(1303,1,'2010-06-28 18:17:28','2010-06-28 18:17:28','<h3>Slide presentation followedREENA S. KALLAT</h3>\r\n1973                   Born in Delhi, India\r\n\r\n1991-96             B.F.A. [painting], Sir J.J.School of Art, Mumbai\r\n<h3>SOLO EXHIBITIONS</h3>\r\n2009                  <em>Drift</em>, Primo Marella Gallery, Milan <em>*</em>\r\n\r\n2008                  <em>Silt of Seasons</em>, Chemould   Prescott Road, Mumbai <em>*</em>\r\n\r\n2008                  <em>Subject to Change without Notice</em>, Walsh Gallery, Chicago <em>*</em>\r\n\r\n2006                  <em>Rainbow Of Refuse, </em>Bodhi Art Gallery, Mumbai and Singapore <em>* </em>\r\n\r\n2005                  <em>Black Flute (And Other Stories)</em>, Nature Morte, New Delhi <em>*</em>\r\n\r\n2004                  <em>Black Flute</em>, Gallery Chemould, Mumbai <em>*</em>\r\n2002                  <em>The Battlefield Is The Mind</em>, Sakshi Gallery, Bangalore <em>*</em>\r\n2002                  <em>Seven Faces of Dust</em>, Chicago Radio, Mumbai\r\n2000                 <em>Skin</em>, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi <em>*</em>\r\n\r\n1998                    <em>Orchard of Home-grown Secrets</em>, Gallery Chemould and Pundole  Art Gallery, Mumbai <em>*</em>\r\n<h3>SELECTED GROUP EXHIBITIONS</h3>\r\n<em> </em>\r\n\r\n2010                  <em>In Transition: New Art from India</em>, Richmond Art Gallery Vancouver Biennale, Vancouver\r\n\r\n2010                  <em>Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster</em> <em>University</em>,curated by Jeffrey Hughes and Dana Turkovic, Cecile R. Hunt Gallery, St. Louis, Missouri\r\n\r\n2010                  <em>Never Run Away</em>, 2 person exhibition curated by Shaheen Merali, <em> </em><em> </em>Stux Gallery, New York <em>*</em>\r\n\r\n2010                  <em>The Empire Strikes Back</em>, Saatchi Gallery, London <em>*</em>\r\n\r\n2010 <em> Urban Manners 2</em>, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao Paulo, Brazil\r\n\r\n2009                  <em>View Points and Viewing points - 2009 Asian Art Biennale</em>, curator: Chao-yi-TSAI, National Taiwan Museum of Fine Arts <em>*</em>\r\n\r\n2009                  <em>Milan Galleria</em>, curated by Georgio Verzotti, Triennale Museum, Milan\r\n\r\n2009                  <em>Passage to India Part II show </em>at Initial Access, Frank Cohen Collection, Wolverhampton, UK\r\n\r\n2009                  Ventosul Biennale, Curitiba, Brazil\r\n\r\n2009     <em> Chalo! India: A New Era of Indian Art</em>, National  Museum of Contemporary Art, Korea and Essl Museum, Vienna <em>*</em>\r\n\r\n2009                  <em>INDIA</em><em> XIANZAI: Contemporary Indian Art</em>, Museum of Contemporary Art, Shanghai <em>*</em>\r\n\r\n2009<em> Indian Narratives in the 21<sup>st</sup> Century: Between Memory and History</em>, Casa  Asia, Madrid and Barcelona, Spain\r\n\r\n2008     <em> Chalo! India: A New Era of Indian Art</em>, curator: Akiko Miki, Mori Art Museum, Japan <em>*</em>\r\n\r\n2008                  India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM Museum, Valencia, Spain <em>* </em>\r\n\r\n2008                     <em>3<sup>rd</sup> Nanjing Triennale</em>, curators: Fumihiko Sumitomo, Jaeyoung Kang, China\r\n\r\n2008                     <em>TEAF (Taehwagang Eco Art Festival) - Dream   River, Korea</em> *\r\n\r\n2008                  <em>Everywhere is War (And Rumours of it</em>), Bodhi Art Gallery, Mumbai <em>*</em>\r\n\r\n2008                  <em>Fire Walkers</em>, Stefan Stux gallery, New York\r\n\r\n2008                  <em>Three Points of view</em>, Galerie Mirchandani + Steinrucke, Mumbai <em>*</em>\r\n\r\n2008                  <em>A MAZ ING</em>, curated by Anupa Mehta for Harsh Goenka/RPG Academy of Art\r\nand Culture at the Jehangir Art Gallery, Mumbai<em> </em>\r\n\r\n2008                  <em>Excavation: Memory / Myth / Membrane</em>, Museum Gallery, Mumbai <em>*</em>\r\n\r\n2007                  <em>International Incheon Women Artists’</em> <em>Biennale</em>, Korea <em>*</em>\r\n\r\n2007                  <em>Soft Power: Asian Attitude</em>, Shanghai Zendai Museum of Modern Art, Shanghai <em>*</em>\r\n\r\n2007                  <em>Urban Manners</em>, curated by Adelina Von Furstenberg, at Hangar Bicocca , Milan <em>* </em>\r\n\r\n2007                  <em>INDIA</em><em> NOW: Contemporary Indian Art, Between Continuity and transformation</em>, curated by Daniela Palozzoli at Spazio Oberdan, Milan <em>*</em>\r\n\r\n2007                  <em>New Narratives: Contemporary Art From India</em>, curated by Betty Seid, Chicago Cultural Centre, Chicago <em>*</em>\r\n\r\n2007                  <em>Thermocline Of Art- New Asian Waves</em>, curated by Wonil Rhee and Peter Weibel at ZKM in Karlsruhe, Germany <em>*</em>\r\n\r\n2006                  <em>Modern Indian Works On Paper,</em> Arthur Ross Gallery, Philadelphia and the <em> </em>Georgia Museum of Art, USA <em>*</em>\r\n\r\n2006                  <em>Lille</em><em> 3000(</em> Maximum City-Mumbai), curated by Caroline Naphegi, Lille, France <em>*</em>\r\n\r\n2006<em> Hungry God- Indian Contemporary Art</em>, curated by Yun Chaegab and June Gwak, Arario Gallery, Beijing and Busan MoMA<em>*</em>\r\n\r\n2006                  <em>India</em><em> Express – Art and Popular Culture</em>, Art Museum Tennispalace, curators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City  Art Museum, Finland <em>*</em>\r\n\r\n2005                  <em>Span</em>, Sakshi Gallery, Mumbai\r\n\r\n2005                  <em>Indian Paintings of the New Millenium</em>, curated by Helen Asquine Fazio at Thomas J. Walsh Art Gallery at Fairfield   University, USA<em>*</em>\r\n\r\n2004 <em> Contemporary Art from India</em>, Thomas   Erben Gallery, New York\r\n\r\n2004                       <em>Zoom! Art in Contemporary India.</em> Curators: Nancy Adajania and Luis Serpa, The Culturgest Museum, Lisbon, Portugal *<em> </em><em> </em>\r\n\r\n2003                       <em>Crossing generations: diVERGE</em>, Gallery Chemould’s 40th anniversary, Curators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of Modern Art, Mumbai <em>*</em>\r\n\r\n2003                       <em>Hard Copy,</em> two-person show with Jitish Kallat, Gallery 88, Calcutta *\r\n\r\n2003                  <em>Tiranga</em>, curator: Peter Nagy, India Habitat Centre, New Delhi, <em>*</em>\r\n\r\n2003                       <em>Elephant Walks</em>, Youth Arts Project in collaboration with Jitish Kallat as part of Indians + Cowboys exhibition, Curators: Aaron Seetu and Ruth Watson Gallery 4A, Sydney <em>*</em> <em> </em>\r\n\r\n2003                  <em>The Tree From The Seed, Contemporary Art from India, </em>curator: Gavin Jantjes Henie Onstad Kunstsenter (Oslo), Norway <em>*</em>\r\n\r\n2002                   <em>Crosscurrents</em>, organized by Artworks for the fiftieth anniversary celebrations of Jehangir Art Gallery, Mumbai\r\n\r\n2002                                    <em>Reclaim Our Freedom</em>, organized by Open Circle, Pundole Art Gallery, Mumbai\r\n\r\n2001                                    <em>Big River 2</em>, CCA7 Gallery, Port Of Spain, Trinidad <em>*</em>\r\n\r\n2001                   <em>AOM- Art on the move</em>, organized by Sahmat, New Delhi <em>*</em>\r\n\r\n1999                       <em>Edge of the Century,</em> curated by Amit Mukhopadhyay, Academy  of Fine Arts and Literature, New Delhi <em>*</em> <em> </em>\r\n\r\n<em>* </em>exhibition catalogue published<em> </em>\r\n<h2>TALKS/ PRESENTATIONS</h2>\r\n2009                  Panel discussion with artist Gulam Sheikh, co-chair: Sabine B. Vogel, at the Sammlung Essl Museum, Vienna\r\n\r\n2008                  Slide presentation followed by a panel discussion with Nalini Malani and Jayshree Chakravarty, moderated by Nancy Adajania\r\n\r\n2008                  Slide presentation at the School of the Art Institute of Chicago\r\n\r\n2007                  Panel discussion with Nalini   Malani, Sheba Chachi, moderated by Betty Seid at the Chicago Cultural Centre\r\n\r\n2007                  Lecture at the University Boccini, Milan\r\n\r\n2006                  Slide presentation at the Lamar Dodd School of Art, University of Georgia\r\n\r\n2006                  Talk at the M. Smith Griffith Auditorium, Georgia Museum of Art\r\n\r\n2003                  Slide presentation at the Academy of Fine Arts in Oslo, Norway\r\n\r\n2000                  Mohile Parikh Centre for the Visual Arts, Mumbai\r\n<h3>SELECTED WORKSHOPS AND RESIDENCIES</h3>\r\n2009                  <em>Vanishing Point</em>, children’s project at the Celebrate Bandra Festival, Mumbai\r\n\r\n2007                   Collaborative workshop as part of  the exhibition <em>Aftershock</em> at the Sainsbury Centre for Visual Arts, University of East  Anglia, Norwich, UK\r\n\r\n2002                  Collaborated on a Billboard  project with Jitish Kallat, Kala Ghoda Art District, Mumbai\r\n\r\n2003                  <em>Elephant Walks</em>, Youth Arts Project at  the Casula Power House Arts Centre, Liverpool, Australia\r\n\r\n2001                  <em>Khoj 2002</em>, International Artists Workshop, Mysore,  India\r\n\r\n2001                  <em>Identity and Landscape</em>,  residency in the Laurentian mountains of Quebec at the Boreal Art/Nature Centre, Canada\r\n\r\n2001                  <em>Big River 2</em>, International Artists  Workshop organized by CCA7 and the Triangle Arts Trust at Grand Riviere, Trinidad,  West Indies\r\n\r\n<em>The artist lives and works in Mumbai</em>','Biography ','','inherit','open','open','','105-revision-20','','','2010-06-28 18:17:28','2010-06-28 18:17:28','',105,'http://www.biggventures.com/demo/artists/1303/uncat/105-revision-20',0,'revision','',0),(1301,1,'2010-06-28 18:14:34','2010-06-28 18:14:34','<h3>REENA S. KALLAT</h3>\r\n1973                   Born in Delhi, India\r\n\r\n1991-96  B.F.A. [painting], Sir J.J.School of Art, Mumbai\r\n<h3>SOLO EXHIBITIONS</h3>\r\n2009                  <em>Drift</em>, Primo Marella Gallery, Milan <em>*</em>\r\n\r\n2008                  <em>Silt of Seasons</em>, Chemould   Prescott Road, Mumbai <em>*</em>\r\n\r\n2008                  <em>Subject to Change without Notice</em>, Walsh Gallery, Chicago <em>*</em>\r\n\r\n2006                  <em>Rainbow Of Refuse, </em>Bodhi Art Gallery, Mumbai and Singapore <em>* </em>\r\n\r\n2005                  <em>Black Flute (And Other Stories)</em>, Nature Morte, New Delhi <em>*</em>\r\n\r\n2004                  <em>Black Flute</em>, Gallery Chemould, Mumbai <em>*</em>\r\n2002                  <em>The Battlefield Is The Mind</em>, Sakshi Gallery, Bangalore <em>*</em>\r\n2002                  <em>Seven Faces of Dust</em>, Chicago Radio, Mumbai\r\n2000                 <em>Skin</em>, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi <em>*</em>\r\n\r\n1998                                  <em>Orchard of Home-grown Secrets</em>, Gallery Chemould and Pundole  Art Gallery, Mumbai <em>*</em>\r\n<h3>SELECTED GROUP EXHIBITIONS</h3>\r\n<em> </em>\r\n\r\n2010                  <em>In Transition: New Art from India</em>, Richmond Art Gallery Vancouver Biennale, Vancouver\r\n\r\n2010                  <em>Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster</em> <em>University</em>,curated by Jeffrey Hughes and Dana Turkovic, Cecile R. Hunt Gallery, St. Louis, Missouri\r\n\r\n2010                  <em>Never Run Away</em>, 2 person exhibition curated by Shaheen Merali, <em> </em><em> </em>Stux Gallery, New York <em>*</em>\r\n\r\n2010                  <em>The Empire Strikes Back</em>, Saatchi Gallery, London <em>*</em>\r\n\r\n2010 <em> Urban Manners 2</em>, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao Paulo, Brazil\r\n\r\n2009                  <em>View Points and Viewing points - 2009 Asian Art Biennale</em>, curator: Chao-yi-TSAI, National Taiwan Museum of Fine Arts <em>*</em>\r\n\r\n2009                  <em>Milan Galleria</em>, curated by Georgio Verzotti, Triennale Museum, Milan\r\n\r\n2009                  <em>Passage to India Part II show </em>at Initial Access, Frank Cohen Collection, Wolverhampton, UK\r\n\r\n2009                  Ventosul Biennale, Curitiba, Brazil\r\n\r\n2009     <em> Chalo! India: A New Era of Indian Art</em>, National  Museum of Contemporary Art, Korea and Essl Museum, Vienna <em>*</em>\r\n\r\n2009                  <em>INDIA</em><em> XIANZAI: Contemporary Indian Art</em>, Museum of Contemporary Art, Shanghai <em>*</em>\r\n\r\n2009<em> Indian Narratives in the 21<sup>st</sup> Century: Between Memory and History</em>, Casa  Asia, Madrid and Barcelona, Spain\r\n\r\n2008     <em> Chalo! India: A New Era of Indian Art</em>, curator: Akiko Miki, Mori Art Museum, Japan <em>*</em>\r\n\r\n2008                  India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM Museum, Valencia, Spain <em>* </em>\r\n\r\n2008                     <em>3<sup>rd</sup> Nanjing Triennale</em>, curators: Fumihiko Sumitomo, Jaeyoung Kang, China\r\n\r\n2008                     <em>TEAF (Taehwagang Eco Art Festival) - Dream   River, Korea</em> *\r\n\r\n2008                  <em>Everywhere is War (And Rumours of it</em>), Bodhi Art Gallery, Mumbai <em>*</em>\r\n\r\n2008                  <em>Fire Walkers</em>, Stefan Stux gallery, New York\r\n\r\n2008                  <em>Three Points of view</em>, Galerie Mirchandani + Steinrucke, Mumbai <em>*</em>\r\n\r\n2008                  <em>A MAZ ING</em>, curated by Anupa Mehta for Harsh Goenka/RPG Academy of Art\r\nand Culture at the Jehangir Art Gallery, Mumbai<em> </em>\r\n\r\n2008                  <em>Excavation: Memory / Myth / Membrane</em>, Museum Gallery, Mumbai <em>*</em>\r\n\r\n2007                  <em>International Incheon Women Artists’</em> <em>Biennale</em>, Korea <em>*</em>\r\n\r\n2007                  <em>Soft Power: Asian Attitude</em>, Shanghai Zendai Museum of Modern Art, Shanghai <em>*</em>\r\n\r\n2007                  <em>Urban Manners</em>, curated by Adelina Von Furstenberg, at Hangar Bicocca , Milan <em>* </em>\r\n\r\n2007                  <em>INDIA</em><em> NOW: Contemporary Indian Art, Between Continuity and transformation</em>, curated by Daniela Palozzoli at Spazio Oberdan, Milan <em>*</em>\r\n\r\n2007                  <em>New Narratives: Contemporary Art From India</em>, curated by Betty Seid, Chicago Cultural Centre, Chicago <em>*</em>\r\n\r\n2007                  <em>Thermocline Of Art- New Asian Waves</em>, curated by Wonil Rhee and Peter Weibel at ZKM in Karlsruhe, Germany <em>*</em>\r\n\r\n2006                  <em>Modern Indian Works On Paper,</em> Arthur Ross Gallery, Philadelphia and the <em> </em>Georgia Museum of Art, USA <em>*</em>\r\n\r\n2006                  <em>Lille</em><em> 3000(</em> Maximum City-Mumbai), curated by Caroline Naphegi, Lille, France <em>*</em>\r\n\r\n2006<em> Hungry God- Indian Contemporary Art</em>, curated by Yun Chaegab and June Gwak, Arario Gallery, Beijing and Busan MoMA<em>*</em>\r\n\r\n2006                  <em>India</em><em> Express – Art and Popular Culture</em>, Art Museum Tennispalace, curators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City  Art Museum, Finland <em>*</em>\r\n\r\n2005                  <em>Span</em>, Sakshi Gallery, Mumbai\r\n\r\n2005                  <em>Indian Paintings of the New Millenium</em>, curated by Helen Asquine Fazio at Thomas J. Walsh Art Gallery at Fairfield   University, USA<em>*</em>\r\n\r\n2004 <em> Contemporary Art from India</em>, Thomas   Erben Gallery, New York\r\n\r\n2004                       <em>Zoom! Art in Contemporary India.</em> Curators: Nancy Adajania and Luis Serpa, The Culturgest Museum, Lisbon, Portugal *<em> </em><em> </em>\r\n\r\n2003                       <em>Crossing generations: diVERGE</em>, Gallery Chemould’s 40th anniversary, Curators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of Modern Art, Mumbai <em>*</em>\r\n\r\n2003                       <em>Hard Copy,</em> two-person show with Jitish Kallat, Gallery 88, Calcutta *\r\n\r\n2003                  <em>Tiranga</em>, curator: Peter Nagy, India Habitat Centre, New Delhi, <em>*</em>\r\n\r\n2003                       <em>Elephant Walks</em>, Youth Arts Project in collaboration with Jitish Kallat as part of Indians + Cowboys exhibition, Curators: Aaron Seetu and Ruth Watson Gallery 4A, Sydney <em>*</em> <em> </em>\r\n\r\n2003                  <em>The Tree From The Seed, Contemporary Art from India, </em>curator: Gavin Jantjes Henie Onstad Kunstsenter (Oslo), Norway <em>*</em>\r\n\r\n2002                   <em>Crosscurrents</em>, organized by Artworks for the fiftieth anniversary celebrations of Jehangir Art Gallery, Mumbai\r\n\r\n2002                                    <em>Reclaim Our Freedom</em>, organized by Open Circle, Pundole Art Gallery, Mumbai\r\n\r\n2001                                    <em>Big River 2</em>, CCA7 Gallery, Port Of Spain, Trinidad <em>*</em>\r\n\r\n2001                   <em>AOM- Art on the move</em>, organized by Sahmat, New Delhi <em>*</em>\r\n\r\n1999                       <em>Edge of the Century,</em> curated by Amit Mukhopadhyay, Academy  of Fine Arts and Literature, New Delhi <em>*</em> <em> </em>\r\n\r\n<em>* </em>exhibition catalogue published<em> </em>\r\n<h2>TALKS/ PRESENTATIONS</h2>\r\n2009                  Panel discussion with artist Gulam Sheikh, co-chair: Sabine B. Vogel, at the Sammlung Essl Museum, Vienna\r\n\r\n2008                       Slide presentation followed by a panel discussion with Nalini Malani and Jayshree Chakravarty, moderated by Nancy Adajania\r\n\r\n2008                  Slide presentation at the School of the Art Institute of Chicago\r\n\r\n2007                  Panel discussion with Nalini   Malani, Sheba Chachi, moderated by Betty Seid at the Chicago Cultural Centre\r\n\r\n2007                  Lecture at the University Boccini, Milan\r\n\r\n2006                  Slide presentation at the Lamar Dodd School of Art, University of Georgia\r\n\r\n2006                  Talk at the M. Smith Griffith Auditorium, Georgia Museum of Art\r\n\r\n2003                  Slide presentation at the Academy of Fine Arts in Oslo, Norway\r\n\r\n2000                  Mohile Parikh Centre for the Visual Arts, Mumbai\r\n<h3>SELECTED WORKSHOPS AND RESIDENCIES</h3>\r\n2009                  <em>Vanishing Point</em>, children’s project at the Celebrate Bandra Festival, Mumbai\r\n\r\n2007                   Collaborative workshop as part of  the exhibition <em>Aftershock</em> at the Sainsbury Centre for Visual Arts, University of East  Anglia, Norwich, UK\r\n\r\n2002                  Collaborated on a Billboard  project with Jitish Kallat, Kala Ghoda Art District, Mumbai\r\n\r\n2003                  <em>Elephant Walks</em>, Youth Arts Project at  the Casula Power House Arts Centre, Liverpool, Australia\r\n\r\n2001                  <em>Khoj 2002</em>, International Artists Workshop, Mysore,  India\r\n\r\n2001                  <em>Identity and Landscape</em>,  residency in the Laurentian mountains of Quebec at the Boreal Art/Nature Centre, Canada\r\n\r\n2001                  <em>Big River 2</em>, International Artists  Workshop organized by CCA7 and the Triangle Arts Trust at Grand Riviere, Trinidad,  West Indies\r\n\r\n<em>The artist lives and works in Mumbai</em>','Biography ','','inherit','open','open','','105-revision-18','','','2010-06-28 18:14:34','2010-06-28 18:14:34','',105,'http://www.biggventures.com/demo/artists/1301/uncat/105-revision-18',0,'revision','',0),(1302,1,'2010-06-28 18:16:06','2010-06-28 18:16:06','<h3>Slide presentation followedREENA S. KALLAT</h3>\r\n1973                   Born in Delhi, India\r\n\r\n1991-96  B.F.A. [painting], Sir J.J.School of Art, Mumbai\r\n<h3>SOLO EXHIBITIONS</h3>\r\n2009                  <em>Drift</em>, Primo Marella Gallery, Milan <em>*</em>\r\n\r\n2008                  <em>Silt of Seasons</em>, Chemould   Prescott Road, Mumbai <em>*</em>\r\n\r\n2008                  <em>Subject to Change without Notice</em>, Walsh Gallery, Chicago <em>*</em>\r\n\r\n2006                  <em>Rainbow Of Refuse, </em>Bodhi Art Gallery, Mumbai and Singapore <em>* </em>\r\n\r\n2005                  <em>Black Flute (And Other Stories)</em>, Nature Morte, New Delhi <em>*</em>\r\n\r\n2004                  <em>Black Flute</em>, Gallery Chemould, Mumbai <em>*</em>\r\n2002                  <em>The Battlefield Is The Mind</em>, Sakshi Gallery, Bangalore <em>*</em>\r\n2002                  <em>Seven Faces of Dust</em>, Chicago Radio, Mumbai\r\n2000                 <em>Skin</em>, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi <em>*</em>\r\n\r\n1998                                  <em>Orchard of Home-grown Secrets</em>, Gallery Chemould and Pundole  Art Gallery, Mumbai <em>*</em>\r\n<h3>SELECTED GROUP EXHIBITIONS</h3>\r\n<em> </em>\r\n\r\n2010                  <em>In Transition: New Art from India</em>, Richmond Art Gallery Vancouver Biennale, Vancouver\r\n\r\n2010                  <em>Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster</em> <em>University</em>,curated by Jeffrey Hughes and Dana Turkovic, Cecile R. Hunt Gallery, St. Louis, Missouri\r\n\r\n2010                  <em>Never Run Away</em>, 2 person exhibition curated by Shaheen Merali, <em> </em><em> </em>Stux Gallery, New York <em>*</em>\r\n\r\n2010                  <em>The Empire Strikes Back</em>, Saatchi Gallery, London <em>*</em>\r\n\r\n2010 <em> Urban Manners 2</em>, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao Paulo, Brazil\r\n\r\n2009                  <em>View Points and Viewing points - 2009 Asian Art Biennale</em>, curator: Chao-yi-TSAI, National Taiwan Museum of Fine Arts <em>*</em>\r\n\r\n2009                  <em>Milan Galleria</em>, curated by Georgio Verzotti, Triennale Museum, Milan\r\n\r\n2009                  <em>Passage to India Part II show </em>at Initial Access, Frank Cohen Collection, Wolverhampton, UK\r\n\r\n2009                  Ventosul Biennale, Curitiba, Brazil\r\n\r\n2009     <em> Chalo! India: A New Era of Indian Art</em>, National  Museum of Contemporary Art, Korea and Essl Museum, Vienna <em>*</em>\r\n\r\n2009                  <em>INDIA</em><em> XIANZAI: Contemporary Indian Art</em>, Museum of Contemporary Art, Shanghai <em>*</em>\r\n\r\n2009<em> Indian Narratives in the 21<sup>st</sup> Century: Between Memory and History</em>, Casa  Asia, Madrid and Barcelona, Spain\r\n\r\n2008     <em> Chalo! India: A New Era of Indian Art</em>, curator: Akiko Miki, Mori Art Museum, Japan <em>*</em>\r\n\r\n2008                  India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM Museum, Valencia, Spain <em>* </em>\r\n\r\n2008                     <em>3<sup>rd</sup> Nanjing Triennale</em>, curators: Fumihiko Sumitomo, Jaeyoung Kang, China\r\n\r\n2008                     <em>TEAF (Taehwagang Eco Art Festival) - Dream   River, Korea</em> *\r\n\r\n2008                  <em>Everywhere is War (And Rumours of it</em>), Bodhi Art Gallery, Mumbai <em>*</em>\r\n\r\n2008                  <em>Fire Walkers</em>, Stefan Stux gallery, New York\r\n\r\n2008                  <em>Three Points of view</em>, Galerie Mirchandani + Steinrucke, Mumbai <em>*</em>\r\n\r\n2008                  <em>A MAZ ING</em>, curated by Anupa Mehta for Harsh Goenka/RPG Academy of Art\r\nand Culture at the Jehangir Art Gallery, Mumbai<em> </em>\r\n\r\n2008                  <em>Excavation: Memory / Myth / Membrane</em>, Museum Gallery, Mumbai <em>*</em>\r\n\r\n2007                  <em>International Incheon Women Artists’</em> <em>Biennale</em>, Korea <em>*</em>\r\n\r\n2007                  <em>Soft Power: Asian Attitude</em>, Shanghai Zendai Museum of Modern Art, Shanghai <em>*</em>\r\n\r\n2007                  <em>Urban Manners</em>, curated by Adelina Von Furstenberg, at Hangar Bicocca , Milan <em>* </em>\r\n\r\n2007                  <em>INDIA</em><em> NOW: Contemporary Indian Art, Between Continuity and transformation</em>, curated by Daniela Palozzoli at Spazio Oberdan, Milan <em>*</em>\r\n\r\n2007                  <em>New Narratives: Contemporary Art From India</em>, curated by Betty Seid, Chicago Cultural Centre, Chicago <em>*</em>\r\n\r\n2007                  <em>Thermocline Of Art- New Asian Waves</em>, curated by Wonil Rhee and Peter Weibel at ZKM in Karlsruhe, Germany <em>*</em>\r\n\r\n2006                  <em>Modern Indian Works On Paper,</em> Arthur Ross Gallery, Philadelphia and the <em> </em>Georgia Museum of Art, USA <em>*</em>\r\n\r\n2006                  <em>Lille</em><em> 3000(</em> Maximum City-Mumbai), curated by Caroline Naphegi, Lille, France <em>*</em>\r\n\r\n2006<em> Hungry God- Indian Contemporary Art</em>, curated by Yun Chaegab and June Gwak, Arario Gallery, Beijing and Busan MoMA<em>*</em>\r\n\r\n2006                  <em>India</em><em> Express – Art and Popular Culture</em>, Art Museum Tennispalace, curators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City  Art Museum, Finland <em>*</em>\r\n\r\n2005                  <em>Span</em>, Sakshi Gallery, Mumbai\r\n\r\n2005                  <em>Indian Paintings of the New Millenium</em>, curated by Helen Asquine Fazio at Thomas J. Walsh Art Gallery at Fairfield   University, USA<em>*</em>\r\n\r\n2004 <em> Contemporary Art from India</em>, Thomas   Erben Gallery, New York\r\n\r\n2004                       <em>Zoom! Art in Contemporary India.</em> Curators: Nancy Adajania and Luis Serpa, The Culturgest Museum, Lisbon, Portugal *<em> </em><em> </em>\r\n\r\n2003                       <em>Crossing generations: diVERGE</em>, Gallery Chemould’s 40th anniversary, Curators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of Modern Art, Mumbai <em>*</em>\r\n\r\n2003                       <em>Hard Copy,</em> two-person show with Jitish Kallat, Gallery 88, Calcutta *\r\n\r\n2003                  <em>Tiranga</em>, curator: Peter Nagy, India Habitat Centre, New Delhi, <em>*</em>\r\n\r\n2003                       <em>Elephant Walks</em>, Youth Arts Project in collaboration with Jitish Kallat as part of Indians + Cowboys exhibition, Curators: Aaron Seetu and Ruth Watson Gallery 4A, Sydney <em>*</em> <em> </em>\r\n\r\n2003                  <em>The Tree From The Seed, Contemporary Art from India, </em>curator: Gavin Jantjes Henie Onstad Kunstsenter (Oslo), Norway <em>*</em>\r\n\r\n2002                   <em>Crosscurrents</em>, organized by Artworks for the fiftieth anniversary celebrations of Jehangir Art Gallery, Mumbai\r\n\r\n2002                                    <em>Reclaim Our Freedom</em>, organized by Open Circle, Pundole Art Gallery, Mumbai\r\n\r\n2001                                    <em>Big River 2</em>, CCA7 Gallery, Port Of Spain, Trinidad <em>*</em>\r\n\r\n2001                   <em>AOM- Art on the move</em>, organized by Sahmat, New Delhi <em>*</em>\r\n\r\n1999                       <em>Edge of the Century,</em> curated by Amit Mukhopadhyay, Academy  of Fine Arts and Literature, New Delhi <em>*</em> <em> </em>\r\n\r\n<em>* </em>exhibition catalogue published<em> </em>\r\n<h2>TALKS/ PRESENTATIONS</h2>\r\n2009                  Panel discussion with artist Gulam Sheikh, co-chair: Sabine B. Vogel, at the Sammlung Essl Museum, Vienna\r\n\r\n2008                  Slide presentation followed by a panel discussion with Nalini Malani and Jayshree Chakravarty, moderated by Nancy Adajania\r\n\r\n2008                  Slide presentation at the School of the Art Institute of Chicago\r\n\r\n2007                  Panel discussion with Nalini   Malani, Sheba Chachi, moderated by Betty Seid at the Chicago Cultural Centre\r\n\r\n2007                  Lecture at the University Boccini, Milan\r\n\r\n2006                  Slide presentation at the Lamar Dodd School of Art, University of Georgia\r\n\r\n2006                  Talk at the M. Smith Griffith Auditorium, Georgia Museum of Art\r\n\r\n2003                  Slide presentation at the Academy of Fine Arts in Oslo, Norway\r\n\r\n2000                  Mohile Parikh Centre for the Visual Arts, Mumbai\r\n<h3>SELECTED WORKSHOPS AND RESIDENCIES</h3>\r\n2009                  <em>Vanishing Point</em>, children’s project at the Celebrate Bandra Festival, Mumbai\r\n\r\n2007                   Collaborative workshop as part of  the exhibition <em>Aftershock</em> at the Sainsbury Centre for Visual Arts, University of East  Anglia, Norwich, UK\r\n\r\n2002                  Collaborated on a Billboard  project with Jitish Kallat, Kala Ghoda Art District, Mumbai\r\n\r\n2003                  <em>Elephant Walks</em>, Youth Arts Project at  the Casula Power House Arts Centre, Liverpool, Australia\r\n\r\n2001                  <em>Khoj 2002</em>, International Artists Workshop, Mysore,  India\r\n\r\n2001                  <em>Identity and Landscape</em>,  residency in the Laurentian mountains of Quebec at the Boreal Art/Nature Centre, Canada\r\n\r\n2001                  <em>Big River 2</em>, International Artists  Workshop organized by CCA7 and the Triangle Arts Trust at Grand Riviere, Trinidad,  West Indies\r\n\r\n<em>The artist lives and works in Mumbai</em>','Biography ','','inherit','open','open','','105-revision-19','','','2010-06-28 18:16:06','2010-06-28 18:16:06','',105,'http://www.biggventures.com/demo/artists/1302/uncat/105-revision-19',0,'revision','',0),(1306,1,'2010-06-28 18:33:37','2010-06-28 18:33:37','<h3>Slide presentation followedREENA S. KALLAT</h3>\r\n1973                   Born in Delhi, India\r\n\r\n1991-96             B.F.A. [painting], Sir J.J.School of Art, Mumbai\r\n<h3>SOLO EXHIBITIONS</h3>\r\n2009                  <em>Drift</em>, Primo Marella Gallery, Milan <em>*</em>\r\n\r\n2008                  <em>Silt of Seasons</em>, Chemould   Prescott Road, Mumbai <em>*</em>\r\n\r\n2008                  <em>Subject to Change without Notice</em>, Walsh Gallery, Chicago <em>*</em>\r\n\r\n2006                  <em>Rainbow Of Refuse, </em>Bodhi Art Gallery, Mumbai and Singapore <em>* </em>\r\n\r\n2005                  <em>Black Flute (And Other Stories)</em>, Nature Morte, New Delhi <em>*</em>\r\n\r\n2004                  <em>Black Flute</em>, Gallery Chemould, Mumbai <em>*</em>\r\n2002                  <em>The Battlefield Is The Mind</em>, Sakshi Gallery, Bangalore <em>*</em>\r\n2002                  <em>Seven Faces of Dust</em>, Chicago Radio, Mumbai\r\n2000                 <em>Skin</em>, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi <em>*</em>\r\n\r\n1998                   <em>Orchard of Home-grown Secrets</em>, Gallery Chemould and Pundole  Art Gallery, Mumbai <em>*</em>\r\n<h3>SELECTED GROUP EXHIBITIONS</h3>\r\n<em> </em>\r\n\r\n2010                  <em>In Transition: New Art from India</em>, Richmond Art Gallery Vancouver Biennale, Vancouver\r\n\r\n2010                  <em>Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster</em> <em>University</em>,curated by Jeffrey Hughes and Dana Turkovic, Cecile R. Hunt Gallery, St. Louis, Missouri\r\n\r\n2010                  <em>Never Run Away</em>, 2 person exhibition curated by Shaheen Merali, <em> </em><em> </em>Stux Gallery, New York <em>*</em>\r\n\r\n2010                  <em>The Empire Strikes Back</em>, Saatchi Gallery, London <em>*</em>\r\n\r\n2010                  <em>Urban Manners 2</em>, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao Paulo, Brazil\r\n\r\n2009                  <em>View Points and Viewing points - 2009 Asian Art Biennale</em>, curator: Chao-yi-TSAI, National Taiwan Museum of Fine Arts <em>*</em>\r\n\r\n2009                  <em>Milan Galleria</em>, curated by Georgio Verzotti, Triennale Museum, Milan\r\n\r\n2009                  <em>Passage to India Part II show </em>at Initial Access, Frank Cohen Collection, Wolverhampton, UK\r\n\r\n2009                  Ventosul Biennale, Curitiba, Brazil\r\n\r\n2009                  <em>Chalo! India: A New Era of Indian Art</em>, National  Museum of Contemporary Art, Korea and Essl Museum, Vienna <em>*</em>\r\n\r\n2009                  <em>INDIA</em><em> XIANZAI: Contemporary Indian Art</em>, Museum of Contemporary Art, Shanghai <em>*</em>\r\n\r\n2009                  <em>Indian Narratives in the 21<sup>st</sup> Century: Between Memory and History</em>, Casa  Asia, Madrid and Barcelona, Spain\r\n\r\n2008                  <em>Chalo! India: A New Era of Indian Art</em>, curator: Akiko Miki, Mori Art Museum, Japan <em>*</em>\r\n\r\n2008                  India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM Museum, Valencia, Spain <em>* </em>\r\n\r\n2008                     <em>3<sup>rd</sup> Nanjing Triennale</em>, curators: Fumihiko Sumitomo, Jaeyoung Kang, China\r\n\r\n2008                     <em>TEAF (Taehwagang Eco Art Festival) - Dream   River, Korea</em> *\r\n\r\n2008                  <em>Everywhere is War (And Rumours of it</em>), Bodhi Art Gallery, Mumbai <em>*</em>\r\n\r\n2008                  <em>Fire Walkers</em>, Stefan Stux gallery, New York\r\n\r\n2008                  <em>Three Points of view</em>, Galerie Mirchandani + Steinrucke, Mumbai <em>*</em>\r\n\r\n2008                  <em>A MAZ ING</em>, curated by Anupa Mehta for Harsh Goenka/RPG Academy of Art and Culture at the Jehangir Art Gallery, Mumbai<em> </em>\r\n\r\n2008                  <em>Excavation: Memory / Myth / Membrane</em>, Museum Gallery, Mumbai <em>*</em>\r\n\r\n2007                  <em>International Incheon Women Artists’</em> <em>Biennale</em>, Korea <em>*</em>\r\n\r\n2007                  <em>Soft Power: Asian Attitude</em>, Shanghai Zendai Museum of Modern Art, Shanghai <em>*</em>\r\n\r\n2007                  <em>Urban Manners</em>, curated by Adelina Von Furstenberg, at Hangar Bicocca , Milan <em>* </em>\r\n\r\n2007                  <em>INDIA</em><em> NOW: Contemporary Indian Art, Between Continuity and transformation</em>, curated by Daniela Palozzoli at Spazio Oberdan, Milan <em>*</em>\r\n\r\n2007                  <em>New Narratives: Contemporary Art From India</em>, curated by Betty Seid, Chicago Cultural Centre, Chicago <em>*</em>\r\n\r\n2007                  <em>Thermocline Of Art- New Asian Waves</em>, curated by Wonil Rhee and Peter Weibel at ZKM in Karlsruhe, Germany <em>*</em>\r\n\r\n2006                  <em>Modern Indian Works On Paper,</em> Arthur Ross Gallery, Philadelphia and the <em> </em>Georgia Museum of Art, USA <em>*</em>\r\n\r\n2006                  <em>Lille</em><em> 3000(</em> Maximum City-Mumbai), curated by Caroline Naphegi, Lille, France <em>*</em>\r\n\r\n2006                  <em>Hungry God- Indian Contemporary Art</em>, curated by Yun Chaegab and June Gwak, Arario Gallery, Beijing and Busan MoMA<em>*</em>\r\n\r\n2006                  <em>India</em><em> Express – Art and Popular Culture</em>, Art Museum Tennispalace, curators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City  Art Museum, Finland <em>*</em>\r\n\r\n2005                  <em>Span</em>, Sakshi Gallery, Mumbai\r\n\r\n2005                  <em>Indian Paintings of the New Millenium</em>, curated by Helen Asquine Fazio at Thomas J. Walsh Art Gallery at Fairfield   University, USA<em>*</em>\r\n\r\n2004                  <em>Contemporary Art from India</em>, Thomas   Erben Gallery, New York\r\n\r\n2004                  <em>Zoom! Art in Contemporary India.</em> Curators: Nancy Adajania and Luis Serpa, The Culturgest Museum, Lisbon, Portugal *<em> </em><em> </em>\r\n\r\n2003                  <em>Crossing generations: diVERGE</em>, Gallery Chemould’s 40th anniversary, Curators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of Modern Art, Mumbai <em>*</em>\r\n\r\n2003                  <em>Hard Copy,</em> two-person show with Jitish Kallat, Gallery 88, Calcutta *\r\n\r\n2003                  <em>Tiranga</em>, curator: Peter Nagy, India Habitat Centre, New Delhi, <em>*</em>\r\n\r\n2003                  <em>Elephant Walks</em>, Youth Arts Project in collaboration with Jitish Kallat as part of Indians + Cowboys exhibition, Curators: Aaron Seetu and Ruth Watson Gallery 4A, Sydney <em>*</em> <em> </em>\r\n\r\n2003                  <em>The Tree From The Seed, Contemporary Art from India, </em>curator: Gavin Jantjes Henie Onstad Kunstsenter (Oslo), Norway <em>*</em>\r\n\r\n2002                   <em>Crosscurrents</em>, organized by Artworks for the fiftieth anniversary celebrations of Jehangir Art Gallery, Mumbai\r\n\r\n2002                  <em>Reclaim Our Freedom</em>, organized by Open Circle, Pundole Art Gallery, Mumbai\r\n\r\n2001                  <em>Big River 2</em>, CCA7 Gallery, Port Of Spain, Trinidad <em>*</em>\r\n\r\n2001                   <em>AOM- Art on the move</em>, organized by Sahmat, New Delhi <em>*</em>\r\n\r\n1999                  <em>Edge of the Century,</em> curated by Amit Mukhopadhyay, Academy  of Fine Arts and Literature, New Delhi <em>*</em><em> </em>\r\n\r\n<em>* </em>exhibition catalogue published<em> </em>\r\n<h2>TALKS/ PRESENTATIONS</h2>\r\n2009                  Panel discussion with artist Gulam Sheikh, co-chair: Sabine B. Vogel, at the Sammlung Essl Museum, Vienna\r\n\r\n2008                  Slide presentation followed by a panel discussion with Nalini Malani and Jayshree Chakravarty, moderated by Nancy Adajania\r\n\r\n2008                  Slide presentation at the School of the Art Institute of Chicago\r\n\r\n2007                  Panel discussion with Nalini   Malani, Sheba Chachi, moderated by Betty Seid at the Chicago Cultural Centre\r\n\r\n2007                  Lecture at the University Boccini, Milan\r\n\r\n2006                  Slide presentation at the Lamar Dodd School of Art, University of Georgia\r\n\r\n2006                  Talk at the M. Smith Griffith Auditorium, Georgia Museum of Art\r\n\r\n2003                  Slide presentation at the Academy of Fine Arts in Oslo, Norway\r\n\r\n2000                  Mohile Parikh Centre for the Visual Arts, Mumbai\r\n<h3>SELECTED WORKSHOPS AND RESIDENCIES</h3>\r\n2009                  <em>Vanishing Point</em>, children’s project at the Celebrate Bandra Festival, Mumbai\r\n\r\n2007                   Collaborative workshop as part of  the exhibition <em>Aftershock</em> at the Sainsbury Centre for Visual Arts, University of East  Anglia, Norwich, UK\r\n\r\n2002                  Collaborated on a Billboard  project with Jitish Kallat, Kala Ghoda Art District, Mumbai\r\n\r\n2003                  <em>Elephant Walks</em>, Youth Arts Project at  the Casula Power House Arts Centre, Liverpool, Australia\r\n\r\n2001                  <em>Khoj 2002</em>, International Artists Workshop, Mysore,  India\r\n\r\n2001                  <em>Identity and Landscape</em>,  residency in the Laurentian mountains of Quebec at the Boreal Art/Nature Centre, Canada\r\n\r\n2001                  <em>Big River 2</em>, International Artists  Workshop organized by CCA7 and the Triangle Arts Trust at Grand Riviere, Trinidad,  West Indies\r\n\r\n<em>The artist lives and works in Mumbai</em>','Biography ','','inherit','open','open','','105-revision-23','','','2010-06-28 18:33:37','2010-06-28 18:33:37','',105,'http://www.biggventures.com/demo/artists/1306/uncat/105-revision-23',0,'revision','',0),(1304,1,'2010-06-28 18:21:48','2010-06-28 18:21:48','<h3>Slide presentation followedREENA S. KALLAT</h3>\r\n1973                   Born in Delhi, India\r\n\r\n1991-96             B.F.A. [painting], Sir J.J.School of Art, Mumbai\r\n<h3>SOLO EXHIBITIONS</h3>\r\n2009                  <em>Drift</em>, Primo Marella Gallery, Milan <em>*</em>\r\n\r\n2008                  <em>Silt of Seasons</em>, Chemould   Prescott Road, Mumbai <em>*</em>\r\n\r\n2008                  <em>Subject to Change without Notice</em>, Walsh Gallery, Chicago <em>*</em>\r\n\r\n2006                  <em>Rainbow Of Refuse, </em>Bodhi Art Gallery, Mumbai and Singapore <em>* </em>\r\n\r\n2005                  <em>Black Flute (And Other Stories)</em>, Nature Morte, New Delhi <em>*</em>\r\n\r\n2004                  <em>Black Flute</em>, Gallery Chemould, Mumbai <em>*</em>\r\n2002                  <em>The Battlefield Is The Mind</em>, Sakshi Gallery, Bangalore <em>*</em>\r\n2002                  <em>Seven Faces of Dust</em>, Chicago Radio, Mumbai\r\n2000                 <em>Skin</em>, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi <em>*</em>\r\n\r\n1998                   <em>Orchard of Home-grown Secrets</em>, Gallery Chemould and Pundole  Art Gallery, Mumbai <em>*</em>\r\n<h3>SELECTED GROUP EXHIBITIONS</h3>\r\n<em> </em>\r\n\r\n2010                  <em>In Transition: New Art from India</em>, Richmond Art Gallery Vancouver Biennale, Vancouver\r\n\r\n2010                  <em>Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster</em> <em>University</em>,curated by Jeffrey Hughes and Dana Turkovic, Cecile R. Hunt Gallery, St. Louis, Missouri\r\n\r\n2010                  <em>Never Run Away</em>, 2 person exhibition curated by Shaheen Merali, <em> </em><em> </em>Stux Gallery, New York <em>*</em>\r\n\r\n2010                  <em>The Empire Strikes Back</em>, Saatchi Gallery, London <em>*</em>\r\n\r\n2010                  <em>Urban Manners 2</em>, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao Paulo, Brazil\r\n\r\n2009                  <em>View Points and Viewing points - 2009 Asian Art Biennale</em>, curator: Chao-yi-TSAI, National Taiwan Museum of Fine Arts <em>*</em>\r\n\r\n2009                  <em>Milan Galleria</em>, curated by Georgio Verzotti, Triennale Museum, Milan\r\n\r\n2009                  <em>Passage to India Part II show </em>at Initial Access, Frank Cohen Collection, Wolverhampton, UK\r\n\r\n2009                  Ventosul Biennale, Curitiba, Brazil\r\n\r\n2009                  <em>Chalo! India: A New Era of Indian Art</em>, National  Museum of Contemporary Art, Korea and Essl Museum, Vienna <em>*</em>\r\n\r\n2009                  <em>INDIA</em><em> XIANZAI: Contemporary Indian Art</em>, Museum of Contemporary Art, Shanghai <em>*</em>\r\n\r\n2009                  <em>Indian Narratives in the 21<sup>st</sup> Century: Between Memory and History</em>, Casa  Asia, Madrid and Barcelona, Spain\r\n\r\n2008     <em> Chalo! India: A New Era of Indian Art</em>, curator: Akiko Miki, Mori Art Museum, Japan <em>*</em>\r\n\r\n2008                  India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM Museum, Valencia, Spain <em>* </em>\r\n\r\n2008                     <em>3<sup>rd</sup> Nanjing Triennale</em>, curators: Fumihiko Sumitomo, Jaeyoung Kang, China\r\n\r\n2008                     <em>TEAF (Taehwagang Eco Art Festival) - Dream   River, Korea</em> *\r\n\r\n2008                  <em>Everywhere is War (And Rumours of it</em>), Bodhi Art Gallery, Mumbai <em>*</em>\r\n\r\n2008                  <em>Fire Walkers</em>, Stefan Stux gallery, New York\r\n\r\n2008                  <em>Three Points of view</em>, Galerie Mirchandani + Steinrucke, Mumbai <em>*</em>\r\n\r\n2008                  <em>A MAZ ING</em>, curated by Anupa Mehta for Harsh Goenka/RPG Academy of Art\r\nand Culture at the Jehangir Art Gallery, Mumbai<em> </em>\r\n\r\n2008                  <em>Excavation: Memory / Myth / Membrane</em>, Museum Gallery, Mumbai <em>*</em>\r\n\r\n2007                  <em>International Incheon Women Artists’</em> <em>Biennale</em>, Korea <em>*</em>\r\n\r\n2007                  <em>Soft Power: Asian Attitude</em>, Shanghai Zendai Museum of Modern Art, Shanghai <em>*</em>\r\n\r\n2007                  <em>Urban Manners</em>, curated by Adelina Von Furstenberg, at Hangar Bicocca , Milan <em>* </em>\r\n\r\n2007                  <em>INDIA</em><em> NOW: Contemporary Indian Art, Between Continuity and transformation</em>, curated by Daniela Palozzoli at Spazio Oberdan, Milan <em>*</em>\r\n\r\n2007                  <em>New Narratives: Contemporary Art From India</em>, curated by Betty Seid, Chicago Cultural Centre, Chicago <em>*</em>\r\n\r\n2007                  <em>Thermocline Of Art- New Asian Waves</em>, curated by Wonil Rhee and Peter Weibel at ZKM in Karlsruhe, Germany <em>*</em>\r\n\r\n2006                  <em>Modern Indian Works On Paper,</em> Arthur Ross Gallery, Philadelphia and the <em> </em>Georgia Museum of Art, USA <em>*</em>\r\n\r\n2006                  <em>Lille</em><em> 3000(</em> Maximum City-Mumbai), curated by Caroline Naphegi, Lille, France <em>*</em>\r\n\r\n2006<em> Hungry God- Indian Contemporary Art</em>, curated by Yun Chaegab and June Gwak, Arario Gallery, Beijing and Busan MoMA<em>*</em>\r\n\r\n2006                  <em>India</em><em> Express – Art and Popular Culture</em>, Art Museum Tennispalace, curators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City  Art Museum, Finland <em>*</em>\r\n\r\n2005                  <em>Span</em>, Sakshi Gallery, Mumbai\r\n\r\n2005                  <em>Indian Paintings of the New Millenium</em>, curated by Helen Asquine Fazio at Thomas J. Walsh Art Gallery at Fairfield   University, USA<em>*</em>\r\n\r\n2004 <em> Contemporary Art from India</em>, Thomas   Erben Gallery, New York\r\n\r\n2004                       <em>Zoom! Art in Contemporary India.</em> Curators: Nancy Adajania and Luis Serpa, The Culturgest Museum, Lisbon, Portugal *<em> </em><em> </em>\r\n\r\n2003                       <em>Crossing generations: diVERGE</em>, Gallery Chemould’s 40th anniversary, Curators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of Modern Art, Mumbai <em>*</em>\r\n\r\n2003                       <em>Hard Copy,</em> two-person show with Jitish Kallat, Gallery 88, Calcutta *\r\n\r\n2003                  <em>Tiranga</em>, curator: Peter Nagy, India Habitat Centre, New Delhi, <em>*</em>\r\n\r\n2003                       <em>Elephant Walks</em>, Youth Arts Project in collaboration with Jitish Kallat as part of Indians + Cowboys exhibition, Curators: Aaron Seetu and Ruth Watson Gallery 4A, Sydney <em>*</em> <em> </em>\r\n\r\n2003                  <em>The Tree From The Seed, Contemporary Art from India, </em>curator: Gavin Jantjes Henie Onstad Kunstsenter (Oslo), Norway <em>*</em>\r\n\r\n2002                   <em>Crosscurrents</em>, organized by Artworks for the fiftieth anniversary celebrations of Jehangir Art Gallery, Mumbai\r\n\r\n2002                                    <em>Reclaim Our Freedom</em>, organized by Open Circle, Pundole Art Gallery, Mumbai\r\n\r\n2001                                    <em>Big River 2</em>, CCA7 Gallery, Port Of Spain, Trinidad <em>*</em>\r\n\r\n2001                   <em>AOM- Art on the move</em>, organized by Sahmat, New Delhi <em>*</em>\r\n\r\n1999                       <em>Edge of the Century,</em> curated by Amit Mukhopadhyay, Academy  of Fine Arts and Literature, New Delhi <em>*</em> <em> </em>\r\n\r\n<em>* </em>exhibition catalogue published<em> </em>\r\n<h2>TALKS/ PRESENTATIONS</h2>\r\n2009                  Panel discussion with artist Gulam Sheikh, co-chair: Sabine B. Vogel, at the Sammlung Essl Museum, Vienna\r\n\r\n2008                  Slide presentation followed by a panel discussion with Nalini Malani and Jayshree Chakravarty, moderated by Nancy Adajania\r\n\r\n2008                  Slide presentation at the School of the Art Institute of Chicago\r\n\r\n2007                  Panel discussion with Nalini   Malani, Sheba Chachi, moderated by Betty Seid at the Chicago Cultural Centre\r\n\r\n2007                  Lecture at the University Boccini, Milan\r\n\r\n2006                  Slide presentation at the Lamar Dodd School of Art, University of Georgia\r\n\r\n2006                  Talk at the M. Smith Griffith Auditorium, Georgia Museum of Art\r\n\r\n2003                  Slide presentation at the Academy of Fine Arts in Oslo, Norway\r\n\r\n2000                  Mohile Parikh Centre for the Visual Arts, Mumbai\r\n<h3>SELECTED WORKSHOPS AND RESIDENCIES</h3>\r\n2009                  <em>Vanishing Point</em>, children’s project at the Celebrate Bandra Festival, Mumbai\r\n\r\n2007                   Collaborative workshop as part of  the exhibition <em>Aftershock</em> at the Sainsbury Centre for Visual Arts, University of East  Anglia, Norwich, UK\r\n\r\n2002                  Collaborated on a Billboard  project with Jitish Kallat, Kala Ghoda Art District, Mumbai\r\n\r\n2003                  <em>Elephant Walks</em>, Youth Arts Project at  the Casula Power House Arts Centre, Liverpool, Australia\r\n\r\n2001                  <em>Khoj 2002</em>, International Artists Workshop, Mysore,  India\r\n\r\n2001                  <em>Identity and Landscape</em>,  residency in the Laurentian mountains of Quebec at the Boreal Art/Nature Centre, Canada\r\n\r\n2001                  <em>Big River 2</em>, International Artists  Workshop organized by CCA7 and the Triangle Arts Trust at Grand Riviere, Trinidad,  West Indies\r\n\r\n<em>The artist lives and works in Mumbai</em>','Biography ','','inherit','open','open','','105-revision-21','','','2010-06-28 18:21:48','2010-06-28 18:21:48','',105,'http://www.biggventures.com/demo/artists/1304/uncat/105-revision-21',0,'revision','',0),(1305,1,'2010-06-28 18:32:52','2010-06-28 18:32:52','<h3>Slide presentation followedREENA S. KALLA</h3>\r\n<h3>T</h3>\r\n1973                   Born in Delhi, India\r\n\r\n1991-96             B.F.A. [painting], Sir J.J.School of Art, Mumbai\r\n<h3>SOLO EXHIBITIONS</h3>\r\n2009                  <em>Drift</em>, Primo Marella Gallery, Milan <em>*</em>\r\n\r\n2008                  <em>Silt of Seasons</em>, Chemould   Prescott Road, Mumbai <em>*</em>\r\n\r\n2008                  <em>Subject to Change without Notice</em>, Walsh Gallery, Chicago <em>*</em>\r\n\r\n2006                  <em>Rainbow Of Refuse, </em>Bodhi Art Gallery, Mumbai and Singapore <em>* </em>\r\n\r\n2005                  <em>Black Flute (And Other Stories)</em>, Nature Morte, New Delhi <em>*</em>\r\n\r\n2004                  <em>Black Flute</em>, Gallery Chemould, Mumbai <em>*</em>\r\n2002                  <em>The Battlefield Is The Mind</em>, Sakshi Gallery, Bangalore <em>*</em>\r\n2002                  <em>Seven Faces of Dust</em>, Chicago Radio, Mumbai\r\n2000                 <em>Skin</em>, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi <em>*</em>\r\n\r\n1998                   <em>Orchard of Home-grown Secrets</em>, Gallery Chemould and Pundole  Art Gallery, Mumbai <em>*</em>\r\n<h3>SELECTED GROUP EXHIBITIONS</h3>\r\n<em> </em>\r\n\r\n2010                  <em>In Transition: New Art from India</em>, Richmond Art Gallery Vancouver Biennale, Vancouver\r\n\r\n2010                  <em>Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster</em> <em>University</em>,curated by Jeffrey Hughes and Dana Turkovic, Cecile R. Hunt Gallery, St. Louis, Missouri\r\n\r\n2010                  <em>Never Run Away</em>, 2 person exhibition curated by Shaheen Merali, <em> </em><em> </em>Stux Gallery, New York <em>*</em>\r\n\r\n2010                  <em>The Empire Strikes Back</em>, Saatchi Gallery, London <em>*</em>\r\n\r\n2010                  <em>Urban Manners 2</em>, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao Paulo, Brazil\r\n\r\n2009                  <em>View Points and Viewing points - 2009 Asian Art Biennale</em>, curator: Chao-yi-TSAI, National Taiwan Museum of Fine Arts <em>*</em>\r\n\r\n2009                  <em>Milan Galleria</em>, curated by Georgio Verzotti, Triennale Museum, Milan\r\n\r\n2009                  <em>Passage to India Part II show </em>at Initial Access, Frank Cohen Collection, Wolverhampton, UK\r\n\r\n2009                  Ventosul Biennale, Curitiba, Brazil\r\n\r\n2009                  <em>Chalo! India: A New Era of Indian Art</em>, National  Museum of Contemporary Art, Korea and Essl Museum, Vienna <em>*</em>\r\n\r\n2009                  <em>INDIA</em><em> XIANZAI: Contemporary Indian Art</em>, Museum of Contemporary Art, Shanghai <em>*</em>\r\n\r\n2009                  <em>Indian Narratives in the 21<sup>st</sup> Century: Between Memory and History</em>, Casa  Asia, Madrid and Barcelona, Spain\r\n\r\n2008                  <em>Chalo! India: A New Era of Indian Art</em>, curator: Akiko Miki, Mori Art Museum, Japan <em>*</em>\r\n\r\n2008                  India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM Museum, Valencia, Spain <em>* </em>\r\n\r\n2008                     <em>3<sup>rd</sup> Nanjing Triennale</em>, curators: Fumihiko Sumitomo, Jaeyoung Kang, China\r\n\r\n2008                     <em>TEAF (Taehwagang Eco Art Festival) - Dream   River, Korea</em> *\r\n\r\n2008                  <em>Everywhere is War (And Rumours of it</em>), Bodhi Art Gallery, Mumbai <em>*</em>\r\n\r\n2008                  <em>Fire Walkers</em>, Stefan Stux gallery, New York\r\n\r\n2008                  <em>Three Points of view</em>, Galerie Mirchandani + Steinrucke, Mumbai <em>*</em>\r\n\r\n2008                  <em>A MAZ ING</em>, curated by Anupa Mehta for Harsh Goenka/RPG Academy of Art and Culture at the Jehangir Art Gallery, Mumbai<em> </em>\r\n\r\n2008                  <em>Excavation: Memory / Myth / Membrane</em>, Museum Gallery, Mumbai <em>*</em>\r\n\r\n2007                  <em>International Incheon Women Artists’</em> <em>Biennale</em>, Korea <em>*</em>\r\n\r\n2007                  <em>Soft Power: Asian Attitude</em>, Shanghai Zendai Museum of Modern Art, Shanghai <em>*</em>\r\n\r\n2007                  <em>Urban Manners</em>, curated by Adelina Von Furstenberg, at Hangar Bicocca , Milan <em>* </em>\r\n\r\n2007                  <em>INDIA</em><em> NOW: Contemporary Indian Art, Between Continuity and transformation</em>, curated by Daniela Palozzoli at Spazio Oberdan, Milan <em>*</em>\r\n\r\n2007                  <em>New Narratives: Contemporary Art From India</em>, curated by Betty Seid, Chicago Cultural Centre, Chicago <em>*</em>\r\n\r\n2007                  <em>Thermocline Of Art- New Asian Waves</em>, curated by Wonil Rhee and Peter Weibel at ZKM in Karlsruhe, Germany <em>*</em>\r\n\r\n2006                  <em>Modern Indian Works On Paper,</em> Arthur Ross Gallery, Philadelphia and the <em> </em>Georgia Museum of Art, USA <em>*</em>\r\n\r\n2006                  <em>Lille</em><em> 3000(</em> Maximum City-Mumbai), curated by Caroline Naphegi, Lille, France <em>*</em>\r\n\r\n2006                  <em>Hungry God- Indian Contemporary Art</em>, curated by Yun Chaegab and June Gwak, Arario Gallery, Beijing and Busan MoMA<em>*</em>\r\n\r\n2006                  <em>India</em><em> Express – Art and Popular Culture</em>, Art Museum Tennispalace, curators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City  Art Museum, Finland <em>*</em>\r\n\r\n2005                  <em>Span</em>, Sakshi Gallery, Mumbai\r\n\r\n2005                  <em>Indian Paintings of the New Millenium</em>, curated by Helen Asquine Fazio at Thomas J. Walsh Art Gallery at Fairfield   University, USA<em>*</em>\r\n\r\n2004                  <em>Contemporary Art from India</em>, Thomas   Erben Gallery, New York\r\n\r\n2004                  <em>Zoom! Art in Contemporary India.