Hi arsaib, how are you? Seems like we have something in common again. 

I saw Pas sur la bouche during the French Spring Filmfest here in Manila along with other good ones like Truffaut's Confidentially Yours and Chabrol's Inspecteur Lavardin. I never expected the film to be a musical, after being so much overwhelmed of what I think the best documentary ever made by Resnais, Night and Fog. I thought it would be a serious film, an art film that will bring me back with Resnais' inventive style in Hiroshima Mon Amour and Last Year at Marienbad. Oh, it's a musical., a great musical. I wish not to detail much about the plot but the feeling while watching it is a mixture of anticipation and wishing it not to end. Of course, Audrey Tatou is there to provide the flavor and I was not disappointed at all. Her grace and difference-ness from the Amelie that we attach to her is overwhelming and well enough for me to be excited on her next film. I may not be critical enough to be aware of the film's social commentary inclination, but with Resnais' direction and a wonderful ensemble of actors, everything seems to be very fluid, reminiscent of classical cinema I really long for these days.