Of course, there were many, many more fine or even great films which shouldnt be left out, though they didnt won a place in my sacred (my list is perhaps already far too extensive) selection. Here are a few of them, this time ordered by ratings and personal preferences - 
Remarkable Films, worth to be mentioned (I surely forgot some):

- The Three Burials of Melquiades Estrada (Tommy Lee Jones / USA/France) 9/10 (22) 
- Hanage / Steel (Episode from Unholy Women / Takuji Suzuki / Japan) 9/10 
- The Bothersome Man (Jens Lien / Iceland/Norway) 8/10 (21) *
- Verfolgt / Hounded (Angelina Maccarone / Germany) - 8/10 (21) 
- The Fountain (Darren Aronofsky / USA) 8/10 *
- Lady Chatterley (Pascale Ferran / France/UK) 8/10 (20) 
- Takva (zer Kiziltan, Turkey/France) 8/10 
- Ekusute / Exte: Hair Extensions (Sion Sono / Japan) 8/10 (20) 
- Valerie (Birgit Mller / Germany) 8/10 
- Hotel Paradijs (Jan Krger / Short / Germany) 8/10 
- A Scanner Darkly (Richard Linklater / USA) - 7/10 (20) 
- Loggerheads (Tim Kirkman / USA) 7/10 
- Deutschland privat Im Land der bunten Trume / Germany in Private In the land of colourful dreams (Robert van Ackeren / Germany) 7/10 
- The Living and the Dead (Simon Rumley / UK) 7/10 
- Dnevnoy dozor / Day Watch (Timur Bekmambetov / Russia) 7/10 (19) *
- Apnea (Roberto Dordit / Italy) 7/10 (19) 
- Ghost Son (Lamberto Bava / South Africa/Italy/UK/Spain) - 7/10 
- Un couple perfait / A perfect couple (Nobuhiro Suwa / France/Japan) 7/10 
- Invasion (Oliver Hirschbiegel, James McTeigue / USA) - 7/10 *
- Seung sing / Confession of Pain (Wai-keung Lau, Siu Fai Mak / Hongkong) 7/10 
- Nachmittag / Afternoon (Angela Schanelec / Germany) 7/10 (1 
- Ha-Buah / The Bubble (Eytan Fox / Israel) 7/10 
- Oublier Cheyenne / Looking for Cheyenne (Valrie Minetto / France) 7/10 
- Crash Test Dummies (Jrg Kalt / Austria) 6/10 
- Nuovomondo / Golden Door (Emanuele Crialese / Italy/France/UK) 6/10 
- Evilenko (David Grieco / Italy) 6/10 
- Solange du hier bist / While you are here (Stefan Westerwelle / Germany) 6/10 (17) 

A little, marginal addition (in Order of my personal dislike...):

Worst / Most annoying Film of 2007: 

1. 300 (Zack Snyder / USA) - 1/10 *
2. The Hills have eyes II (Martin Weisz / USA) - 1/10 
3. The Texas Chainsaw Massacre: The Beginning (Jonathan Liebesman / USA) - 3/10 *
4. In the Name of the King: Dungeon Siege (Uwe Boll / Germany/Canada/USA) 3/10 8/25 *
5. Seed (Uwe Boll / Canada/Germany) - 5/10 
6. Im a cyborg but thats OK (Chan-wook Park / South Korea) - 13/25 5/10 
7. Nightmare Detective (Shinya Tsukamoto / Japan) 5/10 

In Addition, the seven new films I disliked most in 2007. While Uwe I want to be called Ed Wood II. Bolls ultra-violent and ultra-dumb Gore-Flick Seed was something like a primitive guilty pleasure (I attended the German premier in presence of Mr. Boll himself the man himself is much more entertaining than his films), the most unbearable and annoying cinema experiences of the year both have a lot in common: The shockingly aggressive fascist-show 300 by botcher Zack Snyder and The Hills have eyes (one user wrote on IMDb: I feel dumber for seeing it so do I...) by Martin Weisz (another botcher who fortunately left his home country) are both unbelievable culminations of incredibly stupid, incompetently directed, non-written, bad acted and especially soulless Mainstream-Flicks, made for a braindead audience, probably not older than 14. Two films, less meaningful than a cow singing Auld long syne before here last dawn. The sequel of Marcus Nispels crappy remake of The Texas Chainsaw Massacre is also similar but overall, only ridiculous because of its childish attempt to be more brutal, graphical, cynical and uncompromising than all the other Mainstream-terror films of the last two years. What can be expected from a film who intends to top the infamous Hostel (which was one of the worst films in 2006, imo) Disastrous. Though it probably was the trashiest new film of the year with tons of unintentional humour, Uwe Bolls 60 Million-Blockbuster-Flick In the Name of the King was disastrous as well and more exhausting than anything I watched this year. And finally, after months of waiting, the film which took my trust in Chan-wook Park (whose magnificently fatalistic Sympathy for Lady Vengeance remained on my list nevertheless) away Im a cyborg but thats OK. Since I saw it on the Fantasy Filmfest, Im not so sure about Park any longer maybe, all the critics who call him a pretentious Self-Adulator are quite right. Ill decide what exactly to think of him after his next film. And, in addition, the new work by master filmmaker Shinya Tsukamoto (who I really adore...) was also a huge shock and left A, me and some friends quite reserved. One of Japans most uncompromising, visionary and original directors arrived in mainstream cinema. 

What about your cinematic year 2007?