong>\r\n\r\nBeth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>REINCARNATING  HISTORY</strong>\r\n\r\nThe Big Picture, Architect and Interiors, July 2009<strong> </strong>\r\n\r\n<strong>STAMP COLLECTION</strong>\r\n\r\nGeorgina Maddox, The Sunday Express, 17<sup>th</sup> May 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>EVOLVING BEYOND  BORDERS</strong>\r\n\r\nReshma S. Kulkarni, Bombay Times, Times of India,  15<sup>th</sup> January, 2009\r\n\r\n<strong>LO</strong><strong>SS AND FOUND</strong>\r\n\r\nMarina Correa, DNA, Mumbai, 22<sup>nd</sup> January 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>FOCUS INDIA</strong>\r\n\r\nMegha Ralapati, Flash Art, pg 114, January-February 2008\r\n\r\n<strong>COME TOGETHER  RIGHT NOW</strong>\r\n\r\nReema Gehi, HT Café, 15<sup>th</sup> February 2008\r\n\r\n<strong>SUCH A LONG  JOURNEY</strong>\r\n\r\nAparna S Sharma, Elle Magazine, pgs 115-117, February 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong>MORE THAN A  WOMAN</strong>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 4<sup>th</sup> February 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong>ARTIST OF THE  FORTNIGHT</strong>\r\n\r\nMaria Louis, Outlook Profit, pg 79, 18<sup>th</sup> April 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong>DEJA VIEW</strong>\r\n\r\nTara Khilachand, Live Mint, 20<sup>th</sup> December 2008\r\n\r\n<strong>TERROR STRUCK</strong>\r\n\r\nMaria Louis, Outlook Profit, 26<sup>th</sup> December 2008\r\n\r\n<strong>NAME CALLING</strong>\r\n\r\nDeepanjana Pal, Timeout Mumbai, December 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>CORRUPTIONS OF  POWER</strong>\r\n\r\nShiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99,  2007\r\n\r\n<strong>OVER THE RAINBOW</strong>\r\n\r\nMaria Louis, Interview, Verve Magazine, pg 78, November 2006\r\n\r\n<strong> </strong>\r\n\r\n<strong>IN A STATE OF PERENNIAL SIEGE</strong>\r\n\r\nNancy Adajania, The Hindu, Hyderabad, 29<sup>th</sup> October  2006\r\n\r\n<strong>HER CROWNING  ACHIEVEMENT</strong>\r\n\r\nClara Chow, The Straits Times, 18<sup>th</sup> November 2006\r\n\r\n<strong> </strong>\r\n\r\n<strong>POLITICAL CHAOS</strong>\r\n\r\nDeepali Nandwani,  Beautiful people, pg 143, November-December 2006\r\n\r\n<strong>WEAPONS OF MASS  CONSTRUCTION</strong>\r\n\r\nRituparna Som, DNA after Hrs, Mumbai, 9<sup>th</sup> October, 2006\r\n\r\n<strong> </strong>\r\n\r\n<strong> GUNS AND ROSES</strong>\r\n\r\nRachna Nakra, The Indian Express,  Mumbai Newsline, 18<sup>th</sup> September 2006\r\n\r\n<strong> UNDER ATTACK</strong>\r\n\r\nGitanjali Dang, HT Mumbai, 22<sup>nd</sup> September 2006\r\n\r\n<strong> TIME TRAVELLER</strong>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline,  27<sup>th</sup> June 2006      <strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>THE FLOWER AND  THE SWORD</strong>\r\n\r\nGirish Shahane, The Art News magazine of India,  pg 93, volume X issue I, 2004\r\n\r\n<strong>INDIA</strong><strong>’S TOP 100 ACHIEVERS</strong>\r\n\r\nSociety Magazine, pg 137, December 2004\r\n\r\n<strong>CAUGHT BETWEEEN  DEMONS</strong>\r\n\r\nNancy Adajania, The Hindu, 19<sup>th</sup> December  2004\r\n\r\n<strong>EN REISE TIL INDIA</strong>\r\n\r\nHarald Flor, Dagbladet, Kultur, 2<sup>nd</sup> February 2003\r\n\r\n<strong> </strong>\r\n\r\n<strong>SIGNS OF  RESISTANCE</strong>\r\n\r\nNancy Adajania, The Hindu, 5<sup>th</sup> January  2003\r\n\r\n<strong>OF THE GODDESS  AND DEMON IN THE MIND</strong>\r\n\r\nDebbie Rodgers, Sunday edition Vijay Times, Bangalore, 5<sup>th</sup> January 2003\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>EMPATHIC ANGER</strong>\r\n\r\nMarta Jakimowicz, Deccan Herald, 23<sup>rd</sup> December 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong>MYSORE</strong><strong> EK KHOJ</strong>\r\n\r\nCross Fertilization of Culture, Interview in Star of Mysore, 27<sup>th</sup> October 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong> LINKING ISLANDS</strong>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 15<sup>th</sup> February  2002\r\n\r\n<strong>CREATING TO  DESTROY</strong>\r\n\r\nJasmine Shah Varma, The List, Mid Day, 22<sup>nd</sup> February 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong>DIFFERENT  STROKES</strong>\r\n\r\nGeorgina L Maddox, The Indian Express, Mumbai Newsline,  24<sup>th</sup> July 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong>OF FAITH AND  HUNGER</strong>\r\n\r\nAbhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89,  December 2000\r\n\r\n<strong> </strong>\r\n\r\n<strong>THE MURMUR OF  SKIN</strong>\r\n\r\nNupur Mahajan, Bombay Times, Times  of India, 12<sup>th</sup> October 2000\r\n\r\n<strong>NOT JUST SKIN  DEEP</strong>\r\n\r\nJasmine Shah Varma, The List, Mid-day, 4<sup>th</sup> October 2000\r\n\r\n<strong>INSIDE OUT</strong>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 11<sup>th</sup> October  2000\r\n\r\n<strong>SCINTILLATING  SKIN</strong>\r\n\r\nVaibhav Purandare, The Asian Age, 14<sup>th</sup> October 2000\r\n\r\n<strong>AN ARTIST’S  WORLD: ROTI, MAKAAN &amp; ABSTRACT ART</strong>\r\n\r\nPoonam Goel, HT City, 23<sup>rd</sup> December 2000\r\n\r\n<strong> </strong>\r\n\r\n<strong>WITHIN YOU,  WITHOUT YOU</strong>\r\n\r\nAnu Kumar, Indian Express,  Express Newsline, 2<sup>nd</sup> September 1998\r\n\r\n<strong>FARMING INTRIRUE</strong>\r\n\r\nJerry Pinto, The Times of India, Bombay Times, 3<sup>rd</sup> September 1998\r\n\r\n<strong> </strong>\r\n\r\n<strong>INTERACTIVE  MEDIUM</strong>\r\n\r\nKaren Pereira, Indian  Architect &amp; Builder, pgs 102-104, October 1998','Publications','','inherit','open','open','','87-revision-53','','','2010-07-04 10:42:39','2010-07-04 10:42:39','',87,'http://www.biggventures.com/demo/artists/1340/uncat/87-revision-53',0,'revision','',0),(1344,1,'2010-07-04 11:02:25','2010-07-04 11:02:25','<table style=\"margin-left: 5px;\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\" width=\"58%\" align=\"centre\">\r\n<tbody>\r\n<tr>\r\n<td width=\"35%\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Reena Saini Kallat</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2008</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/reena-kallat\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Rainbow of Refuse</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2006</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/rainbow-of-refuse\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Black Flute and Other Stories</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2004</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/black-flute\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>The Battlefield Is The Mind</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2002</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/battlefield-of-mind\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>SKIN</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2000</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/skin\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Orchard of Home-grown Secrets</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>1998</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/orchard-of-home-grown-screts\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<!-- Start of Other Publications -->\r\n<pubstrongstyle=\"color:#000000;\">BOOKS/  CATALOGUES </pubstrong>\r\n\r\n<pubstrong>REENA SAINI  KALLAT</pubstrong>, 2009\r\n\r\nText: Nancy Adajania and Murtaza Vali\r\n\r\nPublisher: Primo Marella Gallery, Walsh Gallery and Chemould   Prescott Road\r\n\r\nISBN:  978-81-908879-1-5\r\n\r\n<strong>RAINBOW OF  REFUSE</strong>, 2006\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher: Bodhi Art Gallery\r\n\r\n<strong> </strong><strong>BLACK  FLUTE (AND OTHER STORIES)</strong>,<strong> </strong>2005\r\n\r\n<strong> BLACK FLUTE</strong>, 2004\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher: Gallery Chemould  and Nature Morte Gallery\r\n\r\n<strong>THE BATTLEFIELD  IS THE MIND</strong>, 2002<strong> </strong>\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher:  Sakshi Gallery\r\n\r\n<strong>SKIN</strong>,<strong> </strong>2000\r\n\r\nInterview with  Jitish Kallat\r\n\r\nPublisher:  Gallery Chemould and Vis-à-vis Art Inc. Gallery\r\n\r\n<strong>ORCHARD OF  HOME-GROWN SECRETS</strong>, 1998<strong> </strong>\r\n\r\nText: Ranjit Hoskote\r\n\r\nPublisher: Gallery Chemould and Pundole  Art Gallery\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong><em>GROUP  SHOWS</em></strong>\r\n\r\n<strong><em> </em></strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>NEVER RUN AWAY</strong>, 2010\r\n\r\nText: Shaheen  Merali\r\n\r\nPublisher: Stux Gallery\r\n\r\n<strong>URBAN MANNERS 2</strong>, 2010<strong><em> </em></strong>\r\n\r\nText: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\n\r\nPublisher: SESC Pompeia, Sao Paulo\r\n\r\n<strong> </strong>\r\n\r\n<strong>THE EMPIRE  STRIKES BACK</strong>, 2010<strong> </strong>\r\n\r\nText: Zehra Jumabhoy\r\n\r\nPublisher: Saatchi Gallery\r\n\r\n<strong> </strong><strong> </strong>\r\n\r\n<strong>VIEW POINTS AND  VIEWINGS POINTS- ASIAN ART BIENNALE</strong>, 2009<strong> </strong>\r\n\r\nText: Chao-yi-Tsai\r\n\r\nPublisher: National Taiwan Museum of fine Arts\r\n\r\n<strong>INDIA</strong><strong> XIANZAI:  CONTEMPORARY INDIAN ART</strong>,  2009\r\n\r\n<strong> </strong>Text: Jitish  Kallat, Diana Freundl, Alexander Keefe\r\n\r\nPublisher: Museum  of Contemporary  Art\r\n\r\n<strong>CHALO! INDIA: A  NEW ERA OF INDIAN ART</strong>, 2009<strong> </strong>\r\n\r\nText: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki, Miho\r\n\r\nTagomori\r\n\r\nPublisher: National Museum of Contemporary Art and Essl  Museum\r\n\r\nISBN: 978-3-7913-4304-4\r\n\r\n<strong>CHALO! INDIA: A NEW ERA OF INDIAN ART</strong>,  208<strong><em> </em></strong>\r\n\r\nText: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman\r\n\r\nGopinath, Jayaram, Deepak Ananth\r\n\r\nPublisher:  Mori Art Museum\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong><strong>INDIA</strong><strong> MODERNA</strong>, 2008<strong> </strong>\r\n\r\nText: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur,\r\n\r\nR.Siva  Kumar,  K.G. Subramanyan\r\n\r\nPublisher: IVAM (Institute Valencia D’Art Modern)\r\n\r\n<strong>EVERYWHERE IS  WAR (AND RUMOURS OF IT</strong>), 2008\r\n\r\n<strong> </strong>Text: Kai  Hafez, Martin  Hager,  Nicholas Mirzoeff, Daniel Miller,\r\n\r\nBregje van Eekelen\r\n\r\nPublisher: Bodhi Art  Gallery\r\n\r\n<strong>THREE POINTS OF  VIEWS</strong>, 2008\r\n\r\n<strong> </strong>Text:  Grant Watson\r\n\r\nPublisher: Galerie Mirchandani + Steinruecke\r\n\r\n<strong>NEW NARRATIVES</strong>, 2008\r\n\r\nText: Betty Seid<strong> </strong>\r\n\r\n<strong> </strong>Publisher:  Chicago  Cultural Center\r\n\r\n<strong> </strong><strong>MADE BY INDIANS</strong>, 2007\r\n\r\nText: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\n\r\nPublisher: Galerie Enrico Navarra\r\n\r\nISBN: 2-911596-37-4\r\n\r\n<strong>THERMOCLINE OF  ART: NEW ASIAN WAVES</strong>,  2007\r\n\r\n<strong> </strong>Text:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong<strong> </strong>\r\n\r\nPublisher: Hatje Cantz Vertag\r\n\r\nISBN: 978-3-7757-2073-1\r\n\r\nEAN: 9782911596377\r\n\r\n<strong> INDIAN COLOUR</strong>, 2007\r\n\r\nText: Peter Nagy\r\n\r\nPublisher: Dal- seung Hwang, Keumsan Gallery\r\n\r\n<strong>INDIA</strong><strong> ARTE OGGI</strong>, 2007<strong> </strong>\r\n\r\n<strong> </strong>Text:  Daniela Palazzoli<strong> </strong>\r\n\r\nPublisher: Spazio Oberdan\r\n\r\nISBN: 978-88-202-1867-6\r\n\r\n<strong>URBAN MANNERS</strong>, 2007\r\n\r\nText: Adelina Von Furstenberg\r\n\r\n<strong> </strong>Publisher:  Hangar Bicocca\r\n\r\n<strong>INTERNATIONAL  INCHEON WOMEN ARTISTS BIENNALE, </strong>\r\n\r\n<strong> KNOCKING ON THE DOOR</strong>,  2007\r\n\r\n<strong> </strong>Text:  Sung Hee Kim, John C. Welchman<strong> </strong>\r\n\r\nPublisher: Incheon Culture and Art Centre\r\n\r\n<strong>SOFT  POWER: ASIAN ATTITUDE</strong>,  2007<strong> </strong>\r\n\r\n<strong> </strong>Text:  Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\n\r\nPublisher: Shanghai  Zendai Mumsem of Modern Art\r\n\r\nISBN: 978-7-5356-2790-2\r\n\r\n<strong>INDIA</strong><strong> EXPRESS- ART AND POPULAR CULTURE</strong>, 2006\r\n\r\n<strong> </strong>Text: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze,\r\n\r\nPublisher: Helsinki  City Art  Museum\r\n\r\nISBN: 951-8965-61-7\r\n\r\n<strong>BOMBAY</strong><strong> L’ALBUM MAXIMUM CITY</strong>, 2006\r\n\r\nText: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\n\r\nPublisher: Terrail, Lille 3000\r\n\r\nISBN:  2-87939-325-6<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>INDIAN PAINTINGS  OF THE NEW MILLENNIUM</strong>, 2005\r\n\r\n<strong> </strong>Text: Helen Asquine  Fazio, Gayatri Sinha<strong> </strong>\r\n\r\n<strong> </strong>Publisher: Quick Arts Center, Fairfield University\r\n\r\n<strong>A GUIDE TO 101 MODERN &amp; CONTEMPORARY INDIAN ARTISTS</strong>, 2005\r\n\r\n<strong> </strong>Text: Amrita  Jhaveri\r\n\r\nPublisher: India  Book House\r\n\r\nISBN: 81-7508-423-5\r\n\r\n<strong>ZOOM! ART IN  CONTEMPORARY INDIA</strong>, 2004\r\n\r\n<strong> </strong>Texts:  Luis Serpa and Nancy Adajania<strong> </strong>\r\n\r\n<strong> </strong>Publisher: The Culturgest Museum\r\n\r\nISBN: 972-769-033-5\r\n\r\n<strong>INTERLUDE IN SRI   LANKA</strong>, 2004<strong> </strong>\r\n\r\n<strong> </strong>Text:  Ranjit Hoskote, Nancy Adajania<strong> </strong>\r\n\r\n<strong> </strong>Publisher:  The Guild  Art Gallery\r\n\r\n<strong>GENERATION I</strong>, 2004\r\n\r\nText: Zehra Jumabhoy<strong> </strong>\r\n\r\n<strong> </strong>Publisher:<strong> </strong>Saffronart &amp; The Guild Art Gallery\r\n\r\n<strong>TIRANGA  RIGHTS AND REPONSIBILITIES</strong>,  2003<strong> </strong>\r\n\r\nText: Peter Nagy<strong> </strong>\r\n\r\n<strong> </strong>Publisher: Jindal  Foundation &amp; Creative Arts\r\n\r\n<strong>HARD COPY</strong>, 2003\r\n\r\nText: Peter Nagy\r\n\r\n<strong> </strong>Publisher: Gallery 88\r\n\r\n<strong> </strong><strong>CROSSING  GENERATIONS: DIVERGE</strong><strong>, </strong>2003\r\n\r\n<strong> </strong>Text:  Geeta Kapoor and Chaitanya Sambrani<strong> </strong>\r\n\r\n<strong> </strong>Publisher:<strong> </strong>Gallery Chemould\r\n\r\nPRESS  <strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong><em> </em></strong>\r\n\r\n<strong>THE ARCHIVES OF  THE HEART</strong> <strong> </strong>\r\n\r\nNancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\n\r\nFront Cover, pgs 42-45, 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>GLOBALE KUNST  MIT WURZELDUFT</strong>\r\n\r\nVon Almuth Speigler, Die Presse, Feuilleton, 2<sup>nd</sup> September 2009\r\n\r\n<strong>LANDSCAPES OF  LOSS</strong>\r\n\r\nBeth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>REINCARNATING  HISTORY</strong>\r\n\r\nThe Big Picture, Architect and Interiors, July 2009<strong> </strong>\r\n\r\n<strong>STAMP COLLECTION</strong>\r\n\r\nGeorgina Maddox, The Sunday Express, 17<sup>th</sup> May 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>EVOLVING BEYOND  BORDERS</strong>\r\n\r\nReshma S. Kulkarni, Bombay Times, Times of India,  15<sup>th</sup> January, 2009\r\n\r\n<strong>LO</strong><strong>SS AND FOUND</strong>\r\n\r\nMarina Correa, DNA, Mumbai, 22<sup>nd</sup> January 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>FOCUS INDIA</strong>\r\n\r\nMegha Ralapati, Flash Art, pg 114, January-February 2008\r\n\r\n<strong>COME TOGETHER  RIGHT NOW</strong>\r\n\r\nReema Gehi, HT Café, 15<sup>th</sup> February 2008\r\n\r\n<strong>SUCH A LONG  JOURNEY</strong>\r\n\r\nAparna S Sharma, Elle Magazine, pgs 115-117, February 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong>MORE THAN A  WOMAN</strong>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 4<sup>th</sup> February 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong>ARTIST OF THE  FORTNIGHT</strong>\r\n\r\nMaria Louis, Outlook Profit, pg 79, 18<sup>th</sup> April 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong>DEJA VIEW</strong>\r\n\r\nTara Khilachand, Live Mint, 20<sup>th</sup> December 2008\r\n\r\n<strong>TERROR STRUCK</strong>\r\n\r\nMaria Louis, Outlook Profit, 26<sup>th</sup> December 2008\r\n\r\n<strong>NAME CALLING</strong>\r\n\r\nDeepanjana Pal, Timeout Mumbai, December 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>CORRUPTIONS OF  POWER</strong>\r\n\r\nShiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99,  2007\r\n\r\n<strong>OVER THE RAINBOW</strong>\r\n\r\nMaria Louis, Interview, Verve Magazine, pg 78, November 2006\r\n\r\n<strong> </strong>\r\n\r\n<strong>IN A STATE OF PERENNIAL SIEGE</strong>\r\n\r\nNancy Adajania, The Hindu, Hyderabad, 29<sup>th</sup> October  2006\r\n\r\n<strong>HER CROWNING  ACHIEVEMENT</strong>\r\n\r\nClara Chow, The Straits Times, 18<sup>th</sup> November 2006\r\n\r\n<strong> </strong>\r\n\r\n<strong>POLITICAL CHAOS</strong>\r\n\r\nDeepali Nandwani,  Beautiful people, pg 143, November-December 2006\r\n\r\n<strong>WEAPONS OF MASS  CONSTRUCTION</strong>\r\n\r\nRituparna Som, DNA after Hrs, Mumbai, 9<sup>th</sup> October, 2006\r\n\r\n<strong> </strong>\r\n\r\n<strong> GUNS AND ROSES</strong>\r\n\r\nRachna Nakra, The Indian Express,  Mumbai Newsline, 18<sup>th</sup> September 2006\r\n\r\n<strong> UNDER ATTACK</strong>\r\n\r\nGitanjali Dang, HT Mumbai, 22<sup>nd</sup> September 2006\r\n\r\n<strong> TIME TRAVELLER</strong>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline,  27<sup>th</sup> June 2006      <strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>THE FLOWER AND  THE SWORD</strong>\r\n\r\nGirish Shahane, The Art News magazine of India,  pg 93, volume X issue I, 2004\r\n\r\n<strong>INDIA</strong><strong>’S TOP 100 ACHIEVERS</strong>\r\n\r\nSociety Magazine, pg 137, December 2004\r\n\r\n<strong>CAUGHT BETWEEEN  DEMONS</strong>\r\n\r\nNancy Adajania, The Hindu, 19<sup>th</sup> December  2004\r\n\r\n<strong>EN REISE TIL INDIA</strong>\r\n\r\nHarald Flor, Dagbladet, Kultur, 2<sup>nd</sup> February 2003\r\n\r\n<strong> </strong>\r\n\r\n<strong>SIGNS OF  RESISTANCE</strong>\r\n\r\nNancy Adajania, The Hindu, 5<sup>th</sup> January  2003\r\n\r\n<strong>OF THE GODDESS  AND DEMON IN THE MIND</strong>\r\n\r\nDebbie Rodgers, Sunday edition Vijay Times, Bangalore, 5<sup>th</sup> January 2003\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>EMPATHIC ANGER</strong>\r\n\r\nMarta Jakimowicz, Deccan Herald, 23<sup>rd</sup> December 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong>MYSORE</strong><strong> EK KHOJ</strong>\r\n\r\nCross Fertilization of Culture, Interview in Star of Mysore, 27<sup>th</sup> October 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong> LINKING ISLANDS</strong>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 15<sup>th</sup> February  2002\r\n\r\n<strong>CREATING TO  DESTROY</strong>\r\n\r\nJasmine Shah Varma, The List, Mid Day, 22<sup>nd</sup> February 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong>DIFFERENT  STROKES</strong>\r\n\r\nGeorgina L Maddox, The Indian Express, Mumbai Newsline,  24<sup>th</sup> July 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong>OF FAITH AND  HUNGER</strong>\r\n\r\nAbhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89,  December 2000\r\n\r\n<strong> </strong>\r\n\r\n<strong>THE MURMUR OF  SKIN</strong>\r\n\r\nNupur Mahajan, Bombay Times, Times  of India, 12<sup>th</sup> October 2000\r\n\r\n<strong>NOT JUST SKIN  DEEP</strong>\r\n\r\nJasmine Shah Varma, The List, Mid-day, 4<sup>th</sup> October 2000\r\n\r\n<strong>INSIDE OUT</strong>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 11<sup>th</sup> October  2000\r\n\r\n<strong>SCINTILLATING  SKIN</strong>\r\n\r\nVaibhav Purandare, The Asian Age, 14<sup>th</sup> October 2000\r\n\r\n<strong>AN ARTIST’S  WORLD: ROTI, MAKAAN &amp; ABSTRACT ART</strong>\r\n\r\nPoonam Goel, HT City, 23<sup>rd</sup> December 2000\r\n\r\n<strong> </strong>\r\n\r\n<strong>WITHIN YOU,  WITHOUT YOU</strong>\r\n\r\nAnu Kumar, Indian Express,  Express Newsline, 2<sup>nd</sup> September 1998\r\n\r\n<strong>FARMING INTRIRUE</strong>\r\n\r\nJerry Pinto, The Times of India, Bombay Times, 3<sup>rd</sup> September 1998\r\n\r\n<strong> </strong>\r\n\r\n<strong>INTERACTIVE  MEDIUM</strong>\r\n\r\nKaren Pereira, Indian  Architect &amp; Builder, pgs 102-104, October 1998','Publications','','inherit','open','open','','87-revision-57','','','2010-07-04 11:02:25','2010-07-04 11:02:25','',87,'http://www.biggventures.com/demo/artists/1344/uncat/87-revision-57',0,'revision','',0),(1345,1,'2010-07-04 11:06:07','2010-07-04 11:06:07','<table style=\"margin-left: 5px;\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\" width=\"58%\" align=\"centre\">\r\n<tbody>\r\n<tr>\r\n<td width=\"35%\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Reena Saini Kallat</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2008</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/reena-kallat\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Rainbow of Refuse</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2006</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/rainbow-of-refuse\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Black Flute and Other Stories</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2004</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/black-flute\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>The Battlefield Is The Mind</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2002</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/battlefield-of-mind\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>SKIN</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2000</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/skin\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Orchard of Home-grown Secrets</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>1998</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/orchard-of-home-grown-screts\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<!-- Start of Other Publications -->\r\n<pubstrong style=\"color:#000000;\">BOOKS/  CATALOGUES </pubstrong>\r\n\r\n<pubstrong>REENA SAINI  KALLAT</pubstrong>, 2009\r\n\r\nText: Nancy Adajania and Murtaza Vali\r\n\r\nPublisher: Primo Marella Gallery, Walsh Gallery and Chemould   Prescott Road\r\n\r\nISBN:  978-81-908879-1-5\r\n\r\n<strong>RAINBOW OF  REFUSE</strong>, 2006\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher: Bodhi Art Gallery\r\n\r\n<strong> </strong><strong>BLACK  FLUTE (AND OTHER STORIES)</strong>,<strong> </strong>2005\r\n\r\n<strong> BLACK FLUTE</strong>, 2004\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher: Gallery Chemould  and Nature Morte Gallery\r\n\r\n<strong>THE BATTLEFIELD  IS THE MIND</strong>, 2002<strong> </strong>\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher:  Sakshi Gallery\r\n\r\n<strong>SKIN</strong>,<strong> </strong>2000\r\n\r\nInterview with  Jitish Kallat\r\n\r\nPublisher:  Gallery Chemould and Vis-à-vis Art Inc. Gallery\r\n\r\n<strong>ORCHARD OF  HOME-GROWN SECRETS</strong>, 1998<strong> </strong>\r\n\r\nText: Ranjit Hoskote\r\n\r\nPublisher: Gallery Chemould and Pundole  Art Gallery\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong><em>GROUP  SHOWS</em></strong>\r\n\r\n<strong><em> </em></strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>NEVER RUN AWAY</strong>, 2010\r\n\r\nText: Shaheen  Merali\r\n\r\nPublisher: Stux Gallery\r\n\r\n<strong>URBAN MANNERS 2</strong>, 2010<strong><em> </em></strong>\r\n\r\nText: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\n\r\nPublisher: SESC Pompeia, Sao Paulo\r\n\r\n<strong> </strong>\r\n\r\n<strong>THE EMPIRE  STRIKES BACK</strong>, 2010<strong> </strong>\r\n\r\nText: Zehra Jumabhoy\r\n\r\nPublisher: Saatchi Gallery\r\n\r\n<strong> </strong><strong> </strong>\r\n\r\n<strong>VIEW POINTS AND  VIEWINGS POINTS- ASIAN ART BIENNALE</strong>, 2009<strong> </strong>\r\n\r\nText: Chao-yi-Tsai\r\n\r\nPublisher: National Taiwan Museum of fine Arts\r\n\r\n<strong>INDIA</strong><strong> XIANZAI:  CONTEMPORARY INDIAN ART</strong>,  2009\r\n\r\n<strong> </strong>Text: Jitish  Kallat, Diana Freundl, Alexander Keefe\r\n\r\nPublisher: Museum  of Contemporary  Art\r\n\r\n<strong>CHALO! INDIA: A  NEW ERA OF INDIAN ART</strong>, 2009<strong> </strong>\r\n\r\nText: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki, Miho\r\n\r\nTagomori\r\n\r\nPublisher: National Museum of Contemporary Art and Essl  Museum\r\n\r\nISBN: 978-3-7913-4304-4\r\n\r\n<strong>CHALO! INDIA: A NEW ERA OF INDIAN ART</strong>,  208<strong><em> </em></strong>\r\n\r\nText: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman\r\n\r\nGopinath, Jayaram, Deepak Ananth\r\n\r\nPublisher:  Mori Art Museum\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong><strong>INDIA</strong><strong> MODERNA</strong>, 2008<strong> </strong>\r\n\r\nText: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur,\r\n\r\nR.Siva  Kumar,  K.G. Subramanyan\r\n\r\nPublisher: IVAM (Institute Valencia D’Art Modern)\r\n\r\n<strong>EVERYWHERE IS  WAR (AND RUMOURS OF IT</strong>), 2008\r\n\r\n<strong> </strong>Text: Kai  Hafez, Martin  Hager,  Nicholas Mirzoeff, Daniel Miller,\r\n\r\nBregje van Eekelen\r\n\r\nPublisher: Bodhi Art  Gallery\r\n\r\n<strong>THREE POINTS OF  VIEWS</strong>, 2008\r\n\r\n<strong> </strong>Text:  Grant Watson\r\n\r\nPublisher: Galerie Mirchandani + Steinruecke\r\n\r\n<strong>NEW NARRATIVES</strong>, 2008\r\n\r\nText: Betty Seid<strong> </strong>\r\n\r\n<strong> </strong>Publisher:  Chicago  Cultural Center\r\n\r\n<strong> </strong><strong>MADE BY INDIANS</strong>, 2007\r\n\r\nText: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\n\r\nPublisher: Galerie Enrico Navarra\r\n\r\nISBN: 2-911596-37-4\r\n\r\n<strong>THERMOCLINE OF  ART: NEW ASIAN WAVES</strong>,  2007\r\n\r\n<strong> </strong>Text:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong<strong> </strong>\r\n\r\nPublisher: Hatje Cantz Vertag\r\n\r\nISBN: 978-3-7757-2073-1\r\n\r\nEAN: 9782911596377\r\n\r\n<strong> INDIAN COLOUR</strong>, 2007\r\n\r\nText: Peter Nagy\r\n\r\nPublisher: Dal- seung Hwang, Keumsan Gallery\r\n\r\n<strong>INDIA</strong><strong> ARTE OGGI</strong>, 2007<strong> </strong>\r\n\r\n<strong> </strong>Text:  Daniela Palazzoli<strong> </strong>\r\n\r\nPublisher: Spazio Oberdan\r\n\r\nISBN: 978-88-202-1867-6\r\n\r\n<strong>URBAN MANNERS</strong>, 2007\r\n\r\nText: Adelina Von Furstenberg\r\n\r\n<strong> </strong>Publisher:  Hangar Bicocca\r\n\r\n<strong>INTERNATIONAL  INCHEON WOMEN ARTISTS BIENNALE, </strong>\r\n\r\n<strong> KNOCKING ON THE DOOR</strong>,  2007\r\n\r\n<strong> </strong>Text:  Sung Hee Kim, John C. Welchman<strong> </strong>\r\n\r\nPublisher: Incheon Culture and Art Centre\r\n\r\n<strong>SOFT  POWER: ASIAN ATTITUDE</strong>,  2007<strong> </strong>\r\n\r\n<strong> </strong>Text:  Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\n\r\nPublisher: Shanghai  Zendai Mumsem of Modern Art\r\n\r\nISBN: 978-7-5356-2790-2\r\n\r\n<strong>INDIA</strong><strong> EXPRESS- ART AND POPULAR CULTURE</strong>, 2006\r\n\r\n<strong> </strong>Text: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze,\r\n\r\nPublisher: Helsinki  City Art  Museum\r\n\r\nISBN: 951-8965-61-7\r\n\r\n<strong>BOMBAY</strong><strong> L’ALBUM MAXIMUM CITY</strong>, 2006\r\n\r\nText: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\n\r\nPublisher: Terrail, Lille 3000\r\n\r\nISBN:  2-87939-325-6<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>INDIAN PAINTINGS  OF THE NEW MILLENNIUM</strong>, 2005\r\n\r\n<strong> </strong>Text: Helen Asquine  Fazio, Gayatri Sinha<strong> </strong>\r\n\r\n<strong> </strong>Publisher: Quick Arts Center, Fairfield University\r\n\r\n<strong>A GUIDE TO 101 MODERN &amp; CONTEMPORARY INDIAN ARTISTS</strong>, 2005\r\n\r\n<strong> </strong>Text: Amrita  Jhaveri\r\n\r\nPublisher: India  Book House\r\n\r\nISBN: 81-7508-423-5\r\n\r\n<strong>ZOOM! ART IN  CONTEMPORARY INDIA</strong>, 2004\r\n\r\n<strong> </strong>Texts:  Luis Serpa and Nancy Adajania<strong> </strong>\r\n\r\n<strong> </strong>Publisher: The Culturgest Museum\r\n\r\nISBN: 972-769-033-5\r\n\r\n<strong>INTERLUDE IN SRI   LANKA</strong>, 2004<strong> </strong>\r\n\r\n<strong> </strong>Text:  Ranjit Hoskote, Nancy Adajania<strong> </strong>\r\n\r\n<strong> </strong>Publisher:  The Guild  Art Gallery\r\n\r\n<strong>GENERATION I</strong>, 2004\r\n\r\nText: Zehra Jumabhoy<strong> </strong>\r\n\r\n<strong> </strong>Publisher:<strong> </strong>Saffronart &amp; The Guild Art Gallery\r\n\r\n<strong>TIRANGA  RIGHTS AND REPONSIBILITIES</strong>,  2003<strong> </strong>\r\n\r\nText: Peter Nagy<strong> </strong>\r\n\r\n<strong> </strong>Publisher: Jindal  Foundation &amp; Creative Arts\r\n\r\n<strong>HARD COPY</strong>, 2003\r\n\r\nText: Peter Nagy\r\n\r\n<strong> </strong>Publisher: Gallery 88\r\n\r\n<strong> </strong><strong>CROSSING  GENERATIONS: DIVERGE</strong><strong>, </strong>2003\r\n\r\n<strong> </strong>Text:  Geeta Kapoor and Chaitanya Sambrani<strong> </strong>\r\n\r\n<strong> </strong>Publisher:<strong> </strong>Gallery Chemould\r\n\r\nPRESS  <strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong><em> </em></strong>\r\n\r\n<strong>THE ARCHIVES OF  THE HEART</strong> <strong> </strong>\r\n\r\nNancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\n\r\nFront Cover, pgs 42-45, 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>GLOBALE KUNST  MIT WURZELDUFT</strong>\r\n\r\nVon Almuth Speigler, Die Presse, Feuilleton, 2<sup>nd</sup> September 2009\r\n\r\n<strong>LANDSCAPES OF  LOSS</strong>\r\n\r\nBeth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>REINCARNATING  HISTORY</strong>\r\n\r\nThe Big Picture, Architect and Interiors, July 2009<strong> </strong>\r\n\r\n<strong>STAMP COLLECTION</strong>\r\n\r\nGeorgina Maddox, The Sunday Express, 17<sup>th</sup> May 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>EVOLVING BEYOND  BORDERS</strong>\r\n\r\nReshma S. Kulkarni, Bombay Times, Times of India,  15<sup>th</sup> January, 2009\r\n\r\n<strong>LO</strong><strong>SS AND FOUND</strong>\r\n\r\nMarina Correa, DNA, Mumbai, 22<sup>nd</sup> January 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>FOCUS INDIA</strong>\r\n\r\nMegha Ralapati, Flash Art, pg 114, January-February 2008\r\n\r\n<strong>COME TOGETHER  RIGHT NOW</strong>\r\n\r\nReema Gehi, HT Café, 15<sup>th</sup> February 2008\r\n\r\n<strong>SUCH A LONG  JOURNEY</strong>\r\n\r\nAparna S Sharma, Elle Magazine, pgs 115-117, February 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong>MORE THAN A  WOMAN</strong>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 4<sup>th</sup> February 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong>ARTIST OF THE  FORTNIGHT</strong>\r\n\r\nMaria Louis, Outlook Profit, pg 79, 18<sup>th</sup> April 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong>DEJA VIEW</strong>\r\n\r\nTara Khilachand, Live Mint, 20<sup>th</sup> December 2008\r\n\r\n<strong>TERROR STRUCK</strong>\r\n\r\nMaria Louis, Outlook Profit, 26<sup>th</sup> December 2008\r\n\r\n<strong>NAME CALLING</strong>\r\n\r\nDeepanjana Pal, Timeout Mumbai, December 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>CORRUPTIONS OF  POWER</strong>\r\n\r\nShiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99,  2007\r\n\r\n<strong>OVER THE RAINBOW</strong>\r\n\r\nMaria Louis, Interview, Verve Magazine, pg 78, November 2006\r\n\r\n<strong> </strong>\r\n\r\n<strong>IN A STATE OF PERENNIAL SIEGE</strong>\r\n\r\nNancy Adajania, The Hindu, Hyderabad, 29<sup>th</sup> October  2006\r\n\r\n<strong>HER CROWNING  ACHIEVEMENT</strong>\r\n\r\nClara Chow, The Straits Times, 18<sup>th</sup> November 2006\r\n\r\n<strong> </strong>\r\n\r\n<strong>POLITICAL CHAOS</strong>\r\n\r\nDeepali Nandwani,  Beautiful people, pg 143, November-December 2006\r\n\r\n<strong>WEAPONS OF MASS  CONSTRUCTION</strong>\r\n\r\nRituparna Som, DNA after Hrs, Mumbai, 9<sup>th</sup> October, 2006\r\n\r\n<strong> </strong>\r\n\r\n<strong> GUNS AND ROSES</strong>\r\n\r\nRachna Nakra, The Indian Express,  Mumbai Newsline, 18<sup>th</sup> September 2006\r\n\r\n<strong> UNDER ATTACK</strong>\r\n\r\nGitanjali Dang, HT Mumbai, 22<sup>nd</sup> September 2006\r\n\r\n<strong> TIME TRAVELLER</strong>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline,  27<sup>th</sup> June 2006      <strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>THE FLOWER AND  THE SWORD</strong>\r\n\r\nGirish Shahane, The Art News magazine of India,  pg 93, volume X issue I, 2004\r\n\r\n<strong>INDIA</strong><strong>’S TOP 100 ACHIEVERS</strong>\r\n\r\nSociety Magazine, pg 137, December 2004\r\n\r\n<strong>CAUGHT BETWEEEN  DEMONS</strong>\r\n\r\nNancy Adajania, The Hindu, 19<sup>th</sup> December  2004\r\n\r\n<strong>EN REISE TIL INDIA</strong>\r\n\r\nHarald Flor, Dagbladet, Kultur, 2<sup>nd</sup> February 2003\r\n\r\n<strong> </strong>\r\n\r\n<strong>SIGNS OF  RESISTANCE</strong>\r\n\r\nNancy Adajania, The Hindu, 5<sup>th</sup> January  2003\r\n\r\n<strong>OF THE GODDESS  AND DEMON IN THE MIND</strong>\r\n\r\nDebbie Rodgers, Sunday edition Vijay Times, Bangalore, 5<sup>th</sup> January 2003\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>EMPATHIC ANGER</strong>\r\n\r\nMarta Jakimowicz, Deccan Herald, 23<sup>rd</sup> December 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong>MYSORE</strong><strong> EK KHOJ</strong>\r\n\r\nCross Fertilization of Culture, Interview in Star of Mysore, 27<sup>th</sup> October 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong> LINKING ISLANDS</strong>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 15<sup>th</sup> February  2002\r\n\r\n<strong>CREATING TO  DESTROY</strong>\r\n\r\nJasmine Shah Varma, The List, Mid Day, 22<sup>nd</sup> February 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong>DIFFERENT  STROKES</strong>\r\n\r\nGeorgina L Maddox, The Indian Express, Mumbai Newsline,  24<sup>th</sup> July 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong>OF FAITH AND  HUNGER</strong>\r\n\r\nAbhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89,  December 2000\r\n\r\n<strong> </strong>\r\n\r\n<strong>THE MURMUR OF  SKIN</strong>\r\n\r\nNupur Mahajan, Bombay Times, Times  of India, 12<sup>th</sup> October 2000\r\n\r\n<strong>NOT JUST SKIN  DEEP</strong>\r\n\r\nJasmine Shah Varma, The List, Mid-day, 4<sup>th</sup> October 2000\r\n\r\n<strong>INSIDE OUT</strong>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 11<sup>th</sup> October  2000\r\n\r\n<strong>SCINTILLATING  SKIN</strong>\r\n\r\nVaibhav Purandare, The Asian Age, 14<sup>th</sup> October 2000\r\n\r\n<strong>AN ARTIST’S  WORLD: ROTI, MAKAAN &amp; ABSTRACT ART</strong>\r\n\r\nPoonam Goel, HT City, 23<sup>rd</sup> December 2000\r\n\r\n<strong> </strong>\r\n\r\n<strong>WITHIN YOU,  WITHOUT YOU</strong>\r\n\r\nAnu Kumar, Indian Express,  Express Newsline, 2<sup>nd</sup> September 1998\r\n\r\n<strong>FARMING INTRIRUE</strong>\r\n\r\nJerry Pinto, The Times of India, Bombay Times, 3<sup>rd</sup> September 1998\r\n\r\n<strong> </strong>\r\n\r\n<strong>INTERACTIVE  MEDIUM</strong>\r\n\r\nKaren Pereira, Indian  Architect &amp; Builder, pgs 102-104, October 1998','Publications','','inherit','open','open','','87-revision-58','','','2010-07-04 11:06:07','2010-07-04 11:06:07','',87,'http://www.biggventures.com/demo/artists/1345/uncat/87-revision-58',0,'revision','',0),(1347,1,'2010-07-04 11:07:57','2010-07-04 11:07:57','<table style=\"margin-left: 5px;\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\" width=\"58%\" align=\"centre\">\r\n<tbody>\r\n<tr>\r\n<td width=\"35%\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Reena Saini Kallat</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2008</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/reena-kallat\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Rainbow of Refuse</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2006</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/rainbow-of-refuse\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Black Flute and Other Stories</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2004</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/black-flute\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>The Battlefield Is The Mind</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2002</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/battlefield-of-mind\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>SKIN</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2000</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/skin\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Orchard of Home-grown Secrets</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>1998</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/orchard-of-home-grown-screts\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<!-- Start of Other Publications -->\r\n<pubstrong style=\"color:#000000;\">BOOKS/  CATALOGUES </pubstrong>\r\n<br>\r\n<br>\r\n<pubstrong>REENA SAINI  KALLAT</pubstrong>, 2009\r\n\r\nText: Nancy Adajania and Murtaza Vali\r\n\r\nPublisher: Primo Marella Gallery, Walsh Gallery and Chemould   Prescott Road\r\n\r\nISBN:  978-81-908879-1-5\r\n\r\n<strong>RAINBOW OF  REFUSE</strong>, 2006\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher: Bodhi Art Gallery\r\n\r\n<strong> </strong><strong>BLACK  FLUTE (AND OTHER STORIES)</strong>,<strong> </strong>2005\r\n\r\n<strong> BLACK FLUTE</strong>, 2004\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher: Gallery Chemould  and Nature Morte Gallery\r\n\r\n<strong>THE BATTLEFIELD  IS THE MIND</strong>, 2002<strong> </strong>\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher:  Sakshi Gallery\r\n\r\n<strong>SKIN</strong>,<strong> </strong>2000\r\n\r\nInterview with  Jitish Kallat\r\n\r\nPublisher:  Gallery Chemould and Vis-à-vis Art Inc. Gallery\r\n\r\n<strong>ORCHARD OF  HOME-GROWN SECRETS</strong>, 1998<strong> </strong>\r\n\r\nText: Ranjit Hoskote\r\n\r\nPublisher: Gallery Chemould and Pundole  Art Gallery\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong><em>GROUP  SHOWS</em></strong>\r\n\r\n<strong><em> </em></strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>NEVER RUN AWAY</strong>, 2010\r\n\r\nText: Shaheen  Merali\r\n\r\nPublisher: Stux Gallery\r\n\r\n<strong>URBAN MANNERS 2</strong>, 2010<strong><em> </em></strong>\r\n\r\nText: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\n\r\nPublisher: SESC Pompeia, Sao Paulo\r\n\r\n<strong> </strong>\r\n\r\n<strong>THE EMPIRE  STRIKES BACK</strong>, 2010<strong> </strong>\r\n\r\nText: Zehra Jumabhoy\r\n\r\nPublisher: Saatchi Gallery\r\n\r\n<strong> </strong><strong> </strong>\r\n\r\n<strong>VIEW POINTS AND  VIEWINGS POINTS- ASIAN ART BIENNALE</strong>, 2009<strong> </strong>\r\n\r\nText: Chao-yi-Tsai\r\n\r\nPublisher: National Taiwan Museum of fine Arts\r\n\r\n<strong>INDIA</strong><strong> XIANZAI:  CONTEMPORARY INDIAN ART</strong>,  2009\r\n\r\n<strong> </strong>Text: Jitish  Kallat, Diana Freundl, Alexander Keefe\r\n\r\nPublisher: Museum  of Contemporary  Art\r\n\r\n<strong>CHALO! INDIA: A  NEW ERA OF INDIAN ART</strong>, 2009<strong> </strong>\r\n\r\nText: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki, Miho\r\n\r\nTagomori\r\n\r\nPublisher: National Museum of Contemporary Art and Essl  Museum\r\n\r\nISBN: 978-3-7913-4304-4\r\n\r\n<strong>CHALO! INDIA: A NEW ERA OF INDIAN ART</strong>,  208<strong><em> </em></strong>\r\n\r\nText: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman\r\n\r\nGopinath, Jayaram, Deepak Ananth\r\n\r\nPublisher:  Mori Art Museum\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong><strong>INDIA</strong><strong> MODERNA</strong>, 2008<strong> </strong>\r\n\r\nText: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur,\r\n\r\nR.Siva  Kumar,  K.G. Subramanyan\r\n\r\nPublisher: IVAM (Institute Valencia D’Art Modern)\r\n\r\n<strong>EVERYWHERE IS  WAR (AND RUMOURS OF IT</strong>), 2008\r\n\r\n<strong> </strong>Text: Kai  Hafez, Martin  Hager,  Nicholas Mirzoeff, Daniel Miller,\r\n\r\nBregje van Eekelen\r\n\r\nPublisher: Bodhi Art  Gallery\r\n\r\n<strong>THREE POINTS OF  VIEWS</strong>, 2008\r\n\r\n<strong> </strong>Text:  Grant Watson\r\n\r\nPublisher: Galerie Mirchandani + Steinruecke\r\n\r\n<strong>NEW NARRATIVES</strong>, 2008\r\n\r\nText: Betty Seid<strong> </strong>\r\n\r\n<strong> </strong>Publisher:  Chicago  Cultural Center\r\n\r\n<strong> </strong><strong>MADE BY INDIANS</strong>, 2007\r\n\r\nText: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\n\r\nPublisher: Galerie Enrico Navarra\r\n\r\nISBN: 2-911596-37-4\r\n\r\n<strong>THERMOCLINE OF  ART: NEW ASIAN WAVES</strong>,  2007\r\n\r\n<strong> </strong>Text:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong<strong> </strong>\r\n\r\nPublisher: Hatje Cantz Vertag\r\n\r\nISBN: 978-3-7757-2073-1\r\n\r\nEAN: 9782911596377\r\n\r\n<strong> INDIAN COLOUR</strong>, 2007\r\n\r\nText: Peter Nagy\r\n\r\nPublisher: Dal- seung Hwang, Keumsan Gallery\r\n\r\n<strong>INDIA</strong><strong> ARTE OGGI</strong>, 2007<strong> </strong>\r\n\r\n<strong> </strong>Text:  Daniela Palazzoli<strong> </strong>\r\n\r\nPublisher: Spazio Oberdan\r\n\r\nISBN: 978-88-202-1867-6\r\n\r\n<strong>URBAN MANNERS</strong>, 2007\r\n\r\nText: Adelina Von Furstenberg\r\n\r\n<strong> </strong>Publisher:  Hangar Bicocca\r\n\r\n<strong>INTERNATIONAL  INCHEON WOMEN ARTISTS BIENNALE, </strong>\r\n\r\n<strong> KNOCKING ON THE DOOR</strong>,  2007\r\n\r\n<strong> </strong>Text:  Sung Hee Kim, John C. Welchman<strong> </strong>\r\n\r\nPublisher: Incheon Culture and Art Centre\r\n\r\n<strong>SOFT  POWER: ASIAN ATTITUDE</strong>,  2007<strong> </strong>\r\n\r\n<strong> </strong>Text:  Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\n\r\nPublisher: Shanghai  Zendai Mumsem of Modern Art\r\n\r\nISBN: 978-7-5356-2790-2\r\n\r\n<strong>INDIA</strong><strong> EXPRESS- ART AND POPULAR CULTURE</strong>, 2006\r\n\r\n<strong> </strong>Text: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze,\r\n\r\nPublisher: Helsinki  City Art  Museum\r\n\r\nISBN: 951-8965-61-7\r\n\r\n<strong>BOMBAY</strong><strong> L’ALBUM MAXIMUM CITY</strong>, 2006\r\n\r\nText: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\n\r\nPublisher: Terrail, Lille 3000\r\n\r\nISBN:  2-87939-325-6<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>INDIAN PAINTINGS  OF THE NEW MILLENNIUM</strong>, 2005\r\n\r\n<strong> </strong>Text: Helen Asquine  Fazio, Gayatri Sinha<strong> </strong>\r\n\r\n<strong> </strong>Publisher: Quick Arts Center, Fairfield University\r\n\r\n<strong>A GUIDE TO 101 MODERN &amp; CONTEMPORARY INDIAN ARTISTS</strong>, 2005\r\n\r\n<strong> </strong>Text: Amrita  Jhaveri\r\n\r\nPublisher: India  Book House\r\n\r\nISBN: 81-7508-423-5\r\n\r\n<strong>ZOOM! ART IN  CONTEMPORARY INDIA</strong>, 2004\r\n\r\n<strong> </strong>Texts:  Luis Serpa and Nancy Adajania<strong> </strong>\r\n\r\n<strong> </strong>Publisher: The Culturgest Museum\r\n\r\nISBN: 972-769-033-5\r\n\r\n<strong>INTERLUDE IN SRI   LANKA</strong>, 2004<strong> </strong>\r\n\r\n<strong> </strong>Text:  Ranjit Hoskote, Nancy Adajania<strong> </strong>\r\n\r\n<strong> </strong>Publisher:  The Guild  Art Gallery\r\n\r\n<strong>GENERATION I</strong>, 2004\r\n\r\nText: Zehra Jumabhoy<strong> </strong>\r\n\r\n<strong> </strong>Publisher:<strong> </strong>Saffronart &amp; The Guild Art Gallery\r\n\r\n<strong>TIRANGA  RIGHTS AND REPONSIBILITIES</strong>,  2003<strong> </strong>\r\n\r\nText: Peter Nagy<strong> </strong>\r\n\r\n<strong> </strong>Publisher: Jindal  Foundation &amp; Creative Arts\r\n\r\n<strong>HARD COPY</strong>, 2003\r\n\r\nText: Peter Nagy\r\n\r\n<strong> </strong>Publisher: Gallery 88\r\n\r\n<strong> </strong><strong>CROSSING  GENERATIONS: DIVERGE</strong><strong>, </strong>2003\r\n\r\n<strong> </strong>Text:  Geeta Kapoor and Chaitanya Sambrani<strong> </strong>\r\n\r\n<strong> </strong>Publisher:<strong> </strong>Gallery Chemould\r\n\r\nPRESS  <strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong><em> </em></strong>\r\n\r\n<strong>THE ARCHIVES OF  THE HEART</strong> <strong> </strong>\r\n\r\nNancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\n\r\nFront Cover, pgs 42-45, 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>GLOBALE KUNST  MIT WURZELDUFT</strong>\r\n\r\nVon Almuth Speigler, Die Presse, Feuilleton, 2<sup>nd</sup> September 2009\r\n\r\n<strong>LANDSCAPES OF  LOSS</strong>\r\n\r\nBeth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>REINCARNATING  HISTORY</strong>\r\n\r\nThe Big Picture, Architect and Interiors, July 2009<strong> </strong>\r\n\r\n<strong>STAMP COLLECTION</strong>\r\n\r\nGeorgina Maddox, The Sunday Express, 17<sup>th</sup> May 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>EVOLVING BEYOND  BORDERS</strong>\r\n\r\nReshma S. Kulkarni, Bombay Times, Times of India,  15<sup>th</sup> January, 2009\r\n\r\n<strong>LO</strong><strong>SS AND FOUND</strong>\r\n\r\nMarina Correa, DNA, Mumbai, 22<sup>nd</sup> January 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>FOCUS INDIA</strong>\r\n\r\nMegha Ralapati, Flash Art, pg 114, January-February 2008\r\n\r\n<strong>COME TOGETHER  RIGHT NOW</strong>\r\n\r\nReema Gehi, HT Café, 15<sup>th</sup> February 2008\r\n\r\n<strong>SUCH A LONG  JOURNEY</strong>\r\n\r\nAparna S Sharma, Elle Magazine, pgs 115-117, February 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong>MORE THAN A  WOMAN</strong>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 4<sup>th</sup> February 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong>ARTIST OF THE  FORTNIGHT</strong>\r\n\r\nMaria Louis, Outlook Profit, pg 79, 18<sup>th</sup> April 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong>DEJA VIEW</strong>\r\n\r\nTara Khilachand, Live Mint, 20<sup>th</sup> December 2008\r\n\r\n<strong>TERROR STRUCK</strong>\r\n\r\nMaria Louis, Outlook Profit, 26<sup>th</sup> December 2008\r\n\r\n<strong>NAME CALLING</strong>\r\n\r\nDeepanjana Pal, Timeout Mumbai, December 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>CORRUPTIONS OF  POWER</strong>\r\n\r\nShiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99,  2007\r\n\r\n<strong>OVER THE RAINBOW</strong>\r\n\r\nMaria Louis, Interview, Verve Magazine, pg 78, November 2006\r\n\r\n<strong> </strong>\r\n\r\n<strong>IN A STATE OF PERENNIAL SIEGE</strong>\r\n\r\nNancy Adajania, The Hindu, Hyderabad, 29<sup>th</sup> October  2006\r\n\r\n<strong>HER CROWNING  ACHIEVEMENT</strong>\r\n\r\nClara Chow, The Straits Times, 18<sup>th</sup> November 2006\r\n\r\n<strong> </strong>\r\n\r\n<strong>POLITICAL CHAOS</strong>\r\n\r\nDeepali Nandwani,  Beautiful people, pg 143, November-December 2006\r\n\r\n<strong>WEAPONS OF MASS  CONSTRUCTION</strong>\r\n\r\nRituparna Som, DNA after Hrs, Mumbai, 9<sup>th</sup> October, 2006\r\n\r\n<strong> </strong>\r\n\r\n<strong> GUNS AND ROSES</strong>\r\n\r\nRachna Nakra, The Indian Express,  Mumbai Newsline, 18<sup>th</sup> September 2006\r\n\r\n<strong> UNDER ATTACK</strong>\r\n\r\nGitanjali Dang, HT Mumbai, 22<sup>nd</sup> September 2006\r\n\r\n<strong> TIME TRAVELLER</strong>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline,  27<sup>th</sup> June 2006      <strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>THE FLOWER AND  THE SWORD</strong>\r\n\r\nGirish Shahane, The Art News magazine of India,  pg 93, volume X issue I, 2004\r\n\r\n<strong>INDIA</strong><strong>’S TOP 100 ACHIEVERS</strong>\r\n\r\nSociety Magazine, pg 137, December 2004\r\n\r\n<strong>CAUGHT BETWEEEN  DEMONS</strong>\r\n\r\nNancy Adajania, The Hindu, 19<sup>th</sup> December  2004\r\n\r\n<strong>EN REISE TIL INDIA</strong>\r\n\r\nHarald Flor, Dagbladet, Kultur, 2<sup>nd</sup> February 2003\r\n\r\n<strong> </strong>\r\n\r\n<strong>SIGNS OF  RESISTANCE</strong>\r\n\r\nNancy Adajania, The Hindu, 5<sup>th</sup> January  2003\r\n\r\n<strong>OF THE GODDESS  AND DEMON IN THE MIND</strong>\r\n\r\nDebbie Rodgers, Sunday edition Vijay Times, Bangalore, 5<sup>th</sup> January 2003\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>EMPATHIC ANGER</strong>\r\n\r\nMarta Jakimowicz, Deccan Herald, 23<sup>rd</sup> December 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong>MYSORE</strong><strong> EK KHOJ</strong>\r\n\r\nCross Fertilization of Culture, Interview in Star of Mysore, 27<sup>th</sup> October 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong> LINKING ISLANDS</strong>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 15<sup>th</sup> February  2002\r\n\r\n<strong>CREATING TO  DESTROY</strong>\r\n\r\nJasmine Shah Varma, The List, Mid Day, 22<sup>nd</sup> February 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong>DIFFERENT  STROKES</strong>\r\n\r\nGeorgina L Maddox, The Indian Express, Mumbai Newsline,  24<sup>th</sup> July 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong>OF FAITH AND  HUNGER</strong>\r\n\r\nAbhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89,  December 2000\r\n\r\n<strong> </strong>\r\n\r\n<strong>THE MURMUR OF  SKIN</strong>\r\n\r\nNupur Mahajan, Bombay Times, Times  of India, 12<sup>th</sup> October 2000\r\n\r\n<strong>NOT JUST SKIN  DEEP</strong>\r\n\r\nJasmine Shah Varma, The List, Mid-day, 4<sup>th</sup> October 2000\r\n\r\n<strong>INSIDE OUT</strong>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 11<sup>th</sup> October  2000\r\n\r\n<strong>SCINTILLATING  SKIN</strong>\r\n\r\nVaibhav Purandare, The Asian Age, 14<sup>th</sup> October 2000\r\n\r\n<strong>AN ARTIST’S  WORLD: ROTI, MAKAAN &amp; ABSTRACT ART</strong>\r\n\r\nPoonam Goel, HT City, 23<sup>rd</sup> December 2000\r\n\r\n<strong> </strong>\r\n\r\n<strong>WITHIN YOU,  WITHOUT YOU</strong>\r\n\r\nAnu Kumar, Indian Express,  Express Newsline, 2<sup>nd</sup> September 1998\r\n\r\n<strong>FARMING INTRIRUE</strong>\r\n\r\nJerry Pinto, The Times of India, Bombay Times, 3<sup>rd</sup> September 1998\r\n\r\n<strong> </strong>\r\n\r\n<strong>INTERACTIVE  MEDIUM</strong>\r\n\r\nKaren Pereira, Indian  Architect &amp; Builder, pgs 102-104, October 1998','Publications','','inherit','open','open','','87-revision-60','','','2010-07-04 11:07:57','2010-07-04 11:07:57','',87,'http://www.biggventures.com/demo/artists/1347/uncat/87-revision-60',0,'revision','',0),(1346,1,'2010-07-04 11:06:44','2010-07-04 11:06:44','<table style=\"margin-left: 5px;\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\" width=\"58%\" align=\"centre\">\r\n<tbody>\r\n<tr>\r\n<td width=\"35%\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Reena Saini Kallat</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2008</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/reena-kallat\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Rainbow of Refuse</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2006</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/rainbow-of-refuse\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Black Flute and Other Stories</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2004</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/black-flute\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>The Battlefield Is The Mind</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2002</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/battlefield-of-mind\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>SKIN</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2000</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/skin\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Orchard of Home-grown Secrets</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>1998</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/orchard-of-home-grown-screts\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<!