(1427,29,'2011-05-11 21:06:18','2011-05-12 03:06:18','&nbsp;\r\n\r\n[caption id=\"\" align=\"aligncenter\" width=\"454\" caption=\"http://horoscopicastrologyblog.com/wp-content/uploads/2008/11/solar-system.jpg\"]<img src=\"http://horoscopicastrologyblog.com/wp-content/uploads/2008/11/solar-system.jpg\" alt=\"\" width=\"454\" height=\"341\" />[/caption]\r\n\r\nAll Aboard: The Huma Spaceship Museum\r\nTraveling to Uranus, Year 2100\r\nAs curator of the Huma Spaceship Museum, (Since the Earth will no longer be inhabitable) I chose La Maison Carée from France, \"The Madonna Enthroned\" from Italy, the book \"Utopia\" from England, and the collection of stories \"The Arabian Nights\" from the Middle East as a representation of the amazing artwork of Earth created from prehistory to the Renaissance. I have employed an architect to construct a way that The Maison Carrée can fly the remaining people on Earth to Uranus, where we will be inhabiting. <!--more-->The Maison Carrée was built in 19 B.C.E., so it is essential to seal and preserve the entire temple inside a large un-shatterable, indestructible glass box where everyone will still be able to breathe and live during the trip through space. Upon entering the temple, everyone will be handed a printed copy of \"Utopia\" by Sir Thomas More, or a digitalizes palm reader piece, where they insert a microchip into their hand and view the text on the inside of their palms (or open their palms towards a white wall provided and use their limbs like an overhead projector). People can stay their as long as they like to read/ discuss his text, or they can move on to the next exhibit. However, it is super important for riders on the Huma Spaceship Museum to understand that More\'s concepts are highly emphasized on the space craft. Because we ruined the world once, it is essential to work towards a Utopian society when we reach Uranus. We had the chance to follow More\'s advice once and didn\'t. Moving on: Inside the temple, there will be original paintings of Cimabue\'s throughout. The main piece at the center of the temper will be \"The Madonna Enthroned.\" This beautiful altarpiece will be the center of attention when people walk into the temple, and an informant/ assistant curator will do a constant tour explaining all of the paintings and their histories. Even the floor of the temple will have Cimabue\'s artwork on it. The paintings on the floor however will not be originals, we wouldn\'t want to step on/ or even touch his original works. Only the walls will be covered with Cimabue\'s original pieces, and those too will be sealed off with a special glass film. After the people walk into the temple (after viewing the beautiful exterior) and the paintings, they can enter the auditorium, a special room built onto the back of La Maison Carrée, where they can sit and watch actors act out plays from \"The Arabian Nights.\" This auditorium will not only have live theatre, but has a separate room to watch movies portraying the stories of \"The Arabian Nights.\" The most entertaining part about all of this, since it is year 2011 and most people don\'t wear extensive clothing anymore (most wear latex suits or nothing at all) because it isn\'t necessary (hardly anyone leaves their house due to the increase in technology) clothing stores will be implemented in this facility. It is a rule for everyone to dress up how people did in the society of the artwork they are studying during each tour through the museum. This part of the museum tour will not only serve as entertainment, but will work as a learning tool for people to really feel like they are traveling back in time, getting the full effect of the beauty of the art. After each segment, there will be a restaurant/ lounge area for people to taste the food from France, Italy, England and the Middle East. This part of the tour will be a time for people to really get to know each other and have a Q&amp;A section between the riders and the tour guides. The museum tour will be an enlightening, entertaining experience for everyone involved. The people aboard the ship will have a chance to learn about the Earth\'s history and will create memories with their new fellow inhabitants of Uranus. Each person will have the chance to learn these facts about the four pieces I chose to include in my museum:\r\nLa Maison Carrée (the square house) is a Roman temple built in Nîmes, France in 19 B.C.E. The Roman shrine was built by Marcus Agrippa during the reign of Caesar Augustus. Agrippa who was the “right hand man” and son-in-law to Augustus and the patron of the Pantheon in Rome (Hayes, 1). La Maison Carrée was built in hopes to impress the citizens of Nîmes, keeping with the Roman style architecture to honor the new emperor Augustus. The temple was built in dedication to Augustus’s two adopted sons to promote the new imperial control. The building has a bronze inscription that reads “To Gaus Caesar, son of Augutus, consul: to Lucius Caesar, son of Augustus, Consul designate; to the princes of youth” (Hayes, 1). The temple stands on a 12 ft high podium like a Greek shrine with a stairway that leads up to a colonnaded portico (porch) and then to a single entrance. The Corinthian Order, or the laws of symmetry and proportions, is used in the portico and ornate columns that cover the exterior walls. The building door leads to a large, single room which houses a collection of Roman sculptures (once filled with sculptures of Augustus, his family and the Gods) and other classical fragments (Britannica, 1). The building  is 82 ft long by 40 ft wide. La Maison Carrée served as a spiritual center for the Romans and is an example of classical refinement (Fiero, 6.13). The temple is one of the best preserved  in the world. “It Is one of the most beautiful monuments built in Gaul by the Romans” (Norton, 913). La Maison Carrée is unusual for its time, because it is a Roman temple in the middle of France. The Roman’s brought over a new style of architecture along with their power of the Nîmes area, and it seemed to stand out against the other buildings. Although Nîmes was a provincial city, it was a priority to build a temple there just as nice as any in Rome. Augustus wanted the temple built by the best architect available (Hanser, 147). The style of the building is specifically Roman and the fineness of the construction shows the architect was familiar with the architectual style fashionable in the capital of Rome. The scrolls on the molding of the building are almost identical to the Altar of Peace in Rome which was also dedicated to Augustus. The Romans combined the style of the Etruscans (Italian society that ruled Rome for about a century) using the rectangular form on a podium with columns, a portico and stairs. The architecture also has Greek details; Corinthian order and the organization of the columns, moldings and proportion of the building. Although the Maison Carrée resembles a Greek temple, its architecture is not exactly the same. Most Greek temples have freestanding columns all around the building, making the front and back identical. However, the Maison Carrée has a distinct front and back, and a set of stairs only to the front entrance, where usual Greek temples have stairs all around the building. Romans admired the architecture of Greeks and portrayed it in temples like The Maison Carrée, but were more concerned with ornate details and magnificent architecture to portray Roman power. “There was nothing provincial about The Maison Carrée when it was built” (Hanser 146). Even though The Maison Carrée waws a peculiar architectural style in France, In Rome this style was very popular.La Maison Carrée represents the beautiful history of France, the structure represents the classical beauty of Roman architecture, and the fact that it is so well preserved is astounding. Although it has been reconstructed a few times, its original beauty shines. It is obvious it is important to the French government, and the people that live in Nîmes today. The square has been renovated and now holds a modern art museum and library and makes the area even more inviting to visit. I like the fact that the square makes modern style work with the old, classical architecture of The Maison Carrée. When looking at a picture of the temple, it seems as if it were picked up in Rome and placed in the middle of the square it sits in. It seems a little out of place beside the buildings around it, which makes it unique. The architecture is simple, but stunning. I love the columns and the way they wrap all the way around the building. I think it is rather interesting how many different identities the building has had. It started out as a temple or church, then a town hall, stable, etc and is now a museum. I would love to visit and see with my own eyes the beauty and integrity of the building. It would be amazing to walk up the steep set of stairs and think of how many came before me. When I visit France     someday soon, I will for definitely make a stop at La Maison Carrée and give praise to those that designed and built the beautiful temple.For future generations, it is important to understand the significance of La Maison Carrée. It is not only a beautiful piece of architecture, it is a representation of the struggle for power during its time. It represents the hard work men put into building the structure. It is historical evidence of the Roman Empire, and represents the power Augustus had during his reign in France and other European regions. Due to the fact that is the best preserved temple from its time period, future generations can visit it and view the original beauty and artistic intelligence it took to build it. It is important for future generations to realize the building was made by real men with their bare hands. Blood, sweat and tears went into building The Maison Carrée, unlike many buildings today. Architecture today lacks structural beauty, and many people do not think of proportions and symmetry the way these men used to. The Maison Carrée is a prime example of the Corinthian Order, and would be important for anyone to visit in order to understand the rules of the order. The Maison Carrée is not just a beautiful building, it is a representation of the people that lived in Nîmes, worked there and ruled there. It is an example of the Roman reign and the colorful history of France.\r\n\r\n<a href=\"http://images.easyart.com/i/prints/lg/3/0/300564.jpg\"><img class=\"aligncenter\" src=\"http://images.easyart.com/i/prints/lg/3/0/300564.jpg\" alt=\"\" width=\"500\" height=\"494\" /></a>http://images.easyart.com/i/prints/lg/3/0/300564.jpg\r\n\r\nThe “Madonna Enthroned” is an altarpiece painting done by one of the most famous Italian painters Cimabue (1240-1302.) Cimabue was a Florentine painter in the second half of the 13th century and the early years of the 14th century. Although none of his paintings are signed and few are still in tact, his activity in the Basilica of S. Francesco in Assisi is documented in 1280/1290. Cimabue studied with some of the Greek Masters in St. Maria Novella and was involved in the Neo-Hellenistic movement of the Paleo Organ Renaissance. His training was not exclusively Byzantine, although he lived and learned during this time period. The “Madonna Enthroned” is an altarpiece painted in or around 1285. This piece was the largest in its class of paintings at the time. The “Madonna Enthroned” was a forerunner of the Renaissance style paintings. It is said to have an “otherworldly appearance” with its network of gold lines on and around the Madonna. The figures in the “Madonna Enthroned” are flat and almost transparent as gold “swims” through them (World Book, 583.) This painting was done as an altarpiece using egg tempera on wood and is 12ft 7.5 inches by 7 ft 4 inches. Cimabue was a patriarch of Italian painting, only five or six of his originals are left today. The “Madonna Enthroned” was picked to live in the Uffizi Gallery in Florence, Italy. Cimabue’s religious Frescos are still housed in the Church of Saint Frances in Italy. Cimabue influenced many painters during and after his time period to shift their techniques and follow the trends of the everchanging artistic world. Cimabue used techniques common in the Byzantine tradition while moving towards a Naturalist and Renaissance style. His spatial depth in the “Madonna Enthroned” created a three-demensional effect uncommon during this time period. Cimabue added a dramatic effect to all of his paintings and changed the art world not only in Italy, but worldwide.In this time period, Italy was not unified and was made of a large number of states. Italy was more urbanized than many other European countries at the time. Major cities in Europe competed with major cities in Italy with the artistic patronage in Italy. The higher-ups in Italy wanted the churches and local buildings to be bigger and better than the rest of Europe, and wanted them decorated and painted by the BEST artists around. Religion was a major factor of inspiration to all artists during this time. Altarpieces and Frescos dominated the artistic world along with painting and sculptures, usually centered around pulpits and statues of saints. These painting all were housed either inside a church or in a civic building or town hall. The styles of this time period endured for centuries to come. The most popular type of art was made with tempera (wooden panels painted with colors mixed with egg) later called “egg  tempera.” The second most popular was called a Fresco, a wall painting that was applied to fresh, damp plaster. Many artist of this time were masters of both of these techniques. Sculpture usually consisted of marble and bronze sometimes gilded with soft layers of gold (this was expensive, so it  wasn’t near as easy to find.) The people who had money to pay artists for the contributions were the churches. The only documented payment made to Cimabue was for his St. John mosaic in the main apse of the Pisa Cathedral in Italy. Most of Cimabue’s work was done inside churches throughout Europe. His earliest work was the “Crucifix” in S. Domenico, Arrezo painted inside a church.  During this time, art had many influences. The gothic style dominated in Europe. Constantinople was captured by crusaders in 1204 which increased contact between Italian and Byzantine art. Later Byzantine art was “softened by naturalism and humanity looking forward to the Renaissance” (Art, 84.)  Cimabue was a master of both egg tempera, frescos and mosaics and his artwork centered around secular subjects adding “tender humanity” to each of his pieces (Art, 85.)The “Madonna Enthroned” is an example of Medieval art with influences of the Byzantine and Gothic era leading up to the Renaissance style of painting. Some of the most stunning pieces of art from this era is in the form of altarpieces installed in churches in honor of one of the saints or the Virgin Mary (Madonna.)  Typical altarpieces were done on one or more wooden panels  coated in a white chalky plaster or “gesso” with tempera, which produced dull, flat colors. The altarpiece was then decorated with gold leaf that would reflect the candles lit in the altar for a more dramatic effect (Fiero, 13.34.) Cimabue’s altarpiece the “Madonna Enthroned” used these techniques. His piece showed a scene of the Madonna and her child elevated on a large seat that is a throne and a tower. Angels are all around her and beneath her feet are four Hebrew prophets holding scrolls. The Madonna is centered in the piece and is significantly larger than the rest of the people in the picture, showing her importance. “Such hierarchic grading, while typical of Medieval art, also characterized Egyptian and Byzantine compositions” (Fiero, 13.)  Cimabue’s devotional altar piece is lavish and elegant. It’s lines are sharp and the metallic detail on the Virgin’s dark blue drapery sets off the sharp wings of the angels and the distinct features of Christ and the decorative throne. The Virgin has a little more character in her face than what was usual at the time, but like most Byzantine art- all of the faces of the saints, Christ and angels looking similar. Cimabue used egg tempera on wood because it was stable and durable and the colors remained strong through time. The colors are added to the mixed with the solution and applied to the wood. This solution dries quickly so Cimabue (or any artist) could not mix color on the actual Fresco.For future generations it is important to know the Cimabue was one of the first famous artists of his time. His artistic style was so innovative and precise that he made many other artist create new styles, and inspired them to use his techniques. He studied classical Greek artwork, and was trained by  “The Greek Masters” at the Saint Maria Novella. Cimabue was a trained artist and worked hard at his hobby. He was paid for his work, and people felt privileged to work with him and view his incredible masterpieces. Cimabue inspired artist like Giotto to further their career and change the artistic world as we know it. Cimabue used the current artistic styles of his time and molded them into his style and created masterpieces. His art was a forerunner to Renaissance style art and was one of the first in his time to step outside the box and go against the grain, which ultimately made him stand out and live on as a legacy in the artistic world.\r\n<p style=\"text-align: left;\"><a href=\"http://farm4.static.flickr.com/3633/3447943773_9490069718.jpg\"><img class=\"aligncenter\" src=\"http://farm4.static.flickr.com/3633/3447943773_9490069718.jpg\" alt=\"\" width=\"288\" height=\"500\" /></a>http://farm4.static.flickr.com/3633/3447943773_9490069718.jpg</p>\r\n<p style=\"text-align: left;\">Sir Thomas More was born in England in 1478 and worked as chancellor to King Henry VIII during the king’s controversial break with the Catholic church. More was a Christian man who relied heavily on his own conscience. He stood up for religious tolerance and Christian charity. He was “unwilling to compromise his conviction as a Roman Catholic” (Fiero, 19) and by opposing the actions of the king, was executed for treason in 1535. Although More worked for the kind most of his life, he had a constant struggle on whether to remain loyal to the king and continue to join his services, or to remain a philosopher. When More wrote his most famous piece: Utopia (1516) the first literary description of a “perfect” or ideal state since “Republic” by Plato. More centered this story around Europe’s statecraft and current state of society and titled it Utopia, meaning in Greek both “good place” and “no place” (Fiero, 19). More created a society where everything was equal (except to slaves) and where all citizens were equally responsible for social justice. The Utopians in the made-up society are not Christians, but stand by the Christian morals of charity and morality. More wrote “Utopia” in the form of a critique (on European state at the time) and as a political satire. In Utopian society, wives serve their husbands, and children serve their parents. Cities are divided equally into four separate parts and there is a marketplace in the center of each. At the marketplace, people bring their crops or tools they make and lay them out for people from their cities to come take back to their houses. The fathers of each family take what is necessary for their family’s survival and need not pay anything in return. In “Utopia,” there is no such thing as greed and people do not want things because excess is not part of their vocabulary. People do not need money, because there is no denial for anything- there is plenty of everything to go around. The Utopians hoard a vast array of metals that they take from foreign trade and use them for the military or for anything else they need. ” They have no inducements to do this, since they are sure they shall always be supplied” (Fiero, 19). People have no need for gold or silver or anything of “value” because they don’t find it necessary to live. “The folly of men has enhanced the value of gold and silver, because of their scarcity. Whereas, on the contrary, it is their opinion that nature as an indulgent parent, has freely given us all the best things in great abundance” (Fiero, 19). In other words, to the Utopians things in vain are worthless. If something like gold or diamonds is attained, it is because someone in society has come across it by accident- and in this case they adorn their children with these treasures. The goods given to their children will “glory” them while they are children and when they are older they will understand that “none but children use such baubles, they of their own accords, without being being bid by their parents lay them aside” (Fiero, 19). One of the last main points More puts in his “Utopia” is that war is brutal and is extremely unnecessary and should be avoided at all cost. More says that “nothing is more inglorious than glory attained by war” (Fiero, 19) and that no matter what if a truce is made- it will never be broken. The Utopian society takes truces so seriously that nothing can make them break it. The Utopians will not burn an enemy’s crops, kill their horses or kill any man- unless he is a spy.“Utopia” is definitely not a typical work of its era. More’s thought were completely out of the ordinary for the average person during his time. Sure, many philosophers (like Plato) thought like him, but the common man wouldn’t think of writing a critique on the country they live in- not without thinking of dying for treason first! His thoughts were so before his time that many disagreed with his opinions. “Utopia” was radical in its day- More’s view on “idealistic revolution” (Gerard, 1) is still controversial today. Even though the world has progressed (somewhat) towards this utopian-like place, many issues addressed in “Utopia” are still not fixed today (war for instance). More was critical of the world he lived in, economic order was constantly changing and More believed a lot of the changes were evil. He wrote “Utopia” to suggest some solutions to the problems Europe was having. More’s differed from philosophers like Plato’s writing, because More gave to everyone in his scenario. More shows the difference between his own corrupt society and compares it to his idealistic universe. Plato, in his “Republic” talks about how idealism deals with separation of the mind and matter. He explains that someone might get ahead and be virtuous by the benefits of both the individual and the society they live in. Like more, Plato built an idealist society where people worked together to achieve a virtuous environment. Like Plato, more also feels that an educated society is a stronger society.“Utopia” should be preserved and should be continually taught throughout the rest of time. “Utopia” can reach many generations and can speak to anyone who has a heart. More’s words are thought out and his story is in-depth, but it is easy to understand. His morals and ideals placed inside “Utopia” are ones that everyone seeks. Peace and harmony reside on Utopia, and this is something we all wish to live in. I love the geographic context of the actual Utopian island, it is a deserted island where the country can choose to interact with the rest of the world or not. I believe this is how the United States should act, we should chose our battles wisely and think twice (or a million times!) about the price and necessity of war. “Utopia” is not only an entertaining read, it is truly inspiring.</p>\r\n<p style=\"text-align: left;\"><a href=\"http://thewitcontinuum.files.wordpress.com/2009/10/utopiathomas-more.jpg\"><img class=\"aligncenter\" src=\"http://thewitcontinuum.files.wordpress.com/2009/10/utopiathomas-more.jpg\" alt=\"\" width=\"322\" height=\"500\" /></a>http://thewitcontinuum.files.wordpress.com/2009/10/utopiathomas-more.jpg</p>\r\n<p style=\"text-align: left;\">“The Arabian Nights” also known as “The Thousand and One Nights” is a classic assembly of stories whose origins branch from the eighth and tenth centuries from Arabic, Persian and Indian cultures (who wrote the actual stories is uncertain). This collection of stories is the most famous piece of Arabic literature in the west. Famous characters such as Ali Baba, Aladdin and Sinbad all stem from these adventurous tales. The collection of prose tales, uses a narrative technique called a “frame tale,” where a story is “composed for the purpose of including a group of shorter stories” (Fiero, 19).  The specific frame story used in “The Arabian Nights” focuses on an Indian fairy tale: “Shahrasad (in English, Scheherazade) marries a king who fears female infidelity so greatly that he kills each new wife on the morning after the wedding night. In order to forestall her own death, Scheherazade entertains the king by telling stories, each of which she carefully brings to a climax just before dawn, so that, in order to learn the ending, the king must allow her to live.” (Fiero, 19). The storytelling techniques of Scheherazade has a “humanizing” effect on the kind who, after exactly a thousand nights begins to love his witty wife (so he decides not to behead her like the rest!) Within the story lies 250 tales which include fantasy, romance and erotica. “The Arabian Nights” has been translated into various languages throughout time. In the 1700s, Jean Antoine Galland executed the first translation in French and in the 1880′s John Payne and Sir Richard Francis Burton did an English translation. Since then, the stories have been translated into various other languages including Persian and Egyptian. Stories such as Aladdin focus on the lower people in society; rogues, tricksters and vagabonds were all added during the Egyptian translations of the stories. Islam, from the very beginning, has had the status of being a state-sponsored religion. Islam holds ethnic diversity, where theocratic rule brought together an assimilation of many different people. The main languages of the Islamic world include: Arabic, Persian and Turkish (but there are many, many others). Like “The Arabian Nights,” Islam “absorbed” different styles of art from non-Arab people as it expanded. “The Arabian Nights” can be compared with the ever-changing styles of Islam; as the stories of “The Thousand and One Nights” expanded, so did its content and art styles. Muhammad had a dictum where people were to “seek knowledge,” like the western world in order to understand the happenings of the natural world. A burst of literacy happened during the 1300-1500s and people began to explore literature from all over the world. The availability of paper was an important factor in the burst for knowledge, “and in the production of new types of literature, such as scientific treatises, cookbooks, poems and tales, paper provided a major advance over parchment and papyrus, expensive materials from whose surfaces ink could easily be erased.” If paper wasn’t easily attainable and knowledge wasn’t sought after, like Muhammad had asked, “The Arabian Nights” would have never graced this Earth.The stories of “The Thousand and One Nights” continues to inspire many Western readers about the ideas of the “romantic” East. Most stories during this time period focused on tribal wars, heroic deeds and brave warriors. Shortly after the printing press was invented, people began printing cheap books, some with illustrations. “The Arabian Nights” was different for its time because it was pure entertainment. The stories are fun and adventurous which is why they became so popular. “The Arabian Nights” inspired stories of romance and fairy tales in a time period when mostly poetry, riddles, lullabies and war tales were circulating. “The Arabian Nights” were collected over many centuries from Persia, India and Arabia and include a vast assortment of subjects and styles. The stories include: Adventure fantasies, erotica, animal fables and display an accurate descriptions of the daily entertainments of the Islamic world. The stories are compared to the Islamic art in the way that they loop into each other, linking each story to the last. This technique is a principe of the design in Islamic art, where repetition and “infinite extension” loop within each other to “form a meandering overall pattern” (Fiero, 19).“The Arabian Nights” serves the same purpose in Islamic culture as do our fairy tales about little pigs and magic carpets. The story of “Aladdin and the Magic Lamp” was made into a Disney movie and is loved by millions of children every year. This collection of stories made many of its characters household names, what child doesn’t know who Aladdin, Sinbad or Ali Baba? What kid doesn’t know the song “Arabian Nights” from Aladdin the movie? These stories are still relevant today because they inspired generations of writers and readers to dream and feel free to explore parts of the world they aren’t familiar with. This collection of stories should be preserved because the themes and literary advancements in the texts were so far before their times. The stories speak and will continue to speak to generations to come. Anyone can pick up a copy of “The Thousand and One Nights” and be entertained. The stories are not strictly Islamic in lesson, they speak to every culture. Entertainment is what we live for today- people during the time when these stories were written looked at them like we do movies today. The tales let people escape from their lives and dream about the lives of the characters in the stories they read. “The Arabian Nights” is not only a literary classic, but a fine example of pure entertainment.</p>\r\n<p style=\"text-align: left;\"><a href=\"http://www.kellscraft.com/FairyTalesArabianNights/ArabianNightsImages/P6295418.JPG\"><img class=\"aligncenter\" src=\"http://www.kellscraft.com/FairyTalesArabianNights/ArabianNightsImages/P6295418.JPG\" alt=\"\" width=\"390\" height=\"691\" /></a>http://www.kellscraft.com/FairyTalesArabianNights/ArabianNightsImages/P6295418.JPG</p>\r\n<p style=\"text-align: left;\">Overall, the museum will be a great way to teach people about the beautiful history and the incredible art of planet Earth. Being part of this exhibit while traveling into outer space will hopefully inspire the people to become artists themselves. Since Uranus has no history as of yet, it is important to educate the people so they can create beautiful masterpieces just like the artists of La Maison Carrée, \"The Madonna Enthroned\", \"Utopia,\" and \"The Arabian Nights.\" Hopefully the people aboard the ship are in awe of these pieces and feel very blessed to be in the presence of some of the original pieces of art. The reason I created this museum was to educate and entertain, but mostly to bring the people aboard the Huma Spaceship together as an artistic union. Culture cannot exist without art and art cannot exist without culture. I assume everyone will be extremely excited about visiting the museums and will continue to pass along the beautiful traditions these artists originally succeeded in doing. I hope people work towards a Utopian society and use Uranus as a new, fresh place to create beautiful art and live in peace and harmony!</p>','All Aboard: The Huma Spaceship! ','','publish','open','open','','all-aboard-the-huma-spaceship','','','2011-05-11 21:45:09','2011-05-12 03:45:09','',0,'http://jeanatacc.com/2011/?p=1427',0,'post','',7),(1428,7,'2011-05-11 20:29:26','2011-05-12 02:29:26','&nbsp;\r\n\r\n<strong>Preview and Opening Night Gala</strong><em> </em>\r\nIf you have been supplied with the Immer-vision 3D Holographic headset and eye wear (glasses or contacts) please be ready to use them when directed to do so.<span style=\"color: #0000ff\"> Our GUIDE shall provide commentary seen in blue font below.</span> Other comments from characters, visitors, or imaginary friends are identified individually in standard black font. And the tour begins:\r\n\r\n[caption id=\"attachment_1393\" align=\"aligncenter\" width=\"300\" caption=\"The Village of Lux et Veritas - http://www.ctv.ca/CTVNews/SciTech/20110427/biosphere2-at-20-years-old-110427/\"]<a href=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/biosphere-2.jpg\"><img class=\"size-medium wp-image-1393\" src=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/biosphere-2-300x198.jpg\" alt=\"\" width=\"300\" height=\"198\" /></a>[/caption]\r\n\r\n<!--more-->\r\n<table cellspacing=\"0\" cellpadding=\"0\" width=\"709\">\r\n<tbody>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<span style=\"color: #0000ff\">GUIDE:  “Time Capsule Passages, an exhibit designed to provide our surviving civilization with access to selected artifacts, is scheduled to open tomorrow. Tonight, we, of the Antiquities Committee, distinguished members of our government, and the prominent associates of Information and Dissemination of Intelligence and Opinion Trolls (I.D.I.O.T.s  - a.k.a. the  press) shall enjoy a preview of this exciting and, dare I say, astonishing exhibit. The Immer-vision 3D Holographic technology is key for obtaining the complete immersion experience.  The eye-wear and headsets are both embedded with integrate microchips designed to monitor, measure, and interpret brainwaves of the wearer and adjust the visual, audio, and sensory effects for the museum visitor. So be prepared for the experiential immersion into the time, place, and environmental effects of the artifacts’ origin.</span>\r\n\r\n[caption id=\"attachment_1399\" align=\"alignright\" width=\"300\" caption=\"Immer-vision 3D Holographic -  http://blog.alexkelleher.com/page/5/\"]<span style=\"color: #0000ff\"><a href=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/neurosky-2.jpg\"><img class=\"size-full wp-image-1399\" src=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/neurosky-2.jpg\" alt=\"\" width=\"300\" height=\"218\" /></a></span>[/caption]\r\n\r\n<span style=\"color: #0000ff\">Now, let us refer to our colony maps.  As we depart our public meeting and exposition hall (1) and pass through the (2) Entertainment Center Lux et Veritas, we arrive at the communal dining hall (3).</span>\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n<span style=\"color: #0000ff\">Note the sign above the entryway!”</span>\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n<p style=\"text-align: center\"><em>An artist of exceptional greatness of vision has filled these forms with new life</em>. (Janson).</p>\r\n<p style=\"text-align: center\"><a href=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/Villa2.jpg\"><img class=\"alignleft size-medium wp-image-1406\" src=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/Villa2-300x228.jpg\" alt=\"\" width=\"300\" height=\"228\" /></a></p>\r\nhttp://www.laits.utexas.edu/moore/rome/image/general-view-great-frieze-dionysiac-mysteries-villa-mysteries-pompeii\r\n<p style=\"text-align: right\"><a href=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/24pomp.xlarge2.jpg\"><img class=\"size-medium wp-image-1404\" src=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/24pomp.xlarge2-300x159.jpg\" alt=\"\" width=\"300\" height=\"159\" /></a>http://www.nytimes.com/2008/10/24/arts/design/24pomp.htm</p>\r\n\r\n<table cellspacing=\"0\" cellpadding=\"0\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<p style=\"text-align: center\">Nero cast as Apollo in dining room at Moregine</p>\r\n&nbsp;\r\n<table cellspacing=\"0\" cellpadding=\"0\" width=\"524\">\r\n<tbody>\r\n<tr>\r\n<td>\r\n<div>\r\n\r\n<em> </em>\r\n\r\n<em> </em>\r\n\r\nThough this photographic reproduction of another first-century     fresco from a dining room at Moregine contains a mythological     theme and is rich in color, the differences when compared to the Mysteries     frescoes are an important aspect to consider as well.Each panel exhibits     life-sized models or portraits of the human form (Dionysus phallus     excluded) that are clearly grounded in a realistic setting. In contrast, the     Apollo, frescoes from a building just south of Pompeii, features small     figures float or stand on work features small figures float or stand on     pedestals with voluptuous, colorful fabrics swelling about them. Above     these figures are miniature landscapes set in a perspective, imitating a     coffered ceiling.\r\n<p style=\"text-align: justify\">Thematically, each work is     divergent. The Apollo fresco is clearly secular in nature while the     Mysteries frescos are based on the cult of Dionysius, a documentation of some of the religious     rites in the 1<sup>st</sup>century A.D. and depicts sex as a sacrament.</p>\r\n\r\n</div></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<span style=\"color: #0000ff\">Guide: This time marks the beginning of the end for the 500 year old republic; of social and political discord in the Roman Empire. The Empire had grown to most of the, known world and the communications and supply lines between the outlying regions and the center seat of power in Rome began breaking down. The Empire spent vast amounts of money putting down revolts and in wars. In 64 AD, Nero was Emperor and the infamous fires consumed nearly all of Rome. Nero committed suicide in 68 AD, the Praetorians murder his successor and eventually Vespasian is crowned Emperor. In 70 AD Tito succeeds Vespasian and begins a campaign which Jerusalem and Jews spread in Armenia, Iraq, Iran, Arabia, Egypt, Italy, Spain and Greece. The rise and fall of emperors, conquests and losses of territory, and key catastrophic natural events marked these times, specifically, the eruption of Mount Vesuvius in 79 AD.</span>\r\n\r\n<span style=\"color: #0000ff\">We find these images useful in our community’s efforts to connect with our ancestry, study classical style, and to aid in the fulfillment of our communities push to increase our population growth with a bit of erotic art. As an artist, I find the style, use of color, and theme a snap-shot of the times when mortality, morality, and the cycle of life were explained through mythology; a time of proving mans resilience in the face of natural disasters – much like our own situation, don’t you think? The frescoes of the Villa of Mysteries are an important body of work for future generations as a way to scrutinize mans quest for immortality and explaining the unknown while offering a glimpse into the artistic mastery during a monumental era in world history.“ <em> </em></span>\r\n\r\n<span style=\"color: #000000\"><em>The GUIDE next leads the first visitors through a passageway to the entrance of <strong>The Palatine Chapel (area 4 on our map)</strong></em></span>\r\n\r\n<span style=\"color: #0000ff\">GUIDE: “Now we shall venture forward into a setting of medieval charm and romantic chivalry with the artifacts from Charlemagne’s Palatine Chapel; on your map this will be area (4). Please do not attempt to bring along holographic imagery from the dining hall. This would clearly be an affront to Pope Leo III and Charlemagne, Emperor of the Holy Roman Empire.”</span>\r\n\r\n<span style=\"color: #0000ff\">Let us pause to read the placards here before entering the exhibit and study the photographs of the original chapel.”</span>\r\n<table cellspacing=\"0\" cellpadding=\"0\" width=\"499\">\r\n<tbody>\r\n<tr>\r\n<td>\r\n<div><address>The Palatine Chapel in Aahen, Germany,     constructed between 792 and 814 A.D. and designed by Odo of Metz, is     revered as an example of the Carolingian era with influences of the Classical, Byzantine and Pre     Romanesque eras. The majesty and grandeur of this Chapel     was an important part of Charlemagne’s palace at Aahen.</address></div></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<span style=\"color: #0000ff\"><a href=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/imagespalatine.jpg\"><img class=\"alignleft size-full wp-image-1410\" src=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/imagespalatine.jpg\" alt=\"\" width=\"259\" height=\"194\" /></a>\r\n</span>\r\n\r\n&nbsp;\r\n<table cellspacing=\"0\" cellpadding=\"0\" width=\"398\">\r\n<tbody>\r\n<tr>\r\n<td>\r\n<div>\r\n<p style=\"text-align: right\">http://en.structurae.de/structures/data/index.cfm?id=s0003184</p>\r\n\r\n</div></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table cellspacing=\"0\" cellpadding=\"0\" width=\"607\">\r\n<tbody>\r\n<tr>\r\n<td>\r\n<div style=\"text-align: left\"><address>The     history of this grand structure which includes: the part it plays in the     development of the Carolingian style and the incorporation of the     Classical, Byzantine and Pre Romanesque eras, the connection to a venerated     world leader, and the connection to a developing and changing Christian way     of life. The Palatine Chapel in Aahen was preserved in a time capsule by     way of meticulous renderings, historical documentations, photographs and     selected artifacts and now may be studied and enjoyed for generations to     come.</address></div></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n&nbsp;\r\n\r\n<a href=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/Picture3.jpg\"><img class=\"alignleft size-medium wp-image-1411\" src=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/Picture3-300x214.jpg\" alt=\"\" width=\"300\" height=\"214\" /></a>\r\n\r\nOratory of Palatine Chapel  (left) <a href=\"http://elisabethdemoreau.wordpress.com/lost-tomb-2/\">http://elisabethdemoreau.wordpress.com/lost-tomb-2/</a>\r\n<table cellspacing=\"0\" cellpadding=\"0\" width=\"621\">\r\n<tbody>\r\n<tr>\r\n<td>\r\n<div><address>Note the differences and similarities between the     Germigny and the Palatine Chapels built in about the same time.  Germigny’s rounded apse compared to the     Palatine’s eight-sided structured apse, the placement of the alters, the view     of the clerestory, and the simply designed interior as opposed to the     Palatine’s elaborate interior. Though both structures exhibit hints of the     Byzantine style, the Palatine Chapel exhibits a departure with its rounded     columns and classic capitols.</address></div></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\nAnd Germigny-de-Pres Oratory(right)<a href=\"/www.sacred-destinations.com/france/germigny-des-pres-photos/slides/xti_6876\"> http://www.sacred-destinations.com/france/germigny-des-pres-photos/slides/xti_6876</a>\r\n\r\n<a href=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/170px-Loire_Loiret_Germigny_tango7174.jpg\"><img class=\"size-full wp-image-1412 aligncenter\" src=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/170px-Loire_Loiret_Germigny_tango7174.jpg\" alt=\"\" width=\"170\" height=\"227\" /></a>\r\n\r\n<span style=\"color: #0000ff\">GUIDE: ”As we step into the towering structure that holds the Palatine artifacts and with our the Immer-vision 3D Holographic devices synchronized, notice the reverent, hushed, and whispered prayers of the faithful, the brilliant hues of the sun-pierced stained glass windows, the aroma of burning incense not quite masking that oppressive body odor and a distinct hint of the Byzantine elements in the architecture.” </span>\r\n\r\n<span style=\"color: #0000ff\">The octagonal central space which conveys an unrelenting feeling of compartmentalization, creating a space unlike an ordinary church of its time and its 16-sided ambulatory are topped off with cupola, rising 102 feet above the floor. For centuries, this tower was the tallest in Europe. That mosaic-lined dome of the Palatine Chapel is now displayed in the dome of this building (4). Originally there was a series of groin vaults opposite the entrance to the chapel. In the center of the room are examples of the high quality brass from the Chapel in decorations: doors, railings, and the like.  The original frescoes of the Chapel were destroyed by fire but replaced with mosaic replicas in 1882. These mosaics now installed in the dome of this building carry the same stylistic quality and iconoclastic representations as the original fresco. The vaults, remarkable for the absence of transverse arches—Odo’s own innovation and quite unique at the time—are supported at the angles of the octagon on large piers.. Images of the Palatine Chapel before dismantling for this exhibition are found on in various locations throughout the exhibition room.”</span>\r\n\r\n<span style=\"color: #0000ff\">We are now entering a replica of one of the side chapels and Charlemagne’s biographer will explain the political and social atmosphere of the time.”</span>\r\n\r\n<strong><em>Einhard represented in a holographic image steps from the shadows, footwear squeaking, robes swishing, confidently strides into the midst of the visitors and begins in a reticent tone.</em></strong>\r\n\r\n<em><a href=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/200px-Königsthron_Aachener_Dom.jpg\"><img class=\"alignright size-full wp-image-1414\" src=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/200px-Königsthron_Aachener_Dom.jpg\" alt=\"\" width=\"200\" height=\"150\" /></a></em><a href=\"http://en.wikipedia.org/wiki/File:K%C3%B6nigsthron_Aachener_Dom.jpg\">http://en.wikipedia.org/wiki/File:K%C3%B6nigsthron_Aachener_Dom.jpg</a>\r\n<table cellspacing=\"0\" cellpadding=\"0\" width=\"3\">\r\n<tbody>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\nEINHARD:   “At the time of the construction of the Palatine Chapel, Charlemagne was expanding his kingdom by conquering large territories, creating stable safeguard from future Muslim aggression and established Frankish control in Iberia. During this time, the days of the dark ages, the feudal system was formed and a class system emerged, leaving the poor even poorer than before. Trade routes were established, there was a marked emphasis on education, music and poetry gained new audiences, and there was discord between the Byzantine (dominant language was Greek) and the Roman Churches (dominant language was Latin). Veneration of icons (iconoclasm) was condemned across all of Christendom. However, the Islamic culture and the Byzantine civilization thrived resulting in societies that surpassed the European developing cultures vastly. It was during this time of relative calm in the land that the Church was gripped in an architectural fervor with 16 new cathedrals and 232 monasteries built during Charlemagne’s reign.”\r\n\r\n<span style=\"color: #0000ff\">GUIDE:  “<strong>OH my! </strong>Charlemagne has arrived:  regal yet accessible, brilliant in battle and domestic affairs yet illiterate until his death, a man ahead of his time in a land loath of progress.  Do you see him ascending the original throne in the upper gallery of the chapel, the royal space in the Emperors\' own private Chapel?”</span>\r\n\r\n<span style=\"color: #0000ff\">Though the chapel does resemble S. Vitale in Ravenna, a distinctively Byzantine architectural example of the day, as many historians speculate, the Palatine Chapel is more Roman than Byzantine and historians note these influences of ancient Roman there are certainly contemporary influences of Visigoth, Moorish, Byzantine and even Armenian. The overall design is much more complex than that of other churches of the day.  One of the most important Carolingian, a style attributed to Charlemagne’s reign, contributions to Western architectural traditions is the addition of the west work to the church as noted in this reproduced floor plan.\"</span>\r\n\r\n<a href=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/AaachenChapel.png\"><img class=\"alignright size-medium wp-image-1415\" src=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/AaachenChapel-300x176.png\" alt=\"\" width=\"300\" height=\"176\" /></a>\r\n<h1><span style=\"color: #ff6600\"><strong> →</strong></span></h1>\r\n<table cellspacing=\"0\" cellpadding=\"0\" width=\"340\">\r\n<tbody>\r\n<tr>\r\n<td>\r\n<div>\r\n\r\n<a href=\"http://en.wikipedia.org/wiki/File:AaachenChapelDB.svg\">http://en.wikipedia.org/wiki/File:AaachenChapelDB.svg</a>\r\n\r\n&nbsp;\r\n\r\n</div></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<span style=\"color: #0000ff\">GUIDE: \"As we depart the Palatine Chapel exhibit, a comment attributed to Roger Stalley, once professor of History at Oxford University comes to mind. Paraphrasing Professor Stalley, the Palatine Chapel was copied in later times but it was an extraordinary tribute of its own time.</span>\r\n\r\n<span style=\"color: #0000ff\">In my own opinion, there is an intriguing combination of styles, expressions of religious faith, and contrasts between the relatively simple exterior and a stunning interior.  To stand in the place where Charlemagne, Emperor of the Holy Roman Empire received his sacraments and to actually witness this event is a little slice of paradise for an the artist/historian; one to be preserved for posterity in our village of the <em>Lux et Veritas</em> in this, the Time Capsule Passages.”</span>\r\n\r\n<span style=\"color: #0000ff\">GUIDE:    Our journey through time and space within the Time Capsule Passages delivers us to the door of our new interactive library; a living demonstration of The Canterbury Tales; section (5) of our map.  Upon entering, please find your seat in this theatre-in-the-round with the audience in the center and stage with actors revolving on the parameter. “</span>\r\n\r\n<em>On the door</em>:                  <strong>REMEMBER “Things are not always as they seem…” Phaedrus of Rome (Gāius)</strong>\r\n\r\n<span style=\"color: #0000ff\">GUIDE: “Now, if you have studied Chaucer and the Canterbury Tales, please feel free to interact with the players. These holograms love a good challenge and a willing fool.”</span>\r\n\r\n<strong><em>As everyone is seated, the lights dim and period instruments provide a lively audio introduction while the players enter the rotating stage surrounding the centrally placed visitor gallery.  A remarkably lifelike hologram of Geoffrey Chaucer enters last, walking from scene to scene while setting the stage for his audience with one of his most arrogant articulations:</em></strong>\r\n\r\n<strong><em><a href=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/Chaucer.jpg\"><img class=\"alignright size-full wp-image-1419\" src=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/Chaucer.jpg\" alt=\"\" width=\"201\" height=\"251\" /></a></em></strong>CHAUCER: “It was I, Geoffrey Chaucer, who created these tales between 1387 and 1400 and none other! Yes, I know the speculations about the meaning, content, sequential arrangements, language, and completeness but even the elementary level child or mentally inept person can see the genius in these works are incomplete; or where they?? Ha! I shall never divulge it!”\r\n\r\nIndeed, The Canterbury Tales are a collection of works, a brilliant and a sophisticated example of rhetorical forms, linguistic styles, diversity, and history for, I am “the first finder of our language” (Cooper).  Is it my use of Middle English that confounds ye? Simpletons! For this reason, my masterworks must be delivered here in 22<sup>nd</sup> Century English.\r\n\r\nNevertheless, it is my hope this presentation is an accurate translation of my manuscripts and that it portrays the everyday life of the common man, an overview of the political and religious climate of the day, and a cultural equivalent of that advice you read upon entering hither, ‘Things are not always as they seem…’ (Gāius). Some critics assert that contemporary works of note at the time of <em>The Canterbury Tales</em> may be found in works such as Juan Ruiz’ <em>The Book of Good Love</em> or <em>Decameron</em> by Boccaccio and works which acted in many instances as inspiration for some of my work. In <em>Decameron</em>, the main characters are all young, unsullied, affluent and each of the seven women and three men have traditional names very much the literary stereotype. But my protagonists are of a differing sort; most were simply middle class much like myself. Yet others use Dante Alighiere’s poem <em>The Divine Comedy </em>in comparison to my work; likely due to our mutual and less than a stellar opinion of Churchmen. In my work, I present significant and extraordinary short story examples, two expositions in prose, and a religious facet with a distinct secular bent vis-à-vis the worldly pleasure and/or vises against spiritual aspirations. But it is my innovative use of the General Prologue that provides the reader detail never before used in literature.  Dante related his journey in the first person and it was less prolific in his style though his work is quite unique, if not terrifying.”\r\n\r\nIt was an unstable and chaotic time in English history when I created this work; a time of technological advancements in the literary genre.  My stories are among the first works of English literature to mention the use of paper as a medium, a fairly new development that allowed for distribution on a broad scale.  The Western Schism mired down the Catholic Church in controversy at a time when Christian authority in Europe was already under heavy fire. The Peasant’s Revolt of 1381 and various other conflicts marked the end of King Richard II reign and a desperate time for me,” continued Chaucer while rubbing his neck, “as many of my close friends were executed. These complex and tumultuous political events forced me to move to Kent. But that is of no concern now!”\r\n\r\nThat perceptive fellow, George Loomis, stated,  ‘I have adduced in this paper justify our rejecting any notion of Chaucer as either a sycophantic timeserver, who merely echoed the sentiments of his patrons and associates, or of a cheerful philosopher who looked upon the follies and struggles of mankind with an amused detachment’ (Loomis).  So some critics do know a thing or two about real talent!”\r\n\r\nI have been advised that there are no known surviving manuscripts in my own hand; the work of some tyrannical clergyman, no doubt! However, there are eighty-three originally circulated hand-copied manuscripts that are in this very museum’s archives. Of these, fifty-five are complete manuscripts and twenty-eight are fragments; a number, I am told, that it is surpassed only by the 116 manuscripts of <em>The Prick of Conscience</em> collection of poems. Scholars agree that these numbers are a clear indication of the popularity of the<em> Canterbury Tales. </em>Now, my virtuosity shall entertain you! Behold, The Canterbury Tales!”\r\n\r\n<em>The actors deliver an impressive performance with Chaucer advising the audience of unspoken thoughts and agendas. As the play ends, the lights go down. When the house lights come on, like Elvis, Chaucer has left the building. The audience, though reluctant to leave their seats, are urged on to the next venue as the Guide speaks:<span style=\"color: #0000ff\">Please note the sign on the door:</span>\r\n</em>\r\n<table cellspacing=\"0\" cellpadding=\"0\" width=\"298\">\r\n<tbody>\r\n<tr>\r\n<td>\r\n<div>\r\n\r\n<span style=\"color: #800080\"><em><strong>If you think in terms of a year, plant a seed;</strong></em></span>\r\n\r\n<span style=\"color: #800080\"><em><strong>if in terms of ten years, plant     trees;</strong></em></span>\r\n\r\n<span style=\"color: #800080\"><em><strong>if in terms of 100 years, teach     the people.</strong></em></span>\r\n<p style=\"text-align: center\">Confucius</p>\r\n&nbsp;\r\n\r\n</div></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<span style=\"color: #0000ff\">GUIDE:  “The most meaningful aspects of Chaucer\'s work, in my own humble opinion; the enduring appeal and broad-based audience no matter their socio-economic status. Throughout the centuries, Chaucer has been studied, applauded, criticized, defended, praised, and finally honored with the designation as \'the first finder of our language.\'  Now on to the red door across the hall!”</span>\r\n\r\n<strong><em>The doors open automatically as the visitors approach. The interior space is dim compared to the well lit hallway and it takes a moment for everyone to adjust their vision to the light. </em></strong><em> </em>\r\n\r\n<span style=\"color: #0000ff\"><em>GUIDE:  “We are entering the Analects of Confucius Virtual Library. It’s the Immer-vision 3D Holographic headset and eye wear providing this experience and your own reaction to what you are seeing, hearing, touching, or smelling that will enhance the experience for you.  Now follow me and be prepared to be amazed!”</em></span>\r\n\r\n<strong><em>The scenery changes as the Ancient Chinese country side, mountains, rice paddies, the Great Wall, the Forbidden City, and more all pass slowly by the visitors as if they were flying low on a magic carpet and a voice is heard:</em></strong>\r\n\r\n<span style=\"color: #800080\">VOICE : The Analects are, in fact, a compilation of moral and ethical insights from the Chinese philosopher K’ong Fu-Tzu (551–479 b.c.e.), better known as Confucius -a Latin form of his Chinese name, supporting set principles for individual conduct and the ethical administration of government and community; guiding principles for a just and compassionate world.  The virtue of <em>Jen</em> refers to humanity, good, or reciprocity while the term <em>Tao</em> speaks to the correct obligations, actions, and conduct of individuals, families, and governments. Rituals, ceremonies, and group activities and the performance that encourages a link to that world which is beyond daily life are referred to as <em>Li</em>.”</span>\r\n\r\n<span style=\"color: #800080\">The Analects emphasized the importance of independent thinking, identifying models in an abstract, universal style; a style was relevant to diverse cultures. As humanists, our values are reflected in a moral and righteous behavior; however, Confucius teachings hardly ever referred to gods and spirits. The wisdom of Confucius taught that tradition was essential, that respectfulness of one’s’ elders was important, and that the exercise of <em>Li </em>was to be honored<em>; </em>not simply performing ceremonies by rote, but applying a fitting reverence to the ritual.”</span>\r\n\r\n<span style=\"color: #0000ff\">GUIDE:  “At this time, while we are following the meandering path of the Yellow River, allow me to explain some key points. After Confucius died, his collected and transcribed his teachings. These teachings spoke of measured and judicious thought, action, and deed build strength of character and a superior human being. They encouraged developing qualities such as: to experience profound affection for one’s fellow humankind; to hold one’s elders in high esteem; to encourage camaraderie with others who are virtuous; obligate oneself to a lifetime of scholarship; to manage subordinates evenhandedly; to contribute to social improvements, and to mindfully set good examples.”</span>\r\n\r\n<strong><em>The scenery changes again as the visitors float softly down onto a field of red poppies; poppies as far as the eye can see only ending where the southern branch of the Kunlan Mountains and past the Gansu Corridor at the west bend of the Yellow River.</em></strong>\r\n\r\n<span style=\"color: #800080\">Voice: “The crumbling of the Zhou dynasty, in power since 1027 B.C.E. and the relocation of the capital farther east by the leaders of the Zhou dynasty placed the kingdom in danger; an unsafe, precarious position brought on by the aggressive Mongols and Turkic horsemen from Central Asia, as well as, escalating conflicts among the autonomous Chinese states. However, China’s trade and its urban growth continued throughout this period. Interestingly, the Chinese intellectual minds during this time produced some of China’s oldest ethical and spiritual tenets, paralleling similar developments in Greek philosophy of the same time.  During the Qin Dynasty, the Analects along with other important texts were the victims of the famed book-burnings and the wars of the Qin Dynasty; records dating back over 1000 years before the Han Dynasty were lost.  Once gaining power, the Han Dynasty reinstated Confucianism, Confucian texts, and the Confucian scholars/official, leading to a great period of prosperity, technological developments, and agricultural advancements.”</span>\r\n\r\n<strong><em>The visitors slowly approached the entrance to a great palace and floated down to join a group of Chinese peasants preparing for a special guest, none other than <span style=\"color: #800080\">Confucius</span>, himself! </em></strong>\r\n\r\n<span style=\"color: #0000ff\">GUIDE: “I’m speechless!”</span>\r\n\r\n<strong><em>Heard in hushed tone from the crowd of visitors:</em> “it’s about time!”</strong>\r\n\r\n<span style=\"color: #0000ff\">GUIDE: “This was not part of our rehearsal yesterday! There must be a malfunction in the equipment!”</span>\r\n\r\n<span style=\"color: #800080\">CONFUCOUS speaks:  “The superior man…does not set his mind either for anything, or against anything; what is right he will follow.”</span>\r\n\r\n<span style=\"color: #0000ff\">GUIDE: “What? Wait a minute… you’re just an apparition; a hologram! You can’t insult me like that!”</span>\r\n\r\n<span style=\"color: #800080\">CONFUCIUS: “Be not ashamed of mistakes and thus make them crimes.”</span>\r\n\r\n<span style=\"color: #0000ff\">GUIDE: “Now look here Mr. Confucius! You keep THAT up and I’ll permanently disable your holographic imagery!”</span>\r\n\r\n<span style=\"color: #800080\">CONFUCIUS:  “Before you embark on a journey of revenge, dig two graves.”</span>\r\n\r\n<span style=\"color: #800080\">VOICE:  “Very outspoken and often at odds with authority, Confucius had a reputation of “… at once more austere, more pompous, harsh even, and as a reinforcer of the status quo…” (Spence).  But, Confucianism is touted as a key power behind East Asia\'s economic phenomenon, in the 21<sup>st </sup>Century.  And in the time of Confucius, Chinese historian, Ssu-ma Ch’ien (145-89 B.C.E.) described the scholar as a commoner yet a master of many who studied his philosophies. One might compare Taoism to Confucianism as Taoism second only to Confucianism as the most influential religion or philosophy among the Chinese people. The Taoist scriptures, written in the sixth century B.C.E. are, as with The Analects of Confucius, are a collection of moral and ethical codes intended to guide people in their everyday lives.  The Tao Te Ching [DOWduh jing], <em>Classic of the Way and Its Working</em>, and the Chaung-tsu [jwahng tzoo] are held in high esteem throughout the world, remaining prominent significant work of literature down through the centuries. The primary printing was in 1926 and consisted of 1,120 volumes, a significant number compared to the twenty books of the Analects.”</span>\r\n\r\n<span style=\"color: #800080\">The Analects were written as they were delivered, in a dialog form and they cover a range of ideals from a humanistic approach, ideals as mentioned earlier: Experience profound affection for one’s fellow humankind; hold one’s elders in high esteem; encourage camaraderie with others who are virtuous; obligate oneself to a lifetime of scholarship; manage subordinates evenhandedly; contribute to social improvements, and mindfully set good examples. These are a great asset to this new colony; a guide to live by. “</span>\r\n\r\n<span style=\"color: #0000ff\">GUIDE: “I’m sure you are right in these facts but I am the expert here so let me speak!”</span>\r\n\r\n<span style=\"color: #800080\">CONFUCIUS: “He who speaks without modesty will find it difficult to make his words good.”</span>\r\n\r\n<strong><em>With that, the visitors AND the Guide suddenly find themselves floating through an elaborately decorated hallway.  The Analects of Confucius are printed in black ink over images of  the Chinese artistic style of  landscapes that are known for their simplicity and beauty. At the end of the hall is yet another door; an unimpressive, double set of sliding doors with no handles.