--
-- Host: localhost    Database: foreignf_boards
-- ------------------------------------------------------


--
-- Current Database: `foreignf_boards`
--

CREATE DATABASE /*!32312 IF NOT EXISTS*/ `foreignf_boards` /*!40100 DEFAULT CHARACTER SET latin1 */;

USE `foreignf_boards`;

--
-- Table structure for table `phpbb_acl_groups`
--

CREATE TABLE `phpbb_acl_groups` (
  `group_id` mediumint(8) unsigned NOT NULL DEFAULT '0',
  `forum_id` mediumint(8) unsigned NOT NULL DEFAULT '0',
  `auth_option_id` mediumint(8) unsigned NOT NULL DEFAULT '0',
  `auth_role_id` mediumint(8) unsigned NOT NULL DEFAULT '0',
  `auth_setting` tinyint(2) NOT NULL DEFAULT '0',
  KEY `group_id` (`group_id`),
  KEY `auth_opt_id` (`auth_option_id`),
  KEY `auth_role_id` (`auth_role_id`)
) ENGINE=MyISAM DEFAULT CHARSET=utf8 COLLATE=utf8_bin;

--
-- Dumping data for table `phpbb_acl_groups`
--

INSERT INTO `phpbb_acl_groups` VALUES (1,0,85,0,1),(1,0,93,0,1),(1,0,111,0,1),(5,0,0,5,0),(5,0,0,1,0),(2,0,0,6,0),(3,0,0,6,0),(4,0,0,5,0),(4,0,0,10,0),(2,3,0,17,0),(1,3,0,17,0),(4,3,0,22,0),(6,3,0,19,0),(5,3,0,14,0),(4,5,0,22,0),(6,5,0,19,0),(5,5,0,14,0),(2,6,0,17,0),(1,6,0,17,0),(4,6,0,22,0),(6,6,0,19,0),(5,6,0,14,0),(5,7,0,14,0),(6,7,0,19,0),(4,7,0,22,0),(1,7,0,17,0),(2,7,0,17,0),(1,5,0,17,0),(2,5,0,17,0),(7,0,0,23,0),(7,3,0,17,0),(7,5,0,17,0),(7,6,0,17,0),(7,7,0,17,0);

--
-- Table structure for table `phpbb_acl_options`
--

CREATE TABLE `phpbb_acl_options` (
  `auth_option_id` mediumint(8) unsigned NOT NULL AUTO_INCREMENT,
  `auth_option` varchar(50) COLLATE utf8_bin NOT NULL DEFAULT '',
  `is_global` tinyint(1) unsigned NOT NULL DEFAULT '0',
  `is_local` tinyint(1) unsigned NOT NULL DEFAULT '0',
  `founder_only` tinyint(1) unsigned NOT NULL DEFAULT '0',
  PRIMARY KEY (`auth_option_id`),
  UNIQUE KEY `auth_option` (`auth_option`)
) ENGINE=MyISAM AUTO_INCREMENT=118 DEFAULT CHARSET=utf8 COLLATE=utf8_bin;

--
-- Dumping data for table `phpbb_acl_options`
--

INSERT INTO `phpbb_acl_options` VALUES (1,'f_',0,1,0),(2,'f_announce',0,1,0),(3,'f_attach',0,1,0),(4,'f_bbcode',0,1,0),(5,'f_bump',0,1,0),(6,'f_delete',0,1,0),(7,'f_download',0,1,0),(8,'f_edit',0,1,0),(9,'f_email',0,1,0),(10,'f_flash',0,1,0),(11,'f_icons',0,1,0),(12,'f_ignoreflood',0,1,0),(13,'f_img',0,1,0),(14,'f_list',0,1,0),(15,'f_noapprove',0,1,0),(16,'f_poll',0,1,0),(17,'f_post',0,1,0),(18,'f_postcount',0,1,0),(19,'f_print',0,1,0),(20,'f_read',0,1,0),(21,'f_reply',0,1,0),(22,'f_report',0,1,0),(23,'f_search',0,1,0),(24,'f_sigs',0,1,0),(25,'f_smilies',0,1,0),(26,'f_sticky',0,1,0),(27,'f_subscribe',0,1,0),(28,'f_user_lock',0,1,0),(29,'f_vote',0,1,0),(30,'f_votechg',0,1,0),(31,'m_',1,1,0),(32,'m_approve',1,1,0),(33,'m_chgposter',1,1,0),(34,'m_delete',1,1,0),(35,'m_edit',1,1,0),(36,'m_info',1,1,0),(37,'m_lock',1,1,0),(38,'m_merge',1,1,0),(39,'m_move',1,1,0),(40,'m_report',1,1,0),(41,'m_split',1,1,0),(42,'m_ban',1,0,0),(43,'m_warn',1,0,0),(44,'a_',1,0,0),(45,'a_aauth',1,0,0),(46,'a_attach',1,0,0),(47,'a_authgroups',1,0,0),(48,'a_authusers',1,0,0),(49,'a_backup',1,0,0),(50,'a_ban',1,0,0),(51,'a_bbcode',1,0,0),(52,'a_board',1,0,0),(53,'a_bots',1,0,0),(54,'a_clearlogs',1,0,0),(55,'a_email',1,0,0),(56,'a_fauth',1,0,0),(57,'a_forum',1,0,0),(58,'a_forumadd',1,0,0),(59,'a_forumdel',1,0,0),(60,'a_group',1,0,0),(61,'a_groupadd',1,0,0),(62,'a_groupdel',1,0,0),(63,'a_icons',1,0,0),(64,'a_jabber',1,0,0),(65,'a_language',1,0,0),(66,'a_mauth',1,0,0),(67,'a_modules',1,0,0),(68,'a_names',1,0,0),(69,'a_phpinfo',1,0,0),(70,'a_profile',1,0,0),(71,'a_prune',1,0,0),(72,'a_ranks',1,0,0),(73,'a_reasons',1,0,0),(74,'a_roles',1,0,0),(75,'a_search',1,0,0),(76,'a_server',1,0,0),(77,'a_styles',1,0,0),(78,'a_switchperm',1,0,0),(79,'a_uauth',1,0,0),(80,'a_user',1,0,0),(81,'a_userdel',1,0,0),(82,'a_viewauth',1,0,0),(83,'a_viewlogs',1,0,0),(84,'a_words',1,0,0),(85,'u_',1,0,0),(86,'u_attach',1,0,0),(87,'u_chgavatar',1,0,0),(88,'u_chgcensors',1,0,0),(89,'u_chgemail',1,0,0),(90,'u_chggrp',1,0,0),(91,'u_chgname',1,0,0),(92,'u_chgpasswd',1,0,0),(93,'u_download',1,0,0),(94,'u_hideonline',1,0,0),(95,'u_ignoreflood',1,0,0),(96,'u_masspm',1,0,0),(97,'u_masspm_group',1,0,0),(98,'u_pm_attach',1,0,0),(99,'u_pm_bbcode',1,0,0),(100,'u_pm_delete',1,0,0),(101,'u_pm_download',1,0,0),(102,'u_pm_edit',1,0,0),(103,'u_pm_emailpm',1,0,0),(104,'u_pm_flash',1,0,0),(105,'u_pm_forward',1,0,0),(106,'u_pm_img',1,0,0),(107,'u_pm_printpm',1,0,0),(108,'u_pm_smilies',1,0,0),(109,'u_readpm',1,0,0),(110,'u_savedrafts',1,0,0),(111,'u_search',1,0,0),(112,'u_sendemail',1,0,0),(113,'u_sendim',1,0,0),(114,'u_sendpm',1,0,0),(115,'u_sig',1,0,0),(116,'u_viewonline',1,0,0),(117,'u_viewprofile',1,0,0);

--
-- Table structure for table `phpbb_acl_roles`
--

CREATE TABLE `phpbb_acl_roles` (
  `role_id` mediumint(8) unsigned NOT NULL AUTO_INCREMENT,
  `role_name` varchar(255) COLLATE utf8_bin NOT NULL DEFAULT '',
  `role_description` text COLLATE utf8_bin NOT NULL,
  `role_type` varchar(10) COLLATE utf8_bin NOT NULL DEFAULT '',
  `role_order` smallint(4) unsigned NOT NULL DEFAULT '0',
  PRIMARY KEY (`role_id`),
  KEY `role_type` (`role_type`),
  KEY `role_order` (`role_order`)
) ENGINE=MyISAM AUTO_INCREMENT=25 DEFAULT CHARSET=utf8 COLLATE=utf8_bin;

--
-- Dumping data for table `phpbb_acl_roles`
--

INSERT INTO `phpbb_acl_roles` VALUES (1,'ROLE_ADMIN_STANDARD','ROLE_DESCRIPTION_ADMIN_STANDARD','a_',1),(2,'ROLE_ADMIN_FORUM','ROLE_DESCRIPTION_ADMIN_FORUM','a_',3),(3,'ROLE_ADMIN_USERGROUP','ROLE_DESCRIPTION_ADMIN_USERGROUP','a_',4),(4,'ROLE_ADMIN_FULL','ROLE_DESCRIPTION_ADMIN_FULL','a_',2),(5,'ROLE_USER_FULL','ROLE_DESCRIPTION_USER_FULL','u_',3),(6,'ROLE_USER_STANDARD','ROLE_DESCRIPTION_USER_STANDARD','u_',1),(7,'ROLE_USER_LIMITED','ROLE_DESCRIPTION_USER_LIMITED','u_',2),(8,'ROLE_USER_NOPM','ROLE_DESCRIPTION_USER_NOPM','u_',4),(9,'ROLE_USER_NOAVATAR','ROLE_DESCRIPTION_USER_NOAVATAR','u_',5),(10,'ROLE_MOD_FULL','ROLE_DESCRIPTION_MOD_FULL','m_',3),(11,'ROLE_MOD_STANDARD','ROLE_DESCRIPTION_MOD_STANDARD','m_',1),(12,'ROLE_MOD_SIMPLE','ROLE_DESCRIPTION_MOD_SIMPLE','m_',2),(13,'ROLE_MOD_QUEUE','ROLE_DESCRIPTION_MOD_QUEUE','m_',4),(14,'ROLE_FORUM_FULL','ROLE_DESCRIPTION_FORUM_FULL','f_',7),(15,'ROLE_FORUM_STANDARD','ROLE_DESCRIPTION_FORUM_STANDARD','f_',5),(16,'ROLE_FORUM_NOACCESS','ROLE_DESCRIPTION_FORUM_NOACCESS','f_',1),(17,'ROLE_FORUM_READONLY','ROLE_DESCRIPTION_FORUM_READONLY','f_',2),(18,'ROLE_FORUM_LIMITED','ROLE_DESCRIPTION_FORUM_LIMITED','f_',3),(19,'ROLE_FORUM_BOT','ROLE_DESCRIPTION_FORUM_BOT','f_',9),(20,'ROLE_FORUM_ONQUEUE','ROLE_DESCRIPTION_FORUM_ONQUEUE','f_',8),(21,'ROLE_FORUM_POLLS','ROLE_DESCRIPTION_FORUM_POLLS','f_',6),(22,'ROLE_FORUM_LIMITED_POLLS','ROLE_DESCRIPTION_FORUM_LIMITED_POLLS','f_',4),(23,'ROLE_USER_NEW_MEMBER','ROLE_DESCRIPTION_USER_NEW_MEMBER','u_',6),(24,'ROLE_FORUM_NEW_MEMBER','ROLE_DESCRIPTION_FORUM_NEW_MEMBER','f_',10);

--
-- Table structure for table `phpbb_acl_roles_data`
--

CREATE TABLE `phpbb_acl_roles_data` (
  `role_id` mediumint(8) unsigned NOT NULL DEFAULT '0',
  `auth_option_id` mediumint(8) unsigned NOT NULL DEFAULT '0',
  `auth_setting` tinyint(2) NOT NULL DEFAULT '0',
  PRIMARY KEY (`role_id`,`auth_option_id`),
  KEY `ath_op_id` (`auth_option_id`)
) ENGINE=MyISAM DEFAULT CHARSET=utf8 COLLATE=utf8_bin;

--
-- Dumping data for table `phpbb_acl_roles_data`
--

INSERT INTO `phpbb_acl_roles_data` VALUES (1,44,1),(1,46,1),(1,47,1),(1,48,1),(1,50,1),(1,51,1),(1,52,1),(1,56,1),(1,57,1),(1,58,1),(1,59,1),(1,60,1),(1,61,1),(1,62,1),(1,63,1),(1,66,1),(1,68,1),(1,70,1),(1,71,1),(1,72,1),(1,73,1),(1,79,1),(1,80,1),(1,81,1),(1,82,1),(1,83,1),(1,84,1),(2,44,1),(2,47,1),(2,48,1),(2,56,1),(2,57,1),(2,58,1),(2,59,1),(2,66,1),(2,71,1),(2,79,1),(2,82,1),(2,83,1),(3,44,1),(3,47,1),(3,48,1),(3,50,1),(3,60,1),(3,61,1),(3,62,1),(3,72,1),(3,79,1),(3,80,1),(3,82,1),(3,83,1),(4,44,1),(4,45,1),(4,46,1),(4,47,1),(4,48,1),(4,49,1),(4,50,1),(4,51,1),(4,52,1),(4,53,1),(4,54,1),(4,55,1),(4,56,1),(4,57,1),(4,58,1),(4,59,1),(4,60,1),(4,61,1),(4,62,1),(4,63,1),(4,64,1),(4,65,1),(4,66,1),(4,67,1),(4,68,1),(4,69,1),(4,70,1),(4,71,1),(4,72,1),(4,73,1),(4,74,1),(4,75,1),(4,76,1),(4,77,1),(4,78,1),(4,79,1),(4,80,1),(4,81,1),(4,82,1),(4,83,1),(4,84,1),(5,85,1),(5,86,1),(5,87,1),(5,88,1),(5,89,1),(5,90,1),(5,91,1),(5,92,1),(5,93,1),(5,94,1),(5,95,1),(5,96,1),(5,97,1),(5,98,1),(5,99,1),(5,100,1),(5,101,1),(5,102,1),(5,103,1),(5,104,1),(5,105,1),(5,106,1),(5,107,1),(5,108,1),(5,109,1),(5,110,1),(5,111,1),(5,112,1),(5,113,1),(5,114,1),(5,115,1),(5,116,1),(5,117,1),(6,85,1),(6,86,1),(6,87,1),(6,88,1),(6,89,1),(6,92,1),(6,93,1),(6,94,1),(6,96,1),(6,97,1),(6,98,1),(6,99,1),(6,100,1),(6,101,1),(6,102,1),(6,103,1),(6,106,1),(6,107,1),(6,108,1),(6,109,1),(6,110,1),(6,111,1),(6,112,1),(6,113,1),(6,114,1),(6,115,1),(6,117,1),(7,85,1),(7,87,1),(7,88,1),(7,89,1),(7,92,1),(7,93,1),(7,94,1),(7,99,1),(7,100,1),(7,101,1),(7,102,1),(7,105,1),(7,106,1),(7,107,1),(7,108,1),(7,109,1),(7,114,1),(7,115,1),(7,117,1),(8,85,1),(8,87,1),(8,88,1),(8,89,1),(8,92,1),(8,93,1),(8,94,1),(8,115,1),(8,117,1),(8,96,0),(8,97,0),(8,109,0),(8,114,0),(9,85,1),(9,88,1),(9,89,1),(9,92,1),(9,93,1),(9,94,1),(9,99,1),(9,100,1),(9,101,1),(9,102,1),(9,105,1),(9,106,1),(9,107,1),(9,108,1),(9,109,1),(9,114,1),(9,115,1),(9,117,1),(9,87,0),(9,96,0),(9,97,0),(10,31,1),(10,32,1),(10,42,1),(10,33,1),(10,34,1),(10,35,1),(10,36,1),(10,37,1),(10,38,1),(10,39,1),(10,40,1),(10,41,1),(10,43,1),(11,31,1),(11,32,1),(11,34,1),(11,35,1),(11,36,1),(11,37,1),(11,38,1),(11,39,1),(11,40,1),(11,41,1),(11,43,1),(12,31,1),(12,34,1),(12,35,1),(12,36,1),(12,40,1),(13,31,1),(13,32,1),(13,35,1),(14,1,1),(14,2,1),(14,3,1),(14,4,1),(14,5,1),(14,6,1),(14,7,1),(14,8,1),(14,9,1),(14,10,1),(14,11,1),(14,12,1),(14,13,1),(14,14,1),(14,15,1),(14,16,1),(14,17,1),(14,18,1),(14,19,1),(14,20,1),(14,21,1),(14,22,1),(14,23,1),(14,24,1),(14,25,1),(14,26,1),(14,27,1),(14,28,1),(14,29,1),(14,30,1),(15,1,1),(15,3,1),(15,4,1),(15,5,1),(15,6,1),(15,7,1),(15,8,1),(15,9,1),(15,11,1),(15,13,1),(15,14,1),(15,15,1),(15,17,1),(15,18,1),(15,19,1),(15,20,1),(15,21,1),(15,22,1),(15,23,1),(15,24,1),(15,25,1),(15,27,1),(15,29,1),(15,30,1),(16,1,0),(17,1,1),(17,7,1),(17,14,1),(17,19,1),(17,20,1),(17,23,1),(17,27,1),(18,1,1),(18,4,1),(18,7,1),(18,8,1),(18,9,1),(18,13,1),(18,14,1),(18,15,1),(18,17,1),(18,18,1),(18,19,1),(18,20,1),(18,21,1),(18,22,1),(18,23,1),(18,24,1),(18,25,1),(18,27,1),(18,29,1),(19,1,1),(19,7,1),(19,14,1),(19,19,1),(19,20,1),(20,1,1),(20,3,1),(20,4,1),(20,7,1),(20,8,1),(20,9,1),(20,13,1),(20,14,1),(20,17,1),(20,18,1),(20,19,1),(20,20,1),(20,21,1),(20,22,1),(20,23,1),(20,24,1),(20,25,1),(20,27,1),(20,29,1),(20,15,0),(21,1,1),(21,3,1),(21,4,1),(21,5,1),(21,6,1),(21,7,1),(21,8,1),(21,9,1),(21,11,1),(21,13,1),(21,14,1),(21,15,1),(21,16,1),(21,17,1),(21,18,1),(21,19,1),(21,20,1),(21,21,1),(21,22,1),(21,23,1),(21,24,1),(21,25,1),(21,27,1),(21,29,1),(21,30,1),(22,1,1),(22,4,1),(22,7,1),(22,8,1),(22,9,1),(22,13,1),(22,14,1),(22,15,1),(22,16,1),(22,17,1),(22,18,1),(22,19,1),(22,20,1),(22,21,1),(22,22,1),(22,23,1),(22,24,1),(22,25,1),(22,27,1),(22,29,1),(23,96,0),(23,97,0),(23,114,0),(24,15,0);

--
-- Table structure for table `phpbb_acl_users`
--

CREATE TABLE `phpbb_acl_users` (
  `user_id` mediumint(8) unsigned NOT NULL DEFAULT '0',
  `forum_id` mediumint(8) unsigned NOT NULL DEFAULT '0',
  `auth_option_id` mediumint(8) unsigned NOT NULL DEFAULT '0',
  `auth_role_id` mediumint(8) unsigned NOT NULL DEFAULT '0',
  `auth_setting` tinyint(2) NOT NULL DEFAULT '0',
  KEY `user_id` (`user_id`),
  KEY `auth_option_id` (`auth_option_id`),
  KEY `auth_role_id` (`auth_role_id`)
) ENGINE=MyISAM DEFAULT CHARSET=utf8 COLLATE=utf8_bin;

--
-- Dumping data for table `phpbb_acl_users`
--

INSERT INTO `phpbb_acl_users` VALUES (2,0,0,5,0),(2,3,32,0,1),(2,7,32,0,1),(2,6,32,0,1),(2,5,32,0,1),(2,3,33,0,1),(2,3,34,0,1),(2,3,35,0,1),(2,3,40,0,1),(2,3,42,0,1),(2,3,36,0,1),(2,3,43,0,1),(2,3,37,0,1),(2,3,38,0,1),(2,3,39,0,1),(2,3,41,0,1),(2,3,31,0,1),(2,7,33,0,1),(2,7,34,0,1),(2,7,35,0,1),(2,7,40,0,1),(2,7,42,0,1),(2,7,36,0,1),(2,7,43,0,1),(2,7,37,0,1),(2,7,38,0,1),(2,7,39,0,1),(2,7,41,0,1),(2,7,31,0,1),(2,6,33,0,1),(2,6,34,0,1),(2,6,35,0,1),(2,6,40,0,1),(2,6,42,0,1),(2,6,36,0,1),(2,6,43,0,1),(2,6,37,0,1),(2,6,38,0,1),(2,6,39,0,1),(2,6,41,0,1),(2,6,31,0,1),(2,5,33,0,1),(2,5,34,0,1),(2,5,35,0,1),(2,5,40,0,1),(2,5,42,0,1),(2,5,36,0,1),(2,5,43,0,1),(2,5,37,0,1),(2,5,38,0,1),(2,5,39,0,1),(2,5,41,0,1),(2,5,31,0,1);

--
-- Table structure for table `phpbb_attachments`
--

CREATE TABLE `phpbb_attachments` (
  `attach_id` mediumint(8) unsigned NOT NULL AUTO_INCREMENT,
  `post_msg_id` mediumint(8) unsigned NOT NULL DEFAULT '0',
  `topic_id` mediumint(8) unsigned NOT NULL DEFAULT '0',
  `in_message` tinyint(1) unsigned NOT NULL DEFAULT '0',
  `poster_id` mediumint(8) unsigned NOT NULL DEFAULT '0',
  `is_orphan` tinyint(1) unsigned NOT NULL DEFAULT '1',
  `physical_filename` varchar(255) COLLATE utf8_bin NOT NULL DEFAULT '',
  `real_filename` varchar(255) COLLATE utf8_bin NOT NULL DEFAULT '',
  `download_count` mediumint(8) unsigned NOT NULL DEFAULT '0',
  `attach_comment` text COLLATE utf8_bin NOT NULL,
  `extension` varchar(100) COLLATE utf8_bin NOT NULL DEFAULT '',
  `mimetype` varchar(100) COLLATE utf8_bin NOT NULL DEFAULT '',
  `filesize` int(20) unsigned NOT NULL DEFAULT '0',
  `filetime` int(11) unsigned NOT NULL DEFAULT '0',
  `thumbnail` tinyint(1) unsigned NOT NULL DEFAULT '0',
  PRIMARY KEY (`attach_id`),
  KEY `filetime` (`filetime`),
  KEY `post_msg_id` (`post_msg_id`),
  KEY `topic_id` (`topic_id`),
  KEY `poster_id` (`poster_id`),
  KEY `is_orphan` (`is_orphan`)
) ENGINE=MyISAM DEFAULT CHARSET=utf8 COLLATE=utf8_bin;

--
-- Dumping data for table `phpbb_attachments`
--


--
-- Table structure for table `phpbb_banlist`
--

CREATE TABLE `phpbb_banlist` (
  `ban_id` mediumint(8) unsigned NOT NULL AUTO_INCREMENT,
  `ban_userid` mediumint(8) unsigned NOT NULL DEFAULT '0',
  `ban_ip` varchar(40) COLLATE utf8_bin NOT NULL DEFAULT '',
  `ban_email` varchar(100) COLLATE utf8_bin NOT NULL DEFAULT '',
  `ban_start` int(11) unsigned NOT NULL DEFAULT '0',
  `ban_end` int(11) unsigned NOT NULL DEFAULT '0',
  `ban_exclude` tinyint(1) unsigned NOT NULL DEFAULT '0',
  `ban_reason` varchar(255) COLLATE utf8_bin NOT NULL DEFAULT '',
  `ban_give_reason` varchar(255) COLLATE utf8_bin NOT NULL DEFAULT '',
  PRIMARY KEY (`ban_id`),
  KEY `ban_end` (`ban_end`),
  KEY `ban_user` (`ban_userid`,`ban_exclude`),
  KEY `ban_email` (`ban_email`,`ban_exclude`),
  KEY `ban_ip` (`ban_ip`,`ban_exclude`)
) ENGINE=MyISAM AUTO_INCREMENT=14 DEFAULT CHARSET=utf8 COLLATE=utf8_bin;

--
-- Dumping data for table `phpbb_banlist`
--

INSERT INTO `phpbb_banlist` VALUES (1,74,'','',1234307054,0,0,'',''),(2,87,'','',1234488122,0,0,'',''),(3,89,'','',1234729625,0,0,'',''),(4,73,'','',1234918096,0,0,'',''),(5,101,'','',1236828725,0,0,'',''),(6,98,'','',1236828787,0,0,'',''),(7,65,'','',1237469755,0,0,'',''),(8,100,'','',1237469778,0,0,'',''),(9,116,'','',1239148999,0,0,'',''),(10,120,'','',1239209020,0,0,'',''),(11,118,'','',1239209067,0,0,'',''),(12,182,'','',1246159310,0,0,'',''),(13,256,'','',1284301194,0,0,'spammer','');

--
-- Table structure for table `phpbb_bbcodes`
--

CREATE TABLE `phpbb_bbcodes` (
  `bbcode_id` tinyint(3) NOT NULL DEFAULT '0',
  `bbcode_tag` varchar(16) COLLATE utf8_bin NOT NULL DEFAULT '',
  `bbcode_helpline` varchar(255) COLLATE utf8_bin NOT NULL DEFAULT '',
  `display_on_posting` tinyint(1) unsigned NOT NULL DEFAULT '0',
  `bbcode_match` text COLLATE utf8_bin NOT NULL,
  `bbcode_tpl` mediumtext COLLATE utf8_bin NOT NULL,
  `first_pass_match` mediumtext COLLATE utf8_bin NOT NULL,
  `first_pass_replace` mediumtext COLLATE utf8_bin NOT NULL,
  `second_pass_match` mediumtext COLLATE utf8_bin NOT NULL,
  `second_pass_replace` mediumtext COLLATE utf8_bin NOT NULL,
  PRIMARY KEY (`bbcode_id`),
  KEY `display_on_post` (`display_on_posting`)
) ENGINE=MyISAM DEFAULT CHARSET=utf8 COLLATE=utf8_bin;

--
-- Dumping data for table `phpbb_bbcodes`
--

INSERT INTO `phpbb_bbcodes` VALUES (13,'youtube','To embed Youtube video paste the embed link from the Youtube page and enclose in tag.',1,'[youtube]&lt;object width=&quot;{TEXT1}&quot; height=&quot;{TEXT2}&quot;&gt;&lt;param name=&quot;movie&quot; value=&quot;http://www.youtube.com/v/{TEXT3}&quot;&gt;&lt;/param&gt;&lt;param name=&quot;allowFullScreen&quot; value=&quot;true&quot;&gt;&lt;/param&gt;&lt;param name=&quot;allowscriptaccess&quot; value=&quot;always&quot;&gt;&lt;/param&gt;&lt;embed src=&quot;http://www.youtube.com/v/{TEXT3}&quot; type=&quot;application/x-shockwave-flash&quot; allowscriptaccess=&quot;always&quot; allowfullscreen=&quot;true&quot; width=&quot;{TEXT1}&quot; height=&quot;{TEXT2}&quot;&gt;&lt;/embed&gt;&lt;/object&gt;[/youtube]','<object width=\"{TEXT1}\" height=\"{TEXT2}\"><param name=\"movie\" value=\"http://www.youtube.com/v/{TEXT3}\"></param><param name=\"allowFullScreen\" value=\"true\"></param><param name=\"allowscriptaccess\" value=\"always\"></param><embed src=\"http://www.youtube.com/v/{TEXT3}\" type=\"application/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" width=\"{TEXT1}\" height=\"{TEXT2}\"></embed></object>','!\\[youtube\\]&lt;object width\\=&quot;(.*?)&quot; height\\=&quot;(.*?)&quot;&gt;&lt;param name\\=&quot;movie&quot; value\\=&quot;http\\://www\\.youtube\\.com/v/(.*?)&quot;&gt;&lt;/param&gt;&lt;param name\\=&quot;allowFullScreen&quot; value\\=&quot;true&quot;&gt;&lt;/param&gt;&lt;param name\\=&quot;allowscriptaccess&quot; value\\=&quot;always&quot;&gt;&lt;/param&gt;&lt;embed src\\=&quot;http\\://www\\.youtube\\.com/v/(.*?)&quot; type\\=&quot;application/x-shockwave-flash&quot; allowscriptaccess\\=&quot;always&quot; allowfullscreen\\=&quot;true&quot; width\\=&quot;(.*?)&quot; height\\=&quot;(.*?)&quot;&gt;&lt;/embed&gt;&lt;/object&gt;\\[/youtube\\]!ies','\'[youtube:$uid]&lt;object width=&quot;\'.str_replace(array(\"\\r\\n\", \'\\\"\', \'\\\'\', \'(\', \')\'), array(\"\\n\", \'\"\', \'&#39;\', \'&#40;\', \'&#41;\'), trim(\'${1}\')).\'&quot; height=&quot;\'.str_replace(array(\"\\r\\n\", \'\\\"\', \'\\\'\', \'(\', \')\'), array(\"\\n\", \'\"\', \'&#39;\', \'&#40;\', \'&#41;\'), trim(\'${2}\')).\'&quot;&gt;&lt;param name=&quot;movie&quot; value=&quot;http://www.youtube.com/v/\'.str_replace(array(\"\\r\\n\", \'\\\"\', \'\\\'\', \'(\', \')\'), array(\"\\n\", \'\"\', \'&#39;\', \'&#40;\', \'&#41;\'), trim(\'${3}\')).\'&quot;&gt;&lt;/param&gt;&lt;param name=&quot;allowFullScreen&quot; value=&quot;true&quot;&gt;&lt;/param&gt;&lt;param name=&quot;allowscriptaccess&quot; value=&quot;always&quot;&gt;&lt;/param&gt;&lt;embed src=&quot;http://www.youtube.com/v/\'.str_replace(array(\"\\r\\n\", \'\\\"\', \'\\\'\', \'(\', \')\'), array(\"\\n\", \'\"\', \'&#39;\', \'&#40;\', \'&#41;\'), trim(\'${3}\')).\'&quot; type=&quot;application/x-shockwave-flash&quot; allowscriptaccess=&quot;always&quot; allowfullscreen=&quot;true&quot; width=&quot;\'.str_replace(array(\"\\r\\n\", \'\\\"\', \'\\\'\', \'(\', \')\'), array(\"\\n\", \'\"\', \'&#39;\', \'&#40;\', \'&#41;\'), trim(\'${1}\')).\'&quot; height=&quot;\'.str_replace(array(\"\\r\\n\", \'\\\"\', \'\\\'\', \'(\', \')\'), array(\"\\n\", \'\"\', \'&#39;\', \'&#40;\', \'&#41;\'), trim(\'${2}\')).\'&quot;&gt;&lt;/embed&gt;&lt;/object&gt;[/youtube:$uid]\'','!\\[youtube:$uid\\]&lt;object width\\=&quot;(.*?)&quot; height\\=&quot;(.*?)&quot;&gt;&lt;param name\\=&quot;movie&quot; value\\=&quot;http\\://www\\.youtube\\.com/v/(.*?)&quot;&gt;&lt;/param&gt;&lt;param name\\=&quot;allowFullScreen&quot; value\\=&quot;true&quot;&gt;&lt;/param&gt;&lt;param name\\=&quot;allowscriptaccess&quot; value\\=&quot;always&quot;&gt;&lt;/param&gt;&lt;embed src\\=&quot;http\\://www\\.youtube\\.com/v/(.*?)&quot; type\\=&quot;application/x-shockwave-flash&quot; allowscriptaccess\\=&quot;always&quot; allowfullscreen\\=&quot;true&quot; width\\=&quot;(.*?)&quot; height\\=&quot;(.*?)&quot;&gt;&lt;/embed&gt;&lt;/object&gt;\\[/youtube:$uid\\]!s','<object width=\"${1}\" height=\"${2}\"><param name=\"movie\" value=\"http://www.youtube.com/v/${3}\"></param><param name=\"allowFullScreen\" value=\"true\"></param><param name=\"allowscriptaccess\" value=\"always\"></param><embed src=\"http://www.youtube.com/v/${3}\" type=\"application/x-shockwave-flash\" allowscriptaccess=\"always\" allowfullscreen=\"true\" width=\"${1}\" height=\"${2}\"></embed></object>'),(14,'amzn','',0,'[amzn]{TEXT1}[/amzn]','<a target=\"_blank\" href=\"http://www.amazon.com/exec/obidos/external-search?search-type=ss&amp;tag=foreignfilmscom&amp;keyword={TEXT1}&amp;mode=dvd\">{TEXT1}</a>','!\\[amzn\\](.*?)\\[/amzn\\]!ies','\'[amzn:$uid]\'.str_replace(array(\"\\r\\n\", \'\\\"\', \'\\\'\', \'(\', \')\'), array(\"\\n\", \'\"\', \'&#39;\', \'&#40;\', \'&#41;\'), trim(\'${1}\')).\'[/amzn:$uid]\'','!\\[amzn:$uid\\](.*?)\\[/amzn:$uid\\]!s','<a target=\"_blank\" href=\"http://www.amazon.com/exec/obidos/external-search?search-type=ss&amp;tag=foreignfilmscom&amp;keyword=${1}&amp;mode=dvd\">${1}</a>'),(15,'imdb','Select the title or name and click to link to IMDB.',1,'[imdb]{TEXT1}[/imdb]','<a target=\"_blank\" href=\"http://www.imdb.com/find?s=all&q={TEXT1}&x=0&y=0\">{TEXT1}</a>','!\\[imdb\\](.*?)\\[/imdb\\]!ies','\'[imdb:$uid]\'.str_replace(array(\"\\r\\n\", \'\\\"\', \'\\\'\', \'(\', \')\'), array(\"\\n\", \'\"\', \'&#39;\', \'&#40;\', \'&#41;\'), trim(\'${1}\')).\'[/imdb:$uid]\'','!\\[imdb:$uid\\](.*?)\\[/imdb:$uid\\]!s','<a target=\"_blank\" href=\"http://www.imdb.com/find?s=all&q=${1}&x=0&y=0\">${1}</a>');

--
-- Table structure for table `phpbb_bookmarks`
--

CREATE TABLE `phpbb_bookmarks` (
  `topic_id` mediumint(8) unsigned NOT NULL DEFAULT '0',
  `user_id` mediumint(8) unsigned NOT NULL DEFAULT '0',
  PRIMARY KEY (`topic_id`,`user_id`)
) ENGINE=MyISAM DEFAULT CHARSET=utf8 COLLATE=utf8_bin;

--
-- Dumping data for table `phpbb_bookmarks`
--


--
-- Table structure for table `phpbb_bots`
--

CREATE TABLE `phpbb_bots` (
  `bot_id` mediumint(8) unsigned NOT NULL AUTO_INCREMENT,
  `bot_active` tinyint(1) unsigned NOT NULL DEFAULT '1',
  `bot_name` varchar(255) COLLATE utf8_bin NOT NULL DEFAULT '',
  `user_id` mediumint(8) unsigned NOT NULL DEFAULT '0',
  `bot_agent` varchar(255) COLLATE utf8_bin NOT NULL DEFAULT '',
  `bot_ip` varchar(255) COLLATE utf8_bin NOT NULL DEFAULT '',
  PRIMARY KEY (`bot_id`),
  KEY `bot_active` (`bot_active`)
) ENGINE=MyISAM AUTO_INCREMENT=52 DEFAULT CHARSET=utf8 COLLATE=utf8_bin;

--
-- Dumping data for table `phpbb_bots`
--

INSERT INTO `phpbb_bots` VALUES (1,1,'AdsBot [Google]',3,'AdsBot-Google',''),(2,1,'Alexa [Bot]',4,'ia_archiver',''),(3,1,'Alta Vista [Bot]',5,'Scooter/',''),(4,1,'Ask Jeeves [Bot]',6,'Ask Jeeves',''),(5,1,'Baidu [Spider]',7,'Baiduspider+(',''),(6,1,'Exabot [Bot]',8,'Exabot/',''),(7,1,'FAST Enterprise [Crawler]',9,'FAST Enterprise Crawler',''),(8,1,'FAST WebCrawler [Crawler]',10,'FAST-WebCrawler/',''),(9,1,'Francis [Bot]',11,'http://www.neomo.de/',''),(10,1,'Gigabot [Bot]',12,'Gigabot/',''),(11,1,'Google Adsense [Bot]',13,'Mediapartners-Google',''),(12,1,'Google Desktop',14,'Google Desktop',''),(13,1,'Google Feedfetcher',15,'Feedfetcher-Google',''),(14,1,'Google [Bot]',16,'Googlebot',''),(15,1,'Heise IT-Markt [Crawler]',17,'heise-IT-Markt-Crawler',''),(16,1,'Heritrix [Crawler]',18,'heritrix/1.',''),(17,1,'IBM Research [Bot]',19,'ibm.com/cs/crawler',''),(18,1,'ICCrawler - ICjobs',20,'ICCrawler - ICjobs',''),(19,1,'ichiro [Crawler]',21,'ichiro/',''),(20,1,'Majestic-12 [Bot]',22,'MJ12bot/',''),(21,1,'Metager [Bot]',23,'MetagerBot/',''),(22,1,'MSN NewsBlogs',24,'msnbot-NewsBlogs/',''),(23,1,'MSN [Bot]',25,'msnbot/',''),(24,1,'MSNbot Media',26,'msnbot-media/',''),(25,1,'NG-Search [Bot]',27,'NG-Search/',''),(26,1,'Nutch [Bot]',28,'http://lucene.apache.org/nutch/',''),(27,1,'Nutch/CVS [Bot]',29,'NutchCVS/',''),(28,1,'OmniExplorer [Bot]',30,'OmniExplorer_Bot/',''),(29,1,'Online link [Validator]',31,'online link validator',''),(30,1,'psbot [Picsearch]',32,'psbot/0',''),(31,1,'Seekport [Bot]',33,'Seekbot/',''),(32,1,'Sensis [Crawler]',34,'Sensis Web Crawler',''),(33,1,'SEO Crawler',35,'SEO search Crawler/',''),(34,1,'Seoma [Crawler]',36,'Seoma [SEO Crawler]',''),(35,1,'SEOSearch [Crawler]',37,'SEOsearch/',''),(36,1,'Snappy [Bot]',38,'Snappy/1.1 ( http://www.urltrends.com/ )',''),(37,1,'Steeler [Crawler]',39,'http://www.tkl.iis.u-tokyo.ac.jp/~crawler/',''),(38,1,'Synoo [Bot]',40,'SynooBot/',''),(39,1,'Telekom [Bot]',41,'crawleradmin.t-info@telekom.de',''),(40,1,'TurnitinBot [Bot]',42,'TurnitinBot/',''),(41,1,'Voyager [Bot]',43,'voyager/1.0',''),(42,1,'W3 [Sitesearch]',44,'W3 SiteSearch Crawler',''),(43,1,'W3C [Linkcheck]',45,'W3C-checklink/',''),(44,1,'W3C [Validator]',46,'W3C_*Validator',''),(45,1,'WiseNut [Bot]',47,'http://www.WISEnutbot.com',''),(46,1,'YaCy [Bot]',48,'yacybot',''),(47,1,'Yahoo MMCrawler [Bot]',49,'Yahoo-MMCrawler/',''),(48,1,'Yahoo Slurp [Bot]',50,'Yahoo! DE Slurp',''),(49,1,'Yahoo [Bot]',51,'Yahoo! Slurp',''),(50,1,'YahooSeeker [Bot]',52,'YahooSeeker/',''),(51,1,'Sitemap Bot',254,'FFSitemap','');

--
-- Table structure for table `phpbb_captcha_answers`
--

CREATE TABLE `phpbb_captcha_answers` (
  `question_id` mediumint(8) unsigned NOT NULL DEFAULT '0',
  `answer_text` varchar(255) COLLATE utf8_bin NOT NULL DEFAULT '',
  KEY `question_id` (`question_id`)
) ENGINE=MyISAM DEFAULT CHARSET=utf8 COLLATE=utf8_bin;

--
-- Dumping data for table `phpbb_captcha_answers`
--

INSERT INTO `phpbb_captcha_answers` VALUES (1,'7'),(1,'seven');

--
-- Table structure for table `phpbb_captcha_questions`
--

CREATE TABLE `phpbb_captcha_questions` (
  `question_id` mediumint(8) unsigned NOT NULL AUTO_INCREMENT,
  `strict` tinyint(1) unsigned NOT NULL DEFAULT '0',
  `lang_id` mediumint(8) unsigned NOT NULL DEFAULT '0',
  `lang_iso` varchar(30) COLLATE utf8_bin NOT NULL DEFAULT '',
  `question_text` text COLLATE utf8_bin NOT NULL,
  PRIMARY KEY (`question_id`),
  KEY `lang_iso` (`lang_iso`)
) ENGINE=MyISAM AUTO_INCREMENT=2 DEFAULT CHARSET=utf8 COLLATE=utf8_bin;

--
-- Dumping data for table `phpbb_captcha_questions`
--

INSERT INTO `phpbb_captcha_questions` VALUES (1,0,1,'en','The title of the famous Kurosawa film is &lt;?&gt; Samurai. Type in the correct number');

--
-- Table structure for table `phpbb_config`
--

CREATE TABLE `phpbb_config` (
  `config_name` varchar(255) COLLATE utf8_bin NOT NULL DEFAULT '',
  `config_value` varchar(255) COLLATE utf8_bin NOT NULL DEFAULT '',
  `is_dynamic` tinyint(1) unsigned NOT NULL DEFAULT '0',
  PRIMARY KEY (`config_name`),
  KEY `is_dynamic` (`is_dynamic`)
) ENGINE=MyISAM DEFAULT CHARSET=utf8 COLLATE=utf8_bin;

--
-- Dumping data for table `phpbb_config`
--

INSERT INTO `phpbb_config` VALUES 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href|pre|script|table|title',0),('override_user_style','0',0),('pass_complex','PASS_TYPE_ANY',0),('pm_edit_time','0',0),('pm_max_boxes','4',0),('pm_max_msgs','50',0),('pm_max_recipients','0',0),('posts_per_page','10',0),('print_pm','1',0),('queue_interval','600',0),('queue_trigger_posts','3',0),('ranks_path','images/ranks',0),('require_activation','3',0),('referer_validation','1',0),('script_path','/boards',0),('search_block_size','250',0),('search_gc','7200',0),('search_indexing_state','fulltext_mysql,create,0',1),('search_interval','0',0),('search_anonymous_interval','0',0),('search_type','fulltext_native',0),('search_store_results','1800',0),('secure_allow_deny','1',0),('secure_allow_empty_referer','1',0),('secure_downloads','0',0),('server_name','www.foreignfilms.com',0),('server_port','80',0),('server_protocol','http://',0),('session_gc','3600',0),('session_length','3600',0),('site_desc','Discussion forums on world cinema.',0),('sitename','ForeignFilms.com',0),('smilies_path','images/smilies',0),('smtp_auth_method','PLAIN',0),('smtp_delivery','0',0),('smtp_host','',0),('smtp_password','',0),('smtp_port','25',0),('smtp_username','',0),('topics_per_page','25',0),('tpl_allow_php','1',0),('upload_icons_path','images/upload_icons',0),('upload_path','files',0),('version','3.0.7-PL1',0),('warnings_expire_days','90',0),('warnings_gc','14400',0),('cache_last_gc','1483953361',1),('cron_lock','0',1),('database_last_gc','1483637456',1),('last_queue_run','1251722114',1),('newest_user_colour','',1),('newest_user_id','268',1),('newest_username','SCOUSE',1),('num_files','0',1),('num_posts','14545',1),('num_topics','2417',1),('num_users','209',1),('rand_seed','51c38e3c02e95b8216e7ba18d8e465b9',1),('rand_seed_last_update','1483961544',1),('record_online_date','1460316175',1),('record_online_users','68',1),('search_last_gc','1483955326',1),('session_last_gc','1483956148',1),('upload_dir_size','0',1),('warnings_last_gc','1483950551',1),('board_startdate','1231387676',0),('default_lang','en',0),('captcha_gd_wave','0',0),('captcha_gd_3d_noise','1',0),('captcha_gd_fonts','1',0),('confirm_refresh','1',0),('max_num_search_keywords','10',0),('captcha_plugin','phpbb_captcha_qa',0),('feed_enable','0',0),('feed_limit','10',0),('feed_overall_forums','1',0),('feed_overall_forums_limit','15',0),('feed_overall_topics','0',0),('feed_overall_topics_limit','15',0),('feed_forum','1',0),('feed_topic','1',0),('feed_item_statistics','1',0),('smilies_per_page','50',0),('allow_pm_report','1',0),('new_member_post_limit','0',0),('new_member_group_default','0',0),('allow_avatar','0',0),('allow_avatar_remote_upload','0',0),('min_post_chars','1',0),('allow_quick_reply','1',0),('delete_time','0',0),('feed_overall','1',0),('feed_http_auth','0',0),('feed_limit_post','10',0),('feed_limit_topic','15',0),('feed_topics_new','0',0),('feed_topics_active','0',0);

--
-- Table structure for table `phpbb_confirm`
--

CREATE TABLE `phpbb_confirm` (
  `confirm_id` varchar(32) COLLATE utf8_bin NOT NULL DEFAULT '',
  `session_id` varchar(32) COLLATE utf8_bin NOT NULL DEFAULT '',
  `confirm_type` tinyint(3) NOT NULL DEFAULT '0',
  `code` varchar(8) COLLATE utf8_bin NOT NULL DEFAULT '',
  `seed` int(10) unsigned NOT NULL DEFAULT '0',
  `attempts` mediumint(8) unsigned NOT NULL DEFAULT '0',
  PRIMARY KEY (`session_id`,`confirm_id`),
  KEY `confirm_type` (`confirm_type`)
) ENGINE=MyISAM DEFAULT CHARSET=utf8 COLLATE=utf8_bin;

--
-- Dumping data for table `phpbb_confirm`
--

INSERT INTO `phpbb_confirm` VALUES ('34b815fec86b347a0734b7d27df52d2c','362ab955d0ae290b2ac1e0ecf05b262f',3,'2JLI6',651666480,0),('0576553e40a054610ee93a9c1f5c55ef','80be9fbc9df8ef1faaf380d8926a7472',1,'KSG4SZ',882911959,0),('72e61275050d5eee67bd7d6c6f63710d','2348e7cd6bb3e0ce1d478a71aa59c4f8',1,'3NX5J',790314899,0),('a9884845d9b305de78dfc0943ffecc1b','80be9fbc9df8ef1faaf380d8926a7472',1,'1Y626',1582902670,0),('7558c6cc17d24c6d286abf6fdb503c25','362ab955d0ae290b2ac1e0ecf05b262f',3,'KJWPINO',869306048,0),('347abb46d3c85b06fc6b1f972df156d0','362ab955d0ae290b2ac1e0ecf05b262f',3,'39RBVDH',323165593,0);

--
-- Table structure for table `phpbb_disallow`
--

CREATE TABLE `phpbb_disallow` (
  `disallow_id` mediumint(8) unsigned NOT NULL AUTO_INCREMENT,
  `disallow_username` varchar(255) COLLATE utf8_bin NOT NULL DEFAULT '',
  PRIMARY KEY (`disallow_id`)
) ENGINE=MyISAM DEFAULT CHARSET=utf8 COLLATE=utf8_bin;