-- Start of Other Publications -->\r\n<pubstrong style=\"color:#000000;\">BOOKS/  CATALOGUES </pubstrong>\r\n<strong></strong>\r\n<pubstrong>REENA SAINI  KALLAT</pubstrong>, 2009\r\n\r\nText: Nancy Adajania and Murtaza Vali\r\n\r\nPublisher: Primo Marella Gallery, Walsh Gallery and Chemould   Prescott Road\r\n\r\nISBN:  978-81-908879-1-5\r\n\r\n<strong>RAINBOW OF  REFUSE</strong>, 2006\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher: Bodhi Art Gallery\r\n\r\n<strong> </strong><strong>BLACK  FLUTE (AND OTHER STORIES)</strong>,<strong> </strong>2005\r\n\r\n<strong> BLACK FLUTE</strong>, 2004\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher: Gallery Chemould  and Nature Morte Gallery\r\n\r\n<strong>THE BATTLEFIELD  IS THE MIND</strong>, 2002<strong> </strong>\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher:  Sakshi Gallery\r\n\r\n<strong>SKIN</strong>,<strong> </strong>2000\r\n\r\nInterview with  Jitish Kallat\r\n\r\nPublisher:  Gallery Chemould and Vis-à-vis Art Inc. Gallery\r\n\r\n<strong>ORCHARD OF  HOME-GROWN SECRETS</strong>, 1998<strong> </strong>\r\n\r\nText: Ranjit Hoskote\r\n\r\nPublisher: Gallery Chemould and Pundole  Art Gallery\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong><em>GROUP  SHOWS</em></strong>\r\n\r\n<strong><em> </em></strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>NEVER RUN AWAY</strong>, 2010\r\n\r\nText: Shaheen  Merali\r\n\r\nPublisher: Stux Gallery\r\n\r\n<strong>URBAN MANNERS 2</strong>, 2010<strong><em> </em></strong>\r\n\r\nText: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\n\r\nPublisher: SESC Pompeia, Sao Paulo\r\n\r\n<strong> </strong>\r\n\r\n<strong>THE EMPIRE  STRIKES BACK</strong>, 2010<strong> </strong>\r\n\r\nText: Zehra Jumabhoy\r\n\r\nPublisher: Saatchi Gallery\r\n\r\n<strong> </strong><strong> </strong>\r\n\r\n<strong>VIEW POINTS AND  VIEWINGS POINTS- ASIAN ART BIENNALE</strong>, 2009<strong> </strong>\r\n\r\nText: Chao-yi-Tsai\r\n\r\nPublisher: National Taiwan Museum of fine Arts\r\n\r\n<strong>INDIA</strong><strong> XIANZAI:  CONTEMPORARY INDIAN ART</strong>,  2009\r\n\r\n<strong> </strong>Text: Jitish  Kallat, Diana Freundl, Alexander Keefe\r\n\r\nPublisher: Museum  of Contemporary  Art\r\n\r\n<strong>CHALO! INDIA: A  NEW ERA OF INDIAN ART</strong>, 2009<strong> </strong>\r\n\r\nText: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki, Miho\r\n\r\nTagomori\r\n\r\nPublisher: National Museum of Contemporary Art and Essl  Museum\r\n\r\nISBN: 978-3-7913-4304-4\r\n\r\n<strong>CHALO! INDIA: A NEW ERA OF INDIAN ART</strong>,  208<strong><em> </em></strong>\r\n\r\nText: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman\r\n\r\nGopinath, Jayaram, Deepak Ananth\r\n\r\nPublisher:  Mori Art Museum\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong><strong>INDIA</strong><strong> MODERNA</strong>, 2008<strong> </strong>\r\n\r\nText: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur,\r\n\r\nR.Siva  Kumar,  K.G. Subramanyan\r\n\r\nPublisher: IVAM (Institute Valencia D’Art Modern)\r\n\r\n<strong>EVERYWHERE IS  WAR (AND RUMOURS OF IT</strong>), 2008\r\n\r\n<strong> </strong>Text: Kai  Hafez, Martin  Hager,  Nicholas Mirzoeff, Daniel Miller,\r\n\r\nBregje van Eekelen\r\n\r\nPublisher: Bodhi Art  Gallery\r\n\r\n<strong>THREE POINTS OF  VIEWS</strong>, 2008\r\n\r\n<strong> </strong>Text:  Grant Watson\r\n\r\nPublisher: Galerie Mirchandani + Steinruecke\r\n\r\n<strong>NEW NARRATIVES</strong>, 2008\r\n\r\nText: Betty Seid<strong> </strong>\r\n\r\n<strong> </strong>Publisher:  Chicago  Cultural Center\r\n\r\n<strong> </strong><strong>MADE BY INDIANS</strong>, 2007\r\n\r\nText: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\n\r\nPublisher: Galerie Enrico Navarra\r\n\r\nISBN: 2-911596-37-4\r\n\r\n<strong>THERMOCLINE OF  ART: NEW ASIAN WAVES</strong>,  2007\r\n\r\n<strong> </strong>Text:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong<strong> </strong>\r\n\r\nPublisher: Hatje Cantz Vertag\r\n\r\nISBN: 978-3-7757-2073-1\r\n\r\nEAN: 9782911596377\r\n\r\n<strong> INDIAN COLOUR</strong>, 2007\r\n\r\nText: Peter Nagy\r\n\r\nPublisher: Dal- seung Hwang, Keumsan Gallery\r\n\r\n<strong>INDIA</strong><strong> ARTE OGGI</strong>, 2007<strong> </strong>\r\n\r\n<strong> </strong>Text:  Daniela Palazzoli<strong> </strong>\r\n\r\nPublisher: Spazio Oberdan\r\n\r\nISBN: 978-88-202-1867-6\r\n\r\n<strong>URBAN MANNERS</strong>, 2007\r\n\r\nText: Adelina Von Furstenberg\r\n\r\n<strong> </strong>Publisher:  Hangar Bicocca\r\n\r\n<strong>INTERNATIONAL  INCHEON WOMEN ARTISTS BIENNALE, </strong>\r\n\r\n<strong> KNOCKING ON THE DOOR</strong>,  2007\r\n\r\n<strong> </strong>Text:  Sung Hee Kim, John C. Welchman<strong> </strong>\r\n\r\nPublisher: Incheon Culture and Art Centre\r\n\r\n<strong>SOFT  POWER: ASIAN ATTITUDE</strong>,  2007<strong> </strong>\r\n\r\n<strong> </strong>Text:  Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\n\r\nPublisher: Shanghai  Zendai Mumsem of Modern Art\r\n\r\nISBN: 978-7-5356-2790-2\r\n\r\n<strong>INDIA</strong><strong> EXPRESS- ART AND POPULAR CULTURE</strong>, 2006\r\n\r\n<strong> </strong>Text: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze,\r\n\r\nPublisher: Helsinki  City Art  Museum\r\n\r\nISBN: 951-8965-61-7\r\n\r\n<strong>BOMBAY</strong><strong> L’ALBUM MAXIMUM CITY</strong>, 2006\r\n\r\nText: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\n\r\nPublisher: Terrail, Lille 3000\r\n\r\nISBN:  2-87939-325-6<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>INDIAN PAINTINGS  OF THE NEW MILLENNIUM</strong>, 2005\r\n\r\n<strong> </strong>Text: Helen Asquine  Fazio, Gayatri Sinha<strong> </strong>\r\n\r\n<strong> </strong>Publisher: Quick Arts Center, Fairfield University\r\n\r\n<strong>A GUIDE TO 101 MODERN &amp; CONTEMPORARY INDIAN ARTISTS</strong>, 2005\r\n\r\n<strong> </strong>Text: Amrita  Jhaveri\r\n\r\nPublisher: India  Book House\r\n\r\nISBN: 81-7508-423-5\r\n\r\n<strong>ZOOM! ART IN  CONTEMPORARY INDIA</strong>, 2004\r\n\r\n<strong> </strong>Texts:  Luis Serpa and Nancy Adajania<strong> </strong>\r\n\r\n<strong> </strong>Publisher: The Culturgest Museum\r\n\r\nISBN: 972-769-033-5\r\n\r\n<strong>INTERLUDE IN SRI   LANKA</strong>, 2004<strong> </strong>\r\n\r\n<strong> </strong>Text:  Ranjit Hoskote, Nancy Adajania<strong> </strong>\r\n\r\n<strong> </strong>Publisher:  The Guild  Art Gallery\r\n\r\n<strong>GENERATION I</strong>, 2004\r\n\r\nText: Zehra Jumabhoy<strong> </strong>\r\n\r\n<strong> </strong>Publisher:<strong> </strong>Saffronart &amp; The Guild Art Gallery\r\n\r\n<strong>TIRANGA  RIGHTS AND REPONSIBILITIES</strong>,  2003<strong> </strong>\r\n\r\nText: Peter Nagy<strong> </strong>\r\n\r\n<strong> </strong>Publisher: Jindal  Foundation &amp; Creative Arts\r\n\r\n<strong>HARD COPY</strong>, 2003\r\n\r\nText: Peter Nagy\r\n\r\n<strong> </strong>Publisher: Gallery 88\r\n\r\n<strong> </strong><strong>CROSSING  GENERATIONS: DIVERGE</strong><strong>, </strong>2003\r\n\r\n<strong> </strong>Text:  Geeta Kapoor and Chaitanya Sambrani<strong> </strong>\r\n\r\n<strong> </strong>Publisher:<strong> </strong>Gallery Chemould\r\n\r\nPRESS  <strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong><em> </em></strong>\r\n\r\n<strong>THE ARCHIVES OF  THE HEART</strong> <strong> </strong>\r\n\r\nNancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\n\r\nFront Cover, pgs 42-45, 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>GLOBALE KUNST  MIT WURZELDUFT</strong>\r\n\r\nVon Almuth Speigler, Die Presse, Feuilleton, 2<sup>nd</sup> September 2009\r\n\r\n<strong>LANDSCAPES OF  LOSS</strong>\r\n\r\nBeth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>REINCARNATING  HISTORY</strong>\r\n\r\nThe Big Picture, Architect and Interiors, July 2009<strong> </strong>\r\n\r\n<strong>STAMP COLLECTION</strong>\r\n\r\nGeorgina Maddox, The Sunday Express, 17<sup>th</sup> May 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>EVOLVING BEYOND  BORDERS</strong>\r\n\r\nReshma S. Kulkarni, Bombay Times, Times of India,  15<sup>th</sup> January, 2009\r\n\r\n<strong>LO</strong><strong>SS AND FOUND</strong>\r\n\r\nMarina Correa, DNA, Mumbai, 22<sup>nd</sup> January 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>FOCUS INDIA</strong>\r\n\r\nMegha Ralapati, Flash Art, pg 114, January-February 2008\r\n\r\n<strong>COME TOGETHER  RIGHT NOW</strong>\r\n\r\nReema Gehi, HT Café, 15<sup>th</sup> February 2008\r\n\r\n<strong>SUCH A LONG  JOURNEY</strong>\r\n\r\nAparna S Sharma, Elle Magazine, pgs 115-117, February 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong>MORE THAN A  WOMAN</strong>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 4<sup>th</sup> February 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong>ARTIST OF THE  FORTNIGHT</strong>\r\n\r\nMaria Louis, Outlook Profit, pg 79, 18<sup>th</sup> April 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong>DEJA VIEW</strong>\r\n\r\nTara Khilachand, Live Mint, 20<sup>th</sup> December 2008\r\n\r\n<strong>TERROR STRUCK</strong>\r\n\r\nMaria Louis, Outlook Profit, 26<sup>th</sup> December 2008\r\n\r\n<strong>NAME CALLING</strong>\r\n\r\nDeepanjana Pal, Timeout Mumbai, December 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>CORRUPTIONS OF  POWER</strong>\r\n\r\nShiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99,  2007\r\n\r\n<strong>OVER THE RAINBOW</strong>\r\n\r\nMaria Louis, Interview, Verve Magazine, pg 78, November 2006\r\n\r\n<strong> </strong>\r\n\r\n<strong>IN A STATE OF PERENNIAL SIEGE</strong>\r\n\r\nNancy Adajania, The Hindu, Hyderabad, 29<sup>th</sup> October  2006\r\n\r\n<strong>HER CROWNING  ACHIEVEMENT</strong>\r\n\r\nClara Chow, The Straits Times, 18<sup>th</sup> November 2006\r\n\r\n<strong> </strong>\r\n\r\n<strong>POLITICAL CHAOS</strong>\r\n\r\nDeepali Nandwani,  Beautiful people, pg 143, November-December 2006\r\n\r\n<strong>WEAPONS OF MASS  CONSTRUCTION</strong>\r\n\r\nRituparna Som, DNA after Hrs, Mumbai, 9<sup>th</sup> October, 2006\r\n\r\n<strong> </strong>\r\n\r\n<strong> GUNS AND ROSES</strong>\r\n\r\nRachna Nakra, The Indian Express,  Mumbai Newsline, 18<sup>th</sup> September 2006\r\n\r\n<strong> UNDER ATTACK</strong>\r\n\r\nGitanjali Dang, HT Mumbai, 22<sup>nd</sup> September 2006\r\n\r\n<strong> TIME TRAVELLER</strong>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline,  27<sup>th</sup> June 2006      <strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>THE FLOWER AND  THE SWORD</strong>\r\n\r\nGirish Shahane, The Art News magazine of India,  pg 93, volume X issue I, 2004\r\n\r\n<strong>INDIA</strong><strong>’S TOP 100 ACHIEVERS</strong>\r\n\r\nSociety Magazine, pg 137, December 2004\r\n\r\n<strong>CAUGHT BETWEEEN  DEMONS</strong>\r\n\r\nNancy Adajania, The Hindu, 19<sup>th</sup> December  2004\r\n\r\n<strong>EN REISE TIL INDIA</strong>\r\n\r\nHarald Flor, Dagbladet, Kultur, 2<sup>nd</sup> February 2003\r\n\r\n<strong> </strong>\r\n\r\n<strong>SIGNS OF  RESISTANCE</strong>\r\n\r\nNancy Adajania, The Hindu, 5<sup>th</sup> January  2003\r\n\r\n<strong>OF THE GODDESS  AND DEMON IN THE MIND</strong>\r\n\r\nDebbie Rodgers, Sunday edition Vijay Times, Bangalore, 5<sup>th</sup> January 2003\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>EMPATHIC ANGER</strong>\r\n\r\nMarta Jakimowicz, Deccan Herald, 23<sup>rd</sup> December 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong>MYSORE</strong><strong> EK KHOJ</strong>\r\n\r\nCross Fertilization of Culture, Interview in Star of Mysore, 27<sup>th</sup> October 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong> LINKING ISLANDS</strong>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 15<sup>th</sup> February  2002\r\n\r\n<strong>CREATING TO  DESTROY</strong>\r\n\r\nJasmine Shah Varma, The List, Mid Day, 22<sup>nd</sup> February 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong>DIFFERENT  STROKES</strong>\r\n\r\nGeorgina L Maddox, The Indian Express, Mumbai Newsline,  24<sup>th</sup> July 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong>OF FAITH AND  HUNGER</strong>\r\n\r\nAbhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89,  December 2000\r\n\r\n<strong> </strong>\r\n\r\n<strong>THE MURMUR OF  SKIN</strong>\r\n\r\nNupur Mahajan, Bombay Times, Times  of India, 12<sup>th</sup> October 2000\r\n\r\n<strong>NOT JUST SKIN  DEEP</strong>\r\n\r\nJasmine Shah Varma, The List, Mid-day, 4<sup>th</sup> October 2000\r\n\r\n<strong>INSIDE OUT</strong>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 11<sup>th</sup> October  2000\r\n\r\n<strong>SCINTILLATING  SKIN</strong>\r\n\r\nVaibhav Purandare, The Asian Age, 14<sup>th</sup> October 2000\r\n\r\n<strong>AN ARTIST’S  WORLD: ROTI, MAKAAN &amp; ABSTRACT ART</strong>\r\n\r\nPoonam Goel, HT City, 23<sup>rd</sup> December 2000\r\n\r\n<strong> </strong>\r\n\r\n<strong>WITHIN YOU,  WITHOUT YOU</strong>\r\n\r\nAnu Kumar, Indian Express,  Express Newsline, 2<sup>nd</sup> September 1998\r\n\r\n<strong>FARMING INTRIRUE</strong>\r\n\r\nJerry Pinto, The Times of India, Bombay Times, 3<sup>rd</sup> September 1998\r\n\r\n<strong> </strong>\r\n\r\n<strong>INTERACTIVE  MEDIUM</strong>\r\n\r\nKaren Pereira, Indian  Architect &amp; Builder, pgs 102-104, October 1998','Publications','','inherit','open','open','','87-revision-59','','','2010-07-04 11:06:44','2010-07-04 11:06:44','',87,'http://www.biggventures.com/demo/artists/1346/uncat/87-revision-59',0,'revision','',0),(1352,1,'2010-07-04 11:29:17','2010-07-04 11:29:17','<table style=\"margin-left: 5px;\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\" width=\"58%\" align=\"centre\">\r\n<tbody>\r\n<tr>\r\n<td width=\"35%\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Reena Saini Kallat</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2008</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/reena-kallat\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Rainbow of Refuse</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2006</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/rainbow-of-refuse\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Black Flute and Other Stories</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2004</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/black-flute\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>The Battlefield Is The Mind</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2002</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/battlefield-of-mind\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>SKIN</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2000</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/skin\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Orchard of Home-grown Secrets</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>1998</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/orchard-of-home-grown-screts\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<!-- Start of Other Publications -->\r\n<span class=\"pubstrong\" style=\"color:#000000;\">BOOKS/  CATALOGUES </span>\r\n<br>\r\n<br>\r\n<span class=\"pubstrong\">Reena Saini Kallat,</span> 2009\r\n<span class=\"pubstrong\">\r\nText: Nancy Adajania and Murtaza Vali \r\nPublisher: Primo Marella Gallery, Walsh Gallery and Chemould Prescott Road \r\nISBN: 978-81-908879-1-5 \r\n</span>\r\n<span class=\"pubstrong\">RAINBOW OF  REFUSE</span>, 2006\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher: Bodhi Art Gallery\r\n\r\n<span> </span><span class=\"pubstrong\">BLACK  FLUTE (AND OTHER STORIES)</span>,<span> </span>2005\r\n\r\n<span class=\"pubstrong\"> BLACK FLUTE</span>, 2004\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher: Gallery Chemould  and Nature Morte Gallery\r\n\r\n<span class=\"pubstrong\">THE BATTLEFIELD  IS THE MIND</span>, 2002<span> </span>\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher:  Sakshi Gallery\r\n\r\n<span class=\"pubstrong\">SKIN</span>,<span> </span>2000\r\n\r\nInterview with  Jitish Kallat\r\n\r\nPublisher:  Gallery Chemould and Vis-à-vis Art Inc. Gallery\r\n\r\n<span class=\"pubstrong\">ORCHARD OF  HOME-GROWN SECRETS</span>, 1998<span> </span>\r\n\r\nText: Ranjit Hoskote\r\n\r\nPublisher: Gallery Chemould and Pundole  Art Gallery\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span class=\"pubstrong\">NEVER RUN AWAY</span>, 2010\r\n\r\nText: Shaheen  Merali\r\n\r\nPublisher: Stux Gallery\r\n\r\n<span class=\"pubstrong\">URBAN MANNERS 2</span>, 2010<span><em> </em></span>\r\n\r\nText: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\n\r\nPublisher: SESC Pompeia, Sao Paulo\r\n\r\n<span> </span>\r\n\r\n<span class=\"pubstrong\">THE EMPIRE  STRIKES BACK</span>, 2010<span> </span>\r\n\r\nText: Zehra Jumabhoy\r\n\r\nPublisher: Saatchi Gallery\r\n\r\n<span> </span><span> </span>\r\n\r\n<span class=\"pubstrong\">VIEW POINTS AND  VIEWINGS POINTS- ASIAN ART BIENNALE</span>, 2009<span> </span>\r\n\r\nText: Chao-yi-Tsai\r\n\r\nPublisher: National Taiwan Museum of fine Arts\r\n\r\n<span class=\"pubstrong\">INDIA</span><span class=\"pubstrong\"> XIANZAI:  CONTEMPORARY INDIAN ART</span>,  2009\r\n\r\n<span> </span>Text: Jitish  Kallat, Diana Freundl, Alexander Keefe\r\n\r\nPublisher: Museum  of Contemporary  Art\r\n\r\n<span class=\"pubstrong\">CHALO! INDIA: A  NEW ERA OF INDIAN ART</span>, 2009<span> </span>\r\n\r\nText: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki, Miho\r\n\r\nTagomori\r\n\r\nPublisher: National Museum of Contemporary Art and Essl  Museum\r\n\r\nISBN: 978-3-7913-4304-4\r\n\r\n<span class=\"pubstrong\">CHALO! INDIA: A NEW ERA OF INDIAN ART</span>,  2008<span><em> </em></span>\r\n\r\nText: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman\r\n\r\nGopinath, Jayaram, Deepak Ananth\r\n\r\nPublisher:  Mori Art Museum\r\n\r\n<span> </span>\r\n\r\n<span> </span><span class=\"pubstrong\">INDIA</span><span class=\"pubstrong\"> MODERNA</span>, 2008<span> </span>\r\n\r\nText: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur,\r\n\r\nR.Siva  Kumar,  K.G. Subramanyan\r\n\r\nPublisher: IVAM (Institute Valencia D’Art Modern)\r\n\r\n<span class=\"pubstrong\">EVERYWHERE IS  WAR (AND RUMOURS OF IT</span>), 2008\r\n\r\n<span class=\"pubstrong\"> </span>Text: Kai  Hafez, Martin  Hager,  Nicholas Mirzoeff, Daniel Miller,\r\n\r\nBregje van Eekelen\r\n\r\nPublisher: Bodhi Art  Gallery\r\n\r\n<span class=\"pubstrong\">THREE POINTS OF  VIEWS</span>, 2008\r\n\r\n<span> </span>Text:  Grant Watson\r\n\r\nPublisher: Galerie Mirchandani + Steinruecke\r\n\r\n<span class=\"pubstrong\">NEW NARRATIVES</span>, 2008\r\n\r\nText: Betty Seid<span> </span>\r\n\r\n<span> </span>Publisher:  Chicago  Cultural Center\r\n\r\n<span> </span><span class=\"pubstrong\">MADE BY INDIANS</span>, 2007\r\n\r\nText: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\n\r\nPublisher: Galerie Enrico Navarra\r\n\r\nISBN: 2-911596-37-4\r\n\r\n<span class=\"pubstrong\">THERMOCLINE OF  ART: NEW ASIAN WAVES</span>,  2007\r\n\r\n<span> </span>Text:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong<span> </span>\r\n\r\nPublisher: Hatje Cantz Vertag\r\n\r\nISBN: 978-3-7757-2073-1\r\n\r\nEAN: 9782911596377\r\n\r\n<span class=\"pubstrong\"> INDIAN COLOUR</span>, 2007\r\n\r\nText: Peter Nagy\r\n\r\nPublisher: Dal- seung Hwang, Keumsan Gallery\r\n\r\n<span class=\"pubstrong\">INDIA</span><span class=\"pubstrong\"> ARTE OGGI</span>, 2007<span> </span>\r\n\r\n<span> </span>Text:  Daniela Palazzoli<span> </span>\r\n\r\nPublisher: Spazio Oberdan\r\n\r\nISBN: 978-88-202-1867-6\r\n\r\n<span class=\"pubstrong\">URBAN MANNERS</span>, 2007\r\n\r\nText: Adelina Von Furstenberg\r\n\r\n<span> </span>Publisher:  Hangar Bicocca\r\n\r\n<span class=\"pubstrong\">INTERNATIONAL  INCHEON WOMEN ARTISTS BIENNALE, </span>\r\n\r\n<span class=\"pubstrong\"> KNOCKING ON THE DOOR</span>,  2007\r\n\r\n<span> </span>Text:  Sung Hee Kim, John C. Welchman<span> </span>\r\n\r\nPublisher: Incheon Culture and Art Centre\r\n\r\n<span class=\"pubstrong\">SOFT  POWER: ASIAN ATTITUDE</span>,  2007<span> </span>\r\n\r\n<span> </span>Text:  Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\n\r\nPublisher: Shanghai  Zendai Mumsem of Modern Art\r\n\r\nISBN: 978-7-5356-2790-2\r\n\r\n<span>INDIA</span><span> EXPRESS- ART AND POPULAR CULTURE</span>, 2006\r\n\r\n<span> </span>Text: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze,\r\n\r\nPublisher: Helsinki  City Art  Museum\r\n\r\nISBN: 951-8965-61-7\r\n\r\n<span>BOMBAY</span><span> L’ALBUM MAXIMUM CITY</span>, 2006\r\n\r\nText: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\n\r\nPublisher: Terrail, Lille 3000\r\n\r\nISBN:  2-87939-325-6<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span>INDIAN PAINTINGS  OF THE NEW MILLENNIUM</span>, 2005\r\n\r\n<span> </span>Text: Helen Asquine  Fazio, Gayatri Sinha<span> </span>\r\n\r\n<span> </span>Publisher: Quick Arts Center, Fairfield University\r\n\r\n<span>A GUIDE TO 101 MODERN &amp; CONTEMPORARY INDIAN ARTISTS</span>, 2005\r\n\r\n<span> </span>Text: Amrita  Jhaveri\r\n\r\nPublisher: India  Book House\r\n\r\nISBN: 81-7508-423-5\r\n\r\n<span>ZOOM! ART IN  CONTEMPORARY INDIA</span>, 2004\r\n\r\n<span> </span>Texts:  Luis Serpa and Nancy Adajania<span> </span>\r\n\r\n<span> </span>Publisher: The Culturgest Museum\r\n\r\nISBN: 972-769-033-5\r\n\r\n<span>INTERLUDE IN SRI   LANKA</span>, 2004<span> </span>\r\n\r\n<span> </span>Text:  Ranjit Hoskote, Nancy Adajania<span> </span>\r\n\r\n<span> </span>Publisher:  The Guild  Art Gallery\r\n\r\n<span>GENERATION I</span>, 2004\r\n\r\nText: Zehra Jumabhoy<span> </span>\r\n\r\n<span> </span>Publisher:<span> </span>Saffronart &amp; The Guild Art Gallery\r\n\r\n<span>TIRANGA  RIGHTS AND REPONSIBILITIES</span>,  2003<span> </span>\r\n\r\nText: Peter Nagy<span> </span>\r\n\r\n<span> </span>Publisher: Jindal  Foundation &amp; Creative Arts\r\n\r\n<span>HARD COPY</span>, 2003\r\n\r\nText: Peter Nagy\r\n\r\n<span> </span>Publisher: Gallery 88\r\n\r\n<span> </span><span>CROSSING  GENERATIONS: DIVERGE</span><span>, </span>2003\r\n\r\n<span> </span>Text:  Geeta Kapoor and Chaitanya Sambrani<span> </span>\r\n\r\n<span> </span>Publisher:<span> </span>Gallery Chemould\r\n\r\nPRESS  <span> </span>\r\n\r\n<span> </span>\r\n\r\n<span><em> </em></span>\r\n\r\n<span>THE ARCHIVES OF  THE HEART</span> <span> </span>\r\n\r\nNancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\n\r\nFront Cover, pgs 42-45, 2009\r\n\r\n<span> </span>\r\n\r\n<span>GLOBALE KUNST  MIT WURZELDUFT</span>\r\n\r\nVon Almuth Speigler, Die Presse, Feuilleton, 2<sup>nd</sup> September 2009\r\n\r\n<span>LANDSCAPES OF  LOSS</span>\r\n\r\nBeth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009\r\n\r\n<span> </span>\r\n\r\n<span>REINCARNATING  HISTORY</span>\r\n\r\nThe Big Picture, Architect and Interiors, July 2009<span> </span>\r\n\r\n<span>STAMP COLLECTION</span>\r\n\r\nGeorgina Maddox, The Sunday Express, 17<sup>th</sup> May 2009\r\n\r\n<span> </span>\r\n\r\n<span>EVOLVING BEYOND  BORDERS</span>\r\n\r\nReshma S. Kulkarni, Bombay Times, Times of India,  15<sup>th</sup> January, 2009\r\n\r\n<span>LO</span><span>SS AND FOUND</span>\r\n\r\nMarina Correa, DNA, Mumbai, 22<sup>nd</sup> January 2009\r\n\r\n<span> </span>\r\n\r\n<span>FOCUS INDIA</span>\r\n\r\nMegha Ralapati, Flash Art, pg 114, January-February 2008\r\n\r\n<span>COME TOGETHER  RIGHT NOW</span>\r\n\r\nReema Gehi, HT Café, 15<sup>th</sup> February 2008\r\n\r\n<span>SUCH A LONG  JOURNEY</span>\r\n\r\nAparna S Sharma, Elle Magazine, pgs 115-117, February 2008\r\n\r\n<span> </span>\r\n\r\n<span>MORE THAN A  WOMAN</span>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 4<sup>th</sup> February 2008\r\n\r\n<span> </span>\r\n\r\n<span>ARTIST OF THE  FORTNIGHT</span>\r\n\r\nMaria Louis, Outlook Profit, pg 79, 18<sup>th</sup> April 2008\r\n\r\n<span> </span>\r\n\r\n<span>DEJA VIEW</span>\r\n\r\nTara Khilachand, Live Mint, 20<sup>th</sup> December 2008\r\n\r\n<span>TERROR STRUCK</span>\r\n\r\nMaria Louis, Outlook Profit, 26<sup>th</sup> December 2008\r\n\r\n<span>NAME CALLING</span>\r\n\r\nDeepanjana Pal, Timeout Mumbai, December 2008\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span>CORRUPTIONS OF  POWER</span>\r\n\r\nShiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99,  2007\r\n\r\n<span>OVER THE RAINBOW</span>\r\n\r\nMaria Louis, Interview, Verve Magazine, pg 78, November 2006\r\n\r\n<span> </span>\r\n\r\n<span>IN A STATE OF PERENNIAL SIEGE</span>\r\n\r\nNancy Adajania, The Hindu, Hyderabad, 29<sup>th</sup> October  2006\r\n\r\n<span>HER CROWNING  ACHIEVEMENT</span>\r\n\r\nClara Chow, The Straits Times, 18<sup>th</sup> November 2006\r\n\r\n<span> </span>\r\n\r\n<span>POLITICAL CHAOS</span>\r\n\r\nDeepali Nandwani,  Beautiful people, pg 143, November-December 2006\r\n\r\n<span>WEAPONS OF MASS  CONSTRUCTION</span>\r\n\r\nRituparna Som, DNA after Hrs, Mumbai, 9<sup>th</sup> October, 2006\r\n\r\n<span> </span>\r\n\r\n<span> GUNS AND ROSES</span>\r\n\r\nRachna Nakra, The Indian Express,  Mumbai Newsline, 18<sup>th</sup> September 2006\r\n\r\n<span> UNDER ATTACK</span>\r\n\r\nGitanjali Dang, HT Mumbai, 22<sup>nd</sup> September 2006\r\n\r\n<span> TIME TRAVELLER</span>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline,  27<sup>th</sup> June 2006      <span> </span>\r\n\r\n<span> </span>\r\n\r\n<span>THE FLOWER AND  THE SWORD</span>\r\n\r\nGirish Shahane, The Art News magazine of India,  pg 93, volume X issue I, 2004\r\n\r\n<span>INDIA</span><span>’S TOP 100 ACHIEVERS</span>\r\n\r\nSociety Magazine, pg 137, December 2004\r\n\r\n<span>CAUGHT BETWEEEN  DEMONS</span>\r\n\r\nNancy Adajania, The Hindu, 19<sup>th</sup> December  2004\r\n\r\n<span>EN REISE TIL INDIA</span>\r\n\r\nHarald Flor, Dagbladet, Kultur, 2<sup>nd</sup> February 2003\r\n\r\n<span> </span>\r\n\r\n<span>SIGNS OF  RESISTANCE</span>\r\n\r\nNancy Adajania, The Hindu, 5<sup>th</sup> January  2003\r\n\r\n<span>OF THE GODDESS  AND DEMON IN THE MIND</span>\r\n\r\nDebbie Rodgers, Sunday edition Vijay Times, Bangalore, 5<sup>th</sup> January 2003\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span>EMPATHIC ANGER</span>\r\n\r\nMarta Jakimowicz, Deccan Herald, 23<sup>rd</sup> December 2002\r\n\r\n<span> </span>\r\n\r\n<span>MYSORE</span><span> EK KHOJ</span>\r\n\r\nCross Fertilization of Culture, Interview in Star of Mysore, 27<sup>th</sup> October 2002\r\n\r\n<span> </span>\r\n\r\n<span> LINKING ISLANDS</span>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 15<sup>th</sup> February  2002\r\n\r\n<span>CREATING TO  DESTROY</span>\r\n\r\nJasmine Shah Varma, The List, Mid Day, 22<sup>nd</sup> February 2002\r\n\r\n<span> </span>\r\n\r\n<span>DIFFERENT  STROKES</span>\r\n\r\nGeorgina L Maddox, The Indian Express, Mumbai Newsline,  24<sup>th</sup> July 2002\r\n\r\n<span> </span>\r\n\r\n<span>OF FAITH AND  HUNGER</span>\r\n\r\nAbhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89,  December 2000\r\n\r\n<span> </span>\r\n\r\n<span>THE MURMUR OF  SKIN</span>\r\n\r\nNupur Mahajan, Bombay Times, Times  of India, 12<sup>th</sup> October 2000\r\n\r\n<span>NOT JUST SKIN  DEEP</span>\r\n\r\nJasmine Shah Varma, The List, Mid-day, 4<sup>th</sup> October 2000\r\n\r\n<span>INSIDE OUT</span>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 11<sup>th</sup> October  2000\r\n\r\n<span>SCINTILLATING  SKIN</span>\r\n\r\nVaibhav Purandare, The Asian Age, 14<sup>th</sup> October 2000\r\n\r\n<span>AN ARTIST’S  WORLD: ROTI, MAKAAN &amp; ABSTRACT ART</span>\r\n\r\nPoonam Goel, HT City, 23<sup>rd</sup> December 2000\r\n\r\n<span> </span>\r\n\r\n<span>WITHIN YOU,  WITHOUT YOU</span>\r\n\r\nAnu Kumar, Indian Express,  Express Newsline, 2<sup>nd</sup> September 1998\r\n\r\n<span>FARMING INTRIRUE</span>\r\n\r\nJerry Pinto, The Times of India, Bombay Times, 3<sup>rd</sup> September 1998\r\n\r\n<span> </span>\r\n\r\n<span>INTERACTIVE  MEDIUM</span>\r\n\r\nKaren Pereira, Indian  Architect &amp; Builder, pgs 102-104, October 1998','Publications','','inherit','open','open','','87-revision-65','','','2010-07-04 11:29:17','2010-07-04 11:29:17','',87,'http://www.biggventures.com/demo/artists/1352/uncat/87-revision-65',0,'revision','',0),(1348,1,'2010-07-04 11:10:13','2010-07-04 11:10:13','<table style=\"margin-left: 5px;\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\" width=\"58%\" align=\"centre\">\r\n<tbody>\r\n<tr>\r\n<td width=\"35%\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Reena Saini Kallat</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2008</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/reena-kallat\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Rainbow of Refuse</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2006</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/rainbow-of-refuse\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Black Flute and Other Stories</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2004</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/black-flute\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>The Battlefield Is The Mind</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2002</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/battlefield-of-mind\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>SKIN</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2000</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/skin\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Orchard of Home-grown Secrets</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>1998</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/orchard-of-home-grown-screts\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<!-- Start of Other Publications -->\r\n<strong class=\"pubstrong\" style=\"color:#000000;\">BOOKS/  CATALOGUES </strong>\r\n<br>\r\n<br>\r\n<strong class=\"pubstrong\">REENA SAINI  KALLAT</strong>, 2009\r\n\r\nText: Nancy Adajania and Murtaza Vali\r\n\r\nPublisher: Primo Marella Gallery, Walsh Gallery and Chemould   Prescott Road\r\n\r\nISBN:  978-81-908879-1-5\r\n\r\n<strong class=\"pubstrong\">RAINBOW OF  REFUSE</strong>, 2006\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher: Bodhi Art Gallery\r\n\r\n<strong> </strong><strong class=\"pubstrong\">BLACK  FLUTE (AND OTHER STORIES)</strong>,<strong> </strong>2005\r\n\r\n<strong> BLACK FLUTE</strong>, 2004\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher: Gallery Chemould  and Nature Morte Gallery\r\n\r\n<strong>THE BATTLEFIELD  IS THE MIND</strong>, 2002<strong> </strong>\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher:  Sakshi Gallery\r\n\r\n<strong>SKIN</strong>,<strong> </strong>2000\r\n\r\nInterview with  Jitish Kallat\r\n\r\nPublisher:  Gallery Chemould and Vis-à-vis Art Inc. Gallery\r\n\r\n<strong>ORCHARD OF  HOME-GROWN SECRETS</strong>, 1998<strong> </strong>\r\n\r\nText: Ranjit Hoskote\r\n\r\nPublisher: Gallery Chemould and Pundole  Art Gallery\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong><em>GROUP  SHOWS</em></strong>\r\n\r\n<strong><em> </em></strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>NEVER RUN AWAY</strong>, 2010\r\n\r\nText: Shaheen  Merali\r\n\r\nPublisher: Stux Gallery\r\n\r\n<strong>URBAN MANNERS 2</strong>, 2010<strong><em> </em></strong>\r\n\r\nText: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\n\r\nPublisher: SESC Pompeia, Sao Paulo\r\n\r\n<strong> </strong>\r\n\r\n<strong>THE EMPIRE  STRIKES BACK</strong>, 2010<strong> </strong>\r\n\r\nText: Zehra Jumabhoy\r\n\r\nPublisher: Saatchi Gallery\r\n\r\n<strong> </strong><strong> </strong>\r\n\r\n<strong>VIEW POINTS AND  VIEWINGS POINTS- ASIAN ART BIENNALE</strong>, 2009<strong> </strong>\r\n\r\nText: Chao-yi-Tsai\r\n\r\nPublisher: National Taiwan Museum of fine Arts\r\n\r\n<strong>INDIA</strong><strong> XIANZAI:  CONTEMPORARY INDIAN ART</strong>,  2009\r\n\r\n<strong> </strong>Text: Jitish  Kallat, Diana Freundl, Alexander Keefe\r\n\r\nPublisher: Museum  of Contemporary  Art\r\n\r\n<strong>CHALO! INDIA: A  NEW ERA OF INDIAN ART</strong>, 2009<strong> </strong>\r\n\r\nText: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki, Miho\r\n\r\nTagomori\r\n\r\nPublisher: National Museum of Contemporary Art and Essl  Museum\r\n\r\nISBN: 978-3-7913-4304-4\r\n\r\n<strong>CHALO! INDIA: A NEW ERA OF INDIAN ART</strong>,  208<strong><em> </em></strong>\r\n\r\nText: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman\r\n\r\nGopinath, Jayaram, Deepak Ananth\r\n\r\nPublisher:  Mori Art Museum\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong><strong>INDIA</strong><strong> MODERNA</strong>, 2008<strong> </strong>\r\n\r\nText: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur,\r\n\r\nR.Siva  Kumar,  K.G. Subramanyan\r\n\r\nPublisher: IVAM (Institute Valencia D’Art Modern)\r\n\r\n<strong>EVERYWHERE IS  WAR (AND RUMOURS OF IT</strong>), 2008\r\n\r\n<strong> </strong>Text: Kai  Hafez, Martin  Hager,  Nicholas Mirzoeff, Daniel Miller,\r\n\r\nBregje van Eekelen\r\n\r\nPublisher: Bodhi Art  Gallery\r\n\r\n<strong>THREE POINTS OF  VIEWS</strong>, 2008\r\n\r\n<strong> </strong>Text:  Grant Watson\r\n\r\nPublisher: Galerie Mirchandani + Steinruecke\r\n\r\n<strong>NEW NARRATIVES</strong>, 2008\r\n\r\nText: Betty Seid<strong> </strong>\r\n\r\n<strong> </strong>Publisher:  Chicago  Cultural Center\r\n\r\n<strong> </strong><strong>MADE BY INDIANS</strong>, 2007\r\n\r\nText: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\n\r\nPublisher: Galerie Enrico Navarra\r\n\r\nISBN: 2-911596-37-4\r\n\r\n<strong>THERMOCLINE OF  ART: NEW ASIAN WAVES</strong>,  2007\r\n\r\n<strong> </strong>Text:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong<strong> </strong>\r\n\r\nPublisher: Hatje Cantz Vertag\r\n\r\nISBN: 978-3-7757-2073-1\r\n\r\nEAN: 9782911596377\r\n\r\n<strong> INDIAN COLOUR</strong>, 2007\r\n\r\nText: Peter Nagy\r\n\r\nPublisher: Dal- seung Hwang, Keumsan Gallery\r\n\r\n<strong>INDIA</strong><strong> ARTE OGGI</strong>, 2007<strong> </strong>\r\n\r\n<strong> </strong>Text:  Daniela Palazzoli<strong> </strong>\r\n\r\nPublisher: Spazio Oberdan\r\n\r\nISBN: 978-88-202-1867-6\r\n\r\n<strong>URBAN MANNERS</strong>, 2007\r\n\r\nText: Adelina Von Furstenberg\r\n\r\n<strong> </strong>Publisher:  Hangar Bicocca\r\n\r\n<strong>INTERNATIONAL  INCHEON WOMEN ARTISTS BIENNALE, </strong>\r\n\r\n<strong> KNOCKING ON THE DOOR</strong>,  2007\r\n\r\n<strong> </strong>Text:  Sung Hee Kim, John C. Welchman<strong> </strong>\r\n\r\nPublisher: Incheon Culture and Art Centre\r\n\r\n<strong>SOFT  POWER: ASIAN ATTITUDE</strong>,  2007<strong> </strong>\r\n\r\n<strong> </strong>Text:  Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\n\r\nPublisher: Shanghai  Zendai Mumsem of Modern Art\r\n\r\nISBN: 978-7-5356-2790-2\r\n\r\n<strong>INDIA</strong><strong> EXPRESS- ART AND POPULAR CULTURE</strong>, 2006\r\n\r\n<strong> </strong>Text: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze,\r\n\r\nPublisher: Helsinki  City Art  Museum\r\n\r\nISBN: 951-8965-61-7\r\n\r\n<strong>BOMBAY</strong><strong> L’ALBUM MAXIMUM CITY</strong>, 2006\r\n\r\nText: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\n\r\nPublisher: Terrail, Lille 3000\r\n\r\nISBN:  2-87939-325-6<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>INDIAN PAINTINGS  OF THE NEW MILLENNIUM</strong>, 2005\r\n\r\n<strong> </strong>Text: Helen Asquine  Fazio, Gayatri Sinha<strong> </strong>\r\n\r\n<strong> </strong>Publisher: Quick Arts Center, Fairfield University\r\n\r\n<strong>A GUIDE TO 101 MODERN &amp; CONTEMPORARY INDIAN ARTISTS</strong>, 2005\r\n\r\n<strong> </strong>Text: Amrita  Jhaveri\r\n\r\nPublisher: India  Book House\r\n\r\nISBN: 81-7508-423-5\r\n\r\n<strong>ZOOM! ART IN  CONTEMPORARY INDIA</strong>, 2004\r\n\r\n<strong> </strong>Texts:  Luis Serpa and Nancy Adajania<strong> </strong>\r\n\r\n<strong> </strong>Publisher: The Culturgest Museum\r\n\r\nISBN: 972-769-033-5\r\n\r\n<strong>INTERLUDE IN SRI   LANKA</strong>, 2004<strong> </strong>\r\n\r\n<strong> </strong>Text:  Ranjit Hoskote, Nancy Adajania<strong> </strong>\r\n\r\n<strong> </strong>Publisher:  The Guild  Art Gallery\r\n\r\n<strong>GENERATION I</strong>, 2004\r\n\r\nText: Zehra Jumabhoy<strong> </strong>\r\n\r\n<strong> </strong>Publisher:<strong> </strong>Saffronart &amp; The Guild Art Gallery\r\n\r\n<strong>TIRANGA  RIGHTS AND REPONSIBILITIES</strong>,  2003<strong> </strong>\r\n\r\nText: Peter Nagy<strong> </strong>\r\n\r\n<strong> </strong>Publisher: Jindal  Foundation &amp; Creative Arts\r\n\r\n<strong>HARD COPY</strong>, 2003\r\n\r\nText: Peter Nagy\r\n\r\n<strong> </strong>Publisher: Gallery 88\r\n\r\n<strong> </strong><strong>CROSSING  GENERATIONS: DIVERGE</strong><strong>, </strong>2003\r\n\r\n<strong> </strong>Text:  Geeta Kapoor and Chaitanya Sambrani<strong> </strong>\r\n\r\n<strong> </strong>Publisher:<strong> </strong>Gallery Chemould\r\n\r\nPRESS  <strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong><em> </em></strong>\r\n\r\n<strong>THE ARCHIVES OF  THE HEART</strong> <strong> </strong>\r\n\r\nNancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\n\r\nFront Cover, pgs 42-45, 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>GLOBALE KUNST  MIT WURZELDUFT</strong>\r\n\r\nVon Almuth Speigler, Die Presse, Feuilleton, 2<sup>nd</sup> September 2009\r\n\r\n<strong>LANDSCAPES OF  LOSS</strong>\r\n\r\nBeth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>REINCARNATING  HISTORY</strong>\r\n\r\nThe Big Picture, Architect and Interiors, July 2009<strong> </strong>\r\n\r\n<strong>STAMP COLLECTION</strong>\r\n\r\nGeorgina Maddox, The Sunday Express, 17<sup>th</sup> May 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>EVOLVING BEYOND  BORDERS</strong>\r\n\r\nReshma S. Kulkarni, Bombay Times, Times of India,  15<sup>th</sup> January, 2009\r\n\r\n<strong>LO</strong><strong>SS AND FOUND</strong>\r\n\r\nMarina Correa, DNA, Mumbai, 22<sup>nd</sup> January 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>FOCUS INDIA</strong>\r\n\r\nMegha Ralapati, Flash Art, pg 114, January-February 2008\r\n\r\n<strong>COME TOGETHER  RIGHT NOW</strong>\r\n\r\nReema Gehi, HT Café, 15<sup>th</sup> February 2008\r\n\r\n<strong>SUCH A LONG  JOURNEY</strong>\r\n\r\nAparna S Sharma, Elle Magazine, pgs 115-117, February 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong>MORE THAN A  WOMAN</strong>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 4<sup>th</sup> February 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong>ARTIST OF THE  FORTNIGHT</strong>\r\n\r\nMaria Louis, Outlook Profit, pg 79, 18<sup>th</sup> April 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong>DEJA VIEW</strong>\r\n\r\nTara Khilachand, Live Mint, 20<sup>th</sup> December 2008\r\n\r\n<strong>TERROR STRUCK</strong>\r\n\r\nMaria Louis, Outlook Profit, 26<sup>th</sup> December 2008\r\n\r\n<strong>NAME CALLING</strong>\r\n\r\nDeepanjana Pal, Timeout Mumbai, December 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>CORRUPTIONS OF  POWER</strong>\r\n\r\nShiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99,  2007\r\n\r\n<strong>OVER THE RAINBOW</strong>\r\n\r\nMaria Louis, Interview, Verve Magazine, pg 78, November 2006\r\n\r\n<strong> </strong>\r\n\r\n<strong>IN A STATE OF PERENNIAL SIEGE</strong>\r\n\r\nNancy Adajania, The Hindu, Hyderabad, 29<sup>th</sup> October  2006\r\n\r\n<strong>HER CROWNING  ACHIEVEMENT</strong>\r\n\r\nClara Chow, The Straits Times, 18<sup>th</sup> November 2006\r\n\r\n<strong> </strong>\r\n\r\n<strong>POLITICAL CHAOS</strong>\r\n\r\nDeepali Nandwani,  Beautiful people, pg 143, November-December 2006\r\n\r\n<strong>WEAPONS OF MASS  CONSTRUCTION</strong>\r\n\r\nRituparna Som, DNA after Hrs, Mumbai, 9<sup>th</sup> October, 2006\r\n\r\n<strong> </strong>\r\n\r\n<strong> GUNS AND ROSES</strong>\r\n\r\nRachna Nakra, The Indian Express,  Mumbai Newsline, 18<sup>th</sup> September 2006\r\n\r\n<strong> UNDER ATTACK</strong>\r\n\r\nGitanjali Dang, HT Mumbai, 22<sup>nd</sup> September 2006\r\n\r\n<strong> TIME TRAVELLER</strong>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline,  27<sup>th</sup> June 2006      <strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>THE FLOWER AND  THE SWORD</strong>\r\n\r\nGirish Shahane, The Art News magazine of India,  pg 93, volume X issue I, 2004\r\n\r\n<strong>INDIA</strong><strong>’S TOP 100 ACHIEVERS</strong>\r\n\r\nSociety Magazine, pg 137, December 2004\r\n\r\n<strong>CAUGHT BETWEEEN  DEMONS</strong>\r\n\r\nNancy Adajania, The Hindu, 19<sup>th</sup> December  2004\r\n\r\n<strong>EN REISE TIL INDIA</strong>\r\n\r\nHarald Flor, Dagbladet, Kultur, 2<sup>nd</sup> February 2003\r\n\r\n<strong> </strong>\r\n\r\n<strong>SIGNS OF  RESISTANCE</strong>\r\n\r\nNancy Adajania, The Hindu, 5<sup>th</sup> January  2003\r\n\r\n<strong>OF THE GODDESS  AND DEMON IN THE MIND</strong>\r\n\r\nDebbie Rodgers, Sunday edition Vijay Times, Bangalore, 5<sup>th</sup> January 2003\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>EMPATHIC ANGER</strong>\r\n\r\nMarta Jakimowicz, Deccan Herald, 23<sup>rd</sup> December 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong>MYSORE</strong><strong> EK KHOJ</strong>\r\n\r\nCross Fertilization of Culture, Interview in Star of Mysore, 27<sup>th</sup> October 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong> LINKING ISLANDS</strong>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 15<sup>th</sup> February  2002\r\n\r\n<strong>CREATING TO  DESTROY</strong>\r\n\r\nJasmine Shah Varma, The List, Mid Day, 22<sup>nd</sup> February 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong>DIFFERENT  STROKES</strong>\r\n\r\nGeorgina L Maddox, The Indian Express, Mumbai Newsline,  24<sup>th</sup> July 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong>OF FAITH AND  HUNGER</strong>\r\n\r\nAbhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89,  December 2000\r\n\r\n<strong> </strong>\r\n\r\n<strong>THE MURMUR OF  SKIN</strong>\r\n\r\nNupur Mahajan, Bombay Times, Times  of India, 12<sup>th</sup> October 2000\r\n\r\n<strong>NOT JUST SKIN  DEEP</strong>\r\n\r\nJasmine Shah Varma, The List, Mid-day, 4<sup>th</sup> October 2000\r\n\r\n<strong>INSIDE OUT</strong>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 11<sup>th</sup> October  2000\r\n\r\n<strong>SCINTILLATING  SKIN</strong>\r\n\r\nVaibhav Purandare, The Asian Age, 14<sup>th</sup> October 2000\r\n\r\n<strong>AN ARTIST’S  WORLD: ROTI, MAKAAN &amp; ABSTRACT ART</strong>\r\n\r\nPoonam Goel, HT City, 23<sup>rd</sup> December 2000\r\n\r\n<strong> </strong>\r\n\r\n<strong>WITHIN YOU,  WITHOUT YOU</strong>\r\n\r\nAnu Kumar, Indian Express,  Express Newsline, 2<sup>nd</sup> September 1998\r\n\r\n<strong>FARMING INTRIRUE</strong>\r\n\r\nJerry Pinto, The Times of India, Bombay Times, 3<sup>rd</sup> September 1998\r\n\r\n<strong> </strong>\r\n\r\n<strong>INTERACTIVE  MEDIUM</strong>\r\n\r\nKaren Pereira, Indian  Architect &amp; Builder, pgs 102-104, October 1998','Publications','','inherit','open','open','','87-revision-61','','','2010-07-04 11:10:13','2010-07-04 11:10:13','',87,'http://www.biggventures.com/demo/artists/1348/uncat/87-revision-61',0,'revision','',0),(1353,1,'2010-07-04 11:31:50','2010-07-04 11:31:50','<table style=\"margin-left: 5px;\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\" width=\"58%\" align=\"centre\">\r\n<tbody>\r\n<tr>\r\n<td width=\"35%\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Reena Saini Kallat</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2008</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/reena-kallat\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Rainbow of Refuse</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2006</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/rainbow-of-refuse\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Black Flute and Other Stories</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2004</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/black-flute\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>The Battlefield Is The Mind</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2002</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/battlefield-of-mind\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>SKIN</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2000</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/skin\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Orchard of Home-grown Secrets</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>1998</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/orchard-of-home-grown-screts\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<!