</em></strong>\r\n\r\n<span style=\"color: #0000ff\">GUIDE:  “As you recall upon our first encounter, there are many surprises. The last encounter was a surprise to me! Now it is your turn to be astonished! “</span>\r\n\r\n<strong><span style=\"color: #000000\"><em>With this the guide\'s last pronouncement, the white doors slowly parted from the middle and the visitors reacted with a collective gasp. </em></span></strong>\r\n\r\n<span style=\"color: #0000ff\">GUIDE:  “While we were honored to have been chosen to design a museum for the four proposed works: The Villa of Mysteries (religion), The Palatine Chapel (architecture), The Canterbury Tales (literature), and Confucius’ Analects (philosophy) it became clear to us that all of the proposed works for this project were viable and important. Therefore, prior to departing with the components to construct our museum and the artifacts to place in the museum, we sent a virtual army of technicians, videographers, historians, archeologists, holographic experts, actors, and writers out  to capture the essence of each work so that our future generations may benefit from them. “</span>\r\n\r\n<span style=\"color: #800080\">CONFUCIUS nudging on e visitor states:  “The superior man is modest in his speech, but exceeds in his actions.”</span>\r\n\r\n<span style=\"color: #0000ff\">GUIDE:  “The <em>Lux et Veritas</em> Time Capsule Passages exhibits are completely compatible with the Immer-vision 3D Holographic technology; therefore, the experiential immersion encounters beyond these doors will deliver all the same quality as you have felt today with our four exhibits. The only difference is that the actual artifacts could not be brought along with us. It was the only thing to do; this is way it should be …”</span>\r\n\r\nSOCRATES: To do is to be….\r\n\r\nKANT: To be is to do ….\r\n\r\nHAMLET: To be or not to be….\r\n\r\nSINATRA: To do be do be do…\r\n\r\n<em>A near riot ensues with the visitors congratulating the Guide, Confucius, Hamlet, themselves, and any of the numerous spectators awaiting them as they rushed to deliver the great news! </em>\r\n\r\n<strong> </strong>\r\n<p style=\"text-align: center\"><strong>Citations</strong></p>\r\nJanson, H.W.  <em>History of Art</em>, Prentice-Hall. 1983, 2<sup>nd</sup> edition.  Pg 188/189\r\n\r\nVitruvius, \"The Decadence of Fresco Painting,\" in <em>the Ten Books of Architecture</em>. Trans. Morris Hicky Morgan (New York: Dover, 1969): 210–211. Text modified by James Allan Evans.\r\n\r\n&nbsp;\r\n\r\nGāius Iūlius.  <em>Phaedrus Biography - (c.15 bc–c.ad50)</em>. <a href=\"http://www.jrank.org/history/pages/5145/G%C4%81ius-I%C5%ABlius-Phaedrus.html\">http://www.jrank.org/history/pages/5145/G%C4%81ius-I%C5%ABlius-Phaedrus.html</a><em> </em>\r\n\r\nCooper, Helen. <a href=\"http://www.gradesaver.com/the-canterbury-tales/\"><em>The Canterbury Tales</em></a><em>.</em> Oxford Oxfordshire: Oxford University Press, 1996. ISBN 0-19-871155-7\r\n\r\n--- Gāius\r\n\r\nLoomis, Roger S.<em> Was Chaucer A Laodicean? </em><em>Chaucer Criticism-The Canterbury Tales,<strong> </strong></em><em>An Anthology.</em> Edited by Richard J. Schoeck and Jerome Taylor. Notre Dame Books. Notre Dame (South Bend), IN.  1960. Pg 291\r\n\r\nCooper, Helen. <a href=\"http://www.gradesaver.com/the-canterbury-tales/\"><em>The Canterbury Tales</em></a><em>.</em> Oxford Oxfordshire: Oxford University Press, 1996. ISBN 0-19-871155-7\r\n\r\nSpence, Jonathan D. is George B. Adams. CONFUCIUS. Wilson Quarterly. Woodrow Wilson International Center for Scholars. 1993','The Village of Lux et Veritas’ (Latin for Light and Truth)               The Time Capsule Passages','','inherit','open','open','','1388-revision-13','','','2011-05-11 20:29:26','2011-05-12 02:29:26','',1388,'http://jeanatacc.com/2011/?p=1428',0,'revision','',0),(1429,26,'2011-05-11 20:22:08','2011-05-12 02:22:08','<a href=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/devon_sleep.jpg\"><img class=\"alignright size-medium wp-image-1418\" src=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/devon_sleep-300x225.jpg\" alt=\"\" width=\"300\" height=\"225\" /></a>\r\nKris Cooley\r\nFinal\r\nHuma1301-Hybrid\r\n\r\nThe year is 2100 and we are evacuating planet Earth. The damage done to this world is beyond repair and humanity is reaching out to the stars for sanctuary. I have been given the honor and responsibility of creating a room for people to remember the great art of our ancestors. I decided that during this somber time of struggle, the sentiments of faith based art might give some hope to the masses seeking an answer.\r\n\r\nI want to create a place for reflection, faith and give a little spiritual healing to those seeking it. I have chosen masterpieces from several different religions to speak to these questions of how, why and can I believe? I want to let the art speak for its self and let the story of faith light a way for the viewer.\r\n\r\nTo begin with, I have chosen a pagan poem of love. Sappho was a great poet who sang her songs to the heavens in worship. She never wrote her poems down, so it\'s amazing that we have one in full form. The Ode to Aphrodite is a plea to the goddess and tears of the broken hearted. I want to frame this poem in candlelight, place over an altar so used by the pagan religion. There would be continuous incense burning upon the altar with elements of earth that related to the worship of Aphrodite. The lyre would play while this poem is sung in ancient Greek, the language in which it was it was written.\r\n\r\nThis poem really speaks to the people about the beauty that can be created with the spoken word. How faith in something so profound as love can spark a belief in the things that humanity doesn\'t understand. It teaches that a few delicately place words can formulate an image of true divinity.\r\n\r\nAfter this amazing exhibit on pagan faith, the viewer would step in the next planned space. I chose Cave 20 of the Yungang Caves to represent the Buddhist belief. The entrance to this exhibit will be as if the person is walking through a tunnel into a cave. The inscriptions upon the walls will be the same replicated sutras that are engraved on the original cave walls. Though we had to employ a shrink ray to lessen the size of the Buddha sculpture, it will still fill up the room from floor to ceiling. I want society to awe at its original state. Because size is so important, nothing else would be prevalent in the room.This way it will have a similar effect that it had on the people of the past. Upon the floor will lie meditation rugs and the writings of Buddhist tradition would be readily available in any translation.\r\n\r\nFor the second room, the patron of the museum would walk through a cave like tunnel. Upon these walls, the sutras found at the sites of the Yungang Caves, would be engraved. I want to bring Cave 20 with us as the main sculpture of the room. Though Cave 20 is a colossal sculpture of Buddha and a bohsivatta, I would employ the newest technology of a shrink ray to bring it to the height of the room available. I want society to awe in its original state. Because size is so important, nothing else would be prevalent in the room. Upon the floor will lay meditation rugs and the writings of Buddhist tradition would be readily available in any translation.\r\n\r\nThis room would be for the people seeking to be enlighten, it would speak to them on a base level of the Buddhist belief.  Even viewers who aren’t believers could be inspired by the ancient Chinese devotion to detail and artistry. It would show the craftsmanship of the artist during the 5th century of China.\r\n\r\nThe final room is going to represent the Christian faith. Since I don’t want to bring an entire building into a space ship and I think that the real symbolism of the faith within Bramante’s Tempietto is the crucifixion spot honoring the sacrifice given by the apostle Peter, this would be the floor of the room. I would also bring the elegant altar that was made in reverence to Peter also. I would design this as a simple cathedral setting, even installing digital stain windows. Organ hymns would be playing and pews would be set before the altar.\r\n\r\nThe viewer would be able to see ancient religious influences within each of this objet d\'art. Sappho’s poem sharing with us the adoring worship of her goddess. Showing the joy and beauty within praise of divine beings. Cave 20 conveys the immense devotion that can be spent in seeking enlightenment through meditation. The Christianity portion of the museum has various aspects of its religion entwined in its presentation. The crucifixion spot demonstrating and honoring the ultimate sacrifice in the name of faith. St. Augustine’s Confession would lastly establish humanities doubt in faith. As the reader continues, he/she will realize that doubt is a huge part of faith.\r\n\r\nThe idea of this museum is to inspire hope. The ideas of spirituality is a trait of human existence that has impacted humanity in several different ways, but this place is to show the beauty of people’s artistic creation inspired by religion and glorify the spiritual path that our ancestors have traveled. It is to represent the harmony of worship, the endurance of faith and the promise of salvation.','Temple of Faith','','inherit','open','open','','1417-revision-4','','','2011-05-11 20:22:08','2011-05-12 02:22:08','',1417,'http://jeanatacc.com/2011/?p=1429',0,'revision','',0),(1431,7,'2011-05-11 20:35:21','2011-05-12 02:35:21','&nbsp;\r\n\r\n&nbsp;\r\n\r\n<strong>Preview and Opening Night Gala</strong><em> </em>\r\nIf you have been supplied with the Immer-vision 3D Holographic headset and eye wear (glasses or contacts) please be ready to use them when directed to do so.<span style=\"color: #0000ff\"> Our GUIDE shall provide commentary seen in blue font below.</span> Other comments from characters, visitors, or imaginary friends are identified individually in standard black font. And the tour begins:\r\n\r\n[caption id=\"attachment_1393\" align=\"aligncenter\" width=\"300\" caption=\"The Village of Lux et Veritas - http://www.ctv.ca/CTVNews/SciTech/20110427/biosphere2-at-20-years-old-110427/\"]<a href=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/biosphere-2.jpg\"><img class=\"size-medium wp-image-1393\" src=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/biosphere-2-300x198.jpg\" alt=\"\" width=\"300\" height=\"198\" /></a>[/caption]\r\n\r\n<!--more-->\r\n<table cellspacing=\"0\" cellpadding=\"0\" width=\"709\">\r\n<tbody>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<span style=\"color: #0000ff\">GUIDE:  “Time Capsule Passages, an exhibit designed to provide our surviving civilization with access to selected artifacts, is scheduled to open tomorrow. Tonight, we, of the Antiquities Committee, distinguished members of our government, and the prominent associates of Information and Dissemination of Intelligence and Opinion Trolls (I.D.I.O.T.s  - a.k.a. the  press) shall enjoy a preview of this exciting and, dare I say, astonishing exhibit. The Immer-vision 3D Holographic technology is key for obtaining the complete immersion experience.  The eye-wear and headsets are both embedded with integrate microchips designed to monitor, measure, and interpret brainwaves of the wearer and adjust the visual, audio, and sensory effects for the museum visitor. So be prepared for the experiential immersion into the time, place, and environmental effects of the artifacts’ origin.</span>\r\n\r\n[caption id=\"attachment_1399\" align=\"alignright\" width=\"300\" caption=\"Immer-vision 3D Holographic -  http://blog.alexkelleher.com/page/5/\"]<span style=\"color: #0000ff\"><a href=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/neurosky-2.jpg\"><img class=\"size-full wp-image-1399\" src=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/neurosky-2.jpg\" alt=\"\" width=\"300\" height=\"218\" /></a></span>[/caption]\r\n\r\n<span style=\"color: #0000ff\">Now, let us refer to our colony maps.  As we depart our public meeting and exposition hall (1) and pass through the (2) Entertainment Center Lux et Veritas, we arrive at the communal dining hall (3).</span>\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n<span style=\"color: #0000ff\">Note the sign above the entryway!”</span>\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n<p style=\"text-align: center\"><em>An artist of exceptional greatness of vision has filled these forms with new life</em>. (Janson).</p>\r\n<p style=\"text-align: center\"><a href=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/Villa2.jpg\"><img class=\"alignleft size-medium wp-image-1406\" src=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/Villa2-300x228.jpg\" alt=\"\" width=\"300\" height=\"228\" /></a></p>\r\nhttp://www.laits.utexas.edu/moore/rome/image/general-view-great-frieze-dionysiac-mysteries-villa-mysteries-pompeii\r\n<p style=\"text-align: right\"><a href=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/24pomp.xlarge2.jpg\"><img class=\"size-medium wp-image-1404\" src=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/24pomp.xlarge2-300x159.jpg\" alt=\"\" width=\"300\" height=\"159\" /></a>http://www.nytimes.com/2008/10/24/arts/design/24pomp.htm</p>\r\n\r\n<table cellspacing=\"0\" cellpadding=\"0\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<p style=\"text-align: center\">Nero cast as Apollo in dining room at Moregine</p>\r\n&nbsp;\r\n<table cellspacing=\"0\" cellpadding=\"0\" width=\"524\">\r\n<tbody>\r\n<tr>\r\n<td>\r\n<div>\r\n\r\n<em> </em>\r\n\r\n<em> </em>\r\n\r\nThough this photographic reproduction of another first-century     fresco from a dining room at Moregine contains a mythological     theme and is rich in color, the differences when compared to the Mysteries     frescoes are an important aspect to consider as well.Each panel exhibits     life-sized models or portraits of the human form (Dionysus phallus     excluded) that are clearly grounded in a realistic setting. In contrast, the     Apollo, frescoes from a building just south of Pompeii, features small     figures float or stand on work features small figures float or stand on     pedestals with voluptuous, colorful fabrics swelling about them. Above     these figures are miniature landscapes set in a perspective, imitating a     coffered ceiling.\r\n<p style=\"text-align: justify\">Thematically, each work is     divergent. The Apollo fresco is clearly secular in nature while the     Mysteries frescos are based on the cult of Dionysius, a documentation of some of the religious     rites in the 1<sup>st</sup>century A.D. and depicts sex as a sacrament.</p>\r\n\r\n</div></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<span style=\"color: #0000ff\">Guide: This time marks the beginning of the end for the 500 year old republic; of social and political discord in the Roman Empire. The Empire had grown to most of the, known world and the communications and supply lines between the outlying regions and the center seat of power in Rome began breaking down. The Empire spent vast amounts of money putting down revolts and in wars. In 64 AD, Nero was Emperor and the infamous fires consumed nearly all of Rome. Nero committed suicide in 68 AD, the Praetorians murder his successor and eventually Vespasian is crowned Emperor. In 70 AD Tito succeeds Vespasian and begins a campaign which Jerusalem and Jews spread in Armenia, Iraq, Iran, Arabia, Egypt, Italy, Spain and Greece. The rise and fall of emperors, conquests and losses of territory, and key catastrophic natural events marked these times, specifically, the eruption of Mount Vesuvius in 79 AD.</span>\r\n\r\n<span style=\"color: #0000ff\">We find these images useful in our community’s efforts to connect with our ancestry, study classical style, and to aid in the fulfillment of our communities push to increase our population growth with a bit of erotic art. As an artist, I find the style, use of color, and theme a snap-shot of the times when mortality, morality, and the cycle of life were explained through mythology; a time of proving mans resilience in the face of natural disasters – much like our own situation, don’t you think? The frescoes of the Villa of Mysteries are an important body of work for future generations as a way to scrutinize mans quest for immortality and explaining the unknown while offering a glimpse into the artistic mastery during a monumental era in world history.“ <em> </em></span>\r\n\r\n<span style=\"color: #000000\"><em>The GUIDE next leads the first visitors through a passageway to the entrance of <strong>The Palatine Chapel (area 4 on our map)</strong></em></span>\r\n\r\n<span style=\"color: #0000ff\">GUIDE: “Now we shall venture forward into a setting of medieval charm and romantic chivalry with the artifacts from Charlemagne’s Palatine Chapel; on your map this will be area (4). Please do not attempt to bring along holographic imagery from the dining hall. This would clearly be an affront to Pope Leo III and Charlemagne, Emperor of the Holy Roman Empire.”</span>\r\n\r\n<span style=\"color: #0000ff\">Let us pause to read the placards here before entering the exhibit and study the photographs of the original chapel.”</span>\r\n<table cellspacing=\"0\" cellpadding=\"0\" width=\"499\">\r\n<tbody>\r\n<tr>\r\n<td>\r\n<div><address>The Palatine Chapel in Aahen, Germany,     constructed between 792 and 814 A.D. and designed by Odo of Metz, is     revered as an example of the Carolingian era with influences of the Classical, Byzantine and Pre     Romanesque eras. The majesty and grandeur of this Chapel     was an important part of Charlemagne’s palace at Aahen.</address></div></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<span style=\"color: #0000ff\"><a href=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/imagespalatine.jpg\"><img class=\"alignleft size-full wp-image-1410\" src=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/imagespalatine.jpg\" alt=\"\" width=\"259\" height=\"194\" /></a>\r\n</span>\r\n\r\n&nbsp;\r\n<table cellspacing=\"0\" cellpadding=\"0\" width=\"398\">\r\n<tbody>\r\n<tr>\r\n<td>\r\n<div>\r\n<p style=\"text-align: right\">http://en.structurae.de/structures/data/index.cfm?id=s0003184</p>\r\n\r\n</div></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table cellspacing=\"0\" cellpadding=\"0\" width=\"607\">\r\n<tbody>\r\n<tr>\r\n<td>\r\n<div style=\"text-align: left\"><address>The     history of this grand structure which includes: the part it plays in the     development of the Carolingian style and the incorporation of the     Classical, Byzantine and Pre Romanesque eras, the connection to a venerated     world leader, and the connection to a developing and changing Christian way     of life. The Palatine Chapel in Aahen was preserved in a time capsule by     way of meticulous renderings, historical documentations, photographs and     selected artifacts and now may be studied and enjoyed for generations to     come.</address></div></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n&nbsp;\r\n\r\n<a href=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/Picture3.jpg\"><img class=\"alignleft size-medium wp-image-1411\" src=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/Picture3-300x214.jpg\" alt=\"\" width=\"300\" height=\"214\" /></a>\r\n\r\nOratory of Palatine Chapel  (left) <a href=\"http://elisabethdemoreau.wordpress.com/lost-tomb-2/\">http://elisabethdemoreau.wordpress.com/lost-tomb-2/</a>\r\n<table cellspacing=\"0\" cellpadding=\"0\" width=\"621\">\r\n<tbody>\r\n<tr>\r\n<td>\r\n<div><address>Note the differences and similarities between the     Germigny and the Palatine Chapels built in about the same time.  Germigny’s rounded apse compared to the     Palatine’s eight-sided structured apse, the placement of the alters, the view     of the clerestory, and the simply designed interior as opposed to the     Palatine’s elaborate interior. Though both structures exhibit hints of the     Byzantine style, the Palatine Chapel exhibits a departure with its rounded     columns and classic capitols.</address></div></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\nAnd Germigny-de-Pres Oratory(right)<a href=\"/www.sacred-destinations.com/france/germigny-des-pres-photos/slides/xti_6876\"> http://www.sacred-destinations.com/france/germigny-des-pres-photos/slides/xti_6876</a>\r\n\r\n<a href=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/170px-Loire_Loiret_Germigny_tango7174.jpg\"><img class=\"size-full wp-image-1412 aligncenter\" src=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/170px-Loire_Loiret_Germigny_tango7174.jpg\" alt=\"\" width=\"170\" height=\"227\" /></a>\r\n\r\n<span style=\"color: #0000ff\">GUIDE: ”As we step into the towering structure that holds the Palatine artifacts and with our the Immer-vision 3D Holographic devices synchronized, notice the reverent, hushed, and whispered prayers of the faithful, the brilliant hues of the sun-pierced stained glass windows, the aroma of burning incense not quite masking that oppressive body odor and a distinct hint of the Byzantine elements in the architecture.” </span>\r\n\r\n<span style=\"color: #0000ff\">The octagonal central space which conveys an unrelenting feeling of compartmentalization, creating a space unlike an ordinary church of its time and its 16-sided ambulatory are topped off with cupola, rising 102 feet above the floor. For centuries, this tower was the tallest in Europe. That mosaic-lined dome of the Palatine Chapel is now displayed in the dome of this building (4). Originally there was a series of groin vaults opposite the entrance to the chapel. In the center of the room are examples of the high quality brass from the Chapel in decorations: doors, railings, and the like.  The original frescoes of the Chapel were destroyed by fire but replaced with mosaic replicas in 1882. These mosaics now installed in the dome of this building carry the same stylistic quality and iconoclastic representations as the original fresco. The vaults, remarkable for the absence of transverse arches—Odo’s own innovation and quite unique at the time—are supported at the angles of the octagon on large piers.. Images of the Palatine Chapel before dismantling for this exhibition are found on in various locations throughout the exhibition room.”</span>\r\n\r\n<span style=\"color: #0000ff\">We are now entering a replica of one of the side chapels and Charlemagne’s biographer will explain the political and social atmosphere of the time.”</span>\r\n\r\n<strong><em>Einhard represented in a holographic image steps from the shadows, footwear squeaking, robes swishing, confidently strides into the midst of the visitors and begins in a reticent tone.</em></strong>\r\n\r\n<em><a href=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/200px-Königsthron_Aachener_Dom.jpg\"><img class=\"alignright size-full wp-image-1414\" src=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/200px-Königsthron_Aachener_Dom.jpg\" alt=\"\" width=\"200\" height=\"150\" /></a></em><a href=\"http://en.wikipedia.org/wiki/File:K%C3%B6nigsthron_Aachener_Dom.jpg\">http://en.wikipedia.org/wiki/File:K%C3%B6nigsthron_Aachener_Dom.jpg</a>\r\n<table cellspacing=\"0\" cellpadding=\"0\" width=\"3\">\r\n<tbody>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\nEINHARD:   “At the time of the construction of the Palatine Chapel, Charlemagne was expanding his kingdom by conquering large territories, creating stable safeguard from future Muslim aggression and established Frankish control in Iberia. During this time, the days of the dark ages, the feudal system was formed and a class system emerged, leaving the poor even poorer than before. Trade routes were established, there was a marked emphasis on education, music and poetry gained new audiences, and there was discord between the Byzantine (dominant language was Greek) and the Roman Churches (dominant language was Latin). Veneration of icons (iconoclasm) was condemned across all of Christendom. However, the Islamic culture and the Byzantine civilization thrived resulting in societies that surpassed the European developing cultures vastly. It was during this time of relative calm in the land that the Church was gripped in an architectural fervor with 16 new cathedrals and 232 monasteries built during Charlemagne’s reign.”\r\n\r\n<span style=\"color: #0000ff\">GUIDE:  “<strong>OH my! </strong>Charlemagne has arrived:  regal yet accessible, brilliant in battle and domestic affairs yet illiterate until his death, a man ahead of his time in a land loath of progress.  Do you see him ascending the original throne in the upper gallery of the chapel, the royal space in the Emperors\' own private Chapel?”</span>\r\n\r\n<span style=\"color: #0000ff\">Though the chapel does resemble S. Vitale in Ravenna, a distinctively Byzantine architectural example of the day, as many historians speculate, the Palatine Chapel is more Roman than Byzantine and historians note these influences of ancient Roman there are certainly contemporary influences of Visigoth, Moorish, Byzantine and even Armenian. The overall design is much more complex than that of other churches of the day.  One of the most important Carolingian, a style attributed to Charlemagne’s reign, contributions to Western architectural traditions is the addition of the west work to the church as noted in this reproduced floor plan.\"</span>\r\n\r\n<a href=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/AaachenChapel.png\"><img class=\"alignright size-medium wp-image-1415\" src=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/AaachenChapel-300x176.png\" alt=\"\" width=\"300\" height=\"176\" /></a>\r\n<h1><span style=\"color: #ff6600\"><strong> →</strong></span></h1>\r\n<table cellspacing=\"0\" cellpadding=\"0\" width=\"340\">\r\n<tbody>\r\n<tr>\r\n<td>\r\n<div>\r\n\r\n<a href=\"http://en.wikipedia.org/wiki/File:AaachenChapelDB.svg\">http://en.wikipedia.org/wiki/File:AaachenChapelDB.svg</a>\r\n\r\n&nbsp;\r\n\r\n</div></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<span style=\"color: #0000ff\">GUIDE: \"As we depart the Palatine Chapel exhibit, a comment attributed to Roger Stalley, once professor of History at Oxford University comes to mind. Paraphrasing Professor Stalley, the Palatine Chapel was copied in later times but it was an extraordinary tribute of its own time.</span>\r\n\r\n<span style=\"color: #0000ff\">In my own opinion, there is an intriguing combination of styles, expressions of religious faith, and contrasts between the relatively simple exterior and a stunning interior.  To stand in the place where Charlemagne, Emperor of the Holy Roman Empire received his sacraments and to actually witness this event is a little slice of paradise for an the artist/historian; one to be preserved for posterity in our village of the <em>Lux et Veritas</em> in this, the Time Capsule Passages.”</span>\r\n\r\n<span style=\"color: #0000ff\">GUIDE:    Our journey through time and space within the Time Capsule Passages delivers us to the door of our new interactive library; a living demonstration of The Canterbury Tales; section (5) of our map.  Upon entering, please find your seat in this theatre-in-the-round with the audience in the center and stage with actors revolving on the parameter. “</span>\r\n\r\n<em>On the door</em>:                  <strong>REMEMBER “Things are not always as they seem…” Phaedrus of Rome (Gāius)</strong>\r\n\r\n<span style=\"color: #0000ff\">GUIDE: “Now, if you have studied Chaucer and the Canterbury Tales, please feel free to interact with the players. These holograms love a good challenge and a willing fool.”</span>\r\n\r\n<strong><em>As everyone is seated, the lights dim and period instruments provide a lively audio introduction while the players enter the rotating stage surrounding the centrally placed visitor gallery.  A remarkably lifelike hologram of Geoffrey Chaucer enters last, walking from scene to scene while setting the stage for his audience with one of his most arrogant articulations:</em></strong>\r\n\r\n<strong><em><a href=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/Chaucer.jpg\"><img class=\"alignright size-full wp-image-1419\" src=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/Chaucer.jpg\" alt=\"\" width=\"201\" height=\"251\" /></a></em></strong>CHAUCER: “It was I, Geoffrey Chaucer, who created these tales between 1387 and 1400 and none other! Yes, I know the speculations about the meaning, content, sequential arrangements, language, and completeness but even the elementary level child or mentally inept person can see the genius in these works are incomplete; or where they?? Ha! I shall never divulge it!”\r\n\r\nIndeed, The Canterbury Tales are a collection of works, a brilliant and a sophisticated example of rhetorical forms, linguistic styles, diversity, and history for, I am “the first finder of our language” (Cooper).  Is it my use of Middle English that confounds ye? Simpletons! For this reason, my masterworks must be delivered here in 22<sup>nd</sup> Century English.\r\n\r\nNevertheless, it is my hope this presentation is an accurate translation of my manuscripts and that it portrays the everyday life of the common man, an overview of the political and religious climate of the day, and a cultural equivalent of that advice you read upon entering hither, ‘Things are not always as they seem…’ (Gāius). Some critics assert that contemporary works of note at the time of <em>The Canterbury Tales</em> may be found in works such as Juan Ruiz’ <em>The Book of Good Love</em> or <em>Decameron</em> by Boccaccio and works which acted in many instances as inspiration for some of my work. In <em>Decameron</em>, the main characters are all young, unsullied, affluent and each of the seven women and three men have traditional names very much the literary stereotype. But my protagonists are of a differing sort; most were simply middle class much like myself. Yet others use Dante Alighiere’s poem <em>The Divine Comedy </em>in comparison to my work; likely due to our mutual and less than a stellar opinion of Churchmen. In my work, I present significant and extraordinary short story examples, two expositions in prose, and a religious facet with a distinct secular bent vis-à-vis the worldly pleasure and/or vises against spiritual aspirations. But it is my innovative use of the General Prologue that provides the reader detail never before used in literature.  Dante related his journey in the first person and it was less prolific in his style though his work is quite unique, if not terrifying.”\r\n\r\nIt was an unstable and chaotic time in English history when I created this work; a time of technological advancements in the literary genre.  My stories are among the first works of English literature to mention the use of paper as a medium, a fairly new development that allowed for distribution on a broad scale.  The Western Schism mired down the Catholic Church in controversy at a time when Christian authority in Europe was already under heavy fire. The Peasant’s Revolt of 1381 and various other conflicts marked the end of King Richard II reign and a desperate time for me,” continued Chaucer while rubbing his neck, “as many of my close friends were executed. These complex and tumultuous political events forced me to move to Kent. But that is of no concern now!”\r\n\r\nThat perceptive fellow, George Loomis, stated,  ‘I have adduced in this paper justify our rejecting any notion of Chaucer as either a sycophantic timeserver, who merely echoed the sentiments of his patrons and associates, or of a cheerful philosopher who looked upon the follies and struggles of mankind with an amused detachment’ (Loomis).  So some critics do know a thing or two about real talent!”\r\n\r\nI have been advised that there are no known surviving manuscripts in my own hand; the work of some tyrannical clergyman, no doubt! However, there are eighty-three originally circulated hand-copied manuscripts that are in this very museum’s archives. Of these, fifty-five are complete manuscripts and twenty-eight are fragments; a number, I am told, that it is surpassed only by the 116 manuscripts of <em>The Prick of Conscience</em> collection of poems. Scholars agree that these numbers are a clear indication of the popularity of the<em> Canterbury Tales. </em>Now, my virtuosity shall entertain you! Behold, The Canterbury Tales!”\r\n\r\n<em>The actors deliver an impressive performance with Chaucer advising the audience of unspoken thoughts and agendas. As the play ends, the lights go down. When the house lights come on, like Elvis, Chaucer has left the building. The audience, though reluctant to leave their seats, are urged on to the next venue as the Guide speaks:<span style=\"color: #0000ff\">Please note the sign on the door:</span>\r\n</em>\r\n<table cellspacing=\"0\" cellpadding=\"0\" width=\"298\">\r\n<tbody>\r\n<tr>\r\n<td>\r\n<div>\r\n\r\n<span style=\"color: #800080\"><em><strong>If you think in terms of a year, plant a seed;</strong></em></span>\r\n\r\n<span style=\"color: #800080\"><em><strong>if in terms of ten years, plant     trees;</strong></em></span>\r\n\r\n<span style=\"color: #800080\"><em><strong>if in terms of 100 years, teach     the people.</strong></em></span>\r\n<p style=\"text-align: center\">Confucius</p>\r\n&nbsp;\r\n\r\n</div></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<span style=\"color: #0000ff\">GUIDE:  “The most meaningful aspects of Chaucer\'s work, in my own humble opinion; the enduring appeal and broad-based audience no matter their socio-economic status. Throughout the centuries, Chaucer has been studied, applauded, criticized, defended, praised, and finally honored with the designation as \'the first finder of our language.\'  Now on to the red door across the hall!”</span>\r\n\r\n<strong><em>The doors open automatically as the visitors approach. The interior space is dim compared to the well lit hallway and it takes a moment for everyone to adjust their vision to the light. </em></strong><em> </em>\r\n\r\n<span style=\"color: #0000ff\"><em>GUIDE:  “We are entering the Analects of Confucius Virtual Library. It’s the Immer-vision 3D Holographic headset and eye wear providing this experience and your own reaction to what you are seeing, hearing, touching, or smelling that will enhance the experience for you.  Now follow me and be prepared to be amazed!”</em></span>\r\n\r\n<strong><em>The scenery changes as the Ancient Chinese country side, mountains, rice paddies, the Great Wall, the Forbidden City, and more all pass slowly by the visitors as if they were flying low on a magic carpet and a voice is heard:</em></strong>\r\n\r\n<span style=\"color: #800080\">VOICE : The Analects are, in fact, a compilation of moral and ethical insights from the Chinese philosopher K’ong Fu-Tzu (551–479 b.c.e.), better known as Confucius -a Latin form of his Chinese name, supporting set principles for individual conduct and the ethical administration of government and community; guiding principles for a just and compassionate world.  The virtue of <em>Jen</em> refers to humanity, good, or reciprocity while the term <em>Tao</em> speaks to the correct obligations, actions, and conduct of individuals, families, and governments. Rituals, ceremonies, and group activities and the performance that encourages a link to that world which is beyond daily life are referred to as <em>Li</em>.”</span>\r\n\r\n<span style=\"color: #800080\">The Analects emphasized the importance of independent thinking, identifying models in an abstract, universal style; a style was relevant to diverse cultures. As humanists, our values are reflected in a moral and righteous behavior; however, Confucius teachings hardly ever referred to gods and spirits. The wisdom of Confucius taught that tradition was essential, that respectfulness of one’s’ elders was important, and that the exercise of <em>Li </em>was to be honored<em>; </em>not simply performing ceremonies by rote, but applying a fitting reverence to the ritual.”</span>\r\n\r\n<span style=\"color: #0000ff\">GUIDE:  “At this time, while we are following the meandering path of the Yellow River, allow me to explain some key points. After Confucius died, hi</span>s <span style=\"color: #0000ff\">disciples collected and transcribed his teachings. These teachings spoke of measured and judicious thought, action, and deed build strength of character and a superior human being. They encouraged developing qualities such as: to experience profound affection for one’s fellow humankind; to hold one’s elders in high esteem; to encourage camaraderie with others who are virtuous; obligate oneself to a lifetime of scholarship; to manage subordinates evenhandedly; to contribute to social improvements, and to mindfully set good examples.”</span>\r\n\r\n<strong><em>The scenery changes again as the visitors float softly down onto a field of red poppies; poppies as far as the eye can see only ending where the southern branch of the Kunlan Mountains and past the Gansu Corridor at the west bend of the Yellow River.</em></strong>\r\n\r\n<span style=\"color: #800080\">Voice: “The crumbling of the Zhou dynasty, in power since 1027 B.C.E. and the relocation of the capital farther east by the leaders of the Zhou dynasty placed the kingdom in danger; an unsafe, precarious position brought on by the aggressive Mongols and Turkic horsemen from Central Asia, as well as, escalating conflicts among the autonomous Chinese states. However, China’s trade and its urban growth continued throughout this period. Interestingly, the Chinese intellectual minds during this time produced some of China’s oldest ethical and spiritual tenets, paralleling similar developments in Greek philosophy of the same time.  During the Qin Dynasty, the Analects along with other important texts were the victims of the famed book-burnings and the wars of the Qin Dynasty; records dating back over 1000 years before the Han Dynasty were lost.  Once gaining power, the Han Dynasty reinstated Confucianism, Confucian texts, and the Confucian scholars/official, leading to a great period of prosperity, technological developments, and agricultural advancements.”</span>\r\n\r\n<strong><em>The visitors slowly approached the entrance to a great palace and floated down to join a group of Chinese peasants preparing for a special guest, none other than <span style=\"color: #800080\">Confucius</span>, himself! </em></strong>\r\n\r\n<span style=\"color: #0000ff\">GUIDE: “I’m speechless!”</span>\r\n\r\n<strong><em>Heard in hushed tone from the crowd of visitors:</em> “it’s about time!”</strong>\r\n\r\n<span style=\"color: #0000ff\">GUIDE: “This was not part of our rehearsal yesterday! There must be a malfunction in the equipment!”</span>\r\n\r\n<span style=\"color: #800080\">CONFUCOUS speaks:  “The superior man…does not set his mind either for anything, or against anything; what is right he will follow.”</span>\r\n\r\n<span style=\"color: #0000ff\">GUIDE: “What? Wait a minute… you’re just an apparition; a hologram! You can’t insult me like that!”</span>\r\n\r\n<span style=\"color: #800080\">CONFUCIUS: “Be not ashamed of mistakes and thus make them crimes.”</span>\r\n\r\n<span style=\"color: #0000ff\">GUIDE: “Now look here Mr. Confucius! You keep THAT up and I’ll permanently disable your holographic imagery!”</span>\r\n\r\n<span style=\"color: #800080\">CONFUCIUS:  “Before you embark on a journey of revenge, dig two graves.”</span>\r\n\r\n<span style=\"color: #800080\">VOICE:  “Very outspoken and often at odds with authority, Confucius had a reputation of “… at once more austere, more pompous, harsh even, and as a reinforcer of the status quo…” (Spence).  But, Confucianism is touted as a key power behind East Asia\'s economic phenomenon, in the 21<sup>st </sup>Century.  And in the time of Confucius, Chinese historian, Ssu-ma Ch’ien (145-89 B.C.E.) described the scholar as a commoner yet a master of many who studied his philosophies. One might compare Taoism to Confucianism as Taoism second only to Confucianism as the most influential religion or philosophy among the Chinese people. The Taoist scriptures, written in the sixth century B.C.E. are, as with The Analects of Confucius, are a collection of moral and ethical codes intended to guide people in their everyday lives.  The Tao Te Ching [DOWduh jing], <em>Classic of the Way and Its Working</em>, and the Chaung-tsu [jwahng tzoo] are held in high esteem throughout the world, remaining prominent significant work of literature down through the centuries. The primary printing was in 1926 and consisted of 1,120 volumes, a significant number compared to the twenty books of the Analects.”</span>\r\n\r\n<span style=\"color: #800080\">The Analects were written as they were delivered, in a dialog form and they cover a range of ideals from a humanistic approach, ideals as mentioned earlier: Experience profound affection for one’s fellow humankind; hold one’s elders in high esteem; encourage camaraderie with others who are virtuous; obligate oneself to a lifetime of scholarship; manage subordinates evenhandedly; contribute to social improvements, and mindfully set good examples. These are a great asset to this new colony; a guide to live by. “</span>\r\n\r\n<span style=\"color: #0000ff\">GUIDE: “I’m sure you are right in these facts but I am the expert here so let me speak!”</span>\r\n\r\n<span style=\"color: #800080\">CONFUCIUS: “He who speaks without modesty will find it difficult to make his words good.”</span>\r\n\r\n<strong><em>With that, the visitors AND the Guide suddenly find themselves floating through an elaborately decorated hallway.  The Analects of Confucius are printed in black ink over images of  the Chinese artistic style of  landscapes that are known for their simplicity and beauty. At the end of the hall is yet another door; an unimpressive, double set of sliding doors with no handles.</em></strong>\r\n\r\n<span style=\"color: #0000ff\">GUIDE:  “As you recall upon our first encounter, there are many surprises. The last encounter was a surprise to me! Now it is your turn to be astonished! “</span>\r\n\r\n<strong><span style=\"color: #000000\"><em>With this the guide\'s last pronouncement, the white doors slowly parted from the middle and the visitors reacted with a collective gasp. </em></span></strong>\r\n\r\n<span style=\"color: #0000ff\">GUIDE:  “While we were honored to have been chosen to design a museum for the four proposed works: The Villa of Mysteries (religion), The Palatine Chapel (architecture), The Canterbury Tales (literature), and Confucius’ Analects (philosophy) it became clear to us that all of the proposed works for this project were viable and important. Therefore, prior to departing with the components to construct our museum and the artifacts to place in the museum, we sent a virtual army of technicians, videographers, historians, archeologists, holographic experts, actors, and writers out  to capture the essence of each work so that our future generations may benefit from them. “</span>\r\n\r\n<span style=\"color: #800080\">CONFUCIUS nudging on e visitor states:  “The superior man is modest in his speech, but exceeds in his actions.”</span>\r\n\r\n<span style=\"color: #0000ff\">GUIDE:  “The <em>Lux et Veritas</em> Time Capsule Passages exhibits are completely compatible with the Immer-vision 3D Holographic technology; therefore, the experiential immersion encounters beyond these doors will deliver all the same quality as you have felt today with our four exhibits. The only difference is that the actual artifacts could not be brought along with us. It was the only thing to do; this is way it should be …”</span>\r\n\r\nSOCRATES: To do is to be….\r\n\r\nKANT: To be is to do ….\r\n\r\nHAMLET: To be or not to be….\r\n\r\nSINATRA: To do be do be do…\r\n\r\n<em>A near riot ensues with the visitors congratulating the Guide, Confucius, Hamlet, themselves, and any of the numerous spectators awaiting them as they rushed to deliver the great news! </em>\r\n\r\n<strong> </strong>\r\n<p style=\"text-align: center\"><strong>Citations</strong></p>\r\nJanson, H.W.  <em>History of Art</em>, Prentice-Hall. 1983, 2<sup>nd</sup> edition.  Pg 188/189\r\n\r\nVitruvius, \"The Decadence of Fresco Painting,\" in <em>the Ten Books of Architecture</em>. Trans. Morris Hicky Morgan (New York: Dover, 1969): 210–211. Text modified by James Allan Evans.\r\n\r\n&nbsp;\r\n\r\nGāius Iūlius.  <em>Phaedrus Biography - (c.15 bc–c.ad50)</em>. <a href=\"http://www.jrank.org/history/pages/5145/G%C4%81ius-I%C5%ABlius-Phaedrus.html\">http://www.jrank.org/history/pages/5145/G%C4%81ius-I%C5%ABlius-Phaedrus.html</a><em> </em>\r\n\r\nCooper, Helen. <a href=\"http://www.gradesaver.com/the-canterbury-tales/\"><em>The Canterbury Tales</em></a><em>.</em> Oxford Oxfordshire: Oxford University Press, 1996. ISBN 0-19-871155-7\r\n\r\n--- Gāius\r\n\r\nLoomis, Roger S.<em> Was Chaucer A Laodicean? </em><em>Chaucer Criticism-The Canterbury Tales,<strong> </strong></em><em>An Anthology.</em> Edited by Richard J. Schoeck and Jerome Taylor. Notre Dame Books. Notre Dame (South Bend), IN.  1960. Pg 291\r\n\r\nCooper, Helen. <a href=\"http://www.gradesaver.com/the-canterbury-tales/\"><em>The Canterbury Tales</em></a><em>.</em> Oxford Oxfordshire: Oxford University Press, 1996. ISBN 0-19-871155-7\r\n\r\nSpence, Jonathan D. is George B. Adams. CONFUCIUS. Wilson Quarterly. Woodrow Wilson International Center for Scholars. 1993','The Village of Lux et Veritas’ (Latin for Light and Truth)               The Time Capsule Passages','','inherit','open','open','','1388-revision-15','','','2011-05-11 20:35:21','2011-05-12 02:35:21','',1388,'http://jeanatacc.com/2011/?p=1431',0,'revision','',0),(1432,7,'2011-05-11 20:36:31','2011-05-12 02:36:31','&nbsp;\n\n&nbsp;\n\n<strong>Preview and Opening Night Gala</strong><em> </em>\nIf you have been supplied with the Immer-vision 3D Holographic headset and eye wear (glasses or contacts) please be ready to use them when directed to do so.<span style=\"color: #0000ff\"> Our GUIDE shall provide commentary seen in blue font below.</span> Other comments from characters, visitors, or imaginary friends are identified individually in standard black font. And the tour begins:\n\n[caption id=\"attachment_1393\" align=\"aligncenter\" width=\"300\" caption=\"The Village of Lux et Veritas - http://www.ctv.ca/CTVNews/SciTech/20110427/biosphere2-at-20-years-old-110427/\"]<a href=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/biosphere-2.jpg\"><img class=\"size-medium wp-image-1393\" src=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/biosphere-2-300x198.jpg\" alt=\"\" width=\"300\" height=\"198\" /></a>[/caption]\n\n<!--more-->\n<table cellspacing=\"0\" cellpadding=\"0\" width=\"709\">\n<tbody>\n<tr>\n<td></td>\n</tr>\n</tbody>\n</table>\n<span style=\"color: #0000ff\">GUIDE:  “Time Capsule Passages, an exhibit designed to provide our surviving civilization with access to selected artifacts, is scheduled to open tomorrow. Tonight, we, of the Antiquities Committee, distinguished members of our government, and the prominent associates of Information and Dissemination of Intelligence and Opinion Trolls (I.D.I.O.T.s  - a.k.a. the  press) shall enjoy a preview of this exciting and, dare I say, astonishing exhibit. The Immer-vision 3D Holographic technology is key for obtaining the complete immersion experience.  The eye-wear and headsets are both embedded with integrate microchips designed to monitor, measure, and interpret brainwaves of the wearer and adjust the visual, audio, and sensory effects for the museum visitor. So be prepared for the experiential immersion into the time, place, and environmental effects of the artifacts’ origin.</span>\n\n[caption id=\"attachment_1399\" align=\"alignright\" width=\"300\" caption=\"Immer-vision 3D Holographic -  http://blog.alexkelleher.com/page/5/\"]<span style=\"color: #0000ff\"><a href=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/neurosky-2.jpg\"><img class=\"size-full wp-image-1399\" src=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/neurosky-2.jpg\" alt=\"\" width=\"300\" height=\"218\" /></a></span>[/caption]\n\n<span style=\"color: #0000ff\">Now, let us refer to our colony maps.  As we depart our public meeting and exposition hall (1) and pass through the (2) Entertainment Center Lux et Veritas, we arrive at the communal dining hall (3).</span>\n\n&nbsp;\n\n&nbsp;\n\n&nbsp;\n\n<span style=\"color: #0000ff\">Note the sign above the entryway!”</span>\n\n&nbsp;\n\n&nbsp;\n<p style=\"text-align: center\"><em>An artist of exceptional greatness of vision has filled these forms with new life</em>. (Janson).</p>\n<p style=\"text-align: center\"><a href=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/Villa2.jpg\"><img class=\"alignleft size-medium wp-image-1406\" src=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/Villa2-300x228.jpg\" alt=\"\" width=\"300\" height=\"228\" /></a></p>\nhttp://www.laits.utexas.edu/moore/rome/image/general-view-great-frieze-dionysiac-mysteries-villa-mysteries-pompeii\n<p style=\"text-align: right\"><a href=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/24pomp.xlarge2.jpg\"><img class=\"size-medium wp-image-1404\" src=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/24pomp.xlarge2-300x159.jpg\" alt=\"\" width=\"300\" height=\"159\" /></a>http://www.nytimes.com/2008/10/24/arts/design/24pomp.htm</p>\n\n<table cellspacing=\"0\" cellpadding=\"0\" width=\"100%\">\n<tbody>\n<tr>\n<td></td>\n</tr>\n</tbody>\n</table>\n<p style=\"text-align: center\">Nero cast as Apollo in dining room at Moregine</p>\n&nbsp;\n<table cellspacing=\"0\" cellpadding=\"0\" width=\"524\">\n<tbody>\n<tr>\n<td>\n<div>\n\n<em> </em>\n\n<em> </em>\n\nThough this photographic reproduction of another first-century     fresco from a dining room at Moregine contains a mythological     theme and is rich in color, the differences when compared to the Mysteries     frescoes are an important aspect to consider as well.Each panel exhibits     life-sized models or portraits of the human form (Dionysus phallus     excluded) that are clearly grounded in a realistic setting. In contrast, the     Apollo, frescoes from a building just south of Pompeii, features small     figures float or stand on work features small figures float or stand on     pedestals with voluptuous, colorful fabrics swelling about them. Above     these figures are miniature landscapes set in a perspective, imitating a     coffered ceiling.\n<p style=\"text-align: justify\">Thematically, each work is     divergent. The Apollo fresco is clearly secular in nature while the     Mysteries frescos are based on the cult of Dionysius, a documentation of some of the religious     rites in the 1<sup>st</sup>century A.D. and depicts sex as a sacrament.</p>\n\n</div></td>\n</tr>\n</tbody>\n</table>\n<span style=\"color: #0000ff\">Guide: This time marks the beginning of the end for the 500 year old republic; of social and political discord in the Roman Empire. The Empire had grown to most of the, known world and the communications and supply lines between the outlying regions and the center seat of power in Rome began breaking down. The Empire spent vast amounts of money putting down revolts and in wars. In 64 AD, Nero was Emperor and the infamous fires consumed nearly all of Rome. Nero committed suicide in 68 AD, the Praetorians murder his successor and eventually Vespasian is crowned Emperor. In 70 AD Tito succeeds Vespasian and begins a campaign which Jerusalem and Jews spread in Armenia, Iraq, Iran, Arabia, Egypt, Italy, Spain and Greece. The rise and fall of emperors, conquests and losses of territory, and key catastrophic natural events marked these times, specifically, the eruption of Mount Vesuvius in 79 AD.</span>\n\n<span style=\"color: #0000ff\">We find these images useful in our community’s efforts to connect with our ancestry, study classical style, and to aid in the fulfillment of our communities push to increase our population growth with a bit of erotic art. As an artist, I find the style, use of color, and theme a snap-shot of the times when mortality, morality, and the cycle of life were explained through mythology; a time of proving mans resilience in the face of natural disasters – much like our own situation, don’t you think? The frescoes of the Villa of Mysteries are an important body of work for future generations as a way to scrutinize mans quest for immortality and explaining the unknown while offering a glimpse into the artistic mastery during a monumental era in world history.“ <em> </em></span>\n\n<span style=\"color: #000000\"><em>The GUIDE next leads the first visitors through a passageway to the entrance of <strong>The Palatine Chapel (area 4 on our map)</strong></em></span>\n\n<span style=\"color: #0000ff\">GUIDE: “Now we shall venture forward into a setting of medieval charm and romantic chivalry with the artifacts from Charlemagne’s Palatine Chapel; on your map this will be area (4). Please do not attempt to bring along holographic imagery from the dining hall. This would clearly be an affront to Pope Leo III and Charlemagne, Emperor of the Holy Roman Empire.”</span>\n\n<span style=\"color: #0000ff\">Let us pause to read the placards here before entering the exhibit and study the photographs of the original chapel.”</span>\n<table cellspacing=\"0\" cellpadding=\"0\" width=\"499\">\n<tbody>\n<tr>\n<td>\n<div><address>The Palatine Chapel in Aahen, Germany,     constructed between 792 and 814 A.D. and designed by Odo of Metz, is     revered as an example of the Carolingian era with influences of the Classical, Byzantine and Pre     Romanesque eras. The majesty and grandeur of this Chapel     was an important part of Charlemagne’s palace at Aahen.</address></div></td>\n</tr>\n</tbody>\n</table>\n<span style=\"color: #0000ff\"><a href=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/imagespalatine.jpg\"><img class=\"alignleft size-full wp-image-1410\" src=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/imagespalatine.jpg\" alt=\"\" width=\"259\" height=\"194\" /></a>\n</span>\n\n&nbsp;\n<table cellspacing=\"0\" cellpadding=\"0\" width=\"398\">\n<tbody>\n<tr>\n<td>\n<div>\n<p style=\"text-align: right\">http://en.structurae.de/structures/data/index.cfm?id=s0003184</p>\n\n</div></td>\n</tr>\n</tbody>\n</table>\n<table cellspacing=\"0\" cellpadding=\"0\" width=\"607\">\n<tbody>\n<tr>\n<td>\n<div style=\"text-align: left\"><address>The     history of this grand structure which includes: the part it plays in the     development of the Carolingian style and the incorporation of the     Classical, Byzantine and Pre Romanesque eras, the connection to a venerated     world leader, and the connection to a developing and changing Christian way     of life. The Palatine Chapel in Aahen was preserved in a time capsule by     way of meticulous renderings, historical documentations, photographs and     selected artifacts and now may be studied and enjoyed for generations to     come.</address></div></td>\n</tr>\n</tbody>\n</table>\n&nbsp;\n\n<a href=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/Picture3.jpg\"><img class=\"alignleft size-medium wp-image-1411\" src=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/Picture3-300x214.jpg\" alt=\"\" width=\"300\" height=\"214\" /></a>\n\nOratory of Palatine Chapel  (left) <a href=\"http://elisabethdemoreau.wordpress.com/lost-tomb-2/\">http://elisabethdemoreau.wordpress.com/lost-tomb-2/</a>\n<table cellspacing=\"0\" cellpadding=\"0\" width=\"621\">\n<tbody>\n<tr>\n<td>\n<div><address>Note the differences and similarities between the     Germigny and the Palatine Chapels built in about the same time.  Germigny’s rounded apse compared to the     Palatine’s eight-sided structured apse, the placement of the alters, the view     of the clerestory, and the simply designed interior as opposed to the     Palatine’s elaborate interior. Though both structures exhibit hints of the     Byzantine style, the Palatine Chapel exhibits a departure with its rounded     columns and classic capitols.</address></div></td>\n</tr>\n</tbody>\n</table>\nAnd Germigny-de-Pres Oratory(right)<a href=\"/www.sacred-destinations.com/france/germigny-des-pres-photos/slides/xti_6876\"> http://www.sacred-destinations.com/france/germigny-des-pres-photos/slides/xti_6876</a>\n\n<a href=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/170px-Loire_Loiret_Germigny_tango7174.jpg\"><img class=\"size-full wp-image-1412 aligncenter\" src=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/170px-Loire_Loiret_Germigny_tango7174.jpg\" alt=\"\" width=\"170\" height=\"227\" /></a>\n\n<span style=\"color: #0000ff\">GUIDE: ”As we step into the towering structure that holds the Palatine artifacts and with our the Immer-vision 3D Holographic devices synchronized, notice the reverent, hushed, and whispered prayers of the faithful, the brilliant hues of the sun-pierced stained glass windows, the aroma of burning incense not quite masking that oppressive body odor and a distinct hint of the Byzantine elements in the architecture.” </span>\n\n<span style=\"color: #0000ff\">The octagonal central space which conveys an unrelenting feeling of compartmentalization, creating a space unlike an ordinary church of its time and its 16-sided ambulatory are topped off with cupola, rising 102 feet above the floor. For centuries, this tower was the tallest in Europe. That mosaic-lined dome of the Palatine Chapel is now displayed in the dome of this building (4). Originally there was a series of groin vaults opposite the entrance to the chapel. In the center of the room are examples of the high quality brass from the Chapel in decorations: doors, railings, and the like.  The original frescoes of the Chapel were destroyed by fire but replaced with mosaic replicas in 1882. These mosaics now installed in the dome of this building carry the same stylistic quality and iconoclastic representations as the original fresco. The vaults, remarkable for the absence of transverse arches—Odo’s own innovation and quite unique at the time—are supported at the angles of the octagon on large piers.. Images of the Palatine Chapel before dismantling for this exhibition are found on in various locations throughout the exhibition room.”</span>\n\n<span style=\"color: #0000ff\">We are now entering a replica of one of the side chapels and Charlemagne’s biographer will explain the political and social atmosphere of the time.”</span>\n\n<strong><em>Einhard represented in a holographic image steps from the shadows, footwear squeaking, robes swishing, confidently strides into the midst of the visitors and begins in a reticent tone.</em></strong>\n\n<em><a href=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/200px-Königsthron_Aachener_Dom.jpg\"><img class=\"alignright size-full wp-image-1414\" src=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/200px-Königsthron_Aachener_Dom.jpg\" alt=\"\" width=\"200\" height=\"150\" /></a></em><a href=\"http://en.wikipedia.org/wiki/File:K%C3%B6nigsthron_Aachener_Dom.jpg\">http://en.wikipedia.org/wiki/File:K%C3%B6nigsthron_Aachener_Dom.jpg</a>\n<table cellspacing=\"0\" cellpadding=\"0\" width=\"3\">\n<tbody>\n<tr>\n<td></td>\n</tr>\n</tbody>\n</table>\nEINHARD:   “At the time of the construction of the Palatine Chapel, Charlemagne was expanding his kingdom by conquering large territories, creating stable safeguard from future Muslim aggression and established Frankish control in Iberia. During this time, the days of the dark ages, the feudal system was formed and a class system emerged, leaving the poor even poorer than before. Trade routes were established, there was a marked emphasis on education, music and poetry gained new audiences, and there was discord between the Byzantine (dominant language was Greek) and the Roman Churches (dominant language was Latin). Veneration of icons (iconoclasm) was condemned across all of Christendom. However, the Islamic culture and the Byzantine civilization thrived resulting in societies that surpassed the European developing cultures vastly. It was during this time of relative calm in the land that the Church was gripped in an architectural fervor with 16 new cathedrals and 232 monasteries built during Charlemagne’s reign.”\n\n<span style=\"color: #0000ff\">GUIDE:  “<strong>OH my! </strong>Charlemagne has arrived:  regal yet accessible, brilliant in battle and domestic affairs yet illiterate until his death, a man ahead of his time in a land loath of progress.  Do you see him ascending the original throne in the upper gallery of the chapel, the royal space in the Emperors\' own private Chapel?”</span>\n\n<span style=\"color: #0000ff\">Though the chapel does resemble S. Vitale in Ravenna, a distinctively Byzantine architectural example of the day, as many historians speculate, the Palatine Chapel is more Roman than Byzantine and historians note these influences of ancient Roman there are certainly contemporary influences of Visigoth, Moorish, Byzantine and even Armenian. The overall design is much more complex than that of other churches of the day.  One of the most important Carolingian, a style attributed to Charlemagne’s reign, contributions to Western architectural traditions is the addition of the west work to the church as noted in this reproduced floor plan.\"</span>\n\n<a href=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/AaachenChapel.png\"><img class=\"alignright size-medium wp-image-1415\" src=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/AaachenChapel-300x176.png\" alt=\"\" width=\"300\" height=\"176\" /></a>\n<h1><span style=\"color: #ff6600\"><strong> →</strong></span></h1>\n<table cellspacing=\"0\" cellpadding=\"0\" width=\"340\">\n<tbody>\n<tr>\n<td>\n<div>\n\n<a href=\"http://en.wikipedia.org/wiki/File:AaachenChapelDB.svg\">http://en.wikipedia.org/wiki/File:AaachenChapelDB.svg</a>\n\n&nbsp;\n\n</div></td>\n</tr>\n</tbody>\n</table>\n<span style=\"color: #0000ff\">GUIDE: \"As we depart the Palatine Chapel exhibit, a comment attributed to Roger Stalley, once professor of History at Oxford University comes to mind. Paraphrasing Professor Stalley, the Palatine Chapel was copied in later times but it was an extraordinary tribute of its own time.</span>\n\n<span style=\"color: #0000ff\">In my own opinion, there is an intriguing combination of styles, expressions of religious faith, and contrasts between the relatively simple exterior and a stunning interior.  To stand in the place where Charlemagne, Emperor of the Holy Roman Empire received his sacraments and to actually witness this event is a little slice of paradise for an the artist/historian; one to be preserved for posterity in our village of the <em>Lux et Veritas</em> in this, the Time Capsule Passages.”</span>\n\n<span style=\"color: #0000ff\">GUIDE:    Our journey through time and space within the Time Capsule Passages delivers us to the door of our new interactive library; a living demonstration of The Canterbury Tales; section (5) of our map.  Upon entering, please find your seat in this theatre-in-the-round with the audience in the center and stage with actors revolving on the parameter. “</span>\n\n<em>On the door</em>:                  <strong>REMEMBER “Things are not always as they seem…” Phaedrus of Rome (Gāius)</strong>\n\n<span style=\"color: #0000ff\">GUIDE: “Now, if you have studied Chaucer and the Canterbury Tales, please feel free to interact with the players. These holograms love a good challenge and a willing fool.”</span>\n\n<strong><em>As everyone is seated, the lights dim and period instruments provide a lively audio introduction while the players enter the rotating stage surrounding the centrally placed visitor gallery.  