</em> Curators: Nancy Adajania and Luis Serpa, The Culturgest Museum, Lisbon, Portugal *<em> </em><em> </em>\r\n\r\n2003                  <em>Crossing generations: diVERGE</em>, Gallery Chemould’s 40th anniversary, Curators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of Modern Art, Mumbai <em>*</em>\r\n\r\n2003                  <em>Hard Copy,</em> two-person show with Jitish Kallat, Gallery 88, Calcutta *\r\n\r\n2003                  <em>Tiranga</em>, curator: Peter Nagy, India Habitat Centre, New Delhi, <em>*</em>\r\n\r\n2003                  <em>Elephant Walks</em>, Youth Arts Project in collaboration with Jitish Kallat as part of Indians + Cowboys exhibition, Curators: Aaron Seetu and Ruth Watson Gallery 4A, Sydney <em>*</em> <em> </em>\r\n\r\n2003                  <em>The Tree From The Seed, Contemporary Art from India, </em>curator: Gavin Jantjes Henie Onstad Kunstsenter (Oslo), Norway <em>*</em>\r\n\r\n2002                   <em>Crosscurrents</em>, organized by Artworks for the fiftieth anniversary celebrations of Jehangir Art Gallery, Mumbai\r\n\r\n2002                  <em>Reclaim Our Freedom</em>, organized by Open Circle, Pundole Art Gallery, Mumbai\r\n\r\n2001                  <em>Big River 2</em>, CCA7 Gallery, Port Of Spain, Trinidad <em>*</em>\r\n\r\n2001                   <em>AOM- Art on the move</em>, organized by Sahmat, New Delhi <em>*</em>\r\n\r\n1999                  <em>Edge of the Century,</em> curated by Amit Mukhopadhyay, Academy  of Fine Arts and Literature, New Delhi <em>*</em><em> </em>\r\n\r\n<em>* </em>exhibition catalogue published<em> </em>\r\n<h2></h2>\r\n<h2>TALKS/ PRESENTATIONS</h2>\r\n2009                  Panel discussion with artist Gulam Sheikh, co-chair: Sabine B. Vogel, at the Sammlung Essl Museum, Vienna\r\n\r\n2008                  Slide presentation followed by a panel discussion with Nalini Malani and Jayshree Chakravarty, moderated by Nancy Adajania\r\n\r\n2008                  Slide presentation at the School of the Art Institute of Chicago\r\n\r\n2007                  Panel discussion with Nalini   Malani, Sheba Chachi, moderated by Betty Seid at the Chicago Cultural Centre\r\n\r\n2007                  Lecture at the University Boccini, Milan\r\n\r\n2006                  Slide presentation at the Lamar Dodd School of Art, University of Georgia\r\n\r\n2006                  Talk at the M. Smith Griffith Auditorium, Georgia Museum of Art\r\n\r\n2003                  Slide presentation at the Academy of Fine Arts in Oslo, Norway\r\n\r\n2000                  Mohile Parikh Centre for the Visual Arts, Mumbai\r\n<h3></h3>\r\n<h3>SELECTED WORKSHOPS AND RESIDENCIES</h3>\r\n2009                  <em>Vanishing Point</em>, children’s project at the Celebrate Bandra Festival, Mumbai\r\n\r\n2007                   Collaborative workshop as part of  the exhibition <em>Aftershock</em> at the Sainsbury Centre for Visual Arts, University of East  Anglia, Norwich, UK\r\n\r\n2002                  Collaborated on a Billboard  project with Jitish Kallat, Kala Ghoda Art District, Mumbai\r\n\r\n2003                  <em>Elephant Walks</em>, Youth Arts Project at  the Casula Power House Arts Centre, Liverpool, Australia\r\n\r\n2001                  <em>Khoj 2002</em>, International Artists Workshop, Mysore,  India\r\n\r\n2001                  <em>Identity and Landscape</em>,  residency in the Laurentian mountains of Quebec at the Boreal Art/Nature Centre, Canada\r\n\r\n2001                  <em>Big River 2</em>, International Artists  Workshop organized by CCA7 and the Triangle Arts Trust at Grand Riviere, Trinidad,  West Indies\r\n\r\n<em>The artist lives and works in Mumbai</em>','Biography ','','inherit','open','open','','105-revision-22','','','2010-06-28 18:32:52','2010-06-28 18:32:52','',105,'http://www.biggventures.com/demo/artists/1305/uncat/105-revision-22',0,'revision','',0),(1307,1,'2010-06-28 18:35:05','2010-06-28 18:35:05','<h3>Slide presentation followedREENA S. KALLAT</h3>\r\n1973                   Born in Delhi, India\r\n\r\n1991-96             B.F.A. [painting], Sir J.J.School of Art, Mumbai\r\n<h3>SOLO EXHIBITIONS</h3>\r\n2009                  <em>Drift</em>, Primo Marella Gallery, Milan <em>*</em>\r\n\r\n2008                  <em>Silt of Seasons</em>, Chemould   Prescott Road, Mumbai <em>*</em>\r\n\r\n2008                  <em>Subject to Change without Notice</em>, Walsh Gallery, Chicago <em>*</em>\r\n\r\n2006                  <em>Rainbow Of Refuse, </em>Bodhi Art Gallery, Mumbai and Singapore <em>* </em>\r\n\r\n2005                  <em>Black Flute (And Other Stories)</em>, Nature Morte, New Delhi <em>*</em>\r\n\r\n2004                  <em>Black Flute</em>, Gallery Chemould, Mumbai <em>*</em>\r\n2002                  <em>The Battlefield Is The Mind</em>, Sakshi Gallery, Bangalore <em>*</em>\r\n2002                  <em>Seven Faces of Dust</em>, Chicago Radio, Mumbai\r\n2000                 <em>Skin</em>, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi <em>*</em>\r\n\r\n1998                  <em>Orchard of Home-grown Secrets</em>, Gallery Chemould and Pundole  Art Gallery, Mumbai <em>*</em>\r\n<h3>SELECTED GROUP EXHIBITIONS</h3>\r\n<em> </em>\r\n\r\n2010                  <em>In Transition: New Art from India</em>, Richmond Art Gallery Vancouver Biennale, Vancouver\r\n\r\n2010                  <em>Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster</em> <em>University</em>,curated by Jeffrey Hughes and Dana Turkovic, Cecile R. Hunt Gallery, St. Louis, Missouri\r\n\r\n2010                  <em>Never Run Away</em>, 2 person exhibition curated by Shaheen Merali, <em> </em><em> </em>Stux Gallery, New York <em>*</em>\r\n\r\n2010                  <em>The Empire Strikes Back</em>, Saatchi Gallery, London <em>*</em>\r\n\r\n2010                  <em>Urban Manners 2</em>, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao Paulo, Brazil\r\n\r\n2009                  <em>View Points and Viewing points - 2009 Asian Art Biennale</em>, curator: Chao-yi-TSAI, National Taiwan Museum of Fine Arts <em>*</em>\r\n\r\n2009                  <em>Milan Galleria</em>, curated by Georgio Verzotti, Triennale Museum, Milan\r\n\r\n2009                  <em>Passage to India Part II show </em>at Initial Access, Frank Cohen Collection, Wolverhampton, UK\r\n\r\n2009                  Ventosul Biennale, Curitiba, Brazil\r\n\r\n2009                  <em>Chalo! India: A New Era of Indian Art</em>, National  Museum of Contemporary Art, Korea and Essl Museum, Vienna <em>*</em>\r\n\r\n2009                  <em>INDIA</em><em> XIANZAI: Contemporary Indian Art</em>, Museum of Contemporary Art, Shanghai <em>*</em>\r\n\r\n2009                  <em>Indian Narratives in the 21<sup>st</sup> Century: Between Memory and History</em>, Casa  Asia, Madrid and Barcelona, Spain\r\n\r\n2008                  <em>Chalo! India: A New Era of Indian Art</em>, curator: Akiko Miki, Mori Art Museum, Japan <em>*</em>\r\n\r\n2008                  India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM Museum, Valencia, Spain <em>* </em>\r\n\r\n2008                     <em>3<sup>rd</sup> Nanjing Triennale</em>, curators: Fumihiko Sumitomo, Jaeyoung Kang, China\r\n\r\n2008                     <em>TEAF (Taehwagang Eco Art Festival) - Dream   River, Korea</em> *\r\n\r\n2008                  <em>Everywhere is War (And Rumours of it</em>), Bodhi Art Gallery, Mumbai <em>*</em>\r\n\r\n2008                  <em>Fire Walkers</em>, Stefan Stux gallery, New York\r\n\r\n2008                  <em>Three Points of view</em>, Galerie Mirchandani + Steinrucke, Mumbai <em>*</em>\r\n\r\n2008                  <em>A MAZ ING</em>, curated by Anupa Mehta for Harsh Goenka/RPG Academy of Art and Culture at the Jehangir Art Gallery, Mumbai<em> </em>\r\n\r\n2008                  <em>Excavation: Memory / Myth / Membrane</em>, Museum Gallery, Mumbai <em>*</em>\r\n\r\n2007                  <em>International Incheon Women Artists’</em> <em>Biennale</em>, Korea <em>*</em>\r\n\r\n2007                  <em>Soft Power: Asian Attitude</em>, Shanghai Zendai Museum of Modern Art, Shanghai <em>*</em>\r\n\r\n2007                  <em>Urban Manners</em>, curated by Adelina Von Furstenberg, at Hangar Bicocca , Milan <em>* </em>\r\n\r\n2007                  <em>INDIA</em><em> NOW: Contemporary Indian Art, Between Continuity and transformation</em>, curated by Daniela Palozzoli at Spazio Oberdan, Milan <em>*</em>\r\n\r\n2007                  <em>New Narratives: Contemporary Art From India</em>, curated by Betty Seid, Chicago Cultural Centre, Chicago <em>*</em>\r\n\r\n2007                  <em>Thermocline Of Art- New Asian Waves</em>, curated by Wonil Rhee and Peter Weibel at ZKM in Karlsruhe, Germany <em>*</em>\r\n\r\n2006                  <em>Modern Indian Works On Paper,</em> Arthur Ross Gallery, Philadelphia and the <em> </em>Georgia Museum of Art, USA <em>*</em>\r\n\r\n2006                  <em>Lille</em><em> 3000(</em> Maximum City-Mumbai), curated by Caroline Naphegi, Lille, France <em>*</em>\r\n\r\n2006                  <em>Hungry God- Indian Contemporary Art</em>, curated by Yun Chaegab and June Gwak, Arario Gallery, Beijing and Busan MoMA<em>*</em>\r\n\r\n2006                  <em>India</em><em> Express – Art and Popular Culture</em>, Art Museum Tennispalace, curators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City  Art Museum, Finland <em>*</em>\r\n\r\n2005                  <em>Span</em>, Sakshi Gallery, Mumbai\r\n\r\n2005                  <em>Indian Paintings of the New Millenium</em>, curated by Helen Asquine Fazio at Thomas J. Walsh Art Gallery at Fairfield   University, USA<em>*</em>\r\n\r\n2004                  <em>Contemporary Art from India</em>, Thomas   Erben Gallery, New York\r\n\r\n2004                  <em>Zoom! Art in Contemporary India.</em> Curators: Nancy Adajania and Luis Serpa, The Culturgest Museum, Lisbon, Portugal *<em> </em><em> </em>\r\n\r\n2003                  <em>Crossing generations: diVERGE</em>, Gallery Chemould’s 40th anniversary, Curators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of Modern Art, Mumbai <em>*</em>\r\n\r\n2003                  <em>Hard Copy,</em> two-person show with Jitish Kallat, Gallery 88, Calcutta *\r\n\r\n2003                  <em>Tiranga</em>, curator: Peter Nagy, India Habitat Centre, New Delhi, <em>*</em>\r\n\r\n2003                  <em>Elephant Walks</em>, Youth Arts Project in collaboration with Jitish Kallat as part of Indians + Cowboys exhibition, Curators: Aaron Seetu and Ruth Watson Gallery 4A, Sydney <em>*</em> <em> </em>\r\n\r\n2003                  <em>The Tree From The Seed, Contemporary Art from India, </em>curator: Gavin Jantjes Henie Onstad Kunstsenter (Oslo), Norway <em>*</em>\r\n\r\n2002                   <em>Crosscurrents</em>, organized by Artworks for the fiftieth anniversary celebrations of Jehangir Art Gallery, Mumbai\r\n\r\n2002                  <em>Reclaim Our Freedom</em>, organized by Open Circle, Pundole Art Gallery, Mumbai\r\n\r\n2001                  <em>Big River 2</em>, CCA7 Gallery, Port Of Spain, Trinidad <em>*</em>\r\n\r\n2001                   <em>AOM- Art on the move</em>, organized by Sahmat, New Delhi <em>*</em>\r\n\r\n1999                  <em>Edge of the Century,</em> curated by Amit Mukhopadhyay, Academy  of Fine Arts and Literature, New Delhi <em>*</em><em> </em>\r\n\r\n<em>* </em>exhibition catalogue published<em> </em>\r\n<h2>TALKS/ PRESENTATIONS</h2>\r\n2009                  Panel discussion with artist Gulam Sheikh, co-chair: Sabine B. Vogel, at the Sammlung Essl Museum, Vienna\r\n\r\n2008                  Slide presentation followed by a panel discussion with Nalini Malani and Jayshree Chakravarty, moderated by Nancy Adajania\r\n\r\n2008                  Slide presentation at the School of the Art Institute of Chicago\r\n\r\n2007                  Panel discussion with Nalini   Malani, Sheba Chachi, moderated by Betty Seid at the Chicago Cultural Centre\r\n\r\n2007                  Lecture at the University Boccini, Milan\r\n\r\n2006                  Slide presentation at the Lamar Dodd School of Art, University of Georgia\r\n\r\n2006                  Talk at the M. Smith Griffith Auditorium, Georgia Museum of Art\r\n\r\n2003                  Slide presentation at the Academy of Fine Arts in Oslo, Norway\r\n\r\n2000                  Mohile Parikh Centre for the Visual Arts, Mumbai\r\n<h3>SELECTED WORKSHOPS AND RESIDENCIES</h3>\r\n2009                  <em>Vanishing Point</em>, children’s project at the Celebrate Bandra Festival, Mumbai\r\n\r\n2007                   Collaborative workshop as part of  the exhibition <em>Aftershock</em> at the Sainsbury Centre for Visual Arts, University of East  Anglia, Norwich, UK\r\n\r\n2002                  Collaborated on a Billboard  project with Jitish Kallat, Kala Ghoda Art District, Mumbai\r\n\r\n2003                  <em>Elephant Walks</em>, Youth Arts Project at  the Casula Power House Arts Centre, Liverpool, Australia\r\n\r\n2001                  <em>Khoj 2002</em>, International Artists Workshop, Mysore,  India\r\n\r\n2001                  <em>Identity and Landscape</em>,  residency in the Laurentian mountains of Quebec at the Boreal Art/Nature Centre, Canada\r\n\r\n2001                  <em>Big River 2</em>, International Artists  Workshop organized by CCA7 and the Triangle Arts Trust at Grand Riviere, Trinidad,  West Indies\r\n\r\n<em>The artist lives and works in Mumbai</em>','Biography ','','inherit','open','open','','105-revision-24','','','2010-06-28 18:35:05','2010-06-28 18:35:05','',105,'http://www.biggventures.com/demo/artists/1307/uncat/105-revision-24',0,'revision','',0),(1308,1,'2010-06-29 05:17:40','2010-06-29 05:17:40','<h3>Slide presentation followedREENA S. KALLAT</h3>\r\n1973                   Born in Delhi, India\r\n\r\n1991-96             B.F.A. [painting], Sir J.J.School of Art, Mumbai\r\n<h3>SOLO EXHIBITIONS</h3>\r\n2009                  <em>Drift</em>, Primo Marella Gallery, Milan <em>*</em>\r\n\r\n2008                  <em>Silt of Seasons</em>, Chemould   Prescott Road, Mumbai <em>*</em>\r\n\r\n2008                  <em>Subject to Change without Notice</em>, Walsh Gallery, Chicago <em>*</em>\r\n\r\n2006                  <em>Rainbow Of Refuse, </em>Bodhi Art Gallery, Mumbai and Singapore <em>* </em>\r\n\r\n2005                  <em>Black Flute (And Other Stories)</em>, Nature Morte, New Delhi <em>*</em>\r\n\r\n2004                  <em>Black Flute</em>, Gallery Chemould, Mumbai <em>*</em>\r\n2002                  <em>The Battlefield Is The Mind</em>, Sakshi Gallery, Bangalore <em>*</em>\r\n2002                  <em>Seven Faces of Dust</em>, Chicago Radio, Mumbai\r\n2000                 <em>Skin</em>, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi <em>*</em>\r\n\r\n1998                  <em>Orchard of Home-grown Secrets</em>, Gallery Chemould and Pundole  Art Gallery, Mumbai <em>*</em>\r\n<h3>SELECTED GROUP EXHIBITIONS</h3>\r\n<em> </em>\r\n\r\n2010                  <em>In Transition: New Art from India</em>, Richmond Art Gallery Vancouver Biennale, Vancouver\r\n\r\n2010                  <em>Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster</em> <em>University</em>,curated by Jeffrey Hughes and Dana Turkovic, Cecile R. Hunt  &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Gallery, St. Louis, Missouri\r\n\r\n2010                  <em>Never Run Away</em>, 2 person exhibition curated by Shaheen Merali, <em> </em><em> </em>Stux Gallery, New York <em>*</em>\r\n\r\n2010                  <em>The Empire Strikes Back</em>, Saatchi Gallery, London <em>*</em>\r\n\r\n2010                  <em>Urban Manners 2</em>, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao Paulo, Brazil\r\n\r\n2009                  <em>View Points and Viewing points - 2009 Asian Art Biennale</em>, curator: Chao-yi-TSAI, National Taiwan Museum of Fine Arts <em>*</em>\r\n\r\n2009                  <em>Milan Galleria</em>, curated by Georgio Verzotti, Triennale Museum, Milan\r\n\r\n2009                  <em>Passage to India Part II show </em>at Initial Access, Frank Cohen Collection, Wolverhampton, UK\r\n\r\n2009                  Ventosul Biennale, Curitiba, Brazil\r\n\r\n2009                  <em>Chalo! India: A New Era of Indian Art</em>, National  Museum of Contemporary Art, Korea and Essl Museum, Vienna <em>*</em>\r\n\r\n2009                  <em>INDIA</em><em> XIANZAI: Contemporary Indian Art</em>, Museum of Contemporary Art, Shanghai <em>*</em>\r\n\r\n2009                  <em>Indian Narratives in the 21<sup>st</sup> Century: Between Memory and History</em>, Casa  Asia, Madrid and Barcelona, Spain\r\n\r\n2008                  <em>Chalo! India: A New Era of Indian Art</em>, curator: Akiko Miki, Mori Art Museum, Japan <em>*</em>\r\n\r\n2008                  India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM Museum, Valencia, Spain <em>* </em>\r\n\r\n2008                     <em>3<sup>rd</sup> Nanjing Triennale</em>, curators: Fumihiko Sumitomo, Jaeyoung Kang, China\r\n\r\n2008                     <em>TEAF (Taehwagang Eco Art Festival) - Dream   River, Korea</em> *\r\n\r\n2008                  <em>Everywhere is War (And Rumours of it</em>), Bodhi Art Gallery, Mumbai <em>*</em>\r\n\r\n2008                  <em>Fire Walkers</em>, Stefan Stux gallery, New York\r\n\r\n2008                  <em>Three Points of view</em>, Galerie Mirchandani + Steinrucke, Mumbai <em>*</em>\r\n\r\n2008                  <em>A MAZ ING</em>, curated by Anupa Mehta for Harsh Goenka/RPG Academy of Art and Culture at the Jehangir Art Gallery, Mumbai<em> </em>\r\n\r\n2008                  <em>Excavation: Memory / Myth / Membrane</em>, Museum Gallery, Mumbai <em>*</em>\r\n\r\n2007                  <em>International Incheon Women Artists’</em> <em>Biennale</em>, Korea <em>*</em>\r\n\r\n2007                  <em>Soft Power: Asian Attitude</em>, Shanghai Zendai Museum of Modern Art, Shanghai <em>*</em>\r\n\r\n2007                  <em>Urban Manners</em>, curated by Adelina Von Furstenberg, at Hangar Bicocca , Milan <em>* </em>\r\n\r\n2007                  <em>INDIA</em><em> NOW: Contemporary Indian Art, Between Continuity and transformation</em>, curated by Daniela Palozzoli at Spazio Oberdan, Milan <em>*</em>\r\n\r\n2007                  <em>New Narratives: Contemporary Art From India</em>, curated by Betty Seid, Chicago Cultural Centre, Chicago <em>*</em>\r\n\r\n2007                  <em>Thermocline Of Art- New Asian Waves</em>, curated by Wonil Rhee and Peter Weibel at ZKM in Karlsruhe, Germany <em>*</em>\r\n\r\n2006                  <em>Modern Indian Works On Paper,</em> Arthur Ross Gallery, Philadelphia and the <em> </em>Georgia Museum of Art, USA <em>*</em>\r\n\r\n2006                  <em>Lille</em><em> 3000(</em> Maximum City-Mumbai), curated by Caroline Naphegi, Lille, France <em>*</em>\r\n\r\n2006                  <em>Hungry God- Indian Contemporary Art</em>, curated by Yun Chaegab and June Gwak, Arario Gallery, Beijing and Busan MoMA<em>*</em>\r\n\r\n2006                  <em>India</em><em> Express – Art and Popular Culture</em>, Art Museum Tennispalace, curators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City  Art Museum, Finland <em>*</em>\r\n\r\n2005                  <em>Span</em>, Sakshi Gallery, Mumbai\r\n\r\n2005                  <em>Indian Paintings of the New Millenium</em>, curated by Helen Asquine Fazio at Thomas J. Walsh Art Gallery at Fairfield   University, USA<em>*</em>\r\n\r\n2004                  <em>Contemporary Art from India</em>, Thomas   Erben Gallery, New York\r\n\r\n2004                  <em>Zoom! Art in Contemporary India.</em> Curators: Nancy Adajania and Luis Serpa, The Culturgest Museum, Lisbon, Portugal *<em> </em><em> </em>\r\n\r\n2003                  <em>Crossing generations: diVERGE</em>, Gallery Chemould’s 40th anniversary, Curators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of Modern Art, Mumbai <em>*</em>\r\n\r\n2003                  <em>Hard Copy,</em> two-person show with Jitish Kallat, Gallery 88, Calcutta *\r\n\r\n2003                  <em>Tiranga</em>, curator: Peter Nagy, India Habitat Centre, New Delhi, <em>*</em>\r\n\r\n2003                  <em>Elephant Walks</em>, Youth Arts Project in collaboration with Jitish Kallat as part of Indians + Cowboys exhibition, Curators: Aaron Seetu and Ruth Watson Gallery 4A, Sydney <em>*</em> <em> </em>\r\n\r\n2003                  <em>The Tree From The Seed, Contemporary Art from India, </em>curator: Gavin Jantjes Henie Onstad Kunstsenter (Oslo), Norway <em>*</em>\r\n\r\n2002                   <em>Crosscurrents</em>, organized by Artworks for the fiftieth anniversary celebrations of Jehangir Art Gallery, Mumbai\r\n\r\n2002                  <em>Reclaim Our Freedom</em>, organized by Open Circle, Pundole Art Gallery, Mumbai\r\n\r\n2001                  <em>Big River 2</em>, CCA7 Gallery, Port Of Spain, Trinidad <em>*</em>\r\n\r\n2001                   <em>AOM- Art on the move</em>, organized by Sahmat, New Delhi <em>*</em>\r\n\r\n1999                  <em>Edge of the Century,</em> curated by Amit Mukhopadhyay, Academy  of Fine Arts and Literature, New Delhi <em>*</em><em> </em>\r\n\r\n<em>* </em>exhibition catalogue published<em> </em>\r\n<h2>TALKS/ PRESENTATIONS</h2>\r\n2009                  Panel discussion with artist Gulam Sheikh, co-chair: Sabine B. Vogel, at the Sammlung Essl Museum, Vienna\r\n\r\n2008                  Slide presentation followed by a panel discussion with Nalini Malani and Jayshree Chakravarty, moderated by Nancy Adajania\r\n\r\n2008                  Slide presentation at the School of the Art Institute of Chicago\r\n\r\n2007                  Panel discussion with Nalini   Malani, Sheba Chachi, moderated by Betty Seid at the Chicago Cultural Centre\r\n\r\n2007                  Lecture at the University Boccini, Milan\r\n\r\n2006                  Slide presentation at the Lamar Dodd School of Art, University of Georgia\r\n\r\n2006                  Talk at the M. Smith Griffith Auditorium, Georgia Museum of Art\r\n\r\n2003                  Slide presentation at the Academy of Fine Arts in Oslo, Norway\r\n\r\n2000                  Mohile Parikh Centre for the Visual Arts, Mumbai\r\n<h3>SELECTED WORKSHOPS AND RESIDENCIES</h3>\r\n2009                  <em>Vanishing Point</em>, children’s project at the Celebrate Bandra Festival, Mumbai\r\n\r\n2007                   Collaborative workshop as part of  the exhibition <em>Aftershock</em> at the Sainsbury Centre for Visual Arts, University of East  Anglia, Norwich, UK\r\n\r\n2002                  Collaborated on a Billboard  project with Jitish Kallat, Kala Ghoda Art District, Mumbai\r\n\r\n2003                  <em>Elephant Walks</em>, Youth Arts Project at  the Casula Power House Arts Centre, Liverpool, Australia\r\n\r\n2001                  <em>Khoj 2002</em>, International Artists Workshop, Mysore,  India\r\n\r\n2001                  <em>Identity and Landscape</em>,  residency in the Laurentian mountains of Quebec at the Boreal Art/Nature Centre, Canada\r\n\r\n2001                  <em>Big River 2</em>, International Artists  Workshop organized by CCA7 and the Triangle Arts Trust at Grand Riviere, Trinidad,  West Indies\r\n\r\n<em>The artist lives and works in Mumbai</em>','Biography ','','inherit','open','open','','105-revision-25','','','2010-06-29 05:17:40','2010-06-29 05:17:40','',105,'http://www.biggventures.com/demo/artists/1308/uncat/105-revision-25',0,'revision','',0),(1311,1,'2010-06-29 05:46:23','2010-06-29 05:46:23','<h3>Slide presentation followedREENA S. KALLAT</h3>\r\n1973                   Born in Delhi, India\r\n\r\n1991-96             B.F.A. [painting], Sir J.J.School of Art, Mumbai\r\n<h3>SOLO EXHIBITIONS</h3>\r\n2009                  <em>Drift</em>, Primo Marella Gallery, Milan <em>*</em>\r\n\r\n2008                  <em>Silt of Seasons</em>, Chemould   Prescott Road, Mumbai <em>*</em>\r\n\r\n2008                  <em>Subject to Change without Notice</em>, Walsh Gallery, Chicago <em>*</em>\r\n\r\n2006                  <em>Rainbow Of Refuse, </em>Bodhi Art Gallery, Mumbai and Singapore <em>* </em>\r\n\r\n2005                  <em>Black Flute (And Other Stories)</em>, Nature Morte, New Delhi <em>*</em>\r\n\r\n2004                  <em>Black Flute</em>, Gallery Chemould, Mumbai <em>*</em>\r\n2002                  <em>The Battlefield Is The Mind</em>, Sakshi Gallery, Bangalore <em>*</em>\r\n2002                  <em>Seven Faces of Dust</em>, Chicago Radio, Mumbai\r\n2000                 <em>Skin</em>, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi <em>*</em>\r\n\r\n1998                  <em>Orchard of Home-grown Secrets</em>, Gallery Chemould and Pundole  Art Gallery, Mumbai <em>*</em>\r\n<h3>SELECTED GROUP EXHIBITIONS</h3>\r\n<em> </em>\r\n\r\n2010                  <em>In Transition: New Art from India</em>, Richmond Art Gallery Vancouver Biennale, Vancouver\r\n\r\n2010                  <em>Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster</em> <em>University</em>,curated by Jeffrey Hughes and Dana Turkovic, Cecile R. Hunt                             Gallery, St. Louis, Missouri\r\n\r\n2010                  <em>Never Run Away</em>, 2 person exhibition curated by Shaheen Merali, <em> </em><em> </em>Stux Gallery, New York <em>*</em>\r\n\r\n2010                  <em>The Empire Strikes Back</em>, Saatchi Gallery, London <em>*</em>\r\n\r\n2010                  <em>Urban Manners 2</em>, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia,                            Sao Paulo, Brazil\r\n\r\n2009                  <em>View Points and Viewing points - 2009 Asian Art Biennale</em>, curator: Chao-yi-TSAI, National Taiwan Museum of Fine Arts <em>*</em>\r\n\r\n2009                  <em>Milan Galleria</em>, curated by Georgio Verzotti, Triennale Museum, Milan\r\n\r\n2009                  <em>Passage to India Part II show </em>at Initial Access, Frank Cohen Collection, Wolverhampton, UK\r\n\r\n2009                  Ventosul Biennale, Curitiba, Brazil\r\n\r\n2009                  <em>Chalo! India: A New Era of Indian Art</em>, National  Museum of Contemporary Art, Korea and Essl Museum, Vienna <em>*</em>\r\n\r\n2009                  <em>INDIA</em><em> XIANZAI: Contemporary Indian Art</em>, Museum of Contemporary Art, Shanghai <em>*</em>\r\n\r\n2009                  <em>Indian Narratives in the 21<sup>st</sup> Century: Between Memory and History</em>, Casa  Asia, Madrid and Barcelona, Spain\r\n\r\n2008                  <em>Chalo! India: A New Era of Indian Art</em>, curator: Akiko Miki, Mori Art Museum, Japan <em>*</em>\r\n\r\n2008                  India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM Museum, Valencia, Spain <em>* </em>\r\n\r\n2008                 <em>3<sup>rd</sup> Nanjing Triennale</em>, curators: Fumihiko Sumitomo, Jaeyoung Kang, China\r\n\r\n2008                 <em>TEAF (Taehwagang Eco Art Festival) - Dream   River, Korea</em> *\r\n\r\n2008                  <em>Everywhere is War (And Rumours of it</em>), Bodhi Art Gallery, Mumbai <em>*</em>\r\n\r\n2008                  <em>Fire Walkers</em>, Stefan Stux gallery, New York\r\n\r\n2008                  <em>Three Points of view</em>, Galerie Mirchandani + Steinrucke, Mumbai <em>*</em>\r\n\r\n2008                  <em>A MAZ ING</em>, curated by Anupa Mehta for Harsh Goenka/RPG Academy of Art and Culture at the Jehangir Art Gallery, Mumbai<em> </em>\r\n\r\n2008                  <em>Excavation: Memory / Myth / Membrane</em>, Museum Gallery, Mumbai <em>*</em>\r\n\r\n2007                  <em>International Incheon Women Artists’</em> <em>Biennale</em>, Korea <em>*</em>\r\n\r\n2007                  <em>Soft Power: Asian Attitude</em>, Shanghai Zendai Museum of Modern Art, Shanghai <em>*</em>\r\n\r\n2007                  <em>Urban Manners</em>, curated by Adelina Von Furstenberg, at Hangar Bicocca , Milan <em>* </em>\r\n\r\n2007                  <em>INDIA</em><em> NOW: Contemporary Indian Art, Between Continuity and transformation</em>, curated by Daniela Palozzoli at Spazio Oberdan, Milan <em>*</em>\r\n\r\n2007                  <em>New Narratives: Contemporary Art From India</em>, curated by Betty Seid, Chicago Cultural Centre, Chicago <em>*</em>\r\n\r\n2007                  <em>Thermocline Of Art- New Asian Waves</em>, curated by Wonil Rhee and Peter Weibel at ZKM in Karlsruhe, Germany <em>*</em>\r\n\r\n2006                  <em>Modern Indian Works On Paper,</em> Arthur Ross Gallery, Philadelphia and the <em> </em>Georgia Museum of Art, USA <em>*</em>\r\n\r\n2006                  <em>Lille</em><em> 3000(</em> Maximum City-Mumbai), curated by Caroline Naphegi, Lille, France <em>*</em>\r\n\r\n2006                  <em>Hungry God- Indian Contemporary Art</em>, curated by Yun Chaegab and June Gwak, Arario Gallery, Beijing and Busan MoMA<em>*</em>\r\n\r\n2006                  <em>India</em><em> Express – Art and Popular Culture</em>, Art Museum Tennispalace, curators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City  Art                            Museum, Finland <em>*</em>\r\n\r\n2005                  <em>Span</em>, Sakshi Gallery, Mumbai\r\n\r\n2005                  <em>Indian Paintings of the New Millenium</em>, curated by Helen Asquine Fazio at Thomas J. Walsh Art Gallery at Fairfield   University, USA<em>*</em>\r\n\r\n2004                  <em>Contemporary Art from India</em>, Thomas   Erben Gallery, New York\r\n\r\n2004                  <em>Zoom! Art in Contemporary India.</em> Curators: Nancy Adajania and Luis Serpa, The Culturgest Museum, Lisbon, Portugal *<em> </em><em> </em>\r\n\r\n2003                  <em>Crossing generations: diVERGE</em>, Gallery Chemould’s 40th anniversary, Curators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of                            Modern Art, Mumbai <em>*</em>\r\n\r\n2003                  <em>Hard Copy,</em> two-person show with Jitish Kallat, Gallery 88, Calcutta *\r\n\r\n2003                  <em>Tiranga</em>, curator: Peter Nagy, India Habitat Centre, New Delhi, <em>*</em>\r\n\r\n2003                  <em>Elephant Walks</em>, Youth Arts Project in collaboration with Jitish Kallat as part of Indians + Cowboys exhibition, Curators: Aaron Seetu and Ruth                            Watson Gallery 4A, Sydney <em>*</em> <em> </em>\r\n\r\n2003                  <em>The Tree From The Seed, Contemporary Art from India, </em>curator: Gavin Jantjes Henie Onstad Kunstsenter (Oslo), Norway <em>*</em>\r\n\r\n2002                   <em>Crosscurrents</em>, organized by Artworks for the fiftieth anniversary celebrations of Jehangir Art Gallery, Mumbai\r\n\r\n2002                  <em>Reclaim Our Freedom</em>, organized by Open Circle, Pundole Art Gallery, Mumbai\r\n\r\n2001                  <em>Big River 2</em>, CCA7 Gallery, Port Of Spain, Trinidad <em>*</em>\r\n\r\n2001                   <em>AOM- Art on the move</em>, organized by Sahmat, New Delhi <em>*</em>\r\n\r\n1999                  <em>Edge of the Century,</em> curated by Amit Mukhopadhyay, Academy  of Fine Arts and Literature, New Delhi <em>*</em><em> </em>\r\n\r\n<em>* </em>exhibition catalogue published<em> </em>\r\n<h2>TALKS/ PRESENTATIONS</h2>\r\n2009                  Panel discussion with artist Gulam Sheikh, co-chair: Sabine B. Vogel, at the Sammlung Essl Museum, Vienna\r\n\r\n2008                  Slide presentation followed by a panel discussion with Nalini Malani and Jayshree Chakravarty, moderated by Nancy Adajania\r\n\r\n2008                  Slide presentation at the School of the Art Institute of Chicago\r\n\r\n2007                  Panel discussion with Nalini   Malani, Sheba Chachi, moderated by Betty Seid at the Chicago Cultural Centre\r\n\r\n2007                  Lecture at the University Boccini, Milan\r\n\r\n2006                  Slide presentation at the Lamar Dodd School of Art, University of Georgia\r\n\r\n2006                  Talk at the M. Smith Griffith Auditorium, Georgia Museum of Art\r\n\r\n2003                  Slide presentation at the Academy of Fine Arts in Oslo, Norway\r\n\r\n2000                  Mohile Parikh Centre for the Visual Arts, Mumbai\r\n<h3>SELECTED WORKSHOPS AND RESIDENCIES</h3>\r\n2009                  <em>Vanishing Point</em>, children’s project at the Celebrate Bandra Festival, Mumbai\r\n\r\n2007                   Collaborative workshop as part of  the exhibition <em>Aftershock</em> at the Sainsbury Centre for Visual Arts, University of East  Anglia, Norwich, UK\r\n\r\n2002                  Collaborated on a Billboard  project with Jitish Kallat, Kala Ghoda Art District, Mumbai\r\n\r\n2003                  <em>Elephant Walks</em>, Youth Arts Project at  the Casula Power House Arts Centre, Liverpool, Australia\r\n\r\n2001                  <em>Khoj 2002</em>, International Artists Workshop, Mysore,  India\r\n\r\n2001                  <em>Identity and Landscape</em>,  residency in the Laurentian mountains of Quebec at the Boreal Art/Nature Centre, Canada\r\n\r\n2001                  <em>Big River 2</em>, International Artists  Workshop organized by CCA7 and the Triangle Arts Trust at Grand Riviere, Trinidad,  West Indies\r\n\r\n<em>The artist lives and works in Mumbai</em>\r\n\r\n<strong>SOLO EXIBITIONS</strong>\r\n\r\n<strong> </strong>\r\n\r\n2009 <em>Drift</em>, Primo Marella Gallery, Milan\r\n\r\n<a href=\"http://www.primomarellagallery.com/it/catalogue/scheda.asp?id=568&amp;view=past\">http://www.primomarellagallery.com/it/catalogue/scheda.asp?id=568&amp;view=past</a>\r\n\r\n2008 <em>Silt of Seasons</em>, Chemould Prescott Road, Mumbai\r\n\r\n<a href=\"http://www.gallerychemould.com/exhibitions/2008/reena_bio.html\">http://www.gallerychemould.com/exhibitions/2008/reena_bio.html</a>\r\n\r\n2008 <em>Subject to Change without Notice</em>, Walsh Gallery, Chicago <em>*</em>\r\n\r\n<a href=\"http://www.walshgallery.com/reena-kallat-exhibition-2008/\">http://www.walshgallery.com/reena-kallat-exhibition-2008/</a>\r\n\r\n2005 <em>Black Flute (And Other Stories)</em>, Nature Morte, New Delhi <em>*</em>\r\n\r\n<a href=\"http://www.naturemorte.com/artists/reena-saini-kallat/selected-works/\">http://www.naturemorte.com/artists/reena-saini-kallat/selected-works/</a>\r\n\r\n2004 <em>Black Flute</em>, Gallery Chemould, Mumbai <em>*</em>\r\n\r\n<a href=\"http://www.gallerychemould.com/exhibitions/2004/reena_saini_kallat_note.html\">http://www.gallerychemould.com/exhibitions/2004/reena_saini_kallat_note.html</a>\r\n\r\n<strong>GROUP EXHIBITIONS</strong>\r\n\r\n2010 <em>In Transition: New Art from India</em>, Richmond Art Gallery, Vancouver Biennale, Vancouver\r\n\r\n<a href=\"http://www.richmondartgallery.org/in-transition.php\">http://www.richmondartgallery.org/in-transition.php</a>\r\n\r\n2010 <em>Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster University</em>, curated by Jeffrey Hughes and Dana Turkovic, Cecile R. Hunt Gallery, St. Louis, Missouri\r\n\r\n<a href=\"http://websterhuntgallery.blogspot.com/2010_02_01_archive.html\">http://websterhuntgallery.blogspot.com/2010_02_01_archive.html</a>\r\n\r\n2010 <em>Never Run Away</em>, 2 person exhibition curated by Shaheen Merali, Stux Gallery, New York <em>*</em>\r\n\r\n<em><a href=\"http://www.stuxgallery.com/site/www/artist_gallery/51\">http://www.stuxgallery.com/site/www/artist_gallery/51</a></em>\r\n\r\n2010 <em>The Empire Strikes Back</em>, Saatchi Gallery, London <em>*</em>\r\n\r\n<a href=\"http://www.saatchi-gallery.co.uk/artists/reena_kallat.htm?section_name=new_india\">http://www.saatchi-gallery.co.uk/artists/reena_kallat.htm?section_name=new_india</a>\r\n\r\n2010 <em>Urban Manners 2</em>, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao Paulo, Brazil\r\n\r\n<a href=\"http://art-for-the-world.blogspot.com/2010/01/some-installation-views-of-urban.html\">http://art-for-the-world.blogspot.com/2010/01/some-installation-views-of-urban.html</a>\r\n\r\n2009 <em>Viewpoints and Viewing points – 2009 Asian Art Biennale</em>, National Taiwan\r\nMuseum of Fine Arts <em>*</em>\r\n\r\n<em><a href=\"http://www.asianartbiennial.org/2009/en/index_en.html\">http://www.asianartbiennial.org/2009/en/index_en.html</a></em>\r\n\r\n2009 <em>Passage to India Part II show </em>at Initial Access, Frank Cohen Collection, Wolverhampton,  UK\r\n\r\n<a href=\"http://www.initialaccess.co.uk/exhibition_moreinfo.php?id=11\">http://www.initialaccess.co.uk/exhibition_moreinfo.php?id=11</a>\r\n\r\n2009 <em>Chalo! India: A New Era of Indian Art</em>, National Museum of Contemporary Art,\r\n\r\nKorea and Essl Museum, Vienna\r\n\r\n<a href=\"http://www.mori.art.museum/english/contents/india/index.html\">http://www.mori.art.museum/english/contents/india/index.html</a>\r\n\r\n2009 <em>INDIA</em><em> XIANZAI: Contemporary Indian Art</em>, Museum of Contemporary Art, Shanghai\r\n\r\n<a href=\"http://www.mocashanghai.org/index.php?_function=exhibition&amp;_subFunction=pastExhibition&amp;exhibition_id=40&amp;_view=detail\">http://www.mocashanghai.org/index.php?_function=exhibition&amp;_subFunction=pastExhibition&amp;exhibition_id=40&amp;_view=detail</a>\r\n\r\n2009 Low Blow and<em> Other Species of Confusion</em>, Stux gallery, New York\r\n\r\n<a href=\"http://www.stuxgallery.com/site/www/artist_gallery/42/622\">http://www.stuxgallery.com/site/www/artist_gallery/42/622</a>\r\n\r\n2009 <em>Body Chatter</em>, Walsh Gallery, Chicago\r\n\r\n<a href=\"http://www.walshgallery.com/body-chatter-an-exhibition-of-contemporary-indian-art-2008/\">http://www.walshgallery.com/body-chatter-an-exhibition-of-contemporary-indian-art-2008/</a>\r\n\r\n2008 <em>Chalo! India: A New Era of Indian Art</em>, Mori Art Museum, Japan\r\n\r\n<a href=\"http://www.mori.art.museum/contents/press/india_20081121_e.pdf\">http://www.mori.art.museum/contents/press/india_20081121_e.pdf</a>\r\n\r\nWE can add this too\r\n\r\n2008 India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM  Museum, Valencia, Spain <em> </em>\r\n\r\n<a href=\"http://www.indiamoderna.es/eng/index.html\">http://www.indiamoderna.es/eng/index.html</a>\r\n\r\nFound this site\r\n\r\n2008 <em>3<sup>rd</sup> Nanjing Triennale</em>, curators: Fumihiko Sumitomo, Jaeyoung Kang, China\r\n\r\n<a href=\"http://www.aaa.org.hk/onlineprojects/bitri/en/gallery.aspx?eid=A080.03\">http://www.aaa.org.hk/onlineprojects/bitri/en/gallery.aspx?eid=A080.03</a>\r\n\r\n2008 <em>TEAF (Taehwagang Eco Art Festival) – Dream   River, Korea </em>\r\n\r\n(found no link) Pls Check the catalogue to see if there’s a web address provided\r\n\r\n2008 <em>Everywhere is War (And Rumours of it</em>), Bodhi  Art Gallery, Mumbai\r\n\r\n<a href=\"http://www.bodhiart.in/exhibitions/everywhere_is_war/everywhere_war.html\">http://www.bodhiart.in/exhibitions/everywhere_is_war/everywhere_war.html</a>\r\n\r\n2008 <em>Fire Walkers</em>, Stefan Stux gallery, New   York\r\n\r\n<a href=\"http://www.stuxgallery.com/site/www/artist_gallery/33\">http://www.stuxgallery.com/site/www/artist_gallery/33</a>\r\n\r\n2008 <em>Three Points of view</em>, Galerie Mirchandani + Steinrucke, Mumbai <em> </em>\r\n\r\n<a href=\"http://www.galeriems.com/reenask_one.htm\">http://www.galeriems.com/reenask_one.htm</a>\r\n\r\n2007 <em>Urban Manners</em>, curated by Adelina Von Furstenberg, at Hangar Bicocca , Milan\r\n\r\n<a href=\"http://www.kunstaspekte.de/index.php?tid=39629&amp;action=termin\">http://www.kunstaspekte.de/index.php?tid=39629&amp;action=termin</a>\r\n\r\n2007 <em>INDIA</em><em> NOW: Contemporary Indian Art, Between Continuity and transformation</em>, curated by Daniela Palozzoli at Spazio Oberdan, Milan <em>*</em>\r\n\r\n<a href=\"http://www.art-for-the-world.com/wwd/2007/urban_manners/Urban_Manners_pr.pdf\">http://www.art-for-the-world.com/wwd/2007/urban_manners/Urban_Manners_pr.pdf</a>\r\n\r\nFound this link','Biography ','','inherit','open','open','','105-revision-28','','','2010-06-29 05:46:23','2010-06-29 05:46:23','',105,'http://www.biggventures.com/demo/artists/1311/uncat/105-revision-28',0,'revision','',0),(1310,1,'2010-06-29 05:41:00','2010-06-29 05:41:00','<h3>Slide presentation followedREENA S. KALLAT</h3>\r\n1973                   Born in Delhi, India\r\n\r\n1991-96             B.F.A. [painting], Sir J.J.School of Art, Mumbai\r\n<h3>SOLO EXHIBITIONS</h3>\r\n2009                  <em>Drift</em>, Primo Marella Gallery, Milan <em>*</em>\r\n\r\n2008                  <em>Silt of Seasons</em>, Chemould   Prescott Road, Mumbai <em>*</em>\r\n\r\n2008                  <em>Subject to Change without Notice</em>, Walsh Gallery, Chicago <em>*</em>\r\n\r\n2006                  <em>Rainbow Of Refuse, </em>Bodhi Art Gallery, Mumbai and Singapore <em>* </em>\r\n\r\n2005                  <em>Black Flute (And Other Stories)</em>, Nature Morte, New Delhi <em>*</em>\r\n\r\n2004                  <em>Black Flute</em>, Gallery Chemould, Mumbai <em>*</em>\r\n2002                  <em>The Battlefield Is The Mind</em>, Sakshi Gallery, Bangalore <em>*</em>\r\n2002                  <em>Seven Faces of Dust</em>, Chicago Radio, Mumbai\r\n2000                 <em>Skin</em>, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi <em>*</em>\r\n\r\n1998                  <em>Orchard of Home-grown Secrets</em>, Gallery Chemould and Pundole  Art Gallery, Mumbai <em>*</em>\r\n<h3>SELECTED GROUP EXHIBITIONS</h3>\r\n<em> </em>\r\n\r\n2010                  <em>In Transition: New Art from India</em>, Richmond Art Gallery Vancouver Biennale, Vancouver\r\n\r\n2010                  <em>Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster</em> <em>University</em>,curated by Jeffrey Hughes and Dana Turkovic, Cecile R. Hunt                             Gallery, St. Louis, Missouri\r\n\r\n2010                  <em>Never Run Away</em>, 2 person exhibition curated by Shaheen Merali, <em> </em><em> </em>Stux Gallery, New York <em>*</em>\r\n\r\n2010                  <em>The Empire Strikes Back</em>, Saatchi Gallery, London <em>*</em>\r\n\r\n2010                  <em>Urban Manners 2</em>, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia,                            Sao Paulo, Brazil\r\n\r\n2009                  <em>View Points and Viewing points - 2009 Asian Art Biennale</em>, curator: Chao-yi-TSAI, National Taiwan Museum of Fine Arts <em>*</em>\r\n\r\n2009                  <em>Milan Galleria</em>, curated by Georgio Verzotti, Triennale Museum, Milan\r\n\r\n2009                  <em>Passage to India Part II show </em>at Initial Access, Frank Cohen Collection, Wolverhampton, UK\r\n\r\n2009                  Ventosul Biennale, Curitiba, Brazil\r\n\r\n2009                  <em>Chalo! India: A New Era of Indian Art</em>, National  Museum of Contemporary Art, Korea and Essl Museum, Vienna <em>*</em>\r\n\r\n2009                  <em>INDIA</em><em> XIANZAI: Contemporary Indian Art</em>, Museum of Contemporary Art, Shanghai <em>*</em>\r\n\r\n2009                  <em>Indian Narratives in the 21<sup>st</sup> Century: Between Memory and History</em>, Casa  Asia, Madrid and Barcelona, Spain\r\n\r\n2008                  <em>Chalo! India: A New Era of Indian Art</em>, curator: Akiko Miki, Mori Art Museum, Japan <em>*</em>\r\n\r\n2008                  India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM Museum, Valencia, Spain <em>* </em>\r\n\r\n2008                 <em>3<sup>rd</sup> Nanjing Triennale</em>, curators: Fumihiko Sumitomo, Jaeyoung Kang, China\r\n\r\n2008                 <em>TEAF (Taehwagang Eco Art Festival) - Dream   River, Korea</em> *\r\n\r\n2008                  <em>Everywhere is War (And Rumours of it</em>), Bodhi Art Gallery, Mumbai <em>*</em>\r\n\r\n2008                  <em>Fire Walkers</em>, Stefan Stux gallery, New York\r\n\r\n2008                  <em>Three Points of view</em>, Galerie Mirchandani + Steinrucke, Mumbai <em>*</em>\r\n\r\n2008                  <em>A MAZ ING</em>, curated by Anupa Mehta for Harsh Goenka/RPG Academy of Art and Culture at the Jehangir Art Gallery, Mumbai<em> </em>\r\n\r\n2008                  <em>Excavation: Memory / Myth / Membrane</em>, Museum Gallery, Mumbai <em>*</em>\r\n\r\n2007                  <em>International Incheon Women Artists’</em> <em>Biennale</em>, Korea <em>*</em>\r\n\r\n2007                  <em>Soft Power: Asian Attitude</em>, Shanghai Zendai Museum of Modern Art, Shanghai <em>*</em>\r\n\r\n2007                  <em>Urban Manners</em>, curated by Adelina Von Furstenberg, at Hangar Bicocca , Milan <em>* </em>\r\n\r\n2007                  <em>INDIA</em><em> NOW: Contemporary Indian Art, Between Continuity and transformation</em>, curated by Daniela Palozzoli at Spazio Oberdan, Milan <em>*</em>\r\n\r\n2007                  <em>New Narratives: Contemporary Art From India</em>, curated by Betty Seid, Chicago Cultural Centre, Chicago <em>*</em>\r\n\r\n2007                  <em>Thermocline Of Art- New Asian Waves</em>, curated by Wonil Rhee and Peter Weibel at ZKM in Karlsruhe, Germany <em>*</em>\r\n\r\n2006                  <em>Modern Indian Works On Paper,</em> Arthur Ross Gallery, Philadelphia and the <em> </em>Georgia Museum of Art, USA <em>*</em>\r\n\r\n2006                  <em>Lille</em><em> 3000(</em> Maximum City-Mumbai), curated by Caroline Naphegi, Lille, France <em>*</em>\r\n\r\n2006                  <em>Hungry God- Indian Contemporary Art</em>, curated by Yun Chaegab and June Gwak, Arario Gallery, Beijing and Busan MoMA<em>*</em>\r\n\r\n2006                  <em>India</em><em> Express – Art and Popular Culture</em>, Art Museum Tennispalace, curators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City  Art                            Museum, Finland <em>*</em>\r\n\r\n2005                  <em>Span</em>, Sakshi Gallery, Mumbai\r\n\r\n2005                  <em>Indian Paintings of the New Millenium</em>, curated by Helen Asquine Fazio at Thomas J. Walsh Art Gallery at Fairfield   University, USA<em>*</em>\r\n\r\n2004                  <em>Contemporary Art from India</em>, Thomas   Erben Gallery, New York\r\n\r\n2004                  <em>Zoom! Art in Contemporary India.</em> Curators: Nancy Adajania and Luis Serpa, The Culturgest Museum, Lisbon, Portugal *<em> </em><em> </em>\r\n\r\n2003                  <em>Crossing generations: diVERGE</em>, Gallery Chemould’s 40th anniversary, Curators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of                            Modern Art, Mumbai <em>*</em>\r\n\r\n2003                  <em>Hard Copy,</em> two-person show with Jitish Kallat, Gallery 88, Calcutta *\r\n\r\n2003                  <em>Tiranga</em>, curator: Peter Nagy, India Habitat Centre, New Delhi, <em>*</em>\r\n\r\n2003                  <em>Elephant Walks</em>, Youth Arts Project in collaboration with Jitish Kallat as part of Indians + Cowboys exhibition, Curators: Aaron Seetu and Ruth                            Watson Gallery 4A, Sydney <em>*</em> <em> </em>\r\n\r\n2003                  <em>The Tree From The Seed, Contemporary Art from India, </em>curator: Gavin Jantjes Henie Onstad Kunstsenter (Oslo), Norway <em>*</em>\r\n\r\n2002                   <em>Crosscurrents</em>, organized by Artworks for the fiftieth anniversary celebrations of Jehangir Art Gallery, Mumbai\r\n\r\n2002                  <em>Reclaim Our Freedom</em>, organized by Open Circle, Pundole Art Gallery, Mumbai\r\n\r\n2001                  <em>Big River 2</em>, CCA7 Gallery, Port Of Spain, Trinidad <em>*</em>\r\n\r\n2001                   <em>AOM- Art on the move</em>, organized by Sahmat, New Delhi <em>*</em>\r\n\r\n1999                  <em>Edge of the Century,</em> curated by Amit Mukhopadhyay, Academy  of Fine Arts and Literature, New Delhi <em>*</em><em> </em>\r\n\r\n<em>* </em>exhibition catalogue published<em> </em>\r\n<h2>TALKS/ PRESENTATIONS</h2>\r\n2009                  Panel discussion with artist Gulam Sheikh, co-chair: Sabine B. Vogel, at the Sammlung Essl Museum, Vienna\r\n\r\n2008                  Slide presentation followed by a panel discussion with Nalini Malani and Jayshree Chakravarty, moderated by Nancy Adajania\r\n\r\n2008                  Slide presentation at the School of the Art Institute of Chicago\r\n\r\n2007                  Panel discussion with Nalini   Malani, Sheba Chachi, moderated by Betty Seid at the Chicago Cultural Centre\r\n\r\n2007                  Lecture at the University Boccini, Milan\r\n\r\n2006                  Slide presentation at the Lamar Dodd School of Art, University of Georgia\r\n\r\n2006                  Talk at the M. Smith Griffith Auditorium, Georgia Museum of Art\r\n\r\n2003                  Slide presentation at the Academy of Fine Arts in Oslo, Norway\r\n\r\n2000                  Mohile Parikh Centre for the Visual Arts, Mumbai\r\n<h3>SELECTED WORKSHOPS AND RESIDENCIES</h3>\r\n2009                  <em>Vanishing Point</em>, children’s project at the Celebrate Bandra Festival, Mumbai\r\n\r\n2007                   Collaborative workshop as part of  the exhibition <em>Aftershock</em> at the Sainsbury Centre for Visual Arts, University of East  Anglia, Norwich, UK\r\n\r\n2002                  Collaborated on a Billboard  project with Jitish Kallat, Kala Ghoda Art District, Mumbai\r\n\r\n2003                  <em>Elephant Walks</em>, Youth Arts Project at  the Casula Power House Arts Centre, Liverpool, Australia\r\n\r\n2001                  <em>Khoj 2002</em>, International Artists Workshop, Mysore,  India\r\n\r\n2001                  <em>Identity and Landscape</em>,  residency in the Laurentian mountains of Quebec at the Boreal Art/Nature Centre, Canada\r\n\r\n2001                  <em>Big River 2</em>, International Artists  Workshop organized by CCA7 and the Triangle Arts Trust at Grand Riviere, Trinidad,  West Indies\r\n\r\n<em>The artist lives and works in Mumbai</em>\r\n\r\n<strong>SOLO EXIBITIONS</strong>\r\n\r\n<strong> </strong>\r\n\r\n2009 <em>Drift</em>, Primo Marella Gallery, Milan\r\n\r\n<a href=\"http://www.primomarellagallery.com/it/catalogue/scheda.asp?id=568&amp;view=past\">http://www.primomarellagallery.com/it/catalogue/scheda.asp?id=568&amp;view=past</a>\r\n\r\n2008 <em>Silt of Seasons</em>, Chemould Prescott Road, Mumbai\r\n\r\n<a href=\"http://www.gallerychemould.com/exhibitions/2008/reena_bio.html\">http://www.gallerychemould.com/exhibitions/2008/reena_bio.html</a>\r\n\r\n2008 <em>Subject to Change without Notice</em>, Walsh Gallery, Chicago <em>*</em>\r\n\r\n<a href=\"http://www.walshgallery.com/reena-kallat-exhibition-2008/\">http://www.walshgallery.com/reena-kallat-exhibition-2008/</a>\r\n\r\n2005 <em>Black Flute (And Other Stories)</em>, Nature Morte, New Delhi <em>*</em>\r\n\r\n<a href=\"http://www.naturemorte.com/artists/reena-saini-kallat/selected-works/\">http://www.naturemorte.com/artists/reena-saini-kallat/selected-works/</a>\r\n\r\n2004 <em>Black Flute</em>, Gallery Chemould, Mumbai <em>*</em>\r\n\r\n<a href=\"http://www.gallerychemould.com/exhibitions/2004/reena_saini_kallat_note.html\">http://www.gallerychemould.com/exhibitions/2004/reena_saini_kallat_note.html</a>\r\n\r\n<strong>GROUP EXHIBITIONS</strong>\r\n\r\n2010 <em>In Transition: New Art from India</em>, Richmond Art Gallery, Vancouver Biennale, Vancouver\r\n\r\n<a href=\"http://www.richmondartgallery.org/in-transition.php\">http://www.richmondartgallery.org/in-transition.php</a>\r\n\r\n2010 <em>Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster University</em>, curated by Jeffrey Hughes and Dana Turkovic, Cecile R. Hunt Gallery, St. Louis, Missouri\r\n\r\n<a href=\"http://websterhuntgallery.blogspot.com/2010_02_01_archive.html\">http://websterhuntgallery.blogspot.com/2010_02_01_archive.html</a>\r\n\r\n2010 <em>Never Run Away</em>, 2 person exhibition curated by Shaheen Merali, Stux Gallery, New York <em>*</em>\r\n\r\n<em><a href=\"http://www.stuxgallery.com/site/www/artist_gallery/51\">http://www.stuxgallery.com/site/www/artist_gallery/51</a></em>\r\n\r\n2010 <em>The Empire Strikes Back</em>, Saatchi Gallery, London <em>*</em>\r\n\r\n<a href=\"http://www.saatchi-gallery.co.uk/artists/reena_kallat.htm?section_name=new_india\">http://www.saatchi-gallery.co.uk/artists/reena_kallat.htm?section_name=new_india</a>\r\n\r\n2010 <em>Urban Manners 2</em>, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao Paulo, Brazil\r\n\r\n<a href=\"http://art-for-the-world.blogspot.com/2010/01/some-installation-views-of-urban.html\">http://art-for-the-world.blogspot.com/2010/01/some-installation-views-of-urban.html</a>\r\n\r\n2009 <em>Viewpoints and Viewing points – 2009 Asian Art Biennale</em>, National Taiwan\r\nMuseum of Fine Arts <em>*</em>\r\n\r\n<em><a href=\"http://www.asianartbiennial.org/2009/en/index_en.html\">http://www.asianartbiennial.org/2009/en/index_en.html</a></em>\r\n\r\n2009 <em>Passage to India Part II show </em>at Initial Access, Frank Cohen Collection, Wolverhampton,  UK\r\n\r\n<a href=\"http://www.initialaccess.co.uk/exhibition_moreinfo.php?id=11\">http://www.initialaccess.co.uk/exhibition_moreinfo.php?id=11</a>\r\n\r\n2009 <em>Chalo! India: A New Era of Indian Art</em>, National Museum of Contemporary Art,\r\n\r\nKorea and Essl Museum, Vienna\r\n\r\n<a href=\"http://www.mori.art.museum/english/contents/india/index.html\">http://www.mori.art.museum/english/contents/india/index.html</a>\r\n\r\n2009 <em>INDIA</em><em> XIANZAI: Contemporary Indian Art</em>, Museum of Contemporary Art, Shanghai\r\n\r\n<a href=\"http://www.mocashanghai.org/index.php?_function=exhibition&amp;_subFunction=pastExhibition&amp;exhibition_id=40&amp;_view=detail\">http://www.mocashanghai.org/index.php?_function=exhibition&amp;_subFunction=pastExhibition&amp;exhibition_id=40&amp;_view=detail</a>\r\n\r\n2009 Low Blow and<em> Other Species of Confusion</em>, Stux gallery, New York\r\n\r\n<a href=\"http://www.stuxgallery.com/site/www/artist_gallery/42/622\">http://www.stuxgallery.com/site/www/artist_gallery/42/622</a>\r\n\r\n2009 <em>Body Chatter</em>, Walsh Gallery, Chicago\r\n\r\n<a href=\"http://www.walshgallery.com/body-chatter-an-exhibition-of-contemporary-indian-art-2008/\">http://www.walshgallery.com/body-chatter-an-exhibition-of-contemporary-indian-art-2008/</a>\r\n\r\n2008 <em>Chalo! India: A New Era of Indian Art</em>, Mori Art Museum, Japan\r\n\r\n<a href=\"http://www.mori.art.museum/contents/press/india_20081121_e.pdf\">http://www.mori.art.museum/contents/press/india_20081121_e.pdf</a>\r\n\r\nWE can add this too\r\n\r\n2008 India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM  Museum, Valencia, Spain <em> </em>\r\n\r\n<a href=\"http://www.indiamoderna.es/eng/index.html\">http://www.indiamoderna.es/eng/index.html</a>\r\n\r\nFound this site\r\n\r\n2008 <em>3<sup>rd</sup> Nanjing Triennale</em>, curators: Fumihiko Sumitomo, Jaeyoung Kang, China\r\n\r\n<a href=\"http://www.aaa.org.hk/onlineprojects/bitri/en/gallery.aspx?eid=A080.03\">http://www.aaa.org.hk/onlineprojects/bitri/en/gallery.aspx?eid=A080.03</a>\r\n\r\n2008 <em>TEAF (Taehwagang Eco Art Festival) – Dream   River, Korea </em>\r\n\r\n(found no link) Pls Check the catalogue to see if there’s a web address provided\r\n\r\n2008 <em>Everywhere is War (And Rumours of it</em>), Bodhi  Art Gallery, Mumbai\r\n\r\n<a href=\"http://www.bodhiart.in/exhibitions/everywhere_is_war/everywhere_war.html\">http://www.bodhiart.in/exhibitions/everywhere_is_war/everywhere_war.html</a>\r\n\r\n2008 <em>Fire Walkers</em>, Stefan Stux gallery, New   York\r\n\r\n<a href=\"http://www.stuxgallery.com/site/www/artist_gallery/33\">http://www.stuxgallery.com/site/www/artist_gallery/33</a>\r\n\r\n2008 <em>Three Points of view</em>, Galerie Mirchandani + Steinrucke, Mumbai <em> </em>\r\n\r\n<a href=\"http://www.galeriems.com/reenask_one.htm\">http://www.galeriems.com/reenask_one.htm</a>\r\n\r\n2007 <em>Urban Manners</em>, curated by Adelina Von Furstenberg, at Hangar Bicocca , Milan\r\n\r\n<a href=\"http://www.kunstaspekte.de/index.php?tid=39629&amp;action=termin\">http://www.kunstaspekte.de/index.php?tid=39629&amp;action=termin</a>\r\n\r\n2007 <em>INDIA</em><em> NOW: Contemporary Indian Art, Between Continuity and transformation</em>, curated by Daniela Palozzoli at Spazio Oberdan, Milan <em>*</em>\r\n\r\n<a href=\"http://www.art-for-the-world.com/wwd/2007/urban_manners/Urban_Manners_pr.pdf\">http://www.art-for-the-world.com/wwd/2007/urban_manners/Urban_Manners_pr.pdf</a>\r\n\r\nFound this link','Biography ','','inherit','open','open','','105-revision-27','','','2010-06-29 05:41:00','2010-06-29 05:41:00','',105,'http://www.biggventures.com/demo/artists/1310/uncat/105-revision-27',0,'revision','',0),(1309,1,'2010-06-29 05:21:02','2010-06-29 05:21:02','<h3>Slide presentation followedREENA S. KALLAT</h3>\r\n1973                   Born in Delhi, India\r\n\r\n1991-96             B.F.A. [painting], Sir J.J.School of Art, Mumbai\r\n<h3>SOLO EXHIBITIONS</h3>\r\n2009                  <em>Drift</em>, Primo Marella Gallery, Milan <em>*</em>\r\n\r\n2008                  <em>Silt of Seasons</em>, Chemould   Prescott Road, Mumbai <em>*</em>\r\n\r\n2008                  <em>Subject to Change without Notice</em>, Walsh Gallery, Chicago <em>*</em>\r\n\r\n2006                  <em>Rainbow Of Refuse, </em>Bodhi Art Gallery, Mumbai and Singapore <em>* </em>\r\n\r\n2005                  <em>Black Flute (And Other Stories)</em>, Nature Morte, New Delhi <em>*</em>\r\n\r\n2004                  <em>Black Flute</em>, Gallery Chemould, Mumbai <em>*</em>\r\n2002                  <em>The Battlefield Is The Mind</em>, Sakshi Gallery, Bangalore <em>*</em>\r\n2002                  <em>Seven Faces of Dust</em>, Chicago Radio, Mumbai\r\n2000                 <em>Skin</em>, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi <em>*</em>\r\n\r\n1998                  <em>Orchard of Home-grown Secrets</em>, Gallery Chemould and Pundole  Art Gallery, Mumbai <em>*</em>\r\n<h3>SELECTED GROUP EXHIBITIONS</h3>\r\n<em> </em>\r\n\r\n2010                  <em>In Transition: New Art from India</em>, Richmond Art Gallery Vancouver Biennale, Vancouver\r\n\r\n2010                  <em>Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster</em> <em>University</em>,curated by Jeffrey Hughes and Dana Turkovic, Cecile R. Hunt  &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Gallery, St. Louis, Missouri\r\n\r\n2010                  <em>Never Run Away</em>, 2 person exhibition curated by Shaheen Merali, <em> </em><em> </em>Stux Gallery, New York <em>*</em>\r\n\r\n2010                  <em>The Empire Strikes Back</em>, Saatchi Gallery, London <em>*</em>\r\n\r\n2010                  <em>Urban Manners 2</em>, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Sao Paulo, Brazil\r\n\r\n2009                  <em>View Points and Viewing points - 2009 Asian Art Biennale</em>, curator: Chao-yi-TSAI, National Taiwan Museum of Fine Arts <em>*</em>\r\n\r\n2009                  <em>Milan Galleria</em>, curated by Georgio Verzotti, Triennale Museum, Milan\r\n\r\n2009                  <em>Passage to India Part II show </em>at Initial Access, Frank Cohen Collection, Wolverhampton, UK\r\n\r\n2009                  Ventosul Biennale, Curitiba, Brazil\r\n\r\n2009                  <em>Chalo! India: A New Era of Indian Art</em>, National  Museum of Contemporary Art, Korea and Essl Museum, Vienna <em>*</em>\r\n\r\n2009                  <em>INDIA</em><em> XIANZAI: Contemporary Indian Art</em>, Museum of Contemporary Art, Shanghai <em>*</em>\r\n\r\n2009                  <em>Indian Narratives in the 21<sup>st</sup> Century: Between Memory and History</em>, Casa  Asia, Madrid and Barcelona, Spain\r\n\r\n2008                  <em>Chalo! India: A New Era of Indian Art</em>, curator: Akiko Miki, Mori Art Museum, Japan <em>*</em>\r\n\r\n2008                  India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM Museum, Valencia, Spain <em>* </em>\r\n\r\n2008                 <em>3<sup>rd</sup> Nanjing Triennale</em>, curators: Fumihiko Sumitomo, Jaeyoung Kang, China\r\n\r\n2008                 <em>TEAF (Taehwagang Eco Art Festival) - Dream   River, Korea</em> *\r\n\r\n2008                  <em>Everywhere is War (And Rumours of it</em>), Bodhi Art Gallery, Mumbai <em>*</em>\r\n\r\n2008                  <em>Fire Walkers</em>, Stefan Stux gallery, New York\r\n\r\n2008                  <em>Three Points of view</em>, Galerie Mirchandani + Steinrucke, Mumbai <em>*</em>\r\n\r\n2008                  <em>A MAZ ING</em>, curated by Anupa Mehta for Harsh Goenka/RPG Academy of Art and Culture at the Jehangir Art Gallery, Mumbai<em> </em>\r\n\r\n2008                  <em>Excavation: Memory / Myth / Membrane</em>, Museum Gallery, Mumbai <em>*</em>\r\n\r\n2007                  <em>International Incheon Women Artists’</em> <em>Biennale</em>, Korea <em>*</em>\r\n\r\n2007                  <em>Soft Power: Asian Attitude</em>, Shanghai Zendai Museum of Modern Art, Shanghai <em>*</em>\r\n\r\n2007                  <em>Urban Manners</em>, curated by Adelina Von Furstenberg, at Hangar Bicocca , Milan <em>* </em>\r\n\r\n2007                  <em>INDIA</em><em> NOW: Contemporary Indian Art, Between Continuity and transformation</em>, curated by Daniela Palozzoli at Spazio Oberdan, Milan <em>*</em>\r\n\r\n2007                  <em>New Narratives: Contemporary Art From India</em>, curated by Betty Seid, Chicago Cultural Centre, Chicago <em>*</em>\r\n\r\n2007                  <em>Thermocline Of Art- New Asian Waves</em>, curated by Wonil Rhee and Peter Weibel at ZKM in Karlsruhe, Germany <em>*</em>\r\n\r\n2006                  <em>Modern Indian Works On Paper,</em> Arthur Ross Gallery, Philadelphia and the <em> </em>Georgia Museum of Art, USA <em>*</em>\r\n\r\n2006                  <em>Lille</em><em> 3000(</em> Maximum City-Mumbai), curated by Caroline Naphegi, Lille, France <em>*</em>\r\n\r\n2006                  <em>Hungry God- Indian Contemporary Art</em>, curated by Yun Chaegab and June Gwak, Arario Gallery, Beijing and Busan MoMA<em>*</em>\r\n\r\n2006                  <em>India</em><em> Express – Art and Popular Culture</em>, Art Museum Tennispalace, curators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City  Art &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Museum, Finland <em>*</em>\r\n\r\n2005                  <em>Span</em>, Sakshi Gallery, Mumbai\r\n\r\n2005                  <em>Indian Paintings of the New Millenium</em>, curated by Helen Asquine Fazio at Thomas J. Walsh Art Gallery at Fairfield   University, USA<em>*</em>\r\n\r\n2004                  <em>Contemporary Art from India</em>, Thomas   Erben Gallery, New York\r\n\r\n2004                  <em>Zoom! Art in Contemporary India.