(3388,1,'2016-07-25 00:35:05','2016-07-25 00:35:05','<table border=\"0\" cellspacing=\"5\" cellpadding=\"0\" width=\"100%\" align=\"centre\">\r\n    <tbody>\r\n    <!--\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" width=\"21%\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td style=\"margin-left: 5px;\">\r\n                                <span class=\"pubstrong\">Reena Saini Kallat, </span> 2009<span>\r\n                                    Text: Nancy Adajania and Murtaza Vali\r\n                                    Publisher: Primo Marella Gallery, Walsh Gallery and Chemould Prescott Road\r\n                                    ISBN: 978-81-908879-1-5\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/reena-kallat\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Rainbow of Refuse, </span>2006<span>\r\n                                    Text: Nancy Adajania\r\n                                    Publisher: Bodhi Art Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/rainbow-of-refuse\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Black Flute (and other stories), </span>2005\r\n                                <span class=\"pubstrong\">Black Flute,</span> 2004<span>\r\n                                    Text: Nancy Adajania\r\n                                    Publisher: Gallery Chemould and Nature Morte Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/black-flute\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">The Battlefield is the Mind, </span>2002<span>\r\n                                    Text: Nancy Adajania\r\n                                    Publisher: Sakshi Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/battlefield-of-mind\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table cellspacing=\"0\" cellpadding=\"0\" width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Skin, </span>2000<span>\r\n                                    Interview with Jitish Kallat\r\n                                    Publisher: Gallery Chemould and Vis-à-vis Art Inc. Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr></tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Orchard of home-grown secrets, </span>1998<span>\r\n                                    Text: Ranjit Hoskote\r\n                                    Publisher: Gallery Chemould and Pundole Art Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/orchard-pub\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td colspan=\"2\"></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n            <td>\r\n                \r\n                 <span class=\"pubstrong\">ZegnArt Public, India, 2014</span><span>\r\n                    Text: Nancy Adajania, Cecilia Canziani, Mustansir Dalvi, Reena Kallat, \r\nTasneem Mehta, Simone Menegoi, Girish Shahane, Andrea Zegna\r\n\r\n					Publisher: Mousse Publishing \r\n					ISBN: 9788867491391\r\n\r\n				 <span class=\"pubstrong\">Passages: Indian Art Today, 2015</span><span>\r\n                    Text: Gerard A. Goodrow, Julia Ritterskamp\r\n					Publisher: DAAB Media\r\n					ISBN-10: 3942597705\r\n					ISBN-13: 978-3942597705\r\n\r\n\r\n                <span class=\"pubstrong\">Nature Morte, 2013</span><span>\r\n                    Text: Michael Petry\r\n                    Publisher: Thames & Hudson\r\n                    ISBN: 9780500239063\r\n\r\n\r\n\r\n            <span class=\"pubstrong\">Haein Art Project, 2013</span><span>\r\n                Text:  Kim Jiyon, Leandre D’souza and Claudio Maffioletti\r\n                Publisher: Ven.Sun-Hae (Abbot of Haeinsa Temple)\r\n                ISBN: 979 1195142309 90620\r\n\r\n\r\n                <span class=\"pubstrong\">NO-MAD-NESS IN NO MAN’S LAND, 2013</span><span>\r\n                    Text:  interview by Ombretta Agro Andruff and Leeza Ahmady with Casey Amy Fan\r\n                    Publisher: The Eslite Corp.\r\n                    ISBN: 978-986-89759-7-2\r\n\r\n                    <span class=\"pubstrong\">India Side by Side, 2012</span><span>\r\n                        Text: Cibele Aldrovandi, Deepak Ananth, Flavia Galli Tatsch, Kapila Vatsyayan, Laura Cury, Rahaab Allana, Tereza de Arruda\r\n                        Publisher: The Brazilian Ministry of Culture and Banco do Brasil\r\n                        ISBN: 978-85-64170-01-8\r\n\r\n                        <span class=\"pubstrong\">India : Art Now, 2012 </span><span>\r\n                            Text: Stine Hoholt, Ranjit Hoskote, Zehra Jumabhoy\r\n                            Publisher: Hatje Cantz\r\n                        </span>ISBN: 978-3-7757-3411-0\r\n\r\n                        <span class=\"pubstrong\">Undervaeker – Wonders, </span>2012<span>\r\n                            Texts by Gitte Orskou, Af Theis Vallo Madsen, Jeanett Stampe\r\n                            Publisher: KUNSTEN - Museum of Modern Art Aalborg\r\n                        </span>ISBN: 978-87-88307-72-6\r\n\r\n                        <span class=\"pubstrong\">n.paradoxa: international feminist art journal, volume 30, </span>2012<span>\r\n                            Text: interview with Veeranganakumari Solanki\r\n                            Publisher: KT press\r\n                        </span>ISBN: 1461- 0434\r\n\r\n                        <span class=\"pubstrong\">The Skoda Prize Twenty, </span>2011-2012<span>\r\n                            Text: Zeenat Nagree\r\n                            Publisher: Popular Prakashan\r\n                        </span>ISBN: 978-81-7991-681-0\r\n\r\n                        <span class=\"pubstrong\">Pandemonium: Art in a time of creativity fever, </span>2011<span>\r\n                            Text: interview with Stina Edblom\r\n                            Publisher: Göteborg International Biennial for Contemporary Art\r\n                        </span>ISBN: 978-91-633-9363-1\r\n                        <span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/pandemonium\">read interview</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span>\r\n\r\n                        <span class=\"pubstrong\">The Indian Renaissance, </span>2011<span>\r\n                            Text: Antonio Stellatelli, Romano Ravasio and Marina Pizziolo\r\n\r\n                            <span class=\"pubstrong\">Vancouver Biennale, </span>2009-2011<span>\r\n                                Text: Vancouver International Sculpture Biennale\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Maximum India, </span>2011<span>\r\n                                Publisher: The John F. Kennedy Center for the Performing Arts, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Never Run Away, </span>2010<span>\r\n                                Text: Shaheen Merali\r\n                                Publisher: Stux Gallery</span>\r\n                                <span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/never-run-away\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span>\r\n                                \r\n                                <span class=\"pubstrong\">Urban Manners 2, </span>2010<span>\r\n                                Text: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\n                                Publisher: SESC Pompeia, Sao Paulo\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Empire Strikes Back, </span>2010<span>\r\n                                Text: Zehra Jumabhoy\r\n                                Publisher: Saatchi Gallery\r\n                                ISBN: 9780224089494\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The River Project, </span>2010<span>\r\n                                Publisher: Campbelltown Arts Centre\r\n                                ISBN: 9781875199761\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Asian Art Now, </span>2010<span>\r\n                                Text: Melissa Chiu and Benjamin Genocchio\r\n                                Publisher: Monacelli Press\r\n                                ISBN: 978-1-58093-298-1 (1-58093-298-3)\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Roundabout, </span>2010<span>\r\n                                Publisher: Art Asia Pacific Publishing\r\n                                ISBN: 978-0984562510\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Khoj Book, </span>2010<span>\r\n                                Interview with Shilpa Gupta\r\n                                Publisher: HarperCollins\r\n                                ISBN: 9788172236878\r\n                            </span><span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/khoj-book\">read interview</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span>\r\n\r\n                            <span class=\"pubstrong\">5 Bienal Ventosul, </span>2009<span>\r\n                                Publisher: Instituto Paranaense de Arte\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Viewpoints &amp; Viewings Points- Asian Art Biennale, </span>2009<span>\r\n                                Text: Chao-yi-Tsai\r\n                                Publisher: National Taiwan Museum of fine Arts\r\n                                ISBN: 978-986-02-0269-4\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Xianzai: Contemporary Indian Art, </span>2009<span>\r\n                                Text: Jitish Kallat, Diana Freundl, Alexander Keefe\r\n                                Publisher: Museum of Contemporary Art\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2009<span>\r\n                                Text: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki,\r\n                                Miho Tagomori\r\n                                Publisher: Prestel, National Museum of Contemporary Art and Essl Museum\r\n                                ISBN: 978-3-7913-4304-4\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2008<span>\r\n                                Text: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman\r\n                                Gopinath, Jayaram, Deepak Ananth\r\n                                Publisher: Mori Art Museum\r\n                                ISBN: 978-4-902819-21-2\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Moderna, </span>2008<span>\r\n                                Text: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur,\r\n                                R. Siva Kumar, K.G. Subramanyan\r\n                                Publisher: IVAM (Institute Valencia D’Art Modern)\r\n                                ISBN: 978-84-482-5104-8\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Everywhere is War (and rumours of it),</span>2008<span>\r\n                                Text: Kai Hafez, Martin Hager, Nicholas Mirzoeff, Daniel Miller,\r\n                                Bregje van Eekelen\r\n                                Publisher: Bodhi Art Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Three Points of Views, </span>2008<span>\r\n                                Text: Grant Watson\r\n                                Publisher: Galerie Mirchandani + Steinruecke\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">New Narratives: Contemporary Art from India, </span>2008<span>\r\n                                Text: Betty Seid with contributions by Johan Pijnappel\r\n                                Publisher: Mapin Publication in association with Chicago Cultural Center\r\n                                ISBN: 978-1-890206-08-6\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Made by Indians, </span>2007<span>\r\n                                Text: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\n                                Publisher: Galerie Enrico Navarra\r\n                                ISBN: 2-911596-37-4\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Thermocline of Art: New Asian Waves, </span>2007<span>\r\n                                Text:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong\r\n                                Publisher: Hatje Cantz Vertag\r\n                                ISBN: 978-3-7757-2073-1\r\n                                EAN: 9782911596377\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Indian Colour, </span>2007<span>\r\n                                Text: Peter Nagy\r\n                                Publisher: Dal- seung Hwang, Keumsan Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Arte Oggi, </span>2007<span>\r\n                                Text:  Daniela Palazzoli\r\n                                Publisher: Spazio Oberdan\r\n                                ISBN: 978-88-202-1867-6\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Urban Manners, </span>2007<span>\r\n                                Text: Adelina Von Furstenberg and Nancy Adajania\r\n                                Publisher: Hangar Bicocca\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">International Incheon Women Artists’ Biennale,</span>\r\n                            <span class=\"pubstrong\">Knocking on the Door, </span>2007<span>\r\n                                Text: Sung Hee Kim, John C. Welchman\r\n                                Publisher: Incheon Culture and Art Centre\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Soft Power: Asian Attitude, </span>2007<span>\r\n                                Text: Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\n                                Publisher: Shanghai Zendai Mumsem of Modern Art\r\n                                ISBN: 978-7-5356-2790-2\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Express- Art and Popular Culture, </span>2006<span>\r\n                                Text: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze\r\n                                Publisher: Helsinki City Art Museum\r\n                                ISBN: 951-8965-61-7\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Bombay L’album Maximum City, </span>2006<span>\r\n                                Text: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\n                                Publisher: Terrail, Lille 3000\r\n                                ISBN: 2-87939-325-6\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Indian Paintings of the New Millennium, </span>2005<span>\r\n                                Text: Helen Asquine  Fazio, Gayatri Sinha\r\n                                Publisher: Quick Arts Center, Fairfield University\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">A Guide to 101 Modern &amp; Contemporary Indian Artists, </span>2005<span>\r\n                                Text: Amrita Jhaveri\r\n                                Publisher: India Book House\r\n                                ISBN: 81-7508-423-5\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Zoom! Art in Contemporary India, </span>2004<span>\r\n                                Texts: Luis Serpa and Nancy Adajania\r\n                                Publisher: The Culturgest Museum\r\n                                ISBN: 972-769-033-5\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Interlude in Sri Lanka, </span>2004<span>\r\n                                Text: Ranjit Hoskote and Nancy Adajania\r\n                                Publisher: The Guild Art Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Generation I, </span>2004<span>\r\n                                Text: Zehra Jumabhoy\r\n                                Publisher: Saffronart &amp; The Guild Art Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Tiranga Rights and Reponsibilities, </span>2003<span>\r\n                                Text: Peter Nagy\r\n                                Publisher: Jindal Foundation &amp; Creative Arts\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Hard Copy, </span>2003<span>\r\n                                Text: Peter Nagy\r\n                                Publisher: Galerie 88\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Crossing Generations: diVERGE, </span>2003<span>\r\n                                Text: Geeta Kapoor and Chaitanya Sambrani\r\n                                Publisher: Gallery Chemould\r\n                            </span>\r\n<p style=\"padding-top:13px;\">\r\n-->\r\n                            <span class=\"pubstrong\" style=\"color: #000000;font-size:20px;line-height:35px;color:#505050;\">PRESS</span>\r\n                            </p>\r\n                                                          <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artforum.com/words/id=56896\" target=\"_blank\">\r\n                                                         Porous Passages Reflects on Differing Worldviews</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               ArtForum, Himali Singh Soin, 21st December 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artdaily.com/index.asp?int_sec=11&int_new=81426#.VnpzN_l96Um\" target=\"_blank\">\r\n                                                         Chemould Prescott Road opens exhibition of the work of Reena Saini Kallat</a> </span> <font color=\"red\">  >> </font> <span>\r\n                              Artdaily, 23rd December 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.livemint.com/Leisure/lPXmu4hGHMMbAKK9IJmXGJ/Beyond-the-barbed-wire.html\" target=\"_blank\">\r\n                                                         Beyond the barbed wire	</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Chanpreet Khurana, Live Mint, 16th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.livemint.com/Leisure/LGZI9VzNg3218XGafyrFBO/Genetic-engineering.html\" target=\"_blank\">\r\n                                                         Genetic engineering</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Rosalyn D’Mello, Live Mint, 19th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.openthemagazine.com/article/art-culture/layer-upon-layer\" target=\"_blank\">\r\n                                                         Layer upon Layer</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Payal Khandelwal, Open Magazine pg 54 - 57, 28th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.vogue.in/content/can-art-bind-together-warring-nations/\" target=\"_blank\">\r\n                                                         Can art bind together warring nations?</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Rosalyn DMello, Vogue, 23rd September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://indianexpress.com/article/lifestyle/dividing-lines-3/\" target=\"_blank\">\r\n                                                         Dividing Lines</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Pooja Pillai, The Indian Express, 21st September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindustantimes.com/art-and-culture/reena-saini-kallat-explores-geopolitical-relations-in-wires/story-bAlx8ynmqUgWHxlb2DONuN.html;jsessionid=A5137ED4B0981ED14C62E175FE95D985\" target=\"_blank\">\r\n                                                         Reena Saini Kallat explores geopolitical relations in wires</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Arundhati Chatterjee, Hindustan Times, 21st September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.dnaindia.com/lifestyle/interview-a-divided-existence-reena-saini-talks-about-her-exhibition-hyphenated-lives-2126700\" target=\"_blank\">\r\n                                                         A divided existence</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Ornella D’Souza, DNA, 20th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.mumbaimirror.com/others/leisure/Mirror-fixes-it-Finding-poetry-in-politics/articleshow/49031262.cms\" target=\"_blank\">\r\n                                                         Finding Poetry in Politics</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Reema Gehi, Mumbai Mirror, 20th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://theculturetrip.com/asia/india/articles/contemporary-artists-series-a-conversation-with-reena-saini-kallat/\" target=\"_blank\">\r\n                                                         Contemporary Artists Series: A Conversation with Reena Saini Kallat</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Farah Siddiqui, The CultureTrip, 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://insideburgercollection.org/wp-content/uploads/2015/07/94_BurgerCollection-08_p87-92.pdf\" target=\"_blank\">\r\n                                                        REREADING REENA KALLAT -  Inside Burger collection</a></span> <font color=\"red\">  >> </font> <span>\r\n									Quddus Mirza, Art Asia Pacific Magazine,  July/Aug 2015 </span>\r\n                              \r\n                                  <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.domusweb.it/en/news/2015/06/15/offsite_reena_saini_kallat.html\" target=\"_blank\">Woven Chronicle, Domus</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               posted on 15th June 2015                            </span>\r\n\r\n                               <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.huffingtonpost.ca/jugni-style/reena-saini-kallat-vancouver_b_7725930.html\" target=\"_blank\">Reena Saini Kallat\'s Public Art Installation Explores Migration, Longing In Vancouver</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Nimritta Parmar,  Huffpost  British Columbia Canada,  posted on 13th July 2015                            </span>\r\n\r\n                               <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.vancouverobserver.com/culture/art/mumbai-artist-maps-out-web-wire-vag-offsite\" target=\"_blank\">Mumbai artist maps out web of wire at VAG Offsite</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Sponsored content, Vancouver Observer, posted on 8th June 2015                            </span>\r\n\r\n                               <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://indianexpress.com/article/lifestyle/current-connections/\" target=\"_blank\">Current Connections</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Vandana Kalra, The Indian Express, 12th May 2015 </span>\r\n                               \r\n                            <span class=\"pubstrong\">Working Lives, AD Perspective,</span> <span>\r\n                              Sanhita Chowdhury, Architectural Digest pg-76, January-February 2015                      </span>\r\n\r\n                              <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://theculturetrip.com/asia/india/articles/the-top-10-female-contemporary-artists-from-india/\" target=\"_blank\">The Top 10 Female Contemporary Artists from India</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               C. A. Xuan Mai Ardia, The Culture Trip, 2014                            </span>\r\n\r\n                              <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.mid-day.com/articles/memories-at-work/15747192\" target=\"_blank\">Memories at work</a> </span> <font color=\"red\">  >> </font> <span>\r\n                              Kanika Sharma, Mid-day, 8th November 2014                           </span>\r\n                              \r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artasiapacific.com/Magazine/WebExclusives/FloatingWorldAestheticBind\" target=\"_blank\">Aesthetic Bind Floating World</a> </span> <font color=\"red\">  >> </font> <span>\r\n                              Gitanjali Dang, ArtAsiaPacific, April 2014                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.timeoutmumbai.net/art/features/suspense\" target=\"_blank\">In Suspense </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Phalguni Desai , Timeout Mumbai,  March  2014\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artdaily.com/news/68958/Chemould-Prescott-Road-celebrates-fifty-years-of-contemporary-art-with-Aesthetic-Bind--Floating-World#.Uz5us_mSxVk\" target=\"_blank\">Chemould Prescott Road celebrates fifty years of contemporary art with Aesthetic Bind: Floating World </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Geeta Kapur, Art Daily, 24th March 2014\r\n                            </span>\r\n                                                        <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.wallpaper.com/art/zegnart-enlists-reena-kallat-to-create-a-site-specific-artwork-in-mumbai/6292\" target=\"_blank\">ZegnArt enlists Reena Kallat to create a site-specific artwork in Mumbai,</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                JJ Martin, Wallpaper, 18th January 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.timeoutmumbai.net/art/features/web-design\" target=\"_blank\">Web design</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Karanjeet Kaur,Timeout Magazine, pg 26-28, 15th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artribune.com/2013/03/una-ragnatela-fra-italia-e-india-inaugurata-a-mumbai-lopera-di-reena-kallat-per-il-progetto-zegnart-public-qui-ci-sono-immagini-video-e-intervista-allartista/\" target=\"_blank\">Arte pubblica a Mumbai. Intervista con Anna Zegna</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Daniele Perra, Art Tribune, 1st March 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://in.blouinartinfo.com/news/story/885613/reena-kallat-on-her-mammoth-1-ton-rubber-stamp-cobweb-at-the\" target=\"_blank\">Reena Kallat On Her Mammoth, 1-ton Rubber-Stamp Cobweb at the Bhau Daji Lad Museum, Mumbai</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Rosalyn D\'Mello, Blouinart, April 1, 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.thehindu.com/features/magazine/putting-her-stamp-on-it/article4484175.ece\" target=\"_blank\">Putting her stamp on it</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Ramya Sarma, The Hindu, 9th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.business-standard.com/article/beyond-business/stamp-over-mumbai-113030800509_1.html\" target=\"_blank\">Stamp over Mumbai</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Kishore Singh, Business Standard, New Delhi  8th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.dnaindia.com/lifestyle/report_weaving-a-tangled-web_1806665\" target=\"_blank\">Weaving a tangled web</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Deepanjana Pal, DNA, 3rd March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.dnaindia.com/lifestyle/report_web-of-history_1810815\" target=\"_blank\">Web of history </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Sanaya Chavda, DNA, 13th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindustantimes.com/Entertainment/Art/Web-of-history-Reena-Kallat-s-installation/Article1-1027359.aspx\" target=\"_blank\">Web of history </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Shweta Mehta, Hindustan Times, 16th March 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://blog.saffronart.com/2013/03/14/reena-kallats-untitled-cobwebscrossings/\" target=\"_blank\">Public Art installation by Reena Kallat at the Dr. Bhau Daji Lad Museum in Mumbai </a> </span> <font color=\"red\">  >> </font><span>\r\n                                Manjari Sihare, Saffron blog,Posted on 14th March  2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Weaving into  networks, Buliding Cobwebs: Musings over Reena Saini Kallat’s recent work </span> <span>\r\n                                Parni Ray, Take on Art/Eleven, pg 98, Volume lll\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Stamping ground </span><span>\r\n                                Deepanjana Pal, Wallpaper magazine, pg 193 – 194, May 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Editorial</span><span>\r\n                                Kaiwan Mehta, Domus, pg 5 – 10, April 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Web Design</span> <span>\r\n                                Chumki Bharadwaj, India Today, pg 45 – 46, April 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Art Outside  </span> <span>\r\n                                Pavitra Mohan, Architectural Digest, pg 98, March-April 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://inditerrain.indiaartndesign.com/2013/03/of-cobwebs-crossings.html\" target=\"_blank\">Of Cobwebs & Crossings </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Jigna Padhiar, India Art & Design, 1st March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://prestige-singapore.com.sg/2013/04/arts-raj\" target=\"_blank\">Art\'s the Raj</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Dylan Boey, Prestige Singapore, 3rd April 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\">Adrift in unknown waters: Reena Saini Kallat and the Art of letting go</span><span>\r\n                                Parni Ray,  Artfair Magazine, Issue-3, pg 48 – 51, 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://shobanarayan.com/2012/02/04/about-jitish-kallat-and-reena-saini-kallat/\" target=\"_blank\">Walking the Art talk with the Kallats</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Shobha Narayan, Live Mint, February 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.tribuneindia.com/2012/20120219/spectrum/main2.htm\" target=\"_blank\">Spectrum New Visual Idiom</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                The Tribune, February 19, 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artnewsnviews.com/view-article.php?article=g-teborg-international-biennial&iid=25&articleid=678\" target=\"_blank\">Goteborg International Biennial</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Art Etc, Vol.4, No. 2, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Helsinki taidemuseo.fi-Journal, </span> January 2011<span>\r\n                            </span>\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://indiatoday.intoday.in/site/story/brush-with-reality/1/134582.html\">Brush With Reality </a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Sumaiya Khan, India Today Woman, pg. 20-21, April 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">System overload </span><span>\r\n                                Shweta Upadhyay, Timeout Delhi, March 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artslant.com/ind/articles/show/22573\" target=\"_blank\">Picking up the past</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Parni Ray, www.artslant.com, 4th April 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://iipdigital.usembassy.gov/st/english/article/2011/03/20110307133535drawoh0.7282221.html#axzz34yECziHk\">Art at “maximum INDIA” Festival Evokes Cultural Memory and Loss</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Howard Cincotta, www.america.gov, March 7, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.signonsandiego.com/news/2011/mar/02/kennedy-center-opens-3-week-india-arts-festival/\">Kennedy Center opens 3-week India arts festival</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Brett Zongker, www.signonsnadiego.com, 2nd March 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Eye and the Mind: New Interventions in Contemporary Indian Art </span><span>\r\n                                Rajeev Lochan, India Perspectives, Vol. 24, No. 6, 2010\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artradarjournal.com/2010/04/20/indian-contemporary-artist-reena-kallat-art-radar-exclusive-interview/\">Interview, Art Radar Asia </a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span><span>\r\n                                April 20, 2010\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Archives of the Heart</span><span>\r\n                                Nancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\n                                Front Cover, pgs 42-45, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Globale Kunst Mit Wurzelduft</span><span>\r\n                                Von Almuth Speigler, Die Presse, Feuilleton, 2nd September 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Landscapes of Loss</span><span>\r\n                                Beth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Reincarnating History</span><span>\r\n                                The Big Picture, Architect and Interiors, July 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Stamp Collection</span><span>\r\n                                Georgina Maddox, The Sunday Express, 17th May 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Evolving Beyond Borders</span><span>\r\n                                Reshma S. Kulkarni, Bombay Times, Times of India, 15th January, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Loss and Found</span><span>\r\n                                Marina Correa, DNA, Mumbai, 22nd January 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Focus India</span><span>\r\n                                Megha Ralapati, Flash Art, pg 114, January-February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Come Together Right Now</span><span>\r\n                                Reema Gehi, HT Café, 15th February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Such a Long Journey</span><span>\r\n                                Aparna S Sharma, Elle Magazine, pgs 115-117, February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">More than a Woman</span><span>\r\n                                Georgina Maddox, The Indian Express, Mumbai Newsline, 4th February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Artist of the Fortnight</span><span>\r\n                                Maria Louis, Outlook Profit, pg 79, 18th April 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Deja View</span><span>\r\n                                Tara Khilachand, Live Mint, 20th December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Terror Struck</span><span>\r\n                                Maria Louis, Outlook Profit, 26th December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Name Calling</span><span>\r\n                                Deepanjana Pal, Timeout Mumbai, December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Corruptions of Power</span>\r\n                            <span>Shiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99, 2007</span>\r\n\r\n                            <span class=\"pubstrong\">Over the Rainbow</span><span>\r\n                                Maria Louis, Interview, Verve Magazine, pg 78, November 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindu.com/mag/2006/10/29/stories/2006102900070200.htm\">In a State of Perennial Siege</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span><span>\r\n                                Nancy Adajania, The Hindu, Hyderabad, 29th October 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Her Crowning Achievement</span><span>\r\n                                Clara Chow, The Straits Times, 18th November 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Political Chaos</span><span>\r\n                                Deepali Nandwani, Beautiful people, pg 143, November-December 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Weapons of Mass Construction</span><span>\r\n                                Rituparna Som, DNA after Hrs, Mumbai, 9th October, 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Guns and Roses</span><span>\r\n                                Rachna Nakra, The Indian Express, Mumbai Newsline, 18th September 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Under Attack</span><span>\r\n                                Gitanjali Dang, HT Mumbai, 22nd September 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Time Traveller</span><span>\r\n                                Georgina Maddox, The Indian Express, Mumbai Newsline, 27th June 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Flower and the Sword</span><span>\r\n                                Girish Shahane, The Art News magazine of India, pg 93, volume X issue I, 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India’s Top 100 Achievers</span><span>\r\n                                Society Magazine, pg 137, December 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Caught Between Demons<span style=\"font-weight: normal; color: red;\"></span></span><span>\r\n                                Nancy Adajania, The Hindu, 19th December 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">En Reise Til India</span><span>\r\n                                Harald Flor, Dagbladet, Kultur, 2nd February 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Signs of Resistance</span><span>\r\n                                Nancy Adajania, The Hindu, 5th January 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Of the Goddess and Demon in the Mind</span><span>\r\n                                Debbie Rodgers, Sunday edition Vijay Times, Bangalore, 5th January 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Empathic Anger</span><span>\r\n                                Marta Jakimowicz, Deccan Herald, 23rd December 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Mysore Ek Khoj</span>\r\n                            Cross Fertilization of Culture, Interview in Star of Mysore, 27th October 2002\r\n\r\n                            <span class=\"pubstrong\">Linking Islands</span><span>\r\n                                Menaka Jayasankar, Indian Express, Mumbai Newsline, 15th February 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Creating to Destroy</span><span>\r\n                                Jasmine Shah Varma, The List, Mid Day, 22nd February 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Different Strokes</span><span>\r\n                                Georgina L Maddox, The Indian Express, Mumbai Newsline, 24th July 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a target=\"_blank\" href=\"http://www.reenakallat.com/wp-content/uploads/2011/09/Faith%20and%20Hunger.pdf\" style=\"color: rgb(135, 135, 135);\">Of Faith and Hunger</a><font style=\"font-weight:normal;\" color=\"red\">  >> </font></span>\r\n                        <span>Abhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89, December 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">The Murmur of Skin</span><span>\r\n                            Nupur Mahajan, Bombay Times, Times of India, 12th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Not just Skin Deep</span><span>\r\n                            Jasmine Shah Varma, The List, Mid-day, 4th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Inside Out</span><span>\r\n                            Menaka Jayasankar, Indian Express, Mumbai Newsline, 11th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Scintillating Skin</span><span>\r\n                            Vaibhav Purandare, The Asian Age, 14th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">An Artist’s World: Roti, Makaan &amp; Abstract Art</span><span>\r\n                            Poonam Goel, HT City, 23rd December 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Within you, Without you</span><span>\r\n                            Anu Kumar, Indian Express, Express Newsline, 2nd September 1998\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Farming Intrigue</span><span>\r\n                            Jerry Pinto, The Times of India, Bombay Times, 3rd September 1998\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Interactive Medium</span><span>\r\n                            Karen Pereira, Indian Architect &amp; Builder, pgs 102-104, October 1998\r\n                        </span>\r\n</td>\r\n        </tr>\r\n    </tbody>\r\n</table>','','','inherit','open','open','','3384-revision-4','','','2016-07-25 00:35:05','2016-07-25 00:35:05','',3384,'http://www.reenakallat.com/3388/uncat/3384-revision-4',0,'revision','',0),(3389,1,'2016-07-25 00:35:07','2016-07-25 00:35:07','<table border=\"0\" cellspacing=\"5\" cellpadding=\"0\" width=\"100%\" align=\"centre\">\r\n    <tbody>\r\n    <!--\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" width=\"21%\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td style=\"margin-left: 5px;\">\r\n                                <span class=\"pubstrong\">Reena Saini Kallat, </span> 2009<span>\r\n                                    Text: Nancy Adajania and Murtaza Vali\r\n                                    Publisher: Primo Marella Gallery, Walsh Gallery and Chemould Prescott Road\r\n                                    ISBN: 978-81-908879-1-5\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/reena-kallat\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Rainbow of Refuse, </span>2006<span>\r\n                                    Text: Nancy Adajania\r\n                                    Publisher: Bodhi Art Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/rainbow-of-refuse\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Black Flute (and other stories), </span>2005\r\n                                <span class=\"pubstrong\">Black Flute,</span> 2004<span>\r\n                                    Text: Nancy Adajania\r\n                                    Publisher: Gallery Chemould and Nature Morte Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/black-flute\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">The Battlefield is the Mind, </span>2002<span>\r\n                                    Text: Nancy Adajania\r\n                                    Publisher: Sakshi Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/battlefield-of-mind\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table cellspacing=\"0\" cellpadding=\"0\" width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Skin, </span>2000<span>\r\n                                    Interview with Jitish Kallat\r\n                                    Publisher: Gallery Chemould and Vis-à-vis Art Inc. Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr></tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Orchard of home-grown secrets, </span>1998<span>\r\n                                    Text: Ranjit Hoskote\r\n                                    Publisher: Gallery Chemould and Pundole Art Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/orchard-pub\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td colspan=\"2\"></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n            <td>\r\n                \r\n                 <span class=\"pubstrong\">ZegnArt Public, India, 2014</span><span>\r\n                    Text: Nancy Adajania, Cecilia Canziani, Mustansir Dalvi, Reena Kallat, \r\nTasneem Mehta, Simone Menegoi, Girish Shahane, Andrea Zegna\r\n\r\n					Publisher: Mousse Publishing \r\n					ISBN: 9788867491391\r\n\r\n				 <span class=\"pubstrong\">Passages: Indian Art Today, 2015</span><span>\r\n                    Text: Gerard A. Goodrow, Julia Ritterskamp\r\n					Publisher: DAAB Media\r\n					ISBN-10: 3942597705\r\n					ISBN-13: 978-3942597705\r\n\r\n\r\n                <span class=\"pubstrong\">Nature Morte, 2013</span><span>\r\n                    Text: Michael Petry\r\n                    Publisher: Thames & Hudson\r\n                    ISBN: 9780500239063\r\n\r\n\r\n\r\n            <span class=\"pubstrong\">Haein Art Project, 2013</span><span>\r\n                Text:  Kim Jiyon, Leandre D’souza and Claudio Maffioletti\r\n                Publisher: Ven.Sun-Hae (Abbot of Haeinsa Temple)\r\n                ISBN: 979 1195142309 90620\r\n\r\n\r\n                <span class=\"pubstrong\">NO-MAD-NESS IN NO MAN’S LAND, 2013</span><span>\r\n                    Text:  interview by Ombretta Agro Andruff and Leeza Ahmady with Casey Amy Fan\r\n                    Publisher: The Eslite Corp.