A remarkably lifelike hologram of Geoffrey Chaucer enters last, walking from scene to scene while setting the stage for his audience with one of his most arrogant articulations:</em></strong>\n\n<strong><em><a href=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/Chaucer.jpg\"><img class=\"alignright size-full wp-image-1419\" src=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/Chaucer.jpg\" alt=\"\" width=\"201\" height=\"251\" /></a></em></strong>CHAUCER: “It was I, Geoffrey Chaucer, who created these tales between 1387 and 1400 and none other! Yes, I know the speculations about the meaning, content, sequential arrangements, language, and completeness but even the elementary level child or mentally inept person can see the genius in these works are incomplete; or where they?? Ha! I shall never divulge it!”\n\nIndeed, The Canterbury Tales are a collection of works, a brilliant and a sophisticated example of rhetorical forms, linguistic styles, diversity, and history for, I am “the first finder of our language” (Cooper).  Is it my use of Middle English that confounds ye? Simpletons! For this reason, my masterworks must be delivered here in 22<sup>nd</sup> Century English.\n\nNevertheless, it is my hope this presentation is an accurate translation of my manuscripts and that it portrays the everyday life of the common man, an overview of the political and religious climate of the day, and a cultural equivalent of that advice you read upon entering hither, ‘Things are not always as they seem…’ (Gāius). Some critics assert that contemporary works of note at the time of <em>The Canterbury Tales</em> may be found in works such as Juan Ruiz’ <em>The Book of Good Love</em> or <em>Decameron</em> by Boccaccio and works which acted in many instances as inspiration for some of my work. In <em>Decameron</em>, the main characters are all young, unsullied, affluent and each of the seven women and three men have traditional names very much the literary stereotype. But my protagonists are of a differing sort; most were simply middle class much like myself. Yet others use Dante Alighiere’s poem <em>The Divine Comedy </em>in comparison to my work; likely due to our mutual and less than a stellar opinion of Churchmen. In my work, I present significant and extraordinary short story examples, two expositions in prose, and a religious facet with a distinct secular bent vis-à-vis the worldly pleasure and/or vises against spiritual aspirations. But it is my innovative use of the General Prologue that provides the reader detail never before used in literature.  Dante related his journey in the first person and it was less prolific in his style though his work is quite unique, if not terrifying.”\n\nIt was an unstable and chaotic time in English history when I created this work; a time of technological advancements in the literary genre.  My stories are among the first works of English literature to mention the use of paper as a medium, a fairly new development that allowed for distribution on a broad scale.  The Western Schism mired down the Catholic Church in controversy at a time when Christian authority in Europe was already under heavy fire. The Peasant’s Revolt of 1381 and various other conflicts marked the end of King Richard II reign and a desperate time for me,” continued Chaucer while rubbing his neck, “as many of my close friends were executed. These complex and tumultuous political events forced me to move to Kent. But that is of no concern now!”\n\nThat perceptive fellow, George Loomis, stated,  ‘I have adduced in this paper justify our rejecting any notion of Chaucer as either a sycophantic timeserver, who merely echoed the sentiments of his patrons and associates, or of a cheerful philosopher who looked upon the follies and struggles of mankind with an amused detachment’ (Loomis).  So some critics do know a thing or two about real talent!”\n\nI have been advised that there are no known surviving manuscripts in my own hand; the work of some tyrannical clergyman, no doubt! However, there are eighty-three originally circulated hand-copied manuscripts that are in this very museum’s archives. Of these, fifty-five are complete manuscripts and twenty-eight are fragments; a number, I am told, that it is surpassed only by the 116 manuscripts of <em>The Prick of Conscience</em> collection of poems. Scholars agree that these numbers are a clear indication of the popularity of the<em> Canterbury Tales. </em>Now, my virtuosity shall entertain you! Behold, The Canterbury Tales!”\n\n<em>The actors deliver an impressive performance with Chaucer advising the audience of unspoken thoughts and agendas. As the play ends, the lights go down. When the house lights come on, like Elvis, Chaucer has left the building. The audience, though reluctant to leave their seats, are urged on to the next venue as the Guide speaks:<span style=\"color: #0000ff\">Please note the sign on the door:</span>\n</em>\n<table cellspacing=\"0\" cellpadding=\"0\" width=\"298\">\n<tbody>\n<tr>\n<td>\n<div>\n\n<span style=\"color: #800080\"><em><strong>If you think in terms of a year, plant a seed;</strong></em></span>\n\n<span style=\"color: #800080\"><em><strong>if in terms of ten years, plant     trees;</strong></em></span>\n\n<span style=\"color: #800080\"><em><strong>if in terms of 100 years, teach     the people.</strong></em></span>\n<p style=\"text-align: center\">Confucius</p>\n&nbsp;\n\n</div></td>\n</tr>\n</tbody>\n</table>\n<span style=\"color: #0000ff\">GUIDE:  “The most meaningful aspects of Chaucer\'s work, in my own humble opinion; the enduring appeal and broad-based audience no matter their socio-economic status. Throughout the centuries, Chaucer has been studied, applauded, criticized, defended, praised, and finally honored with the designation as \'the first finder of our language.\'  Now on to the red door across the hall!”</span>\n\n<strong><em>The doors open automatically as the visitors approach. The interior space is dim compared to the well lit hallway and it takes a moment for everyone to adjust their vision to the light. </em></strong><em> </em>\n\n<span style=\"color: #0000ff\"><em>GUIDE:  “We are entering the Analects of Confucius Virtual Library. It’s the Immer-vision 3D Holographic headset and eye wear providing this experience and your own reaction to what you are seeing, hearing, touching, or smelling that will enhance the experience for you.  Now follow me and be prepared to be amazed!”</em></span>\n\n<strong><em>The scenery changes as the Ancient Chinese country side, mountains, rice paddies, the Great Wall, the Forbidden City, and more all pass slowly by the visitors as if they were flying low on a magic carpet and a voice is heard:</em></strong>\n\n<span style=\"color: #800080\">VOICE : The Analects are, in fact, a compilation of moral and ethical insights from the Chinese philosopher K’ong Fu-Tzu (551–479 b.c.e.), better known as Confucius -a Latin form of his Chinese name, supporting set principles for individual conduct and the ethical administration of government and community; guiding principles for a just and compassionate world.  The virtue of <em>Jen</em> refers to humanity, good, or reciprocity while the term <em>Tao</em> speaks to the correct obligations, actions, and conduct of individuals, families, and governments. Rituals, ceremonies, and group activities and the performance that encourages a link to that world which is beyond daily life are referred to as <em>Li</em>.”</span>\n\n<span style=\"color: #800080\">The Analects emphasized the importance of independent thinking, identifying models in an abstract, universal style; a style was relevant to diverse cultures. As humanists, our values are reflected in a moral and righteous behavior; however, Confucius teachings hardly ever referred to gods and spirits. The wisdom of Confucius taught that tradition was essential, that respectfulness of one’s’ elders was important, and that the exercise of <em>Li </em>was to be honored<em>; </em>not simply performing ceremonies by rote, but applying a fitting reverence to the ritual.”</span>\n\n<span style=\"color: #0000ff\">GUIDE:  “At this time, while we are following the meandering path of the Yellow River, allow me to explain some key points. After Confucius died, hi</span>s <span style=\"color: #0000ff\">disciples collected and transcribed his teachings. These teachings spoke of measured and judicious thought, action, and deed build strength of character and a superior human being. They encouraged developing qualities such as: to experience profound affection for one’s fellow humankind; to hold one’s elders in high esteem; to encourage camaraderie with others who are virtuous; obligate oneself to a lifetime of scholarship; to manage subordinates evenhandedly; to contribute to social improvements, and to mindfully set good examples.”</span>\n\n<strong><em>The scenery changes again as the visitors float softly down onto a field of red poppies; poppies as far as the eye can see only ending where the southern branch of the Kunlan Mountains and past the Gansu Corridor at the west bend of the Yellow River.</em></strong>\n\n<span style=\"color: #800080\">Voice: “The crumbling of the Zhou dynasty, in power since 1027 B.C.E. and the relocation of the capital farther east by the leaders of the Zhou dynasty placed the kingdom in danger; an unsafe, precarious position brought on by the aggressive Mongols and Turkic horsemen from Central Asia, as well as, escalating conflicts among the autonomous Chinese states. However, China’s trade and its urban growth continued throughout this period. Interestingly, the Chinese intellectual minds during this time produced some of China’s oldest ethical and spiritual tenets, paralleling similar developments in Greek philosophy of the same time.  During the Qin Dynasty, the Analects along with other important texts were the victims of the famed book-burnings and the wars of the Qin Dynasty; records dating back over 1000 years before the Han Dynasty were lost.  Once gaining power, the Han Dynasty reinstated Confucianism, Confucian texts, and the Confucian scholars/official, leading to a great period of prosperity, technological developments, and agricultural advancements.”</span>\n\n<strong><em>The visitors slowly approached the entrance to a great palace and floated down to join a group of Chinese peasants preparing for a special guest, none other than <span style=\"color: #800080\">Confucius</span>, himself! </em></strong>\n\n<span style=\"color: #0000ff\">GUIDE: “I’m speechless!”</span>\n\n<strong><em>Heard in hushed tone from the crowd of visitors:</em> “it’s about time!”</strong>\n\n<span style=\"color: #0000ff\">GUIDE: “This was not part of our rehearsal yesterday! There must be a malfunction in the equipment!”</span>\n\n<span style=\"color: #800080\">CONFUCOUS speaks:  “The superior man…does not set his mind either for anything, or against anything; what is right he will follow.”</span>\n\n<span style=\"color: #0000ff\">GUIDE: “What? Wait a minute… you’re just an apparition; a hologram! You can’t insult me like that!”</span>\n\n<span style=\"color: #800080\">CONFUCIUS: “Be not ashamed of mistakes and thus make them crimes.”</span>\n\n<span style=\"color: #0000ff\">GUIDE: “Now look here Mr. Confucius! You keep THAT up and I’ll permanently disable your holographic imagery!”</span>\n\n<span style=\"color: #800080\">CONFUCIUS:  “Before you embark on a journey of revenge, dig two graves.”</span>\n\n<span style=\"color: #800080\">VOICE:  “Very outspoken and often at odds with authority, Confucius had a reputation of “… at once more austere, more pompous, harsh even, and as a reinforcer of the status quo…” (Spence).  But, Confucianism is touted as a key power behind East Asia\'s economic phenomenon, in the 21<sup>st </sup>Century.  And in the time of Confucius, Chinese historian, Ssu-ma Ch’ien (145-89 B.C.E.) described the scholar as a commoner yet a master of many who studied his philosophies. One might compare Taoism to Confucianism as Taoism second only to Confucianism as the most influential religion or philosophy among the Chinese people. The Taoist scriptures, written in the sixth century B.C.E. are, as with The Analects of Confucius, are a collection of moral and ethical codes intended to guide people in their everyday lives.  The Tao Te Ching [DOWduh jing], <em>Classic of the Way and Its Working</em>, and the Chaung-tsu [jwahng tzoo] are held in high esteem throughout the world, remaining prominent significant work of literature down through the centuries. The primary printing was in 1926 and consisted of 1,120 volumes, a significant number compared to the twenty books of the Analects.”</span>\n\n<span style=\"color: #800080\">The Analects were written as they were delivered, in a dialog form and they cover a range of ideals from a humanistic approach, ideals as mentioned earlier: Experience profound affection for one’s fellow humankind; hold one’s elders in high esteem; encourage camaraderie with others who are virtuous; obligate oneself to a lifetime of scholarship; manage subordinates evenhandedly; contribute to social improvements, and mindfully set good examples. These are a great asset to this new colony; a guide to live by. “</span>\n\n<span style=\"color: #0000ff\">GUIDE: “I’m sure you are right in these facts but I am the expert here so let me speak!”</span>\n\n<span style=\"color: #800080\">CONFUCIUS: “He who speaks without modesty will find it difficult to make his words good.”</span>\n\n<strong><em>With that, the visitors AND the Guide suddenly find themselves floating through an elaborately decorated hallway.  The Analects of Confucius are printed in black ink over images of  the Chinese artistic style of  landscapes that are known for their simplicity and beauty. At the end of the hall is yet another door; an unimpressive, double set of sliding doors with no handles.</em></strong>\n\n<span style=\"color: #0000ff\">GUIDE:  “As you recall upon our first encounter, there are many surprises. The last encounter was a surprise to me! Now it is your turn to be astonished! “</span>\n\n<strong><span style=\"color: #000000\"><em>With this the guide\'s last pronouncement, the white doors slowly parted from the middle and the visitors reacted with a collective gasp. </em></span></strong>\n\n<span style=\"color: #0000ff\">GUIDE:  “While we were honored to have been chosen to design a museum for the four proposed works: The Villa of Mysteries (religion), The Palatine Chapel (architecture), The Canterbury Tales (literature), and Confucius’ Analects (philosophy) it became clear to us that all of the proposed works for this project were viable and important. Therefore, prior to departing with the components to construct our museum and the artifacts to place in the museum, we sent a virtual army of technicians, videographers, historians, archeologists, holographic experts, actors, and writers out  to capture the essence of each work so that our future generations may benefit from them. “</span>\n\n<span style=\"color: #800080\">CONFUCIUS nudging on e visitor states:  “The superior man is modest in his speech, but exceeds in his actions.”</span>\n\n<span style=\"color: #0000ff\">GUIDE:  “The <em>Lux et Veritas</em> Time Capsule Passages exhibits are completely compatible with the Immer-vision 3D Holographic technology; therefore, the experiential immersion encounters beyond these doors will deliver all the same quality as you have felt today with our four exhibits. The only difference is that the actual artifacts could not be brought along with us. It was the only thing to do; this is way it should be …”</span>\n\nSOCRATES: To do is to be….\n\nKANT: To be is to do ….\n\nHAMLET: To be or not to be….\n\nSINATRA: To do be do be do…\n\n<em>A near riot ensues with the visitors congratulating the Guide, Confucius, Hamlet, themselves, and any of the numerous spectators awaiting them as they rushed to deliver the great news! </em>\n\n<strong> </strong>\n<p style=\"text-align: center\"><strong>Citations</strong></p>\nJanson, H.W.  <em>History of Art</em>, Prentice-Hall. 1983, 2<sup>nd</sup> edition.  Pg 188/189\n\nVitruvius, \"The Decadence of Fresco Painting,\" in <em>the Ten Books of Architecture</em>. Trans. Morris Hicky Morgan (New York: Dover, 1969): 210–211. Text modified by James Allan Evans.\n\n&nbsp;\n\nGāius Iūlius.  <em>Phaedrus Biography - (c.15 bc–c.ad50)</em>. <a href=\"http://www.jrank.org/history/pages/5145/G%C4%81ius-I%C5%ABlius-Phaedrus.html\">http://www.jrank.org/history/pages/5145/G%C4%81ius-I%C5%ABlius-Phaedrus.html</a><em> </em>\n\nCooper, Helen. <a href=\"http://www.gradesaver.com/the-canterbury-tales/\"><em>The Canterbury Tales</em></a><em>.</em> Oxford Oxfordshire: Oxford University Press, 1996. ISBN 0-19-871155-7\n\n--- Gāius\n\nLoomis, Roger S.<em> Was Chaucer A Laodicean? </em><em>Chaucer Criticism-The Canterbury Tales,<strong> </strong></em><em>An Anthology.</em> Edited by Richard J. Schoeck and Jerome Taylor. Notre Dame Books. Notre Dame (South Bend), IN.  1960. Pg 291\n\nCooper, Helen. <a href=\"http://www.gradesaver.com/the-canterbury-tales/\"><em>The Canterbury Tales</em></a><em>.</em> Oxford Oxfordshire: Oxford University Press, 1996. ISBN 0-19-871155-7\n\nSpence, Jonathan D. is George B. Adams. CONFUCIUS. Wilson Quarterly. Woodrow Wilson International Center for Scholars. 1993','The Village of Lux et Veritas’ (Latin for Light and Truth)               The Time Capsule Passages','','inherit','open','open','','1388-autosave','','','2011-05-11 20:36:31','2011-05-12 02:36:31','',1388,'http://jeanatacc.com/2011/?p=1432',0,'revision','',0),(1434,16,'2011-05-11 21:10:17','2011-05-12 03:10:17','&nbsp;\r\n\r\n[caption id=\"attachment_1449\" align=\"alignleft\" width=\"400\" caption=\"(source: http://platinumgames.files.wordpress.com/2010/08/blog_colony.jpg?w=400&amp;h=225)\"]<a href=\"http://platinumgames.files.wordpress.com/2010/08/blog_colony.jpg?w=400&amp;h=225\"><img class=\"size-full wp-image-1449\" src=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/blog_colony.jpg\" alt=\"\" width=\"400\" height=\"225\" /></a>[/caption]\r\n\r\nLocation: Earth Research Space Colony - Academy of Archeology Museum Ship\r\n\r\nThe works selected to be preserved are The Epic of Gilgamesh, the Palatine Chapel, The Isenhiem Altarpiece, and Cortes’ letters from Mexico. All the works selected represent bear important meanings to humanity. They are all significant in that they are all hallmarks of human progress, inspiration, innovation, and ingenuity throughout humanity.<!--more-->\r\n\r\nSince, the preservation of the works is crucial, all the works will be kept in a secure container made out of self-healing glass and metal so that if anything manages to puncture the containers, it will immediately seal, minimizing the damage done to the cargo contained within. These containers can also act as a display case that can be locked in place in display rooms of the ship. They can withstand the pressures of space and can be powered by the sun. Numerous tracking devices will be added to the containers in the event that we somehow lose any one of these works, they can be retrieved.\r\n\r\nThe display room will have locks upon which the containers can be placed on to secure it in place. These locks are also access points to tubes that run throughout the ship for easy transport if the works need to be moved around, since the containers are built to fit the tubes. The tubes can also lead to openings outside of the ship in case there is an emergency evacuation. All the works can be easily transported outside.\r\n\r\nPeople can interact with all the works through hologram copies that can be enlarged, minimized, or duplicated by touch, voice-activated commands, and hand motions. They are accompanied with translations, data, and historical descriptions in the most commonly spoken languages.\r\n\r\nAll the works are original pieces except for the Palatine Chapel, which will only be a miniature hologram copy of the original. This hologram can also be minimized and enlarged for viewing purposes. Data of the Palatine Chapel will be stored in a sphere. Backups are included. If one wants to have a virtual tour of the Palatine Chapel, one can activate the tour by using voice-command, which can create a large, life-size hologram encompassing the entire display area, creating a realistic illusion of the chapel in real-time, complete with textures to appear tangible and solid. One can navigate through the virtual chapel by using the control pad that opens from the Data Sphere. Walking and running around is not advisable during the virtual tour, for the technology used is similar to advanced stealth-technology used in warfare prior to humanity’s transition into space. Therefore, any objects, with the exception of the Data Sphere, left open in the premises (that includes display containers, control pads, walls...etc) will be “stealthed,” hidden from view while the virtual tour is activated. Until the tour is over, it is imperative to STAY PUT and use only the control pad provided by the Data Sphere to transition from place to place in the virtual chapel, for it is a safety hazard to run into invisible objects. Virtual tours can be ended by using voice command. For those with technological augmentations (a.k.a. cyborgs) that allow access to databases, one can access virtual tour via cyberspace without having to use the Data Sphere. Although the Palatine Chapel cannot physically be taken into the ship, the lionheads from the chapel doors are taken as a symbolic representation of the Palatine.\r\n\r\nAll the works selected are selected to be preserved because they all give insight into ancient human thought, intellect, and perception, which all people of year 2100 can compare to current thoughts, knowledge, and ideas. The Epic of Gilgamesh depicts human growth, struggle, the search for immortality, the value of Life, and Death, which are all universal throughout human existence, are depicted in this one story. The Epic is the oldest epic known and contains one of the earliest forms of writing that was developed at the time: cuneiform. It is also one of the earliest known pieces of literature to ever be written since most stories during that era were passed down orally. It depicts a king who made great contributions to his people, leaving a legacy that was remembered throughout time, which is one of the most significant aspects of the epic that future generation will come to see. The Epic will provide a more humbling experience in the realization that we are all human and we are still vulnerable, especially now that we live in the vast expanse of space instead of the comfort of our home planet despite all the technology that allows us to do things our ancestors could only have dreamed of.\r\n\r\nThe Palatine Chapel represents the Carolingian era, a time in human history when people of many different cultures and backgrounds in what was Europe came together for the purpose of refining the arts and education. This was the start of public education in the west. It is significant for people today in that it shows how art and education can bring people together to create and innovate. In this case, the chapel with its bronze-casting and towering domes, is important in that it gives and insight to ancient medieval architecture which can be compared with our architecture today. Many people built extremely intricate and vast cathedrals that lasted for thousands of years displaying human ingenuity with practically without tools for construction. Today, we have all sorts of tools that we can utilize to easily create constructs on a much larger scale. Future generations can look back and see how far we have come.\r\n\r\nThe Isenheim Altarpiece gives insight in the role that religion played in shaping humanity. This was painted during the German Renaissance, a time that is remembered for the exploration into art in what was once Germany. It is unique in that it depicted a more gruesome and realistic depiction of Christ, mixing realism and macabre into art. Although, it has a religious meaning, it also has a more universal meaning beneath it. The Altarpiece depicts the death and resurrection of Christ, symbolizing death and rebirth. Christ is often symbolic of humanity so the piece can often be portrayed as the death and rebirth of humanity. Humanity often goes through cycles of destruction and rebirth as portrayed in our history such as how our life living on Earth has ended and now we start anew in space. Future generations will see that destruction is part of the process of starting over.\r\n\r\nThe Letters from Mexico by Cortes are accounts by Cortes, history’s most famous or infamous conqueror, of one of the oldest human civilizations on Earth, one that has captured the fascination of many in the western part of Earth at the time. They are basically early forms of travel literature. These letters were published throughout Europe and were used as propaganda to get people to travel westward. The letters are basically travel reports to the King and Queen of what was once Spain and depicts two different yet similar cultures collide. This piece is one that is perhaps the most important to future generations out of all four pieces for it can give us insight in how we might react when encountering extraterrestrial life forms and other advanced non-human civilizations that may be out there. These letters may be extremely important to study if we are to explore the frontiers of space.\r\n\r\nOverall, not only do all the pieces selected remind us who we are and what we’ve accomplished throughout the existence of our race, they may provide us insight to why we are the way we are. There are lessons within these pieces and it is up to the future generations to seek and understand so that we may continue to grow and evolve.\r\n\r\n&nbsp;','Earth Era History Conservation Project: Year 2100 Report','','publish','open','open','','earth-era-history-conservation-project-year-2100-report','','','2011-05-11 21:29:09','2011-05-12 03:29:09','',0,'http://jeanatacc.com/2011/?p=1434',0,'post','',5),(1435,29,'2011-05-11 21:05:42','2011-05-12 03:05:42','&nbsp;\n\n[caption id=\"\" align=\"aligncenter\" width=\"665\" caption=\"http://horoscopicastrologyblog.com/wp-content/uploads/2008/11/solar-system.jpg\"]<img src=\"http://horoscopicastrologyblog.com/wp-content/uploads/2008/11/solar-system.jpg\" alt=\"\" width=\"665\" height=\"501\" />[/caption]\n\nAll Aboard: The Huma Spaceship Museum\nTraveling to Uranus, Year 2100\nAs curator of the Huma Spaceship Museum, (Since the Earth will no longer be inhabitable) I chose La Maison Carée from France, \"The Madonna Enthroned\" from Italy, the book \"Utopia\" from England, and the collection of stories \"The Arabian Nights\" from the Middle East as a representation of the amazing artwork of Earth created from prehistory to the Renaissance. I have employed an architect to construct a way that The Maison Carrée can fly the remaining people on Earth to Uranus, where we will be inhabiting. The Maison Carrée was built in 19 B.C.E., so it is essential to seal and preserve the entire temple inside a large un-shatterable, indestructible glass box where everyone will still be able to breathe and live during the trip through space. Upon entering the temple, everyone will be handed a printed copy of \"Utopia\" by Sir Thomas More, or a digitalizes palm reader piece, where they insert a microchip into their hand and view the text on the inside of their palms (or open their palms towards a white wall provided and use their limbs like an overhead projector). People can stay their as long as they like to read/ discuss his text, or they can move on to the next exhibit. However, it is super important for riders on the Huma Spaceship Museum to understand that More\'s concepts are highly emphasized on the space craft. Because we ruined the world once, it is essential to work towards a Utopian society when we reach Uranus. We had the chance to follow More\'s advice once and didn\'t. Moving on: Inside the temple, there will be original paintings of Cimabue\'s throughout. The main piece at the center of the temper will be \"The Madonna Enthroned.\" This beautiful altarpiece will be the center of attention when people walk into the temple, and an informant/ assistant curator will do a constant tour explaining all of the paintings and their histories. Even the floor of the temple will have Cimabue\'s artwork on it. The paintings on the floor however will not be originals, we wouldn\'t want to step on/ or even touch his original works. Only the walls will be covered with Cimabue\'s original pieces, and those too will be sealed off with a special glass film. After the people walk into the temple (after viewing the beautiful exterior) and the paintings, they can enter the auditorium, a special room built onto the back of La Maison Carrée, where they can sit and watch actors act out plays from \"The Arabian Nights.\" This auditorium will not only have live theatre, but has a separate room to watch movies portraying the stories of \"The Arabian Nights.\" The most entertaining part about all of this, since it is year 2011 and most people don\'t wear extensive clothing anymore (most wear latex suits or nothing at all) because it isn\'t necessary (hardly anyone leaves their house due to the increase in technology) clothing stores will be implemented in this facility. It is a rule for everyone to dress up how people did in the society of the artwork they are studying during each tour through the museum. This part of the museum tour will not only serve as entertainment, but will work as a learning tool for people to really feel like they are traveling back in time, getting the full effect of the beauty of the art. After each segment, there will be a restaurant/ lounge area for people to taste the food from France, Italy, England and the Middle East. This part of the tour will be a time for people to really get to know each other and have a Q&amp;A section between the riders and the tour guides. The museum tour will be an enlightening, entertaining experience for everyone involved. The people aboard the ship will have a chance to learn about the Earth\'s history and will create memories with their new fellow inhabitants of Uranus. Each person will have the chance to learn these facts about the four pieces I chose to include in my museum:<!--more-->La Maison Carrée (the square house) is a Roman temple built in Nîmes, France in 19 B.C.E. The Roman shrine was built by Marcus Agrippa during the reign of Caesar Augustus. Agrippa who was the “right hand man” and son-in-law to Augustus and the patron of the Pantheon in Rome (Hayes, 1). La Maison Carrée was built in hopes to impress the citizens of Nîmes, keeping with the Roman style architecture to honor the new emperor Augustus. The temple was built in dedication to Augustus’s two adopted sons to promote the new imperial control. The building has a bronze inscription that reads “To Gaus Caesar, son of Augutus, consul: to Lucius Caesar, son of Augustus, Consul designate; to the princes of youth” (Hayes, 1). The temple stands on a 12 ft high podium like a Greek shrine with a stairway that leads up to a colonnaded portico (porch) and then to a single entrance. The Corinthian Order, or the laws of symmetry and proportions, is used in the portico and ornate columns that cover the exterior walls. The building door leads to a large, single room which houses a collection of Roman sculptures (once filled with sculptures of Augustus, his family and the Gods) and other classical fragments (Britannica, 1). The building  is 82 ft long by 40 ft wide. La Maison Carrée served as a spiritual center for the Romans and is an example of classical refinement (Fiero, 6.13). The temple is one of the best preserved  in the world. “It Is one of the most beautiful monuments built in Gaul by the Romans” (Norton, 913). La Maison Carrée is unusual for its time, because it is a Roman temple in the middle of France. The Roman’s brought over a new style of architecture along with their power of the Nîmes area, and it seemed to stand out against the other buildings. Although Nîmes was a provincial city, it was a priority to build a temple there just as nice as any in Rome. Augustus wanted the temple built by the best architect available (Hanser, 147). The style of the building is specifically Roman and the fineness of the construction shows the architect was familiar with the architectual style fashionable in the capital of Rome. The scrolls on the molding of the building are almost identical to the Altar of Peace in Rome which was also dedicated to Augustus. The Romans combined the style of the Etruscans (Italian society that ruled Rome for about a century) using the rectangular form on a podium with columns, a portico and stairs. The architecture also has Greek details; Corinthian order and the organization of the columns, moldings and proportion of the building. Although the Maison Carrée resembles a Greek temple, its architecture is not exactly the same. Most Greek temples have freestanding columns all around the building, making the front and back identical. However, the Maison Carrée has a distinct front and back, and a set of stairs only to the front entrance, where usual Greek temples have stairs all around the building. Romans admired the architecture of Greeks and portrayed it in temples like The Maison Carrée, but were more concerned with ornate details and magnificent architecture to portray Roman power. “There was nothing provincial about The Maison Carrée when it was built” (Hanser 146). Even though The Maison Carrée waws a peculiar architectural style in France, In Rome this style was very popular.La Maison Carrée represents the beautiful history of France, the structure represents the classical beauty of Roman architecture, and the fact that it is so well preserved is astounding. Although it has been reconstructed a few times, its original beauty shines. It is obvious it is important to the French government, and the people that live in Nîmes today. The square has been renovated and now holds a modern art museum and library and makes the area even more inviting to visit. I like the fact that the square makes modern style work with the old, classical architecture of The Maison Carrée. When looking at a picture of the temple, it seems as if it were picked up in Rome and placed in the middle of the square it sits in. It seems a little out of place beside the buildings around it, which makes it unique. The architecture is simple, but stunning. I love the columns and the way they wrap all the way around the building. I think it is rather interesting how many different identities the building has had. It started out as a temple or church, then a town hall, stable, etc and is now a museum. I would love to visit and see with my own eyes the beauty and integrity of the building. It would be amazing to walk up the steep set of stairs and think of how many came before me. When I visit France     someday soon, I will for definitely make a stop at La Maison Carrée and give praise to those that designed and built the beautiful temple.For future generations, it is important to understand the significance of La Maison Carrée. It is not only a beautiful piece of architecture, it is a representation of the struggle for power during its time. It represents the hard work men put into building the structure. It is historical evidence of the Roman Empire, and represents the power Augustus had during his reign in France and other European regions. Due to the fact that is the best preserved temple from its time period, future generations can visit it and view the original beauty and artistic intelligence it took to build it. It is important for future generations to realize the building was made by real men with their bare hands. Blood, sweat and tears went into building The Maison Carrée, unlike many buildings today. Architecture today lacks structural beauty, and many people do not think of proportions and symmetry the way these men used to. The Maison Carrée is a prime example of the Corinthian Order, and would be important for anyone to visit in order to understand the rules of the order. The Maison Carrée is not just a beautiful building, it is a representation of the people that lived in Nîmes, worked there and ruled there. It is an example of the Roman reign and the colorful history of France.\n\n<a href=\"http://images.easyart.com/i/prints/lg/3/0/300564.jpg\"><img class=\"aligncenter\" src=\"http://images.easyart.com/i/prints/lg/3/0/300564.jpg\" alt=\"\" width=\"500\" height=\"494\" /></a>http://images.easyart.com/i/prints/lg/3/0/300564.jpg\n\nThe “Madonna Enthroned” is an altarpiece painting done by one of the most famous Italian painters Cimabue (1240-1302.) Cimabue was a Florentine painter in the second half of the 13th century and the early years of the 14th century. Although none of his paintings are signed and few are still in tact, his activity in the Basilica of S. Francesco in Assisi is documented in 1280/1290. Cimabue studied with some of the Greek Masters in St. Maria Novella and was involved in the Neo-Hellenistic movement of the Paleo Organ Renaissance. His training was not exclusively Byzantine, although he lived and learned during this time period. The “Madonna Enthroned” is an altarpiece painted in or around 1285. This piece was the largest in its class of paintings at the time. The “Madonna Enthroned” was a forerunner of the Renaissance style paintings. It is said to have an “otherworldly appearance” with its network of gold lines on and around the Madonna. The figures in the “Madonna Enthroned” are flat and almost transparent as gold “swims” through them (World Book, 583.) This painting was done as an altarpiece using egg tempera on wood and is 12ft 7.5 inches by 7 ft 4 inches. Cimabue was a patriarch of Italian painting, only five or six of his originals are left today. The “Madonna Enthroned” was picked to live in the Uffizi Gallery in Florence, Italy. Cimabue’s religious Frescos are still housed in the Church of Saint Frances in Italy. Cimabue influenced many painters during and after his time period to shift their techniques and follow the trends of the everchanging artistic world. Cimabue used techniques common in the Byzantine tradition while moving towards a Naturalist and Renaissance style. His spatial depth in the “Madonna Enthroned” created a three-demensional effect uncommon during this time period. Cimabue added a dramatic effect to all of his paintings and changed the art world not only in Italy, but worldwide.In this time period, Italy was not unified and was made of a large number of states. Italy was more urbanized than many other European countries at the time. Major cities in Europe competed with major cities in Italy with the artistic patronage in Italy. The higher-ups in Italy wanted the churches and local buildings to be bigger and better than the rest of Europe, and wanted them decorated and painted by the BEST artists around. Religion was a major factor of inspiration to all artists during this time. Altarpieces and Frescos dominated the artistic world along with painting and sculptures, usually centered around pulpits and statues of saints. These painting all were housed either inside a church or in a civic building or town hall. The styles of this time period endured for centuries to come. The most popular type of art was made with tempera (wooden panels painted with colors mixed with egg) later called “egg  tempera.” The second most popular was called a Fresco, a wall painting that was applied to fresh, damp plaster. Many artist of this time were masters of both of these techniques. Sculpture usually consisted of marble and bronze sometimes gilded with soft layers of gold (this was expensive, so it  wasn’t near as easy to find.) The people who had money to pay artists for the contributions were the churches. The only documented payment made to Cimabue was for his St. John mosaic in the main apse of the Pisa Cathedral in Italy. Most of Cimabue’s work was done inside churches throughout Europe. His earliest work was the “Crucifix” in S. Domenico, Arrezo painted inside a church.  During this time, art had many influences. The gothic style dominated in Europe. Constantinople was captured by crusaders in 1204 which increased contact between Italian and Byzantine art. Later Byzantine art was “softened by naturalism and humanity looking forward to the Renaissance” (Art, 84.)  Cimabue was a master of both egg tempera, frescos and mosaics and his artwork centered around secular subjects adding “tender humanity” to each of his pieces (Art, 85.)The “Madonna Enthroned” is an example of Medieval art with influences of the Byzantine and Gothic era leading up to the Renaissance style of painting. Some of the most stunning pieces of art from this era is in the form of altarpieces installed in churches in honor of one of the saints or the Virgin Mary (Madonna.)  Typical altarpieces were done on one or more wooden panels  coated in a white chalky plaster or “gesso” with tempera, which produced dull, flat colors. The altarpiece was then decorated with gold leaf that would reflect the candles lit in the altar for a more dramatic effect (Fiero, 13.34.) Cimabue’s altarpiece the “Madonna Enthroned” used these techniques. His piece showed a scene of the Madonna and her child elevated on a large seat that is a throne and a tower. Angels are all around her and beneath her feet are four Hebrew prophets holding scrolls. The Madonna is centered in the piece and is significantly larger than the rest of the people in the picture, showing her importance. “Such hierarchic grading, while typical of Medieval art, also characterized Egyptian and Byzantine compositions” (Fiero, 13.)  Cimabue’s devotional altar piece is lavish and elegant. It’s lines are sharp and the metallic detail on the Virgin’s dark blue drapery sets off the sharp wings of the angels and the distinct features of Christ and the decorative throne. The Virgin has a little more character in her face than what was usual at the time, but like most Byzantine art- all of the faces of the saints, Christ and angels looking similar. Cimabue used egg tempera on wood because it was stable and durable and the colors remained strong through time. The colors are added to the mixed with the solution and applied to the wood. This solution dries quickly so Cimabue (or any artist) could not mix color on the actual Fresco.For future generations it is important to know the Cimabue was one of the first famous artists of his time. His artistic style was so innovative and precise that he made many other artist create new styles, and inspired them to use his techniques. He studied classical Greek artwork, and was trained by  “The Greek Masters” at the Saint Maria Novella. Cimabue was a trained artist and worked hard at his hobby. He was paid for his work, and people felt privileged to work with him and view his incredible masterpieces. Cimabue inspired artist like Giotto to further their career and change the artistic world as we know it. Cimabue used the current artistic styles of his time and molded them into his style and created masterpieces. His art was a forerunner to Renaissance style art and was one of the first in his time to step outside the box and go against the grain, which ultimately made him stand out and live on as a legacy in the artistic world.\n<p style=\"text-align: left\"><a href=\"http://farm4.static.flickr.com/3633/3447943773_9490069718.jpg\"><img class=\"aligncenter\" src=\"http://farm4.static.flickr.com/3633/3447943773_9490069718.jpg\" alt=\"\" width=\"288\" height=\"500\" /></a>http://farm4.static.flickr.com/3633/3447943773_9490069718.jpg</p>\n<p style=\"text-align: left\">Sir Thomas More was born in England in 1478 and worked as chancellor to King Henry VIII during the king’s controversial break with the Catholic church. More was a Christian man who relied heavily on his own conscience. He stood up for religious tolerance and Christian charity. He was “unwilling to compromise his conviction as a Roman Catholic” (Fiero, 19) and by opposing the actions of the king, was executed for treason in 1535. Although More worked for the kind most of his life, he had a constant struggle on whether to remain loyal to the king and continue to join his services, or to remain a philosopher. When More wrote his most famous piece: Utopia (1516) the first literary description of a “perfect” or ideal state since “Republic” by Plato. More centered this story around Europe’s statecraft and current state of society and titled it Utopia, meaning in Greek both “good place” and “no place” (Fiero, 19). More created a society where everything was equal (except to slaves) and where all citizens were equally responsible for social justice. The Utopians in the made-up society are not Christians, but stand by the Christian morals of charity and morality. More wrote “Utopia” in the form of a critique (on European state at the time) and as a political satire. In Utopian society, wives serve their husbands, and children serve their parents. Cities are divided equally into four separate parts and there is a marketplace in the center of each. At the marketplace, people bring their crops or tools they make and lay them out for people from their cities to come take back to their houses. The fathers of each family take what is necessary for their family’s survival and need not pay anything in return. In “Utopia,” there is no such thing as greed and people do not want things because excess is not part of their vocabulary. People do not need money, because there is no denial for anything- there is plenty of everything to go around. The Utopians hoard a vast array of metals that they take from foreign trade and use them for the military or for anything else they need. ” They have no inducements to do this, since they are sure they shall always be supplied” (Fiero, 19). People have no need for gold or silver or anything of “value” because they don’t find it necessary to live. “The folly of men has enhanced the value of gold and silver, because of their scarcity. Whereas, on the contrary, it is their opinion that nature as an indulgent parent, has freely given us all the best things in great abundance” (Fiero, 19). In other words, to the Utopians things in vain are worthless. If something like gold or diamonds is attained, it is because someone in society has come across it by accident- and in this case they adorn their children with these treasures. The goods given to their children will “glory” them while they are children and when they are older they will understand that “none but children use such baubles, they of their own accords, without being being bid by their parents lay them aside” (Fiero, 19). One of the last main points More puts in his “Utopia” is that war is brutal and is extremely unnecessary and should be avoided at all cost. More says that “nothing is more inglorious than glory attained by war” (Fiero, 19) and that no matter what if a truce is made- it will never be broken. The Utopian society takes truces so seriously that nothing can make them break it. The Utopians will not burn an enemy’s crops, kill their horses or kill any man- unless he is a spy.“Utopia” is definitely not a typical work of its era. More’s thought were completely out of the ordinary for the average person during his time. Sure, many philosophers (like Plato) thought like him, but the common man wouldn’t think of writing a critique on the country they live in- not without thinking of dying for treason first! His thoughts were so before his time that many disagreed with his opinions. “Utopia” was radical in its day- More’s view on “idealistic revolution” (Gerard, 1) is still controversial today. Even though the world has progressed (somewhat) towards this utopian-like place, many issues addressed in “Utopia” are still not fixed today (war for instance). More was critical of the world he lived in, economic order was constantly changing and More believed a lot of the changes were evil. He wrote “Utopia” to suggest some solutions to the problems Europe was having. More’s differed from philosophers like Plato’s writing, because More gave to everyone in his scenario. More shows the difference between his own corrupt society and compares it to his idealistic universe. Plato, in his “Republic” talks about how idealism deals with separation of the mind and matter. He explains that someone might get ahead and be virtuous by the benefits of both the individual and the society they live in. Like more, Plato built an idealist society where people worked together to achieve a virtuous environment. Like Plato, more also feels that an educated society is a stronger society.“Utopia” should be preserved and should be continually taught throughout the rest of time. “Utopia” can reach many generations and can speak to anyone who has a heart. More’s words are thought out and his story is in-depth, but it is easy to understand. His morals and ideals placed inside “Utopia” are ones that everyone seeks. Peace and harmony reside on Utopia, and this is something we all wish to live in. I love the geographic context of the actual Utopian island, it is a deserted island where the country can choose to interact with the rest of the world or not. I believe this is how the United States should act, we should chose our battles wisely and think twice (or a million times!) about the price and necessity of war. “Utopia” is not only an entertaining read, it is truly inspiring.</p>\n<p style=\"text-align: left\"><a href=\"http://thewitcontinuum.files.wordpress.com/2009/10/utopiathomas-more.jpg\"><img class=\"aligncenter\" src=\"http://thewitcontinuum.files.wordpress.com/2009/10/utopiathomas-more.jpg\" alt=\"\" width=\"322\" height=\"500\" /></a>http://thewitcontinuum.files.wordpress.com/2009/10/utopiathomas-more.jpg</p>\n<p style=\"text-align: left\">“The Arabian Nights” also known as “The Thousand and One Nights” is a classic assembly of stories whose origins branch from the eighth and tenth centuries from Arabic, Persian and Indian cultures (who wrote the actual stories is uncertain). This collection of stories is the most famous piece of Arabic literature in the west. Famous characters such as Ali Baba, Aladdin and Sinbad all stem from these adventurous tales. The collection of prose tales, uses a narrative technique called a “frame tale,” where a story is “composed for the purpose of including a group of shorter stories” (Fiero, 19).  The specific frame story used in “The Arabian Nights” focuses on an Indian fairy tale: “Shahrasad (in English, Scheherazade) marries a king who fears female infidelity so greatly that he kills each new wife on the morning after the wedding night. In order to forestall her own death, Scheherazade entertains the king by telling stories, each of which she carefully brings to a climax just before dawn, so that, in order to learn the ending, the king must allow her to live.” (Fiero, 19). The storytelling techniques of Scheherazade has a “humanizing” effect on the kind who, after exactly a thousand nights begins to love his witty wife (so he decides not to behead her like the rest!) Within the story lies 250 tales which include fantasy, romance and erotica. “The Arabian Nights” has been translated into various languages throughout time. In the 1700s, Jean Antoine Galland executed the first translation in French and in the 1880′s John Payne and Sir Richard Francis Burton did an English translation. Since then, the stories have been translated into various other languages including Persian and Egyptian. Stories such as Aladdin focus on the lower people in society; rogues, tricksters and vagabonds were all added during the Egyptian translations of the stories. Islam, from the very beginning, has had the status of being a state-sponsored religion. Islam holds ethnic diversity, where theocratic rule brought together an assimilation of many different people. The main languages of the Islamic world include: Arabic, Persian and Turkish (but there are many, many others). Like “The Arabian Nights,” Islam “absorbed” different styles of art from non-Arab people as it expanded. “The Arabian Nights” can be compared with the ever-changing styles of Islam; as the stories of “The Thousand and One Nights” expanded, so did its content and art styles. Muhammad had a dictum where people were to “seek knowledge,” like the western world in order to understand the happenings of the natural world. A burst of literacy happened during the 1300-1500s and people began to explore literature from all over the world. The availability of paper was an important factor in the burst for knowledge, “and in the production of new types of literature, such as scientific treatises, cookbooks, poems and tales, paper provided a major advance over parchment and papyrus, expensive materials from whose surfaces ink could easily be erased.” If paper wasn’t easily attainable and knowledge wasn’t sought after, like Muhammad had asked, “The Arabian Nights” would have never graced this Earth.The stories of “The Thousand and One Nights” continues to inspire many Western readers about the ideas of the “romantic” East. Most stories during this time period focused on tribal wars, heroic deeds and brave warriors. Shortly after the printing press was invented, people began printing cheap books, some with illustrations. “The Arabian Nights” was different for its time because it was pure entertainment. The stories are fun and adventurous which is why they became so popular. “The Arabian Nights” inspired stories of romance and fairy tales in a time period when mostly poetry, riddles, lullabies and war tales were circulating. “The Arabian Nights” were collected over many centuries from Persia, India and Arabia and include a vast assortment of subjects and styles. The stories include: Adventure fantasies, erotica, animal fables and display an accurate descriptions of the daily entertainments of the Islamic world. The stories are compared to the Islamic art in the way that they loop into each other, linking each story to the last. This technique is a principe of the design in Islamic art, where repetition and “infinite extension” loop within each other to “form a meandering overall pattern” (Fiero, 19).“The Arabian Nights” serves the same purpose in Islamic culture as do our fairy tales about little pigs and magic carpets. The story of “Aladdin and the Magic Lamp” was made into a Disney movie and is loved by millions of children every year. This collection of stories made many of its characters household names, what child doesn’t know who Aladdin, Sinbad or Ali Baba? What kid doesn’t know the song “Arabian Nights” from Aladdin the movie? These stories are still relevant today because they inspired generations of writers and readers to dream and feel free to explore parts of the world they aren’t familiar with. This collection of stories should be preserved because the themes and literary advancements in the texts were so far before their times. The stories speak and will continue to speak to generations to come. Anyone can pick up a copy of “The Thousand and One Nights” and be entertained. The stories are not strictly Islamic in lesson, they speak to every culture. Entertainment is what we live for today- people during the time when these stories were written looked at them like we do movies today. The tales let people escape from their lives and dream about the lives of the characters in the stories they read. “The Arabian Nights” is not only a literary classic, but a fine example of pure entertainment.</p>\n<p style=\"text-align: left\"><a href=\"http://www.kellscraft.com/FairyTalesArabianNights/ArabianNightsImages/P6295418.JPG\"><img class=\"aligncenter\" src=\"http://www.kellscraft.com/FairyTalesArabianNights/ArabianNightsImages/P6295418.JPG\" alt=\"\" width=\"521\" height=\"800\" /></a>http://www.kellscraft.com/FairyTalesArabianNights/ArabianNightsImages/P6295418.JPG</p>\n<p style=\"text-align: left\">Overall, the museum will be a great way to teach people about the beautiful history and the incredible art of planet Earth. Being part of this exhibit while traveling into outer space will hopefully inspire the people to become artists themselves. Since Uranus has no history as of yet, it is important to educate the people so they can create beautiful masterpieces just like the artists of La Maison Carrée, \"The Madonna Enthroned\", \"Utopia,\" and \"The Arabian Nights.\" Hopefully the people aboard the ship are in awe of these pieces and feel very blessed to be in the presence of some of the original pieces of art. The reason I created this museum was to educate and entertain, but mostly to bring the people aboard the Huma Spaceship together as an artistic union. Culture cannot exist without art and art cannot exist without culture. I assume everyone will be extremely excited about visiting the museums and will continue to pass along the beautiful traditions these artists originally succeeded in doing. I hope people work towards a Utopian society and use Uranus as a new, fresh place to create beautiful art and live in peace and harmony!</p>','All Aboard: The Huma Spaceship! ','','inherit','open','open','','1427-revision','','','2011-05-11 21:05:42','2011-05-12 03:05:42','',1427,'http://jeanatacc.com/2011/?p=1435',0,'revision','',0),(1436,29,'2011-05-11 21:06:18','2011-05-12 03:06:18','&nbsp;\r\n\r\n[caption id=\"\" align=\"aligncenter\" width=\"665\" caption=\"http://horoscopicastrologyblog.com/wp-content/uploads/2008/11/solar-system.jpg\"]<img src=\"http://horoscopicastrologyblog.com/wp-content/uploads/2008/11/solar-system.jpg\" alt=\"\" width=\"665\" height=\"501\" />[/caption]\r\n\r\nAll Aboard: The Huma Spaceship Museum\r\nTraveling to Uranus, Year 2100\r\nAs curator of the Huma Spaceship Museum, (Since the Earth will no longer be inhabitable) I chose La Maison Carée from France, \"The Madonna Enthroned\" from Italy, the book \"Utopia\" from England, and the collection of stories \"The Arabian Nights\" from the Middle East as a representation of the amazing artwork of Earth created from prehistory to the Renaissance. I have employed an architect to construct a way that The Maison Carrée can fly the remaining people on Earth to Uranus, where we will be inhabiting. The Maison Carrée was built in 19 B.C.E., so it is essential to seal and preserve the entire temple inside a large un-shatterable, indestructible glass box where everyone will still be able to breathe and live during the trip through space. Upon entering the temple, everyone will be handed a printed copy of \"Utopia\" by Sir Thomas More, or a digitalizes palm reader piece, where they insert a microchip into their hand and view the text on the inside of their palms (or open their palms towards a white wall provided and use their limbs like an overhead projector). People can stay their as long as they like to read/ discuss his text, or they can move on to the next exhibit. However, it is super important for riders on the Huma Spaceship Museum to understand that More\'s concepts are highly emphasized on the space craft. Because we ruined the world once, it is essential to work towards a Utopian society when we reach Uranus. We had the chance to follow More\'s advice once and didn\'t. Moving on: Inside the temple, there will be original paintings of Cimabue\'s throughout. The main piece at the center of the temper will be \"The Madonna Enthroned.\" This beautiful altarpiece will be the center of attention when people walk into the temple, and an informant/ assistant curator will do a constant tour explaining all of the paintings and their histories. Even the floor of the temple will have Cimabue\'s artwork on it. The paintings on the floor however will not be originals, we wouldn\'t want to step on/ or even touch his original works. Only the walls will be covered with Cimabue\'s original pieces, and those too will be sealed off with a special glass film. After the people walk into the temple (after viewing the beautiful exterior) and the paintings, they can enter the auditorium, a special room built onto the back of La Maison Carrée, where they can sit and watch actors act out plays from \"The Arabian Nights.\" This auditorium will not only have live theatre, but has a separate room to watch movies portraying the stories of \"The Arabian Nights.\" The most entertaining part about all of this, since it is year 2011 and most people don\'t wear extensive clothing anymore (most wear latex suits or nothing at all) because it isn\'t necessary (hardly anyone leaves their house due to the increase in technology) clothing stores will be implemented in this facility. It is a rule for everyone to dress up how people did in the society of the artwork they are studying during each tour through the museum. This part of the museum tour will not only serve as entertainment, but will work as a learning tool for people to really feel like they are traveling back in time, getting the full effect of the beauty of the art. After each segment, there will be a restaurant/ lounge area for people to taste the food from France, Italy, England and the Middle East. This part of the tour will be a time for people to really get to know each other and have a Q&amp;A section between the riders and the tour guides. The museum tour will be an enlightening, entertaining experience for everyone involved. The people aboard the ship will have a chance to learn about the Earth\'s history and will create memories with their new fellow inhabitants of Uranus. Each person will have the chance to learn these facts about the four pieces I chose to include in my museum:<!