--
-- Dumping data for table `phpbb_disallow`
--


--
-- Table structure for table `phpbb_drafts`
--

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INSERT INTO `phpbb_drafts` VALUES (1,2,0,7,1232423870,'My Top 10 Japanese Films and Directors','Juzo Itami\'s films\n- The Funeral\n- Tampopo\n- A Taxing Woman\n\nNagisa Oshima\n- In the Realm of the Senses\n\nTakeshi Kitano\n- Zatoichi\n\nYoji Yamada\n- The Twilight Samurai\n- The Hidden Blade\n\nShall We Dance?\nSeven Samurai'),(2,53,38,7,1234535988,'Re: Favorite Japanese films and directors','ditto on Miyazaki\'s My Neighbor Totoro.  :D'),(3,91,37,7,1235933535,'Re: Desert island movies','well, quite a lot i\'d want with me! \n\nSansho the Bailiff\nMirror\nAlice in the Cities\nAndrei Rublev\nThe Green Ray\nMaborosi\nNorth by Northwest\nSunrise\n2001: A Space Odyssey\nRules of the Game\nParis Texas\nSeven Samurai\nCeline and Julie go Boating\nPather Panchali\nSome Like it Hot\nAbraham Valley\nVertigo\nMulholland Dr\nL\'Avventura\nLate Spring\nCasablanca\nThe Band Wagon\nSpirit of the Beehive\nTale of Tales\nEternity and a Day\nAniki Bobo\nThe Colour of Pomegranates'),(4,121,0,0,1239245338,'Saying Hello','Hi Chas\n\nHow are things with you? I have heard things were terribly hot in Oz this summer. \nWrite if you are so inclined.\nPersonal addresss Glynford2002@yahoo.ca\nTake care\n\nGlynford'),(5,123,1445,3,1239453701,'Re: Merry Go Round and the delights of Hungarian Cinema','Here\'s one directed by Karoly Makk. I wrote this in a blog a long time ago, when I was a better writer.   :D \n\n\nCAT\'S PLAY  (Karoly Makk, 1972)\n\nSibling love and companionship are the all-encompassing themes in Karoly Makk\'s Cat\'s Play, a movie that captures felicitously and bittersweetly a nostalgia for more carefree and youthful times -- for a world that can no longer be recovered. Two sisters -- through the rapidly-outmoded medium of handwritten letters -- conduct a faithful and conscientious correspondence that belies the great distance that separates them. But it\'s not all a portrait of intimate sisterhood that we witness in Karoly Makk\'s universe; other dimensions of feeling, other aspects of relationships -- in particular, their seemingly contrasting if not clashing personalities -- find expression in this finely crafted film founded on what might be called sisterly billets-doux.\n \nCat\'s Play is centered -- sometimes confusingly until the story hits its stride in midstream -- on the voice-over readings of letters between Erzsi and Giza, two sisters who seem destined to live apart and for the most part, alone. Their intimate letters almost always hark back to an innocent and idyllic place in their childhood: a virtual time capsule for us as Makk intersperses soft-focus images and vignettes -- compositions that are redolent of old photographs -- of younger lives and innocence. In their letters, the sisters broach photographs and mementos, how they can no longer be found, or otherwise frayed by time and remembrance.\n \nIt is not all nostalgia, however, as we hear the consequences of sharpened familiarity and candidness. Erzsi is a music teacher in Budapest who seems fiercely protective of her independence, relishing her city life even as her one romantic flame Viktor has been less than faithful. She has a younger helper at home, Mousey, whose very nickname suggests a note of condescension from the house\'s mistress. An amusing aspect of their relationship is how they communicate endearingly by making cat\'s miaows, but their intimacy remains limited.\n \nGiza lives in a distant but undisclosed place, bedridden and paralyzed by an accident. Her letters to Erzsi often assume the tone of an older sister, at times repelling the younger and stubborn sibling. Giza does not make a mystery of her desire for Erzsi to reunite with her no matter how many times she has been rebuffed.\n \nMakk charts with realism the emotional ebb and flow between the two sisters through their letters, their mutual love for one another contrasting with their strong personalities. Makk\'s thematic obsession has been to depict the whole spectrum of female relationships, loves of different kinds: lesbian love in Another Way and that of a daughter- and mother-in-law in Szerelem. In Cat\'s Play, Makk portrays a love that reflects the brutal pace of modern times, a love that refuses to transport itself to the pragmatics of the present.'),(8,53,1582,7,1240275086,'Re: Top Ten Musicals','Thanks!  I\'ve only seen about three of those. :D'),(9,130,2598,3,1245094821,'Re: Whats  your favourite Movie?','This is a tough question ... cos there r a number ...\nhee hee');

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--
-- Table structure for table `phpbb_moderator_cache`
--

CREATE TABLE `phpbb_moderator_cache` (
  `forum_id` mediumint(8) unsigned NOT NULL DEFAULT '0',
  `user_id` mediumint(8) unsigned NOT NULL DEFAULT '0',
  `username` varchar(255) COLLATE utf8_bin NOT NULL DEFAULT '',
  `group_id` mediumint(8) unsigned NOT NULL DEFAULT '0',
  `group_name` varchar(255) COLLATE utf8_bin NOT NULL DEFAULT '',
  `display_on_index` tinyint(1) unsigned NOT NULL DEFAULT '1',
  KEY `disp_idx` (`display_on_index`),
  KEY `forum_id` (`forum_id`)
) ENGINE=MyISAM DEFAULT CHARSET=utf8 COLLATE=utf8_bin;

--
-- Dumping data for table `phpbb_moderator_cache`
--

INSERT INTO `phpbb_moderator_cache` VALUES (3,2,'jason',0,'',1),(5,2,'jason',0,'',1),(6,2,'jason',0,'',1),(7,2,'jason',0,'',1);

--
-- Table structure for table `phpbb_modules`
--

CREATE TABLE `phpbb_modules` (
  `module_id` mediumint(8) unsigned NOT NULL AUTO_INCREMENT,
  `module_enabled` tinyint(1) unsigned NOT NULL DEFAULT '1',
  `module_display` tinyint(1) unsigned NOT NULL DEFAULT '1',
  `module_basename` varchar(255) COLLATE utf8_bin NOT NULL DEFAULT '',
  `module_class` varchar(10) COLLATE utf8_bin NOT NULL DEFAULT '',
  `parent_id` mediumint(8) unsigned NOT NULL DEFAULT '0',
  `left_id` mediumint(8) unsigned NOT NULL DEFAULT '0',
  `right_id` mediumint(8) unsigned NOT NULL DEFAULT '0',
  `module_langname` varchar(255) COLLATE utf8_bin NOT NULL DEFAULT '',
  `module_mode` varchar(255) COLLATE utf8_bin NOT NULL DEFAULT '',
  `module_auth` varchar(255) COLLATE utf8_bin NOT NULL DEFAULT '',
  PRIMARY KEY (`module_id`),
  KEY `left_right_id` (`left_id`,`right_id`),
  KEY `module_enabled` (`module_enabled`),
  KEY `class_left_id` (`module_class`,`left_id`)
) ENGINE=MyISAM AUTO_INCREMENT=198 DEFAULT CHARSET=utf8 COLLATE=utf8_bin;

--
-- Dumping data for table `phpbb_modules`
--

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--
-- Table structure for table `phpbb_poll_options`
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--
-- Table structure for table `phpbb_poll_votes`
--

