(2709,1,'2012-04-23 19:39:19','2012-04-23 19:39:19','<style type=\"text/css\">\r\n.tablenav {\r\nclear:both;\r\nheight:30px;\r\nmargin:6px 0 4px;\r\nvertical-align:middle;\r\n}\r\n.tablenav-pages {\r\ncolor:#555555;\r\n}\r\n.tablenav .tablenav-pages {\r\ncursor:default;\r\ndisplay:block;\r\nfloat:right;\r\nfont-size:11px;\r\nheight:30px;\r\nline-height:30px;\r\n}\r\n.page-numbers {\r\nborder-bottom-color:#B8D3E2;\r\ncolor:#21759B;\r\nfont-weight:bold;\r\n}\r\n.tablenav-pages .current {\r\nbackground:none repeat scroll 0 0 #DFDFDF;\r\nborder-color:#D3D3D3;\r\n}\r\n\r\na.page-numbers {\r\nborder-bottom-color:#B8D3E2;\r\n}\r\n.tablenav .displaying-num {\r\nfont-family:Georgia,\"Times New Roman\",\"Bitstream Charter\",Times,serif;\r\nfont-size:12px;\r\nfont-style:italic;\r\nmargin-right:10px;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/visas-to-happiness\"><img class=\"alignnone size-medium wp-image-712\" title=\"Visas to Happiness (2012)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/children-workshop-works-pag.jpg\" alt=\"Visas to Happiness (2012)\"  /></a>Visas to Happiness (2012)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/untitled-cobweb-knots-and-crossings\"><img class=\"alignnone size-medium wp-image-712\" title=\"Untitled Cobweb (knots and crossings) (2012)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/Cobweb-Work-page.jpg\" alt=\"Untitled Cobweb (knots and crossings) (2012)\"  /></a>Untitled Cobweb (knots and crossings) (2012)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/synapse-2011\"><img class=\"alignnone size-medium wp-image-712\" title=\"Synapse (2011)\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/04/synapse-Works-page.jpg\" alt=\"Synapse (2011)\"  /></a>Synapse (2011)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/map-drawing\"><img class=\"alignnone size-medium wp-image-712\" title=\"Untitled (Map/Drawing)  (2011)\" src=\"http://www.reenakallat.com/wp-content/uploads/2011/09/Mapping-works-page.jpg\" alt=\"untitled (Map/Drawing)  (2011)\"  /></a> Untitled (Map/Drawing) (2011)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/untitledcolumn\"><img class=\"alignnone size-medium wp-image-712\" title=\"untitled (column)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Untitled-works-page.jpg\" alt=\"untitled (2011)\"  /></a> Untitled (2011)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/falling-fables\"><img class=\"alignnone size-medium wp-image-712\" title=\"Falling Fables\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/paintings-work-page.jpg\" alt=\"Falling Fables (2010-11)\"  /></a> Falling Fables (2010-11)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/sculptures\"><img class=\"alignnone size-medium wp-image-712\" title=\"Sculptures\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/sculpture-for-works.jpg\" alt=\"Falling Fables (column) (2011)\"  /></a>Falling Fables (column) (2011)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/2degrees\"><img class=\"alignnone size-medium wp-image-712\" title=\"2 Degrees\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/2degrees-works.jpg\" alt=\"\"  /></a> 2 Degrees (2010)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/woven-veins\"><img class=\"alignnone size-medium wp-image-712\" title=\"Woven Veins\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/woven-veins-lead.jpg\" alt=\"Woven Veins (2009)\"  /></a> Woven Veins (2010)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/preface\"><img class=\"alignnone size-medium wp-image-712\" title=\"Preface\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/Preface-lead.jpg\" alt=\"Preface\"  /></a> Preface (2010)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/light-leaks\"><img class=\"alignnone size-medium wp-image-201\" title=\"Light Leaks\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/Light-Leaks-lead.jpg\" alt=\"Light Leaks (2008-2010)\"  /></a>Light Leaks... (2008-2010)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/colour-curtain\"><img class=\"alignnone size-medium wp-image-201\" title=\"Colour-curtain\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/2--colour-curtain.jpg\" alt=\"Colour Curtain (2009)\"  /></a>Colour Curtain... (2009)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/your-mileage-gallery\"><img class=\"alignnone size-medium wp-image-320\" title=\"Your-Mileage-May-Vary\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/3-Your-Mileage-May-Vary.jpg\" alt=\"\" /></a></span>Your Mileage May Vary (2009)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\"><a href=\"http://www.reenakallat.com/synonym\"><img class=\"alignnone size-medium wp-image-712\" title=\"Synonym\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/1--Synonym.jpg\" alt=\"\"  /></a> Synonym (2009)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/vanishing-point\"><img class=\"alignnone size-medium wp-image-201\" title=\"Vanishing Point (2009)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/4--VanishingPoint.jpg\" alt=\"Vanishing Point (2009)\"  /></a>Vanishing Point (2009)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\" >\r\n<a href=\"http://www.reenakallat.com/moving-millimeter\"><img class=\"alignnone size-medium wp-image-712\" title=\"The Moving Millimeter (2009)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/5---The-Moving-Mil....jpg\" alt=\"The Moving Millimeter (2009)\"  /></a>The Moving Millimeter (2009)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/white-yarn-detailed-info\"><img class=\"alignnone size-medium wp-image-199\" title=\"White Yarn\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/6---white-yarn.jpg\" alt=\"White Yarn (2008)\" /></a>White Yarn...(2008)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/white-heat-the-ironing-board-detailed-info\"><img class=\"alignnone size-medium wp-image-879\" title=\"White Heat (2008)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/7--White-Heat.jpg\" alt=\"White Heat (2008)\"  /></a>White Heat...(2008)</td>\r\n</tr>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/crease-crevice-contour-detailed-info\"><img class=\"alignnone size-large wp-image-417\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/8---Crease-crevice.jpg\" alt=\"Crease / Crevice / Contour (2008)\" /></a>Crease / Crevice / Contour (2008)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/silt-of-seasons-1-detailed-info\"><img class=\"alignnone size-large wp-image-436\" title=\"Silt of Seasons I (2008)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/9--Silt-of-Seasons.jpg\" alt=\"Silt of Seasons I (2008)\"  /></a>Silt of Seasons - I (2008)</td>\r\n<td width=\"200\" align=\"left\" valign=\"top\" class=\"canvas1\">\r\n<a href=\"http://www.reenakallat.com/silt-of-seasons-2-detailed-info\"><img class=\"alignnone size-large wp-image-436\" title=\"Silt of Seasons - II (2008)\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/10--Silt-of-Seasons.jpg\" alt=\"Silt of Seasons - II (2008)\"  /></a>Silt of Seasons - II (2008)</td>\r\n</tr>\r\n\r\n<tr>\r\n<td colspan=\"3\">\r\n<div class=\"tablenav\"><div class=\"tablenav-pages\"><span>1, </span>  <a href=\"works-page-2\" class=\"page-numbers\">2, </a> <a href=\"works-page-3\" class=\"page-numbers\">3</a> <a href=\"works-page-2\" >»</a></div><br class=\"clear\"></div>\r\n</td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<!--more-->','Works','','inherit','open','open','','54-revision-325','','','2012-04-23 19:39:19','2012-04-23 19:39:19','',54,'http://www.reenakallat.com/2709/uncat/54-revision-325',0,'revision','',0),(2711,1,'2011-03-22 12:23:33','2011-03-22 12:23:33','<b style=\"color:#999999;\">RE-MANUFACTURING SYMBOLS: RECENT PAINTINGS BY REENA SAINI KALLAT</b>\r\n<b>© Nancy Adajania</b>\r\n\r\nI propose to read Reena Saini Kallat’s recent paintings, which are overtly political, as a conversation between the visualities of fate and faith.  The tension between these two interrelated concepts has been dramatised most strongly in the Indian public sphere after independence.  From the 1950s through the 1980s, the citizens of post-colonial India harboured the hope that they could erase the lines of fate (inheritance by birth, caste, religion and regional location) and replace them with the power of faith in the secular icons of Progress, Technology and the Nation-state.  However, by the 1990s, various political and economic upheavals produced a new political configuration, under which this secular faith was eroded and substituted with a fate determined by religion and ethnicity, and articulated through processes of exclusion and discrimination.\r\n\r\n\r\nTwo visual tropes, those of the hand and the flag, recur in Saini’s works.  The hand appears both a delta of fate-lines as well as an instrument of labour that could overcome those lines.  The tricolour is portrayed as a mnemonic of the nation which once stood for sacrifice, peace and fertility, and also as a nation fragmented today by divisive political and religious forces.  In the paintings, the flag assumes various forms, floating across and tri-colouring a range of symbolic objects that stand for the nation.  It hues a diseased branch operated on a surgeon’s table, or dyes a nation-tree thirsting for water, or tints the landscape across which a dhobi carries his bundle of soiled clothes.\r\n\r\n\r\nIn Braiding the Line, Saini tries to reclaim the tricolour from ceremonialism.  Instead of an avaricious politician, she chooses a subaltern figure, a fisherman to weave a tricolour with his robust hands: elephants and peacocks, Gandhiji, Maulana Azad and Vinobha Bhave are held together in this net of succulent vines.  The most intriguing detail in this painting is a large watch on the fisherman’s wrist, counterposed with Kalki, the tenth and future avatar of the god Vishnu (the preserver of cosmic order and righteousness), which is placed as a pictorial notation in the corner of the painting.  This icon with a white horse’s head, which looks like a folkloric toy stands for a utopian future where disorder will be replaced with order.  Saini knits this narrative with a poetics of time.  Three layers of temporality co-exist in this triptych: chronological time symbolised by the watch, natural time reflected by the flora and fauna in the net, and mythological time by the popular political and social icons of the past, the whole dominated by the cosmic and cyclical scheme represented by the avatar of Kalki.\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\nThe artist’s formal treatment complements her construction of contemporary mythologies.  She uses decoration deliberately, as a contextual strategy and artistic choice to compose her pictorial space.  Here decoration does not remain mere surface ornamentation, but becomes an integral part of the image-making vocabulary.  For example, the net of vines, which is the central image of Braiding the Line. Forms an arabesque.  On examination, it reveals a coded significance, uniting the worlds of animals, birds, humans and demigods, proposing itself as an image of the universe.  Also, the underlayer of cement primer makes the ochre-gold acrylic surface look gritty and holds the tendency towards the decorative in counterpoint.  Thus, Saini’s critical approach saves the paintings from looking like a simulacrum of kitsch.  She manages to avoid this danger by rendering some of her forms with intentional crudity and even defacing them, so that, in her hands, kitsch becomes an active ingredient and not merely a fashionable form that appeals to current taste in the art world.\r\n\r\n\r\nAnother strategy, which Saini employs successfully, is that of jumbling seemingly different contexts, as in PULSE 30, where folkloric representations of the Dasha-avatar iconography (the ten avatars of Vishnu) are commingled with images from natural history and also with various portrayals of subaltern occupational types.  This is an unexpected move, because we can establish a correspondence between the pattern of the incarnations and the graphs of the evolution of life on earth (consider, for example, the parallel between the Matsya-avatar, Vishnu as Cosmic Fish, and the image of aquatic species).  But there is no such easy correspondence between subaltern artisans such as the knife-grinder and the carpenter, and their neighbour in Saini’s grid, Vishnu as the prince Rama.  There is a certain friction between the images at these points.\r\n\r\n  \r\nThis device of jumbling the iconic with the subaltern echoes a cultural phenomenon that we could call the haphazard democracy of street culture, where heroes of all kinds, film actors and actresses, politicians, gods, goddesses and pop gurus co-exist.  The difference is that Saini introduces the excluded and marginalised inhabitant of the street, the itinerant artisan or the daily-wage labourer, into the picture.  By adding the subaltern artisans to this pantheon of heroes, Saini produces a new democratic order, one in which the artisan is elevated to iconic status and portrayed with the same kind of valency as the god-king.  But we are not allowed to forget that the discriminating powers of fate still operate.  We find that this work of 30 small-sized paintings is framed by the images of two open palms, their fate-lines pulsating like naked wounds.  And yet are these not the hands that can make a revolution?\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\nAppropriately, on looking closer, we find that images of the subaltern heroes are framed  by candles.  And although the figures look layered and even blurred at times, they exert a compelling presence.  Saini surrounds their defaced bodies with a halo, provoking a dialogue between the ordinary and the auratic.  The carpenter is made to look like a saint with a liquid yellow halo and the avatar of Parashuram, the fierce axe-warrior, is domesticated, given the look of an everyday guardian deity of the household.\r\n\r\n\r\n\r\nThis play between the ordinary and auratic is most strongly dramatised in the paintings Sleeping River- Inhale and Sleeping River-Exhale, which show a soft-porn image of a woman (sourced from the Net) and an icon of the mother goddess from the popular cultic material.  In the former painting, the woman is shown as an epic figure in a deep sleep, her vagina wounded; streams of blood camouflaged as red vines gush over her open thighs.  Against this profane image is juxtaposed the sacred figure of the cosmic woman (sourced from an 18th century illuminated manuscript concerning the cosmic process of dissolution and reabsorption, pralaya). The cosmic woman contains within herself the trinity of Brahma,Vishnu and Shiva, the creator, preserver and destroyer of the universe.  Again, an arabesque of vines is used to connect these two disparate elements.  And in this net of vines float offering of dismembered parts of the human body made of wax.\r\n\r\n\r\nIn Sleeping River-Exhale, the woman is shown as pile of flesh on offer.  Since her head is cut by the top of the frame, we only see a part of her eyes and are not sure whether she is looking at, or away from, the angry image of Kali as it manifests itself.  Saini’s representation of the female body takes many forms in both these paintings: as commodity in pornography, as a votive wax offering made to show gratitude for healed afflictions, and as an icons.  To create a strong visual impact, Saini counterposes the inevitable crudity of the pornographic figures with the more stylised beauty of the sacred icons and symbols of fertility.\r\n\r\nI would suggest that as an artist, Saini’s primary concern is the status of the symbol in a charged political environment, where it is the discourse of the symbol rather than the discourse of the text that determines the fate of individuals, parties and ideologies.  She draws our attention to the manufactured nature of these symbols by exposing their machinery, through her representation of the differentiated forms of the female body, the nation and the competing narratives of cosmic order and chaos.  Thus, in Saini’s works, the symbols does not appear as an instrument of false consciousness, but instead, is unmasked as a key device in the dominant narratives of power/knowledge.  It appears, from her work, that she has tried to propose a counter-symbology to the symbolic transactions of mountebanks, self-styled religious gurus and criminalised politicians who grapple for control over India’s public sphere today.  The forces ranged against an individual artist’s project such as this one are vast, but Reena Saini Kallat is determined to keep a window of awareness open.  The impulse of her work will surely achieve its full maturity in the years to come.\r\n\r\n<b>Bombay,2002</b>  \r\n','','','inherit','open','open','','1267-revision-8','','','2011-03-22 12:23:33','2011-03-22 12:23:33','',1267,'http://www.reenakallat.com/2711/uncat/1267-revision-8',0,'revision','',0),(2712,1,'2012-05-03 18:27:49','2012-05-03 18:27:49','<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/1-Process-Workshop-site.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/1-Process-Workshop-site.jpg\" alt=\"Subject-to-Change-Without-Notice\" title=\"Subject-to-Change-Without-Notice\" width=\"600\"  class=\"alignnone size-large wp-image-368\" /></a>\r\n</td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Beautiful People Of The Rainbow – The Sea Is Salty Everywhere</span>\r\n2001\r\nsand, pigment, bamboo, photographs\r\nCommunity workshop at Grand Riviere as part of Big River 2 \r\n</td></tr><tr><td><span style=\"font-size:11px; line-height:3px;\"><i>installation view</i>, Community workshop at Grand Riviere, Trinidad and Tobago Islands</span></td></tr>\r\n<tr><td>&nbsp;</td></tr></tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\"><tbody><tr><td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/Beautiful-People-1.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/Beautiful-People-1.jpg\"  class=\"alignnone size-large wp-image-366\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr></tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\"><tbody><tr><td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/Beautiful-People-2.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/Beautiful-People-2.jpg\"  class=\"alignnone size-large wp-image-366\" /></a></td>\r\n</tr><tr><td>&nbsp;</td></tr></tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\"><tbody><tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/Beautiful-People-3.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/Beautiful-People-3.jpg\"  class=\"alignnone size-large wp-image-366\" /></a></td></tr><tr><td>&nbsp;</td></tr></tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\"><tbody><tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/Beautiful-People-4.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/Beautiful-People-4.jpg\"  class=\"alignnone size-large wp-image-366\" /></a></td>\r\n</tr><tr><td>&nbsp;</td></tr></tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\"><tbody><tr><td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/Beautiful-People-5.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/Beautiful-People-5.jpg\" class=\"alignnone size-large wp-image-366\" /></a></td>\r\n</tr><tr><td>&nbsp;</td></tr></tbody></table>','','','inherit','open','open','','1195-revision-12','','','2012-05-03 18:27:49','2012-05-03 18:27:49','',1195,'http://www.reenakallat.com/2712/uncat/1195-revision-12',0,'revision','',0),(2713,1,'2012-06-28 09:23:46','2012-06-28 09:23:46','<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/1-Process-Workshop-site.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/1-Process-Workshop-site.jpg\" alt=\"Subject-to-Change-Without-Notice\" title=\"Subject-to-Change-Without-Notice\" width=\"600\"  class=\"alignnone size-large wp-image-368\" /></a>\r\n</td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Beautiful People Of The Rainbow – The Sea Is Salty Everywhere</span>\r\n2001\r\nsand, pigment, bamboo, photographs\r\nCommunity workshop at Grand Riviere as part of Big River 2 \r\n</td></tr><tr><td><span style=\"font-size:11px; line-height:3px;\"><i>installation view</i>, Community workshop at Grand Riviere, Trinidad and Tobago Islands</span></td></tr>\r\n<tr><td>&nbsp;</td></tr></tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\"><tbody><tr><td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/Beautiful-People-1.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/Beautiful-People-1.jpg\"  class=\"alignnone size-large wp-image-366\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr></tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\"><tbody><tr><td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/Beautiful-People-2.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/Beautiful-People-2.jpg\"  class=\"alignnone size-large wp-image-366\" /></a></td>\r\n</tr><tr><td>&nbsp;</td></tr></tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\"><tbody><tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/Beautiful-People-3.jpg\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/Beautiful-People-3.jpg\"  class=\"alignnone size-large wp-image-366\" /></a></td></tr><tr><td>&nbsp;</td></tr></tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\"><tbody><tr><td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/Beautiful-People-4.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/Beautiful-People-4.jpg\"  class=\"alignnone size-large wp-image-366\" /></a></td>\r\n</tr><tr><td>&nbsp;</td></tr></tbody></table><table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"600\"><tbody><tr><td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/Beautiful-People-5.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/08/final-images-lead/Beautiful-People-5.jpg\" class=\"alignnone size-large wp-image-366\" /></a></td>\r\n</tr><tr><td>&nbsp;</td></tr></tbody></table>','','','inherit','open','open','','1195-revision-13','','','2012-06-28 09:23:46','2012-06-28 09:23:46','',1195,'http://www.reenakallat.com/2713/uncat/1195-revision-13',0,'revision','',0),(2715,1,'2012-05-04 18:50:30','2012-05-04 18:50:30','Reena Saini Kallat (b. 1973, Delhi, India) graduated from Sir J.J. School of Art, Mumbai in 1996 with a B.F.A. in painting. Her practice - spanning painting, photography, video, sculpture and installation, often incorporates multiple mediums into a single work. She frequently works with officially recorded or registered names of people, objects, and monuments that are lost or have disappeared without a trace, only to get listed as anonymous and forgotten statistics. One of the recurrent motifs in her work is the rubber stamp, used as an object and an imprint, signifying the bureaucratic apparatus, which both confirms and obscures identities.\r\n\r\nHer work has been widely exhibited across the world in venues such as Mori Art Museum, Tokyo; Kennedy Centre, Washington; Saatchi Gallery, London; SESC Pompeia and SESC Belenzino in Sao Paulo; Goteborgs Konsthall, Sweden; Helsinki City Art Museum, Finland; National Taiwan Museum of Fine Arts; Tel Aviv Museum of Art, Israel; National Museum of Contemporary Art, Seoul; Henie Onstad Kunstsenter, Oslo; Casa Asia, Madrid and Barcelona; ZKM Karlsruhe in Germany; Campbelltown Arts Centre, Sydney; Hangar Bicocca, Milan; Museum of Contemporary Art, Shanghai; IVAM Museum, Spain;  Busan MOMA; Kulturhuset, Stockholm; Chicago Cultural Centre amongst many others and she has participated in a number of workshops and residencies. She lives and works in Mumbai.<tr><td>&nbsp;</td></tr><table>\r\n<tbody>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">SOLO EXHIBITIONS</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://www.naturemorte.com/exhibitions/2011-03-08_reena-saini-kallat/\" target=\"_blank\">Labyrinth of Absences, Nature Morte, New Delhi</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.primomarellagallery.com/it/catalogue/scheda.asp?id=568&amp;view=past\" target=\"_blank\">Drift, Primo Marella Gallery, Milan</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2008/reena_bio.html\" target=\"_blank\"> Silt of Seasons, Chemould   Prescott Road, Mumbai <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/reena-kallat-exhibition-2008/\" target=\"_blank\">Subject to Change without Notice, Walsh Gallery, Chicago</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Rainbow Of Refuse, Bodhi Art Gallery, Mumbai and Singapore</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td><a class=\"linkbio\" href=\"http://www.naturemorte.com/artists/reena-saini-kallat/selected-works/\" target=\"_blank\">Black Flute (And Other Stories), Nature Morte, New Delhi</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2004/reena_saini_kallat_note.html\" target=\"_blank\">Black Flute, Gallery Chemould, Mumbai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>The Battlefield Is The Mind, Sakshi Gallery, Bangalore</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Seven Faces of Dust, Chicago Radio, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2000</td>\r\n<td>Skin, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1998</td>\r\n<td>Orchard of Home-grown Secrets, Gallery Chemould and Pundole  Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><span style=\"color: #888888;\"><strong>SELECTED GROUP EXHIBITIONS</strong></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>SESC Belenzino, Sao Paulo, Brazil</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td><a class=\"linkbio\" href=\"http://www.punkto.no/voices-from-pandemonium.5009470-185063.html\" target=\"_blank\">Stemmer fra Pandemonium, Punkt-Galleri F 15, Moss, Norway <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>Group show, Eigen + Art Lab, Berlin</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>To Let the World In: Narrative and Beyond in Contemporary Indian Art, Lalit Kala Regional Centre, Chennai, India</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td><a class=\"linkbio\" href=\"http://www.exhibit320.com/exhibitionShow/EXH00014/\" target=\"_blank\">The Contemporary Sultanate, the Sunrydge, New Delhi, India <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>Kalaghoda Art Festival, Mumbai, India</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>The Skoda Prize Exhibition, Lalit Kala Academy, New Delhi, India</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>India Side by Side, Centro Cultural Banco do Brasil, Rio De Janeiro, Brazil</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Giant Elephant : Contemporary Art from India, H Cube Gallery, Seoul</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Roundabout, Tel Aviv Museum of Art, Israel<span style=\"color: red;\"> </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://goteborg.biennal.org/en/the-biennial-2011/artists/\" target=\"_blank\">Goteborg International Biennale for Contemporary Art, curated by Sarat Maharaj, Göteborgs Konsthall and Bohuslans Konsthall, Uddevalla, Sweden <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Right to Dissent, Clark House, Mumbai, India</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>RED, Palette Art Gallery, Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://www.kennedy-center.org/events/?event=ZLINB\" target=\"_blank\">Maximum India, The Kennedy Centre, Washington</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Of Gods and Goddesses, Cinema, Cricket - The New cultural Icons of India, Jehangir Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Samtidigt, Helsinki City Art Museum, Finland</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Iconoclasts and Iconodules, curated by Ombretta Argo, Religare Art Gallery, New  Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>The Vancouver International Sculpture Biennale, Surrey Art Gallery, Canada</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>The Intuitive: Logic Revisted, from the Osians Collection at The World Economic Forum, Davos, Switzerland</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/current/La_Route_De_La_Soie.htm\" target=\"_blank\">La Route de la Soie / The Silk Road, Lille 3000, France </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.kulturhuset.stockholm.se/default.asp?id=5760&amp;refid=34277\" target=\"_blank\">Samtidigt, Kulterhuset, Stockholm</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.campbelltown.nsw.gov.au/default.asp?iNavCatID=3407&amp;iSubCatID=3615\" target=\"_blank\">The River Project, Campbelltown Art Centre, Sydney</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.aboutroundabout.com/artists/kallat-reena-saini\" target=\"_blank\">Roundabout, City Gallery Wellington, New Zealand</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/\" target=\"_blank\">Waterways, Walsh Gallery, Chicago</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.richmondartgallery.org/in-transition.php\" target=\"_blank\">In Transition: New Art from India, Richmond Art Gallery Vancouver Biennale, Vancouver</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://websterhuntgallery.blogspot.com/2010_02_01_archive.html\" target=\"_blank\">Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster University, curated by Jeffrey Hughes and Dana Turkovic, Cecile R. Hunt  Gallery, St. Louis, Missouri</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/51\" target=\"_blank\">Never Run Away, 2 person exhibition curated by Shaheen Merali, Stux Gallery, New York</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/artists/reena_kallat.htm?section_name=new_india\" target=\"_blank\">The Empire Strikes Back, Saatchi Gallery, London</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://art-for-the-world.blogspot.com/2010/01/some-installation-views-of-urban.html\" target=\"_blank\">Urban Manners 2, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao Paulo, Brazil</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.asianartbiennial.org/2009/en/index_en.html\" target=\"_blank\">View Points and Viewing points - 2009 Asian Art Biennale, National Taiwan Museum of Fine Arts </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Spectrum: Indian Art at Abu   Dhabi, United   Arab Emirates</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Milan Galleria, curated by Georgio Verzotti, Triennale Museum, Milan</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.initialaccess.co.uk/exh/73/11/passage-to-india-part-ii/reena-saini-kallat\" target=\"_blank\">Passage to India Part II show at Initial Access, Frank Cohen Collection, Wolverhampton, UK</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Ventosul Biennale, Curitiba, Brazil</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/english/contents/india/index.html\" target=\"_blank\"> Chalo! India: A New Era of Indian Art, National  Museum of Contemporary Art, Korea and Essl Museum, Vienna</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mocashanghai.org/index.php?_function=exhibition&amp;_subFunction=pastExhibition&amp;exhibition_id=40&amp;_view=detail\" target=\"_blank\">INDIA XIANZAI: Contemporary Indian Art, Museum of Contemporary Art, Shanghai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/42/622\" target=\"_blank\">Low Blow: And Other Species of Confusion, Stux gallery, New York</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><em> </em>Indian Narratives in the 21<sup>st</sup> Century: Between Memory and History,Casa  Asia, Madrid and Barcelona, Spain</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/body-chatter-an-exhibition-of-contemporary-indian-art-2008/\" target=\"_blank\">Body Chatter, Walsh Gallery, Chicago</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/contents/press/india_20081121_e.pdf\" target=\"_blank\">Chalo! India: A New Era of Indian Art, Mori Art   Museum, Japan</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.indiamoderna.es/eng/index.html\" target=\"_blank\">India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM Museum, Valencia, Spain </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.aaa.org.hk/onlineprojects/bitri/en/gallery.aspx?eid=A080.03\" target=\"_blank\">3<sup>rd</sup> Nanjing Triennale, curators: Fumihiko Sumitomo, Jaeyoung Kang,  China</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>TEAF (Taehwagang Eco Art Festival) - Dream River, Korea</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.bodhiart.in/exhibitions/everywhere_is_war/everywhere_war.html\" target=\"_blank\">Everywhere is War (And Rumours of it), Bodhi Art Gallery, Mumbai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/33\" target=\"_blank\">Fire Walkers, Stefan Stux gallery, New York</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.galeriems.com/reenask_one.htm\" target=\"_blank\">Three Points of view, Galerie Mirchandani + Steinrucke, Mumbai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Excavation: Memory / Myth / Membrane, Museum Gallery, Mumbai</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>International Incheon Women Artists’ Biennale, Korea</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Soft Power: Asian Attitude, Shanghai Zendai Museum of Modern Art, Shanghai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td><a class=\"linkbio\" href=\"http://www.kunstaspekte.de/index.php?tid=39629&amp;action=termin\" target=\"_blank\">Urban Manners, curated by Adelina Von Furstenberg, at Hangar Bicocca, Milan </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td><a class=\"linkbio\" href=\"http://www.art-for-the-world.com/wwd/2007/urban_manners/Urban_Manners_pr.pdf\" target=\"_blank\">INDIA NOW: Contemporary Indian Art, Between Continuity and transformation, curated by Daniela Palozzoli at Spazio Oberdan, Milan</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>New Narratives: Contemporary Art From India, curated by Betty Seid, Chicago Cultural Centre, Chicago</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Thermocline Of Art- New Asian Waves, curated by Wonil Rhee and Peter Weibel at ZKM in Karlsruhe, Germany</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Modern Indian Works On Paper, Arthur Ross Gallery, Philadelphia and the Georgia Museum of Art, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Lille 3000 (Maximum City-Mumbai), Lille,  France</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Hungry God- Indian Contemporary Art, curated by Yun Chaegab and June Gwak, Arario Gallery, Beijing and Busan MoMA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>India Express – Art and Popular Culture, Art Museum Tennispalace, curators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City  Art Museum, Finland</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Mom and Pop Art, Walsh Gallery, Chicago</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Span, Sakshi Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Indian Paintings of the New Millenium, curated by Helen Asquine Fazio at Thomas J. Walsh Art Gallery at Fairfield  University, USA</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td><em> </em>Contemporary Art from India, Thomas   Erben Gallery, New York</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td>Zoom! Art in Contemporary India. Curators: Nancy Adajania and Luis Serpa, The Culturgest Museum, Lisbon, Portugal</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Crossing generations: diVERGE, Gallery Chemould’s 40th anniversary, Curators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of Modern Art, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td><em> </em>Hard Copy, two-person show with Jitish Kallat, Gallery 88, Calcutta</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Tiranga, curator: Peter Nagy, India Habitat Centre, New Delhi</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td><em> </em>Elephant Walks, Youth Arts Project in collaboration with Jitish Kallat as part of Indians + Cowboys exhibition, Curators: Aaron Seetu and Ruth Watson Gallery 4A, Sydney</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>The Tree From The Seed, Contemporary Art from India, curator: Gavin Jantjes Henie Onstad Kunstsenter (Oslo), Norway</td>\r\n<td><em></em></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td><em>Crosscurrents</em>, organized by Artworks for the fiftieth anniversary celebrations of Jehangir Art  Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td><em>Reclaim Our Freedom</em>, organized by Open Circle, Pundole Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Crossing Borders, Gallery Windkracht 13, Den Helder, Holland</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>Big River 2, CCA7 Gallery, Port Of Spain, Trinidad</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>AOM- Art on the move, organized by Sahmat, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1999</td>\r\n<td><em> </em>Edge of the Century, curated by Amit Mukhopadhyay, Academy  of Fine Arts and Literature, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1998</td>\r\n<td><em> </em>Essays in Time, Kinetic Sculptures, Nehru Centre, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1997</td>\r\n<td><em> </em>India in Harmony 1947-1997, Nehru Centre, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1997</td>\r\n<td><em> </em>A Page From My Diary, Sans Tache Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1997</td>\r\n<td><em> </em>Fresh Work, Birla Academy of Art and Culture, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1996</td>\r\n<td><em> </em>Monsoon Show, Jehangir Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1995</td>\r\n<td><em> </em>Varsha ’95, Y. B. Chavan Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">SELECTED WORKSHOPS AND RESIDENCIES</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>Visas to Happiness, workshop with children as part of the exhibition \'To Let the World In\', Chennai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Iaspis Residency, Gothenburg, Sweden.</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Vanishing Point, children’s project at the Celebrate Bandra Festival, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Collaborative workshop as part of the exhibition Aftershock, Sainsbury Centre for Visual Arts, University of East Anglia, Norwich,  UK</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Collaborated on a Billboard project with Jitish Kallat, Kala Ghoda Art District, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Elephant Walks, Youth Arts Project at the Casula Power House Arts Centre, Liverpool, Australia</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Khoj 2002 International Artists Workshop, Mysore, India</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Identity and Landscape, residency in the Laurentian mountains of Quebec at the Boreal Art/Nature Centre, Canada</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>Big River 2, International Artists Workshop organized by CCA7 and the Triangle Arts Trust at Grand Riviere, Trinidad, West Indies</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td><span style=\"color: #888888;\"><strong>TALKS/PRESENTATIONS</strong></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Artists Talk at GIBCA Speak Easy (GSE), Goteborg, Sweden</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Informal talk at HDK – The School of Design and Crafts, Goteborg, Sweden</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Artists Talk at the Iaspis Residency Studio, Sweden</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td>Short presentation as part of The River Project at The Campbelltown Arts Centre, Sydney, Australia</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Artists Talk at the Krishnakriti Festival 2011, Kalakriti Gallery, Hyderabad</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td>Panel discussion moderated by Maria Lantz, with participating artists during the exhibition Samtidigt at Kulturhuset, Stockholm</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Panel discussion with artist Gulam Sheikh, co-chair: Sabine B. Vogel, art critic at the Sammlung Essl Museum, Vienna</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Slide presentation followed by a panel discussion with Nalini Malani and Jayshree Chakravarty, moderated by Nancy Adajania at Jnanapravaha, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Slide presentation at the School of the Art Institute of Chicago</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Panel discussion with Nalini Malani, Sheba Chhachhi, moderated by Betty Seid at the Chicago Cultural Centre</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Lecture at the University Boccini, Milan</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Slide presentation at the Lamar Dodd School of Art, University of Georgia, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Artists Talk at the Griffith Auditorium, Georgia Museum of Art, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Slide presentation at Oslo National Academy of the Arts, Norway</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2000</td>\r\n<td>Slide presentation at Mohile Parikh Centre for the Visual Arts, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">AWARDS</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>YFLO ZOYA Young Women Achievers Awards 2010-11, Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Harmony Award</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1996</td>\r\n<td>Bombay Art Society Merit Certificate</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1996</td>\r\n<td>Second Prize Government Award, Sir J. J. School of Art, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1995</td>\r\n<td>Gladstone Solomon Award</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1991-1996</td>\r\n<td>Merit Scholarship, Sir J. J. School of Art, Mumbai</td>\r\n</tr>\r\n</tbody>\r\n</table>','Biography','','inherit','open','open','','105-revision-115','','','2012-05-04 18:50:30','2012-05-04 18:50:30','',105,'http://www.reenakallat.com/2715/uncat/105-revision-115',0,'revision','',0),(2716,1,'2012-10-11 02:34:15','2012-10-11 02:34:15','Reena Saini Kallat (b. 1973, Delhi, India) graduated from Sir J.J. School of Art, Mumbai in 1996 with a B.F.A. in painting. Her practice - spanning painting, photography, video, sculpture and installation, often incorporates multiple mediums into a single work. She frequently works with officially recorded or registered names of people, objects, and monuments that are lost or have disappeared without a trace, only to get listed as anonymous and forgotten statistics. One of the recurrent motifs in her work is the rubber stamp, used as an object and an imprint, signifying the bureaucratic apparatus, which both confirms and obscures identities.\n\nHer work has been widely exhibited across the world in venues such as Mori Art Museum, Tokyo; Kennedy Centre, Washington; Saatchi Gallery, London; SESC Pompeia and SESC Belenzino in Sao Paulo; Goteborgs Konsthall, Sweden; Helsinki City Art Museum, Finland; National Taiwan Museum of Fine Arts; Tel Aviv Museum of Art, Israel; National Museum of Contemporary Art, Seoul; Henie Onstad Kunstsenter, Oslo; Casa Asia, Madrid and Barcelona; ZKM Karlsruhe in Germany; Campbelltown Arts Centre, Sydney; Hangar Bicocca, Milan; Museum of Contemporary Art, Shanghai; IVAM Museum, Spain;  Busan MOMA; Kulturhuset, Stockholm; Chicago Cultural Centre amongst many others and she has participated in a number of workshops and residencies. She lives and works in Mumbai.