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In the year 2100, the Earth in no longer habitable to live on after World War 3. Most of the planet has been destroyed by nuclear bombs. The survivors have taken to space to find another planet to inhabit. For the past 100 years the people have been building space stations to live. Now that the final Mother ship has been built and about to deploy into space. I had the responsibility to build a archive on the mother ship to bring items from the our past to place in a museum on the Mother ship. I have chosen to bring virtual 3d version replicas of the Aztec Calendar stone, Mary Wollstonecrafts – Vindication of the Rights of Woman, Fredrick Chopin’s – Nocturne Op9 No.2, and A Touch of Evil by Orson Welles. In each of these exhibits it will also have wall displays and go into great detail about each item and the history of inventors. I believe these items will a great reminder of where we came from and educational for future generations to learn from so we do not repeat the past.

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On the second story of the Mother ship is where the museum will be, it will contain a 3d virtual Planetarium that will hold 50 people at a time. The first part of the exhibit will be over the Aztec Calendar Stone. Where the people can learn about the Stone and the civilization that made it and how they used to solar system to guide them. While they learn that the Aztec Calendar Stone was created by a civilization of Mesoamerica called the Aztecs. People believe it was carved in the 15th century around 1479. “It was a massive carving, 3 feet thick, almost 12 feet across, and weighing almost 25 tons. It was carved from basalt – solidified lava.” (Aztec-History.com) “The first calendar of the Aztec people was called the xiuhpohualli, the counting of years. This was a 365 day year, of course very helpful for planning your farming and predicting the weather.” (Aztec-History.com) “Then to bring the year up to 365 days there were 5 "unlucky" days added. Each year would also be divided into 4 seasons.” (Aztec-History.com) This stone impecible for its time, it was made to guide and let the people know when the seasons were coming to allow them to prepare their crops, and when to hold their festivles to the gods. The Aztec Calendar stone is very significant to the future generations. If future generations don’t know of how their ancestors lived and learn from the trial and errors that they have made in the past, the future generations are doomed to repeat the same mistakes. This will be a very educational exhibit.

Then they will enter another 3d Virtual realtiy room that will hold 50 people where they will learn about Fredrick Chopin. Where they can actually see and feel like they are really there listening to him play as if they were actually there in the 1830’s. Here they will learn that The Nocturne Op.9 No.2 by Frederic Chopin pertaining to “Music Nocturne in E-flat major, Op. 9, No. 2 Chopin Nocturnes, Opus 9 Written 1830-1832 as a dedication to Madame Camille Pleyel” ( Prezi.com) Madame Camille Pleyel shown in the picture above. “Thanks to the more direct contact between the hammer and the string, the simple escapement action, constantly improved by Camille Pleyel and Kalkbrenner, assured a more exact control than the “double escapement” invented and patented (1822) by Erard” (Eigeldinger). Chopin created over 200 works of art in his life time. Chopin’s work especially Nocturne Op.9 No.2 should be preserved for future generations because Chopin is without a doubt, one of a kind, and still to this day his music will move you. Chopin’s work was received as a musical genius of the time.

Next they would enter a theater where they will watch A Touch of Evil by Orson Welles. Where they learn the history about A Touch of Evil by Orson Welles and that it was released to the public to view in 1958. This was a film that gave viewers a whole new view of what kind of corruption was going on around the border. It was like the elephant in the room that no one wanted to talk about. “Beyond subverting generic conventions and American-held stereotypes, Welles makes another interesting move by imbuing the American characters in Touch of Evil with homoeroticism while concretizing the heterosexuality of Vargas. For an audience of 1958, when the national rhetoric espoused homosexuality as deviant and un-American, Quinlan’s homosexuality can be seen as another mechanism that flips the U.S.-Mexico binary.” (Welles) Future generations should be aware of political people that have been around for a long time; usually they become corrupt, and will try and do anything to get away with dishonorable acts, legal or not, to preserve their status in the population. Also to stand their ground for what they believe in, and not be in fear of their life because of how they are and what they believe.

Then in the final part of the exhibit they will enter another Virtual reality room where they will sit and watch an animated 3d image of Mary Wollstonecraft reading you her book Vindication of the Rights of Woman. Where they will learn about The Vindication of the rights of woman by Mary Wollstonecraft and was published in 1790. Mary Wollstonecraft’s book was the first of its kind. She was a woman trapped in a controlled man’s world, and denied her potential in society. During this time it was much unheard of a professional woman writer. “The professional woman writer, the independent intellectual woman, was in fact an emerging species and Wollstonecraft played an important role in defining it.”(Woolf, p.102) This is why I strongly believe this book should be saved for preservation. This book is very significant for the future generations. The future generations must learn of the past trials and tribulations of the past. Until all bans on peoples rights and freedoms no matter what your race, gender, age are lifted people will not really be free to live a free life.

After attending these exhibits would set up rooms where the people can go and talk and interact about the individual exhibits. I hope the people will come away with a greater knowledge of the past and the lost world that they came from. Also to take with them the knowledge to not make the same mistakes again. To become a peaceful, and resourceful society in the great solar system.

Work Cited:
Eigeldinger, Jean-Jacques. "Chopin And Pleyel." Clavier Companion 2.3 (2010): 10-12. Academic Search Complete. Web. 4 Nov. 2013.
Fiero, Gloria K. The Humanistic Tradition. Sixth Edition ed. : McGraw-Hill, . . &lt;&gt;.
"Frederic Chopin: Nocturnes, Op. 9: No. 2 in E-Flat Major." Prezi.com. N.p., n.d. Web. 19 Oct. 2013.
http://www.aztec-history.com/aztec-calendar-stone.html
Touch of Evil. Screenplay by Orson Welles. Dir. Orson Welles. Prod. Albert Zugsmith.
Perf. Charlton Heston, Janet Leigh, Orson Welles. 1958. DVD. Universal, 2003.
Virginia Woolf, “Mary Wollstonecraft” in her woman and writing, 1979, p.102