</em> Curators: Nancy Adajania and Luis Serpa, The Culturgest Museum, Lisbon, Portugal *<em> </em><em> </em>\r\n\r\n2003                  <em>Crossing generations: diVERGE</em>, Gallery Chemould’s 40th anniversary, Curators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Modern Art, Mumbai <em>*</em>\r\n\r\n2003                  <em>Hard Copy,</em> two-person show with Jitish Kallat, Gallery 88, Calcutta *\r\n\r\n2003                  <em>Tiranga</em>, curator: Peter Nagy, India Habitat Centre, New Delhi, <em>*</em>\r\n\r\n2003                  <em>Elephant Walks</em>, Youth Arts Project in collaboration with Jitish Kallat as part of Indians + Cowboys exhibition, Curators: Aaron Seetu and Ruth &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Watson Gallery 4A, Sydney <em>*</em> <em> </em>\r\n\r\n2003                  <em>The Tree From The Seed, Contemporary Art from India, </em>curator: Gavin Jantjes Henie Onstad Kunstsenter (Oslo), Norway <em>*</em>\r\n\r\n2002                   <em>Crosscurrents</em>, organized by Artworks for the fiftieth anniversary celebrations of Jehangir Art Gallery, Mumbai\r\n\r\n2002                  <em>Reclaim Our Freedom</em>, organized by Open Circle, Pundole Art Gallery, Mumbai\r\n\r\n2001                  <em>Big River 2</em>, CCA7 Gallery, Port Of Spain, Trinidad <em>*</em>\r\n\r\n2001                   <em>AOM- Art on the move</em>, organized by Sahmat, New Delhi <em>*</em>\r\n\r\n1999                  <em>Edge of the Century,</em> curated by Amit Mukhopadhyay, Academy  of Fine Arts and Literature, New Delhi <em>*</em><em> </em>\r\n\r\n<em>* </em>exhibition catalogue published<em> </em>\r\n<h2>TALKS/ PRESENTATIONS</h2>\r\n2009                  Panel discussion with artist Gulam Sheikh, co-chair: Sabine B. Vogel, at the Sammlung Essl Museum, Vienna\r\n\r\n2008                  Slide presentation followed by a panel discussion with Nalini Malani and Jayshree Chakravarty, moderated by Nancy Adajania\r\n\r\n2008                  Slide presentation at the School of the Art Institute of Chicago\r\n\r\n2007                  Panel discussion with Nalini   Malani, Sheba Chachi, moderated by Betty Seid at the Chicago Cultural Centre\r\n\r\n2007                  Lecture at the University Boccini, Milan\r\n\r\n2006                  Slide presentation at the Lamar Dodd School of Art, University of Georgia\r\n\r\n2006                  Talk at the M. Smith Griffith Auditorium, Georgia Museum of Art\r\n\r\n2003                  Slide presentation at the Academy of Fine Arts in Oslo, Norway\r\n\r\n2000                  Mohile Parikh Centre for the Visual Arts, Mumbai\r\n<h3>SELECTED WORKSHOPS AND RESIDENCIES</h3>\r\n2009                  <em>Vanishing Point</em>, children’s project at the Celebrate Bandra Festival, Mumbai\r\n\r\n2007                   Collaborative workshop as part of  the exhibition <em>Aftershock</em> at the Sainsbury Centre for Visual Arts, University of East  Anglia, Norwich, UK\r\n\r\n2002                  Collaborated on a Billboard  project with Jitish Kallat, Kala Ghoda Art District, Mumbai\r\n\r\n2003                  <em>Elephant Walks</em>, Youth Arts Project at  the Casula Power House Arts Centre, Liverpool, Australia\r\n\r\n2001                  <em>Khoj 2002</em>, International Artists Workshop, Mysore,  India\r\n\r\n2001                  <em>Identity and Landscape</em>,  residency in the Laurentian mountains of Quebec at the Boreal Art/Nature Centre, Canada\r\n\r\n2001                  <em>Big River 2</em>, International Artists  Workshop organized by CCA7 and the Triangle Arts Trust at Grand Riviere, Trinidad,  West Indies\r\n\r\n<em>The artist lives and works in Mumbai</em>','Biography ','','inherit','open','open','','105-revision-26','','','2010-06-29 05:21:02','2010-06-29 05:21:02','',105,'http://www.biggventures.com/demo/artists/1309/uncat/105-revision-26',0,'revision','',0),(1312,1,'2010-06-29 06:07:01','2010-06-29 06:07:01','<h3>Slide presentation followedREENA S. KALLAT</h3>\r\n1973                   Born in Delhi, India\r\n\r\n1991-96             B.F.A. [painting], Sir J.J.School of Art, Mumbai\r\n<h3>SOLO EXHIBITIONS</h3>\r\n2009                  <em>Drift</em>, Primo Marella Gallery, Milan <em>*</em>\r\n\r\n2008                  <em>Silt of Seasons</em>, Chemould   Prescott Road, Mumbai <em>*</em>\r\n\r\n2008                  <em>Subject to Change without Notice</em>, Walsh Gallery, Chicago <em>*</em>\r\n\r\n2006                  <em>Rainbow Of Refuse, </em>Bodhi Art Gallery, Mumbai and Singapore <em>* </em>\r\n\r\n2005                  <em>Black Flute (And Other Stories)</em>, Nature Morte, New Delhi <em>*</em>\r\n\r\n2004                  <em>Black Flute</em>, Gallery Chemould, Mumbai <em>*</em>\r\n2002                  <em>The Battlefield Is The Mind</em>, Sakshi Gallery, Bangalore <em>*</em>\r\n2002                  <em>Seven Faces of Dust</em>, Chicago Radio, Mumbai\r\n2000                 <em>Skin</em>, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi <em>*</em>\r\n\r\n1998                  <em>Orchard of Home-grown Secrets</em>, Gallery Chemould and Pundole  Art Gallery, Mumbai <em>*</em>\r\n<h3>SELECTED GROUP EXHIBITIONS</h3>\r\n<em> </em>\r\n\r\n2010                  <em>In Transition: New Art from India</em>, Richmond Art Gallery Vancouver Biennale, Vancouver\r\n\r\n2010                  <em>Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster</em> <em>University</em>,curated by Jeffrey Hughes and Dana Turkovic, Cecile R. Hunt                             Gallery, St. Louis, Missouri\r\n\r\n2010                  <em>Never Run Away</em>, 2 person exhibition curated by Shaheen Merali, <em> </em><em> </em>Stux Gallery, New York <em>*</em>\r\n\r\n2010                  <em>The Empire Strikes Back</em>, Saatchi Gallery, London <em>*</em>\r\n\r\n2010                  <em>Urban Manners 2</em>, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia,                            Sao Paulo, Brazil\r\n\r\n2009                  <em>View Points and Viewing points - 2009 Asian Art Biennale</em>, curator: Chao-yi-TSAI, National Taiwan Museum of Fine Arts <em>*</em>\r\n\r\n2009                  <em>Milan Galleria</em>, curated by Georgio Verzotti, Triennale Museum, Milan\r\n\r\n2009                  <em>Passage to India Part II show </em>at Initial Access, Frank Cohen Collection, Wolverhampton, UK\r\n\r\n2009                  Ventosul Biennale, Curitiba, Brazil\r\n\r\n2009                  <em>Chalo! India: A New Era of Indian Art</em>, National  Museum of Contemporary Art, Korea and Essl Museum, Vienna <em>*</em>\r\n\r\n2009                  <em>INDIA</em><em> XIANZAI: Contemporary Indian Art</em>, Museum of Contemporary Art, Shanghai <em>*</em>\r\n\r\n2009                  <em>Indian Narratives in the 21<sup>st</sup> Century: Between Memory and History</em>, Casa  Asia, Madrid and Barcelona, Spain\r\n\r\n2008                  <em>Chalo! India: A New Era of Indian Art</em>, curator: Akiko Miki, Mori Art Museum, Japan <em>*</em>\r\n\r\n2008                  India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM Museum, Valencia, Spain <em>* </em>\r\n\r\n2008                 <em>3<sup>rd</sup> Nanjing Triennale</em>, curators: Fumihiko Sumitomo, Jaeyoung Kang, China\r\n\r\n2008                 <em>TEAF (Taehwagang Eco Art Festival) - Dream   River, Korea</em> *\r\n\r\n2008                  <em>Everywhere is War (And Rumours of it</em>), Bodhi Art Gallery, Mumbai <em>*</em>\r\n\r\n2008                  <em>Fire Walkers</em>, Stefan Stux gallery, New York\r\n\r\n2008                  <em>Three Points of view</em>, Galerie Mirchandani + Steinrucke, Mumbai <em>*</em>\r\n\r\n2008                  <em>A MAZ ING</em>, curated by Anupa Mehta for Harsh Goenka/RPG Academy of Art and Culture at the Jehangir Art Gallery, Mumbai<em> </em>\r\n\r\n2008                  <em>Excavation: Memory / Myth / Membrane</em>, Museum Gallery, Mumbai <em>*</em>\r\n\r\n2007                  <em>International Incheon Women Artists’</em> <em>Biennale</em>, Korea <em>*</em>\r\n\r\n2007                  <em>Soft Power: Asian Attitude</em>, Shanghai Zendai Museum of Modern Art, Shanghai <em>*</em>\r\n\r\n2007                  <em>Urban Manners</em>, curated by Adelina Von Furstenberg, at Hangar Bicocca , Milan <em>* </em>\r\n\r\n2007                  <em>INDIA</em><em> NOW: Contemporary Indian Art, Between Continuity and transformation</em>, curated by Daniela Palozzoli at Spazio Oberdan, Milan <em>*</em>\r\n\r\n2007                  <em>New Narratives: Contemporary Art From India</em>, curated by Betty Seid, Chicago Cultural Centre, Chicago <em>*</em>\r\n\r\n2007                  <em>Thermocline Of Art- New Asian Waves</em>, curated by Wonil Rhee and Peter Weibel at ZKM in Karlsruhe, Germany <em>*</em>\r\n\r\n2006                  <em>Modern Indian Works On Paper,</em> Arthur Ross Gallery, Philadelphia and the <em> </em>Georgia Museum of Art, USA <em>*</em>\r\n\r\n2006                  <em>Lille</em><em> 3000(</em> Maximum City-Mumbai), curated by Caroline Naphegi, Lille, France <em>*</em>\r\n\r\n2006                  <em>Hungry God- Indian Contemporary Art</em>, curated by Yun Chaegab and June Gwak, Arario Gallery, Beijing and Busan MoMA<em>*</em>\r\n\r\n2006                  <em>India</em><em> Express – Art and Popular Culture</em>, Art Museum Tennispalace, curators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City  Art                            Museum, Finland <em>*</em>\r\n\r\n2005                  <em>Span</em>, Sakshi Gallery, Mumbai\r\n\r\n2005                  <em>Indian Paintings of the New Millenium</em>, curated by Helen Asquine Fazio at Thomas J. Walsh Art Gallery at Fairfield   University, USA<em>*</em>\r\n\r\n2004                  <em>Contemporary Art from India</em>, Thomas   Erben Gallery, New York\r\n\r\n2004                  <em>Zoom! Art in Contemporary India.</em> Curators: Nancy Adajania and Luis Serpa, The Culturgest Museum, Lisbon, Portugal *<em> </em><em> </em>\r\n\r\n2003                  <em>Crossing generations: diVERGE</em>, Gallery Chemould’s 40th anniversary, Curators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of                            Modern Art, Mumbai <em>*</em>\r\n\r\n2003                  <em>Hard Copy,</em> two-person show with Jitish Kallat, Gallery 88, Calcutta *\r\n\r\n2003                  <em>Tiranga</em>, curator: Peter Nagy, India Habitat Centre, New Delhi, <em>*</em>\r\n\r\n2003                  <em>Elephant Walks</em>, Youth Arts Project in collaboration with Jitish Kallat as part of Indians + Cowboys exhibition, Curators: Aaron Seetu and Ruth                            Watson Gallery 4A, Sydney <em>*</em> <em> </em>\r\n\r\n2003                  <em>The Tree From The Seed, Contemporary Art from India, </em>curator: Gavin Jantjes Henie Onstad Kunstsenter (Oslo), Norway <em>*</em>\r\n\r\n2002                   <em>Crosscurrents</em>, organized by Artworks for the fiftieth anniversary celebrations of Jehangir Art Gallery, Mumbai\r\n\r\n2002                  <em>Reclaim Our Freedom</em>, organized by Open Circle, Pundole Art Gallery, Mumbai\r\n\r\n2001                  <em>Big River 2</em>, CCA7 Gallery, Port Of Spain, Trinidad <em>*</em>\r\n\r\n2001                   <em>AOM- Art on the move</em>, organized by Sahmat, New Delhi <em>*</em>\r\n\r\n1999                  <em>Edge of the Century,</em> curated by Amit Mukhopadhyay, Academy  of Fine Arts and Literature, New Delhi <em>*</em><em> </em>\r\n\r\n<em>* </em>exhibition catalogue published<em> </em>\r\n<h2>TALKS/ PRESENTATIONS</h2>\r\n2009                  Panel discussion with artist Gulam Sheikh, co-chair: Sabine B. Vogel, at the Sammlung Essl Museum, Vienna\r\n\r\n2008                  Slide presentation followed by a panel discussion with Nalini Malani and Jayshree Chakravarty, moderated by Nancy Adajania\r\n\r\n2008                  Slide presentation at the School of the Art Institute of Chicago\r\n\r\n2007                  Panel discussion with Nalini   Malani, Sheba Chachi, moderated by Betty Seid at the Chicago Cultural Centre\r\n\r\n2007                  Lecture at the University Boccini, Milan\r\n\r\n2006                  Slide presentation at the Lamar Dodd School of Art, University of Georgia\r\n\r\n2006                  Talk at the M. Smith Griffith Auditorium, Georgia Museum of Art\r\n\r\n2003                  Slide presentation at the Academy of Fine Arts in Oslo, Norway\r\n\r\n2000                  Mohile Parikh Centre for the Visual Arts, Mumbai\r\n<h3>SELECTED WORKSHOPS AND RESIDENCIES</h3>\r\n2009                  <em>Vanishing Point</em>, children’s project at the Celebrate Bandra Festival, Mumbai\r\n\r\n2007                   Collaborative workshop as part of  the exhibition <em>Aftershock</em> at the Sainsbury Centre for Visual Arts, University of East  Anglia, Norwich, UK\r\n\r\n2002                  Collaborated on a Billboard  project with Jitish Kallat, Kala Ghoda Art District, Mumbai\r\n\r\n2003                  <em>Elephant Walks</em>, Youth Arts Project at  the Casula Power House Arts Centre, Liverpool, Australia\r\n\r\n2001                  <em>Khoj 2002</em>, International Artists Workshop, Mysore,  India\r\n\r\n2001                  <em>Identity and Landscape</em>,  residency in the Laurentian mountains of Quebec at the Boreal Art/Nature Centre, Canada\r\n\r\n2001                  <em>Big River 2</em>, International Artists  Workshop organized by CCA7 and the Triangle Arts Trust at Grand Riviere, Trinidad,  West Indies\r\n\r\n<em>The artist lives and works in Mumbai</em>\r\n\r\n<strong>SOLO EXIBITIONS</strong>\r\n\r\n<strong> </strong>\r\n\r\n2009 <em>Drift</em>, Primo Marella Gallery, Milan\r\n\r\n<a href=\"http://www.primomarellagallery.com/it/catalogue/scheda.asp?id=568&amp;view=past\">http://www.primomarellagallery.com/it/catalogue/scheda.asp?id=568&amp;view=past</a>\r\n\r\n2008 <em>Silt of Seasons</em>, Chemould Prescott Road, Mumbai\r\n\r\n<a href=\"http://www.gallerychemould.com/exhibitions/2008/reena_bio.html\">http://www.gallerychemould.com/exhibitions/2008/reena_bio.html</a>\r\n\r\n2008 <em>Subject to Change without Notice</em>, Walsh Gallery, Chicago <em>*</em>\r\n\r\n<a href=\"http://www.walshgallery.com/reena-kallat-exhibition-2008/\">http://www.walshgallery.com/reena-kallat-exhibition-2008/</a>\r\n\r\n2005 <em>Black Flute (And Other Stories)</em>, Nature Morte, New Delhi <em>*</em>\r\n\r\n<a href=\"http://www.naturemorte.com/artists/reena-saini-kallat/selected-works/\">http://www.naturemorte.com/artists/reena-saini-kallat/selected-works/</a>\r\n\r\n2004 <em>Black Flute</em>, Gallery Chemould, Mumbai <em>*</em>\r\n\r\n<a href=\"http://www.gallerychemould.com/exhibitions/2004/reena_saini_kallat_note.html\">http://www.gallerychemould.com/exhibitions/2004/reena_saini_kallat_note.html</a>\r\n\r\n<strong>GROUP EXHIBITIONS</strong>\r\n\r\n2010 <em>In Transition: New Art from India</em>, Richmond Art Gallery, Vancouver Biennale, Vancouver\r\n\r\n<a href=\"http://www.richmondartgallery.org/in-transition.php\">http://www.richmondartgallery.org/in-transition.php</a>\r\n\r\n2010 <em>Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster University</em>, curated by Jeffrey Hughes and Dana Turkovic, Cecile R. Hunt Gallery, St. Louis, Missouri\r\n\r\n<a href=\"http://websterhuntgallery.blogspot.com/2010_02_01_archive.html\">http://websterhuntgallery.blogspot.com/2010_02_01_archive.html</a>\r\n\r\n2010 <em>Never Run Away</em>, 2 person exhibition curated by Shaheen Merali, Stux Gallery, New York <em>*</em>\r\n\r\n<em><a href=\"http://www.stuxgallery.com/site/www/artist_gallery/51\">http://www.stuxgallery.com/site/www/artist_gallery/51</a></em>\r\n\r\n2010 <em>The Empire Strikes Back</em>, Saatchi Gallery, London <em>*</em>\r\n\r\n<a href=\"http://www.saatchi-gallery.co.uk/artists/reena_kallat.htm?section_name=new_india\">http://www.saatchi-gallery.co.uk/artists/reena_kallat.htm?section_name=new_india</a>\r\n\r\n2010 <em>Urban Manners 2</em>, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao Paulo, Brazil\r\n\r\n<a href=\"http://art-for-the-world.blogspot.com/2010/01/some-installation-views-of-urban.html\">http://art-for-the-world.blogspot.com/2010/01/some-installation-views-of-urban.html</a>\r\n\r\n2009 <em>Viewpoints and Viewing points – 2009 Asian Art Biennale</em>, National Taiwan\r\nMuseum of Fine Arts <em>*</em>\r\n\r\n<em><a href=\"http://www.asianartbiennial.org/2009/en/index_en.html\">http://www.asianartbiennial.org/2009/en/index_en.html</a></em>\r\n\r\n2009 <em>Passage to India Part II show </em>at Initial Access, Frank Cohen Collection, Wolverhampton,  UK\r\n\r\n<a href=\"http://www.initialaccess.co.uk/exhibition_moreinfo.php?id=11\">http://www.initialaccess.co.uk/exhibition_moreinfo.php?id=11</a>\r\n\r\n2009 <em>Chalo! India: A New Era of Indian Art</em>, National Museum of Contemporary Art,\r\n\r\nKorea and Essl Museum, Vienna\r\n\r\n<a href=\"http://www.mori.art.museum/english/contents/india/index.html\">http://www.mori.art.museum/english/contents/india/index.html</a>\r\n\r\n2009 <em>INDIA</em><em> XIANZAI: Contemporary Indian Art</em>, Museum of Contemporary Art, Shanghai\r\n\r\n<a href=\"http://www.mocashanghai.org/index.php?_function=exhibition&amp;_subFunction=pastExhibition&amp;exhibition_id=40&amp;_view=detail\">http://www.mocashanghai.org/index.php?_function=exhibition&amp;_subFunction=pastExhibition&amp;exhibition_id=40&amp;_view=detail</a>\r\n\r\n2009 Low Blow and<em> Other Species of Confusion</em>, Stux gallery, New York\r\n\r\n<a href=\"http://www.stuxgallery.com/site/www/artist_gallery/42/622\">http://www.stuxgallery.com/site/www/artist_gallery/42/622</a>\r\n\r\n2009 <em>Body Chatter</em>, Walsh Gallery, Chicago\r\n\r\n<a href=\"http://www.walshgallery.com/body-chatter-an-exhibition-of-contemporary-indian-art-2008/\">http://www.walshgallery.com/body-chatter-an-exhibition-of-contemporary-indian-art-2008/</a>\r\n\r\n2008 <em>Chalo! India: A New Era of Indian Art</em>, Mori Art Museum, Japan\r\n\r\n<a href=\"http://www.mori.art.museum/contents/press/india_20081121_e.pdf\">http://www.mori.art.museum/contents/press/india_20081121_e.pdf</a>\r\n\r\nfu\r\n\r\n2008 India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM  Museum, Valencia, Spain <em> </em>\r\n\r\n<a href=\"http://www.indiamoderna.es/eng/index.html\">http://www.indiamoderna.es/eng/index.html</a>\r\n\r\nfo\r\n\r\n2008 <em>3<sup>rd</sup> Nanjing Triennale</em>, curators: Fumihiko Sumitomo, Jaeyoung Kang, China\r\n\r\n<a href=\"http://www.aaa.org.hk/onlineprojects/bitri/en/gallery.aspx?eid=A080.03\">http://www.aaa.org.hk/onlineprojects/bitri/en/gallery.aspx?eid=A080.03</a>\r\n\r\n2008 <em>TEAF (Taehwagang Eco Art Festival) – Dream   River, Korea </em>\r\n\r\n(found no link) Pls Check the catalogue to see if there’s a web address provided\r\n\r\n2008 <em>Everywhere is War (And Rumours of it</em>), Bodhi  Art Gallery, Mumbai\r\n\r\n<a href=\"http://www.bodhiart.in/exhibitions/everywhere_is_war/everywhere_war.html\">http://www.bodhiart.in/exhibitions/everywhere_is_war/everywhere_war.html</a>\r\n\r\n2008 <em>Fire Walkers</em>, Stefan Stux gallery, New   York\r\n\r\n<a href=\"http://www.stuxgallery.com/site/www/artist_gallery/33\">http://www.stuxgallery.com/site/www/artist_gallery/33</a>\r\n\r\n2008 <em>Three Points of view</em>, Galerie Mirchandani + Steinrucke, Mumbai <em> </em>\r\n\r\n<a href=\"http://www.galeriems.com/reenask_one.htm\">http://www.galeriems.com/reenask_one.htm</a>\r\n\r\n2007 <em>Urban Manners</em>, curated by Adelina Von Furstenberg, at Hangar Bicocca , Milan\r\n\r\n<a href=\"http://www.kunstaspekte.de/index.php?tid=39629&amp;action=termin\">http://www.kunstaspekte.de/index.php?tid=39629&amp;action=termin</a>\r\n\r\n2007 <em>INDIA</em><em> NOW: Contemporary Indian Art, Between Continuity and transformation</em>, curated by Daniela Palozzoli at Spazio Oberdan, Milan <em>*</em>\r\n\r\n<a href=\"http://www.art-for-the-world.com/wwd/2007/urban_manners/Urban_Manners_pr.pdf\">http://www.art-for-the-world.com/wwd/2007/urban_manners/Urban_Manners_pr.pdf</a>','Biography ','','inherit','open','open','','105-revision-29','','','2010-06-29 06:07:01','2010-06-29 06:07:01','',105,'http://www.biggventures.com/demo/artists/1312/uncat/105-revision-29',0,'revision','',0),(1313,1,'2010-06-29 06:11:09','2010-06-29 06:11:09','<h3>Slide presentation followedREENA S. KALLAT</h3>\r\n1973                   Born in Delhi, India\r\n\r\n1991-96             B.F.A. [painting], Sir J.J.School of Art, Mumbai\r\n<h3>SOLO EXHIBITIONS</h3>\r\n2009                  <em>Drift</em>, Primo Marella Gallery, Milan <em>*</em>\r\n\r\n2008                  <em>Silt of Seasons</em>, Chemould   Prescott Road, Mumbai <em>*</em>\r\n\r\n2008                  <em>Subject to Change without Notice</em>, Walsh Gallery, Chicago <em>*</em>\r\n\r\n2006                  <em>Rainbow Of Refuse, </em>Bodhi Art Gallery, Mumbai and Singapore <em>* </em>\r\n\r\n2005                  <em>Black Flute (And Other Stories)</em>, Nature Morte, New Delhi <em>*</em>\r\n\r\n2004                  <em>Black Flute</em>, Gallery Chemould, Mumbai <em>*</em>\r\n2002                  <em>The Battlefield Is The Mind</em>, Sakshi Gallery, Bangalore <em>*</em>\r\n2002                  <em>Seven Faces of Dust</em>, Chicago Radio, Mumbai\r\n2000                 <em>Skin</em>, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi <em>*</em>\r\n\r\n1998                  <em>Orchard of Home-grown Secrets</em>, Gallery Chemould and Pundole  Art Gallery, Mumbai <em>*</em>\r\n<h3>SELECTED GROUP EXHIBITIONS</h3>\r\n<em> </em>\r\n\r\n2010                  <em>In Transition: New Art from India</em>, Richmond Art Gallery Vancouver Biennale, Vancouver\r\n\r\n2010                  <em>Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster</em> <em>University</em>,curated by Jeffrey Hughes and Dana Turkovic, Cecile R. Hunt                             Gallery, St. Louis, Missouri\r\n\r\n2010                  <em>Never Run Away</em>, 2 person exhibition curated by Shaheen Merali, <em> </em><em> </em>Stux Gallery, New York <em>*</em>\r\n\r\n2010                  <em>The Empire Strikes Back</em>, Saatchi Gallery, London <em>*</em>\r\n\r\n2010                  <em>Urban Manners 2</em>, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia,                            Sao Paulo, Brazil\r\n\r\n2009                  <em>View Points and Viewing points - 2009 Asian Art Biennale</em>, curator: Chao-yi-TSAI, National Taiwan Museum of Fine Arts <em>*</em>\r\n\r\n2009                  <em>Milan Galleria</em>, curated by Georgio Verzotti, Triennale Museum, Milan\r\n\r\n2009                  <em>Passage to India Part II show </em>at Initial Access, Frank Cohen Collection, Wolverhampton, UK\r\n\r\n2009                  Ventosul Biennale, Curitiba, Brazil\r\n\r\n2009                  <em>Chalo! India: A New Era of Indian Art</em>, National  Museum of Contemporary Art, Korea and Essl Museum, Vienna <em>*</em>\r\n\r\n2009                  <em>INDIA</em><em> XIANZAI: Contemporary Indian Art</em>, Museum of Contemporary Art, Shanghai <em>*</em>\r\n\r\n2009                  <em>Indian Narratives in the 21<sup>st</sup> Century: Between Memory and History</em>, Casa  Asia, Madrid and Barcelona, Spain\r\n\r\n2008                  <em>Chalo! India: A New Era of Indian Art</em>, curator: Akiko Miki, Mori Art Museum, Japan <em>*</em>\r\n\r\n2008                  India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM Museum, Valencia, Spain <em>* </em>\r\n\r\n2008                 <em>3<sup>rd</sup> Nanjing Triennale</em>, curators: Fumihiko Sumitomo, Jaeyoung Kang, China\r\n\r\n2008                 <em>TEAF (Taehwagang Eco Art Festival) - Dream   River, Korea</em> *\r\n\r\n2008                  <em>Everywhere is War (And Rumours of it</em>), Bodhi Art Gallery, Mumbai <em>*</em>\r\n\r\n2008                  <em>Fire Walkers</em>, Stefan Stux gallery, New York\r\n\r\n2008                  <em>Three Points of view</em>, Galerie Mirchandani + Steinrucke, Mumbai <em>*</em>\r\n\r\n2008                  <em>A MAZ ING</em>, curated by Anupa Mehta for Harsh Goenka/RPG Academy of Art and Culture at the Jehangir Art Gallery, Mumbai<em> </em>\r\n\r\n2008                  <em>Excavation: Memory / Myth / Membrane</em>, Museum Gallery, Mumbai <em>*</em>\r\n\r\n2007                  <em>International Incheon Women Artists’</em> <em>Biennale</em>, Korea <em>*</em>\r\n\r\n2007                  <em>Soft Power: Asian Attitude</em>, Shanghai Zendai Museum of Modern Art, Shanghai <em>*</em>\r\n\r\n2007                  <em>Urban Manners</em>, curated by Adelina Von Furstenberg, at Hangar Bicocca , Milan <em>* </em>\r\n\r\n2007                  <em>INDIA</em><em> NOW: Contemporary Indian Art, Between Continuity and transformation</em>, curated by Daniela Palozzoli at Spazio Oberdan, Milan <em>*</em>\r\n\r\n2007                  <em>New Narratives: Contemporary Art From India</em>, curated by Betty Seid, Chicago Cultural Centre, Chicago <em>*</em>\r\n\r\n2007                  <em>Thermocline Of Art- New Asian Waves</em>, curated by Wonil Rhee and Peter Weibel at ZKM in Karlsruhe, Germany <em>*</em>\r\n\r\n2006                  <em>Modern Indian Works On Paper,</em> Arthur Ross Gallery, Philadelphia and the <em> </em>Georgia Museum of Art, USA <em>*</em>\r\n\r\n2006                  <em>Lille</em><em> 3000(</em> Maximum City-Mumbai), curated by Caroline Naphegi, Lille, France <em>*</em>\r\n\r\n2006                  <em>Hungry God- Indian Contemporary Art</em>, curated by Yun Chaegab and June Gwak, Arario Gallery, Beijing and Busan MoMA<em>*</em>\r\n\r\n2006                  <em>India</em><em> Express – Art and Popular Culture</em>, Art Museum Tennispalace, curators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City  Art                            Museum, Finland <em>*</em>\r\n\r\n2005                  <em>Span</em>, Sakshi Gallery, Mumbai\r\n\r\n2005                  <em>Indian Paintings of the New Millenium</em>, curated by Helen Asquine Fazio at Thomas J. Walsh Art Gallery at Fairfield   University, USA<em>*</em>\r\n\r\n2004                  <em>Contemporary Art from India</em>, Thomas   Erben Gallery, New York\r\n\r\n2004                  <em>Zoom! Art in Contemporary India.</em> Curators: Nancy Adajania and Luis Serpa, The Culturgest Museum, Lisbon, Portugal *<em> </em><em> </em>\r\n\r\n2003                  <em>Crossing generations: diVERGE</em>, Gallery Chemould’s 40th anniversary, Curators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of                            Modern Art, Mumbai <em>*</em>\r\n\r\n2003                  <em>Hard Copy,</em> two-person show with Jitish Kallat, Gallery 88, Calcutta *\r\n\r\n2003                  <em>Tiranga</em>, curator: Peter Nagy, India Habitat Centre, New Delhi, <em>*</em>\r\n\r\n2003                  <em>Elephant Walks</em>, Youth Arts Project in collaboration with Jitish Kallat as part of Indians + Cowboys exhibition, Curators: Aaron Seetu and Ruth                            Watson Gallery 4A, Sydney <em>*</em> <em> </em>\r\n\r\n2003                  <em>The Tree From The Seed, Contemporary Art from India, </em>curator: Gavin Jantjes Henie Onstad Kunstsenter (Oslo), Norway <em>*</em>\r\n\r\n2002                   <em>Crosscurrents</em>, organized by Artworks for the fiftieth anniversary celebrations of Jehangir Art Gallery, Mumbai\r\n\r\n2002                  <em>Reclaim Our Freedom</em>, organized by Open Circle, Pundole Art Gallery, Mumbai\r\n\r\n2001                  <em>Big River 2</em>, CCA7 Gallery, Port Of Spain, Trinidad <em>*</em>\r\n\r\n2001                   <em>AOM- Art on the move</em>, organized by Sahmat, New Delhi <em>*</em>\r\n\r\n1999                  <em>Edge of the Century,</em> curated by Amit Mukhopadhyay, Academy  of Fine Arts and Literature, New Delhi <em>*</em><em> </em>\r\n\r\n<em>* </em>exhibition catalogue published<em> </em>\r\n<h2>TALKS/ PRESENTATIONS</h2>\r\n2009                  Panel discussion with artist Gulam Sheikh, co-chair: Sabine B. Vogel, at the Sammlung Essl Museum, Vienna\r\n\r\n2008                  Slide presentation followed by a panel discussion with Nalini Malani and Jayshree Chakravarty, moderated by Nancy Adajania\r\n\r\n2008                  Slide presentation at the School of the Art Institute of Chicago\r\n\r\n2007                  Panel discussion with Nalini   Malani, Sheba Chachi, moderated by Betty Seid at the Chicago Cultural Centre\r\n\r\n2007                  Lecture at the University Boccini, Milan\r\n\r\n2006                  Slide presentation at the Lamar Dodd School of Art, University of Georgia\r\n\r\n2006                  Talk at the M. Smith Griffith Auditorium, Georgia Museum of Art\r\n\r\n2003                  Slide presentation at the Academy of Fine Arts in Oslo, Norway\r\n\r\n2000                  Mohile Parikh Centre for the Visual Arts, Mumbai\r\n<h3>SELECTED WORKSHOPS AND RESIDENCIES</h3>\r\n2009                  <em>Vanishing Point</em>, children’s project at the Celebrate Bandra Festival, Mumbai\r\n\r\n2007                   Collaborative workshop as part of  the exhibition <em>Aftershock</em> at the Sainsbury Centre for Visual Arts, University of East  Anglia, Norwich, UK\r\n\r\n2002                  Collaborated on a Billboard  project with Jitish Kallat, Kala Ghoda Art District, Mumbai\r\n\r\n2003                  <em>Elephant Walks</em>, Youth Arts Project at  the Casula Power House Arts Centre, Liverpool, Australia\r\n\r\n2001                  <em>Khoj 2002</em>, International Artists Workshop, Mysore,  India\r\n\r\n2001                  <em>Identity and Landscape</em>,  residency in the Laurentian mountains of Quebec at the Boreal Art/Nature Centre, Canada\r\n\r\n2001                  <em>Big River 2</em>, International Artists  Workshop organized by CCA7 and the Triangle Arts Trust at Grand Riviere, Trinidad,  West Indies\r\n\r\n<em>The artist lives and works in Mumbai</em>\r\n\r\n<strong>SOLO EXIBITIONS</strong>\r\n\r\n<strong> </strong>\r\n\r\n2009 <em>Drift</em>, Primo Marella Gallery, Milan\r\n\r\n<a href=\"http://www.primomarellagallery.com/it/catalogue/scheda.asp?id=568&amp;view=past\">http://www.primomarellagallery.com/it/catalogue/scheda.asp?id=568&amp;view=past</a>\r\n\r\n2008 <em>Silt of Seasons</em>, Chemould Prescott Road, Mumbai\r\n\r\n<a href=\"http://www.gallerychemould.com/exhibitions/2008/reena_bio.html\">http://www.gallerychemould.com/exhibitions/2008/reena_bio.html</a>\r\n\r\n2008 <em>Subject to Change without Notice</em>, Walsh Gallery, Chicago <em>*</em>\r\n\r\n<a href=\"http://www.walshgallery.com/reena-kallat-exhibition-2008/\">http://www.walshgallery.com/reena-kallat-exhibition-2008/</a>\r\n\r\n2005 <em>Black Flute (And Other Stories)</em>, Nature Morte, New Delhi <em>*</em>\r\n\r\n<a href=\"http://www.naturemorte.com/artists/reena-saini-kallat/selected-works/\">http://www.naturemorte.com/artists/reena-saini-kallat/selected-works/</a>\r\n\r\n2004 <em>Black Flute</em>, Gallery Chemould, Mumbai <em>*</em>\r\n\r\n<a href=\"http://www.gallerychemould.com/exhibitions/2004/reena_saini_kallat_note.html\">http://www.gallerychemould.com/exhibitions/2004/reena_saini_kallat_note.html</a>\r\n\r\n<strong>GROUP EXHIBITIONS</strong>\r\n\r\n2010 <em>In Transition: New Art from India</em>, Richmond Art Gallery, Vancouver Biennale, Vancouver\r\n\r\n<a href=\"http://www.richmondartgallery.org/in-transition.php\">http://www.richmondartgallery.org/in-transition.php</a>\r\n\r\n2010 <em>Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster University</em>, curated by Jeffrey Hughes and Dana Turkovic, Cecile R. Hunt Gallery, St. Louis, Missouri\r\n\r\n<a href=\"http://websterhuntgallery.blogspot.com/2010_02_01_archive.html\">http://websterhuntgallery.blogspot.com/2010_02_01_archive.html</a>\r\n\r\n2010 <em>Never Run Away</em>, 2 person exhibition curated by Shaheen Merali, Stux Gallery, New York <em>*</em>\r\n\r\n<em><a href=\"http://www.stuxgallery.com/site/www/artist_gallery/51\">http://www.stuxgallery.com/site/www/artist_gallery/51</a></em>\r\n\r\n2010 <em>The Empire Strikes Back</em>, Saatchi Gallery, London <em>*</em>\r\n\r\n<a href=\"http://www.saatchi-gallery.co.uk/artists/reena_kallat.htm?section_name=new_india\">http://www.saatchi-gallery.co.uk/artists/reena_kallat.htm?section_name=new_india</a>\r\n\r\n2010 <em>Urban Manners 2</em>, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao Paulo, Brazil\r\n\r\n<a href=\"http://art-for-the-world.blogspot.com/2010/01/some-installation-views-of-urban.html\">http://art-for-the-world.blogspot.com/2010/01/some-installation-views-of-urban.html</a>\r\n\r\n2009 <em>Viewpoints and Viewing points – 2009 Asian Art Biennale</em>, National Taiwan\r\nMuseum of Fine Arts <em>*</em>\r\n\r\n<em><a href=\"http://www.asianartbiennial.org/2009/en/index_en.html\">http://www.asianartbiennial.org/2009/en/index_en.html</a></em>\r\n\r\n2009 <em>Passage to India Part II show </em>at Initial Access, Frank Cohen Collection, Wolverhampton,  UK\r\n\r\n<a href=\"http://www.initialaccess.co.uk/exhibition_moreinfo.php?id=11\">http://www.initialaccess.co.uk/exhibition_moreinfo.php?id=11</a>\r\n\r\n2009 <em>Chalo! India: A New Era of Indian Art</em>, National Museum of Contemporary Art,\r\n\r\nKorea and Essl Museum, Vienna\r\n\r\n<a href=\"http://www.mori.art.museum/english/contents/india/index.html\">http://www.mori.art.museum/english/contents/india/index.html</a>\r\n\r\n2009 <em>INDIA</em><em> XIANZAI: Contemporary Indian Art</em>, Museum of Contemporary Art, Shanghai\r\n\r\n<a href=\"http://www.mocashanghai.org/index.php?_function=exhibition&amp;_subFunction=pastExhibition&amp;exhibition_id=40&amp;_view=detail\">http://www.mocashanghai.org/index.php?_function=exhibition&amp;_subFunction=pastExhibition&amp;exhibition_id=40&amp;_view=detail</a>\r\n\r\n2009 Low Blow and<em> Other Species of Confusion</em>, Stux gallery, New York\r\n\r\n<a href=\"http://www.stuxgallery.com/site/www/artist_gallery/42/622\">http://www.stuxgallery.com/site/www/artist_gallery/42/622</a>\r\n\r\n2009 <em>Body Chatter</em>, Walsh Gallery, Chicago\r\n\r\n<a href=\"http://www.walshgallery.com/body-chatter-an-exhibition-of-contemporary-indian-art-2008/\">http://www.walshgallery.com/body-chatter-an-exhibition-of-contemporary-indian-art-2008/</a>\r\n\r\n2008 <em>Chalo! India: A New Era of Indian Art</em>, Mori Art Museum, Japan\r\n\r\n<a href=\"http://www.mori.art.museum/contents/press/india_20081121_e.pdf\">http://www.mori.art.museum/contents/press/india_20081121_e.pdf</a>\r\n\r\n2008 India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM  Museum, Valencia, Spain <em> </em>\r\n\r\n<a href=\"http://www.indiamoderna.es/eng/index.html\">http://www.indiamoderna.es/eng/index.html</a>\r\n\r\n2008 <em>3<sup>rd</sup> Nanjing Triennale</em>, curators: Fumihiko Sumitomo, Jaeyoung Kang, China\r\n\r\n<a href=\"http://www.aaa.org.hk/onlineprojects/bitri/en/gallery.aspx?eid=A080.03\">http://www.aaa.org.hk/onlineprojects/bitri/en/gallery.aspx?eid=A080.03</a>\r\n\r\n2008 <em>TEAF (Taehwagang Eco Art Festival) – Dream   River, Korea </em>\r\n\r\n(found no link) Pls Check the catalogue to see if there’s a web address provided\r\n\r\n2008 <em>Everywhere is War (And Rumours of it</em>), Bodhi  Art Gallery, Mumbai\r\n\r\n<a href=\"http://www.bodhiart.in/exhibitions/everywhere_is_war/everywhere_war.html\">http://www.bodhiart.in/exhibitions/everywhere_is_war/everywhere_war.html</a>\r\n\r\n2008 <em>Fire Walkers</em>, Stefan Stux gallery, New   York\r\n\r\n<a href=\"http://www.stuxgallery.com/site/www/artist_gallery/33\">http://www.stuxgallery.com/site/www/artist_gallery/33</a>\r\n\r\n2008 <em>Three Points of view</em>, Galerie Mirchandani + Steinrucke, Mumbai <em> </em>\r\n\r\n<a href=\"http://www.galeriems.com/reenask_one.htm\">http://www.galeriems.com/reenask_one.htm</a>\r\n\r\n2007 <em>Urban Manners</em>, curated by Adelina Von Furstenberg, at Hangar Bicocca , Milan\r\n\r\n<a href=\"http://www.kunstaspekte.de/index.php?tid=39629&amp;action=termin\">http://www.kunstaspekte.de/index.php?tid=39629&amp;action=termin</a>\r\n\r\n2007 <em>INDIA</em><em> NOW: Contemporary Indian Art, Between Continuity and transformation</em>, curated by Daniela Palozzoli at Spazio Oberdan, Milan <em>*</em>\r\n\r\n<a href=\"http://www.art-for-the-world.com/wwd/2007/urban_manners/Urban_Manners_pr.pdf\">http://www.art-for-the-world.com/wwd/2007/urban_manners/Urban_Manners_pr.pdf</a>','Biography ','','inherit','open','open','','105-revision-30','','','2010-06-29 06:11:09','2010-06-29 06:11:09','',105,'http://www.biggventures.com/demo/artists/1313/uncat/105-revision-30',0,'revision','',0),(1314,1,'2010-06-29 06:13:59','2010-06-29 06:13:59','<h3>Slide presentation followedREENA S. KALLAT</h3>\r\n1973                   Born in Delhi, India\r\n\r\n1991-96             B.F.A. [painting], Sir J.J.School of Art, Mumbai\r\n<h3>SOLO EXHIBITIONS</h3>\r\n2009                  <em>Drift</em>, Primo Marella Gallery, Milan <em>*</em>\r\n\r\n2008                  <em>Silt of Seasons</em>, Chemould   Prescott Road, Mumbai <em>*</em>\r\n\r\n2008                  <em>Subject to Change without Notice</em>, Walsh Gallery, Chicago <em>*</em>\r\n\r\n2006                  <em>Rainbow Of Refuse, </em>Bodhi Art Gallery, Mumbai and Singapore <em>* </em>\r\n\r\n2005                  <em>Black Flute (And Other Stories)</em>, Nature Morte, New Delhi <em>*</em>\r\n\r\n2004                  <em>Black Flute</em>, Gallery Chemould, Mumbai <em>*</em>\r\n2002                  <em>The Battlefield Is The Mind</em>, Sakshi Gallery, Bangalore <em>*</em>\r\n2002                  <em>Seven Faces of Dust</em>, Chicago Radio, Mumbai\r\n2000                 <em>Skin</em>, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi <em>*</em>\r\n\r\n1998                  <em>Orchard of Home-grown Secrets</em>, Gallery Chemould and Pundole  Art Gallery, Mumbai <em>*</em>\r\n<h3>SELECTED GROUP EXHIBITIONS</h3>\r\n<em> </em>\r\n\r\n2010                  <em>In Transition: New Art from India</em>, Richmond Art Gallery Vancouver Biennale, Vancouver\r\n\r\n2010                  <em>Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster</em> <em>University</em>,curated by Jeffrey Hughes and Dana Turkovic, Cecile R. Hunt                             Gallery, St. Louis, Missouri\r\n\r\n2010                  <em>Never Run Away</em>, 2 person exhibition curated by Shaheen Merali, <em> </em><em> </em>Stux Gallery, New York <em>*</em>\r\n\r\n2010                  <em>The Empire Strikes Back</em>, Saatchi Gallery, London <em>*</em>\r\n\r\n2010                  <em>Urban Manners 2</em>, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia,                            Sao Paulo, Brazil\r\n\r\n2009                  <em>View Points and Viewing points - 2009 Asian Art Biennale</em>, curator: Chao-yi-TSAI, National Taiwan Museum of Fine Arts <em>*</em><em>Biennale</em>\r\n\r\n2009                  <em>Milan Galleria</em>, curated by Georgio Verzotti, Triennale Museum, Milan\r\n\r\n2009                  <em>Passage to India Part II show </em>at Initial Access, Frank Cohen Collection, Wolverhampton, UK\r\n\r\n2009                  Ventosul Biennale, Curitiba, Brazil\r\n\r\n2009                  <em>Chalo! India: A New Era of Indian Art</em>, National  Museum of Contemporary Art, Korea and Essl Museum, Vienna <em>*</em>\r\n\r\n2009                  <em>INDIA</em><em> XIANZAI: Contemporary Indian Art</em>, Museum of Contemporary Art, Shanghai <em>*</em>\r\n\r\n2009                  <em>Indian Narratives in the 21<sup>st</sup> Century: Between Memory and History</em>, Casa  Asia, Madrid and Barcelona, Spain\r\n\r\n2008                  <em>Chalo! India: A New Era of Indian Art</em>, curator: Akiko Miki, Mori Art Museum, Japan <em>*</em>\r\n\r\n2008                  India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM Museum, Valencia, Spain <em>* </em>\r\n\r\n2008                 <em>3<sup>rd</sup> Nanjing Triennale</em>, curators: Fumihiko Sumitomo, Jaeyoung Kang, China\r\n\r\n2008                 <em>TEAF (Taehwagang Eco Art Festival) - Dream   River, Korea</em> *\r\n\r\n2008                  <em>Everywhere is War (And Rumours of it</em>), Bodhi Art Gallery, Mumbai <em>*</em>\r\n\r\n2008                  <em>Fire Walkers</em>, Stefan Stux gallery, New York\r\n\r\n2008                  <em>Three Points of view</em>, Galerie Mirchandani + Steinrucke, Mumbai <em>*</em>\r\n\r\n2008                  <em>A MAZ ING</em>, curated by Anupa Mehta for Harsh Goenka/RPG Academy of Art and Culture at the Jehangir Art Gallery, Mumbai<em> </em>\r\n\r\n2008                  <em>Excavation: Memory / Myth / Membrane</em>, Museum Gallery, Mumbai <em>*</em>\r\n\r\n2007                  <em>International Incheon Women Artists’</em> <em>Biennale</em>, Korea <em>*</em>\r\n\r\n2007                  <em>Soft Power: Asian Attitude</em>, Shanghai Zendai Museum of Modern Art, Shanghai <em>*</em>\r\n\r\n2007                  <em>Urban Manners</em>, curated by Adelina Von Furstenberg, at Hangar Bicocca , Milan <em>* </em>\r\n\r\n2007                  <em>INDIA</em><em> NOW: Contemporary Indian Art, Between Continuity and transformation</em>, curated by Daniela Palozzoli at Spazio Oberdan, Milan <em>*</em>\r\n\r\n2007                  <em>New Narratives: Contemporary Art From India</em>, curated by Betty Seid, Chicago Cultural Centre, Chicago <em>*</em>\r\n\r\n2007                  <em>Thermocline Of Art- New Asian Waves</em>, curated by Wonil Rhee and Peter Weibel at ZKM in Karlsruhe, Germany <em>*</em>\r\n\r\n2006                  <em>Modern Indian Works On Paper,</em> Arthur Ross Gallery, Philadelphia and the <em> </em>Georgia Museum of Art, USA <em>*</em>\r\n\r\n2006                  <em>Lille</em><em> 3000(</em> Maximum City-Mumbai), curated by Caroline Naphegi, Lille, France <em>*</em>\r\n\r\n2006                  <em>Hungry God- Indian Contemporary Art</em>, curated by Yun Chaegab and June Gwak, Arario Gallery, Beijing and Busan MoMA<em>*</em>\r\n\r\n2006                  <em>India</em><em> Express – Art and Popular Culture</em>, Art Museum Tennispalace, curators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City  Art                            Museum, Finland <em>*</em>\r\n\r\n2005                  <em>Span</em>, Sakshi Gallery, Mumbai\r\n\r\n2005                  <em>Indian Paintings of the New Millenium</em>, curated by Helen Asquine Fazio at Thomas J. Walsh Art Gallery at Fairfield   University, USA<em>*</em>\r\n\r\n2004                  <em>Contemporary Art from India</em>, Thomas   Erben Gallery, New York\r\n\r\n2004                  <em>Zoom! Art in Contemporary India.</em> Curators: Nancy Adajania and Luis Serpa, The Culturgest Museum, Lisbon, Portugal *<em> </em><em> </em>\r\n\r\n2003                  <em>Crossing generations: diVERGE</em>, Gallery Chemould’s 40th anniversary, Curators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of                            Modern Art, Mumbai <em>*</em>\r\n\r\n2003                  <em>Hard Copy,</em> two-person show with Jitish Kallat, Gallery 88, Calcutta *\r\n\r\n2003                  <em>Tiranga</em>, curator: Peter Nagy, India Habitat Centre, New Delhi, <em>*</em>\r\n\r\n2003                  <em>Elephant Walks</em>, Youth Arts Project in collaboration with Jitish Kallat as part of Indians + Cowboys exhibition, Curators: Aaron Seetu and Ruth                            Watson Gallery 4A, Sydney <em>*</em> <em> </em>\r\n\r\n2003                  <em>The Tree From The Seed, Contemporary Art from India, </em>curator: Gavin Jantjes Henie Onstad Kunstsenter (Oslo), Norway <em>*</em>\r\n\r\n2002                   <em>Crosscurrents</em>, organized by Artworks for the fiftieth anniversary celebrations of Jehangir Art Gallery, Mumbai\r\n\r\n2002                  <em>Reclaim Our Freedom</em>, organized by Open Circle, Pundole Art Gallery, Mumbai\r\n\r\n2001                  <em>Big River 2</em>, CCA7 Gallery, Port Of Spain, Trinidad <em>*</em>\r\n\r\n2001                   <em>AOM- Art on the move</em>, organized by Sahmat, New Delhi <em>*</em>\r\n\r\n1999                  <em>Edge of the Century,</em> curated by Amit Mukhopadhyay, Academy  of Fine Arts and Literature, New Delhi <em>*</em><em> </em>\r\n\r\n<em>* </em>exhibition catalogue published<em> </em>\r\n<h2>TALKS/ PRESENTATIONS</h2>\r\n2009                  Panel discussion with artist Gulam Sheikh, co-chair: Sabine B. Vogel, at the Sammlung Essl Museum, Vienna\r\n\r\n2008                  Slide presentation followed by a panel discussion with Nalini Malani and Jayshree Chakravarty, moderated by Nancy Adajania\r\n\r\n2008                  Slide presentation at the School of the Art Institute of Chicago\r\n\r\n2007                  Panel discussion with Nalini   Malani, Sheba Chachi, moderated by Betty Seid at the Chicago Cultural Centre\r\n\r\n2007                  Lecture at the University Boccini, Milan\r\n\r\n2006                  Slide presentation at the Lamar Dodd School of Art, University of Georgia\r\n\r\n2006                  Talk at the M. Smith Griffith Auditorium, Georgia Museum of Art\r\n\r\n2003                  Slide presentation at the Academy of Fine Arts in Oslo, Norway\r\n\r\n2000                  Mohile Parikh Centre for the Visual Arts, Mumbai\r\n<h3>SELECTED WORKSHOPS AND RESIDENCIES</h3>\r\n2009                  <em>Vanishing Point</em>, children’s project at the Celebrate Bandra Festival, Mumbai\r\n\r\n2007                   Collaborative workshop as part of  the exhibition <em>Aftershock</em> at the Sainsbury Centre for Visual Arts, University of East  Anglia, Norwich, UK\r\n\r\n2002                  Collaborated on a Billboard  project with Jitish Kallat, Kala Ghoda Art District, Mumbai\r\n\r\n2003                  <em>Elephant Walks</em>, Youth Arts Project at  the Casula Power House Arts Centre, Liverpool, Australia\r\n\r\n2001                  <em>Khoj 2002</em>, International Artists Workshop, Mysore,  India\r\n\r\n2001                  <em>Identity and Landscape</em>,  residency in the Laurentian mountains of Quebec at the Boreal Art/Nature Centre, Canada\r\n\r\n2001                  <em>Big River 2</em>, International Artists  Workshop organized by CCA7 and the Triangle Arts Trust at Grand Riviere, Trinidad,  West Indies\r\n\r\n<em>The artist lives and works in Mumbai</em>\r\n\r\n<strong>SOLO EXIBITIONS</strong>\r\n\r\n<strong> </strong>\r\n\r\n2009 <em>Drift</em>, Primo Marella Gallery, Milan\r\n\r\n<a href=\"http://www.primomarellagallery.com/it/catalogue/scheda.asp?id=568&amp;view=past\">http://www.primomarellagallery.com/it/catalogue/scheda.asp?id=568&amp;view=past</a>\r\n\r\n2008 <em>Silt of Seasons</em>, Chemould Prescott Road, Mumbai\r\n\r\n<a href=\"http://www.gallerychemould.com/exhibitions/2008/reena_bio.html\">http://www.gallerychemould.com/exhibitions/2008/reena_bio.html</a>\r\n\r\n2008 <em>Subject to Change without Notice</em>, Walsh Gallery, Chicago <em>*</em>\r\n\r\n<a href=\"http://www.walshgallery.com/reena-kallat-exhibition-2008/\">http://www.walshgallery.com/reena-kallat-exhibition-2008/</a>\r\n\r\n2005 <em>Black Flute (And Other Stories)</em>, Nature Morte, New Delhi <em>*</em>\r\n\r\n<a href=\"http://www.naturemorte.com/artists/reena-saini-kallat/selected-works/\">http://www.naturemorte.com/artists/reena-saini-kallat/selected-works/</a>\r\n\r\n2004 <em>Black Flute</em>, Gallery Chemould, Mumbai <em>*</em>\r\n\r\n<a href=\"http://www.gallerychemould.com/exhibitions/2004/reena_saini_kallat_note.html\">http://www.gallerychemould.com/exhibitions/2004/reena_saini_kallat_note.html</a>\r\n\r\n<strong>GROUP EXHIBITIONS</strong>\r\n\r\n2010 <em>In Transition: New Art from India</em>, Richmond Art Gallery, Vancouver Biennale, Vancouver\r\n\r\n<a href=\"http://www.richmondartgallery.org/in-transition.php\">http://www.richmondartgallery.org/in-transition.php</a>\r\n\r\n2010 <em>Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster University</em>, curated by Jeffrey Hughes and Dana Turkovic, Cecile R. Hunt Gallery, St. Louis, Missouri\r\n\r\n<a href=\"http://websterhuntgallery.blogspot.com/2010_02_01_archive.html\">http://websterhuntgallery.blogspot.com/2010_02_01_archive.html</a>\r\n\r\n2010 <em>Never Run Away</em>, 2 person exhibition curated by Shaheen Merali, Stux Gallery, New York <em>*</em>\r\n\r\n<em><a href=\"http://www.stuxgallery.com/site/www/artist_gallery/51\">http://www.stuxgallery.com/site/www/artist_gallery/51</a></em>\r\n\r\n2010 <em>The Empire Strikes Back</em>, Saatchi Gallery, London <em>*</em>\r\n\r\n<a href=\"http://www.saatchi-gallery.co.uk/artists/reena_kallat.htm?section_name=new_india\">http://www.saatchi-gallery.co.uk/artists/reena_kallat.htm?section_name=new_india</a>\r\n\r\n2010 <em>Urban Manners 2</em>, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao Paulo, Brazil\r\n\r\n<a href=\"http://art-for-the-world.blogspot.com/2010/01/some-installation-views-of-urban.html\">http://art-for-the-world.blogspot.com/2010/01/some-installation-views-of-urban.html</a>\r\n\r\n2009 <em>Viewpoints and Viewing points – 2009 Asian Art Biennale</em>, National Taiwan Museum of Fine Arts <em>*</em>\r\n\r\n<em><a href=\"http://www.asianartbiennial.org/2009/en/index_en.html\">http://www.asianartbiennial.org/2009/en/index_en.html</a></em>\r\n\r\n2009 <em>Passage to India Part II show </em>at Initial Access, Frank Cohen Collection, Wolverhampton,  UK\r\n\r\n<a href=\"http://www.initialaccess.co.uk/exhibition_moreinfo.php?id=11\">http://www.initialaccess.co.uk/exhibition_moreinfo.php?id=11</a>\r\n\r\n2009 <em>Chalo! India: A New Era of Indian Art</em>, National Museum of Contemporary Art,\r\n\r\nKorea and Essl Museum, Vienna\r\n\r\n<a href=\"http://www.mori.art.museum/english/contents/india/index.html\">http://www.mori.art.museum/english/contents/india/index.html</a>\r\n\r\n2009 <em>INDIA</em><em> XIANZAI: Contemporary Indian Art</em>, Museum of Contemporary Art, Shanghai\r\n\r\n<a href=\"http://www.mocashanghai.org/index.php?_function=exhibition&amp;_subFunction=pastExhibition&amp;exhibition_id=40&amp;_view=detail\">http://www.mocashanghai.org/index.php?