--more-->La Maison Carrée (the square house) is a Roman temple built in Nîmes, France in 19 B.C.E. The Roman shrine was built by Marcus Agrippa during the reign of Caesar Augustus. Agrippa who was the “right hand man” and son-in-law to Augustus and the patron of the Pantheon in Rome (Hayes, 1). La Maison Carrée was built in hopes to impress the citizens of Nîmes, keeping with the Roman style architecture to honor the new emperor Augustus. The temple was built in dedication to Augustus’s two adopted sons to promote the new imperial control. The building has a bronze inscription that reads “To Gaus Caesar, son of Augutus, consul: to Lucius Caesar, son of Augustus, Consul designate; to the princes of youth” (Hayes, 1). The temple stands on a 12 ft high podium like a Greek shrine with a stairway that leads up to a colonnaded portico (porch) and then to a single entrance. The Corinthian Order, or the laws of symmetry and proportions, is used in the portico and ornate columns that cover the exterior walls. The building door leads to a large, single room which houses a collection of Roman sculptures (once filled with sculptures of Augustus, his family and the Gods) and other classical fragments (Britannica, 1). The building  is 82 ft long by 40 ft wide. La Maison Carrée served as a spiritual center for the Romans and is an example of classical refinement (Fiero, 6.13). The temple is one of the best preserved  in the world. “It Is one of the most beautiful monuments built in Gaul by the Romans” (Norton, 913). La Maison Carrée is unusual for its time, because it is a Roman temple in the middle of France. The Roman’s brought over a new style of architecture along with their power of the Nîmes area, and it seemed to stand out against the other buildings. Although Nîmes was a provincial city, it was a priority to build a temple there just as nice as any in Rome. Augustus wanted the temple built by the best architect available (Hanser, 147). The style of the building is specifically Roman and the fineness of the construction shows the architect was familiar with the architectual style fashionable in the capital of Rome. The scrolls on the molding of the building are almost identical to the Altar of Peace in Rome which was also dedicated to Augustus. The Romans combined the style of the Etruscans (Italian society that ruled Rome for about a century) using the rectangular form on a podium with columns, a portico and stairs. The architecture also has Greek details; Corinthian order and the organization of the columns, moldings and proportion of the building. Although the Maison Carrée resembles a Greek temple, its architecture is not exactly the same. Most Greek temples have freestanding columns all around the building, making the front and back identical. However, the Maison Carrée has a distinct front and back, and a set of stairs only to the front entrance, where usual Greek temples have stairs all around the building. Romans admired the architecture of Greeks and portrayed it in temples like The Maison Carrée, but were more concerned with ornate details and magnificent architecture to portray Roman power. “There was nothing provincial about The Maison Carrée when it was built” (Hanser 146). Even though The Maison Carrée waws a peculiar architectural style in France, In Rome this style was very popular.La Maison Carrée represents the beautiful history of France, the structure represents the classical beauty of Roman architecture, and the fact that it is so well preserved is astounding. Although it has been reconstructed a few times, its original beauty shines. It is obvious it is important to the French government, and the people that live in Nîmes today. The square has been renovated and now holds a modern art museum and library and makes the area even more inviting to visit. I like the fact that the square makes modern style work with the old, classical architecture of The Maison Carrée. When looking at a picture of the temple, it seems as if it were picked up in Rome and placed in the middle of the square it sits in. It seems a little out of place beside the buildings around it, which makes it unique. The architecture is simple, but stunning. I love the columns and the way they wrap all the way around the building. I think it is rather interesting how many different identities the building has had. It started out as a temple or church, then a town hall, stable, etc and is now a museum. I would love to visit and see with my own eyes the beauty and integrity of the building. It would be amazing to walk up the steep set of stairs and think of how many came before me. When I visit France     someday soon, I will for definitely make a stop at La Maison Carrée and give praise to those that designed and built the beautiful temple.For future generations, it is important to understand the significance of La Maison Carrée. It is not only a beautiful piece of architecture, it is a representation of the struggle for power during its time. It represents the hard work men put into building the structure. It is historical evidence of the Roman Empire, and represents the power Augustus had during his reign in France and other European regions. Due to the fact that is the best preserved temple from its time period, future generations can visit it and view the original beauty and artistic intelligence it took to build it. It is important for future generations to realize the building was made by real men with their bare hands. Blood, sweat and tears went into building The Maison Carrée, unlike many buildings today. Architecture today lacks structural beauty, and many people do not think of proportions and symmetry the way these men used to. The Maison Carrée is a prime example of the Corinthian Order, and would be important for anyone to visit in order to understand the rules of the order. The Maison Carrée is not just a beautiful building, it is a representation of the people that lived in Nîmes, worked there and ruled there. It is an example of the Roman reign and the colorful history of France.\r\n\r\n<a href=\"http://images.easyart.com/i/prints/lg/3/0/300564.jpg\"><img class=\"aligncenter\" src=\"http://images.easyart.com/i/prints/lg/3/0/300564.jpg\" alt=\"\" width=\"500\" height=\"494\" /></a>http://images.easyart.com/i/prints/lg/3/0/300564.jpg\r\n\r\nThe “Madonna Enthroned” is an altarpiece painting done by one of the most famous Italian painters Cimabue (1240-1302.) Cimabue was a Florentine painter in the second half of the 13th century and the early years of the 14th century. Although none of his paintings are signed and few are still in tact, his activity in the Basilica of S. Francesco in Assisi is documented in 1280/1290. Cimabue studied with some of the Greek Masters in St. Maria Novella and was involved in the Neo-Hellenistic movement of the Paleo Organ Renaissance. His training was not exclusively Byzantine, although he lived and learned during this time period. The “Madonna Enthroned” is an altarpiece painted in or around 1285. This piece was the largest in its class of paintings at the time. The “Madonna Enthroned” was a forerunner of the Renaissance style paintings. It is said to have an “otherworldly appearance” with its network of gold lines on and around the Madonna. The figures in the “Madonna Enthroned” are flat and almost transparent as gold “swims” through them (World Book, 583.) This painting was done as an altarpiece using egg tempera on wood and is 12ft 7.5 inches by 7 ft 4 inches. Cimabue was a patriarch of Italian painting, only five or six of his originals are left today. The “Madonna Enthroned” was picked to live in the Uffizi Gallery in Florence, Italy. Cimabue’s religious Frescos are still housed in the Church of Saint Frances in Italy. Cimabue influenced many painters during and after his time period to shift their techniques and follow the trends of the everchanging artistic world. Cimabue used techniques common in the Byzantine tradition while moving towards a Naturalist and Renaissance style. His spatial depth in the “Madonna Enthroned” created a three-demensional effect uncommon during this time period. Cimabue added a dramatic effect to all of his paintings and changed the art world not only in Italy, but worldwide.In this time period, Italy was not unified and was made of a large number of states. Italy was more urbanized than many other European countries at the time. Major cities in Europe competed with major cities in Italy with the artistic patronage in Italy. The higher-ups in Italy wanted the churches and local buildings to be bigger and better than the rest of Europe, and wanted them decorated and painted by the BEST artists around. Religion was a major factor of inspiration to all artists during this time. Altarpieces and Frescos dominated the artistic world along with painting and sculptures, usually centered around pulpits and statues of saints. These painting all were housed either inside a church or in a civic building or town hall. The styles of this time period endured for centuries to come. The most popular type of art was made with tempera (wooden panels painted with colors mixed with egg) later called “egg  tempera.” The second most popular was called a Fresco, a wall painting that was applied to fresh, damp plaster. Many artist of this time were masters of both of these techniques. Sculpture usually consisted of marble and bronze sometimes gilded with soft layers of gold (this was expensive, so it  wasn’t near as easy to find.) The people who had money to pay artists for the contributions were the churches. The only documented payment made to Cimabue was for his St. John mosaic in the main apse of the Pisa Cathedral in Italy. Most of Cimabue’s work was done inside churches throughout Europe. His earliest work was the “Crucifix” in S. Domenico, Arrezo painted inside a church.  During this time, art had many influences. The gothic style dominated in Europe. Constantinople was captured by crusaders in 1204 which increased contact between Italian and Byzantine art. Later Byzantine art was “softened by naturalism and humanity looking forward to the Renaissance” (Art, 84.)  Cimabue was a master of both egg tempera, frescos and mosaics and his artwork centered around secular subjects adding “tender humanity” to each of his pieces (Art, 85.)The “Madonna Enthroned” is an example of Medieval art with influences of the Byzantine and Gothic era leading up to the Renaissance style of painting. Some of the most stunning pieces of art from this era is in the form of altarpieces installed in churches in honor of one of the saints or the Virgin Mary (Madonna.)  Typical altarpieces were done on one or more wooden panels  coated in a white chalky plaster or “gesso” with tempera, which produced dull, flat colors. The altarpiece was then decorated with gold leaf that would reflect the candles lit in the altar for a more dramatic effect (Fiero, 13.34.) Cimabue’s altarpiece the “Madonna Enthroned” used these techniques. His piece showed a scene of the Madonna and her child elevated on a large seat that is a throne and a tower. Angels are all around her and beneath her feet are four Hebrew prophets holding scrolls. The Madonna is centered in the piece and is significantly larger than the rest of the people in the picture, showing her importance. “Such hierarchic grading, while typical of Medieval art, also characterized Egyptian and Byzantine compositions” (Fiero, 13.)  Cimabue’s devotional altar piece is lavish and elegant. It’s lines are sharp and the metallic detail on the Virgin’s dark blue drapery sets off the sharp wings of the angels and the distinct features of Christ and the decorative throne. The Virgin has a little more character in her face than what was usual at the time, but like most Byzantine art- all of the faces of the saints, Christ and angels looking similar. Cimabue used egg tempera on wood because it was stable and durable and the colors remained strong through time. The colors are added to the mixed with the solution and applied to the wood. This solution dries quickly so Cimabue (or any artist) could not mix color on the actual Fresco.For future generations it is important to know the Cimabue was one of the first famous artists of his time. His artistic style was so innovative and precise that he made many other artist create new styles, and inspired them to use his techniques. He studied classical Greek artwork, and was trained by  “The Greek Masters” at the Saint Maria Novella. Cimabue was a trained artist and worked hard at his hobby. He was paid for his work, and people felt privileged to work with him and view his incredible masterpieces. Cimabue inspired artist like Giotto to further their career and change the artistic world as we know it. Cimabue used the current artistic styles of his time and molded them into his style and created masterpieces. His art was a forerunner to Renaissance style art and was one of the first in his time to step outside the box and go against the grain, which ultimately made him stand out and live on as a legacy in the artistic world.\r\n<p style=\"text-align: left\"><a href=\"http://farm4.static.flickr.com/3633/3447943773_9490069718.jpg\"><img class=\"aligncenter\" src=\"http://farm4.static.flickr.com/3633/3447943773_9490069718.jpg\" alt=\"\" width=\"288\" height=\"500\" /></a>http://farm4.static.flickr.com/3633/3447943773_9490069718.jpg</p>\r\n<p style=\"text-align: left\">Sir Thomas More was born in England in 1478 and worked as chancellor to King Henry VIII during the king’s controversial break with the Catholic church. More was a Christian man who relied heavily on his own conscience. He stood up for religious tolerance and Christian charity. He was “unwilling to compromise his conviction as a Roman Catholic” (Fiero, 19) and by opposing the actions of the king, was executed for treason in 1535. Although More worked for the kind most of his life, he had a constant struggle on whether to remain loyal to the king and continue to join his services, or to remain a philosopher. When More wrote his most famous piece: Utopia (1516) the first literary description of a “perfect” or ideal state since “Republic” by Plato. More centered this story around Europe’s statecraft and current state of society and titled it Utopia, meaning in Greek both “good place” and “no place” (Fiero, 19). More created a society where everything was equal (except to slaves) and where all citizens were equally responsible for social justice. The Utopians in the made-up society are not Christians, but stand by the Christian morals of charity and morality. More wrote “Utopia” in the form of a critique (on European state at the time) and as a political satire. In Utopian society, wives serve their husbands, and children serve their parents. Cities are divided equally into four separate parts and there is a marketplace in the center of each. At the marketplace, people bring their crops or tools they make and lay them out for people from their cities to come take back to their houses. The fathers of each family take what is necessary for their family’s survival and need not pay anything in return. In “Utopia,” there is no such thing as greed and people do not want things because excess is not part of their vocabulary. People do not need money, because there is no denial for anything- there is plenty of everything to go around. The Utopians hoard a vast array of metals that they take from foreign trade and use them for the military or for anything else they need. ” They have no inducements to do this, since they are sure they shall always be supplied” (Fiero, 19). People have no need for gold or silver or anything of “value” because they don’t find it necessary to live. “The folly of men has enhanced the value of gold and silver, because of their scarcity. Whereas, on the contrary, it is their opinion that nature as an indulgent parent, has freely given us all the best things in great abundance” (Fiero, 19). In other words, to the Utopians things in vain are worthless. If something like gold or diamonds is attained, it is because someone in society has come across it by accident- and in this case they adorn their children with these treasures. The goods given to their children will “glory” them while they are children and when they are older they will understand that “none but children use such baubles, they of their own accords, without being being bid by their parents lay them aside” (Fiero, 19). One of the last main points More puts in his “Utopia” is that war is brutal and is extremely unnecessary and should be avoided at all cost. More says that “nothing is more inglorious than glory attained by war” (Fiero, 19) and that no matter what if a truce is made- it will never be broken. The Utopian society takes truces so seriously that nothing can make them break it. The Utopians will not burn an enemy’s crops, kill their horses or kill any man- unless he is a spy.“Utopia” is definitely not a typical work of its era. More’s thought were completely out of the ordinary for the average person during his time. Sure, many philosophers (like Plato) thought like him, but the common man wouldn’t think of writing a critique on the country they live in- not without thinking of dying for treason first! His thoughts were so before his time that many disagreed with his opinions. “Utopia” was radical in its day- More’s view on “idealistic revolution” (Gerard, 1) is still controversial today. Even though the world has progressed (somewhat) towards this utopian-like place, many issues addressed in “Utopia” are still not fixed today (war for instance). More was critical of the world he lived in, economic order was constantly changing and More believed a lot of the changes were evil. He wrote “Utopia” to suggest some solutions to the problems Europe was having. More’s differed from philosophers like Plato’s writing, because More gave to everyone in his scenario. More shows the difference between his own corrupt society and compares it to his idealistic universe. Plato, in his “Republic” talks about how idealism deals with separation of the mind and matter. He explains that someone might get ahead and be virtuous by the benefits of both the individual and the society they live in. Like more, Plato built an idealist society where people worked together to achieve a virtuous environment. Like Plato, more also feels that an educated society is a stronger society.“Utopia” should be preserved and should be continually taught throughout the rest of time. “Utopia” can reach many generations and can speak to anyone who has a heart. More’s words are thought out and his story is in-depth, but it is easy to understand. His morals and ideals placed inside “Utopia” are ones that everyone seeks. Peace and harmony reside on Utopia, and this is something we all wish to live in. I love the geographic context of the actual Utopian island, it is a deserted island where the country can choose to interact with the rest of the world or not. I believe this is how the United States should act, we should chose our battles wisely and think twice (or a million times!) about the price and necessity of war. “Utopia” is not only an entertaining read, it is truly inspiring.</p>\r\n<p style=\"text-align: left\"><a href=\"http://thewitcontinuum.files.wordpress.com/2009/10/utopiathomas-more.jpg\"><img class=\"aligncenter\" src=\"http://thewitcontinuum.files.wordpress.com/2009/10/utopiathomas-more.jpg\" alt=\"\" width=\"322\" height=\"500\" /></a>http://thewitcontinuum.files.wordpress.com/2009/10/utopiathomas-more.jpg</p>\r\n<p style=\"text-align: left\">“The Arabian Nights” also known as “The Thousand and One Nights” is a classic assembly of stories whose origins branch from the eighth and tenth centuries from Arabic, Persian and Indian cultures (who wrote the actual stories is uncertain). This collection of stories is the most famous piece of Arabic literature in the west. Famous characters such as Ali Baba, Aladdin and Sinbad all stem from these adventurous tales. The collection of prose tales, uses a narrative technique called a “frame tale,” where a story is “composed for the purpose of including a group of shorter stories” (Fiero, 19).  The specific frame story used in “The Arabian Nights” focuses on an Indian fairy tale: “Shahrasad (in English, Scheherazade) marries a king who fears female infidelity so greatly that he kills each new wife on the morning after the wedding night. In order to forestall her own death, Scheherazade entertains the king by telling stories, each of which she carefully brings to a climax just before dawn, so that, in order to learn the ending, the king must allow her to live.” (Fiero, 19). The storytelling techniques of Scheherazade has a “humanizing” effect on the kind who, after exactly a thousand nights begins to love his witty wife (so he decides not to behead her like the rest!) Within the story lies 250 tales which include fantasy, romance and erotica. “The Arabian Nights” has been translated into various languages throughout time. In the 1700s, Jean Antoine Galland executed the first translation in French and in the 1880′s John Payne and Sir Richard Francis Burton did an English translation. Since then, the stories have been translated into various other languages including Persian and Egyptian. Stories such as Aladdin focus on the lower people in society; rogues, tricksters and vagabonds were all added during the Egyptian translations of the stories. Islam, from the very beginning, has had the status of being a state-sponsored religion. Islam holds ethnic diversity, where theocratic rule brought together an assimilation of many different people. The main languages of the Islamic world include: Arabic, Persian and Turkish (but there are many, many others). Like “The Arabian Nights,” Islam “absorbed” different styles of art from non-Arab people as it expanded. “The Arabian Nights” can be compared with the ever-changing styles of Islam; as the stories of “The Thousand and One Nights” expanded, so did its content and art styles. Muhammad had a dictum where people were to “seek knowledge,” like the western world in order to understand the happenings of the natural world. A burst of literacy happened during the 1300-1500s and people began to explore literature from all over the world. The availability of paper was an important factor in the burst for knowledge, “and in the production of new types of literature, such as scientific treatises, cookbooks, poems and tales, paper provided a major advance over parchment and papyrus, expensive materials from whose surfaces ink could easily be erased.” If paper wasn’t easily attainable and knowledge wasn’t sought after, like Muhammad had asked, “The Arabian Nights” would have never graced this Earth.The stories of “The Thousand and One Nights” continues to inspire many Western readers about the ideas of the “romantic” East. Most stories during this time period focused on tribal wars, heroic deeds and brave warriors. Shortly after the printing press was invented, people began printing cheap books, some with illustrations. “The Arabian Nights” was different for its time because it was pure entertainment. The stories are fun and adventurous which is why they became so popular. “The Arabian Nights” inspired stories of romance and fairy tales in a time period when mostly poetry, riddles, lullabies and war tales were circulating. “The Arabian Nights” were collected over many centuries from Persia, India and Arabia and include a vast assortment of subjects and styles. The stories include: Adventure fantasies, erotica, animal fables and display an accurate descriptions of the daily entertainments of the Islamic world. The stories are compared to the Islamic art in the way that they loop into each other, linking each story to the last. This technique is a principe of the design in Islamic art, where repetition and “infinite extension” loop within each other to “form a meandering overall pattern” (Fiero, 19).“The Arabian Nights” serves the same purpose in Islamic culture as do our fairy tales about little pigs and magic carpets. The story of “Aladdin and the Magic Lamp” was made into a Disney movie and is loved by millions of children every year. This collection of stories made many of its characters household names, what child doesn’t know who Aladdin, Sinbad or Ali Baba? What kid doesn’t know the song “Arabian Nights” from Aladdin the movie? These stories are still relevant today because they inspired generations of writers and readers to dream and feel free to explore parts of the world they aren’t familiar with. This collection of stories should be preserved because the themes and literary advancements in the texts were so far before their times. The stories speak and will continue to speak to generations to come. Anyone can pick up a copy of “The Thousand and One Nights” and be entertained. The stories are not strictly Islamic in lesson, they speak to every culture. Entertainment is what we live for today- people during the time when these stories were written looked at them like we do movies today. The tales let people escape from their lives and dream about the lives of the characters in the stories they read. “The Arabian Nights” is not only a literary classic, but a fine example of pure entertainment.</p>\r\n<p style=\"text-align: left\"><a href=\"http://www.kellscraft.com/FairyTalesArabianNights/ArabianNightsImages/P6295418.JPG\"><img class=\"aligncenter\" src=\"http://www.kellscraft.com/FairyTalesArabianNights/ArabianNightsImages/P6295418.JPG\" alt=\"\" width=\"390\" height=\"691\" /></a>http://www.kellscraft.com/FairyTalesArabianNights/ArabianNightsImages/P6295418.JPG</p>\r\n<p style=\"text-align: left\">Overall, the museum will be a great way to teach people about the beautiful history and the incredible art of planet Earth. Being part of this exhibit while traveling into outer space will hopefully inspire the people to become artists themselves. Since Uranus has no history as of yet, it is important to educate the people so they can create beautiful masterpieces just like the artists of La Maison Carrée, \"The Madonna Enthroned\", \"Utopia,\" and \"The Arabian Nights.\" Hopefully the people aboard the ship are in awe of these pieces and feel very blessed to be in the presence of some of the original pieces of art. The reason I created this museum was to educate and entertain, but mostly to bring the people aboard the Huma Spaceship together as an artistic union. Culture cannot exist without art and art cannot exist without culture. I assume everyone will be extremely excited about visiting the museums and will continue to pass along the beautiful traditions these artists originally succeeded in doing. I hope people work towards a Utopian society and use Uranus as a new, fresh place to create beautiful art and live in peace and harmony!</p>','All Aboard: The Huma Spaceship! ','','inherit','open','open','','1427-revision-2','','','2011-05-11 21:06:18','2011-05-12 03:06:18','',1427,'http://jeanatacc.com/2011/?p=1436',0,'revision','',0),(1437,29,'2011-05-11 21:06:36','2011-05-12 03:06:36','&nbsp;\r\n\r\n[caption id=\"\" align=\"aligncenter\" width=\"665\" caption=\"http://horoscopicastrologyblog.com/wp-content/uploads/2008/11/solar-system.jpg\"]<img src=\"http://horoscopicastrologyblog.com/wp-content/uploads/2008/11/solar-system.jpg\" alt=\"\" width=\"665\" height=\"501\" />[/caption]\r\n\r\nAll Aboard: The Huma Spaceship Museum\r\nTraveling to Uranus, Year 2100\r\nAs curator of the Huma Spaceship Museum, (Since the Earth will no longer be inhabitable) I chose La Maison Carée from France, \"The Madonna Enthroned\" from Italy, the book \"Utopia\" from England, and the collection of stories \"The Arabian Nights\" from the Middle East as a representation of the amazing artwork of Earth created from prehistory to the Renaissance. I have employed an architect to construct a way that The Maison Carrée can fly the remaining people on Earth to Uranus, where we will be inhabiting. The Maison Carrée was built in 19 B.C.E., so it is essential to seal and preserve the entire temple inside a large un-shatterable, indestructible glass box where everyone will still be able to breathe and live during the trip through space. Upon entering the temple, everyone will be handed a printed copy of \"Utopia\" by Sir Thomas More, or a digitalizes palm reader piece, where they insert a microchip into their hand and view the text on the inside of their palms (or open their palms towards a white wall provided and use their limbs like an overhead projector). People can stay their as long as they like to read/ discuss his text, or they can move on to the next exhibit. However, it is super important for riders on the Huma Spaceship Museum to understand that More\'s concepts are highly emphasized on the space craft. Because we ruined the world once, it is essential to work towards a Utopian society when we reach Uranus. We had the chance to follow More\'s advice once and didn\'t. Moving on: Inside the temple, there will be original paintings of Cimabue\'s throughout. The main piece at the center of the temper will be \"The Madonna Enthroned.\" This beautiful altarpiece will be the center of attention when people walk into the temple, and an informant/ assistant curator will do a constant tour explaining all of the paintings and their histories. Even the floor of the temple will have Cimabue\'s artwork on it. The paintings on the floor however will not be originals, we wouldn\'t want to step on/ or even touch his original works. Only the walls will be covered with Cimabue\'s original pieces, and those too will be sealed off with a special glass film. After the people walk into the temple (after viewing the beautiful exterior) and the paintings, they can enter the auditorium, a special room built onto the back of La Maison Carrée, where they can sit and watch actors act out plays from \"The Arabian Nights.\" This auditorium will not only have live theatre, but has a separate room to watch movies portraying the stories of \"The Arabian Nights.\" The most entertaining part about all of this, since it is year 2011 and most people don\'t wear extensive clothing anymore (most wear latex suits or nothing at all) because it isn\'t necessary (hardly anyone leaves their house due to the increase in technology) clothing stores will be implemented in this facility. It is a rule for everyone to dress up how people did in the society of the artwork they are studying during each tour through the museum. This part of the museum tour will not only serve as entertainment, but will work as a learning tool for people to really feel like they are traveling back in time, getting the full effect of the beauty of the art. After each segment, there will be a restaurant/ lounge area for people to taste the food from France, Italy, England and the Middle East. This part of the tour will be a time for people to really get to know each other and have a Q&amp;A section between the riders and the tour guides. The museum tour will be an enlightening, entertaining experience for everyone involved. The people aboard the ship will have a chance to learn about the Earth\'s history and will create memories with their new fellow inhabitants of Uranus. Each person will have the chance to learn these facts about the four pieces I chose to include in my museum:<!--more-->La Maison Carrée (the square house) is a Roman temple built in Nîmes, France in 19 B.C.E. The Roman shrine was built by Marcus Agrippa during the reign of Caesar Augustus. Agrippa who was the “right hand man” and son-in-law to Augustus and the patron of the Pantheon in Rome (Hayes, 1). La Maison Carrée was built in hopes to impress the citizens of Nîmes, keeping with the Roman style architecture to honor the new emperor Augustus. The temple was built in dedication to Augustus’s two adopted sons to promote the new imperial control. The building has a bronze inscription that reads “To Gaus Caesar, son of Augutus, consul: to Lucius Caesar, son of Augustus, Consul designate; to the princes of youth” (Hayes, 1). The temple stands on a 12 ft high podium like a Greek shrine with a stairway that leads up to a colonnaded portico (porch) and then to a single entrance. The Corinthian Order, or the laws of symmetry and proportions, is used in the portico and ornate columns that cover the exterior walls. The building door leads to a large, single room which houses a collection of Roman sculptures (once filled with sculptures of Augustus, his family and the Gods) and other classical fragments (Britannica, 1). The building  is 82 ft long by 40 ft wide. La Maison Carrée served as a spiritual center for the Romans and is an example of classical refinement (Fiero, 6.13). The temple is one of the best preserved  in the world. “It Is one of the most beautiful monuments built in Gaul by the Romans” (Norton, 913). La Maison Carrée is unusual for its time, because it is a Roman temple in the middle of France. The Roman’s brought over a new style of architecture along with their power of the Nîmes area, and it seemed to stand out against the other buildings. Although Nîmes was a provincial city, it was a priority to build a temple there just as nice as any in Rome. Augustus wanted the temple built by the best architect available (Hanser, 147). The style of the building is specifically Roman and the fineness of the construction shows the architect was familiar with the architectual style fashionable in the capital of Rome. The scrolls on the molding of the building are almost identical to the Altar of Peace in Rome which was also dedicated to Augustus. The Romans combined the style of the Etruscans (Italian society that ruled Rome for about a century) using the rectangular form on a podium with columns, a portico and stairs. The architecture also has Greek details; Corinthian order and the organization of the columns, moldings and proportion of the building. Although the Maison Carrée resembles a Greek temple, its architecture is not exactly the same. Most Greek temples have freestanding columns all around the building, making the front and back identical. However, the Maison Carrée has a distinct front and back, and a set of stairs only to the front entrance, where usual Greek temples have stairs all around the building. Romans admired the architecture of Greeks and portrayed it in temples like The Maison Carrée, but were more concerned with ornate details and magnificent architecture to portray Roman power. “There was nothing provincial about The Maison Carrée when it was built” (Hanser 146). Even though The Maison Carrée waws a peculiar architectural style in France, In Rome this style was very popular.La Maison Carrée represents the beautiful history of France, the structure represents the classical beauty of Roman architecture, and the fact that it is so well preserved is astounding. Although it has been reconstructed a few times, its original beauty shines. It is obvious it is important to the French government, and the people that live in Nîmes today. The square has been renovated and now holds a modern art museum and library and makes the area even more inviting to visit. I like the fact that the square makes modern style work with the old, classical architecture of The Maison Carrée. When looking at a picture of the temple, it seems as if it were picked up in Rome and placed in the middle of the square it sits in. It seems a little out of place beside the buildings around it, which makes it unique. The architecture is simple, but stunning. I love the columns and the way they wrap all the way around the building. I think it is rather interesting how many different identities the building has had. It started out as a temple or church, then a town hall, stable, etc and is now a museum. I would love to visit and see with my own eyes the beauty and integrity of the building. It would be amazing to walk up the steep set of stairs and think of how many came before me. When I visit France     someday soon, I will for definitely make a stop at La Maison Carrée and give praise to those that designed and built the beautiful temple.For future generations, it is important to understand the significance of La Maison Carrée. It is not only a beautiful piece of architecture, it is a representation of the struggle for power during its time. It represents the hard work men put into building the structure. It is historical evidence of the Roman Empire, and represents the power Augustus had during his reign in France and other European regions. Due to the fact that is the best preserved temple from its time period, future generations can visit it and view the original beauty and artistic intelligence it took to build it. It is important for future generations to realize the building was made by real men with their bare hands. Blood, sweat and tears went into building The Maison Carrée, unlike many buildings today. Architecture today lacks structural beauty, and many people do not think of proportions and symmetry the way these men used to. The Maison Carrée is a prime example of the Corinthian Order, and would be important for anyone to visit in order to understand the rules of the order. The Maison Carrée is not just a beautiful building, it is a representation of the people that lived in Nîmes, worked there and ruled there. It is an example of the Roman reign and the colorful history of France.\r\n\r\n<a href=\"http://images.easyart.com/i/prints/lg/3/0/300564.jpg\"><img class=\"aligncenter\" src=\"http://images.easyart.com/i/prints/lg/3/0/300564.jpg\" alt=\"\" width=\"500\" height=\"494\" /></a>http://images.easyart.com/i/prints/lg/3/0/300564.jpg\r\n\r\nThe “Madonna Enthroned” is an altarpiece painting done by one of the most famous Italian painters Cimabue (1240-1302.) Cimabue was a Florentine painter in the second half of the 13th century and the early years of the 14th century. Although none of his paintings are signed and few are still in tact, his activity in the Basilica of S. Francesco in Assisi is documented in 1280/1290. Cimabue studied with some of the Greek Masters in St. Maria Novella and was involved in the Neo-Hellenistic movement of the Paleo Organ Renaissance. His training was not exclusively Byzantine, although he lived and learned during this time period. The “Madonna Enthroned” is an altarpiece painted in or around 1285. This piece was the largest in its class of paintings at the time. The “Madonna Enthroned” was a forerunner of the Renaissance style paintings. It is said to have an “otherworldly appearance” with its network of gold lines on and around the Madonna. The figures in the “Madonna Enthroned” are flat and almost transparent as gold “swims” through them (World Book, 583.) This painting was done as an altarpiece using egg tempera on wood and is 12ft 7.5 inches by 7 ft 4 inches. Cimabue was a patriarch of Italian painting, only five or six of his originals are left today. The “Madonna Enthroned” was picked to live in the Uffizi Gallery in Florence, Italy. Cimabue’s religious Frescos are still housed in the Church of Saint Frances in Italy. Cimabue influenced many painters during and after his time period to shift their techniques and follow the trends of the everchanging artistic world. Cimabue used techniques common in the Byzantine tradition while moving towards a Naturalist and Renaissance style. His spatial depth in the “Madonna Enthroned” created a three-demensional effect uncommon during this time period. Cimabue added a dramatic effect to all of his paintings and changed the art world not only in Italy, but worldwide.In this time period, Italy was not unified and was made of a large number of states. Italy was more urbanized than many other European countries at the time. Major cities in Europe competed with major cities in Italy with the artistic patronage in Italy. The higher-ups in Italy wanted the churches and local buildings to be bigger and better than the rest of Europe, and wanted them decorated and painted by the BEST artists around. Religion was a major factor of inspiration to all artists during this time. Altarpieces and Frescos dominated the artistic world along with painting and sculptures, usually centered around pulpits and statues of saints. These painting all were housed either inside a church or in a civic building or town hall. The styles of this time period endured for centuries to come. The most popular type of art was made with tempera (wooden panels painted with colors mixed with egg) later called “egg  tempera.” The second most popular was called a Fresco, a wall painting that was applied to fresh, damp plaster. Many artist of this time were masters of both of these techniques. Sculpture usually consisted of marble and bronze sometimes gilded with soft layers of gold (this was expensive, so it  wasn’t near as easy to find.) The people who had money to pay artists for the contributions were the churches. The only documented payment made to Cimabue was for his St. John mosaic in the main apse of the Pisa Cathedral in Italy. Most of Cimabue’s work was done inside churches throughout Europe. His earliest work was the “Crucifix” in S. Domenico, Arrezo painted inside a church.  During this time, art had many influences. The gothic style dominated in Europe. Constantinople was captured by crusaders in 1204 which increased contact between Italian and Byzantine art. Later Byzantine art was “softened by naturalism and humanity looking forward to the Renaissance” (Art, 84.)  Cimabue was a master of both egg tempera, frescos and mosaics and his artwork centered around secular subjects adding “tender humanity” to each of his pieces (Art, 85.)The “Madonna Enthroned” is an example of Medieval art with influences of the Byzantine and Gothic era leading up to the Renaissance style of painting. Some of the most stunning pieces of art from this era is in the form of altarpieces installed in churches in honor of one of the saints or the Virgin Mary (Madonna.)  Typical altarpieces were done on one or more wooden panels  coated in a white chalky plaster or “gesso” with tempera, which produced dull, flat colors. The altarpiece was then decorated with gold leaf that would reflect the candles lit in the altar for a more dramatic effect (Fiero, 13.34.) Cimabue’s altarpiece the “Madonna Enthroned” used these techniques. His piece showed a scene of the Madonna and her child elevated on a large seat that is a throne and a tower. Angels are all around her and beneath her feet are four Hebrew prophets holding scrolls. The Madonna is centered in the piece and is significantly larger than the rest of the people in the picture, showing her importance. “Such hierarchic grading, while typical of Medieval art, also characterized Egyptian and Byzantine compositions” (Fiero, 13.)  Cimabue’s devotional altar piece is lavish and elegant. It’s lines are sharp and the metallic detail on the Virgin’s dark blue drapery sets off the sharp wings of the angels and the distinct features of Christ and the decorative throne. The Virgin has a little more character in her face than what was usual at the time, but like most Byzantine art- all of the faces of the saints, Christ and angels looking similar. Cimabue used egg tempera on wood because it was stable and durable and the colors remained strong through time. The colors are added to the mixed with the solution and applied to the wood. This solution dries quickly so Cimabue (or any artist) could not mix color on the actual Fresco.For future generations it is important to know the Cimabue was one of the first famous artists of his time. His artistic style was so innovative and precise that he made many other artist create new styles, and inspired them to use his techniques. He studied classical Greek artwork, and was trained by  “The Greek Masters” at the Saint Maria Novella. Cimabue was a trained artist and worked hard at his hobby. He was paid for his work, and people felt privileged to work with him and view his incredible masterpieces. Cimabue inspired artist like Giotto to further their career and change the artistic world as we know it. Cimabue used the current artistic styles of his time and molded them into his style and created masterpieces. His art was a forerunner to Renaissance style art and was one of the first in his time to step outside the box and go against the grain, which ultimately made him stand out and live on as a legacy in the artistic world.\r\n<p style=\"text-align: left\"><a href=\"http://farm4.static.flickr.com/3633/3447943773_9490069718.jpg\"><img class=\"aligncenter\" src=\"http://farm4.static.flickr.com/3633/3447943773_9490069718.jpg\" alt=\"\" width=\"288\" height=\"500\" /></a>http://farm4.static.flickr.com/3633/3447943773_9490069718.jpg</p>\r\n<p style=\"text-align: left\">Sir Thomas More was born in England in 1478 and worked as chancellor to King Henry VIII during the king’s controversial break with the Catholic church. More was a Christian man who relied heavily on his own conscience. He stood up for religious tolerance and Christian charity. He was “unwilling to compromise his conviction as a Roman Catholic” (Fiero, 19) and by opposing the actions of the king, was executed for treason in 1535. Although More worked for the kind most of his life, he had a constant struggle on whether to remain loyal to the king and continue to join his services, or to remain a philosopher. When More wrote his most famous piece: Utopia (1516) the first literary description of a “perfect” or ideal state since “Republic” by Plato. More centered this story around Europe’s statecraft and current state of society and titled it Utopia, meaning in Greek both “good place” and “no place” (Fiero, 19). More created a society where everything was equal (except to slaves) and where all citizens were equally responsible for social justice. The Utopians in the made-up society are not Christians, but stand by the Christian morals of charity and morality. More wrote “Utopia” in the form of a critique (on European state at the time) and as a political satire. In Utopian society, wives serve their husbands, and children serve their parents. Cities are divided equally into four separate parts and there is a marketplace in the center of each. At the marketplace, people bring their crops or tools they make and lay them out for people from their cities to come take back to their houses. The fathers of each family take what is necessary for their family’s survival and need not pay anything in return. In “Utopia,” there is no such thing as greed and people do not want things because excess is not part of their vocabulary. People do not need money, because there is no denial for anything- there is plenty of everything to go around. The Utopians hoard a vast array of metals that they take from foreign trade and use them for the military or for anything else they need. ” They have no inducements to do this, since they are sure they shall always be supplied” (Fiero, 19). People have no need for gold or silver or anything of “value” because they don’t find it necessary to live. “The folly of men has enhanced the value of gold and silver, because of their scarcity. Whereas, on the contrary, it is their opinion that nature as an indulgent parent, has freely given us all the best things in great abundance” (Fiero, 19). In other words, to the Utopians things in vain are worthless. If something like gold or diamonds is attained, it is because someone in society has come across it by accident- and in this case they adorn their children with these treasures. The goods given to their children will “glory” them while they are children and when they are older they will understand that “none but children use such baubles, they of their own accords, without being being bid by their parents lay them aside” (Fiero, 19). One of the last main points More puts in his “Utopia” is that war is brutal and is extremely unnecessary and should be avoided at all cost. More says that “nothing is more inglorious than glory attained by war” (Fiero, 19) and that no matter what if a truce is made- it will never be broken. The Utopian society takes truces so seriously that nothing can make them break it. The Utopians will not burn an enemy’s crops, kill their horses or kill any man- unless he is a spy.“Utopia” is definitely not a typical work of its era. More’s thought were completely out of the ordinary for the average person during his time. Sure, many philosophers (like Plato) thought like him, but the common man wouldn’t think of writing a critique on the country they live in- not without thinking of dying for treason first! His thoughts were so before his time that many disagreed with his opinions. “Utopia” was radical in its day- More’s view on “idealistic revolution” (Gerard, 1) is still controversial today. Even though the world has progressed (somewhat) towards this utopian-like place, many issues addressed in “Utopia” are still not fixed today (war for instance). More was critical of the world he lived in, economic order was constantly changing and More believed a lot of the changes were evil. He wrote “Utopia” to suggest some solutions to the problems Europe was having. More’s differed from philosophers like Plato’s writing, because More gave to everyone in his scenario. More shows the difference between his own corrupt society and compares it to his idealistic universe. Plato, in his “Republic” talks about how idealism deals with separation of the mind and matter. He explains that someone might get ahead and be virtuous by the benefits of both the individual and the society they live in. Like more, Plato built an idealist society where people worked together to achieve a virtuous environment. Like Plato, more also feels that an educated society is a stronger society.“Utopia” should be preserved and should be continually taught throughout the rest of time. “Utopia” can reach many generations and can speak to anyone who has a heart. More’s words are thought out and his story is in-depth, but it is easy to understand. His morals and ideals placed inside “Utopia” are ones that everyone seeks. Peace and harmony reside on Utopia, and this is something we all wish to live in. I love the geographic context of the actual Utopian island, it is a deserted island where the country can choose to interact with the rest of the world or not. I believe this is how the United States should act, we should chose our battles wisely and think twice (or a million times!) about the price and necessity of war. “Utopia” is not only an entertaining read, it is truly inspiring.</p>\r\n<p style=\"text-align: left\"><a href=\"http://thewitcontinuum.files.wordpress.com/2009/10/utopiathomas-more.jpg\"><img class=\"aligncenter\" src=\"http://thewitcontinuum.files.wordpress.com/2009/10/utopiathomas-more.jpg\" alt=\"\" width=\"322\" height=\"500\" /></a>http://thewitcontinuum.files.wordpress.com/2009/10/utopiathomas-more.jpg</p>\r\n<p style=\"text-align: left\">“The Arabian Nights” also known as “The Thousand and One Nights” is a classic assembly of stories whose origins branch from the eighth and tenth centuries from Arabic, Persian and Indian cultures (who wrote the actual stories is uncertain). This collection of stories is the most famous piece of Arabic literature in the west. Famous characters such as Ali Baba, Aladdin and Sinbad all stem from these adventurous tales. The collection of prose tales, uses a narrative technique called a “frame tale,” where a story is “composed for the purpose of including a group of shorter stories” (Fiero, 19).  The specific frame story used in “The Arabian Nights” focuses on an Indian fairy tale: “Shahrasad (in English, Scheherazade) marries a king who fears female infidelity so greatly that he kills each new wife on the morning after the wedding night. In order to forestall her own death, Scheherazade entertains the king by telling stories, each of which she carefully brings to a climax just before dawn, so that, in order to learn the ending, the king must allow her to live.” (Fiero, 19). The storytelling techniques of Scheherazade has a “humanizing” effect on the kind who, after exactly a thousand nights begins to love his witty wife (so he decides not to behead her like the rest!) Within the story lies 250 tales which include fantasy, romance and erotica. “The Arabian Nights” has been translated into various languages throughout time. In the 1700s, Jean Antoine Galland executed the first translation in French and in the 1880′s John Payne and Sir Richard Francis Burton did an English translation. Since then, the stories have been translated into various other languages including Persian and Egyptian. Stories such as Aladdin focus on the lower people in society; rogues, tricksters and vagabonds were all added during the Egyptian translations of the stories. Islam, from the very beginning, has had the status of being a state-sponsored religion. Islam holds ethnic diversity, where theocratic rule brought together an assimilation of many different people. The main languages of the Islamic world include: Arabic, Persian and Turkish (but there are many, many others). Like “The Arabian Nights,” Islam “absorbed” different styles of art from non-Arab people as it expanded. “The Arabian Nights” can be compared with the ever-changing styles of Islam; as the stories of “The Thousand and One Nights” expanded, so did its content and art styles. Muhammad had a dictum where people were to “seek knowledge,” like the western world in order to understand the happenings of the natural world. A burst of literacy happened during the 1300-1500s and people began to explore literature from all over the world. The availability of paper was an important factor in the burst for knowledge, “and in the production of new types of literature, such as scientific treatises, cookbooks, poems and tales, paper provided a major advance over parchment and papyrus, expensive materials from whose surfaces ink could easily be erased.” If paper wasn’t easily attainable and knowledge wasn’t sought after, like Muhammad had asked, “The Arabian Nights” would have never graced this Earth.The stories of “The Thousand and One Nights” continues to inspire many Western readers about the ideas of the “romantic” East. Most stories during this time period focused on tribal wars, heroic deeds and brave warriors. Shortly after the printing press was invented, people began printing cheap books, some with illustrations. “The Arabian Nights” was different for its time because it was pure entertainment. The stories are fun and adventurous which is why they became so popular. “The Arabian Nights” inspired stories of romance and fairy tales in a time period when mostly poetry, riddles, lullabies and war tales were circulating. “The Arabian Nights” were collected over many centuries from Persia, India and Arabia and include a vast assortment of subjects and styles. The stories include: Adventure fantasies, erotica, animal fables and display an accurate descriptions of the daily entertainments of the Islamic world. The stories are compared to the Islamic art in the way that they loop into each other, linking each story to the last. This technique is a principe of the design in Islamic art, where repetition and “infinite extension” loop within each other to “form a meandering overall pattern” (Fiero, 19).“The Arabian Nights” serves the same purpose in Islamic culture as do our fairy tales about little pigs and magic carpets. The story of “Aladdin and the Magic Lamp” was made into a Disney movie and is loved by millions of children every year. This collection of stories made many of its characters household names, what child doesn’t know who Aladdin, Sinbad or Ali Baba? What kid doesn’t know the song “Arabian Nights” from Aladdin the movie? These stories are still relevant today because they inspired generations of writers and readers to dream and feel free to explore parts of the world they aren’t familiar with. This collection of stories should be preserved because the themes and literary advancements in the texts were so far before their times. The stories speak and will continue to speak to generations to come. Anyone can pick up a copy of “The Thousand and One Nights” and be entertained. The stories are not strictly Islamic in lesson, they speak to every culture. Entertainment is what we live for today- people during the time when these stories were written looked at them like we do movies today. The tales let people escape from their lives and dream about the lives of the characters in the stories they read. “The Arabian Nights” is not only a literary classic, but a fine example of pure entertainment.</p>\r\n<p style=\"text-align: left\"><a href=\"http://www.kellscraft.com/FairyTalesArabianNights/ArabianNightsImages/P6295418.JPG\"><img class=\"aligncenter\" src=\"http://www.kellscraft.com/FairyTalesArabianNights/ArabianNightsImages/P6295418.JPG\" alt=\"\" width=\"390\" height=\"691\" /></a>http://www.kellscraft.com/FairyTalesArabianNights/ArabianNightsImages/P6295418.JPG</p>\r\n<p style=\"text-align: left\">Overall, the museum will be a great way to teach people about the beautiful history and the incredible art of planet Earth. Being part of this exhibit while traveling into outer space will hopefully inspire the people to become artists themselves. Since Uranus has no history as of yet, it is important to educate the people so they can create beautiful masterpieces just like the artists of La Maison Carrée, \"The Madonna Enthroned\", \"Utopia,\" and \"The Arabian Nights.\" Hopefully the people aboard the ship are in awe of these pieces and feel very blessed to be in the presence of some of the original pieces of art. The reason I created this museum was to educate and entertain, but mostly to bring the people aboard the Huma Spaceship together as an artistic union. Culture cannot exist without art and art cannot exist without culture. I assume everyone will be extremely excited about visiting the museums and will continue to pass along the beautiful traditions these artists originally succeeded in doing. I hope people work towards a Utopian society and use Uranus as a new, fresh place to create beautiful art and live in peace and harmony!</p>','All Aboard: The Huma Spaceship! ','','inherit','open','open','','1427-revision-3','','','2011-05-11 21:06:36','2011-05-12 03:06:36','',1427,'http://jeanatacc.com/2011/?p=1437',0,'revision','',0),(1438,16,'2011-05-11 21:09:56','2011-05-12 03:09:56','Location: Earth Research Space Colony - Archeology Academy\n\nThe works selected to be preserved are The Epic of Gilgamesh, the Palatine Chapel, The Isenhiem Altarpiece, and Cortes’ letters from Mexico. All the works selected represent bear important meanings to humanity. They are all significant in that they are all hallmarks of human progress, inspiration, innovation, and ingenuity throughout humanity.\n\nSince, the preservation of the works is crucial, all the works will be kept in a secure container made out of self-healing glass and metal so that if anything manages to puncture the containers, it will immediately seal, minimizing the damage done to the cargo contained within. These containers can also act as a display case that can be locked in place in display rooms of the ship. They can withstand the pressures of space and can be powered by the sun. Numerous tracking devices will be added to the containers in the event that we somehow lose any one of these works, they can be retrieved.\n\nThe display room will have locks upon which the containers can be placed on to secure it in place. These locks are also access points to tubes that run throughout the ship for easy transport if the works need to be moved around, since the containers are built to fit the tubes. The tubes can also lead to openings outside of the ship in case there is an emergency evacuation. All the works can be easily transported outside.\n\nPeople can interact with all the works through hologram copies that can be enlarged, minimized, or duplicated by touch, voice-activated commands, and hand motions. They are accompanied with translations, data, and historical descriptions in the most commonly spoken languages.\n\nAll the works are original pieces except for the Palatine Chapel, which will only be a miniature hologram copy of the original. This hologram can also be minimized and enlarged for viewing purposes. Data of the Palatine Chapel will be stored in a sphere. Backups are included. If one wants to have a virtual tour of the Palatine Chapel, one can activate the tour by using voice-command, which can create a large, life-size hologram encompassing the entire display area, creating a realistic illusion of the chapel in real-time, complete with textures to appear tangible and solid. One can navigate through the virtual chapel by using the control pad that opens from the Data Sphere. Walking and running around is not advisable during the virtual tour, for the technology used is similar to advanced stealth-technology used in warfare prior to humanity’s transition into space. Therefore, any objects, with the exception of the Data Sphere, left open in the premises (that includes display containers, control pads, walls...etc) will be “stealthed,” hidden from view while the virtual tour is activated. Until the tour is over, it is imperative to STAY PUT and use only the control pad provided by the Data Sphere to transition from place to place in the virtual chapel, for it is a safety hazard to run into invisible objects. Virtual tours can be ended by using voice command. For those with technological augmentations (a.k.a. cyborgs) that allow access to databases, one can access virtual tour via cyberspace without having to use the Data Sphere. Although the Palatine Chapel cannot physically be taken into the ship, the lionheads from the chapel doors are taken as a symbolic representation of the Palatine.\n\nAll the works selected are selected to be preserved because they all give insight into ancient human thought, intellect, and perception, which all people of year 2100 can compare to current thoughts, knowledge, and ideas. The Epic of Gilgamesh depicts human growth, struggle, the search for immortality, the value of Life, and Death, which are all universal throughout human existence, are depicted in this one story. The Epic is the oldest epic known and contains one of the earliest forms of writing that was developed at the time: cuneiform. It is also one of the earliest known pieces of literature to ever be written since most stories during that era were passed down orally. It depicts a king who made great contributions to his people, leaving a legacy that was remembered throughout time, which is one of the most significant aspects of the epic that future generation will come to see. The Epic will provide a more humbling experience in the realization that we are all human and we are still vulnerable, especially now that we live in the vast expanse of space instead of the comfort of our home planet despite all the technology that allows us to do things our ancestors could only have dreamed of.\n\nThe Palatine Chapel represents the Carolingian era, a time in human history when people of many different cultures and backgrounds in what was Europe came together for the purpose of refining the arts and education. This was the start of public education in the west. It is significant for people today in that it shows how art and education can bring people together to create and innovate. In this case, the chapel with its bronze-casting and towering domes, is important in that it gives and insight to ancient medieval architecture which can be compared with our architecture today. Many people built extremely intricate and vast cathedrals that lasted for thousands of years displaying human ingenuity with practically without tools for construction. Today, we have all sorts of tools that we can utilize to easily create constructs on a much larger scale. Future generations can look back and see how far we have come.\n\nThe Isenheim Altarpiece gives insight in the role that religion played in shaping humanity. This was painted during the German Renaissance, a time that is remembered for the exploration into art in what was once Germany. It is unique in that it depicted a more gruesome and realistic depiction of Christ, mixing realism and macabre into art. Although, it has a religious meaning, it also has a more universal meaning beneath it. The Altarpiece depicts the death and resurrection of Christ, symbolizing death and rebirth. Christ is often symbolic of humanity so the piece can often be portrayed as the death and rebirth of humanity. Humanity often goes through cycles of destruction and rebirth as portrayed in our history such as how our life living on Earth has ended and now we start anew in space. Future generations will see that destruction is part of the process of starting over.\n\nThe Letters from Mexico by Cortes are accounts by Cortes, history’s most famous or infamous conqueror, of one of the oldest human civilizations on Earth, one that has captured the fascination of many in the western part of Earth at the time. They are basically early forms of travel literature. These letters were published throughout Europe and were used as propaganda to get people to travel westward. The letters are basically travel reports to the King and Queen of what was once Spain and depicts two different yet similar cultures collide. This piece is one that is perhaps the most important to future generations out of all four pieces for it can give us insight in how we might react when encountering extraterrestrial life forms and other advanced non-human civilizations that may be out there. These letters may be extremely important to study if we are to explore the frontiers of space.\n\nOverall, not only do all the pieces selected remind us who we are and what we’ve accomplished throughout the existence of our race, they may provide us insight to why we are the way we are. There are lessons within these pieces and it is up to the future generations to seek and understand so that we may continue to grow and evolve.