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                  <strong><span style="color: #888888;">PRESS</span></strong>        
                                <span class="pubstrong"><a style="color: #878787;" href="http://www.notey.com/@hyperallergic_unofficial/external/7377537/identities-nations-and-histories-painfully-stitched-together.html" target="_blank">
                                                         Identities, Nations, and Histories Painfully Stitched Together </a> </span> <font color="red">  >> </font> <span>                      Hyperallergic, Meenakshi Thirukode, January 8, 2016</span>                        
                                                  <span class="pubstrong"><a style="color: #878787;" href="http://www.artforum.com/words/id=56896" target="_blank">
                                                         Porous Passages Reflects on Differing Worldviews</a> </span> <font color="red">  >> </font> <span>
                               ArtForum, Himali Singh Soin, 21st December 2015</span>
<span class="pubstrong"><a style="color: #878787;" href="http://artdaily.com/index.asp?int_sec=11&int_new=81426#.VnpzN_l96Um" target="_blank">
                                                         Chemould Prescott Road opens exhibition of the work of Reena Saini Kallat</a> </span> <font color="red">  >> </font> <span>
                              Artdaily, 23rd December 2015</span>
<span class="pubstrong"><a style="color: #878787;" href="http://www.livemint.com/Leisure/lPXmu4hGHMMbAKK9IJmXGJ/Beyond-the-barbed-wire.html" target="_blank">
                                                         Beyond the barbed wire	</a> </span> <font color="red">  >> </font> <span>
                               Chanpreet Khurana, Live Mint, 16th September 2015</span>
<span class="pubstrong"><a style="color: #878787;" href="http://www.livemint.com/Leisure/LGZI9VzNg3218XGafyrFBO/Genetic-engineering.html" target="_blank">
                                                         Genetic engineering</a> </span> <font color="red">  >> </font> <span>
                               Rosalyn D’Mello, Live Mint, 19th September 2015</span>
<span class="pubstrong"><a style="color: #878787;" href="http://www.openthemagazine.com/article/art-culture/layer-upon-layer" target="_blank">
                                                         Layer upon Layer</a> </span> <font color="red">  >> </font> <span>
                               Payal Khandelwal, Open Magazine pg 54 - 57, 28th September 2015</span>
<span class="pubstrong"><a style="color: #878787;" href="http://www.vogue.in/content/can-art-bind-together-warring-nations/" target="_blank">
                                                         Can art bind together warring nations?</a> </span> <font color="red">  >> </font> <span>
                               Rosalyn DMello, Vogue, 23rd September 2015</span>
<span class="pubstrong"><a style="color: #878787;" href="http://indianexpress.com/article/lifestyle/dividing-lines-3/" target="_blank">
                                                         Dividing Lines</a> </span> <font color="red">  >> </font> <span>
                               Pooja Pillai, The Indian Express, 21st September 2015</span>
<span class="pubstrong"><a style="color: #878787;" href="http://www.hindustantimes.com/art-and-culture/reena-saini-kallat-explores-geopolitical-relations-in-wires/story-bAlx8ynmqUgWHxlb2DONuN.html;jsessionid=A5137ED4B0981ED14C62E175FE95D985" target="_blank">
                                                         Reena Saini Kallat explores geopolitical relations in wires</a> </span> <font color="red">  >> </font> <span>
                               Arundhati Chatterjee, Hindustan Times, 21st September 2015</span>
<span class="pubstrong"><a style="color: #878787;" href="http://www.dnaindia.com/lifestyle/interview-a-divided-existence-reena-saini-talks-about-her-exhibition-hyphenated-lives-2126700" target="_blank">
                                                         A divided existence</a> </span> <font color="red">  >> </font> <span>
                               Ornella D’Souza, DNA, 20th September 2015</span>
<span class="pubstrong"><a style="color: #878787;" href="http://www.mumbaimirror.com/others/leisure/Mirror-fixes-it-Finding-poetry-in-politics/articleshow/49031262.cms" target="_blank">
                                                         Finding Poetry in Politics</a> </span> <font color="red">  >> </font> <span>
                               Reema Gehi, Mumbai Mirror, 20th September 2015</span>
<span class="pubstrong"><a style="color: #878787;" href="http://theculturetrip.com/asia/india/articles/contemporary-artists-series-a-conversation-with-reena-saini-kallat/" target="_blank">
                                                         Contemporary Artists Series: A Conversation with Reena Saini Kallat</a> </span> <font color="red">  >> </font> <span>
                               Farah Siddiqui, The CultureTrip, 2015</span>
<span class="pubstrong"><a style="color: #878787;" href="http://insideburgercollection.org/wp-content/uploads/2015/07/94_BurgerCollection-08_p87-92.pdf" target="_blank">
                                                        REREADING REENA KALLAT -  Inside Burger collection</a></span> <font color="red">  >> </font> <span>
									Quddus Mirza, Art Asia Pacific Magazine,  July/Aug 2015 </span>
                              