-- Start of Other Publications -->\r\n<span class=\"pubstrong_black\">BOOKS/  CATALOGUES </span>\r\n<br>\r\n<br>\r\n<span class=\"pubstrong\">Reena Saini Kallat,</span> 2009\r\n<span class=\"pubstrong_black\">\r\nText: Nancy Adajania and Murtaza Vali \r\nPublisher: Primo Marella Gallery, Walsh Gallery and Chemould Prescott Road \r\nISBN: 978-81-908879-1-5 \r\n</span>\r\n<span class=\"pubstrong\">RAINBOW OF  REFUSE</span>, 2006\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher: Bodhi Art Gallery\r\n\r\n<span> </span><span class=\"pubstrong\">BLACK  FLUTE (AND OTHER STORIES)</span>,<span> </span>2005\r\n\r\n<span class=\"pubstrong\"> BLACK FLUTE</span>, 2004\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher: Gallery Chemould  and Nature Morte Gallery\r\n\r\n<span class=\"pubstrong\">THE BATTLEFIELD  IS THE MIND</span>, 2002<span> </span>\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher:  Sakshi Gallery\r\n\r\n<span class=\"pubstrong\">SKIN</span>,<span> </span>2000\r\n\r\nInterview with  Jitish Kallat\r\n\r\nPublisher:  Gallery Chemould and Vis-à-vis Art Inc. Gallery\r\n\r\n<span class=\"pubstrong\">ORCHARD OF  HOME-GROWN SECRETS</span>, 1998<span> </span>\r\n\r\nText: Ranjit Hoskote\r\n\r\nPublisher: Gallery Chemould and Pundole  Art Gallery\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span class=\"pubstrong\">NEVER RUN AWAY</span>, 2010\r\n\r\nText: Shaheen  Merali\r\n\r\nPublisher: Stux Gallery\r\n\r\n<span class=\"pubstrong\">URBAN MANNERS 2</span>, 2010<span><em> </em></span>\r\n\r\nText: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\n\r\nPublisher: SESC Pompeia, Sao Paulo\r\n\r\n<span> </span>\r\n\r\n<span class=\"pubstrong\">THE EMPIRE  STRIKES BACK</span>, 2010<span> </span>\r\n\r\nText: Zehra Jumabhoy\r\n\r\nPublisher: Saatchi Gallery\r\n\r\n<span> </span><span> </span>\r\n\r\n<span class=\"pubstrong\">VIEW POINTS AND  VIEWINGS POINTS- ASIAN ART BIENNALE</span>, 2009<span> </span>\r\n\r\nText: Chao-yi-Tsai\r\n\r\nPublisher: National Taiwan Museum of fine Arts\r\n\r\n<span class=\"pubstrong\">INDIA</span><span class=\"pubstrong\"> XIANZAI:  CONTEMPORARY INDIAN ART</span>,  2009\r\n\r\n<span> </span>Text: Jitish  Kallat, Diana Freundl, Alexander Keefe\r\n\r\nPublisher: Museum  of Contemporary  Art\r\n\r\n<span class=\"pubstrong\">CHALO! INDIA: A  NEW ERA OF INDIAN ART</span>, 2009<span> </span>\r\n\r\nText: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki, Miho\r\n\r\nTagomori\r\n\r\nPublisher: National Museum of Contemporary Art and Essl  Museum\r\n\r\nISBN: 978-3-7913-4304-4\r\n\r\n<span class=\"pubstrong\">CHALO! INDIA: A NEW ERA OF INDIAN ART</span>,  2008<span><em> </em></span>\r\n\r\nText: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman\r\n\r\nGopinath, Jayaram, Deepak Ananth\r\n\r\nPublisher:  Mori Art Museum\r\n\r\n<span> </span>\r\n\r\n<span> </span><span class=\"pubstrong\">INDIA</span><span class=\"pubstrong\"> MODERNA</span>, 2008<span> </span>\r\n\r\nText: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur,\r\n\r\nR.Siva  Kumar,  K.G. Subramanyan\r\n\r\nPublisher: IVAM (Institute Valencia D’Art Modern)\r\n\r\n<span class=\"pubstrong\">EVERYWHERE IS  WAR (AND RUMOURS OF IT</span>), 2008\r\n\r\n<span class=\"pubstrong\"> </span>Text: Kai  Hafez, Martin  Hager,  Nicholas Mirzoeff, Daniel Miller,\r\n\r\nBregje van Eekelen\r\n\r\nPublisher: Bodhi Art  Gallery\r\n\r\n<span class=\"pubstrong\">THREE POINTS OF  VIEWS</span>, 2008\r\n\r\n<span> </span>Text:  Grant Watson\r\n\r\nPublisher: Galerie Mirchandani + Steinruecke\r\n\r\n<span class=\"pubstrong\">NEW NARRATIVES</span>, 2008\r\n\r\nText: Betty Seid<span> </span>\r\n\r\n<span> </span>Publisher:  Chicago  Cultural Center\r\n\r\n<span> </span><span class=\"pubstrong\">MADE BY INDIANS</span>, 2007\r\n\r\nText: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\n\r\nPublisher: Galerie Enrico Navarra\r\n\r\nISBN: 2-911596-37-4\r\n\r\n<span class=\"pubstrong\">THERMOCLINE OF  ART: NEW ASIAN WAVES</span>,  2007\r\n\r\n<span> </span>Text:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong<span> </span>\r\n\r\nPublisher: Hatje Cantz Vertag\r\n\r\nISBN: 978-3-7757-2073-1\r\n\r\nEAN: 9782911596377\r\n\r\n<span class=\"pubstrong\"> INDIAN COLOUR</span>, 2007\r\n\r\nText: Peter Nagy\r\n\r\nPublisher: Dal- seung Hwang, Keumsan Gallery\r\n\r\n<span class=\"pubstrong\">INDIA</span><span class=\"pubstrong\"> ARTE OGGI</span>, 2007<span> </span>\r\n\r\n<span> </span>Text:  Daniela Palazzoli<span> </span>\r\n\r\nPublisher: Spazio Oberdan\r\n\r\nISBN: 978-88-202-1867-6\r\n\r\n<span class=\"pubstrong\">URBAN MANNERS</span>, 2007\r\n\r\nText: Adelina Von Furstenberg\r\n\r\n<span> </span>Publisher:  Hangar Bicocca\r\n\r\n<span class=\"pubstrong\">INTERNATIONAL  INCHEON WOMEN ARTISTS BIENNALE, </span>\r\n\r\n<span class=\"pubstrong\"> KNOCKING ON THE DOOR</span>,  2007\r\n\r\n<span> </span>Text:  Sung Hee Kim, John C. Welchman<span> </span>\r\n\r\nPublisher: Incheon Culture and Art Centre\r\n\r\n<span class=\"pubstrong\">SOFT  POWER: ASIAN ATTITUDE</span>,  2007<span> </span>\r\n\r\n<span> </span>Text:  Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\n\r\nPublisher: Shanghai  Zendai Mumsem of Modern Art\r\n\r\nISBN: 978-7-5356-2790-2\r\n\r\n<span>INDIA</span><span> EXPRESS- ART AND POPULAR CULTURE</span>, 2006\r\n\r\n<span> </span>Text: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze,\r\n\r\nPublisher: Helsinki  City Art  Museum\r\n\r\nISBN: 951-8965-61-7\r\n\r\n<span>BOMBAY</span><span> L’ALBUM MAXIMUM CITY</span>, 2006\r\n\r\nText: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\n\r\nPublisher: Terrail, Lille 3000\r\n\r\nISBN:  2-87939-325-6<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span>INDIAN PAINTINGS  OF THE NEW MILLENNIUM</span>, 2005\r\n\r\n<span> </span>Text: Helen Asquine  Fazio, Gayatri Sinha<span> </span>\r\n\r\n<span> </span>Publisher: Quick Arts Center, Fairfield University\r\n\r\n<span>A GUIDE TO 101 MODERN &amp; CONTEMPORARY INDIAN ARTISTS</span>, 2005\r\n\r\n<span> </span>Text: Amrita  Jhaveri\r\n\r\nPublisher: India  Book House\r\n\r\nISBN: 81-7508-423-5\r\n\r\n<span>ZOOM! ART IN  CONTEMPORARY INDIA</span>, 2004\r\n\r\n<span> </span>Texts:  Luis Serpa and Nancy Adajania<span> </span>\r\n\r\n<span> </span>Publisher: The Culturgest Museum\r\n\r\nISBN: 972-769-033-5\r\n\r\n<span>INTERLUDE IN SRI   LANKA</span>, 2004<span> </span>\r\n\r\n<span> </span>Text:  Ranjit Hoskote, Nancy Adajania<span> </span>\r\n\r\n<span> </span>Publisher:  The Guild  Art Gallery\r\n\r\n<span>GENERATION I</span>, 2004\r\n\r\nText: Zehra Jumabhoy<span> </span>\r\n\r\n<span> </span>Publisher:<span> </span>Saffronart &amp; The Guild Art Gallery\r\n\r\n<span>TIRANGA  RIGHTS AND REPONSIBILITIES</span>,  2003<span> </span>\r\n\r\nText: Peter Nagy<span> </span>\r\n\r\n<span> </span>Publisher: Jindal  Foundation &amp; Creative Arts\r\n\r\n<span>HARD COPY</span>, 2003\r\n\r\nText: Peter Nagy\r\n\r\n<span> </span>Publisher: Gallery 88\r\n\r\n<span> </span><span>CROSSING  GENERATIONS: DIVERGE</span><span>, </span>2003\r\n\r\n<span> </span>Text:  Geeta Kapoor and Chaitanya Sambrani<span> </span>\r\n\r\n<span> </span>Publisher:<span> </span>Gallery Chemould\r\n\r\nPRESS  <span> </span>\r\n\r\n<span> </span>\r\n\r\n<span><em> </em></span>\r\n\r\n<span>THE ARCHIVES OF  THE HEART</span> <span> </span>\r\n\r\nNancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\n\r\nFront Cover, pgs 42-45, 2009\r\n\r\n<span> </span>\r\n\r\n<span>GLOBALE KUNST  MIT WURZELDUFT</span>\r\n\r\nVon Almuth Speigler, Die Presse, Feuilleton, 2<sup>nd</sup> September 2009\r\n\r\n<span>LANDSCAPES OF  LOSS</span>\r\n\r\nBeth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009\r\n\r\n<span> </span>\r\n\r\n<span>REINCARNATING  HISTORY</span>\r\n\r\nThe Big Picture, Architect and Interiors, July 2009<span> </span>\r\n\r\n<span>STAMP COLLECTION</span>\r\n\r\nGeorgina Maddox, The Sunday Express, 17<sup>th</sup> May 2009\r\n\r\n<span> </span>\r\n\r\n<span>EVOLVING BEYOND  BORDERS</span>\r\n\r\nReshma S. Kulkarni, Bombay Times, Times of India,  15<sup>th</sup> January, 2009\r\n\r\n<span>LO</span><span>SS AND FOUND</span>\r\n\r\nMarina Correa, DNA, Mumbai, 22<sup>nd</sup> January 2009\r\n\r\n<span> </span>\r\n\r\n<span>FOCUS INDIA</span>\r\n\r\nMegha Ralapati, Flash Art, pg 114, January-February 2008\r\n\r\n<span>COME TOGETHER  RIGHT NOW</span>\r\n\r\nReema Gehi, HT Café, 15<sup>th</sup> February 2008\r\n\r\n<span>SUCH A LONG  JOURNEY</span>\r\n\r\nAparna S Sharma, Elle Magazine, pgs 115-117, February 2008\r\n\r\n<span> </span>\r\n\r\n<span>MORE THAN A  WOMAN</span>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 4<sup>th</sup> February 2008\r\n\r\n<span> </span>\r\n\r\n<span>ARTIST OF THE  FORTNIGHT</span>\r\n\r\nMaria Louis, Outlook Profit, pg 79, 18<sup>th</sup> April 2008\r\n\r\n<span> </span>\r\n\r\n<span>DEJA VIEW</span>\r\n\r\nTara Khilachand, Live Mint, 20<sup>th</sup> December 2008\r\n\r\n<span>TERROR STRUCK</span>\r\n\r\nMaria Louis, Outlook Profit, 26<sup>th</sup> December 2008\r\n\r\n<span>NAME CALLING</span>\r\n\r\nDeepanjana Pal, Timeout Mumbai, December 2008\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span>CORRUPTIONS OF  POWER</span>\r\n\r\nShiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99,  2007\r\n\r\n<span>OVER THE RAINBOW</span>\r\n\r\nMaria Louis, Interview, Verve Magazine, pg 78, November 2006\r\n\r\n<span> </span>\r\n\r\n<span>IN A STATE OF PERENNIAL SIEGE</span>\r\n\r\nNancy Adajania, The Hindu, Hyderabad, 29<sup>th</sup> October  2006\r\n\r\n<span>HER CROWNING  ACHIEVEMENT</span>\r\n\r\nClara Chow, The Straits Times, 18<sup>th</sup> November 2006\r\n\r\n<span> </span>\r\n\r\n<span>POLITICAL CHAOS</span>\r\n\r\nDeepali Nandwani,  Beautiful people, pg 143, November-December 2006\r\n\r\n<span>WEAPONS OF MASS  CONSTRUCTION</span>\r\n\r\nRituparna Som, DNA after Hrs, Mumbai, 9<sup>th</sup> October, 2006\r\n\r\n<span> </span>\r\n\r\n<span> GUNS AND ROSES</span>\r\n\r\nRachna Nakra, The Indian Express,  Mumbai Newsline, 18<sup>th</sup> September 2006\r\n\r\n<span> UNDER ATTACK</span>\r\n\r\nGitanjali Dang, HT Mumbai, 22<sup>nd</sup> September 2006\r\n\r\n<span> TIME TRAVELLER</span>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline,  27<sup>th</sup> June 2006      <span> </span>\r\n\r\n<span> </span>\r\n\r\n<span>THE FLOWER AND  THE SWORD</span>\r\n\r\nGirish Shahane, The Art News magazine of India,  pg 93, volume X issue I, 2004\r\n\r\n<span>INDIA</span><span>’S TOP 100 ACHIEVERS</span>\r\n\r\nSociety Magazine, pg 137, December 2004\r\n\r\n<span>CAUGHT BETWEEEN  DEMONS</span>\r\n\r\nNancy Adajania, The Hindu, 19<sup>th</sup> December  2004\r\n\r\n<span>EN REISE TIL INDIA</span>\r\n\r\nHarald Flor, Dagbladet, Kultur, 2<sup>nd</sup> February 2003\r\n\r\n<span> </span>\r\n\r\n<span>SIGNS OF  RESISTANCE</span>\r\n\r\nNancy Adajania, The Hindu, 5<sup>th</sup> January  2003\r\n\r\n<span>OF THE GODDESS  AND DEMON IN THE MIND</span>\r\n\r\nDebbie Rodgers, Sunday edition Vijay Times, Bangalore, 5<sup>th</sup> January 2003\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span>EMPATHIC ANGER</span>\r\n\r\nMarta Jakimowicz, Deccan Herald, 23<sup>rd</sup> December 2002\r\n\r\n<span> </span>\r\n\r\n<span>MYSORE</span><span> EK KHOJ</span>\r\n\r\nCross Fertilization of Culture, Interview in Star of Mysore, 27<sup>th</sup> October 2002\r\n\r\n<span> </span>\r\n\r\n<span> LINKING ISLANDS</span>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 15<sup>th</sup> February  2002\r\n\r\n<span>CREATING TO  DESTROY</span>\r\n\r\nJasmine Shah Varma, The List, Mid Day, 22<sup>nd</sup> February 2002\r\n\r\n<span> </span>\r\n\r\n<span>DIFFERENT  STROKES</span>\r\n\r\nGeorgina L Maddox, The Indian Express, Mumbai Newsline,  24<sup>th</sup> July 2002\r\n\r\n<span> </span>\r\n\r\n<span>OF FAITH AND  HUNGER</span>\r\n\r\nAbhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89,  December 2000\r\n\r\n<span> </span>\r\n\r\n<span>THE MURMUR OF  SKIN</span>\r\n\r\nNupur Mahajan, Bombay Times, Times  of India, 12<sup>th</sup> October 2000\r\n\r\n<span>NOT JUST SKIN  DEEP</span>\r\n\r\nJasmine Shah Varma, The List, Mid-day, 4<sup>th</sup> October 2000\r\n\r\n<span>INSIDE OUT</span>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 11<sup>th</sup> October  2000\r\n\r\n<span>SCINTILLATING  SKIN</span>\r\n\r\nVaibhav Purandare, The Asian Age, 14<sup>th</sup> October 2000\r\n\r\n<span>AN ARTIST’S  WORLD: ROTI, MAKAAN &amp; ABSTRACT ART</span>\r\n\r\nPoonam Goel, HT City, 23<sup>rd</sup> December 2000\r\n\r\n<span> </span>\r\n\r\n<span>WITHIN YOU,  WITHOUT YOU</span>\r\n\r\nAnu Kumar, Indian Express,  Express Newsline, 2<sup>nd</sup> September 1998\r\n\r\n<span>FARMING INTRIRUE</span>\r\n\r\nJerry Pinto, The Times of India, Bombay Times, 3<sup>rd</sup> September 1998\r\n\r\n<span> </span>\r\n\r\n<span>INTERACTIVE  MEDIUM</span>\r\n\r\nKaren Pereira, Indian  Architect &amp; Builder, pgs 102-104, October 1998','Publications','','inherit','open','open','','87-revision-66','','','2010-07-04 11:31:50','2010-07-04 11:31:50','',87,'http://www.biggventures.com/demo/artists/1353/uncat/87-revision-66',0,'revision','',0),(1349,1,'2010-07-04 11:10:45','2010-07-04 11:10:45','<table style=\"margin-left: 5px;\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\" width=\"58%\" align=\"centre\">\r\n<tbody>\r\n<tr>\r\n<td width=\"35%\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Reena Saini Kallat</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2008</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/reena-kallat\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Rainbow of Refuse</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2006</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/rainbow-of-refuse\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Black Flute and Other Stories</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2004</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/black-flute\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>The Battlefield Is The Mind</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2002</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/battlefield-of-mind\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>SKIN</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2000</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/skin\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Orchard of Home-grown Secrets</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>1998</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/orchard-of-home-grown-screts\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<!-- Start of Other Publications -->\r\n<strong class=\"pubstrong\" style=\"color:#000000;\">BOOKS/  CATALOGUES </strong>\r\n<br>\r\n<br>\r\n<strong class=\"pubstrong\">REENA SAINI  KALLAT</strong>, 2009\r\n\r\nText: Nancy Adajania and Murtaza Vali\r\n\r\nPublisher: Primo Marella Gallery, Walsh Gallery and Chemould   Prescott Road\r\n\r\nISBN:  978-81-908879-1-5\r\n\r\n<strong class=\"pubstrong\">RAINBOW OF  REFUSE</strong>, 2006\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher: Bodhi Art Gallery\r\n\r\n<strong> </strong><strong class=\"pubstrong\">BLACK  FLUTE (AND OTHER STORIES)</strong>,<strong> </strong>2005\r\n\r\n<strong> BLACK FLUTE</strong>, 2004\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher: Gallery Chemould  and Nature Morte Gallery\r\n\r\n<strong>THE BATTLEFIELD  IS THE MIND</strong>, 2002<strong> </strong>\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher:  Sakshi Gallery\r\n\r\n<strong>SKIN</strong>,<strong> </strong>2000\r\n\r\nInterview with  Jitish Kallat\r\n\r\nPublisher:  Gallery Chemould and Vis-à-vis Art Inc. Gallery\r\n\r\n<strong>ORCHARD OF  HOME-GROWN SECRETS</strong>, 1998<strong> </strong>\r\n\r\nText: Ranjit Hoskote\r\n\r\nPublisher: Gallery Chemould and Pundole  Art Gallery\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong><em>GROUP  SHOWS</em></strong>\r\n\r\n<strong><em> </em></strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>NEVER RUN AWAY</strong>, 2010\r\n\r\nText: Shaheen  Merali\r\n\r\nPublisher: Stux Gallery\r\n\r\n<strong>URBAN MANNERS 2</strong>, 2010<strong><em> </em></strong>\r\n\r\nText: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\n\r\nPublisher: SESC Pompeia, Sao Paulo\r\n\r\n<strong> </strong>\r\n\r\n<strong>THE EMPIRE  STRIKES BACK</strong>, 2010<strong> </strong>\r\n\r\nText: Zehra Jumabhoy\r\n\r\nPublisher: Saatchi Gallery\r\n\r\n<strong> </strong><strong> </strong>\r\n\r\n<strong>VIEW POINTS AND  VIEWINGS POINTS- ASIAN ART BIENNALE</strong>, 2009<strong> </strong>\r\n\r\nText: Chao-yi-Tsai\r\n\r\nPublisher: National Taiwan Museum of fine Arts\r\n\r\n<strong>INDIA</strong><strong> XIANZAI:  CONTEMPORARY INDIAN ART</strong>,  2009\r\n\r\n<strong> </strong>Text: Jitish  Kallat, Diana Freundl, Alexander Keefe\r\n\r\nPublisher: Museum  of Contemporary  Art\r\n\r\n<strong>CHALO! INDIA: A  NEW ERA OF INDIAN ART</strong>, 2009<strong> </strong>\r\n\r\nText: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki, Miho\r\n\r\nTagomori\r\n\r\nPublisher: National Museum of Contemporary Art and Essl  Museum\r\n\r\nISBN: 978-3-7913-4304-4\r\n\r\n<strong>CHALO! INDIA: A NEW ERA OF INDIAN ART</strong>,  208<strong><em> </em></strong>\r\n\r\nText: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman\r\n\r\nGopinath, Jayaram, Deepak Ananth\r\n\r\nPublisher:  Mori Art Museum\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong><strong>INDIA</strong><strong> MODERNA</strong>, 2008<strong> </strong>\r\n\r\nText: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur,\r\n\r\nR.Siva  Kumar,  K.G. Subramanyan\r\n\r\nPublisher: IVAM (Institute Valencia D’Art Modern)\r\n\r\n<strong>EVERYWHERE IS  WAR (AND RUMOURS OF IT</strong>), 2008\r\n\r\n<strong> </strong>Text: Kai  Hafez, Martin  Hager,  Nicholas Mirzoeff, Daniel Miller,\r\n\r\nBregje van Eekelen\r\n\r\nPublisher: Bodhi Art  Gallery\r\n\r\n<strong>THREE POINTS OF  VIEWS</strong>, 2008\r\n\r\n<strong> </strong>Text:  Grant Watson\r\n\r\nPublisher: Galerie Mirchandani + Steinruecke\r\n\r\n<strong>NEW NARRATIVES</strong>, 2008\r\n\r\nText: Betty Seid<strong> </strong>\r\n\r\n<strong> </strong>Publisher:  Chicago  Cultural Center\r\n\r\n<strong> </strong><strong>MADE BY INDIANS</strong>, 2007\r\n\r\nText: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\n\r\nPublisher: Galerie Enrico Navarra\r\n\r\nISBN: 2-911596-37-4\r\n\r\n<strong>THERMOCLINE OF  ART: NEW ASIAN WAVES</strong>,  2007\r\n\r\n<strong> </strong>Text:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong<strong> </strong>\r\n\r\nPublisher: Hatje Cantz Vertag\r\n\r\nISBN: 978-3-7757-2073-1\r\n\r\nEAN: 9782911596377\r\n\r\n<strong> INDIAN COLOUR</strong>, 2007\r\n\r\nText: Peter Nagy\r\n\r\nPublisher: Dal- seung Hwang, Keumsan Gallery\r\n\r\n<strong>INDIA</strong><strong> ARTE OGGI</strong>, 2007<strong> </strong>\r\n\r\n<strong> </strong>Text:  Daniela Palazzoli<strong> </strong>\r\n\r\nPublisher: Spazio Oberdan\r\n\r\nISBN: 978-88-202-1867-6\r\n\r\n<strong>URBAN MANNERS</strong>, 2007\r\n\r\nText: Adelina Von Furstenberg\r\n\r\n<strong> </strong>Publisher:  Hangar Bicocca\r\n\r\n<strong>INTERNATIONAL  INCHEON WOMEN ARTISTS BIENNALE, </strong>\r\n\r\n<strong> KNOCKING ON THE DOOR</strong>,  2007\r\n\r\n<strong> </strong>Text:  Sung Hee Kim, John C. Welchman<strong> </strong>\r\n\r\nPublisher: Incheon Culture and Art Centre\r\n\r\n<strong>SOFT  POWER: ASIAN ATTITUDE</strong>,  2007<strong> </strong>\r\n\r\n<strong> </strong>Text:  Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\n\r\nPublisher: Shanghai  Zendai Mumsem of Modern Art\r\n\r\nISBN: 978-7-5356-2790-2\r\n\r\n<strong>INDIA</strong><strong> EXPRESS- ART AND POPULAR CULTURE</strong>, 2006\r\n\r\n<strong> </strong>Text: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze,\r\n\r\nPublisher: Helsinki  City Art  Museum\r\n\r\nISBN: 951-8965-61-7\r\n\r\n<strong>BOMBAY</strong><strong> L’ALBUM MAXIMUM CITY</strong>, 2006\r\n\r\nText: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\n\r\nPublisher: Terrail, Lille 3000\r\n\r\nISBN:  2-87939-325-6<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>INDIAN PAINTINGS  OF THE NEW MILLENNIUM</strong>, 2005\r\n\r\n<strong> </strong>Text: Helen Asquine  Fazio, Gayatri Sinha<strong> </strong>\r\n\r\n<strong> </strong>Publisher: Quick Arts Center, Fairfield University\r\n\r\n<strong>A GUIDE TO 101 MODERN &amp; CONTEMPORARY INDIAN ARTISTS</strong>, 2005\r\n\r\n<strong> </strong>Text: Amrita  Jhaveri\r\n\r\nPublisher: India  Book House\r\n\r\nISBN: 81-7508-423-5\r\n\r\n<strong>ZOOM! ART IN  CONTEMPORARY INDIA</strong>, 2004\r\n\r\n<strong> </strong>Texts:  Luis Serpa and Nancy Adajania<strong> </strong>\r\n\r\n<strong> </strong>Publisher: The Culturgest Museum\r\n\r\nISBN: 972-769-033-5\r\n\r\n<strong>INTERLUDE IN SRI   LANKA</strong>, 2004<strong> </strong>\r\n\r\n<strong> </strong>Text:  Ranjit Hoskote, Nancy Adajania<strong> </strong>\r\n\r\n<strong> </strong>Publisher:  The Guild  Art Gallery\r\n\r\n<strong>GENERATION I</strong>, 2004\r\n\r\nText: Zehra Jumabhoy<strong> </strong>\r\n\r\n<strong> </strong>Publisher:<strong> </strong>Saffronart &amp; The Guild Art Gallery\r\n\r\n<strong>TIRANGA  RIGHTS AND REPONSIBILITIES</strong>,  2003<strong> </strong>\r\n\r\nText: Peter Nagy<strong> </strong>\r\n\r\n<strong> </strong>Publisher: Jindal  Foundation &amp; Creative Arts\r\n\r\n<strong>HARD COPY</strong>, 2003\r\n\r\nText: Peter Nagy\r\n\r\n<strong> </strong>Publisher: Gallery 88\r\n\r\n<strong> </strong><strong>CROSSING  GENERATIONS: DIVERGE</strong><strong>, </strong>2003\r\n\r\n<strong> </strong>Text:  Geeta Kapoor and Chaitanya Sambrani<strong> </strong>\r\n\r\n<strong> </strong>Publisher:<strong> </strong>Gallery Chemould\r\n\r\nPRESS  <strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong><em> </em></strong>\r\n\r\n<strong>THE ARCHIVES OF  THE HEART</strong> <strong> </strong>\r\n\r\nNancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\n\r\nFront Cover, pgs 42-45, 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>GLOBALE KUNST  MIT WURZELDUFT</strong>\r\n\r\nVon Almuth Speigler, Die Presse, Feuilleton, 2<sup>nd</sup> September 2009\r\n\r\n<strong>LANDSCAPES OF  LOSS</strong>\r\n\r\nBeth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>REINCARNATING  HISTORY</strong>\r\n\r\nThe Big Picture, Architect and Interiors, July 2009<strong> </strong>\r\n\r\n<strong>STAMP COLLECTION</strong>\r\n\r\nGeorgina Maddox, The Sunday Express, 17<sup>th</sup> May 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>EVOLVING BEYOND  BORDERS</strong>\r\n\r\nReshma S. Kulkarni, Bombay Times, Times of India,  15<sup>th</sup> January, 2009\r\n\r\n<strong>LO</strong><strong>SS AND FOUND</strong>\r\n\r\nMarina Correa, DNA, Mumbai, 22<sup>nd</sup> January 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>FOCUS INDIA</strong>\r\n\r\nMegha Ralapati, Flash Art, pg 114, January-February 2008\r\n\r\n<strong>COME TOGETHER  RIGHT NOW</strong>\r\n\r\nReema Gehi, HT Café, 15<sup>th</sup> February 2008\r\n\r\n<strong>SUCH A LONG  JOURNEY</strong>\r\n\r\nAparna S Sharma, Elle Magazine, pgs 115-117, February 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong>MORE THAN A  WOMAN</strong>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 4<sup>th</sup> February 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong>ARTIST OF THE  FORTNIGHT</strong>\r\n\r\nMaria Louis, Outlook Profit, pg 79, 18<sup>th</sup> April 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong>DEJA VIEW</strong>\r\n\r\nTara Khilachand, Live Mint, 20<sup>th</sup> December 2008\r\n\r\n<strong>TERROR STRUCK</strong>\r\n\r\nMaria Louis, Outlook Profit, 26<sup>th</sup> December 2008\r\n\r\n<strong>NAME CALLING</strong>\r\n\r\nDeepanjana Pal, Timeout Mumbai, December 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>CORRUPTIONS OF  POWER</strong>\r\n\r\nShiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99,  2007\r\n\r\n<strong>OVER THE RAINBOW</strong>\r\n\r\nMaria Louis, Interview, Verve Magazine, pg 78, November 2006\r\n\r\n<strong> </strong>\r\n\r\n<strong>IN A STATE OF PERENNIAL SIEGE</strong>\r\n\r\nNancy Adajania, The Hindu, Hyderabad, 29<sup>th</sup> October  2006\r\n\r\n<strong>HER CROWNING  ACHIEVEMENT</strong>\r\n\r\nClara Chow, The Straits Times, 18<sup>th</sup> November 2006\r\n\r\n<strong> </strong>\r\n\r\n<strong>POLITICAL CHAOS</strong>\r\n\r\nDeepali Nandwani,  Beautiful people, pg 143, November-December 2006\r\n\r\n<strong>WEAPONS OF MASS  CONSTRUCTION</strong>\r\n\r\nRituparna Som, DNA after Hrs, Mumbai, 9<sup>th</sup> October, 2006\r\n\r\n<strong> </strong>\r\n\r\n<strong> GUNS AND ROSES</strong>\r\n\r\nRachna Nakra, The Indian Express,  Mumbai Newsline, 18<sup>th</sup> September 2006\r\n\r\n<strong> UNDER ATTACK</strong>\r\n\r\nGitanjali Dang, HT Mumbai, 22<sup>nd</sup> September 2006\r\n\r\n<strong> TIME TRAVELLER</strong>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline,  27<sup>th</sup> June 2006      <strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>THE FLOWER AND  THE SWORD</strong>\r\n\r\nGirish Shahane, The Art News magazine of India,  pg 93, volume X issue I, 2004\r\n\r\n<strong>INDIA</strong><strong>’S TOP 100 ACHIEVERS</strong>\r\n\r\nSociety Magazine, pg 137, December 2004\r\n\r\n<strong>CAUGHT BETWEEEN  DEMONS</strong>\r\n\r\nNancy Adajania, The Hindu, 19<sup>th</sup> December  2004\r\n\r\n<strong>EN REISE TIL INDIA</strong>\r\n\r\nHarald Flor, Dagbladet, Kultur, 2<sup>nd</sup> February 2003\r\n\r\n<strong> </strong>\r\n\r\n<strong>SIGNS OF  RESISTANCE</strong>\r\n\r\nNancy Adajania, The Hindu, 5<sup>th</sup> January  2003\r\n\r\n<strong>OF THE GODDESS  AND DEMON IN THE MIND</strong>\r\n\r\nDebbie Rodgers, Sunday edition Vijay Times, Bangalore, 5<sup>th</sup> January 2003\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>EMPATHIC ANGER</strong>\r\n\r\nMarta Jakimowicz, Deccan Herald, 23<sup>rd</sup> December 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong>MYSORE</strong><strong> EK KHOJ</strong>\r\n\r\nCross Fertilization of Culture, Interview in Star of Mysore, 27<sup>th</sup> October 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong> LINKING ISLANDS</strong>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 15<sup>th</sup> February  2002\r\n\r\n<strong>CREATING TO  DESTROY</strong>\r\n\r\nJasmine Shah Varma, The List, Mid Day, 22<sup>nd</sup> February 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong>DIFFERENT  STROKES</strong>\r\n\r\nGeorgina L Maddox, The Indian Express, Mumbai Newsline,  24<sup>th</sup> July 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong>OF FAITH AND  HUNGER</strong>\r\n\r\nAbhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89,  December 2000\r\n\r\n<strong> </strong>\r\n\r\n<strong>THE MURMUR OF  SKIN</strong>\r\n\r\nNupur Mahajan, Bombay Times, Times  of India, 12<sup>th</sup> October 2000\r\n\r\n<strong>NOT JUST SKIN  DEEP</strong>\r\n\r\nJasmine Shah Varma, The List, Mid-day, 4<sup>th</sup> October 2000\r\n\r\n<strong>INSIDE OUT</strong>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 11<sup>th</sup> October  2000\r\n\r\n<strong>SCINTILLATING  SKIN</strong>\r\n\r\nVaibhav Purandare, The Asian Age, 14<sup>th</sup> October 2000\r\n\r\n<strong>AN ARTIST’S  WORLD: ROTI, MAKAAN &amp; ABSTRACT ART</strong>\r\n\r\nPoonam Goel, HT City, 23<sup>rd</sup> December 2000\r\n\r\n<strong> </strong>\r\n\r\n<strong>WITHIN YOU,  WITHOUT YOU</strong>\r\n\r\nAnu Kumar, Indian Express,  Express Newsline, 2<sup>nd</sup> September 1998\r\n\r\n<strong>FARMING INTRIRUE</strong>\r\n\r\nJerry Pinto, The Times of India, Bombay Times, 3<sup>rd</sup> September 1998\r\n\r\n<strong> </strong>\r\n\r\n<strong>INTERACTIVE  MEDIUM</strong>\r\n\r\nKaren Pereira, Indian  Architect &amp; Builder, pgs 102-104, October 1998','Publications','','inherit','open','open','','87-revision-62','','','2010-07-04 11:10:45','2010-07-04 11:10:45','',87,'http://www.biggventures.com/demo/artists/1349/uncat/87-revision-62',0,'revision','',0),(1350,1,'2010-07-04 11:16:23','2010-07-04 11:16:23','<table style=\"margin-left: 5px;\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\" width=\"58%\" align=\"centre\">\r\n<tbody>\r\n<tr>\r\n<td width=\"35%\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Reena Saini Kallat</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2008</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/reena-kallat\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Rainbow of Refuse</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2006</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/rainbow-of-refuse\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Black Flute and Other Stories</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2004</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/black-flute\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>The Battlefield Is The Mind</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2002</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/battlefield-of-mind\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>SKIN</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2000</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/skin\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Orchard of Home-grown Secrets</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>1998</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/orchard-of-home-grown-screts\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<!-- Start of Other Publications -->\r\n<span class=\"pubstrong\">BOOKS/  CATALOGUES </span>\r\n<br>\r\n<br>\r\n<span class=\"pubstrong\">REENA SAINI  KALLAT</span>, 2009\r\n\r\nText: Nancy Adajania and Murtaza Vali\r\n\r\nPublisher: Primo Marella Gallery, Walsh Gallery and Chemould   Prescott Road\r\n\r\nISBN:  978-81-908879-1-5\r\n\r\n<strong class=\"pubstrong\">RAINBOW OF  REFUSE</strong>, 2006\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher: Bodhi Art Gallery\r\n\r\n<strong> </strong><strong class=\"pubstrong\">BLACK  FLUTE (AND OTHER STORIES)</strong>,<strong> </strong>2005\r\n\r\n<strong> BLACK FLUTE</strong>, 2004\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher: Gallery Chemould  and Nature Morte Gallery\r\n\r\n<strong>THE BATTLEFIELD  IS THE MIND</strong>, 2002<strong> </strong>\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher:  Sakshi Gallery\r\n\r\n<strong>SKIN</strong>,<strong> </strong>2000\r\n\r\nInterview with  Jitish Kallat\r\n\r\nPublisher:  Gallery Chemould and Vis-à-vis Art Inc. Gallery\r\n\r\n<strong>ORCHARD OF  HOME-GROWN SECRETS</strong>, 1998<strong> </strong>\r\n\r\nText: Ranjit Hoskote\r\n\r\nPublisher: Gallery Chemould and Pundole  Art Gallery\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong><em>GROUP  SHOWS</em></strong>\r\n\r\n<strong><em> </em></strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>NEVER RUN AWAY</strong>, 2010\r\n\r\nText: Shaheen  Merali\r\n\r\nPublisher: Stux Gallery\r\n\r\n<strong>URBAN MANNERS 2</strong>, 2010<strong><em> </em></strong>\r\n\r\nText: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\n\r\nPublisher: SESC Pompeia, Sao Paulo\r\n\r\n<strong> </strong>\r\n\r\n<strong>THE EMPIRE  STRIKES BACK</strong>, 2010<strong> </strong>\r\n\r\nText: Zehra Jumabhoy\r\n\r\nPublisher: Saatchi Gallery\r\n\r\n<strong> </strong><strong> </strong>\r\n\r\n<strong>VIEW POINTS AND  VIEWINGS POINTS- ASIAN ART BIENNALE</strong>, 2009<strong> </strong>\r\n\r\nText: Chao-yi-Tsai\r\n\r\nPublisher: National Taiwan Museum of fine Arts\r\n\r\n<strong>INDIA</strong><strong> XIANZAI:  CONTEMPORARY INDIAN ART</strong>,  2009\r\n\r\n<strong> </strong>Text: Jitish  Kallat, Diana Freundl, Alexander Keefe\r\n\r\nPublisher: Museum  of Contemporary  Art\r\n\r\n<strong>CHALO! INDIA: A  NEW ERA OF INDIAN ART</strong>, 2009<strong> </strong>\r\n\r\nText: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki, Miho\r\n\r\nTagomori\r\n\r\nPublisher: National Museum of Contemporary Art and Essl  Museum\r\n\r\nISBN: 978-3-7913-4304-4\r\n\r\n<strong>CHALO! INDIA: A NEW ERA OF INDIAN ART</strong>,  208<strong><em> </em></strong>\r\n\r\nText: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman\r\n\r\nGopinath, Jayaram, Deepak Ananth\r\n\r\nPublisher:  Mori Art Museum\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong><strong>INDIA</strong><strong> MODERNA</strong>, 2008<strong> </strong>\r\n\r\nText: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur,\r\n\r\nR.Siva  Kumar,  K.G. Subramanyan\r\n\r\nPublisher: IVAM (Institute Valencia D’Art Modern)\r\n\r\n<strong>EVERYWHERE IS  WAR (AND RUMOURS OF IT</strong>), 2008\r\n\r\n<strong> </strong>Text: Kai  Hafez, Martin  Hager,  Nicholas Mirzoeff, Daniel Miller,\r\n\r\nBregje van Eekelen\r\n\r\nPublisher: Bodhi Art  Gallery\r\n\r\n<strong>THREE POINTS OF  VIEWS</strong>, 2008\r\n\r\n<strong> </strong>Text:  Grant Watson\r\n\r\nPublisher: Galerie Mirchandani + Steinruecke\r\n\r\n<strong>NEW NARRATIVES</strong>, 2008\r\n\r\nText: Betty Seid<strong> </strong>\r\n\r\n<strong> </strong>Publisher:  Chicago  Cultural Center\r\n\r\n<strong> </strong><strong>MADE BY INDIANS</strong>, 2007\r\n\r\nText: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\n\r\nPublisher: Galerie Enrico Navarra\r\n\r\nISBN: 2-911596-37-4\r\n\r\n<strong>THERMOCLINE OF  ART: NEW ASIAN WAVES</strong>,  2007\r\n\r\n<strong> </strong>Text:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong<strong> </strong>\r\n\r\nPublisher: Hatje Cantz Vertag\r\n\r\nISBN: 978-3-7757-2073-1\r\n\r\nEAN: 9782911596377\r\n\r\n<strong> INDIAN COLOUR</strong>, 2007\r\n\r\nText: Peter Nagy\r\n\r\nPublisher: Dal- seung Hwang, Keumsan Gallery\r\n\r\n<strong>INDIA</strong><strong> ARTE OGGI</strong>, 2007<strong> </strong>\r\n\r\n<strong> </strong>Text:  Daniela Palazzoli<strong> </strong>\r\n\r\nPublisher: Spazio Oberdan\r\n\r\nISBN: 978-88-202-1867-6\r\n\r\n<strong>URBAN MANNERS</strong>, 2007\r\n\r\nText: Adelina Von Furstenberg\r\n\r\n<strong> </strong>Publisher:  Hangar Bicocca\r\n\r\n<strong>INTERNATIONAL  INCHEON WOMEN ARTISTS BIENNALE, </strong>\r\n\r\n<strong> KNOCKING ON THE DOOR</strong>,  2007\r\n\r\n<strong> </strong>Text:  Sung Hee Kim, John C. Welchman<strong> </strong>\r\n\r\nPublisher: Incheon Culture and Art Centre\r\n\r\n<strong>SOFT  POWER: ASIAN ATTITUDE</strong>,  2007<strong> </strong>\r\n\r\n<strong> </strong>Text:  Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\n\r\nPublisher: Shanghai  Zendai Mumsem of Modern Art\r\n\r\nISBN: 978-7-5356-2790-2\r\n\r\n<strong>INDIA</strong><strong> EXPRESS- ART AND POPULAR CULTURE</strong>, 2006\r\n\r\n<strong> </strong>Text: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze,\r\n\r\nPublisher: Helsinki  City Art  Museum\r\n\r\nISBN: 951-8965-61-7\r\n\r\n<strong>BOMBAY</strong><strong> L’ALBUM MAXIMUM CITY</strong>, 2006\r\n\r\nText: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\n\r\nPublisher: Terrail, Lille 3000\r\n\r\nISBN:  2-87939-325-6<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>INDIAN PAINTINGS  OF THE NEW MILLENNIUM</strong>, 2005\r\n\r\n<strong> </strong>Text: Helen Asquine  Fazio, Gayatri Sinha<strong> </strong>\r\n\r\n<strong> </strong>Publisher: Quick Arts Center, Fairfield University\r\n\r\n<strong>A GUIDE TO 101 MODERN &amp; CONTEMPORARY INDIAN ARTISTS</strong>, 2005\r\n\r\n<strong> </strong>Text: Amrita  Jhaveri\r\n\r\nPublisher: India  Book House\r\n\r\nISBN: 81-7508-423-5\r\n\r\n<strong>ZOOM! ART IN  CONTEMPORARY INDIA</strong>, 2004\r\n\r\n<strong> </strong>Texts:  Luis Serpa and Nancy Adajania<strong> </strong>\r\n\r\n<strong> </strong>Publisher: The Culturgest Museum\r\n\r\nISBN: 972-769-033-5\r\n\r\n<strong>INTERLUDE IN SRI   LANKA</strong>, 2004<strong> </strong>\r\n\r\n<strong> </strong>Text:  Ranjit Hoskote, Nancy Adajania<strong> </strong>\r\n\r\n<strong> </strong>Publisher:  The Guild  Art Gallery\r\n\r\n<strong>GENERATION I</strong>, 2004\r\n\r\nText: Zehra Jumabhoy<strong> </strong>\r\n\r\n<strong> </strong>Publisher:<strong> </strong>Saffronart &amp; The Guild Art Gallery\r\n\r\n<strong>TIRANGA  RIGHTS AND REPONSIBILITIES</strong>,  2003<strong> </strong>\r\n\r\nText: Peter Nagy<strong> </strong>\r\n\r\n<strong> </strong>Publisher: Jindal  Foundation &amp; Creative Arts\r\n\r\n<strong>HARD COPY</strong>, 2003\r\n\r\nText: Peter Nagy\r\n\r\n<strong> </strong>Publisher: Gallery 88\r\n\r\n<strong> </strong><strong>CROSSING  GENERATIONS: DIVERGE</strong><strong>, </strong>2003\r\n\r\n<strong> </strong>Text:  Geeta Kapoor and Chaitanya Sambrani<strong> </strong>\r\n\r\n<strong> </strong>Publisher:<strong> </strong>Gallery Chemould\r\n\r\nPRESS  <strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong><em> </em></strong>\r\n\r\n<strong>THE ARCHIVES OF  THE HEART</strong> <strong> </strong>\r\n\r\nNancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\n\r\nFront Cover, pgs 42-45, 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>GLOBALE KUNST  MIT WURZELDUFT</strong>\r\n\r\nVon Almuth Speigler, Die Presse, Feuilleton, 2<sup>nd</sup> September 2009\r\n\r\n<strong>LANDSCAPES OF  LOSS</strong>\r\n\r\nBeth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>REINCARNATING  HISTORY</strong>\r\n\r\nThe Big Picture, Architect and Interiors, July 2009<strong> </strong>\r\n\r\n<strong>STAMP COLLECTION</strong>\r\n\r\nGeorgina Maddox, The Sunday Express, 17<sup>th</sup> May 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>EVOLVING BEYOND  BORDERS</strong>\r\n\r\nReshma S. Kulkarni, Bombay Times, Times of India,  15<sup>th</sup> January, 2009\r\n\r\n<strong>LO</strong><strong>SS AND FOUND</strong>\r\n\r\nMarina Correa, DNA, Mumbai, 22<sup>nd</sup> January 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>FOCUS INDIA</strong>\r\n\r\nMegha Ralapati, Flash Art, pg 114, January-February 2008\r\n\r\n<strong>COME TOGETHER  RIGHT NOW</strong>\r\n\r\nReema Gehi, HT Café, 15<sup>th</sup> February 2008\r\n\r\n<strong>SUCH A LONG  JOURNEY</strong>\r\n\r\nAparna S Sharma, Elle Magazine, pgs 115-117, February 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong>MORE THAN A  WOMAN</strong>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 4<sup>th</sup> February 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong>ARTIST OF THE  FORTNIGHT</strong>\r\n\r\nMaria Louis, Outlook Profit, pg 79, 18<sup>th</sup> April 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong>DEJA VIEW</strong>\r\n\r\nTara Khilachand, Live Mint, 20<sup>th</sup> December 2008\r\n\r\n<strong>TERROR STRUCK</strong>\r\n\r\nMaria Louis, Outlook Profit, 26<sup>th</sup> December 2008\r\n\r\n<strong>NAME CALLING</strong>\r\n\r\nDeepanjana Pal, Timeout Mumbai, December 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>CORRUPTIONS OF  POWER</strong>\r\n\r\nShiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99,  2007\r\n\r\n<strong>OVER THE RAINBOW</strong>\r\n\r\nMaria Louis, Interview, Verve Magazine, pg 78, November 2006\r\n\r\n<strong> </strong>\r\n\r\n<strong>IN A STATE OF PERENNIAL SIEGE</strong>\r\n\r\nNancy Adajania, The Hindu, Hyderabad, 29<sup>th</sup> October  2006\r\n\r\n<strong>HER CROWNING  ACHIEVEMENT</strong>\r\n\r\nClara Chow, The Straits Times, 18<sup>th</sup> November 2006\r\n\r\n<strong> </strong>\r\n\r\n<strong>POLITICAL CHAOS</strong>\r\n\r\nDeepali Nandwani,  Beautiful people, pg 143, November-December 2006\r\n\r\n<strong>WEAPONS OF MASS  CONSTRUCTION</strong>\r\n\r\nRituparna Som, DNA after Hrs, Mumbai, 9<sup>th</sup> October, 2006\r\n\r\n<strong> </strong>\r\n\r\n<strong> GUNS AND ROSES</strong>\r\n\r\nRachna Nakra, The Indian Express,  Mumbai Newsline, 18<sup>th</sup> September 2006\r\n\r\n<strong> UNDER ATTACK</strong>\r\n\r\nGitanjali Dang, HT Mumbai, 22<sup>nd</sup> September 2006\r\n\r\n<strong> TIME TRAVELLER</strong>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline,  27<sup>th</sup> June 2006      <strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>THE FLOWER AND  THE SWORD</strong>\r\n\r\nGirish Shahane, The Art News magazine of India,  pg 93, volume X issue I, 2004\r\n\r\n<strong>INDIA</strong><strong>’S TOP 100 ACHIEVERS</strong>\r\n\r\nSociety Magazine, pg 137, December 2004\r\n\r\n<strong>CAUGHT BETWEEEN  DEMONS</strong>\r\n\r\nNancy Adajania, The Hindu, 19<sup>th</sup> December  2004\r\n\r\n<strong>EN REISE TIL INDIA</strong>\r\n\r\nHarald Flor, Dagbladet, Kultur, 2<sup>nd</sup> February 2003\r\n\r\n<strong> </strong>\r\n\r\n<strong>SIGNS OF  RESISTANCE</strong>\r\n\r\nNancy Adajania, The Hindu, 5<sup>th</sup> January  2003\r\n\r\n<strong>OF THE GODDESS  AND DEMON IN THE MIND</strong>\r\n\r\nDebbie Rodgers, Sunday edition Vijay Times, Bangalore, 5<sup>th</sup> January 2003\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>EMPATHIC ANGER</strong>\r\n\r\nMarta Jakimowicz, Deccan Herald, 23<sup>rd</sup> December 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong>MYSORE</strong><strong> EK KHOJ</strong>\r\n\r\nCross Fertilization of Culture, Interview in Star of Mysore, 27<sup>th</sup> October 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong> LINKING ISLANDS</strong>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 15<sup>th</sup> February  2002\r\n\r\n<strong>CREATING TO  DESTROY</strong>\r\n\r\nJasmine Shah Varma, The List, Mid Day, 22<sup>nd</sup> February 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong>DIFFERENT  STROKES</strong>\r\n\r\nGeorgina L Maddox, The Indian Express, Mumbai Newsline,  24<sup>th</sup> July 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong>OF FAITH AND  HUNGER</strong>\r\n\r\nAbhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89,  December 2000\r\n\r\n<strong> </strong>\r\n\r\n<strong>THE MURMUR OF  SKIN</strong>\r\n\r\nNupur Mahajan, Bombay Times, Times  of India, 12<sup>th</sup> October 2000\r\n\r\n<strong>NOT JUST SKIN  DEEP</strong>\r\n\r\nJasmine Shah Varma, The List, Mid-day, 4<sup>th</sup> October 2000\r\n\r\n<strong>INSIDE OUT</strong>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 11<sup>th</sup> October  2000\r\n\r\n<strong>SCINTILLATING  SKIN</strong>\r\n\r\nVaibhav Purandare, The Asian Age, 14<sup>th</sup> October 2000\r\n\r\n<strong>AN ARTIST’S  WORLD: ROTI, MAKAAN &amp; ABSTRACT ART</strong>\r\n\r\nPoonam Goel, HT City, 23<sup>rd</sup> December 2000\r\n\r\n<strong> </strong>\r\n\r\n<strong>WITHIN YOU,  WITHOUT YOU</strong>\r\n\r\nAnu Kumar, Indian Express,  Express Newsline, 2<sup>nd</sup> September 1998\r\n\r\n<strong>FARMING INTRIRUE</strong>\r\n\r\nJerry Pinto, The Times of India, Bombay Times, 3<sup>rd</sup> September 1998\r\n\r\n<strong> </strong>\r\n\r\n<strong>INTERACTIVE  MEDIUM</strong>\r\n\r\nKaren Pereira, Indian  Architect &amp; Builder, pgs 102-104, October 1998','Publications','','inherit','open','open','','87-revision-63','','','2010-07-04 11:16:23','2010-07-04 11:16:23','',87,'http://www.biggventures.com/demo/artists/1350/uncat/87-revision-63',0,'revision','',0),(1351,1,'2010-07-04 11:25:26','2010-07-04 11:25:26','<table style=\"margin-left: 5px;\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\" width=\"58%\" align=\"centre\">\r\n<tbody>\r\n<tr>\r\n<td width=\"35%\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Reena Saini Kallat</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2008</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/reena-kallat\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Rainbow of Refuse</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2006</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/rainbow-of-refuse\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Black Flute and Other Stories</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2004</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/black-flute\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>The Battlefield Is The Mind</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2002</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/battlefield-of-mind\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>SKIN</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2000</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/skin\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Orchard of Home-grown Secrets</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>1998</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/orchard-of-home-grown-screts\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<!-- Start of Other Publications -->\r\n<span class=\"pubstrong\">BOOKS/  CATALOGUES </span>\r\n<br>\r\n<br>\r\n<span class=\"pubstrong\">REENA SAINI  KALLAT</span>, 2009\r\n\r\nText: Nancy Adajania and Murtaza Vali\r\n\r\nPublisher: Primo Marella Gallery, Walsh Gallery and Chemould   Prescott Road\r\n\r\nISBN:  978-81-908879-1-5\r\n\r\n<strong class=\"pubstrong\">RAINBOW OF  REFUSE</strong>, 2006\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher: Bodhi Art Gallery\r\n\r\n<strong> </strong><strong class=\"pubstrong\">BLACK  FLUTE (AND OTHER STORIES)</strong>,<strong> </strong>2005\r\n\r\n<strong> BLACK FLUTE</strong>, 2004\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher: Gallery Chemould  and Nature Morte Gallery\r\n\r\n<strong>THE BATTLEFIELD  IS THE MIND</strong>, 2002<strong> </strong>\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher:  Sakshi Gallery\r\n\r\n<strong>SKIN</strong>,<strong> </strong>2000\r\n\r\nInterview with  Jitish Kallat\r\n\r\nPublisher:  Gallery Chemould and Vis-à-vis Art Inc. Gallery\r\n\r\n<strong>ORCHARD OF  HOME-GROWN SECRETS</strong>, 1998<strong> </strong>\r\n\r\nText: Ranjit Hoskote\r\n\r\nPublisher: Gallery Chemould and Pundole  Art Gallery\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong><em>GROUP  SHOWS</em></strong>\r\n\r\n<strong><em> </em></strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>NEVER RUN AWAY</strong>, 2010\r\n\r\nText: Shaheen  Merali\r\n\r\nPublisher: Stux Gallery\r\n\r\n<strong>URBAN MANNERS 2</strong>, 2010<strong><em> </em></strong>\r\n\r\nText: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\n\r\nPublisher: SESC Pompeia, Sao Paulo\r\n\r\n<strong> </strong>\r\n\r\n<strong>THE EMPIRE  STRIKES BACK</strong>, 2010<strong> </strong>\r\n\r\nText: Zehra Jumabhoy\r\n\r\nPublisher: Saatchi Gallery\r\n\r\n<strong> </strong><strong> </strong>\r\n\r\n<strong>VIEW POINTS AND  VIEWINGS POINTS- ASIAN ART BIENNALE</strong>, 2009<strong> </strong>\r\n\r\nText: Chao-yi-Tsai\r\n\r\nPublisher: National Taiwan Museum of fine Arts\r\n\r\n<strong>INDIA</strong><strong> XIANZAI:  CONTEMPORARY INDIAN ART</strong>,  2009\r\n\r\n<strong> </strong>Text: Jitish  Kallat, Diana Freundl, Alexander Keefe\r\n\r\nPublisher: Museum  of Contemporary  Art\r\n\r\n<strong>CHALO! INDIA: A  NEW ERA OF INDIAN ART</strong>, 2009<strong> </strong>\r\n\r\nText: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki, Miho\r\n\r\nTagomori\r\n\r\nPublisher: National Museum of Contemporary Art and Essl  Museum\r\n\r\nISBN: 978-3-7913-4304-4\r\n\r\n<strong>CHALO! INDIA: A NEW ERA OF INDIAN ART</strong>,  208<strong><em> </em></strong>\r\n\r\nText: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman\r\n\r\nGopinath, Jayaram, Deepak Ananth\r\n\r\nPublisher:  Mori Art Museum\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong><strong>INDIA</strong><strong> MODERNA</strong>, 2008<strong> </strong>\r\n\r\nText: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur,\r\n\r\nR.Siva  Kumar,  K.G. Subramanyan\r\n\r\nPublisher: IVAM (Institute Valencia D’Art Modern)\r\n\r\n<strong>EVERYWHERE IS  WAR (AND RUMOURS OF IT</strong>), 2008\r\n\r\n<strong> </strong>Text: Kai  Hafez, Martin  Hager,  Nicholas Mirzoeff, Daniel Miller,\r\n\r\nBregje van Eekelen\r\n\r\nPublisher: Bodhi Art  Gallery\r\n\r\n<strong>THREE POINTS OF  VIEWS</strong>, 2008\r\n\r\n<strong> </strong>Text:  Grant Watson\r\n\r\nPublisher: Galerie Mirchandani + Steinruecke\r\n\r\n<strong>NEW NARRATIVES</strong>, 2008\r\n\r\nText: Betty Seid<strong> </strong>\r\n\r\n<strong> </strong>Publisher:  Chicago  Cultural Center\r\n\r\n<strong> </strong><strong>MADE BY INDIANS</strong>, 2007\r\n\r\nText: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\n\r\nPublisher: Galerie Enrico Navarra\r\n\r\nISBN: 2-911596-37-4\r\n\r\n<strong>THERMOCLINE OF  ART: NEW ASIAN WAVES</strong>,  2007\r\n\r\n<strong> </strong>Text:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong<strong> </strong>\r\n\r\nPublisher: Hatje Cantz Vertag\r\n\r\nISBN: 978-3-7757-2073-1\r\n\r\nEAN: 9782911596377\r\n\r\n<strong> INDIAN COLOUR</strong>, 2007\r\n\r\nText: Peter Nagy\r\n\r\nPublisher: Dal- seung Hwang, Keumsan Gallery\r\n\r\n<strong>INDIA</strong><strong> ARTE OGGI</strong>, 2007<strong> </strong>\r\n\r\n<strong> </strong>Text:  Daniela Palazzoli<strong> </strong>\r\n\r\nPublisher: Spazio Oberdan\r\n\r\nISBN: 978-88-202-1867-6\r\n\r\n<strong>URBAN MANNERS</strong>, 2007\r\n\r\nText: Adelina Von Furstenberg\r\n\r\n<strong> </strong>Publisher:  Hangar Bicocca\r\n\r\n<strong>INTERNATIONAL  INCHEON WOMEN ARTISTS BIENNALE, </strong>\r\n\r\n<strong> KNOCKING ON THE DOOR</strong>,  2007\r\n\r\n<strong> </strong>Text:  Sung Hee Kim, John C. Welchman<strong> </strong>\r\n\r\nPublisher: Incheon Culture and Art Centre\r\n\r\n<strong>SOFT  POWER: ASIAN ATTITUDE</strong>,  2007<strong> </strong>\r\n\r\n<strong> </strong>Text:  Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\n\r\nPublisher: Shanghai  Zendai Mumsem of Modern Art\r\n\r\nISBN: 978-7-5356-2790-2\r\n\r\n<strong>INDIA</strong><strong> EXPRESS- ART AND POPULAR CULTURE</strong>, 2006\r\n\r\n<strong> </strong>Text: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze,\r\n\r\nPublisher: Helsinki  City Art  Museum\r\n\r\nISBN: 951-8965-61-7\r\n\r\n<strong>BOMBAY</strong><strong> L’ALBUM MAXIMUM CITY</strong>, 2006\r\n\r\nText: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\n\r\nPublisher: Terrail, Lille 3000\r\n\r\nISBN:  2-87939-325-6<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>INDIAN PAINTINGS  OF THE NEW MILLENNIUM</strong>, 2005\r\n\r\n<strong> </strong>Text: Helen Asquine  Fazio, Gayatri Sinha<strong> </strong>\r\n\r\n<strong> </strong>Publisher: Quick Arts Center, Fairfield University\r\n\r\n<strong>A GUIDE TO 101 MODERN &amp; CONTEMPORARY INDIAN ARTISTS</strong>, 2005\r\n\r\n<strong> </strong>Text: Amrita  Jhaveri\r\n\r\nPublisher: India  Book House\r\n\r\nISBN: 81-7508-423-5\r\n\r\n<strong>ZOOM! ART IN  CONTEMPORARY INDIA</strong>, 2004\r\n\r\n<strong> </strong>Texts:  Luis Serpa and Nancy Adajania<strong> </strong>\r\n\r\n<strong> </strong>Publisher: The Culturgest Museum\r\n\r\nISBN: 972-769-033-5\r\n\r\n<strong>INTERLUDE IN SRI   LANKA</strong>, 2004<strong> </strong>\r\n\r\n<strong> </strong>Text:  Ranjit Hoskote, Nancy Adajania<strong> </strong>\r\n\r\n<strong> </strong>Publisher:  The Guild  Art Gallery\r\n\r\n<strong>GENERATION I</strong>, 2004\r\n\r\nText: Zehra Jumabhoy<strong> </strong>\r\n\r\n<strong> </strong>Publisher:<strong> </strong>Saffronart &amp; The Guild Art Gallery\r\n\r\n<strong>TIRANGA  RIGHTS AND REPONSIBILITIES</strong>,  2003<strong> </strong>\r\n\r\nText: Peter Nagy<strong> </strong>\r\n\r\n<strong> </strong>Publisher: Jindal  Foundation &amp; Creative Arts\r\n\r\n<strong>HARD COPY</strong>, 2003\r\n\r\nText: Peter Nagy\r\n\r\n<strong> </strong>Publisher: Gallery 88\r\n\r\n<strong> </strong><strong>CROSSING  GENERATIONS: DIVERGE</strong><strong>, </strong>2003\r\n\r\n<strong> </strong>Text:  Geeta Kapoor and Chaitanya Sambrani<strong> </strong>\r\n\r\n<strong> </strong>Publisher:<strong> </strong>Gallery Chemould\r\n\r\nPRESS  <strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong><em> </em></strong>\r\n\r\n<strong>THE ARCHIVES OF  THE HEART</strong> <strong> </strong>\r\n\r\nNancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\n\r\nFront Cover, pgs 42-45, 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>GLOBALE KUNST  MIT WURZELDUFT</strong>\r\n\r\nVon Almuth Speigler, Die Presse, Feuilleton, 2<sup>nd</sup> September 2009\r\n\r\n<strong>LANDSCAPES OF  LOSS</strong>\r\n\r\nBeth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>REINCARNATING  HISTORY</strong>\r\n\r\nThe Big Picture, Architect and Interiors, July 2009<strong> </strong>\r\n\r\n<strong>STAMP COLLECTION</strong>\r\n\r\nGeorgina Maddox, The Sunday Express, 17<sup>th</sup> May 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>EVOLVING BEYOND  BORDERS</strong>\r\n\r\nReshma S. Kulkarni, Bombay Times, Times of India,  15<sup>th</sup> January, 2009\r\n\r\n<strong>LO</strong><strong>SS AND FOUND</strong>\r\n\r\nMarina Correa, DNA, Mumbai, 22<sup>nd</sup> January 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>FOCUS INDIA</strong>\r\n\r\nMegha Ralapati, Flash Art, pg 114, January-February 2008\r\n\r\n<strong>COME TOGETHER  RIGHT NOW</strong>\r\n\r\nReema Gehi, HT Café, 15<sup>th</sup> February 2008\r\n\r\n<strong>SUCH A LONG  JOURNEY</strong>\r\n\r\nAparna S Sharma, Elle Magazine, pgs 115-117, February 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong>MORE THAN A  WOMAN</strong>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 4<sup>th</sup> February 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong>ARTIST OF THE  FORTNIGHT</strong>\r\n\r\nMaria Louis, Outlook Profit, pg 79, 18<sup>th</sup> April 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong>DEJA VIEW</strong>\r\n\r\nTara Khilachand, Live Mint, 20<sup>th</sup> December 2008\r\n\r\n<strong>TERROR STRUCK</strong>\r\n\r\nMaria Louis, Outlook Profit, 26<sup>th</sup> December 2008\r\n\r\n<strong>NAME CALLING</strong>\r\n\r\nDeepanjana Pal, Timeout Mumbai, December 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>CORRUPTIONS OF  POWER</strong>\r\n\r\nShiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99,  2007\r\n\r\n<strong>OVER THE RAINBOW</strong>\r\n\r\nMaria Louis, Interview, Verve Magazine, pg 78, November 2006\r\n\r\n<strong> </strong>\r\n\r\n<strong>IN A STATE OF PERENNIAL SIEGE</strong>\r\n\r\nNancy Adajania, The Hindu, Hyderabad, 29<sup>th</sup> October  2006\r\n\r\n<strong>HER CROWNING  ACHIEVEMENT</strong>\r\n\r\nClara Chow, The Straits Times, 18<sup>th</sup> November 2006\r\n\r\n<strong> </strong>\r\n\r\n<strong>POLITICAL CHAOS</strong>\r\n\r\nDeepali Nandwani,  Beautiful people, pg 143, November-December 2006\r\n\r\n<strong>WEAPONS OF MASS  CONSTRUCTION</strong>\r\n\r\nRituparna Som, DNA after Hrs, Mumbai, 9<sup>th</sup> October, 2006\r\n\r\n<strong> </strong>\r\n\r\n<strong> GUNS AND ROSES</strong>\r\n\r\nRachna Nakra, The Indian Express,  Mumbai Newsline, 18<sup>th</sup> September 2006\r\n\r\n<strong> UNDER ATTACK</strong>\r\n\r\nGitanjali Dang, HT Mumbai, 22<sup>nd</sup> September 2006\r\n\r\n<strong> TIME TRAVELLER</strong>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline,  27<sup>th</sup> June 2006      <strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>THE FLOWER AND  THE SWORD</strong>\r\n\r\nGirish Shahane, The Art News magazine of India,  pg 93, volume X issue I, 2004\r\n\r\n<strong>INDIA</strong><strong>’S TOP 100 ACHIEVERS</strong>\r\n\r\nSociety Magazine, pg 137, December 2004\r\n\r\n<strong>CAUGHT BETWEEEN  DEMONS</strong>\r\n\r\nNancy Adajania, The Hindu, 19<sup>th</sup> December  2004\r\n\r\n<strong>EN REISE TIL INDIA</strong>\r\n\r\nHarald Flor, Dagbladet, Kultur, 2<sup>nd</sup> February 2003\r\n\r\n<strong> </strong>\r\n\r\n<strong>SIGNS OF  RESISTANCE</strong>\r\n\r\nNancy Adajania, The Hindu, 5<sup>th</sup> January  2003\r\n\r\n<strong>OF THE GODDESS  AND DEMON IN THE MIND</strong>\r\n\r\nDebbie Rodgers, Sunday edition Vijay Times, Bangalore, 5<sup>th</sup> January 2003\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>EMPATHIC ANGER</strong>\r\n\r\nMarta Jakimowicz, Deccan Herald, 23<sup>rd</sup> December 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong>MYSORE</strong><strong> EK KHOJ</strong>\r\n\r\nCross Fertilization of Culture, Interview in Star of Mysore, 27<sup>th</sup> October 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong> LINKING ISLANDS</strong>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 15<sup>th</sup> February  2002\r\n\r\n<strong>CREATING TO  DESTROY</strong>\r\n\r\nJasmine Shah Varma, The List, Mid Day, 22<sup>nd</sup> February 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong>DIFFERENT  STROKES</strong>\r\n\r\nGeorgina L Maddox, The Indian Express, Mumbai Newsline,  24<sup>th</sup> July 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong>OF FAITH AND  HUNGER</strong>\r\n\r\nAbhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89,  December 2000\r\n\r\n<strong> </strong>\r\n\r\n<strong>THE MURMUR OF  SKIN</strong>\r\n\r\nNupur Mahajan, Bombay Times, Times  of India, 12<sup>th</sup> October 2000\r\n\r\n<strong>NOT JUST SKIN  DEEP</strong>\r\n\r\nJasmine Shah Varma, The List, Mid-day, 4<sup>th</sup> October 2000\r\n\r\n<strong>INSIDE OUT</strong>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 11<sup>th</sup> October  2000\r\n\r\n<strong>SCINTILLATING  SKIN</strong>\r\n\r\nVaibhav Purandare, The Asian Age, 14<sup>th</sup> October 2000\r\n\r\n<strong>AN ARTIST’S  WORLD: ROTI, MAKAAN &amp; ABSTRACT ART</strong>\r\n\r\nPoonam Goel, HT City, 23<sup>rd</sup> December 2000\r\n\r\n<strong> </strong>\r\n\r\n<strong>WITHIN YOU,  WITHOUT YOU</strong>\r\n\r\nAnu Kumar, Indian Express,  Express Newsline, 2<sup>nd</sup> September 1998\r\n\r\n<strong>FARMING INTRIRUE</strong>\r\n\r\nJerry Pinto, The Times of India, Bombay Times, 3<sup>rd</sup> September 1998\r\n\r\n<strong> </strong>\r\n\r\n<strong>INTERACTIVE  MEDIUM</strong>\r\n\r\nKaren Pereira, Indian  Architect &amp; Builder, pgs 102-104, October 1998','Publications','','inherit','open','open','','87-revision-64','','','2010-07-04 11:25:26','2010-07-04 11:25:26','',87,'http://www.biggventures.com/demo/artists/1351/uncat/87-revision-64',0,'revision','',0);
