I love this Rossellini film. I'd relate it to some parts of Pasolini's "Uccellacci e Uccellini" rather to his St. Matthew's. It's so innocent, but in a good way

On the other hand, I think of Scorsese's "Voyage to Italy" as some kind of "Neorealism for dummies". There's hardly any new insight about Italian cinema. His approach is so simplistic. There's just 15 minutes or so about his family in NY, and they don't have any relation to real post war Italians...