@ A

I haven't seen four films from your list: Medem's "The Lovers of the Arctic Circle" , Kawase's "Suzaku", Murakami's "Tokyo Decadence" and Bartas' "Three Days". Maybe some would make the list once I get a chance to see them. I liked "Cyclo" very much, but it still wouldn't make my list. "Pola x" and "The Thin Red Line" I didn't particularly care for 

@ Anasazie

I don't know why I restricted myself to a conventional understanding of feature and left out non-fiction! "Lessons of Darkness" would have made my list too (but then what would I leave out?) I've been desperate to see "The Last Bolshevik" for a long time. I've seen three Marker films so far, and I intuitively know that the Medvedkin film will sneak into my list when I do get to see it. Your 'bubbling under' list made me aware that I hadn't included Cronenberg's "Crash" and Vinterberg's 'Festen" (both of which I am very fond of) in the reckoning. On second thoughts, forgetting about these made the task a shade easier Glad to see "La Belle Noiseuse" on your list too! Picking "Happy Together" over "Days of Being Wild" was difficult. What is intriguing about "Happy Together" is that it happens in Buenos Aires, but all markers of that physical space are completely erased. Buenos Aires could well be Hong Kong and is so! The two characters are so trapped in memory that real time and space are of no consequence whatsoever! I thought this remarkable film pushes the envelope much further than any of the others, and manages to pull it off with elan! 

p.s. Why don't you review "The Last Bolshevik" on the Marker thread? Would love to know what makes you put it on your top ten 90 list. 

M