\r\n                    ISBN: 978-986-89759-7-2\r\n\r\n                    <span class=\"pubstrong\">India Side by Side, 2012</span><span>\r\n                        Text: Cibele Aldrovandi, Deepak Ananth, Flavia Galli Tatsch, Kapila Vatsyayan, Laura Cury, Rahaab Allana, Tereza de Arruda\r\n                        Publisher: The Brazilian Ministry of Culture and Banco do Brasil\r\n                        ISBN: 978-85-64170-01-8\r\n\r\n                        <span class=\"pubstrong\">India : Art Now, 2012 </span><span>\r\n                            Text: Stine Hoholt, Ranjit Hoskote, Zehra Jumabhoy\r\n                            Publisher: Hatje Cantz\r\n                        </span>ISBN: 978-3-7757-3411-0\r\n\r\n                        <span class=\"pubstrong\">Undervaeker – Wonders, </span>2012<span>\r\n                            Texts by Gitte Orskou, Af Theis Vallo Madsen, Jeanett Stampe\r\n                            Publisher: KUNSTEN - Museum of Modern Art Aalborg\r\n                        </span>ISBN: 978-87-88307-72-6\r\n\r\n                        <span class=\"pubstrong\">n.paradoxa: international feminist art journal, volume 30, </span>2012<span>\r\n                            Text: interview with Veeranganakumari Solanki\r\n                            Publisher: KT press\r\n                        </span>ISBN: 1461- 0434\r\n\r\n                        <span class=\"pubstrong\">The Skoda Prize Twenty, </span>2011-2012<span>\r\n                            Text: Zeenat Nagree\r\n                            Publisher: Popular Prakashan\r\n                        </span>ISBN: 978-81-7991-681-0\r\n\r\n                        <span class=\"pubstrong\">Pandemonium: Art in a time of creativity fever, </span>2011<span>\r\n                            Text: interview with Stina Edblom\r\n                            Publisher: Göteborg International Biennial for Contemporary Art\r\n                        </span>ISBN: 978-91-633-9363-1\r\n                        <span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/pandemonium\">read interview</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span>\r\n\r\n                        <span class=\"pubstrong\">The Indian Renaissance, </span>2011<span>\r\n                            Text: Antonio Stellatelli, Romano Ravasio and Marina Pizziolo\r\n\r\n                            <span class=\"pubstrong\">Vancouver Biennale, </span>2009-2011<span>\r\n                                Text: Vancouver International Sculpture Biennale\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Maximum India, </span>2011<span>\r\n                                Publisher: The John F. Kennedy Center for the Performing Arts, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Never Run Away, </span>2010<span>\r\n                                Text: Shaheen Merali\r\n                                Publisher: Stux Gallery</span>\r\n                                <span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/never-run-away\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span>\r\n                                \r\n                                <span class=\"pubstrong\">Urban Manners 2, </span>2010<span>\r\n                                Text: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\n                                Publisher: SESC Pompeia, Sao Paulo\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Empire Strikes Back, </span>2010<span>\r\n                                Text: Zehra Jumabhoy\r\n                                Publisher: Saatchi Gallery\r\n                                ISBN: 9780224089494\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The River Project, </span>2010<span>\r\n                                Publisher: Campbelltown Arts Centre\r\n                                ISBN: 9781875199761\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Asian Art Now, </span>2010<span>\r\n                                Text: Melissa Chiu and Benjamin Genocchio\r\n                                Publisher: Monacelli Press\r\n                                ISBN: 978-1-58093-298-1 (1-58093-298-3)\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Roundabout, </span>2010<span>\r\n                                Publisher: Art Asia Pacific Publishing\r\n                                ISBN: 978-0984562510\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Khoj Book, </span>2010<span>\r\n                                Interview with Shilpa Gupta\r\n                                Publisher: HarperCollins\r\n                                ISBN: 9788172236878\r\n                            </span><span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/khoj-book\">read interview</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span>\r\n\r\n                            <span class=\"pubstrong\">5 Bienal Ventosul, </span>2009<span>\r\n                                Publisher: Instituto Paranaense de Arte\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Viewpoints &amp; Viewings Points- Asian Art Biennale, </span>2009<span>\r\n                                Text: Chao-yi-Tsai\r\n                                Publisher: National Taiwan Museum of fine Arts\r\n                                ISBN: 978-986-02-0269-4\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Xianzai: Contemporary Indian Art, </span>2009<span>\r\n                                Text: Jitish Kallat, Diana Freundl, Alexander Keefe\r\n                                Publisher: Museum of Contemporary Art\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2009<span>\r\n                                Text: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki,\r\n                                Miho Tagomori\r\n                                Publisher: Prestel, National Museum of Contemporary Art and Essl Museum\r\n                                ISBN: 978-3-7913-4304-4\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2008<span>\r\n                                Text: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman\r\n                                Gopinath, Jayaram, Deepak Ananth\r\n                                Publisher: Mori Art Museum\r\n                                ISBN: 978-4-902819-21-2\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Moderna, </span>2008<span>\r\n                                Text: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur,\r\n                                R. Siva Kumar, K.G. Subramanyan\r\n                                Publisher: IVAM (Institute Valencia D’Art Modern)\r\n                                ISBN: 978-84-482-5104-8\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Everywhere is War (and rumours of it),</span>2008<span>\r\n                                Text: Kai Hafez, Martin Hager, Nicholas Mirzoeff, Daniel Miller,\r\n                                Bregje van Eekelen\r\n                                Publisher: Bodhi Art Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Three Points of Views, </span>2008<span>\r\n                                Text: Grant Watson\r\n                                Publisher: Galerie Mirchandani + Steinruecke\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">New Narratives: Contemporary Art from India, </span>2008<span>\r\n                                Text: Betty Seid with contributions by Johan Pijnappel\r\n                                Publisher: Mapin Publication in association with Chicago Cultural Center\r\n                                ISBN: 978-1-890206-08-6\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Made by Indians, </span>2007<span>\r\n                                Text: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\n                                Publisher: Galerie Enrico Navarra\r\n                                ISBN: 2-911596-37-4\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Thermocline of Art: New Asian Waves, </span>2007<span>\r\n                                Text:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong\r\n                                Publisher: Hatje Cantz Vertag\r\n                                ISBN: 978-3-7757-2073-1\r\n                                EAN: 9782911596377\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Indian Colour, </span>2007<span>\r\n                                Text: Peter Nagy\r\n                                Publisher: Dal- seung Hwang, Keumsan Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Arte Oggi, </span>2007<span>\r\n                                Text:  Daniela Palazzoli\r\n                                Publisher: Spazio Oberdan\r\n                                ISBN: 978-88-202-1867-6\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Urban Manners, </span>2007<span>\r\n                                Text: Adelina Von Furstenberg and Nancy Adajania\r\n                                Publisher: Hangar Bicocca\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">International Incheon Women Artists’ Biennale,</span>\r\n                            <span class=\"pubstrong\">Knocking on the Door, </span>2007<span>\r\n                                Text: Sung Hee Kim, John C. Welchman\r\n                                Publisher: Incheon Culture and Art Centre\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Soft Power: Asian Attitude, </span>2007<span>\r\n                                Text: Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\n                                Publisher: Shanghai Zendai Mumsem of Modern Art\r\n                                ISBN: 978-7-5356-2790-2\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Express- Art and Popular Culture, </span>2006<span>\r\n                                Text: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze\r\n                                Publisher: Helsinki City Art Museum\r\n                                ISBN: 951-8965-61-7\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Bombay L’album Maximum City, </span>2006<span>\r\n                                Text: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\n                                Publisher: Terrail, Lille 3000\r\n                                ISBN: 2-87939-325-6\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Indian Paintings of the New Millennium, </span>2005<span>\r\n                                Text: Helen Asquine  Fazio, Gayatri Sinha\r\n                                Publisher: Quick Arts Center, Fairfield University\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">A Guide to 101 Modern &amp; Contemporary Indian Artists, </span>2005<span>\r\n                                Text: Amrita Jhaveri\r\n                                Publisher: India Book House\r\n                                ISBN: 81-7508-423-5\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Zoom! Art in Contemporary India, </span>2004<span>\r\n                                Texts: Luis Serpa and Nancy Adajania\r\n                                Publisher: The Culturgest Museum\r\n                                ISBN: 972-769-033-5\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Interlude in Sri Lanka, </span>2004<span>\r\n                                Text: Ranjit Hoskote and Nancy Adajania\r\n                                Publisher: The Guild Art Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Generation I, </span>2004<span>\r\n                                Text: Zehra Jumabhoy\r\n                                Publisher: Saffronart &amp; The Guild Art Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Tiranga Rights and Reponsibilities, </span>2003<span>\r\n                                Text: Peter Nagy\r\n                                Publisher: Jindal Foundation &amp; Creative Arts\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Hard Copy, </span>2003<span>\r\n                                Text: Peter Nagy\r\n                                Publisher: Galerie 88\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Crossing Generations: diVERGE, </span>2003<span>\r\n                                Text: Geeta Kapoor and Chaitanya Sambrani\r\n                                Publisher: Gallery Chemould\r\n                            </span>\r\n<p style=\"padding-top:13px;\">\r\n-->\r\n                            <span class=\"pubstrong\" style=\"color: #000000;font-size:20px;line-height:35px;color:#505050;\">PRESS</span>\r\n                            </p>\r\n                                                          <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artforum.com/words/id=56896\" target=\"_blank\">\r\n                                                         Porous Passages Reflects on Differing Worldviews</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               ArtForum, Himali Singh Soin, 21st December 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artdaily.com/index.asp?int_sec=11&int_new=81426#.VnpzN_l96Um\" target=\"_blank\">\r\n                                                         Chemould Prescott Road opens exhibition of the work of Reena Saini Kallat</a> </span> <font color=\"red\">  >> </font> <span>\r\n                              Artdaily, 23rd December 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.livemint.com/Leisure/lPXmu4hGHMMbAKK9IJmXGJ/Beyond-the-barbed-wire.html\" target=\"_blank\">\r\n                                                         Beyond the barbed wire	</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Chanpreet Khurana, Live Mint, 16th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.livemint.com/Leisure/LGZI9VzNg3218XGafyrFBO/Genetic-engineering.html\" target=\"_blank\">\r\n                                                         Genetic engineering</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Rosalyn D’Mello, Live Mint, 19th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.openthemagazine.com/article/art-culture/layer-upon-layer\" target=\"_blank\">\r\n                                                         Layer upon Layer</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Payal Khandelwal, Open Magazine pg 54 - 57, 28th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.vogue.in/content/can-art-bind-together-warring-nations/\" target=\"_blank\">\r\n                                                         Can art bind together warring nations?</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Rosalyn DMello, Vogue, 23rd September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://indianexpress.com/article/lifestyle/dividing-lines-3/\" target=\"_blank\">\r\n                                                         Dividing Lines</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Pooja Pillai, The Indian Express, 21st September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindustantimes.com/art-and-culture/reena-saini-kallat-explores-geopolitical-relations-in-wires/story-bAlx8ynmqUgWHxlb2DONuN.html;jsessionid=A5137ED4B0981ED14C62E175FE95D985\" target=\"_blank\">\r\n                                                         Reena Saini Kallat explores geopolitical relations in wires</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Arundhati Chatterjee, Hindustan Times, 21st September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.dnaindia.com/lifestyle/interview-a-divided-existence-reena-saini-talks-about-her-exhibition-hyphenated-lives-2126700\" target=\"_blank\">\r\n                                                         A divided existence</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Ornella D’Souza, DNA, 20th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.mumbaimirror.com/others/leisure/Mirror-fixes-it-Finding-poetry-in-politics/articleshow/49031262.cms\" target=\"_blank\">\r\n                                                         Finding Poetry in Politics</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Reema Gehi, Mumbai Mirror, 20th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://theculturetrip.com/asia/india/articles/contemporary-artists-series-a-conversation-with-reena-saini-kallat/\" target=\"_blank\">\r\n                                                         Contemporary Artists Series: A Conversation with Reena Saini Kallat</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Farah Siddiqui, The CultureTrip, 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://insideburgercollection.org/wp-content/uploads/2015/07/94_BurgerCollection-08_p87-92.pdf\" target=\"_blank\">\r\n                                                        REREADING REENA KALLAT -  Inside Burger collection</a></span> <font color=\"red\">  >> </font> <span>\r\n									Quddus Mirza, Art Asia Pacific Magazine,  July/Aug 2015 </span>\r\n                              \r\n                                  <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.domusweb.it/en/news/2015/06/15/offsite_reena_saini_kallat.html\" target=\"_blank\">Woven Chronicle, Domus</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               posted on 15th June 2015                            </span>\r\n\r\n                               <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.huffingtonpost.ca/jugni-style/reena-saini-kallat-vancouver_b_7725930.html\" target=\"_blank\">Reena Saini Kallat\'s Public Art Installation Explores Migration, Longing In Vancouver</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Nimritta Parmar,  Huffpost  British Columbia Canada,  posted on 13th July 2015                            </span>\r\n\r\n                               <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.vancouverobserver.com/culture/art/mumbai-artist-maps-out-web-wire-vag-offsite\" target=\"_blank\">Mumbai artist maps out web of wire at VAG Offsite</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Sponsored content, Vancouver Observer, posted on 8th June 2015                            </span>\r\n\r\n                               <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://indianexpress.com/article/lifestyle/current-connections/\" target=\"_blank\">Current Connections</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Vandana Kalra, The Indian Express, 12th May 2015 </span>\r\n                               \r\n                            <span class=\"pubstrong\">Working Lives, AD Perspective,</span> <span>\r\n                              Sanhita Chowdhury, Architectural Digest pg-76, January-February 2015                      </span>\r\n\r\n                              <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://theculturetrip.com/asia/india/articles/the-top-10-female-contemporary-artists-from-india/\" target=\"_blank\">The Top 10 Female Contemporary Artists from India</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               C. A. Xuan Mai Ardia, The Culture Trip, 2014                            </span>\r\n\r\n                              <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.mid-day.com/articles/memories-at-work/15747192\" target=\"_blank\">Memories at work</a> </span> <font color=\"red\">  >> </font> <span>\r\n                              Kanika Sharma, Mid-day, 8th November 2014                           </span>\r\n                              \r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artasiapacific.com/Magazine/WebExclusives/FloatingWorldAestheticBind\" target=\"_blank\">Aesthetic Bind Floating World</a> </span> <font color=\"red\">  >> </font> <span>\r\n                              Gitanjali Dang, ArtAsiaPacific, April 2014                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.timeoutmumbai.net/art/features/suspense\" target=\"_blank\">In Suspense </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Phalguni Desai , Timeout Mumbai,  March  2014\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artdaily.com/news/68958/Chemould-Prescott-Road-celebrates-fifty-years-of-contemporary-art-with-Aesthetic-Bind--Floating-World#.Uz5us_mSxVk\" target=\"_blank\">Chemould Prescott Road celebrates fifty years of contemporary art with Aesthetic Bind: Floating World </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Geeta Kapur, Art Daily, 24th March 2014\r\n                            </span>\r\n                                                        <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.wallpaper.com/art/zegnart-enlists-reena-kallat-to-create-a-site-specific-artwork-in-mumbai/6292\" target=\"_blank\">ZegnArt enlists Reena Kallat to create a site-specific artwork in Mumbai,</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                JJ Martin, Wallpaper, 18th January 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.timeoutmumbai.net/art/features/web-design\" target=\"_blank\">Web design</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Karanjeet Kaur,Timeout Magazine, pg 26-28, 15th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artribune.com/2013/03/una-ragnatela-fra-italia-e-india-inaugurata-a-mumbai-lopera-di-reena-kallat-per-il-progetto-zegnart-public-qui-ci-sono-immagini-video-e-intervista-allartista/\" target=\"_blank\">Arte pubblica a Mumbai. Intervista con Anna Zegna</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Daniele Perra, Art Tribune, 1st March 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://in.blouinartinfo.com/news/story/885613/reena-kallat-on-her-mammoth-1-ton-rubber-stamp-cobweb-at-the\" target=\"_blank\">Reena Kallat On Her Mammoth, 1-ton Rubber-Stamp Cobweb at the Bhau Daji Lad Museum, Mumbai</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Rosalyn D\'Mello, Blouinart, April 1, 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.thehindu.com/features/magazine/putting-her-stamp-on-it/article4484175.ece\" target=\"_blank\">Putting her stamp on it</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Ramya Sarma, The Hindu, 9th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.business-standard.com/article/beyond-business/stamp-over-mumbai-113030800509_1.html\" target=\"_blank\">Stamp over Mumbai</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Kishore Singh, Business Standard, New Delhi  8th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.dnaindia.com/lifestyle/report_weaving-a-tangled-web_1806665\" target=\"_blank\">Weaving a tangled web</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Deepanjana Pal, DNA, 3rd March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.dnaindia.com/lifestyle/report_web-of-history_1810815\" target=\"_blank\">Web of history </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Sanaya Chavda, DNA, 13th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindustantimes.com/Entertainment/Art/Web-of-history-Reena-Kallat-s-installation/Article1-1027359.aspx\" target=\"_blank\">Web of history </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Shweta Mehta, Hindustan Times, 16th March 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://blog.saffronart.com/2013/03/14/reena-kallats-untitled-cobwebscrossings/\" target=\"_blank\">Public Art installation by Reena Kallat at the Dr. Bhau Daji Lad Museum in Mumbai </a> </span> <font color=\"red\">  >> </font><span>\r\n                                Manjari Sihare, Saffron blog,Posted on 14th March  2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Weaving into  networks, Buliding Cobwebs: Musings over Reena Saini Kallat’s recent work </span> <span>\r\n                                Parni Ray, Take on Art/Eleven, pg 98, Volume lll\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Stamping ground </span><span>\r\n                                Deepanjana Pal, Wallpaper magazine, pg 193 – 194, May 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Editorial</span><span>\r\n                                Kaiwan Mehta, Domus, pg 5 – 10, April 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Web Design</span> <span>\r\n                                Chumki Bharadwaj, India Today, pg 45 – 46, April 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Art Outside  </span> <span>\r\n                                Pavitra Mohan, Architectural Digest, pg 98, March-April 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://inditerrain.indiaartndesign.com/2013/03/of-cobwebs-crossings.html\" target=\"_blank\">Of Cobwebs & Crossings </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Jigna Padhiar, India Art & Design, 1st March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://prestige-singapore.com.sg/2013/04/arts-raj\" target=\"_blank\">Art\'s the Raj</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Dylan Boey, Prestige Singapore, 3rd April 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\">Adrift in unknown waters: Reena Saini Kallat and the Art of letting go</span><span>\r\n                                Parni Ray,  Artfair Magazine, Issue-3, pg 48 – 51, 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://shobanarayan.com/2012/02/04/about-jitish-kallat-and-reena-saini-kallat/\" target=\"_blank\">Walking the Art talk with the Kallats</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Shobha Narayan, Live Mint, February 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.tribuneindia.com/2012/20120219/spectrum/main2.htm\" target=\"_blank\">Spectrum New Visual Idiom</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                The Tribune, February 19, 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artnewsnviews.com/view-article.php?article=g-teborg-international-biennial&iid=25&articleid=678\" target=\"_blank\">Goteborg International Biennial</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Art Etc, Vol.4, No. 2, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Helsinki taidemuseo.fi-Journal, </span> January 2011<span>\r\n                            </span>\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://indiatoday.intoday.in/site/story/brush-with-reality/1/134582.html\">Brush With Reality </a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Sumaiya Khan, India Today Woman, pg. 20-21, April 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">System overload </span><span>\r\n                                Shweta Upadhyay, Timeout Delhi, March 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artslant.com/ind/articles/show/22573\" target=\"_blank\">Picking up the past</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Parni Ray, www.artslant.com, 4th April 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://iipdigital.usembassy.gov/st/english/article/2011/03/20110307133535drawoh0.7282221.html#axzz34yECziHk\">Art at “maximum INDIA” Festival Evokes Cultural Memory and Loss</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Howard Cincotta, www.america.gov, March 7, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.signonsandiego.com/news/2011/mar/02/kennedy-center-opens-3-week-india-arts-festival/\">Kennedy Center opens 3-week India arts festival</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Brett Zongker, www.signonsnadiego.com, 2nd March 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Eye and the Mind: New Interventions in Contemporary Indian Art </span><span>\r\n                                Rajeev Lochan, India Perspectives, Vol. 24, No. 6, 2010\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artradarjournal.com/2010/04/20/indian-contemporary-artist-reena-kallat-art-radar-exclusive-interview/\">Interview, Art Radar Asia </a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span><span>\r\n                                April 20, 2010\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Archives of the Heart</span><span>\r\n                                Nancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\n                                Front Cover, pgs 42-45, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Globale Kunst Mit Wurzelduft</span><span>\r\n                                Von Almuth Speigler, Die Presse, Feuilleton, 2nd September 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Landscapes of Loss</span><span>\r\n                                Beth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Reincarnating History</span><span>\r\n                                The Big Picture, Architect and Interiors, July 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Stamp Collection</span><span>\r\n                                Georgina Maddox, The Sunday Express, 17th May 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Evolving Beyond Borders</span><span>\r\n                                Reshma S. Kulkarni, Bombay Times, Times of India, 15th January, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Loss and Found</span><span>\r\n                                Marina Correa, DNA, Mumbai, 22nd January 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Focus India</span><span>\r\n                                Megha Ralapati, Flash Art, pg 114, January-February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Come Together Right Now</span><span>\r\n                                Reema Gehi, HT Café, 15th February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Such a Long Journey</span><span>\r\n                                Aparna S Sharma, Elle Magazine, pgs 115-117, February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">More than a Woman</span><span>\r\n                                Georgina Maddox, The Indian Express, Mumbai Newsline, 4th February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Artist of the Fortnight</span><span>\r\n                                Maria Louis, Outlook Profit, pg 79, 18th April 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Deja View</span><span>\r\n                                Tara Khilachand, Live Mint, 20th December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Terror Struck</span><span>\r\n                                Maria Louis, Outlook Profit, 26th December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Name Calling</span><span>\r\n                                Deepanjana Pal, Timeout Mumbai, December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Corruptions of Power</span>\r\n                            <span>Shiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99, 2007</span>\r\n\r\n                            <span class=\"pubstrong\">Over the Rainbow</span><span>\r\n                                Maria Louis, Interview, Verve Magazine, pg 78, November 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindu.com/mag/2006/10/29/stories/2006102900070200.htm\">In a State of Perennial Siege</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span><span>\r\n                                Nancy Adajania, The Hindu, Hyderabad, 29th October 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Her Crowning Achievement</span><span>\r\n                                Clara Chow, The Straits Times, 18th November 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Political Chaos</span><span>\r\n                                Deepali Nandwani, Beautiful people, pg 143, November-December 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Weapons of Mass Construction</span><span>\r\n                                Rituparna Som, DNA after Hrs, Mumbai, 9th October, 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Guns and Roses</span><span>\r\n                                Rachna Nakra, The Indian Express, Mumbai Newsline, 18th September 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Under Attack</span><span>\r\n                                Gitanjali Dang, HT Mumbai, 22nd September 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Time Traveller</span><span>\r\n                                Georgina Maddox, The Indian Express, Mumbai Newsline, 27th June 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Flower and the Sword</span><span>\r\n                                Girish Shahane, The Art News magazine of India, pg 93, volume X issue I, 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India’s Top 100 Achievers</span><span>\r\n                                Society Magazine, pg 137, December 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Caught Between Demons<span style=\"font-weight: normal; color: red;\"></span></span><span>\r\n                                Nancy Adajania, The Hindu, 19th December 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">En Reise Til India</span><span>\r\n                                Harald Flor, Dagbladet, Kultur, 2nd February 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Signs of Resistance</span><span>\r\n                                Nancy Adajania, The Hindu, 5th January 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Of the Goddess and Demon in the Mind</span><span>\r\n                                Debbie Rodgers, Sunday edition Vijay Times, Bangalore, 5th January 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Empathic Anger</span><span>\r\n                                Marta Jakimowicz, Deccan Herald, 23rd December 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Mysore Ek Khoj</span>\r\n                            Cross Fertilization of Culture, Interview in Star of Mysore, 27th October 2002\r\n\r\n                            <span class=\"pubstrong\">Linking Islands</span><span>\r\n                                Menaka Jayasankar, Indian Express, Mumbai Newsline, 15th February 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Creating to Destroy</span><span>\r\n                                Jasmine Shah Varma, The List, Mid Day, 22nd February 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Different Strokes</span><span>\r\n                                Georgina L Maddox, The Indian Express, Mumbai Newsline, 24th July 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a target=\"_blank\" href=\"http://www.reenakallat.com/wp-content/uploads/2011/09/Faith%20and%20Hunger.pdf\" style=\"color: rgb(135, 135, 135);\">Of Faith and Hunger</a><font style=\"font-weight:normal;\" color=\"red\">  >> </font></span>\r\n                        <span>Abhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89, December 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">The Murmur of Skin</span><span>\r\n                            Nupur Mahajan, Bombay Times, Times of India, 12th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Not just Skin Deep</span><span>\r\n                            Jasmine Shah Varma, The List, Mid-day, 4th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Inside Out</span><span>\r\n                            Menaka Jayasankar, Indian Express, Mumbai Newsline, 11th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Scintillating Skin</span><span>\r\n                            Vaibhav Purandare, The Asian Age, 14th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">An Artist’s World: Roti, Makaan &amp; Abstract Art</span><span>\r\n                            Poonam Goel, HT City, 23rd December 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Within you, Without you</span><span>\r\n                            Anu Kumar, Indian Express, Express Newsline, 2nd September 1998\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Farming Intrigue</span><span>\r\n                            Jerry Pinto, The Times of India, Bombay Times, 3rd September 1998\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Interactive Medium</span><span>\r\n                            Karen Pereira, Indian Architect &amp; Builder, pgs 102-104, October 1998\r\n                        </span>\r\n</td>\r\n        </tr>\r\n    </tbody>\r\n</table>','','','inherit','open','open','','3384-revision-5','','','2016-07-25 00:35:07','2016-07-25 00:35:07','',3384,'http://www.reenakallat.com/3389/uncat/3384-revision-5',0,'revision','',0),(3390,1,'2016-07-25 00:35:13','2016-07-25 00:35:13','<table border=\"0\" cellspacing=\"5\" cellpadding=\"0\" width=\"100%\" align=\"centre\">\r\n    <tbody>\r\n    <!--\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" width=\"21%\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td style=\"margin-left: 5px;\">\r\n                                <span class=\"pubstrong\">Reena Saini Kallat, </span> 2009<span>\r\n                                    Text: Nancy Adajania and Murtaza Vali\r\n                                    Publisher: Primo Marella Gallery, Walsh Gallery and Chemould Prescott Road\r\n                                    ISBN: 978-81-908879-1-5\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/reena-kallat\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Rainbow of Refuse, </span>2006<span>\r\n                                    Text: Nancy Adajania\r\n                                    Publisher: Bodhi Art Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/rainbow-of-refuse\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Black Flute (and other stories), </span>2005\r\n                                <span class=\"pubstrong\">Black Flute,</span> 2004<span>\r\n                                    Text: Nancy Adajania\r\n                                    Publisher: Gallery Chemould and Nature Morte Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/black-flute\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">The Battlefield is the Mind, </span>2002<span>\r\n                                    Text: Nancy Adajania\r\n                                    Publisher: Sakshi Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/battlefield-of-mind\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table cellspacing=\"0\" cellpadding=\"0\" width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Skin, </span>2000<span>\r\n                                    Interview with Jitish Kallat\r\n                                    Publisher: Gallery Chemould and Vis-à-vis Art Inc. Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr></tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Orchard of home-grown secrets, </span>1998<span>\r\n                                    Text: Ranjit Hoskote\r\n                                    Publisher: Gallery Chemould and Pundole Art Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/orchard-pub\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td colspan=\"2\"></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n            <td>\r\n                \r\n                 <span class=\"pubstrong\">ZegnArt Public, India, 2014</span><span>\r\n                    Text: Nancy Adajania, Cecilia Canziani, Mustansir Dalvi, Reena Kallat, \r\nTasneem Mehta, Simone Menegoi, Girish Shahane, Andrea Zegna\r\n\r\n					Publisher: Mousse Publishing \r\n					ISBN: 9788867491391\r\n\r\n				 <span class=\"pubstrong\">Passages: Indian Art Today, 2015</span><span>\r\n                    Text: Gerard A. Goodrow, Julia Ritterskamp\r\n					Publisher: DAAB Media\r\n					ISBN-10: 3942597705\r\n					ISBN-13: 978-3942597705\r\n\r\n\r\n                <span class=\"pubstrong\">Nature Morte, 2013</span><span>\r\n                    Text: Michael Petry\r\n                    Publisher: Thames & Hudson\r\n                    ISBN: 9780500239063\r\n\r\n\r\n\r\n            <span class=\"pubstrong\">Haein Art Project, 2013</span><span>\r\n                Text:  Kim Jiyon, Leandre D’souza and Claudio Maffioletti\r\n                Publisher: Ven.Sun-Hae (Abbot of Haeinsa Temple)\r\n                ISBN: 979 1195142309 90620\r\n\r\n\r\n                <span class=\"pubstrong\">NO-MAD-NESS IN NO MAN’S LAND, 2013</span><span>\r\n                    Text:  interview by Ombretta Agro Andruff and Leeza Ahmady with Casey Amy Fan\r\n                    Publisher: The Eslite Corp.\r\n                    ISBN: 978-986-89759-7-2\r\n\r\n                    <span class=\"pubstrong\">India Side by Side, 2012</span><span>\r\n                        Text: Cibele Aldrovandi, Deepak Ananth, Flavia Galli Tatsch, Kapila Vatsyayan, Laura Cury, Rahaab Allana, Tereza de Arruda\r\n                        Publisher: The Brazilian Ministry of Culture and Banco do Brasil\r\n                        ISBN: 978-85-64170-01-8\r\n\r\n                        <span class=\"pubstrong\">India : Art Now, 2012 </span><span>\r\n                            Text: Stine Hoholt, Ranjit Hoskote, Zehra Jumabhoy\r\n                            Publisher: Hatje Cantz\r\n                        </span>ISBN: 978-3-7757-3411-0\r\n\r\n                        <span class=\"pubstrong\">Undervaeker – Wonders, </span>2012<span>\r\n                            Texts by Gitte Orskou, Af Theis Vallo Madsen, Jeanett Stampe\r\n                            Publisher: KUNSTEN - Museum of Modern Art Aalborg\r\n                        </span>ISBN: 978-87-88307-72-6\r\n\r\n                        <span class=\"pubstrong\">n.paradoxa: international feminist art journal, volume 30, </span>2012<span>\r\n                            Text: interview with Veeranganakumari Solanki\r\n                            Publisher: KT press\r\n                        </span>ISBN: 1461- 0434\r\n\r\n                        <span class=\"pubstrong\">The Skoda Prize Twenty, </span>2011-2012<span>\r\n                            Text: Zeenat Nagree\r\n                            Publisher: Popular Prakashan\r\n                        </span>ISBN: 978-81-7991-681-0\r\n\r\n                        <span class=\"pubstrong\">Pandemonium: Art in a time of creativity fever, </span>2011<span>\r\n                            Text: interview with Stina Edblom\r\n                            Publisher: Göteborg International Biennial for Contemporary Art\r\n                        </span>ISBN: 978-91-633-9363-1\r\n                        <span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/pandemonium\">read interview</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span>\r\n\r\n                        <span class=\"pubstrong\">The Indian Renaissance, </span>2011<span>\r\n                            Text: Antonio Stellatelli, Romano Ravasio and Marina Pizziolo\r\n\r\n                            <span class=\"pubstrong\">Vancouver Biennale, </span>2009-2011<span>\r\n                                Text: Vancouver International Sculpture Biennale\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Maximum India, </span>2011<span>\r\n                                Publisher: The John F. Kennedy Center for the Performing Arts, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Never Run Away, </span>2010<span>\r\n                                Text: Shaheen Merali\r\n                                Publisher: Stux Gallery</span>\r\n                                <span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/never-run-away\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span>\r\n                                \r\n                                <span class=\"pubstrong\">Urban Manners 2, </span>2010<span>\r\n                                Text: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\n                                Publisher: SESC Pompeia, Sao Paulo\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Empire Strikes Back, </span>2010<span>\r\n                                Text: Zehra Jumabhoy\r\n                                Publisher: Saatchi Gallery\r\n                                ISBN: 9780224089494\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The River Project, </span>2010<span>\r\n                                Publisher: Campbelltown Arts Centre\r\n                                ISBN: 9781875199761\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Asian Art Now, </span>2010<span>\r\n                                Text: Melissa Chiu and Benjamin Genocchio\r\n                                Publisher: Monacelli Press\r\n                                ISBN: 978-1-58093-298-1 (1-58093-298-3)\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Roundabout, </span>2010<span>\r\n                                Publisher: Art Asia Pacific Publishing\r\n                                ISBN: 978-0984562510\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Khoj Book, </span>2010<span>\r\n                                Interview with Shilpa Gupta\r\n                                Publisher: HarperCollins\r\n                                ISBN: 9788172236878\r\n                            </span><span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/khoj-book\">read interview</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span>\r\n\r\n                            <span class=\"pubstrong\">5 Bienal Ventosul, </span>2009<span>\r\n                                Publisher: Instituto Paranaense de Arte\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Viewpoints &amp; Viewings Points- Asian Art Biennale, </span>2009<span>\r\n                                Text: Chao-yi-Tsai\r\n                                Publisher: National Taiwan Museum of fine Arts\r\n                                ISBN: 978-986-02-0269-4\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Xianzai: Contemporary Indian Art, </span>2009<span>\r\n                                Text: Jitish Kallat, Diana Freundl, Alexander Keefe\r\n                                Publisher: Museum of Contemporary Art\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2009<span>\r\n                                Text: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki,\r\n                                Miho Tagomori\r\n                                Publisher: Prestel, National Museum of Contemporary Art and Essl Museum\r\n                                ISBN: 978-3-7913-4304-4\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2008<span>\r\n                                Text: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman\r\n                                Gopinath, Jayaram, Deepak Ananth\r\n                                Publisher: Mori Art Museum\r\n                                ISBN: 978-4-902819-21-2\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Moderna, </span>2008<span>\r\n                                Text: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur,\r\n                                R. Siva Kumar, K.G. Subramanyan\r\n                                Publisher: IVAM (Institute Valencia D’Art Modern)\r\n                                ISBN: 978-84-482-5104-8\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Everywhere is War (and rumours of it),</span>2008<span>\r\n                                Text: Kai Hafez, Martin Hager, Nicholas Mirzoeff, Daniel Miller,\r\n                                Bregje van Eekelen\r\n                                Publisher: Bodhi Art Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Three Points of Views, </span>2008<span>\r\n                                Text: Grant Watson\r\n                                Publisher: Galerie Mirchandani + Steinruecke\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">New Narratives: Contemporary Art from India, </span>2008<span>\r\n                                Text: Betty Seid with contributions by Johan Pijnappel\r\n                                Publisher: Mapin Publication in association with Chicago Cultural Center\r\n                                ISBN: 978-1-890206-08-6\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Made by Indians, </span>2007<span>\r\n                                Text: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\n                                Publisher: Galerie Enrico Navarra\r\n                                ISBN: 2-911596-37-4\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Thermocline of Art: New Asian Waves, </span>2007<span>\r\n                                Text:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong\r\n                                Publisher: Hatje Cantz Vertag\r\n                                ISBN: 978-3-7757-2073-1\r\n                                EAN: 9782911596377\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Indian Colour, </span>2007<span>\r\n                                Text: Peter Nagy\r\n                                Publisher: Dal- seung Hwang, Keumsan Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Arte Oggi, </span>2007<span>\r\n                                Text:  Daniela Palazzoli\r\n                                Publisher: Spazio Oberdan\r\n                                ISBN: 978-88-202-1867-6\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Urban Manners, </span>2007<span>\r\n                                Text: Adelina Von Furstenberg and Nancy Adajania\r\n                                Publisher: Hangar Bicocca\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">International Incheon Women Artists’ Biennale,</span>\r\n                            <span class=\"pubstrong\">Knocking on the Door, </span>2007<span>\r\n                                Text: Sung Hee Kim, John C. Welchman\r\n                                Publisher: Incheon Culture and Art Centre\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Soft Power: Asian Attitude, </span>2007<span>\r\n                                Text: Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\n                                Publisher: Shanghai Zendai Mumsem of Modern Art\r\n                                ISBN: 978-7-5356-2790-2\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Express- Art and Popular Culture, </span>2006<span>\r\n                                Text: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze\r\n                                Publisher: Helsinki City Art Museum\r\n                                ISBN: 951-8965-61-7\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Bombay L’album Maximum City, </span>2006<span>\r\n                                Text: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\n                                Publisher: Terrail, Lille 3000\r\n                                ISBN: 2-87939-325-6\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Indian Paintings of the New Millennium, </span>2005<span>\r\n                                Text: Helen Asquine  Fazio, Gayatri Sinha\r\n                                Publisher: Quick Arts Center, Fairfield University\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">A Guide to 101 Modern &amp; Contemporary Indian Artists, </span>2005<span>\r\n                                Text: Amrita Jhaveri\r\n                                Publisher: India Book House\r\n                                ISBN: 81-7508-423-5\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Zoom! Art in Contemporary India, </span>2004<span>\r\n                                Texts: Luis Serpa and Nancy Adajania\r\n                                Publisher: The Culturgest Museum\r\n                                ISBN: 972-769-033-5\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Interlude in Sri Lanka, </span>2004<span>\r\n                                Text: Ranjit Hoskote and Nancy Adajania\r\n                                Publisher: The Guild Art Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Generation I, </span>2004<span>\r\n                                Text: Zehra Jumabhoy\r\n                                Publisher: Saffronart &amp; The Guild Art Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Tiranga Rights and Reponsibilities, </span>2003<span>\r\n                                Text: Peter Nagy\r\n                                Publisher: Jindal Foundation &amp; Creative Arts\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Hard Copy, </span>2003<span>\r\n                                Text: Peter Nagy\r\n                                Publisher: Galerie 88\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Crossing Generations: diVERGE, </span>2003<span>\r\n                                Text: Geeta Kapoor and Chaitanya Sambrani\r\n                                Publisher: Gallery Chemould\r\n                            </span>\r\n<p style=\"padding-top:13px;\">\r\n-->\r\n                            <span class=\"pubstrong\" style=\"color: #000000;font-size:20px;line-height:35px;color:#505050;\">PRESS</span>\r\n                            </p>\r\n                                                          <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artforum.com/words/id=56896\" target=\"_blank\">\r\n                                                         Porous Passages Reflects on Differing Worldviews</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               ArtForum, Himali Singh Soin, 21st December 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artdaily.com/index.asp?int_sec=11&int_new=81426#.VnpzN_l96Um\" target=\"_blank\">\r\n                                                         Chemould Prescott Road opens exhibition of the work of Reena Saini Kallat</a> </span> <font color=\"red\">  >> </font> <span>\r\n                              Artdaily, 23rd December 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.livemint.com/Leisure/lPXmu4hGHMMbAKK9IJmXGJ/Beyond-the-barbed-wire.html\" target=\"_blank\">\r\n                                                         Beyond the barbed wire	</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Chanpreet Khurana, Live Mint, 16th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.livemint.com/Leisure/LGZI9VzNg3218XGafyrFBO/Genetic-engineering.html\" target=\"_blank\">\r\n                                                         Genetic engineering</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Rosalyn D’Mello, Live Mint, 19th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.openthemagazine.com/article/art-culture/layer-upon-layer\" target=\"_blank\">\r\n                                                         Layer upon Layer</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Payal Khandelwal, Open Magazine pg 54 - 57, 28th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.vogue.in/content/can-art-bind-together-warring-nations/\" target=\"_blank\">\r\n                                                         Can art bind together warring nations?