\n<table>\n<tbody>\n<tr>\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">SOLO EXHIBITIONS</span></strong></td>\n</tr>\n<tr>\n<td></td>\n</tr>\n<tr>\n<td valign=\"top\">2011</td>\n<td><a class=\"linkbio\" href=\"http://www.naturemorte.com/exhibitions/2011-03-08_reena-saini-kallat/\" target=\"_blank\">Labyrinth of Absences, Nature Morte, New Delhi</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\n</tr>\n<tr>\n<td valign=\"top\">2009</td>\n<td><a class=\"linkbio\" href=\"http://www.primomarellagallery.com/it/catalogue/scheda.asp?id=568&amp;view=past\" target=\"_blank\">Drift, Primo Marella Gallery, Milan</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\n</tr>\n<tr>\n<td valign=\"top\">2008</td>\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2008/reena_bio.html\" target=\"_blank\"> Silt of Seasons, Chemould   Prescott Road, Mumbai <span style=\"color: red;\"> &gt;&gt; </span></a></td>\n</tr>\n<tr>\n<td valign=\"top\">2008</td>\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/reena-kallat-exhibition-2008/\" target=\"_blank\">Subject to Change without Notice, Walsh Gallery, Chicago</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\n</tr>\n<tr>\n<td valign=\"top\">2006</td>\n<td>Rainbow Of Refuse, Bodhi Art Gallery, Mumbai and Singapore</td>\n<td><em> </em></td>\n</tr>\n<tr>\n<td valign=\"top\">2005</td>\n<td><a class=\"linkbio\" href=\"http://www.naturemorte.com/artists/reena-saini-kallat/selected-works/\" target=\"_blank\">Black Flute (And Other Stories), Nature Morte, New Delhi</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\n</tr>\n<tr>\n<td valign=\"top\">2004</td>\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2004/reena_saini_kallat_note.html\" target=\"_blank\">Black Flute, Gallery Chemould, Mumbai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\n</tr>\n<tr>\n<td valign=\"top\">2002</td>\n<td>The Battlefield Is The Mind, Sakshi Gallery, Bangalore</td>\n</tr>\n<tr>\n<td valign=\"top\">2002</td>\n<td>Seven Faces of Dust, Chicago Radio, Mumbai</td>\n</tr>\n<tr>\n<td valign=\"top\">2000</td>\n<td>Skin, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi</td>\n</tr>\n<tr>\n<td valign=\"top\">1998</td>\n<td>Orchard of Home-grown Secrets, Gallery Chemould and Pundole  Art Gallery, Mumbai</td>\n</tr>\n<tr>\n<td></td>\n</tr>\n<tr>\n<td></td>\n</tr>\n<tr>\n<td colspan=\"2\"><span style=\"color: #888888;\"><strong>SELECTED GROUP EXHIBITIONS</strong></span></td>\n</tr>\n<tr>\n<td></td>\n</tr>\n<tr>\n<td valign=\"top\">2012</td>\n<td>SESC Belenzino, Sao Paulo, Brazil</td>\n</tr>\n<tr>\n<td valign=\"top\">2012</td>\n<td><a class=\"linkbio\" href=\"http://www.punkto.no/voices-from-pandemonium.5009470-185063.html\" target=\"_blank\">Stemmer fra Pandemonium, Punkt-Galleri F 15, Moss, Norway <span style=\"color: red;\"> &gt;&gt; </span></a></td>\n</tr>\n<tr>\n<td valign=\"top\">2012</td>\n<td>Group show, Eigen + Art Lab, Berlin</td>\n</tr>\n<tr>\n<td valign=\"top\">2012</td>\n<td>To Let the World In: Narrative and Beyond in Contemporary Indian Art, Lalit Kala Regional Centre, Chennai, India</td>\n</tr>\n<tr>\n<td valign=\"top\">2012</td>\n<td><a class=\"linkbio\" href=\"http://www.exhibit320.com/exhibitionShow/EXH00014/\" target=\"_blank\">The Contemporary Sultanate, the Sunrydge, New Delhi, India <span style=\"color: red;\"> &gt;&gt; </span></a></td>\n</tr>\n<tr>\n<td valign=\"top\">2012</td>\n<td>Kalaghoda Art Festival, Mumbai, India</td>\n</tr>\n<tr>\n<td valign=\"top\">2012</td>\n<td>The Skoda Prize Exhibition, Lalit Kala Academy, New Delhi, India</td>\n</tr>\n<tr>\n<td></td>\n</tr>\n<tr>\n<td valign=\"top\">2011</td>\n<td>India Side by Side, Centro Cultural Banco do Brasil, Rio De Janeiro, Brazil</td>\n</tr>\n<tr>\n<td valign=\"top\">2011</td>\n<td>Giant Elephant : Contemporary Art from India, H Cube Gallery, Seoul</td>\n</tr>\n<tr>\n<td valign=\"top\">2011</td>\n<td>Roundabout, Tel Aviv Museum of Art, Israel<span style=\"color: red;\"> </span></td>\n</tr>\n<tr>\n<td valign=\"top\">2011</td>\n<td><a class=\"linkbio\" href=\"http://goteborg.biennal.org/en/the-biennial-2011/artists/\" target=\"_blank\">Goteborg International Biennale for Contemporary Art, curated by Sarat Maharaj, Göteborgs Konsthall and Bohuslans Konsthall, Uddevalla, Sweden <span style=\"color: red;\"> &gt;&gt; </span></a></td>\n</tr>\n<tr>\n<td valign=\"top\">2011</td>\n<td>Right to Dissent, Clark House, Mumbai, India</td>\n</tr>\n<tr>\n<td valign=\"top\">2011</td>\n<td>RED, Palette Art Gallery, Delhi</td>\n</tr>\n<tr>\n<td valign=\"top\">2011</td>\n<td><a class=\"linkbio\" href=\"http://www.kennedy-center.org/events/?event=ZLINB\" target=\"_blank\">Maximum India, The Kennedy Centre, Washington</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\n</tr>\n<tr>\n<td valign=\"top\">2011</td>\n<td>Of Gods and Goddesses, Cinema, Cricket - The New cultural Icons of India, Jehangir Art Gallery, Mumbai</td>\n</tr>\n<tr>\n<td valign=\"top\">2011</td>\n<td>Samtidigt, Helsinki City Art Museum, Finland</td>\n</tr>\n<tr>\n<td valign=\"top\">2011</td>\n<td>Iconoclasts and Iconodules, curated by Ombretta Argo, Religare Art Gallery, New  Delhi</td>\n</tr>\n<tr>\n<td valign=\"top\">2011</td>\n<td>The Vancouver International Sculpture Biennale, Surrey Art Gallery, Canada</td>\n</tr>\n<tr>\n<td valign=\"top\">2011</td>\n<td>The Intuitive: Logic Revisted, from the Osians Collection at The World Economic Forum, Davos, Switzerland</td>\n</tr>\n<tr>\n<td></td>\n</tr>\n<tr>\n<td valign=\"top\">2010</td>\n<td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/current/La_Route_De_La_Soie.htm\" target=\"_blank\">La Route de la Soie / The Silk Road, Lille 3000, France </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\n</tr>\n<tr>\n<td valign=\"top\">2010</td>\n<td><a class=\"linkbio\" href=\"http://www.kulturhuset.stockholm.se/default.asp?id=5760&amp;refid=34277\" target=\"_blank\">Samtidigt, Kulterhuset, Stockholm</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\n</tr>\n<tr>\n<td valign=\"top\">2010</td>\n<td><a class=\"linkbio\" href=\"http://www.campbelltown.nsw.gov.au/default.asp?iNavCatID=3407&amp;iSubCatID=3615\" target=\"_blank\">The River Project, Campbelltown Art Centre, Sydney</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\n</tr>\n<tr>\n<td valign=\"top\">2010</td>\n<td><a class=\"linkbio\" href=\"http://www.aboutroundabout.com/artists/kallat-reena-saini\" target=\"_blank\">Roundabout, City Gallery Wellington, New Zealand</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\n</tr>\n<tr>\n<td valign=\"top\">2010</td>\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/\" target=\"_blank\">Waterways, Walsh Gallery, Chicago</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\n</tr>\n<tr>\n<td valign=\"top\">2010</td>\n<td><a class=\"linkbio\" href=\"http://www.richmondartgallery.org/in-transition.php\" target=\"_blank\">In Transition: New Art from India, Richmond Art Gallery Vancouver Biennale, Vancouver</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\n</tr>\n<tr>\n<td valign=\"top\">2010</td>\n<td><a class=\"linkbio\" href=\"http://websterhuntgallery.blogspot.com/2010_02_01_archive.html\" target=\"_blank\">Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster University, curated by Jeffrey Hughes and Dana Turkovic, Cecile R. Hunt  Gallery, St. Louis, Missouri</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\n</tr>\n<tr>\n<td valign=\"top\">2010</td>\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/51\" target=\"_blank\">Never Run Away, 2 person exhibition curated by Shaheen Merali, Stux Gallery, New York</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\n</tr>\n<tr>\n<td valign=\"top\">2010</td>\n<td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/artists/reena_kallat.htm?section_name=new_india\" target=\"_blank\">The Empire Strikes Back, Saatchi Gallery, London</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\n</tr>\n<tr>\n<td valign=\"top\">2010</td>\n<td><a class=\"linkbio\" href=\"http://art-for-the-world.blogspot.com/2010/01/some-installation-views-of-urban.html\" target=\"_blank\">Urban Manners 2, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao Paulo, Brazil</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\n</tr>\n<tr>\n<td></td>\n</tr>\n<tr>\n<td valign=\"top\">2009</td>\n<td><a class=\"linkbio\" href=\"http://www.asianartbiennial.org/2009/en/index_en.html\" target=\"_blank\">View Points and Viewing points - 2009 Asian Art Biennale, National Taiwan Museum of Fine Arts </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\n</tr>\n<tr>\n<td valign=\"top\">2009</td>\n<td>Spectrum: Indian Art at Abu   Dhabi, United   Arab Emirates</td>\n</tr>\n<tr>\n<td valign=\"top\">2009</td>\n<td>Milan Galleria, curated by Georgio Verzotti, Triennale Museum, Milan</td>\n</tr>\n<tr>\n<td valign=\"top\">2009</td>\n<td><a class=\"linkbio\" href=\"http://www.initialaccess.co.uk/exh/73/11/passage-to-india-part-ii/reena-saini-kallat\" target=\"_blank\">Passage to India Part II show at Initial Access, Frank Cohen Collection, Wolverhampton, UK</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\n</tr>\n<tr>\n<td valign=\"top\">2009</td>\n<td>Ventosul Biennale, Curitiba, Brazil</td>\n</tr>\n<tr>\n<td valign=\"top\">2009</td>\n<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/english/contents/india/index.html\" target=\"_blank\"> Chalo! India: A New Era of Indian Art, National  Museum of Contemporary Art, Korea and Essl Museum, Vienna</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\n</tr>\n<tr>\n<td valign=\"top\">2009</td>\n<td><a class=\"linkbio\" href=\"http://www.mocashanghai.org/index.php?_function=exhibition&amp;_subFunction=pastExhibition&amp;exhibition_id=40&amp;_view=detail\" target=\"_blank\">INDIA XIANZAI: Contemporary Indian Art, Museum of Contemporary Art, Shanghai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\n</tr>\n<tr>\n<td valign=\"top\">2009</td>\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/42/622\" target=\"_blank\">Low Blow: And Other Species of Confusion, Stux gallery, New York</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\n</tr>\n<tr>\n<td valign=\"top\">2009</td>\n<td><em> </em>Indian Narratives in the 21<sup>st</sup> Century: Between Memory and History,Casa  Asia, Madrid and Barcelona, Spain</td>\n</tr>\n<tr>\n<td valign=\"top\">2009</td>\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/body-chatter-an-exhibition-of-contemporary-indian-art-2008/\" target=\"_blank\">Body Chatter, Walsh Gallery, Chicago</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\n</tr>\n<tr>\n<td></td>\n</tr>\n<tr>\n<td valign=\"top\">2008</td>\n<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/contents/press/india_20081121_e.pdf\" target=\"_blank\">Chalo! India: A New Era of Indian Art, Mori Art   Museum, Japan</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\n</tr>\n<tr>\n<td valign=\"top\">2008</td>\n<td><a class=\"linkbio\" href=\"http://www.indiamoderna.es/eng/index.html\" target=\"_blank\">India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM Museum, Valencia, Spain </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\n<td></td>\n</tr>\n<tr>\n<td valign=\"top\">2008</td>\n<td><a class=\"linkbio\" href=\"http://www.aaa.org.hk/onlineprojects/bitri/en/gallery.aspx?eid=A080.03\" target=\"_blank\">3<sup>rd</sup> Nanjing Triennale, curators: Fumihiko Sumitomo, Jaeyoung Kang,  China</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\n</tr>\n<tr>\n<td valign=\"top\">2008</td>\n<td>TEAF (Taehwagang Eco Art Festival) - Dream River, Korea</td>\n</tr>\n<tr>\n<td valign=\"top\">2008</td>\n<td><a class=\"linkbio\" href=\"http://www.bodhiart.in/exhibitions/everywhere_is_war/everywhere_war.html\" target=\"_blank\">Everywhere is War (And Rumours of it), Bodhi Art Gallery, Mumbai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\n</tr>\n<tr>\n<td valign=\"top\">2008</td>\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/33\" target=\"_blank\">Fire Walkers, Stefan Stux gallery, New York</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\n</tr>\n<tr>\n<td valign=\"top\">2008</td>\n<td><a class=\"linkbio\" href=\"http://www.galeriems.com/reenask_one.htm\" target=\"_blank\">Three Points of view, Galerie Mirchandani + Steinrucke, Mumbai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\n</tr>\n<tr>\n<td valign=\"top\">2008</td>\n<td>Excavation: Memory / Myth / Membrane, Museum Gallery, Mumbai</td>\n<td></td>\n</tr>\n<tr>\n<td></td>\n</tr>\n<tr>\n<td valign=\"top\">2007</td>\n<td>International Incheon Women Artists’ Biennale, Korea</td>\n</tr>\n<tr>\n<td valign=\"top\">2007</td>\n<td>Soft Power: Asian Attitude, Shanghai Zendai Museum of Modern Art, Shanghai</td>\n</tr>\n<tr>\n<td valign=\"top\">2007</td>\n<td><a class=\"linkbio\" href=\"http://www.kunstaspekte.de/index.php?tid=39629&amp;action=termin\" target=\"_blank\">Urban Manners, curated by Adelina Von Furstenberg, at Hangar Bicocca, Milan </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\n<td></td>\n</tr>\n<tr>\n<td valign=\"top\">2007</td>\n<td><a class=\"linkbio\" href=\"http://www.art-for-the-world.com/wwd/2007/urban_manners/Urban_Manners_pr.pdf\" target=\"_blank\">INDIA NOW: Contemporary Indian Art, Between Continuity and transformation, curated by Daniela Palozzoli at Spazio Oberdan, Milan</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\n</tr>\n<tr>\n<td valign=\"top\">2007</td>\n<td>New Narratives: Contemporary Art From India, curated by Betty Seid, Chicago Cultural Centre, Chicago</td>\n<td><em> </em></td>\n</tr>\n<tr>\n<td valign=\"top\">2007</td>\n<td>Thermocline Of Art- New Asian Waves, curated by Wonil Rhee and Peter Weibel at ZKM in Karlsruhe, Germany</td>\n</tr>\n<tr>\n<td></td>\n</tr>\n<tr>\n<td valign=\"top\">2006</td>\n<td>Modern Indian Works On Paper, Arthur Ross Gallery, Philadelphia and the Georgia Museum of Art, USA</td>\n</tr>\n<tr>\n<td valign=\"top\">2006</td>\n<td>Lille 3000 (Maximum City-Mumbai), Lille,  France</td>\n</tr>\n<tr>\n<td valign=\"top\">2006</td>\n<td>Hungry God- Indian Contemporary Art, curated by Yun Chaegab and June Gwak, Arario Gallery, Beijing and Busan MoMA</td>\n</tr>\n<tr>\n<td valign=\"top\">2006</td>\n<td>India Express – Art and Popular Culture, Art Museum Tennispalace, curators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City  Art Museum, Finland</td>\n</tr>\n<tr>\n<td></td>\n</tr>\n<tr>\n<td valign=\"top\">2005</td>\n<td>Mom and Pop Art, Walsh Gallery, Chicago</td>\n</tr>\n<tr>\n<td valign=\"top\">2005</td>\n<td>Span, Sakshi Gallery, Mumbai</td>\n</tr>\n<tr>\n<td valign=\"top\">2005</td>\n<td>Indian Paintings of the New Millenium, curated by Helen Asquine Fazio at Thomas J. Walsh Art Gallery at Fairfield  University, USA</td>\n</tr>\n<tr>\n<td></td>\n</tr>\n<tr>\n<td valign=\"top\">2004</td>\n<td><em> </em>Contemporary Art from India, Thomas   Erben Gallery, New York</td>\n</tr>\n<tr>\n<td valign=\"top\">2004</td>\n<td>Zoom! Art in Contemporary India. Curators: Nancy Adajania and Luis Serpa, The Culturgest Museum, Lisbon, Portugal</td>\n<td></td>\n</tr>\n<tr>\n<td></td>\n</tr>\n<tr>\n<td valign=\"top\">2003</td>\n<td>Crossing generations: diVERGE, Gallery Chemould’s 40th anniversary, Curators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of Modern Art, Mumbai</td>\n</tr>\n<tr>\n<td valign=\"top\">2003</td>\n<td><em> </em>Hard Copy, two-person show with Jitish Kallat, Gallery 88, Calcutta</td>\n</tr>\n<tr>\n<td valign=\"top\">2003</td>\n<td>Tiranga, curator: Peter Nagy, India Habitat Centre, New Delhi</td>\n<td><em> </em></td>\n</tr>\n<tr>\n<td valign=\"top\">2003</td>\n<td><em> </em>Elephant Walks, Youth Arts Project in collaboration with Jitish Kallat as part of Indians + Cowboys exhibition, Curators: Aaron Seetu and Ruth Watson Gallery 4A, Sydney</td>\n</tr>\n<tr>\n<td valign=\"top\">2003</td>\n<td>The Tree From The Seed, Contemporary Art from India, curator: Gavin Jantjes Henie Onstad Kunstsenter (Oslo), Norway</td>\n<td><em></em></td>\n</tr>\n<tr>\n<td></td>\n</tr>\n<tr>\n<td valign=\"top\">2002</td>\n<td><em>Crosscurrents</em>, organized by Artworks for the fiftieth anniversary celebrations of Jehangir Art  Gallery, Mumbai</td>\n</tr>\n<tr>\n<td valign=\"top\">2002</td>\n<td><em>Reclaim Our Freedom</em>, organized by Open Circle, Pundole Art Gallery, Mumbai</td>\n</tr>\n<tr>\n<td valign=\"top\">2002</td>\n<td>Crossing Borders, Gallery Windkracht 13, Den Helder, Holland</td>\n</tr>\n<tr>\n<td></td>\n</tr>\n<tr>\n<td valign=\"top\">2001</td>\n<td>Big River 2, CCA7 Gallery, Port Of Spain, Trinidad</td>\n</tr>\n<tr>\n<td valign=\"top\">2001</td>\n<td>AOM- Art on the move, organized by Sahmat, New Delhi</td>\n</tr>\n<tr>\n<td></td>\n</tr>\n<tr>\n<td valign=\"top\">1999</td>\n<td><em> </em>Edge of the Century, curated by Amit Mukhopadhyay, Academy  of Fine Arts and Literature, New Delhi</td>\n</tr>\n<tr>\n<td></td>\n</tr>\n<tr>\n<td valign=\"top\">1998</td>\n<td><em> </em>Essays in Time, Kinetic Sculptures, Nehru Centre, Mumbai</td>\n</tr>\n<tr>\n<td></td>\n</tr>\n<tr>\n<td valign=\"top\">1997</td>\n<td><em> </em>India in Harmony 1947-1997, Nehru Centre, Mumbai</td>\n</tr>\n<tr>\n<td valign=\"top\">1997</td>\n<td><em> </em>A Page From My Diary, Sans Tache Art Gallery, Mumbai</td>\n</tr>\n<tr>\n<td valign=\"top\">1997</td>\n<td><em> </em>Fresh Work, Birla Academy of Art and Culture, Mumbai</td>\n</tr>\n<tr>\n<td></td>\n</tr>\n<tr>\n<td valign=\"top\">1996</td>\n<td><em> </em>Monsoon Show, Jehangir Art Gallery, Mumbai</td>\n</tr>\n<tr>\n<td></td>\n</tr>\n<tr>\n<td valign=\"top\">1995</td>\n<td><em> </em>Varsha ’95, Y. B. Chavan Gallery, Mumbai</td>\n</tr>\n<tr>\n<td></td>\n</tr>\n<tr>\n<td></td>\n</tr>\n<tr>\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">SELECTED WORKSHOPS AND RESIDENCIES</span></strong></td>\n</tr>\n<tr>\n<td></td>\n</tr>\n<tr>\n<td valign=\"top\">2012</td>\n<td>Visas to Happiness, workshop with children as part of the exhibition \'To Let the World In\', Chennai</td>\n</tr>\n<tr>\n<td valign=\"top\">2011</td>\n<td>Iaspis Residency, Gothenburg, Sweden.</td>\n</tr>\n<tr>\n<td valign=\"top\">2009</td>\n<td>Vanishing Point, children’s project at the Celebrate Bandra Festival, Mumbai</td>\n</tr>\n<tr>\n<td valign=\"top\">2007</td>\n<td>Collaborative workshop as part of the exhibition Aftershock, Sainsbury Centre for Visual Arts, University of East Anglia, Norwich,  UK</td>\n</tr>\n<tr>\n<td valign=\"top\">2003</td>\n<td>Collaborated on a Billboard project with Jitish Kallat, Kala Ghoda Art District, Mumbai</td>\n</tr>\n<tr>\n<td valign=\"top\">2003</td>\n<td>Elephant Walks, Youth Arts Project at the Casula Power House Arts Centre, Liverpool, Australia</td>\n</tr>\n<tr>\n<td valign=\"top\">2002</td>\n<td>Khoj 2002 International Artists Workshop, Mysore, India</td>\n</tr>\n<tr>\n<td valign=\"top\">2002</td>\n<td>Identity and Landscape, residency in the Laurentian mountains of Quebec at the Boreal Art/Nature Centre, Canada</td>\n</tr>\n<tr>\n<td valign=\"top\">2001</td>\n<td>Big River 2, International Artists Workshop organized by CCA7 and the Triangle Arts Trust at Grand Riviere, Trinidad, West Indies</td>\n</tr>\n<tr>\n<td></td>\n</tr>\n<tr>\n<td></td>\n</tr>\n<tr>\n<td><span style=\"color: #888888;\"><strong>TALKS/PRESENTATIONS</strong></span></td>\n</tr>\n<tr>\n<td></td>\n</tr>\n<tr>\n<td valign=\"top\">2011</td>\n<td>Artists Talk at GIBCA Speak Easy (GSE), Goteborg, Sweden</td>\n</tr>\n<tr>\n<td valign=\"top\">2011</td>\n<td>Informal talk at HDK – The School of Design and Crafts, Goteborg, Sweden</td>\n</tr>\n<tr>\n<td valign=\"top\">2011</td>\n<td>Artists Talk at the Iaspis Residency Studio, Sweden</td>\n</tr>\n<tr>\n<td valign=\"top\">2010</td>\n<td>Short presentation as part of The River Project at The Campbelltown Arts Centre, Sydney, Australia</td>\n</tr>\n<tr>\n<td valign=\"top\">2011</td>\n<td>Artists Talk at the Krishnakriti Festival 2011, Kalakriti Gallery, Hyderabad</td>\n</tr>\n<tr>\n<td valign=\"top\">2010</td>\n<td>Panel discussion moderated by Maria Lantz, with participating artists during the exhibition Samtidigt at Kulturhuset, Stockholm</td>\n</tr>\n<tr>\n<td valign=\"top\">2009</td>\n<td>Panel discussion with artist Gulam Sheikh, co-chair: Sabine B. Vogel, art critic at the Sammlung Essl Museum, Vienna</td>\n</tr>\n<tr>\n<td valign=\"top\">2008</td>\n<td>Slide presentation followed by a panel discussion with Nalini Malani and Jayshree Chakravarty, moderated by Nancy Adajania at Jnanapravaha, Mumbai</td>\n</tr>\n<tr>\n<td valign=\"top\">2008</td>\n<td>Slide presentation at the School of the Art Institute of Chicago</td>\n</tr>\n<tr>\n<td valign=\"top\">2007</td>\n<td>Panel discussion with Nalini Malani, Sheba Chhachhi, moderated by Betty Seid at the Chicago Cultural Centre</td>\n</tr>\n<tr>\n<td valign=\"top\">2007</td>\n<td>Lecture at the University Boccini, Milan</td>\n</tr>\n<tr>\n<td valign=\"top\">2006</td>\n<td>Slide presentation at the Lamar Dodd School of Art, University of Georgia, USA</td>\n</tr>\n<tr>\n<td valign=\"top\">2006</td>\n<td>Artists Talk at the Griffith Auditorium, Georgia Museum of Art, USA</td>\n</tr>\n<tr>\n<td valign=\"top\">2003</td>\n<td>Slide presentation at Oslo National Academy of the Arts, Norway</td>\n</tr>\n<tr>\n<td valign=\"top\">2000</td>\n<td>Slide presentation at Mohile Parikh Centre for the Visual Arts, Mumbai</td>\n</tr>\n<tr>\n<td></td>\n</tr>\n<tr>\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">AWARDS</span></strong></td>\n</tr>\n<tr>\n<td></td>\n</tr>\n<tr>\n<td valign=\"top\">2011</td>\n<td>YFLO ZOYA Young Women Achievers Awards 2010-11, Delhi</td>\n</tr>\n<tr>\n<td valign=\"top\">2005</td>\n<td>Harmony Award</td>\n</tr>\n<tr>\n<td valign=\"top\">1996</td>\n<td>Bombay Art Society Merit Certificate</td>\n</tr>\n<tr>\n<td valign=\"top\">1996</td>\n<td>Second Prize Government Award, Sir J. J. School of Art, Mumbai</td>\n</tr>\n<tr>\n<td valign=\"top\">1995</td>\n<td>Gladstone Solomon Award</td>\n</tr>\n<tr>\n<td valign=\"top\">1991-1996</td>\n<td>Merit Scholarship, Sir J. J. School of Art, Mumbai</td>\n</tr>\n</tbody>\n</table>','old bio','','inherit','open','open','','2714-revision','','','2012-10-11 02:34:15','2012-10-11 02:34:15','',2714,'http://www.reenakallat.com/2716/uncat/2714-revision',0,'revision','',0),(2717,1,'2012-10-11 02:42:29','2012-10-11 02:42:29','Reena Saini Kallat (b. 1973, Delhi, India) graduated from Sir J.J. School of Art, Mumbai in 1996 with a B.F.A. in painting. Her practice - spanning painting, photography, video, sculpture and installation, often incorporates multiple mediums into a single work. She frequently works with officially recorded or registered names of people, objects, and monuments that are lost or have disappeared without a trace, only to get listed as anonymous and forgotten statistics. One of the recurrent motifs in her work is the rubber stamp, used as an object and an imprint, signifying the bureaucratic apparatus, which both confirms and obscures identities.\r\n\r\nHer work has been widely exhibited across the world in venues such as Mori Art Museum, Tokyo; Kennedy Centre, Washington; Saatchi Gallery, London; SESC Pompeia and SESC Belenzino in Sao Paulo; Goteborgs Konsthall, Sweden; Helsinki City Art Museum, Finland; National Taiwan Museum of Fine Arts; Tel Aviv Museum of Art, Israel; National Museum of Contemporary Art, Seoul; Henie Onstad Kunstsenter, Oslo; Casa Asia, Madrid and Barcelona; ZKM Karlsruhe in Germany; Campbelltown Arts Centre, Sydney; Hangar Bicocca, Milan; Museum of Contemporary Art, Shanghai; IVAM Museum, Spain;  Busan MOMA; Kulturhuset, Stockholm; Chicago Cultural Centre amongst many others and she has participated in a number of workshops and residencies. She lives and works in Mumbai.\r\n<table>\r\n<tbody>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">SOLO EXHIBITIONS</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://www.naturemorte.com/exhibitions/2011-03-08_reena-saini-kallat/\" target=\"_blank\">Labyrinth of Absences, Nature Morte, New Delhi</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.primomarellagallery.com/it/catalogue/scheda.asp?id=568&amp;view=past\" target=\"_blank\">Drift, Primo Marella Gallery, Milan</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2008/reena_bio.html\" target=\"_blank\"> Silt of Seasons, Chemould   Prescott Road, Mumbai <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/reena-kallat-exhibition-2008/\" target=\"_blank\">Subject to Change without Notice, Walsh Gallery, Chicago</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Rainbow Of Refuse, Bodhi Art Gallery, Mumbai and Singapore</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td><a class=\"linkbio\" href=\"http://www.naturemorte.com/artists/reena-saini-kallat/selected-works/\" target=\"_blank\">Black Flute (And Other Stories), Nature Morte, New Delhi</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2004/reena_saini_kallat_note.html\" target=\"_blank\">Black Flute, Gallery Chemould, Mumbai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>The Battlefield Is The Mind, Sakshi Gallery, Bangalore</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Seven Faces of Dust, Chicago Radio, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2000</td>\r\n<td>Skin, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1998</td>\r\n<td>Orchard of Home-grown Secrets, Gallery Chemould and Pundole  Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><span style=\"color: #888888;\"><strong>SELECTED GROUP EXHIBITIONS</strong></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>India Today, ARKEN Museum of Modern Art, Copenhagen, Denmark</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>WONDERS – Masterpieces from Private Collections, Denmark</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>India Side by Side, Centro Cultural Banco do Brasil, Brasilia</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>Group show, Eigen + Art Lab, Berlin</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>India Side by Side,SESC Belenzino, Sao Paulo, Brazil</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td><a class=\"linkbio\" href=\"http://www.punkto.no/voices-from-pandemonium.5009470-185063.html\" target=\"_blank\">Stemmer fra Pandemonium, Punkt-Galleri F 15, Moss, Norway <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>Group show, Eigen + Art Lab, Berlin</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>To Let the World In: Narrative and Beyond in Contemporary Indian Art, Lalit Kala Regional Centre, Chennai, India</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td><a class=\"linkbio\" href=\"http://www.exhibit320.com/exhibitionShow/EXH00014/\" target=\"_blank\">The Contemporary Sultanate, the Sunrydge, New Delhi, India <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>Kalaghoda Art Festival, Mumbai, India</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>The Skoda Prize Exhibition, Lalit Kala Academy, New Delhi, India</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>India Side by Side, Centro Cultural Banco do Brasil, Rio De Janeiro, Brazil</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Giant Elephant : Contemporary Art from India, H Cube Gallery, Seoul</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Roundabout, Tel Aviv Museum of Art, Israel<span style=\"color: red;\"> </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://goteborg.biennal.org/en/the-biennial-2011/artists/\" target=\"_blank\">Goteborg International Biennale for Contemporary Art, curated by Sarat Maharaj, Göteborgs Konsthall and Bohuslans Konsthall, Uddevalla, Sweden <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Right to Dissent, Clark House, Mumbai, India</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>RED, Palette Art Gallery, Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://www.kennedy-center.org/events/?event=ZLINB\" target=\"_blank\">Maximum India, The Kennedy Centre, Washington</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Of Gods and Goddesses, Cinema, Cricket - The New cultural Icons of India, Jehangir Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Samtidigt, Helsinki City Art Museum, Finland</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Iconoclasts and Iconodules, curated by Ombretta Argo, Religare Art Gallery, New  Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>The Vancouver International Sculpture Biennale, Surrey Art Gallery, Canada</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>The Intuitive: Logic Revisted, from the Osians Collection at The World Economic Forum, Davos, Switzerland</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/current/La_Route_De_La_Soie.htm\" target=\"_blank\">La Route de la Soie / The Silk Road, Lille 3000, France </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.kulturhuset.stockholm.se/default.asp?id=5760&amp;refid=34277\" target=\"_blank\">Samtidigt, Kulterhuset, Stockholm</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.campbelltown.nsw.gov.au/default.asp?iNavCatID=3407&amp;iSubCatID=3615\" target=\"_blank\">The River Project, Campbelltown Art Centre, Sydney</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.aboutroundabout.com/artists/kallat-reena-saini\" target=\"_blank\">Roundabout, City Gallery Wellington, New Zealand</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/\" target=\"_blank\">Waterways, Walsh Gallery, Chicago</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.richmondartgallery.org/in-transition.php\" target=\"_blank\">In Transition: New Art from India, Richmond Art Gallery Vancouver Biennale, Vancouver</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://websterhuntgallery.blogspot.com/2010_02_01_archive.html\" target=\"_blank\">Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster University, curated by Jeffrey Hughes and Dana Turkovic, Cecile R. Hunt  Gallery, St. Louis, Missouri</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/51\" target=\"_blank\">Never Run Away, 2 person exhibition curated by Shaheen Merali, Stux Gallery, New York</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/artists/reena_kallat.htm?section_name=new_india\" target=\"_blank\">The Empire Strikes Back, Saatchi Gallery, London</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://art-for-the-world.blogspot.com/2010/01/some-installation-views-of-urban.html\" target=\"_blank\">Urban Manners 2, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao Paulo, Brazil</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.asianartbiennial.org/2009/en/index_en.html\" target=\"_blank\">View Points and Viewing points - 2009 Asian Art Biennale, National Taiwan Museum of Fine Arts </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Spectrum: Indian Art at Abu   Dhabi, United   Arab Emirates</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Milan Galleria, curated by Georgio Verzotti, Triennale Museum, Milan</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.initialaccess.co.uk/exh/73/11/passage-to-india-part-ii/reena-saini-kallat\" target=\"_blank\">Passage to India Part II show at Initial Access, Frank Cohen Collection, Wolverhampton, UK</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Ventosul Biennale, Curitiba, Brazil</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/english/contents/india/index.html\" target=\"_blank\"> Chalo! India: A New Era of Indian Art, National  Museum of Contemporary Art, Korea and Essl Museum, Vienna</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mocashanghai.org/index.php?_function=exhibition&amp;_subFunction=pastExhibition&amp;exhibition_id=40&amp;_view=detail\" target=\"_blank\">INDIA XIANZAI: Contemporary Indian Art, Museum of Contemporary Art, Shanghai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/42/622\" target=\"_blank\">Low Blow: And Other Species of Confusion, Stux gallery, New York</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><em> </em>Indian Narratives in the 21<sup>st</sup> Century: Between Memory and History,Casa  Asia, Madrid and Barcelona, Spain</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/body-chatter-an-exhibition-of-contemporary-indian-art-2008/\" target=\"_blank\">Body Chatter, Walsh Gallery, Chicago</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/contents/press/india_20081121_e.pdf\" target=\"_blank\">Chalo! India: A New Era of Indian Art, Mori Art   Museum, Japan</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.indiamoderna.es/eng/index.html\" target=\"_blank\">India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM Museum, Valencia, Spain </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.aaa.org.hk/onlineprojects/bitri/en/gallery.aspx?eid=A080.03\" target=\"_blank\">3<sup>rd</sup> Nanjing Triennale, curators: Fumihiko Sumitomo, Jaeyoung Kang,  China</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>TEAF (Taehwagang Eco Art Festival) - Dream River, Korea</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.bodhiart.in/exhibitions/everywhere_is_war/everywhere_war.html\" target=\"_blank\">Everywhere is War (And Rumours of it), Bodhi Art Gallery, Mumbai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/33\" target=\"_blank\">Fire Walkers, Stefan Stux gallery, New York</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.galeriems.com/reenask_one.htm\" target=\"_blank\">Three Points of view, Galerie Mirchandani + Steinrucke, Mumbai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Excavation: Memory / Myth / Membrane, Museum Gallery, Mumbai</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>International Incheon Women Artists’ Biennale, Korea</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Soft Power: Asian Attitude, Shanghai Zendai Museum of Modern Art, Shanghai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td><a class=\"linkbio\" href=\"http://www.kunstaspekte.de/index.php?tid=39629&amp;action=termin\" target=\"_blank\">Urban Manners, curated by Adelina Von Furstenberg, at Hangar Bicocca, Milan </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td><a class=\"linkbio\" href=\"http://www.art-for-the-world.com/wwd/2007/urban_manners/Urban_Manners_pr.pdf\" target=\"_blank\">INDIA NOW: Contemporary Indian Art, Between Continuity and transformation, curated by Daniela Palozzoli at Spazio Oberdan, Milan</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>New Narratives: Contemporary Art From India, curated by Betty Seid, Chicago Cultural Centre, Chicago</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Thermocline Of Art- New Asian Waves, curated by Wonil Rhee and Peter Weibel at ZKM in Karlsruhe, Germany</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Modern Indian Works On Paper, Arthur Ross Gallery, Philadelphia and the Georgia Museum of Art, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Lille 3000 (Maximum City-Mumbai), Lille,  France</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Hungry God- Indian Contemporary Art, curated by Yun Chaegab and June Gwak, Arario Gallery, Beijing and Busan MoMA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>India Express – Art and Popular Culture, Art Museum Tennispalace, curators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City  Art Museum, Finland</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Mom and Pop Art, Walsh Gallery, Chicago</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Span, Sakshi Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Indian Paintings of the New Millenium, curated by Helen Asquine Fazio at Thomas J. Walsh Art Gallery at Fairfield  University, USA</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td><em> </em>Contemporary Art from India, Thomas   Erben Gallery, New York</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td>Zoom! Art in Contemporary India. Curators: Nancy Adajania and Luis Serpa, The Culturgest Museum, Lisbon, Portugal</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Crossing generations: diVERGE, Gallery Chemould’s 40th anniversary, Curators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of Modern Art, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td><em> </em>Hard Copy, two-person show with Jitish Kallat, Gallery 88, Calcutta</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Tiranga, curator: Peter Nagy, India Habitat Centre, New Delhi</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td><em> </em>Elephant Walks, Youth Arts Project in collaboration with Jitish Kallat as part of Indians + Cowboys exhibition, Curators: Aaron Seetu and Ruth Watson Gallery 4A, Sydney</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>The Tree From The Seed, Contemporary Art from India, curator: Gavin Jantjes Henie Onstad Kunstsenter (Oslo), Norway</td>\r\n<td><em></em></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td><em>Crosscurrents</em>, organized by Artworks for the fiftieth anniversary celebrations of Jehangir Art  Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td><em>Reclaim Our Freedom</em>, organized by Open Circle, Pundole Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Crossing Borders, Gallery Windkracht 13, Den Helder, Holland</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>Big River 2, CCA7 Gallery, Port Of Spain, Trinidad</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>AOM- Art on the move, organized by Sahmat, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1999</td>\r\n<td><em> </em>Edge of the Century, curated by Amit Mukhopadhyay, Academy  of Fine Arts and Literature, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1998</td>\r\n<td><em> </em>Essays in Time, Kinetic Sculptures, Nehru Centre, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1997</td>\r\n<td><em> </em>India in Harmony 1947-1997, Nehru Centre, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1997</td>\r\n<td><em> </em>A Page From My Diary, Sans Tache Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1997</td>\r\n<td><em> </em>Fresh Work, Birla Academy of Art and Culture, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1996</td>\r\n<td><em> </em>Monsoon Show, Jehangir Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1995</td>\r\n<td><em> </em>Varsha ’95, Y. B. Chavan Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">SELECTED WORKSHOPS AND RESIDENCIES</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>Visas to Happiness, workshop with children as part of the exhibition \'To Let the World In\', Chennai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Iaspis Residency, Gothenburg, Sweden.</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Vanishing Point, children’s project at the Celebrate Bandra Festival, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Collaborative workshop as part of the exhibition Aftershock, Sainsbury Centre for Visual Arts, University of East Anglia, Norwich,  UK</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Collaborated on a Billboard project with Jitish Kallat, Kala Ghoda Art District, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Elephant Walks, Youth Arts Project at the Casula Power House Arts Centre, Liverpool, Australia</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Khoj 2002 International Artists Workshop, Mysore, India</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Identity and Landscape, residency in the Laurentian mountains of Quebec at the Boreal Art/Nature Centre, Canada</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>Big River 2, International Artists Workshop organized by CCA7 and the Triangle Arts Trust at Grand Riviere, Trinidad, West Indies</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td><span style=\"color: #888888;\"><strong>TALKS/PRESENTATIONS</strong></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>Artists Talk at the World Economic Forum, Tianjin</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Artists Talk at GIBCA Speak Easy (GSE), Goteborg, Sweden</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Informal talk at HDK – The School of Design and Crafts, Goteborg, Sweden</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Artists Talk at the Iaspis Residency Studio, Sweden</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td>Short presentation as part of The River Project at The Campbelltown Arts Centre, Sydney, Australia</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Artists Talk at the Krishnakriti Festival 2011, Kalakriti Gallery, Hyderabad</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td>Panel discussion moderated by Maria Lantz, with participating artists during the exhibition Samtidigt at Kulturhuset, Stockholm</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Panel discussion with artist Gulam Sheikh, co-chair: Sabine B. Vogel, art critic at the Sammlung Essl Museum, Vienna</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Slide presentation followed by a panel discussion with Nalini Malani and Jayshree Chakravarty, moderated by Nancy Adajania at Jnanapravaha, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Slide presentation at the School of the Art Institute of Chicago</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Panel discussion with Nalini Malani, Sheba Chhachhi, moderated by Betty Seid at the Chicago Cultural Centre</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Lecture at the University Boccini, Milan</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Slide presentation at the Lamar Dodd School of Art, University of Georgia, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Artists Talk at the Griffith Auditorium, Georgia Museum of Art, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Slide presentation at Oslo National Academy of the Arts, Norway</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2000</td>\r\n<td>Slide presentation at Mohile Parikh Centre for the Visual Arts, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">AWARDS</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>YFLO ZOYA Young Women Achievers Awards 2010-11, Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Harmony Award</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1996</td>\r\n<td>Bombay Art Society Merit Certificate</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1996</td>\r\n<td>Second Prize Government Award, Sir J. J. School of Art, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1995</td>\r\n<td>Gladstone Solomon Award</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1991-1996</td>\r\n<td>Merit Scholarship, Sir J. J. School of Art, Mumbai</td>\r\n</tr>\r\n</tbody>\r\n</table>','Biography','','inherit','open','open','','105-revision-116','','','2012-10-11 02:42:29','2012-10-11 02:42:29','',105,'http://www.reenakallat.com/2717/uncat/105-revision-116',0,'revision','',0),(2722,1,'2012-04-15 13:00:04','2012-04-15 13:00:04','<table border=\"0\" cellspacing=\"5\" cellpadding=\"0\" width=\"100%\" align=\"centre\">\r\n<tbody>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" width=\"21%\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td style=\"margin-left: 5px;\"><span class=\"pubstrong\">Reena Saini Kallat, </span> 2009<span>\r\nText: Nancy Adajania and Murtaza Vali\r\nPublisher: Primo Marella Gallery, Walsh Gallery and Chemould Prescott Road\r\nISBN: 978-81-908879-1-5 </span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/reena-kallat\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Rainbow of Refuse, </span>2006<span>\r\nText: Nancy Adajania\r\nPublisher: Bodhi Art Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/rainbow-of-refuse\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Black Flute (and other stories), </span>2005\r\n<span class=\"pubstrong\">Black Flute,</span> 2004<span>\r\nText: Nancy Adajania\r\nPublisher: Gallery Chemould and Nature Morte Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/black-flute\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">The Battlefield is the Mind, </span>2002<span>\r\nText: Nancy Adajania\r\nPublisher: Sakshi Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/battlefield-of-mind\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table cellspacing=\"0\" cellpadding=\"0\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Skin, </span>2000<span>\r\nInterview with Jitish Kallat\r\nPublisher: Gallery Chemould and Vis-à-vis Art Inc. Gallery</span></td>\r\n</tr>\r\n<tr></tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Orchard of home-grown secrets, </span>1998<span>\r\nText: Ranjit Hoskote\r\nPublisher: Gallery Chemould and Pundole Art Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/orchard-pub\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n<td><!