_function=exhibition&amp;_subFunction=pastExhibition&amp;exhibition_id=40&amp;_view=detail</a>\r\n\r\n2009 Low Blow and<em> Other Species of Confusion</em>, Stux gallery, New York\r\n\r\n<a href=\"http://www.stuxgallery.com/site/www/artist_gallery/42/622\">http://www.stuxgallery.com/site/www/artist_gallery/42/622</a>\r\n\r\n2009 <em>Body Chatter</em>, Walsh Gallery, Chicago\r\n\r\n<a href=\"http://www.walshgallery.com/body-chatter-an-exhibition-of-contemporary-indian-art-2008/\">http://www.walshgallery.com/body-chatter-an-exhibition-of-contemporary-indian-art-2008/</a>\r\n\r\n2008 <em>Chalo! India: A New Era of Indian Art</em>, Mori Art Museum, Japan\r\n\r\n<a href=\"http://www.mori.art.museum/contents/press/india_20081121_e.pdf\">http://www.mori.art.museum/contents/press/india_20081121_e.pdf</a>\r\n\r\n2008 India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM  Museum, Valencia, Spain <em> </em>\r\n\r\n<a href=\"http://www.indiamoderna.es/eng/index.html\">http://www.indiamoderna.es/eng/index.html</a>\r\n\r\n2008 <em>3<sup>rd</sup> Nanjing Triennale</em>, curators: Fumihiko Sumitomo, Jaeyoung Kang, China\r\n\r\n<a href=\"http://www.aaa.org.hk/onlineprojects/bitri/en/gallery.aspx?eid=A080.03\">http://www.aaa.org.hk/onlineprojects/bitri/en/gallery.aspx?eid=A080.03</a>\r\n\r\n2008 <em>TEAF (Taehwagang Eco Art Festival) – Dream   River, Korea </em>\r\n\r\n(found no link) Pls Check the catalogue to see if there’s a web address provided\r\n\r\n2008 <em>Everywhere is War (And Rumours of it</em>), Bodhi  Art Gallery, Mumbai\r\n\r\n<a href=\"http://www.bodhiart.in/exhibitions/everywhere_is_war/everywhere_war.html\">http://www.bodhiart.in/exhibitions/everywhere_is_war/everywhere_war.html</a>\r\n\r\n2008 <em>Fire Walkers</em>, Stefan Stux gallery, New   York\r\n\r\n<a href=\"http://www.stuxgallery.com/site/www/artist_gallery/33\">http://www.stuxgallery.com/site/www/artist_gallery/33</a>\r\n\r\n2008 <em>Three Points of view</em>, Galerie Mirchandani + Steinrucke, Mumbai <em> </em>\r\n\r\n<a href=\"http://www.galeriems.com/reenask_one.htm\">http://www.galeriems.com/reenask_one.htm</a>\r\n\r\n2007 <em>Urban Manners</em>, curated by Adelina Von Furstenberg, at Hangar Bicocca , Milan\r\n\r\n<a href=\"http://www.kunstaspekte.de/index.php?tid=39629&amp;action=termin\">http://www.kunstaspekte.de/index.php?tid=39629&amp;action=termin</a>\r\n\r\n2007 <em>INDIA</em><em> NOW: Contemporary Indian Art, Between Continuity and transformation</em>, curated by Daniela Palozzoli at Spazio Oberdan, Milan <em>*</em>\r\n\r\n<a href=\"http://www.art-for-the-world.com/wwd/2007/urban_manners/Urban_Manners_pr.pdf\">http://www.art-for-the-world.com/wwd/2007/urban_manners/Urban_Manners_pr.pdf</a>','Biography ','','inherit','open','open','','105-revision-31','','','2010-06-29 06:13:59','2010-06-29 06:13:59','',105,'http://www.biggventures.com/demo/artists/1314/uncat/105-revision-31',0,'revision','',0),(1315,1,'2010-06-29 06:14:33','2010-06-29 06:14:33','<h3>Slide presentation followedREENA S. KALLAT</h3>\r\n1973                   Born in Delhi, India\r\n\r\n1991-96             B.F.A. [painting], Sir J.J.School of Art, Mumbai\r\n<h3>SOLO EXHIBITIONS</h3>\r\n2009                  <em>Drift</em>, Primo Marella Gallery, Milan <em>*</em>\r\n\r\n2008                  <em>Silt of Seasons</em>, Chemould   Prescott Road, Mumbai <em>*</em>\r\n\r\n2008                  <em>Subject to Change without Notice</em>, Walsh Gallery, Chicago <em>*</em>\r\n\r\n2006                  <em>Rainbow Of Refuse, </em>Bodhi Art Gallery, Mumbai and Singapore <em>* </em>\r\n\r\n2005                  <em>Black Flute (And Other Stories)</em>, Nature Morte, New Delhi <em>*</em>\r\n\r\n2004                  <em>Black Flute</em>, Gallery Chemould, Mumbai <em>*</em>\r\n2002                  <em>The Battlefield Is The Mind</em>, Sakshi Gallery, Bangalore <em>*</em>\r\n2002                  <em>Seven Faces of Dust</em>, Chicago Radio, Mumbai\r\n2000                 <em>Skin</em>, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi <em>*</em>\r\n\r\n1998                  <em>Orchard of Home-grown Secrets</em>, Gallery Chemould and Pundole  Art Gallery, Mumbai <em>*</em>\r\n<h3>SELECTED GROUP EXHIBITIONS</h3>\r\n<em> </em>\r\n\r\n2010                  <em>In Transition: New Art from India</em>, Richmond Art Gallery Vancouver Biennale, Vancouver\r\n\r\n2010                  <em>Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster</em> <em>University</em>,curated by Jeffrey Hughes and Dana Turkovic, Cecile R. Hunt                             Gallery, St. Louis, Missouri\r\n\r\n2010                  <em>Never Run Away</em>, 2 person exhibition curated by Shaheen Merali, <em> </em><em> </em>Stux Gallery, New York <em>*</em>\r\n\r\n2010                  <em>The Empire Strikes Back</em>, Saatchi Gallery, London <em>*</em>\r\n\r\n2010                  <em>Urban Manners 2</em>, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia,                            Sao Paulo, Brazil\r\n\r\n2009                  <em>View Points and Viewing points - 2009 Asian Art Biennale</em>, curator: Chao-yi-TSAI, National Taiwan Museum of Fine Arts <em>*</em><em>Biennale</em>\r\n\r\n2009                  <em>Milan Galleria</em>, curated by Georgio Verzotti, Triennale Museum, Milan\r\n\r\n2009                  <em>Passage to India Part II show </em>at Initial Access, Frank Cohen Collection, Wolverhampton, UK\r\n\r\n2009                  Ventosul Biennale, Curitiba, Brazil\r\n\r\n2009                  <em>Chalo! India: A New Era of Indian Art</em>, National  Museum of Contemporary Art, Korea and Essl Museum, Vienna <em>*</em>\r\n\r\n2009                  <em>INDIA</em><em> XIANZAI: Contemporary Indian Art</em>, Museum of Contemporary Art, Shanghai <em>*</em>\r\n\r\n2009                  <em>Indian Narratives in the 21<sup>st</sup> Century: Between Memory and History</em>, Casa  Asia, Madrid and Barcelona, Spain\r\n\r\n2008                  <em>Chalo! India: A New Era of Indian Art</em>, curator: Akiko Miki, Mori Art Museum, Japan <em>*</em>\r\n\r\n2008                  India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM Museum, Valencia, Spain <em>* </em>\r\n\r\n2008                 <em>3<sup>rd</sup> Nanjing Triennale</em>, curators: Fumihiko Sumitomo, Jaeyoung Kang, China\r\n\r\n2008                 <em>TEAF (Taehwagang Eco Art Festival) - Dream   River, Korea</em> *\r\n\r\n2008                  <em>Everywhere is War (And Rumours of it</em>), Bodhi Art Gallery, Mumbai <em>*</em>\r\n\r\n2008                  <em>Fire Walkers</em>, Stefan Stux gallery, New York\r\n\r\n2008                  <em>Three Points of view</em>, Galerie Mirchandani + Steinrucke, Mumbai <em>*</em>\r\n\r\n2008                  <em>A MAZ ING</em>, curated by Anupa Mehta for Harsh Goenka/RPG Academy of Art and Culture at the Jehangir Art Gallery, Mumbai<em> </em>\r\n\r\n2008                  <em>Excavation: Memory / Myth / Membrane</em>, Museum Gallery, Mumbai <em>*</em>\r\n\r\n2007                  <em>International Incheon Women Artists’</em> <em>Biennale</em>, Korea <em>*</em>\r\n\r\n2007                  <em>Soft Power: Asian Attitude</em>, Shanghai Zendai Museum of Modern Art, Shanghai <em>*</em>\r\n\r\n2007                  <em>Urban Manners</em>, curated by Adelina Von Furstenberg, at Hangar Bicocca , Milan <em>* </em>\r\n\r\n2007                  <em>INDIA</em><em> NOW: Contemporary Indian Art, Between Continuity and transformation</em>, curated by Daniela Palozzoli at Spazio Oberdan, Milan <em>*</em>\r\n\r\n2007                  <em>New Narratives: Contemporary Art From India</em>, curated by Betty Seid, Chicago Cultural Centre, Chicago <em>*</em>\r\n\r\n2007                  <em>Thermocline Of Art- New Asian Waves</em>, curated by Wonil Rhee and Peter Weibel at ZKM in Karlsruhe, Germany <em>*</em>\r\n\r\n2006                  <em>Modern Indian Works On Paper,</em> Arthur Ross Gallery, Philadelphia and the <em> </em>Georgia Museum of Art, USA <em>*</em>\r\n\r\n2006                  <em>Lille</em><em> 3000(</em> Maximum City-Mumbai), curated by Caroline Naphegi, Lille, France <em>*</em>\r\n\r\n2006                  <em>Hungry God- Indian Contemporary Art</em>, curated by Yun Chaegab and June Gwak, Arario Gallery, Beijing and Busan MoMA<em>*</em>\r\n\r\n2006                  <em>India</em><em> Express – Art and Popular Culture</em>, Art Museum Tennispalace, curators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City  Art                            Museum, Finland <em>*</em>\r\n\r\n2005                  <em>Span</em>, Sakshi Gallery, Mumbai\r\n\r\n2005                  <em>Indian Paintings of the New Millenium</em>, curated by Helen Asquine Fazio at Thomas J. Walsh Art Gallery at Fairfield   University, USA<em>*</em>\r\n\r\n2004                  <em>Contemporary Art from India</em>, Thomas   Erben Gallery, New York\r\n\r\n2004                  <em>Zoom! Art in Contemporary India.</em> Curators: Nancy Adajania and Luis Serpa, The Culturgest Museum, Lisbon, Portugal *<em> </em><em> </em>\r\n\r\n2003                  <em>Crossing generations: diVERGE</em>, Gallery Chemould’s 40th anniversary, Curators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of                            Modern Art, Mumbai <em>*</em>\r\n\r\n2003                  <em>Hard Copy,</em> two-person show with Jitish Kallat, Gallery 88, Calcutta *\r\n\r\n2003                  <em>Tiranga</em>, curator: Peter Nagy, India Habitat Centre, New Delhi, <em>*</em>\r\n\r\n2003                  <em>Elephant Walks</em>, Youth Arts Project in collaboration with Jitish Kallat as part of Indians + Cowboys exhibition, Curators: Aaron Seetu and Ruth                            Watson Gallery 4A, Sydney <em>*</em> <em> </em>\r\n\r\n2003                  <em>The Tree From The Seed, Contemporary Art from India, </em>curator: Gavin Jantjes Henie Onstad Kunstsenter (Oslo), Norway <em>*</em>\r\n\r\n2002                   <em>Crosscurrents</em>, organized by Artworks for the fiftieth anniversary celebrations of Jehangir Art Gallery, Mumbai\r\n\r\n2002                  <em>Reclaim Our Freedom</em>, organized by Open Circle, Pundole Art Gallery, Mumbai\r\n\r\n2001                  <em>Big River 2</em>, CCA7 Gallery, Port Of Spain, Trinidad <em>*</em>\r\n\r\n2001                   <em>AOM- Art on the move</em>, organized by Sahmat, New Delhi <em>*</em>\r\n\r\n1999                  <em>Edge of the Century,</em> curated by Amit Mukhopadhyay, Academy  of Fine Arts and Literature, New Delhi <em>*</em><em> </em>\r\n\r\n<em>* </em>exhibition catalogue published<em> </em>\r\n<h2>TALKS/ PRESENTATIONS</h2>\r\n2009                  Panel discussion with artist Gulam Sheikh, co-chair: Sabine B. Vogel, at the Sammlung Essl Museum, Vienna\r\n\r\n2008                  Slide presentation followed by a panel discussion with Nalini Malani and Jayshree Chakravarty, moderated by Nancy Adajania\r\n\r\n2008                  Slide presentation at the School of the Art Institute of Chicago\r\n\r\n2007                  Panel discussion with Nalini   Malani, Sheba Chachi, moderated by Betty Seid at the Chicago Cultural Centre\r\n\r\n2007                  Lecture at the University Boccini, Milan\r\n\r\n2006                  Slide presentation at the Lamar Dodd School of Art, University of Georgia\r\n\r\n2006                  Talk at the M. Smith Griffith Auditorium, Georgia Museum of Art\r\n\r\n2003                  Slide presentation at the Academy of Fine Arts in Oslo, Norway\r\n\r\n2000                  Mohile Parikh Centre for the Visual Arts, Mumbai\r\n<h3>SELECTED WORKSHOPS AND RESIDENCIES</h3>\r\n2009                  <em>Vanishing Point</em>, children’s project at the Celebrate Bandra Festival, Mumbai\r\n\r\n2007                   Collaborative workshop as part of  the exhibition <em>Aftershock</em> at the Sainsbury Centre for Visual Arts, University of East  Anglia, Norwich, UK\r\n\r\n2002                  Collaborated on a Billboard  project with Jitish Kallat, Kala Ghoda Art District, Mumbai\r\n\r\n2003                  <em>Elephant Walks</em>, Youth Arts Project at  the Casula Power House Arts Centre, Liverpool, Australia\r\n\r\n2001                  <em>Khoj 2002</em>, International Artists Workshop, Mysore,  India\r\n\r\n2001                  <em>Identity and Landscape</em>,  residency in the Laurentian mountains of Quebec at the Boreal Art/Nature Centre, Canada\r\n\r\n2001                  <em>Big River 2</em>, International Artists  Workshop organized by CCA7 and the Triangle Arts Trust at Grand Riviere, Trinidad,  West Indies\r\n\r\n<em>The artist lives and works in Mumbai</em>\r\n\r\n<strong>SOLO EXIBITIONS</strong>\r\n\r\n<strong> </strong>\r\n\r\n2009 <em>Drift</em>, Primo Marella Gallery, Milan\r\n\r\n<a href=\"http://www.primomarellagallery.com/it/catalogue/scheda.asp?id=568&amp;view=past\">http://www.primomarellagallery.com/it/catalogue/scheda.asp?id=568&amp;view=past</a>\r\n\r\n2008 <em>Silt of Seasons</em>, Chemould Prescott Road, Mumbai\r\n\r\n<a href=\"http://www.gallerychemould.com/exhibitions/2008/reena_bio.html\">http://www.gallerychemould.com/exhibitions/2008/reena_bio.html</a>\r\n\r\n2008 <em>Subject to Change without Notice</em>, Walsh Gallery, Chicago <em>*</em>\r\n\r\n<a href=\"http://www.walshgallery.com/reena-kallat-exhibition-2008/\">http://www.walshgallery.com/reena-kallat-exhibition-2008/</a>\r\n\r\n2005 <em>Black Flute (And Other Stories)</em>, Nature Morte, New Delhi <em>*</em>\r\n\r\n<a href=\"http://www.naturemorte.com/artists/reena-saini-kallat/selected-works/\">http://www.naturemorte.com/artists/reena-saini-kallat/selected-works/</a>\r\n\r\n2004 <em>Black Flute</em>, Gallery Chemould, Mumbai <em>*</em>\r\n\r\n<a href=\"http://www.gallerychemould.com/exhibitions/2004/reena_saini_kallat_note.html\">http://www.gallerychemould.com/exhibitions/2004/reena_saini_kallat_note.html</a>\r\n\r\n<strong>GROUP EXHIBITIONS</strong>\r\n\r\n2010 <em>In Transition: New Art from India</em>, Richmond Art Gallery, Vancouver Biennale, Vancouver\r\n\r\n<a href=\"http://www.richmondartgallery.org/in-transition.php\">http://www.richmondartgallery.org/in-transition.php</a>\r\n\r\n2010 <em>Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster University</em>, curated by Jeffrey Hughes and Dana Turkovic, Cecile R. Hunt Gallery, St. Louis, Missouri\r\n\r\n<a href=\"http://websterhuntgallery.blogspot.com/2010_02_01_archive.html\">http://websterhuntgallery.blogspot.com/2010_02_01_archive.html</a>\r\n\r\n2010 <em>Never Run Away</em>, 2 person exhibition curated by Shaheen Merali, Stux Gallery, New York <em>*</em>\r\n\r\n<em><a href=\"http://www.stuxgallery.com/site/www/artist_gallery/51\">http://www.stuxgallery.com/site/www/artist_gallery/51</a></em>\r\n\r\n2010 <em>The Empire Strikes Back</em>, Saatchi Gallery, London <em>*</em>\r\n\r\n<a href=\"http://www.saatchi-gallery.co.uk/artists/reena_kallat.htm?section_name=new_india\">http://www.saatchi-gallery.co.uk/artists/reena_kallat.htm?section_name=new_india</a>\r\n\r\n2010 <em>Urban Manners 2</em>, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao Paulo, Brazil\r\n\r\n<a href=\"http://art-for-the-world.blogspot.com/2010/01/some-installation-views-of-urban.html\">http://art-for-the-world.blogspot.com/2010/01/some-installation-views-of-urban.html</a>\r\n\r\n2009 <em>Viewpoints and Viewing points – 2009 Asian Art Biennale</em>, National Taiwan Museum of Fine Arts <em>*</em>\r\n\r\n<em><a href=\"http://www.asianartbiennial.org/2009/en/index_en.html\">http://www.asianartbiennial.org/2009/en/index_en.html</a></em>\r\n\r\n2009 <em>Passage to India Part II show </em>at Initial Access, Frank Cohen Collection, Wolverhampton,  UK\r\n\r\n<a href=\"http://www.initialaccess.co.uk/exhibition_moreinfo.php?id=11\">http://www.initialaccess.co.uk/exhibition_moreinfo.php?id=11</a>\r\n\r\n2009 <em>Chalo! India: A New Era of Indian Art</em>, National Museum of Contemporary Art,\r\n\r\nKorea and Essl Museum, Vienna\r\n\r\n<a href=\"http://www.mori.art.museum/english/contents/india/index.html\">http://www.mori.art.museum/english/contents/india/index.html</a>\r\n\r\n2009 <em>INDIA</em><em> XIANZAI: Contemporary Indian Art</em>, Museum of Contemporary Art, Shanghai\r\n\r\n<a href=\"http://www.mocashanghai.org/index.php?_function=exhibition&amp;_subFunction=pastExhibition&amp;exhibition_id=40&amp;_view=detail\">http://www.mocashanghai.org/index.php?_function=exhibition&amp;_subFunction=pastExhibition&amp;exhibition_id=40&amp;_view=detail</a>\r\n\r\n2009 Low Blow and<em> Other Species of Confusion</em>, Stux gallery, New York\r\n\r\n<a href=\"http://www.stuxgallery.com/site/www/artist_gallery/42/622\">http://www.stuxgallery.com/site/www/artist_gallery/42/622</a>\r\n\r\n2009 <em>Body Chatter</em>, Walsh Gallery, Chicago\r\n\r\n<a href=\"http://www.walshgallery.com/body-chatter-an-exhibition-of-contemporary-indian-art-2008/\">http://www.walshgallery.com/body-chatter-an-exhibition-of-contemporary-indian-art-2008/</a>\r\n\r\n2008 <em>Chalo! India: A New Era of Indian Art</em>, Mori Art Museum, Japan\r\n\r\n<a href=\"http://www.mori.art.museum/contents/press/india_20081121_e.pdf\">http://www.mori.art.museum/contents/press/india_20081121_e.pdf</a>\r\n\r\n2008 India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM  Museum, Valencia, Spain <em> </em>\r\n\r\n<a href=\"http://www.indiamoderna.es/eng/index.html\">http://www.indiamoderna.es/eng/index.html</a>\r\n\r\n2008 <em>3<sup>rd</sup> Nanjing Triennale</em>, curators: Fumihiko Sumitomo, Jaeyoung Kang, China\r\n\r\n<a href=\"http://www.aaa.org.hk/onlineprojects/bitri/en/gallery.aspx?eid=A080.03\">http://www.aaa.org.hk/onlineprojects/bitri/en/gallery.aspx?eid=A080.03</a>\r\n\r\n2008 <em>TEAF (Taehwagang Eco Art Festival) – Dream   River, Korea </em>\r\n\r\n(found no link) Pls Check the catalogue to see if there’s a web address provided\r\n\r\n2008 <em>Everywhere is War (And Rumours of it</em>), Bodhi  Art Gallery, Mumbai\r\n\r\n<a href=\"http://www.bodhiart.in/exhibitions/everywhere_is_war/everywhere_war.html\">http://www.bodhiart.in/exhibitions/everywhere_is_war/everywhere_war.html</a>\r\n\r\n2008 <em>Fire Walkers</em>, Stefan Stux gallery, New   York\r\n\r\n<a href=\"http://www.stuxgallery.com/site/www/artist_gallery/33\">http://www.stuxgallery.com/site/www/artist_gallery/33</a>\r\n\r\n2008 <em>Three Points of view</em>, Galerie Mirchandani + Steinrucke, Mumbai <em> </em>\r\n\r\n<a href=\"http://www.galeriems.com/reenask_one.htm\">http://www.galeriems.com/reenask_one.htm</a>\r\n\r\n2007 <em>Urban Manners</em>, curated by Adelina Von Furstenberg, at Hangar Bicocca , Milan\r\n\r\n<a href=\"http://www.kunstaspekte.de/index.php?tid=39629&amp;action=termin\">http://www.kunstaspekte.de/index.php?tid=39629&amp;action=termin</a>\r\n\r\n2007 <em>INDIA</em><em> NOW: Contemporary Indian Art, Between Continuity and transformation</em>, curated by Daniela Palozzoli at Spazio Oberdan, Milan <em>*</em>\r\n\r\n<a href=\"http://www.art-for-the-world.com/wwd/2007/urban_manners/Urban_Manners_pr.pdf\">http://www.art-for-the-world.com/wwd/2007/urban_manners/Urban_Manners_pr.pdf</a>','Biography ','','inherit','open','open','','105-revision-32','','','2010-06-29 06:14:33','2010-06-29 06:14:33','',105,'http://www.biggventures.com/demo/artists/1315/uncat/105-revision-32',0,'revision','',0),(1317,1,'2010-06-29 06:30:43','2010-06-29 06:30:43','<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"85%\" align=\"centre\">\r\n<tbody>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"aligncenter size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\"  width=\"270\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Reena Saini Kallat</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2008</td>\r\n</tr>\r\n<tr></tr>\r\n<tr>\r\n<td><a href=\"http://www.reenakallat.com/reena-kallat\">View Essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"aligncenter size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"270\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Rainbow of Refuse</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2006</td>\r\n</tr>\r\n<tr></tr>\r\n<tr>\r\n<td><a href=\"http://www.reenakallat.com/rainbow-of-refuse\">View Essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"aligncenter size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"270\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Black Flute and Other Stories</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2004</td>\r\n</tr>\r\n<tr></tr>\r\n<tr>\r\n<td><a href=\"http://www.reenakallat.com/black-flute\">View Essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"aligncenter size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"270\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>The Battlefield Is The Mind</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2002</td>\r\n</tr>\r\n<tr></tr>\r\n<tr>\r\n<td><a href=\"http://www.reenakallat.com/battlefield-of-mind\">View Essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"aligncenter size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"270\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>SKIN</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2000</td>\r\n</tr>\r\n<tr></tr>\r\n<tr>\r\n<td><a href=\"http://www.reenakallat.com/skin\">View Essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"aligncenter size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"270\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Orchard of Home-grown Secrets</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>1998</td>\r\n</tr>\r\n<tr></tr>\r\n<tr>\r\n<td><a href=\"http://www.reenakallat.com/orchard-of-home-grown-screts\">View Essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<!-- Start of Other Publications -->\r\n<!-- 		@page { size: 21cm 29.7cm; margin: 2cm } 		P { margin-bottom: 0.21cm } -->\r\n<h2 style=\"text-align: center;\"></h2>\r\n<em><strong>THE ARCHIVES OF THE HEART</strong></em>\r\n\r\nNancy Adajania, Indian Contemporaray Art Journal, Volume 1, Issue III,\r\n\r\nFront Cover, pgs 42-45, 2009\r\n\r\n<em><strong>GLOBALE KUNST MIT WURZELDUFT</strong></em>\r\n\r\nVon Almuth Speigler, Die Presse, Feuilleton, 2<sup>nd</sup> September 2009\r\n\r\n<em><strong>LANDSCAPES OF LOSS</strong></em>\r\n\r\nBeth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009\r\n\r\n<em><strong>ARTIST OF THE FORTNIGHT</strong></em>\r\n\r\nMaria Louis, Outlook Profit, 24<sup>th</sup> July 2009\r\n\r\n<em><strong>REINCARNATING HISTORY</strong></em>\r\n\r\nThe big Picture, Architect and Interiors, July 2009\r\n\r\n<em><strong>STAMP COLLECTION</strong></em>\r\n\r\nGeorgina Maddox, The Sunday Express, 17<sup>th</sup> May 2009\r\n\r\n<em><strong>LOST AND FOUND</strong></em>\r\n\r\nMarina Correa, DNA, Mumbai, 22<sup>nd</sup> January, 2009\r\n\r\n<em><strong>EVOLVING BEYOND BORDERS</strong></em>\r\n\r\nReshma S. Kulkarni, Bombay times, The Times of India, 15<sup>th</sup> January, 2009\r\n\r\n<em><strong>QUARRIES AND ANSWERS</strong></em>\r\n\r\nReema Gehi, Hindustan Times Café, Mumbai, 24<sup>th</sup> December 2008\r\n\r\n<em><strong>DEJA VIEW</strong></em>\r\n\r\nTara Khilachand, Live Mint, 20<sup>th</sup> December 2008\r\n\r\n<em><strong>TERROR STRUCK</strong></em>\r\n\r\nMaria Louis, Outlook Profit, 26<sup>th</sup> December 2008\r\n\r\n<em><strong>NAME CALLING</strong></em>\r\n\r\nDeepanjana Pal, Timeout Mumbai, December 2008\r\n\r\n<em><strong>PAINTING A PROTEST</strong></em>\r\n\r\nSujata Chakrabarti, DNA After Hrs, 21st August 2008\r\n\r\n<em><strong>ARTIST OF THE FORTNIGHT</strong></em>\r\n\r\nMaria Louis, Outlook Profit, pg 79, April 2008\r\n\r\n<em><strong>FOCUS INDIA</strong></em>\r\n\r\nMegha Ralapati, Flash Art, pg 114, January February 2008\r\n\r\n<em><strong>QUARRYING THE PAST</strong></em>\r\n\r\nMaria Louis, Beautiful People, pg 145, March-April 2008\r\n\r\n<em><strong>COME TOGETHER RIGHT NOW</strong></em>\r\n\r\nReema Gehi, HT Café, 15<sup>th</sup> February 2008\r\n\r\n<em><strong>SUCH A LONG JOURNEY</strong></em>\r\n\r\nAparna S Sharma, Elle Magazine, pgs 115-117, February 2008\r\n\r\n<em><strong> </strong></em><em><strong>MORE THAN A WOMAN</strong></em>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 4<sup>th</sup> February 2008.\r\n\r\n<em><strong>ARTIST OF THE FORTNIGHT</strong></em>\r\n\r\nMaria Louis, Outlook, Profit, dated 18<sup>th</sup> April 2008.\r\n\r\n<em><strong> </strong></em><em><strong>CORRUPTIONS OF POWER</strong></em>\r\n\r\nShiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs98-99, 2007\r\n\r\n<em><strong> </strong></em><em><strong>POLITICAL CHAOS</strong></em>\r\n\r\nDeepali Nandwani, Beautiful people, pg 143, November-December 2006\r\n\r\n<em><strong> </strong></em><em><strong>OVER THE RAINBOW</strong></em>\r\n\r\nMaria Louis, Interview, Verve Magazine, pg 78, November 2006\r\n\r\n<em><strong>HER CROWNING ACHIEVEMENT</strong></em>\r\n\r\nClara Chow, The Straits Times, 18<sup>th</sup> November, 2006\r\n\r\n<em><strong>RAINBOW OF REFUSE</strong></em>\r\n\r\nInside Outside Magazine, November 2006\r\n\r\n<em><strong>IN A STATE OF PERENNIAL SIEGE</strong></em>\r\n\r\nNancy Adajania, The Hindu, Hyderabad, 29<sup>th</sup> October, 2006\r\n\r\n<em><strong>WEAPONS OF MASS CONSTRUCTION</strong></em>\r\n\r\nRituparna Som, DNA After Hrs Mumbai, 9<sup>th</sup> October, 2006\r\n\r\n<em><strong>UNDER ATTACK</strong></em>\r\n\r\nGitanjali Dang, HT Mumbai, 22<sup>nd</sup> September 2006\r\n\r\n<em><strong>GUNS AND ROSES</strong></em>\r\n\r\nRachna Nakra, The Indian Express, Mumbai Newsline, 18<sup>th</sup> September 2006\r\n\r\n<em><strong>TIME TRAVELLER</strong></em>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 27<sup>th</sup> June 2006\r\n\r\n<em><strong>BEYOND FEMINISM</strong></em>\r\n\r\nMallika Advani, Elle Décor, pg 78-80, May 2006\r\n\r\n<em><strong>THE FLOWER AND THE SWORD</strong></em>\r\n\r\nGirish Shahane, pg 93, The Art News magazine of India, volume X issue I, 2004\r\n\r\n<em><strong>BLACK FLUTE</strong></em>\r\n\r\nInside Outside Magazine, pgs 36-37, November 2004\r\n\r\n<em><strong>INDIA’S TOP 100 ACHIEVERS</strong></em>\r\n\r\nSociety Magazine, pg 137, December 2004\r\n\r\n<em><strong>CAUGHT BETWEEN DEMONS</strong></em>\r\n\r\nNancy Adajania, The Hindu, 19<sup>th</sup> December 2004\r\n\r\n<em><strong>HARD COPY</strong></em>\r\n\r\nInside Outside, pgs 30-32, November 2003\r\n\r\n<em><strong>A HARD COPY OF FLUX</strong></em>\r\n\r\nSharmila Maiti, Calcutta Times, The Times of India, 3<sup>rd</sup> November 2003\r\n\r\n<em><strong>KALA GHODA GETS A HORSE</strong></em>\r\n\r\nJasmine Shah Varma, The List, Mid Day, 22<sup>nd</sup> October 2003\r\n\r\n<em><strong>METAPHORS OF CONTEMPORARY REALITIES</strong></em>\r\n\r\nSoumitra Das, The Telegraph, 31<sup>st</sup> October 2003\r\n\r\n<em><strong>EN REISE TIL INDIA</strong></em>\r\n\r\nHarald Flor, Dagbladet, Kultur, 2<sup>nd</sup> February 2003\r\n\r\n<em><strong>SIGNS OF RESISTANCE</strong></em>\r\n\r\nNancy Adajania, The Hindu, 5<sup>th</sup> January 2003\r\n\r\n<em><strong>OF THE GODDESS AND DEMON IN THE MIND</strong></em>\r\n\r\nDebbie Rodgers, Sunday edition Vijay Times, Bangalore, 5<sup>th</sup> January 2003\r\n\r\n<em><strong>EMPATHIC ANGER</strong></em>\r\n\r\nMarta Jakimowicz, Deccan Herald, 23<sup>rd</sup> December 2002\r\n\r\n<em><strong>MYSORE EK KHOJ</strong></em>\r\n\r\nCross Fertilization of Culture, Interview in Star of Mysore, 27<sup>th</sup> October 2002\r\n\r\n<em><strong>DIFFERENT STROKES</strong></em>\r\n\r\nGeorgina L Maddox, The Indian Express, Mumbai Newsline, 24<sup>th</sup> July, 2002\r\n\r\n<em><strong>CREATING TO DESTROY</strong></em>\r\n\r\nJasmine Shah Varma, The List, Mid Day, 22<sup>nd</sup> February 2002\r\n\r\n<em><strong>LINKING ISLANDS</strong></em>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 15<sup>th</sup> February 2002\r\n\r\n<em><strong>OF FAITH AND HUNGER</strong></em>\r\n\r\nAbhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89, December 2000\r\n\r\n<em><strong>PARADOXICAL METAPHORS</strong></em>\r\n\r\nSanaya Pavri, Oomph Art, pgs 38-40 December 2000\r\n\r\n<em><strong>AN ARTIST’S WORLD: ROTI, MAKAAN &amp; ABSTRACT ART</strong></em>\r\n\r\nPoonam Goel, HT City, 23<sup>rd</sup> December 2000\r\n\r\n<em><strong>SCINTILLATING SKIN</strong></em>\r\n\r\nVaibhav Purandare, The Asian Age, 14<sup>th</sup> October 2000\r\n\r\n<em><strong>THE MURMUR OF SKIN</strong></em>\r\n\r\nNupur Mahajan, Bombay times, Times of India, 12<sup>th</sup> October 2000\r\n\r\n<em><strong>INSIDE OUT</strong></em>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 11<sup>th</sup> October 2000\r\n\r\n<em><strong>NOT JUST SKIN DEEP</strong></em>\r\n\r\nJasmine Shah Varma, The list, Mid-day, 4<sup>th</sup> October 2000\r\n\r\n<em><strong>INTERACTIVE MEDIUM</strong></em>\r\n\r\nKaren Pereira, Indian Architect &amp; Builder, pgs 102-104, October 1998\r\n\r\n<em><strong>FARMING INTRIRUE</strong></em>\r\n\r\nJerry Pinto, The Times of India, Bombay Times, 3<sup>rd</sup> September 1998\r\n\r\n<em><strong>WITHIN YOU, WITHOUT YOU</strong></em>\r\n\r\nAnu Kumar, Indian Express, Express Newsline, 2<sup>nd</sup> September 1998\r\n\r\n<em><strong>DUAL TONES </strong></em>\r\n\r\nDnyaneshwar Nadkarni, Mid-day, 27<sup>th</sup> August 1998','Publications','','inherit','open','open','','87-revision-35','','','2010-06-29 06:30:43','2010-06-29 06:30:43','',87,'http://www.biggventures.com/demo/artists/1317/uncat/87-revision-35',0,'revision','',0),(1319,1,'2010-06-29 06:51:57','2010-06-29 06:51:57','<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"85%\" align=\"centre\">\r\n<tbody>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"aligncenter size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"270\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Reena Saini Kallat</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2008</td>\r\n</tr>\r\n<tr>\r\n<td><a href=\"http://www.reenakallat.com/reena-kallat\">View Essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"aligncenter size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"270\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Rainbow of Refuse</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2006</td>\r\n</tr>\r\n<tr>\r\n<td><a href=\"http://www.reenakallat.com/rainbow-of-refuse\">View Essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"aligncenter size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"270\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Black Flute and Other Stories</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2004</td>\r\n</tr>\r\n<tr>\r\n<td><a href=\"http://www.reenakallat.com/black-flute\">View Essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"aligncenter size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"270\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>The Battlefield Is The Mind</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2002</td>\r\n</tr>\r\n<tr>\r\n<td><a href=\"http://www.reenakallat.com/battlefield-of-mind\">View Essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"aligncenter size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"270\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>SKIN</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2000</td>\r\n</tr>\r\n<tr>\r\n<td><a href=\"http://www.reenakallat.com/skin\">View Essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"aligncenter size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"270\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Orchard of Home-grown Secrets</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>1998</td>\r\n</tr>\r\n<tr>\r\n<td><a href=\"http://www.reenakallat.com/orchard-of-home-grown-screts\">View Essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<!-- Start of Other Publications -->\r\n<STYLE type=\"text/css\"> strong {color:#000000}</style>\r\n<strong>BOOKS/  CATALOGUES </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong><em> </em></strong>\r\n\r\n<strong><em> </em></strong>\r\n<STYLE type=\"text/css\"> em {color:#000000}</style>\r\n<strong><em>SOLO  SHOWS</em></strong>\r\n<STYLE type=\"text/css\"> strong {color:#979797}</style>\r\n<strong><span style=\"text-decoration: underline;\"> </span></strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>REENA SAINI  KALLAT</strong>, 2009\r\n\r\nText: Nancy Adajania and Murtaza Vali\r\n\r\nPublisher: Primo Marella Gallery, Walsh Gallery and Chemould   Prescott Road\r\n\r\nISBN:  978-81-908879-1-5\r\n\r\n<strong>RAINBOW OF  REFUSE</strong>, 2006\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher: Bodhi Art Gallery\r\n\r\n<strong> </strong><strong>BLACK  FLUTE (AND OTHER STORIES)</strong>,<strong> </strong>2005\r\n\r\n<strong> BLACK FLUTE</strong>, 2004\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher: Gallery Chemould  and Nature Morte Gallery\r\n\r\n<strong>THE BATTLEFIELD  IS THE MIND</strong>, 2002<strong> </strong>\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher:  Sakshi Gallery\r\n\r\n<strong>SKIN</strong>,<strong> </strong>2000\r\n\r\nInterview with  Jitish Kallat\r\n\r\nPublisher:  Gallery Chemould and Vis-à-vis Art Inc. Gallery\r\n\r\n<strong>ORCHARD OF  HOME-GROWN SECRETS</strong>, 1998<strong> </strong>\r\n\r\nText: Ranjit Hoskote\r\n\r\nPublisher: Gallery Chemould and Pundole  Art Gallery\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong><em>GROUP  SHOWS</em></strong>\r\n\r\n<strong><em> </em></strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>NEVER RUN AWAY</strong>, 2010\r\n\r\nText: Shaheen  Merali\r\n\r\nPublisher: Stux Gallery\r\n\r\n<strong>URBAN MANNERS 2</strong>, 2010<strong><em> </em></strong>\r\n\r\nText: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\n\r\nPublisher: SESC Pompeia, Sao Paulo\r\n\r\n<strong> </strong>\r\n\r\n<strong>THE EMPIRE  STRIKES BACK</strong>, 2010<strong> </strong>\r\n\r\nText: Zehra Jumabhoy\r\n\r\nPublisher: Saatchi Gallery\r\n\r\n<strong> </strong><strong> </strong>\r\n\r\n<strong>VIEW POINTS AND  VIEWINGS POINTS- ASIAN ART BIENNALE</strong>, 2009<strong> </strong>\r\n\r\nText: Chao-yi-Tsai\r\n\r\nPublisher: National Taiwan Museum of fine Arts\r\n\r\n<strong>INDIA</strong><strong> XIANZAI:  CONTEMPORARY INDIAN ART</strong>,  2009\r\n\r\n<strong> </strong>Text: Jitish  Kallat, Diana Freundl, Alexander Keefe\r\n\r\nPublisher: Museum  of Contemporary  Art\r\n\r\n<strong>CHALO! INDIA: A  NEW ERA OF INDIAN ART</strong>, 2009<strong> </strong>\r\n\r\nText: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki, Miho\r\n\r\nTagomori\r\n\r\nPublisher: National Museum of Contemporary Art and Essl  Museum\r\n\r\nISBN: 978-3-7913-4304-4\r\n\r\n<strong>CHALO! INDIA: A NEW ERA OF INDIAN ART</strong>,  208<strong><em> </em></strong>\r\n\r\nText: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman\r\n\r\nGopinath, Jayaram, Deepak Ananth\r\n\r\nPublisher:  Mori Art Museum\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong><strong>INDIA</strong><strong> MODERNA</strong>, 2008<strong> </strong>\r\n\r\nText: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur,\r\n\r\nR.Siva  Kumar,  K.G. Subramanyan\r\n\r\nPublisher: IVAM (Institute Valencia D’Art Modern)\r\n\r\n<strong>EVERYWHERE IS  WAR (AND RUMOURS OF IT</strong>), 2008\r\n\r\n<strong> </strong>Text: Kai  Hafez, Martin  Hager,  Nicholas Mirzoeff, Daniel Miller,\r\n\r\nBregje van Eekelen\r\n\r\nPublisher: Bodhi Art  Gallery\r\n\r\n<strong>THREE POINTS OF  VIEWS</strong>, 2008\r\n\r\n<strong> </strong>Text:  Grant Watson\r\n\r\nPublisher: Galerie Mirchandani + Steinruecke\r\n\r\n<strong>NEW NARRATIVES</strong>, 2008\r\n\r\nText: Betty Seid<strong> </strong>\r\n\r\n<strong> </strong>Publisher:  Chicago  Cultural Center\r\n\r\n<strong> </strong><strong>MADE BY INDIANS</strong>, 2007\r\n\r\nText: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\n\r\nPublisher: Galerie Enrico Navarra\r\n\r\nISBN: 2-911596-37-4\r\n\r\n<strong>THERMOCLINE OF  ART: NEW ASIAN WAVES</strong>,  2007\r\n\r\n<strong> </strong>Text:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong<strong> </strong>\r\n\r\nPublisher: Hatje Cantz Vertag\r\n\r\nISBN: 978-3-7757-2073-1\r\n\r\nEAN: 9782911596377\r\n\r\n<strong> INDIAN COLOUR</strong>, 2007\r\n\r\nText: Peter Nagy\r\n\r\nPublisher: Dal- seung Hwang, Keumsan Gallery\r\n\r\n<strong>INDIA</strong><strong> ARTE OGGI</strong>, 2007<strong> </strong>\r\n\r\n<strong> </strong>Text:  Daniela Palazzoli<strong> </strong>\r\n\r\nPublisher: Spazio Oberdan\r\n\r\nISBN: 978-88-202-1867-6\r\n\r\n<strong>URBAN MANNERS</strong>, 2007\r\n\r\nText: Adelina Von Furstenberg\r\n\r\n<strong> </strong>Publisher:  Hangar Bicocca\r\n\r\n<strong>INTERNATIONAL  INCHEON WOMEN ARTISTS BIENNALE, </strong>\r\n\r\n<strong> KNOCKING ON THE DOOR</strong>,  2007\r\n\r\n<strong> </strong>Text:  Sung Hee Kim, John C. Welchman<strong> </strong>\r\n\r\nPublisher: Incheon Culture and Art Centre\r\n\r\n<strong>SOFT  POWER: ASIAN ATTITUDE</strong>,  2007<strong> </strong>\r\n\r\n<strong> </strong>Text:  Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\n\r\nPublisher: Shanghai  Zendai Mumsem of Modern Art\r\n\r\nISBN: 978-7-5356-2790-2\r\n\r\n<strong>INDIA</strong><strong> EXPRESS- ART AND POPULAR CULTURE</strong>, 2006\r\n\r\n<strong> </strong>Text: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze,\r\n\r\nPublisher: Helsinki  City Art  Museum\r\n\r\nISBN: 951-8965-61-7\r\n\r\n<strong>BOMBAY</strong><strong> L’ALBUM MAXIMUM CITY</strong>, 2006\r\n\r\nText: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\n\r\nPublisher: Terrail, Lille 3000\r\n\r\nISBN:  2-87939-325-6<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>INDIAN PAINTINGS  OF THE NEW MILLENNIUM</strong>, 2005\r\n\r\n<strong> </strong>Text: Helen Asquine  Fazio, Gayatri Sinha<strong> </strong>\r\n\r\n<strong> </strong>Publisher: Quick Arts Center, Fairfield University\r\n\r\n<strong>A GUIDE TO 101 MODERN &amp; CONTEMPORARY INDIAN ARTISTS</strong>, 2005\r\n\r\n<strong> </strong>Text: Amrita  Jhaveri\r\n\r\nPublisher: India  Book House\r\n\r\nISBN: 81-7508-423-5\r\n\r\n<strong>ZOOM! ART IN  CONTEMPORARY INDIA</strong>, 2004\r\n\r\n<strong> </strong>Texts:  Luis Serpa and Nancy Adajania<strong> </strong>\r\n\r\n<strong> </strong>Publisher: The Culturgest Museum\r\n\r\nISBN: 972-769-033-5\r\n\r\n<strong>INTERLUDE IN SRI   LANKA</strong>, 2004<strong> </strong>\r\n\r\n<strong> </strong>Text:  Ranjit Hoskote, Nancy Adajania<strong> </strong>\r\n\r\n<strong> </strong>Publisher:  The Guild  Art Gallery\r\n\r\n<strong>GENERATION I</strong>, 2004\r\n\r\nText: Zehra Jumabhoy<strong> </strong>\r\n\r\n<strong> </strong>Publisher:<strong> </strong>Saffronart &amp; The Guild Art Gallery\r\n\r\n<strong>TIRANGA  RIGHTS AND REPONSIBILITIES</strong>,  2003<strong> </strong>\r\n\r\nText: Peter Nagy<strong> </strong>\r\n\r\n<strong> </strong>Publisher: Jindal  Foundation &amp; Creative Arts\r\n\r\n<strong>HARD COPY</strong>, 2003\r\n\r\nText: Peter Nagy\r\n\r\n<strong> </strong>Publisher: Gallery 88\r\n\r\n<strong> </strong><strong>CROSSING  GENERATIONS: DIVERGE</strong><strong>, </strong>2003\r\n\r\n<strong> </strong>Text:  Geeta Kapoor and Chaitanya Sambrani<strong> </strong>\r\n\r\n<strong> </strong>Publisher:<strong> </strong>Gallery Chemould\r\n\r\nPRESS  <strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong><em> </em></strong>\r\n\r\n<strong>THE ARCHIVES OF  THE HEART</strong> <strong> </strong>\r\n\r\nNancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\n\r\nFront Cover, pgs 42-45, 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>GLOBALE KUNST  MIT WURZELDUFT</strong>\r\n\r\nVon Almuth Speigler, Die Presse, Feuilleton, 2<sup>nd</sup> September 2009\r\n\r\n<strong>LANDSCAPES OF  LOSS</strong>\r\n\r\nBeth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>REINCARNATING  HISTORY</strong>\r\n\r\nThe Big Picture, Architect and Interiors, July 2009<strong> </strong>\r\n\r\n<strong>STAMP COLLECTION</strong>\r\n\r\nGeorgina Maddox, The Sunday Express, 17<sup>th</sup> May 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>EVOLVING BEYOND  BORDERS</strong>\r\n\r\nReshma S. Kulkarni, Bombay Times, Times of India,  15<sup>th</sup> January, 2009\r\n\r\n<strong>LO</strong><strong>SS AND FOUND</strong>\r\n\r\nMarina Correa, DNA, Mumbai, 22<sup>nd</sup> January 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>FOCUS INDIA</strong>\r\n\r\nMegha Ralapati, Flash Art, pg 114, January-February 2008\r\n\r\n<strong>COME TOGETHER  RIGHT NOW</strong>\r\n\r\nReema Gehi, HT Café, 15<sup>th</sup> February 2008\r\n\r\n<strong>SUCH A LONG  JOURNEY</strong>\r\n\r\nAparna S Sharma, Elle Magazine, pgs 115-117, February 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong>MORE THAN A  WOMAN</strong>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 4<sup>th</sup> February 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong>ARTIST OF THE  FORTNIGHT</strong>\r\n\r\nMaria Louis, Outlook Profit, pg 79, 18<sup>th</sup> April 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong>DEJA VIEW</strong>\r\n\r\nTara Khilachand, Live Mint, 20<sup>th</sup> December 2008\r\n\r\n<strong>TERROR STRUCK</strong>\r\n\r\nMaria Louis, Outlook Profit, 26<sup>th</sup> December 2008\r\n\r\n<strong>NAME CALLING</strong>\r\n\r\nDeepanjana Pal, Timeout Mumbai, December 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>CORRUPTIONS OF  POWER</strong>\r\n\r\nShiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99,  2007\r\n\r\n<strong>OVER THE RAINBOW</strong>\r\n\r\nMaria Louis, Interview, Verve Magazine, pg 78, November 2006\r\n\r\n<strong> </strong>\r\n\r\n<strong>IN A STATE OF PERENNIAL SIEGE</strong>\r\n\r\nNancy Adajania, The Hindu, Hyderabad, 29<sup>th</sup> October  2006\r\n\r\n<strong>HER CROWNING  ACHIEVEMENT</strong>\r\n\r\nClara Chow, The Straits Times, 18<sup>th</sup> November 2006\r\n\r\n<strong> </strong>\r\n\r\n<strong>POLITICAL CHAOS</strong>\r\n\r\nDeepali Nandwani,  Beautiful people, pg 143, November-December 2006\r\n\r\n<strong>WEAPONS OF MASS  CONSTRUCTION</strong>\r\n\r\nRituparna Som, DNA after Hrs, Mumbai, 9<sup>th</sup> October, 2006\r\n\r\n<strong> </strong>\r\n\r\n<strong> GUNS AND ROSES</strong>\r\n\r\nRachna Nakra, The Indian Express,  Mumbai Newsline, 18<sup>th</sup> September 2006\r\n\r\n<strong> UNDER ATTACK</strong>\r\n\r\nGitanjali Dang, HT Mumbai, 22<sup>nd</sup> September 2006\r\n\r\n<strong> TIME TRAVELLER</strong>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline,  27<sup>th</sup> June 2006      <strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>THE FLOWER AND  THE SWORD</strong>\r\n\r\nGirish Shahane, The Art News magazine of India,  pg 93, volume X issue I, 2004\r\n\r\n<strong>INDIA</strong><strong>’S TOP 100 ACHIEVERS</strong>\r\n\r\nSociety Magazine, pg 137, December 2004\r\n\r\n<strong>CAUGHT BETWEEEN  DEMONS</strong>\r\n\r\nNancy Adajania, The Hindu, 19<sup>th</sup> December  2004\r\n\r\n<strong>EN REISE TIL INDIA</strong>\r\n\r\nHarald Flor, Dagbladet, Kultur, 2<sup>nd</sup> February 2003\r\n\r\n<strong> </strong>\r\n\r\n<strong>SIGNS OF  RESISTANCE</strong>\r\n\r\nNancy Adajania, The Hindu, 5<sup>th</sup> January  2003\r\n\r\n<strong>OF THE GODDESS  AND DEMON IN THE MIND</strong>\r\n\r\nDebbie Rodgers, Sunday edition Vijay Times, Bangalore, 5<sup>th</sup> January 2003\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>EMPATHIC ANGER</strong>\r\n\r\nMarta Jakimowicz, Deccan Herald, 23<sup>rd</sup> December 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong>MYSORE</strong><strong> EK KHOJ</strong>\r\n\r\nCross Fertilization of Culture, Interview in Star of Mysore, 27<sup>th</sup> October 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong> LINKING ISLANDS</strong>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 15<sup>th</sup> February  2002\r\n\r\n<strong>CREATING TO  DESTROY</strong>\r\n\r\nJasmine Shah Varma, The List, Mid Day, 22<sup>nd</sup> February 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong>DIFFERENT  STROKES</strong>\r\n\r\nGeorgina L Maddox, The Indian Express, Mumbai Newsline,  24<sup>th</sup> July 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong>OF FAITH AND  HUNGER</strong>\r\n\r\nAbhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89,  December 2000\r\n\r\n<strong> </strong>\r\n\r\n<strong>THE MURMUR OF  SKIN</strong>\r\n\r\nNupur Mahajan, Bombay Times, Times  of India, 12<sup>th</sup> October 2000\r\n\r\n<strong>NOT JUST SKIN  DEEP</strong>\r\n\r\nJasmine Shah Varma, The List, Mid-day, 4<sup>th</sup> October 2000\r\n\r\n<strong>INSIDE OUT</strong>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 11<sup>th</sup> October  2000\r\n\r\n<strong>SCINTILLATING  SKIN</strong>\r\n\r\nVaibhav Purandare, The Asian Age, 14<sup>th</sup> October 2000\r\n\r\n<strong>AN ARTIST’S  WORLD: ROTI, MAKAAN &amp; ABSTRACT ART</strong>\r\n\r\nPoonam Goel, HT City, 23<sup>rd</sup> December 2000\r\n\r\n<strong> </strong>\r\n\r\n<strong>WITHIN YOU,  WITHOUT YOU</strong>\r\n\r\nAnu Kumar, Indian Express,  Express Newsline, 2<sup>nd</sup> September 1998\r\n\r\n<strong>FARMING INTRIRUE</strong>\r\n\r\nJerry Pinto, The Times of India, Bombay Times, 3<sup>rd</sup> September 1998\r\n\r\n<strong> </strong>\r\n\r\n<strong>INTERACTIVE  MEDIUM</strong>\r\n\r\nKaren Pereira, Indian  Architect &amp; Builder, pgs 102-104, October 1998','Publications','','inherit','open','open','','87-revision-37','','','2010-06-29 06:51:57','2010-06-29 06:51:57','',87,'http://www.biggventures.com/demo/artists/1319/uncat/87-revision-37',0,'revision','',0),(1318,1,'2010-06-29 06:31:46','2010-06-29 06:31:46','<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"85%\" align=\"centre\">\r\n<tbody>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"aligncenter size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\"  width=\"270\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Reena Saini Kallat</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2008</td>\r\n</tr>\r\n<tr></tr>\r\n<tr>\r\n<td><a href=\"http://www.reenakallat.com/reena-kallat\">View Essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"aligncenter size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"270\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Rainbow of Refuse</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2006</td>\r\n</tr>\r\n<tr></tr>\r\n<tr>\r\n<td><a href=\"http://www.reenakallat.com/rainbow-of-refuse\">View Essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"aligncenter size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"270\"  /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Black Flute and Other Stories</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2004</td>\r\n</tr>\r\n<tr></tr>\r\n<tr>\r\n<td><a href=\"http://www.reenakallat.com/black-flute\">View Essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"aligncenter size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"270\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>The Battlefield Is The Mind</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2002</td>\r\n</tr>\r\n<tr></tr>\r\n<tr>\r\n<td><a href=\"http://www.reenakallat.com/battlefield-of-mind\">View Essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"aligncenter size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"270\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>SKIN</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2000</td>\r\n</tr>\r\n<tr></tr>\r\n<tr>\r\n<td><a href=\"http://www.reenakallat.com/skin\">View Essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"aligncenter size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"270\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Orchard of Home-grown Secrets</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>1998</td>\r\n</tr>\r\n<tr></tr>\r\n<tr>\r\n<td><a href=\"http://www.reenakallat.com/orchard-of-home-grown-screts\">View Essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<!-- Start of Other Publications -->\r\n<!-- 		@page { size: 21cm 29.7cm; margin: 2cm } 		P { margin-bottom: 0.21cm } -->\r\n<h2 style=\"text-align: center;\"></h2>\r\n<em><strong>THE ARCHIVES OF THE HEART</strong></em>\r\n\r\nNancy Adajania, Indian Contemporaray Art Journal, Volume 1, Issue III,\r\n\r\nFront Cover, pgs 42-45, 2009\r\n\r\n<em><strong>GLOBALE KUNST MIT WURZELDUFT</strong></em>\r\n\r\nVon Almuth Speigler, Die Presse, Feuilleton, 2<sup>nd</sup> September 2009\r\n\r\n<em><strong>LANDSCAPES OF LOSS</strong></em>\r\n\r\nBeth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009\r\n\r\n<em><strong>ARTIST OF THE FORTNIGHT</strong></em>\r\n\r\nMaria Louis, Outlook Profit, 24<sup>th</sup> July 2009\r\n\r\n<em><strong>REINCARNATING HISTORY</strong></em>\r\n\r\nThe big Picture, Architect and Interiors, July 2009\r\n\r\n<em><strong>STAMP COLLECTION</strong></em>\r\n\r\nGeorgina Maddox, The Sunday Express, 17<sup>th</sup> May 2009\r\n\r\n<em><strong>LOST AND FOUND</strong></em>\r\n\r\nMarina Correa, DNA, Mumbai, 22<sup>nd</sup> January, 2009\r\n\r\n<em><strong>EVOLVING BEYOND BORDERS</strong></em>\r\n\r\nReshma S. Kulkarni, Bombay times, The Times of India, 15<sup>th</sup> January, 2009\r\n\r\n<em><strong>QUARRIES AND ANSWERS</strong></em>\r\n\r\nReema Gehi, Hindustan Times Café, Mumbai, 24<sup>th</sup> December 2008\r\n\r\n<em><strong>DEJA VIEW</strong></em>\r\n\r\nTara Khilachand, Live Mint, 20<sup>th</sup> December 2008\r\n\r\n<em><strong>TERROR STRUCK</strong></em>\r\n\r\nMaria Louis, Outlook Profit, 26<sup>th</sup> December 2008\r\n\r\n<em><strong>NAME CALLING</strong></em>\r\n\r\nDeepanjana Pal, Timeout Mumbai, December 2008\r\n\r\n<em><strong>PAINTING A PROTEST</strong></em>\r\n\r\nSujata Chakrabarti, DNA After Hrs, 21st August 2008\r\n\r\n<em><strong>ARTIST OF THE FORTNIGHT</strong></em>\r\n\r\nMaria Louis, Outlook Profit, pg 79, April 2008\r\n\r\n<em><strong>FOCUS INDIA</strong></em>\r\n\r\nMegha Ralapati, Flash Art, pg 114, January February 2008\r\n\r\n<em><strong>QUARRYING THE PAST</strong></em>\r\n\r\nMaria Louis, Beautiful People, pg 145, March-April 2008\r\n\r\n<em><strong>COME TOGETHER RIGHT NOW</strong></em>\r\n\r\nReema Gehi, HT Café, 15<sup>th</sup> February 2008\r\n\r\n<em><strong>SUCH A LONG JOURNEY</strong></em>\r\n\r\nAparna S Sharma, Elle Magazine, pgs 115-117, February 2008\r\n\r\n<em><strong> </strong></em><em><strong>MORE THAN A WOMAN</strong></em>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 4<sup>th</sup> February 2008.\r\n\r\n<em><strong>ARTIST OF THE FORTNIGHT</strong></em>\r\n\r\nMaria Louis, Outlook, Profit, dated 18<sup>th</sup> April 2008.\r\n\r\n<em><strong> </strong></em><em><strong>CORRUPTIONS OF POWER</strong></em>\r\n\r\nShiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs98-99, 2007\r\n\r\n<em><strong> </strong></em><em><strong>POLITICAL CHAOS</strong></em>\r\n\r\nDeepali Nandwani, Beautiful people, pg 143, November-December 2006\r\n\r\n<em><strong> </strong></em><em><strong>OVER THE RAINBOW</strong></em>\r\n\r\nMaria Louis, Interview, Verve Magazine, pg 78, November 2006\r\n\r\n<em><strong>HER CROWNING ACHIEVEMENT</strong></em>\r\n\r\nClara Chow, The Straits Times, 18<sup>th</sup> November, 2006\r\n\r\n<em><strong>RAINBOW OF REFUSE</strong></em>\r\n\r\nInside Outside Magazine, November 2006\r\n\r\n<em><strong>IN A STATE OF PERENNIAL SIEGE</strong></em>\r\n\r\nNancy Adajania, The Hindu, Hyderabad, 29<sup>th</sup> October, 2006\r\n\r\n<em><strong>WEAPONS OF MASS CONSTRUCTION</strong></em>\r\n\r\nRituparna Som, DNA After Hrs Mumbai, 9<sup>th</sup> October, 2006\r\n\r\n<em><strong>UNDER ATTACK</strong></em>\r\n\r\nGitanjali Dang, HT Mumbai, 22<sup>nd</sup> September 2006\r\n\r\n<em><strong>GUNS AND ROSES</strong></em>\r\n\r\nRachna Nakra, The Indian Express, Mumbai Newsline, 18<sup>th</sup> September 2006\r\n\r\n<em><strong>TIME TRAVELLER</strong></em>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 27<sup>th</sup> June 2006\r\n\r\n<em><strong>BEYOND FEMINISM</strong></em>\r\n\r\nMallika Advani, Elle Décor, pg 78-80, May 2006\r\n\r\n<em><strong>THE FLOWER AND THE SWORD</strong></em>\r\n\r\nGirish Shahane, pg 93, The Art News magazine of India, volume X issue I, 2004\r\n\r\n<em><strong>BLACK FLUTE</strong></em>\r\n\r\nInside Outside Magazine, pgs 36-37, November 2004\r\n\r\n<em><strong>INDIA’S TOP 100 ACHIEVERS</strong></em>\r\n\r\nSociety Magazine, pg 137, December 2004\r\n\r\n<em><strong>CAUGHT BETWEEN DEMONS</strong></em>\r\n\r\nNancy Adajania, The Hindu, 19<sup>th</sup> December 2004\r\n\r\n<em><strong>HARD COPY</strong></em>\r\n\r\nInside Outside, pgs 30-32, November 2003\r\n\r\n<em><strong>A HARD COPY OF FLUX</strong></em>\r\n\r\nSharmila Maiti, Calcutta Times, The Times of India, 3<sup>rd</sup> November 2003\r\n\r\n<em><strong>KALA GHODA GETS A HORSE</strong></em>\r\n\r\nJasmine Shah Varma, The List, Mid Day, 22<sup>nd</sup> October 2003\r\n\r\n<em><strong>METAPHORS OF CONTEMPORARY REALITIES</strong></em>\r\n\r\nSoumitra Das, The Telegraph, 31<sup>st</sup> October 2003\r\n\r\n<em><strong>EN REISE TIL INDIA</strong></em>\r\n\r\nHarald Flor, Dagbladet, Kultur, 2<sup>nd</sup> February 2003\r\n\r\n<em><strong>SIGNS OF RESISTANCE</strong></em>\r\n\r\nNancy Adajania, The Hindu, 5<sup>th</sup> January 2003\r\n\r\n<em><strong>OF THE GODDESS AND DEMON IN THE MIND</strong></em>\r\n\r\nDebbie Rodgers, Sunday edition Vijay Times, Bangalore, 5<sup>th</sup> January 2003\r\n\r\n<em><strong>EMPATHIC ANGER</strong></em>\r\n\r\nMarta Jakimowicz, Deccan Herald, 23<sup>rd</sup> December 2002\r\n\r\n<em><strong>MYSORE EK KHOJ</strong></em>\r\n\r\nCross Fertilization of Culture, Interview in Star of Mysore, 27<sup>th</sup> October 2002\r\n\r\n<em><strong>DIFFERENT STROKES</strong></em>\r\n\r\nGeorgina L Maddox, The Indian Express, Mumbai Newsline, 24<sup>th</sup> July, 2002\r\n\r\n<em><strong>CREATING TO DESTROY</strong></em>\r\n\r\nJasmine Shah Varma, The List, Mid Day, 22<sup>nd</sup> February 2002\r\n\r\n<em><strong>LINKING ISLANDS</strong></em>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 15<sup>th</sup> February 2002\r\n\r\n<em><strong>OF FAITH AND HUNGER</strong></em>\r\n\r\nAbhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89, December 2000\r\n\r\n<em><strong>PARADOXICAL METAPHORS</strong></em>\r\n\r\nSanaya Pavri, Oomph Art, pgs 38-40 December 2000\r\n\r\n<em><strong>AN ARTIST’S WORLD: ROTI, MAKAAN &amp; ABSTRACT ART</strong></em>\r\n\r\nPoonam Goel, HT City, 23<sup>rd</sup> December 2000\r\n\r\n<em><strong>SCINTILLATING SKIN</strong></em>\r\n\r\nVaibhav Purandare, The Asian Age, 14<sup>th</sup> October 2000\r\n\r\n<em><strong>THE MURMUR OF SKIN</strong></em>\r\n\r\nNupur Mahajan, Bombay times, Times of India, 12<sup>th</sup> October 2000\r\n\r\n<em><strong>INSIDE OUT</strong></em>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 11<sup>th</sup> October 2000\r\n\r\n<em><strong>NOT JUST SKIN DEEP</strong></em>\r\n\r\nJasmine Shah Varma, The list, Mid-day, 4<sup>th</sup> October 2000\r\n\r\n<em><strong>INTERACTIVE MEDIUM</strong></em>\r\n\r\nKaren Pereira, Indian Architect &amp; Builder, pgs 102-104, October 1998\r\n\r\n<em><strong>FARMING INTRIRUE</strong></em>\r\n\r\nJerry Pinto, The Times of India, Bombay Times, 3<sup>rd</sup> September 1998\r\n\r\n<em><strong>WITHIN YOU, WITHOUT YOU</strong></em>\r\n\r\nAnu Kumar, Indian Express, Express Newsline, 2<sup>nd</sup> September 1998\r\n\r\n<em><strong>DUAL TONES </strong></em>\r\n\r\nDnyaneshwar Nadkarni, Mid-day, 27<sup>th</sup> August 1998','Publications','','inherit','open','open','','87-revision-36','','','2010-06-29 06:31:46','2010-06-29 06:31:46','',87,'http://www.biggventures.com/demo/artists/1318/uncat/87-revision-36',0,'revision','',0),(1320,1,'2010-06-17 14:26:36','2010-06-17 14:26:36','<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  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\r\nCanada</span></h3>\r\n<div id=\"uniquename1\" style=\"display:block\">\r\n\r\nDesc here\r\n\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\">[more info]</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\n\r\nDesc here\r\nextended\r\n\r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return true;\" href=\"#\">[hide info]</a>\r\n</div>\r\n<script language=\'javascript\' type=\'text/javascript\'>\r\nfunction ReverseContentDisplay(d) {\r\nif(d.length < 1) { return; }\r\nif(document.getElementById(d).style.display == \'none\') \r\n{\r\n  document.getElementById(d).style.display = \'block\'; \r\n  document.getElementById(\"uniquename1\").style.display = \'none\'; \r\n}  \r\nelse \r\n{ \r\n  document.getElementById(d).style.display = \'none\'; \r\n  document.getElementById(\"uniquename1\").style.display = \'block\';\r\n}\r\n}\r\n</script>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n\r\n\r\n\r\n\r\n\r\n<table 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src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/boreal-07.jpg\" width=\"800\" class=\"alignnone size-large wp-image-366\" /></a>\r\n</td>\r\n\r\n</tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','1203-revision-9','','','2010-06-17 14:26:36','2010-06-17 14:26:36','',1203,'http://www.biggventures.com/demo/artists/1320/uncat/1203-revision-9',0,'revision','',0),(1321,1,'2010-03-23 11:31:07','2010-03-23 11:31:07','<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/03/home_page1.gif\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/home_page1.gif\" alt=\"\" title=\"home_page1\" width=\"600\" height=\"429\" class=\"aligncenter size-full wp-image-85\" /></a>','Home','','inherit','open','open','','1-revision-20','','','2010-03-23 11:31:07','2010-03-23 11:31:07','',1,'http://www.biggventures.com/demo/artists/1321/uncat/1-revision-20',0,'revision','',0),(1322,1,'2010-05-24 06:26:12','2010-05-24 06:26:12','<script type=\"text/javascript\" 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Essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"aligncenter size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"270\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Rainbow of Refuse</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2006</td>\r\n</tr>\r\n<tr>\r\n<td><a href=\"http://www.reenakallat.com/rainbow-of-refuse\">View Essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"aligncenter size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"270\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Black Flute and Other Stories</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2004</td>\r\n</tr>\r\n<tr>\r\n<td><a href=\"http://www.reenakallat.com/black-flute\">View Essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"aligncenter size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"270\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>The Battlefield Is The Mind</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2002</td>\r\n</tr>\r\n<tr>\r\n<td><a href=\"http://www.reenakallat.com/battlefield-of-mind\">View Essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"aligncenter size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"270\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>SKIN</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2000</td>\r\n</tr>\r\n<tr>\r\n<td><a href=\"http://www.reenakallat.com/skin\">View Essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"aligncenter size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"270\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Orchard of Home-grown Secrets</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>1998</td>\r\n</tr>\r\n<tr>\r\n<td><a href=\"http://www.reenakallat.com/orchard-of-home-grown-screts\">View Essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<!