                                  <span class="pubstrong"><a style="color: #878787;" href="http://www.domusweb.it/en/news/2015/06/15/offsite_reena_saini_kallat.html" target="_blank">Woven Chronicle, Domus</a> </span> <font color="red">  >> </font> <span>
                               posted on 15th June 2015                            </span>

                               <span class="pubstrong"><a style="color: #878787;" href="http://www.huffingtonpost.ca/jugni-style/reena-saini-kallat-vancouver_b_7725930.html" target="_blank">Reena Saini Kallat's Public Art Installation Explores Migration, Longing In Vancouver</a> </span> <font color="red">  >> </font> <span>
                               Nimritta Parmar,  Huffpost  British Columbia Canada,  posted on 13th July 2015                            </span>

                               <span class="pubstrong"><a style="color: #878787;" href="http://www.vancouverobserver.com/culture/art/mumbai-artist-maps-out-web-wire-vag-offsite" target="_blank">Mumbai artist maps out web of wire at VAG Offsite</a> </span> <font color="red">  >> </font> <span>
                               Sponsored content, Vancouver Observer, posted on 8th June 2015                            </span>

                               <span class="pubstrong"><a style="color: #878787;" href="http://indianexpress.com/article/lifestyle/current-connections/" target="_blank">Current Connections</a> </span> <font color="red">  >> </font> <span>
                               Vandana Kalra, The Indian Express, 12th May 2015 </span>
                               
                            <span class="pubstrong">Working Lives, AD Perspective,</span> <span>
                              Sanhita Chowdhury, Architectural Digest pg-76, January-February 2015                      </span>

                              <span class="pubstrong"><a style="color: #878787;" href="http://theculturetrip.com/asia/india/articles/the-top-10-female-contemporary-artists-from-india/" target="_blank">The Top 10 Female Contemporary Artists from India</a> </span> <font color="red">  >> </font> <span>
                               C. A. Xuan Mai Ardia, The Culture Trip, 2014                            </span>

                              <span class="pubstrong"><a style="color: #878787;" href="http://www.mid-day.com/articles/memories-at-work/15747192" target="_blank">Memories at work</a> </span> <font color="red">  >> </font> <span>
                              Kanika Sharma, Mid-day, 8th November 2014                           </span>
                              
                            <span class="pubstrong"><a style="color: #878787;" href="http://artasiapacific.com/Magazine/WebExclusives/FloatingWorldAestheticBind" target="_blank">Aesthetic Bind Floating World</a> </span> <font color="red">  >> </font> <span>
                              Gitanjali Dang, ArtAsiaPacific, April 2014                            </span>

                            <span class="pubstrong"><a style="color: #878787;" href="http://www.timeoutmumbai.net/art/features/suspense" target="_blank">In Suspense </a> </span> <font color="red">  >> </font> <span>
                                Phalguni Desai , Timeout Mumbai,  March  2014
                            </span>