-- Start of Other Publications -->\r\n\r\n<span class=\"pubstrong\">The Skoda Prize Twenty, </span>2011-2012<span>\r\nText: Zeenat Nagree\r\nPublisher: Popular Prakashan</span>\r\nISBN: 978-81-7991-681-0\r\n\r\n<span class=\"pubstrong\">Pandemonium: Art in a time of creativity fever, </span>2011<span>\r\nText: interview with Stina Edblom\r\nPublisher: Göteborg International Biennial for Contemporary Art</span>\r\nISBN: 978-91-633-9363-1\r\n<span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/pandemonium\">read interview</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span>\r\n\r\n<span class=\"pubstrong\">The Indian Renaissance, </span>2011<span>\r\nText: Antonio Stellatelli, Romano Ravasio and Marina Pizziolo\r\n\r\n<span class=\"pubstrong\">Vancouver Biennale, </span>2009-2011<span>\r\nText: Vancouver International Sculpture Biennale\r\n</span>\r\n\r\n<span class=\"pubstrong\">Maximum India, </span>2011<span>\r\nPublisher: The John F. Kennedy Center for the Performing Arts, 2011</span>\r\n\r\n<span class=\"pubstrong\">Never Run Away, </span>2010<span>\r\nText: Shaheen Merali\r\nPublisher: Stux Gallery</span>\r\n<span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/never-run-away\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span>\r\n\r\n<span class=\"pubstrong\">Urban Manners 2, </span>2010<span>\r\nText: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\nPublisher: SESC Pompeia, Sao Paulo </span>\r\n\r\n<span class=\"pubstrong\">The Empire Strikes Back, </span>2010<span>\r\nText: Zehra Jumabhoy\r\nPublisher: Saatchi Gallery\r\nISBN: 9780224089494\r\n</span>\r\n\r\n<span class=\"pubstrong\">The River Project, </span>2010<span>\r\nPublisher: Campbelltown Arts Centre\r\nISBN: 9781875199761\r\n</span>\r\n\r\n<span class=\"pubstrong\">Asian Art Now, </span>2010<span>\r\nText: Melissa Chiu and Benjamin Genocchio\r\nPublisher: Monacelli Press\r\nISBN: 978-1-58093-298-1 (1-58093-298-3)\r\n</span>\r\n\r\n<span class=\"pubstrong\">Roundabout, </span>2010<span>\r\nPublisher: Art Asia Pacific Publishing\r\nISBN: 978-0984562510\r\n</span>\r\n\r\n<span class=\"pubstrong\">The Khoj Book, </span>2010<span>\r\nInterview with Shilpa Gupta\r\nPublisher: HarperCollins\r\nISBN: 9788172236878</span>\r\n<span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/khoj-book\">read interview</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span>\r\n\r\n<span class=\"pubstrong\">5 Bienal Ventosul, </span>2009<span>\r\nPublisher: Instituto Paranaense de Arte</span>\r\n\r\n<span class=\"pubstrong\">Viewpoints &amp; Viewings Points- Asian Art Biennale, </span>2009<span>\r\nText: Chao-yi-Tsai\r\nPublisher: National Taiwan Museum of fine Arts\r\nISBN: 978-986-02-0269-4</span>\r\n\r\n<span class=\"pubstrong\">India Xianzai: Contemporary Indian Art, </span>2009<span>\r\nText: Jitish Kallat, Diana Freundl, Alexander Keefe\r\nPublisher: Museum of Contemporary Art</span>\r\n\r\n<span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2009<span>\r\nText: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki,\r\nMiho Tagomori\r\nPublisher: Prestel, National Museum of Contemporary Art and Essl Museum\r\nISBN: 978-3-7913-4304-4</span>\r\n\r\n<span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2008<span>\r\nText: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman\r\nGopinath, Jayaram, Deepak Ananth\r\nPublisher: Mori Art Museum\r\nISBN: 978-4-902819-21-2</span>\r\n\r\n<span class=\"pubstrong\">India Moderna, </span>2008<span>\r\nText: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur,\r\nR. Siva Kumar, K.G. Subramanyan\r\nPublisher: IVAM (Institute Valencia D’Art Modern)\r\nISBN: 978-84-482-5104-8</span>\r\n\r\n<span class=\"pubstrong\">Everywhere is War (and rumours of it),</span>2008<span>\r\nText: Kai Hafez, Martin Hager, Nicholas Mirzoeff, Daniel Miller,\r\nBregje van Eekelen\r\nPublisher: Bodhi Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Three Points of Views, </span>2008<span>\r\nText: Grant Watson\r\nPublisher: Galerie Mirchandani + Steinruecke</span>\r\n\r\n<span class=\"pubstrong\">New Narratives: Contemporary Art from India, </span>2008<span>\r\nText: Betty Seid with contributions by Johan Pijnappel\r\nPublisher: Mapin Publication in association with Chicago Cultural Center\r\nISBN: 978-1-890206-08-6</span>\r\n\r\n<span class=\"pubstrong\">Made by Indians, </span>2007<span>\r\nText: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\nPublisher: Galerie Enrico Navarra\r\nISBN: 2-911596-37-4</span>\r\n\r\n<span class=\"pubstrong\">Thermocline of Art: New Asian Waves, </span>2007<span>\r\nText:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong\r\nPublisher: Hatje Cantz Vertag\r\nISBN: 978-3-7757-2073-1\r\nEAN: 9782911596377</span>\r\n\r\n<span class=\"pubstrong\">Indian Colour, </span>2007<span>\r\nText: Peter Nagy\r\nPublisher: Dal- seung Hwang, Keumsan Gallery</span>\r\n\r\n<span class=\"pubstrong\">India Arte Oggi, </span>2007<span>\r\nText:  Daniela Palazzoli\r\nPublisher: Spazio Oberdan\r\nISBN: 978-88-202-1867-6</span>\r\n\r\n<span class=\"pubstrong\">Urban Manners, </span>2007<span>\r\nText: Adelina Von Furstenberg and Nancy Adajania\r\nPublisher: Hangar Bicocca</span>\r\n\r\n<span class=\"pubstrong\">International Incheon Women Artists’ Biennale,</span>\r\n<span class=\"pubstrong\">Knocking on the Door, </span>2007<span>\r\nText: Sung Hee Kim, John C. Welchman\r\nPublisher: Incheon Culture and Art Centre</span>\r\n\r\n<span class=\"pubstrong\">Soft Power: Asian Attitude, </span>2007<span>\r\nText: Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\nPublisher: Shanghai Zendai Mumsem of Modern Art\r\nISBN: 978-7-5356-2790-2</span>\r\n\r\n<span class=\"pubstrong\">India Express- Art and Popular Culture, </span>2006<span>\r\nText: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze\r\nPublisher: Helsinki City Art Museum\r\nISBN: 951-8965-61-7</span>\r\n\r\n<span class=\"pubstrong\">Bombay L’album Maximum City, </span>2006<span>\r\nText: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\nPublisher: Terrail, Lille 3000\r\nISBN: 2-87939-325-6</span>\r\n\r\n<span class=\"pubstrong\">Indian Paintings of the New Millennium, </span>2005<span>\r\nText: Helen Asquine  Fazio, Gayatri Sinha\r\nPublisher: Quick Arts Center, Fairfield University</span>\r\n\r\n<span class=\"pubstrong\">A Guide to 101 Modern &amp; Contemporary Indian Artists, </span>2005<span>\r\nText: Amrita Jhaveri\r\nPublisher: India Book House\r\nISBN: 81-7508-423-5</span>\r\n\r\n<span class=\"pubstrong\">Zoom! Art in Contemporary India, </span>2004<span>\r\nTexts: Luis Serpa and Nancy Adajania\r\nPublisher: The Culturgest Museum\r\nISBN: 972-769-033-5</span>\r\n\r\n<span class=\"pubstrong\">Interlude in Sri Lanka, </span>2004<span>\r\nText: Ranjit Hoskote and Nancy Adajania\r\nPublisher: The Guild Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Generation I, </span>2004<span>\r\nText: Zehra Jumabhoy\r\nPublisher: Saffronart &amp; The Guild Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Tiranga Rights and Reponsibilities, </span>2003<span>\r\nText: Peter Nagy\r\nPublisher: Jindal Foundation &amp; Creative Arts</span>\r\n\r\n<span class=\"pubstrong\">Hard Copy, </span>2003<span>\r\nText: Peter Nagy\r\nPublisher: Galerie 88</span>\r\n\r\n<span class=\"pubstrong\">Crossing Generations: diVERGE, </span>2003<span>\r\nText: Geeta Kapoor and Chaitanya Sambrani\r\nPublisher: Gallery Chemould</span>\r\n\r\n<span class=\"pubstrong\" style=\"color: #000000;\">PRESS</span>\r\n\r\n<span class=\"pubstrong\">Adrift in unknown waters: Reena Saini Kallat and the Art of letting go</span><span>\r\nParni Ray,  Artfair Magazine, Issue-3, pg 48 – 51, 2012\r\n</span>\r\n\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.livemint.com/2012/02/02193324/Walking-the-art-talk-with-the.html\" target=\"_blank\">Walking the Art talk with the Kallats</a> </span> <font color=\"red\">  >> </font> <span>\r\nShobha Narayan, Live Mint, February 2012 \r\n</span>\r\n\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.tribuneindia.com/2012/20120219/spectrum/main2.htm\" target=\"_blank\">Spectrum New Visual Idiom</a> </span> <font color=\"red\">  >> </font> <span>\r\nThe Tribune, February 19, 2012  \r\n</span>\r\n\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.123people.se/ext/frm?ti=personensuche%20telefonbuch&search_term=stina%20edblom&search_country=SE&st=suche%20nach%20personen&target_url=http%3A%2F%2Fmattersofart.net%2F&section=bing&wrt_id=569\" target=\"_blank\">Matters of Art</a> </span> <font color=\"red\">  >> </font> <span>\r\n2012  \r\n</span>\r\n\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artnewsnviews.com/view-article.php?article=g-teborg-international-biennial&iid=25&articleid=678\" target=\"_blank\">Goteborg International Biennial</a> </span> <font color=\"red\">  >> </font> <span>\r\nArt Etc, Vol.4, No. 2, 2011\r\n</span>\r\n\r\n\r\n<span class=\"pubstrong\">Helsinki taidemuseo.fi-Journal, </span> January 2011<span>\r\n</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://indiatoday.intoday.in/site/story/brush-with-reality/1/134582.html\">Brush With Reality </a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\nSumaiya Khan, India Today Woman, pg. 20-21, April 2011\r\n</span>\r\n\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.timeoutdelhi.net/art/arts_preview_details.asp?code=107\">System overload</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\nShweta Upadhyay, Timeout Delhi, March 2011\r\n</span>\r\n\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artslant.com/ind/articles/show/22573\" target=\"_blank\">Picking up the past</a> </span> <font color=\"red\">  >> </font> <span>\r\nParni Ray, www.artslant.com\r\n</span>\r\n\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.america.gov/st/peopleplace-english/2011/March/20110307133535drawoh0.7282221.html?CP.rss=true\">Art at “maximum INDIA” Festival Evokes Cultural Memory and Loss</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\nHoward Cincotta, www.america.gov, March 7, 2011\r\n</span>\r\n\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.signonsandiego.com/news/2011/mar/02/kennedy-center-opens-3-week-india-arts-festival/\">Kennedy Center opens 3-week India arts festival</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\nBrett Zongker, www.signonsnadiego.com</span>\r\n\r\n<span class=\"pubstrong\">The Eye and the Mind: New Interventions in Contemporary Indian Art </span><span>\r\nRajeev Lochan, India Perspectives, Vol. 24, No. 6, 2010</span>\r\n\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artconcerns.com/mywork.php\">My work</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\nwww.artconcerns.com, Oct-Nov 2010 issue\r\nText: Reena Kallat</span>\r\n\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artradarjournal.com/2010/04/20/indian-contemporary-artist-reena-kallat-art-radar-exclusive-interview/\">Interview, Art Radar Asia </a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span><span>\r\nApril 20, 2010</span>\r\n\r\n<span class=\"pubstrong\">The Archives of the Heart</span><span>\r\nNancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\nFront Cover, pgs 42-45, 2009</span>\r\n\r\n<span class=\"pubstrong\">Globale Kunst Mit Wurzelduft</span><span>\r\nVon Almuth Speigler, Die Presse, Feuilleton, 2nd September 2009</span>\r\n\r\n<span class=\"pubstrong\">Landscapes of Loss</span><span>\r\nBeth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009</span>\r\n\r\n<span class=\"pubstrong\">Reincarnating History</span><span>\r\nThe Big Picture, Architect and Interiors, July 2009</span>\r\n\r\n<span class=\"pubstrong\">Stamp Collection</span><span>\r\nGeorgina Maddox, The Sunday Express, 17th May 2009</span>\r\n\r\n<span class=\"pubstrong\">Evolving Beyond Borders</span><span>\r\nReshma S. Kulkarni, Bombay Times, Times of India, 15th January, 2009</span>\r\n\r\n<span class=\"pubstrong\">Loss and Found</span><span>\r\nMarina Correa, DNA, Mumbai, 22nd January 2009</span>\r\n\r\n<span class=\"pubstrong\">Focus India</span><span>\r\nMegha Ralapati, Flash Art, pg 114, January-February 2008</span>\r\n\r\n<span class=\"pubstrong\">Come Together Right Now</span><span>\r\nReema Gehi, HT Café, 15th February 2008</span>\r\n\r\n<span class=\"pubstrong\">Such a Long Journey</span><span>\r\nAparna S Sharma, Elle Magazine, pgs 115-117, February 2008</span>\r\n\r\n<span class=\"pubstrong\">More than a Woman</span><span>\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 4th February 2008</span>\r\n\r\n<span class=\"pubstrong\">Artist of the Fortnight</span><span>\r\nMaria Louis, Outlook Profit, pg 79, 18th April 2008</span>\r\n\r\n<span class=\"pubstrong\">Deja View</span><span>\r\nTara Khilachand, Live Mint, 20th December 2008</span>\r\n\r\n<span class=\"pubstrong\">Terror Struck</span><span>\r\nMaria Louis, Outlook Profit, 26th December 2008</span>\r\n\r\n<span class=\"pubstrong\">Name Calling</span><span>\r\nDeepanjana Pal, Timeout Mumbai, December 2008</span>\r\n\r\n<span class=\"pubstrong\">Corruptions of Power</span>\r\n<span>Shiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99, 2007</span>\r\n\r\n<span class=\"pubstrong\">Over the Rainbow</span><span>\r\nMaria Louis, Interview, Verve Magazine, pg 78, November 2006</span>\r\n\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindu.com/mag/2006/10/29/stories/2006102900070200.htm\">In a State of Perennial Siege</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span><span>\r\nNancy Adajania, The Hindu, Hyderabad, 29th October 2006</span>\r\n\r\n<span class=\"pubstrong\">Her Crowning Achievement</span><span>\r\nClara Chow, The Straits Times, 18th November 2006</span>\r\n\r\n<span class=\"pubstrong\">Political Chaos</span><span>\r\nDeepali Nandwani, Beautiful people, pg 143, November-December 2006</span>\r\n\r\n<span class=\"pubstrong\">Weapons of Mass Construction</span><span>\r\nRituparna Som, DNA after Hrs, Mumbai, 9th October, 2006</span>\r\n\r\n<span class=\"pubstrong\">Guns and Roses</span><span>\r\nRachna Nakra, The Indian Express, Mumbai Newsline, 18th September 2006</span>\r\n\r\n<span class=\"pubstrong\">Under Attack</span><span>\r\nGitanjali Dang, HT Mumbai, 22nd September 2006</span>\r\n\r\n<span class=\"pubstrong\">Time Traveller</span><span>\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 27th June 2006</span>\r\n\r\n<span class=\"pubstrong\">The Flower and the Sword</span><span>\r\nGirish Shahane, The Art News magazine of India, pg 93, volume X issue I, 2004</span>\r\n\r\n<span class=\"pubstrong\">India’s Top 100 Achievers</span><span>\r\nSociety Magazine, pg 137, December 2004</span>\r\n\r\n<span class=\"pubstrong\">Caught Between Demons<span style=\"font-weight: normal; color: red;\"></span></span><span>\r\nNancy Adajania, The Hindu, 19th December 2004</span>\r\n\r\n<span class=\"pubstrong\">En Reise Til India</span><span>\r\nHarald Flor, Dagbladet, Kultur, 2nd February 2003</span>\r\n\r\n<span class=\"pubstrong\">Signs of Resistance</span><span>\r\nNancy Adajania, The Hindu, 5th January 2003</span>\r\n\r\n<span class=\"pubstrong\">Of the Goddess and Demon in the Mind</span><span>\r\nDebbie Rodgers, Sunday edition Vijay Times, Bangalore, 5th January 2003</span>\r\n\r\n<span class=\"pubstrong\">Empathic Anger</span><span>\r\nMarta Jakimowicz, Deccan Herald, 23rd December 2002</span>\r\n\r\n<span class=\"pubstrong\">Mysore Ek Khoj</span>\r\nCross Fertilization of Culture, Interview in Star of Mysore, 27th October 2002\r\n\r\n<span class=\"pubstrong\">Linking Islands</span><span>\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 15th February 2002</span>\r\n\r\n<span class=\"pubstrong\">Creating to Destroy</span><span>\r\nJasmine Shah Varma, The List, Mid Day, 22nd February 2002</span>\r\n\r\n<span class=\"pubstrong\">Different Strokes</span><span>\r\nGeorgina L Maddox, The Indian Express, Mumbai Newsline, 24th July 2002</span>\r\n\r\n<span class=\"pubstrong\"><a target=\"_blank\" href =\"http://www.reenakallat.com/wp-content/uploads/2011/09/Faith%20and%20Hunger.pdf\" style=\"color: rgb(135, 135, 135);\">Of Faith and Hunger</a><font  style=\"font-weight:normal;\"   color=\"red\">  >> </font></span></span><span>\r\nAbhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89, December 2000</span>\r\n\r\n<span class=\"pubstrong\">The Murmur of Skin</span><span>\r\nNupur Mahajan, Bombay Times, Times of India, 12th October 2000</span>\r\n\r\n<span class=\"pubstrong\">Not just Skin Deep</span><span>\r\nJasmine Shah Varma, The List, Mid-day, 4th October 2000</span>\r\n\r\n<span class=\"pubstrong\">Inside Out</span><span>\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 11th October 2000</span>\r\n\r\n<span class=\"pubstrong\">Scintillating Skin</span><span>\r\nVaibhav Purandare, The Asian Age, 14th October 2000</span>\r\n\r\n<span class=\"pubstrong\">An Artist’s World: Roti, Makaan &amp; Abstract Art</span><span>\r\nPoonam Goel, HT City, 23rd December 2000</span>\r\n\r\n<span class=\"pubstrong\">Within you, Without you</span><span>\r\nAnu Kumar, Indian Express, Express Newsline, 2nd September 1998</span>\r\n\r\n<span class=\"pubstrong\">Farming Intrigue</span><span>\r\nJerry Pinto, The Times of India, Bombay Times, 3rd September 1998</span>\r\n\r\n<span class=\"pubstrong\">Interactive Medium</span><span>\r\nKaren Pereira, Indian Architect &amp; Builder, pgs 102-104, October 1998</span></td>\r\n</tr>\r\n</tbody>\r\n</table>','Publications','','inherit','open','open','','87-revision-197','','','2012-04-15 13:00:04','2012-04-15 13:00:04','',87,'http://www.reenakallat.com/2722/uncat/87-revision-197',0,'revision','',0),(2829,1,'2012-12-13 18:09:41','2012-12-13 18:09:41','<table border=\"0\" cellspacing=\"5\" cellpadding=\"0\" width=\"100%\" align=\"centre\">\r\n<tbody>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" width=\"21%\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td style=\"margin-left: 5px;\"><span class=\"pubstrong\">Reena Saini Kallat, </span> 2009<span>\r\nText: Nancy Adajania and Murtaza Vali\r\nPublisher: Primo Marella Gallery, Walsh Gallery and Chemould Prescott Road\r\nISBN: 978-81-908879-1-5 </span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/reena-kallat\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Rainbow of Refuse, </span>2006<span>\r\nText: Nancy Adajania\r\nPublisher: Bodhi Art Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/rainbow-of-refuse\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Black Flute (and other stories), </span>2005\r\n<span class=\"pubstrong\">Black Flute,</span> 2004<span>\r\nText: Nancy Adajania\r\nPublisher: Gallery Chemould and Nature Morte Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/black-flute\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">The Battlefield is the Mind, </span>2002<span>\r\nText: Nancy Adajania\r\nPublisher: Sakshi Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/battlefield-of-mind\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table cellspacing=\"0\" cellpadding=\"0\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Skin, </span>2000<span>\r\nInterview with Jitish Kallat\r\nPublisher: Gallery Chemould and Vis-à-vis Art Inc. Gallery</span></td>\r\n</tr>\r\n<tr></tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Orchard of home-grown secrets, </span>1998<span>\r\nText: Ranjit Hoskote\r\nPublisher: Gallery Chemould and Pundole Art Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/orchard-pub\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n<td><!-- Start of Other Publications -->\r\n\r\n\r\n<span class=\"pubstrong\">India : Art Now </span><span>\r\nText: Stine Hoholt, Ranjit Hoskote, Zehra Jumabhoy\r\nPublisher: Hatje Cantz</span>\r\nISBN: 978-3-7757-3411-0\r\n\r\n<span class=\"pubstrong\">Undervaeker – Wonders, </span>2012<span>\r\nTexts by Gitte Orskou, Af Theis Vallo Madsen, Jeanett Stampe\r\nPublisher: KUNSTEN - Museum of Modern Art Aalborg</span>\r\nISBN: 978-87-88307-72-6\r\n\r\n<span class=\"pubstrong\">n.paradoxa: international feminist art journal, volume 30, </span>2012<span>\r\nText: interview with Veeranganakumari Solanki\r\nPublisher: KT press</span>\r\nISBN: 1461- 0434\r\n\r\n<span class=\"pubstrong\">The Skoda Prize Twenty, </span>2011-2012<span>\r\nText: Zeenat Nagree\r\nPublisher: Popular Prakashan</span>\r\nISBN: 978-81-7991-681-0\r\n\r\n<span class=\"pubstrong\">Pandemonium: Art in a time of creativity fever, </span>2011<span>\r\nText: interview with Stina Edblom\r\nPublisher: Göteborg International Biennial for Contemporary Art</span>\r\nISBN: 978-91-633-9363-1\r\n<span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/pandemonium\">read interview</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span>\r\n\r\n<span class=\"pubstrong\">The Indian Renaissance, </span>2011<span>\r\nText: Antonio Stellatelli, Romano Ravasio and Marina Pizziolo\r\n\r\n<span class=\"pubstrong\">Vancouver Biennale, </span>2009-2011<span>\r\nText: Vancouver International Sculpture Biennale\r\n</span>\r\n\r\n<span class=\"pubstrong\">Maximum India, </span>2011<span>\r\nPublisher: The John F. Kennedy Center for the Performing Arts, 2011</span>\r\n\r\n<span class=\"pubstrong\">Never Run Away, </span>2010<span>\r\nText: Shaheen Merali\r\nPublisher: Stux Gallery</span>\r\n<span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/never-run-away\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span>\r\n\r\n<span class=\"pubstrong\">Urban Manners 2, </span>2010<span>\r\nText: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\nPublisher: SESC Pompeia, Sao Paulo </span>\r\n\r\n<span class=\"pubstrong\">The Empire Strikes Back, </span>2010<span>\r\nText: Zehra Jumabhoy\r\nPublisher: Saatchi Gallery\r\nISBN: 9780224089494\r\n</span>\r\n\r\n<span class=\"pubstrong\">The River Project, </span>2010<span>\r\nPublisher: Campbelltown Arts Centre\r\nISBN: 9781875199761\r\n</span>\r\n\r\n<span class=\"pubstrong\">Asian Art Now, </span>2010<span>\r\nText: Melissa Chiu and Benjamin Genocchio\r\nPublisher: Monacelli Press\r\nISBN: 978-1-58093-298-1 (1-58093-298-3)\r\n</span>\r\n\r\n<span class=\"pubstrong\">Roundabout, </span>2010<span>\r\nPublisher: Art Asia Pacific Publishing\r\nISBN: 978-0984562510\r\n</span>\r\n\r\n<span class=\"pubstrong\">The Khoj Book, </span>2010<span>\r\nInterview with Shilpa Gupta\r\nPublisher: HarperCollins\r\nISBN: 9788172236878</span>\r\n<span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/khoj-book\">read interview</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span>\r\n\r\n<span class=\"pubstrong\">5 Bienal Ventosul, </span>2009<span>\r\nPublisher: Instituto Paranaense de Arte</span>\r\n\r\n<span class=\"pubstrong\">Viewpoints &amp; Viewings Points- Asian Art Biennale, </span>2009<span>\r\nText: Chao-yi-Tsai\r\nPublisher: National Taiwan Museum of fine Arts\r\nISBN: 978-986-02-0269-4</span>\r\n\r\n<span class=\"pubstrong\">India Xianzai: Contemporary Indian Art, </span>2009<span>\r\nText: Jitish Kallat, Diana Freundl, Alexander Keefe\r\nPublisher: Museum of Contemporary Art</span>\r\n\r\n<span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2009<span>\r\nText: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki,\r\nMiho Tagomori\r\nPublisher: Prestel, National Museum of Contemporary Art and Essl Museum\r\nISBN: 978-3-7913-4304-4</span>\r\n\r\n<span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2008<span>\r\nText: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman\r\nGopinath, Jayaram, Deepak Ananth\r\nPublisher: Mori Art Museum\r\nISBN: 978-4-902819-21-2</span>\r\n\r\n<span class=\"pubstrong\">India Moderna, </span>2008<span>\r\nText: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur,\r\nR. Siva Kumar, K.G. Subramanyan\r\nPublisher: IVAM (Institute Valencia D’Art Modern)\r\nISBN: 978-84-482-5104-8</span>\r\n\r\n<span class=\"pubstrong\">Everywhere is War (and rumours of it),</span>2008<span>\r\nText: Kai Hafez, Martin Hager, Nicholas Mirzoeff, Daniel Miller,\r\nBregje van Eekelen\r\nPublisher: Bodhi Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Three Points of Views, </span>2008<span>\r\nText: Grant Watson\r\nPublisher: Galerie Mirchandani + Steinruecke</span>\r\n\r\n<span class=\"pubstrong\">New Narratives: Contemporary Art from India, </span>2008<span>\r\nText: Betty Seid with contributions by Johan Pijnappel\r\nPublisher: Mapin Publication in association with Chicago Cultural Center\r\nISBN: 978-1-890206-08-6</span>\r\n\r\n<span class=\"pubstrong\">Made by Indians, </span>2007<span>\r\nText: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\nPublisher: Galerie Enrico Navarra\r\nISBN: 2-911596-37-4</span>\r\n\r\n<span class=\"pubstrong\">Thermocline of Art: New Asian Waves, </span>2007<span>\r\nText:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong\r\nPublisher: Hatje Cantz Vertag\r\nISBN: 978-3-7757-2073-1\r\nEAN: 9782911596377</span>\r\n\r\n<span class=\"pubstrong\">Indian Colour, </span>2007<span>\r\nText: Peter Nagy\r\nPublisher: Dal- seung Hwang, Keumsan Gallery</span>\r\n\r\n<span class=\"pubstrong\">India Arte Oggi, </span>2007<span>\r\nText:  Daniela Palazzoli\r\nPublisher: Spazio Oberdan\r\nISBN: 978-88-202-1867-6</span>\r\n\r\n<span class=\"pubstrong\">Urban Manners, </span>2007<span>\r\nText: Adelina Von Furstenberg and Nancy Adajania\r\nPublisher: Hangar Bicocca</span>\r\n\r\n<span class=\"pubstrong\">International Incheon Women Artists’ Biennale,</span>\r\n<span class=\"pubstrong\">Knocking on the Door, </span>2007<span>\r\nText: Sung Hee Kim, John C. Welchman\r\nPublisher: Incheon Culture and Art Centre</span>\r\n\r\n<span class=\"pubstrong\">Soft Power: Asian Attitude, </span>2007<span>\r\nText: Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\nPublisher: Shanghai Zendai Mumsem of Modern Art\r\nISBN: 978-7-5356-2790-2</span>\r\n\r\n<span class=\"pubstrong\">India Express- Art and Popular Culture, </span>2006<span>\r\nText: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze\r\nPublisher: Helsinki City Art Museum\r\nISBN: 951-8965-61-7</span>\r\n\r\n<span class=\"pubstrong\">Bombay L’album Maximum City, </span>2006<span>\r\nText: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\nPublisher: Terrail, Lille 3000\r\nISBN: 2-87939-325-6</span>\r\n\r\n<span class=\"pubstrong\">Indian Paintings of the New Millennium, </span>2005<span>\r\nText: Helen Asquine  Fazio, Gayatri Sinha\r\nPublisher: Quick Arts Center, Fairfield University</span>\r\n\r\n<span class=\"pubstrong\">A Guide to 101 Modern &amp; Contemporary Indian Artists, </span>2005<span>\r\nText: Amrita Jhaveri\r\nPublisher: India Book House\r\nISBN: 81-7508-423-5</span>\r\n\r\n<span class=\"pubstrong\">Zoom! Art in Contemporary India, </span>2004<span>\r\nTexts: Luis Serpa and Nancy Adajania\r\nPublisher: The Culturgest Museum\r\nISBN: 972-769-033-5</span>\r\n\r\n<span class=\"pubstrong\">Interlude in Sri Lanka, </span>2004<span>\r\nText: Ranjit Hoskote and Nancy Adajania\r\nPublisher: The Guild Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Generation I, </span>2004<span>\r\nText: Zehra Jumabhoy\r\nPublisher: Saffronart &amp; The Guild Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Tiranga Rights and Reponsibilities, </span>2003<span>\r\nText: Peter Nagy\r\nPublisher: Jindal Foundation &amp; Creative Arts</span>\r\n\r\n<span class=\"pubstrong\">Hard Copy, </span>2003<span>\r\nText: Peter Nagy\r\nPublisher: Galerie 88</span>\r\n\r\n<span class=\"pubstrong\">Crossing Generations: diVERGE, </span>2003<span>\r\nText: Geeta Kapoor and Chaitanya Sambrani\r\nPublisher: Gallery Chemould</span>\r\n\r\n<span class=\"pubstrong\" style=\"color: #000000;\">PRESS</span>\r\n\r\n<span class=\"pubstrong\">Adrift in unknown waters: Reena Saini Kallat and the Art of letting go</span><span>\r\nParni Ray,  Artfair Magazine, Issue-3, pg 48 – 51, 2012\r\n</span>\r\n\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.livemint.com/2012/02/02193324/Walking-the-art-talk-with-the.html\" target=\"_blank\">Walking the Art talk with the Kallats</a> </span> <font color=\"red\">  >> </font> <span>\r\nShobha Narayan, Live Mint, February 2012 \r\n</span>\r\n\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.tribuneindia.com/2012/20120219/spectrum/main2.htm\" target=\"_blank\">Spectrum New Visual Idiom</a> </span> <font color=\"red\">  >> </font> <span>\r\nThe Tribune, February 19, 2012  \r\n</span>\r\n\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artnewsnviews.com/view-article.php?article=g-teborg-international-biennial&iid=25&articleid=678\" target=\"_blank\">Goteborg International Biennial</a> </span> <font color=\"red\">  >> </font> <span>\r\nArt Etc, Vol.4, No. 2, 2011\r\n</span>\r\n\r\n\r\n<span class=\"pubstrong\">Helsinki taidemuseo.fi-Journal, </span> January 2011<span>\r\n</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://indiatoday.intoday.in/site/story/brush-with-reality/1/134582.html\">Brush With Reality </a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\nSumaiya Khan, India Today Woman, pg. 20-21, April 2011\r\n</span>\r\n\r\n<span class=\"pubstrong\">System overload </span><span>\r\nShweta Upadhyay, Timeout Delhi, March 2011\r\n</span>\r\n\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artslant.com/ind/articles/show/22573\" target=\"_blank\">Picking up the past</a> </span> <font color=\"red\">  >> </font> <span>\r\nParni Ray, www.artslant.com\r\n</span>\r\n\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.america.gov/st/peopleplace-english/2011/March/20110307133535drawoh0.7282221.html?CP.rss=true\">Art at “maximum INDIA” Festival Evokes Cultural Memory and Loss</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\nHoward Cincotta, www.america.gov, March 7, 2011\r\n</span>\r\n\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.signonsandiego.com/news/2011/mar/02/kennedy-center-opens-3-week-india-arts-festival/\">Kennedy Center opens 3-week India arts festival</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\nBrett Zongker, www.signonsnadiego.com</span>\r\n\r\n<span class=\"pubstrong\">The Eye and the Mind: New Interventions in Contemporary Indian Art </span><span>\r\nRajeev Lochan, India Perspectives, Vol. 24, No. 6, 2010</span>\r\n\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artconcerns.com/mywork.php\">My work</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\nwww.artconcerns.com, Oct-Nov 2010 issue\r\nText: Reena Kallat</span>\r\n\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artradarjournal.com/2010/04/20/indian-contemporary-artist-reena-kallat-art-radar-exclusive-interview/\">Interview, Art Radar Asia </a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span><span>\r\nApril 20, 2010</span>\r\n\r\n<span class=\"pubstrong\">The Archives of the Heart</span><span>\r\nNancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\nFront Cover, pgs 42-45, 2009</span>\r\n\r\n<span class=\"pubstrong\">Globale Kunst Mit Wurzelduft</span><span>\r\nVon Almuth Speigler, Die Presse, Feuilleton, 2nd September 2009</span>\r\n\r\n<span class=\"pubstrong\">Landscapes of Loss</span><span>\r\nBeth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009</span>\r\n\r\n<span class=\"pubstrong\">Reincarnating History</span><span>\r\nThe Big Picture, Architect and Interiors, July 2009</span>\r\n\r\n<span class=\"pubstrong\">Stamp Collection</span><span>\r\nGeorgina Maddox, The Sunday Express, 17th May 2009</span>\r\n\r\n<span class=\"pubstrong\">Evolving Beyond Borders</span><span>\r\nReshma S. Kulkarni, Bombay Times, Times of India, 15th January, 2009</span>\r\n\r\n<span class=\"pubstrong\">Loss and Found</span><span>\r\nMarina Correa, DNA, Mumbai, 22nd January 2009</span>\r\n\r\n<span class=\"pubstrong\">Focus India</span><span>\r\nMegha Ralapati, Flash Art, pg 114, January-February 2008</span>\r\n\r\n<span class=\"pubstrong\">Come Together Right Now</span><span>\r\nReema Gehi, HT Café, 15th February 2008</span>\r\n\r\n<span class=\"pubstrong\">Such a Long Journey</span><span>\r\nAparna S Sharma, Elle Magazine, pgs 115-117, February 2008</span>\r\n\r\n<span class=\"pubstrong\">More than a Woman</span><span>\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 4th February 2008</span>\r\n\r\n<span class=\"pubstrong\">Artist of the Fortnight</span><span>\r\nMaria Louis, Outlook Profit, pg 79, 18th April 2008</span>\r\n\r\n<span class=\"pubstrong\">Deja View</span><span>\r\nTara Khilachand, Live Mint, 20th December 2008</span>\r\n\r\n<span class=\"pubstrong\">Terror Struck</span><span>\r\nMaria Louis, Outlook Profit, 26th December 2008</span>\r\n\r\n<span class=\"pubstrong\">Name Calling</span><span>\r\nDeepanjana Pal, Timeout Mumbai, December 2008</span>\r\n\r\n<span class=\"pubstrong\">Corruptions of Power</span>\r\n<span>Shiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99, 2007</span>\r\n\r\n<span class=\"pubstrong\">Over the Rainbow</span><span>\r\nMaria Louis, Interview, Verve Magazine, pg 78, November 2006</span>\r\n\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindu.com/mag/2006/10/29/stories/2006102900070200.htm\">In a State of Perennial Siege</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span><span>\r\nNancy Adajania, The Hindu, Hyderabad, 29th October 2006</span>\r\n\r\n<span class=\"pubstrong\">Her Crowning Achievement</span><span>\r\nClara Chow, The Straits Times, 18th November 2006</span>\r\n\r\n<span class=\"pubstrong\">Political Chaos</span><span>\r\nDeepali Nandwani, Beautiful people, pg 143, November-December 2006</span>\r\n\r\n<span class=\"pubstrong\">Weapons of Mass Construction</span><span>\r\nRituparna Som, DNA after Hrs, Mumbai, 9th October, 2006</span>\r\n\r\n<span class=\"pubstrong\">Guns and Roses</span><span>\r\nRachna Nakra, The Indian Express, Mumbai Newsline, 18th September 2006</span>\r\n\r\n<span class=\"pubstrong\">Under Attack</span><span>\r\nGitanjali Dang, HT Mumbai, 22nd September 2006</span>\r\n\r\n<span class=\"pubstrong\">Time Traveller</span><span>\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 27th June 2006</span>\r\n\r\n<span class=\"pubstrong\">The Flower and the Sword</span><span>\r\nGirish Shahane, The Art News magazine of India, pg 93, volume X issue I, 2004</span>\r\n\r\n<span class=\"pubstrong\">India’s Top 100 Achievers</span><span>\r\nSociety Magazine, pg 137, December 2004</span>\r\n\r\n<span class=\"pubstrong\">Caught Between Demons<span style=\"font-weight: normal; color: red;\"></span></span><span>\r\nNancy Adajania, The Hindu, 19th December 2004</span>\r\n\r\n<span class=\"pubstrong\">En Reise Til India</span><span>\r\nHarald Flor, Dagbladet, Kultur, 2nd February 2003</span>\r\n\r\n<span class=\"pubstrong\">Signs of Resistance</span><span>\r\nNancy Adajania, The Hindu, 5th January 2003</span>\r\n\r\n<span class=\"pubstrong\">Of the Goddess and Demon in the Mind</span><span>\r\nDebbie Rodgers, Sunday edition Vijay Times, Bangalore, 5th January 2003</span>\r\n\r\n<span class=\"pubstrong\">Empathic Anger</span><span>\r\nMarta Jakimowicz, Deccan Herald, 23rd December 2002</span>\r\n\r\n<span class=\"pubstrong\">Mysore Ek Khoj</span>\r\nCross Fertilization of Culture, Interview in Star of Mysore, 27th October 2002\r\n\r\n<span class=\"pubstrong\">Linking Islands</span><span>\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 15th February 2002</span>\r\n\r\n<span class=\"pubstrong\">Creating to Destroy</span><span>\r\nJasmine Shah Varma, The List, Mid Day, 22nd February 2002</span>\r\n\r\n<span class=\"pubstrong\">Different Strokes</span><span>\r\nGeorgina L Maddox, The Indian Express, Mumbai Newsline, 24th July 2002</span>\r\n\r\n<span class=\"pubstrong\"><a target=\"_blank\" href =\"http://www.reenakallat.com/wp-content/uploads/2011/09/Faith%20and%20Hunger.pdf\" style=\"color: rgb(135, 135, 135);\">Of Faith and Hunger</a><font  style=\"font-weight:normal;\"   color=\"red\">  >> </font></span></span><span>\r\nAbhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89, December 2000</span>\r\n\r\n<span class=\"pubstrong\">The Murmur of Skin</span><span>\r\nNupur Mahajan, Bombay Times, Times of India, 12th October 2000</span>\r\n\r\n<span class=\"pubstrong\">Not just Skin Deep</span><span>\r\nJasmine Shah Varma, The List, Mid-day, 4th October 2000</span>\r\n\r\n<span class=\"pubstrong\">Inside Out</span><span>\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 11th October 2000</span>\r\n\r\n<span class=\"pubstrong\">Scintillating Skin</span><span>\r\nVaibhav Purandare, The Asian Age, 14th October 2000</span>\r\n\r\n<span class=\"pubstrong\">An Artist’s World: Roti, Makaan &amp; Abstract Art</span><span>\r\nPoonam Goel, HT City, 23rd December 2000</span>\r\n\r\n<span class=\"pubstrong\">Within you, Without you</span><span>\r\nAnu Kumar, Indian Express, Express Newsline, 2nd September 1998</span>\r\n\r\n<span class=\"pubstrong\">Farming Intrigue</span><span>\r\nJerry Pinto, The Times of India, Bombay Times, 3rd September 1998</span>\r\n\r\n<span class=\"pubstrong\">Interactive Medium</span><span>\r\nKaren Pereira, Indian Architect &amp; Builder, pgs 102-104, October 1998</span></td>\r\n</tr>\r\n</tbody>\r\n</table>','Publications','','inherit','open','open','','87-revision-201','','','2012-12-13 18:09:41','2012-12-13 18:09:41','',87,'http://www.reenakallat.com/2829/uncat/87-revision-201',0,'revision','',0),(2723,1,'2012-10-21 14:57:43','2012-10-21 14:57:43','<table border=\"0\" cellspacing=\"5\" cellpadding=\"0\" width=\"100%\" align=\"centre\">\r\n<tbody>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" width=\"21%\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td style=\"margin-left: 5px;\"><span class=\"pubstrong\">Reena Saini Kallat, </span> 2009<span>\r\nText: Nancy Adajania and Murtaza Vali\r\nPublisher: Primo Marella Gallery, Walsh Gallery and Chemould Prescott Road\r\nISBN: 978-81-908879-1-5 </span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/reena-kallat\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Rainbow of Refuse, </span>2006<span>\r\nText: Nancy Adajania\r\nPublisher: Bodhi Art Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/rainbow-of-refuse\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Black Flute (and other stories), </span>2005\r\n<span class=\"pubstrong\">Black Flute,</span> 2004<span>\r\nText: Nancy Adajania\r\nPublisher: Gallery Chemould and Nature Morte Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/black-flute\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">The Battlefield is the Mind, </span>2002<span>\r\nText: Nancy Adajania\r\nPublisher: Sakshi Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/battlefield-of-mind\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table cellspacing=\"0\" cellpadding=\"0\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Skin, </span>2000<span>\r\nInterview with Jitish Kallat\r\nPublisher: Gallery Chemould and Vis-à-vis Art Inc. Gallery</span></td>\r\n</tr>\r\n<tr></tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Orchard of home-grown secrets, </span>1998<span>\r\nText: Ranjit Hoskote\r\nPublisher: Gallery Chemould and Pundole Art Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/orchard-pub\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n<td><!