INSERT INTO `wp_posts` VALUES (1354,1,'2010-07-04 11:35:06','2010-07-04 11:35:06','<table style=\"margin-left: 5px;\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\" width=\"58%\" align=\"centre\">\r\n<tbody>\r\n<tr>\r\n<td width=\"35%\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Reena Saini Kallat</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2008</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/reena-kallat\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Rainbow of Refuse</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2006</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/rainbow-of-refuse\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Black Flute and Other Stories</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2004</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/black-flute\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>The Battlefield Is The Mind</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2002</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/battlefield-of-mind\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>SKIN</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2000</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/skin\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Orchard of Home-grown Secrets</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>1998</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/orchard-of-home-grown-screts\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<!-- Start of Other Publications -->\r\n<span class=\"pubstrong\" style=\"color:#000000;\">BOOKS/  CATALOGUES </span>\r\n<br>\r\n<br>\r\n<span class=\"pubstrong\">Reena Saini Kallat,</span> 2009\r\n<span>\r\nText: Nancy Adajania and Murtaza Vali \r\nPublisher: Primo Marella Gallery, Walsh Gallery and Chemould Prescott Road \r\nISBN: 978-81-908879-1-5 \r\n</span>\r\n<span class=\"pubstrong\">RAINBOW OF  REFUSE</span>, 2006\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher: Bodhi Art Gallery\r\n\r\n<span> </span><span class=\"pubstrong\">BLACK  FLUTE (AND OTHER STORIES)</span>,<span> </span>2005\r\n\r\n<span class=\"pubstrong\"> BLACK FLUTE</span>, 2004\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher: Gallery Chemould  and Nature Morte Gallery\r\n\r\n<span class=\"pubstrong\">THE BATTLEFIELD  IS THE MIND</span>, 2002<span> </span>\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher:  Sakshi Gallery\r\n\r\n<span class=\"pubstrong\">SKIN</span>,<span> </span>2000\r\n\r\nInterview with  Jitish Kallat\r\n\r\nPublisher:  Gallery Chemould and Vis-à-vis Art Inc. Gallery\r\n\r\n<span class=\"pubstrong\">ORCHARD OF  HOME-GROWN SECRETS</span>, 1998<span> </span>\r\n\r\nText: Ranjit Hoskote\r\n\r\nPublisher: Gallery Chemould and Pundole  Art Gallery\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span class=\"pubstrong\">NEVER RUN AWAY</span>, 2010\r\n\r\nText: Shaheen  Merali\r\n\r\nPublisher: Stux Gallery\r\n\r\n<span class=\"pubstrong\">URBAN MANNERS 2</span>, 2010<span><em> </em></span>\r\n\r\nText: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\n\r\nPublisher: SESC Pompeia, Sao Paulo\r\n\r\n<span> </span>\r\n\r\n<span class=\"pubstrong\">THE EMPIRE  STRIKES BACK</span>, 2010<span> </span>\r\n\r\nText: Zehra Jumabhoy\r\n\r\nPublisher: Saatchi Gallery\r\n\r\n<span> </span><span> </span>\r\n\r\n<span class=\"pubstrong\">VIEW POINTS AND  VIEWINGS POINTS- ASIAN ART BIENNALE</span>, 2009<span> </span>\r\n\r\nText: Chao-yi-Tsai\r\n\r\nPublisher: National Taiwan Museum of fine Arts\r\n\r\n<span class=\"pubstrong\">INDIA</span><span class=\"pubstrong\"> XIANZAI:  CONTEMPORARY INDIAN ART</span>,  2009\r\n\r\n<span> </span>Text: Jitish  Kallat, Diana Freundl, Alexander Keefe\r\n\r\nPublisher: Museum  of Contemporary  Art\r\n\r\n<span class=\"pubstrong\">CHALO! INDIA: A  NEW ERA OF INDIAN ART</span>, 2009<span> </span>\r\n\r\nText: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki, Miho\r\n\r\nTagomori\r\n\r\nPublisher: National Museum of Contemporary Art and Essl  Museum\r\n\r\nISBN: 978-3-7913-4304-4\r\n\r\n<span class=\"pubstrong\">CHALO! INDIA: A NEW ERA OF INDIAN ART</span>,  2008<span><em> </em></span>\r\n\r\nText: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman\r\n\r\nGopinath, Jayaram, Deepak Ananth\r\n\r\nPublisher:  Mori Art Museum\r\n\r\n<span> </span>\r\n\r\n<span> </span><span class=\"pubstrong\">INDIA</span><span class=\"pubstrong\"> MODERNA</span>, 2008<span> </span>\r\n\r\nText: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur,\r\n\r\nR.Siva  Kumar,  K.G. Subramanyan\r\n\r\nPublisher: IVAM (Institute Valencia D’Art Modern)\r\n\r\n<span class=\"pubstrong\">EVERYWHERE IS  WAR (AND RUMOURS OF IT</span>), 2008\r\n\r\n<span class=\"pubstrong\"> </span>Text: Kai  Hafez, Martin  Hager,  Nicholas Mirzoeff, Daniel Miller,\r\n\r\nBregje van Eekelen\r\n\r\nPublisher: Bodhi Art  Gallery\r\n\r\n<span class=\"pubstrong\">THREE POINTS OF  VIEWS</span>, 2008\r\n\r\n<span> </span>Text:  Grant Watson\r\n\r\nPublisher: Galerie Mirchandani + Steinruecke\r\n\r\n<span class=\"pubstrong\">NEW NARRATIVES</span>, 2008\r\n\r\nText: Betty Seid<span> </span>\r\n\r\n<span> </span>Publisher:  Chicago  Cultural Center\r\n\r\n<span> </span><span class=\"pubstrong\">MADE BY INDIANS</span>, 2007\r\n\r\nText: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\n\r\nPublisher: Galerie Enrico Navarra\r\n\r\nISBN: 2-911596-37-4\r\n\r\n<span class=\"pubstrong\">THERMOCLINE OF  ART: NEW ASIAN WAVES</span>,  2007\r\n\r\n<span> </span>Text:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong<span> </span>\r\n\r\nPublisher: Hatje Cantz Vertag\r\n\r\nISBN: 978-3-7757-2073-1\r\n\r\nEAN: 9782911596377\r\n\r\n<span class=\"pubstrong\"> INDIAN COLOUR</span>, 2007\r\n\r\nText: Peter Nagy\r\n\r\nPublisher: Dal- seung Hwang, Keumsan Gallery\r\n\r\n<span class=\"pubstrong\">INDIA</span><span class=\"pubstrong\"> ARTE OGGI</span>, 2007<span> </span>\r\n\r\n<span> </span>Text:  Daniela Palazzoli<span> </span>\r\n\r\nPublisher: Spazio Oberdan\r\n\r\nISBN: 978-88-202-1867-6\r\n\r\n<span class=\"pubstrong\">URBAN MANNERS</span>, 2007\r\n\r\nText: Adelina Von Furstenberg\r\n\r\n<span> </span>Publisher:  Hangar Bicocca\r\n\r\n<span class=\"pubstrong\">INTERNATIONAL  INCHEON WOMEN ARTISTS BIENNALE, </span>\r\n\r\n<span class=\"pubstrong\"> KNOCKING ON THE DOOR</span>,  2007\r\n\r\n<span> </span>Text:  Sung Hee Kim, John C. Welchman<span> </span>\r\n\r\nPublisher: Incheon Culture and Art Centre\r\n\r\n<span class=\"pubstrong\">SOFT  POWER: ASIAN ATTITUDE</span>,  2007<span> </span>\r\n\r\n<span> </span>Text:  Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\n\r\nPublisher: Shanghai  Zendai Mumsem of Modern Art\r\n\r\nISBN: 978-7-5356-2790-2\r\n\r\n<span>INDIA</span><span> EXPRESS- ART AND POPULAR CULTURE</span>, 2006\r\n\r\n<span> </span>Text: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze,\r\n\r\nPublisher: Helsinki  City Art  Museum\r\n\r\nISBN: 951-8965-61-7\r\n\r\n<span>BOMBAY</span><span> L’ALBUM MAXIMUM CITY</span>, 2006\r\n\r\nText: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\n\r\nPublisher: Terrail, Lille 3000\r\n\r\nISBN:  2-87939-325-6<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span>INDIAN PAINTINGS  OF THE NEW MILLENNIUM</span>, 2005\r\n\r\n<span> </span>Text: Helen Asquine  Fazio, Gayatri Sinha<span> </span>\r\n\r\n<span> </span>Publisher: Quick Arts Center, Fairfield University\r\n\r\n<span>A GUIDE TO 101 MODERN &amp; CONTEMPORARY INDIAN ARTISTS</span>, 2005\r\n\r\n<span> </span>Text: Amrita  Jhaveri\r\n\r\nPublisher: India  Book House\r\n\r\nISBN: 81-7508-423-5\r\n\r\n<span>ZOOM! ART IN  CONTEMPORARY INDIA</span>, 2004\r\n\r\n<span> </span>Texts:  Luis Serpa and Nancy Adajania<span> </span>\r\n\r\n<span> </span>Publisher: The Culturgest Museum\r\n\r\nISBN: 972-769-033-5\r\n\r\n<span>INTERLUDE IN SRI   LANKA</span>, 2004<span> </span>\r\n\r\n<span> </span>Text:  Ranjit Hoskote, Nancy Adajania<span> </span>\r\n\r\n<span> </span>Publisher:  The Guild  Art Gallery\r\n\r\n<span>GENERATION I</span>, 2004\r\n\r\nText: Zehra Jumabhoy<span> </span>\r\n\r\n<span> </span>Publisher:<span> </span>Saffronart &amp; The Guild Art Gallery\r\n\r\n<span>TIRANGA  RIGHTS AND REPONSIBILITIES</span>,  2003<span> </span>\r\n\r\nText: Peter Nagy<span> </span>\r\n\r\n<span> </span>Publisher: Jindal  Foundation &amp; Creative Arts\r\n\r\n<span>HARD COPY</span>, 2003\r\n\r\nText: Peter Nagy\r\n\r\n<span> </span>Publisher: Gallery 88\r\n\r\n<span> </span><span>CROSSING  GENERATIONS: DIVERGE</span><span>, </span>2003\r\n\r\n<span> </span>Text:  Geeta Kapoor and Chaitanya Sambrani<span> </span>\r\n\r\n<span> </span>Publisher:<span> </span>Gallery Chemould\r\n\r\nPRESS  <span> </span>\r\n\r\n<span> </span>\r\n\r\n<span><em> </em></span>\r\n\r\n<span>THE ARCHIVES OF  THE HEART</span> <span> </span>\r\n\r\nNancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\n\r\nFront Cover, pgs 42-45, 2009\r\n\r\n<span> </span>\r\n\r\n<span>GLOBALE KUNST  MIT WURZELDUFT</span>\r\n\r\nVon Almuth Speigler, Die Presse, Feuilleton, 2<sup>nd</sup> September 2009\r\n\r\n<span>LANDSCAPES OF  LOSS</span>\r\n\r\nBeth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009\r\n\r\n<span> </span>\r\n\r\n<span>REINCARNATING  HISTORY</span>\r\n\r\nThe Big Picture, Architect and Interiors, July 2009<span> </span>\r\n\r\n<span>STAMP COLLECTION</span>\r\n\r\nGeorgina Maddox, The Sunday Express, 17<sup>th</sup> May 2009\r\n\r\n<span> </span>\r\n\r\n<span>EVOLVING BEYOND  BORDERS</span>\r\n\r\nReshma S. Kulkarni, Bombay Times, Times of India,  15<sup>th</sup> January, 2009\r\n\r\n<span>LO</span><span>SS AND FOUND</span>\r\n\r\nMarina Correa, DNA, Mumbai, 22<sup>nd</sup> January 2009\r\n\r\n<span> </span>\r\n\r\n<span>FOCUS INDIA</span>\r\n\r\nMegha Ralapati, Flash Art, pg 114, January-February 2008\r\n\r\n<span>COME TOGETHER  RIGHT NOW</span>\r\n\r\nReema Gehi, HT Café, 15<sup>th</sup> February 2008\r\n\r\n<span>SUCH A LONG  JOURNEY</span>\r\n\r\nAparna S Sharma, Elle Magazine, pgs 115-117, February 2008\r\n\r\n<span> </span>\r\n\r\n<span>MORE THAN A  WOMAN</span>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 4<sup>th</sup> February 2008\r\n\r\n<span> </span>\r\n\r\n<span>ARTIST OF THE  FORTNIGHT</span>\r\n\r\nMaria Louis, Outlook Profit, pg 79, 18<sup>th</sup> April 2008\r\n\r\n<span> </span>\r\n\r\n<span>DEJA VIEW</span>\r\n\r\nTara Khilachand, Live Mint, 20<sup>th</sup> December 2008\r\n\r\n<span>TERROR STRUCK</span>\r\n\r\nMaria Louis, Outlook Profit, 26<sup>th</sup> December 2008\r\n\r\n<span>NAME CALLING</span>\r\n\r\nDeepanjana Pal, Timeout Mumbai, December 2008\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span>CORRUPTIONS OF  POWER</span>\r\n\r\nShiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99,  2007\r\n\r\n<span>OVER THE RAINBOW</span>\r\n\r\nMaria Louis, Interview, Verve Magazine, pg 78, November 2006\r\n\r\n<span> </span>\r\n\r\n<span>IN A STATE OF PERENNIAL SIEGE</span>\r\n\r\nNancy Adajania, The Hindu, Hyderabad, 29<sup>th</sup> October  2006\r\n\r\n<span>HER CROWNING  ACHIEVEMENT</span>\r\n\r\nClara Chow, The Straits Times, 18<sup>th</sup> November 2006\r\n\r\n<span> </span>\r\n\r\n<span>POLITICAL CHAOS</span>\r\n\r\nDeepali Nandwani,  Beautiful people, pg 143, November-December 2006\r\n\r\n<span>WEAPONS OF MASS  CONSTRUCTION</span>\r\n\r\nRituparna Som, DNA after Hrs, Mumbai, 9<sup>th</sup> October, 2006\r\n\r\n<span> </span>\r\n\r\n<span> GUNS AND ROSES</span>\r\n\r\nRachna Nakra, The Indian Express,  Mumbai Newsline, 18<sup>th</sup> September 2006\r\n\r\n<span> UNDER ATTACK</span>\r\n\r\nGitanjali Dang, HT Mumbai, 22<sup>nd</sup> September 2006\r\n\r\n<span> TIME TRAVELLER</span>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline,  27<sup>th</sup> June 2006      <span> </span>\r\n\r\n<span> </span>\r\n\r\n<span>THE FLOWER AND  THE SWORD</span>\r\n\r\nGirish Shahane, The Art News magazine of India,  pg 93, volume X issue I, 2004\r\n\r\n<span>INDIA</span><span>’S TOP 100 ACHIEVERS</span>\r\n\r\nSociety Magazine, pg 137, December 2004\r\n\r\n<span>CAUGHT BETWEEEN  DEMONS</span>\r\n\r\nNancy Adajania, The Hindu, 19<sup>th</sup> December  2004\r\n\r\n<span>EN REISE TIL INDIA</span>\r\n\r\nHarald Flor, Dagbladet, Kultur, 2<sup>nd</sup> February 2003\r\n\r\n<span> </span>\r\n\r\n<span>SIGNS OF  RESISTANCE</span>\r\n\r\nNancy Adajania, The Hindu, 5<sup>th</sup> January  2003\r\n\r\n<span>OF THE GODDESS  AND DEMON IN THE MIND</span>\r\n\r\nDebbie Rodgers, Sunday edition Vijay Times, Bangalore, 5<sup>th</sup> January 2003\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span>EMPATHIC ANGER</span>\r\n\r\nMarta Jakimowicz, Deccan Herald, 23<sup>rd</sup> December 2002\r\n\r\n<span> </span>\r\n\r\n<span>MYSORE</span><span> EK KHOJ</span>\r\n\r\nCross Fertilization of Culture, Interview in Star of Mysore, 27<sup>th</sup> October 2002\r\n\r\n<span> </span>\r\n\r\n<span> LINKING ISLANDS</span>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 15<sup>th</sup> February  2002\r\n\r\n<span>CREATING TO  DESTROY</span>\r\n\r\nJasmine Shah Varma, The List, Mid Day, 22<sup>nd</sup> February 2002\r\n\r\n<span> </span>\r\n\r\n<span>DIFFERENT  STROKES</span>\r\n\r\nGeorgina L Maddox, The Indian Express, Mumbai Newsline,  24<sup>th</sup> July 2002\r\n\r\n<span> </span>\r\n\r\n<span>OF FAITH AND  HUNGER</span>\r\n\r\nAbhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89,  December 2000\r\n\r\n<span> </span>\r\n\r\n<span>THE MURMUR OF  SKIN</span>\r\n\r\nNupur Mahajan, Bombay Times, Times  of India, 12<sup>th</sup> October 2000\r\n\r\n<span>NOT JUST SKIN  DEEP</span>\r\n\r\nJasmine Shah Varma, The List, Mid-day, 4<sup>th</sup> October 2000\r\n\r\n<span>INSIDE OUT</span>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 11<sup>th</sup> October  2000\r\n\r\n<span>SCINTILLATING  SKIN</span>\r\n\r\nVaibhav Purandare, The Asian Age, 14<sup>th</sup> October 2000\r\n\r\n<span>AN ARTIST’S  WORLD: ROTI, MAKAAN &amp; ABSTRACT ART</span>\r\n\r\nPoonam Goel, HT City, 23<sup>rd</sup> December 2000\r\n\r\n<span> </span>\r\n\r\n<span>WITHIN YOU,  WITHOUT YOU</span>\r\n\r\nAnu Kumar, Indian Express,  Express Newsline, 2<sup>nd</sup> September 1998\r\n\r\n<span>FARMING INTRIRUE</span>\r\n\r\nJerry Pinto, The Times of India, Bombay Times, 3<sup>rd</sup> September 1998\r\n\r\n<span> </span>\r\n\r\n<span>INTERACTIVE  MEDIUM</span>\r\n\r\nKaren Pereira, Indian  Architect &amp; Builder, pgs 102-104, October 1998','Publications','','inherit','open','open','','87-revision-67','','','2010-07-04 11:35:06','2010-07-04 11:35:06','',87,'http://www.biggventures.com/demo/artists/1354/uncat/87-revision-67',0,'revision','',0),(1355,1,'2010-07-04 11:37:38','2010-07-04 11:37:38','<table style=\"margin-left: 5px;\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\" width=\"58%\" align=\"centre\">\r\n<tbody>\r\n<tr>\r\n<td width=\"35%\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Reena Saini Kallat</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2008</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/reena-kallat\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Rainbow of Refuse</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2006</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/rainbow-of-refuse\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Black Flute and Other Stories</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2004</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/black-flute\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>The Battlefield Is The Mind</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2002</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/battlefield-of-mind\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>SKIN</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2000</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/skin\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Orchard of Home-grown Secrets</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>1998</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/orchard-of-home-grown-screts\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<!-- Start of Other Publications -->\r\n<span class=\"pubstrong\" style=\"color:#000000;\">BOOKS/  CATALOGUES </span>\r\n<br>\r\n<br>\r\n<br>\r\n<span class=\"pubstrong\">Reena Saini Kallat,</span> 2009\r\n<span>\r\nText: Nancy Adajania and Murtaza Vali \r\nPublisher: Primo Marella Gallery, Walsh Gallery and Chemould Prescott Road \r\nISBN: 978-81-908879-1-5 \r\n</span>\r\n<span class=\"pubstrong\">RAINBOW OF  REFUSE</span>, 2006\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher: Bodhi Art Gallery\r\n\r\n<span> </span><span class=\"pubstrong\">BLACK  FLUTE (AND OTHER STORIES)</span>,<span> </span>2005\r\n\r\n<span class=\"pubstrong\"> BLACK FLUTE</span>, 2004\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher: Gallery Chemould  and Nature Morte Gallery\r\n\r\n<span class=\"pubstrong\">THE BATTLEFIELD  IS THE MIND</span>, 2002<span> </span>\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher:  Sakshi Gallery\r\n\r\n<span class=\"pubstrong\">SKIN</span>,<span> </span>2000\r\n\r\nInterview with  Jitish Kallat\r\n\r\nPublisher:  Gallery Chemould and Vis-à-vis Art Inc. Gallery\r\n\r\n<span class=\"pubstrong\">ORCHARD OF  HOME-GROWN SECRETS</span>, 1998<span> </span>\r\n\r\nText: Ranjit Hoskote\r\n\r\nPublisher: Gallery Chemould and Pundole  Art Gallery\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span class=\"pubstrong\">NEVER RUN AWAY</span>, 2010\r\n\r\nText: Shaheen  Merali\r\n\r\nPublisher: Stux Gallery\r\n\r\n<span class=\"pubstrong\">URBAN MANNERS 2</span>, 2010<span><em> </em></span>\r\n\r\nText: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\n\r\nPublisher: SESC Pompeia, Sao Paulo\r\n\r\n<span> </span>\r\n\r\n<span class=\"pubstrong\">THE EMPIRE  STRIKES BACK</span>, 2010<span> </span>\r\n\r\nText: Zehra Jumabhoy\r\n\r\nPublisher: Saatchi Gallery\r\n\r\n<span> </span><span> </span>\r\n\r\n<span class=\"pubstrong\">VIEW POINTS AND  VIEWINGS POINTS- ASIAN ART BIENNALE</span>, 2009<span> </span>\r\n\r\nText: Chao-yi-Tsai\r\n\r\nPublisher: National Taiwan Museum of fine Arts\r\n\r\n<span class=\"pubstrong\">INDIA</span><span class=\"pubstrong\"> XIANZAI:  CONTEMPORARY INDIAN ART</span>,  2009\r\n\r\n<span> </span>Text: Jitish  Kallat, Diana Freundl, Alexander Keefe\r\n\r\nPublisher: Museum  of Contemporary  Art\r\n\r\n<span class=\"pubstrong\">CHALO! INDIA: A  NEW ERA OF INDIAN ART</span>, 2009<span> </span>\r\n\r\nText: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki, Miho\r\n\r\nTagomori\r\n\r\nPublisher: National Museum of Contemporary Art and Essl  Museum\r\n\r\nISBN: 978-3-7913-4304-4\r\n\r\n<span class=\"pubstrong\">CHALO! INDIA: A NEW ERA OF INDIAN ART</span>,  2008<span><em> </em></span>\r\n\r\nText: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman\r\n\r\nGopinath, Jayaram, Deepak Ananth\r\n\r\nPublisher:  Mori Art Museum\r\n\r\n<span> </span>\r\n\r\n<span> </span><span class=\"pubstrong\">INDIA</span><span class=\"pubstrong\"> MODERNA</span>, 2008<span> </span>\r\n\r\nText: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur,\r\n\r\nR.Siva  Kumar,  K.G. Subramanyan\r\n\r\nPublisher: IVAM (Institute Valencia D’Art Modern)\r\n\r\n<span class=\"pubstrong\">EVERYWHERE IS  WAR (AND RUMOURS OF IT</span>), 2008\r\n\r\n<span class=\"pubstrong\"> </span>Text: Kai  Hafez, Martin  Hager,  Nicholas Mirzoeff, Daniel Miller,\r\n\r\nBregje van Eekelen\r\n\r\nPublisher: Bodhi Art  Gallery\r\n\r\n<span class=\"pubstrong\">THREE POINTS OF  VIEWS</span>, 2008\r\n\r\n<span> </span>Text:  Grant Watson\r\n\r\nPublisher: Galerie Mirchandani + Steinruecke\r\n\r\n<span class=\"pubstrong\">NEW NARRATIVES</span>, 2008\r\n\r\nText: Betty Seid<span> </span>\r\n\r\n<span> </span>Publisher:  Chicago  Cultural Center\r\n\r\n<span> </span><span class=\"pubstrong\">MADE BY INDIANS</span>, 2007\r\n\r\nText: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\n\r\nPublisher: Galerie Enrico Navarra\r\n\r\nISBN: 2-911596-37-4\r\n\r\n<span class=\"pubstrong\">THERMOCLINE OF  ART: NEW ASIAN WAVES</span>,  2007\r\n\r\n<span> </span>Text:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong<span> </span>\r\n\r\nPublisher: Hatje Cantz Vertag\r\n\r\nISBN: 978-3-7757-2073-1\r\n\r\nEAN: 9782911596377\r\n\r\n<span class=\"pubstrong\"> INDIAN COLOUR</span>, 2007\r\n\r\nText: Peter Nagy\r\n\r\nPublisher: Dal- seung Hwang, Keumsan Gallery\r\n\r\n<span class=\"pubstrong\">INDIA</span><span class=\"pubstrong\"> ARTE OGGI</span>, 2007<span> </span>\r\n\r\n<span> </span>Text:  Daniela Palazzoli<span> </span>\r\n\r\nPublisher: Spazio Oberdan\r\n\r\nISBN: 978-88-202-1867-6\r\n\r\n<span class=\"pubstrong\">URBAN MANNERS</span>, 2007\r\n\r\nText: Adelina Von Furstenberg\r\n\r\n<span> </span>Publisher:  Hangar Bicocca\r\n\r\n<span class=\"pubstrong\">INTERNATIONAL  INCHEON WOMEN ARTISTS BIENNALE, </span>\r\n\r\n<span class=\"pubstrong\"> KNOCKING ON THE DOOR</span>,  2007\r\n\r\n<span> </span>Text:  Sung Hee Kim, John C. Welchman<span> </span>\r\n\r\nPublisher: Incheon Culture and Art Centre\r\n\r\n<span class=\"pubstrong\">SOFT  POWER: ASIAN ATTITUDE</span>,  2007<span> </span>\r\n\r\n<span> </span>Text:  Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\n\r\nPublisher: Shanghai  Zendai Mumsem of Modern Art\r\n\r\nISBN: 978-7-5356-2790-2\r\n\r\n<span>INDIA</span><span> EXPRESS- ART AND POPULAR CULTURE</span>, 2006\r\n\r\n<span> </span>Text: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze,\r\n\r\nPublisher: Helsinki  City Art  Museum\r\n\r\nISBN: 951-8965-61-7\r\n\r\n<span>BOMBAY</span><span> L’ALBUM MAXIMUM CITY</span>, 2006\r\n\r\nText: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\n\r\nPublisher: Terrail, Lille 3000\r\n\r\nISBN:  2-87939-325-6<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span>INDIAN PAINTINGS  OF THE NEW MILLENNIUM</span>, 2005\r\n\r\n<span> </span>Text: Helen Asquine  Fazio, Gayatri Sinha<span> </span>\r\n\r\n<span> </span>Publisher: Quick Arts Center, Fairfield University\r\n\r\n<span>A GUIDE TO 101 MODERN &amp; CONTEMPORARY INDIAN ARTISTS</span>, 2005\r\n\r\n<span> </span>Text: Amrita  Jhaveri\r\n\r\nPublisher: India  Book House\r\n\r\nISBN: 81-7508-423-5\r\n\r\n<span>ZOOM! ART IN  CONTEMPORARY INDIA</span>, 2004\r\n\r\n<span> </span>Texts:  Luis Serpa and Nancy Adajania<span> </span>\r\n\r\n<span> </span>Publisher: The Culturgest Museum\r\n\r\nISBN: 972-769-033-5\r\n\r\n<span>INTERLUDE IN SRI   LANKA</span>, 2004<span> </span>\r\n\r\n<span> </span>Text:  Ranjit Hoskote, Nancy Adajania<span> </span>\r\n\r\n<span> </span>Publisher:  The Guild  Art Gallery\r\n\r\n<span>GENERATION I</span>, 2004\r\n\r\nText: Zehra Jumabhoy<span> </span>\r\n\r\n<span> </span>Publisher:<span> </span>Saffronart &amp; The Guild Art Gallery\r\n\r\n<span>TIRANGA  RIGHTS AND REPONSIBILITIES</span>,  2003<span> </span>\r\n\r\nText: Peter Nagy<span> </span>\r\n\r\n<span> </span>Publisher: Jindal  Foundation &amp; Creative Arts\r\n\r\n<span>HARD COPY</span>, 2003\r\n\r\nText: Peter Nagy\r\n\r\n<span> </span>Publisher: Gallery 88\r\n\r\n<span> </span><span>CROSSING  GENERATIONS: DIVERGE</span><span>, </span>2003\r\n\r\n<span> </span>Text:  Geeta Kapoor and Chaitanya Sambrani<span> </span>\r\n\r\n<span> </span>Publisher:<span> </span>Gallery Chemould\r\n\r\nPRESS  <span> </span>\r\n\r\n<span> </span>\r\n\r\n<span><em> </em></span>\r\n\r\n<span>THE ARCHIVES OF  THE HEART</span> <span> </span>\r\n\r\nNancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\n\r\nFront Cover, pgs 42-45, 2009\r\n\r\n<span> </span>\r\n\r\n<span>GLOBALE KUNST  MIT WURZELDUFT</span>\r\n\r\nVon Almuth Speigler, Die Presse, Feuilleton, 2<sup>nd</sup> September 2009\r\n\r\n<span>LANDSCAPES OF  LOSS</span>\r\n\r\nBeth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009\r\n\r\n<span> </span>\r\n\r\n<span>REINCARNATING  HISTORY</span>\r\n\r\nThe Big Picture, Architect and Interiors, July 2009<span> </span>\r\n\r\n<span>STAMP COLLECTION</span>\r\n\r\nGeorgina Maddox, The Sunday Express, 17<sup>th</sup> May 2009\r\n\r\n<span> </span>\r\n\r\n<span>EVOLVING BEYOND  BORDERS</span>\r\n\r\nReshma S. Kulkarni, Bombay Times, Times of India,  15<sup>th</sup> January, 2009\r\n\r\n<span>LO</span><span>SS AND FOUND</span>\r\n\r\nMarina Correa, DNA, Mumbai, 22<sup>nd</sup> January 2009\r\n\r\n<span> </span>\r\n\r\n<span>FOCUS INDIA</span>\r\n\r\nMegha Ralapati, Flash Art, pg 114, January-February 2008\r\n\r\n<span>COME TOGETHER  RIGHT NOW</span>\r\n\r\nReema Gehi, HT Café, 15<sup>th</sup> February 2008\r\n\r\n<span>SUCH A LONG  JOURNEY</span>\r\n\r\nAparna S Sharma, Elle Magazine, pgs 115-117, February 2008\r\n\r\n<span> </span>\r\n\r\n<span>MORE THAN A  WOMAN</span>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 4<sup>th</sup> February 2008\r\n\r\n<span> </span>\r\n\r\n<span>ARTIST OF THE  FORTNIGHT</span>\r\n\r\nMaria Louis, Outlook Profit, pg 79, 18<sup>th</sup> April 2008\r\n\r\n<span> </span>\r\n\r\n<span>DEJA VIEW</span>\r\n\r\nTara Khilachand, Live Mint, 20<sup>th</sup> December 2008\r\n\r\n<span>TERROR STRUCK</span>\r\n\r\nMaria Louis, Outlook Profit, 26<sup>th</sup> December 2008\r\n\r\n<span>NAME CALLING</span>\r\n\r\nDeepanjana Pal, Timeout Mumbai, December 2008\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span>CORRUPTIONS OF  POWER</span>\r\n\r\nShiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99,  2007\r\n\r\n<span>OVER THE RAINBOW</span>\r\n\r\nMaria Louis, Interview, Verve Magazine, pg 78, November 2006\r\n\r\n<span> </span>\r\n\r\n<span>IN A STATE OF PERENNIAL SIEGE</span>\r\n\r\nNancy Adajania, The Hindu, Hyderabad, 29<sup>th</sup> October  2006\r\n\r\n<span>HER CROWNING  ACHIEVEMENT</span>\r\n\r\nClara Chow, The Straits Times, 18<sup>th</sup> November 2006\r\n\r\n<span> </span>\r\n\r\n<span>POLITICAL CHAOS</span>\r\n\r\nDeepali Nandwani,  Beautiful people, pg 143, November-December 2006\r\n\r\n<span>WEAPONS OF MASS  CONSTRUCTION</span>\r\n\r\nRituparna Som, DNA after Hrs, Mumbai, 9<sup>th</sup> October, 2006\r\n\r\n<span> </span>\r\n\r\n<span> GUNS AND ROSES</span>\r\n\r\nRachna Nakra, The Indian Express,  Mumbai Newsline, 18<sup>th</sup> September 2006\r\n\r\n<span> UNDER ATTACK</span>\r\n\r\nGitanjali Dang, HT Mumbai, 22<sup>nd</sup> September 2006\r\n\r\n<span> TIME TRAVELLER</span>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline,  27<sup>th</sup> June 2006      <span> </span>\r\n\r\n<span> </span>\r\n\r\n<span>THE FLOWER AND  THE SWORD</span>\r\n\r\nGirish Shahane, The Art News magazine of India,  pg 93, volume X issue I, 2004\r\n\r\n<span>INDIA</span><span>’S TOP 100 ACHIEVERS</span>\r\n\r\nSociety Magazine, pg 137, December 2004\r\n\r\n<span>CAUGHT BETWEEEN  DEMONS</span>\r\n\r\nNancy Adajania, The Hindu, 19<sup>th</sup> December  2004\r\n\r\n<span>EN REISE TIL INDIA</span>\r\n\r\nHarald Flor, Dagbladet, Kultur, 2<sup>nd</sup> February 2003\r\n\r\n<span> </span>\r\n\r\n<span>SIGNS OF  RESISTANCE</span>\r\n\r\nNancy Adajania, The Hindu, 5<sup>th</sup> January  2003\r\n\r\n<span>OF THE GODDESS  AND DEMON IN THE MIND</span>\r\n\r\nDebbie Rodgers, Sunday edition Vijay Times, Bangalore, 5<sup>th</sup> January 2003\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span>EMPATHIC ANGER</span>\r\n\r\nMarta Jakimowicz, Deccan Herald, 23<sup>rd</sup> December 2002\r\n\r\n<span> </span>\r\n\r\n<span>MYSORE</span><span> EK KHOJ</span>\r\n\r\nCross Fertilization of Culture, Interview in Star of Mysore, 27<sup>th</sup> October 2002\r\n\r\n<span> </span>\r\n\r\n<span> LINKING ISLANDS</span>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 15<sup>th</sup> February  2002\r\n\r\n<span>CREATING TO  DESTROY</span>\r\n\r\nJasmine Shah Varma, The List, Mid Day, 22<sup>nd</sup> February 2002\r\n\r\n<span> </span>\r\n\r\n<span>DIFFERENT  STROKES</span>\r\n\r\nGeorgina L Maddox, The Indian Express, Mumbai Newsline,  24<sup>th</sup> July 2002\r\n\r\n<span> </span>\r\n\r\n<span>OF FAITH AND  HUNGER</span>\r\n\r\nAbhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89,  December 2000\r\n\r\n<span> </span>\r\n\r\n<span>THE MURMUR OF  SKIN</span>\r\n\r\nNupur Mahajan, Bombay Times, Times  of India, 12<sup>th</sup> October 2000\r\n\r\n<span>NOT JUST SKIN  DEEP</span>\r\n\r\nJasmine Shah Varma, The List, Mid-day, 4<sup>th</sup> October 2000\r\n\r\n<span>INSIDE OUT</span>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 11<sup>th</sup> October  2000\r\n\r\n<span>SCINTILLATING  SKIN</span>\r\n\r\nVaibhav Purandare, The Asian Age, 14<sup>th</sup> October 2000\r\n\r\n<span>AN ARTIST’S  WORLD: ROTI, MAKAAN &amp; ABSTRACT ART</span>\r\n\r\nPoonam Goel, HT City, 23<sup>rd</sup> December 2000\r\n\r\n<span> </span>\r\n\r\n<span>WITHIN YOU,  WITHOUT YOU</span>\r\n\r\nAnu Kumar, Indian Express,  Express Newsline, 2<sup>nd</sup> September 1998\r\n\r\n<span>FARMING INTRIRUE</span>\r\n\r\nJerry Pinto, The Times of India, Bombay Times, 3<sup>rd</sup> September 1998\r\n\r\n<span> </span>\r\n\r\n<span>INTERACTIVE  MEDIUM</span>\r\n\r\nKaren Pereira, Indian  Architect &amp; Builder, pgs 102-104, October 1998','Publications','','inherit','open','open','','87-revision-68','','','2010-07-04 11:37:38','2010-07-04 11:37:38','',87,'http://www.biggventures.com/demo/artists/1355/uncat/87-revision-68',0,'revision','',0),(1356,1,'2010-07-04 11:39:14','2010-07-04 11:39:14','<table style=\"margin-left: 5px;\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\" width=\"58%\" align=\"centre\">\r\n<tbody>\r\n<tr>\r\n<td width=\"35%\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Reena Saini Kallat</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2008</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/reena-kallat\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Rainbow of Refuse</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2006</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/rainbow-of-refuse\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Black Flute and Other Stories</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2004</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/black-flute\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>The Battlefield Is The Mind</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2002</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/battlefield-of-mind\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>SKIN</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2000</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/skin\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Orchard of Home-grown Secrets</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>1998</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/orchard-of-home-grown-screts\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<!-- Start of Other Publications -->\r\n<span class=\"pubstrong\" style=\"color:#000000;\">BOOKS/  CATALOGUES </span>\r\n<br/>\r\n<br/>\r\n<span class=\"pubstrong\">Reena Saini Kallat,</span> 2009\r\n<span>\r\nText: Nancy Adajania and Murtaza Vali \r\nPublisher: Primo Marella Gallery, Walsh Gallery and Chemould Prescott Road \r\nISBN: 978-81-908879-1-5 \r\n</span>\r\n<span class=\"pubstrong\">RAINBOW OF  REFUSE</span>, 2006\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher: Bodhi Art Gallery\r\n\r\n<span> </span><span class=\"pubstrong\">BLACK  FLUTE (AND OTHER STORIES)</span>,<span> </span>2005\r\n\r\n<span class=\"pubstrong\"> BLACK FLUTE</span>, 2004\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher: Gallery Chemould  and Nature Morte Gallery\r\n\r\n<span class=\"pubstrong\">THE BATTLEFIELD  IS THE MIND</span>, 2002<span> </span>\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher:  Sakshi Gallery\r\n\r\n<span class=\"pubstrong\">SKIN</span>,<span> </span>2000\r\n\r\nInterview with  Jitish Kallat\r\n\r\nPublisher:  Gallery Chemould and Vis-à-vis Art Inc. Gallery\r\n\r\n<span class=\"pubstrong\">ORCHARD OF  HOME-GROWN SECRETS</span>, 1998<span> </span>\r\n\r\nText: Ranjit Hoskote\r\n\r\nPublisher: Gallery Chemould and Pundole  Art Gallery\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span class=\"pubstrong\">NEVER RUN AWAY</span>, 2010\r\n\r\nText: Shaheen  Merali\r\n\r\nPublisher: Stux Gallery\r\n\r\n<span class=\"pubstrong\">URBAN MANNERS 2</span>, 2010<span><em> </em></span>\r\n\r\nText: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\n\r\nPublisher: SESC Pompeia, Sao Paulo\r\n\r\n<span> </span>\r\n\r\n<span class=\"pubstrong\">THE EMPIRE  STRIKES BACK</span>, 2010<span> </span>\r\n\r\nText: Zehra Jumabhoy\r\n\r\nPublisher: Saatchi Gallery\r\n\r\n<span> </span><span> </span>\r\n\r\n<span class=\"pubstrong\">VIEW POINTS AND  VIEWINGS POINTS- ASIAN ART BIENNALE</span>, 2009<span> </span>\r\n\r\nText: Chao-yi-Tsai\r\n\r\nPublisher: National Taiwan Museum of fine Arts\r\n\r\n<span class=\"pubstrong\">INDIA</span><span class=\"pubstrong\"> XIANZAI:  CONTEMPORARY INDIAN ART</span>,  2009\r\n\r\n<span> </span>Text: Jitish  Kallat, Diana Freundl, Alexander Keefe\r\n\r\nPublisher: Museum  of Contemporary  Art\r\n\r\n<span class=\"pubstrong\">CHALO! INDIA: A  NEW ERA OF INDIAN ART</span>, 2009<span> </span>\r\n\r\nText: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki, Miho\r\n\r\nTagomori\r\n\r\nPublisher: National Museum of Contemporary Art and Essl  Museum\r\n\r\nISBN: 978-3-7913-4304-4\r\n\r\n<span class=\"pubstrong\">CHALO! INDIA: A NEW ERA OF INDIAN ART</span>,  2008<span><em> </em></span>\r\n\r\nText: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman\r\n\r\nGopinath, Jayaram, Deepak Ananth\r\n\r\nPublisher:  Mori Art Museum\r\n\r\n<span> </span>\r\n\r\n<span> </span><span class=\"pubstrong\">INDIA</span><span class=\"pubstrong\"> MODERNA</span>, 2008<span> </span>\r\n\r\nText: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur,\r\n\r\nR.Siva  Kumar,  K.G. Subramanyan\r\n\r\nPublisher: IVAM (Institute Valencia D’Art Modern)\r\n\r\n<span class=\"pubstrong\">EVERYWHERE IS  WAR (AND RUMOURS OF IT</span>), 2008\r\n\r\n<span class=\"pubstrong\"> </span>Text: Kai  Hafez, Martin  Hager,  Nicholas Mirzoeff, Daniel Miller,\r\n\r\nBregje van Eekelen\r\n\r\nPublisher: Bodhi Art  Gallery\r\n\r\n<span class=\"pubstrong\">THREE POINTS OF  VIEWS</span>, 2008\r\n\r\n<span> </span>Text:  Grant Watson\r\n\r\nPublisher: Galerie Mirchandani + Steinruecke\r\n\r\n<span class=\"pubstrong\">NEW NARRATIVES</span>, 2008\r\n\r\nText: Betty Seid<span> </span>\r\n\r\n<span> </span>Publisher:  Chicago  Cultural Center\r\n\r\n<span> </span><span class=\"pubstrong\">MADE BY INDIANS</span>, 2007\r\n\r\nText: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\n\r\nPublisher: Galerie Enrico Navarra\r\n\r\nISBN: 2-911596-37-4\r\n\r\n<span class=\"pubstrong\">THERMOCLINE OF  ART: NEW ASIAN WAVES</span>,  2007\r\n\r\n<span> </span>Text:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong<span> </span>\r\n\r\nPublisher: Hatje Cantz Vertag\r\n\r\nISBN: 978-3-7757-2073-1\r\n\r\nEAN: 9782911596377\r\n\r\n<span class=\"pubstrong\"> INDIAN COLOUR</span>, 2007\r\n\r\nText: Peter Nagy\r\n\r\nPublisher: Dal- seung Hwang, Keumsan Gallery\r\n\r\n<span class=\"pubstrong\">INDIA</span><span class=\"pubstrong\"> ARTE OGGI</span>, 2007<span> </span>\r\n\r\n<span> </span>Text:  Daniela Palazzoli<span> </span>\r\n\r\nPublisher: Spazio Oberdan\r\n\r\nISBN: 978-88-202-1867-6\r\n\r\n<span class=\"pubstrong\">URBAN MANNERS</span>, 2007\r\n\r\nText: Adelina Von Furstenberg\r\n\r\n<span> </span>Publisher:  Hangar Bicocca\r\n\r\n<span class=\"pubstrong\">INTERNATIONAL  INCHEON WOMEN ARTISTS BIENNALE, </span>\r\n\r\n<span class=\"pubstrong\"> KNOCKING ON THE DOOR</span>,  2007\r\n\r\n<span> </span>Text:  Sung Hee Kim, John C. Welchman<span> </span>\r\n\r\nPublisher: Incheon Culture and Art Centre\r\n\r\n<span class=\"pubstrong\">SOFT  POWER: ASIAN ATTITUDE</span>,  2007<span> </span>\r\n\r\n<span> </span>Text:  Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\n\r\nPublisher: Shanghai  Zendai Mumsem of Modern Art\r\n\r\nISBN: 978-7-5356-2790-2\r\n\r\n<span>INDIA</span><span> EXPRESS- ART AND POPULAR CULTURE</span>, 2006\r\n\r\n<span> </span>Text: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze,\r\n\r\nPublisher: Helsinki  City Art  Museum\r\n\r\nISBN: 951-8965-61-7\r\n\r\n<span>BOMBAY</span><span> L’ALBUM MAXIMUM CITY</span>, 2006\r\n\r\nText: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\n\r\nPublisher: Terrail, Lille 3000\r\n\r\nISBN:  2-87939-325-6<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span>INDIAN PAINTINGS  OF THE NEW MILLENNIUM</span>, 2005\r\n\r\n<span> </span>Text: Helen Asquine  Fazio, Gayatri Sinha<span> </span>\r\n\r\n<span> </span>Publisher: Quick Arts Center, Fairfield University\r\n\r\n<span>A GUIDE TO 101 MODERN &amp; CONTEMPORARY INDIAN ARTISTS</span>, 2005\r\n\r\n<span> </span>Text: Amrita  Jhaveri\r\n\r\nPublisher: India  Book House\r\n\r\nISBN: 81-7508-423-5\r\n\r\n<span>ZOOM! ART IN  CONTEMPORARY INDIA</span>, 2004\r\n\r\n<span> </span>Texts:  Luis Serpa and Nancy Adajania<span> </span>\r\n\r\n<span> </span>Publisher: The Culturgest Museum\r\n\r\nISBN: 972-769-033-5\r\n\r\n<span>INTERLUDE IN SRI   LANKA</span>, 2004<span> </span>\r\n\r\n<span> </span>Text:  Ranjit Hoskote, Nancy Adajania<span> </span>\r\n\r\n<span> </span>Publisher:  The Guild  Art Gallery\r\n\r\n<span>GENERATION I</span>, 2004\r\n\r\nText: Zehra Jumabhoy<span> </span>\r\n\r\n<span> </span>Publisher:<span> </span>Saffronart &amp; The Guild Art Gallery\r\n\r\n<span>TIRANGA  RIGHTS AND REPONSIBILITIES</span>,  2003<span> </span>\r\n\r\nText: Peter Nagy<span> </span>\r\n\r\n<span> </span>Publisher: Jindal  Foundation &amp; Creative Arts\r\n\r\n<span>HARD COPY</span>, 2003\r\n\r\nText: Peter Nagy\r\n\r\n<span> </span>Publisher: Gallery 88\r\n\r\n<span> </span><span>CROSSING  GENERATIONS: DIVERGE</span><span>, </span>2003\r\n\r\n<span> </span>Text:  Geeta Kapoor and Chaitanya Sambrani<span> </span>\r\n\r\n<span> </span>Publisher:<span> </span>Gallery Chemould\r\n\r\nPRESS  <span> </span>\r\n\r\n<span> </span>\r\n\r\n<span><em> </em></span>\r\n\r\n<span>THE ARCHIVES OF  THE HEART</span> <span> </span>\r\n\r\nNancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\n\r\nFront Cover, pgs 42-45, 2009\r\n\r\n<span> </span>\r\n\r\n<span>GLOBALE KUNST  MIT WURZELDUFT</span>\r\n\r\nVon Almuth Speigler, Die Presse, Feuilleton, 2<sup>nd</sup> September 2009\r\n\r\n<span>LANDSCAPES OF  LOSS</span>\r\n\r\nBeth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009\r\n\r\n<span> </span>\r\n\r\n<span>REINCARNATING  HISTORY</span>\r\n\r\nThe Big Picture, Architect and Interiors, July 2009<span> </span>\r\n\r\n<span>STAMP COLLECTION</span>\r\n\r\nGeorgina Maddox, The Sunday Express, 17<sup>th</sup> May 2009\r\n\r\n<span> </span>\r\n\r\n<span>EVOLVING BEYOND  BORDERS</span>\r\n\r\nReshma S. Kulkarni, Bombay Times, Times of India,  15<sup>th</sup> January, 2009\r\n\r\n<span>LO</span><span>SS AND FOUND</span>\r\n\r\nMarina Correa, DNA, Mumbai, 22<sup>nd</sup> January 2009\r\n\r\n<span> </span>\r\n\r\n<span>FOCUS INDIA</span>\r\n\r\nMegha Ralapati, Flash Art, pg 114, January-February 2008\r\n\r\n<span>COME TOGETHER  RIGHT NOW</span>\r\n\r\nReema Gehi, HT Café, 15<sup>th</sup> February 2008\r\n\r\n<span>SUCH A LONG  JOURNEY</span>\r\n\r\nAparna S Sharma, Elle Magazine, pgs 115-117, February 2008\r\n\r\n<span> </span>\r\n\r\n<span>MORE THAN A  WOMAN</span>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 4<sup>th</sup> February 2008\r\n\r\n<span> </span>\r\n\r\n<span>ARTIST OF THE  FORTNIGHT</span>\r\n\r\nMaria Louis, Outlook Profit, pg 79, 18<sup>th</sup> April 2008\r\n\r\n<span> </span>\r\n\r\n<span>DEJA VIEW</span>\r\n\r\nTara Khilachand, Live Mint, 20<sup>th</sup> December 2008\r\n\r\n<span>TERROR STRUCK</span>\r\n\r\nMaria Louis, Outlook Profit, 26<sup>th</sup> December 2008\r\n\r\n<span>NAME CALLING</span>\r\n\r\nDeepanjana Pal, Timeout Mumbai, December 2008\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span>CORRUPTIONS OF  POWER</span>\r\n\r\nShiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99,  2007\r\n\r\n<span>OVER THE RAINBOW</span>\r\n\r\nMaria Louis, Interview, Verve Magazine, pg 78, November 2006\r\n\r\n<span> </span>\r\n\r\n<span>IN A STATE OF PERENNIAL SIEGE</span>\r\n\r\nNancy Adajania, The Hindu, Hyderabad, 29<sup>th</sup> October  2006\r\n\r\n<span>HER CROWNING  ACHIEVEMENT</span>\r\n\r\nClara Chow, The Straits Times, 18<sup>th</sup> November 2006\r\n\r\n<span> </span>\r\n\r\n<span>POLITICAL CHAOS</span>\r\n\r\nDeepali Nandwani,  Beautiful people, pg 143, November-December 2006\r\n\r\n<span>WEAPONS OF MASS  CONSTRUCTION</span>\r\n\r\nRituparna Som, DNA after Hrs, Mumbai, 9<sup>th</sup> October, 2006\r\n\r\n<span> </span>\r\n\r\n<span> GUNS AND ROSES</span>\r\n\r\nRachna Nakra, The Indian Express,  Mumbai Newsline, 18<sup>th</sup> September 2006\r\n\r\n<span> UNDER ATTACK</span>\r\n\r\nGitanjali Dang, HT Mumbai, 22<sup>nd</sup> September 2006\r\n\r\n<span> TIME TRAVELLER</span>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline,  27<sup>th</sup> June 2006      <span> </span>\r\n\r\n<span> </span>\r\n\r\n<span>THE FLOWER AND  THE SWORD</span>\r\n\r\nGirish Shahane, The Art News magazine of India,  pg 93, volume X issue I, 2004\r\n\r\n<span>INDIA</span><span>’S TOP 100 ACHIEVERS</span>\r\n\r\nSociety Magazine, pg 137, December 2004\r\n\r\n<span>CAUGHT BETWEEEN  DEMONS</span>\r\n\r\nNancy Adajania, The Hindu, 19<sup>th</sup> December  2004\r\n\r\n<span>EN REISE TIL INDIA</span>\r\n\r\nHarald Flor, Dagbladet, Kultur, 2<sup>nd</sup> February 2003\r\n\r\n<span> </span>\r\n\r\n<span>SIGNS OF  RESISTANCE</span>\r\n\r\nNancy Adajania, The Hindu, 5<sup>th</sup> January  2003\r\n\r\n<span>OF THE GODDESS  AND DEMON IN THE MIND</span>\r\n\r\nDebbie Rodgers, Sunday edition Vijay Times, Bangalore, 5<sup>th</sup> January 2003\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span>EMPATHIC ANGER</span>\r\n\r\nMarta Jakimowicz, Deccan Herald, 23<sup>rd</sup> December 2002\r\n\r\n<span> </span>\r\n\r\n<span>MYSORE</span><span> EK KHOJ</span>\r\n\r\nCross Fertilization of Culture, Interview in Star of Mysore, 27<sup>th</sup> October 2002\r\n\r\n<span> </span>\r\n\r\n<span> LINKING ISLANDS</span>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 15<sup>th</sup> February  2002\r\n\r\n<span>CREATING TO  DESTROY</span>\r\n\r\nJasmine Shah Varma, The List, Mid Day, 22<sup>nd</sup> February 2002\r\n\r\n<span> </span>\r\n\r\n<span>DIFFERENT  STROKES</span>\r\n\r\nGeorgina L Maddox, The Indian Express, Mumbai Newsline,  24<sup>th</sup> July 2002\r\n\r\n<span> </span>\r\n\r\n<span>OF FAITH AND  HUNGER</span>\r\n\r\nAbhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89,  December 2000\r\n\r\n<span> </span>\r\n\r\n<span>THE MURMUR OF  SKIN</span>\r\n\r\nNupur Mahajan, Bombay Times, Times  of India, 12<sup>th</sup> October 2000\r\n\r\n<span>NOT JUST SKIN  DEEP</span>\r\n\r\nJasmine Shah Varma, The List, Mid-day, 4<sup>th</sup> October 2000\r\n\r\n<span>INSIDE OUT</span>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 11<sup>th</sup> October  2000\r\n\r\n<span>SCINTILLATING  SKIN</span>\r\n\r\nVaibhav Purandare, The Asian Age, 14<sup>th</sup> October 2000\r\n\r\n<span>AN ARTIST’S  WORLD: ROTI, MAKAAN &amp; ABSTRACT ART</span>\r\n\r\nPoonam Goel, HT City, 23<sup>rd</sup> December 2000\r\n\r\n<span> </span>\r\n\r\n<span>WITHIN YOU,  WITHOUT YOU</span>\r\n\r\nAnu Kumar, Indian Express,  Express Newsline, 2<sup>nd</sup> September 1998\r\n\r\n<span>FARMING INTRIRUE</span>\r\n\r\nJerry Pinto, The Times of India, Bombay Times, 3<sup>rd</sup> September 1998\r\n\r\n<span> </span>\r\n\r\n<span>INTERACTIVE  MEDIUM</span>\r\n\r\nKaren Pereira, Indian  Architect &amp; Builder, pgs 102-104, October 1998','Publications','','inherit','open','open','','87-revision-69','','','2010-07-04 11:39:14','2010-07-04 11:39:14','',87,'http://www.biggventures.com/demo/artists/1356/uncat/87-revision-69',0,'revision','',0),(1362,1,'2010-07-04 11:49:54','2010-07-04 11:49:54','<table style=\"margin-left: 5px;\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\" width=\"58%\" align=\"centre\">\r\n<tbody>\r\n<tr>\r\n<td width=\"35%\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Reena Saini Kallat</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2008</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/reena-kallat\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Rainbow of Refuse</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2006</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/rainbow-of-refuse\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Black Flute and Other Stories</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2004</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/black-flute\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>The Battlefield Is The Mind</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2002</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/battlefield-of-mind\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>SKIN</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2000</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/skin\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Orchard of Home-grown Secrets</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>1998</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/orchard-of-home-grown-screts\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<!