-- Start of Other Publications -->\r\n<strong STYLE =\"color:#000000;\">BOOKS/  CATALOGUES </strong>\r\n<STYLE type=\"text/css\"> em {color:#000000}</style>\r\n<strong><em>SOLO  SHOWS</em></strong>\r\n<STYLE type=\"text/css\"> strong {color:#979797}</style>\r\n<strong><span style=\"text-decoration: underline;\"> </span></strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>REENA SAINI  KALLAT</strong>, 2009\r\n\r\nText: Nancy Adajania and Murtaza Vali\r\n\r\nPublisher: Primo Marella Gallery, Walsh Gallery and Chemould   Prescott Road\r\n\r\nISBN:  978-81-908879-1-5\r\n\r\n<strong>RAINBOW OF  REFUSE</strong>, 2006\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher: Bodhi Art Gallery\r\n\r\n<strong> </strong><strong>BLACK  FLUTE (AND OTHER STORIES)</strong>,<strong> </strong>2005\r\n\r\n<strong> BLACK FLUTE</strong>, 2004\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher: Gallery Chemould  and Nature Morte Gallery\r\n\r\n<strong>THE BATTLEFIELD  IS THE MIND</strong>, 2002<strong> </strong>\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher:  Sakshi Gallery\r\n\r\n<strong>SKIN</strong>,<strong> </strong>2000\r\n\r\nInterview with  Jitish Kallat\r\n\r\nPublisher:  Gallery Chemould and Vis-à-vis Art Inc. Gallery\r\n\r\n<strong>ORCHARD OF  HOME-GROWN SECRETS</strong>, 1998<strong> </strong>\r\n\r\nText: Ranjit Hoskote\r\n\r\nPublisher: Gallery Chemould and Pundole  Art Gallery\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong><em>GROUP  SHOWS</em></strong>\r\n\r\n<strong><em> </em></strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>NEVER RUN AWAY</strong>, 2010\r\n\r\nText: Shaheen  Merali\r\n\r\nPublisher: Stux Gallery\r\n\r\n<strong>URBAN MANNERS 2</strong>, 2010<strong><em> </em></strong>\r\n\r\nText: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\n\r\nPublisher: SESC Pompeia, Sao Paulo\r\n\r\n<strong> </strong>\r\n\r\n<strong>THE EMPIRE  STRIKES BACK</strong>, 2010<strong> </strong>\r\n\r\nText: Zehra Jumabhoy\r\n\r\nPublisher: Saatchi Gallery\r\n\r\n<strong> </strong><strong> </strong>\r\n\r\n<strong>VIEW POINTS AND  VIEWINGS POINTS- ASIAN ART BIENNALE</strong>, 2009<strong> </strong>\r\n\r\nText: Chao-yi-Tsai\r\n\r\nPublisher: National Taiwan Museum of fine Arts\r\n\r\n<strong>INDIA</strong><strong> XIANZAI:  CONTEMPORARY INDIAN ART</strong>,  2009\r\n\r\n<strong> </strong>Text: Jitish  Kallat, Diana Freundl, Alexander Keefe\r\n\r\nPublisher: Museum  of Contemporary  Art\r\n\r\n<strong>CHALO! INDIA: A  NEW ERA OF INDIAN ART</strong>, 2009<strong> </strong>\r\n\r\nText: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki, Miho\r\n\r\nTagomori\r\n\r\nPublisher: National Museum of Contemporary Art and Essl  Museum\r\n\r\nISBN: 978-3-7913-4304-4\r\n\r\n<strong>CHALO! INDIA: A NEW ERA OF INDIAN ART</strong>,  208<strong><em> </em></strong>\r\n\r\nText: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman\r\n\r\nGopinath, Jayaram, Deepak Ananth\r\n\r\nPublisher:  Mori Art Museum\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong><strong>INDIA</strong><strong> MODERNA</strong>, 2008<strong> </strong>\r\n\r\nText: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur,\r\n\r\nR.Siva  Kumar,  K.G. Subramanyan\r\n\r\nPublisher: IVAM (Institute Valencia D’Art Modern)\r\n\r\n<strong>EVERYWHERE IS  WAR (AND RUMOURS OF IT</strong>), 2008\r\n\r\n<strong> </strong>Text: Kai  Hafez, Martin  Hager,  Nicholas Mirzoeff, Daniel Miller,\r\n\r\nBregje van Eekelen\r\n\r\nPublisher: Bodhi Art  Gallery\r\n\r\n<strong>THREE POINTS OF  VIEWS</strong>, 2008\r\n\r\n<strong> </strong>Text:  Grant Watson\r\n\r\nPublisher: Galerie Mirchandani + Steinruecke\r\n\r\n<strong>NEW NARRATIVES</strong>, 2008\r\n\r\nText: Betty Seid<strong> </strong>\r\n\r\n<strong> </strong>Publisher:  Chicago  Cultural Center\r\n\r\n<strong> </strong><strong>MADE BY INDIANS</strong>, 2007\r\n\r\nText: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\n\r\nPublisher: Galerie Enrico Navarra\r\n\r\nISBN: 2-911596-37-4\r\n\r\n<strong>THERMOCLINE OF  ART: NEW ASIAN WAVES</strong>,  2007\r\n\r\n<strong> </strong>Text:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong<strong> </strong>\r\n\r\nPublisher: Hatje Cantz Vertag\r\n\r\nISBN: 978-3-7757-2073-1\r\n\r\nEAN: 9782911596377\r\n\r\n<strong> INDIAN COLOUR</strong>, 2007\r\n\r\nText: Peter Nagy\r\n\r\nPublisher: Dal- seung Hwang, Keumsan Gallery\r\n\r\n<strong>INDIA</strong><strong> ARTE OGGI</strong>, 2007<strong> </strong>\r\n\r\n<strong> </strong>Text:  Daniela Palazzoli<strong> </strong>\r\n\r\nPublisher: Spazio Oberdan\r\n\r\nISBN: 978-88-202-1867-6\r\n\r\n<strong>URBAN MANNERS</strong>, 2007\r\n\r\nText: Adelina Von Furstenberg\r\n\r\n<strong> </strong>Publisher:  Hangar Bicocca\r\n\r\n<strong>INTERNATIONAL  INCHEON WOMEN ARTISTS BIENNALE, </strong>\r\n\r\n<strong> KNOCKING ON THE DOOR</strong>,  2007\r\n\r\n<strong> </strong>Text:  Sung Hee Kim, John C. Welchman<strong> </strong>\r\n\r\nPublisher: Incheon Culture and Art Centre\r\n\r\n<strong>SOFT  POWER: ASIAN ATTITUDE</strong>,  2007<strong> </strong>\r\n\r\n<strong> </strong>Text:  Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\n\r\nPublisher: Shanghai  Zendai Mumsem of Modern Art\r\n\r\nISBN: 978-7-5356-2790-2\r\n\r\n<strong>INDIA</strong><strong> EXPRESS- ART AND POPULAR CULTURE</strong>, 2006\r\n\r\n<strong> </strong>Text: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze,\r\n\r\nPublisher: Helsinki  City Art  Museum\r\n\r\nISBN: 951-8965-61-7\r\n\r\n<strong>BOMBAY</strong><strong> L’ALBUM MAXIMUM CITY</strong>, 2006\r\n\r\nText: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\n\r\nPublisher: Terrail, Lille 3000\r\n\r\nISBN:  2-87939-325-6<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>INDIAN PAINTINGS  OF THE NEW MILLENNIUM</strong>, 2005\r\n\r\n<strong> </strong>Text: Helen Asquine  Fazio, Gayatri Sinha<strong> </strong>\r\n\r\n<strong> </strong>Publisher: Quick Arts Center, Fairfield University\r\n\r\n<strong>A GUIDE TO 101 MODERN &amp; CONTEMPORARY INDIAN ARTISTS</strong>, 2005\r\n\r\n<strong> </strong>Text: Amrita  Jhaveri\r\n\r\nPublisher: India  Book House\r\n\r\nISBN: 81-7508-423-5\r\n\r\n<strong>ZOOM! ART IN  CONTEMPORARY INDIA</strong>, 2004\r\n\r\n<strong> </strong>Texts:  Luis Serpa and Nancy Adajania<strong> </strong>\r\n\r\n<strong> </strong>Publisher: The Culturgest Museum\r\n\r\nISBN: 972-769-033-5\r\n\r\n<strong>INTERLUDE IN SRI   LANKA</strong>, 2004<strong> </strong>\r\n\r\n<strong> </strong>Text:  Ranjit Hoskote, Nancy Adajania<strong> </strong>\r\n\r\n<strong> </strong>Publisher:  The Guild  Art Gallery\r\n\r\n<strong>GENERATION I</strong>, 2004\r\n\r\nText: Zehra Jumabhoy<strong> </strong>\r\n\r\n<strong> </strong>Publisher:<strong> </strong>Saffronart &amp; The Guild Art Gallery\r\n\r\n<strong>TIRANGA  RIGHTS AND REPONSIBILITIES</strong>,  2003<strong> </strong>\r\n\r\nText: Peter Nagy<strong> </strong>\r\n\r\n<strong> </strong>Publisher: Jindal  Foundation &amp; Creative Arts\r\n\r\n<strong>HARD COPY</strong>, 2003\r\n\r\nText: Peter Nagy\r\n\r\n<strong> </strong>Publisher: Gallery 88\r\n\r\n<strong> </strong><strong>CROSSING  GENERATIONS: DIVERGE</strong><strong>, </strong>2003\r\n\r\n<strong> </strong>Text:  Geeta Kapoor and Chaitanya Sambrani<strong> </strong>\r\n\r\n<strong> </strong>Publisher:<strong> </strong>Gallery Chemould\r\n\r\nPRESS  <strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong><em> </em></strong>\r\n\r\n<strong>THE ARCHIVES OF  THE HEART</strong> <strong> </strong>\r\n\r\nNancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\n\r\nFront Cover, pgs 42-45, 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>GLOBALE KUNST  MIT WURZELDUFT</strong>\r\n\r\nVon Almuth Speigler, Die Presse, Feuilleton, 2<sup>nd</sup> September 2009\r\n\r\n<strong>LANDSCAPES OF  LOSS</strong>\r\n\r\nBeth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>REINCARNATING  HISTORY</strong>\r\n\r\nThe Big Picture, Architect and Interiors, July 2009<strong> </strong>\r\n\r\n<strong>STAMP COLLECTION</strong>\r\n\r\nGeorgina Maddox, The Sunday Express, 17<sup>th</sup> May 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>EVOLVING BEYOND  BORDERS</strong>\r\n\r\nReshma S. Kulkarni, Bombay Times, Times of India,  15<sup>th</sup> January, 2009\r\n\r\n<strong>LO</strong><strong>SS AND FOUND</strong>\r\n\r\nMarina Correa, DNA, Mumbai, 22<sup>nd</sup> January 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>FOCUS INDIA</strong>\r\n\r\nMegha Ralapati, Flash Art, pg 114, January-February 2008\r\n\r\n<strong>COME TOGETHER  RIGHT NOW</strong>\r\n\r\nReema Gehi, HT Café, 15<sup>th</sup> February 2008\r\n\r\n<strong>SUCH A LONG  JOURNEY</strong>\r\n\r\nAparna S Sharma, Elle Magazine, pgs 115-117, February 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong>MORE THAN A  WOMAN</strong>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 4<sup>th</sup> February 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong>ARTIST OF THE  FORTNIGHT</strong>\r\n\r\nMaria Louis, Outlook Profit, pg 79, 18<sup>th</sup> April 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong>DEJA VIEW</strong>\r\n\r\nTara Khilachand, Live Mint, 20<sup>th</sup> December 2008\r\n\r\n<strong>TERROR STRUCK</strong>\r\n\r\nMaria Louis, Outlook Profit, 26<sup>th</sup> December 2008\r\n\r\n<strong>NAME CALLING</strong>\r\n\r\nDeepanjana Pal, Timeout Mumbai, December 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>CORRUPTIONS OF  POWER</strong>\r\n\r\nShiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99,  2007\r\n\r\n<strong>OVER THE RAINBOW</strong>\r\n\r\nMaria Louis, Interview, Verve Magazine, pg 78, November 2006\r\n\r\n<strong> </strong>\r\n\r\n<strong>IN A STATE OF PERENNIAL SIEGE</strong>\r\n\r\nNancy Adajania, The Hindu, Hyderabad, 29<sup>th</sup> October  2006\r\n\r\n<strong>HER CROWNING  ACHIEVEMENT</strong>\r\n\r\nClara Chow, The Straits Times, 18<sup>th</sup> November 2006\r\n\r\n<strong> </strong>\r\n\r\n<strong>POLITICAL CHAOS</strong>\r\n\r\nDeepali Nandwani,  Beautiful people, pg 143, November-December 2006\r\n\r\n<strong>WEAPONS OF MASS  CONSTRUCTION</strong>\r\n\r\nRituparna Som, DNA after Hrs, Mumbai, 9<sup>th</sup> October, 2006\r\n\r\n<strong> </strong>\r\n\r\n<strong> GUNS AND ROSES</strong>\r\n\r\nRachna Nakra, The Indian Express,  Mumbai Newsline, 18<sup>th</sup> September 2006\r\n\r\n<strong> UNDER ATTACK</strong>\r\n\r\nGitanjali Dang, HT Mumbai, 22<sup>nd</sup> September 2006\r\n\r\n<strong> TIME TRAVELLER</strong>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline,  27<sup>th</sup> June 2006      <strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>THE FLOWER AND  THE SWORD</strong>\r\n\r\nGirish Shahane, The Art News magazine of India,  pg 93, volume X issue I, 2004\r\n\r\n<strong>INDIA</strong><strong>’S TOP 100 ACHIEVERS</strong>\r\n\r\nSociety Magazine, pg 137, December 2004\r\n\r\n<strong>CAUGHT BETWEEEN  DEMONS</strong>\r\n\r\nNancy Adajania, The Hindu, 19<sup>th</sup> December  2004\r\n\r\n<strong>EN REISE TIL INDIA</strong>\r\n\r\nHarald Flor, Dagbladet, Kultur, 2<sup>nd</sup> February 2003\r\n\r\n<strong> </strong>\r\n\r\n<strong>SIGNS OF  RESISTANCE</strong>\r\n\r\nNancy Adajania, The Hindu, 5<sup>th</sup> January  2003\r\n\r\n<strong>OF THE GODDESS  AND DEMON IN THE MIND</strong>\r\n\r\nDebbie Rodgers, Sunday edition Vijay Times, Bangalore, 5<sup>th</sup> January 2003\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>EMPATHIC ANGER</strong>\r\n\r\nMarta Jakimowicz, Deccan Herald, 23<sup>rd</sup> December 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong>MYSORE</strong><strong> EK KHOJ</strong>\r\n\r\nCross Fertilization of Culture, Interview in Star of Mysore, 27<sup>th</sup> October 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong> LINKING ISLANDS</strong>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 15<sup>th</sup> February  2002\r\n\r\n<strong>CREATING TO  DESTROY</strong>\r\n\r\nJasmine Shah Varma, The List, Mid Day, 22<sup>nd</sup> February 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong>DIFFERENT  STROKES</strong>\r\n\r\nGeorgina L Maddox, The Indian Express, Mumbai Newsline,  24<sup>th</sup> July 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong>OF FAITH AND  HUNGER</strong>\r\n\r\nAbhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89,  December 2000\r\n\r\n<strong> </strong>\r\n\r\n<strong>THE MURMUR OF  SKIN</strong>\r\n\r\nNupur Mahajan, Bombay Times, Times  of India, 12<sup>th</sup> October 2000\r\n\r\n<strong>NOT JUST SKIN  DEEP</strong>\r\n\r\nJasmine Shah Varma, The List, Mid-day, 4<sup>th</sup> October 2000\r\n\r\n<strong>INSIDE OUT</strong>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 11<sup>th</sup> October  2000\r\n\r\n<strong>SCINTILLATING  SKIN</strong>\r\n\r\nVaibhav Purandare, The Asian Age, 14<sup>th</sup> October 2000\r\n\r\n<strong>AN ARTIST’S  WORLD: ROTI, MAKAAN &amp; ABSTRACT ART</strong>\r\n\r\nPoonam Goel, HT City, 23<sup>rd</sup> December 2000\r\n\r\n<strong> </strong>\r\n\r\n<strong>WITHIN YOU,  WITHOUT YOU</strong>\r\n\r\nAnu Kumar, Indian Express,  Express Newsline, 2<sup>nd</sup> September 1998\r\n\r\n<strong>FARMING INTRIRUE</strong>\r\n\r\nJerry Pinto, The Times of India, Bombay Times, 3<sup>rd</sup> September 1998\r\n\r\n<strong> </strong>\r\n\r\n<strong>INTERACTIVE  MEDIUM</strong>\r\n\r\nKaren Pereira, Indian  Architect &amp; Builder, pgs 102-104, October 1998','Publications','','inherit','open','open','','87-revision-38','','','2010-06-29 06:54:48','2010-06-29 06:54:48','',87,'http://www.biggventures.com/demo/artists/1325/uncat/87-revision-38',0,'revision','',0),(1327,1,'2010-07-04 06:59:09','2010-07-04 06:59:09','<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"64%\" align=\"centre\">\r\n<tbody>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"aligncenter size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"270\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Reena Saini Kallat</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2008</td>\r\n</tr>\r\n<tr>\r\n<td colspan=2><a href=\"http://www.reenakallat.com/reena-kallat\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"aligncenter size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"270\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Rainbow of Refuse</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2006</td>\r\n</tr>\r\n<tr>\r\n<td colspan=2><a href=\"http://www.reenakallat.com/rainbow-of-refuse\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"aligncenter size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"270\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Black Flute and Other Stories</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2004</td>\r\n</tr>\r\n<tr>\r\n<td colspan=2><a href=\"http://www.reenakallat.com/black-flute\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"aligncenter size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"270\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>The Battlefield Is The Mind</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2002</td>\r\n</tr>\r\n<tr>\r\n<td colspan=2><a href=\"http://www.reenakallat.com/battlefield-of-mind\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"aligncenter size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"270\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>SKIN</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2000</td>\r\n</tr>\r\n<tr>\r\n<td colspan=2><a href=\"http://www.reenakallat.com/skin\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"aligncenter size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"270\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Orchard of Home-grown Secrets</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>1998</td>\r\n</tr>\r\n<tr>\r\n<td colspan=2><a href=\"http://www.reenakallat.com/orchard-of-home-grown-screts\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<!-- Start of Other Publications -->\r\n<strong STYLE =\"color:#000000;\">BOOKS/  CATALOGUES </strong>\r\n<STYLE type=\"text/css\"> em {color:#000000}</style>\r\n<strong><em>SOLO  SHOWS</em></strong>\r\n<STYLE type=\"text/css\"> strong {color:#979797}</style>\r\n<strong><span style=\"text-decoration: underline;\"> </span></strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>REENA SAINI  KALLAT</strong>, 2009\r\n\r\nText: Nancy Adajania and Murtaza Vali\r\n\r\nPublisher: Primo Marella Gallery, Walsh Gallery and Chemould   Prescott Road\r\n\r\nISBN:  978-81-908879-1-5\r\n\r\n<strong>RAINBOW OF  REFUSE</strong>, 2006\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher: Bodhi Art Gallery\r\n\r\n<strong> </strong><strong>BLACK  FLUTE (AND OTHER STORIES)</strong>,<strong> </strong>2005\r\n\r\n<strong> BLACK FLUTE</strong>, 2004\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher: Gallery Chemould  and Nature Morte Gallery\r\n\r\n<strong>THE BATTLEFIELD  IS THE MIND</strong>, 2002<strong> </strong>\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher:  Sakshi Gallery\r\n\r\n<strong>SKIN</strong>,<strong> </strong>2000\r\n\r\nInterview with  Jitish Kallat\r\n\r\nPublisher:  Gallery Chemould and Vis-à-vis Art Inc. Gallery\r\n\r\n<strong>ORCHARD OF  HOME-GROWN SECRETS</strong>, 1998<strong> </strong>\r\n\r\nText: Ranjit Hoskote\r\n\r\nPublisher: Gallery Chemould and Pundole  Art Gallery\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong><em>GROUP  SHOWS</em></strong>\r\n\r\n<strong><em> </em></strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>NEVER RUN AWAY</strong>, 2010\r\n\r\nText: Shaheen  Merali\r\n\r\nPublisher: Stux Gallery\r\n\r\n<strong>URBAN MANNERS 2</strong>, 2010<strong><em> </em></strong>\r\n\r\nText: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\n\r\nPublisher: SESC Pompeia, Sao Paulo\r\n\r\n<strong> </strong>\r\n\r\n<strong>THE EMPIRE  STRIKES BACK</strong>, 2010<strong> </strong>\r\n\r\nText: Zehra Jumabhoy\r\n\r\nPublisher: Saatchi Gallery\r\n\r\n<strong> </strong><strong> </strong>\r\n\r\n<strong>VIEW POINTS AND  VIEWINGS POINTS- ASIAN ART BIENNALE</strong>, 2009<strong> </strong>\r\n\r\nText: Chao-yi-Tsai\r\n\r\nPublisher: National Taiwan Museum of fine Arts\r\n\r\n<strong>INDIA</strong><strong> XIANZAI:  CONTEMPORARY INDIAN ART</strong>,  2009\r\n\r\n<strong> </strong>Text: Jitish  Kallat, Diana Freundl, Alexander Keefe\r\n\r\nPublisher: Museum  of Contemporary  Art\r\n\r\n<strong>CHALO! INDIA: A  NEW ERA OF INDIAN ART</strong>, 2009<strong> </strong>\r\n\r\nText: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki, Miho\r\n\r\nTagomori\r\n\r\nPublisher: National Museum of Contemporary Art and Essl  Museum\r\n\r\nISBN: 978-3-7913-4304-4\r\n\r\n<strong>CHALO! INDIA: A NEW ERA OF INDIAN ART</strong>,  208<strong><em> </em></strong>\r\n\r\nText: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman\r\n\r\nGopinath, Jayaram, Deepak Ananth\r\n\r\nPublisher:  Mori Art Museum\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong><strong>INDIA</strong><strong> MODERNA</strong>, 2008<strong> </strong>\r\n\r\nText: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur,\r\n\r\nR.Siva  Kumar,  K.G. Subramanyan\r\n\r\nPublisher: IVAM (Institute Valencia D’Art Modern)\r\n\r\n<strong>EVERYWHERE IS  WAR (AND RUMOURS OF IT</strong>), 2008\r\n\r\n<strong> </strong>Text: Kai  Hafez, Martin  Hager,  Nicholas Mirzoeff, Daniel Miller,\r\n\r\nBregje van Eekelen\r\n\r\nPublisher: Bodhi Art  Gallery\r\n\r\n<strong>THREE POINTS OF  VIEWS</strong>, 2008\r\n\r\n<strong> </strong>Text:  Grant Watson\r\n\r\nPublisher: Galerie Mirchandani + Steinruecke\r\n\r\n<strong>NEW NARRATIVES</strong>, 2008\r\n\r\nText: Betty Seid<strong> </strong>\r\n\r\n<strong> </strong>Publisher:  Chicago  Cultural Center\r\n\r\n<strong> </strong><strong>MADE BY INDIANS</strong>, 2007\r\n\r\nText: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\n\r\nPublisher: Galerie Enrico Navarra\r\n\r\nISBN: 2-911596-37-4\r\n\r\n<strong>THERMOCLINE OF  ART: NEW ASIAN WAVES</strong>,  2007\r\n\r\n<strong> </strong>Text:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong<strong> </strong>\r\n\r\nPublisher: Hatje Cantz Vertag\r\n\r\nISBN: 978-3-7757-2073-1\r\n\r\nEAN: 9782911596377\r\n\r\n<strong> INDIAN COLOUR</strong>, 2007\r\n\r\nText: Peter Nagy\r\n\r\nPublisher: Dal- seung Hwang, Keumsan Gallery\r\n\r\n<strong>INDIA</strong><strong> ARTE OGGI</strong>, 2007<strong> </strong>\r\n\r\n<strong> </strong>Text:  Daniela Palazzoli<strong> </strong>\r\n\r\nPublisher: Spazio Oberdan\r\n\r\nISBN: 978-88-202-1867-6\r\n\r\n<strong>URBAN MANNERS</strong>, 2007\r\n\r\nText: Adelina Von Furstenberg\r\n\r\n<strong> </strong>Publisher:  Hangar Bicocca\r\n\r\n<strong>INTERNATIONAL  INCHEON WOMEN ARTISTS BIENNALE, </strong>\r\n\r\n<strong> KNOCKING ON THE DOOR</strong>,  2007\r\n\r\n<strong> </strong>Text:  Sung Hee Kim, John C. Welchman<strong> </strong>\r\n\r\nPublisher: Incheon Culture and Art Centre\r\n\r\n<strong>SOFT  POWER: ASIAN ATTITUDE</strong>,  2007<strong> </strong>\r\n\r\n<strong> </strong>Text:  Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\n\r\nPublisher: Shanghai  Zendai Mumsem of Modern Art\r\n\r\nISBN: 978-7-5356-2790-2\r\n\r\n<strong>INDIA</strong><strong> EXPRESS- ART AND POPULAR CULTURE</strong>, 2006\r\n\r\n<strong> </strong>Text: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze,\r\n\r\nPublisher: Helsinki  City Art  Museum\r\n\r\nISBN: 951-8965-61-7\r\n\r\n<strong>BOMBAY</strong><strong> L’ALBUM MAXIMUM CITY</strong>, 2006\r\n\r\nText: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\n\r\nPublisher: Terrail, Lille 3000\r\n\r\nISBN:  2-87939-325-6<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>INDIAN PAINTINGS  OF THE NEW MILLENNIUM</strong>, 2005\r\n\r\n<strong> </strong>Text: Helen Asquine  Fazio, Gayatri Sinha<strong> </strong>\r\n\r\n<strong> </strong>Publisher: Quick Arts Center, Fairfield University\r\n\r\n<strong>A GUIDE TO 101 MODERN &amp; CONTEMPORARY INDIAN ARTISTS</strong>, 2005\r\n\r\n<strong> </strong>Text: Amrita  Jhaveri\r\n\r\nPublisher: India  Book House\r\n\r\nISBN: 81-7508-423-5\r\n\r\n<strong>ZOOM! ART IN  CONTEMPORARY INDIA</strong>, 2004\r\n\r\n<strong> </strong>Texts:  Luis Serpa and Nancy Adajania<strong> </strong>\r\n\r\n<strong> </strong>Publisher: The Culturgest Museum\r\n\r\nISBN: 972-769-033-5\r\n\r\n<strong>INTERLUDE IN SRI   LANKA</strong>, 2004<strong> </strong>\r\n\r\n<strong> </strong>Text:  Ranjit Hoskote, Nancy Adajania<strong> </strong>\r\n\r\n<strong> </strong>Publisher:  The Guild  Art Gallery\r\n\r\n<strong>GENERATION I</strong>, 2004\r\n\r\nText: Zehra Jumabhoy<strong> </strong>\r\n\r\n<strong> </strong>Publisher:<strong> </strong>Saffronart &amp; The Guild Art Gallery\r\n\r\n<strong>TIRANGA  RIGHTS AND REPONSIBILITIES</strong>,  2003<strong> </strong>\r\n\r\nText: Peter Nagy<strong> </strong>\r\n\r\n<strong> </strong>Publisher: Jindal  Foundation &amp; Creative Arts\r\n\r\n<strong>HARD COPY</strong>, 2003\r\n\r\nText: Peter Nagy\r\n\r\n<strong> </strong>Publisher: Gallery 88\r\n\r\n<strong> </strong><strong>CROSSING  GENERATIONS: DIVERGE</strong><strong>, </strong>2003\r\n\r\n<strong> </strong>Text:  Geeta Kapoor and Chaitanya Sambrani<strong> </strong>\r\n\r\n<strong> </strong>Publisher:<strong> </strong>Gallery Chemould\r\n\r\nPRESS  <strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong><em> </em></strong>\r\n\r\n<strong>THE ARCHIVES OF  THE HEART</strong> <strong> </strong>\r\n\r\nNancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\n\r\nFront Cover, pgs 42-45, 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>GLOBALE KUNST  MIT WURZELDUFT</strong>\r\n\r\nVon Almuth Speigler, Die Presse, Feuilleton, 2<sup>nd</sup> September 2009\r\n\r\n<strong>LANDSCAPES OF  LOSS</strong>\r\n\r\nBeth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>REINCARNATING  HISTORY</strong>\r\n\r\nThe Big Picture, Architect and Interiors, July 2009<strong> </strong>\r\n\r\n<strong>STAMP COLLECTION</strong>\r\n\r\nGeorgina Maddox, The Sunday Express, 17<sup>th</sup> May 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>EVOLVING BEYOND  BORDERS</strong>\r\n\r\nReshma S. Kulkarni, Bombay Times, Times of India,  15<sup>th</sup> January, 2009\r\n\r\n<strong>LO</strong><strong>SS AND FOUND</strong>\r\n\r\nMarina Correa, DNA, Mumbai, 22<sup>nd</sup> January 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>FOCUS INDIA</strong>\r\n\r\nMegha Ralapati, Flash Art, pg 114, January-February 2008\r\n\r\n<strong>COME TOGETHER  RIGHT NOW</strong>\r\n\r\nReema Gehi, HT Café, 15<sup>th</sup> February 2008\r\n\r\n<strong>SUCH A LONG  JOURNEY</strong>\r\n\r\nAparna S Sharma, Elle Magazine, pgs 115-117, February 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong>MORE THAN A  WOMAN</strong>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 4<sup>th</sup> February 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong>ARTIST OF THE  FORTNIGHT</strong>\r\n\r\nMaria Louis, Outlook Profit, pg 79, 18<sup>th</sup> April 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong>DEJA VIEW</strong>\r\n\r\nTara Khilachand, Live Mint, 20<sup>th</sup> December 2008\r\n\r\n<strong>TERROR STRUCK</strong>\r\n\r\nMaria Louis, Outlook Profit, 26<sup>th</sup> December 2008\r\n\r\n<strong>NAME CALLING</strong>\r\n\r\nDeepanjana Pal, Timeout Mumbai, December 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>CORRUPTIONS OF  POWER</strong>\r\n\r\nShiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99,  2007\r\n\r\n<strong>OVER THE RAINBOW</strong>\r\n\r\nMaria Louis, Interview, Verve Magazine, pg 78, November 2006\r\n\r\n<strong> </strong>\r\n\r\n<strong>IN A STATE OF PERENNIAL SIEGE</strong>\r\n\r\nNancy Adajania, The Hindu, Hyderabad, 29<sup>th</sup> October  2006\r\n\r\n<strong>HER CROWNING  ACHIEVEMENT</strong>\r\n\r\nClara Chow, The Straits Times, 18<sup>th</sup> November 2006\r\n\r\n<strong> </strong>\r\n\r\n<strong>POLITICAL CHAOS</strong>\r\n\r\nDeepali Nandwani,  Beautiful people, pg 143, November-December 2006\r\n\r\n<strong>WEAPONS OF MASS  CONSTRUCTION</strong>\r\n\r\nRituparna Som, DNA after Hrs, Mumbai, 9<sup>th</sup> October, 2006\r\n\r\n<strong> </strong>\r\n\r\n<strong> GUNS AND ROSES</strong>\r\n\r\nRachna Nakra, The Indian Express,  Mumbai Newsline, 18<sup>th</sup> September 2006\r\n\r\n<strong> UNDER ATTACK</strong>\r\n\r\nGitanjali Dang, HT Mumbai, 22<sup>nd</sup> September 2006\r\n\r\n<strong> TIME TRAVELLER</strong>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline,  27<sup>th</sup> June 2006      <strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>THE FLOWER AND  THE SWORD</strong>\r\n\r\nGirish Shahane, The Art News magazine of India,  pg 93, volume X issue I, 2004\r\n\r\n<strong>INDIA</strong><strong>’S TOP 100 ACHIEVERS</strong>\r\n\r\nSociety Magazine, pg 137, December 2004\r\n\r\n<strong>CAUGHT BETWEEEN  DEMONS</strong>\r\n\r\nNancy Adajania, The Hindu, 19<sup>th</sup> December  2004\r\n\r\n<strong>EN REISE TIL INDIA</strong>\r\n\r\nHarald Flor, Dagbladet, Kultur, 2<sup>nd</sup> February 2003\r\n\r\n<strong> </strong>\r\n\r\n<strong>SIGNS OF  RESISTANCE</strong>\r\n\r\nNancy Adajania, The Hindu, 5<sup>th</sup> January  2003\r\n\r\n<strong>OF THE GODDESS  AND DEMON IN THE MIND</strong>\r\n\r\nDebbie Rodgers, Sunday edition Vijay Times, Bangalore, 5<sup>th</sup> January 2003\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>EMPATHIC ANGER</strong>\r\n\r\nMarta Jakimowicz, Deccan Herald, 23<sup>rd</sup> December 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong>MYSORE</strong><strong> EK KHOJ</strong>\r\n\r\nCross Fertilization of Culture, Interview in Star of Mysore, 27<sup>th</sup> October 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong> LINKING ISLANDS</strong>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 15<sup>th</sup> February  2002\r\n\r\n<strong>CREATING TO  DESTROY</strong>\r\n\r\nJasmine Shah Varma, The List, Mid Day, 22<sup>nd</sup> February 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong>DIFFERENT  STROKES</strong>\r\n\r\nGeorgina L Maddox, The Indian Express, Mumbai Newsline,  24<sup>th</sup> July 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong>OF FAITH AND  HUNGER</strong>\r\n\r\nAbhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89,  December 2000\r\n\r\n<strong> </strong>\r\n\r\n<strong>THE MURMUR OF  SKIN</strong>\r\n\r\nNupur Mahajan, Bombay Times, Times  of India, 12<sup>th</sup> October 2000\r\n\r\n<strong>NOT JUST SKIN  DEEP</strong>\r\n\r\nJasmine Shah Varma, The List, Mid-day, 4<sup>th</sup> October 2000\r\n\r\n<strong>INSIDE OUT</strong>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 11<sup>th</sup> October  2000\r\n\r\n<strong>SCINTILLATING  SKIN</strong>\r\n\r\nVaibhav Purandare, The Asian Age, 14<sup>th</sup> October 2000\r\n\r\n<strong>AN ARTIST’S  WORLD: ROTI, MAKAAN &amp; ABSTRACT ART</strong>\r\n\r\nPoonam Goel, HT City, 23<sup>rd</sup> December 2000\r\n\r\n<strong> </strong>\r\n\r\n<strong>WITHIN YOU,  WITHOUT YOU</strong>\r\n\r\nAnu Kumar, Indian Express,  Express Newsline, 2<sup>nd</sup> September 1998\r\n\r\n<strong>FARMING INTRIRUE</strong>\r\n\r\nJerry Pinto, The Times of India, Bombay Times, 3<sup>rd</sup> September 1998\r\n\r\n<strong> </strong>\r\n\r\n<strong>INTERACTIVE  MEDIUM</strong>\r\n\r\nKaren Pereira, Indian  Architect &amp; Builder, pgs 102-104, October 1998','Publications','','inherit','open','open','','87-revision-40','','','2010-07-04 06:59:09','2010-07-04 06:59:09','',87,'http://www.biggventures.com/demo/artists/1327/uncat/87-revision-40',0,'revision','',0),(1328,1,'2010-07-04 07:04:45','2010-07-04 07:04:45','<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"58%\" align=\"centre\">\r\n<tbody>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"aligncenter size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"270\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Reena Saini Kallat</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2008</td>\r\n</tr>\r\n<tr>\r\n<td colspan=2><a href=\"http://www.reenakallat.com/reena-kallat\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"aligncenter size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"270\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Rainbow of Refuse</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2006</td>\r\n</tr>\r\n<tr>\r\n<td colspan=2><a href=\"http://www.reenakallat.com/rainbow-of-refuse\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"aligncenter size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"270\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Black Flute and Other Stories</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2004</td>\r\n</tr>\r\n<tr>\r\n<td colspan=2><a href=\"http://www.reenakallat.com/black-flute\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"aligncenter size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"270\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>The Battlefield Is The Mind</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2002</td>\r\n</tr>\r\n<tr>\r\n<td colspan=2><a href=\"http://www.reenakallat.com/battlefield-of-mind\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"aligncenter size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"270\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>SKIN</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2000</td>\r\n</tr>\r\n<tr>\r\n<td colspan=2><a href=\"http://www.reenakallat.com/skin\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"aligncenter size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"270\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Orchard of Home-grown Secrets</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>1998</td>\r\n</tr>\r\n<tr>\r\n<td colspan=2><a href=\"http://www.reenakallat.com/orchard-of-home-grown-screts\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<!-- Start of Other Publications -->\r\n<strong STYLE =\"color:#000000;\">BOOKS/  CATALOGUES </strong>\r\n<STYLE type=\"text/css\"> em {color:#000000}</style>\r\n<strong><em>SOLO  SHOWS</em></strong>\r\n<STYLE type=\"text/css\"> strong {color:#979797}</style>\r\n<strong><span style=\"text-decoration: underline;\"> </span></strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>REENA SAINI  KALLAT</strong>, 2009\r\n\r\nText: Nancy Adajania and Murtaza Vali\r\n\r\nPublisher: Primo Marella Gallery, Walsh Gallery and Chemould   Prescott Road\r\n\r\nISBN:  978-81-908879-1-5\r\n\r\n<strong>RAINBOW OF  REFUSE</strong>, 2006\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher: Bodhi Art Gallery\r\n\r\n<strong> </strong><strong>BLACK  FLUTE (AND OTHER STORIES)</strong>,<strong> </strong>2005\r\n\r\n<strong> BLACK FLUTE</strong>, 2004\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher: Gallery Chemould  and Nature Morte Gallery\r\n\r\n<strong>THE BATTLEFIELD  IS THE MIND</strong>, 2002<strong> </strong>\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher:  Sakshi Gallery\r\n\r\n<strong>SKIN</strong>,<strong> </strong>2000\r\n\r\nInterview with  Jitish Kallat\r\n\r\nPublisher:  Gallery Chemould and Vis-à-vis Art Inc. Gallery\r\n\r\n<strong>ORCHARD OF  HOME-GROWN SECRETS</strong>, 1998<strong> </strong>\r\n\r\nText: Ranjit Hoskote\r\n\r\nPublisher: Gallery Chemould and Pundole  Art Gallery\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong><em>GROUP  SHOWS</em></strong>\r\n\r\n<strong><em> </em></strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>NEVER RUN AWAY</strong>, 2010\r\n\r\nText: Shaheen  Merali\r\n\r\nPublisher: Stux Gallery\r\n\r\n<strong>URBAN MANNERS 2</strong>, 2010<strong><em> </em></strong>\r\n\r\nText: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\n\r\nPublisher: SESC Pompeia, Sao Paulo\r\n\r\n<strong> </strong>\r\n\r\n<strong>THE EMPIRE  STRIKES BACK</strong>, 2010<strong> </strong>\r\n\r\nText: Zehra Jumabhoy\r\n\r\nPublisher: Saatchi Gallery\r\n\r\n<strong> </strong><strong> </strong>\r\n\r\n<strong>VIEW POINTS AND  VIEWINGS POINTS- ASIAN ART BIENNALE</strong>, 2009<strong> </strong>\r\n\r\nText: Chao-yi-Tsai\r\n\r\nPublisher: National Taiwan Museum of fine Arts\r\n\r\n<strong>INDIA</strong><strong> XIANZAI:  CONTEMPORARY INDIAN ART</strong>,  2009\r\n\r\n<strong> </strong>Text: Jitish  Kallat, Diana Freundl, Alexander Keefe\r\n\r\nPublisher: Museum  of Contemporary  Art\r\n\r\n<strong>CHALO! INDIA: A  NEW ERA OF INDIAN ART</strong>, 2009<strong> </strong>\r\n\r\nText: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki, Miho\r\n\r\nTagomori\r\n\r\nPublisher: National Museum of Contemporary Art and Essl  Museum\r\n\r\nISBN: 978-3-7913-4304-4\r\n\r\n<strong>CHALO! INDIA: A NEW ERA OF INDIAN ART</strong>,  208<strong><em> </em></strong>\r\n\r\nText: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman\r\n\r\nGopinath, Jayaram, Deepak Ananth\r\n\r\nPublisher:  Mori Art Museum\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong><strong>INDIA</strong><strong> MODERNA</strong>, 2008<strong> </strong>\r\n\r\nText: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur,\r\n\r\nR.Siva  Kumar,  K.G. Subramanyan\r\n\r\nPublisher: IVAM (Institute Valencia D’Art Modern)\r\n\r\n<strong>EVERYWHERE IS  WAR (AND RUMOURS OF IT</strong>), 2008\r\n\r\n<strong> </strong>Text: Kai  Hafez, Martin  Hager,  Nicholas Mirzoeff, Daniel Miller,\r\n\r\nBregje van Eekelen\r\n\r\nPublisher: Bodhi Art  Gallery\r\n\r\n<strong>THREE POINTS OF  VIEWS</strong>, 2008\r\n\r\n<strong> </strong>Text:  Grant Watson\r\n\r\nPublisher: Galerie Mirchandani + Steinruecke\r\n\r\n<strong>NEW NARRATIVES</strong>, 2008\r\n\r\nText: Betty Seid<strong> </strong>\r\n\r\n<strong> </strong>Publisher:  Chicago  Cultural Center\r\n\r\n<strong> </strong><strong>MADE BY INDIANS</strong>, 2007\r\n\r\nText: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\n\r\nPublisher: Galerie Enrico Navarra\r\n\r\nISBN: 2-911596-37-4\r\n\r\n<strong>THERMOCLINE OF  ART: NEW ASIAN WAVES</strong>,  2007\r\n\r\n<strong> </strong>Text:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong<strong> </strong>\r\n\r\nPublisher: Hatje Cantz Vertag\r\n\r\nISBN: 978-3-7757-2073-1\r\n\r\nEAN: 9782911596377\r\n\r\n<strong> INDIAN COLOUR</strong>, 2007\r\n\r\nText: Peter Nagy\r\n\r\nPublisher: Dal- seung Hwang, Keumsan Gallery\r\n\r\n<strong>INDIA</strong><strong> ARTE OGGI</strong>, 2007<strong> </strong>\r\n\r\n<strong> </strong>Text:  Daniela Palazzoli<strong> </strong>\r\n\r\nPublisher: Spazio Oberdan\r\n\r\nISBN: 978-88-202-1867-6\r\n\r\n<strong>URBAN MANNERS</strong>, 2007\r\n\r\nText: Adelina Von Furstenberg\r\n\r\n<strong> </strong>Publisher:  Hangar Bicocca\r\n\r\n<strong>INTERNATIONAL  INCHEON WOMEN ARTISTS BIENNALE, </strong>\r\n\r\n<strong> KNOCKING ON THE DOOR</strong>,  2007\r\n\r\n<strong> </strong>Text:  Sung Hee Kim, John C. Welchman<strong> </strong>\r\n\r\nPublisher: Incheon Culture and Art Centre\r\n\r\n<strong>SOFT  POWER: ASIAN ATTITUDE</strong>,  2007<strong> </strong>\r\n\r\n<strong> </strong>Text:  Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\n\r\nPublisher: Shanghai  Zendai Mumsem of Modern Art\r\n\r\nISBN: 978-7-5356-2790-2\r\n\r\n<strong>INDIA</strong><strong> EXPRESS- ART AND POPULAR CULTURE</strong>, 2006\r\n\r\n<strong> </strong>Text: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze,\r\n\r\nPublisher: Helsinki  City Art  Museum\r\n\r\nISBN: 951-8965-61-7\r\n\r\n<strong>BOMBAY</strong><strong> L’ALBUM MAXIMUM CITY</strong>, 2006\r\n\r\nText: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\n\r\nPublisher: Terrail, Lille 3000\r\n\r\nISBN:  2-87939-325-6<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>INDIAN PAINTINGS  OF THE NEW MILLENNIUM</strong>, 2005\r\n\r\n<strong> </strong>Text: Helen Asquine  Fazio, Gayatri Sinha<strong> </strong>\r\n\r\n<strong> </strong>Publisher: Quick Arts Center, Fairfield University\r\n\r\n<strong>A GUIDE TO 101 MODERN &amp; CONTEMPORARY INDIAN ARTISTS</strong>, 2005\r\n\r\n<strong> </strong>Text: Amrita  Jhaveri\r\n\r\nPublisher: India  Book House\r\n\r\nISBN: 81-7508-423-5\r\n\r\n<strong>ZOOM! ART IN  CONTEMPORARY INDIA</strong>, 2004\r\n\r\n<strong> </strong>Texts:  Luis Serpa and Nancy Adajania<strong> </strong>\r\n\r\n<strong> </strong>Publisher: The Culturgest Museum\r\n\r\nISBN: 972-769-033-5\r\n\r\n<strong>INTERLUDE IN SRI   LANKA</strong>, 2004<strong> </strong>\r\n\r\n<strong> </strong>Text:  Ranjit Hoskote, Nancy Adajania<strong> </strong>\r\n\r\n<strong> </strong>Publisher:  The Guild  Art Gallery\r\n\r\n<strong>GENERATION I</strong>, 2004\r\n\r\nText: Zehra Jumabhoy<strong> </strong>\r\n\r\n<strong> </strong>Publisher:<strong> </strong>Saffronart &amp; The Guild Art Gallery\r\n\r\n<strong>TIRANGA  RIGHTS AND REPONSIBILITIES</strong>,  2003<strong> </strong>\r\n\r\nText: Peter Nagy<strong> </strong>\r\n\r\n<strong> </strong>Publisher: Jindal  Foundation &amp; Creative Arts\r\n\r\n<strong>HARD COPY</strong>, 2003\r\n\r\nText: Peter Nagy\r\n\r\n<strong> </strong>Publisher: Gallery 88\r\n\r\n<strong> </strong><strong>CROSSING  GENERATIONS: DIVERGE</strong><strong>, </strong>2003\r\n\r\n<strong> </strong>Text:  Geeta Kapoor and Chaitanya Sambrani<strong> </strong>\r\n\r\n<strong> </strong>Publisher:<strong> </strong>Gallery Chemould\r\n\r\nPRESS  <strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong><em> </em></strong>\r\n\r\n<strong>THE ARCHIVES OF  THE HEART</strong> <strong> </strong>\r\n\r\nNancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\n\r\nFront Cover, pgs 42-45, 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>GLOBALE KUNST  MIT WURZELDUFT</strong>\r\n\r\nVon Almuth Speigler, Die Presse, Feuilleton, 2<sup>nd</sup> September 2009\r\n\r\n<strong>LANDSCAPES OF  LOSS</strong>\r\n\r\nBeth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>REINCARNATING  HISTORY</strong>\r\n\r\nThe Big Picture, Architect and Interiors, July 2009<strong> </strong>\r\n\r\n<strong>STAMP COLLECTION</strong>\r\n\r\nGeorgina Maddox, The Sunday Express, 17<sup>th</sup> May 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>EVOLVING BEYOND  BORDERS</strong>\r\n\r\nReshma S. Kulkarni, Bombay Times, Times of India,  15<sup>th</sup> January, 2009\r\n\r\n<strong>LO</strong><strong>SS AND FOUND</strong>\r\n\r\nMarina Correa, DNA, Mumbai, 22<sup>nd</sup> January 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>FOCUS INDIA</strong>\r\n\r\nMegha Ralapati, Flash Art, pg 114, January-February 2008\r\n\r\n<strong>COME TOGETHER  RIGHT NOW</strong>\r\n\r\nReema Gehi, HT Café, 15<sup>th</sup> February 2008\r\n\r\n<strong>SUCH A LONG  JOURNEY</strong>\r\n\r\nAparna S Sharma, Elle Magazine, pgs 115-117, February 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong>MORE THAN A  WOMAN</strong>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 4<sup>th</sup> February 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong>ARTIST OF THE  FORTNIGHT</strong>\r\n\r\nMaria Louis, Outlook Profit, pg 79, 18<sup>th</sup> April 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong>DEJA VIEW</strong>\r\n\r\nTara Khilachand, Live Mint, 20<sup>th</sup> December 2008\r\n\r\n<strong>TERROR STRUCK</strong>\r\n\r\nMaria Louis, Outlook Profit, 26<sup>th</sup> December 2008\r\n\r\n<strong>NAME CALLING</strong>\r\n\r\nDeepanjana Pal, Timeout Mumbai, December 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>CORRUPTIONS OF  POWER</strong>\r\n\r\nShiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99,  2007\r\n\r\n<strong>OVER THE RAINBOW</strong>\r\n\r\nMaria Louis, Interview, Verve Magazine, pg 78, November 2006\r\n\r\n<strong> </strong>\r\n\r\n<strong>IN A STATE OF PERENNIAL SIEGE</strong>\r\n\r\nNancy Adajania, The Hindu, Hyderabad, 29<sup>th</sup> October  2006\r\n\r\n<strong>HER CROWNING  ACHIEVEMENT</strong>\r\n\r\nClara Chow, The Straits Times, 18<sup>th</sup> November 2006\r\n\r\n<strong> </strong>\r\n\r\n<strong>POLITICAL CHAOS</strong>\r\n\r\nDeepali Nandwani,  Beautiful people, pg 143, November-December 2006\r\n\r\n<strong>WEAPONS OF MASS  CONSTRUCTION</strong>\r\n\r\nRituparna Som, DNA after Hrs, Mumbai, 9<sup>th</sup> October, 2006\r\n\r\n<strong> </strong>\r\n\r\n<strong> GUNS AND ROSES</strong>\r\n\r\nRachna Nakra, The Indian Express,  Mumbai Newsline, 18<sup>th</sup> September 2006\r\n\r\n<strong> UNDER ATTACK</strong>\r\n\r\nGitanjali Dang, HT Mumbai, 22<sup>nd</sup> September 2006\r\n\r\n<strong> TIME TRAVELLER</strong>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline,  27<sup>th</sup> June 2006      <strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>THE FLOWER AND  THE SWORD</strong>\r\n\r\nGirish Shahane, The Art News magazine of India,  pg 93, volume X issue I, 2004\r\n\r\n<strong>INDIA</strong><strong>’S TOP 100 ACHIEVERS</strong>\r\n\r\nSociety Magazine, pg 137, December 2004\r\n\r\n<strong>CAUGHT BETWEEEN  DEMONS</strong>\r\n\r\nNancy Adajania, The Hindu, 19<sup>th</sup> December  2004\r\n\r\n<strong>EN REISE TIL INDIA</strong>\r\n\r\nHarald Flor, Dagbladet, Kultur, 2<sup>nd</sup> February 2003\r\n\r\n<strong> </strong>\r\n\r\n<strong>SIGNS OF  RESISTANCE</strong>\r\n\r\nNancy Adajania, The Hindu, 5<sup>th</sup> January  2003\r\n\r\n<strong>OF THE GODDESS  AND DEMON IN THE MIND</strong>\r\n\r\nDebbie Rodgers, Sunday edition Vijay Times, Bangalore, 5<sup>th</sup> January 2003\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>EMPATHIC ANGER</strong>\r\n\r\nMarta Jakimowicz, Deccan Herald, 23<sup>rd</sup> December 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong>MYSORE</strong><strong> EK KHOJ</strong>\r\n\r\nCross Fertilization of Culture, Interview in Star of Mysore, 27<sup>th</sup> October 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong> LINKING ISLANDS</strong>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 15<sup>th</sup> February  2002\r\n\r\n<strong>CREATING TO  DESTROY</strong>\r\n\r\nJasmine Shah Varma, The List, Mid Day, 22<sup>nd</sup> February 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong>DIFFERENT  STROKES</strong>\r\n\r\nGeorgina L Maddox, The Indian Express, Mumbai Newsline,  24<sup>th</sup> July 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong>OF FAITH AND  HUNGER</strong>\r\n\r\nAbhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89,  December 2000\r\n\r\n<strong> </strong>\r\n\r\n<strong>THE MURMUR OF  SKIN</strong>\r\n\r\nNupur Mahajan, Bombay Times, Times  of India, 12<sup>th</sup> October 2000\r\n\r\n<strong>NOT JUST SKIN  DEEP</strong>\r\n\r\nJasmine Shah Varma, The List, Mid-day, 4<sup>th</sup> October 2000\r\n\r\n<strong>INSIDE OUT</strong>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 11<sup>th</sup> October  2000\r\n\r\n<strong>SCINTILLATING  SKIN</strong>\r\n\r\nVaibhav Purandare, The Asian Age, 14<sup>th</sup> October 2000\r\n\r\n<strong>AN ARTIST’S  WORLD: ROTI, MAKAAN &amp; ABSTRACT ART</strong>\r\n\r\nPoonam Goel, HT City, 23<sup>rd</sup> December 2000\r\n\r\n<strong> </strong>\r\n\r\n<strong>WITHIN YOU,  WITHOUT YOU</strong>\r\n\r\nAnu Kumar, Indian Express,  Express Newsline, 2<sup>nd</sup> September 1998\r\n\r\n<strong>FARMING INTRIRUE</strong>\r\n\r\nJerry Pinto, The Times of India, Bombay Times, 3<sup>rd</sup> September 1998\r\n\r\n<strong> </strong>\r\n\r\n<strong>INTERACTIVE  MEDIUM</strong>\r\n\r\nKaren Pereira, Indian  Architect &amp; Builder, pgs 102-104, October 1998','Publications','','inherit','open','open','','87-revision-41','','','2010-07-04 07:04:45','2010-07-04 07:04:45','',87,'http://www.biggventures.com/demo/artists/1328/uncat/87-revision-41',0,'revision','',0),(1329,1,'2010-07-04 07:23:39','2010-07-04 07:23:39','<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"58%\" align=\"centre\">\r\n<tbody>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"270\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Reena Saini Kallat</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2008</td>\r\n</tr>\r\n<tr>\r\n<td colspan=2><a href=\"http://www.reenakallat.com/reena-kallat\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"270\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Rainbow of Refuse</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2006</td>\r\n</tr>\r\n<tr>\r\n<td colspan=2><a href=\"http://www.reenakallat.com/rainbow-of-refuse\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"270\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Black Flute and Other Stories</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2004</td>\r\n</tr>\r\n<tr>\r\n<td colspan=2><a href=\"http://www.reenakallat.com/black-flute\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"270\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>The Battlefield Is The Mind</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2002</td>\r\n</tr>\r\n<tr>\r\n<td colspan=2><a href=\"http://www.reenakallat.com/battlefield-of-mind\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"270\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>SKIN</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2000</td>\r\n</tr>\r\n<tr>\r\n<td colspan=2><a href=\"http://www.reenakallat.com/skin\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"270\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Orchard of Home-grown Secrets</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>1998</td>\r\n</tr>\r\n<tr>\r\n<td colspan=2><a href=\"http://www.reenakallat.com/orchard-of-home-grown-screts\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<!-- Start of Other Publications -->\r\n<strong STYLE =\"color:#000000;\">BOOKS/  CATALOGUES </strong>\r\n<STYLE type=\"text/css\"> em {color:#000000}</style>\r\n<strong><em>SOLO  SHOWS</em></strong>\r\n<STYLE type=\"text/css\"> strong {color:#979797}</style>\r\n<strong><span style=\"text-decoration: underline;\"> </span></strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>REENA SAINI  KALLAT</strong>, 2009\r\n\r\nText: Nancy Adajania and Murtaza Vali\r\n\r\nPublisher: Primo Marella Gallery, Walsh Gallery and Chemould   Prescott Road\r\n\r\nISBN:  978-81-908879-1-5\r\n\r\n<strong>RAINBOW OF  REFUSE</strong>, 2006\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher: Bodhi Art Gallery\r\n\r\n<strong> </strong><strong>BLACK  FLUTE (AND OTHER STORIES)</strong>,<strong> </strong>2005\r\n\r\n<strong> BLACK FLUTE</strong>, 2004\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher: Gallery Chemould  and Nature Morte Gallery\r\n\r\n<strong>THE BATTLEFIELD  IS THE MIND</strong>, 2002<strong> </strong>\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher:  Sakshi Gallery\r\n\r\n<strong>SKIN</strong>,<strong> </strong>2000\r\n\r\nInterview with  Jitish Kallat\r\n\r\nPublisher:  Gallery Chemould and Vis-à-vis Art Inc. Gallery\r\n\r\n<strong>ORCHARD OF  HOME-GROWN SECRETS</strong>, 1998<strong> </strong>\r\n\r\nText: Ranjit Hoskote\r\n\r\nPublisher: Gallery Chemould and Pundole  Art Gallery\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong><em>GROUP  SHOWS</em></strong>\r\n\r\n<strong><em> </em></strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>NEVER RUN AWAY</strong>, 2010\r\n\r\nText: Shaheen  Merali\r\n\r\nPublisher: Stux Gallery\r\n\r\n<strong>URBAN MANNERS 2</strong>, 2010<strong><em> </em></strong>\r\n\r\nText: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\n\r\nPublisher: SESC Pompeia, Sao Paulo\r\n\r\n<strong> </strong>\r\n\r\n<strong>THE EMPIRE  STRIKES BACK</strong>, 2010<strong> </strong>\r\n\r\nText: Zehra Jumabhoy\r\n\r\nPublisher: Saatchi Gallery\r\n\r\n<strong> </strong><strong> </strong>\r\n\r\n<strong>VIEW POINTS AND  VIEWINGS POINTS- ASIAN ART BIENNALE</strong>, 2009<strong> </strong>\r\n\r\nText: Chao-yi-Tsai\r\n\r\nPublisher: National Taiwan Museum of fine Arts\r\n\r\n<strong>INDIA</strong><strong> XIANZAI:  CONTEMPORARY INDIAN ART</strong>,  2009\r\n\r\n<strong> </strong>Text: Jitish  Kallat, Diana Freundl, Alexander Keefe\r\n\r\nPublisher: Museum  of Contemporary  Art\r\n\r\n<strong>CHALO! INDIA: A  NEW ERA OF INDIAN ART</strong>, 2009<strong> </strong>\r\n\r\nText: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki, Miho\r\n\r\nTagomori\r\n\r\nPublisher: National Museum of Contemporary Art and Essl  Museum\r\n\r\nISBN: 978-3-7913-4304-4\r\n\r\n<strong>CHALO! INDIA: A NEW ERA OF INDIAN ART</strong>,  208<strong><em> </em></strong>\r\n\r\nText: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman\r\n\r\nGopinath, Jayaram, Deepak Ananth\r\n\r\nPublisher:  Mori Art Museum\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong><strong>INDIA</strong><strong> MODERNA</strong>, 2008<strong> </strong>\r\n\r\nText: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur,\r\n\r\nR.Siva  Kumar,  K.G. Subramanyan\r\n\r\nPublisher: IVAM (Institute Valencia D’Art Modern)\r\n\r\n<strong>EVERYWHERE IS  WAR (AND RUMOURS OF IT</strong>), 2008\r\n\r\n<strong> </strong>Text: Kai  Hafez, Martin  Hager,  Nicholas Mirzoeff, Daniel Miller,\r\n\r\nBregje van Eekelen\r\n\r\nPublisher: Bodhi Art  Gallery\r\n\r\n<strong>THREE POINTS OF  VIEWS</strong>, 2008\r\n\r\n<strong> </strong>Text:  Grant Watson\r\n\r\nPublisher: Galerie Mirchandani + Steinruecke\r\n\r\n<strong>NEW NARRATIVES</strong>, 2008\r\n\r\nText: Betty Seid<strong> </strong>\r\n\r\n<strong> </strong>Publisher:  Chicago  Cultural Center\r\n\r\n<strong> </strong><strong>MADE BY INDIANS</strong>, 2007\r\n\r\nText: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\n\r\nPublisher: Galerie Enrico Navarra\r\n\r\nISBN: 2-911596-37-4\r\n\r\n<strong>THERMOCLINE OF  ART: NEW ASIAN WAVES</strong>,  2007\r\n\r\n<strong> </strong>Text:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong<strong> </strong>\r\n\r\nPublisher: Hatje Cantz Vertag\r\n\r\nISBN: 978-3-7757-2073-1\r\n\r\nEAN: 9782911596377\r\n\r\n<strong> INDIAN COLOUR</strong>, 2007\r\n\r\nText: Peter Nagy\r\n\r\nPublisher: Dal- seung Hwang, Keumsan Gallery\r\n\r\n<strong>INDIA</strong><strong> ARTE OGGI</strong>, 2007<strong> </strong>\r\n\r\n<strong> </strong>Text:  Daniela Palazzoli<strong> </strong>\r\n\r\nPublisher: Spazio Oberdan\r\n\r\nISBN: 978-88-202-1867-6\r\n\r\n<strong>URBAN MANNERS</strong>, 2007\r\n\r\nText: Adelina Von Furstenberg\r\n\r\n<strong> </strong>Publisher:  Hangar Bicocca\r\n\r\n<strong>INTERNATIONAL  INCHEON WOMEN ARTISTS BIENNALE, </strong>\r\n\r\n<strong> KNOCKING ON THE DOOR</strong>,  2007\r\n\r\n<strong> </strong>Text:  Sung Hee Kim, John C. Welchman<strong> </strong>\r\n\r\nPublisher: Incheon Culture and Art Centre\r\n\r\n<strong>SOFT  POWER: ASIAN ATTITUDE</strong>,  2007<strong> </strong>\r\n\r\n<strong> </strong>Text:  Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\n\r\nPublisher: Shanghai  Zendai Mumsem of Modern Art\r\n\r\nISBN: 978-7-5356-2790-2\r\n\r\n<strong>INDIA</strong><strong> EXPRESS- ART AND POPULAR CULTURE</strong>, 2006\r\n\r\n<strong> </strong>Text: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze,\r\n\r\nPublisher: Helsinki  City Art  Museum\r\n\r\nISBN: 951-8965-61-7\r\n\r\n<strong>BOMBAY</strong><strong> L’ALBUM MAXIMUM CITY</strong>, 2006\r\n\r\nText: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\n\r\nPublisher: Terrail, Lille 3000\r\n\r\nISBN:  2-87939-325-6<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>INDIAN PAINTINGS  OF THE NEW MILLENNIUM</strong>, 2005\r\n\r\n<strong> </strong>Text: Helen Asquine  Fazio, Gayatri Sinha<strong> </strong>\r\n\r\n<strong> </strong>Publisher: Quick Arts Center, Fairfield University\r\n\r\n<strong>A GUIDE TO 101 MODERN &amp; CONTEMPORARY INDIAN ARTISTS</strong>, 2005\r\n\r\n<strong> </strong>Text: Amrita  Jhaveri\r\n\r\nPublisher: India  Book House\r\n\r\nISBN: 81-7508-423-5\r\n\r\n<strong>ZOOM! ART IN  CONTEMPORARY INDIA</strong>, 2004\r\n\r\n<strong> </strong>Texts:  Luis Serpa and Nancy Adajania<strong> </strong>\r\n\r\n<strong> </strong>Publisher: The Culturgest Museum\r\n\r\nISBN: 972-769-033-5\r\n\r\n<strong>INTERLUDE IN SRI   LANKA</strong>, 2004<strong> </strong>\r\n\r\n<strong> </strong>Text:  Ranjit Hoskote, Nancy Adajania<strong> </strong>\r\n\r\n<strong> </strong>Publisher:  The Guild  Art Gallery\r\n\r\n<strong>GENERATION I</strong>, 2004\r\n\r\nText: Zehra Jumabhoy<strong> </strong>\r\n\r\n<strong> </strong>Publisher:<strong> </strong>Saffronart &amp; The Guild Art Gallery\r\n\r\n<strong>TIRANGA  RIGHTS AND REPONSIBILITIES</strong>,  2003<strong> </strong>\r\n\r\nText: Peter Nagy<strong> </strong>\r\n\r\n<strong> </strong>Publisher: Jindal  Foundation &amp; Creative Arts\r\n\r\n<strong>HARD COPY</strong>, 2003\r\n\r\nText: Peter Nagy\r\n\r\n<strong> </strong>Publisher: Gallery 88\r\n\r\n<strong> </strong><strong>CROSSING  GENERATIONS: DIVERGE</strong><strong>, </strong>2003\r\n\r\n<strong> </strong>Text:  Geeta Kapoor and Chaitanya Sambrani<strong> </strong>\r\n\r\n<strong> </strong>Publisher:<strong> </strong>Gallery Chemould\r\n\r\nPRESS  <strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong><em> </em></strong>\r\n\r\n<strong>THE ARCHIVES OF  THE HEART</strong> <strong> </strong>\r\n\r\nNancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\n\r\nFront Cover, pgs 42-45, 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>GLOBALE KUNST  MIT WURZELDUFT</strong>\r\n\r\nVon Almuth Speigler, Die Presse, Feuilleton, 2<sup>nd</sup> September 2009\r\n\r\n<strong>LANDSCAPES OF  LOSS</strong>\r\n\r\nBeth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>REINCARNATING  HISTORY</strong>\r\n\r\nThe Big Picture, Architect and Interiors, July 2009<strong> </strong>\r\n\r\n<strong>STAMP COLLECTION</strong>\r\n\r\nGeorgina Maddox, The Sunday Express, 17<sup>th</sup> May 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>EVOLVING BEYOND  BORDERS</strong>\r\n\r\nReshma S. Kulkarni, Bombay Times, Times of India,  15<sup>th</sup> January, 2009\r\n\r\n<strong>LO</strong><strong>SS AND FOUND</strong>\r\n\r\nMarina Correa, DNA, Mumbai, 22<sup>nd</sup> January 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>FOCUS INDIA</strong>\r\n\r\nMegha Ralapati, Flash Art, pg 114, January-February 2008\r\n\r\n<strong>COME TOGETHER  RIGHT NOW</strong>\r\n\r\nReema Gehi, HT Café, 15<sup>th</sup> February 2008\r\n\r\n<strong>SUCH A LONG  JOURNEY</strong>\r\n\r\nAparna S Sharma, Elle Magazine, pgs 115-117, February 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong>MORE THAN A  WOMAN</strong>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 4<sup>th</sup> February 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong>ARTIST OF THE  FORTNIGHT</strong>\r\n\r\nMaria Louis, Outlook Profit, pg 79, 18<sup>th</sup> April 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong>DEJA VIEW</strong>\r\n\r\nTara Khilachand, Live Mint, 20<sup>th</sup> December 2008\r\n\r\n<strong>TERROR STRUCK</strong>\r\n\r\nMaria Louis, Outlook Profit, 26<sup>th</sup> December 2008\r\n\r\n<strong>NAME CALLING</strong>\r\n\r\nDeepanjana Pal, Timeout Mumbai, December 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>CORRUPTIONS OF  POWER</strong>\r\n\r\nShiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99,  2007\r\n\r\n<strong>OVER THE RAINBOW</strong>\r\n\r\nMaria Louis, Interview, Verve Magazine, pg 78, November 2006\r\n\r\n<strong> </strong>\r\n\r\n<strong>IN A STATE OF PERENNIAL SIEGE</strong>\r\n\r\nNancy Adajania, The Hindu, Hyderabad, 29<sup>th</sup> October  2006\r\n\r\n<strong>HER CROWNING  ACHIEVEMENT</strong>\r\n\r\nClara Chow, The Straits Times, 18<sup>th</sup> November 2006\r\n\r\n<strong> </strong>\r\n\r\n<strong>POLITICAL CHAOS</strong>\r\n\r\nDeepali Nandwani,  Beautiful people, pg 143, November-December 2006\r\n\r\n<strong>WEAPONS OF MASS  CONSTRUCTION</strong>\r\n\r\nRituparna Som, DNA after Hrs, Mumbai, 9<sup>th</sup> October, 2006\r\n\r\n<strong> </strong>\r\n\r\n<strong> GUNS AND ROSES</strong>\r\n\r\nRachna Nakra, The Indian Express,  Mumbai Newsline, 18<sup>th</sup> September 2006\r\n\r\n<strong> UNDER ATTACK</strong>\r\n\r\nGitanjali Dang, HT Mumbai, 22<sup>nd</sup> September 2006\r\n\r\n<strong> TIME TRAVELLER</strong>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline,  27<sup>th</sup> June 2006      <strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>THE FLOWER AND  THE SWORD</strong>\r\n\r\nGirish Shahane, The Art News magazine of India,  pg 93, volume X issue I, 2004\r\n\r\n<strong>INDIA</strong><strong>’S TOP 100 ACHIEVERS</strong>\r\n\r\nSociety Magazine, pg 137, December 2004\r\n\r\n<strong>CAUGHT BETWEEEN  DEMONS</strong>\r\n\r\nNancy Adajania, The Hindu, 19<sup>th</sup> December  2004\r\n\r\n<strong>EN REISE TIL INDIA</strong>\r\n\r\nHarald Flor, Dagbladet, Kultur, 2<sup>nd</sup> February 2003\r\n\r\n<strong> </strong>\r\n\r\n<strong>SIGNS OF  RESISTANCE</strong>\r\n\r\nNancy Adajania, The Hindu, 5<sup>th</sup> January  2003\r\n\r\n<strong>OF THE GODDESS  AND DEMON IN THE MIND</strong>\r\n\r\nDebbie Rodgers, Sunday edition Vijay Times, Bangalore, 5<sup>th</sup> January 2003\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>EMPATHIC ANGER</strong>\r\n\r\nMarta Jakimowicz, Deccan Herald, 23<sup>rd</sup> December 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong>MYSORE</strong><strong> EK KHOJ</strong>\r\n\r\nCross Fertilization of Culture, Interview in Star of Mysore, 27<sup>th</sup> October 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong> LINKING ISLANDS</strong>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 15<sup>th</sup> February  2002\r\n\r\n<strong>CREATING TO  DESTROY</strong>\r\n\r\nJasmine Shah Varma, The List, Mid Day, 22<sup>nd</sup> February 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong>DIFFERENT  STROKES</strong>\r\n\r\nGeorgina L Maddox, The Indian Express, Mumbai Newsline,  24<sup>th</sup> July 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong>OF FAITH AND  HUNGER</strong>\r\n\r\nAbhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89,  December 2000\r\n\r\n<strong> </strong>\r\n\r\n<strong>THE MURMUR OF  SKIN</strong>\r\n\r\nNupur Mahajan, Bombay Times, Times  of India, 12<sup>th</sup> October 2000\r\n\r\n<strong>NOT JUST SKIN  DEEP</strong>\r\n\r\nJasmine Shah Varma, The List, Mid-day, 4<sup>th</sup> October 2000\r\n\r\n<strong>INSIDE OUT</strong>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 11<sup>th</sup> October  2000\r\n\r\n<strong>SCINTILLATING  SKIN</strong>\r\n\r\nVaibhav Purandare, The Asian Age, 14<sup>th</sup> October 2000\r\n\r\n<strong>AN ARTIST’S  WORLD: ROTI, MAKAAN &amp; ABSTRACT ART</strong>\r\n\r\nPoonam Goel, HT City, 23<sup>rd</sup> December 2000\r\n\r\n<strong> </strong>\r\n\r\n<strong>WITHIN YOU,  WITHOUT YOU</strong>\r\n\r\nAnu Kumar, Indian Express,  Express Newsline, 2<sup>nd</sup> September 1998\r\n\r\n<strong>FARMING INTRIRUE</strong>\r\n\r\nJerry Pinto, The Times of India, Bombay Times, 3<sup>rd</sup> September 1998\r\n\r\n<strong> </strong>\r\n\r\n<strong>INTERACTIVE  MEDIUM</strong>\r\n\r\nKaren Pereira, Indian  Architect &amp; Builder, pgs 102-104, October 1998','Publications','','inherit','open','open','','87-revision-42','','','2010-07-04 07:23:39','2010-07-04 07:23:39','',87,'http://www.biggventures.com/demo/artists/1329/uncat/87-revision-42',0,'revision','',0),(1330,1,'2010-07-04 07:24:22','2010-07-04 07:24:22','<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"58%\" align=\"centre\">\r\n<tbody>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"270\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Reena Saini Kallat</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2008</td>\r\n</tr>\r\n<tr>\r\n<td colspan=2><a href=\"http://www.reenakallat.com/reena-kallat\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"270\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Rainbow of Refuse</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2006</td>\r\n</tr>\r\n<tr>\r\n<td colspan=2><a href=\"http://www.reenakallat.com/rainbow-of-refuse\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"270\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Black Flute and Other Stories</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2004</td>\r\n</tr>\r\n<tr>\r\n<td colspan=2><a href=\"http://www.reenakallat.com/black-flute\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"270\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>The Battlefield Is The Mind</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2002</td>\r\n</tr>\r\n<tr>\r\n<td colspan=2><a href=\"http://www.reenakallat.com/battlefield-of-mind\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"270\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>SKIN</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2000</td>\r\n</tr>\r\n<tr>\r\n<td colspan=2><a href=\"http://www.reenakallat.com/skin\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"270\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Orchard of Home-grown Secrets</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>1998</td>\r\n</tr>\r\n<tr>\r\n<td colspan=2><a href=\"http://www.reenakallat.com/orchard-of-home-grown-screts\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<!