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-- Dumping data for table `phpbb_poll_votes`
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--
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Anyway, glad the boards are back, up and running.   Anyway, I remember how we used to have all those discussions from before...is it possible to restore them in this site as archives?  I\'ve always come to this site for recommendations.    <!-- s:) --><img src=\"{SMILIES_PATH}/icon_e_smile.gif\" alt=\":)\" title=\"Smile\" /><!-- s:) -->','a3fa2f5a827d8f08edde0c1029bf60f9',0,'','2ihnm18t',1,0,'',0,0,0),(37,34,5,2,0,'69.120.114.47',1232422062,1,0,1,1,1,1,'','Re: Is this the same forum?','Yes, smurfrevolt.  I am working on restoring the forums.  Stay tuned... I\'m sure it will take a while to rebuild the community.','f458bd9acae03a2bfd5bf156057d0940',0,'','1xp1gpm5',1,0,'',0,0,0),(38,37,7,2,0,'69.120.114.47',1232501332,1,0,1,1,1,1,'','Desert island movies','Okay, let\'s assume you\'re going to be stuck on a desert island and can bring just 10 films with you.  I had to think about this one a bit.  The films need to stand up well to repeated viewings, obviously, plus cover enough genres for my various moods.  Which films would you take?\n\nHere\'s mine, in no particular order:\n[list:1750zvwc]\n[imdb:1750zvwc]Women on the Verge of a Nervous Breakdown[/imdb:1750zvwc] (1988, Almodovar) - Had to include one Almodovar film... it was a tough call between this classic and Volver.\n[imdb:1750zvwc]Lost in Translation[/imdb:1750zvwc] (2003, Coppola) - I lived in Tokyo for 10 years and choose this film to remember it by.\n[imdb:1750zvwc]Annie Hall[/imdb:1750zvwc] (1977, Allen) - Need a good comedy to take along... vintage Woody.\n[imdb:1750zvwc]Halloween[/imdb:1750zvwc] (1978, Carpenter) - Had to have at least one good horror film.\n[imdb:1750zvwc]Back to the Future[/imdb:1750zvwc] (1985, Spielberg) - Just for fun. Who is old enough to remember Pepsi Free?\n[imdb:1750zvwc]Stolen Kisses[/imdb:1750zvwc] (1968, Truffaut) - I had to sneak in one Antoine Doinel film.\n[imdb:1750zvwc]It&#39;s a Wonderful Life[/imdb:1750zvwc] (1946, Capra) - My favorite film of all time, even if I watch it only once a year.\n[imdb:1750zvwc]The Godfather[/imdb:1750zvwc] (1972, Coppola) - Many would choose the second film... but I\'ll take the first, with Brando.\n[imdb:1750zvwc]The Good, The Bad, and The Ugly[/imdb:1750zvwc] (Leone, 1966) - What\'s a desert island list without a Western?\n[imdb:1750zvwc]Lord of the Rings[/imdb:1750zvwc] (2001-2003, Jackson) - Okay, technically I suppose this should take up 3 of my choices... but who cares? One of the best films ever made, and doesn\'t get stale after repeat viewings. Although I will say I enjoy the scenes with Aragorn, Legolas, and Gimli much better than the scenes with Frodo and Sam. If I had to pick one I\'d choose [imdb:1750zvwc]The Two Towers[/imdb:1750zvwc].\n[/list:u:1750zvwc]','207ffa8452371dc06c364472db4ba189',0,'AEE=','1750zvwc',1,0,'',0,0,0),(39,38,7,2,0,'69.120.114.47',1232502483,1,0,1,1,1,1,'','Favorite Japanese films and directors','Here are my all-time favorite Japanese films...\n\n[b:26u1b574]Juzo Itami[/b:26u1b574]\n[imdb:26u1b574]Tampopo[/imdb:26u1b574] (1985)\n[imdb:26u1b574]A Taxing Woman[/imdb:26u1b574] (1987)\n\n[b:26u1b574]Yoji Yamada[/b:26u1b574]\n[imdb:26u1b574]The Twilight Samurai[/imdb:26u1b574] (2002)\n[imdb:26u1b574]The Hidden Blade[/imdb:26u1b574] (2004)\n\n[b:26u1b574]Takeshi Kitano[/b:26u1b574]\n[imdb:26u1b574]Zatoichi[/imdb:26u1b574] (2003)\n\n[b:26u1b574]Nagisa Oshima[/b:26u1b574]\n[imdb:26u1b574]In the Realm of the Senses[/imdb:26u1b574] (1976)\n\n[b:26u1b574]Akira Kurosawa[/b:26u1b574]\n[imdb:26u1b574]Seven Samurai[/imdb:26u1b574] (1954)\n\n[b:26u1b574]Kenji Mizoguchi[/b:26u1b574]\n[imdb:26u1b574]A Geisha[/imdb:26u1b574], aka [imdb:26u1b574]Gion Bayashi[/imdb:26u1b574] (1953)\n\n[b:26u1b574]Masayuki Suo[/b:26u1b574]\n[imdb:26u1b574]Shall We Dance?[/imdb:26u1b574] (1996)\n\n[b:26u1b574]Hayao Miyazaki[/b:26u1b574]\n[imdb:26u1b574]My Neighbor Totoro[/imdb:26u1b574] (1988)\n[imdb:26u1b574]Princess Mononoke[/imdb:26u1b574] (1997)','8e6231c72d18439482766a9782cd1887',0,'QAE=','26u1b574',1,0,'',0,0,0),(40,39,6,2,0,'69.120.114.47',1232503329,1,0,1,1,1,1,'','Volver - 2006, Spain','[youtube:1esje7qb]&lt;object width=&quot;425&quot; 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height=&quot;344&quot;&gt;&lt;param name=&quot;movie&quot; value=&quot;http://www.youtube.com/v/DpAZqy782Io&amp;hl=en&amp;fs=1&quot;&gt;&lt;/param&gt;&lt;param name=&quot;allowFullScreen&quot; value=&quot;true&quot;&gt;&lt;/param&gt;&lt;param name=&quot;allowscriptaccess&quot; value=&quot;always&quot;&gt;&lt;/param&gt;&lt;embed src=&quot;http://www.youtube.com/v/DpAZqy782Io&amp;hl=en&amp;fs=1&quot; type=&quot;application/x-shockwave-flash&quot; allowscriptaccess=&quot;always&quot; allowfullscreen=&quot;true&quot; width=&quot;425&quot; height=&quot;344&quot;&gt;&lt;/embed&gt;&lt;/object&gt;[/youtube:2vn1ukzr]','58817febf287e339c7fc6e8eaf03695c',0,'AAQ=','2vn1ukzr',1,0,'',0,0,0),(45,44,6,2,0,'69.120.114.47',1232504962,1,0,1,1,1,1,'','The Motorcycle Diaries - 2004, Argentina','[youtube:2zi8yro5]&lt;object width=&quot;480&quot; height=&quot;295&quot;&gt;&lt;param name=&quot;movie&quot; value=&quot;http://www.youtube.com/v/7u0U3dbVMHk&amp;hl=en&amp;fs=1&quot;&gt;&lt;/param&gt;&lt;param name=&quot;allowFullScreen&quot; value=&quot;true&quot;&gt;&lt;/param&gt;&lt;param name=&quot;allowscriptaccess&quot; value=&quot;always&quot;&gt;&lt;/param&gt;&lt;embed src=&quot;http://www.youtube.com/v/7u0U3dbVMHk&amp;hl=en&amp;fs=1&quot; type=&quot;application/x-shockwave-flash&quot; allowscriptaccess=&quot;always&quot; allowfullscreen=&quot;true&quot; width=&quot;480&quot; height=&quot;295&quot;&gt;&lt;/embed&gt;&lt;/object&gt;[/youtube:2zi8yro5]','cc45b705ce1ae46c96be50405cc49aee',0,'AAQ=','2zi8yro5',1,0,'',0,0,0),(46,45,6,2,0,'69.120.114.47',1232505176,1,0,1,1,1,1,'','Swimming Pool - 2003, France','[youtube:j8nafj1s]&lt;object width=&quot;425&quot; height=&quot;344&quot;&gt;&lt;param name=&quot;movie&quot; value=&quot;http://www.youtube.com/v/LplAkUp6G2U&amp;hl=en&amp;fs=1&quot;&gt;&lt;/param&gt;&lt;param name=&quot;allowFullScreen&quot; value=&quot;true&quot;&gt;&lt;/param&gt;&lt;param name=&quot;allowscriptaccess&quot; value=&quot;always&quot;&gt;&lt;/param&gt;&lt;embed src=&quot;http://www.youtube.com/v/LplAkUp6G2U&amp;hl=en&amp;fs=1&quot; type=&quot;application/x-shockwave-flash&quot; allowscriptaccess=&quot;always&quot; allowfullscreen=&quot;true&quot; width=&quot;425&quot; height=&quot;344&quot;&gt;&lt;/embed&gt;&lt;/object&gt;[/youtube:j8nafj1s]','524b918cbb68f85342fa042938ca8863',0,'AAQ=','j8nafj1s',1,0,'',0,0,0),(47,46,3,2,0,'69.120.114.47',1232675539,1,0,1,1,1,1,'','Foreign Language Oscar Nominees Announced','The Academy announced the nominees for the Oscars today. The following films were nominated for Best Foreign Language Film:\n\n[imdb:2pkr7zbt]The Baader Meinhoff Complex[/imdb:2pkr7zbt] (Germany)\n[imdb:2pkr7zbt]The Class[/imdb:2pkr7zbt] (France)\n[imdb:2pkr7zbt]Departures[/imdb:2pkr7zbt] (Japan)\n[imdb:2pkr7zbt]Revanche[/imdb:2pkr7zbt] (Austria)\n[imdb:2pkr7zbt]Waltz with Bashir[/imdb:2pkr7zbt] (Israel)\n\n[imdb:2pkr7zbt]Slumdog Millionaire[/imdb:2pkr7zbt] (India), having won the best picture award at the Golden Globes, received an Oscar nomination for Best Picture and 9 other nominations in various categories.','8f032f1e3caff41c47a4a2bb5bac5dba',0,'AAE=','2pkr7zbt',1,0,'',0,0,0),(48,34,5,53,0,'122.53.21.174',1232771903,1,0,1,1,1,1,'','Re: Is this the same forum?','I think once the topics are searchable, more people will join the boards, and it will &quot;live&quot; again.  :d','2be1be093e01e873254fc9d16b4d813c',0,'','3u2evlt4',1,0,'',0,0,0),(49,47,5,53,0,'122.53.21.174',1232774466,1,0,1,1,1,1,'','Films with a Chinese New Year Theme','Hi there!  I\'m looking for inspiration for the treatment of a segment I\'m doing on the Chinese New Year and Chinese culture.  Any suggestions?   \n\nI have in my library the following films which (I think) feature Chinese customs (kung fu, calligraphy, food, family traditions, rituals):\n\n1.  Temptress Moon  --the koi fish scene is the one I remember <!-- s:D --><img src=\"{SMILIES_PATH}/icon_e_biggrin.gif\" alt=\":D\" title=\"Very Happy\" /><!-- s:D -->\n2.  In the Mood for Love -- the cheong-sams\n3.  Red Cliff\n4.  Hero - tea drinking and calligraphy scene\n5.  Eat Drink Man Woman\n6.  Crouching Tiger, Hidden Dragon \n7.  Raise the Red Lantern\n8.  The Joy Luck Club\n9.  The Last Emperor','21bd1c4aa6584507911c42a4dce1c11c',0,'','333vmn77',1,0,'',0,0,0),(147,0,3,1,0,'69.120.114.47',959045650,1,0,1,1,1,1,'jman','Sir John Gielgud dies at 96','Perhaps best known for his role as the English butler opposite Dudley Moore in \"Arthur,\" for which he won an Academy Award for, one of the leading British actors of the 20th century, alongside Laurence Olivier and Ralph Richardson, has passed away at age 96.\r\n\r\nRecent appearances include ELIZABETH, Kenneth Branagh\'s HAMLET, PORTRAIT OF A LADY, and SHINE.','2a1d6c7eab9ea0bd248fbff0d58d8772',0,'','wCqimXjM',1,0,'',0,0,0),(148,0,3,1,0,'69.120.114.47',959140187,1,0,1,1,1,1,'dan-2','Re: Sir John Gielgud dies at 96','A shame he\'s \"best known\" for such a otherwise lousy movie.  Won an Oscar for it.  The finest Hamlet of his generation.','8efe9ecd4937525f231d13a6294a3572',0,'','qK5d69tW',1,0,'',0,0,0),(55,37,7,1,0,'75.169.14.229',1233733701,1,0,1,1,1,0,'Michael McKay','Re: Desert island movies','Assuming I was on that desert island with a beautiful woman (if I was alone, I would take ten porn films), I would choose the following:\n\nMy favorite Mob Movie: GoodFellas\nMy favorite Sci-Fi Film: 2001: A Space Odyssey\nMy favorite films about Pornography: Boogie Nights\nMy favorite Musical: The Wizard of Oz\nMy favorite Comedy/Romance: City Lights\nMy favorite Samurai Film: The Seven Samuari\nMy favorite Horror Film: Psycho\nMy favorite Fantasty Film: The Lord of the Rings (the complete trilogy)\nMy favorite film about a Disturbed Youth: A Clockwork Orange\nMy favorite film about a Mad Conquistador: Aguirre: The Wrath of God','ff6f6ad74db59001b79d7772e38dc3d2',0,'','1pcwhbas',1,0,'',0,0,0),(122,103,6,93,0,'89.248.135.57',1236865805,1,0,1,1,1,1,'','Generation P - 2009, Russia','[youtube:przee9pe]&lt;object width=&quot;425&quot; height=&quot;344&quot;&gt;&lt;param name=&quot;movie&quot; value=&quot;http://www.youtube.com/v/gzhNy8Bjs6M&amp;hl=en&amp;fs=1&quot;&gt;&lt;/param&gt;&lt;param name=&quot;allowFullScreen&quot; value=&quot;true&quot;&gt;&lt;/param&gt;&lt;param name=&quot;allowscriptaccess&quot; value=&quot;always&quot;&gt;&lt;/param&gt;&lt;embed src=&quot;http://www.youtube.com/v/gzhNy8Bjs6M&amp;hl=en&amp;fs=1&quot; type=&quot;application/x-shockwave-flash&quot; allowscriptaccess=&quot;always&quot; allowfullscreen=&quot;true&quot; width=&quot;425&quot; height=&quot;344&quot;&gt;&lt;/embed&gt;&lt;/object&gt;[/youtube:przee9pe]','dac51d8017f19330ee07ff626eec6063',0,'AAQ=','przee9pe',1,0,'',0,0,0),(149,0,3,1,0,'69.120.114.47',960513399,1,0,1,1,1,1,'paul','Re: Sir John Gielgud dies at 96','Gielgud had one of the most beautifully clear speaking voices in English ever.  Silvery.','73064cab195c8eb8a9d914c87edbb360',0,'','7YajgD3G',1,0,'',0,0,0),(150,0,3,1,0,'69.120.114.47',964194496,1,0,1,1,1,1,'cathouse','Re: Sir John Gielgud dies at 96','A truly great actor.  I\'m going to miss him.\n','4b056db4527b96f7909227091d0118e8',0,'','RCNVU8KD',1,0,'',0,0,0),(151,0,3,1,0,'69.120.114.47',1019510009,1,0,1,1,1,1,'joelc','Re: Sir John Gielgud dies at 96','One of his better roles was Prospero in \"Prospero\'s Books\" by Peter Greenaway.  If you\'re a Gielgud fan, check it out.','d321b9d47b9e09300fe8e835074e2b16',0,'','Nanu0dFM',1,0,'',0,0,0),(152,0,3,1,0,'69.120.114.47',1024259243,1,0,1,1,1,1,'stingo31','Re: Sir John Gielgud dies at 96','May flights of angels sing you to your rest...','d999fef303e3579228e6cc9a1271a697',0,'','h1KNf4oQ',1,0,'',0,0,0),(153,0,3,1,0,'69.120.114.47',959149517,1,0,1,1,1,1,'jman','The Million Dollar Hotel','Why is it taking so long for this film to reach the US? I mean, think about it:\r\n\r\n1) directed by Wim Wenders, arguably one of the best directors of the 20th century, coming fresh off the success of BUENA VISTA SOCIAL CLUB\r\n2) stars Mel Gibson (ie. has star power)\r\n3) is in English (critical for American audiences)\r\n4) soundtrack by Bono + U2\r\n\r\nWhat more do you need?','a84c302821565c29049501146e6789dd',0,'','U9K3MV1z',1,0,'',0,0,0),(131,37,7,105,0,'123.243.128.239',1237765729,1,0,1,1,1,1,'','Re: Desert island movies','My Desert island Set List\nLa Regle du Jeu\nSayat Nova\nTokyo Story\nZerkalo\nL\'Atalante\nNights Of Cabiria\nDiary Of A Country Priest\nOrdet\nIkiru\nLa Grande Illusion\nSansho The Bailiff\nShoah\nShadows Of Our Forgotten Ancestors\nThe Wild Bunch \nDuck Soup\nThe Chant Of Jimmie Blacksmith\nPsycho\nAguirre Wrath Of God\nDr Strange Love\nThe Grateful Dead Movie','46f36376f7c6ace92e11217d085c45d9',0,'','n82xp0q6',1,0,'',0,0,0),(130,111,6,93,0,'82.33.11.30',1237245137,1,0,1,1,1,1,'','House of Fools - 2002, Russia','[youtube:37dm89or]&lt;object width=&quot;425&quot; height=&quot;344&quot;&gt;&lt;param name=&quot;movie&quot; value=&quot;http://www.youtube.com/v/jYZC6AKan0I&amp;hl=en&amp;fs=1&quot;&gt;&lt;/param&gt;&lt;param name=&quot;allowFullScreen&quot; value=&quot;true&quot;&gt;&lt;/param&gt;&lt;param name=&quot;allowscriptaccess&quot; value=&quot;always&quot;&gt;&lt;/param&gt;&lt;embed src=&quot;http://www.youtube.com/v/jYZC6AKan0I&amp;hl=en&amp;fs=1&quot; type=&quot;application/x-shockwave-flash&quot; allowscriptaccess=&quot;always&quot; allowfullscreen=&quot;true&quot; width=&quot;425&quot; height=&quot;344&quot;&gt;&lt;/embed&gt;&lt;/object&gt;[/youtube:37dm89or]','0744fb985a23c0fcc4ac324eac6db94e',0,'AAQ=','37dm89or',1,0,'',0,0,0),(117,99,3,91,0,'80.177.153.217',1236634476,1,0,1,1,1,1,'','Sansho the Bailiff, and Mizoguchi (some thoughts)','Mizoguchi’s Sansho the Bailiff (1954) concerns the cruel misfortune befalling the wife and children of a humane exiled provincial governor in ancient feudal Japan.\n\nWater features strongly in the film. Mizo was never one to blatantly point up symbolism- he was an undemonstrative master like Renoir (who also deserves more appreciation nowadays) but here it’s involved with separation, beauty, purity, self-sacrifice, danger, aching longing, continuity, and at the end the eternal. The film certainly takes on a spiritual dimension, going to the wider universe beyond its tale, rather like Ugetsu’s final shot, but here at the perfect ending place, the sea. Water is counterpointed by fire in the film, male is balanced with female.\n\nFew if any films can match the feeling for the beauty of nature, the mix of painterly eye, captivating silvery luminosity (even accompanied by a sense of sinister foreboding). The great cinematographer Miyagawa does a magnificent job. Mizo trusted his cinematographers and presumably his own sense of shot set-up, and what he wanted, without recourse to the viewfinder. He usually tended to give actors/actresses, designers and loyal screenwriter Yoda a very much harder time by all accounts. He was a stickler for historical authenticity. Mizo is renowned for serene fluid camera moves (masterly yet unobtrusive tracking and crane shots area trademark) but equally he knew when stillness was required. You see that in the central, heart-rending scene i’ll call Anju’s ripples. There’s more impact in her few ripples than a Hollywood tidal wave. Now which philosopher-critic was it who likened Mizo to a circle?\n\nSansho was the third consecutive Mizo film to win a major prize at Venice (the Silver Lion, like Ugetsu, whereas The Life of Oharu won the international prize) the same vintage year as Seven Samurai, La Strada and On the Waterfront- all beaten by a now forgotten version of Romeo + Juliet! Mizo was an extremely driven, competitive director. It was the success of Kurosawa’s Rashomon at Venice in 1951 that spurred him on to the heights of his string of late masterpieces. A pity international recognition came so late for him. but his epitaph, quite rightly, carries the words “the world’s greatest film director.”\n\nI don’t think any film matches Sansho’s sense of the aching pain of family separation, of longing to be reunited. Mizo was often strong on issues of identity. The film makes striking use of sounds and song, carried and echoing across time and space. It’s a film full of compassion and humanity, which balances cruelty and suffering with love. It has clear links with Mizo’s own life; the main female characters, sister (Kyoko Kagawa) and mother (Kinuyo Tanaka) are paragons like Mizo’s own mother and sister. Mizo’s beloved mother died in his teens and there may be something of his own yearning in Zushio’s search. On the other hand, Mizo thought none too highly of his dad whereas in the film the father is also a paragon of virtue and wisdom to be guarded and passed on. But then, the tyrant Sansho himself may stand for the father Mizo despised as ripe (or rotten) for overthrow.\n\nMizo aimed very high, and often behaved tyrannically on set but although something of an aesthete his films are not mannered or pretentious. He aimed for balance between realism and heightened emotion, liked to give discreet dignity and distance to emotions without milking effects with simplistic manipulation. Melodrama in his hands can reach a sublime level of refinement. He avoids self-serving diversions that will harm the narrative. There is an underlying integrity to each scene and the film as a whole. He has his own distinct style without fitting so neatly the auteur model as say Ozu and Bresson. Perhaps that partly accounts for his relative neglect?\n\nWomen, and their suffering in an oppressive patriarchal world, are often central in his films. Here the main character may be Zushio and the title character also male, but my feelings go out more for sister Anju. I find the actress Kyoko Kagawa adorable.\n\nThe film’s politics support family unity and an idealised patriarchal wisdom- in competition with a brutal version of male power- but these are hardly unique to the Right. Instead Mizo supports the overthrow of tyranny and the revolt by the enslaved and again his sympathies are with the underdogs and disposessed, even if here the main characters are from more noble lineage than often the case in his films. He was consistently opposed to injustice, as recognised by the leftist Yoda, and in the film gives Sansho a tougher fate than does the novella by Ogai, though without resorting to vengeful sadism. Mizo was often authoritarian, petulant, self-centred and even abusive, and for all his concentration on the suffering of women he was very far from saint-like in his own dealings with them. Yet the humane qualities that shine through films like Sansho the Bailiff are clearly genuine. The power of the wonderful ending, often described as transcendental, may also be partly indebted to the Buddhism Mizo developed late in life. Sansho has been picked by one organisation among the top 100 spiritual films, but the Vatican missed it and Mizo out of their 45 recommendations i notice. He died of leukemia two years later in 1956, at the age of 58.\n\nSome experience the film as too fraught with harrowing suffering, and consider it pessimistic. For me it finds a poignant balance between suffering and beauty, cruelty and love, imprisonment and freedom, pain and redemption, loss and comfort.\n\nThere’s a useful book on the film by Dudley Andrew and Carole Cavanaugh as part of the BFI classics series. A recent book on Mizoguchi by Mark le Fanu rates Sansho his very best, and praises it accordingly. I would strongly recommend David Bordwell’s book Figures Traced in Light, which covers in some detail Mizo’s filming methods and mastery of staging. Kenji Mizoguchi and the Art of Japanese Cinema, by Tadao Sato is also well worth reading.\n\nI consider Sansho the Bailiff the exquisite peak of cinema, and i love and cherish it.','ba866de485c46d6e9ff40eab979db659',0,'','1g8w5h3o',1,0,'',0,0,0),(100,85,7,91,0,'80.177.153.217',1236018152,1,0,1,1,1,1,'','My 365 films','Some years back David Meeker, archivist, did a personal selection of 365 classics for the BFI. So here are my 365:\n\nfaves asterisked\n\n1896- The films of Alice Guy-Blaché\n\n1913 Fantomas (Feuillade)\n\n1915 Les Vampires (Feuillade)\n\n1919 Broken Blossoms (Griffith)\n\n1920 The Goat (Keaton)\nOne Week (Keaton, Cline)\n\n1921 Manhatta (Strand)\n\n1922 Nosferatu (Murnau)\nFoolish Wives (Stroheim)\n\n1924 Sherlock jnr (Keaton)\n\n1925 Battleship Potemkin (Eisenstein)*\nThe Gold Rush (Chaplin)\nStrike (Eisenstein)\n\n1926 The General (Keaton, Bruckman)*\nThe Big Parade (Vidor)\n\n1927 Sunrise (Murnau)**\nMetropolis (Lang)*\nThe Chess Player (Bernard)\nNapoleon (Gance)\nGirl with a Hatbox (Barnet)\n\n1928 The Passion of Joan of Arc (Dreyer)\nPandora\'s Box (Pabst)\n\n1929 Man with a Movie Camera (Vertov)*\nSpies (Lang)\nArsenal (Dovzhenko)\nPeople on Sunday (Siodmak, Ulmer)\n\n1930 L\'Age d\'Or (Bunuel) \nSalt for Svanetia (Kalatozov)\nMorocco (Von Sternberg)\nAll Quiet on the Western Front (Milestone)\n\n1931 Madchen in Uniform (Sagan)\nM (Lang)\nCity Lights (Chaplin)\n\n1931-6 Marius trilogy (Pagnol..)\n\n1932 Boudu Saved from Drowning (Renoir)\nLove me Tonight (Mamoulian)\nTrouble in Paradise (Lubitsch)\nLiebelei (Ophuls)\nShanghai Express (Von Sternberg)\nVampyr (Dreyer)\n\n1933 Duck Soup (McCarey)\nKing Kong (Cooper, Schoedsack)\nThe Testament of Dr Mabuse (Lang)\nBetty Boop\'s Snow White (Fleischer)\nJapanese Girls at the Harbour (Shimizu)\nDaybreak (Sun Yu)\nThe Water Magician (Mizoguchi)\n\n1934 L\'Atalante (Vigo)*\nIt Happened One Night (Capra)\nThe Scarlet Empress (Von Sternberg)\nThe Mascot (Starewicz)\nGoddess (Wu Yonggang)\nSong of Ceylon (Wright)\n\n1935 Top Hat (Sandrich)\nThe 39 Steps (Hitchcock)\nThe Devil is a Woman (Von Sternberg)\nComposition in Blue (Fischinger)\nDavid Copperfield (Cukor)\nBride of Frankenstein (Whale)\nA Night at the Opera (Wood)\nToni (Renoir)\n\n1936 Partie de Campagne (Renoir)*\nThe Only Son (Ozu)\nSwing Time (Stevens)\nOsaka Elegy (Mizoguchi)\nStory of a Cheat (Guitry)\n\n1937 La Grande Illusion (Renoir)\nThe Awful Truth (McCarey)\nStreet Angel (Yuan Muzhi)\n\n1938 Alexander Nevsky (Eisenstein)\nBringing up Baby (Hawks) \nMickey\'s Trailer (Sharpsteen)\nThe Childhood of Maxim Gorki (Donskoi)\n\n1939 La Regle du Jeu (Renoir)**\nStory of the Late Chrysanthemums (Mizoguchi)*\n\n1940 The Thief of Bagdad (Berger, Powell, Whelan)\nFantasia (Disney- Sharpsteen)\nRebecca (Hitchcock)\n\n1941 Citizen Kane (Welles)*\nOrnamental Hairpin (Shimizu)\nThe Maltese Falcon (Huston)\nDumbo (Disney- Sharpsteen)\nThe Lady Eve (P.Sturges)\n\n1942 Casablanca (Curtiz)*\nAniki Bobo (Oliveira)*\nTo Be or Not to Be (Lubitsch)\nThe Magnificent Ambersons (Welles)\nThe Loyal 47 Ronin (Mizoguchi)\n\n1943 Day of Wrath (Dreyer)\nThe Life and Death of Colonel Blimp (Powell, Pressburger)\n\n1944 Ivan the Terrible (Eisenstein)\nDouble Indemnity (Wilder)\nLaura (Preminger)\n\n1945 Les Enfants du Paradis (Carné)*\nThe Battle of San Pietro (Huston)\n\n1946 The Big Sleep (Hawks)\nIt\'s a Wonderful Life (Capra)\nA Matter of Life and Death (Powell, Pressburger)\nNotorious (Hitchcock)\nLa Belle et la Bete (Cocteau)\nGilda (C.Vidor)\nGreat Expectations (Lean)\n \n1947 Monsieur Verdoux (Chaplin)\nThe Ball at the House of Anjo (Yoshimura)\nBlack Narcissus (Powell, Pressburger)\n\n1948 Letter from an Unknown Woman (Ophuls)*\nSpring in a Small Town (Fei Mu)\nThe Red Shoes (Powell, Pressburger)\nTreasure of the Sierra Madre (Huston)\nLady from Shanghai (Welles)\n\n1949 Late Spring (Ozu)*\nKind Hearts and Coronets (Hamer)\nThe Third Man (Reed)\nWhite Heat (Walsh)\n\n1950 Orphée (Cocteau)\nSunset Boulevard (Wilder)\nAll about Eve (Mankiewicz)\nFlowers of St Francis (Rossellini)\n\n1951 The River (Renoir)\nEarly Summer (Ozu)\nMiss Oyu (Mizoguchi)\nRepast (Naruse)\n                          \n1952 Singin in the Rain (Donen, Kelly)*\nThe Life of Oharu (Mizoguchi)\nCasque d\'Or (Becker)\nLe Plaisir (Ophuls)\nOthello (Welles)\nBaiju Bawra (Bhatt)\n                           \n1953 Tokyo Story (Ozu)**\nThe Band Wagon (Minnelli)*\nUgetsu Monogatari (Mizoguchi)\nMadame de (Ophuls)\nVoyage to Italy (Rossellini)\nWhite Mane (Lamorisse)\n\n1954 Sansho the Bailiff (Mizoguchi)***\nSeven Samurai (Kurosawa)**\nSound of the Mountain (Naruse)\nSenso (Visconti)\nJohnny Guitar (N.Ray)\nRear Window (Hitchcock)\nTrack of the Cat (Wellman)\n                              \n1955 Pather Panchali (S.Ray)**\nNight of the Hunter (Laughton)*\nTales of the Taira Clan (Mizoguchi)\nKiss me Deadly (Aldrich)\nOrdet (Dreyer)\nFloating Clouds (Naruse)\nLola Montes (Ophuls)\nEast of Eden (Kazan)\n\n1956 The Searchers (Ford)*\nA Man Escaped (Bresson)\nAparajito (S.Ray)\nEarly Spring (Ozu)\nThe Court Jester (Panama, Frank)\n\n1957 Tokyo Twilight (Ozu)\nTwelve Angry Men (Lumet)\nPaths of Glory (Kubrick)\n                               \n1958 Vertigo (Hitchcock)*\nHidden Fortress (Kurosawa)\nTouch of Evil (Welles)\nBig Deal on Madonna Street (Monicelli)\nThe Music Room (S.Ray)\nTarnished Angels (Sirk)\n\n1959 North by Northwest (Hitchcock)**\nSome Like it Hot (Wilder)**\nHiroshima mon Amour (Resnais)*\nThe World of Apu (S.Ray)\nPaper Flowers (Dutt)\nThe 400 Blows (Truffaut)\n\n1960 L\'Avventura (Antonioni)**\nThe Apartment (Wilder)\nCloud-Capped Star (Ghatak)\nMughal-e-Azam (Asif)\nLa Dolce Vita (Fellini) \n\n1961 The Human Condition trilogy (Kobayashi) \nEl Cid (A.Mann)\nThe End of Summer (Ozu)\nThe Innocents (Clayton)\nLa Notte (Anotonioni)\nOne-Eyed Jacks (Brando)\nLast Year at Marienbad (Resnais)\nThe Postmaster (S.Ray)\n\n1962 Lawrence of Arabia (Lean)\nThe House is Black (Farrokhzad)\nHara Kiri (Kobayashi)\nEclipse (Antonioni)\n\n1963 8 1/2 (Fellini)*\nThe Great Escape (J.Sturges)\nJudex (Franju)\nContempt (Godard)\nThe Leopard (Visconti)\nIt\'s a Mad Mad Mad Mad World (Kramer)\nThe Servant (Losey)\nHigh and Low (Kurosawa)\n\n1964 Dr Strangelove (Kubrick)\nGertrud (Dreyer)\nThe Gospel according to St Matthew (Pasolini)\nMarnie (Hitchcock)\nKwaidan (Kobayashi)\nCharulata (S.Ray)\nGoldfinger (Hamilton)\n\n1965 Pierrot le Fou (Godard)*\nThe Battle of Algiers (Pontecorvo)\nSubarnarekha (Ghatak)\nChimes at Midnight (Welles)\nTwo Stage Sisters (Xie Jin)\nThe Saragossa Manuscript (Has)\nThe Hand (Trnka)\n\n1966 Andrei Rublev (Tarkovsky)**\nPersona (Bergman)*\nClosely Observed Trains (Menzel)\nFall of Leaves (Iosseliani)\n\n1967 Marketa Lazarova (Vlacil)\nBelle de Jour (Bunuel)\nMouchette (Bresson)\nThe Red and the White (Jancso)\nBonnie and Clyde (Penn)\nThe Graduate (Nichols)\n\n1968 2001: A Space Odyssey (Kubrick)**\nThe Colour of Pomegranates (Paradjanov)*\nMy Night with Maud (Rohmer)\nOnce Upon a Time in the West (Leone)\nGoto, Isle of Love (Borowczyk)\nHour of the Furnaces (Solanas)\nHour of the Wolf (Bergman)\n\n1969 The Wild Bunch (Peckinpah)\nDays and Nights in the Forest (S.Ray)\nArmy in the Shadows (Melville)\n\n1970 Claire\'s Knee (Rohmer)\nThe Conformist (Bertolucci)\nThe Sorrow and the Pity (Marcel Ophuls)\nFive Easy Pieces (Rafelson)\nFata Morgana (Herzog)\n\n1971 Pakeezah (Amrohi)\nLe Souffle au Coeur (Malle)\nThird Part of the Night (Zulawski)\nLove (Makk)\n\n1972 Aguirre Wrath of God (Herzog)\nDeliverance (Boorman)\nMy Childhood (Douglas)\n\n1973 Spirit of the Beehive (Erice)*\nThe World at War (BBC)\nThe Mother and the Whore (Eustache)\nBadlands (Malick)\nThe Wicker Man (Hardy)\n\n1974 Celine and Julie go Boating (Rivette)**\nAlice in the Cities (Wenders)**\nThe Godfather 2 (Coppola)\nChinatown (Polanski)\nThe Phantom of Liberty (Bunuel)\n\n1975 Mirror (Tarkovsky)**\nThe Passenger (Antonioni)\nBarry Lyndon (Kubrick)\nHearts and Minds (Davis)\nCria Cuervos (Saura)\nPicnic at Hanging Rock (Weir)\n\n1976 Kings of the Road (Wenders)\nThe Outlaw Josey Wales (Eastwood)\nAi no Corrida (Oshima)\n\n1977 Suspiria (Argento)\n\n1978 The Deer Hunter (Cimino)\nThe Marriage of Maria Braun (Fassbinder)\n\n1979 Tale of Tales (Norstein)*\nStalker (Tarkovsky)* \nApocalypse Now (Coppola)\nManhattan (Allen)\nThe Life of Brian (Jones)\nRaining in the Mountain (King Hu)\n\n1980 The Shining (Kubrick)\nRaging Bull (Scorsese)\nWho\'s Singing over There? (Sijan)\n\n1981 Night of the Shooting Stars (Taviani bros)\n\n1982 Fanny and Alexander (Bergman)\nBlade Runner (Scott)\nThe Draughtsman\'s Contract (Greenaway)\n\n1983 Sans Soleil (Marker)\nNostalghia (Tarkovsky)\n  \n1984 Paris, Texas (Wenders)**\nOnce upon a Time in America (Leone)\nBroadway Danny Rose (Allen)\nSunday in the Country (Tavernier)\n\n1985 Brazil (Gilliam)\nThe Time to Live and the Time to Die (Hou)\nCome and See (Klimov)\nWitness (Weir)\n\n1986 The Green Ray (Rohmer)**\nStreet of Crocodiles (Quay bros)\nBlue Velvet (Lynch)\nThe Sacrifice (Tarkovsky)\n                              \n1987 My Girlfriend\'s Boyfriend (Rohmer)\nRed Sorghum (Zhang Yimou)\nYeelen (Cissé)\nAu Revoir les Enfants (Malle)\nHope and Glory (Boorman)\n \n1988 Dekalog (Kieslowski)\nMy Neighbour Totoro (Miyazaki)\nLandscape in the Mist (Angelopoulos)\n \n1989 Close Up (Kiarostami)\nCity of Sadness (Hou)\n                              \n1990 The Sheltering Sky (Bertolucci)\nMiller\'s Crossing (Coen)\nNight Sun (Taviani bros)\n\n1991 The Double Life of Veronique (Kieslowski)*\nRaise the Red Lantern (Zhang Yimou)\nLa Belle Noiseuse (Rivette)\n\n1992 And Life Goes On (Kiarostami)\nA Brighter Summer Day (Yang)\nHowards End (Ivory)\n\n1993 Abraham Valley (Oliveira)*\nThe Age of Innocence (Scorsese)\nGroundhog Day (Ramis)\nThree Colours Blue (Kieslowski)\nThe Wrong Trousers (Park)\nSchindler\'s List (Spielberg)\n\n1994 Chungking Express (Wong Kar-Wai)\nSilences of the Palace (Tlatli)\nPulp Fiction (Tarantino)\n\n1995 Maborosi (Kore-eda)**\nUlysses\' Gaze (Angelopoulos)\nThe White Balloon (Panahi)\nThe Flower of my Secret (Almodovar)\n                              \n1996 Gabbeh (M.Makhmalbaf)\nThe English Patient (Minghella)\nTierra (Medem)\n\n1997 Flatworld (Greaves)\n\n1998 Eternity and a Day (Angelopoulos)*\nSecret Défense (Rivette)\n                              \n1999 Rosetta (Dardenne bros)\nOuter Space (Tscherkassky)\nTopsy Turvy (Leigh)\n\n2000 Crouching Tiger, Hidden Dragon (Ang Lee)\nWerckmeister Harmonies (Tarr)\nAt the Height of Summer (Tran Anh- Hung)\nEureka (Aoyama)\nIn the Mood for Love (Wong Kar-Wai)\nThe Heart of the World (Maddin)\n\n2001 Mulholland Dr (Lynch)*\nTake Care of my Cat (Jeong Jae-eun)\nMonday Morning (Iosseliani)\n\n2002 Far from Heaven (Haynes)\nBlissfully Yours (Weerasethakul)\nFinding Nemo (Stanton)\nTalk to her (Almodovar)\nSnake of June (Tsukamoto)\n\n2003 Dogville (Von Trier)\nThe Return (Zvyagintsev)\n\n2004 Howl\'s Moving Castle (Miyazaki) \nInnocence (Hadzihalilovic)\nBefore Sunset (Linklater)\nMoolaadé (Sembene)\n2046 (Wong Kar-Wai)\n\n2005 The New World (Malick)\nThe Wayward Cloud (Tsai Ming-liang)\nThe Piano Tuner of Earthquakes (Quay bros)\nRegular Lovers (Garrel)\nPrincess Raccoon (Suzuki)\n\n2006 Climates (Ceylan)\n\n2007 Silent Light (Reygadas)\nMy Winnipeg (Maddin)\nYou, the Living (Andersson)\n4 Months 3 Weeks and 2 Days (Mungiu)\nInto the Wild (Penn)\nThere will be Blood (P.T.Anderson)\nLust, Caution (Ang Lee)','16d5aae30a8d81c4c946c5c47a4ae24d',0,'','umqsnbjb',1,0,'',0,0,0),(106,89,6,93,0,'82.33.11.30',1236445515,1,0,1,1,1,1,'','The Inhabited Island - 2008, Russia','[youtube:xyb25glq]&lt;object width=&quot;480&quot; 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height=&quot;344&quot;&gt;&lt;param name=&quot;movie&quot; value=&quot;http://www.youtube.com/v/_L0XGnsl24I&amp;hl=en&amp;fs=1&quot;&gt;&lt;/param&gt;&lt;param name=&quot;allowFullScreen&quot; value=&quot;true&quot;&gt;&lt;/param&gt;&lt;param name=&quot;allowscriptaccess&quot; value=&quot;always&quot;&gt;&lt;/param&gt;&lt;embed src=&quot;http://www.youtube.com/v/_L0XGnsl24I&amp;hl=en&amp;fs=1&quot; type=&quot;application/x-shockwave-flash&quot; allowscriptaccess=&quot;always&quot; allowfullscreen=&quot;true&quot; width=&quot;425&quot; height=&quot;344&quot;&gt;&lt;/embed&gt;&lt;/object&gt;[/youtube:3kk2y50b]','04a9e6fd3927aee2f5717241df2ebf1c',0,'AAQ=','3kk2y50b',1,0,'',0,0,0),(113,96,6,93,0,'82.33.11.30',1236448148,1,0,1,1,1,1,'','Taras Bulba - 2009, Russia','[youtube:3fwpwmxv]&lt;object width=&quot;480&quot; height=&quot;295&quot;&gt;&lt;param name=&quot;movie&quot; value=&quot;http://www.youtube.com/v/SUSRv2fso3k&amp;hl=en&amp;fs=1&quot;&gt;&lt;/param&gt;&lt;param name=&quot;allowFullScreen&quot; value=&quot;true&quot;&gt;&lt;/param&gt;&lt;param name=&quot;allowscriptaccess&quot; value=&quot;always&quot;&gt;&lt;/param&gt;&lt;embed src=&quot;http://www.youtube.com/v/SUSRv2fso3k&amp;hl=en&amp;fs=1&quot; type=&quot;application/x-shockwave-flash&quot; allowscriptaccess=&quot;always&quot; allowfullscreen=&quot;true&quot; width=&quot;480&quot; height=&quot;295&quot;&gt;&lt;/embed&gt;&lt;/object&gt;[/youtube:3fwpwmxv]\n\nNew Russian movie &quot;Taras Bulba&quot;. Movie about Great Cossack\'s Spirit. Based on Nikolai Gogol (1809-1852) novel.','a606a17474a750f8af408c535adb9bb4',0,'AAQ=','3fwpwmxv',1,0,'',0,0,0),(114,97,6,93,0,'82.33.11.30',1236448860,1,0,1,1,1,1,'','9th Company - 2007, Russia','[youtube:2jd146em]&lt;object width=&quot;425&quot; height=&quot;344&quot;&gt;&lt;param name=&quot;movie&quot; value=&quot;http://www.youtube.com/v/8XPLlW8c1iE&amp;hl=en&amp;fs=1&quot;&gt;&lt;/param&gt;&lt;param name=&quot;allowFullScreen&quot; value=&quot;true&quot;&gt;&lt;/param&gt;&lt;param name=&quot;allowscriptaccess&quot; value=&quot;always&quot;&gt;&lt;/param&gt;&lt;embed src=&quot;http://www.youtube.com/v/8XPLlW8c1iE&amp;hl=en&amp;fs=1&quot; type=&quot;application/x-shockwave-flash&quot; allowscriptaccess=&quot;always&quot; allowfullscreen=&quot;true&quot; width=&quot;425&quot; height=&quot;344&quot;&gt;&lt;/embed&gt;&lt;/object&gt;[/youtube:2jd146em]','941c7dd14c781c616d86bad65c7d0119',0,'AAQ=','2jd146em',1,0,'',0,0,0),(96,37,7,91,0,'80.177.153.217',1235933613,1,0,1,1,1,0,'','Re: Desert island movies','well, quite a lot i\'d want with me! \n\nSansho the Bailiff\nMirror\nAlice in the Cities\nAndrei Rublev\nThe Green Ray\nMaborosi\nNorth by Northwest\nSunrise\n2001: A Space Odyssey\nRules of the Game\nParis Texas\nSeven Samurai\nCeline and Julie go Boating\nPather Panchali\nSome Like it Hot\nAbraham Valley\nVertigo\nMulholland Dr\nL\'Avventura\nLate Spring\nCasablanca\nThe Band Wagon\nSpirit of the Beehive\nTale of Tales\nEternity and a Day\nAniki Bobo\nThe Colour of Pomegranates','946322dc5c247e8623013fd824dd7829',0,'','yx6e9jyq',1,0,'',0,0,0),(99,38,7,91,0,'80.177.153.217',1235982236,1,0,1,1,1,1,'','Re: Favorite Japanese films and directors','Ah ha, a subject close to my heart. \n\nSansho the Bailiff (Mizoguchi)\nMaborosi (Koreeda)\nSeven Samurai (Kurosawa)\nLate Spring (Ozu)\nTokyo Story (Ozu)\nStory of the Late Chrysanthemums (Mizoguchi)\nTales of the Taira Clan ( Mizoguchi)\nThe Life of Oharu (Mizoguchi)\nUgetsu Monogatari (Mizoguchi)\nSound of the Mountain (Naruse)\nOrnamental Hairpin (Shimizu)\nThe Human Condition (Kobayashi)\nFloating Clouds (Naruse)\nMy Neighbour Totoro (Miyazaki)\nThe End of Summer (Ozu)\nEarly Summer (Ozu)\nKwaidan (Kobayashi)\nTokyo Twilight (Ozu)\nEureka (Aoyama)\nHidden Fortresss (Kurosawa)\nMiss Oyu (Mizoguchi)\nHowl\'s Moving Castle (Miyazaki)\nThe Only Son (Ozu)\nAi no Corrida (Oshima)\nJapanese Girls at the Harbour (Shimizu)\nHarakiri (Kobayashi)\nRepast (Naruse)\nPrincess Raccoon (Suzuki)\nSnake of June (Tsukamoto)\nThe Eel (Imamura)\nAfter the Rain (Koizumi)\nThe Loyal 47 Ronin (Mizoguchi)\nHigh and Low (Kurosawa)\nOsaka Elegy (Mizoguchi)\nRed Angel (Masumura)\nWoman of the Dunes (Teshigahara)\nPistol Opera (Suzuki)\nEarly Spring (Ozu)\nA Geisha (Mizoguchi)\nOnibaba (Shindo)\nHumanity and Paper Balloons (Yamanaka)\nThe Idiot (Kurosawa)\nChikamatsu Monogatari (Mizoguchi)\nThe Water Magician (Mizoguchi)\nA Taxing Woman (Itami)\nTwilight Samurai (Yamada)\nBranded to Kill (Suzuki)\nThrone of Blood (Kurosawa)\nHana-bi (Kitano)\nManji (Masumura)\n\nwell, so many wonders....!','615271377fc5bea0ea9a3cae47c2f71f',0,'','2es1jkj4',1,0,'',0,0,0),(83,37,7,75,0,'60.243.155.10',1234290545,1,0,1,1,1,1,'','Re: Desert island movies','\n\nMail me to know about    <!-- e --><a href=\"mailto:moviemakers9@yahoo.com\">moviemakers9@yahoo.com</a><!-- e -->\n\nor call us 0091-092937-00369','bd4fe090cabda3d91a94773c1ed1b9e3',0,'QA==','8a2m3xot',1,0,'',0,0,0),(115,37,7,96,0,'64.180.93.54',1236458650,1,0,1,1,1,1,'','Re: Desert island movies','10 Desert island movies:\n1. My Name is Nobody\n2. Highway Patrolman\n3. A Very Long Engagement\n4. A Room With a View\n5. Kontrol\n6. The English Patient\n7. Gorky Park\n8. The Pink Panther\n9. White\n10. Hamlet (Zeffirelli)','6c83f43de34f357dede8f80e272c40cd',0,'','3ahn8ts1',1,0,'',0,0,0),(144,0,3,1,0,'69.120.114.47',959031030,1,0,1,1,1,1,'Lynn','Bolero','I would love to get a copy of this film (in either NTSC or PAL format) but some records show that it is not available on video.  Yet I rented this video in South Africa sometime around 1985 - how is this possible?  Can anyone help me with this?  It is probably the most beautiful foreign film I\'ve ever seen, and a wonderful soundtrack.','7a7a50dd5096fb0b84e33d468e5208f6',0,'','jBEF4Nca',1,0,'',0,0,0),(145,0,3,1,0,'69.120.114.47',959033011,1,0,1,1,1,1,'jman','Re: Bolero','Hi Lynn, thanks for your posting. But for future reference, please use the \"Hard-to-find films\" forum for questions regarding rare or oop videos.','12e18519b4e103439d747fa58c4b39b6',0,'','CNgBSA3w',1,0,'',0,0,0),(146,0,3,1,0,'69.120.114.47',959036856,1,0,1,1,1,1,'dan-2','A Matter of Dignity','Given the completely haphazard manner in which DVDs are being released, especially classic films, I was astonished to find Michael Cacoyannis\'s half-forgotten masterpiece (long before the overrated Zorba the Greek) A Matter of Dignity available.  I know it from an old art house screening some decades ago, as well as from a favorable review by Vernon Young (a god among film critics).  How on earth somebody persuaded the execs to cough up the cash for it will probably remain one of life\'s last mysteries.  \r\n','0662c54ae69c7a3a0a172d17b5644110',0,'','kn9yopdz',1,0,'',0,0,0),(154,0,3,1,0,'69.120.114.47',959158949,1,0,1,1,1,1,'Sarah','Re: The Million Dollar Hotel','I have been desperately hoping it will come out in the US too... It\'s scheduled to come out all over Europe and in Asia already, but no US date yet....argh!\r\n\r\nHey - I hope you read alt.movies.wim-wenders if you\'re interested in Wenders.  A quiet group but with a few more people....','66d04564dea24e0810cd004d6eeaf0ed',0,'','9iptyLhC',1,0,'',0,0,0),(155,0,3,1,0,'69.120.114.47',960109479,1,0,1,1,1,1,'dan-2','Re: The Million Dollar Hotel','E.L. Doctorow once opined that films were about one of two things - faces or explosions.  Look at the current crop of Hollywood releases.  Despite some marvelous actors, explosions proliferate . . .','7bdb763ca450eb70dad1cb40d3802108',0,'','DpoQsBb5',1,0,'',0,0,0),(156,0,3,1,0,'69.120.114.47',981567027,1,0,1,1,1,1,'nitin jagdish','Re: The Million Dollar Hotel','cut to 8 months later. \'the million dollar hotel\'\nis just now getting reviewed in the u.s.','cbc21ce8a043f4f6cb3a602340d8ebaf',0,'','3vBXp5hA',1,0,'',0,0,0),(157,121,3,1,0,'69.120.114.47',959031030,1,0,1,1,1,1,'Lynn','Bolero','I would love to get a copy of this film (in either NTSC or PAL format) but some records show that it is not available on video.  Yet I rented this video in South Africa sometime around 1985 - how is this possible?  Can anyone help me with this?  It is probably the most beautiful foreign film I\'ve ever seen, and a wonderful soundtrack.','7a7a50dd5096fb0b84e33d468e5208f6',0,'','VGxDoQ7k',1,0,'',0,0,0),(158,121,3,1,0,'69.120.114.47',959033011,1,0,1,1,1,1,'jman','Re: Bolero','Hi Lynn, thanks for your posting. But for future reference, please use the \"Hard-to-find films\" forum for questions regarding rare or oop videos.','12e18519b4e103439d747fa58c4b39b6',0,'','MhvDk4zK',1,0,'',0,0,0),(159,122,3,1,0,'69.120.114.47',959036856,1,0,1,1,1,1,'dan-2','A Matter of Dignity','Given the completely haphazard manner in which DVDs are being released, especially classic films, I was astonished to find Michael Cacoyannis\'s half-forgotten masterpiece (long before the overrated Zorba the Greek) A Matter of Dignity available.  I know it from an old art house screening some decades ago, as well as from a favorable review by Vernon Young (a god among film critics).  How on earth somebody persuaded the execs to cough up the cash for it will probably remain one of life\'s last mysteries.  \r\n','0662c54ae69c7a3a0a172d17b5644110',0,'','nBGZaz71',1,0,'',0,0,0),(160,123,3,1,0,'69.120.114.47',959045650,1,0,1,1,1,1,'jman','Sir John Gielgud dies at 96','Perhaps best known for his role as the English butler opposite Dudley Moore in \"Arthur,\" for which he won an Academy Award for, one of the leading British actors of the 20th century, alongside Laurence Olivier and Ralph Richardson, has passed away at age 96.\r\n\r\nRecent appearances include ELIZABETH, Kenneth Branagh\'s HAMLET, PORTRAIT OF A LADY, and SHINE.','2a1d6c7eab9ea0bd248fbff0d58d8772',0,'','YGQdzKb5',1,0,'',0,0,0),(161,123,3,1,0,'69.120.114.47',959140187,1,0,1,1,1,1,'dan-2','Re: Sir John Gielgud dies at 96','A shame he\'s \"best known\" for such a otherwise lousy movie.  Won an Oscar for it.  The finest Hamlet of his generation.','8efe9ecd4937525f231d13a6294a3572',0,'','h9YZiw1k',1,0,'',0,0,0),(162,123,3,1,0,'69.120.114.47',960513399,1,0,1,1,1,1,'paul','Re: Sir John Gielgud dies at 96','Gielgud had one of the most beautifully clear speaking voices in English ever.  Silvery.','73064cab195c8eb8a9d914c87edbb360',0,'','oBkVeG6H',1,0,'',0,0,0),(163,123,3,1,0,'69.120.114.47',964194496,1,0,1,1,1,1,'cathouse','Re: Sir John Gielgud dies at 96','A truly great actor.  I\'m going to miss him.\n','4b056db4527b96f7909227091d0118e8',0,'','RixFEYHT',1,0,'',0,0,0),(164,123,3,1,0,'69.120.114.47',1019510009,1,0,1,1,1,1,'joelc','Re: Sir John Gielgud dies at 96','One of his better roles was Prospero in \"Prospero\'s Books\" by Peter Greenaway.  If you\'re a Gielgud fan, check it out.','d321b9d47b9e09300fe8e835074e2b16',0,'','DJkjuWrt',1,0,'',0,0,0),(165,123,3,1,0,'69.120.114.47',1024259243,1,0,1,1,1,1,'stingo31','Re: Sir John Gielgud dies at 96','May flights of angels sing you to your rest...','d999fef303e3579228e6cc9a1271a697',0,'','4GmPYErJ',1,0,'',0,0,0),(166,124,3,1,0,'69.120.114.47',959149517,1,0,1,1,1,1,'jman','The Million Dollar Hotel','Why is it taking so long for this film to reach the US? I mean, think about it:\r\n\r\n1) directed by Wim Wenders, arguably one of the best directors of the 20th century, coming fresh off the success of BUENA VISTA SOCIAL CLUB\r\n2) stars Mel Gibson (ie. has star power)\r\n3) is in English (critical for American audiences)\r\n4) soundtrack by Bono + U2\r\n\r\nWhat more do you need?','a84c302821565c29049501146e6789dd',0,'','qoXJBmd3',1,0,'',0,0,0),(167,124,3,1,0,'69.120.114.47',959158949,1,0,1,1,1,1,'Sarah','Re: The Million Dollar Hotel','I have been desperately hoping it will come out in the US too... It\'s scheduled to come out all over Europe and in Asia already, but no US date yet....argh!\r\n\r\nHey - I hope you read alt.movies.wim-wenders if you\'re interested in Wenders.  A quiet group but with a few more people....','66d04564dea24e0810cd004d6eeaf0ed',0,'','JXacdU28',1,0,'',0,0,0),(168,124,3,1,0,'69.120.114.47',960109479,1,0,1,1,1,1,'dan-2','Re: The Million Dollar Hotel','E.L. Doctorow once opined that films were about one of two things - faces or explosions.  Look at the current crop of Hollywood releases.  Despite some marvelous actors, explosions proliferate . . .','7bdb763ca450eb70dad1cb40d3802108',0,'','UPwpmi6T',1,0,'',0,0,0),(169,124,3,1,0,'69.120.114.47',981567027,1,0,1,1,1,1,'nitin jagdish','Re: The Million Dollar Hotel','cut to 8 months later. \'the million dollar hotel\'\nis just now getting reviewed in the u.s.','cbc21ce8a043f4f6cb3a602340d8ebaf',0,'','rKtR2yl6',1,0,'',0,0,0),(170,125,3,1,0,'69.120.114.47',959751363,1,0,1,1,1,1,'jman','Godard or Truffaut?','Which French director contributed more to the French New Wave and world cinema in general...Godard or Truffaut?','d826826f9fbf6457a6528565e5852524',0,'','DstXNr2H',1,0,'',0,0,0),(171,125,3,1,0,'69.120.114.47',960021543,1,0,1,1,1,1,'dan-2','Re: Godard or Truffaut?','Godard\'s influence has been largely negative - encouraging too many novice directors to dispense with any coherence.  Truffaut made much better films - Les 400 Coups, Jules et Jim, Shoot the Piano Player, and two or three others.  Truffaut sold out (a common problem for \'60s directors), but no can look at Les 400 Coups and not see it as one of the great films for the ages.  My vote: Truffaut!','be5b0b217d8c80a60c5cf28a3ddb51f0',0,'','B80aVfvF',1,0,'',0,0,0),(172,125,3,1,0,'69.120.114.47',961828977,1,0,1,1,1,1,'hobbit55','Re: Godard or Truffaut?','For Ever godard!  ','26e344731d0b1188e644591303670473',0,'','5Q9w8zlt',1,0,'',0,0,0),(173,125,3,1,0,'69.120.114.47',961972234,1,0,1,1,1,1,'MoWax','Re: Godard or Truffaut?','I would argue with anyone who would ever try to say that Truffaut was the better director. They were both so different its hard to compare, but I think if you look at the last 15 years of film, youll see where Godard laid his mark. Godard\'s films are just as good as Truffaut\'s (to me at least), but not only that, Godard is an inspiration to all those who want to be a director. he\'s always doen what he feels, and whether that involved going to explore his navel with his videocamera or making a big budget film co-starring Jack Palance, its always been what he wanted it to be. He never \"sold out\" like Truffaut. He never once tried to simply win over the audience, and while that left some in the dark, it only made his followers love him more. He is one of the godfathers of whats now called independant film, but he is even more then that. He\'s a phenomonal artist who came at a time when film needed to be dumped on its head, and thats a lot more then can be said for Truffaut... ','6abd5b050ccd8f989a9ef7ffb1f9d56e',0,'','FW9XDqr4',1,0,'',0,0,0),(174,125,3,1,0,'69.120.114.47',962458671,1,0,1,1,1,1,'kinggodard','Re: Godard or Truffaut?','Godard of course. Truffaut style is somewhat more mature,influenced heavily by literature. Godard is much more carefree, funky, cheeky...he films what he sees around him,he writes whatever inside his heart,his earlier films were inspired by jazz and american pop culture. His dialogues are sharp,witty,observant,poetic,funny,dark. he inspired guys like tarantino,araki,wong kar wai,hartley. where truffaut characters are tiresome,and eventually irritating after awhile Godard\'s characters are compelling to watch even when they are \'angsty\'. \'breathless\' is to this day, one of the best film around...rich dialouge,funky soundtrack, hand held, natural lighting. he made everything looked easy and seamless.  so Godard is my man.','6bf5bb5b5b987369cca943923472f13a',0,'','UKDcSGJd',1,0,'',0,0,0),(175,125,3,1,0,'69.120.114.47',965786626,1,0,1,1,1,1,'bavasawa','Re: Godard or Truffaut?','I\'d say Godard as well but both were great.','7c42817965b15c5adb73f7fd71a3dbe3',0,'','EBR91nUG',1,0,'',0,0,0),(176,125,3,1,0,'69.120.114.47',965864346,1,0,1,1,1,1,'LF_CELINE','Re: Godard or Truffaut?','I\'d say Truffaut...not only for his films (which any argument for Godard\'s films one can make for Truffauts...the cheekiness, the clunkiness, etc) but also for his days as a critic...here was a guy who was vitriolic and scathing in his criticisms of films he disliked, and affectionate and passionate about the films he loved...he came up with the \"Auteur\" theory (a director should leave his own personal mark on every film)...some of his articles helped the careers and critical viewpoints of such directors as Ophuls, Hitchcock (who was pretty much considered a \"talented haack\" before Truffaut), Sam Fuller, Louis Aldrich...he also tried to help his upstarting friends make their films (he wrote the original story that became \"Breathless\", for example)\n\nAs far as his films are concerned...I\'d also make the argument that he NEVER sold out....where as Godard was trying his hardest to prove how much of an \"anarchist\" he was, Truffaut went more for the kind of subversion that Hitchcock was known for....take a regular Hollywood-type of storyline and expose the rot underneath just enough to get the audience uncomfortable not only with the movie, but aspects of themselves they see on screen..\n\nyeah, I\'d see \"400 Blows\" over \"Day For Night\" any day of the week, but that\'s not say I wouldn\'t wait in line to see \"Day For Night\"...yeah he got more technically proffient over the years, but so does anybody who loves their craft.....