-- Start of Other Publications -->\r\n<span class=\"pubstrong\" style=\"color:#000000;\">BOOKS/  CATALOGUES </span><br/><br/><span class=\"pubstrong\">Reena Saini Kallat,</span> 2009<span>\r\nText: Nancy Adajania and Murtaza Vali \r\nPublisher: Primo Marella Gallery, Walsh Gallery and Chemould Prescott Road \r\nISBN: 978-81-908879-1-5 </span>\r\n\r\n<span class=\"pubstrong\">RAINBOW OF  REFUSE</span>, 2006\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher: Bodhi Art Gallery\r\n\r\n<span> </span><span class=\"pubstrong\">BLACK  FLUTE (AND OTHER STORIES)</span>,<span> </span>2005\r\n\r\n<span class=\"pubstrong\"> BLACK FLUTE</span>, 2004\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher: Gallery Chemould  and Nature Morte Gallery\r\n\r\n<span class=\"pubstrong\">THE BATTLEFIELD  IS THE MIND</span>, 2002<span> </span>\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher:  Sakshi Gallery\r\n\r\n<span class=\"pubstrong\">SKIN</span>,<span> </span>2000\r\n\r\nInterview with  Jitish Kallat\r\n\r\nPublisher:  Gallery Chemould and Vis-à-vis Art Inc. Gallery\r\n\r\n<span class=\"pubstrong\">ORCHARD OF  HOME-GROWN SECRETS</span>, 1998<span> </span>\r\n\r\nText: Ranjit Hoskote\r\n\r\nPublisher: Gallery Chemould and Pundole  Art Gallery\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span class=\"pubstrong\">NEVER RUN AWAY</span>, 2010\r\n\r\nText: Shaheen  Merali\r\n\r\nPublisher: Stux Gallery\r\n\r\n<span class=\"pubstrong\">URBAN MANNERS 2</span>, 2010<span><em> </em></span>\r\n\r\nText: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\n\r\nPublisher: SESC Pompeia, Sao Paulo\r\n\r\n<span> </span>\r\n\r\n<span class=\"pubstrong\">THE EMPIRE  STRIKES BACK</span>, 2010<span> </span>\r\n\r\nText: Zehra Jumabhoy\r\n\r\nPublisher: Saatchi Gallery\r\n\r\n<span> </span><span> </span>\r\n\r\n<span class=\"pubstrong\">VIEW POINTS AND  VIEWINGS POINTS- ASIAN ART BIENNALE</span>, 2009<span> </span>\r\n\r\nText: Chao-yi-Tsai\r\n\r\nPublisher: National Taiwan Museum of fine Arts\r\n\r\n<span class=\"pubstrong\">INDIA</span><span class=\"pubstrong\"> XIANZAI:  CONTEMPORARY INDIAN ART</span>,  2009\r\n\r\n<span> </span>Text: Jitish  Kallat, Diana Freundl, Alexander Keefe\r\n\r\nPublisher: Museum  of Contemporary  Art\r\n\r\n<span class=\"pubstrong\">CHALO! INDIA: A  NEW ERA OF INDIAN ART</span>, 2009<span> </span>\r\n\r\nText: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki, Miho\r\n\r\nTagomori\r\n\r\nPublisher: National Museum of Contemporary Art and Essl  Museum\r\n\r\nISBN: 978-3-7913-4304-4\r\n\r\n<span class=\"pubstrong\">CHALO! INDIA: A NEW ERA OF INDIAN ART</span>,  2008<span><em> </em></span>\r\n\r\nText: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman\r\n\r\nGopinath, Jayaram, Deepak Ananth\r\n\r\nPublisher:  Mori Art Museum\r\n\r\n<span> </span>\r\n\r\n<span> </span><span class=\"pubstrong\">INDIA</span><span class=\"pubstrong\"> MODERNA</span>, 2008<span> </span>\r\n\r\nText: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur,\r\n\r\nR.Siva  Kumar,  K.G. Subramanyan\r\n\r\nPublisher: IVAM (Institute Valencia D’Art Modern)\r\n\r\n<span class=\"pubstrong\">EVERYWHERE IS  WAR (AND RUMOURS OF IT</span>), 2008\r\n\r\n<span class=\"pubstrong\"> </span>Text: Kai  Hafez, Martin  Hager,  Nicholas Mirzoeff, Daniel Miller,\r\n\r\nBregje van Eekelen\r\n\r\nPublisher: Bodhi Art  Gallery\r\n\r\n<span class=\"pubstrong\">THREE POINTS OF  VIEWS</span>, 2008\r\n\r\n<span> </span>Text:  Grant Watson\r\n\r\nPublisher: Galerie Mirchandani + Steinruecke\r\n\r\n<span class=\"pubstrong\">NEW NARRATIVES</span>, 2008\r\n\r\nText: Betty Seid<span> </span>\r\n\r\n<span> </span>Publisher:  Chicago  Cultural Center\r\n\r\n<span> </span><span class=\"pubstrong\">MADE BY INDIANS</span>, 2007\r\n\r\nText: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\n\r\nPublisher: Galerie Enrico Navarra\r\n\r\nISBN: 2-911596-37-4\r\n\r\n<span class=\"pubstrong\">THERMOCLINE OF  ART: NEW ASIAN WAVES</span>,  2007\r\n\r\n<span> </span>Text:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong<span> </span>\r\n\r\nPublisher: Hatje Cantz Vertag\r\n\r\nISBN: 978-3-7757-2073-1\r\n\r\nEAN: 9782911596377\r\n\r\n<span class=\"pubstrong\"> INDIAN COLOUR</span>, 2007\r\n\r\nText: Peter Nagy\r\n\r\nPublisher: Dal- seung Hwang, Keumsan Gallery\r\n\r\n<span class=\"pubstrong\">INDIA</span><span class=\"pubstrong\"> ARTE OGGI</span>, 2007<span> </span>\r\n\r\n<span> </span>Text:  Daniela Palazzoli<span> </span>\r\n\r\nPublisher: Spazio Oberdan\r\n\r\nISBN: 978-88-202-1867-6\r\n\r\n<span class=\"pubstrong\">URBAN MANNERS</span>, 2007\r\n\r\nText: Adelina Von Furstenberg\r\n\r\n<span> </span>Publisher:  Hangar Bicocca\r\n\r\n<span class=\"pubstrong\">INTERNATIONAL  INCHEON WOMEN ARTISTS BIENNALE, </span>\r\n\r\n<span class=\"pubstrong\"> KNOCKING ON THE DOOR</span>,  2007\r\n\r\n<span> </span>Text:  Sung Hee Kim, John C. Welchman<span> </span>\r\n\r\nPublisher: Incheon Culture and Art Centre\r\n\r\n<span class=\"pubstrong\">SOFT  POWER: ASIAN ATTITUDE</span>,  2007<span> </span>\r\n\r\n<span> </span>Text:  Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\n\r\nPublisher: Shanghai  Zendai Mumsem of Modern Art\r\n\r\nISBN: 978-7-5356-2790-2\r\n\r\n<span>INDIA</span><span> EXPRESS- ART AND POPULAR CULTURE</span>, 2006\r\n\r\n<span> </span>Text: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze,\r\n\r\nPublisher: Helsinki  City Art  Museum\r\n\r\nISBN: 951-8965-61-7\r\n\r\n<span>BOMBAY</span><span> L’ALBUM MAXIMUM CITY</span>, 2006\r\n\r\nText: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\n\r\nPublisher: Terrail, Lille 3000\r\n\r\nISBN:  2-87939-325-6<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span>INDIAN PAINTINGS  OF THE NEW MILLENNIUM</span>, 2005\r\n\r\n<span> </span>Text: Helen Asquine  Fazio, Gayatri Sinha<span> </span>\r\n\r\n<span> </span>Publisher: Quick Arts Center, Fairfield University\r\n\r\n<span>A GUIDE TO 101 MODERN &amp; CONTEMPORARY INDIAN ARTISTS</span>, 2005\r\n\r\n<span> </span>Text: Amrita  Jhaveri\r\n\r\nPublisher: India  Book House\r\n\r\nISBN: 81-7508-423-5\r\n\r\n<span>ZOOM! ART IN  CONTEMPORARY INDIA</span>, 2004\r\n\r\n<span> </span>Texts:  Luis Serpa and Nancy Adajania<span> </span>\r\n\r\n<span> </span>Publisher: The Culturgest Museum\r\n\r\nISBN: 972-769-033-5\r\n\r\n<span>INTERLUDE IN SRI   LANKA</span>, 2004<span> </span>\r\n\r\n<span> </span>Text:  Ranjit Hoskote, Nancy Adajania<span> </span>\r\n\r\n<span> </span>Publisher:  The Guild  Art Gallery\r\n\r\n<span>GENERATION I</span>, 2004\r\n\r\nText: Zehra Jumabhoy<span> </span>\r\n\r\n<span> </span>Publisher:<span> </span>Saffronart &amp; The Guild Art Gallery\r\n\r\n<span>TIRANGA  RIGHTS AND REPONSIBILITIES</span>,  2003<span> </span>\r\n\r\nText: Peter Nagy<span> </span>\r\n\r\n<span> </span>Publisher: Jindal  Foundation &amp; Creative Arts\r\n\r\n<span>HARD COPY</span>, 2003\r\n\r\nText: Peter Nagy\r\n\r\n<span> </span>Publisher: Gallery 88\r\n\r\n<span> </span><span>CROSSING  GENERATIONS: DIVERGE</span><span>, </span>2003\r\n\r\n<span> </span>Text:  Geeta Kapoor and Chaitanya Sambrani<span> </span>\r\n\r\n<span> </span>Publisher:<span> </span>Gallery Chemould\r\n\r\nPRESS  <span> </span>\r\n\r\n<span> </span>\r\n\r\n<span><em> </em></span>\r\n\r\n<span>THE ARCHIVES OF  THE HEART</span> <span> </span>\r\n\r\nNancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\n\r\nFront Cover, pgs 42-45, 2009\r\n\r\n<span> </span>\r\n\r\n<span>GLOBALE KUNST  MIT WURZELDUFT</span>\r\n\r\nVon Almuth Speigler, Die Presse, Feuilleton, 2<sup>nd</sup> September 2009\r\n\r\n<span>LANDSCAPES OF  LOSS</span>\r\n\r\nBeth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009\r\n\r\n<span> </span>\r\n\r\n<span>REINCARNATING  HISTORY</span>\r\n\r\nThe Big Picture, Architect and Interiors, July 2009<span> </span>\r\n\r\n<span>STAMP COLLECTION</span>\r\n\r\nGeorgina Maddox, The Sunday Express, 17<sup>th</sup> May 2009\r\n\r\n<span> </span>\r\n\r\n<span>EVOLVING BEYOND  BORDERS</span>\r\n\r\nReshma S. Kulkarni, Bombay Times, Times of India,  15<sup>th</sup> January, 2009\r\n\r\n<span>LO</span><span>SS AND FOUND</span>\r\n\r\nMarina Correa, DNA, Mumbai, 22<sup>nd</sup> January 2009\r\n\r\n<span> </span>\r\n\r\n<span>FOCUS INDIA</span>\r\n\r\nMegha Ralapati, Flash Art, pg 114, January-February 2008\r\n\r\n<span>COME TOGETHER  RIGHT NOW</span>\r\n\r\nReema Gehi, HT Café, 15<sup>th</sup> February 2008\r\n\r\n<span>SUCH A LONG  JOURNEY</span>\r\n\r\nAparna S Sharma, Elle Magazine, pgs 115-117, February 2008\r\n\r\n<span> </span>\r\n\r\n<span>MORE THAN A  WOMAN</span>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 4<sup>th</sup> February 2008\r\n\r\n<span> </span>\r\n\r\n<span>ARTIST OF THE  FORTNIGHT</span>\r\n\r\nMaria Louis, Outlook Profit, pg 79, 18<sup>th</sup> April 2008\r\n\r\n<span> </span>\r\n\r\n<span>DEJA VIEW</span>\r\n\r\nTara Khilachand, Live Mint, 20<sup>th</sup> December 2008\r\n\r\n<span>TERROR STRUCK</span>\r\n\r\nMaria Louis, Outlook Profit, 26<sup>th</sup> December 2008\r\n\r\n<span>NAME CALLING</span>\r\n\r\nDeepanjana Pal, Timeout Mumbai, December 2008\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span>CORRUPTIONS OF  POWER</span>\r\n\r\nShiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99,  2007\r\n\r\n<span>OVER THE RAINBOW</span>\r\n\r\nMaria Louis, Interview, Verve Magazine, pg 78, November 2006\r\n\r\n<span> </span>\r\n\r\n<span>IN A STATE OF PERENNIAL SIEGE</span>\r\n\r\nNancy Adajania, The Hindu, Hyderabad, 29<sup>th</sup> October  2006\r\n\r\n<span>HER CROWNING  ACHIEVEMENT</span>\r\n\r\nClara Chow, The Straits Times, 18<sup>th</sup> November 2006\r\n\r\n<span> </span>\r\n\r\n<span>POLITICAL CHAOS</span>\r\n\r\nDeepali Nandwani,  Beautiful people, pg 143, November-December 2006\r\n\r\n<span>WEAPONS OF MASS  CONSTRUCTION</span>\r\n\r\nRituparna Som, DNA after Hrs, Mumbai, 9<sup>th</sup> October, 2006\r\n\r\n<span> </span>\r\n\r\n<span> GUNS AND ROSES</span>\r\n\r\nRachna Nakra, The Indian Express,  Mumbai Newsline, 18<sup>th</sup> September 2006\r\n\r\n<span> UNDER ATTACK</span>\r\n\r\nGitanjali Dang, HT Mumbai, 22<sup>nd</sup> September 2006\r\n\r\n<span> TIME TRAVELLER</span>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline,  27<sup>th</sup> June 2006      <span> </span>\r\n\r\n<span> </span>\r\n\r\n<span>THE FLOWER AND  THE SWORD</span>\r\n\r\nGirish Shahane, The Art News magazine of India,  pg 93, volume X issue I, 2004\r\n\r\n<span>INDIA</span><span>’S TOP 100 ACHIEVERS</span>\r\n\r\nSociety Magazine, pg 137, December 2004\r\n\r\n<span>CAUGHT BETWEEEN  DEMONS</span>\r\n\r\nNancy Adajania, The Hindu, 19<sup>th</sup> December  2004\r\n\r\n<span>EN REISE TIL INDIA</span>\r\n\r\nHarald Flor, Dagbladet, Kultur, 2<sup>nd</sup> February 2003\r\n\r\n<span> </span>\r\n\r\n<span>SIGNS OF  RESISTANCE</span>\r\n\r\nNancy Adajania, The Hindu, 5<sup>th</sup> January  2003\r\n\r\n<span>OF THE GODDESS  AND DEMON IN THE MIND</span>\r\n\r\nDebbie Rodgers, Sunday edition Vijay Times, Bangalore, 5<sup>th</sup> January 2003\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span>EMPATHIC ANGER</span>\r\n\r\nMarta Jakimowicz, Deccan Herald, 23<sup>rd</sup> December 2002\r\n\r\n<span> </span>\r\n\r\n<span>MYSORE</span><span> EK KHOJ</span>\r\n\r\nCross Fertilization of Culture, Interview in Star of Mysore, 27<sup>th</sup> October 2002\r\n\r\n<span> </span>\r\n\r\n<span> LINKING ISLANDS</span>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 15<sup>th</sup> February  2002\r\n\r\n<span>CREATING TO  DESTROY</span>\r\n\r\nJasmine Shah Varma, The List, Mid Day, 22<sup>nd</sup> February 2002\r\n\r\n<span> </span>\r\n\r\n<span>DIFFERENT  STROKES</span>\r\n\r\nGeorgina L Maddox, The Indian Express, Mumbai Newsline,  24<sup>th</sup> July 2002\r\n\r\n<span> </span>\r\n\r\n<span>OF FAITH AND  HUNGER</span>\r\n\r\nAbhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89,  December 2000\r\n\r\n<span> </span>\r\n\r\n<span>THE MURMUR OF  SKIN</span>\r\n\r\nNupur Mahajan, Bombay Times, Times  of India, 12<sup>th</sup> October 2000\r\n\r\n<span>NOT JUST SKIN  DEEP</span>\r\n\r\nJasmine Shah Varma, The List, Mid-day, 4<sup>th</sup> October 2000\r\n\r\n<span>INSIDE OUT</span>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 11<sup>th</sup> October  2000\r\n\r\n<span>SCINTILLATING  SKIN</span>\r\n\r\nVaibhav Purandare, The Asian Age, 14<sup>th</sup> October 2000\r\n\r\n<span>AN ARTIST’S  WORLD: ROTI, MAKAAN &amp; ABSTRACT ART</span>\r\n\r\nPoonam Goel, HT City, 23<sup>rd</sup> December 2000\r\n\r\n<span> </span>\r\n\r\n<span>WITHIN YOU,  WITHOUT YOU</span>\r\n\r\nAnu Kumar, Indian Express,  Express Newsline, 2<sup>nd</sup> September 1998\r\n\r\n<span>FARMING INTRIRUE</span>\r\n\r\nJerry Pinto, The Times of India, Bombay Times, 3<sup>rd</sup> September 1998\r\n\r\n<span> </span>\r\n\r\n<span>INTERACTIVE  MEDIUM</span>\r\n\r\nKaren Pereira, Indian  Architect &amp; Builder, pgs 102-104, October 1998','Publications','','inherit','open','open','','87-revision-75','','','2010-07-04 11:49:54','2010-07-04 11:49:54','',87,'http://www.biggventures.com/demo/artists/1362/uncat/87-revision-75',0,'revision','',0),(1357,1,'2010-07-04 11:40:06','2010-07-04 11:40:06','<table style=\"margin-left: 5px;\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\" width=\"58%\" align=\"centre\">\r\n<tbody>\r\n<tr>\r\n<td width=\"35%\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Reena Saini Kallat</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2008</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/reena-kallat\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Rainbow of Refuse</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2006</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/rainbow-of-refuse\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Black Flute and Other Stories</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2004</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/black-flute\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>The Battlefield Is The Mind</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2002</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/battlefield-of-mind\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>SKIN</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2000</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/skin\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Orchard of Home-grown Secrets</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>1998</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/orchard-of-home-grown-screts\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<!-- Start of Other Publications -->\r\n<span class=\"pubstrong\" style=\"color:#000000;\">BOOKS/  CATALOGUES </span>\r\n<br/>\r\n<span class=\"pubstrong\">Reena Saini Kallat,</span> 2009\r\n<span>\r\nText: Nancy Adajania and Murtaza Vali \r\nPublisher: Primo Marella Gallery, Walsh Gallery and Chemould Prescott Road \r\nISBN: 978-81-908879-1-5 \r\n</span>\r\n<span class=\"pubstrong\">RAINBOW OF  REFUSE</span>, 2006\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher: Bodhi Art Gallery\r\n\r\n<span> </span><span class=\"pubstrong\">BLACK  FLUTE (AND OTHER STORIES)</span>,<span> </span>2005\r\n\r\n<span class=\"pubstrong\"> BLACK FLUTE</span>, 2004\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher: Gallery Chemould  and Nature Morte Gallery\r\n\r\n<span class=\"pubstrong\">THE BATTLEFIELD  IS THE MIND</span>, 2002<span> </span>\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher:  Sakshi Gallery\r\n\r\n<span class=\"pubstrong\">SKIN</span>,<span> </span>2000\r\n\r\nInterview with  Jitish Kallat\r\n\r\nPublisher:  Gallery Chemould and Vis-à-vis Art Inc. Gallery\r\n\r\n<span class=\"pubstrong\">ORCHARD OF  HOME-GROWN SECRETS</span>, 1998<span> </span>\r\n\r\nText: Ranjit Hoskote\r\n\r\nPublisher: Gallery Chemould and Pundole  Art Gallery\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span class=\"pubstrong\">NEVER RUN AWAY</span>, 2010\r\n\r\nText: Shaheen  Merali\r\n\r\nPublisher: Stux Gallery\r\n\r\n<span class=\"pubstrong\">URBAN MANNERS 2</span>, 2010<span><em> </em></span>\r\n\r\nText: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\n\r\nPublisher: SESC Pompeia, Sao Paulo\r\n\r\n<span> </span>\r\n\r\n<span class=\"pubstrong\">THE EMPIRE  STRIKES BACK</span>, 2010<span> </span>\r\n\r\nText: Zehra Jumabhoy\r\n\r\nPublisher: Saatchi Gallery\r\n\r\n<span> </span><span> </span>\r\n\r\n<span class=\"pubstrong\">VIEW POINTS AND  VIEWINGS POINTS- ASIAN ART BIENNALE</span>, 2009<span> </span>\r\n\r\nText: Chao-yi-Tsai\r\n\r\nPublisher: National Taiwan Museum of fine Arts\r\n\r\n<span class=\"pubstrong\">INDIA</span><span class=\"pubstrong\"> XIANZAI:  CONTEMPORARY INDIAN ART</span>,  2009\r\n\r\n<span> </span>Text: Jitish  Kallat, Diana Freundl, Alexander Keefe\r\n\r\nPublisher: Museum  of Contemporary  Art\r\n\r\n<span class=\"pubstrong\">CHALO! INDIA: A  NEW ERA OF INDIAN ART</span>, 2009<span> </span>\r\n\r\nText: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki, Miho\r\n\r\nTagomori\r\n\r\nPublisher: National Museum of Contemporary Art and Essl  Museum\r\n\r\nISBN: 978-3-7913-4304-4\r\n\r\n<span class=\"pubstrong\">CHALO! INDIA: A NEW ERA OF INDIAN ART</span>,  2008<span><em> </em></span>\r\n\r\nText: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman\r\n\r\nGopinath, Jayaram, Deepak Ananth\r\n\r\nPublisher:  Mori Art Museum\r\n\r\n<span> </span>\r\n\r\n<span> </span><span class=\"pubstrong\">INDIA</span><span class=\"pubstrong\"> MODERNA</span>, 2008<span> </span>\r\n\r\nText: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur,\r\n\r\nR.Siva  Kumar,  K.G. Subramanyan\r\n\r\nPublisher: IVAM (Institute Valencia D’Art Modern)\r\n\r\n<span class=\"pubstrong\">EVERYWHERE IS  WAR (AND RUMOURS OF IT</span>), 2008\r\n\r\n<span class=\"pubstrong\"> </span>Text: Kai  Hafez, Martin  Hager,  Nicholas Mirzoeff, Daniel Miller,\r\n\r\nBregje van Eekelen\r\n\r\nPublisher: Bodhi Art  Gallery\r\n\r\n<span class=\"pubstrong\">THREE POINTS OF  VIEWS</span>, 2008\r\n\r\n<span> </span>Text:  Grant Watson\r\n\r\nPublisher: Galerie Mirchandani + Steinruecke\r\n\r\n<span class=\"pubstrong\">NEW NARRATIVES</span>, 2008\r\n\r\nText: Betty Seid<span> </span>\r\n\r\n<span> </span>Publisher:  Chicago  Cultural Center\r\n\r\n<span> </span><span class=\"pubstrong\">MADE BY INDIANS</span>, 2007\r\n\r\nText: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\n\r\nPublisher: Galerie Enrico Navarra\r\n\r\nISBN: 2-911596-37-4\r\n\r\n<span class=\"pubstrong\">THERMOCLINE OF  ART: NEW ASIAN WAVES</span>,  2007\r\n\r\n<span> </span>Text:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong<span> </span>\r\n\r\nPublisher: Hatje Cantz Vertag\r\n\r\nISBN: 978-3-7757-2073-1\r\n\r\nEAN: 9782911596377\r\n\r\n<span class=\"pubstrong\"> INDIAN COLOUR</span>, 2007\r\n\r\nText: Peter Nagy\r\n\r\nPublisher: Dal- seung Hwang, Keumsan Gallery\r\n\r\n<span class=\"pubstrong\">INDIA</span><span class=\"pubstrong\"> ARTE OGGI</span>, 2007<span> </span>\r\n\r\n<span> </span>Text:  Daniela Palazzoli<span> </span>\r\n\r\nPublisher: Spazio Oberdan\r\n\r\nISBN: 978-88-202-1867-6\r\n\r\n<span class=\"pubstrong\">URBAN MANNERS</span>, 2007\r\n\r\nText: Adelina Von Furstenberg\r\n\r\n<span> </span>Publisher:  Hangar Bicocca\r\n\r\n<span class=\"pubstrong\">INTERNATIONAL  INCHEON WOMEN ARTISTS BIENNALE, </span>\r\n\r\n<span class=\"pubstrong\"> KNOCKING ON THE DOOR</span>,  2007\r\n\r\n<span> </span>Text:  Sung Hee Kim, John C. Welchman<span> </span>\r\n\r\nPublisher: Incheon Culture and Art Centre\r\n\r\n<span class=\"pubstrong\">SOFT  POWER: ASIAN ATTITUDE</span>,  2007<span> </span>\r\n\r\n<span> </span>Text:  Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\n\r\nPublisher: Shanghai  Zendai Mumsem of Modern Art\r\n\r\nISBN: 978-7-5356-2790-2\r\n\r\n<span>INDIA</span><span> EXPRESS- ART AND POPULAR CULTURE</span>, 2006\r\n\r\n<span> </span>Text: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze,\r\n\r\nPublisher: Helsinki  City Art  Museum\r\n\r\nISBN: 951-8965-61-7\r\n\r\n<span>BOMBAY</span><span> L’ALBUM MAXIMUM CITY</span>, 2006\r\n\r\nText: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\n\r\nPublisher: Terrail, Lille 3000\r\n\r\nISBN:  2-87939-325-6<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span>INDIAN PAINTINGS  OF THE NEW MILLENNIUM</span>, 2005\r\n\r\n<span> </span>Text: Helen Asquine  Fazio, Gayatri Sinha<span> </span>\r\n\r\n<span> </span>Publisher: Quick Arts Center, Fairfield University\r\n\r\n<span>A GUIDE TO 101 MODERN &amp; CONTEMPORARY INDIAN ARTISTS</span>, 2005\r\n\r\n<span> </span>Text: Amrita  Jhaveri\r\n\r\nPublisher: India  Book House\r\n\r\nISBN: 81-7508-423-5\r\n\r\n<span>ZOOM! ART IN  CONTEMPORARY INDIA</span>, 2004\r\n\r\n<span> </span>Texts:  Luis Serpa and Nancy Adajania<span> </span>\r\n\r\n<span> </span>Publisher: The Culturgest Museum\r\n\r\nISBN: 972-769-033-5\r\n\r\n<span>INTERLUDE IN SRI   LANKA</span>, 2004<span> </span>\r\n\r\n<span> </span>Text:  Ranjit Hoskote, Nancy Adajania<span> </span>\r\n\r\n<span> </span>Publisher:  The Guild  Art Gallery\r\n\r\n<span>GENERATION I</span>, 2004\r\n\r\nText: Zehra Jumabhoy<span> </span>\r\n\r\n<span> </span>Publisher:<span> </span>Saffronart &amp; The Guild Art Gallery\r\n\r\n<span>TIRANGA  RIGHTS AND REPONSIBILITIES</span>,  2003<span> </span>\r\n\r\nText: Peter Nagy<span> </span>\r\n\r\n<span> </span>Publisher: Jindal  Foundation &amp; Creative Arts\r\n\r\n<span>HARD COPY</span>, 2003\r\n\r\nText: Peter Nagy\r\n\r\n<span> </span>Publisher: Gallery 88\r\n\r\n<span> </span><span>CROSSING  GENERATIONS: DIVERGE</span><span>, </span>2003\r\n\r\n<span> </span>Text:  Geeta Kapoor and Chaitanya Sambrani<span> </span>\r\n\r\n<span> </span>Publisher:<span> </span>Gallery Chemould\r\n\r\nPRESS  <span> </span>\r\n\r\n<span> </span>\r\n\r\n<span><em> </em></span>\r\n\r\n<span>THE ARCHIVES OF  THE HEART</span> <span> </span>\r\n\r\nNancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\n\r\nFront Cover, pgs 42-45, 2009\r\n\r\n<span> </span>\r\n\r\n<span>GLOBALE KUNST  MIT WURZELDUFT</span>\r\n\r\nVon Almuth Speigler, Die Presse, Feuilleton, 2<sup>nd</sup> September 2009\r\n\r\n<span>LANDSCAPES OF  LOSS</span>\r\n\r\nBeth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009\r\n\r\n<span> </span>\r\n\r\n<span>REINCARNATING  HISTORY</span>\r\n\r\nThe Big Picture, Architect and Interiors, July 2009<span> </span>\r\n\r\n<span>STAMP COLLECTION</span>\r\n\r\nGeorgina Maddox, The Sunday Express, 17<sup>th</sup> May 2009\r\n\r\n<span> </span>\r\n\r\n<span>EVOLVING BEYOND  BORDERS</span>\r\n\r\nReshma S. Kulkarni, Bombay Times, Times of India,  15<sup>th</sup> January, 2009\r\n\r\n<span>LO</span><span>SS AND FOUND</span>\r\n\r\nMarina Correa, DNA, Mumbai, 22<sup>nd</sup> January 2009\r\n\r\n<span> </span>\r\n\r\n<span>FOCUS INDIA</span>\r\n\r\nMegha Ralapati, Flash Art, pg 114, January-February 2008\r\n\r\n<span>COME TOGETHER  RIGHT NOW</span>\r\n\r\nReema Gehi, HT Café, 15<sup>th</sup> February 2008\r\n\r\n<span>SUCH A LONG  JOURNEY</span>\r\n\r\nAparna S Sharma, Elle Magazine, pgs 115-117, February 2008\r\n\r\n<span> </span>\r\n\r\n<span>MORE THAN A  WOMAN</span>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 4<sup>th</sup> February 2008\r\n\r\n<span> </span>\r\n\r\n<span>ARTIST OF THE  FORTNIGHT</span>\r\n\r\nMaria Louis, Outlook Profit, pg 79, 18<sup>th</sup> April 2008\r\n\r\n<span> </span>\r\n\r\n<span>DEJA VIEW</span>\r\n\r\nTara Khilachand, Live Mint, 20<sup>th</sup> December 2008\r\n\r\n<span>TERROR STRUCK</span>\r\n\r\nMaria Louis, Outlook Profit, 26<sup>th</sup> December 2008\r\n\r\n<span>NAME CALLING</span>\r\n\r\nDeepanjana Pal, Timeout Mumbai, December 2008\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span>CORRUPTIONS OF  POWER</span>\r\n\r\nShiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99,  2007\r\n\r\n<span>OVER THE RAINBOW</span>\r\n\r\nMaria Louis, Interview, Verve Magazine, pg 78, November 2006\r\n\r\n<span> </span>\r\n\r\n<span>IN A STATE OF PERENNIAL SIEGE</span>\r\n\r\nNancy Adajania, The Hindu, Hyderabad, 29<sup>th</sup> October  2006\r\n\r\n<span>HER CROWNING  ACHIEVEMENT</span>\r\n\r\nClara Chow, The Straits Times, 18<sup>th</sup> November 2006\r\n\r\n<span> </span>\r\n\r\n<span>POLITICAL CHAOS</span>\r\n\r\nDeepali Nandwani,  Beautiful people, pg 143, November-December 2006\r\n\r\n<span>WEAPONS OF MASS  CONSTRUCTION</span>\r\n\r\nRituparna Som, DNA after Hrs, Mumbai, 9<sup>th</sup> October, 2006\r\n\r\n<span> </span>\r\n\r\n<span> GUNS AND ROSES</span>\r\n\r\nRachna Nakra, The Indian Express,  Mumbai Newsline, 18<sup>th</sup> September 2006\r\n\r\n<span> UNDER ATTACK</span>\r\n\r\nGitanjali Dang, HT Mumbai, 22<sup>nd</sup> September 2006\r\n\r\n<span> TIME TRAVELLER</span>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline,  27<sup>th</sup> June 2006      <span> </span>\r\n\r\n<span> </span>\r\n\r\n<span>THE FLOWER AND  THE SWORD</span>\r\n\r\nGirish Shahane, The Art News magazine of India,  pg 93, volume X issue I, 2004\r\n\r\n<span>INDIA</span><span>’S TOP 100 ACHIEVERS</span>\r\n\r\nSociety Magazine, pg 137, December 2004\r\n\r\n<span>CAUGHT BETWEEEN  DEMONS</span>\r\n\r\nNancy Adajania, The Hindu, 19<sup>th</sup> December  2004\r\n\r\n<span>EN REISE TIL INDIA</span>\r\n\r\nHarald Flor, Dagbladet, Kultur, 2<sup>nd</sup> February 2003\r\n\r\n<span> </span>\r\n\r\n<span>SIGNS OF  RESISTANCE</span>\r\n\r\nNancy Adajania, The Hindu, 5<sup>th</sup> January  2003\r\n\r\n<span>OF THE GODDESS  AND DEMON IN THE MIND</span>\r\n\r\nDebbie Rodgers, Sunday edition Vijay Times, Bangalore, 5<sup>th</sup> January 2003\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span>EMPATHIC ANGER</span>\r\n\r\nMarta Jakimowicz, Deccan Herald, 23<sup>rd</sup> December 2002\r\n\r\n<span> </span>\r\n\r\n<span>MYSORE</span><span> EK KHOJ</span>\r\n\r\nCross Fertilization of Culture, Interview in Star of Mysore, 27<sup>th</sup> October 2002\r\n\r\n<span> </span>\r\n\r\n<span> LINKING ISLANDS</span>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 15<sup>th</sup> February  2002\r\n\r\n<span>CREATING TO  DESTROY</span>\r\n\r\nJasmine Shah Varma, The List, Mid Day, 22<sup>nd</sup> February 2002\r\n\r\n<span> </span>\r\n\r\n<span>DIFFERENT  STROKES</span>\r\n\r\nGeorgina L Maddox, The Indian Express, Mumbai Newsline,  24<sup>th</sup> July 2002\r\n\r\n<span> </span>\r\n\r\n<span>OF FAITH AND  HUNGER</span>\r\n\r\nAbhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89,  December 2000\r\n\r\n<span> </span>\r\n\r\n<span>THE MURMUR OF  SKIN</span>\r\n\r\nNupur Mahajan, Bombay Times, Times  of India, 12<sup>th</sup> October 2000\r\n\r\n<span>NOT JUST SKIN  DEEP</span>\r\n\r\nJasmine Shah Varma, The List, Mid-day, 4<sup>th</sup> October 2000\r\n\r\n<span>INSIDE OUT</span>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 11<sup>th</sup> October  2000\r\n\r\n<span>SCINTILLATING  SKIN</span>\r\n\r\nVaibhav Purandare, The Asian Age, 14<sup>th</sup> October 2000\r\n\r\n<span>AN ARTIST’S  WORLD: ROTI, MAKAAN &amp; ABSTRACT ART</span>\r\n\r\nPoonam Goel, HT City, 23<sup>rd</sup> December 2000\r\n\r\n<span> </span>\r\n\r\n<span>WITHIN YOU,  WITHOUT YOU</span>\r\n\r\nAnu Kumar, Indian Express,  Express Newsline, 2<sup>nd</sup> September 1998\r\n\r\n<span>FARMING INTRIRUE</span>\r\n\r\nJerry Pinto, The Times of India, Bombay Times, 3<sup>rd</sup> September 1998\r\n\r\n<span> </span>\r\n\r\n<span>INTERACTIVE  MEDIUM</span>\r\n\r\nKaren Pereira, Indian  Architect &amp; Builder, pgs 102-104, October 1998','Publications','','inherit','open','open','','87-revision-70','','','2010-07-04 11:40:06','2010-07-04 11:40:06','',87,'http://www.biggventures.com/demo/artists/1357/uncat/87-revision-70',0,'revision','',0),(1358,1,'2010-07-04 11:42:39','2010-07-04 11:42:39','<table style=\"margin-left: 5px;\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\" width=\"58%\" align=\"centre\">\r\n<tbody>\r\n<tr>\r\n<td width=\"35%\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Reena Saini Kallat</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2008</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/reena-kallat\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Rainbow of Refuse</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2006</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/rainbow-of-refuse\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Black Flute and Other Stories</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2004</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/black-flute\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>The Battlefield Is The Mind</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2002</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/battlefield-of-mind\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>SKIN</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2000</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/skin\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Orchard of Home-grown Secrets</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>1998</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/orchard-of-home-grown-screts\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<!-- Start of Other Publications -->\r\n<span class=\"pubstrong\" style=\"color:#000000;\">BOOKS/  CATALOGUES </span>\r\n<br/>\r\n<span class=\"pubstrong\">Reena Saini Kallat,</span> 2009<span>\r\nText: Nancy Adajania and Murtaza Vali \r\nPublisher: Primo Marella Gallery, Walsh Gallery and Chemould Prescott Road \r\nISBN: 978-81-908879-1-5 \r\n</span>\r\n<span class=\"pubstrong\">RAINBOW OF  REFUSE</span>, 2006\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher: Bodhi Art Gallery\r\n\r\n<span> </span><span class=\"pubstrong\">BLACK  FLUTE (AND OTHER STORIES)</span>,<span> </span>2005\r\n\r\n<span class=\"pubstrong\"> BLACK FLUTE</span>, 2004\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher: Gallery Chemould  and Nature Morte Gallery\r\n\r\n<span class=\"pubstrong\">THE BATTLEFIELD  IS THE MIND</span>, 2002<span> </span>\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher:  Sakshi Gallery\r\n\r\n<span class=\"pubstrong\">SKIN</span>,<span> </span>2000\r\n\r\nInterview with  Jitish Kallat\r\n\r\nPublisher:  Gallery Chemould and Vis-à-vis Art Inc. Gallery\r\n\r\n<span class=\"pubstrong\">ORCHARD OF  HOME-GROWN SECRETS</span>, 1998<span> </span>\r\n\r\nText: Ranjit Hoskote\r\n\r\nPublisher: Gallery Chemould and Pundole  Art Gallery\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span class=\"pubstrong\">NEVER RUN AWAY</span>, 2010\r\n\r\nText: Shaheen  Merali\r\n\r\nPublisher: Stux Gallery\r\n\r\n<span class=\"pubstrong\">URBAN MANNERS 2</span>, 2010<span><em> </em></span>\r\n\r\nText: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\n\r\nPublisher: SESC Pompeia, Sao Paulo\r\n\r\n<span> </span>\r\n\r\n<span class=\"pubstrong\">THE EMPIRE  STRIKES BACK</span>, 2010<span> </span>\r\n\r\nText: Zehra Jumabhoy\r\n\r\nPublisher: Saatchi Gallery\r\n\r\n<span> </span><span> </span>\r\n\r\n<span class=\"pubstrong\">VIEW POINTS AND  VIEWINGS POINTS- ASIAN ART BIENNALE</span>, 2009<span> </span>\r\n\r\nText: Chao-yi-Tsai\r\n\r\nPublisher: National Taiwan Museum of fine Arts\r\n\r\n<span class=\"pubstrong\">INDIA</span><span class=\"pubstrong\"> XIANZAI:  CONTEMPORARY INDIAN ART</span>,  2009\r\n\r\n<span> </span>Text: Jitish  Kallat, Diana Freundl, Alexander Keefe\r\n\r\nPublisher: Museum  of Contemporary  Art\r\n\r\n<span class=\"pubstrong\">CHALO! INDIA: A  NEW ERA OF INDIAN ART</span>, 2009<span> </span>\r\n\r\nText: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki, Miho\r\n\r\nTagomori\r\n\r\nPublisher: National Museum of Contemporary Art and Essl  Museum\r\n\r\nISBN: 978-3-7913-4304-4\r\n\r\n<span class=\"pubstrong\">CHALO! INDIA: A NEW ERA OF INDIAN ART</span>,  2008<span><em> </em></span>\r\n\r\nText: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman\r\n\r\nGopinath, Jayaram, Deepak Ananth\r\n\r\nPublisher:  Mori Art Museum\r\n\r\n<span> </span>\r\n\r\n<span> </span><span class=\"pubstrong\">INDIA</span><span class=\"pubstrong\"> MODERNA</span>, 2008<span> </span>\r\n\r\nText: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur,\r\n\r\nR.Siva  Kumar,  K.G. Subramanyan\r\n\r\nPublisher: IVAM (Institute Valencia D’Art Modern)\r\n\r\n<span class=\"pubstrong\">EVERYWHERE IS  WAR (AND RUMOURS OF IT</span>), 2008\r\n\r\n<span class=\"pubstrong\"> </span>Text: Kai  Hafez, Martin  Hager,  Nicholas Mirzoeff, Daniel Miller,\r\n\r\nBregje van Eekelen\r\n\r\nPublisher: Bodhi Art  Gallery\r\n\r\n<span class=\"pubstrong\">THREE POINTS OF  VIEWS</span>, 2008\r\n\r\n<span> </span>Text:  Grant Watson\r\n\r\nPublisher: Galerie Mirchandani + Steinruecke\r\n\r\n<span class=\"pubstrong\">NEW NARRATIVES</span>, 2008\r\n\r\nText: Betty Seid<span> </span>\r\n\r\n<span> </span>Publisher:  Chicago  Cultural Center\r\n\r\n<span> </span><span class=\"pubstrong\">MADE BY INDIANS</span>, 2007\r\n\r\nText: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\n\r\nPublisher: Galerie Enrico Navarra\r\n\r\nISBN: 2-911596-37-4\r\n\r\n<span class=\"pubstrong\">THERMOCLINE OF  ART: NEW ASIAN WAVES</span>,  2007\r\n\r\n<span> </span>Text:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong<span> </span>\r\n\r\nPublisher: Hatje Cantz Vertag\r\n\r\nISBN: 978-3-7757-2073-1\r\n\r\nEAN: 9782911596377\r\n\r\n<span class=\"pubstrong\"> INDIAN COLOUR</span>, 2007\r\n\r\nText: Peter Nagy\r\n\r\nPublisher: Dal- seung Hwang, Keumsan Gallery\r\n\r\n<span class=\"pubstrong\">INDIA</span><span class=\"pubstrong\"> ARTE OGGI</span>, 2007<span> </span>\r\n\r\n<span> </span>Text:  Daniela Palazzoli<span> </span>\r\n\r\nPublisher: Spazio Oberdan\r\n\r\nISBN: 978-88-202-1867-6\r\n\r\n<span class=\"pubstrong\">URBAN MANNERS</span>, 2007\r\n\r\nText: Adelina Von Furstenberg\r\n\r\n<span> </span>Publisher:  Hangar Bicocca\r\n\r\n<span class=\"pubstrong\">INTERNATIONAL  INCHEON WOMEN ARTISTS BIENNALE, </span>\r\n\r\n<span class=\"pubstrong\"> KNOCKING ON THE DOOR</span>,  2007\r\n\r\n<span> </span>Text:  Sung Hee Kim, John C. Welchman<span> </span>\r\n\r\nPublisher: Incheon Culture and Art Centre\r\n\r\n<span class=\"pubstrong\">SOFT  POWER: ASIAN ATTITUDE</span>,  2007<span> </span>\r\n\r\n<span> </span>Text:  Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\n\r\nPublisher: Shanghai  Zendai Mumsem of Modern Art\r\n\r\nISBN: 978-7-5356-2790-2\r\n\r\n<span>INDIA</span><span> EXPRESS- ART AND POPULAR CULTURE</span>, 2006\r\n\r\n<span> </span>Text: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze,\r\n\r\nPublisher: Helsinki  City Art  Museum\r\n\r\nISBN: 951-8965-61-7\r\n\r\n<span>BOMBAY</span><span> L’ALBUM MAXIMUM CITY</span>, 2006\r\n\r\nText: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\n\r\nPublisher: Terrail, Lille 3000\r\n\r\nISBN:  2-87939-325-6<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span>INDIAN PAINTINGS  OF THE NEW MILLENNIUM</span>, 2005\r\n\r\n<span> </span>Text: Helen Asquine  Fazio, Gayatri Sinha<span> </span>\r\n\r\n<span> </span>Publisher: Quick Arts Center, Fairfield University\r\n\r\n<span>A GUIDE TO 101 MODERN &amp; CONTEMPORARY INDIAN ARTISTS</span>, 2005\r\n\r\n<span> </span>Text: Amrita  Jhaveri\r\n\r\nPublisher: India  Book House\r\n\r\nISBN: 81-7508-423-5\r\n\r\n<span>ZOOM! ART IN  CONTEMPORARY INDIA</span>, 2004\r\n\r\n<span> </span>Texts:  Luis Serpa and Nancy Adajania<span> </span>\r\n\r\n<span> </span>Publisher: The Culturgest Museum\r\n\r\nISBN: 972-769-033-5\r\n\r\n<span>INTERLUDE IN SRI   LANKA</span>, 2004<span> </span>\r\n\r\n<span> </span>Text:  Ranjit Hoskote, Nancy Adajania<span> </span>\r\n\r\n<span> </span>Publisher:  The Guild  Art Gallery\r\n\r\n<span>GENERATION I</span>, 2004\r\n\r\nText: Zehra Jumabhoy<span> </span>\r\n\r\n<span> </span>Publisher:<span> </span>Saffronart &amp; The Guild Art Gallery\r\n\r\n<span>TIRANGA  RIGHTS AND REPONSIBILITIES</span>,  2003<span> </span>\r\n\r\nText: Peter Nagy<span> </span>\r\n\r\n<span> </span>Publisher: Jindal  Foundation &amp; Creative Arts\r\n\r\n<span>HARD COPY</span>, 2003\r\n\r\nText: Peter Nagy\r\n\r\n<span> </span>Publisher: Gallery 88\r\n\r\n<span> </span><span>CROSSING  GENERATIONS: DIVERGE</span><span>, </span>2003\r\n\r\n<span> </span>Text:  Geeta Kapoor and Chaitanya Sambrani<span> </span>\r\n\r\n<span> </span>Publisher:<span> </span>Gallery Chemould\r\n\r\nPRESS  <span> </span>\r\n\r\n<span> </span>\r\n\r\n<span><em> </em></span>\r\n\r\n<span>THE ARCHIVES OF  THE HEART</span> <span> </span>\r\n\r\nNancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\n\r\nFront Cover, pgs 42-45, 2009\r\n\r\n<span> </span>\r\n\r\n<span>GLOBALE KUNST  MIT WURZELDUFT</span>\r\n\r\nVon Almuth Speigler, Die Presse, Feuilleton, 2<sup>nd</sup> September 2009\r\n\r\n<span>LANDSCAPES OF  LOSS</span>\r\n\r\nBeth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009\r\n\r\n<span> </span>\r\n\r\n<span>REINCARNATING  HISTORY</span>\r\n\r\nThe Big Picture, Architect and Interiors, July 2009<span> </span>\r\n\r\n<span>STAMP COLLECTION</span>\r\n\r\nGeorgina Maddox, The Sunday Express, 17<sup>th</sup> May 2009\r\n\r\n<span> </span>\r\n\r\n<span>EVOLVING BEYOND  BORDERS</span>\r\n\r\nReshma S. Kulkarni, Bombay Times, Times of India,  15<sup>th</sup> January, 2009\r\n\r\n<span>LO</span><span>SS AND FOUND</span>\r\n\r\nMarina Correa, DNA, Mumbai, 22<sup>nd</sup> January 2009\r\n\r\n<span> </span>\r\n\r\n<span>FOCUS INDIA</span>\r\n\r\nMegha Ralapati, Flash Art, pg 114, January-February 2008\r\n\r\n<span>COME TOGETHER  RIGHT NOW</span>\r\n\r\nReema Gehi, HT Café, 15<sup>th</sup> February 2008\r\n\r\n<span>SUCH A LONG  JOURNEY</span>\r\n\r\nAparna S Sharma, Elle Magazine, pgs 115-117, February 2008\r\n\r\n<span> </span>\r\n\r\n<span>MORE THAN A  WOMAN</span>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 4<sup>th</sup> February 2008\r\n\r\n<span> </span>\r\n\r\n<span>ARTIST OF THE  FORTNIGHT</span>\r\n\r\nMaria Louis, Outlook Profit, pg 79, 18<sup>th</sup> April 2008\r\n\r\n<span> </span>\r\n\r\n<span>DEJA VIEW</span>\r\n\r\nTara Khilachand, Live Mint, 20<sup>th</sup> December 2008\r\n\r\n<span>TERROR STRUCK</span>\r\n\r\nMaria Louis, Outlook Profit, 26<sup>th</sup> December 2008\r\n\r\n<span>NAME CALLING</span>\r\n\r\nDeepanjana Pal, Timeout Mumbai, December 2008\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span>CORRUPTIONS OF  POWER</span>\r\n\r\nShiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99,  2007\r\n\r\n<span>OVER THE RAINBOW</span>\r\n\r\nMaria Louis, Interview, Verve Magazine, pg 78, November 2006\r\n\r\n<span> </span>\r\n\r\n<span>IN A STATE OF PERENNIAL SIEGE</span>\r\n\r\nNancy Adajania, The Hindu, Hyderabad, 29<sup>th</sup> October  2006\r\n\r\n<span>HER CROWNING  ACHIEVEMENT</span>\r\n\r\nClara Chow, The Straits Times, 18<sup>th</sup> November 2006\r\n\r\n<span> </span>\r\n\r\n<span>POLITICAL CHAOS</span>\r\n\r\nDeepali Nandwani,  Beautiful people, pg 143, November-December 2006\r\n\r\n<span>WEAPONS OF MASS  CONSTRUCTION</span>\r\n\r\nRituparna Som, DNA after Hrs, Mumbai, 9<sup>th</sup> October, 2006\r\n\r\n<span> </span>\r\n\r\n<span> GUNS AND ROSES</span>\r\n\r\nRachna Nakra, The Indian Express,  Mumbai Newsline, 18<sup>th</sup> September 2006\r\n\r\n<span> UNDER ATTACK</span>\r\n\r\nGitanjali Dang, HT Mumbai, 22<sup>nd</sup> September 2006\r\n\r\n<span> TIME TRAVELLER</span>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline,  27<sup>th</sup> June 2006      <span> </span>\r\n\r\n<span> </span>\r\n\r\n<span>THE FLOWER AND  THE SWORD</span>\r\n\r\nGirish Shahane, The Art News magazine of India,  pg 93, volume X issue I, 2004\r\n\r\n<span>INDIA</span><span>’S TOP 100 ACHIEVERS</span>\r\n\r\nSociety Magazine, pg 137, December 2004\r\n\r\n<span>CAUGHT BETWEEEN  DEMONS</span>\r\n\r\nNancy Adajania, The Hindu, 19<sup>th</sup> December  2004\r\n\r\n<span>EN REISE TIL INDIA</span>\r\n\r\nHarald Flor, Dagbladet, Kultur, 2<sup>nd</sup> February 2003\r\n\r\n<span> </span>\r\n\r\n<span>SIGNS OF  RESISTANCE</span>\r\n\r\nNancy Adajania, The Hindu, 5<sup>th</sup> January  2003\r\n\r\n<span>OF THE GODDESS  AND DEMON IN THE MIND</span>\r\n\r\nDebbie Rodgers, Sunday edition Vijay Times, Bangalore, 5<sup>th</sup> January 2003\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span>EMPATHIC ANGER</span>\r\n\r\nMarta Jakimowicz, Deccan Herald, 23<sup>rd</sup> December 2002\r\n\r\n<span> </span>\r\n\r\n<span>MYSORE</span><span> EK KHOJ</span>\r\n\r\nCross Fertilization of Culture, Interview in Star of Mysore, 27<sup>th</sup> October 2002\r\n\r\n<span> </span>\r\n\r\n<span> LINKING ISLANDS</span>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 15<sup>th</sup> February  2002\r\n\r\n<span>CREATING TO  DESTROY</span>\r\n\r\nJasmine Shah Varma, The List, Mid Day, 22<sup>nd</sup> February 2002\r\n\r\n<span> </span>\r\n\r\n<span>DIFFERENT  STROKES</span>\r\n\r\nGeorgina L Maddox, The Indian Express, Mumbai Newsline,  24<sup>th</sup> July 2002\r\n\r\n<span> </span>\r\n\r\n<span>OF FAITH AND  HUNGER</span>\r\n\r\nAbhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89,  December 2000\r\n\r\n<span> </span>\r\n\r\n<span>THE MURMUR OF  SKIN</span>\r\n\r\nNupur Mahajan, Bombay Times, Times  of India, 12<sup>th</sup> October 2000\r\n\r\n<span>NOT JUST SKIN  DEEP</span>\r\n\r\nJasmine Shah Varma, The List, Mid-day, 4<sup>th</sup> October 2000\r\n\r\n<span>INSIDE OUT</span>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 11<sup>th</sup> October  2000\r\n\r\n<span>SCINTILLATING  SKIN</span>\r\n\r\nVaibhav Purandare, The Asian Age, 14<sup>th</sup> October 2000\r\n\r\n<span>AN ARTIST’S  WORLD: ROTI, MAKAAN &amp; ABSTRACT ART</span>\r\n\r\nPoonam Goel, HT City, 23<sup>rd</sup> December 2000\r\n\r\n<span> </span>\r\n\r\n<span>WITHIN YOU,  WITHOUT YOU</span>\r\n\r\nAnu Kumar, Indian Express,  Express Newsline, 2<sup>nd</sup> September 1998\r\n\r\n<span>FARMING INTRIRUE</span>\r\n\r\nJerry Pinto, The Times of India, Bombay Times, 3<sup>rd</sup> September 1998\r\n\r\n<span> </span>\r\n\r\n<span>INTERACTIVE  MEDIUM</span>\r\n\r\nKaren Pereira, Indian  Architect &amp; Builder, pgs 102-104, October 1998','Publications','','inherit','open','open','','87-revision-71','','','2010-07-04 11:42:39','2010-07-04 11:42:39','',87,'http://www.biggventures.com/demo/artists/1358/uncat/87-revision-71',0,'revision','',0),(1359,1,'2010-07-04 11:43:24','2010-07-04 11:43:24','<table style=\"margin-left: 5px;\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\" width=\"58%\" align=\"centre\">\r\n<tbody>\r\n<tr>\r\n<td width=\"35%\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Reena Saini Kallat</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2008</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/reena-kallat\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Rainbow of Refuse</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2006</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/rainbow-of-refuse\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Black Flute and Other Stories</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2004</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/black-flute\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>The Battlefield Is The Mind</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2002</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/battlefield-of-mind\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>SKIN</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2000</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/skin\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Orchard of Home-grown Secrets</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>1998</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/orchard-of-home-grown-screts\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<!-- Start of Other Publications -->\r\n<span class=\"pubstrong\" style=\"color:#000000;\">BOOKS/  CATALOGUES </span>\r\n<br/>\r\n<span class=\"pubstrong\">Reena Saini Kallat,</span> 2009<span>\r\nText: Nancy Adajania and Murtaza Vali \r\nPublisher: Primo Marella Gallery, Walsh Gallery and Chemould Prescott Road \r\nISBN: 978-81-908879-1-5 </span>\r\n<span class=\"pubstrong\">RAINBOW OF  REFUSE</span>, 2006\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher: Bodhi Art Gallery\r\n\r\n<span> </span><span class=\"pubstrong\">BLACK  FLUTE (AND OTHER STORIES)</span>,<span> </span>2005\r\n\r\n<span class=\"pubstrong\"> BLACK FLUTE</span>, 2004\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher: Gallery Chemould  and Nature Morte Gallery\r\n\r\n<span class=\"pubstrong\">THE BATTLEFIELD  IS THE MIND</span>, 2002<span> </span>\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher:  Sakshi Gallery\r\n\r\n<span class=\"pubstrong\">SKIN</span>,<span> </span>2000\r\n\r\nInterview with  Jitish Kallat\r\n\r\nPublisher:  Gallery Chemould and Vis-à-vis Art Inc. Gallery\r\n\r\n<span class=\"pubstrong\">ORCHARD OF  HOME-GROWN SECRETS</span>, 1998<span> </span>\r\n\r\nText: Ranjit Hoskote\r\n\r\nPublisher: Gallery Chemould and Pundole  Art Gallery\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span class=\"pubstrong\">NEVER RUN AWAY</span>, 2010\r\n\r\nText: Shaheen  Merali\r\n\r\nPublisher: Stux Gallery\r\n\r\n<span class=\"pubstrong\">URBAN MANNERS 2</span>, 2010<span><em> </em></span>\r\n\r\nText: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\n\r\nPublisher: SESC Pompeia, Sao Paulo\r\n\r\n<span> </span>\r\n\r\n<span class=\"pubstrong\">THE EMPIRE  STRIKES BACK</span>, 2010<span> </span>\r\n\r\nText: Zehra Jumabhoy\r\n\r\nPublisher: Saatchi Gallery\r\n\r\n<span> </span><span> </span>\r\n\r\n<span class=\"pubstrong\">VIEW POINTS AND  VIEWINGS POINTS- ASIAN ART BIENNALE</span>, 2009<span> </span>\r\n\r\nText: Chao-yi-Tsai\r\n\r\nPublisher: National Taiwan Museum of fine Arts\r\n\r\n<span class=\"pubstrong\">INDIA</span><span class=\"pubstrong\"> XIANZAI:  CONTEMPORARY INDIAN ART</span>,  2009\r\n\r\n<span> </span>Text: Jitish  Kallat, Diana Freundl, Alexander Keefe\r\n\r\nPublisher: Museum  of Contemporary  Art\r\n\r\n<span class=\"pubstrong\">CHALO! INDIA: A  NEW ERA OF INDIAN ART</span>, 2009<span> </span>\r\n\r\nText: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki, Miho\r\n\r\nTagomori\r\n\r\nPublisher: National Museum of Contemporary Art and Essl  Museum\r\n\r\nISBN: 978-3-7913-4304-4\r\n\r\n<span class=\"pubstrong\">CHALO! INDIA: A NEW ERA OF INDIAN ART</span>,  2008<span><em> </em></span>\r\n\r\nText: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman\r\n\r\nGopinath, Jayaram, Deepak Ananth\r\n\r\nPublisher:  Mori Art Museum\r\n\r\n<span> </span>\r\n\r\n<span> </span><span class=\"pubstrong\">INDIA</span><span class=\"pubstrong\"> MODERNA</span>, 2008<span> </span>\r\n\r\nText: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur,\r\n\r\nR.Siva  Kumar,  K.G. Subramanyan\r\n\r\nPublisher: IVAM (Institute Valencia D’Art Modern)\r\n\r\n<span class=\"pubstrong\">EVERYWHERE IS  WAR (AND RUMOURS OF IT</span>), 2008\r\n\r\n<span class=\"pubstrong\"> </span>Text: Kai  Hafez, Martin  Hager,  Nicholas Mirzoeff, Daniel Miller,\r\n\r\nBregje van Eekelen\r\n\r\nPublisher: Bodhi Art  Gallery\r\n\r\n<span class=\"pubstrong\">THREE POINTS OF  VIEWS</span>, 2008\r\n\r\n<span> </span>Text:  Grant Watson\r\n\r\nPublisher: Galerie Mirchandani + Steinruecke\r\n\r\n<span class=\"pubstrong\">NEW NARRATIVES</span>, 2008\r\n\r\nText: Betty Seid<span> </span>\r\n\r\n<span> </span>Publisher:  Chicago  Cultural Center\r\n\r\n<span> </span><span class=\"pubstrong\">MADE BY INDIANS</span>, 2007\r\n\r\nText: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\n\r\nPublisher: Galerie Enrico Navarra\r\n\r\nISBN: 2-911596-37-4\r\n\r\n<span class=\"pubstrong\">THERMOCLINE OF  ART: NEW ASIAN WAVES</span>,  2007\r\n\r\n<span> </span>Text:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong<span> </span>\r\n\r\nPublisher: Hatje Cantz Vertag\r\n\r\nISBN: 978-3-7757-2073-1\r\n\r\nEAN: 9782911596377\r\n\r\n<span class=\"pubstrong\"> INDIAN COLOUR</span>, 2007\r\n\r\nText: Peter Nagy\r\n\r\nPublisher: Dal- seung Hwang, Keumsan Gallery\r\n\r\n<span class=\"pubstrong\">INDIA</span><span class=\"pubstrong\"> ARTE OGGI</span>, 2007<span> </span>\r\n\r\n<span> </span>Text:  Daniela Palazzoli<span> </span>\r\n\r\nPublisher: Spazio Oberdan\r\n\r\nISBN: 978-88-202-1867-6\r\n\r\n<span class=\"pubstrong\">URBAN MANNERS</span>, 2007\r\n\r\nText: Adelina Von Furstenberg\r\n\r\n<span> </span>Publisher:  Hangar Bicocca\r\n\r\n<span class=\"pubstrong\">INTERNATIONAL  INCHEON WOMEN ARTISTS BIENNALE, </span>\r\n\r\n<span class=\"pubstrong\"> KNOCKING ON THE DOOR</span>,  2007\r\n\r\n<span> </span>Text:  Sung Hee Kim, John C. Welchman<span> </span>\r\n\r\nPublisher: Incheon Culture and Art Centre\r\n\r\n<span class=\"pubstrong\">SOFT  POWER: ASIAN ATTITUDE</span>,  2007<span> </span>\r\n\r\n<span> </span>Text:  Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\n\r\nPublisher: Shanghai  Zendai Mumsem of Modern Art\r\n\r\nISBN: 978-7-5356-2790-2\r\n\r\n<span>INDIA</span><span> EXPRESS- ART AND POPULAR CULTURE</span>, 2006\r\n\r\n<span> </span>Text: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze,\r\n\r\nPublisher: Helsinki  City Art  Museum\r\n\r\nISBN: 951-8965-61-7\r\n\r\n<span>BOMBAY</span><span> L’ALBUM MAXIMUM CITY</span>, 2006\r\n\r\nText: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\n\r\nPublisher: Terrail, Lille 3000\r\n\r\nISBN:  2-87939-325-6<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span>INDIAN PAINTINGS  OF THE NEW MILLENNIUM</span>, 2005\r\n\r\n<span> </span>Text: Helen Asquine  Fazio, Gayatri Sinha<span> </span>\r\n\r\n<span> </span>Publisher: Quick Arts Center, Fairfield University\r\n\r\n<span>A GUIDE TO 101 MODERN &amp; CONTEMPORARY INDIAN ARTISTS</span>, 2005\r\n\r\n<span> </span>Text: Amrita  Jhaveri\r\n\r\nPublisher: India  Book House\r\n\r\nISBN: 81-7508-423-5\r\n\r\n<span>ZOOM! ART IN  CONTEMPORARY INDIA</span>, 2004\r\n\r\n<span> </span>Texts:  Luis Serpa and Nancy Adajania<span> </span>\r\n\r\n<span> </span>Publisher: The Culturgest Museum\r\n\r\nISBN: 972-769-033-5\r\n\r\n<span>INTERLUDE IN SRI   LANKA</span>, 2004<span> </span>\r\n\r\n<span> </span>Text:  Ranjit Hoskote, Nancy Adajania<span> </span>\r\n\r\n<span> </span>Publisher:  The Guild  Art Gallery\r\n\r\n<span>GENERATION I</span>, 2004\r\n\r\nText: Zehra Jumabhoy<span> </span>\r\n\r\n<span> </span>Publisher:<span> </span>Saffronart &amp; The Guild Art Gallery\r\n\r\n<span>TIRANGA  RIGHTS AND REPONSIBILITIES</span>,  2003<span> </span>\r\n\r\nText: Peter Nagy<span> </span>\r\n\r\n<span> </span>Publisher: Jindal  Foundation &amp; Creative Arts\r\n\r\n<span>HARD COPY</span>, 2003\r\n\r\nText: Peter Nagy\r\n\r\n<span> </span>Publisher: Gallery 88\r\n\r\n<span> </span><span>CROSSING  GENERATIONS: DIVERGE</span><span>, </span>2003\r\n\r\n<span> </span>Text:  Geeta Kapoor and Chaitanya Sambrani<span> </span>\r\n\r\n<span> </span>Publisher:<span> </span>Gallery Chemould\r\n\r\nPRESS  <span> </span>\r\n\r\n<span> </span>\r\n\r\n<span><em> </em></span>\r\n\r\n<span>THE ARCHIVES OF  THE HEART</span> <span> </span>\r\n\r\nNancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\n\r\nFront Cover, pgs 42-45, 2009\r\n\r\n<span> </span>\r\n\r\n<span>GLOBALE KUNST  MIT WURZELDUFT</span>\r\n\r\nVon Almuth Speigler, Die Presse, Feuilleton, 2<sup>nd</sup> September 2009\r\n\r\n<span>LANDSCAPES OF  LOSS</span>\r\n\r\nBeth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009\r\n\r\n<span> </span>\r\n\r\n<span>REINCARNATING  HISTORY</span>\r\n\r\nThe Big Picture, Architect and Interiors, July 2009<span> </span>\r\n\r\n<span>STAMP COLLECTION</span>\r\n\r\nGeorgina Maddox, The Sunday Express, 17<sup>th</sup> May 2009\r\n\r\n<span> </span>\r\n\r\n<span>EVOLVING BEYOND  BORDERS</span>\r\n\r\nReshma S. Kulkarni, Bombay Times, Times of India,  15<sup>th</sup> January, 2009\r\n\r\n<span>LO</span><span>SS AND FOUND</span>\r\n\r\nMarina Correa, DNA, Mumbai, 22<sup>nd</sup> January 2009\r\n\r\n<span> </span>\r\n\r\n<span>FOCUS INDIA</span>\r\n\r\nMegha Ralapati, Flash Art, pg 114, January-February 2008\r\n\r\n<span>COME TOGETHER  RIGHT NOW</span>\r\n\r\nReema Gehi, HT Café, 15<sup>th</sup> February 2008\r\n\r\n<span>SUCH A LONG  JOURNEY</span>\r\n\r\nAparna S Sharma, Elle Magazine, pgs 115-117, February 2008\r\n\r\n<span> </span>\r\n\r\n<span>MORE THAN A  WOMAN</span>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 4<sup>th</sup> February 2008\r\n\r\n<span> </span>\r\n\r\n<span>ARTIST OF THE  FORTNIGHT</span>\r\n\r\nMaria Louis, Outlook Profit, pg 79, 18<sup>th</sup> April 2008\r\n\r\n<span> </span>\r\n\r\n<span>DEJA VIEW</span>\r\n\r\nTara Khilachand, Live Mint, 20<sup>th</sup> December 2008\r\n\r\n<span>TERROR STRUCK</span>\r\n\r\nMaria Louis, Outlook Profit, 26<sup>th</sup> December 2008\r\n\r\n<span>NAME CALLING</span>\r\n\r\nDeepanjana Pal, Timeout Mumbai, December 2008\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span>CORRUPTIONS OF  POWER</span>\r\n\r\nShiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99,  2007\r\n\r\n<span>OVER THE RAINBOW</span>\r\n\r\nMaria Louis, Interview, Verve Magazine, pg 78, November 2006\r\n\r\n<span> </span>\r\n\r\n<span>IN A STATE OF PERENNIAL SIEGE</span>\r\n\r\nNancy Adajania, The Hindu, Hyderabad, 29<sup>th</sup> October  2006\r\n\r\n<span>HER CROWNING  ACHIEVEMENT</span>\r\n\r\nClara Chow, The Straits Times, 18<sup>th</sup> November 2006\r\n\r\n<span> </span>\r\n\r\n<span>POLITICAL CHAOS</span>\r\n\r\nDeepali Nandwani,  Beautiful people, pg 143, November-December 2006\r\n\r\n<span>WEAPONS OF MASS  CONSTRUCTION</span>\r\n\r\nRituparna Som, DNA after Hrs, Mumbai, 9<sup>th</sup> October, 2006\r\n\r\n<span> </span>\r\n\r\n<span> GUNS AND ROSES</span>\r\n\r\nRachna Nakra, The Indian Express,  Mumbai Newsline, 18<sup>th</sup> September 2006\r\n\r\n<span> UNDER ATTACK</span>\r\n\r\nGitanjali Dang, HT Mumbai, 22<sup>nd</sup> September 2006\r\n\r\n<span> TIME TRAVELLER</span>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline,  27<sup>th</sup> June 2006      <span> </span>\r\n\r\n<span> </span>\r\n\r\n<span>THE FLOWER AND  THE SWORD</span>\r\n\r\nGirish Shahane, The Art News magazine of India,  pg 93, volume X issue I, 2004\r\n\r\n<span>INDIA</span><span>’S TOP 100 ACHIEVERS</span>\r\n\r\nSociety Magazine, pg 137, December 2004\r\n\r\n<span>CAUGHT BETWEEEN  DEMONS</span>\r\n\r\nNancy Adajania, The Hindu, 19<sup>th</sup> December  2004\r\n\r\n<span>EN REISE TIL INDIA</span>\r\n\r\nHarald Flor, Dagbladet, Kultur, 2<sup>nd</sup> February 2003\r\n\r\n<span> </span>\r\n\r\n<span>SIGNS OF  RESISTANCE</span>\r\n\r\nNancy Adajania, The Hindu, 5<sup>th</sup> January  2003\r\n\r\n<span>OF THE GODDESS  AND DEMON IN THE MIND</span>\r\n\r\nDebbie Rodgers, Sunday edition Vijay Times, Bangalore, 5<sup>th</sup> January 2003\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span>EMPATHIC ANGER</span>\r\n\r\nMarta Jakimowicz, Deccan Herald, 23<sup>rd</sup> December 2002\r\n\r\n<span> </span>\r\n\r\n<span>MYSORE</span><span> EK KHOJ</span>\r\n\r\nCross Fertilization of Culture, Interview in Star of Mysore, 27<sup>th</sup> October 2002\r\n\r\n<span> </span>\r\n\r\n<span> LINKING ISLANDS</span>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 15<sup>th</sup> February  2002\r\n\r\n<span>CREATING TO  DESTROY</span>\r\n\r\nJasmine Shah Varma, The List, Mid Day, 22<sup>nd</sup> February 2002\r\n\r\n<span> </span>\r\n\r\n<span>DIFFERENT  STROKES</span>\r\n\r\nGeorgina L Maddox, The Indian Express, Mumbai Newsline,  24<sup>th</sup> July 2002\r\n\r\n<span> </span>\r\n\r\n<span>OF FAITH AND  HUNGER</span>\r\n\r\nAbhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89,  December 2000\r\n\r\n<span> </span>\r\n\r\n<span>THE MURMUR OF  SKIN</span>\r\n\r\nNupur Mahajan, Bombay Times, Times  of India, 12<sup>th</sup> October 2000\r\n\r\n<span>NOT JUST SKIN  DEEP</span>\r\n\r\nJasmine Shah Varma, The List, Mid-day, 4<sup>th</sup> October 2000\r\n\r\n<span>INSIDE OUT</span>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 11<sup>th</sup> October  2000\r\n\r\n<span>SCINTILLATING  SKIN</span>\r\n\r\nVaibhav Purandare, The Asian Age, 14<sup>th</sup> October 2000\r\n\r\n<span>AN ARTIST’S  WORLD: ROTI, MAKAAN &amp; ABSTRACT ART</span>\r\n\r\nPoonam Goel, HT City, 23<sup>rd</sup> December 2000\r\n\r\n<span> </span>\r\n\r\n<span>WITHIN YOU,  WITHOUT YOU</span>\r\n\r\nAnu Kumar, Indian Express,  Express Newsline, 2<sup>nd</sup> September 1998\r\n\r\n<span>FARMING INTRIRUE</span>\r\n\r\nJerry Pinto, The Times of India, Bombay Times, 3<sup>rd</sup> September 1998\r\n\r\n<span> </span>\r\n\r\n<span>INTERACTIVE  MEDIUM</span>\r\n\r\nKaren Pereira, Indian  Architect &amp; Builder, pgs 102-104, October 1998','Publications','','inherit','open','open','','87-revision-72','','','2010-07-04 11:43:24','2010-07-04 11:43:24','',87,'http://www.biggventures.com/demo/artists/1359/uncat/87-revision-72',0,'revision','',0),(1360,1,'2010-07-04 11:46:27','2010-07-04 11:46:27','<table style=\"margin-left: 5px;\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\" width=\"58%\" align=\"centre\">\r\n<tbody>\r\n<tr>\r\n<td width=\"35%\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Reena Saini Kallat</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2008</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/reena-kallat\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Rainbow of Refuse</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2006</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/rainbow-of-refuse\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Black Flute and Other Stories</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2004</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/black-flute\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>The Battlefield Is The Mind</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2002</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/battlefield-of-mind\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>SKIN</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2000</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/skin\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Orchard of Home-grown Secrets</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>1998</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/orchard-of-home-grown-screts\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<!