-- Start of Other Publications -->\r\n<strong STYLE =\"color:#000000;\">BOOKS/  CATALOGUES </strong>\r\n<STYLE type=\"text/css\"> em {color:#000000}</style>\r\n<strong><em>SOLO  SHOWS</em></strong>\r\n<STYLE type=\"text/css\"> strong {color:#979797}</style>\r\n<strong><span style=\"text-decoration: underline;\"> </span></strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>REENA SAINI  KALLAT</strong>, 2009\r\n\r\nText: Nancy Adajania and Murtaza Vali\r\n\r\nPublisher: Primo Marella Gallery, Walsh Gallery and Chemould   Prescott Road\r\n\r\nISBN:  978-81-908879-1-5\r\n\r\n<strong>RAINBOW OF  REFUSE</strong>, 2006\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher: Bodhi Art Gallery\r\n\r\n<strong> </strong><strong>BLACK  FLUTE (AND OTHER STORIES)</strong>,<strong> </strong>2005\r\n\r\n<strong> BLACK FLUTE</strong>, 2004\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher: Gallery Chemould  and Nature Morte Gallery\r\n\r\n<strong>THE BATTLEFIELD  IS THE MIND</strong>, 2002<strong> </strong>\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher:  Sakshi Gallery\r\n\r\n<strong>SKIN</strong>,<strong> </strong>2000\r\n\r\nInterview with  Jitish Kallat\r\n\r\nPublisher:  Gallery Chemould and Vis-à-vis Art Inc. Gallery\r\n\r\n<strong>ORCHARD OF  HOME-GROWN SECRETS</strong>, 1998<strong> </strong>\r\n\r\nText: Ranjit Hoskote\r\n\r\nPublisher: Gallery Chemould and Pundole  Art Gallery\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong><em>GROUP  SHOWS</em></strong>\r\n\r\n<strong><em> </em></strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>NEVER RUN AWAY</strong>, 2010\r\n\r\nText: Shaheen  Merali\r\n\r\nPublisher: Stux Gallery\r\n\r\n<strong>URBAN MANNERS 2</strong>, 2010<strong><em> </em></strong>\r\n\r\nText: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\n\r\nPublisher: SESC Pompeia, Sao Paulo\r\n\r\n<strong> </strong>\r\n\r\n<strong>THE EMPIRE  STRIKES BACK</strong>, 2010<strong> </strong>\r\n\r\nText: Zehra Jumabhoy\r\n\r\nPublisher: Saatchi Gallery\r\n\r\n<strong> </strong><strong> </strong>\r\n\r\n<strong>VIEW POINTS AND  VIEWINGS POINTS- ASIAN ART BIENNALE</strong>, 2009<strong> </strong>\r\n\r\nText: Chao-yi-Tsai\r\n\r\nPublisher: National Taiwan Museum of fine Arts\r\n\r\n<strong>INDIA</strong><strong> XIANZAI:  CONTEMPORARY INDIAN ART</strong>,  2009\r\n\r\n<strong> </strong>Text: Jitish  Kallat, Diana Freundl, Alexander Keefe\r\n\r\nPublisher: Museum  of Contemporary  Art\r\n\r\n<strong>CHALO! INDIA: A  NEW ERA OF INDIAN ART</strong>, 2009<strong> </strong>\r\n\r\nText: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki, Miho\r\n\r\nTagomori\r\n\r\nPublisher: National Museum of Contemporary Art and Essl  Museum\r\n\r\nISBN: 978-3-7913-4304-4\r\n\r\n<strong>CHALO! INDIA: A NEW ERA OF INDIAN ART</strong>,  208<strong><em> </em></strong>\r\n\r\nText: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman\r\n\r\nGopinath, Jayaram, Deepak Ananth\r\n\r\nPublisher:  Mori Art Museum\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong><strong>INDIA</strong><strong> MODERNA</strong>, 2008<strong> </strong>\r\n\r\nText: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur,\r\n\r\nR.Siva  Kumar,  K.G. Subramanyan\r\n\r\nPublisher: IVAM (Institute Valencia D’Art Modern)\r\n\r\n<strong>EVERYWHERE IS  WAR (AND RUMOURS OF IT</strong>), 2008\r\n\r\n<strong> </strong>Text: Kai  Hafez, Martin  Hager,  Nicholas Mirzoeff, Daniel Miller,\r\n\r\nBregje van Eekelen\r\n\r\nPublisher: Bodhi Art  Gallery\r\n\r\n<strong>THREE POINTS OF  VIEWS</strong>, 2008\r\n\r\n<strong> </strong>Text:  Grant Watson\r\n\r\nPublisher: Galerie Mirchandani + Steinruecke\r\n\r\n<strong>NEW NARRATIVES</strong>, 2008\r\n\r\nText: Betty Seid<strong> </strong>\r\n\r\n<strong> </strong>Publisher:  Chicago  Cultural Center\r\n\r\n<strong> </strong><strong>MADE BY INDIANS</strong>, 2007\r\n\r\nText: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\n\r\nPublisher: Galerie Enrico Navarra\r\n\r\nISBN: 2-911596-37-4\r\n\r\n<strong>THERMOCLINE OF  ART: NEW ASIAN WAVES</strong>,  2007\r\n\r\n<strong> </strong>Text:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong<strong> </strong>\r\n\r\nPublisher: Hatje Cantz Vertag\r\n\r\nISBN: 978-3-7757-2073-1\r\n\r\nEAN: 9782911596377\r\n\r\n<strong> INDIAN COLOUR</strong>, 2007\r\n\r\nText: Peter Nagy\r\n\r\nPublisher: Dal- seung Hwang, Keumsan Gallery\r\n\r\n<strong>INDIA</strong><strong> ARTE OGGI</strong>, 2007<strong> </strong>\r\n\r\n<strong> </strong>Text:  Daniela Palazzoli<strong> </strong>\r\n\r\nPublisher: Spazio Oberdan\r\n\r\nISBN: 978-88-202-1867-6\r\n\r\n<strong>URBAN MANNERS</strong>, 2007\r\n\r\nText: Adelina Von Furstenberg\r\n\r\n<strong> </strong>Publisher:  Hangar Bicocca\r\n\r\n<strong>INTERNATIONAL  INCHEON WOMEN ARTISTS BIENNALE, </strong>\r\n\r\n<strong> KNOCKING ON THE DOOR</strong>,  2007\r\n\r\n<strong> </strong>Text:  Sung Hee Kim, John C. Welchman<strong> </strong>\r\n\r\nPublisher: Incheon Culture and Art Centre\r\n\r\n<strong>SOFT  POWER: ASIAN ATTITUDE</strong>,  2007<strong> </strong>\r\n\r\n<strong> </strong>Text:  Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\n\r\nPublisher: Shanghai  Zendai Mumsem of Modern Art\r\n\r\nISBN: 978-7-5356-2790-2\r\n\r\n<strong>INDIA</strong><strong> EXPRESS- ART AND POPULAR CULTURE</strong>, 2006\r\n\r\n<strong> </strong>Text: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze,\r\n\r\nPublisher: Helsinki  City Art  Museum\r\n\r\nISBN: 951-8965-61-7\r\n\r\n<strong>BOMBAY</strong><strong> L’ALBUM MAXIMUM CITY</strong>, 2006\r\n\r\nText: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\n\r\nPublisher: Terrail, Lille 3000\r\n\r\nISBN:  2-87939-325-6<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>INDIAN PAINTINGS  OF THE NEW MILLENNIUM</strong>, 2005\r\n\r\n<strong> </strong>Text: Helen Asquine  Fazio, Gayatri Sinha<strong> </strong>\r\n\r\n<strong> </strong>Publisher: Quick Arts Center, Fairfield University\r\n\r\n<strong>A GUIDE TO 101 MODERN &amp; CONTEMPORARY INDIAN ARTISTS</strong>, 2005\r\n\r\n<strong> </strong>Text: Amrita  Jhaveri\r\n\r\nPublisher: India  Book House\r\n\r\nISBN: 81-7508-423-5\r\n\r\n<strong>ZOOM! ART IN  CONTEMPORARY INDIA</strong>, 2004\r\n\r\n<strong> </strong>Texts:  Luis Serpa and Nancy Adajania<strong> </strong>\r\n\r\n<strong> </strong>Publisher: The Culturgest Museum\r\n\r\nISBN: 972-769-033-5\r\n\r\n<strong>INTERLUDE IN SRI   LANKA</strong>, 2004<strong> </strong>\r\n\r\n<strong> </strong>Text:  Ranjit Hoskote, Nancy Adajania<strong> </strong>\r\n\r\n<strong> </strong>Publisher:  The Guild  Art Gallery\r\n\r\n<strong>GENERATION I</strong>, 2004\r\n\r\nText: Zehra Jumabhoy<strong> </strong>\r\n\r\n<strong> </strong>Publisher:<strong> </strong>Saffronart &amp; The Guild Art Gallery\r\n\r\n<strong>TIRANGA  RIGHTS AND REPONSIBILITIES</strong>,  2003<strong> </strong>\r\n\r\nText: Peter Nagy<strong> </strong>\r\n\r\n<strong> </strong>Publisher: Jindal  Foundation &amp; Creative Arts\r\n\r\n<strong>HARD COPY</strong>, 2003\r\n\r\nText: Peter Nagy\r\n\r\n<strong> </strong>Publisher: Gallery 88\r\n\r\n<strong> </strong><strong>CROSSING  GENERATIONS: DIVERGE</strong><strong>, </strong>2003\r\n\r\n<strong> </strong>Text:  Geeta Kapoor and Chaitanya Sambrani<strong> </strong>\r\n\r\n<strong> </strong>Publisher:<strong> </strong>Gallery Chemould\r\n\r\nPRESS  <strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong><em> </em></strong>\r\n\r\n<strong>THE ARCHIVES OF  THE HEART</strong> <strong> </strong>\r\n\r\nNancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\n\r\nFront Cover, pgs 42-45, 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>GLOBALE KUNST  MIT WURZELDUFT</strong>\r\n\r\nVon Almuth Speigler, Die Presse, Feuilleton, 2<sup>nd</sup> September 2009\r\n\r\n<strong>LANDSCAPES OF  LOSS</strong>\r\n\r\nBeth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>REINCARNATING  HISTORY</strong>\r\n\r\nThe Big Picture, Architect and Interiors, July 2009<strong> </strong>\r\n\r\n<strong>STAMP COLLECTION</strong>\r\n\r\nGeorgina Maddox, The Sunday Express, 17<sup>th</sup> May 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>EVOLVING BEYOND  BORDERS</strong>\r\n\r\nReshma S. Kulkarni, Bombay Times, Times of India,  15<sup>th</sup> January, 2009\r\n\r\n<strong>LO</strong><strong>SS AND FOUND</strong>\r\n\r\nMarina Correa, DNA, Mumbai, 22<sup>nd</sup> January 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>FOCUS INDIA</strong>\r\n\r\nMegha Ralapati, Flash Art, pg 114, January-February 2008\r\n\r\n<strong>COME TOGETHER  RIGHT NOW</strong>\r\n\r\nReema Gehi, HT Café, 15<sup>th</sup> February 2008\r\n\r\n<strong>SUCH A LONG  JOURNEY</strong>\r\n\r\nAparna S Sharma, Elle Magazine, pgs 115-117, February 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong>MORE THAN A  WOMAN</strong>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 4<sup>th</sup> February 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong>ARTIST OF THE  FORTNIGHT</strong>\r\n\r\nMaria Louis, Outlook Profit, pg 79, 18<sup>th</sup> April 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong>DEJA VIEW</strong>\r\n\r\nTara Khilachand, Live Mint, 20<sup>th</sup> December 2008\r\n\r\n<strong>TERROR STRUCK</strong>\r\n\r\nMaria Louis, Outlook Profit, 26<sup>th</sup> December 2008\r\n\r\n<strong>NAME CALLING</strong>\r\n\r\nDeepanjana Pal, Timeout Mumbai, December 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>CORRUPTIONS OF  POWER</strong>\r\n\r\nShiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99,  2007\r\n\r\n<strong>OVER THE RAINBOW</strong>\r\n\r\nMaria Louis, Interview, Verve Magazine, pg 78, November 2006\r\n\r\n<strong> </strong>\r\n\r\n<strong>IN A STATE OF PERENNIAL SIEGE</strong>\r\n\r\nNancy Adajania, The Hindu, Hyderabad, 29<sup>th</sup> October  2006\r\n\r\n<strong>HER CROWNING  ACHIEVEMENT</strong>\r\n\r\nClara Chow, The Straits Times, 18<sup>th</sup> November 2006\r\n\r\n<strong> </strong>\r\n\r\n<strong>POLITICAL CHAOS</strong>\r\n\r\nDeepali Nandwani,  Beautiful people, pg 143, November-December 2006\r\n\r\n<strong>WEAPONS OF MASS  CONSTRUCTION</strong>\r\n\r\nRituparna Som, DNA after Hrs, Mumbai, 9<sup>th</sup> October, 2006\r\n\r\n<strong> </strong>\r\n\r\n<strong> GUNS AND ROSES</strong>\r\n\r\nRachna Nakra, The Indian Express,  Mumbai Newsline, 18<sup>th</sup> September 2006\r\n\r\n<strong> UNDER ATTACK</strong>\r\n\r\nGitanjali Dang, HT Mumbai, 22<sup>nd</sup> September 2006\r\n\r\n<strong> TIME TRAVELLER</strong>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline,  27<sup>th</sup> June 2006      <strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>THE FLOWER AND  THE SWORD</strong>\r\n\r\nGirish Shahane, The Art News magazine of India,  pg 93, volume X issue I, 2004\r\n\r\n<strong>INDIA</strong><strong>’S TOP 100 ACHIEVERS</strong>\r\n\r\nSociety Magazine, pg 137, December 2004\r\n\r\n<strong>CAUGHT BETWEEEN  DEMONS</strong>\r\n\r\nNancy Adajania, The Hindu, 19<sup>th</sup> December  2004\r\n\r\n<strong>EN REISE TIL INDIA</strong>\r\n\r\nHarald Flor, Dagbladet, Kultur, 2<sup>nd</sup> February 2003\r\n\r\n<strong> </strong>\r\n\r\n<strong>SIGNS OF  RESISTANCE</strong>\r\n\r\nNancy Adajania, The Hindu, 5<sup>th</sup> January  2003\r\n\r\n<strong>OF THE GODDESS  AND DEMON IN THE MIND</strong>\r\n\r\nDebbie Rodgers, Sunday edition Vijay Times, Bangalore, 5<sup>th</sup> January 2003\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>EMPATHIC ANGER</strong>\r\n\r\nMarta Jakimowicz, Deccan Herald, 23<sup>rd</sup> December 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong>MYSORE</strong><strong> EK KHOJ</strong>\r\n\r\nCross Fertilization of Culture, Interview in Star of Mysore, 27<sup>th</sup> October 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong> LINKING ISLANDS</strong>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 15<sup>th</sup> February  2002\r\n\r\n<strong>CREATING TO  DESTROY</strong>\r\n\r\nJasmine Shah Varma, The List, Mid Day, 22<sup>nd</sup> February 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong>DIFFERENT  STROKES</strong>\r\n\r\nGeorgina L Maddox, The Indian Express, Mumbai Newsline,  24<sup>th</sup> July 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong>OF FAITH AND  HUNGER</strong>\r\n\r\nAbhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89,  December 2000\r\n\r\n<strong> </strong>\r\n\r\n<strong>THE MURMUR OF  SKIN</strong>\r\n\r\nNupur Mahajan, Bombay Times, Times  of India, 12<sup>th</sup> October 2000\r\n\r\n<strong>NOT JUST SKIN  DEEP</strong>\r\n\r\nJasmine Shah Varma, The List, Mid-day, 4<sup>th</sup> October 2000\r\n\r\n<strong>INSIDE OUT</strong>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 11<sup>th</sup> October  2000\r\n\r\n<strong>SCINTILLATING  SKIN</strong>\r\n\r\nVaibhav Purandare, The Asian Age, 14<sup>th</sup> October 2000\r\n\r\n<strong>AN ARTIST’S  WORLD: ROTI, MAKAAN &amp; ABSTRACT ART</strong>\r\n\r\nPoonam Goel, HT City, 23<sup>rd</sup> December 2000\r\n\r\n<strong> </strong>\r\n\r\n<strong>WITHIN YOU,  WITHOUT YOU</strong>\r\n\r\nAnu Kumar, Indian Express,  Express Newsline, 2<sup>nd</sup> September 1998\r\n\r\n<strong>FARMING INTRIRUE</strong>\r\n\r\nJerry Pinto, The Times of India, Bombay Times, 3<sup>rd</sup> September 1998\r\n\r\n<strong> </strong>\r\n\r\n<strong>INTERACTIVE  MEDIUM</strong>\r\n\r\nKaren Pereira, Indian  Architect &amp; Builder, pgs 102-104, October 1998','Publications','','inherit','open','open','','87-revision-43','','','2010-07-04 07:24:22','2010-07-04 07:24:22','',87,'http://www.biggventures.com/demo/artists/1330/uncat/87-revision-43',0,'revision','',0),(1331,1,'2010-07-04 07:26:41','2010-07-04 07:26:41','<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"58%\" align=\"centre\">\r\n<tbody>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"190\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Reena Saini Kallat</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2008</td>\r\n</tr>\r\n<tr>\r\n<td colspan=2><a href=\"http://www.reenakallat.com/reena-kallat\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"190\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Rainbow of Refuse</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2006</td>\r\n</tr>\r\n<tr>\r\n<td colspan=2><a href=\"http://www.reenakallat.com/rainbow-of-refuse\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"190\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Black Flute and Other Stories</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2004</td>\r\n</tr>\r\n<tr>\r\n<td colspan=2><a href=\"http://www.reenakallat.com/black-flute\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"190\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>The Battlefield Is The Mind</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2002</td>\r\n</tr>\r\n<tr>\r\n<td colspan=2><a href=\"http://www.reenakallat.com/battlefield-of-mind\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"190\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>SKIN</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2000</td>\r\n</tr>\r\n<tr>\r\n<td colspan=2><a href=\"http://www.reenakallat.com/skin\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"190\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Orchard of Home-grown Secrets</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>1998</td>\r\n</tr>\r\n<tr>\r\n<td colspan=2><a href=\"http://www.reenakallat.com/orchard-of-home-grown-screts\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<!-- Start of Other Publications -->\r\n<strong STYLE =\"color:#000000;\">BOOKS/  CATALOGUES </strong>\r\n<STYLE type=\"text/css\"> em {color:#000000}</style>\r\n<strong><em>SOLO  SHOWS</em></strong>\r\n<STYLE type=\"text/css\"> strong {color:#979797}</style>\r\n<strong><span style=\"text-decoration: underline;\"> </span></strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>REENA SAINI  KALLAT</strong>, 2009\r\n\r\nText: Nancy Adajania and Murtaza Vali\r\n\r\nPublisher: Primo Marella Gallery, Walsh Gallery and Chemould   Prescott Road\r\n\r\nISBN:  978-81-908879-1-5\r\n\r\n<strong>RAINBOW OF  REFUSE</strong>, 2006\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher: Bodhi Art Gallery\r\n\r\n<strong> </strong><strong>BLACK  FLUTE (AND OTHER STORIES)</strong>,<strong> </strong>2005\r\n\r\n<strong> BLACK FLUTE</strong>, 2004\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher: Gallery Chemould  and Nature Morte Gallery\r\n\r\n<strong>THE BATTLEFIELD  IS THE MIND</strong>, 2002<strong> </strong>\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher:  Sakshi Gallery\r\n\r\n<strong>SKIN</strong>,<strong> </strong>2000\r\n\r\nInterview with  Jitish Kallat\r\n\r\nPublisher:  Gallery Chemould and Vis-à-vis Art Inc. Gallery\r\n\r\n<strong>ORCHARD OF  HOME-GROWN SECRETS</strong>, 1998<strong> </strong>\r\n\r\nText: Ranjit Hoskote\r\n\r\nPublisher: Gallery Chemould and Pundole  Art Gallery\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong><em>GROUP  SHOWS</em></strong>\r\n\r\n<strong><em> </em></strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>NEVER RUN AWAY</strong>, 2010\r\n\r\nText: Shaheen  Merali\r\n\r\nPublisher: Stux Gallery\r\n\r\n<strong>URBAN MANNERS 2</strong>, 2010<strong><em> </em></strong>\r\n\r\nText: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\n\r\nPublisher: SESC Pompeia, Sao Paulo\r\n\r\n<strong> </strong>\r\n\r\n<strong>THE EMPIRE  STRIKES BACK</strong>, 2010<strong> </strong>\r\n\r\nText: Zehra Jumabhoy\r\n\r\nPublisher: Saatchi Gallery\r\n\r\n<strong> </strong><strong> </strong>\r\n\r\n<strong>VIEW POINTS AND  VIEWINGS POINTS- ASIAN ART BIENNALE</strong>, 2009<strong> </strong>\r\n\r\nText: Chao-yi-Tsai\r\n\r\nPublisher: National Taiwan Museum of fine Arts\r\n\r\n<strong>INDIA</strong><strong> XIANZAI:  CONTEMPORARY INDIAN ART</strong>,  2009\r\n\r\n<strong> </strong>Text: Jitish  Kallat, Diana Freundl, Alexander Keefe\r\n\r\nPublisher: Museum  of Contemporary  Art\r\n\r\n<strong>CHALO! INDIA: A  NEW ERA OF INDIAN ART</strong>, 2009<strong> </strong>\r\n\r\nText: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki, Miho\r\n\r\nTagomori\r\n\r\nPublisher: National Museum of Contemporary Art and Essl  Museum\r\n\r\nISBN: 978-3-7913-4304-4\r\n\r\n<strong>CHALO! INDIA: A NEW ERA OF INDIAN ART</strong>,  208<strong><em> </em></strong>\r\n\r\nText: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman\r\n\r\nGopinath, Jayaram, Deepak Ananth\r\n\r\nPublisher:  Mori Art Museum\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong><strong>INDIA</strong><strong> MODERNA</strong>, 2008<strong> </strong>\r\n\r\nText: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur,\r\n\r\nR.Siva  Kumar,  K.G. Subramanyan\r\n\r\nPublisher: IVAM (Institute Valencia D’Art Modern)\r\n\r\n<strong>EVERYWHERE IS  WAR (AND RUMOURS OF IT</strong>), 2008\r\n\r\n<strong> </strong>Text: Kai  Hafez, Martin  Hager,  Nicholas Mirzoeff, Daniel Miller,\r\n\r\nBregje van Eekelen\r\n\r\nPublisher: Bodhi Art  Gallery\r\n\r\n<strong>THREE POINTS OF  VIEWS</strong>, 2008\r\n\r\n<strong> </strong>Text:  Grant Watson\r\n\r\nPublisher: Galerie Mirchandani + Steinruecke\r\n\r\n<strong>NEW NARRATIVES</strong>, 2008\r\n\r\nText: Betty Seid<strong> </strong>\r\n\r\n<strong> </strong>Publisher:  Chicago  Cultural Center\r\n\r\n<strong> </strong><strong>MADE BY INDIANS</strong>, 2007\r\n\r\nText: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\n\r\nPublisher: Galerie Enrico Navarra\r\n\r\nISBN: 2-911596-37-4\r\n\r\n<strong>THERMOCLINE OF  ART: NEW ASIAN WAVES</strong>,  2007\r\n\r\n<strong> </strong>Text:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong<strong> </strong>\r\n\r\nPublisher: Hatje Cantz Vertag\r\n\r\nISBN: 978-3-7757-2073-1\r\n\r\nEAN: 9782911596377\r\n\r\n<strong> INDIAN COLOUR</strong>, 2007\r\n\r\nText: Peter Nagy\r\n\r\nPublisher: Dal- seung Hwang, Keumsan Gallery\r\n\r\n<strong>INDIA</strong><strong> ARTE OGGI</strong>, 2007<strong> </strong>\r\n\r\n<strong> </strong>Text:  Daniela Palazzoli<strong> </strong>\r\n\r\nPublisher: Spazio Oberdan\r\n\r\nISBN: 978-88-202-1867-6\r\n\r\n<strong>URBAN MANNERS</strong>, 2007\r\n\r\nText: Adelina Von Furstenberg\r\n\r\n<strong> </strong>Publisher:  Hangar Bicocca\r\n\r\n<strong>INTERNATIONAL  INCHEON WOMEN ARTISTS BIENNALE, </strong>\r\n\r\n<strong> KNOCKING ON THE DOOR</strong>,  2007\r\n\r\n<strong> </strong>Text:  Sung Hee Kim, John C. Welchman<strong> </strong>\r\n\r\nPublisher: Incheon Culture and Art Centre\r\n\r\n<strong>SOFT  POWER: ASIAN ATTITUDE</strong>,  2007<strong> </strong>\r\n\r\n<strong> </strong>Text:  Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\n\r\nPublisher: Shanghai  Zendai Mumsem of Modern Art\r\n\r\nISBN: 978-7-5356-2790-2\r\n\r\n<strong>INDIA</strong><strong> EXPRESS- ART AND POPULAR CULTURE</strong>, 2006\r\n\r\n<strong> </strong>Text: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze,\r\n\r\nPublisher: Helsinki  City Art  Museum\r\n\r\nISBN: 951-8965-61-7\r\n\r\n<strong>BOMBAY</strong><strong> L’ALBUM MAXIMUM CITY</strong>, 2006\r\n\r\nText: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\n\r\nPublisher: Terrail, Lille 3000\r\n\r\nISBN:  2-87939-325-6<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>INDIAN PAINTINGS  OF THE NEW MILLENNIUM</strong>, 2005\r\n\r\n<strong> </strong>Text: Helen Asquine  Fazio, Gayatri Sinha<strong> </strong>\r\n\r\n<strong> </strong>Publisher: Quick Arts Center, Fairfield University\r\n\r\n<strong>A GUIDE TO 101 MODERN &amp; CONTEMPORARY INDIAN ARTISTS</strong>, 2005\r\n\r\n<strong> </strong>Text: Amrita  Jhaveri\r\n\r\nPublisher: India  Book House\r\n\r\nISBN: 81-7508-423-5\r\n\r\n<strong>ZOOM! ART IN  CONTEMPORARY INDIA</strong>, 2004\r\n\r\n<strong> </strong>Texts:  Luis Serpa and Nancy Adajania<strong> </strong>\r\n\r\n<strong> </strong>Publisher: The Culturgest Museum\r\n\r\nISBN: 972-769-033-5\r\n\r\n<strong>INTERLUDE IN SRI   LANKA</strong>, 2004<strong> </strong>\r\n\r\n<strong> </strong>Text:  Ranjit Hoskote, Nancy Adajania<strong> </strong>\r\n\r\n<strong> </strong>Publisher:  The Guild  Art Gallery\r\n\r\n<strong>GENERATION I</strong>, 2004\r\n\r\nText: Zehra Jumabhoy<strong> </strong>\r\n\r\n<strong> </strong>Publisher:<strong> </strong>Saffronart &amp; The Guild Art Gallery\r\n\r\n<strong>TIRANGA  RIGHTS AND REPONSIBILITIES</strong>,  2003<strong> </strong>\r\n\r\nText: Peter Nagy<strong> </strong>\r\n\r\n<strong> </strong>Publisher: Jindal  Foundation &amp; Creative Arts\r\n\r\n<strong>HARD COPY</strong>, 2003\r\n\r\nText: Peter Nagy\r\n\r\n<strong> </strong>Publisher: Gallery 88\r\n\r\n<strong> </strong><strong>CROSSING  GENERATIONS: DIVERGE</strong><strong>, </strong>2003\r\n\r\n<strong> </strong>Text:  Geeta Kapoor and Chaitanya Sambrani<strong> </strong>\r\n\r\n<strong> </strong>Publisher:<strong> </strong>Gallery Chemould\r\n\r\nPRESS  <strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong><em> </em></strong>\r\n\r\n<strong>THE ARCHIVES OF  THE HEART</strong> <strong> </strong>\r\n\r\nNancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\n\r\nFront Cover, pgs 42-45, 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>GLOBALE KUNST  MIT WURZELDUFT</strong>\r\n\r\nVon Almuth Speigler, Die Presse, Feuilleton, 2<sup>nd</sup> September 2009\r\n\r\n<strong>LANDSCAPES OF  LOSS</strong>\r\n\r\nBeth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>REINCARNATING  HISTORY</strong>\r\n\r\nThe Big Picture, Architect and Interiors, July 2009<strong> </strong>\r\n\r\n<strong>STAMP COLLECTION</strong>\r\n\r\nGeorgina Maddox, The Sunday Express, 17<sup>th</sup> May 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>EVOLVING BEYOND  BORDERS</strong>\r\n\r\nReshma S. Kulkarni, Bombay Times, Times of India,  15<sup>th</sup> January, 2009\r\n\r\n<strong>LO</strong><strong>SS AND FOUND</strong>\r\n\r\nMarina Correa, DNA, Mumbai, 22<sup>nd</sup> January 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>FOCUS INDIA</strong>\r\n\r\nMegha Ralapati, Flash Art, pg 114, January-February 2008\r\n\r\n<strong>COME TOGETHER  RIGHT NOW</strong>\r\n\r\nReema Gehi, HT Café, 15<sup>th</sup> February 2008\r\n\r\n<strong>SUCH A LONG  JOURNEY</strong>\r\n\r\nAparna S Sharma, Elle Magazine, pgs 115-117, February 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong>MORE THAN A  WOMAN</strong>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 4<sup>th</sup> February 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong>ARTIST OF THE  FORTNIGHT</strong>\r\n\r\nMaria Louis, Outlook Profit, pg 79, 18<sup>th</sup> April 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong>DEJA VIEW</strong>\r\n\r\nTara Khilachand, Live Mint, 20<sup>th</sup> December 2008\r\n\r\n<strong>TERROR STRUCK</strong>\r\n\r\nMaria Louis, Outlook Profit, 26<sup>th</sup> December 2008\r\n\r\n<strong>NAME CALLING</strong>\r\n\r\nDeepanjana Pal, Timeout Mumbai, December 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>CORRUPTIONS OF  POWER</strong>\r\n\r\nShiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99,  2007\r\n\r\n<strong>OVER THE RAINBOW</strong>\r\n\r\nMaria Louis, Interview, Verve Magazine, pg 78, November 2006\r\n\r\n<strong> </strong>\r\n\r\n<strong>IN A STATE OF PERENNIAL SIEGE</strong>\r\n\r\nNancy Adajania, The Hindu, Hyderabad, 29<sup>th</sup> October  2006\r\n\r\n<strong>HER CROWNING  ACHIEVEMENT</strong>\r\n\r\nClara Chow, The Straits Times, 18<sup>th</sup> November 2006\r\n\r\n<strong> </strong>\r\n\r\n<strong>POLITICAL CHAOS</strong>\r\n\r\nDeepali Nandwani,  Beautiful people, pg 143, November-December 2006\r\n\r\n<strong>WEAPONS OF MASS  CONSTRUCTION</strong>\r\n\r\nRituparna Som, DNA after Hrs, Mumbai, 9<sup>th</sup> October, 2006\r\n\r\n<strong> </strong>\r\n\r\n<strong> GUNS AND ROSES</strong>\r\n\r\nRachna Nakra, The Indian Express,  Mumbai Newsline, 18<sup>th</sup> September 2006\r\n\r\n<strong> UNDER ATTACK</strong>\r\n\r\nGitanjali Dang, HT Mumbai, 22<sup>nd</sup> September 2006\r\n\r\n<strong> TIME TRAVELLER</strong>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline,  27<sup>th</sup> June 2006      <strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>THE FLOWER AND  THE SWORD</strong>\r\n\r\nGirish Shahane, The Art News magazine of India,  pg 93, volume X issue I, 2004\r\n\r\n<strong>INDIA</strong><strong>’S TOP 100 ACHIEVERS</strong>\r\n\r\nSociety Magazine, pg 137, December 2004\r\n\r\n<strong>CAUGHT BETWEEEN  DEMONS</strong>\r\n\r\nNancy Adajania, The Hindu, 19<sup>th</sup> December  2004\r\n\r\n<strong>EN REISE TIL INDIA</strong>\r\n\r\nHarald Flor, Dagbladet, Kultur, 2<sup>nd</sup> February 2003\r\n\r\n<strong> </strong>\r\n\r\n<strong>SIGNS OF  RESISTANCE</strong>\r\n\r\nNancy Adajania, The Hindu, 5<sup>th</sup> January  2003\r\n\r\n<strong>OF THE GODDESS  AND DEMON IN THE MIND</strong>\r\n\r\nDebbie Rodgers, Sunday edition Vijay Times, Bangalore, 5<sup>th</sup> January 2003\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>EMPATHIC ANGER</strong>\r\n\r\nMarta Jakimowicz, Deccan Herald, 23<sup>rd</sup> December 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong>MYSORE</strong><strong> EK KHOJ</strong>\r\n\r\nCross Fertilization of Culture, Interview in Star of Mysore, 27<sup>th</sup> October 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong> LINKING ISLANDS</strong>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 15<sup>th</sup> February  2002\r\n\r\n<strong>CREATING TO  DESTROY</strong>\r\n\r\nJasmine Shah Varma, The List, Mid Day, 22<sup>nd</sup> February 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong>DIFFERENT  STROKES</strong>\r\n\r\nGeorgina L Maddox, The Indian Express, Mumbai Newsline,  24<sup>th</sup> July 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong>OF FAITH AND  HUNGER</strong>\r\n\r\nAbhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89,  December 2000\r\n\r\n<strong> </strong>\r\n\r\n<strong>THE MURMUR OF  SKIN</strong>\r\n\r\nNupur Mahajan, Bombay Times, Times  of India, 12<sup>th</sup> October 2000\r\n\r\n<strong>NOT JUST SKIN  DEEP</strong>\r\n\r\nJasmine Shah Varma, The List, Mid-day, 4<sup>th</sup> October 2000\r\n\r\n<strong>INSIDE OUT</strong>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 11<sup>th</sup> October  2000\r\n\r\n<strong>SCINTILLATING  SKIN</strong>\r\n\r\nVaibhav Purandare, The Asian Age, 14<sup>th</sup> October 2000\r\n\r\n<strong>AN ARTIST’S  WORLD: ROTI, MAKAAN &amp; ABSTRACT ART</strong>\r\n\r\nPoonam Goel, HT City, 23<sup>rd</sup> December 2000\r\n\r\n<strong> </strong>\r\n\r\n<strong>WITHIN YOU,  WITHOUT YOU</strong>\r\n\r\nAnu Kumar, Indian Express,  Express Newsline, 2<sup>nd</sup> September 1998\r\n\r\n<strong>FARMING INTRIRUE</strong>\r\n\r\nJerry Pinto, The Times of India, Bombay Times, 3<sup>rd</sup> September 1998\r\n\r\n<strong> </strong>\r\n\r\n<strong>INTERACTIVE  MEDIUM</strong>\r\n\r\nKaren Pereira, Indian  Architect &amp; Builder, pgs 102-104, October 1998','Publications','','inherit','open','open','','87-revision-44','','','2010-07-04 07:26:41','2010-07-04 07:26:41','',87,'http://www.biggventures.com/demo/artists/1331/uncat/87-revision-44',0,'revision','',0),(1332,1,'2010-07-04 07:31:00','2010-07-04 07:31:00','<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"58%\" align=\"centre\">\r\n<tbody>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\" width=\"40%><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"190\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Reena Saini Kallat</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2008</td>\r\n</tr>\r\n<tr>\r\n<td colspan=2><a href=\"http://www.reenakallat.com/reena-kallat\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"190\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Rainbow of Refuse</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2006</td>\r\n</tr>\r\n<tr>\r\n<td colspan=2><a href=\"http://www.reenakallat.com/rainbow-of-refuse\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"190\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Black Flute and Other Stories</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2004</td>\r\n</tr>\r\n<tr>\r\n<td colspan=2><a href=\"http://www.reenakallat.com/black-flute\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"190\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>The Battlefield Is The Mind</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2002</td>\r\n</tr>\r\n<tr>\r\n<td colspan=2><a href=\"http://www.reenakallat.com/battlefield-of-mind\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"190\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>SKIN</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2000</td>\r\n</tr>\r\n<tr>\r\n<td colspan=2><a href=\"http://www.reenakallat.com/skin\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"190\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Orchard of Home-grown Secrets</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>1998</td>\r\n</tr>\r\n<tr>\r\n<td colspan=2><a href=\"http://www.reenakallat.com/orchard-of-home-grown-screts\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<!-- Start of Other Publications -->\r\n<strong STYLE =\"color:#000000;\">BOOKS/  CATALOGUES </strong>\r\n<STYLE type=\"text/css\"> em {color:#000000}</style>\r\n<strong><em>SOLO  SHOWS</em></strong>\r\n<STYLE type=\"text/css\"> strong {color:#979797}</style>\r\n<strong><span style=\"text-decoration: underline;\"> </span></strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>REENA SAINI  KALLAT</strong>, 2009\r\n\r\nText: Nancy Adajania and Murtaza Vali\r\n\r\nPublisher: Primo Marella Gallery, Walsh Gallery and Chemould   Prescott Road\r\n\r\nISBN:  978-81-908879-1-5\r\n\r\n<strong>RAINBOW OF  REFUSE</strong>, 2006\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher: Bodhi Art Gallery\r\n\r\n<strong> </strong><strong>BLACK  FLUTE (AND OTHER STORIES)</strong>,<strong> </strong>2005\r\n\r\n<strong> BLACK FLUTE</strong>, 2004\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher: Gallery Chemould  and Nature Morte Gallery\r\n\r\n<strong>THE BATTLEFIELD  IS THE MIND</strong>, 2002<strong> </strong>\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher:  Sakshi Gallery\r\n\r\n<strong>SKIN</strong>,<strong> </strong>2000\r\n\r\nInterview with  Jitish Kallat\r\n\r\nPublisher:  Gallery Chemould and Vis-à-vis Art Inc. Gallery\r\n\r\n<strong>ORCHARD OF  HOME-GROWN SECRETS</strong>, 1998<strong> </strong>\r\n\r\nText: Ranjit Hoskote\r\n\r\nPublisher: Gallery Chemould and Pundole  Art Gallery\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong><em>GROUP  SHOWS</em></strong>\r\n\r\n<strong><em> </em></strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>NEVER RUN AWAY</strong>, 2010\r\n\r\nText: Shaheen  Merali\r\n\r\nPublisher: Stux Gallery\r\n\r\n<strong>URBAN MANNERS 2</strong>, 2010<strong><em> </em></strong>\r\n\r\nText: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\n\r\nPublisher: SESC Pompeia, Sao Paulo\r\n\r\n<strong> </strong>\r\n\r\n<strong>THE EMPIRE  STRIKES BACK</strong>, 2010<strong> </strong>\r\n\r\nText: Zehra Jumabhoy\r\n\r\nPublisher: Saatchi Gallery\r\n\r\n<strong> </strong><strong> </strong>\r\n\r\n<strong>VIEW POINTS AND  VIEWINGS POINTS- ASIAN ART BIENNALE</strong>, 2009<strong> </strong>\r\n\r\nText: Chao-yi-Tsai\r\n\r\nPublisher: National Taiwan Museum of fine Arts\r\n\r\n<strong>INDIA</strong><strong> XIANZAI:  CONTEMPORARY INDIAN ART</strong>,  2009\r\n\r\n<strong> </strong>Text: Jitish  Kallat, Diana Freundl, Alexander Keefe\r\n\r\nPublisher: Museum  of Contemporary  Art\r\n\r\n<strong>CHALO! INDIA: A  NEW ERA OF INDIAN ART</strong>, 2009<strong> </strong>\r\n\r\nText: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki, Miho\r\n\r\nTagomori\r\n\r\nPublisher: National Museum of Contemporary Art and Essl  Museum\r\n\r\nISBN: 978-3-7913-4304-4\r\n\r\n<strong>CHALO! INDIA: A NEW ERA OF INDIAN ART</strong>,  208<strong><em> </em></strong>\r\n\r\nText: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman\r\n\r\nGopinath, Jayaram, Deepak Ananth\r\n\r\nPublisher:  Mori Art Museum\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong><strong>INDIA</strong><strong> MODERNA</strong>, 2008<strong> </strong>\r\n\r\nText: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur,\r\n\r\nR.Siva  Kumar,  K.G. Subramanyan\r\n\r\nPublisher: IVAM (Institute Valencia D’Art Modern)\r\n\r\n<strong>EVERYWHERE IS  WAR (AND RUMOURS OF IT</strong>), 2008\r\n\r\n<strong> </strong>Text: Kai  Hafez, Martin  Hager,  Nicholas Mirzoeff, Daniel Miller,\r\n\r\nBregje van Eekelen\r\n\r\nPublisher: Bodhi Art  Gallery\r\n\r\n<strong>THREE POINTS OF  VIEWS</strong>, 2008\r\n\r\n<strong> </strong>Text:  Grant Watson\r\n\r\nPublisher: Galerie Mirchandani + Steinruecke\r\n\r\n<strong>NEW NARRATIVES</strong>, 2008\r\n\r\nText: Betty Seid<strong> </strong>\r\n\r\n<strong> </strong>Publisher:  Chicago  Cultural Center\r\n\r\n<strong> </strong><strong>MADE BY INDIANS</strong>, 2007\r\n\r\nText: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\n\r\nPublisher: Galerie Enrico Navarra\r\n\r\nISBN: 2-911596-37-4\r\n\r\n<strong>THERMOCLINE OF  ART: NEW ASIAN WAVES</strong>,  2007\r\n\r\n<strong> </strong>Text:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong<strong> </strong>\r\n\r\nPublisher: Hatje Cantz Vertag\r\n\r\nISBN: 978-3-7757-2073-1\r\n\r\nEAN: 9782911596377\r\n\r\n<strong> INDIAN COLOUR</strong>, 2007\r\n\r\nText: Peter Nagy\r\n\r\nPublisher: Dal- seung Hwang, Keumsan Gallery\r\n\r\n<strong>INDIA</strong><strong> ARTE OGGI</strong>, 2007<strong> </strong>\r\n\r\n<strong> </strong>Text:  Daniela Palazzoli<strong> </strong>\r\n\r\nPublisher: Spazio Oberdan\r\n\r\nISBN: 978-88-202-1867-6\r\n\r\n<strong>URBAN MANNERS</strong>, 2007\r\n\r\nText: Adelina Von Furstenberg\r\n\r\n<strong> </strong>Publisher:  Hangar Bicocca\r\n\r\n<strong>INTERNATIONAL  INCHEON WOMEN ARTISTS BIENNALE, </strong>\r\n\r\n<strong> KNOCKING ON THE DOOR</strong>,  2007\r\n\r\n<strong> </strong>Text:  Sung Hee Kim, John C. Welchman<strong> </strong>\r\n\r\nPublisher: Incheon Culture and Art Centre\r\n\r\n<strong>SOFT  POWER: ASIAN ATTITUDE</strong>,  2007<strong> </strong>\r\n\r\n<strong> </strong>Text:  Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\n\r\nPublisher: Shanghai  Zendai Mumsem of Modern Art\r\n\r\nISBN: 978-7-5356-2790-2\r\n\r\n<strong>INDIA</strong><strong> EXPRESS- ART AND POPULAR CULTURE</strong>, 2006\r\n\r\n<strong> </strong>Text: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze,\r\n\r\nPublisher: Helsinki  City Art  Museum\r\n\r\nISBN: 951-8965-61-7\r\n\r\n<strong>BOMBAY</strong><strong> L’ALBUM MAXIMUM CITY</strong>, 2006\r\n\r\nText: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\n\r\nPublisher: Terrail, Lille 3000\r\n\r\nISBN:  2-87939-325-6<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>INDIAN PAINTINGS  OF THE NEW MILLENNIUM</strong>, 2005\r\n\r\n<strong> </strong>Text: Helen Asquine  Fazio, Gayatri Sinha<strong> </strong>\r\n\r\n<strong> </strong>Publisher: Quick Arts Center, Fairfield University\r\n\r\n<strong>A GUIDE TO 101 MODERN &amp; CONTEMPORARY INDIAN ARTISTS</strong>, 2005\r\n\r\n<strong> </strong>Text: Amrita  Jhaveri\r\n\r\nPublisher: India  Book House\r\n\r\nISBN: 81-7508-423-5\r\n\r\n<strong>ZOOM! ART IN  CONTEMPORARY INDIA</strong>, 2004\r\n\r\n<strong> </strong>Texts:  Luis Serpa and Nancy Adajania<strong> </strong>\r\n\r\n<strong> </strong>Publisher: The Culturgest Museum\r\n\r\nISBN: 972-769-033-5\r\n\r\n<strong>INTERLUDE IN SRI   LANKA</strong>, 2004<strong> </strong>\r\n\r\n<strong> </strong>Text:  Ranjit Hoskote, Nancy Adajania<strong> </strong>\r\n\r\n<strong> </strong>Publisher:  The Guild  Art Gallery\r\n\r\n<strong>GENERATION I</strong>, 2004\r\n\r\nText: Zehra Jumabhoy<strong> </strong>\r\n\r\n<strong> </strong>Publisher:<strong> </strong>Saffronart &amp; The Guild Art Gallery\r\n\r\n<strong>TIRANGA  RIGHTS AND REPONSIBILITIES</strong>,  2003<strong> </strong>\r\n\r\nText: Peter Nagy<strong> </strong>\r\n\r\n<strong> </strong>Publisher: Jindal  Foundation &amp; Creative Arts\r\n\r\n<strong>HARD COPY</strong>, 2003\r\n\r\nText: Peter Nagy\r\n\r\n<strong> </strong>Publisher: Gallery 88\r\n\r\n<strong> </strong><strong>CROSSING  GENERATIONS: DIVERGE</strong><strong>, </strong>2003\r\n\r\n<strong> </strong>Text:  Geeta Kapoor and Chaitanya Sambrani<strong> </strong>\r\n\r\n<strong> </strong>Publisher:<strong> </strong>Gallery Chemould\r\n\r\nPRESS  <strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong><em> </em></strong>\r\n\r\n<strong>THE ARCHIVES OF  THE HEART</strong> <strong> </strong>\r\n\r\nNancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\n\r\nFront Cover, pgs 42-45, 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>GLOBALE KUNST  MIT WURZELDUFT</strong>\r\n\r\nVon Almuth Speigler, Die Presse, Feuilleton, 2<sup>nd</sup> September 2009\r\n\r\n<strong>LANDSCAPES OF  LOSS</strong>\r\n\r\nBeth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>REINCARNATING  HISTORY</strong>\r\n\r\nThe Big Picture, Architect and Interiors, July 2009<strong> </strong>\r\n\r\n<strong>STAMP COLLECTION</strong>\r\n\r\nGeorgina Maddox, The Sunday Express, 17<sup>th</sup> May 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>EVOLVING BEYOND  BORDERS</strong>\r\n\r\nReshma S. Kulkarni, Bombay Times, Times of India,  15<sup>th</sup> January, 2009\r\n\r\n<strong>LO</strong><strong>SS AND FOUND</strong>\r\n\r\nMarina Correa, DNA, Mumbai, 22<sup>nd</sup> January 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>FOCUS INDIA</strong>\r\n\r\nMegha Ralapati, Flash Art, pg 114, January-February 2008\r\n\r\n<strong>COME TOGETHER  RIGHT NOW</strong>\r\n\r\nReema Gehi, HT Café, 15<sup>th</sup> February 2008\r\n\r\n<strong>SUCH A LONG  JOURNEY</strong>\r\n\r\nAparna S Sharma, Elle Magazine, pgs 115-117, February 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong>MORE THAN A  WOMAN</strong>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 4<sup>th</sup> February 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong>ARTIST OF THE  FORTNIGHT</strong>\r\n\r\nMaria Louis, Outlook Profit, pg 79, 18<sup>th</sup> April 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong>DEJA VIEW</strong>\r\n\r\nTara Khilachand, Live Mint, 20<sup>th</sup> December 2008\r\n\r\n<strong>TERROR STRUCK</strong>\r\n\r\nMaria Louis, Outlook Profit, 26<sup>th</sup> December 2008\r\n\r\n<strong>NAME CALLING</strong>\r\n\r\nDeepanjana Pal, Timeout Mumbai, December 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>CORRUPTIONS OF  POWER</strong>\r\n\r\nShiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99,  2007\r\n\r\n<strong>OVER THE RAINBOW</strong>\r\n\r\nMaria Louis, Interview, Verve Magazine, pg 78, November 2006\r\n\r\n<strong> </strong>\r\n\r\n<strong>IN A STATE OF PERENNIAL SIEGE</strong>\r\n\r\nNancy Adajania, The Hindu, Hyderabad, 29<sup>th</sup> October  2006\r\n\r\n<strong>HER CROWNING  ACHIEVEMENT</strong>\r\n\r\nClara Chow, The Straits Times, 18<sup>th</sup> November 2006\r\n\r\n<strong> </strong>\r\n\r\n<strong>POLITICAL CHAOS</strong>\r\n\r\nDeepali Nandwani,  Beautiful people, pg 143, November-December 2006\r\n\r\n<strong>WEAPONS OF MASS  CONSTRUCTION</strong>\r\n\r\nRituparna Som, DNA after Hrs, Mumbai, 9<sup>th</sup> October, 2006\r\n\r\n<strong> </strong>\r\n\r\n<strong> GUNS AND ROSES</strong>\r\n\r\nRachna Nakra, The Indian Express,  Mumbai Newsline, 18<sup>th</sup> September 2006\r\n\r\n<strong> UNDER ATTACK</strong>\r\n\r\nGitanjali Dang, HT Mumbai, 22<sup>nd</sup> September 2006\r\n\r\n<strong> TIME TRAVELLER</strong>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline,  27<sup>th</sup> June 2006      <strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>THE FLOWER AND  THE SWORD</strong>\r\n\r\nGirish Shahane, The Art News magazine of India,  pg 93, volume X issue I, 2004\r\n\r\n<strong>INDIA</strong><strong>’S TOP 100 ACHIEVERS</strong>\r\n\r\nSociety Magazine, pg 137, December 2004\r\n\r\n<strong>CAUGHT BETWEEEN  DEMONS</strong>\r\n\r\nNancy Adajania, The Hindu, 19<sup>th</sup> December  2004\r\n\r\n<strong>EN REISE TIL INDIA</strong>\r\n\r\nHarald Flor, Dagbladet, Kultur, 2<sup>nd</sup> February 2003\r\n\r\n<strong> </strong>\r\n\r\n<strong>SIGNS OF  RESISTANCE</strong>\r\n\r\nNancy Adajania, The Hindu, 5<sup>th</sup> January  2003\r\n\r\n<strong>OF THE GODDESS  AND DEMON IN THE MIND</strong>\r\n\r\nDebbie Rodgers, Sunday edition Vijay Times, Bangalore, 5<sup>th</sup> January 2003\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>EMPATHIC ANGER</strong>\r\n\r\nMarta Jakimowicz, Deccan Herald, 23<sup>rd</sup> December 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong>MYSORE</strong><strong> EK KHOJ</strong>\r\n\r\nCross Fertilization of Culture, Interview in Star of Mysore, 27<sup>th</sup> October 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong> LINKING ISLANDS</strong>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 15<sup>th</sup> February  2002\r\n\r\n<strong>CREATING TO  DESTROY</strong>\r\n\r\nJasmine Shah Varma, The List, Mid Day, 22<sup>nd</sup> February 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong>DIFFERENT  STROKES</strong>\r\n\r\nGeorgina L Maddox, The Indian Express, Mumbai Newsline,  24<sup>th</sup> July 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong>OF FAITH AND  HUNGER</strong>\r\n\r\nAbhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89,  December 2000\r\n\r\n<strong> </strong>\r\n\r\n<strong>THE MURMUR OF  SKIN</strong>\r\n\r\nNupur Mahajan, Bombay Times, Times  of India, 12<sup>th</sup> October 2000\r\n\r\n<strong>NOT JUST SKIN  DEEP</strong>\r\n\r\nJasmine Shah Varma, The List, Mid-day, 4<sup>th</sup> October 2000\r\n\r\n<strong>INSIDE OUT</strong>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 11<sup>th</sup> October  2000\r\n\r\n<strong>SCINTILLATING  SKIN</strong>\r\n\r\nVaibhav Purandare, The Asian Age, 14<sup>th</sup> October 2000\r\n\r\n<strong>AN ARTIST’S  WORLD: ROTI, MAKAAN &amp; ABSTRACT ART</strong>\r\n\r\nPoonam Goel, HT City, 23<sup>rd</sup> December 2000\r\n\r\n<strong> </strong>\r\n\r\n<strong>WITHIN YOU,  WITHOUT YOU</strong>\r\n\r\nAnu Kumar, Indian Express,  Express Newsline, 2<sup>nd</sup> September 1998\r\n\r\n<strong>FARMING INTRIRUE</strong>\r\n\r\nJerry Pinto, The Times of India, Bombay Times, 3<sup>rd</sup> September 1998\r\n\r\n<strong> </strong>\r\n\r\n<strong>INTERACTIVE  MEDIUM</strong>\r\n\r\nKaren Pereira, Indian  Architect &amp; Builder, pgs 102-104, October 1998','Publications','','inherit','open','open','','87-revision-45','','','2010-07-04 07:31:00','2010-07-04 07:31:00','',87,'http://www.biggventures.com/demo/artists/1332/uncat/87-revision-45',0,'revision','',0),(1333,1,'2010-07-04 07:32:04','2010-07-04 07:32:04','<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"58%\" align=\"centre\">\r\n<tbody>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\" width=\"40%\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"190\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Reena Saini Kallat</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2008</td>\r\n</tr>\r\n<tr>\r\n<td colspan=2><a href=\"http://www.reenakallat.com/reena-kallat\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"190\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Rainbow of Refuse</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2006</td>\r\n</tr>\r\n<tr>\r\n<td colspan=2><a href=\"http://www.reenakallat.com/rainbow-of-refuse\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"190\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Black Flute and Other Stories</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2004</td>\r\n</tr>\r\n<tr>\r\n<td colspan=2><a href=\"http://www.reenakallat.com/black-flute\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"190\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>The Battlefield Is The Mind</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2002</td>\r\n</tr>\r\n<tr>\r\n<td colspan=2><a href=\"http://www.reenakallat.com/battlefield-of-mind\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"190\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>SKIN</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2000</td>\r\n</tr>\r\n<tr>\r\n<td colspan=2><a href=\"http://www.reenakallat.com/skin\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"190\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Orchard of Home-grown Secrets</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>1998</td>\r\n</tr>\r\n<tr>\r\n<td colspan=2><a href=\"http://www.reenakallat.com/orchard-of-home-grown-screts\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<!