                            <span class="pubstrong"><a style="color: #878787;" href="http://artdaily.com/news/68958/Chemould-Prescott-Road-celebrates-fifty-years-of-contemporary-art-with-Aesthetic-Bind--Floating-World#.Uz5us_mSxVk" target="_blank">Chemould Prescott Road celebrates fifty years of contemporary art with Aesthetic Bind: Floating World </a> </span> <font color="red">  >> </font> <span>
                                Geeta Kapur, Art Daily, 24th March 2014
                            </span>
                                                        <span class="pubstrong"><a style="color: #878787;" href="http://www.wallpaper.com/art/zegnart-enlists-reena-kallat-to-create-a-site-specific-artwork-in-mumbai/6292" target="_blank">ZegnArt enlists Reena Kallat to create a site-specific artwork in Mumbai,</a> </span> <font color="red">  >> </font> <span>
                                JJ Martin, Wallpaper, 18th January 2013
                            </span>

                            <span class="pubstrong"><a style="color: #878787;" href="http://www.timeoutmumbai.net/art/features/web-design" target="_blank">Web design</a> </span> <font color="red">  >> </font> <span>
                                Karanjeet Kaur,Timeout Magazine, pg 26-28, 15th March 2013
                            </span>

                            <span class="pubstrong"><a style="color: #878787;" href="http://www.artribune.com/2013/03/una-ragnatela-fra-italia-e-india-inaugurata-a-mumbai-lopera-di-reena-kallat-per-il-progetto-zegnart-public-qui-ci-sono-immagini-video-e-intervista-allartista/" target="_blank">Arte pubblica a Mumbai. Intervista con Anna Zegna</a> </span> <font color="red">  >> </font> <span>
                                Daniele Perra, Art Tribune, 1st March 2013
                            </span>


                            <span class="pubstrong"><a style="color: #878787;" href="http://in.blouinartinfo.com/news/story/885613/reena-kallat-on-her-mammoth-1-ton-rubber-stamp-cobweb-at-the" target="_blank">Reena Kallat On Her Mammoth, 1-ton Rubber-Stamp Cobweb at the Bhau Daji Lad Museum, Mumbai</a> </span> <font color="red">  >> </font> <span>
                                Rosalyn D'Mello, Blouinart, April 1, 2013
                            </span>

                            <span class="pubstrong"><a style="color: #878787;" href="http://www.thehindu.com/features/magazine/putting-her-stamp-on-it/article4484175.ece" target="_blank">Putting her stamp on it</a> </span> <font color="red">  >> </font> <span>
                                Ramya Sarma, The Hindu, 9th March 2013
                            </span>

                            <span class="pubstrong"><a style="color: #878787;" href="http://www.business-standard.com/article/beyond-business/stamp-over-mumbai-113030800509_1.html" target="_blank">Stamp over Mumbai</a> </span> <font color="red">  >> </font> <span>
                                Kishore Singh, Business Standard, New Delhi  8th March 2013
                            </span>

                            <span class="pubstrong"><a style="color: #878787;" href="http://www.dnaindia.com/lifestyle/report_weaving-a-tangled-web_1806665" target="_blank">Weaving a tangled web</a> </span> <font color="red">  >> </font> <span>
                                Deepanjana Pal, DNA, 3rd March 2013
                            </span>

                            <span class="pubstrong"><a style="color: #878787;" href="http://www.dnaindia.com/lifestyle/report_web-of-history_1810815" target="_blank">Web of history </a> </span> <font color="red">  >> </font> <span>
                                Sanaya Chavda, DNA, 13th March 2013
                            </span>

                            <span class="pubstrong"><a style="color: #878787;" href="http://www.hindustantimes.com/Entertainment/Art/Web-of-history-Reena-Kallat-s-installation/Article1-1027359.aspx" target="_blank">Web of history </a> </span> <font color="red">  >> </font> <span>
                                Shweta Mehta, Hindustan Times, 16th March 2013
                            </span>


                            <span class="pubstrong"><a style="color: #878787;" href="http://blog.saffronart.com/2013/03/14/reena-kallats-untitled-cobwebscrossings/" target="_blank">Public Art installation by Reena Kallat at the Dr. Bhau Daji Lad Museum in Mumbai </a> </span> <font color="red">  >> </font><span>
                                Manjari Sihare, Saffron blog,Posted on 14th March  2013
                            </span>