</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Rosalyn DMello, Vogue, 23rd September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://indianexpress.com/article/lifestyle/dividing-lines-3/\" target=\"_blank\">\r\n                                                         Dividing Lines</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Pooja Pillai, The Indian Express, 21st September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindustantimes.com/art-and-culture/reena-saini-kallat-explores-geopolitical-relations-in-wires/story-bAlx8ynmqUgWHxlb2DONuN.html;jsessionid=A5137ED4B0981ED14C62E175FE95D985\" target=\"_blank\">\r\n                                                         Reena Saini Kallat explores geopolitical relations in wires</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Arundhati Chatterjee, Hindustan Times, 21st September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.dnaindia.com/lifestyle/interview-a-divided-existence-reena-saini-talks-about-her-exhibition-hyphenated-lives-2126700\" target=\"_blank\">\r\n                                                         A divided existence</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Ornella D’Souza, DNA, 20th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.mumbaimirror.com/others/leisure/Mirror-fixes-it-Finding-poetry-in-politics/articleshow/49031262.cms\" target=\"_blank\">\r\n                                                         Finding Poetry in Politics</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Reema Gehi, Mumbai Mirror, 20th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://theculturetrip.com/asia/india/articles/contemporary-artists-series-a-conversation-with-reena-saini-kallat/\" target=\"_blank\">\r\n                                                         Contemporary Artists Series: A Conversation with Reena Saini Kallat</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Farah Siddiqui, The CultureTrip, 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://insideburgercollection.org/wp-content/uploads/2015/07/94_BurgerCollection-08_p87-92.pdf\" target=\"_blank\">\r\n                                                        REREADING REENA KALLAT -  Inside Burger collection</a></span> <font color=\"red\">  >> </font> <span>\r\n									Quddus Mirza, Art Asia Pacific Magazine,  July/Aug 2015 </span>\r\n                              \r\n                                  <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.domusweb.it/en/news/2015/06/15/offsite_reena_saini_kallat.html\" target=\"_blank\">Woven Chronicle, Domus</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               posted on 15th June 2015                            </span>\r\n\r\n                               <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.huffingtonpost.ca/jugni-style/reena-saini-kallat-vancouver_b_7725930.html\" target=\"_blank\">Reena Saini Kallat\'s Public Art Installation Explores Migration, Longing In Vancouver</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Nimritta Parmar,  Huffpost  British Columbia Canada,  posted on 13th July 2015                            </span>\r\n\r\n                               <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.vancouverobserver.com/culture/art/mumbai-artist-maps-out-web-wire-vag-offsite\" target=\"_blank\">Mumbai artist maps out web of wire at VAG Offsite</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Sponsored content, Vancouver Observer, posted on 8th June 2015                            </span>\r\n\r\n                               <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://indianexpress.com/article/lifestyle/current-connections/\" target=\"_blank\">Current Connections</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Vandana Kalra, The Indian Express, 12th May 2015 </span>\r\n                               \r\n                            <span class=\"pubstrong\">Working Lives, AD Perspective,</span> <span>\r\n                              Sanhita Chowdhury, Architectural Digest pg-76, January-February 2015                      </span>\r\n\r\n                              <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://theculturetrip.com/asia/india/articles/the-top-10-female-contemporary-artists-from-india/\" target=\"_blank\">The Top 10 Female Contemporary Artists from India</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               C. A. Xuan Mai Ardia, The Culture Trip, 2014                            </span>\r\n\r\n                              <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.mid-day.com/articles/memories-at-work/15747192\" target=\"_blank\">Memories at work</a> </span> <font color=\"red\">  >> </font> <span>\r\n                              Kanika Sharma, Mid-day, 8th November 2014                           </span>\r\n                              \r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artasiapacific.com/Magazine/WebExclusives/FloatingWorldAestheticBind\" target=\"_blank\">Aesthetic Bind Floating World</a> </span> <font color=\"red\">  >> </font> <span>\r\n                              Gitanjali Dang, ArtAsiaPacific, April 2014                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.timeoutmumbai.net/art/features/suspense\" target=\"_blank\">In Suspense </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Phalguni Desai , Timeout Mumbai,  March  2014\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artdaily.com/news/68958/Chemould-Prescott-Road-celebrates-fifty-years-of-contemporary-art-with-Aesthetic-Bind--Floating-World#.Uz5us_mSxVk\" target=\"_blank\">Chemould Prescott Road celebrates fifty years of contemporary art with Aesthetic Bind: Floating World </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Geeta Kapur, Art Daily, 24th March 2014\r\n                            </span>\r\n                                                        <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.wallpaper.com/art/zegnart-enlists-reena-kallat-to-create-a-site-specific-artwork-in-mumbai/6292\" target=\"_blank\">ZegnArt enlists Reena Kallat to create a site-specific artwork in Mumbai,</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                JJ Martin, Wallpaper, 18th January 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.timeoutmumbai.net/art/features/web-design\" target=\"_blank\">Web design</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Karanjeet Kaur,Timeout Magazine, pg 26-28, 15th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artribune.com/2013/03/una-ragnatela-fra-italia-e-india-inaugurata-a-mumbai-lopera-di-reena-kallat-per-il-progetto-zegnart-public-qui-ci-sono-immagini-video-e-intervista-allartista/\" target=\"_blank\">Arte pubblica a Mumbai. Intervista con Anna Zegna</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Daniele Perra, Art Tribune, 1st March 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://in.blouinartinfo.com/news/story/885613/reena-kallat-on-her-mammoth-1-ton-rubber-stamp-cobweb-at-the\" target=\"_blank\">Reena Kallat On Her Mammoth, 1-ton Rubber-Stamp Cobweb at the Bhau Daji Lad Museum, Mumbai</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Rosalyn D\'Mello, Blouinart, April 1, 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.thehindu.com/features/magazine/putting-her-stamp-on-it/article4484175.ece\" target=\"_blank\">Putting her stamp on it</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Ramya Sarma, The Hindu, 9th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.business-standard.com/article/beyond-business/stamp-over-mumbai-113030800509_1.html\" target=\"_blank\">Stamp over Mumbai</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Kishore Singh, Business Standard, New Delhi  8th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.dnaindia.com/lifestyle/report_weaving-a-tangled-web_1806665\" target=\"_blank\">Weaving a tangled web</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Deepanjana Pal, DNA, 3rd March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.dnaindia.com/lifestyle/report_web-of-history_1810815\" target=\"_blank\">Web of history </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Sanaya Chavda, DNA, 13th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindustantimes.com/Entertainment/Art/Web-of-history-Reena-Kallat-s-installation/Article1-1027359.aspx\" target=\"_blank\">Web of history </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Shweta Mehta, Hindustan Times, 16th March 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://blog.saffronart.com/2013/03/14/reena-kallats-untitled-cobwebscrossings/\" target=\"_blank\">Public Art installation by Reena Kallat at the Dr. Bhau Daji Lad Museum in Mumbai </a> </span> <font color=\"red\">  >> </font><span>\r\n                                Manjari Sihare, Saffron blog,Posted on 14th March  2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Weaving into  networks, Buliding Cobwebs: Musings over Reena Saini Kallat’s recent work </span> <span>\r\n                                Parni Ray, Take on Art/Eleven, pg 98, Volume lll\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Stamping ground </span><span>\r\n                                Deepanjana Pal, Wallpaper magazine, pg 193 – 194, May 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Editorial</span><span>\r\n                                Kaiwan Mehta, Domus, pg 5 – 10, April 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Web Design</span> <span>\r\n                                Chumki Bharadwaj, India Today, pg 45 – 46, April 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Art Outside  </span> <span>\r\n                                Pavitra Mohan, Architectural Digest, pg 98, March-April 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://inditerrain.indiaartndesign.com/2013/03/of-cobwebs-crossings.html\" target=\"_blank\">Of Cobwebs & Crossings </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Jigna Padhiar, India Art & Design, 1st March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://prestige-singapore.com.sg/2013/04/arts-raj\" target=\"_blank\">Art\'s the Raj</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Dylan Boey, Prestige Singapore, 3rd April 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\">Adrift in unknown waters: Reena Saini Kallat and the Art of letting go</span><span>\r\n                                Parni Ray,  Artfair Magazine, Issue-3, pg 48 – 51, 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://shobanarayan.com/2012/02/04/about-jitish-kallat-and-reena-saini-kallat/\" target=\"_blank\">Walking the Art talk with the Kallats</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Shobha Narayan, Live Mint, February 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.tribuneindia.com/2012/20120219/spectrum/main2.htm\" target=\"_blank\">Spectrum New Visual Idiom</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                The Tribune, February 19, 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artnewsnviews.com/view-article.php?article=g-teborg-international-biennial&iid=25&articleid=678\" target=\"_blank\">Goteborg International Biennial</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Art Etc, Vol.4, No. 2, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Helsinki taidemuseo.fi-Journal, </span> January 2011<span>\r\n                            </span>\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://indiatoday.intoday.in/site/story/brush-with-reality/1/134582.html\">Brush With Reality </a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Sumaiya Khan, India Today Woman, pg. 20-21, April 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">System overload </span><span>\r\n                                Shweta Upadhyay, Timeout Delhi, March 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artslant.com/ind/articles/show/22573\" target=\"_blank\">Picking up the past</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Parni Ray, www.artslant.com, 4th April 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://iipdigital.usembassy.gov/st/english/article/2011/03/20110307133535drawoh0.7282221.html#axzz34yECziHk\">Art at “maximum INDIA” Festival Evokes Cultural Memory and Loss</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Howard Cincotta, www.america.gov, March 7, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.signonsandiego.com/news/2011/mar/02/kennedy-center-opens-3-week-india-arts-festival/\">Kennedy Center opens 3-week India arts festival</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Brett Zongker, www.signonsnadiego.com, 2nd March 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Eye and the Mind: New Interventions in Contemporary Indian Art </span><span>\r\n                                Rajeev Lochan, India Perspectives, Vol. 24, No. 6, 2010\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artradarjournal.com/2010/04/20/indian-contemporary-artist-reena-kallat-art-radar-exclusive-interview/\">Interview, Art Radar Asia </a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span><span>\r\n                                April 20, 2010\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Archives of the Heart</span><span>\r\n                                Nancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\n                                Front Cover, pgs 42-45, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Globale Kunst Mit Wurzelduft</span><span>\r\n                                Von Almuth Speigler, Die Presse, Feuilleton, 2nd September 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Landscapes of Loss</span><span>\r\n                                Beth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Reincarnating History</span><span>\r\n                                The Big Picture, Architect and Interiors, July 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Stamp Collection</span><span>\r\n                                Georgina Maddox, The Sunday Express, 17th May 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Evolving Beyond Borders</span><span>\r\n                                Reshma S. Kulkarni, Bombay Times, Times of India, 15th January, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Loss and Found</span><span>\r\n                                Marina Correa, DNA, Mumbai, 22nd January 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Focus India</span><span>\r\n                                Megha Ralapati, Flash Art, pg 114, January-February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Come Together Right Now</span><span>\r\n                                Reema Gehi, HT Café, 15th February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Such a Long Journey</span><span>\r\n                                Aparna S Sharma, Elle Magazine, pgs 115-117, February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">More than a Woman</span><span>\r\n                                Georgina Maddox, The Indian Express, Mumbai Newsline, 4th February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Artist of the Fortnight</span><span>\r\n                                Maria Louis, Outlook Profit, pg 79, 18th April 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Deja View</span><span>\r\n                                Tara Khilachand, Live Mint, 20th December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Terror Struck</span><span>\r\n                                Maria Louis, Outlook Profit, 26th December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Name Calling</span><span>\r\n                                Deepanjana Pal, Timeout Mumbai, December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Corruptions of Power</span>\r\n                            <span>Shiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99, 2007</span>\r\n\r\n                            <span class=\"pubstrong\">Over the Rainbow</span><span>\r\n                                Maria Louis, Interview, Verve Magazine, pg 78, November 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindu.com/mag/2006/10/29/stories/2006102900070200.htm\">In a State of Perennial Siege</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span><span>\r\n                                Nancy Adajania, The Hindu, Hyderabad, 29th October 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Her Crowning Achievement</span><span>\r\n                                Clara Chow, The Straits Times, 18th November 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Political Chaos</span><span>\r\n                                Deepali Nandwani, Beautiful people, pg 143, November-December 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Weapons of Mass Construction</span><span>\r\n                                Rituparna Som, DNA after Hrs, Mumbai, 9th October, 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Guns and Roses</span><span>\r\n                                Rachna Nakra, The Indian Express, Mumbai Newsline, 18th September 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Under Attack</span><span>\r\n                                Gitanjali Dang, HT Mumbai, 22nd September 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Time Traveller</span><span>\r\n                                Georgina Maddox, The Indian Express, Mumbai Newsline, 27th June 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Flower and the Sword</span><span>\r\n                                Girish Shahane, The Art News magazine of India, pg 93, volume X issue I, 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India’s Top 100 Achievers</span><span>\r\n                                Society Magazine, pg 137, December 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Caught Between Demons<span style=\"font-weight: normal; color: red;\"></span></span><span>\r\n                                Nancy Adajania, The Hindu, 19th December 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">En Reise Til India</span><span>\r\n                                Harald Flor, Dagbladet, Kultur, 2nd February 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Signs of Resistance</span><span>\r\n                                Nancy Adajania, The Hindu, 5th January 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Of the Goddess and Demon in the Mind</span><span>\r\n                                Debbie Rodgers, Sunday edition Vijay Times, Bangalore, 5th January 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Empathic Anger</span><span>\r\n                                Marta Jakimowicz, Deccan Herald, 23rd December 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Mysore Ek Khoj</span>\r\n                            Cross Fertilization of Culture, Interview in Star of Mysore, 27th October 2002\r\n\r\n                            <span class=\"pubstrong\">Linking Islands</span><span>\r\n                                Menaka Jayasankar, Indian Express, Mumbai Newsline, 15th February 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Creating to Destroy</span><span>\r\n                                Jasmine Shah Varma, The List, Mid Day, 22nd February 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Different Strokes</span><span>\r\n                                Georgina L Maddox, The Indian Express, Mumbai Newsline, 24th July 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a target=\"_blank\" href=\"http://www.reenakallat.com/wp-content/uploads/2011/09/Faith%20and%20Hunger.pdf\" style=\"color: rgb(135, 135, 135);\">Of Faith and Hunger</a><font style=\"font-weight:normal;\" color=\"red\">  >> </font></span>\r\n                        <span>Abhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89, December 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">The Murmur of Skin</span><span>\r\n                            Nupur Mahajan, Bombay Times, Times of India, 12th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Not just Skin Deep</span><span>\r\n                            Jasmine Shah Varma, The List, Mid-day, 4th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Inside Out</span><span>\r\n                            Menaka Jayasankar, Indian Express, Mumbai Newsline, 11th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Scintillating Skin</span><span>\r\n                            Vaibhav Purandare, The Asian Age, 14th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">An Artist’s World: Roti, Makaan &amp; Abstract Art</span><span>\r\n                            Poonam Goel, HT City, 23rd December 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Within you, Without you</span><span>\r\n                            Anu Kumar, Indian Express, Express Newsline, 2nd September 1998\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Farming Intrigue</span><span>\r\n                            Jerry Pinto, The Times of India, Bombay Times, 3rd September 1998\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Interactive Medium</span><span>\r\n                            Karen Pereira, Indian Architect &amp; Builder, pgs 102-104, October 1998\r\n                        </span>\r\n</td>\r\n        </tr>\r\n    </tbody>\r\n</table>','','','inherit','open','open','','3384-revision-6','','','2016-07-25 00:35:13','2016-07-25 00:35:13','',3384,'http://www.reenakallat.com/3390/uncat/3384-revision-6',0,'revision','',0),(3392,1,'2016-03-29 10:16:01','2016-03-29 10:16:01','<table border=\"0\" cellspacing=\"5\" cellpadding=\"0\" width=\"100%\" align=\"centre\">\r\n    <tbody>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" width=\"21%\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td style=\"margin-left: 5px;\">\r\n                                <span class=\"pubstrong\">Reena Saini Kallat, </span> 2009<span>\r\n                                    Text: Nancy Adajania and Murtaza Vali\r\n                                    Publisher: Primo Marella Gallery, Walsh Gallery and Chemould Prescott Road\r\n                                    ISBN: 978-81-908879-1-5\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/reena-kallat\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Rainbow of Refuse, </span>2006<span>\r\n                                    Text: Nancy Adajania\r\n                                    Publisher: Bodhi Art Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/rainbow-of-refuse\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Black Flute (and other stories), </span>2005\r\n                                <span class=\"pubstrong\">Black Flute,</span> 2004<span>\r\n                                    Text: Nancy Adajania\r\n                                    Publisher: Gallery Chemould and Nature Morte Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/black-flute\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">The Battlefield is the Mind, </span>2002<span>\r\n                                    Text: Nancy Adajania\r\n                                    Publisher: Sakshi Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/battlefield-of-mind\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table cellspacing=\"0\" cellpadding=\"0\" width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Skin, </span>2000<span>\r\n                                    Interview with Jitish Kallat\r\n                                    Publisher: Gallery Chemould and Vis-à-vis Art Inc. Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr></tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Orchard of home-grown secrets, </span>1998<span>\r\n                                    Text: Ranjit Hoskote\r\n                                    Publisher: Gallery Chemould and Pundole Art Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/orchard-pub\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td colspan=\"2\"></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n            <td>\r\n                <!-- Start of Other Publications -->\r\n\r\n                 <span class=\"pubstrong\">ZegnArt Public, India, 2014</span><span>\r\n                    Text: Nancy Adajania, Cecilia Canziani, Mustansir Dalvi, Reena Kallat, \r\nTasneem Mehta, Simone Menegoi, Girish Shahane, Andrea Zegna\r\n\r\n					Publisher: Mousse Publishing \r\n					ISBN: 9788867491391\r\n\r\n				 <span class=\"pubstrong\">Passages: Indian Art Today, 2015</span><span>\r\n                    Text: Gerard A. Goodrow, Julia Ritterskamp\r\n					Publisher: DAAB Media\r\n					ISBN-10: 3942597705\r\n					ISBN-13: 978-3942597705\r\n\r\n\r\n                <span class=\"pubstrong\">Nature Morte, 2013</span><span>\r\n                    Text: Michael Petry\r\n                    Publisher: Thames & Hudson\r\n                    ISBN: 9780500239063\r\n\r\n\r\n\r\n            <span class=\"pubstrong\">Haein Art Project, 2013</span><span>\r\n                Text:  Kim Jiyon, Leandre D’souza and Claudio Maffioletti\r\n                Publisher: Ven.Sun-Hae (Abbot of Haeinsa Temple)\r\n                ISBN: 979 1195142309 90620\r\n\r\n\r\n                <span class=\"pubstrong\">NO-MAD-NESS IN NO MAN’S LAND, 2013</span><span>\r\n                    Text:  interview by Ombretta Agro Andruff and Leeza Ahmady with Casey Amy Fan\r\n                    Publisher: The Eslite Corp.\r\n                    ISBN: 978-986-89759-7-2\r\n\r\n                    <span class=\"pubstrong\">India Side by Side, 2012</span><span>\r\n                        Text: Cibele Aldrovandi, Deepak Ananth, Flavia Galli Tatsch, Kapila Vatsyayan, Laura Cury, Rahaab Allana, Tereza de Arruda\r\n                        Publisher: The Brazilian Ministry of Culture and Banco do Brasil\r\n                        ISBN: 978-85-64170-01-8\r\n\r\n                        <span class=\"pubstrong\">India : Art Now, 2012 </span><span>\r\n                            Text: Stine Hoholt, Ranjit Hoskote, Zehra Jumabhoy\r\n                            Publisher: Hatje Cantz\r\n                        </span>ISBN: 978-3-7757-3411-0\r\n\r\n                        <span class=\"pubstrong\">Undervaeker – Wonders, </span>2012<span>\r\n                            Texts by Gitte Orskou, Af Theis Vallo Madsen, Jeanett Stampe\r\n                            Publisher: KUNSTEN - Museum of Modern Art Aalborg\r\n                        </span>ISBN: 978-87-88307-72-6\r\n\r\n                        <span class=\"pubstrong\">n.paradoxa: international feminist art journal, volume 30, </span>2012<span>\r\n                            Text: interview with Veeranganakumari Solanki\r\n                            Publisher: KT press\r\n                        </span>ISBN: 1461- 0434\r\n\r\n                        <span class=\"pubstrong\">The Skoda Prize Twenty, </span>2011-2012<span>\r\n                            Text: Zeenat Nagree\r\n                            Publisher: Popular Prakashan\r\n                        </span>ISBN: 978-81-7991-681-0\r\n\r\n                        <span class=\"pubstrong\">Pandemonium: Art in a time of creativity fever, </span>2011<span>\r\n                            Text: interview with Stina Edblom\r\n                            Publisher: Göteborg International Biennial for Contemporary Art\r\n                        </span>ISBN: 978-91-633-9363-1\r\n                        <span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/pandemonium\">read interview</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span>\r\n\r\n                        <span class=\"pubstrong\">The Indian Renaissance, </span>2011<span>\r\n                            Text: Antonio Stellatelli, Romano Ravasio and Marina Pizziolo\r\n\r\n                            <span class=\"pubstrong\">Vancouver Biennale, </span>2009-2011<span>\r\n                                Text: Vancouver International Sculpture Biennale\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Maximum India, </span>2011<span>\r\n                                Publisher: The John F. Kennedy Center for the Performing Arts, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Never Run Away, </span>2010<span>\r\n                                Text: Shaheen Merali\r\n                                Publisher: Stux Gallery</span>\r\n                                <span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/never-run-away\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span>\r\n                                \r\n                                <span class=\"pubstrong\">Urban Manners 2, </span>2010<span>\r\n                                Text: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\n                                Publisher: SESC Pompeia, Sao Paulo\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Empire Strikes Back, </span>2010<span>\r\n                                Text: Zehra Jumabhoy\r\n                                Publisher: Saatchi Gallery\r\n                                ISBN: 9780224089494\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The River Project, </span>2010<span>\r\n                                Publisher: Campbelltown Arts Centre\r\n                                ISBN: 9781875199761\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Asian Art Now, </span>2010<span>\r\n                                Text: Melissa Chiu and Benjamin Genocchio\r\n                                Publisher: Monacelli Press\r\n                                ISBN: 978-1-58093-298-1 (1-58093-298-3)\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Roundabout, </span>2010<span>\r\n                                Publisher: Art Asia Pacific Publishing\r\n                                ISBN: 978-0984562510\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Khoj Book, </span>2010<span>\r\n                                Interview with Shilpa Gupta\r\n                                Publisher: HarperCollins\r\n                                ISBN: 9788172236878\r\n                            </span><span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/khoj-book\">read interview</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span>\r\n\r\n                            <span class=\"pubstrong\">5 Bienal Ventosul, </span>2009<span>\r\n                                Publisher: Instituto Paranaense de Arte\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Viewpoints &amp; Viewings Points- Asian Art Biennale, </span>2009<span>\r\n                                Text: Chao-yi-Tsai\r\n                                Publisher: National Taiwan Museum of fine Arts\r\n                                ISBN: 978-986-02-0269-4\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Xianzai: Contemporary Indian Art, </span>2009<span>\r\n                                Text: Jitish Kallat, Diana Freundl, Alexander Keefe\r\n                                Publisher: Museum of Contemporary Art\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2009<span>\r\n                                Text: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki,\r\n                                Miho Tagomori\r\n                                Publisher: Prestel, National Museum of Contemporary Art and Essl Museum\r\n                                ISBN: 978-3-7913-4304-4\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2008<span>\r\n                                Text: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman\r\n                                Gopinath, Jayaram, Deepak Ananth\r\n                                Publisher: Mori Art Museum\r\n                                ISBN: 978-4-902819-21-2\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Moderna, </span>2008<span>\r\n                                Text: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur,\r\n                                R. Siva Kumar, K.G. Subramanyan\r\n                                Publisher: IVAM (Institute Valencia D’Art Modern)\r\n                                ISBN: 978-84-482-5104-8\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Everywhere is War (and rumours of it),</span>2008<span>\r\n                                Text: Kai Hafez, Martin Hager, Nicholas Mirzoeff, Daniel Miller,\r\n                                Bregje van Eekelen\r\n                                Publisher: Bodhi Art Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Three Points of Views, </span>2008<span>\r\n                                Text: Grant Watson\r\n                                Publisher: Galerie Mirchandani + Steinruecke\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">New Narratives: Contemporary Art from India, </span>2008<span>\r\n                                Text: Betty Seid with contributions by Johan Pijnappel\r\n                                Publisher: Mapin Publication in association with Chicago Cultural Center\r\n                                ISBN: 978-1-890206-08-6\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Made by Indians, </span>2007<span>\r\n                                Text: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\n                                Publisher: Galerie Enrico Navarra\r\n                                ISBN: 2-911596-37-4\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Thermocline of Art: New Asian Waves, </span>2007<span>\r\n                                Text:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong\r\n                                Publisher: Hatje Cantz Vertag\r\n                                ISBN: 978-3-7757-2073-1\r\n                                EAN: 9782911596377\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Indian Colour, </span>2007<span>\r\n                                Text: Peter Nagy\r\n                                Publisher: Dal- seung Hwang, Keumsan Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Arte Oggi, </span>2007<span>\r\n                                Text:  Daniela Palazzoli\r\n                                Publisher: Spazio Oberdan\r\n                                ISBN: 978-88-202-1867-6\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Urban Manners, </span>2007<span>\r\n                                Text: Adelina Von Furstenberg and Nancy Adajania\r\n                                Publisher: Hangar Bicocca\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">International Incheon Women Artists’ Biennale,</span>\r\n                            <span class=\"pubstrong\">Knocking on the Door, </span>2007<span>\r\n                                Text: Sung Hee Kim, John C. Welchman\r\n                                Publisher: Incheon Culture and Art Centre\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Soft Power: Asian Attitude, </span>2007<span>\r\n                                Text: Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\n                                Publisher: Shanghai Zendai Mumsem of Modern Art\r\n                                ISBN: 978-7-5356-2790-2\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Express- Art and Popular Culture, </span>2006<span>\r\n                                Text: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze\r\n                                Publisher: Helsinki City Art Museum\r\n                                ISBN: 951-8965-61-7\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Bombay L’album Maximum City, </span>2006<span>\r\n                                Text: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\n                                Publisher: Terrail, Lille 3000\r\n                                ISBN: 2-87939-325-6\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Indian Paintings of the New Millennium, </span>2005<span>\r\n                                Text: Helen Asquine  Fazio, Gayatri Sinha\r\n                                Publisher: Quick Arts Center, Fairfield University\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">A Guide to 101 Modern &amp; Contemporary Indian Artists, </span>2005<span>\r\n                                Text: Amrita Jhaveri\r\n                                Publisher: India Book House\r\n                                ISBN: 81-7508-423-5\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Zoom! Art in Contemporary India, </span>2004<span>\r\n                                Texts: Luis Serpa and Nancy Adajania\r\n                                Publisher: The Culturgest Museum\r\n                                ISBN: 972-769-033-5\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Interlude in Sri Lanka, </span>2004<span>\r\n                                Text: Ranjit Hoskote and Nancy Adajania\r\n                                Publisher: The Guild Art Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Generation I, </span>2004<span>\r\n                                Text: Zehra Jumabhoy\r\n                                Publisher: Saffronart &amp; The Guild Art Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Tiranga Rights and Reponsibilities, </span>2003<span>\r\n                                Text: Peter Nagy\r\n                                Publisher: Jindal Foundation &amp; Creative Arts\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Hard Copy, </span>2003<span>\r\n                                Text: Peter Nagy\r\n                                Publisher: Galerie 88\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Crossing Generations: diVERGE, </span>2003<span>\r\n                                Text: Geeta Kapoor and Chaitanya Sambrani\r\n                                Publisher: Gallery Chemould\r\n                            </span>\r\n<p style=\"padding-top:13px;\">\r\n\r\n                            <span class=\"pubstrong\" style=\"color: #000000;font-size:20px;line-height:35px;color:#505050;\">PRESS</span>\r\n                            </p>\r\n                                                          <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artforum.com/words/id=56896\" target=\"_blank\">\r\n                                                         Porous Passages Reflects on Differing Worldviews</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               ArtForum, Himali Singh Soin, 21st December 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artdaily.com/index.asp?int_sec=11&int_new=81426#.VnpzN_l96Um\" target=\"_blank\">\r\n                                                         Chemould Prescott Road opens exhibition of the work of Reena Saini Kallat</a> </span> <font color=\"red\">  >> </font> <span>\r\n                              Artdaily, 23rd December 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.livemint.com/Leisure/lPXmu4hGHMMbAKK9IJmXGJ/Beyond-the-barbed-wire.html\" target=\"_blank\">\r\n                                                         Beyond the barbed wire	</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Chanpreet Khurana, Live Mint, 16th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.livemint.com/Leisure/LGZI9VzNg3218XGafyrFBO/Genetic-engineering.html\" target=\"_blank\">\r\n                                                         Genetic engineering</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Rosalyn D’Mello, Live Mint, 19th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.openthemagazine.com/article/art-culture/layer-upon-layer\" target=\"_blank\">\r\n                                                         Layer upon Layer</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Payal Khandelwal, Open Magazine pg 54 - 57, 28th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.vogue.in/content/can-art-bind-together-warring-nations/\" target=\"_blank\">\r\n                                                         Can art bind together warring nations?</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Rosalyn DMello, Vogue, 23rd September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://indianexpress.com/article/lifestyle/dividing-lines-3/\" target=\"_blank\">\r\n                                                         Dividing Lines</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Pooja Pillai, The Indian Express, 21st September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindustantimes.com/art-and-culture/reena-saini-kallat-explores-geopolitical-relations-in-wires/story-bAlx8ynmqUgWHxlb2DONuN.html;jsessionid=A5137ED4B0981ED14C62E175FE95D985\" target=\"_blank\">\r\n                                                         Reena Saini Kallat explores geopolitical relations in wires</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Arundhati Chatterjee, Hindustan Times, 21st September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.dnaindia.com/lifestyle/interview-a-divided-existence-reena-saini-talks-about-her-exhibition-hyphenated-lives-2126700\" target=\"_blank\">\r\n                                                         A divided existence</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Ornella D’Souza, DNA, 20th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.mumbaimirror.com/others/leisure/Mirror-fixes-it-Finding-poetry-in-politics/articleshow/49031262.cms\" target=\"_blank\">\r\n                                                         Finding Poetry in Politics</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Reema Gehi, Mumbai Mirror, 20th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://theculturetrip.com/asia/india/articles/contemporary-artists-series-a-conversation-with-reena-saini-kallat/\" target=\"_blank\">\r\n                                                         Contemporary Artists Series: A Conversation with Reena Saini Kallat</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Farah Siddiqui, The CultureTrip, 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://insideburgercollection.org/wp-content/uploads/2015/07/94_BurgerCollection-08_p87-92.pdf\" target=\"_blank\">\r\n                                                        REREADING REENA KALLAT -  Inside Burger collection</a></span> <font color=\"red\">  >> </font> <span>\r\n									Quddus Mirza, Art Asia Pacific Magazine,  July/Aug 2015 </span>\r\n                              \r\n                                  <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.domusweb.it/en/news/2015/06/15/offsite_reena_saini_kallat.html\" target=\"_blank\">Woven Chronicle, Domus</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               posted on 15th June 2015                            </span>\r\n\r\n                               <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.huffingtonpost.ca/jugni-style/reena-saini-kallat-vancouver_b_7725930.html\" target=\"_blank\">Reena Saini Kallat\'s Public Art Installation Explores Migration, Longing In Vancouver</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Nimritta Parmar,  Huffpost  British Columbia Canada,  posted on 13th July 2015                            </span>\r\n\r\n                               <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.vancouverobserver.com/culture/art/mumbai-artist-maps-out-web-wire-vag-offsite\" target=\"_blank\">Mumbai artist maps out web of wire at VAG Offsite</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Sponsored content, Vancouver Observer, posted on 8th June 2015                            </span>\r\n\r\n                               <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://indianexpress.com/article/lifestyle/current-connections/\" target=\"_blank\">Current Connections</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Vandana Kalra, The Indian Express, 12th May 2015 </span>\r\n                               \r\n                            <span class=\"pubstrong\">Working Lives, AD Perspective,</span> <span>\r\n                              Sanhita Chowdhury, Architectural Digest pg-76, January-February 2015                      </span>\r\n\r\n                              <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://theculturetrip.com/asia/india/articles/the-top-10-female-contemporary-artists-from-india/\" target=\"_blank\">The Top 10 Female Contemporary Artists from India</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               C. A. Xuan Mai Ardia, The Culture Trip, 2014                            </span>\r\n\r\n                              <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.mid-day.com/articles/memories-at-work/15747192\" target=\"_blank\">Memories at work</a> </span> <font color=\"red\">  >> </font> <span>\r\n                              Kanika Sharma, Mid-day, 8th November 2014                           </span>\r\n                              \r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artasiapacific.com/Magazine/WebExclusives/FloatingWorldAestheticBind\" target=\"_blank\">Aesthetic Bind Floating World</a> </span> <font color=\"red\">  >> </font> <span>\r\n                              Gitanjali Dang, ArtAsiaPacific, April 2014                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.timeoutmumbai.net/art/features/suspense\" target=\"_blank\">In Suspense </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Phalguni Desai , Timeout Mumbai,  March  2014\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artdaily.com/news/68958/Chemould-Prescott-Road-celebrates-fifty-years-of-contemporary-art-with-Aesthetic-Bind--Floating-World#.Uz5us_mSxVk\" target=\"_blank\">Chemould Prescott Road celebrates fifty years of contemporary art with Aesthetic Bind: Floating World </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Geeta Kapur, Art Daily, 24th March 2014\r\n                            </span>\r\n                                                        <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.wallpaper.com/art/zegnart-enlists-reena-kallat-to-create-a-site-specific-artwork-in-mumbai/6292\" target=\"_blank\">ZegnArt enlists Reena Kallat to create a site-specific artwork in Mumbai,</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                JJ Martin, Wallpaper, 18th January 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.timeoutmumbai.net/art/features/web-design\" target=\"_blank\">Web design</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Karanjeet Kaur,Timeout Magazine, pg 26-28, 15th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artribune.com/2013/03/una-ragnatela-fra-italia-e-india-inaugurata-a-mumbai-lopera-di-reena-kallat-per-il-progetto-zegnart-public-qui-ci-sono-immagini-video-e-intervista-allartista/\" target=\"_blank\">Arte pubblica a Mumbai. Intervista con Anna Zegna</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Daniele Perra, Art Tribune, 1st March 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://in.blouinartinfo.com/news/story/885613/reena-kallat-on-her-mammoth-1-ton-rubber-stamp-cobweb-at-the\" target=\"_blank\">Reena Kallat On Her Mammoth, 1-ton Rubber-Stamp Cobweb at the Bhau Daji Lad Museum, Mumbai</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Rosalyn D\'Mello, Blouinart, April 1, 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.thehindu.com/features/magazine/putting-her-stamp-on-it/article4484175.ece\" target=\"_blank\">Putting her stamp on it</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Ramya Sarma, The Hindu, 9th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.business-standard.com/article/beyond-business/stamp-over-mumbai-113030800509_1.html\" target=\"_blank\">Stamp over Mumbai</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Kishore Singh, Business Standard, New Delhi  8th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.dnaindia.com/lifestyle/report_weaving-a-tangled-web_1806665\" target=\"_blank\">Weaving a tangled web</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Deepanjana Pal, DNA, 3rd March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.dnaindia.com/lifestyle/report_web-of-history_1810815\" target=\"_blank\">Web of history </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Sanaya Chavda, DNA, 13th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindustantimes.com/Entertainment/Art/Web-of-history-Reena-Kallat-s-installation/Article1-1027359.aspx\" target=\"_blank\">Web of history </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Shweta Mehta, Hindustan Times, 16th March 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://blog.saffronart.com/2013/03/14/reena-kallats-untitled-cobwebscrossings/\" target=\"_blank\">Public Art installation by Reena Kallat at the Dr. Bhau Daji Lad Museum in Mumbai </a> </span> <font color=\"red\">  >> </font><span>\r\n                                Manjari Sihare, Saffron blog,Posted on 14th March  2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Weaving into  networks, Buliding Cobwebs: Musings over Reena Saini Kallat’s recent work </span> <span>\r\n                                Parni Ray, Take on Art/Eleven, pg 98, Volume lll\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Stamping ground </span><span>\r\n                                Deepanjana Pal, Wallpaper magazine, pg 193 – 194, May 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Editorial</span><span>\r\n                                Kaiwan Mehta, Domus, pg 5 – 10, April 