-- Start of Other Publications -->\r\n<strong STYLE =\"color:#000000;\">BOOKS/  CATALOGUES </strong>\r\n<STYLE type=\"text/css\"> em {color:#000000}</style>\r\n<strong><em>SOLO  SHOWS</em></strong>\r\n<STYLE type=\"text/css\"> strong {color:#979797}</style>\r\n<strong><span style=\"text-decoration: underline;\"> </span></strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>REENA SAINI  KALLAT</strong>, 2009\r\n\r\nText: Nancy Adajania and Murtaza Vali\r\n\r\nPublisher: Primo Marella Gallery, Walsh Gallery and Chemould   Prescott Road\r\n\r\nISBN:  978-81-908879-1-5\r\n\r\n<strong>RAINBOW OF  REFUSE</strong>, 2006\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher: Bodhi Art Gallery\r\n\r\n<strong> </strong><strong>BLACK  FLUTE (AND OTHER STORIES)</strong>,<strong> </strong>2005\r\n\r\n<strong> BLACK FLUTE</strong>, 2004\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher: Gallery Chemould  and Nature Morte Gallery\r\n\r\n<strong>THE BATTLEFIELD  IS THE MIND</strong>, 2002<strong> </strong>\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher:  Sakshi Gallery\r\n\r\n<strong>SKIN</strong>,<strong> </strong>2000\r\n\r\nInterview with  Jitish Kallat\r\n\r\nPublisher:  Gallery Chemould and Vis-à-vis Art Inc. Gallery\r\n\r\n<strong>ORCHARD OF  HOME-GROWN SECRETS</strong>, 1998<strong> </strong>\r\n\r\nText: Ranjit Hoskote\r\n\r\nPublisher: Gallery Chemould and Pundole  Art Gallery\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong><em>GROUP  SHOWS</em></strong>\r\n\r\n<strong><em> </em></strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>NEVER RUN AWAY</strong>, 2010\r\n\r\nText: Shaheen  Merali\r\n\r\nPublisher: Stux Gallery\r\n\r\n<strong>URBAN MANNERS 2</strong>, 2010<strong><em> </em></strong>\r\n\r\nText: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\n\r\nPublisher: SESC Pompeia, Sao Paulo\r\n\r\n<strong> </strong>\r\n\r\n<strong>THE EMPIRE  STRIKES BACK</strong>, 2010<strong> </strong>\r\n\r\nText: Zehra Jumabhoy\r\n\r\nPublisher: Saatchi Gallery\r\n\r\n<strong> </strong><strong> </strong>\r\n\r\n<strong>VIEW POINTS AND  VIEWINGS POINTS- ASIAN ART BIENNALE</strong>, 2009<strong> </strong>\r\n\r\nText: Chao-yi-Tsai\r\n\r\nPublisher: National Taiwan Museum of fine Arts\r\n\r\n<strong>INDIA</strong><strong> XIANZAI:  CONTEMPORARY INDIAN ART</strong>,  2009\r\n\r\n<strong> </strong>Text: Jitish  Kallat, Diana Freundl, Alexander Keefe\r\n\r\nPublisher: Museum  of Contemporary  Art\r\n\r\n<strong>CHALO! INDIA: A  NEW ERA OF INDIAN ART</strong>, 2009<strong> </strong>\r\n\r\nText: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki, Miho\r\n\r\nTagomori\r\n\r\nPublisher: National Museum of Contemporary Art and Essl  Museum\r\n\r\nISBN: 978-3-7913-4304-4\r\n\r\n<strong>CHALO! INDIA: A NEW ERA OF INDIAN ART</strong>,  208<strong><em> </em></strong>\r\n\r\nText: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman\r\n\r\nGopinath, Jayaram, Deepak Ananth\r\n\r\nPublisher:  Mori Art Museum\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong><strong>INDIA</strong><strong> MODERNA</strong>, 2008<strong> </strong>\r\n\r\nText: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur,\r\n\r\nR.Siva  Kumar,  K.G. Subramanyan\r\n\r\nPublisher: IVAM (Institute Valencia D’Art Modern)\r\n\r\n<strong>EVERYWHERE IS  WAR (AND RUMOURS OF IT</strong>), 2008\r\n\r\n<strong> </strong>Text: Kai  Hafez, Martin  Hager,  Nicholas Mirzoeff, Daniel Miller,\r\n\r\nBregje van Eekelen\r\n\r\nPublisher: Bodhi Art  Gallery\r\n\r\n<strong>THREE POINTS OF  VIEWS</strong>, 2008\r\n\r\n<strong> </strong>Text:  Grant Watson\r\n\r\nPublisher: Galerie Mirchandani + Steinruecke\r\n\r\n<strong>NEW NARRATIVES</strong>, 2008\r\n\r\nText: Betty Seid<strong> </strong>\r\n\r\n<strong> </strong>Publisher:  Chicago  Cultural Center\r\n\r\n<strong> </strong><strong>MADE BY INDIANS</strong>, 2007\r\n\r\nText: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\n\r\nPublisher: Galerie Enrico Navarra\r\n\r\nISBN: 2-911596-37-4\r\n\r\n<strong>THERMOCLINE OF  ART: NEW ASIAN WAVES</strong>,  2007\r\n\r\n<strong> </strong>Text:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong<strong> </strong>\r\n\r\nPublisher: Hatje Cantz Vertag\r\n\r\nISBN: 978-3-7757-2073-1\r\n\r\nEAN: 9782911596377\r\n\r\n<strong> INDIAN COLOUR</strong>, 2007\r\n\r\nText: Peter Nagy\r\n\r\nPublisher: Dal- seung Hwang, Keumsan Gallery\r\n\r\n<strong>INDIA</strong><strong> ARTE OGGI</strong>, 2007<strong> </strong>\r\n\r\n<strong> </strong>Text:  Daniela Palazzoli<strong> </strong>\r\n\r\nPublisher: Spazio Oberdan\r\n\r\nISBN: 978-88-202-1867-6\r\n\r\n<strong>URBAN MANNERS</strong>, 2007\r\n\r\nText: Adelina Von Furstenberg\r\n\r\n<strong> </strong>Publisher:  Hangar Bicocca\r\n\r\n<strong>INTERNATIONAL  INCHEON WOMEN ARTISTS BIENNALE, </strong>\r\n\r\n<strong> KNOCKING ON THE DOOR</strong>,  2007\r\n\r\n<strong> </strong>Text:  Sung Hee Kim, John C. Welchman<strong> </strong>\r\n\r\nPublisher: Incheon Culture and Art Centre\r\n\r\n<strong>SOFT  POWER: ASIAN ATTITUDE</strong>,  2007<strong> </strong>\r\n\r\n<strong> </strong>Text:  Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\n\r\nPublisher: Shanghai  Zendai Mumsem of Modern Art\r\n\r\nISBN: 978-7-5356-2790-2\r\n\r\n<strong>INDIA</strong><strong> EXPRESS- ART AND POPULAR CULTURE</strong>, 2006\r\n\r\n<strong> </strong>Text: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze,\r\n\r\nPublisher: Helsinki  City Art  Museum\r\n\r\nISBN: 951-8965-61-7\r\n\r\n<strong>BOMBAY</strong><strong> L’ALBUM MAXIMUM CITY</strong>, 2006\r\n\r\nText: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\n\r\nPublisher: Terrail, Lille 3000\r\n\r\nISBN:  2-87939-325-6<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>INDIAN PAINTINGS  OF THE NEW MILLENNIUM</strong>, 2005\r\n\r\n<strong> </strong>Text: Helen Asquine  Fazio, Gayatri Sinha<strong> </strong>\r\n\r\n<strong> </strong>Publisher: Quick Arts Center, Fairfield University\r\n\r\n<strong>A GUIDE TO 101 MODERN &amp; CONTEMPORARY INDIAN ARTISTS</strong>, 2005\r\n\r\n<strong> </strong>Text: Amrita  Jhaveri\r\n\r\nPublisher: India  Book House\r\n\r\nISBN: 81-7508-423-5\r\n\r\n<strong>ZOOM! ART IN  CONTEMPORARY INDIA</strong>, 2004\r\n\r\n<strong> </strong>Texts:  Luis Serpa and Nancy Adajania<strong> </strong>\r\n\r\n<strong> </strong>Publisher: The Culturgest Museum\r\n\r\nISBN: 972-769-033-5\r\n\r\n<strong>INTERLUDE IN SRI   LANKA</strong>, 2004<strong> </strong>\r\n\r\n<strong> </strong>Text:  Ranjit Hoskote, Nancy Adajania<strong> </strong>\r\n\r\n<strong> </strong>Publisher:  The Guild  Art Gallery\r\n\r\n<strong>GENERATION I</strong>, 2004\r\n\r\nText: Zehra Jumabhoy<strong> </strong>\r\n\r\n<strong> </strong>Publisher:<strong> </strong>Saffronart &amp; The Guild Art Gallery\r\n\r\n<strong>TIRANGA  RIGHTS AND REPONSIBILITIES</strong>,  2003<strong> </strong>\r\n\r\nText: Peter Nagy<strong> </strong>\r\n\r\n<strong> </strong>Publisher: Jindal  Foundation &amp; Creative Arts\r\n\r\n<strong>HARD COPY</strong>, 2003\r\n\r\nText: Peter Nagy\r\n\r\n<strong> </strong>Publisher: Gallery 88\r\n\r\n<strong> </strong><strong>CROSSING  GENERATIONS: DIVERGE</strong><strong>, </strong>2003\r\n\r\n<strong> </strong>Text:  Geeta Kapoor and Chaitanya Sambrani<strong> </strong>\r\n\r\n<strong> </strong>Publisher:<strong> </strong>Gallery Chemould\r\n\r\nPRESS  <strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong><em> </em></strong>\r\n\r\n<strong>THE ARCHIVES OF  THE HEART</strong> <strong> </strong>\r\n\r\nNancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\n\r\nFront Cover, pgs 42-45, 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>GLOBALE KUNST  MIT WURZELDUFT</strong>\r\n\r\nVon Almuth Speigler, Die Presse, Feuilleton, 2<sup>nd</sup> September 2009\r\n\r\n<strong>LANDSCAPES OF  LOSS</strong>\r\n\r\nBeth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>REINCARNATING  HISTORY</strong>\r\n\r\nThe Big Picture, Architect and Interiors, July 2009<strong> </strong>\r\n\r\n<strong>STAMP COLLECTION</strong>\r\n\r\nGeorgina Maddox, The Sunday Express, 17<sup>th</sup> May 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>EVOLVING BEYOND  BORDERS</strong>\r\n\r\nReshma S. Kulkarni, Bombay Times, Times of India,  15<sup>th</sup> January, 2009\r\n\r\n<strong>LO</strong><strong>SS AND FOUND</strong>\r\n\r\nMarina Correa, DNA, Mumbai, 22<sup>nd</sup> January 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>FOCUS INDIA</strong>\r\n\r\nMegha Ralapati, Flash Art, pg 114, January-February 2008\r\n\r\n<strong>COME TOGETHER  RIGHT NOW</strong>\r\n\r\nReema Gehi, HT Café, 15<sup>th</sup> February 2008\r\n\r\n<strong>SUCH A LONG  JOURNEY</strong>\r\n\r\nAparna S Sharma, Elle Magazine, pgs 115-117, February 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong>MORE THAN A  WOMAN</strong>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 4<sup>th</sup> February 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong>ARTIST OF THE  FORTNIGHT</strong>\r\n\r\nMaria Louis, Outlook Profit, pg 79, 18<sup>th</sup> April 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong>DEJA VIEW</strong>\r\n\r\nTara Khilachand, Live Mint, 20<sup>th</sup> December 2008\r\n\r\n<strong>TERROR STRUCK</strong>\r\n\r\nMaria Louis, Outlook Profit, 26<sup>th</sup> December 2008\r\n\r\n<strong>NAME CALLING</strong>\r\n\r\nDeepanjana Pal, Timeout Mumbai, December 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>CORRUPTIONS OF  POWER</strong>\r\n\r\nShiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99,  2007\r\n\r\n<strong>OVER THE RAINBOW</strong>\r\n\r\nMaria Louis, Interview, Verve Magazine, pg 78, November 2006\r\n\r\n<strong> </strong>\r\n\r\n<strong>IN A STATE OF PERENNIAL SIEGE</strong>\r\n\r\nNancy Adajania, The Hindu, Hyderabad, 29<sup>th</sup> October  2006\r\n\r\n<strong>HER CROWNING  ACHIEVEMENT</strong>\r\n\r\nClara Chow, The Straits Times, 18<sup>th</sup> November 2006\r\n\r\n<strong> </strong>\r\n\r\n<strong>POLITICAL CHAOS</strong>\r\n\r\nDeepali Nandwani,  Beautiful people, pg 143, November-December 2006\r\n\r\n<strong>WEAPONS OF MASS  CONSTRUCTION</strong>\r\n\r\nRituparna Som, DNA after Hrs, Mumbai, 9<sup>th</sup> October, 2006\r\n\r\n<strong> </strong>\r\n\r\n<strong> GUNS AND ROSES</strong>\r\n\r\nRachna Nakra, The Indian Express,  Mumbai Newsline, 18<sup>th</sup> September 2006\r\n\r\n<strong> UNDER ATTACK</strong>\r\n\r\nGitanjali Dang, HT Mumbai, 22<sup>nd</sup> September 2006\r\n\r\n<strong> TIME TRAVELLER</strong>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline,  27<sup>th</sup> June 2006      <strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>THE FLOWER AND  THE SWORD</strong>\r\n\r\nGirish Shahane, The Art News magazine of India,  pg 93, volume X issue I, 2004\r\n\r\n<strong>INDIA</strong><strong>’S TOP 100 ACHIEVERS</strong>\r\n\r\nSociety Magazine, pg 137, December 2004\r\n\r\n<strong>CAUGHT BETWEEEN  DEMONS</strong>\r\n\r\nNancy Adajania, The Hindu, 19<sup>th</sup> December  2004\r\n\r\n<strong>EN REISE TIL INDIA</strong>\r\n\r\nHarald Flor, Dagbladet, Kultur, 2<sup>nd</sup> February 2003\r\n\r\n<strong> </strong>\r\n\r\n<strong>SIGNS OF  RESISTANCE</strong>\r\n\r\nNancy Adajania, The Hindu, 5<sup>th</sup> January  2003\r\n\r\n<strong>OF THE GODDESS  AND DEMON IN THE MIND</strong>\r\n\r\nDebbie Rodgers, Sunday edition Vijay Times, Bangalore, 5<sup>th</sup> January 2003\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>EMPATHIC ANGER</strong>\r\n\r\nMarta Jakimowicz, Deccan Herald, 23<sup>rd</sup> December 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong>MYSORE</strong><strong> EK KHOJ</strong>\r\n\r\nCross Fertilization of Culture, Interview in Star of Mysore, 27<sup>th</sup> October 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong> LINKING ISLANDS</strong>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 15<sup>th</sup> February  2002\r\n\r\n<strong>CREATING TO  DESTROY</strong>\r\n\r\nJasmine Shah Varma, The List, Mid Day, 22<sup>nd</sup> February 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong>DIFFERENT  STROKES</strong>\r\n\r\nGeorgina L Maddox, The Indian Express, Mumbai Newsline,  24<sup>th</sup> July 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong>OF FAITH AND  HUNGER</strong>\r\n\r\nAbhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89,  December 2000\r\n\r\n<strong> </strong>\r\n\r\n<strong>THE MURMUR OF  SKIN</strong>\r\n\r\nNupur Mahajan, Bombay Times, Times  of India, 12<sup>th</sup> October 2000\r\n\r\n<strong>NOT JUST SKIN  DEEP</strong>\r\n\r\nJasmine Shah Varma, The List, Mid-day, 4<sup>th</sup> October 2000\r\n\r\n<strong>INSIDE OUT</strong>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 11<sup>th</sup> October  2000\r\n\r\n<strong>SCINTILLATING  SKIN</strong>\r\n\r\nVaibhav Purandare, The Asian Age, 14<sup>th</sup> October 2000\r\n\r\n<strong>AN ARTIST’S  WORLD: ROTI, MAKAAN &amp; ABSTRACT ART</strong>\r\n\r\nPoonam Goel, HT City, 23<sup>rd</sup> December 2000\r\n\r\n<strong> </strong>\r\n\r\n<strong>WITHIN YOU,  WITHOUT YOU</strong>\r\n\r\nAnu Kumar, Indian Express,  Express Newsline, 2<sup>nd</sup> September 1998\r\n\r\n<strong>FARMING INTRIRUE</strong>\r\n\r\nJerry Pinto, The Times of India, Bombay Times, 3<sup>rd</sup> September 1998\r\n\r\n<strong> </strong>\r\n\r\n<strong>INTERACTIVE  MEDIUM</strong>\r\n\r\nKaren Pereira, Indian  Architect &amp; Builder, pgs 102-104, October 1998','Publications','','inherit','open','open','','87-revision-46','','','2010-07-04 07:32:04','2010-07-04 07:32:04','',87,'http://www.biggventures.com/demo/artists/1333/uncat/87-revision-46',0,'revision','',0),(1342,1,'2010-07-04 10:53:36','2010-07-04 10:53:36','<table style=\"margin-left: 5px;\" border=\"0\" cellspacing=\"0\" cellpadding=\"0\" width=\"58%\" align=\"centre\">\r\n<tbody>\r\n<tr>\r\n<td width=\"35%\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Reena Saini Kallat</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2008</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/reena-kallat\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Rainbow of Refuse</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2006</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/rainbow-of-refuse\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Black Flute and Other Stories</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2004</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/black-flute\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>The Battlefield Is The Mind</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2002</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/battlefield-of-mind\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>SKIN</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2000</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/skin\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Orchard of Home-grown Secrets</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>1998</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/orchard-of-home-grown-screts\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<!-- Start of Other Publications -->\r\n<strong>BOOKS/  CATALOGUES </strong>\r\n<!--  em {color:#000000} -->\r\n<!--  strong {color:#979797} -->\r\n<strong><span style=\"text-decoration: underline;\"> </span></strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>REENA SAINI  KALLAT</strong>, 2009\r\n\r\nText: Nancy Adajania and Murtaza Vali\r\n\r\nPublisher: Primo Marella Gallery, Walsh Gallery and Chemould   Prescott Road\r\n\r\nISBN:  978-81-908879-1-5\r\n\r\n<strong>RAINBOW OF  REFUSE</strong>, 2006\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher: Bodhi Art Gallery\r\n\r\n<strong> </strong><strong>BLACK  FLUTE (AND OTHER STORIES)</strong>,<strong> </strong>2005\r\n\r\n<strong> BLACK FLUTE</strong>, 2004\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher: Gallery Chemould  and Nature Morte Gallery\r\n\r\n<strong>THE BATTLEFIELD  IS THE MIND</strong>, 2002<strong> </strong>\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher:  Sakshi Gallery\r\n\r\n<strong>SKIN</strong>,<strong> </strong>2000\r\n\r\nInterview with  Jitish Kallat\r\n\r\nPublisher:  Gallery Chemould and Vis-à-vis Art Inc. Gallery\r\n\r\n<strong>ORCHARD OF  HOME-GROWN SECRETS</strong>, 1998<strong> </strong>\r\n\r\nText: Ranjit Hoskote\r\n\r\nPublisher: Gallery Chemould and Pundole  Art Gallery\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong><em>GROUP  SHOWS</em></strong>\r\n\r\n<strong><em> </em></strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>NEVER RUN AWAY</strong>, 2010\r\n\r\nText: Shaheen  Merali\r\n\r\nPublisher: Stux Gallery\r\n\r\n<strong>URBAN MANNERS 2</strong>, 2010<strong><em> </em></strong>\r\n\r\nText: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\n\r\nPublisher: SESC Pompeia, Sao Paulo\r\n\r\n<strong> </strong>\r\n\r\n<strong>THE EMPIRE  STRIKES BACK</strong>, 2010<strong> </strong>\r\n\r\nText: Zehra Jumabhoy\r\n\r\nPublisher: Saatchi Gallery\r\n\r\n<strong> </strong><strong> </strong>\r\n\r\n<strong>VIEW POINTS AND  VIEWINGS POINTS- ASIAN ART BIENNALE</strong>, 2009<strong> </strong>\r\n\r\nText: Chao-yi-Tsai\r\n\r\nPublisher: National Taiwan Museum of fine Arts\r\n\r\n<strong>INDIA</strong><strong> XIANZAI:  CONTEMPORARY INDIAN ART</strong>,  2009\r\n\r\n<strong> </strong>Text: Jitish  Kallat, Diana Freundl, Alexander Keefe\r\n\r\nPublisher: Museum  of Contemporary  Art\r\n\r\n<strong>CHALO! INDIA: A  NEW ERA OF INDIAN ART</strong>, 2009<strong> </strong>\r\n\r\nText: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki, Miho\r\n\r\nTagomori\r\n\r\nPublisher: National Museum of Contemporary Art and Essl  Museum\r\n\r\nISBN: 978-3-7913-4304-4\r\n\r\n<strong>CHALO! INDIA: A NEW ERA OF INDIAN ART</strong>,  208<strong><em> </em></strong>\r\n\r\nText: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman\r\n\r\nGopinath, Jayaram, Deepak Ananth\r\n\r\nPublisher:  Mori Art Museum\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong><strong>INDIA</strong><strong> MODERNA</strong>, 2008<strong> </strong>\r\n\r\nText: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur,\r\n\r\nR.Siva  Kumar,  K.G. Subramanyan\r\n\r\nPublisher: IVAM (Institute Valencia D’Art Modern)\r\n\r\n<strong>EVERYWHERE IS  WAR (AND RUMOURS OF IT</strong>), 2008\r\n\r\n<strong> </strong>Text: Kai  Hafez, Martin  Hager,  Nicholas Mirzoeff, Daniel Miller,\r\n\r\nBregje van Eekelen\r\n\r\nPublisher: Bodhi Art  Gallery\r\n\r\n<strong>THREE POINTS OF  VIEWS</strong>, 2008\r\n\r\n<strong> </strong>Text:  Grant Watson\r\n\r\nPublisher: Galerie Mirchandani + Steinruecke\r\n\r\n<strong>NEW NARRATIVES</strong>, 2008\r\n\r\nText: Betty Seid<strong> </strong>\r\n\r\n<strong> </strong>Publisher:  Chicago  Cultural Center\r\n\r\n<strong> </strong><strong>MADE BY INDIANS</strong>, 2007\r\n\r\nText: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\n\r\nPublisher: Galerie Enrico Navarra\r\n\r\nISBN: 2-911596-37-4\r\n\r\n<strong>THERMOCLINE OF  ART: NEW ASIAN WAVES</strong>,  2007\r\n\r\n<strong> </strong>Text:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong<strong> </strong>\r\n\r\nPublisher: Hatje Cantz Vertag\r\n\r\nISBN: 978-3-7757-2073-1\r\n\r\nEAN: 9782911596377\r\n\r\n<strong> INDIAN COLOUR</strong>, 2007\r\n\r\nText: Peter Nagy\r\n\r\nPublisher: Dal- seung Hwang, Keumsan Gallery\r\n\r\n<strong>INDIA</strong><strong> ARTE OGGI</strong>, 2007<strong> </strong>\r\n\r\n<strong> </strong>Text:  Daniela Palazzoli<strong> </strong>\r\n\r\nPublisher: Spazio Oberdan\r\n\r\nISBN: 978-88-202-1867-6\r\n\r\n<strong>URBAN MANNERS</strong>, 2007\r\n\r\nText: Adelina Von Furstenberg\r\n\r\n<strong> </strong>Publisher:  Hangar Bicocca\r\n\r\n<strong>INTERNATIONAL  INCHEON WOMEN ARTISTS BIENNALE, </strong>\r\n\r\n<strong> KNOCKING ON THE DOOR</strong>,  2007\r\n\r\n<strong> </strong>Text:  Sung Hee Kim, John C. Welchman<strong> </strong>\r\n\r\nPublisher: Incheon Culture and Art Centre\r\n\r\n<strong>SOFT  POWER: ASIAN ATTITUDE</strong>,  2007<strong> </strong>\r\n\r\n<strong> </strong>Text:  Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\n\r\nPublisher: Shanghai  Zendai Mumsem of Modern Art\r\n\r\nISBN: 978-7-5356-2790-2\r\n\r\n<strong>INDIA</strong><strong> EXPRESS- ART AND POPULAR CULTURE</strong>, 2006\r\n\r\n<strong> </strong>Text: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze,\r\n\r\nPublisher: Helsinki  City Art  Museum\r\n\r\nISBN: 951-8965-61-7\r\n\r\n<strong>BOMBAY</strong><strong> L’ALBUM MAXIMUM CITY</strong>, 2006\r\n\r\nText: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\n\r\nPublisher: Terrail, Lille 3000\r\n\r\nISBN:  2-87939-325-6<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>INDIAN PAINTINGS  OF THE NEW MILLENNIUM</strong>, 2005\r\n\r\n<strong> </strong>Text: Helen Asquine  Fazio, Gayatri Sinha<strong> </strong>\r\n\r\n<strong> </strong>Publisher: Quick Arts Center, Fairfield University\r\n\r\n<strong>A GUIDE TO 101 MODERN &amp; CONTEMPORARY INDIAN ARTISTS</strong>, 2005\r\n\r\n<strong> </strong>Text: Amrita  Jhaveri\r\n\r\nPublisher: India  Book House\r\n\r\nISBN: 81-7508-423-5\r\n\r\n<strong>ZOOM! ART IN  CONTEMPORARY INDIA</strong>, 2004\r\n\r\n<strong> </strong>Texts:  Luis Serpa and Nancy Adajania<strong> </strong>\r\n\r\n<strong> </strong>Publisher: The Culturgest Museum\r\n\r\nISBN: 972-769-033-5\r\n\r\n<strong>INTERLUDE IN SRI   LANKA</strong>, 2004<strong> </strong>\r\n\r\n<strong> </strong>Text:  Ranjit Hoskote, Nancy Adajania<strong> </strong>\r\n\r\n<strong> </strong>Publisher:  The Guild  Art Gallery\r\n\r\n<strong>GENERATION I</strong>, 2004\r\n\r\nText: Zehra Jumabhoy<strong> </strong>\r\n\r\n<strong> </strong>Publisher:<strong> </strong>Saffronart &amp; The Guild Art Gallery\r\n\r\n<strong>TIRANGA  RIGHTS AND REPONSIBILITIES</strong>,  2003<strong> </strong>\r\n\r\nText: Peter Nagy<strong> </strong>\r\n\r\n<strong> </strong>Publisher: Jindal  Foundation &amp; Creative Arts\r\n\r\n<strong>HARD COPY</strong>, 2003\r\n\r\nText: Peter Nagy\r\n\r\n<strong> </strong>Publisher: Gallery 88\r\n\r\n<strong> </strong><strong>CROSSING  GENERATIONS: DIVERGE</strong><strong>, </strong>2003\r\n\r\n<strong> </strong>Text:  Geeta Kapoor and Chaitanya Sambrani<strong> </strong>\r\n\r\n<strong> </strong>Publisher:<strong> </strong>Gallery Chemould\r\n\r\nPRESS  <strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong><em> </em></strong>\r\n\r\n<strong>THE ARCHIVES OF  THE HEART</strong> <strong> </strong>\r\n\r\nNancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\n\r\nFront Cover, pgs 42-45, 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>GLOBALE KUNST  MIT WURZELDUFT</strong>\r\n\r\nVon Almuth Speigler, Die Presse, Feuilleton, 2<sup>nd</sup> September 2009\r\n\r\n<strong>LANDSCAPES OF  LOSS</strong>\r\n\r\nBeth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>REINCARNATING  HISTORY</strong>\r\n\r\nThe Big Picture, Architect and Interiors, July 2009<strong> </strong>\r\n\r\n<strong>STAMP COLLECTION</strong>\r\n\r\nGeorgina Maddox, The Sunday Express, 17<sup>th</sup> May 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>EVOLVING BEYOND  BORDERS</strong>\r\n\r\nReshma S. Kulkarni, Bombay Times, Times of India,  15<sup>th</sup> January, 2009\r\n\r\n<strong>LO</strong><strong>SS AND FOUND</strong>\r\n\r\nMarina Correa, DNA, Mumbai, 22<sup>nd</sup> January 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>FOCUS INDIA</strong>\r\n\r\nMegha Ralapati, Flash Art, pg 114, January-February 2008\r\n\r\n<strong>COME TOGETHER  RIGHT NOW</strong>\r\n\r\nReema Gehi, HT Café, 15<sup>th</sup> February 2008\r\n\r\n<strong>SUCH A LONG  JOURNEY</strong>\r\n\r\nAparna S Sharma, Elle Magazine, pgs 115-117, February 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong>MORE THAN A  WOMAN</strong>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 4<sup>th</sup> February 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong>ARTIST OF THE  FORTNIGHT</strong>\r\n\r\nMaria Louis, Outlook Profit, pg 79, 18<sup>th</sup> April 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong>DEJA VIEW</strong>\r\n\r\nTara Khilachand, Live Mint, 20<sup>th</sup> December 2008\r\n\r\n<strong>TERROR STRUCK</strong>\r\n\r\nMaria Louis, Outlook Profit, 26<sup>th</sup> December 2008\r\n\r\n<strong>NAME CALLING</strong>\r\n\r\nDeepanjana Pal, Timeout Mumbai, December 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>CORRUPTIONS OF  POWER</strong>\r\n\r\nShiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99,  2007\r\n\r\n<strong>OVER THE RAINBOW</strong>\r\n\r\nMaria Louis, Interview, Verve Magazine, pg 78, November 2006\r\n\r\n<strong> </strong>\r\n\r\n<strong>IN A STATE OF PERENNIAL SIEGE</strong>\r\n\r\nNancy Adajania, The Hindu, Hyderabad, 29<sup>th</sup> October  2006\r\n\r\n<strong>HER CROWNING  ACHIEVEMENT</strong>\r\n\r\nClara Chow, The Straits Times, 18<sup>th</sup> November 2006\r\n\r\n<strong> </strong>\r\n\r\n<strong>POLITICAL CHAOS</strong>\r\n\r\nDeepali Nandwani,  Beautiful people, pg 143, November-December 2006\r\n\r\n<strong>WEAPONS OF MASS  CONSTRUCTION</strong>\r\n\r\nRituparna Som, DNA after Hrs, Mumbai, 9<sup>th</sup> October, 2006\r\n\r\n<strong> </strong>\r\n\r\n<strong> GUNS AND ROSES</strong>\r\n\r\nRachna Nakra, The Indian Express,  Mumbai Newsline, 18<sup>th</sup> September 2006\r\n\r\n<strong> UNDER ATTACK</strong>\r\n\r\nGitanjali Dang, HT Mumbai, 22<sup>nd</sup> September 2006\r\n\r\n<strong> TIME TRAVELLER</strong>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline,  27<sup>th</sup> June 2006      <strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>THE FLOWER AND  THE SWORD</strong>\r\n\r\nGirish Shahane, The Art News magazine of India,  pg 93, volume X issue I, 2004\r\n\r\n<strong>INDIA</strong><strong>’S TOP 100 ACHIEVERS</strong>\r\n\r\nSociety Magazine, pg 137, December 2004\r\n\r\n<strong>CAUGHT BETWEEEN  DEMONS</strong>\r\n\r\nNancy Adajania, The Hindu, 19<sup>th</sup> December  2004\r\n\r\n<strong>EN REISE TIL INDIA</strong>\r\n\r\nHarald Flor, Dagbladet, Kultur, 2<sup>nd</sup> February 2003\r\n\r\n<strong> </strong>\r\n\r\n<strong>SIGNS OF  RESISTANCE</strong>\r\n\r\nNancy Adajania, The Hindu, 5<sup>th</sup> January  2003\r\n\r\n<strong>OF THE GODDESS  AND DEMON IN THE MIND</strong>\r\n\r\nDebbie Rodgers, Sunday edition Vijay Times, Bangalore, 5<sup>th</sup> January 2003\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>EMPATHIC ANGER</strong>\r\n\r\nMarta Jakimowicz, Deccan Herald, 23<sup>rd</sup> December 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong>MYSORE</strong><strong> EK KHOJ</strong>\r\n\r\nCross Fertilization of Culture, Interview in Star of Mysore, 27<sup>th</sup> October 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong> LINKING ISLANDS</strong>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 15<sup>th</sup> February  2002\r\n\r\n<strong>CREATING TO  DESTROY</strong>\r\n\r\nJasmine Shah Varma, The List, Mid Day, 22<sup>nd</sup> February 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong>DIFFERENT  STROKES</strong>\r\n\r\nGeorgina L Maddox, The Indian Express, Mumbai Newsline,  24<sup>th</sup> July 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong>OF FAITH AND  HUNGER</strong>\r\n\r\nAbhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89,  December 2000\r\n\r\n<strong> </strong>\r\n\r\n<strong>THE MURMUR OF  SKIN</strong>\r\n\r\nNupur Mahajan, Bombay Times, Times  of India, 12<sup>th</sup> October 2000\r\n\r\n<strong>NOT JUST SKIN  DEEP</strong>\r\n\r\nJasmine Shah Varma, The List, Mid-day, 4<sup>th</sup> October 2000\r\n\r\n<strong>INSIDE OUT</strong>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 11<sup>th</sup> October  2000\r\n\r\n<strong>SCINTILLATING  SKIN</strong>\r\n\r\nVaibhav Purandare, The Asian Age, 14<sup>th</sup> October 2000\r\n\r\n<strong>AN ARTIST’S  WORLD: ROTI, MAKAAN &amp; ABSTRACT ART</strong>\r\n\r\nPoonam Goel, HT City, 23<sup>rd</sup> December 2000\r\n\r\n<strong> </strong>\r\n\r\n<strong>WITHIN YOU,  WITHOUT YOU</strong>\r\n\r\nAnu Kumar, Indian Express,  Express Newsline, 2<sup>nd</sup> September 1998\r\n\r\n<strong>FARMING INTRIRUE</strong>\r\n\r\nJerry Pinto, The Times of India, Bombay Times, 3<sup>rd</sup> September 1998\r\n\r\n<strong> </strong>\r\n\r\n<strong>INTERACTIVE  MEDIUM</strong>\r\n\r\nKaren Pereira, Indian  Architect &amp; Builder, pgs 102-104, October 1998','Publications','','inherit','open','open','','87-revision-55','','','2010-07-04 10:53:36','2010-07-04 10:53:36','',87,'http://www.biggventures.com/demo/artists/1342/uncat/87-revision-55',0,'revision','',0),(1334,1,'2010-07-04 07:52:39','2010-07-04 07:52:39','<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"58%\" align=\"centre\">\r\n<tbody>\r\n<tr>\r\n<td width=\"40%\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Reena Saini Kallat</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2008</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/reena-kallat\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Rainbow of Refuse</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2006</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/rainbow-of-refuse\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Black Flute and Other Stories</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2004</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/black-flute\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>The Battlefield Is The Mind</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2002</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/battlefield-of-mind\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>SKIN</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2000</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/skin\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Orchard of Home-grown Secrets</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>1998</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/orchard-of-home-grown-screts\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<!-- Start of Other Publications -->\r\n<strong style=\"color: #000000;\">BOOKS/  CATALOGUES </strong>\r\n<!--  em {color:#000000} -->\r\n<strong><em>SOLO  SHOWS</em></strong>\r\n<!--  strong {color:#979797} -->\r\n<strong><span style=\"text-decoration: underline;\"> </span></strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>REENA SAINI  KALLAT</strong>, 2009\r\n\r\nText: Nancy Adajania and Murtaza Vali\r\n\r\nPublisher: Primo Marella Gallery, Walsh Gallery and Chemould   Prescott Road\r\n\r\nISBN:  978-81-908879-1-5\r\n\r\n<strong>RAINBOW OF  REFUSE</strong>, 2006\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher: Bodhi Art Gallery\r\n\r\n<strong> </strong><strong>BLACK  FLUTE (AND OTHER STORIES)</strong>,<strong> </strong>2005\r\n\r\n<strong> BLACK FLUTE</strong>, 2004\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher: Gallery Chemould  and Nature Morte Gallery\r\n\r\n<strong>THE BATTLEFIELD  IS THE MIND</strong>, 2002<strong> </strong>\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher:  Sakshi Gallery\r\n\r\n<strong>SKIN</strong>,<strong> </strong>2000\r\n\r\nInterview with  Jitish Kallat\r\n\r\nPublisher:  Gallery Chemould and Vis-à-vis Art Inc. Gallery\r\n\r\n<strong>ORCHARD OF  HOME-GROWN SECRETS</strong>, 1998<strong> </strong>\r\n\r\nText: Ranjit Hoskote\r\n\r\nPublisher: Gallery Chemould and Pundole  Art Gallery\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong><em>GROUP  SHOWS</em></strong>\r\n\r\n<strong><em> </em></strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>NEVER RUN AWAY</strong>, 2010\r\n\r\nText: Shaheen  Merali\r\n\r\nPublisher: Stux Gallery\r\n\r\n<strong>URBAN MANNERS 2</strong>, 2010<strong><em> </em></strong>\r\n\r\nText: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\n\r\nPublisher: SESC Pompeia, Sao Paulo\r\n\r\n<strong> </strong>\r\n\r\n<strong>THE EMPIRE  STRIKES BACK</strong>, 2010<strong> </strong>\r\n\r\nText: Zehra Jumabhoy\r\n\r\nPublisher: Saatchi Gallery\r\n\r\n<strong> </strong><strong> </strong>\r\n\r\n<strong>VIEW POINTS AND  VIEWINGS POINTS- ASIAN ART BIENNALE</strong>, 2009<strong> </strong>\r\n\r\nText: Chao-yi-Tsai\r\n\r\nPublisher: National Taiwan Museum of fine Arts\r\n\r\n<strong>INDIA</strong><strong> XIANZAI:  CONTEMPORARY INDIAN ART</strong>,  2009\r\n\r\n<strong> </strong>Text: Jitish  Kallat, Diana Freundl, Alexander Keefe\r\n\r\nPublisher: Museum  of Contemporary  Art\r\n\r\n<strong>CHALO! INDIA: A  NEW ERA OF INDIAN ART</strong>, 2009<strong> </strong>\r\n\r\nText: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki, Miho\r\n\r\nTagomori\r\n\r\nPublisher: National Museum of Contemporary Art and Essl  Museum\r\n\r\nISBN: 978-3-7913-4304-4\r\n\r\n<strong>CHALO! INDIA: A NEW ERA OF INDIAN ART</strong>,  208<strong><em> </em></strong>\r\n\r\nText: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman\r\n\r\nGopinath, Jayaram, Deepak Ananth\r\n\r\nPublisher:  Mori Art Museum\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong><strong>INDIA</strong><strong> MODERNA</strong>, 2008<strong> </strong>\r\n\r\nText: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur,\r\n\r\nR.Siva  Kumar,  K.G. Subramanyan\r\n\r\nPublisher: IVAM (Institute Valencia D’Art Modern)\r\n\r\n<strong>EVERYWHERE IS  WAR (AND RUMOURS OF IT</strong>), 2008\r\n\r\n<strong> </strong>Text: Kai  Hafez, Martin  Hager,  Nicholas Mirzoeff, Daniel Miller,\r\n\r\nBregje van Eekelen\r\n\r\nPublisher: Bodhi Art  Gallery\r\n\r\n<strong>THREE POINTS OF  VIEWS</strong>, 2008\r\n\r\n<strong> </strong>Text:  Grant Watson\r\n\r\nPublisher: Galerie Mirchandani + Steinruecke\r\n\r\n<strong>NEW NARRATIVES</strong>, 2008\r\n\r\nText: Betty Seid<strong> </strong>\r\n\r\n<strong> </strong>Publisher:  Chicago  Cultural Center\r\n\r\n<strong> </strong><strong>MADE BY INDIANS</strong>, 2007\r\n\r\nText: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\n\r\nPublisher: Galerie Enrico Navarra\r\n\r\nISBN: 2-911596-37-4\r\n\r\n<strong>THERMOCLINE OF  ART: NEW ASIAN WAVES</strong>,  2007\r\n\r\n<strong> </strong>Text:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong<strong> </strong>\r\n\r\nPublisher: Hatje Cantz Vertag\r\n\r\nISBN: 978-3-7757-2073-1\r\n\r\nEAN: 9782911596377\r\n\r\n<strong> INDIAN COLOUR</strong>, 2007\r\n\r\nText: Peter Nagy\r\n\r\nPublisher: Dal- seung Hwang, Keumsan Gallery\r\n\r\n<strong>INDIA</strong><strong> ARTE OGGI</strong>, 2007<strong> </strong>\r\n\r\n<strong> </strong>Text:  Daniela Palazzoli<strong> </strong>\r\n\r\nPublisher: Spazio Oberdan\r\n\r\nISBN: 978-88-202-1867-6\r\n\r\n<strong>URBAN MANNERS</strong>, 2007\r\n\r\nText: Adelina Von Furstenberg\r\n\r\n<strong> </strong>Publisher:  Hangar Bicocca\r\n\r\n<strong>INTERNATIONAL  INCHEON WOMEN ARTISTS BIENNALE, </strong>\r\n\r\n<strong> KNOCKING ON THE DOOR</strong>,  2007\r\n\r\n<strong> </strong>Text:  Sung Hee Kim, John C. Welchman<strong> </strong>\r\n\r\nPublisher: Incheon Culture and Art Centre\r\n\r\n<strong>SOFT  POWER: ASIAN ATTITUDE</strong>,  2007<strong> </strong>\r\n\r\n<strong> </strong>Text:  Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\n\r\nPublisher: Shanghai  Zendai Mumsem of Modern Art\r\n\r\nISBN: 978-7-5356-2790-2\r\n\r\n<strong>INDIA</strong><strong> EXPRESS- ART AND POPULAR CULTURE</strong>, 2006\r\n\r\n<strong> </strong>Text: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze,\r\n\r\nPublisher: Helsinki  City Art  Museum\r\n\r\nISBN: 951-8965-61-7\r\n\r\n<strong>BOMBAY</strong><strong> L’ALBUM MAXIMUM CITY</strong>, 2006\r\n\r\nText: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\n\r\nPublisher: Terrail, Lille 3000\r\n\r\nISBN:  2-87939-325-6<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>INDIAN PAINTINGS  OF THE NEW MILLENNIUM</strong>, 2005\r\n\r\n<strong> </strong>Text: Helen Asquine  Fazio, Gayatri Sinha<strong> </strong>\r\n\r\n<strong> </strong>Publisher: Quick Arts Center, Fairfield University\r\n\r\n<strong>A GUIDE TO 101 MODERN &amp; CONTEMPORARY INDIAN ARTISTS</strong>, 2005\r\n\r\n<strong> </strong>Text: Amrita  Jhaveri\r\n\r\nPublisher: India  Book House\r\n\r\nISBN: 81-7508-423-5\r\n\r\n<strong>ZOOM! ART IN  CONTEMPORARY INDIA</strong>, 2004\r\n\r\n<strong> </strong>Texts:  Luis Serpa and Nancy Adajania<strong> </strong>\r\n\r\n<strong> </strong>Publisher: The Culturgest Museum\r\n\r\nISBN: 972-769-033-5\r\n\r\n<strong>INTERLUDE IN SRI   LANKA</strong>, 2004<strong> </strong>\r\n\r\n<strong> </strong>Text:  Ranjit Hoskote, Nancy Adajania<strong> </strong>\r\n\r\n<strong> </strong>Publisher:  The Guild  Art Gallery\r\n\r\n<strong>GENERATION I</strong>, 2004\r\n\r\nText: Zehra Jumabhoy<strong> </strong>\r\n\r\n<strong> </strong>Publisher:<strong> </strong>Saffronart &amp; The Guild Art Gallery\r\n\r\n<strong>TIRANGA  RIGHTS AND REPONSIBILITIES</strong>,  2003<strong> </strong>\r\n\r\nText: Peter Nagy<strong> </strong>\r\n\r\n<strong> </strong>Publisher: Jindal  Foundation &amp; Creative Arts\r\n\r\n<strong>HARD COPY</strong>, 2003\r\n\r\nText: Peter Nagy\r\n\r\n<strong> </strong>Publisher: Gallery 88\r\n\r\n<strong> </strong><strong>CROSSING  GENERATIONS: DIVERGE</strong><strong>, </strong>2003\r\n\r\n<strong> </strong>Text:  Geeta Kapoor and Chaitanya Sambrani<strong> </strong>\r\n\r\n<strong> </strong>Publisher:<strong> </strong>Gallery Chemould\r\n\r\nPRESS  <strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong><em> </em></strong>\r\n\r\n<strong>THE ARCHIVES OF  THE HEART</strong> <strong> </strong>\r\n\r\nNancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\n\r\nFront Cover, pgs 42-45, 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>GLOBALE KUNST  MIT WURZELDUFT</strong>\r\n\r\nVon Almuth Speigler, Die Presse, Feuilleton, 2<sup>nd</sup> September 2009\r\n\r\n<strong>LANDSCAPES OF  LOSS</strong>\r\n\r\nBeth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>REINCARNATING  HISTORY</strong>\r\n\r\nThe Big Picture, Architect and Interiors, July 2009<strong> </strong>\r\n\r\n<strong>STAMP COLLECTION</strong>\r\n\r\nGeorgina Maddox, The Sunday Express, 17<sup>th</sup> May 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>EVOLVING BEYOND  BORDERS</strong>\r\n\r\nReshma S. Kulkarni, Bombay Times, Times of India,  15<sup>th</sup> January, 2009\r\n\r\n<strong>LO</strong><strong>SS AND FOUND</strong>\r\n\r\nMarina Correa, DNA, Mumbai, 22<sup>nd</sup> January 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>FOCUS INDIA</strong>\r\n\r\nMegha Ralapati, Flash Art, pg 114, January-February 2008\r\n\r\n<strong>COME TOGETHER  RIGHT NOW</strong>\r\n\r\nReema Gehi, HT Café, 15<sup>th</sup> February 2008\r\n\r\n<strong>SUCH A LONG  JOURNEY</strong>\r\n\r\nAparna S Sharma, Elle Magazine, pgs 115-117, February 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong>MORE THAN A  WOMAN</strong>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 4<sup>th</sup> February 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong>ARTIST OF THE  FORTNIGHT</strong>\r\n\r\nMaria Louis, Outlook Profit, pg 79, 18<sup>th</sup> April 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong>DEJA VIEW</strong>\r\n\r\nTara Khilachand, Live Mint, 20<sup>th</sup> December 2008\r\n\r\n<strong>TERROR STRUCK</strong>\r\n\r\nMaria Louis, Outlook Profit, 26<sup>th</sup> December 2008\r\n\r\n<strong>NAME CALLING</strong>\r\n\r\nDeepanjana Pal, Timeout Mumbai, December 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>CORRUPTIONS OF  POWER</strong>\r\n\r\nShiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99,  2007\r\n\r\n<strong>OVER THE RAINBOW</strong>\r\n\r\nMaria Louis, Interview, Verve Magazine, pg 78, November 2006\r\n\r\n<strong> </strong>\r\n\r\n<strong>IN A STATE OF PERENNIAL SIEGE</strong>\r\n\r\nNancy Adajania, The Hindu, Hyderabad, 29<sup>th</sup> October  2006\r\n\r\n<strong>HER CROWNING  ACHIEVEMENT</strong>\r\n\r\nClara Chow, The Straits Times, 18<sup>th</sup> November 2006\r\n\r\n<strong> </strong>\r\n\r\n<strong>POLITICAL CHAOS</strong>\r\n\r\nDeepali Nandwani,  Beautiful people, pg 143, November-December 2006\r\n\r\n<strong>WEAPONS OF MASS  CONSTRUCTION</strong>\r\n\r\nRituparna Som, DNA after Hrs, Mumbai, 9<sup>th</sup> October, 2006\r\n\r\n<strong> </strong>\r\n\r\n<strong> GUNS AND ROSES</strong>\r\n\r\nRachna Nakra, The Indian Express,  Mumbai Newsline, 18<sup>th</sup> September 2006\r\n\r\n<strong> UNDER ATTACK</strong>\r\n\r\nGitanjali Dang, HT Mumbai, 22<sup>nd</sup> September 2006\r\n\r\n<strong> TIME TRAVELLER</strong>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline,  27<sup>th</sup> June 2006      <strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>THE FLOWER AND  THE SWORD</strong>\r\n\r\nGirish Shahane, The Art News magazine of India,  pg 93, volume X issue I, 2004\r\n\r\n<strong>INDIA</strong><strong>’S TOP 100 ACHIEVERS</strong>\r\n\r\nSociety Magazine, pg 137, December 2004\r\n\r\n<strong>CAUGHT BETWEEEN  DEMONS</strong>\r\n\r\nNancy Adajania, The Hindu, 19<sup>th</sup> December  2004\r\n\r\n<strong>EN REISE TIL INDIA</strong>\r\n\r\nHarald Flor, Dagbladet, Kultur, 2<sup>nd</sup> February 2003\r\n\r\n<strong> </strong>\r\n\r\n<strong>SIGNS OF  RESISTANCE</strong>\r\n\r\nNancy Adajania, The Hindu, 5<sup>th</sup> January  2003\r\n\r\n<strong>OF THE GODDESS  AND DEMON IN THE MIND</strong>\r\n\r\nDebbie Rodgers, Sunday edition Vijay Times, Bangalore, 5<sup>th</sup> January 2003\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>EMPATHIC ANGER</strong>\r\n\r\nMarta Jakimowicz, Deccan Herald, 23<sup>rd</sup> December 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong>MYSORE</strong><strong> EK KHOJ</strong>\r\n\r\nCross Fertilization of Culture, Interview in Star of Mysore, 27<sup>th</sup> October 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong> LINKING ISLANDS</strong>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 15<sup>th</sup> February  2002\r\n\r\n<strong>CREATING TO  DESTROY</strong>\r\n\r\nJasmine Shah Varma, The List, Mid Day, 22<sup>nd</sup> February 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong>DIFFERENT  STROKES</strong>\r\n\r\nGeorgina L Maddox, The Indian Express, Mumbai Newsline,  24<sup>th</sup> July 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong>OF FAITH AND  HUNGER</strong>\r\n\r\nAbhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89,  December 2000\r\n\r\n<strong> </strong>\r\n\r\n<strong>THE MURMUR OF  SKIN</strong>\r\n\r\nNupur Mahajan, Bombay Times, Times  of India, 12<sup>th</sup> October 2000\r\n\r\n<strong>NOT JUST SKIN  DEEP</strong>\r\n\r\nJasmine Shah Varma, The List, Mid-day, 4<sup>th</sup> October 2000\r\n\r\n<strong>INSIDE OUT</strong>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 11<sup>th</sup> October  2000\r\n\r\n<strong>SCINTILLATING  SKIN</strong>\r\n\r\nVaibhav Purandare, The Asian Age, 14<sup>th</sup> October 2000\r\n\r\n<strong>AN ARTIST’S  WORLD: ROTI, MAKAAN &amp; ABSTRACT ART</strong>\r\n\r\nPoonam Goel, HT City, 23<sup>rd</sup> December 2000\r\n\r\n<strong> </strong>\r\n\r\n<strong>WITHIN YOU,  WITHOUT YOU</strong>\r\n\r\nAnu Kumar, Indian Express,  Express Newsline, 2<sup>nd</sup> September 1998\r\n\r\n<strong>FARMING INTRIRUE</strong>\r\n\r\nJerry Pinto, The Times of India, Bombay Times, 3<sup>rd</sup> September 1998\r\n\r\n<strong> </strong>\r\n\r\n<strong>INTERACTIVE  MEDIUM</strong>\r\n\r\nKaren Pereira, Indian  Architect &amp; Builder, pgs 102-104, October 1998','Publications','','inherit','open','open','','87-revision-47','','','2010-07-04 07:52:39','2010-07-04 07:52:39','',87,'http://www.biggventures.com/demo/artists/1334/uncat/87-revision-47',0,'revision','',0),(1335,1,'2010-07-04 08:00:58','2010-07-04 08:00:58','<table border=\"0\" cellspacing=\"0\" cellpadding=\"0\" width=\"58%\" align=\"centre\">\r\n<tbody>\r\n<tr>\r\n<td width=\"35%\" align=\"centre\" valign=\"top\" style=\"margin-left:5px;\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Reena Saini Kallat</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2008</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/reena-kallat\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Rainbow of Refuse</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2006</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/rainbow-of-refuse\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Black Flute and Other Stories</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2004</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/black-flute\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>The Battlefield Is The Mind</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2002</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/battlefield-of-mind\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>SKIN</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2000</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/skin\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Orchard of Home-grown Secrets</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>1998</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/orchard-of-home-grown-screts\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<!-- Start of Other Publications -->\r\n<strong style=\"color: #000000;\">BOOKS/  CATALOGUES </strong>\r\n<!--  em {color:#000000} -->\r\n<strong><em>SOLO  SHOWS</em></strong>\r\n<!--  strong {color:#979797} -->\r\n<strong><span style=\"text-decoration: underline;\"> </span></strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>REENA SAINI  KALLAT</strong>, 2009\r\n\r\nText: Nancy Adajania and Murtaza Vali\r\n\r\nPublisher: Primo Marella Gallery, Walsh Gallery and Chemould   Prescott Road\r\n\r\nISBN:  978-81-908879-1-5\r\n\r\n<strong>RAINBOW OF  REFUSE</strong>, 2006\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher: Bodhi Art Gallery\r\n\r\n<strong> </strong><strong>BLACK  FLUTE (AND OTHER STORIES)</strong>,<strong> </strong>2005\r\n\r\n<strong> BLACK FLUTE</strong>, 2004\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher: Gallery Chemould  and Nature Morte Gallery\r\n\r\n<strong>THE BATTLEFIELD  IS THE MIND</strong>, 2002<strong> </strong>\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher:  Sakshi Gallery\r\n\r\n<strong>SKIN</strong>,<strong> </strong>2000\r\n\r\nInterview with  Jitish Kallat\r\n\r\nPublisher:  Gallery Chemould and Vis-à-vis Art Inc. Gallery\r\n\r\n<strong>ORCHARD OF  HOME-GROWN SECRETS</strong>, 1998<strong> </strong>\r\n\r\nText: Ranjit Hoskote\r\n\r\nPublisher: Gallery Chemould and Pundole  Art Gallery\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong><em>GROUP  SHOWS</em></strong>\r\n\r\n<strong><em> </em></strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>NEVER RUN AWAY</strong>, 2010\r\n\r\nText: Shaheen  Merali\r\n\r\nPublisher: Stux Gallery\r\n\r\n<strong>URBAN MANNERS 2</strong>, 2010<strong><em> </em></strong>\r\n\r\nText: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\n\r\nPublisher: SESC Pompeia, Sao Paulo\r\n\r\n<strong> </strong>\r\n\r\n<strong>THE EMPIRE  STRIKES BACK</strong>, 2010<strong> </strong>\r\n\r\nText: Zehra Jumabhoy\r\n\r\nPublisher: Saatchi Gallery\r\n\r\n<strong> </strong><strong> </strong>\r\n\r\n<strong>VIEW POINTS AND  VIEWINGS POINTS- ASIAN ART BIENNALE</strong>, 2009<strong> </strong>\r\n\r\nText: Chao-yi-Tsai\r\n\r\nPublisher: National Taiwan Museum of fine Arts\r\n\r\n<strong>INDIA</strong><strong> XIANZAI:  CONTEMPORARY INDIAN ART</strong>,  2009\r\n\r\n<strong> </strong>Text: Jitish  Kallat, Diana Freundl, Alexander Keefe\r\n\r\nPublisher: Museum  of Contemporary  Art\r\n\r\n<strong>CHALO! INDIA: A  NEW ERA OF INDIAN ART</strong>, 2009<strong> </strong>\r\n\r\nText: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki, Miho\r\n\r\nTagomori\r\n\r\nPublisher: National Museum of Contemporary Art and Essl  Museum\r\n\r\nISBN: 978-3-7913-4304-4\r\n\r\n<strong>CHALO! INDIA: A NEW ERA OF INDIAN ART</strong>,  208<strong><em> </em></strong>\r\n\r\nText: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman\r\n\r\nGopinath, Jayaram, Deepak Ananth\r\n\r\nPublisher:  Mori Art Museum\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong><strong>INDIA</strong><strong> MODERNA</strong>, 2008<strong> </strong>\r\n\r\nText: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur,\r\n\r\nR.Siva  Kumar,  K.G. Subramanyan\r\n\r\nPublisher: IVAM (Institute Valencia D’Art Modern)\r\n\r\n<strong>EVERYWHERE IS  WAR (AND RUMOURS OF IT</strong>), 2008\r\n\r\n<strong> </strong>Text: Kai  Hafez, Martin  Hager,  Nicholas Mirzoeff, Daniel Miller,\r\n\r\nBregje van Eekelen\r\n\r\nPublisher: Bodhi Art  Gallery\r\n\r\n<strong>THREE POINTS OF  VIEWS</strong>, 2008\r\n\r\n<strong> </strong>Text:  Grant Watson\r\n\r\nPublisher: Galerie Mirchandani + Steinruecke\r\n\r\n<strong>NEW NARRATIVES</strong>, 2008\r\n\r\nText: Betty Seid<strong> </strong>\r\n\r\n<strong> </strong>Publisher:  Chicago  Cultural Center\r\n\r\n<strong> </strong><strong>MADE BY INDIANS</strong>, 2007\r\n\r\nText: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\n\r\nPublisher: Galerie Enrico Navarra\r\n\r\nISBN: 2-911596-37-4\r\n\r\n<strong>THERMOCLINE OF  ART: NEW ASIAN WAVES</strong>,  2007\r\n\r\n<strong> </strong>Text:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong<strong> </strong>\r\n\r\nPublisher: Hatje Cantz Vertag\r\n\r\nISBN: 978-3-7757-2073-1\r\n\r\nEAN: 9782911596377\r\n\r\n<strong> INDIAN COLOUR</strong>, 2007\r\n\r\nText: Peter Nagy\r\n\r\nPublisher: Dal- seung Hwang, Keumsan Gallery\r\n\r\n<strong>INDIA</strong><strong> ARTE OGGI</strong>, 2007<strong> </strong>\r\n\r\n<strong> </strong>Text:  Daniela Palazzoli<strong> </strong>\r\n\r\nPublisher: Spazio Oberdan\r\n\r\nISBN: 978-88-202-1867-6\r\n\r\n<strong>URBAN MANNERS</strong>, 2007\r\n\r\nText: Adelina Von Furstenberg\r\n\r\n<strong> </strong>Publisher:  Hangar Bicocca\r\n\r\n<strong>INTERNATIONAL  INCHEON WOMEN ARTISTS BIENNALE, </strong>\r\n\r\n<strong> KNOCKING ON THE DOOR</strong>,  2007\r\n\r\n<strong> </strong>Text:  Sung Hee Kim, John C. Welchman<strong> </strong>\r\n\r\nPublisher: Incheon Culture and Art Centre\r\n\r\n<strong>SOFT  POWER: ASIAN ATTITUDE</strong>,  2007<strong> </strong>\r\n\r\n<strong> </strong>Text:  Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\n\r\nPublisher: Shanghai  Zendai Mumsem of Modern Art\r\n\r\nISBN: 978-7-5356-2790-2\r\n\r\n<strong>INDIA</strong><strong> EXPRESS- ART AND POPULAR CULTURE</strong>, 2006\r\n\r\n<strong> </strong>Text: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze,\r\n\r\nPublisher: Helsinki  City Art  Museum\r\n\r\nISBN: 951-8965-61-7\r\n\r\n<strong>BOMBAY</strong><strong> L’ALBUM MAXIMUM CITY</strong>, 2006\r\n\r\nText: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\n\r\nPublisher: Terrail, Lille 3000\r\n\r\nISBN:  2-87939-325-6<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>INDIAN PAINTINGS  OF THE NEW MILLENNIUM</strong>, 2005\r\n\r\n<strong> </strong>Text: Helen Asquine  Fazio, Gayatri Sinha<strong> </strong>\r\n\r\n<strong> </strong>Publisher: Quick Arts Center, Fairfield University\r\n\r\n<strong>A GUIDE TO 101 MODERN &amp; CONTEMPORARY INDIAN ARTISTS</strong>, 2005\r\n\r\n<strong> </strong>Text: Amrita  Jhaveri\r\n\r\nPublisher: India  Book House\r\n\r\nISBN: 81-7508-423-5\r\n\r\n<strong>ZOOM! ART IN  CONTEMPORARY INDIA</strong>, 2004\r\n\r\n<strong> </strong>Texts:  Luis Serpa and Nancy Adajania<strong> </strong>\r\n\r\n<strong> </strong>Publisher: The Culturgest Museum\r\n\r\nISBN: 972-769-033-5\r\n\r\n<strong>INTERLUDE IN SRI   LANKA</strong>, 2004<strong> </strong>\r\n\r\n<strong> </strong>Text:  Ranjit Hoskote, Nancy Adajania<strong> </strong>\r\n\r\n<strong> </strong>Publisher:  The Guild  Art Gallery\r\n\r\n<strong>GENERATION I</strong>, 2004\r\n\r\nText: Zehra Jumabhoy<strong> </strong>\r\n\r\n<strong> </strong>Publisher:<strong> </strong>Saffronart &amp; The Guild Art Gallery\r\n\r\n<strong>TIRANGA  RIGHTS AND REPONSIBILITIES</strong>,  2003<strong> </strong>\r\n\r\nText: Peter Nagy<strong> </strong>\r\n\r\n<strong> </strong>Publisher: Jindal  Foundation &amp; Creative Arts\r\n\r\n<strong>HARD COPY</strong>, 2003\r\n\r\nText: Peter Nagy\r\n\r\n<strong> </strong>Publisher: Gallery 88\r\n\r\n<strong> </strong><strong>CROSSING  GENERATIONS: DIVERGE</strong><strong>, </strong>2003\r\n\r\n<strong> </strong>Text:  Geeta Kapoor and Chaitanya Sambrani<strong> </strong>\r\n\r\n<strong> </strong>Publisher:<strong> </strong>Gallery Chemould\r\n\r\nPRESS  <strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong><em> </em></strong>\r\n\r\n<strong>THE ARCHIVES OF  THE HEART</strong> <strong> </strong>\r\n\r\nNancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\n\r\nFront Cover, pgs 42-45, 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>GLOBALE KUNST  MIT WURZELDUFT</strong>\r\n\r\nVon Almuth Speigler, Die Presse, Feuilleton, 2<sup>nd</sup> September 2009\r\n\r\n<strong>LANDSCAPES OF  LOSS</strong>\r\n\r\nBeth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>REINCARNATING  HISTORY</strong>\r\n\r\nThe Big Picture, Architect and Interiors, July 2009<strong> </strong>\r\n\r\n<strong>STAMP COLLECTION</strong>\r\n\r\nGeorgina Maddox, The Sunday Express, 17<sup>th</sup> May 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>EVOLVING BEYOND  BORDERS</strong>\r\n\r\nReshma S. Kulkarni, Bombay Times, Times of India,  15<sup>th</sup> January, 2009\r\n\r\n<strong>LO</strong><strong>SS AND FOUND</strong>\r\n\r\nMarina Correa, DNA, Mumbai, 22<sup>nd</sup> January 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>FOCUS INDIA</strong>\r\n\r\nMegha Ralapati, Flash Art, pg 114, January-February 2008\r\n\r\n<strong>COME TOGETHER  RIGHT NOW</strong>\r\n\r\nReema Gehi, HT Café, 15<sup>th</sup> February 2008\r\n\r\n<strong>SUCH A LONG  JOURNEY</strong>\r\n\r\nAparna S Sharma, Elle Magazine, pgs 115-117, February 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong>MORE THAN A  WOMAN</strong>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 4<sup>th</sup> February 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong>ARTIST OF THE  FORTNIGHT</strong>\r\n\r\nMaria Louis, Outlook Profit, pg 79, 18<sup>th</sup> April 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong>DEJA VIEW</strong>\r\n\r\nTara Khilachand, Live Mint, 20<sup>th</sup> December 2008\r\n\r\n<strong>TERROR STRUCK</strong>\r\n\r\nMaria Louis, Outlook Profit, 26<sup>th</sup> December 2008\r\n\r\n<strong>NAME CALLING</strong>\r\n\r\nDeepanjana Pal, Timeout Mumbai, December 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>CORRUPTIONS OF  POWER</strong>\r\n\r\nShiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99,  2007\r\n\r\n<strong>OVER THE RAINBOW</strong>\r\n\r\nMaria Louis, Interview, Verve Magazine, pg 78, November 2006\r\n\r\n<strong> </strong>\r\n\r\n<strong>IN A STATE OF PERENNIAL SIEGE</strong>\r\n\r\nNancy Adajania, The Hindu, Hyderabad, 29<sup>th</sup> October  2006\r\n\r\n<strong>HER CROWNING  ACHIEVEMENT</strong>\r\n\r\nClara Chow, The Straits Times, 18<sup>th</sup> November 2006\r\n\r\n<strong> </strong>\r\n\r\n<strong>POLITICAL CHAOS</strong>\r\n\r\nDeepali Nandwani,  Beautiful people, pg 143, November-December 2006\r\n\r\n<strong>WEAPONS OF MASS  CONSTRUCTION</strong>\r\n\r\nRituparna Som, DNA after Hrs, Mumbai, 9<sup>th</sup> October, 2006\r\n\r\n<strong> </strong>\r\n\r\n<strong> GUNS AND ROSES</strong>\r\n\r\nRachna Nakra, The Indian Express,  Mumbai Newsline, 18<sup>th</sup> September 2006\r\n\r\n<strong> UNDER ATTACK</strong>\r\n\r\nGitanjali Dang, HT Mumbai, 22<sup>nd</sup> September 2006\r\n\r\n<strong> TIME TRAVELLER</strong>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline,  27<sup>th</sup> June 2006      <strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>THE FLOWER AND  THE SWORD</strong>\r\n\r\nGirish Shahane, The Art News magazine of India,  pg 93, volume X issue I, 2004\r\n\r\n<strong>INDIA</strong><strong>’S TOP 100 ACHIEVERS</strong>\r\n\r\nSociety Magazine, pg 137, December 2004\r\n\r\n<strong>CAUGHT BETWEEEN  DEMONS</strong>\r\n\r\nNancy Adajania, The Hindu, 19<sup>th</sup> December  2004\r\n\r\n<strong>EN REISE TIL INDIA</strong>\r\n\r\nHarald Flor, Dagbladet, Kultur, 2<sup>nd</sup> February 2003\r\n\r\n<strong> </strong>\r\n\r\n<strong>SIGNS OF  RESISTANCE</strong>\r\n\r\nNancy Adajania, The Hindu, 5<sup>th</sup> January  2003\r\n\r\n<strong>OF THE GODDESS  AND DEMON IN THE MIND</strong>\r\n\r\nDebbie Rodgers, Sunday edition Vijay Times, Bangalore, 5<sup>th</sup> January 2003\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>EMPATHIC ANGER</strong>\r\n\r\nMarta Jakimowicz, Deccan Herald, 23<sup>rd</sup> December 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong>MYSORE</strong><strong> EK KHOJ</strong>\r\n\r\nCross Fertilization of Culture, Interview in Star of Mysore, 27<sup>th</sup> October 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong> LINKING ISLANDS</strong>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 15<sup>th</sup> February  2002\r\n\r\n<strong>CREATING TO  DESTROY</strong>\r\n\r\nJasmine Shah Varma, The List, Mid Day, 22<sup>nd</sup> February 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong>DIFFERENT  STROKES</strong>\r\n\r\nGeorgina L Maddox, The Indian Express, Mumbai Newsline,  24<sup>th</sup> July 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong>OF FAITH AND  HUNGER</strong>\r\n\r\nAbhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89,  December 2000\r\n\r\n<strong> </strong>\r\n\r\n<strong>THE MURMUR OF  SKIN</strong>\r\n\r\nNupur Mahajan, Bombay Times, Times  of India, 12<sup>th</sup> October 2000\r\n\r\n<strong>NOT JUST SKIN  DEEP</strong>\r\n\r\nJasmine Shah Varma, The List, Mid-day, 4<sup>th</sup> October 2000\r\n\r\n<strong>INSIDE OUT</strong>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 11<sup>th</sup> October  2000\r\n\r\n<strong>SCINTILLATING  SKIN</strong>\r\n\r\nVaibhav Purandare, The Asian Age, 14<sup>th</sup> October 2000\r\n\r\n<strong>AN ARTIST’S  WORLD: ROTI, MAKAAN &amp; ABSTRACT ART</strong>\r\n\r\nPoonam Goel, HT City, 23<sup>rd</sup> December 2000\r\n\r\n<strong> </strong>\r\n\r\n<strong>WITHIN YOU,  WITHOUT YOU</strong>\r\n\r\nAnu Kumar, Indian Express,  Express Newsline, 2<sup>nd</sup> September 1998\r\n\r\n<strong>FARMING INTRIRUE</strong>\r\n\r\nJerry Pinto, The Times of India, Bombay Times, 3<sup>rd</sup> September 1998\r\n\r\n<strong> </strong>\r\n\r\n<strong>INTERACTIVE  MEDIUM</strong>\r\n\r\nKaren Pereira, Indian  Architect &amp; Builder, pgs 102-104, October 1998','Publications','','inherit','open','open','','87-revision-48','','','2010-07-04 08:00:58','2010-07-04 08:00:58','',87,'http://www.biggventures.com/demo/artists/1335/uncat/87-revision-48',0,'revision','',0),(1336,1,'2010-07-04 08:03:05','2010-07-04 08:03:05','<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"58%\" align=\"centre\">\r\n<tbody>\r\n<tr>\r\n<td width=\"35%\" align=\"centre\" valign=\"top\" style=\"margin-left:5px;\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Reena Saini Kallat</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2008</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/reena-kallat\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Rainbow of Refuse</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2006</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/rainbow-of-refuse\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Black Flute and Other Stories</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2004</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/black-flute\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>The Battlefield Is The Mind</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2002</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/battlefield-of-mind\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>SKIN</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2000</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/skin\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Orchard of Home-grown Secrets</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>1998</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/orchard-of-home-grown-screts\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<!-- Start of Other Publications -->\r\n<strong style=\"color: #000000;\">BOOKS/  CATALOGUES </strong>\r\n<!--  em {color:#000000} -->\r\n<strong><em>SOLO  SHOWS</em></strong>\r\n<!