\n\nAs far as Godard, a friend of mine who REALLY loves him put it best when he said \"Truffaut made films....Godard makes Thesis\"...I guess I\'d rather watch films...','eed33459be3186b46eebe51cbee37c96',0,'','gTY9HQZB',1,0,'',0,0,0),(177,125,3,1,0,'69.120.114.47',967879281,1,0,1,1,1,1,'Jepp','Re: Godard or Truffaut?','Truffaut. And I can give you 400 reasons why.','ee3a1efa87b88fc9b97bc810616d0282',0,'','nz2K9MDX',1,0,'',0,0,0),(178,125,3,1,0,'69.120.114.47',968208983,1,0,1,1,1,1,'solent','Re: Godard or Truffaut?','I agree with those who imply that Godard was the experimentor, the risk-taker and the true independent artist. Truffaut was a more conventional and literary interpreter. A good filmkaker but not an integral part of his films like Godard is. Truffaut creates a work of art...and then sets it free. Godard also creates but leaves his self inextricably entwined within his films. Only a vibrant artist like Godard can truly influence others. [Interesting when one considers that only his 1959-67 films are enough to firmly establish his immortal reputaion.]','aaac086313879e682bcbf43e7f8a4fc7',0,'','n0NHoSrL',1,0,'',0,0,0),(179,125,3,1,0,'69.120.114.47',968688593,1,0,1,1,1,1,'katsuben','Re: Godard or Truffaut?','Godard.','6e3eb80c3cbf0f00ee498c2a51393b6e',0,'','X1kuqQ7m',1,0,'',0,0,0),(180,126,3,1,0,'69.120.114.47',960021845,1,0,1,1,1,1,'dan-2','The disintegration of genius','Can anyone think of a good reason why so many great directors fell apart so quickly in the \'60s?  Bergman, Fellini, Antonioni, Truffaut, to name a few, went from the sometimes sublime to the often ridiculous in a remarkably short space of time.  Besides the obvious reason (money), does anyone have a better explanation?','d8ba85b8d3ce5397b456e8352b8b117c',0,'','4CsLMYq0',1,0,'',0,0,0),(181,126,3,1,0,'69.120.114.47',965236752,1,0,1,1,1,1,'C.A. Childers','Re: The disintegration of genius','Recognition is one of the most violent killers of brilliance in artists.','7251dda79f3840b22d5c8f32be24aada',0,'','jlBGNVTo',1,0,'',0,0,0),(182,126,3,1,0,'69.120.114.47',965273596,1,0,1,1,1,1,'Tony Block','Re: The disintegration of genius','They got older?  Of course directors like Bunuel & Kurasowa were still very good up to the end.  Maybe they only had so much to say?  ','1e2a3b0289015d6d445ca32e9e8c6099',0,'','ZRBWGw2p',1,0,'',0,0,0),(183,126,3,1,0,'69.120.114.47',965949587,1,0,1,1,1,1,'LF_CELINE','Re: The disintegration of genius','The only artist of any kind who, I feel, consistently put out great works was Louis Ferdinand Celine...and he was a writer....as far as artists of any kind goes, the older they get, the less they tend to matter...yeah everybody loved \"Ran\", but nobody ever talks about \"Madadayo\" (which I thought was brilliant), which was the last film of his I saw...and in fact, \"Ran\" and \"Kagemusha\" wouldn\'t have been made if it weren\'t for a couple of fans of his early work (Coppolla and Lucas)...people tend to forget that Kurosawa tried killing himself on numerous times during the seventies because he was, in the words of many critics, \"too old to matter anymore\"....both \"Dersu Uzala\" and \"Dodes\'Ka Den\" were financial and critical failures...Bergman had the same reputation during the seventies, and then made \"Fanny And Alexander\"...Fellini made \"Amacord\" and \"And The Ship Sails On\"...Robert Altman made \"The Player\" and \"Short Cuts\" after a decade of being ignored...maybe it\'s just that we have to catch up with them....','603f536a7816290abb9b4fa1f04f417a',0,'','5q98iobt',1,0,'',0,0,0),(184,126,3,1,0,'69.120.114.47',969961633,1,0,1,1,1,1,'CClaudel','Re: The disintegration of genius','Biggest Reason -- political and economic pressure\n2nd Biggest Reason -- burn out, both emotional and drug-induced','cfefb3b789a5fa6221420c2c5ed2d85d',0,'','b2lNvstq',1,0,'',0,0,0),(185,126,3,1,0,'69.120.114.47',976079237,1,0,1,1,1,1,'kraljibi','Re: The disintegration of genius','Reply to Mr. Celine\nLouis Ferdinand Celine\'s mind and subsequently his writing has suffered a bit from The Journey to the End of the Night to Castle to Castle. A little too much politics and madness. A great writer though. ','be136acec023929347d435e84137a100',0,'','xX2yaPMH',1,0,'',0,0,0),(186,127,3,1,0,'69.120.114.47',961644841,1,0,1,1,1,1,'jman','Don\'t miss East-West!','In my opinion one of the best films to come out of France over the past 10 years.','4fee2d9b12f4e5eaf0a3b7c264ec5851',0,'','0gBauPbq',1,0,'',0,0,0),(187,127,3,1,0,'69.120.114.47',963262275,1,0,1,1,1,1,'FilmLover','Re: Don\'t miss East-West!','I agree 100%!!!!!!!!1 I just saw this film recently, I recommend anyone to go see it!\n\nLOVE THIS FILM!','296482cbba7192703ce62fcd37062495',0,'','R8PejUDm',1,0,'',0,0,0),(188,127,3,1,0,'69.120.114.47',963367132,1,0,1,1,1,1,'Paz','Re: Don\'t miss East-West!','What did you like about the film?','db417f6a0dd97000fd62a5d2b8dc0c99',0,'','lLv2zF4A',1,0,'',0,0,0),(189,127,3,1,0,'69.120.114.47',963431270,1,0,1,1,1,1,'FilmLover','Re: Don\'t miss East-West!','That sounds like a loaded question, but I\'ll answer anyways.\nI am not one who generally gets into analyzing the films I see, but I know when I see a good film.\n\n1) Its just an all around great film: music, scenery, etc, etc.\n\n2) It was one of those films that I felt  you could really feel the angst and struggles of the characters.\n\n3) I also thought the film did a good job of capturig the feeling of the period during which it was set.\n(although I am sure that this point can be argued)\n\n','d9a21909f83d2c374813963befa282d2',0,'','ue8cTx9P',1,0,'',0,0,0),(190,127,3,1,0,'69.120.114.47',963516847,1,0,1,1,1,1,'Paz','Re: Don\'t miss East-West!','Film lover, Thanks for your further  comments. They helped me in deciding whether to see the movie or not.  I think I\'ll try it.  Greetings!','acb66560773567efcaf23e898280ff2a',0,'','3XHmL7by',1,0,'',0,0,0),(191,128,3,1,0,'69.120.114.47',961870071,1,0,1,1,1,1,'jman','Bossa Nova','Has anyone seen Bossa Nova yet? It\'s showing at the local theatre and I\'m debating whether or not to see it.','4bd444ccfa0603230d30f2d7067a1d35',0,'','gUuJ1wnk',1,0,'',0,0,0),(192,128,3,1,0,'69.120.114.47',962426615,1,0,1,1,1,1,'dan-2','Re: Bossa Nova','I saw it, only because I\'m a die-hard fan of Antonio Carlos Jobim, whose music figures prominently on the soundtrack.  It\'s kind of a love-letter from Hector Babenco to his wife Amy Irving.  Could have been much more cliched, but I found it warm and absorbing.  ','3613cd07fab4213c3c6110d0ff9d45b3',0,'','EkysD8GJ',1,0,'',0,0,0),(193,128,3,1,0,'69.120.114.47',965273750,1,0,1,1,1,1,'Tony Block','Re: Bossa Nova','Is this really a foreign film.  I know it was filmed in Brazil, but ......','fefd10a5465dd8f78216bdcd404be3cb',0,'','72YdQSz5',1,0,'',0,0,0),(194,128,3,1,0,'69.120.114.47',968275616,1,0,1,1,1,1,'Macabea','Re: Bossa Nova','Yes, I\'ve seen Bossa Nova, mostly since I\'m a Brazilian movie lover.\nIt\'s quite interesting, with gorgeous cinematography and wonderful music.\nAs for the plot, it\'s basicaly the cliched romance type, with a little bit of comedy. Worth seeing for its music, really. But nevertheless if you like cinema, just go and watch it, it sure is fun. ','a85f3d5ccc578894e1ff4931b0b509f5',0,'','ajRmQJ5l',1,0,'',0,0,0),(195,129,3,1,0,'69.120.114.47',962457645,1,0,1,1,1,1,'kinggodard','CHECK OUT MY GODARD/WONG KAR WAI INSPIRED FILM!','Hey people \ncheck out my short film at\n\nwww.ifilm.com/films.taf?film_id=130185\n\nhappy viewing and thanks','5479e5d3f36f6231ffe325a96ebe37da',0,'','Y32mbHU6',1,0,'',0,0,0),(196,130,3,1,0,'69.120.114.47',962655898,1,0,1,1,1,1,'cinemasmooch','Sunshine','Anyone seen Sunshine yet?  If so, what\'d you think?','0c82d4148a85afa9e40703235f47d9b2',0,'','sxivCHZl',1,0,'',0,0,0),(197,130,3,1,0,'69.120.114.47',963716908,1,0,1,1,1,1,'cinemasmooch','Re: Sunshine','Well, once again Ralph Finnes is having his problems with women (as in The English Patient and The End of the Affair).  This time it\'s tripled though, since he plays 3 different parts.  At nearly 3 hours, it takes place in Hungary between the turn of the century and the 1950\'s.  I recommend it, but then I\'m especially partial to intense actors like Ralph.  Some ladies in the restroom commented that it reminded them of a Hungarian Doctor Zivago.','1c7325325648b68241a0783232eb1abc',0,'','FQt40fRw',1,0,'',0,0,0),(198,130,3,1,0,'69.120.114.47',984684309,1,0,1,1,1,1,'twizzler25','Re: Sunshine','I was just wondering where I can find the movie Sunshine, or if it has even come out in Canada yet?','a5362fdad4ab4cda69fd4d6e2dece1ac',0,'','Y7eMymXt',1,0,'',0,0,0),(199,130,3,1,0,'69.120.114.47',984690269,1,0,1,1,1,1,'acquarello','Re: Sunshine','Supposedly, it was released in Canada late last year, but if it was anything like the US release, it only played in a handful of theaters and quickly disappeared.\n\nIf you have a DVD player, \"Sunshine\" is coming to Region 1 on May 8th, along with Edward Yang\'s \"Yi Yi\".\n\nFYI - I posted the DVD release dates on some noteworthy foreign films over in the \"News and Rumors\" section, under \"Upcoming DVD Releases to Note\".\n\nacquarello','1bda093d90b4a6aedd15631335a277e9',0,'','g7hQDCfz',1,0,'',0,0,0),(200,131,3,1,0,'69.120.114.47',962889772,1,0,1,1,1,1,'Anali','Cinema Paradiso','What happens in the original Italian version of Cinema Paradiso that\'s not in the US/international release version?','c8d3af8c8e5a2ef6a47b24f9aeeddc7d',0,'','2QG7jRN0',1,0,'',0,0,0),(201,131,3,1,0,'69.120.114.47',963774036,1,0,1,1,1,1,'cinemasmooch','Re: Cinema Paradiso','I didn\'t know there was a different Italian version and would also like to know how it compares with the US release.  It\'s one of my all-time favorite foreignfilms.  I got the same kind of feeling from it that I did from Like Water For Chocolate.  It also makes me think of my Grandpa, who was born in Italy.','3f3e03fe6b9a2981ad8f23505bd73214',0,'','KPdrwZFQ',1,0,'',0,0,0),(202,131,3,1,0,'69.120.114.47',963829745,1,0,1,1,1,1,'Anali','Re: Cinema Paradiso','I think there was a huge portion that was cut out, wherein the adult Toto finds out that his sweetheart\'s no-show was Alfredo\'s doing. I think he also meets the girl when he goes back to the town. Has anyone here seen it and can verify this for me?','912ccf9ddaa04c317ad6768a7bb4ad68',0,'','hEz4dTnJ',1,0,'',0,0,0),(120,102,6,93,0,'82.33.11.30',1236812895,1,0,1,1,1,1,'','The Banishment - 2007, Russia','[youtube:1r42k2w6]&lt;object width=&quot;425&quot; height=&quot;344&quot;&gt;&lt;param name=&quot;movie&quot; value=&quot;http://www.youtube.com/v/d2YngCFu4j8&amp;hl=en&amp;fs=1&quot;&gt;&lt;/param&gt;&lt;param name=&quot;allowFullScreen&quot; value=&quot;true&quot;&gt;&lt;/param&gt;&lt;param name=&quot;allowscriptaccess&quot; value=&quot;always&quot;&gt;&lt;/param&gt;&lt;embed src=&quot;http://www.youtube.com/v/d2YngCFu4j8&amp;hl=en&amp;fs=1&quot; type=&quot;application/x-shockwave-flash&quot; allowscriptaccess=&quot;always&quot; allowfullscreen=&quot;true&quot; width=&quot;425&quot; height=&quot;344&quot;&gt;&lt;/embed&gt;&lt;/object&gt;[/youtube:1r42k2w6]','357225a6df3aa6ef6795d700ff917736',0,'AAQ=','1r42k2w6',1,0,'',0,0,0),(203,131,3,1,0,'69.120.114.47',964948027,1,0,1,1,1,1,'Nikko','Re: Cinema Paradiso','There is about 30 mins extra in the Italian version, which I\'ve watched, but as I don\'t speak Italian all was not clear.\nToto does meet with sweetheart;  they still love one another, but she is married (I think to the guy who got belted by the teacher for not knowing 5x5) and Toto moves on... there was something to do with Alfredo\'s actions impacting on the romance, but that was mainly as dialogue so I didn\'t get it. I\'ll ask the guy at the Italian video shop if he knows the story (he had a cinema for 25 years)','313daa9ff82afc5a349bf94b2f43f5b1',0,'','8YStUPNr',1,0,'',0,0,0),(204,131,3,1,0,'69.120.114.47',965249345,1,0,1,1,1,1,'cinéphile','Re: Cinema Paradiso','I am also desperately in need of the Cinema Paradiso Director\'s Cut. Cinema Paradiso has been my favorite movie since the first time I saw it, and I cry every time I see it. Incidentally, does anybody have an address for Giuseppe Tornatore; maybe someone could convince him to re-release the Director\'s Cut, but WITH English sub-titles.','1d8c69f97cd8fff350d675cd049fb468',0,'','MuYEmbQd',1,0,'',0,0,0),(205,131,3,1,0,'69.120.114.47',965420524,1,0,1,1,1,1,'cinéphile','Re: Cinema Paradiso','YES YES YES!!!!! I Found IT! Go to http://www.blackstar.co.uk/video/item/7000000036814\nYou can order the 167 minute  CINEMA PARADISO version for 16 pounds!!!! I can\'t believe it, I will finally be able to watch it!','f45aa7eae7098ea4c247cb14a591dc62',0,'','EDX9xvun',1,0,'',0,0,0),(206,131,3,1,0,'69.120.114.47',965432589,1,0,1,1,1,1,'jman','Re: Cinema Paradiso','Do you have a PAL video player?','f110d600b02cbff659f2d3fd676228a9',0,'','6ZB8cyAo',1,0,'',0,0,0),(207,131,3,1,0,'69.120.114.47',965593674,1,0,1,1,1,1,'cinéphile','Re: Cinema Paradiso','Yes, I DO!','580d8e9634fccbfa5f42ae498009b458',0,'','SxpkJneo',1,0,'',0,0,0),(208,131,3,1,0,'69.120.114.47',965679824,1,0,1,1,1,1,'cinemasmooch','Re: Cinema Paradiso','I emailed Blackstar asking them if the long version is available with English subtitles and they said, \"yes\".  Hopefully, the video rental stores will also carry it.','830d3f4b0bd2a18aa4e78b01e6c74c84',0,'','C7V6slBo',1,0,'',0,0,0),(209,131,3,1,0,'69.120.114.47',967090640,1,0,1,1,1,1,'Nikko','Re: Cinema Paradiso','RE: Film clips shown in Cinema Paradiso.\nDoes anyone know the name of the movie that was show as the first feature when Chicci\'s New Cinema Paradiso opened.\nI think the actress was Silvana Mangano, she was singing a samba/rumba type song, and in the next cut, same movie,the actor Vittorio Gassman, kisses her on the back as she lies on a bed.  ','a8fdd22e8f42f3f7659643970e702d73',0,'','50ZsQn6F',1,0,'',0,0,0),(210,131,3,1,0,'69.120.114.47',967254578,1,0,1,1,1,1,'cinemasmooch','Re: Cinema Paradiso','I\'d like to find out what movies all the kissing scene clips came from.  Anyone know black and white films well?','2eacb71b5a776ae912859e80988f4c3b',0,'','DqK6xWgp',1,0,'',0,0,0),(211,131,3,1,0,'69.120.114.47',972450131,1,0,1,1,1,1,'Nikko','Re: Cinema Paradiso','Hi Anali, I have just read the script parts that were left out of the mainstream release. Toto does see Elena, who is now married to Boccia.  Elena tells Salvatore that due to a family fight, about him,  she was late for their last meeting before her planned departure, and when she couldn\'t find him, she told Alfredo that she loved Salvatore and intended to run away with him. Alfredo told her to forget him. She said she would take his advice, but crept back up to the projection booth and left Salvatore a note telling him where he could find her, and that she would wait for him. Salvatore never saw the note and thought that Elena never showed up. The rest is history.','c75e4f3cc8746f92e206c01117c9dd64',0,'','bg14VUJG',1,0,'',0,0,0),(212,131,3,1,0,'69.120.114.47',973576798,1,0,1,1,1,1,'Nikko','Re: Cinema Paradiso','RE: Kissing clips in Cinema Paradiso. Answering my own question and the Kisses one partly:- The movie at the opening of the rebuilt cinema was called \"Anna\", and Sylvana Mangano and Vittoria Gassman\'s kiss was the first one that was not censored by the padre. I\'m not sure if it was in the final edit that Alfredo left Salvatore, but it should have been.','d92b5401a34a8f62ee5a4864c92618ae',0,'','Ud5nkm6Y',1,0,'',0,0,0),(213,131,3,1,0,'69.120.114.47',977212079,1,0,1,1,1,1,'marymccluer','Re: Cinema Paradiso','i think part of the charm of this film is that the minor characters are so well developed.  we see them in brief sketches which are further developed throughout the film.  this gives us a sense of community and of even knowing the people.  when tito returns to his home town for the funeral, we feel as though it is our own homecoming.  the sleek use of minor characters i thinks is part of the genius of this film.','2efb8b0ff1abbbc2e0e57d28597b5160',0,'','wHZtfTPl',1,0,'',0,0,0),(214,131,3,1,0,'69.120.114.47',978659987,1,0,1,1,1,1,'ab_ashley','Re: Cinema Paradiso','I had a copy of the Director\'s cut which I must say is an inferior version of the film. It\'s is 56 minutes longer. And it changes the entire picture. I wish I had not seen it. Toto meeting Elena as adults serves no purpose other than reveiling that Alfredo is ultimately responsible for Toto and Elena\'s unfulfilled love.\nThis in turn tarnishes the audience\'s percieved relationship between Alfredo and Toto. At the end of the film I found myself angry that Alfredo didn\'t give Toto the message from Elena. ','e19f1af6ed06a8b26a2074bdc8771798',0,'','2Sbgnok4',1,0,'',0,0,0),(215,131,3,1,0,'69.120.114.47',1000172544,1,0,1,1,1,1,'taldo','Re: Cinema Paradiso','Hi,Neil Sullivan,You mentioned {The guy in the Italian movie\nstore}Would he by chance have any Italian films made \nin the 1940\'s.Could you send me is Email address.\nThank You........Taldo,, at,,taldo@earthlink.net,,,,in,Calif.','e130418c418f4ed3698441fa7473f003',0,'','Ev51DymQ',1,0,'',0,0,0),(216,132,3,1,0,'69.120.114.47',963833469,1,0,1,1,1,1,'alternativefilm','ALTERNATIVEFILM.COM',' (Submit and Watch Films for Free!) an online theater established for the independent filmmaker.\n You can view free streaming films and you can submit your film for free.\n You will find links to film resources, film chat, film schools, film festivals, celebrities, \nand much more...... \n','2faba7539f1d65517f683b9b82822853',0,'','dGMTmLqs',1,0,'',0,0,0),(217,133,3,1,0,'69.120.114.47',963860542,1,0,1,1,1,1,'FilmLover','Kikujiro','Has anyone else seen this film?  Although the reviews of the film were less than favorable, I think this is a film worth your while to see!\nANy comments?\n\n','23d878e30188a0a33cd52e791019980c',0,'','KtMfCcVZ',1,0,'',0,0,0),(218,133,3,1,0,'69.120.114.47',964420123,1,0,1,1,1,1,'mikiear','Re: Kikujiro','kikujro is a fine film although some critics disliked it.    My favorite is Ran.','0f268ba9a3e5a332120e55c65d5a6533',0,'','PlUDBpSz',1,0,'',0,0,0),(219,133,3,1,0,'69.120.114.47',972005739,1,0,1,1,1,1,'monkeyfilm','Re: Kikujiro','Kikujiro is a film putting together the innocence of both adults and kids.  It touches the wonderland in not only the director\'s (Kitano), but also in our mind. There was a minute in the theater, I thought that I could live in that kind of pure and simple life again. :P ','98a77b6cc4fe276cf90ad384bc9d4b51',0,'','UiPnDRhQ',1,0,'',0,0,0),(220,133,3,1,0,'69.120.114.47',981565818,1,0,1,1,1,1,'nitin jagdish','Re: Kikujiro','this movie deserved much much better. \na flexing of style. \na surrogate parent-child story where the surrogate\nparent [thankfully] didn\'t Learn Something and Grow in \na Meaningful Manner.\na flat out masterpiece.\nwhy isn\'t this japanese renaissance man\n[it seems the only thing he cant do is ride\na motorcycle] \ntoasted more?\n\n\n','5cde32c2c3ebd230cb1856c4c6831b11',0,'','1cTzZqvP',1,0,'',0,0,0),(221,133,3,1,0,'69.120.114.47',981649500,1,0,1,1,1,1,'nitin jagdish','Re: Kikujiro','is it just me, or does the main theme from this \nmovie sound more than a bit like roxette\'s \'listen \nto your heart?\'','ad55dbd20675a306f8c810dbf54828b1',0,'','90ka43S7',1,0,'',0,0,0),(222,133,3,1,0,'69.120.114.47',983369608,1,0,1,1,1,1,'Chickp1017','Re: Kikujiro','I thought this was a thoroughly charming movie; I was completely enchanted by it.  Although it could have easily fallen into the \"kid-with-a-sad-story-wins-over-tough guy\" cliche, this film easily avoids falling into that trap and instead comes across as a warm, poignant film of simple beauty and charm.  It\'s nice to see so many fans of Japanese films.  ','6c0611386347193ffcfb191cc46f02ce',0,'','nPv1xAs8',1,0,'',0,0,0),(223,134,3,1,0,'69.120.114.47',964728230,1,0,1,1,1,1,'moroccan film','M.A. Tazi','I have a question about the Moroccon filmmaker M.A. Tazi.  Does anyone know offhand whether Tazi\'s films are distributed outside of Morocco?  That is, could someone in Europe or the US get access to his films (on video, or some other medium) if he so desired?  Any information or suggestions would be greatly appreciated.\n','62853697dd84a97fecb4e465ec84a82a',0,'','jPZRGDzT',1,0,'',0,0,0),(224,135,3,1,0,'69.120.114.47',965444247,1,0,1,1,1,1,'cinemasmooch','The Year My Voice Broke','This Australian film and soundtrack from 1987 has really stuck in my mind since it first came out...about teenagers in a small town in the \'60\'s (as I was, but in the subburbs).  I found the colors stunning too...mostly golden yellow and sky blue.  As with many Australian films, it takes place mainly outdoors...hence, the colors.','e6bc4a5bcc6adbe1dcc7fc759f64a940',0,'','qLgCrmWP',1,0,'',0,0,0),(225,135,3,1,0,'69.120.114.47',965676882,1,0,1,1,1,1,'cinemasmooch','Re: The Year My Voice Broke','\"The Year My Voice Broke\" is part 1 of a trilogy.  One of the other films is \"Flirting\" from 1989 (it\'s either part 2 or 3).  Although I saw them all, I can\'t remember what the missing link was called.  Anyone out there know?','1b19f0d6c294b5a67e71ca436c528ccf',0,'','2GuhSV61',1,0,'',0,0,0),(226,135,3,1,0,'69.120.114.47',969944748,1,0,1,1,1,1,'daveman','Re: The Year My Voice Broke','A stunning and heartbreaking tale of coming of age. Noah Taylor\'s performance and voice over narration are marvellous. His final words in the film are with me even now.','6a1dcfff33b5941ae5b037dd79eb0393',0,'','QL6zb1ZC',1,0,'',0,0,0),(227,135,3,1,0,'69.120.114.47',988020658,1,0,1,1,1,1,'Desmond Wolf','Re: The Year My Voice Broke','This is a beautiful film... \"Flirting\" is the second part and also very touching and true. I remember hearing the third part was to have the same two characters (and actors)meeting again in Paris during the student riots in the late \'60s, although it has now been a long time between chapters... hope it still happens ','27b1201354a8f4c4340847b3d665e309',0,'','lFQbXp0g',1,0,'',0,0,0),(228,136,3,1,0,'69.120.114.47',966060029,1,0,1,1,1,1,'rhatfink','French New Wave on Turner Classic Movies','Looks like a great month on TCM.  They\'re spotlighting the French New Wave.  Can\'t wait to see some of these.  All times listed are Central.\n\nSeptember 1\n\n7:00 PM Cinema Europe Part I: Where It All Began (1996) \n8:00 PM () \n10:00 PM Breathless (1959)  \n12:00 AM The Four Hundred Blows (1959)  \n2:00 AM Seven Capital Sins (1961) \n \nSeptember 8\n\n7:00 PM Cinema Europe Part II: Art\'s Promised Land (1996) \n8:00 PM Jules And Jim (1961) \n10:00 PM La Collectionneuse (1967) \n11:30 PM My Life to Live (1962)\n1:00 AM Shoot the Piano Player (1960) \n \nSeptember 15\n\n7:00 PM Cinema Europe Part III: The Unchained Camera(1996)  \n8:00 PM () \n10:30 PM Les Bonnes Femmes (1960) \n12:30 AM A Woman Is a Woman (1960)\n2:00 AM Le Petit Soldat (1963) \n \nSeptember 22\n\n7:00 PM Cinema Europe: The Music Of Light (1996) . \n8:00 PM The Soft Skin (1964) \n10:00 PM My Night at Maud’s (1969) \n12:00 AM Les Carabiniers (1963) \n1:30 AM Alphaville (1965)  \n \nSeptember 29\n\n7:00 PM Cinema Europe: Opportunity Lost (1996) \n8:00 PM Last Year at Marienbad (1961)\n10:00 PM The Umbrellas of Cherbourg (1964) 90 m. \n12:00 AM The Wild Child (1970) \n1:30 AM Small Change (1976) \n3:30 AM () \n4:00 AM Cinema Europe: End Of An Era (1996) \n\nBetter stock up on blank tape now.\n','606fc6bc9fcc632352dfca82f676ce50',0,'','204g8UdS',1,0,'',0,0,0),(229,136,3,1,0,'69.120.114.47',966805399,1,0,1,1,1,1,'François','Re: French New Wave on Turner Classic Movies','Darn... and I\'m presently in Europe where TCM only shows US films, intermingled sometimes with a french movie here and there.  Ah well, perhaps they\'ll do it again one of these days.','8d8b6dfcacd98cc522ca2feeae13d89e',0,'','VDmTApZ2',1,0,'',0,0,0),(230,0,3,1,0,'69.120.114.47',966449695,1,0,1,1,1,1,'Eric','Re: The Best Foreign Movies','Hi,\n\nMany people accuse Wim Wenders\' \"Wings of Desire\" as being too ponderous and \"Germanic.\" I think it is beautiful from its cinematography to its philosophical meditations.\n\nMy favorite interpretation of it is that it is a film dealing with our struggles balancing contemporary detachment and the need for sentimentality. But...there are tons of other compatible interpretations ranging from it being a study of the post-war German psyche to a study of the inevitable Americanization of Europe to it being a male-fantasy of domination and subjugation.\n\nHey...its a great film.\n\nEric','328d08b184dde9d35589201bfd1d639c',0,'','loubK2UG',1,0,'',0,0,0),(231,0,3,1,0,'69.120.114.47',966471091,1,0,1,1,1,1,'LF_CELINE','Re: The Best Foreign Movies','Hey....\n\nI used to do articles and criticism for my friends online mag...I used to have the same disgust with american films, too...lately, though, I\'ve seen a lot of great films coming mostly from american film-makers.  I mean, in the past couple years, we\'ve seen from these shores the release of \"Happiness\", \"Rushmore\", \"Fight Club\", \"Cider House Rules\" (OK, Lasse Hallstrom is from Norway, but his last 4 films have been made here), \"Chasing Amy\", \"The Matrix\", and \"Magnolia\" (My pick for the best film of the last decade).\n\nAt the same time, these films wouldn\'t have been possible without the great foreign films of the past couple decades....I usually tend to stick in geographical areas, so here are some ideas\n\nThe French New Wave-duh!\n\nThe New German Cinema-usually what the films of Fassbinder, Wenders, and (the always under-rated) Herzog are called.\n\nHong Kong-yeah, everybody knows Jackie Chan and John Woo, but there are other greats like Yuen Woo Ping, Ringo Lam (whose \"City On Fire\" was reworked for American Audiences as a little known film called \"Reservoir Dogs\"), Ching Siu Tung, Ronny Yu, and many others who are, undeservedly, ignored or not given enough credit.\n\nToho-Japanese studio that gave rise to Kurosawa, but also gave careers to Inoshiro Honda (man who created \"Godzilla\") and Seijun Suzuki (one of the most bleakly hilarious directors since Samuel Fuller)\n\nThe Italians-yeah, there\'s always Antonioni, and Fellini, but it\'d be really easy to make a \"family tree\" of sort of great directors that stem from Sergio Leone (Sergio worked with Clint Eastwood, wrote the script for \"Once Upon A Time In The West\" with Dario Argento and Bernardo Bertollucci, who was also involved in a literary circle with Passolini, who also hung out with Rossellini...etc etc etc)\n\nCanada-now here\'s a country that actually helps finance films coming out of their country....and look at the filmmakers who\'ve worked with the system....Atom Egoyan, David Cronenburg, Denys Arcand....\n\nAustralia/New Zealand-Doctor George Miller, Gillian Armstrong, and Peter Weir are all Australian...Peter Jackson and Jane Campion are both from New Zealand....hmmmm....\n\nhope this helps you out.\n','8baa6d8fda8454a98d8f5aed5e4ed7f5',0,'','iHA2ZLjs',1,0,'',0,0,0),(232,0,3,1,0,'69.120.114.47',966566296,1,0,1,1,1,1,'MAGGI','Re: The Best Foreign Movies','I also share your feelings of apathy regarding the current crop of American Films... I still can\'t figure out how American Beauty won any awards, I personally thought it was sickening. But I have seen some great films from foreign pools, some of which are a Swedish film called Insomnia (Stellan Skarsgaard from Breaking the Waves plays a detective sent to Norway to solve a crime) The ending was a topic of discussion for some time. If you have seen it perhaps you can explain the meaning of the last scene.  A great comedy starring Jean Reno was called the Visitors. We howled all the way through it. Currently the Spanish films are great especially the films (only 2 so far) of Alejandro Amenabar called Thesis (Tesis) and Open Your Eyes (Abre los Ojos. This twenty something director is very talented. Another good film by the Spanish filmmakers is Lovers of the Arctic Circle, The Fencing Master and Boca Y Boca.. I would be happy to correspond with you regarding some great new foreign films.... ','bcffb97df8ebb38a6a7796cfa6465f76',0,'','hYXcvbw0',1,0,'',0,0,0),(233,0,3,1,0,'69.120.114.47',966742701,1,0,1,1,1,1,'jman','Re: The Best Foreign Movies','I recommend \"L\'Avventura\" by Antonioni, \"Conversation Piece\" by Visconti, \"Masculin Feminin\" by Godard, and \"Geisha\" by Kenji Mizoguchi.','310bf1bed2e0f271dfce7e5d3bdb0d71',0,'','FHb7dAXu',1,0,'',0,0,0),(234,0,3,1,0,'69.120.114.47',967078068,1,0,1,1,1,1,'LF_CELINE','Re: The Best Foreign Movies','\"American Beauty\" won so many awards because it took two sources that were edgy and dangerous (Todd Solondz\'s \"happiness\" and Joseph Heller\'s \"Something Happenned\") and reworked them into palatable pablum that didn\'t push too many buttons, just like most of what wins awards these days...a REALLY good example is \"Forrest Gump\", which was based on a cruelly satiric novel, and became the feel-good movie of the year in the hands of Robert Zemechis (or as I like to call him, the American Leni Riefensthal).\n\nBut as I said earlier, there have been MANY great films coming from america lately, and I think it\'d be a shame to gloss over them...as I said earlier, \"Magnolia\" has my vote as THE best movie from the 90\'s...and there are other greats such as \"Cider House Rules\", \"Happiness\", \"Rushmore\", \"Fight Club\", \"Ghost Dog\", \"Fargo\", \"Men In Black\", and many many more that I can totally see being the definitive films from the last decade...and to skip over them just because they were american would be a shame.','dc3db6b9334e8432f3d5e77e2d66223f',0,'','Ty5UhMkK',1,0,'',0,0,0),(235,0,3,1,0,'69.120.114.47',967537399,1,0,1,1,1,1,'chris','Re: The Best Foreign Movies','I am a bit surprised by the backlash American Beauty has received,okay its not that great,theres a lot better buttheres still hope and an audience in the US for a movie with some thought.I found Insomnia a tremendous find that could be easily overlooked.The detective had issues throughout the film with nigh/day and sleeplessness and after the case was closed returned to the night with wolfine eyes,a predator perhaps?Make sense Maggi?   ','7ce7417d91ba844d99848c46389ce3af',0,'','5fna6Wsc',1,0,'',0,0,0),(236,0,3,1,0,'69.120.114.47',967751851,1,0,1,1,1,1,'vidiot','Re: The Best Foreign Movies','I just saw a movie titled \"After Life\" it is a wonderful film about what happens to us after death. ','0854855f9228dd747cb49433756ef5c7',0,'','wAGBK7DF',1,0,'',0,0,0),(237,0,3,1,0,'69.120.114.47',967879786,1,0,1,1,1,1,'Jepp','Re: The Best Foreign Movies','\"The 400 Blows\" and \"The Bicycle Thief\" may be the two best films ever made. For something a little more recent, \"Raise the Red Lantern\" impressed me greatly. ','e7020e992d8788b748f43c0939a7f99f',0,'','lxCcLtPZ',1,0,'',0,0,0),(238,0,3,1,0,'69.120.114.47',968207944,1,0,1,1,1,1,'solent','Re: The Best Foreign Movies','I find myself going back to films like THE FALCONS by Gaal or TEOREMA by Pasolini. Poetic masterpieces both of them. For real human comedy with a social twist, the films of Milos Forman are still relevant today. Darker comedy [with political overtones] are to be best sampled in Fassbinder\'s films. The most influential post-war director/craftsman was Godard, of course. ','731ba935ce460d59d87b9172d3116c61',0,'','5RkA4gNe',1,0,'',0,0,0),(239,0,3,1,0,'69.120.114.47',968258245,1,0,1,1,1,1,'silvox','Re: The Best Foreign Movies','OK.  As a former film critic and filmmaker struggling still in obscurity, here\'s my offering: LA DOLCE VITA (1960) by Fellini.  True, L\'AVVENTURA may be more artful, and a dozen others more austere and rigorous, but Fellini\'s moment never wears thin for me, and I return to it year after year to study faces, moments, compositions, and music cues.  Plus, I just never get weary of looking at either Anouk Aimme or Marcello M in their youth.','3be4cf4b910774abdde2bec2b1f7e4f2',0,'','1hJiN6W2',1,0,'',0,0,0),(240,0,3,1,0,'69.120.114.47',968276356,1,0,1,1,1,1,'Macabea','Re: The Best Foreign Movies','I must recommend \"Aimée & Jaguar\". It\'s a true love story set in WW2 German. And quite unusual, since it\'s the story of a Nazi house-wife who falls in love with a Jewish girl. A poignant beautiful film really worth seeing. Wonderful performances by both leading ladies, specially Maria Schrader. Forget about all the trash on theatres now and go see \"Aimée & Jaguar\". You won\'t regret it.','0efcfd3ff964b440c6f3cc1ef8278965',0,'','gTRj0SeP',1,0,'',0,0,0),(241,0,3,1,0,'69.120.114.47',968323409,1,0,1,1,1,1,'Bibi','Re: The Best Foreign Movies','\"La Dolce Vita\" -Fellini\n\"Baises volees\"-Francois Truffaut (But I like many other films by those two,these happen to be my favourites)\n\"Cinema Paradiso\"-Tornatore\n\"Johnny Stechino\" -Roberto Benini\nEmir Kusturitsa : almost any,especially \"Do you remember Dolly Bell?\" and \"The time of the gypsies\".\n\"My beautiful laundrette\"\n\" A room with  a view\"\n\"The remains of the day\"\nThe last three are in English  so I\'m not sure they would fit in this category but anyway I loved them\n','dd42967e49863340f175bbdb5dcdd1d2',0,'','ntlPHhVq',1,0,'',0,0,0),(242,0,3,1,0,'69.120.114.47',968332167,1,0,1,1,1,1,'diva delight','Re: The Best Foreign Movies','I enjoyed the french film  three men and a cradle\n(the american version 3 men and a baby was not all that great)  ','166395dbaa4a6e5fb7cb21c1293342bb',0,'','m5C7dZyK',1,0,'',0,0,0),(243,0,3,1,0,'69.120.114.47',968688287,1,0,1,1,1,1,'katsuben','Re: The Best Foreign Movies','Hou Hsiao-Hsien (A Time to Live and a Time to Die; City of Sadness; Good Men, Good Women; Goodbye South, Goodbye)Wong Kar-Wai (Days of Being Wild; Chungking Express; Happy Together)Raul Ruiz (The Hypothesis of the Stolen Painting; Three Crowns of the Sailor)Alexander Kluge (Artists at the Top of the Big Top: Disoriented)Miklos Jancso (The Red and the White)','c73ee881a331ae2fa67bea07c09adf79',0,'','eZzwAjaM',1,0,'',0,0,0),(244,0,3,1,0,'69.120.114.47',968794248,1,0,1,1,1,1,'LF_CELINE','Re: The Best Foreign Movies','2 really cool directors who you should look into:Julio Medim and Deepha Mehta.  Julio did \"Lovers In The Arctic Circle\" and \"Tierra\".  Deepha did \"Fire\" and \"Earth\"','3174724b7eaec612b8fe49a810d9530a',0,'','9gEerv3d',1,0,'',0,0,0),(245,0,3,1,0,'69.120.114.47',968898448,1,0,1,1,1,1,'katsuben','Re: The Best Foreign Movies','I thought \'Earth\' was a horribly naive quasi-representation of the Indian-Pakistani religious-political situation.','3524c9e073d4c995078a287c0714c0b4',0,'','kc2EQiBm',1,0,'',0,0,0),(246,0,3,1,0,'69.120.114.47',968916212,1,0,1,1,1,1,'LF_CELINE','Re: The Best Foreign Movies','I wouldn\'t say it was horribly naive....I look at it the same way I see \"Philadelphia\"...yeah, the film didn\'t delve far enough into the political situations as one who\'s indocrinated would expect, but both films were made as an introduction for popular audiences (which, sadly enough, one has to pander to every once in a while).  Despite all this, they\'re both really good films.  Educational...not really, but good.\n\nWere you expecting Deepha to be able to make a film as brash as \"Fire\" after all the controversy that film caused in india?  Not yet....soon, maybe, but not yet.','e4044e65d93282809bfd98061aac7ef2',0,'','gJdskEne',1,0,'',0,0,0),(247,0,3,1,0,'69.120.114.47',970733142,1,0,1,1,1,1,'rfkeser','Re: The Best Foreign Movies','Let me put in a word for: the Japanese MABOROSI, a film that is ineffably sad but wonderfully calm and visually creative; the Vietnamese CYCLO, violent but poetic and always surprising; the Italian L\'AMERICA, about the Third-World-ization of two yuppies in Albania, filmed with great flair and sense of spaciousness as well as compassion; the Iranian TASTE OF CHERRIES, moving and mysterious in form; the Chinese FLOWERS OF SHANGHAI, coolly and imaginatively reducing sexual relationships to discussions of money; and the Japanese WELCOME BACK, MR MCDONALD, a rare farce that builds to hilarious heights and tweaks U.S. cultural influence. All of these are gathering cult status as the truly original and ultimately significant movies of our time, far different in style and content from the run-of-the-commercial-mill.','ef7ab3b124bf979449b7af869f5f422d',0,'','rSiaguZW',1,0,'',0,0,0),(248,0,3,1,0,'69.120.114.47',970997739,1,0,1,1,1,1,'zongol','Re: The Best Foreign Movies','CInema Paradiso, Close up (Kiarostami from iran,) The Circle (Jaffar Panahi from Iran,) And Unfinished Song (Maziar Miri from Iran) Its amazing whta is coming out of that country. Are we lacking in talent among our writer/directors, that we can\'t do the same?','2d42ae120787422ed740bc3372022b88',0,'','RMa138t5',1,0,'',0,0,0),(249,0,3,1,0,'69.120.114.47',971113973,1,0,1,1,1,1,'katsuben','Re: The Best Foreign Movies','By \"we\" I assume you\'re talking about Americans rather than the rest of the world (in which case, \"we\" doesn\'t include me). Isn\'t it more about what a particular audience will pay money to see? The word is that Iranian culture, at this time, is richly supportive of socio-political artworks. There is an eager audience willing and able to consume eclectic cinema. By contrast, the Iranian commercial cinema is very small. I don\'t think it\'s a question of \"talent\" so much as a phenomenon particular to a certain space and time.','7816a34a58b7fda85e74ec03b4307459',0,'','uMeRWnbX',1,0,'',0,0,0),(250,0,3,1,0,'69.120.114.47',972972349,1,0,1,1,1,1,'Dizzy_Bird','Re: The Best Foreign Movies','Any discussion concerning the greatest foreign films of all time must include (but often does not) Krzysztof Kieslowski.  \'Double Life of Veronique\' and his \'Three Colours Trilogy\' are perhaps the most thoughtful interpretations of modern society.  Double Life is hypnotic and moves into the realm of surrealism.  The imagery is meticiously crafted and the soundtrack is creepy as hell.  The film will have you talking long after the credits have ended.  The 3 colours trilogy is a masterwork and should be watched in the order they were filmed; Blue, White and finally Red.  Each deals with the respective colors\' meaning according to the French flag (Freedom, Equality, and Fraternity).  Kieslowski was an artist with a very acute sense for detail, every sound, every movement of the camera, every nuance seems to have been thought out to fit the films theme.  His death a few years back has left a giant hole in cinema\'s heart.  He was the greatest living filmmaker of his time and it is unfortunate for us that there are so few of his treasures which actually came to be.  What we do have are a few masterpieces, dropped off by a genius on his way to other worlds.','9215d914a64684ae58e9617884ad155f',0,'','D4UjH6tR',1,0,'',0,0,0),(251,0,3,1,0,'69.120.114.47',974874526,1,0,1,1,1,1,'tbungard','Re: The Best Foreign Movies','Haven\'t seen anything of Kurosawa I didn\'t love, same with Zhang Yimou.  Loved the Iranian White Balloon, Japanese Shall We Dance was just sheer delight!!!!\n\n','12efbee76614f85b8f5feb354f87f2a7',0,'','YU29JzSa',1,0,'',0,0,0),(252,0,3,1,0,'69.120.114.47',976939370,1,0,1,1,1,1,'Ockien','Re: The Best Foreign Movies','How about Solaris, Shoot The Piano Player and Alphaville.','29233454c6d261fceb741663b75ce1e0',0,'','BtZvjDxy',1,0,'',0,0,0),(253,0,3,1,0,'69.120.114.47',978217135,1,0,1,1,1,1,'nightowl','Re: The Best Foreign Movies','I am so glad you asked the question, I totally agree about the junk American Pie, jeez what do they think about us viewers anyway? Well...my all time favorite foreign movies so far, are Jean De Florette & Manon of Spring & of course Babette\'s Feast.  Hope you are well & enjoying your holidays..happy new year!','7050562b18465a16ac1d2f04f7104807',0,'','8vyoxHje',1,0,'',0,0,0),(254,0,3,1,0,'69.120.114.47',978272222,1,0,1,1,1,1,'mikobandong','Re: The Best Foreign Movies','1. Andrei Rublev (Tarkovsky)\n   The Bicycle Thief (De Sica)\n2. The Discreet Charm of the Bourgeoisie (Bunuel)\n3. The Passion of Anna (Bergman)\n4. Rashomon (Kurosawa)\n   Wild Strawberries (Bergman)\n5. 8 1/2 (Fellini)\n6. 400 Blows (Truffaut)\n7. Cries and Whispers (Bergman)\n8. Babette\'s Feast (Gabriel Axel)\n   The Seventh Seal (Bergman)\n9. The Conformist (Bertolucci)\n10.L\'Avventura (Antonioni)\n   Knife in the Water (Polanski)','50c4af61896252506092b2697d5d5d88',0,'','GEL3vQ61',1,0,'',0,0,0),(255,0,3,1,0,'69.120.114.47',978272539,1,0,1,1,1,1,'mikobandong','Re: The Best Foreign Movies','I forgot to post Pather Panchali (Ray). That should be in the 3rd spot alongside with A Passion for Anna.','fa858d0f355a55c0061bea30f43dbcd6',0,'','0btW8gjc',1,0,'',0,0,0),(256,0,3,1,0,'69.120.114.47',979923463,1,0,1,1,1,1,'Vox','Re: The Best Foreign Movies','1) Stalker (Tarkovsky)\n2) Mirror (Tarkovsky)\n3) Les enfants du paradis (Carné)\n4) Le jour se lève (Carné)\n5) Kaos (Brothers Taviani)\n6) The red cornfield (Zhimou)\n7) Ran (Kurosawa)\n8) Heimat I & II (Reitz)\n9) Edipo Re (Pasolini)\n10) Viridiana (Bunuel)\n11) Prova d\'Orchestra (Fellini)\n12) Amarcord (Fellini)\n13) C\'eravamo tanto amati (Scola)\n14) C\'est obscure object de désire (Bunuel)\n15) Spoorloos (Sluizer)\n16) Karakter (van Diem)\n17) De smaak van water (Seunke)\n18) Abel (van Warmerdam)\n19) Delicatessen (Jeunet & Caro)\n20) La cité des enfants perdus (Jeunet & Caro)\n21) Ludwig (Visconti)\n22) War and Peace (Bondartchuk, sorry, my Russian is a bit rusty)\n23) Urga (Michailkov)\n24) Hana-Bi (Takeshi)\n25) To Live (Zhimou)\n26) Nostalghia (Tarkovsky)\n27) Andrei Rubliev (Tarkovsky)\n28) Solaris (Tarkovksy)\n29) Ivan\'s childhood (Tarkovsky)\n30) The sacrifice (Tarkovsky)\n31) The seventh seal (Bergman)\n32) Los amantes del circolo polar (Medim)\n33) La charme discrète de la bourgeoisie (Bunuel)\n34) Medea (Pasolini)\n35) La dentellière (Goretta)\n36) Les règles du jeux (Renoir)\n37) Ivan grozny (Eisenstein)\n38) Le grand boeuff (Ferreri)\n39) Die Blechtrommel (Schloendorff)\n40) M (Lang)\n41) Nosferatu (Murnau)\n42) Das Kabinett des Dr. Caligari (Wiene)\n43) Tagebuch einer Verlorenen (von Pabst)\n44) Metropolis (Lang)\n45) Le 400 coups (Truffaut)\n46) Le chambre vert (Truffaut)\n47) Hoestsonaten (Bergman)\n48) Das Schlangenei (Bergman)\n49) Persona (Bergman)\n50) Battleship Potemkin (Eisenstein)\n\n\n\n','0d7bbd9a438eb1d47f06bbd43769a60b',0,'','5a8FdBwr',1,0,'',0,0,0),(257,0,3,1,0,'69.120.114.47',979923633,1,0,1,1,1,1,'Vox','Re: The Best Foreign Movies','1) Stalker (Tarkovsky)\n2) Mirror (Tarkovsky)\n3) Les enfants du paradis (Carné)\n4) Le jour se lève (Carné)\n5) Kaos (Brothers Taviani)\n6) The red cornfield (Zhimou)\n7) Ran (Kurosawa)\n8) Heimat I & II (Reitz)\n9) Edipo Re (Pasolini)\n10) Viridiana (Bunuel)\n11) Novecento (Bertolucci)\n12) Amarcord (Fellini)\n13) C\'eravamo tanto amati (Scola)\n14) Il Conformista (Bertolucci)\n15) C\'est obscure object de désire (Bunuel)\n16) Spoorloos (Sluizer)\n17) Karakter (van Diem)\n18) Abel (van Warmerdam)\n19) Delicatessen (Jeunet & Caro)\n20) La cité des enfants perdus (Jeunet & Caro)\n21) Ludwig (Visconti)\n22) War and Peace (Bondartchuk, sorry, my Russian is a bit rusty)\n23) Urga (Michailkov)\n24) Hana-Bi (Takeshi)\n25) To Live (Zhimou)\n26) Nostalghia (Tarkovsky)\n27) Andrei Rubliev (Tarkovsky)\n28) Solaris (Tarkovksy)\n29) Ivan\'s childhood (Tarkovsky)\n30) The sacrifice (Tarkovsky)\n31) The seventh seal (Bergman)\n32) Los amantes del circolo polar (Medim)\n33) La charme discrète de la bourgeoisie (Bunuel)\n34) Medea (Pasolini)\n35) La dentellière (Goretta)\n36) Les règles du jeux (Renoir)\n37) Ivan grozny (Eisenstein)\n38) Le grand boeuff (Ferreri)\n39) Die Blechtrommel (Schloendorff)\n40) M (Lang)\n41) Nosferatu (Murnau)\n42) Das Kabinett des Dr. Caligari (Wiene)\n43) Tagebuch einer Verlorenen (von Pabst)\n44) Metropolis (Lang)\n45) Le 400 coups (Truffaut)\n46) Le chambre vert (Truffaut)\n47) Hoestsonaten (Bergman)\n48) Das Schlangenei (Bergman)\n49) Prova d\'Orchestra (Fellini)\n50) Battleship Potemkin (Eisenstein)\n\n\n\n','28cd80aa3c9baaf80b9eef429a79040a',0,'','Xq2z4R5w',1,0,'',0,0,0),(258,0,3,1,0,'69.120.114.47',981568973,1,0,1,1,1,1,'nitin jagdish','Re: The Best Foreign Movies','a mix of personal favorites and current thrills --\n\n- solaris: the emotional impact of the cut from the hari and chris weightless interlude [set to bach]to hari\'s suicide will be one of my last memories.\n\n- the eel: imamura is a genius. this is an empirical fact; much like two plus two equaling four, or water boiling at 100 degrees C at sea level. never has accepting a prepared lunch meant so much. see this in tandem with \'the pornographers\', an earlier imamura effort; it\'s interesting to see how he uses some of the same tropes [if not exactly images] to a much different effect.\n\n- devi: because he\'s been tagged as a humanist mainly interested in the plight of villagers, it\'s easy to miss what a complete filmmaker satyajit ray is. this movie, which achieves the non-verbal eloquence of the great silents, is a good place to become acquainted with ray.\n\n- genesis: saw this last week at hopkins cultural program. my first taste of sissoko\'s work. looking forward to more. \n\n- nosferatu: shameful confession - i\'m talking about the herzog version. when kinski\'s setting up his new homes in the various crypts, to the overture of \'das rheingold,\' this movie reaches a place that speaks to those lonely\nrecesses. \n\n- the funeral: the narrator consoling his kids. the instructional video. the extra-marital squabble. the photo happy yet traditional brother. the crematorium. itami\'s greatest work, and a movie deserving of a wide audience.  ','9b4d27ae318adccfc2d4d80ea4ed4aa3',0,'','9XGHa12N',1,0,'',0,0,0),(259,0,3,1,0,'69.120.114.47',981840575,1,0,1,1,1,1,'theairburns','Re: The Best Foreign Movies','All of Tarkovsky, Egoyan, Bergman, Antonionni, Godard, Hartley, Teshigahara, Kronenberg, Kubrick...(that\'s off the top of my head).  There is no greatest film ever made because there are too many masterpieces that, by their nature, cannot be locked down to comparison, but if an unfriendly government locked me away in a cell for the rest of my life and told me I could have only one film to watch I would choose Atom Egoyan\'s Exotica.\nSome personal favorites: Face of Another (Teshigahara), LaAventura (Antonionni), Nostalgia (Tarkovsky), Autumn Sonata (Bergman), Surviving Desire (Hartley), New Wave (Godard), Crash (Kronenberg), Eyes Wide Shut (Kubrick), The Tenant (Polanski), 1984 (Radford), Pi (Aronofsky), A Pure Formality (Tornatore)...these off the top of my head, and the  American films I mentioned are a few exam ples  of good filmmaking at home.\nI have a ','cae3a4b6ee41ce2006e303224b4c3856',0,'','my80QoFA',1,0,'',0,0,0),(260,0,3,1,0,'69.120.114.47',981840578,1,0,1,1,1,1,'theairburns','Re: The Best Foreign Movies','All of Tarkovsky, Egoyan, Bergman, Antonionni, Godard, Hartley, Teshigahara, Kronenberg, Kubrick...(that\'s off the top of my head).  There is no greatest film ever made because there are too many masterpieces that, by their nature, cannot be locked down to comparison, but if an unfriendly government locked me away in a cell for the rest of my life and told me I could have only one film to watch I would choose Atom Egoyan\'s Exotica.\nSome personal favorites: Face of Another (Teshigahara), LaAventura (Antonionni), Nostalgia (Tarkovsky), Autumn Sonata (Bergman), Surviving Desire (Hartley), New Wave (Godard), Crash (Kronenberg), Eyes Wide Shut (Kubrick), The Tenant (Polanski), 1984 (Radford), Pi (Aronofsky), A Pure Formality (Tornatore)...these off the top of my head, and the  American films I mentioned are a few exam ples  of good filmmaking at home.\nI have a ','cae3a4b6ee41ce2006e303224b4c3856',0,'','USlxHeqz',1,0,'',0,0,0),(261,0,3,1,0,'69.120.114.47',981840579,1,0,1,1,1,1,'theairburns','Re: The Best Foreign Movies','All of Tarkovsky, Egoyan, Bergman, Antonionni, Godard, Hartley, Teshigahara, Kronenberg, Kubrick...(that\'s off the top of my head).  There is no greatest film ever made because there are too many masterpieces that, by their nature, cannot be locked down to comparison, but if an unfriendly government locked me away in a cell for the rest of my life and told me I could have only one film to watch I would choose Atom Egoyan\'s Exotica.\nSome personal favorites: Face of Another (Teshigahara), LaAventura (Antonionni), Nostalgia (Tarkovsky), Autumn Sonata (Bergman), Surviving Desire (Hartley), New Wave (Godard), Crash (Kronenberg), Eyes Wide Shut (Kubrick), The Tenant (Polanski), 1984 (Radford), Pi (Aronofsky), A Pure Formality (Tornatore)...these off the top of my head, and the  American films I mentioned are a few exam ples  of good filmmaking at home.\nI have a ','cae3a4b6ee41ce2006e303224b4c3856',0,'','rSXJERdh',1,0,'',0,0,0),(262,0,3,1,0,'69.120.114.47',981840963,1,0,1,1,1,1,'theairburns','Re: The Best Foreign Movies','I cut myself off.  I have a question:  Does anyone have any information on a film titled Angel Dust by Sogo Ishii?  I watched it the other day and it is a remarkable film, exploring, as I see it, how two genius psychiatrists can be so thoroughly shut down and drawn to each other in an isolation dressed up in an elitist notion of how people are drawn into their narcisstic surrender to violence as the key to surviving emptiness.','38816a472064c0548a1fe4b2c42a4bba',0,'','0mYSXHue',1,0,'',0,0,0),(263,0,3,1,0,'69.120.114.47',981938047,1,0,1,1,1,1,'tekez','Re: The Best Foreign Movies','Favourite Foreign Films\n\n\'The Celebration\'(Festen) by Danish Director Thomas Vinterberg - To my great surprise it does not appear ANYWHERE on this site - not on any of the lists - nor in any discussions. It was one of the ebst movies of the last decade...Am I alone here?