I was slightly disappointed with this Khoo effort. Only Theresa Chan's fact-based story had any resonance; the other two (or three, if you prefer) almost felt banal and irrelevant by comparison. Their protagonists were walking clichs who seemed to have been plucked from Amerindiedom, where the "affected" have a tendency to run into each other -- which in this case happens quite literally. Also, Khoo's shot selection and editing left something to be desired, especially for a film which was supposed to rely on a certain pace and rhythm (Tsai was certainly an influence). Perhaps the best move Khoo made was to bring Chan in near the end. She's truly inspirational.