                            <span class="pubstrong">Weaving into  networks, Buliding Cobwebs: Musings over Reena Saini Kallat’s recent work </span> <span>
                                Parni Ray, Take on Art/Eleven, pg 98, Volume lll
                            </span>

                            <span class="pubstrong">Stamping ground </span><span>
                                Deepanjana Pal, Wallpaper magazine, pg 193 – 194, May 2013
                            </span>

                            <span class="pubstrong">Editorial</span><span>
                                Kaiwan Mehta, Domus, pg 5 – 10, April 2013
                            </span>

                            <span class="pubstrong">Web Design</span> <span>
                                Chumki Bharadwaj, India Today, pg 45 – 46, April 2013
                            </span>

                            <span class="pubstrong">Art Outside  </span> <span>
                                Pavitra Mohan, Architectural Digest, pg 98, March-April 2013
                            </span>


                            <span class="pubstrong"><a style="color: #878787;" href="http://inditerrain.indiaartndesign.com/2013/03/of-cobwebs-crossings.html" target="_blank">Of Cobwebs & Crossings </a> </span> <font color="red">  >> </font> <span>
                                Jigna Padhiar, India Art & Design, 1st March 2013
                            </span>

                            <span class="pubstrong"><a style="color: #878787;" href="http://prestige-singapore.com.sg/2013/04/arts-raj" target="_blank">Art's the Raj</a> </span> <font color="red">  >> </font> <span>
                                Dylan Boey, Prestige Singapore, 3rd April 2013
                            </span>


                            <span class="pubstrong">Adrift in unknown waters: Reena Saini Kallat and the Art of letting go</span><span>
                                Parni Ray,  Artfair Magazine, Issue-3, pg 48 – 51, 2012
                            </span>

                            <span class="pubstrong"><a style="color: #878787;" href="http://shobanarayan.com/2012/02/04/about-jitish-kallat-and-reena-saini-kallat/" target="_blank">Walking the Art talk with the Kallats</a> </span> <font color="red">  >> </font> <span>
                                Shobha Narayan, Live Mint, February 2012
                            </span>

                            <span class="pubstrong"><a style="color: #878787;" href="http://www.tribuneindia.com/2012/20120219/spectrum/main2.htm" target="_blank">Spectrum New Visual Idiom</a> </span> <font color="red">  >> </font> <span>
                                The Tribune, February 19, 2012
                            </span>

                            <span class="pubstrong"><a style="color: #878787;" href="http://www.artnewsnviews.com/view-article.php?article=g-teborg-international-biennial&iid=25&articleid=678" target="_blank">Goteborg International Biennial</a> </span> <font color="red">  >> </font> <span>
                                Art Etc, Vol.4, No. 2, 2011
                            </span>

                            <span class="pubstrong">Helsinki taidemuseo.fi-Journal, </span> January 2011<span>
                            </span>
                            <span class="pubstrong"><a style="color: #878787;" href="http://indiatoday.intoday.in/site/story/brush-with-reality/1/134582.html">Brush With Reality </a> <span style="font-weight: normal; color: red;"> &gt;&gt; </span> </span><span>
                                Sumaiya Khan, India Today Woman, pg. 20-21, April 2011
                            </span>

                            <span class="pubstrong">System overload </span><span>
                                Shweta Upadhyay, Timeout Delhi, March 2011
                            </span>

                            <span class="pubstrong"><a style="color: #878787;" href="http://www.artslant.com/ind/articles/show/22573" target="_blank">Picking up the past</a> </span> <font color="red">  >> </font> <span>
                                Parni Ray, www.artslant.com, 4th April 2011
                            </span>

                            <span class="pubstrong"><a style="color: #878787;" href="http://iipdigital.usembassy.gov/st/english/article/2011/03/20110307133535drawoh0.7282221.html#axzz34yECziHk">Art at “maximum INDIA” Festival Evokes Cultural Memory and Loss</a> <span style="font-weight: normal; color: red;"> &gt;&gt; </span> </span><span>
                                Howard Cincotta, www.america.gov, March 7, 2011
                            </span>