\n\'Once were Warriors\' (New Zealand)\n\'Betty Blue\' (France)\n\'My life as a dog\' (Sweden - btw, Celine, Lasse Hallstrom is Swedish, not Norwegian)\n\'Dancer in The Dark\' (Denmark)\n\'Fucking Aamal/Show me love\' (Sweden)\n\'Breaking The waves\' (Denmark/UK)\n\'Le cite des enfants perdus/City of lost Children (France)\n\'All about my mother\' (Spain)\n\'Run Lola Run\' (Germany)\n\'Last Night\' (Canada)\n\'Heavenly Creatures\' (New Zealand)\n\'Doberman\' (Belgium)\n\n\n...but where is \'the celebration\' I ask....?','070ed0ec55ff2c29d2447b5bf52f759c',0,'','Qo2hiTlH',1,0,'',0,0,0),(264,0,3,1,0,'69.120.114.47',982076381,1,0,1,1,1,1,'Vox','Re: The Best Foreign Movies','Bunny, as this is a site for FOREIGN films, you should not be surprised that no American movies have been mentioned. The fact is, it is already an acknowledgement to the importance of American films, that we refer to all movies non American as \"foreign\", so please, there\'s no grounds for complaints. Apart from that, for American movies, the net is completely flooded with websites, so don\'t begrudge the less than a handful websites that actually realize that there is more and equally (if not more) impressive cinema outside the US in both past and present.','4dc8e480a87953aecb7e1aeb5701b5d7',0,'','S2jFBDkT',1,0,'',0,0,0),(265,0,3,1,0,'69.120.114.47',982077577,1,0,1,1,1,1,'Vox','Re: The Best Foreign Movies','Bunny, forget my previous post, I retract, since I realize your weren\'t complaining about American movies not having been mentioned, but the fact some people were derogatory about them, but this board doesn\'t allow any editing so I couldn\'t rephrase. Of course I do question your line of reasoning that since some here are American, they should therefor have more appreciation for their own cinema. Why is that? I mean if something is crap, it is crap, wherever it was made. We should appreciate movies for what they are and not for where they were made.','ac31b3f0d2343409dc7a55cc14ad8cbf',0,'','RwJMBL7h',1,0,'',0,0,0),(266,0,3,1,0,'69.120.114.47',982280525,1,0,1,1,1,1,'cinemasmooch','Re: The Best Foreign Movies','I\'ve mentioned American movies afew times in the past.  The last time I did was a half hour ago with Tigerland.  And I plan to mention them in the future if I feel they fit this website.  We all live in the same world, we\'re all interconnected, so, I think this site should be renamed qualityfilms.com.','5d9f0f78406760247ff156fa9507f4f4',0,'','8RoLAHjp',1,0,'',0,0,0),(267,0,3,1,0,'69.120.114.47',989780661,1,0,1,1,1,1,'kaldirimix','Re: The Best Foreign Movies','Have you ever seen a Turkish film?There are good films and directors in our country.I hope you would see these films:Tabutta Rövaþata(Derviþ Zaim),Masumiyet(Zeki Demirkubuz),Yol(Yýlmaz Güney),Kasaba (Nuri Bilge Ceylan),Gemide(Serdar Akar)...Ýf you interest I\'ll be happy.','0b0a9837aa0f03099bd627d2eda860c8',0,'','hCmlSPZN',1,0,'',0,0,0),(268,0,3,1,0,'69.120.114.47',992284089,1,0,1,1,1,1,'Gemini730','Re: The Best Foreign Movies','Before The Rain and Life is Beautiful.\n                Gemini730\n                 (Lorraine)','d25c6705b6b6b946ccfdc63ba6eb2a56',0,'','T8G5YfiZ',1,0,'',0,0,0),(269,0,3,1,0,'69.120.114.47',992417285,1,0,1,1,1,1,'vicmail2001','Re: The Best Foreign Movies','I\'ve just saw a couple of Max Ophuls films and I\'m amazed by the gracefull camera movement and rythm it contains. It\'s s bad that this kind of filmmaking seems to have vanished and replaced by MTV editing. I\'ll recommend the following Ophuls films:\n\nTHE EARRINGS OF MADAME DE...\n(1953; 105 minutes)\nAs the earrings of Madame de... take a treacherous route from one owner to the next, an entire world comes to life, the world of the French aristocracy during the Belle Èpoque, particularly the interior world shared by Madame de... (Danielle Darrieux), her rigid husband (Charles Boyer) and her soft, charming lover (Vittorio de Sica). Max Ophuls\' masterpiece, easily one of the greatest films ever made, has all the trappings of romantic cinema, but its fluid camera takes us beyond the film\'s glittering surfaces (\"only superficially superficial,\" as Boyer so aptly puts it) to the raw feelings surging beneath--and ultimately into the spiritually redemptive territory of grand passion. Darrieux, Boyer and de Sica did their greatest work in this towering film. \"Perfection.\" -- Pauline Kael. \n\nLA RONDE \n(France, 1950; 97 minutes)\nEven those unfamiliar with Ophuls\' oeuvre know this much-imitated film, adapted from another Schnitzler play and initially banned from the USA due to its alleged \"immorality.\" Comprised of a \"roundelay\" of brief affairs, LA RONDE is a carnal carousel ride--visually and thematically--\"turned\" (narrated) by puppetmaster Anton Walbrook. In 19th-century Vienna, a young prostitute (the glorious Simone Signoret) momentarily loves a soldier (Serge Reggiani), who then takes up with a little maid (kittenish Simone Simon, post-Cat People). The merry-go-round continues to whirl, with one partner from the pairings always continuing into the next liaison, until the movement ends where it began. If Schnitzler meant to cast a mordant gaze on sexual shallowness, Ophuls recognizes both the power and evanescence of desire. The cast could not be improved upon: Danièlle Darrieux, Daniel Gélin, Odette Joyeux, Jean-Louis Barrault, Isa Miranda and Gérard Philipe.\n\nFROM MAYERLING TO SARAJEVO / \nDE MAYERLING A SARAJEVO\n(France,1940; 89 minutes)\n\"One of the finest and most misunderstood of all Ophuls\' films,\" according to Robin Wood, SARAJEVO was the last film the director completed in France before fleeing the Nazis to America (and Hollywood). A sumptuous historical drama shot with the extravagant style of his later work, the film is set in the corrupt Austro-Hungarian court, and chronicles the love affair of Countess Sophie and Archduke Ferdinand as they are swept up in the events that led to the First World War. Ophuls luxuriates in the suffocating elegance of court life and characteristically is more interested in the plight of the countess than in the impending doom of the heir apparent. \"Finds him relishing the sort of thing he did best--casting an ironic eye on the aristocracy and portraying a bitter-sweet romance against a background of operas, balls, and rides through the woods\" (Bloomsbury Foreign Film Guide).\n','2ea5efa7f6a1d2297afe593cc57fbfe2',0,'','tRnUH0CX',1,0,'',0,0,0),(270,0,3,1,0,'69.120.114.47',1009747227,1,0,1,1,1,1,'john-5','Re: The Best Foreign Movies','My Favourites not in English:\nSansho the Bailiff(Mizoguchi)\nAndrei Rublev(Tarkovsky)\nAlice in the Cities(Wenders)\nThe Green Ray(Rohmer)\nSeven Samurai(Kurosawa)\nAbraham Valley(Oliveira)\nLa Regle du Jeu (Renoir)\nMirror (Tarkovsky)\nMaborosi(Kore-eda)\nTokyo Story(Ozu)\nTales of the Taira Clan (Mizoguchi)\nMetropolis(Lang)\nPartie de Campagne(Renoir)\nThe Colour of Pomegranates (Paradjanov)\nEternity and a Day (Angelopoulos)\nL\'Atalante (Vigo)\nKings of the Road (Wenders)\nPierrot le Fou (Godard)\nApu Trilogy (Ray)\nPersona (Bergman)\nUgetsu (Mizoguchi)\nAguirre Wrath of God (Herzog)\nSpirit of the Beehive (Erice)\nOrphee (Cocteau)\nClaire\'s Knee (Rohmer)\nCeline and Julie go Boating (Rivette)\nClose Up (Kiarostami)\nThe White Balloon (Panahi)\nThe Leopard (Visconti)\nThe Double Life of Veronique(Kieslowski)\nRosetta (Dardenne brothers)\nHidden Fortress (Kurosawa)\nMadame De (Ophuls)\nThe Chess Player (Bernard)\nHiroshima mon Amour (Resnais)\nOrdet (Dreyer)\nChungking Express (Wong Kar-Wai) \nAi No Corrida (Oshima)\nAlexander Nevsky(Eisenstein)\nLes Enfants du Paradis (Carne)\nThe Double Life of Veronique (Kieslowski)\n8 1/2 (Fellini)\nMan with a Movie Camera (Vertov)\nL\'Avventura (Antonioni)\nSenso (Visconti)\nChikamatsu Monogatari (Mizoguchi)\nBattleship Potemkin (Eisenstein)\nUlysses\' Gaze (Angelopoulos)\nThe Passion of Joan of Arc (Dreyer) \nA Short Film about Love (Kieslowski)\nThe Time to Live and the Time to Die (Hou Hsiao-Hsien)\nRed Sorghum (Zhang Yimou)\nThe Mascot (Starewicz)\nMouchette(Bresson).\nFilms like Breathless, The Seventh Seal, Three Colours Trilogy, La Grande Illusion, Un Chien Andalou are also established classics.\nFollowing on from the mention of Turkish Cinema above, i\'d say Yol (Guney)is widely regarded as the best.I certainly enjoyed it.The Herd (Okten) is highly rated and I understand A Season in Hakkari(Kiral)is also excellent.\n\n\n\n\n\n\n\n\n\n','59dae71213d4c5415b0065ce7a711bb6',0,'','2VrtF5AP',1,0,'',0,0,0),(271,0,3,1,0,'69.120.114.47',1009890667,1,0,1,1,1,1,'john-5','Re: The Best Foreign Movies','in reply to Tekez bemoaning the absence of The Celebration/Festen on the website;it was in the top 10 of the top 100 poll, last time i looked.Yes, it\'s excellent;an important Dogme film, some sort of landmark even.Gripping and surprising, and it lashes Bourgeois hypocrisy and value systems.','f112ead6d6ee308513e121cb284b8649',0,'','kd41pW8X',1,0,'',0,0,0),(272,0,3,1,0,'69.120.114.47',1009959418,1,0,1,1,1,1,'Ockien','Re: The Best Foreign Movies','Ok everyone has to see Children Of Nature 1991. I love Kubrick, he is my favorite director, but you have to see this film it might even be more of a favorite then 2001, also see it if you love Tarkovsky.  ','0bce68d49e0b8ff673027425434b4da6',0,'','TDKowZxS',1,0,'',0,0,0),(273,0,3,1,0,'69.120.114.47',1010051845,1,0,1,1,1,1,'AragonDon05','Re: The Best Foreign Movies','I too am getting very sick of all the generic, politic- laden American films. I love foreign films for several reasons, the biggest being I just do! Some of my favorites in no praticular order are:\nAimee and Jaguar ( Germany)\nWhen Brendan Met Trudy ( Ireland)\nI was on Mars ( Germany)\nThe banquet ( China)\nand many others I\'ll probably think of later!','5a6943a0a67ca4781c767eb6ca01ffd5',0,'','kTlsVGra',1,0,'',0,0,0),(274,0,3,1,0,'69.120.114.47',1010052170,1,0,1,1,1,1,'AragonDon05','Re: The Best Foreign Movies','I too am getting tired of all the generic, politic-laden, American films we\'re often being exposed to today. I love Foreign Films and while each one is unique, let\'s face it, they\'re not all good! Very many are though, and some of my favorites in no praticular order are:\n\nAimee and Jaguar  (Germany)\nWhen Brendan Met Trudy  (Ireland)\nI was on Mars  ( Germany)\nThe Wedding Banquet  ( China)\n\nand many others I\'ll probabl think of later!','4bc1acf0810aa1cd093d81aede9a3ec5',0,'','E64iyX9S',1,0,'',0,0,0),(275,0,3,1,0,'69.120.114.47',1010052178,1,0,1,1,1,1,'AragonDon05','Re: The Best Foreign Movies','I too am getting tired of all the generic, politic-laden, American films we\'re often being exposed to today. I love Foreign Films and while each one is unique, let\'s face it, they\'re not all good! Very many are though, and some of my favorites in no praticular order are:\n\nAimee and Jaguar  (Germany)\nWhen Brendan Met Trudy  (Ireland)\nI was on Mars  ( Germany)\nThe Wedding Banquet  ( China)\n\nand many others I\'ll probably think of later!','b3821ee276742242f1b00b44e80a4f60',0,'','rodTcnhK',1,0,'',0,0,0),(276,0,3,1,0,'69.120.114.47',1010052200,1,0,1,1,1,1,'AragonDon05','Re: The Best Foreign Movies','I too am getting tired of all the generic, politic-laden, American films we\'re often being exposed to today. I love Foreign Films and while each one is unique, let\'s face it, they\'re not all good! Very many are though, and some of my favorites in no praticular order are:\n\nAimee and Jaguar  (Germany)\nWhen Brendan Met Trudy  (Ireland)\nI was on Mars  ( Germany)\nThe Wedding Banquet  ( China)\nand many others I\'ll probably think of later!\n\nI recommend them all.','0f7d39e77e4d75de9f7838899381f68f',0,'','JeklSQt1',1,0,'',0,0,0),(277,0,3,1,0,'69.120.114.47',1010720031,1,0,1,1,1,1,'jim-bach','Re: The Best Foreign Movies','Any list like this is bound to be subjective, but here goes:\n\nThe first foreign language film I remember seeing was Fellini-Satyricon, and I was blown away by the imagery and the general weirdness, I guess. Later I saw La Dolce Vita, 8 1/2, Amarcord, etc. and  Fellini\'s warmth and humanist outlook really grew on me. I also began to appreciate Bergman\'s stuff, especially The Seventh Seal, Wild Strawberries, Through a Glass, Darkly, and The Virgin Spring. Then I saw films by the two guys who are probably my two favorite directors of all time, Wenders and Kurosawa. \n\nFor Wenders, Kings of the Road, The American Friend, and Der Himmel Uber Berlin (Wings of Desire) are the ones that affected me the most (well, Paris, Texas is my fave, but it\'s in English and was shot in the U.S., so I don\'t think it counts). For Kurosawa, the big epics were what struck me first - Seven Samurai, Kagemusha, and Ran. But Rashoman, High and Low, and Ikuru are also wonderful, if more low-key.\n\nObviously I\'ve broadened my viewing a lot more since seeing the aforementioned films, but lately the ones that I\'ve seen that have moved me especially are:\n\nUnagi (Imamura)\nThe Red Balloon\nBeau Travail (Denis)\nDeserto Rosso (Antonioni) - old, but I only recently saw it\n\nThese lists could go on forever, and maybe they will!\n','780da1493f8943c9e7846da4b9ad59d4',0,'','dcVqBgKL',1,0,'',0,0,0),(278,0,3,1,0,'69.120.114.47',1023557839,1,0,1,1,1,1,'ananda','Re: The Best Foreign Movies','1. Swordsman Part 2 (Hong Kong)\n2. All About Ah Long (Taiwan or Hong Kong?)\n3. Children Of Heaven\n4. Malena\n5. Nang Nak (Thailand)','b8cd30f9d8f37d272f45c7bf67280c30',0,'','JfwkKrCh',1,0,'',0,0,0),(279,0,3,1,0,'69.120.114.47',1023908847,1,0,1,1,1,1,'winstonwes','Re: The Best Foreign Movies','1. Black Cat White Cat (Serbia)\n2. Malena (Italy)\n3. Cinema Paradiso (Italy)\n4. Y tu Mama Tambien\n5. No Mans Land (Bosnia)\n6. The Cup (Tibet)\n7. Italian for Beginners (Denmark)\n8. Together (Sweden)','ee5a93ef745e5998839f7201a3266324',0,'','Ea6ZmM4l',1,0,'',0,0,0),(280,0,3,1,0,'69.120.114.47',1024083774,1,0,1,1,1,1,'sister_moon25','Re: The Best Foreign Movies','1.Black Cat, White Cat (Serbia)\n2.Time of the Gypsies, or \"House for Hanging\" (also)\n3.Happy Together (Hong Kong)\n4.In the Mood for Love (also)\n5.Princess and the Warrior (Germany)\n6.Winter Sleepers (also)\n7.Amelie (France)\n\n...of course,I could go on :) great films,definitely!\n\noh, and 8. there is this Swedish movie done by Ingmar Bergman\'s son, I forgot the name,it\'s several stories,brilliant!','df809e2b8ec34a74f683950c308af693',0,'','x65tvYfP',1,0,'',0,0,0),(281,0,3,1,0,'69.120.114.47',1024145231,1,0,1,1,1,1,'stingo31','Re: The Best Foreign Movies','Perhaps you could do some retrospectives on some of the companies that are bringing these wonderful movies to the DVD market. Criterion, BFI, Hong Kong Legends, Anchor Bay and others. Then you could talk about the major releases from each house, and let people know where they can get them.','9e95cc26260d9b3f536c75e85c110034',0,'','TkXjx1b3',1,0,'',0,0,0),(282,0,3,1,0,'69.120.114.47',1024881106,1,0,1,1,1,1,'humanbeing','Re: The Best Foreign Movies','10  Breathless (1959) \n10  Take it all (1964) \n10  Andrei Rublev (1966) \n10  Battleship Potemkin (1925) \n10  Buffet Froid (1979) \n10  Happy Together (1997) \n10  Crash (1996) \n10  Black Cat, White Cat (1998) \n10  Cyrano de Bergerac (1990) \n10  Dancer in the Dark (2000) \n10  Dekalog 1:\' I am the Lord thy God, Thou shalt have no other God but me \' (1988) \n10  Delicatessen (1990) \n10  The Seventh Seal (1956) \n10  Fahrenheit 451 (1966) \n10  Hiroshima, Mon Amour (1959) \n10  Underground (1995) \n10  In the Mood for Love (2000) \n10  Jean de Florette (1986) \n10  Jules and Jim (1961) \n10  Character (1997) \n10  The Double Life of Véronique (1991) \n10  Life is Beautiful (1998) \n10  The cat in the bag (1964) \n10  The Big Blue (1988) \n10  Léolo (1992) \n10  Good riddance (1980) \n10  Les Diaboliques (1954) \n10  The 400 Blows (1959) \n10  M (1931) \n10  Metropolis (1926) \n10  Nosferatu (1922) \n10  Persona (1966) \n10  Pierrot Le Fou (1965) \n10  Of Freaks and Men (1998) \n10  Repulsion (1965) \n10  Reservoir Dogs (1992) \n10  The Kingdom (1994) \n10  Solaris (1972) \n10  The Cook, the Thief, His Wife & Her Lover (1989) \n10  Three Colors: Blue (1993) \n10  Three Colors: Red (1994) \n9  Tie Me Up! Tie Me Down! (1989) \n9  32 Short Films about Glenn Gould (1993) \n9  Aguirre, Wrath of God (1972) \n9  Amores Perros (2000) \n9  Au Revoir les Enfants (1987) \n9  Farewell My Concubine (1993) \n9  Blow-Up (1966) \n9  Breaking the Waves (1996) \n9  Chungking Express (1994) \n9  Das Boot (1981) \n9  Dead Ringers (1988) \n9  Dekalog 10:\' Thou shalt not covet thy neighbour\'s goods \' (1988) \n9  Dekalog 2:\' Thou shalt not take the name of the Lord thy God in vain \' (1988) \n9  Dekalog 3:\' Honour the Sabbath Day \' (1988) \n9  Dekalog 4:\' Honour thy father and thy mother (1988) \n9  Dekalog 6:\' Thou shalt not commit adultery \' (1988) \n9  Dekalog 9: \' Thou shalt not covet thy neighbour\'s wife \' (1988) \n9  Wings of Desire (1987) \n9  eXistenZ (1999) \n9  Exotica (1994) \n9  The Celebration (1998) \n9  Heavenly Creatures (1994) \n9  The Idiots (1998) \n9  Kika (1993) \n9  La Cérémonie (1995) \n9  La Femme Nikita (1990) \n9  Hate (1995) \n9  Queen Margot (1994) \n9  The Blue Kite (1993) \n9  Last Night (1998) \n9  The confessional (1995) \n9  Amelie (2001) \n9  The Eighth Day (1996) \n9  Les Amants du Pont-Neuf (1991) \n9  Going Places (1974) \n9  Manon of the Spring (1986) \n9  Matador (1985) \n9  Nightcap (2000) \n9  Mon Oncle d\'Amérique (1980) \n9  Women on the Verge of a Nervous Breakdown (1988) \n9  My Life as a Dog (1985) \n9  What Time Is It Over There? (2001) \n9  No Man\'s Land (2001) \n9  Nosferatu the Vampyre (1979) \n9  Once Were Warriors (1994) \n9  8 1/2 (1963) \n9  Paris, Texas (1984) \n9  Pelle the Conqueror (1987) \n9  Wild Strawberries (1957) \n9  The Vanishing (1988) \n9  Stalker (1979) \n9  Stroszek (1977) \n9  The Taste of Cherry (1997) \n9  The Adventures of Priscilla, Queen of the Desert (1994) \n9  The Piano (1993) \n9  The Player (1992) \n9  The Professional (1994) \n9  Tito and Me (1992) \n9  The Silence (1963) \n9  Un Chien Andalou (1928) \n9  Night Zoo (1987) \n9  Confidentially Yours (1983) \n9  The Mirror (1974) \n9  Through the Olive Tree (1994) \n','269f1e0946c03d4caf3041a3de3a75a5',0,'','UB4oXLMu',1,0,'',0,0,0),(283,0,3,1,0,'69.120.114.47',966397962,1,0,1,1,1,1,'AY','Re: French Dogs, or something to that effect.','A wild guess (to a wild description), but the first thing that came to my mind was a late-80\'s French feature called BAXTER.  It doesn\'t have the word \"dog\" in the title, but the title character is a dog and it does involve some kind of ironic death.  Could be considered a very black comedy.  Good luck. ','a67e62c94e5aab37dc174cc3a789983f',0,'','3WZhs7wx',1,0,'',0,0,0),(284,0,3,1,0,'69.120.114.47',966449413,1,0,1,1,1,1,'Eric','Re: French Dogs, or something to that effect.','I second BAXTER. The tag line is \"Le chien qui pense\" (\"the dog that thinks\") or something like that. In this case, the IMDB might help :) \n\nhttp://us.imdb.com/Title?0094713\n\nEric\n','95fd4fdd99b8e13df4da1d319aeb377b',0,'','RVA7Kywk',1,0,'',0,0,0),(285,0,3,1,0,'69.120.114.47',967282957,1,0,1,1,1,1,'dan-2','Re: French Dogs, or something to that effect.','Perhaps Un Chien Andalou (Andalusian Dog)?  There were plenty of deaths, one of which was classicism\'s.  Luis Bunuel/Salvator Dali - c.1929.  At the premier, a riot ensued. ','9867cf8957fbf6903e8daf9a581dbef5',0,'','W651VvLF',1,0,'',0,0,0),(286,0,3,1,0,'69.120.114.47',968688847,1,0,1,1,1,1,'katsuben','Re: French Dogs, or something to that effect.','Man Bites Dog?','f089749d17e1f1a260dbc58faad3b550',0,'','KNaDkcMe',1,0,'',0,0,0),(287,0,3,1,0,'69.120.114.47',969571809,1,0,1,1,1,1,'acquarello','Re: French Dogs, or something to that effect.','\"Man Bites Dog\" (Remy Belvaux) is a Belgian French film about a serial killer, so it\'s a closer fit.  \"My Life as Dog\" (Lasse Hallstrom) is more of a coming of age story about a young boy coping with his mother\'s death.\n\nacquarello\nwww.filmref.com','2699aeff5d84eeba54c1fbfad662ec5e',0,'','bkXxuYZi',1,0,'',0,0,0),(288,137,3,1,0,'69.120.114.47',966493253,1,0,1,1,1,1,'BEK','Made in Hong Kong','A surprisingly deep film about being a tough teenage boy in Hong Kong.  While it ain\'t Wong Kar-wai, it\'s not idiotic like John Woo.  And certainly worth a look.  Directed by Fruit Chan.','c0fb6d38bce63de7d9856e943f8bccf6',0,'','YnRvS5xf',1,0,'',0,0,0),(289,137,3,1,0,'69.120.114.47',975558241,1,0,1,1,1,1,'IngysDayOff','Re: Made in Hong Kong','Wong Kar-Wai is one of the best filmmakers working. His best is perhaps his latest, \"In the Mood for Love.\" A masterpiece. I also adore \"Chungking Express\" and \"Fallen Angels.\"','6fd927953a8732a31fc36af29c86643b',0,'','VpmoJtRh',1,0,'',0,0,0),(290,137,3,1,0,'69.120.114.47',995265809,1,0,1,1,1,1,'grimsarrow','Re: Made in Hong Kong','Don\'t forget \"Little Cheung\" and \"Durian, Durian\".\n\nForeignFilms.com should have entres for Fruit Chan films.','f869f89b0b83f3f9591687bd67077097',0,'','Po2nDbi1',1,0,'',0,0,0),(291,138,3,1,0,'69.120.114.47',966494309,1,0,1,1,1,1,'JCJC','Japanese Film \"Juvenile\"','I can\'t watch this film since I\'m not in Japan - Anyone here has watched it, and can share your view about it?  I understand it has a lot of special effects.  What about the plot?  Any good?  My interest is basically because I\'m a big fan of the star, Shingo Katori.','ab7eecff7300b2195f28ba9978659209',0,'','D4lVQ72L',1,0,'',0,0,0),(292,139,3,1,0,'69.120.114.47',966845880,1,0,1,1,1,1,'CClaudel','The Advocate/Hour of the Pig','This uneven film features excellent performances from several fine actors,\nand it is about a subject rarely explored in film: the relationship between people \nand animals in the Middle Ages. The plot is confusing, but it is a very interesting \nfilm nonetheless. It deals with sex, murder, the Black Plague, religious fanaticism, \nand racism. And barnyard animals that are tried in court...\npersecution.  \nQuite unique. \n','61b5f48d0d2bc71af61de2c67b3333bc',0,'','JrFdnaPg',1,0,'',0,0,0),(293,140,3,1,0,'69.120.114.47',967752264,1,0,1,1,1,1,'vidiot','After Life','This is a wonderful look at Life after death. Hirokazu Kore-Eda\'s film takes a look at what happens and where we go when we die.','01476887f03bf888edb2bc6a18a11fb5',0,'','MAg8uetP',1,0,'',0,0,0),(294,140,3,1,0,'69.120.114.47',970986135,1,0,1,1,1,1,'mjkeitges','Re: After Life','Hello vidiot, I have not actually seen \"After Life\" yet, but Kore-eda\'\'s first film, \"Maborosi\", is brilliantly subtle and life affirming work.  Comparisons to Ozu can only go so far - the funeral procession sequence is a manifest miracle in cinema.','805980efe955338fb624a044f7e78cfd',0,'','SljEyHX2',1,0,'',0,0,0),(295,141,3,1,0,'69.120.114.47',968720290,1,0,1,1,1,1,'Almodovar','Pedro Almodovar','PLEASE HELP ME!!!!!!!!\nMy nane is Susana Almodovar, and I am trying to get in touch with Mr. Pedro Almodovar.  I would really appreciate it if someone could give me a hint as to how I could reach him.  THANK YOU Susana','3bb41c022d91228b7e3737668b485c8c',0,'','uNpJbw6f',1,0,'',0,0,0),(296,141,3,1,0,'69.120.114.47',968792256,1,0,1,1,1,1,'MAGGI','Re: Pedro Almodovar','Have you logged on to www.Almodovarlandia.com? You might also try to contact him through the company that distributes his films.. Pedro and I share the same birthday and I am also a big fan of his... Good luck.....','a0df82f12ebdbd1335b53cc869b4d2e0',0,'','LGMuHt5q',1,0,'',0,0,0),(297,142,3,1,0,'69.120.114.47',969452675,1,0,1,1,1,1,'lloyd.krasuski','Foreign Film Survey','As part of my thesis, I am conducting a survey of Americans\' film-viewing habits, especially regarding foreign films and subtitling vs. dubbing.  Please take the survey by visiting the following site: www.spotstop.net\nThank you,\nJenifer','3c04922c75c4e074f20b3a804e365a3b',0,'','1d7aMGwB',1,0,'',0,0,0),(298,142,3,1,0,'69.120.114.47',978820905,1,0,1,1,1,1,'frangor','Re: Foreign Film Survey','Hello my name is Scott and I am English but I would like to check out the survey anyway. ','764f0684bbf6c68c37108af3d51efa7a',0,'','dPnbKUZD',1,0,'',0,0,0),(299,142,3,1,0,'69.120.114.47',1003493763,1,0,1,1,1,1,'georgedd','Re: Foreign Film Survey','I am very interested in seeing your site as I am looking for\ninfo as to foreign films broadcast in the US, but I was unable to access the site. Would you please send info to me at &lt;georgedd@pritishnandycom.com&gt;\n\nMany thanks -\n\nGeorge Darley-Doran','9db6a4de8440222ab170cf5e8fb37ad1',0,'','qVKPF46X',1,0,'',0,0,0),(6153,1445,3,91,0,'90.32.218.16',1239434125,1,0,1,1,1,1,'','Merry Go Round and the delights of Hungarian Cinema','Hungarian films don’t get much attention, and this needs rectifying with a whip and assorted medieval contraptions of compulsion forthwith.\n\nToday i saw the 1955 classic by Zoltan Fabri, Merry Go Round (Korhinta). And a very fine thing it was too. A young woman is enjoying the exhilarating freedom of flying through the air on rides at the fair with her impish jolly friends and a young man she’s taken a liking to. But her stern father does not approve of such cavortings at all. His mind is set on financial betterment, and her engagement to a more appropriate business-minded fellow; “land marries land”. Never mind that the not so likeable fiancé has already tried it on with our heroine, taking physical rights for granted and been rebuffed. So the course of true love is far from smooth, things are looking bleak indeed, the heroine is sliding into the slough of despond, but her true sweetheart is made of stern stuff. He knows what he wants, and he will not be put off by social conventions and some oppressive patriarch….He will make his own destiny, and there’s a slight physical resemblance to Peter O’Toole as Lawrence of Arabia, even his eyebrows are tough and dynamic as he stands before us in close-up. There’s some social comment over the preferability of collectives to greedy individualism but this is a film that doesn’t bog down in politics. It swirls joyfully, it can be intense and grim, and it has its quiet lyrical patches too; a ladybird flies into the air and the heroine has her dreams.\n\nAnd so onto the joys of Bela Tarr, Jancso, Szabo, Karoly Makk, Marta Meszaros… i’ll say more, but over to you..!','ce9212368763102c0667f6d214b4aaad',0,'','3398rku9',1,0,'',0,0,0),(303,146,3,1,0,'69.120.114.47',969679740,1,0,1,1,1,1,'Orma82','Help the Children by Participating Fund-Raising Project','<font color=red><B></B></font>   \n<P><a href=\"http://www.angelfire.com/biz/seedwoman/messobb.html\">Click Here For Business Plan Forms & more</a>','98d82293c6844aed16125c7b5cd48137',0,'','v7a2rMtH',1,0,'',0,0,0),(304,147,3,1,0,'69.120.114.47',970463934,1,0,1,1,1,1,'nickc2','Similar Movies','We have just looked at a film called \"The Piano\". It is the story of an English lady (about 100 years ago) who lost her husband. They had a daughter now about 6 or 8. Another marriage was arranged and they traveled to New Zealand for the wedding. It did not work out and she fell in love with another man. It was a warm love story and the love scenes were done with class. Question: does anyone know of similar romantic movies done with warmth and class?','39634c51a8b80a4f89a6737c02eadd7f',0,'','pRmKivZ3',1,0,'',0,0,0),(305,147,3,1,0,'69.120.114.47',974153112,1,0,1,1,1,1,'cinemasmooch','Re: Similar Movies','I saw your message shortly after you posted it and have been thinking and thinking of other romantic films similar to The Piano. I just can\'t come up with anything to compare it with unfortunately.  Another one needs to be made because it was \"one class act\" like you said - and what the world needs now is love, sweet love!','aeec57a4bd7ffc56f58b9cf97042ac32',0,'','mAjeM2Lb',1,0,'',0,0,0),(306,147,3,1,0,'69.120.114.47',975626806,1,0,1,1,1,1,'yangchen','Re: Similar Movies','Have you seen Oscar and Lucinda?  Very understated and moving.  Lots of subtleties and certainly a movie about love (with Ralph Fiennes and Cate Blanchard).  Another of my all-time favorite movies is Beseiged (David Thewlis & Thandi Newton)--incredible moving that is about the ESSENCE of love.','edc17df19503a50d615736f06b635b13',0,'','dpZxWfw2',1,0,'',0,0,0),(307,148,3,1,0,'69.120.114.47',970863691,1,0,1,1,1,1,'wwest','Girl on the Bridge','A film to see with crisp black white (and look at those grays) cinematography, a brilliant somewhat contrived story, but a fine story, and rare poetic images of stylized French passion.','50e019fc39e50795ce4bdb4f583014f4',0,'','j7U8CpPG',1,0,'',0,0,0),(308,148,3,1,0,'69.120.114.47',971114498,1,0,1,1,1,1,'katsuben','Re: Girl on the Bridge','How did you interpret the ending? The way I see it, the entire film exists in the imagination of some guy contemplating a leap from a bridge. He has a fantastical daydream, creates in his head the consciousness of a perfect companion, and the repetition when they embrace at the finale is the moment of his leap in \"reality\". The final shot is therefore representative of him drowning (it\'s pretty obvious that the couple on the bridge are entirely different from the couple invented in this person\'s head. Not to mention, that several hours pass seem to pass in a split-second since it\'s suddenly morning). I think it\'s a brilliantly vague climax which allows for multiple interpretations of the film. May I ask, what was yours?','9d2bbe3e384a445270f81a5b7f66c7f9',0,'','BHvrN1TD',1,0,'',0,0,0),(309,148,3,1,0,'69.120.114.47',978997629,1,0,1,1,1,1,'marymccluer','Re: Girl on the Bridge','funkyDuck has an interesting interpretation.  I didn\'t know quite what to think of the film.  It began darkly, rain obscuring our view as a vehicle with an unknown driver drove through city streets.  That blurred vision continued with the young woman\'s eye disease and impending blindness (blind to what?) and the graininess of the black and white photography kept things always just out of focus.  But that\'s the way we want it, because the hardships of street life--the cold, the hunger, the filth, and the drugs to curb the gnawing pain--are more than we want to see.','c896df63b92ac19f0bf886fdaaa4ba19',0,'','0X8uo23H',1,0,'',0,0,0),(310,148,3,1,0,'69.120.114.47',979186671,1,0,1,1,1,1,'acquarello','Re: Girl on the Bridge','marymccluer, 	actually, the film that you described (an artist slowly going blind who becomes involved with a homeless man) is Leos Carax\'s \"Lovers on the Bridge\".  Patrice Leconte\'s \"Girl on the Bridge\" is about a professional knife-thrower who solicits potential suicide jumpers from buildings and bridges to become his assistants.\n\nI didn\'t see the film as a dream or fantasy sequence of a potential suicide, but rather, as an obsessive relationship between two people who can only consummate their love through risk-taking and danger.  I thought that the surreal, carnival atmosphere of the film resulted more from their abberant obsession, rather than the limitless possibilities of a dream.\n\nacquarello\nwww.filmref.com','b36572dcd05b1d60a4a1771b54729cbd',0,'','X4bu2fDx',1,0,'',0,0,0),(311,148,3,1,0,'69.120.114.47',980917299,1,0,1,1,1,1,'katsuben','Re: Girl on the Bridge','acquarello - how do you interpret the telepathy? does it exist diegetically or is it symbolic? also, what do you make of the opening scene, especially the blurred audience in the background and the off-screen interviewer. while the themes of obsessive love are crystal clear, it seems to me there are implicit unconscious elements within the narrative that might be suggesting self-reflexive or repressed qualities.','e441320a9668d691aa99664d8964e288',0,'','0gEcYP1h',1,0,'',0,0,0),(312,148,3,1,0,'69.120.114.47',980958749,1,0,1,1,1,1,'acquarello','Re: Girl on the Bridge','Okay, I see what you mean.  I took the telepathy as a real event, but it could very well be diegetic.  After all, it is one thing to feel a profound sense of connection (a la Kieslowski\'s \"The Double Life of Veronique\") and quite another to actually transfer one\'s thoughts telepathically.  My reservation in attributing the plot as a manifestation of Gabor\'s subconscious is that the film does often change in perspective.  The opening interview at the clinic is one.  Then, there is Adele\'s affair with the groom on the cruise ship.  If this was all in Gabor\'s mind, then why would she leave?  Is it just to prove to himself that they were destined to be together?  On the other hand, I can\'t think of a simple explanation why, one minute she is halfway around the world, then the next minute, she is on the bridge with him.  Intriguing thought.\n\nacquarello\nwww.filmref.com','655c565f3e5baa9516c662bada8d6814',0,'','LRqWVMDZ',1,0,'',0,0,0),(313,149,3,1,0,'69.120.114.47',971823761,1,0,1,1,1,1,'hoeah84','Attention: A new Dutch film is coming!!!!','De nieuwe film van het Hoeah84 filmmakers team komt binnenkort naar de Nederlandse bioscopen!!!!!&lt;BR&gt;Voor meer info&lt;BR&gt;www.demannen.com','4abb842858ba53e3a6a4b48b08fab20c',0,'','xmvMcYw9',1,0,'',0,0,0),(314,149,3,1,0,'69.120.114.47',972162391,1,0,1,1,1,1,'cinemasmooch','Re: Attention: A new Dutch film is coming!!!!','Would you say that in English please????','a72edccf8bbb7dd25bbd716bc2bfb28b',0,'','vniW2C1e',1,0,'',0,0,0),(315,150,3,1,0,'69.120.114.47',972535590,1,0,1,1,1,1,'Sarasnflr','German Films...','Has anyone ever seen the German Film \"Run Lola Run?\" Well...if you haven\'t it is very good.  If you have don\'t tell anyone the ending!! It is a great movie!','6a9dba33515b454c39ef7aa241337fbf',0,'','923U1Wu5',1,0,'',0,0,0),(316,150,3,1,0,'69.120.114.47',972970615,1,0,1,1,1,1,'Dizzy_Bird','Re: German Films...','I saw \"Run, Lola, Run\" a while ago and it blew me away.  I had refrained from reading any material on the film and was extremely invigorated by the intensity of the films momentum.  The structure was really interesting, even though it used the time-jumping and non-linear(ness) that has been characteristic of many independent films not nearly as good as this one.  The approach was new and it is great to know that there are directors and writers who still want to visualize new ideas.','83945486591c7684e2bd4598ffb54a44',0,'','DT75sG61',1,0,'',0,0,0),(317,150,3,1,0,'69.120.114.47',976078477,1,0,1,1,1,1,'kraljibi','Re: German Films...','The director of Run Lola Run must have seen Krzysztof Kieslowski\'s \"Przypadek\" for the inspiration of the film\'s structure. Even if it was the case Run Lola Run is great fun.','1d43c325a4d7e8d47e54a0d54ca1d353',0,'','Gn64BFh7',1,0,'',0,0,0),(318,151,3,1,0,'69.120.114.47',973139443,1,0,1,1,1,1,'xufaclub','Xuxa Meneghel Films and Videos','We do collect, discuss, buy and exchange\nXuxa Videos, Films, CD\'s and AudioTapes:\nhttp://www.angelfire.com/tx/xuxaclub/\nSee also LINKs for everything you wanted to\nknow about Xuxa.\nxufaclub@hotmail.com','50f583b80e712c1609da5afd0c533401',0,'','brK6fBEN',1,0,'',0,0,0),(319,152,3,1,0,'69.120.114.47',973740628,1,0,1,1,1,1,'Dizzy_Bird','Jean-Luc Godard Festival','The George Eastman House is playing the films of Jean-Luc Godard all November and December to celebrate Godard\'s 70th birthday.  Le Petit Soldat was screened last night, a film I had been waiting to see for quite some time, and I must say with all honesty, that it was a huge disappointment.  First the copy of the film was in horrible shape, the film was scratched, and boiled, and the soundtrack had a really annoying pop through out it\'s entirity.  But anway, aside from the overall degredation of the reels, the film wasn\'t really worth the stock it\'s printed on.  Anna Karina is on screen for a total of perhaps ten minutes (if that).  What a waste?!  The film bogs down whenever the plot concerns anyone but her.  The non-sense about all the assassination attempts, and the torture scenes, are embarrassingly amateurish, and even his normal witty charm is so pretentious.  I almost fell asleep during the film!!!!!  What a let-down.  If anybody else has seen the film, I would love to hear your comments.\n','a8c7af9f6c20ca0ca717483a9cd21b90',0,'','RtArj3y2',1,0,'',0,0,0),(320,152,3,1,0,'69.120.114.47',974252634,1,0,1,1,1,1,'solent','Re: Jean-Luc Godard Festival','I taped the film off of SBS [Australian TV] 5 years ago and upon first viewing was also bored/confused. Having seen it at least 5 times since then I would say that it is certainly Godard\'s most conventional film and his least successful film because of this. I don\'t mind the film so much now but the character of Bruno still annoys me. He is consistently morose and a pseudo-intellectual. ','a4e273114dbe867e113802cf6d8df434',0,'','4NusBSpe',1,0,'',0,0,0),(321,152,3,1,0,'69.120.114.47',974468946,1,0,1,1,1,1,'Dizzy_Bird','Re: Jean-Luc Godard Festival','Just saw Woman is a Woman last night, the first time on the big screen.  It was fantastic as usual.  The print was absolutely wonderful, crystal clear, and the subtitles were actually legible.  The film itself was very charming and whimsical.  One thing that I noticed upon this screening was the use of Godard\'s spacing.  His characters are particularly small in this film, he films them from a very removed spectrum, and allows almost the entire screen to be filled with non-human objects (streets, cars, lights, signs, etc.)  He seems to be distancing his eye and perhaps stating that Hollywood musicals are nothing more than eye-candy.  The colours seemed more vibrant than I remember, Godard is at his most playful here.  If you have seen the film please leave comments.','74e52a5bc203dc85003a4954d9074fb9',0,'','FxyGgNjk',1,0,'',0,0,0),(322,153,3,1,0,'69.120.114.47',974126997,1,0,1,1,1,1,'martinezducati','The beatiful Gong LI','I am a huge Gong Li fan. I have seen almost all her films and I love her work. She is not only a great actress but an extemely beatiful woman. I hope she continues to make great films. If you love movies, you need to see some of Gong Li\'s work. I would start with \"To Live\" or \"Raise The Red Lantern\". The list goes on and on. I am a soldier stationed in Bosnia and intend on seeing the rest of her films in my off time. ','3c03126966b4136d583fe601cdf32e6b',0,'','3SfAe24u',1,0,'',0,0,0),(323,153,3,1,0,'69.120.114.47',974258694,1,0,1,1,1,1,'cinemasmooch','Re: The beatiful Gong LI','Yes, Raise the Red Lantern - what a chilling look at how women have been and are treated in China. It\'s also a very good film in every other way and the kind that stays with you for a long time. ','96b2214cde14ef70df74e6628807a0d9',0,'','hm9U5Esi',1,0,'',0,0,0),(324,153,3,1,0,'69.120.114.47',974266714,1,0,1,1,1,1,'jman','Re: The beatiful Gong LI','Interesting tidbit... Gong had an open relationship with the man who made her famous, Chinese director Zhang Yimou. But they finally broke up when she realized he wasn\'t going to leave his wife anytime soon. She\'s been seen lately in quite a few good films by Chen Kaige, including THE EMPEROR AND THE ASSASSIN, which is now available on video.','d8d2ca9cdbc7add607521bce299aff40',0,'','RbV4sXMD',1,0,'',0,0,0),(325,153,3,1,0,'69.120.114.47',974628547,1,0,1,1,1,1,'katsuben','Re: The beatiful Gong LI','What on earth? \'The Emperor and the Assassin\' is abysmal. The widescreen composition is terrible. Almost every second shot is a frontal medium close-up. The story has no rhythm. Even the artifice reminds me of low budget Hong Kong. Chen Kaige seems to want to make epics these days but I\'d prefer if he went back to the social ensemble structure of \'The Big Parade\'. It seems to me Zhang Yimou is slipping as well. The Chinese Fifth Generation capitulated after \'To Live\' in 1994.','590c99f1d85c6988fdb2c504d9fb109b',0,'','1YPVrfJx',1,0,'',0,0,0),(326,153,3,1,0,'69.120.114.47',974838266,1,0,1,1,1,1,'tbungard','Re: The beatiful Gong LI','Can\'t agree about Yimou, FunkyDuck! Just saw his Not One Less and it is fabulous!  His work is changing true, but I think it is growing and can\'t wait to see the two new films he has coming out next year, The Road Home and Happy Times!','4763e0d45a60c93199f58b326f66d51e',0,'','rg3L21Qh',1,0,'',0,0,0),(327,153,3,1,0,'69.120.114.47',992027275,1,0,1,1,1,1,'genghizkhan66','Re: The beatiful Gong LI','Hello everyone and greetings , \nLet me apologize if there are any mistake in my english since it is not my first language.\nBut I\'ll do my best to make my self clear :))\n\nI have seen the \"Road Home\" and it was really good.\nThey have realeased the DVD from a Hong Kong company and catch t if you can. I don\'t really know how western viewers  will react to it, but from reviews found all over the net...the response have been great.\n Just an example there was a scene of a funeral march in a blizzard that literally made me cry because it actually reminded me of the funeral  I attended for my grandparents and my parent in the past. My family are Bhuddist and thus ,the film for me, have so much meaning and  rather powerful in its message deliverance that it literally kicked me where it hurt most.\nPerhaps a western audience will be interested or curious with the depiction of Bhuddist funeral ceremony, but the scene and the message will not pack a wallop.\n\n\"Not one less\" is excellent. \"Shanghai Triad\" is very very different from his previous work. But still good.\nI am still waiting anxiously for \"Keep Cool\" - a modern drama  and \"Devil at The Doorstep\"by Jian Wen.- a period piece, my favourite.\nBy the way...I think Jian Wen is one hot actor.\n\nI dont think the Chinese directors have hot really lost their touch. Theey just change method/style.\nFor us Asian followers of Chinese (China) cinema, the directors basically tells different stories and different subject ( eventhough most of the subject kicks us in the butt)\nAnd perhaps the style, cinematography and the subject differs but their messages are the very trademark of each individual director.\nYimou has his own, so is Kaige  then you have Xie Fei (probably my favourite) but not as famous,...     \n\nXie Fei is famous for making movies based on the people of different etnicity of Asia . Girl from Hunan, A Mongolian tale, Song of Tibet , Women from the lake of scented souls.        \nHe Ping is another director in the ethnic realm.(The horse thief).  They are both great .\n\nBut I can understand that most time , viewers tend to attach a particular director with a particular style. And when the director change his method, we become more critical. Yes, I do that too sometimes. :))\nSame thing with recording artist.\n                                                          \nSome news on Gong li,\nAfter leaving Yimou, she is now dating a Singaporean businessman. But Yimou is coming up with a new movie epic in 2002 and these time, it seems that the 2 of them came to an understanding and Gong Li will most probably be acting in it.\n\nBest wishes and regards\n\n\"By the thundering roar of 20 000 horses, with the swing of my giant sword and the screams of my barbarian warriors..\"\nI bid you farewell\n   \n****Man, I love my ancestors, I love period epics....;)\nGenghizkhan66','1faf5e74fc20d37372d33630aab59583',0,'','ldBUa9WH',1,0,'',0,0,0),(328,153,3,1,0,'69.120.114.47',1010272540,1,0,1,1,1,1,'john-5','Re: The beatiful Gong LI','I\'ve also greatly admired the beautiful Gong Li.Red Sorghum,Raise the Red Lantern superb,To Live also fine,but i do think Zhang Yimou has lost his way (more than)a little since their split.I was never a fan of Chen Kaige-Farewell my Concubine was overrated,and in fact Zhang Yimou must take much of the credit for the seminal Yellow Earth,as the cinematographer.But Gong Li brought such elegance,poise and authority to her roles;the films would certainly have suffered without her. ','eea71ee1c8b01dfbb1093aab0fe16598',0,'','UWuJr1vY',1,0,'',0,0,0),(329,153,3,1,0,'69.120.114.47',1010273730,1,0,1,1,1,1,'john-5','Re: The beatiful Gong LI','Very interested by Genghizkhan\'s comments on Xie Fei(with whose work i must admit i\'m unfamiliar)and i\'m intrigued by Women from the Lake of Scented Souls,certainly a poetic title.It won at Berlin,and it\'s well covered in a useful book on Chinese cinema,\"China into Film\",by Jerome Silbergeld,but it\'s not been available here,and i\'d like to know what others think of it.There are still too few Chinese films available in Britain,and i presume most other English-speaking countries.I\'d love to see more of the earlier Chinese classics,e.g,Street Angel,Crows and Sparrows,The Goddess,Spring in a Small Town,The Spring River Flows East,Little Toys etc.Anyone seen them?','e548a7251038ab4d82215850fc59b01e',0,'','iCkKMdAl',1,0,'',0,0,0),(330,153,3,1,0,'69.120.114.47',1011488563,1,0,1,1,1,1,'ksparent','Re: The beatiful Gong LI','Yimou\'s strongest work was those that centered around Gong Li. After she stopped being the focal point, I thought his work slipped a lot. I am very happy to see an upswing in his career, with \"The Road Home\" and \"Not One Less\" though. THe smaller focus serves him well.\n\nDoes anyone have any info about the 2002 movie with him and Gong Li mentioned above? Title, release, confirmation, etc?','da674c50060657a5791d00786854fbf3',0,'','2M5RulAJ',1,0,'',0,0,0),(331,153,3,1,0,'69.120.114.47',1057799672,1,0,1,1,1,1,'asia_bebe','Re: The beatiful Gong LI','SHE is a GREAT ACTRESS TOO ! ','65dd3815b4ac25923a166897f47ee2fd',0,'','Fb0sVLhM',1,0,'',0,0,0),(332,153,3,1,0,'69.120.114.47',1065146254,1,0,1,1,1,1,'jasjesbe','Re: The beatiful Gong LI','I think that Gong Li\'s best work was made between her debut in 1987 and Kaige Chen\'s [b]Farewell my concubine[/b] in 1993. This film and the ones she made with Yimou Zhang ([b]Red sorghum[/b], [b]Ju Dou[/b] and [b]Raise the red lantern[/b]) represent very well the best cinema in the last quarter of the century.\n\nI wonder where are the fine DVD editions these movies deserve...','1cb9ed843bbd3781b00b23b227ec2816',0,'','y0WYzgL2',1,0,'',0,0,0),(333,154,3,1,0,'69.120.114.47',976087555,1,0,1,1,1,1,'bandroi','Unfair Landmark Theatres','Landmark movie houses are unfair. They play the 1st rate foreign movies at only the very large cities and the leftovers at \"the big cities\" that they consider not elegant enough to be able to appreciate good foreing films. ','033eaaf085d3f41cf8327019c3ab5dd2',0,'','qE1NuJ4S',1,0,'',0,0,0),(334,155,3,1,0,'69.120.114.47',976200615,1,0,1,1,1,1,'lloyd.krasuski','Has anyone seen Run Lola Run?','Hi, I\'m a film-translation student and I\'d like to ask anyone who has seen Run Lola Run on VHS, DVD or cable/satelite to tell me what they think of the translations.  \nWhat do you think of the English subtitles?  Were they good? Were they terrible?  Why?\nWhat do you think of the English dubbed version?  Good? Bad? Why?\n','6172e37cdf23d5a509a9810808d2035d',0,'','6HjNz7nq',1,0,'',0,0,0),(335,155,3,1,0,'69.120.114.47',989779074,1,0,1,1,1,1,'kaldirimix','Re: Has anyone seen Run Lola Run?','Hi.Have you any seen any Turkish film?I\'ll be happy if you answer?','8bf7f6d59ccf3d14aeb60c7399dd1559',0,'','83giqeb4',1,0,'',0,0,0),(336,155,3,1,0,'69.120.114.47',989787018,1,0,1,1,1,1,'kaldirimix','Re: Has anyone seen Run Lola Run?','Has anyone see Michael Winterbottom\'s films?','9e706ff4c4a6e7236336c1ab79286787',0,'','Pc360Tsg',1,0,'',0,0,0),(337,155,3,1,0,'69.120.114.47',989797708,1,0,1,1,1,1,'cinemasmooch','Re: Has anyone seen Run Lola Run?','I saw Winterbottom\'s The Claim afew days ago and loved it.  But then I\'m partial to stories of the westward migration of the 1800\'s.  It was beautifully filmed during the winter in Canada and Colorado, with the setting being the Sierra Nevada of the goldrush era.  And, it\'s based on Thomas Hardy\'s, The Mayor of Casterbridge.','14391f5d402e2bfa57a2ba0cf9ad40d4',0,'','10elRsyX',1,0,'',0,0,0),(338,155,3,1,0,'69.120.114.47',989893730,1,0,1,1,1,1,'ishdish2','Re: Has anyone seen Run Lola Run?','YES!!!it was superb i loveed the concept of this movie ','a091b0cb634cf1a1b8cc565b24c70894',0,'','e95s3FT6',1,0,'',0,0,0),(339,155,3,1,0,'69.120.114.47',992493344,1,0,1,1,1,1,'ranger','Re: Has anyone seen Run Lola Run?','Yes, I saw two versions of Run Lola Run. One had the usual subtitles, the other was dubbed. Boy, was the dubbed version bad. Fortunately, I saw the subtitled version first. I can do a little German, and could tell that the translations weren\'t exact (like the title \"Lola Rennt\"), but my overall impression of the translation was that it was excellent. It really fit the mood of the film.\nBy the way, I really, really liked RLR. I bought the tape.\n\nRanger','6ed23115c27cccd4728b0aaa0740cf68',0,'','jSbBrCmy',1,0,'',0,0,0),(340,155,3,1,0,'69.120.114.47',992493796,1,0,1,1,1,1,'ranger','Re: Has anyone seen Run Lola Run?','Oops, I see too late you wanted to know why the dubbed version was bad.\n\nMaybe since I had heard the actors real voices, I knew how little the dubbers voices matched.  But, I think the worst thing about the dubbing was the dubbing people couldn\'t act. It sounded like a bad high school play. Plus voice and music work together in so many parts of the movie (screams etc.) that the dubbing stood out shaving cream on a wedding car.\n\nRanger','544606082016421bcee274f952d30996',0,'','VyR6Mw8W',1,0,'',0,0,0),(341,155,3,1,0,'69.120.114.47',992558742,1,0,1,1,1,1,'itwasashark','Re: Has anyone seen Run Lola Run?','I always try to steer away from the dubbed movies because they seem to detract from the natural feeling being portrayed, in my opinion.  But I accidently rented the dubbed version of Run Lola Run.  At first I was upset but with the fast-paced action and artsy style I soon forgot about it and enjoyed it, thoroughly.  