-- Start of Other Publications -->\r\n<span class=\"pubstrong\" style=\"color:#000000;\">BOOKS/  CATALOGUES </span>\r\n\r\n\r\n<span class=\"pubstrong\">Reena Saini Kallat,</span> 2009<span>\r\nText: Nancy Adajania and Murtaza Vali \r\nPublisher: Primo Marella Gallery, Walsh Gallery and Chemould Prescott Road \r\nISBN: 978-81-908879-1-5 </span>\r\n\r\n<span class=\"pubstrong\">RAINBOW OF  REFUSE</span>, 2006\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher: Bodhi Art Gallery\r\n\r\n<span> </span><span class=\"pubstrong\">BLACK  FLUTE (AND OTHER STORIES)</span>,<span> </span>2005\r\n\r\n<span class=\"pubstrong\"> BLACK FLUTE</span>, 2004\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher: Gallery Chemould  and Nature Morte Gallery\r\n\r\n<span class=\"pubstrong\">THE BATTLEFIELD  IS THE MIND</span>, 2002<span> </span>\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher:  Sakshi Gallery\r\n\r\n<span class=\"pubstrong\">SKIN</span>,<span> </span>2000\r\n\r\nInterview with  Jitish Kallat\r\n\r\nPublisher:  Gallery Chemould and Vis-à-vis Art Inc. Gallery\r\n\r\n<span class=\"pubstrong\">ORCHARD OF  HOME-GROWN SECRETS</span>, 1998<span> </span>\r\n\r\nText: Ranjit Hoskote\r\n\r\nPublisher: Gallery Chemould and Pundole  Art Gallery\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span class=\"pubstrong\">NEVER RUN AWAY</span>, 2010\r\n\r\nText: Shaheen  Merali\r\n\r\nPublisher: Stux Gallery\r\n\r\n<span class=\"pubstrong\">URBAN MANNERS 2</span>, 2010<span><em> </em></span>\r\n\r\nText: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\n\r\nPublisher: SESC Pompeia, Sao Paulo\r\n\r\n<span> </span>\r\n\r\n<span class=\"pubstrong\">THE EMPIRE  STRIKES BACK</span>, 2010<span> </span>\r\n\r\nText: Zehra Jumabhoy\r\n\r\nPublisher: Saatchi Gallery\r\n\r\n<span> </span><span> </span>\r\n\r\n<span class=\"pubstrong\">VIEW POINTS AND  VIEWINGS POINTS- ASIAN ART BIENNALE</span>, 2009<span> </span>\r\n\r\nText: Chao-yi-Tsai\r\n\r\nPublisher: National Taiwan Museum of fine Arts\r\n\r\n<span class=\"pubstrong\">INDIA</span><span class=\"pubstrong\"> XIANZAI:  CONTEMPORARY INDIAN ART</span>,  2009\r\n\r\n<span> </span>Text: Jitish  Kallat, Diana Freundl, Alexander Keefe\r\n\r\nPublisher: Museum  of Contemporary  Art\r\n\r\n<span class=\"pubstrong\">CHALO! INDIA: A  NEW ERA OF INDIAN ART</span>, 2009<span> </span>\r\n\r\nText: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki, Miho\r\n\r\nTagomori\r\n\r\nPublisher: National Museum of Contemporary Art and Essl  Museum\r\n\r\nISBN: 978-3-7913-4304-4\r\n\r\n<span class=\"pubstrong\">CHALO! INDIA: A NEW ERA OF INDIAN ART</span>,  2008<span><em> </em></span>\r\n\r\nText: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman\r\n\r\nGopinath, Jayaram, Deepak Ananth\r\n\r\nPublisher:  Mori Art Museum\r\n\r\n<span> </span>\r\n\r\n<span> </span><span class=\"pubstrong\">INDIA</span><span class=\"pubstrong\"> MODERNA</span>, 2008<span> </span>\r\n\r\nText: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur,\r\n\r\nR.Siva  Kumar,  K.G. Subramanyan\r\n\r\nPublisher: IVAM (Institute Valencia D’Art Modern)\r\n\r\n<span class=\"pubstrong\">EVERYWHERE IS  WAR (AND RUMOURS OF IT</span>), 2008\r\n\r\n<span class=\"pubstrong\"> </span>Text: Kai  Hafez, Martin  Hager,  Nicholas Mirzoeff, Daniel Miller,\r\n\r\nBregje van Eekelen\r\n\r\nPublisher: Bodhi Art  Gallery\r\n\r\n<span class=\"pubstrong\">THREE POINTS OF  VIEWS</span>, 2008\r\n\r\n<span> </span>Text:  Grant Watson\r\n\r\nPublisher: Galerie Mirchandani + Steinruecke\r\n\r\n<span class=\"pubstrong\">NEW NARRATIVES</span>, 2008\r\n\r\nText: Betty Seid<span> </span>\r\n\r\n<span> </span>Publisher:  Chicago  Cultural Center\r\n\r\n<span> </span><span class=\"pubstrong\">MADE BY INDIANS</span>, 2007\r\n\r\nText: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\n\r\nPublisher: Galerie Enrico Navarra\r\n\r\nISBN: 2-911596-37-4\r\n\r\n<span class=\"pubstrong\">THERMOCLINE OF  ART: NEW ASIAN WAVES</span>,  2007\r\n\r\n<span> </span>Text:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong<span> </span>\r\n\r\nPublisher: Hatje Cantz Vertag\r\n\r\nISBN: 978-3-7757-2073-1\r\n\r\nEAN: 9782911596377\r\n\r\n<span class=\"pubstrong\"> INDIAN COLOUR</span>, 2007\r\n\r\nText: Peter Nagy\r\n\r\nPublisher: Dal- seung Hwang, Keumsan Gallery\r\n\r\n<span class=\"pubstrong\">INDIA</span><span class=\"pubstrong\"> ARTE OGGI</span>, 2007<span> </span>\r\n\r\n<span> </span>Text:  Daniela Palazzoli<span> </span>\r\n\r\nPublisher: Spazio Oberdan\r\n\r\nISBN: 978-88-202-1867-6\r\n\r\n<span class=\"pubstrong\">URBAN MANNERS</span>, 2007\r\n\r\nText: Adelina Von Furstenberg\r\n\r\n<span> </span>Publisher:  Hangar Bicocca\r\n\r\n<span class=\"pubstrong\">INTERNATIONAL  INCHEON WOMEN ARTISTS BIENNALE, </span>\r\n\r\n<span class=\"pubstrong\"> KNOCKING ON THE DOOR</span>,  2007\r\n\r\n<span> </span>Text:  Sung Hee Kim, John C. Welchman<span> </span>\r\n\r\nPublisher: Incheon Culture and Art Centre\r\n\r\n<span class=\"pubstrong\">SOFT  POWER: ASIAN ATTITUDE</span>,  2007<span> </span>\r\n\r\n<span> </span>Text:  Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\n\r\nPublisher: Shanghai  Zendai Mumsem of Modern Art\r\n\r\nISBN: 978-7-5356-2790-2\r\n\r\n<span>INDIA</span><span> EXPRESS- ART AND POPULAR CULTURE</span>, 2006\r\n\r\n<span> </span>Text: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze,\r\n\r\nPublisher: Helsinki  City Art  Museum\r\n\r\nISBN: 951-8965-61-7\r\n\r\n<span>BOMBAY</span><span> L’ALBUM MAXIMUM CITY</span>, 2006\r\n\r\nText: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\n\r\nPublisher: Terrail, Lille 3000\r\n\r\nISBN:  2-87939-325-6<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span>INDIAN PAINTINGS  OF THE NEW MILLENNIUM</span>, 2005\r\n\r\n<span> </span>Text: Helen Asquine  Fazio, Gayatri Sinha<span> </span>\r\n\r\n<span> </span>Publisher: Quick Arts Center, Fairfield University\r\n\r\n<span>A GUIDE TO 101 MODERN &amp; CONTEMPORARY INDIAN ARTISTS</span>, 2005\r\n\r\n<span> </span>Text: Amrita  Jhaveri\r\n\r\nPublisher: India  Book House\r\n\r\nISBN: 81-7508-423-5\r\n\r\n<span>ZOOM! ART IN  CONTEMPORARY INDIA</span>, 2004\r\n\r\n<span> </span>Texts:  Luis Serpa and Nancy Adajania<span> </span>\r\n\r\n<span> </span>Publisher: The Culturgest Museum\r\n\r\nISBN: 972-769-033-5\r\n\r\n<span>INTERLUDE IN SRI   LANKA</span>, 2004<span> </span>\r\n\r\n<span> </span>Text:  Ranjit Hoskote, Nancy Adajania<span> </span>\r\n\r\n<span> </span>Publisher:  The Guild  Art Gallery\r\n\r\n<span>GENERATION I</span>, 2004\r\n\r\nText: Zehra Jumabhoy<span> </span>\r\n\r\n<span> </span>Publisher:<span> </span>Saffronart &amp; The Guild Art Gallery\r\n\r\n<span>TIRANGA  RIGHTS AND REPONSIBILITIES</span>,  2003<span> </span>\r\n\r\nText: Peter Nagy<span> </span>\r\n\r\n<span> </span>Publisher: Jindal  Foundation &amp; Creative Arts\r\n\r\n<span>HARD COPY</span>, 2003\r\n\r\nText: Peter Nagy\r\n\r\n<span> </span>Publisher: Gallery 88\r\n\r\n<span> </span><span>CROSSING  GENERATIONS: DIVERGE</span><span>, </span>2003\r\n\r\n<span> </span>Text:  Geeta Kapoor and Chaitanya Sambrani<span> </span>\r\n\r\n<span> </span>Publisher:<span> </span>Gallery Chemould\r\n\r\nPRESS  <span> </span>\r\n\r\n<span> </span>\r\n\r\n<span><em> </em></span>\r\n\r\n<span>THE ARCHIVES OF  THE HEART</span> <span> </span>\r\n\r\nNancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\n\r\nFront Cover, pgs 42-45, 2009\r\n\r\n<span> </span>\r\n\r\n<span>GLOBALE KUNST  MIT WURZELDUFT</span>\r\n\r\nVon Almuth Speigler, Die Presse, Feuilleton, 2<sup>nd</sup> September 2009\r\n\r\n<span>LANDSCAPES OF  LOSS</span>\r\n\r\nBeth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009\r\n\r\n<span> </span>\r\n\r\n<span>REINCARNATING  HISTORY</span>\r\n\r\nThe Big Picture, Architect and Interiors, July 2009<span> </span>\r\n\r\n<span>STAMP COLLECTION</span>\r\n\r\nGeorgina Maddox, The Sunday Express, 17<sup>th</sup> May 2009\r\n\r\n<span> </span>\r\n\r\n<span>EVOLVING BEYOND  BORDERS</span>\r\n\r\nReshma S. Kulkarni, Bombay Times, Times of India,  15<sup>th</sup> January, 2009\r\n\r\n<span>LO</span><span>SS AND FOUND</span>\r\n\r\nMarina Correa, DNA, Mumbai, 22<sup>nd</sup> January 2009\r\n\r\n<span> </span>\r\n\r\n<span>FOCUS INDIA</span>\r\n\r\nMegha Ralapati, Flash Art, pg 114, January-February 2008\r\n\r\n<span>COME TOGETHER  RIGHT NOW</span>\r\n\r\nReema Gehi, HT Café, 15<sup>th</sup> February 2008\r\n\r\n<span>SUCH A LONG  JOURNEY</span>\r\n\r\nAparna S Sharma, Elle Magazine, pgs 115-117, February 2008\r\n\r\n<span> </span>\r\n\r\n<span>MORE THAN A  WOMAN</span>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 4<sup>th</sup> February 2008\r\n\r\n<span> </span>\r\n\r\n<span>ARTIST OF THE  FORTNIGHT</span>\r\n\r\nMaria Louis, Outlook Profit, pg 79, 18<sup>th</sup> April 2008\r\n\r\n<span> </span>\r\n\r\n<span>DEJA VIEW</span>\r\n\r\nTara Khilachand, Live Mint, 20<sup>th</sup> December 2008\r\n\r\n<span>TERROR STRUCK</span>\r\n\r\nMaria Louis, Outlook Profit, 26<sup>th</sup> December 2008\r\n\r\n<span>NAME CALLING</span>\r\n\r\nDeepanjana Pal, Timeout Mumbai, December 2008\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span>CORRUPTIONS OF  POWER</span>\r\n\r\nShiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99,  2007\r\n\r\n<span>OVER THE RAINBOW</span>\r\n\r\nMaria Louis, Interview, Verve Magazine, pg 78, November 2006\r\n\r\n<span> </span>\r\n\r\n<span>IN A STATE OF PERENNIAL SIEGE</span>\r\n\r\nNancy Adajania, The Hindu, Hyderabad, 29<sup>th</sup> October  2006\r\n\r\n<span>HER CROWNING  ACHIEVEMENT</span>\r\n\r\nClara Chow, The Straits Times, 18<sup>th</sup> November 2006\r\n\r\n<span> </span>\r\n\r\n<span>POLITICAL CHAOS</span>\r\n\r\nDeepali Nandwani,  Beautiful people, pg 143, November-December 2006\r\n\r\n<span>WEAPONS OF MASS  CONSTRUCTION</span>\r\n\r\nRituparna Som, DNA after Hrs, Mumbai, 9<sup>th</sup> October, 2006\r\n\r\n<span> </span>\r\n\r\n<span> GUNS AND ROSES</span>\r\n\r\nRachna Nakra, The Indian Express,  Mumbai Newsline, 18<sup>th</sup> September 2006\r\n\r\n<span> UNDER ATTACK</span>\r\n\r\nGitanjali Dang, HT Mumbai, 22<sup>nd</sup> September 2006\r\n\r\n<span> TIME TRAVELLER</span>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline,  27<sup>th</sup> June 2006      <span> </span>\r\n\r\n<span> </span>\r\n\r\n<span>THE FLOWER AND  THE SWORD</span>\r\n\r\nGirish Shahane, The Art News magazine of India,  pg 93, volume X issue I, 2004\r\n\r\n<span>INDIA</span><span>’S TOP 100 ACHIEVERS</span>\r\n\r\nSociety Magazine, pg 137, December 2004\r\n\r\n<span>CAUGHT BETWEEEN  DEMONS</span>\r\n\r\nNancy Adajania, The Hindu, 19<sup>th</sup> December  2004\r\n\r\n<span>EN REISE TIL INDIA</span>\r\n\r\nHarald Flor, Dagbladet, Kultur, 2<sup>nd</sup> February 2003\r\n\r\n<span> </span>\r\n\r\n<span>SIGNS OF  RESISTANCE</span>\r\n\r\nNancy Adajania, The Hindu, 5<sup>th</sup> January  2003\r\n\r\n<span>OF THE GODDESS  AND DEMON IN THE MIND</span>\r\n\r\nDebbie Rodgers, Sunday edition Vijay Times, Bangalore, 5<sup>th</sup> January 2003\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span>EMPATHIC ANGER</span>\r\n\r\nMarta Jakimowicz, Deccan Herald, 23<sup>rd</sup> December 2002\r\n\r\n<span> </span>\r\n\r\n<span>MYSORE</span><span> EK KHOJ</span>\r\n\r\nCross Fertilization of Culture, Interview in Star of Mysore, 27<sup>th</sup> October 2002\r\n\r\n<span> </span>\r\n\r\n<span> LINKING ISLANDS</span>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 15<sup>th</sup> February  2002\r\n\r\n<span>CREATING TO  DESTROY</span>\r\n\r\nJasmine Shah Varma, The List, Mid Day, 22<sup>nd</sup> February 2002\r\n\r\n<span> </span>\r\n\r\n<span>DIFFERENT  STROKES</span>\r\n\r\nGeorgina L Maddox, The Indian Express, Mumbai Newsline,  24<sup>th</sup> July 2002\r\n\r\n<span> </span>\r\n\r\n<span>OF FAITH AND  HUNGER</span>\r\n\r\nAbhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89,  December 2000\r\n\r\n<span> </span>\r\n\r\n<span>THE MURMUR OF  SKIN</span>\r\n\r\nNupur Mahajan, Bombay Times, Times  of India, 12<sup>th</sup> October 2000\r\n\r\n<span>NOT JUST SKIN  DEEP</span>\r\n\r\nJasmine Shah Varma, The List, Mid-day, 4<sup>th</sup> October 2000\r\n\r\n<span>INSIDE OUT</span>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 11<sup>th</sup> October  2000\r\n\r\n<span>SCINTILLATING  SKIN</span>\r\n\r\nVaibhav Purandare, The Asian Age, 14<sup>th</sup> October 2000\r\n\r\n<span>AN ARTIST’S  WORLD: ROTI, MAKAAN &amp; ABSTRACT ART</span>\r\n\r\nPoonam Goel, HT City, 23<sup>rd</sup> December 2000\r\n\r\n<span> </span>\r\n\r\n<span>WITHIN YOU,  WITHOUT YOU</span>\r\n\r\nAnu Kumar, Indian Express,  Express Newsline, 2<sup>nd</sup> September 1998\r\n\r\n<span>FARMING INTRIRUE</span>\r\n\r\nJerry Pinto, The Times of India, Bombay Times, 3<sup>rd</sup> September 1998\r\n\r\n<span> </span>\r\n\r\n<span>INTERACTIVE  MEDIUM</span>\r\n\r\nKaren Pereira, Indian  Architect &amp; Builder, pgs 102-104, October 1998','Publications','','inherit','open','open','','87-revision-73','','','2010-07-04 11:46:27','2010-07-04 11:46:27','',87,'http://www.biggventures.com/demo/artists/1360/uncat/87-revision-73',0,'revision','',0),(1361,1,'2010-07-04 11:47:48','2010-07-04 11:47:48','<table style=\"margin-left: 5px;\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\" width=\"58%\" align=\"centre\">\r\n<tbody>\r\n<tr>\r\n<td width=\"35%\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Reena Saini Kallat</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2008</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/reena-kallat\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Rainbow of Refuse</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2006</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/rainbow-of-refuse\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Black Flute and Other Stories</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2004</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/black-flute\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>The Battlefield Is The Mind</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2002</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/battlefield-of-mind\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>SKIN</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2000</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/skin\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Orchard of Home-grown Secrets</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>1998</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/orchard-of-home-grown-screts\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<!-- Start of Other Publications -->\r\n<span class=\"pubstrong\" style=\"color:#000000;\">BOOKS/  CATALOGUES </span><br/>\r\n<span class=\"pubstrong\">Reena Saini Kallat,</span> 2009<span>\r\nText: Nancy Adajania and Murtaza Vali \r\nPublisher: Primo Marella Gallery, Walsh Gallery and Chemould Prescott Road \r\nISBN: 978-81-908879-1-5 </span>\r\n\r\n<span class=\"pubstrong\">RAINBOW OF  REFUSE</span>, 2006\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher: Bodhi Art Gallery\r\n\r\n<span> </span><span class=\"pubstrong\">BLACK  FLUTE (AND OTHER STORIES)</span>,<span> </span>2005\r\n\r\n<span class=\"pubstrong\"> BLACK FLUTE</span>, 2004\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher: Gallery Chemould  and Nature Morte Gallery\r\n\r\n<span class=\"pubstrong\">THE BATTLEFIELD  IS THE MIND</span>, 2002<span> </span>\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher:  Sakshi Gallery\r\n\r\n<span class=\"pubstrong\">SKIN</span>,<span> </span>2000\r\n\r\nInterview with  Jitish Kallat\r\n\r\nPublisher:  Gallery Chemould and Vis-à-vis Art Inc. Gallery\r\n\r\n<span class=\"pubstrong\">ORCHARD OF  HOME-GROWN SECRETS</span>, 1998<span> </span>\r\n\r\nText: Ranjit Hoskote\r\n\r\nPublisher: Gallery Chemould and Pundole  Art Gallery\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span class=\"pubstrong\">NEVER RUN AWAY</span>, 2010\r\n\r\nText: Shaheen  Merali\r\n\r\nPublisher: Stux Gallery\r\n\r\n<span class=\"pubstrong\">URBAN MANNERS 2</span>, 2010<span><em> </em></span>\r\n\r\nText: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\n\r\nPublisher: SESC Pompeia, Sao Paulo\r\n\r\n<span> </span>\r\n\r\n<span class=\"pubstrong\">THE EMPIRE  STRIKES BACK</span>, 2010<span> </span>\r\n\r\nText: Zehra Jumabhoy\r\n\r\nPublisher: Saatchi Gallery\r\n\r\n<span> </span><span> </span>\r\n\r\n<span class=\"pubstrong\">VIEW POINTS AND  VIEWINGS POINTS- ASIAN ART BIENNALE</span>, 2009<span> </span>\r\n\r\nText: Chao-yi-Tsai\r\n\r\nPublisher: National Taiwan Museum of fine Arts\r\n\r\n<span class=\"pubstrong\">INDIA</span><span class=\"pubstrong\"> XIANZAI:  CONTEMPORARY INDIAN ART</span>,  2009\r\n\r\n<span> </span>Text: Jitish  Kallat, Diana Freundl, Alexander Keefe\r\n\r\nPublisher: Museum  of Contemporary  Art\r\n\r\n<span class=\"pubstrong\">CHALO! INDIA: A  NEW ERA OF INDIAN ART</span>, 2009<span> </span>\r\n\r\nText: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki, Miho\r\n\r\nTagomori\r\n\r\nPublisher: National Museum of Contemporary Art and Essl  Museum\r\n\r\nISBN: 978-3-7913-4304-4\r\n\r\n<span class=\"pubstrong\">CHALO! INDIA: A NEW ERA OF INDIAN ART</span>,  2008<span><em> </em></span>\r\n\r\nText: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman\r\n\r\nGopinath, Jayaram, Deepak Ananth\r\n\r\nPublisher:  Mori Art Museum\r\n\r\n<span> </span>\r\n\r\n<span> </span><span class=\"pubstrong\">INDIA</span><span class=\"pubstrong\"> MODERNA</span>, 2008<span> </span>\r\n\r\nText: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur,\r\n\r\nR.Siva  Kumar,  K.G. Subramanyan\r\n\r\nPublisher: IVAM (Institute Valencia D’Art Modern)\r\n\r\n<span class=\"pubstrong\">EVERYWHERE IS  WAR (AND RUMOURS OF IT</span>), 2008\r\n\r\n<span class=\"pubstrong\"> </span>Text: Kai  Hafez, Martin  Hager,  Nicholas Mirzoeff, Daniel Miller,\r\n\r\nBregje van Eekelen\r\n\r\nPublisher: Bodhi Art  Gallery\r\n\r\n<span class=\"pubstrong\">THREE POINTS OF  VIEWS</span>, 2008\r\n\r\n<span> </span>Text:  Grant Watson\r\n\r\nPublisher: Galerie Mirchandani + Steinruecke\r\n\r\n<span class=\"pubstrong\">NEW NARRATIVES</span>, 2008\r\n\r\nText: Betty Seid<span> </span>\r\n\r\n<span> </span>Publisher:  Chicago  Cultural Center\r\n\r\n<span> </span><span class=\"pubstrong\">MADE BY INDIANS</span>, 2007\r\n\r\nText: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\n\r\nPublisher: Galerie Enrico Navarra\r\n\r\nISBN: 2-911596-37-4\r\n\r\n<span class=\"pubstrong\">THERMOCLINE OF  ART: NEW ASIAN WAVES</span>,  2007\r\n\r\n<span> </span>Text:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong<span> </span>\r\n\r\nPublisher: Hatje Cantz Vertag\r\n\r\nISBN: 978-3-7757-2073-1\r\n\r\nEAN: 9782911596377\r\n\r\n<span class=\"pubstrong\"> INDIAN COLOUR</span>, 2007\r\n\r\nText: Peter Nagy\r\n\r\nPublisher: Dal- seung Hwang, Keumsan Gallery\r\n\r\n<span class=\"pubstrong\">INDIA</span><span class=\"pubstrong\"> ARTE OGGI</span>, 2007<span> </span>\r\n\r\n<span> </span>Text:  Daniela Palazzoli<span> </span>\r\n\r\nPublisher: Spazio Oberdan\r\n\r\nISBN: 978-88-202-1867-6\r\n\r\n<span class=\"pubstrong\">URBAN MANNERS</span>, 2007\r\n\r\nText: Adelina Von Furstenberg\r\n\r\n<span> </span>Publisher:  Hangar Bicocca\r\n\r\n<span class=\"pubstrong\">INTERNATIONAL  INCHEON WOMEN ARTISTS BIENNALE, </span>\r\n\r\n<span class=\"pubstrong\"> KNOCKING ON THE DOOR</span>,  2007\r\n\r\n<span> </span>Text:  Sung Hee Kim, John C. Welchman<span> </span>\r\n\r\nPublisher: Incheon Culture and Art Centre\r\n\r\n<span class=\"pubstrong\">SOFT  POWER: ASIAN ATTITUDE</span>,  2007<span> </span>\r\n\r\n<span> </span>Text:  Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\n\r\nPublisher: Shanghai  Zendai Mumsem of Modern Art\r\n\r\nISBN: 978-7-5356-2790-2\r\n\r\n<span>INDIA</span><span> EXPRESS- ART AND POPULAR CULTURE</span>, 2006\r\n\r\n<span> </span>Text: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze,\r\n\r\nPublisher: Helsinki  City Art  Museum\r\n\r\nISBN: 951-8965-61-7\r\n\r\n<span>BOMBAY</span><span> L’ALBUM MAXIMUM CITY</span>, 2006\r\n\r\nText: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\n\r\nPublisher: Terrail, Lille 3000\r\n\r\nISBN:  2-87939-325-6<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span>INDIAN PAINTINGS  OF THE NEW MILLENNIUM</span>, 2005\r\n\r\n<span> </span>Text: Helen Asquine  Fazio, Gayatri Sinha<span> </span>\r\n\r\n<span> </span>Publisher: Quick Arts Center, Fairfield University\r\n\r\n<span>A GUIDE TO 101 MODERN &amp; CONTEMPORARY INDIAN ARTISTS</span>, 2005\r\n\r\n<span> </span>Text: Amrita  Jhaveri\r\n\r\nPublisher: India  Book House\r\n\r\nISBN: 81-7508-423-5\r\n\r\n<span>ZOOM! ART IN  CONTEMPORARY INDIA</span>, 2004\r\n\r\n<span> </span>Texts:  Luis Serpa and Nancy Adajania<span> </span>\r\n\r\n<span> </span>Publisher: The Culturgest Museum\r\n\r\nISBN: 972-769-033-5\r\n\r\n<span>INTERLUDE IN SRI   LANKA</span>, 2004<span> </span>\r\n\r\n<span> </span>Text:  Ranjit Hoskote, Nancy Adajania<span> </span>\r\n\r\n<span> </span>Publisher:  The Guild  Art Gallery\r\n\r\n<span>GENERATION I</span>, 2004\r\n\r\nText: Zehra Jumabhoy<span> </span>\r\n\r\n<span> </span>Publisher:<span> </span>Saffronart &amp; The Guild Art Gallery\r\n\r\n<span>TIRANGA  RIGHTS AND REPONSIBILITIES</span>,  2003<span> </span>\r\n\r\nText: Peter Nagy<span> </span>\r\n\r\n<span> </span>Publisher: Jindal  Foundation &amp; Creative Arts\r\n\r\n<span>HARD COPY</span>, 2003\r\n\r\nText: Peter Nagy\r\n\r\n<span> </span>Publisher: Gallery 88\r\n\r\n<span> </span><span>CROSSING  GENERATIONS: DIVERGE</span><span>, </span>2003\r\n\r\n<span> </span>Text:  Geeta Kapoor and Chaitanya Sambrani<span> </span>\r\n\r\n<span> </span>Publisher:<span> </span>Gallery Chemould\r\n\r\nPRESS  <span> </span>\r\n\r\n<span> </span>\r\n\r\n<span><em> </em></span>\r\n\r\n<span>THE ARCHIVES OF  THE HEART</span> <span> </span>\r\n\r\nNancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\n\r\nFront Cover, pgs 42-45, 2009\r\n\r\n<span> </span>\r\n\r\n<span>GLOBALE KUNST  MIT WURZELDUFT</span>\r\n\r\nVon Almuth Speigler, Die Presse, Feuilleton, 2<sup>nd</sup> September 2009\r\n\r\n<span>LANDSCAPES OF  LOSS</span>\r\n\r\nBeth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009\r\n\r\n<span> </span>\r\n\r\n<span>REINCARNATING  HISTORY</span>\r\n\r\nThe Big Picture, Architect and Interiors, July 2009<span> </span>\r\n\r\n<span>STAMP COLLECTION</span>\r\n\r\nGeorgina Maddox, The Sunday Express, 17<sup>th</sup> May 2009\r\n\r\n<span> </span>\r\n\r\n<span>EVOLVING BEYOND  BORDERS</span>\r\n\r\nReshma S. Kulkarni, Bombay Times, Times of India,  15<sup>th</sup> January, 2009\r\n\r\n<span>LO</span><span>SS AND FOUND</span>\r\n\r\nMarina Correa, DNA, Mumbai, 22<sup>nd</sup> January 2009\r\n\r\n<span> </span>\r\n\r\n<span>FOCUS INDIA</span>\r\n\r\nMegha Ralapati, Flash Art, pg 114, January-February 2008\r\n\r\n<span>COME TOGETHER  RIGHT NOW</span>\r\n\r\nReema Gehi, HT Café, 15<sup>th</sup> February 2008\r\n\r\n<span>SUCH A LONG  JOURNEY</span>\r\n\r\nAparna S Sharma, Elle Magazine, pgs 115-117, February 2008\r\n\r\n<span> </span>\r\n\r\n<span>MORE THAN A  WOMAN</span>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 4<sup>th</sup> February 2008\r\n\r\n<span> </span>\r\n\r\n<span>ARTIST OF THE  FORTNIGHT</span>\r\n\r\nMaria Louis, Outlook Profit, pg 79, 18<sup>th</sup> April 2008\r\n\r\n<span> </span>\r\n\r\n<span>DEJA VIEW</span>\r\n\r\nTara Khilachand, Live Mint, 20<sup>th</sup> December 2008\r\n\r\n<span>TERROR STRUCK</span>\r\n\r\nMaria Louis, Outlook Profit, 26<sup>th</sup> December 2008\r\n\r\n<span>NAME CALLING</span>\r\n\r\nDeepanjana Pal, Timeout Mumbai, December 2008\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span>CORRUPTIONS OF  POWER</span>\r\n\r\nShiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99,  2007\r\n\r\n<span>OVER THE RAINBOW</span>\r\n\r\nMaria Louis, Interview, Verve Magazine, pg 78, November 2006\r\n\r\n<span> </span>\r\n\r\n<span>IN A STATE OF PERENNIAL SIEGE</span>\r\n\r\nNancy Adajania, The Hindu, Hyderabad, 29<sup>th</sup> October  2006\r\n\r\n<span>HER CROWNING  ACHIEVEMENT</span>\r\n\r\nClara Chow, The Straits Times, 18<sup>th</sup> November 2006\r\n\r\n<span> </span>\r\n\r\n<span>POLITICAL CHAOS</span>\r\n\r\nDeepali Nandwani,  Beautiful people, pg 143, November-December 2006\r\n\r\n<span>WEAPONS OF MASS  CONSTRUCTION</span>\r\n\r\nRituparna Som, DNA after Hrs, Mumbai, 9<sup>th</sup> October, 2006\r\n\r\n<span> </span>\r\n\r\n<span> GUNS AND ROSES</span>\r\n\r\nRachna Nakra, The Indian Express,  Mumbai Newsline, 18<sup>th</sup> September 2006\r\n\r\n<span> UNDER ATTACK</span>\r\n\r\nGitanjali Dang, HT Mumbai, 22<sup>nd</sup> September 2006\r\n\r\n<span> TIME TRAVELLER</span>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline,  27<sup>th</sup> June 2006      <span> </span>\r\n\r\n<span> </span>\r\n\r\n<span>THE FLOWER AND  THE SWORD</span>\r\n\r\nGirish Shahane, The Art News magazine of India,  pg 93, volume X issue I, 2004\r\n\r\n<span>INDIA</span><span>’S TOP 100 ACHIEVERS</span>\r\n\r\nSociety Magazine, pg 137, December 2004\r\n\r\n<span>CAUGHT BETWEEEN  DEMONS</span>\r\n\r\nNancy Adajania, The Hindu, 19<sup>th</sup> December  2004\r\n\r\n<span>EN REISE TIL INDIA</span>\r\n\r\nHarald Flor, Dagbladet, Kultur, 2<sup>nd</sup> February 2003\r\n\r\n<span> </span>\r\n\r\n<span>SIGNS OF  RESISTANCE</span>\r\n\r\nNancy Adajania, The Hindu, 5<sup>th</sup> January  2003\r\n\r\n<span>OF THE GODDESS  AND DEMON IN THE MIND</span>\r\n\r\nDebbie Rodgers, Sunday edition Vijay Times, Bangalore, 5<sup>th</sup> January 2003\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span>EMPATHIC ANGER</span>\r\n\r\nMarta Jakimowicz, Deccan Herald, 23<sup>rd</sup> December 2002\r\n\r\n<span> </span>\r\n\r\n<span>MYSORE</span><span> EK KHOJ</span>\r\n\r\nCross Fertilization of Culture, Interview in Star of Mysore, 27<sup>th</sup> October 2002\r\n\r\n<span> </span>\r\n\r\n<span> LINKING ISLANDS</span>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 15<sup>th</sup> February  2002\r\n\r\n<span>CREATING TO  DESTROY</span>\r\n\r\nJasmine Shah Varma, The List, Mid Day, 22<sup>nd</sup> February 2002\r\n\r\n<span> </span>\r\n\r\n<span>DIFFERENT  STROKES</span>\r\n\r\nGeorgina L Maddox, The Indian Express, Mumbai Newsline,  24<sup>th</sup> July 2002\r\n\r\n<span> </span>\r\n\r\n<span>OF FAITH AND  HUNGER</span>\r\n\r\nAbhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89,  December 2000\r\n\r\n<span> </span>\r\n\r\n<span>THE MURMUR OF  SKIN</span>\r\n\r\nNupur Mahajan, Bombay Times, Times  of India, 12<sup>th</sup> October 2000\r\n\r\n<span>NOT JUST SKIN  DEEP</span>\r\n\r\nJasmine Shah Varma, The List, Mid-day, 4<sup>th</sup> October 2000\r\n\r\n<span>INSIDE OUT</span>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 11<sup>th</sup> October  2000\r\n\r\n<span>SCINTILLATING  SKIN</span>\r\n\r\nVaibhav Purandare, The Asian Age, 14<sup>th</sup> October 2000\r\n\r\n<span>AN ARTIST’S  WORLD: ROTI, MAKAAN &amp; ABSTRACT ART</span>\r\n\r\nPoonam Goel, HT City, 23<sup>rd</sup> December 2000\r\n\r\n<span> </span>\r\n\r\n<span>WITHIN YOU,  WITHOUT YOU</span>\r\n\r\nAnu Kumar, Indian Express,  Express Newsline, 2<sup>nd</sup> September 1998\r\n\r\n<span>FARMING INTRIRUE</span>\r\n\r\nJerry Pinto, The Times of India, Bombay Times, 3<sup>rd</sup> September 1998\r\n\r\n<span> </span>\r\n\r\n<span>INTERACTIVE  MEDIUM</span>\r\n\r\nKaren Pereira, Indian  Architect &amp; Builder, pgs 102-104, October 1998','Publications','','inherit','open','open','','87-revision-74','','','2010-07-04 11:47:48','2010-07-04 11:47:48','',87,'http://www.biggventures.com/demo/artists/1361/uncat/87-revision-74',0,'revision','',0),(1364,1,'2010-07-04 12:26:08','2010-07-04 12:26:08','<table style=\"margin-left: 5px;\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\" width=\"58%\" align=\"centre\">\r\n<tbody>\r\n<tr>\r\n<td width=\"35%\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Reena Saini Kallat</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2008</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/reena-kallat\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Rainbow of Refuse</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2006</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/rainbow-of-refuse\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Black Flute and Other Stories</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2004</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/black-flute\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>The Battlefield Is The Mind</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2002</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/battlefield-of-mind\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>SKIN</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2000</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/skin\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Orchard of Home-grown Secrets</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>1998</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/orchard-of-home-grown-screts\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<!-- Start of Other Publications -->\r\n<span class=\"pubstrong\" style=\"color:#000000;\">BOOKS/  CATALOGUES </span><br/><br/><span class=\"pubstrong\">Reena Saini Kallat, </span> 2009<span>\r\nText: Nancy Adajania and Murtaza Vali \r\nPublisher: Primo Marella Gallery, Walsh Gallery and Chemould Prescott Road \r\nISBN: 978-81-908879-1-5 </span>\r\n\r\n<span class=\"pubstrong\">Rainbow of Refuse, </span>2006<span>\r\nText: Nancy Adajania\r\nPublisher: Bodhi Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Black Flute (and other stories), </span>2005\r\n<span class=\"pubstrong\">Black Flute,</span> 2004<span>\r\nText: Nancy Adajania\r\nPublisher: Gallery Chemould and Nature Morte Gallery</span>>\r\n\r\n<span class=\"pubstrong\">The Battlefield is the Mind, </span>2002<span>\r\nText: Nancy Adajania\r\nPublisher: Sakshi Gallery</span>\r\n\r\n<span class=\"pubstrong\">Skin, </span>2000<span>\r\nInterview with Jitish Kallat\r\nPublisher: Gallery Chemould and Vis-à-vis Art Inc. Gallery</span>\r\n\r\n<span class=\"pubstrong\">Orchard of home-grown secrets, </span>1998<span>\r\nText: Ranjit Hoskote \r\nPublisher: Gallery Chemould and Pundole Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">The Khoj Book, </span>2010<span>\r\nInterview with Shilpa Gupta\r\nPublisher: HarperCollins\r\nISBN: 9788172236878</span>\r\n\r\n<span class=\"pubstrong\">Never Run Away, </span>2010<span>\r\nText: Shaheen Merali\r\nPublisher: Stux Gallery</span>\r\n\r\n<span class=\"pubstrong\">Urban Manners 2, </span>2010<span>\r\nText: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\nPublisher: SESC Pompeia, Sao Paulo </span>\r\n\r\n<span class=\"pubstrong\">The Empire Strikes Back, </span>2010<span>\r\nText: Zehra Jumabhoy\r\nPublisher: Saatchi Gallery      \r\nISBN: 9780224089494\r\n</span>\r\n\r\n<span class=\"pubstrong\">Viewpoints & viewings points- Asian Art Biennale, </span>2009<span>\r\nText: Chao-yi-Tsai \r\nPublisher: National Taiwan Museum of fine Arts\r\nISBN: 978-986-02-0269-4</span>\r\n\r\n<span class=\"pubstrong\">India Xianzai: Contemporary Indian Art, </span>2009<span>\r\nText: Jitish Kallat, Diana Freundl, Alexander Keefe\r\nPublisher: Museum of Contemporary Art</span>\r\n\r\n<span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2009<span>Text: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki, \r\nMiho Tagomori \r\nPublisher: Prestel, National Museum of Contemporary Art and Essl Museum \r\nISBN: 978-3-7913-4304-4</span>\r\n\r\n<span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2008<span>\r\nText: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman   \r\nGopinath, Jayaram, Deepak Ananth    \r\nPublisher: Mori Art Museum\r\nISBN: 978-4-902819-21-2</span>\r\n\r\n<span class=\"pubstrong\">India Moderna, </span>2008<span>\r\nText: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur, \r\nR. Siva Kumar, K.G. Subramanyan\r\nPublisher: IVAM (Institute Valencia D’Art Modern)\r\nISBN: 978-84-482-5104-8</span>\r\n\r\n<span class=\"pubstrong\">Everywhere is War (and rumours of it),</span>)2008<span>\r\nText: Kai Hafez, Martin Hager, Nicholas Mirzoeff, Daniel Miller, \r\nBregje van Eekelen      \r\nPublisher: Bodhi Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Three Points of Views, </span>2008<span>\r\nText: Grant Watson\r\nPublisher: Galerie Mirchandani + Steinruecke</span>\r\n\r\n<span class=\"pubstrong\">New Narratives: Contemporary Art from India, </span>2008<span>\r\nText: Betty Seid with contributions by Johan Pijnappel\r\nPublisher: Mapin Publication in association with Chicago Cultural Center  \r\nISBN: 978-1-890206-08-6</span>\r\n\r\n<span class=\"pubstrong\">Made by Indians, </span>2007<span>\r\nText: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\nPublisher: Galerie Enrico Navarra\r\nISBN: 2-911596-37-4</span>\r\n\r\n<span class=\"pubstrong\">Thermocline of Art: New Asian Waves, </span>2007<span>\r\nText:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong\r\nPublisher: Hatje Cantz Vertag\r\nISBN: 978-3-7757-2073-1\r\nEAN: 9782911596377</span>\r\n\r\n<span class=\"pubstrong\">Indian Colour, </span>2007<span>\r\nText: Peter Nagy\r\nPublisher: Dal- seung Hwang, Keumsan Gallery</span>\r\n\r\n<span class=\"pubstrong\">India Arte Oggi, </span>2007<span>\r\nText:  Daniela Palazzoli\r\nPublisher: Spazio Oberdan\r\nISBN: 978-88-202-1867-6</span>\r\n\r\n<span class=\"pubstrong\">URBAN MANNERS</span>, 2007\r\n\r\nText: Adelina Von Furstenberg\r\n\r\n<span> </span>Publisher:  Hangar Bicocca\r\n\r\n<span class=\"pubstrong\">INTERNATIONAL  INCHEON WOMEN ARTISTS BIENNALE, </span>\r\n\r\n<span class=\"pubstrong\"> KNOCKING ON THE DOOR</span>,  2007\r\n\r\n<span> </span>Text:  Sung Hee Kim, John C. Welchman<span> </span>\r\n\r\nPublisher: Incheon Culture and Art Centre\r\n\r\n<span class=\"pubstrong\">SOFT  POWER: ASIAN ATTITUDE</span>,  2007<span> </span>\r\n\r\n<span> </span>Text:  Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\n\r\nPublisher: Shanghai  Zendai Mumsem of Modern Art\r\n\r\nISBN: 978-7-5356-2790-2\r\n\r\n<span>INDIA</span><span> EXPRESS- ART AND POPULAR CULTURE</span>, 2006\r\n\r\n<span> </span>Text: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze,\r\n\r\nPublisher: Helsinki  City Art  Museum\r\n\r\nISBN: 951-8965-61-7\r\n\r\n<span>BOMBAY</span><span> L’ALBUM MAXIMUM CITY</span>, 2006\r\n\r\nText: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\n\r\nPublisher: Terrail, Lille 3000\r\n\r\nISBN:  2-87939-325-6<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span>INDIAN PAINTINGS  OF THE NEW MILLENNIUM</span>, 2005\r\n\r\n<span> </span>Text: Helen Asquine  Fazio, Gayatri Sinha<span> </span>\r\n\r\n<span> </span>Publisher: Quick Arts Center, Fairfield University\r\n\r\n<span>A GUIDE TO 101 MODERN &amp; CONTEMPORARY INDIAN ARTISTS</span>, 2005\r\n\r\n<span> </span>Text: Amrita  Jhaveri\r\n\r\nPublisher: India  Book House\r\n\r\nISBN: 81-7508-423-5\r\n\r\n<span>ZOOM! ART IN  CONTEMPORARY INDIA</span>, 2004\r\n\r\n<span> </span>Texts:  Luis Serpa and Nancy Adajania<span> </span>\r\n\r\n<span> </span>Publisher: The Culturgest Museum\r\n\r\nISBN: 972-769-033-5\r\n\r\n<span>INTERLUDE IN SRI   LANKA</span>, 2004<span> </span>\r\n\r\n<span> </span>Text:  Ranjit Hoskote, Nancy Adajania<span> </span>\r\n\r\n<span> </span>Publisher:  The Guild  Art Gallery\r\n\r\n<span>GENERATION I</span>, 2004\r\n\r\nText: Zehra Jumabhoy<span> </span>\r\n\r\n<span> </span>Publisher:<span> </span>Saffronart &amp; The Guild Art Gallery\r\n\r\n<span>TIRANGA  RIGHTS AND REPONSIBILITIES</span>,  2003<span> </span>\r\n\r\nText: Peter Nagy<span> </span>\r\n\r\n<span> </span>Publisher: Jindal  Foundation &amp; Creative Arts\r\n\r\n<span>HARD COPY</span>, 2003\r\n\r\nText: Peter Nagy\r\n\r\n<span> </span>Publisher: Gallery 88\r\n\r\n<span> </span><span>CROSSING  GENERATIONS: DIVERGE</span><span>, </span>2003\r\n\r\n<span> </span>Text:  Geeta Kapoor and Chaitanya Sambrani<span> </span>\r\n\r\n<span> </span>Publisher:<span> </span>Gallery Chemould\r\n\r\nPRESS  <span> </span>\r\n\r\n<span> </span>\r\n\r\n<span><em> </em></span>\r\n\r\n<span>THE ARCHIVES OF  THE HEART</span> <span> </span>\r\n\r\nNancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\n\r\nFront Cover, pgs 42-45, 2009\r\n\r\n<span> </span>\r\n\r\n<span>GLOBALE KUNST  MIT WURZELDUFT</span>\r\n\r\nVon Almuth Speigler, Die Presse, Feuilleton, 2<sup>nd</sup> September 2009\r\n\r\n<span>LANDSCAPES OF  LOSS</span>\r\n\r\nBeth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009\r\n\r\n<span> </span>\r\n\r\n<span>REINCARNATING  HISTORY</span>\r\n\r\nThe Big Picture, Architect and Interiors, July 2009<span> </span>\r\n\r\n<span>STAMP COLLECTION</span>\r\n\r\nGeorgina Maddox, The Sunday Express, 17<sup>th</sup> May 2009\r\n\r\n<span> </span>\r\n\r\n<span>EVOLVING BEYOND  BORDERS</span>\r\n\r\nReshma S. Kulkarni, Bombay Times, Times of India,  15<sup>th</sup> January, 2009\r\n\r\n<span>LO</span><span>SS AND FOUND</span>\r\n\r\nMarina Correa, DNA, Mumbai, 22<sup>nd</sup> January 2009\r\n\r\n<span> </span>\r\n\r\n<span>FOCUS INDIA</span>\r\n\r\nMegha Ralapati, Flash Art, pg 114, January-February 2008\r\n\r\n<span>COME TOGETHER  RIGHT NOW</span>\r\n\r\nReema Gehi, HT Café, 15<sup>th</sup> February 2008\r\n\r\n<span>SUCH A LONG  JOURNEY</span>\r\n\r\nAparna S Sharma, Elle Magazine, pgs 115-117, February 2008\r\n\r\n<span> </span>\r\n\r\n<span>MORE THAN A  WOMAN</span>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 4<sup>th</sup> February 2008\r\n\r\n<span> </span>\r\n\r\n<span>ARTIST OF THE  FORTNIGHT</span>\r\n\r\nMaria Louis, Outlook Profit, pg 79, 18<sup>th</sup> April 2008\r\n\r\n<span> </span>\r\n\r\n<span>DEJA VIEW</span>\r\n\r\nTara Khilachand, Live Mint, 20<sup>th</sup> December 2008\r\n\r\n<span>TERROR STRUCK</span>\r\n\r\nMaria Louis, Outlook Profit, 26<sup>th</sup> December 2008\r\n\r\n<span>NAME CALLING</span>\r\n\r\nDeepanjana Pal, Timeout Mumbai, December 2008\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span>CORRUPTIONS OF  POWER</span>\r\n\r\nShiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99,  2007\r\n\r\n<span>OVER THE RAINBOW</span>\r\n\r\nMaria Louis, Interview, Verve Magazine, pg 78, November 2006\r\n\r\n<span> </span>\r\n\r\n<span>IN A STATE OF PERENNIAL SIEGE</span>\r\n\r\nNancy Adajania, The Hindu, Hyderabad, 29<sup>th</sup> October  2006\r\n\r\n<span>HER CROWNING  ACHIEVEMENT</span>\r\n\r\nClara Chow, The Straits Times, 18<sup>th</sup> November 2006\r\n\r\n<span> </span>\r\n\r\n<span>POLITICAL CHAOS</span>\r\n\r\nDeepali Nandwani,  Beautiful people, pg 143, November-December 2006\r\n\r\n<span>WEAPONS OF MASS  CONSTRUCTION</span>\r\n\r\nRituparna Som, DNA after Hrs, Mumbai, 9<sup>th</sup> October, 2006\r\n\r\n<span> </span>\r\n\r\n<span> GUNS AND ROSES</span>\r\n\r\nRachna Nakra, The Indian Express,  Mumbai Newsline, 18<sup>th</sup> September 2006\r\n\r\n<span> UNDER ATTACK</span>\r\n\r\nGitanjali Dang, HT Mumbai, 22<sup>nd</sup> September 2006\r\n\r\n<span> TIME TRAVELLER</span>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline,  27<sup>th</sup> June 2006      <span> </span>\r\n\r\n<span> </span>\r\n\r\n<span>THE FLOWER AND  THE SWORD</span>\r\n\r\nGirish Shahane, The Art News magazine of India,  pg 93, volume X issue I, 2004\r\n\r\n<span>INDIA</span><span>’S TOP 100 ACHIEVERS</span>\r\n\r\nSociety Magazine, pg 137, December 2004\r\n\r\n<span>CAUGHT BETWEEEN  DEMONS</span>\r\n\r\nNancy Adajania, The Hindu, 19<sup>th</sup> December  2004\r\n\r\n<span>EN REISE TIL INDIA</span>\r\n\r\nHarald Flor, Dagbladet, Kultur, 2<sup>nd</sup> February 2003\r\n\r\n<span> </span>\r\n\r\n<span>SIGNS OF  RESISTANCE</span>\r\n\r\nNancy Adajania, The Hindu, 5<sup>th</sup> January  2003\r\n\r\n<span>OF THE GODDESS  AND DEMON IN THE MIND</span>\r\n\r\nDebbie Rodgers, Sunday edition Vijay Times, Bangalore, 5<sup>th</sup> January 2003\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span>EMPATHIC ANGER</span>\r\n\r\nMarta Jakimowicz, Deccan Herald, 23<sup>rd</sup> December 2002\r\n\r\n<span> </span>\r\n\r\n<span>MYSORE</span><span> EK KHOJ</span>\r\n\r\nCross Fertilization of Culture, Interview in Star of Mysore, 27<sup>th</sup> October 2002\r\n\r\n<span> </span>\r\n\r\n<span> LINKING ISLANDS</span>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 15<sup>th</sup> February  2002\r\n\r\n<span>CREATING TO  DESTROY</span>\r\n\r\nJasmine Shah Varma, The List, Mid Day, 22<sup>nd</sup> February 2002\r\n\r\n<span> </span>\r\n\r\n<span>DIFFERENT  STROKES</span>\r\n\r\nGeorgina L Maddox, The Indian Express, Mumbai Newsline,  24<sup>th</sup> July 2002\r\n\r\n<span> </span>\r\n\r\n<span>OF FAITH AND  HUNGER</span>\r\n\r\nAbhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89,  December 2000\r\n\r\n<span> </span>\r\n\r\n<span>THE MURMUR OF  SKIN</span>\r\n\r\nNupur Mahajan, Bombay Times, Times  of India, 12<sup>th</sup> October 2000\r\n\r\n<span>NOT JUST SKIN  DEEP</span>\r\n\r\nJasmine Shah Varma, The List, Mid-day, 4<sup>th</sup> October 2000\r\n\r\n<span>INSIDE OUT</span>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 11<sup>th</sup> October  2000\r\n\r\n<span>SCINTILLATING  SKIN</span>\r\n\r\nVaibhav Purandare, The Asian Age, 14<sup>th</sup> October 2000\r\n\r\n<span>AN ARTIST’S  WORLD: ROTI, MAKAAN &amp; ABSTRACT ART</span>\r\n\r\nPoonam Goel, HT City, 23<sup>rd</sup> December 2000\r\n\r\n<span> </span>\r\n\r\n<span>WITHIN YOU,  WITHOUT YOU</span>\r\n\r\nAnu Kumar, Indian Express,  Express Newsline, 2<sup>nd</sup> September 1998\r\n\r\n<span>FARMING INTRIRUE</span>\r\n\r\nJerry Pinto, The Times of India, Bombay Times, 3<sup>rd</sup> September 1998\r\n\r\n<span> </span>\r\n\r\n<span>INTERACTIVE  MEDIUM</span>\r\n\r\nKaren Pereira, Indian  Architect &amp; Builder, pgs 102-104, October 1998','Publications','','inherit','open','open','','87-revision-77','','','2010-07-04 12:26:08','2010-07-04 12:26:08','',87,'http://www.biggventures.com/demo/artists/1364/uncat/87-revision-77',0,'revision','',0),(1363,1,'2010-07-04 12:05:58','2010-07-04 12:05:58','<table style=\"margin-left: 5px;\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\" width=\"58%\" align=\"centre\">\r\n<tbody>\r\n<tr>\r\n<td width=\"35%\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Reena Saini Kallat</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2008</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/reena-kallat\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Rainbow of Refuse</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2006</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/rainbow-of-refuse\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Black Flute and Other Stories</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2004</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/black-flute\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>The Battlefield Is The Mind</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2002</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/battlefield-of-mind\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>SKIN</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2000</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/skin\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Orchard of Home-grown Secrets</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>1998</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/orchard-of-home-grown-screts\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<!