\n\n&nbsp;','Earth Era History Conservation Project: Year 2100 Report','','inherit','open','open','','1434-revision','','','2011-05-11 21:09:56','2011-05-12 03:09:56','',1434,'http://jeanatacc.com/2011/?p=1438',0,'revision','',0),(1439,16,'2011-05-11 21:26:06','2011-05-12 03:26:06','&nbsp;\n\n<a href=\"http://platinumgames.files.wordpress.com/2010/08/blog_colony.jpg?w=400&amp;h=225\"><img class=\"alignleft size-full wp-image-1449\" src=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/blog_colony.jpg\" alt=\"\" width=\"400\" height=\"225\" /></a>\n\nLocation: Earth Research Space Colony - Academy of Archeology\n\nThe works selected to be preserved are The Epic of Gilgamesh, the Palatine Chapel, The Isenhiem Altarpiece, and Cortes’ letters from Mexico. All the works selected represent bear important meanings to humanity. They are all significant in that they are all hallmarks of human progress, inspiration, innovation, and ingenuity throughout humanity.<!--more-->\n\nSince, the preservation of the works is crucial, all the works will be kept in a secure container made out of self-healing glass and metal so that if anything manages to puncture the containers, it will immediately seal, minimizing the damage done to the cargo contained within. These containers can also act as a display case that can be locked in place in display rooms of the ship. They can withstand the pressures of space and can be powered by the sun. Numerous tracking devices will be added to the containers in the event that we somehow lose any one of these works, they can be retrieved.\n\nThe display room will have locks upon which the containers can be placed on to secure it in place. These locks are also access points to tubes that run throughout the ship for easy transport if the works need to be moved around, since the containers are built to fit the tubes. The tubes can also lead to openings outside of the ship in case there is an emergency evacuation. All the works can be easily transported outside.\n\nPeople can interact with all the works through hologram copies that can be enlarged, minimized, or duplicated by touch, voice-activated commands, and hand motions. They are accompanied with translations, data, and historical descriptions in the most commonly spoken languages.\n\nAll the works are original pieces except for the Palatine Chapel, which will only be a miniature hologram copy of the original. This hologram can also be minimized and enlarged for viewing purposes. Data of the Palatine Chapel will be stored in a sphere. Backups are included. If one wants to have a virtual tour of the Palatine Chapel, one can activate the tour by using voice-command, which can create a large, life-size hologram encompassing the entire display area, creating a realistic illusion of the chapel in real-time, complete with textures to appear tangible and solid. One can navigate through the virtual chapel by using the control pad that opens from the Data Sphere. Walking and running around is not advisable during the virtual tour, for the technology used is similar to advanced stealth-technology used in warfare prior to humanity’s transition into space. Therefore, any objects, with the exception of the Data Sphere, left open in the premises (that includes display containers, control pads, walls...etc) will be “stealthed,” hidden from view while the virtual tour is activated. Until the tour is over, it is imperative to STAY PUT and use only the control pad provided by the Data Sphere to transition from place to place in the virtual chapel, for it is a safety hazard to run into invisible objects. Virtual tours can be ended by using voice command. For those with technological augmentations (a.k.a. cyborgs) that allow access to databases, one can access virtual tour via cyberspace without having to use the Data Sphere. Although the Palatine Chapel cannot physically be taken into the ship, the lionheads from the chapel doors are taken as a symbolic representation of the Palatine.\n\nAll the works selected are selected to be preserved because they all give insight into ancient human thought, intellect, and perception, which all people of year 2100 can compare to current thoughts, knowledge, and ideas. The Epic of Gilgamesh depicts human growth, struggle, the search for immortality, the value of Life, and Death, which are all universal throughout human existence, are depicted in this one story. The Epic is the oldest epic known and contains one of the earliest forms of writing that was developed at the time: cuneiform. It is also one of the earliest known pieces of literature to ever be written since most stories during that era were passed down orally. It depicts a king who made great contributions to his people, leaving a legacy that was remembered throughout time, which is one of the most significant aspects of the epic that future generation will come to see. The Epic will provide a more humbling experience in the realization that we are all human and we are still vulnerable, especially now that we live in the vast expanse of space instead of the comfort of our home planet despite all the technology that allows us to do things our ancestors could only have dreamed of.\n\nThe Palatine Chapel represents the Carolingian era, a time in human history when people of many different cultures and backgrounds in what was Europe came together for the purpose of refining the arts and education. This was the start of public education in the west. It is significant for people today in that it shows how art and education can bring people together to create and innovate. In this case, the chapel with its bronze-casting and towering domes, is important in that it gives and insight to ancient medieval architecture which can be compared with our architecture today. Many people built extremely intricate and vast cathedrals that lasted for thousands of years displaying human ingenuity with practically without tools for construction. Today, we have all sorts of tools that we can utilize to easily create constructs on a much larger scale. Future generations can look back and see how far we have come.\n\nThe Isenheim Altarpiece gives insight in the role that religion played in shaping humanity. This was painted during the German Renaissance, a time that is remembered for the exploration into art in what was once Germany. It is unique in that it depicted a more gruesome and realistic depiction of Christ, mixing realism and macabre into art. Although, it has a religious meaning, it also has a more universal meaning beneath it. The Altarpiece depicts the death and resurrection of Christ, symbolizing death and rebirth. Christ is often symbolic of humanity so the piece can often be portrayed as the death and rebirth of humanity. Humanity often goes through cycles of destruction and rebirth as portrayed in our history such as how our life living on Earth has ended and now we start anew in space. Future generations will see that destruction is part of the process of starting over.\n\nThe Letters from Mexico by Cortes are accounts by Cortes, history’s most famous or infamous conqueror, of one of the oldest human civilizations on Earth, one that has captured the fascination of many in the western part of Earth at the time. They are basically early forms of travel literature. These letters were published throughout Europe and were used as propaganda to get people to travel westward. The letters are basically travel reports to the King and Queen of what was once Spain and depicts two different yet similar cultures collide. This piece is one that is perhaps the most important to future generations out of all four pieces for it can give us insight in how we might react when encountering extraterrestrial life forms and other advanced non-human civilizations that may be out there. These letters may be extremely important to study if we are to explore the frontiers of space.\n\nOverall, not only do all the pieces selected remind us who we are and what we’ve accomplished throughout the existence of our race, they may provide us insight to why we are the way we are. There are lessons within these pieces and it is up to the future generations to seek and understand so that we may continue to grow and evolve.\n\n&nbsp;','Earth Era History Conservation Project: Year 2100 Report','','inherit','open','open','','1434-autosave','','','2011-05-11 21:26:06','2011-05-12 03:26:06','',1434,'http://jeanatacc.com/2011/?p=1439',0,'revision','',0),(1440,16,'2011-05-11 21:10:17','2011-05-12 03:10:17','Location: Earth Research Space Colony - Archeology Academy\r\n\r\nThe works selected to be preserved are The Epic of Gilgamesh, the Palatine Chapel, The Isenhiem Altarpiece, and Cortes’ letters from Mexico. All the works selected represent bear important meanings to humanity. They are all significant in that they are all hallmarks of human progress, inspiration, innovation, and ingenuity throughout humanity.\r\n\r\nSince, the preservation of the works is crucial, all the works will be kept in a secure container made out of self-healing glass and metal so that if anything manages to puncture the containers, it will immediately seal, minimizing the damage done to the cargo contained within. These containers can also act as a display case that can be locked in place in display rooms of the ship. They can withstand the pressures of space and can be powered by the sun. Numerous tracking devices will be added to the containers in the event that we somehow lose any one of these works, they can be retrieved.\r\n\r\nThe display room will have locks upon which the containers can be placed on to secure it in place. These locks are also access points to tubes that run throughout the ship for easy transport if the works need to be moved around, since the containers are built to fit the tubes. The tubes can also lead to openings outside of the ship in case there is an emergency evacuation. All the works can be easily transported outside.\r\n\r\nPeople can interact with all the works through hologram copies that can be enlarged, minimized, or duplicated by touch, voice-activated commands, and hand motions. They are accompanied with translations, data, and historical descriptions in the most commonly spoken languages.\r\n\r\nAll the works are original pieces except for the Palatine Chapel, which will only be a miniature hologram copy of the original. This hologram can also be minimized and enlarged for viewing purposes. Data of the Palatine Chapel will be stored in a sphere. Backups are included. If one wants to have a virtual tour of the Palatine Chapel, one can activate the tour by using voice-command, which can create a large, life-size hologram encompassing the entire display area, creating a realistic illusion of the chapel in real-time, complete with textures to appear tangible and solid. One can navigate through the virtual chapel by using the control pad that opens from the Data Sphere. Walking and running around is not advisable during the virtual tour, for the technology used is similar to advanced stealth-technology used in warfare prior to humanity’s transition into space. Therefore, any objects, with the exception of the Data Sphere, left open in the premises (that includes display containers, control pads, walls...etc) will be “stealthed,” hidden from view while the virtual tour is activated. Until the tour is over, it is imperative to STAY PUT and use only the control pad provided by the Data Sphere to transition from place to place in the virtual chapel, for it is a safety hazard to run into invisible objects. Virtual tours can be ended by using voice command. For those with technological augmentations (a.k.a. cyborgs) that allow access to databases, one can access virtual tour via cyberspace without having to use the Data Sphere. Although the Palatine Chapel cannot physically be taken into the ship, the lionheads from the chapel doors are taken as a symbolic representation of the Palatine.\r\n\r\nAll the works selected are selected to be preserved because they all give insight into ancient human thought, intellect, and perception, which all people of year 2100 can compare to current thoughts, knowledge, and ideas. The Epic of Gilgamesh depicts human growth, struggle, the search for immortality, the value of Life, and Death, which are all universal throughout human existence, are depicted in this one story. The Epic is the oldest epic known and contains one of the earliest forms of writing that was developed at the time: cuneiform. It is also one of the earliest known pieces of literature to ever be written since most stories during that era were passed down orally. It depicts a king who made great contributions to his people, leaving a legacy that was remembered throughout time, which is one of the most significant aspects of the epic that future generation will come to see. The Epic will provide a more humbling experience in the realization that we are all human and we are still vulnerable, especially now that we live in the vast expanse of space instead of the comfort of our home planet despite all the technology that allows us to do things our ancestors could only have dreamed of.\r\n\r\nThe Palatine Chapel represents the Carolingian era, a time in human history when people of many different cultures and backgrounds in what was Europe came together for the purpose of refining the arts and education. This was the start of public education in the west. It is significant for people today in that it shows how art and education can bring people together to create and innovate. In this case, the chapel with its bronze-casting and towering domes, is important in that it gives and insight to ancient medieval architecture which can be compared with our architecture today. Many people built extremely intricate and vast cathedrals that lasted for thousands of years displaying human ingenuity with practically without tools for construction. Today, we have all sorts of tools that we can utilize to easily create constructs on a much larger scale. Future generations can look back and see how far we have come.\r\n\r\nThe Isenheim Altarpiece gives insight in the role that religion played in shaping humanity. This was painted during the German Renaissance, a time that is remembered for the exploration into art in what was once Germany. It is unique in that it depicted a more gruesome and realistic depiction of Christ, mixing realism and macabre into art. Although, it has a religious meaning, it also has a more universal meaning beneath it. The Altarpiece depicts the death and resurrection of Christ, symbolizing death and rebirth. Christ is often symbolic of humanity so the piece can often be portrayed as the death and rebirth of humanity. Humanity often goes through cycles of destruction and rebirth as portrayed in our history such as how our life living on Earth has ended and now we start anew in space. Future generations will see that destruction is part of the process of starting over.\r\n\r\nThe Letters from Mexico by Cortes are accounts by Cortes, history’s most famous or infamous conqueror, of one of the oldest human civilizations on Earth, one that has captured the fascination of many in the western part of Earth at the time. They are basically early forms of travel literature. These letters were published throughout Europe and were used as propaganda to get people to travel westward. The letters are basically travel reports to the King and Queen of what was once Spain and depicts two different yet similar cultures collide. This piece is one that is perhaps the most important to future generations out of all four pieces for it can give us insight in how we might react when encountering extraterrestrial life forms and other advanced non-human civilizations that may be out there. These letters may be extremely important to study if we are to explore the frontiers of space.\r\n\r\nOverall, not only do all the pieces selected remind us who we are and what we’ve accomplished throughout the existence of our race, they may provide us insight to why we are the way we are. There are lessons within these pieces and it is up to the future generations to seek and understand so that we may continue to grow and evolve.\r\n\r\n&nbsp;','Earth Era History Conservation Project: Year 2100 Report','','inherit','open','open','','1434-revision-2','','','2011-05-11 21:10:17','2011-05-12 03:10:17','',1434,'http://jeanatacc.com/2011/?p=1440',0,'revision','',0),(1442,35,'2011-05-11 21:16:47','2011-05-12 03:16:47','I would like to begin by acknowledging the immense opportunity I have been chosen for, to be part of the team of the greatest curators of our time is a responsibility I have not taken lightly. I believe my selection of four works of art to be some of the most significant pieces dating from Pre-History to the Renaissance era. The society, culture, and world we have been so grateful to have inhibited as the foundation of our existence as the human race is no longer able to be our home.<!--more--> However, while on our journey through the vast galaxies to discover our next great habitat, The International Humanities Museum aboard this spaceship will not only preserve the history of our ancestors but will also provide and serve as a well rounded record and source of information to educate future generations on the development of our civilizations on Earth. It is our obligation to teach our children and generations beyond them about the inspiring individuals of our ancient times who first asked and answered the same “meaning of life” questions that they will ponder. It is our obligation to teach our future leaders what makes us human and where we come from. Our beliefs, traditions and day to day lives might be culturally different but I believe that through the preservation of these ancient artifacts from our beloved earliest civilizations, a greater understanding of are similarities  and the importance to learn from our past is imperative in achieving a better tomorrow.\r\n\r\nWith the help of ever evolving technology I have been able to design an interactive room to display, protect, and highlight my selections. The square room provided is 100 meters in both height and width, the entrance is in the center of the room by elevator or stairs. Once you step into the room the guest is in the barter shop where they can exchange goods for replicas of the art or copies of the books. These copies will be available in as many translations as possible. Other information is at a visitor’s exposal free of charge. By scanning the QR (quick response) code, found next the open doorway of each exhibit, using any Smart device or personal mobile technology. All of this free information is able to be downloaded in whatever language an individual needs.\r\n\r\nThe visitor is able to choose which entryway to go in first but I will start by describing the subdivision and display for man’s first creation theory known as <em>The Babylonian Creation </em>Myth. Once all visitors have entered the space a holographic figure will appear, he will look identical to an individual who actually lived during the Mesopotamian era. He will be programmed to recognize the different languages spoken by his visitors; this technology with allow each visitor to hear the tour guide in their own native tongue. He will introduce himself and tell a brief history of the time in which he “lived” and then proceed to describe the seven tablets know as <em>Enuma Elish. </em>He will explain that <em>The Babylonian Creation</em> is a Sumerian poem that is the first cosmological creation myth; it describes the birth of the Babylonian gods and the progression of creation. Although its oral tradition dates back to the second millennium BCE, in the 1700’s the Babylonian King Hammurabi had it inscribed on seven clay tablets. The original tablets will be on display protected in a climate controlled incasing of indestructible glass. The holographic tour guide will read the poem and translate the tale, while doing so all around the visitors the story will be unfolding to them like a 3D movie, so they get a better understanding of the fight between the ancient deities and how the Sumerian people thought the world was created.\r\n\r\nThe <em>Babylonian Creation </em>is an excellent example of how the people of the Mesopotamian era believed earth and every living thing was formed. It also provides us with a literary poem to compare to other pieces of literature during that period. Like many epic poems of the early civilizations it was recited orally, passed down through the generations to tell the heroic tale of the deity Marduk. This style of epic poem was a trend of their time, showing the power of the gods over humans. Another work of this time similar to the <em>Babylonian Creation</em> is <em>The Epic of Gilgamesh. </em>Both of these works were innovative because they were the tales of some of the original heroes on a journey of meaning and identity. They also embodied the ideals and values of the culture from which they came (Fiero B1 19). The <em>Babylonian Creation</em> is ground-breaking because it is one of the first cosmological creation myths but also because it influenced politics during its time as well. It is perceived that the hero/god of the poem, Marduk was revered as such so he could take his place as the head in the Babylonian Pantheon. It is significant for future generations because it helps us reflect on the different creationism/evolutionism ideals from ancient cultures. I also think it is important to educate ourselves and our youth on our diversities and beliefs. In doing so we are educating humanity by understanding and hopefully respecting the uniqueness of various traditions and civilizations.\r\n\r\nEntrance into the next space will lead visitors into Paris France where they will be standing in front of the West Façade of the Notre Dame Cathedral. This, of course, will not be the actual structure but also a holographic image but will look extremely realistic. Inside the space will have some of the original decorative ornamental details of the Cathedral; for instance some of the infamous gargoyles will be on display, along with the beautiful South Rose stained glass window, best known sculpture, paintings, and catholic relics. Again the holographic tour guide will appear, this time as a citizen of the French medieval period in which this building was constructed. He will describe the timeline of said construction and give detail of the gothic style architecture. He will be able to give a virtual tour of the exterior and interior of the remarkable structure while educating the visitors on the importance of the Notre Dame de Paris not only as one of the earliest examples of Gothic and Romanesque architecture but also the significant impact it made to the community and Christians followers.\r\n\r\nThe Notre Dame de Paris is an ideal example of the Gothic and Romanesque Architectural movement of the medieval period. It was the first cathedral to use flying buttresses, the innovative stone vault ceilings, and have decorative ornaments such as the exterior gargoyles. It set the standard and influenced completion for other churches to be built more elaborate and of greater height. During the medieval era the Christian religion was at its highest point of dominance over political, religious and cultural authority. This cathedral proves this by being the immense structure it is, it towered over all other buildings of its time leading Christian believers to its doors. The Notre Dame de Paris was affluent in the community. It was a beacon of hope for the community, a place for religious ceremony, civic events, public festivals and education. The Notre Dame Cathedral is significant for future generations because it is an essential work of art, detailing the remarkable rise of the non-classical, dynamic gothic style. The dynamic ornamental touches, the towering spires, flying buttresses, and fascinating gargoyles to ward of evil, all are incredible examples of medieval gothic style. Inside is just as overwhelming with the beautiful stained glass windows, wall paintings, furniture, and religious relics. The most meaningful reason I consider this to be a significant part of history is the fact that it not only served as place that Christians could find refuge, it was built for the community; a place the public could celebrate together the pride of their city and devout their appreciation to the Virgin Mary. A place of education for the young, a place the masses could call their own. I chose the Notre Dame de Paris because I believe it is important for future generations to learn about various styles of architecture from early eras of humanities. This astonishing cathedral has been a significant landmark not only to the society of medieval Europe but also an inspiration to architects, sculptors, religious leaders, Christians, historians, and the general public throughout the centuries. There is a great deal of history to learn about western civilization; from the first idea of this structure to the last renovation. The history of the kings that supported the construction, the bishops and popes who have worked and studied inside its walls, the Christian crusades and French revolution it survived, the great builders who contributed to its great mass and rise of the gothic style, are just some of the topics and records that future generations will be able to consider, discover, and learn because of the preservation of this monumental cathedral.\r\n\r\nThe next entryway will lead into reconstructed section of St. Peter’s Basilica, which is the earthly home one of Michelangelo Buonarroti’s most well known sculptures, <em>The Pieta</em>. Once more the holographic tour guide programmed in this particular exhibit to represent the style and mannerism of the High Renaissance era in Rome, which is when Michelangelo created it, will describe this masterpiece. The original marble sculpture will be on display and preserved for all the visitors to see first hand, so they can understand how this religious artwork that depicts the Virgin Mary holding her son Jesus in her lap following his death on the cross, is the most significant interpretation ever produced and arguably the most prominent Christian image of all time.\r\n\r\nAlthough there are many interpretations of the pieta in sculpture and paintings throughout the centuries Michelangelo’s, who was considered one of the most prominent artists of the High Renaissance era, masterful adaptation is innovative because it highlights some of the artistic trends of the most major era of the arts in human history. Although the piece is unique from other sculptures of the 15<sup>th</sup> century for its lack of proper proportions, Michelangelo used his knowledge of anatomy to perfectly unite this statue with classical form and pyramidal composition. Artists were very important people in Italian society and their work was being commissioned by powerful individuals such as kings and popes. The art of this era was also contributed and influenced by the Neoplatonic philosophy ideals spreading through Florence, which is were Michelangelo was born and raised before residing in Rome. He was one of the first artists to use the neoplatonism ideals in his artwork. Michelangelo’s <em>Pieta</em> is revered as one of the most famous and adored divine sculptures in history. Some say its only competition is another sculpture by Michelangelo which is his David.  Gloria Fiero author of <em>The Humanistic Tradition </em>declares that “Michelangelo\'s <em>Pietà</em> transformed the late medieval devotional image into a monumental statement on the meaning of Christian sacrifice” (Fiero B3 14). I chose Michelangelo’s <em>Pieta </em>not only because it is one of the most famous of all Christian images but also because it can also teach future generations about noteworthy high renaissance artists, their own and the societies philosophical ideals, and the trends of 15<sup>th</sup> century art. It also chronicles the beginning of Michelangelo Buonarroti’s career as one of the most influential artists of all time and the history of the high renaissance era. This piece has also proven as being a testament to the Christian faith and illustrates the grievances between mother and child in a godly manner. Michelangelo’s Pieta is truly a masterpiece and a supreme example of romantic art.\r\n\r\n&nbsp;\r\n\r\nThe fourth and final entry will open into a space that has been reconstructed to look like the walled up cave located outside the military base and walled city of Dunhuag in Northern China. The holographic tour guide representing the people of the 9<sup>th</sup> century Chinese Tang era will invite you to enter the cavern known as the “cave of a thousand Buddha’s” and look at the original 16 ft, 12 in tall block printed<em> Diamond Sutra</em> scroll, which be preserved and displayed. Once the tour guide enlightens the visitors of the history behind the sacred Buddhist text and the first dated book in history, and how it was hidden in the cave and rediscovered in the early 20<sup>th</sup> century, the tour guide will disappear. In his place two holographic images will start reciting the 32 short chapters of <em>The Diamond Sutra. </em>Since the book is essentially a series of questions in conversational form between Buddha and one of his Disciples, the realistic human forms will represent the questioner in the form of Buddha’s disciples and Buddha himself will respond and teach his philosophy of the perception of nature.\r\n\r\n<em>The Diamond Sutra</em> is a sacred Buddhist text that serves as an example of the cultural trends of the Chinese Tang era, proven to be so by all the other Buddhist manuscripts found in the “cave of a thousand Buddha’s”. It is also ground-breaking because it is the world’s first signed and dated book, dated 868. It used the Chinese style of printing, block printing. This book from the 9<sup>th</sup> century succeeds the European printing press by centuries; which wasn’t established until the 15<sup>th</sup> century. <em>The Diamond Sutra</em> teaches “the manner in which you should conduct yourself, both in outward behavior and inward attitude, in order to “be like Buddha” according to the article <em>The Buddha’s Diamond</em> written by Richard Rosen in <em>The Yoga Journal</em> (Rosen 142). Buddhism doesn’t have one significant book that teaches the truth about God like other monotheistic religions, it has sacred texts that serve as guides to the truth.  It is obvious how priceless the scroll’s philosophies were during its age for many reasons; one being the fact that it was skillfully printed after centuries of oral tradition. Another reason is that someone took the time and the risk to conceal and preserve the ancient teachings in a walled up cave. It is important that future generations get a chance to explore Buddhism and other religious ideals, which is one reason I chose this book. Another reason it is significant to future generations is because this work has been preserved first in the cave and now in this museum, because of this we now have a better idea of how the Chinese and the Buddhist religion progressed into what it is in the modern world. We also have an enhanced education of the technology, social, and economic trade advancements of the time. There is a myriad of ways it can educate both religiously and culturally which is important the education of our current and future generations.\r\n\r\nI hope future generations understand the importance of preserving our cultural past, get inspired by the artwork this exhibit showcases, and learns about the origins and traditions of religions, societies, humanities, and philosophies.  I hope everyone enjoys the pieces I have chosen for The International Humanities Museum as much as I have.\r\n\r\n&nbsp;\r\n\r\nWorks Cited\r\n\r\nFiero, Gloria K. <em>The Humanistic Tradition</em>. Boston: McGraw-Hill, 2011. Web. 10 May 2011. &lt;http://http://connect.mcgraw-hill.com/connect/hmEBook.do?setTab=se\r\n\r\nRosen, Richard. \"The Buddha\'s Diamond.\" <em>Yoga Journal</em> 165 (2002): 141-44. <em>Alt HealthWatch</em>. Web. 28 Apr. 2011. <a href=\"http://ehis.ebscohost.com.lsproxy.austincc.edu/ehost/pdfviewer/pdfviewer?sid=d9000b15-68ce-42cd-9818-576050e23379%40sessionmgr114&amp;vid=1&amp;hid=103\">http://ehis.ebscohost.com.lsproxy.austincc.edu/ehost/pdfviewer/pdfviewer?sid=d9000b15-68ce-42cd-9818-576050e23379%40sessionmgr114&amp;vid=1&amp;hid=103</a>\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;','The International Humanities Museum','','publish','open','open','','the-international-humanities-museum','','','2011-05-11 21:16:47','2011-05-12 03:16:47','',0,'http://jeanatacc.com/2011/?p=1442',0,'post','',6),(1445,1,'2011-05-11 21:11:35','2011-05-12 03:11:35','Location: Earth Research Space Colony - Academy of Archeology\r\n\r\nThe works selected to be preserved are The Epic of Gilgamesh, the Palatine Chapel, The Isenhiem Altarpiece, and Cortes’ letters from Mexico. All the works selected represent bear important meanings to humanity. They are all significant in that they are all hallmarks of human progress, inspiration, innovation, and ingenuity throughout humanity.\r\n\r\nSince, the preservation of the works is crucial, all the works will be kept in a secure container made out of self-healing glass and metal so that if anything manages to puncture the containers, it will immediately seal, minimizing the damage done to the cargo contained within. These containers can also act as a display case that can be locked in place in display rooms of the ship. They can withstand the pressures of space and can be powered by the sun. Numerous tracking devices will be added to the containers in the event that we somehow lose any one of these works, they can be retrieved.\r\n\r\nThe display room will have locks upon which the containers can be placed on to secure it in place. These locks are also access points to tubes that run throughout the ship for easy transport if the works need to be moved around, since the containers are built to fit the tubes. The tubes can also lead to openings outside of the ship in case there is an emergency evacuation. All the works can be easily transported outside.\r\n\r\nPeople can interact with all the works through hologram copies that can be enlarged, minimized, or duplicated by touch, voice-activated commands, and hand motions. They are accompanied with translations, data, and historical descriptions in the most commonly spoken languages.\r\n\r\nAll the works are original pieces except for the Palatine Chapel, which will only be a miniature hologram copy of the original. This hologram can also be minimized and enlarged for viewing purposes. Data of the Palatine Chapel will be stored in a sphere. Backups are included. If one wants to have a virtual tour of the Palatine Chapel, one can activate the tour by using voice-command, which can create a large, life-size hologram encompassing the entire display area, creating a realistic illusion of the chapel in real-time, complete with textures to appear tangible and solid. One can navigate through the virtual chapel by using the control pad that opens from the Data Sphere. Walking and running around is not advisable during the virtual tour, for the technology used is similar to advanced stealth-technology used in warfare prior to humanity’s transition into space. Therefore, any objects, with the exception of the Data Sphere, left open in the premises (that includes display containers, control pads, walls...etc) will be “stealthed,” hidden from view while the virtual tour is activated. Until the tour is over, it is imperative to STAY PUT and use only the control pad provided by the Data Sphere to transition from place to place in the virtual chapel, for it is a safety hazard to run into invisible objects. Virtual tours can be ended by using voice command. For those with technological augmentations (a.k.a. cyborgs) that allow access to databases, one can access virtual tour via cyberspace without having to use the Data Sphere. Although the Palatine Chapel cannot physically be taken into the ship, the lionheads from the chapel doors are taken as a symbolic representation of the Palatine.\r\n\r\nAll the works selected are selected to be preserved because they all give insight into ancient human thought, intellect, and perception, which all people of year 2100 can compare to current thoughts, knowledge, and ideas. The Epic of Gilgamesh depicts human growth, struggle, the search for immortality, the value of Life, and Death, which are all universal throughout human existence, are depicted in this one story. The Epic is the oldest epic known and contains one of the earliest forms of writing that was developed at the time: cuneiform. It is also one of the earliest known pieces of literature to ever be written since most stories during that era were passed down orally. It depicts a king who made great contributions to his people, leaving a legacy that was remembered throughout time, which is one of the most significant aspects of the epic that future generation will come to see. The Epic will provide a more humbling experience in the realization that we are all human and we are still vulnerable, especially now that we live in the vast expanse of space instead of the comfort of our home planet despite all the technology that allows us to do things our ancestors could only have dreamed of.\r\n\r\nThe Palatine Chapel represents the Carolingian era, a time in human history when people of many different cultures and backgrounds in what was Europe came together for the purpose of refining the arts and education. This was the start of public education in the west. It is significant for people today in that it shows how art and education can bring people together to create and innovate. In this case, the chapel with its bronze-casting and towering domes, is important in that it gives and insight to ancient medieval architecture which can be compared with our architecture today. Many people built extremely intricate and vast cathedrals that lasted for thousands of years displaying human ingenuity with practically without tools for construction. Today, we have all sorts of tools that we can utilize to easily create constructs on a much larger scale. Future generations can look back and see how far we have come.\r\n\r\nThe Isenheim Altarpiece gives insight in the role that religion played in shaping humanity. This was painted during the German Renaissance, a time that is remembered for the exploration into art in what was once Germany. It is unique in that it depicted a more gruesome and realistic depiction of Christ, mixing realism and macabre into art. Although, it has a religious meaning, it also has a more universal meaning beneath it. The Altarpiece depicts the death and resurrection of Christ, symbolizing death and rebirth. Christ is often symbolic of humanity so the piece can often be portrayed as the death and rebirth of humanity. Humanity often goes through cycles of destruction and rebirth as portrayed in our history such as how our life living on Earth has ended and now we start anew in space. Future generations will see that destruction is part of the process of starting over.\r\n\r\nThe Letters from Mexico by Cortes are accounts by Cortes, history’s most famous or infamous conqueror, of one of the oldest human civilizations on Earth, one that has captured the fascination of many in the western part of Earth at the time. They are basically early forms of travel literature. These letters were published throughout Europe and were used as propaganda to get people to travel westward. The letters are basically travel reports to the King and Queen of what was once Spain and depicts two different yet similar cultures collide. This piece is one that is perhaps the most important to future generations out of all four pieces for it can give us insight in how we might react when encountering extraterrestrial life forms and other advanced non-human civilizations that may be out there. These letters may be extremely important to study if we are to explore the frontiers of space.\r\n\r\nOverall, not only do all the pieces selected remind us who we are and what we’ve accomplished throughout the existence of our race, they may provide us insight to why we are the way we are. There are lessons within these pieces and it is up to the future generations to seek and understand so that we may continue to grow and evolve.\r\n\r\n&nbsp;','Earth Era History Conservation Project: Year 2100 Report','','inherit','open','open','','1434-revision-3','','','2011-05-11 21:11:35','2011-05-12 03:11:35','',1434,'http://jeanatacc.com/2011/?p=1445',0,'revision','',0),(1443,35,'2011-05-11 21:15:09','2011-05-12 03:15:09','I would like to begin by acknowledging the immense opportunity I have been chosen for, to be part of the team of the greatest curators of our time is a responsibility I have not taken lightly. I believe my selection of four works of art to be some of the most significant pieces dating from Pre-History to the Renaissance era. The society, culture, and world we have been so grateful to have inhibited as the foundation of our existence as the human race is no longer able to be our home.<!--more--> However, while on our journey through the vast galaxies to discover our next great habitat, The International Humanities Museum aboard this spaceship will not only preserve the history of our ancestors but will also provide and serve as a well rounded record and source of information to educate future generations on the development of our civilizations on Earth. It is our obligation to teach our children and generations beyond them about the inspiring individuals of our ancient times who first asked and answered the same “meaning of life” questions that they will ponder. It is our obligation to teach our future leaders what makes us human and where we come from. Our beliefs, traditions and day to day lives might be culturally different but I believe that through the preservation of these ancient artifacts from our beloved earliest civilizations, a greater understanding of are similarities  and the importance to learn from our past is imperative in achieving a better tomorrow.\n\n&nbsp;\n\nWith the help of ever evolving technology I have been able to design an interactive room to display, protect, and highlight my selections. The square room provided is 100 meters in both height and width, the entrance is in the center of the room by elevator or stairs. Once you step into the room the guest is in the barter shop where they can exchange goods for replicas of the art or copies of the books. These copies will be available in as many translations as possible. Other information is at a visitor’s exposal free of charge. By scanning the QR (quick response) code, found next the open doorway of each exhibit, using any Smart device or personal mobile technology. All of this free information is able to be downloaded in whatever language an individual needs.\n\n&nbsp;\n\nThe visitor is able to choose which entryway to go in first but I will start by describing the subdivision and display for man’s first creation theory known as <em>The Babylonian Creation </em>Myth. Once all visitors have entered the space a holographic figure will appear, he will look identical to an individual who actually lived during the Mesopotamian era. He will be programmed to recognize the different languages spoken by his visitors; this technology with allow each visitor to hear the tour guide in their own native tongue. He will introduce himself and tell a brief history of the time in which he “lived” and then proceed to describe the seven tablets know as <em>Enuma Elish. </em>He will explain that <em>The Babylonian Creation</em> is a Sumerian poem that is the first cosmological creation myth; it describes the birth of the Babylonian gods and the progression of creation. Although its oral tradition dates back to the second millennium BCE, in the 1700’s the Babylonian King Hammurabi had it inscribed on seven clay tablets. The original tablets will be on display protected in a climate controlled incasing of indestructible glass. The holographic tour guide will read the poem and translate the tale, while doing so all around the visitors the story will be unfolding to them like a 3D movie, so they get a better understanding of the fight between the ancient deities and how the Sumerian people thought the world was created.\n\n&nbsp;\n\nThe <em>Babylonian Creation </em>is an excellent example of how the people of the Mesopotamian era believed earth and every living thing was formed. It also provides us with a literary poem to compare to other pieces of literature during that period. Like many epic poems of the early civilizations it was recited orally, passed down through the generations to tell the heroic tale of the deity Marduk. This style of epic poem was a trend of their time, showing the power of the gods over humans. Another work of this time similar to the <em>Babylonian Creation</em> is <em>The Epic of Gilgamesh. </em>Both of these works were innovative because they were the tales of some of the original heroes on a journey of meaning and identity. They also embodied the ideals and values of the culture from which they came (Fiero B1 19). The <em>Babylonian Creation</em> is ground-breaking because it is one of the first cosmological creation myths but also because it influenced politics during its time as well. It is perceived that the hero/god of the poem, Marduk was revered as such so he could take his place as the head in the Babylonian Pantheon. It is significant for future generations because it helps us reflect on the different creationism/evolutionism ideals from ancient cultures. I also think it is important to educate ourselves and our youth on our diversities and beliefs. In doing so we are educating humanity by understanding and hopefully respecting the uniqueness of various traditions and civilizations.\n\n&nbsp;\n\nEntrance into the next space will lead visitors into Paris France where they will be standing in front of the West Façade of the Notre Dame Cathedral. This, of course, will not be the actual structure but also a holographic image but will look extremely realistic. Inside the space will have some of the original decorative ornamental details of the Cathedral; for instance some of the infamous gargoyles will be on display, along with the beautiful South Rose stained glass window, best known sculpture, paintings, and catholic relics. Again the holographic tour guide will appear, this time as a citizen of the French medieval period in which this building was constructed. He will describe the timeline of said construction and give detail of the gothic style architecture. He will be able to give a virtual tour of the exterior and interior of the remarkable structure while educating the visitors on the importance of the Notre Dame de Paris not only as one of the earliest examples of Gothic and Romanesque architecture but also the significant impact it made to the community and Christians followers.\n\n&nbsp;\n\nThe Notre Dame de Paris is an ideal example of the Gothic and Romanesque Architectural movement of the medieval period. It was the first cathedral to use flying buttresses, the innovative stone vault ceilings, and have decorative ornaments such as the exterior gargoyles. It set the standard and influenced completion for other churches to be built more elaborate and of greater height. During the medieval era the Christian religion was at its highest point of dominance over political, religious and cultural authority. This cathedral proves this by being the immense structure it is, it towered over all other buildings of its time leading Christian believers to its doors. The Notre Dame de Paris was affluent in the community. It was a beacon of hope for the community, a place for religious ceremony, civic events, public festivals and education. The Notre Dame Cathedral is significant for future generations because it is an essential work of art, detailing the remarkable rise of the non-classical, dynamic gothic style. The dynamic ornamental touches, the towering spires, flying buttresses, and fascinating gargoyles to ward of evil, all are incredible examples of medieval gothic style. Inside is just as overwhelming with the beautiful stained glass windows, wall paintings, furniture, and religious relics. The most meaningful reason I consider this to be a significant part of history is the fact that it not only served as place that Christians could find refuge, it was built for the community; a place the public could celebrate together the pride of their city and devout their appreciation to the Virgin Mary. A place of education for the young, a place the masses could call their own. I chose the Notre Dame de Paris because I believe it is important for future generations to learn about various styles of architecture from early eras of humanities. This astonishing cathedral has been a significant landmark not only to the society of medieval Europe but also an inspiration to architects, sculptors, religious leaders, Christians, historians, and the general public throughout the centuries. There is a great deal of history to learn about western civilization; from the first idea of this structure to the last renovation. The history of the kings that supported the construction, the bishops and popes who have worked and studied inside its walls, the Christian crusades and French revolution it survived, the great builders who contributed to its great mass and rise of the gothic style, are just some of the topics and records that future generations will be able to consider, discover, and learn because of the preservation of this monumental cathedral.\n\n&nbsp;\n\nThe next entryway will lead into reconstructed section of St. Peter’s Basilica, which is the earthly home one of Michelangelo Buonarroti’s most well known sculptures, <em>The Pieta</em>. Once more the holographic tour guide programmed in this particular exhibit to represent the style and mannerism of the High Renaissance era in Rome, which is when Michelangelo created it, will describe this masterpiece. The original marble sculpture will be on display and preserved for all the visitors to see first hand, so they can understand how this religious artwork that depicts the Virgin Mary holding her son Jesus in her lap following his death on the cross, is the most significant interpretation ever produced and arguably the most prominent Christian image of all time.\n\n&nbsp;\n\nAlthough there are many interpretations of the pieta in sculpture and paintings throughout the centuries Michelangelo’s, who was considered one of the most prominent artists of the High Renaissance era, masterful adaptation is innovative because it highlights some of the artistic trends of the most major era of the arts in human history. Although the piece is unique from other sculptures of the 15<sup>th</sup> century for its lack of proper proportions, Michelangelo used his knowledge of anatomy to perfectly unite this statue with classical form and pyramidal composition. Artists were very important people in Italian society and their work was being commissioned by powerful individuals such as kings and popes. The art of this era was also contributed and influenced by the Neoplatonic philosophy ideals spreading through Florence, which is were Michelangelo was born and raised before residing in Rome. He was one of the first artists to use the neoplatonism ideals in his artwork. Michelangelo’s <em>Pieta</em> is revered as one of the most famous and adored divine sculptures in history. Some say its only competition is another sculpture by Michelangelo which is his David.  Gloria Fiero author of <em>The Humanistic Tradition </em>declares that “Michelangelo\'s <em>Pietà</em> transformed the late medieval devotional image into a monumental statement on the meaning of Christian sacrifice” (Fiero B3 14). I chose Michelangelo’s <em>Pieta </em>not only because it is one of the most famous of all Christian images but also because it can also teach future generations about noteworthy high renaissance artists, their own and the societies philosophical ideals, and the trends of 15<sup>th</sup> century art. It also chronicles the beginning of Michelangelo Buonarroti’s career as one of the most influential artists of all time and the history of the high renaissance era. This piece has also proven as being a testament to the Christian faith and illustrates the grievances between mother and child in a godly manner. Michelangelo’s Pieta is truly a masterpiece and a supreme example of romantic art.\n\n&nbsp;\n\nThe fourth and final entry will open into a space that has been reconstructed to look like the walled up cave located outside the military base and walled city of Dunhuag in Northern China. The holographic tour guide representing the people of the 9<sup>th</sup> century Chinese Tang era will invite you to enter the cavern known as the “cave of a thousand Buddha’s” and look at the original 16 ft, 12 in tall block printed<em> Diamond Sutra</em> scroll, which be preserved and displayed. Once the tour guide enlightens the visitors of the history behind the sacred Buddhist text and the first dated book in history, and how it was hidden in the cave and rediscovered in the early 20<sup>th</sup> century, the tour guide will disappear. In his place two holographic images will start reciting the 32 short chapters of <em>The Diamond Sutra. </em>Since the book is essentially a series of questions in conversational form between Buddha and one of his Disciples, the realistic human forms will represent the questioner in the form of Buddha’s disciples and Buddha himself will respond and teach his philosophy of the perception of nature.\n\n&nbsp;\n\n<em>The Diamond Sutra</em> is a sacred Buddhist text that serves as an example of the cultural trends of the Chinese Tang era, proven to be so by all the other Buddhist manuscripts found in the “cave of a thousand Buddha’s”. It is also ground-breaking because it is the world’s first signed and dated book, dated 868. It used the Chinese style of printing, block printing. This book from the 9<sup>th</sup> century succeeds the European printing press by centuries; which wasn’t established until the 15<sup>th</sup> century. <em>The Diamond Sutra</em> teaches “the manner in which you should conduct yourself, both in outward behavior and inward attitude, in order to “be like Buddha” according to the article <em>The Buddha’s Diamond</em> written by Richard Rosen in <em>The Yoga Journal</em> (Rosen 142). Buddhism doesn’t have one significant book that teaches the truth about God like other monotheistic religions, it has sacred texts that serve as guides to the truth.  It is obvious how priceless the scroll’s philosophies were during its age for many reasons; one being the fact that it was skillfully printed after centuries of oral tradition. Another reason is that someone took the time and the risk to conceal and preserve the ancient teachings in a walled up cave. It is important that future generations get a chance to explore Buddhism and other religious ideals, which is one reason I chose this book. Another reason it is significant to future generations is because this work has been preserved first in the cave and now in this museum, because of this we now have a better idea of how the Chinese and the Buddhist religion progressed into what it is in the modern world. We also have an enhanced education of the technology, social, and economic trade advancements of the time. There is a myriad of ways it can educate both religiously and culturally which is important the education of our current and future generations.\n\nI hope future generations understand the importance of preserving our cultural past, get inspired by the artwork this exhibit showcases, and learns about the origins and traditions of religions, societies, humanities, and philosophies.  I hope everyone enjoys the pieces I have chosen for The International Humanities Museum as much as I have.\n\nWorks Cited\n\n&nbsp;\n\nFiero, Gloria K. <em>The Humanistic Tradition</em>. Boston: McGraw-Hill, 2011. Web. 10 May 2011. &lt;http://http://connect.mcgraw-hill.com/connect/hmEBook.do?setTab=se\n\n&nbsp;\n\nRosen, Richard. \"The Buddha\'s Diamond.\" <em>Yoga Journal</em> 165 (2002): 141-44. <em>Alt HealthWatch</em>. Web. 28 Apr. 2011. <a href=\"http://ehis.ebscohost.com.lsproxy.austincc.edu/ehost/pdfviewer/pdfviewer?sid=d9000b15-68ce-42cd-9818-576050e23379%40sessionmgr114&amp;vid=1&amp;hid=103\">http://ehis.ebscohost.com.lsproxy.austincc.edu/ehost/pdfviewer/pdfviewer?sid=d9000b15-68ce-42cd-9818-576050e23379%40sessionmgr114&amp;vid=1&amp;hid=103</a>\n\n&nbsp;\n\n&nbsp;\n\n&nbsp;\n\n&nbsp;\n\n&nbsp;','The International Humanities Museum','','inherit','open','open','','1442-revision','','','2011-05-11 21:15:09','2011-05-12 03:15:09','',1442,'http://jeanatacc.com/2011/?p=1443',0,'revision','',0),(1446,35,'2011-05-11 21:16:09','2011-05-12 03:16:09','I would like to begin by acknowledging the immense opportunity I have been chosen for, to be part of the team of the greatest curators of our time is a responsibility I have not taken lightly. I believe my selection of four works of art to be some of the most significant pieces dating from Pre-History to the Renaissance era. The society, culture, and world we have been so grateful to have inhibited as the foundation of our existence as the human race is no longer able to be our home.<!--more--> However, while on our journey through the vast galaxies to discover our next great habitat, The International Humanities Museum aboard this spaceship will not only preserve the history of our ancestors but will also provide and serve as a well rounded record and source of information to educate future generations on the development of our civilizations on Earth. It is our obligation to teach our children and generations beyond them about the inspiring individuals of our ancient times who first asked and answered the same “meaning of life” questions that they will ponder. It is our obligation to teach our future leaders what makes us human and where we come from. Our beliefs, traditions and day to day lives might be culturally different but I believe that through the preservation of these ancient artifacts from our beloved earliest civilizations, a greater understanding of are similarities  and the importance to learn from our past is imperative in achieving a better tomorrow.\n\nWith the help of ever evolving technology I have been able to design an interactive room to display, protect, and highlight my selections. The square room provided is 100 meters in both height and width, the entrance is in the center of the room by elevator or stairs. Once you step into the room the guest is in the barter shop where they can exchange goods for replicas of the art or copies of the books. These copies will be available in as many translations as possible. Other information is at a visitor’s exposal free of charge. By scanning the QR (quick response) code, found next the open doorway of each exhibit, using any Smart device or personal mobile technology. All of this free information is able to be downloaded in whatever language an individual needs.\n\nThe visitor is able to choose which entryway to go in first but I will start by describing the subdivision and display for man’s first creation theory known as <em>The Babylonian Creation </em>Myth. Once all visitors have entered the space a holographic figure will appear, he will look identical to an individual who actually lived during the Mesopotamian era. He will be programmed to recognize the different languages spoken by his visitors; this technology with allow each visitor to hear the tour guide in their own native tongue. He will introduce himself and tell a brief history of the time in which he “lived” and then proceed to describe the seven tablets know as <em>Enuma Elish. </em>He will explain that <em>The Babylonian Creation</em> is a Sumerian poem that is the first cosmological creation myth; it describes the birth of the Babylonian gods and the progression of creation. Although its oral tradition dates back to the second millennium BCE, in the 1700’s the Babylonian King Hammurabi had it inscribed on seven clay tablets. The original tablets will be on display protected in a climate controlled incasing of indestructible glass. The holographic tour guide will read the poem and translate the tale, while doing so all around the visitors the story will be unfolding to them like a 3D movie, so they get a better understanding of the fight between the ancient deities and how the Sumerian people thought the world was created.\n\nThe <em>Babylonian Creation </em>is an excellent example of how the people of the Mesopotamian era believed earth and every living thing was formed. It also provides us with a literary poem to compare to other pieces of literature during that period. Like many epic poems of the early civilizations it was recited orally, passed down through the generations to tell the heroic tale of the deity Marduk. This style of epic poem was a trend of their time, showing the power of the gods over humans. Another work of this time similar to the <em>Babylonian Creation</em> is <em>The Epic of Gilgamesh. </em>Both of these works were innovative because they were the tales of some of the original heroes on a journey of meaning and identity. They also embodied the ideals and values of the culture from which they came (Fiero B1 19). The <em>Babylonian Creation</em> is ground-breaking because it is one of the first cosmological creation myths but also because it influenced politics during its time as well. It is perceived that the hero/god of the poem, Marduk was revered as such so he could take his place as the head in the Babylonian Pantheon. It is significant for future generations because it helps us reflect on the different creationism/evolutionism ideals from ancient cultures. I also think it is important to educate ourselves and our youth on our diversities and beliefs. In doing so we are educating humanity by understanding and hopefully respecting the uniqueness of various traditions and civilizations.\n\nEntrance into the next space will lead visitors into Paris France where they will be standing in front of the West Façade of the Notre Dame Cathedral. This, of course, will not be the actual structure but also a holographic image but will look extremely realistic. Inside the space will have some of the original decorative ornamental details of the Cathedral; for instance some of the infamous gargoyles will be on display, along with the beautiful South Rose stained glass window, best known sculpture, paintings, and catholic relics. Again the holographic tour guide will appear, this time as a citizen of the French medieval period in which this building was constructed. He will describe the timeline of said construction and give detail of the gothic style architecture. He will be able to give a virtual tour of the exterior and interior of the remarkable structure while educating the visitors on the importance of the Notre Dame de Paris not only as one of the earliest examples of Gothic and Romanesque architecture but also the significant impact it made to the community and Christians followers.