<p> <a href="/images/old/6a00e5537d966288330133f452d214970b-800wi.jpg" rel="lightbox" style="display: inline;"><img alt="WALL-STREEThomelongB" class="asset asset-image at-xid-6a00e5537d966288330133f452d214970b " src="/images/old/6a00e5537d966288330133f452d214970b-500wi.jpg" style="width: 480px;" title="WALL-STREEThomelongB" /></a> <br /> Costume designer Ellen Mirojnick’s wardrobe for the original Wall Street—particularly the clothes she designed for a guy named Gordon Gekko—sent contrast-collared and suspendered ripples through the world of men’s style back in ‘87. With the release of the sequel, Money Never Sleeps, <strong>Gilt Manual</strong> talked to Mirojnick about Gekko as movie star, the demise of male glamour, and how she used the right collar to transform Shia Leboeuf into a man.</p><p><strong>Tell me about the nuts and bolts of creating a wardrobe for a film like this one. Where do you begin?</strong> <br />I go quiet for a while, go into my own little sanctuary and really feel it. I read the text—the most important key—and with that I try to go quiet for a minute and see what is being stirred up. What am I seeing, what am I feeling? For me it’s a process about using my senses. What’s resonating? What is the kernel of inspiration? </p><p><a href="http://www.gilt.com/manual/2010/09/dressing-gordon-gekko/" target="_blank">Read the rest here.....</a></p><p></p> 