-- Start of Other Publications -->\r\n<span class=\"pubstrong\" style=\"color:#000000;\">BOOKS/  CATALOGUES </span><br/><br/><span class=\"pubstrong\">Reena Saini Kallat, </span> 2009<span>\r\nText: Nancy Adajania and Murtaza Vali \r\nPublisher: Primo Marella Gallery, Walsh Gallery and Chemould Prescott Road \r\nISBN: 978-81-908879-1-5 </span>\r\n\r\n<span class=\"pubstrong\">Rainbow of Refuse, </span>2006<span>\r\nText: Nancy Adajania\r\nPublisher: Bodhi Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Black Flute (and other stories), </span>2005\r\n<span class=\"pubstrong\">Black Flute,</span>2004<span>\r\nText: Nancy Adajania\r\nPublisher: Gallery Chemould and Nature Morte Gallery</span>>\r\n\r\n<span class=\"pubstrong\">The Battlefield is the Mind, </span>2002<span>\r\nText: Nancy Adajania\r\nPublisher: Sakshi Gallery</span>\r\n\r\n<span class=\"pubstrong\">Skin, </span>2000<span>\r\nInterview with Jitish Kallat\r\nPublisher: Gallery Chemould and Vis-à-vis Art Inc. Gallery</span>\r\n\r\n<span class=\"pubstrong\">Orchard of home-grown secrets, </span>1998<span>\r\nText: Ranjit Hoskote \r\nPublisher: Gallery Chemould and Pundole Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">The Khoj Book, </span>2010<span>\r\nInterview with Shilpa Gupta\r\nPublisher: HarperCollins\r\nISBN: 9788172236878</span>\r\n\r\n<span class=\"pubstrong\">Never Run Away, </span>2010<span>\r\nText: Shaheen Merali\r\nPublisher: Stux Gallery</span>\r\n\r\n<span class=\"pubstrong\">URBAN MANNERS 2</span>, 2010<span><em> </em></span>\r\nText: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\nPublisher: SESC Pompeia, Sao Paulo\r\n<span> </span>\r\n\r\n<span class=\"pubstrong\">THE EMPIRE  STRIKES BACK</span>, 2010<span> </span>\r\n\r\nText: Zehra Jumabhoy\r\n\r\nPublisher: Saatchi Gallery\r\n\r\n<span> </span><span> </span>\r\n\r\n<span class=\"pubstrong\">VIEW POINTS AND  VIEWINGS POINTS- ASIAN ART BIENNALE</span>, 2009<span> </span>\r\n\r\nText: Chao-yi-Tsai\r\n\r\nPublisher: National Taiwan Museum of fine Arts\r\n\r\n<span class=\"pubstrong\">INDIA</span><span class=\"pubstrong\"> XIANZAI:  CONTEMPORARY INDIAN ART</span>,  2009\r\n\r\n<span> </span>Text: Jitish  Kallat, Diana Freundl, Alexander Keefe\r\n\r\nPublisher: Museum  of Contemporary  Art\r\n\r\n<span class=\"pubstrong\">CHALO! INDIA: A  NEW ERA OF INDIAN ART</span>, 2009<span> </span>\r\n\r\nText: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki, Miho\r\n\r\nTagomori\r\n\r\nPublisher: National Museum of Contemporary Art and Essl  Museum\r\n\r\nISBN: 978-3-7913-4304-4\r\n\r\n<span class=\"pubstrong\">CHALO! INDIA: A NEW ERA OF INDIAN ART</span>,  2008<span><em> </em></span>\r\n\r\nText: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman\r\n\r\nGopinath, Jayaram, Deepak Ananth\r\n\r\nPublisher:  Mori Art Museum\r\n\r\n<span> </span>\r\n\r\n<span> </span><span class=\"pubstrong\">INDIA</span><span class=\"pubstrong\"> MODERNA</span>, 2008<span> </span>\r\n\r\nText: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur,\r\n\r\nR.Siva  Kumar,  K.G. Subramanyan\r\n\r\nPublisher: IVAM (Institute Valencia D’Art Modern)\r\n\r\n<span class=\"pubstrong\">EVERYWHERE IS  WAR (AND RUMOURS OF IT</span>), 2008\r\n\r\n<span class=\"pubstrong\"> </span>Text: Kai  Hafez, Martin  Hager,  Nicholas Mirzoeff, Daniel Miller,\r\n\r\nBregje van Eekelen\r\n\r\nPublisher: Bodhi Art  Gallery\r\n\r\n<span class=\"pubstrong\">THREE POINTS OF  VIEWS</span>, 2008\r\n\r\n<span> </span>Text:  Grant Watson\r\n\r\nPublisher: Galerie Mirchandani + Steinruecke\r\n\r\n<span class=\"pubstrong\">NEW NARRATIVES</span>, 2008\r\n\r\nText: Betty Seid<span> </span>\r\n\r\n<span> </span>Publisher:  Chicago  Cultural Center\r\n\r\n<span> </span><span class=\"pubstrong\">MADE BY INDIANS</span>, 2007\r\n\r\nText: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\n\r\nPublisher: Galerie Enrico Navarra\r\n\r\nISBN: 2-911596-37-4\r\n\r\n<span class=\"pubstrong\">THERMOCLINE OF  ART: NEW ASIAN WAVES</span>,  2007\r\n\r\n<span> </span>Text:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong<span> </span>\r\n\r\nPublisher: Hatje Cantz Vertag\r\n\r\nISBN: 978-3-7757-2073-1\r\n\r\nEAN: 9782911596377\r\n\r\n<span class=\"pubstrong\"> INDIAN COLOUR</span>, 2007\r\n\r\nText: Peter Nagy\r\n\r\nPublisher: Dal- seung Hwang, Keumsan Gallery\r\n\r\n<span class=\"pubstrong\">INDIA</span><span class=\"pubstrong\"> ARTE OGGI</span>, 2007<span> </span>\r\n\r\n<span> </span>Text:  Daniela Palazzoli<span> </span>\r\n\r\nPublisher: Spazio Oberdan\r\n\r\nISBN: 978-88-202-1867-6\r\n\r\n<span class=\"pubstrong\">URBAN MANNERS</span>, 2007\r\n\r\nText: Adelina Von Furstenberg\r\n\r\n<span> </span>Publisher:  Hangar Bicocca\r\n\r\n<span class=\"pubstrong\">INTERNATIONAL  INCHEON WOMEN ARTISTS BIENNALE, </span>\r\n\r\n<span class=\"pubstrong\"> KNOCKING ON THE DOOR</span>,  2007\r\n\r\n<span> </span>Text:  Sung Hee Kim, John C. Welchman<span> </span>\r\n\r\nPublisher: Incheon Culture and Art Centre\r\n\r\n<span class=\"pubstrong\">SOFT  POWER: ASIAN ATTITUDE</span>,  2007<span> </span>\r\n\r\n<span> </span>Text:  Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\n\r\nPublisher: Shanghai  Zendai Mumsem of Modern Art\r\n\r\nISBN: 978-7-5356-2790-2\r\n\r\n<span>INDIA</span><span> EXPRESS- ART AND POPULAR CULTURE</span>, 2006\r\n\r\n<span> </span>Text: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze,\r\n\r\nPublisher: Helsinki  City Art  Museum\r\n\r\nISBN: 951-8965-61-7\r\n\r\n<span>BOMBAY</span><span> L’ALBUM MAXIMUM CITY</span>, 2006\r\n\r\nText: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\n\r\nPublisher: Terrail, Lille 3000\r\n\r\nISBN:  2-87939-325-6<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span>INDIAN PAINTINGS  OF THE NEW MILLENNIUM</span>, 2005\r\n\r\n<span> </span>Text: Helen Asquine  Fazio, Gayatri Sinha<span> </span>\r\n\r\n<span> </span>Publisher: Quick Arts Center, Fairfield University\r\n\r\n<span>A GUIDE TO 101 MODERN &amp; CONTEMPORARY INDIAN ARTISTS</span>, 2005\r\n\r\n<span> </span>Text: Amrita  Jhaveri\r\n\r\nPublisher: India  Book House\r\n\r\nISBN: 81-7508-423-5\r\n\r\n<span>ZOOM! ART IN  CONTEMPORARY INDIA</span>, 2004\r\n\r\n<span> </span>Texts:  Luis Serpa and Nancy Adajania<span> </span>\r\n\r\n<span> </span>Publisher: The Culturgest Museum\r\n\r\nISBN: 972-769-033-5\r\n\r\n<span>INTERLUDE IN SRI   LANKA</span>, 2004<span> </span>\r\n\r\n<span> </span>Text:  Ranjit Hoskote, Nancy Adajania<span> </span>\r\n\r\n<span> </span>Publisher:  The Guild  Art Gallery\r\n\r\n<span>GENERATION I</span>, 2004\r\n\r\nText: Zehra Jumabhoy<span> </span>\r\n\r\n<span> </span>Publisher:<span> </span>Saffronart &amp; The Guild Art Gallery\r\n\r\n<span>TIRANGA  RIGHTS AND REPONSIBILITIES</span>,  2003<span> </span>\r\n\r\nText: Peter Nagy<span> </span>\r\n\r\n<span> </span>Publisher: Jindal  Foundation &amp; Creative Arts\r\n\r\n<span>HARD COPY</span>, 2003\r\n\r\nText: Peter Nagy\r\n\r\n<span> </span>Publisher: Gallery 88\r\n\r\n<span> </span><span>CROSSING  GENERATIONS: DIVERGE</span><span>, </span>2003\r\n\r\n<span> </span>Text:  Geeta Kapoor and Chaitanya Sambrani<span> </span>\r\n\r\n<span> </span>Publisher:<span> </span>Gallery Chemould\r\n\r\nPRESS  <span> </span>\r\n\r\n<span> </span>\r\n\r\n<span><em> </em></span>\r\n\r\n<span>THE ARCHIVES OF  THE HEART</span> <span> </span>\r\n\r\nNancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\n\r\nFront Cover, pgs 42-45, 2009\r\n\r\n<span> </span>\r\n\r\n<span>GLOBALE KUNST  MIT WURZELDUFT</span>\r\n\r\nVon Almuth Speigler, Die Presse, Feuilleton, 2<sup>nd</sup> September 2009\r\n\r\n<span>LANDSCAPES OF  LOSS</span>\r\n\r\nBeth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009\r\n\r\n<span> </span>\r\n\r\n<span>REINCARNATING  HISTORY</span>\r\n\r\nThe Big Picture, Architect and Interiors, July 2009<span> </span>\r\n\r\n<span>STAMP COLLECTION</span>\r\n\r\nGeorgina Maddox, The Sunday Express, 17<sup>th</sup> May 2009\r\n\r\n<span> </span>\r\n\r\n<span>EVOLVING BEYOND  BORDERS</span>\r\n\r\nReshma S. Kulkarni, Bombay Times, Times of India,  15<sup>th</sup> January, 2009\r\n\r\n<span>LO</span><span>SS AND FOUND</span>\r\n\r\nMarina Correa, DNA, Mumbai, 22<sup>nd</sup> January 2009\r\n\r\n<span> </span>\r\n\r\n<span>FOCUS INDIA</span>\r\n\r\nMegha Ralapati, Flash Art, pg 114, January-February 2008\r\n\r\n<span>COME TOGETHER  RIGHT NOW</span>\r\n\r\nReema Gehi, HT Café, 15<sup>th</sup> February 2008\r\n\r\n<span>SUCH A LONG  JOURNEY</span>\r\n\r\nAparna S Sharma, Elle Magazine, pgs 115-117, February 2008\r\n\r\n<span> </span>\r\n\r\n<span>MORE THAN A  WOMAN</span>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 4<sup>th</sup> February 2008\r\n\r\n<span> </span>\r\n\r\n<span>ARTIST OF THE  FORTNIGHT</span>\r\n\r\nMaria Louis, Outlook Profit, pg 79, 18<sup>th</sup> April 2008\r\n\r\n<span> </span>\r\n\r\n<span>DEJA VIEW</span>\r\n\r\nTara Khilachand, Live Mint, 20<sup>th</sup> December 2008\r\n\r\n<span>TERROR STRUCK</span>\r\n\r\nMaria Louis, Outlook Profit, 26<sup>th</sup> December 2008\r\n\r\n<span>NAME CALLING</span>\r\n\r\nDeepanjana Pal, Timeout Mumbai, December 2008\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span>CORRUPTIONS OF  POWER</span>\r\n\r\nShiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99,  2007\r\n\r\n<span>OVER THE RAINBOW</span>\r\n\r\nMaria Louis, Interview, Verve Magazine, pg 78, November 2006\r\n\r\n<span> </span>\r\n\r\n<span>IN A STATE OF PERENNIAL SIEGE</span>\r\n\r\nNancy Adajania, The Hindu, Hyderabad, 29<sup>th</sup> October  2006\r\n\r\n<span>HER CROWNING  ACHIEVEMENT</span>\r\n\r\nClara Chow, The Straits Times, 18<sup>th</sup> November 2006\r\n\r\n<span> </span>\r\n\r\n<span>POLITICAL CHAOS</span>\r\n\r\nDeepali Nandwani,  Beautiful people, pg 143, November-December 2006\r\n\r\n<span>WEAPONS OF MASS  CONSTRUCTION</span>\r\n\r\nRituparna Som, DNA after Hrs, Mumbai, 9<sup>th</sup> October, 2006\r\n\r\n<span> </span>\r\n\r\n<span> GUNS AND ROSES</span>\r\n\r\nRachna Nakra, The Indian Express,  Mumbai Newsline, 18<sup>th</sup> September 2006\r\n\r\n<span> UNDER ATTACK</span>\r\n\r\nGitanjali Dang, HT Mumbai, 22<sup>nd</sup> September 2006\r\n\r\n<span> TIME TRAVELLER</span>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline,  27<sup>th</sup> June 2006      <span> </span>\r\n\r\n<span> </span>\r\n\r\n<span>THE FLOWER AND  THE SWORD</span>\r\n\r\nGirish Shahane, The Art News magazine of India,  pg 93, volume X issue I, 2004\r\n\r\n<span>INDIA</span><span>’S TOP 100 ACHIEVERS</span>\r\n\r\nSociety Magazine, pg 137, December 2004\r\n\r\n<span>CAUGHT BETWEEEN  DEMONS</span>\r\n\r\nNancy Adajania, The Hindu, 19<sup>th</sup> December  2004\r\n\r\n<span>EN REISE TIL INDIA</span>\r\n\r\nHarald Flor, Dagbladet, Kultur, 2<sup>nd</sup> February 2003\r\n\r\n<span> </span>\r\n\r\n<span>SIGNS OF  RESISTANCE</span>\r\n\r\nNancy Adajania, The Hindu, 5<sup>th</sup> January  2003\r\n\r\n<span>OF THE GODDESS  AND DEMON IN THE MIND</span>\r\n\r\nDebbie Rodgers, Sunday edition Vijay Times, Bangalore, 5<sup>th</sup> January 2003\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span>EMPATHIC ANGER</span>\r\n\r\nMarta Jakimowicz, Deccan Herald, 23<sup>rd</sup> December 2002\r\n\r\n<span> </span>\r\n\r\n<span>MYSORE</span><span> EK KHOJ</span>\r\n\r\nCross Fertilization of Culture, Interview in Star of Mysore, 27<sup>th</sup> October 2002\r\n\r\n<span> </span>\r\n\r\n<span> LINKING ISLANDS</span>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 15<sup>th</sup> February  2002\r\n\r\n<span>CREATING TO  DESTROY</span>\r\n\r\nJasmine Shah Varma, The List, Mid Day, 22<sup>nd</sup> February 2002\r\n\r\n<span> </span>\r\n\r\n<span>DIFFERENT  STROKES</span>\r\n\r\nGeorgina L Maddox, The Indian Express, Mumbai Newsline,  24<sup>th</sup> July 2002\r\n\r\n<span> </span>\r\n\r\n<span>OF FAITH AND  HUNGER</span>\r\n\r\nAbhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89,  December 2000\r\n\r\n<span> </span>\r\n\r\n<span>THE MURMUR OF  SKIN</span>\r\n\r\nNupur Mahajan, Bombay Times, Times  of India, 12<sup>th</sup> October 2000\r\n\r\n<span>NOT JUST SKIN  DEEP</span>\r\n\r\nJasmine Shah Varma, The List, Mid-day, 4<sup>th</sup> October 2000\r\n\r\n<span>INSIDE OUT</span>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 11<sup>th</sup> October  2000\r\n\r\n<span>SCINTILLATING  SKIN</span>\r\n\r\nVaibhav Purandare, The Asian Age, 14<sup>th</sup> October 2000\r\n\r\n<span>AN ARTIST’S  WORLD: ROTI, MAKAAN &amp; ABSTRACT ART</span>\r\n\r\nPoonam Goel, HT City, 23<sup>rd</sup> December 2000\r\n\r\n<span> </span>\r\n\r\n<span>WITHIN YOU,  WITHOUT YOU</span>\r\n\r\nAnu Kumar, Indian Express,  Express Newsline, 2<sup>nd</sup> September 1998\r\n\r\n<span>FARMING INTRIRUE</span>\r\n\r\nJerry Pinto, The Times of India, Bombay Times, 3<sup>rd</sup> September 1998\r\n\r\n<span> </span>\r\n\r\n<span>INTERACTIVE  MEDIUM</span>\r\n\r\nKaren Pereira, Indian  Architect &amp; Builder, pgs 102-104, October 1998','Publications','','inherit','open','open','','87-revision-76','','','2010-07-04 12:05:58','2010-07-04 12:05:58','',87,'http://www.biggventures.com/demo/artists/1363/uncat/87-revision-76',0,'revision','',0),(1366,1,'2010-07-04 13:33:15','2010-07-04 13:33:15','<table style=\"margin-left: 5px;\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\" width=\"58%\" align=\"centre\">\r\n<tbody>\r\n<tr>\r\n<td width=\"35%\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Reena Saini Kallat</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2008</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/reena-kallat\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Rainbow of Refuse</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2006</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/rainbow-of-refuse\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Black Flute and Other Stories</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2004</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/black-flute\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>The Battlefield Is The Mind</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2002</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/battlefield-of-mind\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>SKIN</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2000</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/skin\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Orchard of Home-grown Secrets</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>1998</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/orchard-of-home-grown-screts\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<!-- Start of Other Publications -->\r\n<span class=\"pubstrong\" style=\"color:#000000;\">BOOKS/  CATALOGUES </span><br/><br/><span class=\"pubstrong\">Reena Saini Kallat, </span> 2009<span>\r\nText: Nancy Adajania and Murtaza Vali \r\nPublisher: Primo Marella Gallery, Walsh Gallery and Chemould Prescott Road \r\nISBN: 978-81-908879-1-5 </span>\r\n\r\n<span class=\"pubstrong\">Rainbow of Refuse, </span>2006<span>\r\nText: Nancy Adajania\r\nPublisher: Bodhi Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Black Flute (and other stories), </span>2005\r\n<span class=\"pubstrong\">Black Flute,</span> 2004<span>\r\nText: Nancy Adajania\r\nPublisher: Gallery Chemould and Nature Morte Gallery</span>>\r\n\r\n<span class=\"pubstrong\">The Battlefield is the Mind, </span>2002<span>\r\nText: Nancy Adajania\r\nPublisher: Sakshi Gallery</span>\r\n\r\n<span class=\"pubstrong\">Skin, </span>2000<span>\r\nInterview with Jitish Kallat\r\nPublisher: Gallery Chemould and Vis-à-vis Art Inc. Gallery</span>\r\n\r\n<span class=\"pubstrong\">Orchard of home-grown secrets, </span>1998<span>\r\nText: Ranjit Hoskote \r\nPublisher: Gallery Chemould and Pundole Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">The Khoj Book, </span>2010<span>\r\nInterview with Shilpa Gupta\r\nPublisher: HarperCollins\r\nISBN: 9788172236878</span>\r\n\r\n<span class=\"pubstrong\">Never Run Away, </span>2010<span>\r\nText: Shaheen Merali\r\nPublisher: Stux Gallery</span>\r\n\r\n<span class=\"pubstrong\">Urban Manners 2, </span>2010<span>\r\nText: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\nPublisher: SESC Pompeia, Sao Paulo </span>\r\n\r\n<span class=\"pubstrong\">The Empire Strikes Back, </span>2010<span>\r\nText: Zehra Jumabhoy\r\nPublisher: Saatchi Gallery      \r\nISBN: 9780224089494\r\n</span>\r\n\r\n<span class=\"pubstrong\">Viewpoints & viewings points- Asian Art Biennale, </span>2009<span>\r\nText: Chao-yi-Tsai \r\nPublisher: National Taiwan Museum of fine Arts\r\nISBN: 978-986-02-0269-4</span>\r\n\r\n<span class=\"pubstrong\">India Xianzai: Contemporary Indian Art, </span>2009<span>\r\nText: Jitish Kallat, Diana Freundl, Alexander Keefe\r\nPublisher: Museum of Contemporary Art</span>\r\n\r\n<span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2009<span>\r\nText: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki, \r\nMiho Tagomori \r\nPublisher: Prestel, National Museum of Contemporary Art and Essl Museum \r\nISBN: 978-3-7913-4304-4</span>\r\n\r\n<span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2008<span>\r\nText: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman   \r\nGopinath, Jayaram, Deepak Ananth    \r\nPublisher: Mori Art Museum\r\nISBN: 978-4-902819-21-2</span>\r\n\r\n<span class=\"pubstrong\">India Moderna, </span>2008<span>\r\nText: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur, \r\nR. Siva Kumar, K.G. Subramanyan\r\nPublisher: IVAM (Institute Valencia D’Art Modern)\r\nISBN: 978-84-482-5104-8</span>\r\n\r\n<span class=\"pubstrong\">Everywhere is War (and rumours of it),</span>)2008<span>\r\nText: Kai Hafez, Martin Hager, Nicholas Mirzoeff, Daniel Miller, \r\nBregje van Eekelen      \r\nPublisher: Bodhi Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Three Points of Views, </span>2008<span>\r\nText: Grant Watson\r\nPublisher: Galerie Mirchandani + Steinruecke</span>\r\n\r\n<span class=\"pubstrong\">New Narratives: Contemporary Art from India, </span>2008<span>\r\nText: Betty Seid with contributions by Johan Pijnappel\r\nPublisher: Mapin Publication in association with Chicago Cultural Center  \r\nISBN: 978-1-890206-08-6</span>\r\n\r\n<span class=\"pubstrong\">Made by Indians, </span>2007<span>\r\nText: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\nPublisher: Galerie Enrico Navarra\r\nISBN: 2-911596-37-4</span>\r\n\r\n<span class=\"pubstrong\">Thermocline of Art: New Asian Waves, </span>2007<span>\r\nText:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong\r\nPublisher: Hatje Cantz Vertag\r\nISBN: 978-3-7757-2073-1\r\nEAN: 9782911596377</span>\r\n\r\n<span class=\"pubstrong\">Indian Colour, </span>2007<span>\r\nText: Peter Nagy\r\nPublisher: Dal- seung Hwang, Keumsan Gallery</span>\r\n\r\n<span class=\"pubstrong\">India Arte Oggi, </span>2007<span>\r\nText:  Daniela Palazzoli\r\nPublisher: Spazio Oberdan\r\nISBN: 978-88-202-1867-6</span>\r\n\r\n<span class=\"pubstrong\">Urban Manners, </span>2007<span>\r\nText: Adelina Von Furstenberg and Nancy Adajania\r\nPublisher: Hangar Bicocca</span>\r\n\r\n<span class=\"pubstrong\">International Incheon Women Artists’ Biennale,</span>\r\n<span class=\"pubstrong\">Knocking on the Door, </span>2007<span>\r\nText: Sung Hee Kim, John C. Welchman\r\nPublisher: Incheon Culture and Art Centre</span>\r\n\r\n<span class=\"pubstrong\">Soft Power: Asian Attitude, </span>2007<span>\r\nText: Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\nPublisher: Shanghai Zendai Mumsem of Modern Art\r\nISBN: 978-7-5356-2790-2</span>\r\n\r\n<span class=\"pubstrong\">India Express- Art and Popular Culture, </span>2006<span>\r\nText: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze\r\nPublisher: Helsinki City Art Museum\r\nISBN: 951-8965-61-7</span>\r\n\r\n<span class=\"pubstrong\">Bombay L’album Maximum City, </span>2006<span>\r\nText: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\nPublisher: Terrail, Lille 3000\r\nISBN: 2-87939-325-6</span>\r\n\r\n<span class=\"pubstrong\">Indian Paintings of the New Millennium, </span>2005<span>\r\nText: Helen Asquine  Fazio, Gayatri Sinha\r\nPublisher: Quick Arts Center, Fairfield University</span>\r\n\r\n<span class=\"pubstrong\">A Guide to 101 Modern & Contemporary Indian Artists, </span>2005<span>\r\nText: Amrita Jhaveri\r\nPublisher: India Book House\r\nISBN: 81-7508-423-5</span>\r\n\r\n<span class=\"pubstrong\">Zoom! Art in Contemporary India, </span>2004<span>\r\nTexts: Luis Serpa and Nancy Adajania\r\nPublisher: The Culturgest Museum\r\nISBN: 972-769-033-5</span>\r\n\r\n<span class=\"pubstrong\">Interlude in Sri Lanka, </span>2004<span>\r\nText: Ranjit Hoskote and Nancy Adajania\r\nPublisher: The Guild Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Generation I, </span>2004<span>\r\nText: Zehra Jumabhoy\r\nPublisher: Saffronart & The Guild Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Tiranga Rights and Reponsibilities, </span>2003<span>\r\nText: Peter Nagy\r\nPublisher: Jindal Foundation & Creative Arts</span>\r\n\r\n<span class=\"pubstrong\">Hard Copy, </span>2003<span>\r\nText: Peter Nagy\r\nPublisher: Galerie 88</span>\r\n\r\n<span class=\"pubstrong\">Crossing Generations: diVERGE, </span>2003<span>\r\nText: Geeta Kapoor and Chaitanya Sambrani\r\nPublisher: Gallery Chemould</span>\r\n\r\n\r\n<span class=\"pubstrong\" style=\"color:#000000;\">Press/publications</span>\r\n\r\n<span class=\"pubstrong\">The Archives of the Heart</span><span>\r\nNancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\nFront Cover, pgs 42-45, 2009</span>\r\n\r\n<span class=\"pubstrong\">Globale Kunst Mit Wurzelduft</span><span>\r\nVon Almuth Speigler, Die Presse, Feuilleton, 2nd September 2009</span>\r\n\r\n<span class=\"pubstrong\">Landscapes of Loss</span><span>\r\nBeth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009</span>\r\n\r\n<span class=\"pubstrong\">Reincarnating History</span><span>\r\nThe Big Picture, Architect and Interiors, July 2009</span>\r\n\r\n<span class=\"pubstrong\">Stamp Collection</span><span>\r\nGeorgina Maddox, The Sunday Express, 17th May 2009</span>\r\n\r\n<span class=\"pubstrong\">Evolving Beyond Borders</span><span>\r\nReshma S. Kulkarni, Bombay Times, Times of India, 15th January, 2009</span>\r\n\r\n<span class=\"pubstrong\">Loss and Found</span><span>\r\nMarina Correa, DNA, Mumbai, 22nd January 2009</span>\r\n\r\n<span class=\"pubstrong\">Focus India</span><span>\r\nMegha Ralapati, Flash Art, pg 114, January-February 2008</span>\r\n\r\n<span class=\"pubstrong\">Come Together Right Now</span><span>\r\nReema Gehi, HT Café, 15th February 2008</span>\r\n\r\n<span class=\"pubstrong\">Such a Long Journey</span><span>\r\nAparna S Sharma, Elle Magazine, pgs 115-117, February 2008</span>\r\n\r\n<span class=\"pubstrong\">More than a Woman</span><span>\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 4th February 2008</span>\r\n\r\n<span class=\"pubstrong\">Artist of the Fortnight</span><span>\r\nMaria Louis, Outlook Profit, pg 79, 18th April 2008</span>\r\n\r\n<span class=\"pubstrong\">Deja View</span><span>\r\nTara Khilachand, Live Mint, 20th December 2008</span>\r\n\r\n<span class=\"pubstrong\">Terror struck</span><span>\r\nMaria Louis, Outlook Profit, 26th December 2008</span>\r\n\r\n<span class=\"pubstrong\">Name calling</span><span>\r\nDeepanjana Pal, Timeout Mumbai, December 2008</span>\r\n\r\n<span class=\"pubstrong\">Corruptions of Power</span><span>Shiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99, 2007</span>\r\n\r\n<span class=\"pubstrong\">Over the Rainbow</span><span>\r\nMaria Louis, Interview, Verve Magazine, pg 78, November 2006</span>\r\n\r\n<span class=\"pubstrong\">In a State of Perennial Siege</span><span>\r\nNancy Adajania, The Hindu, Hyderabad, 29th October 2006</span>\r\n\r\n<span class=\"pubstrong\">Her Crowning Achievement</span><span>\r\nClara Chow, The Straits Times, 18th November 2006</span>\r\n\r\n<span class=\"pubstrong\">Political Chaos</span><span>\r\nDeepali Nandwani, Beautiful people, pg 143, November-December 2006</span>\r\n\r\n<span class=\"pubstrong\">Weapons of Mass Construction</span><span>\r\nRituparna Som, DNA after Hrs, Mumbai, 9th October, 2006</span>\r\n\r\n<span class=\"pubstrong\">Guns and Roses</span>><span>\r\nRachna Nakra, The Indian Express, Mumbai Newsline, 18th September 2006</span>\r\n\r\n<span class=\"pubstrong\">Under Attack</span><span>\r\nGitanjali Dang, HT Mumbai, 22nd September 2006</span>\r\n\r\n<span class=\"pubstrong\">Time Traveller</span><span>\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 27th June 2006</span>\r\n\r\n<span class=\"pubstrong\">The Flower and the Sword</span><span>\r\nGirish Shahane, The Art News magazine of India, pg 93, volume X issue I, 2004</span>\r\n\r\n<span class=\"pubstrong\">India’s top 100 achievers</span><span>\r\nSociety Magazine, pg 137, December 2004</span>\r\n\r\n<span class=\"pubstrong\">Caught Between Demons</span><span>\r\nNancy Adajania, The Hindu, 19th December 2004</span>\r\n\r\n<span class=\"pubstrong\">En Reise Til India</span><span>\r\nHarald Flor, Dagbladet, Kultur, 2nd February 2003</span>\r\n\r\n<span class=\"pubstrong\">Signs of Resistance</span><span>\r\nNancy Adajania, The Hindu, 5th January 2003</span>\r\n\r\n<span class=\"pubstrong\">Of the Goddess and Demon in the Mind</span><span>\r\nDebbie Rodgers, Sunday edition Vijay Times, Bangalore, 5th January 2003</span>\r\n\r\n<span class=\"pubstrong\">Empathic Anger</span><span>\r\nMarta Jakimowicz, Deccan Herald, 23rd December 2002</span>\r\n\r\n<span class=\"pubstrong\">Mysore ek khoj</span>\r\nCross Fertilization of Culture, Interview in Star of Mysore, 27th October 2002</span>\r\n\r\n<span class=\"pubstrong\">Linking Islands</span><span>\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 15th February 2002</span>\r\n\r\n<span class=\"pubstrong\">Creating to Destroy</span><span>\r\nJasmine Shah Varma, The List, Mid Day, 22nd February 2002</span>\r\n\r\n<span class=\"pubstrong\">Different Strokes</span><span>\r\nGeorgina L Maddox, The Indian Express, Mumbai Newsline, 24th July 2002</span>\r\n\r\n<span class=\"pubstrong\">Of Faith and Hunger</span><span>\r\nAbhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89, December 2000</span>\r\n\r\n<span class=\"pubstrong\">The Murmur of Skin</span><span>\r\nNupur Mahajan, Bombay Times, Times of India, 12th October 2000</span>\r\n\r\n<span class=\"pubstrong\">Not just Skin Deep</span><span>\r\nJasmine Shah Varma, The List, Mid-day, 4th October 2000</span>\r\n\r\n<span class=\"pubstrong\">Inside Out</span><span>\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 11th October 2000</span>\r\n\r\n<span class=\"pubstrong\">Scintillating Skin</span><span>\r\nVaibhav Purandare, The Asian Age, 14th October 2000</span>\r\n\r\n<span class=\"pubstrong\">An Artist’s World: roti, makaan & abstract art</span><span>\r\nPoonam Goel, HT City, 23rd December 2000</span>\r\n\r\n<span class=\"pubstrong\">Within you, Without you</span><span>\r\nAnu Kumar, Indian Express, Express Newsline, 2nd September 1998\r\n\r\n<span class=\"pubstrong\">Farming Intrirue</span><span>\r\nJerry Pinto, The Times of India, Bombay Times, 3rd September 1998</span>\r\n\r\n<span class=\"pubstrong\">Interactive Medium</span><span>\r\nKaren Pereira, Indian Architect & Builder, pgs 102-104, October 1998</span>','Publications','','inherit','open','open','','87-revision-79','','','2010-07-04 13:33:15','2010-07-04 13:33:15','',87,'http://www.biggventures.com/demo/artists/1366/uncat/87-revision-79',0,'revision','',0),(1365,1,'2010-07-04 13:05:26','2010-07-04 13:05:26','<table style=\"margin-left: 5px;\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\" width=\"58%\" align=\"centre\">\r\n<tbody>\r\n<tr>\r\n<td width=\"35%\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Reena Saini Kallat</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2008</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/reena-kallat\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Rainbow of Refuse</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2006</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/rainbow-of-refuse\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Black Flute and Other Stories</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2004</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/black-flute\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>The Battlefield Is The Mind</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2002</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/battlefield-of-mind\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>SKIN</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2000</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/skin\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Orchard of Home-grown Secrets</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>1998</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/orchard-of-home-grown-screts\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<!-- Start of Other Publications -->\r\n<span class=\"pubstrong\" style=\"color:#000000;\">BOOKS/  CATALOGUES </span><br/><br/><span class=\"pubstrong\">Reena Saini Kallat, </span> 2009<span>\r\nText: Nancy Adajania and Murtaza Vali \r\nPublisher: Primo Marella Gallery, Walsh Gallery and Chemould Prescott Road \r\nISBN: 978-81-908879-1-5 </span>\r\n\r\n<span class=\"pubstrong\">Rainbow of Refuse, </span>2006<span>\r\nText: Nancy Adajania\r\nPublisher: Bodhi Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Black Flute (and other stories), </span>2005\r\n<span class=\"pubstrong\">Black Flute,</span> 2004<span>\r\nText: Nancy Adajania\r\nPublisher: Gallery Chemould and Nature Morte Gallery</span>>\r\n\r\n<span class=\"pubstrong\">The Battlefield is the Mind, </span>2002<span>\r\nText: Nancy Adajania\r\nPublisher: Sakshi Gallery</span>\r\n\r\n<span class=\"pubstrong\">Skin, </span>2000<span>\r\nInterview with Jitish Kallat\r\nPublisher: Gallery Chemould and Vis-à-vis Art Inc. Gallery</span>\r\n\r\n<span class=\"pubstrong\">Orchard of home-grown secrets, </span>1998<span>\r\nText: Ranjit Hoskote \r\nPublisher: Gallery Chemould and Pundole Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">The Khoj Book, </span>2010<span>\r\nInterview with Shilpa Gupta\r\nPublisher: HarperCollins\r\nISBN: 9788172236878</span>\r\n\r\n<span class=\"pubstrong\">Never Run Away, </span>2010<span>\r\nText: Shaheen Merali\r\nPublisher: Stux Gallery</span>\r\n\r\n<span class=\"pubstrong\">Urban Manners 2, </span>2010<span>\r\nText: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\nPublisher: SESC Pompeia, Sao Paulo </span>\r\n\r\n<span class=\"pubstrong\">The Empire Strikes Back, </span>2010<span>\r\nText: Zehra Jumabhoy\r\nPublisher: Saatchi Gallery      \r\nISBN: 9780224089494\r\n</span>\r\n\r\n<span class=\"pubstrong\">Viewpoints & viewings points- Asian Art Biennale, </span>2009<span>\r\nText: Chao-yi-Tsai \r\nPublisher: National Taiwan Museum of fine Arts\r\nISBN: 978-986-02-0269-4</span>\r\n\r\n<span class=\"pubstrong\">India Xianzai: Contemporary Indian Art, </span>2009<span>\r\nText: Jitish Kallat, Diana Freundl, Alexander Keefe\r\nPublisher: Museum of Contemporary Art</span>\r\n\r\n<span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2009<span>\r\nText: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki, \r\nMiho Tagomori \r\nPublisher: Prestel, National Museum of Contemporary Art and Essl Museum \r\nISBN: 978-3-7913-4304-4</span>\r\n\r\n<span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2008<span>\r\nText: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman   \r\nGopinath, Jayaram, Deepak Ananth    \r\nPublisher: Mori Art Museum\r\nISBN: 978-4-902819-21-2</span>\r\n\r\n<span class=\"pubstrong\">India Moderna, </span>2008<span>\r\nText: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur, \r\nR. Siva Kumar, K.G. Subramanyan\r\nPublisher: IVAM (Institute Valencia D’Art Modern)\r\nISBN: 978-84-482-5104-8</span>\r\n\r\n<span class=\"pubstrong\">Everywhere is War (and rumours of it),</span>)2008<span>\r\nText: Kai Hafez, Martin Hager, Nicholas Mirzoeff, Daniel Miller, \r\nBregje van Eekelen      \r\nPublisher: Bodhi Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Three Points of Views, </span>2008<span>\r\nText: Grant Watson\r\nPublisher: Galerie Mirchandani + Steinruecke</span>\r\n\r\n<span class=\"pubstrong\">New Narratives: Contemporary Art from India, </span>2008<span>\r\nText: Betty Seid with contributions by Johan Pijnappel\r\nPublisher: Mapin Publication in association with Chicago Cultural Center  \r\nISBN: 978-1-890206-08-6</span>\r\n\r\n<span class=\"pubstrong\">Made by Indians, </span>2007<span>\r\nText: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\nPublisher: Galerie Enrico Navarra\r\nISBN: 2-911596-37-4</span>\r\n\r\n<span class=\"pubstrong\">Thermocline of Art: New Asian Waves, </span>2007<span>\r\nText:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong\r\nPublisher: Hatje Cantz Vertag\r\nISBN: 978-3-7757-2073-1\r\nEAN: 9782911596377</span>\r\n\r\n<span class=\"pubstrong\">Indian Colour, </span>2007<span>\r\nText: Peter Nagy\r\nPublisher: Dal- seung Hwang, Keumsan Gallery</span>\r\n\r\n<span class=\"pubstrong\">India Arte Oggi, </span>2007<span>\r\nText:  Daniela Palazzoli\r\nPublisher: Spazio Oberdan\r\nISBN: 978-88-202-1867-6</span>\r\n\r\n<span class=\"pubstrong\">Urban Manners, </span>2007<span>\r\nText: Adelina Von Furstenberg and Nancy Adajania\r\nPublisher: Hangar Bicocca</span>\r\n\r\n<span class=\"pubstrong\">International Incheon Women Artists’ Biennale,</span>\r\n<span class=\"pubstrong\">Knocking on the Door, </span>2007<span>\r\nText: Sung Hee Kim, John C. Welchman\r\nPublisher: Incheon Culture and Art Centre</span>\r\n\r\n<span class=\"pubstrong\">Soft Power: Asian Attitude, </span>2007<span>\r\nText: Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\nPublisher: Shanghai Zendai Mumsem of Modern Art\r\nISBN: 978-7-5356-2790-2</span>\r\n\r\n<span class=\"pubstrong\">India Express- Art and Popular Culture, </span>2006<span>\r\nText: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze\r\nPublisher: Helsinki City Art Museum\r\nISBN: 951-8965-61-7</span>\r\n\r\n<span class=\"pubstrong\">Bombay L’album Maximum City, </span>2006<span>\r\nText: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\nPublisher: Terrail, Lille 3000\r\nISBN: 2-87939-325-6</span>\r\n\r\n<span class=\"pubstrong\">Indian Paintings of the New Millennium, </span>2005<span>\r\nText: Helen Asquine  Fazio, Gayatri Sinha\r\nPublisher: Quick Arts Center, Fairfield University</span>\r\n\r\n<span class=\"pubstrong\">A Guide to 101 Modern & Contemporary Indian Artists, </span>2005<span>\r\nText: Amrita Jhaveri\r\nPublisher: India Book House\r\nISBN: 81-7508-423-5</span>\r\n\r\n<span class=\"pubstrong\">Zoom! Art in Contemporary India, </span>2004<span>\r\nTexts: Luis Serpa and Nancy Adajania\r\nPublisher: The Culturgest Museum\r\nISBN: 972-769-033-5</span>\r\n\r\n<span class=\"pubstrong\">Interlude in Sri Lanka, </span>2004<span>\r\nText: Ranjit Hoskote and Nancy Adajania\r\nPublisher: The Guild Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Generation I, </span>2004<span>\r\nText: Zehra Jumabhoy\r\nPublisher: Saffronart & The Guild Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Tiranga Rights and Reponsibilities, </span>2003<span>\r\nText: Peter Nagy\r\nPublisher: Jindal Foundation & Creative Arts</span>\r\n\r\n<span class=\"pubstrong\">Hard Copy, </span>2003<span>\r\nText: Peter Nagy\r\nPublisher: Galerie 88</span>\r\n\r\n<span class=\"pubstrong\">Crossing Generations: diVERGE, </span>2003<span>\r\nText: Geeta Kapoor and Chaitanya Sambrani\r\nPublisher: Gallery Chemould</span>\r\n\r\n\r\n<span class=\"pubstrong\" style=\"color:#000000;\">Press/publications</span>\r\n\r\n<span class=\"pubstrong\">The Archives of the Heart</span><span>\r\nNancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\nFront Cover, pgs 42-45, 2009</span>\r\n\r\n<span class=\"pubstrong\">Globale Kunst Mit Wurzelduft</span><span>\r\nVon Almuth Speigler, Die Presse, Feuilleton, 2nd September 2009</span>\r\n\r\n<span class=\"pubstrong\">Landscapes of Loss</span><span>\r\nBeth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009</span>\r\n\r\n<span class=\"pubstrong\">Reincarnating History</span><span>\r\nThe Big Picture, Architect and Interiors, July 2009</span>\r\n\r\n<span class=\"pubstrong\">Stamp Collection</span><span>\r\nGeorgina Maddox, The Sunday Express, 17th May 2009</span>\r\n\r\n<span class=\"pubstrong\">Evolving Beyond Borders</span><span>\r\nReshma S. Kulkarni, Bombay Times, Times of India, 15th January, 2009</span>\r\n\r\n<span class=\"pubstrong\">Loss and Found</span><span>\r\nMarina Correa, DNA, Mumbai, 22nd January 2009</span>\r\n\r\n<span class=\"pubstrong\">Focus India</span><span>\r\nMegha Ralapati, Flash Art, pg 114, January-February 2008</span>\r\n\r\n<span class=\"pubstrong\">Come Together Right Now</span><span>\r\nReema Gehi, HT Café, 15th February 2008</span>\r\n\r\n<span class=\"pubstrong\">Such a Long Journey</span><span>\r\nAparna S Sharma, Elle Magazine, pgs 115-117, February 2008</span>\r\n\r\n<span class=\"pubstrong\">More than a Woman</span><span>\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 4th February 2008</span>\r\n\r\n<span class=\"pubstrong\">Artist of the Fortnight</span><span>\r\nMaria Louis, Outlook Profit, pg 79, 18th April 2008</span>\r\n\r\n<span class=\"pubstrong\">Deja View</span><span>\r\nTara Khilachand, Live Mint, 20th December 2008</span>\r\n\r\n<span class=\"pubstrong\">Terror struck</span><span>\r\nMaria Louis, Outlook Profit, 26th December 2008</span>\r\n\r\n<span class=\"pubstrong\">NAME CALLING</span>\r\n\r\nDeepanjana Pal, Timeout Mumbai, December 2008\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span class=\"pubstrong\">CORRUPTIONS OF  POWER</span>\r\n\r\nShiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99,  2007\r\n\r\n<span class=\"pubstrong\">OVER THE RAINBOW</span>\r\n\r\nMaria Louis, Interview, Verve Magazine, pg 78, November 2006\r\n\r\n<span> </span>\r\n\r\n<span class=\"pubstrong\">IN A STATE OF PERENNIAL SIEGE</span>\r\n\r\nNancy Adajania, The Hindu, Hyderabad, 29<sup>th</sup> October  2006\r\n\r\n<span class=\"pubstrong\">HER CROWNING  ACHIEVEMENT</span>\r\n\r\nClara Chow, The Straits Times, 18<sup>th</sup> November 2006\r\n\r\n<span> </span>\r\n\r\n<span class=\"pubstrong\">POLITICAL CHAOS</span>\r\n\r\nDeepali Nandwani,  Beautiful people, pg 143, November-December 2006\r\n\r\n<span class=\"pubstrong\">WEAPONS OF MASS  CONSTRUCTION</span>\r\n\r\nRituparna Som, DNA after Hrs, Mumbai, 9<sup>th</sup> October, 2006\r\n\r\n<span> </span>\r\n\r\n<span class=\"pubstrong\"> GUNS AND ROSES</span>\r\n\r\nRachna Nakra, The Indian Express,  Mumbai Newsline, 18<sup>th</sup> September 2006\r\n\r\n<span class=\"pubstrong\"> UNDER ATTACK</span>\r\n\r\nGitanjali Dang, HT Mumbai, 22<sup>nd</sup> September 2006\r\n\r\n<span class=\"pubstrong\"> TIME TRAVELLER</span>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline,  27<sup>th</sup> June 2006      <span> </span>\r\n\r\n<span> </span>\r\n\r\n<span class=\"pubstrong\">THE FLOWER AND  THE SWORD</span>\r\n\r\nGirish Shahane, The Art News magazine of India,  pg 93, volume X issue I, 2004\r\n\r\n<span class=\"pubstrong\">INDIA</span><span>’S TOP 100 ACHIEVERS</span>\r\n\r\nSociety Magazine, pg 137, December 2004\r\n\r\n<span class=\"pubstrong\">CAUGHT BETWEEEN  DEMONS</span>\r\n\r\nNancy Adajania, The Hindu, 19<sup>th</sup> December  2004\r\n\r\n<span class=\"pubstrong\">EN REISE TIL INDIA</span>\r\n\r\nHarald Flor, Dagbladet, Kultur, 2<sup>nd</sup> February 2003\r\n\r\n<span> </span>\r\n\r\n<span class=\"pubstrong\">SIGNS OF  RESISTANCE</span>\r\n\r\nNancy Adajania, The Hindu, 5<sup>th</sup> January  2003\r\n\r\n<span class=\"pubstrong\">OF THE GODDESS  AND DEMON IN THE MIND</span>\r\n\r\nDebbie Rodgers, Sunday edition Vijay Times, Bangalore, 5<sup>th</sup> January 2003\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span> </span>\r\n\r\n<span class=\"pubstrong\">EMPATHIC ANGER</span>\r\n\r\nMarta Jakimowicz, Deccan Herald, 23<sup>rd</sup> December 2002\r\n\r\n<span> </span>\r\n\r\n<span class=\"pubstrong\">MYSORE</span><span> EK KHOJ</span>\r\n\r\nCross Fertilization of Culture, Interview in Star of Mysore, 27<sup>th</sup> October 2002\r\n\r\n<span> </span>\r\n\r\n<span class=\"pubstrong\"> LINKING ISLANDS</span>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 15<sup>th</sup> February  2002\r\n\r\n<span class=\"pubstrong\">CREATING TO  DESTROY</span>\r\n\r\nJasmine Shah Varma, The List, Mid Day, 22<sup>nd</sup> February 2002\r\n\r\n<span> </span>\r\n\r\n<span class=\"pubstrong\">DIFFERENT  STROKES</span>\r\n\r\nGeorgina L Maddox, The Indian Express, Mumbai Newsline,  24<sup>th</sup> July 2002\r\n\r\n<span> </span>\r\n\r\n<span class=\"pubstrong\">OF FAITH AND  HUNGER</span>\r\n\r\nAbhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89,  December 2000\r\n\r\n<span> </span>\r\n\r\n<span class=\"pubstrong\">THE MURMUR OF  SKIN</span>\r\n\r\nNupur Mahajan, Bombay Times, Times  of India, 12<sup>th</sup> October 2000\r\n\r\n<span class=\"pubstrong\">NOT JUST SKIN  DEEP</span>\r\n\r\nJasmine Shah Varma, The List, Mid-day, 4<sup>th</sup> October 2000\r\n\r\n<span class=\"pubstrong\">INSIDE OUT</span>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 11<sup>th</sup> October  2000\r\n\r\n<span class=\"pubstrong\">SCINTILLATING  SKIN</span>\r\n\r\nVaibhav Purandare, The Asian Age, 14<sup>th</sup> October 2000\r\n\r\n<span class=\"pubstrong\">AN ARTIST’S  WORLD: ROTI, MAKAAN &amp; ABSTRACT ART</span>\r\n\r\nPoonam Goel, HT City, 23<sup>rd</sup> December 2000\r\n\r\n<span> </span>\r\n\r\n<span class=\"pubstrong\">WITHIN YOU,  WITHOUT YOU</span>\r\n\r\nAnu Kumar, Indian Express,  Express Newsline, 2<sup>nd</sup> September 1998\r\n\r\n<span class=\"pubstrong\">FARMING INTRIRUE</span>\r\n\r\nJerry Pinto, The Times of India, Bombay Times, 3<sup>rd</sup> September 1998\r\n\r\n<span> </span>\r\n\r\n<span class=\"pubstrong\">INTERACTIVE  MEDIUM</span>\r\n\r\nKaren Pereira, Indian  Architect &amp; Builder, pgs 102-104, October 1998','Publications','','inherit','open','open','','87-revision-78','','','2010-07-04 13:05:26','2010-07-04 13:05:26','',87,'http://www.biggventures.com/demo/artists/1365/uncat/87-revision-78',0,'revision','',0),(1367,1,'2010-07-04 13:38:44','2010-07-04 13:38:44','<table style=\"margin-left: 5px;\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\" width=\"58%\" align=\"centre\">\r\n<tbody>\r\n<tr>\r\n<td width=\"35%\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Reena Saini Kallat</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2008</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/reena-kallat\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Rainbow of Refuse</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2006</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/rainbow-of-refuse\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Black Flute and Other Stories</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2004</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/black-flute\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>The Battlefield Is The Mind</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2002</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/battlefield-of-mind\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>SKIN</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2000</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/skin\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Orchard of Home-grown Secrets</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>1998</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/orchard-of-home-grown-screts\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\">&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n<td>\r\n\r\n<!-- Start of Other Publications -->\r\n<span class=\"pubstrong\" style=\"color:#000000;\">BOOKS/  CATALOGUES </span><br/><br/><span class=\"pubstrong\">Reena Saini Kallat, </span> 2009<span>\r\nText: Nancy Adajania and Murtaza Vali \r\nPublisher: Primo Marella Gallery, Walsh Gallery and Chemould Prescott Road \r\nISBN: 978-81-908879-1-5 </span>\r\n\r\n<span class=\"pubstrong\">Rainbow of Refuse, </span>2006<span>\r\nText: Nancy Adajania\r\nPublisher: Bodhi Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Black Flute (and other stories), </span>2005\r\n<span class=\"pubstrong\">Black Flute,</span> 2004<span>\r\nText: Nancy Adajania\r\nPublisher: Gallery Chemould and Nature Morte Gallery</span>>\r\n\r\n<span class=\"pubstrong\">The Battlefield is the Mind, </span>2002<span>\r\nText: Nancy Adajania\r\nPublisher: Sakshi Gallery</span>\r\n\r\n<span class=\"pubstrong\">Skin, </span>2000<span>\r\nInterview with Jitish Kallat\r\nPublisher: Gallery Chemould and Vis-à-vis Art Inc. Gallery</span>\r\n\r\n<span class=\"pubstrong\">Orchard of home-grown secrets, </span>1998<span>\r\nText: Ranjit Hoskote \r\nPublisher: Gallery Chemould and Pundole Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">The Khoj Book, </span>2010<span>\r\nInterview with Shilpa Gupta\r\nPublisher: HarperCollins\r\nISBN: 9788172236878</span>\r\n\r\n<span class=\"pubstrong\">Never Run Away, </span>2010<span>\r\nText: Shaheen Merali\r\nPublisher: Stux Gallery</span>\r\n\r\n<span class=\"pubstrong\">Urban Manners 2, </span>2010<span>\r\nText: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\nPublisher: SESC Pompeia, Sao Paulo </span>\r\n\r\n<span class=\"pubstrong\">The Empire Strikes Back, </span>2010<span>\r\nText: Zehra Jumabhoy\r\nPublisher: Saatchi Gallery      \r\nISBN: 9780224089494\r\n</span>\r\n\r\n<span class=\"pubstrong\">Viewpoints & viewings points- Asian Art Biennale, </span>2009<span>\r\nText: Chao-yi-Tsai \r\nPublisher: National Taiwan Museum of fine Arts\r\nISBN: 978-986-02-0269-4</span>\r\n\r\n<span class=\"pubstrong\">India Xianzai: Contemporary Indian Art, </span>2009<span>\r\nText: Jitish Kallat, Diana Freundl, Alexander Keefe\r\nPublisher: Museum of Contemporary Art</span>\r\n\r\n<span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2009<span>\r\nText: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki, \r\nMiho Tagomori \r\nPublisher: Prestel, National Museum of Contemporary Art and Essl Museum \r\nISBN: 978-3-7913-4304-4</span>\r\n\r\n<span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2008<span>\r\nText: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman   \r\nGopinath, Jayaram, Deepak Ananth    \r\nPublisher: Mori Art Museum\r\nISBN: 978-4-902819-21-2</span>\r\n\r\n<span class=\"pubstrong\">India Moderna, </span>2008<span>\r\nText: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur, \r\nR. Siva Kumar, K.G. Subramanyan\r\nPublisher: IVAM (Institute Valencia D’Art Modern)\r\nISBN: 978-84-482-5104-8</span>\r\n\r\n<span class=\"pubstrong\">Everywhere is War (and rumours of it),</span>)2008<span>\r\nText: Kai Hafez, Martin Hager, Nicholas Mirzoeff, Daniel Miller, \r\nBregje van Eekelen      \r\nPublisher: Bodhi Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Three Points of Views, </span>2008<span>\r\nText: Grant Watson\r\nPublisher: Galerie Mirchandani + Steinruecke</span>\r\n\r\n<span class=\"pubstrong\">New Narratives: Contemporary Art from India, </span>2008<span>\r\nText: Betty Seid with contributions by Johan Pijnappel\r\nPublisher: Mapin Publication in association with Chicago Cultural Center  \r\nISBN: 978-1-890206-08-6</span>\r\n\r\n<span class=\"pubstrong\">Made by Indians, </span>2007<span>\r\nText: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\nPublisher: Galerie Enrico Navarra\r\nISBN: 2-911596-37-4</span>\r\n\r\n<span class=\"pubstrong\">Thermocline of Art: New Asian Waves, </span>2007<span>\r\nText:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong\r\nPublisher: Hatje Cantz Vertag\r\nISBN: 978-3-7757-2073-1\r\nEAN: 9782911596377</span>\r\n\r\n<span class=\"pubstrong\">Indian Colour, </span>2007<span>\r\nText: Peter Nagy\r\nPublisher: Dal- seung Hwang, Keumsan Gallery</span>\r\n\r\n<span class=\"pubstrong\">India Arte Oggi, </span>2007<span>\r\nText:  Daniela Palazzoli\r\nPublisher: Spazio Oberdan\r\nISBN: 978-88-202-1867-6</span>\r\n\r\n<span class=\"pubstrong\">Urban Manners, </span>2007<span>\r\nText: Adelina Von Furstenberg and Nancy Adajania\r\nPublisher: Hangar Bicocca</span>\r\n\r\n<span class=\"pubstrong\">International Incheon Women Artists’ Biennale,</span>\r\n<span class=\"pubstrong\">Knocking on the Door, </span>2007<span>\r\nText: Sung Hee Kim, John C. Welchman\r\nPublisher: Incheon Culture and Art Centre</span>\r\n\r\n<span class=\"pubstrong\">Soft Power: Asian Attitude, </span>2007<span>\r\nText: Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\nPublisher: Shanghai Zendai Mumsem of Modern Art\r\nISBN: 978-7-5356-2790-2</span>\r\n\r\n<span class=\"pubstrong\">India Express- Art and Popular Culture, </span>2006<span>\r\nText: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze\r\nPublisher: Helsinki City Art Museum\r\nISBN: 951-8965-61-7</span>\r\n\r\n<span class=\"pubstrong\">Bombay L’album Maximum City, </span>2006<span>\r\nText: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\nPublisher: Terrail, Lille 3000\r\nISBN: 2-87939-325-6</span>\r\n\r\n<span class=\"pubstrong\">Indian Paintings of the New Millennium, </span>2005<span>\r\nText: Helen Asquine  Fazio, Gayatri Sinha\r\nPublisher: Quick Arts Center, Fairfield University</span>\r\n\r\n<span class=\"pubstrong\">A Guide to 101 Modern & Contemporary Indian Artists, </span>2005<span>\r\nText: Amrita Jhaveri\r\nPublisher: India Book House\r\nISBN: 81-7508-423-5</span>\r\n\r\n<span class=\"pubstrong\">Zoom! Art in Contemporary India, </span>2004<span>\r\nTexts: Luis Serpa and Nancy Adajania\r\nPublisher: The Culturgest Museum\r\nISBN: 972-769-033-5</span>\r\n\r\n<span class=\"pubstrong\">Interlude in Sri Lanka, </span>2004<span>\r\nText: Ranjit Hoskote and Nancy Adajania\r\nPublisher: The Guild Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Generation I, </span>2004<span>\r\nText: Zehra Jumabhoy\r\nPublisher: Saffronart & The Guild Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Tiranga Rights and Reponsibilities, </span>2003<span>\r\nText: Peter Nagy\r\nPublisher: Jindal Foundation & Creative Arts</span>\r\n\r\n<span class=\"pubstrong\">Hard Copy, </span>2003<span>\r\nText: Peter Nagy\r\nPublisher: Galerie 88</span>\r\n\r\n<span class=\"pubstrong\">Crossing Generations: diVERGE, </span>2003<span>\r\nText: Geeta Kapoor and Chaitanya Sambrani\r\nPublisher: Gallery Chemould</span>\r\n\r\n\r\n<span class=\"pubstrong\" style=\"color:#000000;\">Press/publications</span>\r\n\r\n<span class=\"pubstrong\">The Archives of the Heart</span><span>\r\nNancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\nFront Cover, pgs 42-45, 2009</span>\r\n\r\n<span class=\"pubstrong\">Globale Kunst Mit Wurzelduft</span><span>\r\nVon Almuth Speigler, Die Presse, Feuilleton, 2nd September 2009</span>\r\n\r\n<span class=\"pubstrong\">Landscapes of Loss</span><span>\r\nBeth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009</span>\r\n\r\n<span class=\"pubstrong\">Reincarnating History</span><span>\r\nThe Big Picture, Architect and Interiors, July 2009</span>\r\n\r\n<span class=\"pubstrong\">Stamp Collection</span><span>\r\nGeorgina Maddox, The Sunday Express, 17th May 2009</span>\r\n\r\n<span class=\"pubstrong\">Evolving Beyond Borders</span><span>\r\nReshma S. Kulkarni, Bombay Times, Times of India, 15th January, 2009</span>\r\n\r\n<span class=\"pubstrong\">Loss and Found</span><span>\r\nMarina Correa, DNA, Mumbai, 22nd January 2009</span>\r\n\r\n<span class=\"pubstrong\">Focus India</span><span>\r\nMegha Ralapati, Flash Art, pg 114, January-February 2008</span>\r\n\r\n<span class=\"pubstrong\">Come Together Right Now</span><span>\r\nReema Gehi, HT Café, 15th February 2008</span>\r\n\r\n<span class=\"pubstrong\">Such a Long Journey</span><span>\r\nAparna S Sharma, Elle Magazine, pgs 115-117, February 2008</span>\r\n\r\n<span class=\"pubstrong\">More than a Woman</span><span>\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 4th February 2008</span>\r\n\r\n<span class=\"pubstrong\">Artist of the Fortnight</span><span>\r\nMaria Louis, Outlook Profit, pg 79, 18th April 2008</span>\r\n\r\n<span class=\"pubstrong\">Deja View</span><span>\r\nTara Khilachand, Live Mint, 20th December 2008</span>\r\n\r\n<span class=\"pubstrong\">Terror struck</span><span>\r\nMaria Louis, Outlook Profit, 26th December 2008</span>\r\n\r\n<span class=\"pubstrong\">Name calling</span><span>\r\nDeepanjana Pal, Timeout Mumbai, December 2008</span>\r\n\r\n<span class=\"pubstrong\">Corruptions of Power</span><span>Shiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99, 2007</span>\r\n\r\n<span class=\"pubstrong\">Over the Rainbow</span><span>\r\nMaria Louis, Interview, Verve Magazine, pg 78, November 2006</span>\r\n\r\n<span class=\"pubstrong\">In a State of Perennial Siege</span><span>\r\nNancy Adajania, The Hindu, Hyderabad, 29th October 2006</span>\r\n\r\n<span class=\"pubstrong\">Her Crowning Achievement</span><span>\r\nClara Chow, The Straits Times, 18th November 2006</span>\r\n\r\n<span class=\"pubstrong\">Political Chaos</span><span>\r\nDeepali Nandwani, Beautiful people, pg 143, November-December 2006</span>\r\n\r\n<span class=\"pubstrong\">Weapons of Mass Construction</span><span>\r\nRituparna Som, DNA after Hrs, Mumbai, 9th October, 2006</span>\r\n\r\n<span class=\"pubstrong\">Guns and Roses</span>><span>\r\nRachna Nakra, The Indian Express, Mumbai Newsline, 18th September 2006</span>\r\n\r\n<span class=\"pubstrong\">Under Attack</span><span>\r\nGitanjali Dang, HT Mumbai, 22nd September 2006</span>\r\n\r\n<span class=\"pubstrong\">Time Traveller</span><span>\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 27th June 2006</span>\r\n\r\n<span class=\"pubstrong\">The Flower and the Sword</span><span>\r\nGirish Shahane, The Art News magazine of India, pg 93, volume X issue I, 2004</span>\r\n\r\n<span class=\"pubstrong\">India’s top 100 achievers</span><span>\r\nSociety Magazine, pg 137, December 2004</span>\r\n\r\n<span class=\"pubstrong\">Caught Between Demons</span><span>\r\nNancy Adajania, The Hindu, 19th December 2004</span>\r\n\r\n<span class=\"pubstrong\">En Reise Til India</span><span>\r\nHarald Flor, Dagbladet, Kultur, 2nd February 2003</span>\r\n\r\n<span class=\"pubstrong\">Signs of Resistance</span><span>\r\nNancy Adajania, The Hindu, 5th January 2003</span>\r\n\r\n<span class=\"pubstrong\">Of the Goddess and Demon in the Mind</span><span>\r\nDebbie Rodgers, Sunday edition Vijay Times, Bangalore, 5th January 2003</span>\r\n\r\n<span class=\"pubstrong\">Empathic Anger</span><span>\r\nMarta Jakimowicz, Deccan Herald, 23rd December 2002</span>\r\n\r\n<span class=\"pubstrong\">Mysore ek khoj</span>\r\nCross Fertilization of Culture, Interview in Star of Mysore, 27th October 2002</span>\r\n\r\n<span class=\"pubstrong\">Linking Islands</span><span>\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 15th February 2002</span>\r\n\r\n<span class=\"pubstrong\">Creating to Destroy</span><span>\r\nJasmine Shah Varma, The List, Mid Day, 22nd February 2002</span>\r\n\r\n<span class=\"pubstrong\">Different Strokes</span><span>\r\nGeorgina L Maddox, The Indian Express, Mumbai Newsline, 24th July 2002</span>\r\n\r\n<span class=\"pubstrong\">Of Faith and Hunger</span><span>\r\nAbhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89, December 2000</span>\r\n\r\n<span class=\"pubstrong\">The Murmur of Skin</span><span>\r\nNupur Mahajan, Bombay Times, Times of India, 12th October 2000</span>\r\n\r\n<span class=\"pubstrong\">Not just Skin Deep</span><span>\r\nJasmine Shah Varma, The List, Mid-day, 4th October 2000</span>\r\n\r\n<span class=\"pubstrong\">Inside Out</span><span>\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 11th October 2000</span>\r\n\r\n<span class=\"pubstrong\">Scintillating Skin</span><span>\r\nVaibhav Purandare, The Asian Age, 14th October 2000</span>\r\n\r\n<span class=\"pubstrong\">An Artist’s World: roti, makaan & abstract art</span><span>\r\nPoonam Goel, HT City, 23rd December 2000</span>\r\n\r\n<span class=\"pubstrong\">Within you, Without you</span><span>\r\nAnu Kumar, Indian Express, Express Newsline, 2nd September 1998\r\n\r\n<span class=\"pubstrong\">Farming Intrirue</span><span>\r\nJerry Pinto, The Times of India, Bombay Times, 3rd September 1998</span>\r\n\r\n<span class=\"pubstrong\">Interactive Medium</span><span>\r\nKaren Pereira, Indian Architect & Builder, pgs 102-104, October 1998</span>\r\n\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>','Publications','','inherit','open','open','','87-revision-80','','','2010-07-04 13:38:44','2010-07-04 13:38:44','',87,'http://www.biggventures.com/demo/artists/1367/uncat/87-revision-80',0,'revision','',0),(1373,1,'2010-07-04 14:09:58','2010-07-04 14:09:58','<table style=\"margin-left: 5px;\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\" width=\"58%\" align=\"centre\">\r\n<tbody>\r\n<tr>\r\n<td width=\"35%\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Reena Saini Kallat, </span> 2009<span>\r\nText: Nancy Adajania and Murtaza Vali \r\nPublisher: Primo Marella Gallery, Walsh Gallery and Chemould Prescott Road \r\nISBN: 978-81-908879-1-5 </span>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/reena-kallat\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Rainbow of Refuse, </span>2006<span>\r\nText: Nancy Adajania\r\nPublisher: Bodhi Art Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/rainbow-of-refuse\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Black Flute (and other stories), </span>2005\r\n<span class=\"pubstrong\">Black Flute,</span> 2004<span>\r\nText: Nancy Adajania\r\nPublisher: Gallery Chemould and Nature Morte Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/black-flute\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">The Battlefield is the Mind, </span>2002<span>\r\nText: Nancy Adajania\r\nPublisher: Sakshi Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/battlefield-of-mind\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Skin, </span>2000<span>\r\nInterview with Jitish Kallat\r\nPublisher: Gallery Chemould and Vis-à-vis Art Inc. Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/skin\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Orchard of home-grown secrets, </span>1998<span>\r\nText: Ranjit Hoskote \r\nPublisher: Gallery Chemould and Pundole Art Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/orchard-of-home-grown-screts\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\">&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n<td>\r\n\r\n<!-- Start of Other Publications -->\r\n<span class=\"pubstrong\" style=\"color:#000000;\">BOOKS/  CATALOGUES </span><br/><br/>\r\n<!--<span class=\"pubstrong\">Reena Saini Kallat, </span> 2009<span>\r\nText: Nancy Adajania and Murtaza Vali \r\nPublisher: Primo Marella Gallery, Walsh Gallery and Chemould Prescott Road \r\nISBN: 978-81-908879-1-5 </span>\r\n\r\n<span class=\"pubstrong\">Rainbow of Refuse, </span>2006<span>\r\nText: Nancy Adajania\r\nPublisher: Bodhi Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Black Flute (and other stories), </span>2005\r\n<span class=\"pubstrong\">Black Flute,</span> 2004<span>\r\nText: Nancy Adajania\r\nPublisher: Gallery Chemould and Nature Morte Gallery</span>\r\n\r\n<span class=\"pubstrong\">The Battlefield is the Mind, </span>2002<span>\r\nText: Nancy Adajania\r\nPublisher: Sakshi Gallery</span>\r\n\r\n<span class=\"pubstrong\">Skin, </span>2000<span>\r\nInterview with Jitish Kallat\r\nPublisher: Gallery Chemould and Vis-à-vis Art Inc. Gallery</span>\r\n\r\n<span class=\"pubstrong\">Orchard of home-grown secrets, </span>1998<span>\r\nText: Ranjit Hoskote \r\nPublisher: Gallery Chemould and Pundole Art Gallery</span>-->\r\n\r\n<span class=\"pubstrong\">The Khoj Book, </span>2010<span>\r\nInterview with Shilpa Gupta\r\nPublisher: HarperCollins\r\nISBN: 9788172236878</span>\r\n\r\n<span class=\"pubstrong\">Never Run Away, </span>2010<span>\r\nText: Shaheen Merali\r\nPublisher: Stux Gallery</span>\r\n\r\n<span class=\"pubstrong\">Urban Manners 2, </span>2010<span>\r\nText: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\nPublisher: SESC Pompeia, Sao Paulo </span>\r\n\r\n<span class=\"pubstrong\">The Empire Strikes Back, </span>2010<span>\r\nText: Zehra Jumabhoy\r\nPublisher: Saatchi Gallery      \r\nISBN: 9780224089494\r\n</span>\r\n\r\n<span class=\"pubstrong\">Viewpoints & viewings points- Asian Art Biennale, </span>2009<span>\r\nText: Chao-yi-Tsai \r\nPublisher: National Taiwan Museum of fine Arts\r\nISBN: 978-986-02-0269-4</span>\r\n\r\n<span class=\"pubstrong\">India Xianzai: Contemporary Indian Art, </span>2009<span>\r\nText: Jitish Kallat, Diana Freundl, Alexander Keefe\r\nPublisher: Museum of Contemporary Art</span>\r\n\r\n<span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2009<span>\r\nText: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki, \r\nMiho Tagomori \r\nPublisher: Prestel, National Museum of Contemporary Art and Essl Museum \r\nISBN: 978-3-79','Publications','','inherit','open','open','','87-revision-86','','','2010-07-04 14:09:58','2010-07-04 14:09:58','',87,'http://www.biggventures.com/demo/artists/1373/uncat/87-revision-86',0,'revision','',0),(1369,1,'2010-07-04 13:54:45','2010-07-04 13:54:45','<table style=\"margin-left: 5px;\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\" width=\"58%\" align=\"centre\">\r\n<tbody>\r\n<tr>\r\n<td width=\"35%\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Reena Saini Kallat, </span> 2009<span>\r\nText: Nancy Adajania and Murtaza Vali \r\nPublisher: Primo Marella Gallery, Walsh Gallery and Chemould Prescott Road \r\nISBN: 978-81-908879-1-5 </span>\r\n</td>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/reena-kallat\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Rainbow of Refuse</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2006</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/rainbow-of-refuse\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Black Flute and Other Stories</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2004</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/black-flute\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>The Battlefield Is The Mind</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2002</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/battlefield-of-mind\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>SKIN</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2000</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/skin\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Orchard of Home-grown Secrets</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>1998</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/orchard-of-home-grown-screts\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\">&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n<td>\r\n\r\n<!-- Start of Other Publications -->\r\n<span class=\"pubstrong\" style=\"color:#000000;\">BOOKS/  CATALOGUES </span><br/><br/><!--<span class=\"pubstrong\">Reena Saini Kallat, </span> 2009<span>\r\nText: Nancy Adajania and Murtaza Vali \r\nPublisher: Primo Marella Gallery, Walsh Gallery and Chemould Prescott Road \r\nISBN: 978-81-908879-1-5 </span>-->\r\n\r\n<span class=\"pubstrong\">Rainbow of Refuse, </span>2006<span>\r\nText: Nancy Adajania\r\nPublisher: Bodhi Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Black Flute (and other stories), </span>2005\r\n<span class=\"pubstrong\">Black Flute,</span> 2004<span>\r\nText: Nancy Adajania\r\nPublisher: Gallery Chemould and Nature Morte Gallery</span>>\r\n\r\n<span class=\"pubstrong\">The Battlefield is the Mind, </span>2002<span>\r\nText: Nancy Adajania\r\nPublisher: Sakshi Gallery</span>\r\n\r\n<span class=\"pubstrong\">Skin, </span>2000<span>\r\nInterview with Jitish Kallat\r\nPublisher: Gallery Chemould and Vis-à-vis Art Inc. Gallery</span>\r\n\r\n<span class=\"pubstrong\">Orchard of home-grown secrets, </span>1998<span>\r\nText: Ranjit Hoskote \r\nPublisher: Gallery Chemould and Pundole Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">The Khoj Book, </span>2010<span>\r\nInterview with Shilpa Gupta\r\nPublisher: HarperCollins\r\nISBN: 9788172236878</span>\r\n\r\n<span class=\"pubstrong\">Never Run Away, </span>2010<span>\r\nText: Shaheen Merali\r\nPublisher: Stux Gallery</span>\r\n\r\n<span class=\"pubstrong\">Urban Manners 2, </span>2010<span>\r\nText: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\nPublisher: SESC Pompeia, Sao Paulo </span>\r\n\r\n<span class=\"pubstrong\">The Empire Strikes Back, </span>2010<span>\r\nText: Zehra Jumabhoy\r\nPublisher: Saatchi Gallery      \r\nISBN: 9780224089494\r\n</span>\r\n\r\n<span class=\"pubstrong\">Viewpoints & viewings points- Asian Art Biennale, </span>2009<span>\r\nText: Chao-yi-Tsai \r\nPublisher: National Taiwan Museum of fine Arts\r\nISBN: 978-986-02-0269-4</span>\r\n\r\n<span class=\"pubstrong\">India Xianzai: Contemporary Indian Art, </span>2009<span>\r\nText: Jitish Kallat, Diana Freundl, Alexander Keefe\r\nPublisher: Museum of Contemporary Art</span>\r\n\r\n<span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2009<span>\r\nText: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki, \r\nMiho Tagomori \r\nPublisher: Prestel, National Museum of Contemporary Art and Essl Museum \r\nISBN: 978-3-7913-4304-4</span>\r\n\r\n<span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2008<span>\r\nText: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman   \r\nGopinath, Jayaram, Deepak Ananth    \r\nPublisher: Mori Art Museum\r\nISBN: 978-4-902819-21-2</span>\r\n\r\n<span class=\"pubstrong\">India Moderna, </span>2008<span>\r\nText: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur, \r\nR. Siva Kumar, K.G. Subramanyan\r\nPublisher: IVAM (Institute Valencia D’Art Modern)\r\nISBN: 978-84-482-5104-8</span>\r\n\r\n<span class=\"pubstrong\">Everywhere is War (and rumours of it),</span>)2008<span>\r\nText: Kai Hafez, Martin Hager, Nicholas Mirzoeff, Daniel Miller, \r\nBregje van Eekelen      \r\nPublisher: Bodhi Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Three Points of Views, </span>2008<span>\r\nText: Grant Watson\r\nPublisher: Galerie Mirchandani + Steinruecke</span>\r\n\r\n<span class=\"pubstrong\">New Narratives: Contemporary Art from India, </span>2008<span>\r\nText: Betty Seid with contributions by Johan Pijnappel\r\nPublisher: Mapin Publication in association with Chicago Cultural Center  \r\nISBN: 978-1-890206-08-6</span>\r\n\r\n<span class=\"pubstrong\">Made by Indians, </span>2007<span>\r\nText: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\nPublisher: Galerie Enrico Navarra\r\nISBN: 2-911596-37-4</span>\r\n\r\n<span class=\"pubstrong\">Thermocline of Art: New Asian Waves, </span>2007<span>\r\nText:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong\r\nPublisher: Hatje Cantz Vertag\r\nISBN: 978-3-7757-2073-1\r\nEAN: 9782911596377</span>\r\n\r\n<span class=\"pubstrong\">Indian Colour, </span>2007<span>\r\nText: Peter Nagy\r\nPublisher: Dal- seung Hwang, Keumsan Gallery</span>\r\n\r\n<span class=\"pubstrong\">India Arte Oggi, </span>2007<span>\r\nText:  Daniela Palazzoli\r\nPublisher: Spazio Oberdan\r\nISBN: 978-88-202-1867-6</span>\r\n\r\n<span class=\"pubstrong\">Urban Manners, </span>2007<span>\r\nText: Adelina Von Furstenberg and Nancy Adajania\r\nPublisher: Hangar Bicocca</span>\r\n\r\n<span class=\"pubstrong\">International Incheon Women Artists’ Biennale,</span>\r\n<span class=\"pubstrong\">Knocking on the Door, </span>2007<span>\r\nText: Sung Hee Kim, John C. Welchman\r\nPublisher: Incheon Culture and Art Centre</span>\r\n\r\n<span class=\"pubstrong\">Soft Power: Asian Attitude, </span>2007<span>\r\nText: Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\nPublisher: Shanghai Zendai Mumsem of Modern Art\r\nISBN: 978-7-5356-2790-2</span>\r\n\r\n<span class=\"pubstrong\">India Express- Art and Popular Culture, </span>2006<span>\r\nText: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze\r\nPublisher: Helsinki City Art Museum\r\nISBN: 951-8965-61-7</span>\r\n\r\n<span class=\"pubstrong\">Bombay L’album Maximum City, </span>2006<span>\r\nText: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\nPublisher: Terrail, Lille 3000\r\nISBN: 2-87939-325-6</span>\r\n\r\n<span class=\"pubstrong\">Indian Paintings of the New Millennium, </span>2005<span>\r\nText: Helen Asquine  Fazio, Gayatri Sinha\r\nPublisher: Quick Arts Center, Fairfield University</span>\r\n\r\n<span class=\"pubstrong\">A Guide to 101 Modern & Contemporary Indian Artists, </span>2005<span>\r\nText: Amrita Jhaveri\r\nPublisher: India Book House\r\nISBN: 81-7508-423-5</span>\r\n\r\n<span class=\"pubstrong\">Zoom! Art in Contemporary India, </span>2004<span>\r\nTexts: Luis Serpa and Nancy Adajania\r\nPublisher: The Culturgest Museum\r\nISBN: 972-769-033-5</span>\r\n\r\n<span class=\"pubstrong\">Interlude in Sri Lanka, </span>2004<span>\r\nText: Ranjit Hoskote and Nancy Adajania\r\nPublisher: The Guild Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Generation I, </span>2004<span>\r\nText: Zehra Jumabhoy\r\nPublisher: Saffronart & The Guild Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Tiranga Rights and Reponsibilities, </span>2003<span>\r\nText: Peter Nagy\r\nPublisher: Jindal Foundation & Creative Arts</span>\r\n\r\n<span class=\"pubstrong\">Hard Copy, </span>2003<span>\r\nText: Peter Nagy\r\nPublisher: Galerie 88</span>\r\n\r\n<span class=\"pubstrong\">Crossing Generations: diVERGE, </span>2003<span>\r\nText: Geeta Kapoor and Chaitanya Sambrani\r\nPublisher: Gallery Chemould</span>\r\n\r\n\r\n<span class=\"pubstrong\" style=\"color:#000000;\">Press/publications</span>\r\n\r\n<span class=\"pubstrong\">The Archives of the Heart</span><span>\r\nNancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\nFront Cover, pgs 42-45, 2009</span>\r\n\r\n<span class=\"pubstrong\">Globale Kunst Mit Wurzelduft</span><span>\r\nVon Almuth Speigler, Die Presse, Feuilleton, 2nd September 2009</span>\r\n\r\n<span class=\"pubstrong\">Landscapes of Loss</span><span>\r\nBeth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009</span>\r\n\r\n<span class=\"pubstrong\">Reincarnating History</span><span>\r\nThe Big Picture, Architect and Interiors, July 2009</span>\r\n\r\n<span class=\"pubstrong\">Stamp Collection</span><span>\r\nGeorgina Maddox, The Sunday Express, 17th May 2009</span>\r\n\r\n<span class=\"pubstrong\">Evolving Beyond Borders</span><span>\r\nReshma S. Kulkarni, Bombay Times, Times of India, 15th January, 2009</span>\r\n\r\n<span class=\"pubstrong\">Loss and Found</span><span>\r\nMarina Correa, DNA, Mumbai, 22nd January 2009</span>\r\n\r\n<span class=\"pubstrong\">Focus India</span><span>\r\nMegha Ralapati, Flash Art, pg 114, January-February 2008</span>\r\n\r\n<span class=\"pubstrong\">Come Together Right Now</span><span>\r\nReema Gehi, HT Café, 15th February 2008</span>\r\n\r\n<span class=\"pubstrong\">Such a Long Journey</span><span>\r\nAparna S Sharma, Elle Magazine, pgs 115-117, February 2008</span>\r\n\r\n<span class=\"pubstrong\">More than a Woman</span><span>\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 4th February 2008</span>\r\n\r\n<span class=\"pubstrong\">Artist of the Fortnight</span><span>\r\nMaria Louis, Outlook Profit, pg 79, 18th April 2008</span>\r\n\r\n<span class=\"pubstrong\">Deja View</span><span>\r\nTara Khilachand, Live Mint, 20th December 2008</span>\r\n\r\n<span class=\"pubstrong\">Terror struck</span><span>\r\nMaria Louis, Outlook Profit, 26th December 2008</span>\r\n\r\n<span class=\"pubstrong\">Name calling</span><span>\r\nDeepanjana Pal, Timeout Mumbai, December 2008</span>\r\n\r\n<span class=\"pubstrong\">Corruptions of Power</span><span>Shiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99, 2007</span>\r\n\r\n<span class=\"pubstrong\">Over the Rainbow</span><span>\r\nMaria Louis, Interview, Verve Magazine, pg 78, November 2006</span>\r\n\r\n<span class=\"pubstrong\">In a State of Perennial Siege</span><span>\r\nNancy Adajania, The Hindu, Hyderabad, 29th October 2006</span>\r\n\r\n<span class=\"pubstrong\">Her Crowning Achievement</span><span>\r\nClara Chow, The Straits Times, 18th November 2006</span>\r\n\r\n<span class=\"pubstrong\">Political Chaos</span><span>\r\nDeepali Nandwani, Beautiful people, pg 143, November-December 2006</span>\r\n\r\n<span class=\"pubstrong\">Weapons of Mass Construction</span><span>\r\nRituparna Som, DNA after Hrs, Mumbai, 9th October, 2006</span>\r\n\r\n<span class=\"pubstrong\">Guns and Roses</span>><span>\r\nRachna Nakra, The Indian Express, Mumbai Newsline, 18th September 2006</span>\r\n\r\n<span class=\"pubstrong\">Under Attack</span><span>\r\nGitanjali Dang, HT Mumbai, 22nd September 2006</span>\r\n\r\n<span class=\"pubstrong\">Time Traveller</span><span>\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 27th June 2006</span>\r\n\r\n<span class=\"pubstrong\">The Flower and the Sword</span><span>\r\nGirish Shahane, The Art News magazine of India, pg 93, volume X issue I, 2004</span>\r\n\r\n<span class=\"pubstrong\">India’s top 100 achievers</span><span>\r\nSociety Magazine, pg 137, December 2004</span>\r\n\r\n<span class=\"pubstrong\">Caught Between Demons</span><span>\r\nNancy Adajania, The Hindu, 19th December 2004</span>\r\n\r\n<span class=\"pubstrong\">En Reise Til India</span><span>\r\nHarald Flor, Dagbladet, Kultur, 2nd February 2003</span>\r\n\r\n<span class=\"pubstrong\">Signs of Resistance</span><span>\r\nNancy Adajania, The Hindu, 5th January 2003</span>\r\n\r\n<span class=\"pubstrong\">Of the Goddess and Demon in the Mind</span><span>\r\nDebbie Rodgers, Sunday edition Vijay Times, Bangalore, 5th January 2003</span>\r\n\r\n<span class=\"pubstrong\">Empathic Anger</span><span>\r\nMarta Jakimowicz, Deccan Herald, 23rd December 2002</span>\r\n\r\n<span class=\"pubstrong\">Mysore ek khoj</span>\r\nCross Fertilization of Culture, Interview in Star of Mysore, 27th October 2002</span>\r\n\r\n<span class=\"pubstrong\">Linking Islands</span><span>\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 15th February 2002</span>\r\n\r\n<span class=\"pubstrong\">Creating to Destroy</span><span>\r\nJasmine Shah Varma, The List, Mid Day, 22nd February 2002</span>\r\n\r\n<span class=\"pubstrong\">Different Strokes</span><span>\r\nGeorgina L Maddox, The Indian Express, Mumbai Newsline, 24th July 2002</span>\r\n\r\n<span class=\"pubstrong\">Of Faith and Hunger</span><span>\r\nAbhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89, December 2000</span>\r\n\r\n<span class=\"pubstrong\">The Murmur of Skin</span><span>\r\nNupur Mahajan, Bombay Times, Times of India, 12th October 2000</span>\r\n\r\n<span class=\"pubstrong\">Not just Skin Deep</span><span>\r\nJasmine Shah Varma, The List, Mid-day, 4th October 2000</span>\r\n\r\n<span class=\"pubstrong\">Inside Out</span><span>\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 11th October 2000</span>\r\n\r\n<span class=\"pubstrong\">Scintillating Skin</span><span>\r\nVaibhav Purandare, The Asian Age, 14th October 2000</span>\r\n\r\n<span class=\"pubstrong\">An Artist’s World: roti, makaan & abstract art</span><span>\r\nPoonam Goel, HT City, 23rd December 2000</span>\r\n\r\n<span class=\"pubstrong\">Within you, Without you</span><span>\r\nAnu Kumar, Indian Express, Express Newsline, 2nd September 1998\r\n\r\n<span class=\"pubstrong\">Farming Intrirue</span><span>\r\nJerry Pinto, The Times of India, Bombay Times, 3rd September 1998</span>\r\n\r\n<span class=\"pubstrong\">Interactive Medium</span><span>\r\nKaren Pereira, Indian Architect & Builder, pgs 102-104, October 1998</span>\r\n\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>','Publications','','inherit','open','open','','87-revision-82','','','2010-07-04 13:54:45','2010-07-04 13:54:45','',87,'http://www.biggventures.com/demo/artists/1369/uncat/87-revision-82',0,'revision','',0),(1370,1,'2010-07-04 14:04:01','2010-07-04 14:04:01','<table style=\"margin-left: 5px;\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\" width=\"58%\" align=\"centre\">\r\n<tbody>\r\n<tr>\r\n<td width=\"35%\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Reena Saini Kallat, </span> 2009<span>\r\nText: Nancy Adajania and Murtaza Vali \r\nPublisher: Primo Marella Gallery, Walsh Gallery and Chemould Prescott Road \r\nISBN: 978-81-908879-1-5 </span>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/reena-kallat\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Rainbow of Refuse, </span>2006<span>\r\nText: Nancy Adajania\r\nPublisher: Bodhi Art Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/rainbow-of-refuse\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Black Flute (and other stories), </span>2005\r\n<span class=\"pubstrong\">Black Flute,</span> 2004<span>\r\nText: Nancy Adajania\r\nPublisher: Gallery Chemould and Nature Morte Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/black-flute\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">The Battlefield is the Mind, </span>2002<span>\r\nText: Nancy Adajania\r\nPublisher: Sakshi Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/battlefield-of-mind\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Skin, </span>2000<span>\r\nInterview with Jitish Kallat\r\nPublisher: Gallery Chemould and Vis-à-vis Art Inc. Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/skin\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Orchard of home-grown secrets, </span>1998<span>\r\nText: Ranjit Hoskote \r\nPublisher: Gallery Chemould and Pundole Art Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/orchard-of-home-grown-screts\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\">&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n<td>\r\n\r\n<!-- Start of Other Publications -->\r\n<span class=\"pubstrong\" style=\"color:#000000;\">BOOKS/  CATALOGUES </span><br/><br/><!--<span class=\"pubstrong\">Reena Saini Kallat, </span> 2009<span>\r\nText: Nancy Adajania and Murtaza Vali \r\nPublisher: Primo Marella Gallery, Walsh Gallery and Chemould Prescott Road \r\nISBN: 978-81-908879-1-5 </span>-->\r\n\r\n<!--<span class=\"pubstrong\">Rainbow of Refuse, </span>2006<span>\r\nText: Nancy Adajania\r\nPublisher: Bodhi Art Gallery</span>-->\r\n\r\n<!--<span class=\"pubstrong\">Black Flute (and other stories), </span>2005\r\n<span class=\"pubstrong\">Black Flute,</span> 2004<span>\r\nText: Nancy Adajania\r\nPublisher: Gallery Chemould and Nature Morte Gallery</span>-->\r\n\r\n<!--<span class=\"pubstrong\">The Battlefield is the Mind, </span>2002<span>\r\nText: Nancy Adajania\r\nPublisher: Sakshi Gallery</span>-->\r\n\r\n<!--<span class=\"pubstrong\">Skin, </span>2000<span>\r\nInterview with Jitish Kallat\r\nPublisher: Gallery Chemould and Vis-à-vis Art Inc. Gallery</span>-->\r\n\r\n<!--<span class=\"pubstrong\">Orchard of home-grown secrets, </span>1998<span>\r\nText: Ranjit Hoskote \r\nPublisher: Gallery Chemould and Pundole Art Gallery</span>-->\r\n\r\n<span class=\"pubstrong\">The Khoj Book, </span>2010<span>\r\nInterview with Shilpa Gupta\r\nPublisher: HarperCollins\r\nISBN: 9788172236878</span>\r\n\r\n<span class=\"pubstrong\">Never Run Away, </span>2010<span>\r\nText: Shaheen Merali\r\nPublisher: Stux Gallery</span>\r\n\r\n<span class=\"pubstrong\">Urban Manners 2, </span>2010<span>\r\nText: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\nPublisher: SESC Pompeia, Sao Paulo </span>\r\n\r\n<span class=\"pubstrong\">The Empire Strikes Back, </span>2010<span>\r\nText: Zehra Jumabhoy\r\nPublisher: Saatchi Gallery      \r\nISBN: 9780224089494\r\n</span>\r\n\r\n<span class=\"pubstrong\">Viewpoints & viewings points- Asian Art Biennale, </span>2009<span>\r\nText: Chao-yi-Tsai \r\nPublisher: National Taiwan Museum of fine Arts\r\nISBN: 978-986-02-0269-4</span>\r\n\r\n<span class=\"pubstrong\">India Xianzai: Contemporary Indian Art, </span>2009<span>\r\nText: Jitish Kallat, Diana Freundl, Alexander Keefe\r\nPublisher: Museum of Contemporary Art</span>\r\n\r\n<span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2009<span>\r\nText: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki, \r\nMiho Tagomori \r\nPublisher: Prestel, National Museum of Contemporary Art and Essl Museum \r\nISBN: 978-3-7913-4304-4</span>\r\n\r\n<span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2008<span>\r\nText: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman   \r\nGopinath, Jayaram, Deepak Ananth    \r\nPublisher: Mori Art Museum\r\nISBN: 978-4-902819-21-2</span>\r\n\r\n<span class=\"pubstrong\">India Moderna, </span>2008<span>\r\nText: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur, \r\nR. Siva Kumar, K.G. Subramanyan\r\nPublisher: IVAM (Institute Valencia D’Art Modern)\r\nISBN: 978-84-482-5104-8</span>\r\n\r\n<span class=\"pubstrong\">Everywhere is War (and rumours of it),</span>)2008<span>\r\nText: Kai Hafez, Martin Hager, Nicholas Mirzoeff, Daniel Miller, \r\nBregje van Eekelen      \r\nPublisher: Bodhi Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Three Points of Views, </span>2008<span>\r\nText: Grant Watson\r\nPublisher: Galerie Mirchandani + Steinruecke</span>\r\n\r\n<span class=\"pubstrong\">New Narratives: Contemporary Art from India, </span>2008<span>\r\nText: Betty Seid with contributions by Johan Pijnappel\r\nPublisher: Mapin Publication in association with Chicago Cultural Center  \r\nISBN: 978-1-890206-08-6</span>\r\n\r\n<span class=\"pubstrong\">Made by Indians, </span>2007<span>\r\nText: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\nPublisher: Galerie Enrico Navarra\r\nISBN: 2-911596-37-4</span>\r\n\r\n<span class=\"pubstrong\">Thermocline of Art: New Asian Waves, </span>2007<span>\r\nText:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong\r\nPublisher: Hatje Cantz Vertag\r\nISBN: 978-3-7757-2073-1\r\nEAN: 9782911596377</span>\r\n\r\n<span class=\"pubstrong\">Indian Colour, </span>2007<span>\r\nText: Peter Nagy\r\nPublisher: Dal- seung Hwang, Keumsan Gallery</span>\r\n\r\n<span class=\"pubstrong\">India Arte Oggi, </span>2007<span>\r\nText:  Daniela Palazzoli\r\nPublisher: Spazio Oberdan\r\nISBN: 978-88-202-1867-6</span>\r\n\r\n<span class=\"pubstrong\">Urban Manners, </span>2007<span>\r\nText: Adelina Von Furstenberg and Nancy Adajania\r\nPublisher: Hangar Bicocca</span>\r\n\r\n<span class=\"pubstrong\">International Incheon Women Artists’ Biennale,</span>\r\n<span class=\"pubstrong\">Knocking on the Door, </span>2007<span>\r\nText: Sung Hee Kim, John C. Welchman\r\nPublisher: Incheon Culture and Art Centre</span>\r\n\r\n<span class=\"pubstrong\">Soft Power: Asian Attitude, </span>2007<span>\r\nText: Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\nPublisher: Shanghai Zendai Mumsem of Modern Art\r\nISBN: 978-7-5356-2790-2</span>\r\n\r\n<span class=\"pubstrong\">India Express- Art and Popular Culture, </span>2006<span>\r\nText: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze\r\nPublisher: Helsinki City Art Museum\r\nISBN: 951-8965-61-7</span>\r\n\r\n<span class=\"pubstrong\">Bombay L’album Maximum City, </span>2006<span>\r\nText: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\nPublisher: Terrail, Lille 3000\r\nISBN: 2-87939-325-6</span>\r\n\r\n<span class=\"pubstrong\">Indian Paintings of the New Millennium, </span>2005<span>\r\nText: Helen Asquine  Fazio, Gayatri Sinha\r\nPublisher: Quick Arts Center, Fairfield University</span>\r\n\r\n<span class=\"pubstrong\">A Guide to 101 Modern & Contemporary Indian Artists, </span>2005<span>\r\nText: Amrita Jhaveri\r\nPublisher: India Book House\r\nISBN: 81-7508-423-5</span>\r\n\r\n<span class=\"pubstrong\">Zoom! Art in Contemporary India, </span>2004<span>\r\nTexts: Luis Serpa and Nancy Adajania\r\nPublisher: The Culturgest Museum\r\nISBN: 972-769-033-5</span>\r\n\r\n<span class=\"pubstrong\">Interlude in Sri Lanka, </span>2004<span>\r\nText: Ranjit Hoskote and Nancy Adajania\r\nPublisher: The Guild Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Generation I, </span>2004<span>\r\nText: Zehra Jumabhoy\r\nPublisher: Saffronart & The Guild Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Tiranga Rights and Reponsibilities, </span>2003<span>\r\nText: Peter Nagy\r\nPublisher: Jindal Foundation & Creative Arts</span>\r\n\r\n<span class=\"pubstrong\">Hard Copy, </span>2003<span>\r\nText: Peter Nagy\r\nPublisher: Galerie 88</span>\r\n\r\n<span class=\"pubstrong\">Crossing Generations: diVERGE, </span>2003<span>\r\nText: Geeta Kapoor and Chaitanya Sambrani\r\nPublisher: Gallery Chemould</span>\r\n\r\n\r\n<span class=\"pubstrong\" style=\"color:#000000;\">Press/publications</span>\r\n\r\n<span class=\"pubstrong\">The Archives of the Heart</span><span>\r\nNancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\nFront Cover, pgs 42-45, 2009</span>\r\n\r\n<span class=\"pubstrong\">Globale Kunst Mit Wurzelduft</span><span>\r\nVon Almuth Speigler, Die Presse, Feuilleton, 2nd September 2009</span>\r\n\r\n<span class=\"pubstrong\">Landscapes of Loss</span><span>\r\nBeth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009</span>\r\n\r\n<span class=\"pubstrong\">Reincarnating History</span><span>\r\nThe Big Picture, Architect and Interiors, July 2009</span>\r\n\r\n<span class=\"pubstrong\">Stamp Collection</span><span>\r\nGeorgina Maddox, The Sunday Express, 17th May 2009</span>\r\n\r\n<span class=\"pubstrong\">Evolving Beyond Borders</span><span>\r\nReshma S. Kulkarni, Bombay Times, Times of India, 15th January, 2009</span>\r\n\r\n<span class=\"pubstrong\">Loss and Found</span><span>\r\nMarina Correa, DNA, Mumbai, 22nd January 2009</span>\r\n\r\n<span class=\"pubstrong\">Focus India</span><span>\r\nMegha Ralapati, Flash Art, pg 114, January-February 2008</span>\r\n\r\n<span class=\"pubstrong\">Come Together Right Now</span><span>\r\nReema Gehi, HT Café, 15th February 2008</span>\r\n\r\n<span class=\"pubstrong\">Such a Long Journey</span><span>\r\nAparna S Sharma, Elle Magazine, pgs 115-117, February 2008</span>\r\n\r\n<span class=\"pubstrong\">More than a Woman</span><span>\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 4th February 2008</span>\r\n\r\n<span class=\"pubstrong\">Artist of the Fortnight</span><span>\r\nMaria Louis, Outlook Profit, pg 79, 18th April 2008</span>\r\n\r\n<span class=\"pubstrong\">Deja View</span><span>\r\nTara Khilachand, Live Mint, 20th December 2008</span>\r\n\r\n<span class=\"pubstrong\">Terror struck</span><span>\r\nMaria Louis, Outlook Profit, 26th December 2008</span>\r\n\r\n<span class=\"pubstrong\">Name calling</span><span>\r\nDeepanjana Pal, Timeout Mumbai, December 2008</span>\r\n\r\n<span class=\"pubstrong\">Corruptions of Power</span><span>Shiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99, 2007</span>\r\n\r\n<span class=\"pubstrong\">Over the Rainbow</span><span>\r\nMaria Louis, Interview, Verve Magazine, pg 78, November 2006</span>\r\n\r\n<span class=\"pubstrong\">In a State of Perennial Siege</span><span>\r\nNancy Adajania, The Hindu, Hyderabad, 29th October 2006</span>\r\n\r\n<span class=\"pubstrong\">Her Crowning Achievement</span><span>\r\nClara Chow, The Straits Times, 18th November 2006</span>\r\n\r\n<span class=\"pubstrong\">Political Chaos</span><span>\r\nDeepali Nandwani, Beautiful people, pg 143, November-December 2006</span>\r\n\r\n<span class=\"pubstrong\">Weapons of Mass Construction</span><span>\r\nRituparna Som, DNA after Hrs, Mumbai, 9th October, 2006</span>\r\n\r\n<span class=\"pubstrong\">Guns and Roses</span>><span>\r\nRachna Nakra, The Indian Express, Mumbai Newsline, 18th September 2006</span>\r\n\r\n<span class=\"pubstrong\">Under Attack</span><span>\r\nGitanjali Dang, HT Mumbai, 22nd September 2006</span>\r\n\r\n<span class=\"pubstrong\">Time Traveller</span><span>\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 27th June 2006</span>\r\n\r\n<span class=\"pubstrong\">The Flower and the Sword</span><span>\r\nGirish Shahane, The Art News magazine of India, pg 93, volume X issue I, 2004</span>\r\n\r\n<span class=\"pubstrong\">India’s top 100 achievers</span><span>\r\nSociety Magazine, pg 137, December 2004</span>\r\n\r\n<span class=\"pubstrong\">Caught Between Demons</span><span>\r\nNancy Adajania, The Hindu, 19th December 2004</span>\r\n\r\n<span class=\"pubstrong\">En Reise Til India</span><span>\r\nHarald Flor, Dagbladet, Kultur, 2nd February 2003</span>\r\n\r\n<span class=\"pubstrong\">Signs of Resistance</span><span>\r\nNancy Adajania, The Hindu, 5th January 2003</span>\r\n\r\n<span class=\"pubstrong\">Of the Goddess and Demon in the Mind</span><span>\r\nDebbie Rodgers, Sunday edition Vijay Times, Bangalore, 5th January 2003</span>\r\n\r\n<span class=\"pubstrong\">Empathic Anger</span><span>\r\nMarta Jakimowicz, Deccan Herald, 23rd December 2002</span>\r\n\r\n<span class=\"pubstrong\">Mysore ek khoj</span>\r\nCross Fertilization of Culture, Interview in Star of Mysore, 27th October 2002</span>\r\n\r\n<span class=\"pubstrong\">Linking Islands</span><span>\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 15th February 2002</span>\r\n\r\n<span class=\"pubstrong\">Creating to Destroy</span><span>\r\nJasmine Shah Varma, The List, Mid Day, 22nd February 2002</span>\r\n\r\n<span class=\"pubstrong\">Different Strokes</span><span>\r\nGeorgina L Maddox, The Indian Express, Mumbai Newsline, 24th July 2002</span>\r\n\r\n<span class=\"pubstrong\">Of Faith and Hunger</span><span>\r\nAbhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89, December 2000</span>\r\n\r\n<span class=\"pubstrong\">The Murmur of Skin</span><span>\r\nNupur Mahajan, Bombay Times, Times of India, 12th October 2000</span>\r\n\r\n<span class=\"pubstrong\">Not just Skin Deep</span><span>\r\nJasmine Shah Varma, The List, Mid-day, 4th October 2000</span>\r\n\r\n<span class=\"pubstrong\">Inside Out</span><span>\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 11th October 2000</span>\r\n\r\n<span class=\"pubstrong\">Scintillating Skin</span><span>\r\nVaibhav Purandare, The Asian Age, 14th October 2000</span>\r\n\r\n<span class=\"pubstrong\">An Artist’s World: roti, makaan & abstract art</span><span>\r\nPoonam Goel, HT City, 23rd December 2000</span>\r\n\r\n<span class=\"pubstrong\">Within you, Without you</span><span>\r\nAnu Kumar, Indian Express, Express Newsline, 2nd September 1998\r\n\r\n<span class=\"pubstrong\">Farming Intrirue</span><span>\r\nJerry Pinto, The Times of India, Bombay Times, 3rd September 1998</span>\r\n\r\n<span class=\"pubstrong\">Interactive Medium</span><span>\r\nKaren Pereira, Indian Architect & Builder, pgs 102-104, October 1998</span>\r\n\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>','Publications','','inherit','open','open','','87-revision-83','','','2010-07-04 14:04:01','2010-07-04 14:04:01','',87,'http://www.biggventures.com/demo/artists/1370/uncat/87-revision-83',0,'revision','',0),(1371,1,'2010-07-04 14:07:02','2010-07-04 14:07:02','<table style=\"margin-left: 5px;\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\" width=\"58%\" align=\"centre\">\r\n<tbody>\r\n<tr>\r\n<td width=\"35%\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Reena Saini Kallat, </span> 2009<span>\r\nText: Nancy Adajania and Murtaza Vali \r\nPublisher: Primo Marella Gallery, Walsh Gallery and Chemould Prescott Road \r\nISBN: 978-81-908879-1-5 </span>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/reena-kallat\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Rainbow of Refuse, </span>2006<span>\r\nText: Nancy Adajania\r\nPublisher: Bodhi Art Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/rainbow-of-refuse\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Black Flute (and other stories), </span>2005\r\n<span class=\"pubstrong\">Black Flute,</span> 2004<span>\r\nText: Nancy Adajania\r\nPublisher: Gallery Chemould and Nature Morte Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/black-flute\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">The Battlefield is the Mind, </span>2002<span>\r\nText: Nancy Adajania\r\nPublisher: Sakshi Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/battlefield-of-mind\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Skin, </span>2000<span>\r\nInterview with Jitish Kallat\r\nPublisher: Gallery Chemould and Vis-à-vis Art Inc. Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/skin\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Orchard of home-grown secrets, </span>1998<span>\r\nText: Ranjit Hoskote \r\nPublisher: Gallery Chemould and Pundole Art Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/orchard-of-home-grown-screts\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\">&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td>&nbsp;</td>\r\n<td>\r\n\r\n<!-- Start of Other Publications -->\r\n<span class=\"pubstrong\" style=\"color:#000000;\">BOOKS/  CATALOGUES </span><br/><br/><!--<span class=\"pubstrong\">Reena Saini Kallat, </span> 2009<span>\r\nText: Nancy Adajania and Murtaza Vali \r\nPublisher: Primo Marella Gallery, Walsh Gallery and Chemould Prescott Road \r\nISBN: 978-81-908879-1-5 </span>\r\n\r\n<span class=\"pubstrong\">Rainbow of Refuse, </span>2006<span>\r\nText: Nancy Adajania\r\nPublisher: Bodhi Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Black Flute (and other stories), </span>2005\r\n<span class=\"pubstrong\">Black Flute,</span> 2004<span>\r\nText: Nancy Adajania\r\nPublisher: Gallery Chemould and Nature Morte Gallery</span>\r\n\r\n<span class=\"pubstrong\">The Battlefield is the Mind, </span>2002<span>\r\nText: Nancy Adajania\r\nPublisher: Sakshi Gallery</span>\r\n\r\n<span class=\"pubstrong\">Skin, </span>2000<span>\r\nInterview with Jitish Kallat\r\nPublisher: Gallery Chemould and Vis-à-vis Art Inc. Gallery</span>\r\n\r\n<span class=\"pubstrong\">Orchard of home-grown secrets, </span>1998<span>\r\nText: Ranjit Hoskote \r\nPublisher: Gallery Chemould and Pundole Art Gallery</span>-->\r\n\r\n<span class=\"pubstrong\">The Khoj Book, </span>2010<span>\r\nInterview with Shilpa Gupta\r\nPublisher: HarperCollins\r\nISBN: 9788172236878</span>\r\n\r\n<span class=\"pubstrong\">Never Run Away, </span>2010<span>\r\nText: Shaheen Merali\r\nPublisher: Stux Gallery</span>\r\n\r\n<span class=\"pubstrong\">Urban Manners 2, </span>2010<span>\r\nText: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\nPublisher: SESC Pompeia, Sao Paulo </span>\r\n\r\n<span class=\"pubstrong\">The Empire Strikes Back, </span>2010<span>\r\nText: Zehra Jumabhoy\r\nPublisher: Saatchi Gallery      \r\nISBN: 9780224089494\r\n</span>\r\n\r\n<span class=\"pubstrong\">Viewpoints & viewings points- Asian Art Biennale, </span>2009<span>\r\nText: Chao-yi-Tsai \r\nPublisher: National Taiwan Museum of fine Arts\r\nISBN: 978-986-02-0269-4</span>\r\n\r\n<span class=\"pubstrong\">India Xianzai: Contemporary Indian Art, </span>2009<span>\r\nText: Jitish Kallat, Diana Freundl, Alexander Keefe\r\nPublisher: Museum of Contemporary Art</span>\r\n\r\n<span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2009<span>\r\nText: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki, \r\nMiho Tagomori \r\nPublisher: Prestel, National Museum of Contemporary Art and Essl Museum \r\nISBN: 978-3-7913-4304-4</span>\r\n\r\n<span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2008<span>\r\nText: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman   \r\nGopinath, Jayaram, Deepak Ananth    \r\nPublisher: Mori Art Museum\r\nISBN: 978-4-902819-21-2</span>\r\n\r\n<span class=\"pubstrong\">India Moderna, </span>2008<span>\r\nText: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur, \r\nR. Siva Kumar, K.G. Subramanyan\r\nPublisher: IVAM (Institute Valencia D’Art Modern)\r\nISBN: 978-84-482-5104-8</span>\r\n\r\n<span class=\"pubstrong\">Everywhere is War (and rumours of it),</span>)2008<span>\r\nText: Kai Hafez, Martin Hager, Nicholas Mirzoeff, Daniel Miller, \r\nBregje van Eekelen      \r\nPublisher: Bodhi Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Three Points of Views, </span>2008<span>\r\nText: Grant Watson\r\nPublisher: Galerie Mirchandani + Steinruecke</span>\r\n\r\n<span class=\"pubstrong\">New Narratives: Contemporary Art from India, </span>2008<span>\r\nText: Betty Seid with contributions by Johan Pijnappel\r\nPublisher: Mapin Publication in association with Chicago Cultural Center  \r\nISBN: 978-1-890206-08-6</span>\r\n\r\n<span class=\"pubstrong\">Made by Indians, </span>2007<span>\r\nText: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\nPublisher: Galerie Enrico Navarra\r\nISBN: 2-911596-37-4</span>\r\n\r\n<span class=\"pubstrong\">Thermocline of Art: New Asian Waves, </span>2007<span>\r\nText:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong\r\nPublisher: Hatje Cantz Vertag\r\nISBN: 978-3-7757-2073-1\r\nEAN: 9782911596377</span>\r\n\r\n<span class=\"pubstrong\">Indian Colour, </span>2007<span>\r\nText: Peter Nagy\r\nPublisher: Dal- seung Hwang, Keumsan Gallery</span>\r\n\r\n<span class=\"pubstrong\">India Arte Oggi, </span>2007<span>\r\nText:  Daniela Palazzoli\r\nPublisher: Spazio Oberdan\r\nISBN: 978-88-202-1867-6</span>\r\n\r\n<span class=\"pubstrong\">Urban Manners, </span>2007<span>\r\nText: Adelina Von Furstenberg and Nancy Adajania\r\nPublisher: Hangar Bicocca</span>\r\n\r\n<span class=\"pubstrong\">International Incheon Women Artists’ Biennale,</span>\r\n<span class=\"pubstrong\">Knocking on the Door, </span>2007<span>\r\nText: Sung Hee Kim, John C. Welchman\r\nPublisher: Incheon Culture and Art Centre</span>\r\n\r\n<span class=\"pubstrong\">Soft Power: Asian Attitude, </span>2007<span>\r\nText: Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\nPublisher: Shanghai Zendai Mumsem of Modern Art\r\nISBN: 978-7-5356-2790-2</span>\r\n\r\n<span class=\"pubstrong\">India Express- Art and Popular Culture, </span>2006<span>\r\nText: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze\r\nPublisher: Helsinki City Art Museum\r\nISBN: 951-8965-61-7</span>\r\n\r\n<span class=\"pubstrong\">Bombay L’album Maximum City, </span>2006<span>\r\nText: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\nPublisher: Terrail, Lille 3000\r\nISBN: 2-87939-325-6</span>\r\n\r\n<span class=\"pubstrong\">Indian Paintings of the New Millennium, </span>2005<span>\r\nText: Helen Asquine  Fazio, Gayatri Sinha\r\nPublisher: Quick Arts Center, Fairfield University</span>\r\n\r\n<span class=\"pubstrong\">A Guide to 101 Modern & Contemporary Indian Artists, </span>2005<span>\r\nText: Amrita Jhaveri\r\nPublisher: India Book House\r\nISBN: 81-7508-423-5</span>\r\n\r\n<span class=\"pubstrong\">Zoom! Art in Contemporary India, </span>2004<span>\r\nTexts: Luis Serpa and Nancy Adajania\r\nPublisher: The Culturgest Museum\r\nISBN: 972-769-033-5</span>\r\n\r\n<span class=\"pubstrong\">Interlude in Sri Lanka, </span>2004<span>\r\nText: Ranjit Hoskote and Nancy Adajania\r\nPublisher: The Guild Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Generation I, </span>2004<span>\r\nText: Zehra Jumabhoy\r\nPublisher: Saffronart & The Guild Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Tiranga Rights and Reponsibilities, </span>2003<span>\r\nText: Peter Nagy\r\nPublisher: Jindal Foundation & Creative Arts</span>\r\n\r\n<span class=\"pubstrong\">Hard Copy, </span>2003<span>\r\nText: Peter Nagy\r\nPublisher: Galerie 88</span>\r\n\r\n<span class=\"pubstrong\">Crossing Generations: diVERGE, </span>2003<span>\r\nText: Geeta Kapoor and Chaitanya Sambrani\r\nPublisher: Gallery Chemould</span>\r\n\r\n\r\n<span class=\"pubstrong\" style=\"color:#000000;\">Press/publications</span>\r\n\r\n<span class=\"pubstrong\">The Archives of the Heart</span><span>\r\nNancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\nFront Cover, pgs 42-45, 2009</span>\r\n\r\n<span class=\"pubstrong\">Globale Kunst Mit Wurzelduft</span><span>\r\nVon Almuth Speigler, Die Presse, Feuilleton, 2nd September 2009</span>\r\n\r\n<span class=\"pubstrong\">Landscapes of Loss</span><span>\r\nBeth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009</span>\r\n\r\n<span class=\"pubstrong\">Reincarnating History</span><span>\r\nThe Big Picture, Architect and Interiors, July 2009</span>\r\n\r\n<span class=\"pubstrong\">Stamp Collection</span><span>\r\nGeorgina Maddox, The Sunday Express, 17th May 2009</span>\r\n\r\n<span class=\"pubstrong\">Evolving Beyond Borders</span><span>\r\nReshma S. Kulkarni, Bombay Times, Times of India, 15th January, 2009</span>\r\n\r\n<span class=\"pubstrong\">Loss and Found</span><span>\r\nMarina Correa, DNA, Mumbai, 22nd January 2009</span>\r\n\r\n<span class=\"pubstrong\">Focus India</span><span>\r\nMegha Ralapati, Flash Art, pg 114, January-February 2008</span>\r\n\r\n<span class=\"pubstrong\">Come Together Right Now</span><span>\r\nReema Gehi, HT Café, 15th February 2008</span>\r\n\r\n<span class=\"pubstrong\">Such a Long Journey</span><span>\r\nAparna S Sharma, Elle Magazine, pgs 115-117, February 2008</span>\r\n\r\n<span class=\"pubstrong\">More than a Woman</span><span>\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 4th February 2008</span>\r\n\r\n<span class=\"pubstrong\">Artist of the Fortnight</span><span>\r\nMaria Louis, Outlook Profit, pg 79, 18th April 2008</span>\r\n\r\n<span class=\"pubstrong\">Deja View</span><span>\r\nTara Khilachand, Live Mint, 20th December 2008</span>\r\n\r\n<span class=\"pubstrong\">Terror struck</span><span>\r\nMaria Louis, Outlook Profit, 26th December 2008</span>\r\n\r\n<span class=\"pubstrong\">Name calling</span><span>\r\nDeepanjana Pal, Timeout Mumbai, December 2008</span>\r\n\r\n<span class=\"pubstrong\">Corruptions of Power</span><span>Shiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99, 2007</span>\r\n\r\n<span class=\"pubstrong\">Over the Rainbow</span><span>\r\nMaria Louis, Interview, Verve Magazine, pg 78, November 2006</span>\r\n\r\n<span class=\"pubstrong\">In a State of Perennial Siege</span><span>\r\nNancy Adajania, The Hindu, Hyderabad, 29th October 2006</span>\r\n\r\n<span class=\"pubstrong\">Her Crowning Achievement</span><span>\r\nClara Chow, The Straits Times, 18th November 2006</span>\r\n\r\n<span class=\"pubstrong\">Political Chaos</span><span>\r\nDeepali Nandwani, Beautiful people, pg 143, November-December 2006</span>\r\n\r\n<span class=\"pubstrong\">Weapons of Mass Construction</span><span>\r\nRituparna Som, DNA after Hrs, Mumbai, 9th October, 2006</span>\r\n\r\n<span class=\"pubstrong\">Guns and Roses</span>><span>\r\nRachna Nakra, The Indian Express, Mumbai Newsline, 18th September 2006</span>\r\n\r\n<span class=\"pubstrong\">Under Attack</span><span>\r\nGitanjali Dang, HT Mumbai, 22nd September 2006</span>\r\n\r\n<span class=\"pubstrong\">Time Traveller</span><span>\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 27th June 2006</span>\r\n\r\n<span class=\"pubstrong\">The Flower and the Sword</span><span>\r\nGirish Shahane, The Art News magazine of India, pg 93, volume X issue I, 2004</span>\r\n\r\n<span class=\"pubstrong\">India’s top 100 achievers</span><span>\r\nSociety Magazine, pg 137, December 2004</span>\r\n\r\n<span class=\"pubstrong\">Caught Between Demons</span><span>\r\nNancy Adajania, The Hindu, 19th December 2004</span>\r\n\r\n<span class=\"pubstrong\">En Reise Til India</span><span>\r\nHarald Flor, Dagbladet, Kultur, 2nd February 2003</span>\r\n\r\n<span class=\"pubstrong\">Signs of Resistance</span><span>\r\nNancy Adajania, The Hindu, 5th January 2003</span>\r\n\r\n<span class=\"pubstrong\">Of the Goddess and Demon in the Mind</span><span>\r\nDebbie Rodgers, Sunday edition Vijay Times, Bangalore, 5th January 2003</span>\r\n\r\n<span class=\"pubstrong\">Empathic Anger</span><span>\r\nMarta Jakimowicz, Deccan Herald, 23rd December 2002</span>\r\n\r\n<span class=\"pubstrong\">Mysore ek khoj</span>\r\nCross Fertilization of Culture, Interview in Star of Mysore, 27th October 2002</span>\r\n\r\n<span class=\"pubstrong\">Linking Islands</span><span>\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 15th February 2002</span>\r\n\r\n<span class=\"pubstrong\">Creating to Destroy</span><span>\r\nJasmine Shah Varma, The List, Mid Day, 22nd February 2002</span>\r\n\r\n<span class=\"pubstrong\">Different Strokes</span><span>\r\nGeorgina L Maddox, The Indian Express, Mumbai Newsline, 24th July 2002</span>\r\n\r\n<span class=\"pubstrong\">Of Faith and Hunger</span><span>\r\nAbhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89, December 2000</span>\r\n\r\n<span class=\"pubstrong\">The Murmur of Skin</span><span>\r\nNupur Mahajan, Bombay Times, Times of India, 12th October 2000</span>\r\n\r\n<span class=\"pubstrong\">Not just Skin Deep</span><span>\r\nJasmine Shah Varma, The List, Mid-day, 4th October 2000</span>\r\n\r\n<span class=\"pubstrong\">Inside Out</span><span>\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 11th October 2000</span>\r\n\r\n<span class=\"pubstrong\">Scintillating Skin</span><span>\r\nVaibhav Purandare, The Asian Age, 14th October 2000</span>\r\n\r\n<span class=\"pubstrong\">An Artist’s World: roti, makaan & abstract art</span><span>\r\nPoonam Goel, HT City, 23rd December 2000</span>\r\n\r\n<span class=\"pubstrong\">Within you, Without you</span><span>\r\nAnu Kumar, Indian Express, Express Newsline, 2nd September 1998\r\n\r\n<span class=\"pubstrong\">Farming Intrirue</span><span>\r\nJerry Pinto, The Times of India, Bombay Times, 3rd September 1998</span>\r\n\r\n<span class=\"pubstrong\">Interactive Medium</span><span>\r\nKaren Pereira, Indian Architect & Builder, pgs 102-104, October 1998</span>\r\n\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>','Publications','','inherit','open','open','','87-revision-84','','','2010-07-04 14:07:02','2010-07-04 14:07:02','',87,'http://www.biggventures.com/demo/artists/1371/uncat/87-revision-84',0,'revision','',0),