<p>&#160;</p>  <p><font size="2"><img title="Berry-Williambear" style="border-right: 0px; border-top: 0px; display: block; float: none; margin-left: auto; border-left: 0px; margin-right: auto; border-bottom: 0px" height="399" alt="Berry-Williambear" src="http://ionlyweardresses.com/wp-content/uploads/2010/08/BerryWilliambear.jpg" width="600" border="0" /> </font></p>  <p align="left"><font size="2">My dream trip:&#160; Montana, to photograph bears.&#160; These </font><a href="http://gurneyjourney.blogspot.com/2009/10/berry-observation-and-memory.html"><font size="2">sketches</font></a><font size="2"> are by the naturalist William Berry.&#160; His advice seems perfect for a budding wildlife photographer like myself:</font></p>  <p align="left"><font size="2"><em>I devoted a tremendous amount of time and energy to simply recording the facts of animal life—hundreds of hours and thousands of drawings in the zoo or in the forests, on mountains, in deserts, or plains. A caribou, for example, is never going to hold still for you, and a photograph of him, though useful for many reasons, is never going to show him doing exactly what you want him to be doing for a particular illustration. <strong>You have to learn the beast inside-out and upside-down, so that you can put him together on the page from scratch.</strong></em></font></p>  <p align="left"><font size="2"></font></p>