Volume 3 is aptly named Funny Girls and features six one-two reelers showcasing a crop of almost completely forgotten female comediennes. It is an interesting title because the first film, Mighty Like a Moose is a Charley Chase picture. He and his wife, played by Vivian Oakland are both hideously ugly (he has teeth like a walrus and she has a comically oversized nose). Well as a surprise to the other they each save enough to get their respective problems fixed. As it happens once removed from their physical abnormality each can't resist a chance at romance with someone far more attractive than their spouse, except they happen to fall for each other without knowing it. The highlight of the piece is a segment where Chase fights himself ala Max Linder although this time his wife does figure out who he is and just lets himself go on with the act. 

The Detectress features Gale Henry who also appeared in Mighty Like a Moose as a woman who hadn't danced since 1898, and can only polka. Here she plays an inept would be detective who is on the trail of some stolen papers that she never realizes are actually in her pocket. While tripping after inhaling some opium she imagines all sorts of adventure alongside the world's lankiest and laziest police officer. The film may seem rough at times as the majority of the jokes are directed against the Chinese whose cuisine leaves something to be desired. 

The remaining features are each designed to showcase their particular talent and One Wet Night as well as Know Thy Wife are simply ok at best. Rowdy Ann starring the sadly neglected Fay Tincher is the highlight of the set (and of the entire Slapstick Encyclopedia thusfar). Tincher plays a woman that can only be described as a tom boy if not an outright cowboy. After a boxing match her father decides to send her away to college to "larn to be a lady". On the train she starts shooting everything in site, even sending the stereotyped black porter running through the desert. At "college" she learns some ballet from a clumsy professor who can't keep from falling down, and attempts to dance while wearing cowboy boots and her six shooter in one of the most awkward costumes ever assembled. The film largely works on its situational nature, but is certainly prone to moments of slapstick deftly blending the best of both elements of silent comedy. 

Hearts and Flowers is notable for a female-female kiss (done while one is in drag no less), and revolves around a band leader's plight to marry a would be heiress. The joke is on him because the woman has no money and the film is largely slapstick with a few kicks and punches thrown in.