The Colour of Pomegrantes is ( i know the terms are overused, but here they're genuinely deserved)- a film of  astonishing, mesmerising beauty and originality. Yes, it would be encouraging to have a bit more diversity in the top 100, but some styles aren't for all tastes, so i'd be surprised if any Paradjanov entries maintained a very high average for long. Then again, Tarkovsky's masterpieces Mirror and Stalker have stayed the ground better than i'd expected, so i may be quite wrong. Ashik Kerib is well worth seeing, too; more playful than Pomegranates.