--  strong {color:#979797} -->\r\n<strong><span style=\"text-decoration: underline;\"> </span></strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>REENA SAINI  KALLAT</strong>, 2009\r\n\r\nText: Nancy Adajania and Murtaza Vali\r\n\r\nPublisher: Primo Marella Gallery, Walsh Gallery and Chemould   Prescott Road\r\n\r\nISBN:  978-81-908879-1-5\r\n\r\n<strong>RAINBOW OF  REFUSE</strong>, 2006\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher: Bodhi Art Gallery\r\n\r\n<strong> </strong><strong>BLACK  FLUTE (AND OTHER STORIES)</strong>,<strong> </strong>2005\r\n\r\n<strong> BLACK FLUTE</strong>, 2004\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher: Gallery Chemould  and Nature Morte Gallery\r\n\r\n<strong>THE BATTLEFIELD  IS THE MIND</strong>, 2002<strong> </strong>\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher:  Sakshi Gallery\r\n\r\n<strong>SKIN</strong>,<strong> </strong>2000\r\n\r\nInterview with  Jitish Kallat\r\n\r\nPublisher:  Gallery Chemould and Vis-à-vis Art Inc. Gallery\r\n\r\n<strong>ORCHARD OF  HOME-GROWN SECRETS</strong>, 1998<strong> </strong>\r\n\r\nText: Ranjit Hoskote\r\n\r\nPublisher: Gallery Chemould and Pundole  Art Gallery\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong><em>GROUP  SHOWS</em></strong>\r\n\r\n<strong><em> </em></strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>NEVER RUN AWAY</strong>, 2010\r\n\r\nText: Shaheen  Merali\r\n\r\nPublisher: Stux Gallery\r\n\r\n<strong>URBAN MANNERS 2</strong>, 2010<strong><em> </em></strong>\r\n\r\nText: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\n\r\nPublisher: SESC Pompeia, Sao Paulo\r\n\r\n<strong> </strong>\r\n\r\n<strong>THE EMPIRE  STRIKES BACK</strong>, 2010<strong> </strong>\r\n\r\nText: Zehra Jumabhoy\r\n\r\nPublisher: Saatchi Gallery\r\n\r\n<strong> </strong><strong> </strong>\r\n\r\n<strong>VIEW POINTS AND  VIEWINGS POINTS- ASIAN ART BIENNALE</strong>, 2009<strong> </strong>\r\n\r\nText: Chao-yi-Tsai\r\n\r\nPublisher: National Taiwan Museum of fine Arts\r\n\r\n<strong>INDIA</strong><strong> XIANZAI:  CONTEMPORARY INDIAN ART</strong>,  2009\r\n\r\n<strong> </strong>Text: Jitish  Kallat, Diana Freundl, Alexander Keefe\r\n\r\nPublisher: Museum  of Contemporary  Art\r\n\r\n<strong>CHALO! INDIA: A  NEW ERA OF INDIAN ART</strong>, 2009<strong> </strong>\r\n\r\nText: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki, Miho\r\n\r\nTagomori\r\n\r\nPublisher: National Museum of Contemporary Art and Essl  Museum\r\n\r\nISBN: 978-3-7913-4304-4\r\n\r\n<strong>CHALO! INDIA: A NEW ERA OF INDIAN ART</strong>,  208<strong><em> </em></strong>\r\n\r\nText: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman\r\n\r\nGopinath, Jayaram, Deepak Ananth\r\n\r\nPublisher:  Mori Art Museum\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong><strong>INDIA</strong><strong> MODERNA</strong>, 2008<strong> </strong>\r\n\r\nText: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur,\r\n\r\nR.Siva  Kumar,  K.G. Subramanyan\r\n\r\nPublisher: IVAM (Institute Valencia D’Art Modern)\r\n\r\n<strong>EVERYWHERE IS  WAR (AND RUMOURS OF IT</strong>), 2008\r\n\r\n<strong> </strong>Text: Kai  Hafez, Martin  Hager,  Nicholas Mirzoeff, Daniel Miller,\r\n\r\nBregje van Eekelen\r\n\r\nPublisher: Bodhi Art  Gallery\r\n\r\n<strong>THREE POINTS OF  VIEWS</strong>, 2008\r\n\r\n<strong> </strong>Text:  Grant Watson\r\n\r\nPublisher: Galerie Mirchandani + Steinruecke\r\n\r\n<strong>NEW NARRATIVES</strong>, 2008\r\n\r\nText: Betty Seid<strong> </strong>\r\n\r\n<strong> </strong>Publisher:  Chicago  Cultural Center\r\n\r\n<strong> </strong><strong>MADE BY INDIANS</strong>, 2007\r\n\r\nText: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\n\r\nPublisher: Galerie Enrico Navarra\r\n\r\nISBN: 2-911596-37-4\r\n\r\n<strong>THERMOCLINE OF  ART: NEW ASIAN WAVES</strong>,  2007\r\n\r\n<strong> </strong>Text:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong<strong> </strong>\r\n\r\nPublisher: Hatje Cantz Vertag\r\n\r\nISBN: 978-3-7757-2073-1\r\n\r\nEAN: 9782911596377\r\n\r\n<strong> INDIAN COLOUR</strong>, 2007\r\n\r\nText: Peter Nagy\r\n\r\nPublisher: Dal- seung Hwang, Keumsan Gallery\r\n\r\n<strong>INDIA</strong><strong> ARTE OGGI</strong>, 2007<strong> </strong>\r\n\r\n<strong> </strong>Text:  Daniela Palazzoli<strong> </strong>\r\n\r\nPublisher: Spazio Oberdan\r\n\r\nISBN: 978-88-202-1867-6\r\n\r\n<strong>URBAN MANNERS</strong>, 2007\r\n\r\nText: Adelina Von Furstenberg\r\n\r\n<strong> </strong>Publisher:  Hangar Bicocca\r\n\r\n<strong>INTERNATIONAL  INCHEON WOMEN ARTISTS BIENNALE, </strong>\r\n\r\n<strong> KNOCKING ON THE DOOR</strong>,  2007\r\n\r\n<strong> </strong>Text:  Sung Hee Kim, John C. Welchman<strong> </strong>\r\n\r\nPublisher: Incheon Culture and Art Centre\r\n\r\n<strong>SOFT  POWER: ASIAN ATTITUDE</strong>,  2007<strong> </strong>\r\n\r\n<strong> </strong>Text:  Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\n\r\nPublisher: Shanghai  Zendai Mumsem of Modern Art\r\n\r\nISBN: 978-7-5356-2790-2\r\n\r\n<strong>INDIA</strong><strong> EXPRESS- ART AND POPULAR CULTURE</strong>, 2006\r\n\r\n<strong> </strong>Text: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze,\r\n\r\nPublisher: Helsinki  City Art  Museum\r\n\r\nISBN: 951-8965-61-7\r\n\r\n<strong>BOMBAY</strong><strong> L’ALBUM MAXIMUM CITY</strong>, 2006\r\n\r\nText: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\n\r\nPublisher: Terrail, Lille 3000\r\n\r\nISBN:  2-87939-325-6<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>INDIAN PAINTINGS  OF THE NEW MILLENNIUM</strong>, 2005\r\n\r\n<strong> </strong>Text: Helen Asquine  Fazio, Gayatri Sinha<strong> </strong>\r\n\r\n<strong> </strong>Publisher: Quick Arts Center, Fairfield University\r\n\r\n<strong>A GUIDE TO 101 MODERN &amp; CONTEMPORARY INDIAN ARTISTS</strong>, 2005\r\n\r\n<strong> </strong>Text: Amrita  Jhaveri\r\n\r\nPublisher: India  Book House\r\n\r\nISBN: 81-7508-423-5\r\n\r\n<strong>ZOOM! ART IN  CONTEMPORARY INDIA</strong>, 2004\r\n\r\n<strong> </strong>Texts:  Luis Serpa and Nancy Adajania<strong> </strong>\r\n\r\n<strong> </strong>Publisher: The Culturgest Museum\r\n\r\nISBN: 972-769-033-5\r\n\r\n<strong>INTERLUDE IN SRI   LANKA</strong>, 2004<strong> </strong>\r\n\r\n<strong> </strong>Text:  Ranjit Hoskote, Nancy Adajania<strong> </strong>\r\n\r\n<strong> </strong>Publisher:  The Guild  Art Gallery\r\n\r\n<strong>GENERATION I</strong>, 2004\r\n\r\nText: Zehra Jumabhoy<strong> </strong>\r\n\r\n<strong> </strong>Publisher:<strong> </strong>Saffronart &amp; The Guild Art Gallery\r\n\r\n<strong>TIRANGA  RIGHTS AND REPONSIBILITIES</strong>,  2003<strong> </strong>\r\n\r\nText: Peter Nagy<strong> </strong>\r\n\r\n<strong> </strong>Publisher: Jindal  Foundation &amp; Creative Arts\r\n\r\n<strong>HARD COPY</strong>, 2003\r\n\r\nText: Peter Nagy\r\n\r\n<strong> </strong>Publisher: Gallery 88\r\n\r\n<strong> </strong><strong>CROSSING  GENERATIONS: DIVERGE</strong><strong>, </strong>2003\r\n\r\n<strong> </strong>Text:  Geeta Kapoor and Chaitanya Sambrani<strong> </strong>\r\n\r\n<strong> </strong>Publisher:<strong> </strong>Gallery Chemould\r\n\r\nPRESS  <strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong><em> </em></strong>\r\n\r\n<strong>THE ARCHIVES OF  THE HEART</strong> <strong> </strong>\r\n\r\nNancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\n\r\nFront Cover, pgs 42-45, 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>GLOBALE KUNST  MIT WURZELDUFT</strong>\r\n\r\nVon Almuth Speigler, Die Presse, Feuilleton, 2<sup>nd</sup> September 2009\r\n\r\n<strong>LANDSCAPES OF  LOSS</strong>\r\n\r\nBeth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>REINCARNATING  HISTORY</strong>\r\n\r\nThe Big Picture, Architect and Interiors, July 2009<strong> </strong>\r\n\r\n<strong>STAMP COLLECTION</strong>\r\n\r\nGeorgina Maddox, The Sunday Express, 17<sup>th</sup> May 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>EVOLVING BEYOND  BORDERS</strong>\r\n\r\nReshma S. Kulkarni, Bombay Times, Times of India,  15<sup>th</sup> January, 2009\r\n\r\n<strong>LO</strong><strong>SS AND FOUND</strong>\r\n\r\nMarina Correa, DNA, Mumbai, 22<sup>nd</sup> January 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>FOCUS INDIA</strong>\r\n\r\nMegha Ralapati, Flash Art, pg 114, January-February 2008\r\n\r\n<strong>COME TOGETHER  RIGHT NOW</strong>\r\n\r\nReema Gehi, HT Café, 15<sup>th</sup> February 2008\r\n\r\n<strong>SUCH A LONG  JOURNEY</strong>\r\n\r\nAparna S Sharma, Elle Magazine, pgs 115-117, February 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong>MORE THAN A  WOMAN</strong>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 4<sup>th</sup> February 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong>ARTIST OF THE  FORTNIGHT</strong>\r\n\r\nMaria Louis, Outlook Profit, pg 79, 18<sup>th</sup> April 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong>DEJA VIEW</strong>\r\n\r\nTara Khilachand, Live Mint, 20<sup>th</sup> December 2008\r\n\r\n<strong>TERROR STRUCK</strong>\r\n\r\nMaria Louis, Outlook Profit, 26<sup>th</sup> December 2008\r\n\r\n<strong>NAME CALLING</strong>\r\n\r\nDeepanjana Pal, Timeout Mumbai, December 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>CORRUPTIONS OF  POWER</strong>\r\n\r\nShiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99,  2007\r\n\r\n<strong>OVER THE RAINBOW</strong>\r\n\r\nMaria Louis, Interview, Verve Magazine, pg 78, November 2006\r\n\r\n<strong> </strong>\r\n\r\n<strong>IN A STATE OF PERENNIAL SIEGE</strong>\r\n\r\nNancy Adajania, The Hindu, Hyderabad, 29<sup>th</sup> October  2006\r\n\r\n<strong>HER CROWNING  ACHIEVEMENT</strong>\r\n\r\nClara Chow, The Straits Times, 18<sup>th</sup> November 2006\r\n\r\n<strong> </strong>\r\n\r\n<strong>POLITICAL CHAOS</strong>\r\n\r\nDeepali Nandwani,  Beautiful people, pg 143, November-December 2006\r\n\r\n<strong>WEAPONS OF MASS  CONSTRUCTION</strong>\r\n\r\nRituparna Som, DNA after Hrs, Mumbai, 9<sup>th</sup> October, 2006\r\n\r\n<strong> </strong>\r\n\r\n<strong> GUNS AND ROSES</strong>\r\n\r\nRachna Nakra, The Indian Express,  Mumbai Newsline, 18<sup>th</sup> September 2006\r\n\r\n<strong> UNDER ATTACK</strong>\r\n\r\nGitanjali Dang, HT Mumbai, 22<sup>nd</sup> September 2006\r\n\r\n<strong> TIME TRAVELLER</strong>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline,  27<sup>th</sup> June 2006      <strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>THE FLOWER AND  THE SWORD</strong>\r\n\r\nGirish Shahane, The Art News magazine of India,  pg 93, volume X issue I, 2004\r\n\r\n<strong>INDIA</strong><strong>’S TOP 100 ACHIEVERS</strong>\r\n\r\nSociety Magazine, pg 137, December 2004\r\n\r\n<strong>CAUGHT BETWEEEN  DEMONS</strong>\r\n\r\nNancy Adajania, The Hindu, 19<sup>th</sup> December  2004\r\n\r\n<strong>EN REISE TIL INDIA</strong>\r\n\r\nHarald Flor, Dagbladet, Kultur, 2<sup>nd</sup> February 2003\r\n\r\n<strong> </strong>\r\n\r\n<strong>SIGNS OF  RESISTANCE</strong>\r\n\r\nNancy Adajania, The Hindu, 5<sup>th</sup> January  2003\r\n\r\n<strong>OF THE GODDESS  AND DEMON IN THE MIND</strong>\r\n\r\nDebbie Rodgers, Sunday edition Vijay Times, Bangalore, 5<sup>th</sup> January 2003\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>EMPATHIC ANGER</strong>\r\n\r\nMarta Jakimowicz, Deccan Herald, 23<sup>rd</sup> December 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong>MYSORE</strong><strong> EK KHOJ</strong>\r\n\r\nCross Fertilization of Culture, Interview in Star of Mysore, 27<sup>th</sup> October 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong> LINKING ISLANDS</strong>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 15<sup>th</sup> February  2002\r\n\r\n<strong>CREATING TO  DESTROY</strong>\r\n\r\nJasmine Shah Varma, The List, Mid Day, 22<sup>nd</sup> February 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong>DIFFERENT  STROKES</strong>\r\n\r\nGeorgina L Maddox, The Indian Express, Mumbai Newsline,  24<sup>th</sup> July 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong>OF FAITH AND  HUNGER</strong>\r\n\r\nAbhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89,  December 2000\r\n\r\n<strong> </strong>\r\n\r\n<strong>THE MURMUR OF  SKIN</strong>\r\n\r\nNupur Mahajan, Bombay Times, Times  of India, 12<sup>th</sup> October 2000\r\n\r\n<strong>NOT JUST SKIN  DEEP</strong>\r\n\r\nJasmine Shah Varma, The List, Mid-day, 4<sup>th</sup> October 2000\r\n\r\n<strong>INSIDE OUT</strong>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 11<sup>th</sup> October  2000\r\n\r\n<strong>SCINTILLATING  SKIN</strong>\r\n\r\nVaibhav Purandare, The Asian Age, 14<sup>th</sup> October 2000\r\n\r\n<strong>AN ARTIST’S  WORLD: ROTI, MAKAAN &amp; ABSTRACT ART</strong>\r\n\r\nPoonam Goel, HT City, 23<sup>rd</sup> December 2000\r\n\r\n<strong> </strong>\r\n\r\n<strong>WITHIN YOU,  WITHOUT YOU</strong>\r\n\r\nAnu Kumar, Indian Express,  Express Newsline, 2<sup>nd</sup> September 1998\r\n\r\n<strong>FARMING INTRIRUE</strong>\r\n\r\nJerry Pinto, The Times of India, Bombay Times, 3<sup>rd</sup> September 1998\r\n\r\n<strong> </strong>\r\n\r\n<strong>INTERACTIVE  MEDIUM</strong>\r\n\r\nKaren Pereira, Indian  Architect &amp; Builder, pgs 102-104, October 1998','Publications','','inherit','open','open','','87-revision-49','','','2010-07-04 08:03:05','2010-07-04 08:03:05','',87,'http://www.biggventures.com/demo/artists/1336/uncat/87-revision-49',0,'revision','',0),(1337,1,'2010-07-04 08:08:32','2010-07-04 08:08:32','<table border=\"0\" cellspacing=\"0\" cellpadding=\"0\" width=\"58%\" align=\"centre\" style=\"margin-left:5px;\">\r\n<tbody>\r\n<tr>\r\n<td width=\"35%\" align=\"centre\" valign=\"top\" style=\"margin-left:5px;\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Reena Saini Kallat</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2008</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/reena-kallat\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Rainbow of Refuse</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2006</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/rainbow-of-refuse\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Black Flute and Other Stories</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2004</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/black-flute\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>The Battlefield Is The Mind</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2002</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/battlefield-of-mind\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>SKIN</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2000</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/skin\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Orchard of Home-grown Secrets</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>1998</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/orchard-of-home-grown-screts\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<!-- Start of Other Publications -->\r\n<strong style=\"color: #000000;\">BOOKS/  CATALOGUES </strong>\r\n<!--  em {color:#000000} -->\r\n<strong><em>SOLO  SHOWS</em></strong>\r\n<!--  strong {color:#979797} -->\r\n<strong><span style=\"text-decoration: underline;\"> </span></strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>REENA SAINI  KALLAT</strong>, 2009\r\n\r\nText: Nancy Adajania and Murtaza Vali\r\n\r\nPublisher: Primo Marella Gallery, Walsh Gallery and Chemould   Prescott Road\r\n\r\nISBN:  978-81-908879-1-5\r\n\r\n<strong>RAINBOW OF  REFUSE</strong>, 2006\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher: Bodhi Art Gallery\r\n\r\n<strong> </strong><strong>BLACK  FLUTE (AND OTHER STORIES)</strong>,<strong> </strong>2005\r\n\r\n<strong> BLACK FLUTE</strong>, 2004\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher: Gallery Chemould  and Nature Morte Gallery\r\n\r\n<strong>THE BATTLEFIELD  IS THE MIND</strong>, 2002<strong> </strong>\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher:  Sakshi Gallery\r\n\r\n<strong>SKIN</strong>,<strong> </strong>2000\r\n\r\nInterview with  Jitish Kallat\r\n\r\nPublisher:  Gallery Chemould and Vis-à-vis Art Inc. Gallery\r\n\r\n<strong>ORCHARD OF  HOME-GROWN SECRETS</strong>, 1998<strong> </strong>\r\n\r\nText: Ranjit Hoskote\r\n\r\nPublisher: Gallery Chemould and Pundole  Art Gallery\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong><em>GROUP  SHOWS</em></strong>\r\n\r\n<strong><em> </em></strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>NEVER RUN AWAY</strong>, 2010\r\n\r\nText: Shaheen  Merali\r\n\r\nPublisher: Stux Gallery\r\n\r\n<strong>URBAN MANNERS 2</strong>, 2010<strong><em> </em></strong>\r\n\r\nText: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\n\r\nPublisher: SESC Pompeia, Sao Paulo\r\n\r\n<strong> </strong>\r\n\r\n<strong>THE EMPIRE  STRIKES BACK</strong>, 2010<strong> </strong>\r\n\r\nText: Zehra Jumabhoy\r\n\r\nPublisher: Saatchi Gallery\r\n\r\n<strong> </strong><strong> </strong>\r\n\r\n<strong>VIEW POINTS AND  VIEWINGS POINTS- ASIAN ART BIENNALE</strong>, 2009<strong> </strong>\r\n\r\nText: Chao-yi-Tsai\r\n\r\nPublisher: National Taiwan Museum of fine Arts\r\n\r\n<strong>INDIA</strong><strong> XIANZAI:  CONTEMPORARY INDIAN ART</strong>,  2009\r\n\r\n<strong> </strong>Text: Jitish  Kallat, Diana Freundl, Alexander Keefe\r\n\r\nPublisher: Museum  of Contemporary  Art\r\n\r\n<strong>CHALO! INDIA: A  NEW ERA OF INDIAN ART</strong>, 2009<strong> </strong>\r\n\r\nText: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki, Miho\r\n\r\nTagomori\r\n\r\nPublisher: National Museum of Contemporary Art and Essl  Museum\r\n\r\nISBN: 978-3-7913-4304-4\r\n\r\n<strong>CHALO! INDIA: A NEW ERA OF INDIAN ART</strong>,  208<strong><em> </em></strong>\r\n\r\nText: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman\r\n\r\nGopinath, Jayaram, Deepak Ananth\r\n\r\nPublisher:  Mori Art Museum\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong><strong>INDIA</strong><strong> MODERNA</strong>, 2008<strong> </strong>\r\n\r\nText: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur,\r\n\r\nR.Siva  Kumar,  K.G. Subramanyan\r\n\r\nPublisher: IVAM (Institute Valencia D’Art Modern)\r\n\r\n<strong>EVERYWHERE IS  WAR (AND RUMOURS OF IT</strong>), 2008\r\n\r\n<strong> </strong>Text: Kai  Hafez, Martin  Hager,  Nicholas Mirzoeff, Daniel Miller,\r\n\r\nBregje van Eekelen\r\n\r\nPublisher: Bodhi Art  Gallery\r\n\r\n<strong>THREE POINTS OF  VIEWS</strong>, 2008\r\n\r\n<strong> </strong>Text:  Grant Watson\r\n\r\nPublisher: Galerie Mirchandani + Steinruecke\r\n\r\n<strong>NEW NARRATIVES</strong>, 2008\r\n\r\nText: Betty Seid<strong> </strong>\r\n\r\n<strong> </strong>Publisher:  Chicago  Cultural Center\r\n\r\n<strong> </strong><strong>MADE BY INDIANS</strong>, 2007\r\n\r\nText: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\n\r\nPublisher: Galerie Enrico Navarra\r\n\r\nISBN: 2-911596-37-4\r\n\r\n<strong>THERMOCLINE OF  ART: NEW ASIAN WAVES</strong>,  2007\r\n\r\n<strong> </strong>Text:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong<strong> </strong>\r\n\r\nPublisher: Hatje Cantz Vertag\r\n\r\nISBN: 978-3-7757-2073-1\r\n\r\nEAN: 9782911596377\r\n\r\n<strong> INDIAN COLOUR</strong>, 2007\r\n\r\nText: Peter Nagy\r\n\r\nPublisher: Dal- seung Hwang, Keumsan Gallery\r\n\r\n<strong>INDIA</strong><strong> ARTE OGGI</strong>, 2007<strong> </strong>\r\n\r\n<strong> </strong>Text:  Daniela Palazzoli<strong> </strong>\r\n\r\nPublisher: Spazio Oberdan\r\n\r\nISBN: 978-88-202-1867-6\r\n\r\n<strong>URBAN MANNERS</strong>, 2007\r\n\r\nText: Adelina Von Furstenberg\r\n\r\n<strong> </strong>Publisher:  Hangar Bicocca\r\n\r\n<strong>INTERNATIONAL  INCHEON WOMEN ARTISTS BIENNALE, </strong>\r\n\r\n<strong> KNOCKING ON THE DOOR</strong>,  2007\r\n\r\n<strong> </strong>Text:  Sung Hee Kim, John C. Welchman<strong> </strong>\r\n\r\nPublisher: Incheon Culture and Art Centre\r\n\r\n<strong>SOFT  POWER: ASIAN ATTITUDE</strong>,  2007<strong> </strong>\r\n\r\n<strong> </strong>Text:  Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\n\r\nPublisher: Shanghai  Zendai Mumsem of Modern Art\r\n\r\nISBN: 978-7-5356-2790-2\r\n\r\n<strong>INDIA</strong><strong> EXPRESS- ART AND POPULAR CULTURE</strong>, 2006\r\n\r\n<strong> </strong>Text: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze,\r\n\r\nPublisher: Helsinki  City Art  Museum\r\n\r\nISBN: 951-8965-61-7\r\n\r\n<strong>BOMBAY</strong><strong> L’ALBUM MAXIMUM CITY</strong>, 2006\r\n\r\nText: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\n\r\nPublisher: Terrail, Lille 3000\r\n\r\nISBN:  2-87939-325-6<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>INDIAN PAINTINGS  OF THE NEW MILLENNIUM</strong>, 2005\r\n\r\n<strong> </strong>Text: Helen Asquine  Fazio, Gayatri Sinha<strong> </strong>\r\n\r\n<strong> </strong>Publisher: Quick Arts Center, Fairfield University\r\n\r\n<strong>A GUIDE TO 101 MODERN &amp; CONTEMPORARY INDIAN ARTISTS</strong>, 2005\r\n\r\n<strong> </strong>Text: Amrita  Jhaveri\r\n\r\nPublisher: India  Book House\r\n\r\nISBN: 81-7508-423-5\r\n\r\n<strong>ZOOM! ART IN  CONTEMPORARY INDIA</strong>, 2004\r\n\r\n<strong> </strong>Texts:  Luis Serpa and Nancy Adajania<strong> </strong>\r\n\r\n<strong> </strong>Publisher: The Culturgest Museum\r\n\r\nISBN: 972-769-033-5\r\n\r\n<strong>INTERLUDE IN SRI   LANKA</strong>, 2004<strong> </strong>\r\n\r\n<strong> </strong>Text:  Ranjit Hoskote, Nancy Adajania<strong> </strong>\r\n\r\n<strong> </strong>Publisher:  The Guild  Art Gallery\r\n\r\n<strong>GENERATION I</strong>, 2004\r\n\r\nText: Zehra Jumabhoy<strong> </strong>\r\n\r\n<strong> </strong>Publisher:<strong> </strong>Saffronart &amp; The Guild Art Gallery\r\n\r\n<strong>TIRANGA  RIGHTS AND REPONSIBILITIES</strong>,  2003<strong> </strong>\r\n\r\nText: Peter Nagy<strong> </strong>\r\n\r\n<strong> </strong>Publisher: Jindal  Foundation &amp; Creative Arts\r\n\r\n<strong>HARD COPY</strong>, 2003\r\n\r\nText: Peter Nagy\r\n\r\n<strong> </strong>Publisher: Gallery 88\r\n\r\n<strong> </strong><strong>CROSSING  GENERATIONS: DIVERGE</strong><strong>, </strong>2003\r\n\r\n<strong> </strong>Text:  Geeta Kapoor and Chaitanya Sambrani<strong> </strong>\r\n\r\n<strong> </strong>Publisher:<strong> </strong>Gallery Chemould\r\n\r\nPRESS  <strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong><em> </em></strong>\r\n\r\n<strong>THE ARCHIVES OF  THE HEART</strong> <strong> </strong>\r\n\r\nNancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\n\r\nFront Cover, pgs 42-45, 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>GLOBALE KUNST  MIT WURZELDUFT</strong>\r\n\r\nVon Almuth Speigler, Die Presse, Feuilleton, 2<sup>nd</sup> September 2009\r\n\r\n<strong>LANDSCAPES OF  LOSS</strong>\r\n\r\nBeth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>REINCARNATING  HISTORY</strong>\r\n\r\nThe Big Picture, Architect and Interiors, July 2009<strong> </strong>\r\n\r\n<strong>STAMP COLLECTION</strong>\r\n\r\nGeorgina Maddox, The Sunday Express, 17<sup>th</sup> May 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>EVOLVING BEYOND  BORDERS</strong>\r\n\r\nReshma S. Kulkarni, Bombay Times, Times of India,  15<sup>th</sup> January, 2009\r\n\r\n<strong>LO</strong><strong>SS AND FOUND</strong>\r\n\r\nMarina Correa, DNA, Mumbai, 22<sup>nd</sup> January 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>FOCUS INDIA</strong>\r\n\r\nMegha Ralapati, Flash Art, pg 114, January-February 2008\r\n\r\n<strong>COME TOGETHER  RIGHT NOW</strong>\r\n\r\nReema Gehi, HT Café, 15<sup>th</sup> February 2008\r\n\r\n<strong>SUCH A LONG  JOURNEY</strong>\r\n\r\nAparna S Sharma, Elle Magazine, pgs 115-117, February 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong>MORE THAN A  WOMAN</strong>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 4<sup>th</sup> February 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong>ARTIST OF THE  FORTNIGHT</strong>\r\n\r\nMaria Louis, Outlook Profit, pg 79, 18<sup>th</sup> April 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong>DEJA VIEW</strong>\r\n\r\nTara Khilachand, Live Mint, 20<sup>th</sup> December 2008\r\n\r\n<strong>TERROR STRUCK</strong>\r\n\r\nMaria Louis, Outlook Profit, 26<sup>th</sup> December 2008\r\n\r\n<strong>NAME CALLING</strong>\r\n\r\nDeepanjana Pal, Timeout Mumbai, December 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>CORRUPTIONS OF  POWER</strong>\r\n\r\nShiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99,  2007\r\n\r\n<strong>OVER THE RAINBOW</strong>\r\n\r\nMaria Louis, Interview, Verve Magazine, pg 78, November 2006\r\n\r\n<strong> </strong>\r\n\r\n<strong>IN A STATE OF PERENNIAL SIEGE</strong>\r\n\r\nNancy Adajania, The Hindu, Hyderabad, 29<sup>th</sup> October  2006\r\n\r\n<strong>HER CROWNING  ACHIEVEMENT</strong>\r\n\r\nClara Chow, The Straits Times, 18<sup>th</sup> November 2006\r\n\r\n<strong> </strong>\r\n\r\n<strong>POLITICAL CHAOS</strong>\r\n\r\nDeepali Nandwani,  Beautiful people, pg 143, November-December 2006\r\n\r\n<strong>WEAPONS OF MASS  CONSTRUCTION</strong>\r\n\r\nRituparna Som, DNA after Hrs, Mumbai, 9<sup>th</sup> October, 2006\r\n\r\n<strong> </strong>\r\n\r\n<strong> GUNS AND ROSES</strong>\r\n\r\nRachna Nakra, The Indian Express,  Mumbai Newsline, 18<sup>th</sup> September 2006\r\n\r\n<strong> UNDER ATTACK</strong>\r\n\r\nGitanjali Dang, HT Mumbai, 22<sup>nd</sup> September 2006\r\n\r\n<strong> TIME TRAVELLER</strong>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline,  27<sup>th</sup> June 2006      <strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>THE FLOWER AND  THE SWORD</strong>\r\n\r\nGirish Shahane, The Art News magazine of India,  pg 93, volume X issue I, 2004\r\n\r\n<strong>INDIA</strong><strong>’S TOP 100 ACHIEVERS</strong>\r\n\r\nSociety Magazine, pg 137, December 2004\r\n\r\n<strong>CAUGHT BETWEEEN  DEMONS</strong>\r\n\r\nNancy Adajania, The Hindu, 19<sup>th</sup> December  2004\r\n\r\n<strong>EN REISE TIL INDIA</strong>\r\n\r\nHarald Flor, Dagbladet, Kultur, 2<sup>nd</sup> February 2003\r\n\r\n<strong> </strong>\r\n\r\n<strong>SIGNS OF  RESISTANCE</strong>\r\n\r\nNancy Adajania, The Hindu, 5<sup>th</sup> January  2003\r\n\r\n<strong>OF THE GODDESS  AND DEMON IN THE MIND</strong>\r\n\r\nDebbie Rodgers, Sunday edition Vijay Times, Bangalore, 5<sup>th</sup> January 2003\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>EMPATHIC ANGER</strong>\r\n\r\nMarta Jakimowicz, Deccan Herald, 23<sup>rd</sup> December 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong>MYSORE</strong><strong> EK KHOJ</strong>\r\n\r\nCross Fertilization of Culture, Interview in Star of Mysore, 27<sup>th</sup> October 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong> LINKING ISLANDS</strong>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 15<sup>th</sup> February  2002\r\n\r\n<strong>CREATING TO  DESTROY</strong>\r\n\r\nJasmine Shah Varma, The List, Mid Day, 22<sup>nd</sup> February 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong>DIFFERENT  STROKES</strong>\r\n\r\nGeorgina L Maddox, The Indian Express, Mumbai Newsline,  24<sup>th</sup> July 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong>OF FAITH AND  HUNGER</strong>\r\n\r\nAbhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89,  December 2000\r\n\r\n<strong> </strong>\r\n\r\n<strong>THE MURMUR OF  SKIN</strong>\r\n\r\nNupur Mahajan, Bombay Times, Times  of India, 12<sup>th</sup> October 2000\r\n\r\n<strong>NOT JUST SKIN  DEEP</strong>\r\n\r\nJasmine Shah Varma, The List, Mid-day, 4<sup>th</sup> October 2000\r\n\r\n<strong>INSIDE OUT</strong>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 11<sup>th</sup> October  2000\r\n\r\n<strong>SCINTILLATING  SKIN</strong>\r\n\r\nVaibhav Purandare, The Asian Age, 14<sup>th</sup> October 2000\r\n\r\n<strong>AN ARTIST’S  WORLD: ROTI, MAKAAN &amp; ABSTRACT ART</strong>\r\n\r\nPoonam Goel, HT City, 23<sup>rd</sup> December 2000\r\n\r\n<strong> </strong>\r\n\r\n<strong>WITHIN YOU,  WITHOUT YOU</strong>\r\n\r\nAnu Kumar, Indian Express,  Express Newsline, 2<sup>nd</sup> September 1998\r\n\r\n<strong>FARMING INTRIRUE</strong>\r\n\r\nJerry Pinto, The Times of India, Bombay Times, 3<sup>rd</sup> September 1998\r\n\r\n<strong> </strong>\r\n\r\n<strong>INTERACTIVE  MEDIUM</strong>\r\n\r\nKaren Pereira, Indian  Architect &amp; Builder, pgs 102-104, October 1998','Publications','','inherit','open','open','','87-revision-50','','','2010-07-04 08:08:32','2010-07-04 08:08:32','',87,'http://www.biggventures.com/demo/artists/1337/uncat/87-revision-50',0,'revision','',0),(1338,1,'2010-07-04 08:10:32','2010-07-04 08:10:32','<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"58%\" align=\"centre\" style=\"margin-left:5px;\">\r\n<tbody>\r\n<tr>\r\n<td width=\"35%\" align=\"centre\" valign=\"top\" style=\"margin-left:5px;\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Reena Saini Kallat</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2008</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/reena-kallat\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Rainbow of Refuse</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2006</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/rainbow-of-refuse\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Black Flute and Other Stories</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2004</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/black-flute\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>The Battlefield Is The Mind</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2002</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/battlefield-of-mind\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>SKIN</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2000</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/skin\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Orchard of Home-grown Secrets</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>1998</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/orchard-of-home-grown-screts\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<!-- Start of Other Publications -->\r\n<strong style=\"color: #000000;\">BOOKS/  CATALOGUES </strong>\r\n<!--  em {color:#000000} -->\r\n<strong><em>SOLO  SHOWS</em></strong>\r\n<!--  strong {color:#979797} -->\r\n<strong><span style=\"text-decoration: underline;\"> </span></strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>REENA SAINI  KALLAT</strong>, 2009\r\n\r\nText: Nancy Adajania and Murtaza Vali\r\n\r\nPublisher: Primo Marella Gallery, Walsh Gallery and Chemould   Prescott Road\r\n\r\nISBN:  978-81-908879-1-5\r\n\r\n<strong>RAINBOW OF  REFUSE</strong>, 2006\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher: Bodhi Art Gallery\r\n\r\n<strong> </strong><strong>BLACK  FLUTE (AND OTHER STORIES)</strong>,<strong> </strong>2005\r\n\r\n<strong> BLACK FLUTE</strong>, 2004\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher: Gallery Chemould  and Nature Morte Gallery\r\n\r\n<strong>THE BATTLEFIELD  IS THE MIND</strong>, 2002<strong> </strong>\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher:  Sakshi Gallery\r\n\r\n<strong>SKIN</strong>,<strong> </strong>2000\r\n\r\nInterview with  Jitish Kallat\r\n\r\nPublisher:  Gallery Chemould and Vis-à-vis Art Inc. Gallery\r\n\r\n<strong>ORCHARD OF  HOME-GROWN SECRETS</strong>, 1998<strong> </strong>\r\n\r\nText: Ranjit Hoskote\r\n\r\nPublisher: Gallery Chemould and Pundole  Art Gallery\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong><em>GROUP  SHOWS</em></strong>\r\n\r\n<strong><em> </em></strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>NEVER RUN AWAY</strong>, 2010\r\n\r\nText: Shaheen  Merali\r\n\r\nPublisher: Stux Gallery\r\n\r\n<strong>URBAN MANNERS 2</strong>, 2010<strong><em> </em></strong>\r\n\r\nText: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\n\r\nPublisher: SESC Pompeia, Sao Paulo\r\n\r\n<strong> </strong>\r\n\r\n<strong>THE EMPIRE  STRIKES BACK</strong>, 2010<strong> </strong>\r\n\r\nText: Zehra Jumabhoy\r\n\r\nPublisher: Saatchi Gallery\r\n\r\n<strong> </strong><strong> </strong>\r\n\r\n<strong>VIEW POINTS AND  VIEWINGS POINTS- ASIAN ART BIENNALE</strong>, 2009<strong> </strong>\r\n\r\nText: Chao-yi-Tsai\r\n\r\nPublisher: National Taiwan Museum of fine Arts\r\n\r\n<strong>INDIA</strong><strong> XIANZAI:  CONTEMPORARY INDIAN ART</strong>,  2009\r\n\r\n<strong> </strong>Text: Jitish  Kallat, Diana Freundl, Alexander Keefe\r\n\r\nPublisher: Museum  of Contemporary  Art\r\n\r\n<strong>CHALO! INDIA: A  NEW ERA OF INDIAN ART</strong>, 2009<strong> </strong>\r\n\r\nText: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki, Miho\r\n\r\nTagomori\r\n\r\nPublisher: National Museum of Contemporary Art and Essl  Museum\r\n\r\nISBN: 978-3-7913-4304-4\r\n\r\n<strong>CHALO! INDIA: A NEW ERA OF INDIAN ART</strong>,  208<strong><em> </em></strong>\r\n\r\nText: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman\r\n\r\nGopinath, Jayaram, Deepak Ananth\r\n\r\nPublisher:  Mori Art Museum\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong><strong>INDIA</strong><strong> MODERNA</strong>, 2008<strong> </strong>\r\n\r\nText: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur,\r\n\r\nR.Siva  Kumar,  K.G. Subramanyan\r\n\r\nPublisher: IVAM (Institute Valencia D’Art Modern)\r\n\r\n<strong>EVERYWHERE IS  WAR (AND RUMOURS OF IT</strong>), 2008\r\n\r\n<strong> </strong>Text: Kai  Hafez, Martin  Hager,  Nicholas Mirzoeff, Daniel Miller,\r\n\r\nBregje van Eekelen\r\n\r\nPublisher: Bodhi Art  Gallery\r\n\r\n<strong>THREE POINTS OF  VIEWS</strong>, 2008\r\n\r\n<strong> </strong>Text:  Grant Watson\r\n\r\nPublisher: Galerie Mirchandani + Steinruecke\r\n\r\n<strong>NEW NARRATIVES</strong>, 2008\r\n\r\nText: Betty Seid<strong> </strong>\r\n\r\n<strong> </strong>Publisher:  Chicago  Cultural Center\r\n\r\n<strong> </strong><strong>MADE BY INDIANS</strong>, 2007\r\n\r\nText: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\n\r\nPublisher: Galerie Enrico Navarra\r\n\r\nISBN: 2-911596-37-4\r\n\r\n<strong>THERMOCLINE OF  ART: NEW ASIAN WAVES</strong>,  2007\r\n\r\n<strong> </strong>Text:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong<strong> </strong>\r\n\r\nPublisher: Hatje Cantz Vertag\r\n\r\nISBN: 978-3-7757-2073-1\r\n\r\nEAN: 9782911596377\r\n\r\n<strong> INDIAN COLOUR</strong>, 2007\r\n\r\nText: Peter Nagy\r\n\r\nPublisher: Dal- seung Hwang, Keumsan Gallery\r\n\r\n<strong>INDIA</strong><strong> ARTE OGGI</strong>, 2007<strong> </strong>\r\n\r\n<strong> </strong>Text:  Daniela Palazzoli<strong> </strong>\r\n\r\nPublisher: Spazio Oberdan\r\n\r\nISBN: 978-88-202-1867-6\r\n\r\n<strong>URBAN MANNERS</strong>, 2007\r\n\r\nText: Adelina Von Furstenberg\r\n\r\n<strong> </strong>Publisher:  Hangar Bicocca\r\n\r\n<strong>INTERNATIONAL  INCHEON WOMEN ARTISTS BIENNALE, </strong>\r\n\r\n<strong> KNOCKING ON THE DOOR</strong>,  2007\r\n\r\n<strong> </strong>Text:  Sung Hee Kim, John C. Welchman<strong> </strong>\r\n\r\nPublisher: Incheon Culture and Art Centre\r\n\r\n<strong>SOFT  POWER: ASIAN ATTITUDE</strong>,  2007<strong> </strong>\r\n\r\n<strong> </strong>Text:  Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\n\r\nPublisher: Shanghai  Zendai Mumsem of Modern Art\r\n\r\nISBN: 978-7-5356-2790-2\r\n\r\n<strong>INDIA</strong><strong> EXPRESS- ART AND POPULAR CULTURE</strong>, 2006\r\n\r\n<strong> </strong>Text: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze,\r\n\r\nPublisher: Helsinki  City Art  Museum\r\n\r\nISBN: 951-8965-61-7\r\n\r\n<strong>BOMBAY</strong><strong> L’ALBUM MAXIMUM CITY</strong>, 2006\r\n\r\nText: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\n\r\nPublisher: Terrail, Lille 3000\r\n\r\nISBN:  2-87939-325-6<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>INDIAN PAINTINGS  OF THE NEW MILLENNIUM</strong>, 2005\r\n\r\n<strong> </strong>Text: Helen Asquine  Fazio, Gayatri Sinha<strong> </strong>\r\n\r\n<strong> </strong>Publisher: Quick Arts Center, Fairfield University\r\n\r\n<strong>A GUIDE TO 101 MODERN &amp; CONTEMPORARY INDIAN ARTISTS</strong>, 2005\r\n\r\n<strong> </strong>Text: Amrita  Jhaveri\r\n\r\nPublisher: India  Book House\r\n\r\nISBN: 81-7508-423-5\r\n\r\n<strong>ZOOM! ART IN  CONTEMPORARY INDIA</strong>, 2004\r\n\r\n<strong> </strong>Texts:  Luis Serpa and Nancy Adajania<strong> </strong>\r\n\r\n<strong> </strong>Publisher: The Culturgest Museum\r\n\r\nISBN: 972-769-033-5\r\n\r\n<strong>INTERLUDE IN SRI   LANKA</strong>, 2004<strong> </strong>\r\n\r\n<strong> </strong>Text:  Ranjit Hoskote, Nancy Adajania<strong> </strong>\r\n\r\n<strong> </strong>Publisher:  The Guild  Art Gallery\r\n\r\n<strong>GENERATION I</strong>, 2004\r\n\r\nText: Zehra Jumabhoy<strong> </strong>\r\n\r\n<strong> </strong>Publisher:<strong> </strong>Saffronart &amp; The Guild Art Gallery\r\n\r\n<strong>TIRANGA  RIGHTS AND REPONSIBILITIES</strong>,  2003<strong> </strong>\r\n\r\nText: Peter Nagy<strong> </strong>\r\n\r\n<strong> </strong>Publisher: Jindal  Foundation &amp; Creative Arts\r\n\r\n<strong>HARD COPY</strong>, 2003\r\n\r\nText: Peter Nagy\r\n\r\n<strong> </strong>Publisher: Gallery 88\r\n\r\n<strong> </strong><strong>CROSSING  GENERATIONS: DIVERGE</strong><strong>, </strong>2003\r\n\r\n<strong> </strong>Text:  Geeta Kapoor and Chaitanya Sambrani<strong> </strong>\r\n\r\n<strong> </strong>Publisher:<strong> </strong>Gallery Chemould\r\n\r\nPRESS  <strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong><em> </em></strong>\r\n\r\n<strong>THE ARCHIVES OF  THE HEART</strong> <strong> </strong>\r\n\r\nNancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\n\r\nFront Cover, pgs 42-45, 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>GLOBALE KUNST  MIT WURZELDUFT</strong>\r\n\r\nVon Almuth Speigler, Die Presse, Feuilleton, 2<sup>nd</sup> September 2009\r\n\r\n<strong>LANDSCAPES OF  LOSS</strong>\r\n\r\nBeth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>REINCARNATING  HISTORY</strong>\r\n\r\nThe Big Picture, Architect and Interiors, July 2009<strong> </strong>\r\n\r\n<strong>STAMP COLLECTION</strong>\r\n\r\nGeorgina Maddox, The Sunday Express, 17<sup>th</sup> May 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>EVOLVING BEYOND  BORDERS</strong>\r\n\r\nReshma S. Kulkarni, Bombay Times, Times of India,  15<sup>th</sup> January, 2009\r\n\r\n<strong>LO</strong><strong>SS AND FOUND</strong>\r\n\r\nMarina Correa, DNA, Mumbai, 22<sup>nd</sup> January 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>FOCUS INDIA</strong>\r\n\r\nMegha Ralapati, Flash Art, pg 114, January-February 2008\r\n\r\n<strong>COME TOGETHER  RIGHT NOW</strong>\r\n\r\nReema Gehi, HT Café, 15<sup>th</sup> February 2008\r\n\r\n<strong>SUCH A LONG  JOURNEY</strong>\r\n\r\nAparna S Sharma, Elle Magazine, pgs 115-117, February 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong>MORE THAN A  WOMAN</strong>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 4<sup>th</sup> February 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong>ARTIST OF THE  FORTNIGHT</strong>\r\n\r\nMaria Louis, Outlook Profit, pg 79, 18<sup>th</sup> April 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong>DEJA VIEW</strong>\r\n\r\nTara Khilachand, Live Mint, 20<sup>th</sup> December 2008\r\n\r\n<strong>TERROR STRUCK</strong>\r\n\r\nMaria Louis, Outlook Profit, 26<sup>th</sup> December 2008\r\n\r\n<strong>NAME CALLING</strong>\r\n\r\nDeepanjana Pal, Timeout Mumbai, December 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>CORRUPTIONS OF  POWER</strong>\r\n\r\nShiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99,  2007\r\n\r\n<strong>OVER THE RAINBOW</strong>\r\n\r\nMaria Louis, Interview, Verve Magazine, pg 78, November 2006\r\n\r\n<strong> </strong>\r\n\r\n<strong>IN A STATE OF PERENNIAL SIEGE</strong>\r\n\r\nNancy Adajania, The Hindu, Hyderabad, 29<sup>th</sup> October  2006\r\n\r\n<strong>HER CROWNING  ACHIEVEMENT</strong>\r\n\r\nClara Chow, The Straits Times, 18<sup>th</sup> November 2006\r\n\r\n<strong> </strong>\r\n\r\n<strong>POLITICAL CHAOS</strong>\r\n\r\nDeepali Nandwani,  Beautiful people, pg 143, November-December 2006\r\n\r\n<strong>WEAPONS OF MASS  CONSTRUCTION</strong>\r\n\r\nRituparna Som, DNA after Hrs, Mumbai, 9<sup>th</sup> October, 2006\r\n\r\n<strong> </strong>\r\n\r\n<strong> GUNS AND ROSES</strong>\r\n\r\nRachna Nakra, The Indian Express,  Mumbai Newsline, 18<sup>th</sup> September 2006\r\n\r\n<strong> UNDER ATTACK</strong>\r\n\r\nGitanjali Dang, HT Mumbai, 22<sup>nd</sup> September 2006\r\n\r\n<strong> TIME TRAVELLER</strong>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline,  27<sup>th</sup> June 2006      <strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>THE FLOWER AND  THE SWORD</strong>\r\n\r\nGirish Shahane, The Art News magazine of India,  pg 93, volume X issue I, 2004\r\n\r\n<strong>INDIA</strong><strong>’S TOP 100 ACHIEVERS</strong>\r\n\r\nSociety Magazine, pg 137, December 2004\r\n\r\n<strong>CAUGHT BETWEEEN  DEMONS</strong>\r\n\r\nNancy Adajania, The Hindu, 19<sup>th</sup> December  2004\r\n\r\n<strong>EN REISE TIL INDIA</strong>\r\n\r\nHarald Flor, Dagbladet, Kultur, 2<sup>nd</sup> February 2003\r\n\r\n<strong> </strong>\r\n\r\n<strong>SIGNS OF  RESISTANCE</strong>\r\n\r\nNancy Adajania, The Hindu, 5<sup>th</sup> January  2003\r\n\r\n<strong>OF THE GODDESS  AND DEMON IN THE MIND</strong>\r\n\r\nDebbie Rodgers, Sunday edition Vijay Times, Bangalore, 5<sup>th</sup> January 2003\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>EMPATHIC ANGER</strong>\r\n\r\nMarta Jakimowicz, Deccan Herald, 23<sup>rd</sup> December 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong>MYSORE</strong><strong> EK KHOJ</strong>\r\n\r\nCross Fertilization of Culture, Interview in Star of Mysore, 27<sup>th</sup> October 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong> LINKING ISLANDS</strong>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 15<sup>th</sup> February  2002\r\n\r\n<strong>CREATING TO  DESTROY</strong>\r\n\r\nJasmine Shah Varma, The List, Mid Day, 22<sup>nd</sup> February 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong>DIFFERENT  STROKES</strong>\r\n\r\nGeorgina L Maddox, The Indian Express, Mumbai Newsline,  24<sup>th</sup> July 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong>OF FAITH AND  HUNGER</strong>\r\n\r\nAbhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89,  December 2000\r\n\r\n<strong> </strong>\r\n\r\n<strong>THE MURMUR OF  SKIN</strong>\r\n\r\nNupur Mahajan, Bombay Times, Times  of India, 12<sup>th</sup> October 2000\r\n\r\n<strong>NOT JUST SKIN  DEEP</strong>\r\n\r\nJasmine Shah Varma, The List, Mid-day, 4<sup>th</sup> October 2000\r\n\r\n<strong>INSIDE OUT</strong>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 11<sup>th</sup> October  2000\r\n\r\n<strong>SCINTILLATING  SKIN</strong>\r\n\r\nVaibhav Purandare, The Asian Age, 14<sup>th</sup> October 2000\r\n\r\n<strong>AN ARTIST’S  WORLD: ROTI, MAKAAN &amp; ABSTRACT ART</strong>\r\n\r\nPoonam Goel, HT City, 23<sup>rd</sup> December 2000\r\n\r\n<strong> </strong>\r\n\r\n<strong>WITHIN YOU,  WITHOUT YOU</strong>\r\n\r\nAnu Kumar, Indian Express,  Express Newsline, 2<sup>nd</sup> September 1998\r\n\r\n<strong>FARMING INTRIRUE</strong>\r\n\r\nJerry Pinto, The Times of India, Bombay Times, 3<sup>rd</sup> September 1998\r\n\r\n<strong> </strong>\r\n\r\n<strong>INTERACTIVE  MEDIUM</strong>\r\n\r\nKaren Pereira, Indian  Architect &amp; Builder, pgs 102-104, October 1998','Publications','','inherit','open','open','','87-revision-51','','','2010-07-04 08:10:32','2010-07-04 08:10:32','',87,'http://www.biggventures.com/demo/artists/1338/uncat/87-revision-51',0,'revision','',0),(1339,1,'2010-07-04 08:13:50','2010-07-04 08:13:50','<table border=\"0\" cellspacing=\"0\" cellpadding=\"0\" width=\"58%\" align=\"centre\" style=\"margin-left:5px;\">\r\n<tbody>\r\n<tr>\r\n<td width=\"35%\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Reena Saini Kallat</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2008</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/reena-kallat\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Rainbow of Refuse</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2006</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/rainbow-of-refuse\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Black Flute and Other Stories</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2004</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/black-flute\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>The Battlefield Is The Mind</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2002</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/battlefield-of-mind\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>SKIN</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>2000</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/skin\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"188\" height=\"214\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"20%\">Name</td>\r\n<td>Orchard of Home-grown Secrets</td>\r\n</tr>\r\n<tr>\r\n<td>Year</td>\r\n<td>1998</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><a href=\"http://www.reenakallat.com/orchard-of-home-grown-screts\">Read essay</a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<!-- Start of Other Publications -->\r\n<strong style=\"color: #000000;\">BOOKS/  CATALOGUES </strong>\r\n<!--  em {color:#000000} -->\r\n<strong><em>SOLO  SHOWS</em></strong>\r\n<!--  strong {color:#979797} -->\r\n<strong><span style=\"text-decoration: underline;\"> </span></strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>REENA SAINI  KALLAT</strong>, 2009\r\n\r\nText: Nancy Adajania and Murtaza Vali\r\n\r\nPublisher: Primo Marella Gallery, Walsh Gallery and Chemould   Prescott Road\r\n\r\nISBN:  978-81-908879-1-5\r\n\r\n<strong>RAINBOW OF  REFUSE</strong>, 2006\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher: Bodhi Art Gallery\r\n\r\n<strong> </strong><strong>BLACK  FLUTE (AND OTHER STORIES)</strong>,<strong> </strong>2005\r\n\r\n<strong> BLACK FLUTE</strong>, 2004\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher: Gallery Chemould  and Nature Morte Gallery\r\n\r\n<strong>THE BATTLEFIELD  IS THE MIND</strong>, 2002<strong> </strong>\r\n\r\nText: Nancy Adajania\r\n\r\nPublisher:  Sakshi Gallery\r\n\r\n<strong>SKIN</strong>,<strong> </strong>2000\r\n\r\nInterview with  Jitish Kallat\r\n\r\nPublisher:  Gallery Chemould and Vis-à-vis Art Inc. Gallery\r\n\r\n<strong>ORCHARD OF  HOME-GROWN SECRETS</strong>, 1998<strong> </strong>\r\n\r\nText: Ranjit Hoskote\r\n\r\nPublisher: Gallery Chemould and Pundole  Art Gallery\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong><em>GROUP  SHOWS</em></strong>\r\n\r\n<strong><em> </em></strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>NEVER RUN AWAY</strong>, 2010\r\n\r\nText: Shaheen  Merali\r\n\r\nPublisher: Stux Gallery\r\n\r\n<strong>URBAN MANNERS 2</strong>, 2010<strong><em> </em></strong>\r\n\r\nText: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\n\r\nPublisher: SESC Pompeia, Sao Paulo\r\n\r\n<strong> </strong>\r\n\r\n<strong>THE EMPIRE  STRIKES BACK</strong>, 2010<strong> </strong>\r\n\r\nText: Zehra Jumabhoy\r\n\r\nPublisher: Saatchi Gallery\r\n\r\n<strong> </strong><strong> </strong>\r\n\r\n<strong>VIEW POINTS AND  VIEWINGS POINTS- ASIAN ART BIENNALE</strong>, 2009<strong> </strong>\r\n\r\nText: Chao-yi-Tsai\r\n\r\nPublisher: National Taiwan Museum of fine Arts\r\n\r\n<strong>INDIA</strong><strong> XIANZAI:  CONTEMPORARY INDIAN ART</strong>,  2009\r\n\r\n<strong> </strong>Text: Jitish  Kallat, Diana Freundl, Alexander Keefe\r\n\r\nPublisher: Museum  of Contemporary  Art\r\n\r\n<strong>CHALO! INDIA: A  NEW ERA OF INDIAN ART</strong>, 2009<strong> </strong>\r\n\r\nText: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki, Miho\r\n\r\nTagomori\r\n\r\nPublisher: National Museum of Contemporary Art and Essl  Museum\r\n\r\nISBN: 978-3-7913-4304-4\r\n\r\n<strong>CHALO! INDIA: A NEW ERA OF INDIAN ART</strong>,  208<strong><em> </em></strong>\r\n\r\nText: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman\r\n\r\nGopinath, Jayaram, Deepak Ananth\r\n\r\nPublisher:  Mori Art Museum\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong><strong>INDIA</strong><strong> MODERNA</strong>, 2008<strong> </strong>\r\n\r\nText: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur,\r\n\r\nR.Siva  Kumar,  K.G. Subramanyan\r\n\r\nPublisher: IVAM (Institute Valencia D’Art Modern)\r\n\r\n<strong>EVERYWHERE IS  WAR (AND RUMOURS OF IT</strong>), 2008\r\n\r\n<strong> </strong>Text: Kai  Hafez, Martin  Hager,  Nicholas Mirzoeff, Daniel Miller,\r\n\r\nBregje van Eekelen\r\n\r\nPublisher: Bodhi Art  Gallery\r\n\r\n<strong>THREE POINTS OF  VIEWS</strong>, 2008\r\n\r\n<strong> </strong>Text:  Grant Watson\r\n\r\nPublisher: Galerie Mirchandani + Steinruecke\r\n\r\n<strong>NEW NARRATIVES</strong>, 2008\r\n\r\nText: Betty Seid<strong> </strong>\r\n\r\n<strong> </strong>Publisher:  Chicago  Cultural Center\r\n\r\n<strong> </strong><strong>MADE BY INDIANS</strong>, 2007\r\n\r\nText: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\n\r\nPublisher: Galerie Enrico Navarra\r\n\r\nISBN: 2-911596-37-4\r\n\r\n<strong>THERMOCLINE OF  ART: NEW ASIAN WAVES</strong>,  2007\r\n\r\n<strong> </strong>Text:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong<strong> </strong>\r\n\r\nPublisher: Hatje Cantz Vertag\r\n\r\nISBN: 978-3-7757-2073-1\r\n\r\nEAN: 9782911596377\r\n\r\n<strong> INDIAN COLOUR</strong>, 2007\r\n\r\nText: Peter Nagy\r\n\r\nPublisher: Dal- seung Hwang, Keumsan Gallery\r\n\r\n<strong>INDIA</strong><strong> ARTE OGGI</strong>, 2007<strong> </strong>\r\n\r\n<strong> </strong>Text:  Daniela Palazzoli<strong> </strong>\r\n\r\nPublisher: Spazio Oberdan\r\n\r\nISBN: 978-88-202-1867-6\r\n\r\n<strong>URBAN MANNERS</strong>, 2007\r\n\r\nText: Adelina Von Furstenberg\r\n\r\n<strong> </strong>Publisher:  Hangar Bicocca\r\n\r\n<strong>INTERNATIONAL  INCHEON WOMEN ARTISTS BIENNALE, </strong>\r\n\r\n<strong> KNOCKING ON THE DOOR</strong>,  2007\r\n\r\n<strong> </strong>Text:  Sung Hee Kim, John C. Welchman<strong> </strong>\r\n\r\nPublisher: Incheon Culture and Art Centre\r\n\r\n<strong>SOFT  POWER: ASIAN ATTITUDE</strong>,  2007<strong> </strong>\r\n\r\n<strong> </strong>Text:  Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\n\r\nPublisher: Shanghai  Zendai Mumsem of Modern Art\r\n\r\nISBN: 978-7-5356-2790-2\r\n\r\n<strong>INDIA</strong><strong> EXPRESS- ART AND POPULAR CULTURE</strong>, 2006\r\n\r\n<strong> </strong>Text: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze,\r\n\r\nPublisher: Helsinki  City Art  Museum\r\n\r\nISBN: 951-8965-61-7\r\n\r\n<strong>BOMBAY</strong><strong> L’ALBUM MAXIMUM CITY</strong>, 2006\r\n\r\nText: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\n\r\nPublisher: Terrail, Lille 3000\r\n\r\nISBN:  2-87939-325-6<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>INDIAN PAINTINGS  OF THE NEW MILLENNIUM</strong>, 2005\r\n\r\n<strong> </strong>Text: Helen Asquine  Fazio, Gayatri Sinha<strong> </strong>\r\n\r\n<strong> </strong>Publisher: Quick Arts Center, Fairfield University\r\n\r\n<strong>A GUIDE TO 101 MODERN &amp; CONTEMPORARY INDIAN ARTISTS</strong>, 2005\r\n\r\n<strong> </strong>Text: Amrita  Jhaveri\r\n\r\nPublisher: India  Book House\r\n\r\nISBN: 81-7508-423-5\r\n\r\n<strong>ZOOM! ART IN  CONTEMPORARY INDIA</strong>, 2004\r\n\r\n<strong> </strong>Texts:  Luis Serpa and Nancy Adajania<strong> </strong>\r\n\r\n<strong> </strong>Publisher: The Culturgest Museum\r\n\r\nISBN: 972-769-033-5\r\n\r\n<strong>INTERLUDE IN SRI   LANKA</strong>, 2004<strong> </strong>\r\n\r\n<strong> </strong>Text:  Ranjit Hoskote, Nancy Adajania<strong> </strong>\r\n\r\n<strong> </strong>Publisher:  The Guild  Art Gallery\r\n\r\n<strong>GENERATION I</strong>, 2004\r\n\r\nText: Zehra Jumabhoy<strong> </strong>\r\n\r\n<strong> </strong>Publisher:<strong> </strong>Saffronart &amp; The Guild Art Gallery\r\n\r\n<strong>TIRANGA  RIGHTS AND REPONSIBILITIES</strong>,  2003<strong> </strong>\r\n\r\nText: Peter Nagy<strong> </strong>\r\n\r\n<strong> </strong>Publisher: Jindal  Foundation &amp; Creative Arts\r\n\r\n<strong>HARD COPY</strong>, 2003\r\n\r\nText: Peter Nagy\r\n\r\n<strong> </strong>Publisher: Gallery 88\r\n\r\n<strong> </strong><strong>CROSSING  GENERATIONS: DIVERGE</strong><strong>, </strong>2003\r\n\r\n<strong> </strong>Text:  Geeta Kapoor and Chaitanya Sambrani<strong> </strong>\r\n\r\n<strong> </strong>Publisher:<strong> </strong>Gallery Chemould\r\n\r\nPRESS  <strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong><em> </em></strong>\r\n\r\n<strong>THE ARCHIVES OF  THE HEART</strong> <strong> </strong>\r\n\r\nNancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\n\r\nFront Cover, pgs 42-45, 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>GLOBALE KUNST  MIT WURZELDUFT</strong>\r\n\r\nVon Almuth Speigler, Die Presse, Feuilleton, 2<sup>nd</sup> September 2009\r\n\r\n<strong>LANDSCAPES OF  LOSS</strong>\r\n\r\nBeth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>REINCARNATING  HISTORY</strong>\r\n\r\nThe Big Picture, Architect and Interiors, July 2009<strong> </strong>\r\n\r\n<strong>STAMP COLLECTION</strong>\r\n\r\nGeorgina Maddox, The Sunday Express, 17<sup>th</sup> May 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>EVOLVING BEYOND  BORDERS</strong>\r\n\r\nReshma S. Kulkarni, Bombay Times, Times of India,  15<sup>th</sup> January, 2009\r\n\r\n<strong>LO</strong><strong>SS AND FOUND</strong>\r\n\r\nMarina Correa, DNA, Mumbai, 22<sup>nd</sup> January 2009\r\n\r\n<strong> </strong>\r\n\r\n<strong>FOCUS INDIA</strong>\r\n\r\nMegha Ralapati, Flash Art, pg 114, January-February 2008\r\n\r\n<strong>COME TOGETHER  RIGHT NOW</strong>\r\n\r\nReema Gehi, HT Café, 15<sup>th</sup> February 2008\r\n\r\n<strong>SUCH A LONG  JOURNEY</strong>\r\n\r\nAparna S Sharma, Elle Magazine, pgs 115-117, February 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong>MORE THAN A  WOMAN</strong>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 4<sup>th</sup> February 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong>ARTIST OF THE  FORTNIGHT</strong>\r\n\r\nMaria Louis, Outlook Profit, pg 79, 18<sup>th</sup> April 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong>DEJA VIEW</strong>\r\n\r\nTara Khilachand, Live Mint, 20<sup>th</sup> December 2008\r\n\r\n<strong>TERROR STRUCK</strong>\r\n\r\nMaria Louis, Outlook Profit, 26<sup>th</sup> December 2008\r\n\r\n<strong>NAME CALLING</strong>\r\n\r\nDeepanjana Pal, Timeout Mumbai, December 2008\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>CORRUPTIONS OF  POWER</strong>\r\n\r\nShiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99,  2007\r\n\r\n<strong>OVER THE RAINBOW</strong>\r\n\r\nMaria Louis, Interview, Verve Magazine, pg 78, November 2006\r\n\r\n<strong> </strong>\r\n\r\n<strong>IN A STATE OF PERENNIAL SIEGE</strong>\r\n\r\nNancy Adajania, The Hindu, Hyderabad, 29<sup>th</sup> October  2006\r\n\r\n<strong>HER CROWNING  ACHIEVEMENT</strong>\r\n\r\nClara Chow, The Straits Times, 18<sup>th</sup> November 2006\r\n\r\n<strong> </strong>\r\n\r\n<strong>POLITICAL CHAOS</strong>\r\n\r\nDeepali Nandwani,  Beautiful people, pg 143, November-December 2006\r\n\r\n<strong>WEAPONS OF MASS  CONSTRUCTION</strong>\r\n\r\nRituparna Som, DNA after Hrs, Mumbai, 9<sup>th</sup> October, 2006\r\n\r\n<strong> </strong>\r\n\r\n<strong> GUNS AND ROSES</strong>\r\n\r\nRachna Nakra, The Indian Express,  Mumbai Newsline, 18<sup>th</sup> September 2006\r\n\r\n<strong> UNDER ATTACK</strong>\r\n\r\nGitanjali Dang, HT Mumbai, 22<sup>nd</sup> September 2006\r\n\r\n<strong> TIME TRAVELLER</strong>\r\n\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline,  27<sup>th</sup> June 2006      <strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>THE FLOWER AND  THE SWORD</strong>\r\n\r\nGirish Shahane, The Art News magazine of India,  pg 93, volume X issue I, 2004\r\n\r\n<strong>INDIA</strong><strong>’S TOP 100 ACHIEVERS</strong>\r\n\r\nSociety Magazine, pg 137, December 2004\r\n\r\n<strong>CAUGHT BETWEEEN  DEMONS</strong>\r\n\r\nNancy Adajania, The Hindu, 19<sup>th</sup> December  2004\r\n\r\n<strong>EN REISE TIL INDIA</strong>\r\n\r\nHarald Flor, Dagbladet, Kultur, 2<sup>nd</sup> February 2003\r\n\r\n<strong> </strong>\r\n\r\n<strong>SIGNS OF  RESISTANCE</strong>\r\n\r\nNancy Adajania, The Hindu, 5<sup>th</sup> January  2003\r\n\r\n<strong>OF THE GODDESS  AND DEMON IN THE MIND</strong>\r\n\r\nDebbie Rodgers, Sunday edition Vijay Times, Bangalore, 5<sup>th</sup> January 2003\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong> </strong>\r\n\r\n<strong>EMPATHIC ANGER</strong>\r\n\r\nMarta Jakimowicz, Deccan Herald, 23<sup>rd</sup> December 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong>MYSORE</strong><strong> EK KHOJ</strong>\r\n\r\nCross Fertilization of Culture, Interview in Star of Mysore, 27<sup>th</sup> October 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong> LINKING ISLANDS</strong>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 15<sup>th</sup> February  2002\r\n\r\n<strong>CREATING TO  DESTROY</strong>\r\n\r\nJasmine Shah Varma, The List, Mid Day, 22<sup>nd</sup> February 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong>DIFFERENT  STROKES</strong>\r\n\r\nGeorgina L Maddox, The Indian Express, Mumbai Newsline,  24<sup>th</sup> July 2002\r\n\r\n<strong> </strong>\r\n\r\n<strong>OF FAITH AND  HUNGER</strong>\r\n\r\nAbhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89,  December 2000\r\n\r\n<strong> </strong>\r\n\r\n<strong>THE MURMUR OF  SKIN</strong>\r\n\r\nNupur Mahajan, Bombay Times, Times  of India, 12<sup>th</sup> October 2000\r\n\r\n<strong>NOT JUST SKIN  DEEP</strong>\r\n\r\nJasmine Shah Varma, The List, Mid-day, 4<sup>th</sup> October 2000\r\n\r\n<strong>INSIDE OUT</strong>\r\n\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 11<sup>th</sup> October  2000\r\n\r\n<strong>SCINTILLATING  SKIN</strong>\r\n\r\nVaibhav Purandare, The Asian Age, 14<sup>th</sup> October 2000\r\n\r\n<strong>AN ARTIST’S  WORLD: ROTI, MAKAAN &amp; ABSTRACT ART</strong>\r\n\r\nPoonam Goel, HT City, 23<sup>rd</sup> December 2000\r\n\r\n<strong> </strong>\r\n\r\n<strong>WITHIN YOU,  WITHOUT YOU</strong>\r\n\r\nAnu Kumar, Indian Express,  Express Newsline, 2<sup>nd</sup> September 1998\r\n\r\n<strong>FARMING INTRIRUE</strong>\r\n\r\nJerry Pinto, The Times of India, Bombay Times, 3<sup>rd</sup> September 1998\r\n\r\n<strong> </strong>\r\n\r\n<strong>INTERACTIVE  MEDIUM</strong>\r\n\r\nKaren Pereira, Indian  Architect &amp; Builder, pgs 102-104, October 1998','Publications','','inherit','open','open','','87-revision-52','','','2010-07-04 08:13:50','2010-07-04 08:13:50','',87,'http://www.biggventures.com/demo/artists/1339/uncat/87-revision-52',0,'revision','',0),