[i]Juliet of the Spirits[/i] marked the beginning of Fellini's second phase when his excesses became liabilities. Soon he began to use his name in the titles. Fellini became a commodity. I also agree with most of your other choices. I was flabbergasted by your inclusion of two favorites: [i]Last Tango in Paris[/i] and [i]Kundun[/i]. Given your excellent opinions elsewhere in this forum, I promise to be open minded about any explication you may wish to provide.