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Web Design</span> <span>\r\n                                Chumki Bharadwaj, India Today, pg 45 – 46, April 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Art Outside  </span> <span>\r\n                                Pavitra Mohan, Architectural Digest, pg 98, March-April 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://inditerrain.indiaartndesign.com/2013/03/of-cobwebs-crossings.html\" target=\"_blank\">Of Cobwebs & Crossings </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Jigna Padhiar, India Art & Design, 1st March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://prestige-singapore.com.sg/2013/04/arts-raj\" target=\"_blank\">Art\'s the Raj</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Dylan Boey, Prestige Singapore, 3rd April 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\">Adrift in unknown waters: Reena Saini Kallat and the Art of letting go</span><span>\r\n                                Parni Ray,  Artfair Magazine, Issue-3, pg 48 – 51, 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://shobanarayan.com/2012/02/04/about-jitish-kallat-and-reena-saini-kallat/\" target=\"_blank\">Walking the Art talk with the Kallats</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Shobha Narayan, Live Mint, February 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.tribuneindia.com/2012/20120219/spectrum/main2.htm\" target=\"_blank\">Spectrum New Visual Idiom</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                The Tribune, February 19, 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artnewsnviews.com/view-article.php?article=g-teborg-international-biennial&iid=25&articleid=678\" target=\"_blank\">Goteborg International Biennial</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Art Etc, Vol.4, No. 2, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Helsinki taidemuseo.fi-Journal, </span> January 2011<span>\r\n                            </span>\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://indiatoday.intoday.in/site/story/brush-with-reality/1/134582.html\">Brush With Reality </a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Sumaiya Khan, India Today Woman, pg. 20-21, April 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">System overload </span><span>\r\n                                Shweta Upadhyay, Timeout Delhi, March 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artslant.com/ind/articles/show/22573\" target=\"_blank\">Picking up the past</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Parni Ray, www.artslant.com, 4th April 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://iipdigital.usembassy.gov/st/english/article/2011/03/20110307133535drawoh0.7282221.html#axzz34yECziHk\">Art at “maximum INDIA” Festival Evokes Cultural Memory and Loss</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Howard Cincotta, www.america.gov, March 7, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.signonsandiego.com/news/2011/mar/02/kennedy-center-opens-3-week-india-arts-festival/\">Kennedy Center opens 3-week India arts festival</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Brett Zongker, www.signonsnadiego.com, 2nd March 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Eye and the Mind: New Interventions in Contemporary Indian Art </span><span>\r\n                                Rajeev Lochan, India Perspectives, Vol. 24, No. 6, 2010\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artradarjournal.com/2010/04/20/indian-contemporary-artist-reena-kallat-art-radar-exclusive-interview/\">Interview, Art Radar Asia </a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span><span>\r\n                                April 20, 2010\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Archives of the Heart</span><span>\r\n                                Nancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\n                                Front Cover, pgs 42-45, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Globale Kunst Mit Wurzelduft</span><span>\r\n                                Von Almuth Speigler, Die Presse, Feuilleton, 2nd September 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Landscapes of Loss</span><span>\r\n                                Beth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Reincarnating History</span><span>\r\n                                The Big Picture, Architect and Interiors, July 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Stamp Collection</span><span>\r\n                                Georgina Maddox, The Sunday Express, 17th May 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Evolving Beyond Borders</span><span>\r\n                                Reshma S. Kulkarni, Bombay Times, Times of India, 15th January, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Loss and Found</span><span>\r\n                                Marina Correa, DNA, Mumbai, 22nd January 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Focus India</span><span>\r\n                                Megha Ralapati, Flash Art, pg 114, January-February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Come Together Right Now</span><span>\r\n                                Reema Gehi, HT Café, 15th February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Such a Long Journey</span><span>\r\n                                Aparna S Sharma, Elle Magazine, pgs 115-117, February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">More than a Woman</span><span>\r\n                                Georgina Maddox, The Indian Express, Mumbai Newsline, 4th February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Artist of the Fortnight</span><span>\r\n                                Maria Louis, Outlook Profit, pg 79, 18th April 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Deja View</span><span>\r\n                                Tara Khilachand, Live Mint, 20th December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Terror Struck</span><span>\r\n                                Maria Louis, Outlook Profit, 26th December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Name Calling</span><span>\r\n                                Deepanjana Pal, Timeout Mumbai, December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Corruptions of Power</span>\r\n                            <span>Shiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99, 2007</span>\r\n\r\n                            <span class=\"pubstrong\">Over the Rainbow</span><span>\r\n                                Maria Louis, Interview, Verve Magazine, pg 78, November 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindu.com/mag/2006/10/29/stories/2006102900070200.htm\">In a State of Perennial Siege</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span><span>\r\n                                Nancy Adajania, The Hindu, Hyderabad, 29th October 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Her Crowning Achievement</span><span>\r\n                                Clara Chow, The Straits Times, 18th November 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Political Chaos</span><span>\r\n                                Deepali Nandwani, Beautiful people, pg 143, November-December 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Weapons of Mass Construction</span><span>\r\n                                Rituparna Som, DNA after Hrs, Mumbai, 9th October, 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Guns and Roses</span><span>\r\n                                Rachna Nakra, The Indian Express, Mumbai Newsline, 18th September 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Under Attack</span><span>\r\n                                Gitanjali Dang, HT Mumbai, 22nd September 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Time Traveller</span><span>\r\n                                Georgina Maddox, The Indian Express, Mumbai Newsline, 27th June 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Flower and the Sword</span><span>\r\n                                Girish Shahane, The Art News magazine of India, pg 93, volume X issue I, 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India’s Top 100 Achievers</span><span>\r\n                                Society Magazine, pg 137, December 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Caught Between Demons<span style=\"font-weight: normal; color: red;\"></span></span><span>\r\n                                Nancy Adajania, The Hindu, 19th December 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">En Reise Til India</span><span>\r\n                                Harald Flor, Dagbladet, Kultur, 2nd February 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Signs of Resistance</span><span>\r\n                                Nancy Adajania, The Hindu, 5th January 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Of the Goddess and Demon in the Mind</span><span>\r\n                                Debbie Rodgers, Sunday edition Vijay Times, Bangalore, 5th January 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Empathic Anger</span><span>\r\n                                Marta Jakimowicz, Deccan Herald, 23rd December 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Mysore Ek Khoj</span>\r\n                            Cross Fertilization of Culture, Interview in Star of Mysore, 27th October 2002\r\n\r\n                            <span class=\"pubstrong\">Linking Islands</span><span>\r\n                                Menaka Jayasankar, Indian Express, Mumbai Newsline, 15th February 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Creating to Destroy</span><span>\r\n                                Jasmine Shah Varma, The List, Mid Day, 22nd February 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Different Strokes</span><span>\r\n                                Georgina L Maddox, The Indian Express, Mumbai Newsline, 24th July 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a target=\"_blank\" href=\"http://www.reenakallat.com/wp-content/uploads/2011/09/Faith%20and%20Hunger.pdf\" style=\"color: rgb(135, 135, 135);\">Of Faith and Hunger</a><font style=\"font-weight:normal;\" color=\"red\">  >> </font></span>\r\n                        <span>Abhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89, December 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">The Murmur of Skin</span><span>\r\n                            Nupur Mahajan, Bombay Times, Times of India, 12th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Not just Skin Deep</span><span>\r\n                            Jasmine Shah Varma, The List, Mid-day, 4th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Inside Out</span><span>\r\n                            Menaka Jayasankar, Indian Express, Mumbai Newsline, 11th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Scintillating Skin</span><span>\r\n                            Vaibhav Purandare, The Asian Age, 14th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">An Artist’s World: Roti, Makaan &amp; Abstract Art</span><span>\r\n                            Poonam Goel, HT City, 23rd December 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Within you, Without you</span><span>\r\n                            Anu Kumar, Indian Express, Express Newsline, 2nd September 1998\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Farming Intrigue</span><span>\r\n                            Jerry Pinto, The Times of India, Bombay Times, 3rd September 1998\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Interactive Medium</span><span>\r\n                            Karen Pereira, Indian Architect &amp; Builder, pgs 102-104, October 1998\r\n                        </span>\r\n</td>\r\n        </tr>\r\n    </tbody>\r\n</table>','Publications','','inherit','open','open','','87-revision-235','','','2016-03-29 10:16:01','2016-03-29 10:16:01','',87,'http://www.reenakallat.com/3392/uncat/87-revision-235',0,'revision','',0),(3393,1,'2016-07-25 00:37:04','2016-07-25 00:37:04','<table border=\"0\" cellspacing=\"5\" cellpadding=\"0\" width=\"100%\" align=\"centre\">\r\n    <tbody>\r\n                  <span class=\"pubstrong\" style=\"color: #000000;font-size:20px;line-height:35px;color:#505050;\">PRESS</span>\r\n                            </p>\r\n                                                          <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artforum.com/words/id=56896\" target=\"_blank\">\r\n                                                         Porous Passages Reflects on Differing Worldviews</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               ArtForum, Himali Singh Soin, 21st December 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artdaily.com/index.asp?int_sec=11&int_new=81426#.VnpzN_l96Um\" target=\"_blank\">\r\n                                                         Chemould Prescott Road opens exhibition of the work of Reena Saini Kallat</a> </span> <font color=\"red\">  >> </font> <span>\r\n                              Artdaily, 23rd December 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.livemint.com/Leisure/lPXmu4hGHMMbAKK9IJmXGJ/Beyond-the-barbed-wire.html\" target=\"_blank\">\r\n                                                         Beyond the barbed wire	</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Chanpreet Khurana, Live Mint, 16th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.livemint.com/Leisure/LGZI9VzNg3218XGafyrFBO/Genetic-engineering.html\" target=\"_blank\">\r\n                                                         Genetic engineering</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Rosalyn D’Mello, Live Mint, 19th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.openthemagazine.com/article/art-culture/layer-upon-layer\" target=\"_blank\">\r\n                                                         Layer upon Layer</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Payal Khandelwal, Open Magazine pg 54 - 57, 28th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.vogue.in/content/can-art-bind-together-warring-nations/\" target=\"_blank\">\r\n                                                         Can art bind together warring nations?</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Rosalyn DMello, Vogue, 23rd September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://indianexpress.com/article/lifestyle/dividing-lines-3/\" target=\"_blank\">\r\n                                                         Dividing Lines</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Pooja Pillai, The Indian Express, 21st September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindustantimes.com/art-and-culture/reena-saini-kallat-explores-geopolitical-relations-in-wires/story-bAlx8ynmqUgWHxlb2DONuN.html;jsessionid=A5137ED4B0981ED14C62E175FE95D985\" target=\"_blank\">\r\n                                                         Reena Saini Kallat explores geopolitical relations in wires</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Arundhati Chatterjee, Hindustan Times, 21st September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.dnaindia.com/lifestyle/interview-a-divided-existence-reena-saini-talks-about-her-exhibition-hyphenated-lives-2126700\" target=\"_blank\">\r\n                                                         A divided existence</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Ornella D’Souza, DNA, 20th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.mumbaimirror.com/others/leisure/Mirror-fixes-it-Finding-poetry-in-politics/articleshow/49031262.cms\" target=\"_blank\">\r\n                                                         Finding Poetry in Politics</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Reema Gehi, Mumbai Mirror, 20th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://theculturetrip.com/asia/india/articles/contemporary-artists-series-a-conversation-with-reena-saini-kallat/\" target=\"_blank\">\r\n                                                         Contemporary Artists Series: A Conversation with Reena Saini Kallat</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Farah Siddiqui, The CultureTrip, 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://insideburgercollection.org/wp-content/uploads/2015/07/94_BurgerCollection-08_p87-92.pdf\" target=\"_blank\">\r\n                                                        REREADING REENA KALLAT -  Inside Burger collection</a></span> <font color=\"red\">  >> </font> <span>\r\n									Quddus Mirza, Art Asia Pacific Magazine,  July/Aug 2015 </span>\r\n                              \r\n                                  <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.domusweb.it/en/news/2015/06/15/offsite_reena_saini_kallat.html\" target=\"_blank\">Woven Chronicle, Domus</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               posted on 15th June 2015                            </span>\r\n\r\n                               <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.huffingtonpost.ca/jugni-style/reena-saini-kallat-vancouver_b_7725930.html\" target=\"_blank\">Reena Saini Kallat\'s Public Art Installation Explores Migration, Longing In Vancouver</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Nimritta Parmar,  Huffpost  British Columbia Canada,  posted on 13th July 2015                            </span>\r\n\r\n                               <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.vancouverobserver.com/culture/art/mumbai-artist-maps-out-web-wire-vag-offsite\" target=\"_blank\">Mumbai artist maps out web of wire at VAG Offsite</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Sponsored content, Vancouver Observer, posted on 8th June 2015                            </span>\r\n\r\n                               <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://indianexpress.com/article/lifestyle/current-connections/\" target=\"_blank\">Current Connections</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Vandana Kalra, The Indian Express, 12th May 2015 </span>\r\n                               \r\n                            <span class=\"pubstrong\">Working Lives, AD Perspective,</span> <span>\r\n                              Sanhita Chowdhury, Architectural Digest pg-76, January-February 2015                      </span>\r\n\r\n                              <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://theculturetrip.com/asia/india/articles/the-top-10-female-contemporary-artists-from-india/\" target=\"_blank\">The Top 10 Female Contemporary Artists from India</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               C. A. Xuan Mai Ardia, The Culture Trip, 2014                            </span>\r\n\r\n                              <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.mid-day.com/articles/memories-at-work/15747192\" target=\"_blank\">Memories at work</a> </span> <font color=\"red\">  >> </font> <span>\r\n                              Kanika Sharma, Mid-day, 8th November 2014                           </span>\r\n                              \r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artasiapacific.com/Magazine/WebExclusives/FloatingWorldAestheticBind\" target=\"_blank\">Aesthetic Bind Floating World</a> </span> <font color=\"red\">  >> </font> <span>\r\n                              Gitanjali Dang, ArtAsiaPacific, April 2014                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.timeoutmumbai.net/art/features/suspense\" target=\"_blank\">In Suspense </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Phalguni Desai , Timeout Mumbai,  March  2014\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artdaily.com/news/68958/Chemould-Prescott-Road-celebrates-fifty-years-of-contemporary-art-with-Aesthetic-Bind--Floating-World#.Uz5us_mSxVk\" target=\"_blank\">Chemould Prescott Road celebrates fifty years of contemporary art with Aesthetic Bind: Floating World </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Geeta Kapur, Art Daily, 24th March 2014\r\n                            </span>\r\n                                                        <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.wallpaper.com/art/zegnart-enlists-reena-kallat-to-create-a-site-specific-artwork-in-mumbai/6292\" target=\"_blank\">ZegnArt enlists Reena Kallat to create a site-specific artwork in Mumbai,</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                JJ Martin, Wallpaper, 18th January 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.timeoutmumbai.net/art/features/web-design\" target=\"_blank\">Web design</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Karanjeet Kaur,Timeout Magazine, pg 26-28, 15th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artribune.com/2013/03/una-ragnatela-fra-italia-e-india-inaugurata-a-mumbai-lopera-di-reena-kallat-per-il-progetto-zegnart-public-qui-ci-sono-immagini-video-e-intervista-allartista/\" target=\"_blank\">Arte pubblica a Mumbai. Intervista con Anna Zegna</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Daniele Perra, Art Tribune, 1st March 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://in.blouinartinfo.com/news/story/885613/reena-kallat-on-her-mammoth-1-ton-rubber-stamp-cobweb-at-the\" target=\"_blank\">Reena Kallat On Her Mammoth, 1-ton Rubber-Stamp Cobweb at the Bhau Daji Lad Museum, Mumbai</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Rosalyn D\'Mello, Blouinart, April 1, 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.thehindu.com/features/magazine/putting-her-stamp-on-it/article4484175.ece\" target=\"_blank\">Putting her stamp on it</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Ramya Sarma, The Hindu, 9th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.business-standard.com/article/beyond-business/stamp-over-mumbai-113030800509_1.html\" target=\"_blank\">Stamp over Mumbai</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Kishore Singh, Business Standard, New Delhi  8th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.dnaindia.com/lifestyle/report_weaving-a-tangled-web_1806665\" target=\"_blank\">Weaving a tangled web</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Deepanjana Pal, DNA, 3rd March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.dnaindia.com/lifestyle/report_web-of-history_1810815\" target=\"_blank\">Web of history </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Sanaya Chavda, DNA, 13th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindustantimes.com/Entertainment/Art/Web-of-history-Reena-Kallat-s-installation/Article1-1027359.aspx\" target=\"_blank\">Web of history </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Shweta Mehta, Hindustan Times, 16th March 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://blog.saffronart.com/2013/03/14/reena-kallats-untitled-cobwebscrossings/\" target=\"_blank\">Public Art installation by Reena Kallat at the Dr. Bhau Daji Lad Museum in Mumbai </a> </span> <font color=\"red\">  >> </font><span>\r\n                                Manjari Sihare, Saffron blog,Posted on 14th March  2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Weaving into  networks, Buliding Cobwebs: Musings over Reena Saini Kallat’s recent work </span> <span>\r\n                                Parni Ray, Take on Art/Eleven, pg 98, Volume lll\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Stamping ground </span><span>\r\n                                Deepanjana Pal, Wallpaper magazine, pg 193 – 194, May 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Editorial</span><span>\r\n                                Kaiwan Mehta, Domus, pg 5 – 10, April 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Web Design</span> <span>\r\n                                Chumki Bharadwaj, India Today, pg 45 – 46, April 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Art Outside  </span> <span>\r\n                                Pavitra Mohan, Architectural Digest, pg 98, March-April 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://inditerrain.indiaartndesign.com/2013/03/of-cobwebs-crossings.html\" target=\"_blank\">Of Cobwebs & Crossings </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Jigna Padhiar, India Art & Design, 1st March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://prestige-singapore.com.sg/2013/04/arts-raj\" target=\"_blank\">Art\'s the Raj</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Dylan Boey, Prestige Singapore, 3rd April 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\">Adrift in unknown waters: Reena Saini Kallat and the Art of letting go</span><span>\r\n                                Parni Ray,  Artfair Magazine, Issue-3, pg 48 – 51, 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://shobanarayan.com/2012/02/04/about-jitish-kallat-and-reena-saini-kallat/\" target=\"_blank\">Walking the Art talk with the Kallats</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Shobha Narayan, Live Mint, February 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.tribuneindia.com/2012/20120219/spectrum/main2.htm\" target=\"_blank\">Spectrum New Visual Idiom</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                The Tribune, February 19, 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artnewsnviews.com/view-article.php?article=g-teborg-international-biennial&iid=25&articleid=678\" target=\"_blank\">Goteborg International Biennial</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Art Etc, Vol.4, No. 2, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Helsinki taidemuseo.fi-Journal, </span> January 2011<span>\r\n                            </span>\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://indiatoday.intoday.in/site/story/brush-with-reality/1/134582.html\">Brush With Reality </a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Sumaiya Khan, India Today Woman, pg. 20-21, April 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">System overload </span><span>\r\n                                Shweta Upadhyay, Timeout Delhi, March 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artslant.com/ind/articles/show/22573\" target=\"_blank\">Picking up the past</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Parni Ray, www.artslant.com, 4th April 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://iipdigital.usembassy.gov/st/english/article/2011/03/20110307133535drawoh0.7282221.html#axzz34yECziHk\">Art at “maximum INDIA” Festival Evokes Cultural Memory and Loss</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Howard Cincotta, www.america.gov, March 7, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.signonsandiego.com/news/2011/mar/02/kennedy-center-opens-3-week-india-arts-festival/\">Kennedy Center opens 3-week India arts festival</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Brett Zongker, www.signonsnadiego.com, 2nd March 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Eye and the Mind: New Interventions in Contemporary Indian Art </span><span>\r\n                                Rajeev Lochan, India Perspectives, Vol. 24, No. 6, 2010\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artradarjournal.com/2010/04/20/indian-contemporary-artist-reena-kallat-art-radar-exclusive-interview/\">Interview, Art Radar Asia </a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span><span>\r\n                                April 20, 2010\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Archives of the Heart</span><span>\r\n                                Nancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\n                                Front Cover, pgs 42-45, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Globale Kunst Mit Wurzelduft</span><span>\r\n                                Von Almuth Speigler, Die Presse, Feuilleton, 2nd September 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Landscapes of Loss</span><span>\r\n                                Beth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Reincarnating History</span><span>\r\n                                The Big Picture, Architect and Interiors, July 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Stamp Collection</span><span>\r\n                                Georgina Maddox, The Sunday Express, 17th May 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Evolving Beyond Borders</span><span>\r\n                                Reshma S. Kulkarni, Bombay Times, Times of India, 15th January, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Loss and Found</span><span>\r\n                                Marina Correa, DNA, Mumbai, 22nd January 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Focus India</span><span>\r\n                                Megha Ralapati, Flash Art, pg 114, January-February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Come Together Right Now</span><span>\r\n                                Reema Gehi, HT Café, 15th February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Such a Long Journey</span><span>\r\n                                Aparna S Sharma, Elle Magazine, pgs 115-117, February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">More than a Woman</span><span>\r\n                                Georgina Maddox, The Indian Express, Mumbai Newsline, 4th February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Artist of the Fortnight</span><span>\r\n                                Maria Louis, Outlook Profit, pg 79, 18th April 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Deja View</span><span>\r\n                                Tara Khilachand, Live Mint, 20th December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Terror Struck</span><span>\r\n                                Maria Louis, Outlook Profit, 26th December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Name Calling</span><span>\r\n                                Deepanjana Pal, Timeout Mumbai, December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Corruptions of Power</span>\r\n                            <span>Shiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99, 2007</span>\r\n\r\n                            <span class=\"pubstrong\">Over the Rainbow</span><span>\r\n                                Maria Louis, Interview, Verve Magazine, pg 78, November 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindu.com/mag/2006/10/29/stories/2006102900070200.htm\">In a State of Perennial Siege</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span><span>\r\n                                Nancy Adajania, The Hindu, Hyderabad, 29th October 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Her Crowning Achievement</span><span>\r\n                                Clara Chow, The Straits Times, 18th November 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Political Chaos</span><span>\r\n                                Deepali Nandwani, Beautiful people, pg 143, November-December 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Weapons of Mass Construction</span><span>\r\n                                Rituparna Som, DNA after Hrs, Mumbai, 9th October, 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Guns and Roses</span><span>\r\n                                Rachna Nakra, The Indian Express, Mumbai Newsline, 18th September 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Under Attack</span><span>\r\n                                Gitanjali Dang, HT Mumbai, 22nd September 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Time Traveller</span><span>\r\n                                Georgina Maddox, The Indian Express, Mumbai Newsline, 27th June 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Flower and the Sword</span><span>\r\n                                Girish Shahane, The Art News magazine of India, pg 93, volume X issue I, 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India’s Top 100 Achievers</span><span>\r\n                                Society Magazine, pg 137, December 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Caught Between Demons<span style=\"font-weight: normal; color: red;\"></span></span><span>\r\n                                Nancy Adajania, The Hindu, 19th December 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">En Reise Til India</span><span>\r\n                                Harald Flor, Dagbladet, Kultur, 2nd February 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Signs of Resistance</span><span>\r\n                                Nancy Adajania, The Hindu, 5th January 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Of the Goddess and Demon in the Mind</span><span>\r\n                                Debbie Rodgers, Sunday edition Vijay Times, Bangalore, 5th January 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Empathic Anger</span><span>\r\n                                Marta Jakimowicz, Deccan Herald, 23rd December 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Mysore Ek Khoj</span>\r\n                            Cross Fertilization of Culture, Interview in Star of Mysore, 27th October 2002\r\n\r\n                            <span class=\"pubstrong\">Linking Islands</span><span>\r\n                                Menaka Jayasankar, Indian Express, Mumbai Newsline, 15th February 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Creating to Destroy</span><span>\r\n                                Jasmine Shah Varma, The List, Mid Day, 22nd February 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Different Strokes</span><span>\r\n                                Georgina L Maddox, The Indian Express, Mumbai Newsline, 24th July 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a target=\"_blank\" href=\"http://www.reenakallat.com/wp-content/uploads/2011/09/Faith%20and%20Hunger.pdf\" style=\"color: rgb(135, 135, 135);\">Of Faith and Hunger</a><font style=\"font-weight:normal;\" color=\"red\">  >> </font></span>\r\n                        <span>Abhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89, December 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">The Murmur of Skin</span><span>\r\n                            Nupur Mahajan, Bombay Times, Times of India, 12th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Not just Skin Deep</span><span>\r\n                            Jasmine Shah Varma, The List, Mid-day, 4th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Inside Out</span><span>\r\n                            Menaka Jayasankar, Indian Express, Mumbai Newsline, 11th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Scintillating Skin</span><span>\r\n                            Vaibhav Purandare, The Asian Age, 14th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">An Artist’s World: Roti, Makaan &amp; Abstract Art</span><span>\r\n                            Poonam Goel, HT City, 23rd December 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Within you, Without you</span><span>\r\n                            Anu Kumar, Indian Express, Express Newsline, 2nd September 1998\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Farming Intrigue</span><span>\r\n                            Jerry Pinto, The Times of India, Bombay Times, 3rd September 1998\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Interactive Medium</span><span>\r\n                            Karen Pereira, Indian Architect &amp; Builder, pgs 102-104, October 1998\r\n                        </span>\r\n\r\n    </tbody>\r\n</table>','','','inherit','open','open','','3384-revision-8','','','2016-07-25 00:37:04','2016-07-25 00:37:04','',3384,'http://www.reenakallat.com/3393/uncat/3384-revision-8',0,'revision','',0),(3394,1,'2016-08-13 01:20:17','2016-08-13 01:20:17','<table border=\"0\" cellspacing=\"5\" cellpadding=\"0\" width=\"100%\" align=\"centre\">\r\n    <tbody>\r\n                  <strong><span style=\"color: #888888;\">PRESS</span></strong>        \r\n                                <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.notey.com/@hyperallergic_unofficial/external/7377537/identities-nations-and-histories-painfully-stitched-together.html\" target=\"_blank\">\r\n                                                         Identities, Nations, and Histories Painfully Stitched Together </a> </span> <font color=\"red\">  >> </font>\r\n<span>                      Hyperallergic, Meenakshi Thirukode, January 8, 2016</span>                        \r\n                                                  <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artforum.com/words/id=56896\" target=\"_blank\">\r\n                                                         Porous Passages Reflects on Differing Worldviews</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               ArtForum, Himali Singh Soin, 21st December 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artdaily.com/index.asp?int_sec=11&int_new=81426#.VnpzN_l96Um\" target=\"_blank\">\r\n                                                         Chemould Prescott Road opens exhibition of the work of Reena Saini Kallat</a> </span> <font color=\"red\">  >> </font> <span>\r\n                              Artdaily, 23rd December 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.livemint.com/Leisure/lPXmu4hGHMMbAKK9IJmXGJ/Beyond-the-barbed-wire.html\" target=\"_blank\">\r\n                                                         Beyond the barbed wire	</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Chanpreet Khurana, Live Mint, 16th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.livemint.com/Leisure/LGZI9VzNg3218XGafyrFBO/Genetic-engineering.html\" target=\"_blank\">\r\n                                                         Genetic engineering</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Rosalyn D’Mello, Live Mint, 19th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.openthemagazine.com/article/art-culture/layer-upon-layer\" target=\"_blank\">\r\n                                                         Layer upon Layer</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Payal Khandelwal, Open Magazine pg 54 - 57, 28th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.vogue.in/content/can-art-bind-together-warring-nations/\" target=\"_blank\">\r\n                                                         Can art bind together warring nations?</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Rosalyn DMello, Vogue, 23rd September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://indianexpress.com/article/lifestyle/dividing-lines-3/\" target=\"_blank\">\r\n                                                         Dividing Lines</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Pooja Pillai, The Indian Express, 21st September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindustantimes.com/art-and-culture/reena-saini-kallat-explores-geopolitical-relations-in-wires/story-bAlx8ynmqUgWHxlb2DONuN.html;jsessionid=A5137ED4B0981ED14C62E175FE95D985\" target=\"_blank\">\r\n                                                         Reena Saini Kallat explores geopolitical relations in wires</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Arundhati Chatterjee, Hindustan Times, 21st September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.dnaindia.com/lifestyle/interview-a-divided-existence-reena-saini-talks-about-her-exhibition-hyphenated-lives-2126700\" target=\"_blank\">\r\n                                                         A divided existence</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Ornella D’Souza, DNA, 20th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.mumbaimirror.com/others/leisure/Mirror-fixes-it-Finding-poetry-in-politics/articleshow/49031262.cms\" target=\"_blank\">\r\n                                                         Finding Poetry in Politics</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Reema Gehi, Mumbai Mirror, 20th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://theculturetrip.com/asia/india/articles/contemporary-artists-series-a-conversation-with-reena-saini-kallat/\" target=\"_blank\">\r\n                                                         Contemporary Artists Series: A Conversation with Reena Saini Kallat</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Farah Siddiqui, The CultureTrip, 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://insideburgercollection.org/wp-content/uploads/2015/07/94_BurgerCollection-08_p87-92.pdf\" target=\"_blank\">\r\n                                                        REREADING REENA KALLAT -  Inside Burger collection</a></span> <font color=\"red\">  >> </font> <span>\r\n									Quddus Mirza, Art Asia Pacific Magazine,  July/Aug 2015 </span>\r\n                              \r\n                                  <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.domusweb.it/en/news/2015/06/15/offsite_reena_saini_kallat.html\" target=\"_blank\">Woven Chronicle, Domus</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               posted on 15th June 2015                            </span>\r\n\r\n                               <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.huffingtonpost.ca/jugni-style/reena-saini-kallat-vancouver_b_7725930.html\" target=\"_blank\">Reena Saini Kallat\'s Public Art Installation Explores Migration, Longing In Vancouver</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Nimritta Parmar,  Huffpost  British Columbia Canada,  posted on 13th July 2015                            </span>\r\n\r\n                               <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.vancouverobserver.com/culture/art/mumbai-artist-maps-out-web-wire-vag-offsite\" target=\"_blank\">Mumbai artist maps out web of wire at VAG Offsite</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Sponsored content, Vancouver Observer, posted on 8th June 2015                            </span>\r\n\r\n                               <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://indianexpress.com/article/lifestyle/current-connections/\" target=\"_blank\">Current Connections</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Vandana Kalra, The Indian Express, 12th May 2015 </span>\r\n                               \r\n                            <span class=\"pubstrong\">Working Lives, AD Perspective,</span> <span>\r\n                              Sanhita Chowdhury, Architectural Digest pg-76, January-February 2015                      </span>\r\n\r\n                              <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://theculturetrip.com/asia/india/articles/the-top-10-female-contemporary-artists-from-india/\" target=\"_blank\">The Top 10 Female Contemporary Artists from India</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               C. A. Xuan Mai Ardia, The Culture Trip, 2014                            </span>\r\n\r\n                              <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.mid-day.com/articles/memories-at-work/15747192\" target=\"_blank\">Memories at work</a> </span> <font color=\"red\">  >> </font> <span>\r\n                              Kanika Sharma, Mid-day, 8th November 2014                           </span>\r\n                              \r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artasiapacific.com/Magazine/WebExclusives/FloatingWorldAestheticBind\" target=\"_blank\">Aesthetic Bind Floating World</a> </span> <font color=\"red\">  >> </font> <span>\r\n                              Gitanjali Dang, ArtAsiaPacific, April 2014                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.timeoutmumbai.net/art/features/suspense\" target=\"_blank\">In Suspense </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Phalguni Desai , Timeout Mumbai,  March  2014\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artdaily.com/news/68958/Chemould-Prescott-Road-celebrates-fifty-years-of-contemporary-art-with-Aesthetic-Bind--Floating-World#.Uz5us_mSxVk\" target=\"_blank\">Chemould Prescott Road celebrates fifty years of contemporary art with Aesthetic Bind: Floating World </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Geeta Kapur, Art Daily, 24th March 2014\r\n                            </span>\r\n                                                        <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.wallpaper.com/art/zegnart-enlists-reena-kallat-to-create-a-site-specific-artwork-in-mumbai/6292\" target=\"_blank\">ZegnArt enlists Reena Kallat to create a site-specific artwork in Mumbai,</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                JJ Martin, Wallpaper, 18th January 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.timeoutmumbai.net/art/features/web-design\" target=\"_blank\">Web design</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Karanjeet Kaur,Timeout Magazine, pg 26-28, 15th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artribune.com/2013/03/una-ragnatela-fra-italia-e-india-inaugurata-a-mumbai-lopera-di-reena-kallat-per-il-progetto-zegnart-public-qui-ci-sono-immagini-video-e-intervista-allartista/\" target=\"_blank\">Arte pubblica a Mumbai. Intervista con Anna Zegna</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Daniele Perra, Art Tribune, 1st March 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://in.blouinartinfo.com/news/story/885613/reena-kallat-on-her-mammoth-1-ton-rubber-stamp-cobweb-at-the\" target=\"_blank\">Reena Kallat On Her Mammoth, 1-ton Rubber-Stamp Cobweb at the Bhau Daji Lad Museum, Mumbai</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Rosalyn D\'Mello, Blouinart, April 1, 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.thehindu.com/features/magazine/putting-her-stamp-on-it/article4484175.ece\" target=\"_blank\">Putting her stamp on it</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Ramya Sarma, The Hindu, 9th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.business-standard.com/article/beyond-business/stamp-over-mumbai-113030800509_1.html\" target=\"_blank\">Stamp over Mumbai</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Kishore Singh, Business Standard, New Delhi  8th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.dnaindia.com/lifestyle/report_weaving-a-tangled-web_1806665\" target=\"_blank\">Weaving a tangled web</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Deepanjana Pal, DNA, 3rd March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.dnaindia.com/lifestyle/report_web-of-history_1810815\" target=\"_blank\">Web of history </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Sanaya Chavda, DNA, 13th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindustantimes.com/Entertainment/Art/Web-of-history-Reena-Kallat-s-installation/Article1-1027359.aspx\" target=\"_blank\">Web of history </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Shweta Mehta, Hindustan Times, 16th March 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://blog.saffronart.com/2013/03/14/reena-kallats-untitled-cobwebscrossings/\" target=\"_blank\">Public Art installation by Reena Kallat at the Dr. Bhau Daji Lad Museum in Mumbai </a> </span> <font color=\"red\">  >> </font><span>\r\n                                Manjari Sihare, Saffron blog,Posted on 14th March  2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Weaving into  networks, Buliding Cobwebs: Musings over Reena Saini Kallat’s recent work </span> <span>\r\n                                Parni Ray, Take on Art/Eleven, pg 98, Volume lll\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Stamping ground </span><span>\r\n                                Deepanjana Pal, Wallpaper magazine, pg 193 – 194, May 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Editorial</span><span>\r\n                                Kaiwan Mehta, Domus, pg 5 – 10, April 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Web Design</span> <span>\r\n                                Chumki Bharadwaj, India Today, pg 45 – 46, April 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Art Outside  </span> <span>\r\n                                Pavitra Mohan, Architectural Digest, pg 98, March-April 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://inditerrain.indiaartndesign.com/2013/03/of-cobwebs-crossings.html\" target=\"_blank\">Of Cobwebs & Crossings </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Jigna Padhiar, India Art & Design, 1st March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://prestige-singapore.com.sg/2013/04/arts-raj\" target=\"_blank\">Art\'s the Raj</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Dylan Boey, Prestige Singapore, 3rd April 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\">Adrift in unknown waters: Reena Saini Kallat and the Art of letting go</span><span>\r\n                                Parni Ray,  Artfair Magazine, Issue-3, pg 48 – 51, 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://shobanarayan.com/2012/02/04/about-jitish-kallat-and-reena-saini-kallat/\" target=\"_blank\">Walking the Art talk with the