Well I think there was an almost immediate influence. Arthur Penn borrowed from Godard, as Godard borrowed from Penn. I think there are some traits in this film similar to what Richard Lester was doing in Petulia, which in turn influenced Steven Soderbergh's films tremendously. The abundance of pop culture and more importantly cinematic language however is textbook Tarantino.

Anyone else recall Angelopolos when Lang was viewing the dailies from his film, something about the greek statues in silent long shots that just made me think of Landscape in the Mist and that giant hand emerging from the sea.