\n\nThe Notre Dame de Paris is an ideal example of the Gothic and Romanesque Architectural movement of the medieval period. It was the first cathedral to use flying buttresses, the innovative stone vault ceilings, and have decorative ornaments such as the exterior gargoyles. It set the standard and influenced completion for other churches to be built more elaborate and of greater height. During the medieval era the Christian religion was at its highest point of dominance over political, religious and cultural authority. This cathedral proves this by being the immense structure it is, it towered over all other buildings of its time leading Christian believers to its doors. The Notre Dame de Paris was affluent in the community. It was a beacon of hope for the community, a place for religious ceremony, civic events, public festivals and education. The Notre Dame Cathedral is significant for future generations because it is an essential work of art, detailing the remarkable rise of the non-classical, dynamic gothic style. The dynamic ornamental touches, the towering spires, flying buttresses, and fascinating gargoyles to ward of evil, all are incredible examples of medieval gothic style. Inside is just as overwhelming with the beautiful stained glass windows, wall paintings, furniture, and religious relics. The most meaningful reason I consider this to be a significant part of history is the fact that it not only served as place that Christians could find refuge, it was built for the community; a place the public could celebrate together the pride of their city and devout their appreciation to the Virgin Mary. A place of education for the young, a place the masses could call their own. I chose the Notre Dame de Paris because I believe it is important for future generations to learn about various styles of architecture from early eras of humanities. This astonishing cathedral has been a significant landmark not only to the society of medieval Europe but also an inspiration to architects, sculptors, religious leaders, Christians, historians, and the general public throughout the centuries. There is a great deal of history to learn about western civilization; from the first idea of this structure to the last renovation. The history of the kings that supported the construction, the bishops and popes who have worked and studied inside its walls, the Christian crusades and French revolution it survived, the great builders who contributed to its great mass and rise of the gothic style, are just some of the topics and records that future generations will be able to consider, discover, and learn because of the preservation of this monumental cathedral.\n\nThe next entryway will lead into reconstructed section of St. Peter’s Basilica, which is the earthly home one of Michelangelo Buonarroti’s most well known sculptures, <em>The Pieta</em>. Once more the holographic tour guide programmed in this particular exhibit to represent the style and mannerism of the High Renaissance era in Rome, which is when Michelangelo created it, will describe this masterpiece. The original marble sculpture will be on display and preserved for all the visitors to see first hand, so they can understand how this religious artwork that depicts the Virgin Mary holding her son Jesus in her lap following his death on the cross, is the most significant interpretation ever produced and arguably the most prominent Christian image of all time.\n\n&nbsp;\n\nAlthough there are many interpretations of the pieta in sculpture and paintings throughout the centuries Michelangelo’s, who was considered one of the most prominent artists of the High Renaissance era, masterful adaptation is innovative because it highlights some of the artistic trends of the most major era of the arts in human history. Although the piece is unique from other sculptures of the 15<sup>th</sup> century for its lack of proper proportions, Michelangelo used his knowledge of anatomy to perfectly unite this statue with classical form and pyramidal composition. Artists were very important people in Italian society and their work was being commissioned by powerful individuals such as kings and popes. The art of this era was also contributed and influenced by the Neoplatonic philosophy ideals spreading through Florence, which is were Michelangelo was born and raised before residing in Rome. He was one of the first artists to use the neoplatonism ideals in his artwork. Michelangelo’s <em>Pieta</em> is revered as one of the most famous and adored divine sculptures in history. Some say its only competition is another sculpture by Michelangelo which is his David.  Gloria Fiero author of <em>The Humanistic Tradition </em>declares that “Michelangelo\'s <em>Pietà</em> transformed the late medieval devotional image into a monumental statement on the meaning of Christian sacrifice” (Fiero B3 14). I chose Michelangelo’s <em>Pieta </em>not only because it is one of the most famous of all Christian images but also because it can also teach future generations about noteworthy high renaissance artists, their own and the societies philosophical ideals, and the trends of 15<sup>th</sup> century art. It also chronicles the beginning of Michelangelo Buonarroti’s career as one of the most influential artists of all time and the history of the high renaissance era. This piece has also proven as being a testament to the Christian faith and illustrates the grievances between mother and child in a godly manner. Michelangelo’s Pieta is truly a masterpiece and a supreme example of romantic art.\n\n&nbsp;\n\nThe fourth and final entry will open into a space that has been reconstructed to look like the walled up cave located outside the military base and walled city of Dunhuag in Northern China. The holographic tour guide representing the people of the 9<sup>th</sup> century Chinese Tang era will invite you to enter the cavern known as the “cave of a thousand Buddha’s” and look at the original 16 ft, 12 in tall block printed<em> Diamond Sutra</em> scroll, which be preserved and displayed. Once the tour guide enlightens the visitors of the history behind the sacred Buddhist text and the first dated book in history, and how it was hidden in the cave and rediscovered in the early 20<sup>th</sup> century, the tour guide will disappear. In his place two holographic images will start reciting the 32 short chapters of <em>The Diamond Sutra. </em>Since the book is essentially a series of questions in conversational form between Buddha and one of his Disciples, the realistic human forms will represent the questioner in the form of Buddha’s disciples and Buddha himself will respond and teach his philosophy of the perception of nature.\n\n&nbsp;\n\n<em>The Diamond Sutra</em> is a sacred Buddhist text that serves as an example of the cultural trends of the Chinese Tang era, proven to be so by all the other Buddhist manuscripts found in the “cave of a thousand Buddha’s”. It is also ground-breaking because it is the world’s first signed and dated book, dated 868. It used the Chinese style of printing, block printing. This book from the 9<sup>th</sup> century succeeds the European printing press by centuries; which wasn’t established until the 15<sup>th</sup> century. <em>The Diamond Sutra</em> teaches “the manner in which you should conduct yourself, both in outward behavior and inward attitude, in order to “be like Buddha” according to the article <em>The Buddha’s Diamond</em> written by Richard Rosen in <em>The Yoga Journal</em> (Rosen 142). Buddhism doesn’t have one significant book that teaches the truth about God like other monotheistic religions, it has sacred texts that serve as guides to the truth.  It is obvious how priceless the scroll’s philosophies were during its age for many reasons; one being the fact that it was skillfully printed after centuries of oral tradition. Another reason is that someone took the time and the risk to conceal and preserve the ancient teachings in a walled up cave. It is important that future generations get a chance to explore Buddhism and other religious ideals, which is one reason I chose this book. Another reason it is significant to future generations is because this work has been preserved first in the cave and now in this museum, because of this we now have a better idea of how the Chinese and the Buddhist religion progressed into what it is in the modern world. We also have an enhanced education of the technology, social, and economic trade advancements of the time. There is a myriad of ways it can educate both religiously and culturally which is important the education of our current and future generations.\n\nI hope future generations understand the importance of preserving our cultural past, get inspired by the artwork this exhibit showcases, and learns about the origins and traditions of religions, societies, humanities, and philosophies.  I hope everyone enjoys the pieces I have chosen for The International Humanities Museum as much as I have.\n\nWorks Cited\n\n&nbsp;\n\nFiero, Gloria K. <em>The Humanistic Tradition</em>. Boston: McGraw-Hill, 2011. Web. 10 May 2011. &lt;http://http://connect.mcgraw-hill.com/connect/hmEBook.do?setTab=se\n\n&nbsp;\n\nRosen, Richard. \"The Buddha\'s Diamond.\" <em>Yoga Journal</em> 165 (2002): 141-44. <em>Alt HealthWatch</em>. Web. 28 Apr. 2011. <a href=\"http://ehis.ebscohost.com.lsproxy.austincc.edu/ehost/pdfviewer/pdfviewer?sid=d9000b15-68ce-42cd-9818-576050e23379%40sessionmgr114&amp;vid=1&amp;hid=103\">http://ehis.ebscohost.com.lsproxy.austincc.edu/ehost/pdfviewer/pdfviewer?sid=d9000b15-68ce-42cd-9818-576050e23379%40sessionmgr114&amp;vid=1&amp;hid=103</a>\n\n&nbsp;\n\n&nbsp;\n\n&nbsp;\n\n&nbsp;\n\n&nbsp;','The International Humanities Museum','','inherit','open','open','','1442-revision-2','','','2011-05-11 21:16:09','2011-05-12 03:16:09','',1442,'http://jeanatacc.com/2011/?p=1446',0,'revision','',0),(1447,12,'2011-05-11 21:20:29','2011-05-12 03:20:29','Final Project\r\n\r\nFor the preservation of our culture, four important pieces of our civilization have been preserved and brought with us on our voyage to the new world, where they will be forever loved. These magnificent pieces are The Divine Comedy by Dante Alighieri, The Canon of Medicine by Ibn Sina, Temple of Athena, Nike, and The Birth of Venus. We take with us these artifacts of our ancestors not only because they represent our past and what we have overcome, but because each one of them holds values and life lessons for our society that we cannot properly function without.<!--more-->\r\n\r\nThe Divine Comedy reminds us that, even in a time of great despair and war, we are still accountable for our actions, and will be punished for our cruelty in the end. Those of us that are reminded of our sins through these books will find comfort in knowing that we have a choice. A choice to do right and wrong and that doing right by ourselves and by others will lead to great rewards and prosperity. It is important to for us to be aware that our actions have consequences. Without this knowledge, everyone would run amuck, and chaos would unfold.\r\n\r\nThrough all the ugly that humanity can bring, there is always a white to the black—or in this case, The Birth of Venus. One woman, who was thought to be the most beautiful person in the world, was the model of this painting, as well as many others by various artists. This painting is the symbol of purity in the rawest of forms. With this came a surge of paintings, propelling mythological artwork, all trying to capture that same breath taking effect, but none could over shadow this masterpiece. Having this painting with us allows us to grasp the concept of harmony, thus giving us the tools to apply it to our everyday lives.\r\n\r\nNow the Temple of Athena, Nike shows us how architecture is just a beautiful as literature and paintings. Entire temples carved of stone held many challenges to make, and wasn’t easy to master. One nasty crack could lead to the entire destruction of the buildings. It really shows the hard work and dedication that the people had towards their love of art. Although, with this particular structure, it isn’t so much about the temple itself, but rather what it represents: Victory. We are going out into space towards a new home—a journey that will take us two entire generations to get to. Without faith in Victory in this endeavor, our spaceship will fall into fear and great depression. Our purpose of having this Temple on board is similar to the reasons that it was built. Back when it was first constructed, it was also a symbol of strength and victory in their 28 year battle with Sparta. While we may not worship within this architecture, we still hold onto its meaning.\r\n\r\nWhat is our world without proper medication? What is the point of moving forward if we can’t even protect our youth from deadly illnesses that could potentially wipe out the entire ship? This is why The Canon of Medicine is so important. Without it we would not be the strong entrepreneurs we are today. Instead we would all be bed ridden with some degenerative disease because we were too stupid to realize that washing the dirt from our hands keep us from getting sick. This single book spurred a revolution in the medical field and changed the face of medical practices world-wide.\r\n\r\nSince there is no reason to risk damaging these items by trying to bring them to the top landings, they will be placed in the largest room on the bottom floor. This room will be relatively dim, with bright ambient lighting highlighting each piece, forcing the eyes to give them their full attention. Since almost all of the works are in foreign languages, they have been converted to English as 87.7% of all passengers speak it. If the guest does not speak English, there are completely free robot translators that will escort the individual throughout the museum.\r\n\r\nWe will reconstruct the Temple of Athena, Nike to its original glory and place it in the center of the room.  Inside will be a replica statue of Winged Victory as it was so when the temple was in use. Those that wish to walk inside the temple may do so if they agree to remove their shoes. No plaques will be placed inside or outside because that requires drilling into the temple. Instead there will be an audio tape playing around the structure from speakers installed hanging above the temple, and will repeat every 30 minutes. Along with the audio will be a typed version of the story, along with images of the Acropolis in which it came from, placed in front of the temple on a book stand for those hard of hearing.\r\n\r\nAlong the walls in a circular fashion around the Temple of Athena, Nike will be where the other works are displayed. Going clock-wise, The Birth of Venus is first. The original work will be securely mounted on the wall; encased behind thick glass. Next to it will be an exact replica generated by our amazing computers, and it will not be in a case. Instead it will have a large magnifying glass in front that is moveable throughout the painting so that the viewer can get up close and personal with the artwork. On either side, in large print, we will paint the story of Venus and the history of the painting, explaining its significance.\r\n\r\nNext we come across The Divine Comedy by Dante Alighieri. Instead of hunting down the hand written version that Dante wrote himself, we will at least find first editions. Since it consists of 3 books with 3 different events, they each get displayed separately in a glass case, and opened to a page with a cool drawing, if any. Next to each one will be a digital touch screen that allows you to virtually flip through all the pages with the option of the original language or translated. For those that don’t want to read the entire series to find out what they’re about, a page long description of each work will be engraved on a metal plate above the respecting book. Behind each book will be an enormous plastic 3-D model of the layers of hell, purgatory, and heaven that each one tells of. Each layer on each model will have its own button that starts a brief audio describing the layer selected. On the right hand side, before leaving the display, will be a large touch screen where the viewer can take a fun “Which layer of hell do you belong in?” test.  Upon completing the test, flashes of colorful light engulf the screen, and music plays from Dante’s time, as it spits out a sticker that tells you your circle, which you can then proudly stick on yourself.\r\n\r\nLastly, we come to the Canon of Medicine by Ibn Sina. This book shall remain in its original form because, let’s face it, it looks cool that way. As with the previous display, there will be a digital copy that the viewer can flip through, with the option of the original language or translated. Surrounding the book will be figures of its discoveries; large opened 3-D model of the human eye; a life size model of the human body complete with nervous system; a wax figure of a doctor treating a sick patient with leeches, and Ibn Sina rushing in like a super hero to save him; a jar of soil that reads CONTAGIOUS; a large 3-D model of the human heart, and other models we can think to put in there. Next to the book will be a dispenser that gives single yummy complementary vitamin shakes with your choice of chocolate, vanilla, or strawberry banana.\r\n\r\nAfter all displays have been absorbed the guest takes his leave; although, to get out of the museum, you must pass through the gift shop. In here one can purchase full copies of The Divine Comedy and The Canon of Medicine, large and small replicas of the Temple of Athena, Nike, and posters of The Birth of Venus. You can also get related coffee mugs, jewelry, toys, vitamin supplements, DVD’s, t-shirts and much more. You can even buy a full length 450 page program guide—complete will pages and pages of pictures, lengthy in-depth descriptions of each the works, and even the original TCP’s that brought them with us. All proceeds go towards the up-keep of the museum; buying is encouraged.\r\n\r\nOur new world will be all the better with these classic works stamped into our civilization. They were all held with the highest respect then and they will forever be a part of our lives now.','Best Ever Final Project','','publish','open','open','','best-ever-final-project','','','2011-05-11 21:35:13','2011-05-12 03:35:13','',0,'http://jeanatacc.com/2011/?p=1447',0,'post','',4),(1448,12,'2011-05-11 21:20:09','2011-05-12 03:20:09','Final Project\n\nFor the preservation of our culture, four important pieces of our civilization have been preserved and brought with us on our voyage to the new world, where they will be forever loved. These magnificent pieces are The Divine Comedy by Dante Alighieri, The Canon of Medicine by Ibn Sina, Temple of Athena, Nike, and The Birth of Venus. We take with us these artifacts of our ancestors not only because they represent our past and what we have overcome, but because each one of them holds values and life lessons for our society that we cannot properly function without.\n\nThe Divine Comedy reminds us that, even in a time of great despair and war, we are still accountable for our actions, and will be punished for our cruelty in the end. Those of us that are reminded of our sins through these books will find comfort in knowing that we have a choice. A choice to do right and wrong and that doing right by ourselves and by others will lead to great rewards and prosperity. It is important to for us to be aware that our actions have consequences. Without this knowledge, everyone would run amuck, and chaos would unfold.\n\nThrough all the ugly that humanity can bring, there is always a white to the black—or in this case, The Birth of Venus. One woman, who was thought to be the most beautiful person in the world, was the model of this painting, as well as many others by various artists. This painting is the symbol of purity in the rawest of forms. With this came a surge of paintings, propelling mythological artwork, all trying to capture that same breath taking effect, but none could over shadow this masterpiece. Having this painting with us allows us to grasp the concept of harmony, thus giving us the tools to apply it to our everyday lives.\n\nNow the Temple of Athena, Nike shows us how architecture is just a beautiful as literature and paintings. Entire temples carved of stone held many challenges to make, and wasn’t easy to master. One nasty crack could lead to the entire destruction of the buildings. It really shows the hard work and dedication that the people had towards their love of art. Although, with this particular structure, it isn’t so much about the temple itself, but rather what it represents: Victory. We are going out into space towards a new home—a journey that will take us two entire generations to get to. Without faith in Victory in this endeavor, our spaceship will fall into fear and great depression. Our purpose of having this Temple on board is similar to the reasons that it was built. Back when it was first constructed, it was also a symbol of strength and victory in their 28 year battle with Sparta. While we may not worship within this architecture, we still hold onto its meaning.\n\nWhat is our world without proper medication? What is the point of moving forward if we can’t even protect our youth from deadly illnesses that could potentially wipe out the entire ship? This is why The Canon of Medicine is so important. Without it we would not be the strong entrepreneurs we are today. Instead we would all be bed ridden with some degenerative disease because we were too stupid to realize that washing the dirt from our hands keep us from getting sick. This single book spurred a revolution in the medical field and changed the face of medical practices world-wide.\n\nSince there is no reason to risk damaging these items by trying to bring them to the top landings, they will be placed in the largest room on the bottom floor. This room will be relatively dim, with bright ambient lighting highlighting each piece, forcing the eyes to give them their full attention. Since almost all of the works are in foreign languages, they have been converted to English as 87.7% of all passengers speak it. If the guest does not speak English, there are completely free robot translators that will escort the individual throughout the museum.\n\nWe will reconstruct the Temple of Athena, Nike to its original glory and place it in the center of the room.  Inside will be a replica statue of Winged Victory as it was so when the temple was in use. Those that wish to walk inside the temple may do so if they agree to remove their shoes. No plaques will be placed inside or outside because that requires drilling into the temple. Instead there will be an audio tape playing around the structure from speakers installed hanging above the temple, and will repeat every 30 minutes. Along with the audio will be a typed version of the story, along with images of the Acropolis in which it came from, placed in front of the temple on a book stand for those hard of hearing.\n\nAlong the walls in a circular fashion around the Temple of Athena, Nike will be where the other works are displayed. Going clock-wise, The Birth of Venus is first. The original work will be securely mounted on the wall; encased behind thick glass. Next to it will be an exact replica generated by our amazing computers, and it will not be in a case. Instead it will have a large magnifying glass in front that is moveable throughout the painting so that the viewer can get up close and personal with the artwork. On either side, in large print, we will paint the story of Venus and the history of the painting, explaining its significance.\n\nNext we come across The Divine Comedy by Dante Alighieri. Instead of hunting down the hand written version that Dante wrote himself, we will at least find first editions. Since it consists of 3 books with 3 different events, they each get displayed separately in a glass case, and opened to a page with a cool drawing, if any. Next to each one will be a digital touch screen that allows you to virtually flip through all the pages with the option of the original language or translated. For those that don’t want to read the entire series to find out what they’re about, a page long description of each work will be engraved on a metal plate above the respecting book. Behind each book will be an enormous plastic 3-D model of the layers of hell, purgatory, and heaven that each one tells of. Each layer on each model will have its own button that starts a brief audio describing the layer selected. On the right hand side, before leaving the display, will be a large touch screen where the viewer can take a fun “Which layer of hell do you belong in?” test.  Upon completing the test, flashes of colorful light engulf the screen, and music plays from Dante’s time, as it spits out a sticker that tells you your circle, which you can then proudly stick on yourself.\n\nLastly, we come to the Canon of Medicine by Ibn Sina. This book shall remain in its original form because, let’s face it, it looks cool that way. As with the previous display, there will be a digital copy that the viewer can flip through, with the option of the original language or translated. Surrounding the book will be figures of its discoveries; large opened 3-D model of the human eye; a life size model of the human body complete with nervous system; a wax figure of a doctor treating a sick patient with leeches, and Ibn Sina rushing in like a super hero to save him; a jar of soil that reads CONTAGIOUS; a large 3-D model of the human heart, and other models we can think to put in there. Next to the book will be a dispenser that gives single yummy complementary vitamin shakes with your choice of chocolate, vanilla, or strawberry banana.\n\nAfter all displays have been absorbed the guest takes his leave; although, to get out of the museum, you must pass through the gift shop. In here one can purchase full copies of The Divine Comedy and The Canon of Medicine, large and small replicas of the Temple of Athena, Nike, and posters of The Birth of Venus. You can also get related coffee mugs, jewelry, toys, vitamin supplements, DVD’s, t-shirts and much more. You can even buy a full length 450 page program guide—complete will pages and pages of pictures, lengthy in-depth descriptions of each the works, and even the original TCP’s that brought them with us. All proceeds go towards the up-keep of the museum; buying is encouraged.\n\nOur new world will be all the better with these classic works stamped into our civilization. They were all held with the highest respect then and they will forever be a part of our lives now.','Best Ever Final Project','','inherit','open','open','','1447-revision','','','2011-05-11 21:20:09','2011-05-12 03:20:09','',1447,'http://jeanatacc.com/2011/?p=1448',0,'revision','',0),(1449,16,'2011-05-11 21:24:08','2011-05-12 03:24:08','','blog_colony','','inherit','open','open','','blog_colony','','','2011-05-11 21:24:08','2011-05-12 03:24:08','',1434,'http://jeanatacc.com/2011/wp-content/uploads/2011/05/blog_colony.jpg',0,'attachment','image/jpeg',0),(1450,16,'2011-05-11 21:16:24','2011-05-12 03:16:24','Location: Earth Research Space Colony - Academy of Archeology\r\n\r\nThe works selected to be preserved are The Epic of Gilgamesh, the Palatine Chapel, The Isenhiem Altarpiece, and Cortes’ letters from Mexico. All the works selected represent bear important meanings to humanity. They are all significant in that they are all hallmarks of human progress, inspiration, innovation, and ingenuity throughout humanity.<!--more-->\r\n\r\nSince, the preservation of the works is crucial, all the works will be kept in a secure container made out of self-healing glass and metal so that if anything manages to puncture the containers, it will immediately seal, minimizing the damage done to the cargo contained within. These containers can also act as a display case that can be locked in place in display rooms of the ship. They can withstand the pressures of space and can be powered by the sun. Numerous tracking devices will be added to the containers in the event that we somehow lose any one of these works, they can be retrieved.\r\n\r\nThe display room will have locks upon which the containers can be placed on to secure it in place. These locks are also access points to tubes that run throughout the ship for easy transport if the works need to be moved around, since the containers are built to fit the tubes. The tubes can also lead to openings outside of the ship in case there is an emergency evacuation. All the works can be easily transported outside.\r\n\r\nPeople can interact with all the works through hologram copies that can be enlarged, minimized, or duplicated by touch, voice-activated commands, and hand motions. They are accompanied with translations, data, and historical descriptions in the most commonly spoken languages.\r\n\r\nAll the works are original pieces except for the Palatine Chapel, which will only be a miniature hologram copy of the original. This hologram can also be minimized and enlarged for viewing purposes. Data of the Palatine Chapel will be stored in a sphere. Backups are included. If one wants to have a virtual tour of the Palatine Chapel, one can activate the tour by using voice-command, which can create a large, life-size hologram encompassing the entire display area, creating a realistic illusion of the chapel in real-time, complete with textures to appear tangible and solid. One can navigate through the virtual chapel by using the control pad that opens from the Data Sphere. Walking and running around is not advisable during the virtual tour, for the technology used is similar to advanced stealth-technology used in warfare prior to humanity’s transition into space. Therefore, any objects, with the exception of the Data Sphere, left open in the premises (that includes display containers, control pads, walls...etc) will be “stealthed,” hidden from view while the virtual tour is activated. Until the tour is over, it is imperative to STAY PUT and use only the control pad provided by the Data Sphere to transition from place to place in the virtual chapel, for it is a safety hazard to run into invisible objects. Virtual tours can be ended by using voice command. For those with technological augmentations (a.k.a. cyborgs) that allow access to databases, one can access virtual tour via cyberspace without having to use the Data Sphere. Although the Palatine Chapel cannot physically be taken into the ship, the lionheads from the chapel doors are taken as a symbolic representation of the Palatine.\r\n\r\nAll the works selected are selected to be preserved because they all give insight into ancient human thought, intellect, and perception, which all people of year 2100 can compare to current thoughts, knowledge, and ideas. The Epic of Gilgamesh depicts human growth, struggle, the search for immortality, the value of Life, and Death, which are all universal throughout human existence, are depicted in this one story. The Epic is the oldest epic known and contains one of the earliest forms of writing that was developed at the time: cuneiform. It is also one of the earliest known pieces of literature to ever be written since most stories during that era were passed down orally. It depicts a king who made great contributions to his people, leaving a legacy that was remembered throughout time, which is one of the most significant aspects of the epic that future generation will come to see. The Epic will provide a more humbling experience in the realization that we are all human and we are still vulnerable, especially now that we live in the vast expanse of space instead of the comfort of our home planet despite all the technology that allows us to do things our ancestors could only have dreamed of.\r\n\r\nThe Palatine Chapel represents the Carolingian era, a time in human history when people of many different cultures and backgrounds in what was Europe came together for the purpose of refining the arts and education. This was the start of public education in the west. It is significant for people today in that it shows how art and education can bring people together to create and innovate. In this case, the chapel with its bronze-casting and towering domes, is important in that it gives and insight to ancient medieval architecture which can be compared with our architecture today. Many people built extremely intricate and vast cathedrals that lasted for thousands of years displaying human ingenuity with practically without tools for construction. Today, we have all sorts of tools that we can utilize to easily create constructs on a much larger scale. Future generations can look back and see how far we have come.\r\n\r\nThe Isenheim Altarpiece gives insight in the role that religion played in shaping humanity. This was painted during the German Renaissance, a time that is remembered for the exploration into art in what was once Germany. It is unique in that it depicted a more gruesome and realistic depiction of Christ, mixing realism and macabre into art. Although, it has a religious meaning, it also has a more universal meaning beneath it. The Altarpiece depicts the death and resurrection of Christ, symbolizing death and rebirth. Christ is often symbolic of humanity so the piece can often be portrayed as the death and rebirth of humanity. Humanity often goes through cycles of destruction and rebirth as portrayed in our history such as how our life living on Earth has ended and now we start anew in space. Future generations will see that destruction is part of the process of starting over.\r\n\r\nThe Letters from Mexico by Cortes are accounts by Cortes, history’s most famous or infamous conqueror, of one of the oldest human civilizations on Earth, one that has captured the fascination of many in the western part of Earth at the time. They are basically early forms of travel literature. These letters were published throughout Europe and were used as propaganda to get people to travel westward. The letters are basically travel reports to the King and Queen of what was once Spain and depicts two different yet similar cultures collide. This piece is one that is perhaps the most important to future generations out of all four pieces for it can give us insight in how we might react when encountering extraterrestrial life forms and other advanced non-human civilizations that may be out there. These letters may be extremely important to study if we are to explore the frontiers of space.\r\n\r\nOverall, not only do all the pieces selected remind us who we are and what we’ve accomplished throughout the existence of our race, they may provide us insight to why we are the way we are. There are lessons within these pieces and it is up to the future generations to seek and understand so that we may continue to grow and evolve.\r\n\r\n&nbsp;','Earth Era History Conservation Project: Year 2100 Report','','inherit','open','open','','1434-revision-4','','','2011-05-11 21:16:24','2011-05-12 03:16:24','',1434,'http://jeanatacc.com/2011/?p=1450',0,'revision','',0),(1451,16,'2011-05-11 21:27:25','2011-05-12 03:27:25','&nbsp;\r\n\r\n[caption id=\"attachment_1449\" align=\"alignleft\" width=\"400\" caption=\"(source: http://platinumgames.files.wordpress.com/2010/08/blog_colony.jpg?w=400&amp;h=225)\"]<a href=\"http://platinumgames.files.wordpress.com/2010/08/blog_colony.jpg?w=400&amp;h=225\"><img class=\"size-full wp-image-1449\" src=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/blog_colony.jpg\" alt=\"\" width=\"400\" height=\"225\" /></a>[/caption]\r\n\r\nLocation: Earth Research Space Colony - Academy of Archeology\r\n\r\nThe works selected to be preserved are The Epic of Gilgamesh, the Palatine Chapel, The Isenhiem Altarpiece, and Cortes’ letters from Mexico. All the works selected represent bear important meanings to humanity. They are all significant in that they are all hallmarks of human progress, inspiration, innovation, and ingenuity throughout humanity.<!--more-->\r\n\r\nSince, the preservation of the works is crucial, all the works will be kept in a secure container made out of self-healing glass and metal so that if anything manages to puncture the containers, it will immediately seal, minimizing the damage done to the cargo contained within. These containers can also act as a display case that can be locked in place in display rooms of the ship. They can withstand the pressures of space and can be powered by the sun. Numerous tracking devices will be added to the containers in the event that we somehow lose any one of these works, they can be retrieved.\r\n\r\nThe display room will have locks upon which the containers can be placed on to secure it in place. These locks are also access points to tubes that run throughout the ship for easy transport if the works need to be moved around, since the containers are built to fit the tubes. The tubes can also lead to openings outside of the ship in case there is an emergency evacuation. All the works can be easily transported outside.\r\n\r\nPeople can interact with all the works through hologram copies that can be enlarged, minimized, or duplicated by touch, voice-activated commands, and hand motions. They are accompanied with translations, data, and historical descriptions in the most commonly spoken languages.\r\n\r\nAll the works are original pieces except for the Palatine Chapel, which will only be a miniature hologram copy of the original. This hologram can also be minimized and enlarged for viewing purposes. Data of the Palatine Chapel will be stored in a sphere. Backups are included. If one wants to have a virtual tour of the Palatine Chapel, one can activate the tour by using voice-command, which can create a large, life-size hologram encompassing the entire display area, creating a realistic illusion of the chapel in real-time, complete with textures to appear tangible and solid. One can navigate through the virtual chapel by using the control pad that opens from the Data Sphere. Walking and running around is not advisable during the virtual tour, for the technology used is similar to advanced stealth-technology used in warfare prior to humanity’s transition into space. Therefore, any objects, with the exception of the Data Sphere, left open in the premises (that includes display containers, control pads, walls...etc) will be “stealthed,” hidden from view while the virtual tour is activated. Until the tour is over, it is imperative to STAY PUT and use only the control pad provided by the Data Sphere to transition from place to place in the virtual chapel, for it is a safety hazard to run into invisible objects. Virtual tours can be ended by using voice command. For those with technological augmentations (a.k.a. cyborgs) that allow access to databases, one can access virtual tour via cyberspace without having to use the Data Sphere. Although the Palatine Chapel cannot physically be taken into the ship, the lionheads from the chapel doors are taken as a symbolic representation of the Palatine.\r\n\r\nAll the works selected are selected to be preserved because they all give insight into ancient human thought, intellect, and perception, which all people of year 2100 can compare to current thoughts, knowledge, and ideas. The Epic of Gilgamesh depicts human growth, struggle, the search for immortality, the value of Life, and Death, which are all universal throughout human existence, are depicted in this one story. The Epic is the oldest epic known and contains one of the earliest forms of writing that was developed at the time: cuneiform. It is also one of the earliest known pieces of literature to ever be written since most stories during that era were passed down orally. It depicts a king who made great contributions to his people, leaving a legacy that was remembered throughout time, which is one of the most significant aspects of the epic that future generation will come to see. The Epic will provide a more humbling experience in the realization that we are all human and we are still vulnerable, especially now that we live in the vast expanse of space instead of the comfort of our home planet despite all the technology that allows us to do things our ancestors could only have dreamed of.\r\n\r\nThe Palatine Chapel represents the Carolingian era, a time in human history when people of many different cultures and backgrounds in what was Europe came together for the purpose of refining the arts and education. This was the start of public education in the west. It is significant for people today in that it shows how art and education can bring people together to create and innovate. In this case, the chapel with its bronze-casting and towering domes, is important in that it gives and insight to ancient medieval architecture which can be compared with our architecture today. Many people built extremely intricate and vast cathedrals that lasted for thousands of years displaying human ingenuity with practically without tools for construction. Today, we have all sorts of tools that we can utilize to easily create constructs on a much larger scale. Future generations can look back and see how far we have come.\r\n\r\nThe Isenheim Altarpiece gives insight in the role that religion played in shaping humanity. This was painted during the German Renaissance, a time that is remembered for the exploration into art in what was once Germany. It is unique in that it depicted a more gruesome and realistic depiction of Christ, mixing realism and macabre into art. Although, it has a religious meaning, it also has a more universal meaning beneath it. The Altarpiece depicts the death and resurrection of Christ, symbolizing death and rebirth. Christ is often symbolic of humanity so the piece can often be portrayed as the death and rebirth of humanity. Humanity often goes through cycles of destruction and rebirth as portrayed in our history such as how our life living on Earth has ended and now we start anew in space. Future generations will see that destruction is part of the process of starting over.\r\n\r\nThe Letters from Mexico by Cortes are accounts by Cortes, history’s most famous or infamous conqueror, of one of the oldest human civilizations on Earth, one that has captured the fascination of many in the western part of Earth at the time. They are basically early forms of travel literature. These letters were published throughout Europe and were used as propaganda to get people to travel westward. The letters are basically travel reports to the King and Queen of what was once Spain and depicts two different yet similar cultures collide. This piece is one that is perhaps the most important to future generations out of all four pieces for it can give us insight in how we might react when encountering extraterrestrial life forms and other advanced non-human civilizations that may be out there. These letters may be extremely important to study if we are to explore the frontiers of space.\r\n\r\nOverall, not only do all the pieces selected remind us who we are and what we’ve accomplished throughout the existence of our race, they may provide us insight to why we are the way we are. There are lessons within these pieces and it is up to the future generations to seek and understand so that we may continue to grow and evolve.\r\n\r\n&nbsp;','Earth Era History Conservation Project: Year 2100 Report','','inherit','open','open','','1434-revision-5','','','2011-05-11 21:27:25','2011-05-12 03:27:25','',1434,'http://jeanatacc.com/2011/?p=1451',0,'revision','',0),(1452,1,'2011-05-11 21:20:29','2011-05-12 03:20:29','Final Project\r\n\r\nFor the preservation of our culture, four important pieces of our civilization have been preserved and brought with us on our voyage to the new world, where they will be forever loved. These magnificent pieces are The Divine Comedy by Dante Alighieri, The Canon of Medicine by Ibn Sina, Temple of Athena, Nike, and The Birth of Venus. We take with us these artifacts of our ancestors not only because they represent our past and what we have overcome, but because each one of them holds values and life lessons for our society that we cannot properly function without.\r\n\r\nThe Divine Comedy reminds us that, even in a time of great despair and war, we are still accountable for our actions, and will be punished for our cruelty in the end. Those of us that are reminded of our sins through these books will find comfort in knowing that we have a choice. A choice to do right and wrong and that doing right by ourselves and by others will lead to great rewards and prosperity. It is important to for us to be aware that our actions have consequences. Without this knowledge, everyone would run amuck, and chaos would unfold.\r\n\r\nThrough all the ugly that humanity can bring, there is always a white to the black—or in this case, The Birth of Venus. One woman, who was thought to be the most beautiful person in the world, was the model of this painting, as well as many others by various artists. This painting is the symbol of purity in the rawest of forms. With this came a surge of paintings, propelling mythological artwork, all trying to capture that same breath taking effect, but none could over shadow this masterpiece. Having this painting with us allows us to grasp the concept of harmony, thus giving us the tools to apply it to our everyday lives.\r\n\r\nNow the Temple of Athena, Nike shows us how architecture is just a beautiful as literature and paintings. Entire temples carved of stone held many challenges to make, and wasn’t easy to master. One nasty crack could lead to the entire destruction of the buildings. It really shows the hard work and dedication that the people had towards their love of art. Although, with this particular structure, it isn’t so much about the temple itself, but rather what it represents: Victory. We are going out into space towards a new home—a journey that will take us two entire generations to get to. Without faith in Victory in this endeavor, our spaceship will fall into fear and great depression. Our purpose of having this Temple on board is similar to the reasons that it was built. Back when it was first constructed, it was also a symbol of strength and victory in their 28 year battle with Sparta. While we may not worship within this architecture, we still hold onto its meaning.\r\n\r\nWhat is our world without proper medication? What is the point of moving forward if we can’t even protect our youth from deadly illnesses that could potentially wipe out the entire ship? This is why The Canon of Medicine is so important. Without it we would not be the strong entrepreneurs we are today. Instead we would all be bed ridden with some degenerative disease because we were too stupid to realize that washing the dirt from our hands keep us from getting sick. This single book spurred a revolution in the medical field and changed the face of medical practices world-wide.\r\n\r\nSince there is no reason to risk damaging these items by trying to bring them to the top landings, they will be placed in the largest room on the bottom floor. This room will be relatively dim, with bright ambient lighting highlighting each piece, forcing the eyes to give them their full attention. Since almost all of the works are in foreign languages, they have been converted to English as 87.7% of all passengers speak it. If the guest does not speak English, there are completely free robot translators that will escort the individual throughout the museum.\r\n\r\nWe will reconstruct the Temple of Athena, Nike to its original glory and place it in the center of the room.  Inside will be a replica statue of Winged Victory as it was so when the temple was in use. Those that wish to walk inside the temple may do so if they agree to remove their shoes. No plaques will be placed inside or outside because that requires drilling into the temple. Instead there will be an audio tape playing around the structure from speakers installed hanging above the temple, and will repeat every 30 minutes. Along with the audio will be a typed version of the story, along with images of the Acropolis in which it came from, placed in front of the temple on a book stand for those hard of hearing.\r\n\r\nAlong the walls in a circular fashion around the Temple of Athena, Nike will be where the other works are displayed. Going clock-wise, The Birth of Venus is first. The original work will be securely mounted on the wall; encased behind thick glass. Next to it will be an exact replica generated by our amazing computers, and it will not be in a case. Instead it will have a large magnifying glass in front that is moveable throughout the painting so that the viewer can get up close and personal with the artwork. On either side, in large print, we will paint the story of Venus and the history of the painting, explaining its significance.\r\n\r\nNext we come across The Divine Comedy by Dante Alighieri. Instead of hunting down the hand written version that Dante wrote himself, we will at least find first editions. Since it consists of 3 books with 3 different events, they each get displayed separately in a glass case, and opened to a page with a cool drawing, if any. Next to each one will be a digital touch screen that allows you to virtually flip through all the pages with the option of the original language or translated. For those that don’t want to read the entire series to find out what they’re about, a page long description of each work will be engraved on a metal plate above the respecting book. Behind each book will be an enormous plastic 3-D model of the layers of hell, purgatory, and heaven that each one tells of. Each layer on each model will have its own button that starts a brief audio describing the layer selected. On the right hand side, before leaving the display, will be a large touch screen where the viewer can take a fun “Which layer of hell do you belong in?” test.  Upon completing the test, flashes of colorful light engulf the screen, and music plays from Dante’s time, as it spits out a sticker that tells you your circle, which you can then proudly stick on yourself.\r\n\r\nLastly, we come to the Canon of Medicine by Ibn Sina. This book shall remain in its original form because, let’s face it, it looks cool that way. As with the previous display, there will be a digital copy that the viewer can flip through, with the option of the original language or translated. Surrounding the book will be figures of its discoveries; large opened 3-D model of the human eye; a life size model of the human body complete with nervous system; a wax figure of a doctor treating a sick patient with leeches, and Ibn Sina rushing in like a super hero to save him; a jar of soil that reads CONTAGIOUS; a large 3-D model of the human heart, and other models we can think to put in there. Next to the book will be a dispenser that gives single yummy complementary vitamin shakes with your choice of chocolate, vanilla, or strawberry banana.\r\n\r\nAfter all displays have been absorbed the guest takes his leave; although, to get out of the museum, you must pass through the gift shop. In here one can purchase full copies of The Divine Comedy and The Canon of Medicine, large and small replicas of the Temple of Athena, Nike, and posters of The Birth of Venus. You can also get related coffee mugs, jewelry, toys, vitamin supplements, DVD’s, t-shirts and much more. You can even buy a full length 450 page program guide—complete will pages and pages of pictures, lengthy in-depth descriptions of each the works, and even the original TCP’s that brought them with us. All proceeds go towards the up-keep of the museum; buying is encouraged.\r\n\r\nOur new world will be all the better with these classic works stamped into our civilization. They were all held with the highest respect then and they will forever be a part of our lives now.','Best Ever Final Project','','inherit','open','open','','1447-revision-2','','','2011-05-11 21:20:29','2011-05-12 03:20:29','',1447,'http://jeanatacc.com/2011/?p=1452',0,'revision','',0),(1552,42,'2011-09-18 13:30:14','2011-09-18 19:30:14','<div class=\"mceTemp mceIEcenter\"><a href=\"http://jeanatacc.com/2011/wp-content/uploads/2011/09/Navajo3.gif\"><img class=\"aligncenter size-full wp-image-1555\" src=\"http://jeanatacc.com/2011/wp-content/uploads/2011/09/Navajo3.gif\" alt=\"\" width=\"240\" height=\"196\" /></a></div>\r\n<div class=\"mceTemp mceIEcenter\">\r\n<p style=\"text-align: center\" dir=\"LTR\" align=\"LEFT\"><a href=\"http://www.ic.arizona.edu/ic/kmartin/School/navajo44.htm\">http://www.ic.arizona.edu/ic/kmartin/School/navajo44.htm</a></p>\r\n\r\n</div>\r\n<div class=\"mceTemp mceIEcenter\" style=\"text-align: left\"><strong><strong><em></em></strong></strong>\r\n<p dir=\"LTR\" align=\"LEFT\">My treatise is written in the hopes that you will be as convinced as I am that the \"<em>Din</em>é<em> bahan</em>é\", as written by Paul G. Zolbrod, is a necessary addition to the 2100 time capsule. It is imperative that humanity include a design for living that works in harmony and beauty with any new environment that we may find. I believe that we will need what the <em>Diné bahané</em> teaches. I\'m hoping that when you\'ve read this, you will too.</p>\r\n<p dir=\"LTR\" align=\"LEFT\">Before I begin, there are two words used for \"The People\". First is Navajo, from the Spanish. Second is Diné. \"Because of its colonial origin, the designation Navajo is in the process of being replaced by the term Diné.\" (Lampshere) You will see both terms used for \"The People\" in the following.</p>\r\n<!--more-->\r\n<p dir=\"LTR\" align=\"LEFT\">\"The Diné were latecomers to the American Southwest, arriving between 1000 and 1525 C.E.\"(Lampshere) Researchers believe that \"the Navajo are an Athapaskan-language people, closely related to those living in northern Canada in the region of the Great Slave Lake.\"(Winson) No one knows when the Diné bahané first was told. The only surviving history is the creation myth itself. The Diné believe that the events in the <em>Diné bahané </em>took place just as they are told. Sometime, in the dawn of consciousness and the midst of migration, the Diné generated their own creation myth. The <em>Diné bahané</em> is an epic tale created by  and for the Diné. The Diné were looking for a home. They found that home in the four corners area of the American southwest. I believe the story was created by the Diné because it was important to them to commit to memory their unique history and reality in the sacred way that made sense to them. As a people, they agreed that this story was the story of their beginnings. It became \"the soul of a distinct Navajo identity that found shape under a particular set of social (and) or ceremonial conditions.\"(Zolbrod, 19) It was transmitted, as the truth, by oral tradition for centuries. In a time when the entirety of humanity seems to have woken up to a self-conscious awareness of itself and its place in the universe, this narrative belongs to the Diné.</p>\r\n<p dir=\"LTR\" align=\"LEFT\">The <em>Diné bahané </em>\"could never be written down in it’s entirety, just as we could never…encapsulate the whole Arthurian tradition in one unified definitive volume.\"(Zolbrod, 19) In recent history, there have been many translations, interpretations and summaries of the myth, but one of the most accurate and beautiful was done by Paul G. Zolbrod in his book appropriately named <em>Diné bahané</em>. His translation takes up 305 pages of a book typed in small print. The story ends with, \"these are the things that happened a long time ago.\"(Zolbrod, 339) Because of its length, I have chosen a small portion of the creation myth to summarize and use in comparison to other creation stories. This portion concerns the arrival of the Diné people to this world and the creation of First Man and First Woman.</p>\r\n<p dir=\"LTR\" align=\"LEFT\">The Diné spirit people have always existed, just not on this world. This is their fifth world. The first world was very dark and no one remembers much about it except, that the Diné caused a disagreement with the other folk who lived there and \"The People\" were forced out. In the second world, the Diné again made mistakes with the tribe who already lived there and were forced to leave again.  In the third and fourth world, (which progressively appeared more like this world), the Diné still caused problems and they barely escaped those worlds, to reach this world, where we all live now. When they got here, they were still only insect-like spirits. But now they had found themselves a home; the same home they inhabit now. Powerful beings came and taught them how to make First Man and First Woman out of abalone, precious stones, rainbows, fog and an ear of corn. Songs were taught to the Diné and Wind came and blew through these precious bundles and gave them life. The proof that this really happened is in each human’s fingerprints. The whorls are the marks left by the wind. First Man and First Woman were taught how to create the sun, moon, and stars. They populated the earth by creating all manner of creatures and plants. The first argument between First Man and First Woman and its consequences are immortalized. Places, like mountains and lakes, are named and inhabited by strong spirit beings. It is up to the Diné to remember where they came from, the songs they were taught, and to carry on those traditions and rituals that are good and healthy for everyone.</p>\r\n<p dir=\"LTR\" align=\"LEFT\">The <em>Diné bahané </em>is like many of the Native American stories. \"Common to all American Indian sacred narratives…these \"sacred histories serve to orient their communities in time and space in ways that operate within the universe they inhabit, and in turn provide outsiders with insight into the ethos and world view of their home cultures.\" (Kelly) \"For American Indian communities, the world is populated not only by humans, but by other beings as well. These beings include the natural world and all that is in it.\"(Kelly) All American Indian creation myths were transmitted orally, just as in all preliterate cultures. \"Elders served as repositories of the knowledge and wisdom that makes the people, transferring moral precepts and appropriate community parameters to the next generation.\"(Kelly)</p>\r\n<p dir=\"LTR\" align=\"LEFT\">However, the <em>Diné bahané</em> stands out from the rest of the creation stories of the world. It has survived. It is a living religion, still practiced by its people. It is one of the few myths that survived the colonization of North America and still lives where it was born. In it are named the landmarks that form the boundaries of the Diné Nation’s country. It is lengthy and comprehensive. It covers the balance of male and female roles and how monsters like Death and Poverty came to be and how they were dealt with. It classifies, codifies and includes diverse beings including insects and hermaphrodites. Zolbrod writes,\"Representing narrative poetry at its richest, the cycle displays an awareness of human complexity different from anything in our own (Western) literature. The emotions it identifies are as intense as those found in Oedipus Rex or Othello.\"(Zolbrod, 19) The Dine bahané \"occurs in a setting that combines the real and the earthy with the mystical and cosmic, where spirits and humans interact in a way not duplicated in any one of our own familiar literary works save perhaps those like Homeric epics or Ovid’s ‘Metamorphosis.’\"(Zolbrod, 6) \"To this day, the Diné creation story gives individual Navajos (including illiterate ones) an important ethnic identity. It defines meaningful relationships among members of the community and between the community and the entire cosmos.\" \"Native American Creation Myths\"</p>\r\n<p dir=\"LTR\" align=\"LEFT\">In Western culture, I would compare the <em>Din</em>é<em> bahan</em>é to the <em>Holy Bible</em>. The <em>Din</em>é<em> bahan</em>é is as important to the Diné as the <em>Holy Bible</em> is to Christians. In particular, the story which holds the most parallels to the portion of the <em>Diné bahané </em>that I summarized, is the story of <em>Adam and Eve</em>. The following is a short summary.</p>\r\n<p dir=\"LTR\" align=\"LEFT\">God, the ultimate power, created everything. He created Adam and set him to live in the Garden of Eden. Adam was given dominion over all the plants and creatures except the tree of the knowledge of good and evil. Adam was never to touch this one tree. Adam got lonely and so God created Eve from Adam. Everything was perfect until a snake, who is Satan in disguise, convinced Eve to take a bite from the fruit of the tree of knowledge. When God came to visit, He knew what had happened because, Adam and Eve covered their nakedness, whereas before, they felt no need to. They were cursed by God and exiled from the Garden of Eden forever. They were doomed by God to go through childbirth, illness and death. So were all of their children and children’s children, forever.</p>\r\n<p dir=\"LTR\" align=\"LEFT\">Commonalities between the two stories are briefly told. Both stories begin in places that no one can find today. Both include the creation of the first two human beings. And both include powerful beings that influence the lives and fates of the first man and woman. After that, these stories take off in completely different directions. In the <em>Diné bahané </em>it is stated, \"Twenty-three days came and went and twenty-three nights passed and all was well. And on the twenty-fourth night the exiles held a council meeting. They talked quietly among themselves, and they resolved to mend their ways and to do nothing unintelligent that would create disorder. This was a good world, and the wandering…people meant to stay here, it is said.\"(Zolbrod, 47) This quote illustrates the main difference, I see, between the <em>Diné bahané</em> and the story of <em>Adam and Eve</em>. The Diné recognize the consequences for their actions, they learn from their mistakes and resolve to live intelligently and peacefully in this world. Secondly, First Man and First Woman are co-creators of their world and by inheritance so are their children, the Diné. In <em>Adam and Eve</em>, God gives them only one thing they cannot do and they do it anyway. They are thrown out of the Garden of Eden and doomed by a completely unsympathetic God who curses them with a life of sin and suffering. They are cast out into a cold and cruel world not of their own choice or making.  The <em>Din</em>é<em> bahan</em>é<em> </em>allows for growth, change, and evolution. The story of <em>Adam and Eve</em> puts us in a struggle with nature and ourselves for all time. The <em>Din</em>é<em> bahan</em>é illustrates a way of living that has gone on for centuries in the past and can go on for centuries in the future. It is a continuing saga. The story of <em>Adam and Eve</em> in the Garden of Eden ends when they are exiled from the garden. The Diné still live in their garden.</p>\r\n<p dir=\"LTR\" align=\"LEFT\">So, how are the <em>Din</em>é<em> bahan</em>é and <em>Adam and Eve</em> compared by the Diné? Like other conquered people they strive to become \"modern\". But, they still practice their own way, even today. There is good reason to do so. \"Modernity, in many ways is anti-traditional, favoring the new, the innovative, and the topical. Sacred histories allow traditional cultures to exist in the modern world and yet maintain their link to the past. Wisdom comes with age and American Indian stories have the power to bring ancient wisdom to current topics. Contemporary indigenous communities the world over remain faithful to their won stories and legacy, rather than the sometimes more popular myths of modernity.\"(Kelly) Christian missionaries have made all sorts of incursions on the Diné Nation, but Kluckhohn and Leighton say about the Diné, that \"It is difficult indeed to evaluate the influences of these (non-Diné) religious groups in the past and at present. The number of nominal Christians among the Navajos is fairly large in some localities, but most of them continue their adherence to native beliefs and practices.\" \"Christianity speaks of far off lands. The Bible speaks only of a male God of a society where authority and responsibility centers chiefly in men…Navajos miss Changing Woman (daughter of First Woman and First Man)…and the whole feeling for the position of women embodied alike in their social organization and religious lore.