                            <span class="pubstrong"><a style="color: #878787;" href="http://www.signonsandiego.com/news/2011/mar/02/kennedy-center-opens-3-week-india-arts-festival/">Kennedy Center opens 3-week India arts festival</a> <span style="font-weight: normal; color: red;"> &gt;&gt; </span> </span><span>
                                Brett Zongker, www.signonsnadiego.com, 2nd March 2011
                            </span>

                            <span class="pubstrong">The Eye and the Mind: New Interventions in Contemporary Indian Art </span><span>
                                Rajeev Lochan, India Perspectives, Vol. 24, No. 6, 2010
                            </span>

                            <span class="pubstrong"><a style="color: #878787;" href="http://artradarjournal.com/2010/04/20/indian-contemporary-artist-reena-kallat-art-radar-exclusive-interview/">Interview, Art Radar Asia </a> <span style="font-weight: normal; color: red;"> &gt;&gt; </span></span><span>
                                April 20, 2010
                            </span>

                            <span class="pubstrong">The Archives of the Heart</span><span>
                                Nancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,
                                Front Cover, pgs 42-45, 2009
                            </span>

                            <span class="pubstrong">Globale Kunst Mit Wurzelduft</span><span>
                                Von Almuth Speigler, Die Presse, Feuilleton, 2nd September 2009
                            </span>

                            <span class="pubstrong">Landscapes of Loss</span><span>
                                Beth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009
                            </span>

                            <span class="pubstrong">Reincarnating History</span><span>
                                The Big Picture, Architect and Interiors, July 2009
                            </span>

                            <span class="pubstrong">Stamp Collection</span><span>
                                Georgina Maddox, The Sunday Express, 17th May 2009
                            </span>

                            <span class="pubstrong">Evolving Beyond Borders</span><span>
                                Reshma S. Kulkarni, Bombay Times, Times of India, 15th January, 2009
                            </span>

                            <span class="pubstrong">Loss and Found</span><span>
                                Marina Correa, DNA, Mumbai, 22nd January 2009
                            </span>

                            <span class="pubstrong">Focus India</span><span>
                                Megha Ralapati, Flash Art, pg 114, January-February 2008
                            </span>

                            <span class="pubstrong">Come Together Right Now</span><span>
                                Reema Gehi, HT Café, 15th February 2008
                            </span>

                            <span class="pubstrong">Such a Long Journey</span><span>
                                Aparna S Sharma, Elle Magazine, pgs 115-117, February 2008
                            </span>

                            <span class="pubstrong">More than a Woman</span><span>
                                Georgina Maddox, The Indian Express, Mumbai Newsline, 4th February 2008
                            </span>

                            <span class="pubstrong">Artist of the Fortnight</span><span>
                                Maria Louis, Outlook Profit, pg 79, 18th April 2008
                            </span>

                            <span class="pubstrong">Deja View</span><span>
                                Tara Khilachand, Live Mint, 20th December 2008
                            </span>

                            <span class="pubstrong">Terror Struck</span><span>
                                Maria Louis, Outlook Profit, 26th December 2008
                            </span>

                            <span class="pubstrong">Name Calling</span><span>
                                Deepanjana Pal, Timeout Mumbai, December 2008
                            </span>

                            <span class="pubstrong">Corruptions of Power</span>
                            <span>Shiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99, 2007</span>

                            <span class="pubstrong">Over the Rainbow</span><span>
                                Maria Louis, Interview, Verve Magazine, pg 78, November 2006
                            </span>

                            <span class="pubstrong"><a style="color: #878787;" href="http://www.hindu.com/mag/2006/10/29/stories/2006102900070200.htm">In a State of Perennial Siege</a> <span style="font-weight: normal; color: red;"> &gt;&gt; </span></span><span>
                                Nancy Adajania, The Hindu, Hyderabad, 29th October 2006
                            </span>

                            <span class="pubstrong">Her Crowning Achievement</span><span>
                                Clara Chow, The Straits Times, 18th November 2006
                            </span>

                            <span class="pubstrong">Political Chaos</span><span>
                                Deepali Nandwani, Beautiful people, pg 143, November-December 2006
                            </span>