-- Start of Other Publications -->\r\n\r\n\r\n<span class=\"pubstrong\">India : Art Now </span><span>\r\nText: Stine Hoholt, Ranjit Hoskote, Zehra Jumabhoy\r\nPublisher: Hatje Cantz</span>\r\nISBN: 978-3-7757-3411-0\r\n\r\n<span class=\"pubstrong\">Undervaeker – Wonders, </span>2012<span>\r\nTexts by Gitte Orskou, Af Theis Vallo Madsen, Jeanett Stampe\r\nPublisher: KUNSTEN - Museum of Modern Art Aalborg</span>\r\nISBN: 978-87-88307-72-6\r\n\r\n<span class=\"pubstrong\">n.paradoxa: international feminist art journal, volume 30, </span>2012<span>\r\nText: interview with Veeranganakumari Solanki\r\nPublisher: KT press</span>\r\nISBN: 1461- 0434\r\n\r\n<span class=\"pubstrong\">The Skoda Prize Twenty, </span>2011-2012<span>\r\nText: Zeenat Nagree\r\nPublisher: Popular Prakashan</span>\r\nISBN: 978-81-7991-681-0\r\n\r\n<span class=\"pubstrong\">Pandemonium: Art in a time of creativity fever, </span>2011<span>\r\nText: interview with Stina Edblom\r\nPublisher: Göteborg International Biennial for Contemporary Art</span>\r\nISBN: 978-91-633-9363-1\r\n<span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/pandemonium\">read interview</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span>\r\n\r\n<span class=\"pubstrong\">The Indian Renaissance, </span>2011<span>\r\nText: Antonio Stellatelli, Romano Ravasio and Marina Pizziolo\r\n\r\n<span class=\"pubstrong\">Vancouver Biennale, </span>2009-2011<span>\r\nText: Vancouver International Sculpture Biennale\r\n</span>\r\n\r\n<span class=\"pubstrong\">Maximum India, </span>2011<span>\r\nPublisher: The John F. Kennedy Center for the Performing Arts, 2011</span>\r\n\r\n<span class=\"pubstrong\">Never Run Away, </span>2010<span>\r\nText: Shaheen Merali\r\nPublisher: Stux Gallery</span>\r\n<span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/never-run-away\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span>\r\n\r\n<span class=\"pubstrong\">Urban Manners 2, </span>2010<span>\r\nText: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\nPublisher: SESC Pompeia, Sao Paulo </span>\r\n\r\n<span class=\"pubstrong\">The Empire Strikes Back, </span>2010<span>\r\nText: Zehra Jumabhoy\r\nPublisher: Saatchi Gallery\r\nISBN: 9780224089494\r\n</span>\r\n\r\n<span class=\"pubstrong\">The River Project, </span>2010<span>\r\nPublisher: Campbelltown Arts Centre\r\nISBN: 9781875199761\r\n</span>\r\n\r\n<span class=\"pubstrong\">Asian Art Now, </span>2010<span>\r\nText: Melissa Chiu and Benjamin Genocchio\r\nPublisher: Monacelli Press\r\nISBN: 978-1-58093-298-1 (1-58093-298-3)\r\n</span>\r\n\r\n<span class=\"pubstrong\">Roundabout, </span>2010<span>\r\nPublisher: Art Asia Pacific Publishing\r\nISBN: 978-0984562510\r\n</span>\r\n\r\n<span class=\"pubstrong\">The Khoj Book, </span>2010<span>\r\nInterview with Shilpa Gupta\r\nPublisher: HarperCollins\r\nISBN: 9788172236878</span>\r\n<span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/khoj-book\">read interview</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span>\r\n\r\n<span class=\"pubstrong\">5 Bienal Ventosul, </span>2009<span>\r\nPublisher: Instituto Paranaense de Arte</span>\r\n\r\n<span class=\"pubstrong\">Viewpoints &amp; Viewings Points- Asian Art Biennale, </span>2009<span>\r\nText: Chao-yi-Tsai\r\nPublisher: National Taiwan Museum of fine Arts\r\nISBN: 978-986-02-0269-4</span>\r\n\r\n<span class=\"pubstrong\">India Xianzai: Contemporary Indian Art, </span>2009<span>\r\nText: Jitish Kallat, Diana Freundl, Alexander Keefe\r\nPublisher: Museum of Contemporary Art</span>\r\n\r\n<span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2009<span>\r\nText: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki,\r\nMiho Tagomori\r\nPublisher: Prestel, National Museum of Contemporary Art and Essl Museum\r\nISBN: 978-3-7913-4304-4</span>\r\n\r\n<span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2008<span>\r\nText: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman\r\nGopinath, Jayaram, Deepak Ananth\r\nPublisher: Mori Art Museum\r\nISBN: 978-4-902819-21-2</span>\r\n\r\n<span class=\"pubstrong\">India Moderna, </span>2008<span>\r\nText: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur,\r\nR. Siva Kumar, K.G. Subramanyan\r\nPublisher: IVAM (Institute Valencia D’Art Modern)\r\nISBN: 978-84-482-5104-8</span>\r\n\r\n<span class=\"pubstrong\">Everywhere is War (and rumours of it),</span>2008<span>\r\nText: Kai Hafez, Martin Hager, Nicholas Mirzoeff, Daniel Miller,\r\nBregje van Eekelen\r\nPublisher: Bodhi Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Three Points of Views, </span>2008<span>\r\nText: Grant Watson\r\nPublisher: Galerie Mirchandani + Steinruecke</span>\r\n\r\n<span class=\"pubstrong\">New Narratives: Contemporary Art from India, </span>2008<span>\r\nText: Betty Seid with contributions by Johan Pijnappel\r\nPublisher: Mapin Publication in association with Chicago Cultural Center\r\nISBN: 978-1-890206-08-6</span>\r\n\r\n<span class=\"pubstrong\">Made by Indians, </span>2007<span>\r\nText: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\nPublisher: Galerie Enrico Navarra\r\nISBN: 2-911596-37-4</span>\r\n\r\n<span class=\"pubstrong\">Thermocline of Art: New Asian Waves, </span>2007<span>\r\nText:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong\r\nPublisher: Hatje Cantz Vertag\r\nISBN: 978-3-7757-2073-1\r\nEAN: 9782911596377</span>\r\n\r\n<span class=\"pubstrong\">Indian Colour, </span>2007<span>\r\nText: Peter Nagy\r\nPublisher: Dal- seung Hwang, Keumsan Gallery</span>\r\n\r\n<span class=\"pubstrong\">India Arte Oggi, </span>2007<span>\r\nText:  Daniela Palazzoli\r\nPublisher: Spazio Oberdan\r\nISBN: 978-88-202-1867-6</span>\r\n\r\n<span class=\"pubstrong\">Urban Manners, </span>2007<span>\r\nText: Adelina Von Furstenberg and Nancy Adajania\r\nPublisher: Hangar Bicocca</span>\r\n\r\n<span class=\"pubstrong\">International Incheon Women Artists’ Biennale,</span>\r\n<span class=\"pubstrong\">Knocking on the Door, </span>2007<span>\r\nText: Sung Hee Kim, John C. Welchman\r\nPublisher: Incheon Culture and Art Centre</span>\r\n\r\n<span class=\"pubstrong\">Soft Power: Asian Attitude, </span>2007<span>\r\nText: Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\nPublisher: Shanghai Zendai Mumsem of Modern Art\r\nISBN: 978-7-5356-2790-2</span>\r\n\r\n<span class=\"pubstrong\">India Express- Art and Popular Culture, </span>2006<span>\r\nText: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze\r\nPublisher: Helsinki City Art Museum\r\nISBN: 951-8965-61-7</span>\r\n\r\n<span class=\"pubstrong\">Bombay L’album Maximum City, </span>2006<span>\r\nText: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\nPublisher: Terrail, Lille 3000\r\nISBN: 2-87939-325-6</span>\r\n\r\n<span class=\"pubstrong\">Indian Paintings of the New Millennium, </span>2005<span>\r\nText: Helen Asquine  Fazio, Gayatri Sinha\r\nPublisher: Quick Arts Center, Fairfield University</span>\r\n\r\n<span class=\"pubstrong\">A Guide to 101 Modern &amp; Contemporary Indian Artists, </span>2005<span>\r\nText: Amrita Jhaveri\r\nPublisher: India Book House\r\nISBN: 81-7508-423-5</span>\r\n\r\n<span class=\"pubstrong\">Zoom! Art in Contemporary India, </span>2004<span>\r\nTexts: Luis Serpa and Nancy Adajania\r\nPublisher: The Culturgest Museum\r\nISBN: 972-769-033-5</span>\r\n\r\n<span class=\"pubstrong\">Interlude in Sri Lanka, </span>2004<span>\r\nText: Ranjit Hoskote and Nancy Adajania\r\nPublisher: The Guild Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Generation I, </span>2004<span>\r\nText: Zehra Jumabhoy\r\nPublisher: Saffronart &amp; The Guild Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Tiranga Rights and Reponsibilities, </span>2003<span>\r\nText: Peter Nagy\r\nPublisher: Jindal Foundation &amp; Creative Arts</span>\r\n\r\n<span class=\"pubstrong\">Hard Copy, </span>2003<span>\r\nText: Peter Nagy\r\nPublisher: Galerie 88</span>\r\n\r\n<span class=\"pubstrong\">Crossing Generations: diVERGE, </span>2003<span>\r\nText: Geeta Kapoor and Chaitanya Sambrani\r\nPublisher: Gallery Chemould</span>\r\n\r\n<span class=\"pubstrong\" style=\"color: #000000;\">PRESS</span>\r\n\r\n<span class=\"pubstrong\">Adrift in unknown waters: Reena Saini Kallat and the Art of letting go</span><span>\r\nParni Ray,  Artfair Magazine, Issue-3, pg 48 – 51, 2012\r\n</span>\r\n\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.livemint.com/2012/02/02193324/Walking-the-art-talk-with-the.html\" target=\"_blank\">Walking the Art talk with the Kallats</a> </span> <font color=\"red\">  >> </font> <span>\r\nShobha Narayan, Live Mint, February 2012 \r\n</span>\r\n\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.tribuneindia.com/2012/20120219/spectrum/main2.htm\" target=\"_blank\">Spectrum New Visual Idiom</a> </span> <font color=\"red\">  >> </font> <span>\r\nThe Tribune, February 19, 2012  \r\n</span>\r\n\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.123people.se/ext/frm?ti=personensuche%20telefonbuch&search_term=stina%20edblom&search_country=SE&st=suche%20nach%20personen&target_url=http%3A%2F%2Fmattersofart.net%2F&section=bing&wrt_id=569\" target=\"_blank\">Matters of Art</a> </span> <font color=\"red\">  >> </font> <span>\r\n2012  \r\n</span>\r\n\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artnewsnviews.com/view-article.php?article=g-teborg-international-biennial&iid=25&articleid=678\" target=\"_blank\">Goteborg International Biennial</a> </span> <font color=\"red\">  >> </font> <span>\r\nArt Etc, Vol.4, No. 2, 2011\r\n</span>\r\n\r\n\r\n<span class=\"pubstrong\">Helsinki taidemuseo.fi-Journal, </span> January 2011<span>\r\n</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://indiatoday.intoday.in/site/story/brush-with-reality/1/134582.html\">Brush With Reality </a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\nSumaiya Khan, India Today Woman, pg. 20-21, April 2011\r\n</span>\r\n\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.timeoutdelhi.net/art/arts_preview_details.asp?code=107\">System overload</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\nShweta Upadhyay, Timeout Delhi, March 2011\r\n</span>\r\n\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artslant.com/ind/articles/show/22573\" target=\"_blank\">Picking up the past</a> </span> <font color=\"red\">  >> </font> <span>\r\nParni Ray, www.artslant.com\r\n</span>\r\n\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.america.gov/st/peopleplace-english/2011/March/20110307133535drawoh0.7282221.html?CP.rss=true\">Art at “maximum INDIA” Festival Evokes Cultural Memory and Loss</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\nHoward Cincotta, www.america.gov, March 7, 2011\r\n</span>\r\n\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.signonsandiego.com/news/2011/mar/02/kennedy-center-opens-3-week-india-arts-festival/\">Kennedy Center opens 3-week India arts festival</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\nBrett Zongker, www.signonsnadiego.com</span>\r\n\r\n<span class=\"pubstrong\">The Eye and the Mind: New Interventions in Contemporary Indian Art </span><span>\r\nRajeev Lochan, India Perspectives, Vol. 24, No. 6, 2010</span>\r\n\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artconcerns.com/mywork.php\">My work</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\nwww.artconcerns.com, Oct-Nov 2010 issue\r\nText: Reena Kallat</span>\r\n\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artradarjournal.com/2010/04/20/indian-contemporary-artist-reena-kallat-art-radar-exclusive-interview/\">Interview, Art Radar Asia </a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span><span>\r\nApril 20, 2010</span>\r\n\r\n<span class=\"pubstrong\">The Archives of the Heart</span><span>\r\nNancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\nFront Cover, pgs 42-45, 2009</span>\r\n\r\n<span class=\"pubstrong\">Globale Kunst Mit Wurzelduft</span><span>\r\nVon Almuth Speigler, Die Presse, Feuilleton, 2nd September 2009</span>\r\n\r\n<span class=\"pubstrong\">Landscapes of Loss</span><span>\r\nBeth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009</span>\r\n\r\n<span class=\"pubstrong\">Reincarnating History</span><span>\r\nThe Big Picture, Architect and Interiors, July 2009</span>\r\n\r\n<span class=\"pubstrong\">Stamp Collection</span><span>\r\nGeorgina Maddox, The Sunday Express, 17th May 2009</span>\r\n\r\n<span class=\"pubstrong\">Evolving Beyond Borders</span><span>\r\nReshma S. Kulkarni, Bombay Times, Times of India, 15th January, 2009</span>\r\n\r\n<span class=\"pubstrong\">Loss and Found</span><span>\r\nMarina Correa, DNA, Mumbai, 22nd January 2009</span>\r\n\r\n<span class=\"pubstrong\">Focus India</span><span>\r\nMegha Ralapati, Flash Art, pg 114, January-February 2008</span>\r\n\r\n<span class=\"pubstrong\">Come Together Right Now</span><span>\r\nReema Gehi, HT Café, 15th February 2008</span>\r\n\r\n<span class=\"pubstrong\">Such a Long Journey</span><span>\r\nAparna S Sharma, Elle Magazine, pgs 115-117, February 2008</span>\r\n\r\n<span class=\"pubstrong\">More than a Woman</span><span>\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 4th February 2008</span>\r\n\r\n<span class=\"pubstrong\">Artist of the Fortnight</span><span>\r\nMaria Louis, Outlook Profit, pg 79, 18th April 2008</span>\r\n\r\n<span class=\"pubstrong\">Deja View</span><span>\r\nTara Khilachand, Live Mint, 20th December 2008</span>\r\n\r\n<span class=\"pubstrong\">Terror Struck</span><span>\r\nMaria Louis, Outlook Profit, 26th December 2008</span>\r\n\r\n<span class=\"pubstrong\">Name Calling</span><span>\r\nDeepanjana Pal, Timeout Mumbai, December 2008</span>\r\n\r\n<span class=\"pubstrong\">Corruptions of Power</span>\r\n<span>Shiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99, 2007</span>\r\n\r\n<span class=\"pubstrong\">Over the Rainbow</span><span>\r\nMaria Louis, Interview, Verve Magazine, pg 78, November 2006</span>\r\n\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindu.com/mag/2006/10/29/stories/2006102900070200.htm\">In a State of Perennial Siege</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span><span>\r\nNancy Adajania, The Hindu, Hyderabad, 29th October 2006</span>\r\n\r\n<span class=\"pubstrong\">Her Crowning Achievement</span><span>\r\nClara Chow, The Straits Times, 18th November 2006</span>\r\n\r\n<span class=\"pubstrong\">Political Chaos</span><span>\r\nDeepali Nandwani, Beautiful people, pg 143, November-December 2006</span>\r\n\r\n<span class=\"pubstrong\">Weapons of Mass Construction</span><span>\r\nRituparna Som, DNA after Hrs, Mumbai, 9th October, 2006</span>\r\n\r\n<span class=\"pubstrong\">Guns and Roses</span><span>\r\nRachna Nakra, The Indian Express, Mumbai Newsline, 18th September 2006</span>\r\n\r\n<span class=\"pubstrong\">Under Attack</span><span>\r\nGitanjali Dang, HT Mumbai, 22nd September 2006</span>\r\n\r\n<span class=\"pubstrong\">Time Traveller</span><span>\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 27th June 2006</span>\r\n\r\n<span class=\"pubstrong\">The Flower and the Sword</span><span>\r\nGirish Shahane, The Art News magazine of India, pg 93, volume X issue I, 2004</span>\r\n\r\n<span class=\"pubstrong\">India’s Top 100 Achievers</span><span>\r\nSociety Magazine, pg 137, December 2004</span>\r\n\r\n<span class=\"pubstrong\">Caught Between Demons<span style=\"font-weight: normal; color: red;\"></span></span><span>\r\nNancy Adajania, The Hindu, 19th December 2004</span>\r\n\r\n<span class=\"pubstrong\">En Reise Til India</span><span>\r\nHarald Flor, Dagbladet, Kultur, 2nd February 2003</span>\r\n\r\n<span class=\"pubstrong\">Signs of Resistance</span><span>\r\nNancy Adajania, The Hindu, 5th January 2003</span>\r\n\r\n<span class=\"pubstrong\">Of the Goddess and Demon in the Mind</span><span>\r\nDebbie Rodgers, Sunday edition Vijay Times, Bangalore, 5th January 2003</span>\r\n\r\n<span class=\"pubstrong\">Empathic Anger</span><span>\r\nMarta Jakimowicz, Deccan Herald, 23rd December 2002</span>\r\n\r\n<span class=\"pubstrong\">Mysore Ek Khoj</span>\r\nCross Fertilization of Culture, Interview in Star of Mysore, 27th October 2002\r\n\r\n<span class=\"pubstrong\">Linking Islands</span><span>\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 15th February 2002</span>\r\n\r\n<span class=\"pubstrong\">Creating to Destroy</span><span>\r\nJasmine Shah Varma, The List, Mid Day, 22nd February 2002</span>\r\n\r\n<span class=\"pubstrong\">Different Strokes</span><span>\r\nGeorgina L Maddox, The Indian Express, Mumbai Newsline, 24th July 2002</span>\r\n\r\n<span class=\"pubstrong\"><a target=\"_blank\" href =\"http://www.reenakallat.com/wp-content/uploads/2011/09/Faith%20and%20Hunger.pdf\" style=\"color: rgb(135, 135, 135);\">Of Faith and Hunger</a><font  style=\"font-weight:normal;\"   color=\"red\">  >> </font></span></span><span>\r\nAbhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89, December 2000</span>\r\n\r\n<span class=\"pubstrong\">The Murmur of Skin</span><span>\r\nNupur Mahajan, Bombay Times, Times of India, 12th October 2000</span>\r\n\r\n<span class=\"pubstrong\">Not just Skin Deep</span><span>\r\nJasmine Shah Varma, The List, Mid-day, 4th October 2000</span>\r\n\r\n<span class=\"pubstrong\">Inside Out</span><span>\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 11th October 2000</span>\r\n\r\n<span class=\"pubstrong\">Scintillating Skin</span><span>\r\nVaibhav Purandare, The Asian Age, 14th October 2000</span>\r\n\r\n<span class=\"pubstrong\">An Artist’s World: Roti, Makaan &amp; Abstract Art</span><span>\r\nPoonam Goel, HT City, 23rd December 2000</span>\r\n\r\n<span class=\"pubstrong\">Within you, Without you</span><span>\r\nAnu Kumar, Indian Express, Express Newsline, 2nd September 1998</span>\r\n\r\n<span class=\"pubstrong\">Farming Intrigue</span><span>\r\nJerry Pinto, The Times of India, Bombay Times, 3rd September 1998</span>\r\n\r\n<span class=\"pubstrong\">Interactive Medium</span><span>\r\nKaren Pereira, Indian Architect &amp; Builder, pgs 102-104, October 1998</span></td>\r\n</tr>\r\n</tbody>\r\n</table>','Publications','','inherit','open','open','','87-revision-198','','','2012-10-21 14:57:43','2012-10-21 14:57:43','',87,'http://www.reenakallat.com/2723/uncat/87-revision-198',0,'revision','',0),(2724,1,'2012-10-21 14:57:54','2012-10-21 14:57:54','<table border=\"0\" cellspacing=\"5\" cellpadding=\"0\" width=\"100%\" align=\"centre\">\r\n<tbody>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" width=\"21%\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Reena Saini Kallat\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Reena-Saini- Kallat_thumb.jpg\" alt=\"Reena Saini Kallat\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td style=\"margin-left: 5px;\"><span class=\"pubstrong\">Reena Saini Kallat, </span> 2009<span>\r\nText: Nancy Adajania and Murtaza Vali\r\nPublisher: Primo Marella Gallery, Walsh Gallery and Chemould Prescott Road\r\nISBN: 978-81-908879-1-5 </span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/reena-kallat\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Rainbow of Refuse\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Rainbow-of -Refuse_thumb.jpg\" alt=\"Rainbow of Refuse\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Rainbow of Refuse, </span>2006<span>\r\nText: Nancy Adajania\r\nPublisher: Bodhi Art Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/rainbow-of-refuse\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-large wp-image-941\" title=\"Publications-Black-Flute and-Other Stories_thumb.jpg\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Black-Flute-and-Other-Stories_thumb.jpg\" alt=\"Black-Flute and-Other Stories\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Black Flute (and other stories), </span>2005\r\n<span class=\"pubstrong\">Black Flute,</span> 2004<span>\r\nText: Nancy Adajania\r\nPublisher: Gallery Chemould and Nature Morte Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/black-flute\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-The-Battlefield Is The Mind\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/The-Battlefield-Is -The-Mind_thumb.jpg\" alt=\"The Battlefield Is The Mind\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">The Battlefield is the Mind, </span>2002<span>\r\nText: Nancy Adajania\r\nPublisher: Sakshi Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/battlefield-of-mind\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"Publications-2000-SKIN\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/2000-SKIN_thumb.jpg\" alt=\"2000-SKIN\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table cellspacing=\"0\" cellpadding=\"0\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Skin, </span>2000<span>\r\nInterview with Jitish Kallat\r\nPublisher: Gallery Chemould and Vis-à-vis Art Inc. Gallery</span></td>\r\n</tr>\r\n<tr></tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td style=\"padding-top: 12px;\" align=\"centre\" valign=\"top\"><img class=\"alignleft size-full wp-image-939\" title=\"publications-Orchard ofHome grown Secrets\" src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/Orchardof-Home-grown Secrets_thumb.jpg\" alt=\"Orchard of Home grown Secrets\" width=\"188\" /></td>\r\n<td align=\"centre\" valign=\"bottom\">\r\n<table width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td><span class=\"pubstrong\">Orchard of home-grown secrets, </span>1998<span>\r\nText: Ranjit Hoskote\r\nPublisher: Gallery Chemould and Pundole Art Gallery</span></td>\r\n</tr>\r\n<tr>\r\n<td style=\"line-height: 10px; padding-top: 0px;\" colspan=\"2\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/orchard-pub\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n</td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n<td><!-- Start of Other Publications -->\r\n\r\n\r\n<span class=\"pubstrong\">India : Art Now </span><span>\r\nText: Stine Hoholt, Ranjit Hoskote, Zehra Jumabhoy\r\nPublisher: Hatje Cantz</span>\r\nISBN: 978-3-7757-3411-0\r\n\r\n<span class=\"pubstrong\">Undervaeker – Wonders, </span>2012<span>\r\nTexts by Gitte Orskou, Af Theis Vallo Madsen, Jeanett Stampe\r\nPublisher: KUNSTEN - Museum of Modern Art Aalborg</span>\r\nISBN: 978-87-88307-72-6\r\n\r\n<span class=\"pubstrong\">n.paradoxa: international feminist art journal, volume 30, </span>2012<span>\r\nText: interview with Veeranganakumari Solanki\r\nPublisher: KT press</span>\r\nISBN: 1461- 0434\r\n\r\n<span class=\"pubstrong\">The Skoda Prize Twenty, </span>2011-2012<span>\r\nText: Zeenat Nagree\r\nPublisher: Popular Prakashan</span>\r\nISBN: 978-81-7991-681-0\r\n\r\n<span class=\"pubstrong\">Pandemonium: Art in a time of creativity fever, </span>2011<span>\r\nText: interview with Stina Edblom\r\nPublisher: Göteborg International Biennial for Contemporary Art</span>\r\nISBN: 978-91-633-9363-1\r\n<span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/pandemonium\">read interview</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span>\r\n\r\n<span class=\"pubstrong\">The Indian Renaissance, </span>2011<span>\r\nText: Antonio Stellatelli, Romano Ravasio and Marina Pizziolo\r\n\r\n<span class=\"pubstrong\">Vancouver Biennale, </span>2009-2011<span>\r\nText: Vancouver International Sculpture Biennale\r\n</span>\r\n\r\n<span class=\"pubstrong\">Maximum India, </span>2011<span>\r\nPublisher: The John F. Kennedy Center for the Performing Arts, 2011</span>\r\n\r\n<span class=\"pubstrong\">Never Run Away, </span>2010<span>\r\nText: Shaheen Merali\r\nPublisher: Stux Gallery</span>\r\n<span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/never-run-away\">read essay</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span>\r\n\r\n<span class=\"pubstrong\">Urban Manners 2, </span>2010<span>\r\nText: Danilo Santos de Miranda, Adelina Von Furstenberg, Peter Nagy\r\nPublisher: SESC Pompeia, Sao Paulo </span>\r\n\r\n<span class=\"pubstrong\">The Empire Strikes Back, </span>2010<span>\r\nText: Zehra Jumabhoy\r\nPublisher: Saatchi Gallery\r\nISBN: 9780224089494\r\n</span>\r\n\r\n<span class=\"pubstrong\">The River Project, </span>2010<span>\r\nPublisher: Campbelltown Arts Centre\r\nISBN: 9781875199761\r\n</span>\r\n\r\n<span class=\"pubstrong\">Asian Art Now, </span>2010<span>\r\nText: Melissa Chiu and Benjamin Genocchio\r\nPublisher: Monacelli Press\r\nISBN: 978-1-58093-298-1 (1-58093-298-3)\r\n</span>\r\n\r\n<span class=\"pubstrong\">Roundabout, </span>2010<span>\r\nPublisher: Art Asia Pacific Publishing\r\nISBN: 978-0984562510\r\n</span>\r\n\r\n<span class=\"pubstrong\">The Khoj Book, </span>2010<span>\r\nInterview with Shilpa Gupta\r\nPublisher: HarperCollins\r\nISBN: 9788172236878</span>\r\n<span style=\"line-height: 10px; padding-top: 0px;\"><a style=\"color: #878787;\" href=\"http://www.reenakallat.com/khoj-book\">read interview</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span>\r\n\r\n<span class=\"pubstrong\">5 Bienal Ventosul, </span>2009<span>\r\nPublisher: Instituto Paranaense de Arte</span>\r\n\r\n<span class=\"pubstrong\">Viewpoints &amp; Viewings Points- Asian Art Biennale, </span>2009<span>\r\nText: Chao-yi-Tsai\r\nPublisher: National Taiwan Museum of fine Arts\r\nISBN: 978-986-02-0269-4</span>\r\n\r\n<span class=\"pubstrong\">India Xianzai: Contemporary Indian Art, </span>2009<span>\r\nText: Jitish Kallat, Diana Freundl, Alexander Keefe\r\nPublisher: Museum of Contemporary Art</span>\r\n\r\n<span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2009<span>\r\nText: Tomoko Kuroiwa, Akiko Miki, Kayo Machino, Sachiko Nishimaki,\r\nMiho Tagomori\r\nPublisher: Prestel, National Museum of Contemporary Art and Essl Museum\r\nISBN: 978-3-7913-4304-4</span>\r\n\r\n<span class=\"pubstrong\">Chalo! India: A New Era of Indian Art, </span>2008<span>\r\nText: Akiko Miki, Nakajima Takeshi, Peter Nagy, Nancy Adajania, Suman\r\nGopinath, Jayaram, Deepak Ananth\r\nPublisher: Mori Art Museum\r\nISBN: 978-4-902819-21-2</span>\r\n\r\n<span class=\"pubstrong\">India Moderna, </span>2008<span>\r\nText: Deepak Ananth, John Falconer, Juan Guardiola, Geeta Kapur,\r\nR. Siva Kumar, K.G. Subramanyan\r\nPublisher: IVAM (Institute Valencia D’Art Modern)\r\nISBN: 978-84-482-5104-8</span>\r\n\r\n<span class=\"pubstrong\">Everywhere is War (and rumours of it),</span>2008<span>\r\nText: Kai Hafez, Martin Hager, Nicholas Mirzoeff, Daniel Miller,\r\nBregje van Eekelen\r\nPublisher: Bodhi Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Three Points of Views, </span>2008<span>\r\nText: Grant Watson\r\nPublisher: Galerie Mirchandani + Steinruecke</span>\r\n\r\n<span class=\"pubstrong\">New Narratives: Contemporary Art from India, </span>2008<span>\r\nText: Betty Seid with contributions by Johan Pijnappel\r\nPublisher: Mapin Publication in association with Chicago Cultural Center\r\nISBN: 978-1-890206-08-6</span>\r\n\r\n<span class=\"pubstrong\">Made by Indians, </span>2007<span>\r\nText: Maud Girard-Geslan, Gayatri Sinha, Alka Pande\r\nPublisher: Galerie Enrico Navarra\r\nISBN: 2-911596-37-4</span>\r\n\r\n<span class=\"pubstrong\">Thermocline of Art: New Asian Waves, </span>2007<span>\r\nText:  Peter Weibel, Gregor Jansen, Wonil Rhee, Huang Du, Nicole Wong\r\nPublisher: Hatje Cantz Vertag\r\nISBN: 978-3-7757-2073-1\r\nEAN: 9782911596377</span>\r\n\r\n<span class=\"pubstrong\">Indian Colour, </span>2007<span>\r\nText: Peter Nagy\r\nPublisher: Dal- seung Hwang, Keumsan Gallery</span>\r\n\r\n<span class=\"pubstrong\">India Arte Oggi, </span>2007<span>\r\nText:  Daniela Palazzoli\r\nPublisher: Spazio Oberdan\r\nISBN: 978-88-202-1867-6</span>\r\n\r\n<span class=\"pubstrong\">Urban Manners, </span>2007<span>\r\nText: Adelina Von Furstenberg and Nancy Adajania\r\nPublisher: Hangar Bicocca</span>\r\n\r\n<span class=\"pubstrong\">International Incheon Women Artists’ Biennale,</span>\r\n<span class=\"pubstrong\">Knocking on the Door, </span>2007<span>\r\nText: Sung Hee Kim, John C. Welchman\r\nPublisher: Incheon Culture and Art Centre</span>\r\n\r\n<span class=\"pubstrong\">Soft Power: Asian Attitude, </span>2007<span>\r\nText: Chen Shuxia, Zheng Xiaoping, Zhang Misi, Xu Qi\r\nPublisher: Shanghai Zendai Mumsem of Modern Art\r\nISBN: 978-7-5356-2790-2</span>\r\n\r\n<span class=\"pubstrong\">India Express- Art and Popular Culture, </span>2006<span>\r\nText: Erja Pusa, Jyotindra Jain, Amrit Gangar, Peter Nagy, Sointu Fritze\r\nPublisher: Helsinki City Art Museum\r\nISBN: 951-8965-61-7</span>\r\n\r\n<span class=\"pubstrong\">Bombay L’album Maximum City, </span>2006<span>\r\nText: Suketu Mehta, Kushwant Singh, Adil Jussawalla\r\nPublisher: Terrail, Lille 3000\r\nISBN: 2-87939-325-6</span>\r\n\r\n<span class=\"pubstrong\">Indian Paintings of the New Millennium, </span>2005<span>\r\nText: Helen Asquine  Fazio, Gayatri Sinha\r\nPublisher: Quick Arts Center, Fairfield University</span>\r\n\r\n<span class=\"pubstrong\">A Guide to 101 Modern &amp; Contemporary Indian Artists, </span>2005<span>\r\nText: Amrita Jhaveri\r\nPublisher: India Book House\r\nISBN: 81-7508-423-5</span>\r\n\r\n<span class=\"pubstrong\">Zoom! Art in Contemporary India, </span>2004<span>\r\nTexts: Luis Serpa and Nancy Adajania\r\nPublisher: The Culturgest Museum\r\nISBN: 972-769-033-5</span>\r\n\r\n<span class=\"pubstrong\">Interlude in Sri Lanka, </span>2004<span>\r\nText: Ranjit Hoskote and Nancy Adajania\r\nPublisher: The Guild Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Generation I, </span>2004<span>\r\nText: Zehra Jumabhoy\r\nPublisher: Saffronart &amp; The Guild Art Gallery</span>\r\n\r\n<span class=\"pubstrong\">Tiranga Rights and Reponsibilities, </span>2003<span>\r\nText: Peter Nagy\r\nPublisher: Jindal Foundation &amp; Creative Arts</span>\r\n\r\n<span class=\"pubstrong\">Hard Copy, </span>2003<span>\r\nText: Peter Nagy\r\nPublisher: Galerie 88</span>\r\n\r\n<span class=\"pubstrong\">Crossing Generations: diVERGE, </span>2003<span>\r\nText: Geeta Kapoor and Chaitanya Sambrani\r\nPublisher: Gallery Chemould</span>\r\n\r\n<span class=\"pubstrong\" style=\"color: #000000;\">PRESS</span>\r\n\r\n<span class=\"pubstrong\">Adrift in unknown waters: Reena Saini Kallat and the Art of letting go</span><span>\r\nParni Ray,  Artfair Magazine, Issue-3, pg 48 – 51, 2012\r\n</span>\r\n\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.livemint.com/2012/02/02193324/Walking-the-art-talk-with-the.html\" target=\"_blank\">Walking the Art talk with the Kallats</a> </span> <font color=\"red\">  >> </font> <span>\r\nShobha Narayan, Live Mint, February 2012 \r\n</span>\r\n\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.tribuneindia.com/2012/20120219/spectrum/main2.htm\" target=\"_blank\">Spectrum New Visual Idiom</a> </span> <font color=\"red\">  >> </font> <span>\r\nThe Tribune, February 19, 2012  \r\n</span>\r\n\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.123people.se/ext/frm?ti=personensuche%20telefonbuch&search_term=stina%20edblom&search_country=SE&st=suche%20nach%20personen&target_url=http%3A%2F%2Fmattersofart.net%2F&section=bing&wrt_id=569\" target=\"_blank\">Matters of Art</a> </span> <font color=\"red\">  >> </font> <span>\r\n2012  \r\n</span>\r\n\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artnewsnviews.com/view-article.php?article=g-teborg-international-biennial&iid=25&articleid=678\" target=\"_blank\">Goteborg International Biennial</a> </span> <font color=\"red\">  >> </font> <span>\r\nArt Etc, Vol.4, No. 2, 2011\r\n</span>\r\n\r\n\r\n<span class=\"pubstrong\">Helsinki taidemuseo.fi-Journal, </span> January 2011<span>\r\n</span>\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://indiatoday.intoday.in/site/story/brush-with-reality/1/134582.html\">Brush With Reality </a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\nSumaiya Khan, India Today Woman, pg. 20-21, April 2011\r\n</span>\r\n\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.timeoutdelhi.net/art/arts_preview_details.asp?code=107\">System overload</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\nShweta Upadhyay, Timeout Delhi, March 2011\r\n</span>\r\n\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artslant.com/ind/articles/show/22573\" target=\"_blank\">Picking up the past</a> </span> <font color=\"red\">  >> </font> <span>\r\nParni Ray, www.artslant.com\r\n</span>\r\n\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.america.gov/st/peopleplace-english/2011/March/20110307133535drawoh0.7282221.html?CP.rss=true\">Art at “maximum INDIA” Festival Evokes Cultural Memory and Loss</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\nHoward Cincotta, www.america.gov, March 7, 2011\r\n</span>\r\n\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.signonsandiego.com/news/2011/mar/02/kennedy-center-opens-3-week-india-arts-festival/\">Kennedy Center opens 3-week India arts festival</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\nBrett Zongker, www.signonsnadiego.com</span>\r\n\r\n<span class=\"pubstrong\">The Eye and the Mind: New Interventions in Contemporary Indian Art </span><span>\r\nRajeev Lochan, India Perspectives, Vol. 24, No. 6, 2010</span>\r\n\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.artconcerns.com/mywork.php\">My work</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span> </span><span>\r\nwww.artconcerns.com, Oct-Nov 2010 issue\r\nText: Reena Kallat</span>\r\n\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://artradarjournal.com/2010/04/20/indian-contemporary-artist-reena-kallat-art-radar-exclusive-interview/\">Interview, Art Radar Asia </a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span><span>\r\nApril 20, 2010</span>\r\n\r\n<span class=\"pubstrong\">The Archives of the Heart</span><span>\r\nNancy Adajania, Indian  Contemporary Art Journal, Volume 1, Issue III,\r\nFront Cover, pgs 42-45, 2009</span>\r\n\r\n<span class=\"pubstrong\">Globale Kunst Mit Wurzelduft</span><span>\r\nVon Almuth Speigler, Die Presse, Feuilleton, 2nd September 2009</span>\r\n\r\n<span class=\"pubstrong\">Landscapes of Loss</span><span>\r\nBeth Citron, The Art News Magazine of India, Volume XIV, Issue 1, 2009</span>\r\n\r\n<span class=\"pubstrong\">Reincarnating History</span><span>\r\nThe Big Picture, Architect and Interiors, July 2009</span>\r\n\r\n<span class=\"pubstrong\">Stamp Collection</span><span>\r\nGeorgina Maddox, The Sunday Express, 17th May 2009</span>\r\n\r\n<span class=\"pubstrong\">Evolving Beyond Borders</span><span>\r\nReshma S. Kulkarni, Bombay Times, Times of India, 15th January, 2009</span>\r\n\r\n<span class=\"pubstrong\">Loss and Found</span><span>\r\nMarina Correa, DNA, Mumbai, 22nd January 2009</span>\r\n\r\n<span class=\"pubstrong\">Focus India</span><span>\r\nMegha Ralapati, Flash Art, pg 114, January-February 2008</span>\r\n\r\n<span class=\"pubstrong\">Come Together Right Now</span><span>\r\nReema Gehi, HT Café, 15th February 2008</span>\r\n\r\n<span class=\"pubstrong\">Such a Long Journey</span><span>\r\nAparna S Sharma, Elle Magazine, pgs 115-117, February 2008</span>\r\n\r\n<span class=\"pubstrong\">More than a Woman</span><span>\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 4th February 2008</span>\r\n\r\n<span class=\"pubstrong\">Artist of the Fortnight</span><span>\r\nMaria Louis, Outlook Profit, pg 79, 18th April 2008</span>\r\n\r\n<span class=\"pubstrong\">Deja View</span><span>\r\nTara Khilachand, Live Mint, 20th December 2008</span>\r\n\r\n<span class=\"pubstrong\">Terror Struck</span><span>\r\nMaria Louis, Outlook Profit, 26th December 2008</span>\r\n\r\n<span class=\"pubstrong\">Name Calling</span><span>\r\nDeepanjana Pal, Timeout Mumbai, December 2008</span>\r\n\r\n<span class=\"pubstrong\">Corruptions of Power</span>\r\n<span>Shiladitya Sarkar, The Art News Magazine of India, Volume XI, issue IV, pgs 98-99, 2007</span>\r\n\r\n<span class=\"pubstrong\">Over the Rainbow</span><span>\r\nMaria Louis, Interview, Verve Magazine, pg 78, November 2006</span>\r\n\r\n<span class=\"pubstrong\"><a style=\"color: #878787;\" href=\"http://www.hindu.com/mag/2006/10/29/stories/2006102900070200.htm\">In a State of Perennial Siege</a> <span style=\"font-weight: normal; color: red;\"> &gt;&gt; </span></span><span>\r\nNancy Adajania, The Hindu, Hyderabad, 29th October 2006</span>\r\n\r\n<span class=\"pubstrong\">Her Crowning Achievement</span><span>\r\nClara Chow, The Straits Times, 18th November 2006</span>\r\n\r\n<span class=\"pubstrong\">Political Chaos</span><span>\r\nDeepali Nandwani, Beautiful people, pg 143, November-December 2006</span>\r\n\r\n<span class=\"pubstrong\">Weapons of Mass Construction</span><span>\r\nRituparna Som, DNA after Hrs, Mumbai, 9th October, 2006</span>\r\n\r\n<span class=\"pubstrong\">Guns and Roses</span><span>\r\nRachna Nakra, The Indian Express, Mumbai Newsline, 18th September 2006</span>\r\n\r\n<span class=\"pubstrong\">Under Attack</span><span>\r\nGitanjali Dang, HT Mumbai, 22nd September 2006</span>\r\n\r\n<span class=\"pubstrong\">Time Traveller</span><span>\r\nGeorgina Maddox, The Indian Express, Mumbai Newsline, 27th June 2006</span>\r\n\r\n<span class=\"pubstrong\">The Flower and the Sword</span><span>\r\nGirish Shahane, The Art News magazine of India, pg 93, volume X issue I, 2004</span>\r\n\r\n<span class=\"pubstrong\">India’s Top 100 Achievers</span><span>\r\nSociety Magazine, pg 137, December 2004</span>\r\n\r\n<span class=\"pubstrong\">Caught Between Demons<span style=\"font-weight: normal; color: red;\"></span></span><span>\r\nNancy Adajania, The Hindu, 19th December 2004</span>\r\n\r\n<span class=\"pubstrong\">En Reise Til India</span><span>\r\nHarald Flor, Dagbladet, Kultur, 2nd February 2003</span>\r\n\r\n<span class=\"pubstrong\">Signs of Resistance</span><span>\r\nNancy Adajania, The Hindu, 5th January 2003</span>\r\n\r\n<span class=\"pubstrong\">Of the Goddess and Demon in the Mind</span><span>\r\nDebbie Rodgers, Sunday edition Vijay Times, Bangalore, 5th January 2003</span>\r\n\r\n<span class=\"pubstrong\">Empathic Anger</span><span>\r\nMarta Jakimowicz, Deccan Herald, 23rd December 2002</span>\r\n\r\n<span class=\"pubstrong\">Mysore Ek Khoj</span>\r\nCross Fertilization of Culture, Interview in Star of Mysore, 27th October 2002\r\n\r\n<span class=\"pubstrong\">Linking Islands</span><span>\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 15th February 2002</span>\r\n\r\n<span class=\"pubstrong\">Creating to Destroy</span><span>\r\nJasmine Shah Varma, The List, Mid Day, 22nd February 2002</span>\r\n\r\n<span class=\"pubstrong\">Different Strokes</span><span>\r\nGeorgina L Maddox, The Indian Express, Mumbai Newsline, 24th July 2002</span>\r\n\r\n<span class=\"pubstrong\"><a target=\"_blank\" href =\"http://www.reenakallat.com/wp-content/uploads/2011/09/Faith%20and%20Hunger.pdf\" style=\"color: rgb(135, 135, 135);\">Of Faith and Hunger</a><font  style=\"font-weight:normal;\"   color=\"red\">  >> </font></span></span><span>\r\nAbhay Sardesai, The Art News Magazine of India, Vol.V, issue IV, pgs 88-89, December 2000</span>\r\n\r\n<span class=\"pubstrong\">The Murmur of Skin</span><span>\r\nNupur Mahajan, Bombay Times, Times of India, 12th October 2000</span>\r\n\r\n<span class=\"pubstrong\">Not just Skin Deep</span><span>\r\nJasmine Shah Varma, The List, Mid-day, 4th October 2000</span>\r\n\r\n<span class=\"pubstrong\">Inside Out</span><span>\r\nMenaka Jayasankar, Indian Express, Mumbai Newsline, 11th October 2000</span>\r\n\r\n<span class=\"pubstrong\">Scintillating Skin</span><span>\r\nVaibhav Purandare, The Asian Age, 14th October 2000</span>\r\n\r\n<span class=\"pubstrong\">An Artist’s World: Roti, Makaan &amp; Abstract Art</span><span>\r\nPoonam Goel, HT City, 23rd December 2000</span>\r\n\r\n<span class=\"pubstrong\">Within you, Without you</span><span>\r\nAnu Kumar, Indian Express, Express Newsline, 2nd September 1998</span>\r\n\r\n<span class=\"pubstrong\">Farming Intrigue</span><span>\r\nJerry Pinto, The Times of India, Bombay Times, 3rd September 1998</span>\r\n\r\n<span class=\"pubstrong\">Interactive Medium</span><span>\r\nKaren Pereira, Indian Architect &amp; Builder, pgs 102-104, October 1998</span></td>\r\n</tr>\r\n</tbody>\r\n</table>','Publications','','inherit','open','open','','87-revision-199','','','2012-10-21 14:57:54','2012-10-21 14:57:54','',87,'http://www.reenakallat.com/2724/uncat/87-revision-199',0,'revision','',0),(2725,1,'2012-10-21 14:40:38','2012-10-21 14:40:38','<link rel=\"canonical\" href=\"http://www.reenakallat.com\" />\r\n<script type=\"text/javascript\" src=\"http://www.reenakallat.com/wp-includes/js/jquery/jquery-1.2.6.min.js\"></script>\r\n<script type=\"text/javascript\">\r\nfunction slideSwitch() {\r\n    var $active = $(\'#slideshow DIV.active\');\r\n    if ( $active.length == 0 ) $active = $(\'#slideshow DIV:last\');\r\n    // use this to pull the divs in the order they appear in the markup\r\n    var $next =  $active.next().length ? $active.next()\r\n        : $(\'#slideshow DIV:first\');\r\n    // uncomment below to pull the divs randomly\r\n    // var $sibs  = $active.siblings();\r\n    // var rndNum = Math.floor(Math.random() * $sibs.length );\r\n    // var $next  = $( $sibs[ rndNum ] );\r\n    $active.addClass(\'last-active\');\r\n    $next.css({opacity: 0.0})\r\n        .addClass(\'active\')\r\n        .animate({opacity: 1.0}, 1000, function() {\r\n            $active.removeClass(\'active last-active\');\r\n        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Happiness</em>\r\nMay 21 - July 29, 2012:  Centro Cultural Banco do Brasil in Brasislia\r\n<br>\r\n<br>\r\n<em>India Today</em>\r\nAugust 2012 – January 2013\r\nARKEN Museum of Modern Art, Copenhagen, Denmark \r\n\r\n</div>\r\n<div id=\"slideshow\" style=\"float:left;\"  >\r\n    <div class=\"active\">\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/slideshow_1m.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-894\" /></a>\r\n       <!-- Caption for image 1-->\r\n    </div>\r\n    <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/slideshow_2m.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-896\" /></a>\r\n        <!--This will work with any markup-->\r\n    </div>\r\n    <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/slideshow_3m.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-897\" /></a>\r\n        <!--Swap this out for anything, links, paragraphs, whatever-->\r\n    </div>\r\n    <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/slideshow_4m.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-898\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div>\r\n <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/slideshow_6m.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-898\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div>\r\n    <div>\r\n        <a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/03/slideshow_5m.jpg\" alt=\"slideshow\" title=\"slideshow\" width=\"650\" height=\"600\" class=\"aligncenter size-full wp-image-899\" /></a>\r\n        <!--Just make sure to set a background color if you use text-->\r\n    </div>\r\n</div>','Home','','inherit','open','open','','93-revision-58','','','2012-10-21 14:40:38','2012-10-21 14:40:38','',93,'http://www.reenakallat.com/2725/uncat/93-revision-58',0,'revision','',0),(2726,1,'2012-10-21 14:52:35','2012-10-21 14:52:35','Reena Saini Kallat (b. 1973, Delhi, India) graduated from Sir J.J. School of Art, Mumbai in 1996 with a B.F.A. in painting. Her practice - spanning painting, photography, video, sculpture and installation, often incorporates multiple mediums into a single work. She frequently works with officially recorded or registered names of people, objects, and monuments that are lost or have disappeared without a trace, only to get listed as anonymous and forgotten statistics. One of the recurrent motifs in her work is the rubber stamp, used as an object and an imprint, signifying the bureaucratic apparatus, which both confirms and obscures identities.\r\n\r\nHer work has been widely exhibited across the world in venues such as Mori Art Museum, Tokyo; Kennedy Centre, Washington; Saatchi Gallery, London; SESC Pompeia and SESC Belenzino in Sao Paulo; Goteborgs Konsthall, Sweden; Helsinki City Art Museum, Finland; National Taiwan Museum of Fine Arts; Tel Aviv Museum of Art, Israel; National Museum of Contemporary Art, Seoul; Henie Onstad Kunstsenter, Oslo; Casa Asia, Madrid and Barcelona; ZKM Karlsruhe in Germany; Campbelltown Arts Centre, Sydney; Hangar Bicocca, Milan; Museum of Contemporary Art, Shanghai; IVAM Museum, Spain;  Busan MOMA; Kulturhuset, Stockholm; Chicago Cultural Centre amongst many others and she has participated in a number of workshops and residencies. She lives and works in Mumbai.