Hi to everyone! I'm back again after long-long illness. My first post will be my current top100. Here it is in chronological order. * marks flawless masterpiece (10/10)

Battleship Potemkin (Sergey Eisenstein, 1925)*
The Gold Rush (Charles Chaplin, 1925)
October (Sergey Eisenstein, 1927)
General (Buster Keaton, 1927)
Sunrise (F.W. Murnau, 1927)
Passions of Joan of Arc (Carl Theodor Dreyer, 1928 ) 
The man with a movie camera (Dziga Vertov, 1929)
The Earth (Alexander Dovzhenko, 1930)
L'Age d'or (Luis Bunuel, 1930)
City Lights (Charles Chaplin, 1931)
Atalanta (Jean Vigo, 1934)
ALexander Nevsky (Sergey Eisenstein, 1938 ) 
Grand Illusion (Jean Renoir, 1938 ) 
Zangiku monogatari (Kenji Mizoguchi, 1939)
Rules of the Game (Jean Renoir, 1939)
Citizen Kane (Orson Welles, 1941)*
Double Indemnity (Billy Wilder, 1944)
Ivan the Terrible (Sergey Eisenstein, 1945)
Letter from an Unknown Woman (Max Ophuls, 1948 ) 
Sunset blvd (Billy Wilder, 1950)
Diary of a Country Priest (Robert Bresson, 1951)*
Madame de... (Max Ophuls, 1953)
Tokyo Story (Yasujiro Ozu, 1953)
Ugetsu monogatari (Kenji Mizoguchi, 1953)*
La Strada (Federico Fellini, 1954)
Rear Window (Alfred Hitchcock, 1954)*
Sansho the Bailiff (Kenji Mizoguchi, 1954)*
Seven Samurai (Akira Kurosawa, 1954)
Pather Panchali (Satyajit Ray, 1955)
Ordet (Carl Theodor Dreyer, 1955)
A Man Escaped (Robert Bresson, 1956)
Seventh Seal (Ingmar Bergman, 1957)
Wild Strawberries (Ingmar Bergman, 1957)*
Le Notti di Cabiria (Federico Fellini, 1957)*
The Cranes are flying (Mikhail Kalatozov, 1957)
Aparajito (Satyajit Ray, 1957)
Vertigo (Alfred Hitchcock, 1958 ) 
North by Northwest (Alfred Hitchcock, 1959)
Some like it hot (Billy Wilder, 1959)
La Dolce Vita (Federico Fellini, 1960)*
L'Avventura (Michelangelo Antonioni, 1960)*
Breathless (Jean-Luc Godard, 1960)
La Notte (Michelangelo Antonioni, 1961)
L'Eclisse (Michelangelo Antonioni, 1962)
Ivan's Childhood (Andrey Tarkovksy, 1962)
Otto e mezzo (Federico Fellini, 1963)*
Winter light (Ingmar Bergman, 1963)
Il Gattopardo (Luchino Visconti, 1963)
Silence (Ingmar Bergman, 1963)
Charulata (Satyajit Ray, 1964)
IL Vangelo secondo Matteo (Pier Paolo Pasolini, 1964)
Shadows of our forgotten ancestors (Sergey Parajanov,1964)*
Pierrot le fou (Jean-Luc Godard, 1965)
Simon of the Desert (Luis Bunuel, 1965)
Alphaville (Jean-Luc Godard, 1965)
Persona (Ingmar Bergman, 1966)*
Blow up (Michelangelo Antonioni, 1966)
2001: A Space Odyssey (Satnley Kubrick, 1968 )*
Andrey Rublyov (Andrey Tarkovsky, 1969)*
Sayat Nova (Sergey Parajanov, 1969)*
The Damned (Luchino Visconti, 1969)
Tristana (Luis Bunuel, 1970)
Death in Venice (Luchino Visconti, 1971)
Clockwork Orange (Stanley Kubrick, 1971)
Cries and Whispers (Ingmar Bergman, 1972)
Amarcord (Federico Fellini, 1973)
Alice in the Cities (Wim Wenders, 1974)
Barry Lyndon (Stanley Kubrick, 1975)
Mirror (Andrey Tarkovsky, 1975)*
Irony of Fate (Eldar Ryazanov, 1975)
Ordinary Wonder (Mark Zakharov, 1978 ) 
Stalker (Andrey Tarkovsky, 1979)
Die Ehe der Maria Braun (Rainer Werner Fassbinder, 1979)
The Shining (Stanley Kubrick, 1980)
Fanny and Alexander (Ingmar Bergman, 1982)*
Night of the Shooting Stars (Paolo and Vittorio Taviani, 1982) 
Nostalghia (Andrey Tarkovsky, 1983)*
Parade of the Planets (Vadim Abdrashitov, 1984)
My friend Ivan Lapshin (Alexei German, 1984)
Paris, Texas (Wim Wenders, 1984)
Offret (Andrey Tarkovsky, 1986)
Green Ray (Eric Rohmer, 1986)
Days of Eclipse (Alexander Sokurov, 1988 ) 
Dekalog (Krzysztof Kieslowski, 1989)
Night Sun (Paolo and Vittorio Taviani, 1990)
Three Colours: Blue (Krzysztof Kieslowski, 1993)
Groundhog Day (Harold Ramis, 1993)
Three Colours: Red (Krzysztof Kieslowski, 1994)
Maboroshi no hikari (Hirokazu Kore-eda, 1995)
Seven (David Fincher, 1995)
Breaking the Waves (Lars von Trier, 1996)
Summer Tale (Eric Rohmer, 1996)
Mother and son (Alexander Sokurov, 1997)
Khrustalyov, My Car! (Alexei German, 1998 )*
After life (Hirokazu Kore-eda, 1998 ) 
The Wind will carry us (Abbas Kioristami, 1999)
Hero (Yimou Zhang, 2002)
Dogville (Lars von Trier, 2003)
Nobody knows (Hirokazu Kore-eda, 2004)*
House of Flying Daggers (Yimou Zhang, 2004)