                            <span class="pubstrong">Weapons of Mass Construction</span><span>
                                Rituparna Som, DNA after Hrs, Mumbai, 9th October, 2006
                            </span>

                            <span class="pubstrong">Guns and Roses</span><span>
                                Rachna Nakra, The Indian Express, Mumbai Newsline, 18th September 2006
                            </span>

                            <span class="pubstrong">Under Attack</span><span>
                                Gitanjali Dang, HT Mumbai, 22nd September 2006
                            </span>

                            <span class="pubstrong">Time Traveller</span><span>
                                Georgina Maddox, The Indian Express, Mumbai Newsline, 27th June 2006
                            </span>

                            <span class="pubstrong">The Flower and the Sword</span><span>
                                Girish Shahane, The Art News magazine of India, pg 93, volume X issue I, 2004
                            </span>

                            <span class="pubstrong">India’s Top 100 Achievers</span><span>
                                Society Magazine, pg 137, December 2004
                            </span>

                            <span class="pubstrong">Caught Between Demons<span style="font-weight: normal; color: red;"></span></span><span>
                                Nancy Adajania, The Hindu, 19th December 2004
                            </span>

                            <span class="pubstrong">En Reise Til India</span><span>
                                Harald Flor, Dagbladet, Kultur, 2nd February 2003
                            </span>

                            <span class="pubstrong">Signs of Resistance</span><span>
                                Nancy Adajania, The Hindu, 5th January 2003
                            </span>

                            <span class="pubstrong">Of the Goddess and Demon in the Mind</span><span>
                                Debbie Rodgers, Sunday edition Vijay Times, Bangalore, 5th January 2003
                            </span>

                            <span class="pubstrong">Empathic Anger</span><span>
                                Marta Jakimowicz, Deccan Herald, 23rd December 2002
                            </span>

                            <span class="pubstrong">Mysore Ek Khoj</span>
                            Cross Fertilization of Culture, Interview in Star of Mysore, 27th October 2002

                            <span class="pubstrong">Linking Islands</span><span>
                                Menaka Jayasankar, Indian Express, Mumbai Newsline, 15th February 2002
                            </span>

                            <span class="pubstrong">Creating to Destroy</span><span>
                                Jasmine Shah Varma, The List, Mid Day, 22nd February 2002
                            </span>

                            <span class="pubstrong">Different Strokes</span><span>
                                Georgina L Maddox, The Indian Express, Mumbai Newsline, 24th July 2002
                            </span>

                            <span class="pubstrong"><a target="_blank" href="http://www.reenakallat.com/wp-content/uploads/2011/09/Faith%20and%20Hunger.pdf" style="color: rgb(135, 135, 135);">Of Faith and Hunger</a><font style="font-weight:normal;" color="red">  >> </font></span>
                        <span>Abhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89, December 2000
                        </span>

                        <span class="pubstrong">The Murmur of Skin</span><span>
                            Nupur Mahajan, Bombay Times, Times of India, 12th October 2000
                        </span>

                        <span class="pubstrong">Not just Skin Deep</span><span>
                            Jasmine Shah Varma, The List, Mid-day, 4th October 2000
                        </span>

                        <span class="pubstrong">Inside Out</span><span>
                            Menaka Jayasankar, Indian Express, Mumbai Newsline, 11th October 2000
                        </span>

                        <span class="pubstrong">Scintillating Skin</span><span>
                            Vaibhav Purandare, The Asian Age, 14th October 2000
                        </span>

                        <span class="pubstrong">An Artist’s World: Roti, Makaan &amp; Abstract Art</span><span>
                            Poonam Goel, HT City, 23rd December 2000
                        </span>

                        <span class="pubstrong">Within you, Without you</span><span>
                            Anu Kumar, Indian Express, Express Newsline, 2nd September 1998
                        </span>

                        <span class="pubstrong">Farming Intrigue</span><span>
                            Jerry Pinto, The Times of India, Bombay Times, 3rd September 1998
                        </span>

                        <span class="pubstrong">Interactive Medium</span><span>
                            Karen Pereira, Indian Architect &amp; Builder, pgs 102-104, October 1998
                        </span>

    </tbody>
</table>