Kallats</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Shobha Narayan, Live Mint, February 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.tribuneindia.com/2012/20120219/spectrum/main2.htm\" target=\"_blank\">Spectrum New Visual Idiom</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                The Tribune, February 19, 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artnewsnviews.com/view-article.php?article=g-teborg-international-biennial&iid=25&articleid=678\" target=\"_blank\">Goteborg International Biennial</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Art Etc, Vol.4, No. 2, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Helsinki taidemuseo.fi-Journal, </span> January 2011<span>\r\n                            </span>\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://indiatoday.intoday.in/site/story/brush-with-reality/1/134582.html\">Brush With Reality </a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Sumaiya Khan, India Today Woman, pg. 20-21, April 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">System overload </span><span>\r\n                                Shweta Upadhyay, Timeout Delhi, March 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artslant.com/ind/articles/show/22573\" target=\"_blank\">Picking up the past</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Parni Ray, www.artslant.com, 4th April 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://iipdigital.usembassy.gov/st/english/article/2011/03/20110307133535drawoh0.7282221.html#axzz34yECziHk\">Art at “maximum INDIA” Festival Evokes Cultural Memory and Loss</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Howard Cincotta, www.america.gov, March 7, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.signonsandiego.com/news/2011/mar/02/kennedy-center-opens-3-week-india-arts-festival/\">Kennedy Center opens 3-week India arts festival</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Brett Zongker, www.signonsnadiego.com, 2nd March 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Eye and the Mind: New Interventions in Contemporary Indian Art </span><span>\r\n                                Rajeev Lochan, India Perspectives, Vol. 24, No. 6, 2010\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artradarjournal.com/2010/04/20/indian-contemporary-artist-reena-kallat-art-radar-exclusive-interview/\">Interview, Art Radar Asia </a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span><span>\r\n                                April 20, 2010\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Archives of the Heart</span><span>\r\n                                Nancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\n                                Front Cover, pgs 42-45, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Globale Kunst Mit Wurzelduft</span><span>\r\n                                Von Almuth Speigler, Die Presse, Feuilleton, 2nd September 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Landscapes of Loss</span><span>\r\n                                Beth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Reincarnating History</span><span>\r\n                                The Big Picture, Architect and Interiors, July 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Stamp Collection</span><span>\r\n                                Georgina Maddox, The Sunday Express, 17th May 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Evolving Beyond Borders</span><span>\r\n                                Reshma S. Kulkarni, Bombay Times, Times of India, 15th January, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Loss and Found</span><span>\r\n                                Marina Correa, DNA, Mumbai, 22nd January 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Focus India</span><span>\r\n                                Megha Ralapati, Flash Art, pg 114, January-February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Come Together Right Now</span><span>\r\n                                Reema Gehi, HT Café, 15th February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Such a Long Journey</span><span>\r\n                                Aparna S Sharma, Elle Magazine, pgs 115-117, February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">More than a Woman</span><span>\r\n                                Georgina Maddox, The Indian Express, Mumbai Newsline, 4th February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Artist of the Fortnight</span><span>\r\n                                Maria Louis, Outlook Profit, pg 79, 18th April 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Deja View</span><span>\r\n                                Tara Khilachand, Live Mint, 20th December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Terror Struck</span><span>\r\n                                Maria Louis, Outlook Profit, 26th December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Name Calling</span><span>\r\n                                Deepanjana Pal, Timeout Mumbai, December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Corruptions of Power</span>\r\n                            <span>Shiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99, 2007</span>\r\n\r\n                            <span class=\"pubstrong\">Over the Rainbow</span><span>\r\n                                Maria Louis, Interview, Verve Magazine, pg 78, November 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindu.com/mag/2006/10/29/stories/2006102900070200.htm\">In a State of Perennial Siege</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span><span>\r\n                                Nancy Adajania, The Hindu, Hyderabad, 29th October 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Her Crowning Achievement</span><span>\r\n                                Clara Chow, The Straits Times, 18th November 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Political Chaos</span><span>\r\n                                Deepali Nandwani, Beautiful people, pg 143, November-December 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Weapons of Mass Construction</span><span>\r\n                                Rituparna Som, DNA after Hrs, Mumbai, 9th October, 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Guns and Roses</span><span>\r\n                                Rachna Nakra, The Indian Express, Mumbai Newsline, 18th September 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Under Attack</span><span>\r\n                                Gitanjali Dang, HT Mumbai, 22nd September 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Time Traveller</span><span>\r\n                                Georgina Maddox, The Indian Express, Mumbai Newsline, 27th June 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Flower and the Sword</span><span>\r\n                                Girish Shahane, The Art News magazine of India, pg 93, volume X issue I, 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India’s Top 100 Achievers</span><span>\r\n                                Society Magazine, pg 137, December 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Caught Between Demons<span style=\"font-weight: normal; color: red;\"></span></span><span>\r\n                                Nancy Adajania, The Hindu, 19th December 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">En Reise Til India</span><span>\r\n                                Harald Flor, Dagbladet, Kultur, 2nd February 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Signs of Resistance</span><span>\r\n                                Nancy Adajania, The Hindu, 5th January 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Of the Goddess and Demon in the Mind</span><span>\r\n                                Debbie Rodgers, Sunday edition Vijay Times, Bangalore, 5th January 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Empathic Anger</span><span>\r\n                                Marta Jakimowicz, Deccan Herald, 23rd December 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Mysore Ek Khoj</span>\r\n                            Cross Fertilization of Culture, Interview in Star of Mysore, 27th October 2002\r\n\r\n                            <span class=\"pubstrong\">Linking Islands</span><span>\r\n                                Menaka Jayasankar, Indian Express, Mumbai Newsline, 15th February 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Creating to Destroy</span><span>\r\n                                Jasmine Shah Varma, The List, Mid Day, 22nd February 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Different Strokes</span><span>\r\n                                Georgina L Maddox, The Indian Express, Mumbai Newsline, 24th July 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a target=\"_blank\" href=\"http://www.reenakallat.com/wp-content/uploads/2011/09/Faith%20and%20Hunger.pdf\" style=\"color: rgb(135, 135, 135);\">Of Faith and Hunger</a><font style=\"font-weight:normal;\" color=\"red\">  >> </font></span>\r\n                        <span>Abhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89, December 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">The Murmur of Skin</span><span>\r\n                            Nupur Mahajan, Bombay Times, Times of India, 12th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Not just Skin Deep</span><span>\r\n                            Jasmine Shah Varma, The List, Mid-day, 4th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Inside Out</span><span>\r\n                            Menaka Jayasankar, Indian Express, Mumbai Newsline, 11th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Scintillating Skin</span><span>\r\n                            Vaibhav Purandare, The Asian Age, 14th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">An Artist’s World: Roti, Makaan &amp; Abstract Art</span><span>\r\n                            Poonam Goel, HT City, 23rd December 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Within you, Without you</span><span>\r\n                            Anu Kumar, Indian Express, Express Newsline, 2nd September 1998\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Farming Intrigue</span><span>\r\n                            Jerry Pinto, The Times of India, Bombay Times, 3rd September 1998\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Interactive Medium</span><span>\r\n                            Karen Pereira, Indian Architect &amp; Builder, pgs 102-104, October 1998\r\n                        </span>\r\n\r\n    </tbody>\r\n</table>','Press','','inherit','open','open','','3384-autosave','','','2016-08-13 01:20:17','2016-08-13 01:20:17','',3384,'http://www.reenakallat.com/3394/uncat/3384-autosave',0,'revision','',0),(3415,1,'2016-08-13 01:16:58','2016-08-13 01:16:58','<table border=\"0\" cellspacing=\"5\" cellpadding=\"0\" width=\"100%\" align=\"centre\">\r\n    <tbody>\r\n                  <strong><span style=\"color: #888888;\">PRESS</span></strong>        \r\n                                                  <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artforum.com/words/id=56896\" target=\"_blank\">\r\n                                                         Porous Passages Reflects on Differing Worldviews</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               ArtForum, Himali Singh Soin, 21st December 2015</span>\r\n                                <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.notey.com/@hyperallergic_unofficial/external/7377537/identities-nations-and-histories-painfully-stitched-together.html\" target=\"_blank\">\r\n                                                         Identities, Nations, and Histories Painfully Stitched Together </a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Hyperallergic, Meenakshi Thirukode, January 8, 2016</span>\r\n                               \r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artdaily.com/index.asp?int_sec=11&int_new=81426#.VnpzN_l96Um\" target=\"_blank\">\r\n                                                         Chemould Prescott Road opens exhibition of the work of Reena Saini Kallat</a> </span> <font color=\"red\">  >> </font> <span>\r\n                              Artdaily, 23rd December 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.livemint.com/Leisure/lPXmu4hGHMMbAKK9IJmXGJ/Beyond-the-barbed-wire.html\" target=\"_blank\">\r\n                                                         Beyond the barbed wire	</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Chanpreet Khurana, Live Mint, 16th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.livemint.com/Leisure/LGZI9VzNg3218XGafyrFBO/Genetic-engineering.html\" target=\"_blank\">\r\n                                                         Genetic engineering</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Rosalyn D’Mello, Live Mint, 19th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.openthemagazine.com/article/art-culture/layer-upon-layer\" target=\"_blank\">\r\n                                                         Layer upon Layer</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Payal Khandelwal, Open Magazine pg 54 - 57, 28th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.vogue.in/content/can-art-bind-together-warring-nations/\" target=\"_blank\">\r\n                                                         Can art bind together warring nations?</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Rosalyn DMello, Vogue, 23rd September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://indianexpress.com/article/lifestyle/dividing-lines-3/\" target=\"_blank\">\r\n                                                         Dividing Lines</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Pooja Pillai, The Indian Express, 21st September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindustantimes.com/art-and-culture/reena-saini-kallat-explores-geopolitical-relations-in-wires/story-bAlx8ynmqUgWHxlb2DONuN.html;jsessionid=A5137ED4B0981ED14C62E175FE95D985\" target=\"_blank\">\r\n                                                         Reena Saini Kallat explores geopolitical relations in wires</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Arundhati Chatterjee, Hindustan Times, 21st September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.dnaindia.com/lifestyle/interview-a-divided-existence-reena-saini-talks-about-her-exhibition-hyphenated-lives-2126700\" target=\"_blank\">\r\n                                                         A divided existence</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Ornella D’Souza, DNA, 20th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.mumbaimirror.com/others/leisure/Mirror-fixes-it-Finding-poetry-in-politics/articleshow/49031262.cms\" target=\"_blank\">\r\n                                                         Finding Poetry in Politics</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Reema Gehi, Mumbai Mirror, 20th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://theculturetrip.com/asia/india/articles/contemporary-artists-series-a-conversation-with-reena-saini-kallat/\" target=\"_blank\">\r\n                                                         Contemporary Artists Series: A Conversation with Reena Saini Kallat</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Farah Siddiqui, The CultureTrip, 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://insideburgercollection.org/wp-content/uploads/2015/07/94_BurgerCollection-08_p87-92.pdf\" target=\"_blank\">\r\n                                                        REREADING REENA KALLAT -  Inside Burger collection</a></span> <font color=\"red\">  >> </font> <span>\r\n									Quddus Mirza, Art Asia Pacific Magazine,  July/Aug 2015 </span>\r\n                              \r\n                                  <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.domusweb.it/en/news/2015/06/15/offsite_reena_saini_kallat.html\" target=\"_blank\">Woven Chronicle, Domus</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               posted on 15th June 2015                            </span>\r\n\r\n                               <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.huffingtonpost.ca/jugni-style/reena-saini-kallat-vancouver_b_7725930.html\" target=\"_blank\">Reena Saini Kallat\'s Public Art Installation Explores Migration, Longing In Vancouver</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Nimritta Parmar,  Huffpost  British Columbia Canada,  posted on 13th July 2015                            </span>\r\n\r\n                               <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.vancouverobserver.com/culture/art/mumbai-artist-maps-out-web-wire-vag-offsite\" target=\"_blank\">Mumbai artist maps out web of wire at VAG Offsite</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Sponsored content, Vancouver Observer, posted on 8th June 2015                            </span>\r\n\r\n                               <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://indianexpress.com/article/lifestyle/current-connections/\" target=\"_blank\">Current Connections</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Vandana Kalra, The Indian Express, 12th May 2015 </span>\r\n                               \r\n                            <span class=\"pubstrong\">Working Lives, AD Perspective,</span> <span>\r\n                              Sanhita Chowdhury, Architectural Digest pg-76, January-February 2015                      </span>\r\n\r\n                              <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://theculturetrip.com/asia/india/articles/the-top-10-female-contemporary-artists-from-india/\" target=\"_blank\">The Top 10 Female Contemporary Artists from India</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               C. A. Xuan Mai Ardia, The Culture Trip, 2014                            </span>\r\n\r\n                              <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.mid-day.com/articles/memories-at-work/15747192\" target=\"_blank\">Memories at work</a> </span> <font color=\"red\">  >> </font> <span>\r\n                              Kanika Sharma, Mid-day, 8th November 2014                           </span>\r\n                              \r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artasiapacific.com/Magazine/WebExclusives/FloatingWorldAestheticBind\" target=\"_blank\">Aesthetic Bind Floating World</a> </span> <font color=\"red\">  >> </font> <span>\r\n                              Gitanjali Dang, ArtAsiaPacific, April 2014                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.timeoutmumbai.net/art/features/suspense\" target=\"_blank\">In Suspense </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Phalguni Desai , Timeout Mumbai,  March  2014\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artdaily.com/news/68958/Chemould-Prescott-Road-celebrates-fifty-years-of-contemporary-art-with-Aesthetic-Bind--Floating-World#.Uz5us_mSxVk\" target=\"_blank\">Chemould Prescott Road celebrates fifty years of contemporary art with Aesthetic Bind: Floating World </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Geeta Kapur, Art Daily, 24th March 2014\r\n                            </span>\r\n                                                        <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.wallpaper.com/art/zegnart-enlists-reena-kallat-to-create-a-site-specific-artwork-in-mumbai/6292\" target=\"_blank\">ZegnArt enlists Reena Kallat to create a site-specific artwork in Mumbai,</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                JJ Martin, Wallpaper, 18th January 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.timeoutmumbai.net/art/features/web-design\" target=\"_blank\">Web design</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Karanjeet Kaur,Timeout Magazine, pg 26-28, 15th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artribune.com/2013/03/una-ragnatela-fra-italia-e-india-inaugurata-a-mumbai-lopera-di-reena-kallat-per-il-progetto-zegnart-public-qui-ci-sono-immagini-video-e-intervista-allartista/\" target=\"_blank\">Arte pubblica a Mumbai. Intervista con Anna Zegna</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Daniele Perra, Art Tribune, 1st March 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://in.blouinartinfo.com/news/story/885613/reena-kallat-on-her-mammoth-1-ton-rubber-stamp-cobweb-at-the\" target=\"_blank\">Reena Kallat On Her Mammoth, 1-ton Rubber-Stamp Cobweb at the Bhau Daji Lad Museum, Mumbai</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Rosalyn D\'Mello, Blouinart, April 1, 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.thehindu.com/features/magazine/putting-her-stamp-on-it/article4484175.ece\" target=\"_blank\">Putting her stamp on it</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Ramya Sarma, The Hindu, 9th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.business-standard.com/article/beyond-business/stamp-over-mumbai-113030800509_1.html\" target=\"_blank\">Stamp over Mumbai</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Kishore Singh, Business Standard, New Delhi  8th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.dnaindia.com/lifestyle/report_weaving-a-tangled-web_1806665\" target=\"_blank\">Weaving a tangled web</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Deepanjana Pal, DNA, 3rd March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.dnaindia.com/lifestyle/report_web-of-history_1810815\" target=\"_blank\">Web of history </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Sanaya Chavda, DNA, 13th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindustantimes.com/Entertainment/Art/Web-of-history-Reena-Kallat-s-installation/Article1-1027359.aspx\" target=\"_blank\">Web of history </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Shweta Mehta, Hindustan Times, 16th March 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://blog.saffronart.com/2013/03/14/reena-kallats-untitled-cobwebscrossings/\" target=\"_blank\">Public Art installation by Reena Kallat at the Dr. Bhau Daji Lad Museum in Mumbai </a> </span> <font color=\"red\">  >> </font><span>\r\n                                Manjari Sihare, Saffron blog,Posted on 14th March  2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Weaving into  networks, Buliding Cobwebs: Musings over Reena Saini Kallat’s recent work </span> <span>\r\n                                Parni Ray, Take on Art/Eleven, pg 98, Volume lll\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Stamping ground </span><span>\r\n                                Deepanjana Pal, Wallpaper magazine, pg 193 – 194, May 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Editorial</span><span>\r\n                                Kaiwan Mehta, Domus, pg 5 – 10, April 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Web Design</span> <span>\r\n                                Chumki Bharadwaj, India Today, pg 45 – 46, April 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Art Outside  </span> <span>\r\n                                Pavitra Mohan, Architectural Digest, pg 98, March-April 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://inditerrain.indiaartndesign.com/2013/03/of-cobwebs-crossings.html\" target=\"_blank\">Of Cobwebs & Crossings </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Jigna Padhiar, India Art & Design, 1st March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://prestige-singapore.com.sg/2013/04/arts-raj\" target=\"_blank\">Art\'s the Raj</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Dylan Boey, Prestige Singapore, 3rd April 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\">Adrift in unknown waters: Reena Saini Kallat and the Art of letting go</span><span>\r\n                                Parni Ray,  Artfair Magazine, Issue-3, pg 48 – 51, 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://shobanarayan.com/2012/02/04/about-jitish-kallat-and-reena-saini-kallat/\" target=\"_blank\">Walking the Art talk with the Kallats</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Shobha Narayan, Live Mint, February 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.tribuneindia.com/2012/20120219/spectrum/main2.htm\" target=\"_blank\">Spectrum New Visual Idiom</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                The Tribune, February 19, 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artnewsnviews.com/view-article.php?article=g-teborg-international-biennial&iid=25&articleid=678\" target=\"_blank\">Goteborg International Biennial</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Art Etc, Vol.4, No. 2, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Helsinki taidemuseo.fi-Journal, </span> January 2011<span>\r\n                            </span>\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://indiatoday.intoday.in/site/story/brush-with-reality/1/134582.html\">Brush With Reality </a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Sumaiya Khan, India Today Woman, pg. 20-21, April 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">System overload </span><span>\r\n                                Shweta Upadhyay, Timeout Delhi, March 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artslant.com/ind/articles/show/22573\" target=\"_blank\">Picking up the past</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Parni Ray, www.artslant.com, 4th April 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://iipdigital.usembassy.gov/st/english/article/2011/03/20110307133535drawoh0.7282221.html#axzz34yECziHk\">Art at “maximum INDIA” Festival Evokes Cultural Memory and Loss</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Howard Cincotta, www.america.gov, March 7, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.signonsandiego.com/news/2011/mar/02/kennedy-center-opens-3-week-india-arts-festival/\">Kennedy Center opens 3-week India arts festival</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Brett Zongker, www.signonsnadiego.com, 2nd March 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Eye and the Mind: New Interventions in Contemporary Indian Art </span><span>\r\n                                Rajeev Lochan, India Perspectives, Vol. 24, No. 6, 2010\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artradarjournal.com/2010/04/20/indian-contemporary-artist-reena-kallat-art-radar-exclusive-interview/\">Interview, Art Radar Asia </a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span><span>\r\n                                April 20, 2010\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Archives of the Heart</span><span>\r\n                                Nancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\n                                Front Cover, pgs 42-45, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Globale Kunst Mit Wurzelduft</span><span>\r\n                                Von Almuth Speigler, Die Presse, Feuilleton, 2nd September 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Landscapes of Loss</span><span>\r\n                                Beth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Reincarnating History</span><span>\r\n                                The Big Picture, Architect and Interiors, July 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Stamp Collection</span><span>\r\n                                Georgina Maddox, The Sunday Express, 17th May 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Evolving Beyond Borders</span><span>\r\n                                Reshma S. Kulkarni, Bombay Times, Times of India, 15th January, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Loss and Found</span><span>\r\n                                Marina Correa, DNA, Mumbai, 22nd January 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Focus India</span><span>\r\n                                Megha Ralapati, Flash Art, pg 114, January-February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Come Together Right Now</span><span>\r\n                                Reema Gehi, HT Café, 15th February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Such a Long Journey</span><span>\r\n                                Aparna S Sharma, Elle Magazine, pgs 115-117, February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">More than a Woman</span><span>\r\n                                Georgina Maddox, The Indian Express, Mumbai Newsline, 4th February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Artist of the Fortnight</span><span>\r\n                                Maria Louis, Outlook Profit, pg 79, 18th April 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Deja View</span><span>\r\n                                Tara Khilachand, Live Mint, 20th December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Terror Struck</span><span>\r\n                                Maria Louis, Outlook Profit, 26th December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Name Calling</span><span>\r\n                                Deepanjana Pal, Timeout Mumbai, December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Corruptions of Power</span>\r\n                            <span>Shiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99, 2007</span>\r\n\r\n                            <span class=\"pubstrong\">Over the Rainbow</span><span>\r\n                                Maria Louis, Interview, Verve Magazine, pg 78, November 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindu.com/mag/2006/10/29/stories/2006102900070200.htm\">In a State of Perennial Siege</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span><span>\r\n                                Nancy Adajania, The Hindu, Hyderabad, 29th October 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Her Crowning Achievement</span><span>\r\n                                Clara Chow, The Straits Times, 18th November 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Political Chaos</span><span>\r\n                                Deepali Nandwani, Beautiful people, pg 143, November-December 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Weapons of Mass Construction</span><span>\r\n                                Rituparna Som, DNA after Hrs, Mumbai, 9th October, 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Guns and Roses</span><span>\r\n                                Rachna Nakra, The Indian Express, Mumbai Newsline, 18th September 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Under Attack</span><span>\r\n                                Gitanjali Dang, HT Mumbai, 22nd September 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Time Traveller</span><span>\r\n                                Georgina Maddox, The Indian Express, Mumbai Newsline, 27th June 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Flower and the Sword</span><span>\r\n                                Girish Shahane, The Art News magazine of India, pg 93, volume X issue I, 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India’s Top 100 Achievers</span><span>\r\n                                Society Magazine, pg 137, December 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Caught Between Demons<span style=\"font-weight: normal; color: red;\"></span></span><span>\r\n                                Nancy Adajania, The Hindu, 19th December 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">En Reise Til India</span><span>\r\n                                Harald Flor, Dagbladet, Kultur, 2nd February 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Signs of Resistance</span><span>\r\n                                Nancy Adajania, The Hindu, 5th January 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Of the Goddess and Demon in the Mind</span><span>\r\n                                Debbie Rodgers, Sunday edition Vijay Times, Bangalore, 5th January 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Empathic Anger</span><span>\r\n                                Marta Jakimowicz, Deccan Herald, 23rd December 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Mysore Ek Khoj</span>\r\n                            Cross Fertilization of Culture, Interview in Star of Mysore, 27th October 2002\r\n\r\n                            <span class=\"pubstrong\">Linking Islands</span><span>\r\n                                Menaka Jayasankar, Indian Express, Mumbai Newsline, 15th February 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Creating to Destroy</span><span>\r\n                                Jasmine Shah Varma, The List, Mid Day, 22nd February 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Different Strokes</span><span>\r\n                                Georgina L Maddox, The Indian Express, Mumbai Newsline, 24th July 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a target=\"_blank\" href=\"http://www.reenakallat.com/wp-content/uploads/2011/09/Faith%20and%20Hunger.pdf\" style=\"color: rgb(135, 135, 135);\">Of Faith and Hunger</a><font style=\"font-weight:normal;\" color=\"red\">  >> </font></span>\r\n                        <span>Abhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89, December 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">The Murmur of Skin</span><span>\r\n                            Nupur Mahajan, Bombay Times, Times of India, 12th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Not just Skin Deep</span><span>\r\n                            Jasmine Shah Varma, The List, Mid-day, 4th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Inside Out</span><span>\r\n                            Menaka Jayasankar, Indian Express, Mumbai Newsline, 11th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Scintillating Skin</span><span>\r\n                            Vaibhav Purandare, The Asian Age, 14th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">An Artist’s World: Roti, Makaan &amp; Abstract Art</span><span>\r\n                            Poonam Goel, HT City, 23rd December 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Within you, Without you</span><span>\r\n                            Anu Kumar, Indian Express, Express Newsline, 2nd September 1998\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Farming Intrigue</span><span>\r\n                            Jerry Pinto, The Times of India, Bombay Times, 3rd September 1998\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Interactive Medium</span><span>\r\n                            Karen Pereira, Indian Architect &amp; Builder, pgs 102-104, October 1998\r\n                        </span>\r\n\r\n    </tbody>\r\n</table>','Press','','inherit','open','open','','3384-revision-15','','','2016-08-13 01:16:58','2016-08-13 01:16:58','',3384,'http://www.reenakallat.com/3415/uncat/3384-revision-15',0,'revision','',0),(3414,1,'2016-08-13 01:15:52','2016-08-13 01:15:52','<table border=\"0\" cellspacing=\"5\" cellpadding=\"0\" width=\"100%\" align=\"centre\">\r\n    <tbody>\r\n                  <strong><span style=\"color: #888888;\">PRESS</span></strong>\r\n\r\n\r\n                            </p>\r\n                                                          <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artforum.com/words/id=56896\" target=\"_blank\">\r\n                                                         Porous Passages Reflects on Differing Worldviews</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               ArtForum, Himali Singh Soin, 21st December 2015</span>\r\n                                <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.notey.com/@hyperallergic_unofficial/external/7377537/identities-nations-and-histories-painfully-stitched-together.html\" target=\"_blank\">\r\n                                                         Identities, Nations, and Histories Painfully Stitched Together </a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Hyperallergic, Meenakshi Thirukode, January 8, 2016</span>\r\n                               \r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artdaily.com/index.asp?int_sec=11&int_new=81426#.VnpzN_l96Um\" target=\"_blank\">\r\n                                                         Chemould Prescott Road opens exhibition of the work of Reena Saini Kallat</a> </span> <font color=\"red\">  >> </font> <span>\r\n                              Artdaily, 23rd December 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.livemint.com/Leisure/lPXmu4hGHMMbAKK9IJmXGJ/Beyond-the-barbed-wire.html\" target=\"_blank\">\r\n                                                         Beyond the barbed wire	</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Chanpreet Khurana, Live Mint, 16th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.livemint.com/Leisure/LGZI9VzNg3218XGafyrFBO/Genetic-engineering.html\" target=\"_blank\">\r\n                                                         Genetic engineering</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Rosalyn D’Mello, Live Mint, 19th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.openthemagazine.com/article/art-culture/layer-upon-layer\" target=\"_blank\">\r\n                                                         Layer upon Layer</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Payal Khandelwal, Open Magazine pg 54 - 57, 28th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.vogue.in/content/can-art-bind-together-warring-nations/\" target=\"_blank\">\r\n                                                         Can art bind together warring nations?</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Rosalyn DMello, Vogue, 23rd September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://indianexpress.com/article/lifestyle/dividing-lines-3/\" target=\"_blank\">\r\n                                                         Dividing Lines</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Pooja Pillai, The Indian Express, 21st September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindustantimes.com/art-and-culture/reena-saini-kallat-explores-geopolitical-relations-in-wires/story-bAlx8ynmqUgWHxlb2DONuN.html;jsessionid=A5137ED4B0981ED14C62E175FE95D985\" target=\"_blank\">\r\n                                                         Reena Saini Kallat explores geopolitical relations in wires</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Arundhati Chatterjee, Hindustan Times, 21st September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.dnaindia.com/lifestyle/interview-a-divided-existence-reena-saini-talks-about-her-exhibition-hyphenated-lives-2126700\" target=\"_blank\">\r\n                                                         A divided existence</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Ornella D’Souza, DNA, 20th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.mumbaimirror.com/others/leisure/Mirror-fixes-it-Finding-poetry-in-politics/articleshow/49031262.cms\" target=\"_blank\">\r\n                                                         Finding Poetry in Politics</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Reema Gehi, Mumbai Mirror, 20th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://theculturetrip.com/asia/india/articles/contemporary-artists-series-a-conversation-with-reena-saini-kallat/\" target=\"_blank\">\r\n                                                         Contemporary Artists Series: A Conversation with Reena Saini Kallat</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Farah Siddiqui, The CultureTrip, 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://insideburgercollection.org/wp-content/uploads/2015/07/94_BurgerCollection-08_p87-92.pdf\" target=\"_blank\">\r\n                                                        REREADING REENA KALLAT -  Inside Burger collection</a></span> <font color=\"red\">  >> </font> <span>\r\n									Quddus Mirza, Art Asia Pacific Magazine,  July/Aug 2015 </span>\r\n                              \r\n                                  <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.domusweb.it/en/news/2015/06/15/offsite_reena_saini_kallat.html\" target=\"_blank\">Woven Chronicle, Domus</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               posted on 15th June 2015                            </span>\r\n\r\n                               <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.huffingtonpost.ca/jugni-style/reena-saini-kallat-vancouver_b_7725930.html\" target=\"_blank\">Reena Saini Kallat\'s Public Art Installation Explores Migration, Longing In Vancouver</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Nimritta Parmar,  Huffpost  British Columbia Canada,  posted on 13th July 2015                            </span>\r\n\r\n                               <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.vancouverobserver.com/culture/art/mumbai-artist-maps-out-web-wire-vag-offsite\" target=\"_blank\">Mumbai artist maps out web of wire at VAG Offsite</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Sponsored content, Vancouver Observer, posted on 8th June 2015                            </span>\r\n\r\n                               <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://indianexpress.com/article/lifestyle/current-connections/\" target=\"_blank\">Current Connections</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Vandana Kalra, The Indian Express, 12th May 2015 </span>\r\n                               \r\n                            <span class=\"pubstrong\">Working Lives, AD Perspective,</span> <span>\r\n                              Sanhita Chowdhury, Architectural Digest pg-76, January-February 2015                      </span>\r\n\r\n                              <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://theculturetrip.com/asia/india/articles/the-top-10-female-contemporary-artists-from-india/\" target=\"_blank\">The Top 10 Female Contemporary Artists from India</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               C. A. Xuan Mai Ardia, The Culture Trip, 2014                            </span>\r\n\r\n                              <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.mid-day.com/articles/memories-at-work/15747192\" target=\"_blank\">Memories at work</a> </span> <font color=\"red\">  >> </font> <span>\r\n                              Kanika Sharma, Mid-day, 8th November 2014                           </span>\r\n                              \r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artasiapacific.com/Magazine/WebExclusives/FloatingWorldAestheticBind\" target=\"_blank\">Aesthetic Bind Floating World</a> </span> <font color=\"red\">  >> </font> <span>\r\n                              Gitanjali Dang, ArtAsiaPacific, April 2014                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.timeoutmumbai.net/art/features/suspense\" target=\"_blank\">In Suspense </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Phalguni Desai , Timeout Mumbai,  March  2014\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artdaily.com/news/68958/Chemould-Prescott-Road-celebrates-fifty-years-of-contemporary-art-with-Aesthetic-Bind--Floating-World#.Uz5us_mSxVk\" target=\"_blank\">Chemould Prescott Road celebrates fifty years of contemporary art with Aesthetic Bind: Floating World </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Geeta Kapur, Art Daily, 24th March 2014\r\n                            </span>\r\n                                                        <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.wallpaper.com/art/zegnart-enlists-reena-kallat-to-create-a-site-specific-artwork-in-mumbai/6292\" target=\"_blank\">ZegnArt enlists Reena Kallat to create a site-specific artwork in Mumbai,</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                JJ Martin, Wallpaper, 18th January 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.timeoutmumbai.net/art/features/web-design\" target=\"_blank\">Web design</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Karanjeet Kaur,Timeout Magazine, pg 26-28, 15th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artribune.com/2013/03/una-ragnatela-fra-italia-e-india-inaugurata-a-mumbai-lopera-di-reena-kallat-per-il-progetto-zegnart-public-qui-ci-sono-immagini-video-e-intervista-allartista/\" target=\"_blank\">Arte pubblica a Mumbai. Intervista con Anna Zegna</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Daniele Perra, Art Tribune, 1st March 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://in.blouinartinfo.com/news/story/885613/reena-kallat-on-her-mammoth-1-ton-rubber-stamp-cobweb-at-the\" target=\"_blank\">Reena Kallat On Her Mammoth, 1-ton Rubber-Stamp Cobweb at the Bhau Daji Lad Museum, Mumbai</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Rosalyn D\'Mello, Blouinart, April 1, 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.thehindu.com/features/magazine/putting-her-stamp-on-it/article4484175.ece\" target=\"_blank\">Putting her stamp on it</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Ramya Sarma, The Hindu, 9th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.business-standard.com/article/beyond-business/stamp-over-mumbai-113030800509_1.html\" target=\"_blank\">Stamp over Mumbai</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Kishore Singh, Business Standard, New Delhi  8th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.dnaindia.com/lifestyle/report_weaving-a-tangled-web_1806665\" target=\"_blank\">Weaving a tangled web</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Deepanjana Pal, DNA, 3rd March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.dnaindia.com/lifestyle/report_web-of-history_1810815\" target=\"_blank\">Web of history </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Sanaya Chavda, DNA, 13th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindustantimes.com/Entertainment/Art/Web-of-history-Reena-Kallat-s-installation/Article1-1027359.aspx\" target=\"_blank\">Web of history </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Shweta Mehta, Hindustan Times, 16th March 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://blog.saffronart.com/2013/03/14/reena-kallats-untitled-cobwebscrossings/\" target=\"_blank\">Public Art installation by Reena Kallat at the Dr. Bhau Daji Lad Museum in Mumbai </a> </span> <font color=\"red\">  >> </font><span>\r\n                                Manjari Sihare, Saffron blog,Posted on 14th March  2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Weaving into  networks, Buliding Cobwebs: Musings over Reena Saini Kallat’s recent work </span> <span>\r\n                                Parni Ray, Take on Art/Eleven, pg 98, Volume lll\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Stamping ground </span><span>\r\n                                Deepanjana Pal, Wallpaper magazine, pg 193 – 194, May 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Editorial</span><span>\r\n                                Kaiwan Mehta, Domus, pg 5 – 10, April 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Web Design</span> <span>\r\n                                Chumki Bharadwaj, India Today, pg 45 – 46, April 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Art Outside  </span> <span>\r\n                                Pavitra Mohan, Architectural Digest, pg 98, March-April 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://inditerrain.indiaartndesign.com/2013/03/of-cobwebs-crossings.html\" target=\"_blank\">Of Cobwebs & Crossings </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Jigna Padhiar, India Art & Design, 1st March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://prestige-singapore.com.sg/2013/04/arts-raj\" target=\"_blank\">Art\'s the Raj</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Dylan Boey, Prestige Singapore, 3rd April 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\">Adrift in unknown waters: Reena Saini Kallat and the Art of letting go</span><span>\r\n                                Parni Ray,  Artfair Magazine, Issue-3, pg 48 – 51, 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://shobanarayan.com/2012/02/04/about-jitish-kallat-and-reena-saini-kallat/\" target=\"_blank\">Walking the Art talk with the Kallats</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Shobha Narayan, Live Mint, February 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.tribuneindia.com/2012/20120219/spectrum/main2.htm\" target=\"_blank\">Spectrum New Visual Idiom</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                The Tribune, February 19, 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artnewsnviews.com/view-article.php?article=g-teborg-international-biennial&iid=25&articleid=678\" target=\"_blank\">Goteborg International Biennial</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Art Etc, Vol.4, No. 2, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Helsinki taidemuseo.fi-Journal, </span> January 2011<span>\r\n                            </span>\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://indiatoday.intoday.in/site/story/brush-with-reality/1/134582.html\">Brush With Reality </a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Sumaiya Khan, India Today Woman, pg. 20-21, April 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">System overload </span><span>\r\n                                Shweta Upadhyay, Timeout Delhi, March 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artslant.com/ind/articles/show/22573\" target=\"_blank\">Picking up the past</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Parni Ray, www.artslant.com, 4th April 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://iipdigital.usembassy.gov/st/english/article/2011/03/20110307133535drawoh0.7282221.html#axzz34yECziHk\">Art at “maximum INDIA” Festival Evokes Cultural Memory and Loss</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Howard Cincotta, www.america.gov, March 7, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.signonsandiego.com/news/2011/mar/02/kennedy-center-opens-3-week-india-arts-festival/\">Kennedy Center opens 3-week India arts festival</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Brett Zongker, www.signonsnadiego.com, 2nd March 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Eye and the Mind: New Interventions in Contemporary Indian Art </span><span>\r\n                                Rajeev Lochan, India Perspectives, Vol. 24, No. 6, 2010\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artradarjournal.com/2010/04/20/indian-contemporary-artist-reena-kallat-art-radar-exclusive-interview/\">Interview, Art Radar Asia </a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span><span>\r\n                                April 20, 2010\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Archives of the Heart</span><span>\r\n                                Nancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\n                                Front Cover, pgs 42-45, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Globale Kunst Mit Wurzelduft</span><span>\r\n                                Von Almuth Speigler, Die Presse, Feuilleton, 2nd September 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Landscapes of Loss</span><span>\r\n                                Beth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Reincarnating History</span><span>\r\n                                The Big Picture, Architect and Interiors, July 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Stamp Collection</span><span>\r\n                                Georgina Maddox, The Sunday Express, 17th May 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Evolving Beyond Borders</span><span>\r\n                                Reshma S. Kulkarni, Bombay Times, Times of India, 15th January, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Loss and Found</span><span>\r\n                                Marina Correa, DNA, Mumbai, 22nd January 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Focus India</span><span>\r\n                                Megha Ralapati, Flash Art, pg 114, January-February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Come Together Right Now</span><span>\r\n                                Reema Gehi, HT Café, 15th February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Such a Long Journey</span><span>\r\n                                Aparna S Sharma, Elle Magazine, pgs 115-117, February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">More than a Woman</span><span>\r\n                                Georgina Maddox, The Indian Express, Mumbai Newsline, 4th February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Artist of the Fortnight</span><span>\r\n                                Maria Louis, Outlook Profit, pg 79, 18th April 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Deja View</span><span>\r\n                                Tara Khilachand, Live Mint, 20th December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Terror Struck</span><span>\r\n                                Maria Louis, Outlook Profit, 26th December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Name Calling</span><span>\r\n                                Deepanjana Pal, Timeout Mumbai, December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Corruptions of Power</span>\r\n                            <span>Shiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99, 2007</span>\r\n\r\n                            <span class=\"pubstrong\">Over the Rainbow</span><span>\r\n                                Maria Louis, Interview, Verve Magazine, pg 78, November 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindu.com/mag/2006/10/29/stories/2006102900070200.htm\">In a State of Perennial Siege</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span><span>\r\n                                Nancy Adajania, The Hindu, Hyderabad, 29th October 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Her Crowning Achievement</span><span>\r\n                                Clara Chow, The Straits Times, 18th November 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Political Chaos</span><span>\r\n                                Deepali Nandwani, Beautiful people, pg 143, November-December 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Weapons of Mass Construction</span><span>\r\n                                Rituparna Som, DNA after Hrs, Mumbai, 9th October, 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Guns and Roses</span><span>\r\n                                Rachna Nakra, The Indian Express, Mumbai Newsline, 18th September 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Under Attack</span><span>\r\n                                Gitanjali Dang, HT Mumbai, 22nd September 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Time Traveller</span><span>\r\n                                Georgina Maddox, The Indian Express, Mumbai Newsline, 27th June 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Flower and the Sword</span><span>\r\n                                Girish Shahane, The Art News magazine of India, pg 93, volume X issue I, 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India’s Top 100 Achievers</span><span>\r\n                                Society Magazine, pg 137, December 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Caught Between Demons<span style=\"font-weight: normal; color: red;\"></span></span><span>\r\n                                Nancy Adajania, The Hindu, 19th December 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">En Reise Til India</span><span>\r\n                                Harald Flor, Dagbladet, Kultur, 2nd February 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Signs of Resistance</span><span>\r\n                                Nancy Adajania, The Hindu, 5th January 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Of the Goddess and Demon in the Mind</span><span>\r\n                                Debbie Rodgers, Sunday edition Vijay Times, Bangalore, 5th January 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Empathic Anger</span><span>\r\n                                Marta Jakimowicz, Deccan Herald, 23rd December 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Mysore Ek Khoj</span>\r\n                            Cross Fertilization of Culture, Interview in Star of Mysore, 27th October 2002\r\n\r\n                            <span class=\"pubstrong\">Linking Islands</span><span>\r\n                                Menaka Jayasankar, Indian Express, Mumbai Newsline, 15th February 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Creating to Destroy</span><span>\r\n                                Jasmine Shah Varma, The List, Mid Day, 22nd February 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Different Strokes</span><span>\r\n                                Georgina L Maddox, The Indian Express, Mumbai Newsline, 24th July 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a target=\"_blank\" href=\"http://www.reenakallat.com/wp-content/uploads/2011/09/Faith%20and%20Hunger.pdf\" style=\"color: rgb(135, 135, 135);\">Of Faith and Hunger</a><font style=\"font-weight:normal;\" color=\"red\">  >> </font></span>\r\n                        <span>Abhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89, December 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">The Murmur of Skin</span><span>\r\n                            Nupur Mahajan, Bombay Times, Times of India, 12th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Not just Skin Deep</span><span>\r\n                            Jasmine Shah Varma, The List, Mid-day, 4th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Inside Out</span><span>\r\n                            Menaka Jayasankar, Indian Express, Mumbai Newsline, 11th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Scintillating Skin</span><span>\r\n                            Vaibhav Purandare, The Asian Age, 14th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">An Artist’s World: Roti, Makaan &amp; Abstract Art</span><span>\r\n                            Poonam Goel, HT City, 23rd December 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Within you, Without you</span><span>\r\n                            Anu Kumar, Indian Express, Express Newsline, 2nd September 1998\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Farming Intrigue</span><span>\r\n                            Jerry Pinto, The Times of India, Bombay Times, 3rd September 1998\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Interactive Medium</span><span>\r\n                            Karen Pereira, Indian Architect &amp; Builder, pgs 102-104, October 1998\r\n                        </span>\r\n\r\n    </tbody>\r\n</table>','Press','','inherit','open','open','','3384-revision-14','','','2016-08-13 01:15:52','2016-08-13 01:15:52','',3384,'http://www.reenakallat.com/3414/uncat/3384-revision-14',0,'revision','',0),(3395,1,'2016-07-25 00:57:57','2016-07-25 00:57:57','<table border=\"0\" cellspacing=\"5\" cellpadding=\"0\" width=\"100%\" align=\"centre\">\r\n    <tbody>\r\n                  <span class=\"pubstrong\" style=\"color: #000000;font-size:20px;line-height:35px;color:#505050;\">PRESS</span>\r\n                            </p>\r\n                                                          <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artforum.com/words/id=56896\" target=\"_blank\">\r\n                                                         Porous Passages Reflects on Differing Worldviews</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               ArtForum, Himali Singh Soin, 21st December 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artdaily.com/index.asp?int_sec=11&int_new=81426#.VnpzN_l96Um\" target=\"_blank\">\r\n                                                         Chemould Prescott Road opens exhibition of the work of Reena Saini Kallat</a> </span> <font color=\"red\">  >> </font> <span>\r\n                              Artdaily, 23rd December 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.livemint.com/Leisure/lPXmu4hGHMMbAKK9IJmXGJ/Beyond-the-barbed-wire.html\" target=\"_blank\">\r\n                                                         Beyond the barbed wire	</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Chanpreet Khurana, Live Mint, 16th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.livemint.com/Leisure/LGZI9VzNg3218XGafyrFBO/Genetic-engineering.html\" target=\"_blank\">\r\n                                                         Genetic engineering</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Rosalyn D’Mello, Live Mint, 19th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.openthemagazine.com/article/art-culture/layer-upon-layer\" target=\"_blank\">\r\n                                                         Layer upon Layer</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Payal Khandelwal, Open Magazine pg 54 - 57, 28th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.vogue.in/content/can-art-bind-together-warring-nations/\" target=\"_blank\">\r\n                                                         Can art bind together warring nations?</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Rosalyn DMello, Vogue, 23rd September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://indianexpress.com/article/lifestyle/dividing-lines-3/\" target=\"_blank\">\r\n                                                         Dividing Lines</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Pooja Pillai, The Indian Express, 21st September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindustantimes.com/art-and-culture/reena-saini-kallat-explores-geopolitical-relations-in-wires/story-bAlx8ynmqUgWHxlb2DONuN.html;jsessionid=A5137ED4B0981ED14C62E175FE95D985\" target=\"_blank\">\r\n                                                         Reena Saini Kallat explores geopolitical relations in wires</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Arundhati Chatterjee, Hindustan Times, 21st September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.dnaindia.com/lifestyle/interview-a-divided-existence-reena-saini-talks-about-her-exhibition-hyphenated-lives-2126700\" target=\"_blank\">\r\n                                                         A divided existence</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Ornella D’Souza, DNA, 20th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.mumbaimirror.com/others/leisure/Mirror-fixes-it-Finding-poetry-in-politics/articleshow/49031262.cms\" target=\"_blank\">\r\n                                                         Finding Poetry in Politics</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Reema Gehi, Mumbai Mirror, 20th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://theculturetrip.com/asia/india/articles/contemporary-artists-series-a-conversation-with-reena-saini-kallat/\" target=\"_blank\">\r\n                                                         Contemporary Artists Series: A Conversation with Reena Saini Kallat</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Farah Siddiqui, The CultureTrip, 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://insideburgercollection.org/wp-content/uploads/2015/07/94_BurgerCollection-08_p87-92.pdf\" target=\"_blank\">\r\n                                                        REREADING REENA KALLAT -  Inside Burger collection</a></span> <font color=\"red\">  >> </font> <span>\r\n									Quddus Mirza, Art Asia Pacific Magazine,  July/Aug 2015 </span>\r\n                              \r\n                                  <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.domusweb.it/en/news/2015/06/15/offsite_reena_saini_kallat.html\" target=\"_blank\">Woven Chronicle, Domus</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               posted on 15th June 2015                            </span>\r\n\r\n                               <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.huffingtonpost.ca/jugni-style/reena-saini-kallat-vancouver_b_7725930.html\" target=\"_blank\">Reena Saini Kallat\'s Public Art Installation Explores Migration, Longing In Vancouver</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Nimritta Parmar,  Huffpost  British Columbia Canada,  posted on 13th July 2015                            </span>\r\n\r\n                               <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.vancouverobserver.com/culture/art/mumbai-artist-maps-out-web-wire-vag-offsite\" target=\"_blank\">Mumbai artist maps out web of wire at VAG Offsite</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Sponsored content, Vancouver Observer, posted on 8th June 2015                            </span>\r\n\r\n                               <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://indianexpress.com/article/lifestyle/current-connections/\" target=\"_blank\">Current Connections</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Vandana Kalra, The Indian Express, 12th May 2015 </span>\r\n                               \r\n                            <span class=\"pubstrong\">Working Lives, AD Perspective,</span> <span>\r\n                              Sanhita Chowdhury, Architectural Digest pg-76, January-February 2015                      </span>\r\n\r\n                              <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://theculturetrip.com/asia/india/articles/the-top-10-female-contemporary-artists-from-india/\" target=\"_blank\">The Top 10 Female Contemporary Artists from India</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               C. A. Xuan Mai Ardia, The Culture Trip, 2014                            </span>\r\n\r\n                              <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.mid-day.com/articles/memories-at-work/15747192\" target=\"_blank\">Memories at work</a> </span> <font color=\"red\">  >> </font> <span>\r\n                              Kanika Sharma, Mid-day, 8th November 2014                           </span>\r\n                              \r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artasiapacific.com/Magazine/WebExclusives/FloatingWorldAestheticBind\" target=\"_blank\">Aesthetic Bind Floating World</a> </span> <font color=\"red\">  >> </font> <span>\r\n                              Gitanjali Dang, ArtAsiaPacific, April 2014                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.timeoutmumbai.net/art/features/suspense\" target=\"_blank\">In Suspense </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Phalguni Desai , Timeout Mumbai,  March  2014\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artdaily.com/news/68958/Chemould-Prescott-Road-celebrates-fifty-years-of-contemporary-art-with-Aesthetic-Bind--Floating-World#.Uz5us_mSxVk\" target=\"_blank\">Chemould Prescott Road celebrates fifty years of contemporary art with Aesthetic Bind: Floating World </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Geeta Kapur, Art Daily, 24th March 2014\r\n                            </span>\r\n                                                        <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.wallpaper.com/art/zegnart-enlists-reena-kallat-to-create-a-site-specific-artwork-in-mumbai/6292\" target=\"_blank\">ZegnArt enlists Reena Kallat to create a site-specific artwork in Mumbai,</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                JJ Martin, Wallpaper, 18th January 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.timeoutmumbai.net/art/features/web-design\" target=\"_blank\">Web design</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Karanjeet Kaur,Timeout Magazine, pg 26-28, 15th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artribune.com/2013/03/una-ragnatela-fra-italia-e-india-inaugurata-a-mumbai-lopera-di-reena-kallat-per-il-progetto-zegnart-public-qui-ci-sono-immagini-video-e-intervista-allartista/\" target=\"_blank\">Arte pubblica a Mumbai. Intervista con Anna Zegna</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Daniele Perra, Art Tribune, 1st March 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://in.blouinartinfo.com/news/story/885613/reena-kallat-on-her-mammoth-1-ton-rubber-stamp-cobweb-at-the\" target=\"_blank\">Reena Kallat On Her Mammoth, 1-ton Rubber-Stamp Cobweb at the Bhau Daji Lad Museum, Mumbai</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Rosalyn D\'Mello, Blouinart, April 1, 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.thehindu.com/features/magazine/putting-her-stamp-on-it/article4484175.ece\" target=\"_blank\">Putting her stamp on it</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Ramya Sarma, The Hindu, 9th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.business-standard.com/article/beyond-business/stamp-over-mumbai-113030800509_1.html\" target=\"_blank\">Stamp over Mumbai</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Kishore Singh, Business Standard, New Delhi  8th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.dnaindia.com/lifestyle/report_weaving-a-tangled-web_1806665\" target=\"_blank\">Weaving a tangled web</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Deepanjana Pal, DNA, 3rd March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.dnaindia.com/lifestyle/report_web-of-history_1810815\" target=\"_blank\">Web of history </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Sanaya Chavda, DNA, 13th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindustantimes.com/Entertainment/Art/Web-of-history-Reena-Kallat-s-installation/Article1-1027359.aspx\" target=\"_blank\">Web of history </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Shweta Mehta, Hindustan Times, 16th March 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://blog.saffronart.com/2013/03/14/reena-kallats-untitled-cobwebscrossings/\" target=\"_blank\">Public Art installation by Reena Kallat at the Dr. Bhau Daji Lad Museum in Mumbai </a> </span> <font color=\"red\">  >> </font><span>\r\n                                Manjari Sihare, Saffron blog,Posted on 14th March  2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Weaving into  networks, Buliding Cobwebs: Musings over Reena Saini Kallat’s recent work </span> <span>\r\n                                Parni Ray, Take on Art/Eleven, pg 98, Volume lll\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Stamping ground </span><span>\r\n                                Deepanjana Pal, Wallpaper magazine, pg 193 – 194, May 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Editorial</span><span>\r\n                                Kaiwan Mehta, Domus, pg 5 – 10, April 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Web Design</span> <span>\r\n                                Chumki Bharadwaj, India Today, pg 45 – 46, April 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Art Outside  </span> <span>\r\n                                Pavitra Mohan, Architectural Digest, pg 98, March-April 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://inditerrain.indiaartndesign.com/2013/03/of-cobwebs-crossings.html\" target=\"_blank\">Of Cobwebs & Crossings </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Jigna Padhiar, India Art & Design, 1st March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://prestige-singapore.com.sg/2013/04/arts-raj\" target=\"_blank\">Art\'s the Raj</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Dylan Boey, Prestige Singapore, 3rd April 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\">Adrift in unknown waters: Reena Saini Kallat and the Art of letting go</span><span>\r\n                                Parni Ray,  Artfair Magazine, Issue-3, pg 48 – 51, 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://shobanarayan.com/2012/02/04/about-jitish-kallat-and-reena-saini-kallat/\" target=\"_blank\">Walking the Art talk with the Kallats</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Shobha Narayan, Live Mint, February 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.tribuneindia.com/2012/20120219/spectrum/main2.htm\" target=\"_blank\">Spectrum New Visual Idiom</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                The Tribune, February 19, 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artnewsnviews.com/view-article.php?article=g-teborg-international-biennial&iid=25&articleid=678\" target=\"_blank\">Goteborg International Biennial</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Art Etc, Vol.4, No. 2, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Helsinki taidemuseo.fi-Journal, </span> January 2011<span>\r\n                            </span>\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://indiatoday.intoday.in/site/story/brush-with-reality/1/134582.html\">Brush With Reality </a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Sumaiya Khan, India Today Woman, pg. 20-21, April 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">System overload </span><span>\r\n                                Shweta Upadhyay, Timeout Delhi, March 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artslant.com/ind/articles/show/22573\" target=\"_blank\">Picking up the past</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Parni Ray, www.artslant.com, 4th April 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://iipdigital.usembassy.gov/st/english/article/2011/03/20110307133535drawoh0.7282221.html#axzz34yECziHk\">Art at “maximum INDIA” Festival Evokes Cultural Memory and Loss</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Howard Cincotta, www.america.gov, March 7, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.signonsandiego.com/news/2011/mar/02/kennedy-center-opens-3-week-india-arts-festival/\">Kennedy Center opens 3-week India arts festival</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Brett Zongker, www.signonsnadiego.com, 2nd March 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Eye and the Mind: New Interventions in Contemporary Indian Art </span><span>\r\n                                Rajeev Lochan, India Perspectives, Vol. 24, No. 6, 2010\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artradarjournal.com/2010/04/20/indian-contemporary-artist-reena-kallat-art-radar-exclusive-interview/\">Interview, Art Radar Asia </a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span><span>\r\n                                April 20, 2010\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Archives of the Heart</span><span>\r\n                                Nancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\n                                Front Cover, pgs 42-45, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Globale Kunst Mit Wurzelduft</span><span>\r\n                                Von Almuth Speigler, Die Presse, Feuilleton, 2nd September 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Landscapes of Loss</span><span>\r\n                                Beth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Reincarnating History</span><span>\r\n                                The Big Picture, Architect and Interiors, July 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Stamp Collection</span><span>\r\n                                Georgina Maddox, The Sunday Express, 17th May 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Evolving Beyond Borders</span><span>\r\n                                Reshma S. Kulkarni, Bombay Times, Times of India, 15th January, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Loss and Found</span><span>\r\n                                Marina Correa, DNA, Mumbai, 22nd January 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Focus India</span><span>\r\n                                Megha Ralapati, Flash Art, pg 114, January-February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Come Together Right Now</span><span>\r\n                                Reema Gehi, HT Café, 15th February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Such a Long Journey</span><span>\r\n                                Aparna S Sharma, Elle Magazine, pgs 115-117, February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">More than a Woman</span><span>\r\n                                Georgina Maddox, The Indian Express, Mumbai Newsline, 4th February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Artist of the Fortnight</span><span>\r\n                                Maria Louis, Outlook Profit, pg 79, 18th April 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Deja View</span><span>\r\n                                Tara Khilachand, Live Mint, 20th December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Terror Struck</span><span>\r\n                                Maria Louis, Outlook Profit, 26th December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Name Calling</span><span>\r\n                                Deepanjana Pal, Timeout Mumbai, December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Corruptions of Power</span>\r\n                            <span>Shiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99, 2007</span>\r\n\r\n                            <span class=\"pubstrong\">Over the Rainbow</span><span>\r\n                                Maria Louis, Interview, Verve Magazine, pg 78, November 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindu.com/mag/2006/10/29/stories/2006102900070200.htm\">In a State of Perennial Siege</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span><span>\r\n                                Nancy Adajania, The Hindu, Hyderabad, 29th October 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Her Crowning Achievement</span><span>\r\n                                Clara Chow, The Straits Times, 18th November 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Political Chaos</span><span>\r\n                                Deepali Nandwani, Beautiful people, pg 143, November-December 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Weapons of Mass Construction</span><span>\r\n                                Rituparna Som, DNA after Hrs, Mumbai, 9th October, 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Guns and Roses</span><span>\r\n                                Rachna Nakra, The Indian Express, Mumbai Newsline, 18th September 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Under Attack</span><span>\r\n                                Gitanjali Dang, HT Mumbai, 22nd September 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Time Traveller</span><span>\r\n                                Georgina Maddox, The Indian Express, Mumbai Newsline, 27th June 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Flower and the Sword</span><span>\r\n                                Girish Shahane, The Art News magazine of India, pg 93, volume X issue I, 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India’s Top 100 Achievers</span><span>\r\n                                Society Magazine, pg 137, December 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Caught Between Demons<span style=\"font-weight: normal; color: red;\"></span></span><span>\r\n                                Nancy Adajania, The Hindu, 19th December 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">En Reise Til India</span><span>\r\n                                Harald Flor, Dagbladet, Kultur, 2nd February 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Signs of Resistance</span><span>\r\n                                Nancy Adajania, The Hindu, 5th January 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Of the Goddess and Demon in the Mind</span><span>\r\n                                Debbie Rodgers, Sunday edition Vijay Times, Bangalore, 5th January 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Empathic Anger</span><span>\r\n                                Marta Jakimowicz, Deccan Herald, 23rd December 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Mysore Ek Khoj</span>\r\n                            Cross Fertilization of Culture, Interview in Star of Mysore, 27th October 2002\r\n\r\n                            <span class=\"pubstrong\">Linking Islands</span><span>\r\n                                Menaka Jayasankar, Indian Express, Mumbai Newsline, 15th February 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Creating to Destroy</span><span>\r\n                                Jasmine Shah Varma, The List, Mid Day, 22nd February 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Different Strokes</span><span>\r\n                                Georgina L Maddox, The Indian Express, Mumbai Newsline, 24th July 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a target=\"_blank\" href=\"http://www.reenakallat.com/wp-content/uploads/2011/09/Faith%20and%20Hunger.pdf\" style=\"color: rgb(135, 135, 135);\">Of Faith and Hunger</a><font style=\"font-weight:normal;\" color=\"red\">  >> </font></span>\r\n                        <span>Abhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89, December 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">The Murmur of Skin</span><span>\r\n                            Nupur Mahajan, Bombay Times, Times of India, 12th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Not just Skin Deep</span><span>\r\n                            Jasmine Shah Varma, The List, Mid-day, 4th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Inside Out</span><span>\r\n                            Menaka Jayasankar, Indian Express, Mumbai Newsline, 11th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Scintillating Skin</span><span>\r\n                            Vaibhav Purandare, The Asian Age, 14th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">An Artist’s World: Roti, Makaan &amp; Abstract Art</span><span>\r\n                            Poonam Goel, HT City, 23rd December 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Within you, Without you</span><span>\r\n                            Anu Kumar, Indian Express, Express Newsline, 2nd September 1998\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Farming Intrigue</span><span>\r\n                            Jerry Pinto, The Times of India, Bombay Times, 3rd September 1998\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Interactive Medium</span><span>\r\n                            Karen Pereira, Indian Architect &amp; Builder, pgs 102-104, October 1998\r\n                        </span>\r\n\r\n    </tbody>\r\n</table>','','','inherit','open','open','','3384-revision-9','','','2016-07-25 00:57:57','2016-07-25 00:57:57','',3384,'http://www.reenakallat.com/3395/uncat/3384-revision-9',0,'revision','',0),(3396,1,'2016-07-25 01:01:03','2016-07-25 01:01:03','<table border=\"0\" cellspacing=\"5\" cellpadding=\"0\" width=\"100%\" align=\"centre\">\r\n    <tbody>\r\n                  <span class=\"pubstrong\" style=\"color: #000000;font-size:20px;line-height:35px;color:#505050;\">PRESS</span>\r\n                            </p>\r\n                                                          <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artforum.com/words/id=56896\" target=\"_blank\">\r\n                                                         Porous Passages Reflects on Differing Worldviews</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               ArtForum, Himali Singh Soin, 21st December 2015</span>\r\n                                <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.notey.com/@hyperallergic_unofficial/external/7377537/identities-nations-and-histories-painfully-stitched-together.html\" target=\"_blank\">\r\n                                                         Identities, Nations, and Histories Painfully Stitched Together </a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Hyperallergic, Meenakshi Thirukode, January 8, 2016</span>\r\n                               \r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artdaily.com/index.asp?int_sec=11&int_new=81426#.VnpzN_l96Um\" target=\"_blank\">\r\n                                                         Chemould Prescott Road opens exhibition of the work of Reena Saini Kallat</a> </span> <font color=\"red\">  >> </font> <span>\r\n                              Artdaily, 23rd December 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.livemint.com/Leisure/lPXmu4hGHMMbAKK9IJmXGJ/Beyond-the-barbed-wire.html\" target=\"_blank\">\r\n                                                         Beyond the barbed wire	</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Chanpreet Khurana, Live Mint, 16th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.livemint.com/Leisure/LGZI9VzNg3218XGafyrFBO/Genetic-engineering.html\" target=\"_blank\">\r\n                                                         Genetic engineering</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Rosalyn D’Mello, Live Mint, 19th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.openthemagazine.com/article/art-culture/layer-upon-layer\" target=\"_blank\">\r\n                                                         Layer upon Layer</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Payal Khandelwal, Open Magazine pg 54 - 57, 28th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.vogue.in/content/can-art-bind-together-warring-nations/\" target=\"_blank\">\r\n                                                         Can art bind together warring nations?</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Rosalyn DMello, Vogue, 23rd September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://indianexpress.com/article/lifestyle/dividing-lines-3/\" target=\"_blank\">\r\n                                                         Dividing Lines</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Pooja Pillai, The Indian Express, 21st September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindustantimes.com/art-and-culture/reena-saini-kallat-explores-geopolitical-relations-in-wires/story-bAlx8ynmqUgWHxlb2DONuN.html;jsessionid=A5137ED4B0981ED14C62E175FE95D985\" target=\"_blank\">\r\n                                                         Reena Saini Kallat explores geopolitical relations in wires</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Arundhati Chatterjee, Hindustan Times, 21st September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.dnaindia.com/lifestyle/interview-a-divided-existence-reena-saini-talks-about-her-exhibition-hyphenated-lives-2126700\" target=\"_blank\">\r\n                                                         A divided existence</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Ornella D’Souza, DNA, 20th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.mumbaimirror.com/others/leisure/Mirror-fixes-it-Finding-poetry-in-politics/articleshow/49031262.cms\" target=\"_blank\">\r\n                                                         Finding Poetry in Politics</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Reema Gehi, Mumbai Mirror, 20th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://theculturetrip.com/asia/india/articles/contemporary-artists-series-a-conversation-with-reena-saini-kallat/\" target=\"_blank\">\r\n                                                         Contemporary Artists Series: A Conversation with Reena Saini Kallat</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Farah Siddiqui, The CultureTrip, 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://insideburgercollection.org/wp-content/uploads/2015/07/94_BurgerCollection-08_p87-92.pdf\" target=\"_blank\">\r\n                                                        REREADING REENA KALLAT -  Inside Burger collection</a></span> <font color=\"red\">  >> </font> <span>\r\n									Quddus Mirza, Art Asia Pacific Magazine,  July/Aug 2015 </span>\r\n                              \r\n                                  <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.domusweb.it/en/news/2015/06/15/offsite_reena_saini_kallat.html\" target=\"_blank\">Woven Chronicle, Domus</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               posted on 15th June 2015                            </span>\r\n\r\n                               <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.huffingtonpost.ca/jugni-style/reena-saini-kallat-vancouver_b_7725930.html\" target=\"_blank\">Reena Saini Kallat\'s Public Art Installation Explores Migration, Longing In Vancouver</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Nimritta Parmar,  Huffpost  British Columbia Canada,  posted on 13th July 2015                            </span>\r\n\r\n                               <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.vancouverobserver.com/culture/art/mumbai-artist-maps-out-web-wire-vag-offsite\" target=\"_blank\">Mumbai artist maps out web of wire at VAG Offsite</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Sponsored content, Vancouver Observer, posted on 8th June 2015                            </span>\r\n\r\n                               <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://indianexpress.com/article/lifestyle/current-connections/\" target=\"_blank\">Current Connections</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Vandana Kalra, The Indian Express, 12th May 2015 </span>\r\n                               \r\n                            <span class=\"pubstrong\">Working Lives, AD Perspective,</span> <span>\r\n                              Sanhita Chowdhury, Architectural Digest pg-76, January-February 2015                      </span>\r\n\r\n                              <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://theculturetrip.com/asia/india/articles/the-top-10-female-contemporary-artists-from-india/\" target=\"_blank\">The Top 10 Female Contemporary Artists from India</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               C. A. Xuan Mai Ardia, The Culture Trip, 2014                            </span>\r\n\r\n                              <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.mid-day.com/articles/memories-at-work/15747192\" target=\"_blank\">Memories at work</a> </span> <font color=\"red\">  >> </font> <span>\r\n                              Kanika Sharma, Mid-day, 8th November 2014                           </span>\r\n                              \r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artasiapacific.com/Magazine/WebExclusives/FloatingWorldAestheticBind\" target=\"_blank\">Aesthetic Bind Floating World</a> </span> <font color=\"red\">  >> </font> <span>\r\n                              Gitanjali Dang, ArtAsiaPacific, April 2014                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.timeoutmumbai.net/art/features/suspense\" target=\"_blank\">In Suspense </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Phalguni Desai , Timeout Mumbai,  March  2014\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artdaily.com/news/68958/Chemould-Prescott-Road-celebrates-fifty-years-of-contemporary-art-with-Aesthetic-Bind--Floating-World#.Uz5us_mSxVk\" target=\"_blank\">Chemould Prescott Road celebrates fifty years of contemporary art with Aesthetic Bind: Floating World </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Geeta Kapur, Art Daily, 24th March 2014\r\n                            </span>\r\n                                                        <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.wallpaper.com/art/zegnart-enlists-reena-kallat-to-create-a-site-specific-artwork-in-mumbai/6292\" target=\"_blank\">ZegnArt enlists Reena Kallat to create a site-specific artwork in Mumbai,</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                JJ Martin, Wallpaper, 18th January 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.timeoutmumbai.net/art/features/web-design\" target=\"_blank\">Web design</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Karanjeet Kaur,Timeout Magazine, pg 26-28, 15th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artribune.com/2013/03/una-ragnatela-fra-italia-e-india-inaugurata-a-mumbai-lopera-di-reena-kallat-per-il-progetto-zegnart-public-qui-ci-sono-immagini-video-e-intervista-allartista/\" target=\"_blank\">Arte pubblica a Mumbai. Intervista con Anna Zegna</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Daniele Perra, Art Tribune, 1st March 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://in.blouinartinfo.com/news/story/885613/reena-kallat-on-her-mammoth-1-ton-rubber-stamp-cobweb-at-the\" target=\"_blank\">Reena Kallat On Her Mammoth, 1-ton Rubber-Stamp Cobweb at the Bhau Daji Lad Museum, Mumbai</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Rosalyn D\'Mello, Blouinart, April 1, 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.thehindu.com/features/magazine/putting-her-stamp-on-it/article4484175.ece\" target=\"_blank\">Putting her stamp on it</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Ramya Sarma, The Hindu, 9th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.business-standard.com/article/beyond-business/stamp-over-mumbai-113030800509_1.html\" target=\"_blank\">Stamp over Mumbai</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Kishore Singh, Business Standard, New Delhi  8th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.dnaindia.com/lifestyle/report_weaving-a-tangled-web_1806665\" target=\"_blank\">Weaving a tangled web</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Deepanjana Pal, DNA, 3rd March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.dnaindia.com/lifestyle/report_web-of-history_1810815\" target=\"_blank\">Web of history </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Sanaya Chavda, DNA, 13th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindustantimes.com/Entertainment/Art/Web-of-history-Reena-Kallat-s-installation/Article1-1027359.aspx\" target=\"_blank\">Web of history </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Shweta Mehta, Hindustan Times, 16th March 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://blog.saffronart.com/2013/03/14/reena-kallats-untitled-cobwebscrossings/\" target=\"_blank\">Public Art installation by Reena Kallat at the Dr. Bhau Daji Lad Museum in Mumbai </a> </span> <font color=\"red\">  >> </font><span>\r\n                                Manjari Sihare, Saffron blog,Posted on 14th March  2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Weaving into  networks, Buliding Cobwebs: Musings over Reena Saini Kallat’s recent work </span> <span>\r\n                                Parni Ray, Take on Art/Eleven, pg 98, Volume lll\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Stamping ground </span><span>\r\n                                Deepanjana Pal, Wallpaper magazine, pg 193 – 194, May 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Editorial</span><span>\r\n                                Kaiwan Mehta, Domus, pg 5 – 10, April 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Web Design</span> <span>\r\n                                Chumki Bharadwaj, India Today, pg 45 – 46, April 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Art Outside  </span> <span>\r\n                                Pavitra Mohan, Architectural Digest, pg 98, March-April 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://inditerrain.indiaartndesign.com/2013/03/of-cobwebs-crossings.html\" target=\"_blank\">Of Cobwebs & Crossings </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Jigna Padhiar, India Art & Design, 1st March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://prestige-singapore.com.sg/2013/04/arts-raj\" target=\"_blank\">Art\'s the Raj</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Dylan Boey, Prestige Singapore, 3rd April 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\">Adrift in unknown waters: Reena Saini Kallat and the Art of letting go</span><span>\r\n                                Parni Ray,  Artfair Magazine, Issue-3, pg 48 – 51, 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://shobanarayan.com/2012/02/04/about-jitish-kallat-and-reena-saini-kallat/\" target=\"_blank\">Walking the Art talk with the Kallats</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Shobha Narayan, Live Mint, February 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.tribuneindia.com/2012/20120219/spectrum/main2.htm\" target=\"_blank\">Spectrum New Visual Idiom</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                The Tribune, February 19, 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artnewsnviews.com/view-article.php?article=g-teborg-international-biennial&iid=25&articleid=678\" target=\"_blank\">Goteborg International Biennial</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Art Etc, Vol.4, No. 2, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Helsinki taidemuseo.fi-Journal, </span> January 2011<span>\r\n                            </span>\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://indiatoday.intoday.in/site/story/brush-with-reality/1/134582.html\">Brush With Reality </a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Sumaiya Khan, India Today Woman, pg. 20-21, April 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">System overload </span><span>\r\n                                Shweta Upadhyay, Timeout Delhi, March 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artslant.com/ind/articles/show/22573\" target=\"_blank\">Picking up the past</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Parni Ray, www.artslant.com, 4th April 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://iipdigital.usembassy.gov/st/english/article/2011/03/20110307133535drawoh0.7282221.html#axzz34yECziHk\">Art at “maximum INDIA” Festival Evokes Cultural Memory and Loss</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Howard Cincotta, www.america.gov, March 7, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.signonsandiego.com/news/2011/mar/02/kennedy-center-opens-3-week-india-arts-festival/\">Kennedy Center opens 3-week India arts