\"(Kluckhohn, 133) Another reason they stick to their own beliefs is that \"The picture of a god who is entirely good is hard for The People to understand, for their whole outlook insists that all beings have an evil as well as a good side.\"(Kluckhohn, 133)  Christianity has little in it to appeal to the Diné. Their way of life works for them and still helps them understand the world about them. Their <em>Diné bahané</em> is still a valid and living belief system.</p>\r\n<p dir=\"LTR\" align=\"LEFT\">I find the <em>Din</em>é<em> bahan</em>é<em> </em>a superior work to any other of its kind that now exists. I find it down to earth, practical, and accessible. \"The Diné creation myth indicates that there is no dichotomy between the natural and the supernatural.\"(Lampshere) That idea resonates with my experience of the universe. Also, attractive to me, as an integral part of the myth, is the idea of hózhó. Hózhó is what the Diné believe is the ideal way for humans to live. It combines beauty, balance and harmony. \"In Diné belief, the term hózhó refers to a positive or ideal environment. As Witherspoon puts it, ‘The goal of Diné life, in this world, is to live to maturity in the condition described as hózhó and to die of old age, the result of which incorporates one into the universal beauty, harmony, and happiness. \"(Lampshere) I can’t imagine what higher purpose a person could hope for while living here on Earth. All of living is a reason for prayer, meditation and song for the Diné. Then there is the fact that a Diné person doesn’t have to go to a special place to worship. \"The primary function of the hogan (the Dine round house) is a place for ceremonies and prayers.\"(Lampshere) Where all is sacred, especially in the home, there is less chance for the other. Although certain men and women know more songs, chants, and the rituals that go with them, than others, all Diné are practitioners in the Diné way of life. In Diné culture, all songs, come directly and indirectly from the <em>Din</em>é<em> bahan</em>é. According to Gladys Reichard, a leading authority on the Diné, \"songs are a form of wealth.\"(Reichard, 289) So, if I have a song, I am rich. This is not a materially based culture. If only we had collected songs instead of gold, our world might still be inhabitable.</p>\r\n<p dir=\"LTR\" align=\"LEFT\">For all these reasons and more, I would urge everyone to vote the <em>Din</em>é<em> bahan</em>é be included in the time capsule. This story carries values and beliefs that should be learned and passed on. The Western tradition, of dominance rather that partnership with nature and others, has led directly to the destruction of Earth as a viable place to live. Christianity has aided this downfall. In the story of <em>Adam and Eve</em>, when God cedes dominance over all plants and creatures to Adam, He neglects to mention that good husbandry and community should be part of the equation. Hopefully, unlike Adam and Eve, we are not exiled forever, but can find a new world, and do as the Diné ancestors did. We should hold a council, discuss quietly among ourselves and come to a consensus of opinion that this is a good world and that we don’t want to do anything unintelligent.(Zolbrod, 47)  Without a completely new set of principles, I believe we are doomed to a life of sin and suffering and will get the same results we have experienced here on this Earth. I for one do not wish this devastation on the children of earth. I would love to see them begin anew in the old way of the <em>Din</em>é<em> bahan</em>é. Let our children all become practitioners, and singers in a way of life that allows them to evolve in beauty and harmony with their fellow creations. I believe that the \"<em>Din</em>é<em> bahan</em>é\", as written by Paul G. Zolbrod, is one of the necessary precious works that get put into the time capsule when it leaves earth. I hope you will too and vote for it and our survival in the next world.</p>\r\n<p dir=\"LTR\" align=\"CENTER\">Bibliography</p>\r\n<p dir=\"LTR\" align=\"LEFT\"></p>\r\n<p dir=\"LTR\" align=\"LEFT\">Kelly, Dennis F. <em>North American Indian Religions: Mythic Themes</em>  Encyclopaedia of Religion, 2nd Ed. 2005 Web. 4 Sept. 2011.</p>\r\n<p dir=\"LTR\" align=\"LEFT\">Kluckhohn, Clyde and Dorothea Leighton, <em>The Navaho </em>Garden City: Doubleday and Company, Inc. 1962. Print.</p>\r\n<p dir=\"LTR\" align=\"LEFT\">Lampshere, Louise and Marilyn Notah Verney <em>Navajo Religious Traditions Encyclopedia of Religion, 2nd Ed., 2005:Blooms Literary Reference Online. Web. 23 Aug. 2011.</em></p>\r\n<p dir=\"LTR\" align=\"LEFT\">\"Native American Creation Myths\"<em> Encyclopaedia of World Writers, Beginnings Through the 13th Century. </em>Bloom’s Literary Reference Online, 2005. Web. 23 Aug. 2011.</p>\r\n<p dir=\"LTR\" align=\"LEFT\">New International Version of The Holy Bible. Colorado Springs. International Bible Society. 1984. Print.</p>\r\n<p dir=\"LTR\" align=\"LEFT\">Reichard, Gladys A.<em> Navajo Religion: A Study of Symbolism </em>Princeton: Princeton University Press, 1990. Print.</p>\r\n<p dir=\"LTR\" align=\"LEFT\">Winson, Terrie<em> The Navajo </em>2002 W<sup>3W</sup>eb Design, May 2002. Web. 4 Sept. 2011</p>\r\n<p dir=\"LTR\" align=\"LEFT\">Zolbrod, Paul G. <em>Dinē bahanē</em> <em>The Navajo Creation Story </em>Albuquerque: University of New Mexico Press. 1985. Print.</p>\r\n\r\n</div>','Diné bahané (The Diné Creation Story)','','publish','open','open','','dine-bahane-the-dine-creation-story','','','2011-09-20 11:15:29','2011-09-20 17:15:29','',0,'http://jeanatacc.com/2011/?p=1552',0,'post','',7),(1454,30,'2011-05-11 21:54:25','2011-05-12 03:54:25','It is the year 2100 and an extremely severe earthquake has struck Japan. The nuclear power plants that had been repaired from a past earthquake in 2011 have been damaged again. But this time the damage was not repairable.  Radiation has leaked and spread into the earth, water sources, and the Pacific Ocean. This is causing certain defects in a number of species and is a hazard to the population of the earth. Radiation will slowly damage the human species and genetically alter the population; this is something that we cannot allow to happen. Certain species are becoming affected more than others. Specifically, the <em>Periplaneta americana</em> has shown not only a rise in number, but also an increase in size. With the rate of this phenomenon, the species will overcome the human population 100 fold. In simpler terms, the earth is uninhabitable due to the take over of giant cockroaches.\r\n<p style=\"text-align: center;\"><a href=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/Giant-Cockroach.jpg\"><img class=\"aligncenter size-medium wp-image-1458\" src=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/Giant-Cockroach-300x229.jpg\" alt=\"\" width=\"300\" height=\"229\" />http://www.itsnature.org/Ground/images/article-pics/Giant-Cockroach.jpg</a></p>\r\n<!--more-->We must relocate immediately and take as many resources as we can. There will be many spacecrafts sent into space until a location is found to relocate. The main craft, called <em>The Survivor,</em> will be the biggest and will house the most important items. Not only should we take food, water, certain species of animals and plants, and other necessities for survival, but also we should take with us certain artifacts that played a significant role in history and helped shape the earth to where it is today. This way, people aboard the ships can gather knowledge about the works as well as become inspired. The four artifacts to be preserved and taken on the craft will be the Nike of Samothrace, the Chartres Cathedral, Machiavelli’s <em>Mandrake</em>, and Ibn Sina’s <em>Canon of Medicine</em>.\r\n\r\nThe area for these works to be displayed will be located in the center of the main spacecraft in a square pattern. Each work will be housed in its own very large room. Each room will be able to hold 100 people maximum capacity. There will be motion sensors and alarms close to each of the works and there will be security cameras regulated at all times by a highly trained security team. Each room will be located on the corner of a “square” with hallways connecting each. In the hallways and throughout the rooms, there will be a continuously moving walkway with seats attached to it. This allows for maximum comfort for each person as well as providing safety for the museum. Since technology is so advanced in the year 2100, each person transported into space will own an iPad100. This is the most advanced form of Apple technology for the time in terms of handheld noncellular devices. As one passes through each room, information will automatically become available for reading or listening on the iPad.\r\n\r\nThe first room will be dedicated to the Nike of Samothrace sculpture. The entire eight foot tall original piece will be taken from the Louvre museum in France. It will be kept in an airtight, soundproof, bulletproof glass box that only allows a certain type of non-damaging light to shine upon the object. It is very important that the sculpture is not eroded away by environmental factors or human errors.\r\n\r\nThe Nike of Samothrace displays beautiful body positioning, expressive details, and shows shadowing techniques, which were typical of artists during the Hellenistic era. The piece is realistic and it expresses strong emotion when viewed. During the approximate time it was sculpted, there were battles for territory as empires tried to control as much of the earth as possible. Men were viewed as the dominant gender and honor was of great importance in society. By winning battles, one gained more honor, so victory was of great desire. This sculpture expresses victory in a powerful stance, thus revealing the cultural trends of the time.\r\n\r\nThe Nike of Samothrace is innovative for its time because it is a sensuous, triumphant structure that portrays a goddess as a more realistic figure. The Nike’s cloth, known as a chiton, is sculpted with great attention to detail and it tightly hugs against her skin as it flows in the wind. The cloth flows between her legs and does not fully cover her stomach and parts of her upper chest, so it is slightly sexual. The Nike’s stance is also an innovative feature. Her stance is at a twisting angle as though she is landing from the air onto the prow of a ship and stabilizing herself.  There is a proud, fearless posture that gives off feelings of power by simply viewing it. Her huge, outstretched wings are intimidating. Overall, the Nike instills the feelings of power and triumph that she represents into viewers and it is important that many people have the opportunity to view the magnificent sculpture.\r\n\r\nFrom this work, it is important for future generations to know the importance of posture, body language, clothing attire, and context. The upright, courageous posture of the goddess expresses confidence and gives a sense of forward movement. Her outstretched wings show the open spirit to any challengers. The Nike of Samothrace was commemorating some victory, though the exact battle is unknown. It is vital to keep this sculpture with us in order to show the importance of triumph and honor as well as to inspire other artists. Through sculpting, thoughts of certain cultures or people can be expressed.\r\n\r\nThe second room will be dedicated to the Chartres Cathedral. Since the cathedral is too large to transport successfully onto the craft, only certain pieces of the original will be taken. The pieces to be preserved will be the stained glass from the West Rose windows, a flying buttress, one of the spires, one of the Royal portals, and the tunic worn by Mary during the birth of Jesus. The tunic is known as the Sancta Camisia and is a very important artifact in the Christian religion. Each of these pieces will be boxed in the same safety glass container as the Nike of Samothrace.\r\n\r\nThe Chartres was built during the High Middle Ages, when religion played a huge role in society. Religion affected education, politics, and social status. The church was wealthy; this explains the grandeur, awe-inspiring gothic architecture of Chartres. The huge size made it a main focus of the town and other buildings were nothing compared to its architecture. It expressed the centrality formed around religion at the time.\r\n\r\nChartres had many innovative features. The stained glass on the West Rose windows was created to represent the Christian event of the Last Judgment. The Gothic architect experimented with new colors, and “Chartres blue” was first used in the West Rose stained glass windows. The glass windows express passion, resurrection, and incarnation through the colorful pictorial events. Other unique elements to Chartres are the flying buttresses, or structural elements used for support, and the differing spire heights. These two features made Chartres unique and structurally elaborated to its beauty. These advancements in architecture placed on such a powerful building can lead to future buildings using the advancements. A new technique or style can spread from culture to culture. This is why many unique features of Chartres are seen in other cathedrals.\r\n\r\nThe Chartres Cathedral’s flamboyant Gothic architecture, as seen through the towering spires, stained glass, flying buttresses, and unique portals, is significant for future generations to appreciate. Chartres should be preserved so history can be learned and allow for generations in the future to see what life was like in the medieval time period. For the detailed architecture and beauty achieved in Chartres, no words can describe the amount of effort, faith, and heart put into it by the Christians of the medieval time period. Future generations will look over this cathedral and miss the inspirational history and unique architectural details of it unless this is preserved. This needs to be preserved so future generations can see the importance behind historical buildings like the Chartres Cathedral.\r\n\r\nThe third room will be dedicated to Machiavelli’s piece <em>The Mandrake Root,</em> or simply <em>The Mandrake. </em>The original piece of literature will be displayed in the safety glass box with special lighting shining on it. No one will be allowed to touch it because environmental factors, such as the grease and dirt from people’s fingers, will cause deterioration of the pages.\r\n\r\nAt the time of this publication, the Renaissance was in full force in Europe. Progress was seen as a process of improving the lot of the individual and was a valued belief during this time. Christianity was beginning to emerge because it seemed to fit the secular beliefs and desires of the rising merchant class. Popes were often involved in the fight for political power; greed and self-indulgence was often seen. This work was a comedic play about a young man, Callimaco, who is attracted to a young woman, Lucrezia, who is married to an older lawyer by the name of Nicia and takes place over a 24-hour time span. Callimaco devises a plan, with others involved, to deceive the lawyer in order to win Lucrezia’s love. Aspects of greed, deception, self-indulgence, and criticism of the church can be seen in the play; this reflects beliefs Machiavelli felt of society at the time.\r\n\r\nThere were not many comedies produced during the time <em>The Mandrake</em> was published, so this was a refreshing play. This humorous play commenting on human nature and self-absorption was innovative. The ideas seen in the play could be applied to life at the time; it was a unique way for comment on society. It was a hysterical piece that all ages could enjoy; at the same time, the intellectuals who caught on to the hidden messages could applaud the play. The creativity Machiavelli used to comment on certain aspects of life through a comedic play shows how one person can express their beliefs through writing/acting. People who read or saw the play were touched by his words, thus creating deeper thinking about themselves and/or society. Reflection about certain ideas in literature can bring about positive change. The themes in the play can be spread each time it is read.\r\n\r\nThe fact that this comedy has alternate messages hidden within the plot is significant for future generations to know about. By simply reading a piece of literature and not searching for deeper meanings to apply to one’s own life, potential personal growth will be lost for generations to come. <em>The Mandrake</em> shows that all types of literature can have deeper themes, whether it is a comedy, poem, or novel, etc. It is important for generations to see how ideas expressed through writing can be comments on the way of life during the published time period. <em>The Mandrake</em> allows us to see views on the corruption of the church, society’s flawed morals, and other ideas. <em>The Mandrake</em> should be preserved so the themes of the piece can live on and be applied to future generations.\r\n\r\nThe final room will be dedicated to Ibn Sina’s <em>Canon of Medicine</em>. It will be displayed in the same manner as <em>The Mandrake. </em>The original standard medical text will be taken on the craft to be preserved.\r\n\r\n<em>The Canon of Medicine</em> was published in 1025. At this time historically, countries across the world were striving to advance in ways of knowledge, religion, art, and ultimately power. In the Islamic lands, the church and the state were inseparable, thus theocratic rule was present. Islam was openly receptive to the achievements in intellect from other cultures and had a strong will to discover the workings of the natural world. Intellectualists were avid in inventing new concepts or proving new theories that could be revolutionary. The Persian Muslim scientist Ibn Sina was determind to make advancements in the medical world and his <em>Canon of Medicine </em>achieved this desire.\r\n\r\nThe encyclopedia had a number of innovative ideas in the field of medicine. It also introduced a new set of medical terminology. For example, he attributed to the cause of plague to mice, commented on many contagious diseases, proposed using horse hair for stitches during surgery, experimented with different drugs for anesthesia, described surgical procedures, proposed certain spices could be used to help with blood clotting after a surgery, and understood the relationship between temperature and the spread of diseases. It set the foundation for many surgeries, pharmacology practices, and illness diagnoses. This discovery represents the idea that through determination and research, a single person can make a huge impact in the world of knowledge.\r\n\r\nIt is important for future generations to know that the <em>Canon of Medicine</em> was the foundation for a great amount of introductory ideas on surgery, illness, medicine, and ultimately healthy living. It is important that generations ahead see how a single person’s discoveries can change the world forever. This great encyclopedia should inspire us all to feed our hunger for knowledge and discovery. Many of Ibn Sina’s ideas were elaborated upon and have evolved into some of the most successful and accurate ideas and procedures used in today’s medicinal world.\r\n\r\nPeople on the ship who visit the square museum will instantly become inspired and impacted personally by each of the revolutionary pieces. There will be an application similar to Twitter that can be accessed from the iPads. People can tweet their thoughts about each of the pieces and share their ideas with one another. It will also allow for others on the ships to meet each other through this interaction and spread their thoughts and feelings about the museum. Social interaction will be important because through discussion and expression about the museum and its works, people can grow and learn from each other. The museum will be a huge success and people from other smaller crafts will visit <em>The Survivor</em> in order to attend this life-changing, inspiring display.\r\n\r\n&nbsp;','Final TCP Project','','publish','open','open','','final-tcp-project','','','2011-05-11 22:44:40','2011-05-12 04:44:40','',0,'http://jeanatacc.com/2011/?p=1454',0,'post','',7),(1455,1,'2011-05-11 21:08:04','2011-05-12 03:08:04','&nbsp;\r\n\r\n[caption id=\"\" align=\"aligncenter\" width=\"492\" caption=\"http://horoscopicastrologyblog.com/wp-content/uploads/2008/11/solar-system.jpg\"]<img src=\"http://horoscopicastrologyblog.com/wp-content/uploads/2008/11/solar-system.jpg\" alt=\"\" width=\"492\" height=\"370\" />[/caption]\r\n\r\nAll Aboard: The Huma Spaceship Museum\r\nTraveling to Uranus, Year 2100\r\nAs curator of the Huma Spaceship Museum, (Since the Earth will no longer be inhabitable) I chose La Maison Carée from France, \"The Madonna Enthroned\" from Italy, the book \"Utopia\" from England, and the collection of stories \"The Arabian Nights\" from the Middle East as a representation of the amazing artwork of Earth created from prehistory to the Renaissance. I have employed an architect to construct a way that The Maison Carrée can fly the remaining people on Earth to Uranus, where we will be inhabiting. The Maison Carrée was built in 19 B.C.E., so it is essential to seal and preserve the entire temple inside a large un-shatterable, indestructible glass box where everyone will still be able to breathe and live during the trip through space. Upon entering the temple, everyone will be handed a printed copy of \"Utopia\" by Sir Thomas More, or a digitalizes palm reader piece, where they insert a microchip into their hand and view the text on the inside of their palms (or open their palms towards a white wall provided and use their limbs like an overhead projector). People can stay their as long as they like to read/ discuss his text, or they can move on to the next exhibit. However, it is super important for riders on the Huma Spaceship Museum to understand that More\'s concepts are highly emphasized on the space craft. Because we ruined the world once, it is essential to work towards a Utopian society when we reach Uranus. We had the chance to follow More\'s advice once and didn\'t. Moving on: Inside the temple, there will be original paintings of Cimabue\'s throughout. The main piece at the center of the temper will be \"The Madonna Enthroned.\" This beautiful altarpiece will be the center of attention when people walk into the temple, and an informant/ assistant curator will do a constant tour explaining all of the paintings and their histories. Even the floor of the temple will have Cimabue\'s artwork on it. The paintings on the floor however will not be originals, we wouldn\'t want to step on/ or even touch his original works. Only the walls will be covered with Cimabue\'s original pieces, and those too will be sealed off with a special glass film. After the people walk into the temple (after viewing the beautiful exterior) and the paintings, they can enter the auditorium, a special room built onto the back of La Maison Carrée, where they can sit and watch actors act out plays from \"The Arabian Nights.\" This auditorium will not only have live theatre, but has a separate room to watch movies portraying the stories of \"The Arabian Nights.\" The most entertaining part about all of this, since it is year 2011 and most people don\'t wear extensive clothing anymore (most wear latex suits or nothing at all) because it isn\'t necessary (hardly anyone leaves their house due to the increase in technology) clothing stores will be implemented in this facility. It is a rule for everyone to dress up how people did in the society of the artwork they are studying during each tour through the museum. This part of the museum tour will not only serve as entertainment, but will work as a learning tool for people to really feel like they are traveling back in time, getting the full effect of the beauty of the art. After each segment, there will be a restaurant/ lounge area for people to taste the food from France, Italy, England and the Middle East. This part of the tour will be a time for people to really get to know each other and have a Q&amp;A section between the riders and the tour guides. The museum tour will be an enlightening, entertaining experience for everyone involved. The people aboard the ship will have a chance to learn about the Earth\'s history and will create memories with their new fellow inhabitants of Uranus. Each person will have the chance to learn these facts about the four pieces I chose to include in my museum:<!--more-->La Maison Carrée (the square house) is a Roman temple built in Nîmes, France in 19 B.C.E. The Roman shrine was built by Marcus Agrippa during the reign of Caesar Augustus. Agrippa who was the “right hand man” and son-in-law to Augustus and the patron of the Pantheon in Rome (Hayes, 1). La Maison Carrée was built in hopes to impress the citizens of Nîmes, keeping with the Roman style architecture to honor the new emperor Augustus. The temple was built in dedication to Augustus’s two adopted sons to promote the new imperial control. The building has a bronze inscription that reads “To Gaus Caesar, son of Augutus, consul: to Lucius Caesar, son of Augustus, Consul designate; to the princes of youth” (Hayes, 1). The temple stands on a 12 ft high podium like a Greek shrine with a stairway that leads up to a colonnaded portico (porch) and then to a single entrance. The Corinthian Order, or the laws of symmetry and proportions, is used in the portico and ornate columns that cover the exterior walls. The building door leads to a large, single room which houses a collection of Roman sculptures (once filled with sculptures of Augustus, his family and the Gods) and other classical fragments (Britannica, 1). The building  is 82 ft long by 40 ft wide. La Maison Carrée served as a spiritual center for the Romans and is an example of classical refinement (Fiero, 6.13). The temple is one of the best preserved  in the world. “It Is one of the most beautiful monuments built in Gaul by the Romans” (Norton, 913). La Maison Carrée is unusual for its time, because it is a Roman temple in the middle of France. The Roman’s brought over a new style of architecture along with their power of the Nîmes area, and it seemed to stand out against the other buildings. Although Nîmes was a provincial city, it was a priority to build a temple there just as nice as any in Rome. Augustus wanted the temple built by the best architect available (Hanser, 147). The style of the building is specifically Roman and the fineness of the construction shows the architect was familiar with the architectual style fashionable in the capital of Rome. The scrolls on the molding of the building are almost identical to the Altar of Peace in Rome which was also dedicated to Augustus. The Romans combined the style of the Etruscans (Italian society that ruled Rome for about a century) using the rectangular form on a podium with columns, a portico and stairs. The architecture also has Greek details; Corinthian order and the organization of the columns, moldings and proportion of the building. Although the Maison Carrée resembles a Greek temple, its architecture is not exactly the same. Most Greek temples have freestanding columns all around the building, making the front and back identical. However, the Maison Carrée has a distinct front and back, and a set of stairs only to the front entrance, where usual Greek temples have stairs all around the building. Romans admired the architecture of Greeks and portrayed it in temples like The Maison Carrée, but were more concerned with ornate details and magnificent architecture to portray Roman power. “There was nothing provincial about The Maison Carrée when it was built” (Hanser 146). Even though The Maison Carrée waws a peculiar architectural style in France, In Rome this style was very popular.La Maison Carrée represents the beautiful history of France, the structure represents the classical beauty of Roman architecture, and the fact that it is so well preserved is astounding. Although it has been reconstructed a few times, its original beauty shines. It is obvious it is important to the French government, and the people that live in Nîmes today. The square has been renovated and now holds a modern art museum and library and makes the area even more inviting to visit. I like the fact that the square makes modern style work with the old, classical architecture of The Maison Carrée. When looking at a picture of the temple, it seems as if it were picked up in Rome and placed in the middle of the square it sits in. It seems a little out of place beside the buildings around it, which makes it unique. The architecture is simple, but stunning. I love the columns and the way they wrap all the way around the building. I think it is rather interesting how many different identities the building has had. It started out as a temple or church, then a town hall, stable, etc and is now a museum. I would love to visit and see with my own eyes the beauty and integrity of the building. It would be amazing to walk up the steep set of stairs and think of how many came before me. When I visit France     someday soon, I will for definitely make a stop at La Maison Carrée and give praise to those that designed and built the beautiful temple.For future generations, it is important to understand the significance of La Maison Carrée. It is not only a beautiful piece of architecture, it is a representation of the struggle for power during its time. It represents the hard work men put into building the structure. It is historical evidence of the Roman Empire, and represents the power Augustus had during his reign in France and other European regions. Due to the fact that is the best preserved temple from its time period, future generations can visit it and view the original beauty and artistic intelligence it took to build it. It is important for future generations to realize the building was made by real men with their bare hands. Blood, sweat and tears went into building The Maison Carrée, unlike many buildings today. Architecture today lacks structural beauty, and many people do not think of proportions and symmetry the way these men used to. The Maison Carrée is a prime example of the Corinthian Order, and would be important for anyone to visit in order to understand the rules of the order. The Maison Carrée is not just a beautiful building, it is a representation of the people that lived in Nîmes, worked there and ruled there. It is an example of the Roman reign and the colorful history of France.\r\n\r\n<a href=\"http://images.easyart.com/i/prints/lg/3/0/300564.jpg\"><img class=\"aligncenter\" src=\"http://images.easyart.com/i/prints/lg/3/0/300564.jpg\" alt=\"\" width=\"500\" height=\"494\" /></a>http://images.easyart.com/i/prints/lg/3/0/300564.jpg\r\n\r\nThe “Madonna Enthroned” is an altarpiece painting done by one of the most famous Italian painters Cimabue (1240-1302.) Cimabue was a Florentine painter in the second half of the 13th century and the early years of the 14th century. Although none of his paintings are signed and few are still in tact, his activity in the Basilica of S. Francesco in Assisi is documented in 1280/1290. Cimabue studied with some of the Greek Masters in St. Maria Novella and was involved in the Neo-Hellenistic movement of the Paleo Organ Renaissance. His training was not exclusively Byzantine, although he lived and learned during this time period. The “Madonna Enthroned” is an altarpiece painted in or around 1285. This piece was the largest in its class of paintings at the time. The “Madonna Enthroned” was a forerunner of the Renaissance style paintings. It is said to have an “otherworldly appearance” with its network of gold lines on and around the Madonna. The figures in the “Madonna Enthroned” are flat and almost transparent as gold “swims” through them (World Book, 583.) This painting was done as an altarpiece using egg tempera on wood and is 12ft 7.5 inches by 7 ft 4 inches. Cimabue was a patriarch of Italian painting, only five or six of his originals are left today. The “Madonna Enthroned” was picked to live in the Uffizi Gallery in Florence, Italy. Cimabue’s religious Frescos are still housed in the Church of Saint Frances in Italy. Cimabue influenced many painters during and after his time period to shift their techniques and follow the trends of the everchanging artistic world. Cimabue used techniques common in the Byzantine tradition while moving towards a Naturalist and Renaissance style. His spatial depth in the “Madonna Enthroned” created a three-demensional effect uncommon during this time period. Cimabue added a dramatic effect to all of his paintings and changed the art world not only in Italy, but worldwide.In this time period, Italy was not unified and was made of a large number of states. Italy was more urbanized than many other European countries at the time. Major cities in Europe competed with major cities in Italy with the artistic patronage in Italy. The higher-ups in Italy wanted the churches and local buildings to be bigger and better than the rest of Europe, and wanted them decorated and painted by the BEST artists around. Religion was a major factor of inspiration to all artists during this time. Altarpieces and Frescos dominated the artistic world along with painting and sculptures, usually centered around pulpits and statues of saints. These painting all were housed either inside a church or in a civic building or town hall. The styles of this time period endured for centuries to come. The most popular type of art was made with tempera (wooden panels painted with colors mixed with egg) later called “egg  tempera.” The second most popular was called a Fresco, a wall painting that was applied to fresh, damp plaster. Many artist of this time were masters of both of these techniques. Sculpture usually consisted of marble and bronze sometimes gilded with soft layers of gold (this was expensive, so it  wasn’t near as easy to find.) The people who had money to pay artists for the contributions were the churches. The only documented payment made to Cimabue was for his St. John mosaic in the main apse of the Pisa Cathedral in Italy. Most of Cimabue’s work was done inside churches throughout Europe. His earliest work was the “Crucifix” in S. Domenico, Arrezo painted inside a church.  During this time, art had many influences. The gothic style dominated in Europe. Constantinople was captured by crusaders in 1204 which increased contact between Italian and Byzantine art. Later Byzantine art was “softened by naturalism and humanity looking forward to the Renaissance” (Art, 84.)  Cimabue was a master of both egg tempera, frescos and mosaics and his artwork centered around secular subjects adding “tender humanity” to each of his pieces (Art, 85.)The “Madonna Enthroned” is an example of Medieval art with influences of the Byzantine and Gothic era leading up to the Renaissance style of painting. Some of the most stunning pieces of art from this era is in the form of altarpieces installed in churches in honor of one of the saints or the Virgin Mary (Madonna.)  Typical altarpieces were done on one or more wooden panels  coated in a white chalky plaster or “gesso” with tempera, which produced dull, flat colors. The altarpiece was then decorated with gold leaf that would reflect the candles lit in the altar for a more dramatic effect (Fiero, 13.34.) Cimabue’s altarpiece the “Madonna Enthroned” used these techniques. His piece showed a scene of the Madonna and her child elevated on a large seat that is a throne and a tower. Angels are all around her and beneath her feet are four Hebrew prophets holding scrolls. The Madonna is centered in the piece and is significantly larger than the rest of the people in the picture, showing her importance. “Such hierarchic grading, while typical of Medieval art, also characterized Egyptian and Byzantine compositions” (Fiero, 13.)  Cimabue’s devotional altar piece is lavish and elegant. It’s lines are sharp and the metallic detail on the Virgin’s dark blue drapery sets off the sharp wings of the angels and the distinct features of Christ and the decorative throne. The Virgin has a little more character in her face than what was usual at the time, but like most Byzantine art- all of the faces of the saints, Christ and angels looking similar. Cimabue used egg tempera on wood because it was stable and durable and the colors remained strong through time. The colors are added to the mixed with the solution and applied to the wood. This solution dries quickly so Cimabue (or any artist) could not mix color on the actual Fresco.For future generations it is important to know the Cimabue was one of the first famous artists of his time. His artistic style was so innovative and precise that he made many other artist create new styles, and inspired them to use his techniques. He studied classical Greek artwork, and was trained by  “The Greek Masters” at the Saint Maria Novella. Cimabue was a trained artist and worked hard at his hobby. He was paid for his work, and people felt privileged to work with him and view his incredible masterpieces. Cimabue inspired artist like Giotto to further their career and change the artistic world as we know it. Cimabue used the current artistic styles of his time and molded them into his style and created masterpieces. His art was a forerunner to Renaissance style art and was one of the first in his time to step outside the box and go against the grain, which ultimately made him stand out and live on as a legacy in the artistic world.\r\n<p style=\"text-align: left\"><a href=\"http://farm4.static.flickr.com/3633/3447943773_9490069718.jpg\"><img class=\"aligncenter\" src=\"http://farm4.static.flickr.com/3633/3447943773_9490069718.jpg\" alt=\"\" width=\"288\" height=\"500\" /></a>http://farm4.static.flickr.com/3633/3447943773_9490069718.jpg</p>\r\n<p style=\"text-align: left\">Sir Thomas More was born in England in 1478 and worked as chancellor to King Henry VIII during the king’s controversial break with the Catholic church. More was a Christian man who relied heavily on his own conscience. He stood up for religious tolerance and Christian charity. He was “unwilling to compromise his conviction as a Roman Catholic” (Fiero, 19) and by opposing the actions of the king, was executed for treason in 1535. Although More worked for the kind most of his life, he had a constant struggle on whether to remain loyal to the king and continue to join his services, or to remain a philosopher. When More wrote his most famous piece: Utopia (1516) the first literary description of a “perfect” or ideal state since “Republic” by Plato. More centered this story around Europe’s statecraft and current state of society and titled it Utopia, meaning in Greek both “good place” and “no place” (Fiero, 19). More created a society where everything was equal (except to slaves) and where all citizens were equally responsible for social justice. The Utopians in the made-up society are not Christians, but stand by the Christian morals of charity and morality. More wrote “Utopia” in the form of a critique (on European state at the time) and as a political satire. In Utopian society, wives serve their husbands, and children serve their parents. Cities are divided equally into four separate parts and there is a marketplace in the center of each. At the marketplace, people bring their crops or tools they make and lay them out for people from their cities to come take back to their houses. The fathers of each family take what is necessary for their family’s survival and need not pay anything in return. In “Utopia,” there is no such thing as greed and people do not want things because excess is not part of their vocabulary. People do not need money, because there is no denial for anything- there is plenty of everything to go around. The Utopians hoard a vast array of metals that they take from foreign trade and use them for the military or for anything else they need. ” They have no inducements to do this, since they are sure they shall always be supplied” (Fiero, 19). People have no need for gold or silver or anything of “value” because they don’t find it necessary to live. “The folly of men has enhanced the value of gold and silver, because of their scarcity. Whereas, on the contrary, it is their opinion that nature as an indulgent parent, has freely given us all the best things in great abundance” (Fiero, 19). In other words, to the Utopians things in vain are worthless. If something like gold or diamonds is attained, it is because someone in society has come across it by accident- and in this case they adorn their children with these treasures. The goods given to their children will “glory” them while they are children and when they are older they will understand that “none but children use such baubles, they of their own accords, without being being bid by their parents lay them aside” (Fiero, 19). One of the last main points More puts in his “Utopia” is that war is brutal and is extremely unnecessary and should be avoided at all cost. More says that “nothing is more inglorious than glory attained by war” (Fiero, 19) and that no matter what if a truce is made- it will never be broken. The Utopian society takes truces so seriously that nothing can make them break it. The Utopians will not burn an enemy’s crops, kill their horses or kill any man- unless he is a spy.“Utopia” is definitely not a typical work of its era. More’s thought were completely out of the ordinary for the average person during his time. Sure, many philosophers (like Plato) thought like him, but the common man wouldn’t think of writing a critique on the country they live in- not without thinking of dying for treason first! His thoughts were so before his time that many disagreed with his opinions. “Utopia” was radical in its day- More’s view on “idealistic revolution” (Gerard, 1) is still controversial today. Even though the world has progressed (somewhat) towards this utopian-like place, many issues addressed in “Utopia” are still not fixed today (war for instance). More was critical of the world he lived in, economic order was constantly changing and More believed a lot of the changes were evil. He wrote “Utopia” to suggest some solutions to the problems Europe was having. More’s differed from philosophers like Plato’s writing, because More gave to everyone in his scenario. More shows the difference between his own corrupt society and compares it to his idealistic universe. Plato, in his “Republic” talks about how idealism deals with separation of the mind and matter. He explains that someone might get ahead and be virtuous by the benefits of both the individual and the society they live in. Like more, Plato built an idealist society where people worked together to achieve a virtuous environment. Like Plato, more also feels that an educated society is a stronger society.“Utopia” should be preserved and should be continually taught throughout the rest of time. “Utopia” can reach many generations and can speak to anyone who has a heart. More’s words are thought out and his story is in-depth, but it is easy to understand. His morals and ideals placed inside “Utopia” are ones that everyone seeks. Peace and harmony reside on Utopia, and this is something we all wish to live in. I love the geographic context of the actual Utopian island, it is a deserted island where the country can choose to interact with the rest of the world or not. I believe this is how the United States should act, we should chose our battles wisely and think twice (or a million times!) about the price and necessity of war. “Utopia” is not only an entertaining read, it is truly inspiring.</p>\r\n<p style=\"text-align: left\"><a href=\"http://thewitcontinuum.files.wordpress.com/2009/10/utopiathomas-more.jpg\"><img class=\"aligncenter\" src=\"http://thewitcontinuum.files.wordpress.com/2009/10/utopiathomas-more.jpg\" alt=\"\" width=\"322\" height=\"500\" /></a>http://thewitcontinuum.files.wordpress.com/2009/10/utopiathomas-more.jpg</p>\r\n<p style=\"text-align: left\">“The Arabian Nights” also known as “The Thousand and One Nights” is a classic assembly of stories whose origins branch from the eighth and tenth centuries from Arabic, Persian and Indian cultures (who wrote the actual stories is uncertain). This collection of stories is the most famous piece of Arabic literature in the west. Famous characters such as Ali Baba, Aladdin and Sinbad all stem from these adventurous tales. The collection of prose tales, uses a narrative technique called a “frame tale,” where a story is “composed for the purpose of including a group of shorter stories” (Fiero, 19).  The specific frame story used in “The Arabian Nights” focuses on an Indian fairy tale: “Shahrasad (in English, Scheherazade) marries a king who fears female infidelity so greatly that he kills each new wife on the morning after the wedding night. In order to forestall her own death, Scheherazade entertains the king by telling stories, each of which she carefully brings to a climax just before dawn, so that, in order to learn the ending, the king must allow her to live.” (Fiero, 19). The storytelling techniques of Scheherazade has a “humanizing” effect on the kind who, after exactly a thousand nights begins to love his witty wife (so he decides not to behead her like the rest!) Within the story lies 250 tales which include fantasy, romance and erotica. “The Arabian Nights” has been translated into various languages throughout time. In the 1700s, Jean Antoine Galland executed the first translation in French and in the 1880′s John Payne and Sir Richard Francis Burton did an English translation. Since then, the stories have been translated into various other languages including Persian and Egyptian. Stories such as Aladdin focus on the lower people in society; rogues, tricksters and vagabonds were all added during the Egyptian translations of the stories. Islam, from the very beginning, has had the status of being a state-sponsored religion. Islam holds ethnic diversity, where theocratic rule brought together an assimilation of many different people. The main languages of the Islamic world include: Arabic, Persian and Turkish (but there are many, many others). Like “The Arabian Nights,” Islam “absorbed” different styles of art from non-Arab people as it expanded. “The Arabian Nights” can be compared with the ever-changing styles of Islam; as the stories of “The Thousand and One Nights” expanded, so did its content and art styles. Muhammad had a dictum where people were to “seek knowledge,” like the western world in order to understand the happenings of the natural world. A burst of literacy happened during the 1300-1500s and people began to explore literature from all over the world. The availability of paper was an important factor in the burst for knowledge, “and in the production of new types of literature, such as scientific treatises, cookbooks, poems and tales, paper provided a major advance over parchment and papyrus, expensive materials from whose surfaces ink could easily be erased.” If paper wasn’t easily attainable and knowledge wasn’t sought after, like Muhammad had asked, “The Arabian Nights” would have never graced this Earth.The stories of “The Thousand and One Nights” continues to inspire many Western readers about the ideas of the “romantic” East. Most stories during this time period focused on tribal wars, heroic deeds and brave warriors. Shortly after the printing press was invented, people began printing cheap books, some with illustrations. “The Arabian Nights” was different for its time because it was pure entertainment. The stories are fun and adventurous which is why they became so popular. “The Arabian Nights” inspired stories of romance and fairy tales in a time period when mostly poetry, riddles, lullabies and war tales were circulating. “The Arabian Nights” were collected over many centuries from Persia, India and Arabia and include a vast assortment of subjects and styles. The stories include: Adventure fantasies, erotica, animal fables and display an accurate descriptions of the daily entertainments of the Islamic world. The stories are compared to the Islamic art in the way that they loop into each other, linking each story to the last. This technique is a principe of the design in Islamic art, where repetition and “infinite extension” loop within each other to “form a meandering overall pattern” (Fiero, 19).“The Arabian Nights” serves the same purpose in Islamic culture as do our fairy tales about little pigs and magic carpets. The story of “Aladdin and the Magic Lamp” was made into a Disney movie and is loved by millions of children every year. This collection of stories made many of its characters household names, what child doesn’t know who Aladdin, Sinbad or Ali Baba? What kid doesn’t know the song “Arabian Nights” from Aladdin the movie? These stories are still relevant today because they inspired generations of writers and readers to dream and feel free to explore parts of the world they aren’t familiar with. This collection of stories should be preserved because the themes and literary advancements in the texts were so far before their times. The stories speak and will continue to speak to generations to come. Anyone can pick up a copy of “The Thousand and One Nights” and be entertained. The stories are not strictly Islamic in lesson, they speak to every culture. Entertainment is what we live for today- people during the time when these stories were written looked at them like we do movies today. The tales let people escape from their lives and dream about the lives of the characters in the stories they read. “The Arabian Nights” is not only a literary classic, but a fine example of pure entertainment.</p>\r\n<p style=\"text-align: left\"><a href=\"http://www.kellscraft.com/FairyTalesArabianNights/ArabianNightsImages/P6295418.JPG\"><img class=\"aligncenter\" src=\"http://www.kellscraft.com/FairyTalesArabianNights/ArabianNightsImages/P6295418.JPG\" alt=\"\" width=\"390\" height=\"691\" /></a>http://www.kellscraft.com/FairyTalesArabianNights/ArabianNightsImages/P6295418.JPG</p>\r\n<p style=\"text-align: left\">Overall, the museum will be a great way to teach people about the beautiful history and the incredible art of planet Earth. Being part of this exhibit while traveling into outer space will hopefully inspire the people to become artists themselves. Since Uranus has no history as of yet, it is important to educate the people so they can create beautiful masterpieces just like the artists of La Maison Carrée, \"The Madonna Enthroned\", \"Utopia,\" and \"The Arabian Nights.\" Hopefully the people aboard the ship are in awe of these pieces and feel very blessed to be in the presence of some of the original pieces of art. The reason I created this museum was to educate and entertain, but mostly to bring the people aboard the Huma Spaceship together as an artistic union. Culture cannot exist without art and art cannot exist without culture. I assume everyone will be extremely excited about visiting the museums and will continue to pass along the beautiful traditions these artists originally succeeded in doing. I hope people work towards a Utopian society and use Uranus as a new, fresh place to create beautiful art and live in peace and harmony!</p>','All Aboard: The Huma Spaceship! ','','inherit','open','open','','1427-revision-4','','','2011-05-11 21:08:04','2011-05-12 03:08:04','',1427,'http://jeanatacc.com/2011/?p=1455',0,'revision','',0),(1456,1,'2011-05-11 20:35:27','2011-05-12 02:35:27','&nbsp;\r\n\r\n&nbsp;\r\n\r\n<strong>Preview and Opening Night Gala</strong><em> </em>\r\nIf you have been supplied with the Immer-vision 3D Holographic headset and eye wear (glasses or contacts) please be ready to use them when directed to do so.<span style=\"color: #0000ff\"> Our GUIDE shall provide commentary seen in blue font below.</span> Other comments from characters, visitors, or imaginary friends are identified individually in standard black font. And the tour begins:\r\n\r\n[caption id=\"attachment_1393\" align=\"aligncenter\" width=\"300\" caption=\"The Village of Lux et Veritas - http://www.ctv.ca/CTVNews/SciTech/20110427/biosphere2-at-20-years-old-110427/\"]<a href=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/biosphere-2.jpg\"><img class=\"size-medium wp-image-1393\" src=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/biosphere-2-300x198.jpg\" alt=\"\" width=\"300\" height=\"198\" /></a>[/caption]\r\n\r\n<!--more-->\r\n<table cellspacing=\"0\" cellpadding=\"0\" width=\"709\">\r\n<tbody>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<span style=\"color: #0000ff\">GUIDE:  “Time Capsule Passages, an exhibit designed to provide our surviving civilization with access to selected artifacts, is scheduled to open tomorrow. Tonight, we, of the Antiquities Committee, distinguished members of our government, and the prominent associates of Information and Dissemination of Intelligence and Opinion Trolls (I.D.I.O.T.s  - a.k.a. the  press) shall enjoy a preview of this exciting and, dare I say, astonishing exhibit. The Immer-vision 3D Holographic technology is key for obtaining the complete immersion experience.  The eye-wear and headsets are both embedded with integrate microchips designed to monitor, measure, and interpret brainwaves of the wearer and adjust the visual, audio, and sensory effects for the museum visitor. So be prepared for the experiential immersion into the time, place, and environmental effects of the artifacts’ origin.</span>\r\n\r\n[caption id=\"attachment_1399\" align=\"alignright\" width=\"300\" caption=\"Immer-vision 3D Holographic -  http://blog.alexkelleher.com/page/5/\"]<span style=\"color: #0000ff\"><a href=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/neurosky-2.jpg\"><img class=\"size-full wp-image-1399\" src=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/neurosky-2.jpg\" alt=\"\" width=\"300\" height=\"218\" /></a></span>[/caption]\r\n\r\n<span style=\"color: #0000ff\">Now, let us refer to our colony maps.  As we depart our public meeting and exposition hall (1) and pass through the (2) Entertainment Center Lux et Veritas, we arrive at the communal dining hall (3).</span>\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n\r\n<span style=\"color: #0000ff\">Note the sign above the entryway!”</span>\r\n\r\n&nbsp;\r\n\r\n&nbsp;\r\n<p style=\"text-align: center\"><em>An artist of exceptional greatness of vision has filled these forms with new life</em>. (Janson).</p>\r\n<p style=\"text-align: center\"><a href=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/Villa2.jpg\"><img class=\"alignleft size-medium wp-image-1406\" src=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/Villa2-300x228.jpg\" alt=\"\" width=\"300\" height=\"228\" /></a></p>\r\nhttp://www.laits.utexas.edu/moore/rome/image/general-view-great-frieze-dionysiac-mysteries-villa-mysteries-pompeii\r\n<p style=\"text-align: right\"><a href=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/24pomp.xlarge2.jpg\"><img class=\"size-medium wp-image-1404\" src=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/24pomp.xlarge2-300x159.jpg\" alt=\"\" width=\"300\" height=\"159\" /></a>http://www.nytimes.com/2008/10/24/arts/design/24pomp.htm</p>\r\n\r\n<table cellspacing=\"0\" cellpadding=\"0\" width=\"100%\">\r\n<tbody>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<p style=\"text-align: center\">Nero cast as Apollo in dining room at Moregine</p>\r\n&nbsp;\r\n<table cellspacing=\"0\" cellpadding=\"0\" width=\"524\">\r\n<tbody>\r\n<tr>\r\n<td>\r\n<div>\r\n\r\n<em> </em>\r\n\r\n<em> </em>\r\n\r\nThough this photographic reproduction of another first-century     fresco from a dining room at Moregine contains a mythological     theme and is rich in color, the differences when compared to the Mysteries     frescoes are an important aspect to consider as well.Each panel exhibits     life-sized models or portraits of the human form (Dionysus phallus     excluded) that are clearly grounded in a realistic setting. In contrast, the     Apollo, frescoes from a building just south of Pompeii, features small     figures float or stand on work features small figures float or stand on     pedestals with voluptuous, colorful fabrics swelling about them. Above     these figures are miniature landscapes set in a perspective, imitating a     coffered ceiling.\r\n<p style=\"text-align: justify\">Thematically, each work is     divergent. The Apollo fresco is clearly secular in nature while the     Mysteries frescos are based on the cult of Dionysius, a documentation of some of the religious     rites in the 1<sup>st</sup>century A.D. and depicts sex as a sacrament.</p>\r\n\r\n</div></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<span style=\"color: #0000ff\">Guide: This time marks the beginning of the end for the 500 year old republic; of social and political discord in the Roman Empire. The Empire had grown to most of the, known world and the communications and supply lines between the outlying regions and the center seat of power in Rome began breaking down. The Empire spent vast amounts of money putting down revolts and in wars. In 64 AD, Nero was Emperor and the infamous fires consumed nearly all of Rome. Nero committed suicide in 68 AD, the Praetorians murder his successor and eventually Vespasian is crowned Emperor. In 70 AD Tito succeeds Vespasian and begins a campaign which Jerusalem and Jews spread in Armenia, Iraq, Iran, Arabia, Egypt, Italy, Spain and Greece. The rise and fall of emperors, conquests and losses of territory, and key catastrophic natural events marked these times, specifically, the eruption of Mount Vesuvius in 79 AD.</span>\r\n\r\n<span style=\"color: #0000ff\">We find these images useful in our community’s efforts to connect with our ancestry, study classical style, and to aid in the fulfillment of our communities push to increase our population growth with a bit of erotic art. As an artist, I find the style, use of color, and theme a snap-shot of the times when mortality, morality, and the cycle of life were explained through mythology; a time of proving mans resilience in the face of natural disasters – much like our own situation, don’t you think? The frescoes of the Villa of Mysteries are an important body of work for future generations as a way to scrutinize mans quest for immortality and explaining the unknown while offering a glimpse into the artistic mastery during a monumental era in world history.“ <em> </em></span>\r\n\r\n<span style=\"color: #000000\"><em>The GUIDE next leads the first visitors through a passageway to the entrance of <strong>The Palatine Chapel (area 4 on our map)</strong></em></span>\r\n\r\n<span style=\"color: #0000ff\">GUIDE: “Now we shall venture forward into a setting of medieval charm and romantic chivalry with the artifacts from Charlemagne’s Palatine Chapel; on your map this will be area (4). Please do not attempt to bring along holographic imagery from the dining hall. This would clearly be an affront to Pope Leo III and Charlemagne, Emperor of the Holy Roman Empire.”</span>\r\n\r\n<span style=\"color: #0000ff\">Let us pause to read the placards here before entering the exhibit and study the photographs of the original chapel.”</span>\r\n<table cellspacing=\"0\" cellpadding=\"0\" width=\"499\">\r\n<tbody>\r\n<tr>\r\n<td>\r\n<div><address>The Palatine Chapel in Aahen, Germany,     constructed between 792 and 814 A.D. and designed by Odo of Metz, is     revered as an example of the Carolingian era with influences of the Classical, Byzantine and Pre     Romanesque eras. The majesty and grandeur of this Chapel     was an important part of Charlemagne’s palace at Aahen.</address></div></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<span style=\"color: #0000ff\"><a href=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/imagespalatine.jpg\"><img class=\"alignleft size-full wp-image-1410\" src=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/imagespalatine.jpg\" alt=\"\" width=\"259\" height=\"194\" /></a>\r\n</span>\r\n\r\n&nbsp;\r\n<table cellspacing=\"0\" cellpadding=\"0\" width=\"398\">\r\n<tbody>\r\n<tr>\r\n<td>\r\n<div>\r\n<p style=\"text-align: right\">http://en.structurae.de/structures/data/index.cfm?id=s0003184</p>\r\n\r\n</div></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<table cellspacing=\"0\" cellpadding=\"0\" width=\"607\">\r\n<tbody>\r\n<tr>\r\n<td>\r\n<div style=\"text-align: left\"><address>The     history of this grand structure which includes: the part it plays in the     development of the Carolingian style and the incorporation of the     Classical, Byzantine and Pre Romanesque eras, the connection to a venerated     world leader, and the connection to a developing and changing Christian way     of life. The Palatine Chapel in Aahen was preserved in a time capsule by     way of meticulous renderings, historical documentations, photographs and     selected artifacts and now may be studied and enjoyed for generations to     come.</address></div></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n&nbsp;\r\n\r\n<a href=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/Picture3.jpg\"><img class=\"alignleft size-medium wp-image-1411\" src=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/Picture3-300x214.jpg\" alt=\"\" width=\"300\" height=\"214\" /></a>\r\n\r\nOratory of Palatine Chapel  (left) <a href=\"http://elisabethdemoreau.wordpress.com/lost-tomb-2/\">http://elisabethdemoreau.wordpress.com/lost-tomb-2/</a>\r\n<table cellspacing=\"0\" cellpadding=\"0\" width=\"621\">\r\n<tbody>\r\n<tr>\r\n<td>\r\n<div><address>Note the differences and similarities between the     Germigny and the Palatine Chapels built in about the same time.  Germigny’s rounded apse compared to the     Palatine’s eight-sided structured apse, the placement of the alters, the view     of the clerestory, and the simply designed interior as opposed to the     Palatine’s elaborate interior. Though both structures exhibit hints of the     Byzantine style, the Palatine Chapel exhibits a departure with its rounded     columns and classic capitols.</address></div></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\nAnd Germigny-de-Pres Oratory(right)<a href=\"/www.sacred-destinations.com/france/germigny-des-pres-photos/slides/xti_6876\"> http://www.sacred-destinations.com/france/germigny-des-pres-photos/slides/xti_6876</a>\r\n\r\n<a href=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/170px-Loire_Loiret_Germigny_tango7174.jpg\"><img class=\"size-full wp-image-1412 aligncenter\" src=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/170px-Loire_Loiret_Germigny_tango7174.jpg\" alt=\"\" width=\"170\" height=\"227\" /></a>\r\n\r\n<span style=\"color: #0000ff\">GUIDE: ”As we step into the towering structure that holds the Palatine artifacts and with our the Immer-vision 3D Holographic devices synchronized, notice the reverent, hushed, and whispered prayers of the faithful, the brilliant hues of the sun-pierced stained glass windows, the aroma of burning incense not quite masking that oppressive body odor and a distinct hint of the Byzantine elements in the architecture.” </span>\r\n\r\n<span style=\"color: #0000ff\">The octagonal central space which conveys an unrelenting feeling of compartmentalization, creating a space unlike an ordinary church of its time and its 16-sided ambulatory are topped off with cupola, rising 102 feet above the floor. For centuries, this tower was the tallest in Europe. That mosaic-lined dome of the Palatine Chapel is now displayed in the dome of this building (4). Originally there was a series of groin vaults opposite the entrance to the chapel. In the center of the room are examples of the high quality brass from the Chapel in decorations: doors, railings, and the like.  