\r\n<table>\r\n<tbody>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">SOLO EXHIBITIONS</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://www.naturemorte.com/exhibitions/2011-03-08_reena-saini-kallat/\" target=\"_blank\">Labyrinth of Absences, Nature Morte, New Delhi</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.primomarellagallery.com/it/catalogue/scheda.asp?id=568&amp;view=past\" target=\"_blank\">Drift, Primo Marella Gallery, Milan</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2008/reena_bio.html\" target=\"_blank\"> Silt of Seasons, Chemould   Prescott Road, Mumbai <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/reena-kallat-exhibition-2008/\" target=\"_blank\">Subject to Change without Notice, Walsh Gallery, Chicago</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Rainbow Of Refuse, Bodhi Art Gallery, Mumbai and Singapore</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td><a class=\"linkbio\" href=\"http://www.naturemorte.com/artists/reena-saini-kallat/selected-works/\" target=\"_blank\">Black Flute (And Other Stories), Nature Morte, New Delhi</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2004/reena_saini_kallat_note.html\" target=\"_blank\">Black Flute, Gallery Chemould, Mumbai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>The Battlefield Is The Mind, Sakshi Gallery, Bangalore</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Seven Faces of Dust, Chicago Radio, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2000</td>\r\n<td>Skin, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1998</td>\r\n<td>Orchard of Home-grown Secrets, Gallery Chemould and Pundole  Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><span style=\"color: #888888;\"><strong>SELECTED GROUP EXHIBITIONS</strong></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>India Today, ARKEN Museum of Modern Art, Copenhagen, Denmark</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>WONDERS – Masterpieces from Private Collections, Denmark</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>India side by side, Centro Cultural Banco do Brasil, Brasilia</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>Group show, Eigen + Art Lab, Berlin</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>India Side by Side,SESC Belenzino, Sao Paulo, Brazil</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td><a class=\"linkbio\" href=\"http://www.punkto.no/voices-from-pandemonium.5009470-185063.html\" target=\"_blank\">Stemmer fra Pandemonium, Punkt-Galleri F 15, Moss, Norway <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>To Let the World In: Narrative and Beyond in Contemporary Indian Art, Lalit Kala Regional Centre, Chennai, India</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td><a class=\"linkbio\" href=\"http://www.exhibit320.com/exhibitionShow/EXH00014/\" target=\"_blank\">The Contemporary Sultanate, the Sunrydge, New Delhi <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>Kalaghoda Art Festival, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>The Skoda Prize Exhibition, Lalit Kala Academy, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>India Side by Side, Centro Cultural Banco do Brasil, Rio De Janeiro</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Giant Elephant : Contemporary Art from India, H Cube Gallery, Seoul</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Roundabout, Tel Aviv Museum of Art, Israel<span style=\"color: red;\"> </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://goteborg.biennal.org/en/the-biennial-2011/artists/\" target=\"_blank\">Goteborg International Biennale for Contemporary Art, curated by Sarat Maharaj, Göteborgs Konsthall and Bohuslans Konsthall, Uddevalla, Sweden <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Right to Dissent, Clark House, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>RED, Palette Art Gallery, Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://www.kennedy-center.org/events/?event=ZLINB\" target=\"_blank\">Maximum India, The Kennedy Centre, Washington</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Of Gods and Goddesses, Cinema, Cricket - The New cultural Icons of India, Jehangir Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Samtidigt, Helsinki City Art Museum, Finland</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Iconoclasts and Iconodules, curated by Ombretta Argo, Religare Art Gallery, New  Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>The Vancouver International Sculpture Biennale, Surrey Art Gallery, Canada</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>The Intuitive: Logic Revisted, from the Osians Collection at The World Economic Forum, Davos, Switzerland</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/current/La_Route_De_La_Soie.htm\" target=\"_blank\">La Route de la Soie / The Silk Road, Lille 3000, France </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.kulturhuset.stockholm.se/default.asp?id=5760&amp;refid=34277\" target=\"_blank\">Samtidigt, Kulterhuset, Stockholm</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.campbelltown.nsw.gov.au/default.asp?iNavCatID=3407&amp;iSubCatID=3615\" target=\"_blank\">The River Project, Campbelltown Art Centre, Sydney</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.aboutroundabout.com/artists/kallat-reena-saini\" target=\"_blank\">Roundabout, City Gallery Wellington, New Zealand</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/\" target=\"_blank\">Waterways, Walsh Gallery, Chicago</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.richmondartgallery.org/in-transition.php\" target=\"_blank\">In Transition: New Art from India, Richmond Art Gallery Vancouver Biennale, Vancouver</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://websterhuntgallery.blogspot.com/2010_02_01_archive.html\" target=\"_blank\">Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster University, curated by Jeffrey Hughes and Dana Turkovic, Cecile R. Hunt  Gallery, St. Louis, Missouri</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/51\" target=\"_blank\">Never Run Away, 2 person exhibition curated by Shaheen Merali, Stux Gallery, New York</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/artists/reena_kallat.htm?section_name=new_india\" target=\"_blank\">The Empire Strikes Back, Saatchi Gallery, London</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://art-for-the-world.blogspot.com/2010/01/some-installation-views-of-urban.html\" target=\"_blank\">Urban Manners 2, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao Paulo, Brazil</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.asianartbiennial.org/2009/en/index_en.html\" target=\"_blank\">View Points and Viewing points - 2009 Asian Art Biennale, National Taiwan Museum of Fine Arts </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Spectrum: Indian Art at Abu   Dhabi, United   Arab Emirates</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Milan Galleria, curated by Georgio Verzotti, Triennale Museum, Milan</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.initialaccess.co.uk/exh/73/11/passage-to-india-part-ii/reena-saini-kallat\" target=\"_blank\">Passage to India Part II show at Initial Access, Frank Cohen Collection, Wolverhampton, UK</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Ventosul Biennale, Curitiba, Brazil</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/english/contents/india/index.html\" target=\"_blank\"> Chalo! India: A New Era of Indian Art, National  Museum of Contemporary Art, Korea and Essl Museum, Vienna</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mocashanghai.org/index.php?_function=exhibition&amp;_subFunction=pastExhibition&amp;exhibition_id=40&amp;_view=detail\" target=\"_blank\">INDIA XIANZAI: Contemporary Indian Art, Museum of Contemporary Art, Shanghai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/42/622\" target=\"_blank\">Low Blow: And Other Species of Confusion, Stux gallery, New York</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><em> </em>Indian Narratives in the 21<sup>st</sup> Century: Between Memory and History,Casa  Asia, Madrid and Barcelona, Spain</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/body-chatter-an-exhibition-of-contemporary-indian-art-2008/\" target=\"_blank\">Body Chatter, Walsh Gallery, Chicago</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/contents/press/india_20081121_e.pdf\" target=\"_blank\">Chalo! India: A New Era of Indian Art, Mori Art   Museum, Japan</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.indiamoderna.es/eng/index.html\" target=\"_blank\">India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM Museum, Valencia, Spain </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.aaa.org.hk/onlineprojects/bitri/en/gallery.aspx?eid=A080.03\" target=\"_blank\">3<sup>rd</sup> Nanjing Triennale, curators: Fumihiko Sumitomo, Jaeyoung Kang,  China</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>TEAF (Taehwagang Eco Art Festival) - Dream River, Korea</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.bodhiart.in/exhibitions/everywhere_is_war/everywhere_war.html\" target=\"_blank\">Everywhere is War (And Rumours of it), Bodhi Art Gallery, Mumbai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/33\" target=\"_blank\">Fire Walkers, Stefan Stux gallery, New York</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.galeriems.com/reenask_one.htm\" target=\"_blank\">Three Points of view, Galerie Mirchandani + Steinrucke, Mumbai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Excavation: Memory / Myth / Membrane, Museum Gallery, Mumbai</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>International Incheon Women Artists’ Biennale, Korea</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Soft Power: Asian Attitude, Shanghai Zendai Museum of Modern Art, Shanghai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td><a class=\"linkbio\" href=\"http://www.kunstaspekte.de/index.php?tid=39629&amp;action=termin\" target=\"_blank\">Urban Manners, curated by Adelina Von Furstenberg, at Hangar Bicocca, Milan </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td><a class=\"linkbio\" href=\"http://www.art-for-the-world.com/wwd/2007/urban_manners/Urban_Manners_pr.pdf\" target=\"_blank\">INDIA NOW: Contemporary Indian Art, Between Continuity and transformation, curated by Daniela Palozzoli <br>at Spazio Oberdan, Milan</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>New Narratives: Contemporary Art From India, curated by Betty Seid, Chicago Cultural Centre, Chicago</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Thermocline Of Art- New Asian Waves, curated by Wonil Rhee and Peter Weibel at ZKM in Karlsruhe, Germany</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Modern Indian Works On Paper, Arthur Ross Gallery, Philadelphia and the Georgia Museum of Art, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Lille 3000 (Maximum City-Mumbai), Lille,  France</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Hungry God- Indian Contemporary Art, curated by Yun Chaegab and June Gwak, Arario Gallery, Beijing and Busan MoMA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>India Express – Art and Popular Culture, Art Museum Tennispalace, curators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City  Art Museum, Finland</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Mom and Pop Art, Walsh Gallery, Chicago</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Span, Sakshi Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Indian Paintings of the New Millenium, curated by Helen Asquine Fazio at Thomas J. Walsh Art Gallery at Fairfield  University, USA</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td><em> </em>Contemporary Art from India, Thomas   Erben Gallery, New York</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td>Zoom! Art in Contemporary India. Curators: Nancy Adajania and Luis Serpa, The Culturgest Museum, Lisbon, Portugal</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Crossing generations: diVERGE, Gallery Chemould’s 40th anniversary, Curators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of Modern Art, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td><em> </em>Hard Copy, two-person show with Jitish Kallat, Gallery 88, Calcutta</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Tiranga, curator: Peter Nagy, India Habitat Centre, New Delhi</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td><em> </em>Elephant Walks, Youth Arts Project in collaboration with Jitish Kallat as part of Indians + Cowboys exhibition, Curators: Aaron Seetu and Ruth Watson Gallery 4A, Sydney</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>The Tree From The Seed, Contemporary Art from India, curator: Gavin Jantjes Henie Onstad Kunstsenter (Oslo), Norway</td>\r\n<td><em></em></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td><em>Crosscurrents</em>, organized by Artworks for the fiftieth anniversary celebrations of Jehangir Art  Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td><em>Reclaim Our Freedom</em>, organized by Open Circle, Pundole Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Crossing Borders, Gallery Windkracht 13, Den Helder, Holland</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>Big River 2, CCA7 Gallery, Port Of Spain, Trinidad</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>AOM- Art on the move, organized by Sahmat, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1999</td>\r\n<td><em> </em>Edge of the Century, curated by Amit Mukhopadhyay, Academy  of Fine Arts and Literature, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1998</td>\r\n<td><em> </em>Essays in Time, Kinetic Sculptures, Nehru Centre, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1997</td>\r\n<td><em> </em>India in Harmony 1947-1997, Nehru Centre, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1997</td>\r\n<td><em> </em>A Page From My Diary, Sans Tache Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1997</td>\r\n<td><em> </em>Fresh Work, Birla Academy of Art and Culture, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1996</td>\r\n<td><em> </em>Monsoon Show, Jehangir Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1995</td>\r\n<td><em> </em>Varsha ’95, Y. B. Chavan Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">SELECTED WORKSHOPS AND RESIDENCIES</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>Visas to Happiness, workshop with children as part of the exhibition \'To Let the World In\', Chennai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Iaspis Residency, Gothenburg, Sweden.</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Vanishing Point, children’s project at the Celebrate Bandra Festival, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Collaborative workshop as part of the exhibition Aftershock, Sainsbury Centre for Visual Arts, University of East Anglia, Norwich,  UK</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Collaborated on a Billboard project with Jitish Kallat, Kala Ghoda Art District, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Elephant Walks, Youth Arts Project at the Casula Power House Arts Centre, Liverpool, Australia</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Khoj 2002 International Artists Workshop, Mysore, India</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Identity and Landscape, residency in the Laurentian mountains of Quebec at the Boreal Art/Nature Centre, Canada</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>Big River 2, International Artists Workshop organized by CCA7 and the Triangle Arts Trust at Grand Riviere, Trinidad, West Indies</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td><span style=\"color: #888888;\"><strong>TALKS/PRESENTATIONS</strong></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>Artists Talk at the World Economic Forum, Tianjin</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Artists Talk at GIBCA Speak Easy (GSE), Goteborg</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Informal talk at HDK – The School of Design and Crafts, Goteborg</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Artists Talk at the Iaspis Residency Studio, Stockholm</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td>Short presentation as part of The River Project at The Campbelltown Arts Centre, Sydney</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Artists Talk at the Krishnakriti Festival 2011, Kalakriti Gallery, Hyderabad</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td>Panel discussion moderated by Maria Lantz, with participating artists during the exhibition Samtidigt at Kulturhuset, Stockholm</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Panel discussion with artist Gulam Sheikh, co-chair: Sabine B. Vogel, art critic at the Sammlung Essl Museum, Vienna</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Slide presentation followed by a panel discussion with Nalini Malani and Jayshree Chakravarty, moderated by Nancy Adajania at Jnanapravaha, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Slide presentation at the School of the Art Institute of Chicago</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Panel discussion with Nalini Malani, Sheba Chhachhi, moderated by Betty Seid at the Chicago Cultural Centre</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Lecture at the University Boccini, Milan</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Slide presentation at the Lamar Dodd School of Art, University of Georgia, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Artists Talk at the Griffith Auditorium, Georgia Museum of Art, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Slide presentation at Oslo National Academy of the Arts, Norway</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2000</td>\r\n<td>Slide presentation at Mohile Parikh Centre for the Visual Arts, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">AWARDS</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>YFLO ZOYA Young Women Achievers Awards 2010-11, Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Harmony Award</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1996</td>\r\n<td>Bombay Art Society Merit Certificate</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1996</td>\r\n<td>Second Prize Government Award, Sir J. J. School of Art, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1995</td>\r\n<td>Gladstone Solomon Award</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1991-1996</td>\r\n<td>Merit Scholarship, Sir J. J. School of Art, Mumbai</td>\r\n</tr>\r\n</tbody>\r\n</table>','Biography','','inherit','open','open','','105-revision-119','','','2012-10-21 14:52:35','2012-10-21 14:52:35','',105,'http://www.reenakallat.com/2726/uncat/105-revision-119',0,'revision','',0),(2727,1,'2012-10-26 16:25:47','2012-10-26 16:25:47','Reena Saini Kallat (b. 1973, Delhi, India) graduated from Sir J.J. School of Art, Mumbai in 1996 with a B.F.A. in painting. Her practice - spanning painting, photography, video, sculpture and installation, often incorporates multiple mediums into a single work. She frequently works with officially recorded or registered names of people, objects, and monuments that are lost or have disappeared without a trace, only to get listed as anonymous and forgotten statistics. One of the recurrent motifs in her work is the rubber stamp, used as an object and an imprint, signifying the bureaucratic apparatus, which both confirms and obscures identities.\r\n\r\nHer work has been widely exhibited across the world in venues such as Mori Art Museum, Tokyo; Kennedy Centre, Washington; Saatchi Gallery, London; SESC Pompeia and SESC Belenzino in Sao Paulo; Goteborgs Konsthall, Sweden; Helsinki City Art Museum, Finland; National Taiwan Museum of Fine Arts; Tel Aviv Museum of Art, Israel; National Museum of Contemporary Art, Seoul; Henie Onstad Kunstsenter, Oslo; Casa Asia, Madrid and Barcelona; ZKM Karlsruhe in Germany; Campbelltown Arts Centre, Sydney; Hangar Bicocca, Milan; Museum of Contemporary Art, Shanghai; IVAM Museum, Spain;  Busan MOMA; Kulturhuset, Stockholm; Chicago Cultural Centre amongst many others and she has participated in a number of workshops and residencies. She lives and works in Mumbai.\r\n<table>\r\n<tbody>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">SOLO EXHIBITIONS</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://www.naturemorte.com/exhibitions/2011-03-08_reena-saini-kallat/\" target=\"_blank\">Labyrinth of Absences, Nature Morte, New Delhi</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.primomarellagallery.com/it/catalogue/scheda.asp?id=568&amp;view=past\" target=\"_blank\">Drift, Primo Marella Gallery, Milan</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2008/reena_bio.html\" target=\"_blank\"> Silt of Seasons, Chemould   Prescott Road, Mumbai <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/reena-kallat-exhibition-2008/\" target=\"_blank\">Subject to Change without Notice, Walsh Gallery, Chicago</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Rainbow Of Refuse, Bodhi Art Gallery, Mumbai and Singapore</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td><a class=\"linkbio\" href=\"http://www.naturemorte.com/artists/reena-saini-kallat/selected-works/\" target=\"_blank\">Black Flute (And Other Stories), Nature Morte, New Delhi</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2004/reena_saini_kallat_note.html\" target=\"_blank\">Black Flute, Gallery Chemould, Mumbai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>The Battlefield Is The Mind, Sakshi Gallery, Bangalore</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Seven Faces of Dust, Chicago Radio, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2000</td>\r\n<td>Skin, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1998</td>\r\n<td>Orchard of Home-grown Secrets, Gallery Chemould and Pundole  Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><span style=\"color: #888888;\"><strong>SELECTED GROUP EXHIBITIONS</strong></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td><a class=\"linkbio\" href=\"http://www.arken.dk/content/us/art/exhibitions/india_art_now/the_intimate_sphere\" target=\"_blank\">India Today, ARKEN Museum of Modern Art, Copenhagen, Denmark</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td><a class=\"linkbio\" href=\"http://www.kunsten.dk/Default.aspx?ID=4378\" target=\"_blank\">WONDERS – Masterpieces from Private Collections, Denmark</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td><a class=\"linkbio\" href=\"http://www.bb.com.br/docs/pub/inst/dwn/CatalogoIndia.pdf\" target=\"_blank\">India side by side, Centro Cultural Banco do Brasil, Brasilia</a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>Group show, Eigen + Art Lab, Berlin</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>India Side by Side,SESC Belenzino, Sao Paulo, Brazil</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td><a class=\"linkbio\" href=\"http://www.punkto.no/voices-from-pandemonium.5009470-185063.html\" target=\"_blank\">Stemmer fra Pandemonium, Punkt-Galleri F 15, Moss, Norway <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>To Let the World In: Narrative and Beyond in Contemporary Indian Art, Lalit Kala Regional Centre, Chennai, India</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td><a class=\"linkbio\" href=\"http://www.exhibit320.com/exhibitionShow/EXH00014/\" target=\"_blank\">The Contemporary Sultanate, the Sunrydge, New Delhi <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>Kalaghoda Art Festival, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>The Skoda Prize Exhibition, Lalit Kala Academy, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>India Side by Side, Centro Cultural Banco do Brasil, Rio De Janeiro</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Giant Elephant : Contemporary Art from India, H Cube Gallery, Seoul</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Roundabout, Tel Aviv Museum of Art, Israel<span style=\"color: red;\"> </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://goteborg.biennal.org/en/the-biennial-2011/artists/\" target=\"_blank\">Goteborg International Biennale for Contemporary Art, curated by Sarat Maharaj, Göteborgs Konsthall and Bohuslans Konsthall, Uddevalla, Sweden <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Right to Dissent, Clark House, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>RED, Palette Art Gallery, Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://www.kennedy-center.org/events/?event=ZLINB\" target=\"_blank\">Maximum India, The Kennedy Centre, Washington</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Of Gods and Goddesses, Cinema, Cricket - The New cultural Icons of India, Jehangir Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Samtidigt, Helsinki City Art Museum, Finland</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Iconoclasts and Iconodules, curated by Ombretta Argo, Religare Art Gallery, New  Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>The Vancouver International Sculpture Biennale, Surrey Art Gallery, Canada</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>The Intuitive: Logic Revisted, from the Osians Collection at The World Economic Forum, Davos, Switzerland</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/current/La_Route_De_La_Soie.htm\" target=\"_blank\">La Route de la Soie / The Silk Road, Lille 3000, France </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.kulturhuset.stockholm.se/default.asp?id=5760&amp;refid=34277\" target=\"_blank\">Samtidigt, Kulterhuset, Stockholm</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.campbelltown.nsw.gov.au/default.asp?iNavCatID=3407&amp;iSubCatID=3615\" target=\"_blank\">The River Project, Campbelltown Art Centre, Sydney</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.aboutroundabout.com/artists/kallat-reena-saini\" target=\"_blank\">Roundabout, City Gallery Wellington, New Zealand</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/\" target=\"_blank\">Waterways, Walsh Gallery, Chicago</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.richmondartgallery.org/in-transition.php\" target=\"_blank\">In Transition: New Art from India, Richmond Art Gallery Vancouver Biennale, Vancouver</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://websterhuntgallery.blogspot.com/2010_02_01_archive.html\" target=\"_blank\">Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster University, curated by Jeffrey Hughes and Dana Turkovic, Cecile R. Hunt  Gallery, St. Louis, Missouri</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/51\" target=\"_blank\">Never Run Away, 2 person exhibition curated by Shaheen Merali, Stux Gallery, New York</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/artists/reena_kallat.htm?section_name=new_india\" target=\"_blank\">The Empire Strikes Back, Saatchi Gallery, London</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://art-for-the-world.blogspot.com/2010/01/some-installation-views-of-urban.html\" target=\"_blank\">Urban Manners 2, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao Paulo, Brazil</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.asianartbiennial.org/2009/en/index_en.html\" target=\"_blank\">View Points and Viewing points - 2009 Asian Art Biennale, National Taiwan Museum of Fine Arts </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Spectrum: Indian Art at Abu   Dhabi, United   Arab Emirates</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Milan Galleria, curated by Georgio Verzotti, Triennale Museum, Milan</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.initialaccess.co.uk/exh/73/11/passage-to-india-part-ii/reena-saini-kallat\" target=\"_blank\">Passage to India Part II show at Initial Access, Frank Cohen Collection, Wolverhampton, UK</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Ventosul Biennale, Curitiba, Brazil</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/english/contents/india/index.html\" target=\"_blank\"> Chalo! India: A New Era of Indian Art, National  Museum of Contemporary Art, Korea and Essl Museum, Vienna</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mocashanghai.org/index.php?_function=exhibition&amp;_subFunction=pastExhibition&amp;exhibition_id=40&amp;_view=detail\" target=\"_blank\">INDIA XIANZAI: Contemporary Indian Art, Museum of Contemporary Art, Shanghai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/42/622\" target=\"_blank\">Low Blow: And Other Species of Confusion, Stux gallery, New York</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><em> </em>Indian Narratives in the 21<sup>st</sup> Century: Between Memory and History,Casa  Asia, Madrid and Barcelona, Spain</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/body-chatter-an-exhibition-of-contemporary-indian-art-2008/\" target=\"_blank\">Body Chatter, Walsh Gallery, Chicago</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/contents/press/india_20081121_e.pdf\" target=\"_blank\">Chalo! India: A New Era of Indian Art, Mori Art   Museum, Japan</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.indiamoderna.es/eng/index.html\" target=\"_blank\">India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM Museum, Valencia, Spain </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.aaa.org.hk/onlineprojects/bitri/en/gallery.aspx?eid=A080.03\" target=\"_blank\">3<sup>rd</sup> Nanjing Triennale, curators: Fumihiko Sumitomo, Jaeyoung Kang,  China</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>TEAF (Taehwagang Eco Art Festival) - Dream River, Korea</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.bodhiart.in/exhibitions/everywhere_is_war/everywhere_war.html\" target=\"_blank\">Everywhere is War (And Rumours of it), Bodhi Art Gallery, Mumbai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/33\" target=\"_blank\">Fire Walkers, Stefan Stux gallery, New York</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.galeriems.com/reenask_one.htm\" target=\"_blank\">Three Points of view, Galerie Mirchandani + Steinrucke, Mumbai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Excavation: Memory / Myth / Membrane, Museum Gallery, Mumbai</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>International Incheon Women Artists’ Biennale, Korea</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Soft Power: Asian Attitude, Shanghai Zendai Museum of Modern Art, Shanghai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td><a class=\"linkbio\" href=\"http://www.kunstaspekte.de/index.php?tid=39629&amp;action=termin\" target=\"_blank\">Urban Manners, curated by Adelina Von Furstenberg, at Hangar Bicocca, Milan </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td><a class=\"linkbio\" href=\"http://www.art-for-the-world.com/wwd/2007/urban_manners/Urban_Manners_pr.pdf\" target=\"_blank\">INDIA NOW: Contemporary Indian Art, Between Continuity and transformation, curated by Daniela Palozzoli\r\nat Spazio Oberdan, Milan</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>New Narratives: Contemporary Art From India, curated by Betty Seid, Chicago Cultural Centre, Chicago</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Thermocline Of Art- New Asian Waves, curated by Wonil Rhee and Peter Weibel at ZKM in Karlsruhe, Germany</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Modern Indian Works On Paper, Arthur Ross Gallery, Philadelphia and the Georgia Museum of Art, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Lille 3000 (Maximum City-Mumbai), Lille,  France</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Hungry God- Indian Contemporary Art, curated by Yun Chaegab and June Gwak, Arario Gallery, Beijing and Busan MoMA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>India Express – Art and Popular Culture, Art Museum Tennispalace, curators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City  Art Museum, Finland</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Mom and Pop Art, Walsh Gallery, Chicago</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Span, Sakshi Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Indian Paintings of the New Millenium, curated by Helen Asquine Fazio at Thomas J. Walsh Art Gallery at Fairfield  University, USA</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td><em> </em>Contemporary Art from India, Thomas   Erben Gallery, New York</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td>Zoom! Art in Contemporary India. Curators: Nancy Adajania and Luis Serpa, The Culturgest Museum, Lisbon, Portugal</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Crossing generations: diVERGE, Gallery Chemould’s 40th anniversary, Curators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of Modern Art, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td><em> </em>Hard Copy, two-person show with Jitish Kallat, Gallery 88, Calcutta</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Tiranga, curator: Peter Nagy, India Habitat Centre, New Delhi</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td><em> </em>Elephant Walks, Youth Arts Project in collaboration with Jitish Kallat as part of Indians + Cowboys exhibition, Curators: Aaron Seetu and Ruth Watson Gallery 4A, Sydney</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>The Tree From The Seed, Contemporary Art from India, curator: Gavin Jantjes Henie Onstad Kunstsenter (Oslo), Norway</td>\r\n<td><em></em></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td><em>Crosscurrents</em>, organized by Artworks for the fiftieth anniversary celebrations of Jehangir Art  Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td><em>Reclaim Our Freedom</em>, organized by Open Circle, Pundole Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Crossing Borders, Gallery Windkracht 13, Den Helder, Holland</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>Big River 2, CCA7 Gallery, Port Of Spain, Trinidad</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>AOM- Art on the move, organized by Sahmat, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1999</td>\r\n<td><em> </em>Edge of the Century, curated by Amit Mukhopadhyay, Academy  of Fine Arts and Literature, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1998</td>\r\n<td><em> </em>Essays in Time, Kinetic Sculptures, Nehru Centre, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1997</td>\r\n<td><em> </em>India in Harmony 1947-1997, Nehru Centre, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1997</td>\r\n<td><em> </em>A Page From My Diary, Sans Tache Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1997</td>\r\n<td><em> </em>Fresh Work, Birla Academy of Art and Culture, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1996</td>\r\n<td><em> </em>Monsoon Show, Jehangir Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1995</td>\r\n<td><em> </em>Varsha ’95, Y. B. Chavan Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">SELECTED WORKSHOPS AND RESIDENCIES</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>Visas to Happiness, workshop with children as part of the exhibition \'To Let the World In\', Chennai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Iaspis Residency, Gothenburg, Sweden.</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Vanishing Point, children’s project at the Celebrate Bandra Festival, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Collaborative workshop as part of the exhibition Aftershock, Sainsbury Centre for Visual Arts, University of East Anglia, Norwich,  UK</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Collaborated on a Billboard project with Jitish Kallat, Kala Ghoda Art District, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Elephant Walks, Youth Arts Project at the Casula Power House Arts Centre, Liverpool, Australia</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Khoj 2002 International Artists Workshop, Mysore, India</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Identity and Landscape, residency in the Laurentian mountains of Quebec at the Boreal Art/Nature Centre, Canada</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>Big River 2, International Artists Workshop organized by CCA7 and the Triangle Arts Trust at Grand Riviere, Trinidad, West Indies</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td><span style=\"color: #888888;\"><strong>TALKS/PRESENTATIONS</strong></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>Artists Talk at the World Economic Forum, Tianjin</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Artists Talk at GIBCA Speak Easy (GSE), Goteborg</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Informal talk at HDK – The School of Design and Crafts, Goteborg</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Artists Talk at the Iaspis Residency Studio, Stockholm</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td>Short presentation as part of The River Project at The Campbelltown Arts Centre, Sydney</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Artists Talk at the Krishnakriti Festival 2011, Kalakriti Gallery, Hyderabad</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td>Panel discussion moderated by Maria Lantz, with participating artists during the exhibition Samtidigt at Kulturhuset, Stockholm</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Panel discussion with artist Gulam Sheikh, co-chair: Sabine B. Vogel, art critic at the Sammlung Essl Museum, Vienna</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Slide presentation followed by a panel discussion with Nalini Malani and Jayshree Chakravarty, moderated by Nancy Adajania at Jnanapravaha, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Slide presentation at the School of the Art Institute of Chicago</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Panel discussion with Nalini Malani, Sheba Chhachhi, moderated by Betty Seid at the Chicago Cultural Centre</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Lecture at the University Boccini, Milan</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Slide presentation at the Lamar Dodd School of Art, University of Georgia, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Artists Talk at the Griffith Auditorium, Georgia Museum of Art, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Slide presentation at Oslo National Academy of the Arts, Norway</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2000</td>\r\n<td>Slide presentation at Mohile Parikh Centre for the Visual Arts, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">AWARDS</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>YFLO ZOYA Young Women Achievers Awards 2010-11, Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Harmony Award</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1996</td>\r\n<td>Bombay Art Society Merit Certificate</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1996</td>\r\n<td>Second Prize Government Award, Sir J. J. School of Art, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1995</td>\r\n<td>Gladstone Solomon Award</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1991-1996</td>\r\n<td>Merit Scholarship, Sir J. J. School of Art, Mumbai</td>\r\n</tr>\r\n</tbody>\r\n</table>','Biography','','inherit','open','open','','105-revision-120','','','2012-10-26 16:25:47','2012-10-26 16:25:47','',105,'http://www.reenakallat.com/2727/uncat/105-revision-120',0,'revision','',0);
INSERT INTO `wp_posts` VALUES (2728,1,'2012-11-07 06:18:16','2012-11-07 06:18:16','Reena Saini Kallat (b. 1973, Delhi, India) graduated from Sir J.J. School of Art, Mumbai in 1996 with a B.F.A. in painting. Her practice - spanning painting, photography, video, sculpture and installation, often incorporates multiple mediums into a single work. She frequently works with officially recorded or registered names of people, objects, and monuments that are lost or have disappeared without a trace, only to get listed as anonymous and forgotten statistics. One of the recurrent motifs in her work is the rubber stamp, used as an object and an imprint, signifying the bureaucratic apparatus, which both confirms and obscures identities.\r\n\r\nHer work has been widely exhibited across the world in venues such as Mori Art Museum, Tokyo; Kennedy Centre, Washington; Saatchi Gallery, London; SESC Pompeia and SESC Belenzino in Sao Paulo; Goteborgs Konsthall, Sweden; Helsinki City Art Museum, Finland; National Taiwan Museum of Fine Arts; Tel Aviv Museum of Art, Israel; National Museum of Contemporary Art, Seoul; Henie Onstad Kunstsenter, Oslo; Casa Asia, Madrid and Barcelona; ZKM Karlsruhe in Germany; Campbelltown Arts Centre, Sydney; Hangar Bicocca, Milan; Museum of Contemporary Art, Shanghai; IVAM Museum, Spain;  Busan MOMA; Kulturhuset, Stockholm; Chicago Cultural Centre amongst many others and she has participated in a number of workshops and residencies. She lives and works in Mumbai.\r\n<table>\r\n<tbody>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">SOLO EXHIBITIONS</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://www.naturemorte.com/exhibitions/2011-03-08_reena-saini-kallat/\" target=\"_blank\">Labyrinth of Absences, Nature Morte, New Delhi</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.primomarellagallery.com/it/catalogue/scheda.asp?id=568&amp;view=past\" target=\"_blank\">Drift, Primo Marella Gallery, Milan</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2008/reena_bio.html\" target=\"_blank\"> Silt of Seasons, Chemould   Prescott Road, Mumbai <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/reena-kallat-exhibition-2008/\" target=\"_blank\">Subject to Change without Notice, Walsh Gallery, Chicago</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Rainbow Of Refuse, Bodhi Art Gallery, Mumbai and Singapore</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td><a class=\"linkbio\" href=\"http://www.naturemorte.com/artists/reena-saini-kallat/selected-works/\" target=\"_blank\">Black Flute (And Other Stories), Nature Morte, New Delhi</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2004/reena_saini_kallat_note.html\" target=\"_blank\">Black Flute, Gallery Chemould, Mumbai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>The Battlefield Is The Mind, Sakshi Gallery, Bangalore</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Seven Faces of Dust, Chicago Radio, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2000</td>\r\n<td>Skin, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1998</td>\r\n<td>Orchard of Home-grown Secrets, Gallery Chemould and Pundole  Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><span style=\"color: #888888;\"><strong>SELECTED GROUP EXHIBITIONS</strong></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td><a class=\"linkbio\" href=\"http://www.arken.dk/content/us/art/exhibitions/india_art_now/the_intimate_sphere\" target=\"_blank\">India Today, ARKEN Museum of Modern Art, Copenhagen, Denmark <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td><a class=\"linkbio\" href=\"http://www.kunsten.dk/Default.aspx?ID=4378\" target=\"_blank\">WONDERS – Masterpieces from Private Collections, Denmark <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td><a class=\"linkbio\" href=\"http://www.bb.com.br/docs/pub/inst/dwn/CatalogoIndia.pdf\" target=\"_blank\">India side by side, Centro Cultural Banco do Brasil, Brasilia <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>Group show, Eigen + Art Lab, Berlin</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>India Side by Side,SESC Belenzino, Sao Paulo, Brazil</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td><a class=\"linkbio\" href=\"http://www.punkto.no/voices-from-pandemonium.5009470-185063.html\" target=\"_blank\">Stemmer fra Pandemonium, Punkt-Galleri F 15, Moss, Norway <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>To Let the World In: Narrative and Beyond in Contemporary Indian Art, Lalit Kala Regional Centre, Chennai, India</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td><a class=\"linkbio\" href=\"http://www.exhibit320.com/exhibitionShow/EXH00014/\" target=\"_blank\">The Contemporary Sultanate, the Sunrydge, New Delhi <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>Kalaghoda Art Festival, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>The Skoda Prize Exhibition, Lalit Kala Academy, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>India Side by Side, Centro Cultural Banco do Brasil, Rio De Janeiro</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Giant Elephant : Contemporary Art from India, H Cube Gallery, Seoul</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Roundabout, Tel Aviv Museum of Art, Israel<span style=\"color: red;\"> </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://goteborg.biennal.org/en/the-biennial-2011/artists/\" target=\"_blank\">Goteborg International Biennale for Contemporary Art, curated by Sarat Maharaj, Göteborgs Konsthall and Bohuslans Konsthall, Uddevalla, Sweden <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Right to Dissent, Clark House, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>RED, Palette Art Gallery, Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://www.kennedy-center.org/events/?event=ZLINB\" target=\"_blank\">Maximum India, The Kennedy Centre, Washington</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Of Gods and Goddesses, Cinema, Cricket - The New cultural Icons of India, Jehangir Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Samtidigt, Helsinki City Art Museum, Finland</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Iconoclasts and Iconodules, curated by Ombretta Argo, Religare Art Gallery, New  Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>The Vancouver International Sculpture Biennale, Surrey Art Gallery, Canada</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>The Intuitive: Logic Revisted, from the Osians Collection at The World Economic Forum, Davos, Switzerland</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/current/La_Route_De_La_Soie.htm\" target=\"_blank\">La Route de la Soie / The Silk Road, Lille 3000, France </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.kulturhuset.stockholm.se/default.asp?id=5760&amp;refid=34277\" target=\"_blank\">Samtidigt, Kulterhuset, Stockholm</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.campbelltown.nsw.gov.au/default.asp?iNavCatID=3407&amp;iSubCatID=3615\" target=\"_blank\">The River Project, Campbelltown Art Centre, Sydney</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.aboutroundabout.com/artists/kallat-reena-saini\" target=\"_blank\">Roundabout, City Gallery Wellington, New Zealand</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/\" target=\"_blank\">Waterways, Walsh Gallery, Chicago</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.richmondartgallery.org/in-transition.php\" target=\"_blank\">In Transition: New Art from India, Richmond Art Gallery Vancouver Biennale, Vancouver</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://websterhuntgallery.blogspot.com/2010_02_01_archive.html\" target=\"_blank\">Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster University, curated by Jeffrey Hughes and Dana Turkovic, Cecile R. Hunt  Gallery, St. Louis, Missouri</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/51\" target=\"_blank\">Never Run Away, 2 person exhibition curated by Shaheen Merali, Stux Gallery, New York</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/artists/reena_kallat.htm?section_name=new_india\" target=\"_blank\">The Empire Strikes Back, Saatchi Gallery, London</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://art-for-the-world.blogspot.com/2010/01/some-installation-views-of-urban.html\" target=\"_blank\">Urban Manners 2, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao Paulo, Brazil</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.asianartbiennial.org/2009/en/index_en.html\" target=\"_blank\">View Points and Viewing points - 2009 Asian Art Biennale, National Taiwan Museum of Fine Arts </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Spectrum: Indian Art at Abu   Dhabi, United   Arab Emirates</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Milan Galleria, curated by Georgio Verzotti, Triennale Museum, Milan</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.initialaccess.co.uk/exh/73/11/passage-to-india-part-ii/reena-saini-kallat\" target=\"_blank\">Passage to India Part II show at Initial Access, Frank Cohen Collection, Wolverhampton, UK</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Ventosul Biennale, Curitiba, Brazil</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/english/contents/india/index.html\" target=\"_blank\"> Chalo! India: A New Era of Indian Art, National  Museum of Contemporary Art, Korea and Essl Museum, Vienna</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mocashanghai.org/index.php?