festival</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Brett Zongker, www.signonsnadiego.com, 2nd March 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Eye and the Mind: New Interventions in Contemporary Indian Art </span><span>\r\n                                Rajeev Lochan, India Perspectives, Vol. 24, No. 6, 2010\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artradarjournal.com/2010/04/20/indian-contemporary-artist-reena-kallat-art-radar-exclusive-interview/\">Interview, Art Radar Asia </a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span><span>\r\n                                April 20, 2010\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Archives of the Heart</span><span>\r\n                                Nancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\n                                Front Cover, pgs 42-45, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Globale Kunst Mit Wurzelduft</span><span>\r\n                                Von Almuth Speigler, Die Presse, Feuilleton, 2nd September 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Landscapes of Loss</span><span>\r\n                                Beth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Reincarnating History</span><span>\r\n                                The Big Picture, Architect and Interiors, July 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Stamp Collection</span><span>\r\n                                Georgina Maddox, The Sunday Express, 17th May 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Evolving Beyond Borders</span><span>\r\n                                Reshma S. Kulkarni, Bombay Times, Times of India, 15th January, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Loss and Found</span><span>\r\n                                Marina Correa, DNA, Mumbai, 22nd January 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Focus India</span><span>\r\n                                Megha Ralapati, Flash Art, pg 114, January-February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Come Together Right Now</span><span>\r\n                                Reema Gehi, HT Café, 15th February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Such a Long Journey</span><span>\r\n                                Aparna S Sharma, Elle Magazine, pgs 115-117, February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">More than a Woman</span><span>\r\n                                Georgina Maddox, The Indian Express, Mumbai Newsline, 4th February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Artist of the Fortnight</span><span>\r\n                                Maria Louis, Outlook Profit, pg 79, 18th April 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Deja View</span><span>\r\n                                Tara Khilachand, Live Mint, 20th December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Terror Struck</span><span>\r\n                                Maria Louis, Outlook Profit, 26th December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Name Calling</span><span>\r\n                                Deepanjana Pal, Timeout Mumbai, December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Corruptions of Power</span>\r\n                            <span>Shiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99, 2007</span>\r\n\r\n                            <span class=\"pubstrong\">Over the Rainbow</span><span>\r\n                                Maria Louis, Interview, Verve Magazine, pg 78, November 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindu.com/mag/2006/10/29/stories/2006102900070200.htm\">In a State of Perennial Siege</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span><span>\r\n                                Nancy Adajania, The Hindu, Hyderabad, 29th October 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Her Crowning Achievement</span><span>\r\n                                Clara Chow, The Straits Times, 18th November 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Political Chaos</span><span>\r\n                                Deepali Nandwani, Beautiful people, pg 143, November-December 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Weapons of Mass Construction</span><span>\r\n                                Rituparna Som, DNA after Hrs, Mumbai, 9th October, 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Guns and Roses</span><span>\r\n                                Rachna Nakra, The Indian Express, Mumbai Newsline, 18th September 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Under Attack</span><span>\r\n                                Gitanjali Dang, HT Mumbai, 22nd September 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Time Traveller</span><span>\r\n                                Georgina Maddox, The Indian Express, Mumbai Newsline, 27th June 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Flower and the Sword</span><span>\r\n                                Girish Shahane, The Art News magazine of India, pg 93, volume X issue I, 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India’s Top 100 Achievers</span><span>\r\n                                Society Magazine, pg 137, December 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Caught Between Demons<span style=\"font-weight: normal; color: red;\"></span></span><span>\r\n                                Nancy Adajania, The Hindu, 19th December 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">En Reise Til India</span><span>\r\n                                Harald Flor, Dagbladet, Kultur, 2nd February 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Signs of Resistance</span><span>\r\n                                Nancy Adajania, The Hindu, 5th January 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Of the Goddess and Demon in the Mind</span><span>\r\n                                Debbie Rodgers, Sunday edition Vijay Times, Bangalore, 5th January 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Empathic Anger</span><span>\r\n                                Marta Jakimowicz, Deccan Herald, 23rd December 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Mysore Ek Khoj</span>\r\n                            Cross Fertilization of Culture, Interview in Star of Mysore, 27th October 2002\r\n\r\n                            <span class=\"pubstrong\">Linking Islands</span><span>\r\n                                Menaka Jayasankar, Indian Express, Mumbai Newsline, 15th February 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Creating to Destroy</span><span>\r\n                                Jasmine Shah Varma, The List, Mid Day, 22nd February 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Different Strokes</span><span>\r\n                                Georgina L Maddox, The Indian Express, Mumbai Newsline, 24th July 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a target=\"_blank\" href=\"http://www.reenakallat.com/wp-content/uploads/2011/09/Faith%20and%20Hunger.pdf\" style=\"color: rgb(135, 135, 135);\">Of Faith and Hunger</a><font style=\"font-weight:normal;\" color=\"red\">  >> </font></span>\r\n                        <span>Abhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89, December 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">The Murmur of Skin</span><span>\r\n                            Nupur Mahajan, Bombay Times, Times of India, 12th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Not just Skin Deep</span><span>\r\n                            Jasmine Shah Varma, The List, Mid-day, 4th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Inside Out</span><span>\r\n                            Menaka Jayasankar, Indian Express, Mumbai Newsline, 11th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Scintillating Skin</span><span>\r\n                            Vaibhav Purandare, The Asian Age, 14th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">An Artist’s World: Roti, Makaan &amp; Abstract Art</span><span>\r\n                            Poonam Goel, HT City, 23rd December 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Within you, Without you</span><span>\r\n                            Anu Kumar, Indian Express, Express Newsline, 2nd September 1998\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Farming Intrigue</span><span>\r\n                            Jerry Pinto, The Times of India, Bombay Times, 3rd September 1998\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Interactive Medium</span><span>\r\n                            Karen Pereira, Indian Architect &amp; Builder, pgs 102-104, October 1998\r\n                        </span>\r\n\r\n    </tbody>\r\n</table>','','','inherit','open','open','','3384-revision-10','','','2016-07-25 01:01:03','2016-07-25 01:01:03','',3384,'http://www.reenakallat.com/3396/uncat/3384-revision-10',0,'revision','',0),(3397,1,'2016-07-25 01:08:19','2016-07-25 01:08:19','<table border=\"0\" cellspacing=\"5\" cellpadding=\"0\" width=\"100%\" align=\"centre\">\r\n    <tbody>\r\n                  <span class=\"pubstrong\" style=\"color: #000000;font-size:20px;line-height:35px;color:#505050;\">PRESS</span>\r\n                            </p>\r\n                                                          <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artforum.com/words/id=56896\" target=\"_blank\">\r\n                                                         Porous Passages Reflects on Differing Worldviews</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               ArtForum, Himali Singh Soin, 21st December 2015</span>\r\n                                <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.notey.com/@hyperallergic_unofficial/external/7377537/identities-nations-and-histories-painfully-stitched-together.html\" target=\"_blank\">\r\n                                                         Identities, Nations, and Histories Painfully Stitched Together </a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Hyperallergic, Meenakshi Thirukode, January 8, 2016</span>\r\n                               \r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artdaily.com/index.asp?int_sec=11&int_new=81426#.VnpzN_l96Um\" target=\"_blank\">\r\n                                                         Chemould Prescott Road opens exhibition of the work of Reena Saini Kallat</a> </span> <font color=\"red\">  >> </font> <span>\r\n                              Artdaily, 23rd December 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.livemint.com/Leisure/lPXmu4hGHMMbAKK9IJmXGJ/Beyond-the-barbed-wire.html\" target=\"_blank\">\r\n                                                         Beyond the barbed wire	</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Chanpreet Khurana, Live Mint, 16th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.livemint.com/Leisure/LGZI9VzNg3218XGafyrFBO/Genetic-engineering.html\" target=\"_blank\">\r\n                                                         Genetic engineering</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Rosalyn D’Mello, Live Mint, 19th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.openthemagazine.com/article/art-culture/layer-upon-layer\" target=\"_blank\">\r\n                                                         Layer upon Layer</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Payal Khandelwal, Open Magazine pg 54 - 57, 28th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.vogue.in/content/can-art-bind-together-warring-nations/\" target=\"_blank\">\r\n                                                         Can art bind together warring nations?</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Rosalyn DMello, Vogue, 23rd September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://indianexpress.com/article/lifestyle/dividing-lines-3/\" target=\"_blank\">\r\n                                                         Dividing Lines</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Pooja Pillai, The Indian Express, 21st September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindustantimes.com/art-and-culture/reena-saini-kallat-explores-geopolitical-relations-in-wires/story-bAlx8ynmqUgWHxlb2DONuN.html;jsessionid=A5137ED4B0981ED14C62E175FE95D985\" target=\"_blank\">\r\n                                                         Reena Saini Kallat explores geopolitical relations in wires</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Arundhati Chatterjee, Hindustan Times, 21st September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.dnaindia.com/lifestyle/interview-a-divided-existence-reena-saini-talks-about-her-exhibition-hyphenated-lives-2126700\" target=\"_blank\">\r\n                                                         A divided existence</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Ornella D’Souza, DNA, 20th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.mumbaimirror.com/others/leisure/Mirror-fixes-it-Finding-poetry-in-politics/articleshow/49031262.cms\" target=\"_blank\">\r\n                                                         Finding Poetry in Politics</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Reema Gehi, Mumbai Mirror, 20th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://theculturetrip.com/asia/india/articles/contemporary-artists-series-a-conversation-with-reena-saini-kallat/\" target=\"_blank\">\r\n                                                         Contemporary Artists Series: A Conversation with Reena Saini Kallat</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Farah Siddiqui, The CultureTrip, 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://insideburgercollection.org/wp-content/uploads/2015/07/94_BurgerCollection-08_p87-92.pdf\" target=\"_blank\">\r\n                                                        REREADING REENA KALLAT -  Inside Burger collection</a></span> <font color=\"red\">  >> </font> <span>\r\n									Quddus Mirza, Art Asia Pacific Magazine,  July/Aug 2015 </span>\r\n                              \r\n                                  <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.domusweb.it/en/news/2015/06/15/offsite_reena_saini_kallat.html\" target=\"_blank\">Woven Chronicle, Domus</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               posted on 15th June 2015                            </span>\r\n\r\n                               <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.huffingtonpost.ca/jugni-style/reena-saini-kallat-vancouver_b_7725930.html\" target=\"_blank\">Reena Saini Kallat\'s Public Art Installation Explores Migration, Longing In Vancouver</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Nimritta Parmar,  Huffpost  British Columbia Canada,  posted on 13th July 2015                            </span>\r\n\r\n                               <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.vancouverobserver.com/culture/art/mumbai-artist-maps-out-web-wire-vag-offsite\" target=\"_blank\">Mumbai artist maps out web of wire at VAG Offsite</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Sponsored content, Vancouver Observer, posted on 8th June 2015                            </span>\r\n\r\n                               <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://indianexpress.com/article/lifestyle/current-connections/\" target=\"_blank\">Current Connections</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Vandana Kalra, The Indian Express, 12th May 2015 </span>\r\n                               \r\n                            <span class=\"pubstrong\">Working Lives, AD Perspective,</span> <span>\r\n                              Sanhita Chowdhury, Architectural Digest pg-76, January-February 2015                      </span>\r\n\r\n                              <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://theculturetrip.com/asia/india/articles/the-top-10-female-contemporary-artists-from-india/\" target=\"_blank\">The Top 10 Female Contemporary Artists from India</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               C. A. Xuan Mai Ardia, The Culture Trip, 2014                            </span>\r\n\r\n                              <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.mid-day.com/articles/memories-at-work/15747192\" target=\"_blank\">Memories at work</a> </span> <font color=\"red\">  >> </font> <span>\r\n                              Kanika Sharma, Mid-day, 8th November 2014                           </span>\r\n                              \r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artasiapacific.com/Magazine/WebExclusives/FloatingWorldAestheticBind\" target=\"_blank\">Aesthetic Bind Floating World</a> </span> <font color=\"red\">  >> </font> <span>\r\n                              Gitanjali Dang, ArtAsiaPacific, April 2014                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.timeoutmumbai.net/art/features/suspense\" target=\"_blank\">In Suspense </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Phalguni Desai , Timeout Mumbai,  March  2014\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artdaily.com/news/68958/Chemould-Prescott-Road-celebrates-fifty-years-of-contemporary-art-with-Aesthetic-Bind--Floating-World#.Uz5us_mSxVk\" target=\"_blank\">Chemould Prescott Road celebrates fifty years of contemporary art with Aesthetic Bind: Floating World </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Geeta Kapur, Art Daily, 24th March 2014\r\n                            </span>\r\n                                                        <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.wallpaper.com/art/zegnart-enlists-reena-kallat-to-create-a-site-specific-artwork-in-mumbai/6292\" target=\"_blank\">ZegnArt enlists Reena Kallat to create a site-specific artwork in Mumbai,</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                JJ Martin, Wallpaper, 18th January 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.timeoutmumbai.net/art/features/web-design\" target=\"_blank\">Web design</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Karanjeet Kaur,Timeout Magazine, pg 26-28, 15th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artribune.com/2013/03/una-ragnatela-fra-italia-e-india-inaugurata-a-mumbai-lopera-di-reena-kallat-per-il-progetto-zegnart-public-qui-ci-sono-immagini-video-e-intervista-allartista/\" target=\"_blank\">Arte pubblica a Mumbai. Intervista con Anna Zegna</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Daniele Perra, Art Tribune, 1st March 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://in.blouinartinfo.com/news/story/885613/reena-kallat-on-her-mammoth-1-ton-rubber-stamp-cobweb-at-the\" target=\"_blank\">Reena Kallat On Her Mammoth, 1-ton Rubber-Stamp Cobweb at the Bhau Daji Lad Museum, Mumbai</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Rosalyn D\'Mello, Blouinart, April 1, 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.thehindu.com/features/magazine/putting-her-stamp-on-it/article4484175.ece\" target=\"_blank\">Putting her stamp on it</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Ramya Sarma, The Hindu, 9th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.business-standard.com/article/beyond-business/stamp-over-mumbai-113030800509_1.html\" target=\"_blank\">Stamp over Mumbai</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Kishore Singh, Business Standard, New Delhi  8th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.dnaindia.com/lifestyle/report_weaving-a-tangled-web_1806665\" target=\"_blank\">Weaving a tangled web</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Deepanjana Pal, DNA, 3rd March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.dnaindia.com/lifestyle/report_web-of-history_1810815\" target=\"_blank\">Web of history </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Sanaya Chavda, DNA, 13th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindustantimes.com/Entertainment/Art/Web-of-history-Reena-Kallat-s-installation/Article1-1027359.aspx\" target=\"_blank\">Web of history </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Shweta Mehta, Hindustan Times, 16th March 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://blog.saffronart.com/2013/03/14/reena-kallats-untitled-cobwebscrossings/\" target=\"_blank\">Public Art installation by Reena Kallat at the Dr. Bhau Daji Lad Museum in Mumbai </a> </span> <font color=\"red\">  >> </font><span>\r\n                                Manjari Sihare, Saffron blog,Posted on 14th March  2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Weaving into  networks, Buliding Cobwebs: Musings over Reena Saini Kallat’s recent work </span> <span>\r\n                                Parni Ray, Take on Art/Eleven, pg 98, Volume lll\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Stamping ground </span><span>\r\n                                Deepanjana Pal, Wallpaper magazine, pg 193 – 194, May 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Editorial</span><span>\r\n                                Kaiwan Mehta, Domus, pg 5 – 10, April 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Web Design</span> <span>\r\n                                Chumki Bharadwaj, India Today, pg 45 – 46, April 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Art Outside  </span> <span>\r\n                                Pavitra Mohan, Architectural Digest, pg 98, March-April 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://inditerrain.indiaartndesign.com/2013/03/of-cobwebs-crossings.html\" target=\"_blank\">Of Cobwebs & Crossings </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Jigna Padhiar, India Art & Design, 1st March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://prestige-singapore.com.sg/2013/04/arts-raj\" target=\"_blank\">Art\'s the Raj</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Dylan Boey, Prestige Singapore, 3rd April 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\">Adrift in unknown waters: Reena Saini Kallat and the Art of letting go</span><span>\r\n                                Parni Ray,  Artfair Magazine, Issue-3, pg 48 – 51, 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://shobanarayan.com/2012/02/04/about-jitish-kallat-and-reena-saini-kallat/\" target=\"_blank\">Walking the Art talk with the Kallats</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Shobha Narayan, Live Mint, February 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.tribuneindia.com/2012/20120219/spectrum/main2.htm\" target=\"_blank\">Spectrum New Visual Idiom</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                The Tribune, February 19, 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artnewsnviews.com/view-article.php?article=g-teborg-international-biennial&iid=25&articleid=678\" target=\"_blank\">Goteborg International Biennial</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Art Etc, Vol.4, No. 2, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Helsinki taidemuseo.fi-Journal, </span> January 2011<span>\r\n                            </span>\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://indiatoday.intoday.in/site/story/brush-with-reality/1/134582.html\">Brush With Reality </a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Sumaiya Khan, India Today Woman, pg. 20-21, April 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">System overload </span><span>\r\n                                Shweta Upadhyay, Timeout Delhi, March 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artslant.com/ind/articles/show/22573\" target=\"_blank\">Picking up the past</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Parni Ray, www.artslant.com, 4th April 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://iipdigital.usembassy.gov/st/english/article/2011/03/20110307133535drawoh0.7282221.html#axzz34yECziHk\">Art at “maximum INDIA” Festival Evokes Cultural Memory and Loss</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Howard Cincotta, www.america.gov, March 7, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.signonsandiego.com/news/2011/mar/02/kennedy-center-opens-3-week-india-arts-festival/\">Kennedy Center opens 3-week India arts festival</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Brett Zongker, www.signonsnadiego.com, 2nd March 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Eye and the Mind: New Interventions in Contemporary Indian Art </span><span>\r\n                                Rajeev Lochan, India Perspectives, Vol. 24, No. 6, 2010\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artradarjournal.com/2010/04/20/indian-contemporary-artist-reena-kallat-art-radar-exclusive-interview/\">Interview, Art Radar Asia </a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span><span>\r\n                                April 20, 2010\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Archives of the Heart</span><span>\r\n                                Nancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\n                                Front Cover, pgs 42-45, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Globale Kunst Mit Wurzelduft</span><span>\r\n                                Von Almuth Speigler, Die Presse, Feuilleton, 2nd September 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Landscapes of Loss</span><span>\r\n                                Beth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Reincarnating History</span><span>\r\n                                The Big Picture, Architect and Interiors, July 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Stamp Collection</span><span>\r\n                                Georgina Maddox, The Sunday Express, 17th May 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Evolving Beyond Borders</span><span>\r\n                                Reshma S. Kulkarni, Bombay Times, Times of India, 15th January, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Loss and Found</span><span>\r\n                                Marina Correa, DNA, Mumbai, 22nd January 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Focus India</span><span>\r\n                                Megha Ralapati, Flash Art, pg 114, January-February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Come Together Right Now</span><span>\r\n                                Reema Gehi, HT Café, 15th February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Such a Long Journey</span><span>\r\n                                Aparna S Sharma, Elle Magazine, pgs 115-117, February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">More than a Woman</span><span>\r\n                                Georgina Maddox, The Indian Express, Mumbai Newsline, 4th February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Artist of the Fortnight</span><span>\r\n                                Maria Louis, Outlook Profit, pg 79, 18th April 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Deja View</span><span>\r\n                                Tara Khilachand, Live Mint, 20th December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Terror Struck</span><span>\r\n                                Maria Louis, Outlook Profit, 26th December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Name Calling</span><span>\r\n                                Deepanjana Pal, Timeout Mumbai, December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Corruptions of Power</span>\r\n                            <span>Shiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99, 2007</span>\r\n\r\n                            <span class=\"pubstrong\">Over the Rainbow</span><span>\r\n                                Maria Louis, Interview, Verve Magazine, pg 78, November 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindu.com/mag/2006/10/29/stories/2006102900070200.htm\">In a State of Perennial Siege</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span><span>\r\n                                Nancy Adajania, The Hindu, Hyderabad, 29th October 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Her Crowning Achievement</span><span>\r\n                                Clara Chow, The Straits Times, 18th November 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Political Chaos</span><span>\r\n                                Deepali Nandwani, Beautiful people, pg 143, November-December 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Weapons of Mass Construction</span><span>\r\n                                Rituparna Som, DNA after Hrs, Mumbai, 9th October, 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Guns and Roses</span><span>\r\n                                Rachna Nakra, The Indian Express, Mumbai Newsline, 18th September 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Under Attack</span><span>\r\n                                Gitanjali Dang, HT Mumbai, 22nd September 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Time Traveller</span><span>\r\n                                Georgina Maddox, The Indian Express, Mumbai Newsline, 27th June 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Flower and the Sword</span><span>\r\n                                Girish Shahane, The Art News magazine of India, pg 93, volume X issue I, 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India’s Top 100 Achievers</span><span>\r\n                                Society Magazine, pg 137, December 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Caught Between Demons<span style=\"font-weight: normal; color: red;\"></span></span><span>\r\n                                Nancy Adajania, The Hindu, 19th December 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">En Reise Til India</span><span>\r\n                                Harald Flor, Dagbladet, Kultur, 2nd February 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Signs of Resistance</span><span>\r\n                                Nancy Adajania, The Hindu, 5th January 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Of the Goddess and Demon in the Mind</span><span>\r\n                                Debbie Rodgers, Sunday edition Vijay Times, Bangalore, 5th January 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Empathic Anger</span><span>\r\n                                Marta Jakimowicz, Deccan Herald, 23rd December 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Mysore Ek Khoj</span>\r\n                            Cross Fertilization of Culture, Interview in Star of Mysore, 27th October 2002\r\n\r\n                            <span class=\"pubstrong\">Linking Islands</span><span>\r\n                                Menaka Jayasankar, Indian Express, Mumbai Newsline, 15th February 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Creating to Destroy</span><span>\r\n                                Jasmine Shah Varma, The List, Mid Day, 22nd February 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Different Strokes</span><span>\r\n                                Georgina L Maddox, The Indian Express, Mumbai Newsline, 24th July 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a target=\"_blank\" href=\"http://www.reenakallat.com/wp-content/uploads/2011/09/Faith%20and%20Hunger.pdf\" style=\"color: rgb(135, 135, 135);\">Of Faith and Hunger</a><font style=\"font-weight:normal;\" color=\"red\">  >> </font></span>\r\n                        <span>Abhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89, December 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">The Murmur of Skin</span><span>\r\n                            Nupur Mahajan, Bombay Times, Times of India, 12th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Not just Skin Deep</span><span>\r\n                            Jasmine Shah Varma, The List, Mid-day, 4th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Inside Out</span><span>\r\n                            Menaka Jayasankar, Indian Express, Mumbai Newsline, 11th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Scintillating Skin</span><span>\r\n                            Vaibhav Purandare, The Asian Age, 14th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">An Artist’s World: Roti, Makaan &amp; Abstract Art</span><span>\r\n                            Poonam Goel, HT City, 23rd December 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Within you, Without you</span><span>\r\n                            Anu Kumar, Indian Express, Express Newsline, 2nd September 1998\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Farming Intrigue</span><span>\r\n                            Jerry Pinto, The Times of India, Bombay Times, 3rd September 1998\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Interactive Medium</span><span>\r\n                            Karen Pereira, Indian Architect &amp; Builder, pgs 102-104, October 1998\r\n                        </span>\r\n\r\n    </tbody>\r\n</table>','','','inherit','open','open','','3384-revision-11','','','2016-07-25 01:08:19','2016-07-25 01:08:19','',3384,'http://www.reenakallat.com/3397/uncat/3384-revision-11',0,'revision','',0),(3398,1,'2016-07-25 01:08:43','2016-07-25 01:08:43','<table border=\"0\" cellspacing=\"5\" cellpadding=\"0\" width=\"100%\" align=\"centre\">\r\n    <tbody>\r\n                  <span class=\"pubstrong\" style=\"color: #000000;font-size:20px;line-height:35px;color:#505050;\">PRESS</span>\r\n                            </p>\r\n                                                          <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artforum.com/words/id=56896\" target=\"_blank\">\r\n                                                         Porous Passages Reflects on Differing Worldviews</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               ArtForum, Himali Singh Soin, 21st December 2015</span>\r\n                                <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.notey.com/@hyperallergic_unofficial/external/7377537/identities-nations-and-histories-painfully-stitched-together.html\" target=\"_blank\">\r\n                                                         Identities, Nations, and Histories Painfully Stitched Together </a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Hyperallergic, Meenakshi Thirukode, January 8, 2016</span>\r\n                               \r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artdaily.com/index.asp?int_sec=11&int_new=81426#.VnpzN_l96Um\" target=\"_blank\">\r\n                                                         Chemould Prescott Road opens exhibition of the work of Reena Saini Kallat</a> </span> <font color=\"red\">  >> </font> <span>\r\n                              Artdaily, 23rd December 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.livemint.com/Leisure/lPXmu4hGHMMbAKK9IJmXGJ/Beyond-the-barbed-wire.html\" target=\"_blank\">\r\n                                                         Beyond the barbed wire	</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Chanpreet Khurana, Live Mint, 16th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.livemint.com/Leisure/LGZI9VzNg3218XGafyrFBO/Genetic-engineering.html\" target=\"_blank\">\r\n                                                         Genetic engineering</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Rosalyn D’Mello, Live Mint, 19th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.openthemagazine.com/article/art-culture/layer-upon-layer\" target=\"_blank\">\r\n                                                         Layer upon Layer</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Payal Khandelwal, Open Magazine pg 54 - 57, 28th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.vogue.in/content/can-art-bind-together-warring-nations/\" target=\"_blank\">\r\n                                                         Can art bind together warring nations?</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Rosalyn DMello, Vogue, 23rd September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://indianexpress.com/article/lifestyle/dividing-lines-3/\" target=\"_blank\">\r\n                                                         Dividing Lines</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Pooja Pillai, The Indian Express, 21st September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindustantimes.com/art-and-culture/reena-saini-kallat-explores-geopolitical-relations-in-wires/story-bAlx8ynmqUgWHxlb2DONuN.html;jsessionid=A5137ED4B0981ED14C62E175FE95D985\" target=\"_blank\">\r\n                                                         Reena Saini Kallat explores geopolitical relations in wires</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Arundhati Chatterjee, Hindustan Times, 21st September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.dnaindia.com/lifestyle/interview-a-divided-existence-reena-saini-talks-about-her-exhibition-hyphenated-lives-2126700\" target=\"_blank\">\r\n                                                         A divided existence</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Ornella D’Souza, DNA, 20th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.mumbaimirror.com/others/leisure/Mirror-fixes-it-Finding-poetry-in-politics/articleshow/49031262.cms\" target=\"_blank\">\r\n                                                         Finding Poetry in Politics</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Reema Gehi, Mumbai Mirror, 20th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://theculturetrip.com/asia/india/articles/contemporary-artists-series-a-conversation-with-reena-saini-kallat/\" target=\"_blank\">\r\n                                                         Contemporary Artists Series: A Conversation with Reena Saini Kallat</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Farah Siddiqui, The CultureTrip, 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://insideburgercollection.org/wp-content/uploads/2015/07/94_BurgerCollection-08_p87-92.pdf\" target=\"_blank\">\r\n                                                        REREADING REENA KALLAT -  Inside Burger collection</a></span> <font color=\"red\">  >> </font> <span>\r\n									Quddus Mirza, Art Asia Pacific Magazine,  July/Aug 2015 </span>\r\n                              \r\n                                  <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.domusweb.it/en/news/2015/06/15/offsite_reena_saini_kallat.html\" target=\"_blank\">Woven Chronicle, Domus</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               posted on 15th June 2015                            </span>\r\n\r\n                               <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.huffingtonpost.ca/jugni-style/reena-saini-kallat-vancouver_b_7725930.html\" target=\"_blank\">Reena Saini Kallat\'s Public Art Installation Explores Migration, Longing In Vancouver</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Nimritta Parmar,  Huffpost  British Columbia Canada,  posted on 13th July 2015                            </span>\r\n\r\n                               <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.vancouverobserver.com/culture/art/mumbai-artist-maps-out-web-wire-vag-offsite\" target=\"_blank\">Mumbai artist maps out web of wire at VAG Offsite</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Sponsored content, Vancouver Observer, posted on 8th June 2015                            </span>\r\n\r\n                               <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://indianexpress.com/article/lifestyle/current-connections/\" target=\"_blank\">Current Connections</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Vandana Kalra, The Indian Express, 12th May 2015 </span>\r\n                               \r\n                            <span class=\"pubstrong\">Working Lives, AD Perspective,</span> <span>\r\n                              Sanhita Chowdhury, Architectural Digest pg-76, January-February 2015                      </span>\r\n\r\n                              <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://theculturetrip.com/asia/india/articles/the-top-10-female-contemporary-artists-from-india/\" target=\"_blank\">The Top 10 Female Contemporary Artists from India</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               C. A. Xuan Mai Ardia, The Culture Trip, 2014                            </span>\r\n\r\n                              <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.mid-day.com/articles/memories-at-work/15747192\" target=\"_blank\">Memories at work</a> </span> <font color=\"red\">  >> </font> <span>\r\n                              Kanika Sharma, Mid-day, 8th November 2014                           </span>\r\n                              \r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artasiapacific.com/Magazine/WebExclusives/FloatingWorldAestheticBind\" target=\"_blank\">Aesthetic Bind Floating World</a> </span> <font color=\"red\">  >> </font> <span>\r\n                              Gitanjali Dang, ArtAsiaPacific, April 2014                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.timeoutmumbai.net/art/features/suspense\" target=\"_blank\">In Suspense </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Phalguni Desai , Timeout Mumbai,  March  2014\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artdaily.com/news/68958/Chemould-Prescott-Road-celebrates-fifty-years-of-contemporary-art-with-Aesthetic-Bind--Floating-World#.Uz5us_mSxVk\" target=\"_blank\">Chemould Prescott Road celebrates fifty years of contemporary art with Aesthetic Bind: Floating World </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Geeta Kapur, Art Daily, 24th March 2014\r\n                            </span>\r\n                                                        <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.wallpaper.com/art/zegnart-enlists-reena-kallat-to-create-a-site-specific-artwork-in-mumbai/6292\" target=\"_blank\">ZegnArt enlists Reena Kallat to create a site-specific artwork in Mumbai,</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                JJ Martin, Wallpaper, 18th January 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.timeoutmumbai.net/art/features/web-design\" target=\"_blank\">Web design</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Karanjeet Kaur,Timeout Magazine, pg 26-28, 15th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artribune.com/2013/03/una-ragnatela-fra-italia-e-india-inaugurata-a-mumbai-lopera-di-reena-kallat-per-il-progetto-zegnart-public-qui-ci-sono-immagini-video-e-intervista-allartista/\" target=\"_blank\">Arte pubblica a Mumbai. Intervista con Anna Zegna</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Daniele Perra, Art Tribune, 1st March 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://in.blouinartinfo.com/news/story/885613/reena-kallat-on-her-mammoth-1-ton-rubber-stamp-cobweb-at-the\" target=\"_blank\">Reena Kallat On Her Mammoth, 1-ton Rubber-Stamp Cobweb at the Bhau Daji Lad Museum, Mumbai</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Rosalyn D\'Mello, Blouinart, April 1, 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.thehindu.com/features/magazine/putting-her-stamp-on-it/article4484175.ece\" target=\"_blank\">Putting her stamp on it</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Ramya Sarma, The Hindu, 9th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.business-standard.com/article/beyond-business/stamp-over-mumbai-113030800509_1.html\" target=\"_blank\">Stamp over Mumbai</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Kishore Singh, Business Standard, New Delhi  8th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.dnaindia.com/lifestyle/report_weaving-a-tangled-web_1806665\" target=\"_blank\">Weaving a tangled web</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Deepanjana Pal, DNA, 3rd March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.dnaindia.com/lifestyle/report_web-of-history_1810815\" target=\"_blank\">Web of history </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Sanaya Chavda, DNA, 13th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindustantimes.com/Entertainment/Art/Web-of-history-Reena-Kallat-s-installation/Article1-1027359.aspx\" target=\"_blank\">Web of history </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Shweta Mehta, Hindustan Times, 16th March 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://blog.saffronart.com/2013/03/14/reena-kallats-untitled-cobwebscrossings/\" target=\"_blank\">Public Art installation by Reena Kallat at the Dr. Bhau Daji Lad Museum in Mumbai </a> </span> <font color=\"red\">  >> </font><span>\r\n                                Manjari Sihare, Saffron blog,Posted on 14th March  2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Weaving into  networks, Buliding Cobwebs: Musings over Reena Saini Kallat’s recent work </span> <span>\r\n                                Parni Ray, Take on Art/Eleven, pg 98, Volume lll\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Stamping ground </span><span>\r\n                                Deepanjana Pal, Wallpaper magazine, pg 193 – 194, May 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Editorial</span><span>\r\n                                Kaiwan Mehta, Domus, pg 5 – 10, April 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Web Design</span> <span>\r\n                                Chumki Bharadwaj, India Today, pg 45 – 46, April 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Art Outside  </span> <span>\r\n                                Pavitra Mohan, Architectural Digest, pg 98, March-April 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://inditerrain.indiaartndesign.com/2013/03/of-cobwebs-crossings.html\" target=\"_blank\">Of Cobwebs & Crossings </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Jigna Padhiar, India Art & Design, 1st March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://prestige-singapore.com.sg/2013/04/arts-raj\" target=\"_blank\">Art\'s the Raj</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Dylan Boey, Prestige Singapore, 3rd April 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\">Adrift in unknown waters: Reena Saini Kallat and the Art of letting go</span><span>\r\n                                Parni Ray,  Artfair Magazine, Issue-3, pg 48 – 51, 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://shobanarayan.com/2012/02/04/about-jitish-kallat-and-reena-saini-kallat/\" target=\"_blank\">Walking the Art talk with the Kallats</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Shobha Narayan, Live Mint, February 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.tribuneindia.com/2012/20120219/spectrum/main2.htm\" target=\"_blank\">Spectrum New Visual Idiom</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                The Tribune, February 19, 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artnewsnviews.com/view-article.php?article=g-teborg-international-biennial&iid=25&articleid=678\" target=\"_blank\">Goteborg International Biennial</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Art Etc, Vol.4, No. 2, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Helsinki taidemuseo.fi-Journal, </span> January 2011<span>\r\n                            </span>\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://indiatoday.intoday.in/site/story/brush-with-reality/1/134582.html\">Brush With Reality </a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Sumaiya Khan, India Today Woman, pg. 20-21, April 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">System overload </span><span>\r\n                                Shweta Upadhyay, Timeout Delhi, March 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artslant.com/ind/articles/show/22573\" target=\"_blank\">Picking up the past</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Parni Ray, www.artslant.com, 4th April 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://iipdigital.usembassy.gov/st/english/article/2011/03/20110307133535drawoh0.7282221.html#axzz34yECziHk\">Art at “maximum INDIA” Festival Evokes Cultural Memory and Loss</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Howard Cincotta, www.america.gov, March 7, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.signonsandiego.com/news/2011/mar/02/kennedy-center-opens-3-week-india-arts-festival/\">Kennedy Center opens 3-week India arts festival</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Brett Zongker, www.signonsnadiego.com, 2nd March 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Eye and the Mind: New Interventions in Contemporary Indian Art </span><span>\r\n                                Rajeev Lochan, India Perspectives, Vol. 24, No. 6, 2010\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artradarjournal.com/2010/04/20/indian-contemporary-artist-reena-kallat-art-radar-exclusive-interview/\">Interview, Art Radar Asia </a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span><span>\r\n                                April 20, 