I would still have rather seen the subtitled version but, nevertheless, this is a mostly a visually entertaining movie.','3485e43a3fb5b9fd691dbf3767f0a6da',0,'','xnTJs504',1,0,'',0,0,0),(342,155,3,1,0,'69.120.114.47',1010078538,1,0,1,1,1,1,'antigone','Re: Has anyone seen Run Lola Run?','i thought the subtitles weren\'t great at the best of times, i know a little german and i could clearly see some of it wasn\'t quite right.','400f519946613dcbea2c4c9f33f02969',0,'','oCBckAuq',1,0,'',0,0,0),(343,155,3,1,0,'69.120.114.47',1010084949,1,0,1,1,1,1,'john-5','Re: Has anyone seen Run Lola Run?','i hate dubbed films.Run,Lola Run was extremely entertaining/heart-pounding, has been seen by many website users,according to the top 100 poll,where it was just in the 100 when i last looked.\nAnswering the question on Turkish films;Yol is certainly the best of the few Turkish films i\'ve seen.I understand Hope,by the same director Guney,is also excellent.','6e10c50304782240b5e299e53ac6a9c2',0,'','ojP3zYZe',1,0,'',0,0,0),(344,155,3,1,0,'69.120.114.47',1010718158,1,0,1,1,1,1,'jim-bach','Re: Has anyone seen Run Lola Run?','I thought the subtitles were OK, not great, but acceptable. The film isn\'t heavy on dialogue to begin with, and what there is isn\'t terribly subtle, so the quality of the subtitle translation wasn\'t crucial to begin with. I did think the film was pretty trite, however.','f5083a93539f6fcdf849593e1017430b',0,'','0cd1Zbsx',1,0,'',0,0,0),(345,156,3,1,0,'69.120.114.47',976630787,1,0,1,1,1,1,'lloyd.krasuski','Has anyone seen Mifune?','I\'m just wondering if anyone outside of Euorpe has seen or even heard of this film?','553156fd48c3d4fc6f8a00aed48cf966',0,'','vb6aPDFU',1,0,'',0,0,0),(346,156,3,1,0,'69.120.114.47',976681310,1,0,1,1,1,1,'jman','Re: Has anyone seen Mifune?','Haven\'t seen it, but it\'s at my local Blockbuster store in NYC. I think they have 3 copies.','910fa4c8d185341b68ed02fde2f46f0d',0,'','PhBRbX9K',1,0,'',0,0,0),(347,156,3,1,0,'69.120.114.47',981974409,1,0,1,1,1,1,'katsuben','Re: Has anyone seen Mifune?','iben hjejle (yi-LEH, apparently) is one reason to watch it. seeing the wacky toshiro representation is another. it seems to hold reasonably true to the dogma aesthetic (such that it is). enjoyable, unremarkable.','2e6a3d94f8c880eb92c51038dd019036',0,'','Ck1UrDZp',1,0,'',0,0,0),(348,156,3,1,0,'69.120.114.47',982007769,1,0,1,1,1,1,'tekez','Re: Has anyone seen Mifune?','Saw mifune here in San Francisco - very good. Iben Hjejle is great - The guy who plays the retarded brother is really, really good. \nDenmark seems to be on a roll when it comes to making good movies..?','202397f2d71a142219aa069e1df671df',0,'','lnsWjtTq',1,0,'',0,0,0),(349,156,3,1,0,'69.120.114.47',1042388546,1,0,1,1,1,1,'sig','Re: Has anyone seen Mifune?','\n I have a few fotos from\"RASH-O-MON on my web\n  one of MIFUNE\'s greatest films\n\n  Movietreasures.com','672d32f10be09878c780e57f7f0ab776',0,'','YRsadNHM',1,0,'',0,0,0),(350,157,3,1,0,'69.120.114.47',977571595,1,0,1,1,1,1,'veraness','The Sleazy Uncle --- Lo Zio Indegno ... Italian movie','\n\nThis movie had a scene in which the uncle played a record on his gramaphone that was given to him by a danish prince ???. It was a strange, haunting song and I am looking for information about it.\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n \n\n','f1ca048c95fbd2b31f38c9d5ff1dc74f',0,'','Sp6jcGED',1,0,'',0,0,0),(351,158,3,1,0,'69.120.114.47',978643261,1,0,1,1,1,1,'mfilice','Wanna make films in Toronto?','If you are a talented actor or filmmaker who is living in Toronto and would like to collaborate and make films that matter please email me at mfilice@email.com.\n\nThank you\n\nSincerely \n\nMichael Filice','229740ce8dea54c8a3f1bc0d4a29c57e',0,'','FmuH3AqZ',1,0,'',0,0,0),(352,159,3,1,0,'69.120.114.47',978658522,1,0,1,1,1,1,'ab_ashley','American films on the top 100 foreign film list','I really enjoy this website but I must comment that there are films on the top 100 list that have no business being on the a foreign film list.\nSeveral Stanley Kubrick films appear on the list. Please explain how these can be called foreign films.\nIf these films are foreign films then you would have to open the doors to all the great British produced films. I though that a foreign film was defined as a film that is in language other than the English language. This website is in the English language so by the definition foreign, a foreign film should be films in a language other than our own. Here is the definition from the webster\'s dictionary for the word  :for·eign\n1 : situated outside a place or country; especially : situated outside one\'s own country\n2 : born in, belonging to, or characteristic of some place or country other than the one under consideration\n3 : related to or dealing with other nations\n\nAm I crazy? Or do we have a bunch of people who don\'t know what a foreign film is .\nThe Academy of Motion Picture Arts and Sciences would not consider the Kubrick films \nas foreign films. And the American Film Institute has these films on there 100 greatest \nAmerican films list. Which was chosen by the 1500 of the top industry professionals.\nSo those idiots that think Dr Strangelove: , 2001: A Space Odyssey and, A Clockwork Orange are foreign films should point out the grave mistake that has been made by the AFI\n\nI can\'t not deny that these films are great but please let\'s remove these films from the list of 100 best Foreign Films.\nI welcome your comments and input on how we can get these films off the Foreign film list\n\n\nAnthony Ashley','6eb22c57ff86dc602869de4e600d1be5',0,'','uUjHfDxn',1,0,'',0,0,0),(353,159,3,1,0,'69.120.114.47',978837079,1,0,1,1,1,1,'Tony Block','Re: American films on the top 100 foreign film list','Dr. Strangelove, Barry Lyndon & Clockwork Orange were all filmed in Britain. Trainspotting was filmed in Britain AND is in english & Michael Powell\'s Peeping Tom was in the Top 100 previously.  So there are British produced films in the top 100.  Moreover, Wim Wenders Paris, Texas is in English And was made in the USA.  Antonioni\'s Blow-Up was filmed in English in Britain.  Bertolucci\'s Last Tango in Paris & The Sheltering Sky are both in English.  Peter Weir\'s Picnic at Hanging Rock was filmed in English. Luc Besson\'s LEON aka The Profesional is in English & filmed in the U.S.A..  Von trier\'s Breaking the Waves & Dancer in the Dark are in english.  Finally, Roman Polanski\'s Chinatown is in English & was filmed in the U.S.A., so there are many films in this list that you would have thrown out, while I think they should remain because either their director was not American or they were filmed outside the U.S.A.','9c8ee27f8d266f0623f1d9aa2c002844',0,'','RpmvGZco',1,0,'',0,0,0),(354,159,3,1,0,'69.120.114.47',979870715,1,0,1,1,1,1,'cinemasmooch','Re: American films on the top 100 foreign film list','I feel this website is about  \"quality\" films, therefore, it crosses \"borders\".','3fe61f65a5b864856ba5b656dbd201aa',0,'','heLojx8A',1,0,'',0,0,0),(355,159,3,1,0,'69.120.114.47',979900472,1,0,1,1,1,1,'Dizzy_Bird','Re: American films on the top 100 foreign film list','I have to agree with Ashley on this one, when I first encountered this site I was very pleased to find a community who shared my love for international cinema, however upon surveying the top 100 list I also felt that certain films should not have been included in the discussion.  Yes this site exists to celebrate great films, but there are a great films which for the purpose of limiting the scope of this site must be discluded. British films, in my opinion are as such, as are any films in which the main language spoken is English.  Yes Strangelove and 2001 are excellent films, but they shouldn\'t be included on this site. If you are going to include foreign directors then that opens the door to a great many films which are in no way foreign; The Sixth Sense (directed by indian-born M. Night Shyamalan) or The Cell (also by indian-born tarsem singh) are just two recent examples. Roman Polanksi is a wonderful director but along with making great foreign films he also dabbles in American cinema, while Knife in the Water and Repulsion should be included, Chinatown, Rosemary\'s Baby, and The Ninth Gate are hardly foreign, in fact they deal with very Amercian views and are filmed in American locations. I don\'t know, perhaps we are being too anal about all this, but there has to be some sort of line drawn somewhere, if you can include films like Chinatown and Dr. Strangelove, then why not consider some films by Alfred Hitchcock, or better yet take it even further and include America\'s greatest treasure Casablanca, afterall it was directed by Hungarian-born Michael Curtiz.  ','184e4c2e00e6ec3f6bb6e1c81bf0859f',0,'','VyE8FQa1',1,0,'',0,0,0),(356,159,3,1,0,'69.120.114.47',981936959,1,0,1,1,1,1,'tekez','Re: American films on the top 100 foreign film list','I think the Brits mighht be slightly offended by the suggestion that \'Trainspotting\', \'Clockwork Orange\', \'Dr. Stangelove\' etc are not Foreign movies to an American. The English Language is spoken in quite a few locations all across the globe...Just because a movie is in English does by no means make it American. Maybe we should call it \'Foreign country films\'....?','5501dc5f525b306bcab1b85f4947aee5',0,'','pVcDTqbS',1,0,'',0,0,0),(357,160,3,1,0,'69.120.114.47',978820425,1,0,1,1,1,1,'frangor','Morell','Have you watched a Room For Romeo Brass yet?','ec54164b120e6801d98d3f475e6d7c3f',0,'','UwT1R6bz',1,0,'',0,0,0),(358,161,3,1,0,'69.120.114.47',978922754,1,0,1,1,1,1,'nana','age...just wondering how old you people are;O)','hello!  i recently joined here at foreignfilms.com. \ni have been interested in films for a few years though i have\nprobably not watch too many.  i\'m twenty-six and when i do go\nsee a foreign film at a threatre...i\'m usually the only one there below\nfifty.  it really don\'t matter much, but are there peers my age that dig \nfilms especially foreign films?  ','b11580e3b6081f11659ce6ebdef2f296',0,'','dEKCBmhR',1,0,'',0,0,0),(359,161,3,1,0,'69.120.114.47',979599957,1,0,1,1,1,1,'FilmLover','Re: age...just wondering how old you people are;O)','Well, I too am 26 and a fan of foreign films. as well as almost all of my friends.  I also see a lot of young people in the theaters when I go. Could be dependent on where you live?\n','8a4e9a4dcb09e9660bc5e51bac85286b',0,'','jbPxl1L2',1,0,'',0,0,0),(360,161,3,1,0,'69.120.114.47',979710593,1,0,1,1,1,1,'nana','Re: age...just wondering how old you people are;O)','i\'m glad that there are younger people interested in foreign films.  it\'s so much more that just the films, one can learn different thing within the film such as cultures, literature, as well as references to other great films.\n---nana','2011d721744f4bd7932afefb19e8a4c4',0,'','ZwjQUTmf',1,0,'',0,0,0),(361,161,3,1,0,'69.120.114.47',979783210,1,0,1,1,1,1,'cinemasmooch','Re: age...just wondering how old you people are;O)','In the San Francisco Bay Area there are lots of people your age at foreign and independent films.  Although I\'m in the other age category you mentioned, I\'ve been watching films with actors other than Julia and Mel since I was 19.  ','75e93954f008d011b6b2e456fa45176e',0,'','rMKvzSBq',1,0,'',0,0,0),(362,161,3,1,0,'69.120.114.47',979900967,1,0,1,1,1,1,'Dizzy_Bird','Re: age...just wondering how old you people are;O)','I\'m from Rochester, New York, which is not the worst place for international cinema, afterall we do have a huge archive at the George Eastman House. I too find myself often the youngest person in the art-houses, it\'s great that this site exists, because it is very difficult to strike up a conversation about Fellini with folks that watch nothing but Whoreywood Schlockbusters, oh by the way I am 22 and have been enjoying the gems of the world for almost five years now. -- saw Double Life of Veronique again recently, the thing never becomes anything less than mesmerizing. . . ','4057d548929f4ffefdcc1b9fedfe2e15',0,'','h6sx5C1z',1,0,'',0,0,0),(363,161,3,1,0,'69.120.114.47',979923793,1,0,1,1,1,1,'Vox','Re: age...just wondering how old you people are;O)','Hi, I\'m 37 years old and luckily I live in a city where I can see or rent all the \"foreign\" movies I might ever want.','01ba157e22cb0de0a71b4a332b06e13f',0,'','0YQ3DXz8',1,0,'',0,0,0),(364,161,3,1,0,'69.120.114.47',979966813,1,0,1,1,1,1,'Tony Block','Re: age...just wondering how old you people are;O)','41 and counting!','f1ecd5dc420b1ca20cb4b85e6b46a9e4',0,'','bYmwtp8v',1,0,'',0,0,0),(365,161,3,1,0,'69.120.114.47',980336336,1,0,1,1,1,1,'nana','Re: age...just wondering how old you people are;O)','someone said it was possible to watch all foreign films ever made in a life time.  i know that\'s not to specific, but what do you think about that?  how many films would one have to watch a week?\n---nana','d238838cc4de07c08d7a4a4afc5eacac',0,'','fkryP4N1',1,0,'',0,0,0),(366,161,3,1,0,'69.120.114.47',980540693,1,0,1,1,1,1,'heatherfrank','Re: age...just wondering how old you people are;O)','I\'m 26, and if I continue at this rate of watching foreign films, I will probably succeed in seeing most of them.','20b57ee79fa886b29ef9e3afa2152b90',0,'','p2mNPU5h',1,0,'',0,0,0),(367,161,3,1,0,'69.120.114.47',980692658,1,0,1,1,1,1,'Tulse Luper','Re: age...just wondering how old you people are;O)','I am 92.','128c4b74848b5faac4d0cc1de74760d7',0,'','XE2Yfi0H',1,0,'',0,0,0),(368,161,3,1,0,'69.120.114.47',980914319,1,0,1,1,1,1,'katsuben','Re: age...just wondering how old you people are;O)','probably possible to watch all foreign films one can find at a videostore in a lifetime, but try swimming through one of the larger film archives (such as tokyo). i am 25 and run a film society so i have the priveledge of acquiring films from the national archive of my country (australia). much as i love cinema i\'d rather spend life living. :)','4c5fdc913ecd0835516c538c87f1e19f',0,'','laZFytfU',1,0,'',0,0,0),(369,161,3,1,0,'69.120.114.47',981014835,1,0,1,1,1,1,'nana','Re: age...just wondering how old you people are;O)','funkyduck---\nfunkyduck---\nhope you are not angry with my other reply about you being snobbish.  i\'m sorry if i offended you.  anyhow...how would one start a film society in the us?  anyone with comments/know hows would be appreciated.\n---nana','be26354fe90e51ec19899dc38064c272',0,'','FRd0vaqP',1,0,'',0,0,0),(370,161,3,1,0,'69.120.114.47',981121470,1,0,1,1,1,1,'Hectate','Re: age...just wondering how old you people are;O)','I\'m quite new as well (member wise), and am an avid film lover since 4, I\'ve really just touch the tip of Foreign film\'s iceberg.  I\'m nineteen.  Youth only touches the core of what the world really is, and i\'m not even in the nearest vicinity of discovering other great filmmakers out there.\n\nI love Kurosawa, I\'ve seen all of his films--save Sanshiro Sugata 2 (a film he dislikes and is not released in the USA because of the propaganda it carried), Drunken Angel, and the newest one before he died Madadayo.  I love that guy.\n\nAnd I love this website!  I\'m eager to see Wang Kar-Wai\'s new hit IN THE MOOD FOR LOVE. ','0180ee7717f1f294799cab8f6ff87caa',0,'','hVqbomkL',1,0,'',0,0,0),(371,161,3,1,0,'69.120.114.47',981476633,1,0,1,1,1,1,'nitin jagdish','Re: age...just wondering how old you people are;O)','this year i turn......30. i agree with the other posters; age does not determine a person\'s receptiveness to \'foreign\' pictures. i started watching \'foreign\' movies when i was seven, and if we count japanese television programming, \'foreign\' influencing began when i was 4 quickly going on 5. of course, my first movie going experience [3 or so] was \'cabaret,\' so let\'s assume that my experience is not the norm.  \n\nbecause i\'ve moved around so much, there\'s a real rootlessness in my life. it never occurred to me think of something other than in terms of \'pleasuring\' and \'not really pleasuring.\' that\'s one reason why i\'ve put foreign in quotes because the idea of \'foreign v. hollywood\' is well, foreign.\n\nanother reason -- movies strike me as the closest thing to a universal language. theoretically, the concern about foreigness should be irrelevant. of course, as mary pickford once said, you\'d think that silent movies would be where movies evolved to, not where they evolved from....\n\ni think i\'ve babbled enough for now.\n\nsaw imamura\'s \'the eel\' yesterday. absolutely wonderful. ','2599e5830d63c989263df1c51c8b2d23',0,'','chsRjAU9',1,0,'',0,0,0),(372,161,3,1,0,'69.120.114.47',981622500,1,0,1,1,1,1,'nana','Re: age...just wondering how old you people are;O)','bunny---\n\nyou are older than me and probably seen more films than me.\ni\'m not going to tell you anything you don\'t want to hear.  however, i do want to make it clear that i wasn\'t bashing you.  i simply said that form is important.  it(film) is much more than entertainment, much more than plot, much more than characters, etc... it is something more...almost like  religion.\n---nana','8299726a3efad53bb4a1277423917683',0,'','C1cvqzfp',1,0,'',0,0,0),(373,161,3,1,0,'69.120.114.47',981644491,1,0,1,1,1,1,'Hectate','Re: age...just wondering how old you people are;O)','Nit--regarding the EEL commentary.\n\nI saw it as well--loved it--had it not for its \'climax\'.  Seeing that long brawl gave me a sense of the director\'s weariness.  He, I assumed, just wanted the movie get over with--so, putting my judgement at zenith--would jsut say to the actors--IMPROVISE, LONG SHOT, GO ON WITH IT, I\'M TIRED...\n\nBut the movie is nice, I just don\'t get whats the deal with the EEl.\n\nWhat\'s the deal with the eel.\n\nHA.\n\nI saw Tarkovsky\'s MY NAME IS IVAN.  It stanked.\n\n:)','810ec61cfe7105bf368e542e26eda09f',0,'','ZXhsj3Pe',1,0,'',0,0,0),(374,161,3,1,0,'69.120.114.47',981676377,1,0,1,1,1,1,'aguirre','Re: age...just wondering how old you people are;O)','I\'m 27 and new to these forums. I live in a small rural town in North Carolina. The only way I can watch foreign films regularly is by renting DVD\'s from a website. 8 1/2 is the only foreign film I\'ve seen on the big screen, but I\'ve seen around 150 on video. Oh well, sometimes you really do have to suffer for art!','2d748e1bde7f7911965e899610f9150e',0,'','CMaV2T19',1,0,'',0,0,0),(375,161,3,1,0,'69.120.114.47',981760983,1,0,1,1,1,1,'acquarello','Re: age...just wondering how old you people are;O)','Astroboy13, regarding \"The Eel\", are you referring to the barber shop fight with the garbage man, or the ending with the mobsters?  I also mostly enjoyed the film until the end, when it seemed to go off on a Keystone Kops tangent.  \n\nAt least, Imamura seems to have softened on his misanthropy and cynicism a bit.  I still don\'t quite know what to make of the brutality of \"The Ballad of Narayama\", \"The Insect Woman\", or \"Vengeance is Mine\".  But at least, with \"The Eel\" and \"Dr. Akagi\", he seems to be a lot moe sympathetic (aside from opening brutality of \"The Eel\").\n\nacquarello\nwww.filmref.com','9fa0d2100c117a3f6a8779beafd26c83',0,'','U1La3sxA',1,0,'',0,0,0),(376,161,3,1,0,'69.120.114.47',992037360,1,0,1,1,1,1,'genghizkhan66','Re: age...just wondering how old you people are;O)','Hi everyone\n\nI am 35, and my first experience with Foreign film if I can remember correctly, is when I was 10 years ago unless if you consider the Asian movies I grew up with since baby time. I live in Asia and many Asian movies are very accesible.\nI cant remember the name of that first foreign fim. It was a Spanish moviestarring Victoria Abril. Its a story about this woman who teaches a young soldier about kinky sex...and later on he make the young soldier murder his own girlfriend.\n\nMy favourite foreign films  though...kinda touch homeground. I love period films of warriors, be they Mongolian , Chinese or Japanese. As well as period drama and dramas of the various Asian ethnicity. Thus my general group of favourite  directorls includes Zhang Yimou, Akira Kurosawa, Masaki Kobayashi, Chen Kaige, Xie Fei, Nagisa Oshima...and so on.\n\nAt the moment , my top list of film I really want to see are:\n\nA Mongolian tale\nDevils at the Doorstep\nSong of Tibet\nMan walking on snow\nEast palace west palace\nThe emperor\'s shadow\nRed Beard\n\nI love sword fights , emperors, conquerors and warlords ( hehehe...can t believe those were my ancient ancestors :)).\nBut I am not into modern action like Ang Lee ot Kitano Takeshi. \n\nRegards & wishes\n\nGenghizKhan66\n\n\n','47838c59b3caad26adb40e4b69ccc35b',0,'','advpXqgR',1,0,'',0,0,0),(377,161,3,1,0,'69.120.114.47',992482516,1,0,1,1,1,1,'ranger','Re: age...just wondering how old you people are;O)','Hello All,\nI\'m 57. Pretty old I guess.  My intro to \"Foreign Films\" was mostly Ingmar Bergman\'s films. \"Wild Strawberries\" really influenced my b&w photography. (I ended up being a photographer.)\n\nTo GenghizKahn: Are the following films (your list) available with English subtitles?  I\'ve found that I really enjoy oriental films - especially Jhang Yemou\'s (hope I spelled that right), so now I\'m always on the lookout for new films, and I haven\'t heard of any of these. Did you see the \"Emperor and the Assassin\"?  \nA Mongolian tale\nDevils at the Doorstep\nSong of Tibet\nMan walking on snow\nEast palace west palace\nThe emperor\'s shadow\nRed Beard\n\nA note on the topic American vs. Foreign - with film makers, actors, crew, etc. working worldwide these days how foreign are foreign films with american actors, and how American are Hollywood films with foreign directors (that\'s been done for decades)? How about \"Moulin Rouge\" made in Australia? Is Nicole Kidman an American actress?  Is the sole qualification for a foreign film that it be subtitled?\nLiving in a midwestern industrial town \"foreign\" means I\'ll have to wait to see it on video, because it will never come to a theatre near me.\n\nI love foreign films\n','50c62e38ef38792e29cbeab02daef2ca',0,'','rEhBM8Q6',1,0,'',0,0,0),(378,161,3,1,0,'69.120.114.47',992498859,1,0,1,1,1,1,'jecakehayias','Re: age...just wondering how old you people are;O)','I am 29 and live in Southern California. I love foreign films but they are very hard to find in my area (or maybe I am not well informed since I recently moved here). We should start a club in this area and go watch them together! I am open and have friends (25-30) that share this interest. Email me if someone has any ideas... ','8cadfa48fd13ba392e032d98d3bfafba',0,'','k1h8HpBu',1,0,'',0,0,0),(379,161,3,1,0,'69.120.114.47',992540056,1,0,1,1,1,1,'itwasashark','Re: age...just wondering how old you people are;O)','32 years old, here!  Love foreign films because they are rich in stories and character and feeling.  My first foreign film was Forbidden Games (1952) I found while switching channels on TV three years ago.','114e6202a8bce88a8ad52c95e6a68d9a',0,'','k0N9XGPf',1,0,'',0,0,0),(380,161,3,1,0,'69.120.114.47',993317766,1,0,1,1,1,1,'genghizkhan66','Re: age...just wondering how old you people are;O)','TO RANGER !!\nHi , Ranger believe me, most of my close friends are actually above the age of 40 so you are OK :))\nI find them easier to talk to and some people around my age actually thought I am stoic, jaded and boring haha!\nAnyway to your question.\n\nYes ALL the movies I\'ve mentioned ARE and WILL BE subtitled in English especially if you get them in the USA.\nIf you happen to get them from an Asian distributer or Asian country...then they will be subtitle in more than 15 Asiatic languages as well as English.\nIt will depend on which country they came from.\n\nHere I will again put in the titles and a little info, hopefully it will make it easier to find them:\n\nA Mongolian tale   Dir. Xie Fei    (Mongolia / China) co-production - a love/life drama set in the vast steppes of Mongolia.\nDevils at the Doorstep   Dir.Jiang Wen    ( China ) Black comedy/drama about Japan occupation in a Village.\nSong of Tibet   Dir. Xie Fei    (China/Tibet)   Love of a women with 3 men in her life.\n Man walking on snow    Dir. Masaki Kobayashi  ( Japan )  Family drama\n East palace west palace     Dir.  Zhang Yuan  ( China ) Homoxexuality in old Beijing\n The emperor\'s shadow    Dir . Zhou Xiaowen  ( China ) similar to Emperor and the Assassin.\n Red Beard\n','c8012e7af9d7fc4430c880afdba15ed5',0,'','ULHvdWsf',1,0,'',0,0,0),(381,161,3,1,0,'69.120.114.47',993317766,1,0,1,1,1,1,'genghizkhan66','Re: age...just wondering how old you people are;O)','TO RANGER !!\nHi , Ranger believe me, most of my close friends are actually above the age of 40 so you are OK :))\nI find them easier to talk to and some people around my age actually thought I am stoic, jaded and boring haha!\nAnyway to your question.\n\nYes ALL the movies I\'ve mentioned ARE and WILL BE subtitled in English especially if you get them in the USA.\nIf you happen to get them from an Asian distributer or Asian country...then they will be subtitle in more than 15 Asiatic languages as well as English.\nIt will depend on which country they came from.\n\nHere I will again put in the titles and a little info, hopefully it will make it easier to find them:\n\nA Mongolian tale   Dir. Xie Fei    (Mongolia / China) co-production - a love/life drama set in the vast steppes of Mongolia.\nDevils at the Doorstep   Dir.Jiang Wen    ( China ) Black comedy/drama about Japan occupation in a Village.\nSong of Tibet   Dir. Xie Fei    (China/Tibet)   Love of a women with 3 men in her life.\n Man walking on snow    Dir. Masaki Kobayashi  ( Japan )  Family drama\n East palace west palace     Dir.  Zhang Yuan  ( China ) Homoxexuality in old Beijing\n The emperor\'s shadow    Dir . Zhou Xiaowen  ( China ) similar to Emperor and the Assassin.\n Red Beard\n','c8012e7af9d7fc4430c880afdba15ed5',0,'','b0joefnQ',1,0,'',0,0,0),(382,161,3,1,0,'69.120.114.47',993318384,1,0,1,1,1,1,'genghizkhan66','Re: age...just wondering how old you people are;O)','TO RANGER !!\nHi , Ranger believe me, most of my close friends are actually above the age of 40 so you are OK :))\nI find them easier to talk to and some people around my age actually thought I am stoic, jaded and boring haha!\nAnyway to your question.\n\nYes ALL the movies I\'ve mentioned ARE and WILL BE subtitled in English especially if you get them in the USA.\nIf you happen to get them from an Asian distributer or Asian country...then they will be subtitle in more than 15 Asiatic languages as well as English.\nIt will depend on which country they came from.\n\nHere I will again put in the titles and a little info, hopefully it will make it easier to find them:\n\nA MONGOLIAN TALE     Dir. Xie Fei    (Mongolia / China) co-production - a love/life drama set in the vast steppes of Mongolia.\nDEVILS AT THE DOORSTEP      Dir.Jiang Wen    ( China ) Black comedy/drama about Japan occupation in a Village.\nSONG OF TIBET      Dir. Xie Fei    (China/Tibet)   Love of a women with 3 men in her life.\nMAN WALKING ON SNOW      Dir. Masaki Kobayashi  ( Japan )  Family drama\nEAST PALACE WEST PALACE     Dir.  Zhang Yuan  ( China ) Homoxexuality in old Beijing\nTHE EMPEROR\'S SHADOW    Dir . Zhou Xiaowen  ( China ) similar to Emperor and the Assassin.\nRED BEARD      Dir.  Akira Kurosawa  ( Japan ) clash between an aging dedicated doctor and a young arrogant intern.\n\nOf these few titles I have manage to see only 2. \nMongolian tale and the Emperor\'s shadow. Both are excellent.\n\nYes, I have seen Emperor and the Assassin , along with Seven Samurai and Kwaidan . Its the first DVDs I purchase after I got a DVD Player :))\nThe DVD release here  in Asia under region 3 includes \nEnglish (American), Chinese( 3 sub- groups ), Korean, Indonesian, Malayo, Thai.\nDialogues are is their original language.\n\nRegards\n\nGenghiz','e7b773dc8931f1c082d761048709ebd6',0,'','Li3kRQso',1,0,'',0,0,0),(383,161,3,1,0,'69.120.114.47',993318729,1,0,1,1,1,1,'genghizkhan66','Re: age...just wondering how old you people are;O)','PLEASE FORGIVE:\nI accidently pressed something and the messages came out incomplete in the first two.\nPlease ignore. The correct message is the final 3rd  one.\n\nAgain I amreally sorry.\nGenghiz','920f20c5cc0696227c3a4876542ed27d',0,'','6Dl3jGPs',1,0,'',0,0,0),(384,161,3,1,0,'69.120.114.47',993342340,1,0,1,1,1,1,'mouse','Re: age...just wondering how old you people are;O)','I\'m 37 and been a foreign film fan most of my movie going life. Hollywood be gone!!!','d964a1c8a7a0293ff216b7d2fecc8c7e',0,'','yazXc1AG',1,0,'',0,0,0),(385,161,3,1,0,'69.120.114.47',994954790,1,0,1,1,1,1,'dld52166','Re: age...just wondering how old you people are;O)','I\'m 35 and I\'ve been watching foreign movies for more years than I can count.  I like all of them, but I believe I started watching when I was taking French in school and it just grew from there.  I still really love French films and a lot of Spanish films, but I\'ve expanded my horizons to just about every language.  If it\'s a good movie I don\'t care what language it is so long as it has subtitles if I don\'t understand it.  I\'m not against American movies and I still think we make some very good ones but I do tend to favor independent films and foreign films.  There is good and bad in all types of film.  I know several people who like foreign films and they are around my age and some are actually younger. Many people can get into them once someone gets them started -- I say they sometimes suffer from Subtitle Phobia. I know one person that got into it after buying a DVD player and goofing around with the language/subtitle settings on some of the DVDs.  He realized it was okay to hear one language and read another and he is about 29. I live in a rural town but I work in Chicago so I am lucky to be able to see foreign films on the big screen pretty much all the time.  Chicago gets just about everything that\'s released.  I have just recently seen The Widow of St. Pierre and With a Friend Like Harry here and there were people of many ages in the theater. \"Harry\" definitely had everyone from teenagers to people as old as maybe 90.','1f622106a4e9d74136339f019e0417d7',0,'','1SRPgkCK',1,0,'',0,0,0),(386,161,3,1,0,'69.120.114.47',995175594,1,0,1,1,1,1,'Bleu','Re: age...just wondering how old you people are;O)','I\'m 22, started watching foreign films when I began taking French at 11. I still mainly watch those films in the languages that I\'ve studied (French & Italian), but I\'ve branched out a bit as I\'ve gotten older :)','a79ad78457e53cc7e5658624cdb0c9a9',0,'','jZPUoYEL',1,0,'',0,0,0),(387,161,3,1,0,'69.120.114.47',995220445,1,0,1,1,1,1,'peter.ruggles','Re: age...just wondering how old you people are;O)','I\'m 57.  I enjoy foreign films especially involving children because most American films don\'t have a clue.  I get films from the \"Cinema Cafe\" section for artsy stuff.\nUnfortunately the stores which have the best foreign or artsy or older films seem to go out of business which is a sad commentary on our culture.  I can\'t even get classical music at the local Blockbuster.','0b3d212c4675f07f2e31176028e706e6',0,'','P3M1s6R4',1,0,'',0,0,0),(388,161,3,1,0,'69.120.114.47',995380824,1,0,1,1,1,1,'mukhos17','Re: age...just wondering how old you people are;O)','Hi everybody. Posting after a long hybernation. I do have a little problem in comprehending the word \"foreign\" film. What do you mean by \"foreign\" films? Is it non english films or is it non american films? I am an Indian, for me all non Indian films are \"foreign\" films. Be it English, American, French or Chinese. So you see there is a inherent dichotomy in the definition of foreign film itself.\nits a pity that the point of reference of everything has already shifted to america/english! \nLong live american hegemony, long live unipolar world.','6073e3e27a76d297c081a44b969c24f7',0,'','vpjtudxw',1,0,'',0,0,0),(389,161,3,1,0,'69.120.114.47',995531273,1,0,1,1,1,1,'katsuben','Re: age...just wondering how old you people are;O)','to me there are certain non-english language speaking movies that i wouldn\'t naturally label \"foreign\" if, for instance, they used a hollywood continuity aesthetic. basically, there are 1) films, and 2) people who watch them. \"foriegn\" is obviously a poor signifier. now, unless we are going to undertake a discursive formal analysis of various national cinemas, we\'ve probably reached an impasse. . .','efb64d41c8291b63390d3f6eb0185bc6',0,'','rBnt1AJF',1,0,'',0,0,0),(390,161,3,1,0,'69.120.114.47',996872952,1,0,1,1,1,1,'TwoFourFixAte','Re: age...just wondering how old you people are;O)','tes ting','52da5887944bd0049b5b7cad6a221212',0,'','Cfk91hyL',1,0,'',0,0,0),(391,161,3,1,0,'69.120.114.47',996890084,1,0,1,1,1,1,'bdk160','Re: age...just wondering how old you people are;O)','I am 41 - and am interested in various genres from across the big pond (ok-Mexico also).  Unfortunatly I am \"exiled\" in North Carolina where very few \"limited release\" films are shown.  Duke or UNC-CH do help but for the travel time.\nI do agree that USA is not as bad as represented, but search you must.  Hollywood has sold its self so the studio system is long dead - they did make GREAT MOVIES - mostly - I believe because of the German influence in the 20s and 30s\n','1ed4c87f63af67d6bbadba9ff7de498d',0,'','nKY3fabU',1,0,'',0,0,0),(392,161,3,1,0,'69.120.114.47',997125021,1,0,1,1,1,1,'Mezzosoprano','Re: age...just wondering how old you people are;O)','I am 37. I have been watching foreign films for several years, however, my local Blockbuster store does not have a very good selection of such films. I just watched Akiro Kirasawa\'s film \"Dreams\" and thought it was wonderful. I think the most powerful segment of the film was the dream \"The Tunnel\", it was a tear jerker. I think foreign films are so much better than american films. The subject matter is far more reality based. American films are filled with so much sex and violence that it is pathetic.','6fb5475e37298bf0e5ebe48573c855da',0,'','A3MVwrzk',1,0,'',0,0,0),(393,161,3,1,0,'69.120.114.47',997681652,1,0,1,1,1,1,'jimbofiggis','Re: age...just wondering how old you people are;O)','22 here...not exactly a foreign film buff, but passionately love cinema in general.  I have not resorted to watching foreign cinema as a means of disregarding the mediocrity that plagues most mainstream films...I have nothing against conventionality...if a film is genuinely engrossing, I appreciate it whether its formulaic or not.  Even though foreign cinema undeniably has more to offer, there is nothing inherently wrong with Mel Gibson and Julia Roberts...in fact, what truly irks me is any insistence to go against the flow just because...THAT to me is unoriginal.  A reformed film geek, I now watch movies with a less critical eye, while before I piously deconstructed them to shreds...this gives me more time to enjoy them (who knew!)','7919117c08a7ca9abb0f4646ed58e4b8',0,'','p20hqH85',1,0,'',0,0,0),(394,161,3,1,0,'69.120.114.47',997819309,1,0,1,1,1,1,'HASSELBAINK007','Re: age...just wondering how old you people are;O)','In Reply my Name is Rob i am from London and i`m 37 my main passion in French cinema although i have a huge collection of world cinema over 700 Films now.I Holiday 3 times a year in France especially when i want to see the latest french films and cannot be bothered to wait for them to come out on Video in England.I Usually rent a house in the French country side in the middle of no-where and it really is an incredible to enjoy a relaxing holiday in France and it really is like the films they produce.We are lucky as they built the Channel Tunnel in 93/94 and we can get on a train and it goes under the English Channel and we drive of the other side in 35 Minutes and gives us a gret opportunity to explore France,mind you England is nice as well,All the Best,,,Rob','8b9088ffb8c8ff35f078b2799ca16000',0,'','ZPkTiDrG',1,0,'',0,0,0),(395,161,3,1,0,'69.120.114.47',999883602,1,0,1,1,1,1,'Dlosconos','Re: age...just wondering how old you people are;O)','Genghizkan66, The movie whith Victoria Abril that you saw is;Amantes (The Lovers, Atrue story)The director is Vicente Aranda .And is from 1991.Is based ina true crime in the 1950s.It was a big scandal in Franco`s Spain.He kills her in fron of the 13 century Burgos Cathedral,and ist was named inthe Yellow press \"El Crimen de Burgos\" (The Burgos Crime)','05263e8e03050f616f5a8c73ad1235a2',0,'','8Xr4yUt3',1,0,'',0,0,0),(396,161,3,1,0,'69.120.114.47',999957504,1,0,1,1,1,1,'sobejac16','Re: age...just wondering how old you people are;O)','Hello guys, I am new here, thanks to a friend who in-\ntroduce me to this paradise of FILMS lovers. Free free t\nto e-mail me anytime. I am 57y/o. I was born in Havana,\nwhere movies from all the world always ran...I saw \nRashomon on tv  THEN!!! Well, I just want to say that\nthe italian actress Silvana Mangano became a interna-\ntional star in Bitter Rice. Later in Anna (1951) di-\nrected by Alberto Lattuada. The italian tittle of this\nfilm is A Husband for Anna. After in 1954 she was the\nstar of a film call Mambo, directed by Robert Rossen,\nand shoot in real locations in Italy. This film I saw\nit in Havana when I was a kid, and never, ever, I saw it again. Very hard to find it. The film has a great cast\nVittorio Gassman, Shelley Winters, Michael Rennie, Mary\nClare, Eduardo Ciannelli and Katherine Dunham (You can \nhave a glance of Eartha Kitt who was a dancer of the\nballet company of Ms. Dunham).\nI must go to my gym. Before I have to tell to Gengys \nthat I also am a admirer of the \"Asian Phenomenom\".','e99c6ff45b6e441ab4943c1f338f03ca',0,'','Wgs3FxX6',1,0,'',0,0,0),(397,161,3,1,0,'69.120.114.47',1000018044,1,0,1,1,1,1,'PunkWashGurl','Re: age...just wondering how old you people are;O)','im 15...','ccc885b881c14f984557e55f584dfc21',0,'','2qP56dNY',1,0,'',0,0,0),(398,161,3,1,0,'69.120.114.47',1000572891,1,0,1,1,1,1,'clkotila','Re: age...just wondering how old you people are;O)','38.  I\'ve been enjoying foreign films since my early 20s.','69768064d11d76d9a084d89ae865c1fe',0,'','fVuDpgAh',1,0,'',0,0,0),(399,161,3,1,0,'69.120.114.47',1000754068,1,0,1,1,1,1,'chris','Re: age...just wondering how old you people are;O)','Hi,I,m 41 from New Jersey.First foreign film evar was Knife in the Water when I was 12 or saw.It ran on PBS and was a big deal for my parents,although it went over me just a bit then,thanks.Am waiting for Dekalog to be released,local polish video store has ordered it.','06b0a871046d728b541471d5d5d5805c',0,'','5EpP6T1j',1,0,'',0,0,0),(400,161,3,1,0,'69.120.114.47',1002828827,1,0,1,1,1,1,'dongam','Re: age...just wondering how old you people are;O)','I\'m 60 and they gave me a day pass to get out of the Smithsonian.  I\'ve enjoyed foreign films since I was in college in the late 50\'s.  So often I just go to a foreign film without knowing much about it (I live in San Francisco so there are a number of opportunities).  I am a bit more cautions with Hollywood films.  Perhaps that might be due to the fact that Hollywood films do not undergo the export process (which may limit the number of films of less than stellar quality?). Its a rather new experience for me to find myself the senior responder-seeing that I am still trying to decide what I want to be when I grow up.','202adf4ed560313e86d40a0bbaed7b59',0,'','vFBWu53K',1,0,'',0,0,0),(401,161,3,1,0,'69.120.114.47',1003080706,1,0,1,1,1,1,'mafonsobraga','Re: age...just wondering how old you people are;O)','I\'m 36. To brasilian people is funny to say  \"foreign film\". We don\'t consider a film as something \"foreign\" (exotic,uncommon, strange or else), it\'s just a work of art. We don\'t  say \"foreign sculpture\" or \"foreign book\"...\nIn Rio de Janeiro is possible to see films from France, USA, Italy, Spain, Iran, UK, Argentina, Mexico, China, Vietnam, Japan any day, and young people rush in.','4a7fc904ef3305b3f53bda7247f01750',0,'','3vtaUMdC',1,0,'',0,0,0),(402,161,3,1,0,'69.120.114.47',1008644617,1,0,1,1,1,1,'stof_','Re: age...just wondering how old you people are;O)','I\'m 17. Ive been watching foreign films for about a Year. None of my friends are the type that would enjoy foreign films(the guys think Scary Movie is a good comedy and the girls think Bring it On is an amazing piece of cinema). I kind of stumbled onto foreign films being played late at night on Tv. They\'re just so much better than what Hollywood makes. Ciao Professore is my favourite film of all time. \nTheres also Canadian film. It started out as a \"patriotic mission\" of sorts. you\'d think that seeing Canadian film in Canada would be a simple task. It isn\'t. unless you live in Toronto it\'s almost impossible to see great Canadian films. This really is a shame because Canada is seriously underated when it comes to film. Last Night is a must see.\n','fdcc8339d028f5d531432bc58eecf8a3',0,'','hiZD7pd0',1,0,'',0,0,0),(403,161,3,1,0,'69.120.114.47',1008827503,1,0,1,1,1,1,'thegreatken1','Re: age...just wondering how old you people are;O)','I am 21 years old.  I live in San Diego and I like anything foreign or independent.  I think that Hollywood is crap.  I live near four Landmark theatres, but go to two because the other two are in La Jolla (which is ten miles from my house).  My favorites are \"Run Lola Run\", \"Johnny Stecchino\", and \"Band of Outsiders\".','ba7a985deddc153e57bb5c531bccecbd',0,'','QW3CK8UR',1,0,'',0,0,0),(404,161,3,1,0,'69.120.114.47',1008904581,1,0,1,1,1,1,'cinemasmooch','Re: age...just wondering how old you people are;O)','All I know is that I was born in the fall (like Crocodile Dundee, except he was born in the summer) - and I like it that way!','5a0c2519ddfbd7983820e375c478cb9a',0,'','aMYblWCg',1,0,'',0,0,0),(405,161,3,1,0,'69.120.114.47',1009743135,1,0,1,1,1,1,'john-5','Re: age...just wondering how old you people are;O)','i\'m 40, from Wales:write on world cinema and am writer- publicist for Brecon Film Society(currently thriving, with packed audiences, which proves there\'s a demand for \"foreign language\" films).Given that most of the world\'s films are NOT in English-the \"Bollywood\" film industry alone is enormous- i certainly don\'t expect anyone could see them all in a lifetime,and who would want to? Anyway,i especially love Mizoguchi, Renoir, Tarkovsky and early Wenders,and Japanese cinema in particular.','8794046422465dc48dd2508e7a885dfd',0,'','M8510CWx',1,0,'',0,0,0),(406,161,3,1,0,'69.120.114.47',1015824904,1,0,1,1,1,1,'wanderingstar','Re: age...just wondering how old you people are;O)','Doesn\'t seem like anyone has replied to this one in a while, but I\'m eighteen.  And, I suppose, been an avid film nerd since I was about 14, from which I progressed from watching \"Nightmare on Elm Street\" with my friends to the works of Atom Egoyan.  I\'m relatively happy that such films as Crouching Tiger, Amelie, and Brotherhood of the Wolf have gotten people around my age-group more interested in foriegn cinema, but as much as they may like those films, I can\'t see them sitting down and watching an Ingmar Bergman, or Francois Truffaut film.','d50347fd1d7094bbf750bb6a5d0ba616',0,'','qPmBSf9s',1,0,'',0,0,0),(407,161,3,1,0,'69.120.114.47',1015856710,1,0,1,1,1,1,'Baldilocks','Re: age...just wondering how old you people are;O)','I\'m 40 and proud of it. I\'ve seen a lot of foreign films and prefer them to most american \nfilms to be honest. Don\'t get me wrong, I\'m not condoning american movies; I just find\nmost of them quite banal, if you know what I mean? I think that the older you get, the \nmore appreciative you get of different culture movies.Anyhow this is my opinion and not \na statement, so I don\'t want anyone to be offended in anyway.\nCheers! ','dc2b33b6078617570b2d1b20aaec73d0',0,'','Fne6iZhQ',1,0,'',0,0,0),(408,161,3,1,0,'69.120.114.47',1019652349,1,0,1,1,1,1,'abdullah2k','Re: age...just wondering how old you people are;O)','Hello all!  I am 25 years old and depending on my mood, my favourite movie could either be \"The Seven Samurai\", \"Amelie\", or \"Totoro\".  My favourite director is Eric Rohmer.  I\'ve seen most of his films except for the medieval ones.  I\'m also a big fan of Iranian cinema and japanese animation.  Foreign films, for me, are a great way to experience different cultures, environments and atmosphere while at the same time being a lazy ass couch potato.  ','8bcdf8f79610a65c06f722e95997f8b7',0,'','9hreEsb2',1,0,'',0,0,0),(409,161,3,1,0,'69.120.114.47',1019801572,1,0,1,1,1,1,'zoe','Re: age...just wondering how old you people are;O)','This is In response to bdk160\'s August message which I\'ve only just seen. Yesterday I was thinking about how wonderful American films were during Hollywood\'s \"Golden Age\" and it struck me that in fact every one of the great filmmakers from Old Hollywood were indeed European born!  Certainly their sensibilities were infused with their \"foreign\" backgrounds and cultures.  I was trying to rationalize including favorite \"Hollywood\" filmmakers such as Alfred Hitchcock (British) and William Wyler (German). Maybe, as some of the above messages suggest, the distinction is a false one.   There are only good films and bad films.  (It just happens that most of the bad ones come out of contemporary  Hollywood!)','4744d38e3a76df7839e6004ffe61a53f',0,'','4ML6VcS0',1,0,'',0,0,0),(410,161,3,1,0,'69.120.114.47',1019801996,1,0,1,1,1,1,'zoe','Re: age...just wondering how old you people are;O)','oh, I forgot to add my age:  I\'ve been 39 years old for some time now and I\'ve adored cinema since I was 18 months old!  I have enjoyed \"foreign\" films since I was a grade school student when I would catch them on tv in the \'60\'s.  Back then, there was no cable but regular television showed all great films from all over the world from the \'20\'s through the \'60\'s and it was wonderful to get home from school and start watching!  At least that\'s how I remember it.  (I grew up in New York.)','55c2c4a76001a7082bc61a263bd374d0',0,'','9ombK4xR',1,0,'',0,0,0),(411,161,3,1,0,'69.120.114.47',1019812843,1,0,1,1,1,1,'montse','Re: age...just wondering how old you people are;O)','hi there\n\nI recently discovered this site when I was asking for help, as in England it has been launch a message boad for foreign film , but as you know is not very popular like a real blockbuster.\n\nIt\'s a nice website and advert -free and no pop ups, there is a friendly atmosphere to share about films and art-hounse movies.\n\nplease do come and visit and give us a hand, we also have message boards about classic cinema, comic book to  film and many more!\n\nwww.bbc.co.uk/films\n\nHope see you there!\n\noh and I am 37 and I live between UK and Spain :-)','680d2943ee7488b6699ea807d9e50dd4',0,'','idAsYaKf',1,0,'',0,0,0),(412,161,3,1,0,'69.120.114.47',1023958801,1,0,1,1,1,1,'rock16','Re: age...just wondering how old you people are;O)','Hi Dlosconos\nThank you very much for the info on the title film \"Amantes\". I remember it was a great movie and now I will have to look for it again on DVD. Again, thank you for the info.\nGenghiz','5339afb110af41a6f18d622db7fd6e35',0,'','RPD60T4h',1,0,'',0,0,0),(413,161,3,1,0,'69.120.114.47',1023984157,1,0,1,1,1,1,'ananda','Re: age...just wondering how old you people are;O)','32.  