_function=exhibition&amp;_subFunction=pastExhibition&amp;exhibition_id=40&amp;_view=detail\" target=\"_blank\">INDIA XIANZAI: Contemporary Indian Art, Museum of Contemporary Art, Shanghai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/42/622\" target=\"_blank\">Low Blow: And Other Species of Confusion, Stux gallery, New York</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><em> </em>Indian Narratives in the 21<sup>st</sup> Century: Between Memory and History,Casa  Asia, Madrid and Barcelona, Spain</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/body-chatter-an-exhibition-of-contemporary-indian-art-2008/\" target=\"_blank\">Body Chatter, Walsh Gallery, Chicago</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/contents/press/india_20081121_e.pdf\" target=\"_blank\">Chalo! India: A New Era of Indian Art, Mori Art   Museum, Japan</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.indiamoderna.es/eng/index.html\" target=\"_blank\">India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM Museum, Valencia, Spain </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.aaa.org.hk/onlineprojects/bitri/en/gallery.aspx?eid=A080.03\" target=\"_blank\">3<sup>rd</sup> Nanjing Triennale, curators: Fumihiko Sumitomo, Jaeyoung Kang,  China</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>TEAF (Taehwagang Eco Art Festival) - Dream River, Korea</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.bodhiart.in/exhibitions/everywhere_is_war/everywhere_war.html\" target=\"_blank\">Everywhere is War (And Rumours of it), Bodhi Art Gallery, Mumbai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/33\" target=\"_blank\">Fire Walkers, Stefan Stux gallery, New York</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.galeriems.com/reenask_one.htm\" target=\"_blank\">Three Points of view, Galerie Mirchandani + Steinrucke, Mumbai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Excavation: Memory / Myth / Membrane, Museum Gallery, Mumbai</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>International Incheon Women Artists’ Biennale, Korea</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Soft Power: Asian Attitude, Shanghai Zendai Museum of Modern Art, Shanghai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td><a class=\"linkbio\" href=\"http://www.kunstaspekte.de/index.php?tid=39629&amp;action=termin\" target=\"_blank\">Urban Manners, curated by Adelina Von Furstenberg, at Hangar Bicocca, Milan </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td><a class=\"linkbio\" href=\"http://www.art-for-the-world.com/wwd/2007/urban_manners/Urban_Manners_pr.pdf\" target=\"_blank\">INDIA NOW: Contemporary Indian Art, Between Continuity and transformation, curated by Daniela Palozzoli\r\nat Spazio Oberdan, Milan</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>New Narratives: Contemporary Art From India, curated by Betty Seid, Chicago Cultural Centre, Chicago</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Thermocline Of Art- New Asian Waves, curated by Wonil Rhee and Peter Weibel at ZKM in Karlsruhe, Germany</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Modern Indian Works On Paper, Arthur Ross Gallery, Philadelphia and the Georgia Museum of Art, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Lille 3000 (Maximum City-Mumbai), Lille,  France</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Hungry God- Indian Contemporary Art, curated by Yun Chaegab and June Gwak, Arario Gallery, Beijing and Busan MoMA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>India Express – Art and Popular Culture, Art Museum Tennispalace, curators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City  Art Museum, Finland</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Mom and Pop Art, Walsh Gallery, Chicago</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Span, Sakshi Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Indian Paintings of the New Millenium, curated by Helen Asquine Fazio at Thomas J. Walsh Art Gallery at Fairfield  University, USA</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td><em> </em>Contemporary Art from India, Thomas   Erben Gallery, New York</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td>Zoom! Art in Contemporary India. Curators: Nancy Adajania and Luis Serpa, The Culturgest Museum, Lisbon, Portugal</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Crossing generations: diVERGE, Gallery Chemould’s 40th anniversary, Curators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of Modern Art, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td><em> </em>Hard Copy, two-person show with Jitish Kallat, Gallery 88, Calcutta</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Tiranga, curator: Peter Nagy, India Habitat Centre, New Delhi</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td><em> </em>Elephant Walks, Youth Arts Project in collaboration with Jitish Kallat as part of Indians + Cowboys exhibition, Curators: Aaron Seetu and Ruth Watson Gallery 4A, Sydney</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>The Tree From The Seed, Contemporary Art from India, curator: Gavin Jantjes Henie Onstad Kunstsenter (Oslo), Norway</td>\r\n<td><em></em></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td><em>Crosscurrents</em>, organized by Artworks for the fiftieth anniversary celebrations of Jehangir Art  Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td><em>Reclaim Our Freedom</em>, organized by Open Circle, Pundole Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Crossing Borders, Gallery Windkracht 13, Den Helder, Holland</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>Big River 2, CCA7 Gallery, Port Of Spain, Trinidad</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>AOM- Art on the move, organized by Sahmat, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1999</td>\r\n<td><em> </em>Edge of the Century, curated by Amit Mukhopadhyay, Academy  of Fine Arts and Literature, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1998</td>\r\n<td><em> </em>Essays in Time, Kinetic Sculptures, Nehru Centre, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1997</td>\r\n<td><em> </em>India in Harmony 1947-1997, Nehru Centre, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1997</td>\r\n<td><em> </em>A Page From My Diary, Sans Tache Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1997</td>\r\n<td><em> </em>Fresh Work, Birla Academy of Art and Culture, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1996</td>\r\n<td><em> </em>Monsoon Show, Jehangir Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1995</td>\r\n<td><em> </em>Varsha ’95, Y. B. Chavan Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">SELECTED WORKSHOPS AND RESIDENCIES</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>Visas to Happiness, workshop with children as part of the exhibition \'To Let the World In\', Chennai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Iaspis Residency, Gothenburg, Sweden.</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Vanishing Point, children’s project at the Celebrate Bandra Festival, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Collaborative workshop as part of the exhibition Aftershock, Sainsbury Centre for Visual Arts, University of East Anglia, Norwich,  UK</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Collaborated on a Billboard project with Jitish Kallat, Kala Ghoda Art District, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Elephant Walks, Youth Arts Project at the Casula Power House Arts Centre, Liverpool, Australia</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Khoj 2002 International Artists Workshop, Mysore, India</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Identity and Landscape, residency in the Laurentian mountains of Quebec at the Boreal Art/Nature Centre, Canada</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>Big River 2, International Artists Workshop organized by CCA7 and the Triangle Arts Trust at Grand Riviere, Trinidad, West Indies</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td><span style=\"color: #888888;\"><strong>TALKS/PRESENTATIONS</strong></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>Artists Talk at the World Economic Forum, Tianjin</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Artists Talk at GIBCA Speak Easy (GSE), Goteborg</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Informal talk at HDK – The School of Design and Crafts, Goteborg</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Artists Talk at the Iaspis Residency Studio, Stockholm</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td>Short presentation as part of The River Project at The Campbelltown Arts Centre, Sydney</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Artists Talk at the Krishnakriti Festival 2011, Kalakriti Gallery, Hyderabad</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td>Panel discussion moderated by Maria Lantz, with participating artists during the exhibition Samtidigt at Kulturhuset, Stockholm</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Panel discussion with artist Gulam Sheikh, co-chair: Sabine B. Vogel, art critic at the Sammlung Essl Museum, Vienna</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Slide presentation followed by a panel discussion with Nalini Malani and Jayshree Chakravarty, moderated by Nancy Adajania at Jnanapravaha, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Slide presentation at the School of the Art Institute of Chicago</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Panel discussion with Nalini Malani, Sheba Chhachhi, moderated by Betty Seid at the Chicago Cultural Centre</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Lecture at the University Boccini, Milan</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Slide presentation at the Lamar Dodd School of Art, University of Georgia, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Artists Talk at the Griffith Auditorium, Georgia Museum of Art, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Slide presentation at Oslo National Academy of the Arts, Norway</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2000</td>\r\n<td>Slide presentation at Mohile Parikh Centre for the Visual Arts, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">AWARDS</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>YFLO ZOYA Young Women Achievers Awards 2010-11, Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Harmony Award</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1996</td>\r\n<td>Bombay Art Society Merit Certificate</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1996</td>\r\n<td>Second Prize Government Award, Sir J. J. School of Art, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1995</td>\r\n<td>Gladstone Solomon Award</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1991-1996</td>\r\n<td>Merit Scholarship, Sir J. J. School of Art, Mumbai</td>\r\n</tr>\r\n</tbody>\r\n</table>','Biography','','inherit','open','open','','105-revision-121','','','2012-11-07 06:18:16','2012-11-07 06:18:16','',105,'http://www.reenakallat.com/2728/uncat/105-revision-121',0,'revision','',0),(2729,1,'2012-11-07 06:29:35','2012-11-07 06:29:35','Reena Saini Kallat (b. 1973, Delhi, India) graduated from Sir J.J. School of Art, Mumbai in 1996 with a B.F.A. in painting. Her practice - spanning painting, photography, video, sculpture and installation, often incorporates multiple mediums into a single work. She frequently works with officially recorded or registered names of people, objects, and monuments that are lost or have disappeared without a trace, only to get listed as anonymous and forgotten statistics. One of the recurrent motifs in her work is the rubber stamp, used as an object and an imprint, signifying the bureaucratic apparatus, which both confirms and obscures identities.\r\n\r\nHer work has been widely exhibited across the world in venues such as Mori Art Museum, Tokyo; Kennedy Centre, Washington; Saatchi Gallery, London; SESC Pompeia and SESC Belenzino in Sao Paulo; Goteborgs Konsthall, Sweden; Helsinki City Art Museum, Finland; National Taiwan Museum of Fine Arts; Tel Aviv Museum of Art, Israel; National Museum of Contemporary Art, Seoul; Henie Onstad Kunstsenter, Oslo; Casa Asia, Madrid and Barcelona; ZKM Karlsruhe in Germany; Campbelltown Arts Centre, Sydney; Hangar Bicocca, Milan; Museum of Contemporary Art, Shanghai; IVAM Museum, Spain;  Busan MOMA; Kulturhuset, Stockholm; Chicago Cultural Centre amongst many others and she has participated in a number of workshops and residencies. She lives and works in Mumbai.\r\n<table>\r\n<tbody>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">SOLO EXHIBITIONS</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://www.naturemorte.com/exhibitions/2011-03-08_reena-saini-kallat/\" target=\"_blank\">Labyrinth of Absences, Nature Morte, New Delhi</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.primomarellagallery.com/it/catalogue/scheda.asp?id=568&amp;view=past\" target=\"_blank\">Drift, Primo Marella Gallery, Milan</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2008/reena_bio.html\" target=\"_blank\"> Silt of Seasons, Chemould   Prescott Road, Mumbai <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/reena-kallat-exhibition-2008/\" target=\"_blank\">Subject to Change without Notice, Walsh Gallery, Chicago</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Rainbow Of Refuse, Bodhi Art Gallery, Mumbai and Singapore</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td><a class=\"linkbio\" href=\"http://www.naturemorte.com/artists/reena-saini-kallat/selected-works/\" target=\"_blank\">Black Flute (And Other Stories), Nature Morte, New Delhi</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td><a class=\"linkbio\" href=\"http://www.gallerychemould.com/exhibitions/2004/reena_saini_kallat_note.html\" target=\"_blank\">Black Flute, Gallery Chemould, Mumbai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>The Battlefield Is The Mind, Sakshi Gallery, Bangalore</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Seven Faces of Dust, Chicago Radio, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2000</td>\r\n<td>Skin, Gallery Chemould, Mumbai and Art Inc. Gallery, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1998</td>\r\n<td>Orchard of Home-grown Secrets, Gallery Chemould and Pundole  Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><span style=\"color: #888888;\"><strong>SELECTED GROUP EXHIBITIONS</strong></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td><a class=\"linkbio\" href=\"http://www.arken.dk/content/us/art/exhibitions/india_art_now/the_intimate_sphere\" target=\"_blank\">India Today, ARKEN Museum of Modern Art, Copenhagen, Denmark <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td><a class=\"linkbio\" href=\"http://www.kunsten.dk/Default.aspx?ID=4378\" target=\"_blank\">WONDERS – Masterpieces from Private Collections, Denmark <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td><a class=\"linkbio\" href=\"http://www.bb.com.br/docs/pub/inst/dwn/CatalogoIndia.pdf\" target=\"_blank\">India side by side, Centro Cultural Banco do Brasil, Brasilia <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>Group show, Eigen + Art Lab, Berlin</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>India Side by Side,SESC Belenzino, Sao Paulo, Brazil</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td><a class=\"linkbio\" href=\"http://www.punkto.no/voices-from-pandemonium.5009470-185063.html\" target=\"_blank\">Stemmer fra Pandemonium, Punkt-Galleri F 15, Moss, Norway <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>To Let the World In: Narrative and Beyond in Contemporary Indian Art, Lalit Kala Regional Centre, Chennai, India</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td><a class=\"linkbio\" href=\"http://www.exhibit320.com/exhibitionShow/EXH00014/\" target=\"_blank\">The Contemporary Sultanate, the Sunrydge, New Delhi <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>Kalaghoda Art Festival, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>The Skoda Prize Exhibition, Lalit Kala Academy, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>India Side by Side, Centro Cultural Banco do Brasil, Rio De Janeiro</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Giant Elephant : Contemporary Art from India, H Cube Gallery, Seoul</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Roundabout, Tel Aviv Museum of Art, Israel<span style=\"color: red;\"> </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://goteborg.biennal.org/en/the-biennial-2011/artists/\" target=\"_blank\">Goteborg International Biennale for Contemporary Art, curated by Sarat Maharaj, Göteborgs Konsthall and Bohuslans Konsthall, Uddevalla, Sweden <span style=\"color: red;\"> &gt;&gt; </span></a></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Right to Dissent, Clark House, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>RED, Palette Art Gallery, Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td><a class=\"linkbio\" href=\"http://www.kennedy-center.org/events/?event=ZLINB\" target=\"_blank\">Maximum India, The Kennedy Centre, Washington</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Of Gods and Goddesses, Cinema, Cricket - The New cultural Icons of India, Jehangir Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Samtidigt, Helsinki City Art Museum, Finland</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Iconoclasts and Iconodules, curated by Ombretta Argo, Religare Art Gallery, New  Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>The Vancouver International Sculpture Biennale, Surrey Art Gallery, Canada</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>The Intuitive: Logic Revisted, from the Osians Collection at The World Economic Forum, Davos, Switzerland</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/current/La_Route_De_La_Soie.htm\" target=\"_blank\">La Route de la Soie / The Silk Road, Lille 3000, France </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.kulturhuset.stockholm.se/default.asp?id=5760&amp;refid=34277\" target=\"_blank\">Samtidigt, Kulterhuset, Stockholm</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.campbelltown.nsw.gov.au/default.asp?iNavCatID=3407&amp;iSubCatID=3615\" target=\"_blank\">The River Project, Campbelltown Art Centre, Sydney</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.aboutroundabout.com/artists/kallat-reena-saini\" target=\"_blank\">Roundabout, City Gallery Wellington, New Zealand</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/\" target=\"_blank\">Waterways, Walsh Gallery, Chicago</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.richmondartgallery.org/in-transition.php\" target=\"_blank\">In Transition: New Art from India, Richmond Art Gallery Vancouver Biennale, Vancouver</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://websterhuntgallery.blogspot.com/2010_02_01_archive.html\" target=\"_blank\">Bring Me a Lion: An Exhibition of Contemporary Indian Art at Webster University, curated by Jeffrey Hughes and Dana Turkovic, Cecile R. Hunt  Gallery, St. Louis, Missouri</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/51\" target=\"_blank\">Never Run Away, 2 person exhibition curated by Shaheen Merali, Stux Gallery, New York</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://www.saatchi-gallery.co.uk/artists/reena_kallat.htm?section_name=new_india\" target=\"_blank\">The Empire Strikes Back, Saatchi Gallery, London</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td><a class=\"linkbio\" href=\"http://art-for-the-world.blogspot.com/2010/01/some-installation-views-of-urban.html\" target=\"_blank\">Urban Manners 2, Contemporary Artists from India, curated by Adelina Von Furstenberg in collaboration with Peter Nagy, at SESC Pompeia, Sao Paulo, Brazil</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.asianartbiennial.org/2009/en/index_en.html\" target=\"_blank\">View Points and Viewing points - 2009 Asian Art Biennale, National Taiwan Museum of Fine Arts </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Spectrum: Indian Art at Abu   Dhabi, United   Arab Emirates</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Milan Galleria, curated by Georgio Verzotti, Triennale Museum, Milan</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.initialaccess.co.uk/exh/73/11/passage-to-india-part-ii/reena-saini-kallat\" target=\"_blank\">Passage to India Part II show at Initial Access, Frank Cohen Collection, Wolverhampton, UK</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Ventosul Biennale, Curitiba, Brazil</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/english/contents/india/index.html\" target=\"_blank\"> Chalo! India: A New Era of Indian Art, National  Museum of Contemporary Art, Korea and Essl Museum, Vienna</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mocashanghai.org/index.php?_function=exhibition&amp;_subFunction=pastExhibition&amp;exhibition_id=40&amp;_view=detail\" target=\"_blank\">INDIA XIANZAI: Contemporary Indian Art, Museum of Contemporary Art, Shanghai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/42/622\" target=\"_blank\">Low Blow: And Other Species of Confusion, Stux gallery, New York</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><em> </em>Indian Narratives in the 21<sup>st</sup> Century: Between Memory and History,Casa  Asia, Madrid and Barcelona, Spain</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td><a class=\"linkbio\" href=\"http://www.walshgallery.com/body-chatter-an-exhibition-of-contemporary-indian-art-2008/\" target=\"_blank\">Body Chatter, Walsh Gallery, Chicago</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.mori.art.museum/contents/press/india_20081121_e.pdf\" target=\"_blank\">Chalo! India: A New Era of Indian Art, Mori Art   Museum, Japan</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.indiamoderna.es/eng/index.html\" target=\"_blank\">India Moderna, curator: Juan Guardiola, organized by Casa Asia, IVAM Museum, Valencia, Spain </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.aaa.org.hk/onlineprojects/bitri/en/gallery.aspx?eid=A080.03\" target=\"_blank\">3<sup>rd</sup> Nanjing Triennale, curators: Fumihiko Sumitomo, Jaeyoung Kang,  China</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>TEAF (Taehwagang Eco Art Festival) - Dream River, Korea</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.bodhiart.in/exhibitions/everywhere_is_war/everywhere_war.html\" target=\"_blank\">Everywhere is War (And Rumours of it), Bodhi Art Gallery, Mumbai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.stuxgallery.com/site/www/artist_gallery/33\" target=\"_blank\">Fire Walkers, Stefan Stux gallery, New York</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td><a class=\"linkbio\" href=\"http://www.galeriems.com/reenask_one.htm\" target=\"_blank\">Three Points of view, Galerie Mirchandani + Steinrucke, Mumbai</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Excavation: Memory / Myth / Membrane, Museum Gallery, Mumbai</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>International Incheon Women Artists’ Biennale, Korea</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Soft Power: Asian Attitude, Shanghai Zendai Museum of Modern Art, Shanghai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td><a class=\"linkbio\" href=\"http://www.kunstaspekte.de/index.php?tid=39629&amp;action=termin\" target=\"_blank\">Urban Manners, curated by Adelina Von Furstenberg, at Hangar Bicocca, Milan </a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td><a class=\"linkbio\" href=\"http://www.art-for-the-world.com/wwd/2007/urban_manners/Urban_Manners_pr.pdf\" target=\"_blank\">INDIA NOW: Contemporary Indian Art, Between Continuity and transformation, curated by Daniela Palozzoli\r\nat Spazio Oberdan, Milan</a> <span style=\"color: red;\"> &gt;&gt; </span></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>New Narratives: Contemporary Art From India, curated by Betty Seid, Chicago Cultural Centre, Chicago</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Thermocline Of Art- New Asian Waves, curated by Wonil Rhee and Peter Weibel at ZKM in Karlsruhe, Germany</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Modern Indian Works On Paper, Arthur Ross Gallery, Philadelphia and the Georgia Museum of Art, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Lille 3000 (Maximum City-Mumbai), Lille,  France</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Hungry God- Indian Contemporary Art, curated by Yun Chaegab and June Gwak, Arario Gallery, Beijing and Busan MoMA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>India Express – Art and Popular Culture, Art Museum Tennispalace, curators: Tuija Kuutti and Erja Pusa, organized by the Helsinki City  Art Museum, Finland</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Mom and Pop Art, Walsh Gallery, Chicago</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Span, Sakshi Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Indian Paintings of the New Millenium, curated by Helen Asquine Fazio at Thomas J. Walsh Art Gallery at Fairfield  University, USA</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td><em> </em>Contemporary Art from India, Thomas   Erben Gallery, New York</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2004</td>\r\n<td>Zoom! Art in Contemporary India. Curators: Nancy Adajania and Luis Serpa, The Culturgest Museum, Lisbon, Portugal</td>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Crossing generations: diVERGE, Gallery Chemould’s 40th anniversary, Curators: Geeta Kapoor and Chaitanya Sambrani, National Gallery of Modern Art, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td><em> </em>Hard Copy, two-person show with Jitish Kallat, Gallery 88, Calcutta</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Tiranga, curator: Peter Nagy, India Habitat Centre, New Delhi</td>\r\n<td><em> </em></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td><em> </em>Elephant Walks, Youth Arts Project in collaboration with Jitish Kallat as part of Indians + Cowboys exhibition, Curators: Aaron Seetu and Ruth Watson Gallery 4A, Sydney</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>The Tree From The Seed, Contemporary Art from India, curator: Gavin Jantjes Henie Onstad Kunstsenter (Oslo), Norway</td>\r\n<td><em></em></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td><em>Crosscurrents</em>, organized by Artworks for the fiftieth anniversary celebrations of Jehangir Art  Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td><em>Reclaim Our Freedom</em>, organized by Open Circle, Pundole Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Crossing Borders, Gallery Windkracht 13, Den Helder, Holland</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>Big River 2, CCA7 Gallery, Port Of Spain, Trinidad</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>AOM- Art on the move, organized by Sahmat, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1999</td>\r\n<td><em> </em>Edge of the Century, curated by Amit Mukhopadhyay, Academy  of Fine Arts and Literature, New Delhi</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1998</td>\r\n<td><em> </em>Essays in Time, Kinetic Sculptures, Nehru Centre, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1997</td>\r\n<td><em> </em>India in Harmony 1947-1997, Nehru Centre, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1997</td>\r\n<td><em> </em>A Page From My Diary, Sans Tache Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1997</td>\r\n<td><em> </em>Fresh Work, Birla Academy of Art and Culture, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1996</td>\r\n<td><em> </em>Monsoon Show, Jehangir Art Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1995</td>\r\n<td><em> </em>Varsha ’95, Y. B. Chavan Gallery, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">SELECTED WORKSHOPS AND RESIDENCIES</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>Visas to Happiness, workshop with children as part of the exhibition \'To Let the World In\', Chennai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Iaspis Residency, Gothenburg, Sweden.</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Vanishing Point, children’s project at the Celebrate Bandra Festival, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Collaborative workshop as part of the exhibition Aftershock, Sainsbury Centre for Visual Arts, University of East Anglia, Norwich,  UK</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Collaborated on a Billboard project with Jitish Kallat, Kala Ghoda Art District, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Elephant Walks, Youth Arts Project at the Casula Power House Arts Centre, Liverpool, Australia</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Khoj 2002 International Artists Workshop, Mysore, India</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2002</td>\r\n<td>Identity and Landscape, residency in the Laurentian mountains of Quebec at the Boreal Art/Nature Centre, Canada</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2001</td>\r\n<td>Big River 2, International Artists Workshop organized by CCA7 and the Triangle Arts Trust at Grand Riviere, Trinidad, West Indies</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td><span style=\"color: #888888;\"><strong>TALKS/PRESENTATIONS</strong></span></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>Artists Talk at the World Economic Forum, Tianjin</td>\r\n</tr>\r\n<tr>\r\n<tr>\r\n<td valign=\"top\">2012</td>\r\n<td>\"Why I am not a woman artist” panel discussion with Anju Dodiya, moderated by Nancy Adajania at the Jehangir Nicholson, Art Foundation, Prince of Wales Museum, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Artists Talk at GIBCA Speak Easy (GSE), Goteborg</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Informal talk at HDK – The School of Design and Crafts, Goteborg</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Artists Talk at the Iaspis Residency Studio, Stockholm</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td>Short presentation as part of The River Project at The Campbelltown Arts Centre, Sydney</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>Artists Talk at the Krishnakriti Festival 2011, Kalakriti Gallery, Hyderabad</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2010</td>\r\n<td>Panel discussion moderated by Maria Lantz, with participating artists during the exhibition Samtidigt at Kulturhuset, Stockholm</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2009</td>\r\n<td>Panel discussion with artist Gulam Sheikh, co-chair: Sabine B. Vogel, art critic at the Sammlung Essl Museum, Vienna</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Slide presentation followed by a panel discussion with Nalini Malani and Jayshree Chakravarty, moderated by Nancy Adajania at Jnanapravaha, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2008</td>\r\n<td>Slide presentation at the School of the Art Institute of Chicago</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Panel discussion with Nalini Malani, Sheba Chhachhi, moderated by Betty Seid at the Chicago Cultural Centre</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2007</td>\r\n<td>Lecture at the University Boccini, Milan</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Slide presentation at the Lamar Dodd School of Art, University of Georgia, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2006</td>\r\n<td>Artists Talk at the Griffith Auditorium, Georgia Museum of Art, USA</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2003</td>\r\n<td>Slide presentation at Oslo National Academy of the Arts, Norway</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2000</td>\r\n<td>Slide presentation at Mohile Parikh Centre for the Visual Arts, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td colspan=\"2\"><strong><span style=\"color: #888888;\">AWARDS</span></strong></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2011</td>\r\n<td>YFLO ZOYA Young Women Achievers Awards 2010-11, Delhi</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">2005</td>\r\n<td>Harmony Award</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1996</td>\r\n<td>Bombay Art Society Merit Certificate</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1996</td>\r\n<td>Second Prize Government Award, Sir J. J. School of Art, Mumbai</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1995</td>\r\n<td>Gladstone Solomon Award</td>\r\n</tr>\r\n<tr>\r\n<td valign=\"top\">1991-1996</td>\r\n<td>Merit Scholarship, Sir J. J. School of Art, Mumbai</td>\r\n</tr>\r\n</tbody>\r\n</table>','Biography','','inherit','open','open','','105-revision-122','','','2012-11-07 06:29:35','2012-11-07 06:29:35','',105,'http://www.reenakallat.com/2729/uncat/105-revision-122',0,'revision','',0),(2730,1,'2012-11-24 06:02:30','2012-11-24 06:02:30','<script type=\"text/javascript\">// <![CDATA[\r\nfunction ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}\r\n// ]]></script>\r\n\r\n<!-- h3.canvas  { color:#333333; font-size:11px font-weight:normal; margin-bottom:5px; margin-left:7px; margin-top:0; padding:0; text-transform:none; }\r\n\r\nh2.painting  { color:#FFFFFF; font-family:verdana,arial,tahoma,sans-serif; font-size:11px; font-weight:normal; margin:0 0 10px 7px; padding:0; text-align:left; text-transform:none; } -->\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\"><img class=\"alignnone size-large wp-image-349\" title=\"Rubber Stamp\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-1.jpg\" alt=\"Rubber Stamp\" width=\"600\" /></td>\r\n<td style=\"font-size: 11px;\" width=\"200\" align=\"left\" valign=\"bottom\"><span style=\"color: #888888;\">Untitled Rubberstamp\r\n</span>2012\r\nIvory duco paint on FRP\r\n30(h.) x 75(l.) x 35(b.) in. l  76 x 190 x 89 cm\r\n</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"rubber-stamp\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-2.jpg\" alt=\"Rubber Stamp\" width=\"600\" /></a></td>\r\n<td style=\"font-size: 11px;\" width=\"300\" align=\"justify\" valign=\"top\">\r\n<div id=\"uniquename1\" style=\"display: block;\">The oversized rubber stamp carries the words of the French novelist, Marcel Proust, “A change in weather is sufficient to recreate the world and ourselves” as if the words were stamped into a bed of sealing wax or etched on the surface of a melting tectonic plate. Discussing the weather can be ordinary, everyday and almost banal but carrying it to a bureaucratic motif such as a stamp seems to certify something… Is it a proof or playful prophecy about an ambivalent future?\r\n\r\n</div></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"rubber-stamp\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-3.jpg\" alt=\"rubber-stamp\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"rubber-stamp\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-4.jpg\" alt=\"rubber-stamp\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"rubber-stamp\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-5.jpg\" alt=\"rubber-stamp\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"rubber-stamp\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-6.jpg\" alt=\"rubber-stamp\" width=\"600\" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>','rubber stamp','','publish','open','open','','rubber-stamp','','','2012-12-03 18:17:53','2012-12-03 18:17:53','',0,'http://www.reenakallat.com/?page_id=2730',0,'page','',0),(2800,1,'2012-11-26 18:17:26','2012-11-26 18:17:26','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\"><img class=\"alignnone size-large wp-image-349\" title=\"Rubber Stamp\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-1-1.jpg\" alt=\"Rubber Stamp\" width=\"600\" /></td>\r\n<td style=\"font-size: 11px;\" width=\"200\" align=\"left\" valign=\"bottom\"><span style=\"color: #888888;\">Memoria Crematoria (dates of war)\r\n</span>2011\r\ndigital print on canvas\r\n12 in. x 60 in each (24 prints)</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Memoria-Crematoria\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-1.jpg\" alt=\"Rubber Stamp\" width=\"600\" /></a></td>\r\n<td style=\"font-size: 11px;\" width=\"300\" align=\"justify\" valign=\"top\"></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Memoria-Crematoria\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-2.jpg\" alt=\"Memoria-Crematoria\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Memoria-Crematoria\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-3.jpg\" alt=\"Memoria-Crematoria\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Memoria-Crematoria\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-detail1a.jpg\" alt=\"Memoria-Crematoria\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Memoria-Crematoria\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-4.jpg\" alt=\"Memoria-Crematoria\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Memoria-Crematoria\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-5.jpg\" alt=\"Memoria-Crematoria\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Memoria-Crematoria\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-detail-1.jpg\" alt=\"Memoria-Crematoria\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Memoria-Crematoria\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-6.jpg\" alt=\"Memoria-Crematoria\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Memoria-Crematoria\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-detail-2.jpg\" alt=\"Memoria-Crematoria\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>','memoria-crematoria','','inherit','open','open','','2755-revision-13','','','2012-11-26 18:17:26','2012-11-26 18:17:26','',2755,'http://www.reenakallat.com/2800/uncat/2755-revision-13',0,'revision','',0),(2731,1,'2012-11-23 19:21:09','2012-11-23 19:21:09','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-1.jpg\" alt=\"Rubber Stamp\" title=\"Rubber Stamp\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Untitled Rubberstamp\r\n</span>2012\r\n30(h.)  x 75(l.) x 35(b.) in.  l  76 x 190 x 89 cm\r\nIvory duco paint on FRP\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-1.jpg\" alt=\"Rubber Stamp\" title=\"rubber-stamp\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n<td width=\"300\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThe sculpture engages with our fragile connection to the environment in a poetic way and how this relationship gets extended, condensed, distorted..\r\n\r\nThe oversized rubber stamp carries the words of the French novelist, Marcel Proust, “A change in weather is sufficient to recreate the world and ourselves” as if the words were stamped into a bed of sealing wax or etched on the surface of a melting tectonic plate. Discussing the weather can be ordinary, everyday and almost banal but carrying it to a bureaucratic motif such as a stamp seems to certify something… Is it a proof or playful prophecy about an ambivalent future?\r\n</div>\r\n</td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-3.jpg\" alt=\"rubber-stamp\" title=\"rubber-stamp\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-4.jpg\" alt=\"rubber-stamp\" title=\"rubber-stamp\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-5.jpg\" alt=\"rubber-stamp\" title=\"rubber-stamp\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-6.jpg\" alt=\"rubber-stamp\" title=\"rubber-stamp\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','2730-revision','','','2012-11-23 19:21:09','2012-11-23 19:21:09','',2730,'http://www.reenakallat.com/2731/uncat/2730-revision',0,'revision','',0),(2732,1,'2012-11-23 19:22:02','2012-11-23 19:22:02','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-1.jpg\" alt=\"Rubber Stamp\" title=\"Rubber Stamp\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Untitled Rubberstamp\r\n</span>2012\r\n30(h.)  x 75(l.) x 35(b.) in.  l  76 x 190 x 89 cm\r\nIvory duco paint on FRP\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-1.jpg\" alt=\"Rubber Stamp\" title=\"rubber-stamp\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n<td width=\"300\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThe sculpture engages with our fragile connection to the environment in a poetic way and how this relationship gets extended, condensed, distorted..\r\n\r\nThe oversized rubber stamp carries the words of the French novelist, Marcel Proust, “A change in weather is sufficient to recreate the world and ourselves” as if the words were stamped into a bed of sealing wax or etched on the surface of a melting tectonic plate. Discussing the weather can be ordinary, everyday and almost banal but carrying it to a bureaucratic motif such as a stamp seems to certify something… Is it a proof or playful prophecy about an ambivalent future?\r\n</div>\r\n</td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-3.jpg\" alt=\"rubber-stamp\" title=\"rubber-stamp\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-4.jpg\" alt=\"rubber-stamp\" title=\"rubber-stamp\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-5.jpg\" alt=\"rubber-stamp\" title=\"rubber-stamp\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-6.jpg\" alt=\"rubber-stamp\" title=\"rubber-stamp\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','2730-revision-2','','','2012-11-23 19:22:02','2012-11-23 19:22:02','',2730,'http://www.reenakallat.com/2732/uncat/2730-revision-2',0,'revision','',0),(2744,1,'2012-11-23 19:37:18','2012-11-23 19:37:18','<script type=\"text/javascript\">// <![CDATA[\nfunction ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}\n// ]]></script>\n\n<!