2010\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Archives of the Heart</span><span>\r\n                                Nancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\n                                Front Cover, pgs 42-45, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Globale Kunst Mit Wurzelduft</span><span>\r\n                                Von Almuth Speigler, Die Presse, Feuilleton, 2nd September 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Landscapes of Loss</span><span>\r\n                                Beth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Reincarnating History</span><span>\r\n                                The Big Picture, Architect and Interiors, July 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Stamp Collection</span><span>\r\n                                Georgina Maddox, The Sunday Express, 17th May 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Evolving Beyond Borders</span><span>\r\n                                Reshma S. Kulkarni, Bombay Times, Times of India, 15th January, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Loss and Found</span><span>\r\n                                Marina Correa, DNA, Mumbai, 22nd January 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Focus India</span><span>\r\n                                Megha Ralapati, Flash Art, pg 114, January-February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Come Together Right Now</span><span>\r\n                                Reema Gehi, HT Café, 15th February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Such a Long Journey</span><span>\r\n                                Aparna S Sharma, Elle Magazine, pgs 115-117, February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">More than a Woman</span><span>\r\n                                Georgina Maddox, The Indian Express, Mumbai Newsline, 4th February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Artist of the Fortnight</span><span>\r\n                                Maria Louis, Outlook Profit, pg 79, 18th April 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Deja View</span><span>\r\n                                Tara Khilachand, Live Mint, 20th December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Terror Struck</span><span>\r\n                                Maria Louis, Outlook Profit, 26th December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Name Calling</span><span>\r\n                                Deepanjana Pal, Timeout Mumbai, December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Corruptions of Power</span>\r\n                            <span>Shiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99, 2007</span>\r\n\r\n                            <span class=\"pubstrong\">Over the Rainbow</span><span>\r\n                                Maria Louis, Interview, Verve Magazine, pg 78, November 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindu.com/mag/2006/10/29/stories/2006102900070200.htm\">In a State of Perennial Siege</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span><span>\r\n                                Nancy Adajania, The Hindu, Hyderabad, 29th October 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Her Crowning Achievement</span><span>\r\n                                Clara Chow, The Straits Times, 18th November 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Political Chaos</span><span>\r\n                                Deepali Nandwani, Beautiful people, pg 143, November-December 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Weapons of Mass Construction</span><span>\r\n                                Rituparna Som, DNA after Hrs, Mumbai, 9th October, 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Guns and Roses</span><span>\r\n                                Rachna Nakra, The Indian Express, Mumbai Newsline, 18th September 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Under Attack</span><span>\r\n                                Gitanjali Dang, HT Mumbai, 22nd September 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Time Traveller</span><span>\r\n                                Georgina Maddox, The Indian Express, Mumbai Newsline, 27th June 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Flower and the Sword</span><span>\r\n                                Girish Shahane, The Art News magazine of India, pg 93, volume X issue I, 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India’s Top 100 Achievers</span><span>\r\n                                Society Magazine, pg 137, December 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Caught Between Demons<span style=\"font-weight: normal; color: red;\"></span></span><span>\r\n                                Nancy Adajania, The Hindu, 19th December 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">En Reise Til India</span><span>\r\n                                Harald Flor, Dagbladet, Kultur, 2nd February 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Signs of Resistance</span><span>\r\n                                Nancy Adajania, The Hindu, 5th January 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Of the Goddess and Demon in the Mind</span><span>\r\n                                Debbie Rodgers, Sunday edition Vijay Times, Bangalore, 5th January 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Empathic Anger</span><span>\r\n                                Marta Jakimowicz, Deccan Herald, 23rd December 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Mysore Ek Khoj</span>\r\n                            Cross Fertilization of Culture, Interview in Star of Mysore, 27th October 2002\r\n\r\n                            <span class=\"pubstrong\">Linking Islands</span><span>\r\n                                Menaka Jayasankar, Indian Express, Mumbai Newsline, 15th February 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Creating to Destroy</span><span>\r\n                                Jasmine Shah Varma, The List, Mid Day, 22nd February 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Different Strokes</span><span>\r\n                                Georgina L Maddox, The Indian Express, Mumbai Newsline, 24th July 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a target=\"_blank\" href=\"http://www.reenakallat.com/wp-content/uploads/2011/09/Faith%20and%20Hunger.pdf\" style=\"color: rgb(135, 135, 135);\">Of Faith and Hunger</a><font style=\"font-weight:normal;\" color=\"red\">  >> </font></span>\r\n                        <span>Abhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89, December 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">The Murmur of Skin</span><span>\r\n                            Nupur Mahajan, Bombay Times, Times of India, 12th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Not just Skin Deep</span><span>\r\n                            Jasmine Shah Varma, The List, Mid-day, 4th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Inside Out</span><span>\r\n                            Menaka Jayasankar, Indian Express, Mumbai Newsline, 11th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Scintillating Skin</span><span>\r\n                            Vaibhav Purandare, The Asian Age, 14th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">An Artist’s World: Roti, Makaan &amp; Abstract Art</span><span>\r\n                            Poonam Goel, HT City, 23rd December 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Within you, Without you</span><span>\r\n                            Anu Kumar, Indian Express, Express Newsline, 2nd September 1998\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Farming Intrigue</span><span>\r\n                            Jerry Pinto, The Times of India, Bombay Times, 3rd September 1998\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Interactive Medium</span><span>\r\n                            Karen Pereira, Indian Architect &amp; Builder, pgs 102-104, October 1998\r\n                        </span>\r\n\r\n    </tbody>\r\n</table>','Press','','inherit','open','open','','3384-revision-12','','','2016-07-25 01:08:43','2016-07-25 01:08:43','',3384,'http://www.reenakallat.com/3398/uncat/3384-revision-12',0,'revision','',0),(3399,1,'2016-07-25 01:12:26','0000-00-00 00:00:00','<table border=\"0\" cellspacing=\"5\" cellpadding=\"0\" width=\"100%\" align=\"centre\">\r\n    <tbody>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" width=\"21%\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td style=\"margin-left: 5px;\">\r\n                                <span class=\"pubstrong\">Reena Saini Kallat, </span> 2009<span>\r\n                                    Text: Nancy Adajania and Murtaza Vali\r\n                                    Publisher: Primo Marella Gallery, Walsh Gallery and Chemould Prescott Road\r\n                                    ISBN: 978-81-908879-1-5\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/reena-kallat\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Rainbow of Refuse, </span>2006<span>\r\n                                    Text: Nancy Adajania\r\n                                    Publisher: Bodhi Art Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/rainbow-of-refuse\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Black Flute (and other stories), </span>2005\r\n                                <span class=\"pubstrong\">Black Flute,</span> 2004<span>\r\n                                    Text: Nancy Adajania\r\n                                    Publisher: Gallery Chemould and Nature Morte Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/black-flute\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">The Battlefield is the Mind, </span>2002<span>\r\n                                    Text: Nancy Adajania\r\n                                    Publisher: Sakshi Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/battlefield-of-mind\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table cellspacing=\"0\" cellpadding=\"0\" width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Skin, </span>2000<span>\r\n                                    Interview with Jitish Kallat\r\n                                    Publisher: Gallery Chemould and Vis-à-vis Art Inc. Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr></tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"188\" /></td>\r\n            <td align=\"centre\" valign=\"bottom\">\r\n                <table width=\"100%\">\r\n                    <tbody>\r\n                        <tr>\r\n                            <td>\r\n                                <span class=\"pubstrong\">Orchard of home-grown secrets, </span>1998<span>\r\n                                    Text: Ranjit Hoskote\r\n                                    Publisher: Gallery Chemould and Pundole Art Gallery\r\n                                </span>\r\n                            </td>\r\n                        </tr>\r\n                        <tr>\r\n                            <td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/orchard-pub\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n                        </tr>\r\n                    </tbody>\r\n                </table>\r\n            </td>\r\n        </tr>\r\n        <tr>\r\n            <td colspan=\"2\"></td>\r\n        </tr>\r\n        <tr>\r\n            <td></td>\r\n            <td>\r\n                <!-- Start of Other Publications -->\r\n\r\n                 <span class=\"pubstrong\">ZegnArt Public, India, 2014</span><span>\r\n                    Text: Nancy Adajania, Cecilia Canziani, Mustansir Dalvi, Reena Kallat, \r\nTasneem Mehta, Simone Menegoi, Girish Shahane, Andrea Zegna\r\n\r\n					Publisher: Mousse Publishing \r\n					ISBN: 9788867491391\r\n\r\n				 <span class=\"pubstrong\">Passages: Indian Art Today, 2015</span><span>\r\n                    Text: Gerard A. Goodrow, Julia Ritterskamp\r\n					Publisher: DAAB Media\r\n					ISBN-10: 3942597705\r\n					ISBN-13: 978-3942597705\r\n\r\n\r\n                <span class=\"pubstrong\">Nature Morte, 2013</span><span>\r\n                    Text: Michael Petry\r\n                    Publisher: Thames & Hudson\r\n                    ISBN: 9780500239063\r\n\r\n\r\n\r\n            <span class=\"pubstrong\">Haein Art Project, 2013</span><span>\r\n                Text:  Kim Jiyon, Leandre D’souza and Claudio Maffioletti\r\n                Publisher: Ven.Sun-Hae (Abbot of Haeinsa Temple)\r\n                ISBN: 979 1195142309 90620\r\n\r\n\r\n                <span class=\"pubstrong\">NO-MAD-NESS IN NO MAN’S LAND, 2013</span><span>\r\n                    Text:  interview by Ombretta Agro Andruff and Leeza Ahmady with Casey Amy Fan\r\n                    Publisher: The Eslite Corp.\r\n                    ISBN: 978-986-89759-7-2\r\n\r\n                    <span class=\"pubstrong\">India Side by Side, 2012</span><span>\r\n                        Text: Cibele Aldrovandi, Deepak Ananth, Flavia Galli Tatsch, Kapila Vatsyayan, Laura Cury, Rahaab Allana, Tereza de Arruda\r\n                        Publisher: The Brazilian Ministry of Culture and Banco do Brasil\r\n                        ISBN: 978-85-64170-01-8\r\n\r\n                        <span class=\"pubstrong\">India : Art Now, 2012 </span><span>\r\n                            Text: Stine Hoholt, Ranjit Hoskote, Zehra Jumabhoy\r\n                            Publisher: Hatje Cantz\r\n                        </span>ISBN: 978-3-7757-3411-0\r\n\r\n                        <span class=\"pubstrong\">Undervaeker – Wonders, </span>2012<span>\r\n                            Texts by Gitte Orskou, Af Theis Vallo Madsen, Jeanett Stampe\r\n                            Publisher: KUNSTEN - Museum of Modern Art Aalborg\r\n                        </span>ISBN: 978-87-88307-72-6\r\n\r\n                        <span class=\"pubstrong\">n.paradoxa: international feminist art journal, volume 30, </span>2012<span>\r\n                            Text: interview with Veeranganakumari Solanki\r\n                            Publisher: KT press\r\n                        </span>ISBN: 1461- 0434\r\n\r\n                        <span class=\"pubstrong\">The Skoda Prize Twenty, </span>2011-2012<span>\r\n                            Text: Zeenat Nagree\r\n                            Publisher: Popular Prakashan\r\n                        </span>ISBN: 978-81-7991-681-0\r\n\r\n                        <span class=\"pubstrong\">Pandemonium: Art in a time of creativity fever, </span>2011<span>\r\n                            Text: interview with Stina Edblom\r\n                            Publisher: Göteborg International Biennial for Contemporary Art\r\n                        </span>ISBN: 978-91-633-9363-1\r\n                        <span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/pandemonium\">read interview</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span>\r\n\r\n                        <span class=\"pubstrong\">The Indian Renaissance, </span>2011<span>\r\n                            Text: Antonio Stellatelli, Romano Ravasio and Marina Pizziolo\r\n\r\n                            <span class=\"pubstrong\">Vancouver Biennale, </span>2009-2011<span>\r\n                                Text: Vancouver International Sculpture Biennale\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Maximum India, </span>2011<span>\r\n                                Publisher: The John F. Kennedy Center for the Performing Arts, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Never Run Away, </span>2010<span>\r\n                                Text: Shaheen Merali\r\n                                Publisher: Stux Gallery</span>\r\n                                <span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/never-run-away\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span>\r\n                                \r\n                                <span class=\"pubstrong\">Urban Manners 2, </span>2010<span>\r\n                                Text: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\n                                Publisher: SESC Pompeia, Sao Paulo\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Empire Strikes Back, </span>2010<span>\r\n                                Text: Zehra Jumabhoy\r\n                                Publisher: Saatchi Gallery\r\n                                ISBN: 9780224089494\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The River Project, </span>2010<span>\r\n                                Publisher: Campbelltown Arts Centre\r\n                                ISBN: 9781875199761\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Asian Art Now, </span>2010<span>\r\n                                Text: Melissa Chiu and Benjamin Genocchio\r\n                                Publisher: Monacelli Press\r\n                                ISBN: 978-1-58093-298-1 (1-58093-298-3)\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Roundabout, </span>2010<span>\r\n                                Publisher: Art Asia Pacific Publishing\r\n                                ISBN: 978-0984562510\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Khoj Book, </span>2010<span>\r\n                                Interview with Shilpa Gupta\r\n                                Publisher: HarperCollins\r\n                                ISBN: 9788172236878\r\n                            </span><span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/khoj-book\">read interview</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span>\r\n\r\n                            <span class=\"pubstrong\">5 Bienal Ventosul, </span>2009<span>\r\n                                Publisher: Instituto Paranaense de Arte\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Viewpoints &amp; Viewings Points- Asian Art Biennale, </span>2009<span>\r\n                                Text: Chao-yi-Tsai\r\n                                Publisher: National Taiwan Museum of fine Arts\r\n                                ISBN: 978-986-02-0269-4\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Xianzai: Contemporary Indian Art, </span>2009<span>\r\n                                Text: Jitish Kallat, Diana Freundl, Alexander Keefe\r\n                                Publisher: Museum of Contemporary Art\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2009<span>\r\n                                Text: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki,\r\n                                Miho Tagomori\r\n                                Publisher: Prestel, National Museum of Contemporary Art and Essl Museum\r\n                                ISBN: 978-3-7913-4304-4\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2008<span>\r\n                                Text: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman\r\n                                Gopinath, Jayaram, Deepak Ananth\r\n                                Publisher: Mori Art Museum\r\n                                ISBN: 978-4-902819-21-2\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Moderna, </span>2008<span>\r\n                                Text: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur,\r\n                                R. Siva Kumar, K.G. Subramanyan\r\n                                Publisher: IVAM (Institute Valencia D’Art Modern)\r\n                                ISBN: 978-84-482-5104-8\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Everywhere is War (and rumours of it),</span>2008<span>\r\n                                Text: Kai Hafez, Martin Hager, Nicholas Mirzoeff, Daniel Miller,\r\n                                Bregje van Eekelen\r\n                                Publisher: Bodhi Art Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Three Points of Views, </span>2008<span>\r\n                                Text: Grant Watson\r\n                                Publisher: Galerie Mirchandani + Steinruecke\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">New Narratives: Contemporary Art from India, </span>2008<span>\r\n                                Text: Betty Seid with contributions by Johan Pijnappel\r\n                                Publisher: Mapin Publication in association with Chicago Cultural Center\r\n                                ISBN: 978-1-890206-08-6\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Made by Indians, </span>2007<span>\r\n                                Text: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\n                                Publisher: Galerie Enrico Navarra\r\n                                ISBN: 2-911596-37-4\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Thermocline of Art: New Asian Waves, </span>2007<span>\r\n                                Text:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong\r\n                                Publisher: Hatje Cantz Vertag\r\n                                ISBN: 978-3-7757-2073-1\r\n                                EAN: 9782911596377\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Indian Colour, </span>2007<span>\r\n                                Text: Peter Nagy\r\n                                Publisher: Dal- seung Hwang, Keumsan Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Arte Oggi, </span>2007<span>\r\n                                Text:  Daniela Palazzoli\r\n                                Publisher: Spazio Oberdan\r\n                                ISBN: 978-88-202-1867-6\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Urban Manners, </span>2007<span>\r\n                                Text: Adelina Von Furstenberg and Nancy Adajania\r\n                                Publisher: Hangar Bicocca\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">International Incheon Women Artists’ Biennale,</span>\r\n                            <span class=\"pubstrong\">Knocking on the Door, </span>2007<span>\r\n                                Text: Sung Hee Kim, John C. Welchman\r\n                                Publisher: Incheon Culture and Art Centre\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Soft Power: Asian Attitude, </span>2007<span>\r\n                                Text: Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\n                                Publisher: Shanghai Zendai Mumsem of Modern Art\r\n                                ISBN: 978-7-5356-2790-2\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India Express- Art and Popular Culture, </span>2006<span>\r\n                                Text: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze\r\n                                Publisher: Helsinki City Art Museum\r\n                                ISBN: 951-8965-61-7\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Bombay L’album Maximum City, </span>2006<span>\r\n                                Text: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\n                                Publisher: Terrail, Lille 3000\r\n                                ISBN: 2-87939-325-6\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Indian Paintings of the New Millennium, </span>2005<span>\r\n                                Text: Helen Asquine  Fazio, Gayatri Sinha\r\n                                Publisher: Quick Arts Center, Fairfield University\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">A Guide to 101 Modern &amp; Contemporary Indian Artists, </span>2005<span>\r\n                                Text: Amrita Jhaveri\r\n                                Publisher: India Book House\r\n                                ISBN: 81-7508-423-5\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Zoom! Art in Contemporary India, </span>2004<span>\r\n                                Texts: Luis Serpa and Nancy Adajania\r\n                                Publisher: The Culturgest Museum\r\n                                ISBN: 972-769-033-5\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Interlude in Sri Lanka, </span>2004<span>\r\n                                Text: Ranjit Hoskote and Nancy Adajania\r\n                                Publisher: The Guild Art Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Generation I, </span>2004<span>\r\n                                Text: Zehra Jumabhoy\r\n                                Publisher: Saffronart &amp; The Guild Art Gallery\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Tiranga Rights and Reponsibilities, </span>2003<span>\r\n                                Text: Peter Nagy\r\n                                Publisher: Jindal Foundation &amp; Creative Arts\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Hard Copy, </span>2003<span>\r\n                                Text: Peter Nagy\r\n                                Publisher: Galerie 88\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Crossing Generations: diVERGE, </span>2003<span>\r\n                                Text: Geeta Kapoor and Chaitanya Sambrani\r\n                                Publisher: Gallery Chemould\r\n                            </span>\r\n<p style=\"padding-top:13px;\">\r\n<!--\r\n                            <span class=\"pubstrong\" style=\"color: #000000;font-size:20px;line-height:35px;color:#505050;\">PRESS</span>\r\n                            </p>\r\n                                                          <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artforum.com/words/id=56896\" target=\"_blank\">\r\n                                                         Porous Passages Reflects on Differing Worldviews</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               ArtForum, Himali Singh Soin, 21st December 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artdaily.com/index.asp?int_sec=11&int_new=81426#.VnpzN_l96Um\" target=\"_blank\">\r\n                                                         Chemould Prescott Road opens exhibition of the work of Reena Saini Kallat</a> </span> <font color=\"red\">  >> </font> <span>\r\n                              Artdaily, 23rd December 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.livemint.com/Leisure/lPXmu4hGHMMbAKK9IJmXGJ/Beyond-the-barbed-wire.html\" target=\"_blank\">\r\n                                                         Beyond the barbed wire	</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Chanpreet Khurana, Live Mint, 16th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.livemint.com/Leisure/LGZI9VzNg3218XGafyrFBO/Genetic-engineering.html\" target=\"_blank\">\r\n                                                         Genetic engineering</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Rosalyn D’Mello, Live Mint, 19th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.openthemagazine.com/article/art-culture/layer-upon-layer\" target=\"_blank\">\r\n                                                         Layer upon Layer</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Payal Khandelwal, Open Magazine pg 54 - 57, 28th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.vogue.in/content/can-art-bind-together-warring-nations/\" target=\"_blank\">\r\n                                                         Can art bind together warring nations?</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Rosalyn DMello, Vogue, 23rd September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://indianexpress.com/article/lifestyle/dividing-lines-3/\" target=\"_blank\">\r\n                                                         Dividing Lines</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Pooja Pillai, The Indian Express, 21st September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindustantimes.com/art-and-culture/reena-saini-kallat-explores-geopolitical-relations-in-wires/story-bAlx8ynmqUgWHxlb2DONuN.html;jsessionid=A5137ED4B0981ED14C62E175FE95D985\" target=\"_blank\">\r\n                                                         Reena Saini Kallat explores geopolitical relations in wires</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Arundhati Chatterjee, Hindustan Times, 21st September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.dnaindia.com/lifestyle/interview-a-divided-existence-reena-saini-talks-about-her-exhibition-hyphenated-lives-2126700\" target=\"_blank\">\r\n                                                         A divided existence</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Ornella D’Souza, DNA, 20th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.mumbaimirror.com/others/leisure/Mirror-fixes-it-Finding-poetry-in-politics/articleshow/49031262.cms\" target=\"_blank\">\r\n                                                         Finding Poetry in Politics</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Reema Gehi, Mumbai Mirror, 20th September 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://theculturetrip.com/asia/india/articles/contemporary-artists-series-a-conversation-with-reena-saini-kallat/\" target=\"_blank\">\r\n                                                         Contemporary Artists Series: A Conversation with Reena Saini Kallat</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Farah Siddiqui, The CultureTrip, 2015</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://insideburgercollection.org/wp-content/uploads/2015/07/94_BurgerCollection-08_p87-92.pdf\" target=\"_blank\">\r\n                                                        REREADING REENA KALLAT -  Inside Burger collection</a></span> <font color=\"red\">  >> </font> <span>\r\n									Quddus Mirza, Art Asia Pacific Magazine,  July/Aug 2015 </span>\r\n                              \r\n                                  <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.domusweb.it/en/news/2015/06/15/offsite_reena_saini_kallat.html\" target=\"_blank\">Woven Chronicle, Domus</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               posted on 15th June 2015                            </span>\r\n\r\n                               <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.huffingtonpost.ca/jugni-style/reena-saini-kallat-vancouver_b_7725930.html\" target=\"_blank\">Reena Saini Kallat\'s Public Art Installation Explores Migration, Longing In Vancouver</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Nimritta Parmar,  Huffpost  British Columbia Canada,  posted on 13th July 2015                            </span>\r\n\r\n                               <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.vancouverobserver.com/culture/art/mumbai-artist-maps-out-web-wire-vag-offsite\" target=\"_blank\">Mumbai artist maps out web of wire at VAG Offsite</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Sponsored content, Vancouver Observer, posted on 8th June 2015                            </span>\r\n\r\n                               <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://indianexpress.com/article/lifestyle/current-connections/\" target=\"_blank\">Current Connections</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               Vandana Kalra, The Indian Express, 12th May 2015 </span>\r\n                               \r\n                            <span class=\"pubstrong\">Working Lives, AD Perspective,</span> <span>\r\n                              Sanhita Chowdhury, Architectural Digest pg-76, January-February 2015                      </span>\r\n\r\n                              <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://theculturetrip.com/asia/india/articles/the-top-10-female-contemporary-artists-from-india/\" target=\"_blank\">The Top 10 Female Contemporary Artists from India</a> </span> <font color=\"red\">  >> </font> <span>\r\n                               C. A. Xuan Mai Ardia, The Culture Trip, 2014                            </span>\r\n\r\n                              <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.mid-day.com/articles/memories-at-work/15747192\" target=\"_blank\">Memories at work</a> </span> <font color=\"red\">  >> </font> <span>\r\n                              Kanika Sharma, Mid-day, 8th November 2014                           </span>\r\n                              \r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artasiapacific.com/Magazine/WebExclusives/FloatingWorldAestheticBind\" target=\"_blank\">Aesthetic Bind Floating World</a> </span> <font color=\"red\">  >> </font> <span>\r\n                              Gitanjali Dang, ArtAsiaPacific, April 2014                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.timeoutmumbai.net/art/features/suspense\" target=\"_blank\">In Suspense </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Phalguni Desai , Timeout Mumbai,  March  2014\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artdaily.com/news/68958/Chemould-Prescott-Road-celebrates-fifty-years-of-contemporary-art-with-Aesthetic-Bind--Floating-World#.Uz5us_mSxVk\" target=\"_blank\">Chemould Prescott Road celebrates fifty years of contemporary art with Aesthetic Bind: Floating World </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Geeta Kapur, Art Daily, 24th March 2014\r\n                            </span>\r\n                                                        <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.wallpaper.com/art/zegnart-enlists-reena-kallat-to-create-a-site-specific-artwork-in-mumbai/6292\" target=\"_blank\">ZegnArt enlists Reena Kallat to create a site-specific artwork in Mumbai,</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                JJ Martin, Wallpaper, 18th January 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.timeoutmumbai.net/art/features/web-design\" target=\"_blank\">Web design</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Karanjeet Kaur,Timeout Magazine, pg 26-28, 15th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artribune.com/2013/03/una-ragnatela-fra-italia-e-india-inaugurata-a-mumbai-lopera-di-reena-kallat-per-il-progetto-zegnart-public-qui-ci-sono-immagini-video-e-intervista-allartista/\" target=\"_blank\">Arte pubblica a Mumbai. Intervista con Anna Zegna</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Daniele Perra, Art Tribune, 1st March 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://in.blouinartinfo.com/news/story/885613/reena-kallat-on-her-mammoth-1-ton-rubber-stamp-cobweb-at-the\" target=\"_blank\">Reena Kallat On Her Mammoth, 1-ton Rubber-Stamp Cobweb at the Bhau Daji Lad Museum, Mumbai</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Rosalyn D\'Mello, Blouinart, April 1, 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.thehindu.com/features/magazine/putting-her-stamp-on-it/article4484175.ece\" target=\"_blank\">Putting her stamp on it</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Ramya Sarma, The Hindu, 9th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.business-standard.com/article/beyond-business/stamp-over-mumbai-113030800509_1.html\" target=\"_blank\">Stamp over Mumbai</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Kishore Singh, Business Standard, New Delhi  8th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.dnaindia.com/lifestyle/report_weaving-a-tangled-web_1806665\" target=\"_blank\">Weaving a tangled web</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Deepanjana Pal, DNA, 3rd March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.dnaindia.com/lifestyle/report_web-of-history_1810815\" target=\"_blank\">Web of history </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Sanaya Chavda, DNA, 13th March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindustantimes.com/Entertainment/Art/Web-of-history-Reena-Kallat-s-installation/Article1-1027359.aspx\" target=\"_blank\">Web of history </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Shweta Mehta, Hindustan Times, 16th March 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://blog.saffronart.com/2013/03/14/reena-kallats-untitled-cobwebscrossings/\" target=\"_blank\">Public Art installation by Reena Kallat at the Dr. Bhau Daji Lad Museum in Mumbai </a> </span> <font color=\"red\">  >> </font><span>\r\n                                Manjari Sihare, Saffron blog,Posted on 14th March  2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Weaving into  networks, Buliding Cobwebs: Musings over Reena Saini Kallat’s recent work </span> <span>\r\n                                Parni Ray, Take on Art/Eleven, pg 98, Volume lll\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Stamping ground </span><span>\r\n                                Deepanjana Pal, Wallpaper magazine, pg 193 – 194, May 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Editorial</span><span>\r\n                                Kaiwan Mehta, Domus, pg 5 – 10, April 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Web Design</span> <span>\r\n                                Chumki Bharadwaj, India Today, pg 45 – 46, April 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Art Outside  </span> <span>\r\n                                Pavitra Mohan, Architectural Digest, pg 98, March-April 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://inditerrain.indiaartndesign.com/2013/03/of-cobwebs-crossings.html\" target=\"_blank\">Of Cobwebs & Crossings </a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Jigna Padhiar, India Art & Design, 1st March 2013\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://prestige-singapore.com.sg/2013/04/arts-raj\" target=\"_blank\">Art\'s the Raj</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Dylan Boey, Prestige Singapore, 3rd April 2013\r\n                            </span>\r\n\r\n\r\n                            <span class=\"pubstrong\">Adrift in unknown waters: Reena Saini Kallat and the Art of letting go</span><span>\r\n                                Parni Ray,  Artfair Magazine, Issue-3, pg 48 – 51, 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://shobanarayan.com/2012/02/04/about-jitish-kallat-and-reena-saini-kallat/\" target=\"_blank\">Walking the Art talk with the Kallats</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Shobha Narayan, Live Mint, February 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.tribuneindia.com/2012/20120219/spectrum/main2.htm\" target=\"_blank\">Spectrum New Visual Idiom</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                The Tribune, February 19, 2012\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artnewsnviews.com/view-article.php?article=g-teborg-international-biennial&iid=25&articleid=678\" target=\"_blank\">Goteborg International Biennial</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Art Etc, Vol.4, No. 2, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Helsinki taidemuseo.fi-Journal, </span> January 2011<span>\r\n                            </span>\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://indiatoday.intoday.in/site/story/brush-with-reality/1/134582.html\">Brush With Reality </a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Sumaiya Khan, India Today Woman, pg. 20-21, April 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">System overload </span><span>\r\n                                Shweta Upadhyay, Timeout Delhi, March 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artslant.com/ind/articles/show/22573\" target=\"_blank\">Picking up the past</a> </span> <font color=\"red\">  >> </font> <span>\r\n                                Parni Ray, www.artslant.com, 4th April 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://iipdigital.usembassy.gov/st/english/article/2011/03/20110307133535drawoh0.7282221.html#axzz34yECziHk\">Art at “maximum INDIA” Festival Evokes Cultural Memory and Loss</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Howard Cincotta, www.america.gov, March 7, 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.signonsandiego.com/news/2011/mar/02/kennedy-center-opens-3-week-india-arts-festival/\">Kennedy Center opens 3-week India arts festival</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\n                                Brett Zongker, www.signonsnadiego.com, 2nd March 2011\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Eye and the Mind: New Interventions in Contemporary Indian Art </span><span>\r\n                                Rajeev Lochan, India Perspectives, Vol. 24, No. 6, 2010\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artradarjournal.com/2010/04/20/indian-contemporary-artist-reena-kallat-art-radar-exclusive-interview/\">Interview, Art Radar Asia </a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span><span>\r\n                                April 20, 2010\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Archives of the Heart</span><span>\r\n                                Nancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\n                                Front Cover, pgs 42-45, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Globale Kunst Mit Wurzelduft</span><span>\r\n                                Von Almuth Speigler, Die Presse, Feuilleton, 2nd September 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Landscapes of Loss</span><span>\r\n                                Beth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Reincarnating History</span><span>\r\n                                The Big Picture, Architect and Interiors, July 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Stamp Collection</span><span>\r\n                                Georgina Maddox, The Sunday Express, 17th May 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Evolving Beyond Borders</span><span>\r\n                                Reshma S. Kulkarni, Bombay Times, Times of India, 15th January, 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Loss and Found</span><span>\r\n                                Marina Correa, DNA, Mumbai, 22nd January 2009\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Focus India</span><span>\r\n                                Megha Ralapati, Flash Art, pg 114, January-February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Come Together Right Now</span><span>\r\n                                Reema Gehi, HT Café, 15th February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Such a Long Journey</span><span>\r\n                                Aparna S Sharma, Elle Magazine, pgs 115-117, February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">More than a Woman</span><span>\r\n                                Georgina Maddox, The Indian Express, Mumbai Newsline, 4th February 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Artist of the Fortnight</span><span>\r\n                                Maria Louis, Outlook Profit, pg 79, 18th April 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Deja View</span><span>\r\n                                Tara Khilachand, Live Mint, 20th December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Terror Struck</span><span>\r\n                                Maria Louis, Outlook Profit, 26th December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Name Calling</span><span>\r\n                                Deepanjana Pal, Timeout Mumbai, December 2008\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Corruptions of Power</span>\r\n                            <span>Shiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99, 2007</span>\r\n\r\n                            <span class=\"pubstrong\">Over the Rainbow</span><span>\r\n                                Maria Louis, Interview, Verve Magazine, pg 78, November 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindu.com/mag/2006/10/29/stories/2006102900070200.htm\">In a State of Perennial Siege</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span><span>\r\n                                Nancy Adajania, The Hindu, Hyderabad, 29th October 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Her Crowning Achievement</span><span>\r\n                                Clara Chow, The Straits Times, 18th November 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Political Chaos</span><span>\r\n                                Deepali Nandwani, Beautiful people, pg 143, November-December 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Weapons of Mass Construction</span><span>\r\n                                Rituparna Som, DNA after Hrs, Mumbai, 9th October, 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Guns and Roses</span><span>\r\n                                Rachna Nakra, The Indian Express, Mumbai Newsline, 18th September 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Under Attack</span><span>\r\n                                Gitanjali Dang, HT Mumbai, 22nd September 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Time Traveller</span><span>\r\n                                Georgina Maddox, The Indian Express, Mumbai Newsline, 27th June 2006\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">The Flower and the Sword</span><span>\r\n                                Girish Shahane, The Art News magazine of India, pg 93, volume X issue I, 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">India’s Top 100 Achievers</span><span>\r\n                                Society Magazine, pg 137, December 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Caught Between Demons<span style=\"font-weight: normal; color: red;\"></span></span><span>\r\n                                Nancy Adajania, The Hindu, 19th December 2004\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">En Reise Til India</span><span>\r\n                                Harald Flor, Dagbladet, Kultur, 2nd February 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Signs of Resistance</span><span>\r\n                                Nancy Adajania, The Hindu, 5th January 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Of the Goddess and Demon in the Mind</span><span>\r\n                                Debbie Rodgers, Sunday edition Vijay Times, Bangalore, 5th January 2003\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Empathic Anger</span><span>\r\n                                Marta Jakimowicz, Deccan Herald, 23rd December 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Mysore Ek Khoj</span>\r\n                            Cross Fertilization of Culture, Interview in Star of Mysore, 27th October 2002\r\n\r\n                            <span class=\"pubstrong\">Linking Islands</span><span>\r\n                                Menaka Jayasankar, Indian Express, Mumbai Newsline, 15th February 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Creating to Destroy</span><span>\r\n                                Jasmine Shah Varma, The List, Mid Day, 22nd February 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\">Different Strokes</span><span>\r\n                                Georgina L Maddox, The Indian Express, Mumbai Newsline, 24th July 2002\r\n                            </span>\r\n\r\n                            <span class=\"pubstrong\"><a target=\"_blank\" href=\"http://www.reenakallat.com/wp-content/uploads/2011/09/Faith%20and%20Hunger.pdf\" style=\"color: rgb(135, 135, 135);\">Of Faith and Hunger</a><font style=\"font-weight:normal;\" color=\"red\">  >> </font></span>\r\n                        <span>Abhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89, December 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">The Murmur of Skin</span><span>\r\n                            Nupur Mahajan, Bombay Times, Times of India, 12th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Not just Skin Deep</span><span>\r\n                            Jasmine Shah Varma, The List, Mid-day, 4th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Inside Out</span><span>\r\n                            Menaka Jayasankar, Indian Express, Mumbai Newsline, 11th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Scintillating Skin</span><span>\r\n                            Vaibhav Purandare, The Asian Age, 14th October 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">An Artist’s World: Roti, Makaan &amp; Abstract Art</span><span>\r\n                            Poonam Goel, HT City, 23rd December 2000\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Within you, Without you</span><span>\r\n                            Anu Kumar, Indian Express, Express Newsline, 2nd September 1998\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Farming Intrigue</span><span>\r\n                            Jerry Pinto, The Times of India, Bombay Times, 3rd September 1998\r\n                        </span>\r\n\r\n                        <span class=\"pubstrong\">Interactive Medium</span><span>\r\n                            Karen Pereira, Indian Architect &amp; Builder, pgs 102-104, October 1998\r\n                        </span>\r\n                        -->\r\n</td>\r\n        </tr>\r\n    </tbody>\r\n</table>','publications-25thjuly2016','','draft','open','open','','','','','2016-07-25 01:12:26','2016-07-25 01:12:26','',0,'http://www.reenakallat.com/?page_id=3399',0,'page','',0),