And worried.','f37c38c30ba986fdd64804fc7851adf7',0,'','cpaP7TZx',1,0,'',0,0,0),(414,161,3,1,0,'69.120.114.47',1024144945,1,0,1,1,1,1,'stingo31','Re: age...just wondering how old you people are;O)','35 here - and though I\'ve been interested in films for a while it wasn\'t until DVD\'s came along that I really got into them. That is generally how I see any films (esp international ones) as we only get the multiplex films where I live.','b507a871bf3141cb8a02998d422cd597',0,'','BtoJZVMh',1,0,'',0,0,0),(415,161,3,1,0,'69.120.114.47',1032399061,1,0,1,1,1,1,'Gaz','Re: age...just wondering how old you people are;O)','19, and I\'ve been addicted to foreign films since I first saw Malle\'s Le Souffle Au Coeur about 6 years ago. My taste has widened since then to include Herzog, Fassbinder, Truffaut, Kieslowski, Tarkovsky etc. but for me Malle is still the greatest. I\'d be happy to hear from anyone else into my kind of films at g_bu@hotmail.com','3533d66cd11a34500e843721d576fbeb',0,'','8CNWcgGe',1,0,'',0,0,0),(416,161,3,1,0,'69.120.114.47',1032449071,1,0,1,1,1,1,'kmcalma','Re: age...just wondering how old you people are;O)','38. Love non-English language films. Lately Ive watched many films from many different countries. As much as Ive enjoyed the French, Italian, and German ones its the Chinese films that I think are most consistently good.','5afa85c49a4050c58cfa950339449057',0,'','rUaF2Q7z',1,0,'',0,0,0),(417,161,3,1,0,'69.120.114.47',1033636896,1,0,1,1,1,1,'bigpoppa_2059','Re: age...just wondering how old you people are;O)','I am a hardcore cinephile and I am 18 years old. I started watching films by Renoir, Bergman, Ozu, Ophuls, Cocteau and Herzog when I was 12. I am the youngest person in Denver to be a member of the Denver Film Society and have written essays on cinema and film for a local Colorado magazine called \"5280\", sort of like the \"New Yorker\" for CO. I know more about film and cinema in general than most of my peers (whose average age is 35-55). I like good films, whether they be foreign or not. People seem to have this notion that all foreign films are great. Nope. I haven\'t read a novel in years, and I only read books of film criticism, studies, and the history of cinema. I live, breathe, drink and eat cinema and am completely obsessed with anything having to do with film. Anyone here who lives in Colorado should e-mail me, cause I\'m new to the state and don\'t really know anyone else who are true film buffs.','447a72368c55cccd4eb69616c8682eb7',0,'','AqYnTy0V',1,0,'',0,0,0),(418,161,3,1,0,'69.120.114.47',1033637660,1,0,1,1,1,1,'bigpoppa_2059','Re: age...just wondering how old you people are;O)','And to add to what a previous post said, this site is a really great tool to talk about foreign films with people who are truly knowledgable, because let\'s face it, most people don\'t. You gotta figure that 99.8% of people you see walking down the street each day have never heard of Fellini or Antonioni. There\'s, what, maybe 500-600 people on this board, and on the \"Spiderman\" and \"Reign of Fire\" websites there are more than 10,000 on their message boards. (i ain\'t joking) I mean, foreign films are becoming a lost breed. Despite what you may think, they are decreasing in popularity tremendously. A guy who owns a foreign videostore I knew in NY had to shut down cause he didn\'t make enough money. While older foreign films will never be completely obsolete, we are in the minority here people. Just because all your friends like them, the rest of the population is clueless. ','34139a20132721911f1b6ad68d64ec41',0,'','23V0CSm7',1,0,'',0,0,0),(419,161,3,1,0,'69.120.114.47',1034792449,1,0,1,1,1,1,'giadrc','Re: age...just wondering how old you people are;O)','I\'m older than you but I was watching films at a much younger age than you. I think it\'s wrong to call them foreign, there is a difference between movies and films, no matter the country. I grew up in South America where all movies and films are from foreign countries, including the USA. Only in the States films are called foreign because there are not MADE IN THE USA. What is interesting is the eagerness of the USA film industry to become more sophisticated and capitalize in the industry of making good films. Websites like this were not possible years ago, with the new technology everything will be soon called GLOBAL, not foreign. In response to NANA who started this topic, you are a bit old and missed quite a bit, thanks to new technology you can catch up rather quickly. Good luck and happy viewing!','c56e738561c2bc1ee18ed53b5d0b3a20',0,'','PM5v61xR',1,0,'',0,0,0),(420,161,3,1,0,'69.120.114.47',1034817660,1,0,1,1,1,1,'ygie','Re: age...just wondering how old you people are;O)','I am so glad we can still call this wonderful \"films\" foreign. Simply because it would be a shame to compare them to American films. That is the so called \"blockbusters\"\nI will call them foreign for as long as we can. Hopefully some day they will be recognized with the respect that they deserve here in the USA.','8ab443ae3a7e8f38a8b2618a8f9f4cd3',0,'','TawQPM4V',1,0,'',0,0,0),(421,162,3,1,0,'69.120.114.47',978924060,1,0,1,1,1,1,'nana','asian newave...','hello---\ni would like to put something together on the asian newave directors/films.  does anyone\nhave any comment or/and familiar with asian newave films.  also...what do yall think of the term\n\"newave\" in this context?  \nthough i\'m a huge wkw fan myself,  i hope i get more than wkw blah blah blah...\n\n','583cc007ca23bfd32e0ec269db3dc995',0,'','TL9sgz5k',1,0,'',0,0,0),(422,162,3,1,0,'69.120.114.47',979603564,1,0,1,1,1,1,'arrowpublicity','Re: asian newave...','I am not familiar with the phrase, Asian \"new wave\"..Can you enlighten me?\n\nI am a publicist for an independent film company and we have a film coming out called Restless. This film was shot entirely in Beijing. It opens in NY on 1/26 and throughout the country a week later..\n\nSpeak to you soon!\n\nNeil','b4807525c953c4f3823c791051d2dfbc',0,'','qNDP8hle',1,0,'',0,0,0),(423,162,3,1,0,'69.120.114.47',979711493,1,0,1,1,1,1,'nana','Re: asian newave...','neil---\n\ni was just using the term loosely refering to the likes of hou hsaio hsien, edward yang, wong kar-wai, stanley kwan etc...mostly from china/taiwan/hong kong/south korea.\nyes, i think they have been here for awhile, but they are still quite unknown if you\'re not into asian films.  it is hard to get access to these films if one\'s not locate in a \nrelatively large city.  \n---nana\n','dcba71b22ae0e44a02b0932ce3cfbdde',0,'','6qapQNjc',1,0,'',0,0,0),(424,162,3,1,0,'69.120.114.47',980310663,1,0,1,1,1,1,'heatherfrank','Re: asian newave...','I\'m a big JLG & Truffaut (French New Wave in general) freak & for the same reasons, WKW....The New Wave, Asian & French, seems to resonate with me in the same way. I see it as an avant-garde style that strays from traditional narrative techniques to instead, an emotionally detached collage that examines (over-the-top usage of symbolism) the abstraction of modern society & culture, and in particular of social alienation and sexual love. ','ccbb01b542ec76b3f896cb70b842003f',0,'','vp9Vs0Ht',1,0,'',0,0,0),(425,162,3,1,0,'69.120.114.47',980336119,1,0,1,1,1,1,'nana','Re: asian newave...','heather---\n\nyes!...i think your thoughts and feelings on the french new wave is very similar to my experience.  i took a film appreciation class when i was 19.  acourse i did not like many of the \"great classic\" at the time(probably because i didn\'t identify with any theme/character, more over i dozed off to many \"great\" films(2001, citizen kane, etc...)\n...then one night, he showed a little french film with a kid named doinel.  i moved myself in front of the room almost directly in front of the t.v. \n...that was the beginning of my life long romance with\njlg, truffaut, ozu, visconti, fellini, wkw, cassavettes & hundreds of others.  it\'s almost to the point of insanity.\ni love real life too, but i just wish i can find some one\nlike greta garbo, maggie cheung, leslie cheung or a binoche character and fall madly in love!!  until then...i\'ll pop in \nAtalante, L\' once in awhile.\n','6d3b1ca22118b172612a4c770eaad6a4',0,'','vMBltjLQ',1,0,'',0,0,0),(426,162,3,1,0,'69.120.114.47',980471545,1,0,1,1,1,1,'heatherfrank','Re: asian newave...','Ooh...do you speak of the character Antoine Doinel played by Jean-Pierre Leaud? Would love to meet someone like J-P Leaud or Tony Leung myself. These could be considered equivalents to your female versions!\n\nSpeaking of WKW\'s style, particularly that of \"Chungking Express\" & \"Fallen Angels\" I love what this person says about his style -- \"...frenetic one-way ride through The Land of Vaporous Plot, with stops along the way at Irritatingly Cute Extended Metaphor City...Freudian analysis as told to Hello Kitty....\" Hee!','6b4e4bd4f7c258147cc713b4e2be959d',0,'','knQa9URx',1,0,'',0,0,0),(427,162,3,1,0,'69.120.114.47',980913578,1,0,1,1,1,1,'katsuben','Re: asian newave...','nana - what exactly are you trying to put together? vis a vis the term: isn\'t it a wee bit general to group all of south-east asia into one lump and select a period for a \"new wave\"? would you include the fifth generation chinese filmmakers in the same category? i think for any interesting discourse in this subject it would be necessary to separate the individual films. and since enough has been said of WKW and HSH how about some reflections on Tsai Ming-Liang or Tran Anh Hung? or like you suggest, Edward Yang. although if you like i\'d be happy to lyricise on \'Good Men, Good Women\' or \'Goodbye South, Goodbye\' pretty much endlessly. . . :)','a3c46b163fafef29e9e982505af065ac',0,'','guJpQroh',1,0,'',0,0,0),(428,162,3,1,0,'69.120.114.47',981014188,1,0,1,1,1,1,'nana','Re: asian newave...','funkyduck---\n\nwhat i\'m trying to put together is a little something that would introduce asian cinema to my average college film goer.  i\'m not doing an academic \"discourse\" on anything.\nyou should be gracious that you have access to these great films.  there are people that don\'t know who wkw is, believe it or not...don\'t be to snobbish.  beside, i pretty much just enjoy the films...i don\'t really try to dissect it or have \"discourse\" over it though i do like to discuss films from time to time, but i much rather feel it.\n---nana','35bccefd7561d259f7319c1470730c78',0,'','Mb4rFgoB',1,0,'',0,0,0),(429,162,3,1,0,'69.120.114.47',981122032,1,0,1,1,1,1,'Hectate','Re: asian newave...','Like all \'CREATIVE MOVEMENTS\', the wave will loose it\'s superiority and imperious momentum as it reaches the shore--and will eventually ebb and die out.\n\nBut while it last--I love WANG KAR-WAI, and other Korean Filmmakers--Lee Chang-Doo, and other ones I forget.  I love Mahid Mahidi, as well, even though his style is classical and panoramically gorgeous.  Krzysztof Kieslowski is great as well, if he had had not got in that plane--he would still be alive, and creating some sort of movement, I assure you of that.  \n\n','c37833234975bf14b311d89dda8fe122',0,'','ayYm7fF4',1,0,'',0,0,0),(430,162,3,1,0,'69.120.114.47',981133158,1,0,1,1,1,1,'acquarello','Re: asian newave...','I\'m lost on the Kieslowski reference - he was Polish, worked on his later films in France, and died of a heart attack.\n\nFunky Duck raises a good point on the definition of \"Asian New Wave\".  Geographically, Asia covers the all the independent countries of the former Soviet Union, Iran, Afghanistan, Turkey, Myanmar, United Arab Emirates, Saudi Arabia etc., and certainly, they all weren\'t influenced by the same creative catalyst.\n\nacquarello\nwww.filmref.com','3cd3af38e34d6df6cd562baedf505a36',0,'','pnactAeK',1,0,'',0,0,0),(431,162,3,1,0,'69.120.114.47',981152751,1,0,1,1,1,1,'nana','Re: asian newave...','i understand asian newave is not specific enough.  i\'m guess i mean far east asia like of \ntaiwan, hong kong, japan, south korea, malaysia etc...\ni understand the concern of being too broad, but it is an intro. for people that don\'t\nprobably dig subtitles all that much.  i\'m not trying to preach to the converted.\ni think people can learn so much more than the film itself...maybe culture, values geography \nassociated with the film.  \n\nalso, the point about different influences and catalysts...i\'m sure even if you just pick a\nhandful of hong kong directors,  there\'s are many influences be it other films, literature,\nphotography etc...\n\ni appreciate all coments,\n---nana','5c14b70a874795e19cff8503307c7457',0,'','1Pw4EZR7',1,0,'',0,0,0),(432,162,3,1,0,'69.120.114.47',981198439,1,0,1,1,1,1,'Hectate','Re: asian newave...','Acque--I was simply relating to my liking thitherwards the guy.  I may have diverted upon the subject matter on the board--yet it was not to deliberately loose you.\n\nI\'ll watch out next time.  I like your website, by the way--oops, I digress yet again.','69654d4b4bb72df3cd3f2e44204a3542',0,'','JrvQbYcN',1,0,'',0,0,0),(433,162,3,1,0,'69.120.114.47',981621336,1,0,1,1,1,1,'nana','Re: asian newave...','bunny---\n\ni don\'t recall bashing you.  i simply said form is important.  i personally try to dig a film from many perspectives, most if not all of which lead to of the mind and of the heart(like most things).  for me ultimately, it is the \nheart that matters though i love cerebral film also.  \ni don\'t know what more to say.  keep watching what you like,\nultimately it is you that matters, but be open to new things.  i\'m not a big 8.5 fan nor big citizen kane fan.  \nactually...i don\'t think the films in the top 10(this site) are that great.  \n---nana\n\n','57bbc433a76862686481238098cc7892',0,'','9g6UHmKa',1,0,'',0,0,0),(434,162,3,1,0,'69.120.114.47',981749215,1,0,1,1,1,1,'acquarello','Re: asian newave...','My only resistance is that if the term \"new wave\" is applied too loosely, then the distinction between a stylized, high energy  film (like \"Chungking Express\" and \"Hana-Bi\") and a simple action film is blurred. \n\nOn a side note, please discontinue the venomous language being posted on this forum – it goes against the spirit of community that the owner of the site is trying to foster. \n\nacquarello\nwww.filmref.com','1abe6a8d73b99965ca79a03c36caf5b3',0,'','ulfpFQci',1,0,'',0,0,0),(435,162,3,1,0,'69.120.114.47',981841591,1,0,1,1,1,1,'theairburns','Re: asian newave...','I\'m trying to find any info (reviews I can\'t find) on a film I saw recently, Angel Dust by Sogo Ishii--a remarkable film.','63ab3ee021a3bf9583143aa6fd624fe1',0,'','N1UzSHdc',1,0,'',0,0,0),(436,162,3,1,0,'69.120.114.47',981841605,1,0,1,1,1,1,'theairburns','Re: asian newave...','I\'m trying to find any info (reviews I can\'t find) on a film I saw recently, Angel Dust by Sogo Ishii--a remarkable film.','63ab3ee021a3bf9583143aa6fd624fe1',0,'','mXhJRP27',1,0,'',0,0,0),(437,162,3,1,0,'69.120.114.47',981981240,1,0,1,1,1,1,'katsuben','Re: asian newave...','i love racking my brain when i watch a film but not to find \"hidden\" meaning. when one becomes familiar with style it becomes clear what is being said by virtue of how it is being said. it\'s not about discovery of secrets, watching good cinema is rewarding because it exercises the mind, much like a 5 mile jog exercises the body better than a few rounds of taebo in the morning. bunny, you like plot twists (in general) right? because they surprise and provide pleasure because you didn\'t expect them. well, actively analysing film technique as the movie unfolds is like having a plot twist every few seconds (in a good film) and it can be an immensely more satisfying experience. that\'s about the best way i can think of explaining the love of film form. once you open that little box of inestimably beautiful jewels nested in the corner of the cinematic preponderance of fool\'s gold, there\'s no turning back. it makes it very difficult to watch television! :) i hope this doesn\'t sound snobbish because it\'s not supposed to. i really am very passionate that film be studied formally in school, taught as grammar is taught to effectively understand language. film without form is like language without grammar, and the only reason we take grammar for granted (us lucky ones) is because it\'s second nature. most of the world reads film as if they were 8 year olds struggling with verbs, nouns, and adjectives. obviously, it\'s far more fun to read shakespeare (okay, fitzgerald. . .) when one knows the syntax of english. passionate rant complete. my apologies. . . :-/','68bfc2b742f87e23b31bd6d1450d38bd',0,'','DfblZwBq',1,0,'',0,0,0),(438,162,3,1,0,'69.120.114.47',982040383,1,0,1,1,1,1,'nana','Re: asian newave...','ok...i used to be into punk(underground music)  there is a similar analogy concerning forms in film/music.  maybe it will help...or not.  i.e.  rage against the machine, for example, is very anti-imperialism/anti-corporate multinational domination/almost socialist in its ideals. revolutional!!!!!! blah, blah, blah lyrically.\nthey do benefits, have radical video on mtv, blah, blah blah...\nyet they are/were on sony(a very big multinational corporation right and got paid pretty well i imagine)  there\'s the contradiction...bashing\nthe mtv generation with a mtv video???\n\nmy point:  they use the same formula/technique/form as the mainstreram media to try to subvert the medium itself.  fugazi, on the other hand, have minimal ties with big companies and don\'t outright preach against the mainstream\nparadigm, but they are using the \"form\" to subvert.\n\non to film...\n\ntake Darren Aronofsky\'s recent requiem for a dream and a stanely kwan film for example.  they both try to subvert the dominate paradigm, but one uses the content/story(requiem) while the other uses form(kwan) and frankly, kwan\'s work is \nwayyyyyyy more important(i know it\'s only my opinion)than this techno/ravie/predictatble/shocking wannabe\n requiem for a dream trash. \n\n---nana\nps.  i do think content is important also, but many filmgoers, stated in funkyduck\'s response, go no further than content.  it\'s so sad.\n\n','cb278a50c70cf0135e1ff2fa1043f76b',0,'','Qx6gzM41',1,0,'',0,0,0),(439,162,3,1,0,'69.120.114.47',982079519,1,0,1,1,1,1,'katsuben','Re: asian newave...','in agreeance vis a vis \'requiem for a dream\'. disappointing. it\'s like aronofsky knew he had one chance to make a not-very-subtle downbeat film while he was hot and he took it, which is admirable. but the product is a farce. question: is aronofsky directing blame (or at least responsibility) on the individual or on some kind of television/fantasy/ideology? in either case, the material is mis-represented. quite a disaster.','aa64b5f918dcfac822ba1a848bfd59df',0,'','1JijWQ8x',1,0,'',0,0,0),(440,162,3,1,0,'69.120.114.47',982079726,1,0,1,1,1,1,'katsuben','Re: asian newave...','in agreeance vis a vis \'requiem for a dream\'. disappointing. it\'s like aronofsky knew he had one chance to make a not-very-subtle downbeat film while he was hot and he took it, which is admirable. but the product is a farce. question: is aronofsky directing blame (or at least responsibility) on the individual or on some kind of television/fantasy apparatus? in either case, the material is mis-represented. quite a disaster.','f0739f19656a362e28fb3ac0a646905b',0,'','Sja2otkf',1,0,'',0,0,0),(441,162,3,1,0,'69.120.114.47',982079907,1,0,1,1,1,1,'katsuben','Re: asian newave...','damnit! :)  [there is a slight difference in the posts! a correction of terms due to unhappiness with correctness.] my pardons.','8da14fe025cf76c54242cf9520036bdd',0,'','E2MjAsh1',1,0,'',0,0,0),(442,162,3,1,0,'69.120.114.47',982100794,1,0,1,1,1,1,'nana','Re: asian newave...','anyone know that regae tune from chungking express is by?\n\"everyday is a new day...\"  was it?  anyway, any info would be great, i always wanted to find out, but didn\'t know where to look.  wong kar-wai films\' music selection is something else.  piazzolla\'s tango in happy together!!!  the strings in ashes of time!!!  even wong faye\'s dreams cover in ck express woes me...not to mention frank zappa and the turtles!!!\nsucker for pop music i am.\n---nana\nps.  i\'m quite nervous about in the mood for love...it seems to be too hyped and too gorgeous  i heard some say it\'s his best, but i have a bad gut feeling about it.  also, is it true yi yi is not being release at all here(us) in theatre?','5cf88d9bdb756b90ab970ec01373f308',0,'','ap3SXiqt',1,0,'',0,0,0),(443,162,3,1,0,'69.120.114.47',982127537,1,0,1,1,1,1,'theairburns','Re: asian newave...','Requium for a Dream is probably the most miunderstood film this year.  The theme of abandonment dominates the thinking of many artists in films (Egoyan\'s Sweet Hereafter was direct).  The thing is, modern man and woman are alone (Dylan sings, \"We\'re all left stranded here, but we\'re all doing our best to deny it\").  Aronofsky makes it clear that the two kids in love, caught in their defensive narcissism, are just not able to connect.  This is the modern dilemma.  We can\'t trust, not really, because there is no tangible evidence for trust.  We are fearful of each other and deny it.  But being horribly, frighteningly alone--how does a person deal with it?  Distraction.  I think the point of the film is that the horror of being alone/abondoned in the world without a clue of how to go about connecting with another human soul--even one\'s own son, mother, girlfriend or friend--leaves us no choice but to seek distraction, to not think (Dylan sings, \"There\'s no time to think\").  We can pursue fame, wealth, power, sex, knowledge, watch television, shoot dope--it\'s all the same thing because it is all death in the absence of an intimate connection--we are the walking dead.  In Pi Aronofsky implies that we lack the essential ground, the transcendent.  Life and love are right in front of us everyday (the little girl, her mother, the swaying tree branch) but we cannot connect because we have abandoned the transcendent.  Now we seek a fix.  We can no longer point our finger at the drug addict and pretend his life is more wretched than ours.  Or rather, we can, by a seemingly elevated distraction, even talking about films.  And the more we passionately pursue life  without ground, the more staccato life becomes (the form of Requiem) and more empty, violent and meaningless.','3b0710695d126e88bb8722e4860bc1dc',0,'','6kusParl',1,0,'',0,0,0),(444,162,3,1,0,'69.120.114.47',982132732,1,0,1,1,1,1,'katsuben','Re: asian newave...','an impassioned reasoning on requiem, but don\'t you think antonioni represented similar themes in a far superior fashion? talk about abandonment in requiem, aronofsky certainly abandons subtlety! i don\'t take well to having very obvious subjects rammed into my head in such an unappealing manner. do you think aronofsky was aiming for a misanthropic reading? i don\'t see what there is to think about with this film because the material has no subtext. i think one major difference between requiem and, say, L\'Eclisse, is that antonioni is self-consciously aware of his position within the society he is representing and reflects it within the context of the film. aronofsky seems to want to stand outside and preach. relentlessly. but maybe i should watch it again (yikes) before passing final judgement. prior knowledge of the thematic might change the interpretation.','1828da3bc3bc223c0dc2d2d45d76aad2',0,'','z0dcplD6',1,0,'',0,0,0),(445,162,3,1,0,'69.120.114.47',982136195,1,0,1,1,1,1,'theairburns','Re: asian newave...','Antonnioni is the master.  His Red Desert covers all the themes of alienation, abandonment, violence (to the human soul)and holds up little hope (the hope is at the end when the woman and child walk away w/the industrial wasteland in the background and one senses that this woman, who is obviously mad, is the one who has hope because she is looking at the wasteland for what it is--her madness(nervous breakdown) brought on by a trauma that reveals the fragility of life and thereby the deep fear of death.  But her nervous breakdown is a nervous breakthrough, an awakening, if she can through grace chart a way out of the madness, something we never find out, but in her there is hope. Everyone else in the film is like all the characters in Requiem, giving themselves over to endless distraction, and the upper-crust have more money for more distractions and thereby can more easily pass through life without ever having to look at their living deaths.  In Eclipse the stock market it the grand distraction, as the television show is for the mother in Requiem.\nIt is easier to reach the soul through quiet and minimilism, imagery and sound.  But Aronofsky\'s blazing autopsy on the lie we live must be commended.\n     The human person in Antonnioni\'s world is lost (La Aventura & Blow Up being very direct in this theme).  We cannot find each other--we are all lost in assigned identities, or identities we adopt to simply have company to stave off the alienation, but this is a more terrible aloneness.  During Blow up, the photographer\'s roomate, an artist, points to a piece of paint in an abstract drawing and says that that is the center of the picture.  At the end Antonionni frames a similar canvas, and the spot is the human person, the center.  Antonnioni obviously loves life/humanity.\nYes, Antonnioni is the master.  Aronofsky is a New Yorker (so am I) who is in your face.  But when our neighbors are walking around traumatized by this terrible abandonment, sometimes we can\'t help oursleves--we scream! (Aronofsky)\nOf all the young directors, Egoyan is a true master artist, and it is no coincidense that Antonnioni asked him to take over directing his latest film if he is not able to finish it.  I\'m certain A is tipping his hat to Egoyan.\nBut there are important artists, and then there are the masters, like Antonnioni, Tarkovsky, Bergman, Godard  and Teshigahara.  But I appreciate every effort at diving into the truth from where the artist stands, regardless how great their gift.','e8c0d533594db084fd204e43b60cb100',0,'','gupXU7Lm',1,0,'',0,0,0),(446,162,3,1,0,'69.120.114.47',982137835,1,0,1,1,1,1,'theairburns','Re: asian newave...','I failed to answer your question:  no, I don\'t think Aronofsky is aiming at anything misanthropic.  And I do see subtlety in Requiem, although it might not be subtle to others.  I loved how he used the camera angels to show with pure image the narcissistic nature of the two kids\' love affair.  In one of the most important philosophic/theological works in modern times, God Without Being, Jean-Luc Marion argues that all relationships are either idolotrous or iconic, the former a form of self love in disguise, the latter the other as a way to the transcendent, to escape self-absorbtion by moving out of oneself to higher ground (Beatrice in Dante).  The book is thick in its reasoningg, and I\'d prefer a hiaku, a summing up, and Aronofsky does this with an image.  Also, the poem by Frost (I can\'t remember the title--I don\'t usually read poetry) where the man walking through the woods in a state of melancholy, and a piece of snow falls off a branch down his neck, and it shocks him back to centeredness, out of his self-absorbtion, and this is reminiscent of what they used to do in mental hospitals, a person in deep melancholy, throwing him in a tub filled with ice water.  And this is the appraoch of Aronofsky.  It can be maddening, but slow death is all around us.  Pi convinced me that Aronofsky\'s concern is that we reach each other, to not accept the death sentence.','fe6b8423eca13c99ab1e2b1b17676023',0,'','fxtar7Uo',1,0,'',0,0,0),(447,162,3,1,0,'69.120.114.47',982138575,1,0,1,1,1,1,'nana','Re: asian newave...','ok...i might see it again too(just to be sure i suppose), but i don\'t think i can handle all the \ndigital/special effect of requiem again.  i think you are reading way too far into it airburn...\nbeside, you can almost relate alienation to almost anything. even so... i still don\'t get how you \ncan compare requiem to l\'avventura!!!    Darren Aronofsky to Michelangelo Antonioni  or robert\nbresson???  ok.  we\'ll see in twenty or thirty years or so...but i highly doubt it.\n---nana ','47cad5a9543015b7e637475c0b8c3f58',0,'','ra0lRCi8',1,0,'',0,0,0),(448,162,3,1,0,'69.120.114.47',982138777,1,0,1,1,1,1,'nana','Re: asian newave...','theairburns---\nsorry if i mispelled your name, didn\'t mean any harm ok.\n---nana','843c74cd8a17b239db3f870f1cb66d6b',0,'','sxQlMrkp',1,0,'',0,0,0),(449,162,3,1,0,'69.120.114.47',982139937,1,0,1,1,1,1,'theairburns','Re: asian newave...','I wasn\'t trying to compare Antonioni and Aronofsky, except in saying Antonioni is a master artist and that many artists, especially in film, are way ahead of the social scientists in exploring abandonment and the depth of voyeurism as the mangled norm in our society.  Hitchcok\'s masterpiece, Vertigo, preceded works like Cronenberg\'s Videodrome (based on the insights of Marshall McCluan), but even Hitchcock I wouldn\'t place alongside Antonionni and Tarkovsky.  I say this because master artists encompass the whole spectrum of the human condition in their time, not any particular malady or glory.  That\'s why I say Egoyan, who explores modern themes as well, I\'d say better, than any artist out there, is a master artist.  Somehow in his works the entire spectrum of the human condition comes through.','b9d4813843e17f57101b275f5b7feba7',0,'','T5SqNLj0',1,0,'',0,0,0),(450,162,3,1,0,'69.120.114.47',982155922,1,0,1,1,1,1,'katsuben','Re: asian newave...','theairburns, cheers for your thoughts. i agree with the bulk of your interpretation with respect to alienation and isolation. as peter brunette made clear in his book on antonioni, it is too obvious to read L\'Avventura and the other films of the trilogy + Red Desert as purely investigating that thematic. of particular importance to brunette, for example, is that antonioni seemed to be responding to the context of economic boom in italy (a financial growth that leads to upper middle-class citizens such as Sandro to indulge in frivolous lifestyle). also, remember his speech at cannes in 1960 where he stated his feelings about the inability of human morality to evolve. the isolation reading is but one of many and this is what makes antonioni\'s work constantly studied. aronofsky\'s work does not have such layers. (god, it\'s not a crime! but given a choice between the two. . .i just wouldn\'t want to over-appreciate aronofsky for what amounts to a loud, melodramatic, unsympathetic film.)','bd360795147cf32662b87b0e4194099d',0,'','6GFJxl4V',1,0,'',0,0,0),(451,162,3,1,0,'69.120.114.47',982216435,1,0,1,1,1,1,'theairburns','Re: asian newave...','I never heard the speech by Antonioni about the inability of morality  to evolve.  But I would suggest that that is because morality more and more is power-based, used to manipulate or to gain one-up on another human being.  An artist or monk or anyone else who gains a moral insight and then communicates it, it quickly becomes a weapon for advantage in the hands of fear-based, power-grabbing fools.  The great artists steer clear of judgment--they are explorers, and they, more than anyone, are usually surprized in what they find.\nI actually arrived at this site in search of some info on a remarkable film I found at random, knowing nothing about the film in advance, and then seeing it I couldn\'t find any information on it (Angel Dust)--I just loved how the plot develops around two elite professionals who cannot escappe inflicting damage out of their vast emptiness.\nI don\'t really know enough about film to be involved in discussions (I never read a book about films, except Tarkovsky\'s Sculpting in Time.  I just early on lived  in films and have been profoundly affected by them, and that\'s why I appreciate every attempt of an artist, regardless how talented, to pursue truth in this medium).\nNana, you are right--it\'s easy to discover alienation themes, and that\'s because they\'re everywhere, because, in fact, they are everywhere in life!  It\'s almost as if an artist not acknowledging that at some level somehow avoids encountering any character of substance.  Maybe I did read too much into Requiem, although it seems Aronofsky is direct in his compassionate portrayal of really good, decent persons pursuing the good in the only context they are familiar with.  What is tragic is not the relentless horror, but that it is happening to people who are essentially good.  And for me this is a metaphor for the human predicament in our time. As a child I would be physically tortured on a regular basis, whereas my sister had gifts and praise showered on her in every minute.  She was tortured in a more subtle way, and she would eventually commit suicide.  What saved me is that the violence was in my face, I knew what it was and could more easily deal with it.  Alice Miller in her pop psychology book, The Drama of the Gifted Child, states that abuse, no matter how severe, doesn\'t make a child crazy.  What drives a kid mad is abuse that cannot be acknowledged, when the kid actually questions his/her sense of being tortured.  I would suggest that what Aronofsky is showing is what was done to most of us in the latter part of the 20th century.  It is that severe, and the main reason we shut down (a form of madness-dissociation)is that we have no justification to feel damaged.  That\'s why I call Requiem an autopsy on the human condition.  He cuts through the surface of calm and finds a story of relentless torture.','a44e3f8e1cf9ae3b4583e058363ac133',0,'','XUtWVhm2',1,0,'',0,0,0),(452,162,3,1,0,'69.120.114.47',982310559,1,0,1,1,1,1,'theairburns','Re: asian newave...','Before I leave, I have to say that art, when it is genuine art, cuts deep.  During the 80s I watched  men and women in L.A. destroy their dignity in the name of art.  That wasn\'t art--it was the artistic impulse looking for a home.  If art is going to stake its claim, it can\'t flinch.\nThanks for listening.','62133767f50458e27cd5e5ae546a8a59',0,'','82HVCixJ',1,0,'',0,0,0),(453,163,3,1,0,'69.120.114.47',979611964,1,0,1,1,1,1,'jason-greendog','International short Films','if any of you want to find great places to find international short films, check out \ngreendogfilms.com','e6f8a1b619f5d30657f03dc7b83864d2',0,'','lyvm4jVa',1,0,'',0,0,0),(454,164,3,1,0,'69.120.114.47',980196781,1,0,1,1,1,1,'heatherfrank','Show Me Love','Great Swedish film about two young girls, for those who like the realism of films like \"Mifune\".','1bb5d761055993d415dc002e57d2cfc2',0,'','3zBdH07Z',1,0,'',0,0,0),(455,164,3,1,0,'69.120.114.47',982013672,1,0,1,1,1,1,'tekez','Re: Show Me Love','Excellent - excellent - excellent film!','c0337006f18b4d7c42be66d153877ea9',0,'','XplNBPmz',1,0,'',0,0,0),(456,164,3,1,0,'69.120.114.47',992042798,1,0,1,1,1,1,'whoisjohn_galt','Re: Show Me Love','I love this film!! I actually posted here last month looking for the title of this movie, and the search was well worth it. I watched it twice in a row.','887f365d338b283aa20f6f095f741b53',0,'','VWdqkFAj',1,0,'',0,0,0),(457,164,3,1,0,'69.120.114.47',997036339,1,0,1,1,1,1,'No_one','Re: Show Me Love','One of the best movies I have seen in a long time.  If you were ever a teenager, had a crush on somebody, or felt trapped by the chains of adolescence you will love this movie.  I highly recommend this film.','a1dc9391d3773ef7691c146599379818',0,'','wXCBfLim',1,0,'',0,0,0),(458,164,3,1,0,'69.120.114.47',1000782470,1,0,1,1,1,1,'PunkWashGurl','Re: Show Me Love','OH i just saw this movie the other day.. it is SO good','4b93b283f8c4dcbc77d2d7806ab2f0f7',0,'','egrGwNu3',1,0,'',0,0,0),(459,164,3,1,0,'69.120.114.47',1010220116,1,0,1,1,1,1,'john-5','Re: Show Me Love','yes,superb','dd5511e14e1558561d5b64aa1733cb5f',0,'','A5anYtd9',1,0,'',0,0,0),(460,164,3,1,0,'69.120.114.47',1038267105,1,0,1,1,1,1,'stof_','Re: Show Me Love','I have one complaint about this movie. too short! I wanted more dammit. \n\nand its kind of sad that north american audiences are so uptight that they had to change the name. I\'m going to keep calling it fucking Amal no matter how many weird looks I get','834b6b3d079aadc3cbab26eb78be463f',0,'','BD1l84xK',1,0,'',0,0,0),(461,164,3,1,0,'69.120.114.47',1042415842,1,0,1,1,1,1,'HASSELBAINK007','Re: Show Me Love','Groovy and Interesting','77551b7f645c253aded238e19774802c',0,'','sWiydVUu',1,0,'',0,0,0),(462,164,3,1,0,'69.120.114.47',1042422088,1,0,1,1,1,1,'gratefultiger','Re: Show Me Love','Ingmar Bergman called it a masterpiece (he is right)!\na wonderful believable film a joy!','4be6b5429570b37a095141efa0ce99e6',0,'','Xx0RHdQY',1,0,'',0,0,0),(463,164,3,1,0,'69.120.114.47',1049496928,1,0,1,1,1,1,'kmcalma','Re: Show Me Love','I dont generally go in for gay themed films but I found this one particularly good...( not a prude, its just not my thing)','04c8954ca650290887c27eba747cbca2',0,'','MwAxdeak',1,0,'',0,0,0),(464,164,3,1,0,'69.120.114.47',1058456756,1,0,1,1,1,1,'donnie','Re: Show Me Love','Were can I buy the dvd of this movie ( living in London )\nThanks','60e440811f2a638a21aadf32a1cfa986',0,'','q5kMhAwF',1,0,'',0,0,0),(465,164,3,1,0,'69.120.114.47',1060347327,1,0,1,1,1,1,'sydney1','Re: Show Me Love','Hi Donnie I am afraid there is no UK release on DVD of this movie. In The UK only the VHS tape has been released. Only the region 1 US version is available in English. Btw I am webmaster of fucking-amal.com and just registered to this site. Cool to see how this film is appreciated five years after release. I wrote a review about this film on this site. ','c1d9dfd3644418a17c59d93d9720d036',0,'','r9toMfc4',1,0,'',0,0,0),(466,164,3,1,0,'69.120.114.47',1064090465,1,0,1,1,1,1,'Ria','Re: Show Me Love','[b]I love this film!!![/b]  It’s originally titled “Fucking Åmål”.  \n\nThe same director also did [i]”Tillsammans”[/i] (Together) which is also a brilliant film.  You can buy this one on DVD. \n\nHe also did Lilja 4-ever, which I haven’t seen but I know it’s not at all the same kind of uplifting film as the two others.  It\'s very dark.','45f5fa74df2f40e83a83d6612d78dcd2',0,'','ewWZHuj1',1,0,'',0,0,0),(467,165,3,1,0,'69.120.114.47',980196926,1,0,1,1,1,1,'heatherfrank','Winter Sleepers','Earlier film by Tom Tykwer...stylish visuals & symbolism.','3ca4a155238bc41d02fdf38260a9389e',0,'','fjysmStZ',1,0,'',0,0,0),(468,165,3,1,0,'69.120.114.47',981184715,1,0,1,1,1,1,'worldparty1999','Re: Winter Sleepers','I watched this one last week.  I felt the visuals were wonderful as you expressed.  Of course I loved the back drop of Bavaria.  I am still wondering what town it was shot in.  I did, however, feel that story line what not fantastic, and moves a little.  Still worth watching.  A welcome change from most American films.','6b9b355f90643cc0e083536e72aba2b7',0,'','DaCNbGKM',1,0,'',0,0,0),(469,165,3,1,0,'69.120.114.47',981973685,1,0,1,1,1,1,'katsuben','Re: Winter Sleepers','a pleasant surprise. tkywer likes playing with different visual styles (music video, naturalism, continuity), somewhat like herzog -  finding the style for the material rather than imprinting his \"own\" method on everything. the dissolve through the girl kissing the skier at the end was wonderful! i\'m not quite certain how landscape effects characterisation in this film but it seems worth interpreting. about the only comparison i can draw among his 2 films i have seen is that he seems to have a healthy sense of irony. i wonder if he\'ll get that green card? ;)','5371192cd965fa2b923e553427843a6a',0,'','WVE8eP5a',1,0,'',0,0,0),(470,165,3,1,0,'69.120.114.47',981973964,1,0,1,1,1,1,'katsuben','Re: Winter Sleepers','(well, i forgot the obvious: externalising emotion with camera movements and non-diegetic music.)','feab85c3d7b13a204d49c710c4fdb3ba',0,'','VBiLnc1C',1,0,'',0,0,0),(471,166,3,1,0,'69.120.114.47',980887205,1,0,1,1,1,1,'backstage1','THE MAHABHARATA - SEE IT!  HEAR IT!','Go to: \n\nhttp://playsthething.homestead.com/thevedictheatrecompany2.html\n\nWe need backers and producers. We have no competition. We are the only theatre of it\'s kind in the United States. We bring the ancient classics of India to life. We will go to Broadway. We will make these classics major motion pictures.','6dc44d6de508575f878758e18959a11f',0,'','jqJPEnXo',1,0,'',0,0,0),(472,167,3,1,0,'69.120.114.47',981153622,1,0,1,1,1,1,'nana','how to start a film society?','any knowledge of how to start a film society, how/where to get/borrow foreign classic films etc...\ni live in a relatively small town in southeastern usa.\n---nana','f8fbd2c1f89480d210af7a26490c532d',0,'','aH1u2hCt',1,0,'',0,0,0),(473,167,3,1,0,'69.120.114.47',981248156,1,0,1,1,1,1,'acquarello','Re: how to start a film society?','Have you tried renting from Facets.org?  They  have several membership tiers which include rentals.  Their collection is quite impressive.\n\nacquarello\nwww.filmref.com','a86ffdc3494a87324c429943d3e5d8c1',0,'','hYPZlHtC',1,0,'',0,0,0),(474,167,3,1,0,'69.120.114.47',981278941,1,0,1,1,1,1,'nana','Re: how to start a film society?','thanks, though i\'m really interested in getting film rather than video.  i think the impact of watching say rocco and his brothers on big screen is much different than on a 20\"\nt.v.  is there a way to project from a video or dvd player?\ni was in boston a couple years back and i think they(public library) showed masculine feminin in 16mm(i think) on to the wall.  it was great!!  well...i guess i\'ll have to stick to my tv and videos for now.  \n---nana','04e86d0a50e84ce742f532919e59bdac',0,'','mxVTBMD5',1,0,'',0,0,0),(475,167,3,1,0,'69.120.114.47',981279737,1,0,1,1,1,1,'nana','Re: how to start a film society?','acquarello---\n\nyour site is pretty amazing.  \ni\'ll learn dreamweaver and mess \nwith photoshop more often.\ndid i mention your site is awesome?\n...design as well as content.\nquite impressed,\n---nana','149cd96b5211f8b4cbb0200f4d513dae',0,'','cisd14Yy',1,0,'',0,0,0),(476,167,3,1,0,'69.120.114.47',981571313,1,0,1,1,1,1,'nitin jagdish','Re: how to start a film society?','hey acquarello, \ni checked out your website, and loved it.\nhow much did i love it?\nit was already on my list of website favorites.\n\nwhich means ---\n1. it\'s a small world, even on the internet\n2. my level of observation is about that of a slug','d8033a2e20d8904ec9ef32a222e2d28e',0,'','rgxDTBNy',1,0,'',0,0,0),(477,167,3,1,0,'69.120.114.47',981677136,1,0,1,1,1,1,'aguirre','Re: how to start a film society?','Hey nana, does your town have an arts council? They might be interested in sponsoring a fledgling film society. Having an arts council on your side might help when it comes to approaching a local theater to let you show a film once and awhile Also, I can imagine renting theatrical prints might be expensive, so having an arts council and a theater behind you could really help. As for videos, I\'ve heard of ceiling-mounted VCR/DVD projectors, but have no idea as to what they cost. \n\nI live in a small southern town myself, and I have been interested in starting a film society. However, you probably know as well as I do that the biggest obstacle in starting up a film society in a small town is public interesst. Good luck wih any plans you have!  ','51c2638001b7562e0a85c5af7c52bbe1',0,'','ylTfJkn2',1,0,'',0,0,0),(478,167,3,1,0,'69.120.114.47',981677311,1,0,1,1,1,1,'aguirre','Re: how to start a film society?','Pardon my spelling by the way...Can\'t we go back and edit our posts?','5b6ab735c1266f22a98dee1c95fa2b31',0,'','lmJFb3LQ',1,0,'',0,0,0),(479,167,3,1,0,'69.120.114.47',981747492,1,0,1,1,1,1,'acquarello','Re: how to start a film society?','Another place to start is the local library, especially if they have the equipment (16mm or 35mm projector) or a screening room.  Places like Kino, New Yorker Video, and World Artists all have rental services.  Kino\'s published rates are from $100 to $1000 (for more popular/recent titles).  New Yorker Video actually has Kiarostami\'s \"The Wind Will Carry Us\" and Hodges\' \"Croupier\" available for rental, but I\'m sure the price is steep for those. \n\nacquarello\nwww.filmref.com','c27fc5989edd2202aef4d5ec8457f679',0,'','AUa0dJcC',1,0,'',0,0,0),(480,167,3,1,0,'69.120.114.47',981975061,1,0,1,1,1,1,'katsuben','Re: how to start a film society?','well i\'m very lucky in that i can hire 16mm films for approx. US$12. if you can find a decent provider, then all you\'ll need is a projector, some reasonable speakers, a white wall, and a few minutes practice threading and looping. so the biggest problem is getting the films and getting them at a price that you can afford because chances are the audience is a) going to be small and b) not going to pay more than a few dollars to see what you\'ve got to show. i have no idea how the american archival system works so i can only wish you luck. (by the way, my society is based at a university and i am given a grant to screen films. the process would be the same independently except i wouldn\'t get the money! :-/)','46e0c20837d70803b313acb26c894f7d',0,'','gYmWfelh',1,0,'',0,0,0),(481,168,3,1,0,'69.120.114.47',981586502,1,0,1,1,1,1,'jlitch','SKIN OF MAN, HEART OF BEAST','http://www.leisurefeat.com\nWinner: Best Film, Best Actor, Locarno International Film Festival','9a0a4cde41eed61d792b54b30045cb80',0,'','PzCxTqDZ',1,0,'',0,0,0),(482,169,3,1,0,'69.120.114.47',982082832,1,0,1,1,1,1,'katsuben','DVD comments','Would anyone be interested in comparing evidence of decent/average/pathetic DVD video and audio transfers? I am especially concerned about non-Criterion releases (the Image company in particular) and would like to get opinions from film watchers rather than some of the film hoarders who review stuff on express or amazon. Of highest interest to me at the moment is the quality of \'I Am Cuba\'. I can\'t discover anywhere what \'scope it was shot in, the DVD is 4:3 which surely cannot be correct ratio! So, yeah, anybody who buys DVDs and has information, want to give it up? :)','6d26aa3bf2e6778177ffcfac2c91b893',0,'','sT4roQpN',1,0,'',0,0,0),(483,170,3,1,0,'69.120.114.47',982083058,1,0,1,1,1,1,'katsuben','Pola X','Can anyone provide a comparison of \'Pola X\' with Leos Carax\'s earlier feature films? It is yet to see the light of day in Australia. Same for \'Time Regained\', \'Eternity and a Day\' (supposedly on cable soon), and \'Flowers of Shanghai\'. If you see these films, think of me. . . :-/ *sigh*','861debbc79bbfdcf49831aa7bda0e43c',0,'','JfM5kNm3',1,0,'',0,0,0),(484,170,3,1,0,'69.120.114.47',982088231,1,0,1,1,1,1,'acquarello','Re: Pola X','I did not care for \"POLA X\" at all.  While the other Carax films that I had seen, \"Mauvais Sang\" and \"Lovers on the Bridge\" had a thematic reason for its characteristic rawness, \"POLA X\" seems to be schizophrenic and indecisive.\n\n\"Time Regained\" can be best described as lush, surreal, very fluid, and in my opinion, very true to the spirit of Marcel Proust.  Very beautiful film.  The way that the time visually weaves from present to past, and from event to event is quite amazing. \n\n\"The Flowers of Shanghai\" feels very insular and hermetic – the characters have little or no interaction with the outside world.  In that sense, it is markedly different from his earlier films like \"City of Sadness\", \"A Time to Live and a Time to Die\", or \"Goodbye South Goodbye\".  Hou\'s command of ellipsis is exquisitely showcased.  This film reminds me a little of Kenji Mizoguchi\'s \"Street of Shame\", as one of the \"flower girls\" schemes to buy her freedom.  An excellent film.\n\n\"Eternity and a Day\" is a languidly paced film that is very contemplative.  As in \"Time Regained\", the flashbacks are seamless and fluid, although the main character, Alexandre, remains old.  I preferred this film to Angelopoulos\' \"Ulysses\' Gaze\", but does not reach the levels of his masterpieces, \"Landscape in the Midst\" or \"The Travelling Players\".  This one reminds me a little of Andrei Tarkovsky\'s \"Nostalghia\", in which the protagonist\'s spiritual journey is symbolically depicted as a physical wandering. \n\nIn case you\'re interested, \"POLA X\" is available on UK Region 2 DVD; \"Time Regained\" is available on UK Region 2 DVD and coming soon to Region 1 (3/27); \"The Flowers of Shanghai\" is on Hong Kong DVD with non-removeable Chinese and English subtitles; \"Eternity and a Day\" is available on UK-PAL VHS.\n\nIf you any questions on the quality of these films on DVD and PAL VHS, feel free to post or email me.  I have most of them (except \"POLA X\", which I only saw once at the NYFF) in my collection.\n\nacquarello\nwww.filmref.com','b33465df48865a2412bf093bd7609948',0,'','YXB0pW8q',1,0,'',0,0,0),(485,170,3,1,0,'69.120.114.47',982156079,1,0,1,1,1,1,'katsuben','Re: Pola X','thanks acquarello. well. . .since you asked, if you have any transfer info on the following it\'d be appreciated -- The Hole, Vive L\'Amour, Tokyo Drifter, I Am Cuba, The Red Desert (bad reviews), Happy Together (bad reviews), The Seventh Seal, The Passion of Joan of Arc, Cleo from 5 to 7, Ohayo. thanks!','d6590b6b4e75c8e3421053f90b34fc31',0,'','WBYAqxKE',1,0,'',0,0,0),(486,170,3,1,0,'69.120.114.47',982171232,1,0,1,1,1,1,'acquarello','Re: Pola X','I don\'t have \"I am Cuba\" from the list but I have the others.  I\'ll have to get back with you on some of them later this evening, since it\'s been a while since I saw them.\n\n\"The Hole\" - Oddly enough, I have been watching this film for the past few days and just added it to my site last night.  It is letterboxed, non anamomorphic, with removeable English subtitles.  The transfer looks great, with good color saturation (especially the Grace Chang musical numbers) and clean detail.  Recommended.\n\n\"Vive l\'Amour\" - colors are more muted than \"The Hole\".  Detailed evaluation forthcoming.\n\n\"Tokyo Drifter\" - Good, clean transfer, very nice, saturation of color without bleedthrough.  I didn\'t care too much for the film, itself, though.  Recommended if you\'re a Suzuki fan.  Incidentally, \"Branded to Kill\" is incompatible with some early generation players, like my old Panasonic A-110 and L-50 portable, which either freezes at the layer change or randomly pixellates.  It plays fine on my Sony DVP-670D or Toshiba SD1600.\n\n\"Red Desert\" - Good, warm colors.  I\'m surprised by the bad reviews, other than the reviewers took the bleak and cloudy landscape to be pastiness of the film.  Detailed evaluation forthcoming.\n\n\"The Seventh Seal\" - Nice, sharp black and white.  I don\'t remember any glaring imperfections.  Detailed evaluation forthcoming.\n\n\"The Passion of Joan of Arc\" - Excellent transfer and restoration, very good black and white detail.  There was one scene change at the jail that was very worn (lots of black noise), but is certainly the best print of the film that I have ever seen.  You also have the option of turning off Einhhorn\'s \"Voices of Light\" soundtrack.  Highly recommended.\n\n\"Cleo from 5 to 7\" - Excellent transfer and source print, very good and true colors in the opening scene (with the Tarot reader), sharp detail on the black and white.  Detailed evaluation forthcoming.\n\n\"Ohayo\" - A lot of people seem to grumble at this Criterion release, but it looks very good to me.  The image is full frame (non-anamorphic) and the sound is mono.  There is one section with the English tutor that momentary jumps and is torn, another spot where the white privacy screen seems to flicker, and another when the shadow of the aunt is seen and seems to be choppy.  However, the colors are warm and slightly muted, and very true to the films of the period (the color palette in \"An Autumn Afternoon\" are similar).  