I doubt i'll tire of it, as long as i treat it with the necessary respect, don't overwatch. I really like that seamless time shift with Nicholson sitting inside then he's outside with Robertson earlier (again brought to mind Ulysses' Gaze, Angelopoulos' masterful choreography of the annual family gatherings). Angelopoulos has said his films are only really influenced by Mizoguchi and Welles but for me Antonioni has the most obvious similarities. Then again i did also think of the ghostly homecoming scene in Ugetsu.

I also love the scene with Schneider in the car, as we look at her along the avenue of trees, the light and shadows, the sense of joy (a la Pierrot le Fou + Karina, i thought). 

The cars criss-crossing on and off screen; refreshingly impish, playful (Playtime) film, belies the lugubrious reputation.