The original frescoes of the Chapel were destroyed by fire but replaced with mosaic replicas in 1882. These mosaics now installed in the dome of this building carry the same stylistic quality and iconoclastic representations as the original fresco. The vaults, remarkable for the absence of transverse arches—Odo’s own innovation and quite unique at the time—are supported at the angles of the octagon on large piers.. Images of the Palatine Chapel before dismantling for this exhibition are found on in various locations throughout the exhibition room.”</span>\r\n\r\n<span style=\"color: #0000ff\">We are now entering a replica of one of the side chapels and Charlemagne’s biographer will explain the political and social atmosphere of the time.”</span>\r\n\r\n<strong><em>Einhard represented in a holographic image steps from the shadows, footwear squeaking, robes swishing, confidently strides into the midst of the visitors and begins in a reticent tone.</em></strong>\r\n\r\n<em><a href=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/200px-Königsthron_Aachener_Dom.jpg\"><img class=\"alignright size-full wp-image-1414\" src=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/200px-Königsthron_Aachener_Dom.jpg\" alt=\"\" width=\"200\" height=\"150\" /></a></em><a href=\"http://en.wikipedia.org/wiki/File:K%C3%B6nigsthron_Aachener_Dom.jpg\">http://en.wikipedia.org/wiki/File:K%C3%B6nigsthron_Aachener_Dom.jpg</a>\r\n<table cellspacing=\"0\" cellpadding=\"0\" width=\"3\">\r\n<tbody>\r\n<tr>\r\n<td></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\nEINHARD:   “At the time of the construction of the Palatine Chapel, Charlemagne was expanding his kingdom by conquering large territories, creating stable safeguard from future Muslim aggression and established Frankish control in Iberia. During this time, the days of the dark ages, the feudal system was formed and a class system emerged, leaving the poor even poorer than before. Trade routes were established, there was a marked emphasis on education, music and poetry gained new audiences, and there was discord between the Byzantine (dominant language was Greek) and the Roman Churches (dominant language was Latin). Veneration of icons (iconoclasm) was condemned across all of Christendom. However, the Islamic culture and the Byzantine civilization thrived resulting in societies that surpassed the European developing cultures vastly. It was during this time of relative calm in the land that the Church was gripped in an architectural fervor with 16 new cathedrals and 232 monasteries built during Charlemagne’s reign.”\r\n\r\n<span style=\"color: #0000ff\">GUIDE:  “<strong>OH my! </strong>Charlemagne has arrived:  regal yet accessible, brilliant in battle and domestic affairs yet illiterate until his death, a man ahead of his time in a land loath of progress.  Do you see him ascending the original throne in the upper gallery of the chapel, the royal space in the Emperors\' own private Chapel?”</span>\r\n\r\n<span style=\"color: #0000ff\">Though the chapel does resemble S. Vitale in Ravenna, a distinctively Byzantine architectural example of the day, as many historians speculate, the Palatine Chapel is more Roman than Byzantine and historians note these influences of ancient Roman there are certainly contemporary influences of Visigoth, Moorish, Byzantine and even Armenian. The overall design is much more complex than that of other churches of the day.  One of the most important Carolingian, a style attributed to Charlemagne’s reign, contributions to Western architectural traditions is the addition of the west work to the church as noted in this reproduced floor plan.\"</span>\r\n\r\n<a href=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/AaachenChapel.png\"><img class=\"alignright size-medium wp-image-1415\" src=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/AaachenChapel-300x176.png\" alt=\"\" width=\"300\" height=\"176\" /></a>\r\n<h1><span style=\"color: #ff6600\"><strong> →</strong></span></h1>\r\n<table cellspacing=\"0\" cellpadding=\"0\" width=\"340\">\r\n<tbody>\r\n<tr>\r\n<td>\r\n<div>\r\n\r\n<a href=\"http://en.wikipedia.org/wiki/File:AaachenChapelDB.svg\">http://en.wikipedia.org/wiki/File:AaachenChapelDB.svg</a>\r\n\r\n&nbsp;\r\n\r\n</div></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<span style=\"color: #0000ff\">GUIDE: \"As we depart the Palatine Chapel exhibit, a comment attributed to Roger Stalley, once professor of History at Oxford University comes to mind. Paraphrasing Professor Stalley, the Palatine Chapel was copied in later times but it was an extraordinary tribute of its own time.</span>\r\n\r\n<span style=\"color: #0000ff\">In my own opinion, there is an intriguing combination of styles, expressions of religious faith, and contrasts between the relatively simple exterior and a stunning interior.  To stand in the place where Charlemagne, Emperor of the Holy Roman Empire received his sacraments and to actually witness this event is a little slice of paradise for an the artist/historian; one to be preserved for posterity in our village of the <em>Lux et Veritas</em> in this, the Time Capsule Passages.”</span>\r\n\r\n<span style=\"color: #0000ff\">GUIDE:    Our journey through time and space within the Time Capsule Passages delivers us to the door of our new interactive library; a living demonstration of The Canterbury Tales; section (5) of our map.  Upon entering, please find your seat in this theatre-in-the-round with the audience in the center and stage with actors revolving on the parameter. “</span>\r\n\r\n<em>On the door</em>:                  <strong>REMEMBER “Things are not always as they seem…” Phaedrus of Rome (Gāius)</strong>\r\n\r\n<span style=\"color: #0000ff\">GUIDE: “Now, if you have studied Chaucer and the Canterbury Tales, please feel free to interact with the players. These holograms love a good challenge and a willing fool.”</span>\r\n\r\n<strong><em>As everyone is seated, the lights dim and period instruments provide a lively audio introduction while the players enter the rotating stage surrounding the centrally placed visitor gallery.  A remarkably lifelike hologram of Geoffrey Chaucer enters last, walking from scene to scene while setting the stage for his audience with one of his most arrogant articulations:</em></strong>\r\n\r\n<strong><em><a href=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/Chaucer.jpg\"><img class=\"alignright size-full wp-image-1419\" src=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/Chaucer.jpg\" alt=\"\" width=\"201\" height=\"251\" /></a></em></strong>CHAUCER: “It was I, Geoffrey Chaucer, who created these tales between 1387 and 1400 and none other! Yes, I know the speculations about the meaning, content, sequential arrangements, language, and completeness but even the elementary level child or mentally inept person can see the genius in these works are incomplete; or where they?? Ha! I shall never divulge it!”\r\n\r\nIndeed, The Canterbury Tales are a collection of works, a brilliant and a sophisticated example of rhetorical forms, linguistic styles, diversity, and history for, I am “the first finder of our language” (Cooper).  Is it my use of Middle English that confounds ye? Simpletons! For this reason, my masterworks must be delivered here in 22<sup>nd</sup> Century English.\r\n\r\nNevertheless, it is my hope this presentation is an accurate translation of my manuscripts and that it portrays the everyday life of the common man, an overview of the political and religious climate of the day, and a cultural equivalent of that advice you read upon entering hither, ‘Things are not always as they seem…’ (Gāius). Some critics assert that contemporary works of note at the time of <em>The Canterbury Tales</em> may be found in works such as Juan Ruiz’ <em>The Book of Good Love</em> or <em>Decameron</em> by Boccaccio and works which acted in many instances as inspiration for some of my work. In <em>Decameron</em>, the main characters are all young, unsullied, affluent and each of the seven women and three men have traditional names very much the literary stereotype. But my protagonists are of a differing sort; most were simply middle class much like myself. Yet others use Dante Alighiere’s poem <em>The Divine Comedy </em>in comparison to my work; likely due to our mutual and less than a stellar opinion of Churchmen. In my work, I present significant and extraordinary short story examples, two expositions in prose, and a religious facet with a distinct secular bent vis-à-vis the worldly pleasure and/or vises against spiritual aspirations. But it is my innovative use of the General Prologue that provides the reader detail never before used in literature.  Dante related his journey in the first person and it was less prolific in his style though his work is quite unique, if not terrifying.”\r\n\r\nIt was an unstable and chaotic time in English history when I created this work; a time of technological advancements in the literary genre.  My stories are among the first works of English literature to mention the use of paper as a medium, a fairly new development that allowed for distribution on a broad scale.  The Western Schism mired down the Catholic Church in controversy at a time when Christian authority in Europe was already under heavy fire. The Peasant’s Revolt of 1381 and various other conflicts marked the end of King Richard II reign and a desperate time for me,” continued Chaucer while rubbing his neck, “as many of my close friends were executed. These complex and tumultuous political events forced me to move to Kent. But that is of no concern now!”\r\n\r\nThat perceptive fellow, George Loomis, stated,  ‘I have adduced in this paper justify our rejecting any notion of Chaucer as either a sycophantic timeserver, who merely echoed the sentiments of his patrons and associates, or of a cheerful philosopher who looked upon the follies and struggles of mankind with an amused detachment’ (Loomis).  So some critics do know a thing or two about real talent!”\r\n\r\nI have been advised that there are no known surviving manuscripts in my own hand; the work of some tyrannical clergyman, no doubt! However, there are eighty-three originally circulated hand-copied manuscripts that are in this very museum’s archives. Of these, fifty-five are complete manuscripts and twenty-eight are fragments; a number, I am told, that it is surpassed only by the 116 manuscripts of <em>The Prick of Conscience</em> collection of poems. Scholars agree that these numbers are a clear indication of the popularity of the<em> Canterbury Tales. </em>Now, my virtuosity shall entertain you! Behold, The Canterbury Tales!”\r\n\r\n<em>The actors deliver an impressive performance with Chaucer advising the audience of unspoken thoughts and agendas. As the play ends, the lights go down. When the house lights come on, like Elvis, Chaucer has left the building. The audience, though reluctant to leave their seats, are urged on to the next venue as the Guide speaks:<span style=\"color: #0000ff\">Please note the sign on the door:</span>\r\n</em>\r\n<table cellspacing=\"0\" cellpadding=\"0\" width=\"298\">\r\n<tbody>\r\n<tr>\r\n<td>\r\n<div>\r\n\r\n<span style=\"color: #800080\"><em><strong>If you think in terms of a year, plant a seed;</strong></em></span>\r\n\r\n<span style=\"color: #800080\"><em><strong>if in terms of ten years, plant     trees;</strong></em></span>\r\n\r\n<span style=\"color: #800080\"><em><strong>if in terms of 100 years, teach     the people.</strong></em></span>\r\n<p style=\"text-align: center\">Confucius</p>\r\n&nbsp;\r\n\r\n</div></td>\r\n</tr>\r\n</tbody>\r\n</table>\r\n<span style=\"color: #0000ff\">GUIDE:  “The most meaningful aspects of Chaucer\'s work, in my own humble opinion; the enduring appeal and broad-based audience no matter their socio-economic status. Throughout the centuries, Chaucer has been studied, applauded, criticized, defended, praised, and finally honored with the designation as \'the first finder of our language.\'  Now on to the red door across the hall!”</span>\r\n\r\n<strong><em>The doors open automatically as the visitors approach. The interior space is dim compared to the well lit hallway and it takes a moment for everyone to adjust their vision to the light. </em></strong><em> </em>\r\n\r\n<span style=\"color: #0000ff\"><em>GUIDE:  “We are entering the Analects of Confucius Virtual Library. It’s the Immer-vision 3D Holographic headset and eye wear providing this experience and your own reaction to what you are seeing, hearing, touching, or smelling that will enhance the experience for you.  Now follow me and be prepared to be amazed!”</em></span>\r\n\r\n<strong><em>The scenery changes as the Ancient Chinese country side, mountains, rice paddies, the Great Wall, the Forbidden City, and more all pass slowly by the visitors as if they were flying low on a magic carpet and a voice is heard:</em></strong>\r\n\r\n<span style=\"color: #800080\">VOICE : The Analects are, in fact, a compilation of moral and ethical insights from the Chinese philosopher K’ong Fu-Tzu (551–479 b.c.e.), better known as Confucius -a Latin form of his Chinese name, supporting set principles for individual conduct and the ethical administration of government and community; guiding principles for a just and compassionate world.  The virtue of <em>Jen</em> refers to humanity, good, or reciprocity while the term <em>Tao</em> speaks to the correct obligations, actions, and conduct of individuals, families, and governments. Rituals, ceremonies, and group activities and the performance that encourages a link to that world which is beyond daily life are referred to as <em>Li</em>.”</span>\r\n\r\n<span style=\"color: #800080\">The Analects emphasized the importance of independent thinking, identifying models in an abstract, universal style; a style was relevant to diverse cultures. As humanists, our values are reflected in a moral and righteous behavior; however, Confucius teachings hardly ever referred to gods and spirits. The wisdom of Confucius taught that tradition was essential, that respectfulness of one’s’ elders was important, and that the exercise of <em>Li </em>was to be honored<em>; </em>not simply performing ceremonies by rote, but applying a fitting reverence to the ritual.”</span>\r\n\r\n<span style=\"color: #0000ff\">GUIDE:  “At this time, while we are following the meandering path of the Yellow River, allow me to explain some key points. After Confucius died, hi</span>s <span style=\"color: #0000ff\">disciples collected and transcribed his teachings. These teachings spoke of measured and judicious thought, action, and deed build strength of character and a superior human being. They encouraged developing qualities such as: to experience profound affection for one’s fellow humankind; to hold one’s elders in high esteem; to encourage camaraderie with others who are virtuous; obligate oneself to a lifetime of scholarship; to manage subordinates evenhandedly; to contribute to social improvements, and to mindfully set good examples.”</span>\r\n\r\n<strong><em>The scenery changes again as the visitors float softly down onto a field of red poppies; poppies as far as the eye can see only ending where the southern branch of the Kunlan Mountains and past the Gansu Corridor at the west bend of the Yellow River.</em></strong>\r\n\r\n<span style=\"color: #800080\">Voice: “The crumbling of the Zhou dynasty, in power since 1027 B.C.E. and the relocation of the capital farther east by the leaders of the Zhou dynasty placed the kingdom in danger; an unsafe, precarious position brought on by the aggressive Mongols and Turkic horsemen from Central Asia, as well as, escalating conflicts among the autonomous Chinese states. However, China’s trade and its urban growth continued throughout this period. Interestingly, the Chinese intellectual minds during this time produced some of China’s oldest ethical and spiritual tenets, paralleling similar developments in Greek philosophy of the same time.  During the Qin Dynasty, the Analects along with other important texts were the victims of the famed book-burnings and the wars of the Qin Dynasty; records dating back over 1000 years before the Han Dynasty were lost.  Once gaining power, the Han Dynasty reinstated Confucianism, Confucian texts, and the Confucian scholars/official, leading to a great period of prosperity, technological developments, and agricultural advancements.”</span>\r\n\r\n<strong><em>The visitors slowly approached the entrance to a great palace and floated down to join a group of Chinese peasants preparing for a special guest, none other than <span style=\"color: #800080\">Confucius</span>, himself! </em></strong>\r\n\r\n<span style=\"color: #0000ff\">GUIDE: “I’m speechless!”</span>\r\n\r\n<strong><em>Heard in hushed tone from the crowd of visitors:</em> “it’s about time!”</strong>\r\n\r\n<span style=\"color: #0000ff\">GUIDE: “This was not part of our rehearsal yesterday! There must be a malfunction in the equipment!”</span>\r\n\r\n<span style=\"color: #800080\">CONFUCOUS speaks:  “The superior man…does not set his mind either for anything, or against anything; what is right he will follow.”</span>\r\n\r\n<span style=\"color: #0000ff\">GUIDE: “What? Wait a minute… you’re just an apparition; a hologram! You can’t insult me like that!”</span>\r\n\r\n<span style=\"color: #800080\">CONFUCIUS: “Be not ashamed of mistakes and thus make them crimes.”</span>\r\n\r\n<span style=\"color: #0000ff\">GUIDE: “Now look here Mr. Confucius! You keep THAT up and I’ll permanently disable your holographic imagery!”</span>\r\n\r\n<span style=\"color: #800080\">CONFUCIUS:  “Before you embark on a journey of revenge, dig two graves.”</span>\r\n\r\n<span style=\"color: #800080\">VOICE:  “Very outspoken and often at odds with authority, Confucius had a reputation of “… at once more austere, more pompous, harsh even, and as a reinforcer of the status quo…” (Spence).  But, Confucianism is touted as a key power behind East Asia\'s economic phenomenon, in the 21<sup>st </sup>Century.  And in the time of Confucius, Chinese historian, Ssu-ma Ch’ien (145-89 B.C.E.) described the scholar as a commoner yet a master of many who studied his philosophies. One might compare Taoism to Confucianism as Taoism second only to Confucianism as the most influential religion or philosophy among the Chinese people. The Taoist scriptures, written in the sixth century B.C.E. are, as with The Analects of Confucius, are a collection of moral and ethical codes intended to guide people in their everyday lives.  The Tao Te Ching [DOWduh jing], <em>Classic of the Way and Its Working</em>, and the Chaung-tsu [jwahng tzoo] are held in high esteem throughout the world, remaining prominent significant work of literature down through the centuries. The primary printing was in 1926 and consisted of 1,120 volumes, a significant number compared to the twenty books of the Analects.”</span>\r\n\r\n<span style=\"color: #800080\">The Analects were written as they were delivered, in a dialog form and they cover a range of ideals from a humanistic approach, ideals as mentioned earlier: Experience profound affection for one’s fellow humankind; hold one’s elders in high esteem; encourage camaraderie with others who are virtuous; obligate oneself to a lifetime of scholarship; manage subordinates evenhandedly; contribute to social improvements, and mindfully set good examples. These are a great asset to this new colony; a guide to live by. “</span>\r\n\r\n<span style=\"color: #0000ff\">GUIDE: “I’m sure you are right in these facts but I am the expert here so let me speak!”</span>\r\n\r\n<span style=\"color: #800080\">CONFUCIUS: “He who speaks without modesty will find it difficult to make his words good.”</span>\r\n\r\n<strong><em>With that, the visitors AND the Guide suddenly find themselves floating through an elaborately decorated hallway.  The Analects of Confucius are printed in black ink over images of  the Chinese artistic style of  landscapes that are known for their simplicity and beauty. At the end of the hall is yet another door; an unimpressive, double set of sliding doors with no handles.</em></strong>\r\n\r\n<span style=\"color: #0000ff\">GUIDE:  “As you recall upon our first encounter, there are many surprises. The last encounter was a surprise to me! Now it is your turn to be astonished! “</span>\r\n\r\n<strong><span style=\"color: #000000\"><em>With this the guide\'s last pronouncement, the white doors slowly parted from the middle and the visitors reacted with a collective gasp. </em></span></strong>\r\n\r\n<span style=\"color: #0000ff\">GUIDE:  “While we were honored to have been chosen to design a museum for the four proposed works: The Villa of Mysteries (religion), The Palatine Chapel (architecture), The Canterbury Tales (literature), and Confucius’ Analects (philosophy) it became clear to us that all of the proposed works for this project were viable and important. Therefore, prior to departing with the components to construct our museum and the artifacts to place in the museum, we sent a virtual army of technicians, videographers, historians, archeologists, holographic experts, actors, and writers out  to capture the essence of each work so that our future generations may benefit from them. “</span>\r\n\r\n<span style=\"color: #800080\">CONFUCIUS nudging on e visitor states:  “The superior man is modest in his speech, but exceeds in his actions.”</span>\r\n\r\n<span style=\"color: #0000ff\">GUIDE:  “The <em>Lux et Veritas</em> Time Capsule Passages exhibits are completely compatible with the Immer-vision 3D Holographic technology; therefore, the experiential immersion encounters beyond these doors will deliver all the same quality as you have felt today with our four exhibits. The only difference is that the actual artifacts could not be brought along with us. It was the only thing to do; this is way it should be …”</span>\r\n\r\nSOCRATES: To do is to be….\r\n\r\nKANT: To be is to do ….\r\n\r\nHAMLET: To be or not to be….\r\n\r\nSINATRA: To do be do be do…\r\n\r\n<em>A near riot ensues with the visitors congratulating the Guide, Confucius, Hamlet, themselves, and any of the numerous spectators awaiting them as they rushed to deliver the great news! </em>\r\n\r\n<strong> </strong>\r\n<p style=\"text-align: center\"><strong>Citations</strong></p>\r\nJanson, H.W.  <em>History of Art</em>, Prentice-Hall. 1983, 2<sup>nd</sup> edition.  Pg 188/189\r\n\r\nVitruvius, \"The Decadence of Fresco Painting,\" in <em>the Ten Books of Architecture</em>. Trans. Morris Hicky Morgan (New York: Dover, 1969): 210–211. Text modified by James Allan Evans.\r\n\r\n&nbsp;\r\n\r\nGāius Iūlius.  <em>Phaedrus Biography - (c.15 bc–c.ad50)</em>. <a href=\"http://www.jrank.org/history/pages/5145/G%C4%81ius-I%C5%ABlius-Phaedrus.html\">http://www.jrank.org/history/pages/5145/G%C4%81ius-I%C5%ABlius-Phaedrus.html</a><em> </em>\r\n\r\nCooper, Helen. <a href=\"http://www.gradesaver.com/the-canterbury-tales/\"><em>The Canterbury Tales</em></a><em>.</em> Oxford Oxfordshire: Oxford University Press, 1996. ISBN 0-19-871155-7\r\n\r\n--- Gāius\r\n\r\nLoomis, Roger S.<em> Was Chaucer A Laodicean? </em><em>Chaucer Criticism-The Canterbury Tales,<strong> </strong></em><em>An Anthology.</em> Edited by Richard J. Schoeck and Jerome Taylor. Notre Dame Books. Notre Dame (South Bend), IN.  1960. Pg 291\r\n\r\nCooper, Helen. <a href=\"http://www.gradesaver.com/the-canterbury-tales/\"><em>The Canterbury Tales</em></a><em>.</em> Oxford Oxfordshire: Oxford University Press, 1996. ISBN 0-19-871155-7\r\n\r\nSpence, Jonathan D. is George B. Adams. CONFUCIUS. Wilson Quarterly. Woodrow Wilson International Center for Scholars. 1993','The Village of Lux et Veritas’ (Latin for Light and Truth)               The Time Capsule Passages','','inherit','open','open','','1388-revision-16','','','2011-05-11 20:35:27','2011-05-12 02:35:27','',1388,'http://jeanatacc.com/2011/?p=1456',0,'revision','',0),(1457,30,'2011-05-11 21:37:18','2011-05-12 03:37:18','','Final TCP Project','','inherit','open','open','','1454-revision','','','2011-05-11 21:37:18','2011-05-12 03:37:18','',1454,'http://jeanatacc.com/2011/?p=1457',0,'revision','',0),(1458,30,'2011-05-11 21:56:03','2011-05-12 03:56:03','','Giant-Cockroach','','inherit','open','open','','giant-cockroach','','','2011-05-11 21:56:03','2011-05-12 03:56:03','',1454,'http://jeanatacc.com/2011/wp-content/uploads/2011/05/Giant-Cockroach.jpg',0,'attachment','image/jpeg',0),(1459,30,'2011-05-11 21:56:43','2011-05-12 03:56:43','It is the year 2100 and an extremely severe earthquake has struck Japan. The nuclear power plants that had been repaired from a past earthquake in 2011 have been damaged again. But this time the damage was not repairable.  Radiation has leaked and spread into the earth, water sources, and the Pacific Ocean. This is causing certain defects in a number of species and is a hazard to the population of the earth. Radiation will slowly damage the human species and genetically alter the population; this is something that we cannot allow to happen. Certain species are becoming affected more than others. Specifically, the <em>Periplaneta americana</em> has shown not only a rise in number, but also an increase in size. With the rate of this phenomenon, the species will overcome the human population 100 fold. In simpler terms, the earth is uninhabitable due to the take over of giant cockroaches.\n<p style=\"text-align: center\"><a href=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/Giant-Cockroach.jpg\"><img class=\"aligncenter size-medium wp-image-1458\" src=\"http://jeanatacc.com/2011/wp-content/uploads/2011/05/Giant-Cockroach-300x229.jpg\" alt=\"\" width=\"300\" height=\"229\" />http://www.itsnature.org/Ground/images/article-pics/Giant-Cockroach.jpg</a></p>\nWe must relocate immediately and take as many resources as we can. There will be many spacecrafts sent into space until a location is found to relocate. The main craft, called <em>The Survivor,</em> will be the biggest and will house the most important items. Not only should we take food, water, certain species of animals and plants, and other necessities for survival, but also we should take with us certain artifacts that played a significant role in history and helped shape the earth to where it is today. This way, people aboard the ships can gather knowledge about the works as well as become inspired. The four artifacts to be preserved and taken on the craft will be the Nike of Samothrace, the Chartres Cathedral, Machiavelli’s <em>Mandrake</em>, and Ibn Sina’s <em>Canon of Medicine</em>.\n\nThe area for these works to be displayed will be located in the center of the main spacecraft in a square pattern. Each work will be housed in its own very large room. Each room will be able to hold 100 people maximum capacity. There will be motion sensors and alarms close to each of the works and there will be security cameras regulated at all times by a highly trained security team. Each room will be located on the corner of a “square” with hallways connecting each. In the hallways and throughout the rooms, there will be a continuously moving walkway with seats attached to it. This allows for maximum comfort for each person as well as providing safety for the museum. Since technology is so advanced in the year 2100, each person transported into space will own an iPad100. This is the most advanced form of Apple technology for the time in terms of handheld noncellular devices. As one passes through each room, information will automatically become available for reading or listening on the iPad.\n\nThe first room will be dedicated to the Nike of Samothrace sculpture. The entire eight foot tall original piece will be taken from the Louvre museum in France. It will be kept in an airtight, soundproof, bulletproof glass box that only allows a certain type of non-damaging light to shine upon the object. It is very important that the sculpture is not eroded away by environmental factors or human errors.\n\nThe Nike of Samothrace displays beautiful body positioning, expressive details, and shows shadowing techniques, which were typical of artists during the Hellenistic era. The piece is realistic and it expresses strong emotion when viewed. During the approximate time it was sculpted, there were battles for territory as empires tried to control as much of the earth as possible. Men were viewed as the dominant gender and honor was of great importance in society. By winning battles, one gained more honor, so victory was of great desire. This sculpture expresses victory in a powerful stance, thus revealing the cultural trends of the time.\n\nThe Nike of Samothrace is innovative for its time because it is a sensuous, triumphant structure that portrays a goddess as a more realistic figure. The Nike’s cloth, known as a chiton, is sculpted with great attention to detail and it tightly hugs against her skin as it flows in the wind. The cloth flows between her legs and does not fully cover her stomach and parts of her upper chest, so it is slightly sexual. The Nike’s stance is also an innovative feature. Her stance is at a twisting angle as though she is landing from the air onto the prow of a ship and stabilizing herself.  There is a proud, fearless posture that gives off feelings of power by simply viewing it. Her huge, outstretched wings are intimidating. Overall, the Nike instills the feelings of power and triumph that she represents into viewers and it is important that many people have the opportunity to view the magnificent sculpture.\n\nFrom this work, it is important for future generations to know the importance of posture, body language, clothing attire, and context. The upright, courageous posture of the goddess expresses confidence and gives a sense of forward movement. Her outstretched wings show the open spirit to any challengers. The Nike of Samothrace was commemorating some victory, though the exact battle is unknown. It is vital to keep this sculpture with us in order to show the importance of triumph and honor as well as to inspire other artists. Through sculpting, thoughts of certain cultures or people can be expressed.\n\nThe second room will be dedicated to the Chartres Cathedral. Since the cathedral is too large to transport successfully onto the craft, only certain pieces of the original will be taken. The pieces to be preserved will be the stained glass from the West Rose windows, a flying buttress, one of the spires, one of the Royal portals, and the tunic worn by Mary during the birth of Jesus. The tunic is known as the Sancta Camisia and is a very important artifact in the Christian religion. Each of these pieces will be boxed in the same safety glass container as the Nike of Samothrace.\n\nThe Chartres was built during the High Middle Ages, when religion played a huge role in society. Religion affected education, politics, and social status. The church was wealthy; this explains the grandeur, awe-inspiring gothic architecture of Chartres. The huge size made it a main focus of the town and other buildings were nothing compared to its architecture. It expressed the centrality formed around religion at the time.\n\nChartres had many innovative features. The stained glass on the West Rose windows was created to represent the Christian event of the Last Judgment. The Gothic architect experimented with new colors, and “Chartres blue” was first used in the West Rose stained glass windows. The glass windows express passion, resurrection, and incarnation through the colorful pictorial events. Other unique elements to Chartres are the flying buttresses, or structural elements used for support, and the differing spire heights. These two features made Chartres unique and structurally elaborated to its beauty. These advancements in architecture placed on such a powerful building can lead to future buildings using the advancements. A new technique or style can spread from culture to culture. This is why many unique features of Chartres are seen in other cathedrals.\n\nThe Chartres Cathedral’s flamboyant Gothic architecture, as seen through the towering spires, stained glass, flying buttresses, and unique portals, is significant for future generations to appreciate. Chartres should be preserved so history can be learned and allow for generations in the future to see what life was like in the medieval time period. For the detailed architecture and beauty achieved in Chartres, no words can describe the amount of effort, faith, and heart put into it by the Christians of the medieval time period. Future generations will look over this cathedral and miss the inspirational history and unique architectural details of it unless this is preserved. This needs to be preserved so future generations can see the importance behind historical buildings like the Chartres Cathedral.\n\nThe third room will be dedicated to Machiavelli’s piece <em>The Mandrake Root,</em> or simply <em>The Mandrake. </em>The original piece of literature will be displayed in the safety glass box with special lighting shining on it. No one will be allowed to touch it because environmental factors, such as the grease and dirt from people’s fingers, will cause deterioration of the pages.\n\nAt the time of this publication, the Renaissance was in full force in Europe. Progress was seen as a process of improving the lot of the individual and was a valued belief during this time. Christianity was beginning to emerge because it seemed to fit the secular beliefs and desires of the rising merchant class. Popes were often involved in the fight for political power; greed and self-indulgence was often seen. This work was a comedic play about a young man, Callimaco, who is attracted to a young woman, Lucrezia, who is married to an older lawyer by the name of Nicia and takes place over a 24-hour time span. Callimaco devises a plan, with others involved, to deceive the lawyer in order to win Lucrezia’s love. Aspects of greed, deception, self-indulgence, and criticism of the church can be seen in the play; this reflects beliefs Machiavelli felt of society at the time.\n\nThere were not many comedies produced during the time <em>The Mandrake</em> was published, so this was a refreshing play. This humorous play commenting on human nature and self-absorption was innovative. The ideas seen in the play could be applied to life at the time; it was a unique way for comment on society. It was a hysterical piece that all ages could enjoy; at the same time, the intellectuals who caught on to the hidden messages could applaud the play. The creativity Machiavelli used to comment on certain aspects of life through a comedic play shows how one person can express their beliefs through writing/acting. People who read or saw the play were touched by his words, thus creating deeper thinking about themselves and/or society. Reflection about certain ideas in literature can bring about positive change. The themes in the play can be spread each time it is read.\n\nThe fact that this comedy has alternate messages hidden within the plot is significant for future generations to know about. By simply reading a piece of literature and not searching for deeper meanings to apply to one’s own life, potential personal growth will be lost for generations to come. <em>The Mandrake</em> shows that all types of literature can have deeper themes, whether it is a comedy, poem, or novel, etc. It is important for generations to see how ideas expressed through writing can be comments on the way of life during the published time period. <em>The Mandrake</em> allows us to see views on the corruption of the church, society’s flawed morals, and other ideas. <em>The Mandrake</em> should be preserved so the themes of the piece can live on and be applied to future generations.\n\nThe final room will be dedicated to Ibn Sina’s <em>Canon of Medicine</em>. It will be displayed in the same manner as <em>The Mandrake. </em>The original standard medical text will be taken on the craft to be preserved.\n\n<em>The Canon of Medicine</em> was published in 1025. At this time historically, countries across the world were striving to advance in ways of knowledge, religion, art, and ultimately power. In the Islamic lands, the church and the state were inseparable, thus theocratic rule was present. Islam was openly receptive to the achievements in intellect from other cultures and had a strong will to discover the workings of the natural world. Intellectualists were avid in inventing new concepts or proving new theories that could be revolutionary. The Persian Muslim scientist Ibn Sina was determind to make advancements in the medical world and his <em>Canon of Medicine </em>achieved this desire.\n\nThe encyclopedia had a number of innovative ideas in the field of medicine. It also introduced a new set of medical terminology. For example, he attributed to the cause of plague to mice, commented on many contagious diseases, proposed using horse hair for stitches during surgery, experimented with different drugs for anesthesia, described surgical procedures, proposed certain spices could be used to help with blood clotting after a surgery, and understood the relationship between temperature and the spread of diseases. It set the foundation for many surgeries, pharmacology practices, and illness diagnoses. This discovery represents the idea that through determination and research, a single person can make a huge impact in the world of knowledge.\n\nIt is important for future generations to know that the <em>Canon of Medicine</em> was the foundation for a great amount of introductory ideas on surgery, illness, medicine, and ultimately healthy living. It is important that generations ahead see how a single person’s discoveries can change the world forever. This great encyclopedia should inspire us all to feed our hunger for knowledge and discovery. Many of Ibn Sina’s ideas were elaborated upon and have evolved into some of the most successful and accurate ideas and procedures used in today’s medicinal world.\n\nPeople on the ship who visit the square museum will instantly become inspired and impacted personally by each of the revolutionary pieces. There will be an application similar to Twitter that can be accessed from the iPads. People can tweet their thoughts about each of the pieces and share their ideas with one another. It will also allow for others on the ships to meet each other through this interaction and spread their thoughts and feelings about the museum. Social interaction will be important because through discussion and expression about the museum and its works, people can grow and learn from each other. The museum will be a huge success and people from other smaller crafts will visit <em>The Survivor</em> in order to attend this life-changing, inspiring display.\n\n&nbsp;','Final TCP Project','','inherit','open','open','','1454-autosave','','','2011-05-11 21:56:43','2011-05-12 03:56:43','',1454,'http://jeanatacc.com/2011/?p=1459',0,'revision','',0),(1460,30,'2011-05-11 21:54:25','2011-05-12 03:54:25','It is the year 2100 and an extremely severe earthquake has struck Japan. The nuclear power plants that had been repaired from a past earthquake in 2011 have been damaged again. But this time the damage was not repairable.  Radiation has leaked and spread into the earth, water sources, and the Pacific Ocean. This is causing certain defects in a number of species and is a hazard to the population of the earth. Radiation will slowly damage the human species and genetically alter the population; this is something that we cannot allow to happen. Certain species are becoming affected more than others. Specifically, the <em>Periplaneta americana</em> has shown not only a rise in number, but also an increase in size. With the rate of this phenomenon, the species will overcome the human population 100 fold. In simpler terms, the earth is uninhabitable due to the take over of giant cockroaches.\r\n\r\nWe must relocate immediately and take as many resources as we can. There will be many spacecrafts sent into space until a location is found to relocate. The main craft, called <em>The Survivor,</em> will be the biggest and will house the most important items. Not only should we take food, water, certain species of animals and plants, and other necessities for survival, but also we should take with us certain artifacts that played a significant role in history and helped shape the earth to where it is today. This way, people aboard the ships can gather knowledge about the works as well as become inspired. The four artifacts to be preserved and taken on the craft will be the Nike of Samothrace, the Chartres Cathedral, Machiavelli’s <em>Mandrake</em>, and Ibn Sina’s <em>Canon of Medicine</em>.\r\n\r\nThe area for these works to be displayed will be located in the center of the main spacecraft in a square pattern. Each work will be housed in its own very large room. Each room will be able to hold 100 people maximum capacity. There will be motion sensors and alarms close to each of the works and there will be security cameras regulated at all times by a highly trained security team. Each room will be located on the corner of a “square” with hallways connecting each. In the hallways and throughout the rooms, there will be a continuously moving walkway with seats attached to it. This allows for maximum comfort for each person as well as providing safety for the museum. Since technology is so advanced in the year 2100, each person transported into space will own an iPad100. This is the most advanced form of Apple technology for the time in terms of handheld noncellular devices. As one passes through each room, information will automatically become available for reading or listening on the iPad.\r\n\r\nThe first room will be dedicated to the Nike of Samothrace sculpture. The entire eight foot tall original piece will be taken from the Louvre museum in France. It will be kept in an airtight, soundproof, bulletproof glass box that only allows a certain type of non-damaging light to shine upon the object. It is very important that the sculpture is not eroded away by environmental factors or human errors.\r\n\r\nThe Nike of Samothrace displays beautiful body positioning, expressive details, and shows shadowing techniques, which were typical of artists during the Hellenistic era. The piece is realistic and it expresses strong emotion when viewed. During the approximate time it was sculpted, there were battles for territory as empires tried to control as much of the earth as possible. Men were viewed as the dominant gender and honor was of great importance in society. By winning battles, one gained more honor, so victory was of great desire. This sculpture expresses victory in a powerful stance, thus revealing the cultural trends of the time.\r\n\r\nThe Nike of Samothrace is innovative for its time because it is a sensuous, triumphant structure that portrays a goddess as a more realistic figure. The Nike’s cloth, known as a chiton, is sculpted with great attention to detail and it tightly hugs against her skin as it flows in the wind. The cloth flows between her legs and does not fully cover her stomach and parts of her upper chest, so it is slightly sexual. The Nike’s stance is also an innovative feature. Her stance is at a twisting angle as though she is landing from the air onto the prow of a ship and stabilizing herself.  There is a proud, fearless posture that gives off feelings of power by simply viewing it. Her huge, outstretched wings are intimidating. Overall, the Nike instills the feelings of power and triumph that she represents into viewers and it is important that many people have the opportunity to view the magnificent sculpture.\r\n\r\nFrom this work, it is important for future generations to know the importance of posture, body language, clothing attire, and context. The upright, courageous posture of the goddess expresses confidence and gives a sense of forward movement. Her outstretched wings show the open spirit to any challengers. The Nike of Samothrace was commemorating some victory, though the exact battle is unknown. It is vital to keep this sculpture with us in order to show the importance of triumph and honor as well as to inspire other artists. Through sculpting, thoughts of certain cultures or people can be expressed.\r\n\r\nThe second room will be dedicated to the Chartres Cathedral. Since the cathedral is too large to transport successfully onto the craft, only certain pieces of the original will be taken. The pieces to be preserved will be the stained glass from the West Rose windows, a flying buttress, one of the spires, one of the Royal portals, and the tunic worn by Mary during the birth of Jesus. The tunic is known as the Sancta Camisia and is a very important artifact in the Christian religion. Each of these pieces will be boxed in the same safety glass container as the Nike of Samothrace.\r\n\r\nThe Chartres was built during the High Middle Ages, when religion played a huge role in society. Religion affected education, politics, and social status. The church was wealthy; this explains the grandeur, awe-inspiring gothic architecture of Chartres. The huge size made it a main focus of the town and other buildings were nothing compared to its architecture. It expressed the centrality formed around religion at the time.\r\n\r\nChartres had many innovative features. The stained glass on the West Rose windows was created to represent the Christian event of the Last Judgment. The Gothic architect experimented with new colors, and “Chartres blue” was first used in the West Rose stained glass windows. The glass windows express passion, resurrection, and incarnation through the colorful pictorial events. Other unique elements to Chartres are the flying buttresses, or structural elements used for support, and the differing spire heights. These two features made Chartres unique and structurally elaborated to its beauty. These advancements in architecture placed on such a powerful building can lead to future buildings using the advancements. A new technique or style can spread from culture to culture. This is why many unique features of Chartres are seen in other cathedrals.\r\n\r\nThe Chartres Cathedral’s flamboyant Gothic architecture, as seen through the towering spires, stained glass, flying buttresses, and unique portals, is significant for future generations to appreciate. Chartres should be preserved so history can be learned and allow for generations in the future to see what life was like in the medieval time period. For the detailed architecture and beauty achieved in Chartres, no words can describe the amount of effort, faith, and heart put into it by the Christians of the medieval time period. Future generations will look over this cathedral and miss the inspirational history and unique architectural details of it unless this is preserved. This needs to be preserved so future generations can see the importance behind historical buildings like the Chartres Cathedral.\r\n\r\nThe third room will be dedicated to Machiavelli’s piece <em>The Mandrake Root,</em> or simply <em>The Mandrake. </em>The original piece of literature will be displayed in the safety glass box with special lighting shining on it. No one will be allowed to touch it because environmental factors, such as the grease and dirt from people’s fingers, will cause deterioration of the pages.\r\n\r\nAt the time of this publication, the Renaissance was in full force in Europe. Progress was seen as a process of improving the lot of the individual and was a valued belief during this time. Christianity was beginning to emerge because it seemed to fit the secular beliefs and desires of the rising merchant class. Popes were often involved in the fight for political power; greed and self-indulgence was often seen. This work was a comedic play about a young man, Callimaco, who is attracted to a young woman, Lucrezia, who is married to an older lawyer by the name of Nicia and takes place over a 24-hour time span. Callimaco devises a plan, with others involved, to deceive the lawyer in order to win Lucrezia’s love. Aspects of greed, deception, self-indulgence, and criticism of the church can be seen in the play; this reflects beliefs Machiavelli felt of society at the time.\r\n\r\nThere were not many comedies produced during the time <em>The Mandrake</em> was published, so this was a refreshing play. This humorous play commenting on human nature and self-absorption was innovative. The ideas seen in the play could be applied to life at the time; it was a unique way for comment on society. It was a hysterical piece that all ages could enjoy; at the same time, the intellectuals who caught on to the hidden messages could applaud the play. The creativity Machiavelli used to comment on certain aspects of life through a comedic play shows how one person can express their beliefs through writing/acting. People who read or saw the play were touched by his words, thus creating deeper thinking about themselves and/or society. Reflection about certain ideas in literature can bring about positive change. The themes in the play can be spread each time it is read.\r\n\r\nThe fact that this comedy has alternate messages hidden within the plot is significant for future generations to know about. By simply reading a piece of literature and not searching for deeper meanings to apply to one’s own life, potential personal growth will be lost for generations to come. <em>The Mandrake</em> shows that all types of literature can have deeper themes, whether it is a comedy, poem, or novel, etc. It is important for generations to see how ideas expressed through writing can be comments on the way of life during the published time period. <em>The Mandrake</em> allows us to see views on the corruption of the church, society’s flawed morals, and other ideas. <em>The Mandrake</em> should be preserved so the themes of the piece can live on and be applied to future generations.\r\n\r\nThe final room will be dedicated to Ibn Sina’s <em>Canon of Medicine</em>. It will be displayed in the same manner as <em>The Mandrake. </em>The original standard medical text will be taken on the craft to be preserved.\r\n\r\n<em>The Canon of Medicine</em> was published in 1025. At this time historically, countries across the world were striving to advance in ways of knowledge, religion, art, and ultimately power. In the Islamic lands, the church and the state were inseparable, thus theocratic rule was present. Islam was openly receptive to the achievements in intellect from other cultures and had a strong will to discover the workings of the natural world. Intellectualists were avid in inventing new concepts or proving new theories that could be revolutionary. The Persian Muslim scientist Ibn Sina was determind to make advancements in the medical world and his <em>Canon of Medicine </em>achieved this desire.\r\n\r\nThe encyclopedia had a number of innovative ideas in the field of medicine. It also introduced a new set of medical terminology. For example, he attributed to the cause of plague to mice, commented on many contagious diseases, proposed using horse hair for stitches during surgery, experimented with different drugs for anesthesia, described surgical procedures, proposed certain spices could be used to help with blood clotting after a surgery, and understood the relationship between temperature and the spread of diseases. It set the foundation for many surgeries, pharmacology practices, and illness diagnoses. This discovery represents the idea that through determination and research, a single person can make a huge impact in the world of knowledge.\r\n\r\nIt is important for future generations to know that the <em>Canon of Medicine</em> was the foundation for a great amount of introductory ideas on surgery, illness, medicine, and ultimately healthy living. It is important that generations ahead see how a single person’s discoveries can change the world forever. This great encyclopedia should inspire us all to feed our hunger for knowledge and discovery. Many of Ibn Sina’s ideas were elaborated upon and have evolved into some of the most successful and accurate ideas and procedures used in today’s medicinal world.\r\n\r\nPeople on the ship who visit the square museum will instantly become inspired and impacted personally by each of the revolutionary pieces. There will be an application similar to Twitter that can be accessed from the iPads. People can tweet their thoughts about each of the pieces and share their ideas with one another. It will also allow for others on the ships to meet each other through this interaction and spread their thoughts and feelings about the museum. Social interaction will be important because through discussion and expression about the museum and its works, people can grow and learn from each other. The museum will be a huge success and people from other smaller crafts will visit <em>The Survivor</em> in order to attend this life-changing, inspiring display.\r\n\r\n&nbsp;','Final TCP Project','','inherit','open','open','','1454-revision-2','','','2011-05-11 21:54:25','2011-05-12 03:54:25','',1454,'http://jeanatacc.com/2011/?p=1460',0,'revision','',0),(1462,34,'2011-05-11 22:03:32','2011-05-12 04:03:32','For my room, where all of my works of art will be displayed, I decided that what could be better than looking at works of art in a work of art.  I decided to take different pieces of the Colosseum I decided to take pieces of the different Colosseum such as the column arches paintings and sculptures portrayed on the walls to rebuild a one-third replica of the enormous arena. Even being one third the size of the original Colosseum would be approximately the same size as a large classroom, if not slightly bigger. The replica of the Colosseum will still be preserved since there are still actual pieces of the work of art in the replica. It will be displayed as its own room, where all of the other pieces of art are displayed throughout the inside of the arena.  One of the many beautiful works of art is the Bayeux tapestry. This is tapestry is not a tapestry at all, it is actually an embroidery. This long, strip of linen reached a length of two hundred thirty feet by twenty inches. It illustrates events leading up to the Battle of Hastings and the conquest of the Norman Invasion. It consisted of eight different colors along with many men, dogs, horses, and other symbols and meanings. The Bayeux Tapestry will be hanging on display along the wall of the Colosseum.<!--more-->\r\n\r\nAnother fascinating work of art is Palladio’s Four Books on Architecture.  Andrea Palladio was a skillful architect from the sixteenth century. His main focus was churches, palaces, and villas. One of Palladio’s unique skills was building his structures perfectly symmetrical. Palladio’s Four Books of Architecture will be preserved and displayed on a podium which is a piece of one of Palladio’s famous structures, the Villa Rotonda. I’ve decided to take a small piece of the building so others could see the detail put into the smallest piece from a large work of art.\r\n\r\nFinally, there is the Treasury of a Well-Turned Verse. This collection of poems are known as Sanskrit poems, which are unique poems that have to do with the sexual and erotic aspects of love. The collector of these fascinating poems is a Buddhist monk by the name of Vidykara. This anthology was typical of its era due to the alliteration, assonance, and lack of rhyme. The alliteration portrayed in the poems had the same consonant sound. For example, the words “scent of the sweat” would be the alliteration used in the poem, Treasury of a Well-Turned Verse. The assonance in the poems would have the same vowel sound. For example, the words “wished to kiss” would be the assonance that is portrayed in the poem.  This type of work was unusual for its time because Indian poetry has more of a sexual and erotic perspective rather than a romantic perspective. Since this work was unusual for its time, this type of poetry was not really seen until the mid 600<sup>th</sup> century. People saw it as a new perspective on love and not the romantic aspect of it. People today find this work very important. It shows that Indian anthologies in the earlier times have demonstrated amazing progress and have influenced many poets and authors to create such successful work. These erotic poems describe the beauty of a woman’s body or facial features and describe the actions that want to be done, such as to kiss her lips. I would like to preserve these erotic poems by putting then in a glass case and projecting them on the walls of the Colosseum. The Colosseum’s artistic trends were its sculptures, paintings, and structure. For something as large and well preserved as the coliseum it is one of the most beautiful pieces of architecture. I feel that is most significant for future generations to know about the Colosseum is how to construct a building that has stayed up for years and has had very few reconstructed areas. The lack of high tech tools they used and still were able to construct such a strong architectural structure is astounding. The Colosseum has become a huge part of artistic history. If future generations knew how to construct a structure that is as strong and well preserved as the prodigious Colosseum, our future generations are going to be on the path of great success with architectural artistry. The cultural trends of its era had many different events that went on in the Colosseum, such as the gladiator fights. The Bayeux Tapestry was the beautiful design of this embroidery. It was so interesting that the conquest of the Norman Invasion and the Battle of Hastings is portrayed on the embroidery. It had eight different colors with hundreds of men, horses, dogs, and many other animals. Palladio’s Four Books on Architecture was so beautiful with its symmetrical and precise structures and the gorgeous sculptures and paintings portrayed along the inside and out. The cultural trends from Palladio’s Four Books on Architecture is the beautifully constructed buildings that he depicts in his book. The fact that he had designed and built them himself, and they’re still standing and still preserved is astonishing. His book describes how he built something so magnificent and what all materials he used. Treasury of a Well-Turned Verse portrays this collection of poems in erotic words. These poems were very sexual for its time due to the descriptions of a woman’s body and what is wanting to be done to it.  The tone in which it was written was very different for its time as well. Vidyakara was a monk that collected a set of poems that are about the sexual and erotic aspects of love.\r\n\r\nIn the era in each work of art, there were a couple of major innovations. One of the Colosseum’s major innovations would be that many arenas in today’s society model the Colosseum’s beautiful structure. These types of arenas are mainly athletic arenas, such as football stadiums and soccer stadiums. Each stadium that models the Colosseum are extremely large. Some even open at the top like the Colosseum, the Dallas Cowboys Stadiums. Another major innovation from the Colossem would be that in today’s society, many homes and buildings model the Roman/Greek appearance. Many homes and buildings have artwork displayed upon the walls and in other parts of the structure.\r\n\r\nA couple of major innovations from the Bayeux Tapestry were that the embroidery had been modeled from the style and design of the embroidery, with different types of material, on furniture, blankets, rugs, and other types of décor. Another innovation from the Bayeux tapestry would be the medieval style that some people use in their homes today. Some almost use the exact models for decorative places for their homes.\r\n\r\nSome innovations from Palladio’s Four Books on Architecture are certain paintings and drawings of architecture that some artists like to sketch or paint today. Palladio’s architecture mainly consisted of structures with columns in the front or entrances of the buildings. With this, another innovation from Palladio’s Four Books on Architecture had come about; the classical American home that would consist of the triangular top with columns in the front entrances. Palladio’s work involved precision and perfection to all parts of his artistry. He studied the liberal arts and found that he was a natural in architecture. His advisors got him accustomed to the liberal arts and ended up appointing him to reconstruct their abodes. They brought him back to Rome to study and measure ancient buildings with them. Alberti’s work was more than just constructing buildings to him; it was a way to create meaning. Palladio’s art was based on symmetry and equilibrium, as for Alberti, his art consisted of geometrical perspectives and ideological designs. Palladio’s artistry is most significant for future generations to know about because it inspires people and expands their views on designs, architecture, and Roman artistry. Future generations need to be influenced by such unmitigated architecture considering it has inspired other and introduced them to different styles and cultures. Thus, having more auspicious architects willing to construct buildings that simulate Palladio’s architectural artistry to embellish today’s society.\r\n\r\nThe Treasury of a Well-Turned Verse is a collection of Sanskrit poems. Some innovations made from this collection of poems were that other new erotic poems and new studies on Indian literature had been made. Another innovation from the Treasury of a Well-Turned Verse was new styles and interpretation of reading. There are many artist and poets that had been inspired by this collection poems that some artists would paint or sketch some of the descriptions of the women described in the poems. The Treasury of a Well-Turned Verse, also known as “Subhasitaratnakosa,” is one of the many collected pieces of poetry that consisted of 1739 verses from a Buddhist monk by the name of Vidyakara. During the eleventh century, the anthologies of Sanskrit poetry started to rise. This anthology consisted more on the erotic love rather than the emotional love. The details that are described in this poem are based on physical passion and the female beauty. During the life and time of India in the fourth through eleventh centuries, many accomplishments had come about. There were ruling hereditary chiefs followed a code of chivalry that set them apart from the lower classes. The caste system, which was a system to keep higher and lower social classes divided up properly.\r\n\r\nWhen people arrive to visit my museum, I envision each piece of art very interesting and envision them not only looking at just the beauty, but having them really get a feel of how these works of art were portrayed in its original era. Every piece of art has its own story and I feel that when people come to interact with the pieces of art I have displayed, they will know the culture and reasons behind their beauty. After all displays have been looked at, each person will get a DVD of their entire tour. I feel that the Colosseum, the Bayeux Tapestry, Palladio’s Four Books on Architecture, and the Treasury of a Well-Turned Verse will inspire all that tour the museum.','Final Project','','publish','open','open','','final-project-3','','','2011-05-11 22:34:48','2011-05-12 04:34:48','',0,'http://jeanatacc.com/2011/?p=1462',0,'post','',12),(1463,34,'2011-05-11 22:02:51','2011-05-12 04:02:51','','Final Project','','inherit','open','open','','1462-revision','','','2011-05-11 22:02:51','2011-05-12 04:02:51','',1462,'http://jeanatacc.com/2011/?p=1463',0,'revision','',0);