I watch this one at least once a week - the little boy, Isamu, is hilarious.) - Definitely worth a purchase, especially since it\'s the only Ozu on DVD.\n\nacquarello\nwww.filmref.com','422c2d1894dce09af6a7a7d16cdfe3a1',0,'','d7WyF9v0',1,0,'',0,0,0),(487,170,3,1,0,'69.120.114.47',982174702,1,0,1,1,1,1,'acquarello','Re: Pola X','Oops!  Forgot about \"Happy Together\".  The transfer is very good, letterboxed (1.85), non-anamorphic, and the print quality is also very good, with some minor dust and scrathes.  The lush colors are true and the detail is crisp.  Highly recommended.\n\nIncidentally, \"Happy Together\" and \"Fallen Angels\" are both from Kino, which is another DVD manufacturer that I\'m very fond of.  They also did the Andrei Tarkovsky\'s \"The Sacrifice\" and \"Mirror\", and are currently working on releasing Sergei Paradjanov\'s \"The Color of Pomegranates\" and \"Ashik Kerib\" and \"Legend of the Suram Fortress (the latter two as a double feature) on DVD.\n\nacquarello\nwww.filmref.com','e603db41ca3c637056bf3e75dc8b9047',0,'','64AjQoKC',1,0,'',0,0,0),(488,170,3,1,0,'69.120.114.47',982204534,1,0,1,1,1,1,'acquarello','Re: Pola X','The Seventh Seal - Non-anamorphic, 1.33, mono, optional English subtitles.  Great transfer, sharp contrast, crisp black and white.  DVD contains a Peter Cowie commentary, illustrated filmography and restoration demonstration.  Not my favorite Bergman film, but a good introduction to his work.  Highly recommended.\n\nVive l\'Amour - OAR presentation (1.66), non-removeable subtitles, very good color, contrast and detail, although interior shots seem a little dark (ignore earlier comment on color), very good print (only occasional specks and scratches).  Recommended.\n\nRed Desert - Original print is in good to very good condition (a fair amount of specks and scratches, but not overly distracting), OAR presentation (1.85), non anamorphic, transfer is very good, colors are warm and true, very good detail and contrast.  As I mentioned earlier, I don\'t understand the reason for the poor reviews.  The only thing that I can see is that the reviewers saw the sooty, ash covered landscape (especially near the refinery) as a lack of detail or color.  Great film and highly recommended DVD (and an infinitely better introduction to Antonioni\'s oeuvre on DVD than the regrettable \"Beyond the Clouds\").\n\nThe Passion of Joan of Arc - Non-anamorphic, 1.33.  The DVD also contains a commentary by Caspar Tybjerg, an audio interview (off camera) with Falconetti\'s daughter (Helene Falconetti), a history of the turbulent events that ultimate destroyed the original negatives of the film.  Highly recommended, one of the best film DVDs available on Region 1.\n\nCleo from 5 to 7 - Non-anamorphic, OAR presentation (1.66), excellent detail.  Story is lighter and more innovative camerawork than the harrowing, cinema verite style of \"Vagabond\".  Highly recommended for fans of nouvelle vague or Agnes Varda.  However, I would recommend \"Vagabond\" first as an introduction to Varda.  There is also a cool cameo with Michel Legrand, composer of the music to \"The Umbrellas of Cherbourg\", which was directed by Varda\'s husband, Jacques Demy.  \n\nacquarello\nwww.filmref.com','324331e9e7c7909e302e035ffaca0984',0,'','omla1rpq',1,0,'',0,0,0),(489,170,3,1,0,'69.120.114.47',982221091,1,0,1,1,1,1,'katsuben','Re: Pola X','thanks, that was very extensive. good news about the incorrectness of the reviews on Il Deserto Rosso and Happy Together.','bd8e604aa9a4f1b5fe313c723fff92bf',0,'','HcnXEN8d',1,0,'',0,0,0),(490,170,3,1,0,'69.120.114.47',982894740,1,0,1,1,1,1,'acquarello','Re: Pola X','FYI - Three Leos Carax films are coming to Region 1 DVD on April 10:\n\nMauvais Sang\nBoy Meets Girl\nPOLA X\n\nacquarello\nwww.filmref.com','4e815c7e0660fbdecf132f2488c262e6',0,'','iJ9kaDpw',1,0,'',0,0,0),(491,170,3,1,0,'69.120.114.47',982983899,1,0,1,1,1,1,'firetree65','Re: Pola X','I do have the \"Red Desert\" on DVD released by Image Ent. and I\'m thoroughly satisfied with the transfer and image resolution which is a far cry from the VHS version I saw. The only flaw (?) I noticed is the inconsistent hue which occurs in between distance shots. For instance, on medium shots, a reddish hue was prominent and when it shifts to close-ups, it becomes yellowish and even bluish at times. I don\'t know if this is deliberate or not. I know this is Antonioni\'s first color feature and the film relied heavily on color symbols. What do you think acquarello?','d27a78d266be93cf95a1b8eb76b51cf0',0,'','pWj5xmz7',1,0,'',0,0,0),(492,170,3,1,0,'69.120.114.47',983125285,1,0,1,1,1,1,'acquarello','Re: Pola X','I don\'t remember the color shift off hand, and unfortunately, I\'m out of town this weekend, so I can\'t cue up the DVD until Monday night.  Any particular chapters that I should pay attention to?\n\nAs for Antonioni\'s style, though, he uses color in a similar way as Bergman (as part of the mise-en-scene), and not quite like Tarkovsky (oneiric).  I would suspect that the shift in hue is probably more to limitations of the camera lens (the angle of the incident light refracting different colors in the spectrum, since the shifts seem to occur as a function of distance), which should have been corrected in post production.  My guess is that it was just overlooked.\n\nacquarello\nwww.filmref.com','531f61ebf3b2eb0041899d9ad4f71c2c',0,'','j4thJYdN',1,0,'',0,0,0),(493,170,3,1,0,'69.120.114.47',983187455,1,0,1,1,1,1,'firetree65','Re: Pola X','acquarello, the use of colors in mise-en-scene in Red Desert (red pipes, blue bed frame in the blue room, etc.)came out well in the DVD transfer. I was referring to the exposure on some shots. They give me the impression that some continuing scenes were shot at different times of the day and it is most apparent in Chapter 13 in the DVD.  Did these exposures signify  kaleidoscopic symbolic states of hysteria or was it a technical fault that was overlooked?  One scene, where Giuliana was lying peacefully on her bed was a long shot in an overwhelming reddish hue.  Why is that?','fed83c4f6c191d1f0785f49f9410e3a9',0,'','fjygm0Eq',1,0,'',0,0,0),(494,170,3,1,0,'69.120.114.47',983291265,1,0,1,1,1,1,'acquarello','Re: Pola X','Well, I\'ve checked out the scene in question, and came up with a similar conclusion.  On the one hand, the color is definitely intended to be kaleidoscopic, since Giuliana even says something to the effect of \"I hate the factories, the colors, the people...\".  On the other hand, there is a stark variation in brightness, not just on the unfiltered shots, but also within the same hues.  The varying shades of amber were also particularly noticeable.  The fact that she had to look out of the window at night (to see the man in the street) also supports the idea that they shot the scenes out of sequence, most likely during daylight hours, to work around the nighttime window shot.\n\nSo I tend to agree that the color saturation is relevant, although the variation in light seems to be a continuity problem.\n\nacquarello\nwww.filmref.com','55c9fa48633b8519da0c22c935592ad3',0,'','egXZK2Yj',1,0,'',0,0,0),(495,170,3,1,0,'69.120.114.47',983342738,1,0,1,1,1,1,'firetree65','Re: Pola X','Thanks for taking the time in checking this out. Your insight enlightened me more about the film and transfer. Also, do you have Godard\'s \"Breathless\" DVD Region 2? If so, how was the transfer? I also do have a region free DVD player and I\'m tempted to pre-order \"8 1/2\". The rumor of the Region 1 version has been going on for over a year and there\'s still no definitive news on its release. ','bbfe963d270bb3a35cb7910cb62efa21',0,'','lhNmkAQY',1,0,'',0,0,0),(496,170,3,1,0,'69.120.114.47',983375841,1,0,1,1,1,1,'acquarello','Re: Pola X','Yes, I do have Godard\'s \"A Bout de Souffle\" on Region 2 DVD.  The original print and transfer are very good to excellent, with only a few specks and scratches.  The presentation is 1.33, and I\'m not sure if this is OAR, but that\'s the only way I\'ve seen the film.  There is also a Godard short entitled \"Charlotte Et Son Jules\" included as an extra, along with trailers.  It\'s definitely worth picking up.\n\nacquarello\nwww.filmref.com','1e09f9245076730885fd23ae4f93f3d5',0,'','M0CkvcJf',1,0,'',0,0,0),(497,170,3,1,0,'69.120.114.47',983410950,1,0,1,1,1,1,'firetree65','Re: Pola X','thanks. can\'t wait to watch that short by Godard.','e68b8dd4b0c18673628660a4181631be',0,'','GzTcsHN2',1,0,'',0,0,0),(498,171,3,1,0,'69.120.114.47',982151094,1,0,1,1,1,1,'nana','in the mood for love','is there any theatre remotely close to the southeast that will release the new wong kar-wai film?  i guess \"remotely\" means as north as n.c. as west as new orleans...as south as miami.  i know it\'s in ca,ny, and seattle,wa.  i want to see it on the big screen...else i would have gone ebay months ago!!\nany info would be great,\n---nana','d3bc437f895f60a8c214e6584829bf0b',0,'','PixYKSC2',1,0,'',0,0,0),(499,171,3,1,0,'69.120.114.47',982156781,1,0,1,1,1,1,'katsuben','Re: in the mood for love','while you have to drive a long way to see it, i have to wait until the end of march! &lt;BR&gt; but then just walk 10 minutes. . .good luck and present a non-plot evaluation when you\'ve seen it. :)','90f411404d78c10f960e2029b6dac910',0,'','8LgKCaAD',1,0,'',0,0,0),(500,171,3,1,0,'69.120.114.47',982171429,1,0,1,1,1,1,'acquarello','Re: in the mood for love','I cheated and picked this up on a Hong Kong DVD a few weeks ago.  Excellent film, good soundtrack (as usual).  It is a spare, but highly stylized - very romantic and sensual.  A good companion piece to \"Days of Being Wild\".\n\nacquarello\nwww.filmref.com','50da05d103e120ed7e8eaa2d965663e4',0,'','eX1ms7Bf',1,0,'',0,0,0),(501,171,3,1,0,'69.120.114.47',982224541,1,0,1,1,1,1,'BEK','Re: in the mood for love','Yeah, if you\'re dying to see it, and won\'t have theatre access, you can buy a copy on DVD from Poker Industries.  I recommend these guys in general for a lot of buying- they stock Asian DVD\'s and VCD\'s at VERY fair prices and good service.  (I don\'t work for them, I\'ve just happily bought lots of DVD\'s, etc from them.)\n\nThey have the In the mood for Love soundtrack as well (or at least they did during the Christmas season).  The url is www.pokerindustries.com\n\nPeace,\nBEK','05038e338c8e8579217af160990a6bdb',0,'','xEzRUTtV',1,0,'',0,0,0),(502,172,3,1,0,'69.120.114.47',982156594,1,0,1,1,1,1,'katsuben','challenge to initiate discussion/evaluation','since i\'ve participated in this message board there have been a lot of wild generalisations about \"best\" director\'s and so on. while not wanting to contribute to the spaghetti of such practices, it does stimulate a good level of discussion among us all. so i thought i\'d stoop and craft a question slightly similar but with the expectations that we\'ll have a serious amount of argument and opinion about the matter. the question is: Which living filmmaker\'s last four films (with the most recent made no earlier than 1996) as a set of works have achieved the highest levels of cinematic expression in terms of a) Intensity of Effect, b) Complexity, c) Originality, and d) Unity of Effect. The filmmaker must have made at least 4 films to date. Now - I have to ponder who on earth I would choose. . . Hope it\'s fun.','ae6d393b7afc49a27423cf48e1986e6b',0,'','itrUXw9u',1,0,'',0,0,0),(503,172,3,1,0,'69.120.114.47',982158972,1,0,1,1,1,1,'katsuben','Re: challenge to initiate discussion/evaluation','Possible names I might like to throw into the basket at this early stage (not much thought put in yet): Hou Hsiao-hsien (Flowers of Shanghai, Goodbye South Goodbye, Good Men Good Women, The Puppetmaster),   Shohei Imamura (Dr. Akagi, The Eel, Black Rain, Lord of the Brothels),   Wong Kar-Wai (In the Mood for Love, Happy Together, Fallen Angels, Chungking Express),   Lars Von Trier (Dancer in the Dark, The Idiots, Breaking the Waves, Europa),   Tsai Ming-liang (The Hole, The River, Vive L\'Amour, Rebels of the Neon God),   Atom Egoyan (Felicia\'s Journey, The Sweet Hereafter, Exotica, Calendar),   Nikita Mikhalkov (The Barber of Siberia, Burnt by the Sun, Anna, Close to Eden),   Abbas Kiarostami (The Wind Will Carry Us, Taste of Cherry, Through the Olive Trees, Life and Nothing More),   Theo Angelopoulos (Eternity and a Day, Ulysses\' Gaze, The Suspended Step of the Stork, Landscape in the Mist),   Patrice Leconte (The Widow of Saint-Pierre, Girl on the Bridge, Half a Chance, Ridicule),    Pedro Almodovar (All About My Mother, Live Flesh, The Flower of My Secret, Kika),   Zhang Yimou (The Road Home, Not One Less, Keep Cool, Shanghai Triad),   etc! Or will someone like Ang Lee be favoured? Obviously the specifications don\'t fit somebody like Raul Ruiz which is unfortunate. However, if any director deserves to escape categorisation it should be Ruiz! Enjoy. . .or not.','2688a878a577c85c4e50ad097624bdb8',0,'','k75VLAYb',1,0,'',0,0,0),(504,172,3,1,0,'69.120.114.47',982274636,1,0,1,1,1,1,'nana','Re: challenge to initiate discussion/evaluation','first of all, let me say i haven\'t had to much experience with comtemporary foreign films(i spent most of my $$ renting classic ozu, mizoguchi, bresson etc...i feel i should see them first), but here is my choice:\n\nwilliam chang/christopher doyle/wong kar-wai\n1)in the mood for love-days of being wild\n2)happy together\n3)chungking express-fallen angel\n4)ashes of time\n\ni grouped in the mood... and days... together because i here they are very similiar(though i haven\'t seen in the mood)\nalso chungking... and fallen angel together because they had the same feel, plus it was suppose to be one movie.\n\ni assume everyone know who chris doyle is(anyone seen away with words?).  william chang is wong kar-wai\'s \"art production director\", but he is one of wong kar-wai closest\nfriend and collabarator.  most if not all those amazing visuals shot by chris are envisioned/made by william chang not to mention the editings.\n\ni can write about the great cinematography, art, and dialogues of a wong kar-wai films for hours  i.e the tango dance lesson in happy together, the choppy story lines of ashes of time which all build up to an incredible climax with maggie cheung \"the women\" scene at the shore, the magnificent care-free faye wong in chungking,  the wide angle  experiment in fallen angels, the hynotic personal fave days of being wild \'s dialogue...\n\nbut the main reason why i chose chris/william/kar-wai is \nthat they have influenced the hong kong cinema/culture(and giving me hope) oooooo soooooooo much!!!!\nimagine living in hong kong, where 98% of the population is \nchinese...which mean conformity, practicallity, and money are the only norm, then think of the films...\n\nashes of time: the most espensive hong kong movie made...not to mention it\'s two year production time, its metaphorical storyline, its set/cinematography...and its financial failure.  not your average hong kong kung fu film!!! \ni think its influence on hong kong\'s mentallity will last\nin times to come.  \n\nhappy together:  think nicolas cage and tom cruise in a gay\nhollywood film!!  and remember...we are talking chinese...\nopen homosexuality?  oh...william chang is openly gay.\n\nfaye wong\'s character in chungking...antithesis of your typical chinese.  she works restaurant jobs to make just enough to travel, not to study...so carefree in the modern\nday \"time is everything hong kong.\"  \n\ndays of being wild\'s mood/mores...similar to oshima\'s cruel story of youth.  theme and its other post modernity.  \n\ni\'ve gone long enough...just see it for yourself if you haven\'t...but the big flaw of wong kar-wai\'s film is that it\'s too beautiful, too nostalgia, and where the hell do i meet someone like he zhiwu, faye, or su lizhen?\n   \nthen i watch a hou hsiao hsien film or meet real people...\nand i get disappointed because they are just not\ntragic/romantic enough!\n---nana\n','aa20c2913519069ec40e24e4bf74230f',0,'','sdRjQ2A8',1,0,'',0,0,0),(505,172,3,1,0,'69.120.114.47',982298117,1,0,1,1,1,1,'acquarello','Re: challenge to initiate discussion/evaluation','Personally, I was very pleased with Patrice Leconte\'s \"The Girl on the Bridge\" and think of the film more as a return to form after a series of uneven films after \"Monsieur Hire\".  I thought that \"Ridicule\", \"Parfum d\'Yvonne\" and \"The Widow of St. Pierre\" were good, at best.\n\nOne filmmaker whosw work always impresses me is Aleksandr Sokurov.  I have only seen four of his films - \"The Stone\", \"Oriental Elegy\", \"Mother and Son\" and \"Dolce\" - but they are all exquisitely photographed, spare and haunting.  Like Krzysztof Kieslowski, Hirokazu Kore-Eda and Abbas Kiarostami, Sokurov also began his career as a documentarian (and still continues to film documentaries), and I think that this innate concern for humanity is revealed through his films.  Like Andrei Tarkovsky, his films are also deeply spiritual, although more secular and \"grounded\", and in this sense, has a certain immediacy of purpose to it.\n\nacquarello\nwww.filmref.com','1fd895714e52a5c5364aadf43d341e79',0,'','t6nYk4lc',1,0,'',0,0,0),(506,172,3,1,0,'69.120.114.47',982312699,1,0,1,1,1,1,'katsuben','Re: challenge to initiate discussion/evaluation','i have seen parts of \'Away with Words\' and was not impressed at all. the framing was horrendous and the lighting lacked the striking contrast of colour temperatures signature to doyle\'s work. he was present to discuss his films and seemed quite pleased with his own directorial effort. he had, however, drunk three-quarters of a bottle of red wine by this stage so his judgement may have been slightly slurred. . .','5cfa548c85a06c41d6ed281d0efa43dd',0,'','6bVUsmrJ',1,0,'',0,0,0),(507,172,3,1,0,'69.120.114.47',982375556,1,0,1,1,1,1,'firetree65','Re: challenge to initiate discussion/evaluation','Firstly, thanks to you all guys for your postings on this message board, especially you funkyduck.  I\'m in the process of discovering new films and your posts help a lot. I\'m no longer at liberty in cinema hopping unlike when I was younger and my film interest has downgraded into collecting the latest DVD of past foreign film favorites. I\'d rather listen to your fresh and more profound views than the usual generic stuff one gets from even the most seasoned critics. I\'ve been shying away from Asian cinema because not knowing how great their films have become.  One of the last ones I\'ve seen was \"Yellow Earth\" and though I was thoroughly impressed, I thought the rest of their cinema was of the same stuff. Then I discovered Wong Kar-Wai (Happy Together & Chungking Express) and a whole new world of cinema was opened to me. I\'ll be eagerly looking for the other films on your posts. The feeling reminded me of the time I first discovered Antonioni and Rublev - two film makers who genuinely know what they\'re talking about. Antonioni\'s mindscape and Rublev\'s dumbfounding use of scripture in cinema are unparalleled anywhere. I\'m keep an eye on Hao Siao Hsien and I\'m excited already. I\'ll let you know how it goes. Cheers!','99c95f40bbf12edb6312c08ad58de663',0,'','PReLtuWc',1,0,'',0,0,0),(508,172,3,1,0,'69.120.114.47',982389301,1,0,1,1,1,1,'katsuben','Re: challenge to initiate discussion/evaluation','thanks! you just made my day. it\'s nice to know that my often strong assertions don\'t constantly offend people\'s sensibilities. i\'m pleased to spread the word about Hou Hsiao-hsien whom i consider is the working, living director most in control of narrative rhythm and mise-en-scene. i also recommend Tsai Ming-liang\'s \'Hole\'.','5f9a9d07a3e1847f38371507cfc62191',0,'','6u72hXgL',1,0,'',0,0,0),(509,172,3,1,0,'69.120.114.47',982433897,1,0,1,1,1,1,'acquarello','Re: challenge to initiate discussion/evaluation','firetree65, since you have a DVD player, I recommend \"The Flowers of Shanghai\" Hong King DVD.  It\'s currently the only Hou Hsiao Hsein film that out on DVD.  The Chinese and English subtitles appear concurrently, and are non-removeable, but the transfer is very good, and the film itself is exquisite, delicate, and other wordly.\n\nSome of the other hidden Asian film gems to watch out for on DVD, in addition to Tsai\'s \"The Hole\", is \"Vive l\'Amour, also from Tsai.  I agree with funkyduck though, \"The Hole\" is a better introduction to Tsai\'s work.  Edward Yang\'s \"Yi Yi\" is being released on 5/8 (personally, I thought that this should have been the Taiwanese entry at the Academy Awards instead of CTHD).  There are also Chen Kaige\'s films (\"The Emperor and the Assassin\" and \"Farewell my Concubine\") but Chen is fairly well known internationally.\n\nOn the Hong Kong DVD side, there is Stanley Kwan\'s \"Center Stage\"; WKW\'s \"Chyngking Express\", \"Ashes of Time\" (better transfer than the Region 1 release), \"Fallen Angels\"  and \"In the Mood for Love\"; Nagisa Oshima\'s \"Gohatto\"; Anh Dung Tran\'s \"Xich lo\" (or \"Cyclo\", from the director of \"The Scent of Green Papaya\").\n\nOn the VHS side, I highly recommend Tian Zhuangzhuang\'s \"The Horse Thief\" and \"The Blue Kite\" on Kino VHS.\n\nacquarello\nwww.filmref.com','8669add1d8f91afc2f60e9bcd1e4e920',0,'','U5vbjhg2',1,0,'',0,0,0),(510,172,3,1,0,'69.120.114.47',982434226,1,0,1,1,1,1,'acquarello','Re: challenge to initiate discussion/evaluation','Oops, forgot to recommend Hirokazu Kore-Eda\'s \"Maborosi\" and \"After Life\".  I am infinitely fascinated by his interweaving of reality and fiction.\n\nIncidentally, firetree65, I think that you meant to say Andrei Tarkovsky (the director) instead of Andrei Rublev (the film).\n\nacquarello\nwww.filmref.com','1ee2e6504cccf6cd34a0850e8f8a025f',0,'','pnKuRHY9',1,0,'',0,0,0),(511,172,3,1,0,'69.120.114.47',982436763,1,0,1,1,1,1,'firetree65','Re: challenge to initiate discussion/evaluation','oops... my bad, I meant Tarkovsky on that. Thanks acquarello and funkyduck. Just now, I\'m excited already. Thanks for your recommendations. I know I\'m in good hands. The quality ratio on foreign films I\'ve watched recently (and that means about a decade) is 3 good to 7 mediocre so my film interest downspiralled to lukewarm through the years. But then even the goods ones I would not consider gems when one thinks of the film revolution that erupted through the 50\'s and 60\'s. The best film maker I\'d consider to date is Lars Von Trier but then I\'ve only seen a couple of his films - \"Breaking the Waves\" and \"Element of Crime\". These films coming from Asia will definitely revive my passion in films. The 80\'s was a scarce decade considering the promise it showed early on. Where are Bertrand Tavernier and the Taviani brothers?  Acquarello, you seem to have a large collection of film material or source. Do you know if \"Amagi Pass\", a Japanese film in the 80\'s is available in any format? I watched it in a film festival somewhere but lost track of it. Lately, not a few foreign film material dwelt on coming-of-age memoirs or the world in the eyes of children.  Not that they are not of interest to me but don\'t we have enough of these - notwithstanding the same filmmaking technic employed. Are these films supposedly generated for the US market which seems to favor them? Funkyduck, I just ordered the Hole from Amazon. Will let you know of feedback.','5ed004021f060e7ca73fb18a19da379c',0,'','Q7ZRD1Mz',1,0,'',0,0,0),(512,172,3,1,0,'69.120.114.47',982439575,1,0,1,1,1,1,'acquarello','Re: challenge to initiate discussion/evaluation','I checked a few places and it doesn\'t look as though \"Amagi Pass\" was ever released on home video in the US, UK or Hong Kong (so that it would have English subtitles).\n\nAlso, I highly recommend Sokurov\'s \"Mother and Son\" if you\'re a Tarkovsky fan.  It is available on DVD with an excellent transfer.  Sokurov\'s works are nearly impossible to see (I caught two of of his films at last year\'s NY Festival of Russian Films), so this DVD is a real gem.\n\nBy the way, I have been actively collecting films for about 20 years - I may have a tiny house and an unassuming car, but, hey, I have a lot of cool films in my  library!  ;)\n\nacquarello\nwww.filmref.com','e3f2b88d020d78aa001783ecbe34b9ae',0,'','plrALkaK',1,0,'',0,0,0),(513,172,3,1,0,'69.120.114.47',982445716,1,0,1,1,1,1,'nana','Re: challenge to initiate discussion/evaluation','oshima is neither from hong kong nor chinese.  i didn\'t know what you meant by \"on the hong kong dvd side...\"\nalso i do not own a dvd player, but have seen a couple and both had a director commentary version of the film.  is this a standard?  standard in asian dvds also?\nfiretree65, it is great that you have found asian cinema...hope you enjoy it!!\n\ni watched afterlife recently.  the premise is amazing and the first 3/4 of it is quite good...but i think toward the end, he didn\'t quite pin down what he wanted.  it was loosely, sorta drowned out edited into semi-chaos.  i\'ll watch it again, but any comments on that? is it just me?\n---nana \n','d6caf037f38abe50ad068edb4e10bb98',0,'','QtiVszxU',1,0,'',0,0,0),(514,172,3,1,0,'69.120.114.47',982463113,1,0,1,1,1,1,'acquarello','Re: challenge to initiate discussion/evaluation','nana, just to clarify:  Hong Kong DVDs are non-coded DVDs manufactured in Hong Kong.  The reason that I specify them separately is that you will can only find them in a store that specializes in Hong Kong DVDs - they wouldn\'t be available in a local Blockbuster or online at Amazon, for example.\n\nDVDs are coded differently according to regions.  The US is Region 1, UK  is Region 2, etc. , and you can\'t play a DVD outside your region unless you have a region free player.  But a Hong Kong DVD will play in any region because they are non coded.\n\nBy the way, in addition to Oshima being Japanese, Anh Dung Tran is also Vietnamese/French.\n\nacquarello\nwww.filmref.com','4884e8e237a0cb6e433f4cf080d441ad',0,'','gQqR2yNc',1,0,'',0,0,0),(515,172,3,1,0,'69.120.114.47',982468343,1,0,1,1,1,1,'acquarello','Re: challenge to initiate discussion/evaluation','Regarding \"After Life\", I was greatly intrigued by Kore-Eda\'s synthesis of the documentary with the traditional narrative.  As I stated earlier, Kore-Eda is one of the filmmakers who started out as a documentarian.  Like Kiarostami\'s films, especially the Earthquake Trilogy (\"Where is my Friend\'s Home?\", \"And Life Goes on...\", and \"Through the Olive Trees\") and \"Close Up\", the interview process often reveals more of what is not said, than what is.  On the \"After Life\" DVD, there is a transcript of Kore-Eda\'s own personal experience about a family member with Alzheimer\'s, and his idea on the film was to examine the \"relativity\" of memory.  For me, \"After Life\" was intensely reminscent of Alain Resnais films on haunted memory and altered perception, but with a sparer, more accessible approach.  By the way, Kore-Eda is another contender in this category, since he made three documentaries prior to his first feature, \"Maborosi\".\n\nacquarello\nwww.filmref.com','007df0a356d996075c8ca1b36312d6f5',0,'','oXdDxmfh',1,0,'',0,0,0),(516,172,3,1,0,'69.120.114.47',982580580,1,0,1,1,1,1,'firetree65','Re: challenge to initiate discussion/evaluation','acquarello, thanks for checking. I remember watching the film in a film festival in Manila in the 80\'s. I\'m also looking for the winning film \"19 Chowingrhee Lane\", an entry from India which I missed to watch. Not sure of the spelling. Also, I checked your website - awesome is all I can say! I loved your reviews especially the films of Bergman and Tarkovsky. I was just wondering how come Costa-Gavras doesn\'t seem to be popular in this website. Hardly are his name or works mentioned. I believe his works are landmarks in film making and though his political views are no longer popular in this age, his films deserve some mention in film discussions. I remember in the 70\'s and 80\'s when film talks never missed him.','9aef3ffd65c1caf3e06a41ade4e2bf1c',0,'','SxTNHXrM',1,0,'',0,0,0),(517,172,3,1,0,'69.120.114.47',982678958,1,0,1,1,1,1,'acquarello','Re: challenge to initiate discussion/evaluation','Regarding \"36 Chowringhee Lane\", it doesn\'t look as though that film has been released on home video either, although it does occassionally appear on European TV.\n\nAs for Costa-Gavras, he and Andrzej Wajda certainly rank among the finest politically-themed directors out there (although I would place Wajda higher).  Unfortunately, \"Mad City\" was poorly executed, but \"Z\", \"Music Box\", and \"Missing\" are all intelligently conceived and highly engrossing.\n\nacquarello\nwww.filmref.com','477ce0470f4c18faf16f6d360ea48f39',0,'','37pJ14xP',1,0,'',0,0,0),(518,172,3,1,0,'69.120.114.47',982889556,1,0,1,1,1,1,'firetree65','Re: challenge to initiate discussion/evaluation','bunny. I\'m always glad to be of help. In my own experience, my film judgment has changed a lot through watching films recommended by friends. Like I said, every film is a learning experience if we have a willing and open mind towards it. It also helps to read cinema history through film books and learn how film evolved through the years. Ciao.','32b71051c8b32d582f6d7d30ee70f882',0,'','ehVt7TmW',1,0,'',0,0,0),(519,172,3,1,0,'69.120.114.47',982889986,1,0,1,1,1,1,'firetree65','Re: challenge to initiate discussion/evaluation','acquarello, thanks for the info. I knew I was not sure of 19 :-))). I guess you\'re right about Costa-Gavras. I guess I was more inclined to mention Pontecorvo whose \"Battle for Algiers\" is a definitive film landmark.  Do you have the following films in your library? \"Angi Vera\", \"Yol\", \"Lies My Father Told Me\" by Jan Kadar, \"The Firemen\'s Ball\" by Milos Forman, Polanski\'s \"Cul-de-Sac\", Bertolucci\'s \"Luna\". Thanks. ','b7c6c523b059b74e051356e2dd5d43a6',0,'','wLX3Dulf',1,0,'',0,0,0),(520,172,3,1,0,'69.120.114.47',982893039,1,0,1,1,1,1,'acquarello','Re: challenge to initiate discussion/evaluation','I only have a few from the list:  \"The Firemen\'s Ball\" (Forman) on VHS and \"Yol\" (Goren) and \"Cul-de-sac\" (Polanski) on PAL VHS.  Unfortunately, I haven\'t seen \"Angi Vera\", \"Lies My Father Told Me\", or \"Luna\" -- I have \"Luna Park\" though, does that count? ;-)  I checked Blackstar.co.uk, and \"Angi Vera\" is available on PAL VHS - is it worth picking up?  The site description is rather scant.\n\nacquarello\nwww.filmref.com','e12efdca1dedcd0f826b33d1b652c9c2',0,'','QExfMrK0',1,0,'',0,0,0),(521,172,3,1,0,'69.120.114.47',983052325,1,0,1,1,1,1,'firetree65','Re: challenge to initiate discussion/evaluation','acquarello. \"Angie Vera\" was one of those films that were bravely released from the then Eastern Bloc nations like Hungary. Despite its political milieu, it also succeeded artistically and it should be worth a spot in one\'s library. \"Amagi Pass\" was shown in a Montreal film festival in the 80\'s and won some acting (? not sure) awards. I thought the cinematography was impressive. \"Lies My Father Told Me\" by Jan Kadar is a childhood memoir shot in a Jewish ghetto in Canada. Very lyrical and unsentimental. I checked the British video site and found out that Fellini\'s 8 1/2 and La Dolce Vita will be released on DVD soon. I also found out that their DVD version of \"Aguirre, the Wrath of God\" is in widescreen. The US DVD version is standard so are other great films being released by New Yorker Video. ','733b234fa22dd27aaa163c23a5a16ee6',0,'','8a6DfpPu',1,0,'',0,0,0),(522,172,3,1,0,'69.120.114.47',983124485,1,0,1,1,1,1,'acquarello','Re: challenge to initiate discussion/evaluation','firetree65, I do have \"La Dolce Vita\" on pre-order in Region 2 (I also have a region free DVD player), but I\'m holding off on \"8 1/2\" because at one point, it was in the rumor mill for DVD release in Region 1 this year.\n\nAs for the Anchor Bay/Werner Herzog DVDs, I had checked the OAR for \"Aguirre:  Wrath of God\", and it was indeed 1.33 (full frame).  However, on the \"My Best Fiend:  Klaus Kinski\" Herzog documentary, \"Aguirre is also presented in widescreen.  This topic came up on another forum (Home Theater Forum), and the consensus was that the documentary footage was actually matted for widescreen presentation.  Given that Herzog is personally involved with Anchor Bay on the releases of his films (he provided the source materials), the DVDs actually reflect \"director\'s intent\".\n\nacquarello\nwww.filmref.com','949d5e4ec397f42202d1a7fe1ed37b34',0,'','nw0oC1Tf',1,0,'',0,0,0),(523,172,3,1,0,'69.120.114.47',983410560,1,0,1,1,1,1,'firetree65','Re: challenge to initiate discussion/evaluation','Finally, I watched my first Hou Hsiao-Hsien film - \"Flowers of Shanghai\". What a film! A visual feast whose settings are the mere interiors of a chinese brothel. It\'s also probably the most boring film I\'ve seen, bar none. And yet when I held through the end, the images, mood, ambience still lingers in my mind. Ozu is the closest director I can compare Hsien with yet I find Hsien more skillful in holding a narrative, or one like that of \"Flowers...\" if you can call that a narrative. Not a few (in fact, very rarely) can a director get away well with flying colors in directing a film like this. Well, that\'s just like saying that no director would care to make such a film if he hadn\'t the talent of HSH. As I was watching it, I kept saying to myself, when is this gonna end, for Pete\'s sake? and yet I relished every scene that was confronted to me. I had to watch it twice because the English subtitles were clashing with the Chinese characters and although I realized later on that I could go on without even reading the subtitles, the dialogue was where the thrust was although I didn\'t even have to be interested in it. The DVD transfer could use more detail since it suffers a bit in softness. What a great experience to discover \"excitement\" in a superlatively boring film! This is a first for me. At least, Ozu never bored me. Can\'t wait for my next HSH film. What\'s out on DVD? I checked Amazon.com and can\'t find it there.','2d13a01035f6d3820a98c257c8a3176a',0,'','dFscTBpW',1,0,'',0,0,0),(524,172,3,1,0,'69.120.114.47',983415148,1,0,1,1,1,1,'acquarello','Re: challenge to initiate discussion/evaluation','Unfortunately, that\'s it for Hou on DVD.  I was able to pick up \"City of Sadness\" on PAL VHS before it went out of print, but could no longer find \"The Puppetmaster\".  In the US, Facets carries \"A Time to Live and a Time to Die\", which along with \"City of Sadness\" is considered his masterwork.  They also carry \"Dust in the Wind\".\n\nAs for \"The Flowers of Shanghai\", \"hermetic\" probably best describes the film.  There is literally no interaction with the outside world, although external events clearly affect the existence of the \"flower girls\".  What struck me most in the film was the recurring image of the amber glow of the oil lamp on the table.  Visually, it was as if the lighting of the lamp brought the characters to life, and the characters ceased to exist when the fire died out.\n\n\"The Flowers of Shanghai\" is a transitional film for Hou, so it is not necessarily indicative of all his work.  His earlier films are historical, and often dealt with the turmoil and lost identity of Taiwanese Chinese.  Currently, he is working on a contemporary film about the Taipei nightlife.  However, his use of ellipsis, long takes, and largely static camera (although, unlike Ozu, his angle varies slightly with each repeated perspective shot) are beautifully showcased in the film.\n\nacquarello\nwww.filmref.com','a0457525ea36d78bb44fc8d7c8e675a2',0,'','qrQFSYo2',1,0,'',0,0,0),(525,172,3,1,0,'69.120.114.47',983525885,1,0,1,1,1,1,'katsuben','Re: challenge to initiate discussion/evaluation','Okay, my favourite topic, Hou Hsiao-hsien. Cool. I have not seen \'Flowers of Shanghai\'. It has not been released in Australia but I must purchase it on Region 1 pronto. Not to be too aggressive with the common opinion, but I disagree that \'A Time to Live and a Time to Die\' is Hou\'s masterpiece. Why? \'Time to Live\' does not exemplify the mature HSH style, the aesthetics of which are alluded to by acquarello. In addition to this list, I must include: the foregrounding of space; cutting on axis (quite a rare device in contemporary cinema); off-screen sounds and voice-overs; entrances and exits on axis (most especially in \'City of Sadness\'); the use of colour filters (especially \'Goodbye South, Goodbye\'); framing through doorways, screens, windows, archways; and obviously the utilisation of narrative techniques that seem to centre on a precise interest in tempo and the revealing of information made deliberately obscure in order to challenge the spectator. \'Time to Live\' has some very un-Hou like moments that seem quite jarring and ugly in light of his more recent work. Imagine the shock of seeing \'Good Men, Good Women\' or \'The Puppetmasters\' and then noticing the use of close-ups in Hou\'s earlier work! \'Time to Live\' is wonderful cinema but it is not Hou at his peak. He seems to be in complete restraint/control of mise-en-scene in \'The Puppetmasters\'. I would guess that the attention he received for \'City of Sadness\' in particular led to this exploration into a distancing style. Because he could get away with it. (Where else are these long-take, slow rhythm, deeply intricate narrative films being made? A director such as Hou can take a week or more to shoot one sequence-shot from his films. Within the various movie bureaucracies he would never be allowed such a luxury. Regardless of the fact that after such a week he would have just as much in the can as any other continuity filmmaker. I doubt if there\'d be much toom in a HSH film for the producer to re-cut!) My two favourite HSH films are \'Good Men, Good Women\' and \'Goodbye South, Goodbye\'. \'GMGW\' is possibly his most accessible film in that it has a clear emotional impact. The story is brilliantly unwound so that the final truth is not revealed until the final scene (sans coda). \'GSG\' utilises colour more than other HSH films. It has scenes of interludic grace. The acting and art direction is undeniably realistic, more so than his other films (which is saying a lot). The view of contemporary Taiwan in both these films is perhaps another reason why I place them above the traditional works (although \'GMGW\' incorporates both times into the story). It is exceedingly difficult to follow the political and socio-cultural considerations of \'City of Sadness\'. And yet, I feel that if I was so worthy (some research is perhaps needed), \'CoS\' would hold a myriad of desires until now unknown. The back-lighting is not usually a HSH formal property but I like it enormously. And the arrangement of figures in the setting is the most precise of all his works. I feel like I\'m going too far because if you\'ve read to here you must be wondering where some of these statements are coming from or indeed where they could possibly lead. I too am frowning beacuse I feel that any summary such as this of the great man\'s artworks is barely the (insert your chosen metaphor for the tiny merging with the large, here). Probably the grandest feeling of all when watching a movie for formal passion is the joy of knowing you are in the safe hands of a talented director. This is the warm fuzzy glow I get when watching Hou. Even the mistakes (yes, there are plenty - mostly to do with non-professional actors and HSH likes the errors because they provide realism) are enjoyable. If I was ever going to put a person on a pedastal it would probably be Hou. But I never will. That way I shan\'t be too disappointed if he ever decides to make an action blockbuster sequel in La La Land. Gee, here\'s hoping. . . :-/','5fa0c939255b04f57f7ec0402eceda12',0,'','LawykqH7',1,0,'',0,0,0),(526,172,3,1,0,'69.120.114.47',983526515,1,0,1,1,1,1,'katsuben','Re: challenge to initiate discussion/evaluation','I alluded to where the Hou-type of films are allowed (by film committees and investors) to be made in the world. At the moment all I can think of is Taiwan and Hungary. Edward Yang and Hou are the 2 names most commonly associated with Taiwanese cinema. In Hungary I believe Miklos Jancso is still making films and there is a new guy in town by the name of Bela Tarr whose most recent film was lost at Cannes when some kind of bungle occurred. I believe they had to re-edit before striking a new print. Amazing that this can still happen today. Tarr\'s most well-known film is \'Damnation\' which I haven\'t seen. \'Satan\'s Tango\' is a 7-hour long long-tape epic. I am exceedingly interested in seeing his films if anyone knows where they are available. Oh, I shouldn\'t forget Greece and Theo Angelopoulos. Perhaps even Argentina and Fernando Ezekiel Solanas. Anyone else?','1737bb8fb1975008f5e89ac33651d1cd',0,'','wezhMnHq',1,0,'',0,0,0),(527,172,3,1,0,'69.120.114.47',983549563,1,0,1,1,1,1,'acquarello','Re: challenge to initiate discussion/evaluation','funkyduck, since you\'re from Australia, are you familiar with Melbourne-based independent filmmaker, Bill Mousoulis, and the Senses of Cinema journal?  (http://www.sensesofcinema.com)  I\'m an occassional contributor to it (the Naruse article is mine), and they currently have an interesting article on Bela Tarr.\n\nThe only Miklos Jancso film that I\'ve seen is \"The Red and the White\", and I didn\'t particularly find it memorable.\n\nIs Jerzy Kawalerowicz still active?  I was greatly impressed with his work in the 1970s-1980s, and I was fortunate enough to be able to see some of his earlier films, but I have yet to find any of his films on home video, at least in the US.\n\nBruno Dumont is also carving out quite a name for himself with \"Life of Jesus\" and \"L\'Humanite\".  His works strike me as a more carnal, unnerving Bresson.  From Belgium, there is also Jean-Pierre and Luc Dardenne, who made the eviscerating \"Rosetta\" and \"La Promesse\".  \"Rosetta\" was my choice for top film of 1999, succeeded by Kiarostami\'s \"The Wind Will Carry Us\" and Dumont\'s \"L\'Humanite\".\n\nacquarello\nwww.filmref.com','371975d33d3db0e39beb12b54fe8fed9',0,'','nJuqbf8t',1,0,'',0,0,0),(528,172,3,1,0,'69.120.114.47',983622047,1,0,1,1,1,1,'katsuben','Re: challenge to initiate discussion/evaluation','thanks, i\'ll have to look that up. by the way, i re-watched \'City of Sadness\' today for just the 2nd time. it\'s such a chellenge narratively that i often find it difficult to get into the mood to watch. of course it\'s a great great film and certainly as much a favourite (now!) as the contemporarily set films i mentioned. now i\'ll have another look at \'The Puppetmasters\'. has anyone seen \'Daughter of the Nile\', \'Dust in the Wind\', \'Cute Girls\', The Boys from Fengkuei\' \'Growing Up\', \'Summer at Grandpa\'s\' or \'The Sandwich Man\'? (sorry that wasn\'t in chronological order.)','3d2508097e23b58c101981ddf05cfc47',0,'','jPRp0Fgy',1,0,'',0,0,0),(529,172,3,1,0,'69.120.114.47',983805089,1,0,1,1,1,1,'acquarello','Re: challenge to initiate discussion/evaluation','I\'ve only seen \"Dust in the Wind\" from the list, and it is a very understated and compelling film on the passage of time.  Despite its simplicity, the film is visually rich and the narrative structure is quite complex, but not abstruse.  Highly recommended.\n\nacquarello\nwww.filmref.com','8911761484e0dcc06a3bd06326c96b9e',0,'','9el7gAaH',1,0,'',0,0,0),(530,173,3,1,0,'69.120.114.47',982225743,1,0,1,1,1,1,'mike1049','What is difference btwn Divertimento and La Belle Noiseuse?','\nThere\'s a short version and a long version.  I\'ve seen the short version, Divertimento, is the long version worth renting?\n\nThanks.','3004d41de38889b8c6b438550131e7a3',0,'','G7tKbo0j',1,0,'',0,0,0),(531,173,3,1,0,'69.120.114.47',982229761,1,0,1,1,1,1,'theairburns','Re: What is difference btwn Divertimento and La Belle Noiseuse?','La Belle Noiseuse:  There is first God, then relationships and then art.  This film is a mediation on how relationships get mixed up in the artistic process and are in tension with each other, both processes consciously or unconsciously striving toward the godhead, the great truth.  When the artist arrives he is humbled--the work of absolute truth, transcendent truth, is greater than all the disharmony in our relentless pursuit of the godhead.','483c30242f0eb67d148f20bd4c691af6',0,'','7JjUvaG8',1,0,'',0,0,0),(532,174,3,1,0,'69.120.114.47',982278025,1,0,1,1,1,1,'cinemasmooch','Tigerland','This independent American film is by Hollywood director Joel Schumacher, who\'s taken a 180 degree turn in his style with it\'s gritty look.  It takes place in 1971, where in Lousianna, the Army had put together a training camp that was the closest thing to Viet Nam for it\'s soldiers bound for the land of rice paddies.  It stars a great actor new to movies from Ireland, Colin Farrell, with an American accent.  You can check out the website at tigerlandmovie.com for lots of info and photos.  I don\'t know what Roger\'s said about this film, but I highly recommend it.','240781d9a2dbeac16f8a26a6b44eb27c',0,'','i5LAbQ3U',1,0,'',0,0,0),(533,174,3,1,0,'69.120.114.47',982885661,1,0,1,1,1,1,'chris','Re: Tigerland','Yes Smooch and I do agree with you very much.Just when you\'re about to give up on the same Hollywood nonsense(which Schumacher had a large hand in)he pulls this film out of his hat.Bravo for him and maybe other directors of his ilk can follow.','fb4df64a7b78bced850a314edf7cab36',0,'','DqoTKGXb',1,0,'',0,0,0),(534,175,3,1,0,'69.120.114.47',982418744,1,0,1,1,1,1,'mukhos17','a few good indian films','i was browsing the net quite thoroughly for quite some time. i was amazed to find that there is absolutely no information on indian films. though recently quite a few indian films have created more than ripples in important festival circuit. namely, buddhadeb dasgupta\'s the wrestlers (uttara), which got rave reviews, reception and rewards in many recently concluded festvals including venice last year. similarly jayaraj\'s karunam and m f hussain\'s gaja-gamini were shown in berlin 2001. i want to know whether indian films have lost all relevance in the western world or the unavailability of these films in us and europe is the primary reason for absolutely no interest in indian films among many of the so called film buffs of the greater world! i am eager to receive any post on indian films.','4f89bab4a32d45d3155f27fb558a2485',0,'','mtAHu1ro',1,0,'',0,0,0),(535,175,3,1,0,'69.120.114.47',982679571,1,0,1,1,1,1,'acquarello','Re: a few good indian films','Santosh Sivan\'s \"The Terrorist\" is on my Top 10 films for 2000.  Although it is self-consciously artistic in a few places, the film raises some intriguing issues on revenge, fanaticism, duty, and affirmation of life.\n\nI also greatly admire Deepa Mehta\'s courage, resilience and determination as a filmmaker in examining very serious and socially relevant issues of contemporary India in the Elements Trilogy (\"Earth\", \"Fire\" and \"Water\").\n\nacquarello\nwww.filmref.com','9634a05e8f0ebacaf6bc3209a1f63635',0,'','0ReS45CD',1,0,'',0,0,0),(536,175,3,1,0,'69.120.114.47',982815717,1,0,1,1,1,1,'Dizzy_Bird','Re: a few good indian films','Here are some excellent Indian films you might want to consider investigating, of which the first eight are essential, all having been directed by the great Satyajit Ray; \n1 Aparajito\n2 The Big City\n3 Distant Thunder\n4 An Enemy of the People\n5 The Home and the World\n6 Pather Panchali\n7 Two Daughters\n8 World of Apu\n9 Bombay Talkie\n10 The River\n11 Salaam Bombay!\n12 Shakespeare Wallah\n\nI\'m not sure if all of these can be purchased but make sure to check amazon.com and the other e-movie sellers, plus internet movie database is a great place to begin your search for any film (imdb.com), good-luck','45020bfeb761cfac50f5759f50ea5d8d',0,'','CvPVFZxq',1,0,'',0,0,0),(537,175,3,1,0,'69.120.114.47',982819971,1,0,1,1,1,1,'acquarello','Re: a few good indian films','Although Satyajit Ray is one of my favorite directors, I think that mukhos17 is attempting to gauge the \"continued\" relevance of Indian films in 2001 beyond Ray and the Merchant/Ivory films (there\'s also \"In Custody\").  \"The River\" is actually by Jean Renoir, although according to Ray\'s autobiography, \"Childhood Days:  A Memoir\", he assisted Renoir and learned a great deal from their association.  Mira Nair\'s \"Salaam Bombay!\" is a good suggestion, though. \n\nPersonally speaking, I have also noticed an information vacuum with regards to Indian films, and I\'m not sure what the remedy is.  In the Singh \"Introspections\" interview with Satyajit Ray, Ray remarked that in the New York premiere of \"Pather Panchali\", some people were so offended by the image of people eating with their hands that they got up and walked out.  I certainly hope that in 2001, the cultural differences are no longer an issue. \n\nIt would probably help to have a passionate advocate for these films.  In the case of \"The Terrorist\", John Malkovich was so profoundly affected by the film that he personally ensured that the film had a US release.  I wish I knew the answer, but I think that distribution and publicity are the keys, and so far, Indian films seem to be languishing from inadequate international promotion.\n\nacquarello\nwww.filmref.com','7d1fc1ca88abb7677fdb557ae1e10276',0,'','uKM1SqJY',1,0,'',0,0,0),