Oh hell! I've seen only three films from the Czech Modernism list of screenings - Kreutzer Sonata, Tonka of the Gallows and Virginity! 

The Village Voice's Jim Hoberman, who is one of the best film critics in the U.S., has written about the series. Here's a sampling which mentions the three films.

"The series opens sophisticated with Gustav Machat's 1926 adaptation of The Kreutzer Sonata. Machat, who spent the early '20s in Hollywood working with Eric von Stroheim among others, brought a measure of Stroheim's "European" cynical realism back home; updating Leo Tolstoy's once scandalous account of sexual jealousy with deco sets and expressionist lighting, he similarly uses crime and confession to critique the institution of middle-class marriage."

"That Czech filmmakers were making montage-driven melodramas as late as 1937 is evidenced by the glossier but not dissimilar Virginity. Shot in Prague's capacious Barrandov studio by Otakar Vvra, who, still active at age 95, is the great survivor of Czech cinema, this urban romance concerns an impoverished girl, blamed for her stepfather's unwelcome advances and thrown into the street by her mother. She finds work as a cashier and even love but ultimately has no choice other than to sell herself to her boss. 

A more startling evocation of female martyrdom, Karel Anton's 1930 Tonka of the Gallows is an expressionist ballad in which a kindhearted country girl turned big-city prostitute volunteers to keep a condemned man company on his last night. No good deed goes unpunished: Tonka is expelled from the brothel where she works and, like Hans Christian Andersen's match girl, winds up dyingamid visions of happinesson the pavement."