It continues to be satisfying to discuss WKW with you two. Nana, I guess what interests me most about the ending is the stock footage of De Gaulle/Cambodia. Acquarello, I agree that there seems small potential to be gained from digging too deeply beyond obvious thematics in this film, but there seems to be something WKW has attempted to say and I'd enjoy anyone's speculations as to what it is. The ending is bizarre enough to entertain various interpretations. The idea of wandering certainly comes across strong, but does it include the French wandering into South-East Asia (stock footage)? If so, what does that imply? Perhaps I would like to link the idea of wandering with the concept of imperialism and bring it into arguments about the form of the film (undeniably different to previous WKW films and, to me at least, very similar to the stylistic dissonance of 'Vivre sa vie'). The tenuousness of my stance is only limited by the evidence that seems available.