-- h3.canvas  { color:#333333; font-size:11px font-weight:normal; margin-bottom:5px; margin-left:7px; margin-top:0; padding:0; text-transform:none; }\n\nh2.painting  { color:#FFFFFF; font-family:verdana,arial,tahoma,sans-serif; font-size:11px; font-weight:normal; margin:0 0 10px 7px; padding:0; text-align:left; text-transform:none; } -->\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\n<tbody>\n<tr>\n<td width=\"60%\" align=\"left\" valign=\"top\"><img class=\"alignnone size-large wp-image-349\" title=\"Rubber Stamp\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-1.jpg\" alt=\"Rubber Stamp\" width=\"600\" /></td>\n<td style=\"font-size: 11px;\" width=\"200\" align=\"left\" valign=\"bottom\"><span style=\"color: #888888;\">Untitled Rubberstamp\n</span>2012\n30(h.)  x 75(l.) x 35(b.) in.  l  76 x 190 x 89 cm\nIvory duco paint on FRP</td>\n</tr>\n<tr>\n<td></td>\n</tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\n<tbody>\n<tr>\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"rubber-stamp\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-1.jpg\" alt=\"Rubber Stamp\" width=\"600\" /></a></td>\n<td style=\"font-size: 11px;\" width=\"300\" align=\"justify\" valign=\"top\">\n<div id=\"uniquename1\" style=\"display: block;\">The sculpture engages with our fragile connection to the environment in a poetic way and how this relationship gets extended, condensed, distorted..\n\nThe oversized rubber stamp carries the words of the French novelist, Marcel Proust, “A change in weather is sufficient to recreate the world and ourselves” as if the words were stamped into a bed of sealing wax or etched on the surface of a melting tectonic plate. Discussing the weather can be ordinary, everyday and almost banal but carrying it to a bureaucratic motif such as a stamp seems to certify something… Is it a proof or playful prophecy about an ambivalent future?\n\n</div></td>\n</tr>\n<tr>\n<td></td>\n</tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\n<tbody>\n<tr>\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"rubber-stamp\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-3.jpg\" alt=\"rubber-stamp\" width=\"600\" /></a></td>\n</tr>\n<tr>\n<td></td>\n</tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\n<tbody>\n<tr>\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"rubber-stamp\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-4.jpg\" alt=\"rubber-stamp\" width=\"600\" /></a></td>\n</tr>\n<tr>\n<td></td>\n</tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\n<tbody>\n<tr>\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"rubber-stamp\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-5.jpg\" alt=\"rubber-stamp\" width=\"600\" /></a></td>\n</tr>\n<tr>\n<td></td>\n</tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\n<tbody>\n<tr>\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"rubber-stamp\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-6.jpg\" alt=\"rubber-stamp\" width=\"600\" /></a></td>\n</tr>\n</tbody>\n</table>','rubber stamp','','inherit','open','open','','2730-revision-3','','','2012-11-23 19:37:18','2012-11-23 19:37:18','',2730,'http://www.reenakallat.com/2744/uncat/2730-revision-3',0,'revision','',0),(2733,1,'2012-11-24 06:02:33','2012-11-24 06:02:33','<script type=\"text/javascript\">// <![CDATA[\r\nfunction ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}\r\n// ]]></script>\r\n<!--\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n-->\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\"><img class=\"alignnone size-large wp-image-349\" title=\"Rubber Stamp\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-1.jpg\" alt=\"Rubber Stamp\" width=\"600\" /></td>\r\n<td style=\"font-size: 11px;\" width=\"200\" align=\"left\" valign=\"bottom\"><span style=\"color: #888888;\">Paper Machine\r\n</span>2012\r\nPainted FRP\r\n15(h.) x 43(l.) x 18(b.) in.  l  38 x 109 x 46 cm</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Paper-machines\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-2.jpg\" alt=\"Paper-machines\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Paper-machines\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-3.jpg\" alt=\"Paper-machines\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Paper-machines\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-4.jpg\" alt=\"Paper-machines\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Paper-machines\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-5.jpg\" alt=\"Paper-machines\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Paper-machines\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-6-7.jpg\" alt=\"Paper-machines\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n','','','publish','open','open','','paper-machine','','','2012-12-02 10:19:04','2012-12-02 10:19:04','',0,'http://www.reenakallat.com/?page_id=2733',0,'page','',0),(2734,1,'2012-11-23 19:26:14','2012-11-23 19:26:14','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\n<style type=\"text/css\">\nh3.canvas  {\ncolor:#333333;\nfont-size:11px\nfont-weight:normal;\nmargin-bottom:5px;\nmargin-left:7px;\nmargin-top:0;\npadding:0;\ntext-transform:none;\n}\n\nh2.painting  {\ncolor:#FFFFFF;\nfont-family:verdana,arial,tahoma,sans-serif;\nfont-size:11px;\nfont-weight:normal;\nmargin:0 0 10px 7px;\npadding:0;\ntext-align:left;\ntext-transform:none;\n}\n</style>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-1.jpg\" alt=\"Rubber Stamp\" title=\"Rubber Stamp\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Paper Machine\n</span>2012\nPainted FRP\n15(h.) x 43(l.) x 18(b.) in.  l  38 x 109 x 46 cm\n</td></tr><tr><td>&nbsp;</td></tr>\n</tbody></table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\n<tbody>\n<tr>\n<td width=\"200\" align=\"left\" valign=\"top\">\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-1.jpg\" alt=\"Rubber Stamp\" title=\"Paper-machines\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\n</td>\n<td width=\"300\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\n<div id=\"uniquename1\" style=\"display:block\">\nThe sculpture engages with our fragile connection to the environment in a poetic way and how this relationship gets extended, condensed, distorted..\n\nThe oversized rubber stamp carries the words of the French novelist, Marcel Proust, “A change in weather is sufficient to recreate the world and ourselves” as if the words were stamped into a bed of sealing wax or etched on the surface of a melting tectonic plate. Discussing the weather can be ordinary, everyday and almost banal but carrying it to a bureaucratic motif such as a stamp seems to certify something… Is it a proof or playful prophecy about an ambivalent future?\n</div>\n</td>\n</tr>\n<tr><td>&nbsp;</td></tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\n<tbody>\n<tr>\n<td width=\"200\" align=\"left\" valign=\"top\">\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-2.jpg\" alt=\"Paper-machines\" title=\"Paper-machines\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\n</td></tr>\n<tr><td>&nbsp;</td></tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\n<tbody>\n<tr>\n<td width=\"200\" align=\"left\" valign=\"top\">\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-3.jpg\" alt=\"Paper-machines\" title=\"Paper-machines\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\n</td></tr>\n<tr><td>&nbsp;</td></tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\n<tbody>\n<tr>\n<td width=\"200\" align=\"left\" valign=\"top\">\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-4.jpg\" alt=\"Paper-machines\" title=\"Paper-machines\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\n</td></tr><tr><td>&nbsp;</td></tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\n<tbody>\n<tr>\n<td width=\"200\" align=\"left\" valign=\"top\">\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-5.jpg\" alt=\"Paper-machines\" title=\"Paper-machines\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\n</td></tr>\n</tbody>\n</table>\n<tbody>\n<tr>\n<td width=\"200\" align=\"left\" valign=\"top\">\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-6.jpg\" alt=\"Paper-machines\" title=\"Paper-machines\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\n</td></tr>\n</tbody>\n</table>\n<tbody>\n<tr>\n<td width=\"200\" align=\"left\" valign=\"top\">\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-7.jpg\" alt=\"Paper-machines\" title=\"Paper-machines\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\n</td></tr>\n</tbody>\n</table>','','','inherit','open','open','','2733-revision','','','2012-11-23 19:26:14','2012-11-23 19:26:14','',2733,'http://www.reenakallat.com/2734/uncat/2733-revision',0,'revision','',0),(2737,1,'2012-11-23 19:26:59','2012-11-23 19:26:59','<script type=\"text/javascript\">// <![CDATA[\r\nfunction ReverseContentDisplay(d) {if(d.length < 1) { return; 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}if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-1.jpg\" alt=\"Rubber Stamp\" title=\"Rubber Stamp\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Paper Machine\r\n</span>2012\r\nPainted FRP\r\n15(h.) x 43(l.) x 18(b.) in.  l  38 x 109 x 46 cm\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-1.jpg\" alt=\"Rubber Stamp\" title=\"Paper-machines\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n<td width=\"300\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThe sculpture engages with our fragile connection to the environment in a poetic way and how this relationship gets extended, condensed, distorted..\r\n\r\nThe oversized rubber stamp carries the words of the French novelist, Marcel Proust, “A change in weather is sufficient to recreate the world and ourselves” as if the words were stamped into a bed of sealing wax or etched on the surface of a melting tectonic plate. Discussing the weather can be ordinary, everyday and almost banal but carrying it to a bureaucratic motif such as a stamp seems to certify something… Is it a proof or playful prophecy about an ambivalent future?\r\n</div>\r\n</td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-2.jpg\" alt=\"Paper-machines\" title=\"Paper-machines\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-3.jpg\" alt=\"Paper-machines\" title=\"Paper-machines\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-4.jpg\" alt=\"Paper-machines\" title=\"Paper-machines\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-5.jpg\" alt=\"Paper-machines\" title=\"Paper-machines\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n</tbody>\r\n</table>\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-6.jpg\" alt=\"Paper-machines\" title=\"Paper-machines\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n</tbody>\r\n</table>\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-7.jpg\" alt=\"Paper-machines\" title=\"Paper-machines\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','2733-revision-2','','','2012-11-23 19:26:15','2012-11-23 19:26:15','',2733,'http://www.reenakallat.com/2735/uncat/2733-revision-2',0,'revision','',0),(2736,1,'2012-11-23 19:26:17','2012-11-23 19:26:17','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; 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Discussing the weather can be ordinary, everyday and almost banal but carrying it to a bureaucratic motif such as a stamp seems to certify something… Is it a proof or playful prophecy about an ambivalent future?\r\n</div>\r\n</td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-2.jpg\" alt=\"Paper-machines\" title=\"Paper-machines\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-3.jpg\" alt=\"Paper-machines\" title=\"Paper-machines\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-4.jpg\" alt=\"Paper-machines\" title=\"Paper-machines\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-5.jpg\" alt=\"Paper-machines\" title=\"Paper-machines\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n</tbody>\r\n</table>\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-6.jpg\" alt=\"Paper-machines\" title=\"Paper-machines\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n</tbody>\r\n</table>\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-7.jpg\" alt=\"Paper-machines\" title=\"Paper-machines\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','2733-revision-3','','','2012-11-23 19:26:17','2012-11-23 19:26:17','',2733,'http://www.reenakallat.com/2736/uncat/2733-revision-3',0,'revision','',0),(2739,1,'2012-11-23 19:32:39','2012-11-23 19:32:39','<script type=\"text/javascript\">// <![CDATA[\r\nfunction ReverseContentDisplay(d) {if(d.length < 1) { return; 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}if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}\r\n// ]]></script>\r\n<!--\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n-->\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\"><img class=\"alignnone size-large wp-image-349\" title=\"Rubber Stamp\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-1.jpg\" alt=\"Rubber Stamp\" width=\"600\" /></td>\r\n<td style=\"font-size: 11px;\" width=\"200\" align=\"left\" valign=\"bottom\"><span style=\"color: #888888;\">Paper Machine\r\n</span>2012\r\nPainted FRP\r\n15(h.) x 43(l.) x 18(b.) in.  l  38 x 109 x 46 cm</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Paper-machines\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-1.jpg\" alt=\"Rubber Stamp\" width=\"600\" /></a></td>\r\n<td style=\"font-size: 11px;\" width=\"300\" align=\"justify\" valign=\"top\"></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Paper-machines\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-2.jpg\" alt=\"Paper-machines\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Paper-machines\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-3.jpg\" alt=\"Paper-machines\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Paper-machines\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-4.jpg\" alt=\"Paper-machines\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Paper-machines\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-5.jpg\" alt=\"Paper-machines\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Paper-machines\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-6-7.jpg\" alt=\"Paper-machines\" width=\"600\" /></a>','','','inherit','open','open','','2733-revision-9','','','2012-11-23 19:34:45','2012-11-23 19:34:45','',2733,'http://www.reenakallat.com/2742/uncat/2733-revision-9',0,'revision','',0),(2740,1,'2012-11-23 19:33:24','2012-11-23 19:33:24','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-1.jpg\" alt=\"Rubber Stamp\" title=\"Rubber Stamp\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Paper Machine\r\n</span>2012\r\nPainted FRP\r\n15(h.) x 43(l.) x 18(b.) in.  l  38 x 109 x 46 cm\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-1.jpg\" alt=\"Rubber Stamp\" title=\"Paper-machines\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n<td width=\"300\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThe sculpture engages with our fragile connection to the environment in a poetic way and how this relationship gets extended, condensed, distorted..\r\n\r\nThe oversized rubber stamp carries the words of the French novelist, Marcel Proust, “A change in weather is sufficient to recreate the world and ourselves” as if the words were stamped into a bed of sealing wax or etched on the surface of a melting tectonic plate. Discussing the weather can be ordinary, everyday and almost banal but carrying it to a bureaucratic motif such as a stamp seems to certify something… Is it a proof or playful prophecy about an ambivalent future?\r\n</div>\r\n</td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-2.jpg\" alt=\"Paper-machines\" title=\"Paper-machines\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-3.jpg\" alt=\"Paper-machines\" title=\"Paper-machines\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-4.jpg\" alt=\"Paper-machines\" title=\"Paper-machines\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-5.jpg\" alt=\"Paper-machines\" title=\"Paper-machines\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-6-7.jpg\" alt=\"Paper-machines\" title=\"Paper-machines\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','2733-revision-7','','','2012-11-23 19:33:24','2012-11-23 19:33:24','',2733,'http://www.reenakallat.com/2740/uncat/2733-revision-7',0,'revision','',0),(2741,1,'2012-11-23 19:34:07','2012-11-23 19:34:07','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-1.jpg\" alt=\"Rubber Stamp\" title=\"Rubber Stamp\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Paper Machine\r\n</span>2012\r\nPainted FRP\r\n15(h.) x 43(l.) x 18(b.) in.  l  38 x 109 x 46 cm\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-1.jpg\" alt=\"Rubber Stamp\" title=\"Paper-machines\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n<td width=\"300\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThe sculpture engages with our fragile connection to the environment in a poetic way and how this relationship gets extended, condensed, distorted..\r\n\r\nThe oversized rubber stamp carries the words of the French novelist, Marcel Proust, “A change in weather is sufficient to recreate the world and ourselves” as if the words were stamped into a bed of sealing wax or etched on the surface of a melting tectonic plate. Discussing the weather can be ordinary, everyday and almost banal but carrying it to a bureaucratic motif such as a stamp seems to certify something… Is it a proof or playful prophecy about an ambivalent future?\r\n</div>\r\n</td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-2.jpg\" alt=\"Paper-machines\" title=\"Paper-machines\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-3.jpg\" alt=\"Paper-machines\" title=\"Paper-machines\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-4.jpg\" alt=\"Paper-machines\" title=\"Paper-machines\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-5.jpg\" alt=\"Paper-machines\" title=\"Paper-machines\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-6-7.jpg\" alt=\"Paper-machines\" title=\"Paper-machines\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','2733-revision-8','','','2012-11-23 19:34:07','2012-11-23 19:34:07','',2733,'http://www.reenakallat.com/2741/uncat/2733-revision-8',0,'revision','',0),(2743,1,'2012-11-23 19:34:57','2012-11-23 19:34:57','<script type=\"text/javascript\">// <![CDATA[\r\nfunction ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}\r\n// ]]></script>\r\n<!--\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n-->\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\"><img class=\"alignnone size-large wp-image-349\" title=\"Rubber Stamp\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-1.jpg\" alt=\"Rubber Stamp\" width=\"600\" /></td>\r\n<td style=\"font-size: 11px;\" width=\"200\" align=\"left\" valign=\"bottom\"><span style=\"color: #888888;\">Paper Machine\r\n</span>2012\r\nPainted FRP\r\n15(h.) x 43(l.) x 18(b.) in.  l  38 x 109 x 46 cm</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Paper-machines\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-1.jpg\" alt=\"Rubber Stamp\" width=\"600\" /></a></td>\r\n<td style=\"font-size: 11px;\" width=\"300\" align=\"justify\" valign=\"top\"></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Paper-machines\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-2.jpg\" alt=\"Paper-machines\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Paper-machines\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-3.jpg\" alt=\"Paper-machines\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Paper-machines\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-4.jpg\" alt=\"Paper-machines\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Paper-machines\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-5.jpg\" alt=\"Paper-machines\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Paper-machines\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-6-7.jpg\" alt=\"Paper-machines\" width=\"600\" /></a>','','','inherit','open','open','','2733-revision-10','','','2012-11-23 19:34:57','2012-11-23 19:34:57','',2733,'http://www.reenakallat.com/2743/uncat/2733-revision-10',0,'revision','',0),(2746,1,'2012-11-23 19:38:18','2012-11-23 19:38:18','<script type=\"text/javascript\">// <![CDATA[\nfunction ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}\n// ]]></script>\n\n<!-- h3.canvas  { color:#333333; font-size:11px font-weight:normal; margin-bottom:5px; margin-left:7px; margin-top:0; padding:0; text-transform:none; }\n\nh2.painting  { color:#FFFFFF; font-family:verdana,arial,tahoma,sans-serif; font-size:11px; font-weight:normal; margin:0 0 10px 7px; padding:0; text-align:left; text-transform:none; } -->\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\n<tbody>\n<tr>\n<td width=\"60%\" align=\"left\" valign=\"top\"><img class=\"alignnone size-large wp-image-349\" title=\"Rubber Stamp\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-1.jpg\" alt=\"Rubber Stamp\" width=\"600\" /></td>\n<td style=\"font-size: 11px;\" width=\"200\" align=\"left\" valign=\"bottom\"><span style=\"color: #888888;\">Untitled Rubberstamp\n</span>2012\n30(h.)  x 75(l.) x 35(b.) in.  l  76 x 190 x 89 cm\nIvory duco paint on FRP</td>\n</tr>\n<tr>\n<td></td>\n</tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\n<tbody>\n<tr>\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"rubber-stamp\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-1.jpg\" alt=\"Rubber Stamp\" width=\"600\" /></a></td>\n<td style=\"font-size: 11px;\" width=\"300\" align=\"justify\" valign=\"top\">\n<div id=\"uniquename1\" style=\"display: block;\">The sculpture engages with our fragile connection to the environment in a poetic way and how this relationship gets extended, condensed, distorted..\n\nThe oversized rubber stamp carries the words of the French novelist, Marcel Proust, “A change in weather is sufficient to recreate the world and ourselves” as if the words were stamped into a bed of sealing wax or etched on the surface of a melting tectonic plate. Discussing the weather can be ordinary, everyday and almost banal but carrying it to a bureaucratic motif such as a stamp seems to certify something… Is it a proof or playful prophecy about an ambivalent future?\n\n</div></td>\n</tr>\n<tr>\n<td></td>\n</tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\n<tbody>\n<tr>\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"rubber-stamp\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-2.jpg\" alt=\"rubber-stamp\" width=\"600\" /></a></td>\n</tr>\n<tr>\n<td></td>\n</tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\n<tbody>\n<tr>\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"rubber-stamp\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-3.jpg\" alt=\"rubber-stamp\" width=\"600\" /></a></td>\n</tr>\n<tr>\n<td></td>\n</tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\n<tbody>\n<tr>\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"rubber-stamp\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-4.jpg\" alt=\"rubber-stamp\" width=\"600\" /></a></td>\n</tr>\n<tr>\n<td></td>\n</tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\n<tbody>\n<tr>\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"rubber-stamp\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-5.jpg\" alt=\"rubber-stamp\" width=\"600\" /></a></td>\n</tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\n<tbody>\n<tr>\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"rubber-stamp\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-6.jpg\" alt=\"rubber-stamp\" width=\"600\" /></a></td>\n</tr>\n</tbody>\n</table>','rubber stamp','','inherit','open','open','','2730-revision-5','','','2012-11-23 19:38:18','2012-11-23 19:38:18','',2730,'http://www.reenakallat.com/2746/uncat/2730-revision-5',0,'revision','',0),(2745,1,'2012-11-23 19:37:28','2012-11-23 19:37:28','<script type=\"text/javascript\">// <![CDATA[\r\nfunction ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}\r\n// ]]></script>\r\n\r\n<!-- h3.canvas  { color:#333333; font-size:11px font-weight:normal; margin-bottom:5px; margin-left:7px; margin-top:0; padding:0; text-transform:none; }\r\n\r\nh2.painting  { color:#FFFFFF; font-family:verdana,arial,tahoma,sans-serif; font-size:11px; font-weight:normal; margin:0 0 10px 7px; padding:0; text-align:left; text-transform:none; } -->\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\"><img class=\"alignnone size-large wp-image-349\" title=\"Rubber Stamp\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-1.jpg\" alt=\"Rubber Stamp\" width=\"600\" /></td>\r\n<td style=\"font-size: 11px;\" width=\"200\" align=\"left\" valign=\"bottom\"><span style=\"color: #888888;\">Untitled Rubberstamp\r\n</span>2012\r\n30(h.)  x 75(l.) x 35(b.) in.  l  76 x 190 x 89 cm\r\nIvory duco paint on FRP</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"rubber-stamp\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-1.jpg\" alt=\"Rubber Stamp\" width=\"600\" /></a></td>\r\n<td style=\"font-size: 11px;\" width=\"300\" align=\"justify\" valign=\"top\">\r\n<div id=\"uniquename1\" style=\"display: block;\">The sculpture engages with our fragile connection to the environment in a poetic way and how this relationship gets extended, condensed, distorted..\r\n\r\nThe oversized rubber stamp carries the words of the French novelist, Marcel Proust, “A change in weather is sufficient to recreate the world and ourselves” as if the words were stamped into a bed of sealing wax or etched on the surface of a melting tectonic plate. Discussing the weather can be ordinary, everyday and almost banal but carrying it to a bureaucratic motif such as a stamp seems to certify something… Is it a proof or playful prophecy about an ambivalent future?\r\n\r\n</div></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"rubber-stamp\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-2.jpg\" alt=\"rubber-stamp\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"rubber-stamp\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-3.jpg\" alt=\"rubber-stamp\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"rubber-stamp\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-4.jpg\" alt=\"rubber-stamp\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"rubber-stamp\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-5.jpg\" alt=\"rubber-stamp\" width=\"600\" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"rubber-stamp\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-5.jpg\" alt=\"rubber-stamp\" width=\"600\" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>','rubber stamp','','inherit','open','open','','2730-revision-4','','','2012-11-23 19:37:28','2012-11-23 19:37:28','',2730,'http://www.reenakallat.com/2745/uncat/2730-revision-4',0,'revision','',0),(2748,1,'2012-11-23 19:40:04','2012-11-23 19:40:04','<script type=\"text/javascript\">// <![CDATA[\r\nfunction ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}\r\n// ]]></script>\r\n\r\n<!-- h3.canvas  { color:#333333; font-size:11px font-weight:normal; margin-bottom:5px; margin-left:7px; margin-top:0; padding:0; text-transform:none; }\r\n\r\nh2.painting  { color:#FFFFFF; font-family:verdana,arial,tahoma,sans-serif; font-size:11px; font-weight:normal; margin:0 0 10px 7px; padding:0; text-align:left; text-transform:none; } -->\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\"><img class=\"alignnone size-large wp-image-349\" title=\"Rubber Stamp\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-1.jpg\" alt=\"Rubber Stamp\" width=\"600\" /></td>\r\n<td style=\"font-size: 11px;\" width=\"200\" align=\"left\" valign=\"bottom\"><span style=\"color: #888888;\">Untitled Rubberstamp\r\n</span>2012\r\n30(h.)  x 75(l.) x 35(b.) in.  l  76 x 190 x 89 cm\r\nIvory duco paint on FRP</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"rubber-stamp\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-1.jpg\" alt=\"Rubber Stamp\" width=\"600\" /></a></td>\r\n<td style=\"font-size: 11px;\" width=\"300\" align=\"justify\" valign=\"top\">\r\n<div id=\"uniquename1\" style=\"display: block;\">The sculpture engages with our fragile connection to the environment in a poetic way and how this relationship gets extended, condensed, distorted..\r\n\r\nThe oversized rubber stamp carries the words of the French novelist, Marcel Proust, “A change in weather is sufficient to recreate the world and ourselves” as if the words were stamped into a bed of sealing wax or etched on the surface of a melting tectonic plate. Discussing the weather can be ordinary, everyday and almost banal but carrying it to a bureaucratic motif such as a stamp seems to certify something… Is it a proof or playful prophecy about an ambivalent future?\r\n\r\n</div></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"rubber-stamp\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-2.jpg\" alt=\"rubber-stamp\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"rubber-stamp\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-3.jpg\" alt=\"rubber-stamp\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"rubber-stamp\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-4.jpg\" alt=\"rubber-stamp\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"rubber-stamp\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-5.jpg\" alt=\"rubber-stamp\" width=\"600\" /></a></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"rubber-stamp\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-6.jpg\" alt=\"rubber-stamp\" width=\"600\" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>','rubber stamp','','inherit','open','open','','2730-revision-7','','','2012-11-23 19:40:04','2012-11-23 19:40:04','',2730,'http://www.reenakallat.com/2748/uncat/2730-revision-7',0,'revision','',0),(2747,1,'2012-11-23 19:39:18','2012-11-23 19:39:18','<script type=\"text/javascript\">// <![CDATA[\r\nfunction ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}\r\n// ]]></script>\r\n\r\n<!-- h3.canvas  { color:#333333; font-size:11px font-weight:normal; margin-bottom:5px; margin-left:7px; margin-top:0; padding:0; text-transform:none; }\r\n\r\nh2.painting  { color:#FFFFFF; font-family:verdana,arial,tahoma,sans-serif; font-size:11px; font-weight:normal; margin:0 0 10px 7px; padding:0; text-align:left; text-transform:none; } -->\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\"><img class=\"alignnone size-large wp-image-349\" title=\"Rubber Stamp\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-1.jpg\" alt=\"Rubber Stamp\" width=\"600\" /></td>\r\n<td style=\"font-size: 11px;\" width=\"200\" align=\"left\" valign=\"bottom\"><span style=\"color: #888888;\">Untitled Rubberstamp\r\n</span>2012\r\n30(h.)  x 75(l.) x 35(b.) in.  l  76 x 190 x 89 cm\r\nIvory duco paint on FRP</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"rubber-stamp\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-1.jpg\" alt=\"Rubber Stamp\" width=\"600\" /></a></td>\r\n<td style=\"font-size: 11px;\" width=\"300\" align=\"justify\" valign=\"top\">\r\n<div id=\"uniquename1\" style=\"display: block;\">The sculpture engages with our fragile connection to the environment in a poetic way and how this relationship gets extended, condensed, distorted..\r\n\r\nThe oversized rubber stamp carries the words of the French novelist, Marcel Proust, “A change in weather is sufficient to recreate the world and ourselves” as if the words were stamped into a bed of sealing wax or etched on the surface of a melting tectonic plate. Discussing the weather can be ordinary, everyday and almost banal but carrying it to a bureaucratic motif such as a stamp seems to certify something… Is it a proof or playful prophecy about an ambivalent future?\r\n\r\n</div></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"rubber-stamp\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-2.jpg\" alt=\"rubber-stamp\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"rubber-stamp\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-3.jpg\" alt=\"rubber-stamp\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"rubber-stamp\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-4.jpg\" alt=\"rubber-stamp\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"rubber-stamp\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-5.jpg\" alt=\"rubber-stamp\" width=\"600\" /></a></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"rubber-stamp\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-6.jpg\" alt=\"rubber-stamp\" width=\"600\" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>','rubber stamp','','inherit','open','open','','2730-revision-6','','','2012-11-23 19:39:18','2012-11-23 19:39:18','',2730,'http://www.reenakallat.com/2747/uncat/2730-revision-6',0,'revision','',0),(2749,1,'2012-11-23 19:40:41','2012-11-23 19:40:41','<script type=\"text/javascript\">// <![CDATA[\r\nfunction ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}\r\n// ]]></script>\r\n\r\n<!-- h3.canvas  { color:#333333; font-size:11px font-weight:normal; margin-bottom:5px; margin-left:7px; margin-top:0; padding:0; text-transform:none; }\r\n\r\nh2.painting  { color:#FFFFFF; font-family:verdana,arial,tahoma,sans-serif; font-size:11px; font-weight:normal; margin:0 0 10px 7px; padding:0; text-align:left; text-transform:none; } -->\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\"><img class=\"alignnone size-large wp-image-349\" title=\"Rubber Stamp\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-1.jpg\" alt=\"Rubber Stamp\" width=\"600\" /></td>\r\n<td style=\"font-size: 11px;\" width=\"200\" align=\"left\" valign=\"bottom\"><span style=\"color: #888888;\">Untitled Rubberstamp\r\n</span>2012\r\n30(h.)  x 75(l.) x 35(b.) in.  l  76 x 190 x 89 cm\r\nIvory duco paint on FRP</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"rubber-stamp\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-1.jpg\" alt=\"Rubber Stamp\" width=\"600\" /></a></td>\r\n<td style=\"font-size: 11px;\" width=\"300\" align=\"justify\" valign=\"top\">\r\n<div id=\"uniquename1\" style=\"display: block;\">The sculpture engages with our fragile connection to the environment in a poetic way and how this relationship gets extended, condensed, distorted..\r\n\r\nThe oversized rubber stamp carries the words of the French novelist, Marcel Proust, “A change in weather is sufficient to recreate the world and ourselves” as if the words were stamped into a bed of sealing wax or etched on the surface of a melting tectonic plate. Discussing the weather can be ordinary, everyday and almost banal but carrying it to a bureaucratic motif such as a stamp seems to certify something… Is it a proof or playful prophecy about an ambivalent future?\r\n\r\n</div></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"rubber-stamp\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-2.jpg\" alt=\"rubber-stamp\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"rubber-stamp\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-3.jpg\" alt=\"rubber-stamp\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"rubber-stamp\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-4.jpg\" alt=\"rubber-stamp\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"rubber-stamp\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-5.jpg\" alt=\"rubber-stamp\" width=\"600\" /></a></td>\r\n</tr><td></td>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"rubber-stamp\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-6.jpg\" alt=\"rubber-stamp\" width=\"600\" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>','rubber stamp','','inherit','open','open','','2730-revision-8','','','2012-11-23 19:40:41','2012-11-23 19:40:41','',2730,'http://www.reenakallat.com/2749/uncat/2730-revision-8',0,'revision','',0),(2750,1,'2012-11-23 19:40:48','2012-11-23 19:40:48','<script type=\"text/javascript\">// <![CDATA[\r\nfunction ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}\r\n// ]]></script>\r\n\r\n<!-- h3.canvas  { color:#333333; font-size:11px font-weight:normal; margin-bottom:5px; margin-left:7px; margin-top:0; padding:0; text-transform:none; }\r\n\r\nh2.painting  { color:#FFFFFF; font-family:verdana,arial,tahoma,sans-serif; font-size:11px; font-weight:normal; margin:0 0 10px 7px; padding:0; text-align:left; text-transform:none; } -->\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\"><img class=\"alignnone size-large wp-image-349\" title=\"Rubber Stamp\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-1.jpg\" alt=\"Rubber Stamp\" width=\"600\" /></td>\r\n<td style=\"font-size: 11px;\" width=\"200\" align=\"left\" valign=\"bottom\"><span style=\"color: #888888;\">Untitled Rubberstamp\r\n</span>2012\r\n30(h.)  x 75(l.) x 35(b.) in.  l  76 x 190 x 89 cm\r\nIvory duco paint on FRP</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"rubber-stamp\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-1.jpg\" alt=\"Rubber Stamp\" width=\"600\" /></a></td>\r\n<td style=\"font-size: 11px;\" width=\"300\" align=\"justify\" valign=\"top\">\r\n<div id=\"uniquename1\" style=\"display: block;\">The sculpture engages with our fragile connection to the environment in a poetic way and how this relationship gets extended, condensed, distorted..\r\n\r\nThe oversized rubber stamp carries the words of the French novelist, Marcel Proust, “A change in weather is sufficient to recreate the world and ourselves” as if the words were stamped into a bed of sealing wax or etched on the surface of a melting tectonic plate. Discussing the weather can be ordinary, everyday and almost banal but carrying it to a bureaucratic motif such as a stamp seems to certify something… Is it a proof or playful prophecy about an ambivalent future?\r\n\r\n</div></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"rubber-stamp\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-2.jpg\" alt=\"rubber-stamp\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"rubber-stamp\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-3.jpg\" alt=\"rubber-stamp\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"rubber-stamp\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-4.jpg\" alt=\"rubber-stamp\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"rubber-stamp\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-5.jpg\" alt=\"rubber-stamp\" width=\"600\" /></a></td>\r\n</tr><td></td>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"rubber-stamp\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-6.jpg\" alt=\"rubber-stamp\" width=\"600\" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>','rubber stamp','','inherit','open','open','','2730-revision-9','','','2012-11-23 19:40:48','2012-11-23 19:40:48','',2730,'http://www.reenakallat.com/2750/uncat/2730-revision-9',0,'revision','',0),(2751,1,'2012-04-25 18:37:22','2012-04-25 18:37:22','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Penumbra-Passage-Canine-Cases.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Penumbra-Passage-Canine-Cases-1024x619.jpg\" alt=\"Penumbra-Passage-Canine-Cases\" title=\"Penumbra-Passage-Canine-Cases\" width=\"600\" class=\"alignnone size-large wp-image-398\" /></a>\r\n</td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\" nowrap;><span style=\"color: #888888;\">Penumbra Passage (Canine Cases)\r\n</span>2006\r\nacrylic on canvas, bonded marble, wooden box, stainless steel, velvet, glass\r\n60 x 42 in. and 27 x 48 x 30 in. I 152 x 107 cm and 69 x 122 x 76 cm</td>\r\n</tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>installation view,</i> Bodhi Art Gallery, Mumbai</span></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Penumbra-Passage-Canine-Cases-detail1-682x10243.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Penumbra-Passage-Canine-Cases-detail1-682x10243.jpg\" alt=\"Penumbra-Passage-Canine-Cases-detail\" title=\"Penumbra-Passage-Canine-Cases-detail1-682x1024\" width=\"600\"  class=\"alignnone size-full wp-image-871\" /></a>\r\n</td>\r\n<td width=\"400\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\n‘Penumbra Passage (Canine Cases)’ comprises of a series of portraits of ordinary people/civilians from both India as well as Pakistan, their faces blemished by the silhouette of the disputed territory, often referred to as Pakistan Occupied Kashmir. <a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\n‘Penumbra Passage (Canine Cases)’ comprises of a series of portraits of ordinary people/civilians from both India as well as Pakistan, their faces blemished by the silhouette of the disputed territory, often referred to as Pakistan Occupied Kashmir. While the portraits are put in grand frames like those of royal descendants, the map of the land that remains at the core of the dispute between the two neighboring countries, casts a shadow on these portraits haunting us with tales from the region. \r\nThe corresponding cases carry a range of weapons that appear more like museumised relics, however on closer observation one finds that they are highly embellished with life affirming forms. Comprising a set of 32 pieces they collectively evoke human dentures, resonating with images of the conflict-ridden region. \r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Penumbra-Passage-Canine-Cases-detail_2-1024x682.jpg\" alt=\"\" title=\"Penumbra-Passage-Canine-Cases-detail_2\" width=\"600\"  class=\"alignnone size-large wp-image-400\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Penumbra-Passage-Canine-Cases-detail5-682x10241.jpg\" alt=\"Penumbra-Passage-Canine-Cases-detail\" title=\"Penumbra-Passage-Canine-Cases-detail5-682x1024\" width=\"600\" class=\"alignnone size-full wp-image-868\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Penumbra-Passage-Canine-Cases-detail6-1024x6821.jpg\" alt=\"Penumbra-Passage-Canine-Cases-detail\" title=\"Penumbra-Passage-Canine-Cases-detail6-1024x682\" width=\"600\" class=\"alignnone size-full wp-image-869\" /></a></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Penumbra-Passage-Canine-Cases-detail3-682x10241.jpg\" alt=\"Penumbra-Passage-Canine-Cases-detail\" title=\"Penumbra-Passage-Canine-Cases-detail3-682x1024\" width=\"600\"  class=\"alignnone size-full wp-image-866\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Penumbra-Passage-Canine-Cases-detail4-1024x6821.jpg\" alt=\"Penumbra-Passage-Canine-Cases-detail\" title=\"Penumbra-Passage-Canine-Cases-detail4-1024x682\" width=\"600\"  class=\"alignnone size-full wp-image-867\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','397-revision-21','','','2012-04-25 18:37:22','2012-04-25 18:37:22','',397,'http://www.reenakallat.com/2751/uncat/397-revision-21',0,'revision','',0),(2752,1,'2012-11-23 19:41:15','2012-11-23 19:41:15','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"3\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\">\r\n<a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Penumbra-Passage-Canine-Cases.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Penumbra-Passage-Canine-Cases-1024x619.jpg\" alt=\"Penumbra-Passage-Canine-Cases\" title=\"Penumbra-Passage-Canine-Cases\" width=\"600\" class=\"alignnone size-large wp-image-398\" /></a>\r\n</td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\" nowrap;><span style=\"color: #888888;\">Penumbra Passage (Canine Cases)\r\n</span>2006\r\nacrylic on canvas, bonded marble, wooden box, stainless steel, velvet, glass\r\n60 x 42 in. and 27 x 48 x 30 in. I 152 x 107 cm and 69 x 122 x 76 cm</td>\r\n</tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>installation view,</i> Bodhi Art Gallery, Mumbai</span></td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Penumbra-Passage-Canine-Cases-detail1-682x10243.jpg\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Penumbra-Passage-Canine-Cases-detail1-682x10243.jpg\" alt=\"Penumbra-Passage-Canine-Cases-detail\" title=\"Penumbra-Passage-Canine-Cases-detail1-682x1024\" width=\"600\"  class=\"alignnone size-full wp-image-871\" /></a>\r\n</td>\r\n<td width=\"400\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\n‘Penumbra Passage (Canine Cases)’ comprises of a series of portraits of ordinary people/civilians from both India as well as Pakistan, their faces blemished by the silhouette of the disputed territory, often referred to as Pakistan Occupied Kashmir. <a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...more</a>\r\n</div>\r\n<div id=\"uniquename\"  style=\"display:none;\">\r\n‘Penumbra Passage (Canine Cases)’ comprises of a series of portraits of ordinary people/civilians from both India as well as Pakistan, their faces blemished by the silhouette of the disputed territory, often referred to as Pakistan Occupied Kashmir. While the portraits are put in grand frames like those of royal descendants, the map of the land that remains at the core of the dispute between the two neighboring countries, casts a shadow on these portraits haunting us with tales from the region. \r\nThe corresponding cases carry a range of weapons that appear more like museumised relics, however on closer observation one finds that they are highly embellished with life affirming forms. Comprising a set of 32 pieces they collectively evoke human dentures, resonating with images of the conflict-ridden region. \r\n<a onclick=\"javascript:ReverseContentDisplay(\'uniquename\'); return false;\" href=\"#\" style=\"color:#888888;\">...hide</a>\r\n</div>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Penumbra-Passage-Canine-Cases-detail_2-1024x682.jpg\" alt=\"\" title=\"Penumbra-Passage-Canine-Cases-detail_2\" width=\"600\"  class=\"alignnone size-large wp-image-400\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Penumbra-Passage-Canine-Cases-detail5-682x10241.jpg\" alt=\"Penumbra-Passage-Canine-Cases-detail\" title=\"Penumbra-Passage-Canine-Cases-detail5-682x1024\" width=\"600\" class=\"alignnone size-full wp-image-868\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Penumbra-Passage-Canine-Cases-detail6-1024x6821.jpg\" alt=\"Penumbra-Passage-Canine-Cases-detail\" title=\"Penumbra-Passage-Canine-Cases-detail6-1024x682\" width=\"600\" class=\"alignnone size-full wp-image-869\" /></a></td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Penumbra-Passage-Canine-Cases-detail3-682x10241.jpg\" alt=\"Penumbra-Passage-Canine-Cases-detail\" title=\"Penumbra-Passage-Canine-Cases-detail3-682x1024\" width=\"600\"  class=\"alignnone size-full wp-image-866\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2010/04/Penumbra-Passage-Canine-Cases-detail4-1024x6821.jpg\" alt=\"Penumbra-Passage-Canine-Cases-detail\" title=\"Penumbra-Passage-Canine-Cases-detail4-1024x682\" width=\"600\"  class=\"alignnone size-full wp-image-867\" /></a>\r\n</td>\r\n</tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','397-revision-22','','','2012-11-23 19:41:15','2012-11-23 19:41:15','',397,'http://www.reenakallat.com/2752/uncat/397-revision-22',0,'revision','',0),(2753,1,'2012-11-23 19:35:15','2012-11-23 19:35:15','<script type=\"text/javascript\">// <![CDATA[\r\nfunction ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}\r\n// ]]></script>\r\n<!--\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n-->\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\"><img class=\"alignnone size-large wp-image-349\" title=\"Rubber Stamp\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-1.jpg\" alt=\"Rubber Stamp\" width=\"600\" /></td>\r\n<td style=\"font-size: 11px;\" width=\"200\" align=\"left\" valign=\"bottom\"><span style=\"color: #888888;\">Paper Machine\r\n</span>2012\r\nPainted FRP\r\n15(h.) x 43(l.) x 18(b.) in.  l  38 x 109 x 46 cm</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Paper-machines\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-1.jpg\" alt=\"Rubber Stamp\" width=\"600\" /></a></td>\r\n<td style=\"font-size: 11px;\" width=\"300\" align=\"justify\" valign=\"top\"></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Paper-machines\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-2.jpg\" alt=\"Paper-machines\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Paper-machines\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-3.jpg\" alt=\"Paper-machines\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Paper-machines\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-4.jpg\" alt=\"Paper-machines\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Paper-machines\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-5.jpg\" alt=\"Paper-machines\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Paper-machines\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-6-7.jpg\" alt=\"Paper-machines\" width=\"600\" /></a>','','','inherit','open','open','','2733-revision-11','','','2012-11-23 19:35:15','2012-11-23 19:35:15','',2733,'http://www.reenakallat.com/2753/uncat/2733-revision-11',0,'revision','',0),(2754,1,'2012-11-23 19:41:55','2012-11-23 19:41:55','<script type=\"text/javascript\">// <![CDATA[\r\nfunction ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}\r\n// ]]></script>\r\n<!--\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n-->\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\"><img class=\"alignnone size-large wp-image-349\" title=\"Rubber Stamp\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-1.jpg\" alt=\"Rubber Stamp\" width=\"600\" /></td>\r\n<td style=\"font-size: 11px;\" width=\"200\" align=\"left\" valign=\"bottom\"><span style=\"color: #888888;\">Paper Machine\r\n</span>2012\r\nPainted FRP\r\n15(h.) x 43(l.) x 18(b.) in.  l  38 x 109 x 46 cm</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Paper-machines\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-1.jpg\" alt=\"Rubber Stamp\" width=\"600\" /></a></td>\r\n<td style=\"font-size: 11px;\" width=\"300\" align=\"justify\" valign=\"top\"></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Paper-machines\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-2.jpg\" alt=\"Paper-machines\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Paper-machines\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-3.jpg\" alt=\"Paper-machines\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Paper-machines\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-4.jpg\" alt=\"Paper-machines\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Paper-machines\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-5.jpg\" alt=\"Paper-machines\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Paper-machines\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-6-7.jpg\" alt=\"Paper-machines\" width=\"600\" /></a>','','','inherit','open','open','','2733-revision-12','','','2012-11-23 19:41:55','2012-11-23 19:41:55','',2733,'http://www.reenakallat.com/2754/uncat/2733-revision-12',0,'revision','',0),(2755,1,'2012-11-24 06:02:29','2012-11-24 06:02:29','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\"><img class=\"alignnone size-large wp-image-349\" title=\"Rubber Stamp\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-1-1.jpg\" alt=\"Rubber Stamp\" width=\"600\" /></td>\r\n<td style=\"font-size: 11px;\" width=\"200\" align=\"left\" valign=\"bottom\"><span style=\"color: #888888;\">Memoria Crematoria (dates of war)\r\n</span>2011\r\ndigital print on canvas\r\n12 x 60 in. l 30 x 153 cm each (24 prints)\r\n</td>\r\n</tr>\r\n<tr><td><span style=\"font-size:11px;\"><i>Installation view</i> , Centro Cultural Banco do Brasil, Rio De Janeiro</span></td>\r\n<td>&nbsp;</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr><tr></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Memoria-Crematoria\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-1.jpg\" alt=\"Rubber Stamp\" width=\"600\" /></a></td>\r\n<td style=\"font-size: 11px;\" width=\"300\" align=\"justify\" valign=\"top\"></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Memoria-Crematoria\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-2.jpg\" alt=\"Memoria-Crematoria\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Memoria-Crematoria\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-3.jpg\" alt=\"Memoria-Crematoria\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Memoria-Crematoria\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-detail1a.jpg\" alt=\"Memoria-Crematoria\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr><td><span style=\"font-size:11px; line-height:3px;\"><i>details</i></span></td></tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Memoria-Crematoria\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-4.jpg\" alt=\"Memoria-Crematoria\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Memoria-Crematoria\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-5.jpg\" alt=\"Memoria-Crematoria\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Memoria-Crematoria\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-detail-1.jpg\" alt=\"Memoria-Crematoria\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr><td><span style=\"font-size:11px; line-height:3px;\"><i>details</i></span></td></tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Memoria-Crematoria\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-6.jpg\" alt=\"Memoria-Crematoria\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Memoria-Crematoria\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-detail-2.jpg\" alt=\"Memoria-Crematoria\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>','','','publish','open','open','','memoria-crematoria','','','2014-01-10 23:22:12','2014-01-10 23:22:12','',0,'http://www.reenakallat.com/?page_id=2755',0,'page','',0),(2762,1,'2012-11-23 19:53:20','2012-11-23 19:53:20','<script type=\"text/javascript\">// <![CDATA[\nfunction ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}\n// ]]></script>\n<!--\nh3.canvas  {\ncolor:#333333;\nfont-size:11px\nfont-weight:normal;\nmargin-bottom:5px;\nmargin-left:7px;\nmargin-top:0;\npadding:0;\ntext-transform:none;\n}\n\nh2.painting  {\ncolor:#FFFFFF;\nfont-family:verdana,arial,tahoma,sans-serif;\nfont-size:11px;\nfont-weight:normal;\nmargin:0 0 10px 7px;\npadding:0;\ntext-align:left;\ntext-transform:none;\n}\n-->\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\n<tbody>\n<tr>\n<td width=\"60%\" align=\"left\" valign=\"top\"><img class=\"alignnone size-large wp-image-349\" title=\"Rubber Stamp\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-1-1.jpg\" alt=\"Rubber Stamp\" width=\"600\" /></td>\n<td style=\"font-size: 11px;\" width=\"200\" align=\"left\" valign=\"bottom\"><span style=\"color: #888888;\">Memoria Crematoria (dates of war)\n</span>2011\ndigital print on canvas\n12 in x 60 in each (24 prints)</td>\n</tr>\n<tr>\n<td></td>\n</tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\n<tbody>\n<tr>\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Memoria-Crematoria\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-1.jpg\" alt=\"Rubber Stamp\" width=\"600\" /></a></td>\n<td style=\"font-size: 11px;\" width=\"300\" align=\"justify\" valign=\"top\"></td>\n</tr>\n<tr>\n<td></td>\n</tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\n<tbody>\n<tr>\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Memoria-Crematoria\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-2.jpg\" alt=\"Memoria-Crematoria\" width=\"600\" /></a></td>\n</tr>\n<tr>\n<td></td>\n</tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\n<tbody>\n<tr>\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Memoria-Crematoria\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-3.jpg\" alt=\"Memoria-Crematoria\" width=\"600\" /></a></td>\n</tr>\n<tr>\n<td></td>\n</tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\n<tbody>\n<tr>\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Memoria-Crematoria\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-detail-1.jpg\" alt=\"Memoria-Crematoria\" width=\"600\" /></a></td>\n</tr>\n<tr>\n<td></td>\n</tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\n<tbody>\n<tr>\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Memoria-Crematoria\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-4.jpg\" alt=\"Memoria-Crematoria\" width=\"600\" /></a></td>\n</tr>\n<tr>\n<td></td>\n</tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\n<tbody>\n<tr>\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Memoria-Crematoria\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-5.jpg\" alt=\"Memoria-Crematoria\" width=\"600\" /></a></td>\n</tr>\n<tr>\n<td></td>\n</tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\n<tbody>\n<tr>\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Memoria-Crematoria\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-detail-1.jpg\" alt=\"Memoria-Crematoria\" width=\"600\" /></a></td>\n</tr>\n<tr>\n<td></td>\n</tr>\n</tbody>\n</table>\n<a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Memoria-Crematoria\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-6.jpg\" alt=\"Memoria-Crematoria\" width=\"600\" /></a>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\n<tbody>\n<tr>\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Memoria-Crematoria\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-detail-2.jpg\" alt=\"Memoria-Crematoria\" width=\"600\" /></a></td>\n</tr>\n<tr>\n<td></td>\n</tr>\n</tbody>\n</table>','','','inherit','open','open','','2755-revision-7','','','2012-11-23 19:53:20','2012-11-23 19:53:20','',2755,'http://www.reenakallat.com/2762/uncat/2755-revision-7',0,'revision','',0),(2756,1,'2012-11-23 19:48:54','2012-11-23 19:48:54','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-1-1.jpg\" alt=\"Rubber Stamp\" title=\"Rubber Stamp\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Memoria Crematoria (dates of war)\r\n</span>2011\r\ndigital print on canvas \r\n12 in x 60 in each (24 prints)\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-1.jpg\" alt=\"Rubber Stamp\" title=\"Memoria-Crematoria\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n<td width=\"300\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThe sculpture engages with our fragile connection to the environment in a poetic way and how this relationship gets extended, condensed, distorted..\r\n\r\nThe oversized rubber stamp carries the words of the French novelist, Marcel Proust, “A change in weather is sufficient to recreate the world and ourselves” as if the words were stamped into a bed of sealing wax or etched on the surface of a melting tectonic plate. Discussing the weather can be ordinary, everyday and almost banal but carrying it to a bureaucratic motif such as a stamp seems to certify something… Is it a proof or playful prophecy about an ambivalent future?\r\n</div>\r\n</td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-2.jpg\" alt=\"Memoria-Crematoria\" title=\"Memoria-Crematoria\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-3.jpg\" alt=\"Memoria-Crematoria\" title=\"Memoria-Crematoria\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-detail-1.jpg\" alt=\"Memoria-Crematoria\" title=\"Memoria-Crematoria\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-4.jpg\" alt=\"Memoria-Crematoria\" title=\"Memoria-Crematoria\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-5.jpg\" alt=\"Memoria-Crematoria\" title=\"Memoria-Crematoria\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-detail-1.jpg\" alt=\"Memoria-Crematoria\" title=\"Memoria-Crematoria\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-6-7.jpg\" alt=\"Memoria-Crematoria\" title=\"Memoria-Crematoria\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-detail-2.jpg\" alt=\"Memoria-Crematoria\" title=\"Memoria-Crematoria\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','2755-revision','','','2012-11-23 19:48:54','2012-11-23 19:48:54','',2755,'http://www.reenakallat.com/2756/uncat/2755-revision',0,'revision','',0),(2760,1,'2012-11-23 19:51:41','2012-11-23 19:51:41','<script type=\"text/javascript\">// <![CDATA[\r\nfunction ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}\r\n// ]]></script>\r\n<!--\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n-->\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\"><img class=\"alignnone size-large wp-image-349\" title=\"Rubber Stamp\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-1-1.jpg\" alt=\"Rubber Stamp\" width=\"600\" /></td>\r\n<td style=\"font-size: 11px;\" width=\"200\" align=\"left\" valign=\"bottom\"><span style=\"color: #888888;\">Memoria Crematoria (dates of war)\r\n</span>2011\r\ndigital print on canvas\r\n12 in x 60 in each (24 prints)</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Memoria-Crematoria\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-1.jpg\" alt=\"Rubber Stamp\" width=\"600\" /></a></td>\r\n<td style=\"font-size: 11px;\" width=\"300\" align=\"justify\" valign=\"top\">\r\n<div id=\"uniquename1\" style=\"display: block;\"></div></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Memoria-Crematoria\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-2.jpg\" alt=\"Memoria-Crematoria\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Memoria-Crematoria\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-3.jpg\" alt=\"Memoria-Crematoria\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Memoria-Crematoria\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-detail-1.jpg\" alt=\"Memoria-Crematoria\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Memoria-Crematoria\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-4.jpg\" alt=\"Memoria-Crematoria\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Memoria-Crematoria\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-5.jpg\" alt=\"Memoria-Crematoria\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Memoria-Crematoria\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-detail-1.jpg\" alt=\"Memoria-Crematoria\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Memoria-Crematoria\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-6.jpg\" alt=\"Memoria-Crematoria\" width=\"600\" /></a>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Memoria-Crematoria\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-detail-2.jpg\" alt=\"Memoria-Crematoria\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','2755-revision-5','','','2012-11-23 19:51:41','2012-11-23 19:51:41','',2755,'http://www.reenakallat.com/2760/uncat/2755-revision-5',0,'revision','',0),(2757,1,'2012-11-23 19:49:03','2012-11-23 19:49:03','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-1-1.jpg\" alt=\"Rubber Stamp\" title=\"Rubber Stamp\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Memoria Crematoria (dates of war)\r\n</span>2011\r\ndigital print on canvas \r\n12 in x 60 in each (24 prints)\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-1.jpg\" alt=\"Rubber Stamp\" title=\"Memoria-Crematoria\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n<td width=\"300\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThe sculpture engages with our fragile connection to the environment in a poetic way and how this relationship gets extended, condensed, distorted..\r\n\r\nThe oversized rubber stamp carries the words of the French novelist, Marcel Proust, “A change in weather is sufficient to recreate the world and ourselves” as if the words were stamped into a bed of sealing wax or etched on the surface of a melting tectonic plate. Discussing the weather can be ordinary, everyday and almost banal but carrying it to a bureaucratic motif such as a stamp seems to certify something… Is it a proof or playful prophecy about an ambivalent future?\r\n</div>\r\n</td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-2.jpg\" alt=\"Memoria-Crematoria\" title=\"Memoria-Crematoria\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-3.jpg\" alt=\"Memoria-Crematoria\" title=\"Memoria-Crematoria\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-detail-1.jpg\" alt=\"Memoria-Crematoria\" title=\"Memoria-Crematoria\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-4.jpg\" alt=\"Memoria-Crematoria\" title=\"Memoria-Crematoria\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-5.jpg\" alt=\"Memoria-Crematoria\" title=\"Memoria-Crematoria\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-detail-1.jpg\" alt=\"Memoria-Crematoria\" title=\"Memoria-Crematoria\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-6-7.jpg\" alt=\"Memoria-Crematoria\" title=\"Memoria-Crematoria\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-detail-2.jpg\" alt=\"Memoria-Crematoria\" title=\"Memoria-Crematoria\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','2755-revision-2','','','2012-11-23 19:49:03','2012-11-23 19:49:03','',2755,'http://www.reenakallat.com/2757/uncat/2755-revision-2',0,'revision','',0),(2758,1,'2012-11-23 19:49:21','2012-11-23 19:49:21','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-1-1.jpg\" alt=\"Rubber Stamp\" title=\"Rubber Stamp\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Memoria Crematoria (dates of war)\r\n</span>2011\r\ndigital print on canvas \r\n12 in x 60 in each (24 prints)\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-1.jpg\" alt=\"Rubber Stamp\" title=\"Memoria-Crematoria\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n<td width=\"300\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThe sculpture engages with our fragile connection to the environment in a poetic way and how this relationship gets extended, condensed, distorted..\r\n\r\nThe oversized rubber stamp carries the words of the French novelist, Marcel Proust, “A change in weather is sufficient to recreate the world and ourselves” as if the words were stamped into a bed of sealing wax or etched on the surface of a melting tectonic plate. Discussing the weather can be ordinary, everyday and almost banal but carrying it to a bureaucratic motif such as a stamp seems to certify something… Is it a proof or playful prophecy about an ambivalent future?\r\n</div>\r\n</td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-2.jpg\" alt=\"Memoria-Crematoria\" title=\"Memoria-Crematoria\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-3.jpg\" alt=\"Memoria-Crematoria\" title=\"Memoria-Crematoria\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-detail-1.jpg\" alt=\"Memoria-Crematoria\" title=\"Memoria-Crematoria\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-4.jpg\" alt=\"Memoria-Crematoria\" title=\"Memoria-Crematoria\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-5.jpg\" alt=\"Memoria-Crematoria\" title=\"Memoria-Crematoria\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-detail-1.jpg\" alt=\"Memoria-Crematoria\" title=\"Memoria-Crematoria\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-6-7.jpg\" alt=\"Memoria-Crematoria\" title=\"Memoria-Crematoria\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-detail-2.jpg\" alt=\"Memoria-Crematoria\" title=\"Memoria-Crematoria\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','2755-revision-3','','','2012-11-23 19:49:21','2012-11-23 19:49:21','',2755,'http://www.reenakallat.com/2758/uncat/2755-revision-3',0,'revision','',0),(2759,1,'2012-11-23 19:49:58','2012-11-23 19:49:58','<script language=\'javascript\' type=\'text/javascript\'>function ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}</script>\r\n<style type=\"text/css\">\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n</style>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody><tr><td width=\"60%\" align=\"left\" valign=\"top\">\r\n<img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-1-1.jpg\" alt=\"Rubber Stamp\" title=\"Rubber Stamp\" width=\"600\" class=\"alignnone size-large wp-image-349\" /></td><td width=\"200\" align=\"left\" valign=\"bottom\" style=\"font-size:11px;\"><span style=\"color: #888888;\">Memoria Crematoria (dates of war)\r\n</span>2011\r\ndigital print on canvas \r\n12 in x 60 in each (24 prints)\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody></table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-1.jpg\" alt=\"Rubber Stamp\" title=\"Memoria-Crematoria\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td>\r\n<td width=\"300\" align=\"justify\" valign=\"top\" style=\"font-size:11px;\">\r\n<div id=\"uniquename1\" style=\"display:block\">\r\nThe sculpture engages with our fragile connection to the environment in a poetic way and how this relationship gets extended, condensed, distorted..\r\n\r\nThe oversized rubber stamp carries the words of the French novelist, Marcel Proust, “A change in weather is sufficient to recreate the world and ourselves” as if the words were stamped into a bed of sealing wax or etched on the surface of a melting tectonic plate. Discussing the weather can be ordinary, everyday and almost banal but carrying it to a bureaucratic motif such as a stamp seems to certify something… Is it a proof or playful prophecy about an ambivalent future?\r\n</div>\r\n</td>\r\n</tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-2.jpg\" alt=\"Memoria-Crematoria\" title=\"Memoria-Crematoria\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-3.jpg\" alt=\"Memoria-Crematoria\" title=\"Memoria-Crematoria\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-detail-1.jpg\" alt=\"Memoria-Crematoria\" title=\"Memoria-Crematoria\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-4.jpg\" alt=\"Memoria-Crematoria\" title=\"Memoria-Crematoria\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-5.jpg\" alt=\"Memoria-Crematoria\" title=\"Memoria-Crematoria\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-detail-1.jpg\" alt=\"Memoria-Crematoria\" title=\"Memoria-Crematoria\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-6.jpg\" alt=\"Memoria-Crematoria\" title=\"Memoria-Crematoria\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr><tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>\r\n\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\">\r\n<a href=\"#\"><img src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-detail-2.jpg\" alt=\"Memoria-Crematoria\" title=\"Memoria-Crematoria\" width=\"600\"  class=\"alignnone size-full wp-image-350\" /></a>\r\n</td></tr>\r\n<tr><td>&nbsp;</td></tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','2755-revision-4','','','2012-11-23 19:49:58','2012-11-23 19:49:58','',2755,'http://www.reenakallat.com/2759/uncat/2755-revision-4',0,'revision','',0),(2761,1,'2012-11-23 19:51:45','2012-11-23 19:51:45','<script type=\"text/javascript\">// <![CDATA[\r\nfunction ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}\r\n// ]]></script>\r\n<!--\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n-->\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\"><img class=\"alignnone size-large wp-image-349\" title=\"Rubber Stamp\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-1-1.jpg\" alt=\"Rubber Stamp\" width=\"600\" /></td>\r\n<td style=\"font-size: 11px;\" width=\"200\" align=\"left\" valign=\"bottom\"><span style=\"color: #888888;\">Memoria Crematoria (dates of war)\r\n</span>2011\r\ndigital print on canvas\r\n12 in x 60 in each (24 prints)</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Memoria-Crematoria\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-1.jpg\" alt=\"Rubber Stamp\" width=\"600\" /></a></td>\r\n<td style=\"font-size: 11px;\" width=\"300\" align=\"justify\" valign=\"top\">\r\n<div id=\"uniquename1\" style=\"display: block;\"></div></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Memoria-Crematoria\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-2.jpg\" alt=\"Memoria-Crematoria\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Memoria-Crematoria\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-3.jpg\" alt=\"Memoria-Crematoria\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Memoria-Crematoria\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-detail-1.jpg\" alt=\"Memoria-Crematoria\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Memoria-Crematoria\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-4.jpg\" alt=\"Memoria-Crematoria\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Memoria-Crematoria\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-5.jpg\" alt=\"Memoria-Crematoria\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Memoria-Crematoria\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-detail-1.jpg\" alt=\"Memoria-Crematoria\" width=\"600\" 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src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-1-1.jpg\" alt=\"Rubber Stamp\" width=\"600\" /></td>\n<td style=\"font-size: 11px;\" width=\"200\" align=\"left\" valign=\"bottom\"><span style=\"color: #888888;\">Memoria Crematoria (dates of war)\n</span>2011\ndigital print on canvas\n12 in x 60 in each (24 prints)</td>\n</tr>\n<tr>\n<td></td>\n</tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\n<tbody>\n<tr>\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Memoria-Crematoria\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-1.jpg\" alt=\"Rubber Stamp\" width=\"600\" /></a></td>\n<td style=\"font-size: 11px;\" width=\"300\" align=\"justify\" valign=\"top\"></td>\n</tr>\n<tr>\n<td></td>\n</tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\n<tbody>\n<tr>\n<td 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/></a></td>\n</tr>\n<tr>\n<td></td>\n</tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\n<tbody>\n<tr>\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Memoria-Crematoria\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-detail-1.jpg\" alt=\"Memoria-Crematoria\" width=\"600\" /></a></td>\n</tr>\n<tr>\n<td></td>\n</tr>\n</tbody>\n</table>\n<a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Memoria-Crematoria\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-6.jpg\" alt=\"Memoria-Crematoria\" width=\"600\" /></a>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\n<tbody>\n<tr>\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Memoria-Crematoria\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-detail-2.jpg\" alt=\"Memoria-Crematoria\" width=\"600\" /></a></td>\n</tr>\n<tr>\n<td></td>\n</tr>\n</tbody>\n</table>','memoria-crematoria','','inherit','open','open','','2755-revision-9','','','2012-11-24 06:00:09','2012-11-24 06:00:09','',2755,'http://www.reenakallat.com/2765/uncat/2755-revision-9',0,'revision','',0),(2766,1,'2012-11-24 06:00:55','2012-11-24 06:00:55','<script type=\"text/javascript\">// <![CDATA[\r\nfunction ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}\r\n// ]]></script>\r\n<!--\r\nh3.canvas  {\r\ncolor:#333333;\r\nfont-size:11px\r\nfont-weight:normal;\r\nmargin-bottom:5px;\r\nmargin-left:7px;\r\nmargin-top:0;\r\npadding:0;\r\ntext-transform:none;\r\n}\r\n\r\nh2.painting  {\r\ncolor:#FFFFFF;\r\nfont-family:verdana,arial,tahoma,sans-serif;\r\nfont-size:11px;\r\nfont-weight:normal;\r\nmargin:0 0 10px 7px;\r\npadding:0;\r\ntext-align:left;\r\ntext-transform:none;\r\n}\r\n-->\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\"><img class=\"alignnone size-large wp-image-349\" title=\"Rubber Stamp\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-1-1.jpg\" alt=\"Rubber Stamp\" width=\"600\" /></td>\r\n<td style=\"font-size: 11px;\" width=\"200\" align=\"left\" valign=\"bottom\"><span style=\"color: #888888;\">Memoria Crematoria (dates of war)\r\n</span>2011\r\ndigital print on canvas\r\n12 in x 60 in each (24 prints)</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Memoria-Crematoria\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-1.jpg\" alt=\"Rubber Stamp\" width=\"600\" /></a></td>\r\n<td style=\"font-size: 11px;\" width=\"300\" align=\"justify\" valign=\"top\"></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Memoria-Crematoria\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-2.jpg\" alt=\"Memoria-Crematoria\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Memoria-Crematoria\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-3.jpg\" alt=\"Memoria-Crematoria\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Memoria-Crematoria\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-detail-1.jpg\" alt=\"Memoria-Crematoria\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Memoria-Crematoria\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-4.jpg\" alt=\"Memoria-Crematoria\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Memoria-Crematoria\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-5.jpg\" alt=\"Memoria-Crematoria\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Memoria-Crematoria\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-detail-1.jpg\" alt=\"Memoria-Crematoria\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Memoria-Crematoria\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-6.jpg\" alt=\"Memoria-Crematoria\" width=\"600\" /></a>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Memoria-Crematoria\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-detail-2.jpg\" alt=\"Memoria-Crematoria\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','2755-revision-10','','','2012-11-24 06:00:55','2012-11-24 06:00:55','',2755,'http://www.reenakallat.com/2766/uncat/2755-revision-10',0,'revision','',0),(2767,1,'2012-11-24 06:00:23','2012-11-24 06:00:23','<script type=\"text/javascript\">// <![CDATA[\nfunction ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}\n// ]]></script>\n\n<!-- h3.canvas  { color:#333333; font-size:11px font-weight:normal; margin-bottom:5px; margin-left:7px; margin-top:0; padding:0; text-transform:none; }\n\nh2.painting  { color:#FFFFFF; font-family:verdana,arial,tahoma,sans-serif; font-size:11px; font-weight:normal; margin:0 0 10px 7px; padding:0; text-align:left; text-transform:none; } -->\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\n<tbody>\n<tr>\n<td width=\"60%\" align=\"left\" valign=\"top\"><img class=\"alignnone size-large wp-image-349\" title=\"Rubber Stamp\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-1.jpg\" alt=\"Rubber Stamp\" width=\"600\" /></td>\n<td style=\"font-size: 11px;\" width=\"200\" align=\"left\" valign=\"bottom\"><span style=\"color: #888888;\">Untitled Rubberstamp\n</span>2012\n30(h.)  x 75(l.) x 35(b.) in.  l  76 x 190 x 89 cm\nIvory duco paint on FRP</td>\n</tr>\n<tr>\n<td></td>\n</tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\n<tbody>\n<tr>\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"rubber-stamp\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-1.jpg\" alt=\"Rubber Stamp\" width=\"600\" /></a></td>\n<td style=\"font-size: 11px;\" width=\"300\" align=\"justify\" valign=\"top\">\n<div id=\"uniquename1\" style=\"display: block;\">The sculpture engages with our fragile connection to the environment in a poetic way and how this relationship gets extended, condensed, distorted..\n\nThe oversized rubber stamp carries the words of the French novelist, Marcel Proust, “A change in weather is sufficient to recreate the world and ourselves” as if the words were stamped into a bed of sealing wax or etched on the surface of a melting tectonic plate. Discussing the weather can be ordinary, everyday and almost banal but carrying it to a bureaucratic motif such as a stamp seems to certify something… Is it a proof or playful prophecy about an ambivalent future?\n\n</div></td>\n</tr>\n<tr>\n<td></td>\n</tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\n<tbody>\n<tr>\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"rubber-stamp\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-2.jpg\" alt=\"rubber-stamp\" width=\"600\" /></a></td>\n</tr>\n<tr>\n<td></td>\n</tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\n<tbody>\n<tr>\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"rubber-stamp\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-3.jpg\" alt=\"rubber-stamp\" width=\"600\" /></a></td>\n</tr>\n<tr>\n<td></td>\n</tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\n<tbody>\n<tr>\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"rubber-stamp\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-4.jpg\" alt=\"rubber-stamp\" width=\"600\" /></a></td>\n</tr>\n<tr>\n<td></td>\n</tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\n<tbody>\n<tr>\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"rubber-stamp\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-5.jpg\" alt=\"rubber-stamp\" width=\"600\" /></a></td>\n</tr>\n<tr>\n<td></td>\n</tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\n<tbody>\n<tr>\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"rubber-stamp\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-6.jpg\" alt=\"rubber-stamp\" width=\"600\" /></a></td>\n</tr>\n</tbody>\n</table>','rubber stamp','','inherit','open','open','','2730-revision-10','','','2012-11-24 06:00:23','2012-11-24 06:00:23','',2730,'http://www.reenakallat.com/2767/uncat/2730-revision-10',0,'revision','',0),(2768,1,'2012-11-24 06:01:37','2012-11-24 06:01:37','<script type=\"text/javascript\">// <![CDATA[\r\nfunction ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; }  else {   document.getElementById(d).style.display = \'none\';   document.getElementById(\"uniquename1\").style.display = \'block\';}}\r\n// ]]></script>\r\n\r\n<!-- h3.canvas  { color:#333333; font-size:11px font-weight:normal; margin-bottom:5px; margin-left:7px; margin-top:0; padding:0; text-transform:none; }\r\n\r\nh2.painting  { color:#FFFFFF; font-family:verdana,arial,tahoma,sans-serif; font-size:11px; font-weight:normal; margin:0 0 10px 7px; padding:0; text-align:left; text-transform:none; } -->\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"60%\" align=\"left\" valign=\"top\"><img class=\"alignnone size-large wp-image-349\" title=\"Rubber Stamp\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-1.jpg\" alt=\"Rubber Stamp\" width=\"600\" /></td>\r\n<td style=\"font-size: 11px;\" width=\"200\" align=\"left\" valign=\"bottom\"><span style=\"color: #888888;\">Untitled Rubberstamp\r\n</span>2012\r\n30(h.)  x 75(l.) x 35(b.) in.  l  76 x 190 x 89 cm\r\nIvory duco paint on FRP</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"rubber-stamp\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-1.jpg\" alt=\"Rubber Stamp\" width=\"600\" /></a></td>\r\n<td style=\"font-size: 11px;\" width=\"300\" align=\"justify\" valign=\"top\">\r\n<div id=\"uniquename1\" style=\"display: block;\">The sculpture engages with our fragile connection to the environment in a poetic way and how this relationship gets extended, condensed, distorted..\r\n\r\nThe oversized rubber stamp carries the words of the French novelist, Marcel Proust, “A change in weather is sufficient to recreate the world and ourselves” as if the words were stamped into a bed of sealing wax or etched on the surface of a melting tectonic plate. Discussing the weather can be ordinary, everyday and almost banal but carrying it to a bureaucratic motif such as a stamp seems to certify something… Is it a proof or playful prophecy about an ambivalent future?\r\n\r\n</div></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"rubber-stamp\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-2.jpg\" alt=\"rubber-stamp\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"rubber-stamp\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-3.jpg\" alt=\"rubber-stamp\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"rubber-stamp\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-4.jpg\" alt=\"rubber-stamp\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"rubber-stamp\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-5.jpg\" alt=\"rubber-stamp\" width=\"600\" /></a></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"rubber-stamp\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/rubber-stamp-6.jpg\" alt=\"rubber-stamp\" width=\"600\" /></a></td>\r\n</tr>\r\n</tbody>\r\n</table>','','','inherit','open','open','','2730-revision-11','','','2012-11-24 06:01:37','2012-11-24 06:01:37','',2730,'http://www.reenakallat.com/2768/uncat/2730-revision-11',0,'revision','',0),(2769,1,'2012-11-24 06:00:42','2012-11-24 06:00:42','<script type=\"text/javascript\">// <![CDATA[\nfunction ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   document.getElementById(\"uniquename1\").style.display = \'none\'; } 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FRP\n15(h.) x 43(l.) x 18(b.) in.  l  38 x 109 x 46 cm</td>\n</tr>\n<tr>\n<td></td>\n</tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\n<tbody>\n<tr>\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Paper-machines\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-1.jpg\" alt=\"Rubber Stamp\" width=\"600\" /></a></td>\n<td style=\"font-size: 11px;\" width=\"300\" align=\"justify\" valign=\"top\"></td>\n</tr>\n<tr>\n<td></td>\n</tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\n<tbody>\n<tr>\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Paper-machines\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-2.jpg\" alt=\"Paper-machines\" width=\"600\" /></a></td>\n</tr>\n<tr>\n<td></td>\n</tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\n<tbody>\n<tr>\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Paper-machines\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-3.jpg\" alt=\"Paper-machines\" width=\"600\" /></a></td>\n</tr>\n<tr>\n<td></td>\n</tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\n<tbody>\n<tr>\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Paper-machines\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-4.jpg\" alt=\"Paper-machines\" width=\"600\" /></a></td>\n</tr>\n<tr>\n<td></td>\n</tr>\n</tbody>\n</table>\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\n<tbody>\n<tr>\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Paper-machines\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-5.jpg\" alt=\"Paper-machines\" width=\"600\" /></a></td>\n</tr>\n<tr>\n<td></td>\n</tr>\n</tbody>\n</table>\n<a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Paper-machines\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Paper-machines-6-7.jpg\" alt=\"Paper-machines\" width=\"600\" /></a>','paper-machines','','inherit','open','open','','2733-revision-14','','','2012-11-24 06:00:42','2012-11-24 06:00:42','',2733,'http://www.reenakallat.com/2769/uncat/2733-revision-14',0,'revision','',0),(2770,1,'2012-11-24 06:01:28','2012-11-24 06:01:28','<script type=\"text/javascript\">// <![CDATA[\r\nfunction ReverseContentDisplay(d) {if(d.length < 1) { return; }if(document.getElementById(d).style.display == \'none\') {  document.getElementById(d).style.display = \'block\';   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style=\"font-size: 11px;\" width=\"200\" align=\"left\" valign=\"bottom\"><span style=\"color: #888888;\">Memoria Crematoria (dates of war)\r\n</span>2011\r\ndigital print on canvas\r\n12 in x 60 in each (24 prints)</td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full wp-image-350\" title=\"Memoria-Crematoria\" src=\"http://www.reenakallat.com/wp-content/uploads/2012/11/Memoria-Crematoria-1.jpg\" alt=\"Rubber Stamp\" width=\"600\" /></a></td>\r\n<td style=\"font-size: 11px;\" width=\"300\" align=\"justify\" valign=\"top\"></td>\r\n</tr>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table border=\"0\" cellspacing=\"0\" cellpadding=\"5\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td width=\"200\" align=\"left\" valign=\"top\"><a href=\"#\"><img class=\"alignnone size-full 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